1083:fruits of the release :::
For even before complete purification, if the strings of the egoistic heart and mind are already sufficiently frayed and loosened, the Jiva can by a sudden snapping of the main cords escape, ascending like a bird freed into the spaces or widening like a liberated flood into the One and Infinite. There is first a sudden sense of a cosmic consciousness, a casting of oneself into the universal; from that universality one can aspire more easily to the Transcendent. There is a pushing back and rending or a rushing down of the walls that imprisoned our conscious being; there is a loss of all sense of individuality and personality, of all placement in ego, a person definite and definable, but only consciousness, only existence, only peace or bliss; one becomes immortatlity, becomes eternity, becomes infinity. All that is left of the personal soul is a hymn of peace and freedom and bliss vibrating somewhere in the Eternal.
~ Sri Aurobindo, The Synthesis Of Yoga, The Release from the Ego, 363,#NFDB |
| 1084:As in the middle ages... [t]here was then no desire to communicate discoveries; science was a sort of freemasonry, and silence was effectually secured by priestly anathemas; men of science were as jealous of one another as they were of all other classes of society. ...[T]o form a clear picture of this earliest stage of civilisation, an age which represents at once the naïveté of childhood and the suspicious reticence of senility, we must turn our eyes to the priest, on the one hand, claiming as his own all art and science, and commanding respect by his contemptuous silence; and, on the other hand, to the mechanic plying the loom, extracting the Tyrian dye, practising chemistry, though ignorant of its very name, and despised and oppressed, and only tolerated when he furnished Religion with her trappings or War with arms. Thus the growth of chemistry was slow, and by reason of its backwardness it was longer than any other art in ridding itself of the leading-strings of magic and astrology. ~ Encyclopedia Brittanica (1875), #NFDB |
| 1085:During his speech, Lord Sydenham warned that the Mandate as being presented by Churchill to the League of Nations, ‘will undoubtedly, in time, transfer the control of the Holy Land to New York, Berlin, London, Frankfurt and other places. The strings will not be pulled from Palestine; they will be pulled from foreign capitals; and for everything that happens during this transference of power, we shall be responsible.’22 When the vote was taken, the views of the anti-Zionist Lords prevailed, with sixty voting against the Balfour Declaration, and only twenty-nine for it. On the following day, Major Hubert Young, a senior official in the Middle East Department of the Colonial Office, who in 1918 had participated in the Arab Revolt against the Turks, warned Churchill that the anti-Zionist vote ‘will have encouraged the Arab Delegation to persist in their obstinate attitude.’ Unless the vote in the Lords could be ‘signally overruled’ by the Commons, Britain’s pledges to the Jews would not be able to be fulfilled. ~ Martin Gilbert, #NFDB |
1086:If you choose to believe me, good. Now I will tell you how Octavia, the spider-web city, is made. There is a precipice between two steep mountains: the city is over the void, bound to the two crests with ropes and chains and catwalks. You walk on the little wooden ties, careful not to set your foot in the open spaces, or you cling to the hempen strands. Below there is nothing for hundreds and hundreds of feet: a few clouds glide past; farther down you can glimpse the chasm's bed.
This is the foundation of the city: a net which serves as passage and as support. All the rest, instead of rising up, is hung below: rope ladders, hammocks, houses made like sacks, clothes hangers, terraces like gondolas, skins of water, gas jets, spits, baskets on strings, dumb-waiters, showers, trapezes and rings for children's games, cable cars, chandeliers, pots with trailing plants.
Suspended over the abyss, the life of Octavia's inhabitants is less uncertain than in other cities. They know the net will only last so long. ~ Italo Calvino,#NFDB |
| 1087:From the first note I knew it was different from anything I had ever heard.... It began simply, but with an arresting phrase, so simple, but eloquent as a human voice. It spoke, beckoning gently as it unwound, rising and tensing. It spiraled upward, the tension growing with each repeat of the phrasing, and yet somehow it grew more abandoned, wilder with each note. His eyes remained closed as his fingers flew over the strings, spilling forth surely more notes than were possible from a single violin. For one mad moment I actually thought there were more of them, an entire orchestra of violins spilling out of this one instrument. I had never heard anything like it--it was poetry and seduction and light and shadow and every other contradiction I could think of. It seemed impossible to breathe while listening to that music, and yet all I was doing was breathing, quite heavily. The music itself had become as palpable a presence in that room as another person would have been--and its presence was something out of myth. ~ Deanna Raybourn, #NFDB |
1088:The Awakening Land" p614
But what in God's name did folks today want to make the whole world over like they were for? In her time in the woods, everybody she knew was egged on to be his own special self. He could live and think like he wanted to and no two humans you met up with were alike. Each had his own particular beliefs and his reasons for owning to them. Folks were a joy to talk to then, for all were different. Even the simple-minded were original in their own notions. They either mad you laugh or gave you pause. But folks in Americus today seemed mighty tiresome and getting more so. If you saw one, you saw most. If you heard one talk, it's likely you heard the rest. They were creacked on living like everybody else, according to the fashion, and if you were so queer and outlandish as to go your own way and do what you liked, it bothered their 'narve strings' so they were liable to lock you up in one of their newfangled asylums or take you home where they could hold you down to their way of doing... ~ Conrad Richter,#NFDB |
| 1089:At first glance, the main display case at Dicecca today looks like a selection you'll find in any cheese shop in Puglia: tubs of milky water covering hunks of mozzarella in its many guises; strings of swollen scamorze dangling from the ceiling, bronzed by their stopover in the cold smoker; small plastic containers of creamy ricotta ready to be stuffed or eaten straight with a spoon. But look closer and you'll see some unfamiliar faces staring back at you through the glass: a large bucket brimming with ricotta spiked with ribbons of blue cheese and toasted almonds, served by the scoop; a wooden serving board paved with melting slabs of goat cheese weaponized with a cloak of bright red chili flakes; a hulking wheel of pecorino, stained shamrock green by a puree of basil and spinach. These are the signs of a caseificio in the grips of an evolution, one that started more than a decade ago when the brothers took the reins from their parents and began to expand the definition of a small, family-run cheese shop. ~ Matt Goulding, #NFDB |
1090:Drink Out Thy Glass
Drink out thy glass! See, on thy threshold, nightly,
Staying his sword, stands Death, awaiting thee.
Be not alarmed; the grave-door, opened slightly,
Closes again; a full year it may be
Ere thou art dragged, poor sufferer, to the grave.
Pick the octave!
Tune up the strings! Sing of life with glee!
Golden's the hue thy dull, wan cheeks are showing;
Shrunken's thy chest, and flat each shoulder-blade.
Give me thy hand! Each dark vein, larger growing,
Is, to my touch, as if in water laid.
Damp are these hands; stiff are these veins becoming.
Pick now, and strumming,
Empty thy bottle! Sing! drink unafraid.
.....
Skal, then, my boy! Old Bacchus sends last greeting;
Freya's farewell receive thou, o'er thy bowl.
Fast in her praise thy thin blood flows, repeating
Its old-time force, as it was wont to roll.
Sing, read, forget; nay, think and weep while thinking.
Art thou for drinking
Another bottle? Thou art dead? No Skal!
~ Carl Michael Bellman,#NFDB |
1091:Longing was a feeling that was hard to live with. It didn’t ask permission. It didn’t pay attention to time or place. It was overwhelming and demanding, grasping and selfish. It clouded thoughts or made them too bright, too sharp. Longing demanded unconditional surrender. Lumikki tried to fight it and failed. She didn’t want to long and yet she longed. She didn’t want to remember, and yet her dreams and her body remembered, reminding her constantly.
The longing was physical. It was dizziness. It was a seizing in her belly. It was the need to wrap her arms around herself alone in bed when there was no one else to do it for her. She felt the longing in her fingertips that yearned to stroke, to touch, to caress. The longing made her fingers restless, fiddling with the zipper of her jacket, the strings in her hoodie, fidgeting with whatever little thing happened to her hand. The longing made her teeth bite into her lower lip, leaving it chipped and almost bleeding. She knew she was being stupid. She knew her longing was pointless. ~ Salla Simukka,#NFDB |
| 1092:Every aspect of the multipronged legal system even today is dominated by males: police, prosecutors, judges, probation officers. In addition, the state legislatures that make the laws are still disproportionately male. So how does the abuser come to the far-fetched conclusion that women are somehow lurking in the shadows, pulling strings to cause him to suffer consequences for his actions when he thinks there shouldn’t be any? This absurd leap occurs for two reasons. One is that he already has wellentrenched habits of blaming women for his own behavior. So when society sends him the message that he is responsible for what he does, he just widens the scope of his blame-projecting machine to target all women. The second is that if he didn’t blame women, he would have to accept the fact that a large proportion of men are opposed to what he is doing. Cultural values are changing, slowly but surely, and abusers cannot always count on other men to back them up anymore—a fact that makes them feel betrayed so they close their eyes to it. ~ Lundy Bancroft, #NFDB |
1093:Sir Grant Morgan looked up from his desk as Nick burst into his office before morning sessions. There was no trace of apology in his hard green eyes. “I see you’ve spoken to Sir Ross,” he said.
Nick proceeded to give vent to his outrage in the coarsest words ever conceived in the history of the English language, leveling accusations that would have caused any other man either to cower in terror or to reach for the nearest pistol. Morgan, however, listened as calmly as if Nick were offering a description of the weather.
After an extensive rant speculating on the likelihood that Morgan was nothing but a puppet while Sir Ross pulled the strings, the chief magistrate sighed and interrupted.
“Enough,” he said shortly. “You’re beginning to repeat yourself. Unless you have anything new to add, you may as well spare yourself the breath. As to your last charge— that this situation is all of Sir Ross’s making— I can assure you that the decision to remove you from the force was fully as much mine as his.”
-Morgan & Nick ~ Lisa Kleypas,#NFDB |
1094:Almost before the strings of her corset were freed, his palms slid into the bodice of her gown, closing around her breasts, filling his hands with soft, overflowing flesh, for her breasts seemed to swell of their own volition. His palms rubbed tiny circles around the points of her nipples, first one way, then the other.
She'd written about this, with Raven and Rowan. She recalled moving restlessly in her chair as she'd written the scene, pressing her hands against her bosom in order to quell the sensation that gathered there.
But this was so much better than she could have ever imagined. This, then, was what he meant by touching, she realized hazily.
Tiny needlelike pinpricks centered there, in the very peaks. He tantalized. He tormented. Yet she longed for it to go on and on, for she sensed there was more. Her lips parted. She panted softly, aware that he watched his hands lift her breasts, his thumbs whisking across her nipples, then circling slowly. Yes, he watched... and she watched, and it was arousing beyond belief. ~ Samantha James,#NFDB |
1095:He is the One in many, countless are His shapes and forms. He pervades all that exists; wherever I look, He is there. But very few perceive this reality, for Maya ever enchants us with her multiple reflections of color and alluring beauty. Everything is Gobind, Gobind is everything. Nothing that exists is without Gobind: the one thread strings innumerable beads -- Prabhu Himself is the thread, the threader, the threaded. River and waves, foam and bubbles have all their being within water itself. This play of things is the sport of Parbhama. The One cannot be thought different from the other. Hope is a lie and desire a mere dream -- yet both are construed as actual reality. But when my guru gave me his holy wisdom, I awoke from my dream and my heart yielded. Namdeva says, Behold Hari's creation; ponder upon it with all your heart, and you will see that in every pore, in every living thing, there is only the one Murari. [2184.jpg] -- from Songs of the Saints from the Adi Granth, Translated by Nirmal Dass
~ Namdev, He is the One in many
,#NFDB |
| 1096:Dak had a song he didn’t often sing for crowds, but saved for late nights around dying fires, when only the restless and bleary-eyed stuck around to listen. Enid had only heard it a couple of times, but she remembered it and sat up when he played it now. The chorus was about dust in the wind, and how everything would eventually blow away and come to naught. The melody was sad and haunting, a rain of notes plucked on the strings until they faded out, just a lingering vibration through the wood of the guitar. The sound seemed to carry, even after the song ended. “That was really sad,” one of the half dozen left on the patio said, and the words seemed rude somehow. Like after that they should have all just vanished without a word, melting into the night. “I learned it from an old man when I was just a little kid. He said it came from a place called Kansas.” Enid said, “I’ve seen Kansas on a map.” A crinkled atlas in the Haven library had the continent marked up into regions that didn’t mean much these days. “It’s over a thousand miles east of here. ~ Carrie Vaughn, #NFDB |
1097:No one needs a relationship. What you need is the basic cop-on to figure that out, in the face of all the media bullshit screaming that you're nothing on your own and you're a dangerous freak if you disagree. The truth is, if you don't exist without someone else, you don't exist at all. And that doesn't just go for romance. I love my ma, I love my friends, I love the bones of them. If any of them wanted me to donate a kidney or crack a few heads, I'd do it, no questions asked. And if they all waved goodbye and walked out of my life tomorrow, I'd still be the same person I am today.
I live inside my own skin. Anything that happens outside it doesn't change who I am. This isn't something I'm proud of; as far as I'm concerned, it's a bare minimum baseline requirement for calling yourself an adult human being, somewhere around the level of knowing how to do your own washing or change a toilet roll. All those idiots on the websites, begging for other people to pull their sagging puppet-strings, turn them real: they make me want to spit. ~ Tana French,#NFDB |
| 1098:She waits. For what I do not know. It may be for her worshippers to return again. Or for us to become her new worshippers, as we well may. Or perhaps merely for death. She shaped herself, I believe, a woman of the Vanished People so that they would love her. We are here now, and so she shaped for me a woman of my own race—a woman beside whom Chenille would stand like a child—who could sing and speak to me. Beneath it the old sea goddess waited, and was not of our human race, nor of the race of the Vanished People, whom I was to come to know. I once had a toy, a little wooden man in a blue coat who was moved by strings. When I played with him, I made him walk and bow, and spoke for him. I practiced until I thought myself very clever. One day I saw my mother holding the two sticks that held his strings, and my little wooden man saluting my youngest sister much more cleverly than I could have made him do it, and laughing with his head thrown back, then mourning with his face in his hands. I never spoke of it to my mother, but I was angry and ashamed. * ~ Gene Wolfe, #NFDB |
| 1099:String theory is potentially the next and final step in this progression. In a single framework, it handles the domains claimed by relativity and the quantum. Moreover, and this is worth sitting up straight to hear, string theory does so in a manner that fully embraces all the discoveries that preceded it. A theory based on vibrating filaments might not seem to have much in common with general relativity's curved spacetime picture of gravity. Nevertheless, apply string theory's mathematics to a situation where gravity matters but quantum mechanics doesn't (to a massive object, like the sun, whose size is large) and out pop Einstein's equations. Vibrating filaments and point particles are also quite different. But apply string theory's mathematics to a situation where quantum mechanics matters but gravity doesn't (to small collections of strings that are not vibrating quickly, moving fast, or stretched long; they have low energy-equivalently, low mass- so gravity plays virtually no role) and the math of string theory morphs into the math of quantum field theory. ~ Brian Greene, #NFDB |
1100:‘and Ask Ye Why These Sad Tears Stream?’
'And ask ye why these sad tears stream?'
‘Te somnia nostra reducunt.’
OVID.
And ask ye why these sad tears stream?
Why these wan eyes are dim with weeping?
I had a dream–a lovely dream,
Of her that in the grave is sleeping.
I saw her as ’twas yesterday,
The bloom upon her cheek still glowing;
And round her play’d a golden ray,
And on her brows were gay flowers blowing.
With angel-hand she swept a lyre,
A garland red with roses bound it;
Its strings were wreath’d with lambent fire
And amaranth was woven round it.
I saw her mid the realms of light,
In everlasting radiance gleaming;
Co-equal with the seraphs bright,
Mid thousand thousand angels beaming.
I strove to reach her, when, behold,
Those fairy forms of bliss Elysian,
And all that rich scene wrapt in gold,
Faded in air–a lovely vision!
And I awoke, but oh! to me
That waking hour was doubly weary;
And yet I could not envy thee,
Although so blest, and I so dreary.
~ Alfred Lord Tennyson,#NFDB |
1101:Father Explains
"There where that ray touches the plain
And the shadows escape as if they really ran,
Warsaw stands, open from all sides,
A city not very old but quite famous.
"Farther, where strings of rain hang from a little cloud,
Under the hills with an acacia grove
Is Prague. Above it, a marvelous castle
Shored against a slope in accordance with old rules.
"What divides this land with white foam
Is the Alps. The black means fir forests.
Beyond them, bathing in the yellow sun
Italy lies, like a deep-blue dish.
"Among the many fine cities that are there
You will recogni2e Rome, Christendom's capital,
By those round roofs on the church
Called the Basilica of Saint Peter.
"And there, to the north, beyond a bay,
Where a level bluish mist moves in waves,
Paris tries to keep pace with its tower
And reins in its herd of bridges.
"Also other cities accompany Paris,
They are adorned with glass, arrayed in iron,
But for today that would be too much,
I'll tell the rest another time
~ Czeslaw Milosz,#NFDB |
| 1102:They were moving through a tunnel. Geometric shapes, fragmented into neon colors and labyrinth patterns flew by in every direction. They were morphing inside and out, with new shapes emerging from within like a kind of slow, pixelated evolution. Spheres, cubes, and pyramids fused together to generate patterned hallucinations: three-dimensional casts with hundreds of polygons, shifting into yet more complex patterns. He couldn’t tell if they were standing still and the shapes were moving, or if the shapes were standing still and they were moving through the tunnel themselves. Strings of closed figures were defined by the interstices between one shape and another. Spaces of nothingness spiraled into their own patterns through the movement of the shapes like strands of translucent DNA forming over a radiant background. There was a break in the tunnel, and suddenly, they were in free fall. Below, a city of shapes, still relentless in their transformations, loomed above a floor made out of more tunnels, entangled inside of an intricate meta-pattern with cities submerged inside of cities. ~ M U Riyadad, #NFDB |
1103:Get up, brat, and for the lord's sake, smooth your hair! You look the most complete romp!'
Miss Wantage did her best to comply with this direction, but without any marked degree of success. Fortunately, the exigencies of the particular mode of hairdressing affected by his lordship obliged him to carry a comb upon his person. He produced this, dragged it through the soft, tangled curls, tied the hood-strings under Hero's chin, and, after a critical survey, said that it would answer well enough. Miss Wantage smiled trustfully up at him, and the Viscount made a discovery. 'You look just like a kitten!'
She laughed. 'No, do I, Sherry?'
'Yes, you do. I think it's your silly little nose,' said the Viscount, flicking it with a careless forefinger. 'That, or the trick you have of staring at a fellow with your eyes wide open. I think I shall call you Kitten. It suits you better than Hero, which I always thought a nonsensical name for a girl.'
'Oh, it is the greatest affliction to me!' she exclaimed. 'You can have no notion, Sherry! I would much rather you should call me Kitten. ~ Georgette Heyer,#NFDB |
| 1104:Meanwhile, in Genoa, the noons were getting hotter, the converging outer roads getting deeper with white dust, the oleanders in the tubs along the wayside gardens looking more and more like fatigued holiday-makers, and the sweet evening changing her office - scattering abroad those whom the mid-day had sent under shelter, and sowing all paths with happy social sounds, little tinklings of mule-bells and whirrings of thrumbed strings, light footsteps and voices, if not leisurely, then with the hurry of pleasure in them; while the encircling heights, crowned with forts, skirted with fine dwellings and gardens, seemed also to come forth and gaze in fulness of beauty after their long siesta, till all strong colour melted in the stream of moonlight which made the streets a new spectacle with shadows, both still and moving, on cathedral steps and against the facades of massive palaces; and then slowly with the descending moon all sank in deep night and silence, and nothing shone but the port lights of the great Lanterna in the blackness below, and the glimmering stars in the blackness above. ~ George Eliot, #NFDB |
1105:Saul And David
It was a villainous spirit, snub-nosed, foul
Of breath, thick-taloned and malevolent,
That squatted within him wheresoever he went
.......And possessed the soul of Saul.
There was no peace on pillow or on throne.
In dreams the toothless, dwarfed, and squinny-eyed
Started a joyful rumor that he had died
.......Unfriended and alone.
The doctors were confounded. In his distress, he
Put aside arrogant ways and condescended
To seek among the flocks where they were tended
.......By the youngest son of Jesse,
A shepherd boy, but goodly to look upon,
Unnoticed but God-favored, sturdy of limb
As Michelangelo later imagined him,
.......Comely even in his frown.
Shall a mere shepherd provide the cure of kings?
Heaven itself delights in ironies such
As this, in which a boy's fingers would touch
.......Pythagorean strings
And by a modal artistry assemble
The very Sons of Morning, the ranked and choired
Heavens in sweet laudation of the Lord,
.......And make Saul cease to tremble.
~ Anthony Evan Hecht,#NFDB |
| 1106:All right, all right, all right,” Old Bailey was saying. “Stop me if you’ve heard this one before. There was a man walked into a bar. No, he wasn’t a man. That’s the joke. Sorry. He was a horse. A horse … no … a piece of string. Three pieces of string. Right. Three pieces of string walk into a bar.” A huge old rook croaked a question. Old Bailey rubbed his chin, then shrugged. “They just do. It’s a joke. They can walk in the joke. He asks for a drink for himself and one for each of his friends. And the barman says, we ‘don’t serve pieces of string here.’ To one of the pieces of string. So. It goes back to its friends and says they ‘don’t serve strings here.’ And it’s a joke, so the middle one does it too, three of them, you see, then the last one, he ties himself around the middle and he pulls the end of him all out. And he orders a drink.” The rook croaked again, sagely. “Three drinks. Right. And the barman says, here, ‘Aren’t you one of those pieces of string?’ And he says, the piece of string, he says, no. ‘I’m a frayed knot.’ ‘Afraid not,’ y’see, ‘a frayed knot.’ Pun. Very, very funny. ~ Neil Gaiman, #NFDB |
| 1107:Welkley came with four fiddles after dinner, two hanging from the fingers of each hand. Astonishing fiddles, nothing modest about them, smelling wonderfully of wood and varnish and gleaming brown, orange, vermilion. They were the best he’d been able to find in such a short time, Welkley explained. She was to choose one of the four, as a gift from the royal family. Fire thought she could guess which member of the royal family had spared a minute amidst his preoccupations to order a roundup of the city’s finest fiddles, and again she found herself uncomfortably close to tears. She took the instruments from the steward one by one, each more beautiful than the last. Welkley waited patiently while she played them, testing their feeling against her neck, the sharpness of the strings on her fingertips, the depth of their sound. There was one she kept reaching for, with a copper-red varnish, and a clarity like the point of a star, precise and lonesome, reminding her, somehow, of home. This one, she thought to herself. This is the one. Its only flaw, she told Welkley, was that it was too good for her skill. ~ Kristin Cashore, #NFDB |
1108:All right then, you should know that you missed out on mocha sugar donuts.”
My mouth falls open. “How’d you get those? I thought the shop didn’t open that early!”
“I went out and got them last night specifically for the bus ride,” Peter says. “For you and me.”
Aw. I’m touched. “Well, are there any left?”
“Nope. I ate them all.”
He looks so smug that I reach out and swat at his hoodie strings. “You creep,” I say, but I mean it affectionately.
Peter grabs my hand mid-swat and says, “Wanna hear something funny?”
“What?”
“I think I started liking you.”
I go completely still. Then I pull my hand away from his, and I start to gather my hair into a ponytail, and then I remember I don’t have a hair tie. My heart is thudding in my chest and it’s hard to think all of a sudden. “Stop teasing.”
“I’m not teasing. Why do you think I kissed you that day at McClaren’s house back in seventh grade? It’s why I went along with this thing in the first place. I’ve always thought you were cute.”
My face feels hot. “In a quirky way.”
Peter grins his perfect grin. “So? I guess I must like quirky, then. ~ Jenny Han,#NFDB |
1109:I See You'Ve Travelled Some
Wherever you may chance to be — wherever you may roam,
Far away in foreign lands; or just at home sweet home;
It always gives you pleasure, it makes your heart strings hum
Just to hear
The words of cheer,
'I see you've travelled some.'
When you get a brother’s greeting, and he takes you by the hand,
It thrills you with a feeling that you cannot understand,
You feel that bond of brotherhood, that tie that’s sure to come
When you hear him say
In a friendly way
'I see you've travelled some.'
And if you are a stranger, in strange lands all alone
If fate has left you stranded, dead broke and far from home,
Oh, it's a grand and glorious feeling, it thrills you; makes you numb,
When he says with a grip
Of fellowship,
'I see you've travelled some.'
And when your final summons comes, to take a last long trip,
Adorned with Lambskin Apron White and gems of fellowship —
The Tiler at the Golden Gate, with Square and Level and Plumb
Will size up your pin
And say 'Walk In:
I see you've travelled some.'
~ Edgar Albert Guest,#NFDB |
| 1110:He remembered the time hi fished the female of a pair of swordfish. The male always lets the female eat first, and she, by biting the hook, struggled in a wild, desperate and panicky battle that soon exhausted her. All the time the male stayed with her, crossing the line and circling her partner on the surface. He was so close that the old man had been afraid that he would cut the rope with his tail, which was sharpened like a scythe and almost of that shape and size. The old man put the hook in, hit her, caught the sword, edge like sandpaper and pounded on the tip of the head until her color became almost like the back of a mirror, and then, with the boy's help, lifted her up to put her on board. The male stayed on the side of the boat. Later, when the old man cleaned the strings and prepared the harpoon, the male jumped very high in the air, next to the boat, to see where his partner where, and finally he plunged into the deepest, with blue-reddish wings, that were his pectoral fins, spread wide and with all stripes of the same color in sight. "He was beautiful," recalled the old man, "and he stayed until the end. ~ Ernest Hemingway, #NFDB |
| 1111:The ducks of Mackinac Island are apparently not easily taken down. “Found a portion of the Lungs as large as a turkey’s egg protruding through the external wound, lacerated and burnt, and below this another protrusion resembling a portion of the Stomach, what at first view I could not believe possible to be that organ in that situation with the subject surviving, but on closer examination I found it to be actually the Stomach, with a puncture in the protruding portion large enough to receive my forefinger, and through which a portion of his food that he had taken for breakfast had come out and lodged among his apparel.” Thus reads Beaumont’s somewhat windy account of the injury. Through that puncture—and in the slop of half-digested meat and bread suddenly visible in the folds of St. Martin’s wool shirt—lay Beaumont’s ticket to the spotlight of national renown. Italian digestion experimenters had pulled food in and out of live animal stomachs, soaked it up in sponges on strings, even regurgitated their own dinners, but St. Martin’s portal presented an unprecedented opportunity to document the human juices and processes in vivo. ~ Mary Roach, #NFDB |
1112:three tiers to the heart: physical, ethereal, Eternal
with each one being more spiritual and subtle
the physical heart a little brain with over 40,000 neurons
it sends and receives by electromagnetic field operations
it's got its own nervous system that senses and remembers
making decisions and giving directions to other centers
emitting enfolded energetic organizational patterns
information, that is—communicative interactions
detected outside the body by magnetometers and other people
for heart coherence listen to Pärt's “Spiegel im Spiegel”
valid are chakras and acupuncture meridians
meditate on the heart chakra to see what this means
energy meridians are strings of polarized crystalline water
bioelectric signals transmitted in connective tissue matter
information is sent along these lengths of collagen proteins
molecules of structured water allowing the transfer of protons
crystal water wires inside protein pathways
with acupuncture points being junctures in the maze
the protons, then, are what have been referred to as “chi”
a current flowing, much like electrical circuitry ~ Jarett Sabirsh,#NFDB |
| 1113:What were you playing?” I ask. “Nothing yet,” she says with a smile. “I can take requests.” I shake my head. This is one area where I can’t bond with her. “I don’t know anything at all about music,” I say. “Sorry.” I know it’s important to her. Kind of like a mainstay in her life. “You can’t hear this at all?” she asks. Her fingers strum across the strings again. “That?” I shake my head. I wish I could hear it, but I can’t. “Can you hear any music?” She’s curious. I like that. I nod. “I can hear the rock bands at the club. Or rather, I can feel the beat and the rhythm of the song when rock and roll is playing.” “Can you dance?” I roll my eyes. “Can I dance? You have to be kidding me.” I motion to my body. “I have rhythm.” Her face colors. That’s not quite the rhythm I meant, but I’ll take it. “Someone is thinking naughty thoughts,” I tease. I reach for her toe, but she jerks it back before I can tug on it. “I’m sorry I can’t enjoy your music,” I confess. “There’s nothing I would like more than to hear you play. I want to experience everything that makes you happy.” I shake my head. I don’t usually feel left out of anything, but I do now. ~ Tammy Falkner, #NFDB |
| 1114:He knew everything. He knew at least a thousand Hungarian folk songs, all the words and tunes, he could handle Gypsies, give them instructions and keep them in order, check their familiarity with the flicker of an eyelid, then win their affection with a lordly, condescending, and yet fraternal-playful sidelong glance, he could call 'acsi' perfectly, shout at the first violin when he didn't strike up Csendesen, csak csendesen quietly enough and the cimbalonist when the padded sticks didn't make the steel strings thunder and rumble sufficiently in Hullamzo Balaton, he could kiss the viola player's pock-marked face, give the double bass a kick, break glasses and mirrors, drink wine, beer and marc brandy for three days on end out of tumblers, smack his lips at the site of cabbage soup and cold pork stew, take ages inspecting his cards (with relish, one eye closed), dance a quick csardas for a whole half-hour, urging and driving himself on to stamp and shout and toss his partner high in the air and catch her, light as a feather, with one arm: so, as I said, he could do everything that raises Man from his animal condition and makes him truly Man. ~ Dezs Kosztol nyi, #NFDB |
1115:I See You'Ve Travelled Some
I See You've Travelled Some
Wherever you may chance to be — wherever you may roam,
Far away in foreign lands; or just at home sweet home;
It always gives you pleasure, it makes your heart strings hum
Just to hear
The words of cheer,
'I see you've travelled some.'
When you get a brother's greeting, and he takes you by the hand,
It thrills you with a feeling that you cannot understand,
You feel that bond of brotherhood, that tie that's sure to come
When you hear him say
In a friendly way
'I see you've travelled some.'
And if you are a stranger, in strange lands all alone
If fate has left you stranded, dead broke and far from home,
Oh, it's a grand and glorious feeling, it thrills you; makes you numb,
When he says with a grip
Of fellowship,
'I see you've travelled some.'
And when your final summons comes, to take a last long trip,
Adorned with Lambskin Apron White and gems of fellowship —
The Tiler at the Golden Gate, with Square and Level and Plumb
Will size up your pin
And say 'Walk In:
I see you've travelled some.'
~ Edgar Albert Guest,#NFDB |
1116:Strings possess one defining property which is their tension. This quantity plays a crucial role in the overall picture of how strings can be reconciled with the miraculous experimental success of the point-like Quantum field theories in explaining the observed features of the world at lower Energies. For the strings possess a tension that varies with the energy of the environment, so that at low energies, the tension is high and pulls the strings taut into points and we recover the favorable features of a world of Point like Elementary particles. At high energies where the string tension is low, their essential stringiness becomes evident and creates Behavior that is qualitatively different from that of the point particle theories.
Unfortunately at present the mathematical expertise required to reveal these properties is somewhat Beyond us. For the first time modern physicists have found that off-the-shelf mathematics is insufficient to extract the physical content of their theories. But, in time, suitable techniques will no doubt emerge, or perhaps a better way to look at the theory will be found: one that is conceptually and technically simpler. ~ John D Barrow,#NFDB |
1117:Hope Is A Tattered Flag
Hope is a tattered flag and a dream of time.
Hope is a heartspun word, the rainbow, the shadblow in white
The evening star inviolable over the coal mines,
The shimmer of northern lights across a bitter winter night,
The blue hills beyond the smoke of the steel works,
The birds who go on singing to their mates in peace, war, peace,
The ten-cent crocus bulb blooming in a used-car salesroom,
The horseshoe over the door, the luckpiece in the pocket,
The kiss and the comforting laugh and resolve—
Hope is an echo, hope ties itself yonder, yonder.
The spring grass showing itself where least expected,
The rolling fluff of white clouds on a changeable sky,
The broadcast of strings from Japan, bells from Moscow,
Of the voice of the prime minister of Sweden carried
Across the sea in behalf of a world family of nations
And children singing chorals of the Christ child
And Bach being broadcast from Bethlehem, Pennsylvania
And tall skyscrapers practically empty of tenants
And the hands of strong men groping for handholds
And the Salvation Army singing God loves us….
~ Carl Sandburg,#NFDB |
1118:Immature people falling in love destroy each other’s freedom, create a bondage, make a prison. Mature persons in love help each other to be free; they help each other to destroy all sorts of bondages. And when love flows with freedom there is beauty. When love flows with dependence there is ugliness.
A mature person does not fall in love, he or she rises in love. Only immature people fall; they stumble and fall down in love. Somehow they were managing and standing. Now they cannot manage and they cannot stand. They were always ready to fall on the ground and to creep. They don’t have the backbone, the spine; they don’t have the integrity to stand alone.
A mature person has the integrity to stand alone. And when a mature person gives love, he or she gives without any strings attached to it. When two mature persons are in love, one of the great paradoxes of life happens, one of the most beautiful phenomena: they are together and yet tremendously alone. They are together so much that they are almost one. Two mature persons in love help each other to become more free. There is no politics involved, no diplomacy, no effort to dominate. Only freedom and love. ~ Osho,#NFDB |
| 1119:What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of hIs beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then he shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. ~ Alexandre Dumas, #NFDB |
1120:In LA, you can’t do anything unless you drive. Now I can’t do anything unless I drink. And the drink-drive combination, it really isn’t possible out there. If you so much as loosen your seatbelt or drop your ash or pick your nose, then it’s an Alcatraz autopsy with the questions asked later. Any indiscipline, you feel, any variation, and there’s a bullhorn, a set of scope sights, and a coptered pig drawing a bead on your rug.
So what can a poor boy do? You come out of the hotel, the Vraimont. Over boiling Watts the downtown skyline carries a smear of God’s green snot. You walk left, you walk right, you are a bank rat on a busy river. This restaurant serves no drink, this one serves no meat, this one serves no heterosexuals. You can get your chimp shampooed, you can get your dick tattooed, twenty-four hour, but can you get lunch? And should you see a sign on the far side of the street flashing BEEF-BOOZE – NO STRINGS, then you can forget it. The only way to get across the road is to be born there. All the ped-xing signs say DON’T WALK, all of them, all the time. That is the message, the content of Los Angeles: don’t walk. Stay inside. Don’t walk. Drive. Don’t walk. Run! ~ Martin Amis,#NFDB |
1121:The next morning I took the screen out of that window, and hid it in the back of my closet, where it remains. I took an elective in poetry my sophomore year because I heard that Margo was taking it. By then we weren't friends really, because she was already the high priestess of Winterpark High School. She was friendly to me, but I never really had anything to say to her really, except occasionally during classes. The great surprise of that class was that I actually like poetry. At least some of it. There's this one poem we read called "Howl", and it starts out:
"I saw the best minds of my generation, destroyed by madness. Starving, hysterical, naked."
I've never seen Margo starving, or hysterical, and God knows I've never seen her naked. But somehow -- and this is why I like poetry -- those words still describe her as she stood outside my window. Her blinkless blue eyes, starving, and hysterical, and naked, staring back at me. I think she was still trying to piece it together - how the strings break, I mean - as she stared at me. Margo always loved mysteries, and in everything that came afterward, I could never stop thinking that maybe she loved mysteries so much that she became one. ~ John Green,#NFDB |
| 1122:[33]* In the seventh month, when the heat is dreadful, everything in the building is kept open all through the night, and it’s delightful to wake on moonlit nights and lie there looking out. Dark nights too are delightful, and as for the sight of the moon at dawn, words cannot describe the loveliness. Picture her lying there, on a fresh new mat 1 placed near the outer edge of the gleaming wooden aisle-room floor, the low standing curtain pushed to the back of the room in a quite unseemly way. 2 It should normally be placed at the outer edge, but perhaps she’s concerned about being seen from within. Her lover must have already left. She is lying asleep, a robe drawn up over her head 3 – it is pale greyish-violet with deep violet inner lining, the outer surface a little faded, or perhaps it is a stiffish robe of rich gleaming damask. Beneath this, she is wearing a clove-tan or yellow gossamer-silk shift, and the long strings of her unlined scarlet skirted trousers trailing undone from below the hem of her clothing tell us that she must have fallen asleep with trousers still untied after her lover departed. The soft luxury of hair that lies piled in waves beside her speaks of its wonderful length. ~ Sei Sh nagon, #NFDB |
1123:You goin’ somewhere?” I asked.
“Out west.”
“Out west? What is this, a John Wayne movie? There’s a lot that’s west of Boston. How far out west?” I asked.
“Vegas,” he said, and turned down the strings.
“Huh.” Vegas. That was quite the drive. I wondered how long it would take. I really had no clue. It was all the way across the country. Major road trip.
“I’m headed that direction too,” I lied enthusiastically. He looked over at me, his eyebrows disappearing under the thick edge of his cap.
“You’re headed to Vegas?”
“Well, maybe not that far, you know, uh, just . . . west,” I hedged. I didn’t want him to think I wanted to tag along all the way to Vegas, although suddenly I thought I might. “Can I ride with you for a ways?”
“Look, kid—”
“Clyde?” I immediately interrupted. “I’m not a kid. I’m twenty-one years old. I’m not jailbait or an escapee from prison or a mental institution. I’m not a member of the Klan, or even a Bible salesman, although I do believe in Jesus and am not ashamed to admit it, though I will keep my love for him to myself if you’ve got issues with that. I have some money to contribute to gas and food and whatever else we need. I just need a lift out . . . west. ~ Amy Harmon,#NFDB |
1124:I.
The keen stars were twinkling,
And the fair moon was rising among them,
Dear Jane.
The guitar was tinkling,
But the notes were not sweet till you sung them
Again.
II.
As the moon's soft splendour
O'er the faint cold starlight of Heaven
Is thrown,
So your voice most tender
To the strings without soul had then given
Its own.
III.
The stars will awaken,
Though the moon sleep a full hour later
To-night;
No leaf will be shaken
Whilst the dews of your melody scatter
Delight.
IV.
Though the sound overpowers,
Sing again, with your dear voice revealing
A tone
Of some world far from ours,
Where music and moonlight and feeling
Are one.
Published in part (lines 7-24) by Medwin (under the title, An Ariette for Music. To a Lady singing to her Accompaniment on the Guitar), The Athenaeum, November 17, 1832; reprinted by Mrs. Shelley, Poetical Works, 1839, 1st edition. Republished in full (under the title, To --.) Poetical Works, 1839, 2nd edition. The Trelawny manuscript is headed To Jane. Mr. C.W. Frederickson of Brooklyn possesses a transcript in an unknown hand.
~ Percy Bysshe Shelley, To Jane - The Keen Stars Were Twinkling
,#NFDB |
1125:Antony:
O, whither hast thou led me, Egypt? See
How I convey my shame out of thine eyes
By looking back what I have left behind
'Stroyed in dishonour.
Cleopatra:
O my lord, my lord,
Forgive my fearful sails! I little thought
You would have followed.
Antony:
Egypt, thou knew'st too well
My heart was to thy rudder tied by th' strings,
And thou shouldst tow me after. O'er my spirit
Thy full supremacy thou knew'st, and that
Thy beck might from the bidding of the gods
Command me.
Cleopatra:
O, my pardon!
Antony:
Now I must
To the young man send humble treaties, dodge
And palter in the shifts of lowness, who
With half the bulk o' th' world played as I pleased,
Making and marring fortunes. You did know
How much you were my conqueror, and that
My sword, made weak by my affection, would
Obey it on all cause.
Cleopatra:
Pardon, pardon!
Antony:
Fall not a tear, I say; one of them rates
All that is won and lost. Give me a kiss.
Even this repays me.
We sent our schoolmaster; is 'a come back?
Love, I am full of lead. Some wine
Within there, and our viands! Fortune knows
We scorn her most when she offers blows. ~ William Shakespeare,#NFDB |
1126:In this way, as it seems to me, he said: "One might make the same
argument about harmony, lyre and strings, that a harmony is something
invisible, without body, beautiful and divine in the attuned lyre, whereas
the lyre itself and its strings are physical, bodily, composite, earthy and
akin to what is mortal. Then if someone breaks the lyre, cuts or breaks
the strings and then insists, using the same argument as you, that the
harmony must still exist and is not destroyed because it would be impossi-
ble for the lyre and the strings, which are mortal, still to exist when the
strings are broken, and for the harmony, which is akin and of the same
nature as the divine and immortal, to be destroyed before that which is
mortal; he would say that the harmony itself still must exist and that the
wood and the strings must rot before the harmony can suffer. And indeed
Socrates, I think you must have this in mind, that we really do suppose
the soul to be something of this kind; as the body is stretched and held
together by the hot and the cold, the dry and the moist and other such
things, and OUR soul is a mixture and harmony of those things when they
are mixed with each other rightly and in due measure. ~ Plato,#NFDB |
| 1127:In a society that is essentially designed to organize, direct, and gratify mass impulses, what is there to minister to the silent zones of man as an individual? Religion? Art? Nature? No, the church has turned religion into standardized public spectacle, and the museum has done the same for art. The Grand Canyon and Niagara Falls have been looked at so much that they've become effete, sucked empty by too many stupid eyes. What is there to minister to the silent zones of man as an individual? How about a cold chicken bone on a paper plate at midnight, how about a lurid lipstick lengthening or shortening at your command, how about a Styrofoam nest abandoned by a 'bird' you've never known, how about a pair of windshield wipers pursuing one another futilely while you drive home alone through a downpour, how about something beneath a seat touched by your shoe at the movies, how about worn pencils, cute forks, fat little radios, boxes of bow ties, and bubbles on the side of a bathtub? Yes, these are the things, these kite strings and olive oil cans and Valentine hearts stuffed with nougat, that form the bond between the autistic vision and the experiential world, it is to show these things in their true mysterious light that is the purpose of the moon. ~ Tom Robbins, #NFDB |
1128:Then I looked up. I didn't notice that your ears stick out, just a little, so you look like a pixie sometimes, or an elf. I didn't notice that the corners of you mouth always seem like they're trying to smile, while the rest of your mouth wants to pout. I didn't notice the little bump on your nose, near the bridge but slightly to the right-the bump I'd trace with my finger over and over, not soon enough. I didn't notice your long hands and rough finger-tips, or the dozens-is it hundreds?-of bracelets on your left wrist, made of busted guitar strings.
I noticed your eyes, because they looked wet; maybe it was a trick of the light-the fluorescent and neon lights falling over your face from the bodega next door. But I didn't think about love, and I didn't see right down to your heart. But I must have stared-did I?-because there was your spirit, right there before me, and when you found my eyes I knew I'd pulled that spirit back from someplace amazing, not Greenpoint, not the summer sidewalk in front of Fish's bar, smelling of old alcohol and piss.
But it must have been a trick of the light, because when you stood up, you were smiling, and your bright eyes looked alive and right there, with me, on Franklin Avenue in Brooklyn, New York, Earth. ~ Steve Brezenoff,#NFDB |
1129:Such a nasty bruise,” he says, staring straight into my eyes. I am stunned he can see it. Delicate to the touch and tender on every side, the bruise is deeper than days. My hand automatically moves to my chest.
Science taught me with valid assurance that my heart was fixed in my rib cage, but life has since shown me otherwise. My heart in fact dangles from a tangle of strings. The ends are grasped tight by numerous people who yank and release, having caused many painful bruises over time. I cry because they are invisible to most.
“Such a nasty bruise,” he repeats, tugging on my poor heart.
His kind eyes fall away from mine as I feel a squeeze on my arm. He twists it enough to show me a small, round patch of purple surrounded by a sickly yellowish corona.
“Oh. My elbow.” I let the air exhale from my lungs. Another bruise forms where my heart has hit the floor. It is jerked up again.
“Can I do anything for you?” I see in his eyes the mirror image of a finger—his finger—wrapped in one of the dangling strings. He tugs and I feel it.
“No,” I reply to his question. But it is a lie. There is something he could do, along with all who grasp a portion of the web entangling my heart. I wish they would mercifully let go. ~ Richelle E Goodrich,#NFDB |
1130:Endymion
The rising moon has hid the stars;
Her level rays, like golden bars,
Lie on the landscape green,
With shadows brown between.
And silver white the river gleams,
As if Diana, in her dreams,
Had dropt her silver bow
Upon the meadows low.
On such a tranquil night as this,
She woke Endymion with a kiss,
When, sleeping in the grove,
He dreamed not of her love.
Like Dian's kiss, unasked, unsought,
Love gives itself, but is not bought;
Nor voice, nor sound betrays
Its deep, impassioned gaze.
It comes,--the beautiful, the free,
The crown of all humanity,--
In silence and alone
To seek the elected one.
It lifts the boughs, whose shadows deep
Are Life's oblivion, the soul's sleep,
And kisses the closed eyes
Of him, who slumbering lies.
O weary hearts! O slumbering eyes!
O drooping souls, whose destinies
Are fraught with fear and pain,
Ye shall be loved again!
No one is so accursed by fate,
No one so utterly desolate,
But some heart, though unknown,
Responds unto his own.
Responds,--as if with unseen wings,
An angel touched its quivering strings;
And whispers, in its song,
"Where hast thou stayed so long? ~ Henry Wadsworth Longfellow,#NFDB |
1131:When God finished his work of creation
In the vast blue sky
All the stars began to shine.
In the milky way
With this new world in their front
All the gods sat in rows and began to sing,
O what joy! What perfection!
A great piece of music, in perfect rhythm -
These planets, this moon and this sun!
But someone from the assembly
Suddenly told,
From this string of lights
A star seems to have fallen down!
The strings of the lyre snapped
And the music came to a stop,
A quest began to find out
Where the lost star had gone.
Everybody said,
It was the star which brightened the heavens most
It was the biggest and the best.
From then on has been going on
This quest for this star which has been lost
Day and night there is no rest.
Everybody says,
Among all the stars
We have got to find out
This particular star.
Without it the entire world has become dark.
But in the dead of night the silent stars
Smiling silently say among themselves,
This search is useless
For all the stars are there!
Transcreation of the poem Haradhan from the collection Kheya (The Ferry) by Rabindranath Tagore. Transcreation by Kumud Biswas.
Translated by Kumud Biswas
~ Rabindranath Tagore, The Lost Star
,#NFDB |
1132:For the first step, we need much more efficient Grid supercurrents. They must mightily suppress the unwanted strong<>weak color charge transformations. Of course, this means that the supercurrents themselves would be flows involving both strong and weak color charges.
No known form of matter can supply such supercurrents. On the other hand, it's easy to invent new Higgs-like fields that do the job. People have played with other ideas, too. Maybe these currents arise from particles racing around in additional, tiny cureled-up spatial dimensions. Maybe they're vibrations of strings that wrap around additional tiny curled-up spatial dimensions. Because the concentrated energies required to probe distances this small lie far, far beyond what we can achieve in practice, these speculations are not easy to check.
Fortunately, just as in the Core electroweak theory, we can make good progress by taking the supercurrents as given, without fingo-ing hypotheses about what they're made of. That's the philosophy I adopted in Part III of this book. It led us to some encouraging successes, and to some specific predictions. If it survives further scrutiny, we'll be able to assert with confidence that we live within a multilayered, multicolored cosmic superconductor. ~ Frank Wilczek,#NFDB |
1133:Our contemporaries are constantly excited by two conflicting passions; they want to be led, and they wish to remain free: as they cannot destroy either one or the other of these contrary propensities, they strive to satisfy them both at once. They devise a sole, tutelary, and all-powerful form of government, but elected by the people. They combine the principle of centralization and that of popular sovereignty; this gives them a respite: they console themselves for being in tutelage by the reflection that they have chosen their own guardians. Every man allows himself to be put in leading-strings, because he sees that it is not a person or a class of persons, but the people at large that holds the end of his chain.
By this system the people shake off their state of dependence just long enough to select their master, and then relapse into it again. A great many persons at the present day are quite contented with this sort of compromise between administrative despotism and the sovereignty of the people; and they think they have done enough for the protection of individual freedom when they have surrendered it to the power of the nation at large. This does not satisfy me: the nature of him I am to obey signifies less to me than the fact of extorted obedience. ~ Alexis de Tocqueville,#NFDB |
1134:Oh How To Find Silence In The World
Being spotted in the color of skin,
why I take care in San Francisco,
waiting for the bus to Iowa.
They say racial prejudice is strong,
Negros and not whites kawawa,
and because of this they will revolt.
I shiver and shiver from fear and hunger
because I just landed from Tokyo.
A Negro came into the station—
naka-African hairdo; he holds a small
whip: it’s scary to look, so
I did not look at him. Kumakalansing
the metal on the strings of his shoes
and he shouts, “Peace, brothers!” Smiled showing
white teeth. Looked at me—
maybe he laughed at what he saw—
a tiny dayuhan, dark and from
some lupalog. Upside down
my insides went in fright and pulled
a cigarette so the redness of my face
wouldn’t show. I nahalata
that the Whites there too were quiet
so quiet, unable to speak in front
of that Negro. Only when he left returned
the normalcy in the station—others
read again, neighbors gossiped again,
laughter, the janitor sweeped again.
After a while that Negro passed again
two white Americanas on each arm,
blonde, their beauty with no equal.
The janitor stopped sweeping.
I thought, “So this is racial prejudice.”
~ Cirilo Bautista,#NFDB |
1135:An Ode To Himself
Where dost thou careless lie,
Buried in ease and sloth?
Knowledge that sleeps doth die;
And this security,
It is the common moth
That eats on wits and arts, and oft destroys them both.
Are all th' Aonian springs
Dried up? lies Thespia waste?
Doth Clarius' harp want strings,
That not a nymph now sings?
Or droop they as disgrac'd,
To see their seats and bowers by chatt'ring pies defac'd?
If hence thy silence be,
As 'tis too just a cause,
Let this thought quicken thee:
Minds that are great and free
Should not on fortune pause;
'Tis crown enough to virtue still, her own applause.
What though the greedy fry
Be taken with false baites
Of worded balladry,
And think it poesy?
They die with their conceits,
And only piteous scorn upon their folly waits.
Then take in hand thy lyre,
Strike in thy proper strain,
With Japhet's line aspire
Sol's chariot for new fire,
To give the world again;
Who aided him will thee, the issue of Jove's brain.
And since our dainty age
Cannot endure reproof,
Make not thyself a page
To that strumpet, the stage,
29
But sing high and aloof,
Safe from the wolf's black jaw and the dull ass's hoof.
~ Ben Jonson,#NFDB |
1136:I stared at him, baffled. But at that moment Gideon began to play, and I entirely forgot what I had been going to ask the count. Oh, my god! Maybe it was the punch—but wow! That violin was really sexy! Even the way Gideon raised it and tucked it under his chin! He didn’t have to do more than that to carry me away with him. His long lashes cast shadows on his cheeks, and a lock of hair fell over his face as he began passing the bow over the strings. The first notes filling the room almost took my breath away, they made such tender, melting music, and suddenly I was close to tears. Until now, violins had been way down on my list of favorite instruments, and I really liked them only for accompanying certain moments in films. But this was just incredibly wonderful—well, all of it was: the bittersweet melody and boy enticing it out of the instrument. All the people in the room listened with bated breath, and Gideon played on, immersed in the music as if there were no one else there.
I didn’t notice that I was crying until the count touched my cheek and caught a tear gently with his finger. Then I jumped in alarm.
He was smiling down at me, and I saw a warm glow in his dark brown eyes. “Nothing to be ashamed of,” he said quietly. “If it were otherwise, I’d have been very disappointed. ~ Kerstin Gier,#NFDB |
1137:Agnes shut her eyes, clenched her fists, opened her mouth and screamed.
It started low. Plaster dust drifted down from the ceiling. The prisms on the chandelier chimed gently as they shook.
It rose, passing quickly through the mysterious pitch at fourteen cycles per second where the human spirit begins to feel distinctly uncomfortable about the universe and the place in it of the bowels. Small items around the Opera House vibrated off shelves and smashed on the floor.
The note climbed, rang like a bell, climbed again. In the Pit, all the violin strings snapped, one by one.
As the tone rose, the crystal prisms shook in the chandelier. In the bar, champagne corks fired a salvo. Ice jingled and shattered in its bucket. A line of wine-glasses joined in the chorus, blurred around the rims, and then exploded like hazardous thistledown with attitude.
There were harmonics and echoes that caused strange effects. In the dressing-rooms the No. 3 greasepaint melted. Mirrors cracked, filling the ballet school with a million fractured images.
Dust rose, insects fell. In the stones of the Opera House tiny particles of quartz danced briefly...
Then there was silence, broken by the occasional thud and tinkle.
Nanny grinned.
'Ah,' she said, 'now the opera's over. ~ Terry Pratchett,#NFDB |
1138:A Background In Music
music city u.s.a. it was, nothing doing without a song,
and not just twangy tunes that rhyme southern drawls
with guitar strings, though it's true i knew charlie pride
before charlie parker, but music, music, music, broadway
numbers (one! . . .) broadcast over speakers in the park,
pointer sisters fingering ohio players on the school bus,
the elementary chorus performing a patriotic medley
for the bicentennial, the high school madrigals wringing
the carol of the bells out of our overworked throats each
december, WVOL simulblasting car wash or little red corvette
out the windows of every deep ride rolling in the black
neighborhoods, melodies to carry over the clap*slap*snap
of our hands clocking time (miss mar-y mack mack mack)
or to keep us out of trouble with the jump rope, pep squad
cheers to perfect, spontaneous spirituals in the church
parking lot, and, yes, some country, the mandrells, the oak
ridge boys, tuning in to hee-haw's banjo humor and gloom,
the music was howdy and whassup, hell naw! and aw yeah!,
merry, happy, baby-baby, and god loves you if no one else does:
to ourselves, to applause, in talent shows, in choirs, on cue
and (mostly) in key, we sang everything there was to say.
~ Evie Shockley,#NFDB |
1139:On The Turn
Like the twang of an old complaint, the pong
of decomposing swan songs hit him
as a jangle rose
from the dee-jay equipment
and the gates groaned open on Hullabaloo. The threshold
yawned like something out of Jaws. “Je t’adore, flophead.
Jette this way, s’il vous plait.”
She didn’t actually say
she was charmed, but he knew she was. They all were.
Adjusting his tie in a mirror, the old goat
stared fixedly ahead.
Just then a knock
knock joke surfaced and submerged him, Eurydice
felt, in a funk
band fantasy — part enactment, part cow.
Then without warning a ding-a-ling
effect.
“Hello? Yes, it’s true
Riff-Raff, I’m a virgin. When the black priest comes
for eight days I will offer you a candle.”
Muttering
“Attaboy” intermittently, the big-eared gimmick
held out his hands to Chaste Lily
for example.
“Swiftly,
I’ve been a swine too long. To change ...” is what
he thought they might have wanted him to say —
tingling, softly, in a flutter.
He was a bit of a looker
into dark places and the artless. He often
plucked arrangements people
up to their old tricks
pulled apart and attached strings to. Later he’d
call them names of course — Chouchou,
Oh Rarefied, Nix.
~ Chris Edwards,#NFDB |
1140:God created things which had free will. That means creatures which can go wrong or right. Some people think they can imagine a creature which was free but had no possibility of going wrong, but I can't. If a thing is free to be good it's also free to be bad. And free will is what has made evil possible. Why, then, did God give them free will? Because free will, though it makes evil possible, is also the only thing that makes possible any love or goodness or joy worth having. A world of automata -of creatures that worked like machines- would hardly be worth creating. The happiness which God designs for His higher creatures is the happiness of being freely, voluntarily united to Him and to each other in an ecstasy of love and delight compared with which the most rapturous love between a man and a woman on this earth is mere milk and water. And for that they've got to be free.
Of course God knew what would happen if they used their freedom the wrong way: apparently, He thought it worth the risk. (...) If God thinks this state of war in the universe a price worth paying for free will -that is, for making a real world in which creatures can do real good or harm and something of real importance can happen, instead of a toy world which only moves when He pulls the strings- then we may take it it is worth paying. ~ C S Lewis,#NFDB |
1141:All the sentences in Madame Bovary could be examined with wonder, but there is one in particular that always stops me in admiration. Flaubert has just shown us Emma at the piano with Charles watching her. He says, “She struck the notes with aplomb and ran from top to bottom of the keyboard without a break. Thus shaken up, the old instrument, whose strings buzzed, could be heard at the other end of the village when the window was open, and often the bailiff’s clerk, passing along the highroad, bareheaded and in list slippers, stopped to listen, his sheet of paper in his hand.”
The more you look at a sentence like that, the more you can learn from it. At one end of it, we are with Emma and this very solid instrument “whose strings buzzed,” and at the other end of it we are across the village with this very concrete clerk in his list slippers. With regard to what happens to Emma in the rest of the novel, we may think that it makes no difference that the instrument has buzzing strings or that the clerk wears list slippers and has a piece of paper in his hand, but Flaubert had to create a believable village to put Emma in. It’s always necessary to remember that the fiction writer is much less immediately concerned with grand ideas and bristling emotions than he is with putting list slippers on clerks. ~ Flannery O Connor,#NFDB |
1142:Among the most prominent under-the-tree drinkers were a pair of characters named Red and Clarence. They were two of the biggest drinking carousers around, but when the spirit hit them, they could get very religious. Once Red had decided he had received the “gift of tongues,” a common practice in our Pentecostal church. He went to church a few times and would, on impulse, stand up and go into seemingly meaningless strings of syllables, to which the believers would respond with “Bless him, Lord.” The story is that one day Red and Clarence were downtown in a truck belonging to one of them, and Red looked out the window and was reading a sign, somewhat haltingly. “E-CON-O-MY-AU-TO-SUP-PLY, Economy Auto Supply,” Red sputtered, to which Clarence, assuming his friend had gone into “tongues,” quickly came back with, “Bless him, Lord.”
That story circulated through the ranks of the church membership and was the source of great laughter for a time around the Parton household. It became something of a running joke that would crop up whenever anybody said anything that could be mistaken for “tongues.” Sunday morning, getting ready for church, a brother would say, “Come tie my bow tie,” and some smart-aleck sibling would shout, “Bless him, Lord,” and the rest of us would join in, all pretending to be caught up in the spirit. ~ Dolly Parton,#NFDB |
1143:That night Serena dressed to meet Zahi. She used a metallic green eye shadow on the top lids and the outer half of the bottom lids so that her eyes looked like a jungle cat's. Two coats of black mascara completed them, and then she smudged a light gold gloss on her lips.
She took a red skirt from the closet. The material was snakelike, shimmering black, then red. She slipped it on and tied the black strings of a matching bib halter around her neck and waist. She painted red-and-black glittering flames on her legs and rubbed glossy shine on her arms and chest.
Finally, she took the necklace she had bought at the garage sale and fixed it in her hairline like the headache bands worn by flappers back in the 1920's. The jewels hung on her forehead, making her look like an exotic maharani.
She sat at her dressing table and painted her toenails and fingernails gold, then looked in the mirror. A thrill jolted through her as it always did. No matter how many times she saw her reflection after the transformation, her image always astonished her. She looked supernatural, a spectral creature, green eyes large, skin glowing, eyelashes longer, thicker. Everything about her was more forceful and elegant- an enchantress goddess. She couldn't pull away from her reflection. It was as if the warrior in her had claimed the night. ~ Lynne Ewing,#NFDB |
1144:How the might of Nature sways All the world in ordered ways, How resistless laws control Each least portion of the whole Fain would I in sounding verse On my pliant strings rehearse. Lo, the lion captive ta'en Meekly wears his gilded chain; Yet though he by hand be fed, Though a master's whip he dread, If but once the taste of gore Whet his cruel lips once more, Straight his slumbering fierceness wakes, With one roar his bonds he breaks, And first wreaks his vengeful force On his trainer's mangled corse. And the woodland songster, pent In forlorn imprisonment, Though a mistress' lavish care Store of honeyed sweets prepare; Yet, if in his narrow cage, As he hops from bar to bar, He should spy the woods afar, Cool with sheltering foliage, All these dainties he will spurn, To the woods his heart will turn; Only for the woods he longs, Pipes the woods in all his songs. To rude force the sapling bends, While the hand its pressure lends; If the hand its pressure slack, Straight the supple wood springs back. Phbus in the western main Sinks; but swift his car again By a secret path is borne To the wonted gates of morn. Thus are all things seen to yearn In due time for due return; And no order fixed may stay, Save which in th' appointed way Joins the end to the beginning In a steady cycle spinning.
~ Boethius, The Bent of Nature
,#NFDB |
1145:Hey, sweetheart. All alone in this palace?"
She arched a brow when she felt the hand on her bottom and turned her head slowly to stare at McNab.
He went red, then white, then red again. "Christ! Lieutenant. Sir."
"Your hand's on my ass, McNab. I don't think you want it to be there."
He snatched it away as if scorched. "God. Man. Shit. Beg your pardon. I didn't recognize you. I mean..." He jammed the hand he sincerely hoped she'd allow him to keep in his pocket. "I didn't know it was you. I thought... You look..." Words failed him.
"I believe Detective McNab is trying to compliment you, Eve." Roarke slipped up beside them and, because it was too much to resist, stared hard into McNab's panicked eyes. "Weren't you, Ian?"
"Yeah. That is..."
"And if I believed he'd realized it was your ass he was fondling, I'd just have to kill him. Right here." Roarke reached out and flicked at the strings of McNab's snazzy red tie. "Right now."
"Oh, I'd have already taken care of that myself," Eve said dryly. "You look like you could use a drink,Detective."
"Yes, sir. I could."
"Roarke, why don't you take care of him? Mira just came in. I want to talk to her."
"Delighted." Roarke draped an arm around McNab's shoulder and squeezed just a little harder than comfort allowed. ~ J D Robb,#NFDB |
| 1146:Old couples began to pair off and spin each other around, and the younger ones lined the walls, clapping and stomping their feet and swishing their drinks. In that little pub, on that little stage by the windows, Kevin was a life force, a star. With the aid of an instrument, he could spend four hours in a new country and fit in better than Maggie could after four months. He sang about drunk tanks and love and Christmas hopes, but in the spaces between the words of the song and in the cold shadows of his closed eyes rested all the things that he allowed to escape from himself only on the stage. Watching him, Maggie thought of their conversation earlier that day--how he had quit the band, quit his music, hadn't picked up a guitar in months. She could see the way he picked gingerly at the strings on his uncalloused fingers. His voice wasn't beautiful, but it had always contained a kind of arresting truth. Now too, Maggie detected a new quality--a desperation that had not been there before. Looking around the table at her family, she knew that Nanny Eli heard it, too. Her grandmother was leaning forward, holding her cigarette aloft while the ash grew longer and longer, and she was not listening to her son like the rest of them were but watching him, the movements of his long, skeletal fingers, the closed bruises of his eyes. ~ Jessie Ann Foley, #NFDB |
| 1147:...and nearly laughed aloud from the joy that came over her for no reason. She felt her nerves tighten more and more, like strings on winding pegs. She felt her eyes open wider and wider, her fingers and toes move nervously; something insider her stopped her breath, and all images and sounds in that wavering semi-darkness impressed themselves on her with extraordinary vividness. She kept having moments of doubt whether the carriage was moving forwards or backwards, or standing still. Was that Annushka beside her, or some stranger? What is that on the armrest a fur coat or some animal? And what am I? Myself or someone else? It was frightening to surrender herself to this oblivion. But something was drawing her in, and she was able, at will, to surrender to it or hold back from it. She stood up to come to her senses. For a moment she recovered...wind and snow had burst in...everything became confused again...This muzhik with the long waist began to gnaw at something on the wall; the old woman began to stretch her legs out the whole length of the carriage and filled it with a black cloud; then something screeched and banged terribly, as if someone was being torn to pieces; then a red fire blinded her eyes, and then everything was hidden by a wall. Anna felt as if she was falling through the floor. But all this was not frightening but exhilarating. ~ Leo Tolstoy, #NFDB |
1148:This guy Lobo, whose real and true name was Wolfgang Fink, played better than good flamenco guitar in a place called Mamma Mia in Puerto Vallarta. Had a partner name of Willie Royal, tall gangly guy who was balding a little early and wore glasses and played hot gypsy-jazz violin. They'd worked out a repertoire of their own tunes, "Improvisation #18" and "Gypsy Rock" as examples, played 'em high and hard, rolled through "Amsterdam" and "The Sultan's Dream" with enough power to set you two times free or even beyond that when the day had been tolerable and the night held promise. Lobo, sun worn and hard lined in the face looking over at Willie Royal bobbing and weaving and twisting his face into a mean imitation of a death mask when he really got into it, right wrist looking almost limp but moving his bow at warp speed across the strings, punctuated here and there by Lobo's stabbing ruscados and finger tapping on the guitar top.
Good music, wonderful music, tight and wild all at the same time. On those nights when the sweat ran down your back and veneered your face and the gringitas looked good enough to swallow whole - knowing too they looked just that way and them watching the crowd to see who might be man enough to try it - people would be riding on the music, drinking and clapping in flamenco time, dancing around the dinner tables. ~ Robert James Waller,#NFDB |
1149:The Bier Of Precentor A. Reitan
With smiles his soft eyes ever gleamed,
When God and country thinking;
With endless joy, his soul, it seemed,
Faith, fatherland, was linking.
His word, his song,
Like springs flowed strong;
They fruitful made the valley long,
And quickened all there drinking.
Poor people and poor homes among
In wintry region saddest,
In Sunday's choir he always sung,
Of all the world the gladdest:
'The axis stout
It turns about,
Falls not the poorest home without,
For thus, O God, Thou badest.'
With sickness came a heavy year
And put to proof his singing,
While helpless children standing near
His trust to test were bringing.
But glad the more,
As soft notes soar
When winds o'er hidden harp-strings pour,
His song his soul was winging.
His life foretold us that erelong
With faith in God unshaken
Shall all our nation stand in song,
And church, home, school, awaken,
In Norway's song,
In gladness' song,
In glory of the Lord's own song,
From life's low squalor taken.
Fair fatherland, do not forget,
The children of his bower!
He, poor as is the rosebush, yet
147
Gave gladness till death's hourWith failure's smart
Let not depart
From this thy soil so glad a heart,His garden, let it flower!
~ Bjornstjerne Bjornson,#NFDB |
1150:The most important thing is love," said Leigh-Cheri. "I know that now. There's no point in saving the world if it means losing the moon."
Leigh-Cheri sent that message to Bernard through his attorney. The message continued, "I'm not quite 20, but, thanks to you, I've learned something that many women these days never learn: Prince Charming really is a toad. And the Beautiful Princess has halitosis. The bottom line is that (a) people are never perfect, but love can be, (b) that is the one and only way that the mediocre and the vile can be transformed, and (c) doing that makes it that. Loving makes love. Loving makes itself. We waste time looking for the perfect lover instead of creating the perfect love. Wouldn't that be the way to make love stay?"
The next day, Bernard's attorney delivered to her this reply:
Love is the ultimate outlaw. It just won't adhere to any rules. The most any of us can do is to sign on as its accomplice. Instead of vowing to honor and obey, maybe we should swear to aid and abet. That would mean that security is out of the question. The words "make" and "stay" become inappropriate. My love for you has no strings attached. I love you for free.
Leigh-Cheri went out in the blackberries and wept. "I'll follow him to the ends of the earth," she sobbed.
Yes, darling. But the earth doesn't have any ends. Columbus fixed that. ~ Tom Robbins,#NFDB |
1151:A Dead Baby
LITTLE soul, for such brief space that entered
In this little body straight and chilly,
Little life that fluttered and departed,
Like a moth from an unopened lily,
Little being, without name or nation,
Where is now thy place among creation?
Little dark-lashed eyes, unclosèd never,
Little mouth, by earthly food ne'er tainted,
Little breast, that just once heaved, and settled
In eternal slumber, white and sainted,-Child, shall I in future children's faces
See some pretty look that thine retraces?
Is this thrill that strikes across my heart-strings
And in dew beneath my eyelid gathers,
Token of the bliss thou mightst have brought me,
Dawning of the love they call a father's?
Do I hear through this still room a sighing
Like thy spirit to me its author crying?
Whence didst come and whither take thy journey,
Little soul, of me and mine created?
Must thou lose us, and we thee, forever,
O strange life, by minutes only dated?
Or new flesh assuming, just to prove us,
In some other babe return and love us?
Idle questions all: yet our beginning
Like our ending, rests with the Life-sender,
With whom naught is lost, and naught spent vainly:
Unto Him this little one I render.
Hide the face--the tiny coffin cover:
So, our first dream, our first hope--is over.
~ Dinah Maria Mulock Craik,#NFDB |
1152:The Prinkin' Leddie
The Hielan' lassies are a' for spinnin',
The Lowlan' lassies for prinkin' and pinnin';
My daddie w'u'd chide me, an' so w'u'd my minnie
If I s'u'd bring hame sic a prinkin' leddie.
Now haud your tongue, ye haverin' coward,
For whilst I'm young I'll go flounced an' flowered,
In lutestring striped like the strings o' a fiddle,
Wi' gowden girdles aboot my middle.
In your Hielan' glen, where the rain pours steady,
Ye'll be gay an' glad for a prinkin' leddie;
Where the rocks are all bare an' the turf is all sodden,
An' lassies gae sad in their homespun an' hodden.
My silks are stiff wi' patterns o' siller,
I've an ermine hood like the hat o' a miller,
I've chains o' coral like rowan berries,
An' a cramoisie mantle that cam' frae Paris.
Ye'll be glad for the glint o' its scarlet linin'
When the larks are up an' the sun is shinin';
When the winds are up an' ower the heather
Your heart'll be gay wi' my gowden feather.
When the skies are low an' the earth is frozen,
Ye'll be gay an' glad for the leddie ye've chosen,
When ower the snow I go prinkin' an' prancin'
In my wee red slippers were made for dancin'.
It's better a leddie like Solomon's lily
Than one that'll run like a Hielan' gillie
A-linkin' it ower the leas, my laddie,
In a raggedy kilt an' a belted pladdie!
~ Elinor Morton Wylie,#NFDB |
| 1153:He was trying to sleep. Could one fall asleep here? Wasn’t it dangerous to lower one’s guard, even for a moment, when death could strike at any time? Those were my thoughts when I heard the sound of a violin. A violin in a dark barrack where the dead were piled on top of the living? Who was this madman who played the violin here, at the edge of his own grave? Or was it a hallucination? It had to be Juliek. He was playing a fragment of a Beethoven concerto. Never before had I heard such a beautiful sound. In such silence. How had he succeeded in disengaging himself? To slip out from under my body without my feeling it? The darkness enveloped us. All I could hear was the violin, and it was as if Juliek’s soul had become his bow. He was playing his life. His whole being was gliding over the strings. His unfulfilled hopes. His charred past, his extinguished future. He played that which he would never play again. I shall never forget Juliek. How could I forget this concert given before an audience of the dead and dying? Even today, when I hear that particular piece by Beethoven, my eyes close and out of the darkness emerges the pale and melancholy face of my Polish comrade bidding farewell to an audience of dying men. I don’t know how long he played. I was overcome by sleep. When I awoke at daybreak, I saw Juliek facing me, hunched over, dead. Next to him lay his violin, trampled, an eerily poignant little corpse. ~ Elie Wiesel, #NFDB |
| 1154:It was a rustling sound that woke me up. Because I'd had my eyes closed, the whiteness of the room seemed even brighter than before. There wasn't a shadow anywhere in front of me, and every object, every angle and curve stood out so sharply it made my eyes hurt. That's when Maman's friends came in. There were about ten in all, and they floated into the blinding light without a sound. They sat down without a single chair creaking. I saw them more clearly than I had ever seen anyone, and not one detail of their faces or their clothes escaped me. But I couldn't hear them, and it was hard for me to believe that they really existed. Almost all the women were wearing aprons, and the strings, which were tied tight around their waists, made their bulging stomachs stick out even more. I'd never noticed what huge stomachs old women can have. Almost all the men were skinny and carried canes. What struck me most about their faces was that I couldn't see their eyes, just a faint glimmer in a nest of wrinkles. When they'd sat down, most of them looked at me and nodded awkwardly, their lips sucked in by their toothless mouths, so that I couldn't tell if they were greeting me or if it was just a nervous tic. I think they were greeting me. It was then that I realized they were all sitting across from me, nodding their heads, grouped around the caretaker. For a second I had the ridiculous feeling that they were there to judge me. ~ Albert Camus, #NFDB |
1155:Singers To Come
New delights to our desire
The singers of the past can yield.
I lift mine eyes to hill and field,
And see in them your yet dumb lyre,
poets unborn and unrevealed.
Singers to come, what thoughts will start
To song? What words of yours be sent
Through man's soul, and with earth be blent?
These words of nature and the heart
Await you like an instrument.
Who knows what musical flocks of words
Upon these pine-tree tops will light,
And crown these towers in circling flight,
And cross these seas like summer birds,
And give a voice to the day and night?
Something of you already is ours;
Some mystic part of you belongs
To us whose dream of your future throngs,
Who look on hills, and trees, and flowers,
Which will mean so much in your songs.
I wonder, like the maid who found,
And knelt to lift, the lyre supreme
Of Orpheus from the Thracian stream.
She dreams on its sealed past profound;
On a deep future sealed I dream.
She bears it in her wanderings
Within her arms, and has not pressed
Her unskilled fingers but her breast
Upon those silent sacred strings;
I, too, clasp mystic strings at rest.
For I, i' the world of lands and seas,
The sky of wind and rain and fire,
And in man's world of long desire--
22
In all that is yet dumb in these-Have found a mysterious lyre.
~ Alice Meynell,#NFDB |
1156:His eyes dragged over her. “Arin, your slave looks positively wild.”
Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her.
“No offense,” Cheat told him. “It was a compliment to your taste.”
“What do you want, Cheat?” Arin said.
The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.”
The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey.
The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move.
“I’ll get the wine,” Arin said.
“No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.”
For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.”
“Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.”
As she left the room, his eyes followed her, glittering.
She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin.
“This was the best,” Kestrel said. ~ Marie Rutkoski,#NFDB |
1157:Thou who art the innermost Spirit of my being,
art thou pleased, Lord of my Life?
For I give to thee my cup filled with all
the pain and delight that the crushed
grapes of my heart had surrendered,
I wove with rhythm of colors and song cover for thy bed,
And with the molten gold of my desires
I fashioned playthings for thy passing hours.
I know not why thou chosest me for thy partner,
Lord of my life.
Didst thou store my days and nights,
my deeds and dreams for the alchemy of thy art,
and string in the chain of thy music my songs of autumn and spring,
and gather the flowers from my mature moments for thy crown?
I see thine eyes gazing at the dark of my heart,
Lord of my life,
I wonder if my failure and wrongs are forgiven.
For many were my days without service
and nights of forgetfulness; futile were the flowers
that faded in the shade not offered to thee.
Often the tied strings of my lute slackened
at the strains of thy tunes.
And often at the ruin of wasted hours
my desolate evenings were filled with tears.
But have my days come to their end at last,
Lord of my life, while my arms round thee
grow limp, my kisses losing their truth?
Then break up the meeting of this languid day!
Renew the old in me in fresh forms of delight;
and let the wedding come once again in
a new ceremony of life.
~ Rabindranath Tagore, Lord Of My Life
,#NFDB |
1158:1052
Toys
I can pass up the lure of a jewel to wear
With never the trace of a sigh,
The things on a shelf that I'd like for myself
I never regret I can't buy.
I can go through the town passing store after store
Showing things it would please me to own,
With never a trace of despair on my face,
But I can't let a toy shop alone.
I can throttle the love of fine raiment to death
And I don't know the craving for rum,
But I do know the joy that is born of a toy,
And the pleasure that comes with a drum
I can reckon the value of money at times,
And govern my purse strings with sense,
But I fall for a toy for my girl or my boy
And never regard the expense.
It's seldom I sigh for unlimited gold
Or the power of a rich man to buy;
My courage is stout when the doing without
Is only my duty, but I
Curse the shackles of thrift when I gaze at the toys
That my kiddies are eager to own,
And I'd buy everything that they wish for, by Jing!
If their mother would let me alone.
There isn't much fun spending coin on myself
For neckties and up-to-date lids,
But there's pleasure tenfold, in the silver and gold
I part with for things for the kids.
I can go through the town passing store after store
Showing things it would please me to own,
But to thrift I am lost; I won't reckon the cost
When I'm left in a toy shop alone.
~ Edgar Albert Guest,#NFDB |
| 1159:[At the beginning of modern science], a light dawned on all those who study nature. They comprehended that reason has insight only into what it itself produces according to its own design; that it must take the lead with principles for its judgments according to constant laws and compel nature to answer its questions, rather than letting nature guide its movements by keeping reason, as it were, in leading-strings; for otherwise accidental observations, made according to no previously designed plan, can never connect up into a necessary law, which is yet what reason seeks and requires. Reason, in order to be taught by nature, must approach nature with its principles in one hand, according to which alone the agreement among appearances can count as laws, and, in the other hand, the experiments thought in accordance with these principles - yet in order to be instructed by nature not like a pupil, who has recited to him whatever the teacher wants to say, but like an appointed judge who compels witnesses to answer the questions he puts to them. Thus even physics owes the advantageous revolution in its way of thinking to the inspiration that what reason would not be able to know of itself and has to learn from nature, it has to seek in the latter (though not merely ascribe to it) in accordance with what reason itself puts into nature. This is how natural science was first brought to the secure course of a science after groping about for so many centuries. ~ Immanuel Kant, #NFDB |
1160:The Priest's Heart
It was Sir John, the fair young Priest,
He strode up off the strand;
But seven fisher maidens he left behind
All dancing hand in hand.
He came unto the wise wife's house:
'Now, Mother, to prove your art;
To charm May Carleton's merry blue eyes
Out of a young man's heart.'
'My son, you went for a holy man,
Whose heart was set on high;
Go sing in your psalter, and read in your books;
Man's love fleets lightly by.'
'I had liever to talk with May Carleton,
Than with all the saints in Heaven;
I had liever to sit by May Carleton
Than climb the spheres seven.
'I have watched and fasted, early and late,
I have prayed to all above;
But I find no cure save churchyard mould
For the pain which men call love.'
'Now Heaven forefend that ill grow worse:
Enough that ill be ill.
I know of a spell to draw May Carleton,
And bend her to your will.'
'If thou didst that which thou canst not do,
Wise woman though thou be,
I would run and run till I buried myself
In the surge of yonder sea.
'Scathless for me are maid and wife,
And scathless shall they bide.
Yet charm me May Carleton's eyes from the heart
That aches in my left side.'
120
She charmed him with the white witchcraft,
She charmed him with the black,
But he turned his fair young face to the wall,
Till she heard his heart-strings crack.
1870
~ Charles Kingsley,#NFDB |
1161:The Reward Of Song
_Why do we make our music?_
Oh, blind dark strings reply:
Because we dwell in a strange land
And remember a lost sky.
We ask no leaf of the laurel,
We know what fame is worth;
But our songs break out of our winter
As the flowers break out on the earth.
And we dream of the unknown comrade,
In the days when we lie dead,
Who shall open our book in the sunlight,
And read, as ourselves have read,
On a lonely hill, by a firwood,
With whispering seas below,
And murmur a song we made him
Ages and ages ago.
If making his may-time sweeter
With dews of our own dead may,
One pulse of our own dead heart-strings
Awake in his heart that day,
We would pray for no richer guerdon,
No praise from the careless throng;
For song is the cry of a lover
In quest of an answering song.
As a child might run to his elders
With news of an opening flower
We should walk with our young companion
And talk to his heart for an hour,
As once by my own green firwood,
And once by a Western sea,
Thank God, my own good comrades
Have walked and talked with me.
Too mighty to make men sorrow,
Too weak to heal their pain
(Though they that remember the hawthorn
158
May find their heaven again),
We are moved by a deeper hunger;
We are bound by a stronger cord;
For love is the heart of our music,
And love is its one reward.
~ Alfred Noyes,#NFDB |
1162:The Quarrel
Suddenly, after the quarrel, while we waited,
Disheartened, silent, with downcast looks, nor stirred
Eyelid nor finger, hopeless both, yet hoping
Against all hope to unsay the sundering word:
While all the room's stillness deepened, deepened about us
And each of us crept his thought's way to discover
How, with as little sound as the fall of a leaf,
The shadow had fallen, and lover quarreled with lover;
And while, in the quiet, I marveled-alas, alasAt your deep beauty, your tragic beauty, torn
As the pale flower is torn by the wanton sparrowThis beauty, pitied and loved, and now forsworn;
It was then, when the instant darkened to its darkest,When faith was lost with hope, and the rain conspired
To strike its gray arpeggios against our heartstrings,When love no longer dared, and scarcely desired:
It was then that suddenly, in the neighbor's room,
The music started: that brave quartette of strings
Breaking out of the stillness, as out of our stillness,
Like the indomitable heart of life that sings
When all is lost; and startled from our sorrow,
Tranced from our grief by that diviner grief,
We raised remembering eyes, each looked at other,
Blinded with tears of joy; and another leaf
Fell silently as that first; and in the instant
The shadow had gone, our quarrel became absurd;
And we rose, to the angelic voices of the music,
And I touched your hand, and we kissed, without a word.
~ Conrad Potter Aiken,#NFDB |
1163:What chord would you be?” she mused, playing one chord after another.
I listened as she experimented.
“Oh, here’s a good, sad one,” she said, strumming softly.
“You think I’m sad?” I asked.
“Nah. Definitely not. That’s not your chord. No minor chords for you.”
“Absolutely not. I’m a major chord all the way. A major chord and a major stud.” She laughed and I sighed. I didn’t know what time it was, but the golden glow of the nearby lamp and the warm strings made my eyes heavy and my heart light.
“This is Henry’s chord.” Millie played something dissonant and curious, and I laughed out loud because it made total sense. “But you would be something deeper,” she added.
“Because I’m a sexy man,” I drawled.
“Yep. Because you’re a sexy man. And we would want something with a little twang to it.”
“Because I’m a sexy Texan.”
“A sexy Utah Texan.” She tried a few more, laughing and scrunching up her nose as she tried to find just the right chord. “And we need something sweet.”
“Sweet and violent?” I asked.
“Sexy, twangy, sweet and violent. This might be more difficult than I thought,” she said, still giggling.
She strummed something full and throaty, picking over each string and then strumming them together. “There it is, hear that? That’s Tag.”
“I like it,” I said, pleased.
She stretched her hand, her pinky finger clinging to the bottom string and the chord changed subtly, another layer, a slightly different sound, like the chord wasn’t quite yet resolved. “And that’s David. ~ Amy Harmon,#NFDB |
1164:A Poor Christian Looks At The Ghetto
Bees build around red liver,
Ants build around black bone.
It has begun: the tearing, the trampling on silks,
It has begun: the breaking of glass, wood, copper, nickel, silver, foam
Of gypsum, iron sheets, violin strings, trumpets, leaves, balls, crystals.
Poof! Phosphorescent fire from yellow walls
Engulfs animal and human hair.
Bees build around the honeycomb of lungs,
Ants build around white bone.
Torn is paper, rubber, linen, leather, flax,
Fiber, fabrics, cellulose, snakeskin, wire.
The roof and the wall collapse in flame and heat seizes the foundations.
Now there is only the earth, sandy, trodden down,
With one leafless tree.
Slowly, boring a tunnel, a guardian mole makes his way,
With a small red lamp fastened to his forehead.
He touches buried bodies, counts them, pushes on,
He distinguishes human ashes by their luminous vapor,
The ashes of each man by a different part of the spectrum.
Bees build around a red trace.
Ants build around the place left by my body.
I am afraid, so afraid of the guardian mole.
He has swollen eyelids, like a Patriarch
Who has sat much in the light of candles
Reading the great book of the species.
What will I tell him, I, a Jew of the New Testament,
Waiting two thousand years for the second coming of Jesus?
My broken body will deliver me to his sight
And he will count me among the helpers of death:
The uncircumcised.
10
~ Czeslaw Milosz,#NFDB |
1165:The Archers
Stripped to the waist, his copper-coloured skin
Red from the smouldering heat of hate within,
Lean as a wolf in winter, fierce of mood-As all wild things that hunt for foes, or food-War paint adorning breast and thigh and face,
Armed with the ancient weapons of his race,
A slender ashen bow, deer sinew strung,
And flint-tipped arrow each with poisoned tongue,-Thus does the Red man stalk to death his foe,
And sighting him strings silently his bow,
Takes his unerring aim, and straight and true
The arrow cuts in flight the forest through,
A flint which never made for mark and missed,
And finds the heart of his antagonist.
Thus has he warred and won since time began,
Thus does the Indian bring to earth his man.
II
Ungarmented, save for a web that lies
In fleecy folds across his impish eyes,
A tiny archer takes his way intent
On mischief, which is his especial bent.
Across his shoulder lies a quiver, filled
With arrows dipped in honey, thrice distilled
From all the roses brides have ever worn
Since that first wedding out of Eden born.
Beneath a cherub face and dimpled smile
This youthful hunter hides a heart of guile;
His arrows aimed at random fly in quest
Of lodging-place within some blameless breast.
But those he wounds die happily, and so
Blame not young Cupid with his dart and bow:
Thus has he warred and won since time began,
Transporting into Heaven both maid and man.
77
~ Emily Pauline Johnson,#NFDB |
| 1166:I twirled in front of the mirror slowly, wanting to see the full effect of my new dress front and back. It was a daring little thing made of black silk, its front held by thin strings tied behind my neck and completely backless. I did another twirl, asking out loud, “Do you think this looks good on me?” I wanted my friends’ opinions before they left to have dinner with their families and I had to leave for my second date with my week-old boyfriend. “Everything looks good on you,” Alyx said, rolling her eyes. She was on the armchair in the corner, one leg tossed carelessly over the side. Slender with boyishly cut hair, she could always be counted on to say the truth, no matter how harsh it was. Even so, I still felt insecure. I always was when it came to the boy I loved. Glancing at the other girl who made up our close-knit trio, I asked Yanna, “What do you think?” “It’s what I always think,” Yanna said simply. Petite and curvy, she was lying on her stomach on the floor, flipping through the latest issue of Teen Vogue. Seeing that I was waiting for an explanation, she laughed and elaborated obediently, “You look drop dead gorgeous.” The words should have comforted me, but it didn’t. I knew Yanna meant what she said, and not just because she happened to be the nicest and most polite person I knew. She was also hopeless when it came to lying, and that was probably why I felt worse now. Doubt had shadowed her gaze as she uttered the compliment, and the sight made it harder for me to stay deaf to the warning inside my head. ~ Marian Tee, #NFDB |
1167:Now that the clouds have come like cattle To the cold waters of the city's river, All the windows turn their scandalized expression Toward the tide's tin dazzle, And question, with their weak-eyed stare, The riotous sun. From several places at a time Cries of defiance, As delicate as frost, as sharp as glass, Rise from the porcelain buildings And break in the blue sky. Then, falling swiftly from the air, The fragments of this fragile indignation Ring on the echoing streets No louder than a shower of pins. But suddenly the bridges' choiring cables Jangle gently in the wind And play like quiet piano-strings. All down the faces of the buildings Windows begin to close Like figures in a long division. Those whose eyes all night have simulated sleep, Suddenly stare, from where they lie, like wolves, Tied in the tangle of the bedding, And listen for the waking blood To flood the apprehensive silence of their flesh. They fear the heart that now lies quenched may quicken, And start to romp against the rib, Soft and insistent as a secret bell. They also fear the light will grow Into the windows of their hiding places, like a tree Of tropical flowers And put them, one by one, to flight. Then life will have to begin. Pieces of paper, lying in the streets, Will start up, in the twisting wind, And fly like idiot birds before the faces of the crowds. And in the roaring buildings Elevator doors will have begun To clash like sabres. [1499.jpg] -- from Selected Poems of Thomas Merton, by Thomas Merton
~ Thomas Merton, Aubade -- The City
,#NFDB |
1168:An Autumn Landscape
No wind there is that either pipes or moans;
The fields are cold and still; the sky
Is covered with a blue-gray sheet
Of motionless cloud; and at my feet
The river, curling softly by,
Whispers and dimples round its quiet gray stones.
Along the chill green slope that dips and heaves
The road runs rough and silent, lined
With plum-trees, misty and blue-gray,
And poplars pallid as the day,
In masses spectral, undefined,
Pale greenish stems half hid in dry gray leaves.
And on beside the river's sober edge
A long fresh field lies black. Beyond,
Low thickets gray and reddish stand,
Stroked white with birch; and near at hand,
Over a little steel-smooth pond,
Hang multitudes of thin and withering sedge.
Across a waste and solitary rise
A ploughman urges his dull team,
A stooped gray figure with prone brow
That plunges bending to the plough
With strong, uneven steps. The stream
Rings and re-echoes with his furious cries.
Sometimes the lowing of a cow, long-drawn,
Comes from far off; and crows in strings
Pass on the upper silences.
A flock of small gray goldfinches,
Flown down with silvery twitterings,
Rustle among the birch-cones and are gone.
This day the season seems like one that heeds,
With fixed ear and lifted hand,
All moods that yet are known on earth,
All motions that have faintest birth,
44
If haply she may understand
The utmost inward sense of all her deeds.
~ Archibald Lampman,#NFDB |
1169:The Responsibility Of Fatherhood
BEFORE you came, my little lad,
I used to think that I was good,
Some vicious habits, too, I had,
But wouldn't change them if I could.
I held my head up high and said:
'I'm all that I have need to be,
It matters not what path I tread,'
But that was ere you came to me.
I treated lightly sacred things,
And went my way in search of fun,
Upon myself I kept no strings,
And gave no heed to folly done.
I gave myself up to the fight
For worldly wealth and earthly fame,
And sought advantage, wrong or right,
But that was long before you came.
But now you sit across from me,
Your big brown eyes are opened wide,
And every deed I do you see,
And, O, I dare hot step aside.
I've shaken loose from habits bad,
And what is wrong I've come to dread,
Because I know, my little lad,
That you will follow where I tread.
I want those eyes to glow with pride,
In me I want those eyes to see
The while we wander side by side
The sort of man I'd have you be.
And so I'm striving to be good
With all my might, that you may know
When this great world is understood,
What pleasures are worth while below.
I see life in a different light
From what I did before you came,
Then anything that pleased seemed right;
937
But you are here to bear my name,
And you are looking up to me
With those big eyes from day to day,
And I'm determined not to be
The means of leading you astray.
~ Edgar Albert Guest,#NFDB |
1170:The Age Of Ink
Swiftly the changes come. Each day
Sees some lost beauty blown away
And some new touch of lovely grace
Come into life to take its place.
The little babe that once we had
One morning woke a roguish lad;
The babe that we had put to bed
Out of our arms and lives had fled.
Frocks vanished from our castle then,
Ne'er to be worn or seen again,
And in his knickerbocker pride
He boasted pockets at each side
And stored them deep with various thingsStones, tops and jacks and-colored strings;
Then for a time we claimed the joy
Of calling him our little boy.
Brief was the reign of such a spell.
One morning sounded out a bell;
With tears I saw her brown eyes swim
And knew that it was calling him.
Time, the harsh master of us all,
Was bidding him to heed his call;
This shadow fell across life's poolOur boy was on his way to school.
Our little boy! And still we dreamed,
For such a little boy he seemed!
And yesterday, with eyes aglow
Like one who has just come to know
Some great and unexpected bliss,
He bounded in, announcing this:
'Oh, Dad! Oh, Ma! Say, what d'you think?
This year we're going to write with ink!'
Here was a change I'd not foreseen,
Another step from what had been.
I paused a little while to think
665
About this older age of inkWhat follows this great step, thought I,
What next shall come as the time goes by?
And something said: 'His pathway leads
Unto the day he'll write with deeds.'
~ Edgar Albert Guest,#NFDB |
1171:Israfel
In Heaven a spirit doth dwell
"Whose heart-strings are a lute";
None sing so wildly well
As the angel Israfel,
And the giddy stars (so legends tell),
Ceasing their hymns, attend the spell
Of his voice, all mute.
Tottering above
In her highest noon,
The enamored moon
Blushes with love,
While, to listen, the red levin
(With the rapid Pleiads, even,
Which were seven,)
Pauses in Heaven.
And they say (the starry choir
And the other listening things)
That Israfeli's fire
Is owing to that lyre
By which he sits and singsThe trembling living wire
Of those unusual strings.
But the skies that angel trod,
Where deep thoughts are a dutyWhere Love's a grown-up GodWhere the Houri glances are
Imbued with all the beauty
Which we worship in a star.
Therefore thou art not wrong,
Israfeli, who despisest
An unimpassioned song;
To thee the laurels belong,
Best bard, because the wisest!
Merrily live, and long!
54
The ecstasies above
With thy burning measures suitThy grief, thy joy, thy hate, thy love,
With the fervor of thy luteWell may the stars be mute!
Yes, Heaven is thine; but this
Is a world of sweets and sours;
Our flowers are merely- flowers,
And the shadow of thy perfect bliss
Is the sunshine of ours.
If I could dwell
Where Israfel
Hath dwelt, and he where I,
He might not sing so wildly well
A mortal melody,
While a bolder note than this might swell
From my lyre within the sky.
~ Edgar Allan Poe,#NFDB |
1172:Supermind, on the other hand, as a basic structure-rung (conjoined with nondual Suchness) can only be experienced once all the previous junior levels have emerged and developed, and as in all structure development, stages cannot be skipped. Therefore, unlike Big Mind, supermind can only be experienced after all 1st-, 2nd-, and 3rd-tier junior stages have been passed through. While, as Genpo Roshi has abundantly demonstrated, Big Mind state experience is available to virtually anybody at almost any age (and will be interpreted according to the View of their current stage), supermind is an extremely rare recognition. Supermind, as the highest structure-rung to date, has access to all previous structures, all the way back to Archaic-and the Archaic itself, of course, has transcended and included, and now embraces, every major structural evolution going all the way back to the Big Bang. (A human being literally enfolds and embraces all the major transformative unfoldings of the entire Kosmic history-strings to quarks to subatomic particles to atoms to molecules to cells, all the way through the Tree of Life up to its latest evolutionary emergent, the triune brain, the most complex structure in the known natural world.) Supermind, in any given individual, is experienced as a type of omniscience-the supermind, since it transcends and includes all of the previous structure-rungs, and inherently is conjoined with the highest nondual Suchness state, has a full and complete knowledge of all of the potentials in that person. It literally knows all, at least for the individual.
~ Ken Wilber?,#NFDB |
1173:Let’s see what your temperature is,” she said, bringing an electronic thermometer over from the desk.
“It’s higher than usual.”
Her amber stare flipped up to his. “Your arm.”
“No, your eyes.”
She blinked, then seemed to shake herself. “I seriously doubt that.”
“Then you underestimate your appeal.”
As she shook her head and clicked one of the plastic covers onto the silver wand, he caught a whiff of her scent. His fangs elongated.
“Open.” She brought the thermometer up and waited. “Well?”
Rehv stared into those amazing tricolored eyes of hers and dropped his jaw.
She leaned in, all business as usual, only to freeze.
As she looked at his canines, her scent surged with something dark and erotic.
Triumph singed in his veins as he growled, “Do me.”
There was a long moment, during which the two of them were bound together by invisible strings of heat and longing. Then her mouth flattened out.
“Never, but I will take your temperature, because I have to.”
She jabbed the thermometer in between his lips, and he had to clamp his teeth together to keep the thing from deflating one of his tonsils.
S’all good, though.
Even if he couldn’t have her, he turned her on. And that was more than he deserved.
There was a beep, an interval, and another beep.
“One oh nine,” she said as she stepped back and released the plastic cover into the biohazard bin. “Havers will be with you as soon as he’s able.”
The door clapped shut behind her with the hard syllabic smack of the f-word.
Man, she was hot.
-Ehlena & Rehv ~ J R Ward,#NFDB |
1174:“Oh, Kelly,
you make my legs weak like jelly.
Oh, Kelly…
I get butterflies in my belly.
Oh, Kelly,
uh, your perfume is so sweet and smelly, Kelly…”
She’s giggling now.
“Sorry,” Evan says, plucking a final chord. “Turns out even I can’t make smelly into a compliment.”
“Two out of three isn’t bad,” I point out, very impressed with Evan’s skills. He can sketch out a tune really fast, and switch between styles; one moment he’s doing a blues song, then pop, and the one he made up for me was like something from a musical.
As if he’s reading my mind, he echoes, turning to look at me, drawing out the syllables:
“Don’t forget, Vio-let--Dive in!”
This time he ends the line low and gentle, and it isn’t a musical number anymore. It’s almost a love song.
“You mind if I work on that?” he asks, leaning on the guitar, looking at me. “That’s kinda nice. I could do something with that.”
“Oh!” I don’t quite know what to say. “Sure,” I add.
“Ooh! Evan’s writing Violet a love song!” Paige whoops, coming over and retrieving her magazine. “Evan and Violet sitting in a tree, K-I-S-S-I-N-G!”
I expect Evan to look embarrassed, or to tell Paige to shut up, but he just grins again, bending over his guitar, starting to strum it again, quite unaffected by his sister.
“Paige,” he sings to me,
“needs to act her age…
Such a shame
She’s such a pain
It’s a terrible strain…”
I laugh and settle back on the lounger, watching him play, his hands moving with surprising lightness and dexterity on the strings. ~ Lauren Henderson,#NFDB |
1175:Jane and Mr. Nobley entered the great hall, the ceiling dazzling with thousands of real candles that put fire into the white dresses and cravats. Five musicians were seated on a dais--a cello and two violins (or maybe a viola?), a harpsichord, and some kind of wind instrument. From keys and strings, they coaxed a grand prelude to the minuet. Jane looked at everything, smiling at the amusement park novelty of it all. She looked at Mr. Nobley. He was beaming at her. At last.
“You are stunning,” he said, and every inch of him seemed to swear that it was true.
“Oh,” she said.
He kissed her gloved fingers. He was still smiling. There was something different about him tonight, and she couldn’t place what it was. Some new plot twist, she presumed. She was eager to roll around in all the plot she could on her last night, though once or twice her eyes strayed to spot Martin.
Mr. Nobley stood opposite her in a line of ten men. She watched Amelia and Captain East perform the figures. They held each other’s gazes, they smiled with the elation of new love. All very convincing.
Poor Amelia, thought Jane.
It was a bit cruel, now that she thought about it, all these actors who made women fall in love with them. Amelia seemed so tenderhearted, and Miss Charming and her heaving breasts so delighted with this world. Jane caught sight of a very striking Colonel Andrews who, now that she watched him dance, might just be gay.
Jane felt a thrumming of foreboding. All the ladies were so happy and open-hearted and eager to love. What would happen to them in the dregs of tomorrow? ~ Shannon Hale,#NFDB |
1176:He had his back to Cass, his face resting against a carved cherub as he absentmindedly plucked various strings. Cass stared, watching the movement of his neck and back and shoulders: pieces of motion that were discrete, yet interconnected. She remembered his words from the graveyard. The human form, it’s a symphony. Tiny interlocking movements that join together in song.
“It’s about time,” he said, without turning around.
He turned slowly, then. The blue eyes. The crooked grin. Cass started to greet him, but her voice stuck in her throat. She reached out for the curlicue bottom of the stairway banister, gripping the bronze for a second, reminding herself that there were no feelings. No. Feelings. She flicked her eyes back up at him, felt her lips forming a smile independent of any command by her brain.
Falco cocked an eyebrow. “A beautiful woman who doesn’t speak. Every man’s dream.”
“I see you’ve made yourself comfortable,” Cass shot back. “I wasn’t expecting you tonight.” Or ever.
“I’d thought you might have learned that with me, you must expect the unexpected.” Falco got up from his seat in front of Agnese’s harp, and it was Cass’s turn to raise an eyebrow. Falco was wearing a flowing white chemise overlaid with an embroidered black and silver doublet and knee-length breeches. His hair still curled forward toward his face, but it looked sleeker than usual, as if he had attempted to tame it with some kind of paste.
“Why are you dressed like that?” she asked. “Are you going to Mass?” Not likely since Falco professed not to even believe in God. ~ Fiona Paul,#NFDB |
1177:I.
The cold earth slept below;
Above the cold sky shone;
And all around,
With a chilling sound,
From caves of ice and fields of snow
The breath of night like death did flow
Beneath the sinking moon.
II.
The wintry hedge was black;
The green grass was not seen;
The birds did rest
On the bare thorn's breast,
Whose roots, beside the pathway track,
Had bound their folds o'er many a crack
Which the frost had made between.
III.
Thine eyes glow'd in the glare
Of the moon's dying light;
As a fen-fire's beam
On a sluggish stream
Gleams dimlyso the moon shone there,
And it yellow'd the strings of thy tangled hair,
That shook in the wind of night.
IV.
The moon made thy lips pale, beloved;
The wind made thy bosom chill;
The night did shed
On thy dear head
Its frozen dew, and thou didst lie
Where the bitter breath of the naked sky
Might visit thee at will.
Published in Hunt's Literary Pocket-Book, 1823, where it is headed November, 1815. Reprinted in the Posthumous Poems, 1824.
The single surviving MS. is dated November 5, 1815. If correct, this date makes impossible the common assumption that the poem refers to the suicide of Shelley's first wife, Harriet, in November 1816.
17.
Tangled. Hunt prints "raven," but the MS. reads "tangled."
~ Percy Bysshe Shelley, Lines - The cold earth slept below
,#NFDB |
1178:I’ve never much liked the whole setup of Christianity, with its emphasis on being saved, thereby acknowledging a debt that can only be paid by a lifetime of sacrifice and devotion. Must God’s love have strings attached? People who crave salvation should think about how they’re going to feel if it turns out that this God who saved them is, upon closer acquaintance, completely alien. He, possibly she (or, more likely, it), is not now and never has been one of us. Jesus clearly was not one of us, with his crypto-stories about the prodigal who is more beloved by the father than the dutiful son and the sliding pay scale for field hands, with his magic powers that run the gamut from improving the wedding beverage to blasting trees to raising the dead. These days we have born-agains everywhere, even in the White House, carping about how clear and meaningful everything is now that they’ve seen the light and accepted Christ as their Savior. There they were, just sinning along aimlessly, drinking and fornicating down that slippery slope lined with good intentions and ending you know where, when suddenly Jesus reached out and down or across and saved them. And now they feel grateful all the time, every day. It things go wrong, that’s God’s way of testing their faith, and if they are successful and make lots of money, that proves they have been chosen by God.
It's supposed to be all about free will, but there’s not much freedom in it. And if God is really so eager to save the desperate from themselves, where was he when my mother was knocking back the Seconal with her lunatic girlfriend from hell. ~ Valerie Martin,#NFDB |
1179:On Going Home For Christmas
He little knew the sorrow that was in his vacant chair;
He never guessed they'd miss him, or he'd surely have been there;
He couldn't see his mother or the lump that filled her throat,
Or the tears that started falling as she read his hasty note;
And he couldn't see his father, sitting sorrowful and dumb,
Or he never would have written that he thought he couldn't come.
He little knew the gladness that his presence would have made,
And the joy it would have given, or he never would have stayed.
He didn't know how hungry had the little mother grown
Once again to see her baby and to claim him for her own.
He didn't guess the meaning of his visit Christmas Day
Or he never would have written that he couldn't get away.
He couldn't see the fading of the cheeks that once were pink,
And the silver in the tresses; and he didn't stop to think
How the years are passing swiftly, and next Christmas it might be
There would be no home to visit and no mother dear to see.
He didn't think about it — I'll not say he didn't care.
He was heedless and forgetful or he'd surely have been there.
Are you going home for Christmas? Have you written you'll be there?
Going home to kiss the mother and to show her that you care?
Going home to greet the father in a way to make him glad?
If you're not I hope there'll never come a time you'll wish you had.
Just sit down and write a letter — it will make their heart strings hum
With a tune of perfect gladness — if you'll tell them that you'll come.
~ Edgar Albert Guest,#NFDB |
1180:Past the despairing wail
And the bright banquets of the Elysian vale
Melt every care away!
Delight, that breathes and moves forever,
Glides through sweet fields like some sweet river!
Elysian life survey!
There, fresh with youth, o'er jocund meads,
His merry west-winds blithely leads
The ever-blooming May!
Through gold-woven dreams goes the dance of the hours,
In space without bounds swell the soul and its powers,
And truth, with no veil, gives her face to the day.
And joy to-day and joy to-morrow,
But wafts the airy soul aloft;
The very name is lost to sorrow,
And pain is rapture tuned more exquisitely soft.
Here the pilgrim reposes the world-weary limb,
And forgets in the shadow, cool-breathing and dim,
The load he shall bear never more;
Here the mower, his sickle at rest, by the streams,
Lulled with harp-strings, reviews, in the calm of his dreams,
The fields, when the harvest is o'er.
Here, he, whose ears drank in the battle roar,
Whose banners streamed upon the startled wind
A thunder-storm,before whose thunder tread
The mountains trembled,in soft sleep reclined,
By the sweet brook that o'er its pebbly bed
In silver plays, and murmurs to the shore,
Hears the stern clangor of wild spears no more!
Here the true spouse the lost-beloved regains,
And on the enamelled couch of summer-plains
Mingles sweet kisses with the zephyr's breath.
Here, crowned at last, love never knows decay,
Living through ages its one bridal day,
Safe from the stroke of death!
~ Friedrich Schiller, Elysium
,#NFDB |
1181:And so we weep for the fallen. We weep for those yet to fall, and in war the screams are loud and harsh and in peace the wail is so drawn-out we tell ourselves we hear nothing.
And so this music is a lament, and I am doomed to hear its bittersweet notes for a lifetime.
Show me a god that does not demand mortal suffering.
Show me a god that celebrates diversity, a celebration that embraces even non-believers and is not threatened by them.
Show me a god who understands the meaning of peace. In life, not in death.
Show—
'Stop,' Gesler said in a grating voice.
Blinking, Fiddler lowered the instrument. 'What?'
'You cannot end with such anger, Fid. Please.'
Anger? I am sorry. He would have spoken that aloud, but suddenly he could not. His gaze lowered, and he found himself studying the littered floor at his feet. Someone, in passing – perhaps Fiddler himself – had inadvertently stepped on a cockroach. Half-crushed, smeared into the warped wood, its legs kicked feebly. He stared at it in fascination.
Dear creature, do you now curse an indifferent god?
'You're right,' he said. 'I can't end it there.' He raised the fiddle again. 'Here's a different song for you, one of the few I've actually learned. From Kartool. It's called "The Paralt's Dance".' He rested the bow on the strings, then began.
Wild, frantic, amusing. Its final notes recounted the triumphant female eating her lover. And even without words, the details of that closing flourish could not be mistaken.
The four men laughed.
Then fell silent once more. ~ Steven Erikson,#NFDB |
| 1182:All that exists, or remains, of Duchamp’s stay in Buenos Aires is a readymade. Though of course his whole life was a readymade, which was his way of appeasing fate and at the same time sending out signals of distress. As Calvin Tomkins writes: As a wedding present for his sister Suzanne and his close friend Jean Crotti, who were married in Paris on April 14, 1919, Duchamp instructed the couple by letter to hang a geometry book by strings on the balcony of their apartment so that the wind could “go through the book, choose its own problems, turn and tear out the pages.” Clearly, then, Duchamp wasn’t just playing chess in Buenos Aires. Tompkins continues: This Unhappy Readymade, as he called it, might strike some newlyweds as an oddly cheerless wedding gift, but Suzanne and Jean carried out Duchamp’s instructions in good spirit; they took a photograph of the open book dangling in midair (the only existing record of the work, which did not survive its exposure to the elements), and Suzanne later painted a picture of it called Le Readymade malheureux de Marcel. As Duchamp later told Cabanne, “It amused me to bring the idea of happy and unhappy into readymades, and then the rain, the wind, the pages flying, it was an amusing idea.” I take it back: all Duchamp did while he was in Buenos Aires was play chess. Yvonne, who was with him, got sick of all his play-science and left for France. According to Tompkins: Duchamp told one interviewer in later years that he had liked disparaging “the seriousness of a book full of principles,” and suggested to another that, in its exposure to the weather, “the treatise seriously got the facts of life. ~ Roberto Bola o, #NFDB |
1183:If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,
Like this.
When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,
Like this.
If anyone wants to know what "spirit" is,
or what "Gods fragrance" means,
lean your head toward him or her.
Keep your face there close.
Like this.
When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.
Like this.
If anyone wonders how Jesus raised the dead,
dont try to explain the miracle.
Kiss me on the lips.
Like this. Like this.
When someone asks what it means
to "die for love," point
here.
If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.
This tall.
The soul sometimes leaves the body, the returns.
When someone doesnt believe that,
walk back into my house.
Like this.
When lovers moan,
theyre telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.
Like this.
When someone asks what there is to do,
light the candle in his hand.
Like this.
How did Josephs scent come to Jacob?
Huuuuu.
How did Jacobs sight return?
Huuuu.
A little wind cleans the eyes.
Like this.
When Shams comes back from Tabriz,
hell put just his head around the edge
of the door to surprise us
Like this.
~ Jalaluddin Rumi, Like This
,#NFDB |
| 1184:In the words of Disraeli, “elected governments seldom govern” and the personages who controlled the strings are far different from the politicians the citizens elected. From that point on, God’s plan for mankind, social and economic interaction for the benefit of all was trashed. In its place arose a brutal structure that looted man of his substance, his possessions, his liberty and his freedom by the most hideously malicious acts of aggression through which mankind became utterly oppressed. The Christian teaching that man was created by God with a higher purpose, notably to serve Him, with a spiritual nature that made this possible, was destroyed by the interaction that started with Cain murdering Abel. Since that moment on, murder, whether it was an individual, (like the murder of Congressman Louis T. McFadden, Chairman of the House Banking Committee for daring to expose the Federal Reserve Banking system) or mass murder, through wars such as the horrible First World War, became the instrument whereby these evil men enforced their rule. They mouthed pious platitudes and even put on an appearance of Christianity, but in their secret chambers and in their enclaves, they hurled invective at God the Father and his Son, Jesus Christ. Such is the nature of the beast with which we contend and with whom we are locked in battle in the year of our Lord, 2006. The “Elect” (and here I include the present U.S. administration in the hands of President G.W. Bush) does not believe that they are bound by Moral Law. While the “300” rule as they most assuredly do, man can never be secure in his person, his liberties and his property, witness the country of Iraq as one example. ~ John Coleman, #NFDB |
1185:There is a tree. At the downhill edge of a long, narrow field in the western foothills of the La Sal Mountains -- southeastern Utah. A particular tree. A juniper. Large for its species -- maybe twenty feet tall and two feet in diameter. For perhaps three hundred years this tree has stood its ground. Flourishing in good seasons, and holding on in bad times. "Beautiful" is not a word that comes to mind when one first sees it. No naturalist would photograph it as exemplary of its kind. Twisted by wind, split and charred by lightning, scarred by brushfires, chewed on by insects, and pecked by birds. Human beings have stripped long strings of bark from its trunk, stapled barbed wire to it in using it as a corner post for a fence line, and nailed signs on it on three sides: NO HUNTING; NO TRESPASSING; PLEASE CLOSE THE GATE. In commandeering this tree as a corner stake for claims of rights and property, miners and ranchers have hacked signs and symbols in its bark, and left Day-Glo orange survey tape tied to its branches. Now it serves as one side of a gate between an alfalfa field and open range. No matter what, in drought, flood heat and cold, it has continued. There is rot and death in it near the ground. But at the greening tips of its upper branches and in its berrylike seed cones, there is yet the outreach of life.
I respect this old juniper tree. For its age, yes. And for its steadfastness in taking whatever is thrown at it. That it has been useful in a practical way beyond itself counts for much, as well. Most of all, I admire its capacity for self-healing beyond all accidents and assaults. There is a will in it -- toward continuing to be, come what may. ~ Robert Fulghum,#NFDB |
| 1186:a stunning glimpse of Buddy, at a later date by innumerable years, quite bereft of my dubious, loving company, writing about this very party on a very large, jet-black, very moving, gorgeous typewriter. He is smoking a cigarette, occasionally clasping his hands and placing them on the top of his head in a thoughtful, exhausted manner. His hair is gray; he is older than you are now, Les! The veins in his hands are slightly prominent in the glimpse, so I have not mentioned the matter to him at all, partially considering his youthful prejudice against veins showing in poor adults’ hands. So it goes. You would think this particular glimpse would pierce the casual witness’s heart to the quick, disabling him utterly, so that he could not bring himself to discuss the glimpse in the least with his beloved, broadminded family. This is not exactly the case; it mostly makes me take an exceedingly deep breath as a simple, brisk measure against getting dizzy. It is his room that pierces me more than anything else. It is all his youthful dreams realized to the full! It has one of those beautiful windows in the ceiling that he has always, to my absolute knowledge, fervently admired from a splendid reader’s distance! All round about him, in addition, are exquisite shelves to hold his books, equipment, tablets, sharp pencils, ebony, costly typewriter, and other stirring, personal effects. Oh, my God, he will be overjoyed when he sees that room, mark my words! It is one of the most smiling, comforting glimpses of my entire life and quite possibly with the least strings attached. In a reckless manner of speaking, I would far from object if that were practically the last glimpse of my life. ~ J D Salinger, #NFDB |
| 1187:You know those particular stand out beauties you see once in a blue moon walking by themselves down the high street on a Saturday afternoon or sitting on a park bench all alone during their lunch break in the middle of summer, who immediately catch your eye, looking utterly bored out of their minds and just begging for some single handsome stranger to come and distract them away for twenty minutes or so from their mundane and repetitive daily worlds. That special girl who right away tugged so hard on your heart strings that your blood turned to ice and your soul melted to its very core because you knew she was completely your type without even having spoken to her. All you had to go on was a gut feeling and that special crazy something about her that spoke to every inch of your fibre and being and said this girl is the one for you, my friend, if you would only step up to the damn plate, put all your fears of public rejection, humiliation and inhibitions behind you and gather the courage, will power and determination to go and get her. That rare, radiant and beautiful Angel who caught a glimpse of you, too, and smiled back at you in turn while you were within their proximity but, alas, you had absolutely nothing to say to them in that moment. Nothing. No simple magic words, no charming chat up line, just a blank frozen mind and a stuttering tongue. But in reality, just to say one word, utter one stupid, tiny, silly little insignificant syllable would surely have been a million times better than saying nothing at all and living a life full of regret of not acting in the moment. And then poof, just like that, she's gone forever, out of sight, but never out of your mind. ~ Sean Paul Thomas, #NFDB |
1188:Like This
If anyone asks you
how the perfect satisfaction
of all our sexual wanting
will look, lift your face
and say,
Like this.
When someone mentions the gracefulness
of the nightsky, climb up on the roof
and dance and say,
Like this.
If anyone wants to know what "spirit" is,
or what "God’s fragrance" means,
lean your head toward him or her.
Keep your face there close.
Like this.
When someone quotes the old poetic image
about clouds gradually uncovering the moon,
slowly loosen knot by knot the strings
of your robe.
Like this.
If anyone wonders how Jesus raised the dead,
don’t try to explain the miracle.
Kiss me on the lips.
Like this. Like this.
When someone asks what it means
to "die for love," point
here.
If someone asks how tall I am, frown
and measure with your fingers the space
between the creases on your forehead.
This tall.
The soul sometimes leaves the body, the returns.
When someone doesn’t believe that,
walk back into my house.
Like this.
When lovers moan,
they’re telling our story.
Like this.
I am a sky where spirits live.
Stare into this deepening blue,
while the breeze says a secret.
Like this.
When someone asks what there is to do,
light the candle in his hand.
Like this.
How did Joseph’s scent come to Jacob?
Huuuuu.
How did Jacob’s sight return?
Huuuu.
A little wind cleans the eyes.
Like this.
When Shams comes back from Tabriz,
he’ll put just his head around the edge
of the door to surprise us
Like this. ~ Rumi,#NFDB |
| 1189:There is a musical instrument, one that is in fact little more than a toy, that we in Viron used to call Molpe’s dulcimer. Strings are arranged in a certain way and drawn tight above a chamber of thin wood that swells the sound when they are strummed by the wind. Horn made several for his young siblings before we went into the tunnels; when I made them, I dreamed of making a better one someday, one constructed with all the knowledge and care that a great craftsman would bring to the task, a fitting tribute to Molpe. I have never built it, as you will have guessed already. I have the craft now, perhaps; but I have never had the musical knowledge the task would require, and I never will. If I had built it, it might have sounded something like that, because I would have made it sound as much like a human voice as I could; and if I were the great craftsman I once dreamed of becoming, I would have come very near—and yet not near enough. That is how it was with the Mother’s voice. It was lovely and uncanny, like Molpe’s dulcimer; and although it was not in truth very remote as well as I could judge, there was that in it that sounded very far away indeed. I have since thought that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express. No, not even if I could whisper them aloud to you of the future, and certainly not as I am constrained to speak to you now with Oreb’s laboring black wingfeather. Nor with a quill from any other bird that ever flew. * ~ Gene Wolfe, #NFDB |
1190:Clowns' Houses
BENEATH the flat and paper sky
The sun, a demon's eye,
Glowed through the air, that mask of glass;
All wand'ring sounds that pass
Seemed out of tune, as if the light
Were fiddle-strings pulled tight.
The market-square with spire and bell
Clanged out the hour in Hell;
The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and white
As powder on a mummy's face,
Or fawned with simian grace
Round booths with many a hard bright toy
And wooden brittle joy:
The cap and bells of Time the Clown
That, jangling, whistled down
Young cherubs hidden in the guise
Of every bird that flies;
And star-bright masks for youth to wear,
Lest any dream that fare
--Bright pilgrim--past our ken, should see
Hints of Reality.
Upon the sharp-set grass, shrill-green,
Tall trees like rattles lean,
And jangle sharp and dissily;
But when night falls they sign
Till Pierrot moon steals slyly in,
His face more white than sin,
Black-masked, and with cool touch lays bare
Each cherry, plum, and pear.
Then underneath the veiled eyes
Of houses, darkness lies-Tall houses; like a hopeless prayer
They cleave the sly dumb air.
Blind are those houses, paper-thin
Old shadows hid therein,
With sly and crazy movements creep
Like marionettes, and weep.
Tall windows show Infinity;
And, hard reality,
The candles weep and pry and dance
Like lives mocked at by Chance.
The rooms are vast as Sleep within;
When once I ventured in,
Chill Silence, like a surging sea,
Slowly enveloped me.
~ Dame Edith Louisa Sitwell,#NFDB |
| 1191:I was already an atheist, and by my senior year I had became obsessed with the question “What is the meaning of life?” I wrote my personal statement for college admissions on the meaninglessness of life. I spent the winter of my senior year in a kind of philosophical depression—not a clinical depression, just a pervasive sense that everything was pointless. In the grand scheme of things, I thought, it really didn’t matter whether I got into college, or whether the Earth was destroyed by an asteroid or by nuclear war. My despair was particularly strange because, for the first time since the age of four, my life was perfect. I had a wonderful girlfriend, great friends, and loving parents. I was captain of the track team, and, perhaps most important for a seventeen-year-old boy, I got to drive around in my father’s 1966 Thunderbird convertible. Yet I kept wondering why any of it mattered. Like the author of Ecclesiastes, I thought that “all is vanity and a chasing after wind” (ECCLESIASTES 1:14) . I finally escaped when, after a week of thinking about suicide (in the abstract, not as a plan), I turned the problem inside out. There is no God and no externally given meaning to life, I thought, so from one perspective it really wouldn’t matter if I killed myself tomorrow. Very well, then everything beyond tomorrow is a gift with no strings and no expectations. There is no test to hand in at the end of life, so there is no way to fail. If this really is all there is, why not embrace it, rather than throw it away? I don’t know whether this realization lifted my mood or whether an improving mood helped me to reframe the problem with hope; but my existential depression lifted and I enjoyed the last months of high school. ~ Jonathan Haidt, #NFDB |
| 1192:This is what happens: A hovercraft marked with the Capitol’s seal materializes directly over the barricaded children. Scores of silver parachutes rain down on them. Even in this chaos, the children know what silver parachutes contain. Food. Medicine. Gifts. They eagerly scoop them up, frozen fingers struggling with the strings. The hovercraft vanishes, five seconds pass, and then about twenty parachutes simultaneously explode. A wail rises from the crowd. The snow’s red and littered with undersized body parts. Many of the children die immediately, but others lie in agony on the ground. Some stagger around mutely, staring at the remaining silver parachutes in their hands, as if they still might have something precious inside. I can tell the Peacekeepers didn’t know this was coming by the way they are yanking away the barricades, making a path to the children. Another flock of white uniforms sweeps into the opening. But these aren’t Peacekeepers. They’re medics. Rebel medics. I’d know the uniforms anywhere. They swarm in among the children, wielding medical kits. First I get a glimpse of the blond braid down her back. Then, as she yanks off her coat to cover a wailing child, I notice the duck tail formed by her untucked shirt. I have the same reaction I did the day Effie Trinket called her name at the reaping. At least, I must go limp, because I find myself at the base of the flagpole, unable to account for the last few seconds. Then I am pushing through the crowd, just as I did before. Trying to shout her name above the roar. I’m almost there, almost to the barricade, when I think she hears me. Because for just a moment, she catches sight of me, her lips form my name. And that’s when the rest of the parachutes go off. ~ Suzanne Collins, #NFDB |
1193:I reach up to my hair, lifting it, squeezing water out of it down my back, and I know that the movement summons Luca’s attention back to me. I can feel his eyes on me now as I move closer to Evan on the lounger, looking at his hands moving on the strings, the typical girl admiring a boy playing a guitar. Evan flashes me a smile and keeps strumming away, quite unaware of the little drama being enacted around him.
“Don’t forget, Vio-let,” he croons softly. And though I can’t really sing, not properly, I know the tune now, and my head leans in toward his as I join in on the last two words:
“Dive in!”
He finishes on a last, rising chord and lifts his head, our faces close now. The sunshine beats down on us; the blue water of the swimming pool glints brightly in the heat, the breeze raising tiny ripples on the surface. Evan’s eyes are as clear and blue as the water, with no hidden currents, no unexpected, dangerous undertow. The rosemary and lavender bushes planted around the verge are wafting a lovely, sun-warmed scent, bees buzzing in the lavender. It’s paradise. It should be paradise.
In the parking lot below, tires screech. We all jump. Luca must be executing the tightest, sharpest three-point turn in history: the car scrapes, churns, tears up the gravel, and shoots out of the lot and down the drive so fast we wince. It snaps back and forth like Road Runner as he speeds downhill. Only a very good driver could make those switchback turns so fast without crashing--and he’s very lucky he didn’t meet anyone coming up.
“Wow! I guess they have somewhere they really need to be,” Paige observes.
“More like someone to get away from,” Kelly says dryly under her breath, so only I can hear her. ~ Lauren Henderson,#NFDB |
1194:The Keys
Broken ivories
playing
the blue piano
of the sea.
We have come
from the bitter city
to heal ourselves.
We have come
looking for a patch of beach
not yet built into a fortress
of real-estate greed,
a coral reef
not yet picked clean
of buried treasure,
not yet bare of birds.
The first night in the Keys,
I dreamed I was a bird
soaring over a hilly city,
soaring & dipping
like a gull or egret.
& I thought:
'Ah- this is a flying dream!
Enjoy it.'
But I really think
that my soul
has been transported
for a night
into the body of
a bird
& I was flying.
I woke up
exhausted,
arms weary,
eyes red.
The beach was dazzling
211
with its white sand,
the sun blinding,
& I seemed to know the palm trees
from above
as well as below.
They root in the sand
with elephant feet,
yet they also root
their delicate fronds
in air.
& these are a comfort
as you fly
half bird, half human
through a dream of sky.
Everything was new
to a spirit
so divided
between two kingdoms.
The water was alive
with fish,
the air with birds
& palm fronds,
clouds, thunderous presences
of rain
gathering & parting,
& fiery sun playing through.
I knew
that I stood
on a patch of earth
connected to the sky,
that my heart beat
with the sea,
that my arms moved
with the clouds,
that my flesh
was finally irrelevant
though it surrounded me
as the case of a piano
surrounds its strings,
212
while the fingers play
on the ivory keys
& the human music
rises to the sky.
~ Erica Jong,#NFDB |
1195:Ad Cattonum
I know not, Mr. Catton, who you are,
Nor very clearly why; but you go far
To show that you are many things beside
A Chilean Consul with a tempting hide;
But what they are I hardly could explain
Without afflicting you with mental pain.
Your name (gods! what a name the muse to woo
Suggesting cats, and hinting kittens, too!)
Points to an origin-perhaps Maltese,
Perhaps Angoran-where the wicked cease
From fiddling, and the animals that grow
The strings that groan to the tormenting bow
Live undespoiled of their insides, resigned
To give their name and nature to mankind.
With Chilean birth your name but poorly tallies;
The test is-Did you ever sell tamales?
It matters very little, though, my boy,
If you're from Chile or from Illinois;
You can't, because you serve a foreign land,
Spit with impunity on ours, expand,
Cock-turkeywise, and strut with blind conceit,
All heedless of the hearts beneath your feet,
Fling falsehoods as a sower scatters grain
And, for security, invoke disdain.
Sir, there are laws that men of sense observe,
No matter whence they come nor whom they serve
The laws of courtesy; and these forbid
You to malign, as recently you did,
As servant of another State, a State
Wherein your duties all are concentrate;
Branding its Ministers as rogues-in short,
Inviting cuffs as suitable retort.
Chileno or American, 'tis one
Of any land a citizen, or none
If like a new Thersites here you rail,
Loading with libels every western gale,
You'll feel the cudgel on your scurvy hump
133
Impinging with a salutary thump.
'Twill make you civil or 'twill make you jump!
~ Ambrose Bierce,#NFDB |
| 1196:But figure his thought, when Death is now clutching at his own heart-strings, unlooked for, inexorable! Yes, poor Louis, Death has found thee. No palace walls or life-guards, gorgeous tapestries or gilt buckram of stiffest ceremonial could keep him out; but he is here, here at thy very life-breath, and will extinguish it. Thou, whose whole existence hitherto was a chimera and scenic show, at length becomest a reality: sumptuous Versailles bursts asunder, like a dream, into void Immensity; Time is done, and all the scaffolding of Time falls wrecked with hideous clangour round thy soul: the pale Kingdoms yawn open; there must thou enter, naked, all unking'd, and await what is appointed thee! Unhappy man, there as thou turnest, in dull agony, on thy bed of weariness, what a thought is thine! Purgatory and Hell-fire, now all-too possible, in the prospect; in the retrospect,--alas, what thing didst thou do that were not better undone; what mortal didst thou generously help; what sorrow hadst thou mercy on? Do the 'five hundred thousand' ghosts, who sank shamefully on so many battle-fields from Rossbach to Quebec, that thy Harlot might take revenge for an epigram,--crowd round thee in this hour? Thy foul Harem; the curses of mothers, the tears and infamy of daughters? Miserable man! thou 'hast done evil as thou couldst:' thy whole existence seems one hideous abortion and mistake of Nature; the use and meaning of thee not yet known. Wert thou a fabulous Griffin, devouring the works of men; daily dragging virgins to thy cave;--clad also in scales that no spear would pierce: no spear but Death's? A Griffin not fabulous but real! Frightful, O Louis, seem these moments for thee.--We will pry no further into the horrors of a sinner's death-bed. ~ Thomas Carlyle, #NFDB |
1197:Listening
1.
When earth's winter bareness
Feels the April rain,
All her summer fairness
Comes to life again.
So my spirit quickens to that magic strain.
2.
Fancy, warmed and brightened,
Spreads her folded wings —
Passion, stirred, enlightened,
From its slumber springs —
When that bow is laid upon those trembling strings.
3.
Visions, past all telling,
Sweet and strange, I see;
Mystic voices, swelling —
Melting — cry to me
From celestial realms of hope and memory.
4.
Tender thoughts caress me,
Like a summer's day;
Sterner moods possess me,
As the rough winds play
With an autumn leaf untimely cast away.
5.
Fierce desires come creeping
From their secret lair;
Wild regrets, upleaping,
At my heartstrings tear —
Wildest aspirations, more than I can bear.
125
6.
Like a leaf I quiver
With responsive thrills —
Ache, and burn, and shiver,
As the Master wills
Whose mysterious message all my being fills.
7.
Dreams of grace and glory,
Always out of reach —
Truths untold in story,
That no book can teach,
Past all human language, find their native speech.
8.
O what wailing sadness
That no tongue may tell,
What enraptured gladness,
In those wild notes swell —
Bliss and anguish both — divine, ineffable!
9.
Joys and woes unspoken,
Whereof earth is rife,
Dear hopes blest and broken,
Futile pain and strife,
Birth and death and love, the tragedy of life.
10.
And my soul, attending,
Through my listening ears
In those strains heartrending
Its own history hears —
All too sweet for words, too terrible for tears.
126
~ Ada Cambridge,#NFDB |
1198:What passed in the mind of this man at the supreme moment of his agony cannot be told in words. He was still comparatively young, he was surrounded by the loving care of a devoted family, but he had convinced himself by a course of reasoning, illogical perhaps, yet certainly plausible, that he must separate himself from all he held dear in the world, even life itself. To form the slightest idea of his feelings, one must have seen his face with its expression of enforced resignation and its tear-moistened eyes raised to heaven. The minute hand moved on. The pistols were loaded; he stretched forth his hand, took one up, and murmured his daughter's name. Then he laid it down seized his pen, and wrote a few words. It seemed to him as if he had not taken a sufficient farewell of his beloved daughter. Then he turned again to the clock, counting time now not by minutes, but by seconds. He took up the deadly weapon again, his lips parted and his eyes fixed on the clock, and then shuddered at the click of the trigger as he cocked the pistol. At this moment of mortal anguish the cold sweat came forth upon his brow, a pang stronger than death clutched at his heart-strings. He heard the door of the staircase creak on its hinges—the clock gave its warning to strike eleven—the door of his study opened; Morrel did not turn round—he expected these words of Cocles, "The agent of Thomson & French."
He placed the muzzle of the pistol between his teeth. Suddenly he heard a cry—it was his daughter's voice. He turned and saw Julie. The pistol fell from his hands. "My father!" cried the young girl, out of breath, and half dead with joy—"saved, you are saved!" And she threw herself into his arms, holding in her extended hand a red, netted silk purse. ~ Alexandre Dumas,#NFDB |
1199:Something dangerous is beginning:
I am coming late to my own self.
I made an appointment with my thoughts-
the thoughts were snatched from me.
I made an appointment with Faulkner-
but they made me go to a banquet.
I made an appointment with history,
but a grass-widow dragged me into bed.
Worse than barbed wire
are birthday parties, mine and others',
and roasted suckling pigs hold me
like a sprig of parsley between their teeth!
Led away for good
to a life absolutely not my own,
everything that I eat, eats me,
everything that I drink, drinks me.
I made an appointment with myself,
but they invite me to feast on my own spareribs.
I am garlanded from all sides
not by strings of bagels, but by the holes of bagels,
and I look like an anthology of zeros.
Life gets broken into hundreds of lifelets,
that exhaust and execute me.
In order to get through to myself
I had to smash my body against others',
and my fragments, my smithereens,
are trampled by the roaring crowd.
I am trying to glue myself together,
but my arms are still severed.
I'd write with my left leg,
but both the left and the right
have run off, in different directions.
I don't know- where is my body?
And soul? Did it really fly off,
without a murmured 'good-bye! '?
How do I break through to a faraway namesake,
waiting for me in the cold somewhere?
I've forgotten under which clock
I am waiting for myself.
For those who don't know who they are,
time does not exist.
No one is under the clock.
On the clock there is nothing.
I am late for my appointment
with me. There is no one.
Nothing but cigarette butts.
Only one flicker-
A lonely, dying, spark... ~ Yevgeny Yevtushenko,#NFDB |
1200:And canst thou mock mine agony, thus calm
In cloudless radiance, Queen of silver night?
Can you, ye flow'rets, spread your perfumed balm
Mid pearly gems of dew that shine so bright?
And you wild winds, thus can you sleep so still
Whilst throbs the tempest of my breast so high?
Can the fierce night-fiends rest on yonder hill,
And, in the eternal mansions of the sky,
Can the directors of the storm in powerless silence lie?
Hark! I hear music on the zephyrs wing,
Louder it floats along the unruffled sky;
Some fairy sure has touched the viewless string--
Now faint in distant air the murmurs die.
Awhile it stills the tide of agony.
Now--now it loftier swells--again stern woe
Arises with the awakening melody.
Again fierce torments, such as demons know,
In bitterer, feller tide, on this torn bosom flow.
Arise ye sightless spirits of the storm,
Ye unseen minstrels of the aereal song,
Pour the fierce tide around this lonely form,
And roll the tempest's wildest swell along.
Dart the red lightning, wing the forked flash,
Pour from thy cloud-formed hills the thunders roar;
Arouse the whirlwind--and let ocean dash
In fiercest tumult on the rocking shore,--
Destroy this life or let earth's fabric be no more.
Yes! every tie that links me here is dead;
Mysterious Fate, thy mandate I obey,
Since hope and peace, and joy, for aye are fled,
I come, terrific power, I come away.
Then o'er this ruined soul let spirits of Hell,
In triumph, laughing wildly, mock its pain;
And though with direst pangs mine heart-strings swell,
Ill echo back their deadly yells again,
Cursing the power that neer made aught in vain.
~ Percy Bysshe Shelley, Despair
,#NFDB |
1201:Smiling, Simon stared into the depths of his brandy.
“What a difficult evening you’ve had,” he heard Westcliff remark sardonically. “First you were compelled to carry Miss Peyton’s nubile young body all the way to her bedroom …then you had to examine her injured leg. How terribly inconvenient for you.”
Simon’s smile faded. “I didn’t say that I had examined her leg.”
The earl regarded him shrewdly. “You didn’t have to. I know you too well to presume that you would overlook such an opportunity.”
“I’ll admit that I looked at her ankle. And I also cut her corset strings when it became apparent that she couldn’t breathe.” Simon’s gaze dared the earl to object.
“Helpful lad,” Westcliff murmured.
Simon scowled. “Difficult as it may be for you to believe, I receive no lascivious pleasure from the sight of a woman in pain.”
Leaning back in his chair, Westcliff regarded him with a cool speculation that raised Simon’s hackles. “I hope you’re not fool enough to fall in love with such a creature. You know my opinion of Miss Peyton—”
“Yes, you’ve aired it repeatedly.”
“And furthermore,” the earl continued, “I would hate to see one of the few men of good sense I know to turn into one of those prattling fools who run about pollenating the atmosphere with maudlin sentiment—”
“I’m not in love.”
“You’re in something,” Westcliff insisted. “In all the years I’ve known you, I’ve never seen you look so mawkish as you did outside her bedroom door.”
“I was displaying simple compassion for a fellow human being.”
The earl snorted. “Whose drawers you’re itching to get into.”
The blunt accuracy of the observation caused Simon to smile reluctantly. “It was an itch two years ago,” he admitted. “Now it’s a full-scale pandemic. ~ Lisa Kleypas,#NFDB |
| 1202:The advisors, on the other hand, were like older brothers and sisters. My favorite was Bill Symes, who'd been a founding member of Fellowship in 1967. He was in his early twenties now and studying religion at Webster University. He had shoulders like a two-oxen yoke, a ponytail as thick as a pony's tail, and feet requiring the largest size of Earth Shoes. He was a good musician, a passionate attacker of steel acoustical guitar strings. He liked to walk into Burger King and loudly order two Whoppers with no meat. If he was losing a Spades game, he would take a card out of his hand, tell the other players, "Play this suit!" and then lick the card and stick it to his forehead facing out. In discussions, he liked to lean into other people's space and bark at them. He said, "You better deal with that!" He said, "Sounds to me like you've got a problem that you're not talking about!" He said, "You know what? I don't think you believe one word of what you just said to me!" He said, "Any resistance will be met with an aggressive response!" If you hesitated when he moved to hug you, he backed away and spread his arms wide and goggled at you with raised eyebrows, as if to say, "Hello? Are you going to hug me, or what?" If he wasn't playing guitar he was reading Jung, and if he wasn't reading Jung he was birdwatching, and if he wasn't birdwatching he was practicing tai chi, and if you came up to him during his practice and asked him how he would defend himself if you tried to mug him with a gun, he would demonstrate, in dreamy Eastern motion, how to remove a wallet from a back pocket and hand it over. Listening to the radio in his VW Bug, he might suddenly cry out, "I want to hear... 'La Grange' by ZZ Top!" and slap the dashboard. The radio would then play "La Grange. ~ Jonathan Franzen, #NFDB |
1203:Sappho
She lay among the myrtles on the cliff;
Above her glared the noon; beneath, the sea.
Upon the white horizon Atho's peak
Weltered in burning haze; all airs were dead;
The cicale slept among the tamarisk's hair;
The birds sat dumb and drooping. Far below
The lazy sea-weed glistened in the sun;
The lazy sea-fowl dried their steaming wings;
The lazy swell crept whispering up the ledge,
And sank again. Great Pan was laid to rest;
And Mother Earth watched by him as he slept,
And hushed her myriad children for a while.
She lay among the myrtles on the cliff;
And sighed for sleep, for sleep that would not hear,
But left her tossing still; for night and day
A mighty hunger yearned within her heart,
Till all her veins ran fever; and her cheek,
Her long thin hands, and ivory-channelled feet,
Were wasted with the wasting of her soul.
Then peevishly she flung her on her face,
And hid her eyeballs from the blinding glare,
And fingered at the grass, and tried to cool
Her crisp hot lips against the crisp hot sward:
And then she raised her head, and upward cast
Wild looks from homeless eyes, whose liquid light
Gleamed out between deep folds of blue-black hair,
As gleam twin lakes between the purple peaks
Of deep Parnassus, at the mournful moon.
Beside her lay her lyre. She snatched the shell,
And waked wild music from its silver strings;
Then tossed it sadly by.-'Ah, hush!' she cries;
'Dead offspring of the tortoise and the mine!
Why mock my discords with thine harmonies?
Although a thrice-Olympian lot be thine,
Only to echo back in every tone
The moods of nobler natures than thine own.'
Eversley, 1847
83
From Yeast.
~ Charles Kingsley,#NFDB |
1204:The relationship between the University and the Patrician, absolute ruler and nearly benevolent dictator of Ankh-Morpork, was a complex and subtle one.
The wizards held that, as servants of a higher truth, they were not subject to the mundane laws of the city.
The Patrician said that, indeed, this was the case, but they would bloody well pay their taxes like everyone else.
The wizards said that, as followers of the light of wisdom, they owed allegiance to no mortal man.
The Patrician said that this may well be true but they also owed a city tax of two hundred dollars per head per annum, payable quarterly.
The wizards said that the University stood on magical ground and was therefore exempt from taxation and anyway you couldn't put a tax on knowledge.
The Patrician said you could. It was two hundred dollars per capita; if per capita was a problem, decapita could be arranged.
The wizards said that the University had never paid taxes to the civil authority.
The Patrician said that he was not proposing to remain civil for long.
The wizards said, what about easy terms?
The Patrician said he was talking about easy terms. They wouldn't want to know about the hard terms.
The wizards said that there was a ruler back in , oh, it would be the Century of the Dragonfly, who had tried to tell the University what to do. The Patrician could come and have a look at him if he liked.
The Patrician said that he would. He truly would
In the end it was agreed that while the wizards of course paid no taxes, they would nevertheless make an entirely voluntary donation of, oh, let's say two hundred dollars per head, without prejudice, mutatis mutandis, no strings attached, to be used strictly for non-militaristic and environmentally-acceptable purposes. ~ Terry Pratchett,#NFDB |
1205:Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly.
"Thank you," she murmured, and tried to take the strings of the cap from his fingers.
But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply.
Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..."
Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body. ~ Lisa Kleypas,#NFDB |
| 1206:Former and future nerdistocracy slowly, and to look at them you’d think reluctantly, filtering back out into the street, into the long September which has been with them in a virtual way since spring before last, continuing only to deepen. Putting their street faces back on for it. Faces already under silent assault, as if by something ahead, some Y2K of the workweek that no one is quite imagining, the crowds drifting slowly out into the little legendary streets, the highs beginning to dissipate, out into the casting-off of veils before the luminosities of dawn, a sea of T-shirts nobody’s reading, a clamor of messages nobody’s getting, as if it’s the true text history of nights in the Alley, outcries to be attended to and not be lost, the 3:00 am kozmo deliveries to code sessions and all-night shredding parties, the bedfellows who came and went, the bands in the clubs, the songs whose hooks still wait to ambush an idle hour, the day jobs with meetings about meetings and bosses without clue, the unreal strings of zeros, the business models changing one minute to the next, the start-up parties every night of the week and more on Thursdays than you could keep track of, which of these faces so claimed by the time, the epoch whose end they’ve been celebrating all night—which of them can see ahead, among the microclimates of binary, tracking earthwide everywhere through dark fiber and twisted pairs and nowadays wirelessly through spaces public and private, anywhere among cybersweatshop needles flashing and never still, in that unquiet vastly stitched and unstitched tapestry they have all at some time sat growing crippled in the service of—to the shape of the day imminent, a procedure waiting execution, about to be revealed, a search result with no instructions on how to look for it? ~ Thomas Pynchon, #NFDB |
1207:Sara noticed that his white teeth were slightly snaggled, giving his smile the appearance of a friendly snarl. It was then that she understood why so many women had been seduced by him. His grin held a wickedly irresistible appeal. She stared at his chest as he untied the laces and positioned her cap correctly.
"Thank you," she murmured, and tried to take the strings of the cap from his fingers.
But he didn't let go. He held the laces at her chin, his fingers tightening. Glancing up at him in confusion, Sara saw that his smile had vanished. In a decisive motion he pulled the concealing lace from her hair and let it fall. The cap fluttered to a patch of mud and rested there limply.
Sara lifted her hand to the loose braided coil of her hair, which threatened to tumble from its pins. The chestnut locks gleamed with fiery highlights, escaping in delicate wisps around her face and throat. "Mr. Craven," she scolded breathlessly. "I find your behavior untoward and a-and offensive, not to mention-oh!" She stammered in astonishment as he reached for her spectacles and plucked them from her face. "Mr. Craven, h-how dare you..." She fumbled to retrieve them. "I... I need those..."
Derek held them out of reach as he stared at her uncovered face. This was what she had kept hidden beneath the old-maid disguise... pale, luminous skin, a mouth shaped with surprising lushness, a pert little nose, marked at the delicate bridge where the edge of her spectacles had pressed. Angel-blue eyes, pure and beguiling, surmounted by dark winged brows. She was beautiful. He could have devoured her in a few bites, like a fragrant red apple. He wanted to touch her, take her somewhere and pull her beneath him, as if he could somehow erase a lifetime of sin and shame within the sweetness of her body. ~ Lisa Kleypas,#NFDB |
| 1208:The glory of God is not contingent on man's good will, but all existence subserves his purposes. The system of the universe is as a celestial poem, whose beauty is from all eternity, and must not be marred by human interpolations. Things proceed as they were ordered, in their nice, and well-adjusted, and perfect harmony; so that as the hand of the skilful artist gathers music from the harp-strings, history calls it forth from the well-tuned chords of time. Not that this harmony can be heard during the tumult of action. Philosophy comes after events, and gives the reason of them, and describes the nature of their results. The great mind of collective man may, one day, so improve in self-consciousness as to interpret the present and foretell the future; but as yet, the end of what is now happening, though we ourselves partake in it, seems to fall out by chance. All is nevertheless one whole; individuals, families, peoples, the race, march in accord with the Divine will; and when any part of the destiny of humanity is fulfilled, we see the ways of Providence vindicated. The antagonisms of imperfect matter and the perfect idea, of liberty and necessary law, become reconciled. What seemed irrational confusion, appears as the web woven by light, liberty and love. But this is not perceived till a great act in the drama of life is finished. The prayer of the patriarch, when he desired to behold the Divinity face to face, was denied; but he was able to catch a glimpse of Jehovah, after He had passed by; and so it fares with our search for Him in the wrestlings of the world. It is when the hour of conflict is over, that history comes to a right understanding of the strife, and is ready to exclaim: "Lo! God is here, and we knew it not." ~ George Bancroft Literary and Historical Miscellanies (1855), p. 491, #NFDB |
1209:Work
WHEN I am busying about,
Sewing on buttons, tapes, and strings,
Hanging the week's wet washing out
Or ironing the children's things,
Sweeping and dusting, cleaning grates,
Scrubbing the dresser or the floors,
Washing the greasy dinner plates,
Scouring the brasses on the doors-I wonder what it's all about,
And when did people first begin
To keep the dirt and wornness out
And keep the wholesome comfort in:
How long it is since women bore
This round of wash and make and mend,
And what God makes us do it for
And whether it will ever end!
When God began to do His work
He made a new thing every day-Even now He is not one to shirk,
But makes things, always some new way
He made the earth, and sky, and sun,
The creatures of the sea and wood,
And when his first week's work was done
He saw that it was very good.
But He--for all He worked so fast
To finish air, and wave, and shore,
Knew that this work of His would last
For ever and for evermore.
On Saturday night He was content,
He knew that Monday would not bring
Need for another firmament,
Another set of everything.
But though my work is easier far
Than making sky and sea and sun,
It's harder than God's labours are,
471
Because my work is never done.
I sweep and churn, save and contrive,
I bake and brew, I don't complain,
But every Monday morning I've
Last Monday's work to do again.
I'm good at work--I work away;
Always the same my work must go;
The flowers grow different every day,
That's why I like to see them grow.
If, up in Heaven, God understood
He'd let me for my Paradise
Make all things new and very good
And never make the same thing twice!
~ Edith Nesbit,#NFDB |
1210:One of the fundamental conditions of happiness is to know that everything that one does has a meaning in eternity; but who in these days can still conceive of a civilization within which all vital manifestations would be developed "in the likeness of Heaven"? In a theocentric society the humblest activity participates in this heavenly benediction. The words of a street singer heard by the author in Morocco are worth quoting here. The singer was asked why the little Arab guitar which he used to accompany his chanting of legends had only two strings. He gave this answer: "To add a third string to this instrument would be to take the first step towards heresy. When God created the soul of Adam it did not want to enter into his body, and circled like a bird round about its cage. Then God commanded the angels to play on the two strings that are called the male and the female, and the soul, thinking that the melody resided in the instrument- which is the body- entered it and remained within it. For this reason two strings, which are always called the male and the female, are enough to deliver the soul from the body."
This legend holds more meaning than appears at first sight, for it summarizes the whole traditional doctrine of sacred art. The ultimate objective of sacred art is not the evocation of feelings nor the communication of impressions; it is a symbol, and as such it finds simple -and primordial means sufficient; it could not in any case be anything more than allusive, its real object being ineffable. It is of angelic origin, because its models reflect supra-formal realities. It recapitulates the creation- the "Divine Art"- in parables, thus demonstrating the symbolical nature of the world, and delivering the human spirit from its attachment to crude and ephemeral "facts ~ Titus Burckhardt,#NFDB |
1211:Shame"
It is a cramped little state with no foreign policy,
Save to be thought inoffensive. The grammar of the language
Has never been fathomed, owing to the national habit
Of allowing each sentence to trail off in confusion.
Those who have visited Scusi, the capital city,
Report that the railway-route from Schuldig passes
Through country best described as unrelieved.
Sheep are the national product. The faint inscription
Over the city gates may perhaps be rendered,
"I'm afraid you won't find much of interest here."
Census-reports which give the population
As zero are, of course, not to be trusted,
Save as reflecting the natives' flustered insistence
That they do not count, as well as their modest horror
Of letting one's sex be known in so many words.
The uniform grey of the nondescript buildings, the absence
Of churches or comfort-stations, have given observers
An odd impression of ostentatious meanness,
And it must be said of the citizens (muttering by
In their ratty sheepskins, shying at cracks in the sidewalk)
That they lack the peace of mind of the truly humble.
The tenor of life is careful, even in the stiff
Unsmiling carelessness of the border-guards
And douaniers, who admit, whenever they can,
Not merely the usual carloads of deodorant
But gypsies, g-strings, hasheesh, and contraband pigments.
Their complete negligence is reserved, however,
For the hoped-for invasion, at which time the happy people
(Sniggering, ruddily naked, and shamelessly drunk)
Will stun the foe by their overwhelming submission,
Corrupt the generals, infiltrate the staff,
Usurp the throne, proclaim themselves to be sun-gods,
And bring about the collapse of the whole empire. ~ Richard Wilbur,#NFDB |
1212:I await my time. I sit, I cook, I spin, with downcast eyes I am silent and let him speak. This is fine. I await my time.
Everything is a strategy. This is the wisdom of the spider. Silently, silently spin. Let the fly buzz. Before I ate her and put on her skin I lay across the stove in my hut, the hut standing on a chicken leg, and I waited, and they came to me, and became my food, and in the end she came too, the one I wanted, and instead of swallowing her I dived inside and let her swallow me. It doesn’t matter what it looks like! I ate her even as I allowed her to eat me. It’s a special digestive trick: a reverse takeover of the feeder by the fed. And so farewell, chicken-legged hut in the forest! Goodbye forever, foul Russian smell! Now am I perfumed and clothed in beauty, my eyes behind her eyes, my teeth behind her teeth.
Everything she does is false, every word a lie, because here I am inside her, pulling her strings, casting the web of her words and deeds around the little fly, the old fool. He believes she loves him! Ha ha ha ha ha! Cackle, cackle! That’s a good one, that is. (...)
I conceal this voice deep inside myself, so deep that she, myself, can convince herself she cannot hear it, that it is not her truest voice. At the level of the skin, of the tongue, a different voice speaks, and she tells herself a different story, in which she is virtuous and her deeds are justified, both absolutely, by moral standards, and empirically, by the events around her. By him, the old one, the king in the golden house, who he is, how he treats her, what his faults are. But there it is, the deep voice speaking, commanding her at the deepest level, the level of the molecules of instruction, twined into the four helical amino acids of her being, which is also mine. It is who I is. It is who she am. ~ Salman Rushdie,#NFDB |
1213:And you must appear willing to marry me,” Oliver said.
“I understand.”
“Do you? It means you’ll have to act as if you enjoy my company.”
To his surprise, a small smile curved her lips. “I believe I can manage that.” Then, as if realizing she was softening, she wiped the smile from her face. “But you must behave responsibly, too.”
“By not trying to seduce you, you mean.”
She started. “No! I mean, yes…I mean, you already said you have more urgent concerns.” Alarm rose in her cheeks. “Oh dear, I forgot that you also said you have no honor or morals.”
He’d made similar assertions half his life, yet tonight he regretted making them. Shocking young ladies seemed to have lost some of its appeal.
“All the same, Miss Butterfield, I promise that your virtue is safe from me.” When she looked skeptical, he added, “You’re not the sort of woman I prefer.” A respectable woman came with strings attached.
“Of course I’m not,” she said with a roll of her eyes. “Anyone can see that.”
That took him aback.
She went on. “A man with no morals isn’t going to want a woman who has them. She’d never let him do anything wicked.”
Freddy coughed, as if choking on something. Oliver understood why. Miss Butterfield had an unnerving way of cutting everything down to its essence.
“Yes,” he said, for lack of a better response. “Quite.” Then he narrowed his gaze on her. “So what did you mean when you said I had to ‘behave responsibly’?”
“You promised to find my fiancé, and I expect you to hold to your word.”
“Ah, right. Your fiancé?” He kept forgetting about that. It was hard to imagine any woman sailing off across the ocean to hunt down her fiancé. No female would ever do such a thing for him.
Not that he’d want her to. That would mean someone cared for him more than was wise, given his character. ~ Sabrina Jeffries,#NFDB |
1214:The obsession clouds all reason, impairs the ability to act, makes anything secondary to it seem unimportant. It's a double-bind tug o'war. The desire to maintain the fantasy may be stronger than the desire to make it real.
In classical occult terms I am describing a thought-form, a monster bred from the darker reccesses of mind, fed by psychic energy, clothed in imagination and nurtured by umbilical cords which twist through years of growth. we all have our personal Tunnels of Set; set in our ways through habit and patterns piling on top of each other. The thought-form rides us like a monkey; it's tail wrapped firmly about the spine of a self lost to us years ago; an earlier version threshing blindly in a moment of fear, pain, or desire.
Thus we are formed; and in a moment of loss we feel the monster's hot breath against our backs, it's claws digging into muscle and flesh. we dance to the pull of strings that were woven years ago, and in a lightning flash of insight, or better yet, the gentle admonitions of a friend, we may see the lie; the program. it is first necessary to see that there is a program. To say perhaps, this creature is mine, but not wholly me. What follows then is that the prey becomes the hunter, pulling apart the obsession, naming its parts, searching for fragments of understanding in its entrails. Shrinking it, devouring it, peeling the layers of onion-skin.
This is in itself a magick as powerful as any sorcery. Unbinding the knots that we have tied and tangled; sorting out the threads of experience and colour-coding the chains of chance. It may leave us freer, more able to act effectively and less likely to repeat old mistakes. The thing has a chinese puzzle-like nature. We can perceive only the present, and it requires intense sifting through memory to see the scaffolding beneath.
~ Phil Hine, Oven Ready Chaos,#NFDB |
1215:LADY that hast my heart within thy hand,
Thou heed'st me not; and if thou turn thine ear
Unto the wise, thou shalt not understand--
Behold the fault is thine, our words were clear.
For all the tumult in my drunken brain
Praise God! who trieth not His slave in vain;
Nor this world nor the next shall make me fear!
My weary heart eternal silence keeps--
I know not who has slipped into my heart;
Though I am silent, one within me weeps.
My soul shall rend the painted veil apart.
Where art thou, Minstrel! touch thy saddest strings
Till clothed in music such as sorrow sings,
My mournful story from thy zither sweeps.
Lo, not at any time I lent mine ear
To hearken to the glories of the earth;
Only thy beauty to mine eyes was dear.
Sleep has forsaken me, and from the birth
Of night till day I weave bright dreams of thee;
Drunk with a hundred nights of revelry,
Where is the tavern that sets forth such cheer!
My heart, sad hermit, stains the cloister floor
With drops of blood, the sweat of anguish dire;
Ah, wash me clean, and o'er my body pour
Love's generous wine! the worshippers of fire
Have bowed them down and magnified my name,
For in my heart there burns a living flame,
Transpiercing Death's impenetrable door.
What instrument through last night's silence rang?
My life into his lay the minstrel wove,
And filled my brain with the sweet song he sang.
It was the proclamation of thy love
That shook the strings of Life's most secret lyre,
And still my breast heaves with last night's desire,
For countless echoes from that music sprang.
And ever, since the time that Hafiz heard
His Lady's voice, as from a rocky hill
Reverberates the softly spoken word,
So echoes of desire his bosom fill.
~ Hafiz, Lady That Hast My Heart
,#NFDB |
| 1216:In my life I’ve only been good at one thing. The violin. Not as good as my father. Maybe I could have been. But I drank too much and lost my temper too often. I came to Italy because I failed in Vienna. I came to Italy because I was in love with a woman who wasn’t in love with me. And for the last thirteen years, I’ve taken it out on you. If you hadn’t been so strong, I might have broken you. I might have made you hate me. But you fought back. You shrugged me off. And now I listen to you and I am in awe.” “You are?” Eva asked in amazement. These were things she had never heard before. “When you play, Eva, I feel hopeful. They can take our homes, our possessions. Our families. Our lives. They can drive us out, like they’ve driven us out before. They can humiliate us and dehumanize us. But they cannot take our thoughts. They cannot take our talents. They cannot take our knowledge, or our memories, or our minds. In music, there is no bondage. Music is a door, and the soul escapes through the melody. Even if it’s only for a few minutes. And everyone who listens is freed. Everyone who listens is elevated. “When you play, I hear my life lifting off your strings. I hear the long notes and the scales, the tears and the hours. I hear you and me, together in this room. I hear my father and the things he taught me that I passed on to you. I hear it all, and my life plays on, his life plays on, over and over, when you play.” Eva set her instrument down and, with tears streaming down her face, knelt in front of her uncle and slid her arms around him, pressing her cheek to his thin chest. He embraced her gently, and they stayed in sorrowful silence, listening to the wind as it wailed a mournful strain not so different from the one Eva had composed, wondering if the wind would be the only witness, the only whisper, when the death in Austria came for them too. ~ Amy Harmon, #NFDB |
1217:Preparatory Meditations - Second Series: 12
(Ezekiel 37:24. David my Servant shall be their King)
Dull, dull indeed! What, shall it e'er be thus?
And why? Are not Thy promises, my Lord,
Rich, quick'ning things? How should my full cheeks blush
To find me thus? And those a lifeless word?
My heart is heedless: unconcerned hereat:
I find my spirits spiritless and flat.
Thou court'st mine eyes in sparkling colors bright,
Most bright indeed, and soul-enamouring,
With the most shining sun, whose beams did smite
Me with delightful smiles to make me spring.
Embellished knots of love assault my mind,
Which still is dull, as if this sun n'er shined.
David in all his gallantry now comes,
Bringing, to tend Thy shrine, his royal glory,
Rich prowess, prudence, victories, sweet songs,
And piety to pencil out Thy story;
To draw my heart to Thee in this brave shine
Of typic beams, most warm. But still I pine.
Shall not this lovely beauty, Lord, set out
In dazzling shining flashes 'fore mine eye,
Enchant my heart, love's golden mine, till 't spout
Out streams of love refin'd that on Thee lie?
Thy glory's great: Thou David's kingdom shalt
Enjoy for aye. I want and that's my fault.
Spare me, my Lord, spare me, I greatly pray,
Let me Thy gold pass through Thy fire until
Thy fire refine, and take my filth away.
That I may shine like gold, and have my fill
Of love for Thee; until my virginal
Chime out in changes sweet Thy praises shall.
Wipe off my rust, Lord, with Thy wisp me scour,
And make Thy beams perch on my strings their blaze.
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My tunes clothe with Thy shine, and quavers pour
My cursing strings on, loaded with Thy praise.
My fervant love with music in her hand,
Shall then attend Thyself, and Thy command.
~ Edward Taylor,#NFDB |
1218:Stanzas On The Death Of Lord Byron
He was, and is not! Graecia's trembling shore,
Sighing through all her palmy groves, shall tell
That Harold's pilgrimage at last is o'er—
Mute the impassioned tongue, and tuneful shell,
That erst was wont in noblest strains to swell—
Hush'd the proud shouts that rode Aegaea's wave!
For lo! the great Deliv'rer breathes farewell!
Gives to the world his mem'ry and a grave—
Expiring in the land he only lived to save!
Mourn, Hellas, mourn! and o'er thy widow'd brow,
For aye, the cypress wreath of sorrow twine;
And in thy new-form'd beauty, desolate, throw
The fresh-cull'd flowers on his sepulchral shrine.
Yes! let that heart whose fervour was all thine,
In consecrated urn lamented be!
That generous heart where genius thrill'd divine,
Hath spent its last most glorious throb for thee—
Then sank amid the storm that made thy children free!
Britannia's Poet! Graecia's hero, sleeps!
And Freedom, bending o'er the breathless clay,
Lifts up her voice, and in her anguish weeps!
For us, a night hath clouded o'er our day,
And hush'd the lips that breath'd our fairest lay.
Alas! and must the British lyre resound
A requiem, while the spirit wings away
Of him who on its strings such music found,
And taught its startling chords to give so sweet a sound!
The theme grows sadder — but my soul shall find
A language in those tears! No more — no more!
Soon, 'midst the shriekings of the tossing wind,
The 'dark blue depths' he sang of, shall have bore
Our all of Byron to his native shore!
His grave is thick with voices — to the ear
Murm'ring an awful tale of greatness o'er;
But Memory strives with Death, and lingering near,
Shall consecrate the dust of Harold's lonely bier!
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~ Elizabeth Barrett Browning,#NFDB |
1219:To Men
Sirs, when you pity us, I say
You waste your pity. Let it stay,
Well corked and stored upon your shelves,
Until you need it for yourselves.
We do appreciate God's thought
In forming you, before He brought
Us into life. His art was crude,
But oh, so virile in its rude
Large elemental strength: and then
He learned His trade in making men;
Learned how to mix and mould the clay
And fashion in a finer way.
How fine that skilful way can be
You need but lift your eyes to see;
And we are glad God placed you there
To lift your eyes and find us fair.
Apprentice labour though you were,
He made you great enough to stir
The best and deepest depths of us,
And we are glad he made you thus.
Ay! we are glad of many things.
God strung our hearts with such fine strings
The least breath movces them, and we hear
Music where silence greets your ear.
We suffer so? but women's souls
Like violet powder dropped on coals,
Give forth their best in anguish. Oh,
The subtle secrets that we know,
Of joy in sorrow, strange delights
Of ecstasy in pain-filled nights,
And mysteries of gain in loss
Known but to Christ upon the Cross!
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Our tears are pitiful to you?
Look how the heaven-reflecting dew
Dissolves its life in tears. The sand
Meanwhile lies hard upon the strand.
How could your pity find a place
For us, the mothers of the race?
Men may be fathers unaware,
So poor the title is you wear,
But mothers -? Who that crown adorns
Knows all its mingled blooms and thorns;
And she whose feet that path hath trod
Has walked upon the heights with God.
No, offer us not pity's cup.
There is no looking down or up
Between us: eye looks straight in eye:
Born equals, so we live and die.
~ Ella Wheeler Wilcox,#NFDB |
| 1220:And indeed today as it struggles with its financial crisis, the central issue in Greek politics remains resentment of the influence of Brussels, Germany, the International Monetary Fund, and other external actors, which are seen as pulling strings behind the back of a weak Greek government. Although there is considerable distrust of government in American political culture, by contrast, the basic legitimacy of democratic institutions runs very deep. Distrust of government is related to the Greek inability to collect taxes. Americans loudly proclaim their dislike of taxes, but when Congress mandates a tax, the government is energetic in enforcement. Moreover, international surveys suggest that levels of tax compliance are reasonably high in the United States; higher, certainly, than most European countries on the Mediterranean. Tax evasion in Greece is widespread, with restaurants requiring cash payments, doctors declaring poverty-line salaries, and unreported swimming pools owned by asset-hiding citizens dotting the Athenian landscape. By one account, Greece’s shadow economy—unreported income hidden from the tax authorities—constitutes 29.6 percent of total GDP.24 A second factor has to do with the late arrival of capitalism in Greece. The United States was an early industrializer; the private sector and entrepreneurship remained the main occupations of most Americans. Greece urbanized and took on other trappings of a modern society early on, but it failed to build a strong base of industrial employment. In the absence of entrepreneurial opportunities, Greeks sought jobs in the state sector, and politicians seeking to mobilize votes were happy to oblige. Moreover, the Greek pattern of urbanization in which whole villages moved from the countryside preserved intact rural patronage networks, networks that industry-based development tended to dissolve. ~ Francis Fukuyama, #NFDB |
1221:A New Madrigal To An Old Melody
(It is supposed that Shadow-of-a-Leaf uses the word 'clear' in a
more ancient sense of 'beautiful.')
As along a dark pine-bough, in slender white mystery
The moon lay to listen, above the thick fern,
In a deep dreaming wood that is older than history
I heard a lad sing, and I stilled me to learn;
So rarely he lilted his long-forgot litany,-_Fall, April; fall, April, in dew on our dearth!
Bring balm, and bring poppy, bring deep sleepy dittany
For Marian, our clear May, so long laid in earth._
Then I drew back the branches. I saw him that chanted it.
I saw his fool's bauble. I knew his old grief.
I knew that old greenwood and the shadow that haunted it,-My fool, my lost jester, my _Shadow-of-a-Leaf_!
And 'why,' I said, 'why, all this while, have you left me so
Luckless in melody, lonely in mirth?'
'Oh, why,' he sang, 'why has this world then bereft me so
Soon of my Marian, so long laid in earth?
'In the years that are gone,' he said, 'love was more fortunate.
Grief was our minstrel of things that endure.
Now, ashes and dust and this world grow importunate.
Time has no sorrow that time cannot cure.
Once, we could lose, and the loss was worth cherishing.
Now, we may win, but, O, where is the worth?
Memory and true love,' he whispered, 'are perishing,
With Marian, our clear May, so long laid in earth.'
'Ah, no!' I said, 'no! Since we grieve for our grief again,
Touch the old strings! Let us try the old stave!
And memory may wake, like my _Shadow-of-a-Leaf_ again,
Singing of hope, in the dark, by a grave.'
So we sang it together--that long-forgot litany:-_Fall, April; fall, April; bring new grief to birth.
Bring wild herb of grace, and bring deep healing dittany,
For Marian, our clear May, so long laid in earth._
12
~ Alfred Noyes,#NFDB |
| 1222:It is the best of times in physics. Physicists are on the verge of obtaining the long-sought theory of everything. In a few elegant equations, perhaps concise enough to be emblazoned on a T-shirt, this theory will reveal how the universe began and how it will end. The key insight is that the smallest constituents of the world are not particles, as had been supposed since ancient times, but “strings”—tiny strands of energy. By vibrating in different ways, these strings produce the essential phenomena of nature, the way violin strings produce musical notes. String theory isn’t just powerful; it’s also mathematically beautiful. All that remains to be done is to write down the actual equations. This is taking a little longer than expected. But, with almost the entire theoretical-physics community working on the problem—presided over by a sage in Princeton, New Jersey—the millennia-old dream of a final theory is sure to be realized before long. It is the worst of times in physics. For more than a generation, physicists have been chasing a will-o’-the-wisp called string theory. The beginning of this chase marked the end of what had been three-quarters of a century of progress. Dozens of string-theory conferences have been held, hundreds of new Ph.D.’s have been minted, and thousands of papers have been written. Yet, for all this activity, not a single new testable prediction has been made; not a single theoretical puzzle has been solved. In fact, there is no theory so far—just a set of hunches and calculations suggesting that a theory might exist. And, even if it does, this theory will come in such a bewildering number of versions that it will be of no practical use: a theory of nothing. Yet the physics establishment promotes string theory with irrational fervor, ruthlessly weeding dissenting physicists from the profession. Meanwhile, physics is stuck in a paradigm doomed to barrenness. ~ Jim Holt, #NFDB |
1223:'Black Bart, Po8'
Welcome, good friend; as you have served your term,
And found the joy of crime to be a fiction,
I hope you'll hold your present faith, stand firm
And not again be open to conviction.
Your sins, though scarlet once, are now as wool:
You've made atonement for all past offenses,
And conjugated-'twas an awful pull!The verb 'to pay' in all its moods and tenses.
You were a dreadful criminal-by Heaven,
I think there never was a man so sinful!
We've all a pinch or two of Satan's leaven,
But you appeared to have an even skinful.
Earth shuddered with aversion at your name;
Rivers fled backward, gravitation scorning;
The sea and sky, from thinking on your shame,
Grew lobster-red at eve and in the morning.
But still red-handed at your horrid trade
You wrought, to reason deaf, and to compassion.
But now with gods and men your peace is made
I beg you to be good and in the fashion.
What's that?-you 'ne'er again will rob a stage'?
What! did you do so? Faith, I didn't know it.
Was _that_ what threw poor Themis in a rage?
I thought you were convicted as a poet!
I own it was a comfort to my soul,
And soothed it better than the deepest curses,
To think they'd got one poet in a hole
Where, though he wrote, he could not print, his verses.
I thought that Welcker, Plunkett, Brooks, and all
The ghastly crew who always are begriming
With villain couplets every page and wall,
Might be arrested and 'run in' for rhyming.
205
And then Parnassus would be left to me,
And Pegasus should bear me up it gaily,
Nor down a steep place run into the sea,
As now he must be tempted to do daily.
Well, grab the lyre-strings, hearties, and begin:
Bawl your harsh souls all out upon the gravel.
I must endure you, for you'll never sin
By robbing coaches, until dead men travel.
~ Ambrose Bierce,#NFDB |
1224:Repaired
Hauled I was from out the tip
Fritz made with his demonstration,
All broke up, a fractured hip
In me Darby Kell a rip
Settn' up a cool sensation
Like excessive ventilation
One 'and cluttered up a treatOn me oath you wouldn't know it
From a 'andsome plate of meat.
They had sorter pied me feet,
And a bullet of the foe hit
Where no decent bloke could show it.
'Arf a year they've botched me now;
Ev'ry scientific schemer
In the cor' has faked me prow,
Soled 'n' heeled a bloke somehowGawd, the last one was a screamer.
Wirin' up me flamin' femur!
Comes a guy and pipes you square,
Gogglin' at you through his glasses,
Swings you in the barber's chair,
Tilts you this end up with care,
Lets you have a whiff of gasses
Chattin' off-hand with the lasses.
Then he slices clean 'n' swift,
Like a cobbler cuts his leather,
Gives the splintered knob a liftS'elp me tater, it's a gift
How they glues you all together,
Sayin' it's bin nicer weather!
Surgeon wipes his 'ands, a verse
Chort1e softly as he pitches
Probes and sponges to the nurse,
Thinks the lunch might have bin worse;
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Close your little gap he hitches,
Whistlin' as he jabs the stitches.
I'm caught in with fiddle-strings,
Stuck about with bits 'n' patches,
Fixed with ligatures 'n' springs,
Lath 'n' plastered, swung in slings
Skewered with little wooden matches,
Hung with hinges, knobs 'n' latches.
Till I lay behind me screen,
Serious 'n' sober one day,
Satisfied 'n' all serene,
'Arf a man 'n' 'arf machine
What they winds up ev'ry Monday
'N' it tilts all ways by Sunday.
'Ome again I'll come, a neat,
Semi-autymatic loafer,
Number up, 'n' all complete,
Creakin' round on Collins Street,
With a licence (which I'll owe for)
My own car and my own shofer!
~ Edward George Dyson,#NFDB |
| 1225:I've apparently been the victim of growing up, which apparently happens to all of us at one point or another. It's been going on for quite some time now, without me knowing it. I've found that growing up can mean a lot of things. For me, it doesn't mean I should become somebody completely new and stop loving the things I used to love. It means I've just added more things to my list. Like for example, I'm still beyond obsessed with the winter season and I still start putting up strings of lights in September. I still love sparkles and grocery shopping and really old cats that are only nice to you half the time. I still love writing in my journal and wearing dresses all the time and staring at chandeliers. But some new things I've fallen in love with -- mismatched everything. Mismatched chairs, mismatched colors, mismatched personalities. I love spraying perfumes I used to wear when I was in high school. It brings me back to the days of trying to get a close parking spot at school, trying to get noticed by soccer players, and trying to figure out how to avoid doing or saying anything uncool, and wishing every minute of every day that one day maybe I'd get a chance to win a Grammy. Or something crazy and out of reach like that. ;) I love old buildings with the paint chipping off the walls and my dad's stories about college. I love the freedom of living alone, but I also love things that make me feel seven again. Back then naivety was the norm and skepticism was a foreign language, and I just think every once in a while you need fries and a chocolate milkshake and your mom. I love picking up a cookbook and closing my eyes and opening it to a random page, then attempting to make that recipe. I've loved my fans from the very first day, but they've said things and done things recently that make me feel like they're my friends -- more now than ever before. I'll never go a day without thinking about our memories together. ~ Taylor Swift, #NFDB |
1226:To A Soubrette
'Tis years, soubrette, since last we met;
And yet--ah, yet, how swift and tender
My thoughts go back in time's dull track
To you, sweet pink of female gender!
I shall not say--though others may-That time all human joy enhances;
But the same old thrill comes to me still
With memories of your songs and dances.
Soubrettish ways these latter days
Invite my praise, but never get it;
I still am true to yours and you-My record's made, I'll not upset it!
The pranks they play, the things they say-I'd blush to put the like on paper,
And I'll avow they don't know how
To dance, so awkwardly they caper!
I used to sit down in the pit
And see you flit like elf or fairy
Across the stage, and I'll engage
No moonbeam sprite was half so airy;
Lo, everywhere about me there
Were rivals reeking with pomatum,
And if, perchance, they caught your glance
In song or dance, how did I hate 'em!
At half-past ten came rapture--then
Of all those men was I most happy,
For bottled beer and royal cheer
And têtes-à-têtes were on the tapis.
Do you forget, my fair soubrette,
Those suppers at the Cafe Rector,-The cosey nook where we partook
Of sweeter cheer than fabled nectar?
Oh, happy days, when youth's wild ways
Knew every phase of harmless folly!
Oh, blissful nights, whose fierce delights
399
Defied gaunt-featured Melancholy!
Gone are they all beyond recall,
And I--a shade, a mere reflection-Am forced to feed my spirit's greed
Upon the husks of retrospection!
And lo! to-night, the phantom light,
That, as a sprite, flits on the fender,
Reveals a face whose girlish grace
Brings back the feeling, warm and tender;
And, all the while, the old-time smile
Plays on my visage, grim and wrinkled,-As though, soubrette, your footfalls yet
Upon my rusty heart-strings tinkled!
~ Eugene Field,#NFDB |
1227:Dan's Wife
Up in early morning light,
Sweeping, dusting, 'setting right,'
Oiling all the household springs,
Sewing buttons, tying strings,
Telling Bridget what to do,
Mending rips in Johnny's shoe,
Running up and down the stair,
Tying baby in her chair,
Cutting meat and spreading bread,
Dishing out so much per head,
Eating as she can by chance,
Giving husband kindly glance;
Toiling, working, busy life,-Smart woman,
Dan's wife.
Dan comes home at fall of night,
Home so cheerful, neat, and bright;
Children meet him at the door,
Pull him in and looked him o'er;
Wife asks how the work has gone.
'Busy times with us at home!'
Supper done, Dan reads with ease,-Happy Dan, but one to please!
Children must be put to bed-All the little prayers are said;
Little shoes are placed in rows,
Bedclothes tucked o'er little toes;
Busy, noisy, wearing life,-Tired woman,
Dan's wife.
Dan reads on and falls asleep-See the woman softly creep;
Baby rests at last, poor dear,
Not a word her heart to cheer;
Mending-basket full to top,
Stockings, shirt, and little frock;
Tired eyes and weary brain,
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Side with darting, ugly pain;
'Never mind, 'will pass away,'
She must work, but never play;
Closed piano, unused books,
Done the walks to easy nooks,
Brightness faded out of life,-Saddened woman,
Dan's wife.
Upstairs, tossing to and fro,
Fever holds the woman low;
Children wander free to play
When and where they will today;
Bridget loiters--dinner's cold,
Dan looks anxious, cross, and old;
Household screws are out of place,
Lacking one dear, patient face;
Steady hands, so weak but true,
Hands that knew just what to do,
Never knowing rest or play,
Folded now--and laid away;
Work of six in one short life,-Shattered woman,
Dan's wife.
~ Anonymous Americas,#NFDB |
1228:Hospitals cannot continue to hemorrhage. For the country as a whole, medical insurance premiums include a surcharge that pays for treating the uninsured. However, if the proportion of uninsured indigent patients exceeds a certain figure, a hospital has no choice but to close. In California alone, the heavy cost of free medicine for foreigners forced no fewer than 60 hospitals to shut down between 1993 and 2003; many others were on the verge of collapse. From 1994 to 2004, the number of hospital emergency rooms in the country as a whole dropped by more than 12 percent.
In May 2010, Miami’s health care system was so strapped, it was considering closing two of its five public hospitals. This would mean laying off 4,487 employees and the loss of 581 acute-care beds. Experts explained that treating uninsured patients had stretched the system to the breaking point.
Houston is a good example of a city whose hospitals are barely making ends meet. In the nation as a whole, about 15 percent of the population has no medical insurance, but Texas, with its large population of Hispanics, has the highest percentage at 24 percent. In Houston, the figure is 30 percent. The safety net cannot accommodate so many people who cannot pay. “Does this mean rationing?” asks Kenenth Mattox, chief of staff at Ben Taub General Hospital. “You bet it does.”
There is such a crush at Houston’s emergency rooms that ambulances often wait for one or two hours before they can even unload patients. The record wait is six hours. Twenty percent of the time, hospitals end up sending patients to other hospitals, and some have died after being diverted. Politicians and businessmen pull strings so friends can cut in line.
Americans who fall sick in Mexico do not get free treatment. The State Department warns that Mexican doctors routinely refuse to treat foreign patients unless paid in advance, and that they often charge Americans for services not rendered. ~ Jared Taylor,#NFDB |
1229:The Duel
Oh many a duel the world has seen
That was bitter with hate, that was red with gore.
But I sing of a duel by far more cruel
Than ever a poet was sung before.
It was waged by night, yea by day and by night,
With never a pause or halt or rest,
And the curious spot where this battle was fought
Was the throbbing heart in a woman’s breast.
There met two rivals in deadly strife,
And they fought for this woman so pale and proud.
One was a man in the prime of his life,
And one was a corpse in a moldy shroud;
One wrapped in a sheet from his head to his feet,
The other one clothed in worldly fashion;
But a rival to dread is a man who is dead,
If he has been loved in life with passion.
The living lover he battled with sighs,
He strove for the woman with words that burned,
While stiff and stark lay the corpse in the dark,
And silently yearned and yearned and yearned.
One spoke of the rapture that life still held
For hearts that yielded to love’s desire,
And one through the cold grave’s earthly mold
Sent thoughts of a past that were fraught with fire.
The living lover seized hold of her hands –
“You are mine, ” he cried, “and we will not part! ”
But she felt the clutch of the dead man’s touch
On the tense-drawn strings of her aching heart.
Yet the touch was of ice, and she shrank with fear –
Oh! the hands of the dead are cold, so cold –
And warm were the arms that waited near
To gather her close in their clinging fold.
And warm was the light in the living eyes,
But the eyes of the dead, how they stare and stare!
With sudden surrender she turned to the tender
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And passionate lover who wooed her there.
Farewell to sorrow, hail, sweet to-morrow!
The battle was over, the duel was done.
They swooned in the blisses of love’s fond kisses,
And the dead man stared on in the dark alone.
~ Ella Wheeler Wilcox,#NFDB |
| 1230:The sorceress walked a short distance away, her rounded hips swaying. She lifted her hands, fingers moving as if plucking invisible strings. Bitter cold flooded out, the sand crackling as if lit by lightning, and the gate that erupted was massive, yawning, towering. Through the billowing icy air flowed out a sweeter, rank smell. The smell of death. A figure stood on the threshold of the gate. Tall, hunched, a withered, lifeless face of greenish grey, yellowed tusks thrusting up from the lower jaw. Pitted eyes regarded them from beneath a tattered woollen cowl. The power cascading from this apparition sent Equity stumbling back. Abyss! A Jaghut, yes, but not just any Jaghut! Calm – can you hear me? Through this howl? Can you hear me? An ally stands before me – an ally of ancient – so ancient – power! This one could have been an Elder God. This one could have been…anything! Gasping, fighting to keep from falling to one knee, from bowing before this terrible creature, Equity forced herself to lift her gaze, to meet the empty hollows of his eyes. ‘I know you,’ she said. ‘You are Hood.’ The Jaghut stepped forward, the gate swirling closed behind him. Hood paused, regarding each witness in turn, and then walked towards Equity. ‘They made you their king,’ she whispered. ‘They who followed no one chose to follow you. They who refused every war fought your war. And what you did then – what you did—’ As he reached her, his desiccated hands caught her. He lifted her from her feet, and then, mouth stretching, he bit into the side of her face. The tusks drove up beneath her cheek bone, burst the eye on that side. In a welter of blood, he tore away half of her face, and then bit a second time, up under the orbitals, the tusks driving into her brain. Equity hung in his grip, feeling her life drain away. Her head felt strangely unbalanced. She seemed to be weeping from only one eye, and from her throat no words were possible. I once dreamed of peace. As a child, I dreamed of— ~ Steven Erikson, #NFDB |
1231:I look over the recipe again. It sounds very simple. You boil some rice in water like pasta, I can do that. You cook some onion in butter, stir in the rice, pop it in the oven. Add some cream and grated cheese and mix it up. And voila! A real dinner.
I pull out a couple of the pots Caroline gave me, and began to get everything laid out. Grant always yammered on about mise en place, that habit of getting all your stuff together before you start cooking so you can be organized. It seems to make sense, and appeals to the part of me that likes to make lists and check things off of them.
I manage to chop a pile of onions without cutting myself, but with a lot of tears. At one point I walk over to the huge freezer and stick my head in it for some relief, while Schatzi looks at me like I'm an idiot. Which isn't unusual. Or even come to think of it, wrong. But I get them sliced and chopped, albeit unevenly, and put them in the large pot with some butter. I get some water boiling in the other pot and put in some rice. I cook it for a few minutes, drain it, and add it to the onions, stirring them all together. Then I put the lid on the pot and put it in the oven, and set my phone with an alarm for thirty-five minutes. The kitchen smells amazing. Nothing quite like onions cooked in butter to make the heart happy. While it cooks, I grab a beer, and grate some Swiss cheese into a pile. When my phone buzzes, I pull the pot out of the oven and put it back on the stovetop, stirring in the cream and cheese, and sprinkling in some salt and pepper.
I grab a bowl and fill it with the richly scented mixture. I stand right there at the counter, and gingerly take a spoonful. It's amazing. Rich and creamy and oniony. The rice is nicely cooked, not mushy. And even though some of my badly cut onions make for some awkward eating moments, as the strings slide out of the spoon and attach themselves to my chin, the flavor is spectacular. Simple and comforting, and utterly delicious. ~ Stacey Ballis,#NFDB |
1232:Alcidor
While Monarchs in stern Battle strove
For proud Imperial Sway;
Abandon'd to his milder Love,
Within a silent peaceful Grove,
Alcidor careless lay.
Some term'd it cold, unmanly Fear;
Some, Nicety of Sense,
That Drums and Trumpets cou'd not hear,
The sullying Blasts of Powder bear,
Or with foul Camps dispense.
A patient Martyr to their Scorn,
And each ill-fashion'd Jest;
The Youth, who but for Love was born,
Remain'd, and thought it vast Return,
To reign in Cloria's Breast.
But oh! a ruffling Soldier came
In all the Pomp of War:
The Gazettes long had spoke his Fame;
Now Hautboys his Approach proclaim,
And draw in Crouds from far.
Cloria unhappily wou'd gaze;
And as he nearer drew,
The Man of Feather and of Lace
Stopp'd short, and with profound Amaze
Took all her Charms to view.
A Bow, which from Campaigns he brought,
And to his Holsters low,
Herself, and the Spectators taught,
That Her the fairest Nymph he thought,
Of all that form'd the Row.
Next day, ere Phoebus cou'd be seen,
Or any Gate unbarr'd;
At hers, upon th' adjoining Green,
35
From Ranks, with waving Flags between,
Were soften'd Trumpets heard.
The Noon do's following Treats provide,
In the Pavilion's Shade;
The Neighborhood, and all beside,
That will attend the amorous Pride,
Are welcom'd with the Maid.
Poor Alcidor! thy Hopes are cross'd,
Go perish on the Ground;
Thy Sighs by stronger Notes are toss'd,
Drove back, or in the Passage lost;
Rich Wines thy Tears have drown'd.
In Women's Hearts, the softest Things
Which Nature cou'd devise,
Are yet some harsh, and jarring Strings,
That, when loud Fame, or Profit rings,
Will answer to the Noise.
Poor Alcidor! go Fight or Dye;
Let thy fond Notions cease:
Man was not made in Shades to lie,
Or his full Bliss, at ease, enjoy,
To Live, or Love in peace.
~ Anne Kingsmill Finch,#NFDB |
1233:To The Reader
Folly, depravity, greed, mortal sin
Invade our souls and rack our flesh; we feed
Our gentle guilt, gracious regrets, that breed
Like vermin glutting on foul beggars' skin.
Our sins are stubborn; our repentance, faint.
We take a handsome price for our confession,
Happy once more to wallow in transgression,
Thinking vile tears will cleanse us of all taint.
On evil's cushion poised, His Majesty,
Satan Thrice-Great, lulls our charmed soul, until
He turns to vapor what was once our will:
Rich ore, transmuted by his alchemy.
He holds the strings that move us, limb by limb!
We yield, enthralled, to things repugnant, base;
Each day, towards Hell, with slow, unhurried pace,
We sink, uncowed, through shadows, stinking, grim.
Like some lewd rake with his old worn-out whore,
Nibbling her suffering teats, we seize our sly
delight, that, like an orange—withered, dry—
We squeeze and press for juice that is no more.
Our brains teem with a race of Fiends, who frolic
thick as a million gut-worms; with each breath,
Our lungs drink deep, suck down a stream of Death—
Dim-lit—to low-moaned whimpers melancholic.
If poison, fire, blade, rape do not succeed
In sewing on that dull embroidery
Of our pathetic lives their artistry,
It's that our soul, alas, shrinks from the deed.
And yet, among the beasts and creatures all—
Panther, snake, scorpion, jackal, ape, hound, hawk—
Monsters that crawl, and shriek, and grunt, and squawk,
In our vice-filled menagerie's caterwaul,
490
One worse is there, fit to heap scorn upon—
More ugly, rank! Though noiseless, calm and still,
yet would he turn the earth to scraps and swill,
swallow it whole in one great, gaping yawn:
Ennui! That monster frail!—With eye wherein
A chance tear gleams, he dreams of gibbets, while
Smoking his hookah, with a dainty smile. . .
—You know him, reader,—hypocrite,—my twin!
~ Charles Baudelaire,#NFDB |
1234:I.
Thus to be lost and thus to sink and die,
Perchance were death indeed!Constantia, turn!
In thy dark eyes a power like light doth lie,
Even though the sounds which were thy voice, which burn
Between thy lips, are laid to sleep;
Within thy breath, and on thy hair, like odour, it is yet,
And from thy touch like fire doth leap.
Even while I write, my burning cheeks are wet.
Alas, that the torn heart can bleed, but not forget!
II.
A breathless awe, like the swift change
Unseen, but felt in youthful slumbers,
Wild, sweet, but uncommunicably strange,
Thou breathest now in fast ascending numbers.
The cope of heaven seems rent and cloven
By the enchantment of thy strain,
And on my shoulders wings are woven,
To follow its sublime career
Beyond the mighty moons that wane
Upon the verge of Nature's utmost sphere,
Till the worlds shadowy walls are past and disappear.
III.
Her voice is hovering oer my soulit lingers
Oershadowing it with soft and lulling wings,
The blood and life within those snowy fingers
Teach witchcraft to the instrumental strings.
My brain is wild, my breath comes quick--
The blood is listening in my frame,
And thronging shadows, fast and thick,
Fall on my overflowing eyes;
My heart is quivering like a flame;
As morning dew, that in the sunbeam dies,
I am dissolved in these consuming ecstasies.
IV.
I have no life, Constantia, now, but thee,
Whilst, like the world-surrounding air, thy song
Flows on, and fills all things with melody.--
Now is thy voice a tempest swift and strong,
On which, like one in trance upborne,
Secure o'er rocks and waves I sweep,
Rejoicing like a cloud of morn.
Now 'tis the breath of summer night,
Which when the starry waters sleep,
Round western isles, with incense-blossoms bright,
Lingering, suspends my soul in its voluptuous flight.
Published by Mrs. Shelley in Posthumous Poems, 1824.
~ Percy Bysshe Shelley, To Constantia- Singing
,#NFDB |
1235:Turn it beautiful.
His words came faintly at first, but they came again and again, always softly, always with the insistence of an elder commanding wisdom.
Turn it all to beauty.
She walked to the rail. When she turned and sat upon it, she heard a sailor in the crowd murmur that she might play them a tune. She hoped he was right. She needed the voices to be wrong. Fin raised the instrument to the cleft of her neck and closed her eyes. She emptied her mind and let herself be carried back to her earliest memory, the first pain she ever knew: the knowledge that her parents didn’t want her. The despair of rejection coursed through her. It fathered a knot of questions that bound her, enveloped her. Waves of uncertainty and frailty shook her to the bones. Her body quivered with anger and hopelessness. She reeled on the edge of a precipice. She wanted to scream or to throw her fists but she held it inside; she struggled to control it. She fought to subjugate her pain, but it grew. It welled up; it filled her mind. When she could hold it no more, exhausted by defiance and wearied by years of pretending not to care, Bartimaeus’s words surrounded her.
Got to turn it beautiful.
She dropped her defenses. She let weakness fill her. She accepted it. And the abyss yawned. She tottered over the edge and fell. The forces at war within her raced down her arms and set something extraordinary in motion; they became melody and harmony: rapturous, golden. Her fingers coaxed the long-silent fiddle to life. They danced across the strings without hesitation, molding beauty out of the miraculous combination of wood, vibration, and emotion. The music was so bright she felt she could see it. The poisonous voices were outsung. Notes raged out of her in a torrent. She had such music within her that her bones ached with it, the air around her trembled with it, her veins bled it. The men around fell still and silent. Some slipped to the deck and sat enraptured like children before a travelling bard. ~ A S Peterson,#NFDB |
1236:Clara Morris (Written For A Benefit Given Mrs. Morris)
The Radiant Ruler of Mystic Regions
Where souls of artists are fitted for birth,
Gathered together their lovely legions
And fashioned a woman to shine on earth.
They bathed her in splendor
They made her tender:
They gave her a nature both sweet and wild.
They gave her emotions
Like storm stirred oceans,
And they gave her the heart of a little child.
These Radiant Rulers (who are not human
Nor yet divine like the gods above)
Poured all their gifts in the soul of a woman
That fragile vessel meant only for love.
Still more they taught her,
Still more they brought herTill they gave her the world for a harp one day,
And they bade her string itThey bade her ring it,
While the stars all wondered to hear her play.
She touched the strings in a master fashion,
She uttered the cry of a world's despair.
Its long-hid secret, its pent-up passion,
She gave to the winds in a vibrant air.
For ah! the heart of her,
That was the art of her,
Great with the feeling that makes men kin.
Art unapproachable,
Art all uncoachable,
Fragrance and flame from the spirit within.
The earth turns ever an ear unheeding
To the sorrows of art, as it cries for more:
And she played on the harp till her hands were bleeding
131
And her brow was bruised by the laurels she wore.
She knew the trend of it,
She knew the end of it.
Men heard the music and men felt the thrill.
Bound to the altar
Of art, could she falter?
Then came a silence-the music was still.
And yet in the echoes we seem to hear it
In waves unbroken it circles the earth:
And we catch in the light of her dauntless spirit
A gleam from the center that gave her birth.
Still is the fame of her
Felt in the name of her.
But low lies the harp that once thrilled to her strain.
No hand has taken it,
No hand can waken itFor the soul of her art was her secret of pain.
~ Ella Wheeler Wilcox,#NFDB |
1237:I have been thinking of light, the way it collected in the rain drops that morning I was so full of joy, and the way it shifts and moves in unexpected ways, so that at times this cabin is dark and cool and the next filled with golden warmth.
Father spoke of a light that is older than the stars, a divine light that is fleeting yet always present if only one could recognize it. It pours in and out of the souls of the living and dead, gathers in the quiet places in the forest, and on occasion, might reveal itself in the rarest of true art.
The entirety of his life was devoted to the hope that someday he would create a sculpture so perfectly carved and balanced, set in just the right place among the trees, that it would be capable of reflecting this light. He had seen it in the works of others, yet be believed he had failed in his own.
I wish he could have known the truth. Just weeks after he died, I went to see the bear. It was the end of an autumn day, and as I stepped into the meadow, the light of the setting sun was cooling from oranges and reds to the bluer shades.
He had never looked so alive; shadows dipped and curved along his outstretched claws, his fur and muscles seems poised for life, and for a moment, the sun just touching the horizon, the marble seemed to be formed of translucent light itself.
I had no doubt of what I was witnessing -- this was not simply a flattering cast of sunset; this was the light Father had sought his entire life. The nearest I can describe is when Father took the back off a piano and showed me how a strong, clear note could cause other strings to vibrate without ever setting finger to them. He said the strings were resonating in sympathy to that pure sound. So it was within me.
Shall I allow myself to believe in an immortal soul? If so, then I am certain it was Father's spirit that gathered with the divine light of the world and radiated from that finely carved marble.
He always looked to his angels and gods and his Pietà. He never thought to look so near. ~ Eowyn Ivey,#NFDB |
1238:To My Brother Poet, Seeking Peace
People wish to be settled. Only as long as they are unsettled is there any
hope for them.
-- Thoreau
My life has been
the instrument
for a mouth
I have never seen,
breathing wind
which comes
from I know not
where,
arranging and changing
my moods,
so as to make
an opening
for his voice.
Or hers.
Muse, White Goddess
mother with invisible
milk,
androgynous god
in whose grip
I struggle,
turning this way and that,
believing that I chart
my life,
my loves,
when in fact
it is she, he,
who charts them-all for the sake
of some
as yet unwritten poem.
Twisting in the wind,
twisting like a pirate
dangling in a cage
249
from a high seawall,
the wind whips
through my bones
making an instrument,
my back a xylophone,
my sex a triangle
chiming,
my lips stretched tight
as drumskins,
I no longer care
who is playing me,
but fear
makes the hairs
stand up
on the backs
of my hands
when I think
that she may stop.
And yet I long
for peace
as fervently as you do-the sweet connubial bliss
that admits no
turbulence,
the settled life
that defeats poetry,
the hearth before which
children play-not poets' children,
ragtag, neurotic, demon-ridden,
but the apple-cheeked children
of the bourgeoisie.
My daughter dreams
of peace
as I do:
marriage, proper house,
proper husband,
nourishing dreamless
sex,
250
love like a hot toddy,
or an apple pie.
But the muse
has other plans
for me
and you.
Puppet mistress,
dangling us
on this dark proscenium,
pulling our strings,
blowing us
toward Cornwall,
toward Venice, toward Delphi,
toward some lurching
counterpane,
a tent upheld
by one throbbing
blood-drenched pole-her pen, her pencil,
the monolith
we worship,
underneath
the gleaming moon.
~ Erica Jong,#NFDB |
1239:On Station Farewells
IN parting from a dear old friend for months, perhaps, or years,
There's bound to be some bitter sobs, an' generally tears,
An' as a rule, the lovin' ones will gather round about
The station, softly cry in' while the train is pullin' out;
Oh, it's so hard to say good-bye, an' kiss each tender cheek,
Coz there's a lump in every throat, an' no one dares to speak.
Good-bye is always hard to say to friends you know are true,
But ten times harder when the train that waits for them's in view.
When comes the time for me to go upon a little trip,
I always wait until the last before I pack my grip;
An' always try to hide the fact that I am goin' away,
An' do my best to keep the folks in cheerful mood an' gay.
A railroad station's mighty glum when friends are goin' out,
It sorter shakes a fellow's nerve an' fills his heart with doubt;
An' so I'd rather say good-bye at home the times we part,
An' then sneak on the train alone — it's easier on the heart.
There's something 'bout a train that leaves a depot with your friends,
That fills your soul with grievin' an' a thrill of sorrow sends
All over those who watch it, till it disappears from sight,
An' the bravest can't help cryin' when it fades into the night.
I love to have them meet me when I 'm comin' home once more,
But when I 'm goin' from them, then I kiss them at the door
An' wave my hand in partin', as I hurry down the street,
An' then sneak on the train alone, an' sink into my seat.
Outgoing trains are sad ones — incoming ones are gay,
It isn't hard to tell the folks who 're goin' far away;
In stations little groups are seen, an' O, so oft, I note
A mother tryin' hard to down the lump that's in her throat;
It seems she's tied her heart-strings to the train that's waiting there,
An' the tug that comes at partin' is far more than she can bear;
An' I've come to this conclusion, that whene'er I have to roam,
I'll board the train unnoticed, with my 'good-byes' said at home.
~ Edgar Albert Guest,#NFDB |
1240:Arabesque
On a background of pale gold
I would trace with quaint design,
Penciled fine,
Brilliant-colored, Moorish scenes,
Mosques and crescents, pages, queens,
Line on line,
That the prose-world of to-day
Might the gorgeous Past's array
Once behold.
On the magic painted shield
Rich Granada's Vega green
Should be seen;
Crystal fountains, coolness flinging,
Hanging gardens' skyward springing
Emerald sheen;
Ruddy when the daylight falls,
Crowned Alhambra's beetling walls
Stand revealed;
Balconies that overbrow
Field and city, vale and stream.
In a dream
Lulled the drowsy landscape basks;
Mark the gleam
Silvery of each white-swathed peak!
Mountain-airs caress the cheek,
Fresh from the snow.
Here in Lindaraxa's bower
The immortal roses bloom;
In the room
Lion-guarded, marble-paven,
Still the fountain leaps to heaven.
But the doom
Of the banned and stricken race
Overshadows every place,
Every hour.
39
Where fair Lindaraxa dwelt
Flits the bat on velvet wings;
Mute the strings
Of the broken mandoline;
The Pavilion of the Queen
Widely flings
Vacant windows to the night;
Moonbeams kiss the floor with light
Where she knelt.
Through these halls that people stepped
Who through darkling centuries
Held the keys
Of all wisdom, truth, and art,
In a Paradise apart,
Lapped in ease,
Sagely pondering deathless themes,
While, befooled with monkish dreams,
Europe slept.
Where shall they be found today?
Yonder hill that frets the sky
'The last Sigh
Of the Moor' is named still.
There the ill-starred Boabdil
Bade good-by
To Granada and to Spain,
Where the Crescent ne'er again
Holdeth sway.
Vanished like the wind that blows,
Whither shall we seek their trace
On earth's face?
The gigantic wheel of fate,
Crushing all things soon or late,
Now a race,
Now a single life o'erruns,
Now a universe of suns,
Now a rose.
~ Emma Lazarus,#NFDB |
1241:When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications...
I like the strings, I always have. Because that's how it feels. But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know?
"Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the light can get in. The light can get out. ~ John Green,#NFDB |
1242:Sic Semper Liberatoribus!
As one who feels the breathless nightmare grip
His heart-strings, and through visioned horrors fares,
Now on a thin-ledged chasm's rock-crumbling lip,
Now on a tottering pinnacle that dare
The front of heaven, while always unawares
Weird monsters start above, around, beneath,
Each glaring from some uglier mask of death,
So the White Czar imperial progress made
Through terror-haunted days. A shock, a cry
Whose echoes ring the globe-the spectre's laid.
Hurled o'er the abyss, see the crowned martyr lie
Resting in peace-fear, change, and death gone by.
Fit end for nightmare-mist of blood and tears,
Red climax to the slow, abortive years.
The world draws breath-one long, deep-shuddering sigh,
At that which dullest brain prefigured clear
As swift-sure bolt from thunder-threatening sky.
How heaven-anointed humblest lots appear
Beside his glittering eminence of fear;
His spiked crown, sackcloth purple, poisoned cates,
His golden palace honey-combed with hates.
Well is it done! A most heroic plan,
Which after myriad plots succeeds at last
In robbing of his life this poor old man,
Whose sole offense-his birthright-has but passed
To fresher blood, with younger strength recast.
What men are these, who, clamoring to be free,
Would bestialize the world to what they be?
Whose sons are they who made the snow-wreathed head
Their frenzy's target? In their Russian veins,
What alien current urged on to smite him dead,
Whose word had loosed a million Russian chains?
What brutes were they for whom such speechless pains,
So royally endured, no human thrill
Awoke, in hearts drunk with the lust to kill?
186
Not brutes! No tiger of the wilderness,
No jackal of the jungle, bears such brand
As man's black heart, who shrinks not to confess
The desperate deed of his deliberate hand.
Our kind, our kin, have done this thing. We stand
Bowed earthward, red with shame, to see such wrong
Prorogue Love's cause and Truth's-God knows how long!
~ Emma Lazarus,#NFDB |
1243:Black milk of daybreak we drink it at sundown
we drink it at noon in the morning we drink it at night
we drink and we drink it
we dig a grave in the breezes there one lies unconfined
A man lives in the house he plays with the serpents he writes
he writes when dusk falls to Germany your golden hair Margarete
he writes it and steps out of doors and the stars are flashing he whistles his pack out
he whistles his Jews out in earth has them dig for a grave
he commands us strike up for the dance
Black milk of daybreak we drink you at night
we drink in the morning at noon we drink you at sundown
we drink and we drink you
A man lives in the house he plays with the serpents he writes
he writes when dusk falls to Germany your golden hair Margarete
your ashen hair Shulamith we dig a grave in the breezes there one lies unconfined
He calls out jab deeper into the earth you lot you others sing now and play
he grabs at the iron in his belt he waves it his eyes are blue
jab deeper you lot with your spades you others play on for the dance
Black milk of daybreak we drink you at night
we drink you at noon in the morning we drink you at sundown
we drink and we drink you
A man lives in the house your golden hair Margarete
your ashen hair Shulamith he plays with the serpents
He calls out more sweetly play death death is a master from Germany
he calls out more darkly now stroke your strings then as smoke you will rise into air
then a grave you will have in the clouds there one lies unconfined
Black milk of daybreak we drink you at night
we drink you at noon death is a master from Germany
we drink you at sundown and in the morning we drink and we drink you
death is a master from Germany his eyes are blue
he strikes you with leaden bullets his aim is true
a man lives in the house your golden hair Margarete
he sets his pack on to us he grants us a grave in the air
he plays with the serpents and daydreams death is a master from Germany
your golden hair Margarete
your ashen hair Shulamith
("Death Fugue") ~ Paul Celan,#NFDB |
1244:When I've thought about him dying - which admittedly isn't that much - I always thought of it like you said, that all strings inside him broke. But there are a thousand ways to look at it: maybe the strings break, or maybe our ships think, or maybe we're grass - our roots are so interdependent that no one is dead as long as soneone is still alive. We don't suffer from a shortage of metaphors, is what I mean. But you have to be careful which metaphor you choose, because it matters. If you choose the strings, then you're imagining a world in which you can become irreparably broken. If you choose grass, you're saying that we are all infinitely interconnected, that we can use these root systems not only to understand one another but to become one another. The metaphors have implications...
I like the strings, I always have. Because that's how it feels. But the strings make pain seem more fatal than it is...We are not as frail as the strings would make us believe. And I like the grass, too. The grass got me to you, helped me imagine you as an actual person. But we're not different sprouts from the same plant. I can't be you. You can't be me. You can imagine another well- but not quite perfectly, you know?
"Maybe, it's more like you said before, all of us being cracked open. Like each of us starts out as a watertight vessel. And these things happen-these people leave us, or don't love us, or don't get us, or we don't get them, and we lose and fail and hurt one another. And the vessel starts to crack open in places. And I mean, yeah, once the vessel cracks open, the end becomes inevitable...But there is all this time between when the cracks start to open up and when we finally fall apart. And it's only in that time that we can see each other, because we see out of ourselves through our cracks and into others through theirs. When did we see each other face-to-face? Not until you saw into my cracks and I saw into yours. Before that we were just looking at ideas of each other, like looking at your window shade but never looking inside. But once the vessel cracks, the like can get in. The like can get out. ~ John Green,#NFDB |
1245:He knew exactly what he wanted, he had been working over it in his mind for some seven years now... he had yet to see how much ground he had to use, but neither beauty nor splendor have need of great size. What he wanted was light, light and space, and the upward surge of stone like a growing tree from foundations to vault. No oppression, no darkness, no burden of thick, groaning columns and lowering roofs like the stony weight of guilt. He saw the shape clearly. No chevet of chapels, but a square east end, so that he could have a whole wall of invading light pouring in upon the high altar. Short, strong transepts, lofty aisles, and the clerestory tall and fully glazed above a shallow triforium. The west front with a great, deeply-cut doorway and a vast window above, set back in course on course of moulding, where the light could harp all day long on strings of stone, making even that greyer northern air shine lucid and sharp as the dazzling south. Over the west front two minor turrets, tapering to slender fingers of stone. Over the crossing the great tower, as in Normandy, binding all together, rooting all impregnably into the earth, drawing all erect with it towards heaven. In that tension was the significance of life, and next to light, this he wanted above all, the duality of flesh and spirit, manhood and godhead, the tension of man on his way to God. A noble tower, tall and tapered, its long surfaces so subtly fluted and molded that light and shadow might stroke it into a hundred changing shapes of majesty and beauty as the hours of the daylight passed. Permanence and change, diversity and oneness, in that grey-gold stone that glowed in his memory like - what was Adam's phrase?- a mine of sunshine. There is no growth nor fruitfulness but rises from these paired opposites of darkness and light, earth and heaven. My feet as roots in the earth, my forehead straining into the sun. The tower at once anchoring my church fast to the rock, and translating it into a balanced arrow of light aimed at the sky.
There is no beauty where there is doubt or insecurity. A sense of unbalance is the death of art. ~ Edith Pargeter,#NFDB |
1246:Cheat wore a Valorian jacket Kestrel was sure she had seen on the governor the night before. He sat at the right hand of the empty head of the dining table, but stood when Kestrel and Arin entered. He approached.
His eyes dragged over her. “Arin, your slave looks positively wild.”
Lack of sleep made her thoughts broken and shiny, like pieces of mirrors on strings. Cheat’s words spun in her head. Arin tensed beside her.
“No offense,” Cheat told him. “It was a compliment to your taste.”
“What do you want, Cheat?” Arin said.
The man stroked a thumb over his lower lip. “Wine.” He looked straight at Kestrel. “Get some.”
The order itself wasn’t important. It was how Cheat had meant it: as the first of many, and how, in the end, they translated into one word: obey.
The only thing that kept Kestrel’s face clean of her thoughts was the knowledge that Cheat would take pleasure in any resistance. Yet she couldn’t make herself move.
“I’ll get the wine,” Arin said.
“No,” Kestrel said. She didn’t want to be left alone with Cheat. “I’ll go.”
For an uncertain moment, Arin stood awkwardly. Then he walked to the door and motioned a Herrani girl into the room. “Please escort Kestrel to the wine cellar, then bring her back here.”
“Choose a good vintage,” Cheat said to Kestrel. “You’ll know the best.”
As she left the room, his eyes followed her, glittering.
She returned with a clearly labeled bottle of Valorian wine dated to the year of the Herran War. She placed it on the table in front of the two seated men. Arin’s jaw set, and he shook his head slightly. Cheat lost his grin.
“This was the best,” Kestrel said.
“Pour.” Cheat shoved his glass toward her. She uncorked the bottle and poured--and kept pouring, even as the red wine flowed over the glass’s rim, across the table, and onto Cheat’s lap.
He jumped to his feet, swatting wine from his fine stolen clothes. “Damn you!”
“You said I should pour. You didn’t say I should stop.”
Kestrel wasn’t sure what would have happened next if Arin hadn’t intervened. “Cheat,” he said, “I’m going to have to ask you to stop playing games with what is mine. ~ Marie Rutkoski,#NFDB |
1247:She came towards me with a juicy gash between her legs that smelled like my best friend's sister"
Just when I thought I'd escaped them all
She comes reeling herself in
pulling at my strings
her hand quick to find my zipper
She moaned the way a drunk old lady does
And I wasn't even inside her yet
"You don't have anywhere else to be," she managed to say...
"My wounds have been reopened tonight already," I muttered
I caught wind of the gully
...the part of her she once kept sacred as a Christian
I smelled the information
I lifted my hand into the air and hailed a cab
He rolled down his window and saw her
"Find another cab," he said,
and sped off into the night
I took her home
because she said she was lonely
really she was drunk off something
some memory or some choice
she walked funny...
-one of her heels had broken
On the couch I left her,
Before I could go, she grabbed my cock
I slapped her across the face and she pulled harder
Her eyes stayed closed
Her lips dripped
Her grip clenched
I wasn't getting out of this one unscathed
"If I take my pants off, will you let me go?" I asked
"If you take your pants off, I'll be suckin' that cock till you pass out from all the screamin'..."
I slapped her again, because she needed it
She laughed
Saying her cousin beat her harder
Saying her father knew how to really...
...make things happen
I asked her what her father's number was
Let's get his motherfucking self up here to take you away, that's what I said
She said he died, or killed himself
"What's the difference really," she said, chewing on her hair
She let go of my cock on her own accord
And she opened her eyes for a moment
She closed them again
And I could tell she was sleeping
Her eyes opened once more
Her face red where I'd hit her
She tasted the blood on her lip
"Do you think if we remind ourselves enough, we can make up for all the pain we've caused others?"
I said to her, "We can't. All we can do is keep ourselves from all those who don't deserve it. ~ Dave Matthes,#NFDB |
1248:The Invitation
There are lives in which nothing goes right.
The would-be suicide takes a bottle of pills
and immediately throws up. He tries
to hang himself but gets his arm caught
in the noose. He tries to throw himself
under a subway but misses the last train.
He walks home. It is raining. He catches a cold
and dies. Once in heaven it is no better.
He mops the marble staircase and accidentally
jams his foot in the pail. All his harp strings
break. His halo slips down over his neck
and nearly chokes him. Why is he here?
demands one of the noble dead, an archbishop
or general, a leader of men: If a loser
like that can enter heaven, then how is it
an honor for us to be here as well –
those of us who are totally deserving?
But the would-be suicide knows none of this.
In the evening, he returns to his little cloud house
and watches the sun set over the planet Earth.
He stares down at the cities filled with people
and thinks how sad it is that they should
rush backwards and forwards as if they had
some great destination when their only
destination is death itself – a place
to be reached by sitting as well as running.
He thinks about his own life with its
betrayals and disappointments. Regret, regret –
how he never made a softball team, how his
favorite shirts always shrank in the wash.
His eyes moisten and he sheds a few tears, but
secretly, because in heaven crying is forbidden.
Still, the tears tumble down through all those layers
of blue sky and strike a salesman rushing
between Point A and Point B. The salesman slips,
staggers, and stops as if slapped in the face.
People on the street think he’s crazy or drunk.
Why am I selling ten thousand ballpoint pens?
he asks himself. Suddenly his only wish is to
dance the tango. He sees how the setting sun
caresses the cold faces of the buildings.
He sees a beautiful woman and desperately wants
to ask her to stroll in the park. Maybe he will
kiss her cheek; maybe she will love him back.
You maniac, she tells him, didn’t you know
I was only waiting for you to ask me? ~ Stephen Dobyns,#NFDB |
1249:Davideis: A Sacred Poem Of The Troubles Of David
(Excerpt)
BOOK I (excerpt)
I sing the man who Judah's sceptre bore
In that right hand which held the crook before;
Who from best poet, best of kings did grow;
The two chief gifts Heav'n could on man bestow.
Much danger first, much toil did he sustain,
Whilst Saul and Hell cross'd his strong fate in vain.
Nor did his crown less painful work afford;
Less exercise his patience, or his sword;
So long her conqueror fortunes spite pursued;
Till with unwearied virtue he subdued
All homebred malice, and all foreign boasts;
Their strength was armies, his the Lord of Hosts.
Thou, who didst David's royal stem adorn,
And gav'st him birth from whom thy self wast born;
Who didst in triumph at death's court appear,
And slew'st him with thy nails, thy cross and spear,
Whilst Hell's black tyrant trembled to behold,
The glorious light he forfeited of old;
Who Heav'ns glad burden now, and justest pride,
Sit'st high enthron'd next thy great Father's side,
(Where hallowed flames help to adorn that head
Which once the blushing thorns environed,
Till crimson drops of precious blood hung down
Like rubies to enrich thine humble crown.)
Even thou my breast with such blest rage inspire,
As mov'd the tuneful strings of David's lyre,
Guide my bold steps with thine old travelling flame,
In these untrodden paths to sacred fame;
Lo, with pure hands thy heav'enly fires to take,
My well-chang'd Muse I a chaste vestal make!
From earth's vain joys, and love's soft witchcraft free,
I consecrate my Magdalene to thee!
Lo, this great work, a temple to thy praise,
On polish'd pillars of strong verse I raise!
A temple, where if thou vouchsafe to dwell,
22
It Solomon's, and Herod's shall excel.
Too long the Muses-land have heathen bin;
Their gods too long were devils, and virtues sin;
But thou, Eternal Word, has call'd forth me
Th' apostle, to convert that world to thee;
T' unbind the charms that in slight fables lie,
And teach that truth is purest poesy.
...
~ Abraham Cowley,#NFDB |
1250:Salomé
I scissor the stem of the red carnation
and set it in a bowl of water.
It floats the way your head would,
if I cut it off.
But what if I tore you apart
for those afternoons
when I was fifteen
and so like a bird of paradise
slaughtered for its feathers.
Even my name suggested wings,
wicker cages, flight.
Come, sit on my lap, you said.
I felt as if I had flown there;
I was weightless.
You were forty and married.
That she was my mother never mattered.
She was a door that opened onto me.
The three of us blended into a kind of somnolence
and musk, the musk of Sundays. Sweat and sweetness.
That dried plum and licorice taste
always back of my tongue
and your tongue against my teeth,
then touching mine. How many times?—
I counted, but could never remember.
And when I thought we'd go on forever,
that nothing could stop us
as we fell endlessly from consciousness,
orders came: War in the north.
Your sword, the gold epaulets,
the uniform so brightly colored,
so unlike war, I thought.
And your horse; how you rode out the gate.
No, how that horse danced beneath you
toward the sound of cannon fire.
I could hear it, so many leagues away.
I could see you fall, your face scarlet,
the horse dancing on without you.
And at the same moment,
Mother sighed and turned clumsily in the hammock,
25
the Madeira in the thin-stemmed glass
spilled into the grass,
and I felt myself hardening to a brandy-colored wood,
my skin, a thousand strings drawn so taut
that when I walked to the house
I could hear music
tumbling like a waterfall of China silk
behind me.
I took your letter from my bodice.
Salome, I heard your voice,
little bird, fly. But I did not.
I untied the lilac ribbon at my breasts
and lay down on your bed.
After a while, I heard Mother's footsteps,
watched her walk to the window.
I closed my eyes
and when I opened them
the shadow of a sword passed through my throat
and Mother, dressed like a grenadier,
bent and kissed me on the lips.
~ Ai Ogawa,#NFDB |
1251:Rural Rambles - The Village
Sweet village! where my early days were pass'd,
Though parted long, we meet, we meet at last!
Like friends, imbrown'd by many a sun and wind,
Much changed in mien, but more in heart and mind,
Fair, after many years, thy fields appear,
With joy beheld, but not without a tear.
I met thy little river miles before
I saw again my natal cottage door:
Unchanged as truth, the river welcomed home
The wanderer of the sea's heart-breaking foam;
But the changed cottage, like a time-tried friend,
Smote on my heart-strings, at my journey's end.
For now no lilies bloom the door beside!
The very house-leek on the roof hath died;
The window'd gable's ivy bower is gone,
The rose departed from the porch of stone;
The pink, the violet, have fled away,
The polyanthus and auricula!
And round my home, once bright with flowers, I found
Not one square yard, one foot of garden ground.
Path of the quiet fields! that oft of yore
Call'd me at morn on Shenstone's page to pore;
Oh! poor man's pathway! where, 'at evening's close,'
He stopp'd to pluck the woodbine and the rose,
Shaking the dew-drop from the wild-brier bowers,
That stoop'd beneath their load of summer flowers,
Then eyed the west, still bright with fading flame,
As whistling homeward by the wood he came;
Sweet, dewy, sunny, flowery footpath, thou
Art gone for ever, like the poor man's cow!
No more the wandering townsman's Sabbath smile,
No more the hedger, waiting on the stile
For tardy Jane; no more the muttering bard,
Startling the heifer near the lone farm-yard;
No more the pious youth, with book in hand,
Spelling the words he fain would understand,Shall bless thy mazes, when the village bell
Sounds o'er the river, soften'd up the dell.
Here youngling fishers, in the grassy lane,
11
Purloin'd their tackle from the brood-mare's mane;
And truant urchins, by the river's brink,
Caught the fledged throstle as it stoop'd to drink;
Or with the ramping colt, all joyous play'd,
Or scared the owlet in the blue-ball shade.
~ Ebenezer Elliott,#NFDB |
1252:Grandpa
My grandpa is the finest man
Excep' my pa. My grandpa can
Make kites an' carts an' lots of things
You pull along the ground with strings,
And he knows all the names of birds,
And how they call 'thout using words,
And where they live and what they eat,
And how they build their nests so neat.
He's lots of fun! Sometimes all day
He comes to visit me and play.
You see he's getting old, and so
To work he doesn't have to go,
And when it isn't raining, he
Drops in to have some fun with me.
He takes my hand and we go out
And everything we talk about.
He tells me how God makes the trees,
And why it hurts to pick up bees.
Sometimes he stops and shows to me
The place where fairies used to be;
And then he tells me stories, too,
And I am sorry when he's through.
When I am asking him for more
He says: 'Why there's a candy store!
Let's us go there and see if they
Have got the kind we like to-day.'
Then when we get back home my ma
Says: 'You are spoiling Buddy, Pa.'
My grandpa is my mother's pa,
I guess that's what all grandpas are.
And sometimes ma, all smiles, will say:
'You didn't always act that way.
When I was little, then you said
That children should be sent to bed
And not allowed to rule the place
And lead old folks a merry chase.'
And grandpa laughs and says: 'That's true,
303
That's what I used to say to you.
It is a father's place to show
The young the way that they should go,
But grandpas have a different task,
Which is to get them all they ask.'
When I get big and old and gray
I'm going to spend my time in play;
I'm going to be a grandpa, too,
And do as all the grandpas do.
I'll buy my daughter's children things
Like horns and drums and tops with strings,
And tell them all about the trees
And frogs and fish and birds and bees
And fairies in the shady glen
And tales of giants, too, and when
They beg of me for just one more,
I'll take them to the candy store;
I'll buy them everything they see
The way my grandpa does for me.
~ Edgar Albert Guest,#NFDB |
1253:Béranger's "Broken Fiddle"
There, there, poor dog, my faithful friend,
Pay you no heed unto my sorrow:
But feast to-day while yet you may,-Who knows but we shall starve to-morrow!
II
"Give us a tune," the foemen cried,
In one of their profane caprices;
I bade them "No"--they frowned, and, lo!
They dashed this innocent in pieces!
III
This fiddle was the village pride-The mirth of every fête enhancing;
Its wizard art set every heart
As well as every foot to dancing.
IV
How well the bridegroom knew its voice,
As from its strings its song went gushing!
Nor long delayed the promised maid
Equipped for bridal, coy and blushing.
Why, it discoursed so merrily,
It quickly banished all dejection;
And yet, when pressed, our priest confessed
I played with pious circumspection.
74
VI
And though, in patriotic song,
It was our guide, compatriot, teacher,
I never thought the foe had wrought
His fury on the helpless creature!
VII
But there, poor dog, my faithful friend,
Pay you no heed unto my sorrow;
I prithee take this paltry cake,-Who knows but we shall starve to-morrow!
VIII
Ah, who shall lead the Sunday choir
As this old fiddle used to do it?
Can vintage come, with this voice dumb
That used to bid a welcome to it?
IX
It soothed the weary hours of toil,
It brought forgetfulness to debtors;
Time and again from wretched men
It struck oppression's galling fetters.
No man could hear its voice, and hate;
It stayed the teardrop at its portal;
With that dear thing I was a king
As never yet was monarch mortal!
XI
75
Now has the foe--the vandal foe-Struck from my hands their pride and glory;
There let it lie! In vengeance, I
Shall wield another weapon, gory!
XII
And if, O countrymen, I fall,
Beside our grave let this be spoken:
"No foe of France shall ever dance
Above the heart and fiddle, broken!"
XIII
So come, poor dog, my faithful friend,
I prithee do not heed my sorrow,
But feast to-day while yet you may,
For we are like to starve to-morrow.
~ Eugene Field,#NFDB |
1254:The Musicians
The strings of my heart were strung by Pleasure,
And I laughed when the music fell on my ear,
For he and Mirth played a joyful measure,
And they played so loud that I could not hear
The wailing and mourning of souls a-weary The strains of sorrow that floated around,
For my heart's notes rang out loud and cheery,
And I heard no other sound.
Mirth and Pleasure, the music brothers,
Played louder and louder in joyful glee;
But sometimes a discord was heard by others Though only the rhythm was heard by me.
Louder and louder, faster and faster
The hands of the brothers played strain on strain,
When all of a sudden a Mighty Master
Swept them aside; and Pain,
Pain, the musician, the soul-refiner,
Restrung the strings of my quivering heart,
And the air that he played was a plaintive minor,
So sad that the tear-drops were forced to start;
Each note was an echo of awful anguish,
As shrill as solemn, as sharp as slow,
And my soul for a reason seemed to languish
And faint with its weight of woe.
With skilful hands that were never weary,
This Master of Music played strain on strain,
And between the bars of the miserere,
He drew up the strings of my heart again,
And I was filled with a vague, strange wonder,
To see that they did not snap in two.
'They are drawn so tight, they will break assunder, '
I thought, but instead, they grew,
In the hands of the Master, firmer and stronger;
And I could hear on the stilly air Now my ears were deafened by Mirth no longer -
647
The sound of sorrow, and grief, and despair;
And my soul grew kinder and tender to others,
My nature grew sweeter, my mind grew broad,
And I held all men to be my brothers,
Linked by the chastening rod.
My soul was lifted to God and heaven,
And when on my heart-strings fell again
The hands of Mirth, and Pleasure, even,
There was never a discord to mar the strain.
For Pain, the musician, and soul-refiner,
Attuned the strings with a master hand,
And whether the music be major or minor,
It is always sweet and grand.
~ Ella Wheeler Wilcox,#NFDB |
1255:Memory's River
In Nature's bright blossoms not always reposes
That strange subtle essence more rare than their bloom,
Which lies in the hearts of carnations and roses,
That unexplained something by men called perfume.
Though modest the flower, yet great is its power
And pregnant with meaning each pistil and leaf,
If only it hides there, if only abides there,
The fragrance suggestive of love, joy and grief.
Not always the air that a master composes
Can stir human heart-strings with pleasure or pain.
But strange, subtle chords, like the scent of the roses,
Breathe out of some measures, though simple the strain.
And lo! when you hear them, you love them and fear them,
You tremble with anguish, you thrill with delight,
For back of them slumber old dreams without number,
And faces long vanished peer out into sight.
Those dear foolish days when the earth seemed all beauty,
Before you had knowledge enough to be sad;
When youth held no higher ideal of duty
Than just to lilt on through the world and be glad.
On harmony's river they seemed to float hither
With all the sweet fancies that hung round that timeLife's burdens and troubles turn into air-bubbles
And break on the music's swift current of rhyme.
Fair Folly comes back with her spell while you listen
And points to the paths where she led you of old.
You gaze on past sunsets, you see dead stars glisten,
You bathe in life's glory, you swoon in death's cold.
All pains and all pleasures surge up through those measures,
Your heart is wrenched open with earthquakes of sound;
From ashes and embers rise Junes and Decembers,
Lost islands in fathoms of feeling refound.
391
Some airs are like outlets of memory's oceans,
They rise in the past and flow into the heart;
And down them float shipwrecks of mighty emotions,
All sea-soaked and storm-tossed and drifting apart:
Their fair timbers battered, their lordly sails tattered,
Their skeleton crew of dead days on their decks;
Then a crash of chords blending, a crisis, an endingThe music is over, and vanished the wrecks.
~ Ella Wheeler Wilcox,#NFDB |
1256:I couldn’t feel guilty any longer for misdeeds committed by another incarnation. I wouldn’t. “I’m sorry for your past, Aric. I wish it had been different. I wish I had been. But I refuse to keep paying for what I did in past games.”“Do you, then?”
“In our first meeting, you skewered me with your sword. In other words: you started it. You didn’t ask me to marry you, just ordered it. I played the hand I was dealt.”
“I take your point.”
“Let’s begin anew, Empress.” (He expects her to ‘forgive/forget’ for him but not Jack?) “The mortal can’t provide for you like I can. I offer you a home. Defensive, I said, “Jack plans to rebuild Haven House for me.”
Anger flashed across Aric’s face. He schooled his reactions as quickly as he did everything else, leaving his emotions to seethe beneath the surface. “If you desire something, all you have to do is tell me. It will shortly be yours. You’ll see soon enough.” (Bribery for her to favor him?)
What if Aric could straight-up end the game? Blow up the machine?
“Deveaux will never understand you as I do. As only another Arcana can.” “Maybe not. But we have other ties.” I thought of the ribbon he’d kept all this time, the one now in my pocket.
“As do we. We are wed.” (after Aric ordered her to do so.) “I think of you as mine.
“When I recognized that you weren’t over your infatuation with the mortal, I might have been . . . testing you.” He’d tested me the other night as well! “What if I’d surrendered?”
“Testing me doesn’t excuse what you did. Coercion is not cool.” “Then teach me what is! “I don’t think something like that can be taught. It’s part of your makeup, part of who you are.”
“Aric, selfless acts might be beyond you. And even sex with you would come with strings. What if I hadn’t realized you were minus one condom?” The memory stoked my fury. “You were about to trick me—to betray me.”
“You had my entire future mapped out—with me knocked up—and you never mentioned it to me.” (keeping secrets). “It’s been this way between husbands and wives for thousands of years. At the time, I thought if we were so blessed, then all the better.”
Because his concepts about marriages and families were from a different epoch. ~ Kresley Cole,#NFDB |
| 1257:The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar. ~ Indu Sundaresan, #NFDB |
1258:Computers speak machine language," Hiro says. "It's written in ones and zeroes
-- binary code. At the lowest level, all computers are programmed with strings
of ones and zeroes. When you program in machine language, you are controlling
the computer at its brainstem, the root of its existence. It's the tongue of
Eden. But it's very difficult to work in machine language because you go crazy
after a while, working at such a minute level. So a whole Babel of computer
languages has been created for programmers: FORTRAN, BASIC, COBOL, LISP, Pascal,
C, PROLOG, FORTH. You talk to the computer in one of these languages, and a
piece of software called a compiler converts it into machine language. But you
never can tell exactly what the compiler is doing. It doesn't always come out
the way you want. Like a dusty pane or warped mirror. A really advanced hacker
comes to understand the true inner workings of the machine -- he sees through
the language he's working in and glimpses the secret functioning of the binary
code -- becomes a Ba'al Shem of sorts."
"Lagos believed that the legends about the tongue of Eden were exaggerated
versions of true events," the Librarian says. "These legends reflected
nostalgia for a time when people spoke Sumerian, a tongue that was superior to
anything that came afterward."
"Is Sumerian really that good?"
"Not as far as modern-day linguists can tell," the Librarian says. "As I
mentioned, it is largely impossible for us to grasp. Lagos suspected that words
worked differently in those days. If one's native tongue influences the
physical structure of the developing brain, then it is fair to say that the
Sumerians -- who spoke a language radically different from anything in existence
today -- had fundamentally different brains from yours. Lagos believed that for
this reason, Sumerian was a language ideally suited to the creation and
propagation of viruses. That a virus, once released into Sumer, would spread
rapidly and virulently, until it had infected everyone."
"Maybe Enki knew that also," Hiro says. "Maybe the nam-shub of Enki wasn't such
a bad thing. Maybe Babel was the best thing that ever happened to us. ~ Neal Stephenson,#NFDB |
1259:Florida
The state with the prettiest name,
the state that floats in brackish water,
held together by mangrave roots
that bear while living oysters in clusters,
and when dead strew white swamps with skeletons,
dotted as if bombarded, with green hummocks
like ancient cannon-balls sprouting grass.
The state full of long S-shaped birds, blue and white,
and unseen hysterical birds who rush up the scale
every time in a tantrum.
Tanagers embarrassed by their flashiness,
and pelicans whose delight it is to clown;
who coast for fun on the strong tidal currents
in and out among the mangrove islands
and stand on the sand-bars drying their damp gold wings
on sun-lit evenings.
Enormous turtles, helpless and mild,
die and leave their barnacled shells on the beaches,
and their large white skulls with round eye-sockets
twice the size of a man's.
The palm trees clatter in the stiff breeze
like the bills of the pelicans. The tropical rain comes down
to freshen the tide-looped strings of fading shells:
Job's Tear, the Chinese Alphabet, the scarce Junonia,
parti-colored pectins and Ladies' Ears,
arranged as on a gray rag of rotted calico,
the buried Indian Princess's skirt;
with these the monotonous, endless, sagging coast-line
is delicately ornamented.
Thirty or more buzzards are drifting down, down, down,
over something they have spotted in the swamp,
in circles like stirred-up flakes of sediment
sinking through water.
Smoke from woods-fires filters fine blue solvents.
On stumps and dead trees the charring is like black velvet.
The mosquitoes
go hunting to the tune of their ferocious obbligatos.
After dark, the fireflies map the heavens in the marsh
39
until the moon rises.
Cold white, not bright, the moonlight is coarse-meshed,
and the careless, corrupt state is all black specks
too far apart, and ugly whites; the poorest
post-card of itself.
After dark, the pools seem to have slipped away.
The alligator, who has five distinct calls:
friendliness, love, mating, war, and a warning-whimpers and speaks in the throat
of the Indian Princess.
~ Elizabeth Bishop,#NFDB |
| 1260:Paint in several colors was squeezed out of tubes and mixed and applied to woven fabric stretched on a wooden frame so artfully we say we see a woman hanging out a sheet rather than oil on canvas. Ana Teresa Fernandez’s image on that canvas is six feet tall, five feet wide, the figure almost life-size. Though it is untitled, the series it’s in has a title: Telaraña. Spiderweb. The spiderweb of gender and history in which the painted woman is caught; the spiderweb of her own power that she is weaving in this painting dominated by a sheet that was woven. Woven now by a machine, but before the industrial revolution by women whose spinning and weaving linked them to spiders and made spiders feminine in the old stories. In this part of the world, in the creation stories of the Hopi, Pueblo, Navajo, Choctaw, and Cherokee peoples, Spider Grandmother is the principal creator of the universe. Ancient Greek stories included an unfortunate spinning woman who was famously turned into a spider as well as the more powerful Greek fates, who spun, wove, and cut each person’s lifeline, who ensured that those lives would be linear narratives that end. Spiderwebs are images of the nonlinear, of the many directions in which something might go, the many sources for it; of the grandmothers as well as the strings of begats. There’s a German painting from the nineteenth century of women processing the flax from which linen is made. They wear wooden shoes, dark dresses, demure white caps, and stand at various distances from a wall, where the hanks of raw material are being wound up as thread. From each of them, a single thread extends across the room, as though they were spiders, as though it came right out of their bellies. Or as though they were tethered to the wall by the fine, slim threads that are invisible in other kinds of light. They are spinning, they are caught in the web. To spin the web and not be caught in it, to create the world, to create your own life, to rule your fate, to name the grandmothers as well as the fathers, to draw nets and not just straight lines, to be a maker as well as a cleaner, to be able to sing and not be silenced, to take down the veil and appear: all these are the banners on the laundry line I hang out. ~ Rebecca Solnit, #NFDB |
1261:The Prologue
To sing of wars, of captains, and of kings,
Of cities founded, commonwealths begun,
For my mean pen are too superior things:
Or how they all, or each, their dates have run;
Let poets and historians set these forth,
My obscure lines shall not so dim their work.
But when my wondering eyes and envious heart
Great Bartas' sugared lines do but read o'er,
Fool I do grudge the Muses did not part
'Twixt him and me that overfluent store;-A Bartas can do what a Bartas will,
But simple I according to my skill.
From school-boys tongues no rhetoric we expect,
Nor yet a sweet consort from broken strings,
Nor perfect beauty where's a main defect:
My foolish, broken, blemished Muse so sings;
And this to mend, alas, no art is able,
'Cause nature made is so, irreparable.
Nor can I, like that fluent, sweet-tongued Greek
Who lisped at first, in future times speak plain;
By art he gladly found what he did seek-A full requitl of his striving pain.
Art can do much, but this maxim's most sure:
A weak or wounded brain admits no cure.
I am obnoxious to each carping tongue
Who says my hand a needle better fits.
A poet's pen all scorn I should thus wrong;
For such despite they cast on female wits,
If what I do prove well, it won't advance-They'll say it was stolen, or else it was by chance.
But shure the ancient Greeks were far more mild,
Else of our sex why feignéd they those Nine,
And Posey made Calliope's own child?
So 'mongst the rest they placed the Arts Divine.
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But this weak knot they will full soon untie-The Greeks did naught but play the fools and lie.
Let Greeks be Greeks, and women what they are.
Men have precenency, and still excell.
It is but vain unjustly to wage war,
Men can do best, and women know it well.
Preëminence in all and each is yours-Yet grant some small acknowledgement of ours.
And oh, ye high flownquills that soar the skies,
And ever with your prey still catch your praise,
If e'er you deign these lowly lines your eyes,
Give thyme or parsley wreath; I ask no bays.
This mean and unrefinéd ore of mine
Will make your glistening gold but more to shine.
~ Anne Bradstreet,#NFDB |
1262:Come out, White-Eyes,” the voice called. “I bring gifts, not bloodshed.”
Henry, wearing nothing but his pants and the bandages Aunt Rachel had wrapped around his chest the night before, hopped on one foot as he dragged on a boot. By the time he reached the window, he had both boots on, laces flapping. Rachel gave him a rifle. He threw open the shutter and jerked down the skin, shoving the barrel out the opening. “What brings you here?”
“The woman. I bring many horses in trade.”
Loretta ran to the left window, throwing back the shutters and unfastening the membrane to peek out. The Comanche turned to meet her gaze, his dark eyes expressionless, penetrating, all the more luminous from the black graphite that outlined them. Her hands tightened on the rough sill, nails digging the wood.
He looked magnificent. Even she had to admit that. Savage, frightening…but strangely beautiful. Eagle feathers waved from the crown of his head, the painted tips pointed downward, the quills fastened in the slender braid that hung in front of his left ear. His cream-colored hunting shirt enhanced the breadth of his shoulders, the chest decorated with intricate beadwork, painted animal claws, and white strips of fur. He wore two necklaces, one of bear claws, the other a flat stone medallion, both strung on strips of rawhide. His buckskin breeches were tucked into knee-high moccasins.
Her gaze shifted to the strings of riderless ponies behind him. She couldn’t believe their number. Thirty? Possibly forty? Beyond the animals were at least sixty half-naked warriors on horseback. Loretta wondered why Hunter had come fully clothed in all his finery with wolf rings painted around his eyes. The others wore no shirts or feathers, and their faces were bare.
“I come for the woman,” the Comanche repeated, never taking his gaze from her. “And I bring my finest horses to console her father for his loss. Fifty, all trained to ride.” His black sidestepped and whinnied. The Indian swayed easily with his mount. “Send me the woman, and have no fear. She will come to no harm walking in my footsteps, for I am strong and swift. She will never feel hunger, for I am a fine hunter. My lodge will shelter her from the winter rain, and my buffalo robes will shield her from the cold. I have spoken it. ~ Catherine Anderson,#NFDB |
1263:The Road To Avignon
A Minstrel stands on a marble stair,
Blown by the bright wind, debonair;
Below lies the sea, a sapphire floor,
Above on the terrace a turret door
Frames a lady, listless and wan,
But fair for the eye to rest upon.
The minstrel plucks at his silver strings,
And looking up to the lady, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
The octagon tower casts a shade
Cool and gray like a cutlass blade;
In sun-baked vines the cicalas spin,
The little green lizards run out and in.
A sail dips over the ocean's rim,
And bubbles rise to the fountain's brim.
The minstrel touches his silver strings,
And gazing up to the lady, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Slowly she walks to the balustrade,
Idly notes how the blossoms fade
In the sun's caress; then crosses where
The shadow shelters a carven chair.
Within its curve, supine she lies,
And wearily closes her tired eyes.
The minstrel beseeches his silver strings,
And holding the lady spellbound, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
394
Clouds sail over the distant trees,
Petals are shaken down by the breeze,
They fall on the terrace tiles like snow;
The sighing of waves sounds, far below.
A humming-bird kisses the lips of a rose
Then laden with honey and love he goes.
The minstrel woos with his silver strings,
And climbing up to the lady, sings: -Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
Step by step, and he comes to her,
Fearful lest she suddenly stir.
Sunshine and silence, and each to each,
The lute and his singing their only speech;
He leans above her, her eyes unclose,
The humming-bird enters another rose.
The minstrel hushes his silver strings.
Hark! The beating of humming-birds' wings!
Down the road to Avignon,
The long, long road to Avignon,
Across the bridge to Avignon,
One morning in the spring.
~ Amy Lowell,#NFDB |
| 1264:Unlike classically spinning bodies, such as tops, however, where the spin rate can assume any value fast or slow, electrons always have only one fixed spin. In the units in which this spin is measured quantum mechanically (called Planck's constant) the electrons have half a unit, or they are "spin-1/2" particles. In fact, all the matter particles in the standard model-electrons, quarks, neutrinos, and two other types called muons and taus-all have "spin 1/2." Particles with half-integer spin are known collectively as fermions (after the Italian physicist Enrico Fermi). On the other hand, the force carriers-the photon, W, Z, and gluons-all have one unit of spin, or they are "spin-1" particles in the physics lingo. The carrier of gravity-the graviton-has "spin 2," and this was precisely the identifying property that one of the vibrating strings was found to possess. All the particles with integer units of spin are called bosons (after the Indian physicist Satyendra Bose). Just as ordinary spacetime is associated with a supersymmetry that is based on spin. The predictions of supersymmetry, if it is truly obeyed, are far-reaching. In a universe based on supersymmetry, every known particle in the universe must have an as-yet undiscovered partner (or "superparrtner"). The matter particles with spin 1/2, such as electrons and quarks, should have spin 0 superpartners. the photon and gluons (that are spin 1) should have spin-1/2 superpartners called photinos and gluinos respectively. Most importantly, however, already in the 1970s physicists realized that the only way for string theory to include fermionic patterns of vibration at all (and therefore to be able to explain the constituents of matter) is for the theory to be supersymmetric. In the supersymmetric version of the theory, the bosonic and fermionic vibrational patters come inevitably in pairs. Moreover, supersymmetric string theory managed to avoid another major headache that had been associated with the original (nonsupersymmetric) formulation-particles with imaginary mass. Recall that the square roots of negative numbers are called imaginary numbers. Before supersymmetry, string theory produced a strange vibration pattern (called a tachyon) whose mass was imaginary. Physicists heaved a sigh of relief when supersymmetry eliminated these undesirable beasts. ~ Mario Livio, #NFDB |
1265:1.
In thy western halls of gold
When thou sittest in thy state,
Bards, that erst sublimely told
Heroic deeds, and sang of fate,
With fervour seize their adamantine lyres,
Whose chords are solid rays, and twinkle radiant fires.
2.
Here Homer with his nervous arms
Strikes the twanging harp of war,
And even the western splendour warms,
While the trumpets sound afar:
But, what creates the most intense surprise,
His soul looks out through renovated eyes.
3.
Then, through thy Temple wide, melodious swells
The sweet majestic tone of Maro's lyre:
The soul delighted on each accent dwells,--
Enraptur'd dwells,--not daring to respire,
The while he tells of grief around a funeral pyre.
4.
'Tis awful silence then again;
Expectant stand the spheres;
Breathless the laurell'd peers,
Nor move, till ends the lofty strain,
Nor move till Milton's tuneful thunders cease,
And leave once more the ravish'd heavens in peace.
5.
Thou biddest Shakespeare wave his hand,
And quickly forward spring
The Passions--a terrific band--
And each vibrates the string
That with its tyrant temper best accords,
While from their Master's lips pour forth the inspiring words.
6.
A silver trumpet Spenser blows,
And, as its martial notes to silence flee,
From a virgin chorus flows
A hymn in praise of spotless Chastity.
'Tis still! Wild warblings from the Aeolian lyre
Enchantment softly breathe, and tremblingly expire.
7.
Next thy Tasso's ardent numbers
Float along the pleased air,
Calling youth from idle slumbers,
Rousing them from Pleasure's lair:--
Then o'er the strings his fingers gently move,
And melt the soul to pity and to love.
8.
But when Thou joinest with the Nine,
And all the powers of song combine,
We listen here on earth:
Thy dying tones that fill the air,
And charm the ear of evening fair,
From thee, great God of Bards, receive their heavenly birth.
'First given among the Literary Remains in the second volume of the Life, Letters &c. 1848. The date to which Lord Houghton assigns the poem is February 1815.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Ode To Apollo
,#NFDB |
1266:But every once in a great while, the pull of her heritage would hit her, and Grand-mere would cook something real. I could never figure out what it was that triggered her, but I would come home from school to a glorious aroma. An Apfel-strudel, with paper-thin pastry wrapped around chunks of apples and nuts and raisins. The thick smoked pork chops called Kasseler ribs, braised in apple cider and served with caraway-laced sauerkraut. A rich baked dish with sausages, duck, and white beans. And hoppel poppel. A traditional German recipe handed down from her mother. I haven't even thought of it in years. But when my mom left, it was the only thing I could think to do for Joe, who was confused and heartbroken, and it was my best way to try to get something in him that didn't come in a cardboard container. I never got to learn at her knee the way many granddaughters learn to cook; she never shared the few recipes that were part of my ancestry. But hoppel poppel is fly by the seat of your pants, it doesn't need a recipe; it's a mess, just like me. It's just what the soul needs.
I grab an onion, and chop half of it. I cut up the cold cooked potatoes into chunks. I pull one of my giant hot dogs out, and cut it into thick coins. Grand-mere used ham, but Joe loved it with hot dogs, and I do too. Plus I don't have ham. I whisk six eggs in a bowl, and put some butter on to melt. The onions and potatoes go in, and while they are cooking, I grate a pile of Swiss cheese, nicking my knuckle, but catching myself before I bleed into my breakfast. By the time I get a Band-Aid on it, the onions have begun to burn a little, but I don't care. I dump in the hot dogs and hear them sizzle, turning down the heat so that I don't continue to char the onions. When the hot dogs are spitting and getting a little browned, I add the eggs and stir up the whole mess like a scramble. When the eggs are pretty much set, I sprinkle the cheese over the top and take it off the heat, letting the cheese melt while I pop three slices of bread in the toaster. When the toast is done, I butter it, and eat the whole mess on the counter, using the crispy buttered toast to scoop chunk of egg, potato, and hot dog into my mouth, strings of cheese hanging down my chin. Even with the burnt onions, and having overcooked the eggs to rubbery bits, it is exactly what I need. ~ Stacey Ballis,#NFDB |
1267:The Realms Of Gold
(Written after hearing a line of Keats repeated by a passing stranger
under the palms of Southern California.)
Under the palms of San Diego
Where gold-skinned Mexicans loll at ease,
And the red half-moons of their black-pipped melons
Drop from their hands in the sunset seas,
And an incense, out of the old brown missions,
Blows through the orange trees;
I wished that a poet who died in Europe
Had found his way to this rose-red West;
That Keats had walked by the wide Pacific
And cradled his head on its healing breast,
And made new songs of the sun-burned sea-folk,
New poems, perhaps his best.
I thought of him, under the ripe pomegranates
At the desert's edge, where the grape-vines grow,
In a sun-kissed ranch between grey-green sage-brush
And amethyst mountains, peaked with snow,
Or watching the lights of the City of Angels
Glitter like stars below.
He should walk, at dawn, by the lemon orchards,
And breathe at ease in that dry bright air;
And the Spanish bells in their crumbling cloisters
Of brown adobe would sing to him there;
And the old Franciscans would bring him their baskets
Of apple and olive and pear.
And the mandolins, in the deep blue twilight,
Under that palm with the lion's mane,
Would pluck, once more, at his golden heart-strings,
And tell him the old sea-tales of Spain;
And there should the daughters of Hesperus teach him
Their mystical songs again.
156
Then, the dusk blew sweet over seas of peach-bloom;
The moon sailed white in the cloudless blue;
The tree-toads purred, and the crickets chirruped;
And better than anything dreamed came true;
For, under the murmuring palms, a shadow
Passed, with the eyes I knew;
A shadow, perhaps, of the tall green fountains
That rustled their fronds on that glittering sky,
A hungering shadow, a lean dark shadow,
A dreaming shadow that drifted by;
But I heard him whisper the strange dark music
That found it so 'rich to die.'
And the murmuring palms of San Diego
Shook with stars as he passed beneath.
The Paradise palms, and the wild white orchards,
The night, and its roses, were all one breath,
Bearing the song of a nightingale seaward,
A song that had out-soared death.
~ Alfred Noyes,#NFDB |
1268:The Fish
I caught a tremendous fish
and held him beside the boat
half out of water, with my hook
fast in a corner of his mouth.
He didn't fight.
He hadn't fought at all.
He hung a grunting weight,
battered and venerable
and homely. Here and there
his brown skin hung in strips
like ancient wallpaper,
and its pattern of darker brown
was like wallpaper:
shapes like full-blown roses
stained and lost through age.
He was speckled with barnacles,
fine rosettes of lime,
and infested
with tiny white sea-lice,
and underneath two or three
rags of green weed hung down.
While his gills were breathing in
the terrible oxygen
- the frightening gills,
fresh and crisp with blood,
that can cut so badlyI thought of the coarse white flesh
packed in like feathers,
the big bones and the little bones,
the dramatic reds and blacks
of his shiny entrails,
and the pink swim-bladder
like a big peony.
I looked into his eyes
which were far larger than mine
but shallower, and yellowed,
the irises backed and packed
with tarnished tinfoil
seen through the lenses
109
of old scratched isinglass.
They shifted a little, but not
to return my stare.
- It was more like the tipping
of an object toward the light.
I admired his sullen face,
the mechanism of his jaw,
and then I saw
that from his lower lip
- if you could call it a lip
grim, wet, and weaponlike,
hung five old pieces of fish-line,
or four and a wire leader
with the swivel still attached,
with all their five big hooks
grown firmly in his mouth.
A green line, frayed at the end
where he broke it, two heavier lines,
and a fine black thread
still crimped from the strain and snap
when it broke and he got away.
Like medals with their ribbons
frayed and wavering,
a five-haired beard of wisdom
trailing from his aching jaw.
I stared and stared
and victory filled up
the little rented boat,
from the pool of bilge
where oil had spread a rainbow
around the rusted engine
to the bailer rusted orange,
the sun-cracked thwarts,
the oarlocks on their strings,
the gunnels- until everything
was rainbow, rainbow, rainbow!
And I let the fish go.
~ Elizabeth Bishop,#NFDB |
1269:'Tis the witching hour of night,
Orbed is the moon and bright,
And the stars they glisten, glisten,
Seeming with bright eyes to listen --
For what listen they?
For a song and for a charm,
See they glisten in alarm,
And the moon is waxing warm
To hear what I shall say.
Moon! keep wide thy golden ears --
Hearken, stars! and hearken, spheres! --
Hearken, thou eternal sky!
I sing an infant's lullaby,
A pretty lullaby.
Listen, listen, listen, listen,
Glisten, glisten, glisten, glisten,
And hear my lullaby!
Though the rushes that will make
Its cradle still are in the lake --
Though the linen that will be
Its swathe, is on the cotton tree --
Though the woollen that will keep
It warm, is on the silly sheep --
Listen, starlight, listen, listen,
Glisten, glisten, glisten, glisten,
And hear my lullaby!
Child, I see thee! Child, I've found thee
Midst of the quiet all around thee!
And thy mother sweet is nigh thee!
But a Poet evermore!
See, see, the lyre, the lyre,
In a flame of fire,
Upon the little cradle's top
Flaring, flaring, flaring,
Past the eyesight's bearing,
Awake it from its sleep,
And see if it can keep
Its eyes upon the blaze --
Amaze, amaze!
It stares, it stares, it stares,
It dares what no one dares!
It lifts its little hand into the flame
Unharm'd, and on the strings
Paddles a little tune, and sings,
With dumb endeavour sweetly --
Bard art thou completely!
Little child
O' th' western wild,
Bard art thou completely!
Sweetly with dumb endeavour,
A Poet now or never,
Little child
O' th' western wild,
A Poet now or never!
'These lines occur in a letter to George Keats dated the 29th of October 1818, first given by Lord Houghton in the Life, Letters &c., and appears to belong to that date. They follow immediately upon this message:--
"If I had a prayer to make for any great good, next to Tom's recovery, it should be that one of your children should be the first American poet. I have a great mind to make a prophecy; and they say that prophecies work out their own fulfilment."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, A Prophecy - To George Keats In America
,#NFDB |
| 1270:Do you think you would like to test it with me?” Pete asked. He held out his hand, and Beatriz thought for a moment before taking it. Together they climbed onto the amber-brown dance stage and walked across the boards into the very center. They stopped and faced each other. “I don’t know how to dance,” Beatriz admitted. “I don’t either,” Pete said. “I guess we’ll figure it out.” Beatriz took his free hand and put it on her waist. “It’s cold,” Beatriz said. “It is,” Pete said. He stood a little closer to her so that they were warm together. “There’s no music,” Beatriz said. “We need the radio.” But the station had long since gone quiet, and Diablo Diablo had long since turned back into Joaquin. Pete put his voice right by Beatriz’s ear so that his breath warmed her skin, and he began to sing. It was nothing extravagant, just Patsy Cline sung in his low and uneven voice, and they began to dance. It was very quiet. No one else would have seen if not for the desert. But when the desert heard Pete Wyatt singing a love song, it took notice. The desert loved him, after all, and wanted him happy. So when it heard Pete singing, it rose a wind around them until the breeze sang gently like strings, and when it heard Pete singing, it provoked the air to heat and cool around every stone and plant so that each of these things sounded in harmony with his voice, and when it heard Pete singing, it roused Colorado’s grasshoppers to action and they rubbed their legs together like a soft horn section, and when it heard Pete singing, it shifted the very ground beneath Bicho Raro so that the sand and the dirt pounded a beat that matched the sound of the incomplete heart that lived in Pete Wyatt. The sound of this roused the Sorias from their sleep. Francisco looked out of his greenhouse and saw Pete and Beatriz dancing, and he missed Antonia. Antonia looked out the window of her house and saw Pete and Beatriz dancing, and she missed Francisco. Luis the one-handed took out his future love’s box of gloves from beside his bed and counted them. Nana reached for the photograph of her long-dead husband. Michael had been sleeping rolled up in his own lengthy beard, but he woke up and returned to sleep rolled up with Rosa instead. Judith looked out her window and wept with happiness to see her sister happy, and Eduardo wept, too, because he always liked to dress to match his wife when he could. ~ Maggie Stiefvater, #NFDB |
1271:The difference between supermind and Big Mind (if we take Big Mind to mean the state experience of nondual Suchness, or turiyatita) is that Big Mind can be experienced or recognized at virtually any lower level or rung. Magic to Integral. In fact, one can be at, say, the Pluralistic stage, and experience several core characteristics of the entire sequence of state-stages (gross to subtle to causal to Witnessing to Nondual), although, of course, the entire sequence, including nondual Suchness, will be interpreted in Pluralistic terms. This is unfortunate in many ways—interpreting Dharma in merely Pluralistic terms (or Mythic terms, or Rational, and so on)—because it is so ultimately reductionistic; but it happens all the time, given the relative independence of states and structures at 1st and 2nd tier.
Supermind, on the other hand, as a basic structure-rung (conjoined with nondual Suchness) can only be experienced once all the previous junior levels have emerged and developed, and as in all structure development, stages cannot be skipped. Therefore, unlike Big Mind, supermind can only be experienced after all 1st-, 2nd-, and 3rd-tier junior stages have been passed through. While, as Genpo Roshi has abundantly demonstrated, Big Mind state experience is available to virtually anybody at almost any age (and will be interpreted according to the View of their current stage), supermind is an extremely rare recognition. Supermind, as the highest structure-rung to date, has access to all previous structures, all the way back to Archaic—and the Archaic itself, of course, has transcended and included, and now embraces, every major structural evolution going all the way back to the Big Bang. (A human being literally enfolds and embraces all the major transformative unfoldings of the entire Kosmic history—strings to quarks to subatomic particles to atoms to molecules to cells, all the way through the Tree of Life up to its latest evolutionary emergent, the triune brain, the most complex structure in the known natural world.) Supermind, in any given individual, is experienced as a type of “omniscience”—the supermind, since it transcends and includes all of the previous structure-rungs, and inherently is conjoined with the highest nondual Suchness state, has a full and complete knowledge of all of the potentials in that person. It literally “knows all,” at least for the individual. ~ Ken Wilber,#NFDB |
1272:Hamar-Made Matches
'Here your Hamar-made matches!'Of them these verses I sang;
A thought to which humor attaches,
But yet to my heart sparks sprang.
Sparks from the box-side flying
Sank deep in my memory,
Till in a light undying
Two eyes cast their spell on me,Light on the fire that's present,
When faith blazes forth in deed.
Know, that to every peasant
Those eyes sent a light in need.
Sent to souls without measure
The flame of love's message broad,
Gathering in one treasure
Fatherland, home, and God.
For it was Herman Anker
Took of his fathers' gold,
Loaned it as wisdom's banker,
Spread riches of thought untold,
Scattered it wide as living
Seed for the soil to enwrap;
Flowers spring from his giving
Over all Norway's lap.
Flowers spring forth, though stony
The ground where it fell, and cold.
Never did patrimony
Bear fruitage so many fold.
Heed this, Norwegian peasant,
Heed it, you townsman, too!
That fruit of love's seed may be present,
Our thanks must fall fresh as dew.
50
'Here your Hamar-made matches!'
My thanks kindle fast. And oh!
This song at your heart-strings catches,
That kindling your thanks may glow.
The matches hold them in hiding,Scratching one you will find
The light with a warmth abiding
Carries them to his mind.
'Here your Hamar-made matches!'
Only to strike one here,
Our thanks far-away dispatches,
With peace his fair home to cheer.
His matches in thousands of houses,
In great and in small as well!The light that thanksgiving arouses
Shall scatter the darkness fell.
His matches in thousands of houses!Some eve from his factory
He'll see how thanksgiving arouses
The land, and its love flames free.
He'll see in the eyes so tender,
Through gleams that his matches woke,
The thanks that his nation would render,
His glistening wreath of oak,He'll feel that Norway with double
The warmth of other lands glows;
The harvest must more be than trouble,
When faith in its future grows.
'Here your Hamar-made matches!'
No phosphorus-poison more!
The bearer of light up-catches
The work of the school before:From home all the poison taking,
51
Hastening the light's advance,
Longings to warm light waking,
That lay there and had no chance.
~ Bjornstjerne Bjornson,#NFDB |
1273:And then she caught the song. She fell upon it and music poured from the fiddle’s hollow, bright and liquid like fire out of the heart of the earth. Pierre-Jean drew back and stood mesmerized. The room around Fin stirred as every ear bent to the ring of heartsong. It rushed through Fin and spread to the outermost and tiniest capillary reaches of her body. Her flesh sang. The hairs of her arms and neck roused and stood. She sped the bow across the strings. Her fingers danced on the fingerboard quick as fat raindrops. Every man in the room that night would later swear that there was a wind within it. They would tell their children and lovers that a hurricane had filled the room, toppled chairs, driven papers and sheets before it and blew not merely around them but through them, taking fears, grudges, malice, and contempt with it, sending them spiraling out into the night where they vanished among the stars like embers rising from a bonfire.
And though the spirited cry of the fiddle’s song blew through others and around the room and everything in it, Fin sat at the heart of it. It poured into her. It found room in the closets and hollow places of her soul to settle and root. It planted seeds: courage, resolve, steadfastness. Fin gulped it in, seized it, held it fast. She needed it, had thirsted for it all her days. She saw the road ahead of her, and though she didn’t understand it or comprehend her part in it, she knew that she needed the ancient and reckless power of a holy song to endure it. She didn’t let the music loose. It buckled and swept and still she clung to it, defined it in notes and rhythm, channeled it like a river bound between mountain steeps. And a thing happened then so precious and strange that Fin would ever after remember it only in the formless manner of dreams. The song turned and spoke her name—her true name, intoned in a language of mysteries. Not her earthly name, but a secret word, defining her alone among all created things. The writhing song spoke it, and for the first time, she knew herself. She knew what it was to be separated out, held apart from every other breathing creature, and known. Though she’d never heard it before and wouldn’t recall it after, every stitch of her soul shook in the passage of the word, shuddered in the wake of it, and mourned as the sound sped away. In an instant, it was over. The song ended with the dissonant pluck of a broken string. ~ A S Peterson,#NFDB |
1274:I to the open road,
You to the hunchbacked street -
Which of us two
Shall the earlier rue
That day we chanced to meet?
I with a heart that's sound,
You with sick fancies of pain -
Which of us two
Would the earlier rue
If we chanced to meet again?
I jingle homely lore,
While you rhyme is with kiss -
Which of us two
Will the earlier rue
The love of the Hoylake Miss?
Not I the first to go,
Nor I the first to deceive -
Which of us two
Shall the the earliest rue
Our garden of make-believe?
You were a Chinese god,
I an offering fair,
As we entered the
Garden of Allah,
To sing our holy prayer.
Entered with hearts bowed low,
Yet I heard a voice that cried:
For he is the god of the
Sacrifice,
You are the crucified.
It was all make-believe,
A foolish game of play,
Our garden of Allah
A drawing-room,
Our Chinese god of clay.
Strings of bruises for pearls,
Tears for forget-me-nots,
And a deadly pain
Of the sickening shame
Watching the fading spots.
As quickly they faded,
The heart of me faded as well,
Until nothing is left
Of my garden,
But a soul sunk to hell.
Hail!
Poet prend ton lute -Je disparaire,
No more together we'll enter the
Enchanted garden of make-believe,
Nor my sad soul listen while thine deceive.
No more you'll be the God of Sacrifice,
Nor I the crucified.
Ah, Garden of Allah -how bitter sweet
Thy fruit. Why breakest thou the heart?
Why spoilest thou the soul with notes
From thy golden lute?
Lo! our garden a common room
Our Chinese god burnt clay, and
The singing of verses a funeral hymn
That awakes with awakening day.
'Twas all such a meaningless play,
Poet prend ton lute -Je disparaitre.
Hail!
Poet, take my hand -we'll walk
Still a little way.
I'll not desert thee at the close of day,
I, too, must pray.
A beggar asking alms of passers-by,
Does not refuse a drink to one who's dry
That once by him did lie.
Poet, come close -before I leave for aye
Take thou my hand, we'll walk still
A little way.
One garment covered both to keep us warm,
What harmed the one, was't not the other's harm?
Close clasped, one single form.
Was it not meant of aye?
Poet, take thou my hand -we'll still
Walk a little way.
~ Aleister Crowley, On - On - Poet
,#NFDB |
1275:To-night I'll have my friar -- let me think
About my room, -- I'll have it in the pink;
It should be rich and sombre, and the moon,
Just in its mid-life in the midst of June,
Should look thro' four large windows and display
Clear, but for gold-fish vases in the way,
Their glassy diamonding on Turkish floor;
The tapers keep aside, an hour and more,
To see what else the moon alone can show;
While the night-breeze doth softly let us know
My terrace is well bower'd with oranges.
Upon the floor the dullest spirit sees
A guitar-ribband and a lady's glove
Beside a crumple-leaved tale of love;
A tambour-frame, with Venus sleeping there,
All finish'd but some ringlets of her hair;
A viol, bow-strings torn, cross-wise upon
A glorious folio of Anacreon;
A skull upon a mat of roses lying,
Ink'd purple with a song concerning dying;
An hour-glass on the turn, amid the trails
Of passion-flower; -- just in time there sails
A cloud across the moon, -- the lights bring in!
And see what more my phantasy can win.
It is a gorgeous room, but somewhat sad;
The draperies are so, as tho' they had
Been made for Cleopatra's winding-sheet;
And opposite the stedfast eye doth meet
A spacious looking-glass, upon whose face,
In letters raven-sombre, you may trace
Old "Mene, Mene, Tekel Upharsin."
Greek busts and statuary have ever been
Held, by the finest spirits, fitter far
Than vase grotesque and Siamesian jar;
Therefore 'tis sure a want of Attic taste
That I should rather love a Gothic waste
Of eyesight on cinque-coloured potter's clay,
Than on the marble fairness of old Greece.
My table-coverlits of Jason's fleece
And black Numidian sheep-wool should be wrought,
Gold, black, and heavy, from the Lama brought.
My ebon sofas should delicious be
With down from Leda's cygnet progeny.
My pictures all Salvator's, save a few
Of Titian's portraiture, and one, though new,
Of Haydon's in its fresh magnificence.
My wine -- O good! 'tis here at my desire,
And I must sit to supper with my friar.
* * * * * * * * * * * * * * * * * * * * *
'This is the third of the undated fragments at the end of Volume I of the Life, Letters &c. (1848).' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Fragment Of The Castle Builder
,#NFDB |
1276:Closing her eyes, she fit the violin under her chin, and set the bow to the strings. Faith had never been as blind as this.
The first thing that came to mind was the sound of her fingers breaking. Her life, as she knew it, dying. The shock and the pain of it, and the utter devastation.
They’ve killed me, she thought.
So she played it.
Next came the memory of warm, strong hands reaching for hers in the darkness. The unknown clasping her fingers, healing her, lending her strength and reassurance. It was the only thing in the world when she had nothing. It had been her lifeline.
And she played it.
Then came trust, the tentative unfurling, when she believed against all evidence that the person who came to her in the darkness would help her in any way he could. The impossibly intense adventure of his arm, sliding around her shoulders. The miracle of warmth when she had known nothing but coldness.
That first kiss, oh, the surprise of it! The agonizing uncertainty… was it all right to allow this? How could it feel so incredibly good?
Could she possibly kiss him again?
Oh, when could she kiss him again?
The burning that took hold, the incandescent light that shone despite all the shadows stacked around them. The unbearable, delicious hunger that was the sweetest pain… that she would give anything, anything, if only she could feel it again…
Always before, when she had played, she’d had the awareness of the violin and the bow as instruments in her craft. Her music had been self-conscious, aware.
Now, as she played, she went somewhere she had never gone before. She lost awareness of the violin altogether.
She became the music.
She was the story, the vibration.
She became the story of love, the notes written in kisses and caresses on her skin. She felt the symphony, the swelling highs in the lifts, and the terrible lows in the falls, and hope was the cruelest note of all, the devastation that came afterward, utterly intolerable.
She poured it all out, all the emotion, the experience, the exquisite delight along with the terror. There was no hiding any of it from a god anyway. The only other being she had been so naked with was Morgan, and he was gone.
Gone, while the love she felt for him had become the very breath of life to her.
Give him back to me, she begged with her music.
Give him back.
When the last note speared through the air, she had nothing left to give. ~ Thea Harrison,#NFDB |
1277:He smiled and pulled the ugly white fichu from her neck.
She blinked and looked down at the simple, square neckline of her bodice as if she'd never seen it. Perhaps she hadn't. Perhaps she dressed in the dark like a nun. "What are you doing?"
He sighed. "I confess, I find your naïveté perplexing. How have you arrived at the advanced age of six and twenty without having anyone attempt seduction upon yourself? I'm of two minds on the matter: One, utter astonishment at my sex and their deaf disregard for your siren call. Two, glee at the thought that your innocence might signal that you are indeed innocent. Why this should excite me so, I don't know- virginity has never before been a particular whim of mine. I think perhaps it's the setting. Who knows how many virgins were deflowered here by my lusty ancestors? Or," he said as he deftly unpinned and tossed aside her apron, "maybe it's simply you."
"I don't..." Her words trailed off and then, interestingly, she blushed a deep rose. Well. That question settled, then. His little maiden was really a maiden. "What?"
"I think it's you," he confided, pulling the strings tying her hideous mobcap beneath her chin.
She made a wild grab for it, but he was faster, snatching the bloody thing off- finally, and with a great deal of satisfaction. She might've deprived him of a wife that it'd taken him half a year and a rather large sum of money to entangle, but by God, he'd taken off her awful cap.
And underneath...
"Oh, Séraphine," he breathed, enchanted, for her hair was as black as coal, as black as night, as black as his own soul, save for one white streak just over her left eye. But she'd twisted and braided and tortured the strands, binding them tight to her head, and his fingers itched to let them free.
"Don't!" she said, as if she knew what he wanted, her hands flying up to cover her hair.
He batted them aside, laughing, pulling a pin here, a pin there, dropping them carelessly to the carpet as she squealed like a little girl and backed away from him, trying frantically to ward off his fingers.
He might've taken pity on her had he not just spent an hour on a freezing moor, wondering if he was going to find her dead, neck broken, at the bottom of a hill.
Her hair came down all at once, a tumbling mass, tousled and heavy and nearly down to her waist.
"Wonderful," he murmured, taking it in both hands and lifting it. ~ Elizabeth Hoyt,#NFDB |
1278:Although political representation by racial quota is the effect of government policy, it is not yet respectable to call for it explicitly. When President Bill Clinton tried to appoint Lani Guinier as Assistant Attorney General for Civil Rights her appointment failed, in part because of Miss Guinier’s advocacy of representation by race. In her view, if blacks were 13 percent of the US population, 13 percent of seats in Congress should be set aside for them.
It does not cause much comment, however, when the Democratic Party applies this thinking to its selection of delegates to presidential conventions. Each state party files an affirmative action plan with the national party, and many states set quotas. For the 2008 Democratic Convention, California mandated an over-representation of non-white delegates. Blacks, Asians, and Hispanics were only 4.6, 5.2, and 21.1 percent, respectively, of the Democratic electorate, but had to be 16, 9, and 26 percent of the delegates. Other states had similar quotas.
Procedures of this kind do lead to diversity of delegates but suggest that race is more important than policy. Perhaps it is. In Cincinnati, where blacks are 40 to 45 percent of the population, Mayor Charlie Luken complained that the interests of blacks and whites seemed so permanently in conflict that “race gets injected into every discussion as a result.”
In other words, any issue can become racial. In 2004, the Georgia legislature passed a bill to stop fraud by requiring voters to show a state-issued ID at the polls. People without drivers’ licenses could apply for an ID for a nominal fee. Black legislators felt so strongly that this was an attempt to limit the black vote that they did not merely vote against the law; practically the entire black delegation stormed out of the Capitol when the measure passed over their objections.
In 2009, when Congress voted a stimulus bill to get the economy out of recession, some governors considered refusing some federal funds because there were too many strings attached. Jim Clyburn, a black South Carolina congressman and House Majority Whip, complained that rejecting any funding would be a “slap in the face of African-Americans.”
Race divides Cook County, Illinois, which contains Chicago. In 2007, when the black president of the county board, Todd Stroger, could not get his budget passed, his floor leader William Beavers-also black—complained that it was “because he’s black.” He said there was only one real question: 'Who’s gonna control the county—white or black—that’s all this is. ~ Jared Taylor,#NFDB |
1279:Kato’s expression shifts into something I could almost call a smile for the first time since I found him. He plucks the chordsagain in the beginnings of a tune I recognize, a ballad popular in southern Sinta. His fingers move with skill and subtlety over the strings. I had no idea he was musical.
“Maybe we’re not meant to kill it.” He keeps playing. “Doesn’t music soothe the beast? I’ll play, you sing.”
“I sound like a strangled Satyr when I sing.”
He smiles. “Somehow that doesn’t surprise me.”
“There’s no need for mudslinging,” I say with a huff.
He chuckles softly. “I can carry a tune.”
“Great!” I pat his arm. “That’ll be your job. I’ll stand back—waaaaay back—while you calm the beast. I’m confident you’ll sound as good as you look.”
His chest puffs out. “How do I look?”
“Terrible.” I grin. “You needed a bath, a shave, and a comb before we even set foot on the Ice Plains. Now, I can just barely make out your eyes and your nose. The rest is all”—I flap my hands around—“hair.”
His chest deflates. He eyes me wryly. “I could say the same about you.”
I gasp. “I grew a beard? Do you think Griffin will like it? I’ve been trying to keep it neat, but I may have picked up an eel.”
Kato laughs outright, and he really is unbearably handsome. Some of the grimness evaporates from his eyes. “I was talking about this.” He gives one of my tousled waves a light tug.
I once saw Griffin do that to Kaia. It’s brotherly. Affectionate. My heart squeezes in my chest. My love for Griffin is completely different, but Kato has a piece of me that no man ever had, not even Aetos. Kato sees me, and accepts. In that moment, I realize he’s slipped inside my soul right next to Eleni. They’re a blond-haired, blue-eyed, sunny pair—my light in the dark.
Clearing my throat doesn’t drive away the thick lump in it, or dispel the sudden tightness, so I make a show of smoothing down my hair—a lost cause at this point. “Ah, that. It’s getting to the stage where it deserves a name. The Knotted Nest? The Twisted Tresses?”
“What about the Terrible Tangle?”
I nod. “That has serious possibilities.”
“The Matted Mess?” he suggests.
My jaw drops. “It’s not that bad!”
Grinning, Kato pats my head. “Let’s get out of here.”
Yes, please! “I have your clothes. They’re even dry, thanks to your Eternal Fires of the Underworld Cloak.”
He quirks an eyebrow, taking the things I hand him. “That gets a name, too?”
“I should think so,” I answer loftily. ~ Amanda Bouchet,#NFDB |
1280:Thy trivial harp will never please
Or fill my craving ear;
Its chords should ring as blows the breeze,
Free, peremptory, clear.
No jingling serenader's art,
Nor tinkle of piano strings,
Can make the wild blood start
In its mystic springs.
The kingly bard
Must smite the chords rudely and hard,
As with hammer or with mace,
That they may render back
Artful thunder that conveys
Secrets of the solar track,
Sparks of the supersolar blaze.
Merlin's blows are strokes of fate,
Chiming with the forest-tone,
When boughs buffet boughs in the wood;
Chiming with the gasp and moan
Of the ice-imprisoned flood;
With the pulse of manly hearts,
With the voice of orators,
With the din of city arts,
With the cannonade of wars.
With the marches of the brave,
And prayers of might from martyrs' cave.
Great is the art,
Great be the manners of the bard!
He shall not his brain encumber
With the coil of rhythm and number,
But, leaving rule and pale forethought,
He shall aye climb
For his rhyme:
Pass in, pass in, the angels say,
In to the upper doors;
Nor count compartments of the floors,
But mount to Paradise
By the stairway of surprise.
Blameless master of the games,
King of sport that never shames;
He shall daily joy dispense
Hid in song's sweet influence.
Things more cheerly live and go,
What time the subtle mind
Plays aloud the tune whereto
Their pulses beat,
And march their feet,
And their members are combined.
By Sybarites beguiled
He shall no task decline;
Merlin's mighty line,
Extremes of nature reconciled,
Bereaved a tyrant of his will,
And made the lion mild.
Songs can the tempest still,
Scattered on the stormy air,
Mould the year to fair increase,
And bring in poetic peace.
He shall not seek to weave,
In weak unhappy times,
Efficacious rhymes;
Wait his returning strength,
Bird, that from the nadir's floor,
To the zenith's top could soar,
The soaring orbit of the muse exceeds that journey's length!
Nor, profane, affect to hit
Or compass that by meddling wit,
Which only the propitious mind
Publishes when 'tis inclined.
There are open hours
When the god's will sallies free,
And the dull idiot might see
The flowing fortunes of a thousand years;
Sudden, at unawares,
Self-moved fly-to the doors,
Nor sword of angels could reveal
What they conceal.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Merlin I
,#NFDB |
1281:In A Minor Key
(AN ECHO FROM A LARGER LYRE.)
That was love that I had before
Years ago, when my heart was young;
Ev'ry smile was a gem you wore;
Ev'ry word was a sweet song sung.
You came--all my pulses burn'd and beat.
(O sweet wild throbs of an early day!)
You went--with the last dear sound of your feet
The light wax'd dim and the place grew grey.
And I us'd to pace with a stealthy tread
By a certain house which is under a hill;
A cottage stands near, wall'd white, roof'd red-Tall trees grow thick--I can see it still!
How I us'd to watch with a hope that was fear
For the least swift glimpse of your gown's dear fold!
(You wore blue gowns in those days, my dear-One light for summer, one dark for cold.)
Tears and verses I shed for you in show'rs;
I would have staked my soul for a kiss;
Tribute daily I brought you of flow'rs,
Rose, lily, your favourite eucharis.
There came a day we were doomed to part;
There's a queer, small gate at the foot of a slope:
We parted there--and I thought my heart
Had parted for ever from love and hope.
****
Is it love that I have to-day?
Love, that bloom'd early, has it bloom'd late
For me, that, clothed in my spirit's grey,
Sit in the stillness and stare at Fate?
41
Song nor sonnet for you I've penned,
Nor passionate paced by your home's wide wall
I have brought you never a flow'r, my friend,
Never a tear for your sake let fall.
And yet--and yet--ah, who understands?
We men and women are complex things!
A hundred tunes Fate's inexorable hands
May play on the sensitive soul-strings.
Webs of strange patterns we weave (each owns)
From colour and sound; and like unto these,
Soul has its tones and its semitones,
Mind has its major and minor keys.
Your face (men pass it without a word)
It haunts my dreams like an odd, sweet strain;
When your name is spoken my soul is stirr'd
In its deepest depths with a dull, dim pain.
I paced, in the damp grey mist, last night
In the streets (an hour) to see you pass:
Yet I do not think that I love you--quite;
What's felt so finely 'twere coarse to class.
And yet--and yet--I scarce can tell why
(As I said, we are riddles and hard to read),
If the world went ill with you, and I
Could help with a hidden hand your need;
But, ere I could reach you where you lay,
Must strength and substance and honour spend;
Journey long journeys by night and day-Somehow, I think I should come, my friend!
~ Amy Levy,#NFDB |
1282:Because this painting has never been restored there is a heightened poignance to it somehow; it doesn’t have the feeling of unassailable permanence that paintings in museums do.
There is a small crack in the lower left, and a little of the priming between the wooden panel and the oil emulsions of paint has been bared. A bit of abrasion shows, at the rim of a bowl of berries, evidence of time’s power even over this—which, paradoxically, only seems to increase its poetry, its deep resonance. If you could see the notes of a cello, when the bow draws slowly and deeply across its strings, and those resonant reverberations which of all instruments’ are nearest to the sound of the human voice emerge—no, the wrong verb, they seem to come into being all at once, to surround us, suddenly, with presence—if that were made visible, that would be the poetry of Osias Beert.
But the still life resides in absolute silence.
Portraits often seem pregnant with speech, or as if their subjects have just finished saying something, or will soon speak the thoughts that inform their faces, the thoughts we’re invited to read. Landscapes are full of presences, visible or unseen; soon nymphs or a stag or a band of hikers will make themselves heard.
But no word will ever be spoken here, among the flowers and snails, the solid and dependable apples, this heap of rumpled books, this pewter plate on which a few opened oysters lie, giving up their silver.
These are resolutely still, immutable, poised for a forward movement that will never occur. The brink upon which still life rests is the brink of time, the edge of something about to happen. Everything that we know crosses this lip, over and over, like water over the edge of a fall, as what might happen does, as any of the endless variations of what might come true does so, and things fall into being, tumble through the progression of existing in time.
Painting creates silence. You could examine the objects themselves, the actors in a Dutch still life—this knobbed beaker, this pewter salver, this knife—and, lovely as all antique utilitarian objects are, they are not, would not be, poised on the edge these same things inhabit when they are represented.
These things exist—if indeed they are still around at all—in time. It is the act of painting them that makes them perennially poised, an emergent truth about to be articulated, a word waiting to be spoken. Single word that has been forming all these years in the light on the knife’s pearl handle, in the drops of moisture on nearly translucent grapes: At the end of time, will that word be said? ~ Mark Doty,#NFDB |
1283:What’s he doing?” I asked, leaning over the side of the boat, searching for him beneath the water. If the tow rope had gotten tangled, he might need help. And someone would need to go in the water with him, perhaps accidentally sliding against him down where no one else could see.
“Boo!” A handful of bryozoa rushed up at me from the lake.
I screamed (for once I didn’t have to think about this girl-reaction) and fell backward into the boat. Sean hefted himself over the side with one arm, holding the bryozoan high in the other hand. It dripped green slime through his fingers. “Bwa-ha-ha!” He came after me.
I squealed again. It was so unbelievably fantastic that he was flirting with me, but bryozoa was involved. Was it worth it? No. I paused on the side of the boat, ready to jump back into the water myself. He might chase me around the lake with the bryozoa, but at least it would be diluted. On second thought, I didn’t particularly want to jump into the very waters the bryozoa had come from.
Sean solved the problem for me. He slipped behind me and showed me he was holding the ties of my bikini in his free hand. If I jumped, Sean would take possession of my bikini top.
I had thought about double knotting my bikini. I’d hoped against hope that Stage Two: Bikini would work, and that Sean might try something like this. Of course, I didn’t really want my top to come off in front of everyone. Nay, in front of anyone. But I’d checked the double knots in the mirror. They’d looked…well, double knotted, for protection, sort of like wearing a turtleneck to the prom. I’d re-tied the strings normally.
Now I wished I’d double knotted after all. Sean brought the dripping slime close to my shoulder. “Go ahead and jump,” he said, twisting my bikini ties in his finges.
“Sean,” came McGullicuddy’s voice in warning. This surprised me. My brother had never taken up for me before. Of course, none of the boys had ever crossed this particular line.
But that was nothing compared with my surprise when the bryozoa suddenly lobbed out of Sean’s hand, sailed through the air, and plopped into the lake. Adam, standing behind him, must have shoved his arm.
Which meant I owed Adam my gratitude for saving me. Except I didn’t want him to save me from Sean, and I thought I’d made that clear. Saving me from Sean with bryozoa…that was a more iffy proposition. I wasn’t sure whether I should give Adam the little dolphin look again when our eyes met. But it didn’t matter. When I turned around, he was already stepping over Cameron’s legs to return to the driver’s seat. ~ Jennifer Echols,#NFDB |
1284:Grey
Is the morning dim and cloudy? Does the wind drift up the leaves?
Is there mist upon the mountains, where the sun shone yesterday?
Are the little song-birds silent? Is the sky all blurred and grey?
Does the rain fall, patter, patter, from the eaves?
Does your glass go down? And does your heart sink in the dreary lull?
Are the strings relax'd and limp, and do the soft notes whine and cry?
Has the damp got in and jarred the chords and spoil'd the melody?
Are you out of tune, belovèd? are you dull?
Has the chill wind found an entrance? Does it sigh and rustle there?
Is it drifting, not the dead leaves, but your dead hopes, all about?
Is it waking up your sorrow while your light is blotted out?
Does your heart seem sad and cold and full of care?
Are you listless and discouraged, dear? and does your life look grey?
Does there seem no use in trying? Does your work fall from your hand?
Would you give up the great riddle that's so hard to understand?
Oh, then, go you to your chamber straight, and pray.
Go and pray, and God will give you peace and comfort for your pain—
All the misty, dull confusion He will tenderly reform—
And the fire of His own Spirit, that shall make you dry and warm;
And your harp-strings shall be strung and tuned again.
Ay, the Lord will put the melody in your heart and soul anew;
So that, howsoe'er unskilled and rude the hands that touch the wires,
There shall come forth beautiful chords of faith and hope and high desires,
Only music that is deep and sweet and true.
Go and work,—the clouds will show the silver lining that's behind.
Go to squalid lanes and alleys, where grim want and sickness lurk;
Feed the hungry, soothe the suffering, tell the poor of Christ,—oh, work,
And you'll no more hear the rustling of the wind.
Then you'll no more hear the restless, hopeless sobbing over sin,
No more hear the earthly troubles crying, crying from the ground;
For the wings of guardian angels, they shall compass you around,
That the wind shall have no place to enter in.
109
Then, as wither'd leaves lie browning on the quiet grassy slopes,
As they sink in peaceful earth, and moulder with it as they die,
To help nurture precious seeds for coming summers— so shall lie,
Calm and still, your sorrowful memories and dead hopes.
O belovèd, work and wait! The sun will shine another day,
On a heart refresh'd, and strong, and green, and cool. The rain and gloom
Are to make the sap run quicker, give the flowers a deeper bloom—
We have need for both the golden and the grey.
~ Ada Cambridge,#NFDB |
| 1285:It [the charcuterie] was almost on the corner of the Rue Pirouette and was a joy to behold. It was bright and inviting, with touches of brilliant colour standing out amidst white marble. The signboard, on which the name QUENU-GRADELLE glittered in fat gilt letter encircled by leaves and branches painted on a soft-hued background, was protected by a sheet of glass. On the two side panels of the shop front, similarly painted and under glass, were chubby little Cupids playing in the midst of boars' heads, pork chops, and strings of sausages; and these still lifes, adorned with scrolls and rosettes, had been designed in so pretty and tender a style that the raw meat lying there assumed the reddish tint of raspberry jam. Within this delightful frame, the window display was arranged. It was set out on a bed of fine shavings of blue paper; a few cleverly positioned fern leaves transformed some of the plates into bouquets of flowers fringed with foliage. There were vast quantities of rich, succulent things, things that melted in the mouth. Down below, quite close to the window, jars of rillettes were interspersed with pots of mustard. Above these were some boned hams, nicely rounded, golden with breadcrumbs, and adorned at the knuckles with green rosettes. Then came the larger dishes--stuffed Strasbourg tongues, with their red, varnished look, the colour of blood next to the pallor of the sausages and pigs' trotters; strings of black pudding coiled like harmless snakes; andouilles piled up in twos and bursting with health; saucissons in little silver copes that made them look like choristers; pies, hot from the oven, with little banner-like tickets stuck in them; big hams, and great cuts of veal and pork, whose jelly was as limpid as crystallized sugar. Towards the back were large tureens in which the meats and minces lay asleep in lakes of solidified fat. Strewn between the various plates and sishes, on the bed of blue shavings, were bottles of relish, sauce, and preserved truffles, pots of foie gras, and tins of sardines and tuna fish. A box of creamy cheeses and one full of snails stuffed with butter and parsley had been dropped in each corner. Finally, at the very top of the display, falling from a bar with sharp prongs, strings of sausages and saveloys hung down symmetrically like the cords and tassels of some opulent tapestry, while behind, threads of caul were stretched out like white lacework. There, on the highest tier of this temple of gluttony, amid the caul and between two bunches of purple gladioli, the alter display was crowned by a small, square fish tank with a little ornamental rockery, in which two goldfish swam in endless circles. ~ mile Zola, #NFDB |
1286:How Is It That I Am Now So Softly Awakened
How is it that I am now so softly awakened,
My leaves shaken down with music?—
Darling, I love you.
It is not your mouth, for I have known mouths before,—
Though your mouth is more alive than roses,
Roses singing softly
To green leaves after rain.
It is not your eyes, for I have dived often in eyes,—
Though your eyes, even in the yellow glare of footlights,
Are windows into eternal dusk.
Nor is it the live white flashing of your feet,
Nor your gay hands, catching at motes in the spotlight;
Nor the abrupt thick music of your laughter,
When, against the hideous backdrop,
With all its crudities brilliantly lighted,
Suddenly you catch sight of your alarming shadow,
Whirling and contracting.
How is it, then, that I am so keenly aware,
So sensitive to the surges of the wind, or the light,
Heaving silently under blue seas of air?—
Darling, I love you, I am immersed in you.
It is not the unraveled night-time of your hair,—
Though I grow drunk when you press it upon my face:
And though when you gloss its length with a golden brush
I am strings that tremble under a bow.
It was that night I saw you dancing,
The whirl and impalpable float of your garment,
Your throat lifted, your face aglow
(Like waterlilies in moonlight were your knees).
It was that night I heard you singing
In the green-room after your dance was over,
Faint and uneven through the thickness of walls.
(How shall I come to you through the dullness of walls,
Thrusting aside the hands of bitter opinion?)
It was that afternoon, early in June,
When, tired with a sleepless night, and my act performed,
Feeling as stale as streets,
We met under dropping boughs, and you smiled to me:
And we sat by a watery surface of clouds and sky.
52
I hear only the susurration of intimate leaves;
The stealthy gliding of branches upon slow air.
I see only the point of your chin in sunlight;
And the sinister blue of sunlight on your hair.
The sunlight settles downward upon us in silence.
Now we thrust up through grass blades and encounter,
Pushing white hands amid the green.
Your face flowers whitely among cold leaves.
Soil clings to you, bark falls from you,
You rouse and stretch upward, exhaling earth, inhaling sky,
I touch you, and we drift off together like moons.
Earth dips from under.
We are alone in an immensity of sunlight,
Specks in an infinite golden radiance,
Whirled and tossed upon silent cataracts and torrents.
Give me your hand darling! We float downward.
~ Conrad Potter Aiken,#NFDB |
1287:Mi Musa Triste
Spanish
Vagos preludios. En la noche espléndida
Su voz de perlas una fuente calla,
Cuelgan las brisas sus celestes pifanos
En el follaje. Las cabezas pardas
De los búhos acechan.
Las flores se abren más, como asombradas.
Los cisnes de marfil tienden los cuellos
En las lagunas pálidas.
Selene mira del azul. Las frondas
Tiemblan... y todo! hasta el silencio, calla...
Es que ella pasa con su boca triste
Y el gran misterio de sus ojos de ámbar,
A través de la noche, hacia el olvido,
Como una estrella fugitiva y blanca.
Como una destronada reina exótica
De bellos gestos y palabras raras.
Horizontes violados sus ojeras
Dentro sus ojos–dos estrellas de ámbar–
Se abren cansados y húmedos y tristes
Como llagas de luz que quejaran.
Es un dolor que vive y que no espera,
Es una aurora gris que se levanta
Del gran lecho de sombras de la noche,
Cansada ya, sin esplendor, sin ansias
Y sus canciones son como hadas tristes
Alhajadas de lágrimas...
English
Murmuring preludes. On this resplendent night
Her pearled voice quiets a fountain.
The breezes hang their celestial fifes
In the foliage. The gray heads
Of the owls keep watch.
20
Flowers open themselves, as if surprised.
Ivory swans extend their necks
In the pallid lakes.
Selene watches from the blue. Fronds
Tremble...and everything! Even the silence, quiets.
She wanders with her sad mouth
And the grand mystery of amber eyes,
Across the night, toward forgetfulness
Like a star, fugitive and white.
Like a dethroned exotic queen
With comely gestures and rare utterings.
Her undereyes are violated horizons
And her irises–two stars of amber–
Open wet and weary and sad
Like ulcers of light that weep.
She is a grief which thrives and does not hope,
She is a gray aurora rising
From the shadowy bed of night,
Exhausted, without splendor, without anxiousness.
And her songs are like dolorous fairies
Jeweled in teardrops...
The strings of lyres
Are the souls' fibers.–
The blood of bitter vineyards, noble vineyards,
In goblets of regal beauty, rises
To her marble hands, to lips carved
Like the blazon of a great lineage.
Strange Princes of Fantasy! They
Have seen her languid head, once erect,
And heard her laugh, for her eyes
Tremble with the flower of aristocracies!
And her soul clean as fire, like a star,
Burns in those pupils of amber.
But with a mere glance, scarcely an intimacy,
Perhaps the echo of a profane voice,
21
This white and pristine soul shrinks
Like a luminous flower, folding herself up!
~ Delmira Agustini,#NFDB |
1288:The Poet And The Muse
Whither, and whence, and why hast fled?
Thou art dumb, my muse; thou art dumb, thou art dead,
As a waterless stream, as a leafless tree.
What have I done to banish thee?
But a moon ago, the whole day long
My ears were full of the sound of song;
And still through my darkly silent dreams
Plashed the fitful music of far-off streams.
When the night turned pale and the stars grew dim,
The morning chanted a dewy hymn.
The fragrant languor of cradled noon
Was lulled by the hum of a self-sung tune.
Joy came on the wings of a jocund lay,
And sorrow in harmony passed away;
And the sunny hours of tideless time
Were buoyed on the surges of rolling rhyme.
The moon went up in a cloudless sky,
Silently but melodiously;
And the glitter of stars and the patter of rain
Were notes and chords of an endless strain.
And vision, and feeling, and sound, and scent,
Were the strings of a sensitive instrument,
That silently, patiently, watched and waited,
And unto my soul reverberated.
In the orchard reddens the rounded fruit
'Mid the yellowing leaves, but my voice is mute.
The thinned copse sighs like a heart forsaken,
But not one chord of my soul is shaken.
Through the gloaming broadens the harvest moon;
The fagged hind whistles his homeward tune;
The last load creaks up the hamlet hill;
'Tis only my voice, my voice that is still.
542
(The Muse answers)
Poet, look in your poet's heart.
It will tell you what keepeth us twain apart.
I have not left you; I still am near.
But a music not mine enchants your ear.
Another hath entered and nestles deep
In the lap of your love, like a babe asleep.
You watch her breathing from morn till night;
She is all your hearing and all your sight.
Yet fear not, poet, to do me wrong.
She is sweeter far than the sweetest song.
One looks and listens the way she went,
As towards lark that is lost in the firmament.
So gladly to her I you resign,
Her caress is tenderer much than mine;
I hover round you, and hear her kiss
With wonder at its melodiousness.
When you gaze on the moon, you see but her.
You hear her feet when the branches stir;
And sunrise and sunset and starlight only
Make their beauty, without her, feel more lonely.
So how should you, poet, hope to sing?
The lute of Love hath a single string.
Its note is sweet as the coo of the dove;
But 'tis only one note, and the note is Love.
But when once you have paired and built your nest,
And can brood therein with a settled breast,
You will sing once more, and your voice will stir
All hearts with the sweetness gained from her.
~ Alfred Austin,#NFDB |
1289:The remaining part of the first description consist of low-energy open strings moving on the three-branes. We recall from Chapter 4 that low-energy strings are well described by point particle quantum field theory, and that is the case here. The particular kind of quantum field theory involves a number of sophisticated mathematical ingredients (and it has an ungainly characterization: conformally invariant supersymmetric quantum gauge field theory), but two vital characteristics are readily understood. The absence of closed strings ensures the absence of the gravitational field. And, because the strings can move only on the tightly sandwiched three-dimensional branes, the quantum field theory lives in three spatial dimensions (in addition to the one dimension of time, for a total of four spacetime dimensions).
The remaining part of the second description consists of closed strings, executing any vibrational pattern, as long as they are close enough to the black branes' event horizon to appear lethargic-that is, to appear to have low energy. Such strings, although limited in how far they stray from the black stack, still vibrate and move through nine dimensions of space (in addition to one dimension of time, for a total of ten spacetime dimensions). And because this sector is built from closed strings, it contains the force of gravity.
However different the two perspectives might seem, they're describing one and the same physical situation, so they must agree. This leads to a thoroughly bizarre conclusion. A particular nongravitational, point particle quantum field theory in four spacetime dimensions (the first perspective) describes the same physics as strings, including gravity, moving through a particular swath of ten spacetime dimensions (the second perspective). This would seem as far-fetched as claiming...Well, honestly, I've tried, and I can't come up with any two things int he real world more dissimilar than these two theories. But Maldacena followed the math, in the manner we've outlined, and ran smack into this conclusion.
The sheer strangeness of the result-and the audacity of the claim-isn't lessened by the fact that it takes but a moment to place it within the line of thought developed earlier in this chapter. As schematically illustrated in Figure 9.5, the gravity of the black brane slab imparts a curved shape to the ten-dimensional spacetime swath in its vicinity (the details are secondary, but the curved spacetime is called anti-de Sitter five-space times the five sphere); the black brane is itself the boundary of this space. And so, Maldacena's result is that string theory within the bulf of this spacetime shape is identical to a quantum field theory living on its boundary.
This is holography come to life. ~ Brian Greene,#NFDB |
1290:It’s no wonder your grandmother despairs of you. God only knows what a trial you are to your poor parents.”
The humor vanished abruptly from his face. “Sadly, my parents are too dead to be overly concerned about my behavior.”
His words were flip, but the sudden glint of grief in his eyes told another tale. “Please forgive me,” she said hastily, cursing her quick tongue. “It’s awful to lose your parents. I know that better than anyone.”
“No need for apologies.” He pushed away from the door. “They despaired of me long before they died, so you weren’t far off the mark.”
“Still, it was very wrong of me to-“
“Come now, Miss Butterfield, this has naught to do with my proposal. Will you pretend to be my fiancée or not?” When she hesitated, he went on with a hint of anger, “I don’t see why you make such a fuss over it. It’s not as if I’m asking you to do anything wicked.”
That ridiculous remark banished her brief moment of sympathy. “You’re asking me to lie! To deceive a woman for the sake of your purpose, whatever that is. It goes against every moral principle-“
“And threatening to stab a man does not?” He cast her a thin smile. “Think of it as playing a role, like an actress. You and your cousin will be guests at my estate for a week or two, entirely at your leisure.” A dark gleam shone in his eyes. “I can even set up an effigy of myself for you to stab at will.”
“That does sound tempting,” she shot back.
“As for Freddy there, he can ride and hunt and play cards with my brothers. It’s better entertainment than he’d find in the gaol.”
“As long as you feed me, sir,” Freddy said, “I’ll follow you anywhere.”
“Freddy!” Maria cried.
“What? That blasted inn where we’re staying is flea-ridden and cold as a witch’s tit. Plus, you keep such tight hold on my purse strings that I’m famished all the time. What’s wrong with helping this fellow if it means we finally sleep in decent beds? And it’s not a big thing, your pretending to be betrothed to him.”
“I’m already betrothed, thank you very much,” she shot back. “And what about Nathan? While we’re off deceiving this man’s poor grandmother, Nathan might be hurt or in trouble. You expect me just to give up searching for him so you can get a decent meal?”
“And keep from being hanged,” Freddy pointed out. “Let’s not forget that.”
“Ah, the missing fiancé,” Lord Stoneville said coldly. “I did wonder when you would bring him back into it.”
She glowered at him. “I never let him out of it. he’s the reason I’m here.”
“So you say.”
That inflamed her temper. “Now see here, you insufferable, arrogant-“
“Fine. If you insist on clinging to your wild story, how about this: while you pretend to be my fiancée, I’ll hire someone to look for fiancé. A simple trade of services. ~ Sabrina Jeffries,#NFDB |
1291:Your brother is a dear, and I do love him for the way he never fears to tell the truth. But he really doesn’t understand some things, does he?”
“No,” I squeaked. My voice seemed to come from someone else.
Nimiar ran her fingers along the harp strings and cocked her head, listening to the sounds they produced. “No one,” she said, “--well, no ordinary person-sits down to a harp and plays perfectly. It takes time and training.”
I nodded stupidly.
She dropped her hands. “When Branaric came to Athanarel, he knew nothing of etiquette or Court custom. Arrived wearing cast-off war gear belonging to Lord Vidanric, his arm in a dirty sling, his nose red from a juicy cold. There are those at Court who would have chewed him like jackals with a bone, except he freely admitted to being a rustic. Thought it a very good joke. Then he’d been brought by the Marquis, who is a leader of fashion, and Savona took to him instantly. The Duke of Savona is another leader. And…” She hesitated. “And certain women who also lead fashion liked him. Added was the fact that you Astiars have become something of heroes, and it became a fad to teach him. His blunt speech was a refreshing change, and he doesn’t care at all what people think of him. But you do, don’t you?” She peered into my face. “You care--terribly.”
I bit my lip.
She touched my wrist. “Let us make a pact. If you will come to Athanarel and dance at my wedding, I will undertake to teach you everything you need to know about Court life. And I’ll help you select a wardrobe--and no one need ever know.”
I swallowed, then took a deep, unsteady breath.
“What is it?” She looked unhappy. “Do you mistrust me?”
I shook my head so hard my coronet came loose, and a loop settled over one eye. “They would know,” I whispered, waving a hand.
“They? Your servants? Oh. You mean Branaric and Lord Vidanric?”
I nodded. “They’ll surely want to know my reasons. Since I didn’t come to Court before.” I thought of that letter hidden in my room and wondered if its arrival and Shevraeth’s on the same day had some sinister political meaning.
She smiled. “Don’t worry about Bran. All he wants, you must see, is to show you off at Athanarel. He knew you were refurbishing this castle, and I rather think he assumed you were--somehow--learning everything he was learning and obtaining a fashionable wardrobe as well. And every time he talks of you it’s always to say how much more clever you are than he is. I really think he expected to bring us here and find you waiting as gowned and jeweled as my cousin Tamara.”
I winced. “That sounds, in truth, like Branaric.”
“And as for Vidanric, well, you’re safe there. I’ve never met anyone as closemouthed, when he wants to be. He won’t ask your reasons. What?”
“I said, ‘Hah. ~ Sherwood Smith,#NFDB |
1292:I WALK through the long schoolroom questioning;
A kind old nun in a white hood replies;
The children learn to cipher and to sing,
To study reading-books and histories,
To cut and sew, be neat in everything
In the best modern way the children's eyes
In momentary wonder stare upon
A sixty-year-old smiling public man.
I dream of a Ledaean body, bent
Above a sinking fire. a tale that she
Told of a harsh reproof, or trivial event
That changed some childish day to tragedy
Told, and it seemed that our two natures blent
Into a sphere from youthful sympathy,
Or else, to alter Plato's parable,
Into the yolk and white of the one shell.
III
And thinking of that fit of grief or rage
I look upon one child or t'other there
And wonder if she stood so at that age
For even daughters of the swan can share
Something of every paddler's heritage
And had that colour upon cheek or hair,
And thereupon my heart is driven wild:
She stands before me as a living child.
Her present image floats into the mind
Did Quattrocento finger fashion it
Hollow of cheek as though it drank the wind
And took a mess of shadows for its meat?
And I though never of Ledaean kind
Had pretty plumage once enough of that,
Better to smile on all that smile, and show
There is a comfortable kind of old scarecrow.
What youthful mother, a shape upon her lap
Honey of generation had betrayed,
And that must sleep, shriek, struggle to escape
As recollection or the drug decide,
Would think her Son, did she but see that shape
With sixty or more winters on its head,
A compensation for the pang of his birth,
Or the uncertainty of his setting forth?
Plato thought nature but a spume that plays
Upon a ghostly paradigm of things;
Solider Aristotle played the taws
Upon the bottom of a king of kings;
World-famous golden-thighed Pythagoras
Fingered upon a fiddle-stick or strings
What a star sang and careless Muses heard:
Old clothes upon old sticks to scare a bird.
VII
Both nuns and mothers worship images,
But those the candles light are not as those
That animate a mother's reveries,
But keep a marble or a bronze repose.
And yet they too break hearts O presences
That passion, piety or affection knows,
And that all heavenly glory symbolise
O self-born mockers of man's enterprise;
VIII
Labour is blossoming or dancing where
The body is not bruised to pleasure soul.
Nor beauty born out of its own despair,
Nor blear-eyed wisdom out of midnight oil.
O chestnut-tree, great-rooted blossomer,
Are you the leaf, the blossom or the bole?
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
~ William Butler Yeats, Among School Children
,#NFDB |
1293:A great deal of effort has been devoted to explaining Babel. Not the Babel event
-- which most people consider to be a myth -- but the fact that languages tend
to diverge. A number of linguistic theories have been developed in an effort to
tie all languages together."
"Theories Lagos tried to apply to his virus hypothesis."
"Yes. There are two schools: relativists and universalists. As George Steiner
summarizes it, relativists tend to believe that language is not the vehicle of
thought but its determining medium. It is the framework of cognition. Our
perceptions of everything are organized by the flux of sensations passing over
that framework. Hence, the study of the evolution of language is the study of
the evolution of the human mind itself."
"Okay, I can see the significance of that. What about the universalists?"
"In contrast with the relativists, who believe that languages need not have
anything in common with each other, the universalists believe that if you can
analyze languages enough, you can find that all of them have certain traits in
common. So they analyze languages, looking for such traits."
"Have they found any?"
"No. There seems to be an exception to every rule."
"Which blows universalism out of the water."
"Not necessarily. They explain this problem by saying that the shared traits
are too deeply buried to be analyzable."
"Which is a cop out."
"Their point is that at some level, language has to happen inside the human
brain. Since all human brains are more or less the same --"
"The hardware's the same. Not the software."
"You are using some kind of metaphor that I cannot understand."
"Well, a French-speaker's brain starts out the same as an English-speaker's
brain. As they grow up, they get programmed with different software -- they
learn different languages."
"Yes. Therefore, according to the universalists, French and English -- or any
other languages -- must share certain traits that have their roots in the 'deep
structures' of the human brain. According to Chomskyan theory, the deep
structures are innate components of the brain that enable it to carry out
certain formal kinds of operations on strings of symbols. Or, as Steiner
paraphrases Emmon Bach: These deep structures eventually lead to the actual
patterning of the cortex with its immensely ramified yet, at the same time,
'programmed' network of electrochemical and neurophysiological channels."
"But these deep structures are so deep we can't even see them?"
"The universalists place the active nodes of linguistic life -- the deep
structures -- so deep as to defy observation and description. Or to use
Steiner's analogy: Try to draw up the creature from the depths of the sea, and
it will disintegrate or change form grotesquely. ~ Neal Stephenson,#NFDB |
1294:A mature person has the integrity to be alone. And when a mature person gives love, he gives without any strings attached to it: he simply gives. And when a mature person gives love, he feels grateful that you have accepted his love, not vice versa. He does not expect you to be thankful for it – no, not at all, he does not even need your thanks. He thanks you for accepting his love.
And when two mature persons are in love, one of the greatest paradoxes of life happens, one of the most beautiful phenomena: they are together and yet tremendously alone, they are together so much so that they are almost one. But their oneness does not destroy their individuality; in fact, it enhances it: they become more individual. Two mature persons in love help each other to become more free. There is no politics involved, no diplomacy, no effort to dominate. How can you dominate the person you love? Just think over it.
Domination is a sort of hatred, anger, enmity. How can you even think of dominating a person you love? You would love to see the person totally free, independent; you will give him more individuality. That’s why I call it the greatest paradox: they are together so much so that they are almost one, but still in that oneness they are individuals. Their individualities are not effaced; they have become more enhanced. The other has enriched them as far as their freedom is concerned.
Immature people falling in love destroy each other’s freedom, create a bondage, make a prison. Mature persons in love help each other to be free; they help each other to destroy all sorts of bondages. And when love flows with freedom there is beauty. When love flows with dependence there is ugliness.
Remember, freedom is a higher value than love. That’s why, in India, the ultimate we call moksha. Moksha means freedom. Freedom is a higher value than love. So if love is destroying freedom, it is not of worth. Love can be dropped, freedom has to be saved; freedom is a higher value. And without freedom you can never be happy, that is not possible. Freedom is the intrinsic desire of each man, each woman – utter freedom, absolute freedom.
So anything that becomes destructive to freedom, one starts hating it. Don’t you hate the man you love? Don’t you hate the woman you love? You hate; it is a necessary evil, you have to tolerate it. Because you cannot be alone you have to manage to be with somebody, and you have to adjust to the other’s demands. You have to tolerate, you have to bear them.
Love, to be really love, has to be being-love, gift-love. Being-love means a state of love. When you have arrived home, when you have known who you are, then a love arises in your being. Then the fragrance spreads and you can give it to others.
How can you give something which you don’t have?
To give it, the first basic requirement is to have it. ~ Osho,#NFDB |
1295:Fasting
'Tis morning now, yet silently I stand,
Uplift the curtain with a weary hand,
Look out while darkness overspreads the way,
And long for day.
Calm peace is frighted with my mood to-night,
Nor visits my dull chamber with her light,
To guide my senses into her sweet rest
And leave me blest.
Long hours since the city rocked and sung
Itself to slumber: only the stars swung
Aloft their torches in the midnight skies
With watchful eyes.
No sound awakes; I, even, breathe no sigh,
Nor hear a single footstep passing by;
Yet I am not alone, for now I feel
A presence steal
Within my chamber walls; I turn to see
The sweetest guest that courts humanity;
With subtle, slow enchantment draws she near,
And Sleep is here.
What care I for the olive branch of Peace?
Kind Sleep will bring a thrice-distilled release,
Nepenthes, that alone her mystic hand
Can understand.
And so she bends, this welcome sorceress,
To crown my fasting with her light caress.
Ah, sure my pain will vanish at the bliss
Of her warm kiss.
But still my duty lies in self-denial;
I must refuse sweet Sleep, although the trial
Will reawaken all my depth of pain.
So once again
39
I lift the curtain with a weary hand,
With more than sorrow, silently I stand,
Look out while darkness overspreads the way,
And long for day.
"Go, Sleep," I say, "before the darkness die,
To one who needs you even more than I,
For I can bear my part alone, but he
Has need of thee.
"His poor tired eyes in vain have sought relief,
His heart more tired still, with all its grief;
His pain is deep, while mine is vague and dim,
Go thou to him.
"When thou hast fanned him with thy drowsy wings,
And laid thy lips upon the pulsing strings
That in his soul with fret and fever burn,
To me return."
She goes. The air within the quiet street
Reverberates to the passing of her feet;
I watch her take her passage through the gloom
To your dear home.
Beloved, would you knew how sweet to me
Is this denial, and how fervently
I pray that Sleep may lift you to her breast,
And give you rest-A privilege that she alone can claim.
Would that my heart could comfort you the same,
But in the censer Sleep is swinging high,
All sorrows die.
She comes not back, yet all my miseries
Wane at the thought of your calm sleeping eyes-Wane, as I hear the early matin bell
The dawn foretell.
And so, dear heart, still silently I stand,
40
Uplift the curtain with a weary hand,
The long, long night has bitter been and lone,
But now 'tis gone.
Dawn lights her candles in the East once more,
And darkness flees her chariot before;
The Lenten morning breaks with holy ray,
And it is day!
~ Emily Pauline Johnson,#NFDB |
1296:The Jolly Beggar I
‘THER is a wife in yone toun-end, an she has dothers three,
An I wad be a beager for ony of a’ the three.’
He touk his clouty clok him about, his peakstaff in his hand,
An he is awa to yon toun-end, leak ony peare man.
‘I ha ben about this fish-toun this years tua or three,
Ha ye ony quarters, deam, that ye coud gie me?’
‘Awa, ye pear carl, ye dinne kean my name;
Ye sudd ha caed me mistress fan ye called me bat deam.’
He tuke his hat in his hand an gied her juks three:
‘An ye want manners, misstres, quarters ye’ll gie me.’
‘Awa, ye pear carle, in ayont the fire,
An sing to our Lord Gray’s men to their hearts’ disire.’
Some lowked to his goudie lowks, some to his milk-whit skine,
Some to his ruffled shirt, the gued read gold hang in.
Out spak our madin, an she was ay shay,
Fatt will the jolly beager gett afore he gaa to lay?
Out spak our goudwife, an she was not sae shay,
He’se gett a dish of lang kell, besids a puss pay.
Out spak the jolly beager, That dish I dou denay;
I canne sup yer lang kell nor yet yer puss pay.
Bat ye gett to my supper a capon of the best,
Tuo or three bottels of yer wine, an bear, an we sall ha a merry feast.
‘Ha ye ony siler, carll, to bint the bear an wine?’
‘O never a peney, misstress, had I lang sine.’
The beager wadne lay in the barn, nor yett in the bayr,
Bat in ahind the haa-dor, or att the kitchen-fire.
The beager’s bed was well [made] of gued clean stray an hay,
.........
The madin she rose up to bar the dor,
An ther she spayed a naked man, was rinen throu the flour.
He tuke her in his arms an to his bed he ran;
‘Hollie we me, sir,’ she says, ’or ye’ll waken our pear man.’
The begger was a cuning carle, an never a word he spake
Till he got his turn dean, an sayn began to crak.
‘Is ther ony dogs about this toun? madin, tell me nou:’
‘Fatt wad ye dee we them, my hony an my dou?’
‘They wad ravie a’ my meall-poks an die me mukell wrang:’
‘O doll for the deaing o it! are ye the pear man?
‘I thought ye had ben some gentelman, just leak the leard of Brody!
926
I am sorry for the doing o itt! are ye the pore boddie?’
She tuke the meall-poks by the strings an thrue them our the waa!
‘Doll gaa we meall-poks, madinhead an a’!’
She tuke him to her press, gave him a glass of wine;
He tuke her in his arms, says, Honey, ye’ss be mine.
He tuke a horn fra his side an he blue loud an shill,
An four-an-tuenty belted knights came att the beager’s will.
He tuke out a pean-kniff, lute a’ his dudes faa,
An he was the braest gentelman that was among them a’.
He patt his hand in his poket an gaa her ginnes three,
An four-an-tuenty hunder mark, to pay the nires feea.
‘Gin ye had ben a gued woman, as I thought ye had ben,
I wad haa made ye lady of castels eaght or nine.’
~ Anonymous Olde English,#NFDB |
1297:Socrates: So now you won't acknowledge any gods except the ones we do--Chaos, the Clouds, the Tongue--just these three?
Strepsiades: Absolutely--
I'd refuse to talk to any other gods,
if I ran into them--and I decline
to sacrifice or pour libations to them.
I'll not provide them any incense...
I want to twist all legal verdicts in my favor,
to evade my creditors.
Chorus Leader: You'll get that, just what you desire. For what you want is nothing special. So be confident--give yourself over to our agents here.
Strepsiades:
I'll do that--I'll place my trust in you. Necessity is weighing me down--the horses, those thoroughbreds, my marriage--all that has worn me out. So now, this body of mine I'll give to them, with no strings attached, to do with as they like--to suffer blows, go without food and drink, live like a pig, to freeze or have my skin flayed for a pouch-- if I can just get out of all my debt and make men think of me as bold and glib, as fearless, impudent, detestable, one who cobbles lies together, makes up words, a practiced legal rogue, a statute book, a chattering fox, sly and needle sharp, a slippery fraud, a sticky rascal, foul whipping boy or twisted villain, troublemaker, or idly prattling fool. If they can make those who run into me call me these names, they can do what they want--no questions asked. If, by Demeter, they're keen, they can convert me into sausages and serve me up to men who think deep thoughts.
Chorus: Here's a man whose mind's now smart, no holding back--prepared to start. When you have learned all this from me you know your glory will arise among all men to heaven's skies.
Strepsiades: And what will I get out of this?
Chorus: For all time, you'll live with me a life most people truly envy.
Strepsiades: You mean one day I'll really see that?
Chorus: Hordes will sit outside your door wanting your advice and more-- to talk, to place their trust in you for their affairs and lawsuits, too, things which merit your great mind. They'll leave you lots of cash behind.
Chorus Leader: [to Socrates] So get started with this old man's lessons, what you intend to teach him first of all--rouse his mind, test his intellectual powers.
Socrates: Come on then, tell me the sort of man you are--once I know that, I can bring to bear on you my latest batteries with full effect.
Strepsiades: What's that? By god, are you assaulting me?
Socrates: No--I want to learn some things from you. What about your memory?
Strepsiades: To tell the truth, it works two ways. If someone owes me something, I remember really well. But if it's poor me that owes the money, I forget a lot.
Socrates: Do you have a natural gift for speech?
Strepsiades: Not for speaking--only for evading debt.
Socrates: ... Now, what do you do if someone hits you?
Strepsiades: If I get hit, I wait around a while, then find witnesses, hang around some more, then go to court. ~ Aristophanes,#NFDB |
1298:The Outlaw
Oh, I wadna be a yeoman, mither, to follow my father's trade,
To bow my back in miry banks, at pleugh and hoe and spade.
Stinting wife, and bairns, and kye, to fat some courtier lord,Let them die o' rent wha like, mither, and I'll die by sword.
Nor I wadna be a clerk, mither, to bide aye ben,
Scrabbling ower the sheets o' parchment with a weary weary pen;
Looking through the lang stane windows at a narrow strip o' sky,
Like a laverock in a withy cage, until I pine away and die.
Nor I wadna be a merchant, mither, in his lang furred gown,
Trailing strings o' footsore horses through the noisy dusty town;
Louting low to knights and ladies, fumbling o'er his wares,
Telling lies, and scraping siller, heaping cares on cares.
Nor I wadna be a soldier, mither, to dice wi' ruffian bands,
Pining weary months in castles, looking over wasted lands.
Smoking byres, and shrieking women, and the grewsome sights o' warThere's blood on my hand eneugh, mither; it's ill to make it mair.
If I had married a wife, mither, I might ha' been douce and still,
And sat at hame by the ingle side to crack and laugh my fill;
Sat at hame wi' the woman I looed, and wi' bairnies at my knee:
But death is bauld, and age is cauld, and luve's no for me.
For when first I stirred in your side, mither, ye ken full well
How you lay all night up among the deer out on the open fell;
And so it was that I won the heart to wander far and near,
Caring neither for land nor lassie, but the bonnie dun deer.
Yet I am not a losel and idle, mither, nor a thief that steals;
I do but hunt God's cattle, upon God's ain hills;
For no man buys and sells the deer, and the bonnie fells are free
To a belted knight with hawk on hand, and a gangrel loon like me.
So I'm aff and away to the muirs, mither, to hunt the deer,
Ranging far frae frowning faces, and the douce folk here;
Crawling up through burn and bracken, louping down the screes,
Looking out frae craig and headland, drinking up the simmer breeze.
117
Oh, the wafts o' heather honey, and the music o' the brae,
As I watch the great harts feeding, nearer, nearer a' the day.
Oh, to hark the eagle screaming, sweeping, ringing round the skyThat's a bonnier life than stumbling ower the muck to colt and kye.
And when I'm taen and hangit, mither, a brittling o' my deer,
Ye'll no leave your bairn to the corbie craws, to dangle in the air;
But ye'll send up my twa douce brethren, and ye'll steal me frae the tree,
And bury me up on the brown brown muirs, where I aye looed to be.
Ye'll bury me 'twixt the brae and the burn, in a glen far away,
Where I may hear the heathcock craw, and the great harts bray;
And gin my ghaist can walk, mither, I'll go glowering at the sky,
The livelong night on the black hill sides where the dun deer lie.
In the New Forest, 1847.
~ Charles Kingsley,#NFDB |
1299:Chicago, Illinois 1896
Opening Night
Wearing her Brünnhilda costume, complete with padding, breastplate, helm, and false blond braids, and holding a spear as if it were a staff, Sophia Maxwell waited in the wings of the Canfield-Pendegast theatre. The bright stage lighting made it difficult to see the audience filling the seats for opening night of Die Walküre, but she could feel their anticipation build as the time drew near for the appearance of the Songbird of Chicago.
She took slow deep breaths, inhaling the smell of the greasepaint she wore on her face. Part of her listened to the music for her cue, and the other part immersed herself in the role of the god Wotan’s favorite daughter. From long practice, Sophia tried to ignore quivers of nervousness. Never before had stage fright made her feel ill. Usually she couldn’t wait to make her appearance. Now, however, nausea churned in her stomach, timpani banged pain-throbs through her head, her muscles ached, and heat made beads of persperation break out on her brow. I feel more like a plucked chicken than a songbird, but I will not let my audience down.
Annoyed with herself, Sophia reached for a towel held by her dresser, Nan, standing at her side. She lifted the helm and blotted her forehead, careful not to streak the greasepaint.
Nan tisked and pulled out a small brush and a tin of powder from one of the caprious pockets of her apron. She dipped the brush into the powder and wisked it across Sophia’s forehead. “You’re too pale. You need more rouge.”
“No time.”
A rhythmic sword motif sounded the prelude to Act ll. Sophia pivoted away from Nan and moved to the edge of the wing, looking out to the scene of a rocky mountain pass. Soon the warrior-maiden Brünnhilda would make an appearance with her famous battle cry.
She allowed the anticpaptory energy of the audience to fill her body. The trills of the high strings and upward rushing passes in the woodwinds introduced Brünnhilda. Right on cue, Sophia made her entrance and struck a pose. She took a deep breath, preparing to hit the opening notes of her battle call.
But as she opened her mouth to sing, nothing came out. Caught off guard, Sophia cleared her throat and tried again. Nothing. Horrified, she glanced around, as if seeking help, her body hot and shaky with shame.
Across the stage in the wings, Sophia could see Judith Deal, her understudy and rival, watching.
The other singer was clad in a similar costume to Sophia’s for her role as the valkerie Gerhilde. A triumphant expression crossed her face.
Warwick Canfield-Pendegast, owner of the theatre, stood next to Judith, his face contorted in fury. He clenched his chubby hands.
A wave of dizziness swept through Sophia. The stage lights dimmed. Her knees buckled. As she crumpled to the ground, one final thought followed her into the darkness. I’ve just lost my position as prima dona of the Canfield-Pendegast Opera Company. ~ Debra Holland,#NFDB |
1300:The Vulture And The Husbandman
By Louisa CarolineN.B. -- A Vulture is a rapacious and obscene bird,
whichdestroys its prey by plucking it limb from limb with its powerfulbeak and
talons.A Husbandman is a man in a low position of life, who supportshimself by
the use of the plough. -- (Johnson's Dictionary).
The rain was raining cheerfully,
As if it had been May;
The Senate-House appeared inside
Unusually gay;
And this was strange, because it was
A Viva-voce day.
The men were sitting sulkily,
Their paper work was done;
They wanted much to go away
To ride or row or run;
"It's very rude," they said, "to keep
Us here, and spoil our fun."
The papers they had finished lay
In piles of blue and white.
They answered every thing they could,
And wrote with all their might,
But, though they wrote it all by rote,
They did not write it right.
The Vulture and the Husbandman
Beside these piles did stand,
They wept like anything to see
The work they had in hand.
"If this were only finished up,"
Said they, "it would be grand!"
"If seven D's or seven C's
We give to all the crowd,
Do you suppose," the Vulture said,
"That we could get them ploughed?"
"I think so," said the Husbandman,
"But pray don't talk so loud."
"O undergraduates, come up,"
13
The Vulture did beseech,
"And let us see if you can learn
As well as we can teach;
We cannot do with more than two
To have a word with each."
Two Undergraduates came up,
And slowly took a seat,
They knit their brows, and bit their thumbs,
As if they found them sweet,
And this was odd, because you know
Thumbs are not good to eat.
"The time has come," the Vulture said,
"To talk of many things,
Of Accidence and Adjectives,
And names of Jewish kings,
How many notes a sackbut has,
And whether shawms have strings."
"Please, Sir," the Undergraduates said,
Turning a little blue,
"We did not know that was the sort
Of thing we had to do."
"We thank you much," the Vulture said,
"Send up another two."
Two more came up, and then two more,
And more, and more and more;
And some looked upwards at the roof,
Some down upon the floor,
But none were any wiser than
The pair that went before.
"I weep for you," the Vulture said,
"I deeply sympathise!"
With sobs and tears he gave them all
D's of the largest size,
While at the Husbandman he winked
One of his streaming eyes.
"I think," observed the Husbandman,
14
"We're getting on too quick.
Are we not putting down the D's
A little bit too thick?"
The Vulture said with much disgust
"Their answers make me sick."
"Now, Undergraduates," he cried,
Our fun is nearly done,
"Will anybody else come up?"
But answer came there none;
And this was scarcely odd, because
They'd ploughed them every one!
~ Arthur Clement Hilton,#NFDB |
1301:The captain?
Sophia stood staring numbly after him. Had he just said he’d introduce her to the captain? Of someone else was the captain, then who on earth was this man?
One thing was clear. Whoever he was, he had her trunks.
And he was walking away.
Cursing under her breath, Sophia picked up her skirts and trotted after him, dodging boatmen and barrels and coils of tarred rope as she pursued him down the quay. A forest of tall masts loomed overhead, striping the dock with shadow.
Breathless, she regained his side just as he neared the dock’s edge. “But…aren’t you Captain Grayson?”
“I,” he said, pitching her smaller trunk into a waiting rowboat, “am Mr. Grayson, owner of the Aphrodite and principle investor in her cargo.”
The owner. Well, that was some relief. The tavern-keeper must have been confused.
The porter deposited her larger truck alongside the first, and Mr. Grayson dismissed him with a word and a coin. He plunked one polished Hessian on the rowboat’s seat and shifted his weight to it, straddling the gap between boat and dock. Hand outstretched, he beckoned her with an impatient twitch of his fingers. “Miss Turner?”
Sophia inched closer to the dock’s edge and reached one gloved hand toward his, considering how best to board the bobbing craft without losing her dignity overboard.
The moment her fingers grazed his palm, his grin tightened over her hand. He pulled swiftly, wrenching her feet from the dock and a gasp from her throat. A moment of weightlessness-and then she was aboard. Somehow his arm had whipped around her waist, binding her to his solid chest. He released her just as quickly, but a lilt of the rowboat pitched Sophia back into his arms.
“Steady there,” he murmured through a small smile. “I have you.”
A sudden gust of wind absconded with his hat. He took no notice, but Sophia did. She noticed everything. Never in her life had she felt so acutely aware. Her nerves were draw taut as harp strings, and her senses hummed.
The man radiated heat. From exertion, most likely. Or perhaps from a sheer surplus of simmering male vigor. The air around them was cold, but he was hot. And as he held her tight against his chest, Sophia felt that delicious, enticing heat burn through every layer of her clothing-cloak, gown, stays, chemise, petticoat, stockings, drawers-igniting desire in her belly.
And sparking a flare of alarm. This was a precarious position indeed. The further her torso melted into his, the more certainly he would detect her secret: the cold, hard bundle of notes and coin lashed beneath her stays.
She pushed away from him, dropping onto the seat and crossing her arms over her chest. Behind him, the breeze dropped his hat into a foamy eddy. He still hadn’t noticed its loss.
What he noticed was her gesture of modesty, and he gave her a patronizing smile. “Don’t concern yourself, Miss Turner. You’ve nothing in there I haven’t seen before.”
Just for that, she would not tell him. Farewell, hat. ~ Tessa Dare,#NFDB |
1302:This boat is of shato-wood, and its gunwales are
cut magnolia,
Musicians with jewelled flutes and with pipes of gold
Fill full the sides in rows, and our wine
Is rich for a thousand cups.
We carry singing girls, drift with the drifting water,
Yet Sennin needs
A yellow stork for a charger, and all our seamen
Would follow the white gulls or ride them.
Kutsu's prose song
Hangs with the sun and moon.
King So's terraced palace
is now but barren hill,
But I draw pen on this barge
Causing the five peaks to tremble,
And I have joy in these words
like the joy of blue islands.
(If glory could last forever
Then the waters of Han would flow northward.)
And I have moped in the Emperor's garden, await-
ing an order-to-write !
I looked at the dragon-pond, with its willow-
coloured water
Just reflecting the sky's tinge,
And heard the five-score nightingales aimlessly singing.
The eastern wind brings the green colour into the
island grasses at Yei-shu,
The purple house and the crimson are full of Spring
softness.
South of the pond the willow-tips are half-blue and
bluer,
Their cords tangle in mist, against the brocade-like
palace.
Vine-strings a hundred feet long hang down from
carved railings,
And high over the willows, the fine birds sing to
each other, and listen,
CryingKwan, Kuan,' for the early wind, and the
feel of it.
The wind bundles itself into a bluish cloud and
wanders off.
Over a thousand gates, over a thousand doors are
the sounds of spring singing,
And the Emperor is at Ko.
Five clouds hang aloft, bright on the purple sky,
The imperial guards come forth from the golden
house with their armour a-gleaming.
The Emperor in his jewelled car goes out to inspect
his flowers,
He goes out to Hori, to look at the wing-flapping
storks,
He returns by way of Sei rock, to hear the new
nightingales,
For the gardens at Jo-run are full of new nighting-
gales,
Their sound is mixed in this flute,
Their voice is in the twelve pipes here.
This poem is from CATHAY (London: Elkin Mathews, 1915), the volume of Chinese poems
The book's widely-applauded publication prompted T.S. Eliot to remark that Pound had "reinvented Chinese poetry for our time."
CATHAY is comprised of 18 translations of various early Chinese poems, eleven poems by T'ang Dynasty poet Li Po ("Rihaku"), and the Anglo-Saxon poem, "The Seafarer," which Pound included for timeline comparison of 8th-Century English poetry with 8th-Century Chinese poetry.
CATHAY ranks among the most pivotal publications in the entire history of translation and of modern poetry in English.
by owner. provided at no charge for educational purposes
~ Li Bai, The River Song
,#NFDB |
1303:The Conference Of The (Underemployed) Birds
"It shows the top half of the workforce enjoying permanent, well-paid, fulltime jobs,
while the bottom half can find only casual, poorly-paid, part-time work which, as
Labour
market economist Professor Sue Richardson warned this week, was creating a
class of
"excluded and dangerous" men with incomes to low to support a
family." - The Age, October 04, 2003.
"My discourse is sans words, sans tongue, sans sound: understand it then,
sans mind, sans ear."
- Farid Ud-Din Attar, The Conference of the Birds
(i)
A Willy-Wagtails' call intercepts the morning. Birds were real once, like jobs.
The modem's dial-up scream is cut short; why is our technology suffering so?
Fake, Australian accents in the call centre aviary: Calcutta nest robbers gloat.
A taxidermy of outsourced work: ditto, we're all stuffed on the global floor.
39
Bottom of the bird market. This new flu's crashed like tech stocks, Acme trap
For the Roadrunner managerial class, the coyote - disenfranchised American?
(ii)
Magpies don't attack in the open anymore, have you noticed: phenomena?
Phone tab's the way forward. Keep an eye on your receiver, not the skies.
There are new powers afoot for dealing with these full employment refos,
Our government issues wide-brimmed hats with strings of corks attached.
The contemporary job market has a thin eggshell; depleted proteins crack.
An excluded & dangerous class birthed? They backed job terrorism not us.
(iii)
I saw a hoopoe once. Was it Jaipur? Its crown of truth strutted on the lawn,
Painted a post-colonial green. What good is spiritual knowledge without law?
40
You will play an integral role in this dynamic environment by fudging your
Work history for sure. Service orientate your brain - lively, world class, lame.
Dangerous as ideas? There's a metal storm inside your head. Try Sufism?
Was it John Lennon or Steve McQueen who went on about "ism ism ism?
"
(iv)
There are nightingales here reputedly. Wasn't it someone from myth who
Couldn't stand being unemployed anymore & turned themselves into one?
Hit an epic glass ceiling probably. Better to be amorous than under-employed?
There's no new twist in the figures though. The virtual exclusion of women
From net growth in full-time job mythology is eons old. Sumerians started it.
Gilgamesh's entrapment of Enkidu needed a woman's art: ‘Wanted Harlot.'
(v)
41
Australia has plenty of parrots, but cockatiels inhabit our universal currency
Of shame. See them locked up in Athens, Rome, Madrid, Delhi & Bangkok.
Feathered service economies, budgerigars tell beak fortunes in Iranian streets.
Collars of gold chained to human profit. Flocks flee drought & agricultural rut.
We even killed off one sub-species called ‘Paradise', cleared full-time underbrush.
& if they were flightless, then we paid out redundancies see: dodo, puffin & moa.
~ B. R. Dionysius,#NFDB |
1304:Sam was about to travel to Asia with her boyfriend and she was fretting about what her backers would think if she released some of her new songs while she was 'on vacation'. She was worried that posting pictures of herself sipping a Mai Tai was going to make her look like an asshole.
What does it matter? I asked her, where you are whether you're drinking a coffee, a Mai Tai or a bottle of water? I mean, aren't they paying for your songs so that you can... live? Doesn't living include wandering and collecting emotions and drinking a Mai Tai, not just sitting in a room writing songs without ever leaving the house?
I told Sam about another songwriter friend of mine, Kim Boekbinder, who runs her own direct support website through which her fans pay her monthly at levels from $5 to $1,000. She also has a running online wishlist of musical gear and costumes kindof like a wedding registry, to which her fans can contribute money anytime they want.
Kim had told me a few days before that she doesn't mind charging her backers during what she calls her 'staring at the wall time'. She thinks this is essential before she can write a new batch of songs. And her fans don't complain, they trust her process.
These are new forms of patronage, there are no rules and it's messy, the artists and the patrons they are making the rules as they go along, but whether these artists are using crowdfunding (which is basically, front me some money so I can make a thing) or subscription services (which is more like pay me some money every month so that I can make things) or Patreon, which is like pay per piece of content pledge service (that basically means pay me some money every time I make a thing). It doesn't matter, the fundamental building block of all of these relationships boils down to the same simple thing: trust.
If you're asking your fans to support you, the artist, it shouldn't matter what your choices are, as long as you're delivering your side of the bargain. You may be spending the money on guitar picks, Mai Tais, baby formula, college loans, gas for the car or coffee to fuel your all-night writing sessions. As long as art is coming out the other side, and you're making your patrons happy, the money you need to live (and need to live is hard to define) is almost indistinguishable from the money you need to make art.
... (6:06:57) ...
When she posts a photo of herself in a vintage dress that she just bought, no one scolds her for spending money on something other than effects pedals. It's not like her fan's money is an allowance with nosy and critical strings attached, it's a gift in the form of money in exchange for her gift, in the form of music. The relative values are... messy. But if we accept the messiness we're all okay.
If Beck needs to moisturize his cuticles with truffle oil in order to play guitar tracks on his crowdfunded record, I don't care that the money I fronted him isn't going towards two turntables or a microphone; just as long as the art gets made, I get the album and Beck doesn't die in the process. ~ Amanda Palmer,#NFDB |
| 1305:Their other hands flipped up, palm to palm, and Merik’s only consolation as he and the domna slid into the next movement of the dance was that her chest heaved as much as his did. Merik’s right hand gripped the girl’s, and with no small amount of ferocity, he twisted her around to face the same direction as he before wrenching her to his chest. His hand slipped over her stomach, fingers splayed. Her left hand snapped up—and he caught it. Then the real difficulty of the dance began. The skipping of feet in a tide of alternating hops and directions. The writhing of hips countered the movement of their feet like a ship upon stormy seas. The trickling tap of Merik’s fingers down the girl’s arms, her ribs, her waist—like the rain against a ship’s sail. On and on, they moved to the music until they were both sweating. Until they hit the third movement. Merik flipped the girl around to face him once more. Her chest slammed against his—and by the Wells, she was tall. He hadn’t realized just how tall until this precise moment when her eyes stared evenly into his and her panting breaths fought against his own. Then the music swelled once more, her legs twined into his, and he forgot all about who she was or what she was or why he had begun the dance in the first place. Because those eyes of hers were the color of the sky after a storm. Without realizing what he did, his Windwitchery flickered to life. Something in this moment awoke the wilder parts of his power. Each heave of his lungs sent a breeze swirling in. It lifted the girl’s hair. Kicked at her wild skirts. She showed no reaction at all. In fact, she didn’t break her gaze from Merik, and there was a fierceness there—a challenge that sent Merik further beneath the waves of the dance. Of the music. Of those eyes. Each leap backward of her body—a movement like the tidal tug of the sea against the river—led to a violent slam as Merik snatched her back against him. For each leap and slam, the girl added in an extra flourishing beat with her heels. Another challenge that Merik had never seen, yet rose to, rose above. Wind crashed around them like a growing hurricane, and he and this girl were at its eye. And the girl never looked away. Never backed down. Not even when the final measures of the song began—that abrupt shift from the sliding cyclone of strings to the simple plucking bass that follows every storm—did Merik soften how hard he pushed himself against this girl. Figuratively. Literally. Their bodies were flush, their hearts hammering against each other’s rib cages. He walked his fingers down her back, over her shoulders, and out to her hands. The last drops of a harsh rain. The music slowed. She pulled away first, slinking back the required four steps. Merik didn’t look away from her face, and he only distantly noticed that, as she pulled away, his Windwitchery seemed to settle. Her skirts stopped swishing, her hair fluttered back to her shoulders. Then he slid backward four steps and folded his arms over his chest. The music came to a close. And Merik returned to his brain with a sickening certainty that Noden and His Hagfishes laughed at him from the bottom of the sea. ~ Susan Dennard, #NFDB |
1306:I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me. ~ Alice Sebold,#NFDB |
1307:Genesis Bk Xvii
(ll. 1002-1005) Then the Lord of glory spake unto Cain, and asked
where Abel was. Quickly the cursed fashioner of death made
answer unto Him:
(ll. 1006-1008) "I know not the coming or going of Abel, my
kinsman, his lot or portion; I was not my brother's keeper."
(ll. 1008-1021) And the Gracious Spirit, Lord of angels, made
answer unto him: "Why hast thou slain that faithful man thy
brother in thy wrath, and his blood calleth and crieth unto Me?
Accursed for ever, driven into exile, thou shalt be punished for
this deed of death! The earth shall not yield thee of her
pleasant fruits for thy daily need, but by thy hands her soil is
stained with holy blood. Therefore the green earth shall
withhold from thee her beauty and her delights. In sadness and
dishonour shalt thou depart from thy home, because thou hast
slain thy brother, Abel. Loathed of thy kinsmen, an exile and a
fugitive, shalt thou wander on the face of the earth."
(ll. 1022-1035) And Cain made answer unto Him: ...."I need not
look for pity in this world, High King of heaven, for I have lost
Thy love and favour and goodwill. Weary the ways my feet must
wander, in dread of woe, whenever one shall meet me in my guilt,
near or far, and by his hate remind me of my brother's death. I
shed his blood and poured his life-blood on the ground. From
this day hast Thou cut me off from good! Thou scourgest me from
home! Some cruel foe shall slay me. And I must needs go forth,
accursed, from Thy sight, O Lord!"
(ll. 1036-1043) And the Lord of victory said unto him: "Thou
needest not yet dread death, nor the pangs of death, though thou
shalt wander, far from kinsmen, with thy doom upon thee. If any
man shall slay thee with his hands, on him shall fall a
seven-fold vengeance, and torment for that deed of sin."
(ll. 1043-1054) And God, the Lord of glory, set a mark upon him
and a token, lest any foe from far or near should dare to lift
his hand against him; and He bade him go forth in his guilt from
mother and kinsmen and from all his tribe. Then with despairing
35
heart, a friendless exile, Cain departed out of the sight of God,
and chose a home and dwelling in the eastern lands, far from his
father's house; and there a comely maiden bare him children after
his kind.
(ll. 1055-1073) Enoch was first-born of the sons of Cain. He
built a city with his kinsmen, the first of all those strongholds
under heaven which sword-girt men established; and in the city
sons were born to him. Irad was first-born of the sons of Enoch;
and he begat children, and all the tribe and race of Cain
increased. And after Irad Mahalaleel was warden of the treasure,
in his father's stead, until he died. Then Methusael dispensed
the treasure to his brothers and his kinsmen, man for man, till,
full of many years, he died.
(ll. 1073-1081) And at his father's death Lamech succeeded to the
treasure and the household goods. Two wives bare children to him
in his home, Adah and Zillah. Now one of the sons of Lamech was
called Jabal; and he was first of all men by his skill to stir
the harp to music and its strings to song.
~ Caedmon,#NFDB |
1308:The Spectral Attitudes
I attach no importance to life
I pin not the least of life's butterflies to importance
I do not matter to life
But the branches of salt the white branches
All the shadow bubbles
And the sea-anemones
Come down and breathe within my thoughts
They come from tears that are not mine
From steps I do not take that are steps twice
And of which the sand remembers the flood-tide
The bars are in the cage
And the birds come down from far above to sing before these bars
A subterranean passage unites all perfumes
A woman pledged herself there one day
This woman became so bright that I could no longer see her
With these eyes which have seen my own self burning
I was then already as old as I am now
And I watched over myself and my thoughts like a night watchman in an
immense factory Keeping watch alone
The circus always enchants the same tramlines
The plaster figures have lost nothing of their expression
They who bit the smile's fig
I know of a drapery in a forgotten town
If it pleased me to appear to you wrapped in this drapery
You would think that your end was approaching
Like mine
At last the fountains would understand that you must not say Fountain
The wolves are clothed in mirrors of snow
I have a boat detached from all climates
I am dragged along by an ice-pack with teeth of flame
I cut and cleave the wood of this tree that will always be green
A musician is caught up in the strings of his instrument
The skull and crossbones of the time of any childhood story
Goes on board a ship that is as yet its own ghost only
Perhaps there is a hilt to this sword
But already there is a duel in this hilt
During the duel the combatants are unarmed
Death is the least offence
The future never comes
12
The curtains that have never been raised
Float to the windows of houses that are to be built
The beds made of lilies
Slide beneath the lamps of dew
There will come an evening
The nuggets of light become still underneath the blue moss
The hands that tie and untie the knots of love and of air
Keep all their transparency for those who have eyes to see
They see the palms of hands
The crowns in eyes
But the brazier of crown and palms
Can scarcely be lit in the deepest part of the forest
There where the stags bend their heads to examine the years
Nothing more than a feeble beating is heard
From which sound a thousand louder or softer sounds proceed
And the beating goes on and on
There are dresses that vibrate
And their vibration is in unison with the beating
When I wish to see the faces of those that wear them
A great fog rises from the ground
At the bottom of the steeples behind the most elegant reservoirs of life and of
wealth
In the gorges which hide themselves between two mountains
On the sea at the hour when the sun cools down
Those who make signs to me are separated by stars
And yet the carriage overturned at full speed
Carries as far as my last hesitation
That awaits me down there in the town where the statues of bronze
and of stone have changed places with statues of wax Banyans banyans.
~ Andre Breton,#NFDB |
1309:O soaring eagle! darling lamb! O glowing spark! Set me on fire! How long must I endure this thirst? One hour is already too long, A day is as a thousand years When Thou art absent! Should this continue for eight days I would rather go down to Hell -- (Where indeed I already am!) Than that God should hide Himself From the loving soul; For that were anguish greater than human death, Pain beyond all pain. The nightingale must ever sing Because its nature is love; Whoso would take that from it Would bring it death. Ah! Mighty Lord! Look on my need! Then the Holy Spirit spoke to the soul -- "Come, noble maid! Prepare thyself, Thy Lover comes!" Startled but inwardly rejoicing She said: "Welcome, faithful messenger, Would that it were ever so! I am so evil and so faithless That I can find no peace of mind Apart from my Love. The moment it seems that I cool But a little from love of Him, Then am I in deep distress And can do nothing but seek for Him lamenting." Then the messenger spoke: "Thou must purify thyself, Sprinkle the dust with water, Scatter flowers in thy room." And the exiled soul replied: "When I purify, I blush, When I sprinkle, I weep, When I pray, then must I hope, When I gather flowers, I love. When my Lord comes I am beside myself For there cometh with Him such sweet melody That all carnal desire dieth within me: And His sweet music puts far from me All sorrow of heart. The mighty voice of the Godhead Has spoken to me in powerful words Which I have received With the dull hearing of my misery -- A light of utmost splendor Glows on the eyes of my soul Therein have I seen the inexpressible ordering Of all things, and recognized God's unspeakable glory -- That incomprehensible wonder -- The tender caress between God and the soul, The sufficiency in the Highest, Discipline and understanding, Realization with withdrawal, According to the power of the senses, The unmingled joy of union, The living love of Eternity As it now is and evermore shall be." Then were seen four rays of light Which shot forth all at once From the noble crossbow of the Trinity From the Divine Throne through the nine Choirs. There none is so poor nor so rich That he is not met by Love; The rays of the Godhead illuminate him With inconceivable light; The humanity of the Son greets him In brotherly love; The Holy Spirit flows through him With the miraculous creative power Of everlasting joy! The undivided Godhead welcomes him With the glory of His Divine Countenance And fills him with the blessedness Of His life-giving breath. Love flows from God to man without effort As a bird glides through the air Without moving its wings -- Thus they go whithersoever they will United in body and soul Yet in their form separate -- As the Godhead strikes the note Humanity sings, The Holy Spirit is the harpist And all the strings must sound Which are strung in love. There was also seen That sublime vessel In which Christ dwelt nine months on earth In soul and body, As it ever shall remain Only without the great glory Which at the last day The heavenly Father will give to all The bodies of the redeemed. This our Lady must also lack So long as the earth floats above the sea. [1815.jpg] -- from German Mystical Writings: Hildegard of Bingen, Meister Eckhart, Jacob Boehme, and others, Edited by Karen J. Campbell
~ Mechthild of Magdeburg, Of the voices of the Godhead
,#NFDB |
1310:The Decision Of Fortune
Fortune well-Pictur'd on a rolling Globe,
With waving Locks, and thin transparent Robe,
A Man beholding, to his Neighbor cry'd,
Whoe'er would catch this Dame, must swiftly ride.
Mark, how she seems to Fly, and with her bears,
All that is worth a busie Mortal's Cares:
The gilded Air about her Statue shines,
As if the Earth had lent it all her Mines;
At random Here a Diadem she flings,
And There a scarlet Hat with dangling Strings,
And to ten Thousand Fools ten Thousand glorious Things.
Shall I then stay at Home, Dull and Content
With Quarter-Days, and hard extorted Rent?
No, I'll to Horse, to Sea, to utmost Isles,
But I'll encounter her propitious Smiles:
Whilst you in slothful Ease may chuse to Sleep,
And scarce the few Paternal Acres keep.
Farewel, reply'd his Friend, may you advance,
And grow the Darling of this Lady Chance:
Whilst I indeed, not courting of her Grace,
Shall dwell content, in this my Native Place,
Hoping I still shall for your Friend be known:
But if too big for such Acquaintance grown,
I shan't be such a fond mistaken Sot,
To think Remembrance should become my Lot;
When you Exalted, have your self Forgot.
Nor me Ambitious ever shall you find,
Or hunting Fortune, who, they say, is Blind:
But if her Want of Sight shou'd make her Stray,
She shou'd be Welcome, if she came this way.
'Tis very like (the Undertaker cry'd)
That she her steps to these lost Paths shou'd guide:
But I lose Time, whilst I such Thoughts deride.
Away he goes, with Expectation chear'd,
But when his Course he round the World had steer'd,
And much had borne, and much had hop'd and fear'd,
Yet cou'd not be inform'd where he might find
This fickle Mistress of all Human-kind:
He quits at length the Chace of flying Game,
135
And back as to his Neighbor's House he came,
He there encounters the uncertain Dame;
Who lighting from her gaudy Coach in haste,
To him her eager Speeches thus addrest.
Fortune behold, who has been long pursu'd,
Whilst all the Men, that have my Splendors view'd,
Madly enamour'd, have such Flatt'ries forg'd,
And with such Lies their vain Pretensions urg'd,
That Hither I am fled to shun their Suits,
And by free Choice conclude their vain Disputes;
Whilst I the Owner of this Mansion bless,
And he unseeking Fortune shall possess.
Tho' rightly charg'd as something Dark of Sight,
Yet Merit, when 'tis found, is my Delight;
To Knaves and Fools, when I've some Grace allow'd,
'T has been like scattering Money in a Croud,
To make me Sport, as I beheld them strive,
And some observ'd (thro' Age) but Half-alive;
Scrambling amongst the Vigorous and Young,
One proves his Sword, and One his wheedling Tongue,
All striving to obtain me right or wrong;
Whilst Crowns, and Crosiers in the Contest hurl'd,
Shew'd me a Farce in the contending World.
Thou wert deluded, whilst with Ship, or Steed,
Thou lately didst attempt to reach my Speed,
And by laborious Toil, and endless Pains,
Didst sell thy Quiet for my doubtful Gains:
Whilst He alone my real Fav'rite rises,
Who every Thing to its just Value prizes,
And neither courts, nor yet my Gifts despises
~ Anne Kingsmill Finch,#NFDB |
1311:
ON THE DESPISES OF THE BODY
I want to speak to the despisers of the body. I would
not have them learn and teach differently, but merely
say farewell to their own bodies-and thus become
silent.
"Body am I, and soul"-thus speaks the child. And
why should one not speak like children?
But the awakened and knowing say: body am I entirely, and nothing else; and soul is only a word for
something about the body.
The body is a great reason, a plurality with one
sense, a war and a peace, a herd and a shepherd. An
instrument of your body is also your little reason, my
brother, which you call "spirit"-a little instrument
and toy of your great reason.
"I," you say, and are proud of the word. But greater
is that in which you do not wish to have faith-your
body and its great reason: that does not say "I," but
does "I."
What the sense feels, what the spirit knows, never
has its end in itself. But sense and spirit would persuade you that they are the end of all things: that is
how vain they are. Instruments and toys are sense and
spirit: behind them still lies the self. The self also
seeks with the eyes of the senses; it also listens with
the ears of the spirit. Always the self listens and seeks:
it compares, overpowers, conquers, destroys. It controls, and it is in control of the ego too.
Behind your thoughts and feelings, my brother,
there stands a mighty ruler, an unknown sage-whose
name is self. In your body he dwells; he is your
body.
There is more reason in your body than in your best
35
wisdom. And who knows why your body needs precisely your best wisdom?
Your self laughs at your ego and at its bold leaps.
"What are these leaps and flights of thought to me?"
it says to itself. "A detour to my end. I am the leading
strings of the ego and the prompter of its concepts."
The self says to the ego, "Feel pain here" Then the
ego suffers and thinks how it might suffer no more and that is why it is made to think.
The self says to the ego, "Feel pleasure here" Then
the ego is pleased and thinks how it might often be
pleased again-and that is why it is made to think.
I want to speak to the despisers of the body. It is
their respect that begets their contempt. What is it that
created respect and contempt and worth and will? The
creative self created respect and contempt; it created
pleasure and pain. The creative body created the spirit
as a hand for its will.
Even in your folly and contempt, you despisers of
the body, you serve your self. I say unto you: your self
itself wants to die and turns away from life. It is no
longer capable of what it would do above all else: to
create beyond itself. That is what it would do above
all else, that is its fervent wish.
But now it is too late for it to do this: so your self
wants to go under, 0 despisers of the body. Your self
wants to go under, and that is why you have become
despisers of the body For you are no longer able to
create beyond yourselves.
And that is why you are angry with life and the
earth. An unconscious envy speaks out of the squinteyed glance of your contempt.
I shall not go your way, 0 despisers of the body
You are no bridge to the overman!
Thus spoke Zarathustra.
36
~ Friedrich Nietzsche, ON THE DESPISERS OF THE BODY
,#NFDB |
1312:The Hymn
To the Almighty on his radiant Throne,
Let endless Hallelujas rise!
Praise Him, ye wondrous Heights to us unknown,
Praise Him, ye Heavens unreach'd by mortal Eyes,
Praise Him, in your degree, ye sublunary Skies!
Praise Him, you Angels that before him bow,
You Creatures of Celestial frame,
Our Guests of old, our wakeful Guardians now,
Praise Him, and with like Zeal our Hearts enflame,
Transporting then our Praise to Seats from whence you came!
Praise Him, thou Sun in thy Meridian Force;
Exalt Him, all ye Stars and Light!
Praise Him, thou Moon in thy revolving Course,
Praise Him, thou gentler Guide of silent Night,
Which do's to solemn Praise, and serious Thoughts invite.
Praise Him, ye humid Vapours, which remain
Unfrozen by the sharper Air;
Praise Him, as you return in Show'rs again,
To bless the Earth and make her Pastures fair:
Praise Him, ye climbing Fires, the Emblems of our Pray'r.
Praise Him, ye Waters petrify'd above,
Ye shredded Clouds that fall in Snow,
Praise Him, for that you so divided move;
Ye Hailstones, that you do no larger grow.
Nor, in one solid Mass, oppress the World below.
Praise Him, ye soaring Fowls, still as you fly,
And on gay Plumes your Bodies raise;
You Insects, which in dark Recesses lie,
Altho' th' extremest Distances you try,
Be reconcil'd in This, to offer mutual Praise.
Praise Him, thou Earth, with thy unbounded Store;
Ye Depths which to the Center tend:
Praise Him ye Beasts which in the Forests roar;
145
Praise Him ye Serpents, tho' you downwards bend,
Who made your bruised Head our Ladder to ascend.
Praise Him, ye Men whom youthful Vigour warms;
Ye Children, hast'ning to your Prime;
Praise Him, ye Virgins of unsullied Charms,
With beauteous Lips becoming sacred Rhime:
You Aged, give Him Praise for your encrease of Time.
Praise Him, ye Monarchs in supreme Command,
By Anthems, like the Hebrew Kings;
Then with enlarged Zeal throughout the Land
Reform the Numbers, and reclaim the Strings,
Converting to His Praise, the most Harmonious Things.
Ye Senators presiding by our Choice,
And You Hereditary Peers!
Praise Him by Union, both in Heart and Voice;
Praise Him, who your agreeing Council steers,
Producing sweeter Sounds than the according Spheres.
Praise Him, ye native Altars of the Earth!
Ye Mountains of stupendious size!
Praise Him, ye Trees and Fruits which there have birth,
Praise Him, ye Flames that from their Bowels rise,
All fitted for the use of grateful Sacrifice.
He spake the Word; and from the Chaos rose
The Forms and Species of each Kind:
He spake the Word, which did their Law compose,
And all, with never ceasing Order join'd,
Till ruffl'd for our Sins by his chastising Wind.
But now, you Storms, that have your Fury spent,
As you his Dictates did obey,
Let now your loud and threatening Notes relent,
Tune all your Murmurs to a softer Key,
And bless that Gracious Hand, that did your Progress stay.
From my contemn'd Retreat, obscure and low,
As Grots from when the Winds disperse,
May this His Praise as far extended flow;
146
And if that future Times shall read my Verse,
Tho' worthless in it self, let them his Praise rehearse.
~ Anne Kingsmill Finch,#NFDB |
1313:My little brother's greatest fear was that the one person who meant so much to him would go away. He loved Lindsey and Grandma Lynn and Samuel and Hal, but my father kept him stepping lightly, son gingerly monitoring father every morning and every evening as if, without such vigilance, he would lose him.
We stood- the dead child and the living- on either side of my father, both wanting the same thing. To have him to ourselves forver. To please us both was an impossibility.
...
'Please don't let Daddy die, Susie,' he whispered. 'I need him.'
When I left my brother, I walked out past the gazebo and under the lights hanging down like berries, and I saw the brick paths branching out as I advanced.
I walked until the bricks turned to flat stones and then to small, sharp rocks and then to nothing but churned earth for miles adn miles around me. I stood there. I had been in heaven long enough to know that something would be revealed. And as the light began to fade and the sky to turn a dark, sweet blue as it had on the night of my death, I saw something walking into view, so far away I could not at first make out if it was man or woman, child or adult. But as moonlight reached this figure I could make out a man and, frightened now, my breathing shallow, I raced just far enough to see. Was it my father? Was it what I had wanted all this time so deperately?
'Susie,' the man said as I approached and then stopped a few feet from where he stood. He raised his arms up toward me.
'Remember?' he said.
I found myself small again, age six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and in a living room in Illinois. Now, as I had done then, I placed my feet on top of his feet.
'Granddaddy,' I said.
And because we were all alone and both in heaven, I was light enough to move as I had moved when I was six and he was fifty-six and my father had taken us to visit. We danced so slowly to a song that on Earth had always made my grandfather cry.
'Do you remember?' he asked.
'Barber!'
'Adagio for Strings,' he said.
But as we danced and spun- none of the herky-jerky awkwardness of Earth- what I remembered was how I'd found him crying to this music and asked him why.
'Sometimes you cry,' Susie, even when someone you love has been gone a long time.' He had held me against him then, just briefly, and then I had run outside to play again with Lindsey in what seemed like my grandfather's huge backyard.
We didn't speak any more that night, but we danced for hours in that timeless blue light. I knew as we danced that something was happening on Earth and in heaven. A shifting. The sort of slow-to-sudden movement that we'd read about in science class one year. Seismic, impossible, a rending and tearing of time and space. I pressed myself into my grandfather's chest and smelled the old-man smell of him, the mothball version of my own father, the blood on Earth, the sky in heaven. The kumquat, skunk, grade-A tobacco.
When the music stopped, it cold have been forever since we'd begun. My grandfateher took a step back, and the light grew yellow at his back.
'I'm going,' he said.
'Where?' I asked.
'Don't worry, sweetheart. You're so close.'
He turned and walked away, disappearing rapidly into spots and dust. Infinity. ~ Alice Sebold,#NFDB |
1314:The Battle Of The Summer Islands : Canto 1
What fruits they have, and how heaven smiles
Upon those late-discovered isles.
Aid me, Bellona, while the dreadful fight
Betwixt a nation and two whales I write.
Seas stained with gore I sing, adventurous toil,
And how these monsters did disarm an isle.
Bermudas, walled with rocks, who does not know?
That happy island where huge lemons grow,
And orange trees, which golden fruit do bear,
The Hesperian garden boasts of none so fair;
Where shining pearl, coral, and many a pound,
On the rich shore, of ambergris is found.
The lofty cedar, which to heaven aspires,
The prince of trees, is fuel for their fires;
The smoke by which their loaded spits do turn,
For incense might on sacred altars burn;
Their private roofs on odorous timber borne,
Such as might palaces for kings adorn.
The sweet palmettos a new Bacchus yield,
With leaves as ample as the broadest shield,
Under the shadow of whose friendly boughs
They sit, carousing where their liquor grows.
Figs there unplanted through the fields do grow,
Such as fierce Cato did the Romans show,
With the rare fruit inviting them to spoil
Carthage, the mistress of so rich a soil.
The naked rocks are not unfruitful there,
But, at some constant seasons, every year
Their barren tops with luscious food abound,
And with the eggs of various fowls are crowned.
Tobacco is the worst of things which they
To English landlords, as their tribute, pay.
Such is the mold, that the blest tenant feeds
On precious fruits, and pays his rent in weeds.
With candied plantains, and the juicy pine,
On choicer melons, and sweet grapes, they dine,
And with potatoes fat their wanton swine.
24
Nature these cates with such a lavish hand
Pours out among them, that our coarser land
Tastes of that bounty, and does cloth return,
Which not for warmth but ornament is worn;
For the kind spring, which but salutes us here,
Inhabits there, and courts them all the year.
Ripe fruits and blossoms on the same tress live;
At once they promise what at once they give.
So sweet the air, so moderate the clime,
None sickly lives, or dies before his time.
Heaven sure has kept this spot of earth uncursed
To show how all things were created first.
The tardy plants in our cold orchards placed
Reserve their fruit for the next age's taste.
There a small grain in some few months will be
A firm, a lofty, and a spacious tree.
The palma-christi, and the fair papaw,
Now but a seed, preventing nature's law,
In half the circle of the hasty year
Project a shade, and lovely fruit do wear.
And as their trees, in our dull region set,
But faintly grow, and no perfection get,
So in this northern tract our hoarser throats
Utter unripe and ill-constrained notes,
Where the supporter of the poets' style,
Phoebus, on them eternally does smile.
Oh! how I long my careless limbs to lay
Under the plantain's shade, and all the day
With amorous airs my fancy entertain,
Invoke the Muses, and improve my vein!
No passion there in my free breast should move,
None but the sweet and best of passions, love.
There while I sing, if gentle love be by,
That tunes my lute, and winds the strings so high,
With the sweet sound of Sacharissa's name
I'll make the listening savages grow tame But while I do these pleasing dreams indite,
I am diverted from the promised fight.
~ Edmund Waller,#NFDB |
1315:The Origin Of Song Writing
WHEN Cupid, wanton boy, was young,
His wings unfledg'd, and rude his tongue,
He loiter'd in Arcadian bowers,
And hid his bow in wreaths of flowers;
Or pierc'd some fond unguarded heart,
With now and then a random dart;
But heroes scorned the idle boy,
And love was but a shepherd's toy:
When Venus, vex'd to see her child
Amidst the forests thus run wild,
Would point him out some nobler game,
Gods, and godlike men to tame.
She seiz'd the boy's reluctant hand,
And led them to the virgin band,
Where the sister muses round
Swell the deep majestic sound;
And in solemn strains unite,
Breathing chaste, severe delight:
Songs of chiefs, and heroes old,
In unsubmitting virtue bold;
Of even valour's temperate heat,
And toils to stubborn patience sweet;
Of nodding plumes, and burnish'd arms,
And glory's bright terrific charms.
The potent sounds like light'ning dart
Resistless thro' the glowing heart;
Of power to lift the fixed soul
High o'er fortune's proud controul;
Kindling deep, prophetic musing;
Love of beauteous death infusing;
Scorn, and unconquerable hate
Of tyrant pride's unhallow'd state.
The boy abash'd, and half afraid,
Beheld each chaste immortal maid:
Pallas spread her Egis there;
Mars stood by with threat'ning air;
145
And stern Diana's icy look
With sudden chill his bosom struck.
Daughters of Jove receive the child,
The queen of beauty said, and smil'd:
(Her rosy breath perfum'd the air,
And scatter'd sweet contagion there;
Relenting nature learnt to languish,
And sicken'd with delightful anguish; )
Receive him, artless yet and young;
Refine his air and smooth his tongue;
Conduct him thro' your fav'rite bowers,
Enrich'd with fair perennial flowers,
To solemn shades and springs that lie
Remote from each unhallow'd eye;
Teach him to spell those mystic names
That kindle bright immortal flames;
And guide his young unpractis'd feet
To reach coy learning's lofty seat.
Ah, luckless hour! mistaken maids!
When Cupid sought the Muses shades :
Of their sweetest notes beguil'd,
By the sly insidious child,
Now of power his darts are found
Twice ten thousand times to wound.
Now no more the slacken'd strings
Breathe of high immortal things,
But Cupid tunes the Musis lyre,
To languid notes of soft desire:
In every clime, in every tongue,
'Tis love inspires the poet's song.
Hence Sappho's soft infectious page;
Monimia's woe; Othello's rage;
Abandon'd Dido's fruitless prayer;
And Eloisa's long despair;
The garland bless'd with many a vow,
For haughty Sacharissa's brow;
And wash'd with tears the mournful verse
146
That Petrarch laid on Laura's herse.
But more than all the sister quire,
Music confess'd the pleasing fire.
Here sovereign Cupid reign'd alone;
Music and song were all his own.
Sweet as in old Arcadian plains,
The British pipe has caught the strains:
And where the Tweed's pure current glides,
Or Lissy rolls her limpid tides,
Or Thames his oozy waters leads
Thro' rural bowers or yellow meads,
With many an old romantic tale
Has cheer'd the lone sequester'd vale;
With many a sweet and tender lay
Deceiv'd the tiresome summer-day.
'Tis yours to cull with happy art
Each meaning verse that speaks the heart;
And fair array'd, in order meet,
To lay the wreath at beauty's feet.
~ Anna Laetitia Barbauld,#NFDB |
1316:Shopping For Pomegranates At Wal-Mart On New
Year's Day
Beneath a ten-foot-tall apparition of Frosty the Snowman
with his corncob pipe and jovial, over-eager, button-black eyes,
holding, in my palm, the leathery, wine-colored purse
of a pomegranate, I realize, yet again, that America is a country
about which I understand everything and nothing at all,
that this is life, this ungovernable air
in which the trees rearrange their branches, season after season,
never certain which configuration will bear the optimal yield
of sunlight and water, the enabling balm of nutrients,
that so, too, do Wal-Mart’s ferocious sales managers
relentlessly analyze their end-cap placement, product mix,
and shopper demographics, that this is the culture
in all its earnestness and absurdity, that it never rests,
that each day is an eternity and every night is New Year’s Eve,
a cavalcade of B-list has-beens entirely unknown to me,
needy comedians and country singers in handsome Stetsons,
sitcom stars of every social trope and ethnic denomination,
pugilists and oligarchs, femmes fatales and anointed virgins
throat-slit in offering to the cannibal throng of Times Square.
Who are these people? I grow old. I lie unsleeping
as confetti falls, ash-girdled, robed in sweat and melancholy,
click-shifting from QVC to reality TV, strings of commercials
for breath freshener, debt reconsolidation, a new car
lacking any whisper of style or grace, like a final fetid gasp
from the lips of a dying Henry Ford, potato-faced actors
impersonating real people with real opinions
offered forth with idiot grins in the yellow, herniated studio light,
actual human beings, actual souls bought too cheaply.
That it never ends, O Lord, that it never ends!
That it is relentless, remorseless, and it is on right now.
That one sees it and sees it but sometimes it sees you, too,
cowering in a corner, transfixed by the crawler for the storm alert,
home videos of faces left dazed by the twister, the car bomb,
the war always beginning or already begun, always
the special report, the inside scoop, the hidden camera
revealing the mechanical lives of the sad, inarticulate people
we have come to know as “celebrities.”
20
Who assigns such value, who chose these craven avatars
if not the miraculous hand of the marketplace,
whose torn cuticles and gaudily painted fingernails resemble nothing
so much as our own? Where does the oracle reveal our truths
more vividly than upon that pixillated spirit glass
unless it is here, in this tabernacle of homely merchandise,
a Copernican model of a money-driven universe
revolving around its golden omphalos, each of us summed
and subtotalled, integers in an equation of need and consumption,
desire and consummation, because Hollywood had it right all along,
the years are a montage of calendar pages and autumn leaves,
sheet music for a nostalgic symphony of which our lives comprise
but single trumpet blasts, single notes in the hullabaloo,
or even less—we are but motes of dust in that atmosphere
shaken by the vibrations of time’s imperious crescendo.
That it never ends, O Lord. That it goes on,
without pause or cessation, without pity or remorse.
That we have willed it into existence, dreamed it into being.
That it is our divine monster, our factotum, our scourge.
That I can imagine nothing more beautiful
than to propitiate such a god upon the seeds of my own heart.
~ Campbell McGrath,#NFDB |
1317:Epistle To Dr. Enfield
ON HIS REVISITING WARRINGTON IN 1789
Friend of those years which from Youth's sparkling fount
With silent lapse down Time's swift gulf have run!
Friend of the years, whate'er be their amount,
Which yet remain beneath life's evening sun!
O when thy feet retrace that western shore
Where Mersey winds his waters to the main,
When thy fond eyes familiar haunts explore,
And paths well-nigh effaced are tracked again;
Will not thy heart with mixed emotions thrill,
As scenes succeeding scenes arise to view?
While joy or sorrow past alike shall fill
Thy glistening eyes with Feeling's tender dew.
Shades of light transient Loves shall pass thee by,
And glowing Hopes, and Sports of youthful vein;
And each shall claim one short, half pleasing sigh,
A farewell sigh to Love's and Fancy's reign.
Lo there the seats where Science loved to dwell,
Where Liberty her ardent spirit breathed;
While each glad Naiad from her secret cell
Her native sedge with classic honours wreathed.
O seats beloved in vain! Your rising dome
With what fond joy my youthful eyes surveyed;
Pleased by your sacred springs to find my home,
And tune my lyre beneath your growing shade!
Does Desolation spread his gloomy veil
Your grass-grown courts and silent halls along?
Or busy hands there pile the cumbrous sail,
And Trade's harsh din succeed the Muse's song?
Yet still, perhaps, in some sequestered walk
Thine ear shall catch the tales of other times;
Still in faint sounds the learned echoes talk,
Where unprofaned as yet by vulgar chimes.
Do not the deeply-wounded trees still bear
The dear memorial of some infant flame?
And murmuring sounds yet fill the hallowed air,
58
Once vocal to the youthful poet's fame?
For where her sacred step impressed the Muse,
She left a long perfume through all the bowers;
Still mayst thou gather thence Castalian dews
In honeyed sweetness clinging to the flowers.
Shrowded in stolen glance, here timorous Love
The grave rebuke of careful Wisdom drew,
With wholesome frown austere who vainly strove
To shield the sliding heart from Beauty's view.
Go fling this garland in fair Mersey's stream,
From the true lovers that have trod his banks;
Say, Thames to Avon still repeats his theme;
Say, Hymen's captives send their votive thanks.
Visit each shade and trace each weeping rill
To holy Friendship or to Fancy known,
And climb with zealous step the fir-crowned hill,
Where purple foxgloves fringe the rugged stone:
And if thou seest on some neglected spray
The lyre which soothed my careless hours so much;
The shattered relic to my hands convey,—
The murmuring strings shall answer to thy touch.
Were it, like thine, my lot once more to tread
Plains now but seen in distant perspective,
With that soft hue, that dubious gloom o'erspread,
That tender tint which only time can give;
How would it open every secret cell
Where cherished thought and fond remembrance sleep!
How many a tale each conscious step would tell!
How many a parted friend these eyes would weep!
But O the chief!—If in thy feeling breast
The tender charities of life reside,
If there domestic love have built her nest,
And thy fond heart a parent's cares divide;
Go seek the turf where worth, where wisdom lies,
Wisdom and worth, ah, never to return!
There, kneeling, weep my tears, and breathe my sighs,
A daughter's sorrows o'er her father's urn!
~ Anna Laetitia Barbauld,#NFDB |
1318:At Dawn
O Hesper-Phosphor, far away
Shining, the first, the last white star,
Hear’st thou the strange, the ghostly cry,
That moan of an ancient agony
From purple forest to golden sky
Shivering over the breathless bay?
It is not the wind that wakes with the day;
For see, the gulls that wheel and call,
Beyond the tumbling white-topped bar,
Catching the sun-dawn on their wings,
Like snow-flakes or like rose-leaves fall,
Flutter and fall in airy rings;
And drift, like lilies ruffling into blossom
Upon a golden lake’s unwrinkled bosom.
Are not the forest’s deep-lashed fringes wet
With tears? Is not the voice of all regret
Breaking out of the dark earth’s heart?
She too, she too, has loved and lost; and we—
We that remember our lost Arcady,
Have we not known, we too,
The primal greenwood’s arch of blue,
The radiant clouds at sunrise curled
Around the brows of the golden world;
The marble temples, washed with dew,
To which with rosy limbs aflame
The violet-eyed Thalassian came,
Came pitiless, only to display
How soon the youthful splendour dies away;
Came, only to depart
Laughing across the gray-grown bitter sea?
For each man’s life is earth’s epitome,
And though the years bring more than aught they take,
Yet might his heart and hers well break
Remembering how one prayer must still be vain,
How one fair hope is dead,
One passion quenched, one glory fled,
With those first loves that never come again.
21
How many, how many generations,
Have heard that sigh in the dawn,
When the dark earth yearns to the unforgotten nations
And the old loves withdrawn,
Old loves, old lovers, wonderful and unnumbered
As waves on the wine-dark sea,
’Neath the tall white towers of Troy and the temples that slumbered;
In Thessaly?
From the beautiful palaces, from the miraculous portals,
The swift white feet are flown!
They were taintless of dust, the proud, the peerless Immortals
As they sped to their loftier throne!
Perchance they are there, earth dreams, on the shores of Hesper,
Her rosy-bosomed Hours,
Listening the wild fresh forest’s enchanted whisper,
Crowned with its new strange flowers;
Listening the great new ocean’s triumphant thunder
On the stainless unknown shore,
While that perilous queen of the world’s delight and wonder
Comes white from the foam once more.
When the mists divide with the dawn o’er those glittering waters,
Do they gaze over unoared seas—
Naiad and nymph and the woodland’s rose-crowned daughters
And the Oceanides?
Do they sing together, perchance, in that diamond splendour,
That world of dawn and dew,
With eyelids twitching to tears and with eyes grown tender,
The sweet old songs they knew,
The songs of Greece? Ah, with harp-strings mute do they falter
As the earth like a small star pales?
When the heroes launch their ship by the smoking altar
Does a memory lure their sails?
Far, far away, do their hearts resume the story
That never on earth was told,
When all those urgent oars on the waste of glory
Cast up its gold?
22
Are not the forest fringes wet
With tears? Is not the voice of all regret
Breaking out of the dark earth’s heart?
She too, she too, has loved and lost; and though
She turned last night in disdain
Away from the sunset-embers,
From her soul she can never depart;
She can never depart from her pain.
Vainly she strives to forget;
Beautiful in her woe,
She awakes in the dawn and remembers.
~ Alfred Noyes,#NFDB |
1319:The Ballad Of The Harp-Weaver
"Son," said my mother,
When I was knee-high,
"you've need of clothes to cover you,
and not a rag have I.
"There's nothing in the house
To make a boy breeches,
Nor shears to cut a cloth with,
Nor thread to take stitches.
"There's nothing in the house
But a loaf-end of rye,
And a harp with a woman's head
Nobody will buy,"
And she began to cry.
That was in the early fall.
When came the late fall,
"Son," she said, "the sight of you
Makes your mother's blood crawl,—
"Little skinny shoulder-blades
Sticking through your clothes!
And where you'll get a jacket from
God above knows.
"It's lucky for me, lad,
Your daddy's in the ground,
And can't see the way I let
His son go around!"
And she made a queer sound.
That was in the late fall.
When the winter came,
I'd not a pair of breeches
Nor a shirt to my name.
I couldn't go to school,
Or out of doors to play.
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And all the other little boys
Passed our way.
"Son," said my mother,
"Come, climb into my lap,
And I'll chafe your little bones
While you take a nap."
And, oh, but we were silly
For half and hour or more,
Me with my long legs,
Dragging on the floor,
A-rock-rock-rocking
To a mother-goose rhyme!
Oh, but we were happy
For half an hour's time!
But there was I, a great boy,
And what would folks say
To hear my mother singing me
To sleep all day,
In such a daft way?
Men say the winter
Was bad that year;
Fuel was scarce,
And food was dear.
A wind with a wolf's head
Howled about our door,
And we burned up the chairs
And sat upon the floor.
All that was left us
Was a chair we couldn't break,
And the harp with a woman's head
Nobody would take,
For song or pity's sake.
The night before Christmas
I cried with cold,
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I cried myself to sleep
Like a two-year old.
And in the deep night
I felt my mother rise,
And stare down upon me
With love in her eyes.
I saw my mother sitting
On the one good chair,
A light falling on her
From I couldn't tell where.
Looking nineteen,
And not a day older,
And the harp with a woman's head
Leaned against her shoulder.
Her thin fingers, moving
In the thin, tall strings,
Were weav-weav-weaving
Wonderful things.
Many bright threads,
From where I couldn't see,
Were running through the harp-strings
Rapidly,
And gold threads whistling
Through my mother's hand.
I saw the web grow,
And the pattern expand.
She
And
She
And
wove a child's jacket,
when it was done
laid it on the floor
wove another one.
She wove a red cloak
So regal to see,
"She's made it for a king's son,"
I said, "and not for me."
155
But I knew it was for me.
She wove a pair of breeches
Quicker than that!
She wove a pair of boots
And a little cocked hat.
She wove a pair of mittens,
Shw wove a little blouse,
She wove all night
In the still, cold house.
She sang as she worked,
And the harp-strings spoke;
Her voice never faltered,
And the thread never broke,
And when I awoke,—
There sat my mother
With the harp against her shoulder,
Looking nineteeen,
And not a day older,
A smile about her lips,
And a light about her head,
And her hands in the harp-strings
Frozen dead.
And piled beside her
And toppling to the skies,
Were the clothes of a king's son,
Just my size.
~ Edna St. Vincent Millay,#NFDB |
1320:The Poet's Song
There came no change from week to week
On all the land, but all one way,
Like ghosts that cannot touch nor speak,
Day followed day.
Within the palace court the rounds
Of glare and shadow, day and night,
Went ever with the same dull sounds,
The same dull flight:
The motion of slow forms of state,
The far-off murmur of the street,
The din of couriers at the gate,
Half-mad with heat;
Sometimes a distant shout of boys
At play upon the terrace walk,
The shutting of great doors, and noise
Of muttered talk.
In one red corner of the wall,
That fronted with its granite stain
The town, the palms, and, beyond all,
The burning plain,
As listless as the hour, alone,
The poet by his broken lute
Sat like a figure in the stone,
Dark-browed and mute.
He saw the heat on the thin grass
Fall till it withered joint by joint,
The shadow on the dial pass
From point to point.
He saw the midnight bright and bare
Fill with its quietude of stars
218
The silence that no human prayer
Attains or mars.
He heard the hours divide, and still
The sentry on the outer wall
Make the night wearier with his shrill
Monotonous call.
He watched the lizard where it lay,
Impassive as the watcher's face;
And only once in the long day
It changed its place.
Sometimes with clank of hoofs and cries
The noon through all its trance was stirred;
The poet sat with half-shut eyes,
Nor saw, nor heard.
And once across the heated close
Light laughter in a silver shower
Fell from fair lips: the poet rose
And cursed the hour.
Men paled and sickened; half in fear,
There came to him at dusk of eve
One who but murmured in his ear
And plucked his sleeve:
'The king is filled with irks, distressed,
And bids thee hasten to his side;
For thou alone canst give him rest.'
The poet cried:
'Go, show the king this broken lute!
Even as it is, so am I!
The tree is perished to its root,
The fountain dry.
'What seeks he of the leafless tree,
The broken lute, the empty spring?
Yea, tho' he give his crown to me,
I cannot sing!'
219
II
That night there came from either hand
A sense of change upon the land;
A brooding stillness rustled through
With creeping winds that hardly blew;
A shadow from the looming west,
A stir of leaves, a dim unrest;
It seemed as if a spell had broke.
And then the poet turned and woke
As from the darkness of a dream,
And with a smile divine supreme
Drew up his mantle fold on fold,
And strung his lute with strings of gold,
And bound the sandals to his feet,
And strode into the darkling street.
Through crowds of murmuring men he hied,
With working lips and swinging stride,
And gleaming eyes and brow bent down;
Out of the great gate of the town
He hastened ever and passed on,
And ere the darkness came, was gone,
A mote beyond the western swell.
And then the storm arose and fell
From wheeling shadows black with rain
That drowned the hills and strode the plain;
Round the grim mountain-heads it passed,
Down whistling valleys blast on blast,
Surged in upon the snapping trees,
And swept the shuddering villages.
That night, when the fierce hours grew long,
Once more the monarch, old and grey,
Called for the poet and his song,
And called in vain. But far away,
By the wild mountain-gorges, stirred,
220
The shepherds in their watches heard,
Above the torrent's charge and clang,
The cleaving chant of one that sang.
~ Archibald Lampman,#NFDB |
1321:A Suplication For The Joys Of Heaven
To the Superior World to Solemn Peace
To Regions where Delights shall never cease
To Living Springs and to Celestial shade
For change of pleasure not Protection made
To Blissfull Harmonys o'erflowing source
Which Strings or stops can neither bind or Force
But wafting Air for ever bears along
Perpetual Motion with perpetual Song
On which the Blest in Symphonies ascend
And towards the Throne with Vocal ardours bend
To Radial light o'erspreading Boundless space
To the safe Goal of our well ended race
To shelter where the weary shall have rest
And where the wicked never shall molest
To that Jerusalem which ours below
Did but in type and faint resemblance shew
To the first born and ransom'd Church above
To Seraphims whose whole composures love
To active Cherubins whom wings surround
Not made to rest tho' on imortal ground
But still suspended wait with flaming joy
In swift commands their vigour to employ
Ambrosial dews distilling from their plumes
Scattering where e'er they pass innate perfumes
To Angells of innumerable sorts
Subordinate in the etherial Courts
To Men refin'd from every gross allay
Who taught the Flesh the Spirit to obey
And keeping late futurity in view
Do now possess what long they did persue
To Jesus founder of the Christian race
And kind dispenser of the Gospell grace
Bring me my God in my accomplish't time
From weakness freed and from degrading crime
Fast by the Tree of life be my retreat
Whose leaves are Med'cin and whose fruit is meat
Heal'd by the first and by the last renew'd
With all perfections be my Soul endued
My form that has the earthly figure borne
28
Take the Celestial in its Glorious turn
My temper frail and subject to dismay
Be stedfast there spiritualiz'd and gay
My low Poetick tendency be rais'd
Till the bestower worthily is prais'd
Till Dryden's numbers for Cecilia's feast
Which sooth depress inflame and shake the breast
Vary the passions with each varying line
Allow'd below all others to outshine
Shall yeild to those above shall yeild to mine
In sound in sense in emphasis Divine
Stupendious are the heights to which they rise
Whose anthems match the musick of the skies
Whilst that which art we call when studied here
Is nature there in its sublimest sphere
And the pathetick now so hard to find
Flows from the gratefull transports of the mind
With Poets who supernal voices raise
And here begin their never ending layes
With those who to the brethren of their Lord
In all distress a warm relief afford
With the Heroick Spirits of the brave
Who durst be true when threatn'd with the Grave
And when from evil in triumphant sway
Who e'er departed made himself a prey
To sanguine perils to penurious care
To scanty cloathing and precarious fare
To lingring solitude exhausting thoughts
Unsuccour'd losses and imputed faults
With these let me be join'd when Heaven reveals
The judgment which admits of no appeals
And having heard from the deciding throne
Well have ye suffer'd wisely have ye Done
Henceforth the Kingdom of the blest is yours
For you unfolds its everlasting doors
With joyfull Allelujahs let me hail
The strength that o'er my weakness cou'd prevail
Upheld me here and raised my feeble clay
To this felicity for which I pray
Thro' him whose intercession I implore
And Heaven once enter'd prayer shall be no more
Loud acclamations shall its place supply
29
And praise the breath of Angells in the sky.
~ Anne Kingsmill Finch,#NFDB |
1322:For Jenn
At 12 years old I started bleeding with the moon
and beating up boys who dreamed of becoming astronauts.
I fought with my knuckles white as stars,
and left bruises the shape of Salem.
There are things we know by heart,
and things we don't.
At 13 my friend Jen tried to teach me how to blow rings of smoke.
I'd watch the nicotine rising from her lips like halos,
but I could never make dying beautiful.
The sky didn't fill with colors the night I convinced myself
veins are kite strings you can only cut free.
I suppose I love this life,
in spite of my clenched fist.
I open my palm and my lifelines look like branches from an Aspen tree,
and there are songbirds perched on the tips of my fingers,
and I wonder if Beethoven held his breath
the first time his fingers touched the keys
the same way a soldier holds his breath
the first time his finger clicks the trigger.
We all have different reasons for forgetting to breathe.
But my lungs remember
the day my mother took my hand and placed it on her belly
and told me the symphony beneath was my baby sister's heartbeat.
And I knew life would tremble
like the first tear on a prison guard's hardened cheek,
like a prayer on a dying man's lips,
like a vet holding a full bottle of whisky like an empty gun in a war zone…
just take me just take me
Sometimes the scales themselves weigh far too much,
the heaviness of forever balancing blue sky with red blood.
We were all born on days when too many people died in terrible ways,
but you still have to call it a birthday.
You still have to fall for the prettiest girl on the playground at recess
and hope she knows you can hit a baseball
further than any boy in the whole third grade
and I've been running for home
through the windpipe of a man who sings
while his hands playing washboard with a spoon
on a street corner in New Orleans
where every boarded up window is still painted with the words
We're Coming Back
like a promise to the ocean
that we will always keep moving towards the music,
the way Basquait slept in a cardboard box to be closer to the rain.
Beauty, catch me on your tongue.
Thunder, clap us open.
The pupils in our eyes were not born to hide beneath their desks.
Tonight lay us down to rest in the Arizona desert,
then wake us washing the feet of pregnant women
who climbed across the border with their bellies aimed towards the sun.
I know a thousand things louder than a soldier's gun.
I know the heartbeat of his mother.
Don't cover your ears, Love.
Don't cover your ears, Life.
There is a boy writing poems in Central Park
and as he writes he moves
and his bones become the bars of Mandela's jail cell stretching apart,
and there are men playing chess in the December cold
who can't tell if the breath rising from the board
is their opponents or their own,
and there's a woman on the stairwell of the subway
swearing she can hear Niagara Falls from her rooftop in Brooklyn,
and I'm remembering how Niagara Falls is a city overrun
with strip malls and traffic and vendors
and one incredibly brave river that makes it all worth it.
Ya'll, I know this world is far from perfect.
I am not the type to mistake a streetlight for the moon.
I know our wounds are deep as the Atlantic.
But every ocean has a shoreline
and every shoreline has a tide
that is constantly returning
to wake the songbirds in our hands,
to wake the music in our bones,
to place one fearless kiss on the mouth of that brave river
that has to run through the center of our hearts
to find its way home. ~ Andrea Gibson,#NFDB |
1323:Where are we going?” I asked as he helped me down the stairs.
“Stable. One chance of getting out is there--if we’re fast.”
Neither of us wasted any more breath. He had to look around constantly while bearing my weight. I concentrated on walking.
At the stable, servants were running back and forth on errands, but we made our way slowly along the wall of a long, low building toward a row of elegant town carriages.
I murmured, “Don’t tell me…I’m to steal one of these?”
Azmus gave a breathless laugh. “You’ll steal a ride--if we can get you in. Your best chance is the one that belongs to the Princess of Renselaeus--if we can, by some miracle, get near it. The guards will never stop it, even if the hue and cry is raised. And she doesn’t live within Athanarel, but at the family palace in the city.”
“Renselaeus…” I repeated, then grinned. The Princess was the mother of the Marquis. The Prince, her husband, who was rumored to have been badly wounded in the Pirate Wars, never left their land. I loved the idea of making my escape under the nose of Shevraeth’s mother. Next thing to snapping my fingers under his nose.
Suddenly there was an increase in noise from the direction of the palace. A young girl came running toward us, torch hissing and streaming in the rain. “Savona!” she yelled. “Savona!”
A carriage near the front of the line was maneuvered out, rolling out of the courtyard toward the distant great hall.
Keeping close to the walls, we moved along the line until we were near a handsome equipage that looked comfortable and well sprung, even in the dark and rain. All around it stood a cluster of servants dressed in sky blue, black, and white.
Two more names were called out by runners, and then came, “Renselaeus!”
But before the carriage could roll, the runner dashed up and said, “Wait! Wait! Get canopies! She won’t come out without canopies--says her gown will be ruined.”
One of the servants groaned; they all, except the driver, dashed inside the stable.
Next to me, Azmus drew in his breath in a sharp hiss. “Come,” he said. “This is it.”
And we crossed the few steps to the carriage. A quick look. Everyone else was seeing to their own horses, or wiping rain from windows, or trying to stay out of the worst of the wet. At the back of the coach was a long trunk; Azmus lifted the lid and helped me climb up and inside. “I do not know if I can get to the Renselaeus palace to aid you,” he warned as he lowered the lid.
“I’ll make it,” I promised. “Thanks. You’ll be remembered for this.”
“Down with Merindar,” he murmured. “Farewell, my lady.”
And the lid closed.
Lying flat was a relief, though the thick-woven hemp flooring scraped at my cheek. Around me muffled voices arrived. The carriage rocked as the foot servants grabbed hold. Then we moved, slowly, smoothly. Then stopped.
Faintly, beckoning and lovely, I heard two melodic lines traded back and forth between sweet wind instruments, and the thrumming of metallic harp strings.
A high, imperious voice drowned the music: “Come, come! Closer together! Step as one, now. I mustn’t ruin this gown…The King himself spoke in praise of it…I can only wear it again if it is not ruined…Step lively there, and have a care for puddles. There!”
I could envision a crowd of foot servants holding rain canopies over her head, like a moving tent, as the old lady bustled across the mud. She arrived safely in the carriage, and when she was closed in, once again we started to roll.
“Ware, gate!” the driver called presently. “Ware for Renselaeus!” The carriage scarcely slowed. I heard the creak of the great iron gates--the ones that were supposed to be sporting my head within a day. They swung shut with a graunching of protesting metal, and the carriage rolled out of Athanarel and into the city. ~ Sherwood Smith,#NFDB |
1324:Two observations take us across the finish line. The Second Law ensures that entropy increases throughout the entire process, and so the information hidden within the hard drives, Kindles, old-fashioned paper books, and everything else you packed into the region is less than that hidden in the black hole. From the results of Bekenstein and Hawking, we know that the black hole's hidden information content is given by the area of its event horizon. Moreover, because you were careful not to overspill the original region of space, the black hole's event horizon coincides with the region's boundary, so the black hole's entropy equals the area of this surrounding surface. We thus learn an important lesson. The amount of information contained within a region of space, stored in any objects of any design, is always less than the area of the surface that surrounds the region (measured in square Planck units).
This is the conclusion we've been chasing. Notice that although black holes are central to the reasoning, the analysis applies to any region of space, whether or not a black hole is actually present. If you max out a region's storage capacity, you'll create a black hole, but as long as you stay under the limit, no black hole will form.
I hasten to add that in any practical sense, the information storage limit is of no concern. Compared with today's rudimentary storage devices, the potential storage capacity on the surface of a spatial region is humongous. A stack of five off-the-shelf terabyte hard drives fits comfortable within a sphere of radius 50 centimeters, whose surface is covered by about 10^70 Planck cells. The surface's storage capacity is thus about 10^70 bits, which is about a billion, trillion, trillion, trillion, trillion terabytes, and so enormously exceeds anything you can buy. No one in Silicon Valley cares much about these theoretical constraints.
Yet as a guide to how the universe works, the storage limitations are telling. Think of any region of space, such as the room in which I'm writing or the one in which you're reading. Take a Wheelerian perspective and imagine that whatever happens in the region amounts to information processing-information regarding how things are right now is transformed by the laws of physics into information regarding how they will be in a second or a minute or an hour. Since the physical processes we witness, as well as those by which we're governed, seemingly take place within the region, it's natural to expect that the information those processes carry is also found within the region. But the results just derived suggest an alternative view. For black holes, we found that the link between information and surface area goes beyond mere numerical accounting; there's a concrete sense in which information is stored on their surfaces. Susskind and 'tHooft stressed that the lesson should be general: since the information required to describe physical phenomena within any given region of space can be fully encoded by data on a surface that surrounds the region, then there's reason to think that the surface is where the fundamental physical processes actually happen. Our familiar three-dimensional reality, these bold thinkers suggested, would then be likened to a holographic projection of those distant two-dimensional physical processes.
If this line of reasoning is correct, then there are physical processes taking place on some distant surface that, much like a puppeteer pulls strings, are fully linked to the processes taking place in my fingers, arms, and brain as I type these words at my desk. Our experiences here, and that distant reality there, would form the most interlocked of parallel worlds. Phenomena in the two-I'll call them Holographic Parallel Universes-would be so fully joined that their respective evolutions would be as connected as me and my shadow. ~ Brian Greene,#NFDB |
1325:A Married Coquette
Sit still, I say, and dispense with heroics!
I hurt your wrists? Well, you have hurt me.
It is time you found out that all men are not stoics,
Nor toys to be used as your mood may be.
I will not let go of your hands, nor leave you
Until I have spoken. No man, you say,
Dared ever so treat you before? I believe you,
For you have dealt only with boys till to-day.
You women lay stress on your fine perception,
Your intuitions are prated about;
You claim an occult sort of conception
Of matters which men must reason out.
So then, of course, when you asked me kindly
'To call again soon,' you read my heart.
I cannot believe you were acting blindly;
You saw my passion for you from the start.
You are one of those women who charm without trying;
The clay you are made of is magnet ore,
And I am the steel; yet, there's no denying
You led me to loving you more and more.
You are fanning a flame that may burn too brightly,
Oft easily kindled, but hard to put out;
I am not a man to be played with lightly,
To come at a gesture and go at a pout.
A brute you call me, a creature inhuman;
You say I insult you, and bid me go.
And you? Oh, you are a saintly woman,
With thoughts as pure as the drifted snow.
Pah! you are but one of a thousand beauties
Who think they are living exemplary lives.
They break no commandments, and do all their duties
As Christian women and spotless wives.
30
But with drooping of lids, and lifting of faces,
And baring of shoulders, and well-timed sighs,
And the devil knows what other subtle graces,
You are mental wantons, who sin with the eyes.
You lure love to wake, yet bid it keep under,
You tempt us to fall, but bid reason control;
And then you are full of an outraged wonder
When we get to wanting you, body and soul.
Why, look at yourself! You were no stranger
To the fact that my heart was already on fire.
When you asked me to call you knew my danger,
Yet here you are, dressed in the gown I admire;
For half of the evil on earth is invented
By vain, pretty women with nothing to do
But to keep themselves manicured, powdered and scented,
And seek for sensations amusing and new.
But when I play at love at a lady's commanding,
I always am certain to win one game;
So there-there-there! I will leave my branding
On the lips that are free now to cry 'Shame, shame!'
You hate me? Quite likely! It does not surprise me.
Brute force? I confess it; but still you were kissed;
And one thing is certain-you cannot despise me
For having been played with, controlled, and dismissed.
And the next time you see that a man is attracted
By the beauty and graces that are not for him,
Don't lead him on to be half distracted;
Keep out of deep waters although you can swim.
For when he is caught in the whirlpool of passion,
Where many bold swimmers are seen to drown,
A man will reach out and, in desperate fashion,
Will drag whoever is nearest him down.
Though the strings of his heart may be wrenched and riven
31
By a maiden coquette who has led him along,
She can be pardoned, excused and forgiven,
For innocence blindfolded walks into wrong.
But she who has willingly taken the fetter
That Cupid forges at Hymen's commandWell, she is the woman who ought to know better;
She needs no mercy at any man's hand.
In the game of hearts, though a woman be winner,
The odds are ever against her, you know;
The world is ready to call her a sinner,
And man is ready to make her so.
Shame is likely, and sorrow is certain,
And the man has the best of it, end as it may.
So now, my lady, we'll drop the curtain,
And put out the lights. We are through with our play.
~ Ella Wheeler Wilcox,#NFDB |
1326:My spirits were high as I joined Nee and Bran. But instead of walking down the stairs to go into the ballroom with the rest of the guests, Nee and Bran led the way across the hall, to the gallery that overlooked the ballroom, and stopped at the landing at the top of the grand stairway.
And there we found Shevraeth waiting for us, looking formidable and remote in his usual dark colors. Remembering with dismaying intensity that the last time we had talked with one another I had managed--again--to instigate a quarrel, I felt embarrassment chase away my anticipation.
Shevraeth greeted us in his customary calm manner. When he turned at last to Bran, I muttered out of the side of my mouth to Nee, “You mean we have to go down these stairs--with him--and everyone looking at us?”
“We’re the guests of honor,” she whispered back, obviously trying not to laugh. She looked fabulous in her dark brown velvet gown, embroidered all over with tiny gold leaves dotted with little rubies. “We’re supposed to be looked at! We’ll open the ball. You remember? I know I told you.”
Bran flicked my shoulder. “Brace up, Mel. You’ll like it. I promise.”
My attempt at a bland face obviously wasn’t convincing. I studied the toes of my dancing slippers, wishing with all my strength that I was back in Tlanth, riding the mountain trails with no humans in sight.
“Savona’s waiting,” Nee whispered to me.
Some invisible servant must have given a signal, for the music started: an entire orchestra filling the vaulted room with the strains of an ancient promenade. Had I been downstairs among the glittering throng, I would have loved it, but I now had Shevraeth standing right beside me, holding out his arm. I just knew I would manage to do something embarrassing.
I took a deep breath, straightened my shoulders, and tried my best to smooth my face into a polite smile as I put my hand on his sleeve.
Just before we started down, he murmured, “Think of this as a battle.”
“A battle?” I repeated, so surprised I actually looked up at his face. He didn’t look angry, or disgusted, or sarcastic. But there was suppressed laughter in the way his gray eyes were narrowed.
He replied so softly I could just barely hear it. “You’ve a sword in your hand, and vast numbers of ravening minions of some dreaded evil sorcerer await below. The moment you step among them, you’ll leap into battle, mowing them down in droves…”
The absolute unlikelihood of it made me grin, on the verge of laughter. And I realized that while he’d spoken we had come safely down the stairs and were halfway along the huge room to the Duke of Savona, who waited alone. On either side people bowed and curtsied, as graceful as flowers in the wind.
I’d almost made it, and my smile was real--until I lost the image and remembered where I was, and who I was with, and I muttered defensively, “I don’t really like battles, you know.”
“Of course I know,” he returned, still in that soft voice. “But you’re used to them.” And then we were before Savona, who was resplendent in black and crimson and gold; and as the Duke bowed, fanfare after fanfare washed over me like waves of brilliant light.
Because Shevraeth was also a guest of honor, and had the highest rank, it was his choice for the first dance, and he held out his hand to me. Savona went to Nee, and Bran went to Nee’s cousin Tamara.
We danced. I moved through the complicated steps with sureness, my whole body in harmony with the singing strings, my eyes dazzled by the swirl of color all around me. Above our dancing figures, and around us, flowers and ribbons and hangings of every shade of violet and lavender made the room seem almost impossibly elegant.
When the dance ended, Shevraeth bowed and handed me to Savona, and once again I danced, relieved that I had somehow managed to get through the first one without any awkwardness at all. It’s the music, I thought happily as I spun and stepped; music is truly like magic. ~ Sherwood Smith,#NFDB |
1327:CUCHULAIN’S FIGHT WITH THE SEA
A MAN came slowly from the setting sun,
To Emer, raddling raiment in her dun,
And said, ‘I am that swineherd whom you bid
Go watch the road between the wood and tide,
But now I have no need to watch it more.’
Then Emer cast the web upon the floor,
And raising arms all raddled with the dye,
Parted her lips with a loud sudden cry.
That swineherd stared upon her face and said,
‘No man alive, no man among the dead,
Has won the gold his cars of battle bring.’
‘But if your master comes home triumphing
Why must you blench and shake from foot to crown?’
Thereon he shook the more and cast him down
Upon the web-heaped floor, and cried his word:
‘With him is one sweet-throated like a bird.’
‘You dare me to my face,’ and thereupon
She smote with raddled fist, and where her son
Herded the cattle came with stumbling feet,
And cried with angry voice, ’It is not meet
To idle life away, a common herd.’
‘I have long waited, mother, for that word:
But wherefore now?’
‘There is a man to die;
You have the heaviest arm under the sky.’
‘Whether under its daylight or its stars
My father stands amid his battle-cars.’
‘But you have grown to be the taller man.’
‘Yet somewhere under starlight or the sun
My father stands.’
‘Aged, worn out with wars
On foot, on horseback or in battle-cars.’
‘I only ask what way my journey lies,
For He who made you bitter made you wise.’
‘The Red Branch camp in a great company
Between wood’s rim and the horses of the sea.
Go there, and light a camp-fire at wood’s rim;
But tell your name and lineage to him
Whose blade compels, and wait till they have found
Some feasting man that the same oath has bound.’
Among those feasting men Cuchulain dwelt,
And his young sweetheart close beside him knelt,
Stared on the mournful wonder of his eyes,
Even as Spring upon the ancient skies,
And pondered on the glory of his days;
And all around the harp-string told his praise,
And Conchubar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, ‘Some man has made
His evening fire amid the leafy shade.
I have often heard him singing to and fro,
I have often heard the sweet sound of his bow.
Seek out what man he is.’
One went and came.
‘He bade me let all know he gives his name
At the sword-point, and waits till we have found
Some feasting man that the same oath has bound.’
Cuchulain cried, ‘I am the only man
Of all this host so bound from childhood on.
After short fighting in the leafy shade,
He spake to the young man, ’Is there no maid
Who loves you, no white arms to wrap you round,
Or do you long for the dim sleepy ground,
That you have come and dared me to my face?’
‘The dooms of men are in God’s hidden place,’
‘Your head a while seemed like a woman’s head
That I loved once.’
Again the fighting sped,
But now the war-rage in Cuchulain woke,
And through that new blade’s guard the old blade broke,
And pierced him.
‘Speak before your breath is done.’
‘Cuchulain I, mighty Cuchulain’s son.’
‘I put you from your pain. I can no more.’
While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Conchubar sent that sweet-throated maid,
And she, to win him, his grey hair caressed;
In vain her arms, in vain her soft white breast.
Then Conchubar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus: ‘Cuchulain will dwell there and brood
For three days more in dreadful quietude,
And then arise, and raving slay us all.
Chaunt in his ear delusions magical,
That he may fight the horses of the sea.’
The Druids took them to their mystery,
And chaunted for three days.
Cuchulain stirred,
Stared on the horses of the sea, and heard
The cars of battle and his own name cried;
And fought with the invulnerable tide. ~ W B Yeats,#NFDB |
1328:I.
The awful shadow of some unseen Power
Floats through unseen among us, visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower,--
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.
II.
Spirit of Beauty, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o'er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, why man has such a scope
For love and hate, despondency and hope?
III.
No voice from some sublimer world hath ever
To sage or poet these responses given
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells--whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone--; like mist o'er the mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.
IV.
Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies,
That wax and wane in lovers' eyes
Thou -- that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not -- lest the grave should be,
Like life and fear, a dark reality.
V.
While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard -- I saw them not --
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,--
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!
VI.
I vowed that I would dedicate my powers
To thee and thine -- have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love's delight
Outwatched with me the envious night
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou - O awful Loveliness,
Wouldst give whate'er these words cannot express.
VII.
The day becomes more solemn and serene
When noon is past there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm to one who worships thee,
And every form containing thee,
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
Composed, probably, in Switzerland, in the summer of 1816. Published in Hunt's 'Examiner', January 19, 1817, and with 'Rosalind and Helen', 1819.
~ Percy Bysshe Shelley, Hymn to Intellectual Beauty
,#NFDB |
1329:You shall not be overbold
When you deal with arctic cold,
As late I found my lukewarm blood
Chilled wading in the snow-choked wood.
How should I fight? my foeman fine
Has million arms to one of mine:
East, west, for aid I looked in vain,
East, west, north, south, are his domain.
Miles off, three dangerous miles, is home;
Must borrow his winds who there would come.
Up and away for life! be fleet!--
The frost-king ties my fumbling feet,
Sings in my ears, my hands are stones,
Curdles the blood to the marble bones,
Tugs at the heart-strings, numbs the sense,
And hems in life with narrowing fence.
Well, in this broad bed lie and sleep,
The punctual stars will vigil keep,
Embalmed by purifying cold,
The winds shall sing their dead-march old,
The snow is no ignoble shroud,
The moon thy mourner, and the cloud.
Softly,--but this way fate was pointing,
'T was coming fast to such anointing,
When piped a tiny voice hard by,
Gay and polite a cheerful cry,
Chic-chicadeedee! saucy note
Out of sound heart and merry throat,
As if it said, 'Good day, good sir!
Fine afternoon, old passenger!
Happy to meet you in these places,
Where January brings few faces.'
This poet, though he live apart,
Moved by his hospitable heart,
Sped, when I passed his sylvan fort,
To do the honours of his court,
As fits a feathered lord of land;
Flew near, with soft wing grazed my hand,
Hopped on the bough, then, darting low,
Prints his small impress on the snow,
Shows feats of his gymnastic play,
Head downward, clinging to the spray.
Here was this atom in full breath,
Hurling defiance at vast death;
This scrap of valour just for play
Fronts the north-wind in waistcoat gray,
As if to shame my weak behaviour;
I greeted loud my little saviour,
'You pet! what dost here? and what for?
In these woods, thy small Labrador,
At this pinch, wee San Salvador!
What fire burns in that little chest
So frolic, stout, and self-possest?
Henceforth I wear no stripe but thine;
Ashes and jet all hues outshine.
Why are not diamonds black and gray,
To ape thy dare-devil array?
And I affirm, the spacious North
Exists to draw thy virtue forth.
I think no virtue goes with size;
The reason of all cowardice
Is, that men are overgrown,
And, to be valiant, must come down
To the titmouse dimension.'
'T is good-will makes intelligence,
And I began to catch the sense
Of my bird's song: 'Live out of doors,
In the great woods, on prairie floors.
I dine in the sun; when he sinks in the sea,
I too have a hole in a hollow tree;
And I like less when Summer beats
With stifling beams on these retreats,
Than noontide twilights which snow makes
With tempest of the blinding flakes.
For well the soul, if stout within,
Can arm impregnably the skin;
And polar frost my frame defied,
Made of the air that blows outside.'
With glad remembrance of my debt,
I homeward turn; farewell, my pet!
When here again thy pilgrim comes,
He shall bring store of seeds and crumbs.
Doubt not, so long as earth has bread,
Thou first and foremost shalt be fed;
The Providence that is most large
Takes hearts like thine in special charge,
Helps who for their own need are strong,
And the sky dotes on cheerful song.
Henceforth I prize thy wiry chant
O'er all that mass and minster vaunt;
For men mis-hear thy call in spring,
As 't would accost some frivolous wing;
Crying out of the hazel copse, Phe-be!
And, in winter, Chic-a-dee-dee!
I think old Caesar must have heard
In northern Gaul my dauntless bird,
And, echoed in some frosty wold,
Borrowed thy battle-numbers bold.
And I will write our annals new,
And thank thee for a better clew,
I, who dreamed not when I came here
To find the antidote of fear,
Now hear thee say in Roman key,
Paean! Veni, vidi, vici.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, The Titmouse
,#NFDB |
1330:The Dream By The Fountain
Thought-weary and sad, I reclined by a fountain
At the head of a white-cedar-shaded ravine,
And the breeze that fell over the high glooming mountain
Sang a lullaby low as I gazed o’er the scene.
Long I’d reclined not till slumber came o’er me,
Grateful as balm to a suffering child:
When a glorious maiden seemed standing before me
With a lyre in her hand—O so sounding and wild!
Bright was her brow, not the morning’s brow brighter,
But her eyes were two midnights of passionate thought;
Light was her motion, the breeze’s not lighter,
And her looks were like sunshine and shadow in-wrought.
Never before did my bosom inherit
Emotion so thrilling, such exquisite awe!
Never such wonder exalted my spirit
Before, as did now, through the vision I saw.
Robed for the chase like a nymph of Diana,
Her ivory limbs were half given below—
Bare, that the pure breath of heaven might fan her,
Bare was her bosom of roseate snow.
Then lifting the lyre, and with every feeling
Sublimed as with love, she awakened the strings,
And the while, as it seemed, into being came stealing
The motion and light of angelical wings.
Divine were the measure! Each voice of the wold-wood
Seemed gathering power in their musical thrills—
The loud joy of streams in their strong mountain childhood,
The shouting of echoes that break from the hills;
The moaning of trees all at midnight in motion,
When the breezes seem lost in the dark, with a rare
And sweet soaring spirit of human devotion
All blended and woven together were there.
170
Then she smiled with a look like the radiance of morning,
When flushing the crystal of heaven’s serene,
Blent with that darkness of beauty, adorning
The world, when the moon just arising is seen.
And repressing, it seemed, many fonder suggestions,
Calmly she spake;—I arose to my knees,
Expectantly glad, while, to quiet my questions,
The wild warbled words that she uttered were these:
“I am the muse of the evergreen forest,
I am the spouse of thy spirit, lone bard!
Ev’n in the days when thy boyhood thou worest,
Thy pastimes drew on thee my dearest regard.
“For I knew thee, ev’n then, in thy ecstacy musing
Of glory and grace by old Hawkesbury’s side—
Scenes that spread recordless round thee, suffusing
With the purple of love—I beheld thee, and sighed.
“Sighed—for the fire-robe of thought had enwound thee,
Betok ning how much that the happy most dread,
And whence there should follow, howe’er it renowned thee,
What sorrows of heart, and what labours of head!
“Signed—though thy dreams did the more but endear thee.
It seemed of the breeze, or a sigh of thine own,
When I swept o’er this lyre, still unseen gliding near thee,
To give thy emotions full measure and tone.
“Since have I tracked thee through less lovely places,
And seen thee with sorrow long herd with the vain,
Lured into error by false-smiling faces,
Chained by dull fashion though scorning her chain.
“Then would I prompt, in the still hour of dreaming,
Some thought of thy beautiful country again,
Of her yet to be famed streams, through dark woods far-gleaming
Of her bold shores that throb to the beat of the main.
“Till at last I beheld thee arise in devotion,
To shake from thy heart the vile bondage it bore,
171
And my joy gloried out like a morning-lit ocean,
When thy footfall I heard in the mountains once more!
“Listen, belov’d one! I promise thee glory
Such as shall rise like the day-star apart,
To brighten the source of Australia’s broad story,
But for this thou must give to the future thy heart!—
“Be then the bard of thy country! O rather
Should such be thy choice than a monarchy wide!
Lo! ’Tis the land of the grave of thy father!
’Tis the cradle of liberty! Think and decide.”
Joy glowed in my heart as she ceased. Unreplying,
I gazed, mute with love, on her soul-moulded charms.
Deeper they glowed, her lips trembled, and sighing,
She rushed to my heart and dissolved in my arms!
~ Charles Harpur,#NFDB |
1331:A man came slowly from the setting sun,
To Emer, raddling raiment in her dun,
And said, "I am that swineherd whom you bid
Go watch the road between the wood and tide,
But now I have no need to watch it more."
Then Emer cast the web upon the floor,
And raising arms all raddled with the dye,
Parted her lips with a loud sudden cry.
That swineherd stared upon her face and said,
"No man alive, no man among the dead,
Has won the gold his cars of battle bring."
"But if your master comes home triumphing
Why must you blench and shake from foot to crown?"
Thereon he shook the more and cast him down
Upon the web-heaped floor, and cried his word:
"With him is one sweet-throated like a bird."
"You dare me to my face," and thereupon
She smote with raddled fist, and where her son
Herded the cattle came with stumbling feet,
And cried with angry voice, "It is not meet
To idle life away, a common herd."
"I have long waited, mother, for that word:
But wherefore now?"
"There is a man to die;
You have the heaviest arm under the sky."
"Whether under its daylight or its stars
My father stands amid his battle-cars."
"But you have grown to be the taller man."
"Yet somewhere under starlight or the sun
My father stands."
"Aged, worn out with wars
On foot. on horseback or in battle-cars."
"I only ask what way my journey lies,
For He who made you bitter made you wise."
"The Red Branch camp in a great company
Between wood's rim and the horses of the sea.
Go there, and light a camp-fire at wood's rim;
But tell your name and lineage to him
Whose blade compels, and wait till they have found
Some feasting man that the same oath has bound."
Among those feasting men Cuchulain dwelt,
And his young sweetheart close beside him knelt,
Stared on the mournful wonder of his eyes,
Even as Spring upon the ancient skies,
And pondered on the glory of his days;
And all around the harp-string told his praise,
And Conchubar, the Red Branch king of kings,
With his own fingers touched the brazen strings.
At last Cuchulain spake, "Some man has made
His evening fire amid the leafy shade.
I have often heard him singing to and fro,
I have often heard the sweet sound of his bow.
Seek out what man he is."
One went and came.
"He bade me let all know he gives his name
At the sword-point, and waits till we have found
Some feasting man that the same oath has bound."
Cuchulain cried, "I am the only man
Of all this host so bound from childhood on!"
After short fighting in the leafy shade,
He spake to the young man, 'Is there no maid
Who loves you, no white arms to wrap you round,
Or do you long for the dim sleepy ground,
That you have come and dared me to my face?"
"The dooms of men are in God's hidden place,"
"Your head a while seemed like a woman's head
That I loved once."
Again the fighting sped,
But now the war-rage in Cuchulain woke,
And through that new blade's guard the old blade broke,
And pierced him.
"Speak before your breath is done."
"Cuchulain I, mighty Cuchulain's son."
"I put you from your pain. I can no more."
While day its burden on to evening bore,
With head bowed on his knees Cuchulain stayed;
Then Conchubar sent that sweet-throated maid,
And she, to win him, his grey hair caressed;
In vain her arms, in vain her soft white breast.
Then Conchubar, the subtlest of all men,
Ranking his Druids round him ten by ten,
Spake thus: "Cuchulain will dwell there and brood
For three days more in dreadful quietude,
And then arise, and raving slay us all.
Chaunt in his ear delusions magical,
That he may fight the horses of the sea."
The Druids took them to their mystery,
And chaunted for three days.
Cuchulain stirred,
Stared on the horses of the sea, and heard
The cars of battle and his own name cried;
And fought with the invulnerable tide.
~ William Butler Yeats, Cuchulains Fight With The Sea
,#NFDB |
1332:Love's Anniversary
Like a bold, adventurous swain,
Just a year ago to-day,
I launched my bark on a radiant main,
And Hymen led the way:
'Breakers ahead! ' he cried,
As he sought to overwhelm
My daring craft in the shrieking tide,
But Love, like a pilot bold and tried,
Sat, watchful, at the helm.
And we passed the treacherous shoals,
Where many a hope lay dead,
And splendid wrecks were piled, like the ghouls
Of joys forever fled.
Once safely over these,
We sped by a fairy realm,
Across the bluest and calmest seas
That were ever kissed by a truant breeze,
With Love still at the helm.
We sailed by sweet, odorous isles,
Where the flowers and trees were one;
Through lakes that vied with the golden smiles
Of heaven's unclouded sun:
Still speeds our merry bark,
Threading life's peaceful realm,
And 'tis ever morn with our marriage-lark,
For the Pilot-Love of our safety-ark
Stands, watchful, at the helm.
II.
A beautiful land is the Land of Dreams,
Green hills and valleys, and deep lagoons,
Swift-rushing torrents and gentle streams,
Glassing a myriad silver moons;
Mirror-like lakelets with lovely isles,
And verdurous headlands looking down
On the Neread shapes, whose smiles
79
Were worth the price of a peaceful crown.
We clutch at the silvery bars
Flung from the motionless stars,
And climb far into space,
Defying the race
Who ride in aërial cars.
We take up the harp of the mind,
And finger its delicate strings;
The notes, soft and light
As a moonbeam's flight,
Departing on viewless wings.
Afar in some fanciful bower,
Some region of exquisite calm,
Where the starlight falls in a gleaming shower,
We sink to repose
On our couch of rose,
Inhaling no mortal balm.
The worlds are no longer unknown,
We pass through the uttermost sky,
Our eyelids are kissed
By a gentle mist,
And we feel the tone
Of a calmer zone,
As if heaven were wondrous nigh.
A fanciful land is the Land of Dreams,
Where earth and heaven are clasping hands;
No heaven - no earth,
But one wide, new birth,
Where Beauty and Goodness, and human worth,
Make earth of heaven and heaven of earth;
And angels are walking on golden strands.
And the pearly gates of the universe
Of mind and fancy, opening
To the touch of the dainty finger-tips
Of elegant Peris with rose-bud lips,
Delicate, weird-like sounds are born
From the amber depths of odorous morn,
And spirits of beauty and light rehearse
80
Such strains as the young immortals sing,
When the souls of the blest
Are borne to their rest,
On luminous pinions of light serene
To the fragrant bowers of evergreen;
O'er the rosy plains, where the dying hours
Are changed by a spell to celestial flowers,
Where the skies have a hue no name can express,
For the tone of their passionate loveliness
Surpasseth all human imagining.
Such was their beautiful Dream of Life;
Each stern reality softened down;
Earth seemed to have ended her age of Strife,
And Harmony reigned, her olive crown
Besting on the Parian brow
Of the fair victor, like the gleam
Of the silvery moon on waves that flow
Thoughtfully down the summer stream.
Such was their earnest Dream of Life!
Was it some angel, with jealous eye,
Seeing such love beneath the sky
As never yet in world or star,
Or spheral height, that reached so far
'Twas never beheld by mortal sight,
Or elsewhere, save in highest heaven,
Was duly earned, or truly given,
That leagued with the usurper, Death,
To quench the light that shone so bright
That in all the earth there was not a breath
So foul as to change their day to night?
Alone! alone! Oh, word of fearful tone!
Well might the moon withhold her light,
The stars withdraw from human sight,
When Love was overthrown.
The Minstrel's heart how changed!
Love's principalities,
O'er which he reigned supreme,
Usurped by earth's realities;
The realm through which he ranged
81
Become a vanished dream!
And yet he sung, as sings
The dying swan that droops its wings
And drifts along the stream:
~ Charles Sangster,#NFDB |
1333:Many of you out there
will have encountered a world of calamity and ruin
with one last gasp at the end of it
and clearly labelled the instructions:
“this Day the Suprise Transport”
“port Saild from this”
and so on.
Not on our planet
yet still
that destination lingers –
terminus,
“animae viles, a sort of
excrementitious mass, that could be projected,
and accordingly was projected – ”
as detritus, cast “from the depth of a shipwreck”
floundering in the blast of an abandoned broadcast –
“Sudden effluvial aftermath here. Have encountered
daze without number...” – doomed
emission, vast dump “which departs from itself”
as a wheezed, unavoidable, looming
exhalation – insidious galactic bloom
whose drift is a swift mutation aboard that
soundtrack lumbering in the background,
strange clank or muffled boom
heralding a dank impending cloudbank possibly
or black-and-white photograph taken on the moon,
featuring I, quaint blip,
feinted relic ’mid dim reverberations
e.g. ghost in portalled tomb
whose blundered destination
plunges on – old death throes
rattle in the deep,
where the dice cup heaves up sleep I’m leaving.
Denizens, sensitive as always, I remain
captain of the spaceship
“Isle of Destolation”
creepily dotted about my photo – where it roams,
approximations of despair breathing malice
pass by in the wake of an interest
I no longer maintain, who fondly recall
how to comb myself and shave my hair
and park my coat and hat in the hall.
Sincerely I resemble all those
who have written to me with letters of condolence,
whether edifice or orifice, bit or whole.
“Though alien drones and foreign hums
within me thrive... ”
strange feeling of sudden distinction was creeping upon me
convinced of its authenticity,
spurting up like a hideous gas
and the whole mass imploding
into its own brief fumes.
Oddly,
I began my radio career
as a swarm of bees.
Some still speak of it
and I go on and on about it,
as befits my condition.
For example, this transmission explains
why someone of approximately my own
age and intelligence suddenly
led me across the large laboratory,
Firkon, Zuhl and the others all following.
Frankly I could have disintegrated
in a pilot’s suit of the same style
“whereby hangs
an immense bridge”
chomping away at the background
as we reached the platform.
Firkon suggested looking down into the elevator shaft
“Notice anything? ”
and when I did, saw three
more floors or deck
levels below.
“At each level
a bridge or balcony...”
projected into the shaft contra-indicating the gap
dome of saucer
between
“analogy of the abyss”
and his tautology
hovered outrageously above it.
“We use rudder-post technology to detach the post and
reinser it on a short staff carried by a frame –
Welcome, 260 thousand cubic centimetres.”
At once, I clambered aboard and found
that taste of his butthole strangely hypnotic
whine of the motor gained in pitch like a twanging ’cello string.
Spike took up the “How long must I wait? I mean – ”
...
A tremor ran through the hull of the Moonraker...
A pencil fell from the instrument ta...
“I – I’m not sure...
Always together in this darned silence,
midground hard to determine between
both and neither,
column and house.”
(I could see right away what these things had in common:
they were all crap. I decided to demonstrate this
by tying strings between various objects.)
“My first
close-up
shot of the moon
filled me with cold foreboding”
– i.e.
stillness, a lack
of “Thank you”
amid the harsh glare of remnants,
bright greys and sooty
blacks,
the jagged,
razor-sharp outlines of the crags –
and no living thing but me,
crater.
“I? But I am an expert! I have so much to discover!
My ‘shallow cell’ theory – ”
a twelve-foot cylinder mounted on two
pairs of caterpillar tracks
glanced to the left, in the direction of the pit.
From this I could disappear into a narrow, walled valley several miles away.
Suddenly,
there I was, ethereal vapour
trails cut deep between the intermittent static
dispatched amid stygian fumes
his only glue
then split.
~ Chris Edwards,#NFDB |
1334:The Appeal Of The Chorus
If A veteran author had wished to engage
Our assistance to-day, for a speech from the stage,
We scarce should have granted so bold a request:
But this author of ours, as the bravest and best,
Deserves an indulgence denied to the rest,
For the courage and vigor, the scorn and the hate,
With which he encounters the pests of the State;
A thoroughbred seaman, intrepid and warm,
Steering outright, in the face of the storm.
But now for the gentle reproaches he bore
On the part of his friends, for refraining before
To embrace the profession, embarking for life
In theatrical storms and poetical strife.
He begs us to state that for reasons of weight
He has lingered so long and determined so late.
For he deemed the achievements of comedy hard,
The boldest attempt of a desperate bard!
The Muse he perceived was capricious and coy;
Though many were courting her, few could enjoy.
And he saw without reason, from season to season,
Your humor would shift, and turn poets adrift,
Requiting old friends with unkindness and treason,
Discarded in scorn as exhausted and worn.
Seeing Magnes's fate, who was reckoned of late
For the conduct of comedy captain and head;
That so oft on the stage, in the flower of his age,
Had defeated the Chorus his rivals had led;
With his sounds of all sort, that were uttered in sport,
With whims and vagaries unheard of before,
With feathers and wings, and a thousand gay things,
That in frolicsome fancies his Choruses wore-When his humor was spent, did your temper relent,
To requite the delight that he gave you before?
We beheld him displaced, and expelled and disgraced,
When his hair and his wit were grown aged and hoar.
19
Then he saw, for a sample, the dismal example
Of noble Cratinus so splendid and ample,
Full of spirit and blood, and enlarged like a flood;
Whose copious current tore down with its torrent,
Oaks, ashes, and yew, with the ground where they grew,
And his rivals to boot, wrenched up by the root;
And his personal foes, who presumed to oppose,
All drowned and abolished, dispersed and demolished,
And drifted headlong, with a deluge of song.
And his airs and his tunes, and his songs and lampoons,
Were recited and sung by the old and the young:
At our feasts and carousals, what poet but he?
And 'The fair Amphibribe' and 'The Sycophant Tree,'
'Masters and masons and builders of verse!'
Those were the tunes that all tongues could rehearse;
But since in decay you have cast him away,
Stript of his stops and his musical strings,
Battered and shattered, a broken old instrument,
Shoved out of sight among rubbishy things.
His garlands are faded, and what he deems worst,
His tongue and his palate are parching with thirst.
And now you may meet him alone in the street,
Wearied and worn, tattered and torn,
All decayed and forlorn, in his person and dress,
Whom his former success should exempt from distress,
With subsistence at large at the general charge,
And a seat with the great at the table of State,
There to feast every day and preside at the play
In splendid apparel, triumphant and gay.
Seeing Crates, the next, always teased and perplexed,
With your tyrannous temper tormented and vexed;
That with taste and good sense, without waste or expense,
From his snug little hoard, provided your board
With a delicate treat, economic and neat.
Thus hitting or missing, with crowns or with hissing,
Year after year he pursued his career,
For better or worse, till he finished his course.
These precedents held him in long hesitation;
20
He replied to his friends, with a just observation,
'That a seaman in regular order is bred
To the oar, to the helm, and to look out ahead;
With diligent practice has fixed in his mind
The signs of the weather, and changes of wind.
And when every point of the service is known,
Undertakes the command of a ship of his own.'
For reasons like these,
If your judgment agrees
That he did not embark
Like an ignorant spark,
Or a troublesome lout,
To puzzle and bother, and blunder about,
Give him a shout,
At his first setting out!
And all pull away
With a hearty huzza
For success to the play!
Send him away,
Smiling and gay,
Shining and florid,
With his bald forehead!
~ Aristophanes,#NFDB |
1335:Deliciae Sapientiae De Amore
Love, light for me
Thy ruddiest blazing torch,
That I, albeit a beggar by the Porch
Of the glad Palace of Virginity,
May gaze within,k and sing the pomp I see;
For, crown'd with roses all,
'Tis there, O Love, they keep thy festival!
But first warn off the beatific spot
Those wretched who have not
Even afar beheld the shining wall,
And those who, once beholding, have forgot,
And those, most vile, who dress
The charnel spectre drear
Of utterly dishallow'd nothingness
In that refulgent fame,
And cry, Lo, here!
And name
The Lady whose smiles inflame
The sphere.
Bring, Love, anear, And bid be not afraid
Young Lover true, and love-foreboding Maid,
And wedded Spouse, if virginal of thought;
for I will sing of nought
Less sweet to hear
Than seems
A music their half-remember'd dreams.
The magnet calls the steel:
Answers the iron to the magnet's breath;
What do they feel
But death!
The clouds of summer kiss in flame and rain,
And are not found again;
But the heavens themselves eternal are with fire
Of unapproach'd desire,
By the aching heart of Love, which cannot rest,
In blissfullest pathos so indeed possess'd.
O, spousals high;
O, doctrine blest,
Unutterable in even the happiest sigh;
18
This know ye all
Who can recall
With what a welling of indignant tears
LOve's simpleness first hears
The meaning of his mortal covenant,
And from what pride comes down
To wear the crown
Of which 'twas very heaven to feel the want.
How envies he the ways
Of yonder hopeless star,
And so would laugh and yearn
With trembling lids eterne,
Ineffably content from infinitely far
Only to gaze
On his bright Mistress's responding rays,
That never know eclipse;
And, once in his long year, With praeternuptial ecstasy and fear,
By the delicious law of that ellipse
Wherein all citizens of ether move,
With hastening pace to come
Nearer, though never near,
His Love
And always inaccessible sweet Home;
There on his path doubly to burn,
Kiss'd by her doubled light
That whispers of its source,
The ardent secret ever clothed with Night,
Then go forth in new force
Towards a new return,
Rejoicing as a Bridegroom on his course!
This know ye all;
Therefore gaze bold,
That so in you be joyful hope increas'd,
Thorough the Palace portals, and behold
The dainty and unsating Marriage-Feast.
O, hear
Them singing clear
'Cor meum et caro mea'round the 'I am',
The Husband of the Heavens, and the Lamb
Whom they for ever follow there that kept,
Or, losing, never slept
Till they reconquer'd had in mortal fight
19
The standard white.
O, hear
From the harps they bore from Earth, five-strung, what music springs,
While the glad Spirits chide
The wondering strings!
And how the shining sacrificial Choirs,
Offering for aye their dearest hearts' desires,
Which to their hearts come back beatified,
Hymn, the bright aisles along,
The nuptial song,
Song ever new to us and them, that saith,
'Hail Virgin in Virginity a Spouse!'
Heard first below
Within the little house
At Nazareth;
Heard yet in many a cell where brides of Christ
Lie hid, emparadised,
And where, although
By the hour 'tis night,
There's light,
The Day still lingering in the lap of snow.
Gaze and be not afraid
Ye wedded few that honour, in sweet thought
And glittering will,
So freshly from the garden gather still
The lily sacrificed;
For ye,though self-suspected here for nought,
Are highly styled
With the thousands twelve times twelve of undefiled.
Gaze and be not afraid
Young Lover true and love-foreboding Maid.
The full Moon of deific vision bright
Abashes nor abates
No spark minute of Nature's keen delight,
'Tis there your Hymen waits!
There wher in courts afar, all unconfused, they crowd,
As fumes the starlight soft
In gulfs of cloud,
And each to the other, well-content,
Sighs oft,
''Twas this we meant!'
Gaze without blame
20
Ye in whom living Love yet blushes for dead shame.
There of pure Virgins none
Is fairer seen,
Save One,
Than Mary Magdalene.
Gaze without doubt or fear
Ye to whom generous Love, by any name, is dear.
Love makes the life to be
A fount perpetual of virginity;
For, lo, the Elect
Of generous Love, how named soe'er, affect
Nothing but God,
Or mediate or direct,
Nothing but God,
The Husband of the Heavens:
And who Him love, in potence great or small
Are, one and all,
Heirs of the Palace glad,
And inly clad
With the bridal robes of ardour virginal.
~ Coventry Patmore,#NFDB |
1336:At Shelley’s House At Lerici
Maiden, with English hair, and eyes
The colour of Italian skies,
What seek you by this shore?
``I seek, sir, for the latest home
Where Shelley dwelt, and, o'er the foam
Speeding, returned no more.''
Come, then, with me: I seek it, too.
Are you his kith? For strangely you
Resemble him in mien.
``No, save it be that all are kin
Who cherish the same thoughts within,
And gaze on things unseen.''
It should be easy, sure, to find.
Waves close in front, woods close behind,
Green shutters, whitewashed walls;
A little space of rocky ground,
Where climbs the wave, and, round and round
The seagull curves and calls.
Lo! there it stands. A quiet spot,
Untenanted, it seems forgot,
Like shrine from which the God
Hath vanished, and but left behind
A something in the air, the wind,
Recalling where he trod.
Upon this balcony how oft,
When waves were smooth and winds were soft,
As now, he must have stood,
And dreamed of days when men should be
Bondless as this unfettered sea,
And peaceful as that wood.
What would he find if came he now?
A phantom crown on kingly brow,
Veiled sceptre, trembling throne;
Pulpits where threat and curse have ceased,
171
And shrines whereat half-sceptic priest
Worships, too oft, alone.
With muffled psalm and whispered hymn,
At secret dawn or twilight dim,
A pious remnant pray;
For their maimed rites indulgence plead,
And, half uncertain of their creed,
Explain their God away.
Gone the conventions Shelley cursed:
The first are last, the last are first;
The lame, the halt, the blind,
Now in the seat of power, along
With the far-seeing and the strong,
Mould mandates for mankind.
No longer doth man's will decide,
And woman's feebler impulse guide;
He yields to her his might:
Duty hath grown an old-world tale,
And chaste Obedience rends her veil,
For epicene delight.
Where now do towering despots reign
Over lithe knee and servile brain,
The scared, the base, the bought?
Monarchs themselves now bend with awe
Before the kingliness of Law,
The majesty of Thought.
Yes, Kings have gone, or reign as slaves;
Religion mumbles round our graves,
But shapes our lives no more:
Tradition, thrice-spurned Sibyl, burns
The leaves mob Sovereignty spurns,
Contemptuous of her lore.
Fair Maiden with the sea-blue eyes,
With whom, beneath these sea-blue skies,
Shelley had loved to live,
Forgive me if his dream, unborn
172
Then, but now adult, moves my scorn:
Would He too not forgive?
For where both Crown and Cowl defied
Sue for the ruth they once denied,
What would he find instead?
A fiercer despot, fouler creed,
The Rule of Gold, the rites of Greed,
And a bitterer cry for bread.
Wake, poet! and retune your strings.
The earth now swarms with petty kings,
Seated on self-made thrones,
And altar-tables richly spread,
Where Roguery consecrates the bread,
And Opulence atones.
Here Shelley prayed that War might cease
From earth, and Pentecostal Peace
Descend with dovelike breath.
Look round this bay! each treeless gorge,
Each scarred ravine, incessant forge
The instruments of death.
From Salterbrand's unfreezing peaks
To sunny Manfredonia's creeks,
Have alien satraps gone;
But, guarding Italy the Free,
Her murderous mammoth-monsters, see,
Come grimly wallowing on.
Yes, here He dwelt and dreamed: and there,
Gleams Porto Venere the fair,
The mockery of a name.
Where fervent Venus once was Queen,
Hot Mars now ravishes the scene,
And fans a fiercer flame.
Fair Maiden with the English brow,
Although from me, who shortly now
Must tread life's downward slope,
Illusions one by one depart,
173
Still foster in your virgin heart
The embryo of Hope.
The hills remain, the woods, the waves;
And they alone are dupes or slaves
Who, spurning Nature's breast,
Too high would soar, too deep would sound,
And madden vainly round and round
The orbit of unrest.
Pity, too, lingers. As I speak,
The teardrops tremble on your cheek,
Too silent to deceive;
And with assuaging hand you show
How tenderness still tempers woe,
And none need singly grieve.
Yes! sweet it were, with you for guide,
To float across that dimpling tide,
And, on its farther shore,
To prove if Venus still holds sway,
And, wandering with you round the bay,
Tempt back one's youth once more.
But, child! it is not Shelley's world.
Fancy's light sails had best be furled,
Before they surge and swell.
What helm can steer the heart? or who
Keep moored, inspired by such as You?
Heaven prosper you! Farewell.
~ Alfred Austin,#NFDB |
1337:On Australian Hills
Earth, outward tuning on her path in space
This pensive southern face,
Swathing its smile and shine
In that soft veil that day and darkness twine,
The silver-threaded twilight thin and fine,
With April dews impearled,
Looms like another and diviner world.
Here April brings her garnered harvest-sheaf,
Her withered autumn leaf,
Tintings of bronze and brass;
Her full-plumed reeds, her mushroom in the grass,
Her furrowed fields, where plough and sower pass,
Her laden apple bough.
All are transfigured and transmuted now.
The eastward ranges, so unearthly blue,
Bloom with their richest hue;
Slowly each rose-flushed crest
Deepens to violet where the shadows rest,
Darkens and darkens to the paling west;
The waning sun-fires die;
The first star swims in the pellucid sky.
Soundless to listening ear, on grass and flowers,
The footfall of the hours;
Formless and void to sight
The evolutions of invading night,
The creeping onslaught and the gradual flight,
Until the field is won,
And we look forth to see that day is done.
Then, from their grave of darkness, wood and lawn
Wake to a second dawn.
From unseen wells below
150
The pearly moon-tides rise and overflow,
Till vale and peak and wide air-spaces glow
In the transfiguring stream,
And earth and life are but a heavenly dream.
And now we hear the fairy-echoes fall
Where distant curlews call,
And how the silence thrills
With the night-voices of the glens and hills,
Rustling in reeds and tinkling in the rills,
Bubbling in creek and pool
Where frogs are wooing in the shallows cool.
And more than these, in this delicious time,
The melody sublime
That inward spirit hears-The faint and far-off music of the spheres,
Immortal harmonies, too fine for ears
Dulled in the dusty ways,
Deaf with the din of the laborious days.
Whereto, responsive as the vibrant wire
Of some aeolian lyre
Fanned by celestial wings,
The summoned soul in mystic concord brings
The deep notes latent in its trembling strings,
Joining the choir divine
Of all the worlds that in the ether shine.
O sacred hour! O sweet night, calm and fair!
Thou dost rebuke despair;
Thou dost assuage the pain
Of passionate spirit and distempered brain,
And with thy balms, distilled like gentle rain,
Dost heal the fret and smart
And nerve the courage of this coward's heart.
151
And lift me up, a Moses on the Mount
To the pure source and fount
Of law transcending law,
Of life that hallows life. I know no more
Of life's great Giver than I knew before,
But these His creatures tell
That He is living, and that all is well.
Oh, to be there to-night!
To see that rose of sunset flame and fade
On ghostly mountain height,
The soft dusk gathering each leaf and blade
From the departing light,
Each tree-fern feather of the wildwood glade.
From arid streets to pass
Down those green aisles where golden wattles bloom,
Over the fragrant grass,
And smell the eucalyptus in a gloom
That is as clear as glass,
The dew-fresh scents of bracken and of broom . . .
These city clamours mute,
To hear the woodland necromancers play
Each his enchanted lute;
That dear bird-laugh, so exquisitely gay,
The magpie's silver flute
In vesper carol to the dying day.
To hear the live wind blow,
The delicate stir and whisper of the trees
As light breaths come and go,
The brooklet murmuring to the vagrant breeze,
The bull-frog twanging low
His deep-toned mandolin to chime with these.
152
And then the whispering rills,
The hushed lone wheel, or hoof, or axeman's tool;
The brooding dark that stills
The sweet Pan-piping of the grove and pool;
The dimly glimmering hills;
The sleeping night, so heavenly clean and cool.
Oh, for that mother-breast
That takes the broken spirit for repair,
The worn-out brain for rest-That healing silence, that untainted air,
That Peace of God . . . . . . Blest, blest
The very memory that I once was there.
The thought that someday yet,
In flesh, not dreams, I may return again,
And at those altars, set
In the pure skies, above the smoky plain,
Remember and forget
The joy of living and its price of pain . . . . . .
That sullied earth reserves
Such spacious refuge virgin and apart,
That wasting life preserves
Such sweet retreat for the distracted heart,
Such fount of strength for nerves
Torn in the ruthless struggle of the mart . . . . . .
That Government divine
O'er all this reek of blunders and of woes
Keeps an unravaged shrine
Not here, not there, but in the souls of those
Who neither weep nor whine,
But trust the guidance of the One Who Knows.
153
~ Ada Cambridge,#NFDB |
1338:L'Albatros (The Albatross)
Souvent, pour s'amuser, les hommes d'équipage
Prennent des albatros, vastes oiseaux des mers,
Qui suivent, indolents compagnons de voyage,
Le navire glissant sur les gouffres amers.
À peine les ont-ils déposés sur les planches,
Que ces rois de l'azur, maladroits et honteux,
Laissent piteusement leurs grandes ailes blanches
Comme des avirons traîner à côté d'eux.
Ce voyageur ailé, comme il est gauche et veule!
Lui, naguère si beau, qu'il est comique et laid!
L'un agace son bec avec un brûle-gueule,
L'autre mime, en boitant, l'infirme qui volait!
Le Poète est semblable au prince des nuées
Qui hante la tempête et se rit de l'archer;
Exilé sur le sol au milieu des huées,
Ses ailes de géant l'empêchent de marcher.
The Albatross
Often, to amuse themselves, the men of a crew
Catch albatrosses, those vast sea birds
That indolently follow a ship
As it glides over the deep, briny sea.
Scarcely have they placed them on the deck
Than these kings of the sky, clumsy, ashamed,
Pathetically let their great white wings
Drag beside them like oars.
That winged voyager, how weak and gauche he is,
So beautiful before, now comic and ugly!
One man worries his beak with a stubby clay pipe;
Another limps, mimics the cripple who once flew!
The poet resembles this prince of cloud and sky
257
Who frequents the tempest and laughs at the bowman;
When exiled on the earth, the butt of hoots and jeers,
His giant wings prevent him from walking.
— Translated by William Aggeler
The Albatross
Sometimes for sport the men of loafing crews
Snare the great albatrosses of the deep,
The indolent companions of their cruise
As through the bitter vastitudes they sweep.
Scarce have they fished aboard these airy kings
When helpless on such unaccustomed floors,
They piteously droop their huge white wings
And trail them at their sides like drifting oars.
How comical, how ugly, and how meek
Appears this soarer of celestial snows!
One, with his pipe, teases the golden beak,
One, limping, mocks the cripple as he goes.
The Poet, like this monarch of the clouds,
Despising archers, rides the storm elate.
But, stranded on the earth to jeering crowds,
The great wings of the giant baulk his gait.
— Translated by Roy Campbell
The Albatross
Sometimes, to entertain themselves, the men of the crew
Lure upon deck an unlucky albatross, one of those vast
Birds of the sea that follow unwearied the voyage through,
Flying in slow and elegant circles above the mast.
No sooner have they disentangled him from their nets
Than this aerial colossus, shorn of his pride,
258
Goes hobbling pitiably across the planks and lets
His great wings hang like heavy, useless oars at his side.
How droll is the poor floundering creature, how limp and weak —
He, but a moment past so lordly, flying in state!
They tease him: One of them tries to stick a pipe in his beak;
Another mimics with laughter his odd lurching gait.
The Poet is like that wild inheritor of the cloud,
A rider of storms, above the range of arrows and slings;
Exiled on earth, at bay amid the jeering crowd,
He cannot walk for his unmanageable wings.
— Translated by George Dillon
Albatrosses
Often our sailors, for
Catch albatrosses on
Through which these
As it skims down the
an hour of fun,
the after breeze
trail the ship from sun to sun
deep and briny seas.
Scarce have these birds been set upon the poop,
Than, awkward now, they, the sky's emperors,
Piteous and shamed, let their great white wings droop
Beside them like a pair of idle oars.
These wingèd voyagers, how gauche their gait!
Once noble, now how ludicrous to view!
One sailor bums them with his pipe, his mate
Limps, mimicking these cripples who once flew.
Poets are like these lords of sky and cloud,
Who ride the storm and mock the bow's taut strings,
Exiled on earth amid a jeering crowd,
Prisoned and palsied by their giant wings.
— Translated by Jacques LeClercq
259
The Albatross
Often, to amuse themselves, the men of the crew
Catch those great birds of the seas, the albatrosses,
lazy companions of the voyage, who follow
The ship that slips through bitter gulfs.
Hardly have they put them on the deck,
Than these kings of the skies, awkward and ashamed,
Piteously let their great white wings
Draggle like oars beside them.
This winged traveler, how weak he becomes and slack!
He who of late was so beautiful, how comical and ugly!
Someone teases his beak with a branding iron,
Another mimics, limping, the crippled flyer!
The Poet is like the prince of the clouds,
Haunting the tempest and laughing at the archer;
Exiled on earth amongst the shouting people,
His giant's wings hinder him from walking.
— Translated by Geoffrey Wagner
~ Charles Baudelaire,#NFDB |
1339:'Tis midnight now--athwart the murky air,
Dank lurid meteors shoot a livid gleam;
From the dark storm-clouds flashes a fearful glare,
It shows the bending oak, the roaring stream.
I pondered on the woes of lost mankind,
I pondered on the ceaseless rage of Kings;
My rapt soul dwelt upon the ties that bind
The mazy volume of commingling things,
When fell and wild misrule to man stern sorrow brings.
I heard a yell--it was not the knell,
When the blasts on the wild lake sleep,
That floats on the pause of the summer gale's swell,
O'er the breast of the waveless deep.
I thought it had been death's accents cold
That bade me recline on the shore;
I laid mine hot head on the surge-beaten mould,
And thought to breathe no more.
But a heavenly sleep
That did suddenly steep
In balm my bosom's pain,
Pervaded my soul,
And free from control,
Did mine intellect range again.
Methought enthroned upon a silvery cloud,
Which floated mid a strange and brilliant light;
My form upborne by viewless aether rode,
And spurned the lessening realms of earthly night.
What heavenly notes burst on my ravished ears,
What beauteous spirits met my dazzled eye!
Hark! louder swells the music of the spheres,
More clear the forms of speechless bliss float by,
And heavenly gestures suit aethereal melody.
But fairer than the spirits of the air,
More graceful than the Sylph of symmetry,
Than the enthusiast's fancied love more fair,
Were the bright forms that swept the azure sky.
Enthroned in roseate light, a heavenly band
Strewed flowers of bliss that never fade away;
They welcome virtue to its native land,
And songs of triumph greet the joyous day
When endless bliss the woes of fleeting life repay.
Congenial minds will seek their kindred soul,
E'en though the tide of time has rolled between;
They mock weak matter's impotent control,
And seek of endless life the eternal scene.
At death's vain summons THIS will never die,
In Nature's chaos THIS will not decay--
These are the bands which closely, warmly, tie
Thy soul, O Charlotte, 'yond this chain of clay,
To him who thine must be till time shall fade away.
Yes, Francis! thine was the dear knife that tore
A tyrant's heart-strings from his guilty breast,
Thine was the daring at a tyrant's gore,
To smile in triumph, to contemn the rest;
And thine, loved glory of thy sex! to tear
From its base shrine a despot's haughty soul,
To laugh at sorrow in secure despair,
To mock, with smiles, life's lingering control,
And triumph mid the griefs that round thy fate did roll.
Yes! the fierce spirits of the avenging deep
With endless tortures goad their guilty shades.
I see the lank and ghastly spectres sweep
Along the burning length of yon arcades;
And I see Satan stalk athwart the plain;
He hastes along the burning soil of Hell.
'Welcome, ye despots, to my dark domain,
With maddening joy mine anguished senses swell
To welcome to their home the friends I love so well.'
...
Hark! to those notes, how sweet, how thrilling sweet
They echo to the sound of angels' feet.
...
Oh haste to the bower where roses are spread,
For there is prepared thy nuptial bed.
Oh haste--hark! hark!--they're gone.
...
CHORUS OF SPIRITS:
Stay, ye days of contentment and joy,
Whilst love every care is erasing,
Stay ye pleasures that never can cloy,
And ye spirits that can never cease pleasing.
And if any soft passion be near,
Which mortals, frail mortals, can know,
Let love shed on the bosom a tear,
And dissolve the chill ice-drop of woe.
...
SYMPHONY
FRANCIS:
'Soft, my dearest angel, stay,
Oh! you suck my soul away;
Suck on, suck on, I glow, I glow!
Tides of maddening passion roll,
And streams of rapture drown my soul.
Now give me one more billing kiss,
Let your lips now repeat the bliss,
Endless kisses steal my breath,
No life can equal such a death.'
CHARLOTTE:
'Oh! yes I will kiss thine eyes so fair,
And I will clasp thy form;
Serene is the breath of the balmy air,
But I think, love, thou feelest me warm
And I will recline on thy marble neck
Till I mingle into thee;
And I will kiss the rose on thy cheek,
And thou shalt give kisses to me.
For here is no morn to flout our delight,
Oh! dost thou not joy at this?
And here we may lie an endless night,
A long, long night of bliss.'
Spirits! when raptures move,
Say what it is to love,
When passion's tear stands on the cheek,
When bursts the unconscious sigh;
And the tremulous lips dare not speak
What is told by the soul-felt eye.
But what is sweeter to revenges ear
Than the fell tyrant's last expiring yell?
Yes! than love's sweetest blisses 'tis more dear
To drink the floatings of a despot's knell.
I wake--'tis done--'tis over.
~ Percy Bysshe Shelley, Fragment - Supposed To Be An Epithalamium Of Francis Ravaillac And Charlotte Corday
,#NFDB |
1340:Breitmann In Turkey
DERR BREITMANN hear im Turkenreich
Vas fighten high und low,
'Steh auf, oh Schwackenhammer mein!
It's dime for us to go.
Zieh dein Kanonenstiefel an,
Und schleife Dir das Schwert,
Schon lang her han mer nichts gethan,
Der Weg ist reitenswerth.'
'Oopon vitch side? I hartly know
Boot von side in dis war:
Dere ist de holy Russ-land
All mit a holy Tsar;
But I pe not a holy-er,
Nor you von Saint, I fear;
Out line is holy ploonder,
Mit sacred Lager-bier.
'Dere's von Constantinoble-man
Vot write to me, und say
He kits me an commission
To make me Breitmann Bey,
Und if I mounts de turpan
Und keeps de Muslin law,
Und bribes ein wenig, den I rise
To Breitemann Pasha.
'Dis much is drue, dat Toorkey is
A real Powder land,
Und if dey're goin' to touch it off,
Vy, ve moost pe on hand.
Und if ve shpring into de airs
Vhile meddlin' in de fuss,
I rader dink some Russian bears
Vill shpring along mit us.'
Und ven he kit to Turkreich
Der Breitmann work like mad,
Und kit ein corps togeder,-
86
Mein Gott! vat men he had!
Mit Polers und mit Shipsies,
Ungaren, Turks, und such,
Und allerlei Gesindel. 'Hei!'
Says Hans: 'dis beats de Dutch!'
Den onwards to his Schicksal
Und forvarts troo de night,
Und oopwarts to his mission,
Und downvarts in de vight.
Until in de Bulgaren
Von night his horse he strode,
Und meet a tausand Kossacks
Pefore him on de road.
Slap forward rode der Breitmann
Right on de Kossack spears,
But forvarts coom deir leader
And halted his careers,
Und gry, 'O Turkisch Ritter,
I am de Capitan,
And if you want a shindy,
Step up, and I'm your man.'
Dey fightet like der teufel,
Dey fightet mit deir swords,
Und Breitmann vould hafe kilt him,
But 'twas not on de cards,
For de Kossack fire a bistol
As his retreadt pegan,Down from his horse all senseless
Flop! went der Breitemann.
Vhen he hafe kit his senses,
Der Breitmann find he lay
Insite a nople castell,
Upon a canape;
Und py his side a lady
So wunderschon to see,
Vas shlisin oop a lemon
Indo a cop of thee.
87
Den to himself say Breitmann,
Aldough he hold his jaw,
'Dis is de vinest womans,
Py Gott! I efer saw.
Vot lofeliness! vot muscle!
Mit efery himmlisch charm!
She measures twenty inches,
Bei Donner! roundt de arm.'
De lady see his glances
So noble und so game,
Und yust as he reflected
She dink of him de same,
Und she say, 'Wie gehts?' in English,
'Du galiant cavalier,
Who art pecome de captive
All of my bow und spear.
'I am a gal dis mornin',
Yestreen I vas a knight,
Old hoss - you nearly smashedme,
I guess, in that small fight;
And if I hadn't shot you
I think I should have ran.'
'Gottshimmel mit Potzbomben!
Egsclaim der Breitemann.
'But say, O nople lady,
Vot got you in dot set
Of plackgards - vilt dou dell me?'
De dame rebly: 'You bet!
My father came from Boston,
And when this war began
He got a splendid contract,
All with the Russi-an,
'To sell the army shoe-strings;
But I have read of fights,
And I dream of war and glory,
For I go for women's rights;
Then I read a book of poems
Which fairly turned my head,
88
The ballads of Hans Breitmann'-'Oh --- ho!' Hans Breitmann said.
'And as I think the Breitmann
Must be the greatest man
Who ever went a-fighting
Since History began,
I dressed me like a soldier,
For I am stark of limb;
With Breitmann for a model,
And try to act like him.
'Oh, tell me, noble captive,
While rolling in this storm
Which men call life, hast ever
Beheld Hans Breitmann's form?
Oh, could I once embrace him,
And gaze into his eye,
And feel his arms around me,
Then I would gladly die.
'He is the man of mortals,
The Odin of them all,
A higher Incarnation,
The 'Menschheitsideal,'
A being made to worship,
To me an earthly Gott'-'Py shings!' exglaim Hans Breitmann,
'Dis ding is gettin hot!
'O laity! - nople gountess!
Dis man of whom you dink
Ish lyin' here pefore you,
Half tead for want of trink,
Likewise for lofe of you, too,
Done up mit lofe and durst,
Und mit de two togeder,
I don't know vitch is vorst.
'And dou canst safe dy hero
From bitter Todespein,
If dou hast in de Keller
89
Only one Fass of wein.
Nay, doubt not - in my pocket
Is dot vitch brofes de man,
My bassport, und drei tavern bills
Against der Breitemann.'
De laity she emprace him
Oontil he nearly bust.
'Potz-blitz!' gasp out der Breitmann,
'She is a squeezer - yust!'
De dame she vas vealty,
Likewise an orphan too,
Mit a castel und a titel,
So Breitmann put it troo.
So soon the paar vere marrit,Hei! vot a dimes dey had!
Hei! how dey life togeder
So clorious und clad!
Now he has cot a titel
Dot was a Capitan;
Hier hat de tale ein Ende
Of Herr Count Breitemann.
~ Charles Godfrey Leland,#NFDB |
1341:The Sins Of Kalamazoo
THE SINS of Kalamazoo are neither scarlet nor crimson.
The sins of Kalamazoo are a convict gray, a dishwater drab.
And the people who sin the sins of Kalamazoo are neither scarlet nor crimson.
They run to drabs and grays-and some of them sing they shall be washed whiter
than snow-and some: We should worry.
Yes, Kalamazoo is a spot on the map
And the passenger trains stop there
And the factory smokestacks smoke
And the grocery stores are open Saturday nights
And the streets are free for citizens who vote
And inhabitants counted in the census.
Saturday night is the big night.
Listen with your ears on a Saturday night in Kalamazoo
And say to yourself: I hear America, I hear, what do I hear?
Main street there runs through the middle of the twon
And there is a dirty postoffice
And a dirty city hall
And a dirty railroad station
And the United States flag cries, cries the Stars and Stripes to the four winds on
Lincoln's birthday and the Fourth of July.
Kalamazoo kisses a hand to something far off.
Kalamazoo calls to a long horizon, to a shivering silver angel, to a creeping
mystic what-is-it.
'We're here because we're here,' is the song of Kalamazoo.
'We don't know where we're going but we're on our way,' are the words.
There are hound dogs of bronze on the public square, hound dogs looking far
beyond the public square.
Sweethearts there in Kalamazoo
443
Go to the general delivery window of the postoffice
And speak their names and ask for letters
And ask again, 'Are you sure there is nothing for me?
I wish you'd look again-there must be a letter for me.'
And sweethearts go to the city hall
And tell their names and say,'We want a license.'
And they go to an installment house and buy a bed on time and a clock
And the children grow up asking each other, 'What can we do to kill time?'
They grow up and go to the railroad station and buy tickets for Texas,
Pennsylvania, Alaska.
'Kalamazoo is all right,' they say. 'But I want to see the world.'
And when they have looked the world over they come back saying it is all like
Kalamazoo.
The trains come in from the east and hoot for the crossings,
And buzz away to the peach country and Chicago to the west
Or they come from the west and shoot on to the Battle Creek breakfast bazaars
And the speedbug heavens of Detroit.
'I hear America, I hear, what do I hear?'
Said a loafer lagging along on the sidewalks of Kalamazoo,
Lagging along and asking questions, reading signs.
Oh yes, there is a town named Kalamazoo,
A spot on the map where the trains hesitate.
I saw the sign of a five and ten cent store there
And the Standard Oil Company and the International Harvester
And a graveyard and a ball grounds
And a short order counter where a man can get a stack of wheats
And a pool hall where a rounder leered confidential like and said:
'Lookin' for a quiet game?'
The loafer lagged along and asked,
'Do you make guitars here?
Do you make boxes the singing wood winds ask to sleep in?
Do you rig up strings the singing wood winds sift over and sing low?'
The answer: 'We manufacture musical instruments here.'
Here I saw churches with steeples like hatpins,
Undertaking rooms with sample coffins in the show window
And signs everywhere satisfaction is guaranteed,
444
Shooting galleries where men kill imitation pigeons,
And there were doctors for the sick,
And lawyers for people waiting in jail,
And a dog catcher and a superintendent of streets,
And telephones, water-works, trolley cars,
And newspapers with a splatter of telegrams from sister cities of Kalamazoo the
round world over.
And the loafer lagging along said:
Kalamazoo, you ain't in a class by yourself;
I seen you before in a lot of places.
If you are nuts America is nuts.
And lagging along he said bitterly:
Before I came to Kalamazoo I was silent.
Now I am gabby, God help me, I am gabby.
Kalamazoo, both of us will do a fadeaway.
I will be carried out feet first
And time and the rain will chew you to dust
And the winds blow you away.
And an old, old mother will lay a green moss cover on my bones
And a green moss cover on the stones of your postoffice and city hall.
Best of all
I have loved your kiddies playing run-sheep-run
And cutting their initials on the ball ground fence.
They knew every time I fooled them who was fooled and how.
Best of all
I have loved the red gold smoke of your sunsets;
I have loved a moon with a ring around it
Floating over your public square;
I have loved the white dawn frost of early winter silver
And purple over your railroad tracks and lumber yards.
The wishing heart of you I loved, Kalamazoo.
I sang bye-lo, bye-lo to your dreams.
I sang bye-lo to your hopes and songs.
I wished to God there were hound dogs of bronze on your public square,
Hound dogs with bronze paws looking to a long horizon with a shivering silver
angel, a creeping mystic what-is-it.
445
~ Carl Sandburg,#NFDB |
1342:The light of the sun, the moon, and the stars shines bright: The melody of love swells forth, and the rhythm of love's detachment beats the time. Day and night, the chorus of music fills the heavens; and Kabir says "My Beloved One gleams like the lightning flash in the sky." Do you know how the moments perform their adoration? Waving its row of lamps, the universe sings in worship day and night, There are the hidden banner and the secret canopy: There the sound of the unseen bells is heard. Kabir says: "There adoration never ceases; there the Lord of the Universe sitteth on His throne." The whole world does its works and commits its errors: but few are the lovers who know the Beloved. The devout seeker is he who mingles in his heart the double currents of love and detachment, like the mingling of the streams of Ganges and Jumna; In his heart the sacred water flows day and night; and thus the round of births and deaths is brought to an end. Behold what wonderful rest is in the Supreme Spirit! and he enjoys it, who makes himself meet for it. Held by the cords of love, the swing of the Ocean of Joy sways to and fro; and a mighty sound breaks forth in song. See what a lotus blooms there without water! and Kabir says "My heart's bee drinks its nectar." What a wonderful lotus it is, that blooms at the heart of the spinning wheel of the universe! Only a few pure souls know of its true delight. Music is all around it, and there the heart partakes of the joy of the Infinite Sea. Kabir says: "Dive thou into that Ocean of sweetness: thus let all errors of life and of death flee away." Behold how the thirst of the five senses is quenched there! and the three forms of misery are no more! Kabir says: "It is the sport of the Unattainable One: look within, and behold how the moon-beams of that Hidden One shine in you." There falls the rhythmic beat of life and death: Rapture wells forth, and all space is radiant with light. There the Unstruck Music is sounded; it is the music of the love of the three worlds. There millions of lamps of sun and of moon are burning; There the drum beats, and the lover swings in play. There love-songs resound, and light rains in showers; and the worshipper is entranced in the taste of the heavenly nectar. Look upon life and death; there is no separation between them, The right hand and the left hand are one and the same. Kabir says: "There the wise man is speechless; for this truth may never be found in Vedas or in books." I have had my Seat on the Self-poised One, I have drunk of the Cup of the Ineffable, I have found the Key of the Mystery, I have reached the Root of Union. Travelling by no track, I have come to the Sorrowless Land: very easily has the mercy of the great Lord come upon me. They have sung of Him as infinite and unattainable: but I in my meditations have seen Him without sight. That is indeed the sorrowless land, and none know the path that leads there: Only he who is on that path has surely transcended all sorrow. Wonderful is that land of rest, to which no merit can win; It is the wise who has seen it, it is the wise who has sung of it. This is the Ultimate Word: but can any express its marvelous savour? He who has savoured it once, he knows what joy it can give. Kabir says: "Knowing it, the ignorant man becomes wise, and the wise man becomes speechless and silent, The worshipper is utterly inebriated, His wisdom and his detachment are made perfect; He drinks from the cup of the inbreathings and the outbreathings of love." There the whole sky is filled with sound, and there that music is made without fingers and without strings; There the game of pleasure and pain does not cease. Kabir says: "If you merge your life in the Ocean of Life, you will find your life in the Supreme Land of Bliss." What a frenzy of ecstasy there is in every hour! and the worshipper is pressing out and drinking the essence of the hours: he lives in the life of Brahma. I speak truth, for I have accepted truth in life; I am now attached to truth, I have swept all tinsel away. Kabir says: "Thus is the worshipper set free from fear; thus have all errors of life and of death left him." There the sky is filled with music: There it rains nectar: There the harp-strings jingle, and there the drums beat. What a secret splendour is there, in the mansion of the sky! There no mention is made of the rising and the setting of the sun; In the ocean of manifestation, which is the light of love, day and night are felt to be one. Joy for ever, no sorrow,--no struggle! There have I seen joy filled to the brim, perfection of joy; No place for error is there. Kabir says: "There have I witnessed the sport of One Bliss!" I have known in my body the sport of the universe: I have escaped from the error of this world. The inward and the outward are become as one sky, the Infinite and the finite are united: I am drunken with the sight of this All! This Light of Thine fulfills the universe: the lamp of love that burns on the salver of knowledge. Kabir says: "There error cannot enter, and the conflict of life and death is felt no more." [bk1sm.gif] -- from One Hundred Poems of Kabir: Translated by Rabindranath Tagore, by Kabir / Translated by Rabindranath Tagore
~ Kabir, The light of the sun, the moon, and the stars shines bright
,#NFDB |
1343:THE light of the sun, the moon, and the stars shines bright:
The melody of love swells forth, and the rhythm of love's detachment beats the time.
Day and night, the chorus of music fills the heavens; and Kabr says
"My Beloved One gleams like the lightning flash in the sky."
Do you know how the moments perform their adoration?
Waving its row of lamps, the universe sings in worship day and night,
There are the hidden banner and the secret canopy:
There the sound of the unseen bells is heard.
Kabr says: "There adoration never ceases; there the Lord of the Universe sitteth on His throne."
The whole world does its works and commits its errors: but few are the lovers who know the Beloved.
The devout seeker is he who mingles in his heart the double currents of love and detachment, like the mingling of the streams of Ganges and Jumna;
In his heart the sacred water flows day and night; and thus the round of births and deaths is brought to an end.
Behold what wonderful rest is in the Supreme Spirit! and he enjoys it, who makes himself meet for it.
Held by the cords of love, the swing of the Ocean of Joy sways to and fro; and a mighty sound breaks forth in song.
See what a lotus blooms there without water! and Kabr says
"My heart's bee drinks its nectar."
What a wonderful lotus it is, that blooms at the heart of the spinning wheel of the universe! Only a few pure souls know of its true delight.
Music is all around it, and there the heart partakes of the joy of the Infinite Sea.
Kabr says: "Dive thou into that Ocean of sweetness: thus let all errors of life and of death flee away."
Behold how the thirst of the five senses is quenched there! and the three forms of misery are no more!
Kabr says: "It is the sport of the Unattainable One: look within, and behold how the moon-beams of that Hidden One shine in you."
There falls the rhythmic beat of life and death:
Rapture wells forth, and all space is radiant with light.
There the Unstruck Music is sounded; it is the music of the love of the three worlds.
There millions of lamps of sun and of moon are burning;
There the drum beats, and the lover swings in play.
There love-songs resound, and light rains in showers; and the worshipper is entranced in the taste of the heavenly nectar.
Look upon life and death; there is no separation between them,
The right hand and the left hand are one and the same.
Kabr says: "There the wise man is speechless; for this truth may never be found in Vadas or in books."
I have had my Seat on the Self-poised One,
I have drunk of the Cup of the Ineffable,
I have found the Key of the Mystery,
I have reached the Root of Union.
Travelling by no track, I have come to the Sorrowless Land: very easily has the mercy of the great Lord come upon me.
They have sung of Him as infinite and unattainable: but I in my meditations have seen Him without sight.
That is indeed the sorrowless land, and none know the path that leads there:
Only he who is on that path has surely transcended all sorrow.
Wonderful is that land of rest, to which no merit can win;
It is the wise who has seen it, it is the wise who has sung of it.
This is the Ultimate Word: but can any express its marvellous savour? {p. 65}
He who has savoured it once, he knows what joy it can give.
Kabr says: "Knowing it, the ignorant man becomes wise, and the wise man becomes speechless and silent,
The worshipper is utterly inebriated,
His wisdom and his detachment are made perfect;
He drinks from the cup of the inbreathings and the outbreathings of love."
There the whole sky is filled with sound, and there that music is made without fingers and without strings;
There the game of pleasure and pain does not cease.
Kabr says: "If you merge your life in the Ocean of Life, you will find your life in the Supreme Land of Bliss."
What a frenzy of ecstasy there is in every hour! and the worshipper is pressing out and drinking the essence of the hours: he lives in the life of Brahma.
I speak truth, for I have accepted truth in life; I am now attached to truth, I have swept all tinsel away.
Kabr says: "Thus is the worshipper set free from fear; thus have all errors of life and of death left him."
There the sky is filled with music:
There it rains nectar:
There the harp-strings jingle, and there the drums beat.
What a secret splendour is there, in the mansion of the sky!
There no mention is made of the rising and the setting of the sun;
In the ocean of manifestation, which is the light of love, day and night are felt to be one.
Joy for ever, no sorrow,no struggle!
There have I seen joy filled to the brim, perfection of joy;
No place for error is there.
Kabr says: "There have I witnessed the sport of One Bliss!"
I have known in my body the sport of the universe: I have escaped from the error of this world..
The inward and the outward are become as one sky, the Infinite and the finite are united: I am drunken with the sight of this All!
This Light of Thine fulfils the universe: the lamp of love that burns on the salver of knowledge.
Kabr says: "There error cannot enter, and the conflict of life and death is felt no more."
~ Kabir, The Light of the Sun
,#NFDB |
1344:Sunflower Face
What grief is melting in your thoughtful eyes,
You with the face of the Sun? What song of sorrow
Is wafting in your tremulous lips? But perhaps
This song and grief are not yours, in fact—maybe,
I am passing on to you the fire in my chest, although
They suit you too so well—this lament of my boat
Crashing in the sea at your wharf—I did so sway
The billows that it might not enter your ears-When a solar system stops its momentum on its own,
When the dry Ganga of the Milky Way burns up
Like a sandy channel and writhes for water,
O Sunflower Face, will you come and open your ears
Like a whirlwind that tears away the roots of my vowels
And consonants, which keep flowing like a mere song?
Till now I haven't drawn even a little painting for you,
Nor have I composed a simple light song for you-And yet you have guarded the western gateway of kindness,
And guarded this sea-wharf, where my corpse is floating,
As well as the pain I have cherished like under-water fire
O Sunflower Face, words of curse are indeed on the tip
Of my tongue, sharp words seething with hellish torture,
I shall not sprinkle these singeing words on anybody's head,
Lest they should boomerang some day or other, and so
Thinking, I remain dumb even now, as always.
Look! These sea waves sometimes in the morning lie
Without motion, their vast expanse seems like a bed-sheet,
The folds will not move, they may beckon as if to tempt
Us to lie on them, hearing the call we may take a close look,
And if our eyes are O.K, in that stillness we shall learn
The thirst of the sea, the depth of the sea, the orgasmic spell
Of the sea, the cruelty of the sea, the hypnotic electric measure
Of the sea. The sea's measure is the glory of the strong goddess
Who saved the threefold powers that lay crying and crawling
In the primordial waters of primal energy at the time of Creation.
As we invoke and awaken that Sea-mother, giving her life,
Installing her figure drawn on the floor, as it were,
What is it that you whisper into my ears, strange!
31
That this is the truth, that this alone is truth, do you
Whisper into my ears? Touching my cheek, you
Pour into my ears this electric charm—the spell
Of the wounds of love and affection and sweetness,
That assumes a form and pulsates here on the floor.
Sunflower Face, I am not just drawing your picture
In colours--but merely trying to mark a figure
In my home courtyard with the fresh powder of
This lengthening moonlight, just for nothing at all-Only trying to draw a new world, just like that-Seeking colours, singing the colours. Accept this,
O Sunflower Face!
Surajmukhi, the top of your head, your forehead,
Your eyebrows, your eyelids that close and open
The temples of your eyeballs, letting out a glow,
Your eyelashes that bend down along with them,
Your cheeks, bulging underneath, full of blood,
Your nostrils that keep humming the scent of birds,
Your lips blossoming below, your teeth in between,
With a little sheen, O Sunflower Face, as I inhale
The magnificence of your face, I can hear
The petals of your opening flower bud,
The gentle smile that breaks into an awareness,
And the rays of light that radiate from it, far and wide.
Is it the early soft vernal season of the rustling bosoms
Is it the hard winter of the rubbing hands and palms
Or is it the summer when toes begin to tinkle:
Tell me, Surajmukhi, how do the pictures drawn by
Your Sun turn into such strange, unexpected visions?
The thoughts that arise from your honeyed navel—
The cryptic magic formulas, the aphorisms, axioms,
How do they become the enveloping black hole enclosed
Within the very structure of this overarching universe?
Is it the fertile autumnal splendour of your cool thighs
Or the arrival of rains recalled by the roots of your arms
Or the full spring that puts out tender shoots from head to foot
Or the cycle of six seasons, stirring the mind and the body alike?
Is it not so, when the figure is lit up by the sprinkling of powders
32
Of different colours, isn't it? Are they not the fulsome bosoms
Of motherhood, aren't they? Are they not the sacred weapons
Carried in her sixty-four hands, aren't they? Are they not the stars,
Inexhaustible in enumeration, taking the shape of truth in her breasts?
Are they not sprouts of adolescent hopes thrilled at every touch?
Are they not the desires arising from the flow of fresh fragrance?
Clearing the yard of loose sand, making a circle, smearing it
With cow dung, decking it up as holy ground, the hand of joy
Picks up the bowl of powders, and sprinkling them on the ground
Draws something, writes something; is it not the swing and sway
Of strings of waves blossoming among the stream of colors,
Isn't it? The bloody points of spears are aimed at some and
Whirr fast, and blow the conch, with vigour and straight upward,
Aren't they? Hearing it, unable to bear it, do they not seek shelter,
Don't they? There comes the Kolam, enlivened rage, there comes
An awakened world, a resurrected time, there comes, there comes
Interiorized in wrath, beaming forth a tender smile, singing of colours,
Wiping off the colours, entering the grove to put on grace,
There comes the Sunflower Face!
~ Ayyappa Paniker,#NFDB |
1345:Ye in the age gone by,
Who ruled the worlda world how lovely then!
And guided still the steps of happy men
In the light leading-strings of careless joy!
Ah, flourished then your service of delight!
How different, oh, how different, in the day
When thy sweet fanes with many a wreath were bright,
O Venus Amathusia!
Then, through a veil of dreams
Woven by song, truth's youthful beauty glowed,
And life's redundant and rejoicing streams
Gave to the soulless, soulwhere'r they flowed
Man gifted nature with divinity
To lift and link her to the breast of love;
All things betrayed to the initiate eye
The track of gods above!
Where lifelessfixed afar,
A flaming ball to our dull sense is given,
Phoebus Apollo, in his golden car,
In silent glory swept the fields of heaven!
On yonder hill the Oread was adored,
In yonder tree the Dryad held her home;
And from her urn the gentle Naiad poured
The wavelet's silver foam.
Yon bay, chaste Daphne wreathed,
Yon stone was mournful Niobe's mute cell,
Low through yon sedges pastoral Syrinx breathed,
And through those groves wailed the sweet Philomel,
The tears of Ceres swelled in yonder rill
Tears shed for Proserpine to Hades borne;
And, for her lost Adonis, yonder hill
Heard Cytherea mourn!
Heaven's shapes were charmed unto
The mortal race of old Deucalion;
Pyrrha's fair daughter, humanly to woo,
Came down, in shepherd-guise, Latona's son
Between men, heroes, gods, harmonious then
Love wove sweet links and sympathies divine;
Blest Amathusia, heroes, gods, and men,
Equals before thy shrine!
Not to that culture gay,
Stern self-denial, or sharp penance wan!
Well might each heart be happy in that day
For gods, the happy ones, were kin to man!
The beautiful alone the holy there!
No pleasure shamed the gods of that young race;
So that the chaste Camoenae favoring were,
And the subduing grace!
A palace every shrine;
Your sports heroic;yours the crown
Of contests hallowed to a power divine,
As rushed the chariots thundering to renown.
Fair round the altar where the incense breathed,
Moved your melodious dance inspired; and fair
Above victorious brows, the garland wreathed
Sweet leaves round odorous hair!
The lively Thyrsus-swinger,
And the wild car the exulting panthers bore,
Announced the presence of the rapture-bringer
Bounded the Satyr and blithe Faun before;
And Maenads, as the frenzy stung the soul,
Hymned in their maddening dance, the glorious wine
As ever beckoned to the lusty bowl
The ruddy host divine!
Before the bed of death
No ghastly spectre stoodbut from the porch
Of life, the lipone kiss inhaled the breath,
And the mute graceful genius lowered a torch.
The judgment-balance of the realms below,
A judge, himself of mortal lineage, held;
The very furies at the Thracian's woe,
Were moved and music-spelled.
In the Elysian grove
The shades renewed the pleasures life held dear:
The faithful spouse rejoined remembered love,
And rushed along the meads the charioteer;
There Linus poured the old accustomed strain;
Admetus there Alcestis still could greet; his
Friend there once more Orestes could regain,
His arrowsPhiloctetes!
More glorious than the meeds
That in their strife with labor nerved the brave,
To the great doer of renowned deeds
The Hebe and the heaven the Thunderer gave.
Before the rescued rescuer [10] of the dead,
Bowed down the silent and immortal host;
And the twain stars [11] their guiding lustre shed,
On the bark tempest-tossed!
Art thou, fair world, no more?
Return, thou virgin-bloom on Nature's face;
Ah, only on the minstrel's magic shore,
Can we the footstep of sweet fable trace!
The meadows mourn for the old hallowing life;
Vainly we search the earth of gods bereft;
Where once the warm and living shapes were rife,
Shadows alone are left!
Cold, from the north, has gone
Over the flowers the blast that killed their May;
And, to enrich the worship of the one,
A universe of gods must pass away!
Mourning, I search on yonder starry steeps,
But thee no more, Selene, there I see!
And through the woods I call, and o'er the deeps,
AndEcho answers me!
Deaf to the joys she gives
Blind to the pomp of which she is possessed
Unconscious of the spiritual power that lives
Around, and rules herby our bliss unblessed
Dull to the art that colors or creates,
Like the dead timepiece, godless nature creeps
Her plodding round, and, by the leaden weights,
The slavish motion keeps.
To-morrow to receive
New life, she digs her proper grave to-day;
And icy moons with weary sameness weave
From their own light their fulness and decay.
Home to the poet's land the gods are flown,
Light use in them that later world discerns,
Which, the diviner leading-strings outgrown,
On its own axle turns.
Home! and with them are gone
The hues they gazed on and the tones they heard;
Life's beauty and life's melody:alone
Broods o'er the desolate void, the lifeless word;
Yet rescued from time's deluge, still they throng
Unseen the Pindus they were wont to cherish:
All, that which gains immortal life in song,
To mortal life must perish!
~ Friedrich Schiller, The Gods Of Greece
,#NFDB |
1346:Upon A Little Lady
Under the Discipline of an Excellent Person.
I.
How comes the Day orecast? the Flaming Sun
Darkn'd at Noon, as if his Course were run?
He never rose more proud, more glad, more gay,
Ne're courted Daphne with a brighter Ray!
And now in Clouds he wraps his Head,
As if not Daphne, but himself were dead!
And all the little Winged Troop
Forbear to sing, and sit and droop;
The Flowers do languish on their Beds,
And fading hang their Mourning Heads;
The little Cupids discontented, shew,
In Grief and Rage one breaks his Bow,
An other tares his Cheeks and Haire,
A third sits blubring in Despaire,
Confessing though, in Love, he be,
A Powerful, Dreadful Deitie,
A Child, in Wrath, can do as much as he!
Whence is this Evil hurl'd,
On all the sweetness of the World?
Among those Things with Beauty shine,
(Both Humane natures, and Divine)
There was not so much sorrow spi'd,
No, not that Day the sweet Adonis died!
II.
Ambitious both to know the Ill, and to partake,
The little Weeping Gods I thus bespake.
Ye Noblest Pow'rs and Gentlest that Above,
Govern us Men, but govern still with Love,
Vouchsafe to tell, what can that Sorrow be,
Disorders Heaven, and wounds a Deitie.
My Prayer not spoken out,
One of the Winged Rout,
With Indignation great,
Sprung from his Airie-Seat,
And mounting to a Higher Cloud,
63
With Thunder, or a Voice as loud
Cried, Mortal there, there seek the Grief o'th' Gods,
Where thou findst Plagues, and their revengeful Rods!
And in the Instant that the Thing was meant,
He bent his Bow, his Arrow plac't, and to the mark it sent!
I follow'd with my watchful Eye,
To the Place where the Shaft did flie,
But O unheard-of Prodigy.
It was retorted back again,
And he that sent it, felt the pain,
Alas! I think the little God was therewith slain!
But wanton Darts ne're pierce where Honours found,
And those that shoot them, do their own Breasts wound.
III.
The Place from which the Arrow did return,
Swifter then sent, and with the speed did burn,
Was a Proud Pile which Marble Columnes bare,
Tarrast beneath, and open to the Aire,
On either side, Cords of wove Gold did tie
A purfl'd Curtain, hanging from on high,
To clear the Prospect of the stately Bower,
And boast the Owners Dignity and Power!
This shew'd the Scene from whence Loves grief arose,
And Heaven and Nature both did discompose,
A little Nymph whose Limbs divinely bright,
Lay like a Body of Collected Light,
But not to Love and Courtship so disclos'd,
But to the Rigour of a Dame oppos'd,
Who instant on the Faire with Words and Blows,
Now chastens Error, and now Virtue shews.
IV.
But O thou no less Blind,
Than Wild and Savage Mind,
Who Discipline dar'st name,
Thy Outrage and thy shame,
And hop'st a Radiant Crown to get
All Stars and Glory to thy Head made fit,
Know that this Curse alone shall Serpent-like incircle it!
64
May'st thou henceforth, be ever seen to stand,
Grasping a Scourge of Vipers in thy Hand,
Thy Hand, that Furie like—But see!
By Apollos Sacred Tree,
By his ever Tuneful Lyre,
And his bright Image the Eternal Fire,
Eudoras she has done this Deed
And made the World thus in its Darling bleed!
I know the Cruel Dame,
Too well instructed by my Flame!
But see her shape! But see her Face!
In her Temple such is Diana's Grace!
Behold her Lute upon the Pavement lies,
When Beautie's wrong'd, no wonder Musick dies!
V.
What blood of Centaurs did thy Bosom warme,
And boyle the Balsome there up to a Storme?
Nay Balsome flow'd not with so soft a Floud,
As thy Thoughts Evenly Virtuous, Mildly Good!
How could thy Skilful and Harmonious Hand,
That Rage of Seas, and People could command,
And calme Diseases with the Charming strings,
Such Discords make in the whole Name of Things?
But now I see the Root of thy Rash Pride,
Because thou didst Excel the World beside,
And it in Beauty and in Fame out-shine,
Thou would'st compare thy self to things Divine!
And 'bove thy Standard what thou there didst see,
Thou didst Condemn, because 'twas unlike thee,
And punisht in the Lady as unfit,
What Bloomings were of a Diviner Wit.
Divine she is, or else Divine must be,
A Borne or else a Growing Deitie!
VI.
While thus I did exclaime,
And wildly rage and blame,
Behold the Sylvan-Quire
Did all at one conspire,
With shrill and cheerful Throats,
65
T'assume their chirping Notes;
The Heav'ns refulgent Eye
Dance't in the clear'd-up Skie,
And so triumphant shon,
As seven-days Beams he had on!
The little Loves burn'd with nobler fier
Each chang'd his wanton Bow, and took a Lyre,
Singing chast Aires unto the tuneful strings,
And time'd soft Musick with their downy Wings.
I turn'd the little Nymph to view,
She singing and did smiling shew;
Eudora led a heav'nly strain,
Her Angels Voice did eccho it again!
I then decreed no Sacriledge was wrought,
But neerer Heav'n this Piece of Heaven was brought.
She also brighter seem'd, than she had been,
Vertue darts forth a Light'ning 'bove the Skin.
Eudora also shew'd as heretofore,
When her soft Graces I did first adore.
I saw, what one did Nobly Will,
The other sweetly did fulfil;
Their Actions all harmoniously did sute,
And she had only tun'd the Lady like her Lute.
~ Anne Killigrew,#NFDB |
1347:Song Of The Guitar.
In the tenth year of Yuanhe I was banished and demoted to be assistant official
in Jiujiang. In the summer of the next year I was seeing a friend leave Penpu and
heard in the midnight from a neighbouring boat a guitar played in the manner of
the capital. Upon inquiry, I found that the player had formerly been a dancinggirl there and in her maturity had been married to a merchant. I invited her to
my boat to have her play for us. She told me her story, heyday and then
unhappiness. Since my departure from the capital I had not felt sad; but that
night, after I left her, I began to realize my banishment. And I wrote this long
poem -- six hundred and twelve characters.
I was bidding a guest farewell, at night on the Xunyang River,
Where maple-leaves and full-grown rushes rustled in the autumn.
I, the host, had dismounted, my guest had boarded his boat,
And we raised our cups and wished to drink-but, alas, there was no music.
For all we had drunk we felt no joy and were parting from each other,
When the river widened mysteriously toward the full moon -We had heard a sudden sound, a guitar across the water.
Host forgot to turn back home, and guest to go his way.
We followed where the melody led and asked the player's name.
The sound broke off...then reluctantly she answered.
We moved our boat near hers, invited her to join us,
Summoned more wine and lanterns to recommence our banquet.
Yet we called and urged a thousand times before she started toward us,
Still hiding half her face from us behind her guitar.
...She turned the tuning-pegs and tested several strings;
We could feel what she was feeling, even before she played:
Each string a meditation, each note a deep thought,
As if she were telling us the ache of her whole life.
She knit her brows, flexed her fingers, then began her music,
Little by little letting her heart share everything with ours.
She brushed the strings, twisted them slow, swept them, plucked them -First the air of The Rainbow Skirt, then The Six Little Ones.
The large strings hummed like rain,
The small strings whispered like a secret,
Hummed, whispered-and then were intermingled
Like a pouring of large and small pearls into a plate of jade.
We heard an oriole, liquid, hidden among flowers.
We heard a brook bitterly sob along a bank of sand...
By the checking of its cold touch, the very string seemed broken
61
As though it could not pass; and the notes, dying away
Into a depth of sorrow and concealment of lament,
Told even more in silence than they had told in sound....
A silver vase abruptly broke with a gush of water,
And out leapt armored horses and weapons that clashed and smote -And, before she laid her pick down, she ended with one stroke,
And all four strings made one sound, as of rending silk
There was quiet in the east boat and quiet in the west,
And we saw the white autumnal moon enter the river's heart.
...When she had slowly placed the pick back among the strings,
She rose and smoothed her clothing and, formal, courteous,
Told us how she had spent her girlhood at the capital,
Living in her parents' house under the Mount of Toads,
And had mastered the guitar at the age of thirteen,
With her name recorded first in the class-roll of musicians,
Her art the admiration even of experts,
Her beauty the envy of all the leading dancers,
How noble youths of Wuling had lavishly competed
And numberless red rolls of silk been given for one song,
And silver combs with shell inlay been snapped by her rhythms,
And skirts the colour of blood been spoiled with stains of wine....
Season after season, joy had followed joy,
Autumn moons and spring winds had passed without her heeding,
Till first her brother left for the war, and then her aunt died,
And evenings went and evenings came, and her beauty faded -With ever fewer chariots and horses at her door;
So that finally she gave herself as wife to a merchant
Who, prizing money first, careless how he left her,
Had gone, a month before, to Fuliang to buy tea.
And she had been tending an empty boat at the river's mouth,
No company but the bright moon and the cold water.
And sometimes in the deep of night she would dream of her triumphs
And be wakened from her dreams by the scalding of her tears.
Her very first guitar-note had started me sighing;
Now, having heard her story, I was sadder still.
"We are both unhappy -- to the sky's end.
We meet. We understand. What does acquaintance matter?
I came, a year ago, away from the capital
And am now a sick exile here in Jiujiang -And so remote is Jiujiang that I have heard no music,
Neither string nor bamboo, for a whole year.
My quarters, near the River Town, are low and damp,
62
With bitter reeds and yellowed rushes all about the house.
And what is to be heard here, morning and evening? -The bleeding cry of cuckoos, the whimpering of apes.
On flowery spring mornings and moonlit autumn nights
I have often taken wine up and drunk it all alone,
Of course there are the mountain songs and the village pipes,
But they are crude and-strident, and grate on my ears.
And tonight, when I heard you playing your guitar,
I felt as if my hearing were bright with fairy-music.
Do not leave us. Come, sit down. Play for us again.
And I will write a long song concerning a guitar."
...Moved by what I said, she stood there for a moment,
Then sat again to her strings-and they sounded even sadder,
Although the tunes were different from those she had played before....
The feasters, all listening, covered their faces.
But who of them all was crying the most?
This Jiujiang official. My blue sleeve was wet.
~ Bai Juyi,#NFDB |
1348:A:
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night
That lives beneath the overhanging rock
That shades the poolan endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day,
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer,
Whose breath destroys all life--awhile it veils
The rockthen, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace;
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blastsa weatherbeaten crew!
CHORUS:
What wondrous sound is that, mournful and faint,
But more melodious than the murmuring wind
Which through the columns of a temple glides?
A:
It is the wandering voice of Orpheus lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes;
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.
CHORUS:
Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.
A:
Ah, no!
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift streamthe cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked Where she is, it is dark!
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas!
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of springeach riplet makes
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes,
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong,
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on,
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words neer used before,
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes,
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound.
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.
Published by Dr. Garnett, Relics of Shelley, 1862; revised and enlarged by Rossetti, Complete Poetical Works of P. B. S., 1870.
~ Percy Bysshe Shelley, Orpheus
,#NFDB |
1349:. At Aix-la-Chapelle, in imperial array,
In its halls renowned in old story,
At the coronation banquet so gay
King Rudolf was sitting in glory.
The meats were served up by the Palsgrave of Rhine,
The Bohemian poured out the bright sparkling wine,
And all the Electors, the seven,
Stood waiting around the world-governing one,
As the chorus of stars encircle the sun,
That honor might duly be given.
And the people the lofty balcony round
In a throng exulting were filling;
While loudly were blending the trumpets' glad sound,
The multitude's voices so thrilling;
For the monarchless period, with horror rife,
Has ended now, after long baneful strife,
And the earth had a lord to possess her.
No longer ruled blindly the iron-bound spear,
And the weak and the peaceful no longer need fear
Being crushed by the cruel oppressor.
And the emperor speaks with a smile in his eye,
While the golden goblet he seizes:
"With this banquet in glory none other can vie,
And my regal heart well it pleases;
Yet the minstrel, the bringer of joy, is not here,
Whose melodious strains to my heart are so dear,
And whose words heavenly wisdom inspire;
Since the days of my youth it hath been my delight,
And that which I ever have loved as a knight,
As a monarch I also require."
And behold! 'mongst the princes who stand round the throne
Steps the bard, in his robe long and streaming,
While, bleached by the years that have over him flown,
His silver locks brightly are gleaming;
"Sweet harmony sleeps in the golden strings,
The minstrel of true love reward ever sings,
And adores what to virtue has tended
What the bosom may wish, what the senses hold dear;
But say, what is worthy the emperor's ear
At this, of all feasts the most splendid?"
"No restraint would I place on the minstrel's own choice,"
Speaks the monarch, a smile on each feature;
"He obeys the swift hour's imperious voice,
Of a far greater lord is the creature.
For, as through the air the storm-wind on-speeds,
One knows not from whence its wild roaring proceeds
As the spring from hid sources up-leaping,
So the lay of the bard from the inner heart breaks
While the might of sensations unknown it awakes,
That within us were wondrously sleeping."
Then the bard swept the cords with a finger of might,
Evoking their magical sighing:
"To the chase once rode forth a valorous knight,
In pursuit of the antelope flying.
His hunting-spear bearing, there came in his train
His squire; and when o'er a wide-spreading plain
On his stately steed he was riding,
He heard in the distance a bell tinkling clear,
And a priest, with the Host, he saw soon drawing near,
While before him the sexton was striding."
"And low to the earth the Count then inclined,
Bared his head in humble submission,
To honor, with trusting and Christian-like mind,
What had saved the whole world from perdition.
But a brook o'er the plain was pursuing its course,
That swelled by the mountain stream's headlong force,
Barred the wanderer's steps with its current;
So the priest on one side the blest sacrament put,
And his sandal with nimbleness drew from his foot,
That he safely might pass through the torrent."
"'What wouldst thou?' the Count to him thus began,
His wondering look toward him turning:
'My journey is, lord, to a dying man,
Who for heavenly diet is yearning;
But when to the bridge o'er the brook I came nigh,
In the whirl of the stream, as it madly rushed by
With furious might 'twas uprooted.
And so, that the sick the salvation may find
That he pants for, I hasten with resolute mind
To wade through the waters barefooted.'"
"Then the Count made him mount on his stately steed,
And the reins to his hands he confided,
That he duly might comfort the sick in his need,
And that each holy rite be provided.
And himself, on the back of the steed of his squire,
Went after the chase to his heart's full desire,
While the priest on his journey was speeding
And the following morning, with thankful look,
To the Count once again his charger he took,
Its bridle with modesty leading."
"'God forbid that in chase or in battle,' then cried
The Count with humility lowly,
'The steed I henceforward should dare to bestride
That had borne my Creator so holy!
And if, as a guerdon, he may not be thine,
He devoted shall be to the service divine,
Proclaiming His infinite merit,
From whom I each honor and earthly good
Have received in fee, and my body and blood,
And my breath, and my life, and my spirit.'"
"'Then may God, the sure rock, whom no time can e'er move,
And who lists to the weak's supplication,
For the honor thou pay'st Him, permit thee to prove
Honor here, and hereafter salvation!
Thou'rt a powerful Count, and thy knightly command
Hath blazoned thy fame through the Switzer's broad land;
Thou art blest with six daughters admired;
May they each in thy house introduce a bright crown,
Filling ages unborn with their glorious renown'
Thus exclaimed he in accents inspired."
And the emperor sat there all-thoughtfully,
While the dream of the past stood before him;
And when on the minstrel he turned his eye,
His words' hidden meaning stole o'er him;
For seeing the traits of the priest there revealed,
In the folds of his purple-dyed robe he concealed
His tears as they swiftly coursed down.
And all on the emperor wonderingly gazed,
And the blest dispensations of Providence praised,
For the Count and the Caesar were one.
~ Friedrich Schiller, The Count Of Hapsburg
,#NFDB |
1350:King Volsung And The Skald
HE sang on the Heath of the Volsungs,
Mid Volsung common men,
Shepherds, chafferers, delvers,
And the fowlers of the fen,
The beaters of the anvil,
Wights who mined the ore,
Tamers of the horsekind,
And fishers from the shore.
Tall through the press strode Sigmund,
Lord-warden of the Peace,
While, shrilling fierce, the blood song
Rang to the throng’s increase,
And some lips smiled the pleasure
Of Lynxes scenting prey,
And some brows frowned the anger
That holds the wolf at bay.
“Be dumb, O Skald!” spoke Sigmund,
“Thou singst a troublous song,—
The King of the kindly Volsungs
Shall judge thee right or wrong.”
Then slow to the Hall of The Mighty,
And silently under its roof,
Flowed the host of the mid-world people
To hear the thing at proof.
On the High-seat shone King Volsung,
His Champions gleamed anear,
And the voice of lordly Sigmund
Came welcome to his ear:—
49
“Father, King and Judger,
Now tell me what to do.
This Skald divides thy people—
Is praise or death his due?”
“Son Sigmund, tell thy story,
And whence the stranger came”.—
“I found him chanting on the Heath,
And no man knows his name.
Some think him even as Baldur
Come back to bless the Earth,
And some hear in his blood song
The Dwarf-kind’s cruel mirth.”
Then softly laughed King Volsung,
Yet pierced so keen his eyes
Men deemed he saw the stranger
As naked from disguise.
“O Skald!” he spoke, “fear nothing;
Though thou be Dwarf or Elf
Come back to trouble mankind,
Sing up, and be thyself.”
The stranger eyed the Father
As one who works a spell,
And from the board his fingers
Seized a sounding shell;
His touches thrilled its edges,
He sang, to words all changed,
A strain the brown seafarers
55
Oft chanted where they ranged.
50
Then round about the High-seat,
And through the huge-built Hall,
Did all men deem they listened
To waves whelm up and fall;
They heard the clash and clatter
Of shield-hung longships’ sides,
Straining sails gale-bellied,
The snarl of racing tides,
While, foul in seamen’s nostrils
Wallowing bilges stank
Of ale and meal long sea-borne,
Musty, wormy, rank;
Yet, half a-rot with scurvy,
They toppled up once more
To hail the enchanted looming
Of some unheard-of shore.
Out spoke the gracious Volsung,—
“The chant is good to me
That draws my shoremen closer
To their brothers of the sea.
And now, O Skald, I charge thee
To voice what song most brings
Joy to the hearts of heroes,
And men of worth and Kings.”
80
The stranger pondered, staring
So long on Volsung’s Pride
That soft-hand chafferers clamored:—
“Sing what thou sangst outside—
The song that stirred our pulses
51
As if through war-horn blown,
Thy chant of swords and corpses,
And blood on grass bestrown.
Hearing, we felt as Champions,
Our foes seemed beaten sore,
And fierce in exultation
We saw them free no more.”
Then, nearing close to Volsung,
The singer whispered, “King,
Thou knowst how wild the feeble
Relish a deathful thing;
Here came I hungry, seeking
The means for rest and meat—
They love to dream them heroes,
And praise to Skalds is sweet.
But now, O Volsung Father,
I read thy kingly heart,
And I know the battle-mighty
From war-lust dwell apart.”
Frowned dark the lordly Volsung,—
“Shame drowneth as a flood
The fame of every singer
Who urgeth men to blood.
The scorn of sworded heroes
Is on the swordless wight
Who stirs the weak to clamor
That sends the strong to fight;
Behold, all blades of battle
Around my shield-hung wall
Are hid in sheath, lest baleful
52
Their deadly gleams should fall;
And yet thy plea shall save thee
If now thou singst what brings
Most joy to hearts of heroes,
And men of worth, and Kings.”
Then beamed so kind the stranger,
It seemed that Baldur there
Had rose from Niflheim’s torpor
To bless the shining air;
He grasped an iron hammer,
He tinkled on the steel,
And he sang the ancient stithy
Laboring mankind’s weal.
Spike and chain and crowbar,
Axes, bolts, and ploughs,
Mallet, wedge, and hammer,
Bonds to stiffen prows,
Every shape of iron
Listeners saw anew,
For the splendor of the labor
Rang the song-craft through.
So changed the tinkled measure
That looms rocked in the Hall,
Spindles twirled, and shuttles
Flew ’twixt wall and wall,—
Cloth for street and temple,
Cloth for sea and wold,
And the weavers’ patient pleasure
Wove in every fold.
53
Through all Man’s craft and labor
The runic rhythm changed,
As Valorous Endeavor
All useful works it ranged;
And the Idler was the Dastard,
And the Pleasure-seeker’s joy
More weak, and far more witless
Than the pastime of a boy.
“O Skald,” spoke gladdened Volsung,
“Thou sangst the truest song!
It endeth and amendeth
Labor’s ancient wrong;
Its glory none had chanted,
Its pride no ear had heard,
For the toiling held the toiler
From the finding of the Word.
Yet none, save to that throbbing
My harp hath in its strings,
Can sing what most joys heroes,
And men of worth, and Kings.”
He took the harp of Volsung,
His fingers lingered slow,
He sang of Love commingled
With Work, and Joy, and Woe,—
The lover’s love for lover,
The bridegroom and the bride,
The father love for children,
The wifely true-heart’s pride,
54
Brother’s love for brother,
Love of friend for friend,
The yearning, patient mother love
That hath no stint nor end;
And, even as all World-things
Forth from the World-tree start,
He sang all love forever flows
Back to All-father’s heart.
King Volsung and his heroes,
All people round the Hall,
Yearned and flushed and joyed and wept
As if one soul swayed all.
None saw the singer vanish,
So blinding was his spell;—
And was he of the Gods, or Dwarfs,
King Volsung would not tell.
~ Edward William Thomson,#NFDB |
1351:A certain poet in outlandish clothes
Gathered a crowd in some Byzantine lane,
Talked
of his country and its people, sang
To some stringed instrument none there had seen,
A wall behind his back, over his head
A latticed window. His glance went up at time
As though one listened there, and his voice sank
Or let its meaning mix into the strings.
MAEVE the great queen was pacing to and fro,
Between the walls covered with beaten bronze,
In her high house at Cruachan; the long hearth,
Flickering with ash and hazel, but half showed
Where the tired horse-boys lay upon the rushes,
Or on the benches underneath the walls,
In comfortable sleep; all living slept
But that great queen, who more than half the night
Had paced from door to fire and fire to door.
Though now in her old age, in her young age
She had been beautiful in that old way
That's all but gone; for the proud heart is gone,
And the fool heart of the counting-house fears all
But Soft beauty and indolent desire.
She could have called over the rim of the world
Whatever woman's lover had hit her fancy,
And yet had been great-bodied and great-limbed,
Fashioned to be the mother of strong children;
And she'd had lucky eyes and high heart,
And wisdom that caught fire like the dried flax,
At need, and made her beautiful and fierce,
Sudden and laughing.
O unquiet heart,
Why do you praise another, praising her,
As if there were no tale but your own tale
Worth knitting to a measure of sweet sound?
Have I not bid you tell of that great queen
Who has been buried some two thousand years?
When night was at its deepest, a wild goose
Cried from the porter's lodge, and with long clamour'
Shook the ale-horns and shields upon their hooks;
But the horse-boys slept on, as though some power
Had filled the house with Druid heaviness;
And wondering who of the many-changing Sidhe
Had come as in the old times to counsel her,
Maeve walked, yet with slow footfall, being old,
To that small chamber by the outer gate.
The porter slept, although he sat upright
With still and stony limbs and open eyes.
Maeve waited, and when that ear-piercing noise
Broke from his parted lips and broke again,
She laid a hand on either of his shoulders,
And shook him wide awake, and bid him say
Who of the wandering many-changing ones
Had troubled his sleep. But all he had to say
Was that, the air being heavy and the dogs
More still than they had been for a good month,
He had fallen asleep, and, though he had dreamed
nothing,
He could remember when he had had fine dreams.
It was before the time of the great war
Over the White-Horned Bull and the Brown Bull.
She turned away; he turned again to sleep
That no god troubled now, and, wondering
What matters were afoot among the Sidhe,
Maeve walked through that great hall, and with a sigh
Lifted the curtain of her sleeping-room,
Remembering that she too had seemed divine
To many thousand eyes, and to her own
One that the generations had long waited
That work too difficult for mortal hands
Might be accomplished, Bunching the curtain up
She saw her husband Ailell sleeping there,
And thought of days when he'd had a straight body,
And of that famous Fergus, Nessa's husband,
Who had been the lover of her middle life.
Suddenly Ailell spoke out of his sleep,
And not with his own voice or a man's voice,
But with the burning, live, unshaken voice
Of those that, it may be, can never age.
He said, "High Queen of Cruachan and Magh Ai,
A king of the Great Plain would speak with you.'
And with glad voice Maeve answered him, "What king
Of the far-wandering shadows has come to me,
As in the old days when they would come and go
About my threshold to counsel and to help?'
The parted lips replied, "I seek your help,
For I am Aengus, and I am crossed in love.'
"How may a mortal whose life gutters out
Help them that wander with hand clasping hand,
Their haughty images that cannot wither,
For all their beauty's like a hollow dream,
Mirrored in streams that neither hail nor rain
Nor the cold North has troubled?'
He replied,
"I am from those rivers and I bid you call
The children of the Maines out of sleep,
And set them digging under Bual's hill.
We shadows, while they uproot his earthy house,
Will overthrow his shadows and carry off
Caer, his blue-eyed daughter that I love.
I helped your fathers when they built these walls,
And I would have your help in my great need,
Queen of high Cruachan.'
"I obey your will
With speedy feet and a most thankful heart:
For you have been, O Aengus of the birds,
Our giver of good counsel and good luck.'
And with a groan, as if the mortal breath
Could but awaken sadly upon lips
That happier breath had moved, her husband turned
Face downward, tossing in a troubled sleep;
But Maeve, and not with a slow feeble foot,
Came to the threshold of the painted house
Where her grandchildren slept, and cried aloud,
Until the pillared dark began to stir
With shouting and the clang of unhooked arms.
She told them of the many-changing ones;
And all that night, and all through the next day
To middle night, they dug into the hill.
At middle night great cats with silver claws,
Bodies of shadow and blind eyes like pearls,
Came up out of the hole, and red-eared hounds
With long white bodies came out of the air
Suddenly, and ran at them and harried them.
The Maines" children dropped their spades, and stood
With quaking joints and terror-stricken faces,
Till Maeve called out, "These are but common men.
The Maines' children have not dropped their spades
Because Earth, crazy for its broken power,
Casts up a Show and the winds answer it
With holy shadows.' Her high heart was glad,
And when the uproar ran along the grass
She followed with light footfall in the midst,
Till it died out where an old thorn-tree stood.
Friend of these many years, you too had stood
With equal courage in that whirling rout;
For you, although you've not her wandering heart,
Have all that greatness, and not hers alone,
For there is no high story about queens
In any ancient book but tells of you;
And when I've heard how they grew old and died,
Or fell into unhappiness, I've said,
~ William Butler Yeats, The Old Age Of Queen Maeve
,#NFDB |
1352:Life
NAY, lift me to thy lips, Life, and once more
Pour the wild music through me -I quivered in the reed-bed with my kind,
Rooted in Lethe-bank, when at the dawn
There came a groping shape of mystery
Moving among us, that with random stroke
Severed, and rapt me from my silent tribe,
Pierced, fashioned, lipped me, sounding for a voice,
Laughing on Lethe-bank -- and in my throat
I felt the wing-beat of the fledgeling notes,
The bubble of godlike laughter in my throat.
Such little songs she sang,
Pursing her lips to fit the tiny pipe,
They trickled from me like a slender spring
That strings frail wood-growths on its crystal thread,
Nor dreams of glassing cities, bearing ships.
She sang, and bore me through the April world
Matching the birds, doubling the insect-hum
In the meadows, under the low-moving airs,
And breathings of the scarce-articulate air
When it makes mouths of grasses -- but when the sky
Burst into storm, and took great trees for pipes,
She thrust me in her breast, and warm beneath
Her cloudy vesture, on her terrible heart,
I shook, and heard the battle.
But more oft,
Those early days, we moved in charmed woods,
Where once, at dusk, she piped against a faun,
And one warm dawn a tree became a nymph
Listening; and trembled; and Life laughed and passed.
And once we came to a great stream that bore
The stars upon its bosom like a sea,
And ships like stars; so to the sea we came.
One wild pang through me; then refrained her hand,
And whispered: 'Hear -- ' and into my frail flanks,
Into my bursting veins, the whole sea poured
Its spaces and its thunder; and I feared.
31
We came to cities, and Life piped on me
Low calls to dreaming girls,
In counting-house windows, through the chink of gold,
Flung cries that fired the captive brain of youth,
And made the heavy merchant at his desk
Curse us for a cracked hurdy-gurdy; Life
Mimicked the hurdy-gurdy, and we passed.
We climbed the slopes of solitude, and there
Life met a god, who challenged her and said:
'Thy pipe against my lyre!' But 'Wait!' she laughed,
And in my live flank dug a finger-hole,
And wrung new music from it. Ah, the pain!
We climbed and climbed, and left the god behind.
We saw the earth spread vaster than the sea,
With infinite surge of mountains surfed with snow,
And a silence that was louder than the deep;
But on the utmost pinnacle Life again
Hid me, and I heard the terror in her hair.
Safe in new vales, I ached for the old pang,
And clamoured 'Play me against a god again!'
'Poor Marsyas-mortal -- he shall bleed thee yet,'
She breathed and kissed me, stilling the dim need.
But evermore it woke, and stabbed my flank
With yearnings for new music and new pain.
'Another note against another god!'
I clamoured; and she answered: 'Bide my time.
Of every heart-wound I will make a stop.
And drink thy life in music, pang by pang.
But first thou must yield the notes I stored in thee
At dawn beside the river. Take my lips.'
She kissed me like a lover, but I wept,
Remembering that high song against the god,
And the old songs slept in me, and I was dumb.
We came to cavernous foul places, blind
With harpy-wings, and sulphurous with the glare
Of sinful furnaces -- where hunger toiled,
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And pleasure gathered in a starveling prey,
And death fed delicately on young bones.
'Now sing!' cried Life, and set her lips to me.
'Here are gods also. Wilt thou pipe for Dis?'
My cry was drowned beneath the furnace roar,
Choked by the sulphur-fumes; and beast-lipped gods
Laughed down on me, and mouthed the flutes of hell.
'Now sing!' said Life, reissuing to the stars;
And wrung a new note from my wounded side.
So came we to clear spaces, and the sea.
And now I felt its volume in my heart,
And my heart waxed with it, and Life played on me
The song of the Infinite. 'Now the stars,' she said.
Then from the utmost pinnacle again
She poured me on the wild sidereal stream,
And I grew with her great breathings, till we swept
The interstellar spaces like new worlds
Loosed from the fiery ruin of a star.
Cold, cold we rested on black peaks again,
Under black skies, under a groping wind,
And life, grown old, hugged me to a numb breast,
Pressing numb lips against me. Suddenly
A blade of silver severed the black peaks
From the black sky, and earth was born again,
Breathing and various, under a god's feet.
A god! A god! I felt the heart of Life
Leap under me, and my cold flanks shook again.
He bore no lyre, he rang no challenge out,
But Life warmed to him, warming me with her,
And as he neared I felt beneath her hands
The stab of a new wound that sucked my soul
Forth in a new song from my throbbing throat.
'His name -- his name?' I whispered, but she poured
The music faster, and I grew with it,
Became a part of it, while Life and I
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Clung lip to lip, and I from her wrung song
As she from me, one song, one ecstasy,
In indistinguishable union blent,
Till she became the flute and I the player.
And lo! the song I played on her was more
Than any she had drawn from me; it held
The stars, the peaks, the cities, and the sea,
The faun's catch, the nymph's tremor, and the heart
Of dreaming girls, of toilers at the desk,
Apollo's challenge on the sunrise slope,
And the hiss of the night-gods mouthing flutes of hell -All, to the dawn-wind's whisper in the reeds,
When Life first came, a shape of mystery,
Moving among us, and with random stroke
Severed, and rapt me from my silent tribe.
All this I wrung from her in that deep hour,
While Love stood murmuring: 'Play the god, poor grass!'
Now, by that hour, I am a mate to thee
Forever, Life, however spent and clogged,
And tossed back useless to my native mud!
Yea, groping for new reeds to fashion thee
New instruments of anguish and delight,
Thy hand shall leap to me, thy broken reed,
Thine ear remember me, thy bosom thrill
With the old subjection, then when Love and I
Held thee, and fashioned thee, and made thee dance
Like a slave-girl to her pipers -- yea, thou yet
Shalt hear my call, and dropping all thy toys
Thou'lt lift me to thy lips, Life, and once more
Pour the wild music through me –
~ Edith Wharton,#NFDB |
1353:A Winter's Tale
It is a winter's tale
That the snow blind twilight ferries over the lakes
And floating fields from the farm in the cup of the vales,
Gliding windless through the hand folded flakes,
The pale breath of cattle at the stealthy sail,
And the stars falling cold,
And the smell of hay in the snow, and the far owl
Warning among the folds, and the frozen hold
Flocked with the sheep white smoke of the farm house cowl
In the river wended vales where the tale was told.
Once when the world turned old
On a star of faith pure as the drifting bread,
As the food and flames of the snow, a man unrolled
The scrolls of fire that burned in his heart and head,
Torn and alone in a farm house in a fold
Of fields. And burning then
In his firelit island ringed by the winged snow
And the dung hills white as wool and the hen
Roosts sleeping chill till the flame of the cock crow
Combs through the mantled yards and the morning men
Stumble out with their spades,
The cattle stirring, the mousing cat stepping shy,
The puffed birds hopping and hunting, the milkmaids
Gentle in their clogs over the fallen sky,
And all the woken farm at its white trades,
He knelt, he wept, he prayed,
By the spit and the black pot in the log bright light
And the cup and the cut bread in the dancing shade,
In the muffled house, in the quick of night,
At the point of love, forsaken and afraid.
He knelt on the cold stones,
He wept form the crest of grief, he prayed to the veiled sky
May his hunger go howling on bare white bones
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Past the statues of the stables and the sky roofed sties
And the duck pond glass and the blinding byres alone
Into the home of prayers
And fires where he should prowl down the cloud
Of his snow blind love and rush in the white lairs.
His naked need struck him howling and bowed
Though no sound flowed down the hand folded air
But only the wind strung
Hunger of birds in the fields of the bread of water, tossed
In high corn and the harvest melting on their tongues.
And his nameless need bound him burning and lost
When cold as snow he should run the wended vales among
The rivers mouthed in night,
And drown in the drifts of his need, and lie curled caught
In the always desiring centre of the white
Inhuman cradle and the bride bed forever sought
By the believer lost and the hurled outcast of light.
Deliver him, he cried,
By losing him all in love, and cast his need
Alone and naked in the engulfing bride,
Never to flourish in the fields of the white seed
Or flower under the time dying flesh astride.
Listen. The minstrels sing
In the departed villages. The nightingale,
Dust in the buried wood, flies on the grains of her wings
And spells on the winds of the dead his winter's tale.
The voice of the dust of water from the withered spring
Is telling. The wizened
Stream with bells and baying water bounds. The dew rings
On the gristed leaves and the long gone glistening
Parish of snow. The carved mouths in the rock are wind swept strings.
Time sings through the intricately dead snow drop. Listen.
It was a hand or sound
In the long ago land that glided the dark door wide
And there outside on the bread of the ground
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A she bird rose and rayed like a burning bride.
A she bird dawned, and her breast with snow and scarlet downed.
Look. And the dancers move
On the departed, snow bushed green, wanton in moon light
As a dust of pigeons. Exulting, the grave hooved
Horses, centaur dead, turn and tread the drenched white
Paddocks in the farms of birds. The dead oak walks for love.
The carved limbs in the rock
Leap, as to trumpets. Calligraphy of the old
Leaves is dancing. Lines of age on the stones weave in a flock.
And the harp shaped voice of the water's dust plucks in a fold
Of fields. For love, the long ago she bird rises. Look.
And the wild wings were raised
Above her folded head, and the soft feathered voice
Was flying through the house as though the she bird praised
And all the elements of the slow fall rejoiced
That a man knelt alone in the cup of the vales,
In the mantle and calm,
By the spit and the black pot in the log bright light.
And the sky of birds in the plumed voice charmed
Him up and he ran like a wind after the kindling flight
Past the blind barns and byres of the windless farm.
In the poles of the year
When black birds died like priests in the cloaked hedge row
And over the cloth of counties the far hills rode near,
Under the one leaved trees ran a scarecrow of snow
And fast through the drifts of the thickets antlered like deer,
Rags and prayers down the kneeDeep hillocks and loud on the numbed lakes,
All night lost and long wading in the wake of the sheBird through the times and lands and tribes of the slow flakes.
Listen and look where she sails the goose plucked sea,
The sky, the bird, the bride,
The cloud, the need, the planted stars, the joy beyond
The fields of seed and the time dying flesh astride,
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The heavens, the heaven, the grave, the burning font.
In the far ago land the door of his death glided wide,
And the bird descended.
On a bread white hill over the cupped farm
And the lakes and floating fields and the river wended
Vales where he prayed to come to the last harm
And the home of prayers and fires, the tale ended.
The dancing perishes
On the white, no longer growing green, and, minstrel dead,
The singing breaks in the snow shoed villages of wishes
That once cut the figures of birds on the deep bread
And over the glazed lakes skated the shapes of fishes
Flying. The rite is shorn
Of nightingale and centaur dead horse. The springs wither
Back. Lines of age sleep on the stones till trumpeting dawn.
Exultation lies down. Time buries the spring weather
That belled and bounded with the fossil and the dew reborn.
For the bird lay bedded
In a choir of wings, as though she slept or died,
And the wings glided wide and he was hymned and wedded,
And through the thighs of the engulfing bride,
The woman breasted and the heaven headed
Bird, he was brought low,
Burning in the bride bed of love, in the whirlPool at the wanting centre, in the folds
Of paradise, in the spun bud of the world.
And she rose with him flowering in her melting snow.
~ Dylan Thomas,#NFDB |
1354:Depression, unless one has a strong will, suggests, "This is not worth while, one may have to wait a lifetime." As for enthusiasm, it expects to see the vital transformed overnight: "I am not going to have any difficulty henceforth, I am going to advance rapidly on the path of yoga, I am going to gain the divine consciousness without any difficulty." There are some other difficulties.... One needs a little time, much perseverance. So the vital, after a few hours - perhaps a few days, perhaps a few months - says to itself: "We haven't gone very far with our enthusiasm, has anything been really done? Doesn't this movement leave us just where we were, perhaps worse than we were, a little troubled, a little disturbed? Things are no longer what they were, they are not yet what they ought to be. It is very tiresome, what I am doing." And then, if one pushes a little more, here's this gentleman saying, "Ah, no! I have had enough of it, leave me alone. I don't want to move, I shall stay in my corner, I won't trouble you, but don't bother me!" And so one has not gone very much farther than before.
This is one of the big obstacles which must be carefully avoided. As soon as there is the least sign of discontentment, of annoyance, the vital must be spoken to in this way, "My friend, you are going to keep calm, you are going to do what you are asked to do, otherwise you will have to deal with me." And to the other, the enthusiast who says, "Everything must be done now, immediately", your reply is, "Calm yourself a little, your energy is excellent, but it must not be spent in five minutes. We shall need it for a long time, keep it carefully and, as it is wanted, I shall call upon your goodwill. You will show that you are full of goodwill, you will obey, you won't grumble, you will not protest, you will not revolt, you will say 'yes, yes', you will make a little sacrifice when asked, you will say 'yes' wholeheartedly."
So we get started on the path. But the road is very long. Many things happen on the way. Suddenly one thinks one has overcome an obstacle; I say "thinks", because though one has overcome it, it is not totally overcome. I am going to take a very obvious instance, of a very simple observation. Someone has found that his vital is uncontrollable and uncontrolled, that it gets furious for nothing and about nothing. He starts working to teach it not to get carried away, not to flare up, to remain calm and bear the shocks of life without reacting violently. If one does this cheerfully, it goes quite quickly. (Note this well, it is very important: when you have to deal with your vital take care to remain cheerful, otherwise you will get into trouble.) One remains cheerful, that is, when one sees the fury rise, one begins to laugh. Instead of being depressed and saying, "Ah! In spite of all my effort it is beginning all over again", one begins to laugh and says, "Well, well! One hasn't yet seen the end of it. Look now, aren't you ridiculous, you know quite well that you are being ridiculous! Is it worthwhile getting angry?" One gives it this lesson cheerfully. And really, after a while it doesn't get angry again, it is quiet - and one relaxes one's attention. One thinks the difficulty has been overcome, one thinks a result has at last been reached: "My vital does not trouble me any longer, it does not get angry now, everything is going fine." And the next day, one loses one's temper. It is then one must be careful, it is then one must not say, "Here we are, it's no use, I shall never achieve anything, all my efforts are futile; all this is an illusion, it is impossible." On the contrary, one must say, "I wasn't vigilant enough." One must wait long, very long, before one can say, "Ah! It is done and finished." Sometimes one must wait for years, many years....
I am not saying this to discourage you, but to give you patience and perseverance - for there is a moment when you do arrive. And note that the vital is a small part of your being - a very important part, we have said that it is the dynamism, the realising energy, it is very important; but it is only a small part. And the mind!... which goes wandering, which must be pulled back by all the strings to be kept quiet! You think this can be done overnight? And your body?... You have a weakness, a difficulty, sometimes a small chronic illness, nothing much, but still it is a nuisance, isn't it? You want to get rid of it. You make efforts, you concentrate; you work upon it, establish harmony, and you think it is finished, and then.... Take, for instance, people who have the habit of coughing; they can't control themselves or almost can't. It is not serious but it is bothersome, and there seems to be no reason why it should ever stop. Well, one tells oneself, "I am going to control this." One makes an effort - a yogic effort, not a material one - one brings down consciousness, force, and stops the cough. And one thinks, "The body has forgotten how to cough." And it is a great thing when the body has forgotten, truly one can say, "I am cured." But unfortunately it is not always true, for this goes down into the subconscient and, one day, when the balance of forces is not so well established, when the strength is not the same, it begins again. And one laments, "I believed that it was over! I had succeeded and told myself, 'It is true that spiritual power has an action upon the body, it is true that something can be done', and there! it is not true. And yet it was a small thing, and I who want to conquer immortality! How will I succeed?... For years I have been free from this small thing and here it is beginning anew!" It is then that you must be careful. You must arm yourself with an endless patience and endurance. You do a thing once, ten times, a hundred times, a thousand times if necessary, but you do it till it gets done. And not done only here and there, but everywhere and everywhere at the same time. This is the great problem one sets oneself. That is why, to those who come to tell me very light-heartedly, "I want to do yoga", I reply, "Think it over, one may do the yoga for a number of years without noticing the least result. But if you want to do it, you must persist and persist with such a will that you should be ready to do it for ten lifetimes, a hundred lifetimes if necessary, in order to succeed." I do not say it will be like that, but the attitude must be like that. Nothing must discourage you; for there are all the difficulties of ignorance of the different states of being, to which are added the endless malice and the unbounded cunning of the hostile forces in the world.... They are there, do you know why? They have been.... ~ The Mother, Questions And Answers 1950-1951,#NFDB |
1355:The Song Of The Little Baltung: A.D. 395
A harper came over the Danube so wide,
And he came into Alaric's hall,
And he sang the song of the little Baltung
To him and his heroes all.
How the old old Balt and the young young Balt
Rode out of Caucaland,
With the royal elephant's trunk on helm
And the royal lance in hand.
Thuringer heroes, counts and knights,
Pricked proud in their meinie;
For they were away to the great Kaiser,
In Byzant beside the sea.
And when they came to the Danube so wide
They shouted from off the shore,
'Come over, come over, ye Roman slaves,
And ferry your masters o'er.'
And when they came to Adrian's burgh,
With its towers so smooth and high,
'Come out, come out, ye Roman knaves,
And see your lords ride by.'
But when they came lo the long long walls
That stretch from sea to sea,
That old old Balt let down his chin,
And a thoughtful man grew he.
'Oh oft have I scoffed at brave Fridigern,
But never will I scoff more,
If these be the walls which kept him out
From the Micklegard there on the shore.'
Then out there came the great Kaiser,
With twice ten thousand men;
But never a Thuring was coward enough
To wish himself home again.
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'Bow down, thou rebel, old Athanarich,
And beg thy life this day;
The Kaiser is lord of all the world,
And who dare say him nay?'
'I never came out of Caucaland
To beg for less nor more;
But to see the pride of the great Kaiser,
In his Micklegard here by the shore.
'I never came out of Caucaland
To bow to mortal wight,
But to shake the hand of the great Kaiser,
And God defend my right.'
He shook his hand, that cunning Kaiser,
And he kissed him courteouslie,
And he has ridden with Athanarich
That wonder-town to see.
He showed him his walls of marble whiteA mile o'erhead they shone;
Quoth the Balt, 'Who would leap into that garden,
King Siegfried's boots must own.'
He showed him his engines of arsmetrick
And his wells of quenchless flame,
And his flying rocks, that guarded his walls
From all that against him came.
He showed him his temples and pillared halls,
And his streets of houses high;
And his watch-towers tall, where his star-gazers
Sit reading the signs of the sky.
He showed him his ships with their hundred oars,
And their sides like a castle wall,
That fetch home the plunder of all the world,
At the Kaiser's beck and call.
He showed him all nations of every tongue
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That are bred beneath the sun,
How they flowed together in Micklegard street
As the brooks flow all into one.
He showed him the shops of the china ware,
And of silk and sendal also,
And he showed him the baths and the waterpipes
On arches aloft that go.
He showed him ostrich and unicorn,
Ape, lion, and tiger keen;
And elephants wise roared 'Hail Kaiser!'
As though they had Christians been.
He showed him the hoards of the dragons and trolls,
Rare jewels and heaps of gold'Hast thou seen, in all thy hundred years,
Such as these, thou king so old?'
Now that cunning Kaiser was a scholar wise,
And could of gramarye,
And he cast a spell on that old old Balt,
Till lowly and meek spake he.
'Oh oft have I heard of the Micklegard,
What I held for chapmen's lies;
But now do I know of the Micklegard,
By the sight of mine own eyes.
'Woden in Valhalla,
But thou on earth art God;
And he that dare withstand thee, Kaiser,
On his own head lies his blood.'
Then out and spake that little Baltung,
Rode at the king's right knee,
Quoth 'Fridigern slew false Kaiser Valens,
And he died like you or me.'
'And who art thou, thou pretty bold boy,
Rides at the king's right knee?'
'Oh I am the Baltung, boy Alaric,
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And as good a man as thee.'
'As good as me, thou pretty bold boy,
With down upon thy chin?'
'Oh a spae-wife laid a doom on me,
The best of thy realm to win.'
'If thou be so fierce, thou little wolf cub
Or ever thy teeth be grown;
Then I must guard my two young sons
Lest they should lose their own.'
'Oh, it's I will guard your two lither lads,
In their burgh beside the sea,
And it's I will prove true man to them
If they will prove true to me.
'But it's you must warn your two lither lads,
And warn them bitterly,
That if I shall find them two false Kaisers,
High hanged they both shall be.'
Now they are gone into the Kaiser's palace
To eat the peacock fine,
And they are gone into the Kaiser's palace
To drink the good Greek wine.
The Kaiser alone, and the old old Balt,
They sat at the cedar board;
And round them served on the bended knee
Full many a Roman lord.
'What ails thee, what ails thee, friend Athanarich?
What makes thee look so pale?'
'I fear I am poisoned, thou cunning Kaiser,
For I feel my heart-strings fail.
'Oh would I had kept that great great oath
I swore by the horse's head,
I would never set foot on Roman ground
Till the day that I lay dead.
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'Oh would I were home in Caucaland,
To hear my harpers play,
And to drink my last of the nut-brown ale,
While I gave the gold rings away.
'Oh would I were home in Caucaland,
To hear the Gothmen's horn,
And watch the waggons, and brown brood mares
And the tents where I was born.
'But now I must die between four stone walls
In Byzant beside the sea:
And as thou shalt deal with my little Baltung,
So God shall deal with thee.'
The Kaiser he purged himself with oaths,
And he buried him royally,
And he set on his barrow an idol of gold,
Where all Romans must bow the knee.
And
And
And
And
now the Goths are the Kaiser's men,
guard him with lance and sword,
the little Baltung is his sworn son-at-arms,
eats at the Kaiser's board,
And the Kaiser's two sons are two false white lads
That a clerk may beat with cane.
The clerk that should beat that little Baltung
Would never sing mass again.
Oh the gates of Rome they are steel without,
And beaten gold within:
But they shall fly wide to the little Baltung
With the down upon his chin.
Oh the fairest flower in the Kaiser's garden
Is Rome and Italian land:
But it all shall fall to the little Baltung
When he shall take lance in hand.
And when he is parting the plunder of Rome,
He shall pay for this song of mine,
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Neither maiden nor land, neither jewel nor gold,
But one cup of Italian wine.
Eversley, 1864.
~ Charles Kingsley,#NFDB |
1356:Orpheus
Love will make men dare to die for their beloved. . . Of this
Alcestis is a monument . . . for she was willing to lay down her
life for her husband . . . and so noble did this appear to the gods
that they granted her the privilege of returning to earth . . . but
Orpheus, the son of OEagrus, they sent empty away. . .
Plato: The Symposium
Orpheus the Harper, coming to the gate
Where the implacable dim warder sate,
Besought for parley with a shade within,
Dearer to him than life itself had been,
Sweeter than sunlight on Illyrian sea,
Or bloom of myrtle, or murmur of laden bee,
Whom lately from his unconsenting breast
The Fates, at some capricious blind behest,
Intolerably had reft—Eurydice,
Dear to the sunlight as Illyrian sea,
Sweet as the murmur of bees, or myrtle bloom—
And uncompanioned led her to the tomb.
There, solitary by the Stygian tide,
Strayed her dear feet, the shadow of his own,
Since, ’mid the desolate millions who have died,
Each phantom walks its crowded path alone;
And there her head, that slept upon his breast,
No more had such sweet harbour for its rest,
Nor her swift ear from those disvoiced throats
Could catch one echo of his living notes,
And, dreaming nightly of her pallid doom,
No solace had he of his own young bloom,
But yearned to pour his blood into her veins
And buy her back with unimagined pains.
To whom the Shepherd of the Shadows said:
“Yea, many thus would bargain for their dead;
But when they hear my fatal gateway clang
Life quivers in them with a last sweet pang.
They see the smoke of home above the trees,
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The cordage whistles on the harbour breeze;
The beaten path that wanders to the shore
Grows dear because they shall not tread it more,
The dog that drowsing on their threshold lies
Looks at them with their childhood in his eyes,
And in the sunset’s melancholy fall
They read a sunrise that shall give them all.”
“Not thus am I,” the Harper smiled his scorn.
“I see no path but those her feet have worn;
My roof-tree is the shadow of her hair,
And the light breaking through her long despair
The only sunrise that mine eyelids crave;
For doubly dead without me in the grave
Is she who, if my feet had gone before,
Had found life dark as death’s abhorred shore.”
The gate clanged on him, and he went his way
Amid the alien millions, mute and grey,
Swept like a cold mist down an unlit strand,
Where nameless wreckage gluts the stealthy sand,
Drift of the cockle-shells of hope and faith
Wherein they foundered on the rock of death.
So came he to the image that he sought
(Less living than her semblance in his thought),
Who, at the summons of his thrilling notes,
Drew back to life as a drowned creature floats
Back to the surface; yet no less is dead.
And cold fear smote him till she spoke and said:
“Art thou then come to lay thy lips on mine,
And pour thy life’s libation out like wine?
Shall I, through thee, revisit earth again,
Traverse the shining sea, the fruitful plain,
Behold the house we dwelt in, lay my head
Upon the happy pillows of our bed,
And feel in dreams the pressure of thine arms
Kindle these pulses that no memory warms?
Nay: give me for a space upon thy breast
Death’s shadowy substitute for rapture—rest;
Then join again the joyous living throng,
And give me life, but give it in thy song;
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For only they that die themselves may give
Life to the dead: and I would have thee live.”
Fear seized him closer than her arms; but he
Answered: “Not so—for thou shalt come with me!
I sought thee not that we should part again,
But that fresh joy should bud from the old pain;
And the gods, if grudgingly their gifts they make,
Yield all to them that without asking take.”
“The gods,” she said, “(so runs life’s ancient lore)
Yield all man takes, but always claim their score.
The iron wings of the Eumenides
When heard far off seem but a summer breeze;
But me thou’lt have alive on earth again
Only by paying here my meed of pain.
Then lay on my cold lips the tender ghost
Of the dear kiss that used to warm them most,
Take from my frozen hands thy hands of fire,
And of my heart-strings make thee a new lyre,
That in thy music men may find my voice,
And something of me still on earth rejoice.”
Shuddering he heard her, but with close-flung arm
Swept her resisting through the ghostly swarm.
“Swift, hide thee ’neath my cloak, that we may glide
Past the dim warder as the gate swings wide.”
He whirled her with him, lighter than a leaf
Unwittingly whirled onward by a brief
Autumnal eddy; but when the fatal door
Suddenly yielded him to life once more,
And issuing to the all-consoling skies
He turned to seek the sunlight in her eyes,
He clutched at emptiness—she was not there;
And the dim warder answered to his prayer:
“Only once have I seen the wonder wrought.
But when Alcestis thus her master sought,
Living she sought him not, nor dreamed that fate
For any subterfuge would swing my gate.
Loving, she gave herself to livid death,
Joyous she bought his respite with her breath,
Came, not embodied, but a tenuous shade,
53
In whom her rapture a great radiance made.
For never saw I ghost upon this shore
Shine with such living ecstasy before,
Nor heard an exile from the light above
Hail me with smiles: Thou art not Death but Love!
“But when the gods, frustrated, this beheld,
How, living still, among the dead she dwelled,
Because she lived in him whose life she won,
And her blood beat in his beneath the sun,
They reasoned: ‘When the bitter Stygian wave
The sweetness of love’s kisses cannot lave,
When the pale flood of Lethe washes not
From mortal mind one high immortal thought,
Akin to us the earthly creature grows,
Since nature suffers only what it knows.
If she whom we to this grey desert banned
Still dreams she treads with him the sunlit land
That for his sake she left without a tear,
Set wide the gates—her being is not here.’
“So ruled the gods; but thou, that sought’st to give
Thy life for love, yet for thyself wouldst live.
They know not for their kin; but back to earth
Give, pitying, one that is of mortal birth.”
Humbled the Harper heard, and turned away,
Mounting alone to the empoverished day;
Yet, as he left the Stygian shades behind,
He heard the cordage on the harbour wind,
Saw the blue smoke above the homestead trees,
And in his hidden heart was glad of these.
~ Edith Wharton,#NFDB |
1357:Prof. Vere De Blaw
Achievin' sech distinction with his moddel tabble dote
Ez to make his Red Hoss Mountain restauraw a place uv note,
Our old friend Casey innovated somewhat round the place,
In hopes he would ameliorate the sufferin's uv the race;
'Nd uv the many features Casey managed to import
The most important wuz a Steenway gran' pianny-fort,
An' bein' there wuz nobody could play upon the same,
He telegraffed to Denver, 'nd a real perfesser came,-The last an' crownin' glory uv the Casey restauraw
Wuz that tenderfoot musicianer, Perfesser Vere de Blaw!
His hair wuz long an' dishybill, an' he had a yaller skin,
An' the absence uv a collar made his neck look powerful thin:
A sorry man he wuz to see, az mebby you'd surmise,
But the fire uv inspiration wuz a-blazin' in his eyes!
His name wuz Blanc, wich same is Blaw (for that's what Casey said,
An' Casey passed the French ez well ez any Frenchie bred);
But no one ever reckoned that it really wuz his name,
An' no one ever asked him how or why or whence he came,-Your ancient history is a thing the Coloradan hates,
An' no one asks another what his name wuz in the States!
At evenin', when the work wuz done, an' the miners rounded up
At Casey's, to indulge in keerds or linger with the cup,
Or dally with the tabble dote in all its native glory,
Perfessor Vere de Blaw discoursed his music repertory
Upon the Steenway gran' piannyfort, the wich wuz sot
In the hallway near the kitchen (a warm but quiet spot),
An' when De Blaw's environments induced the proper pride,-Wich gen'rally wuz whiskey straight, with seltzer on the side,-He throwed his soulful bein' into opry airs 'nd things
Wich bounded to the ceilin' like he'd mesmerized the strings.
Oh, you that live in cities where the gran' piannies grow,
An' primy donnies round up, it's little that you know
Uv the hungerin' an' the yearnin' wich us miners an' the rest
Feel for the songs we used to hear before we moved out West.
Yes, memory is a pleasant thing, but it weakens mighty quick;
It kind uv dries an' withers, like the windin' mountain crick,
258
That, beautiful, an' singin' songs, goes dancin' to the plains,
So long ez it is fed by snows an' watered by the rains;
But, uv that grace uv lovin' rains 'nd mountain snows bereft,
Its bleachin' rocks, like dummy ghosts, is all its memory left.
The toons wich the perfesser would perform with sech eclaw
Would melt the toughest mountain gentleman I ever saw,-Sech touchin' opry music ez the Trovytory sort,
The sollum "Mizer Reery," an' the thrillin' "Keely Mort;"
Or, sometimes, from "Lee Grond Dooshess" a trifle he would play,
Or morsoze from a' opry boof, to drive dull care away;
Or, feelin' kind uv serious, he'd discourse somewhat in C,-The wich he called a' opus (whatever that may be);
But the toons that fetched the likker from the critics in the crowd
Wuz not the high-toned ones, Perfesser Vere de Blaw allowed.
'T wuz "Dearest May," an' "Bonnie Doon," an' the ballard uv "Ben Bolt,"
Ez wuz regarded by all odds ez Vere de Blaw's best holt;
Then there wuz "Darlin' Nellie Gray," an' "Settin' on the Stile,"
An' "Seein' Nellie Home," an' "Nancy Lee," 'nd "Annie Lisle,"
An' "Silver Threads among the Gold," an' "The Gal that Winked at Me,"
An' "Gentle Annie," "Nancy Till," an' "The Cot beside the Sea."
Your opry airs is good enough for them ez likes to pay
Their money for the truck ez can't be got no other way;
But opry to a miner is a thin an' holler thing,--The
music that he pines for is the songs he used to sing.
One evenin' down at Casey's De Blaw wuz at his best,
With four-fingers uv old Wilier-run concealed beneath his vest;
The boys wuz settin' all around, discussin' folks an' things,
'Nd I had drawed the necessary keerds to fill on kings;
Three-fingered Hoover kind uv leaned acrosst the bar to say
If Casey'd liquidate right off, he'd liquidate next day;
A sperrit uv contentment wuz a-broodin' all around
(Onlike the other sperrits wich in restauraws abound),
When, suddenly, we heerd from yonder kitchen-entry rise
A toon each ornery galoot appeared to recognize.
Perfesser Vere de Blaw for once eschewed his opry ways,
An' the remnants uv his mind went back to earlier, happier days,
An' grappled like an' wrassled with a' old familiar air
The wich we all uv us had heern, ez you have, everywhere!
259
Stock still we stopped,--some in their talk uv politics an' things,
I in my unobtrusive attempt to fill on kings,
'Nd Hoover leanin' on the bar, an' Casey at the till,-We all stopped short an' held our breaths (ez a feller sometimes will),
An' sot there more like bumps on logs than healthy, husky men,
Ez the memories uv that old, old toon come sneakin' back again.
You've guessed it? No, you hav n't; for it wuzn't that there song
Uv the home we'd been away from an' had hankered for so long,-No, sir; it wuzn't "Home, Sweet Home," though it's always heard around
Sech neighborhoods in wich the home that is "sweet home" is found.
And, ez for me, I seemed to see the past come back again,
And hear the deep-drawed sigh my sister Lucy uttered when
Her mother asked her if she 'd practised her two hours that day,
Wich, if she hadn't, she must go an' do it right away!
The homestead in the States 'nd all its memories seemed to come
A-floatin' round about me with that magic lumty-tum.
And then uprose a stranger wich had struck the camp that night;
His eyes wuz sot an' fireless, 'nd his face wuz spookish white,
'Nd he sez: "Oh, how I suffer there is nobody kin say,
Onless, like me, he's wrenched himself from home an' friends away
To seek surcease from sorrer in a fur, seclooded spot,
Only to find--alars, too late!--the wich surcease is not!
Only to find that there air things that, somehow, seem to live
For nothin' in the world but jest the misery they give!
I've travelled eighteen hundred miles, but that toon has got here first;
I'm done,--I'm blowed,--I welcome death, an' bid it do its worst!"
Then, like a man whose mind wuz sot on yieldin' to his fate,
He waltzed up to the counter an' demanded whiskey straight,
Wich havin' got outside uv,--both the likker and the door,-We never seen that stranger in the bloom uv health no more!
But some months later, what the birds had left uv him wuz found
Associated with a tree, some distance from the ground;
And Husky Sam, the coroner, that set upon him, said
That two things wuz apparent, namely: first, deceast wuz dead;
And, second, previously had got involved beyond all hope
In a knotty complication with a yard or two uv rope!
~ Eugene Field,#NFDB |
1358:I hardly hear the curlew cry,
Nor the grey rush when the wind is high,
Before my thoughts begin to run
On the heir of Uladh, Buan's son,
Baile, who had the honey mouth;
And that mild woman of the south,
Aillinn, who was King Lugaidh's heir.
Their love was never drowned in care
Of this or that thing, nor grew cold
Because their bodies had grown old.
Being forbid to marry on earth,
They blossomed to immortal mirth.
About the time when Christ was born,
When the long wars for the White Horn
And the Brown Bull had not yet come,
Young Baile Honey Mouth, whom some
Called rather Baile Little-Land,
Rode out of Emain with a band
Of harpers and young men; and they
Imagined, as they struck the way
To many-pastured Muirthemne,
That all things fell out happily,
And there, for all that fools had said,
Baile and Aillinn would be wed.
They found an old man running there:
He had ragged long grass-coloured hair;
He had knees that stuck out of his hose;
He had puddle-water in his shoes;
He had half a cloak to keep him dry,
Although he had a squirrel's eye.
That runner said: "I am from the south;
I run to Baile Honey-Mouth,
To tell him how the girl Aillinn
Rode from the country of her kin,
And old and young men rode with her:
For all that country had been astir
If anybody half as fair
Had chosen a husband anywhere
But where it could see her every day.
When they had ridden a little way
An old man caught the horse's head
With: ""You must home again, and wed
With somebody in your own land.''
A young man cried and kissed her hand,
""O lady, wed with one of us'';
And when no face grew piteous
For any gentle thing she spake,
She fell and died of the heart-break.'
Because a lover's heart s worn out,
Being tumbled and blown about
By its own blind imagining,
And will believe that anything
That is bad enough to be true, is true,
Baile's heart was broken in two;
And he, being laid upon green boughs,
Was carried to the goodly house
Where the Hound of Uladh sat before
The brazen pillars of his door,
His face bowed low to weep the end
Of the harper's daughter and her friend
For although years had passed away
He always wept them on that day,
For on that day they had been betrayed;
And now that Honey-Mouth is laid
Under a cairn of sleepy stone
Before his eyes, he has tears for none,
Although he is carrying stone, but two
For whom the cairn's but heaped anew.
Now had that old gaunt crafty one,
Gathering his cloak about him,
Where Aillinn rode with waiting-maids,
Who amid leafy lights and shades
Dreamed of the hands that would unlace
Their bodices in some dim place
When they had come to the marriage-bed,
And harpers, pacing with high head
As though their music were enough
To make the savage heart of love
Grow gentle without sorrowing,
Imagining and pondering
Heaven knows what calamity;
"Another's hurried off,' cried he,
"From heat and cold and wind and wave;
They have heaped the stones above his grave
In Muirthemne, and over it
In changeless Ogham letters writ -
Baile, that was of Rury's seed.
But the gods long ago decreed
No waiting-maid should ever spread
Baile and Aillinn's marriage-bed,
For they should clip and clip again
Where wild bees hive on the Great Plain.
Therefore it is but little news
That put this hurry in my shoes.'
Then seeing that he scarce had spoke
Before her love-worn heart had broke.
He ran and laughed until he came
To that high hill the herdsmen name
The Hill Seat of Laighen, because
Some god or king had made the laws
That held the land together there,
In old times among the clouds of the air.
That old man climbed; the day grew dim;
Two swans came flying up to him,
Linked by a gold chain each to each,
And with low murmuring laughing speech
Alighted on the windy grass.
They knew him: his changed body was
Tall, proud and ruddy, and light wings
Were hovering over the harp-strings
That Edain, Midhir's wife, had wove
In the hid place, being crazed by love.
What shall I call them? fish that swim,
Scale rubbing scale where light is dim
By a broad water-lily leaf;
Or mice in the one wheaten sheaf
Forgotten at the threshing-place;
Or birds lost in the one clear space
Of morning light in a dim sky;
Or, it may be, the eyelids of one eye,
Or the door-pillars of one house,
Or two sweet blossoming apple-boughs
That have one shadow on the ground;
Or the two strings that made one sound
Where that wise harper's finger ran.
For this young girl and this young man
Have happiness without an end,
Because they have made so good a friend.
They know all wonders, for they pass
The towery gates of Gorias,
And Findrias and Falias,
And long-forgotten Murias,
Among the giant kings whose hoard,
Cauldron and spear and stone and sword,
Was robbed before earth gave the wheat;
Wandering from broken street to street
They come where some huge watcher is,
And tremble with their love and kiss.
They know undying things, for they
Wander where earth withers away,
Though nothing troubles the great streams
But light from the pale stars, and gleams
From the holy orchards, where there is none
But fruit that is of precious stone,
Or apples of the sun and moon.
What were our praise to them? They eat
Quiet's wild heart, like daily meat;
Who when night thickens are afloat
On dappled skins in a glass boat,
Far out under a windless sky;
While over them birds of Aengus fly,
And over the tiller and the prow,
And waving white wings to and fro
Awaken wanderings of light air
To stir their coverlet and their hair.
And poets found, old writers say,
A yew tree where his body lay;
But a wild apple hid the grass
With its sweet blossom where hers was,
And being in good heart, because
A better time had come again
After the deaths of many men,
And that long fighting at the ford,
They wrote on tablets of thin board,
Made of the apple and the yew,
All the love stories that they knew.
Let rush and bird cry out their fill
Of the harper's daughter if they will,
Beloved, I am not afraid of her.
She is not wiser nor lovelier,
And you are more high of heart than she,
For all her wanderings over-sea;
But I'd have bird and rush forget
Those other two; for never yet
Has lover lived, but longed to wive
Like them that are no more alive.
ARGUMENT. Baile and Aillinn were lovers, but Aengus, the
Master of Love, wishing them to he happy in his own land
among the dead, told to each a story of the other's death, so that their hearts were broken and they died.
~ William Butler Yeats, Baile And Aillinn
,#NFDB |
1359:Thus in altemate uproar and sad peace,
Amazed were those Titans utterly.
O leave them, Muse! O leave them to their woes;
For thou art weak to sing such tumults dire:
A solitary sorrow best befits
Thy lips, and antheming a lonely grief.
Leave them, O Muse! for thou anon wilt find
Many a fallen old Divinity
Wandering in vain about bewildered shores.
Meantime touch piously the Delphic harp,
And not a wind of heaven but will breathe
In aid soft warble from the Dorian flute;
For lo! 'tis for the Father of all verse.
Flush everything that hath a vermeil hue,
Let the rose glow intense and warm the air,
And let the clouds of even and of morn
Float in voluptuous fleeces o'er the hills;
Let the red wine within the goblet boil,
Cold as a bubbling well; let faint-lipp'd shells,
On sands, or in great deeps, vermilion turn
Through all their labyrinths; and let the maid
Blush keenly, as with some warm kiss surpris'd.
Chief isle of the embowered Cyclades,
Rejoice, O Delos, with thine olives green,
And poplars, and lawn-shading palms, and beech,
In which the Zephyr breathes the loudest song,
And hazels thick, dark-stemm'd beneath the shade:
Apollo is once more the golden theme!
Where was he, when the Giant of the sun
Stood bright, amid the sorrow of his peers?
Together had he left his mother fair
And his twin-sister sleeping in their bower,
And in the morning twilight wandered forth
Beside the osiers of a rivulet,
Full ankle-deep in lilies of the vale.
The nightingale had ceas'd, and a few stars
Were lingering in the heavens, while the thrush
Began calm-throated. Throughout all the isle
There was no covert, no retired cave,
Unhaunted by the murmurous noise of waves,
Though scarcely heard in many a green recess.
He listen'd, and he wept, and his bright tears
Went trickling down the golden bow he held.
Thus with half-shut suffused eyes he stood,
While from beneath some cumbrous boughs hard by
With solemn step an awful Goddess came,
And there was purport in her looks for him,
Which he with eager guess began to read
Perplex'd, the while melodiously he said:
"How cam'st thou over the unfooted sea?
Or hath that antique mien and robed form
Mov'd in these vales invisible till now?
Sure I have heard those vestments sweeping o'er
The fallen leaves, when I have sat alone
In cool mid-forest. Surely I have traced
The rustle of those ample skirts about
These grassy solitudes, and seen the flowers
Lift up their heads, as still the whisper pass'd.
Goddess! I have beheld those eyes before,
And their eternal calm, and all that face,
Or I have dream'd."-"Yes," said the supreme shape,
"Thou hast dream'd of me; and awaking up
Didst find a lyre all golden by thy side,
Whose strings touch'd by thy fingers, all the vast
Unwearied ear of the whole universe
Listen'd in pain and pleasure at the birth
Of such new tuneful wonder. Is't not strange
That thou shouldst weep, so gifted? Tell me, youth,
What sorrow thou canst feel; for I am sad
When thou dost shed a tear: explain thy griefs
To one who in this lonely isle hath been
The watcher of thy sleep and hours of life,
From the young day when first thy infant hand
Pluck'd witless the weak flowers, till thine arm
Could bend that bow heroic to all times.
Show thy heart's secret to an ancient Power
Who hath forsaken old and sacred thrones
For prophecies of thee, and for the sake
Of loveliness new born."-Apollo then,
With sudden scrutiny and gloomless eyes,
Thus answer'd, while his white melodious throat
Throbb'd with the syllables.-"Mnemosyne!
Thy name is on my tongue, I know not how;
Why should I tell thee what thou so well seest?
Why should I strive to show what from thy lips
Would come no mystery? For me, dark, dark,
And painful vile oblivion seals my eyes:
I strive to search wherefore I am so sad,
Until a melancholy numbs my limbs;
And then upon the grass I sit, and moan,
Like one who once had wings.-O why should I
Feel curs'd and thwarted, when the liegeless air
Yields to my step aspirant? why should I
Spurn the green turf as hateful to my feet?
Goddess benign, point forth some unknown thing:
Are there not other regions than this isle?
What are the stars? There is the sun, the sun!
And the most patient brilliance of the moon!
And stars by thousands! Point me out the way
To any one particular beauteous star,
And I will flit into it with my lyre,
And make its silvery splendor pant with bliss.
I have heard the cloudy thunder: Where is power?
Whose hand, whose essence, what divinity
Makes this alarum in the elements,
While I here idle listen on the shores
In fearless yet in aching ignorance?
O tell me, lonely Goddess, by thy harp,
That waileth every morn and eventide,
Tell me why thus I rave about these groves!
Mute thou remainest-Mute! yet I can read
A wondrous lesson in thy silent face:
Knowledge enormous makes a God of me.
Names, deeds, gray legends, dire events, rebellions,
Majesties, sovran voices, agonies,
Creations and destroyings, all at once
Pour into the wide hollows of my brain,
And deify me, as if some blithe wine
Or bright elixir peerless I had drunk,
And so become immortal."-Thus the God,
While his enkindled eyes, with level glance
Beneath his white soft temples, steadfast kept
Trembling with light upon Mnemosyne.
Soon wild commotions shook him, and made flush
All the immortal fairness of his limbs;
Most like the struggle at the gate of death;
Or liker still to one who should take leave
Of pale immortal death, and with a pang
As hot as death's is chill, with fierce convulse
Die into life: so young Apollo anguish'd:
His very hair, his golden tresses famed,
Kept undulation round his eager neck.
During the pain Mnemosyne upheld
Her arms as one who prophesied. At length
Apollo shriek'd;-and lo! from all his limbs
Celestial * * * * * * * * * * * * * * * *
(last lines): 'Leigh Hunt says of this part of the fragment, "It strikes us that there is something too effeminate and human in the way in which Apollo receives the exaltation which his wisdom is giving him. He weeps and wonders somewhat too fondly; but his powers gather nobly on him as he proceeds." I confess that I should be disposed to rank all these symptoms of convulsion and hysteria in the same category as the fainting of lovers which Keats so frequently represented, -- a kind of thing which his astonishing powers of progress would infallibly have' outgrown had he lived a year or two longer."'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book III
,#NFDB |
1360:Fleckno, An English Priest At Rome
Oblig'd by frequent visits of this man,
Whom as Priest, Poet, and Musician,
I for some branch of Melchizedeck took,
(Though he derives himself from my Lord Brooke)
I sought his Lodging; which is at the Sign
Of the sad Pelican; Subject divine
For Poetry: There three Stair Cases high,
Which signifies his triple property,
I found at last a Chamber, as 'twas said,
But seem'd a Coffin set on the Stairs head.
Not higher then Seav'n, nor larger then three feet;
Only there was nor Seeling, nor a Sheet,
Save that th' ingenious Door did as you come
Turn in, and shew to Wainscot half the Room.
Yet of his State no man could have complain'd;
There being no Bed where he entertain'd:
And though within one Cell so narrow pent,
He'd Stanza's for a whole Appartement.
Straight without further information,
In hideous verse, he, and a dismal tone,
Begins to exercise; as if I were
Possest; and sure the Devil brought me there.
But I, who now imagin'd my selfbrought
To my last Tryal, in a serious thought
Calm'd the disorders of my youthful Breast,
And to my Martyrdom prepared Rest.
Only this frail Ambition did remain,
The last distemper of the sober Brain,
That there had been some present to assure
The future Ages how I did indure:
And how I, silent, turn'd my burning Ear
Towards the Verse; and when that could n
Held him the other; and unchanged yet,
Ask'd still for more, and pray'd him to repeat:
Till the Tyrant, weary to persecute,
Left off, and try'd t'allure me with his Lute.
Now as two Instruments, to the same key
Being tun'd by Art, if the one touched be
The other opposite as soon replies,
68
Mov'd by the Air and hidden Sympathies;
So while he with his gouty Fingers craules
Over the Lute, his murmuring Belly calls,
Whose hungry Guts to the same streightness twin'd
In Echo to the trembling Strings repin'd.
I, that perceiv'd now what his Musick ment,
Ask'd civilly if he had eat this Lent.
He answered yes; with such, and such an one.
For he has this of gen'rous, that alone
He never feeds; save only when he tryes
With gristly Tongue to dart the passing Flyes.
I ask'd if he eat flesh. And he, that was
So hungry that though ready to say Mass
Would break his fast before, said he was Sick,
And th' Ordinance was only Politick.
Nor was I longer to invite him: Scant
Happy at once to make him Protestant,
And Silent. Nothing now Dinner stay'd
But till he had himself a Body made.
I mean till he were drest: for else so thin
He stands, as if he only fed had been
With consecrated Wafers: and the Host
Hath sure more flesh and blood then he can boast.
This Basso Relievo of a Man,
Who as a Camel tall, yet easly can
The Needles Eye thread without any stich,
(His only impossible is to be rich)
Lest his too suttle Body, growing rare,
Should leave his Soul to wander in the Air,
He therefore circumscribes himself in rimes;
And swaddled in's own papers seaven times,
Wears a close Jacket of poetick Buff,
With which he doth his third Dimension Stuff.
Thus armed underneath, he over all
Does make a primitive Sotana fall;
And above that yet casts an antick Cloak,
Worn at the first Counsel of Antioch;
Which by the Jews long hid, and Disesteem'd,
He heard of by Tradition, and redeem'd.
But were he not in this black habit deck't,
This half transparent Man would soon reflect
Each colour that he past by; and be seen,
69
As the Chamelion, yellow, blew, or green.
He drest, and ready to disfurnish now
His Chamber, whose compactness did allow
No empty place for complementing doubt,
But who came last is forc'd first to go out;
I meet one on the Stairs who made me stand,
Stopping the passage, and did him demand:
I answer'd he is here Sir; but you see
You cannot pass to him but thorow me.
He thought himself affronted; and reply'd,
I whom the Pallace never has deny'd
Will make the way here; I said Sir you'l do
Me a great favour, for I seek to go.
He gathring fury still made sign to draw;
But himself there clos'd in a Scabbard saw
As narrow as his Sword's; and I, that was
Delightful, said there can no Body pass
Except by penetration hither, where
Two make a crowd, nor can three Persons here
Consist but in one substance. Then, to fit
Our peace, the Priest said I too had some wit:
To prov't, I said, the place doth us invite
But its own narrowness, Sir, to unite.
He ask'd me pardon; and to make me way
Went down, as I him follow'd to obey.
But the propitiatory Priest had straight
Oblig'd us, when below, to celebrate
Together our attonement: so increas'd
Betwixt us two the Dinner to a Feast.
Let it suffice that we could eat in peace;
And that both Poems did and Quarrels cease
During the Table; though my new made Friend
Did, as he threatned, ere 'twere long intend
To be both witty and valiant: I loth,
Said 'twas too late, he was already both.
But now, Alas, my first Tormentor came,
Who satisfy'd with eating, but not tame
Turns to recite; though Judges most severe
After th'Assizes dinner mild appear,
And on full stomach do condemn but few:
Yet he more strict my sentence doth renew;
And draws out of the black box of his Breast
70
Ten quire of paper in which he was drest.
Yet that which was a greater cruelty
Then Nero's Poem he calls charity:
And so the Pelican at his door hung
Picks out the tender bosome to its young.
Of all his Poems there he stands ungirt
Save only two foul copies for his shirt:
Yet these he promises as soon as clean.
But how I loath'd to see my Neighbour glean
Those papers, which he pilled from within
Like white fleaks rising from a Leaper's skin!
More odious then those raggs which the French youth
At ordinaries after dinner show'th,
When they compare their Chancres and Poulains.
Yet he first kist them, and after takes pains
To read; and then, because he understood good.
Not one Word, thought and swore that they were
But all his praises could not now appease
The provok't Author, whom it did displease
To hear his Verses, by so just a curse,
That were ill made condemn'd to be read worse:
And how (impossible) he made yet more
Absurdityes in them then were before.
For he his untun'd voice did fall or raise
As a deaf Man upon a Viol playes,
Making the half points and the periods run
Confus'der then the atomes in the Sun.
Thereat the Poet swell'd, with anger full,
And roar'd out, like Perillus in's own Bull;
Sir you read false. That any one but you
Should know the contrary. Whereat, I, now
Made Mediator, in my room, said, Why?
To say that you read false Sir is no Lye.
Thereat the waxen Youth relented straight;
But saw with sad dispair that was too late.
For the disdainful Poet was retir'd
Home, his most furious Satyr to have fir'd
Against the Rebel; who, at this struck dead
Wept bitterly as disinherited.
Who should commend his Mistress now? Or who
Praise him? both difficult indeed to do
With truth. I counsell'd him to go in time,
71
Ere the fierce Poets anger turn'd to rime.
He hasted; and I, finding my self free,
Did, as he threatned, ere 'twere long intend
As one scap't strangely from Captivity,
Have made the Chance be painted; and go now
To hang it in Saint Peter's for a Vow.
~ Andrew Marvell,#NFDB |
1361:Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,
She who compels lawless passions to cease,
Who to link man with his fellow has come,
And into firm habitations of peace
Changed the rude tents' ever-wandering home.
Shyly in the mountain-cleft
Was the Troglodyte concealed;
And the roving Nomad left,
Desert lying, each broad field.
With the javelin, with the bow,
Strode the hunter through the land;
To the hapless stranger woe,
Billow-cast on that wild strand!
When, in her sad wanderings lost,
Seeking traces of her child,
Ceres hailed the dreary coast,
Ah, no verdant plain then smiled!
That she here with trust may stay,
None vouchsafes a sheltering roof;
Not a temple's columns gay
Give of godlike worship proof.
Fruit of no propitious ear
Bids her to the pure feast fly;
On the ghastly altars here
Human bones alone e'er dry.
Far as she might onward rove,
Misery found she still in all,
And within her soul of love,
Sorrowed she o'er man's deep fall.
"Is it thus I find the man
To whom we our image lend,
Whose fair limbs of noble span
Upward towards the heavens ascend?
Laid we not before his feet
Earth's unbounded godlike womb?
Yet upon his kingly seat
Wanders he without a home?"
"Does no god compassion feel?
Will none of the blissful race,
With an arm of miracle,
Raise him from his deep disgrace?
In the heights where rapture reigns
Pangs of others ne'er can move;
Yet man's anguish and man's pains
My tormented heart must prove."
"So that a man a man may be,
Let him make an endless bond
With the kind earth trustingly,
Who is ever good and fond
To revere the law of time,
And the moon's melodious song
Who, with silent step sublime,
Move their sacred course along."
And she softly parts the cloud
That conceals her from the sight;
Sudden, in the savage crowd,
Stands she, as a goddess bright.
There she finds the concourse rude
In their glad feast revelling,
And the chalice filled with blood
As a sacrifice they bring.
But she turns her face away,
Horror-struck, and speaks the while
"Bloody tiger-feasts ne'er may
Of a god the lips defile,
He needs victims free from stain,
Fruits matured by autumn's sun;
With the pure gifts of the plain
Honored is the Holy One!"
And she takes the heavy shaft
From the hunter's cruel hand;
With the murderous weapon's haft
Furrowing the light-strown sand,
Takes from out her garland's crown,
Filled with life, one single grain,
Sinks it in the furrow down,
And the germ soon swells amain.
And the green stalks gracefully
Shoot, ere long, the ground above,
And, as far as eye can see,
Waves it like a golden grove.
With her smile the earth she cheers,
Binds the earliest sheaves so fair,
As her hearth the landmark rears,
And the goddess breathes this prayer:
"Father Zeus, who reign'st o'er all
That in ether's mansions dwell,
Let a sign from thee now fall
That thou lov'st this offering well!
And from the unhappy crowd
That, as yet, has ne'er known thee,
Take away the eye's dark cloud,
Showing them their deity!"
Zeus, upon his lofty throne,
Harkens to his sister's prayer;
From the blue heights thundering down,
Hurls his forked lightning there,
Crackling, it begins to blaze,
From the altar whirling bounds,
And his swift-winged eagle plays
High above in circling rounds.
Soon at the feet of their mistress are kneeling,
Filled with emotion, the rapturous throng;
Into humanity's earliest feeling
Melt their rude spirits, untutored and strong.
Each bloody weapon behind them they leave,
Rays on their senses beclouded soon shine,
And from the mouth of the queen they receive,
Gladly and meekly, instruction divine.
All the deities advance
Downward from their heavenly seats;
Themis' self 'tis leads the dance,
And, with staff of justice, metes
Unto every one his rights,
Landmarks, too, 'tis hers to fix;
And in witness she invites
All the hidden powers of Styx.
And the forge-god, too, is there,
The inventive son of Zeus;
Fashioner of vessels fair
Skilled in clay and brass's use.
'Tis from him the art man knows
Tongs and bellows how to wield;
'Neath his hammer's heavy blows
Was the ploughshare first revealed.
With projecting, weighty spear,
Front of all, Minerva stands,
Lifts her voice so strong and clear,
And the godlike host commands.
Steadfast walls 'tis hers to found,
Shield and screen for every one,
That the scattered world around
Bind in loving unison.
The immortals' steps she guides
O'er the trackless plains so vast,
And where'er her foot abides
Is the boundary god held fast;
And her measuring chain is led
Round the mountain's border green,
E'en the raging torrent's bed
In the holy ring is seen.
All the Nymphs and Oreads too
Who, the mountain pathways o'er,
Swift-foot Artemis pursue,
All to swell the concourse, pour,
Brandishing the hunting-spear,
Set to work,glad shouts uprise,
'Neath their axes' blows so clear
Crashing down the pine-wood flies.
E'en the sedge-crowned God ascends
From his verdant spring to light,
And his raft's direction bends
At the goddess' word of might,
While the hours, all gently bound,
Nimbly to their duty fly;
Rugged trunks are fashioned round
By her skilled hand gracefully.
E'en the sea-god thither fares;
Sudden, with his trident's blow,
He the granite columns tears
From earth's entrails far below;
In his mighty hands, on high,
Waves he them, like some light ball,
And with nimble Hermes by,
Raises up the rampart-wall.
But from out the golden strings
Lures Apollo harmony,
Measured time's sweet murmurings,
And the might of melody.
The Camoenae swell the strain
With their song of ninefold tone:
Captive bound in music's chain,
Softly stone unites to stone.
Cybele, with skilful hand,
Open throws the wide-winged door;
Locks and bolts by her are planned,
Sure to last forevermore.
Soon complete the wondrous halls
By the gods' own hands are made,
And the temple's glowing walls
Stand in festal pomp arrayed.
With a crown of myrtle twined,
Now the goddess queen comes there,
And she leads the fairest hind
To the shepherdess most fair.
Venus, with her beauteous boy,
That first pair herself attires;
All the gods bring gifts of joy,
Blessing their love's sacred fires.
Guided by the deities,
Soon the new-born townsmen pour,
Ushered in with harmonies,
Through the friendly open door.
Holding now the rites divine,
Ceres at Zeus' altar stands,
Blessing those around the shrine,
Thus she speaks, with folded hands:
"Freedom's love the beast inflames,
And the god rules free in air,
While the law of Nature tames
Each wild lust that lingers there.
Yet, when thus together thrown,
Man with man must fain unite;
And by his own worth alone
Can he freedom gain, and might."
Wreathe in a garland the corn's golden ear!
With it, the Cyane blue intertwine!
Rapture must render each glance bright and clear,
For the great queen is approaching her shrine,
She who our homesteads so blissful has given,
She who has man to his fellow-man bound:
Let our glad numbers extol then to heaven,
Her who the earth's kindly mother is found!
~ Friedrich Schiller, The Eleusinian Festival
,#NFDB |
1362:Forsaking All Others Part 5
TRAINED nurses, trained nurses everywhere
Trained nurses by night, trained nurses by day In the corridors, on the stair,
Looking for towels, carrying a tray;
Saying, 'you mustn't,' 'you must,' 'you may.'
Smooth as to hair, stiff as to skirt,
Kind in a cool, impersonal way,
Angels of mercy, bright-eyed, alert,
Hard young angels, sent to avert
That older angel of dark despair
Stiff starched angels, a trifle curt
Trained nurses, trained nurses everywhere.
II
A WHITE figure spoke from the doorway
In a tone deliberately bright:
'Would you like to see the patient
For a moment, and say goodnight?'
Shepherded in like a stranger
He stood beside her bed,
Gazed at those pale, blank eyelids
In that carven ivory head.
Took her hand and heard her
Murmur: 'Is that you, Jim?'
But he knew she was very tired
Tired even of him.
Too much spent with the struggle
Of drawing breath to afford
A brief smile - utterly weary,
And more than utterly bored.
III
42
NEVER before had Ruth been out of reach:
Barriers had been - but only of his making.
Now she had passed beyond the power of speech,
Quite, quite indifferent that his heart was breaking.
Here in the bedroom that he used to share
She lived day after day, averse to living,
Indifferent, unforgiving, unaware
That he had any need of her forgiving.
IV
AT first Lee wrote to him every day
Tactful letters, that let him see
She knew very well he would rather be
With her - but it wasn't the thing to say.
Tactful letters at first, and then
Letters less tactful and more sincere,
Ending: 'Why don't you write to me, dear?'
Write to me . . . over and over again.
But he could not answer her piteous call;
Not exactly that he forgot
Their love, but only that she had not
Any reality for him at all.
She seemed like a pleasant book he had read Read and enjoyed; but the printed page
Cannot compete with the heritage
Of Nature. . . the living, and Oh, the dead!
At last he sent her a brief reply:
'I cannot write - or eat or sleep
Just now. I am going through the deep
Waters. Forgive me, dear Lee. Good-bye.'
THEN a night came
When in sleep broken
43
He heard his name
Suddenly spoken.
Into his dream
Horrors flocked thickly
Was that a scream?
'Better come quicklyl'
Cold was his room
And his hands shaking;
Out of the gloom
Dawn was just breaking
Dawn cool and green
Over the ocean,
Never more seen
Without emotion
Of death - agony
Somebody crying
All dawns that dawn, when he
Knew Ruth was dying.
VI
WHAT can you do with a woman's things
After a woman is dead?
Not the bracelets and rings and strings
Of pearls, but the small unvalued things
What can I do, Wayne said.
What can you do with a woman's dresses,
After a woman is dead?
Hanging limp in the cedar presses,
They are part of herself, her pretty dresses
What can I do, Wayne said.
What can you do with a woman's shoes,
After a woman is dead?
Shoes that perhaps you helped her choose,
Poor little empty half-worn shoes
What can I do, Wayne said.
What can you do with her brush and comb,
44
After a woman is dead?
What in God's name can you do with her home
And her loss and her love and her brush and comb
What can I do, Wayne said.
VII
UP a little river
Where salmon used to play,
Not twenty miles distant
A little village lay -
Ruth's native village,
Where Wayne used to go
To see his mother's mother
Many years ago.
Here in a churchyard
With pines along the wall
And a wooden church steeple
Almost too tall,
Here in September,
On a bright clear day
Among the graves of sailors,
They laid Ruth away.
In this same churchyard,
Sitting on the stones,
He had first said he loved her
In young shaken tones.
That had been September,
But not this bright light.
Between the pine-needles
The stars shone white,
Such a little maiden,
Such a young man
'I love you.' - And she answered:
'I don't see how you can.'
They had been so happy
They had not cared at all
That the place was a churchyard
With pines along the wall.
VIII
45
WAYNE stood bareheaded on the churchyard sward
By the open grave under the open sky:
'I am the resurrection and the life, saith the Lord,
He who believeth in Me shall never die.'
Beautiful, terrible service! He heard a word
Here and there, and then he would drift away
To other memories and things not heard
Ruth's laugh when she used to laugh, so little and gay.
'When thou with rebukes dost chasten a man from sin..'
Was it sin that had parted him from Ruth?
Was sin the secret corrosion that entered in
Likea moth fretting the garment of love in youth?
Too late, too late! He heard the parson say:
'Before I go hence and be no more seen. . .
A thousand years in thy sight is but as yesterday. . .
Too late, too late! 'As grass in the morning green...'
'Was it Ruth he was leaving here in the churchyard plot
Could it be Ruth who had gone, not saying good-bye?
'What advantageth it me, if the dead rise not?
Let us eat and drink for to-morrow we die.'
How can a man help eating and drinking?
Die to-morrow! To-day, if he had his will.
How many years must he spend in thinking, thinking
Of the thing which someone has said that all men kill?
Well, he could bear what he must bear - even the sound
Of earth on a coffin falling. What must be must.
'We therefore commit her body to the ground,
Ashes to ashes, earth to earth, dust to dust.'
Prayers! Would they never be done, these killing
Rites for the dead! Ah, there was the organ's roll
From the little church, and children's shrilling,
Piping Ruth's favourite hymn, 'Hark, hark, my soul...'
'Hark, hark, my soul! Angelic songs are swelling
46
O'er earth's green fields and ocean's wave-beat shore;
How sweet the truth those blessed strains are telling
Of that new life where sin shall be no morel
Angels of Jesus,
Angels of light,
Singing to welcome
The pilgrims of the night.'
IX
'Dear Lee:
I've tried so many times to write,
And now I must write, for I sail next week
For Italy - Sardinia - I might
Go on to Egypt later, and the Greek Islands.
I may be several years away.
'I loved you, Lee. I wonder if I can
Explain at all what's happened? From your wealth
You gave me freely - more than any man
Has ever had - beauty, wit, youth and health
I loved you passionately; and now my wife
Is dead. One might expect a mild distress,
A briefly pensive mood. . . Instead, my life
Is shattered. . . is dissolved. . . is meaningless. . .
She whom of late I thought so little of
And saw so little, was, I find, the spring
Of all I did and felt - even of my love
Of you. . . What an insane, incredible thingl
But there it is.
'Dear Lee, this is the truth:
That any marriage founded on devotion
Though that devotion die, as mine for Ruth,
Is not a state, but a unique emotion,
Potent, unalterable - not romantic
Love, though romantic love is where it starts
Marriage begins only when those hot, frantic
Fires have finished welding human hearts.
It is not love, friendship, or partnership,
But this emotion-marriage, of a force
47
That when it once has held you in its grip
Nothing will free you wholly - not divorce,
Or death, for these destroy not it, but you,
As I am now destroyed.
'Beware, dear Lee,
Of a true marriage, if you are not true
Yourself - or you will be destroyed - like me.'
~ Alice Duer Miller,#NFDB |
1363:The Double Image
1.
I am thirty this November.
You are still small, in your fourth year.
We stand watching the yellow leaves go queer,
flapping in the winter rain.
falling flat and washed. And I remember
mostly the three autumns you did not live here.
They said I'd never get you back again.
I tell you what you'll never really know:
all the medical hypothesis
that explained my brain will never be as true as these
struck leaves letting go.
I, who chose two times
to kill myself, had said your nickname
the mewling mouths when you first came;
until a fever rattled
in your throat and I moved like a pantomine
above your head. Ugly angels spoke to me. The blame,
I heard them say, was mine. They tattled
like green witches in my head, letting doom
leak like a broken faucet;
as if doom had flooded my belly and filled your bassinet,
an old debt I must assume.
Death was simpler than I'd thought.
The day life made you well and whole
I let the witches take away my guilty soul.
I pretended I was dead
until the white men pumped the poison out,
putting me armless and washed through the rigamarole
of talking boxes and the electric bed.
I laughed to see the private iron in that hotel.
Today the yellow leaves
go queer. You ask me where they go I say today believed
in itself, or else it fell.
Today, my small child, Joyce,
241
love your self's self where it lives.
There is no special God to refer to; or if there is,
why did I let you grow
in another place. You did not know my voice
when I came back to call. All the superlatives
of tomorrow's white tree and mistletoe
will not help you know the holidays you had to miss.
The time I did not love
myself, I visited your shoveled walks; you held my glove.
There was new snow after this.
2.
They sent me letters with news
of you and I made moccasins that I would never use.
When I grew well enough to tolerate
myself, I lived with my mother, the witches said.
But I didn't leave. I had my portrait
done instead.
Part way back from Bedlam
I came to my mother's house in Gloucester,
Massachusetts. And this is how I came
to catch at her; and this is how I lost her.
I cannot forgive your suicide, my mother said.
And she never could. She had my portrait
done instead.
I lived like an angry guest,
like a partly mended thing, an outgrown child.
I remember my mother did her best.
She took me to Boston and had my hair restyled.
Your smile is like your mother's, the artist said.
I didn't seem to care. I had my portrait
done instead.
There was a church where I grew up
with its white cupboards where they locked us up,
row by row, like puritans or shipmates
singing together. My father passed the plate.
Too late to be forgiven now, the witches said.
I wasn't exactly forgiven. They had my portrait
242
done instead.
3.
All that summer sprinklers arched
over the seaside grass.
We talked of drought
while the salt-parched
field grew sweet again. To help time pass
I tried to mow the lawn
and in the morning I had my portrait done,
holding my smile in place, till it grew formal.
Once I mailed you a picture of a rabbit
and a postcard of Motif number one,
as if it were normal
to be a mother and be gone.
They hung my portrait in the chill
north light, matching
me to keep me well.
Only my mother grew ill.
She turned from me, as if death were catching,
as if death transferred,
as if my dying had eaten inside of her.
That August you were two, by I timed my days with doubt.
On the first of September she looked at me
and said I gave her cancer.
They carved her sweet hills out
and still I couldn't answer.
4.
That winter she came
part way back
from her sterile suite
of doctors, the seasick
cruise of the X-ray,
the cells' arithmetic
gone wild. Surgery incomplete,
the fat arm, the prognosis poor, I heard
them say.
243
During the sea blizzards
she had here
own portrait painted.
A cave of mirror
placed on the south wall;
matching smile, matching contour.
And you resembled me; unacquainted
with my face, you wore it. But you were mine
after all.
I wintered in Boston,
childless bride,
nothing sweet to spare
with witches at my side.
I missed your babyhood,
tried a second suicide,
tried the sealed hotel a second year.
On April Fool you fooled me. We laughed and this
was good.
5.
I checked out for the last time
on the first of May;
graduate of the mental cases,
with my analysts's okay,
my complete book of rhymes,
my typewriter and my suitcases.
All that summer I learned life
back into my own
seven rooms, visited the swan boats,
the market, answered the phone,
served cocktails as a wife
should, made love among my petticoats
and August tan. And you came each
weekend. But I lie.
You seldom came. I just pretended
you, small piglet, butterfly
girl with jelly bean cheeks,
disobedient three, my splendid
244
stranger. And I had to learn
why I would rather
die than love, how your innocence
would hurt and how I gather
guilt like a young intern
his symptons, his certain evidence.
That October day we went
to Gloucester the red hills
reminded me of the dry red fur fox
coat I played in as a child; stock still
like a bear or a tent,
like a great cave laughing or a red fur fox.
We drove past the hatchery,
the hut that sells bait,
past Pigeon Cove, past the Yacht Club, past Squall's
Hill, to the house that waits
still, on the top of the sea,
and two portraits hung on the opposite walls.
6.
In north light, my smile is held in place,
the shadow marks my bone.
What could I have been dreaming as I sat there,
all of me waiting in the eyes, the zone
of the smile, the young face,
the foxes' snare.
In south light, her smile is held in place,
her cheeks wilting like a dry
orchid; my mocking mirror, my overthrown
love, my first image. She eyes me from that face
that stony head of death
I had outgrown.
The artist caught us at the turning;
we smiled in our canvas home
before we chose our foreknown separate ways.
The dry redfur fox coat was made for burning.
245
I rot on the wall, my own
Dorian Gray.
And this was the cave of the mirror,
that double woman who stares
at herself, as if she were petrified
in time - two ladies sitting in umber chairs.
You kissed your grandmother
and she cried.
7.
I could not get you back
except for weekends. You came
each time, clutching the picture of a rabbit
that I had sent you. For the last time I unpack
your things. We touch from habit.
The first visit you asked my name.
Now you will stay for good. I will forget
how we bumped away from each other like marionettes
on strings. It wasn't the same
as love, letting weekends contain
us. You scrape your knee. You learn my name,
wobbling up the sidewalk, calling and crying.
You can call me mother and I remember my mother again,
somewhere in greater Boston, dying.
I remember we named you Joyce
so we could call you Joy.
You came like an awkward guest
that first time, all wrapped and moist
and strange at my heavy breast.
I needed you. I didn't want a boy,
only a girl, a small milky mouse
of a girl, already loved, already loud in the house
of herself. We named you Joy.
I, who was never quite sure
about being a girl, needed another
life, another image to remind me.
And this was my worst guilt; you could not cure
or soothe it. I made you to find me.
246
~ Anne Sexton,#NFDB |
1364:The Kalevala - Rune Xxxvii
ILMARINEN'S BRIDE OF GOLD.
Ilmarinen, metal-worker,
Wept one day, and then a second,
Wept the third from morn till evening,
O'er the death of his companion,
Once the Maiden of the Rainbow;
Did not swing his heavy hammer,
Did not touch its copper handle,
Made no sound within his smithy,
Made no blow upon his anvil,
Till three months had circled over;
Then the blacksmith spake as follows:
'Woe is me, unhappy hero!
Do not know how I can prosper;
Long the days, and cold, and dreary,
Longer still the nights, and colder;
I am weary in the evening,
In the morning still am weary,
Have no longing for the morning,
And the evening is unwelcome;
Have no pleasure in the future,
All my pleasures gone forever,
With my faithful life-companion
Slaughtered by the hand of witchcraft!
Often will my heart-strings quiver
When I rest within my chamber,
When I wake at dreamy midnight,
Half-unconscious, vainly searching
For my noble wife departed.'
Wifeless lived the mourning blacksmith,
Altered in his form and features;
Wept one month and then another,
Wept three months in full succession.
Then the magic metal-worker
Gathered gold from deeps of ocean,
Gathered silver from the mountains,
Gathered many heaps of birch-wood.
562
Filled with faggots thirty sledges,
Burned the birch-wood into ashes,
Put the ashes in the furnace,
Laid the gold upon the embers,
Lengthwise laid a piece of silver
Of the size of lambs in autumn,
Or the fleet-foot hare in winter;
Places servants at the bellows,
Thus to melt the magic metals.
Eagerly the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, magic blacksmith,
Works unceasing at his forging,
Thus to mould a golden image,
Mould a bride from gold and silver;
But the workmen fail their master,
Faithless stand they at the bellows.
Wow the artist, Ilmarinen,
Fans the flame with force of magic,
Blows one day, and then a second,
Blows the third from morn till even;
Then he looks within the furnace,
Looks around the oven-border,
Hoping there to see an image
Rising from the molten metals.
Comes a lambkin from the furnace,
Rising from the fire of magic,
Wearing hair of gold and copper,
Laced with many threads of silver;
All rejoice but Ilmarinen
At the beauty of the image.
This the language of the blacksmith:
'May the wolf admire thy graces;
I desire a bride of beauty
Born from molten gold and silver!'
Ilmarinen, the magician,
To the furnace threw the lambkin;
Added gold in great abundance,
And increased the mass of silver,
Added other magic metals,
Set the workmen at the bellows;
563
Zealously the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, wizard-forgeman,
Works unceasing with his metals,
Moulding well a golden image,
Wife of molten gold and silver;
But the workmen fail their master,
Faithless do they ply the bellows.
Now the artist, Ilmarinen,
Fans the flames by force of magic;
Blows one day, and then a second,
Blows a third from morn till evening,
When he looks within the furnace,
Looks around the oven-border,
Hoping there, to see an image
Rising from the molten metals.
From the flames a colt arises,
Golden-maned and silver-headed,
Hoofs are formed of shining copper.
All rejoice but Ilmarinen
At the wonderful creation;
This the language of the blacksmith;
'Let the bears admire thy graces;
I desire a bride of beauty
Born of many magic metals.'
Thereupon the wonder-forger
Drives the colt back to the furnace,
Adds a greater mass of silver,
And of gold the rightful measure,
Sets the workmen at the bellows.
Eagerly the servants labor,
Gloveless, hatless, do the workmen
Fan the flames within the furnace.
Ilmarinen, the magician,
Works unceasing at his witchcraft,
Moulding well a golden maiden,
Bride of molten gold and silver;
But the workmen fail their master,
Faithlessly they ply the bellows.
Now the blacksmith, Ilmarinen,
Fans the flames with magic powers,
564
Blows one day, and then a second,
Blows a third from morn till even;
Then he looks within his furnace,
Looks around the oven-border,
Trusting there to see a maiden
Coming from the molten metals.
From the fire a virgin rises,
Golden-haired and silver-headed,
Beautiful in form and feature.
All are filled with awe and wonder,
But the artist and magician.
Ilmarinen, metal-worker,
Forges nights and days unceasing,
On the bride of his creation;
Feet he forges for the maiden,
Hands and arms, of gold and silver;
But her feet are not for walking,
Neither can her arms embrace him.
Ears he forges for the virgin,
But her ears are not for hearing;
Forges her a mouth of beauty,
Eyes he forges bright and sparkling;
But the magic mouth is speechless,
And the eyes are not for seeing.
Spake the artist, Ilmarinen:
'This, indeed, a priceless maiden,
Could she only speak in wisdom,
Could she breathe the breath of Ukko!'
Thereupon he lays the virgin
On his silken couch of slumber,
On his downy place of resting.
Ilmarinen heats his bath-room,
Makes it ready for his service,
Binds together silken brushes,
Brings three cans of crystal water,
Wherewithal to lave the image,
Lave the golden maid of beauty.
When this task had been completed,
Ilmarinen, hoping, trusting,
Laid his golden bride to slumber,
On his downy couch of resting;
Ordered many silken wrappings,
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Ordered bear-skins, three in number,
Ordered seven lambs-wool blankets,
Thus to keep him warm in slumber,
Sleeping by the golden image
Re had forged from magic metals.
Warm the side of Ilmarinen
That was wrapped in furs and blankets;
Chill the parts beside the maiden,
By his bride of gold and silver;
One side warm, the other lifeless,
Turning into ice from coldness.
Spake the artist, Ilmarinen:
'Not for me was born this virgin
From the magic molten metals;
I shall take her to Wainola,
Give her to old Wainamoinen,
As a bride and life-companion,
Comfort to him in his dotage.'
Ilmarinen, much disheartened,
Takes the virgin to Wainola,
To the plains of Kalevala,
To his brother speaks as follows:
'O, thou ancient Wainamoinen,
Look with favor on this image;
Make the maiden fair and lovely,
Beautiful in form and feature,
Suited to thy years declining!'
Wainamoinen, old and truthful,
Looked in wonder on the virgin,
On the golden bride of beauty,
Spake these words to Ilmarinen:
'Wherefore dost thou bring this maiden,
Wherefore bring to Wainamoinen
Bride of molten gold and silver?
Spake in answer Ilmarinen:
'Wherefore should I bring this image,
But for purposes the noblest?
I have brought her as companion
To thy life in years declining,
As a joy and consolation,
When thy days are full of trouble!'
Spake the good, old Wainamoinen:
566
'Magic brother, wonder-forger,
Throw the virgin to the furnace,
To the flames, thy golden image,
Forge from her a thousand trinkets.
Take the image into Ehstland,
Take her to the plains of Pohya,
That for her the mighty powers
May engage in deadly contest,
Worthy trophy for the victor;
Not for me this bride of wonder,
Neither for my worthy people.
I shall never wed an image
Born from many magic metals,
Never wed a silver maiden,
Never wed a golden virgin.'
Then the hero of the waters
Called together all his people,
Spake these words of ancient wisdom:
'Every child of Northland, listen,
Whether poor, or fortune-favored:
Never bow before an image
Born of molten gold and silver:
Never while the sunlight brightens,
Never while the moonlight glimmers,
Choose a maiden of the metals,
Choose a bride from gold created
Cold the lips of golden maiden,
Silver breathes the breath of sorrow.'
~ Elias Lönnrot,#NFDB |
1365:A Woman’s Apology
In the green darkness of a summer wood,
Wherethro' ran winding ways, a lady stood,
Carved from the air in curving womanhood.
A maiden's form crowned by a matron's mien,
As, about Lammas, wheat-stems may be seen,
The ear all golden, but the stalk still green.
There as she stood, waiting for sight or sound,
Down a dim alley without break or bound,
Slowly he came, his gaze upon the ground.
Nor ever once he lifted up his eyes
Till he no more her presence could disguise;
Then he her face saluted silentwise.
And silentwise no less she turned, as though
She was the leaf and he the current's flow,
And where he went, there she perforce must go.
And both kept speechless as the dumb or dead,
Nor did the earth so much as speak their tread,
So soft by last year's leaves 'twas carpeted.
And not a sound moved all the greenwood through,
Save when some quest with fluttering wings outflew,
Ruffling the leaves; then silence was anew.
And when the track they followed forked in twain,
They never doubted which one should be ta'en,
But chose as though obeying secret rein.
Until they came where boughs no longer screened
The sky, and soon abruptly intervened
A rustic gate, and over it they leaned.
Leaned over it, and green before them lay
A meadow ribbed with drying swathes of hay,
From which the hinds had lately gone away.
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Beyond it, yet more woods, these too at rest,
Smooth-dipping down to shore, unseen, but guessed;
For lo! the Sea, with nothing on its breast.
``I was sure you would come,'' she said, with a voice like a broken wing
That flutters, and fails, then flags, while it nurses the failure's sting;
``You could not refuse me that, 'tis but such a little thing.
``Do I remember the words, the farewell words that you spoke,
Answering soft with hard, ere we parted under the oak?
Remember them? Can I forget? For each of them cut like a stroke.
``True-were they true? You think so, or they had never been said;
But somehow, like lightning flashes, they flickered about my head,
Flickered but touched me not. They ought to have stricken me dead.
``What do I want with you now? What I always wanted, you know;
A voice to be heard in the darkness, a flower to be seen in the snow,
And a bond linking each fresh future with a lengthening long-ago.
``Is it too much? Too little! Well, little or much, 'tis all
That rescues my life from the nothing it seems to be when I call
For a life to reply, and my voice comes back like a voice from the wall.
``If one played sweet on a lute, yea so soft that you scarce could hear,
Would you clang all the chords with your hand that the octaves might ring out
clear?
Lo! asunder the strings are snapped, and the music shrinks silent for fear.
``See! the earth through the infinite spaces goes silently round and round,
And the moon moveth on through the heavens and never maketh a sound,
And the wheels of eternity traverse their journey in stillness profound.
``'Tis only the barren breakers that bellow on barren shore;
'Tis only the braggart thunders that rumble and rage and roar;
Like a wave is the love that babbles; but silent love loves evermore.
``Feeble, shadowy, shallow? Is ocean then shallow that keeps
Its harvest of shell and seaweed that none or garners or reaps,
That the diver may sound a moment, but never drag from its deeps?
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``Cowardice? Yes, we are cowards; cowards from cradle to bier,
And the terror of life grows upon us as we grow year by year;
Our smiles are but trembling ripples urged on by a subtide of fear.
``And hence, or at substance or shadow we start, though we scarce know why.
Life seems like a haunted wood, where we tremble and crouch and cry.
Beast, or robber, or ghost,-our courage is still to fly.
``So we look around for a guide, and to place all our fears in his hand,
That his courage may keep us brave, that his grandeur may make us grand:
But, remember, a guide, not an ambush. Oh, tell me you understand!
``Still silent, still unpersuaded. Ah! I know what your thoughts repeat.
We are all alike, and we love to keep passion aglow at our feet,
Like one that sitteth in shade and complacently smiles at the heat.
``You think so? Then come into shade. Rise up, take the seat at my side;
Or, see, I will kneel, not you. What is humble, if this be pride?
What seems cold now will chance feel warm when the fierce glare of noon hath
died.
``Have you never, when waves were breaking, watched children at sport on the
beach,
With their little feet tempting the foam-fringe, till with stronger and further reach
Than they dreamed of, a billow comes bursting, how they turn and scamper and
screech!
``Are we more than timider children? With its blending of terror and glee,
To us life-call it love, if you will-is a deep mysterious sea,
That we play with till it grows earnest; then straight we tremble and flee.
``Oh, never the pale east flushes with ripples of rising day,
Never, never, the birds awakening sing loud upon gable and spray,
But afresh you dawn on my life, and my soul chants its matin lay.
``When the scent of the elder is wafted from the hedge in the cottage lane,
Up the walk, and over the terrace, and in at the open pane,
You are there, and my life seems perfumed like a garden after rain.
``The nightingale brings you nearer, the woodpecker borrows your voice;
The flower where the bees cling and cluster seems the flower of the flowers of
your choice.
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I am sad with the cloud of your sadness, with the joy of your joy I rejoice.
``What dearer, what nearer would you? Once heart is betrothed to heart,
No closeness can bring them closer, no parting can put them apart.
Oh! take all the balm, leave the bitter, give the sweetness with none of its
smart.''
The blue sea now had saddened into gray;
Solid and close the darkening woodlands lay,
And twilight's floating dews clung heavy with the hay.
One with all these, he neither stirred nor spake,
Though for a sound the silence seemed to ache,
Waiting and wondering when his voice the pain would break.
Then since the words hope forced despair to say
Seemed to have vanished with the vanished day,
She turned her from the gate, and slowly moved away.
And he too turned; but pacing side by side,
This mocking nearness did them more divide,
Than if betwixt them moaned the round of ocean wide.
But when o'erhead boughs once more met and spanned,
She halted, laid upon his arm her hand,
And questioned blank his face, his heart to understand.
Had trust or tenderness been hovering there,
She would have known it in the duskiest air;
But face and form alike of every trace was bare.
Her touch he neither welcomed nor repelled;
Pulses that once had quickened straight seemed quelled;
He stood like one that is by courteous bondage held.
One hand thus foiled, the other rescuing came,
And in the darkness sheltered against shame,
She fawned on him with both, and trembled out his name.
Then as a reaper, when the days are meet,
His sickle curves about the bending wheat,
He hollowed out his arms, and harvested his sweet.
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``Now what shall I cling to?'' she murmured, ``Behold! I am weak, you are
strong.
Brief, brief is the bridal of summer, the mourning of winter is long;
Never leave me unloved to discover love's right was but rapturous wrong!''
Again was silence. Then she slowly felt
The clasp of cruel fondness round her melt,
And heard a voice that seemed the voice of one that knelt.
``The long, long mourning of the winter days
Waits sure for them that bask in summer rays;
One must depart, then life is death to one that stays.
``This fixed decree we can nor change nor cheat;
For I must either leave or lose you, sweet,
And all love's triumphs end in death and dark defeat.
``Death is unconscious change, change conscious death.
Better to die outright than gasp for breath.
Life, dead, hath done with pain; Love, lingering, suffereth.
``The only loss-and this may you be spared!For which who stake on love must be prepared,
Is still that, though life may, yet death can not be shared.
``No other pain shall come to you from me.
What love withholds, love needs must ask. But, see!
Since you embrace love's chains, love's self doth set you free.''
So free they wandered, drinking with delight
The scented silence of the summer night,
And in the darkness saw what ne'er is seen in light.
Hushed deep in slumber seemed all earthy jars,
And, looking up, they saw, 'twixt leafy bars,
The untrod fields of Heaven glistening with dewy stars.
~ Alfred Austin,#NFDB |
1366:
Can a Yogi attain to a state of consciousness in which he can know all things, answer all questions, relating even to abstruse scientific problems, such as, for example, the theory of relativity?
Theoretically and in principle it is not impossible for a Yogi to know everything; all depends upon the Yogi.
But there is knowledge and knowledge. The Yogi does not know in the way of the mind. He does not know everything in the sense that he has access to all possible information or because he contains all the facts of the universe in his mind or because his consciousness is a sort of miraculous encyclopaedia. He knows by his capacity for a containing or dynamic identity with things and persons and forces. Or he knows because he lives in a plane of consciousness or is in contact with a consciousness in which there is the truth and the knowledge.
If you are in the true consciousness, the knowledge you have will also be of the truth. Then, too, you can know directly, by being one with what you know. If a problem is put before you, if you are asked what is to be done in a particular matter, you can then, by looking with enough attention and concentration, receive spontaneously the required knowledge and the true answer. It is not by any careful application of theory that you reach the knowledge or by working it out through a mental process. The scientific mind needs these methods to come to its conclusions. But the Yogi's knowledge is direct and immediate; it is not deductive. If an engineer has to find out the exact position for the building of an arch, the line of its curve and the size of its opening, he does it by calculation, collating and deducing from his information and data. But a Yogi needs none of these things; he looks, has the vision of the thing, sees that it is to be done in this way and not in another, and this seeing is his knowledge.
Although it may be true in a general way and in a certain sense that a Yogi can know all things and can answer all questions from his own field of vision and consciousness, yet it does not follow that there are no questions whatever of any kind to which he would not or could not answer. A Yogi who has the direct knowledge, the knowledge of the true truth of things, would not care or perhaps would find it difficult to answer questions that belong entirely to the domain of human mental constructions. It may be, he could not or would not wish to solve problems and difficulties you might put to him which touch only the illusion of things and their appearances. The working of his knowledge is not in the mind. If you put him some silly mental query of that character, he probably would not answer. The very common conception that you can put any ignorant question to him as to some super-schoolmaster or demand from him any kind of information past, present or future and that he is bound to answer, is a foolish idea. It is as inept as the expectation from the spiritual man of feats and miracles that would satisfy the vulgar external mind and leave it gaping with wonder.
Moreover, the term "Yogi" is very vague and wide. There are many types of Yogis, many lines or ranges of spiritual or occult endeavour and different heights of achievement, there are some whose powers do not extend beyond the mental level; there are others who have gone beyond it. Everything depends on the field or nature of their effort, the height to which they have arrived, the consciousness with which they have contact or into which they enter.
Do not scientists go sometimes beyond the mental plane? It is said that Einstein found his theory of relativity not through any process of reasoning, but through some kind of sudden inspiration. Has that inspiration anything to do with the Supermind?
The scientist who gets an inspiration revealing to him a new truth, receives it from the intuitive mind. The knowledge comes as a direct perception in the higher mental plane illumined by some other light still farther above. But all that has nothing to do with the action of Supermind and this higher mental level is far removed from the supramental plane. Men are too easily inclined to believe that they have climbed into regions quite divine when they have only gone above the average level. There are many stages between the ordinary human mind and the Supermind, many grades and many intervening planes. If an ordinary man were to get into direct contact even with one of these intermediate planes, he would be dazzled and blinded, would be crushed under the weight of the sense of immensity or would lose his balance; and yet it is not the Supermind.
Behind the common idea that a Yogi can know all things and answer all questions is the actual fact that there is a plane in the mind where the memory of everything is stored and remains always in existence. All mental movements that belong to the life of the earth are memorised and registered in this plane. Those who are capable of going there and care to take the trouble, can read in it and learn anything they choose. But this region must not be mistaken for the supramental levels. And yet to reach even there you must be able to silence the movements of the material or physical mind; you must be able to leave aside all your sensations and put a stop to your ordinary mental movements, whatever they are; you must get out of the vital; you must become free from the slavery of the body. Then only you can enter into that region and see. But if you are sufficiently interested to make this effort, you can arrive there and read what is written in the earth's memory.
Thus, if you go deep into silence, you can reach a level of consciousness on which it is not impossible for you to receive answers to all your questions. And if there is one who is consciously open to the plenary truth of the supermind, in constant contact with it, he can certainly answer any question that is worth an answer from the supramental Light. The queries put must come from some sense of the truth and reality behind things. There are many questions and much debated problems that are cobwebs woven of mere mental abstractions or move on the illusory surface of things. These do not pertain to real knowledge; they are a deformation of knowledge, their very substance is of the ignorance. Certainly the supramental knowledge may give an answer, its own answer, to the problems set by the mind's ignorance; but it is likely that it would not be at all satisfactory or perhaps even intelligible to those who ask from the mental level. You must not expect the supramental to work in the way of the mind or demand that the knowledge in truth should be capable of being pieced together with the half-knowledge in ignorance. The scheme of the mind is one thing, but Supermind is quite another and it would no longer be supramental if it adapted itself to the exigencies of the mental scheme. The two are incommensurable and cannot be put together.
When the consciousness has attained to supramental joys, does it no longer take interest in the things of the mind?
The supramental does not take interest in mental things in the same way as the mind. It takes its own interest in all the movements of the universe, but it is from a different point of view and with a different vision. The world presents to it an entirely different appearance; there is a reversal of outlook and everything is seen from there as other than what it seems to the mind and often even the opposite. Things have another meaning; their aspect, their motion and process, everything about them, are watched with other eyes. Everything here is followed by the supermind; the mind movements and not less the vital, the material movements, all the play of the universe have for it a very deep interest, but of another kind. It is about the same difference as that between the interest taken in a puppet-play by one who holds the strings and knows what the puppets are to do and the will that moves them and that they can do only what it moves them to do, and the interest taken by another who observes the play but sees only what is happening from moment to moment and knows nothing else. The one who follows the play and is outside its secret has a stronger, an eager and passionate interest in what will happen and he gives an excited attention to its unforeseen or dramatic events; the other, who holds the strings and moves the show, is unmoved and tranquil. There is a certain intensity of interest which comes from ignorance and is bound up with illusion, and that must disappear when you are out of the ignorance. The interest that human beings take in things founds itself on the illusion; if that were removed, they would have no interest at all in the play; they would find it dry and dull. That is why all this ignorance, all this illusion has lasted so long; it is because men like it, because they cling to it and its peculiar kind of appeal that it endures.
~ The Mother, Questions And Answers 1929-1931, 93?
,#NFDB |
1367:The Kalevala - Rune Xli
WAINAMOINEN'S HARP-SONGS.
Wainamoinen, ancient minstrel,
The eternal wisdom-singer,
Laves his hands to snowy whiteness,
Sits upon the rock of joyance,
On the stone of song be settles,
On the mount of silver clearness,
On the summit, golden colored;
Takes the harp by him created,
In his hands the harp of fish-bone,
With his knee the arch supporting,
Takes the harp-strings in his fingers,
Speaks these words to those assembled:
'Hither come, ye Northland people,
Come and listen to my playing,
To the harp's entrancing measures,
To my songs of joy and gladness.'
Then the singer of Wainola
Took the harp of his creation,
Quick adjusting, sweetly tuning,
Deftly plied his skillful fingers
To the strings that he had fashioned.
Now was gladness rolled on gladness,
And the harmony of pleasure
Echoed from the hills and mountains:
Added singing to his playing,
Out of joy did joy come welling,
Now resounded marvelous music,
All of Northland stopped and listened.
Every creature in the forest,
All the beasts that haunt the woodlands,
On their nimble feet came bounding,
Came to listen to his playing,
Came to hear his songs of joyance.
Leaped the squirrels from the branches,
Merrily from birch to aspen;
Climbed the ermines on the fences,
186
O'er the plains the elk-deer bounded,
And the lynxes purred with pleasure;
Wolves awoke in far-off swamp-lands,
Bounded o'er the marsh and heather,
And the bear his den deserted,
Left his lair within the pine-wood,
Settled by a fence to listen,
Leaned against the listening gate-posts,
But the gate-posts yield beneath him;
Now he climbs the fir-tree branches
That he may enjoy and wonder,
Climbs and listens to the music
Of the harp of Wainamoinen.
Tapiola's wisest senior,
Metsola's most noble landlord,
And of Tapio, the people,
Young and aged, men and maidens,
Flew like red-deer up the mountains
There to listen to the playing,
To the harp, of Wainamoinen.
Tapiola's wisest mistress,
Hostess of the glen and forest,
Robed herself in blue and scarlet,
Bound her limbs with silken ribbons,
Sat upon the woodland summit,
On the branches of a birch-tree,
There to listen to the playing,
To the high-born hero's harping,
To the songs of Wainamoinen.
All the birds that fly in mid-air
Fell like snow-flakes from the heavens,
Flew to hear the minstrel's playing,
Hear the harp of Wainamoinen.
Eagles in their lofty eyrie
Heard the songs of the enchanter;
Swift they left their unfledged young ones,
Flew and perched around the minstrel.
From the heights the hawks descended,
From the, clouds down swooped the falcon,
Ducks arose from inland waters,
Swans came gliding from the marshes;
Tiny finches, green and golden,
187
Flew in flocks that darkened sunlight,
Came in myriads to listen '
Perched upon the head and shoulders
Of the charming Wainamoinen,
Sweetly singing to the playing
Of the ancient bard and minstrel.
And the daughters of the welkin,
Nature's well-beloved daughters,
Listened all in rapt attention;
Some were seated on the rainbow,
Some upon the crimson cloudlets,
Some upon the dome of heaven.
In their hands the Moon's fair daughters
Held their weaving-combs of silver;
In their hands the Sun's sweet maidens
Grasped the handles of their distaffs,
Weaving with their golden shuttles,
Spinning from their silver spindles,
On the red rims of the cloudlets,
On the bow of many colors.
As they hear the minstrel playing,
Hear the harp of Wainamoinen,
Quick they drop their combs of silver,
Drop the spindles from their fingers,
And the golden threads are broken,
Broken are the threads of silver.
All the fish in Suomi-waters
Heard the songs of the magician,
Came on flying fins to listen
To the harp of Wainamoinen.
Came the trout with graceful motions,
Water-dogs with awkward movements,
From the water-cliffs the salmon,
From the sea-caves came the whiting,
From the deeper caves the bill-fish;
Came the pike from beds of sea-fern,
Little fish with eyes of scarlet,
Leaning on the reeds and rushes,
With their heads above the surface;
Came to bear the harp of joyance,
Hear the songs of the enchanter.
Ahto, king of all the waters,
188
Ancient king with beard of sea-grass,
Raised his head above the billows,
In a boat of water-lilies,
Glided to the coast in silence,
Listened to the wondrous singing,
To the harp of Wainamoinen.
These the words the sea-king uttered:
'Never have I heard such playing,
Never heard such strains of music,
Never since the sea was fashioned,
As the songs of this enchanter,
This sweet singer, Wainamoinen.'
Satko's daughters from the blue-deep,
Sisters of the wave-washed ledges,
On the colored strands were sitting,
Smoothing out their sea-green tresses
With the combs of molten silver,
With their silver-handled brushes,
Brushes forged with golden bristles.
When they hear the magic playing,
Hear the harp of Wainamoinen,
Fall their brushes on the billows,
Fall their combs with silver handles
To the bottom of the waters,
Unadorned their heads remaining,
And uncombed their sea-green tresses.
Came the hostess of the waters,
Ancient hostess robed in flowers,
Rising from her deep sea-castle,
Swimming to the shore in wonder,
Listened to the minstrel's playing,
To the harp of Wainamoinen.
As the magic tones re-echoed,
As the singer's song out-circled,
Sank the hostess into slumber,
On the rocks of many colors,
On her watery couch of joyance,
Deep the sleep that settled o'er her.
Wainamoinen, ancient minstrel,
Played one day and then a second,
Played the third from morn till even.
There was neither man nor hero,
189
Neither ancient dame, nor maiden,
Not in Metsola a daughter,
Whom he did not touch to weeping;
Wept the young, and wept the aged,
Wept the mothers, wept the daughters
Wept the warriors and heroes
At the music of his playing,
At the songs of the magician.
Wainamoinen's tears came flowing,
Welling from the master's eyelids,
Pearly tear-drops coursing downward,
Larger than the whortle-berries,
Finer than the pearls of ocean,
Smoother than the eggs of moor-hens,
Brighter than the eyes of swallows.
From his eves the tear-drops started,
Flowed adown his furrowed visage,
Falling from his beard in streamlets,
Trickled on his heaving bosom,
Streaming o'er his golden girdle,
Coursing to his garment's border,
Then beneath his shoes of ermine,
Flowing on, and flowing ever,
Part to earth for her possession,
Part to water for her portion.
As the tear-drops fall and mingle,
Form they streamlets from the eyelids
Of the minstrel, Wainamoinen,
To the blue-mere's sandy margin,
To the deeps of crystal waters,
Lost among the reeds and rushes.
Spake at last the ancient minstrel:
'Is there one in all this concourse,
One in all this vast assembly
That can gather up my tear-drops
From the deep, pellucid waters?'
Thus the younger heroes answered,
Answered thus the bearded seniors:
'There is none in all this concourse,
None in all this vast assembly,
That can gather up thy tear-drops
From the deep, pellucid waters.'
190
Spake again wise Wainamoinen:
'He that gathers up my tear-drops
From the deeps of crystal waters
Shall receive a beauteous plumage.'
Came a raven, flying, croaking,
And the minstrel thus addressed him:
'Bring, O raven, bring my tear-drops
From the crystal lake's abysses;
I will give thee beauteous plumage,
Recompense for golden service.'
But the raven failed his master.
Came a duck upon the waters,
And the hero thus addressed him:
'Bring O water-bird, my tear-drops;
Often thou dost dive the deep-sea,
Sink thy bill upon the bottom
Of the waters thou dost travel;
Dive again my tears to gather,
I will give thee beauteous plumage,
Recompense for golden service.'
Thereupon the duck departed,
Hither, thither, swam, and circled,
Dived beneath the foam and billow,
Gathered Wainamoinen's tear-drops
From the blue-sea's pebbly bottom,
From the deep, pellucid waters;
Brought them to the great magician,
Beautifully formed and colored,
Glistening in the silver sunshine,
Glimmering in the golden moonlight,
Many-colored as the rainbow,
Fitting ornaments for heroes,
Jewels for the maids of beauty.
This the origin of sea-pearls,
And the blue-duck's beauteous plumage.
~ Elias Lönnrot,#NFDB |
1368:The Kalevala - Rune Vi
WAINAMOINEN'S HAPLESS JOURNEY.
Wainamoinen, old and truthful,
Now arranges for a journey
To the village of the Northland,
To the land of cruel winters,
To the land of little sunshine,
To the land of worthy women;
Takes his light-foot, royal racer,
Then adjusts the golden bridle,
Lays upon his back the saddle,
Silver-buckled, copper-stirruped,
Seats himself upon his courser,
And begins his journey northward;
Plunges onward, onward, onward,
Galloping along the highway,
In his saddle, gaily fashioned,
On his dappled steed of magic,
Plunging through Wainola's meadows,
O'er the plains of Kalevala.
Fast and far he galloped onward,
Galloped far beyond Wainola,
Bounded o'er the waste of waters,
Till he reached the blue-sea's margin,
Wetting not the hoofs in running.
But the evil Youkahainen
Nursed a grudge within his bosom,
In his heart the worm of envy,
Envy of this Wainamoinen,
Of this wonderful enchanter.
He prepares a cruel cross-bow,
Made of steel and other metals,
Paints the bow in many colors,
Molds the top-piece out or copper,
Trims his bow with snowy silver,
Gold he uses too in trimming,
Then he hunts for strongest sinews,
Finds them in the stag of Hisi,
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Interweaves the flax of Lempo.
Ready is the cruel cross-bow,
String, and shaft, and ends are finished,
Beautiful the bow and mighty,
Surely cost it not a trifle;
On the back a painted courser,
On each end a colt of beauty,
Near the curve a maiden sleeping
Near the notch a hare is bounding,
Wonderful the bow thus fashioned;
Cuts some arrows for his quiver,
Covers them with finest feathers,
From the oak the shafts be fashions,
Makes the tips of keenest metal.
As the rods and points are finished,
Then he feathers well his arrows
From the plumage of the swallow,
From the wing-quills of the sparrow;
Hardens well his feathered arrows,
And imparts to each new virtues,
Steeps them in the blood of serpents,
In the virus of the adder.
Ready now are all his arrows,
Ready strung, his cruel cross-bow.
Waiting for wise Wainamoinen.
Youkahainen, Lapland's minstrel,
Waits a long time, is not weary,
Hopes to spy the ancient singer;
Spies at day-dawn, spies at evening,
Spies he ceaselessly at noontide,
Lies in wait for the magician,
Waits, and watches, as in envy;
Sits he at the open window,
Stands behind the hedge, and watches
In the foot-path waits, and listens,
Spies along the balks of meadows;
On his back he hangs his quiver,
In his quiver, feathered arrows
Dipped in virus of the viper,
On his arm the mighty cross-bow,
Waits, and watches, and unwearied,
Listens from the boat-house window,
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Lingers at the end of Fog-point,
By the river flowing seaward,
Near the holy stream and whirlpool,
Near the sacred river's fire-fall.
Finally the Lapland minstrel,
Youkahainen of Pohyola,
At the breaking of the day-dawn,
At the early hour of morning,
Fixed his gaze upon the North-east,
Turned his eyes upon the sunrise,
Saw a black cloud on the ocean,
Something blue upon the waters,
And soliloquized as follows:
'Are those clouds on the horizon,
Or perchance the dawn of morning?
Neither clouds on the horizon,
Nor the dawning of the morning;
It is ancient Wainamoinen,
The renowned and wise enchanter,
Riding on his way to Northland;
On his steed, the royal racer,
Magic courser of Wainola.'
Quickly now young Youkahainen,
Lapland's vain and evil minstrel,
Filled with envy, grasps his cross-bow,
Makes his bow and arrows ready
For the death of Wainamoinen.
Quick his aged mother asked him,
Spake these words to Youkahainen:
'For whose slaughter is thy cross-bow,
For whose heart thy poisoned arrows?'
Youkahainen thus made answer:
'I have made this mighty cross-bow,
Fashioned bow and poisoned arrows
For the death of Wainamoinen,
Thus to slay the friend of waters;
I must shoot the old magician,
The eternal bard and hero,
Through the heart, and through the liver,
Through the head, and through the shoulders,
With this bow and feathered arrows
Thus destroy my rival minstrel.'
92
Then the aged mother answered,
Thus reproving, thus forbidding.
Do not slay good Wainamoinen,
Ancient hero of the Northland,
From a noble tribe descended,
He, my sister's son, my nephew.
If thou slayest Wainamoinen,
Ancient son of Kalevala,
Then alas! all joy will vanish,
Perish all our wondrous singing;
Better on the earth the gladness,
Better here the magic music,
Than within the nether regions,
In the kingdom of Tuoni,
In the realm of the departed,
In the land of the hereafter.'
Then the youthful Youkahainen
Thought awhile and well considered,
Ere he made a final answer.
With one hand he raised the cross-bow
But the other seemed to weaken,
As he drew the cruel bow-string.
Finally these words he uttered
As his bosom swelled with envy:
'Let all joy forever vanish,
Let earth's pleasures quickly perish,
Disappear earth's sweetest music,
Happiness depart forever;
Shoot I will this rival minstrel,
Little heeding what the end is.'
Quickly now he bends his fire-bow,
On his left knee rests the weapon,
With his right foot firmly planted,
Thus he strings his bow of envy;
Takes three arrows from his quiver,
Choosing well the best among them,
Carefully adjusts the bow-string,
Sets with care the feathered arrow,
To the flaxen string he lays it,
Holds the cross-bow to his shoulder,
Aiming well along the margin,
At the heart of Wainamoinen,
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Waiting till he gallops nearer;
In the shadow of a thicket,
Speaks these words while he is waiting
'Be thou, flaxen string, elastic;
Swiftly fly, thou feathered ash-wood,
Swiftly speed, thou deadly missile,
Quick as light, thou poisoned arrow,
To the heart of Wainamoinen.
If my hand too low should hold thee,
May the gods direct thee higher;
If too high mine eye should aim thee,
May the gods direct thee lower.'
Steady now he pulls the trigger;
Like the lightning flies the arrow
O'er the head of Wainamoinen;
To the upper sky it darteth,
And the highest clouds it pierces,
Scatters all the flock of lamb-clouds,
On its rapid journey skyward.
Not discouraged, quick selecting,
Quick adjusting, Youkahainen,
Quickly aiming shoots a second.
Speeds the arrow swift as lightning;
Much too low he aimed the missile,
Into earth the arrow plunges,
Pierces to the lower regions,
Splits in two the old Sand Mountain.
Nothing daunted, Youkahainen,
Quick adjusting shoots a third one.
Swift as light it speeds its journey,
Strikes the steed of Wainamoinen,
Strikes the light-foot, ocean-swimmer,
Strikes him near his golden girdle,
Through the shoulder of the racer.
Thereupon wise Wainamoinen
Headlong fell upon the waters,
Plunged beneath the rolling billows,
From the saddle of the courser,
From his dappled steed of magic.
Then arose a mighty storm-wind,
Roaring wildly on the waters,
Bore away old Wainamoinen
94
Far from land upon the billows,
On the high and rolling billows,
On the broad sea's great expanses.
Boasted then young Youkahainen,
Thinking Waino dead and buried,
These the boastful words be uttered:
'Nevermore, old Wainamoinen,
Nevermore in all thy life-time,
While the golden moonlight glistens,
Nevermore wilt fix thy vision
On the meadows of Wainola,
On the plains of Kalevala;
Full six years must swim the ocean,
Tread the waves for seven summers,
Eight years ride the foamy billows,
In the broad expanse of water;
Six long autumns as a fir-tree,
Seven winters as a pebble;
Eight long summers as an aspen.'
Thereupon the Lapland minstrel
Hastened to his room delighting,
When his mother thus addressed him
'Hast thou slain good Wainamoinen,
Slain the son of Kalevala?'
Youkahainen thus made answer:
'I have slain old Wainamoinen,
Slain the son of Kalevala,
That he now may plow the ocean,
That he now may sweep the waters,
On the billows rock and slumber.
In the salt-sea plunged he headlong,
In the deep sank the magician,
Sidewise turned he to the sea-shore
On his back to rock forever,
Thus the boundless sea to travel,
Thus to ride the rolling billows.'
This the answer of the mother:
'Woe to earth for this thine action,
Gone forever, joy and singing,
Vanished is the wit of ages!
Thou hast slain good Wainamoinen.
Slain the ancient wisdom-singer,
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Slain the pride of Suwantala,
Slain the hero of Wainola,
Slain the joy of Kalevala.'
~ Elias Lönnrot,#NFDB |
1369:The Red Lacquer Music-Stand
A music-stand of crimson lacquer, long since brought
In some fast clipper-ship from China, quaintly wrought
With bossed and carven flowers and fruits in blackening gold,
The slender shaft all twined about and thickly scrolled
With vine leaves and young twisted tendrils, whirling, curling,
Flinging their new shoots over the four wings, and swirling
Out on the three wide feet in golden lumps and streams;
Petals and apples in high relief, and where the seams
Are worn with handling, through the polished crimson sheen,
Long streaks of black, the under lacquer, shine out clean.
Four desks, adjustable, to suit the heights of players
Sitting to viols or standing up to sing, four layers
Of music to serve every instrument, are there,
And on the apex a large flat-topped golden pear.
It burns in red and yellow, dusty, smouldering lights,
When the sun flares the old barn-chamber with its flights
And skips upon the crystal knobs of dim sideboards,
Legless and mouldy, and hops, glint to glint, on hoards
Of scythes, and spades, and dinner-horns, so the old tools
Are little candles throwing brightness round in pools.
With Oriental splendour, red and gold, the dust
Covering its flames like smoke and thinning as a gust
Of brighter sunshine makes the colours leap and range,
The strange old music-stand seems to strike out and change;
To stroke and tear the darkness with sharp golden claws;
To dart a forked, vermilion tongue from open jaws;
To puff out bitter smoke which chokes the sun; and fade
Back to a still, faint outline obliterate in shade.
Creeping up the ladder into the loft, the Boy
Stands watching, very still, prickly and hot with joy.
He sees the dusty sun-mote slit by streaks of red,
He sees it split and stream, and all about his head
Spikes and spears of gold are licking, pricking, flicking,
Scratching against the walls and furniture, and nicking
The darkness into sparks, chipping away the gloom.
The Boy's nose smarts with the pungence in the room.
The wind pushes an elm branch from before the door
And the sun widens out all along the floor,
Filling the barn-chamber with white, straightforward light,
389
So not one blurred outline can tease the mind to fright.
'O All ye Works of the Lord, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O let the Earth Bless the Lord; Yea, let it Praise Him, and Magnify Him
for ever.
O ye Mountains and Hills, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O All ye Green Things upon the Earth, Bless ye the Lord; Praise Him,
and Magnify Him for ever.'
The Boy will praise his God on an altar builded fair,
Will heap it with the Works of the Lord. In the morning air,
Spices shall burn on it, and by their pale smoke curled,
Like shoots of all the Green Things, the God of this bright World
Shall see the Boy's desire to pay his debt of praise.
The Boy turns round about, seeking with careful gaze
An altar meet and worthy, but each table and chair
Has some defect, each piece is needing some repair
To perfect it; the chairs have broken legs and backs,
The tables are uneven, and every highboy lacks
A handle or a drawer, the desks are bruised and worn,
And even a wide sofa has its cane seat torn.
Only in the gloom far in the corner there
The lacquer music-stand is elegant and rare,
Clear and slim of line, with its four wings outspread,
The sound of old quartets, a tenuous, faint thread,
Hanging and floating over it, it stands supreme Black, and gold, and crimson, in one twisted scheme!
A candle on the bookcase feels a draught and wavers,
Stippling the white-washed walls with dancing shades and quavers.
A bed-post, grown colossal, jigs about the ceiling,
And shadows, strangely altered, stain the walls, revealing
Eagles, and rabbits, and weird faces pulled awry,
And hands which fetch and carry things incessantly.
Under the Eastern window, where the morning sun
Must touch it, stands the music-stand, and on each one
Of its broad platforms is a pyramid of stones,
And metals, and dried flowers, and pine and hemlock cones,
An oriole's nest with the four eggs neatly blown,
The rattle of a rattlesnake, and three large brown
390
Butternuts uncracked, six butterflies impaled
With a green luna moth, a snake-skin freshly scaled,
Some sunflower seeds, wampum, and a bloody-tooth shell,
A blue jay feather, all together piled pell-mell
The stand will hold no more. The Boy with humming head
Looks once again, blows out the light, and creeps to bed.
The Boy keeps solemn vigil, while outside the wind
Blows gustily and clear, and slaps against the blind.
He hardly tries to sleep, so sharp his ecstasy
It burns his soul to emptiness, and sets it free
For adoration only, for worship. Dedicate,
His unsheathed soul is naked in its novitiate.
The hours strike below from the clock on the stair.
The Boy is a white flame suspiring in prayer.
Morning will bring the sun, the Golden Eye of Him
Whose splendour must be veiled by starry cherubim,
Whose Feet shimmer like crystal in the streets of Heaven.
Like an open rose the sun will stand up even,
Fronting the window-sill, and when the casement glows
Rose-red with the new-blown morning, then the fire which flows
From the sun will fall upon the altar and ignite
The spices, and his sacrifice will burn in perfumed light.
Over the music-stand the ghosts of sounds will swim,
`Viols d'amore' and `hautbois' accorded to a hymn.
The Boy will see the faintest breath of angels' wings
Fanning the smoke, and voices will flower through the strings.
He dares no farther vision, and with scalding eyes
Waits upon the daylight and his great emprise.
The cold, grey light of dawn was whitening the wall
When the Boy, fine-drawn by sleeplessness, started his ritual.
He washed, all shivering and pointed like a flame.
He threw the shutters open, and in the window-frame
The morning glimmered like a tarnished Venice glass.
He took his Chinese pastilles and put them in a mass
Upon the mantelpiece till he could seek a plate
Worthy to hold them burning. Alas! He had been late
In thinking of this need, and now he could not find
Platter or saucer rare enough to ease his mind.
The house was not astir, and he dared not go down
Into the barn-chamber, lest some door should be blown
391
And slam before the draught he made as he went out.
The light was growing yellower, and still he looked about.
A flash of almost crimson from the gilded pear
Upon the music-stand, startled him waiting there.
The sun would rise and he would meet it unprepared,
Labelled a fool in having missed what he had dared.
He ran across the room, took his pastilles and laid
Them on the flat-topped pear, most carefully displayed
To light with ease, then stood a little to one side,
Focussed a burning-glass and painstakingly tried
To hold it angled so the bunched and prismed rays
Should leap upon each other and spring into a blaze.
Sharp as a wheeling edge of disked, carnation flame,
Gem-hard and cutting upward, slowly the round sun came.
The arrowed fire caught the burning-glass and glanced,
Split to a multitude of pointed spears, and lanced,
A deeper, hotter flame, it took the incense pile
Which welcomed it and broke into a little smile
Of yellow flamelets, creeping, crackling, thrusting up,
A golden, red-slashed lily in a lacquer cup.
'O ye Fire and Heat, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O ye Winter and Summer, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O ye Nights and Days, Bless ye the Lord; Praise Him, and Magnify Him
for ever.
O ye Lightnings and Clouds, Bless ye the Lord; Praise Him, and Magnify Him
for ever.'
A moment so it hung, wide-curved, bright-petalled, seeming
A chalice foamed with sunrise. The Boy woke from his dreaming.
A spike of flame had caught the card of butterflies,
The oriole's nest took fire, soon all four galleries
Where he had spread his treasures were become one tongue
Of gleaming, brutal fire. The Boy instantly swung
His pitcher off the wash-stand and turned it upside down.
The flames drooped back and sizzled, and all his senses grown
Acute by fear, the Boy grabbed the quilt from his bed
And flung it over all, and then with aching head
He watched the early sunshine glint on the remains
Of his holy offering. The lacquer stand had stains
392
Ugly and charred all over, and where the golden pear
Had been, a deep, black hole gaped miserably. His dear
Treasures were puffs of ashes; only the stones were there,
Winking in the brightness.
The clock upon the stair
Struck five, and in the kitchen someone shook a grate.
The Boy began to dress, for it was getting late.
~ Amy Lowell,#NFDB |
1370:He sings.
I send my heart up to thee, all my heart
In this my singing.
For the stars help me, and the sea bears part;
The very night is clinging
Closer to Venice' streets to leave one space
Above me, whence thy face
May light my joyous heart to thee its dwelling-place.
She speaks.
Say after me, and try to say
My very words, as if each word
Came from you of your own accord,
In your own voice, in your own way:
``This woman's heart and soul and brain
``Are mine as much as this gold chain
``She bids me wear; which'' (say again)
``I choose to make by cherishing
``A precious thing, or choose to fling
``Over the boat-side, ring by ring.''
And yet once more say no word more!
Since words are only words. Give o'er!
Unless you call me, all the same,
Familiarly by my pet name,
Which if the Three should hear you call,
And me reply to, would proclaim
At once our secret to them all.
Ask of me, too, command me, blame-
Do, break down the partition-wall
'Twixt us, the daylight world beholds
Curtained in dusk and splendid folds!
What's left but-all of me to take?
I am the Three's: prevent them, slake
Your thirst! 'Tis said, the Arab sage,
In practising with gems, can loose
Their subtle spirit in his cruce
And leave but ashes: so, sweet mage,
Leave them my ashes when thy use
Sucks out my soul, thy heritage!
He sings.
I.
Past we glide, and past, and past!
What's that poor Agnese doing
Where they make the shutters fast?
Grey Zanobi's just a-wooing
To his couch the purchased bride:
Past we glide!
II.
Past we glide, and past, and past!
Why's the Pucci Palace flaring
Like a beacon to the blast?
Guests by hundreds, not one caring
If the dear host's neck were wried:
Past we glide!
She sings.
I.
The moth's kiss, first!
Kiss me as if you made believe
You were not sure, this eve,
How my face, your flower, had pursed
Its petals up; so, here and there
You brush it, till I grow aware
Who wants me, and wide ope I burst.
II.
The bee's kiss, now!
Kiss me as if you entered gay
My heart at some noonday,
A bud that dares not disallow
The claim, so all is rendered up,
And passively its shattered cup
Over your head to sleep I bow.
He sings.
I.
What are we two?
I am a Jew,
And carry thee, farther than friends can pursue,
To a feast of our tribe;
Where they need thee to bribe
The devil that blasts them unless he imbibe
Thy Scatter the vision for ever! And now,
As of old, I am I, thou art thou!
II.
Say again, what we are?
The sprite of a star,
I lure thee above where the destinies bar
My plumes their full play
Till a ruddier ray
Than my pale one announce there is withering away
Some Scatter the vision for ever! And now,
As of old, I am I, thou art thou!
He muses.
Oh, which were best, to roam or rest?
The land's lap or the water's breast?
To sleep on yellow millet-sheaves,
Or swim in lucid shallows just
Eluding water-lily leaves,
An inch from Death's black fingers, thrust
To lock you, whom release he must;
Which life were best on Summer eves?
He speaks, musing.
Lie back; could thought of mine improve you?
From this shoulder let there spring
A wing; from this, another wing;
Wings, not legs and feet, shall move you!
Snow-white must they spring, to blend
With your flesh, but I intend
They shall deepen to the end,
Broader, into burning gold,
Till both wings crescent-wise enfold
Your perfect self, from 'neath your feet
To o'er your head, where, lo, they meet
As if a million sword-blades hurled
Defiance from you to the world!
Rescue me thou, the only real!
And scare away this mad ideal
That came, nor motions to depart!
Thanks! Now, stay ever as thou art!
Still he muses.
I.
What if the Three should catch at last
Thy serenader? While there's cast
Paul's cloak about my head, and fast
Gian pinions me, himself has past
His stylet thro' my back; I reel;
And is it thou I feel?
II.
They trail me, these three godless knaves,
Past every church that saints and saves,
Nor stop till, where the cold sea raves
By Lido's wet accursed graves,
They scoop mine, roll me to its brink,
And on thy breast I sink
She replies, musing.
Dip your arm o'er the boat-side, elbow-deep,
As I do: thus: were death so unlike sleep,
Caught this way? Death's to fear from flame or steel,
Or poison doubtless; but from water-feel!
Go find the bottom! Would you stay me? There!
Now pluck a great blade of that ribbon-grass
To plait in where the foolish jewel was,
I flung away: since you have praised my hair,
'Tis proper to be choice in what I wear.
He speaks.
Row home? must we row home? Too surely
Know I where its front's demurely
Over the Giudecca piled;
Window just with window mating,
Door on door exactly waiting,
All's the set face of a child:
But behind it, where's a trace
Of the staidness and reserve,
And formal lines without a curve,
In the same child's playing-face?
No two windows look one way
O'er the small sea-water thread
Below them. Ah, the autumn day
I, passing, saw you overhead!
First, out a cloud of curtain blew,
Then a sweet cry, and last came you-
To catch your lory that must needs
Escape just then, of all times then,
To peck a tall plant's fleecy seeds,
And make me happiest of men.
I scarce could breathe to see you reach
So far back o'er the balcony
To catch him ere he climbed too high
Above you in the Smyrna peach
That quick the round smooth cord of gold,
This coiled hair on your head, unrolled,
Fell down you like a gorgeous snake
The Roman girls were wont, of old,
When Rome there was, for coolness' sake
To let lie curling o'er their bosoms.
Dear lory,*
may his beak retain
Ever its delicate rose stain
As if the wounded lotus-blossoms
Had marked their thief to know again!
Stay longer yet, for others' sake
Than mine! What should your chamber do?
-With all its rarities that ache
In silence while day lasts, but wake
At night-time and their life renew,
Suspended just to pleasure you
Who brought against their will together
These objects, and, while day lasts, weave
Around them such a magic tether
That dumb they look: your harp, believe,
With all the sensitive tight strings
Which dare not speak, now to itself
Breathes slumberously, as if some elf
Went in and out the chords, his wings
Make murmur wheresoe'er they graze,
As an angel may, between the maze
Of midnight palace-pillars, on
And on, to sow God's plagues, have gone
Through guilty glorious Babylon.
And while such murmurs flow, the nymph
Bends o'er the harp-top from her shell
As the dry limpet for the lymph
Come with a tune be knows so well.
And how your statues' hearts must swell!
And how your pictures must descend
To see each other, friend with friend!
Oh, could you take them by surprise,
You'd find Schidone's eager Duke
Doing the quaintest courtesies
To that prim saint by Haste-thee-Luke!
And, deeper into her rock den,
Bold Castelfranco's Magdalen
You'd find retreated from the ken
Of that robed counsel-keeping Ser-
As if the Tizian thinks of her,
And is not, rather, gravely bent
On seeing for himself what toys
Are these, his progeny invent,
What litter now the board employs
Whereon he signed a document
That got him murdered! Each enjoys
Its night so well, you cannot break
The sport up, so, indeed must make
More stay with me, for others' sake.
She speaks.
I.
To-morrow, if a harp-string, say,
Is used to tie the jasmine back
That overfloods my room with sweets,
Contrive your Zorzi somehow meets
My Zanze! If the ribbon's black,
The Three are watching: keep away!
II.
Your gondola-let Zorzi wreathe
A mesh of water-weeds about
its prow, as if he unaware
Had struck some quay or bridge-foot stair!
That I may throw a paper out
As you and he go underneath.
There's Zanze's vigilant taper; safe are we.
Only one minute more to-night with me?
Resume your past self of a month ago!
Be you the bashful gallant, I will be
The lady with the colder breast than snow.
Now bow you, as becomes, nor touch my hand
More than I touch yours when I step to land,
And say, ``All thanks, Siora!''-
Heart to heart
And lips to lips! Yet once more, ere we part,
Clasp me and make me thine, as mine thou art!
[He is surprised, and stabbed.
It was ordained to be so, sweet!-and best
Comes now, beneath thine eyes, upon thy breast.
Still kiss me! Care not for the cowards! Care
Only to put aside thy beauteous hair
My blood will hurt! The Three, I do not scorn
To death, because they never lived: but I
Have lived indeed, and so-(yet one more kiss)-can die!
~ Robert Browning, In A Gondola
,#NFDB |
1371:Improvisations: Light And Snow
The girl in the room beneath
Before going to bed
Strums on a mandolin
The three simple tunes she knows.
How inadequate they are to tell how her heart feels!
When she has finished them several times
She thrums the strings aimlessly with her finger-nails
And smiles, and thinks happily of many things.
II
I stood for a long while before the shop window
Looking at the blue butterflies embroidered on tawny silk.
The building was a tower before me,
Time was loud behind me,
Sun went over the housetops and dusty trees;
And there they were, glistening, brilliant, motionless,
Stitched in a golden sky
By yellow patient fingers long since turned to dust.
III
The first bell is silver,
And breathing darkness I think only of the long scythe of time.
The second bell is crimson,
And I think of a holiday night, with rockets
Furrowing the sky with red, and a soft shatter of stars.
The third bell is saffron and slow,
And I behold a long sunset over the sea
With wall on wall of castled cloud and glittering balustrades.
The fourth bell is color of bronze,
I walk by a frozen lake in the dun light of dusk:
Muffled crackings run in the ice,
Trees creak, birds fly.
The fifth bell is cold clear azure,
Delicately tinged with green:
One golden star hangs melting in it,
58
And towards this, sleepily, I go.
The sixth bell is as if a pebble
Had been dropped into a deep sea far above me . . .
Rings of sound ebb slowly into the silence.
IV
On the day when my uncle and I drove to the cemetery,
Rain rattled on the roof of the carriage;
And talkng constrainedly of this and that
We refrained from looking at the child's coffin on the seat before us.
When we reached the cemetery
We found that the thin snow on the grass
Was already transparent with rain;
And boards had been laid upon it
That we might walk without wetting our feet.
When I was a boy, and saw bright rows of icicles
In many lengths along a wall
I was dissappointed to find
That I could not play music upon them:
I ran my hand lightly across them
And they fell, tinkling.
I tell you this, young man, so that your expectations of life
Will not be too great.
VI
It is now two hours since I left you,
And the perfume of your hands is still on my hands.
And though since then
I have looked at the stars, walked in the cold blue streets,
And heard the dead leaves blowing over the ground
Under the trees,
I still remember the sound of your laughter.
How will it be, lady, when there is none left to remember you
Even as long as this?
Will the dust braid your hair?
VII
59
The day opens with the brown light of snowfall
And past the window snowflakes fall and fall.
I sit in my chair all day and work and work
Measuring words against each other.
I open the piano and play a tune
But find it does not say what I feel,
I grow tired of measuring words against each other,
I grow tired of these four walls,
And I think of you, who write me that you have just had a daughter
And named her after your first sweetheart,
And you, who break your heart, far away,
In the confusion and savagery of a long war,
And you who, worn by the bitterness of winter,
Will soon go south.
The snowflakes fall almost straight in the brown light
Past my window,
And a sparrow finds refuge on my window-ledge.
This alone comes to me out of the world outside
As I measure word with word.
VIII
Many things perplex me and leave me troubled,
Many things are locked away in the white book of stars
Never to be opened by me.
The starr'd leaves are silently turned,
And the mooned leaves;
And as they are turned, fall the shadows of life and death.
Perplexed and troubled,
I light a small light in a small room,
The lighted walls come closer to me,
The familiar pictures are clear.
I sit in my favourite chair and turn in my mind
The tiny pages of my own life, whereon so little is written,
And hear at the eastern window the pressure of a long wind, coming
From I know not where.
How many times have I sat here,
How many times will I sit here again,
Thinking these same things over and over in solitude
As a child says over and over
60
The first word he has learned to say.
IX
This girl gave her heart to me,
And this, and this.
This one looked at me as if she loved me,
And silently walked away.
This one I saw once and loved, and never saw her again.
Shall I count them for you upon my fingers?
Or like a priest solemnly sliding beads?
Or pretend they are roses, pale pink, yellow, and white,
And arrange them for you in a wide bowl
To be set in sunlight?
See how nicely it sounds as I count them for you -'This girl gave her heart to me
And this, and this, . . . !
And nevertheless, my heart breaks when I think of them,
When I think their names,
And how, like leaves, they have changed and blown
And will lie, at last, forgotten,
Under the snow.
It is night time, and cold, and snow is falling,
And no wind grieves the walls.
In the small world of light around the arc-lamp
A swarm of snowflakes falls and falls.
The street grows silent. The last stranger passes.
The sound of his feet, in the snow, is indistinct.
What forgotten sadness is it, on a night like this,
Takes possession of my heart?
Why do I think of a camellia tree in a southern garden,
With pink blossoms among dark leaves,
Standing, surprised, in the snow?
Why do I think of spring?
The snowflakes, helplessly veering,,
Fall silently past my window;
61
They come from darkness and enter darkness.
What is it in my heart is surprised and bewildered
Like that camellia tree,
Beautiful still in its glittering anguish?
And spring so far away!
XI
As I walked through the lamplit gardens,
On the thin white crust of snow,
So intensely was I thinking of my misfortune,
So clearly were my eyes fixed
On the face of this grief which has come to me,
That I did not notice the beautiful pale colouring
Of lamplight on the snow;
Nor the interlaced long blue shadows of trees;
And yet these things were there,
And the white lamps, and the orange lamps, and the lamps of lilac were there,
As I have seen them so often before;
As they will be so often again
Long after my grief is forgotten.
And still, though I know this, and say this, it cannot console me.
XII
How many times have we been interrupted
Just as I was about to make up a story for you!
One time it was because we suddenly saw a firefly
Lighting his green lantern among the boughs of a fir-tree.
Marvellous! Marvellous! He is making for himself
A little tent of light in the darkness!
And one time it was because we saw a lilac lightning flash
Run wrinkling into the blue top of the mountain, -We heard boulders of thunder rolling down upon us
And the plat-plat of drops on the window,
And we ran to watch the rain
Charging in wavering clouds across the long grass of the field!
Or at other times it was because we saw a star
Slipping easily out of the sky and falling, far off,
Among pine-dark hills;
62
Or because we found a crimson eft
Darting in the cold grass!
These things interrupted us and left us wondering;
And the stories, whatever they might have been,
Were never told.
A fairy, binding a daisy down and laughing?
A golden-haired princess caught in a cobweb?
A love-story of long ago?
Some day, just as we are beginning again,
Just as we blow the first sweet note,
Death itself will interrupt us.
XIII
My heart is an old house, and in that forlorn old house,
In the very centre, dark and forgotten,
Is a locked room where an enchanted princess
Lies sleeping.
But sometimes, in that dark house,
As if almost from the stars, far away,
Sounds whisper in that secret room -Faint voices, music, a dying trill of laughter?
And suddenly, from her long sleep,
The beautiful princess awakes and dances.
Who is she? I do not know.
Why does she dance? Do not ask me! -Yet to-day, when I saw you,
When I saw your eyes troubled with the trouble of happiness,
And your mouth trembling into a smile,
And your fingers pull shyly forward, -Softly, in that room,
The little princess arose
And danced;
And as she danced the old house gravely trembled
With its vague and delicious secret.
XIV
Like an old tree uprooted by the wind
And flung down cruelly
63
With roots bared to the sun and stars
And limp leaves brought to earth -Torn from its house -So do I seem to myself
When you have left me.
XV
The music of the morning is red and warm;
Snow lies against the walls;
And on the sloping roof in the yellow sunlight
Pigeons huddle against the wind.
The music of evening is attenuated and thin -The moon seen through a wave by a mermaid;
The crying of a violin.
Far down there, far down where the river turns to the west,
The delicate lights begin to twinkle
On the dusky arches of the bridge:
In the green sky a long cloud,
A smouldering wave of smoky crimson,
Breaks in the freezing wind: and above it, unabashed,
Remote, untouched, fierly palpitant,
Sings the first star.
~ Conrad Potter Aiken,#NFDB |
1372:Interim
The room is full of you!—As I came in
And closed the door behind me, all at once
A something in the air, intangible,
Yet stiff with meaning, struck my senses sick!—
Sharp, unfamiliar odors have destroyed
Each other room's dear personality.
The heavy scent of damp, funereal flowers,—
The very essence, hush-distilled, of Death—
Has strangled that habitual breath of home
Whose expiration leaves all houses dead;
And wheresoe'er I look is hideous change.
Save here. Here 'twas as if a weed-choked gate
Had opened at my touch, and I had stepped
Into some long-forgot, enchanted, strange,
Sweet garden of a thousand years ago
And suddenly thought, "I have been here before!"
You are not here. I know that you are gone,
And will not ever enter here again.
And yet it seems to me, if I should speak,
Your silent step must wake across the hall;
If I should turn my head, that your sweet eyes
Would kiss me from the door.—So short a time
To teach my life its transposition to
This difficult and unaccustomed key!—
The room is as you left it; your last touch—
A thoughtless pressure, knowing not itself
As saintly—hallows now each simple thing;
Hallows and glorifies, and glows between
The dust's grey fingers like a shielded light.
There is your book, just as you laid it down,
Face to the table,—I cannot believe
That you are gone!—Just then it seemed to me
You must be here. I almost laughed to think
How like reality the dream had been;
Yet knew before I laughed, and so was still.
That book, outspread, just as you laid it down!
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Perhaps you thought, "I wonder what comes next,
And whether this or this will be the end";
So rose, and left it, thinking to return.
Perhaps that chair, when you arose and passed
Out of the room, rocked silently a while
Ere it again was still. When you were gone
Forever from the room, perhaps that chair,
Stirred by your movement, rocked a little while,
Silently, to and fro...
And here are the last words your fingers wrote,
Scrawled in broad characters across a page
In this brown book I gave you. Here your hand,
Guiding your rapid pen, moved up and down.
Here with a looping knot you crossed a "t,"
And here another like it, just beyond
These two eccentric "e's." You were so small,
And wrote so brave a hand!
How strange it seems
That of all words these are the words you chose!
And yet a simple choice; you did not know
You would not write again. If you had known—
But then, it does not matter,—and indeed
If you had known there was so little time
You would have dropped your pen and come to me
And this page would be empty, and some phrase
Other than this would hold my wonder now.
Yet, since you could not know, and it befell
That these are the last words your fingers wrote,
There is a dignity some might not see
In this, "I picked the first sweet-pea to-day."
To-day! Was there an opening bud beside it
You left until to-morrow?—O my love,
The things that withered,—and you came not back
That day you filled this circle of my arms
That now is empty. (O my empty life!)
That day—that day you picked the first sweet-pea,—
And brought it in to show me! I recall
With terrible distinctness how the smell
Of your cool gardens drifted in with you.
I know, you held it up for me to see
63
And flushed because I looked not at the flower,
But at your face; and when behind my look
You saw such unmistakable intent
You laughed and brushed your flower against my lips.
(You were the fairest thing God ever made,
I think.) And then your hands above my heart
Drew down its stem into a fastening,
And while your head was bent I kissed your hair.
I wonder if you knew. (Beloved hands!
Somehow I cannot seem to see them still.
Somehow I cannot seem to see the dust
In your bright hair.) What is the need of Heaven
When earth can be so sweet?—If only God
Had let us love,—and show the world the way!
Strange cancellings must ink th' eternal books
When love-crossed-out will bring the answer right!
That first sweet-pea! I wonder where it is.
It seems to me I laid it down somewhere,
And yet,—I am not sure. I am not sure,
Even, if it was white or pink; for then
'Twas much like any other flower to me
Save that it was the first. I did not know
Then, that it was the last. If I had known—
But then, it does not matter. Strange how few,
After all's said and done, the things that are
Of moment.
Few indeed! When I can make
Of ten small words a rope to hang the world!
"I had you and I have you now no more."
There, there it dangles,—where's the little truth
That can for long keep footing under that
When its slack syllables tighten to a thought?
Here, let me write it down! I wish to see
Just how a thing like that will look on paper!
"I had you and I have you now no more."
O little words, how can you run so straight
Across the page, beneath the weight you bear?
How can you fall apart, whom such a theme
Has bound together, and hereafter aid
In trivial expression, that have been
64
So hideously dignified?—Would God
That tearing you apart would tear the thread
I strung you on! Would God—O God, my mind
Stretches asunder on this merciless rack
Of imagery! O, let me sleep a while!
Would I could sleep, and wake to find me back
In that sweet summer afternoon with you.
Summer? Tis summer still by the calendar!
How easily could God, if He so willed,
Set back the world a little turn or two!
Correct its griefs, and bring its joys again!
We were so wholly one I had not thought
That we could die apart. I had not thought
That I could move,—and you be stiff and still!
That I could speak,—and you perforce be dumb!
I think our heart-strings were, like warp and woof
In some firm fabric, woven in and out;
Your golden filaments in fair design
Across my duller fibre. And to-day
The shining strip is rent; the exquisite
Fine pattern is destroyed; part of your heart
Aches in my breast; part of my heart lies chilled
In the damp earth with you. I have been tom
In two, and suffer for the rest of me.
What is my life to me? And what am I
To life,—a ship whose star has guttered out?
A Fear that in the deep night starts awake
Perpetually, to find its senses strained
Against the taut strings of the quivering air,
Awaiting the return of some dread chord?
Dark, Dark, is all I find for metaphor;
All else were contrast,—save that contrast's wall
Is down, and all opposed things flow together
Into a vast monotony, where night
And day, and frost and thaw, and death and life,
Are synonyms. What now—what now to me
Are all the jabbering birds and foolish flowers
That clutter up the world? You were my song!
Now, let discord scream! You were my flower!
Now let the world grow weeds! For I shall not
65
Plant things above your grave—(the common balm
Of the conventional woe for its own wound!)
Amid sensations rendered negative
By your elimination stands to-day,
Certain, unmixed, the element of grief;
I sorrow; and I shall not mock my truth
With travesties of suffering, nor seek
To effigy its incorporeal bulk
In little wry-faced images of woe.
I cannot call you back; and I desire
No utterance of my immaterial voice.
I cannot even turn my face this way
Or that, and say, "My face is turned to you";
I know not where you are, I do not know
If Heaven hold you or if earth transmute,
Body and soul, you into earth again;
But this I know:—not for one second's space
Shall I insult my sight with visionings
Such as the credulous crowd so eager-eyed
Beholds, self-conjured, in the empty air.
Let the world wail! Let drip its easy tears!
My sorrow shall be dumb!
What do I say?
God! God!—God pity me! Am I gone mad
That I should spit upon a rosary?
Am I become so shrunken? Would to God
I too might feel that frenzied faith whose touch
Makes temporal the most enduring grief;
Though it must walk a while, as is its wont,
With wild lamenting! Would I too might weep
Where weeps the world and hangs its piteous wreaths
For its new dead! Not Truth, but Faith, it is
That keeps the world alive. If all at once
Faith were to slacken,—that unconscious faith
Which must, I know, yet be the corner-stone
Of all believing,—birds now flying fearless
Across would drop in terror to the earth;
Fishes would drown; and the all-governing reins
Would tangle in the frantic hands of God
And the worlds gallop headlong to destruction!
66
O God, I see it now, and my sick brain
Staggers and swoons! How often over me
Flashes this breathlessness of sudden sight
In which I see the universe unrolled
Before me like a scroll and read thereon
Chaos and Doom, where helpless planets whirl
Dizzily round and round and round and round,
Like tops across a table, gathering speed
With every spin, to waver on the edge
One instant—looking over—and the next
To shudder and lurch forward out of sight—
Ah, I am worn out—I am wearied out—
It is too much—I am but flesh and blood,
And I must sleep. Though you were dead again,
I am but flesh and blood and I must sleep.
~ Edna St. Vincent Millay,#NFDB |
1373:Behind The Arras
I like the old house tolerably well,
Where I must dwell
Like a familiar gnome;
And yet I never shall feel quite at home.
I love to roam.
Day after day I loiter and explore
From door to door;
So many treasures lure
The curious mind. What histories obscure
They must immure!
I hardly know which room I care for best;
This fronting west,
With the strange hills in view,
Where the great sun goes,—where I may go too,
When my lease is through,—
Or this one for the morning and the east,
Where a man may feast
His eyes on looming sails,
And be the first to catch their foreign hails
Or spy their bales
Then the pale summer twilights towards the pole!
It thrills my soul
With wonder and delight,
When gold-green shadows walk the world at night,
So still, so bright.
There at the window many a time of year,
Strange faces peer,
Solemn though not unkind,
Their wits in search of something left behind
Time out of mind;
As if they once had lived here, and stole back
To the window crack
For a peep which seems to say,
'Good fortune, brother, in your house of clay!'
59
And then, 'Good day!'
I hear their footsteps on the gravel walk,
Their scraps of talk,
And hurrying after, reach
Only the crazy sea-drone of the beach
In endless speech.
And often when the autumn noons are still,
By swale and hill
I see their gipsy signs,
Trespassing somewhere on my border lines;
With what designs?
I forth afoot; but when I reach the place,
Hardly a trace,
Save the soft purple haze
Of smouldering camp-fires, any hint betrays
Who went these ways.
Or tatters of pale aster blue, descried
By the roadside,
Reveal whither they fled;
Or the swamp maples, here and there a shred
Of Indian red.
But most of all, the marvellous tapestry
Engrosses me,
Where such strange things are rife,
Fancies of beasts and flowers, and love and strife,
Woven to the life;
Degraded shapes and splendid seraph forms,
And teeming swarms
Of creatures gauzy dim
That cloud the dusk, and painted fish that swim,
At the weaver's whim;
And
And
And
And
wonderful birds that wheel and hang in the air;
beings with hair,
moving eyes in the face,
white bone teeth and hideous grins, who race
60
From place to place;
They build great temples to their John-a-nod,
And fume and plod
To deck themselves with gold,
And paint themselves like chattels to be sold,
Then turn to mould.
Sometimes they seem almost as real as I;
I hear them sigh;
I see them bow with grief,
Or dance for joy like any aspen leaf;
But that is brief.
They have mad wars and phantom marriages;
Nor seem to guess
There are dimensions still,
Beyond thought's reach, though not beyond love's will,
For soul to fill.
And some I call my friends, and make believe
Their spirits grieve,
Brood, and rejoice with mine;
I talk to them in phrases quaint and fine
Over the wine;
I tell them all my secrets; touch their hands;
One understands
Perhaps. How hard he tries
To speak! And yet those glorious mild eyes,
His best replies!
I even have my cronies, one or two,
My cherished few.
But ah, they do not stay!
For the sun fades them and they pass away,
As I grow gray.
Yet while they last how actual they seem!
Their faces beam;
I give them all their names,
61
Bertram and Gilbert, Louis, Frank and James,
Each with his aims;
One thinks he is a poet, and writes verse
His friends rehearse;
Another is full of law;
A third sees pictures which his hand can draw
Without a flaw.
Strangest of all, they never rest. Day long
They shift and throng,
Moved by invisible will,
Like a great breath which puffs across my sill,
And then is still;
It shakes my lovely manikins on the wall;
Squall after squall,
Gust upon crowding gust,
It sweeps them willy nilly like blown dust
With glory or lust.
It is the world-ghost, the time-spirit, come
None knows wherefrom,
The viewless draughty tide
And wash of being. I hear it yaw and glide,
And then subside,
Along these ghostly corridors and halls
Like faint footfalls;
The hangings stir in the air;
And when I start and challenge, 'Who goes there?'
It answers, 'Where?'
The wail and sob and moan of the sea's dirge,
Its plangor and surge;
The awful biting sough
62
Of drifted snows along some arctic bluff,
That veer and luff,
And have the vacant boding human cry,
As they go by;—
Is it a banished soul
Dredging the dark like a distracted mole
Under a knoll?
Like some invisible henchman old and gray,
Day after day
I hear it come and go,
With stealthy swift unmeaning to and fro,
Muttering low,
Ceaseless and daft and terrible and blind,
Like a lost mind.
I often chill with fear
When I bethink me, What if it should peer
At my shoulder here!
Perchance he drives the merry-go-rou nd whose track
Is the zodiac;
His name is No-man's-fri end;
And his gabbling parrot-talk has neither trend,
Beginning, nor end.
A prince of madness too, I'd cry, 'A rat!'
And lunge thereat,—
Let out at one swift thrust
The cunning arch-delusio n of the dust
I so mistrust,
But that I fear I should disclose a face
Wearing the trace
Of my own human guise,
63
Piteous, unharmful, loving, sad, and wise
With the speaking eyes.
I would the house were rid of his grim pranks,
Moaning from banks
Of pine trees in the moon,
Startling the silence like a demoniac loon
At dead of noon.
Or whispering his fool-talk to the leaves
About my eaves.
And yet how can I know
'T is not a happy Ariel masking so
In mocking woe?
Then with a little broken laugh I say,
Snatching away
The curtain where he grinned
(My feverish sight thought) like a sin unsinned,
'Only the wind!'
Yet often too he steals so softly by.
With half a sigh,
I deem he must be mild,
Fair as a woman, gentle as a child,
And forest wild.
Passing the door where an old wind-harp swings,
With its five strings,
Contrived long years ago
By my first predecessor bent to show
His handcraft so,
He lay his fingers on the aeolian wire,
As a core of fire
Is laid upon the blast
64
To kindle and glow and fill the purple vast
Of dark at last.
Weird wise, and low, piercing and keen and glad,
Or dim and sad
As a forgotten strain
Born when the broken legions of the rain
Swept through the plain—
He plays, like some dread veiled mysteriarch,
Lighting the dark,
Bidding the spring grow warm,
The gendering merge and loosing of spirit in form,
Peace out of storm.
For music is the sacrament of love;
He broods above
The virgin silence, till
She yields for rapture shuddering, yearning still
To his sweet will.
I hear him sing, 'Your harp is like a mesh,
Woven of flesh
And spread within the shoal
Of life, where runs the tide-race of the soul
In my control.
'Though my wild way may ruin what it bends,
It makes amends
To the frail downy clocks,
Telling their seed a secret that unlocks
The granite rocks.
'The womb of silence to the crave of sound
Is heaven unfound,
Till I, to soothe and slake
65
Being's most utter and imperious ache,
Bid rhythm awake.
'If with such agonies of bliss, my kin,
I enter in
Your prison house of sense,
With what a joyous freed intelligence
I shall go hence.'
I need no more to guess the weaver's name,
Nor ask his aim,
Who hung each hall and room
With swarthy-ting ed vermilion upon gloom;
I know that loom.
Give me a little space and time enough,
From ravelings rough
I could revive, reweave,
A fabric of beauty art might well believe
Were past retrieve.
O men and women in that rich design,
Sleep-soft, sun-fine,
Dew-tenuous and free,
A tone of the infinite wind-themes of the sea,
Borne in to me,
Reveals how you were woven to the might
Of shadow and light.
You are the dream of One
Who loves to haunt and yet appears to shun
My door in the sun;
As the white roving sea tern fleck and skim
The morning's rim;
Or the dark thrushes clear
66
Their flutes of music leisurely and sheer,
Then hush to hear.
I know him when the last red brands of day
Smoulder away,
And when the vernal showers
Bring back the heart to all my valley flowers
In the soft hours.
O hand of mine and brain of mine, be yours,
While time endures,
To acquiesce and learn!
For what we best may dare and drudge and yearn,
Let soul discern.
So, fellows, we shall reach the gusty gate,
Early or late,
And part without remorse,
A cadence dying down unto its source
In music's course;
You to the perfect rhythms of flowers and birds,
Colors and words,
The heart-beats of the earth,
To be remoulded always of one worth
From birth to birth;
I to the broken rhythm of thought and man,
The sweep and span
Of memory and hope
About the orbit where they still must grope
For wider scope,
To be through thousand springs restored, renewed,
With love imbrued,
With increments of will
67
Made strong, perceiving unattainment still
From each new skill.
Always the flawless beauty, always the chord
Of the Overword,
Dominant, pleading, sure,
No truth too small to save and make endure.
No good too poor!
And since no mortal can at last disdain
That sweet refrain,
But lets go strife and care,
Borne like a strain of bird notes on the air,
The wind knows where;
Some quiet April evening soft and strange,
When comes the change
No spirit can deplore,
I shall be one with all I was before,
In death once more.
~ Bliss William Carman,#NFDB |
1374:A Treatise On Poetry: Iv Natura
Pennsylvania, 1948-1949
The garden of Nature opens.
The grass at the threshold is green.
And an almond tree begins to bloom.
Sunt mihi Dei Acherontis propitii!
Valeat numen triplex Jehovae!
Ignis, aeris, aquae, terrae spiritus,
Salvete!—says the entering guest.
Ariel lives in the palace of an apple tree,
But will not appear, vibrating like a wasp’s wing,
And Mephistopheles, disguised as an abbot
Of the Dominicans or the Franciscans,
Will not descend from a mulberry bush
Onto a pentagram drawn in the black loam of the path.
But a rhododendron walks among the rocks
Shod in leathery leaves and ringing a pink bell.
A hummingbird, a child’s top in the air,
Hovers in one spot, the beating heart of motion.
Impaled on the nail of a black thorn, a grasshopper
Leaks brown fluid from its twitching snout.
And what can he do, the phantom-in-chief,
As he’s been called, more than a magician,
The Socrates of snails, as he’s been called,
Musician of pears, arbiter of orioles, man?
In sculptures and canvases our individuality
Manages to survive. In Nature it perishes.
Let him accompany the coffin of the woodsman
Pushed from a cliff by a mountain demon,
The he-goat with its jutting curl of horn.
Let him visit the graveyard of the whalers
Who drove spears into the flesh of leviathan
And looked for the secret in guts and blubber.
The thrashing subsided, quieted to waves.
Let him unroll the textbooks of alchemists
14
Who almost found the cipher, thus the scepter.
Then passed away without hands, eyes, or elixir.
Here there is sun. And whoever, as a child,
Believed he could break the repeatable pattern
Of things, if only he understood the pattern,
Is cast down, rots in the skin of others,
Looks with wonder at the colors of the butterfly,
Inexpressible wonder, formless, hostile to art.
To keep the oars from squeaking in their locks,
He binds them with a handkerchief. The dark
Had rushed east from the Rocky Mountains
And settled in the forests of the continent:
Sky full of embers reflected in a cloud,
Flight of herons, trees above a marsh,
The dry stalks in water, livid, black. My boat
Divides the aerial utopias of the mosquitoes
Which rebuild their glowing castles instantly.
A water lily sinks, fizzing, under the boat’s bow.
Now it is night only. The water is ash-gray.
Play, music, but inaudibly! I wait an hour
In the silence, senses tuned to a beaver’s lodge.
Then suddenly, a crease in the water, a beast’s
black moon, rounded, ploughing up quickly
from the pond-dark, from the bubbling methanes.
I am not immaterial and never will be.
My scent in the air, my animal smell,
Spreads, rainbow-like, scares the beaver:
A sudden splat.
I remained where I was
In the high, soft coffer of the night’s velvet,
Mastering what had come to my senses:
How the four-toed paws worked, how the hair
Shook off water in the muddy tunnel.
It does not know time, hasn’t heard of death,
Is submitted to me because I know I’ll die.
15
I remember everything. That wedding in Basel,
A touch to the strings of a viola and fruit
In silver bowls. As was the custom in Savoy,
An overturned cup for three pairs of lips,
And the wine spilled. The flames of the candles
Wavery and frail in a breeze from the Rhine.
Her fingers, bones shining through the skin,
Felt out the hooks and clasps of the silk
And the dress opened like a nutshell,
Fell from the turned graininess of the belly.
A chain for the neck rustled without epoch,
In pits where the arms of various creeds
Mingle with bird cries and the red hair of caesars.
Perhaps this is only my own love speaking
Beyond the seventh river. Grit of subjectivity,
Obsession, bar the way to it.
Until a window shutter, dogs in the cold garden,
The whistle of a train, an owl in the firs
Are spared the distortions of memory.
And the grass says: how it was I don’t know.
Splash of a beaver in the American night.
The memory grows larger than my life.
A tin plate, dropped on the irregular red bricks
Of a floor, rattles tinnily forever.
Belinda of the big foot, Julia, Thaïs,
The tufts of their sex shadowed by ribbon.
Peace to the princesses under the tamarisks.
Desert winds beat against their painted eyelids.
Before the body was wrapped in bandelettes,
Before wheat fell asleep in the tomb,
Before stone fell silent, and there was only pity.
Yesterday a snake crossed the road at dusk.
Crushed by a tire, it writhed on the asphalt.
16
We are both the snake and the wheel.
There are two dimensions. Here is the unattainable
Truth of being, here, at the edge of lasting
and not lasting. Where the parallel lines intersect,
Time lifted above time by time.
Before the butterfly and its color, he, numb,
Formless, feels his fear, he, unattainable.
For what is a butterfly without Julia and Thaïs?
And what is Julia without a butterfly’s down
In her eyes, her hair, the smooth grain of her belly?
The kingdom, you say. We do not belong to it,
And still, in the same instant, we belong.
For how long will a nonsensical Poland
Where poets write of their emotions as if
They had a contract of limited liability
Suffice? I want not poetry, but a new diction,
Because only it might allow us to express
A new tenderness and save us from a law
That is not our law, from necessity
Which is not ours, even if we take its name.
From broken armor, from eyes stricken
By the command of time and taken back
Into the jurisdiction of mold and fermentation,
We draw our hope. Yes, to gather in an image
The furriness of the beaver, the smell of rushes,
And the wrinkles of a hand holding a pitcher
From which wine trickles. Why cry out
That a sense of history destroys our substance
If it, precisely, is offered to our powers,
A muse of our gray-haired father, Herodotus,
As our arm and our instrument, though
It is not easy to use it, to strengthen it
So that, like a plumb with a pure gold center,
It will serve again to rescue human beings.
With such reflections I pushed a rowboat,
In the middle of the continent, through tangled stalks,
17
In my mind an image of the waves of two oceans
And the slow rocking of a guard-ship’s lantern.
Aware that at this moment I—and not only I—
Keep, as in a seed, the unnamed future.
And then a rhythmic appeal composed itself,
Alien to the moth with its whirring of silk:
O City, O Society, O Capital,
We have seen your steaming entrails.
You will no longer be what you have been.
Your songs no longer gratify our hearts.
Steel, cement, lime, law, ordinance,
We have worshipped you too long,
You were for us a goal and a defense,
Ours was your glory and your shame.
And where was the covenant broken?
Was it in the fires of war, the incandescent sky?
Or at twilight, as the towers fly past, when one looked
From the train across a desert of tracks
To a window out past the maneuvering locomotives
Where a girl examines her narrow, moody face
In a mirror and ties a ribbon to her hair
Pierced by the sparks of curling papers?
Those walls of yours are shadows of walls,
And your light disappeared forever.
Not the world's monument anymore, an oeuvre of your own
Stands beneath the sun in an altered space.
From stucco and mirrors, glass and paintings,
Tearing aside curtains of silver and cotton,
Comes man, naked and mortal,
Ready for truth, for speech, for wings.
18
Lament, Republic! Fall to your knees!
The loudspeaker’s spell is discontinued.
Listen! You can hear the clocks ticking.
Your death approaches by his hand.
An oar over my shoulder, I walked from the woods.
A porcupine scolded from the fork of a tree,
A horned owl, not changed by the century,
Not changed by place or time, looked down.
Bubo maximus, from the work of Linnaeus.
America for me has the pelt of a raccoon,
Its eyes are a raccoon’s black binoculars.
A chipmunk flickers in a litter of dry bark
Where ivy and vines tangle in the red soil
At the roots of an arcade of tulip trees.
America’s wings are the color of a cardinal,
Its beak is half-open and a mockingbird trills
From a leafy bush in the sweat-bath of the air.
Its line is the wavy body of a water moccasin
Crossing a river with a grass-like motion,
A rattlesnake, a rubble of dots and speckles,
Coiling under the bloom of a yucca plant.
America is for me the illustrated version
Of childhood tales about the heart of tanglewood,
Told in the evening to the spinning wheel’s hum.
And a violin, shivvying up a square dance,
Plays the fiddles of Lithuania or Flanders.
My dancing partner’s name is Birute Swenson.
She married a Swede, but was born in Kaunas.
Then from the night window a moth flies in
As big as the joined palms of the hands,
With a hue like the transparency of emeralds.
Why not establish a home in the neon heat
Of Nature? Is it not enough, the labor of autumn,
19
Of winter and spring and withering summer?
You will hear not one word spoken of the court
of Sigismund Augustus on the banks of the Delaware River.
The Dismissal of the Greek Envoys is not needed.
Herodotus will repose on his shelf, uncut.
And the rose only, a sexual symbol,
Symbol of love and superterrestrial beauty,
Will open a chasm deeper than your knowledge.
About it we find a song in a dream:
Inside the rose
Are houses of gold,
black isobars, streams of cold.
Dawn touches her finger to the edge of the Alps
And evening streams down to the bays of the sea.
If anyone dies inside the rose,
They carry him down the purple-red road
In a procession of clocks all wrapped in folds.
They light up the petals of grottoes with torches.
They bury him there where color begins,
At the source of the sighing,
Inside the rose.
Let names of months mean only what they mean.
Let the Aurora’s cannons be heard in none
Of them, or the tread of young rebels marching.
We might, at best, keep some kind of souvenir,
Preserved like a fan in a garret. Why not
Sit down at a rough country table and compose
An ode in the old manner, as in the old times
Chasing a beetle with the nib of our pen?
~ Czeslaw Milosz,#NFDB |
1375:The Kalevala - Rune Xliv
BIRTH OF THE SECOND HARP.
Wainamoinen, ancient minstrel,
Long reflecting, sang these measures:
'It is now the time befitting
To awaken joy and gladness,
Time for me to touch the harp-strings,
Time to sing the songs primeval,
In these spacious halls and mansions,
In these homes of Kalevala;
But, alas! my harp lies hidden,
Sunk upon the deep-sea's bottom,
To the salmon's hiding-places,
To the dwellings of the whiting,
To the people of Wellamo,
Where the Northland-pike assemble.
Nevermore will I regain it,
Ahto never will return it,
Joy and music gone forever!
'O thou blacksmith, Ilmarinen,
Forge for me a rake of iron,
Thickly set the teeth of copper,
Many fathoms long the handle;
Make a rake to search the waters,
Search the broad-sea to the bottom,
Rake the weeds and reeds together,
Rake them to the curving sea-shore,
That I may regain my treasure,
May regain my harp of fish-bow
From the whiting's place of resting,
From the caverns of the salmon,
From the castles of Wellamo.'
Thereupon young Ilmarinen,
The eternal metal-worker,
Forges well a rake of iron,
Teeth in length a hundred fathoms,
And a thousand long the handle,
Thickly sets the teeth of copper.
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Straightway ancient Wainamoinen
Takes the rake of magic metals,
Travels but a little distance,
To the cylinders of oak-wood,
To the copper-banded rollers,
Where be finds two ships awaiting,
One was new, the other ancient.
Wainamoinen, old and faithful,
Thus addressed the new-made vessel:
'Go, thou boat of master-magic,
Hasten to the willing waters,
Speed away upon the blue-sea,
And without the hand to move thee;
Let my will impel thee seaward.'
Quick the boat rolled to the billows
On the cylinders of oak-wood,
Quick descended to the waters,
Willingly obeyed his master.
Wainamoinen, the magician,
Then began to rake the sea-beds,
Raked up all the water-flowers,
Bits of broken reeds and rushes,
Deep-sea shells and colored pebbles,
Did not find his harp of fish-bone,
Lost forever to Wainola!
Thereupon the ancient minstrel
Left the waters, homeward hastened,
Cap pulled clown upon his forehead,
Sang this song with sorrow laden:
'Nevermore shall I awaken
With my harp-strings, joy and gladness!
Nevermore will Wainamoinen
Charm the people of the Northland
With the harp of his creation!
Nevermore my songs will echo
O'er the hills of Kalevala!'
Thereupon the ancient singer
Went lamenting through the forest,
Wandered through the sighing pine-woods,
Heard the wailing of a birch-tree,
Heard a juniper complaining;
Drawing nearer, waits and listens,
216
Thus the birch-tree he addresses:
'Wherefore, brother, art thou weeping,
Merry birch enrobed in silver,
Silver-leaved and silver-tasselled?
Art thou shedding tears of sorrow,
Since thou art not led to battle,
Not enforced to war with wizards?
Wisely does the birch make answer:
'This the language of the many,
Others speak as thou, unjustly,
That I only live in pleasure,
That my silver leaves and tassels
Only whisper my rejoicings;
That I have no cares, no sorrows,
That I have no hours unhappy,
Knowing neither pain nor trouble.
I am weeping for my smallness,
Am lamenting for my weakness,
Have no sympathy, no pity,
Stand here motionless for ages,
Stand alone in fen and forest,
In these woodlands vast and joyless.
Others hope for coming summers,
For the beauties of the spring-time;
I, alas! a helpless birch-tree,
Dread the changing of the seasons,
I must give my bark to, others,
Lose my leaves and silken tassels.
Men come the Suomi children,
Peel my bark and drink my life-blood:
Wicked shepherds in the summer,
Come and steal my belt of silver,
Of my bark make berry-baskets,
Dishes make, and cups for drinking.
Oftentimes the Northland maidens
Cut my tender limbs for birch-brooms,'
Bind my twigs and silver tassels
Into brooms to sweep their cabins;
Often have the Northland heroes
Chopped me into chips for burning;
Three times in the summer season,
In the pleasant days of spring-time,
217
Foresters have ground their axes
On my silver trunk and branches,
Robbed me of my life for ages;
This my spring-time joy and pleasure,
This my happiness in summer,
And my winter days no better!
When I think of former troubles,
Sorrow settles on my visage,
And my face grows white with anguish;
Often do the winds of winter
And the hoar-frost bring me sadness,
Blast my tender leaves and tassels,
Bear my foliage to others,
Rob me of my silver raiment,
Leave me naked on the mountain,
Lone, and helpless, and disheartened!'
Spake the good, old Wainamoinen:
'Weep no longer, sacred birch-tree,
Mourn no more, my friend and brother,
Thou shalt have a better fortune;
I will turn thy grief to joyance,
Make thee laugh and sing with gladness.'
Then the ancient Wainamoinen
Made a harp from sacred birch-wood,
Fashioned in the days of summer,
Beautiful the harp of magic,
By the master's hand created
On the fog-point in the Big-Sea,
On the island forest-covered,
Fashioned from the birch the archings,
And the frame-work from the aspen.
These the words of the magician:
'All the archings are completed,
And the frame is fitly finished;
Whence the hooks and pins for tuning,
That the harp may sing in concord?'
Near the way-side grew an oak-tree,
Skyward grew with equal branches,
On each twig an acorn growing,
Golden balls upon each acorn,
On each ball a singing cuckoo.
As each cuckoo's call resounded,
218
Five the notes of song that issued
From the songster's throat of joyance;
From each throat came liquid music,
Gold and silver for the master,
Flowing to the hills and hillocks,
To the silvery vales and mountains;
Thence he took the merry harp-pins,
That the harp might play in concord.
Spake again wise Wainamoinen:
'I the pins have well completed,
Still the harp is yet unfinished;
Now I need five strings for playing,
Where shall I procure the harp-strings?'
Then the ancient bard and minstrel
Journeyed through the fen and forest.
On a hillock sat a maiden,
Sat a virgin of the valley;
And the maiden was not weeping,
Joyful was the sylvan daughter,
Singing with the woodland songsters,
That the eventide might hasten,
In the hope that her beloved
Would the sooner sit beside her.
Wainamoinen, old and trusted,
Hastened, tripping to the virgin,
Asked her for her golden ringleta,
These the words of the magician.
'Give me, maiden, of thy tresses,
Give to me thy golden ringlets;
I will weave them into harp-strings,
To the joy of Wainamoinen,
To the pleasure of his people.'
Thereupon the forest-maiden
Gave the singer of her tresses,
Gave him of her golden ringlets,
And of these he made the harp-strings.
Sources of eternal pleasure
To the people of Wainola.
Thus the sacred harp is finished,
And the minstrel, Wainamoinen,
Sits upon the rock of joyance,
Takes the harp within his fingers,
219
Turns the arch up, looking skyward;
With his knee the arch supporting,
Sets the strings in tuneful order,
Runs his fingers o'er the harp-strings,
And the notes of pleasure follow.
Straightway ancient Wainamoinen,
The eternal wisdom-singer,
Plays upon his harp of birch-wood.
Far away is heard the music,
Wide the harp of joy re-echoes;
Mountains dance and valleys listen,
Flinty rocks are tom asunder,
Stones are hurled upon the waters,
Pebbles swim upon the Big-Sea,
Pines and lindens laugh with pleasure,
Alders skip about the heather,
And the aspen sways in concord.
All the daughters of Wainola
Straightway leave their shining needles,
Hasten forward like the current,
Speed along like rapid rivers,
That they may enjoy and wonder.
Laugh the younger men and maidens,
Happy-hearted are the matrons
Flying swift to bear the playing,
To enjoy the common pleasure,
Hear the harp of Wainamoinen.
Aged men and bearded seniors,
Gray-haired mothers with their daughters
Stop in wonderment and listen.
Creeps the babe in full enjoyment
As he hears the magic singing,
Hears the harp of Wainamoinen.
All of Northland stops in wonder,
Speaks in unison these measures:
'Never have we heard such playing,
Never heard such strains of music,
Never since the earth was fashioned,
As the songs of this magician,
This sweet singer, Wainamoinen!'
Far and wide the sweet tones echo,
Ring throughout the seven hamlets,
220
O'er the seven islands echo;
Every creature of the Northland
Hastens forth to look and listen,
Listen to the songs of gladness,
To the harp of Wainamoinen.
All the beasts that haunt the woodlands
Fall upon their knees and wonder
At the playing of the minstrel,
At his miracles of concord.
All the songsters of the forests
Perch upon the trembling branches,
Singing to the wondrous playing
Of the harp of Wainamoinen.
All the dwellers of the waters
Leave their beds, and eaves, and grottoes,
Swim against the shore and listen
To the playing of the minstrel,
To the harp of Wainamoinen.
All the little things in nature,
Rise from earth, and fall from ether,
Come and listen to the music,
To the notes of the enchanter,
To the songs of the magician,
To the harp of Wainamoinen.
Plays the singer of the Northland,
Plays in miracles of sweetness,
Plays one day, and then a second,
Plays the third from morn till even;
Plays within the halls and cabins,
In the dwellings of his people,
Till the floors and ceilings echo,
Till resound the roofs of pine-wood,
Till the windows speak and tremble,
Till the portals echo joyance,
And the hearth-stones sing in pleasure.
As he journeys through the forest,
As he wanders through the woodlands,
Pine and sorb-tree bid him welcome,
Birch and willow bend obeisance,
Beech and aspen bow submission;
And the linden waves her branches
To the measure of his playing,
221
To the notes of the magician.
As the minstrel plays and wanders,
Sings upon the mead and heather,
Glen and hill his songs re-echo,
Ferns and flowers laugh in pleasure,
And the shrubs attune their voices
To the music of the harp-strings,
To the songs of Wainamoinen.
~ Elias Lönnrot,#NFDB |
1376:Flora
REMOTE from scenes, where the o'erwearied mind
Shrinks from the crimes and follies of mankind,
From hostile menace, and offensive boast,
Peace, and her train of home-born pleasures lost;
To fancy's reign, who would not gladly turn,
And lose awhile, the miseries they mourn
In sweet oblivion ? Come then, Fancy ! deign,
Queen of ideal pleasure, once again,
To lend thy magic pencil, and to bring
Such lovely forms, as in life's happier spring,
On the green margin of my native Wey,
Before mine infant eyes were wont to play,
And with that pencil, teach me to describe
The enchanting goddess of the flowery tribe,
Whose first prerogative it is to chase
The clouds that hang on languid beauty's face;
And, while advancing suns and tepid showers,
Lead on the laughing Spring's delicious hours,
Bid the wan maid the hues of health assume,
Charm with new grace, and blush with fresher bloom.
The vision comes !While slowly melt away,
Night's hovering shades before the eastern ray,
Ere yet declines the morning's humid star,
Fair Fancy brings her; in her leafy car
Flora descends, to dress the expecting earth,
Awake the germs, and call the buds to birth;
Bid each hybernacle its cell unfold,
And open silken leaves, and eyes of gold !
Of forest foliage of the firmest shade
Enwove by magic hands, the car was made;
Oak, and the ample Plane, without entwined,
And Beech and Ash the verdant concave lin'd;
The Saxifrage, that snowy flowers emboss,
Supplied the seat; and of the mural moss
The velvet footstool rose, where lightly rest,
Her slender feet in Cypripedium drest.
The tufted rush, that bears a silken crown,
40
The floating feathers of the thistle's down,
In tender hues of rainbow lustre dyed,
The airy texture of her robe supplied,
And wild convolvuli, yet half unblown,
Form'd, with their wreathing buds, her simple zone,
Some wandering tresses of her radiant hair,
Luxuriant floated on the enamour'd air;
The rest were by the Scandix' points confin'd
And graced a shining knot, her head behind
While, as a sceptre of supreme command,
She waved the Anthoxanthum in her hand.
Around the goddess, as the flies that play,
In countless myriads in the western ray,
The sylphs innumerous throng; whose magic powers
Guard the soft buds, and nurse the infant flowers;
Round the sustaining stems weak tendrils bind,
And save the pollen from dispersing wind;
From suns too ardent, shade their transient hues,
And catch in odorous cups translucent dews.
The ruder tasks of others are, to chase
From vegetable life the insect race,
Break the polluting thread the spider weaves,
And brush the aphis from th' unfolding leaves.
For conquest arm'd these pigmy warriors wield
The thorny lance, and spread the hollow shield
Of lichen tough; or bear, as silver bright,
Lunaria's pearly circlet, firm and light.
On the helm'd head the crimson foxglove glows,
Or Scutellaria guards the martial brows,
While the Leontodon its plumage rears,
And o'er the casque in waving grace appears;
With stern undaunted eye, one warlike chief
Grasps the tall club from Arum's blood-dropt leaf;
This, with the Burdock's hooks annoys his foes,
The purple thorn that borrows from the Rose.
In honeyed nectaries couched, some drive away
The forked insidious earwig from his prey;
Fearless the scaled libellula assail,
Dart their keen lances at the encroaching snail;
41
Arrest the winged ant, on pinions light,
And strike the headlong beetle in his flight.
Nor less assiduous round their lovely queen,
The lighter forms of female fays are seen;
Rich was the purple vest Floscella wore,
Spun of the tufts the Tradescantia bore;
The Cistus' flowers minute her temple graced,
And threads of Yucca bound her slender waist.
From the wild bee, whose wond'rous labour weaves,
In artful folds the rose's fragrant leaves,
Was borrow'd fair Petalla's light cymar;
And the Hypericum, with spangling star,
O'er her fair locks its bloom minute enwreath'd;
Then, while voluptuous odours round her breath'd,
Came Nectarynia; as the arrowy rays
Of lambent fire round pictur'd seraphs blaze,
So did the Passiflora's radii shed,
Cerulean glory o'er the sylphid's head,
While round her form, the pliant tendrils twined,
And clasp'd the scarf that floated on the wind.
More grave the para-nymph Calyxa drest;
A brown transparent spatha formed her vest;
The silver scales that bound her raven hair,
Xeranthemum's unfading calyx bear;
And a light sash of spiral Ophrys press'd
Her filmy tunic, on her tender breast.
But where shall images or words be found
To paint the fair ethereal forms, that round
The queen of flowers attended ? and the while
Bask'd in her eyes and wanton'd in her smile.
Now towards the earth the gay procession bends,
Lo ! from the buoyant air, the car descends;
Anticipating then the various year,
Flowers of all hues and every month appear,
From every swelling bulb its blossoms rise;
Here, blow the Hyacinths of loveliest dyes,
Breathing of heaven; and there, her royal brows
Begemmed with pearl, the Crown imperial shews;
Peeps the blue Gentian, from the soft'ning ground,
42
Jonquils and Violets, shed their odours round;
The Honeysuckle rears his scallop'd horn;
A snow of blossoms whiten on the thorn.
Here, like the fatal fruit to Paris given,
That spread fell feuds throughout the fabled heaven,
The yellow Rose her golden globe displays;
There lovelier still, among the spiny sprays
Her blushing rivals glow with brighter dyes,
Than paints the summer sun on western skies.
And the scarce tinged, and paler Rose unveil
Their modest beauties to the sighing gale.
Thro' the deep woodland's wild uncultur'd scene,
Spreads the soft influence of the floral queen;
See a fair pyramid the Chesnut rear,
Its crimson tassels on the Larch appear;
The Fir, dark native of the sullen North,
Owns her soft sway; and slowly springing forth
On the rough Oak are buds minute unfurl'd,
Whose giant produce may command the world !
Each forest thicket feels the balmy air,
And plants that love the shade are blowing there.
Rude rocks with Filices and Bryums smile,
And wastes are gay with Thyme and Chamomile.
Ah ! yet prolong the dear delicious dream,
And trace her power along the mountain stream.
See ! from its rude and rocky source, o'erhung
With female fern, and glossy adder's-tongue
Slowly it wells, in pure and chrystal drops,
And steals soft-gliding, thro' the upland copse;
Then murmuring on, along the willowy sides,
The reed-bird whispers, and the Halcyon hides;
While among sallows pale, and birchen bowers,
Embarks in Fancy's eye the queen of flowers.
O'er her light skiff, of woven bull-rush made,
The Water lily lends a polish'd shade;
While Galium there, of pale and silver hue,
And Epilobiums on the banks that grew,
Form her soft couch; and as the Sylphs divide,
With pliant arms, the still increasing tide,
43
A thousand leaves along the stream unfold;
Amid its waving swords, in flaming gold
The Iris towers; and here the Arrowhead
And water Crowfoot, more profusely spread
Spangle the quiet current; higher there,
As conscious of her claims, in beauty rare,
Her rosy umbels rears the flow'ring Rush,
While with reflected charms the waters blush.
The naiad now, the year's fair goddess leads,
Through richer pastures and more level meads
Down to the sea; where even the briny sands
Their product offer to her glowing hands;
For there, by sea-dews nurs'd and airs marine,
The Chelidonium blows; in glaucous green,
Each refluent tide the thorn'd Eryngium laves,
And its pale leaves seem tinctured by the waves;
And half-way up the cliff, whose rugged brow
Hangs o'er the ever toiling surge below,
Springs the light Tamarisk.The summit bare,
Is tufted by the Statice; and there,
Crush'd by the fisher, as he stands to mark
Some distant signal or approaching bark,
The Saltwort's starry stalks are thickly sown,
Like humble worth, unheeded and unknown !
From depths where corals spring from chrystal caves,
And break with scarlet branch, the eddying waves,
Where Algæ stream, as change the flowing tides,
And where, half flower, half fish, the Polyp hides,
And long tenacious bands of sea-lace twine
Round palm-shaped leaves impearl'd with coralline.
Enamour'd Fancy now the sea-maids calls,
And from their grottos dim, and shell-paved halls,
Charm'd by her voice, the shining train emerge,
And buoyant float above the circling surge;
Green Byssus, waving in the sea-born gales,
Form'd their thin mantles, and transparent veils,
Panier'd in shells, or bound with silver strings,
Of silken pinna; each her trophy brings
Of plants, from rocks and caverns submarine,
With leathery branch, and bladder'd buds between;
44
There, its dark folds the pucker'd laver spread,
With trees in miniature of various red;
There flag-shaped olive-leaves, depending hung,
And fairy fans from glossy pebbles sprung;
Then her terrestrial train the nereids meet,
And lay their spoils saline at Flora's feet.
O ! fairest of the fabled forms ! that stream,
Dress'd by wild Fancy, thro' the poet's dream,
Still may thy attributes of leaves and flowers,
Thy garden's rich, and shrub-o'ershadow'd bowers,
And yellow meads, with Spring's first honours bright,
The child's gay heart, and frolic step invite;
And, while the careless wanderer explores,
The umbrageous forest, or the rugged shores,
Climbs the green down, or roams the broom-clad waste,
May Truth, and Nature, form his future taste !
Goddess ! on youth's bless'd hours thy gifts bestow;
Bind the fair wreath on virgin-beauty's brow,
And still may Fancy's brightest flowers be wove
Round the gold chains of hymeneal love.
But most for those, by Sorrow's hands oppress'd,
May thy beds blossom, and thy wilds be dress'd;
And where by Fortune and the world forgot,
The mourner droops in some sequester'd spot,
('Sad luxury to vulgar minds unknown,')
O'er blighted happiness for ever gone,
Yet the dear image seeks not to forget,
But woos his grief, and cherishes regret;
Loving, with fond and lingering pain, to mourn
O'er joys and hopes that never will return;
Thou, visionary power ! mayst bid him view
Forms not less lovely, and as transient too;
And while they soothe the wearied pilgrim's eyes,
Afford an antepast of Paradise.
~ Charlotte Smith,#NFDB |
1377:The Kalevala - Rune Xiii
LEMMINIKAINEN'S SECOND WOOING.
Spake the ancient Lemminkainen
To the hostess of Pohyola:
'Give to me thy lovely daughter,
Bring me now thy winsome maiden,
Bring the best of Lapland virgins,
Fairest virgin of the Northland.'
Louhi, hostess of Pohyola,
Answered thus the wild magician:
'I shall never give my daughter,
Never give my fairest maiden,
Not the best one, nor the worst one,
Not the largest, nor the smallest;
Thou hast now one wife-companion,
Thou has taken hence one hostess,
Carried off the fair Kyllikki.'
This is Lemminkainen's answer:
To my home I took Kyllikki,
To my cottage on the island,
To my entry-gates and kindred;
Now I wish a better hostess,
Straightway bring thy fairest daughter,
Worthiest of all thy virgins,
Fairest maid with sable tresses.'
Spake the hostess of Pohyola:
'Never will I give my daughter
To a hero false and worthless,
To a minstrel vain and evil;
Therefore, pray thou for my maiden,
Therefore, woo the sweet-faced flower,
When thou bringest me the wild-moose
From the Hisi fields and forests.'
Then the artful Lemminkainen
Deftly whittled out his javelins,
Quickly made his leathern bow-string,
And prepared his bow and arrows,
And soliloquized as follows:
152
'Now my javelins are made ready,
All my arrows too are ready,
And my oaken cross-bow bended,
But my snow-shoes are not builded,
Who will make me worthy snow-shoes?'
Lemminkainen, grave and thoughtful,
Long reflected, well considered,
Where the snow-shoes could be fashioned,
Who the artist that could make them;
Hastened to the Kauppi-smithy,
To the smithy of Lylikki,
Thus addressed the snow-shoe artist:
'O thou skilful Woyalander,
Kauppi, ablest smith of Lapland,
Make me quick two worthy snow-shoes,
Smooth them well and make them hardy,
That in Tapio the wild-moose,
Roaming through the Hisi-forests,
I may catch and bring to Louhi,
As a dowry for her daughter.'
Then Lylikki thus made answer,
Kauppi gave this prompt decision:
'Lemminkainen, reckless minstrel,
Thou wilt hunt in vain the wild-moose,
Thou wilt catch but pain and torture,
In the Hisi fens and forests.'
Little heeding, Lemminkainen
Spake these measures to Lylikki
'Make for me the worthy snow-shoes,
Quickly work and make them ready;
Go I will and catch the blue-moose
Where in Tapio it browses,
In the Hisi woods and snow-fields.'
Then Lylikki, snow-shoe-maker,
Ancient Kauppi, master artist,
Whittled in the fall his show-shoes,
Smoothed them in the winter evenings,
One day working on the runners,
All the next day making stick-rings,
Till at last the shoes were finished,
And the workmanship was perfect.
Then he fastened well the shoe-straps,
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Smooth as adder's skin the woodwork,
Soft as fox-fur were the stick-rings;
Oiled he well his wondrous snow-shoes
With the tallow of the reindeer;
When he thus soliloquizes,
These the accents of Lylikki:
'Is there any youth in Lapland,
Any in this generation,
That can travel in these snow-shoes,
That can move the lower sections?'
Spake the reckless Lemminkainen,
Full of hope, and life, and vigor:
Surely there is one in Lapland.
In this rising generation,
That can travel in these snow-shoes,
That the right and left can manage.'
To his back he tied the quiver,
Placed the bow upon his shoulder,
With both hands he grasped his snow-cane,
Speaking meanwhile words as follow:
'There is nothing in the woodlands,
Nothing in the world of Ukko,
Nothing underneath the heavens,
In the uplands, in the lowlands,
Nothing in the snow-fields running,
Not a fleet deer of the forest,
That could not be overtaken
With the snow-shoes of Lylikki,
With the strides of Lemminkainen.'
Wicked Hisi heard these measures,
Juntas listened to their echoes;
Straightway Hisi called the wild-moose,
Juutas fashioned soon a reindeer,
And the head was made of punk-wood,
Horns of naked willow branches,
Feet were furnished by the rushes,
And the legs, by reeds aquatic,
Veins were made of withered grasses,
Eyes, from daisies of the meadows,
Ears were formed of water-flowers,
And the skin of tawny fir-bark,
Out of sappy wood, the muscles,
154
Fair and fleet, the magic reindeer.
Juutas thus instructs the wild-moose,
These the words of wicked Hisi:
Flee away, thou moose of Juutas,
Flee away, thou Hisi-reindeer,
Like the winds, thou rapid courser,
To the snow-homes of the ranger,
To the ridges of the mountains,
To the snow-capped hills of Lapland,
That thy hunter may be worn out,
Thy pursuer be tormented,
Lemminkainen be exhausted.'
Thereupon the Hisi-reindeer,
Juutas-moose with branching antlers,
Fleetly ran through fen and forest,
Over Lapland's hills and valleys,
Through the open fields and court-yards,
Through the penthouse doors and gate-ways,
Turning over tubs of water,
Threw the kettles from the fire-pole,
And upset the dishes cooking.
Then arose a fearful uproar,
In the court-yards of Pohyola,
Lapland-dogs began their barking,
Lapland-children cried in terror,
Lapland-women roared with laughter,
And the Lapland-heroes shouted.
Fleetly followed Lemminkainen,
Followed fast, and followed faster,
Hastened on behind the wild-moose,
Over swamps and through the woodlands,
Over snow-fields vast and pathless,
Over high uprising mountains,
Fire out-shooting from his runners,
Smoke arising from his snow-cane:
Could not hear the wild-moose bounding,
Could not sight the flying fleet-foot;
Glided on through field and forest,
Glided over lakes and rivers,
Over lands beyond the smooth-sea,
Through the desert plains of Hisi,
Glided o'er the plains of Kalma,
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Through the kingdom of Tuoni,
To the end of Kalma's empire,
Where the jaws of Death stand open,
Where the head of Kalma lowers,
Ready to devour the stranger,
To devour wild Lemminkainen;
But Tuoni cannot reach him,
Kalma cannot overtake him.
Distant woods are yet untraveled,
Far away a woodland corner
Stands unsearched by Kaukomieli,
In the North's extensive, borders,
In the realm of dreary Lapland.
Now the hero, on his snow-shoes,
Hastens to the distant woodlands,
There to hunt the moose of Piru.
As he nears the woodland corner,
There he bears a frightful uproar,
From the Northland's distant borders,
From the dreary fields of Lapland,
Hears the dogs as they are barking,
Hears the children loudly screaming,
Hears the laughter or the women,
Hears the shouting of the heroes.
Thereupon wild Lemminkainen
Hastens forward on his snow-shoes,
To the place where dogs are barking,
To the distant woods of Lapland.
When the reckless Kaukomieli
Had approached this Hisi corner,
Straightway he began to question:
'Why this laughter or the women,
Why the screaming of the children,
Why the shouting of the heroes,
Why this barking of the watch-dogs?
This reply was promptly given:
'This the reason for this uproar,
Women laughing, children screaming,
Heroes shouting, watch-dogs barking
Hisi's moose came running hither,
Hither came the Piru-Reindeer,
Hither came with hoofs of silver,
156
Through the open fields and court-yards,
Through the penthouse doors and gate-ways,
Turning over tubs or water,
Threw the kettles from the fire-pole,
And upset the dishes cooking.'
Then the hero, Lemminkainen,
Straightway summoned all his courage,
Pushed ahead his mighty snow-shoes,
Swift as adders in the stubble,
Levelled bushes in the marshes,
Like the swift and fiery serpents,
Spake these words of magic import,
Keeping balance with his snow-staff:
Come thou might of Lapland heroes,
Bring to me the moose of Juutas;
Come thou strength of Lapland-women,
And prepare the boiling caldron;
Come, thou might of Lapland children,
Bring together fire and fuel;
Come, thou strength of Lapland-kettles,
Help to boil the Hisi wild-moose.'
Then with mighty force and courage,
Lemminkainen hastened onward,
Striking backward, shooting forward;
With a long sweep of his snow-shoe,
Disappeared from view the hero;
With the second, shooting further,
Was the hunter out of hearing,
With the third the hero glided
On the shoulders of the wild-moose;
Took a pole of stoutest oak-wood,
Took some bark-strings from the willow,
Wherewithal to bind the moose-deer,
Bind him to his oaken hurdle.
To the moose he spake as follows:
'Here remain, thou moose of Juutas
Skip about, my bounding courser,
In my hurdle jump and frolic,
Captive from the fields of Piru,
From the Hisi glens and mountains.'
Then he stroked the captured wild-moose,
Patted him upon his forehead,
157
Spake again in measured accents:
'I would like awhile to linger,
I would love to rest a moment
In the cottage of my maiden,
With my virgin, young and lovely.'
Then the Hisi-moose grew angry,
Stamped his feet and shook his antlers,
Spake these words to Lemminkainen:
'Surely Lempo soon will got thee,
Shouldst thou sit beside the maiden,
Shouldst thou linger by the virgin.'
Now the wild-moose stamps and rushes,
Tears in two the bands of willow,
Breaks the oak-wood pole in pieces,
And upturns the hunter's hurdle,
Quickly leaping from his captor,
Bounds away with strength of freedom,
Over hills and over lowlands,
Over swamps and over snow-fields,
Over mountains clothed in heather,
That the eye may not behold him,
Nor the hero's ear detect him.
Thereupon the mighty hunter
Angry grows, and much disheartened,
Starts again the moose to capture,
Gliding off behind the courser.
With his might he plunges forward;
At the instep breaks his snow-shoe,
Breaks the runners into fragments,
On the mountings breaks his javelins,
In the centre breaks his snow-staff,
And the moose bounds on before him,
Through the Hisi-woods and snow-fields,
Out of reach of Lemminkainen.
Then the reckless Kaukomieli
Looked with bended head, ill-humored,
One by one upon the fragments,
Speaking words of ancient wisdom:
'Northland hunters, never, never,
Go defiant to thy forests,
In the Hisi vales and mountains,
There to hunt the moose of Juutas,
158
Like this senseless, reckless hero;
I have wrecked my magic snow-shoes,
Ruined too my useful snow-staff,
And my javelins I have broken,
While the wild-moose runs in safety
Through the Hisi fields and forests.'
~ Elias Lönnrot,#NFDB |
1378:THE FAIRY
'The present and the past thou hast beheld.
It was a desolate sight. Now, Spirit, learn,
The secrets of the future--Time!
Unfold the brooding pinion of thy gloom,
Render thou up thy half-devoured babes,
And from the cradles of eternity,
Where millions lie lulled to their portioned sleep
By the deep murmuring stream of passing things,
Tear thou that gloomy shroud--Spirit, behold
Thy glorious destiny!'
Joy to the Spirit came.
Through the wide rent in Time's eternal veil,
Hope was seen beaming through the mists of fear;
Earth was no longer hell;
Love, freedom, health had given
Their ripeness to the manhood of its prime,
And all its pulses beat
Symphonious to the planetary spheres;
Then dulcet music swelled
Concordant with the life-strings of the soul;
It throbbed in sweet and languid beatings there,
Catching new life from transitory death;
Like the vague sighings of a wind at even
That wakes the wavelets of the slumbering sea
And dies on the creation of its breath,
And sinks and rises, falls and swells by fits,
Was the pure stream of feeling
That sprung from these sweet notes,
And o'er the Spirit's human sympathies
With mild and gentle motion calmly flowed.
Joy to the Spirit came--
Such joy as when a lover sees
The chosen of his soul in happiness
And witnesses her peace
Whose woe to him were bitterer than death;
Sees her unfaded cheek
Glow mantling in first luxury of health,
Thrills with her lovely eyes,
Which like two stars amid the heaving main
Sparkle through liquid bliss.
Then in her triumph spoke the Fairy Queen:
'I will not call the ghost of ages gone
To unfold the frightful secrets of its lore;
The present now is past,
And those events that desolate the earth
Have faded from the memory of Time,
Who dares not give reality to that
Whose being I annul. To me is given
The wonders of the human world to keep,
Space, matter, time and mind. Futurity
Exposes now its treasure; let the sight
Renew and strengthen all thy failing hope.
O human Spirit! spur thee to the goal
Where virtue fixes universal peace,
And, 'midst the ebb and flow of human things,
Show somewhat stable, somewhat certain still,
A light-house o'er the wild of dreary waves.
'The habitable earth is full of bliss;
Those wastes of frozen billows that were hurled
By everlasting snow-storms round the poles,
Where matter dared not vegetate or live,
But ceaseless frost round the vast solitude
Bound its broad zone of stillness, are unloosed;
And fragrant zephyrs there from spicy isles
Ruffle the placid ocean-deep, that rolls
Its broad, bright surges to the sloping sand,
Whose roar is wakened into echoings sweet
To murmur through the heaven-breathing groves
And melodize with man's blest nature there.
'Those deserts of immeasurable sand,
Whose age-collected fervors scarce allowed
A bird to live, a blade of grass to spring,
Where the shrill chirp of the green lizard's love
Broke on the sultry silentness alone,
Now teem with countless rills and shady woods,
Cornfields and pastures and white cottages;
And where the startled wilderness beheld
A savage conqueror stained in kindred blood,
A tigress sating with the flesh of lambs
The unnatural famine of her toothless cubs,
Whilst shouts and howlings through the desert rang--
Sloping and smooth the daisy-spangled lawn,
Offering sweet incense to the sunrise, smiles
To see a babe before his mother's door,
Sharing his morning's meal
With the green and golden basilisk
That comes to lick his feet.
'Those trackless deeps, where many a weary sail
Has seen above the illimitable plain
Morning on night and night on morning rise,
Whilst still no land to greet the wanderer spread
Its shadowy mountains on the sun-bright sea,
Where the loud roarings of the tempest-waves
So long have mingled with the gusty wind
In melancholy loneliness, and swept
The desert of those ocean solitudes
But vocal to the sea-bird's harrowing shriek,
The bellowing monster, and the rushing storm;
Now to the sweet and many-mingling sounds
Of kindliest human impulses respond.
Those lonely realms bright garden-isles begem,
With lightsome clouds and shining seas between,
And fertile valleys, resonant with bliss,
Whilst green woods overcanopy the wave,
Which like a toil-worn laborer leaps to shore
To meet the kisses of the flowrets there.
'All things are recreated, and the flame
Of consentaneous love inspires all life.
The fertile bosom of the earth gives suck
To myriads, who still grow beneath her care,
Rewarding her with their pure perfectness;
The balmy breathings of the wind inhale
Her virtues and diffuse them all abroad;
Health floats amid the gentle atmosphere,
Glows in the fruits and mantles on the stream;
No storms deform the beaming brow of heaven,
Nor scatter in the freshness of its pride
The foliage of the ever-verdant trees;
But fruits are ever ripe, flowers ever fair,
And autumn proudly bears her matron grace,
Kindling a flush on the fair cheek of spring,
Whose virgin bloom beneath the ruddy fruit
Reflects its tint and blushes into love.
'The lion now forgets to thirst for blood;
There might you see him sporting in the sun
Beside the dreadless kid; his claws are sheathed,
His teeth are harmless, custom's force has made
His nature as the nature of a lamb.
Like passion's fruit, the nightshade's tempting bane
Poisons no more the pleasure it bestows;
All bitterness is past; the cup of joy
Unmingled mantles to the goblet's brim
And courts the thirsty lips it fled before.
But chief, ambiguous man, he that can know
More misery, and dream more joy than all;
Whose keen sensations thrill within his breast
To mingle with a loftier instinct there,
Lending their power to pleasure and to pain,
Yet raising, sharpening, and refining each;
Who stands amid the ever-varying world,
The burden or the glory of the earth;
He chief perceives the change; his being notes
The gradual renovation and defines
Each movement of its progress on his mind.
'Man, where the gloom of the long polar night
Lowers o'er the snow-clad rocks and frozen soil,
Where scarce the hardiest herb that braves the frost
Basks in the moonlight's ineffectual glow,
Shrank with the plants, and darkened with the night;
His chilled and narrow energies, his heart
Insensible to courage, truth or love,
His stunted stature and imbecile frame,
Marked him for some abortion of the earth,
Fit compeer of the bears that roamed around,
Whose habits and enjoyments were his own;
His life a feverish dream of stagnant woe,
Whose meagre wants, but scantily fulfilled,
Apprised him ever of the joyless length
Which his short being's wretchedness had reached;
His death a pang which famine, cold and toil
Long on the mind, whilst yet the vital spark
Clung to the body stubbornly, had brought:
All was inflicted here that earth's revenge
Could wreak on the infringers of her law;
One curse alone was sparedthe name of God.
'Nor, where the tropics bound the realms of day
With a broad belt of mingling cloud and flame,
Where blue mists through the unmoving atmosphere
Scattered the seeds of pestilence and fed
Unnatural vegetation, where the land
Teemed with all earthquake, tempest and disease,
Was man a nobler being; slavery
Had crushed him to his country's blood-stained dust;
Or he was bartered for the fame of power,
Which, all internal impulses destroying,
Makes human will an article of trade;
Or he was changed with Christians for their gold
And dragged to distant isles, where to the sound
Of the flesh-mangling scourge he does the work
Of all-polluting luxury and wealth,
Which doubly visits on the tyrants' heads
The long-protracted fulness of their woe;
Or he was led to legal butchery,
To turn to worms beneath that burning sun
Where kings first leagued against the rights of men
And priests first traded with the name of God.
'Even where the milder zone afforded man
A seeming shelter, yet contagion there,
Blighting his being with unnumbered ills,
Spread like a quenchless fire; nor truth till late
Availed to arrest its progress or create
That peace which first in bloodless victory waved
Her snowy standard o'er this favored clime;
There man was long the train-bearer of slaves,
The mimic of surrounding misery,
The jackal of ambition's lion-rage,
The bloodhound of religion's hungry zeal.
'Here now the human being stands adorning
This loveliest earth with taintless body and mind;
Blest from his birth with all bland impulses,
Which gently in his noble bosom wake
All kindly passions and all pure desires.
Him, still from hope to hope the bliss pursuing
Which from the exhaustless store of human weal
Draws on the virtuous mind, the thoughts that rise
In time-destroying infiniteness gift
With self-enshrined eternity, that mocks
The unprevailing hoariness of age;
And man, once fleeting o'er the transient scene
Swift as an unremembered vision, stands
Immortal upon earth; no longer now
He slays the lamb that looks him in the face,
And horribly devours his mangled flesh,
Which, still avenging Nature's broken law,
Kindled all putrid humors in his frame,
All evil passions and all vain belief,
Hatred, despair and loathing in his mind,
The germs of misery, death, disease and crime.
No longer now the winged habitants,
That in the woods their sweet lives sing away,
Flee from the form of man; but gather round,
And prune their sunny feathers on the hands
Which little children stretch in friendly sport
Towards these dreadless partners of their play.
All things are void of terror; man has lost
His terrible prerogative, and stands
An equal amidst equals; happiness
And science dawn, though late, upon the earth;
Peace cheers the mind, health renovates the frame;
Disease and pleasure cease to mingle here,
Reason and passion cease to combat there;
Whilst each unfettered o'er the earth extend
Their all-subduing energies, and wield
The sceptre of a vast dominion there;
Whilst every shape and mode of matter lends
Its force to the omnipotence of mind,
Which from its dark mine drags the gem of truth
To decorate its paradise of peace.'
~ Percy Bysshe Shelley, Queen Mab - Part VIII.
,#NFDB |
1379:Hurry Up Please It's Time
What is death, I ask.
What is life, you ask.
I give them both my buttocks,
my two wheels rolling off toward Nirvana.
They are neat as a wallet,
opening and closing on their coins,
the quarters, the nickels,
straight into the crapper.
Why shouldn't I pull down my pants
and moon the executioner
as well as paste raisins on my breasts?
Why shouldn't I pull down my pants
and show my little cunny to Tom
and Albert? They wee-wee funny.
I wee-wee like a squaw.
I have ink but no pen, still
I dream that I can piss in God's eye.
I dream I'm a boy with a zipper.
It's so practical, la de dah.
The trouble with being a woman, Skeezix,
is being a little girl in the first place.
Not all the books of the world will change that.
I have swallowed an orange, being woman.
You have swallowed a ruler, being man.
Yet waiting to die we are the same thing.
Jehovah pleasures himself with his axe
before we are both overthrown.
Skeezix, you are me. La de dah.
You grow a beard but our drool is identical.
Forgive us, Father, for we know not.
Today is November 14th, 1972.
I live in Weston, Mass., Middlesex County,
U.S.A., and it rains steadily
in the pond like white puppy eyes.
The pond is waiting for its skin.
the pond is waiting for its leather.
The pond is waiting for December and its Novocain.
97
It begins:
Interrogator:
What can you say of your last seven days?
Anne:
They were tired.
Interrogator:
One day is enough to perfect a man.
Anne:
I watered and fed the plant.
My undertaker waits for me.
he is probably twenty-three now,
learning his trade.
He'll stitch up the gren,
he'll fasten the bones down
lest they fly away.
I am flying today.
I am not tired today.
I am a motor.
I am cramming in the sugar.
I am running up the hallways.
I am squeezing out the milk.
I am dissecting the dictionary.
I am God, la de dah.
Peanut butter is the American food.
We all eat it, being patriotic.
Ms. Dog is out fighting the dollars,
rolling in a field of bucks.
You've got it made if you take the wafer,
take some wine,
take some bucks,
the green papery song of the office.
What a jello she could make with it,
the fives, the tens, the twenties,
98
all in a goo to feed the baby.
Andrew Jackson as an hors d'oeuvre,
la de dah.
I wish I were the U.S. Mint,
turning it all out,
turtle green
and monk black.
Who's that at the podium
in black and white,
blurting into the mike?
Ms. Dog.
Is she spilling her guts?
You bet.
Otherwise they cough…
The day is slipping away, why am I
out here, what do they want?
I am sorrowful in November…
(no they don't want that,
they want bee stings).
Toot, toot, tootsy don't cry.
Toot, toot, tootsy good-bye.
If you don't get a letter then
you'll know I'm in jail…
Remember that, Skeezix,
our first song?
Who's thinking those things?
Ms. Dog! She's out fighting the dollars.
Milk is the American drink.
Oh queens of sorrows,
oh water lady,
place me in your cup
and pull over the clouds
so no one can see.
She don't want no dollars.
She done want a mama.
The white of the white.
Anne says:
This is the rainy season.
I am sorrowful in November.
The kettle is whistling.
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I must butter the toast.
And give it jam too.
My kitchen is a heart.
I must feed it oxygen once in a while
and mother the mother.
Say the woman is forty-four.
Say she is five seven-and-a-half.
Say her hair is stick color.
Say her eyes are chameleon.
Would you put her in a sack and bury her,
suck her down into the dumb dirt?
Some would.
If not, time will.
Ms. Dog, how much time you got left?
Ms. Dog, when you gonna feel that cold nose?
You better get straight with the Maker
cuz it's coming, it's a coming!
The cup of coffee is growing and growing
and they're gonna stick your little doll's head
into it and your lungs a gonna get paid
and your clothes a gonna melt.
Hear that, Ms. Dog!
You of the songs,
you of the classroom,
you of the pocketa-pocketa,
you hungry mother,
you spleen baby!
Them angels gonna be cut down like wheat.
Them songs gonna be sliced with a razor.
Them kitchens gonna get a boulder in the belly.
Them phones gonna be torn out at the root.
There's power in the Lord, baby,
and he's gonna turn off the moon.
He's gonna nail you up in a closet
and there'll be no more Atlantic,
no more dreams, no more seeds.
One noon as you walk out to the mailbox
He'll snatch you up a wopman beside the road like a red mitten.
100
There's a sack over my head.
I can't see. I'm blind.
The sea collapses.
The sun is a bone.
Hi-ho the derry-o,
we all fall down.
If I were a fisherman I could comprehend.
They fish right through the door
and pull eyes from the fire.
They rock upon the daybreak
and amputate the waters.
They are beating the sea,
they are hurting it,
delving down into the inscrutable salt.
When mother left the room
and left me in the big black
and sent away my kitty
to be fried in the camps
and took away my blanket
to wash the me out of it
I lay in the soiled cold and prayed.
It was a little jail in which
I was never slapped with kisses.
I was the engine that couldn't.
Cold wigs blew on the trees outside
and car lights flew like roosters
on the ceiling.
Cradle, you are a grave place.
Interrogator:
What color is the devil?
Anne:
Black and blue.
Interrogator:
What goes up the chimney?
101
Anne:
Fat Lazarus in his red suit.
Forgive us, Father, for we know not.
Ms. Dog prefers to sunbathe nude.
Let the indifferent sky look on.
So what!
Let Mrs. Sewal pull the curtain back,
from her second story.
So what!
Let United Parcel Service see my parcel.
La de dah.
Sun, you hammer of yellow,
you hat on fire,
you honeysuckle mama,
pour your blonde on me!
Let me laugh for an entire hour
at your supreme being, your Cadillac stuff,
because I've come a long way
from Brussels sprouts.
I've come a long way to peel off my clothes
and lay me down in the grass.
Once only my palms showed.
Once I hung around in my woolly tank suit,
drying my hair in those little meatball curls.
Now I am clothed in gold air with
one dozen halos glistening on my skin.
I am a fortunate lady.
I've gotten out of my pouch
and my teeth are glad
and my heart, that witness,
beats well at the thought.
Oh body, be glad.
You are good goods.
Middle-class lady,
you make me smile.
You dig a hole
102
and come out with a sunburn.
If someone hands you a glass of water
you start constructing a sailboat.
If someone hands you a candy wrapper,
you take it to the book binder.
Pocketa-pocketa.
Once upon a time Ms. Dog was sixty-six.
She had white hair and wrinkles deep as splinters.
her portrait was nailed up like Christ
and she said of it:
That's when I was forty-two,
down in Rockport with a hat on for the sun,
and Barbara drew a line drawing.
We were, at that moment, drinking vodka
and ginger beer and there was a chill in the air,
although it was July, and she gave me her sweater
to bundle up in. The next summer Skeezix tied
strings in that hat when we were fishing in Maine.
(It had gone into the lake twice.)
Of such moments is happiness made.
Forgive us, Father, for we know not.
Once upon a time we were all born,
popped out like jelly rolls
forgetting our fishdom,
the pleasuring seas,
the country of comfort,
spanked into the oxygens of death,
Good morning life, we say when we wake,
hail mary coffee toast
and we Americans take juice,
a liquid sun going down.
Good morning life.
To wake up is to be born.
To brush your teeth is to be alive.
To make a bowel movement is also desireable.
La de dah,
it's all routine.
Often there are wars
yet the shops keep open
103
and sausages are still fried.
People rub someone.
People copulate
entering each other's blood,
tying each other's tendons in knots,
transplanting their lives into the bed.
It doesn't matter if there are wars,
the business of life continues
unless you're the one that gets it.
Mama, they say, as their intestines
leak out. Even without wars
life is dangerous.
Boats spring leaks.
Cigarettes explode.
The snow could be radioactive.
Cancer could ooze out of the radio.
Who knows?
Ms. Dog stands on the shore
and the sea keeps rocking in
and she wants to talk to God.
Interrogator:
Why talk to God?
Anne:
It's better than playing bridge.
Learning to talk is a complex business.
My daughter's first word was utta,
meaning button.
Before there are words
do you dream?
In utero
do you dream?
Who taught you to suck?
And how come?
You don't need to be taught to cry.
The soul presses a button.
Is the cry saying something?
Does it mean help?
104
Or hello?
The cry of a gull is beautiful
and the cry of a crow is ugly
but what I want to know
is whether they mean the same thing.
Somewhere a man sits with indigestion
and he doesn't care.
A woman is buying bracelets
and earrings and she doesn't care.
La de dah.
Forgive us, Father, for we know not.
There are stars and faces.
There is ketchup and guitars.
There is the hand of a small child
when you're crossing the street.
There is the old man's last words:
More light! More light!
Ms. Dog wouldn't give them her buttocks.
She wouldn't moon at them.
Just at the killers of the dream.
The bus boys of the soul.
Or at death
who wants to make her a mummy.
And you too!
Wants to stuf her in a cold shoe
and then amputate the foot.
And you too!
La de dah.
What's the point of fighting the dollars
when all you need is a warm bed?
When the dog barks you let him in.
All we need is someone to let us in.
And one other thing:
to consider the lilies in the field.
Of course earth is a stranger, we pull at its
arms and still it won't speak.
The sea is worse.
It comes in, falling to its knees
but we can't translate the language.
It is only known that they are here to worship,
105
to worship the terror of the rain,
the mud and all its people,
the body itself,
working like a city,
the night and its slow blood
the autumn sky, mary blue.
but more than that,
to worship the question itself,
though the buildings burn
and the big people topple over in a faint.
Bring a flashlight, Ms. Dog,
and look in every corner of the brain
and ask and ask and ask
until the kingdom,
however queer,
will come.
~ Anne Sexton,#NFDB |
1380:HOW wonderful is Death,
Death, and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn
When throned on ocean's wave
It blushes o'er the world;
Yet both so passing wonderful!
Hath then the gloomy Power
Whose reign is in the tainted sepulchres
Seized on her sinless soul?
Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow,
That lovely outline which is fair
As breathing marble, perish?
Must putrefaction's breath
Leave nothing of this heavenly sight
But loathsomeness and ruin?
Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
Or is it only a sweet slumber
Stealing o'er sensation,
Which the breath of roseate morning
Chaseth into darkness?
Will Ianthe wake again,
And give that faithful bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture, from her smile?
Yes! she will wake again,
Although her glowing limbs are motionless,
And silent those sweet lips,
Once breathing eloquence
That might have soothed a tiger's rage
Or thawed the cold heart of a conqueror.
Her dewy eyes are closed,
And on their lids, whose texture fine
Scarce hides the dark blue orbs beneath,
The baby Sleep is pillowed;
Her golden tresses shade
The bosom's stainless pride,
Curling like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound?
'T is like the wondrous strain
That round a lonely ruin swells,
Which, wandering on the echoing shore,
The enthusiast hears at evening;
'T is softer than the west wind's sigh;
'T is wilder than the unmeasured notes
Of that strange lyre whose strings
The genii of the breezes sweep;
Those lines of rainbow light
Are like the moonbeams when they fall
Through some cathedral window, but the tints
Are such as may not find
Comparison on earth.
Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air;
Their filmy pennons at her word they furl,
And stop obedient to the reins of light;
These the Queen of Spells drew in;
She spread a charm around the spot,
And, leaning graceful from the ethereal car,
Long did she gaze, and silently,
Upon the slumbering maid.
Oh! not the visioned poet in his dreams,
When silvery clouds float through the wildered brain,
When every sight of lovely, wild and grand
Astonishes, enraptures, elevates,
When fancy at a glance combines
The wondrous and the beautiful,--
So bright, so fair, so wild a shape
Hath ever yet beheld,
As that which reined the coursers of the air
And poured the magic of her gaze
Upon the maiden's sleep.
The broad and yellow moon
Shone dimly through her form--
That form of faultless symmetry;
The pearly and pellucid car
Moved not the moonlight's line.
'T was not an earthly pageant.
Those, who had looked upon the sight
Passing all human glory,
Saw not the yellow moon,
Saw not the mortal scene,
Heard not the night-wind's rush,
Heard not an earthly sound,
Saw but the fairy pageant,
Heard but the heavenly strains
That filled the lonely dwelling.
The Fairy's frame was slight--yon fibrous cloud,
That catches but the palest tinge of even,
And which the straining eye can hardly seize
When melting into eastern twilight's shadow,
Were scarce so thin, so slight; but the fair star
That gems the glittering coronet of morn,
Sheds not a light so mild, so powerful,
As that which, bursting from the Fairy's form,
Spread a purpureal halo round the scene,
Yet with an undulating motion,
Swayed to her outline gracefully.
From her celestial car
The Fairy Queen descended,
And thrice she waved her wand
Circled with wreaths of amaranth;
Her thin and misty form
Moved with the moving air,
And the clear silver tones,
As thus she spoke, were such
As are unheard by all but gifted ear.
FAIRY
'Stars! your balmiest influence shed!
Elements! your wrath suspend!
Sleep, Ocean, in the rocky bounds
That circle thy domain!
Let not a breath be seen to stir
Around yon grass-grown ruin's height!
Let even the restless gossamer
Sleep on the moveless air!
Soul of Ianthe! thou,
Judged alone worthy of the envied boon
That waits the good and the sincere; that waits
Those who have struggled, and with resolute will
Vanquished earth's pride and meanness, burst the chains,
The icy chains of custom, and have shone
The day-stars of their age;--Soul of
Ianthe!
Awake! arise!'
Sudden arose
Ianthe's Soul; it stood
All beautiful in naked purity,
The perfect semblance of its bodily frame;
Instinct with inexpressible beauty and grace--
Each stain of earthliness
Had passed away--it reassumed
Its native dignity and stood
Immortal amid ruin.
Upon the couch the body lay,
Wrapt in the depth of slumber;
Its features were fixed and meaningless,
Yet animal life was there,
And every organ yet performed
Its natural functions; 'twas a sight
Of wonder to behold the body and the soul.
The self-same lineaments, the same
Marks of identity were there;
Yet, oh, how different! One aspires to Heaven,
Pants for its sempiternal heritage,
And, ever changing, ever rising still,
Wantons in endless being:
The other, for a time the unwilling sport
Of circumstance and passion, struggles on;
Fleets through its sad duration rapidly;
Then like an useless and worn-out machine,
Rots, perishes, and passes.
FAIRY
'Spirit! who hast dived so deep;
Spirit! who hast soared so high;
Thou the fearless, thou the mild,
Accept the boon thy worth hath earned,
Ascend the car with me!'
SPIRIT
'Do I dream? Is this new feeling
But a visioned ghost of slumber?
If indeed I am a soul,
A free, a disembodied soul,
Speak again to me.'
FAIRY
'I am the Fairy MAB: to me 'tis given
The wonders of the human world to keep;
The secrets of the immeasurable past,
In the unfailing consciences of men,
Those stern, unflattering chroniclers, I find;
The future, from the causes which arise
In each event, I gather; not the sting
Which retributive memory implants
In the hard bosom of the selfish man,
Nor that ecstatic and exulting throb
Which virtue's votary feels when he sums up
The thoughts and actions of a well-spent day,
Are unforeseen, unregistered by me;
And it is yet permitted me to rend
The veil of mortal frailty, that the spirit,
Clothed in its changeless purity, may know
How soonest to accomplish the great end
For which it hath its being, and may taste
That peace which in the end all life will share.
This is the meed of virtue; happy Soul,
Ascend the car with me!'
The chains of earth's immurement
Fell from Ianthe's spirit;
They shrank and brake like bandages of straw
Beneath a wakened giant's strength.
She knew her glorious change,
And felt in apprehension uncontrolled
New raptures opening round;
Each day-dream of her mortal life,
Each frenzied vision of the slumbers
That closed each well-spent day,
Seemed now to meet reality.
The Fairy and the Soul proceeded;
The silver clouds disparted;
And as the car of magic they ascended,
Again the speechless music swelled,
Again the coursers of the air
Unfurled their azure pennons, and the Queen,
Shaking the beamy reins,
Bade them pursue their way.
The magic car moved on.
The night was fair, and countless stars
Studded heaven's dark blue vault;
Just o'er the eastern wave
Peeped the first faint smile of morn.
The magic car moved on
From the celestial hoofs
The atmosphere in flaming sparkles flew,
And where the burning wheels
Eddied above the mountain's loftiest peak,
Was traced a line of lightning.
Now it flew far above a rock,
The utmost verge of earth,
The rival of the Andes, whose dark brow
Lowered o'er the silver sea.
Far, far below the chariot's path,
Calm as a slumbering babe,
Tremendous Ocean lay.
The mirror of its stillness showed
The pale and waning stars,
The chariot's fiery track,
And the gray light of morn
Tinging those fleecy clouds
That canopied the dawn.
Seemed it that the chariot's way
Lay through the midst of an immense concave
Radiant with million constellations, tinged
With shades of infinite color,
And semicircled with a belt
Flashing incessant meteors.
The magic car moved on.
As they approached their goal,
The coursers seemed to gather speed;
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere;
The sun's unclouded orb
Rolled through the black concave;
Its rays of rapid light
Parted around the chariot's swifter course,
And fell, like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heaven;
Whilst round the chariot's way
Innumerable systems rolled
And countless spheres diffused
An ever-varying glory.
It was a sight of wonder: some
Were hornd like the crescent moon;
Some shed a mild and silver beam
Like Hesperus o'er the western sea;
Some dashed athwart with trains of flame,
Like worlds to death and ruin driven;
Some shone like suns, and as the chariot passed,
Eclipsed all other light.
Spirit of Nature! here
In this interminable wilderness
Of worlds, at whose immensity
Even soaring fancy staggers,
Here is thy fitting temple!
Yet not the lightest leaf
That quivers to the passing breeze
Is less instinct with thee;
Yet not the meanest worm
That lurks in graves and fattens on the dead,
Less shares thy eternal breath!
Spirit of Nature! thou,
Imperishable as this scene--
Here is thy fitting temple!
~ Percy Bysshe Shelley, Queen Mab - Part I.
,#NFDB |
1381:Now, man of croziers, shadows called our names
And then away, away, like whirling flames;
And now fled by, mist-covered, without sound,
The youth and lady and the deer and hound;
'Gaze no more on the phantoms,' Niamh said,
And kissed my eyes, and, swaying her bright head
And her bright body, sang of faery and man
Before God was or my old line began;
Wars shadowy, vast, exultant; faeries of old
Who wedded men with rings of Druid gold;
And how those lovers never turn their eyes
Upon the life that fades and flickers and dies,
Yet love and kiss on dim shores far away
Rolled round with music of the sighing spray:
Yet sang no more as when, like a brown bee
That has drunk full, she crossed the misty sea
With me in her white arms a hundred years
Before this day; for now the fall of tears
Troubled her song.
I do not know if days
Or hours passed by, yet hold the morning rays
Shone many times among the glimmering flowers
Woven into her hair, before dark towers
Rose in the darkness, and the white surf gleamed
About them; and the horse of Faery screamed
And shivered, knowing the Isle of Many Fears,
Nor ceased until white Niamh stroked his ears
And named him by sweet names.
A foaming tide
Whitened afar with surge, fan-formed and wide,
Burst from a great door matred by many a blow
From mace and sword and pole-axe, long ago
When gods and giants warred. We rode between
The seaweed-covered pillars; and the green
And surging phosphorus alone gave light
On our dark pathway, till a countless flight
Of moonlit steps glimmered; and left and right
Dark statues glimmered over the pale tide
Upon dark thrones. Between the lids of one
The imaged meteors had flashed and run
And had disported in the stilly jet,
And the fixed stars had dawned and shone and set,
Since God made Time and Death and Sleep: the other
Stretched his long arm to where, a misty smother,
The stream churned, churned, and churned - his lips apart,
As though he told his never-slumbering heart
Of every foamdrop on its misty way.
Tying the horse to his vast foot that lay
Half in the unvesselled sea, we climbed the stair
And climbed so long, I thought the last steps were
Hung from the morning star; when these mild words
Fanned the delighted air like wings of birds:
'My brothers spring out of their beds at morn,
A-murmur like young partridge: with loud horn
They chase the noontide deer;
And when the dew-drowned stars hang in the air
Look to long fishing-lines, or point and pare
An ashen hunting spear.
O sigh, O fluttering sigh, be kind to me;
Flutter along the froth lips of the sea,
And shores the froth lips wet:
And stay a little while, and bid them weep:
Ah, touch their blue-veined eyelids if they sleep,
And shake their coverlet.
When you have told how I weep endlessly,
Flutter along the froth lips of the sea
And home to me again,
And in the shadow of my hair lie hid,
And tell me that you found a man unbid,
The saddest of all men.'
A lady with soft eyes like funeral tapers,
And face that seemed wrought out of moonlit vapours,
And a sad mouth, that fear made tremulous
As any ruddy moth, looked down on us;
And she with a wave-rusted chain was tied
To two old eagles, full of ancient pride,
That with dim eyeballs stood on either side.
Few feathers were on their dishevelled wings,
For their dim minds were with the ancient things.
'I bring deliverance,' pearl-pale Niamh said.
'Neither the living, nor the unlabouring dead,
Nor the high gods who never lived, may fight
My enemy and hope; demons for fright
Jabber and scream about him in the night;
For he is strong and crafty as the seas
That sprang under the Seven Hazel Trees,
And I must needs endure and hate and weep,
Until the gods and demons drop asleep,
Hearing Aed touch the mournful strings of gold.'
'Is he so dreadful?'
'Be not over-bold,
But fly while still you may.'
And thereon I:
'This demon shall be battered till he die,
And his loose bulk be thrown in the loud tide.'
'Flee from him,' pearl-pale Niamh weeping cried,
'For all men flee the demons'; but moved not
My angry king-remembering soul one jot.
There was no mightier soul of Heber's line;
Now it is old and mouse-like. For a sign
I burst the chain: still earless, nerveless, blind,
Wrapped in the things of the unhuman mind,
In some dim memory or ancient mood,
Still earless, nerveless, blind, the eagles stood.
And then we climbed the stair to a high door;
A hundred horsemen on the basalt floor
Beneath had paced content: we held our way
And stood within: clothed in a misty ray
I saw a foam-white seagull drift and float
Under the roof, and with a straining throat
Shouted, and hailed him: he hung there a star,
For no man's cry shall ever mount so far;
Not even your God could have thrown down that hall;
Stabling His unloosed lightnings in their stall,
He had sat down and sighed with cumbered heart,
As though His hour were come.
We sought the part
That was most distant from the door; green slime
Made the way slippery, and time on time
Showed prints of sea-born scales, while down through it
The captive's journeys to and fro were writ
Like a small river, and where feet touched came
A momentary gleam of phosphorus flame.
Under the deepest shadows of the hall
That woman found a ring hung on the wall,
And in the ring a torch, and with its flare
Making a world about her in the air,
Passed under the dim doorway, out of sight,
And came again, holding a second light
Burning between her fingers, and in mine
Laid it and sighed: I held a sword whose shine
No centuries could dim, and a word ran
Thereon in Ogham letters, 'Manannan';
That sea-god's name, who in a deep content
Sprang dripping, and, with captive demons sent
Out of the sevenfold seas, built the dark hall
Rooted in foam and clouds, and cried to all
The mightier masters of a mightier race;
And at his cry there came no milk-pale face
Under a crown of thorns and dark with blood,
But only exultant faces.
Niamh stood
With bowed head, trembling when the white blade shone,
But she whose hours of tenderness were gone
Had neither hope nor fear. I bade them hide
Under the shadowS till the tumults died
Of the loud-crashing and earth-shaking fight,
Lest they should look upon some dreadful sight;
And thrust the torch between the slimy flags.
A dome made out of endless carven jags,
Where shadowy face flowed into shadowy face,
Looked down on me; and in the self-same place
I waited hour by hour, and the high dome,
Windowless, pillarless, multitudinous home
Of faces, waited; and the leisured gaze
Was loaded with the memory of days
Buried and mighty. When through the great door
The dawn came in, and glimmered on the floor
With a pale light, I journeyed round the hall
And found a door deep sunken in the wall,
The least of doors; beyond on a dim plain
A little runnel made a bubbling strain,
And on the runnel's stony and bare edge
A dusky demon dry as a withered sedge
Swayed, crooning to himself an unknown tongue:
In a sad revelry he sang and swung
Bacchant and mournful, passing to and fro
His hand along the runnel's side, as though
The flowers still grew there: far on the sea's waste
Shaking and waving, vapour vapour chased,
While high frail cloudlets, fed with a green light,
Like drifts of leaves, immovable and bright,
Hung in the passionate dawn. He slowly turned:
A demon's leisure: eyes, first white, now burned
Like wings of kingfishers; and he arose
Barking. We trampled up and down with blows
Of sword and brazen battle-axe, while day
Gave to high noon and noon to night gave way;
And when he knew the sword of Manannan
Amid the shades of night, he changed and ran
Through many shapes; I lunged at the smooth throat
Of a great eel; it changed, and I but smote
A fir-tree roaring in its leafless top;
And thereupon I drew the livid chop
Of a drowned dripping body to my breast;
Horror from horror grew; but when the west
Had surged up in a plumy fire, I drave
Through heart and spine; and cast him in the wave
Lest Niamh shudder.
Full of hope and dread
Those two came carrying wine and meat and bread,
And healed my wounds with unguents out of flowers
That feed white moths by some De Danaan shrine;
Then in that hall, lit by the dim sea-shine,
We lay on skins of otters, and drank wine,
Brewed by the sea-gods, from huge cups that lay
Upon the lips of sea-gods in their day;
And then on heaped-up skins of otters slept.
And when the sun once more in saffron stept,
Rolling his flagrant wheel out of the deep,
We sang the loves and angers without sleep,
And all the exultant labours of the strong.
But now the lying clerics murder song
With barren words and flatteries of the weak.
In what land do the powerless turn the beak
Of ravening Sorrow, or the hand of Wrath?
For all your croziers, they have left the path
And wander in the storms and clinging snows,
Hopeless for ever: ancient Oisin knows,
For he is weak and poor and blind, and lies
On the anvil of the world.
S. Patrick. Be still: the skies
Are choked with thunder, lightning, and fierce wind,
For God has heard, and speaks His angry mind;
Go cast your body on the stones and pray,
For He has wrought midnight and dawn and day.
Oisin. Saint, do you weep? I hear amid the thunder
The Fenian horses; atmour torn asunder;
Laughter and cries. The armies clash and shock,
And now the daylight-darkening ravens flock.
Cease, cease, O mournful, laughing Fenian horn!
We feasted for three days. On the fourth morn
I found, dropping sea-foam on the wide stair,
And hung with slime, and whispering in his hair,
That demon dull and unsubduable;
And once more to a day-long battle fell,
And at the sundown threw him in the surge,
To lie until the fourth morn saw emerge
His new-healed shape; and for a hundred years
So watred, so feasted, with nor dreams nor fears,
Nor languor nor fatigue: an endless feast,
An endless war.
The hundred years had ceased;
I stood upon the stair: the surges bore
A beech-bough to me, and my heart grew sore,
Remembering how I had stood by white-haired Finn
Under a beech at Almhuin and heard the thin
Outcry of bats.
And then young Niamh came
Holding that horse, and sadly called my name;
I mounted, and we passed over the lone
And drifting greyness, while this monotone,
Surly and distant, mixed inseparably
Into the clangour of the wind and sea.
'I hear my soul drop down into decay,
And Mananna's dark tower, stone after stone.
Gather sea-slime and fall the seaward way,
And the moon goad the waters night and day,
That all be overthrown.
'But till the moon has taken all, I wage
War on the mightiest men under the skies,
And they have fallen or fled, age after age.
Light is man's love, and lighter is man's rage;
His purpose drifts and dies.'
And then lost Niamh murmured, 'Love, we go
To the Island of Forgetfulness, for lo!
The Islands of Dancing and of Victories
Are empty of all power.'
'And which of these
Is the Island of Content?'
'None know,' she said;
And on my bosom laid her weeping head.
~ William Butler Yeats, The Wanderings Of Oisin - Book II
,#NFDB |
1382:The House Of Dust: Part 03: 12: Witches' Sabbath
Now, when the moon slid under the cloud
And the cold clear dark of starlight fell,
He heard in his blood the well-known bell
Tolling slowly in heaves of sound,
Slowly beating, slowly beating,
Shaking its pulse on the stagnant air:
Sometimes it swung completely round,
Horribly gasping as if for breath;
Falling down with an anguished cry . . .
Now the red bat, he mused, will fly;
Something is marked, this night, for death . . .
And while he mused, along his blood
Flew ghostly voices, remote and thin,
They rose in the cavern of his brain,
Like ghosts they died away again;
And hands upon his heart were laid,
And music upon his flesh was played,
Until, as he was bidden to do,
He walked the wood he so well knew.
Through the cold dew he moved his feet,
And heard far off, as under the earth,
Discordant music in shuddering tones,
Screams of laughter, horrible mirth,
Clapping of hands, and thudding of drums,
And the long-drawn wail of one in pain.
To-night, he thought, I shall die again,
We shall die again in the red-eyed fire
To meet on the edge of the wood beyond
With the placid gaze of fed desire . . .
He walked; and behind the whisper of trees,
In and out, one walked with him:
She parted the branches and peered at him,
Through lowered lids her two eyes burned,
He heard her breath, he saw her hand,
Wherever he turned his way, she turned:
Kept pace with him, now fast, now slow;
Moving her white knees as he moved . . .
This is the one I have always loved;
This is the one whose bat-soul comes
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To dance with me, flesh to flesh,
In the starlight dance of horns and drums . . .
The walls and roofs, the scarlet towers,
Sank down behind a rushing sky.
He heard a sweet song just begun
Abruptly shatter in tones and die.
It whirled away. Cold silence fell.
And again came tollings of a bell.
This air is alive with witches: the white witch rides
Swifter than smoke on the starlit wind.
In the clear darkness, while the moon hides,
They come like dreams, like something remembered . .
Let us hurry! beloved; take my hand,
Forget these things that trouble your eyes,
Forget, forget! Our flesh is changed,
Lighter than smoke we wreathe and rise . . .
The cold air hisses between us . . . Beloved, beloved,
What was the word you said?
Something about clear music that sang through water . . .
I cannot remember. The storm-drops break on the leaves.
Something was lost in the darkness. Someone is dead.
Someone lies in the garden and grieves.
Look how the branches are tossed in this air,
Flinging their green to the earth!
Black clouds rush to devour the stars in the sky,
The moon stares down like a half-closed eye.
The leaves are scattered, the birds are blown,
Oaks crash down in the darkness,
We run from our windy shadows; we are running alone.
The moon was darkened: across it flew
The swift grey tenebrous shape he knew,
Like a thing of smoke it crossed the sky,
The witch! he said. And he heard a cry,
And another came, and another came,
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And one, grown duskily red with blood,
Floated an instant across the moon,
Hung like a dull fantastic flame . . .
The earth has veins: they throb to-night,
The earth swells warm beneath my feet,
The tips of the trees grow red and bright,
The leaves are swollen, I feel them beat,
They press together, they push and sigh,
They listen to hear the great bat cry,
The great red bat with the woman's face . . .
Hurry! he said. And pace for pace
That other, who trod the dark with him,
Crushed the live leaves, reached out white hands
And closed her eyes, the better to see
The priests with claws, the lovers with hooves,
The fire-lit rock, the sarabands.
I am here! she said. The bough he broke—
Was it the snapping bough that spoke?
I am here! she said. The white thigh gleamed
Cold in starlight among dark leaves,
The head thrown backward as he had dreamed,
The shadowy red deep jasper mouth;
And the lifted hands, and the virgin breasts,
Passed beside him, and vanished away.
I am here! she cried. He answered 'Stay!'
And laughter arose, and near and far
Answering laughter rose and died . . .
Who is there? in the dark? he cried.
He stood in terror, and heard a sound
Of terrible hooves on the hollow ground;
They rushed, were still; a silence fell;
And he heard deep tollings of a bell.
Look beloved! Why do you hide your face?
Look, in the centre there, above the fire,
They are bearing the boy who blasphemed love!
They are playing a piercing music upon him
With a bow of living wire! . . .
The virgin harlot sings,
She leans above the beautiful anguished body,
273
And draws slow music from those strings.
They dance around him, they fling red roses upon him,
They trample him with their naked feet,
His cries are lost in laughter,
Their feet grow dark with his blood, they beat and
beat,
They dance upon him, until he cries no more . . .
Have we not heard that cry before?
Somewhere, somewhere,
Beside a sea, in the green evening,
Beneath green clouds, in a copper sky . . .
Was it you? was it I?
They have quenched the fires, they dance in the darkness,
The satyrs have run among them to seize and tear,
Look! he has caught one by the hair,
She screams and falls, he bears her away with him,
And the night grows full of whistling wings.
Far off, one voice, serene and sweet,
Rises and sings . . .
'By the clear waters where once I died,
In the calm evening bright with stars. . . .'
Where have I heard these words? Was it you who sang them?
It was long ago.
Let us hurry, beloved! the hard hooves trample;
The treetops tremble and glow.
In the clear dark, on silent wings,
The red bat hovers beneath her moon;
She drops through the fragrant night, and clings
Fast in the shadow, with hands like claws,
With soft eyes closed and mouth that feeds,
To the young white flesh that warmly bleeds.
The maidens circle in dance, and raise
From lifting throats, a soft-sung praise;
Their knees and breasts are white and bare,
They have hung pale roses in their hair,
Each of them as she dances by
Peers at the blood with a narrowed eye.
See how the red wing wraps him round,
274
See how the white youth struggles in vain!
The weak arms writhe in a soundless pain;
He writhes in the soft red veiny wings,
But still she whispers upon him and clings. . . .
This is the secret feast of love,
Look well, look well, before it dies,
See how the red one trembles above,
See how quiet the white one lies! . . . .
Wind through the trees. . . .and a voice is heard
Singing far off. The dead leaves fall. . . .
'By the clear waters where once I died,
In the calm evening bright with stars,
One among numberless avatars,
I wedded a mortal, a mortal bride,
And lay on the stones and gave my flesh,
And entered the hunger of him I loved.
How shall I ever escape this mesh
Or be from my lover's body removed?'
Dead leaves stream through the hurrying air
And the maenads dance with flying hair.
The priests with hooves, the lovers with horns,
Rise in the starlight, one by one,
They draw their knives on the spurting throats,
They smear the column with blood of goats,
They dabble the blood on hair and lips
And wait like stones for the moon's eclipse.
They stand like stones and stare at the sky
Where the moon leers down like a half-closed eye. . .
In the green moonlight still they stand
While wind flows over the darkened sand
And brood on the soft forgotten things
That filled their shadowy yesterdays. . . .
Where are the breasts, the scarlet wings? . . . .
They gaze at each other with troubled gaze. . . .
And then, as the shadow closes the moon,
Shout, and strike with their hooves the ground,
And rush through the dark, and fill the night
With a slowly dying clamor of sound.
275
There, where the great walls crowd the stars,
There, by the black wind-riven walls,
In a grove of twisted leafless trees. . . .
Who are these pilgrims, who are these,
These three, the one of whom stands upright,
While one lies weeping and one of them crawls?
The face that he turned was a wounded face,
I heard the dripping of blood on stones. . . .
Hooves had trampled and torn this place,
And the leaves were strewn with blood and bones.
Sometimes, I think, beneath my feet,
The warm earth stretches herself and sighs. . . .
Listen! I heard the slow heart beat. . . .
I will lie on this grass as a lover lies
And reach to the north and reach to the south
And seek in the darkness for her mouth.
Beloved, beloved, where the slow waves of the wind
Shatter pale foam among great trees,
Under the hurrying stars, under the heaving arches,
Like one whirled down under shadowy seas,
I run to find you, I run and cry,
Where are you? Where are you? It is I. It is I.
It is your eyes I seek, it is your windy hair,
Your starlight body that breathes in the darkness there.
Under the darkness I feel you stirring. . . .
Is this you? Is this you?
Bats in this air go whirring. . . .
And this soft mouth that darkly meets my mouth,
Is this the soft mouth I knew?
Darkness, and wind in the tortured trees;
And the patter of dew.
Dance! Dance! Dance! Dance!
Dance till the brain is red with speed!
Dance till you fall! Lift your torches!
Kiss your lovers until they bleed!
Backward I draw your anguished hair
276
Until your eyes are stretched with pain;
Backward I press you until you cry,
Your lips grow white, I kiss you again,
I will take a torch and set you afire,
I will break your body and fling it away. . . .
Look, you are trembling. . . .Lie still, beloved!
Lock your hands in my hair, and say
Darling! darling! darling! darling!
All night long till the break of day.
Is it your heart I hear beneath me. . . .
Or the far tolling of that tower?
The voices are still that cried around us. . . .
The woods grow still for the sacred hour.
Rise, white lover! the day draws near.
The grey trees lean to the east in fear.
'By the clear waters where once I died . . . .'
Beloved, whose voice was this that cried?
'By the clear waters that reach the sun
By the clear waves that starward run. . . .
I found love's body and lost his soul,
And crumbled in flame that should have annealed. . .
How shall I ever again be whole,
By what dark waters shall I be healed?'
Silence. . . .the red leaves, one by one,
Fall. Far off, the maenads run.
Silence. Beneath my naked feet
The veins of the red earth swell and beat.
The dead leaves sigh on the troubled air,
Far off the maenads bind their hair. . . .
Hurry, beloved! the day comes soon.
The fire is drawn from the heart of the moon.
The great bell cracks and falls at last.
The moon whirls out. The sky grows still.
Look, how the white cloud crosses the stars
And suddenly drops behind the hill!
Your eyes are placid, you smile at me,
277
We sit in the room by candle-light.
We peer in each other's veins and see
No sign of the things we saw this night.
Only, a song is in your ears,
A song you have heard, you think, in dream:
The song which only the demon hears,
In the dark forest where maenads scream . . .
'By the clear waters where once I died . . .
In the calm evening bright with stars . . . '
What do the strange words mean? you say,—
And touch my hand, and turn away.
~ Conrad Potter Aiken,#NFDB |
1383:Sappho To Phaon (Ovid Heroid Xv)
Say, lovely youth, that dost my heart command,
Can Phaon's eyes forget his Sappho's hand?
Must then her name the wretched writer prove,
To thy remembrance lost, as to thy love?
Ask not the cause that I new numbers choose,
The Lute neglected, and the Lyric muse;
Love taught my tears in adder notes to flow,
And tun'd my heart to Elegies of woe,
I burn, I burn, as when thro' ripen'd corn
By driving winds the spreading flames are borne!
Phaon to Aetna's scorching fields retires,
While I consume with more than Aetna's fires!
No more my soul a charm in music finds,
Music has charms alone for peaceful minds.
Soft scenes of solitude no more can please,
Love enters there, and I'm my own disease.
No more the Lesbian dames my passion move,
Once the dear objects of my guilty love;
All other loves are lost in only thine,
Ah youth ungrateful to a flame like mine!
Whom would not all those blooming charms surprize,
Those heav'nly looks, and dear deluding eyes?
The harp and bow would you like Phoebus bear,
A brighter Phoebus Phaon might appear;
Would you with ivy wreath your flowing hair,
Not Bacchus' self with Phaon could compare:
Yet Phoebus lov'd, and Bacchus felt the flame,
One Daphne warm'd, and one the Cretan dame,
Nymphs that in verse no more could rival me,
That ev'n those Gods contend in charms with thee.
The Muses teach me all their softest lays,
And the wide world resounds with Sappho's praise.
Tho' great Alcaeus more sublimely sings,
And strikes with bolder rage the sounding strings,
No less renown attends the moving lyre,
Which Venus tunes, and all her loves inspire;
To me what nature has in charms deny'd,
Is well by wit's more lasting flames supply'd.
Tho' short my stature, yet my name extends
146
To heav'n itself, and earth's remotest ends.
Brown as I am, an Ethiopian dame
Inspir'd young Perseus with a gen'rous flame;
Turtles and doves of diff'ring hues unite,
And glossy jet is pair'd with shining white.
If to no charms thou wilt thy heart resign,
But such as merit, such as equal thine,
By none, alas! by none thou canst be mov'd,
Phaon alone by Phaon must be lov'd!
Yet once thy Sappho could thy cares employ,
Once in her arms you center'd all your joy:
No time the dear remembrance can remove,
For oh! how vast a memory has love!
My music, then, you could for ever hear,
And all my words were music to your ear;
You stopp'd with kisses my enchanting tongue,
And found my kisses sweeter than my song.
In all I pleas'd, but most in what was best;
And the last joy was dearer than the rest.
Then with each word, each glance, each motion fir'd,
You still enjoy'd, and yet you still desir'd,
'Till all dissolving in the trance we lay,
And in tumultuous raptures died away.
The fair Sicilians now thy soul inflame;
Why was I born, ye Gods, a Lesbian dame?
But ah beware, Sicilian nymphs! nor boast
That wand'ring heart which I so lately lost;
Nor be with all those tempting words abus'd,
Those tempting words were all to Sappho us'd.
And you that rule Sicilia's happy plains,
Have pity, Venus, on your Poet's pains!
Shall fortune still in one sad tenor run,
And still increase the woes so soon begun?
Inur'd to sorrow from my tender years,
My parent's ashes drank my early tears:
My brother next, neglecting wealth and fame,
Ignobly burn'd in a destructive flame:
An infant daughter late my griefs increas'd,
And all a mother's cares distract my breast.
Alas, what more could fate itself impose,
But thee, the last and greatest of my woes?
No more my robes in waving purple flow,
147
Nor on my hand the sparkling di'monds glow;
No more my locks in ringlets curl'd diffuse
The costly sweetness of Arabian dews,
Nor braids of gold the varied tresses bind,
That fly disorder'd with the wanton wind,
For whom should Sappho use such arts as these?
He's gone, whom only she desir'd to please!
Cupid's light darts my tender bosom move,
Still is there cause for Sappho still to love:
So from my birth the Sisters fix'd my doom,
And gave to Venus all my life to come;
Or while my Muse in melting notes complains,
My yielding heart keeps measure to my strains.
By charms like thine which all my soul have won,
Who might not - ah! who would not be undone?
For those Aurora Cephalus might scorn,
And with fresh blushes paint the conscious morn.
For those might Cynthia lengthen Phaon's sleep,
And bit Endymion nightly tend his sheep.
Venus for those had rapt thee to the skies,
But Mars on thee might look with Venus' eyes.
O scarce a youth, yet scarce a tender boy!
O useful time for lovers to employ!
Pride of thy age, and glory of thy race,
Come to these arms, and melt in this embrace!
The vows you never will return, receive;
And take at least the love you will not give.
See, while I write, my words are lost in tears;
The less my sense, the more my love appears.
Sure 'twas not much to bid one kind adieu,
(At least to feign was never hard to you)
Farewell, my Lesbian love, you might have said,
Or coldly thus, Farewell, oh Lesbian maid!
No tear did you, no parting kiss receive,
Nor knew I then how much I was to grieve.
No lover's gift your Sappho could confer,
And wrongs and woes were all you left with her.
No charge I gave you, and no charge could give,
But this, Be mindful of our loves, and live.
Now by the Nine, those pow'rs ador'd by me,
And Love, the God that ever waits on thee,
When first I heard (from whom I hardly knew)
148
That you were fled, and all my joys with you,
Like some sad statue, speechless, pale I stood,
Grief chill'd my breast, and stopp'd my freezing blood;
No sigh to rise, no tear had powr to flow,
Fix'd in a stupid lethargy of woe:
But when its way th' impetuous passion found,
I rend my tresses, and my breast I wound,
I rave, then weep, I curse, and then complain,
Now swell to rage, no melt in tears again.
Not fiercer pangs distract the mournful dame,
Whose first-born infant feeds the fun'ral flame.
My scornful brother with a smile appears,
Insults my woes, and triumphs in my tears;
His hated image ever haunts my eyes,
And why this grief? thy daughter lives, he cries.
Stung with my Love, and furious with despair,
All torn my garments, and my bosom bare,
My woes, thy crimes, I to the world proclaim;
Such inconsistent things are love and shame!
'Tis thou art all my care and my delight,
My daily longing, and my dream by night:
Oh night more pleasing than the brightest day,
When fancy gives what absence takes away,
And, dress'd in all its visionary charms,
Restores my fair deserter to my arms!
Then round your neck in wanton wreaths I twine,
Then you, methinks, as fondly circle mine:
A thousand tender words I hear and speak;
A thousand melting kisses give, and take:
Then fiercer joys, I blush to mention these,
Yet while I blush, confess how much they please.
But when, with day, the sweet delusions fly,
And all things wake to life and joy, but I,
As if once more forsaken, I complain,
And close my eyes to dream of you again;
Then frantic rise, and like some Fury rove
Thro' lonely plains, and thro' the silent grove,
As if the silent grove, and lonely plains,
That knew my pleasures, could relieve my pains.
I view the Grotto, once the scene of love,
The rocks around, the hanging roofs above,
That charm'd me more, with native moss o'ergrown,
149
Than Phyrgian marble, or the Parian stone.
I find the shades that veil'd our joys before;
But, Phaon gone, those shades delight no more.
Here the press'd herbs with bending tops betray
Where oft entwin'd in am'rous folds we lay;
I kiss that earth which once was press'd by you,
And all with tears the with'ring herbs bedew.
For thee the fading trees appear to mourn,
And birds defer their songs till thy return;
Night shades the grove,s and all in silence lie,
All but the mournful Philomel and I:
With mournful Philomel I join my strain,
Of Tereus she, of Phaeon I complain.
A spring there is, whose silver waters show,
Clear as a glass, the shining sands below:
A flow'ry Lotos spreads its arms above,
Shades all the banks, and seems itself a grove;
Eternal greens the mossy margin grace,
Watch'd by the sylvan Genius of the place.
Here as I lay, and swell'd with tears the flood,
Before my sight a wat'ry Virgin stood:
She stood and cry'd, 'O you that love in vain!
'Fly hence, and seek the fair Leucadian main;
'There stands a rock, from whose impending steep
'Apollo's fane surveys the rolling deep;
'There injur'd lovers, leaping from above,
'Their flames extinguish, and forget to love.
'Deucalion once, with hopeless fury burn'd,
'In vain he lov'd, relentless Pyrrha scorn'd;
'But when from hence he plung'd into the main,
'Deucalion scorn'd, and Pyrrha lov'd in vain.
Haste, Sappho, haste, from high Leucadia throw
'Thy wretched weight, nor dread the deeps below!'
She spoke, and vanish'd with the voice - I rise,
And silent tears fall trickling from my eyes.
I go, ye Nymphs! those rocks and seas to prove;
How much I fear, but ah, how much I love!
I go, ye Nymphs! where furious love inspires;
Let female fears submit to female fires.
To rocks and seas I fly from Phaon's hate,
And hope from seas and rocks a milder fate.
150
Ye gentle gales, beneath my body blow,
And softly lay me on the waves below!
And thou, kind Love, my sinking limbs sustain,
Spread thy soft wings, and waft me o'er the main,
Nor let a Lover's death the guiltless flood profane!
On Phoebus' shrine my harp I'll then bestow,
And this Inscription shall be plac'd below.
'Here she who sung, to him that did inspire,
'Sappho to Phoebus consecrates her Lyre;
'What suits with Sappho, Phoebus, suits with thee;
The Gift, the giver, and the God agree.'
But why, alas, relentless youth, ah why
To distant seas must tender Sappho fly?
Thy charms than those may far more pow'rful be,
And Phoebus' self is less a God to me.
Ah! canst thou doom me to the rocks and sea,
O far more faithless and more hard than they?
Ah! canst thou rather see this tender breast
Dash'd on these rocks than to thy bosom prest?
This breast which once, in vain! you lik'd so well;
Where Loves play'd, and where the Muses dwell.
Alas! the Muses now no more inspire,
Untun'd my lute, and silent is my lyre,
My languid numbers have forgot to flow,
And fancy sinks beneath a weight of woe.
Ye Lesbian virgins, and ye Lesbian dames,
Themes of my verse, and objects of my flames,
No more your groves with my glad songs shall ring,
No more these hands shall touch the trembling string:
My Phaon's fled, and I those arts resign
(Wretch that I am, to call that Phaon mine!)
Return, fair youth, return, and bring along
Joy to my soul, and vigour to my song:
Absent from thee, the Poet's flame expires;
But ah! how fiercely burn the Lover's fires!
Gods! can no pray'rs, no sighs, no numbers move
One savage heart, or teach it how to love?
The winds my pray'rs, my sighs, my numbers bear,
The flying winds have lost them all in air!
Oh when, alas! shall more auspicious gales
To these fond eyes restore thy welcome sails?
If you return - ah why these long delays?
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Poor Sappho dies while careless Phaon stays.
O launch thy bark, secure of prosp'rous gales;
Cupid for thee shall spread the swelling gales;
I you will fly - (yet ah! what cause can be,
Too cruel youth, that you should fly from me?)
If not from Phaon I must hope for ease,
Ah let me seek it from the raging seas:
To raging seas unpity'd I'll remove,
And either cease to live or cease to love!
~ Alexander Pope,#NFDB |
1384:Scene.--Before the Cavern of the Indian Enchantress.
The Enchantress comes forth.
Enchantress.
He came like a dream in the dawn of life,
He fled like a shadow before its noon;
He is gone, and my peace is turned to strife,
And I wander and wane like the weary moon.
O, sweet Echo, wake,
And for my sake
Make answer the while my heart shall break!
But my heart has a music which Echo's lips,
Though tender and true, yet can answer not,
And the shadow that moves in the soul's eclipse
Can return not the kiss by his now forgot;
Sweet lips! he who hath
On my desolate path
Cast the darkness of absence, worse than death!
The Enchantress makes her spell: she is answered by a Spirit.
Spirit.
Within the silent centre of the earth
My mansion is; where I have lived insphered
From the beginning, and around my sleep
Have woven all the wondrous imagery
Of this dim spot, which mortals call the world;
Infinite depths of unknown elements
Massed into one impenetrable mask;
Sheets of immeasurable fire, and veins
Of gold and stone, and adamantine iron.
And as a veil in which I walk through Heaven
I have wrought mountains, seas, and waves, and clouds,
And lastly light, whose interfusion dawns
In the dark space of interstellar air.
ANOTHER SCENE
Indian Youth and Lady.
Indian.
And, if my grief should still be dearer to me
Than all the pleasures in the world beside,
Why would you lighten it?
Lady.
I offer only
That which I seek, some human sympathy
In this mysterious island.
Indian.
Oh! my friend,
My sister, my beloved!What do I say?
My brain is dizzy, and I scarce know whether
I speak to thee or her.
Lady.
Peace, perturbed heart!
I am to thee only as thou to mine,
The passing wind which heals the brow at noon,
And may strike cold into the breast at night,
Yet cannot linger where it soothes the most,
Or long soothe could it linger.
Indian.
But you said
You also loved?
Lady.
Loved! Oh, I love. Methinks
This word of love is fit for all the world,
And that for gentle hearts another name
Would speak of gentler thoughts than the world owns.
I have loved.
Indian.
And thou lovest not? if so,
Young as thou art thou canst afford to weep.
Lady.
Oh! would that I could claim exemption
From all the bitterness of that sweet name.
I loved, I love, and when I love no more
Let joys and grief perish, and leave despair
To ring the knell of youth. He stood beside me,
The embodied vision of the brightest dream,
Which like a dawn heralds the day of life;
The shadow of his presence made my world
A Paradise. All familiar things he touched,
All common words he spoke, became to me
Like forms and sounds of a diviner world.
He was as is the sun in his fierce youth,
As terrible and lovely as a tempest;
He came, and went, and left me what I am.
Alas! Why must I think how oft we two
Have sate together near the river springs,
Under the green pavilion which the willow
Spreads on the floor of the unbroken fountain,
Strewn, by the nurslings that linger there,
Over that islet paved with flowers and moss,
While the musk-rose leaves, like flakes of crimson snow,
Showered on us, and the dove mourned in the pine,
Sad prophetess of sorrows not her own?
The crane returned to her unfrozen haunt,
And the false cuckoo bade the spray good morn;
And on a wintry bough the widowed bird,
Hid in the deepest night of ivy-leaves,
Renewed the vigils of a sleepless sorrow.
I, left like her, and leaving one like her,
Alike abandoned and abandoning
(Oh! unlike her in this!) the gentlest youth,
Whose love had made my sorrows dear to him,
Even as my sorrow made his love to me!
Indian.
One curse of Nature stamps in the same mould
The features of the wretched; and they are
As like as violet to violet,
When memory, the ghost, their odours keeps
Mid the cold relics of abandoned joy.
Proceed.
Lady.
He was a simple innocent boy.
I loved him well, but not as he desired;
Yet even thus he was content to be:
A short content, for I was
Indian
[aside].
God of Heaven!
From such an islet, such a river-spring!
I dare not ask her if there stood upon it
A pleasure-dome surmounted by a crescent,
With steps to the blue water. [Aloud.]
It may be
That Nature masks in life several copies
Of the same lot, so that the sufferers
May feel another's sorrow as their own,
And find in friendship what they lost in love.
That cannot be: yet it is strange that we,
From the same scene, by the same path to this
Realm of abandonment -- But speak! your breath
Your breath is like soft music, your words are
The echoes of a voice which on my heart
Sleeps like a melody of early days.
But as you said--
Lady.
He was so awful, yet
So beautiful in mystery and terror,
Calming me as the loveliness of heaven
Soothes the unquiet sea:and yet not so,
For he seemed stormy, and would often seem
A quenchless sun masked in portentous clouds;
For such his thoughts, and even his actions were;
But he was not of them, nor they of him,
But as they hid his splendour from the earth.
Some said he was a man of blood and peril,
And steeped in bitter infamy to the lips.
More need was there I should be innocent,
More need that I should be most true and kind,
And much more need that there should be found one
To share remorse and scorn and solitude,
And all the ills that wait on those who do
The tasks of ruin in the world of life.
He fled, and I have followed him.
Indian.
Such a one
Is he who was the winter of my peace.
But, fairest stranger, when didst thou depart
From the far hills where rise the springs of India?
How didst thou pass the intervening sea?
Lady.
If I be sure I am not dreaming now,
I should not doubt to say it was a dream.
Methought a star came down from heaven,
And rested mid the plants of India,
Which I had given a shelter from the frost
Within my chamber. There the meteor lay,
Panting forth light among the leaves and flowers,
As if it lived, and was outworn with speed;
Or that it loved, and passion made the pulse
Of its bright life throb like an anxious heart,
Till it diffused itself, and all the chamber
And walls seemed melted into emerald fire
That burned not; in the midst of which appeared
A spirit like a child, and laughed aloud
A thrilling peal of such sweet merriment
As made the blood tingle in my warm feet:
Then bent over a vase, and murmuring
Low, unintelligible melodies,
Placed something in the mould like melon-seeds,
And slowly faded, and in place of it
A soft hand issued from the veil of fire,
Holding a cup like a magnolia flower,
And poured upon the earth within the vase
The element with which it overflowed,
Brighter than morning light, and purer than
The water of the springs of Himalah.
Indian.
You waked not?
Lady.
Not until my dream became
Like a child's legend on the tideless sand,
Which the first foam erases half, and half
Leaves legible. At length I rose, and went,
Visiting my flowers from pot to pot, and thought
To set new cuttings in the empty urns,
And when I came to that beside the lattice,
I saw two little dark-green leaves
Lifting the light mould at their birth, and then
I half-remembered my forgotten dream.
And day by day, green as a gourd in June,
The plant grew fresh and thick, yet no one knew
What plant it was; its stem and tendrils seemed
Like emerald snakes, mottled and diamonded
With azure mail and streaks of woven silver;
And all the sheaths that folded the dark buds
Rose like the crest of cobra-di-capel,
Until the golden eye of the bright flower,
Through the dark lashes of those veind lids,
....disencumbered of their silent sleep,
Gazed like a star into the morning light.
Its leaves were delicate, you almost saw
The pulses
With which the purple velvet flower was fed
To overflow, and like a poet's heart
Changing bright fancy to sweet sentiment,
Changed half the light to fragrance. It soon fell,
And to a green and dewy embryo-fruit
Left all its treasured beauty. Day by day
I nursed the plant, and on the double flute
Played to it on the sunny winter days
Soft melodies, as sweet as April rain
On silent leaves, and sang those words in which
Passion makes Echo taunt the sleeping strings;
And I would send tales of forgotten love
Late into the lone night, and sing wild songs
Of maids deserted in the olden time,
And weep like a soft cloud in April's bosom
Upon the sleeping eyelids of the plant,
So that perhaps it dreamed that Spring was come,
And crept abroad into the moonlight air,
And loosened all its limbs, as, noon by noon,
The sun averted less his oblique beam.
Indian.
And the plant died not in the frost?
Lady.
It grew;
And went out of the lattice which I left
Half open for it, trailing its quaint spires
Along the garden and across the lawn,
And down the slope of moss and through the tufts
Of wild-flower roots, and stumps of trees o'ergrown
With simple lichens, and old hoary stones,
On to the margin of the glassy pool,
Even to a nook of unblown violets
And lilies-of-the-valley yet unborn,
Under a pine with ivy overgrown.
And there its fruit lay like a sleeping lizard
Under the shadows; but when Spring indeed
Came to unswathe her infants, and the lilies
Peeped from their bright green masks to wonder at
This shape of autumn couched in their recess,
Then it dilated, and it grew until
One half lay floating on the fountain wave,
Whose pulse, elapsed in unlike sympathies,
Kept time
Among the snowy water-lily buds.
Its shape was such as summer melody
Of the south wind in spicy vales might give
To some light cloud bound from the golden dawn
To fairy isles of evening, and it seemed
In hue and form that it had been a mirror
Of all the hues and forms around it and
Upon it pictured by the sunny beams
Which, from the bright vibrations of the pool,
Were thrown upon the rafters and the roof
Of boughs and leaves, and on the pillared stems
Of the dark sylvan temple, and reflections
Of every infant flower and star of moss
And veined leaf in the azure odorous air.
And thus it lay in the Elysian calm
Of its own beauty, floating on the line
Which, like a film in purest space, divided
The heaven beneath the water from the heaven
Above the clouds; and every day I went
Watching its growth and wondering;
And as the day grew hot, methought I saw
A glassy vapour dancing on the pool,
And on it little quaint and filmy shapes,
With dizzy motion, wheel and rise and fall,
Like clouds of gnats with perfect lineaments...
O friend, sleep was a veil uplift from Heaven--
As if Heaven dawned upon the world of dream--
When darkness rose on the extinguished day
Out of the eastern wilderness.
Indian.
I too
Have found a moment's paradise in sleep
Half compensate a hell of waking sorrow.
Written at Pisa during the late winter or early spring of 1822.
Note from Mrs. Shelley: 'The following fragments are part of a Drama undertaken for the amusement of the individuals who composed our intimate society, but left unfinished. I have preserved a sketch of the story as far as it had been shadowed in the poet's mind.
An Enchantress, living in one of the islands of the Indian Archipelago, saves the life of a Pirate, a man of savage but noble nature. She becomes enamoured of him; and he, inconstant to his mortal love, for a while returns her passion; but at length, recalling the memory of her whom he left, and who laments his loss, he escapes from the Enchanted Island, and returns to his lady. His mode of life makes him again go to sea, and the Enchantress seizes the opportunity to bring him, by a spirit-brewed tempest, back to her Island.'~1839.
~ Percy Bysshe Shelley, Fragments Of An Unfinished Drama
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1385:Hail to thee, mountain beloved, with thy glittering purple-dyed summit!
Hail to thee also, fair sun, looking so lovingly on!
Thee, too, I hail, thou smiling plain, and ye murmuring lindens,
Ay, and the chorus so glad, cradled on yonder high boughs;
Thee, too, peaceably azure, in infinite measure extending
Round the dusky-hued mount, over the forest so green,
Round about me, who now from my chamber's confinement escaping,
And from vain frivolous talk, gladly seek refuge with thee.
Through me to quicken me runs the balsamic stream of thy breezes,
While the energetical light freshens the gaze as it thirsts.
Bright o'er the blooming meadow the changeable colors are gleaming,
But the strife, full of charms, in its own grace melts away
Freely the plain receives me,with carpet far away reaching,
Over its friendly green wanders the pathway along.
Round me is humming the busy bee, and with pinion uncertain
Hovers the butterfly gay over the trefoil's red flower.
Fiercely the darts of the sun fall on me,the zephyr is silent,
Only the song of the lark echoes athwart the clear air.
Now from the neighboring copse comes a roar, and the tops of the alders
Bend low down,in the wind dances the silvery grass;
Night ambrosial circles me round; in the coolness so fragrant
Greets me a beauteous roof, formed by the beeches' sweet shade.
In the depths of the wood the landscape suddenly leaves me
And a serpentine path guides up my footsteps on high.
Only by stealth can the light through the leafy trellis of branches
Sparingly pierce, and the blue smilingly peeps through the boughs,
But in a moment the veil is rent, and the opening forest
Suddenly gives back the day's glittering brightness to me!
Boundlessly seems the distance before my gaze to be stretching,
And in a purple-tinged hill terminates sweetly the world.
Deep at the foot of the mountain, that under me falls away steeply,
Wanders the greenish-hued stream, looking like glass as it flows.
Endlessly under me see I the ether, and endlessly o'er
Giddily look I above, shudderingly look I below,
But between the infinite height and the infinite hollow
Safely the wanderer moves over a well-guarded path.
Smilingly past me are flying the banks all teeming with riches,
And the valley so bright boasts of its industry glad.
See how yonder hedgerows that sever the farmer's possessions
Have by Demeter been worked into the tapestried plain!
Kindly decree of the law, of the Deity mortal-sustaining,
Since from the brazen world love vanished forever away.
But in freer windings the measured pastures are traversed
(Now swallowed up in the wood, now climbing up to the hills)
By a glimmering streak, the highway that knits lands together;
Over the smooth-flowing stream, quietly glide on the rafts.
Ofttimes resound the bells of the flocks in the fields that seem living,
And the shepherd's lone song wakens the echo again.
Joyous villages crown the stream, in the copse others vanish,
While from the back of the mount, others plunge wildly below.
Man still lives with the land in neighborly friendship united,
And round his sheltering roof calmly repose still his fields;
Trustingly climbs the vine high over the low-reaching window,
While round the cottage the tree circles its far-stretching boughs.
Happy race of the plain! Not yet awakened to freedom,
Thou and thy pastures with joy share in the limited law;
Bounded thy wishes all are by the harvest's peaceable circuit,
And thy lifetime is spent e'en as the task of the day!
But what suddenly hides the beauteous view? A strange spirit
Over the still-stranger plain spreads itself quickly afar
Coyly separates now, what scarce had lovingly mingled,
And 'tis the like that alone joins itself on to the like.
Orders I see depicted; the haughty tribes of the poplars
Marshalled in regular pomp, stately and beauteous appear.
All gives token of rule and choice, and all has its meaning,
'Tis this uniform plan points out the Ruler to me.
Brightly the glittering domes in far-away distance proclaim him.
Out of the kernel of rocks rises the city's high wall.
Into the desert without, the fauns of the forest are driven,
But by devotion is lent life more sublime to the stone.
Man is brought into nearer union with man, and around him
Closer, more actively wakes, swifter moves in him the world.
See! the emulous forces in fiery conflict are kindled,
Much, they effect when they strive, more they effect when they join.
Thousands of hands by one spirit are moved, yet in thousands of bosoms
Beats one heart all alone, by but one feeling inspired
Beats for their native land, and glows for their ancestors' precepts;
Here on the well-beloved spot, rest now time-honored bones.
Down from the heavens descends the blessed troop of immortals,
In the bright circle divine making their festal abode;
Granting glorious gifts, they appear: and first of all, Ceres
Offers the gift of the plough, Hermes the anchor brings next,
Bacchus the grape, and Minerva the verdant olive-tree's branches,
Even his charger of war brings there Poseidon as well.
Mother Cybele yokes to the pole of her chariot the lions,
And through the wide-open door comes as a citizen in.
Sacred stones! 'Tis from ye that proceed humanity's founders,
Morals and arts ye sent forth, e'en to the ocean's far isles.
'Twas at these friendly gates that the law was spoken by sages;
In their Penates' defence, heroes rushed out to the fray.
On the high walls appeared the mothers, embracing their infants,
Looking after the march, till the distance 'twas lost.
Then in prayer they threw themselves down at the deities' altars,
Praying for triumph and fame, praying for your safe return.
Honor and triumph were yours, but naught returned save your glory,
And by a heart-touching stone, told are your valorous deeds.
"Traveller! when thou com'st to Sparta, proclaim to the people
That thou hast seen us lie here, as by the law we were bid."
Slumber calmly, ye loved ones! for sprinkled o'er by your life-blood,
Flourish the olive-trees there, joyously sprouts the good seed.
In its possessions exulting, industry gladly is kindled.
And from the sedge of the stream smilingly signs the blue god.
Crushingly falls the axe on the tree, the Dryad sighs sadly;
Down from the crest of the mount plunges the thundering load.
Winged by the lever, the stone from the rocky crevice is loosened;
Into the mountain's abyss boldly the miner descends.
Mulciber's anvil resounds with the measured stroke of the hammer;
Under the fist's nervous blow, spurt out the sparks of the steel.
Brilliantly twines the golden flax round the swift-whirling spindles,
Through the strings of the yarn whizzes the shuttle away.
Far in the roads the pilot calls, and the vessels are waiting,
That to the foreigner's land carry the produce of home;
Others gladly approach with the treasures of far-distant regions,
High on the mast's lofty head flutters the garland of mirth.
See how yon markets, those centres of life and of gladness, are swarming!
Strange confusion of tongues sounds in the wondering ear.
On to the pile the wealth of the earth is heaped by the merchant,
All that the sun's scorching rays bring forth on Africa's soil,
All that Arabia prepares, that the uttermost Thule produces,
High with heart-gladdening stores fills Amalthea her horn.
Fortune wedded to talent gives birth there to children immortal,
Suckled in liberty's arms, flourish the arts there of joy.
With the image of life the eyes by the sculptor are ravished,
And by the chisel inspired, speaks e'en the sensitive stone.
Skies artificial repose on slender Ionian columns,
And a Pantheon includes all that Olympus contains.
Light as the rainbow's spring through the air, as the dart from the bowstring,
Leaps the yoke of the bridge over the boisterous stream.
But in his silent chamber the thoughtful sage is projecting
Magical circles, and steals e'en on the spirit that forms,
Proves the force of matter, the hatreds and loves of the magnet,
Follows the tune through the air, follows through ether the ray,
Seeks the familiar law in chance's miracles dreaded,
Looks for the ne'er-changing pole in the phenomena's flight.
Bodies and voices are lent by writing to thought ever silent,
Over the centuries' stream bears it the eloquent page.
Then to the wondering gaze dissolves the cloud of the fancy,
And the vain phantoms of night yield to the dawning of day.
Man now breaks through his fetters, the happy one! Oh, let him never
Break from the bridle of shame, when from fear's fetters he breaks
Freedom! is reason's cry,ay, freedom! The wild raging passions
Eagerly cast off the bonds Nature divine had imposed.
Ah! in the tempest the anchors break loose, that warningly held him
On to the shore, and the stream tears him along in its flood,
Into infinity whirls him,the coasts soon vanish before him,
High on the mountainous waves rocks all-dismasted the bark;
Under the clouds are hid the steadfast stars of the chariot,
Naught now remains,in the breast even the god goes astray.
Truth disappears from language, from life all faith and all honor
Vanish, and even the oath is but a lie on the lips.
Into the heart's most trusty bond, and into love's secrets,
Presses the sycophant base, tearing the friend from the friend.
Treason on innocence leers, with looks that seek to devour,
And the fell slanderer's tooth kills with its poisonous bite.
In the dishonored bosom, thought is now venal, and love, too,
Scatters abroad to the winds, feelings once god-like and free.
All thy holy symbols, O truth, deceit has adopted,
And has e'en dared to pollute Nature's own voices so fair,
That the craving heart in the tumult of gladness discovers;
True sensations are now mute and can scarcely be heard.
Justice boasts at the tribune, and harmony vaunts in the cottage,
While the ghost of the law stands at the throne of the king.
Years together, ay, centuries long, may the mummy continue,
And the deception endure, apeing the fulness of life.
Until Nature awakes, and with hands all-brazen and heavy
'Gainst the hollow-formed pile time and necessity strikes.
Like a tigress, who, bursting the massive grating iron,
Of her Numidian wood suddenly, fearfully thinks,
So with the fury of crime and anguish, humanity rises
Hoping nature, long-lost in the town's ashes, to find.
Oh then open, ye walls, and set the captive at freedom
To the long desolate plains let him in safety return!
But where am I? The path is now hid, declivities rugged
Bar, with their wide-yawning gulfs, progress before and behind.
Now far behind me is left the gardens' and hedges' sure escort,
Every trace of man's hand also remains far behind.
Only the matter I see piled up, whence life has its issue,
And the raw mass of basalt waits for a fashioning hand.
Down through its channel of rock the torrent roaringly rushes,
Angrily forcing a path under the roots of the trees.
All is here wild and fearfully desolate. Naught but the eagle
Hangs in the lone realms of air, knitting the world to the clouds.
Not one zephyr on soaring pinion conveys to my hearing
Echoes, however remote, marking man's pleasures and pains.
Am I in truth, then, alone? Within thine arms, on thy bosom,
Nature, I lie once again!Ah, and 'twas only a dream
That assailed me with horrors so fearful; with life's dreaded phantom,
And with the down-rushing vale, vanished the gloomy one too.
Purer my life I receive again from thine altar unsullied,
Purer receive the bright glow felt by my youth's hopeful days.
Ever the will is changing its aim and its rule, while forever,
In a still varying form, actions revolve round themselves.
But in enduring youth, in beauty ever renewing.
Kindly Nature, with grace thou dost revere the old law!
Ever the same, for the man in thy faithful hands thou preservest
That which the child in its sport, that which the youth lent to thee;
At the same breast thou dost suckle the ceaselessly-varying ages;
Under the same azure vault, over the same verdant earth,
Races, near and remote, in harmony wander together,
See, even Homer's own sun looks on us, too, with a smile!
~ Friedrich Schiller, The Walk
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1386:The Beggar's Daughter Of Bednall-Green
Part the First
Itt was a blind beggar, had long lost his sight,
He had a faire daughter of bewty most bright;
And many a gallant brave suiter had shee,
For none was soe comelye as pretty Bessee.
And though shee was of favor most faire,
Yett seing shee was but a poor beggars heyre,
Of ancyent housekeepers despised was shee,
Whose sonnes came as suitors to prettye Bessee.
Wherefore in great sorrow faire Bessy did say,
'Good father, and mother, let me goe away
To seeke out my fortune, whatever itt bee.'
This suite then they granted to prettye Bessee.
Then Bessy, that was of bewtye soe bright,
All cladd in gray russett, and late in the night
From father and mother alone parted shee,
Who sighed and sobbed for prettye Bessee.
Shee went till shee came to Stratford-le-Bow,
Then knew shee not whither, nor which way to goe;
With teares shee lamented her hard destinie,
So sadd and soe heavy was pretty Bessee.
Shee kept on her journey untill it was day,
And went unto Rumford along the hye way;
Where at the Queenes Armes entertained was shee,
Soe faire and wel favoured was pretty Bessee.
Shee had not beene there a month to an end,
But master and mistres and all was her friend;
And every brave gallant that once did her see
Was straight-way enamoured of pretty Bessee.
Great gifts they did send her of silver and gold,
And in their songs daylye her love was extold;
Her beawtye was blazed in every degree,
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Soe faire and soe comelye was pretty Bessee.
The young men of Rumford in her had their joy;
Shee shewed herself courteous, and modestlye coye,
And at her commandment still wold they bee,
Soe fayre and so comelye was pretty Bessee.
Foure suitors att once unto her did goe,
They craved her favor, but still she sayd noe;
'I wild not wish gentles to marry with mee,-'
Yett ever they honored pretty Bessee.
The first of them was a gallant young knight,
And he came unto her disguisde in the night;
The second a gentleman of good degree,
Who wooed and sued for prettye Bessee.
A merchant of London, whose wealth was not small,
He was the third suiter, and proper withall;
Her masters owne sonne the fourth man must bee,
Who swore he would dye for pretty Bessee.
'And, if thou wilt marry with mee,' quoth the knight,
'Ile make thee a ladye with joy and delight;
My hart's so enthralled by thy bewtie,
That soone I shall dye for prettye Bessee.'
The gentleman sayd, 'Come marry with mee,
As fine as a ladye my Bessy shal bee;
My life is distressed, O heare me,' quoth hee,
'And grant me thy love, my prettye Bessee.'
'Let me bee thy husband,' the merchant cold say,
'Thou shalt live in London both gallant and gay;
My shippes shall bring home rych jewells for thee,
And I will for ever love pretty Bessee.'
Then Bessy shee sighed, and thus shee did say;
'My father and mother I meane to obey;
First gett their good will, and be faithfull to me,
And you shall enjoye your prettye Bessee.'
720
To every one this answer shee made;
Wherfore unto her they joyfullye sayd,
'This thing to fulfill we all doe agree;
But where dwells thy father, my prettye Bessee?'
'My father,' shee said, 'is soone to be seene;
The seely blind beggar of Bednall-greene,
That daylye sits begging for charitie,
He is the good father of pretty Bessee.
'His markes and his tokens are knowen very well;
He always is led with a dogg and a bell;
A seely olde man, God knoweth, is hee,
Yet hee is the father of pretty Bessee.'
'Nay then,' quoth the merchant, 'thou art not for mee;'
'Nor,' quoth the innholder, 'my wiffe thou shalt bee;'
'I lothe,' sayd the gentle, 'a beggars degree,
And therefore, adewe, my pretty Bessee!'
'Why then,' quoth the knight, 'hap better or worse,
I waighe not true love by the waight of the pursse,
And bewtye is bewtye in every degree;
Then welcome unto me, my pretty Bessee.
'With thee to thy father forthwith I will goe.'
'Nay soft,' quoth his kinsmen, 'it must not be soe:
A poor beggars daughter noe ladye shal bee;
Then take thy adew of pretty Bessee.'
But soone after this, by breake of the day,
The knight had from Rumford stole Bessy away;
The younge men of Rumford, as thicke might bee,
Rode after to feitch againe pretty Bessee.
As swifte as the winde to ryde they were seene,
Until they came neare unto Rednall-greene,
And as the knight lighted most courteouslie,
They all fought against him for pretty Bessee.
But rescew came speedilye over the plaine,
Or else the young knight for his love had been slaine;
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This fray being ended, then straitway he see
His kinsmen come rayling at pretty Bessee.
Then spake the blind beggar, 'Although I bee poore,
Yett rayle not against my child at my own doore;
Though shee be not decked in velvett and pearle,
Yet will I dropp angells with you for my girle;
'And then if my gold may better her birthe,
And equall the gold that you lay on the earth,
Then neyther rayle nor grudge you to see
The blind beggars daughter a lady to bee.
'But first you shall promise, and have itt well knowne,
The gold that you drop shall all be your owne.'
With that they replyed, 'Contented bee wee.'
'Then here's,' quoth the beggar, 'for pretty Bessee.'
With that an angell he cast on the ground,
And dropped, in angels, full three thousand pound;
And oftentimes itt was proved most plaine,
For the gentlemens one, the beggar droppt twayne:
Soe that the place wherin they did sitt
With gold it was covered every whitt;
The gentlemen then having dropt all their store,
Sayd, 'Now, beggar, hold, for wee have noe more.
'Thou hast fulfilled thy promise arright;'
'Then marry,' quoth he, 'my girle to this knight;
And heere,' added hee, 'I will now throwe you downe,
A hundred pounds more to buy her a gowne.'
The gentlemen all, that this treasure had seene,
Admired the beggar of Bednall-greene.
And all those that were her suitors before,
There fleshe for very anger they tore.
Thus was faire Besse matched to the knight,
And then made a ladye in others despite:
A fairer ladye there never was seene,
Than the blind beggars daughter of Bednall-greene.
722
But of their sumptuous marriage and feast,
What brave lords and knights thither were prest,
The Second Fitt shall set forth to your sight,
With marveilous pleasure, and wished delight.
Part the Second
Off a blind beggars daughter most bright,
That late was betrothed unto a younge knight,
All the discourse therof you did see,
But now comes the wedding of pretty Bessee.
Within a gorgeous palace most brave,
Adorned with all the cost they cold have,
This wedding was kept most sumptuouslie,
And all for the creditt of pretty Bessee.
All kind of dainties and delicates sweete
Were bought for the banquet, as it was most meete;
Partridge, and plover, and venison most free,
Against the brave wedding of pretty Bessee.
This marriage through England was spread by report,
Soe that a great number thereto did resort,
Of nobles and gentles in every degree,
And all for the fame of prettye Bessee.
To church then went this gallant younge knight;
His bride followed after, an angell most bright,
With troopes of ladyes, the like nere was seene
As went with sweete Bessy of Bednall-greene.
This marryage being solempnized then,
With musicke performed by the skilfullest men,
The nobles and gentles sate downe at that tyde,
Each one admiring the beautifull bryde.
Now, after the sumptuous dinner was done,
To talke and to reason a number begunn,
They talkt of the blind beggars daughter most bright,
And what with his daughter he gave to the knight.
723
Then spake the nobles, 'Much marveil have wee
This jolly blind beggar wee cannot here see.'
'My Lords,' qouth the bride, 'my father's so base
He is loth with his presence these states to disgrace.'
'The prayse of a woman in questyon to bringe,
Before her own face, were a flattering thinge;
But wee thinke thy father's baseness,' quoth they,
'Might by thy bewtye be cleane put away.'
They had noe sooner these pleasant words spoke,
But in comes the beggar cladd in a silke cloke,
A faire velvet capp and a fether had hee,
And now a musicyan, forsooth, he wold bee.
He had a daintye lute under his arme,
He touched the strings, which made such a charme;
Saies, 'Please you to heare any musicke of mee,
Ile sing you a song of pretty Bessee.'
With that his lute he twanged straightway,
And thereon begann most sweetlye to play,
And after that lessons were playd two or three,
He strayn'd out this song most delicatlie:
'A poore beggars daughter did dwell on a greene,
Who for her fairenesse might well be a queene,
A blithe bonny lasse, and a daintye was shee,
And many one called her pretty Bessee.
'Her father hee had noe goods, nor noe land,
But beggd for a penny all day with his hand,
And yett to her marriage hee gave thousands three,
And still he hath somewhat for pretty Bessee.
'And if any one here her berth doe disdaine,
Her father is ready, with might and with maine,
To proove shee is come of noble degree,
Therfore never flout att prettye Bessee.'
With that the lords and the companye round
724
With harty laughter were readye to swound;
Att last said the lords, 'Full well wee may see,
The bride and the beggar's behoulden to thee.'
On this the bride all blushing did rise,
The pearlie dropps standing within her faire eyes;
'O pardon my father, grave nobles,' quoth shee,
'That throughe blind affection thus doteth on mee.'
'If this be thy father,' the nobles did say,
'Well may he be proud of this happy day,
Yett by his countenance well may wee see,
His birth and his fortune did never agree.
'And therfore, blind man, we pray thee bewray,
(And looke that the truth thou to us doe say),
Thy birth and thy parentage what itt may bee,
For the love that thou bearest to pretty Bessee.'
'Then give me leave, nobles and gentles, each one,
One song more to sing and then I have done;
And if that itt may not winn good report,
Then doe not give me a Groat for my sport:
'[Sir Simon de Montfort my subject shal bee;
Once chiefe of all the great barons was hee,
Yet fortune so cruelle this lorde did abase,
Now loste and forgotten are hee and his race.
'When the barons in armes did King Henrye oppose,
Sir Simon de Montfort their leader they chose;
A leader of courage undaunted was hee,
And oft-times he made their enemyes flee.
'At length in the battle on Evashame plaine
The barons were routed, and Montfort was slaine;
Most fatall that battel did prove unto thee,
Thoughe thou wast not borne then, my prettye Bessee!
'Along with the nobles that fell at that tyde,
His eldest son Henrye, who fought by his side,
Was fellde by a blowe he receivde in the fight!
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A blowe that deprivde him for ever of sight.
'Among the dead bodyes all lifelesse he laye,
Till evening drewe on of the following daye,
When by a yong ladye discoverd was hee;
And this was thy mother, my prettye Bessee!
'A barons faire daughter stept forth in the nighte
To search for her father who fell in the fight,
And seeing yong Montfort, where gasping he laye,
Was moved with pitye and brought him awaye.
'In secrette she nurst him and swaged his paine,
While he throughe the realme was beleevd to be slaine;
At lengthe his faire bride she consented to bee,
And made him glad father of prettye Bessee.
'And nowe lest oure foes our lives sholde betraye,
We clothed ourselves in beggars arraye;
Her jewelles shee solde, and hither came wee;
All our comfort and care was our prettye Bessee.]
'And here have wee lived in fortunes despite,
Thoughe poore, yet contented, with humble delighte:
Full forty winters thus have I beene
A silly blind beggar of Bednall-greene.
'And here, noble lordes, is ended the song
Of one that once to your own ranke did belong;
And thus have you learned a secrette from mee,
That ne'er had beene knowne but for prettye Bessee.'
Now when the faire companye everye one
Had heard the strange tale in the song he had showne,
They all were amazed, as well they might bee,
Both at the blinde beggar and pretty Bessee.
With that the faire bride they all did embrace,
Saying, 'Sure thou art come of an honourable race;
Thy father likewise is of noble degree,
And thou art well worthy a lady to bee.'
726
Thus was the feast ended with joye and delighte;
A bridegroome most happy then was the young knighte,
In joy and felicitie long lived hee,
All with his faire ladye, the pretty Bessee.
~ Anonymous Olde English,#NFDB |
1387:The Kalevala - Rune Xlvii
LOUHI STEALS SUN, MOON, AND FIRE.
Wainamoinen, ancient minstrel,
Touched again his magic harp-strings,
Sang in miracles of concord,
Filled the north with joy and gladness.
Melodies arose to heaven,
Songs arose to Luna's chambers,
Echoed through the Sun's bright windows
And the Moon has left her station,
Drops and settles in the birch-tree;
And the Sun comes from his castle,
Settles in the fir-tree branches,
Comes to share the common pleasure,
Comes to listen to the singing,
To the harp of Wainamoinen.
Louhi, hostess of Pohyola,
Northland's old and toothless wizard,
Makes the Sun and Moon her captives;
In her arms she takes fair Luna
From her cradle in the birch-tree,
Calls the Sun down from his station,
From the fir-tree's bending branches,
Carries them to upper Northland,
To the darksome Sariola;
Hides the Moon, no more to glimmer,
In a rock of many colors;
Hides the Sun, to shine no longer,
In the iron-banded mountain;
Thereupon these words she utters:
'Moon of gold and Sun of silver,
Hide your faces in the caverns
Of Pohyola's dismal mountain;
Shine no more to gladden Northland,
Till I come to give ye freedom,
Drawn by coursers nine in number,
Sable coursers of one mother!'
When the golden Moon had vanished,
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And the silver Sun had hidden
In the iron-banded caverns,
Louhi stole the fire from Northland,
From the regions of Wainola,
Left the mansions cold and cheerless,
And the cabins full of darkness.
Night was king and reigned unbroken,
Darkness ruled in Kalevala,
Darkness in the home of Ukko.
Hard to live without the moonlight,
Harder still without the sunshine;
Ukko's life is dark and dismal,
When the Sun and Moon desert him.
Ukko, first of all creators,
Lived in wonder at the darkness;
Long reflected, well considered,
Why this miracle in heaven,
What this accident in nature
To the Moon upon her journey;
Why the Sun no more is shining,
Why has disappeared the moonlight.
Then great Ukko walked the heavens,
To the border of the cloudlets,
In his purple-colored vestments,
In his silver-tinselled sandals,
Seeking for the golden moonlight,
Looking for the silver sunshine.
Lightning Ukko struck in darkness
From the edges of his fire-sword;
Shot the flames in all directions,
From his blade of golden color,
Into heaven's upper spaces,
Into Ether's starry pastures.
When a little fire had kindled,
Ukko hid it in the cloud-space,
In a box of gold and silver,
In a case adorned with silver,
Gave it to the ether-maidens,
Called a virgin then to rock it,
That it might become a new-moon,
That a second sun might follow.
On the long-cloud rocked the virgin,
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On the blue-edge of the ether,
Rocked the fire of the Creator,
In her copper-colored cradle,
With her ribbons silver-studded.
Lowly bend the bands of silver,
Loud the golden cradle echoes,
And the clouds of Northland thunder,
Low descends the dome of heaven,
At the rocking of the lightning,
Rocking of the fire of Ukko.
Thus the flame was gently cradled
By the virgin of the ether.
Long the fair and faithful maiden
Stroked the Fire-child with her fingers,
Tended it with care and pleasure,
Till in an unguarded moment
It escaped the Ether-virgin,
Slipped the hands of her that nursed it.
Quick the heavens are burst asunder,
Quick the vault of Ukko opens,
Downward drops the wayward Fire-child,
Downward quick the red-ball rushes,
Shoots across the arch of heaven,
Hisses through the startled cloudlets,
Flashes through the troubled welkin,
Through nine starry vaults of ether.
Then the ancient Wainamoinen
Spake and these the words he uttered:
'Blacksmith brother, Ilmarinen,
Let us haste and look together,
What the kind of fire that falleth,
What the form of light that shineth
From the upper vault of heaven,
From the lower earth and ocean.
Has a second moon arisen,
Can it be a ball of sunlight?
Thereupon the heroes wandered,
Onward journeyed and reflected,
How to gain the spot illumined,
How to find the sacred Fire-child.
Came a river rushing by them,
Broad and stately as an ocean.
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Straightway ancient Wainamoinen
There began to build a vessel,
Build a boat to cross the river.
With the aid of Ilmarinen,
From the oak he cut the row-locks,
From the pine the oars be fashioned,
From the aspen shapes the rudder.
When the vessel they had finished,
Quick they rolled it to the current,
Hard they rowed and ever forward,
On the Nawa-stream and waters,
At the head of Nawa-river.
Ilmatar, the ether-daughter,
Foremost daughter of creation,
Came to meet them on their journey,
Thus addressed the coming strangers:
'Who are ye of Northland heroes,
Rowing on the Nawa-waters?'
Wainamoinen gave this answer:
'This the blacksmith, Ilmarinen,
I the ancient Wainamoinen.
Tell us now thy name and station,
Whither going, whence thou comest,
Where thy tribe-folk live and linger?
Spake the daughter of the Ether:
'I the oldest of the women,
Am the first of Ether's daughters,
Am the first of ancient mothers;
Seven times have I been wedded.
To the heroes of creation.
Whither do ye strangers journey?
Answered thus old Wainamoinen:
'Fire has left Wainola's hearth-stones,
Light has disappeared from Northland;
Have been sitting long in darkness,
Cold and darkness our companions;
Now we journey to discover
What the fire that fell from heaven,
Falling from the cloud's red lining,
To the deeps of earth and ocean.'
Ilmatar returned this answer:
'Hard the flame is to discover,
259
Hard indeed to find the Fire-child;
Has committed many mischiefs,
Nothing good has he accomplished;
Quick the fire-ball fell from ether,
From the red rims of the cloudlets,
From the plains of the Creator,
Through the ever-moving heavens,
Through the purple ether-spaces,
Through the blackened flues of Turi,
To Palwoinen's rooms uncovered.
When the fire had reached the chambers
Of Palwoinen, son of evil,
He began his wicked workings,
He engaged in lawless actions,
Raged against the blushing maidens,
Fired the youth to evil conduct,
Singed the beards of men and heroes.
'Where the mother nursed her baby,
In the cold and cheerless cradle,
Thither flew the wicked Fire-child,
There to perpetrate some mischief;
In the cradle burned the infant,
By the infant burned the mother,
That the babe might visit Mana,
In the kingdom of Tuoni;
Said the child was born for dying,
Only destined for destruction,
Through the tortures of the Fire-child.
Greater knowledge had the mother,
Did not journey to Manala,
Knew the word to check the red-flame,
How to banish the intruder
Through the eyelet of a needle,
Through the death-hole of the hatchet.'
Then the ancient Wainamoinen
Questioned Ilmatar as follows:
'Whither did the Fire-child wander,
Whither did the red-flame hasten,
From the border-fields of Turi,
To the woods, or to the waters?
Straightway Ilmatar thus answers:
'When the fire had fled from Turi,
260
From the castles of Palwoinen,
Through the eyelet of the needle,
Through the death-hole of the hatchet,
First it burned the fields, and forests,
Burned the lowlands, and the heather;
Then it sought the mighty waters,
Sought the Alue-sea and river,
And the waters hissed and sputtered
In their anger at the Fire-child,
Fiery red the boiling Alue!
'Three times in the nights of, summer,
Nine times in the nights of autumn,
Boil the waters to the tree-tops,
Roll and tumble to the mountain,
Through the red-ball's force and fury;
Hurls the pike upon the pastures,
To the mountain-cliffs, the salmon,
Where the ocean-dwellers wonder,
Long reflect and well consider
How to still the angry waters.
Wept the salmon for his grotto,
Mourned the whiting for his cavern,
And the lake-trout for his dwelling,
Quick the crook-necked salmon darted,
Tried to catch the fire-intruder,
But the red-ball quick escaped him;
Darted then the daring whiting,
Swallowed quick the wicked Fire-child,
Swallowed quick the flame of evil.
Quiet grow the Alue-waters,
Slowly settle to their shore-lines,
To their long-accustomed places,
In the long and dismal evening.
'Time had gone but little distance,
When the whiting grow affrighted,
Fear befel the fire-devourer;
Burning pain and writhing tortures
Seized the eater of the Fire-child;
Swam the fish in all directions,
Called, and moaned, and swam, and circled,
Swam one day, and then a second,
Swam the third from morn till even;
261
Swam she to the whiting-island,
To the caverns of the salmon,
Where a hundred islands cluster;
And the islands there assembled
Thus addressed the fire-devourer:
'There is none within these waters,
In this narrow Alue-lakelet,
That will eat the fated Fire-fish
That will swallow thee in trouble,
In thine agonies and torture
From the Fire-child thou hast eaten.'
'Hearing this a trout forth darting,
Swallowed quick as light the whiting,
Quickly ate the fire-devourer.
Time had gone but little distance,
When the trout became affrighted,
Fear befel the whiting-eater;
Burning pain and writhing torment
Seized the eater of the Fire-fish.
Swam the trout in all directions,
Called, and moaned, and swam, and circled,
Swam one day, and then a second,
Swain the third from morn till even;
Swam she to the salmon-island,
Swam she to the whiting-grottoes,
Where a thousand islands cluster,
And the islands there assembled
Thus addressed the tortured lake-trout:
'There is none within this river,
In these narrow Alue-waters,
That will eat the wicked Fire-fish,
That will swallow thee in trouble,
In thine agonies and tortures,
From the Fire-fish thou hast eaten.'
Hearing this the gray-pike darted,
Swallowed quick as light the lake-trout,
Quickly ate the tortured Fire-fish.
'Time had gone but little distance,
When the gray-pike grew affrighted,
Fear befel the lake-trout-eater;
Burning pain and writhing torment
Seized the reckless trout-devourer;
262
Swam the pike in all directions,
Called, and moaned, and swam, and circled,
Swam one day, and then a second,
Swam the third from morn till even,
To the cave of ocean-swallows,
To the sand-hills of the sea-gull,
Where a hundred islands cluster;
And the islands there assembled
Thus addressed the fire-devourer:
'There is none within this lakelet,
In these narrow Alue-waters,
That will eat the fated Fire-fish,
That will swallow thee in trouble,
In thine agonies and tortures,
From the Fire-fish thou hast eaten.''
Wainamoinen, wise and ancient,
With the aid of Ilmarinen,
Weaves with skill a mighty fish-net
From the juniper and sea-grass;
Dyes the net with alder-water,
Ties it well with thongs of willow.
Straightway ancient Wainamoinen
Called the maidens to the fish-net,
And the sisters came as bidden.
With the netting rowed they onward,
Rowed they to the hundred islands,
To the grottoes of the salmon,
To the caverns of the whiting,
To the reeds of sable color,
Where the gray-pike rests and watches.
On they hasten to the fishing,
Drag the net in all directions,
Drag it lengthwise, sidewise, crosswise,
And diagonally zigzag;
But they did not catch the Fire-fish.
Then the brothers went a-fishing,
Dragged the net in all directions,
Backwards, forwards, lengthwise, sidewise,
Through the homes of ocean-dwellers,
Through the grottoes of the salmon,
Through the dwellings of the whiting,
Through the reed-beds of the lake-trout,
263
Where the gray-pike lies in ambush;
But the fated Fire-fish came not,
Came not from the lake's abysses,
Came not from the Alue-waters.
Little fish could not be captured
In the large nets of the masters;
Murmured then the deep-sea-dwellers,
Spake the salmon to the lake-trout,
And the lake-trout to the whiting,
And the whiting to the gray-pike:
Have the heroes of Wainola
Died, or have they all departed
From these fertile shores and waters?
Where then are the ancient weavers,
Weavers of the nets of flax-thread,
Those that frighten us with fish-poles,
Drag us from our homes unwilling?'
Hearing this wise Wainamoinen
Answered thus the deep-sea-dwellers:
'Neither have Wainola's heroes
Died, nor have they all departed
From these fertile shores and waters,
Two are born where one has perished;
Longer poles and finer fish-nets
Have the sons of Kalevala!'
~ Elias Lönnrot,#NFDB |
1388:Into The Silent Land
I.
'Oh for a pen of light, a tongue of fire,
That every word might burn in living flame
Upon the age's brow, and leave one name
Engraven on the future! One desire
Fills every nook and cranny of my heart;
One hope-one sorrow-one beloved aim!
She whose pure life was of my life a part,
As light is of the day, could she inspire
My unmelodious muse, or tune the lyre
To diapasons worthy of the theme,
How would her joy put on its robes of light,
And nestle in my bosom once again,
As when life, like an Oriental dream,
Fanned by Arabian airs, glode down the stream
To music whose remembrance is a pain.
The foot of time might trample on my strain,
But could not quench its essence. There was might,
And majesty, and greatness in the love
She blest me with-a blessing without stain,
And that was earthly; since her spirit-sight
Looked through the veil, and learned love's true delight,
Which sainted ministrants alone can prove
Who taste the waters of eternal love:
I pause to think how wonderful has grown
The love that was to me so wondrous here!
Chained as I am to this terrestrial sphere,
Groping my way through darkness, and alone,
Like a blind eaglet soaring towards the sun,
How would her full experience lift and cheer
The heart that never feels its duty done,
And with a girdle of pure light enzone
My flowery world of thought, and make it all her own.'
Thus mused the Minstrel, for his heart was sad.
Death had bereaved him of his bride, while youth,
And looming years of future trust and truth,
60
Knit them together, till their souls were clad
With joy ineffable. Love's great High Priest
Sacrificed in their hearts to Him that doeth
All things well; and such rare, perpetual feast
Of love and truth no mortals ever had,
To keep their memories green, their lives serene and glad,
He sat again within the quiet room,
Where Death had snapped one golden thread of life,
And the pale hand of Sickness, sorrow-rife,
Robbed the plump cheek of childhood of its bloom;
Where she, another Philomena, moved
Like a fond Charity-the coming wife
Ordained to crown his being: And he loved.
The future rose before him, joy and gloom;
For where the sunlight shone, there waved the sable plume.
And yet he failed not, for the coming pain;
The coming bliss would counterbalance all.
The sight prophetic that perceived the pall,
Looked far beyond for the celestial gain.
They do not truly love who cannot yield
The mortal up at the Immortal's call,
Or fail to triumph for the soul that's sealed.
His mind was strung to one harmonious strain:
To give when God should ask, and not resign in vain.
Love was to him life's chiefest victory;
He knew no greater, and he sought no less.
Like a green isle surrounded by the sea
That gives it health and vigour, so was he
The centre of love's sphere of perfectness;
He breathed its heavenly atmosphere; the key
That opened every chamber in love's court
Was in his hand; love's mystery was his sport,
He knelt within love's fane and worshipped thereBut not alone, for one was by his side
Whose love refined his being, filled the air
Of life's irradiated sky with light,
As the sun floods the heavens with a tide
Of renovating freshness, as the night
61
Is mellowed by the ample moon.
And hoping for the recompense
That would be theirs in life's approaching noon,
They built on hope's high eminence
Their airy palaces, whose magnificence
Surpassed the dreams that fancy drew,
So fair the promised land that lay within their view.
And here they lived; just within reach of heaven.
They could put forth their hands and touch the skies
That brooded o'er the walls of chrysolite,
The airy minarets, and golden domes
Of their new home, by Love, the Maker, given,
Steeped in his brightest dyes.
All nature opened up her ponderous tomes,
Whereby they had new knowledge and new sight,
Learned greater truths, and saw the paths of light,
Mosaic-paven, which to Duty led.
And there were secrets written overhead,
In burning hieroglyphs of thought,
From which they gleaned such lessons as are taught
Only to those whom heaven, in graciousness,
Lifts in her arms with a divine caress.
Earth, like a joyous maiden whose pure soul
Is filled with sudden ecstacy, became
A fruitful Eden; and the golden bowl
That held their elixir of life was filled
To overflowing with the rarest draught
Ever by gods or men in rapture quaffed;
Till from the altar of their hearts love's flame
Passed through the veins of the world, and thrilled
The soul of the rejoicing universe,
Which became theirs, and like true neophytes
They drained the sweet nepenthe, and love's rites
Wiped from their hearts all trace of the primeval curse.
The happy months rolled on; each wedded day
A bridal; and each calm and holy eve
Strewed with rare blessings all the sunny way
Through which they passed, with so divine a joy
That in his brain would meditation weave
62
Love's roses into garlands of sweet song,
To deck the brow of his devoted wife.
In this their El Dorado, no alloy
Mixed with the coinage of their wedded life;
The workmen in the mint an honest throng.
No wonder, then, that with go fine a bliss
Informing every fibre of his brain,
His thoughts begat impressions such as this;
Linking their lives together with a chain
Of melody as rare as some divine refrain:
Like dew to the thirsty flower,
Like sweets to the hungry bee,
Is love's divinest dower,
Its tenderness and power,
To thee, dear Wife! to thee.
Like light to the darkened spirit,
Like oil to the turbid sea,
Like truthful words to merit,
Are the blessings I inherit
With thee, dear Wife! with thee.
Afar in the distant ages,
Soul-ransomed, and spirit-free,
I'll read all being's pages,
Unread by mortal sages,
With thee, dear Wife! with thee.
None but the happy heart could carol thus;
A feather stolen from Devotion's wing,
To keep as a memento of the time
When earth met heaven, in life's duteous
And prayerful journey towards the shadowy clime;
Ere they descended from their height sublime,
Where at Love's well-filled table, banqueting,
They sat, and watched the first glad year,
Earthlike, revolving round the sun
Of their true life. Within that sphere
Was the new Eden. One by one
63
The precious moments dropped like golden sands,
And formed the solid hours. No perilous strands
Delayed life's blissful current, as it sped
Through flowery realms with blue skies overhead,
To songs and laughter musically sweet,
As if all sorrow had forever fled;
And idylls, sung with cheerful tone,
Haunted the calm, enchanted zone
That hemmed them in,
Where, like a stately queen,
Sate Peace, beatified, serene,
The guardian, heaven-sent, of this their fair demesne:
--LOVE'S ANNIVERSARY.
Like a bold, adventurous swain,
Just a year ago to-day,
I launched my bark on a radiant main,
And Hymen led the way:
'Breakers ahead!' he cried,
As he sought to overwhelm
My daring craft in the shrieking tide,
But Love, like a pilot bold and tried,
Sat, watchful, at the helm.
And we passed the treacherous shoals,
Where many a hope lay dead,
And splendid wrecks were piled, like the ghouls
Of joys forever fled.
Once safely over these,
We sped by a fairy realm,
Across the bluest and calmest seas
That were ever kissed by a truant breeze,
With Love still at the helm.
We sailed by sweet, odorous isles,
Where the flowers and trees were one;
Through lakes that vied with the golden smiles
Of heaven's unclouded sun:
Still speeds our merry bark,
64
Threading life's peaceful realm,
And 'tis ever morn with our marriage-lark,
For the Pilot-Love of our safety-ark
Stands, watchful, at the helm.
II.
A beautiful land is the Land of Dreams,
Green hills and valleys, and deep lagoons,
Swift-rushing torrents and gentle streams,
Glassing a myriad silver moons;
Mirror-like lakelets with lovely isles,
And verdurous headlands looking down
On the Neread shapes, whose smiles
Were worth the price of a peaceful crown.
We clutch at the silvery bars
Flung from the motionless stars,
And climb far into space,
Defying the race
Who ride in aerial cars.
We take up the harp of the mind,
And finger its delicate strings;
The notes, soft and light
As a moonbeam's flight,
Departing on viewless wings.
Afar in some fanciful bower,
Some region of exquisite calm,
Where the starlight falls in a gleaming shower,
We sink to repose
On our couch of rose,
Inhaling no mortal balm.
The worlds are no longer unknown,
We pass through the uttermost sky,
Our eyelids are kissed
By a gentle mist,
And we feel the tone
Of a calmer zone,
As if heaven were wondrous nigh.
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A fanciful land is the Land of Dreams,
Where earth and heaven are clasping hands;
No heaven-no earth,
But one wide, new birth,
Where Beauty and Goodness, and human worth,
Make earth of heaven and heaven of earth;
And angels are walking on golden strands.
And the pearly gates of the universe
Of mind and fancy, opening
To the touch of the dainty finger-tips
Of elegant Peris with rose-bud lips,
Delicate, weird-like sounds are born
From the amber depths of odorous morn,
And spirits of beauty and light rehearse
Such strains as the young immortals sing,
When the souls of the blest
Are borne to their rest,
On luminous pinions of light serene
To the fragrant bowers of evergreen;
O'er the rosy plains, where the dying hours
Are changed by a spell to celestial flowers,
Where the skies have a hue no name can express,
For the tone of their passionate loveliness
Surpasseth all human imagining.
Such was their beautiful Dream of Life;
Each stern reality softened down;
Earth seemed to have ended her age of Strife,
And Harmony reigned, her olive crown
Besting on the Parian brow
Of the fair victor, like the gleam
Of the silvery moon on waves that flow
Thoughtfully down the summer stream.
Such was their earnest Dream of Life!
Was it some angel, with jealous eye,
Seeing such love beneath the sky
As never yet in world or star,
Or spheral height, that reached so far
'Twas never beheld by mortal sight,
Or elsewhere, save in highest heaven,
66
Was duly earned, or truly given,
That leagued with the usurper, Death,
To quench the light that shone so bright
That in all the earth there was not a breath
So foul as to change their day to night?
Alone! alone! Oh, word of fearful tone!
Well might the moon withhold her light,
The stars withdraw from human sight,
When Love was overthrown.
The Minstrel's heart how changed!
Love's principalities,
O'er which he reigned supreme,
Usurped by earth's realities;
The realm through which he ranged
Become a vanished dream!
And yet he sung, as sings
The dying swan that droops its wings
And drifts along the stream:
--THE LIGHT IN THE WINDOW PANE.
A joy from my soul's departed,
A bliss from my heart is flown,
As weary, weary-hearted,
I wander alone-alone!
The night wind sadly sigheth
A withering, wild refrain,
And my heart within me dieth
For the light in the window pane.
The stars overhead are shining,
As brightly as e'er they shone,
As heartless-sad-repining,
I wander alone-alone!
A sudden flash comes streaming,
And flickers adown the lane,
But no more for me is gleaming
The light in the window pane.
67
The voices that pass are cheerful,
Men laugh as the night winds moan;
They cannot tell how fearful
'Tis to wander alone-alone!
For them, with each night's returning,
Life singeth its tenderest strain,
Where the beacon of love is burningThe light in the window pane.
Oh, sorrow beyond all sorrows
To which human life is prone:
Without thee, through all the morrows,
To wander alone-alone!
Oh, dark, deserted dwelling!
Where Hope like a lamb was slain,
No voice from thy lone walls welling,
No light in thy window pane.
But memory, sainted angel!
Rolls back the sepulchral stone,
And sings like a sweet evangel:
'No-never, never alone!
True grief has its royal palace,
Each loss is a greater gain;
And Sorrow ne'er filled a chalice
That Joy did not wait to drain!
--'Man must be perfected
By suffering,' he said;
'And Death is but the stepping-stone, whereby
We mount towards the gate
Of heaven, soon or late.
Death is the penalty of life; we die,
Because we live; and life
Is but a constant strife
With the immortal Impulse that within
Our bodies seeks controlThe time-abiding Soul,
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That wrestles with us-yet we fain would win.
And what? the victory
Would make us slaves; and we,
Who in our blindness struggle for the prize
Of this illusive state
Called Life, do but frustrate
The higher law-refusing to be wise.'
Rightly he knew, indeed,
Earth's brightest paths but lead
To the true wisdom of that perfect state,
Where Knowledge, heaven-born,
And Love's eternal morn,
Awaiteth those who would be truly great.
With what abiding trust
He rose from out the dust,
As Death's swift chariot passed him by the way;
No visionary dream
Was his-no trifling themeThe Soul's great Mystery before him lay:
--THE SOUL.
All my mind has sat in state,
Pond'ring on the deathless Soul:
What must be the Perfect Whole,
When the atom is so great!
God! I fall in spirit down,
Low as Persian to the sun;
All my senses, one by one,
In the stream of Thought must drown.
On the tide of mystery,
Like a waif, I'm seaward borne,
Ever looking for the morn
That will yet interpret Thee,
69
Opening my blinded eyes,
That have strove to look within,
'Whelmed in clouds of doubt and sin,
Sinking where I dared to rise:
Could I trace one Spirit's flight,
Track it to its final goal,
Know that 'Spirit' meant 'the Soul,'
I must perish in the light.
All in vain I search, and cry:
'What, O Soul, and whence art thou?'
Lower than the earth I bow,
Stricken with the grave reply:
'Wouldst thou ope what God has sealedSealed in mercy here below?
What is best for man to know,
Shall most surely be revealed!'
Deep on deep of mystery!
Ask the sage, he knows no more
Of the soul's unspoken lore
Than the child upon his knee!
Cannot tell me whence the thought
That is passing through my mind!
Where the mystic soul is shrined,
Wherewith all my life is fraught?
Knows not how the brain conceives
Images almost divine;
Cannot work my mental mine,
Cannot bind my golden sheaves.
Is he wiser, then, than I,
Seeing he can read the stars?
I have rode in fancy's oars
Leagues beyond his farthest sky!
Some old Rabbi, dreaming o'er
The sweet legends of his race,
70
Ask him for some certain trace
Of the far, eternal shore.
No. The Talmud page is dark,
Though it burn with quenchless fire,
And the insight must pierce higher,
That would find the vital spark.
O, my Soul! be firm and wait,
Hoping with the zealous few,
Till the Shekinah of the True
Lead thee through the Golden Gate.
~ Charles Sangster,#NFDB |
1389:The Shadow
Paul Jannes was working very late,
For this watch must be done by eight
To-morrow or the Cardinal
Would certainly be vexed. Of all
His customers the old prelate
Was the most important, for his state
Descended to his watches and rings,
And he gave his mistresses many things
To make them forget his age and smile
When he paid visits, and they could while
The time away with a diamond locket
Exceedingly well. So they picked his pocket,
And he paid in jewels for his slobbering kisses.
This watch was made to buy him blisses
From an Austrian countess on her way
Home, and she meant to start next day.
Paul worked by the pointed, tulip-flame
Of a tallow candle, and became
So absorbed, that his old clock made him wince
Striking the hour a moment since.
Its echo, only half apprehended,
Lingered about the room. He ended
Screwing the little rubies in,
Setting the wheels to lock and spin,
Curling the infinitesimal springs,
Fixing the filigree hands. Chippings
Of precious stones lay strewn about.
The table before him was a rout
Of splashes and sparks of coloured light.
There was yellow gold in sheets, and quite
A heap of emeralds, and steel.
Here was a gem, there was a wheel.
And glasses lay like limpid lakes
Shining and still, and there were flakes
Of silver, and shavings of pearl,
And little wires all awhirl
With the light of the candle. He took the watch
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And wound its hands about to match
The time, then glanced up to take the hour
From the hanging clock.
Good, Merciful Power!
How came that shadow on the wall,
No woman was in the room! His tall
Chiffonier stood gaunt behind
His chair. His old cloak, rabbit-lined,
Hung from a peg. The door was closed.
Just for a moment he must have dozed.
He looked again, and saw it plain.
The silhouette made a blue-black stain
On the opposite wall, and it never wavered
Even when the candle quavered
Under his panting breath. What made
That beautiful, dreadful thing, that shade
Of something so lovely, so exquisite,
Cast from a substance which the sight
Had not been tutored to perceive?
Paul brushed his eyes across his sleeve.
Clear-cut, the Shadow on the wall
Gleamed black, and never moved at all.
Paul's watches were like amulets,
Wrought into patterns and rosettes;
The cases were all set with stones,
And wreathing lines, and shining zones.
He knew the beauty in a curve,
And the Shadow tortured every nerve
With its perfect rhythm of outline
Cutting the whitewashed wall. So fine
Was the neck he knew he could have spanned
It about with the fingers of one hand.
The chin rose to a mouth he guessed,
But could not see, the lips were pressed
Loosely together, the edges close,
And the proud and delicate line of the nose
Melted into a brow, and there
Broke into undulant waves of hair.
The lady was edged with the stamp of race.
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A singular vision in such a place.
He moved the candle to the tall
Chiffonier; the Shadow stayed on the wall.
He threw his cloak upon a chair,
And still the lady's face was there.
From every corner of the room
He saw, in the patch of light, the gloom
That was the lady. Her violet bloom
Was almost brighter than that which came
From his candle's tulip-flame.
He set the filigree hands; he laid
The watch in the case which he had made;
He put on his rabbit cloak, and snuffed
His candle out. The room seemed stuffed
With darkness. Softly he crossed the floor,
And let himself out through the door.
The sun was flashing from every pin
And wheel, when Paul let himself in.
The whitewashed walls were hot with light.
The room was the core of a chrysolite,
Burning and shimmering with fiery might.
The sun was so bright that no shadow could fall
From the furniture upon the wall.
Paul sighed as he looked at the empty space
Where a glare usurped the lady's place.
He settled himself to his work, but his mind
Wandered, and he would wake to find
His hand suspended, his eyes grown dim,
And nothing advanced beyond the rim
Of his dreaming. The Cardinal sent to pay
For his watch, which had purchased so fine a day.
But Paul could hardly touch the gold,
It seemed the price of his Shadow, sold.
With the first twilight he struck a match
And watched the little blue stars hatch
Into an egg of perfect flame.
He lit his candle, and almost in shame
At his eagerness, lifted his eyes.
398
The Shadow was there, and its precise
Outline etched the cold, white wall.
The young man swore, 'By God! You, Paul,
There's something the matter with your brain.
Go home now and sleep off the strain.'
The next day was a storm, the rain
Whispered and scratched at the window-pane.
A grey and shadowless morning filled
The little shop. The watches, chilled,
Were dead and sparkless as burnt-out coals.
The gems lay on the table like shoals
Of stranded shells, their colours faded,
Mere heaps of stone, dull and degraded.
Paul's head was heavy, his hands obeyed
No orders, for his fancy strayed.
His work became a simple round
Of watches repaired and watches wound.
The slanting ribbons of the rain
Broke themselves on the window-pane,
But Paul saw the silver lines in vain.
Only when the candle was lit
And on the wall just opposite
He watched again the coming of IT,
Could he trace a line for the joy of his soul
And over his hands regain control.
Paul lingered late in his shop that night
And the designs which his delight
Sketched on paper seemed to be
A tribute offered wistfully
To the beautiful shadow of her who came
And hovered over his candle flame.
In the morning he selected all
His perfect jacinths. One large opal
Hung like a milky, rainbow moon
In the centre, and blown in loose festoon
The red stones quivered on silver threads
To the outer edge, where a single, fine
Band of mother-of-pearl the line
399
Completed. On the other side,
The creamy porcelain of the face
Bore diamond hours, and no lace
Of cotton or silk could ever be
Tossed into being more airily
Than the filmy golden hands; the time
Seemed to tick away in rhyme.
When, at dusk, the Shadow grew
Upon the wall, Paul's work was through.
Holding the watch, he spoke to her:
'Lady, Beautiful Shadow, stir
Into one brief sign of being.
Turn your eyes this way, and seeing
This watch, made from those sweet curves
Where your hair from your forehead swerves,
Accept the gift which I have wrought
With your fairness in my thought.
Grant me this, and I shall be
Honoured overwhelmingly.'
The Shadow rested black and still,
And the wind sighed over the window-sill.
Paul put the despised watch away
And laid out before him his array
Of stones and metals, and when the morning
Struck the stones to their best adorning,
He chose the brightest, and this new watch
Was so light and thin it seemed to catch
The sunlight's nothingness, and its gleam.
Topazes ran in a foamy stream
Over the cover, the hands were studded
With garnets, and seemed red roses, budded.
The face was of crystal, and engraved
Upon it the figures flashed and waved
With zircons, and beryls, and amethysts.
It took a week to make, and his trysts
At night with the Shadow were his alone.
Paul swore not to speak till his task was done.
The night that the jewel was worthy to give.
Paul watched the long hours of daylight live
400
To the faintest streak; then lit his light,
And sharp against the wall's pure white
The outline of the Shadow started
Into form. His burning-hearted
Words so long imprisoned swelled
To tumbling speech. Like one compelled,
He told the lady all his love,
And holding out the watch above
His head, he knelt, imploring some
Littlest sign.
The Shadow was dumb.
Weeks passed, Paul worked in fevered haste,
And everything he made he placed
Before his lady. The Shadow kept
Its perfect passiveness. Paul wept.
He wooed her with the work of his hands,
He waited for those dear commands
She never gave. No word, no motion,
Eased the ache of his devotion.
His days passed in a strain of toil,
His nights burnt up in a seething coil.
Seasons shot by, uncognisant
He worked. The Shadow came to haunt
Even his days. Sometimes quite plain
He saw on the wall the blackberry stain
Of his lady's picture. No sun was bright
Enough to dazzle that from his sight.
There were moments when he groaned to see
His life spilled out so uselessly,
Begging for boons the Shade refused,
His finest workmanship abused,
The iridescent bubbles he blew
Into lovely existence, poor and few
In the shadowed eyes. Then he would curse
Himself and her! The Universe!
And more, the beauty he could not make,
And give her, for her comfort's sake!
He would beat his weary, empty hands
401
Upon the table, would hold up strands
Of silver and gold, and ask her why
She scorned the best which he could buy.
He would pray as to some high-niched saint,
That she would cure him of the taint
Of failure. He would clutch the wall
With his bleeding fingers, if she should fall
He could catch, and hold her, and make her live!
With sobs he would ask her to forgive
All he had done. And broken, spent,
He would call himself impertinent;
Presumptuous; a tradesman; a nothing; driven
To madness by the sight of Heaven.
At other times he would take the things
He had made, and winding them on strings,
Hang garlands before her, and burn perfumes,
Chanting strangely, while the fumes
Wreathed and blotted the shadow face,
As with a cloudy, nacreous lace.
There were days when he wooed as a lover, sighed
In tenderness, spoke to his bride,
Urged her to patience, said his skill
Should break the spell. A man's sworn will
Could compass life, even that, he knew.
By Christ's Blood! He would prove it true!
The edge of the Shadow never blurred.
The lips of the Shadow never stirred.
He would climb on chairs to reach her lips,
And pat her hair with his finger-tips.
But instead of young, warm flesh returning
His warmth, the wall was cold and burning
Like stinging ice, and his passion, chilled,
Lay in his heart like some dead thing killed
At the moment of birth. Then, deadly sick,
He would lie in a swoon for hours, while thick
Phantasmagoria crowded his brain,
And his body shrieked in the clutch of pain.
The crisis passed, he would wake and smile
With a vacant joy, half-imbecile
402
And quite confused, not being certain
Why he was suffering; a curtain
Fallen over the tortured mind beguiled
His sorrow. Like a little child
He would play with his watches and gems, with glee
Calling the Shadow to look and see
How the spots on the ceiling danced prettily
When he flashed his stones. 'Mother, the green
Has slid so cunningly in between
The blue and the yellow. Oh, please look down!'
Then, with a pitiful, puzzled frown,
He would get up slowly from his play
And walk round the room, feeling his way
From table to chair, from chair to door,
Stepping over the cracks in the floor,
Till reaching the table again, her face
Would bring recollection, and no solace
Could balm his hurt till unconsciousness
Stifled him and his great distress.
One morning he threw the street door wide
On coming in, and his vigorous stride
Made the tools on his table rattle and jump.
In his hands he carried a new-burst clump
Of laurel blossoms, whose smooth-barked stalks
Were pliant with sap. As a husband talks
To the wife he left an hour ago,
Paul spoke to the Shadow. 'Dear, you know
To-day the calendar calls it Spring,
And I woke this morning gathering
Asphodels, in my dreams, for you.
So I rushed out to see what flowers blew
Their pink-and-purple-scented souls
Across the town-wind's dusty scrolls,
And made the approach to the Market Square
A garden with smells and sunny air.
I feel so well and happy to-day,
I think I shall take a Holiday.
And to-night we will have a little treat.
I am going to bring you something to eat!'
He looked at the Shadow anxiously.
403
It was quite grave and silent. He
Shut the outer door and came
And leant against the window-frame.
'Dearest,' he said, 'we live apart
Although I bear you in my heart.
We look out each from a different world.
At any moment we may be hurled
Asunder. They follow their orbits, we
Obey their laws entirely.
Now you must come, or I go there,
Unless we are willing to live the flare
Of a lighted instant and have it gone.'
A bee in the laurels began to drone.
A loosened petal fluttered prone.
'Man grows by eating, if you eat
You will be filled with our life, sweet
Will be our planet in your mouth.
If not, I must parch in death's wide drouth
Until I gain to where you are,
And give you myself in whatever star
May happen. O You Beloved of Me!
Is it not ordered cleverly?'
The Shadow, bloomed like a plum, and clear,
Hung in the sunlight. It did not hear.
Paul slipped away as the dusk began
To dim the little shop. He ran
To the nearest inn, and chose with care
As much as his thin purse could bear.
As rapt-souled monks watch over the baking
Of the sacred wafer, and through the making
Of the holy wine whisper secret prayers
That God will bless this labour of theirs;
So Paul, in a sober ecstasy,
Purchased the best which he could buy.
Returning, he brushed his tools aside,
And laid across the table a wide
Napkin. He put a glass and plate
404
On either side, in duplicate.
Over the lady's, excellent
With loveliness, the laurels bent.
In the centre the white-flaked pastry stood,
And beside it the wine flask. Red as blood
Was the wine which should bring the lustihood
Of human life to his lady's veins.
When all was ready, all which pertains
To a simple meal was there, with eyes
Lit by the joy of his great emprise,
He reverently bade her come,
And forsake for him her distant home.
He put meat on her plate and filled her glass,
And waited what should come to pass.
The Shadow lay quietly on the wall.
From the street outside came a watchman's call
'A cloudy night. Rain beginning to fall.'
And still he waited. The clock's slow tick
Knocked on the silence. Paul turned sick.
He filled his own glass full of wine;
From his pocket he took a paper. The twine
Was knotted, and he searched a knife
From his jumbled tools. The cord of life
Snapped as he cut the little string.
He knew that he must do the thing
He feared. He shook powder into the wine,
And holding it up so the candle's shine
Sparked a ruby through its heart,
He drank it. 'Dear, never apart
Again! You have said it was mine to do.
It is done, and I am come to you!'
Paul Jannes let the empty wine-glass fall,
And held out his arms. The insentient wall
Stared down at him with its cold, white glare
Unstained! The Shadow was not there!
Paul clutched and tore at his tightening throat.
He felt the veins in his body bloat,
405
And the hot blood run like fire and stones
Along the sides of his cracking bones.
But he laughed as he staggered towards the door,
And he laughed aloud as he sank on the floor.
The Coroner took the body away,
And the watches were sold that Saturday.
The Auctioneer said one could seldom buy
Such watches, and the prices were high.
~ Amy Lowell,#NFDB |
1390:S. Patrick. You who are bent, and bald, and blind,
With a heavy heart and a wandering mind,
Have known three centuries, poets sing,
Of dalliance with a demon thing.
Oisin. Sad to remember, sick with years,
The swift innumerable spears,
The horsemen with their floating hair,
And bowls of barley, honey, and wine,
Those merry couples dancing in tune,
And the white body that lay by mine;
But the tale, though words be lighter than air.
Must live to be old like the wandering moon.
Caoilte, and Conan, and Finn were there,
When we followed a deer with our baying hounds.
With Bran, Sceolan, and Lomair,
And passing the Firbolgs' burial-moteds,
Came to the cairn-heaped grassy hill
Where passionate Maeve is stony-still;
And found On the dove-grey edge of the sea
A pearl-pale, high-born lady, who rode
On a horse with bridle of findrinny;
And like a sunset were her lips,
A stormy sunset on doomed ships;
A citron colour gloomed in her hair,
But down to her feet white vesture flowed,
And with the glimmering crimson glowed
Of many a figured embroidery;
And it was bound with a pearl-pale shell
That wavered like the summer streams,
As her soft bosom rose and fell.
S. Patrick. You are still wrecked among heathen dreams.
Oisin. 'Why do you wind no horn?' she said
'And every hero droop his head?
The hornless deer is not more sad
That many a peaceful moment had,
More sleek than any granary mouse,
In his own leafy forest house
Among the waving fields of fern:
The hunting of heroes should be glad.'
'O pleasant woman,' answered Finn,
'We think on Oscar's pencilled urn,
And on the heroes lying slain
On Gabhra's raven-covered plain;
But where are your noble kith and kin,
And from what country do you ride?'
'My father and my mother are
Aengus and Edain, my own name
Niamh, and my country far
Beyond the tumbling of this tide.'
'What dream came with you that you came
Through bitter tide on foam-wet feet?
Did your companion wander away
From where the birds of Aengus wing?'
Thereon did she look haughty and sweet:
'I have not yet, war-weary king,
Been spoken of with any man;
Yet now I choose, for these four feet
Ran through the foam and ran to this
That I might have your son to kiss.'
'Were there no better than my son
That you through all that foam should run?'
'I loved no man, though kings besought,
Until the Danaan poets brought
Rhyme that rhymed upon Oisin's name,
And now I am dizzy with the thought
Of all that wisdom and the fame
Of battles broken by his hands,
Of stories builded by his words
That are like coloured Asian birds
At evening in their rainless lands.'
O Patrick, by your brazen bell,
There was no limb of mine but fell
Into a desperate gulph of love!
'You only will I wed,' I cried,
'And I will make a thousand songs,
And set your name all names above,
And captives bound with leathern thongs
Shall kneel and praise you, one by one,
At evening in my western dun.'
'O Oisin, mount by me and ride
To shores by the wash of the tremulous tide,
Where men have heaped no burial-mounds,
And the days pass by like a wayward tune,
Where broken faith has never been known
And the blushes of first love never have flown;
And there I will give you a hundred hounds;
No mightier creatures bay at the moon;
And a hundred robes of murmuring silk,
And a hundred calves and a hundred sheep
Whose long wool whiter than sea-froth flows,
And a hundred spears and a hundred bows,
And oil and wine and honey and milk,
And always never-anxious sleep;
While a hundred youths, mighty of limb,
But knowing nor tumult nor hate nor strife,
And a hundred ladies, merry as birds,
Who when they dance to a fitful measure
Have a speed like the speed of the salmon herds,
Shall follow your horn and obey your whim,
And you shall know the Danaan leisure;
And Niamh be with you for a wife.'
Then she sighed gently, 'It grows late.
Music and love and sleep await,
Where I would be when the white moon climbs,
The red sun falls and the world grows dim.'
And then I mounted and she bound me
With her triumphing arms around me,
And whispering to herself enwound me;
He shook himself and neighed three times:
Caoilte, Conan, and Finn came near,
And wept, and raised their lamenting hands,
And bid me stay, with many a tear;
But we rode out from the human lands.
In what far kingdom do you go'
Ah Fenians, with the shield and bow?
Or are you phantoms white as snow,
Whose lips had life's most prosperous glow?
O you, with whom in sloping valleys,
Or down the dewy forest alleys,
I chased at morn the flying deer,
With whom I hurled the hurrying spear,
And heard the foemen's bucklers rattle,
And broke the heaving ranks of battle!
And Bran, Sceolan, and Lomair,
Where are you with your long rough hair?
You go not where the red deer feeds,
Nor tear the foemen from their steeds.
S. Patrick. Boast not, nor mourn with drooping head
Companions long accurst and dead,
And hounds for centuries dust and air.
Oisin. We galloped over the glossy sea:
I know not if days passed or hours,
And Niamh sang continually
Danaan songs, and their dewy showers
Of pensive laughter, unhuman sound,
Lulled weariness, and softly round
My human sorrow her white arms wound.
We galloped; now a hornless deer
Passed by us, chased by a phantom hound
All pearly white, save one red ear;
And now a lady rode like the wind
With an apple of gold in her tossing hand;
And a beautiful young man followed behind
With quenchless gaze and fluttering hair.
'Were these two born in the Danaan land,
Or have they breathed the mortal air?'
'Vex them no longer,' Niamh said,
And sighing bowed her gentle head,
And sighing laid the pearly tip
Of one long finger on my lip.
But now the moon like a white rose shone
In the pale west, and the sun'S rim sank,
And clouds atrayed their rank on rank
About his fading crimson ball:
The floor of Almhuin's hosting hall
Was not more level than the sea,
As, full of loving fantasy,
And with low murmurs, we rode on,
Where many a trumpet-twisted shell
That in immortal silence sleeps
Dreaming of her own melting hues,
Her golds, her ambers, and her blues,
Pierced with soft light the shallowing deeps.
But now a wandering land breeze came
And a far sound of feathery quires;
It seemed to blow from the dying flame,
They seemed to sing in the smouldering fires.
The horse towards the music raced,
Neighing along the lifeless waste;
Like sooty fingers, many a tree
Rose ever out of the warm sea;
And they were trembling ceaselessly,
As though they all were beating time,
Upon the centre of the sun,
To that low laughing woodland rhyme.
And, now our wandering hours were done,
We cantered to the shore, and knew
The reason of the trembling trees:
Round every branch the song-birds flew,
Or clung thereon like swarming bees;
While round the shore a million stood
Like drops of frozen rainbow light,
And pondered in a soft vain mood
Upon their shadows in the tide,
And told the purple deeps their pride,
And murmured snatches of delight;
And on the shores were many boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns, and fish-eating stoats,
And swans with their exultant throats:
And where the wood and waters meet
We tied the horse in a leafy clump,
And Niamh blew three merry notes
Out of a little silver trump;
And then an answering whispering flew
Over the bare and woody land,
A whisper of impetuous feet,
And ever nearer, nearer grew;
And from the woods rushed out a band
Of men and ladies, hand in hand,
And singing, singing all together;
Their brows were white as fragrant milk,
Their cloaks made out of yellow silk,
And trimmed with many a crimson feather;
And when they saw the cloak I wore
Was dim with mire of a mortal shore,
They fingered it and gazed on me
And laughed like murmurs of the sea;
But Niamh with a swift distress
Bid them away and hold their peace;
And when they heard her voice they ran
And knelt there, every girl and man,
And kissed, as they would never cease,
Her pearl-pale hand and the hem of her dress.
She bade them bring us to the hall
Where Aengus dreams, from sun to sun,
A Druid dream of the end of days
When the stars are to wane and the world be done.
They led us by long and shadowy ways
Where drops of dew in myriads fall,
And tangled creepers every hour
Blossom in some new crimson flower,
And once a sudden laughter sprang
From all their lips, and once they sang
Together, while the dark woods rang,
And made in all their distant parts,
With boom of bees in honey-marts,
A rumour of delighted hearts.
And once a lady by my side
Gave me a harp, and bid me sing,
And touch the laughing silver string;
But when I sang of human joy
A sorrow wrapped each merry face,
And, patrick! by your beard, they wept,
Until one came, a tearful boy;
'A sadder creature never stept
Than this strange human bard,' he cried;
And caught the silver harp away,
And, weeping over the white strings, hurled
It down in a leaf-hid, hollow place
That kept dim waters from the sky;
And each one said, with a long, long sigh,
'O saddest harp in all the world,
Sleep there till the moon and the stars die!'
And now, still sad, we came to where
A beautiful young man dreamed within
A house of wattles, clay, and skin;
One hand upheld his beardless chin,
And one a sceptre flashing out
Wild flames of red and gold and blue,
Like to a merry wandering rout
Of dancers leaping in the air;
And men and ladies knelt them there
And showed their eyes with teardrops dim,
And with low murmurs prayed to him,
And kissed the sceptre with red lips,
And touched it with their finger-tips.
He held that flashing sceptre up.
'Joy drowns the twilight in the dew,
And fills with stars night's purple cup,
And wakes the sluggard seeds of corn,
And stirs the young kid's budding horn,
And makes the infant ferns unwrap,
And for the peewit paints his cap,
And rolls along the unwieldy sun,
And makes the little planets run:
And if joy were not on the earth,
There were an end of change and birth,
And Earth and Heaven and Hell would die,
And in some gloomy barrow lie
Folded like a frozen fly;
Then mock at Death and Time with glances
And wavering arms and wandering dances.
'Men's hearts of old were drops of flame
That from the saffron morning came,
Or drops of silver joy that fell
Out of the moon's pale twisted shell;
But now hearts cry that hearts are slaves,
And toss and turn in narrow caves;
But here there is nor law nor rule,
Nor have hands held a weary tool;
And here there is nor Change nor Death,
But only kind and merry breath,
For joy is God and God is joy.'
With one long glance for girl and boy
And the pale blossom of the moon,
He fell into a Druid swoon.
And in a wild and sudden dance
We mocked at Time and Fate and Chance
And swept out of the wattled hall
And came to where the dewdrops fall
Among the foamdrops of the sea,
And there we hushed the revelry;
And, gathering on our brows a frown,
Bent all our swaying bodies down,
And to the waves that glimmer by
That sloping green De Danaan sod
Sang, 'God is joy and joy is God,
And things that have grown sad are wicked,
And things that fear the dawn of the morrow
Or the grey wandering osprey Sorrow.'
We danced to where in the winding thicket
The damask roses, bloom on bloom,
Like crimson meteors hang in the gloom.
And bending over them softly said,
Bending over them in the dance,
With a swift and friendly glance
From dewy eyes: 'Upon the dead
Fall the leaves of other roses,
On the dead dim earth encloses:
But never, never on our graves,
Heaped beside the glimmering waves,
Shall fall the leaves of damask roses.
For neither Death nor Change comes near us,
And all listless hours fear us,
And we fear no dawning morrow,
Nor the grey wandering osprey Sorrow.'
The dance wound through the windless woods;
The ever-summered solitudes;
Until the tossing arms grew still
Upon the woody central hill;
And, gathered in a panting band,
We flung on high each waving hand,
And sang unto the starry broods.
In our raised eyes there flashed a glow
Of milky brightness to and fro
As thus our song arose: 'You stars,
Across your wandering ruby cars
Shake the loose reins: you slaves of God.
He rules you with an iron rod,
He holds you with an iron bond,
Each one woven to the other,
Each one woven to his brother
Like bubbles in a frozen pond;
But we in a lonely land abide
Unchainable as the dim tide,
With hearts that know nor law nor rule,
And hands that hold no wearisome tool,
Folded in love that fears no morrow,
Nor the grey wandering osprey Sorrow.'
O Patrick! for a hundred years
I chased upon that woody shore
The deer, the badger, and the boar.
O patrick! for a hundred years
At evening on the glimmering sands,
Beside the piled-up hunting spears,
These now outworn and withered hands
Wrestled among the island bands.
O patrick! for a hundred years
We went a-fishing in long boats
With bending sterns and bending bows,
And carven figures on their prows
Of bitterns and fish-eating stoats.
O patrick! for a hundred years
The gentle Niamh was my wife;
But now two things devour my life;
The things that most of all I hate:
Fasting and prayers.
S. Patrick. Tell on.
Oisin. Yes, yes,
For these were ancient Oisin's fate
Loosed long ago from Heaven's gate,
For his last days to lie in wait.
When one day by the tide I stood,
I found in that forgetfulness
Of dreamy foam a staff of wood
From some dead warrior's broken lance:
I turned it in my hands; the stains
Of war were on it, and I wept,
Remembering how the Fenians stept
Along the blood-bedabbled plains,
Equal to good or grievous chance:
Thereon young Niamh softly came
And caught my hands, but spake no word
Save only many times my name,
In murmurs, like a frighted bird.
We passed by woods, and lawns of clover,
And found the horse and bridled him,
For we knew well the old was over.
I heard one say, 'His eyes grow dim
With all the ancient sorrow of men';
And wrapped in dreams rode out again
With hoofs of the pale findrinny
Over the glimmering purple sea.
Under the golden evening light,
The Immortals moved among the fountains
By rivers and the woods' old night;
Some danced like shadows on the mountains
Some wandered ever hand in hand;
Or sat in dreams on the pale strand,
Each forehead like an obscure star
Bent down above each hooked knee,
And sang, and with a dreamy gaze
Watched where the sun in a saffron blaze
Was slumbering half in the sea-ways;
And, as they sang, the painted birds
Kept time with their bright wings and feet;
Like drops of honey came their words,
But fainter than a young lamb's bleat.
'An old man stirs the fire to a blaze,
In the house of a child, of a friend, of a brother.
He has over-lingered his welcome; the days,
Grown desolate, whisper and sigh to each other;
He hears the storm in the chimney above,
And bends to the fire and shakes with the cold,
While his heart still dreams of battle and love,
And the cry of the hounds on the hills of old.
But We are apart in the grassy places,
Where care cannot trouble the least of our days,
Or the softness of youth be gone from our faces,
Or love's first tenderness die in our gaze.
The hare grows old as she plays in the sun
And gazes around her with eyes of brightness;
Before the swift things that she dreamed of were done
She limps along in an aged whiteness;
A storm of birds in the Asian trees
Like tulips in the air a-winging,
And the gentle waves of the summer seas,
That raise their heads and wander singing,
Must murmur at last, "Unjust, unjust";
And "My speed is a weariness," falters the mouse,
And the kingfisher turns to a ball of dust,
And the roof falls in of his tunnelled house.
But the love-dew dims our eyes till the day
When God shall come from the Sea with a sigh
And bid the stars drop down from the sky,
And the moon like a pale rose wither away.'
~ William Butler Yeats, The Wanderings Of Oisin - Book I
,#NFDB |
1391:Captain Craig
I doubt if ten men in all Tilbury Town
Had ever shaken hands with Captain Craig,
Or called him by his name, or looked at him
So curiously, or so concernedly,
As they had looked at ashes; but a few—
Say five or six of us—had found somehow
The spark in him, and we had fanned it there,
Choked under, like a jest in Holy Writ,
By Tilbury prudence. He had lived his life
And in his way had shared, with all mankind,
Inveterate leave to fashion of himself,
By some resplendent metamorphosis,
Whatever he was not. And after time,
When it had come sufficiently to pass
That he was going patch-clad through the streets,
Weak, dizzy, chilled, and half starved, he had laid
Some nerveless fingers on a prudent sleeve,
And told the sleeve, in furtive confidence,
Just how it was: “My name is Captain Craig,”
He said, “and I must eat.” The sleeve moved on,
And after it moved others—one or two;
For Captain Craig, before the day was done,
Got back to the scant refuge of his bed
And shivered into it without a curse—
Without a murmur even. He was cold,
And old, and hungry; but the worst of it
Was a forlorn familiar consciousness
That he had failed again. There was a time
When he had fancied, if worst came to worst,
And he could do no more, that he might ask
Of whom he would. But once had been enough,
And soon there would be nothing more to ask.
He was himself, and he had lost the speed
He started with, and he was left behind.
There was no mystery, no tragedy;
And if they found him lying on his back
Stone dead there some sharp morning, as they might,—
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Well, once upon a time there was a man—
Es war einmal ein König, if it pleased him.
And he was right: there were no men to blame:
There was just a false note in the Tilbury tune—
A note that able-bodied men might sound
Hosannas on while Captain Craig lay quiet.
They might have made him sing by feeding him
Till he should march again, but probably
Such yielding would have jeopardized the rhythm;
They found it more melodious to shout
Right on, with unmolested adoration,
To keep the tune as it had always been,
To trust in God, and let the Captain starve.
He must have understood that afterwards—
When we had laid some fuel to the spark
Of him, and oxidized it—for he laughed
Out loud and long at us to feel it burn,
And then, for gratitude, made game of us:
“You are the resurrection and the life,”
He said, “and I the hymn the Brahmin sings;
O Fuscus! and we’ll go no more a-roving.”
We were not quite accoutred for a blast
Of any lettered nonchalance like that,
And some of us—the five or six of us
Who found him out—were singularly struck.
But soon there came assurance of his lips,
Like phrases out of some sweet instrument
Man’s hand had never fitted, that he felt
“No penitential shame for what had come,
No virtuous regret for what had been,—
But rather a joy to find it in his life
To be an outcast usher of the soul
For such as had good courage of the Sun
To pattern Love.” The Captain had one chair;
And on the bottom of it, like a king,
For longer time than I dare chronicle,
Sat with an ancient ease and eulogized
His opportunity. My friends got out,
Like brokers out of Arcady; but I—
May be for fascination of the thing,
Or may be for the larger humor of it—
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Stayed listening, unwearied and unstung.
When they were gone the Captain’s tuneful ooze
Of rhetoric took on a change; he smiled
At me and then continued, earnestly:
“Your friends have had enough of it; but you,
For a motive hardly vindicated yet
By prudence or by conscience, have remained;
And that is very good, for I have things
To tell you: things that are not words alone—
Which are the ghosts of things—but something firmer.
“First, would I have you know, for every gift
Or sacrifice, there are—or there may be—
Two kinds of gratitude: the sudden kind
We feel for what we take, the larger kind
We feel for what we give. Once we have learned
As much as this, we know the truth has been
Told over to the world a thousand times;—
But we have had no ears to listen yet
For more than fragments of it: we have heard
A murmur now and then, and echo here
And there, and we have made great music of it;
And we have made innumerable books
To please the Unknown God. Time throws away
Dead thousands of them, but the God that knows
No death denies not one: the books all count,
The songs all count; and yet God’s music has
No modes, his language has no adjectives.”
“You may be right, you may be wrong,” said I;
“But what has this that you are saying now—
This nineteenth-century Nirvana-talk—
To do with you and me?” The Captain raised
His hand and held it westward, where a patched
And unwashed attic-window filtered in
What barren light could reach us, and then said,
With a suave, complacent resonance: “There shines
The sun. Behold it. We go round and round,
And wisdom comes to us with every whirl
We count throughout the circuit. We may say
The child is born, the boy becomes a man,
The man does this and that, and the man goes,—
But having said it we have not said much,
84
Not very much. Do I fancy, or you think,
That it will be the end of anything
When I am gone? There was a soldier once
Who fought one fight and in that fight fell dead.
Sad friends went after, and they brought him home
And had a brass band at his funeral,
As you should have at mine; and after that
A few remembered him. But he was dead,
They said, and they should have their friend no more.—
However, there was once a starveling child—
A ragged-vested little incubus,
Born to be cuffed and frighted out of all
Capacity for childhood’s happiness—
Who started out one day, quite suddenly,
To drown himself. He ran away from home,
Across the clover-fields and through the woods,
And waited on a rock above a stream,
Just like a kingfisher. He might have dived,
Or jumped, or he might not; but anyhow,
There came along a man who looked at him
With such an unexpected friendliness,
And talked with him in such a common way,
That life grew marvelously different:
What he had lately known for sullen trunks
And branches, and a world of tedious leaves,
Was all transmuted; a faint forest wind
That once had made the loneliest of all
Sad sounds on earth, made now the rarest music;
And water that had called him once to death
Now seemed a flowing glory. And that man,
Born to go down a soldier, did this thing.
Not much to do? Not very much, I grant you:
Good occupation for a sonneteer,
Or for a clown, or for a clergyman,
But small work for a soldier. By the way,
When you are weary sometimes of your own
Utility, I wonder if you find
Occasional great comfort pondering
What power a man has in him to put forth?
‘Of all the many marvelous things that are,
Nothing is there more marvelous than man,’
Said Sophocles; and he lived long ago;
85
‘And earth, unending ancient of the gods
He furrows; and the ploughs go back and forth,
Turning the broken mould, year after year.’…
“I turned a little furrow of my own
Once on a time, and everybody laughed—
As I laughed afterwards; and I doubt not
The First Intelligence, which we have drawn
In our competitive humility
As if it went forever on two legs,
Had some diversion of it: I believe
God’s humor is the music of the spheres—
But even as we draft omnipotence
Itself to our own image, we pervert
The courage of an infinite ideal
To finite resignation. You have made
The cement of your churches out of tears
And ashes, and the fabric will not stand:
The shifted walls that you have coaxed and shored
So long with unavailing compromise
Will crumble down to dust and blow away,
And younger dust will follow after them;
Though not the faintest or the farthest whirled
First atom of the least that ever flew
Shall be by man defrauded of the touch
God thrilled it with to make a dream for man
When Science was unborn. And after time,
When we have earned our spiritual ears,
And art’s commiseration of the truth
No longer glorifies the singing beast,
Or venerates the clinquant charlatan,—
Then shall at last come ringing through the sun,
Through time, through flesh, a music that is true.
For wisdom is that music, and all joy
That wisdom:—you may counterfeit, you think,
The burden of it in a thousand ways;
But as the bitterness that loads your tears
Makes Dead Sea swimming easy, so the gloom,
The penance, and the woeful pride you keep,
Make bitterness your buoyance of the world.
And at the fairest and the frenziedest
Alike of your God-fearing festivals,
86
You so compound the truth to pamper fear
That in the doubtful surfeit of your faith
You clamor for the food that shadows eat.
You call it rapture or deliverance,—
Passion or exaltation, or what most
The moment needs, but your faint-heartedness
Lives in it yet: you quiver and you clutch
For something larger, something unfulfilled,
Some wiser kind of joy that you shall have
Never, until you learn to laugh with God.”
And with a calm Socratic patronage,
At once half sombre and half humorous,
The Captain reverently twirled his thumbs
And fixed his eyes on something far away;
Then, with a gradual gaze, conclusive, shrewd,
And at the moment unendurable
For sheer beneficence, he looked at me.
“But the brass band?” I said, not quite at ease
With altruism yet.—He made a sort
Of reminiscent little inward noise,
Midway between a chuckle and a laugh,
And that was all his answer: not a word
Of explanation or suggestion came
From those tight-smiling lips. And when I left,
I wondered, as I trod the creaking snow
And had the world-wide air to breathe again,—
Though I had seen the tremor of his mouth
And honored the endurance of his hand—
Whether or not, securely closeted
Up there in the stived haven of his den,
The man sat laughing at me; and I felt
My teeth grind hard together with a quaint
Revulsion—as I recognize it now—
Not only for my Captain, but as well
For every smug-faced failure on God’s earth;
Albeit I could swear, at the same time,
That there were tears in the old fellow’s eyes.
I question if in tremors or in tears
There be more guidance to man’s worthiness
Than—well, say in his prayers. But oftentimes
It humors us to think that we possess
87
By some divine adjustment of our own
Particular shrewd cells, or something else,
What others, for untutored sympathy,
Go spirit-fishing more than half their lives
To catch—like cheerful sinners to catch faith;
And I have not a doubt but I assumed
Some egotistic attribute like this
When, cautiously, next morning I reduced
The fretful qualms of my novitiate,
For most part, to an undigested pride.
Only, I live convinced that I regret
This enterprise no more than I regret
My life; and I am glad that I was born.
That evening, at “The Chrysalis,” I found
The faces of my comrades all suffused
With what I chose then to denominate
Superfluous good feeling. In return,
They loaded me with titles of odd form
And unexemplified significance,
Like “Bellows-mender to Prince Æolus,”
“Pipe-filler to the Hoboscholiast,”
“Bread-fruit for the Non-Doing,” with one more
That I remember, and a dozen more
That I forget. I may have been disturbed,
I do not say that I was not annoyed,
But something of the same serenity
That fortified me later made me feel
For their skin-pricking arrows not so much
Of pain as of a vigorous defect
In this world’s archery. I might have tried,
With a flat facetiousness, to demonstrate
What they had only snapped at and thereby
Made out of my best evidence no more
Than comfortable food for their conceit;
But patient wisdom frowned on argument,
With a side nod for silence, and I smoked
A series of incurable dry pipes
While Morgan fiddled, with obnoxious care,
Things that I wished he wouldn’t. Killigrew,
Drowsed with a fond abstraction, like an ass,
Lay blinking at me while he grinned and made
88
Remarks. The learned Plunket made remarks.
It may have been for smoke that I cursed cats
That night, but I have rather to believe
As I lay turning, twisting, listening,
And wondering, between great sleepless yawns,
What possible satisfaction those dead leaves
Could find in sending shadows to my room
And swinging them like black rags on a line,
That I, with a forlorn clear-headedness
Was ekeing out probation. I had sinned
In fearing to believe what I believed,
And I was paying for it.—Whimsical,
You think,—factitious; but “there is no luck,
No fate, no fortune for us, but the old
Unswerving and inviolable price
Gets paid: God sells himself eternally,
But never gives a crust,” my friend had said;
And while I watched those leaves, and heard those cats,
And with half mad minuteness analyzed
The Captain’s attitude and then my own,
I felt at length as one who throws himself
Down restless on a couch when clouds are dark,
And shuts his eyes to find, when he wakes up
And opens them again, what seems at first
An unfamiliar sunlight in his room
And in his life—as if the child in him
Had laughed and let him see; and then I knew
Some prowling superfluity of child
In me had found the child in Captain Craig
And let the sunlight reach him. While I slept,
My thought reshaped itself to friendly dreams,
And in the morning it was with me still.
Through March and shifting April to the time
When winter first becomes a memory
My friend the Captain—to my other friend’s
Incredulous regret that such as he
Should ever get the talons of his talk
So fixed in my unfledged credulity—
Kept up the peroration of his life,
Not yielding at a threshold, nor, I think,
89
Too often on the stairs. He made me laugh
Sometimes, and then again he made me weep
Almost; for I had insufficiency
Enough in me to make me know the truth
Within the jest, and I could feel it there
As well as if it were the folded note
I felt between my fingers. I had said
Before that I should have to go away
And leave him for the season; and his eyes
Had shone with well-becoming interest
At that intelligence. There was no mist
In them that I remember; but I marked
An unmistakable self-questioning
And a reticence of unassumed regret.
The two together made anxiety—
Not selfishness, I ventured. I should see
No more of him for six or seven months,
And I was there to tell him as I might
What humorous provision we had made
For keeping him locked up in Tilbury Town.
That finished—with a few more commonplace
Prosaics on the certified event
Of my return to find him young again—
I left him neither vexed, I thought, with us,
Nor over much at odds with destiny.
At any rate, save always for a look
That I had seen too often to mistake
Or to forget, he gave no other sign.
That train began to move; and as it moved,
I felt a comfortable sudden change
All over and inside. Partly it seemed
As if the strings of me had all at once
Gone down a tone or two; and even though
It made me scowl to think so trivial
A touch had owned the strength to tighten them,
It made me laugh to think that I was free.
But free from what—when I began to turn
The question round—was more than I could say:
I was no longer vexed with Killigrew,
Nor more was I possessed with Captain Craig;
But I was eased of some restraint, I thought,
90
Not qualified by those amenities,
And I should have to search the matter down;
For I was young, and I was very keen.
So I began to smoke a bad cigar
That Plunket, in his love, had given me
The night before; and as I smoked I watched
The flying mirrors for a mile or so,
Till to the changing glimpse, now sharp, now faint,
They gave me of the woodland over west,
A gleam of long-forgotten strenuous years
Came back, when we were Red Men on the trail,
With Morgan for the big chief Wocky-Bocky;
And yawning out of that I set myself
To face again the loud monotonous ride
That lay before me like a vista drawn
Of bag-racks to the fabled end of things.
~ Edwin Arlington Robinson,#NFDB |
1392:I
WHEN the pine tosses its cones
To the song of its waterfall tones,
Who speeds to the woodland walks?
To birds and trees who talks?
Csar of his leafy Rome,
There the poet is at home.
He goes to the river-side,
Not hook nor line hath he;
He stands in the meadows wide,
Nor gun nor scythe to see.
Sure some god his eye enchants:
What he knows nobody wants.
In the wood he travels glad,
Without better fortune had,
Melancholy without bad.
Knowledge this man prizes best
Seems fantastic to the rest:
Pondering shadows, colors, clouds,
Grass-buds and caterpillar-shrouds,
Boughs on which the wild bees settle,
Tints that spot the violet's petal,
Why Nature loves the number five,
And why the star-form she repeats:
Lover of all things alive,
Wonderer at all he meets,
Wonderer chiefly at himself,
Who can tell him what he is?
Or how meet in human elf
Coming and past eternities?
2
And such I knew, a forest seer,
A minstrel of the natural year,
Foreteller of the vernal ides,
Wise harbinger of spheres and tides,
A lover true, who knew by heart
Each joy the mountain dales impart;
It seemed that Nature could not raise
A plant in any secret place,
In quaking bog, on snowy hill,
Beneath the grass that shades the rill,
Under the snow, between the rocks,
In damp fields known to bird and fox.
But he would come in the very hour
It opened in its virgin bower,
As if a sunbeam showed the place,
And tell its long-descended race.
It seemed as if the breezes brought him,
It seemed as if the sparrows taught him;
As if by secret sight he knew
Where, in far fields, the orchis grew.
Many haps fall in the field
Seldom seen by wishful eyes,
But all her shows did Nature yield,
To please and win this pilgrim wise.
He saw the partridge drum in the woods;
He heard the woodcock's evening hymn;
He found the tawny thrushes' broods;
And the shy hawk did wait for him;
What others did at distance hear,
And guessed within the thicket's gloom,
Was shown to this philosopher,
And at his bidding seemed to come.
3
In unploughed Maine he sought the lumberers' gang
Where from a hundred lakes young rivers sprang;
He trod the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone;
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
He saw beneath dim aisles, in odorous beds,
The slight Linna hang its twin-born heads,
And blessed the monument of the man of flowers,
Which breathes his sweet fame'through the northern bowers.
He heard, when in the grove, at intervals,
With sudden roar the aged pine-tree falls,
One crash, the death-hymn of the perfect tree,
Declares the close of its green century.
Low lies the plant to whose creation went
Sweet influence from every element;
Whose living towers the years conspired to build,
Whose giddy top the morning loved to gild.
Through these green tents, by eldest Nature dressed,
He roamed, content alike with man and beast.
Where darkness found him he lay glad at night;
There the red morning touched him with its light.
Three moons his great heart him a hermit made,
So long he roved at will the boundless shade.
The timid it concerns to ask their way,
And fear what foe in caves and swamps can stray,
To make no step until the event is known,
And ills to come as evils past bemoan.
Not so the wise; no coward watch he keeps
To spy what danger on his pathway creeps;
Go where he will, the wise man is at home,
His hearth the earth,his hall the azure dome;
Where his clear spirit leads him, there's his road
By God's own light illumined and foreshowed.
4
'T was one of the charmd days
When the genius of God doth flow;
The wind may alter twenty ways,
A tempest cannot blow;
It may blow north, it still is warm;
Or south, it still is clear;
Or east, it smells like a clover-farm;
Or west, no thunder fear.
The musing peasant, lowly great,
Beside the forest water sate;
The rope-like pine-roots crosswise grown
Composed the network of his throne;
The wide lake, edged with sand and grass,
Was burnished to a floor of glass,
Painted with shadows green and proud
Of the tree and of the cloud.
He was the heart of all the scene;
On him the sun looked more serene;
To hill and cloud his face was known,
It seemed the likeness of their own;
They knew by secret sympathy
The public child of earth and sky.
'You ask,' he said,'what guide
Me through trackless thickets led,
Through thick-stemmed woodlands rough and wide.
I found the water's bed.
The watercourses were my guide;
I travelled grateful by their side,
Or through their channel dry;
They led me through the thicket damp,
Through brake and fern, the beavers' camp,
Through beds of granite cut my road,
And their resistless friendship showed.
The falling waters led me,
The foodful waters fed me,
And brought me to the lowest land
Unerring to the ocean sand.
The moss upon the forest bark
Was pole-star when the night was dark;
The purple berries in the wood
Supplied me necessary food;
For Nature ever faithful is
To such as trust her faithfulness.
When the forest shall mislead me,
When the night and morning lie,
When sea and land refuse to feed me,
'T will be time enough to die;
Then will yet my mother yield
A pillow in her greenest field,
Nor the June flowers scorn to cover
The clay of their departed lover.'
II
As sunbeams stream through liberal space
And nothing jostle or displace,
So waved the pine-tree through my thought
And fanned the dreams it never brought.
'Whether is better, the gift or the donor?
Come to me,'
Quoth the pine-tree,
'I am the giver of honor.
My garden is the cloven rock,
And my manure the snow;
And drifting sand-heaps feed my stock,
In summer's scorching glow.
He is great who can live by me:
The rough and bearded forester
Is better than the lord;
God fills the scrip and canister,
Sin piles the loaded board.
The lord is the peasant that was,
The peasant the lord that shall be;
The lord is hay, the peasant grass,
One dry, and one the living tree.
Who liveth by the ragged pine
Foundeth a heroic line;
Who liveth in the palace hall
Waneth fast and spendeth all.
He goes to my savage haunts,
With his chariot and his care;
My twilight realm he disenchants,
And finds his prison there.
'What prizes the town and the tower?
Only what the pine-tree yields;
Sinew that subdued the fields;
The wild-eyed boy, who in the woods
Chants his hymn to hills and floods,
Whom the city's poisoning spleen
Made not pale, or fat, or lean;
Whom the rain and the wind purgeth,
Whom the dawn and the day-star urgeth,
In whose cheek the rose-leaf blusheth,
In whose feet the lion rusheth,
Iron arms, and iron mould,
That know not fear, fatigue, or cold.
I give my rafters to his boat,
My billets to his boiler's throat,
And I will swim the ancient sea
To float my child to victory,
And grant to dwellers with the pine
Dominion o'er the palm and vine.
Who leaves the pine-tree, leaves his friend,
Unnerves his strength, invites his end.
Cut a bough from my parent stem,
And dip it in thy porcelain vase;
A little while each russet gem
Will swell and rise with wonted grace;
But when it seeks enlarged supplies,
The orphan of the forest dies.
Whoso walks in solitude
And inhabiteth the wood,
Choosing light, wave, rock and bird,
Before the money-loving herd,
Into that forester shall pass,
From these companions, power and grace.
Clean shall he be, without, within,
From the old adhering sin,
All ill dissolving in the light
Of his triumphant piercing sight:
Not vain, sour, nor frivolous;
Not mad, athirst, nor garrulous;
Grave, chaste, contented, though retired,
And of all other men desired.
On him the light of star and moon
Shall fall with purer radiance down;
All constellations of the sky
Shed their virtue through his eye.
Him Nature giveth for defence
His formidable innocence;
The mounting sap, the shells, the sea,
All spheres, all stones, his helpers be;
He shall meet the speeding year,
Without wailing, without fear;
He shall be happy in his love,
Like to like shall joyful prove;
He shall be happy whilst he wooes,
Muse-born, a daughter of the Muse.
But if with gold she bind her hair,
And deck her breast with diamond,
Take off thine eyes, thy heart forbear,
Though thou lie alone on the ground.
' Heed the old oracles,
Ponder my spells;
Song wakes in my pinnacles
When the wind swells.
Soundeth the prophetic wind,
The shadows shake on the rock behind,
And the countless leaves of the pine are strings
Tuned to the lay the wood-god sings.
Hearken! Hearken!
If thou wouldst know the mystic song
Chanted when the sphere was young.
Aloft, abroad, the pan swells;
O wise man! hear'st thou half it tells?
O wise man! hear'st thou the least part?
'T is the chronicle of art.
To the open ear it sings
Sweet the genesis of things,
Of tendency through endless ages,
Of star-dust, and star-pilgrimages,
Of rounded worlds, of space and time,
Of the old flood's subsiding slime,
Of chemic matter, force and form,
Of poles and powers, cold, wet, and warm:
The rushing metamorphosis
Dissolving all that fixture is,
Melts things that be to things that seem,
And solid nature to a dream.
O, listen to the undersong,
The ever old, the ever young;
And, far within those cadent pauses,
The chorus of the ancient Causes!
Delights the dreadful Destiny
To fling his voice into the tree,
And shock thy weak ear with a note
Breathed from the everlasting throat.
In music he repeats the pang
Whence the fair flock of Nature sprang.
O mortal! thy ears are stones;
These echoes are laden with tones
Which only the pure can hear;
Thou canst not catch what they recite
Of Fate and Will, of Want and Right,
Of man to come, of human life,
Of Death and Fortune, Growth and Strife.'
Once again the pine-tree sung:
' Speak not thy speech my boughs among:
Put off thy years, wash in the breeze;
My hours are peaceful centuries.
Talk no more with feeble tongue;
No more the fool of space and time,
Come weave with mine a nobler rhyme.
Only thy Americans
Can read thy line, can meet thy glance,
But the runes that I rehearse
Understands the universe;
The least breath my boughs which tossed
Brings again the Pentecost;
To every soul resounding clear
In a voice of solemn cheer,
"Am I not thine? Are not these thine?"
And they reply, "Forever mine!"
My branches speak Italian,
English, German, Basque, Castilian,
Mountain speech to Highlanders,
Ocean tongues to islanders,
To Fin and Lap and swart Malay,
To each his bosom-secret say.
'Come learn with me the fatal song
Which knits the world in music strong,
Come lift thine eyes to lofty rhymes,
Of things with things, of times with times,
Primal chimes of sun and shade,
Of sound and echo, man and maid,
The land reflected in the flood,
Body with shadow still pursued.
For Nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.
The wood is wiser far than thou;
The wood and wave each other know
Not unrelated, unaffied,
But to each thought and thing allied,
Is perfect Nature's every part,
Rooted in the mighty Heart.
But thou, poor child! unbound, unrhymed,
Whence camest thou, misplaced, mistimed,
Whence, O thou orphan and defrauded?
Is thy land peeled, thy realm marauded?
Who thee divorced, deceived and left?
Thee of thy faith who hath bereft,
And torn the ensigns from thy brow,
And sunk the immortal eye so low?
Thy cheek too white, thy form too slender,
Thy gait too slow, thy habits tender
For royal man;they thee confess
An exile from the wilderness,
The hills where health with health agrees,
And the wise soul expels disease.
Hark! in thy ear I will tell the sign
By which thy hurt thou may'st divine.
'When thou shalt climb the mountain cliff,
Or see the wide shore from thy skiff,
To thee the horizon shall express
But emptiness on emptiness;
There lives no man of Nature's worth
In the circle of the earth;
And to thine eye the vast skies fall,
Dire and satirical,
On clucking hens and prating fools,
On thieves, on drudges and on dolls.
And thou shalt say to the Most High,
"Godhead! all this astronomy,
And fate and practice and invention,
Strong art and beautiful pretension,
This radiant pomp of sun and star,
Throes that were, and worlds that are,
Behold! were in vain and in vain;
It cannot be,I will look again.
Surely now will the curtain rise,
And earth's fit tenant me surprise;
But the curtain doth not rise,
And Nature has miscarried wholly
Into failure, into folly."
'Alas! thine is the bankruptcy,
Blessed Nature so to see.
Come, lay thee in my soothing shade,
And heal the hurts which sin has made.
I see thee in the crowd alone;
I will be thy companion.
Quit thy friends as the dead in doom,
And build to them a final tomb;
Let the starred shade that nightly falls
Still celebrate their funerals,
And the bell of beetle and of bee
Knell their melodious memory.
Behind thee leave thy merchandise,
Thy churches and thy charities;
And leave thy peacock wit behind;
Enough for thee the primal mind
That flows in streams, that breathes in wind:
Leave all thy pedant lore apart;
God hid the whole world in thy heart.
Love shuns the sage, the child it crowns,
Gives all to them who all renounce.
The rain comes when the wind calls;
The river knows the way to the sea;
Without a pilot it runs and falls,
Blessing all lands with its charity;
The sea tosses and foams to find
Its way up to the cloud and wind;
The shadow sits close to the flying ball;
The date fails not on the palm-tree tall;
And thou,go burn thy wormy pages,
Shalt outsee seers, and outwit sages.
Oft didst thou thread the woods in vain
To find what bird had piped the strain:
Seek not, and the little eremite
Flies gayly forth and sings in sight.
'Hearken once more!
I will tell thee the mundane lore.
Older am I than thy numbers wot,
Change I may, but I pass not.
Hitherto all things fast abide,
And anchored in the tempest ride.
Trenchant time behoves to hurry
All to yean and all to bury:
All the forms are fugitive,
But the substances survive.
Ever fresh the broad creation,
A divine improvisation,
From the heart of God proceeds,
A single will, a million deeds.
Once slept the world an egg of stone,
And pulse, and sound, and light was none;
And God said, "Throb!" and there was motion
And the vast mass became vast ocean.
Onward and on, the eternal Pan,
Who layeth the world's incessant plan,
Halteth never in one shape,
But forever doth escape,
Like wave or flame, into new forms
Of gem, and air, of plants, and worms.
I, that to-day am a pine,
Yesterday was a bundle of grass.
He is free and libertine,
Pouring of his power the wine
To every age, to every race;.
Unto every race and age
He emptieth the beverage;
Unto each, and unto all,
Maker and original.
The world is the ring of his spells,
And the play of his miracles.
As he giveth to all to drink,
Thus or thus they are and think.
With one drop sheds form and feature;
With the next a special nature;
The third adds heat's indulgent spark;
The fourth gives light which eats the dark;
Into the fifth himself he flings,
And conscious Law is King of kings.
As the bee through the garden ranges,
From world to world the godhead changes;
As the sheep go feeding in the waste,
From form to form He maketh haste;
This vault which glows immense with light
Is the inn where he lodges for a night.
What reeks such Traveller if the bowers
Which bloom and fade like meadow flowers
A bunch of fragrant lilies be,
Or the stars of eternity?
Alike to him the better, the worse,
The glowing angel, the outcast corse.
Thou metest him by centuries,
And lo! he passes like the breeze;
Thou seek'st in globe and galaxy,
He hides in pure transparency;
Thou askest in fountains and in fires,
He is the essence that inquires.
He is the axis of the star;
He is the sparkle of the spar;
He is the heart of every creature;
He is the meaning of each feature;
And his mind is the sky.
Than all it holds more deep, more high.'
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Woodnotes
,#NFDB |
1393:Hesperus: A Legend Of The Stars
PRELUDE.
The Stars are heaven's ministers;
Right royally they teach
God's glory and omnipotence,
In wondrous lowly speech.
All eloquent with music as
The tremblings of a lyre,
To him that hath an ear to hear
They speak in words of fire.
Not to learned sagas only
Their whisperings come down;
The monarch is not glorified
Because he wears a crown.
The humblest soldier in the camp
Can win the smile of Mars,
And 'tis the lowliest spirits hold
Communion with the stars.
Thoughts too refined for utterance,
Ethereal as the air,
Crowd through the brain's dim labyrinths,
And leave their impress there;
As far along the gleaming void
Man's tender glances roll,
Wonder usurps the throne of speech,
But vivifies the soul.
Oh, heaven-cradled mysteries,
What sacred paths ye've trodBright, jewelled scintillations from
The chariot-wheels of God!
When in the spirit He rode forth,
With vast creative aim,
These were His footprints left behind,
To magnify His name!
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--We gazed on the Evening Star,
Mary and I,
As it shone
On its throne
Afar,
In the blue sky;
Shone like a ransomed soul
In the depths of that quiet heaven;
Like a pearly tear,
Trembling with fear
On the pallid cheek of Even.
And I thought of the myriad souls
Gazing with human eyes
On the light of that star,
Shining afar,
In the quiet evening skies;
Some with winged hope,
Clearing the cope
Of heaven as swift as light,
Others, with souls
Blind as the moles,
Sinking in rayless night.
Dreams such as dreamers dream
Flitted before our eyes;
Beautiful visions!Angelo's, Titian's,
Had never more gorgeous dyes:
We soared with the angels
Through vistas of glory,
We heard the evangels
Relate the glad story
Of the beautiful star,
Shining afar
In the quiet evening skies.
And we gazed and dreamed,
Till our spirits seemed
39
Absorbed in the stellar world;
Sorrow was swallowed up,
Drained was the bitter cup
Of earth to the very lees;
And we sailed over seas
Of white vapour that whirled
Through the skies afar,
Angels our charioteers,
Threading the endless spheres,
And to the chorus of angels
Rehearsed the evangels
The Birth of the Evening Star.
--I.
Far back in the infant ages,
Before the eras stamped their autographs
Upon the stony records of the earth;
Before the burning incense of the sun
Rolled up the interlucent space,
Brightening the blank abyss;
Ere the Recording Angel's tears
Were shed for man's transgressions:
A Seraph, with a face of light,
And hair like heaven's golden atmosphere,
Blue eyes serene in their beatitude,
Godlike in their tranquillity,
Features as perfect as God's dearest work,
And stature worthy of her race,
Lived high exalted in the sacred sphere
That floated in a sea of harmony
Translucent as pure crystal, or the light
That flowed, unceasing, from this higher world
Unto the spheres beneath it. Far below
The extremest regions underneath the Earth
The first spheres rose, of vari-coloured light,
In calm rotation through aerial deep,
Like seas of jasper, blue, and coralline,
Crystal and violet; layers of worlds-
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The robes of ages that had passed away,
Left as memorials of their sojournings.
For nothing passes wholly. All is changed.
The Years but slumber in their sepulchres,
And speak prophetic meanings in their sleep.
FIRST ANGEL.
Oh, how our souls are gladdened,
When we think of that brave old age,
When God's light came down
From heaven, to crown
Each act of the virgin page!
Oh, how our souls are saddened,
At the deeds which were done since then,
By the angel race
In the holy place,
And on earth by the sons of men!
Lo, as the years are fleeting,
With their burden of toil and pain,
We know that the page
Of that primal age
Will be opened up once again.
II.
Progressing still, the bright-faced Seraph rose
From Goodness to Perfection, till she stood
The fairest and the best of all that waked
The tuneful echoes of that lofty world,
Where Lucifer, then the stateliest of the throng
Of Angels, walked majestical, arrayed
In robes of brightness worthy of his place.
And all the intermediate spheres were homes
Of the existences
Of spiritual life.
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Love, the divine arcanum, was the bond
That linked them to each other-heart to heart,
And angel world to world, and soul to soul.
Thus the first ages passed,
Cycles of perfect bliss,
God the acknowledged sovereign of all.
Sphere spake with sphere, and love conversed with love,
From the far centre to sublimest height,
And down the deep, unfathomable space,
To the remotest homes of angel-life,
A viewless chain of being circling all,
And linking every spirit to its God.
ANGEL CHORUS.
Spirits that never falter,
Before God's altar
Rehearse their paeans of unceasing praise;
Their theme the boundless love
By which God rules above,
Mysteriously engrafted
On grace divine, and wafted
Into every soul of man that disobeys.
Not till the wondrous being
Of the All-Seeing
Is manifested to finite man,
Can ye understand the love
By which God rules above,
Evermore extending,
In circles never-ending,
To every atom in the universal plan.
SECOND ANGEL.
Oh, the love beyond computing
Of the high and holy place!
The unseen bond
Circling beyond
42
The limits of time and space.
Through earth and her world of beauty
The heavenly links extend,
Man feels its presence,
Imbibes its essence,
But cannot yet comprehend.
THIRD ANGEL.
But the days are fast approaching,
When the Father of Love will send
His interpreter
From the highest sphere,
That man fully may comprehend.
III.
Oh, truest Love, because the truest life!
Oh, blest existence, to exist with Love!
Oh, Love, without which all things else must die
The death that knows no waking unto life!
Oh, Jealousy that saps the heart of Love,
And robs it of its tenderness divine;
And Pride, that tramples with its iron hoof
Upon the flower of love, whose fragrant soul
Exhales itself in sweetness as it dies!
A lofty spirit surfeited with Bliss!
A Prince of Angels cancelling all love,
All due allegiance to his rightful Lord;
Doing dishonour to his high estate;
Turning the truth and wisdom which were his
For ages of supreme felicity,
To thirst for power, and hatred of his God,
Who raised him to such vast preeminence!
SECOND ANGEL CHORUS.
43
Woe, woe to the ransomed spirit,
Once freed from the stain of sin,
Whose pride increases
Till all love ceases
To nourish it from within!
Its doom is the darkened regions
Where the rebel angel legions
Live their long night of sorrow;
Where no expectant morrow,
No mercy-tempered ray
From the altar of to-day,
Comes down through the gloom to borrow
One dropp from their cup of sorrow,
Or lighten their cheerless way.
FIRST ANGEL.
But blest be the gentle spirit
Whose love is ever increased
From its own pure soul,
The illumined goal
Where Love holds perpetual feast!
IV.
Ingrate Angel, he,
To purchase Hell, and at so vast a price!
'Tis the old story of celestial strifeRebellion in the palace-halls of GodFalse angels joining the insurgent ranks,
Who suffered dire defeats, and fell at last
From bliss supreme to darkness and despair.
But they, the faithful dwellers in the spheres,
Who kept their souls inviolate, to whom
Heaven's love and truth were truly great rewards:
For these the stars were sown throughout all space,
As fit memorials of their faithfulness.
The wretched lost were banished to the depths
Beneath the lowest spheres. Earth barred the space
44
Between them and the Faithful. Then the hills
Rose bald and rugged o'er the wild abyss;
The waters found their places; and the sun,
The bright-haired warder of the golden morn,
Parting the curtains of reposing night,
Rung his first challenge to the dismal shades,
That shrunk back, awed, into Cimmerean gloom;
And the young moon glode through the startled void
With quiet beauty and majestic mien.
SECOND ANGEL.
Slowly rose the daedal Earth,
Through the purple-hued abysm
Glowing like a gorgeous prism,
Heaven exulting o'er its birth,
Still the mighty wonder came,
Through the jasper-coloured sphere,
Ether-winged, and crystal-clear,
Trembling to the loud acclaim,
In a haze of golden rain,
Up the heavens rolled the sun,
Danae-like the earth was won,
Else his love and light were vain.
So the heart and soul of man
Own the light and love of heaven,
Nothing yet in vain was given,
Nature's is a perfect plan.
V.
The glowing Seraph with the brow of light
Was first among the Faithful. When the war
Between heaven's rival armies fiercely waged,
She bore the Will Divine from rank to rank,
The chosen courier of Deity.
45
Her presence cheered the combatants for Truth,
And Victory stood up where'er she moved.
And now, in gleaming robe of woven pearl,
Emblazoned with devices of the stars,
And legends of their glory yet to come,
The type of Beauty Intellectual,
The representative of Love and Truth,
She moves first in the innumerable throng
Of angels congregating to behold
The crowning wonder of creative power.
THIRD ANGEL CHORUS,
Oh, joy, that no mortal can fathom,
To rejoice in the smile of God!
To be first in the light
Of His Holy sight,
And freed from His chastening rod.
Faithful, indeed, that soul, to be
The messenger of Deity!
FIRST ANGEL.
This, this is the chosen spirit,
Whose love is ever increased
From its own pare soul,
The illumined goal
Where Love holds perpetual feast.
VI.
With noiseless speed the angel charioteers
In dazzling splendour all triumphant rode;
Through seas of ether painfully serene,
That flashed a golden, phosphorescent spray,
As luminous as the sun's intensest beams,
46
Athwart the wide, interminable space.
Legion on legion of the sons of God;
Vast phalanxes of graceful cherubim;
Innumerable multitudes and ranks
Of all the hosts and hierarchs of heaven,
Moved by one universal impulse, urged
Their steeds of swiftness up the arch of light,
From sphere to sphere increasing as they came,
Till world on world was emptied of its race.
Upward, with unimaginable speed,
The myriads, congregating zenith-ward,
Reached the far confines of the utmost sphere,
The home of Truth, the dwelling-place of Love,
Striking celestial symphonies divine
From the resounding sea of melody,
That heaved in swells of soft, mellifluous sound,
To the blest crowds at whose triumphal tread
Its soul of sweetness waked in thrills sublime,
The sun stood poised upon the western verge;
The moon paused, waiting for the march of earth,
That stayed to watch the advent of the stars;
And ocean hushed its very deepest deeps
In grateful expectation.
SECOND ANGEL.
Still through the viewless regions
Of the habitable air,
Through the ether ocean,
In unceasing motion,
Pass the multitudinous legions
Of angels everywhere.
Bearing each new-born spirit
Through the interlucent void
To its starry dwelling,
Angel anthems telling
Every earthly deed of merit
To each flashing asteroid.
47
THIRD ANGEL.
Through the realms sidereal,
Clothed with the immaterial,
Far as the fields elysian
In starry bloom extend,
The stretch of angel vision
Can see and comprehend.
VII.
Innumerable as the ocean sands
The angel concourse in due order stood,
In meek anticipation waiting for
The new-created orbs,
Still hidden in the deep
And unseen laboratory, where
Not even angel eyes could penetrate:
A star for each of that angelic host,
Memorials of their faithfulness and love.
The Evening Star, God's bright eternal gift
To the pure Seraph with the brow of light,
And named for her, mild Hesperus,
Came twinkling down the unencumbered blue,
On viewless wings of sweet melodious sound,
Beauty and grace presiding at its birth.
Celestial plaudits sweeping through the skies
Waked resonant paeans, till the concave thrilled
Through its illimitable bounds.
With a sudden burst
Of light, that lit the universal space
As with a flame of crystal,
Rousing the Soul of Joy
That slumbered in the patient sea,
From every point of heaven the hurrying cars
Conveyed the constellations to their thronesThe throbbing planets, and the burning suns,
Erratic comets, and the various grades
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And magnitudes of palpitating stars.
From the far arctic and antarctic zones,
Through all the vast, surrounding infinite,
A wilderness of intermingling orbs,
The gleaming wonders, pulsing earthward, came;
Each to its destined place,
Each in itself a world,
With all its coining myriad life,
Drawing us nearer the Omnipotent,
With hearts of wonder, and with souls of praise:
Astrea, Pallas, strange Aldebaran,
The Pleiads, Arcturus, the ruddy Mars,
Pale Saturn, Ceres and OrionAll as they circle still
Through the enraptured void.
For each young angel born to us from earth,
A new-made star is launched among its peers.
FULL ANGEL CHORUS.
Dreamer in the realms aerial,
Searcher for the true and good,
Hoper for the high, ethereal
Limit of Beatitude,
Lift thy heart to heaven, for there
Is embalmed thy spirit prayer:
Not in words is shrined thy prayer,
But thy Thought awaits thee there.
God loves the silent worshipper.
The grandest hymn
That nature chants-the litany
Of the rejoicing stars-is silent praise.
Their nightly anthems stir
The souls of lofty seraphim
In the remotest heaven. The melody
Descends in throbbings of celestial light
Into the heart of man, whose upward gaze,
And meditative aspect, tell
Of the heart's incense passing up the night.
Above the crystalline height
The theme of thoughtful praise ascends.
49
Not from the wildest swell
Of the vexed ocean soars the fullest psalm;
But in the evening calm,
And in the solemn midnight, silence blends
With silence, and to the ear
Attuned to harmony divine
Begets a strain
Whose trance-like stillness wakes delicious pain.
The silent tear
Holds keener anguish in its orb of brine,
Deeper and truer grief
Than the loud wail that brings relief,
As thunder clears the atmosphere.
But the deep, tearless Sorrow,-how profound!
Unspoken to the ear
Of sense, 'tis yet as eloquent a sound
As that which wakes the lyre
Of the rejoicing Day, when
Morn on the mountains lights his urn of fire.
The flowers of the glen
Rejoice in silence; huge pines stand apart
Upon the lofty hills, and sigh
Their woes to every breeze that passeth by;
The willow tells its mournful tale
So tenderly, that e'en the passing gale
Bears not a murmur on its wings
Of what the spirit sings
That breathes its trembling thoughts through all the
drooping strings.
He loves God most who worships most
In the obedient heart.
The thunder's noisome boast,
What is it to the violet lightning thought?
So with the burning passion of the starsCreation's diamond sands,
Strewn along the pearly strands,
And far-extending corridors
Of heaven's blooming shores;
No scintil of their jewelled flame
But wafts the exquisite essence
Of prayer to the Eternal Presence,
50
Of praise to the Eternal Name.
The silent prayer unbars
The gates of Paradise, while the too-intimate,
Self-righteous' boast, strikes rudely at the gate
Of heaven, unknowing why it does not open to
Their summons, as they see pale Silence passing through.
VIII.
In grateful admiration, till the Dawn
Withdrew the gleaming curtains of the night,
We watched the whirling systems, until each
Could recognize their own peculiar star;
When, with the swift celerity
Of Fancy-footed Thought,
The light-caparisoned, aerial steeds,
Shod with rare fleetness,
Revisited the farthest of the spheres
Ere the earth's sun had kissed the mountain tops,
Or shook the sea-pearls from his locks of gold.
--Still on the Evening Star
Gazed we with steadfast eyes,
As it shone
On its throne
Afar,
In the blue skies.
No longer the charioteers
Dashed through the gleaming spheres;
No more the evangels
Rehearsed the glad story;
But, in passing, the angels
Left footprints of glory:
For up the starry void
Bright-flashing asteroid,
Pale moon and starry choir,
Aided by Fancy's fire,
51
Rung from the glittering lyre
Changes of song and hymn,
Worthy of Seraphim.
Night's shepherdess sat, queenlike, on her throne,
Watching her starry flocks from zone to zone,
While we, like mortals turned to breathing stone,
Intently pondered on the Known Unknown.
~ Charles Sangster,#NFDB |
1394:Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon, and eve's one star,
Sat gray-hair'd Saturn, quiet as a stone,
Still as the silence round about his lair;
Forest on forest hung about his head
Like cloud on cloud. No stir of air was there,
Not so much life as on a summer's day
Robs not one light seed from the feather'd grass,
But where the dead leaf fell, there did it rest.
A stream went voiceless by, still deadened more
By reason of his fallen divinity
Spreading a shade: the Naiad 'mid her reeds
Press'd her cold finger closer to her lips.
Along the margin-sand large foot-marks went,
No further than to where his feet had stray'd,
And slept there since. Upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred; and his realmless eyes were closed;
While his bow'd head seem'd list'ning to the Earth,
His ancient mother, for some comfort yet.
It seem'd no force could wake him from his place;
But there came one, who with a kindred hand
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
She was a Goddess of the infant world;
By her in stature the tall Amazon
Had stood a pigmy's height: she would have ta'en
Achilles by the hair and bent his neck;
Or with a finger stay'd Ixion's wheel.
Her face was large as that of Memphian sphinx,
Pedestal'd haply in a palace court,
When sages look'd to Egypt for their lore.
But oh! how unlike marble was that face:
How beautiful, if sorrow had not made
Sorrow more beautiful than Beauty's self.
There was a listening fear in her regard,
As if calamity had but begun;
As if the vanward clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up.
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain:
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning with parted lips, some words she spake
In solemn tenor and deep organ tone:
Some mourning words, which in our feeble tongue
Would come in these like accents; O how frail
To that large utterance of the early Gods!
"Saturn, look up!-though wherefore, poor old King?
I have no comfort for thee, no not one:
I cannot say, 'O wherefore sleepest thou?'
For heaven is parted from thee, and the earth
Knows thee not, thus afflicted, for a God;
And ocean too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thine hoary majesty.
Thy thunder, conscious of the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning in unpractised hands
Scorches and burns our once serene domain.
O aching time! O moments big as years!
All as ye pass swell out the monstrous truth,
And press it so upon our weary griefs
That unbelief has not a space to breathe.
Saturn, sleep on:-O thoughtless, why did I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn, sleep on! while at thy feet I weep."
As when, upon a tranced summer-night,
Those green-rob'd senators of mighty woods,
Tall oaks, branch-charmed by the earnest stars,
Dream, and so dream all night without a stir,
Save from one gradual solitary gust
Which comes upon the silence, and dies off,
As if the ebbing air had but one wave;
So came these words and went; the while in tears
She touch'd her fair large forehead to the ground,
Just where her fallen hair might be outspread
A soft and silken mat for Saturn's feet.
One moon, with alteration slow, had shed
Her silver seasons four upon the night,
And still these two were postured motionless,
Like natural sculpture in cathedral cavern;
The frozen God still couchant on the earth,
And the sad Goddess weeping at his feet:
Until at length old Saturn lifted up
His faded eyes, and saw his kingdom gone,
And all the gloom and sorrow ofthe place,
And that fair kneeling Goddess; and then spake,
As with a palsied tongue, and while his beard
Shook horrid with such aspen-malady:
"O tender spouse of gold Hyperion,
Thea, I feel thee ere I see thy face;
Look up, and let me see our doom in it;
Look up, and tell me if this feeble shape
Is Saturn's; tell me, if thou hear'st the voice
Of Saturn; tell me, if this wrinkling brow,
Naked and bare of its great diadem,
Peers like the front of Saturn? Who had power
To make me desolate? Whence came the strength?
How was it nurtur'd to such bursting forth,
While Fate seem'd strangled in my nervous grasp?
But it is so; and I am smother'd up,
And buried from all godlike exercise
Of influence benign on planets pale,
Of admonitions to the winds and seas,
Of peaceful sway above man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in.-I am gone
Away from my own bosom: I have left
My strong identity, my real self,
Somewhere between the throne, and where I sit
Here on this spot of earth. Search, Thea, search!
Open thine eyes eterne, and sphere them round
Upon all space: space starr'd, and lorn of light;
Space region'd with life-air; and barren void;
Spaces of fire, and all the yawn of hell.-
Search, Thea, search! and tell me, if thou seest
A certain shape or shadow, making way
With wings or chariot fierce to repossess
A heaven he lost erewhile: it must-it must
Be of ripe progress-Saturn must be King.
Yes, there must be a golden victory;
There must be Gods thrown down, and trumpets blown
Of triumph calm, and hymns of festival
Upon the gold clouds metropolitan,
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children; I will give command:
Thea! Thea! Thea! where is Saturn?"
This passion lifted him upon his feet,
And made his hands to struggle in the air,
His Druid locks to shake and ooze with sweat,
His eyes to fever out, his voice to cease.
He stood, and heard not Thea's sobbing deep;
A little time, and then again he snatch'd
Utterance thus.-"But cannot I create?
Cannot I form? Cannot I fashion forth
Another world, another universe,
To overbear and crumble this to nought?
Where is another Chaos? Where?"-That word
Found way unto Olympus, and made quake
The rebel three.-Thea was startled up,
And in her bearing was a sort of hope,
As thus she quick-voic'd spake, yet full of awe.
"This cheers our fallen house: come to our friends,
O Saturn! come away, and give them heart;
I know the covert, for thence came I hither."
Thus brief; then with beseeching eyes she went
With backward footing through the shade a space:
He follow'd, and she turn'd to lead the way
Through aged boughs, that yielded like the mist
Which eagles cleave upmounting from their nest.
Meanwhile in other realms big tears were shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe:
The Titans fierce, self-hid, or prison-bound,
Groan'd for the old allegiance once more,
And listen'd in sharp pain for Saturn's voice.
But one of the whole mammoth-brood still kept
His sov'reigny, and rule, and majesy;-
Blazing Hyperion on his orbed fire
Still sat, still snuff'd the incense, teeming up
From man to the sun's God: yet unsecure:
For as among us mortals omens drear
Fright and perplex, so also shuddered he-
Not at dog's howl, or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing-bell,
Or prophesyings of the midnight lamp;
But horrors, portion'd to a giant nerve,
Oft made Hyperion ache. His palace bright,
Bastion'd with pyramids of glowing gold,
And touch'd with shade of bronzed obelisks,
Glar'd a blood-red through all its thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flush'd angerly: while sometimes eagles' wings,
Unseen before by Gods or wondering men,
Darken'd the place; and neighing steeds were heard
Not heard before by Gods or wondering men.
Also, when he would taste the spicy wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate took
Savor of poisonous brass and metal sick:
And so, when harbor'd in the sleepy west,
After the full completion of fair day,-
For rest divine upon exalted couch,
And slumber in the arms of melody,
He pac'd away the pleasant hours of ease
With stride colossal, on from hall to hall;
While far within each aisle and deep recess,
His winged minions in close clusters stood,
Amaz'd and full offear; like anxious men
Who on wide plains gather in panting troops,
When earthquakes jar their battlements and towers.
Even now, while Saturn, rous'd from icy trance,
Went step for step with Thea through the woods,
Hyperion, leaving twilight in the rear,
Came slope upon the threshold of the west;
Then, as was wont, his palace-door flew ope
In smoothest silence, save what solemn tubes,
Blown by the serious Zephyrs, gave of sweet
And wandering sounds, slow-breathed melodies;
And like a rose in vermeil tint and shape,
In fragrance soft, and coolness to the eye,
That inlet to severe magnificence
Stood full blown, for the God to enter in.
He enter'd, but he enter'd full of wrath;
His flaming robes stream'd out beyond his heels,
And gave a roar, as if of earthly fire,
That scar'd away the meek ethereal Hours
And made their dove-wings tremble. On he flared
From stately nave to nave, from vault to vault,
Through bowers of fragrant and enwreathed light,
And diamond-paved lustrous long arcades,
Until he reach'd the great main cupola;
There standing fierce beneath, he stampt his foot,
And from the basements deep to the high towers
Jarr'd his own golden region; and before
The quavering thunder thereupon had ceas'd,
His voice leapt out, despite of godlike curb,
To this result: "O dreams of day and night!
O monstrous forms! O effigies of pain!
O spectres busy in a cold, cold gloom!
O lank-eared phantoms of black-weeded pools!
Why do I know ye? why have I seen ye? why
Is my eternal essence thus distraught
To see and to behold these horrors new?
Saturn is fallen, am I too to fall?
Am I to leave this haven of my rest,
This cradle of my glory, this soft clime,
This calm luxuriance of blissful light,
These crystalline pavilions, and pure fanes,
Of all my lucent empire? It is left
Deserted, void, nor any haunt of mine.
The blaze, the splendor, and the symmetry,
I cannot see but darkness, death, and darkness.
Even here, into my centre of repose,
The shady visions come to domineer,
Insult, and blind, and stifle up my pomp.-
Fall!-No, by Tellus and her briny robes!
Over the fiery frontier of my realms
I will advance a terrible right arm
Shall scare that infant thunderer, rebel Jove,
And bid old Saturn take his throne again."-
He spake, and ceas'd, the while a heavier threat
Held struggle with his throat but came not forth;
For as in theatres of crowded men
Hubbub increases more they call out "Hush!"
So at Hyperion's words the phantoms pale
Bestirr'd themselves, thrice horrible and cold;
And from the mirror'd level where he stood
A mist arose, as from a scummy marsh.
At this, through all his bulk an agony
Crept gradual, from the feet unto the crown,
Like a lithe serpent vast and muscular
Making slow way, with head and neck convuls'd
From over-strained might. Releas'd, he fled
To the eastern gates, and full six dewy hours
Before the dawn in season due should blush,
He breath'd fierce breath against the sleepy portals,
Clear'd them of heavy vapours, burst them wide
Suddenly on the ocean's chilly streams.
The planet orb of fire, whereon he rode
Each day from east to west the heavens through,
Spun round in sable curtaining of clouds;
Not therefore veiled quite, blindfold, and hid,
But ever and anon the glancing spheres,
Circles, and arcs, and broad-belting colure,
Glow'd through, and wrought upon the muffling dark
Sweet-shaped lightnings from the nadir deep
Up to the zenith,-hieroglyphics old,
Which sages and keen-eyed astrologers
Then living on the earth, with laboring thought
Won from the gaze of many centuries:
Now lost, save what we find on remnants huge
Of stone, or rnarble swart; their import gone,
Their wisdom long since fled.-Two wings this orb
Possess'd for glory, two fair argent wings,
Ever exalted at the God's approach:
And now, from forth the gloom their plumes immense
Rose, one by one, till all outspreaded were;
While still the dazzling globe maintain'd eclipse,
Awaiting for Hyperion's command.
Fain would he have commanded, fain took throne
And bid the day begin, if but for change.
He might not:-No, though a primeval God:
The sacred seasons might not be disturb'd.
Therefore the operations of the dawn
Stay'd in their birth, even as here 'tis told.
Those silver wings expanded sisterly,
Eager to sail their orb; the porches wide
Open'd upon the dusk demesnes of night
And the bright Titan, phrenzied with new woes,
Unus'd to bend, by hard compulsion bent
His spirit to the sorrow of the time;
And all along a dismal rack of clouds,
Upon the boundaries of day and night,
He stretch'd himself in grief and radiance faint.
There as he lay, the Heaven with its stars
Look'd down on him with pity, and the voice
Of Coelus, from the universal space,
Thus whisper'd low and solemn in his ear:
"O brightest of my children dear, earth-born
And sky-engendered, son of mysteries
All unrevealed even to the powers
Which met at thy creating; at whose joys
And palpitations sweet, and pleasures soft,
I, Coelus, wonder, how they came and whence;
And at the fruits thereof what shapes they be,
Distinct, and visible; symbols divine,
Manifestations of that beauteous life
Diffus'd unseen throughout eternal space:
Of these new-form'd art thou, O brightest child!
Of these, thy brethren and the Goddesses!
There is sad feud among ye, and rebellion
Of son against his sire. I saw him fall,
I saw my first-born tumbled from his throne!
To me his arms were spread, to me his voice
Found way from forth the thunders round his head!
Pale wox I, and in vapours hid my face.
Art thou, too, near such doom? vague fear there is:
For I have seen my sons most unlike Gods.
Divine ye were created, and divine
In sad demeanour, solemn, undisturb'd,
Unruffled, like high Gods, ye liv'd and ruled:
Now I behold in you fear, hope, and wrath;
Actions of rage and passion; even as
I see them, on the mortal world beneath,
In men who die.-This is the grief, O son!
Sad sign of ruin, sudden dismay, and fall!
Yet do thou strive; as thou art capable,
As thou canst move about, an evident God;
And canst oppose to each malignant hour
Ethereal presence:-I am but a voice;
My life is but the life of winds and tides,
No more than winds and tides can I avail:-
But thou canst.-Be thou therefore in the van
Of circumstance; yea, seize the arrow's barb
Before the tense string murmur.-To the earth!
For there thou wilt find Saturn, and his woes.
Meantime I will keep watch on thy bright sun,
And of thy seasons be a careful nurse."-
Ere half this region-whisper had come down,
Hyperion arose, and on the stars
Lifted his curved lids, and kept them wide
Until it ceas'd; and still he kept them wide:
And still they were the same bright, patient stars.
Then with a slow incline of his broad breast,
Like to a diver in the pearly seas,
Forward he stoop'd over the airy shore,
And plung'd all noiseless into the deep night.
'Lord Houghton records, on the authority of Brown, that "Hyperion" was begun after the death of Tom Keats, when the poet took up his residence at Wentworth Place.
(line 14): It seems to me that the power of realization shown in the first decade, and indeed throughout the fragment, answers all objections to the subject, and is the most absolute security for the nobility of the result which Keats would have achieved had he finished the poem. It is impossible to over-estimate the value of such a landscape, so touched in with a few strokes of titanic meaning and completeness; and the whole sentiment of gigantic despair reflected around the fallen god of the Titan dynasty, and permeating the landscape, is resumed in the most perfect manner in the incident of the motionless fallen leaf, a line almost as intense and full of the essence of poetry as any line in our language. It were ungracious to take exception to the poor Naiad; but she has not the convincing appropriateness of the rest of this sublime opening.'
(line 51): Leigh Hunt's remarks upon Keats's failure to finish the poem are specially appropriate to this passage, "If any living poet could finish this fragment, we believe it is the author himself. But perhaps he feels that he ought not. A story which involves passion, almost of necessity involves speech; and though we may well enough describe beings greater than ourselves by comparison, unfortunately we cannot make them speak by comparison." ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895.
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion. Book I
,#NFDB |
1395:A Poem On The Last Day - Book Ii
Now man awakes, and from his silent bed,
Where he has slept for ages, lifts his head;
Shakes off the slumber of ten thousand years,
And on the borders of new worlds appears.
Whate'er the bold, the rash adventure cost,
In wide Eternity I dare be lost.
The Muse is wont in narrow bounds to sing,
To teach the swain, or celebrate the king.
I grasp the whole, no more to parts confined,
I lift my voice, and sing to human kind:
I sing to men and angels; angels join,
While such the theme, their sacred songs with mine.
Again the trumpet's intermitted sound
Rolls the wide circuit of creation round,
An universal concourse to prepare
Of all that ever breathed the vital air;
In some wide field, which active whirlwinds sweep,
Drive cities, forests, mountains to the deep,
To smooth and lengthen out the' unbounded space,
And spread an area for all human race.
Now monuments prove faithful to their trust,
And render back their long committed dust.
Now charnels rattle; scatter'd limbs, and all
The various bones, obsequious to the call,
Self-moved, advance; the neck perhaps to meet
The distant head; the distant legs, the feet.
Dreadful to view, see through the dusky sky
Fragments of bodies in confusion fly,
To distant regions journeying, there to claim
Deserted members, and complete the frame.
When the world bow'd to Rome's almighty sword,
Rome bow'd to Pompey, and confess'd her lord.
Yet, one day lost, this deity below
Became the scorn and pity of his foe.
His blood a traitor's sacrifice was made,
14
And smoked indignant on a ruffian's blade.
No trumpet's sound, no gasping army's yell,
Bid, with due horror, his great soul farewell.
Obscure his fall: all weltering in his gore,
His trunk was cast to perish on the shore!
While Julius frown'd the bloody monster dead,
Who brought the world in his great rival's head.
This sever'd head and trunk shall join once more,
Though realms now rise between, and oceans roar.
The trumpet's sound each vagrant-mote shall hear,
Or fix'd in earth, or if afloat in air,
Obey the signal wafted in the wind,
And not one sleeping atom lag behind.
So swarming bees, that, on a summer's day,
In airy rings and wild meanders play,
Charm'd with the brasen sound, their wanderings end,
And, gently circling, on a bough descend.
The body thus renew'd, the conscious soul,
Which has perhaps been fluttering near the pole,
Or midst the burning planets wondering stray'd,
Or hover'd o'er where her pale corpse was laid;
Or rather coasted on her final state,
And fear'd or wish'd for her appointed fate:
This soul, returning with a constant flame,
Now weds for ever her immortal frame.
Life, which ran down before, so high is wound,
The springs maintain an everlasting round.
Thus a frail model of the work design'd
First takes a copy of the builder's mind,
Before the structure firm with lasting oak,
And marble bowels of the solid rock,
Turns the strong arch, and bids the columns rise,
And bear the lofty palace to the skies;
The wrongs of Time enabled to surpass,
With bars of adamant, and ribs of brass.
That ancient, sacred, and illustrious dome,
Where soon or late fair Albion's heroes come,
From camps and courts, though great, or wise, or just,
15
To feed the worm, and moulder into dust;
That solemn mansion of the royal dead,
Where passing slaves o'er sleeping monarchs tread,
Now populous o'erflows: a numerous race
Of rising kings fill all the' extended space.
A life well-spent, not the victorious sword,
Awards the crown, and styles the greater lord.
Nor monuments alone, and burial earth,
Labour with man to this his second birth;
But where gay palaces in pomp arise,
And gilded theatres invade the skies,
Nations shall wake, whose unrespected bones
Support the pride of their luxurious sons.
The most magnificent and costly dome
Is but an upper chamber to a tomb.
No spot on earth but has supplied a grave,
And human skulls the spacious ocean pave.
All's full of man; and at this dreadful turn,
The swarm shall issue, and the hive shall burn.
Not all at once, nor in like manner, rise:
Some lift with pain their slow unwilling eyes;
Shrink backward from the terror of the light,
And bless the grave, and call for lasting night.
Others, whose long-attempted virtue stood
Fix'd as a rock, and broke the rushing flood;
Whose firm resolve nor beauty could melt down,
Nor raging tyrants from their posture frown:Such, in this day of horrors, shall be seen
To face the thunders with a godlike mien:
The planets drop, their thoughts are fix'd above;
The centre shakes, their hearts disdain to move:
An earth dissolving, and a heaven thrown wide,
A yawning gulf, and fiends on every side,
Serene they view, impatient of delay,
And bless the dawn of everlasting day.
Here greatness prostrate falls; there strength gives place:
Here lazars smile; there beauty hides her face.
Christians, and Jews, and Turks, and Pagans stand,
A blended throng, one undistinguish'd band.
16
Some who, perhaps, by mutual wounds expired,
With zeal for their distinct persuasions fired,
In mutual friendship their long slumber break,
And hand in hand their Saviour's love partake.
But none are flush'd with brighter joy, or, warm
With juster confidence, enjoy the storm,
Than those whose pious bounties, unconfined,
Have made them public fathers of mankind.
In that illustrious rank, what shining light
With such distinguish'd glory fills my sight?
Bend down, my grateful Muse, that homage show
Which to such worthies thou art proud to owe.
Wykeham, Fox, Chicheley! hail, illustrious names,
Who to far-distant times dispense your beams!
Beneath your shades, and near your crystal springs,
I first presumed to touch the trembling strings.
All hail, thrice-honour'd! 'Twas your great renown
To bless a people, and oblige a crown.
And now you rise, eternally to shine,
Eternally to drink the rays Divine.
Indulgent God! O how shall mortal raise
His soul to due returns of grateful praise,
For bounty so profuse to human kind,
Thy wondrous gift of an eternal mind?
Shall I, who, some few years ago, was less
Than worm, or mite, or shadow can express,Was nothing; shall I live, when every fire
And every star shall languish and expire?
When earth's no more, shall I survive above,
And through the radiant files of angels move?
Or, as before the throne of God I stand,
See new worlds rolling from His spacious hand,
Where our adventures shall perhaps be taught,
As we now tell how Michael sung or fought?
All that has being in full concert join,
And celebrate the depths of Love Divine!
But O! before this blissful state, before
The' aspiring soul this wondrous height can soar,
17
The Judge, descending, thunders from afar,
And all mankind is summon'd to the bar.
This mighty scene I next presume to draw:
Attend, great Anna, with religious awe.
Expect not here the known successful arts
To win attention, and command our hearts:
Fiction, be far away; let no machine
Descending here, no fabled God, be seen:
Behold the God of gods indeed descend,
And worlds unnumber'd His approach attend!
Lo! the wide theatre, whose ample space
Must entertain the whole of human race,
At Heaven's all-powerful edict is prepared,
And fenced around with an immortal guard.
Tribes, provinces, dominions, worlds o'erflow
The mighty plain, and deluge all below:
And every age and nation pours along;
Nimrod and Bourbon mingle in the throng;
Adam salutes his youngest son; no sign
Of all those ages which their births disjoin.
How empty learning, and how vain is art,
But as it mends the life, and guides the heart!
What volumes have been swell'd, what time been spent,
To fix a hero's birth-day or descent!
What joy must it now yield, what rapture raise,
To see the glorious race of ancient days!
To greet those worthies who perhaps have stood
Illustrious on record before the flood!
Alas! a nearer care your soul demands,
Caesar unnoted in your presence stands.
How vast the concourse! not in number more
The waves that break on the resounding shore,
The leaves that tremble in the shady grove,
The lamps that gild the spangled vault above.
Those overwhelming armies, whose command
Said to one empire, ``Fall;'' another, ``Stand;''
Whose rear lay wrapp'd in night, while breaking dawn
Roused the broad front, and call'd the battle on:
18
Great Xerxes' world in arms, proud Cannae's field,
Where Carthage taught victorious Rome to yield;
(Another blow had broke the Fates' decree,
And earth had wanted her fourth monarchy
Immortal Blenheim, famed Ramillia's host:They all are here, and here they all are lost:
Their millions swell to be discern'd in vain,
Lost as a billow in the' unbounded main.
This echoing voice now rends the yielding air,
For judgment, judgment, sons of men, prepare!
Earth shakes anew; I hear her groans profound;
And hell through all her trembling realms resound.
Whoe'er thou art, thou greatest power of earth,
Bless'd with most equal planets at thy birth:
Whose valour drew the most successful sword,
Most realms united in one common lord;
Who, on the day of triumph, saidst, ``Be Thine
The skies, Jehovah: all this world is mine:''
Dare not to lift thine eye.-Alas! my Muse,
How art thou lost! what numbers canst thou choose?
A sudden blush inflames the waving sky,
And now the crimson curtains open fly;
Lo! far within, and far above all height,
Where heaven's great Sovereign reigns in worlds of light;
Whence Nature He informs, and, with one ray
Shot from His eye, does all her works survey,
Creates, supports, confounds! where time, and place,
Matter, and form, and fortune, life, and grace,
Wait humbly at the footstool of their God,
And move obedient at His awful nod;
Whence He beholds us vagrant emmets crawl
At random on this air-suspended ball:
(Speck of creation!) if He pour one breath,
The bubble breaks, and 'tis eternal death.
Thence issuing I behold, (but mortal sight
Sustains not such a rushing sea of light!)
I see, on an empyreal flying throne
Sublimely raised, Heaven's everlasting Son;
19
Crown'd with that majesty which form'd the world,
And the grand rebel flaming downward hurl'd
Virtue, Dominion, Praise, Omnipotence,
Support the train of their triumphant Prince.
A zone, beyond the thought of angels bright,
Around Him, like the zodiac, winds its light.
Night shades the solemn arches of His brows,
And in His cheek the purple morning glows.
Where'er serene He turns propitious eyes,
Or we expect, or find, a Paradise:
But if resentment reddens their mild beams,
The Eden kindles, and the world's in flames.
On one hand, Knowledge shines in purest light;
On one, the sword of Justice, fiercely bright.
Now bend the knee in sport, present the reed;
Now tell the scourged impostor He shall bleed!
Thus glorious through the courts of heaven the Source
Of life and death eternal bends His course;
Loud thunders round Him roll, and lightnings play;
The' angelic host is ranged in bright array:
Some touch the string, some strike the sounding shell,
And mingling voices in rich concert swell;
Voices seraphic! bless'd with such a strain,
Could Satan hear, he were a god again.
Triumphant King of Glory! Soul of Bliss!
What a stupendous turn of fate is this!
O whither art thou raised above the scorn
And indigence of Him in Bethlem born!
A needless, helpless, unaccounted guest,
And but a second to the fodder'd beast!
How changed from Him who, meekly prostrate laid,
Vouchsafed to wash the feet Himself had made!
From Him who was betray'd, forsook, denied,
Wept, languish'd, pray'd, bled, thirsted, groan'd, and died;
Hung pierced and bare, insulted by the foe,
All heaven in tears above, earth unconcern'd below!
And was't enough to bid the sun retire?
Why did not Nature at Thy groan expire?
I see, I hear, I feel, the pangs Divine;
20
The world is vanish'd,-I am wholly Thine.
Mistaken Caiaphas! Ah! which blasphemed,Thou, or thy Prisoner? which shall be condemn'd?
Well mightst thou rend thy garments, well exclaim;
Deep are the horrors of eternal flame!
But God is good! 'Tis wondrous all! E'en He
Thou gavest to death, shame, torture, died for thee.
Now the descending triumph stops its flight
From earth full twice a planetary height.
There all the clouds, condensed, two columns raise
Distinct with orient veins, and golden blaze:
One fix'd on earth, and one in sea, and round
Its ample foot the swelling billows sound.
These an immeasurable arch support,
The grand tribunal of this awful court.
Sheets of bright azure, from the purest sky,
Stream from the crystal arch, and round the columns fly.
Death, wrapp'd in chains, low at the basis lies,
And on the point of his own arrow dies.
Here high-enthroned the' eternal Judge is placed,
With all the grandeur of His Godhead graced;
Stars on His robes in beauteous order meet,
And the sun burns beneath His awful feet.
Now an archangel eminently bright,
From off his silver staff of wondrous height,
Unfurls the Christian flag, which waving flies,
And shuts and opens more than half the skies:
The cross so strong a red, it sheds a stain,
Where'er it floats, on earth, and air, and main;
Flushes the hill, and sets on fire the wood,
And turns the deep-dyed ocean into blood.
O formidable Glory! dreadful bright!
Refulgent torture to the guilty sight.
Ah, turn, unwary Muse, nor dare reveal
What horrid thoughts with the polluted dwell.
Say not, (to make the Sun shrink in his beam,)
Dare not affirm, they wish it all a dream;
21
Wish, or their souls may with their limbs decay,
Or God be spoil'd of His eternal sway.
But rather, if thou know'st the means, unfold
How they with transport might the scene behold.
Ah how, but by repentance, by a mind
Quick and severe its own offence to find;
By tears, and groans, and never-ceasing care,
And all the pious violence of prayer?
Thus then, with fervency till now unknown,
I cast my heart before the' eternal throne,
In this great temple, which the skies surround,
For homage to its Lord a narrow bound:``O Thou! whose balance does the mountains weigh,
Whose will the wild tumultuous seas obey,
Whose breath can turn those watery worlds to flame,
That flame to tempest, and that tempest tame;
Earth's meanest son, all trembling, prostrate falls,
And on the Boundless of Thy goodness calls.
``O give the winds all past offence to sweep,
To scatter wide, or bury in the deep!
Thy power, my weakness, may I ever see,
And wholly dedicate my soul to Thee.
Reign o'er my will; my passions ebb and flow
At Thy command, nor human motive know.
If anger boil, let anger be my praise,
And sin the graceful indignation raise.
My love be warm to succour the distress'd,
And lift the burden from the soul oppress'd.
O may my understanding ever read
This glorious volume, which Thy wisdom made!
Who decks the maiden Spring with flowery pride?
Who calls forth Summer, like a sparkling bride?
Who joys the mother Autumn's bed to crown,
And bids old Winter lay her honours down?
Not the great Ottoman, or greater Czar,
Not Europe's arbitress of peace and war.
May sea and land, and earth and heaven, be join'd,
To bring the' eternal Author to my mind!
When oceans roar, or awful thunders roll,
22
May thoughts of Thy dread vengeance shake my soul!
When earth's in bloom, or planets proudly shine,
Adore, my heart, the Majesty Divine!
``Through every scene of life, or peace or war,
Plenty or want, Thy glory be my care!
Shine we in arms? or sing beneath our vine?
Thine is the vintage, and the conquest Thine:
Thy pleasure points the shaft, and bends the bow;
The cluster blasts, or bids it brightly glow:
'Tis Thou that lead'st our powerful armies forth,
And giv'st great Anne Thy sceptre o'er the north.
``Grant I may ever, at the morning ray,
Open with prayer the consecrated day;
Tune Thy great praise, and bid my soul arise,
And with the mounting sun ascend the skies:
As that advances, let my zeal improve,
And glow with ardour of consummate love;
Nor cease at eve, but with the setting sun
My endless worship shall be still begun.
``And O! permit the gloom of solemn night
To sacred thought may forcibly invite.
When this world's shut, and awful planets rise,
Call on our minds, and raise them to the skies;
Compose our souls with a less dazzling sight,
And show all nature in a milder light;
How every boisterous thought in calms subsides!
How the smooth'd spirit into goodness glides!
O how Divine! to tread the Milky Way,
To the bright palace of the Lord of Day;
His court admire, or for His favour sue,
Or leagues of friendship with His saints renew;
Pleased to look down, and see the world asleep,
While I long vigils to its Founder keep!
``Canst Thou not shake the centre? O control,
Subdue by force, the rebel in my soul!
Thou, who canst still the raging of the flood,
Restrain the various tumults of my blood;
Teach me, with equal firmness, to sustain
23
Alluring pleasure, and assaulting pain.
O may I pant for Thee in each desire!
And with strong faith foment the holy fire!
Stretch out my soul in hope, and grasp the prize
Which in Eternity's deep bosom lies!
At the great day of recompence behold,
Devoid of fear, the fatal book unfold!
Then, wafted upward to the blissful seat,
From age to age my grateful song repeat;
My Light, my Life, my God, my Saviour see,
And rival angels in the praise of Thee!''
~ Edward Young,#NFDB |
1396:Ben Jonson Entertains A Man From Stratford
You are a friend then, as I make it out,
Of our man Shakespeare, who alone of us
Will put an ass’s head in Fairyland
As he would add a shilling to more shillings,
All most harmonious,—and out of his
Miraculous inviolable increase
Fills Ilion, Rome, or any town you like
Of olden time with timeless Englishmen;
And I must wonder what you think of him—
All you down there where your small Avon flows
By Stratford, and where you’re an Alderman.
Some, for a guess, would have him riding back
To be a farrier there, or say a dyer;
Or maybe one of your adept surveyors;
Or like enough the wizard of all tanners.
Not you—no fear of that; for I discern
In you a kindling of the flame that saves—
The nimble element, the true caloric;
I see it, and was told of it, moreover,
By our discriminate friend himself, no other.
Had you been one of the sad average,
As he would have it,—meaning, as I take it,
The sinew and the solvent of our Island,
You’d not be buying beer for this Terpander’s
Approved and estimated friend Ben Jonson;
He’d never foist it as a part of his
Contingent entertainment of a townsman
While he goes off rehearsing, as he must,
If he shall ever be the Duke of Stratford.
And my words are no shadow on your town—
Far from it; for one town’s as like another
As all are unlike London. Oh, he knows it,—
And there’s the Stratford in him; he denies it,
And there’s the Shakespeare in him. So, God help him!
I tell him he needs Greek; but neither God
Nor Greek will help him. Nothing will help that man.
You see the fates have given him so much,
He must have all or perish,—or look out
Of London, where he sees too many lords.
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They’re part of half what ails him: I suppose
There’s nothing fouler down among the demons
Than what it is he feels when he remembers
The dust and sweat and ointment of his calling
With his lords looking on and laughing at him.
King as he is, he can’t be king de facto,
And that’s as well, because he wouldn’t like it;
He’d frame a lower rating of men then
Than he has now; and after that would come
An abdication or an apoplexy.
He can’t be king, not even king of Stratford,—
Though half the world, if not the whole of it,
May crown him with a crown that fits no king
Save Lord Apollo’s homesick emissary:
Not there on Avon, or on any stream
Where Naiads and their white arms are no more,
Shall he find home again. It’s all too bad.
But there’s a comfort, for he’ll have that House—
The best you ever saw; and he’ll be there
Anon, as you’re an Alderman. Good God!
He makes me lie awake o’nights and laugh.
And you have known him from his origin,
You tell me; and a most uncommon urchin
He must have been to the few seeing ones—
A trifle terrifying, I dare say,
Discovering a world with his man’s eyes,
Quite as another lad might see some finches,
If he looked hard and had an eye for nature.
But this one had his eyes and their foretelling,
And he had you to fare with, and what else?
He must have had a father and a mother—
In fact I’ve heard him say so—and a dog,
As a boy should, I venture; and the dog,
Most likely, was the only man who knew him.
A dog, for all I know, is what he needs
As much as anything right here to-day,
To counsel him about his disillusions,
Old aches, and parturitions of what’s coming,—
A dog of orders, an emeritus,
To wag his tail at him when he comes home,
And then to put his paws up on his knees
60
And say, “For God’s sake, what’s it all about?”
I don’t know whether he needs a dog or not—
Or what he needs. I tell him he needs Greek;
I’ll talk of rules and Aristotle with him,
And if his tongue’s at home he’ll say to that,
“I have your word that Aristotle knows,
And you mine that I don’t know Aristotle.”
He’s all at odds with all the unities,
And what’s yet worse, it doesn’t seem to matter;
He treads along through Time’s old wilderness
As if the tramp of all the centuries
Had left no roads—and there are none, for him;
He doesn’t see them, even with those eyes,—
And that’s a pity, or I say it is.
Accordingly we have him as we have him—
Going his way, the way that he goes best,
A pleasant animal with no great noise
Or nonsense anywhere to set him off—
Save only divers and inclement devils
Have made of late his heart their dwelling place.
A flame half ready to fly out sometimes
At some annoyance may be fanned up in him,
But soon it falls, and when it falls goes out;
He knows how little room there is in there
For crude and futile animosities,
And how much for the joy of being whole,
And how much for long sorrow and old pain.
On our side there are some who may be given
To grow old wondering what he thinks of us
And some above us, who are, in his eyes,
Above himself,—and that’s quite right and English.
Yet here we smile, or disappoint the gods
Who made it so: the gods have always eyes
To see men scratch; and they see one down here
Who itches, manor-bitten to the bone,
Albeit he knows himself—yes, yes, he knows—
The lord of more than England and of more
Than all the seas of England in all time
Shall ever wash. D’ye wonder that I laugh?
He sees me, and he doesn’t seem to care;
And why the devil should he? I can’t tell you.
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I’ll meet him out alone of a bright Sunday,
Trim, rather spruce, and quite the gentleman.
“What ho, my lord!” say I. He doesn’t hear me;
Wherefore I have to pause and look at him.
He’s not enormous, but one looks at him.
A little on the round if you insist,
For now, God save the mark, he’s growing old;
He’s five and forty, and to hear him talk
These days you’d call him eighty; then you’d add
More years to that. He’s old enough to be
The father of a world, and so he is.
“Ben, you’re a scholar, what’s the time of day?”
Says he; and there shines out of him again
An aged light that has no age or station—
The mystery that’s his—a mischievous
Half-mad serenity that laughs at fame
For being won so easy, and at friends
Who laugh at him for what he wants the most,
And for his dukedom down in Warwickshire;—
By which you see we’re all a little jealous.…
Poor Greene! I fear the color of his name
Was even as that of his ascending soul;
And he was one where there are many others,—
Some scrivening to the end against their fate,
Their puppets all in ink and all to die there;
And some with hands that once would shade an eye
That scanned Euripides and Æschylus
Will reach by this time for a pot-house mop
To slush their first and last of royalties.
Poor devils! and they all play to his hand;
For so it was in Athens and old Rome.
But that’s not here or there; I’ve wandered off.
Greene does it, or I’m careful. Where’s that boy?
Yes, he’ll go back to Stratford. And we’ll miss him?
Dear sir, there’ll be no London here without him.
We’ll all be riding, one of these fine days,
Down there to see him—and his wife won’t like us;
And then we’ll think of what he never said
Of women—which, if taken all in all
With what he did say, would buy many horses.
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Though nowadays he’s not so much for women:
“So few of them,” he says, “are worth the guessing.”
But there’s a worm at work when he says that,
And while he says it one feels in the air
A deal of circumambient hocus-pocus.
They’ve had him dancing till his toes were tender,
And he can feel ’em now, come chilly rains.
There’s no long cry for going into it,
However, and we don’t know much about it.
But you in Stratford, like most here in London,
Have more now in the Sonnets than you paid for;
He’s put one there with all her poison on,
To make a singing fiction of a shadow
That’s in his life a fact, and always will be.
But she’s no care of ours, though Time, I fear,
Will have a more reverberant ado
About her than about another one
Who seems to have decoyed him, married him,
And sent him scuttling on his way to London,—
With much already learned, and more to learn,
And more to follow. Lord! how I see him now,
Pretending, maybe trying, to be like us.
Whatever he may have meant, we never had him;
He failed us, or escaped, or what you will,—
And there was that about him (God knows what,—
We’d flayed another had he tried it on us)
That made as many of us as had wits
More fond of all his easy distances
Than one another’s noise and clap-your-shoulder.
But think you not, my friend, he’d never talk!
Talk? He was eldritch at it; and we listened—
Thereby acquiring much we knew before
About ourselves, and hitherto had held
Irrelevant, or not prime to the purpose.
And there were some, of course, and there be now,
Disordered and reduced amazedly
To resignation by the mystic seal
Of young finality the gods had laid
On everything that made him a young demon;
And one or two shot looks at him already
As he had been their executioner;
And once or twice he was, not knowing it,—
63
Or knowing, being sorry for poor clay
And saying nothing.… Yet, for all his engines,
You’ll meet a thousand of an afternoon
Who strut and sun themselves and see around ’em
A world made out of more that has a reason
Than his, I swear, that he sees here to-day;
Though he may scarcely give a Fool an exit
But we mark how he sees in everything
A law that, given we flout it once too often,
Brings fire and iron down on our naked heads.
To me it looks as if the power that made him,
For fear of giving all things to one creature,
Left out the first,—faith, innocence, illusion,
Whatever ’tis that keeps us out o’ Bedlam,—
And thereby, for his too consuming vision,
Empowered him out of nature; though to see him,
You’d never guess what’s going on inside him.
He’ll break out some day like a keg of ale
With too much independent frenzy in it;
And all for cellaring what he knows won’t keep,
And what he’d best forget—but that he can’t.
You’ll have it, and have more than I’m foretelling;
And there’ll be such a roaring at the Globe
As never stunned the bleeding gladiators.
He’ll have to change the color of its hair
A bit, for now he calls it Cleopatra.
Black hair would never do for Cleopatra.
But you and I are not yet two old women,
And you’re a man of office. What he does
Is more to you than how it is he does it,—
And that’s what the Lord God has never told him.
They work together, and the Devil helps ’em;
They do it of a morning, or if not,
They do it of a night; in which event
He’s peevish of a morning. He seems old;
He’s not the proper stomach or the sleep—
And they’re two sovran agents to conserve him
Against the fiery art that has no mercy
But what’s in that prodigious grand new House.
I gather something happening in his boyhood
Fulfilled him with a boy’s determination
To make all Stratford ’ware of him. Well, well,
64
I hope at last he’ll have his joy of it,
And all his pigs and sheep and bellowing beeves,
And frogs and owls and unicorns, moreover,
Be less than hell to his attendant ears.
Oh, past a doubt we’ll all go down to see him.
He may be wise. With London two days off,
Down there some wind of heaven may yet revive him;
But there’s no quickening breath from anywhere
Small make of him again the poised young faun
From Warwickshire, who’d made, it seems, already
A legend of himself before I came
To blink before the last of his first lightning.
Whatever there be, there’ll be no more of that;
The coming on of his old monster Time
Has made him a still man; and he has dreams
Were fair to think on once, and all found hollow.
He knows how much of what men paint themselves
Would blister in the light of what they are;
He sees how much of what was great now shares
An eminence transformed and ordinary;
He knows too much of what the world has hushed
In others, to be loud now for himself;
He knows now at what height low enemies
May reach his heart, and high friends let him fall;
But what not even such as he may know
Bedevils him the worst: his lark may sing
At heaven’s gate how he will, and for as long
As joy may listen, but he sees no gate,
Save one whereat the spent clay waits a little
Before the churchyard has it, and the worm.
Not long ago, late in an afternoon,
I came on him unseen down Lambeth way,
And on my life I was afear’d of him:
He gloomed and mumbled like a soul from Tophet,
His hands behind him and his head bent solemn.
“What is it now,” said I,—“another woman?”
That made him sorry for me, and he smiled.
“No, Ben,” he mused; “it’s Nothing. It’s all Nothing.
We come, we go; and when we’re done, we’re done;
Spiders and flies—we’re mostly one or t’other—
We come, we go; and when we’re done, we’re done;
65
“By God, you sing that song as if you knew it!”
Said I, by way of cheering him; “what ails ye?”
“I think I must have come down here to think,”
Says he to that, and pulls his little beard;
“Your fly will serve as well as anybody,
And what’s his hour? He flies, and flies, and flies,
And in his fly’s mind has a brave appearance;
And then your spider gets him in her net,
And eats him out, and hangs him up to dry.
That’s Nature, the kind mother of us all.
And then your slattern housemaid swings her broom,
And where’s your spider? And that’s Nature, also.
It’s Nature, and it’s Nothing. It’s all Nothing.
It’s all a world where bugs and emperors
Go singularly back to the same dust,
Each in his time; and the old, ordered stars
That sang together, Ben, will sing the same
Old stave tomorrow.”
When he talks like that,
There’s nothing for a human man to do
But lead him to some grateful nook like this
Where we be now, and there to make him drink.
He’ll drink, for love of me, and then be sick;
A sad sign always in a man of parts,
And always very ominous. The great
Should be as large in liquor as in love,—
And our great friend is not so large in either:
One disaffects him, and the other fails him;
Whatso he drinks that has an antic in it,
He’s wondering what’s to pay in his insides;
And while his eyes are on the Cyprian
He’s fribbling all the time with that damned House.
We laugh here at his thrift, but after all
It may be thrift that saves him from the devil;
God gave it, anyhow,—and we’ll suppose
He knew the compound of his handiwork.
Today the clouds are with him, but anon
He’ll out of ’em enough to shake the tree
Of life itself and bring down fruit unheard-of,—
And, throwing in the bruised and whole together,
Prepare a wine to make us drunk with wonder;
66
And if he live, there’ll be a sunset spell
Thrown over him as over a glassed lake
That yesterday was all a black wild water.
God send he live to give us, if no more,
What now’s a-rampage in him, and exhibit,
With a decent half-allegiance to the ages
An earnest of at least a casual eye
Turned once on what he owes to Gutenberg,
And to the fealty of more centuries
Than are as yet a picture in our vision.
“There’s time enough,—I’ll do it when I’m old,
And we’re immortal men,” he says to that;
And then he says to me, “Ben, what’s ‘immortal’?
Think you by any force of ordination
It may be nothing of a sort more noisy
Than a small oblivion of component ashes
That of a dream-addicted world was once
A moving atomy much like your friend here?”
Nothing will help that man. To make him laugh,
I said then he was a mad mountebank,—
And by the Lord I nearer made him cry.
I could have eat an eft then, on my knees,
Tail, claws, and all of him; for I had stung
The king of men, who had no sting for me,
And I had hurt him in his memories;
And I say now, as I shall say again,
I love the man this side idolatry.
He’ll do it when he’s old, he says. I wonder.
He may not be so ancient as all that.
For such as he, the thing that is to do
Will do itself,—but there’s a reckoning;
The sessions that are now too much his own,
The roiling inward of a stilled outside,
The churning out of all those blood-fed lines,
The nights of many schemes and little sleep,
The full brain hammered hot with too much thinking,
The vexed heart over-worn with too much aching,—
This weary jangling of conjoined affairs
Made out of elements that have no end,
And all confused at once, I understand,
67
Is not what makes a man to live forever.
O no, not now! He’ll not be going now:
There’ll be time yet for God knows what explosions
Before he goes. He’ll stay awhile. Just wait:
Just wait a year or two for Cleopatra,
For she’s to be a balsam and a comfort;
And that’s not all a jape of mine now, either.
For granted once the old way of Apollo
Sings in a man, he may then, if he’s able,
Strike unafraid whatever strings he will
Upon the last and wildest of new lyres;
Nor out of his new magic, though it hymn
The shrieks of dungeoned hell, shall he create
A madness or a gloom to shut quite out
A cleaving daylight, and a last great calm
Triumphant over shipwreck and all storms.
He might have given Aristotle creeps,
But surely would have given him his katharsis.
He’ll not be going yet. There’s too much yet
Unsung within the man. But when he goes,
I’d stake ye coin o’ the realm his only care
For a phantom world he sounded and found wanting
Will be a portion here, a portion there,
Of this or that thing or some other thing
That has a patent and intrinsical
Equivalence in those egregious shillings.
And yet he knows, God help him! Tell me, now,
If ever there was anything let loose
On earth by gods or devils heretofore
Like this mad, careful, proud, indifferent Shakespeare!
Where was it, if it ever was? By heaven,
’Twas never yet in Rhodes or Pergamon—
In Thebes or Nineveh, a thing like this!
No thing like this was ever out of England;
And that he knows. I wonder if he cares.
Perhaps he does.… O Lord, that House in Stratford!
~ Edwin Arlington Robinson,#NFDB |
1397:First Anniversary
Like the vain curlings of the watery maze,
Which in smooth streams a sinking weight does raise,
So Man, declining always, disappears
In the weak circles of increasing years;
And his short tumults of themselves compose,
While flowing Time above his head does close.
Cromwell alone with greater vigour runs,
(Sun-like) the stages of succeeding suns:
And still the day which he doth next restore,
Is the just wonder of the day before.
Cromwell alone doth with new lustre spring,
And shines the jewel of the yearly ring.
'Tis he the force of scattered time contracts,
And in one year the work of ages acts:
While heavy monarchs make a wide return,
Longer, and more malignant than Saturn:
And though they all Platonic years should reign,
In the same posture would be found again.
Their earthy projects under ground they lay,
More slow and brittle than the China clay:
Well may they strive to leave them to their son,
For one thing never was by one king done.
Yet some more active for a frontier town,
Taken by proxy, beg a false renown;
Another triumphs at the public cost,
And will have won, if he no more have lost;
They fight by others, but in person wrong,
And only are against their subjects strong;
Their other wars seem but a feigned contèst,
This common enemy is still oppressed;
If conquerors, on them they turn their might;
If conquered, on them they wreak their spite:
They neither build the temple in their days,
Nor matter for succeeding founders raise;
Nor sacred prophecies consult within,
Much less themself to pèfect them begin;
No other care they bear of things above,
57
But with astrologers divine of Jove
To know how long their planet yet reprieves
From the deservéd fate their guilty lives:
Thus (image-like) an useless time they tell,
And with vain sceptre strike the hourly bell,
Nor more contribute to the state of things,
Than wooden heads unto the viol's strings.
While indefatigable Cromwell hies,
And cuts his way still nearer to the skies,
Learning a music in the region clear,
To tune this lower to that higher sphere.
So when Amphion did the lute command,
Which the god gave him, with his gentle hand,
The rougher stones, unto his measures hewed,
Danced up in order from the quarries rude;
This took a lower, that an higher place,
As he the treble altered, or the bass:
No note he struck, but a new stone was laid,
And the great work ascended while he played.
The listening structures he with wonder eyed,
And still new stops to various time applied:
Now through the strings a martial rage he throws,
And joining straight the Theban tower arose;
Then as he strokes them with a touch more sweet,
The flocking marbles in a palace meet;
But for the most the graver notes did try,
Therefore the temples reared their columns high:
Thus, ere he ceased, his sacred lute creates
Th' harmonious city of the seven gates.
Such was that wondrous order and consent,
When Cromwell tuned the ruling Instrument,
While tedious statesmen many years did hack,
Framing a liberty that still went back,
Whose numerous gorge could swallow in an hour
That island, which the sea cannot devour:
Then our Amphion issued out and sings,
And once he struck, and twice, the powerful strings.
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The Commonwealth then first together came,
And each one entered in the willing frame;
All other matter yields, and may be ruled;
But who the minds of stubborn men can build?
No quarry bears a stone so hardly wrought,
Nor with such labour from its centre brought;
None to be sunk in the foundation bends,
Each in the house the highest place contends,
And each the hand that lays him will direct,
And some fall back upon the architect;
Yet all composed by his attractive song,
Into the animated city throng.
The Commonwealth does through their centres all
Draw the circumference of the public wall;
The crossest spirits here do take their part,
Fastening the contignation which they thwart;
And they, whose nature leads them to divide,
Uphold this one, and that the other side;
But the most equal still sustain the height,
And they as pillars keep the work upright,
While the resistance of opposèd minds,
The fabric (as with arches) stronger binds,
Which on the basis of a senate free,
Knit by the roof's protecting weight, agree.
When for his foot he thus a place had found,
He hurls e'er since the world about him round,
And in his several aspects, like a star,
Here shines in peace, and thither shoots in war,
While by his beams observing princes steer,
And wisely court the influence they fear.
O would they rather by his pattern won
Kiss the approaching, not yet angry Son;
And in their numbered footsteps humbly tread
The path where holy oracles do lead;
How might they under such a captain raise
The great designs kept for the latter days!
But mad with reason (so miscalled) of state
They know them not, and what they know not, hate.
Hence still they sing hosanna to the whore,
And her, whom they should massacre, adore:
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But Indians, whom they would convert, subdue;
Nor teach, but traffic with, or burn the Jew.
Unhappy princes, ignorantly bred,
By malice some, by error more misled,
If gracious heaven to my life give length,
Leisure to time, and to my weaknes strength,
Then shall I once with graver accents shake
Your regal sloth, and your long slumbers wake:
Like the shrill huntsman that prevents the east,
Winding his horn to kings that chase the beast.
Till then my muse shall hollo far behind
Angelic Cromwell who outwings the wind,
And in dark nights, and in cold days alone
Pursues the monster through every throne:
Which shrinking to her Roman den impure,
Gnashes her gory teeth; nor there secure.
Hence oft I think if in some happy hour
High grace should meet in one with highest power,
And then a seasonable people still
Should bend to his, as he to heaven's will,
What we might hope, what wonderful effect
From such a wished conjuncture might reflect.
Sure, the mysterious work, where none withstand,
Would forthwith finish under such a hand:
Foreshortened time its useless course would stay,
And soon precipitate the latest day.
But a thick cloud about that morning lies,
And intercepts the beams of mortal eyes,
That 'tis the most which we determine can,
If these the times, then this must be the man.
And well he therefore does, and well has guessed,
Who in his age has always forward pressed:
And knowing not where heaven's choice may light,
Girds yet his sword, and ready stand to fight;
But men, alas, as if they nothing cared,
Look on, all unconcerned, or unprepared;
And stars still fall, and still the dragon's tail
Swinges the volumes of its horrid flail.
For the great justice that did first suspend
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The world by sin, does by the same extend.
Hence that blest day still counterposèd wastes,
The ill delaying what the elected hastes;
Hence landing nature to new seas is tossed,
And good designs still with their authors lost.
And thou, great Cromwell, for whose happy birth
A mould was chosen out of better earth;
Whose saint-like mother we did lately see
Live out an age, long as a pedigree;
That she might seem (could we the Fall dispute),
T' have smelled the blossom, and not eat the fruit;
Though none does of more lasting parents grow,
Yet never any did them honour so,
Though thou thine heart from evil still unstained,
And always hast thy tongue from fraud refrained;
Thou, who so oft through storms of thundering lead
Hast born securely thine undaunted head,
Thy breast through poniarding conspiracies,
Drawn from the sheath of lying prophecies;
Thee proof behond all other force or skill,
Our sins endanger, and shall one day kill.
How near they failed, and in thy sudden fall
At once assayed to overturn us all.
Our brutish fury struggling to be free,
Hurried thy horses while they hurried thee,
When thou hadst almost quit thy mortal cares,
And soiled in dust thy crown of silver hairs.
Let this one sorrow interweave among
The other glories of our yearly song.
Like skilful looms, which through the costly thread
Of purling ore, a shining wave do shed:
So shall the tears we on past grief employ,
Still as they trickle, glitter in our joy.
So with more modesty we may be true,
And speak, as of the dead, the praises due:
While impious men deceived with pleasure short,
On their own hopes shall find the fall retort.
But the poor beasts, wanting their noble guide,
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(What could they more?) shrunk guiltily aside.
First wingèd fear transports them far away,
And leaden sorrow then their flight did stay.
See how they each his towering crest abate,
And the green grass, and their known mangers hate,
Nor through wide nostrils snuff the wanton air,
Nor their round hoofs, or curlèd manes compare;
With wandering eyes, and restless ears they stood,
And with shrill neighings asked him of the wood.
Thou, Cromwell, falling, not a stupid tree,
Or rock so savage, but it mourned for thee:
And all about was heard a panic groan,
As if that Nature's self were overthrown.
It seemed the earth did from the centre tear;
It seemed the sun was fall'n out of the sphere:
Justice obstructed lay, and reason fooled;
Courage disheartened, and religion cooled.
A dismal silence through the palace went,
And then loud shrieks the vaulted marbles rent,
Such as the dying chorus sings by turns,
And to deaf seas, and ruthless tempests mourns,
When now they sink, and now the plundering streams
Break up each deck, and rip the oaken seams.
But thee triumphant hence the fiery car,
And fiery steeds had borne out of the war,
From the low world, and thankless men above,
Unto the kingdom blest of peace and love:
We only mourned ourselves, in thine ascent,
Whom thou hadst left beneath with mantle rent.
For all delight of life thou then didst lose,
When to command, thou didst thyself dispose;
Resigning up thy privacy so dear,
To turn the headstrong people's charioteer;
For to be Cromwell was a greater thing,
Then ought below, or yet above a king:
Therefore thou rather didst thyself depress,
Yielding to rule, because it made thee less.
For neither didst thou from the first apply
62
Thy sober spirit unto things too high,
But in thine own fields exercised'st long,
An healthful mind within a body strong;
Till at the seventh time thou in the skies,
As a small cloud, like a man's hand, didst rise;
Then did thick mists and winds the air deform,
And down at last thou poured'st the fertile storm,
Which to the thirsty land did plenty bring,
But, though forewarned, o'ertook and wet the King.
What since he did, an higher force him pushed
Still from behind, and yet before him rushed,
Though undiscerned among the tumult blind,
Who think those high decrees by man designed.
'Twas heaven would not that his power should cease,
But walk still middle betwixt war and peace:
Choosing each stone, and poising every weight,
Trying the measures of the breadth and height;
Here pulling down, and there erecting new,
Founding a firm state by proportions true.
When Gideon so did from the war retreat,
Yet by the conquest of two kings grown great,
He on the peace extends a warlike power,
And Israel silent saw him raze the tower;
And how he Succorth's Elders durst suppress,
With thorns and briars of the wilderness.
No king might ever such a force have done;
Yet would not he be Lord, nor yet his son.
Thou with the same strength, and an heart as plain,
Didst (like thine olive) still refuse to reign,
Though why should others all thy labour spoil,
And brambles be anointed with thine oil,
Whose climbing flame, without a timely stop,
Had quickly levelled every cedar's top?
Therefore first growing to thyself a law,
Th' ambitious shrubs thou in just time didst awe.
So have I seen at sea, when whirling winds,
Hurry the bark, but more the seamen's minds,
Who with mistaken course salute the sand,
63
And threatening rocks misapprehend for land,
While baleful Tritons to the shipwreck guide,
And corposants along the tackling slide,
The passengers all wearied out before,
Giddy, and wishing for the fatal shore,
Some lusty mate, who with more careful eye
Counted the hours, and every star did spy,
The help does from the artless steersman strain,
And doubles back unto the safer main.
What though a while they grumble discontent,
Saving himself, he does their loss prevent.
'Tis not a freedom, that where all command;
Nor tyranny, where one does them withstand:
But who of both the bounder knows to lay
Him as their father must the state obey.
Thou, and thine house (like Noah's eight) did rest,
Left by the wars' flood on the mountains' crest:
And the large vale lay subject to thy will
Which thou but as an husbandman wouldst till:
And only didst for others plant the vine
Of liberty, not drunken with its wine.
That sober liberty which men may have,
That they enjoy, but more they vainly crave:
And such as to their parents' tents do press,
May show their own, not see his nakedness.
Yet such a Chammish issue still does rage,
The shame and plague both of the land and age,
Who watched thy halting, and thy fall deride,
Rejoicing when thy foot had slipped aside,
That their new king might the fifth sceptre shake,
And make the world, by his example, quake:
Whose frantic army should they want for men
Might muster heresies, so one were ten.
What thy misfortune, they the spirit call,
And their religion only is to fall.
Oh Mahomet! now couldst thou rise again,
Thy falling-sickness should have made thee reign,
While Feake and Simpson would in many a tome,
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Have writ the comments of thy sacred foam:
For soon thou mightst have passed among their rant
Were't but for thine unmovèd tulipant;
As thou must needs have owned them of thy band
For prophecies fit to be Alcoraned.
Accursèd locusts, whom your king does spit
Out of the centre of the unbottomed pit;
Wanderers, adulterers, liars, Munster's rest,
Sorcerers, athiests, jesuits possessed;
You who the scriptures and the laws deface
With the same liberty as points and lace;
Oh race most hypocritically strict!
Bent to reduce us to the ancient Pict;
Well may you act the Adam and the Eve;
Ay, and the serpent too that did deceive.
But the great captain, now the danger's o'er,
Makes you for his sake tremble one fit more;
And, to your spite, returning yet alive
Does with himself all that is good revive.
So when first man did through the morning new
See the bright sun his shining race pursue,
All day he followed with unwearied sight,
Pleased with that other world of moving light;
But thought him when he missed his setting beams,
Sunk in the hills, or plunged below the streams.
While dismal blacks hung round the universe,
And stars (like tapers) burned upon his hearse:
And owls and ravens with their screeching noise
Did make the funerals sadder by their joys.
His weeping eyes the doleful vigils keep,
Not knowing yet the night was made for sleep;
Still to the west, where he him lost, he turned,
And with such accents as despairing mourned:
`Why did mine eyes once see so bright a ray;
Or why day last no longer than a day?'
When straight the sun behind him he descried,
Smiling serenely from the further side.
So while our star that gives us light and heat,
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Seemed now a long and gloomy night to threat,
Up from the other world his flame he darts,
And princes (shining through their windows) starts,
Who their suspected counsellors refuse,
And credulous ambassadors accuse.
`Is this', saith one, `the nation that we read
Spent with both wars, under a captain dead,
Yet rig a navy while we dress us late,
And ere we dine, raze and rebuild their state?
What oaken forests, and what golden mines!
What mints of men, what union of designs!
(Unless their ships, do, as their fowl proceed
Of shedding leaves, that with their ocean breed).
Theirs are not ships, but rather arks of war
And beakèd promontories sailed from far;
Of floating islands a new hatchèd nest;
A fleet of worlds, of other worlds in quest;
An hideous shoal of wood-leviathans,
Armed with three tier of brazen hurricanes,
That through the centre shoot their thundering side
And sink the earth that does at anchor ride.
What refuge to escape them can be found,
Whose watery leaguers all the world surround?
Needs must we all their tributaries be,
Whose navies hold the sluices of the sea.
The ocean is the fountain of command,
But that once took, we captives are on land.
And those that have the waters for their share,
Can quickly leave us neither earth nor air.
Yet if through these our fears could find a pass,
Through double oak, and lined with treble brass,
That one man still, although but named, alarms
More than all men, all navies, and all arms.
Him, in the day, him, in late night I dread,
And still his sword seems hanging o'er my head.
The nation had been ours, but his one soul
Moves the great bulk, and animates the whole.
He secrecy with number hath enchased,
Courage with age, maturity with haste:
The valiant's terror, riddle of the wise,
And still his falchion all our knots unties.
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Where did he learn those arts that cost us dear?
Where below earth, or where above the sphere?
He seems a king by long succession born,
And yet the same to be a king does scorn.
Abroad a king he seems, and something more,
At home a subject on the equal floor.
O could I once him with our title see,
So should I hope that he might die as we.
But let them write is praise that love him best,
It grieves me sore to have thus much confessed.'
Pardon, great Prince, if thus their fear of spite
More than our love and duty do thee right.
I yield, nor further will the prize contend,
So that we both alike may miss our end:
While thou thy venerable head dost raise
As far above their malice as my praise,
And as the Angel of our commonweal,
Troubling the waters, yearly mak'st them heal.
~ Andrew Marvell,#NFDB |
1398:The First Anniversary Of The Government Under O.C.
Like the vain Curlings of the Watry maze,
Which in smooth streams a sinking Weight does raise;
So Man, declining alwayes, disappears.
In the Weak Circles of increasing Years;
And his short Tumults of themselves Compose,
While flowing Time above his Head does close.
Cromwell alone with greater Vigour runs,
(Sun-like) the Stages of succeeding Suns:
And still the Day which he doth next restore,
Is the just Wonder of the Day before.
Cromwell alone doth with new Lustre spring,
And shines the Jewel of the yearly Ring.
'Tis he the force of scatter'd Time contracts,
And in one Year the Work of Ages acts:
While heavy Monarchs make a wide Return,
Longer, and more Malignant then Saturn:
And though they all Platonique years should raign,
In the same Posture would be found again.
Their earthly Projects under ground they lay,
More slow and brittle then the China clay:
Well may they strive to leave them to their Son,
For one Thing never was by one King don.
Yet some more active for a Frontier Town
Took in by Proxie, beggs a false Renown;
Another triumphs at the publick Cost,
And will have Wonn, if he no more have Lost;
They fight by Others, but in Person wrong,
And only are against their Subjects strong;
Their other Wars seem but a feign'd contest,
This Common Enemy is still opprest;
If Conquerors, on them they turn their might;
If Conquered, on them they wreak their Spight:
They neither build the Temple in their dayes,
Nor Matter for succeeding Founders raise;
Nor Sacred Prophecies consult within,
Much less themselves to perfect them begin,
No other care they bear of things above,
But with Astrologers divine, and Jove,
To know how long their Planet yet Reprives
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From the deserved Fate their guilty lives:
Thus (Image-like) and useless time they tell,
And with vain Scepter strike the hourly Bell;
Nor more contribute to the state of Things,
Then wooden Heads unto the Viols strings,
While indefatigable Cromwell hyes,
And cuts his way still nearer to the Skyes,
Learning a Musique in the Region clear,
To tune this lower to that higher Sphere.
So when Amphion did the Lute command,
Which the God gave him, with his gentle hand,
The rougher Stones, unto his Measures hew'd,
Dans'd up in order from the Quarreys rude;
This took a Lower, that an Higher place,
As he the Treble alter'd, or the Base:
No Note he struck, but a new Story lay'd,
And the great Work ascended while he play'd.
The listning Structures he with Wonder ey'd,
And still new Stopps to various Time apply'd:
Now through the Strings a Martial rage he throws,
And joyng streight the Theban Tow'r arose;
Then as he strokes them with a Touch more sweet,
The flocking Marbles in a Palace meet;
But, for he most the graver Notes did try,
Therefore the Temples rear'd their Columns high:
Thus, ere he ceas'd, his sacred Lute creates
Th'harmonious City of the seven Gates.
Such was that wondrous Order and Consent,
When Cromwell tun'd the ruling Instrument;
While tedious Statesmen many years did hack,
Framing a Liberty that still went back;
Whose num'rous Gorge could swallow in an hour
That Island, which the Sea cannot devour:
Then our Amphion issues out and sings,
And once he struck, and twice, the pow'rful Strings.
The Commonwealth then first together came,
And each one enter'd in the willing Frame;
All other Matter yields, and may be rul'd;
But who the Minds of stubborn Men can build?
No Quarry bears a Stone so hardly wrought,
Nor with such labour from its Center brought;
None to be sunk in the Foundation bends,
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Each in the House the highest Place contends,
And each the Hand that lays him will direct,
And some fall back upon the Architect;
Yet all compos'd by his attractive Song,
Into the Animated City throng.
The Common-wealth does through their Centers all
Draw the Circumf'rence of the publique Wall;
The crossest Spirits here do take their part,
Fast'ning the Contignation which they thwart;
And they, whose Nature leads them to divide,
Uphold, this one, and that the other Side;
But the most Equal still sustein the Height,
And they as Pillars keep the Work upright;
While the resistance of opposed Minds,
The Fabrick as with Arches stronger binds,
Which on the Basis of a Senate free,
Knit by the Roofs Protecting weight agree.
When for his foot he thus a place had found,
He hurles e'r since the World about him round,
And in his sev'ral Aspects, like a Star,
Here shines in Peace, and thither shoots a War.
While by his Beams observing Princes steer,
And wisely court the Influence they fear,
O would they rather by his Pattern won.
Kiss the approaching, nor yet angry Son;
And in their numbred Footsteps humbly tread
The path where holy Oracles do lead;
How might they under such a Captain raise
The great Designs kept for the latter Dayes!
But mad with reason, so miscall'd, of State
They know them not, and what they know not, hate
Hence still they sing Hosanna to the Whore,
And her whom they should Massacre adore:
But Indians whom they should convert, subdue;
Nor teach, but traffique with, or burn the Jew.
Unhappy Princes, ignorantly bred,
By Malice some, by Errour more misled;
If gracious Heaven to my Life give length,
Leisure to Times, and to my Weakness Strength,
Then shall I once with graver Accents shake
Your Regal sloth, and your long Slumbers wake:
Like the shrill Huntsman that prevents the East,
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Winding his Horn to Kings that chase the Beast.
Till then my Muse shall hollow far behind
Angelique Cromwell who outwings the wind;
And in dark Nights, and in cold Dayes alone
Pursues the Monster thorough every Throne:
Which shrinking to her Roman Den impure,
Gnashes her Goary teeth; nor there secure.
Hence oft I think, if in some happy Hour
High Grace should meet in one with highest Pow'r,
And then a seasonable People still
Should bend to his, as he to Heavens will,
What we might hope, what wonderful Effect
From such a wish'd Conjuncture might reflect.
Sure, the mysterious Work, where none withstand,
Would forthwith finish under such a Hand:
Fore-shortned Time its useless Course would stay,
And soon precipitate the latest Day.
But a thick Cloud about that Morning lyes,
And intercepts the Beams of Mortal eyes,
That 'tis the most which we deteremine can,
If these the Times, then this must be the Man.
And well he therefore does, and well has guest,
Who in his Age has always forward prest:
And knowing not where Heavens choice may light,
Girds yet his Sword, and ready stands to fight;
But Men alas, as if they nothing car'd,
Look on, all unconcern'd, or unprepar'd;
And Stars still fall, and still the Dragons Tail
Swinges the Volumes of its horrid Flail.
For the great Justice that did first suspend
The World by Sin, does by the same extend.
Hence that blest Day still counterpoysed wastes,
The ill delaying, what th'Elected hastes;
Hence landing Nature to new Seas it tost,
And good Designes still with their Authors lost.
And thou, great Cromwell, for whose happy birth
A Mold was chosen out of better Earth;
Whose Saint-like Mother we did lately see
Live out an Age, long as a Pedigree;
That she might seem, could we the Fall dispute,
T'have smelt the Blossome, and not eat the Fruit;
Though none does of more lasting Parents grow,
140
But never any did them Honor so;
Though thou thine Heart from Evil still unstain'd,
And always hast thy Tongue from fraud refrain'd,
Thou, who so oft through Storms of thundring Lead
Hast born securely thine undaunted Head,
Thy Brest through ponyarding Conspiracies,
Drawn from the Sheath of lying Prophecies;
Thee proof beyond all other Force or Skill,
Our Sins endanger, and shall one day kill.
How near they fail'd, and in thy sudden Fall
At once assay'd to overturn us all.
Our brutish fury strugling to be Free,
Hurry'd thy Horses while they hurry'd thee.
When thou hadst almost quit thy Mortal cares,
And soyl'd in Dust thy Crown of silver Hairs.
Let this one Sorrow interweave among
The other Glories of our yearly Song.
Like skilful Looms which through the costly threed
Of purling Ore, a shining wave do shed:
So shall the Tears we on past Grief employ,
Still as they trickle, glitter in our Joy.
So with more Modesty we may be True,
And speak as of the Dead the Praises due:
While impious Men deceiv'd with pleasure short,
On their own Hopes shall find the Fall retort.
But the poor Beasts wanting their noble Guide,
What could they move? shrunk guiltily aside.
First winged Fear transports them far away,
And leaden Sorrow then their flight did stay.
See how they each his towring Crest abate,
And the green Grass, and their known Mangers hate,
Nor through wide Nostrils snuffe the wanton air,
Nor their round Hoofs, or curled Mane'scompare;
With wandring Eyes, and restless Ears theystood,
And with shrill Neighings ask'd him of the Wood.
Thou Cromwell falling, not a stupid Tree,
Or Rock so savage, but it mourn'd for thee:
And all about was heard a Panique groan,
As if that Natures self were overthrown.
It seem'd the Earth did from the Center tear;
It seem'd the Sun was faln out of the Sphere:
Justice obstructed lay, and Reason fool'd;
141
Courage disheartned, and Religion cool'd.
A dismal Silence through the Palace went,
And then loud Shreeks the vaulted Marbles rent.
Such as the dying Chorus sings by turns,
And to deaf Seas, and ruthless Tempests mourns,
When now they sink, and now the plundring Streams
Break up each Deck, and rip the Oaken seams.
But thee triumphant hence the firy Carr,
And firy Steeds had born out of the Warr,
From the low World, and thankless Men above,
Unto the Kingdom blest of Peace and Love:
We only mourn'd our selves, in thine Ascent,
Whom thou hadst lest beneath with Mantle rent.
For all delight of Life thou then didst lose,
When to Command, thou didst thy self Depose;
Resigning up thy Privacy so dear,
To turn the headstrong Peoples Charioteer;
For to be Cromwell was a greater thing,
Then ought below, or yet above a King:
Therefore thou rather didst thy Self depress,
Yielding to Rule, because it made thee Less.
For, neither didst thou from the first apply
Thy sober Spirit unto things too High,
But in thine own Fields exercisedst long,
An Healthful Mind within a Body strong;
Till at the Seventh time thou in the Skyes,
As a small Cloud, like a Mans hand didst rise;
Then did thick Mists and Winds the air deform,
And down at last thou pow'rdst the fertile Storm;
Which to the thirsty Land did plenty bring,
But though forewarn'd, o'r-took and wet the King.
What since he did, an higher Force him push'd
Still from behind, and it before him rush'd,
Though undiscern'd among the tumult blind,
Who think those high Decrees by Man design'd.
'Twas Heav'n would not that his Pow'r should cease,
But walk still middle betwixt War and Peace;
Choosing each Stone, and poysing every weight,
Trying the Measures of the Bredth and Height;
Here pulling down, and there erecting New,
Founding a firm State by Proportions true.
When Gideon so did from the War retreat,
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Yet by Conquest of two Kings grown great,
He on the Peace extends a Warlike power,
And Is'rel silent saw him rase the Tow'r;
And how he Succoths Elders durst suppress,
With Thorns and Briars of the Wilderness.
No King might ever such a Force have done;
Yet would not he be Lord, nor yet his Son.
Thou with the same strength, and an Heart as plain,
Didst (like thine Olive) still refuse to Reign;
Though why should others all thy Labor spoil,
And Brambles be anointed with thine Oyl,
Whose climbing Flame, without a timely stop,
Had quickly Levell'd every Cedar's top.
Therefore first growing to thy self a Law,
Th'ambitious Shrubs thou in just time didst aw.
So have I seen at Sea, when whirling Winds,
Hurry the Bark, but more the Seamens minds,
Who with mistaken Course salute the Sand,
And threat'ning Rocks misapprehend for Land;
While baleful Tritons to the shipwrack guide.
And Corposants along the Tacklings slide.
The Passengers all wearyed out before,
Giddy, and wishing for the fatal Shore;
Some lusty Mate, who with more careful Eye
Counted the Hours, and ev'ry Star did spy,
The Helm does from the artless Steersman strain,
And doubles back unto the safer Main.
What though a while they grumble discontent,
Saving himself he does their loss prevent.
'Tis not a Freedome, that where All command;
Nor Tyranny, where One does them withstand:
But who of both the Bounders knows to lay
Him as their Father must the State obey.
Thou, and thine House, like Noah's Eight did rest,
Left by the Wars Flood on the Mountains crest:
And the large Vale lay subject to thy Will,
Which thou but as an Husbandman would Till:
And only didst for others plant the Vine
Of Liberty, not drunken with its Wine.
That sober Liberty which men may have,
That they enjoy, but more they vainly crave:
And such as to their Parents Tents do press,
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May shew their own, not see his Nakedness.
Yet such a Chammish issue still does rage,
The Shame and Plague both of the Land and Age,
Who watch'd thy halting, and thy Fall deride,
Rejoycing when thy Foot had slipt aside;
that their new King might the fifth Scepter shake,
And make the World, by his Example, Quake:
Whose frantique Army should they want for Men
Might muster Heresies, so one were ten.
What thy Misfortune, they the Spirit call,
And their Religion only is to Fall.
Oh Mahomet! now couldst thou rise again,
Thy Falling-sickness should have made thee Reign,
While Feake and Simpson would in many a Tome,
Have writ the Comments of thy sacred Foame:
For soon thou mightst have past among their Rant
Wer't but for thine unmoved Tulipant;
As thou must needs have own'd them of thy band
For prophecies fit to be Alcorand.
Accursed Locusts, whom your King does spit
Out of the Center of th'unbottom'd Pit;
Wand'rers, Adult'rers, Lyers, Munser's rest,
Sorcerers, Atheists, Jesuites, Possest;
You who the Scriptures and the Laws deface
With the same liberty as Points and Lace;
Oh Race most hypocritically strict!
Bent to reduce us to the ancient Pict;
Well may you act the Adam and the Eve;
Ay, and the Serpent too that did deceive.
But the great Captain, now the danger's ore,
Makes you for his sake Tremble one fit more;
And, to your spight, returning yet alive
Does with himself all that is good revive.
So when first Man did through the Morning new
See the bright Sun his shining Race pursue,
All day he follow'd with unwearied sight,
Pleas'd with that other World of moving Light;
But thought him when he miss'd his setting beams,
Sunk in the Hills, or plung'd below the Streams.
While dismal blacks hung round the Universe,
And Stars (like Tapers) burn'd upon his Herse:
And Owls and Ravens with their screeching noyse
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Did make the Fun'rals sadder by their Joyes.
His weeping Eyes the doleful Vigils keep,
Not knowing yet the Night was made for sleep:
Still to the West, where he him lost, he turn'd,
And with such accents, as Despairing, mourn'd:
Why did mine Eyes once see so bright a Ray;
Or why Day last no longer than a Day?
When streight the Sun behind him he descry'd,
Smiling serenely from the further side.
So while our Star that gives us Light and Heat,
Seem'd now a long and gloomy Night to threat,
Up from the other World his Flame he darts,
And Princes shining through their windows starts;
Who their suspected Counsellors refuse,
And credulous Ambassadors accuse.
"Is this, saith one, the Nation that we read
"Spent with both Wars, under a Captain dead?
"Yet rig a Navy while we dress us late;
"And ere we Dine, rase and rebuild our State.
"What Oaken Forrests, and what golden Mines!
"What Mints of Men, what Union of Designes!
"Unless their Ships, do, as their Fowle proceed
"Of shedding Leaves, that with their Ocean breed.
"Theirs are not Ships, but rather Arks of War,
"And beaked Promontories sail'd from far;
"Of floting Islands a new Hatched Nest;
"A Fleet of Worlds, of other Worlds in quest;
"An hideous shole of wood Leviathans,
"Arm'd with three Tire of brazen Hurricans;
"That through the Center shoot their thundring side
"And sink the Earth that does at Anchor ride.
'What refuge to escape them can be found,
"Whose watry Leaguers all the world surround?
"Needs must we all their Tributaries be,
"Whose Navies hold the Sluces of the Sea.
"The Ocean is the Fountain of Command,
"But that once took, we Captives are on Land:
"And those that have the Waters for their share,
"Can quickly leave us neither Earth nor Air.
"Yet if through these our Fears could find a pass;
"Through double Oak, & lin'd with treble Brass;
"That one Man still, although but nam'd, alarms
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"More then all Men, all Navies, and all Arms.
"Him, all the Day, Him, in late Nights I dread,
"And still his Sword seems hanging o're my head.
"The Nation had been ours, but his one Soul
"Moves the great Bulk, and animates the whole.
"He Secrecy with Number hath inchas'd,
"Courage with Age, Maturity with Hast:
"The Valiants Terror, Riddle of the Wise;
"And still his Fauchion all our Knots unties.
"Where did he learn those Arts that cost us dear?
"Where below Earth, or where above the Sphere?
"He seems a King by long Succession born,
"And yet the same to be a King does scorn.
"Abroad a King he seems, and something more,
"At Home a Subject on the equal Floor.
"O could I once him with our Title see,
"So should I hope yet he might Dye as wee.
"But let them write his Praise that love him best,
"It grieves me sore to have thus much confest.
"Pardon, great Prince, if thus their Fear or Spight
"More then our Love and Duty do thee Right.
"I yield, nor further will the Prize contend;
"So that we both alike may miss our End:
"While thou thy venerable Head dost raise
"As far above their Malice as my Praise.
"And as the Angel of our Commonweal,
"Troubling the Waters, yearly mak'st them Heal.
~ Andrew Marvell,#NFDB |
1399:The Deserted Garden
I know a village in a far-off land
Where from a sunny, mountain-girdled plain
With tinted walls a space on either hand
And fed by many an olive-darkened lane
The high-road mounts, and thence a silver band
Through vineyard slopes above and rolling grain,
Winds off to that dim corner of the skies
Where behind sunset hills a stately city lies.
Here, among trees whose overhanging shade
Strews petals on the little droves below,
Pattering townward in the morning weighed
With greens from many an upland garden-row,
Runs an old wall; long centuries have frayed
Its scalloped edge, and passers to and fro
Heard never from beyond its crumbling height
Sweet laughter ring at noon or plaintive song at night.
But here where little lizards bask and blink
The tendrils of the trumpet-vine have run,
At whose red bells the humming bird to drink
Stops oft before his garden feast is done;
And rose-geraniums, with that tender pink
That cloud-banks borrow from the setting sun,
Have covered part of this old wall, entwined
With fair plumbago, blue as evening heavens behind.
And crowning other parts the wild white rose
Rivals the honey-suckle with the bees.
Above the old abandoned orchard shows
And all within beneath the dense-set trees,
Tall and luxuriant the rank grass grows,
That settled in its wavy depth one sees
Grass melt in leaves, the mossy trunks between,
Down fading avenues of implicated green;
Wherein no lack of flowers the verdurous night
With stars and pearly nebula o'erlay;
Azalea-boughs half rosy and half white
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Shine through the green and clustering apple-spray,
Such as the fairy-queen before her knight
Waved in old story, luring him away
Where round lost isles Hesperian billows break
Or towers loom up beneath the clear, translucent lake;
And under the deep grass blue hare-bells hide,
And myrtle plots with dew-fall ever wet,
Gay tiger-lilies flammulate and pied,
Sometime on pathway borders neatly set,
Now blossom through the brake on either side,
Where heliotrope and weedy mignonette,
With vines in bloom and flower-bearing trees,
Mingle their incense all to swell the perfumed breeze,
That sprung like Hermes from his natal cave
In some blue rampart of the curving West,
Comes up the valleys where green cornfields wave,
Ravels the cloud about the mountain crest,
Breathes on the lake till gentle ripples pave
Its placid floor; at length a long-loved guest,
He steals across this plot of pleasant ground,
Waking the vocal leaves to a sweet vernal sound.
Here many a day right gladly have I sped,
Content amid the wavy plumes to lie,
And through the woven branches overhead
Watch the white, ever-wandering clouds go by,
And soaring birds make their dissolving bed
Far in the azure depths of summer sky,
Or nearer that small huntsman of the air,
The fly-catcher, dart nimbly from his leafy lair;
Pillowed at case to hear the merry tune
Of mating warblers in the boughs above
And shrill cicadas whom the hottest noon
Keeps not from drowsy song; the mourning dove
Pours down the murmuring grove his plaintive croon
That like the voice of visionary love
Oft have I risen to seek through this green maze
(Even as my feet thread now the great world's garden-ways);
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And, parting tangled bushes as I passed
Down beechen allies beautiful and dim,
Perhaps by some deep-shaded pool at last
My feet would pause, where goldfish poise and swim,
And snowy callas' velvet cups are massed
Around the mossy, fern-encircled brim.
Here, then, that magic summoning would cease,
Or sound far off again among the orchard trees.
And here where the blanched lilies of the vale
And violets and yellow star-flowers teem,
And pink and purple hyacinths exhale
Their heavy fume, once more to drowse and dream
My head would sink, from many an olden tale
Drawing imagination's fervid theme,
Or haply peopling this enchanting spot
Only with fair creations of fantastic thought.
For oft I think, in years long since gone by,
That gentle hearts dwelt here and gentle hands
Stored all this bowery bliss to beautify
The paradise of some unsung romance;
Here, safe from all except the loved one's eye,
'Tis sweet to think white limbs were wont to glance,
Well pleased to wanton like the flowers and share
Their simple loveliness with the enamored air.
Thrice dear to them whose votive fingers decked
The altars of First Love were these green ways,
These lawns and verdurous brakes forever flecked
With the warm sunshine of midsummer days;
Oft where the long straight allies intersect
And marble seats surround the open space,
Where a tiled pool and sculptured fountain stand,
Hath Evening found them seated, silent, hand in hand.
When twilight deepened, in the gathering shade
Beneath that old titanic cypress row,
Whose sombre vault and towering colonnade
Dwarfed the enfolded forms that moved below,
Oft with close steps these happy lovers strayed,
Till down its darkening aisle the sunset glow
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Grew less and patterning the garden floor
Faint flakes of filtering moonlight mantled more and more.
And the strange tempest that a touch imparts
Through the mid fibre of the molten frame,
When the sweet flesh in early youth asserts
Its heyday verve and little hints enflame,
Disturbed them as they walked; from their full hearts
Welled the soft word, and many a tender name
Strove on their lips as breast to breast they strained
And the deep joy they drank seemed never, never drained.
Love's soul that is the depth of starry skies
Set in the splendor of one upturned face
To beam adorably through half-closed eyes;
Love's body where the breadth of summer days
And all the beauty earth and air comprise
Come to the compass of an arm's embrace,
To burn a moment on impassioned lips
And yield intemperate joy to quivering finger-tips,
They knew; and here where morning-glories cling
Round carven forms of carefullest artifice,
They made a bower where every outward thing
Should comment on the cause of their own bliss;
With flowers of liveliest hue encompassing
That flower that the beloved body is
That rose that for the banquet of Love's bee
Has budded all the æons of past eternity.
But their choice seat was where the garden wall,
Crowning a little summit, far and near,
Looks over tufted treetops onto all
The pleasant outer country; rising here
From rustling foliage where cuckoos call
On summer evenings, stands a belvedere,
Buff-hued, of antique plaster, overrun
With flowering vines and weatherworn by rain and sun.
Still round the turrets of this antique tower
The bougainvillea hangs a crimson crown,
Wistaria-vines and clematis in flower,
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Wreathing the lower surface further down,
Hide the old plaster in a very shower
Of motley blossoms like a broidered gown.
Outside, ascending from the garden grove,
A crumbling stairway winds to the one room above.
And whoso mounts by this dismantled stair
Finds the old pleasure-hall, long disarrayed,
Brick-tiled and raftered, and the walls foursquare
Ringed all about with a twofold arcade.
Backward dense branches intercept the glare
Of afternoon with eucalyptus shade;
Eastward the level valley-plains expand,
Sweet as a queen's survey of her own Fairyland.
For through that frame the ivied arches make,
Wide tracts of sunny midland charm the eye,
Frequent with hamlet grove, and lucent lake
Where the blue hills' inverted contours lie;
Far to the east where billowy mountains break
In surf of snow against a sapphire sky,
Huge thunderheads loom up behind the ranges,
Changing from gold to pink as deepening sunset changes;
And over plain and far sierra spread
The fulgent rays of fading afternoon,
Showing each utmost peak and watershed
All clarified, each tassel and festoon
Of floating cloud embroidered overhead,
Like lotus-leaves on bluest waters strewn,
Flushing with rose, while all breathes fresh and free
In peace and amplitude and bland tranquillity.
Dear were such evenings to this gentle pair;
Love's tide that launched on with a blast too strong
Sweeps toward the foaming reef, the hidden snare,
Baffling with fond illusion's siren-song,
Too faint, on idle shoals, to linger there
Far from Youth's glowing dream, bore them along,
With purple sail and steered by seraph hands
To isles resplendent in the sunset of romance.
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And out of this old house a flowery fane,
A bridal bower, a pearly pleasure-dome,
They built, and furnished it with gold and grain,
And bade all spirits of beauty hither come,
And wingéd Love to enter with his train
And bless their pillow, and in this his home
Make them his priests as Hero was of yore
In her sweet girlhood by the blue Dardanian shore.
Tree-ferns, therefore, and potted palms they brought,
Tripods and urns in rare and curious taste,
Polychrome chests and cabinets inwrought
With pearl and ivory etched and interlaced;
Pendant brocades with massive braid were caught,
And chain-slung, oriental lamps so placed
To light the lounger on some low divan,
Sunken in swelling down and silks from Hindustan.
And there was spread, upon the ample floors,
Work of the Levantine's laborious loom,
Such as by Euxine or Ionian shores
Carpets the dim seraglio's scented gloom.
Each morn renewed, the garden's flowery stores
Blushed in fair vases, ochre and peach-bloom,
And little birds through wicker doors left wide
Flew in to trill a space from the green world outside.
And there was many a dainty attitude,
Bronze and eburnean. All but disarrayed,
Here in eternal doubt sweet Psyche stood
Fain of the bath's delight, yet still afraid
Lest aught in that palatial solitude
Lurked of most menace to a helpless maid.
Therefore forever faltering she stands,
Nor yet the last loose fold slips rippling from her hands.
Close by upon a beryl column, clad
In the fresh flower of adolescent grace,
They set the dear Bithynian shepherd lad,
The nude Antinous. That gentle face,
Forever beautiful, forever sad,
Shows but one aspect, moon-like, to our gaze,
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Yet Fancy pictures how those lips could smile
At revelries in Rome, and banquets on the Nile.
And there were shapes of Beauty myriads more,
Clustering their rosy bridal bed around,
Whose scented breadth a silken fabric wore
Broidered with peacock hues on creamiest ground,
Fit to have graced the barge that Cydnus bore
Or Venus' bed in her enchanted mound,
While pillows swelled in stuffs of Orient dyes,
All broidered with strange fruits and birds of Paradise.
'Twas such a bower as Youth has visions of,
Thither with one fair spirit to retire,
Lie upon rose-leaves, sleep and wake with Love
And feast on kisses to the heart's desire;
Where by a casement opening on a grove,
Wide to the wood-winds and the sweet birds' choir,
A girl might stand and gaze into green boughs,
Like Credhe at the window of her golden house.
Or most like Vivien, the enchanting fay,
Where with her friend, in the strange tower they planned,
She lies and dreams eternity away,
Above the treetops in Broceliande,
Sometimes at twilight when the woods are gray
And wolf-packs howl far out across the lande,
Waking to love, while up behind the trees
The large midsummer moon lifts-even so loved these.
For here, their pleasure was to come and sit
Oft when the sun sloped midway to the west,
Watching with sweet enjoyment interknit
The long light slant across the green earth's breast,
And clouds upon the ranges opposite,
Rolled up into a gleaming thundercrest,
Topple and break and fall in purple rain,
And mist of summer showers trail out across the plain.
Whereon the shafts of ardent light, far-flung
Across the luminous azure overhead,
Ofttimes in arcs of transient beauty hung
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The fragmentary rainbow's green and red.
Joy it was here to love and to be young,
To watch the sun sink to his western bed,
And streaming back out of their flaming core
The vesperal aurora's glorious banners soar.
Tinging each altitude of heaven in turn,
Those fiery rays would sweep. The cumuli
That peeped above the mountain-tops would burn
Carmine a space; the cirrus-whorls on high,
More delicate than sprays of maiden fern,
Streak with pale rose the peacock-breasted sky,
Then blanch. As water-lilies fold at night,
Sank back into themselves those plumes of fervid light.
And they would watch the first faint stars appear,
The blue East blend with the blue hills below,
As lovers when their shuddering bliss draws near
Into one pulse of fluid rapture grow.
New fragrance on the freshening atmosphere
Would steal with evening, and the sunset glow
Draw deeper down into the wondrous west
Round vales of Proserpine and islands of the blest.
So dusk would come and mingle lake and shore,
The snow-peaks fade to frosty, opaline,
To pearl the doméd clouds the mountains bore,
Where late the sun's effulgent fire had been
Showing as darkness deepened more and more
The incandescent lightnings flare within,
And Night that furls the lily in the glen
And twines impatient arms would fall, and then---and then . . .
Sometimes the peasant, coming late from town
With empty panniers on his little drove
Past the old lookout when the Northern Crown
Glittered with Cygnus through the scented grove,
Would hear soft noise of lute-strings wafted down
And voices singing through the leaves above
Those songs that well from the warm heart that woos
At balconies in Merida or Vera Cruz.
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And he would pause under the garden wall,
Caught in the spell of that voluptuous strain,
With all the sultry South in it, and all
Its importunity of love and pain;
And he would wait till the last passionate fall
Died on the night, and all was still again.
Then to his upland village wander home,
Marvelling whence that flood of elfin song might come.
O lyre that Love's white holy hands caress,
Youth, from thy bosom welled their passionate lays
Sweet opportunity for happiness
So brief, so passing beautiful---O days,
When to the heart's divine indulgences
All earth in smiling ministration pays
Thine was the source whose plenitude, past over,
What prize shall rest to pluck, what secret to discover!
The wake of color that follows her when May
Walks on the hills loose-haired and daisy-crowned,
The deep horizons of a summer's day,
Fair cities, and the pleasures that abound
Where music calls, and crowds in bright array
Gather by night to find and to be found;
What were these worth or all delightful things
Without thine eyes to read their true interpretings!
For thee the mountains open glorious gates,
To thee white arms put out from orient skies,
Earth, like a jewelled bride for one she waits,
Decks but to be delicious in thine eyes,
Thou guest of honor for one day, whose fêtes
Eternity has travailed to devise;
Ah, grace them well in the brief hour they last!
Another's turn prepares, another follows fast.
Yet not without one fond memorial
Let my sun set who found the world so fair!
Frail verse, when Time the singer's coronal
Has rent, and stripped the rose-leaves from his hair,
Be thou my tablet on the temple wall!
Among the pious testimonials there,
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Witness how sweetly on my heart as well
The miracles of dawn and starry evening fell!
Speak of one then who had the lust to feel,
And, from the hues that far horizons take,
And cloud and sunset, drank the wild appeal,
Too deep to live for aught but life's sweet sake,
Whose only motive was the will to kneel
Where Beauty's purest benediction spake,
Who only coveted what grove and field
And sunshine and green Earth and tender arms could yield--A nympholept, through pleasant days and drear
Seeking his faultless adolescent dream,
A pilgrim down the paths that disappear
In mist and rainbows on the world's extreme,
A helpless voyager who all too near
The mouth of Life's fair flower-bordered stream,
Clutched at Love's single respite in his need
More than the drowning swimmer clutches at a reed--That coming one whose feet in other days
Shall bleed like mine for ever having, more
Than any purpose, felt the need to praise
And seek the angelic image to adore,
In love with Love, its wonderful, sweet ways
Counting what most makes life worth living for,
That so some relic may be his to see
How I loved these things too and they were dear to me.
I sometimes think a conscious happiness
Mantles through all the rose's sentient vine
When summer winds with myriad calyces
Of bloom its clambering height incarnadine;
I sometimes think that cleaving lips, no less,
And limbs that crowned desires at length entwine
Are nerves through which that being drinks delight,
Whose frame is the green Earth robed round with day and night.
And such were theirs: the traveller without,
Pausing at night under the orchard trees,
Wondered and crossed himself in holy doubt,
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For through their song and in the murmuring breeze
It seemed angelic choirs were all about
Mingling in universal harmonies,
As though, responsive to the chords they woke,
All Nature into sweet epithalamium broke.
And still they think a spirit haunts the place:
'Tis said, when Night has drawn her jewelled pall
And through the branches twinkling fireflies trace
Their mimic constellations, if it fall
That one should see the moon rise through the lace
Of blossomy boughs above the garden wall,
That surely would he take great ill thereof
And famish in a fit of unexpressive love.
But this I know not, for what time the wain
Was loosened and the lily's petal furled,
Then I would rise, climb the old wall again,
And pausing look forth on the sundown world,
Scan the wide reaches of the wondrous plain,
The hamlet sites where settling smoke lay curled,
The poplar-bordered roads, and far away
Fair snowpeaks colored with the sun's last ray.
Waves of faint sound would pulsate from afar
Faint song and preludes of the summer night;
Deep in the cloudless west the evening star
Hung 'twixt the orange and the emerald light;
From the dark vale where shades crepuscular
Dimmed the old grove-girt belfry glimmering white,
Throbbing, as gentlest breezes rose or fell,
Came the sweet invocation of the evening bell.
~ Alan Seeger,#NFDB |
1400:The Apology
ADDRESSED TO THE CRITICAL REVIEWERS.
Tristitiam et Metus.--HORACE.
Laughs not the heart when giants, big with pride,
Assume the pompous port, the martial stride;
O'er arm Herculean heave the enormous shield,
Vast as a weaver's beam the javelin wield;
With the loud voice of thundering Jove defy,
And dare to single combat--what?--A fly!
And laugh we less when giant names, which shine
Establish'd, as it were, by right divine;
Critics, whom every captive art adores,
To whom glad Science pours forth all her stores;
Who high in letter'd reputation sit,
And hold, Astraea-like, the scales of wit,
With partial rage rush forth--oh! shame to tell!-To crush a bard just bursting from the shell?
Great are his perils in this stormy time
Who rashly ventures on a sea of rhyme:
Around vast surges roll, winds envious blow,
And jealous rocks and quicksands lurk below:
Greatly his foes he dreads, but more his friends;
He hurts me most who lavishly commends.
Look through the world--in every other trade
The same employment's cause of kindness made,
At least appearance of good will creates,
And every fool puffs off the fool he hates:
Cobblers with cobblers smoke away the night,
And in the common cause e'en players unite;
Authors alone, with more than savage rage,
Unnatural war with brother authors wage.
The pride of Nature would as soon admit
Competitors in empire as in wit;
Onward they rush, at Fame's imperious call,
And, less than greatest, would not be at all.
Smit with the love of honour,--or the pence,-O'errun with wit, and destitute of sense,
Should any novice in the rhyming trade
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With lawless pen the realms of verse invade,
Forth from the court, where sceptred sages sit,
Abused with praise, and flatter'd into wit,
Where in lethargic majesty they reign,
And what they won by dulness, still maintain,
Legions of factious authors throng at once,
Fool beckons fool, and dunce awakens dunce.
To 'Hamilton's the ready lies repair-Ne'er was lie made which was not welcome there-Thence, on maturer judgment's anvil wrought,
The polish'd falsehood's into public brought.
Quick-circulating slanders mirth afford;
And reputation bleeds in every word.
A critic was of old a glorious name,
Whose sanction handed merit up to fame;
Beauties as well as faults he brought to view;
His judgment great, and great his candour too;
No servile rules drew sickly taste aside;
Secure he walk'd, for Nature was his guide.
But now--oh! strange reverse!--our critics bawl
In praise of candour with a heart of gall;
Conscious of guilt, and fearful of the light,
They lurk enshrouded in the vale of night;
Safe from detection, seize the unwary prey,
And stab, like bravoes, all who come that way.
When first my Muse, perhaps more bold than wise,
Bade the rude trifle into light arise,
Little she thought such tempests would ensue;
Less, that those tempests would be raised by you.
The thunder's fury rends the towering oak,
Rosciads, like shrubs, might 'scape the fatal stroke.
Vain thought! a critic's fury knows no bound;
Drawcansir-like, he deals destruction round;
Nor can we hope he will a stranger spare,
Who gives no quarter to his friend Voltaire.
Unhappy Genius! placed by partial Fate
With a free spirit in a slavish state;
Where the reluctant Muse, oppress'd by kings,
Or droops in silence, or in fetters sings!
In vain thy dauntless fortitude hath borne
The bigot's furious zeal, and tyrant's scorn.
Why didst thou safe from home-bred dangers steer,
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Reserved to perish more ignobly here?
Thus, when, the Julian tyrant's pride to swell,
Rome with her Pompey at Pharsalia fell,
The vanquish'd chief escaped from Caesar's hand,
To die by ruffians in a foreign land.
How could these self-elected monarchs raise
So large an empire on so small a base?
In what retreat, inglorious and unknown,
Did Genius sleep when Dulness seized the throne?
Whence, absolute now grown, and free from awe,
She to the subject world dispenses law.
Without her licence not a letter stirs,
And all the captive criss-cross-row is hers.
The Stagyrite, who rules from Nature drew,
Opinions gave, but gave his reasons too.
Our great Dictators take a shorter way-Who shall dispute what the Reviewers say?
Their word's sufficient; and to ask a reason,
In such a state as theirs, is downright treason.
True judgment now with them alone can dwell;
Like Church of Rome, they're grown infallible.
Dull superstitious readers they deceive,
Who pin their easy faith on critic's sleeve,
And knowing nothing, everything believe!
But why repine we that these puny elves
Shoot into giants?--we may thank ourselves:
Fools that we are, like Israel's fools of yore,
The calf ourselves have fashion'd we adore.
But let true Reason once resume her reign,
This god shall dwindle to a calf again.
Founded on arts which shun the face of day,
By the same arts they still maintain their sway.
Wrapp'd in mysterious secrecy they rise,
And, as they are unknown, are safe and wise.
At whomsoever aim'd, howe'er severe,
The envenom'd slander flies, no names appear:
Prudence forbids that step;--then all might know,
And on more equal terms engage the foe.
But now, what Quixote of the age would care
To wage a war with dirt, and fight with air?
By interest join'd, the expert confederates stand,
And play the game into each other's hand:
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The vile abuse, in turn by all denied,
Is bandied up and down, from side to side:
It flies--hey!--presto!--like a juggler's ball,
Till it belongs to nobody at all.
All men and things they know, themselves unknown,
And publish every name--except their own.
Nor think this strange,--secure from vulgar eyes,
The nameless author passes in disguise;
But veteran critics are not so deceived,
If veteran critics are to be believed.
Once seen, they know an author evermore,
Nay, swear to hands they never saw before.
Thus in 'The Rosciad,' beyond chance or doubt,
They by the writing found the writers out:
That's Lloyd's--his manner there you plainly trace,
And all the Actor stares you in the face.
By Colman that was written--on my life,
The strongest symptoms of the 'Jealous Wife.'
That little disingenuous piece of spite,
Churchill--a wretch unknown!--perhaps might write.
How doth it make judicious readers smile,
When authors are detected by their style;
Though every one who knows this author, knows
He shifts his style much oftener than his clothes!
Whence could arise this mighty critic spleen,
The Muse a trifler, and her theme so mean?
What had I done, that angry Heaven should send
The bitterest foe where most I wish'd a friend?
Oft hath my tongue been wanton at thy name,
And hail'd the honours of thy matchless fame.
For me let hoary Fielding bite the ground,
So nobler Pickle stands superbly bound;
From Livy's temples tear the historic crown,
Which with more justice blooms upon thine own.
Compared with thee, be all life-writers dumb,
But he who wrote the Life of Tommy Thumb.
Who ever read 'The Regicide,' but swore
The author wrote as man ne'er wrote before?
Others for plots and under-plots may call,
Here's the right method--have no plot at all.
Who can so often in his cause engage
The tiny pathos of the Grecian stage,
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Whilst horrors rise, and tears spontaneous flow
At tragic Ha! and no less tragic Oh!
To praise his nervous weakness all agree;
And then for sweetness, who so sweet as he!
Too big for utterance when sorrows swell,
The too big sorrows flowing tears must tell;
But when those flowing tears shall cease to flow,
Why--then the voice must speak again, you know.
Rude and unskilful in the poet's trade,
I kept no Naiads by me ready made;
Ne'er did I colours high in air advance,
Torn from the bleeding fopperies of France;
No flimsy linsey-woolsey scenes I wrote,
With patches here and there, like Joseph's coat.
Me humbler themes befit: secure, for me,
Let play-wrights smuggle nonsense duty free;
Secure, for me, ye lambs, ye lambkins! bound,
And frisk and frolic o'er the fairy ground.
Secure, for me, thou pretty little fawn!
Lick Sylvia's hand, and crop the flowery lawn;
Uncensured let the gentle breezes rove
Through the green umbrage of the enchanted grove:
Secure, for me, let foppish Nature smile,
And play the coxcomb in the 'Desert Isle.'
The stage I chose--a subject fair and free-'Tis yours--'tis mine--'tis public property.
All common exhibitions open lie,
For praise or censure, to the common eye.
Hence are a thousand hackney writers fed;
Hence Monthly Critics earn their daily bread.
This is a general tax which all must pay,
From those who scribble, down to those who play.
Actors, a venal crew, receive support
From public bounty for the public sport.
To clap or hiss all have an equal claim,
The cobbler's and his lordship's right's the same.
All join for their subsistence; all expect
Free leave to praise their worth, their faults correct.
When active Pickle Smithfield stage ascends,
The three days' wonder of his laughing friends,
Each, or as judgment or as fancy guides,
The lively witling praises or derides.
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And where's the mighty difference, tell me where,
Betwixt a Merry Andrew and a player?
The strolling tribe--a despicable race!-Like wandering Arabs, shift from place to place.
Vagrants by law, to justice open laid,
They tremble, of the beadle's lash afraid,
And, fawning, cringe for wretched means of life
To Madam Mayoress, or his Worship's wife.
The mighty monarch, in theatric sack,
Carries his whole regalia at his back;
His royal consort heads the female band,
And leads the heir apparent in her hand;
The pannier'd ass creeps on with conscious pride,
Bearing a future prince on either side.
No choice musicians in this troop are found,
To varnish nonsense with the charms of sound;
No swords, no daggers, not one poison'd bowl;
No lightning flashes here, no thunders roll;
No guards to swell the monarch's train are shown;
The monarch here must be a host alone:
No solemn pomp, no slow processions here;
No Ammon's entry, and no Juliet's bier.
By need compell'd to prostitute his art,
The varied actor flies from part to part;
And--strange disgrace to all theatric pride!-His character is shifted with his side.
Question and answer he by turns must be,
Like that small wit in modern tragedy,
Who, to patch up his fame--or fill his purse-Still pilfers wretched plans, and makes them worse;
Like gypsies, lest the stolen brat be known,
Defacing first, then claiming for his own.
In shabby state they strut, and tatter'd robe,
The scene a blanket, and a barn the globe:
No high conceits their moderate wishes raise,
Content with humble profit, humble praise.
Let dowdies simper, and let bumpkins stare,
The strolling pageant hero treads in air:
Pleased, for his hour he to mankind gives law,
And snores the next out on a truss of straw.
But if kind Fortune, who sometimes, we know,
Can take a hero from a puppet-show,
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In mood propitious should her favourite call,
On royal stage in royal pomp to bawl,
Forgetful of himself, he rears the head,
And scorns the dunghill where he first was bred;
Conversing now with well dress'd kings and queens,
With gods and goddesses behind the scenes,
He sweats beneath the terror-nodding plume,
Taught by mock honours real pride to assume.
On this great stage, the world, no monarch e'er
Was half so haughty as a monarch player.
Doth it more move our anger or our mirth
To see these things, the lowest sons of earth,
Presume, with self-sufficient knowledge graced,
To rule in letters, and preside in taste?
The town's decisions they no more admit,
Themselves alone the arbiters of wit;
And scorn the jurisdiction of that court
To which they owe their being and support.
Actors, like monks of old, now sacred grown,
Must be attack'd by no fools but their own.
Let the vain tyrant sit amidst his guards,
His puny green-room wits and venal bards,
Who meanly tremble at the puppet's frown,
And for a playhouse-freedom lose their own;
In spite of new-made laws, and new-made kings,
The free-born Muse with liberal spirit sings.
Bow down, ye slaves! before these idols fall;
Let Genius stoop to them who've none at all:
Ne'er will I flatter, cringe, or bend the knee
To those who, slaves to all, are slaves to me.
Actors, as actors, are a lawful game,
The poet's right, and who shall bar his claim?
And if, o'erweening of their little skill,
When they have left the stage, they're actors still;
If to the subject world they still give laws,
With paper crowns, and sceptres made of straws;
If they in cellar or in garret roar,
And, kings one night, are kings for evermore;
Shall not bold Truth, e'en there, pursue her theme,
And wake the coxcomb from his golden dream?
Or if, well worthy of a better fate,
They rise superior to their present state;
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If, with each social virtue graced, they blend
The gay companion and the faithful friend;
If they, like Pritchard, join in private life
The tender parent and the virtuous wife;
Shall not our verse their praise with pleasure speak,
Though Mimics bark, and Envy split her cheek?
No honest worth's beneath the Muse's praise;
No greatness can above her censure raise;
Station and wealth to her are trifling things;
She stoops to actors, and she soars to kings.
Is there a man, in vice and folly bred,
To sense of honour as to virtue dead,
Whom ties, nor human, nor divine can bind,
Alien from God, and foe to all mankind;
Who spares no character; whose every word,
Bitter as gall, and sharper than the sword,
Cuts to the quick; whose thoughts with rancour swell;
Whose tongue, on earth, performs the work of hell?
If there be such a monster, the Reviews
Shall find him holding forth against abuse:
Attack profession!--'tis a deadly breach!
The Christian laws another lesson teach:-Unto the end shall Charity endure,
And Candour hide those faults it cannot cure.
Thus Candour's maxims flow from Rancour's throat,
As devils, to serve their purpose, Scripture quote.
The Muse's office was by Heaven design'd
To please, improve, instruct, reform mankind;
To make dejected Virtue nobly rise
Above the towering pitch of splendid Vice;
To make pale Vice, abash'd, her head hang down,
And, trembling, crouch at Virtue's awful frown.
Now arm'd with wrath, she bids eternal shame,
With strictest justice, brand the villain's name;
Now in the milder garb of ridicule
She sports, and pleases while she wounds the fool.
Her shape is often varied; but her aim,
To prop the cause of Virtue, still the same.
In praise of Mercy let the guilty bawl;
When Vice and Folly for correction call,
Silence the mark of weakness justly bears,
And is partaker of the crimes it spares.
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But if the Muse, too cruel in her mirth,
With harsh reflections wounds the man of worth;
If wantonly she deviates from her plan,
And quits the actor to expose the man;
Ashamed, she marks that passage with a blot,
And hates the line where candour was forgot.
But what is candour, what is humour's vein,
Though judgment join to consecrate the strain,
If curious numbers will not aid afford,
Nor choicest music play in every word?
Verses must run, to charm a modern ear,
From all harsh, rugged interruptions clear.
Soft let them breathe, as Zephyr's balmy breeze,
Smooth let their current flow, as summer seas;
Perfect then only deem'd when they dispense
A happy tuneful vacancy of sense.
Italian fathers thus, with barbarous rage,
Fit helpless infants for the squeaking stage;
Deaf to the calls of pity, Nature wound,
And mangle vigour for the sake of sound.
Henceforth farewell, then, feverish thirst of fame;
Farewell the longings for a poet's name;
Perish my Muse--a wish 'bove all severe
To him who ever held the Muses dear-If e'er her labours weaken to refine
The generous roughness of a nervous line.
Others affect the stiff and swelling phrase;
Their Muse must walk in stilts, and strut in stays;
The sense they murder, and the words transpose,
Lest poetry approach too near to prose.
See tortured Reason how they pare and trim,
And, like Procrustes, stretch, or lop the limb.
Waller! whose praise succeeding bards rehearse,
Parent of harmony in English verse,
Whose tuneful Muse in sweetest accents flows,
In couplets first taught straggling sense to close.
In polish'd numbers and majestic sound,
Where shall thy rival, Pope! be ever found?
But whilst each line with equal beauty flows.
E'en excellence, unvaried, tedious grows.
Nature, through all her works, in great degree,
Borrows a blessing from variety.
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Music itself her needful aid requires
To rouse the soul, and wake our dying fires.
Still in one key, the nightingale would tease;
Still in one key, not Brent would always please.
Here let me bend, great Dryden! at thy shrine,
Thou dearest name to all the Tuneful Nine!
What if some dull lines in cold order creep,
And with his theme the poet seems to sleep?
Still, when his subject rises proud to view,
With equal strength the poet rises too:
With strong invention, noblest vigour fraught,
Thought still springs up and rises out of thought;
Numbers ennobling numbers in their course,
In varied sweetness flow, in varied force;
The powers of genius and of judgment join,
And the whole Art of Poetry is thine.
But what are numbers, what are bards to me,
Forbid to tread the paths of poesy?
A sacred Muse should consecrate her pen-Priests must not hear nor see like other men-Far higher themes should her ambition claim:
Behold where Sternhold points the way to fame!
Whilst with mistaken zeal dull bigots burn,
Let Reason for a moment take her turn.
When coffee-sages hold discourse with kings,
And blindly walk in paper leading-strings,
What if a man delight to pass his time
In spinning reason into harmless rhyme,
Or sometimes boldly venture to the play?
Say, where's the crime, great man of prudence, say?
No two on earth in all things can agree;
All have some darling singularity:
Women and men, as well as girls and boys,
In gew-gaws take delight, and sigh for toys.
Your sceptres and your crowns, and such like things,
Are but a better kind of toys for kings.
In things indifferent Reason bids us choose,
Whether the whim's a monkey or a Muse.
What the grave triflers on this busy scene,
When they make use of this word Reason, mean,
I know not; but according to my plan,
'Tis Lord Chief-Justice in the court of man;
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Equally form'd to rule in age or youth,
The friend of virtue and the guide to truth;
To her I bow, whose sacred power I feel;
To her decision make my last appeal;
Condemn'd by her, applauding worlds in vain
Should tempt me to take up the pen again;
By her absolved, my course I'll still pursue:
If Reason's for me, God is for me too.
~ Charles Churchill,#NFDB |
1401:Dante At Verona
Behold, even I, even I am Beatrice.
(Div. Com. Purg. xxx.)
OF Florence and of Beatrice
Servant and singer from of old,
O'er Dante's heart in youth had toll'd
The knell that gave his Lady peace;
And now in manhood flew the dart
Wherewith his City pierced his heart.
Yet if his Lady's home above
Was Heaven, on earth she filled his soul;
And if his City held control
To cast the body forth to rove,
The soul could soar from earth's vain throng,
And Heaven and Hell fulfil the song.
Follow his feet's appointed way;—
But little light we find that clears
The darkness of the exiled years.
Follow his spirit's journey:—nay,
What fires are blent, what winds are blown
On paths his feet may tread alone?
Yet of the twofold life he led
In chainless thought and fettered will
Some glimpses reach us,—somewhat still
Of the steep stairs and bitter bread,—
Of the soul's quest whose stern avow
For years had made him haggard now.
Alas! the Sacred Song whereto
Both heaven and earth had set their hand
Not only at Fame's gate did stand
Knocking to claim the passage through,
But toiled to ope that heavier door
Which Florence shut for evermore.
Shall not his birth's baptismal Town
One last high presage yet fulfil,
And at that font in Florence still
His forehead take the laurel-crown?
O God! or shall dead souls deny
The undying soul its prophecy?
Aye, 'tis their hour. Not yet forgot
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The bitter words he spoke that day
When for some great charge far away
Her rulers his acceptance sought.
“And if I go, who stays?”—so rose
His scorn:—“and if I stay, who goes?”
“Lo! thou art gone now, and we stay”
(The curled lips mutter): “and no star
Is from thy mortal path so far
As streets where childhood knew the way.
To Heaven and Hell thy feet may win,
But thine own house they come not in.”
Therefore, the loftier rose the song
To touch the secret things of God,
The deeper pierced the hate that trod
On base men's track who wrought the wrong;
Till the soul's effluence came to be
Its own exceeding agony.
Arriving only to depart,
From court to court, from land to land,
Like flame within the naked hand
His body bore his burning heart
That still on Florence strove to bring
God's fire for a burnt offering.
Even such was Dante's mood, when now,
Mocked for long years with Fortune's sport,
He dwelt at yet another court,
There where Verona's knee did bow
And her voice hailed with all acclaim
Can Grande della Scala's name.
As that lord's kingly guest awhile
His life we follow; through the days
Which walked in exile's barren ways,—
The nights which still beneath one smile
Heard through all spheres one song increase,—
“Even I, even I am Beatrice.”
At Can La Scala's court, no doubt,
Due reverence did his steps attend;
The ushers on his path would bend
At ingoing as at going out;
The penmen waited on his call
At council-board, the grooms in hall.
And pages hushed their laughter down,
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And gay squires stilled the merry stir,
When he passed up the dais-chamber
With set brows lordlier than a frown;
And tire-maids hidden among these
Drew close their loosened bodices.
Perhaps the priests, (exact to span
All God's circumference,) if at whiles
They found him wandering in their aisles,
Grudged ghostly greeting to the man
By whom, though not of ghostly guild,
With Heaven and Hell men's hearts were fill'd.
And the court-poets (he, forsooth,
A whole world's poet strayed to court!)
Had for his scorn their hate's retort.
He'd meet them flushed with easy youth,
Hot on their errands. Like noon-flies
They vexed him in the ears and eyes.
But at this court, peace still must wrench
Her chaplet from the teeth of war:
By day they held high watch afar,
At night they cried across the trench;
And still, in Dante's path, the fierce
Gaunt soldiers wrangled o'er their spears.
But vain seemed all the strength to him,
As golden convoys sunk at sea
Whose wealth might root out penury:
Because it was not, limb with limb,
Knit like his heart-strings round the wall
Of Florence, that ill pride might fall.
Yet in the tiltyard, when the dust
Cleared from the sundered press of knights
Ere yet again it swoops and smites,
He almost deemed his longing must
Find force to yield that multitude
And hurl that strength the way he would.
How should he move them,—fame and gain
On all hands calling them at strife?
He still might find but his one life
To give, by Florence counted vain;
One heart the false hearts made her doubt,
One voice she heard once and cast out.
Oh! if his Florence could but come,
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A lily-sceptred damsel fair,
As her own Giotto painted her
On many shields and gates at home,—
A lady crowned, at a soft pace
Riding the lists round to the dais:
Till where Can Grande rules the lists,
As young as Truth, as calm as Force,
She draws her rein now, while her horse
Bows at the turn of the white wrists;
And when each knight within his stall
Gives ear, she speaks and tells them all:
All the foul tale,—truth sworn untrue
And falsehood's triumph. All the tale?
Great God! and must she not prevail
To fire them ere they heard it through,—
And hand achieve ere heart could rest
That high adventure of her quest?
How would his Florence lead them forth,
Her bridle ringing as she went;
And at the last within her tent,
'Neath golden lilies worship-worth,
How queenly would she bend the while
And thank the victors with her smile!
Also her lips should turn his way
And murmur: “O thou tried and true,
With whom I wept the long years through!
What shall it profit if I say,
Thee I remember? Nay, through thee
All ages shall remember me.”
Peace, Dante, peace! The task is long,
The time wears short to compass it.
Within thine heart such hopes may flit
And find a voice in deathless song:
But lo! as children of man's earth,
Those hopes are dead before their birth.
Fame tells us that Verona's court
Was a fair place. The feet might still
Wander for ever at their will
In many ways of sweet resort;
And still in many a heart around
The Poet's name due honour found.
Watch we his steps. He comes upon
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The women at their palm-playing.
The conduits round the gardens sing
And meet in scoops of milk-white stone,
Where wearied damsels rest and hold
Their hands in the wet spurt of gold.
One of whom, knowing well that he,
By some found stern, was mild with them,
Would run and pluck his garment's hem,
Saying, “Messer Dante, pardon me,”—
Praying that they might hear the song
Which first of all he made, when young.
“Donne che avete” . . . Thereunto
Thus would he murmur, having first
Drawn near the fountain, while she nurs'd
His hand against her side: a few
Sweet words, and scarcely those, half said:
Then turned, and changed, and bowed his head.
For then the voice said in his heart,
“Even I, even I am Beatrice”;
And his whole life would yearn to cease:
Till having reached his room, apart
Beyond vast lengths of palace-floor,
He drew the arras round his door.
At such times, Dante, thou hast set
Thy forehead to the painted pane
Full oft, I know; and if the rain
Smote it outside, her fingers met
Thy brow; and if the sun fell there,
Her breath was on thy face and hair.
Then, weeping, I think certainly
Thou hast beheld, past sight of eyne,—
Within another room of thine
Where now thy body may not be
But where in thought thou still remain'st,—
A window often wept against:
The window thou, a youth, hast sought,
Flushed in the limpid eventime,
Ending with daylight the day's rhyme
Of her; where oftenwhiles her thought
Held thee—the lamp untrimmed to write—
In joy through the blue lapse of night.
At Can La Scala's court, no doubt,
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Guests seldom wept. It was brave sport,
No doubt, at Can La Scala's court,
Within the palace and without;
Where music, set to madrigals,
Loitered all day through groves and halls.
Because Can Grande of his life
Had not had six-and-twenty years
As yet. And when the chroniclers
Tell you of that Vicenza strife
And of strifes elsewhere,—you must not
Conceive for church-sooth he had got
Just nothing in his wits but war:
Though doubtless 'twas the young man's joy
(Grown with his growth from a mere boy,)
To mark his “Viva Cane!” scare
The foe's shut front, till it would reel
All blind with shaken points of steel.
But there were places—held too sweet
For eyes that had not the due veil
Of lashes and clear lids—as well
In favour as his saddle-seat:
Breath of low speech he scorned not there
Nor light cool fingers in his hair.
Yet if the child whom the sire's plan
Made free of a deep treasure-chest
Scoffed it with ill-conditioned jest,—
We may be sure too that the man
Was not mere thews, nor all content
With lewdness swathed in sentiment.
So you may read and marvel not
That such a man as Dante—one
Who, while Can Grande's deeds were done,
Had drawn his robe round him and thought—
Now at the same guest-table far'd
Where keen Uguccio wiped his beard.
Through leaves and trellis-work the sun
Left the wine cool within the glass,—
They feasting where no sun could pass:
And when the women, all as one,
Rose up with brightened cheeks to go,
It was a comely thing, we know.
But Dante recked not of the wine;
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Whether the women stayed or went,
His visage held one stern intent:
And when the music had its sign
To breathe upon them for more ease,
Sometimes he turned and bade it cease.
And as he spared not to rebuke
The mirth, so oft in council he
To bitter truth bore testimony:
And when the crafty balance shook
Well poised to make the wrong prevail,
Then Dante's hand would turn the scale.
And if some envoy from afar
Sailed to Verona's sovereign port
For aid or peace, and all the court
Fawned on its lord, “the Mars of war,
Sole arbiter of life and death,”—
Be sure that Dante saved his breath.
And Can La Scala marked askance
These things, accepting them for shame
And scorn, till Dante's guestship came
To be a peevish sufferance:
His host sought ways to make his days
Hateful; and such have many ways.
There was a Jester, a foul lout
Whom the court loved for graceless arts;
Sworn scholiast of the bestial parts
Of speech; a ribald mouth to shout
In Folly's horny tympanum
Such things as make the wise man dumb.
Much loved, him Dante loathed. And so,
One day when Dante felt perplexed
If any day that could come next
Were worth the waiting for or no,
And mute he sat amid their din,—
Can Grande called the Jester in.
Rank words, with such, are wit's best wealth.
Lords mouthed approval; ladies kept
Twittering with clustered heads, except
Some few that took their trains by stealth
And went. Can Grande shook his hair
And smote his thighs and laughed i' the air.
Then, facing on his guest, he cried,—
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“Say, Messer Dante, how it is
I get out of a clown like this
More than your wisdom can provide.”
And Dante: “'Tis man's ancient whim
That still his like seems good to him.”
Also a tale is told, how once,
At clearing tables after meat,
Piled for a jest at Dante's feet
Were found the dinner's well-picked bones;
So laid, to please the banquet's lord,
By one who crouched beneath the board.
Then smiled Can Grande to the rest:—
“Our Dante's tuneful mouth indeed
Lacks not the gift on flesh to feed!”
“Fair host of mine,” replied the guest,
“So many bones you'd not descry
If so it chanced the dog were I.”
But wherefore should we turn the grout
In a drained cup, or be at strife
From the worn garment of a life
To rip the twisted ravel out?
Good needs expounding; but of ill
Each hath enough to guess his fill.
They named him Justicer-at-Law:
Each month to bear the tale in mind
Of hues a wench might wear unfin'd
And of the load an ox might draw;
To cavil in the weight of bread
And to see purse-thieves gibbeted.
And when his spirit wove the spell
(From under even to over-noon
In converse with itself alone,)
As high as Heaven, as low as Hell,—
He would be summoned and must go:
For had not Gian stabbed Giacomo?
Therefore the bread he had to eat
Seemed brackish, less like corn than tares;
And the rush-strown accustomed stairs
Each day were steeper to his feet;
And when the night-vigil was done,
His brows would ache to feel the sun.
Nevertheless, when from his kin
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There came the tidings how at last
In Florence a decree was pass'd
Whereby all banished folk might win
Free pardon, so a fine were paid
And act of public penance made,—
This Dante writ in answer thus,
Words such as these: “That clearly they
In Florence must not have to say,—
The man abode aloof from us
Nigh fifteen years, yet lastly skulk'd
Hither to candleshrift and mulct.
“That he was one the Heavens forbid
To traffic in God's justice sold
By market-weight of earthly gold,
Or to bow down over the lid
Of steaming censers, and so be
Made clean of manhood's obloquy.
“That since no gate led, by God's will,
To Florence, but the one whereat
The priests and money-changers sat,
He still would wander; for that still,
Even through the body's prison-bars,
His soul possessed the sun and stars.”
Such were his words. It is indeed
For ever well our singers should
Utter good words and know them good
Not through song only; with close heed
Lest, having spent for the work's sake
Six days, the man be left to make.
Months o'er Verona, till the feast
Was come for Florence the Free Town:
And at the shrine of Baptist John
The exiles, girt with many a priest
And carrying candles as they went,
Were held to mercy of the saint.
On the high seats in sober state,—
Gold neck-chains range o'er range below
Gold screen-work where the lilies grow,—
The Heads of the Republic sate,
Marking the humbled face go by
Each one of his house-enemy.
And as each proscript rose and stood
77
From kneeling in the ashen dust
On the shrine-steps, some magnate thrust
A beard into the velvet hood
Of his front colleague's gown, to see
The cinders stuck in the bare knee.
Tosinghi passed, Manelli passed,
Rinucci passed, each in his place;
But not an Alighieri's face
Went by that day from first to last
In the Republic's triumph; nor
A foot came home to Dante's door.
(RESPUBLICA—a public thing:
A shameful shameless prostitute,
Whose lust with one lord may not suit,
So takes by turn its revelling
A night with each, till each at morn
Is stripped and beaten forth forlorn,
And leaves her, cursing her. If she,
Indeed, have not some spice-draught, hid
In scent under a silver lid,
To drench his open throat with—he
Once hard asleep; and thrust him not
At dawn beneath the stairs to rot.
Such this Republic!—not the Maid
He yearned for; she who yet should stand
With Heaven's accepted hand in hand,
Invulnerable and unbetray'd:
To whom, even as to God, should be
Obeisance one with Liberty.)
Years filled out their twelve moons, and ceased
One in another; and alway
There were the whole twelve hours each day
And each night as the years increased;
And rising moon and setting sun
Beheld that Dante's work was done.
What of his work for Florence? Well
It was, he knew, and well must be.
Yet evermore her hate's decree
Dwelt in his thought intolerable:—
His body to be burned,*—his soul
To beat its wings at hope's vain goal.
What of his work for Beatrice?
78
Now well-nigh was the third song writ,—
The stars a third time sealing it
With sudden music of pure peace:
For echoing thrice the threefold song,
The unnumbered stars the tone prolong.†
Each hour, as then the Vision pass'd,
He heard the utter harmony
Of the nine trembling spheres, till she
Bowed her eyes towards him in the last,
So that all ended with her eyes,
Hell, Purgatory, Paradise.
“It is my trust, as the years fall,
To write more worthily of her
Who now, being made God's minister,
Looks on His visage and knows all.”
Such was the hope that love dar'd blend
With grief's slow fires, to make an end
Of the “New Life,” his youth's dear book:
Adding thereunto: “In such trust
I labour, and believe I must
Accomplish this which my soul took
In charge, if God, my Lord and hers,
Leave my life with me a few years.”
The trust which he had borne in youth
Was all at length accomplished. He
At length had written worthily—
Yea even of her; no rhymes uncouth
'Twixt tongue and tongue; but by God's aid
The first words Italy had said.
Ah! haply now the heavenly guide
Was not the last form seen by him:
But there that Beatrice stood slim
And bowed in passing at his side,
For whom in youth his heart made moan
Then when the city sat alone Quomodo sedet sola civitas!
—The words quoted by Dante in the Vita Nuova when
he speaks of the death of Beatrice.
Clearly herself: the same whom he
Met, not past girlhood, in the street,
Low-bosomed and with hidden feet;
And then as woman perfectly,
In years that followed, many an once,—
79
And now at last among the suns
In that high vision. But indeed
It may be memory might recall
Last to him then the first of all,—
The child his boyhood bore in heed
Nine years. At length the voice brought peace,—
“Even I, even I am Beatrice.”
All this, being there, we had not seen.
Seen only was the shadow wrought
On the strong features bound in thought;
The vagueness gaining gait and mien;
The white streaks gathering clear to view
In the burnt beard the women knew.
For a tale tells that on his track,
As through Verona's streets he went,
This saying certain women sent:—
“Lo, he that strolls to Hell and back
At will! Behold him, how Hell's reek
Has crisped his beard and singed his cheek.”
“Whereat” (Boccaccio's words) “he smiled
For pride in fame.” It might be so:
Nevertheless we cannot know
If haply he were not beguiled
To bitterer mirth, who scarce could tell
If he indeed were back from Hell.
So the day came, after a space,
When Dante felt assured that there
The sunshine must lie sicklier
Even than in any other place,
Save only Florence. When that day
Had come, he rose and went his way.
He went and turned not. From his shoes
It may be that he shook the dust,
As every righteous dealer must
Once and again ere life can close:
And unaccomplished destiny
Struck cold his forehead, it may be.
No book keeps record how the Prince
Sunned himself out of Dante's reach,
Nor how the Jester stank in speech:
While courtiers, used to cringe and wince,
Poets and harlots, all the throng,
80
Let loose their scandal and their song.
No book keeps record if the seat
Which Dante held at his host's board
Were sat in next by clerk or lord,—
If leman lolled with dainty feet
At ease, or hostage brooded there,
Or priest lacked silence for his prayer.
Eat and wash hands, Can Grande;—scarce
We know their deeds now: hands which fed
Our Dante with that bitter bread;
And thou the watch-dog of those stairs
Which, of all paths his feet knew well,
Were steeper found than Heaven or Hell.
~ Dante Gabriel Rossetti,#NFDB |
1402: Book IX
Meanwhile moved by their unseen spirits, led by the immortal
Phalanxes, who of our hopes and our fears are the reins and the drivers,
Minds they use as if steam and our bodies like power-driven engines,
Leading our lives towards the goal that the gods have prepared for our striving,
Men upon earth fulfilled their harsh ephemeral labour.
But in the Troad the armies clashed on the plain of the Xanthus.
Swift from their ships the Argives marched,more swiftly through Xanthus
Driving their chariots the Trojans came and Penthesilea
Led and Anchises son and Deiphobus the Priamid hero.
Now ere the armies met, ere their spears were nearer, Apollo
Sent a thought for his bale to the heart of Zethus the Hellene.
He to Achilles car drew close and cried to the hero:
Didst thou not promise a boon to me, son of Peleus and Thetis,
Then when I guarded thy life-breath in Memnons battle from Hades?
Therefore I claim the proudest of boons, one worthy a Hellene.
Here in the front I will fight against dangerous Penthesilea.
Thou on our left make war with the beauty and cunning of Paris.
But from his heart dismayed Achilles made answer to Zethus:
What hast thou said, O Zethus, betrayed by some Power that is hostile?
Art thou then hired by the gods for the bale and the slaughter of Hellas?
Zethus answered him, Alone art thou mighty, Achilles, in Phthia?
Tyrant art thou of this fight and keepst for thee all of its glory
We are but wheels of thy chariot, reins of thy courser, Achilles.
What though dire be thy lust, yet here thou canst gather not glory,
Only thy shame and the Greeks, if a girl must be matched with Achilles!
Zethus, evil thy word and from death are the wings of its folly.
Even a god might hesitate fronting the formidable virgin.
Many the shafts that, borne in her chariot, thirst for the blood-draught.
Pages ride in her car behind and hand to her swiftly
Death in the rapid spears and she hurls them and drives and she stays not.
Forty wind-footed men of the mountains race with her chariot
Shielded and armed and bring back the spears from their hearts whom she slaughters.
So like the lightning she moves incessantly flashing and slaying,
Not like mens warring her fight who battle for glory and plunder.
Never she pauses to pluck back her point nor to strip off the armour.
Only to slay she cares and only the legions to shatter.
Come thou not near to her wheels; preserve thy life for thy father.
Pity Arithoas heart who shall wait in vain for her children.
Wroth at Pelides scorn made answer Zethus the Hellene,
Give me my boon I have chosen and thou fight far from my battle
Lest it be said that Achilles was near and therefore she perished.
Cycnus and I []1 will strike down the terror of Argos.
Moved the mighty Achilles answered him, Zethus and Cycnus,
Granted your will; I am bound by my truth, as are you now by Hades.
So he spoke and cried to his steeds, who the wings of the southwind
Racing outvied to the left where from Xanthus galloping swiftly
Came in a mass the Ilian chariots loud towards the Hellenes.
Phoces was with him and Echemus drove and Drus and Thretaon,
They were like rays of the sun, but nighest him, close to his shadow
Ascanus, Phrinix son, who fought ever near to his war-car.
And from the Trojan battle gleaming in arms like the sungod
Paris beheld that dangerous spear and he cried to the heroes:
See now where death on the Trojans comes in the speed of that war-car.
Warriors, fight not [.] Achilles
But where you see him guiding his spear or turning his coursers,
Menace his days and shield the Trojan life that he threatens.
Fighting together hide with your spear-rain his head from the heavens.
Zeus perhaps shall, blinded, forget to cover the hero.
So as he spoke, the armies neared and they clashed in the mellay.
Who first shed the blood [.] that fell in that combat
Thick with the fall of the mighty, last of the battles of Troya?
Helenus first, King Priams son, smote down in that battle
Phoces, Amarus son, who fought in the front of Pelides.
He by the point twixt his brows surprised left the spear he had lifted;
Down he clanged from his car with his armour sounding upon him.
Echemus wroth let drive at Helenus, grieved for his comrade.
Him he missed but Ahites slew who was Helenus henchman.
Helenus wroth in his turn at Echemus aimed and his spear-point
Bit through the shield and quivering paused,by Ananke arrested.
Back avoiding death the Hellene shrank from the forefront.
Nor had Achilles mingled yet his strength with the fighters.
But like a falconer on a hillock lone in his war-car
Shouting his dreadful cry in the pause ere the shock he had lingered
Wheeling slowly his gaze for the choice of a prey or a victim
For with his host was his heart [.] behind Zethus
Herding in shepherded [.]
Ill at ease was his heart [..] or lying
Slain on the Trojan [..] Ares.
Forward [..] towards the Trojans
[.] helmet.
Helenus [] his shield from the death-blow.
But oer his [] Apollo extended.
And from the left and the right the heroes of Ilion gathered.
Dyus and Polites came and Eumachus threatened Achilles.
Paris fatal shafts sang joyously now from the bowstring.
Fast from the Hellene [..]
Ares iron [..]
Neighing [..] of the war-cries.
Nor could the Trojan fighters break through the wall of their foemen,
Nor could the mighty Pelides slay in his war-rage the Trojans.
Ever he fought surrounded or drew back compelled to his legions;
For to each spear of his strength full twenty hissed round his helmet,
Rang on his shield, attempted his cuirass or leaped at his coursers
Or at Automedon ran like living things in their blood-thirst.
Galled the deathless steeds high-neighing pawed in their anger;
Wrathful Achilles wheeled and threatened seeking a victim.
So might a fire on the high-piled altar of sacrifice blazing
Seek for its tongues an offering fit for the gods, but tis answered
Only by spitting rain that a dense cloud sends out of heaven.
Sibilant hiss the drops on the glowing wood and the altar.
Chill a darkness oerhangs and its brief and envious spirits
Rail at the glorious flame desiring an end of its brilliance.
Meanwhile behind by the ranks of the fighters sheltered from Hades
Paris loosed his lethal shafts at the head of the Hellene.
Then upon Helenus wrath from the gods who are noble descended,
Seized on the tongue of the prophet and framed their thoughts in his accents,
Thoughts by men rejected who follow the beast in their reason,
Only advantage seek, and honour and pride are forgotten:
Paris, not thus shalt thou slay Achilles but only thy glory.
Hast thou no heed that the women should mock in the streets of our city
Thee and thy bow and thy numbers, hearing this shame of the Trojans?
Dost thou not fear the gods and their harms? Not so do they combat
Who have the awe of their deeds and follow the way of the mighty.
Paris the Priamid answered his brother: Helenus, wherefore
Care should I have for fame, or the gods and their punishments, heeding
Breath of men when they praise or condemn me? Victory I ask for,
Joy for my living heart, not a dream and a breath for my ashes.
Work I desire and the wish of my heart and the fruit of my labour.
Nay, let my fame be crushed into mire for the ages to spit at,
But let my country live and her foes be slain on her beaches.
So he spoke and fitted another shaft to the bowstring.
Always they fought and were locked in a fierce unyielding combat.
But on the Hellene right stood the brothers stark in their courage
Waiting the Eoan horsehooves that checked at the difficult crossing
Late arrived through field and through pasture. Zethus exultant
Watched their advent stern and encouraged the legions behind him.
Now is the hour of your highest fame, O ye sons of the Hellenes.
These are the iron squadrons, these are the world-famed fighters.
Here is a swifter than Memnon, here is a greater than Hector.
Who would fight with the war-wearied Trojans, the Lycian remnants,
When there are men in the world like these? O Phthians, we conquer
Asias best today. And you, O my brothers, with courage
Reap all the good I have won for our lives this morn from Achilles.
Glad let our fame go before us to our mother Arithoa waiting
Lonely in Phthia, desiring death or the eyes of her children.
Soon will our sails pursue their herald Fame, with our glory
Bellying out and the winds. They shall bear oer the murmurs of Ocean
Heaped up Ilions wealth and the golden bricks of King Priam
And for the halls of our fathers a famous and noble adornment
Severed the beautiful head of the virgin Penthesilea.
So he cried and the Hellenes shouted, a savage rumour,
Proud of their victories past and incredulous grown of disaster.
Now from the Xanthus dripping-wheeled came the Eoan war-cars
Rolling thunder-voiced with the tramp of the runners behind them,
Dust like a flag and dire with the battle-cry, full on the Hellenes.
They to the mid-plain arrived where the might of the Hellene brothers
Waited their coming. Zethus first with his cry of the cascade
Hurrying-footed, headlong that leaps far down to the valley:
Curb, but curb thy advance, O Amazon Penthesilea!
These are not Gnossus ranks and these are not levies from Sparta.
Hellas spears await thee here and the Myrmidon fighters.
But like the northwind high and clear answered Penthesilea,
High like the northwind racing and whistling over the icefields,
Death at its side and snow for its breath in the pitiless winter:
Who art thou biddest to pause the horsehooves of Penthesilea?
Hellene, thou in thy strength who standest forth from thy shielders,
Turn yet, save thy life; for I deem that thou art not Achilles.
Zethus the Hellene I am and Cycnus and Pindus, my brothers,
Stand at my either side, and thou passest no farther, Bellona.
Lioness, turn thou back, for thou canst not here be a hunter.
Zethus and Cycnus and Pindus, little you loved then your mother
Who in this field that is wide must needs all three perish together
Piled on one altar of death by the spear-shafts of Penthesilea.
Empty for ever your halls shall be, childless the age of your father.
High she rose to the spear-cast, poised like a thunderbolt lifted,
Forward swung to the blow and loosed it hissing and ruthless
Straight at the Hellene shield, and it tore through the bronze and groaning
Butted and pushed through the cuirass and split the breast of the hero.
Round in his car he spun, then putting his hands out before him,
Even as a diver who leaps from the shed of the bath to the current,
Launched out so headlong, struggled, sideward collapsed, then was quiet,
Dead on Trojan earth. But dismay and grief on his brothers
Yet alive now seized, then rage came blinding the eyeballs.
Blindly they hurled, yet attained, for Athene guided the spear-shafts;
Death like a forest beast yet played with the might of the virgin.
One on her shield and one on her cuirass rang, but rejected
Fell back like reeds that are thrown at a boulder by boys on the seashore.
She unmoved replied; her shafts in their angry succession
Hardly endured delay between. Like trees the brothers,
Felled, to each side sank prone. So lifeless these strong ones of Hellas
Lay on their couch of the hostile soil reunited in slumber
As in their childhood they lay in Hellas watched by their mother,
Three of them side by side and she dreamed for her darlings their future.
But on the ranks of the Hellenes fear and amazement descended,
Messengers they from Zeus to discourage the pride and the blood-lust.
Back many yards their foremost recoiled in a god-given terror,
As from a snake a traveller scorned for a bough by the wayside,
But it arises puffing its hood and hisses its hatred.
Forward the henchmen ran and plucked back the spears from the corpses;
Onward the Eoan thousands rolled oer the ground that was conquered
Trampling the fallen men into earth with the wheels of their war-cars.
But in her speed like the sea or the stormwind Penthesilea
Drove towards the ranks of the foe and her spear-shafts hastened before her,
Messengers whistling shrilly to Death; he came like a wolfhound
Called by his masters voice and silently fell on the quarry.
Hyrtamus fell, Admetus was wounded, Charmidas slaughtered;
Cirrhes died, though he faced not the blow while he hastened to shelter.
Itylus, bright and beautiful, went down to night and to Hades.
Back, ever back the Hellenes recoiled from the shock of the Virgin,
Slain by her prowess fierce, alarmed by the might of her helpers.
For at her right Surabdas threatened and iron Surenas,
And at her left hill-shouldered Pharatus slaughtered the Hellenes.
Then in the ranks of the Greeks a shouting arose and the leaders
Cried to their hosts and recalled their unstained fame and their valour
Never so lightly conquered before in the onsets of Ares
And of Achilles they spoke and King Peleus waiting in Phthia,
Listening for Troy oerthrown not his hosts overcome by a woman.
And from the right and the left came heroes mighty to succour.
Chiefs of the Dolopes Ar and Aglauron came mid the foremost,
Hillus fair as a drifting moon but fierce as the winter;
Pryas came the Thessalian and Sebes whom Pharsalus honoured,
Victors in countless fights who had stood against Memnon and Hector.
But though their hands were mighty, though fierce their obdurate natures,
Mightier strengths they met and a sterner brood of the war-god.
Light from the hand of the Virgin the spear ran laughing at Sebes,
Crashed through his helmet and left him supine on the pastures of Troya;
Ar to Surabdas fell and the blood-spirting head of Aglauron
Dropped like a fruit from a branch by its weight to the discus of Sambus;
Iron Surenas mace-head shattered the beauty of Hillus;
Pryas by Pharatus slain lay still and had rest from the war-cry.
Back, ever back reeled the Hellene host with the Virgin pursuing.
Storm-shod the Amazon fought and she slew like a god unresisted.
None now dared to confront her burning eyes; the boldest
Shuddered back from her spear and the cry of her tore at their heart-strings.
Fear, the daughter of Zeus, had gripped at the hearts of the Hellenes.
So as their heroes yielded before her, Penthesilea
Lifted with victory cried to her henchman, Aurus of Ellae,
Who had the foot of the wind and its breath that scants not for running,
Hasten, hasten, Aurus; race to the right where unwarring
Valarus leads his host; bid him close with the strength of the Hellenes.
Soon will they scatter like chaff on the threshing-floor blown to the beaches.
But when he sees their flight by Sumalus shepherded seaward,
Swift let him turn like the wind in its paths and follow me, pouring
All in a victor flood on the Myrmidon left and Achilles.
Then shall no Hellene again dare embark in ships for the Troad.
Cursed shall its beaches be to their sons and their sons and for ever.
So she spoke and Aurus ran by the chariots protected.
Then had all Hellas perished indeed on the beaches of Troas,
But from the Argives right where she battled Pallas Athene
Saw and was wroth and she missioned her thought to Automedon speeding.
Splendid it came and found him out mid the hiss of the spear-shafts
Guiding, endangered, Achilles steeds in the thick of the battle.
Shaped like a woman clad in armour and fleeing from battle,
Helmed with the Hellene crest it knocked at the gates of his spirit
Shaking the heros heart with the vision that came to his eyeballs;
Silent he stared aghast and turned his ear to the war-din.
Dost thou not hear to our right, Achilles, these voices of Ares?
High is the sound of Eoan battle, a womans war-cry
Rings in my ears, but faint and sparse come the shouts of our nation.
Far behind is their call and nearer the ships and the beaches.
Great Pelides heard and groaned in the caves of his spirit:
It is the doom that I feared and the fatal madness of Zethus;
Slain are the men of my nation or routed by Penthesilea.
Drive, Automedon, drive, lest shame and defeat upon Hellas
Fasten their seal and her heroes flee from the strength of a woman.
And to the steeds divine Automedon called and they hearkened,
Rose as if seeking their old accustomed paths in the heavens,
Then through the ranks that parted they galloped as gallops the dust-cloud
When the cyclone is abroad and the high trees snap by the wayside,
And from the press of the Hellenes into the plain of the Xanthus
Thundering, neighing came with the war-car borne like a dead leaf
Chased by the blast. Then Athene opened the eyes of Achilles,
Eyes that in all of us sleep, yet can see the near and the distant,
Eyes that the gods in their pity have sealed from the giant confusion,
Sealed from the bale and the grief. He saw like one high on a summit
Near him the Eoans holding the plain and out in the distance
Breaking the Hellene strengths. Like a dream in the night he regarded
High-crested Sumalus fight, Somaranes swift in the onset,
Bull-shouldered Taurons blows and the hero Artavoruxes.
But in the centre fiercest the cry and the death and the fleeing.
There were his chieftains ever reforming vainly resistance,
Even in defeat these were Hellenes and fit to be hosts of Achilles,
But like a doom on them thundered the war-car of Penthesilea,
Pharatus smote and Surabdas and Sambus and iron Surenas.
Down the leaders fell and the armies reeled towards the Ocean.
Wroth he cried to his coursers and fiercely they heard and they hastened;
Swift like a wind oer the grasses galloped the car of Achilles.
Echemus followed, Ascanus drove and Drus and Thretaon:
Phoces alone in the dust of the Troad lay there and moved not.
Yet brought not all of them help to their brothers oppressed in the combat:
For from the forefront forth on the knot of the swift-speeding war-cars
High an Eoan chariot came drawn fast by its coursers
Bearing a mighty chieftain, Valarus son of Supaures.
Fire-footed thundered past him the hooves of the heavenly coursers,
Nor to his challenging shout nor his spear the warlike Pelides
Answered at all, but made haste like a flood to the throng and the mellay.
But twixt the chariots behind and their leader the mighty Eoan
Drove his dark-maned steeds and stood like a cliff to their onset.
Great is your haste, O ye Kings of the Greeks! Abide yet and converse.
Scatheless your leader has fled from me borne by the hooves of his coursers;
Ye, abide! For we meet from far lands on this soil of the Trojans.
All of us meet from afar, but not all shall return to their hearthsides.
Valarus stays you, O Greeks, and this is the point of his greeting.
So as he spoke he launched out his spear as a cloud hurls its storm-flash;
Nor from that fatal hand parted vainly the pitiless envoy,
But of its blood-thirst had right. Riven through and through with the death-stroke
Drus fell prone and tore with dying fingers the grasses.
Sobbing his soul fled out to the night and the chill and the silence.
They like leaves that are suddenly stayed by the fall of a wind-gust
Ceased from their headlong speed. And Echemus poising his spear-shaft:
Sharp are thy greetings, chieftain Eoan. Message for message
Echemus son of Ates, one of the mighty in Hellas,
Thus returns. Let Ares judge twixt the Greek and the Eastern.
Fast sped the spear but Valarus held forth his shield and re butted
Shouting the deadly point that could pierce not his iron refusal.
Echemus, surely thy vaunt has reached me, but unfelt is thy spear-point.
Weak are mens arms, it seems, in Hellas; a boy there Ares
Aims with reeds not spears at pastoral cheeses not iron.
Judge now my strength. Two spears from him ran at the hearts of his foemen.
Crouching Thretaon heard the keen death over him whistle;
Ascanus hurt in the shoulder cried out and paused from his war-lust.
Echemus hurled now again and hurled with him stalwart Thretaon.
Strong Thretaon missed, but Echemus point at the helmet
Bit and fastened as fastens a hound on the ear of the wild-boar
Wroth with the cry and the hunt that gores the pack and his hunters.
Valarus frowning tugged at the heavy steel; yet his right hand
Smote at Echemus. Him he missed but valiant Thretaon
Sat back dead in his seat and the chariot wild with its coursers
Snorting and galloping bore his corpse oer the plains to the Hellenes.
But while yet Valarus strove with the shaft, obscured and encumbered,
Ascanus sprang down swift from his car and armed with his sword-point
Clove the Eoans neck as the lightning springs at an oak-trunk
Seized in the stride of the storm and severs that might with its sharpness.
Slain the hero fell; his mighty limbs the spirit
Mightier released to the gods and it rose to the heavens of the noble.
Ascanus gathered the spear-shafts; loud was his shout as exulting
Back he leaped to the car triumphant oer death and its menace.
Lie there, Valarus, king of the East, with imperial Troya.
Six rich feet of her soil she gives thee for couch of the nuptials.
Rest then! talk not again on the way with the heroes of Hellas.
So delivered they hastened glad to the ranks of their brothers.
After them rolled the Eoan war-cars, Arithon leading,
Loud with the clamour of hooves and the far-rolling gust of the war-cry;
Wroth at their chieftains fall they moved to the help of their nation
Now by the unearthly horses neared and the might of Achilles.
Then from the Hellenes who heard the noise and the cry of their coming,
Lifted eyes dismayed, but saw the familiar war-car,
Saw the heaven-born steeds and the helm unconquered in battle,
Cry was of other hopefulness. Loud as the outbursting thunder
Rises oer lower sounds of the storm, oer the din of the battle
Rose the Hellene shout and rose the name of Achilles.
Here and below some words have been lost as a result of damage to the manuscript.Ed.
***
~ Sri Aurobindo, 9 - Book IX
,#NFDB |
1403:Hero And Leander: The First Sestiad
On Hellespont, guilty of true-love's blood,
In view and opposite two cities stood,
Sea-borderers, disjoined by Neptune's might;
The one Abydos, the other Sestos hight.
At Sestos Hero dwelt; Hero the fair,
Whom young Apollo courted for her hair,
And offered as a dower his burning throne,
Where she should sit for men to gaze upon.
The outside of her garments were of lawn,
The lining purple silk, with gilt stars drawn;
Her wide sleeves green, and bordered with a grove,
Where Venus in her naked glory strove
To please the careless and disdainful eyes
Of proud Adonis, that before her lies.
Her kirtle blue, whereon was many a stain,
Made with the blood of wretched lovers slain.
Upon her head she ware a myrtle wreath,
From whence her veil reached to the ground beneath.
Her veil was artificial flowers and leaves
Whose workmanship both man and beast deceives.
Many would praise the sweet smell as she passed,
When 'twas the odour which her breath forth cast;
And there for honey bees have sought in vain,
And, beat from thence, have lighted there again.
About her neck hung chains of pebblestone,
Which, lightened by her neck, like diamonds shone.
She ware no gloves; for neither sun nor wind
Would burn or parch her hands, but to her mind,
Or warm or cool them, for they took delight
To play upon those hands, they were so white.
Buskins of shells, all silvered used she,
And branched with blushing coral to the knee;
Where sparrows perched of hollow pearl and gold,
Such as the world would wonder to behold.
Those with sweet water oft her handmaid fills,
Which, as she went, would chirrup through the bills.
Some say for her the fairest Cupid pined
And looking in her face was strooken blind.
But this is true: so like was one the other,
17
As he imagined Hero was his mother.
And oftentimes into her bosom flew,
About her naked neck his bare arms threw,
And laid his childish head upon her breast,
And, with still panting rocked, there took his rest.
So lovely fair was Hero, Venus' nun,
As Nature wept, thinking she was undone,
Because she took more from her than she left,
And of such wondrous beauty her bereft.
Therefore, in sign her treasure suffered wrack,
Since Hero's time hath half the world been black.
Amorous Leander, beautiful and young,
(whose tragedy divine Musaeus sung,)
Dwelt at Abydos; since him dwelt there none
For whom succeeding times make greater moan.
His dangling tresses, that were never shorn,
Had they been cut, and unto Colchos borne,
Would have allured the vent'rous youth of Greece
To hazard more than for the golden fleece.
Fair Cynthia wished his arms might be her sphere;
Grief makes her pale, because she moves not there.
His body was as straight as Circe's wand;
Jove might have sipped out nectar from his hand.
Even as delicious meat is to the taste,
So was his neck in touching, and surpassed
The white of Pelop's shoulder. I could tell ye
How smooth his breast was and how white his belly;
And whose immortal fingers did imprint
That heavenly path with many a curious dint
That runs along his back, but my rude pen
Can hardly blazon forth the loves of men,
Much less of powerful gods. Let it suffice
That my slack Muse sings of Leander's eyes,
Those orient cheeks and lips, exceeding his
That leaped into the water for a kiss
Of his own shadow and, despising many,
Died ere he could enjoy the love of any.
Had wild Hippolytus Leander seen
Enamoured of his beauty had he been.
His presence made the rudest peasant melt
That in the vast uplandish country dwelt.
The barbarous Thracian soldier, moved with nought,
18
Was moved with him and for his favour sought.
Some swore he was a maid in man's attire,
For in his looks were all that men desire,
A pleasant smiling cheek, a speaking eye,
A brow for love to banquet royally;
And such as knew he was a man, would say,
'Leander, thou art made for amorous play.
Why art thou not in love, and loved of all?
Though thou be fair, yet be not thine own thrall.'
The men of wealthy Sestos every year,
(For his sake whom their goddess held so dear,
Rose-cheeked Adonis) kept a solemn feast.
Thither resorted many a wandering guest
To meet their loves.
Such as had none at all,
Came lovers home from this great festival.
For every street like to a firmament
Glistered with breathing stars who, where they went,
Frighted the melancholy earth which deemed
Eternal heaven to burn, for so it seemed,
As if another Phaeton had got
The guidance of the sun's rich chariot.
But far above the loveliest Hero shined
And stole away th' enchanted gazer's mind,
For like sea nymphs' enveigling Harmony,
So was her beauty to the standers by.
Nor that night-wandering, pale, and wat'ry star
(When yawning dragons draw her thirling car
From Latmus' mount up to the gloomy sky
Where, crowned with blazing light and majesty,
She proudly sits) more overrules the flood
Than she the hearts of those that near her stood.
Even as, when gaudy nymphs pursue the chase,
Wretched Ixion's shaggy footed race,
Incensed with savage heat, gallop amain
From steep pine-bearing mountains to the plain.
So ran the people forth to gaze upon her,
And all that viewed her were enamoured on her.
And as in fury of a dreadful fight,
Their fellows being slain or put to flight,
Poor soldiers stand with fear of death dead strooken,
So at her presence all surprised and tooken,
19
Await the sentence of her scornful eyes.
He whom she favours lives, the other dies.
There might you see one sigh, another rage;
And some, (their violent passions to assuage)
Compile sharp satires, but alas too late,
For faithful love will never turn to hate.
And many seeing great princes were denied
Pin'd as they went, and thinking on her died.
On this feast day, O cursed day and hour,
Went Hero thorough Sestos from her tower
To Venus' temple, where unhappily
As after chanced, they did each other spy.
So fair a church as this had Venus none.
The walls were of discoloured jasper stone
Wherein was Proteus carved, and o'erhead
A lively vine of green sea agate spread,
Where by one hand lightheaded Bacchus hung,
And, with the other, wine from grapes out wrung.
Of crystal shining fair the pavement was.
The town of Sestos called it Venus' glass.
There might you see the gods in sundry shapes
Committing heady riots, incest, rapes.
For know, that underneath this radiant floor
Was Danae's statue in a brazen tower,
Jove slyly stealing from his sister's bed,
To dally with Idalian Ganymede,
And for his love Europa bellowing loud,
And tumbling with the Rainbow in a cloud;
Blood quaffing Mars heaving the iron net
Which limping Vulcan and his Cyclops set;
Love kindling fire to burn such towns as Troy;
Sylvanus weeping for the lovely boy
That now is turned into a cypress tree,
Under whose shade the wood gods love to be.
And in the midst a silver altar stood.
There Hero, sacrificing turtle's blood,
Vailed to the ground, vailing her eyelids close,
And modestly they opened as she rose.
Thence flew Love's arrow with the golden head,
And thus Leander was enamoured.
Stone still he stood, and evermore he gazed
Till with the fire that from his countenance blazed
20
Relenting Hero's gentle heart was strook.
Such force and virtue hath an amorous look.
It lies not in our power to love or hate,
For will in us is overruled by fate.
When two are stripped, long ere the course begin
We wish that one should lose, the other win.
And one especially do we affect
Of two gold ingots like in each respect.
The reason no man knows; let it suffice
What we behold is censured by our eyes.
Where both deliberate, the love is slight:
Who ever loved, that loved not at first sight?
He kneeled, but unto her devoutly prayed.
Chaste Hero to herself thus softly said,
'Were I the saint he worships, I would hear him; '
And, as she spake those words, came somewhat near him.
He started up, she blushed as one ashamed,
Wherewith Leander much more was inflamed.
He touched her hand; in touching it she trembled.
Love deeply grounded, hardly is dissembled.
These lovers parleyed by the touch of hands;
True love is mute, and oft amazed stands.
Thus while dumb signs their yielding hearts entangled,
The air with sparks of living fire was spangled,
And night, deep drenched in misty Acheron,
Heaved up her head, and half the world upon
Breathed darkness forth (dark night is Cupid's day) .
And now begins Leander to display
Love's holy fire, with words, with sighs, and tears,
Which like sweet music entered Hero's ears,
And yet at every word she turned aside,
And always cut him off as he replied.
At last, like to a bold sharp sophister,
With cheerful hope thus he accosted her.
'Fair creature, let me speak without offence.
I would my rude words had the influence
To lead thy thoughts as thy fair looks do mine,
Then shouldst thou be his prisoner, who is thine.
Be not unkind and fair; misshapen stuff
Are of behaviour boisterous and rough.
O shun me not, but hear me ere you go.
God knows I cannot force love as you do.
21
My words shall be as spotless as my youth,
Full of simplicity and naked truth.
This sacrifice, (whose sweet perfume descending
From Venus' altar, to your footsteps bending)
Doth testify that you exceed her far,
To whom you offer, and whose nun you are.
Why should you worship her? Her you surpass
As much as sparkling diamonds flaring glass.
A diamond set in lead his worth retains;
A heavenly nymph, beloved of human swains,
Receives no blemish, but ofttimes more grace;
Which makes me hope, although I am but base:
Base in respect of thee, divine and pure,
Dutiful service may thy love procure.
And I in duty will excel all other,
As thou in beauty dost exceed Love's mother.
Nor heaven, nor thou, were made to gaze upon,
As heaven preserves all things, so save thou one.
A stately builded ship, well rigged and tall,
The ocean maketh more majestical.
Why vowest thou then to live in Sestos here
Who on Love's seas more glorious wouldst appear?
Like untuned golden strings all women are,
Which long time lie untouched, will harshly jar.
Vessels of brass, oft handled, brightly shine.
What difference betwixt the richest mine
And basest mould, but use? For both, not used,
Are of like worth. Then treasure is abused
When misers keep it; being put to loan,
In time it will return us two for one.
Rich robes themselves and others do adorn;
Neither themselves nor others, if not worn.
Who builds a palace and rams up the gate
Shall see it ruinous and desolate.
Ah, simple Hero, learn thyself to cherish.
Lone women like to empty houses perish.
Less sins the poor rich man that starves himself
In heaping up a mass of drossy pelf,
Than such as you. His golden earth remains
Which, after his decease, some other gains.
But this fair gem, sweet in the loss alone,
When you fleet hence, can be bequeathed to none.
22
Or, if it could, down from th'enameled sky
All heaven would come to claim this legacy,
And with intestine broils the world destroy,
And quite confound nature's sweet harmony.
Well therefore by the gods decreed it is
We human creatures should enjoy that bliss.
One is no number; maids are nothing then
Without the sweet society of men.
Wilt thou live single still? One shalt thou be,
Though never singling Hymen couple thee.
Wild savages, that drink of running springs,
Think water far excels all earthly things,
But they that daily taste neat wine despise it.
Virginity, albeit some highly prize it,
Compared with marriage, had you tried them both,
Differs as much as wine and water doth.
Base bullion for the stamp's sake we allow;
Even so for men's impression do we you,
By which alone, our reverend fathers say,
Women receive perfection every way.
This idol which you term virginity
Is neither essence subject to the eye
No, nor to any one exterior sense,
Nor hath it any place of residence,
Nor is't of earth or mould celestial,
Or capable of any form at all.
Of that which hath no being do not boast;
Things that are not at all are never lost.
Men foolishly do call it virtuous;
What virtue is it that is born with us?
Much less can honour be ascribed thereto;
Honour is purchased by the deeds we do.
Believe me, Hero, honour is not won
Until some honourable deed be done.
Seek you for chastity, immortal fame,
And know that some have wronged Diana's name?
Whose name is it, if she be false or not
So she be fair, but some vile tongues will blot?
But you are fair, (ay me) so wondrous fair,
So young, so gentle, and so debonair,
As Greece will think if thus you live alone
Some one or other keeps you as his own.
23
Then, Hero, hate me not nor from me fly
To follow swiftly blasting infamy.
Perhaps thy sacred priesthood makes thee loath.
Tell me, to whom mad'st thou that heedless oath? '
'To Venus,' answered she and, as she spake,
Forth from those two tralucent cisterns brake
A stream of liquid pearl, which down her face
Made milk-white paths, whereon the gods might trace
To Jove's high court.
He thus replied: 'The rites
In which love's beauteous empress most delights
Are banquets, Doric music, midnight revel,
Plays, masks, and all that stern age counteth evil.
Thee as a holy idiot doth she scorn
For thou in vowing chastity hast sworn
To rob her name and honour, and thereby
Committ'st a sin far worse than perjury,
Even sacrilege against her deity,
Through regular and formal purity.
To expiate which sin, kiss and shake hands.
Such sacrifice as this Venus demands.'
Thereat she smiled and did deny him so,
As put thereby, yet might he hope for moe.
Which makes him quickly re-enforce his speech,
And her in humble manner thus beseech.
'Though neither gods nor men may thee deserve,
Yet for her sake, whom you have vowed to serve,
Abandon fruitless cold virginity,
The gentle queen of love's sole enemy.
Then shall you most resemble Venus' nun,
When Venus' sweet rites are performed and done.
Flint-breasted Pallas joys in single life,
But Pallas and your mistress are at strife.
Love, Hero, then, and be not tyrannous,
But heal the heart that thou hast wounded thus,
Nor stain thy youthful years with avarice.
Fair fools delight to be accounted nice.
The richest corn dies, if it be not reaped;
Beauty alone is lost, too warily kept.'
These arguments he used, and many more,
Wherewith she yielded, that was won before.
Hero's looks yielded but her words made war.
24
Women are won when they begin to jar.
Thus, having swallowed Cupid's golden hook,
The more she strived, the deeper was she strook.
Yet, evilly feigning anger, strove she still
And would be thought to grant against her will.
So having paused a while at last she said,
'Who taught thee rhetoric to deceive a maid?
Ay me, such words as these should I abhor
And yet I like them for the orator.'
With that Leander stooped to have embraced her
But from his spreading arms away she cast her,
And thus bespake him: 'Gentle youth, forbear
To touch the sacred garments which I wear.
Upon a rock and underneath a hill
Far from the town (where all is whist and still,
Save that the sea, playing on yellow sand,
Sends forth a rattling murmur to the land,
Whose sound allures the golden Morpheus
In silence of the night to visit us)
My turret stands and there, God knows, I play.
With Venus' swans and sparrows all the day.
A dwarfish beldam bears me company,
That hops about the chamber where I lie,
And spends the night (that might be better spent)
In vain discourse and apish merriment.
Come thither.' As she spake this, her tongue tripped,
For unawares 'come thither' from her slipped.
And suddenly her former colour changed,
And here and there her eyes through anger ranged.
And like a planet, moving several ways,
At one self instant she, poor soul, assays,
Loving, not to love at all, and every part
Strove to resist the motions of her heart.
And hands so pure, so innocent, nay, such
As might have made heaven stoop to have a touch,
Did she uphold to Venus, and again
Vowed spotless chastity, but all in vain.
Cupid beats down her prayers with his wings,
Her vows above the empty air he flings,
All deep enraged, his sinewy bow he bent,
And shot a shaft that burning from him went,
Wherewith she strooken, looked so dolefully,
25
As made love sigh to see his tyranny.
And as she wept her tears to pearl he turned,
And wound them on his arm and for her mourned.
Then towards the palace of the destinies
Laden with languishment and grief he flies,
And to those stern nymphs humbly made request
Both might enjoy each other, and be blest.
But with a ghastly dreadful countenance,
Threatening a thousand deaths at every glance,
They answered Love, nor would vouchsafe so much
As one poor word, their hate to him was such.
Hearken a while and I will tell you why.
Heaven's winged herald, Jove-borne Mercury,
The selfsame day that he asleep had laid
Enchanted Argus, spied a country maid
Whose careless hair instead of pearl t'adorn it
Glistered with dew, as one that seemed to scorn it;
Her breath as fragrant as the morning rose,
Her mind pure, and her tongue untaught to gloze.
Yet proud she was (for lofty pride that dwells
In towered courts is oft in shepherds' cells.)
And too too well the fair vermilion knew,
And silver tincture of her cheeks, that drew
The love of every swain. On her this god
Enamoured was, and with his snaky rod
Did charm her nimble feet, and made her stay,
The while upon a hillock down he lay
And sweetly on his pipe began to play,
And with smooth speech her fancy to assay,
Till in his twining arms he locked her fast
And then he wooed with kisses; and at last,
As shepherds do, her on the ground he laid
And, tumbling in the grass, he often strayed
Beyond the bounds of shame, in being bold
To eye those parts which no eye should behold.
And, like an insolent commanding lover
Boasting his parentage, would needs discover
The way to new Elysium, but she,
Whose only dower was her chastity,
Having striv'n in vain was now about to cry
And crave the help of shepherds that were nigh.
Herewith he stayed his fury, and began
26
To give her leave to rise. Away she ran;
After went Mercury who used such cunning
As she, to hear his tale, left off her running.
Maids are not won by brutish force and might,
But speeches full of pleasure, and delight.
And, knowing Hermes courted her, was glad
That she such loveliness and beauty had
As could provoke his liking, yet was mute
And neither would deny nor grant his suit.
Still vowed he love. She, wanting no excuse
To feed him with delays, as women use,
Or thirsting after immortality, All women are ambitious naturally Imposed upon her lover such a task
As he ought not perform nor yet she ask.
A draught of flowing nectar she requested,
Wherewith the king of gods and men is feasted.
He, ready to accomplish what she willed,
Stole some from Hebe (Hebe Jove's cup filled)
And gave it to his simple rustic love.
Which being known (as what is hid from Jove?)
He inly stormed and waxed more furious
Than for the fire filched by Prometheus,
And thrusts him down from heaven. He, wandering here,
In mournful terms, with sad and heavy cheer,
Complained to Cupid. Cupid for his sake,
To be revenged on Jove did undertake.
And those on whom heaven, earth, and hell relies,
I mean the adamantine Destinies,
He wounds with love, and forced them equally
To dote upon deceitful Mercury.
They offered him the deadly fatal knife
That shears the slender threads of human life.
At his fair feathered feet the engines laid
Which th' earth from ugly Chaos' den upweighed.
These he regarded not but did entreat
That Jove, usurper of his father's seat,
Might presently be banished into hell,
And aged Saturn in Olympus dwell.
They granted what he craved, and once again
Saturn and Ops began their golden reign.
Murder, rape, war, lust, and treachery,
27
Were with Jove closed in Stygian empery.
But long this blessed time continued not.
As soon as he his wished purpose got
He reckless of his promise did despise
The love of th' everlasting Destinies.
They seeing it both love and him abhorred
And Jupiter unto his place restored.
And but that Learning in despite of Fate
Will mount aloft and enter heaven gate
And to the seat of Jove itself advance,
Hermes had slept in hell with Ignorance.
Yet as a punishment they added this,
That he and Poverty should always kiss.
And to this day is every scholar poor;
Gross gold from them runs headlong to the boor.
Likewise the angry Sisters thus deluded,
To venge themselves on Hermes, have concluded
That Midas' brood shall sit in honour's chair,
To which the Muses' sons are only heir;
And fruitful wits, that in aspiring are,
Shall discontent run into regions far;
And few great lords in virtuous deeds shall joy
But be surprised with every garish toy,
And still enrich the lofty servile clown,
Who with encroaching guile keeps learning down.
Then Muse not Cupid's suit no better sped,
Seeing in their loves the Fates were injured.
~ Christopher Marlowe,#NFDB |
1404:CANTO I.
Fanatics have their dreams, wherewith they weave
A paradise for a sect; the savage, too,
From forth the loftiest fashion of his sleep
Guesses at heaven; pity these have not
Trac'd upon vellum or wild Indian leaf
The shadows of melodious utterance,
But bare of laurel they live, dream, and die;
For Poesy alone can tell her dreams,--
With the fine spell of words alone can save
Imagination from the sable chain
And dumb enchantment. Who alive can say,
"Thou art no Poet -- may'st not tell thy dreams?"
Since every man whose soul is not a clod
Hath visions and would speak, if he had loved,
And been well nurtured in his mother tongue.
Whether the dream now purpos'd to rehearse
Be poet's or fanatic's will be known
When this warm scribe, my hand, is in the grave.
Methought I stood where trees of every clime,
Palm, myrtle, oak, and sycamore, and beech,
With plantane and spice-blossoms, made a screen,
In neighbourhood of fountains (by the noise
Soft-showering in mine ears), and (by the touch
Of scent) not far from roses. Twining round
I saw an arbour with a drooping roof
Of trellis vines, and bells, and larger blooms,
Like floral censers, swinging light in air;
Before its wreathed doorway, on a mound
Of moss, was spread a feast of summer fruits,
Which, nearer seen, seem'd refuse of a meal
By angel tasted or our Mother Eve;
For empty shells were scatter'd on the grass,
And grapestalks but half-bare, and remnants more
Sweet-smelling, whose pure kinds I could not know.
Still was more plenty than the fabled horn
Thrice emptied could pour forth at banqueting,
For Prosperine return'd to her own fields,
Where the white heifers low. And appetite,
More yearning than on earth I ever felt,
Growing within, I ate deliciously,--
And, after not long, thirsted; for thereby
Stood a cool vessel of transparent juice
Sipp'd by the wander'd bee, the which I took,
And pledging all the mortals of the world,
And all the dead whose names are in our lips,
Drank. That full draught is parent of my theme.
No Asian poppy nor elixir fine
Of the soon-fading, jealous, Caliphat,
No poison gender'd in close monkish cell,
To thin the scarlet conclave of old men,
Could so have rapt unwilling life away.
Among the fragment husks and berries crush'd
Upon the grass, I struggled hard against
The domineering potion, but in vain.
The cloudy swoon came on, and down I sank,
Like a Silenus on an antique vase.
How long I slumber'd 'tis a chance to guess.
When sense of life return'd, I started up
As if with wings, but the fair trees were gone,
The mossy mound and arbour were no more;
I look'd around upon the curved sides
Of an old sanctuary, with roof august,
Builded so high, it seem'd that filmed clouds
Might spread beneath as o'er the stars of heaven.
So old the place was, I remember'd none
The like upon the earth: what I had seen
Of grey cathedrals, buttress'd walls, rent towers,
The superannuations of sunk realms,
Or Nature's rocks toil'd hard in waves and winds,
Seem'd but the faulture of decrepit things
To that eternal domed monument.
Upon the marble at my feet there lay
Store of strange vessels and large draperies,
Which needs have been of dyed asbestos wove,
Or in that place the moth could not corrupt,
So white the linen, so, in some, distinct
Ran imageries from a sombre loom.
All in a mingled heap confus'd there lay
Robes, golden tongs, censer and chafing-dish,
Girdles, and chains, and holy jewelries.
Turning from these with awe, once more I raised
My eyes to fathom the space every way:
The embossed roof, the silent massy range
Of columns north and south, ending in mist
Of nothing; then to eastward, where black gates
Were shut against the sunrise evermore;
Then to the west I look'd, and saw far off
An image, huge of feature as a cloud,
At level of whose feet an altar slept,
To be approach'd on either side by steps
And marble balustrade, and patient travail
To count with toil the innumerable degrees.
Towards the altar sober-pac'd I went,
Repressing haste as too unholy there;
And, coming nearer, saw beside the shrine
One ministering; and there arose a flame
When in mid-day the sickening east-wind
Shifts sudden to the south, the small warm rain
Melts out of the frozen incense from all flowers,
And fills the air with so much pleasant health
That even the dying man forgets his shroud;--
Even so that lofty sacrificial fire,
Sending forth Maian incense, spread around
Forgetfulness of everything but bliss,
And clouded all the altar with soft smoke;
From whose white fragrant curtains thus I heard
Language pronounc'd: "If thou canst not ascend
These steps, die on that marble where thou art.
Thy flesh, near cousin to the common dust,
Will parch for lack of nutriment; thy bones
Will wither in few years, and vanish so
That not the quickest eye could find a grain
Of what thou now art on that pavement cold.
The sands of thy short life are spent this hour,
And no hand in the universe can turn
Thy hourglass, if these gummed leaves be burnt
Ere thou canst mount up these immortal steps."
I heard, I look'd: two senses both at once,
So fine, so subtle, felt the tyranny
Of that fierce threat and the hard task proposed.
Prodigious seem'd the toil; the leaves were yet
Burning, when suddenly a palsied chill
Struck from the paved level up my limbs.
And was ascending quick to put cold grasp
Upon those streams that pulse beside the throat.
I shriek'd, and the sharp anguish of my shriek
Stung my own ears; I strove hard to escape
The numbness, strove to gain the lowest step.
Slow, heavy, deadly was my pace: the cold
Grew stifling, suffocating at the heart;
And when I clasp'd my hands I felt them not.
One minute before death my ic'd foot touch'd
The lowest stair; and, as it touch'd, life seem'd
To pour in at the toes; I mounted up
As once fair angels on a ladder flew
From the green turf to heaven. "Holy Power,"
Cry'd I, approaching near the horned shrine,
"What am I that another death come not
To choke my utterance, sacrilegious, here?"
Then said the veiled shadow: "Thou hast felt
What 'tis to die and live again before
Thy fated hour; that thou hadst power to do so
Is thine own safety; thou hast dated on
Thy doom." "High Prophetess," said I, "purge off,
Benign, if so it please thee, my mind's film."
"None can usurp this height," return'd that shade,
"But those to whom the miseries of the world
Are misery, and will not let them rest.
All else who find a haven in the world,
Where they may thoughtless sleep away their days,
If by a chance into this fane they come,
Rot on the pavement where thou rottedst half."
"Are there not thousands in the world," said I,
Encourag'd by the sooth voice of the shade,
"Who love their fellows even to the death,
Who feel the giant agony of the world,
And more, like slaves to poor humanity,
Labour for mortal good? I sure should see
Other men here, but I am here alone."
"Those whom thou spakest of are no visionaries,"
Rejoin'd that voice; "they are no dreamers weak;
They seek no wonder but the human face,
No music but a happy-noted voice:
They come not here, they have no thought to come;
And thou art here, for thou art less than they.
What benefit canst thou do, or all thy tribe,
To the great world? Thou art a dreaming thing,
A fever of thyself: think of the earth;
What bliss, even in hope, is there for thee?
What haven? every creature hath its home,
Every sole man hath days of joy and pain,
Whether his labours be sublime or low --
The pain alone, the joy alone, distinct:
Only the dreamer venoms all his days,
Bearing more woe than all his sins deserve.
Therefore, that happiness be somewhat shared,
Such things as thou art are admitted oft
Into like gardens thou didst pass erewhile,
And suffer'd in these temples: for that cause
Thou standest safe beneath this statue's knees."
"That I am favour'd for unworthiness,
But such propitious parley medicined
In sickness not ignoble, I rejoice,
Aye, and could weep for love of such award."
So answer'd I, continuing, "If it please,
Majestic shadow, tell me where I am,
Whose altar this, for whom this incense curls;
What image this whose face I cannot see
For the broad marble knees; and who thou art,
Of accent feminine so courteous?"
Then the tall shade, in drooping linen veil'd,
Spoke out, so much more earnest, that her breath
Stirr'd the thin folds of gauze that drooping hung
About a golden censer from her hand
Pendent; and by her voice I knew she shed
Long-treasured tears. "This temple, sad and lone,
Is all spar'd from the thunder of a war
Foughten long since by giant hierarchy
Against rebellion: this old image here,
Whose carved features wrinkled as he fell,
Is Saturn's; I, Moneta, left supreme,
Sole goddess of this desolation."
I had no words to answer, for my tongue,
Useless, could find about its roofed home
No syllable of a fit majesty
To make rejoinder of Moneta's mourn:
There was a silence, while the altar's blaze
Was fainting for sweet food. I look'd thereon,
And on the paved floor, where nigh were piled
****s of cinnamon, and many heaps
Of other crisped spicewood: then again
I look'd upon the altar, and its horns
Whiten'd with ashes, and its languorous flame,
And then upon the offerings again;
And so, by turns, till sad Moneta cry'd:
"The sacrifice is done, but not the less
Will I be kind to thee for thy good will.
My power, which to me is still a curse,
Shall be to thee a wonder; for the scenes
Still swooning vivid through my globbed brain,
With an electral changing misery,
Thou shalt with these dull mortal eyes behold
Free from all pain, if wonder pain thee not."
As near as an immortal's sphered words
Could to a mother's soften were these last:
And yet I had a terror of her robes,
And chiefly of the veils that from her brow
Hung pale, and curtain'd her in mysteries,
That made my heart too small to hold its blood.
This saw that Goddess, and with sacred hand
Parted the veils. Then saw I a wan face,
Not pin'd by human sorrows, but bright-blanch'd
By an immortal sickness which kills not;
It works a constant change, which happy death
Can put no end to; deathwards progressing
To no death was that visage; it had past
The lilly and the snow; and beyond these
I must not think now, though I saw that face.
But for her eyes I should have fled away;
They held me back with a benignant light,
Soft, mitigated by divinest lids
Half-clos'd, and visionless entire they seem'd
Of all external things; they saw me not,
But in blank splendour beam'd, like the mild moon,
Who comforts those she sees not, who knows not
What eyes are upward cast. As I had found
A grain of gold upon a mountain's side,
And, twing'd with avarice, strain'd out my eyes
To search its sullen entrails rich with ore,
So, at the sad view of Moneta's brow,
I ask'd to see what things the hollow brow
Behind environ'd: what high tragedy
In the dark secret chambers of her skull
Was acting, that could give so dread a stress
To her cold lips, and fill with such a light
Her planetary eyes, and touch her voice
With such a sorrow? "Shade of Memory!"
Cried I, with act adorant at her feet,
"By all the gloom hung round thy fallen house,
By this last temple, by the golden age,
By Great Apollo, thy dear Foster-child,
And by thyself, forlorn divinity,
The pale Omega of a wither'd race,
Let me behold, according as thou saidst,
What in thy brain so ferments to and fro!"
No sooner had this conjuration past
My devout lips, than side by side we stood
(Like a stunt bramble by a solemn pine)
Deep in the shady sadness of a vale
Far sunken from the healthy breath of morn,
Far from the fiery noon and eve's one star.
Onward I look'd beneath the gloomy boughs,
And saw what first I thought an image huge,
Like to the image pedestall'd so high
In Saturn's temple; then Moneta's voice
Came brief upon mine ear. "So Saturn sat
When he had lost his realms;" whereon there grew
A power within me of enormous ken
To see as a god sees, and take the depth
Of things as nimbly as the outward eye
Can size and shape pervade. The lofty theme
Of those few words hung vast before my mind
With half-unravell'd web. I sat myself
Upon an eagle's watch, that I might see,
And seeing ne'er forget. No stir of life
Was in this shrouded vale, -- not so much air
As in the zoning of a summer's day
Robs not one light seed from the feather'd grass;
But where the dead leaf fell there did it rest.
A stream went noiseless by, still deaden'd more
By reason of the fallen divinity
Spreading more shade; the Naiad 'mid her reeds
Prest her cold finger closer to her lips.
Along the margin-sand large foot-marks went
No further than to where old Saturn's feet
Had rested, and there slept how long a sleep!
Degraded, cold, upon the sodden ground
His old right hand lay nerveless, listless, dead,
Unsceptred, and his realmless eyes were closed;
While his bow'd head seem'd listening to the Earth,
His ancient mother, for some comfort yet.
It seem'd no force could wake him from his place;
But there came one who, with a kindred hand,
Touch'd his wide shoulders, after bending low
With reverence, though to one who knew it not.
Then came the griev'd voice of Mnemosyne,
And griev'd I hearken'd. "That divinity
Whom thou saw'st step from yon forlornest wood,
And with slow pace approach our fallen king,
Is Thea, softest-natured of our brood."
I mark'd the Goddess, in fair statuary
Surpassing wan Moneta by the head,
And in her sorrow nearer woman's tears.
There was a list'ning fear in her regard,
As if calamity had but begun;
As if the venom'd clouds of evil days
Had spent their malice, and the sullen rear
Was with its stored thunder labouring up,
One hand she press'd upon that aching spot
Where beats the human heart, as if just there,
Though an immortal, she felt cruel pain;
The other upon Saturn's bended neck
She laid, and to the level of his ear
Leaning, with parted lips some words she spoke
In solemn tenour and deep organ-tone;
Some mourning words, which in our feeble tongue
Would come in this like accenting; how frail
To that large utterance of the early gods!
"Saturn, look up! and for what, poor lost king?
I have no comfort for thee; no, not one;
I cannot say, wherefore thus sleepest thou?
For Heaven is parted from thee, and the Earth
Knows thee not, so afflicted, for a god.
The Ocean, too, with all its solemn noise,
Has from thy sceptre pass'd; and all the air
Is emptied of thy hoary majesty.
Thy thunder, captious at the new command,
Rumbles reluctant o'er our fallen house;
And thy sharp lightning, in unpractis'd hands,
Scourges and burns our once serene domain.
"With such remorseless speed still come new woes,
That unbelief has not a space to breathe.
Saturn! sleep on: me thoughtless, why should I
Thus violate thy slumbrous solitude?
Why should I ope thy melancholy eyes?
Saturn! sleep on, while at thy feet I weep."
As when upon a tranced summer-night
Forests, branch-charmed by the earnest stars,
Dream, and so dream all night without a noise,
Save from one gradual solitary gust
Swelling upon the silence, dying off,
As if the ebbing air had but one wave,
So came these words and went; the while in tears
She prest her fair large forehead to the earth,
Just where her fallen hair might spread in curls,
A soft and silken net for Saturn's feet.
Long, long these two were postured motionless,
Like sculpture builded-up upon the grave
Or their own power. A long awful time
I look'd upon them: still they were the same;
The frozen God still bending to the earth,
And the sad Goddess weeping at his feet;
Moneta silent. Without stay or prop
But my own weak mortality, I bore
The load of this eternal quietude,
The unchanging gloom and the three fixed shapes
Ponderous upon my senses, a whole moon;
For by my burning brain I measured sure
Her silver seasons shedded on the night.
And every day by day methought I grew
More gaunt and ghostly. Oftentimes I pray'd
Intense, that death would take me from the vale
And all its burthens; gasping with despair
Of change, hour after hour I curs'd myself,
Until old Saturn rais'd his faded eyes,
And look'd around and saw his kingdom gone,
And all the gloom and sorrow of the place,
And that fair kneeling Goddess at his feet.
As the moist scent of flowers, and grass, and leaves,
Fills forest-dells with a pervading air,
Known to the woodland nostril, so the words
Of Saturn fill'd the mossy glooms around,
Even to the hollows of time-eaten oaks,
And to the windings of the foxes' hole,
With sad, low tones, while thus he spoke, and sent
Strange moanings to the solitary Pan.
"Moan, brethren, moan, for we are swallow'd up
And buried from all godlike exercise
Of influence benign on planets pale,
And peaceful sway upon man's harvesting,
And all those acts which Deity supreme
Doth ease its heart of love in. Moan and wail;
Moan, brethren, moan; for lo, the rebel spheres
Spin round; the stars their ancient courses keep;
Clouds still with shadowy moisture haunt the earth,
Still suck their fill of light from sun and moon;
Still buds the tree, and still the seashores murmur;
There is no death in all the universe,
No smell of death. -- There shall be death. Moan, moan,
Moan, Cybele, moan; for thy pernicious babes
Weak as the reed, weak, feeble as my voice.
Oh! Oh! the pain, the pain of feebleness;
Moan, moan, for still I thaw; or give me help;
Throw down those imps, and give me victory.
Let me hear other groans, and trumpets blown
Of triumph calm, and hymns of festival,
From the gold peaks of heaven's high-piled clouds;
Voices of soft proclaim, and silver stir
Of strings in hollow shells; and there shall be
Beautiful things made new, for the surprise
Of the sky-children." So he feebly ceased,
With such a poor and sickly-sounding pause,
Methought I heard some old man of the earth
Bewailing earthly loss; nor could my eyes
And ears act with that unison of sense
Which marries sweet sound with the grace of form,
And dolorous accent from a tragic harp
With large-limb'd visions. More I scrutinized.
Still fixt he sat beneath the sable trees,
Whose arms spread straggling in wild serpent forms
With leaves all hush'd; his awful presence there
(Now all was silent) gave a deadly lie
To what I erewhile heard: only his lips
Trembled amid the white curls of his beard;
They told the truth, though round the snowy locks
Hung nobly, as upon the face of heaven
A mid-day fleece of clouds. Thea arose,
And stretcht her white arm through the hollow dark,
Pointing some whither: whereat he too rose,
Like a vast giant, seen by men at sea
To grow pale from the waves at dull midnight.
They melted from my sight into the woods;
Ere I could turn, Moneta cry'd, "These twain
Are speeding to the families of grief,
Where, rooft in by black rocks, they waste in pain
And darkness, for no hope." And she spake on,
As ye may read who can unwearied pass
Onward from the antechamber of this dream,
Where, even at the open doors, awhile
I must delay, and glean my memory
Of her high phrase -- perhaps no further dare.
CANTO II.
"Mortal, that thou may'st understand aright,
I humanize my sayings to thine ear,
Making comparisons of earthly things;
Or thou might'st better listen to the wind,
Whose language is to thee a barren noise,
Though it blows legend-laden thro' the trees.
In melancholy realms big tears are shed,
More sorrow like to this, and such like woe,
Too huge for mortal tongue or pen of scribe.
The Titans fierce, self-hid or prison-bound,
Groan for the old allegiance once more,
Listening in their doom for Saturn's voice.
But one of the whole eagle-brood still keeps
His sovereignty, and rule, and majesty:
Blazing Hyperion on his orbed fire
Still sits, still snuffs the incense teeming up
From Man to the Sun's God -- yet insecure.
For as upon the earth dire prodigies
Fright and perplex, so also shudders he;
Not at dog's howl or gloom-bird's hated screech,
Or the familiar visiting of one
Upon the first toll of his passing bell,
Or prophesyings of the midnight lamp;
But horrors, portioned to a giant nerve,
Make great Hyperion ache. His palace bright,
Bastion'd with pyramids of shining gold,
And touch'd with shade of bronzed obelisks,
Glares a blood-red thro' all the thousand courts,
Arches, and domes, and fiery galleries;
And all its curtains of Aurorian clouds
Flash angerly; when he would taste the wreaths
Of incense, breath'd aloft from sacred hills,
Instead of sweets, his ample palate takes
Savour of poisonous brass and metals sick;
Wherefore when harbour'd in the sleepy West,
After the full completion of fair day,
For rest divine upon exalted couch,
And slumber in the arms of melody,
He paces through the pleasant hours of ease,
With strides colossal, on from hall to hall,
While far within each aisle and deep recess
His winged minions in close clusters stand
Amaz'd, and full of fear; like anxious men,
Who on a wide plain gather in sad troops,
When earthquakes jar their battlements and towers.
Even now where Saturn, rous'd from icy trance,
Goes step for step with Thea from yon woods,
Hyperion, leaving twilight in the rear,
Is sloping to the threshold of the West.
Thither we tend." Now in the clear light I stood,
Reliev'd from the dusk vale. Mnemosyne
Was sitting on a square-edg'd polish'd stone,
That in its lucid depth reflected pure
Her priestess' garments. My quick eyes ran on
From stately nave to nave, from vault to vault,
Through bow'rs of fragrant and enwreathed light,
And diamond-paved lustrous long arcades.
Anon rush'd by the bright Hyperion;
His flaming robes stream'd out beyond his heels,
And gave a roar as if of earthy fire,
That scar'd away the meek ethereal hours,
And made their dove-wings tremble. On he flared.
* * * * * * * * * * * * * * * * * *
by owner. provided at no charge for educational purposes
~ John Keats, Hyperion, A Vision - Attempted Reconstruction Of The Poem
,#NFDB |
1405:The Farewell
_P_. Farewell to Europe, and at once farewell
To all the follies which in Europe dwell;
To Eastern India now, a richer clime,
Richer, alas! in everything but rhyme,
The Muses steer their course; and, fond of change,
At large, in other worlds, desire to range;
Resolved, at least, since they the fool must play,
To do it in a different place, and way.
_F_. What whim is this, what error of the brain,
What madness worse than in the dog-star's reign?
Why into foreign countries would you roam,
Are there not knaves and fools enough at home?
If satire be thy object--and thy lays
As yet have shown no talents fit for praise-If satire be thy object, search all round,
Nor to thy purpose can one spot be found
Like England, where, to rampant vigour grown,
Vice chokes up every virtue; where, self-sown,
The seeds of folly shoot forth rank and bold,
And every seed brings forth a hundredfold.
_P_. No more of this--though Truth, (the more our shame,
The more our guilt) though Truth perhaps may claim,
And justify her part in this, yet here,
For the first time, e'en Truth offends my ear;
Declaim from morn to night, from night to morn,
Take up the theme anew, when day's new-born,
I hear, and hate--be England what she will,
With all her faults, she is my country still.
_F_. Thy country! and what then? Is that mere word
Against the voice of Reason to be heard?
Are prejudices, deep imbibed in youth,
To counteract, and make thee hate the truth?
'Tis sure the symptom of a narrow soul
To draw its grand attachment from the whole,
And take up with a part; men, not confined
Within such paltry limits, men design'd
Their nature to exalt, where'er they go,
Wherever waves can roll, and winds can blow,
Where'er the blessed sun, placed in the sky
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To watch this subject world, can dart his eye,
Are still the same, and, prejudice outgrown,
Consider every country as their own;
At one grand view they take in Nature's plan,
Not more at home in England than Japan.
_P_. My good, grave Sir of Theory, whose wit,
Grasping at shadows, ne'er caught substance yet,
'Tis mighty easy o'er a glass of wine
On vain refinements vainly to refine,
To laugh at poverty in plenty's reign,
To boast of apathy when out of pain,
And in each sentence, worthy of the schools,
Varnish'd with sophistry, to deal out rules
Most fit for practice, but for one poor fault
That into practice they can ne'er be brought.
At home, and sitting in your elbow-chair,
You praise Japan, though you was never there:
But was the ship this moment under sail,
Would not your mind be changed, your spirits fail?
Would you not cast one longing eye to shore,
And vow to deal in such wild schemes no more?
Howe'er our pride may tempt us to conceal
Those passions which we cannot choose but feel,
There's a strange something, which, without a brain,
Fools feel, and which e'en wise men can't explain,
Planted in man to bind him to that earth,
In dearest ties, from whence he drew his birth.
If Honour calls, where'er she points the way
The sons of Honour follow, and obey;
If need compels, wherever we are sent
'Tis want of courage not to be content;
But, if we have the liberty of choice,
And all depends on our own single voice,
To deem of every country as the same
Is rank rebellion 'gainst the lawful claim
Of Nature, and such dull indifference
May be philosophy, but can't be sense.
_F_. Weak and unjust distinction, strange design,
Most peevish, most perverse, to undermine
Philosophy, and throw her empire down
By means of Sense, from whom she holds her crown,
Divine Philosophy! to thee we owe
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All that is worth possessing here below;
Virtue and wisdom consecrate thy reign,
Doubled each joy, and pain no longer pain.
When, like a garden, where, for want of toil
And wholesome discipline, the rich, rank soil
Teems with incumbrances; where all around,
Herbs, noxious in their nature, make the ground,
Like the good mother of a thankless son,
Curse her own womb, by fruitfulness undone;
Like such a garden, when the human soul,
Uncultured, wild, impatient of control,
Brings forth those passions of luxuriant race,
Which spread, and stifle every herb of grace;
Whilst Virtue, check'd by the cold hand of Scorn,
Seems withering on the bed where she was born,
Philosophy steps in; with steady hand,
She brings her aid, she clears the encumber'd land;
Too virtuous to spare Vice one stroke, too wise
One moment to attend to Pity's cries-See with what godlike, what relentless power
She roots up every weed!
_P_. And every flower.
Philosophy, a name of meek degree,
Embraced, in token of humility,
By the proud sage, who, whilst he strove to hide,
In that vain artifice reveal'd his pride;
Philosophy, whom Nature had design'd
To purge all errors from the human mind,
Herself misled by the philosopher,
At once her priest and master, made us err:
Pride, pride, like leaven in a mass of flour,
Tainted her laws, and made e'en Virtue sour.
Had she, content within her proper sphere,
Taught lessons suited to the human ear,
Which might fair Virtue's genuine fruits produce,
Made not for ornament, but real use,
The heart of man, unrivall'd, she had sway'd,
Praised by the good, and by the bad obey'd;
But when she, overturning Reason's throne,
Strove proudly in its place to plant her own;
When she with apathy the breast would steel,
And teach us, deeply feeling, not to feel;
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When she would wildly all her force employ,
Not to correct our passions, but destroy;
When, not content our nature to restore,
As made by God, she made it all new o'er;
When, with a strange and criminal excess,
To make us more than men, she made us less;
The good her dwindled power with pity saw,
The bad with joy, and none but fools with awe.
Truth, with a simple and unvarnish'd tale,
E'en from the mouth of Norton might prevail,
Could she get there; but Falsehood's sugar'd strain
Should pour her fatal blandishments in vain,
Nor make one convert, though the Siren hung,
Where she too often hangs, on Mansfield's tongue.
Should all the Sophs, whom in his course the sun
Hath seen, or past, or present, rise in one;
Should he, whilst pleasure in each sentence flows,
Like Plato, give us poetry in prose;
Should he, full orator, at once impart
The Athenian's genius with the Roman's art;
Genius and Art should in this instance fail,
Nor Rome, though join'd with Athens, here prevail.
'Tis not in man, 'tis not in more than man,
To make me find one fault in Nature's plan.
Placed low ourselves, we censure those above,
And, wanting judgment, think that she wants love;
Blame, where we ought in reason to commend,
And think her most a foe when most a friend.
Such be philosophers--their specious art,
Though Friendship pleads, shall never warp my heart,
Ne'er make me from this breast one passion tear,
Which Nature, my best friend, hath planted there.
_F_. Forgiving as a friend, what, whilst I live,
As a philosopher I can't forgive,
In this one point at last I join with you,
To Nature pay all that is Nature's due;
But let not clouded Reason sink so low,
To fancy debts she does not, cannot owe:
Bear, to full manhood grown, those shackles bear,
Which Nature meant us for a time to wear,
As we wear leading-strings, which, useless grown,
Are laid aside, when we can walk alone;
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But on thyself, by peevish humour sway'd,
Wilt thou lay burdens Nature never laid?
Wilt thou make faults, whilst Judgment weakly errs,
And then defend, mistaking them for hers?
Darest thou to say, in our enlighten'd age,
That this grand master passion, this brave rage,
Which flames out for thy country, was impress'd
And fix'd by Nature in the human breast?
If you prefer the place where you were born,
And hold all others in contempt and scorn,
On fair comparison; if on that land
With liberal, and a more than equal hand,
Her gifts, as in profusion, Plenty sends;
If Virtue meets with more and better friends;
If Science finds a patron 'mongst the great;
If Honesty is minister of state;
If Power, the guardian of our rights design'd,
Is to that great, that only end, confined;
If riches are employ'd to bless the poor;
If Law is sacred, Liberty secure;
Let but these facts depend on proofs of weight,
Reason declares thy love can't be too great,
And, in this light could he our country view,
A very Hottentot must love it too.
But if, by Fate's decrees, you owe your birth
To some most barren and penurious earth,
Where, every comfort of this life denied,
Her real wants are scantily supplied;
Where Power is Reason, Liberty a joke,
Laws never made, or made but to be broke;
To fix thy love on such a wretched spot,
Because in Lust's wild fever there begot;
Because, thy weight no longer fit to bear,
By chance, not choice, thy mother dropp'd thee there,
Is folly, which admits not of defence;
It can't be Nature, for it is not sense.
By the same argument which here you hold,
(When Falsehood's insolent, let Truth be told)
If Propagation can in torments dwell,
A devil must, if born there, love his Hell.
_P_. Had Fate, to whose decrees I lowly bend,
And e'en in punishment confess a friend,
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Ordain'd my birth in some place yet untried,
On purpose made to mortify my pride,
Where the sun never gave one glimpse of day,
Where Science never yet could dart one ray,
Had I been born on some bleak, blasted plain
Of barren Scotland, in a Stuart's reign,
Or in some kingdom, where men, weak, or worse,
Turn'd Nature's every blessing to a curse;
Where crowns of freedom, by the fathers won,
Dropp'd leaf by leaf from each degenerate son;
In spite of all the wisdom you display,
All you have said, and yet may have to say,
My weakness here, if weakness I confess,
I, as my country, had not loved her less.
Whether strict Reason bears me out in this,
Let those who, always seeking, always miss
The ways of Reason, doubt with precious zeal;
Theirs be the praise to argue, mine to feel.
Wish we to trace this passion to the root,
We, like a tree, may know it by its fruit;
From its rich stem ten thousand virtues spring,
Ten thousand blessings on its branches cling;
Yet in the circle of revolving years
Not one misfortune, not one vice, appears.
Hence, then, and what you Reason call, adore;
This, if not Reason, must be something more.
But (for I wish not others to confine;
Be their opinions unrestrain'd as mine)
Whether this love's of good or evil growth,
A vice, a virtue, or a spice of both,
Let men of nicer argument decide;
If it is virtuous, soothe an honest pride
With liberal praise; if vicious, be content,
It is a vice I never can repent;
A vice which, weigh'd in Heaven, shall more avail
Than ten cold virtues in the other scale.
_F_. This wild, untemper'd zeal (which, after all,
We, candour unimpeach'd, might madness call)
Is it a virtue? That you scarce pretend;
Or can it be a vice, like Virtue's friend,
Which draws us off from and dissolves the force
Of private ties, nay, stops us in our course
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To that grand object of the human soul,
That nobler love which comprehends the whole?
Coop'd in the limits of this petty isle,
This nook, which scarce deserves a frown or smile,
Weigh'd with Creation, you, by whim undone,
Give all your thoughts to what is scarce worth one.
The generous soul, by Nature taught to soar,
Her strength confirm'd in philosophic lore,
At one grand view takes in a world with ease,
And, seeing all mankind, loves all she sees.
_P_. Was it most sure, which yet a doubt endures,
Not found in Reason's creed, though found in yours,
That these two services, like what we're told,
And know, of God's and Mammon's, cannot hold
And draw together; that, however both,
We neither serve, attempting to serve both,
I could not doubt a moment which to choose,
And which in common reason to refuse.
Invented oft for purposes of art,
Born of the head, though father'd on the heart,
This grand love of the world must be confess'd
A barren speculation at the best.
Not one man in a thousand, should he live
Beyond the usual term of life, could give,
So rare occasion comes, and to so few,
Proof whether his regards are feign'd, or true.
The love we bear our country is a root
Which never fails to bring forth golden fruit;
'Tis in the mind an everlasting spring
Of glorious actions, which become a king,
Nor less become a subject; 'tis a debt
Which bad men, though they pay not, can't forget;
A duty, which the good delight to pay,
And every man can practise every day.
Nor, for my life (so very dim my eye,
Or dull your argument) can I descry
What you with faith assert, how that dear love,
Which binds me to my country, can remove,
And make me of necessity forego,
That general love which to the world I owe.
Those ties of private nature, small extent,
In which the mind of narrow cast is pent,
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Are only steps on which the generous soul
Mounts by degrees till she includes the whole.
That spring of love, which, in the human mind,
Founded on self, flows narrow and confined,
Enlarges as it rolls, and comprehends
The social charities of blood and friends,
Till, smaller streams included, not o'erpast,
It rises to our country's love at last;
And he, with liberal and enlarged mind,
Who loves his country, cannot hate mankind.
_F_. Friend, as you would appear, to Common Sense,
Tell me, or think no more of a defence,
Is it a proof of love by choice to run
A vagrant from your country?
_P_. Can the son
(Shame, shame on all such sons!) with ruthless eye,
And heart more patient than the flint, stand by,
And by some ruffian, from all shame divorced,
All virtue, see his honour'd mother forced?
Then--no, by Him that made me! not e'en then,
Could I with patience, by the worst of men,
Behold my country plunder'd, beggar'd, lost
Beyond redemption, all her glories cross'd,
E'en when occasion made them ripe, her fame
Fled like a dream, while she awakes to shame.
_F_. Is it not more the office of a friend,
The office of a patron, to defend
Her sinking state, than basely to decline
So great a cause, and in despair resign?
_P_. Beyond my reach, alas! the grievance lies,
And, whilst more able patriots doubt, she dies.
From a foul source, more deep than we suppose,
Fatally deep and dark, this grievance flows.
'Tis not that peace our glorious hopes defeats:
'Tis not the voice of Faction in the streets;
'Tis not a gross attack on Freedom made;
Tis not the arm of Privilege display'd,
Against the subject, whilst she wears no sting
To disappoint the purpose of a king;
These are no ills, or trifles, if compared
With those which are contrived, though not declared.
Tell me, Philosopher, is it a crime
172
To pry into the secret womb of Time;
Or, born in ignorance, must we despair
To reach events, and read the future there?
Why, be it so--still 'tis the right of man,
Imparted by his Maker, where he can,
To former times and men his eye to cast,
And judge of what's to come, by what is past.
Should there be found, in some not distant year,
(Oh, how I wish to be no prophet here!)
Amongst our British Lords should there be found
Some great in power, in principles unsound,
Who look on Freedom with an evil eye,
In whom the springs of Loyalty are dry;
Who wish to soar on wild Ambition's wings,
Who hate the Commons, and who love not Kings;
Who would divide the people and the throne,
To set up separate interests of their own;
Who hate whatever aids their wholesome growth,
And only join with, to destroy them both;
Should there be found such men in after-times,
May Heaven, in mercy to our grievous crimes,
Allot some milder vengeance, nor to them,
And to their rage, this wretched land condemn,
Thou God above, on whom all states depend,
Who knowest from the first their rise, and end,
If there's a day mark'd in the book of Fate,
When ruin must involve our equal state;
When law, alas! must be no more, and we,
To freedom born, must be no longer free;
Let not a mob of tyrants seize the helm,
Nor titled upstarts league to rob the realm;
Let not, whatever other ills assail,
A damned aristocracy prevail.
If, all too short, our course of freedom run,
'Tis thy good pleasure we should be undone,
Let us, some comfort in our griefs to bring,
Be slaves to one, and be that one a king.
_F_. Poets, accustom'd by their trade to feign,
Oft substitute creations of the brain
For real substance, and, themselves deceived,
Would have the fiction by mankind believed.
Such is your case--but grant, to soothe your pride,
173
That you know more than all the world beside,
Why deal in hints, why make a moment's doubt?
Resolved, and like a man, at once speak out;
Show us our danger, tell us where it lies,
And, to ensure our safety, make us wise.
_P_. Rather than bear the pain of thought, fools stray;
The proud will rather lose than ask their way:
To men of sense what needs it to unfold,
And tell a tale which they must know untold?
In the bad, interest warps the canker'd heart,
The good are hoodwink'd by the tricks of art;
And, whilst arch, subtle hypocrites contrive
To keep the flames of discontent alive;
Whilst they, with arts to honest men unknown,
Breed doubts between the people and the throne,
Making us fear, where Reason never yet
Allow'd one fear, or could one doubt admit,
Themselves pass unsuspected in disguise,
And 'gainst our real danger seal our eyes.
_F_. Mark them, and let their names recorded stand
On Shame's black roll, and stink through all the land.
_P_. That might some courage, but no prudence be;
No hurt to them, and jeopardy to me.
_F_. Leave out their names.
_P_. For that kind caution, thanks;
But may not judges sometimes fill up blanks?
_F_. Your country's laws in doubt then you reject?
_P_. The laws I love, the lawyers I suspect.
Amongst twelve judges may not one be found
(On bare, bare possibility I ground
This wholesome doubt) who may enlarge, retrench,
Create, and uncreate, and from the bench,
With winks, smiles, nods, and such like paltry arts,
May work and worm into a jury's hearts?
Or, baffled there, may, turbulent of soul,
Cramp their high office, and their rights control;
Who may, though judge, turn advocate at large,
And deal replies out by the way of charge,
Making Interpretation all the way,
In spite of facts, his wicked will obey,
And, leaving Law without the least defence,
May damn his conscience to approve his sense?
174
_F_. Whilst, the true guardians of this charter'd land,
In full and perfect vigour, juries stand,
A judge in vain shall awe, cajole, perplex.
_P_. Suppose I should be tried in Middlesex?
_F_. To pack a jury they will never dare.
_P_. There's no occasion to pack juries there.
_F_. 'Gainst prejudice all arguments are weak;
Reason herself without effect must speak.
Fly then thy country, like a coward fly,
Renounce her interest, and her laws defy.
But why, bewitch'd, to India turn thine eyes?
Cannot our Europe thy vast wrath suffice?
Cannot thy misbegotten Muse lay bare
Her brawny arm, and play the butcher there?
_P_. Thy counsel taken, what should Satire do?
Where could she find an object that is new?
Those travell'd youths, whom tender mothers wean,
And send abroad to see, and to be seen;
With whom, lest they should fornicate, or worse,
A tutor's sent by way of a dry nurse;
Each of whom just enough of spirit bears
To show our follies, and to bring home theirs,
Have made all Europe's vices so well known,
They seem almost as natural as our own.
_F_. Will India for thy purpose better do?
_P_. In one respect, at least--there's something new.
_F_. A harmless people, in whom Nature speaks
Free and untainted,'mongst whom Satire seeks,
But vainly seeks, so simply plain their hearts,
One bosom where to lodge her poison'd darts.
_P_. From knowledge speak you this? or, doubt on doubt
Weigh'd and resolved, hath Reason found it out?
Neither from knowledge, nor by Reason taught,
You have faith every where, but where you ought.
India or Europe--what's there in a name?
Propensity to vice in both the same,
Nature alike in both works for man's good,
Alike in both by man himself withstood.
Nabobs, as well as those who hunt them down,
Deserve a cord much better than a crown,
And a Mogul can thrones as much debase
As any polish'd prince of Christian race.
175
_F_. Could you,--a task more hard than you suppose,-Could you, in ridicule whilst Satire glows,
Make all their follies to the life appear,
'Tis ten to one you gain no credit here;
Howe'er well drawn, the picture, after all,
Because we know not the original,
Would not find favour in the public eye.
_P_. That, having your good leave, I mean to try:
And if your observations sterling hold,
If the piece should be heavy, tame, and cold,
To make it to the side of Nature lean,
And meaning nothing, something seem to mean:
To make the whole in lively colours glow,
To bring before us something that we know,
And from all honest men applause to win,
I'll group the Company, and put them in.
_F_. Be that ungenerous thought by shame suppress'd,
Add not distress to those too much distress'd;
Have they not, by blind zeal misled, laid bare
Those sores which never might endure the air?
Have they not brought their mysteries so low,
That what the wise suspected not, fools know?
From their first rise e'en to the present hour,
Have they not proved their own abuse of power,
Made it impossible, if fairly view'd,
Ever to have that dangerous power renew'd,
Whilst, unseduced by ministers, the throne
Regards our interests, and knows its own?
_P_. Should every other subject chance to fail,
Those who have sail'd, and those who wish'd to sail
In the last fleet, afford an ample field,
Which must beyond my hopes a harvest yield.
_F_. On such vile food Satire can never thrive.
_P_. She cannot starve, if there was only Clive.
~ Charles Churchill,#NFDB |
1406:Sir Orfeo
We often read and written find,
as learned men do us remind,
that lays that now the harpers sing
are wrought of many a marvellous thing.
Some are of weal, and some of woe,
and some do joy and gladness know;
in some are guile and treachery told,
in some the deeds that chanced of old;
some are of jests and ribaldry,
and some are tales of Faërie.
Of all the things that men may heed
'tis most of love they sing indeed.
In Britain all these lays are writ,
there issued first in rhyming fit,
concerning adventures in those days
whereof the Britons made their lays;
for when they heard men anywhere
tell of adventures that there were,
they took their harps in their delight
and made a lay and named it right.
Of adventures that did once befall
some can I tell you, but not all.
Listen now, lordings good and true,
and 'Orfeo' I will sing to you.
Sir Orfeo was a king of old,
in England lordship high did hold;
valour he had and hardihood,
a courteous king whose gifts were good.
His father from King Pluto came,
his mother from Juno, king of fame,
who once of old as gods were named
for mighty deeds they did and claimed.
Sir Orfeo, too, all things beyond
of harping's sweet delight was fond,
and sure were all good harpers there
of him to earn them honour fair;
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himself he loved to touch the harp
and pluck the strings with fingers sharp.
He played so well, beneath the sun
a better harper was there none;
no man hath in this world been born
who would not, hearing him, have sworn
that as before him Orfeo played
to joy of Paradise he had strayed
and sound of harpers heavenly,
such joy was there and melody.
This king abode in Tracience,
a city proud of stout defence;
for Winchester, 'tis certain, then
as Tracience was known to men.
There dwelt his queen in fairest bliss,
whom men called Lady Heurodis,
of ladies then the one most fair
who ever flesh and blood did wear;
in her did grace and goodness dwell,
but none her loveliness can tell.
It so did chance in early May,
when glad and warm doth shine the day,
and gone are bitter winter showers,
and every field is filled with flowers,
on every branch the blossom blows,
in glory and in gladness grows,
the lady Heurodis, the queen,
two maidens fair to garden green
with her she took at drowsy tide
of noon to stroll by orchard-side,
to see the flowers there spread and spring
and hear the birds on branches sing.
There down in shade they sat all three
beneath a fair young grafted tree;
and soon it chanced the gentle queen
fell there asleep upon the green.
Her maidens durst her not awake,
but let her lie, her rest to take;
and so she slept, till midday soon
was passed, and come was afternoon.
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Then suddenly they heard her wake,
and cry, and grievous clamour make;
she writhed with limb, her hands she wrung,
she tore her face till blood there sprung,
her raiment rich in pieces rent;
thus sudden out of mind she went.
Her maidens two then by her side
no longer durst with her abide,
but to the palace swiftly ran
and told there knight and squire and man
their green, it seemed, was sudden mad;
'Go and restrain her,' they them bade.
Both knights and ladies thither sped,
and more than sixty damsels fled;
to the orchard to the queen they went,
with arms to lift her down they bent,
and brought her to her bed at last,
and raving there they held her fast;
but ceaselessly she still would cry,
and ever strove to rise and fly.
When Orfeo heard these tidings sad,
more grief than ever in life he had;
and swiftly with ten knights he sped
to bower, and stood before her bed,
and looking on her ruefully,
'Dear life,' he said, 'what troubles thee,
who ever quiet hast been and sweet,
why dost thou now so shrilly greet?
Thy body that peerless white was born
is now by cruel nails all torn.
Alas! thy cheeks that were so red
are now as wan as thou wert dead;
thy fingers too, so small and slim,
are stained with blood, their hue is dim.
Alas! thy lovely eyes in woe
now stare on me as on a foe.
A! lady, mercy I implore.
These piteous cries, come, cry no more,
but tell me what thee grieves, and how,
and say what may thee comfort now.'
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Then, lo! at last she lay there still,
and many bitter tears did spill,
and thus unto the king she spake:
'Alas! my lord, my heart will break.
Since first together came our life,
between us ne'er was wrath nor strife,
but I have ever so loved thee
as very life, and so thou me.
Yet now we must be torn in twain,
and go I must, for all thy pain.'
'Alas!' said he, 'then dark my doom.
Where wilt thou go, and go to whom?
But where thou goest, I come with thee,
and where I go, thou shalt with me.'
'Nay, nay, sir, words avail thee naught.
I will tell thee how this woe was wrought:
as I lay in the quiet noontide
and slept beneath our orchard-side,
there came two noble knights to me
arrayed in armour gallantly.
'We come,' they said, 'thee swift to bring
to meeting with our lord and king.'
Then answered I both bold and true
that dared I not, and would not do.
They spurred then back on swiftest steed;
then came their king himself with speed;
a hundred knights with him and more,
and damsels, too, were many a score,
all riding there on snow-white steeds,
and white as milk were all their weeds;
I saw not ever anywhere
a folk so peerless and so fair.
The king was crowned with crown of light,
not of red gold nor silver white,
but of one single gem 'twas hewn
that shone as bright as sun at noon.
And coming, straightway he me sought,
and would I or no, he up me caught,
and made me by him swiftly ride
627
upon a palfrey at his side;
and to his palace thus me brought,
a dwelling fair and wondrous wrought.
He castles showed me there and towers,
Water and wild, and woods, and flowers,
and pastures rich upon the plain;
and then he brought me home again,
and to our orchard he me led,
and then at parting this he said:
'See, lady, tomorrow thou must be
right here beneath this grafted tree,
and then beside us thou shalt ride,
and with us evermore abide.
If let or hindrance thou dost make,
where'er thou be, we shall thee take,
and all thy limbs shall rend and tear -no aid of man shall help thee there;
and even so, all rent and torn,
thou shalt away with us be borne.''
When all those tidings Orfeo heard,
then spake he many a bitter word:
'Alas! I had liever lose my life
than those thee thus, my queen and wife!'
He counsel find him help or plan.
On the morrow, when the noon drew near,
in arms did Orfeo appear,
and full ten hundred knights with him,
all stoutly armed, all stern and grim;
and with their queen now went that band
beneath the grafted tree to stand.
A serried rank on every side
they made, and vowed there to abide,
and die there sooner for her sake
than let men thence their lady take.
And yet from midst of that array
the queen was sudden snatched away;
by magic was she from them caught,
and none knew whither she was brought.
Then was there wailing, tears, and woe;
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the king did to his chamber go,
and oft he swooned on floor of stone,
and such lament he made and moan
that nigh his life then came to end;
and nothing could his grief amend.
His barons he summoned to his board,
each mighty earl and famous lord,
and when they all together came,
'My lords,' he said, 'I here do name
my steward high before you all
to keep my realm, whate'er befall,
to hold my place instead of me
and keep my lands where'er they be.
For now that I have lost my queen,
the fairest lady men have seen,
I wish not woman more to see.
Into the wilderness I will flee,
and there will live for evermore
with the wild beasts in forests hoar.
But when ye learn my days are spent,
then summon ye a parliament,
and choose ye there a king anew.
With all I have now deal ye true.'
Then weeping was there in the hall,
and great lament there made they all,
and hardly there might old or young
for weeping utter word with tongue.
They knelt them down in company,
and prayed, if so his will might be,
that never should he from them go.
'Have done!' said he. 'It must be so.'
Now all his kingdom he forsook.
Only a beggar's cloak he took;
he had no kirtle and no hood,
no shirt, nor other raiment good.
His harp yet bore he even so,
and barefoot from the gate did go;
no man might keep him on the way.
A me! the weeping woe that day,
629
when he that had been king with crown
went thus beggarly out of town!
Through wood and over moorland bleak
he now the wilderness doth seek,
and nothing finds to make him glad,
but ever liveth lone and sad.
He once had ermine worn and vair,
on bed had purple linen fair,
now on the heather hard doth lie,
in leaves is wrapped and grasses dry.
He once had castles owned and towers,
water and wild, and woods, and flowers,
now though it turn to frost or snow,
this king with moss his bed must strow.
He once had many a noble knight
before him kneeling, ladies bright,
now nought to please him doth he keep;
only wild serpents by him creep.
He that once had in plenty sweet
all dainties for his drink and meat,
now he must grub and dig all day,
with roots his hunger to allay.
In summer on wildwood fruit he feeds,
or berries poor to serve his needs;
in winter nothing can he find
save roots and herbs and bitter rind.
All his body was wasted thin
by hardship, and all cracked his skin.
A Lord! who can recount the woe
for ten long years that king did know?
His hair and beard all black and rank
down to his waist hung long and lank.
His harp wherein was his delight
in hollow tree he hid from sight;
when weather clear was in the land
his harp he took then in his hand
and harped thereon at his sweet will.
Through all the wood the sound did thrill,
and all the wild beasts that there are
in joy approached him from afar;
and all the birds that might be found
there perched on bough and bramble round
630
to hear his harping to the end,
such melodies he there did blend;
and when he laid his harp aside,
no bird or beast would near him bide.
There often by him would he see,
when noon was hot on leaf and tree,
the king of Faërie with his rout
came hunting in the woods about
with blowing far and crying dim,
and barking hounds that were with him;
yet never a beast they took nor slew,
and where they went he never knew.
At other times he would descry
a mighty host, it seemed, go by,
ten hundred knights all fair arrayed
with many a banner proud displayed.
Each face and mien was fierce and bold,
each knight a drawn sword there did hold,
and all were armed in harness fair
and marching on he knew not where.
Or a sight more strange would meet his eye:
knights and ladies came dancing by
in rich array and raiment meet,
softly stepping with skilful feet;
tabour and trumpet went along,
and marvellous minstrelsy and song.
And one fair day he at his side
saw sixty ladies on horses ride,
each fair and free as bird on spray,
and nnever a man with them that day.
There each on hand a falcon bore,
riding a-hawking by river-shore.
Those haunts with game in plenty teem,
cormorant, heron, and duck in stream;
there off the water fowl arise,
and every falcon them descries;
each falcon stooping slew his prey,
and Orfeo laughing loud did say:
'Behold, in faith, this sport is fair!
Fore Heaven, I will betake me there!
631
I once was wont to see such play.'
He rose and thither made his way,
and to a lady came with speed,
and looked at her, and took good heed,
and saw as sure as once in life
'twas Heurodis, his queen and wife.
Intent he gazed, and so did she,
but no word spake; no word said he.
For hardship that she saw him bear,
who had been royal, and high, and fair,
then from her eyes the tears there fell.
The other ladies marked it well,
and away they made her swiftly ride;
no longer might she near him bide.
'Alas!' said he, 'unhappy day!
Why will not now my death me slay?
Alas! unhappy man, ah why
may I not, seeing her, now die?
Alas! too long hath lasted life,
when I dare not with mine own wife
to speak a word, nor she with me.
Alas! my heart should break,' said he.
'And yet, fore Heaven, tide what betide,
and whithersoever these ladies ride,
that road I will follow they now fare;
for life or death no more I care.'
His beggar's cloak he on him flung,
his harp upon his back he hung;
with right good will his feet he sped,
for stock nor stone he stayed his tread.
Right into a rock the ladies rode,
and in behind he fearless strode.
He went into that rocky hill
a good three miles or more, until
he came into a country fair
as bright as sun in summer air.
Level and smooth it was and green,
and hill nor valley there was seen.
A castle he saw amid the land
princely and proud and lofty stand;
632
the outer wall around it laid
of shining crystal clear was made.
A hundred towers were raised about
with cunning wrought, embattled stout;
and from the moat each buttress bold
in arches sprang of rich red gold.
The vault was carven and adorned
with beasts and birds and figures horned;
within were halls and chambers wide
all made of jewels and gems of pride;
the poorest pillar to behold
was builded all of burnished gold.
And all that land was ever light,
for when it came to dusk of night
from precious stones there issued soon
a light as bright as sun at noon.
No man may tell nor think in thought
how rich the works that there were wrought;
indeed it seemed he gazed with eyes
on the proud court of Paradise.
The ladies to that castle passed.
Behind them Orfeo followed fast.
There knocked he loud upon the gate;
the porter came, and did not wait,
but asked him what might be his will.
'In faith, I have a minstrel's skill
with mirth and music, if he please,
thy lord to cheer, and him to ease.'
The porter swift did then unpin
the castle gates, and let him in.
Then he began to gaze about,
and saw within the walls a rout
of folk that were thither drawn below,
and mourned as dead, but were not so.
For some there stood who had no head,
and some no arms, nor feet; some bled
and through their bodies wounds were set,
and some were strangled as they ate,
and some lay raving, chained and bound,
and some in water had been drowned;
633
and some were withered in the fire,
and some on horse, in war's attire,
and wives there lay in their childbed,
and mad were some, and some were dead;
and passing many there lay beside
as though they slept at quiet noon-tide.
Thus in the world was each one caught
and thither by fairy magic brought.
There too he saw his own sweet wife,
Queen Heurodis, his joy and life,
asleep beneath a grafted tree:
by her attire he knew 'twas she.
When he had marked these marvels all,
he went before the king in hall,
and there a joyous sight did see,
a shining throne and canopy.
Their king and lord there held his seat
beside their lady fair and sweet.
Their crowns and clothes so brightly shone
that scarce his eyes might look thereon.
When he had marked this wondrous thing,
he knelt him down before the king:
'O lord,' said he, 'if it be thy will,
now shalt thou hear my minstrel's skill.'
The king replied: 'What man art thou
that hither darest venture now?
Not I nor any here with me
have ever sent to summon thee,
and since here first my reign began
I have never found so rash a man
that he to us would dare to wend,
unless I first for him should send.'
'My lord,' said he, 'I thee assure,
I am but a wandering minstrel poor;
and, sir, this custom use we all
at the house of many a lord to call,
and little though our welcome be,
to offer there our minstrelsy.'
Before the king upon the ground
634
he sat, and touched his harp to sound;
his harp he tuned as well he could,
glad notes began and music good,
and all who were in palace found
came unto him to hear the sound,
and lay before his very feet,
they thought his melody so sweet.
He played, and silent sat the king
for great delight in listening;
great joy this minstrelsy he deemed,
and joy to his noble queen it seemed.
At last when he his harping stayed,
this speech the king to him then made:
'Minstrel, thy music pleaseth me.
Come, ask of me whate'er it be,
and rich reward I will thee pay.
Come, speak, and prove now what I say!'
'Good sir,' he said, 'I beg of thee
that this thing thou wouldst give to me,
that very lady fair to see
who sleeps beneath the grafted tree.'
'Nay,' said the king, 'that would not do!
for thou art black, and rough, and lean,
and she is faultless, fair and clean.
A monstrous thing then would it be
to see her in thy company.'
'O sir,' he said, 'O gracious king,
but it would be a fouler thing
from mouth of thine to hear a lie.
Thy vow, sir, thou canst not deny,
Whate'er I asked, that should I gain,
and thou must needs thy word maintain.'
The king then said: 'Since that is so,
now take her hand in thine, and go;
I wish thee joy of her, my friend!'
He thanked him well, on knees did bend;
his wife he took then by the hand,
and departed swiftly from that land,
and from that country went in haste;
635
the way he came he now retraced.
Long was the road. The journey passed;
to Winchester he came at last,
his own beloved city free;
but no man knew that it was he.
Beyond the town's end yet to fare,
lest men them knew, he did not dare;
but in a beggar's narrow cot
a lowly lodging there he got
both for himself and for his wife,
as a minstrel poor of wandering life.
He asked for tidings in the land,
and who that kingdom held in hand;
the beggar poor him answered well
and told all things that there befell:
how fairies stole their queen away
ten years before, in time of May;
and how in exile went their king
in unknown countries wandering,
while still the steward rule did hold;
and many things beside he told.
Next day, when hour of noon was near,
he bade his wife await him here;
the beggar's rags he on him flung,
his harp upon his back he hung,
and went into the city's ways
for men to look and on him gaze.
Him earl and lord and baron bold,
lady and burgess, did behold.
'O look! O what a man!' they said,
'How long the hair hands from his head!
His beard is dangling to his knee!
He is gnarled and knotted like a tree!'
Then as he walked along the street
He chanced his steward there to meet,
and after him aloud cried he:
'Mercy, sir steward, have on me!
A harper I am from Heathenesse;
to thee I turn in my distress.'
636
The steward said: 'Come with me, come!
Of what I have thou shalt have some.
All harpers good I welcome make
For my dear lord Sir Orfeo's sake.'
The steward in castle sat at meat,
and many a lord there had his seat;
trumpeters, tabourers there played
harpers and fiddlers music made.
Many a melody made they all,
but Orfeo silent sat in hall
and listened. And when they all were still
he took his harp and tuned it shrill.
Then notes he harped more glad and clear
than ever a man hath heard with ear;
his music delighted all those men.
The steward looked and looked again;
the harp in hand at once he knew,
'Minstrel,' he said, 'come, tell me true,
whence came this harp to thee, and how?
I pray thee, tell me plainly now.'
'My lord,' said he, 'in lands unknown
I walked a wilderness alone,
and there I found in dale forlorn
a man by lions to pieces torn,
by wolves devoured with teeth so sharp;
by him I found this very harp,
and that is full ten years ago.'
'Ah!' said the steward, 'news of woe!
'Twas Orfeo, my master true.
Alas! poor wretch, what shall I do,
who must so dear a master mourn?
A! woe is me that I was born,
for him so hard a fate designed,
a death so vile that he should find!'
Then on the ground he fell in swoon;
his barons stooping raised him soon
and bade him think how all must end for death of man no man can mend.
King Orfeo now had proved and knew
637
his steward was both loyal and true,
and loved him as he duly should.
'Lo!' then he cried, and up he stood,
'Steward, now to my words give ear!
If thy king, Orfeo, were here,
and had in wilderness full long
suffered great hardship sore and strong,
had won his queen by his own hand
out of the deeps of fairy land,
and led at last his lady dear
right hither to the town's end near,
and lodged her in a beggar's cot;
if I were he, whom ye knew not,
thus come among you, poor and ill,
in secret to prove thy faith and will,
if then I thee had found so true,
thy loyalty never shouldst thou rue:
nay, certainly, tide what betide,
thou shouldst be king when Orfeo died.
Hadst thou rejoiced to hear my fate,
I would have thrust thee from the gate.'
Then clearly knew they in the hall
that Orfeo stood before them all.
The steward understood at last;
in his haste the table down he cast
and flung himself before his feet,
and each lord likewise left his seat,
and this one cry they all let ring:
'Ye are our lord, sir, and our king!'
To know he lived so glad they were.
To his chamber soon they brought him there;
they bathed him and they shaved his beard,
and robed him, till royal he appeared;
and brought them in procession long
the queen to town with merry song,
with many a sound of minstrelsy.
A Lord! how great the melody!
For joy the tears were falling fast
of those who saw them safe at last.
Now was King Orfeo crowned anew,
638
and Heurodis his lady too;
and long they lived, till they were dead,
and king was the steward in their stead.
Harpers in Britain in aftertime
these marvels heard, and in their rhyme
a lay they made of fair delight,
and after the king it named aright,
'Orfeo' called it, as was meet:
good is the lay, the music sweet.
Thus came Sir Orfeo out of care.
God grant that well we all may fare!
~ Anonymous Olde English,#NFDB |
1407:He gazed and gazed and gazed and gazed,
Amazed, amazed, amazed, amazed.
Like (7) 2
Saul
I.
Said Abner, ``At last thou art come! Ere I tell, ere thou speak,
``Kiss my cheek, wish me well!'' Then I wished it, and did kiss his cheek.
And he, ``Since the King, O my friend, for thy countenance sent,
``Neither drunken nor eaten have we; nor until from his tent
``Thou return with the joyful assurance the King liveth yet,
``Shall our lip with the honey be bright, with the water be wet.
``For out of the black mid-tent's silence, a space of three days,
``Not a sound hath escaped to thy servants, of prayer nor of praise,
``To betoken that Saul and the Spirit have ended their strife,
``And that, faint in his triumph, the monarch sinks back upon life.
II.
``Yet now my heart leaps, O beloved! God's child with his dew
``On thy gracious gold hair, and those lilies still living and blue
``Just broken to twine round thy harp-strings, as if no wild beat
``Were now raging to torture the desert!''
III.
Then I, as was meet,
Knelt down to the God of my fathers, and rose on my feet,
And ran o'er the sand burnt to powder. The tent was unlooped;
I pulled up the spear that obstructed, and under I stooped
Hands and knees on the slippery grass-patch, all withered and gone,
That extends to the second enclosure, I groped my way on
Till I felt where the foldskirts fly open. Then once more I prayed,
And opened the foldskirts and entered, and was not afraid
But spoke, ``Here is David, thy servant!'' And no voice replied.
At the first I saw nought but the blackness but soon I descried
A something more black than the blackness-the vast, the upright
Main prop which sustains the pavilion: and slow into sight
Grew a figure against it, gigantic and blackest of all.
Then a sunbeam, that burst thro' the tent-roof, showed Saul.
IV.
He stood as erect as that tent-prop, both arms stretched out wide
On the great cross-support in the centre, that goes to each side;
He relaxed not a muscle, but hung there as, caught in his pangs
And waiting his change, the king-serpent all heavily hangs,
Far away from his kind, in the pine, till deliverance come
With the spring-time,-so agonized Saul, drear and stark, blind and dumb.
V.
Then I tuned my harp,-took off the lilies we twine round its chords
Lest they snap 'neath the stress of the noon-tide-those sunbeams like swords!
And I first played the tune all our sheep know, as, one after one,
So docile they come to the pen-door till folding be done.
They are white and untorn by the bushes, for lo, they have fed
Where the long grasses stifle the water within the stream's bed;
And now one after one seeks its lodging, as star follows star
Into eve and the blue far above us,-so blue and so far!
VI.
-Then the tune, for which quails on the cornland will each leave his mate
To fly after the player; then, what makes the crickets elate
Till for boldness they fight one another: and then, what has weight
To set the quick jerboa amusing outside his sand house-
There are none such as he for a wonder, half bird and half mouse!
God made all the creatures and gave them our love and our fear,
To give sign, we and they are his children, one family here.
VII.
Then I played the help-tune of our reapers, their wine-song, when hand
Grasps at hand, eye lights eye in good friendship, and great hearts expand
And grow one in the sense of this world's life.-And then, the last song
When the dead man is praised on his journey-``Bear, bear him along
``With his few faults shut up like dead flowerets! Are balm-seeds not here
``To console us? The land has none left such as he on the bier.
``Oh, would we might keep thee, my brother!''-And then, the glad chaunt
Of the marriage,-first go the young maidens, next, she whom we vaunt
As the beauty, the pride of our dwelling.-And then, the great march
Wherein man runs to man to assist him and buttress an arch
Nought can break; who shall harm them, our friends?-Then, the chorus intoned
As the Levites go up to the altar in glory enthroned.
But I stopped here: for here in the darkness Saul groaned.
VIII.
And I paused, held my breath in such silence, and listened apart;
And the tent shook, for mighty Saul shuddered: and sparkles 'gan dart
From the jewels that woke in his turban, at once with a start,
All its lordly male-sapphires, and rubies courageous at heart.
So the head: but the body still moved not, still hung there erect.
And I bent once again to my playing, pursued it unchecked,
As I sang,-
IX.
``Oh, our manhood's prime vigour! No spirit feels waste,
``Not a muscle is stopped in its playing nor sinew unbraced.
``Oh, the wild joys of living! the leaping from rock up to rock,
``The strong rending of boughs from the fir-tree, the cool silver shock
``Of the plunge in a pool's living water, the hunt of the bear,
``And the sultriness showing the lion is couched in his lair.
``And the meal, the rich dates yellowed over with gold dust divine,
``And the locust-flesh steeped in the pitcher, the full draught of wine,
``And the sleep in the dried river-channel where bulrushes tell
``That the water was wont to go warbling so softly and well.
``How good is man's life, the mere living! how fit to employ
``All the heart and the soul and the senses for ever in joy!
``Hast thou loved the white locks of thy father, whose sword thou didst guard
``When he trusted thee forth with the armies, for glorious reward?
``Didst thou see the thin hands of thy mother, held up as men sung
``The low song of the nearly-departed, and bear her faint tongue
``Joining in while it could to the witness, `Let one more attest,
`` `I have lived, seen God's hand thro'a lifetime, and all was for best'?
``Then they sung thro' their tears in strong triumph, not much, but the rest.
``And thy brothers, the help and the contest, the working whence grew
``Such result as, from seething grape-bundles, the spirit strained true:
``And the friends of thy boyhood-that boyhood of wonder and hope,
``Present promise and wealth of the future beyond the eye's scope,-
``Till lo, thou art grown to a monarch; a people is thine;
``And all gifts, which the world offers singly, on one head combine!
``On one head, all the beauty and strength, love and rage (like the throe
``That, a-work in the rock, helps its labour and lets the gold go)
``High ambition and deeds which surpass it, fame crowning them,-all
``Brought to blaze on the head of one creature-King Saul!''
X.
And lo, with that leap of my spirit,-heart, hand, harp and voice,
Each lifting Saul's name out of sorrow, each bidding rejoice
Saul's fame in the light it was made for-as when, dare I say,
The Lord's army, in rapture of service, strains through its array,
And up soareth the cherubim-chariot-``Saul!'' cried I, and stopped,
And waited the thing that should follow. Then Saul, who hung propped
By the tent's cross-support in the centre, was struck by his name.
Have ye seen when Spring's arrowy summons goes right to the aim,
And some mountain, the last to withstand her, that held (he alone,
While the vale laughed in freedom and flowers) on a broad bust of stone
A year's snow bound about for a breastplate,-leaves grasp of the sheet?
Fold on fold all at once it crowds thunderously down to his feet,
And there fronts you, stark, black, but alive yet, your mountain of old,
With his rents, the successive bequeathings of ages untold-
Yea, each harm got in fighting your battles, each furrow and scar
Of his head thrust 'twixt you and the tempest-all hail, there they are!
-Now again to be softened with verdure, again hold the nest
Of the dove, tempt the goat and its young to the green on his crest
For their food in the ardours of summer. One long shudder thrilled
All the tent till the very air tingled, then sank and was stilled
At the King's self left standing before me, released and aware.
What was gone, what remained? All to traverse, 'twixt hope and despair;
Death was past, life not come: so he waited. Awhile his right hand
Held the brow, helped the eyes left too vacant forthwith to remand
To their place what new objects should enter: 'twas Saul as before.
I looked up and dared gaze at those eyes, nor was hurt any more
Than by slow pallid sunsets in autumn, ye watch from the shore,
At their sad level gaze o'er the ocean-a sun's slow decline
Over hills which, resolved in stern silence, o'erlap and entwine
Base with base to knit strength more intensely: so, arm folded arm
O'er the chest whose slow heavings subsided.
XI.
What spell or what charm,
(For, awhile there was trouble within me) what next should I urge
To sustain him where song had restored him?-Song filled to the verge
His cup with the wine of this life, pressing all that it yields
Of mere fruitage, the strength and the beauty: beyond, on what fields,
Glean a vintage more potent and perfect to brighten the eye
And bring blood to the lip, and commend them the cup they put by?
He saith, ``It is good;'' still he drinks not: he lets me praise life,
Gives assent, yet would die for his own part.
XII.
Then fancies grew rife
Which had come long ago on the pasture, when round me the sheep
Fed in silence-above, the one eagle wheeled slow as in sleep;
And I lay in my hollow and mused on the world that might lie
'Neath his ken, though I saw but the strip 'twixt the hill and the sky:
And I laughed-``Since my days are ordained to be passed with my flocks,
``Let me people at least, with my fancies, the plains and the rocks,
``Dream the life I am never to mix with, and image the show
``Of mankind as they live in those fashions I hardly shall know!
``Schemes of life, its best rules and right uses, the courage that gains,
``And the prudence that keeps what men strive for.'' And now these old trains
Of vague thought came again; I grew surer; so, once more the string
Of my harp made response to my spirit, as thus-
XIII.
``Yea, my King,''
I began-``thou dost well in rejecting mere comforts that spring
``From the mere mortal life held in common by man and by brute:
``In our flesh grows the branch of this life, in our soul it bears fruit.
``Thou hast marked the slow rise of the tree,-how its stem trembled first
``Till it passed the kid's lip, the stag's antler then safely outburst
``The fan-branches all round; and thou mindest when these too, in turn
``Broke a-bloom and the palm-tree seemed perfect: yet more was to learn,
``E'en the good that comes in with the palm-fruit. Our dates shall we slight,
``When their juice brings a cure for all sorrow? or care for the plight
``Of the palm's self whose slow growth produced them? Not so! stem and branch
``Shall decay, nor be known in their place, while the palm-wine shall staunch
``Every wound of man's spirit in winter. I pour thee such wine.
``Leave the flesh to the fate it was fit for! the spirit be thine!
``By the spirit, when age shall o'ercome thee, thou still shalt enjoy
``More indeed, than at first when inconscious, the life of a boy.
``Crush that life, and behold its wine running! Each deed thou hast done
``Dies, revives, goes to work in the world; until e'en as the sun
``Looking down on the earth, though clouds spoil him, though tempests efface,
``Can find nothing his own deed produced not, must everywhere trace
``The results of his past summer-prime'-so, each ray of thy will,
``Every flash of thy passion and prowess, long over, shall thrill
``Thy whole people, the countless, with ardour, till they too give forth
``A like cheer to their sons, who in turn, fill the South and the North
``With the radiance thy deed was the germ of. Carouse in the past!
``But the license of age has its limit; thou diest at last:
``As the lion when age dims his eyeball, the rose at her height
``So with man-so his power and his beauty for ever take flight.
``No! Again a long draught of my soul-wine! Look forth o'er the years!
``Thou hast done now with eyes for the actual; begin with the seer's!
``Is Saul dead? In the depth of the vale make his tomb-bid arise
``A grey mountain of marble heaped four-square, till, built to the skies,
``Let it mark where the great First King slumbers: whose fame would ye know?
``Up above see the rock's naked face, where the record shall go
``In great characters cut by the scribe,-Such was Saul, so he did;
``With the sages directing the work, by the populace chid,-
``For not half, they'll affirm, is comprised there! Which fault to amend,
``In the grove with his kind grows the cedar, whereon they shall spend
``(See, in tablets 'tis level before them) their praise, and record
``With the gold of the graver, Saul's story,-the statesman's great word
``Side by side with the poet's sweet comment. The river's a-wave
``With smooth paper-reeds grazing each other when prophet-winds rave:
``So the pen gives unborn generations their due and their part
``In thy being! Then, first of the mighty, thank God that thou art!''
XIV.
And behold while I sang but O Thou who didst grant me that day,
And before it not seldom hast granted thy help to essay,
Carry on and complete an adventure,-my shield and my sword
In that act where my soul was thy servant, thy word was my word,-
Still be with me, who then at the summit of human endeavour
And scaling the highest, man's thought could, gazed hopeless as ever
On the new stretch of heaven above me-till, mighty to save,
Just one lift of thy hand cleared that distance-God's throne from man's grave!
Let me tell out my tale to its ending-my voice to my heart
Which can scarce dare believe in what marvels last night I took part,
As this morning I gather the fragments, alone with my sheep,
And still fear lest the terrible glory evanish like sleep!
For I wake in the grey dewy covert, while Hebron upheaves
The dawn struggling with night on his shoulder, and Kidron retrieves
Slow the damage of yesterday's sunshine.
XV.
I say then,-my song
While I sang thus, assuring the monarch, and ever more strong
Made a proffer of good to console him-he slowly resumed
His old motions and habitudes kingly. The right-hand replumed
His black locks to their wonted composure, adjusted the swathes
Of his turban, and see-the huge sweat that his countenance bathes,
He wipes off with the robe; and he girds now his loins as of yore,
And feels slow for the armlets of price, with the clasp set before.
He is Saul, ye remember in glory,-ere error had bent
The broad brow from the daily communion; and still, though much spent
Be the life and the bearing that front you, the same, God did choose,
To receive what a man may waste, desecrate, never quite lose.
So sank he along by the tent-prop till, stayed by the pile
Of his armour and war-cloak and garments, he leaned there awhile,
And sat out my singing,-one arm round the tent-prop, to raise
His bent head, and the other hung slack-till I touched on the praise
I foresaw from all men in all time, to the man patient there;
And thus ended, the harp falling forward. Then first I was 'ware
That he sat, as I say, with my head just above his vast knees
Which were thrust out on each side around me, like oak-roots which please
To encircle a lamb when it slumbers. I looked up to know
If the best I could do had brought solace: he spoke not, but slow
Lifted up the hand slack at his side, till he laid it with care
Soft and grave, but in mild settled will, on my brow: thro' my hair
The large fingers were pushed, and he bent back my bead, with kind power-
All my face back, intent to peruse it, as men do a flower.
Thus held he me there with his great eyes that scrutinized mine-
And oh, all my heart how it loved him! but where was the sign?
I yearned-``Could I help thee, my father, inventing a bliss,
``I would add, to that life of the past, both the future and this;
``I would give thee new life altogether, as good, ages hence,
``As this moment,-had love but the warrant, love's heart to dispense!''
XVI.
Then the truth came upon me. No harp more-no song more! outbroke-
XVII.
``I have gone the whole round of creation: I saw and I spoke:
``I, a work of God's hand for that purpose, received in my brain
``And pronounced on the rest of his hand-work-returned him again
``His creation's approval or censure: I spoke as I saw:
``I report, as a man may of God's work-all's love, yet all's law.
``Now I lay down the judgeship he lent me. Each faculty tasked
``To perceive him, has gained an abyss, where a dewdrop was asked.
``Have I knowledge? confounded it shrivels at Wisdom laid bare.
``Have I forethought? how purblind, how blank, to the Infinite Care!
``Do I task any faculty highest, to image success?
``I but open my eyes,-and perfection, no more and no less,
``In the kind I imagined, full-fronts me, and God is seen God
``In the star, in the stone, in the flesh, in the soul and the clod.
``And thus looking within and around me, I ever renew
``(With that stoop of the soul which in bending upraises it too)
``The submission of man's nothing-perfect to God's all-complete,
``As by each new obeisance in spirit, I climb to his feet.
``Yet with all this abounding experience, this deity known,
``I shall dare to discover some province, some gift of my own.
``There's a faculty pleasant to exercise, hard to hoodwink,
``I am fain to keep still in abeyance, (I laugh as I think)
``Lest, insisting to claim and parade in it, wot ye, I worst
``E'en the Giver in one gift.-Behold, I could love if I durst!
``But I sink the pretension as fearing a man may o'ertake
``God's own speed in the one way of love: I abstain for love's sake.
``-What, my soul? see thus far and no farther? when doors great and small,
``Nine-and-ninety flew ope at our touch, should the hundredth appal?
``In the least things have faith, yet distrust in the greatest of all?
``Do I find love so full in my nature, God's ultimate gift,
``That I doubt his own love can compete with it? Here, the parts shift?
``Here, the creature surpass the Creator,-the end, what Began?
``Would I fain in my impotent yearning do all for this man,
``And dare doubt he alone shall not help him, who yet alone can?
``Would it ever have entered my mind, the bare will, much less power,
``To bestow on this Saul what I sang of, the marvellous dower
``Of the life he was gifted and filled with? to make such a soul,
``Such a body, and then such an earth for insphering the whole?
``And doth it not enter my mind (as my warm tears attest)
``These good things being given, to go on, and give one more, the best?
``Ay, to save and redeem and restore him, maintain at the height
``This perfection,-succeed with life's day-spring, death's minute of night?
``Interpose at the difficult minute, snatch Saul the mistake,
``Saul the failure, the ruin he seems now,-and bid him awake
``From the dream, the probation, the prelude, to find himself set
``Clear and safe in new light and new life,-a new harmony yet
``To be run, and continued, and ended-who knows?-or endure!
``The man taught enough, by life's dream, of the rest to make sure;
``By the pain-throb, triumphantly winning intensified bliss,
``And the next world's reward and repose, by the struggles in this.
XVIII.
``I believe it! 'Tis thou, God, that givest, 'tis I who receive:
``In the first is the last, in thy will is my power to believe.
``All's one gift: thou canst grant it moreover, as prompt to my prayer
``As I breathe out this breath, as I open these arms to the air.
``From thy will, stream the worlds, life and nature, thy dread Sabaoth:
``I will?-the mere atoms despise me! Why am I not loth
``To look that, even that in the face too? Why is it I dare
``Think but lightly of such impuissance? What stops my despair?
``This;-'tis not what man Does which exalts him, but what man Would do!
``See the King-I would help him but cannot, the wishes fall through.
``Could I wrestle to raise him from sorrow, grow poor to enrich,
``To fill up his life, starve my own out, I would-knowing which,
``I know that my service is perfect. Oh, speak through me now!
``Would I suffer for him that I love? So wouldst thou-so wilt thou!
``So shall crown thee the topmost, ineffablest, uttermost crown-
``And thy love fill infinitude wholly, nor leave up nor down
``One spot for the creature to stand in! It is by no breath,
``Turn of eye, wave of hand, that salvation joins issue with death!
``As thy Love is discovered almighty, almighty be proved
``Thy power, that exists with and for it, of being Beloved!
``He who did most, shall bear most; the strongest shall stand the most weak.
``'Tis the weakness in strength, that I cry for! my flesh, that I seek
``In the Godhead! I seek and I find it. O Saul, it shall be
``A Face like my face that receives thee; a Man like to me,
``Thou shalt love and be loved by, for ever: a Hand like this hand
``Shall throw open the gates of new life to thee! See the Christ stand!''
XIX.
I know not too well how I found my way home in the night.
There were witnesses, cohorts about me, to left and to right,
Angels, powers, the unuttered, unseen, the alive, the aware:
I repressed, I got through them as hardly, as strugglingly there,
As a runner beset by the populace famished for news-
Life or death. The whole earth was awakened, hell loosed with her crews;
And the stars of night beat with emotion, and tingled and shot
Out in fire the strong pain of pent knowledge: but I fainted not,
For the Hand still impelled me at once and supported, suppressed
All the tumult, and quenched it with quiet, and holy behest,
Till the rapture was shut in itself, and the earth sank to rest.
Anon at the dawn, all that trouble had withered from earth-
Not so much, but I saw it die out in the day's tender birth;
In the gathered intensity brought to the grey of the hills;
In the shuddering forests' held breath; in the sudden wind-thrills;
In the startled wild beasts that bore off, each with eye sidling still
Though averted with wonder and dread; in the birds stiff and chill
That rose heavily, as I approached them, made stupid with awe:
E'en the serpent that slid away silent,-he felt the new law.
The same stared in the white humid faces upturned by the flowers;
The same worked in the heart of the cedar and moved the vine-bowers:
And the little brooks witnessing murmured, persistent and low,
With their obstinate, all but hushed voices-``E'en so, it is so!''
The jumping hare.
One of the three cities of Refuge.
*
A brook in Jerusalem.
~ Robert Browning, Rhyme for a Child Viewing a Naked Venus in a Painting of 'The Judgement of Paris'
,#NFDB |
1408:The Botanic Garden (Part V)
THE LOVES OF THE PLANTS.
CANTO I.
Descend, ye hovering Sylphs! aerial Quires,
And sweep with little hands your silver lyres;
With fairy footsteps print your grassy rings,
Ye Gnomes! accordant to the tinkling strings;
While in soft notes I tune to oaten reed
Gay hopes, and amorous sorrows of the mead.From giant Oaks, that wave their branches dark,
To the dwarf Moss, that clings upon their bark,
What Beaux and Beauties crowd the gaudy groves,
And woo and win their vegetable Loves.
How Snowdrops cold, and blue-eyed Harebels blend
Their tender tears, as o'er the stream they bend;
The lovesick Violet, and the Primrose pale
Bow their sweet heads, and whisper to the gale;
With secret sighs the Virgin Lily droops,
And jealous Cowslips hang their tawny cups.
How the young Rose in beauty's damask pride
Drinks the warm blushes of his bashful bride;
With honey'd lips enamour'd Woodbines meet,
Clasp with fond arms, and mix their kisses sweet.Stay thy soft-murmuring waters, gentle Rill;
Hush, whispering Winds, ye ruflling Leaves, be still;
Rest, silver Butterflies, your quivering wings;
Alight, ye Beetles, from your airy rings;
Ye painted Moths, your gold-eyed plumage furl,
Bow your wide horns, your spiral trunks uncurl;
Glitter, ye Glow-worms, on your mossy beds;
Descend, ye Spiders, on your lengthen'd threads;
Slide here, ye horned Snails, with varnish'd shells;
Ye Bee-nymphs, listen in your waxen cells!BOTANIC MUSE! who in this latter age
Led by your airy hand the Swedish sage,
Bad his keen eye your secret haunts explore
On dewy dell, high wood, and winding shore;
Say on each leaf how tiny Graces dwell;
27
How laugh the Pleasures in a blossom's bell;
How insect Loves arise on cobweb wings,
Aim their light shafts, and point their little stings.
First the tall CANNA lifts his curled brow
Erect to heaven, and plights his nuptial vow;
The virtuous pair, in milder regions born,
Dread the rude blast of Autumn's icy morn;
Round the chill fair he folds his crimson vest,
And clasps the timorous beauty to his breast.
Thy love, CALLITRICHE,
two
Virgins share,
Smit with thy starry eye and radiant hair;On the green margin sits the youth, and laves
His floating train of tresses in the waves;
Sees his fair features paint the streams that pass,
And bends for ever o'er the watery glass.
Two
brother swains, of COLLIN'S gentle name,
The same their features, and their forms the same,
With rival love for fair COLLINIA sigh,
Knit the dark brow, and roll the unsteady eye.
With sweet concern the pitying beauty mourns,
And sooths with smiles the jealous pair by turns.
Sweet blooms GENISTA in the myrtle shade,
And
ten
fond brothers woo the haughty maid.
Two
knights before thy fragrant altar bend,
Adored MELISSA! and
two
squires attend.
MEADIA'S soft chains
five
suppliant beaux confess,
And hand in hand the laughing belle address;
Alike to all, she bows with wanton air,
Rolls her dark eye, and waves her golden hair.
Woo'd with long care, CURCUMA cold and shy
28
Meets her fond husband with averted eye:
Four
beardless youths the obdurate beauty move
With soft attentions of Platonic love.
With vain desires the pensive ALCEA burns,
And, like sad ELOISA, loves and mourns.
The freckled IRIS owns a fiercer flame,
And
three
unjealous husbands wed the dame.
CUPRESSUS dark disdains his dusky bride,
One
dome contains them, but
two
beds divide.
The proud OSYRIS flies his angry fair,
Two
houses hold the fashionable pair.
With strange deformity PLANTAGO treads,
A Monster-birth! and lifts his hundred heads;
Yet with soft love a gentle belle he charms,
And clasps the beauty in his hundred arms.
So hapless DESDEMONA, fair and young,
Won by OTHELLO'S captivating tongue,
Sigh'd o'er each strange and piteous tale, distress'd,
And sunk enamour'd on his sooty breast.
Two
gentle shepherds and their sister-wives
With thee, ANTHOXA! lead ambrosial lives;
Where the wide heath in purple pride extends,
And scatter'd furze its golden lustre blends,
Closed in a green recess, unenvy'd lot!
The blue smoak rises from their turf-built cot;
Bosom'd in fragrance blush their infant train,
Eye the warm sun, or drink the silver rain.
The fair OSMUNDA seeks the silent dell,
The ivy canopy, and dripping cell;
There hid in shades
29
clandestine
rites approves,
Till the green progeny betrays her loves.
With charms despotic fair CHONDRILLA reigns
O'er the soft hearts of
five
fraternal swains;
If sighs the changeful nymph, alike they mourn;
And, if she smiles, with rival raptures burn.
So, tun'd in unison, Eolian Lyre!
Sounds in sweet symphony thy kindred wire;
Now, gently swept by Zephyr's vernal wings,
Sink in soft cadences the love-sick strings;
And now with mingling chords, and voices higher,
Peal the full anthems of the aerial choir.
Five
sister-nymphs to join Diana's train
With thee, fair LYCHNIS! vow,-but vow in vain;
Beneath one roof resides the virgin band,
Flies the fond swain, and scorns his offer'd hand;
But when soft hours on breezy pinions move,
And smiling May attunes her lute to love,
Each wanton beauty, trick'd in all her grace,
Shakes the bright dew-drops from her blushing face;
In gay undress displays her rival charms,
And calls her wondering lovers to her arms.
When the young Hours amid her tangled hair
Wove the fresh rose-bud, and the lily fair,
Proud GLORIOSA led
three
chosen swains,
The blushing captives of her virgin chains.-When Time's rude hand a bark of wrinkles spread
Round her weak limbs, and silver'd o'er her head,
Three
other youths her riper years engage,
The flatter'd victims of her wily age.
So, in her wane of beauty, NINON won
With fatal smiles her gay unconscious son.Clasp'd in his arms she own'd a mother's name,-
30
'Desist, rash youth! restrain your impious flame,
'First on that bed your infant-form was press'd,
'Born by my throes, and nurtured at my breast.'Back as from death he sprung, with wild amaze
Fierce on the fair he fix'd his ardent gaze;
Dropp'd on one knee, his frantic arms outspread,
And stole a guilty glance toward the bed;
Then breath'd from quivering lips a whisper'd vow,
And bent on heaven his pale repentant brow;
'Thus, thus!' he cried, and plung'd the furious dart,
And life and love gush'd mingled from his heart.
The fell SILENE and her sisters fair,
Skill'd in destruction, spread the viscous snare.
The harlot-band
ten
lofty bravoes screen,
And frowning guard the magic nets unseen.Haste, glittering nations, tenants of the air,
Oh, steer from hence your viewless course afar!
If with soft words, sweet blushes, nods, and smiles,
The
three
dread Syrens lure you to their toils,
Limed by their art in vain you point your stings,
In vain the efforts of your whirring wings!Go, seek your gilded mates and infant hives,
Nor taste the honey purchas'd with your lives!
When heaven's high vault condensing clouds deform,
Fair AMARYLLIS flies the incumbent storm,
Seeks with unsteady step the shelter'd vale,
And turns her blushing beauties from the gale.Six
rival youths, with soft concern impress'd,
Calm all her fears, and charm her cares to rest.So shines at eve the sun-illumin'd fane,
Lifts its bright cross, and waves its golden vane;
From every breeze the polish'd axle turns,
And high in air the dancing meteor burns.
Four
of the giant brood with ILEX stand,
31
Each grasps a thousand arrows in his hand;
A thousand steely points on every scale
Form the bright terrors of his bristly male.So arm'd, immortal Moore uncharm'd the spell,
And slew the wily dragon of the well.Sudden with rage their
injur'd
bosoms burn,
Retort the insult, or the wound return;
Unwrong'd
, as gentle as the breeze that sweeps
The unbending harvests or undimpled deeps,
They guard, the Kings of Needwood's wide domains,
Their sister-wives and fair infantine trains;
Lead the lone pilgrim through the trackless glade,
Or guide in leafy wilds the wand'ring maid.
So WRIGHT's bold pencil from Vesuvio's hight
Hurls his red lavas to the troubled night;
From Calpè starts the intolerable flash,
Skies burst in flames, and blazing oceans dash;Or bids in sweet repose his shades recede,
Winds the still vale, and slopes the velvet mead;
On the pale stream expiring Zephyrs sink,
And Moonlight sleeps upon its hoary brink.
Gigantic Nymph! the fair KLEINHOVIA reigns,
The grace and terror of Orixa's plains;
O'er her warm cheek the blush of beauty swims,
And nerves Herculean bend her sinewy limbs;
With frolic eye she views the affrighted throng,
And shakes the meadows, as she towers along,
With playful violence displays her charms,
And bears her trembling lovers in her arms.
So fair THALESTRIS shook her plumy crest,
And bound in rigid mail her jutting breast;
Poised her long lance amid the walks of war,
And Beauty thunder'd from Bellona's car;
Greece arm'd in vain, her captive heroes wove
The chains of conquest with the wreaths of love.
When o'er the cultured lawns and dreary wastes
Retiring Autumn flings her howling blasts,
Bends in tumultuous waves the struggling woods,
32
And showers their leafy honours on the floods,
In withering heaps collects the flowery spoil,
And each chill insect sinks beneath the soil;
Quick flies fair TULIPA the loud alarms,
And folds her infant closer in her arms;
In some lone cave, secure pavilion, lies,
And waits the courtship of serener skies.So, six cold moons, the Dormouse charm'd to rest,
Indulgent Sleep! beneath thy eider breast,
In fields of Fancy climbs the kernel'd groves,
Or shares the golden harvest with his loves.But bright from earth amid the troubled air
Ascends fair COLCHICA with radiant hair,
Warms the cold bosom of the hoary year,
And lights with Beauty's blaze the dusky sphere.
Three
blushing Maids the intrepid Nymph attend,
And
six
gay Youths, enamour'd train! defend.
So shines with silver guards the Georgian star,
And drives on Night's blue arch his glittering car;
Hangs o'er the billowy clouds his lucid form,
Wades through the mist, and dances in the storm.
GREAT HELIANTHUS guides o'er twilight plains
In gay solemnity his Dervise-trains;
Marshall'd in
fives
each gaudy band proceeds,
Each gaudy band a plumed Lady leads;
With zealous step he climbs the upland lawn,
And bows in homage to the rising dawn;
Imbibes with eagle-eye the golden ray,
And watches, as it moves, the orb of day.
Queen of the marsh, imperial DROSERA treads
Rush-fringed banks, and moss-embroider'd beds;
Redundant folds of glossy silk surround
Her slender waist, and trail upon the ground;
Five
sister-nymphs collect with graceful ease,
33
Or spread the floating purple to the breeze;
And
five
fair youths with duteous love comply
With each soft mandate of her moving eye.
As with sweet grace her snowy neck she bows,
A zone of diamonds trembles round her brows;
Bright shines the silver halo, as she turns;
And, as she steps, the living lustre burns.
Fair LONICERA prints the dewy lawn,
And decks with brighter blush the vermil dawn;
Winds round the shadowy rocks, and pansied vales,
And scents with sweeter breath the summer-gales;
With artless grace and native ease she charms,
And bears the Horn of Plenty in her arms.
Five
rival Swains their tender cares unfold,
And watch with eye askance the treasured gold.
Where rears huge Tenerif his azure crest,
Aspiring DRABA builds her eagle nest;
Her pendant eyry icy caves surround,
Where erst Volcanos min'd the rocky ground.
Pleased round the Fair
four
rival Lords ascend
The shaggy steeps,
two
menial youths attend.
High in the setting ray the beauty stands,
And her tall shadow waves on distant lands.
Stay, bright inhabitant of air, alight,
Ambitious VISCA, from thy eagle-flight!--Scorning the sordid soil, aloft she springs,
Shakes her white plume, and claps her golden wings;
High o'er the fields of boundless ether roves,
And seeks amid the clouds her soaring loves!
Stretch'd on her mossy couch, in trackless deeps,
Queen of the coral groves, ZOSTERA sleeps;
The silvery sea-weed matted round her bed,
And distant surges murmuring o'er her head.High in the flood her azure dome ascends,
34
The crystal arch on crystal columns bends;
Roof'd with translucent shell the turrets blaze,
And far in ocean dart their colour'd rays;
O'er the white floor successive shadows move,
As rise and break the ruffled waves above.Around the nymph her mermaid-trains repair,
And weave with orient pearl her radiant hair;
With rapid fins she cleaves the watery way,
Shoots like a diver meteor up to day;
Sounds a loud conch, convokes a scaly band,
Her sea-born lovers, and ascends the strand.
E'en round the pole the flames of Love aspire,
And icy bosoms feel the
secret
fire!Cradled in snow and fann'd by arctic air
Shines, gentle BAROMETZ! thy golden hair;
Rooted in earth each cloven hoof descends,
And round and round her flexile neck she bends;
Crops the grey coral moss, and hoary thyme,
Or laps with rosy tongue the melting rime;
Eyes with mute tenderness her distant dam,
Or seems to bleat, a
Vegetable Lamb
-So, warm and buoyant in his oily mail,
Gambols on seas of ice the unwieldy Whale;
Wide-waving fins round floating islands urge
His bulk gigantic through the troubled surge;
With hideous yawn the flying shoals He seeks,
Or clasps with fringe of horn his massy cheeks;
Lifts o'er the tossing wave his nostrils bare,
And spouts pellucid columns into air;
The silvery arches catch the setting beams,
And transient rainbows tremble o'er the streams.
Weak with nice sense, the chaste MIMOSA stands,
From each rude touch withdraws her timid hands;
Oft as light clouds o'er-pass the Summer-glade,
Alarm'd she trembles at the moving shade;
And feels, alive through all her tender form,
The whisper'd murmurs of the gathering storm;
Shuts her sweet eye-lids to approaching night;
35
And hails with freshen'd charms the rising light.
Veil'd, with gay decency and modest pride,
Slow to the mosque she moves, an eastern bride;
There her soft vows unceasing love record,
Queen of the bright seraglio of her Lord.So sinks or rises with the changeful hour
The liquid silver in its glassy tower.
So turns the needle to the pole it loves,
With fine librations quivering as it moves.
All wan and shivering in the leafless glade
The sad ANEMONE reclined her head;
Grief on her cheeks had paled the roseate hue,
And her sweet eye-lids dropp'd with pearly dew.
-'See, from bright regions, borne on odorous gales
The Swallow, herald of the summer, sails;
'Breathe, gentle AIR! from cherub-lips impart
Thy balmy influence to my anguish'd heart;
Thou, whose soft voice calls forth the tender blooms,
Whose pencil paints them, and whose breath perfumes;
O chase the Fiend of Frost, with leaden mace
Who seals in death-like sleep my hapless race;
Melt his hard heart, release his iron hand,
And give my ivory petals to expand.
So may each bud, that decks the brow of spring,
Shed all its incense on thy wafting wing!'To her fond prayer propitious Zephyr yields,
Sweeps on his sliding shell through azure fields,
O'er her fair mansion waves his whispering wand,
And gives her ivory petals to expand;
Gives with new life her filial train to rise,
And hail with kindling smiles the genial skies.
So shines the Nymph in beauty's blushing pride,
When Zephyr wafts her deep calash aside;
Tears with rude kiss her bosom's gauzy veil,
And flings the fluttering kerchief to the gale.
So bright, the folding canopy undrawn,
Glides the gilt Landau o'er the velvet lawn,
Of beaux and belles displays the glittering throng;
And soft airs fan them, as they roll along.
Where frowning Snowden bends his dizzy brow
O'er Conway, listening to the surge below;
Retiring LICHEN climbs the topmost stone,
36
And 'mid the airy ocean dwells alone.Bright shine the stars unnumber'd
o'er her head
And the cold moon-beam gilds her flinty bed;
While round the rifted rocks hoarse whirlwinds breathe,
And dark with thunder sail the clouds
beneath
.The steepy path her plighted swain pursues,
And tracks her light step o'er th' imprinted dews,
Delighted Hymen gives his torch to blaze,
Winds round the craggs, and lights the mazy ways;
Sheds o'er their
secret
vows his influence chaste,
And decks with roses the admiring waste.
High in the front of heaven when Sirius glares,
And o'er Britannia shakes his fiery hairs;
When no soft shower descends, no dew distills,
Her wave-worn channels dry, and mute her rills;
When droops the sickening herb, the blossom fades,
And parch'd earth gapes beneath the withering glades.
-With languid step fair DYPSACA retreats;
'Fall gentle dews!' the fainting nymph repeats;
Seeks the low dell, and in the sultry shade
Invokes in vain the Naiads to her aid.Four
silvan youths in crystal goblets bear
The untasted treasure to the grateful fair;
Pleased from their hands with modest grace she sips,
And the cool wave reflects her coral lips.
With nice selection modest RUBIA blends,
Her vermil dyes, and o'er the cauldron bends;
Warm 'mid the rising steam the Beauty glows,
As blushes in a mist the dewy rose.
With chemic art
four
favour'd youths aloof
Stain the white fleece, or stretch the tinted woof;
O'er Age's cheek the warmth of youth diffuse,
37
Or deck the pale-eyed nymph in roseate hues.
So when MEDEA to exulting Greece
From plunder'd COLCHIS bore the golden fleece;
On the loud shore a magic pile she rais'd,
The cauldron bubbled, and the faggots blaz'd;-Pleased on the boiling wave old ÆSON swims,
And feels new vigour stretch his swelling limbs;
Through his thrill'd nerves forgotten ardors dart,
And warmer eddies circle round his heart;
With softer fires his kindling eye-balls glow,
And darker tresses wanton round his brow.
As dash the waves on India's breezy strand,
Her flush'd cheek press'd upon her lily hand,
VALLISNER sits, up-turns her tearful eyes,
Calls her lost lover, and upbraids the skies;
For him she breathes the silent sigh, forlorn,
Each setting-day; for him each rising morn.'Bright orbs, that light yon high etherial plain,
Or bathe your radiant tresses in the main;
Pale moon, that silver'st o'er night's sable brow;For ye were witness to his parting vow!Ye shelving rocks, dark waves, and sounding shore,Ye echoed sweet the tender words he swore!Can stars or seas the sails of love retain?
O guide my wanderer to my arms again!'Her buoyant skiff intrepid ULVA guides,
And seeks her Lord amid the trackless tides;
Her
secret
vows the Cyprian Queen approves,
And hovering halcyons guard her infant-loves;
Each in his floating cradle round they throng,
And dimpling Ocean bears the fleet along.Thus o'er the waves, which gently bend and swell,
Fair GALATEA steers her silver shell;
Her playful Dolphins stretch the silken rein,
Hear her sweet voice, and glide along the main.
As round the wild meandering coast she moves
By gushing rills, rude cliffs, and nodding groves;
Each by her pine the Wood-nymphs wave their locks,
And wondering Naiads peep amid the rocks;
Pleased trains of Mermaids rise from coral cells,
38
Admiring Tritons sound their twisted shells;
Charm'd o'er the car pursuing Cupids sweep,
Their snow-white pinions twinkling in the deep;
And, as the lustre of her eye she turns,
Soft sighs the Gale, and amorous Ocean burns.
On DOVE'S green brink the fair TREMELLA stood,
And view'd her playful image in the flood;
To each rude rock, lone dell, and echoing grove
Sung the sweet sorrows of her
secret
love.
'Oh, stay!-return!'-along the sounding shore
Cry'd the sad Naiads,-she return'd no more!Now girt with clouds the sullen Evening frown'd,
And withering Eurus swept along the ground;
The misty moon withdrew her horned light,
And sunk with Hesper in the skirt of night;
No dim electric streams, (the northern dawn,)
With meek effulgence quiver'd o'er the lawn;
No star benignant shot one transient ray
To guide or light the wanderer on her way.
Round the dark craggs the murmuring whirlwinds blow,
Woods groan above, and waters roar below;
As o'er the steeps with pausing foot she moves,
The pitying Dryads shriek amid their groves;
She flies,-she stops,-she pants-she looks behind,
And hears a demon howl in every wind.
-As the bleak blast unfurls her fluttering vest,
Cold beats the snow upon her shuddering breast;
Through her numb'd limbs the chill sensations dart,
And the keen ice bolt trembles at her heart.
'I sink, I fall! oh, help me, help!' she cries,
Her stiffening tongue the unfinish'd sound denies;
Tear after tear adown her cheek succeeds,
And pearls of ice bestrew the glittering meads;
Congealing snows her lingering feet surround,
Arrest her flight, and root her to the ground;
With suppliant arms she pours the silent prayer;
Her suppliant arms hang crystal in the air;
Pellucid films her shivering neck o'erspread,
Seal her mute lips, and silver o'er her head,
Veil her pale bosom, glaze her lifted hands,
39
And shrined in ice the beauteous statue stands.
-DOVE'S azure nymphs on each revolving year
For fair TREMELLA shed the tender tear;
With rush-wove crowns in sad procession move,
And sound the sorrowing shell to hapless love.'
Here paused the MUSE,-across the darken'd pole
Sail the dim clouds, the echoing thunders roll;
The trembling Wood-nymphs, as the tempest lowers,
Lead the gay Goddess to their inmost bowers;
Hang the mute lyre the laurel shade beneath,
And round her temples bind the myrtle wreath.
-Now the light swallow with her airy brood
Skims the green meadow, and the dimpled flood;
Loud shrieks the lone thrush from his leafless thorn,
Th' alarmed beetle sounds his bugle horn;
Each pendant spider winds with fingers fine
His ravel'd clue, and climbs along the line;
Gay Gnomes in glittering circles stand aloof
Beneath a spreading mushroom's fretted roof;
Swift bees returning seek their waxen cells,
And Sylphs cling quivering in the lily's bells.
Through the still air descend the genials showers,
And pearly rain-drops deck the laughing flowers.
~ Erasmus Darwin,#NFDB |
1409:The Botanic Garden (Part Vi)
THE LOVES OF THE PLANTS.
CANTO II.
Again the Goddess strikes the golden lyre,
And tunes to wilder notes the warbling wire;
With soft suspended step Attention moves,
And Silence hovers o'er the listening groves;
Orb within orb the charmed audience throng,
And the green vault reverberates the song.
'Breathe soft, ye Gales!' the fair CARLINA cries,
Bear on broad wings your Votress to the skies.
How sweetly mutable yon orient hues,
As Morn's fair hand her opening roses strews;
How bright, when Iris blending many a ray
Binds in embroider'd wreath the brow of Day;
Soft, when the pendant Moon with lustres pale
O'er heaven's blue arch unfurls her milky veil;
While from the north long threads of silver light
Dart on swift shuttles o'er the tissued night!
'Breathe soft, ye Zephyrs! hear my fervent sighs,
Bear on broad wings your Votress to the skies!'-Plume over plume in long divergent lines
On whale-bone ribs the fair Mechanic joins;
Inlays with eider down the silken strings,
And weaves in wide expanse Dædalian wings;
Round her bold sons the waving pennons binds,
And walks with angel-step upon the winds.
So on the shoreless air the intrepid Gaul
Launch'd the vast concave of his buoyant ball.Journeying on high, the silken castle glides
Bright as a meteor through the azure tides;
O'er towns and towers and temples wins its way,
Or mounts sublime, and gilds the vault of day.
Silent with upturn'd eyes unbreathing crowds
Pursue the floating wonder to the clouds;
And, flush'd with transport or benumb'd with fear,
Watch, as it rises, the diminish'd sphere.
-Now less and less!-and now a speck is seen!-
41
And now the fleeting rack obtrudes between!With bended knees, raised arms, and suppliant brow
To every shrine with mingled cries they vow.'Save Him, ye Saints! who o'er the good preside;
'Bear Him, ye Winds! ye Stars benignant! guide.'
-The calm Philosopher in ether fails,
Views broader stars, and breathes in purer gales;
Sees, like a map, in many a waving line
Round Earth's blue plains her lucid waters mine;
Sees at his feet the forky lightnings glow,
And hears innocuous thunders roar below.
--Rife, great MONGOLFIER! urge thy venturous flight
High o'er the Moon's pale ice-reflected light;
High o'er the pearly Star, whose beamy horn.
Hangs in the east, gay harbinger of morn;
Leave the red eye of Mars on rapid wing;
Jove's silver guards, and Saturn's dusky ring;
Leave the fair beams, which, issuing from afar;
Play with new lustres round the Georgian star;
Shun with strong oars the Sun's attractive throne,
The sparkling zodiack, and the milky zone;
Where headlong Comets with increasing force
Through other systems bend their blazing course.For thee Cassiope her chair withdraws,
For thee the Bear retracts his shaggy paws;
High o'er the North thy golden orb shall roll,
And blaze eternal round the wondering pole.
So Argo, rising from the southern main,
Lights with new stars the blue etherial plain;
With favoring beams the mariner protects,
And the bold course, which first it steer'd, directs.
Inventress of the Woof, fair LINA flings
The flying shuttle through the dancing strings;
Inlays the broider'd weft with flowery dyes,
Quick beat the reeds, the pedals fall and rise;
Slow from the beam the lengths of warp unwind,
And dance and nod the massy weights behind.Taught by her labours, from the fertile soil
Immortal Isis clothed the banks of Nile;
And fair ARACHNE with her rival loom
Found undeserved a melancholy doom.-
42
Five
Sister-nymphs with dewy fingers twine
The beamy flax, and stretch the fibre-line;
Quick eddying threads from rapid spindles reel,
Or whirl with beaten foot the dizzy wheel.
-Charm'd round the busy Fair
five
shepherds press,
Praise the nice texture of their snowy dress,
Admire the Artists, and the art approve,
And tell with honey'd words the tale of love.
So now, where Derwent rolls his dusky floods
Through vaulted mountains, and a night of woods,
The Nymph, GOSSYPIA, treads the velvet sod,
And warms with rosy smiles the watery God;
His ponderous oars to slender spindles turns,
And pours o'er massy wheels his foamy urns;
With playful charms her hoary lover wins,
And wields his trident,-while the Monarch spins.
-First with nice eye emerging Naiads cull
From leathery pods the vegetable wool;
With wiry teeth
revolving cards
release
The tanged knots, and smooth the ravell'd fleece;
Next moves the
iron-band
with fingers fine,
Combs the wide card, and forms the eternal line;
Slow, with soft lips, the
whirling Can
acquires
The tender skeins, and wraps in rising spires;
With quicken'd pace
successive rollers
move,
And these retain, and those extend the
rove
Then fly the spoles, the rapid axles glow;And slowly circumvolves the labouring wheel below.
PAPYRA, throned upon the banks of Nile,
43
Spread her smooth leaf, and waved her silver style.
-The storied pyramid, the laurel'd bust,
The trophy'd arch had crumbled into dust;
The sacred symbol, and the epic song,
(Unknown the character, forgot the tongue,)
With each unconquer'd chief, or fainted maid,
Sunk undistinguish'd in Oblivion's shade.
Sad o'er the scatter'd ruins Genius sigh'd,
And infant Arts but learn'd to lisp and died.
Till to astonish'd realms PAPYRA taught
To paint in mystic colours Sound and Thought.
With Wisdom's voice to print the page sublime,
And mark in adamant the steps of Time.
-Three favour'd youths her soft attention share,
The fond disciples of the studious Fair,
Hear her sweet voice, the golden process prove;
Gaze, as they learn; and, as they listen, love.
The first
from Alpha to Omega joins
The letter'd tribes along the level lines;
Weighs with nice ear the vowel, liquid, surd,
And breaks in syllables the volant word.
Then forms
the next
upon the marshal'd plain
In deepening ranks his dexterous cypher-train;
And counts, as wheel the decimating bands,
The dews of Ægypt, or Arabia's sands,
And then
the third
on four concordant lines
Prints the lone crotchet, and the quaver joins;
Marks the gay trill, the solemn pause inscribes,
And parts with bars the undulating tribes.
Pleased round her cane-wove throne, the applauding crowd
Clap'd their rude hands, their swarthy foreheads bow'd;
With loud acclaim 'a present God!' they cry'd,
'A present God!' rebellowing shores reply'dThen peal'd at intervals with mingled swell
The echoing harp, shrill clarion, horn, and shell;
While Bards ecstatic, bending o'er the lyre,
44
Struck deeper chords, and wing'd the song with fire.
Then mark'd Astronomers with keener eyes
The Moon's refulgent journey through the skies;
Watch'd the swift Comets urge their blazing cars,
And weigh'd the Sun with his revolving Stars.
High raised the Chemists their Hermetic wands,
(And changing forms obey'd their waving hands,)
Her treasur'd gold from Earth's deep chambers tore,
Or fused and harden'd her chalybeate ore.
All with bent knee from fair PAPYRA claim
Wove by her hands the wreath of deathless fame.
-Exulting Genius crown'd his darling child,
The young Arts clasp'd her knees, and Virtue smiled.
So now DELANY forms her mimic bowers,
Her paper foliage, and her silken flowers;
Her virgin train the tender scissars ply,
Vein the green leaf, the purple petal dye:
Round wiry stems the flaxen tendril bends,
Moss creeps below, and waxen fruit impends.
Cold Winter views amid his realms of snow
DELANY'S vegetable statues blow;
Smooths his stern brow, delays his hoary wing,
And eyes with wonder all the blooms of spring.
The gentle LAPSANA, NYMPHÆA fair,
And bright CALENDULA with golden hair,
Watch with nice eye the Earth's diurnal way,
Marking her solar and sidereal day,
Her slow nutation, and her varying clime,
And trace with mimic art the march of Time;
Round his light foot a magic chain they fling,
And count the quick vibrations of his wing.First in its brazen cell reluctant roll'd
Bends the dark spring in many a steely fold;
On spiral brass is stretch'd the wiry thong,
Tooth urges tooth, and wheel drives wheel along;
In diamond-eyes the polish'd axles flow,
Smooth slides the hand, the ballance pants below.
Round the white circlet in relievo bold
A Serpent twines his scaly length in gold;
And brightly pencil'd on the enamel'd sphere
Live the fair trophies of the passing year.
-Here
45
Time's
huge fingers grasp his giant-mace,
And dash proud Superstition from her base,
Rend her strong towers and gorgeous fanes, and shed
The crumbling fragments round her guilty head.
There the gay
Hours
, whom wreaths of roses deck,
Lead their young trains amid the cumberous wreck;
And, slowly purpling o'er the mighty waste,
Plant the fair growths of Science and of Taste.
While each light
Moment
, as it dances by
With feathery foot and pleasure-twinkling eye,
Feeds from its baby-hand, with many a kiss,
The callow nestlings of domestic Bliss.
As yon gay clouds, which canopy the skies,
Change their thin forms, and lose their lucid dyes;
So the soft bloom of Beauty's vernal charms
Fades in our eyes, and withers in our arms.
-Bright as the silvery plume, or pearly shell,
The snow-white rose, or lily's virgin bell,
The fair HELLEBORAS attractive shone,
Warm'd every Sage, and every Shepherd won.Round the gay sisters press the
enamour'd bands
And seek with soft solicitude their hands.
-Ere while how chang'd!-in dim suffusion lies
The glance divine, that lighten'd in their eyes;
Cold are those lips, where smiles seductive hung,
And the weak accents linger on their tongue;
Each roseat feature fades to livid green,-Disgust with face averted shuts the scene.
So from his gorgeous throne, which awed the world,
The mighty Monarch of the east was hurl'd,
To dwell with brutes beneath the midnight storm,
By Heaven's just vengeance changed in mind and form.
-Prone to the earth He bends his brow superb,
Crops the young floret and the bladed herb;
Lolls his red tongue, and from the reedy side
46
Of slow Euphrates laps the muddy tide.
Long eagle-plumes his arching neck invest,
Steal round his arms, and clasp his sharpen'd breast;
Dark brinded hairs in bristling ranks, behind,
Rise o'er his back, and rustle in the wind,
Clothe his lank sides, his shrivel'd limbs surround,
And human hands with talons print the ground.
Silent in shining troops the Courtier-throng
Pursue their monarch as he crawls along;
E'en Beauty pleads in vain with smiles and tears,
Nor Flattery's self can pierce his pendant ears.
Two
Sister-Nymphs to Ganges' flowery brink
Bend their light steps, the lucid water drink,
Wind through the dewy rice, and nodding canes,
(As
eight
black Eunuchs guard the sacred plains),
With playful malice watch the scaly brood,
And shower the inebriate berries on the flood.Stay in your crystal chambers, silver tribes!
Turn your bright eyes, and shun the dangerous bribes;
The tramel'd net with less destruction sweeps
Your curling shallows, and your azure deeps;
With less deceit, the gilded fly beneath,
Lurks the fell hook unseen,-to taste is death!-Dim your slow eyes, and dull your pearly coat,
Drunk on the waves your languid forms shall float,
On useless fins in giddy circles play,
And Herons and Otters seize you for their prey.So, when the Saint from Padua's graceless land
In silent anguish sought the barren strand,
High on the shatter'd beech sublime He stood,
Still'd with his waving arm the babbling flood;
'To Man's dull ear,' He cry'd, 'I call in vain,
'Hear me, ye scaly tenants of the main!'Misshapen Seals approach in circling flocks,
In dusky mail the Tortoise climbs the rocks,
Torpedoes, Sharks, Rays, Porpus, Dolphins, pour
Their twinkling squadrons round the glittering shore;
47
With tangled fins, behind, huge Phocæ glide,
And Whales and Grampi swell the distant tide.
Then kneel'd the hoary Seer, to heaven address'd
His fiery eyes, and smote his sounding breast;
'Bless ye the Lord!' with thundering voice he cry'd,
'Bless ye the Lord!' the bending shores reply'd;
The winds and waters caught the sacred word,
And mingling echoes shouted 'Bless the Lord!'
The listening shoals the quick contagion feel,
Pant on the floods, inebriate with their zeal,
Ope their wide jaws, and bow their slimy heads,
And dash with frantic fins their foamy beds.
Sopha'd on silk, amid her charm-built towers,
Her meads of asphodel, and amaranth bowers,
Where Sleep and Silence guard the soft abodes,
In sullen apathy PAPAVER nods.
Faint o'er her couch in scintillating streams
Pass the thin forms of Fancy and of Dreams;
Froze by inchantment on the velvet ground
Fair youths and beauteous ladies glitter round;
On crystal pedestals they seem to sigh,
Bend the meek knee, and lift the imploring eye.
-And now the Sorceress bares her shrivel'd hand,
And circles thrice in air her ebon wand;
Flush'd with new life descending statues talk,
The pliant marble softening as they walk;
With deeper sobs reviving lovers breathe,
Fair bosoms rise, and soft hearts pant beneath;
With warmer lips relenting damsels speak,
And kindling blushes tinge the Parian cheek;
To viewless lutes aërial voices sing,
And hovering Loves are heard on rustling wing.
-She waves her wand again!-fresh horrors seize
Their stiffening limbs, their vital currents freeze;
By each cold nymph her marble lover lies,
And iron slumbers seal their glassy eyes.
So with his dread Caduceus HERMES led
From the dark regions of the imprison'd dead,
Or drove in silent shoals the lingering train
To Night's dull shore, and PLUTO'S dreary reign
So with her waving pencil CREWE commands
The realms of Taste, and Fancy's fairy lands;
48
Calls up with magic voice the shapes, that sleep
In earth's dark bosom, or unfathom'd deep;
That shrined in air on viewless wings aspire,
Or blazing bathe in elemental fire.
As with nice touch her plaistic hand she moves,
Rise the fine forms of Beauties, Graces, Loves;
Kneel to the fair Inchantress, smile or sigh,
And fade or flourish, as she turns her eye.
Fair CISTA, rival of the rosy dawn,
Call'd her light choir, and trod the dewy lawn;
Hail'd with rude melody the new-born May,
As cradled yet in April's lap she lay.
I.
'Born in yon blaze of orient sky,
'Sweet MAY! thy radiant form unfold;
'Unclose thy blue voluptuous eye,
'And wave thy shadowy locks of gold.
II.
'For Thee the fragrant zephyrs blow,
'For Thee descends the sunny shower;
'The rills in softer murmurs slow,
'And brighter blossoms gem the bower.
III.
'Light Graces dress'd in flowery wreaths
'And tiptoe Joys their hands combine;
'And Love his sweet contagion breathes,
'And laughing dances round thy shrine.
IV.
'Warm with new life the glittering throngs
'On quivering fin and rustling wing
'Delighted join their votive songs,
'And hail thee, GODDESS OF THE SPRING.'
O'er the green brinks of Severn's oozy bed,
49
In changeful rings, her sprightly troop She led;
PAN tripp'd before, where Eudness shades the mead,
And blew with glowing lip his sevenfold reed;
Emerging Naiads swell'd the jocund strain,
And aped with mimic step the dancing train.'I faint, I fall!'at noon
the Beauty cried,
'Weep o'er my tomb, ye Nymphs!'-and sunk and died.
-Thus, when white Winter o'er the shivering clime
Drives the still snow, or showers the silver rime;
As the lone shepherd o'er the dazzling rocks
Prints his steep step, and guides his vagrant flocks;
Views the green holly veil'd in network nice,
Her vermil clusters twinkling in the ice;
Admires the lucid vales, and slumbering floods,
Fantastic cataracts, and crystal woods,
Transparent towns, with seas of milk between,
And eyes with transport the refulgent scene:If breaks the sunshine o'er the spangled trees,
Or flits on tepid wing the western breeze,
In liquid dews descends the transient glare,
And all the glittering pageant melts in air.
Where Andes hides his cloud-wreath'd crest in snow,
And roots his base on burning sands below;
Cinchona, fairest of Peruvian maids
To Health's bright Goddess in the breezy glades
On Quito's temperate plain an altar rear'd,
Trill'd the loud hymn, the solemn prayer preferr'd:
Each balmy bud she cull'd, and honey'd flower,
And hung with fragrant wreaths the sacred bower;
Each pearly sea she search'd, and sparkling mine,
And piled their treasures on the gorgeous shrine;
Her suppliant voice for sickening Loxa raised,
Sweet breath'd the gale, and bright the censor blazed.
-'Divine HYGEIA! on thy votaries bend
Thy angel-looks, oh, hear us, and defend!
While streaming o'er the night with baleful glare
The star of Autumn rays his misty hair;
Fierce from his fens the Giant AGUE springs,
And wrapp'd in fogs descends on vampire wings;
'Before, with shuddering limbs cold Tremor reels,
50
And Fever's burning nostril dogs his heels;
Loud claps the grinning Fiend his iron hands,
Stamps with his marble feet, and shouts along the lands;
Withers the damask cheek, unnerves the strong,
And drives with scorpion-lash the shrieking throng.
Oh, Goddess! on thy kneeling votaries bend
Thy angel-looks, oh, hear us, and defend!'
-HYGEIA, leaning from the blest abodes,
The crystal mansions of the immortal gods,
Saw the sad Nymph uplift her dewy eyes,
Spread her white arms, and breathe her fervid sighs;
Call'd to her fair associates, Youth, and Joy,
And shot all-radiant through the glittering sky;
Loose waved behind her golden train of hair,
Her sapphire mantle swam diffus'd in air.O'er the grey matted moss, and pansied sod,
With step sublime the glowing Goddess trod,
Gilt with her beamy eye the conscious shade,
And with her smile celestial bless'd the maid.
'Come to my arms,' with seraph voice she cries,
'Thy vows are heard, benignant Nymph! arise;
Where yon aspiring trunks fantastic wreath
Their mingled roots, and drink the rill beneath,
Yield to the biting axe thy sacred wood,
And strew the bitter foliage on the flood.'
In silent homage bow'd the blushing maid,Five
youths athletic hasten to her aid,
O'er the scar'd hills re-echoing strokes resound,
And headlong forests thunder on the ground.
Round the dark roots, rent bark, and shatter'd boughs,
From ocherous beds the swelling fountain flows;
With streams austere its winding margin laves,
And pours from vale to vale its dusky waves.
-As the pale squadrons, bending o'er the brink,
View with a sigh their alter'd forms, and drink;
Slow-ebbing life with refluent crimson breaks
O'er their wan lips, and paints their haggard cheeks;
Through each fine nerve rekindling transports dart,
Light the quick eye, and swell the exulting heart.
-Thus ISRAEL's heaven-taught chief o'er trackless lands
51
Led to the sultry rock his murmuring bands.
Bright o'er his brows the forky radiance blazed,
And high in air the rod divine He raised.Wide yawns the cliff!-amid the thirsty throng
Rush the redundant waves, and shine along;
With gourds and shells and helmets press the bands,
Ope their parch'd lips, and spread their eager hands,
Snatch their pale infants to the exuberant shower,
Kneel on the shatter'd rock, and bless the Almighty Power.
Bolster'd with down, amid a thousand wants,
Pale Dropsy rears his bloated form, and pants;
'Quench me, ye cool pellucid rills!' he cries,
Wets his parch'd tongue, and rolls his hollow eyes.
So bends tormented TANTALUS to drink,
While from his lips the refluent waters shrink;
Again the rising stream his bosom laves,
And Thirst consumes him 'mid circumfluent waves.
-Divine HYGEIA, from the bending sky
Descending, listens to his piercing cry;
Assumes bright DIGITALIS' dress and air,
Her ruby cheek, white neck, and raven hair;
Four
youths protect her from the circling throng,
And like the Nymph the Goddess steps along.-O'er Him She waves her serpent-wreathed wand,
Cheers with her voice, and raises with her hand,
Warms with rekindling bloom his visage wan,
And charms the shapeless monster into man.
So when Contagion with mephitic breath
And withered Famine urged the work of death;
Marseilles' good Bishop, London's generous Mayor,
With food and faith, with medicine and with prayer,
Raised the weak head and stayed the parting sigh,
Or with new life relumed the swimming eye.-And now, PHILANTHROPY! thy rays divine
Dart round the globe from Zembla to the Line;
O'er each dark prison plays the cheering light,
Like northern lustres o'er the vault of night.From realm to realm, with cross or crescent crown'd,
Where'er Mankind and Misery are found,
O'er burning sands, deep waves, or wilds of snow,
52
Thy HOWARD journeying seeks the house of woe.
Down many a winding step to dungeons dank,
Where anguish wails aloud, and fetters clank;
To caves bestrew'd with many a mouldering bone,
And cells, whose echoes only learn to groan;
Where no kind bars a whispering friend disclose,
No sunbeam enters, and no zephyr blows,
HE treads, inemulous of fame or wealth,
Profuse of toil, and prodigal of health;
With soft assuasive eloquence expands
Power's rigid heart, and opes his clenching hands;
Leads stern-ey'd Justice to the dark domains,
If not to fever, to relax the chains;
Or guides awaken'd Mercy through the gloom,
And shews the prison, sister to the tomb!Gives to her babes the self-devoted wife,
To her fond husband liberty and life!-The Spirits of the Good, who bend from high
Wide o'er these earthly scenes their partial eye,
When first, array'd in VIRTUE'S purest robe,
They saw her HOWARD traversing the globe;
Saw round his brows her sun-like Glory blaze
In arrowy circles of unwearied rays;
Mistook a Mortal for an Angel-Guest,
And ask'd what Seraph-foot the earth imprest.
-Onward he moves!-Disease and Death retire,
And murmuring Demons hate him, and admire.'
Here paused the Goddess,-on HYGEIA'S shrine
Obsequious Gnomes repose the lyre divine;
Descending Sylphs relax the trembling strings,
And catch the rain-drops on their shadowy wings.
-And now her vase a modest Naiad fills
With liquid crystal from her pebbly rills;
Piles the dry cedar round her silver urn,
(Bright climbs the blaze, the crackling faggots burn),
Culls the green herb of China's envy'd bowers,
In gaudy cups the steamy treasure pours;
And, sweetly-smiling, on her bended knee
Presents the fragrant quintessence of Tea.
~ Erasmus Darwin,#NFDB |
1410:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.
Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.
Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?
As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.
The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.
When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.
The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."
Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.
April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.
Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?
Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.
As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.
Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!
Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.
Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.
The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.
The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.
I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.
'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'
Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!
Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.
None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.
So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.
One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.
Who is the Bard thus magnified?
When did he sing, and where abide?
Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.
AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.
Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.
Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?
There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.
For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, May-Day
,#NFDB |
1411:The Botanic Garden (Part Viii)
THE LOVES OF THE PLANTS
CANTO IV.
Now the broad Sun his golden orb unshrouds,
Flames in the west, and paints the parted clouds;
O'er heaven's wide arch refracted lustres flow,
And bend in air the many-colour'd bow.-The tuneful Goddess on the glowing sky
Fix'd in mute extacy her glistening eye;
And then her lute to sweeter tones she strung,
And swell'd with softer chords the Paphian song.
Long ailes of Oaks return'd the silver sound,
And amorous Echoes talk'd along the ground;
Pleas'd Lichfield listen'd from her sacred bowers,
Bow'd her tall groves, and shook her stately towers.
'Nymph! not for thee the radiant day returns,
Nymph! not for thee the golden solstice burns,
Refulgent CEREA!-at the dusky hour
She seeks with pensive step the mountain-bower,
Bright as the blush of rising morn, and warms
The dull cold eye of Midnight with her charms.
There to the skies she lifts her pencill'd brows,
Opes her fair lips, and breathes her virgin vows;
Eyes the white zenyth; counts the suns, that roll
Their distant fires, and blaze around the Pole;
Or marks where Jove directs his glittering car
O'er Heaven's blue vault,-Herself a brighter star.
-There as soft Zephyrs sweep with pausing airs
Thy snowy neck, and part thy shadowy hairs,
Sweet Maid of Night! to Cynthia's sober beams
Glows thy warm cheek, thy polish'd bosom gleams.
In crowds
around thee gaze the admiring swains,
And guard in silence the enchanted plains;
Drop the still tear, or breathe the impassion'd sigh,
And drink inebriate rapture from thine eye.
Thus, when old Needwood's hoary scenes the Night
66
Paints with blue shadow, and with milky light;
Where MUNDY pour'd, the listening nymphs among,
Loud to the echoing vales his parting song;
With measured step the Fairy Sovereign treads,
Shakes her high plume, and glitters o'er the meads;
Round each green holly leads her sportive train,
And little footsteps mark the circled plain;
Each haunted rill with silver voices rings,
And Night's sweet bird in livelier accents sings.
Ere the bright star, which leads the morning sky,
Hangs o'er the blushing east his diamond eye,
The chaste TROPAEO leaves her secret bed;
A saint-like glory trembles round her head;
Eight
watchful swains along the lawns of night
With amorous steps pursue the virgin light;
O'er her fair form the electric lustre plays,
And cold she moves amid the lambent blaze.
So shines the glow-fly, when the sun retires,
And gems the night-air with phosphoric fires;
Thus o'er the marsh aërial lights betray,
And charm the unwary wanderer from his way.
So when thy King, Assyria, fierce and proud,
Three human victims to his idol vow'd;
Rear'd a vast pyre before the golden shrine
Of sulphurous coal, and pitch-exsuding pine;-Loud roar the flames, the iron nostrils breathe,
And the huge bellows pant and heave beneath;
Bright and more bright the blazing deluge flows,
And white with seven-fold heat the furnace glows.
And now the Monarch fix'd with dread surprize
Deep in the burning vault his dazzled eyes.
'Lo! Three unbound amid the frightful glare,
Unscorch'd their sandals, and unsing'd their hair!
And now a fourth with seraph-beauty bright
Descends, accosts them, and outshines the light!
Fierce flames innocuous, as they step, retire!
And slow they move amid a world of fire!'
He spoke,-to Heaven his arms repentant spread,
And kneeling bow'd his gem-incircled head.
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Two
Sister-Nymphs, the fair AVENAS, lead
Their fleecy squadrons on the lawns of Tweed;
Pass with light step his wave-worn banks along,
And wake his Echoes with their silver tongue;
Or touch the reed, as gentle Love inspires,
In notes accordant to their chaste desires.
I.
'Sweet ECHO! sleeps thy vocal shell,
'Where this high arch o'erhangs the dell;
'While Tweed with sun-reflecting streams
'Chequers thy rocks with dancing beams?-
II.
'Here may no clamours harsh intrude,
No brawling hound or clarion rude;
Here no fell beast of midnight prowl,
And teach thy tortured cliffs to howl!
III.
'Be thine to pour these vales along
Some artless Shepherd's evening song;
While Night's sweet bird, from yon high spray
Responsive, listens to his lay.
IV.
'And if, like me, some love-lorn maid
'Should sing her sorrows to thy shade,
'Oh, sooth her breast, ye rocks around!
'With softest sympathy of sound.'
From ozier bowers the brooding Halcyons peep,
The Swans pursuing cleave the glassy deep,
On hovering wings the wondering Reed-larks play,
And silent Bitterns listen to the lay.-
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Three
shepherd-swains beneath the beechen shades
Twine rival garlands for the tuneful maids;
On each smooth bark the mystic love-knot frame,
Or on white sands inscribe the favour'd name.
From Time's remotest dawn where China brings
In proud succession all her Patriot-Kings;
O'er desert-sands, deep gulfs, and hills sublime,
Extends her massy wall from clime to clime;
With bells and dragons crests her Pagod-bowers,
Her silken palaces, and porcelain towers;
With long canals a thousand nations laves;
Plants all her wilds, and peoples all her waves;
Slow treads fair CANNABIS the breezy strand,
The distaff streams dishevell'd in her hand;
Now to the left her ivory neck inclines,
And leads in Paphian curves its azure lines;
Dark waves the fringed lid, the warm cheek glows,
And the fair ear the parting locks disclose;
Now to the right with airy sweep she bends,
Quick join the threads, the dancing spole depends.
Five
Swains attracted guard the Nymph, by turns
Her grace inchants them, and her beauty burns;
To each She bows with sweet assuasive smile,
Hears his soft vows, and turns her spole the while.
So when with light and shade, concordant strife!
Stern CLOTHO weaves the chequer'd thread of life;
Hour after hour the growing line extends,
The cradle and the coffin bound its ends;
Soft cords of silk the whirling spoles reveal,
If smiling Fortune turn the giddy wheel;
But if sweet Love with baby-fingers twines,
And wets with dewy lips the lengthening lines,
Skein after skein celestial tints unfold,
And all the silken tissue shines with gold.
Warm with sweet blushes bright GALANTHA glows,
And prints with frolic step the melting snows;
O'er silent floods, white hills, and glittering meads
Six
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rival swains the playful beauty leads,
Chides with her dulcet voice the tardy Spring,
Bids slumbering Zephyr stretch his folded wing,
Wakes the hoarse Cuckoo in his gloomy cave,
And calls the wondering Dormouse from his grave,
Bids the mute Redbreast cheer the budding grove,
And plaintive Ringdove tune her notes to love.
Spring! with thy own sweet smile, and tuneful tongue,
Delighted BELLIS calls her infant throng.
Each on his reed astride, the Cherub-train
Watch her kind looks, and circle o'er the plain;
Now with young wonder touch the siding snail,
Admire his eye-tipp'd horns, and painted mail;
Chase with quick step, and eager arms outspread,
The pausing Butterfly from mead to mead;
Or twine green oziers with the fragrant gale,
The azure harebel, and the primrose pale,
Join hand in hand, and in procession gay
Adorn with votive wreaths the shrine of May.
-So moves the Goddess to the Idalian groves,
And leads her gold-hair'd family of Loves.
These, from the flaming furnace, strong and bold
Pour the red steel into the sandy mould;
On tinkling anvils (with Vulcanian art),
Turn with hot tongs, and forge the dreadful dart;
The barbed head on whirling jaspers grind,
And dip the point in poison for the mind;
Each polish'd shaft with snow-white plumage wing,
Or strain the bow reluctant to its string.
Those on light pinion twine with busy hands,
Or stretch from bough to bough the flowery bands;
Scare the dark beetle, as he wheels on high,
Or catch in silken nets the gilded fly;
Call the young Zephyrs to their fragrant bowers,
And stay with kisses sweet the Vernal Hours.
Where, as proud Maffon rises rude and bleak,
And with mishapen turrets crests the Peak,
Old Matlock gapes with marble jaws, beneath,
And o'er fear'd Derwent bends his flinty teeth;
Deep in wide caves below the dangerous soil
Blue sulphurs flame, imprison'd waters boil.
Impetuous steams in spiral colums rise
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Through rifted rocks, impatient for the skies;
Or o'er bright seas of bubbling lavas blow,
As heave and toss the billowy fires below;
Condensed on high, in wandering rills they glide
From Maffon's dome, and burst his sparry side;
Round his grey towers, and down his fringed walls,
From cliff to cliff, the liquid treasure falls;
In beds of stalactite, bright ores among,
O'er corals, shells, and crystals, winds along;
Crusts the green mosses, and the tangled wood,
And sparkling plunges to its parent flood.
-O'er the warm wave a smiling youth presides,
Attunes its murmurs, its meanders guides,
(The blooming FUCUS), in her sparry coves
To amorous Echo sings his
secret
loves,
Bathes his fair forehead in the misty stream,
And with sweet breath perfumes the rising steam.
-So, erst, an Angel o'er Bethesda's springs,
Each morn descending, shook his dewy wings;
And as his bright translucent form He laves,
Salubrious powers enrich the troubled waves.
Amphibious Nymph, from Nile's prolific bed
Emerging TRAPA lifts her pearly head;
Fair glows her virgin cheek and modest breast,
A panoply of scales deforms the rest;
Her quivering fins and panting gills she hides
But spreads her silver arms upon the tides;
Slow as she sails, her ivory neck she laves,
And shakes her golden tresses o'er the waves.
Charm'd round the Nymph, in circling gambols glide
Four
Nereid-forms, or shoot along the tide;
Now all as one they rise with frolic spring,
And beat the wondering air on humid wing;
Now all descending plunge beneath the main,
And lash the foam with undulating train;
Above, below, they wheel, retreat, advance,
In air and ocean weave the mazy dance;
Bow their quick heads, and point their diamond eyes,
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And twinkle to the sun with ever-changing dyes.
Where Andes, crested with volcanic beams,
Sheds a long line of light on Plata's streams;
Opes all his springs, unlocks his golden caves,
And feeds and freights the immeasurable waves;
Delighted OCYMA at twilight hours
Calls her light car, and leaves the sultry bowers;Love's rising ray, and Youth's seductive dye,
Bloom'd on her cheek, and brighten'd in her eye;
Chaste, pure, and white, a zone of silver graced
Her tender breast, as white, as pure, as chaste;-By
four
fond swains in playful circles drawn,
On glowing wheels she tracks the moon-bright lawn,
Mounts the rude cliff, unveils her blushing charms,
And calls the panting zephyrs to her arms.
Emerged from ocean springs the vaporous air,
Bathes her light limbs, uncurls her amber hair,
Incrusts her beamy form with films saline,
And Beauty blazes through the crystal shrine.So with pellucid studs the ice-flower gems
Her rimy foliage, and her candied stems.
So from his glassy horns, and pearly eyes,
The diamond-beetle darts a thousand dyes;
Mounts with enamel'd wings the vesper gale,
And wheeling shines in adamantine mail.
Thus when loud thunders o'er Gomorrah burst,
And heaving earthquakes shook his realms accurst,
An Angel-guest led forth the trembling Fair
With shadowy hand, and warn'd the guiltless pair;
'Haste from these lands of sin, ye Righteous! fly,
Speed the quick step, nor turn the lingering eye!'-Such the command, as fabling Bards indite,
When Orpheus charm'd the grisly King of Night;
Sooth'd the pale phantoms with his plaintive lay,
And led the fair Assurgent into day.Wide yawn'd the earth, the fiery tempest flash'd,
And towns and towers in one vast ruin crash'd;Onward they move,--loud horror roars behind,
And shrieks of Anguish bellow in the wind.
With many a sob, amid a thousand fears,
72
The beauteous wanderer pours her gushing tears;
Each soft connection rends her troubled breast,
-She turns, unconscious of the stern behest!'I faint!-I fall!-ah, me!-sensations chill
Shoot through my bones, my shuddering bosom thrill!
I freeze! I freeze! just Heaven regards my fault,
Numbs my cold limbs, and hardens into salt!Not yet, not yet, your dying Love resign!This last, last kiss receive!-no longer thine!'She said, and ceased,-her stiffen'd form He press'd,
And strain'd the briny column to his breast;
Printed with quivering lips the lifeless snow,
And wept, and gazed the monument of woe.So when Aeneas through the flames of Troy
Bore his pale fire, and led his lovely boy;
With loitering step the fair Creusa stay'd,
And Death involved her in eternal shade.Oft the lone Pilgrim that his road forsakes,
Marks the wide ruins, and the sulphur'd lakes;
On mouldering piles amid asphaltic mud
Hears the hoarse bittern, where Gomorrah stood;
Recalls the unhappy Pair with lifted eye,
Leans on the crystal tomb, and breathes the silent sigh..
With net-wove sash and glittering gorget dress'd,
And scarlet robe lapell'd upon her breast,
Stern ARA frowns, the measured march assumes,
Trails her long lance, and nods her shadowy plumes;
While Love's soft beams illume her treacherous eyes,
And Beauty lightens through the thin disguise.
So erst, when HERCULES, untamed by toil,
Own'd the soft power of DEJANIRA'S smile;His lion-spoils the laughing Fair demands,
And gives the distaff to his awkward hands;
O'er her white neck the bristly mane she throws,
And binds the gaping whiskers on her brows;
Plaits round her slender waist the shaggy vest,
And clasps the velvet paws across her breast.
Next with soft hands the knotted club she rears,
Heaves up from earth, and on her shoulder bears.
Onward with loftier step the Beauty treads,
And trails the brinded ermine o'er the meads;
Wolves, bears, and bards, forsake the affrighted groves,
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And grinning Satyrs tremble, as she moves.
CARYO'S sweet smile DIANTHUS proud admires,
And gazing burns with unallow'd desires;
With sighs and sorrows her compassion moves,
And wins the damsel to illicit loves.
The Monster-offspring heirs the father's pride,
Mask'd in the damask beauties of the bride.
So, when the Nightingale in eastern bowers
On quivering pinion woos the Queen of flowers;
Inhales her fragrance, as he hangs in air,
And melts with melody the blushing fair;
Half-rose, half-bird, a beauteous Monster springs,
Waves his thin leaves, and claps his glossy wings;
Long horrent thorns his mossy legs surround,
And tendril-talons root him to the ground;
Green films of rind his wrinkled neck o'espread,
And crimson petals crest his curled head;
Soft-warbling beaks in each bright blossom move,
And vocal Rosebuds thrill the enchanted grove!Admiring Evening stays her beamy star,
And still Night listens from his ebon ear;
While on white wings descending Houries throng,
And drink the floods of odour and of song.
When from his golden urn the Solstice pours
O'er Afric's sable sons the sultry hours;
When not a gale flits o'er her tawny hills,
Save where the dry Harmattan breathes and kills;
-Fair CHUNDA smiles amid the burning waste,
Her brow unturban'd, and her zone unbrac'd;
Ten
brother-youths with light umbrella's shade,
Or fan with busy hands the panting maid;
Loose wave her locks, disclosing, as they break,
The rising bosom and averted cheek;
Clasp'd round her ivory neck with studs of gold
Flows her thin vest in many a gauzy fold;
O'er her light limbs the dim transparence plays,
And the fair form, it seems to hide, betrays.
Where leads the northern Star his lucid train
High o'er the snow-clad earth, and icy main,
With milky light the white horizon streams,
74
And to the moon each sparkling mountain gleams.Slow o'er the printed snows with silent walk
Huge shaggy forms across the twilight stalk;
And ever and anon with hideous sound
Burst the thick ribs of ice, and thunder round.There, as old Winter slaps his hoary wing,
And lingering leaves his empire to the Spring,
Pierced with quick shafts of silver-shooting light
Fly in dark troops the dazzled imps of night'Awake, my Love!' enamour'd MUSCHUS cries,
'Stretch thy fair limbs, resulgent Maid! arise;
Ope thy sweet eye-lids to the rising ray,
And hail with ruby lips returning day.
Down the white hills dissolving torrents pour,
Green springs the turf, and purple blows the flower;
His torpid wing the Rail exulting tries,
Mounts the soft gale, and wantons in the skies;
Rise, let us mark how bloom the awaken'd groves,
And 'mid the banks of roses
hide
our loves.'
Night's tinsel beams on smooth Lock-lomond dance,
Impatient ÆGA views the bright expanse;In vain her eyes the parting floods explore,
Wave after wave rolls freightless to the shore.
-Now dim amid the distant foam she spies
A rising speck,-''tis he! 'tis he!' She cries;
As with firm arms he beats the streams aside,
And cleaves with rising chest the tossing tide,
With bended knee she prints the humid sands,
Up-turns her glistening eyes, and spreads her hands;
-''Tis he, 'tis he!-My Lord, my life, my love!Slumber, ye winds; ye billows, cease to move!
beneath his arms your buoyant plumage spread,
Ye Swans! ye Halcyons! hover round his head!'-With eager step the boiling surf she braves,
And meets her refluent lover in the waves;
Loose o'er the flood her azure mantle swims,
And the clear stream betrays her snowy limbs.
So on her sea-girt tower fair HERO stood
At parting day, and mark'd the dashing flood;
While high in air, the glimmering rocks above,
75
Shone the bright lamp, the pilot-star of Love.
-With robe outspread the wavering flame behind
She kneels, and guards it from the shifting wind;
Breathes to her Goddess all her vows, and guides
Her bold LEANDER o'er the dusky tides;
Wrings his wet hair, his briny bosom warms,
And clasps her panting lover in her arms.
Deep, in wide caverns and their shadowy ailes,
Daughter of Earth, the chaste TRUFFELIA smiles;
On silvery beds, of soft asbestus wove,
Meets her Gnome-husband, and avows her love.
High
o'er her couch impending diamonds blaze,
And branching gold the crystal roof inlays;
With verdant light the modest emeralds glow,
Blue sapphires glare, and rubies blush,
below
Light piers of lazuli the dome surround,
And pictured mochoes tesselate the ground;
In glittering threads along reflective walls
The warm rill murmuring twinkles, as it falls;
Now sink the Eolian strings, and now they swell,
And Echoes woo in every vaulted cell;
While on white wings delighted Cupids play,
Shake their bright lamps, and shed celestial day.
Closed in an azure fig by fairy spells,
Bosom'd in down, fair CAPRI-FICA dwells;So sleeps in silence the Curculio, shut
In the dark chambers of the cavern'd nut,
Erodes with ivory beak the vaulted shell,
And quits on filmy wings its narrow cell.
So the pleased Linnet in the moss-wove nest,
Waked into life beneath its parent's breast,
Chirps in the gaping shell, bursts forth erelong,
Shakes its new plumes, and tries its tender song.-And now the talisman she strikes, that charms
Her husband-Sylph,-and calls him to her arms.Quick, the light Gnat her airy Lord bestrides,
With cobweb reins the flying courser guides,
From crystal steeps of viewless ether springs,
76
Cleaves the soft air on still expanded wings;
Darts like a sunbeam o'er the boundless wave,
And seeks the beauty in her
secret
cave.
So with quick impulse through all nature's frame
Shoots the electric air its subtle flame.
So turns the impatient needle to the pole,
Tho' mountains rise between, and oceans roll.
Where round the Orcades white torrents roar,
Scooping with ceaseless rage the incumbent shore,
Wide o'er the deep a dusky cavern bends
Its marble arms, and high in air impends;
Basaltic piers the ponderous roof sustain,
And steep their massy sandals in the main;
Round the dim walls, and through the whispering ailes
Hoarse breathes the wind, the glittering water boils.
Here the charm'd BYSSUS with his blooming bride
Spreads his green sails, and braves the foaming tide;
The star of Venus gilds the twilight wave,
And lights her votaries to the
secret
cave;
Light Cupids flutter round the nuptial bed,
And each coy sea-maid hides her blushing head.
Where cool'd by rills, and curtain'd round by woods,
Slopes the green dell to meet the briny floods,
The sparkling noon-beams trembling on the tide,
The PROTEUS-LOVER woos his playful bride,
To win the fair he tries a thousand forms,
Basks on the sands, or gambols in the storms.
A Dolphin now, his scaly sides he laves,
And bears the sportive damsel on the waves;
She strikes the cymbal as he moves along,
And wondering Ocean listens to the song.
-And now a spotted Pard the lover stalks,
Plays round her steps, and guards her favour'd walks;
As with white teeth he prints her hand, caress'd,
And lays his velvet paw upon her breast,
O'er his round face her snowy fingers strain
The silken knots, and fit the ribbon-rein.
-And now a Swan, he spreads his plumy sails,
77
And proudly glides before the fanning gales;
Pleas'd on the flowery brink with graceful hand
She waves her floating lover to the land;
Bright shines his sinuous neck, with crimson beak
He prints fond kisses on her glowing cheek,
Spreads his broad wings, elates his ebon crest,
And clasps the beauty to his downy breast.
hundred
virgins join a
hundred
swains,
And fond ADONIS leads the sprightly trains;
Pair after pair, along his sacred groves
To Hymen's fane the bright procession moves;
Each smiling youth a myrtle garland shades,
And wreaths of roses veil the blushing maids;
Light joys on twinkling feet attend the throng,
Weave the gay dance, or raise the frolic song;
-Thick, as they pass, exulting Cupids fling
Promiscuous arrows from the sounding string;
On wings of gossamer soft Whispers fly,
And the sly Glance steals side-long from the eye.
-As round his shrine the gaudy circles bow,
And seal with muttering lips the faithless vow,
Licentious Hymen joins their mingled hands,
And loosely twines the meretricious bands.Thus where pleased VENUS, in the southern main,
Sheds all her smiles on Otaheite's plain,
Wide o'er the isle her silken net she draws,
And the Loves laugh at all, but Nature's laws.'
Here ceased the Goddess,-o'er the silent strings
Applauding Zephyrs swept their fluttering wings;
Enraptur'd Sylphs arose in murmuring crowds
To air-wove canopies and pillowy clouds;
Each Gnome reluctant sought his earthy cell,
And each bright Floret clos'd her velvet bell.
Then, on soft tiptoe, NIGHT approaching near
Hung o'er the tuneless lyre his sable ear;
Gem'd with bright stars the still etherial plain,
And bad his Nightingales repeat the strain.
78
~ Erasmus Darwin,#NFDB |
1412:Custer: Book Second
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
183
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on,' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
184
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe,' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam).
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die,' quoth he, 'mine be the part
To fall upon the field, a bullet in my heart.'
XII
185
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
XIV
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
186
XVI
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here.
XIX
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
187
Whom following friends will bless, while foes will curse and cower.
XX
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
XXI
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
188
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
189
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
XXVIII
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI
The weary warriors mount their foam-flecked steeds,
190
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV
191
To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve.
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
192
XXXIX
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII
With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
193
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
Who in one year have known a lifetime of despair.
XLVI
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
194
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
XLVIII
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX
The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
Like some elixir which the gods prepare,
195
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
The gods alone create, gods only should destroy.
LIII
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV
196
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI
At last she lifts her lazy head and heeds
The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
197
LVIII
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
Against the blue-clad troops, this patch of color lies.
LX
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
198
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep
~ Ella Wheeler Wilcox,#NFDB |
1413:Resignation Pt 1
The days how few, how short the years
Of man's too rapid race!
Each leaving, as it swiftly flies,
A shorter in its place.
They who the longest lease enjoy,
Have told us with a sigh,
That to be born seems little more
Than to begin to die.
Numbers there are who feel this truth
With fears alarm'd; and yet,
In life's delusions lull'd asleep,
This weighty truth forget:
And am not I to these akin?
Age slumbers o'er the quill;
Its honour blots, whate'er it writes,
And am I writing still?
Conscious of nature in decline,
And languor in my thoughts;
To soften censure, and abate
Its rigour on my faults
Permit me, madam! ere to you
The promis'd verse I pay,
To touch on felt infirmity,
Sad sister of decay.
One world deceas'd, another born,
Like Noah they behold,
O'er whose white hairs, and furrow'd brows,
Too many suns have roll'd:
Happy the patriarch! he rejoic'd
His second world to see:
My second world, though gay the scene,
Can boast no charms for me.
48
To me this brilliant age appears
With desolation spread;
Near all with whom I liv'd, and smil'd,
Whilst life was life, are dead;
And with them died my joys; the grave
Has broken nature's laws;
And clos'd, against this feeble frame,
Its partial cruel jaws;
Cruel to spare! condemn'd to life!
A cloud impairs my sight;
My weak hand disobeys my will,
And trembles as I write.
What shall I write? Thalia, tell;
Say, long abandon'd muse!
What field of fancy shall I range?
What subject shall I choose?
A choice of moment high inspire,
And rescue me from shame,
For doting on thy charms so late,
By grandeur in my theme.
Beyond
Which
Beyond
Bright
the themes, which most admire,
dazzle, or amaze,
renown'd exploits of war,
charms, or empire's blaze,
Are themes, which, in a world of woe
Can best appease our pain;
And, in an age of gaudy guilt,
Gay folly's flood restrain;
Amidst the storms of life support
A calm, unshaken mind;
And with unfading laurels crown
The brow of the resign'd.
O resignation! yet unsung,
49
Untouch'd by former strains;
Though claiming every muse's smile,
And every poet's pains,
Beneath life's evening, solemn shade,
I dedicate my page
To thee, thou safest guard of youth!
Thou sole support of age!
All other duties crescents are
Of virtue faintly bright,
The glorious consummation, thou!
Which fills her orb with light:
How rarely fill'd! the love divine
In evils to discern,
This the first lesson which we want,
The latest, which we learn;
A melancholy truth! for know,
Could our proud hearts resign,
The distance greatly would decrease
'Twixt human and divine.
But though full noble is my theme,
Full urgent is my call
To soften sorrow, and forbid
The bursting tear to fall:
The task I dread; dare I to leave
Of humble prose the shore,
And put to sea? a dangerous sea?
What throngs have sunk before!
How proud the poet's billow swells!
The God! the God! his boast:
A boast how vain! What wrecks abound!
Dead bards stench every coast.
What then am I? Shall I presume,
On such a moulten wing,
Above the general wreck to rise,
50
And in my winter, sing;
When nightingales, when sweetest bards
Confine their charming song
To summer's animating heats,
Content to warble young?
Yet write I must; a lady(49) sues;
How shameful her request!
My brain in labour for dull rhyme!
Hers teeming with the best!
But you a stranger will excuse,
Nor scorn his feeble strain;
To you a stranger, but, through fate,
No stranger to your pain.
The ghost of grief deceas'd ascends,
His old wound bleeds anew;
His sorrows are recall'd to life
By those he sees in you;
Too well he knows the twisting strings
Of ardent hearts combin'd
When rent asunder, how they bleed,
How hard to be resign'd:
Those tears you pour, his eyes have shed;
The pang you feel, he felt;
Thus nature, loud as virtue, bids
His heart at yours to melt.
But what can heart, or head, suggest?
What sad experience say?
Through truths austere, to peace we work
Our rugged, gloomy way:
What are we? whence? for what? and whither?
Who know not, needs must mourn;
But thought, bright daughter of the skies!
Can tears to triumph turn.
51
Thought is our armour, 'tis the mind's
Impenetrable shield,
When, sent by fate, we meet our foes,
In sore affliction's field;
It plucks the frightful mask from ills,
Forbids pale fear to hide,
Beneath that dark disguise, a friend,
Which turns affection's tide.
Affection frail! train'd up by sense,
From reason's channel strays:
And whilst it blindly points at peace,
Our peace to pain betrays.
Thought winds its fond, erroneous stream
From daily dying flowers,
To nourish rich immortal blooms,
In amaranthine bowers;
Whence throngs, in ecstasy, look down
On what once shock'd their sight;
And thank the terrors of the past
For ages of delight.
All withers here; who most possess
Are losers by their gain,
Stung by full proof, that, bad at best,
Life's idle all is vain:
Vain, in its course, life's murmuring stream;
Did not its course offend,
But murmur cease; life, then, would seem
Still vainer, from its end.
How wretched! who, through cruel fate,
Have nothing to lament!
With the poor alms this world affords
Deplorably content!
Had not the Greek his world mistook,
His wish had been most wise;
52
To be content with but one world,
Like him, we should despise.
Of earth's revenue would you state
A full account and fair?
We hope; and hope; and hope; then cast
The total up--_Despair._
Since vain all here, all future, vast,
Embrace the lot assign'd;
Heaven wounds to heal; its frowns are friends;
Its stroke severe, most kind.
But in laps'd nature rooted deep,
Blind error domineers;
And on fools' errands, in the dark,
Sends out our hopes and fears;
Bids us for ever pains deplore,
Our pleasures overprize;
These oft persuade us to be weak;
Those urge us to be wise.
From virtue's rugged path to right
By pleasure are we brought,
To flowery fields of wrong, and there
Pain chides us for our fault:
Yet whilst it chides, it speaks of peace
If folly is withstood;
And says, time pays an easy price,
For our eternal good.
In earth's dark cot, and in an hour,
And in delusion great,
What an economist is man
To spend his whole estate,
And beggar an eternity!
For which as he was born,
More worlds than one against it weigh'd,
53
As feathers he should scorn.
Say not, your loss in triumph leads
Religion's feeble strife;
Joys future amply reimburse
Joys bankrupts of this life.
But not deferr'd your joy so long,
It bears an early date;
Affliction's ready pay in hand,
Befriends our present state;
What are the tears, which trickle down
Her melancholy face,
Like liquid pearl? Like pearls of price,
They purchase lasting peace.
Grief softens hearts, and curbs the will,
Impetuous passion tames,
And keeps insatiate, keen desire
From launching in extremes.
Through time's dark womb, our judgment right,
If our dim eye was thrown,
Clear should we see, the will divine
Has but forestall'd our own;
At variance with our future wish,
Self-sever'd we complain;
If so, the wounded, not the wound,
Must answer for the pain:
The day shall come, and swift of wing,
Though you may think it slow,
When, in the list of fortune's smiles,
You'll enter frowns of woe.
For mark the path of Providence;
This course it has pursued'Pain is the parent, woe the womb,
Of sound, important good:'
54
Our hearts are fasten'd to this world
By strong and endless ties:
And every sorrow cuts a string,
And urges us to rise:
'Twill sound severe-Yet rest assur'd
I'm studious of your peace;
Though I should dare to give you joyYes, joy of his decease:
An hour shall come, (you question this,)
An hour, when you shall bless,
Beyond the brightest beams of life,
Dark days of your distress.
Hear then without surprise a truth,
A daughter truth to this,
Swift turns of fortune often tie
A bleeding heart to bliss:
Esteem you this a paradox?
My sacred motto read;
A glorious truth! divinely sung
By one, whose heart had bled;
To resignation swift he flew,
In her a friend he found,
A friend, which bless'd him with a smile
When gasping with his wound.
On earth nought precious is obtain'd
But what is painful too;
By travel, and to travel born,
Our sabbaths are but few:
To real joy we work our way,
Encountering many a shock,
Ere found what truly charms; as found
A Venus in the block.
In some disaster, some severe
Appointment for our sins,
55
That mother blessing, (not so call'd,)
True happiness, begins.
No martyr e'er defied the flames,
By stings of life unvext;
First rose some quarrel with this world,
Then passion for the next.
You see, then, pangs are parent pangs,
The pangs of happy birth;
Pangs, by which only can be born
True happiness on earth.
The peopled earth look all around,
Or through time's records run!
And say, what is a man unstruck?
It is a man undone.
This moment, am I deeply stungMy bold pretence is tried;
When vain man boasts, heaven puts to proof
The vauntings of his pride;
Now need I, madam! your support.How exquisite the smart;
How critically tim'd the news(50)
Which strikes me to the heart!
The pangs of which I spoke, I feel:
If worth like thine is born,
O long-belov'd! I bless the blow,
And triumph, whilst I mourn.
Nor mourn I long; by grief subdued,
By reason's empire shown;
Deep anguish comes by heaven's decree,
Continues by our own;
And when continued past its point,
Indulg'd in length of time,
Grief is disgrac'd, and, what was fate,
Corrupts into a crime:
56
And shall I, criminally mean,
Myself and subject wrong?
No; my example shall support
The subject of my song.
Madam! I grant your loss is great;
Nor little is your gain?
Let that be weigh'd; when weigh'd aright,
It richly pays your pain:
When heaven would kindly set us free,
And earth's enchantment end;
It takes the most effectual means,
And robs us of a friend.
But such a friend! and sigh no more?
'Tis prudent; but severe:
Heaven aid my weakness, and I drop
All sorrow-with this tear.
Perhaps your settled grief to soothe,
I should not vainly strive,
But with soft balm your pain assuage,
Had he been still alive;
Whose frequent aid brought kind relief,
In my distress of thought,
Ting'd with his beams my cloudy page,
And beautified a fault:
To touch our passions' secret springs
Was his peculiar care;
And deep his happy genius div'd
In bosoms of the fair;
Nature, which favours to the few,
All art beyond, imparts,
To him presented, at his birth,
The key of human hearts.
But not to me by him bequeath'd
57
His gentle, smooth address;
His tender hand to touch the wound
In throbbing of distress;
Howe'er, proceed I must, unbless'd
With Esculapian art:
Know, love sometimes, mistaken love!
Plays disaffection's part:
Nor lands, nor seas, nor suns, nor stars,
Can soul from soul divide;
They correspond from distant worlds,
Though transports are denied:
Are you not, then, unkindly kind?
Is not your love severe?
O! stop that crystal source of woe;
Nor wound him with a tear.
As those above from human bliss
Receive increase of joy;
May not a stroke from human woe,
In part, their peace destroy?
He lives in those he left;-to what?
Your, now, paternal care,
Clear from its cloud your brighten'd eye,
It will discern him there;
In features, not of form alone,
But those, I trust, of mind;
Auspicious to the public weal,
And to their fate resign'd.
Think on the tempests he sustain'd;
Revolve his battles won;
And let those prophesy your joy
From such a father's son:
Is consolation what you seek?
Fan, then, his martial fire:
And animate to flame the sparks
58
Bequeath'd him by his sire:
As nothing great is born in haste,
Wise nature's time allow;
His father's laurels may descend,
And flourish on his brow.
Nor, madam! be surpris'd to hear
That laurels may be due
Not more to heroes of the field,
(Proud boasters!) than to you:
Tender as is the female frame,
Like that brave man you mourn,
You are a soldier, and to fight
Superior battles born;
Beneath a banner nobler far
Than ever was unfurl'd
In fields of blood; a banner bright!
High wav'd o'er all the world.
It, like a streaming meteor, casts
A universal light;
Sheds day, sheds more, eternal day
On nations whelm'd in night.
Beneath that banner, what exploit
Can mount our glory higher,
Than to sustain the dreadful blow,
When those we love expire?
Go forth a moral Amazon;
Arm'd with undaunted thought;
The battle won, though costing dear,
You'll think it cheaply bought:
The passive hero, who sits down
Unactive, and can smile
Beneath affliction's galling load,
Out-acts a Caesar's toil:
59
The billows stain'd by slaughter'd foes
Inferior praise afford;
Reason's a bloodless conqueror,
More glorious than the sword.
Nor can the thunders of huzzas,
From shouting nations, cause
Such sweet delight, as from your heart
Soft whispers of applause:
The dear deceas'd so fam'd in arms,
With what delight he'll view
His triumphs on the main outdone,
Thus conquer'd, twice, by you.
Share his delight; take heed to shun
Of bosoms most diseas'd
That odd distemper, an absurd
Reluctance to be pleas'd:
Some seem in love with sorrow's charms,
And that foul fiend embrace:
This temper let me justly brand,
And stamp it with disgrace:
Sorrow! of horrid parentage!
Thou second-born of hell!
Against heaven's endless mercies pour'd
How dar'st thou to rebel?
From black and noxious vapours bred,
And nurs'd by want of thought,
And to the door of phrensy's self
By perseverance brought,
Thy most inglorious, coward tears
From brutal eyes have ran:
Smiles, incommunicable smiles!
Are radiant marks of man;
They cast a sudden glory round
Th' illumin'd human face;
60
And light in sons of honest joy
Some beams of Moses' face:
Is resignation's lesson hard?
Examine, we shall find
That duty gives up little more
Than anguish of the mind;
Resign; and all the load of life
That moment you remove,
Its heavy tax, ten thousand cares
Devolve on one above;
Who bids us lay our burthen down
On his almighty hand,
Softens our duty to relief,
To blessing a command.
For joy what cause! how every sense
Is courted from above
The year around, with presents rich,
The growth of endless love!
But most o'erlook the blessings pour'd,
Forget the wonders done,
And terminate, wrapp'd up in sense,
Their prospect at the sun;
From that, their final point of view,
From that their radiant goal,
On travel infinite of thought,
Sets out the nobler soul,
Broke loose from time's tenacious ties,
And earth's involving gloom,
To range at last its vast domain,
And talk with worlds to come:
They let unmark'd, and unemploy'd,
Life's idle moments run;
And doing nothing for themselves,
Imagine nothing done;
61
Fatal mistake! their fate goes on,
Their dread account proceeds,
And their not doing is set down
Amongst their darkest deeds;
Though man sits still, and takes his ease;
God is at work on man;
No means, no moment unemployed,
To bless him, if he can.
But man consents not, boldly bent
To fashion his own fate;
Man, a mere bungler in the trade,
Repents his crime too late;
Hence loud laments: let me thy cause,
Indulgent father! plead;
Of all the wretches we deplore,
Not one by thee was made.
What is thy whole creation fair?
Of love divine the child;
Love brought it forth; and, from its birth,
Has o'er it fondly smil'd:
Now, and through periods distant far,
Long ere the world began,
Heaven is, and has in travail been,
Its birth the good of man;
Man holds in constant service bound
The blustering winds and seas;
Nor suns disdain to travel hard
Their master, man, to please:
To final good the worst events
Through secret channels run;
Finish for man their destin'd course,
As 'twas for man begun.
One point (observ'd, perhaps, by few)
62
Has often smote, and smites
My mind, as demonstration strong;
That heaven in man delights:
What's known to man of things unseen,
Of future worlds, or fates?
So much, nor more, than what to man's
Sublime affairs relates;
What's revelation then? a list,
An inventory just
Of that poor insect's goods, so late
Call'd out of night and dust.
What various motives to rejoice!
To render joy sincere,
Has this no weight? our joy is felt
Beyond this narrow sphere:
Would we in heaven new heaven create,
And double its delight?
A smiling world, when heaven looks down,
How pleasing in its sight!
Angels stoop forward from their thrones
To hear its joyful lays;
As incense sweet enjoy, and join,
Its aromatic praise:
Have we no cause to fear the stroke
Of heaven's avenging rod,
When we presume to counteract
A sympathetic God?
If we resign, our patience makes
His rod an armless wand;
If not, it darts a serpent's sting,
Like that in Moses' hand;
Like that, it swallows up whate'er
Earth's vain magicians bring,
Whose baffled arts would boast below
63
Of joys a rival spring.
Consummate love! the list how large
Of blessings from thy hand!
To banish sorrow, and be blest,
Is thy supreme command.
Are such commands but ill obey'd?
Of bliss, shall we complain?
The man, who dares to be a wretch,
Deserves still greater pain.
Joy is our duty, glory, health;
The sunshine of the soul;
Our best encomium on the power
Who sweetly plans the whole:
Joy is our Eden still possess'd:
Begone, ignoble grief!
'Tis joy makes gods, and men exalts,
Their nature, our relief;
Relief, for man to that must stoop,
And his due distance know;
Transport's the language of the sides,
Content the style below.
Content is joy, and joy in pain
Is joy and virtue too;
Thus, whilst good present we possess,
More precious we pursue:
Of joy the more we have in hand,
The more have we to come;
Joy, like our money, interest bears,
Which daily swells the sum.
'But how to smile; to stem the tide
Of nature in our veins;
Is it not hard to weep in joy?
What then to smile in pains?'
64
Victorious joy! which breaks the clouds,
And struggles through a storm;
Proclaims the mind as great, as good
And bids it doubly charm:
If doubly charming in our sex,
A sex, by nature, bold;
What then in yours? 'tis diamond there
Triumphant o'er our gold.
And should not this complaint repress,
And check the rising sigh?
Yet farther opiate to your pain
I labour to supply.
Since spirits greatly damp'd distort
Ideas of delight,
Look through the medium of a friend,
To set your notions right:
As tears the sight, grief dims the soul;
Its object dark appears;
True friendship, like a rising sun,
The soul's horizon clears.
A friend's an optic to the mind
With sorrow clouded o'er;
And gives it strength of sight to see
Redress unseen before.
Reason is somewhat rough in man;
Extremely smooth and fair,
When she, to grace her manly strength,
Assumes a female air:
A friend(51) you have, and I the same,
Whose prudent, soft address
Will bring to life those healing thoughts
Which died in your distress;
That friend, the spirit of my theme
Extracting for your ease,
65
Will leave to me the dreg, in thoughts
Too common; such as these:
Let those lament to whom full bowls
Of sparkling joys are given;
That triple bane inebriates life,
Imbitters death, and hazards heaven:
Woe to the soul at perfect ease!
'Tis brewing perfect pains;
Lull'd reason sleeps, the pulse is king;
Despotic body reigns;
Have you(52) ne'er pitied joy's gay scenes,
And deem'd their glory dark?
Alas! poor envy! she's stone-blind,
And quite mistakes her mark:
Her mark lies hid in sorrow's shades,
But sorrow well subdu'd;
And in proud fortune's frown defied
By meek, unborrow'd good.
By resignation; all in that
A double friend may find,
A wing to heaven, and, while on earth,
The pillow of mankind:
On pillows void of down, for rest
Our restless hopes we place;
When hopes of heaven lie warm at heart,
Our hearts repose in peace:
The peace, which resignation yields,
Who feel alone can guess;
'Tis disbeliev'd by murmuring minds,
They must conclude it less:
The loss, or gain, of that alone
Have we to hope or fear;
That fate controls, and can invert
The seasons of the year:
66
O! the dark days, the year around,
Of an impatient mind!
Thro' clouds, and storms, a summer breaks,
To shine on the resign'd:
While man by that of every grace,
And virtue, is possess'd;
Foul vice her pandaemonium builds
In the rebellious breast;
By resignation we defeat
The worst that can annoy;
And suffer, with far more repose,
Than worldlings can enjoy.
From small experience this I speak;
O! grant to those I love
Experience fuller far, ye powers,
Who form our fates above!
My love were due, if not to those
Who, leaving grandeur, came
To shine on age in mean recess,
And light me to my theme!
A theme themselves! A theme, how rare!
The charms, which they display,
To triumph over captive heads,
Are set in bright array:
With his own arms proud man's o'ercome,
His boasted laurels die:
Learning and genius, wiser grown,
To female bosoms fly.
This revolution, fix'd by fate,
In fable was foretold;
The dark prediction puzzled wits,
Nor could the learn'd unfold:
But as those ladies'(53) works I read,
67
They darted such a ray,
The latent sense burst out at once,
And shone in open day:
So burst, full ripe, distended fruits,
When strongly strikes the sun;
And from the purple grape unpress'd
Spontaneous nectars run.
Pallas, ('tis said,) when Jove grew dull,
Forsook his drowsy brain;
And sprightly leap'd into the throne
Of wisdom's brighter reign;
Her helmet took; that is, shot rays
Of formidable wit;
And lance,-or, genius most acute,
Which lines immortal writ;
And gorgon shield,-or, power to fright
Man's folly, dreadful shone,
And many a blockhead (easy change!)
Turn'd, instantly, to stone.
Our authors male, as, then, did Jove,
Now scratch a damag'd head,
And call for what once quarter'd there,
But find the goddess fled.
The fruit of knowledge, golden fruit!
That once forbidden tree,
Hedg'd-in by surly man, is now
To Britain's daughters free:
In Eve (we know) of fruit so fair
The noble thirst began;
And they, like her, have caus'd a fall,
A fall of fame in man:
And since of genius in our sex,
O Addison! with thee
The sun is set; how I rejoice
68
This sister lamp to see!
It sheds, like Cynthia, silver beams
On man's nocturnal state;
His lessen'd light, and languid powers,
I show, whilst I relate.
~ Edward Young,#NFDB |
1414:The Book Of Annandale
Partly to think, more to be left alone,
George Annandale said something to his friends—
A word or two, brusque, but yet smoothed enough
To suit their funeral gaze—and went upstairs;
And there, in the one room that he could call
His own, he found a sort of meaningless
Annoyance in the mute familiar things
That filled it; for the grate’s monotonous gleam
Was not the gleam that he had known before,
The books were not the books that used to be,
The place was not the place. There was a lack
Of something; and the certitude of death
Itself, as with a furtive questioning,
Hovered, and he could not yet understand.
He knew that she was gone—there was no need
Of any argued proof to tell him that,
For they had buried her that afternoon,
Under the leaves and snow; and still there was
A doubt, a pitiless doubt, a plunging doubt,
That struck him, and upstartled when it struck,
The vision, the old thought in him. There was
A lack, and one that wrenched him; but it was
Not that—not that. There was a present sense
Of something indeterminably near—
The soul-clutch of a prescient emptiness
That would not be foreboding. And if not,
What then?—or was it anything at all?
Yes, it was something—it was everything—
But what was everything? or anything?
Tired of time, bewildered, he sat down;
But in his chair he kept on wondering
That he should feel so desolately strange
And yet—for all he knew that he had lost
More of the world than most men ever win—
So curiously calm. And he was left
Unanswered and unsatisfied: there came
No clearer meaning to him than had come
275
Before; the old abstraction was the best
That he could find, the farthest he could go;
To that was no beginning and no end—
No end that he could reach. So he must learn
To live the surest and the largest life
Attainable in him, would he divine
The meaning of the dream and of the words
That he had written, without knowing why,
On sheets that he had bound up like a book
And covered with red leather. There it was—
There in his desk, the record he had made,
The spiritual plaything of his life:
There were the words no eyes had ever seen
Save his; there were the words that were not made
For glory or for gold. The pretty wife
Whom he had loved and lost had not so much
As heard of them. They were not made for her.
His love had been so much the life of her,
And hers had been so much the life of him,
That any wayward phrasing on his part
Would have had no moment. Neither had lived enough
To know the book, albeit one of them
Had grown enough to write it. There it was,
However, though he knew not why it was:
There was the book, but it was not for her,
For she was dead. And yet, there was the book.
Thus would his fancy circle out and out,
And out and in again, till he would make
As if with a large freedom to crush down
Those under-thoughts. He covered with his hands
His tired eyes, and waited: he could hear—
Or partly feel and hear, mechanically—
The sound of talk, with now and then the steps
And skirts of some one scudding on the stairs,
Forgetful of the nerveless funeral feet
That she had brought with her; and more than once
There came to him a call as of a voice—
A voice of love returning—but not hers.
Whose he knew not, nor dreamed; nor did he know,
Nor did he dream, in his blurred loneliness
Of thought, what all the rest might think of him.
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For it had come at last, and she was gone
With all the vanished women of old time,—
And she was never coming back again.
Yes, they had buried her that afternoon,
Under the frozen leaves and the cold earth,
Under the leaves and snow. The flickering week,
The sharp and certain day, and the long drowse
Were over, and the man was left alone.
He knew the loss—therefore it puzzled him
That he should sit so long there as he did,
And bring the whole thing back—the love, the trust,
The pallor, the poor face, and the faint way
She last had looked at him—and yet not weep,
Or even choose to look about the room
To see how sad it was; and once or twice
He winked and pinched his eyes against the flame
And hoped there might be tears. But hope was all,
And all to him was nothing: he was lost.
And yet he was not lost: he was astray—
Out of his life and in another life;
And in the stillness of this other life
He wondered and he drowsed. He wondered when
It was, and wondered if it ever was
On earth that he had known the other face—
The searching face, the eloquent, strange face—
That with a sightless beauty looked at him
And with a speechless promise uttered words
That were not the world’s words, or any kind
That he had known before. What was it, then?
What was it held him—fascinated him?
Why should he not be human? He could sigh,
And he could even groan,—but what of that?
There was no grief left in him. Was he glad?
Yet how could he be glad, or reconciled,
Or anything but wretched and undone?
How could he be so frigid and inert—
So like a man with water in his veins
Where blood had been a little while before?
How could he sit shut in there like a snail?
What ailed him? What was on him? Was he glad?
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Over and over again the question came,
Unanswered and unchanged,—and there he was.
But what in heaven’s name did it all mean?
If he had lived as other men had lived,
If home had ever shown itself to be
The counterfeit that others had called home,
Then to this undivined resource of his
There were some key; but now … Philosophy?
Yes, he could reason in a kind of way
That he was glad for Miriam’s release—
Much as he might be glad to see his friends
Laid out around him with their grave-clothes on,
And this life done for them; but something else
There was that foundered reason, overwhelmed it,
And with a chilled, intuitive rebuff
Beat back the self-cajoling sophistries
That his half-tutored thought would half-project.
What was it, then? Had he become transformed
And hardened through long watches and long grief
Into a loveless, feelingless dead thing
That brooded like a man, breathed like a man,—
Did everything but ache? And was a day
To come some time when feeling should return
Forever to drive off that other face—
The lineless, indistinguishable face—
That once had thrilled itself between his own
And hers there on the pillow,—and again
Between him and the coffin-lid had flashed
Like fate before it closed,—and at the last
Had come, as it should seem, to stay with him,
Bidden or not? He were a stranger then,
Foredrowsed awhile by some deceiving draught
Of poppied anguish, to the covert grief
And the stark loneliness that waited him,
And for the time were cursedly endowed
With a dull trust that shammed indifference
To knowing there would be no touch again
Of her small hand on his, no silencing
Of her quick lips on his, no feminine
Completeness and love-fragrance in the house,
No sound of some one singing any more,
278
No smoothing of slow fingers on his hair,
No shimmer of pink slippers on brown tiles.
But there was nothing, nothing, in all that:
He had not fooled himself so much as that;
He might be dreaming or he might be sick,
But not like that. There was no place for fear,
No reason for remorse. There was the book
That he had made, though.… It might be the book;
Perhaps he might find something in the book;
But no, there could be nothing there at all—
He knew it word for word; but what it meant—
He was not sure that he had written it
For what it meant; and he was not quite sure
That he had written it;—more likely it
Was all a paper ghost.… But the dead wife
Was real: he knew all that, for he had been
To see them bury her; and he had seen
The flowers and the snow and the stripped limbs
Of trees; and he had heard the preacher pray;
And he was back again, and he was glad.
Was he a brute? No, he was not a brute:
He was a man—like any other man:
He had loved and married his wife Miriam,
They had lived a little while in paradise
And she was gone; and that was all of it.
But no, not all of it—not all of it:
There was the book again; something in that
Pursued him, overpowered him, put out
The futile strength of all his whys and wheres,
And left him unintelligibly numb—
Too numb to care for anything but rest.
It must have been a curious kind of book
That he had made it: it was a drowsy book
At any rate. The very thought of it
Was like the taste of some impossible drink—
A taste that had no taste, but for all that
Had mixed with it a strange thought-cordial,
So potent that it somehow killed in him
The ultimate need of doubting any more—
Of asking any more. Did he but live
279
The life that he must live, there were no more
To seek.—The rest of it was on the way.
Still there was nothing, nothing, in all this—
Nothing that he cared now to reconcile
With reason or with sorrow. All he knew
For certain was that he was tired out:
His flesh was heavy and his blood beat small;
Something supreme had been wrenched out of him
As if to make vague room for something else.
He had been through too much. Yes, he would stay
There where he was and rest.—And there he stayed;
The daylight became twilight, and he stayed;
The flame and the face faded, and he slept.
And they had buried her that afternoon,
Under the tight-screwed lid of a long box,
Under the earth, under the leaves and snow.
II
Look where she would, feed conscience how she might,
There was but one way now for Damaris—
One straight way that was hers, hers to defend,
At hand, imperious. But the nearness of it,
The flesh-bewildering simplicity,
And the plain strangeness of it, thrilled again
That wretched little quivering single string
Which yielded not, but held her to the place
Where now for five triumphant years had slept
The flameless dust of Argan.—He was gone,
The good man she had married long ago;
And she had lived, and living she had learned,
And surely there was nothing to regret:
Much happiness had been for each of them,
And they had been like lovers to the last:
And after that, and long, long after that,
Her tears had washed out more of widowed grief
Than smiles had ever told of other joy.—
But could she, looking back, find anything
That should return to her in the new time,
And with relentless magic uncreate
280
This temple of new love where she had thrown
Dead sorrow on the altar of new life?
Only one thing, only one thread was left;
When she broke that, when reason snapped it off,
And once for all, baffled, the grave let go
The trivial hideous hold it had on her,—
Then she were free, free to be what she would,
Free to be what she was.—And yet she stayed,
Leashed, as it were, and with a cobweb strand,
Close to a tombstone—maybe to starve there.
But why to starve? And why stay there at all?
Why not make one good leap and then be done
Forever and at once with Argan’s ghost
And all such outworn churchyard servitude?
For it was Argan’s ghost that held the string,
And her sick fancy that held Argan’s ghost—
Held it and pitied it. She laughed, almost,
There for the moment; but her strained eyes filled
With tears, and she was angry for those tears—
Angry at first, then proud, then sorry for them.
So she grew calm; and after a vain chase
For thoughts more vain, she questioned of herself
What measure of primeval doubts and fears
Were still to be gone through that she might win
Persuasion of her strength and of herself
To be what she could see that she must be,
No matter where the ghost was.—And the more
She lived, the more she came to recognize
That something out of her thrilled ignorance
Was luminously, proudly being born,
And thereby proving, thought by forward thought,
The prowess of its image; and she learned
At length to look right on to the long days
Before her without fearing. She could watch
The coming course of them as if they were
No more than birds, that slowly, silently,
And irretrievably should wing themselves
Uncounted out of sight. And when he came
Again, she might be free—she would be free.
Else, when he looked at her she must look down,
Defeated, and malignly dispossessed
281
Of what was hers to prove and in the proving
Wisely to consecrate. And if the plague
Of that perverse defeat should come to be—
If at that sickening end she were to find
Herself to be the same poor prisoner
That he had found at first—then she must lose
All sight and sound of him, she must abjure
All possible thought of him; for he would go
So far and for so long from her that love—
Yes, even a love like his, exiled enough,
Might for another’s touch be born again—
Born to be lost and starved for and not found;
Or, at the next, the second wretchedest,
It might go mutely flickering down and out,
And on some incomplete and piteous day,
Some perilous day to come, she might at last
Learn, with a noxious freedom, what it is
To be at peace with ghosts. Then were the blow
Thrice deadlier than any kind of death
Could ever be: to know that she had won
The truth too late—there were the dregs indeed
Of wisdom, and of love the final thrust
Unmerciful; and there where now did lie
So plain before her the straight radiance
Of what was her appointed way to take,
Were only the bleak ruts of an old road
That stretched ahead and faded and lay far
Through deserts of unconscionable years.
But vampire thoughts like these confessed the doubt
That love denied; and once, if never again,
They should be turned away. They might come back—
More craftily, perchance, they might come back—
And with a spirit-thirst insatiable
Finish the strength of her; but now, today
She would have none of them. She knew that love
Was true, that he was true, that she was true;
And should a death-bed snare that she had made
So long ago be stretched inexorably
Through all her life, only to be unspun
With her last breathing? And were bats and threads,
Accursedly devised with watered gules,
282
To be Love’s heraldry? What were it worth
To live and to find out that life were life
But for an unrequited incubus
Of outlawed shame that would not be thrown down
Till she had thrown down fear and overcome
The woman that was yet so much of her
That she might yet go mad? What were it worth
To live, to linger, and to be condemned
In her submission to a common thought
That clogged itself and made of its first faith
Its last impediment? What augured it,
Now in this quick beginning of new life,
To clutch the sunlight and be feeling back,
Back with a scared fantastic fearfulness,
To touch, not knowing why, the vexed-up ghost
Of what was gone?
Yes, there was Argan’s face,
Pallid and pinched and ruinously marked
With big pathetic bones; there were his eyes,
Quiet and large, fixed wistfully on hers;
And there, close-pressed again within her own,
Quivered his cold thin fingers. And, ah! yes,
There were the words, those dying words again,
And hers that answered when she promised him.
Promised him? … yes. And had she known the truth
Of what she felt that he should ask her that,
And had she known the love that was to be,
God knew that she could not have told him then.
But then she knew it not, nor thought of it;
There was no need of it; nor was there need
Of any problematical support
Whereto to cling while she convinced herself
That love’s intuitive utility,
Inexorably merciful, had proved
That what was human was unpermanent
And what was flesh was ashes. She had told
Him then that she would love no other man,
That there was not another man on earth
Whom she could ever love, or who could make
So much as a love thought go through her brain;
And he had smiled. And just before he died
283
His lips had made as if to say something—
Something that passed unwhispered with his breath,
Out of her reach, out of all quest of it.
And then, could she have known enough to know
The meaning of her grief, the folly of it,
The faithlessness and the proud anguish of it,
There might be now no threads to punish her,
No vampire thoughts to suck the coward blood,
The life, the very soul of her.
Yes, Yes,
They might come back.… But why should they come back?
Why was it she had suffered? Why had she
Struggled and grown these years to demonstrate
That close without those hovering clouds of gloom
And through them here and there forever gleamed
The Light itself, the life, the love, the glory,
Which was of its own radiance good proof
That all the rest was darkness and blind sight?
And who was she? The woman she had known—
The woman she had petted and called “I”—
The woman she had pitied, and at last
Commiserated for the most abject
And persecuted of all womankind,—
Could it be she that had sought out the way
To measure and thereby to quench in her
The woman’s fear—the fear of her not fearing?
A nervous little laugh that lost itself,
Like logic in a dream, fluttered her thoughts
An instant there that ever she should ask
What she might then have told so easily—
So easily that Annandale had frowned,
Had he been given wholly to be told
The truth of what had never been before
So passionately, so inevitably
Confessed.
For she could see from where she sat
The sheets that he had bound up like a book
And covered with red leather; and her eyes
Could see between the pages of the book,
Though her eyes, like them, were closed. And she could read
284
As well as if she had them in her hand,
What he had written on them long ago,—
Six years ago, when he was waiting for her.
She might as well have said that she could see
The man himself, as once he would have looked
Had she been there to watch him while he wrote
Those words, and all for her.… For her whose face
Had flashed itself, prophetic and unseen,
But not unspirited, between the life
That would have been without her and the life
That he had gathered up like frozen roots
Out of a grave-clod lying at his feet,
Unconsciously, and as unconsciously
Transplanted and revived. He did not know
The kind of life that he had found, nor did
He doubt, not knowing it; but well he knew
That it was life—new life, and that the old
Might then with unimprisoned wings go free,
Onward and all along to its own light,
Through the appointed shadow.
While she gazed
Upon it there she felt within herself
The growing of a newer consciousness—
The pride of something fairer than her first
Outclamoring of interdicted thought
Had ever quite foretold; and all at once
There quivered and requivered through her flesh,
Like music, like the sound of an old song,
Triumphant, love-remembered murmurings
Of what for passion’s innocence had been
Too mightily, too perilously hers,
Ever to be reclaimed and realized
Until today. Today she could throw off
The burden that had held her down so long,
And she could stand upright, and she could see
The way to take, with eyes that had in them
No gleam but of the spirit. Day or night,
No matter; she could see what was to see—
All that had been till now shut out from her,
The service, the fulfillment, and the truth,
And thus the cruel wiseness of it all.
285
So Damaris, more like than anything
To one long prisoned in a twilight cave
With hovering bats for all companionship,
And after time set free to fight the sun,
Laughed out, so glad she was to recognize
The test of what had been, through all her folly,
The courage of her conscience; for she knew,
Now on a late-flushed autumn afternoon
That else had been too bodeful of dead things
To be endured with aught but the same old
Inert, self-contradicted martyrdom
Which she had known so long, that she could look
Right forward through the years, nor any more
Shrink with a cringing prescience to behold
The glitter of dead summer on the grass,
Or the brown-glimmered crimson of still trees
Across the intervale where flashed along,
Black-silvered, the cold river. She had found,
As if by some transcendent freakishness
Of reason, the glad life that she had sought
Where naught but obvious clouds could ever be—
Clouds to put out the sunlight from her eyes,
And to put out the love-light from her soul.
But they were gone—now they were all gone;
And with a whimsied pathos, like the mist
Of grief that clings to new-found happiness
Hard wrought, she might have pity for the small
Defeated quest of them that brushed her sight
Like flying lint—lint that had once been thread.…
Yes, like an anodyne, the voice of him,
There were the words that he had made for her,
For her alone. The more she thought of them
The more she lived them, and the more she knew
The life-grip and the pulse of warm strength in them.
They were the first and last of words to her,
And there was in them a far questioning
That had for long been variously at work,
Divinely and elusively at work,
With her, and with the grace that had been hers;
They were eternal words, and they diffused
A flame of meaning that men’s lexicons
286
Had never kindled; they were choral words
That harmonized with love’s enduring chords
Like wisdom with release; triumphant words
That rang like elemental orisons
Through ages out of ages; words that fed
Love’s hunger in the spirit; words that smote;
Thrilled words that echoed, and barbed words that clung;—
And every one of them was like a friend
Whose obstinate fidelity, well tried,
Had found at last and irresistibly
The way to her close conscience, and thereby
Revealed the unsubstantial Nemesis
That she had clutched and shuddered at so long;
And every one of them was like a real
And ringing voice, clear toned and absolute,
But of a love-subdued authority
That uttered thrice the plain significance
Of what had else been generously vague
And indolently true. It may have been
The triumph and the magic of the soul,
Unspeakably revealed, that finally
Had reconciled the grim probationing
Of wisdom with unalterable faith,
But she could feel—not knowing what it was,
For the sheer freedom of it—a new joy
That humanized the latent wizardry
Of his prophetic voice and put for it
The man within the music.
So it came
To pass, like many a long-compelled emprise
That with its first accomplishment almost
Annihilates its own severity,
That she could find, whenever she might look,
The certified achievement of a love
That had endured, self-guarded and supreme,
To the glad end of all that wavering;
And she could see that now the flickering world
Of autumn was awake with sudden bloom,
New-born, perforce, of a slow bourgeoning.
And she had found what more than half had been
The grave-deluded, flesh-bewildered fear
287
Which men and women struggle to call faith,
To be the paid progression to an end
Whereat she knew the foresight and the strength
To glorify the gift of what was hers,
To vindicate the truth of what she was.
And had it come to her so suddenly?
There was a pity and a weariness
In asking that, and a great needlessness;
For now there were no wretched quivering strings
That held her to the churchyard any more:
There were no thoughts that flapped themselves like bats
Around her any more. The shield of love
Was clean, and she had paid enough to learn
How it had always been so. And the truth,
Like silence after some far victory,
Had come to her, and she had found it out
As if it were a vision, a thing born
So suddenly!—just as a flower is born,
Or as a world is born—so suddenly.
~ Edwin Arlington Robinson,#NFDB |
1415:The Temple Of Fame
In that soft season, when descending show'rs
Call forth the greens, and wake the rising flow'rs;
When op'ning buds salute the welcome day,
And earth relenting feels the genial day,
As balmy sleep had charm'd my cares to rest,
And love itself was banish'd from my breast,
(What time the morn mysterious visions brings,
While purer slumbers spread their golden wings)
A train of phantoms in wild order rose,
And, join'd, this intellectual sense compose.
I stood, methought, betwixt earth, seas, and skies;
The whole creation open to my eyes:
In air self-balanc'd hung the globe below,
Where mountains rise and circling oceans flow;
Here naked rocks, and empty wastes were seen,
There tow'ry cities, and the forests green:
Here sailing ships delight the wand'ring eyes:
There trees, and intermingled temples rise;
Now a clear sun the shining scene displays,
The transient landscape now in clouds decays.
O'er the wide Prospect as I gaz'd around,
Sudden I heard a wild promiscuous sound,
Like broken thunders that at distance roar,
Then gazing up, a glorious pile beheld,
Whose tow'ring summit ambient clouds conceal'd.
High on a rock of Ice the structure lay,
Steep its ascent, and slipp'ry was the way;
The wond'rous rock like Parian marble shone,
And seem'd, to distant sight, of solid stone.
Inscriptions here of various Names I view'd,
The greater part by hostile time subdu'd;
Yet wide was spread their fame in ages past,
And Poets once had promis'd they should last.
Some fresh engrav'd appear'd of Wits renown'd;
I look'd again, nor could their trace be found.
Critics I saw, that other names deface,
And fix their own, with labour, in their place:
Their own, like others, soon their place resign'd,
Or disappear'd, and left the first behind.
245
Nor was the work impair'd by storms alone,
But felt th' approaches of too warm a sun;
For Fame, impatient of extremes, decays
Not more by Envy than excess of Praise.
Yet part no injuries of heav'n could feel,
Like crystal faithful to th' graving steel:
The rock's high summit, in the temple's shade,
Nor heat could melt, nor beating storm invade.
Their names inscrib'd, unnumber'd ages past
From time's first birth, with time itself shall last;
These ever new, nor subject to decays,
Spread, and grow brighter with the length of days.
So Zembla's rocks (the beauteous work of frost)
Rise white in air, and glitter o'er the coast;
Pale suns, unfelt, at distance roll away,
And on th' impassive ice the light'nings play;
Eternal snows the growing mass supply,
Till the bright mountains prop th' incumbent sky:
As Atlas fix'd, each hoary pile appears,
The gather'd winter of a thousand years.
On this foundation Fame's high temple stands;
Stupendous pile! not rear'd by mortal hands.
Whate'er proud Rome or artful Greece beheld,
Or elder Babylon, its frame excell'd.
Four faces had the dome, and ev'ry face
Of various structure, but of equal grace:
Four brazen gates, on columns lifted high,
Salute the diff'rent quarters of the sky.
Here fabled Chiefs in darker ages born,
Or Worthies old, whom arms or arts adorn,
Who cities rais'd, or tam'd a monstrous race;
The walls in venerable order grace:
Heroes in animated marble frown,
And Legislators seem to think in stone.
Westward, a sumptuous frontispiece appear'd,
On Doric pillars of white marble rear'd,
Crown'd with an architrave of antique mold,
And sculpture rising on the roughen'd mold,
In shaggy spoils here Theseus was beheld,
And Perseus dreadful with Minerva's shield:
There great Alcides stooping with his toil,
Rests on his club, and holds th' Hesperian spoil.
246
Here Orpheus sings; trees moving to the sound
Start from their roots, and form a shade around:
Amphion there the loud creating lyre
Strikes, and beholds a sudden Thebes aspire!
Cithaeron's echoes answer to his call,
And half the mountain rolls into a wall:
There might you see the length'ning spires ascend,
The domes swell up, the wid'ning arches bend,
The growing tow'rs, like exhalations rise,
And the huge columns heave into the skies.
The Eastern front was glorious to behold,
With di'mond flaming, and Barbaric gold.
There Ninus shone, who spread th' Assyrian fame,
And the great founder of the Persian name:
There in long robes the royal Magi stand,
Grave Zoroaster waves the circling wand,
The sage Chaldaeans rob'd in white appear'd,
And Brahmans, deep in desert woods rever'd.
These stop'd the moon, and call'd th' unbody'd shades
To midnight banquets in the glimm'ring glades;
Made visionary fabrics round them rise,
And airy spectres skim before their eyes;
Of Talismans and Sigils knew the pow'r,
And careful watch'd the Planetary hour.
Superior, and alone, Confucius stood,
Who taught that useful science, to be good.
But on the South, a long majestic race
Of AEgypt's Priests the gilded niches grace,
Who measur'd earth, describ'd the starry spheres,
And trac'd the long records of lunar years.
High on his car Sesostris struck my view,
Whom scepter'd slaves in golden harness drew:
His hands a bow and pointed javelin hold;
His giant limbs are arm'd in scales of gold.
Between the statues Obelisks were plac'd,
And the learn'd walls with Hieroglyphics grac'd.
Of Gothic structure was the Northern side,
O'erwrought with ornaments of barb'rous pride.
There huge Colosses rose, with trophies crown'd,
And Runic characters were grav'd around.
There sate Zamolxis with erected eyes,
And Odin here in mimic trances dies.
247
There on rude iron columns, smear'd with blood,
The horrid forms of Scythian heroes stood,
Druids and Bards (their once loud harps unstrung)
And youths that died to be by Poets sung.
These and a thousand more of doubtful fame,
To whom old fables gave a lasting name,
In ranks adorn'd the Temple's outward face;
The wall in lustre and effect like Glass,
Which o'er each object casting various dyes,
Enlarges some, and others multiplies:
Nor void of emblem was the mystic wall,
For thus romantic Fame increases all.
The Temple shakes, the sounding gates unfold,
Wide vaults appear, and roofs of fretted gold:
Rais'd on a thousand pillars, wreath'd around
With laurel-foliage, and with eagles crown'd:
Of bright, transparent beryl were the walls,
The friezes gold, an gold the capitals:
As heav'n with stars, the roof with jewels glows,
And ever-living lamps depend in rows.
Full in the passage of each spacious gate,
The sage Historians in white garments wait;
Grav'd o'er their seats the form of Time was found,
His scythe revers'd, and both his pinions bound.
Within stood Heroes, who thro' loud alarms
In bloody fields pursu'd renown in arms.
High on a throne with trophies charg'd, I view'd
The Youth that all things but himself subdu'd;
His feet on sceptres and tiara's trod,
And his horn'd head bely'd the Libyan God.
There Caesar, grac'd with both Minerva's, shone;
Unmov'd, superior still in ev'ry state,
And scarce detested in his Country's fate.
But chief were those, who not for empire fought,
But with their toils their people's safety bought:
High o'er the rest Epaminondas stood;
Timoleon, glorious in his brother's blood;
Bold Scipio, saviour of the Roman state;
Great in his triumphs, in retirement great;
And wise Aurelius, in whose well-taught mind
With boundless pow'r unbounded virtue join'd,
His own strict judge, and patron of mankind.
248
Much-suff'ring heroes next their honours claim,
Those of less noisy, and less guilty fame,
Fair Virtue's silent train: supreme of these
Here ever shines the godlike Socrates:
He whom ungrateful Athens could expell,
At all times just, but when he sign'd the Shell:
Here his abode the martyr'd Phocion claims,
With Agis, not the last of Spartan names:
Unconquered Cato shews the wound he tore,
And Brutus his ill Genius meets no more.
But in the centre of the hallow'd choir,
Six pompous columns o'er the rest aspire;
Around the shrine itself of Fame they stand,
Hold the chief honours, and the fane command.
High on the first, the mighty Homer shone;
Eternal Adamant compos'd his throne;
Father of verse! in holy fillets drest,
His silver beard wav'd gently o'er his breast;
Tho' blind, a boldness in his looks appears;
In years he seem'd, but not impair'd by years.
The wars of Troy were round the Pillar seen:
Here fierce Tydides wounds the Cyprian Queen;
Here Hector glorious from Patroclus' fall,
Here dragg'd in triumph round the Trojan wall,
Motion and life did ev'ry part inspire,
Bold was the work, and prov'd the master's fire;
A strong expression most he seem'd t' affect,
And here and there disclos'd a brave neglect.
A golden column next in rank appear'd,
On which a shrine of purest gold was rear'd;
Finish'd the whole, and labour'd ev'ry part,
With patient touches of unweary'd art:
The Mantuan there in sober triumph sate,
Compos'd his posture, and his look sedate;
On Homer still he fix'd a rev'rend eye,
Great without pride, in modest majesty.
In living sculpture on the sides were spread
The Latian Wars, and haughty Turnus dead;
Eliza stretch'd upon the fun'ral pyre,
AEneas ending with his aged sire:
Troy flam'd in burning gold, and o'er the throne
249
Arms of the Man in golden cyphers shone.
Four swans sustain a car of silver bright,
With heads advanc'd, and pinions stretch'd for flight:
Here, like some furious prophet, Pindar rode,
And seem'd to labour with th' inspiring God.
Across the harp a careless hand he flings,
And boldly sinks into the sounding strings.
The figur'd games of Greece the column grace,
Neptune and Jove survey the rapid race.
The youths hand o'er their chariots as they run;
The fiery steeds seem starting from the stone;
The champions in distorted postures threat;
And all appear'd irregularly great.
Here happy Horace tun'd th' Ausonian lyre
To sweeter sounds, and temper'd Pindar's fire:
Pleas'd with Alcaeus' manly rage t' infuse
The softer spirit of the Sapphic Muse.
The polish'd pillar diff'rent sculptures grace;
A work outlasting monumental brass.
Here smiling Loves and Bacchanals appear,
The Julian star, and great Augustus here,
The Doves that round the infant poet spread
Myrtles and bays, hung hov'ring o'er his head.
Here in a shrine that cast a dazzling light,
Sate fix'd in thought the mighty Stagirite;
His sacred head a radiant Zodiac crown'd,
And various Animals his sides surround;
His piercing eyes, erect, appear to view
Superior worlds, and look all Nature through.
With equal rays immortal Tully shone,
The Roman Rostra deck'd the Consul's throne:
Gath'ring his flowing robe, he seem'd to stand
In act to speak, and graceful stretch'd his hand.
Behind, Rome's Genius waits with Civic crowns,
And the great Father of his country owns.
These massy columns in a circle rise,
O'er which a pompous dome invades the skies:
Scarce to the top I stretch'd my aching sight,
So large it spread, and swell'd to such a height.
Full in the midst proud Fame's imperial seat,
With jewels blaz'd, magnificently great;
The vivid em'ralds there revive the eye,
250
The flaming rubies shew their sanguine dye,
Bright azure rays from lively sapphrys stream,
And lucid amber casts a golden gleam.
With various-colour'd light the pavement shone,
And all on fire appear'd the glowing throne;
The dome's high arch reflects the mingled blaze,
And forms a rainbow of alternate rays.
When on the Goddess first I cast my sight,
Scarce seem'd her stature of a cubit's height;
But swell'd to larger size, the more I gaz'd,
Till to the roof her tow'ring front she rais'd.
With her, the Temple ev'ry moment grew,
And ampler Vista's open'd to my view:
Upward the columns shoot, the roofs ascend,
And arches widen, and long aisles extend.
Such was her form as ancient bards have told,
Wings raise her arms, and wings her feet infold;
A thousand busy tongues the Goddess bears,
And thousand open eyes, and thousand list'ning ears.
Beneath, in order rang'd, the tuneful Nine
(Her virgin handmaids) still attend the shrine:
With eyes on Fame for ever fix'd, they sing;
For Fame they raise the voice, and tune the string;
With time's first birth began the heav'nly lays,
And last, eternal, thro' the length of days.
Around these wonders as I cast a look,
The trumpet sounded, and the temple shoo,
And all the nations, summon'd at the call,
From diff'rent quarters fill the crowded hall:
Of various tongues the mingled sounds were heard;
In various garbs promiscuous throngs appear'd;
Thick as the bees, that with the spring renew
Their flow'ry toils, and sip the fragrant dew,
When the wing'd colonies first tempt the sky,
O'er dusky fields and shaded waters fly,
Or settling, seize the sweets the blossoms yield,
And a low murmur runs along the field.
Millions of suppliant crowds the shrine attend,
And all degrees before the Goddess bend;
The poor, the rich, the valiant and the sage,
And boasting youth, and narrative old-age.
251
Their pleas were diff'rent, their request the same:
For good and bad alike are fond of Fame.
Some she disgrac'd, and some with honours crown'd;
Unlike successes equal merits found.
Thus her blind sister, fickle Fortune, reigns,
And, undiscerning, scatters crowns and chains.
First at the shrine the Learned world appear,
And to the Goddess thus prefer their play'r.
'Long have we sought t' instruct and please mankind,
With studies pale, with midnight vigils blind;
But thank'd by few, rewarded yet by none,
We here appeal to thy superior throne:
On wit and learning the just prize bestow,
For fame is all we must expect below.'
The Goddess heard, and bade the Muses raise
The golden Trumpet of eternal Praise:
From pole to pole the winds diffuse the sound,
That fills the circuit of the world around;
Not all at once, as thunder breaks the cloud;
The notes at first were rather sweet than loud:
By just degrees they ev'ry moment rise,
Fill the wide earth, and gain upon the skies.
At ev'ry breath were balmy odours shed,
Which still grew sweeter as they wider spread;
Less fragrant scents th' unfolding rose exhales,
Or spices breathing in Arabian gales.
Next these the good and just, an awful train,
Thus on their knees address the sacred fane.
'Since living virtue is with envy curs'd,
And the best men are treated like the worst,
Do thou, just Goddess, call our merits forth,
And give each deed th' exact intrinsic worth.'
'Not with bare justice shall your act be crown'd'
(Said Fame) 'but high above desert renown'd:
Let fuller notes th' applauding world amaze,
And the full loud clarion labour in your praise.'
This band dismiss'd, behold another croud
The constant tenour of whose well-spent days
No less deserv'd a just return of praise.
But strait the direful Trump of Slander sounds;
Thro' the big dome the doubling thunder bounds;
Loud as the burst of cannon rends the skies,
252
The dire report thro' ev'ry region flies,
In ev'ry ear incessant rumours rung,
And gath'ring scandals grew on ev'ry tongue.
From the black trumpet's rusty concave broke
Sulphureous flames, and clouds of rolling smoke:
The pois'nous vapour blots the purple skies,
And withers all before it as it flies.
A troop came next, who crowns and armour wore,
And proud defiance in their looks they bore:
'For thee' (they cry'd) 'amidst alarms and strife,
We sail'd in tempests down the stream of life;
For thee whole nations fill'd with flames and blood,
And swam to empire thro' the purple flood.
Those ills we dar'd, thy inspiration own,
What virtue seem'd, was done for thee alone.'
'Ambitious fools!' (the Queen reply'd, and frown'd)
'Be all your acts in dark oblivion drown'd;
There sleep forgot, with mighty tyrants gone,
Your statues moulder'd, and your names unknown!'
A sudden cloud straight snatch'd them from my sight,
And each majestic phantom sunk in night.
Then came the smallest tribe I yet had seen;
Plain was their dress, and modest was their mien.
'Great idol of mankind! we neither claim
The praise of merit, nor aspire to fame!
But safe in deserts from th' applause of men,
Would die unheard of, as we liv'd unseen,
'Tis all we beg thee, to conceal from sight
Those acts of goodness, which themselves requite.
To follow virtue ev'n for virtue's sake.'
'And live there men, who slight immortal fame?
Who then with incense shall adore our name?
But mortals! know, 'tis still our greatest pride
To blaze those virtues, which the good would hide.
Rise! Muses, rise; add all your tuneful breath,
These must not sleep in darkness and in death.'
She said: in air the trembling music floats,
And on the winds triumphant swell the notes;
So soft, tho' high, so loud, and yet so clear,
Ev'n list'ning Angels lean'd from heav'n to hear:
To farthest shores th' Ambrosial spirit flies,
Sweet to the world, and grateful to the skies.
253
Next these a youthful train their vows express'd,
With feathers crown'd, with gay embroid'ry dress'd:
'Hither,' they cry'd, 'direct your eyes, and see
The men of pleasure, dress, and gallantry;
Ours is the place at banquets, balls, and plays,
Sprightly our nights, polite are all our days;
Courts we frequent, where 'tis our pleasing care
To pay due visits, and address the fair:
In fact, 'tis true, no nymph we could persuade,
But still in fancy vanquish'd ev'ry maid;
Of unknown Duchesses lewd tales we tell,
Yet, would the world believe us, all were well.
The joy let others have, and we the name,
And what we want in pleasure, grant in fame.'
The Queen assents, the trumpet rends the skies,
And at each blast a Lady's honour dies.
Pleas'd with the strange success, vast numbers prest
Around the shrine, and made the same request:
'What? you,' (she cry'd) 'unlearn'd in arts to please,
Slaves to yourselves, and ev'n fatigu'd with ease,
Who lose a length of undeserving days,
Would you usurp the lover's dear-bought praise?
To just contempt, ye vain pretenders, fall,
The people's fable, and the scorn of all.'
Straight the black clarion sends a horrid sound,
Loud laughs burst out, and bitter scoffs fly round,
Whispers are heard, with taunts reviling loud,
And scornful hisses run thro' the crowd.
Last, those who boast of mighty mischiefs done,
Enslave their country, or usurp a throne;
Or who their glory's dire foundation lay'd
On Sov'reigns ruin'd, or on friends betray'd;
Calm, thinking villains, whom no faith could fix,
Of crooked counsels and dark politics;
Of these a gloomy tribe surround the throne,
And beg to make th' immortal treasons known.
The trumpet roars, long flaky flames expire,
With sparks, that seem'd to set the world on fire.
At the dread sound, pale mortals stood aghast,
And startled nature trembled with the blast.
This having heard and seen, and snatch'd me from the throne.
Before my view appear'd a structure fair,
254
Its site uncertain, if in earth or air;
With rapid motion turn'd the mansion round;
With ceaseless noise the ringing walls resound;
Not less in number were the spacious doors,
Than leaves on trees, or sand upon the shores;
Which still unfolded stand, by night, by day,
Pervious to winds, and open ev'ry way.
As flames by nature to the skies ascend,
As weighty bodies to the centre tend,
As to the sea returning rivers toll,
And the touch'd needle trembles to the pole;
Hither, as to their proper place, arise
All various sounds from earth, and seas, and skies,
Or spoke aloud, or whisper'd in the ear;
Nor ever silence, rest, or peace is here.
As on the smooth expanse of crystal lakes
The sinking stone at first a circle makes;
The trembling surface by the motion stir'd,
Spreads in a second circle, then a third;
Wide, and more wide, the floating rings advance,
Fill all the wat'ry plain, and to the margin dance:
Thus ev'ry voice and sound, when first they break,
On neighb'ring air a soft impression make;
Another ambient circle then they move;
That, in its turn, impels the next above;
Thro' undulating air the sounds are sent,
And spread o'er all the fluid element.
There various news I heard of love and strife,
Of peace and war, health, sickness, death, and life,
Of loss and gain, of famine and of store,
Of storms at sea, and travels on the shore,
Of prodigies, and portents seen in air,
Of fires and plagues, and stars with blazing hair,
Of turns of fortune, changes in the state,
The falls of fav'rites, projects of the great,
Of old mismanagements, taxations new:
All neither wholly false, nor wholly true.
Above, below, without, within, around.
Confus'd, unnumber'd multitudes are found,
Who pass, repass, advance, and glide away;
Hosts rais'd by fear, and phantoms of a day:
Astrologers, that future fates foreshew,
255
Projectors, quacks, and lawyers not a few;
And priests, and party-zealots, num'rous bands
With home-born lies, or tales from foreign lands;
Each talk'd aloud, or in some secret place,
And wild impatience star'd in ev'ry face.
The flying rumours gather'd as they roll'd,
Scarce any tale was sooner heard than told;
And all who told it added something new,
And all who heard it, made enlargements too,
In ev'ry ear it spread, on ev'ry tongue it grew.
Thus flying east and west, and north and south,
News travel'd with increase from mouth to mouth.
So from a spark, that kindled first by chance,
With gath'ring force the quick'ning flames advance;
Till to the clouds their curling heads aspire,
And tow'rs and temples sink in floods of fire.
When thus ripe lies are to perfection sprung,
Full grown, and fit to grace a mortal tongue,
Thro' thousand vents, impatient, forth they flow,
And rush in millions on the world below.
Fame sits aloft, and points them out their course,
Their date determines, and prescribes their force:
Some to remain, and some to perish soon;
Or wane and wax alternate like the moon.
Around, a thousand winged wonders fly,
Borne by the trumpet's blast, and scatter'd thro' the sky.
There, at one passage, oft you might survey
A lie and truth contending for the way;
And long 'twas doubtful, both so closely pent,
Which first should issue thro' the narrow vent:
At last agreed, together out they fly,
Inseparable now, the truth and lie;
The strict companions are for ever join'd,
And this or that unmix'd, no mortal e'er shall find.
While thus I stood, intent to see and hear,
One came, methought, and whisper'd in my ear:
What could thus high thy rash ambition raise?
Art thou, fond youth, a candidate for praise?
'Tis true, said I, not void of hopes I came,
For who so fond as youthful bards of Fame?
But few, alas! the casual blessing boast,
So hard to gain, so easy to be lost.
256
How vain that second life in others breath,
Th' estate which wits inherit after death!
Ease, health, and life, for this they must resign,
(Unsure the tenure, but how vast the fine!)
The great man's curse, without the gains endure,
Be envy'd, wretched, and be flatter'd, poor;
All luckless wits their enemies profest,
And all successful, jealous friends at best.
Nor Fame I slight, nor for her favours call;
She comes unlook'd for, if she comes at all.
But if the purchase costs so dear a price,
As soothing Folly, or exalting Vice:
Oh! if the Muse must flatter lawless sway,
And follow still where fortune leads the way;
Or if no basis bear my rising name,
But the fall'n ruin of another's fame;
Then teach me, heav'n! to scorn the guilty bays,
Drive from my breast that wretched lust of praise,
Unblemish'd let me live, or die unknown;
Oh grant an honest fame, or grant me none!
~ Alexander Pope,#NFDB |
1416:My fancies are fireflies,
Specks of living light
twinkling in the dark.
he voice of wayside pansies,
that do not attract the careless glance,
murmurs in these desultory lines.
In the drowsy dark caves of the mind
dreams build their nest with fragments
dropped from day's caravan.
Spring scatters the petals of flowers
that are not for the fruits of the future,
but for the moment's whim.
Joy freed from the bond of earth's slumber
rushes into numberless leaves,
and dances in the air for a day.
My words that are slight
my lightly dance upon time's waves
when my works havy with import have gone down.
Mind's underground moths
grow filmy wings
and take a farewell flight
in the sunset sky.
The butterfly counts not months but moments,
and has time enough.
My thoughts, like spark, ride on winged surprises,
carrying a single laughter.
The tree gazes in love at its own beautiful shadow
which yet it never can grasp.
Let my love, like sunlight, surround you
and yet give you illumined freedom.
Days are coloured vbubbles
that float upon the surface of fathomless night.
My offerings are too timid to claim your remembrance,
and therefore you may remember them.
Leave out my name from the gift
if it be a burden,
but keep my song.
April, like a child,
writes hieroglyphs on dust with flowers,
wipes them away and forgets.
Memory, the priestess,
kills the present
and offers its heart to the shrine of the dead past.
From the solemn gloom of the temple
children run out to sit in the dust,
God watches them play
and forgets the priest.
My mind starts up at some flash
on the flow of its thoughts
like a brook at a sudden liquid note of its own
that is never repeated.
In the mountain, stillness surges up
to explore its own height;
in the lake, movement stands still
to contemplate its own depth.
The departing night's one kiss
on the closed eyes of morning
glows in the star of dawn.
Maiden, thy beauty is like a fruit
which is yet to mature,
tense with an unyielding secret.
Sorrow that has lost its memory
is like the dumb dark hours
that have no bird songs
but only the cricket's chirp.
Bigotry tries to keep turth safe in its hand
with a grip that kills it.
Wishing to hearten a timid lamp
great night lights all her stars.
Though he holds in his arms the earth-bride,
the sky is ever immensely away.
God seeks comrades and claims love,
the Devil seeks slaves and claims obedience.
The soil in return for her service
keeps the tree tied to her,
the sky asks nothing and leaves it free.
Jewel-like immortal
does not boast of its length of years
but of the scintillating point of its moment.
The child ever dwells in the mystery of ageless time,
unobscured by the dust of history.
Alight laughter in the steps of creation
carries it swiftly across time.
One who was distant came near to me in the morning,
and still nearer when taken away by night.
White and pink oleanders meet
and make merry in different dialects.
When peace is active swepping its dirt, it is storm.
The lake lies low by the hill,
a tearful entreaty of love
at the foot of the inflexible.
There smiles the Divine Child
among his playthings of unmeaning clouds
and ephemeral lights and shadows.
The breeze whispers to the lotus,
"What is thy secret?"
"It is myself," says the lotus,
"Steal it and I disappear!"
The freedom of the storm and the bondage of the stem
join hands in the dance of swaying branches.
The jasmine's lisping of love to the sun is her flowers.
The tyrant claims freedom to kill freedom
and yet to keep it for himself.
Gods, tired of their paradise, envy man.
Clouds are hills in vapour,
hills are clouds in stone,
a phantasy in time's dream.
While God waits for His temple to be built of love,
men bring stones.
I touch God in my song
as the hill touches the far-away sea
with its waterfall.
Light finds her treasure of colours
through the antagonism of clouds.
My heart to-day smiles at its past night of tears
like a wet tree glistening in the sun
after the rain is over.
I have thanked the trees that have made my life fruitflul,
but have failed to remember the grass
that has ever kept it green.
The one without second is emptiness,
the other one makes it true.
Life's errors cry for the merciful beauty
that can modulate their isolation
into a harmony with the whole.
They expect thanks for the banished nest
because their cage is shapely and secure.
In love I pay my endless debt to thee
for what thou art.
The pond sends up its lyrics from its dark in lilies,
and the sun says, they are good.
Your calumny against the great is impious,
it hurts yourself;
against the small it is mean,
for it hurts the victim.
The first flower that blossomed on this earth
was an invitation to the unborn song.
Dawnthe many-coloured flowerfades,
and then the simple light-fruit,
the sun appears.
The muscle that has a doubt if its wisdom
throttles the voice that would cry.
The wind tries to take the flame by storm
only to blow it out.
Life's play is swift,
Life's playthings fall behind one by one
and are forgotten.
My flower, seek not thy paradise
in a fool's buttonhole.
Thou hast risen late, my crescent moon,
but my night bird is still awake to greet thee.
Darkness is the veiled bride
silently waiting for the errant light
to return to her bosom.
Trees are the earth's endless effort to
speak to the listening heaven.
The burden of self is lightened
when I laugh at myself.
The weak can be terrible
because they try furiously to appear strong.
The wind of heaven blows,
The anchor desperately clutches the mud,
and my boat is beating its breast against the chain.
The spirit of death is one,
the spirit of life is many,
Whe God is dead religion becomes one.
The blue of the sky longs for the earth's green,
the wind between them sighs, "Alas."
Day's pain muffled by its own glare,
burns among stars in the night.
The stars crowd round the virgin night
in silent awe at her loneliness
that can never be touched.
The cloud gives all its gold
to the departing sun
and greets the rising moon
with only a pale smile.
He who does good comes to the temple gate,
he who loves reaches the shrine.
Flower, have pity for the worm,
it is not a bee,
its love is a blunder and a burden.
With the ruins of terror's triumph
children build their doll's house.
The lamp waits through the long day of neglect
for the flame's kiss in the night.
Feathers in the dust lying lazily content
have forgotten their sky.
The flowers which is single
need not envy the thorns
that are numerous.
The world suffers most from the disinterested tyranny
of its well-wisher.
We gain freedom whrn we have paid the full price
for our right to live.
Your careless gifts of a moment,
like the meteors of an autumn night,
catch fire in the depth of my being.
The faith waiting in the heart of a seed
promises a miracle of life
which it cannot prove at once.
Spring hesitates at winter's door,
but the mango blossom rashly runs our to him
before her time and meets her doom.
The world is the ever-changing foam
thet floats on the surface of a sea of silence.
The two separated shores mingle their voices
in a song of unfathomed tears.
As a river in the sea,
work finds its fulfilment
in the depth of leisure.
I lingered on my way till thy cherry tree lost ist bossom,
but the azalea brins to me, my love, thy forgiveness.
Thy shy little pomegranate bud,
blushing to-day behind her veil,
will burst into a passionate flower
to-morrow when I am away.
The clumsiness of power spoils the key,
and uses the pickaxe.
Birth is from the mystery of night
into the grerater mystery of day.
These paper boats of mine are meant to dance
on the ripples of hours,
and not to reach any destination.
Migratory songs wing from my heart
and seek their nests in your voice of love.
The sea of danger, doubt and denial
around man's little island of certainty
challenges him to dare the unknown.
Love punishes when it forgives,
and injured beauty by its awful silence.
You live alone and unrecompensed
because they are afraid of your great worth.
The same sun is newly born in new lands
in a ring of endless dawns.
God is world is ever renewed by death,
a Titan's ever crushed by its own existence.
The glow-worm while exploring the dust
never knows that stars are in the sky.
The tree is of to-day, the flower is old,
it brings with it the message
of the immemorial seed.
Each rose that comes brings me greetings
from the Rose of an eternal spring.
God honours me when I work,
He loves me when I sing.
My love of to-day finds no home
in the nest deserted by yesterday's love.
The fire of pain tracse for my soul
a luminous path across her sorrow.
The grass survives the hill
through its resurrections from countless deaths.
Thou hast vanished from my reach
leaving an impalpable touch in the blue of the sky,
an invisible image in the wind moving
among the shadows.
In pity for the desolate branch
spring leaves to it a kiss that fluttered in a lonely leaf.
The shy shadow in the farden
loves the sun in silence,
Flowers guess the secret, and mile,
while the leaves whisper.
I leave no trace of wings in the air,
but I am glad I have had my flight.
The fireflies, twinkling among leaves,
make the stars wonder.
The mountain remains unmoved
at its seeming defeat by the mist.
While the rose said to the sun,
"I shall ever remember thee,"
her petals fell to the dust.
Hills are the earth's gesture of despair
for the unreachable.
Though the thorn in thy flower pricked me,
O Beauty,
I am grateful.
The world knows that the few
are more than the many.
Let not my love be a burden on you, my friend,
know that it pays itself.
Dawn plays her lute before the gate of darkness,
and is content to vanish when the sun comes out.
Beauty is truth's smile
when she beholds her own face
in a perfect mirror.
The dew-drop knows the sun
only within its own tiny orb.
Forlorn thoughts from the forsaken hives of all ages,
swarming in the air, hum round my heart
and seek my voice.
The desert is imprisoned in the wall
of its unbounded barrenness.
In the thrill of little leaves
I see the air's invisible dance,
and in their glimmering
the secret heart-beats of the sky.
You are like a flowering tree,
amazed when I praise you for your gifts.
The earth's sacrifical fire
flames up in her trees,
scattering sparks in flowers.
Foretsts, the clouds of earth,
hold up to the sky their silence,
and clouds from above come down
in resonant showers.
The world speaks to me in pictures,
my soul answers in music.
The sky tells its beads all night
on the countless stars
in memory of the sun.
The darkness of night, like pain, is dumb,
the darkness of dawn, like peace, is silent.
Pride engraves his frowns in stones,
loe offers her surrender in flowers.
The obsequious brush curtails truth
in diference to the canvas which is narrow.
The hill in its longing for the far-away sky
wishes to be like the cloud
with its endless urge of seeking.
To justify their own spilling of ink
they spell the day as night.
Profit smiles on goodness
when the good is profitable.
In its swelling pride
the bubble doubts the turth of the sea,
and laughs and bursts into emptiness.
Love is an endless mystery,
for it has nothing else to explain its.
My clouds, sorrowing in the dark,
forget that they themselves
have hidden the sun.
Man discovers his own wealth
when God comes to ask gifts of him.
You leave your memory as a flame
to my lonely lamp of separation.
I came to offer thee a flower,
but thou must have all my garden,
It is thine.
The picturea memory of light
treasured by the shadow.
It is easy to make faces at the sun,
He is exposed by his own light in all
directions.
History slowly smothers its truth,
but hastily struggles to revive it
in the terrible penance of pain.
My work is rewarded in daily wages,
I wait for my final value in love.
Beauty knows to say, "Enough,"
barbarism clamours for still more.
God loves to see in me, not his servant,
but himself who serves all.
The darkness of night is in harmony with day,
the morning of mist is discordant.
In the bounteous time of roses love is wine,
it is food in the famished hour
when their petals are shed.
An unknown flower in a strange land
speaks to the poet:
"Are we not of the same soil, my lover?"
I am able to love my God
because He gives me freedom to deny Him.
My untuned strings beg for music
in their anguished cry of shame.
The worm thinks it strange and foolish
that man does not eat his books.
The clouded sky to-day bears the visior
of the shadow of a divine sadness
on the forehead of brooding eternity.
The shade of my tree is for passers-by,
its fruit for the one for whom I wait.
Flushed with the glow of sunset
earth seems like a ripe fruit
ready to be harvested by night.
Light accepts darkness for his spouse
for the sake of creation.
The reed waits for his master's breath,
the Master goes seeking for his reed.
To the blind pen the hand that writes is unreal,
its writing unmeaning.
The sea smites his own barren breast
because he has no flowers to offer to the moon.
The greed for fruit misses the flower.
God in His temple of stars
waits for man to bring him his lamp.
The fire restrained in the tree fashions flowers.
Released from bonds, the shameless flame
dies in barren ashes.
The sky sets no snare to capture the moon,
it is her own freedom which binds her.
The light that fills the sky
seeks its limit in a dew-drop on the grass.
Wealth is the burden of bigness,
Welfare the fulness of being.
The razor-blade is proud of its keenness
when it sneers at the sun.
The butterfly has leisure to love the lotus,
not the bee busily storing honey.
Child, thou bringest to my heart
the babble of the wind and the water,
the flower's speechless secrets, the clouds' dreams,
the mute gaze of wonder of the morning sky.
The rainbow among the clouds may be great
but the little butterfly among the bushes is greater.
The mist weaves her net round the morning,
captivates him, and makes him blind.
The Morning Star whispers to Dawn,
"Tell me that you are only for me."
"Yes," she answers,
"And also only for that nameless flower."
The sky remains infinitely vacant
for earth there to build its heaven with dreams.
Perhaps the crescent moon smiles in doubt
at being told that it is a fragment
awaiting perfection.
Let the evening forgive the mistakes of the day
and thus win peace for herself.
Beauty smiles in the confinement of the bud,
in the heart of a sweet incompleteness.
Your flitting love lightly brushed with its wings
my sun-flower
and never asked if it was ready to surrender its honey.
Leaves are silences
around flowers which are their words.
The tree bears its thousand years
as one large majestic moment.
My offerings are not for the temple at the end of the road,
but for the wayside shrines
that surprise me at every bend.
Hour smile, my love, like the smell of a strange flower,
is simple and inexplicable.
Death laughs when the merit of the dead is exaggerated
for it swells his store with more than he can claim.
The sigh of the shore follows in vain
the breeze that hastens the ship across the sea.
Truth loves its limits,
for there it meets the beautiful.
Between the shores of Me and Thee
there is the loud ocean, my own surging self,
which I long to cross.
The right to possess boasts foolishly
of its right to enjoy.
The rose is a great deal more
than a blushing apology for the thorn.
Day offers to the silence of stars
his golden lute to be tuned
for the endless life.
The wise know how to teach,
the fool how to smite.
The centre is still and silent in the heart
of an enternal dance of circles.
The judge thinks that he is just when he compares
The oil of another's lamp
with the light of his own.
The captive flower in the King's wreath
smiles bitterly when the meadow-flower envies her.
Its store of snow is the hill's own burden,
its outpouring if streams is borne by all the world.
Listen to the prayer of the forest
for its freedom in flowers.
Let your love see me
even through the barrier of nearness.
The spirit of work in creation is there
to carry and help the spirit of play.
To carry the burden of the insturment,
count the cost of its material,
and never to know that it is for music,
is the tragedy of deaf life.
Faith is the bird that feels the light
and sings when the dawn is still dark.
I bring to thee, night, my day's empty cup,
to be cleansed with thy cool darkness
for a new morning's festival.
The mountain fir, in its rustling,
modulates the memory of its fights with the storm
into a hymn of peace.
God honoured me with his fight
when I was rebellious,
He ignored me when I was languid.
The sectarina thinks
that he has the sea
ladled into his private pond.
In the shady depth of life
are the lonely nests of memories
that shrink from words.
Let my love find its strength
in the service of day,
its peace in the union of night.
Life sends up in blades of grass
its silent hymn of praise
to the unnamed Light.
The stars of night are to me
the memorials of my day's faded flowers.
Open thy door to that which must go,
for the loss becomes unseemly when obstructed.
True end is not in the reaching of the limit,
but in a completion which is limitless.
The shore whispers to the sea:
"Write to me what thy waves struggle to say."
The sea writes in foam again and again
and wipes off the lines in a boisterous despair.
Let the touch ofthy finger thrill my life's strings
and make the music thine and mine.
The inner world rounded in my life like a fruit,
matured in joy and sorrow,
will drop into the darkness of the orogonal soil
for some further course of creation.
Form is in Matter, rhythm in Force,
meaning in the Person.
There are seekers of wisdom and seekers of wealth,
I seek thy company so that I may sing.
As the tree its leaves, I shed my words on the earth,
let my thoughts unuttered flower in thy silence.
My faith in truth, my vision of the perfect,
help thee, Master, in thy creation.
All the delights that I have felt
in life's fruits and flowers
let me offer to thee at the end of the feast,
in a perfect union of love.
Some have thought deeply and explored the
meaning of thy truth,
and they are great;
I have listened to catch the music of thy play,
and I am glad.
The tree is a winged spirit
released from the bondage of seed,
pursuing its adventure of life
across the unknown.
The lotus offers its beauty to the heaven,
the grass its service to the earth.
The sun's kiss mellows into abandonment
the miserliness of the green fruit clinging to its stem.
The flame met the earthen lamp in me,
and what a great marvel of light!
Mistakes live in the neighbourhood of truth
and therefore delude us.
The cloud laughed at the rainbow
saying that is was an upstart
gaudy in its emptiness.
The rainbow calmly answered,
"I am as inevitably real as tha sun himself."
Let me not grope in vain in the dark
but keep my mind still in the faith
that the day will break
and truth will appear
in its simplicity.
Through the silent night
I hear the returning vagrant hopes of the morning
knock at my heart.
My new love comes
bringing to me the eternal wealth of the old.
The earth gazes at the moon and wonders
that she sould have all her music in her smile.
Day with its glare of curiosity
puts the stars to flight.
My mind has itstrue union with thee, O sky,
at the window which is mine own,
and not in the open
where thou hast thy sole kingdom.
Man claims God's flowers as his own
when he weaves them in a garland.
The buried city, laid bare to the sun of a new age,
is ashamed that is has lost all its song.
Like my heart's pain that has long missed its meaning,
the sun's rays robed in dark
hide themselves under the ground.
Like my heart'spain at love's sudden touch,
they change their veil at the spring's call
and come out in the carnival of colours,
in flowers and leaves.
My life's empty flute
waits for its final music
like the primal darkness
before the stars came out.
Emancipation from the bondage of the soil
is no freedom for the tree.
The tapestry of life's story is woven
with the threads of life's ties
ever joining and breaking.
Those thoughts of mine that are never captured by words
perch upon my song and dance.
My soul to-night loses itself
in the silent heart of a tree
standing alone among the whispers of immensity.
Pearl shells cast up by the sea
on death's barren beach,
a magnificent wastefulness of creative life.
The sunlight opens for me the word's gate,
love's light its terasure.
My life like the reed with ist stops,
has its play od colours
through the gaps in its hopes and gains.
Let not my thanks to thee
rob my silence of its fuller homage.
Life's aspirations come
in the guise of children.
The faded flower sighs
that the spring has vanished for ever.
In my life's garden
my wealth has been of the shadows and lights
that are never gathered and stored.
The fruit that I Have gained for ever
is thet which thou hast accepted.
The jasmine knows the sun to be her brother
in the heaven.
Light is young, the ancient light;
shadows are of the moment, they are born old.
I feel that the ferry of my songs at the day's end
will brong me across to the other shore
from where I shall see.
The butterfly flitting from flower to flower
ever remains mine,
I lose the one that is netted by me.
Your voice, free bird, reaches my sleeping nest,
and my drowsy wings dream
of a voyage to the light
above the clouds.
I miss the meaning of my own part
in the play of life
because I know not of the parts
that others play.
The flower sheds all its petals
and finds the fruit.
I leave my songs behind me
to the bloom of the ever-returning honeysuckles
and the joy of the wind from the south.
Dead leaves when they lose themselves in soil
take part in the life of the forest.
The mind ever seeks its words
from its sounds and silence
as the sky from its darkness and light.
The unseen dark plays on his flute
and the rhythm of light
eddies into stars and suns,
into thoughts and reams.
My songs are to sing
that I have loved Thy singing.
When the voice of the Silent touches my words
I know him and therefore I know myself.
My last salutations are to them
who knew me imperfect and loved me.
Love's gift cannot be given,
it waits to be accepted.
When death comes and whispers to me,
"Thy days are ended,"
let me say to him, "I have lived in love
and not in mere time."
He will ask, "Will thy songs remain?"
I shall say, "I know not, but this I know
that often when I sang I found my eternity."
"Let me light my lamp,"
say the star,
'and never debate
if it will help to remove the darkness."
Before the end of my journey
may I reach within myself
the one which is the all,
leaving the outer shell
to float away with the drifting multitude
upon the current of chance and change.
~ Rabindranath Tagore, Fireflies
,#NFDB |
1417:I am poor brother Lippo, by your leave!
You need not clap your torches to my face.
Zooks, what's to blame? you think you see a monk!
What, 'tis past midnight, and you go the rounds,
And here you catch me at an alley's end
Where sportive ladies leave their doors ajar?
The Carmine's my cloister: hunt it up,
Do,harry out, if you must show your zeal,
Whatever rat, there, haps on his wrong hole,
And nip each softling of a wee white mouse,
Weke, weke, that's crept to keep him company!
Aha, you know your betters! Then, you'll take
Your hand away that's fiddling on my throat,
And please to know me likewise. Who am I?
Why, one, sir, who is lodging with a friend
Three streets offhe's a certain . . . how d'ye call?
MasteraCosimo of the Medici,
I' the house that caps the corner. Boh! you were best!
Remember and tell me, the day you're hanged,
How you affected such a gullet's-gripe!
But you, sir, it concerns you that your knaves
Pick up a manner nor discredit you:
Zooks, are we pilchards, that they sweep the streets
And count fair price what comes into their net?
He's Judas to a tittle, that man is!
Just such a face! Why, sir, you make amends.
Lord, I'm not angry! Bid your hang-dogs go
Drink out this quarter-florin to the health
Of the munificent House that harbours me
(And many more beside, lads! more beside!)
And all's come square again. I'd like his face
His, elbowing on his comrade in the door
With the pike and lantern,for the slave that holds
John Baptist's head a-dangle by the hair
With one hand ("Look you, now," as who should say)
And his weapon in the other, yet unwiped!
It's not your chance to have a bit of chalk,
A wood-coal or the like? or you should see!
Yes, I'm the painter, since you style me so.
What, brother Lippo's doings, up and down,
You know them and they take you? like enough!
I saw the proper twinkle in your eye
'Tell you, I liked your looks at very first.
Let's sit and set things straight now, hip to haunch.
Here's spring come, and the nights one makes up bands
To roam the town and sing out carnival,
And I've been three weeks shut within my mew,
A-painting for the great man, saints and saints
And saints again. I could not paint all night
Ouf! I leaned out of window for fresh air.
There came a hurry of feet and little feet,
A sweep of lute strings, laughs, and whifts of song,
Flower o' the broom,
Take away love, and our earth is a tomb!
Flower o' the quince,
I let Lisa go, and what good in life since?
Flower o' the thymeand so on. Round they went.
Scarce had they turned the corner when a titter
Like the skipping of rabbits by moonlight,three slim shapes,
And a face that looked up . . . zooks, sir, flesh and blood,
That's all I'm made of! Into shreds it went,
Curtain and counterpane and coverlet,
All the bed-furniturea dozen knots,
There was a ladder! Down I let myself,
Hands and feet, scrambling somehow, and so dropped,
And after them. I came up with the fun
Hard by Saint Laurence, hail fellow, well met,
Flower o' the rose,
If I've been merry, what matter who knows?
And so as I was stealing back again
To get to bed and have a bit of sleep
Ere I rise up to-morrow and go work
On Jerome knocking at his poor old breast
With his great round stone to subdue the flesh,
You snap me of the sudden. Ah, I see!
Though your eye twinkles still, you shake your head
Mine's shaveda monk, you saythe sting 's in that!
If Master Cosimo announced himself,
Mum's the word naturally; but a monk!
Come, what am I a beast for? tell us, now!
I was a baby when my mother died
And father died and left me in the street.
I starved there, God knows how, a year or two
On fig-skins, melon-parings, rinds and shucks,
Refuse and rubbish. One fine frosty day,
My stomach being empty as your hat,
The wind doubled me up and down I went.
Old Aunt Lapaccia trussed me with one hand,
(Its fellow was a stinger as I knew)
And so along the wall, over the bridge,
By the straight cut to the convent. Six words there,
While I stood munching my first bread that month:
"So, boy, you're minded," quoth the good fat father
Wiping his own mouth, 'twas refection-time,--
"To quit this very miserable world?
Will you renounce" . . . "the mouthful of bread?" thought I;
By no means! Brief, they made a monk of me;
I did renounce the world, its pride and greed,
Palace, farm, villa, shop, and banking-house,
Trash, such as these poor devils of Medici
Have given their hearts toall at eight years old.
Well, sir, I found in time, you may be sure,
'T#was not for nothingthe good bellyful,
The warm serge and the rope that goes all round,
And day-long blessed idleness beside!
"Let's see what the urchin's fit for"that came next.
Not overmuch their way, I must confess.
Such a to-do! They tried me with their books:
Lord, they'd have taught me Latin in pure waste!
Flower o' the clove.
All the Latin I construe is, "amo" I love!
But, mind you, when a boy starves in the streets
Eight years together, as my fortune was,
Watching folk's faces to know who will fling
The bit of half-stripped grape-bunch he desires,
And who will curse or kick him for his pains,
Which gentleman processional and fine,
Holding a candle to the Sacrament,
Will wink and let him lift a plate and catch
The droppings of the wax to sell again,
Or holla for the Eight and have him whipped,
How say I?nay, which dog bites, which lets drop
His bone from the heap of offal in the street,
Why, soul and sense of him grow sharp alike,
He learns the look of things, and none the less
For admonition from the hunger-pinch.
I had a store of such remarks, be sure,
Which, after I found leisure, turned to use.
I drew men's faces on my copy-books,
Scrawled them within the antiphonary's marge,
Joined legs and arms to the long music-notes,
Found eyes and nose and chin for A's and B's,
And made a string of pictures of the world
Betwixt the ins and outs of verb and noun,
On the wall, the bench, the door. The monks looked black.
"Nay," quoth the Prior, "turn him out, d'ye say?
In no wise. Lose a crow and catch a lark.
What if at last we get our man of parts,
We Carmelites, like those Camaldolese
And Preaching Friars, to do our church up fine
And put the front on it that ought to be!"
And hereupon he bade me daub away.
Thank you! my head being crammed, the walls a blank,
Never was such prompt disemburdening.
First, every sort of monk, the black and white,
I drew them, fat and lean: then, folk at church,
From good old gossips waiting to confess
Their cribs of barrel-droppings, candle-ends,
To the breathless fellow at the altar-foot,
Fresh from his murder, safe and sitting there
With the little children round him in a row
Of admiration, half for his beard and half
For that white anger of his victim's son
Shaking a fist at him with one fierce arm,
Signing himself with the other because of Christ
(Whose sad face on the cross sees only this
After the passion of a thousand years)
Till some poor girl, her apron o'er her head,
(Which the intense eyes looked through) came at eve
On tiptoe, said a word, dropped in a loaf,
Her pair of earrings and a bunch of flowers
(The brute took growling), prayed, and so was gone.
I painted all, then cried " `T#is ask and have;
Choose, for more's ready!"laid the ladder flat,
And showed my covered bit of cloister-wall.
The monks closed in a circle and praised loud
Till checked, taught what to see and not to see,
Being simple bodies,"That's the very man!
Look at the boy who stoops to pat the dog!
That woman's like the Prior's niece who comes
To care about his asthma: it's the life!''
But there my triumph's straw-fire flared and funked;
Their betters took their turn to see and say:
The Prior and the learned pulled a face
And stopped all that in no time. "How? what's here?
Quite from the mark of painting, bless us all!
Faces, arms, legs, and bodies like the true
As much as pea and pea! it's devil's-game!
Your business is not to catch men with show,
With homage to the perishable clay,
But lift them over it, ignore it all,
Make them forget there's such a thing as flesh.
Your business is to paint the souls of men
Man's soul, and it's a fire, smoke . . . no, it's not . . .
It's vapour done up like a new-born babe
(In that shape when you die it leaves your mouth)
It's . . . well, what matters talking, it's the soul!
Give us no more of body than shows soul!
Here's Giotto, with his Saint a-praising God,
That sets us praisingwhy not stop with him?
Why put all thoughts of praise out of our head
With wonder at lines, colours, and what not?
Paint the soul, never mind the legs and arms!
Rub all out, try at it a second time.
Oh, that white smallish female with the breasts,
She's just my niece . . . Herodias, I would say,
Who went and danced and got men's heads cut off!
Have it all out!" Now, is this sense, I ask?
A fine way to paint soul, by painting body
So ill, the eye can't stop there, must go further
And can't fare worse! Thus, yellow does for white
When what you put for yellow's simply black,
And any sort of meaning looks intense
When all beside itself means and looks nought.
Why can't a painter lift each foot in turn,
Left foot and right foot, go a double step,
Make his flesh liker and his soul more like,
Both in their order? Take the prettiest face,
The Prior's niece . . . patron-saintis it so pretty
You can't discover if it means hope, fear,
Sorrow or joy? won't beauty go with these?
Suppose I've made her eyes all right and blue,
Can't I take breath and try to add life's flash,
And then add soul and heighten them three-fold?
Or say there's beauty with no soul at all
(I never saw itput the case the same)
If you get simple beauty and nought else,
You get about the best thing God invents:
That's somewhat: and you'll find the soul you have missed,
Within yourself, when you return him thanks.
"Rub all out!" Well, well, there's my life, in short,
And so the thing has gone on ever since.
I'm grown a man no doubt, I've broken bounds:
You should not take a fellow eight years old
And make him swear to never kiss the girls.
I'm my own master, paint now as I please
Having a friend, you see, in the Corner-house!
Lord, it's fast holding by the rings in front
Those great rings serve more purposes than just
To plant a flag in, or tie up a horse!
And yet the old schooling sticks, the old grave eyes
Are peeping o'er my shoulder as I work,
The heads shake still"It's art's decline, my son!
You're not of the true painters, great and old;
Brother Angelico's the man, you'll find;
Brother Lorenzo stands his single peer:
Fag on at flesh, you'll never make the third!"
Flower o' the pine,
You keep your mistr manners, and I'll stick to mine!
I'm not the third, then: bless us, they must know!
Don't you think they're the likeliest to know,
They with their Latin? So, I swallow my rage,
Clench my teeth, suck my lips in tight, and paint
To please themsometimes do and sometimes don't;
For, doing most, there's pretty sure to come
A turn, some warm eve finds me at my saints
A laugh, a cry, the business of the world
(Flower o' the peach
Death for us all, and his own life for each!)
And my whole soul revolves, the cup runs over,
The world and life's too big to pass for a dream,
And I do these wild things in sheer despite,
And play the fooleries you catch me at,
In pure rage! The old mill-horse, out at grass
After hard years, throws up his stiff heels so,
Although the miller does not preach to him
The only good of grass is to make chaff.
What would men have? Do they like grass or no
May they or mayn't they? all I want's the thing
Settled for ever one way. As it is,
You tell too many lies and hurt yourself:
You don't like what you only like too much,
You do like what, if given you at your word,
You find abundantly detestable.
For me, I think I speak as I was taught;
I always see the garden and God there
A-making man's wife: and, my lesson learned,
The value and significance of flesh,
I can't unlearn ten minutes afterwards.
You understand me: I'm a beast, I know.
But see, nowwhy, I see as certainly
As that the morning-star's about to shine,
What will hap some day. We've a youngster here
Comes to our convent, studies what I do,
Slouches and stares and lets no atom drop:
His name is Guidihe'll not mind the monks
They call him Hulking Tom, he lets them talk
He picks my practice uphe'll paint apace.
I hope sothough I never live so long,
I know what's sure to follow. You be judge!
You speak no Latin more than I, belike;
However, you're my man, you've seen the world
The beauty and the wonder and the power,
The shapes of things, their colours, lights and shades,
Changes, surprises,and God made it all!
For what? Do you feel thankful, ay or no,
For this fair town's face, yonder river's line,
The mountain round it and the sky above,
Much more the figures of man, woman, child,
These are the frame to? What's it all about?
To be passed over, despised? or dwelt upon,
Wondered at? oh, this last of course!you say.
But why not do as well as say,paint these
Just as they are, careless what comes of it?
God's workspaint any one, and count it crime
To let a truth slip. Don't object, "His works
Are here already; nature is complete:
Suppose you reproduce her(which you can't)
There's no advantage! you must beat her, then."
For, don't you mark? we're made so that we love
First when we see them painted, things we have passed
Perhaps a hundred times nor cared to see;
And so they are better, paintedbetter to us,
Which is the same thing. Art was given for that;
God uses us to help each other so,
Lending our minds out. Have you noticed, now,
Your cullion's hanging face? A bit of chalk,
And trust me but you should, though! How much more,
If I drew higher things with the same truth!
That were to take the Prior's pulpit-place,
Interpret God to all of you! Oh, oh,
It makes me mad to see what men shall do
And we in our graves! This world's no blot for us,
Nor blank; it means intensely, and means good:
To find its meaning is my meat and drink.
"Ay, but you don't so instigate to prayer!"
Strikes in the Prior: "when your meaning's plain
It does not say to folkremember matins,
Or, mind you fast next Friday!" Why, for this
What need of art at all? A skull and bones,
Two bits of stick nailed crosswise, or, what's best,
A bell to chime the hour with, does as well.
I painted a Saint Laurence six months since
At Prato, splashed the fresco in fine style:
"How looks my painting, now the scaffold's down?"
I ask a brother: "Hugely," he returns
"Already not one phiz of your three slaves
Who turn the Deacon off his toasted side,
But's scratched and prodded to our heart's content,
The pious people have so eased their own
With coming to say prayers there in a rage:
We get on fast to see the bricks beneath.
Expect another job this time next year,
For pity and religion grow i' the crowd
Your painting serves its purpose!" Hang the fools!
That isyou'll not mistake an idle word
Spoke in a huff by a poor monk, God wot,
Tasting the air this spicy night which turns
The unaccustomed head like Chianti wine!
Oh, the church knows! don't misreport me, now!
It's natural a poor monk out of bounds
Should have his apt word to excuse himself:
And hearken how I plot to make amends.
I have bethought me: I shall paint a piece
There's for you! Give me six months, then go, see
Something in Sant' Ambrogio's! Bless the nuns!
They want a cast o' my office. I shall paint
God in the midst, Madonna and her babe,
Ringed by a bowery, flowery angel-brood,
Lilies and vestments and white faces, sweet
As puff on puff of grated orris-root
When ladies crowd to Church at midsummer.
And then i' the front, of course a saint or two
Saint John' because he saves the Florentines,
Saint Ambrose, who puts down in black and white
The convent's friends and gives them a long day,
And Job, I must have him there past mistake,
The man of Uz (and Us without the z,
Painters who need his patience). Well, all these
Secured at their devotion, up shall come
Out of a corner when you least expect,
As one by a dark stair into a great light,
Music and talking, who but Lippo! I!
Mazed, motionless, and moonstruckI'm the man!
Back I shrinkwhat is this I see and hear?
I, caught up with my monk's-things by mistake,
My old serge gown and rope that goes all round,
I, in this presence, this pure company!
Where's a hole, where's a corner for escape?
Then steps a sweet angelic slip of a thing
Forward, puts out a soft palm"Not so fast!"
Addresses the celestial presence, "nay
He made you and devised you, after all,
Though he's none of you! Could Saint John there draw
His camel-hair make up a painting brush?
We come to brother Lippo for all that,
Iste perfecit opus! So, all smile
I shuffle sideways with my blushing face
Under the cover of a hundred wings
Thrown like a spread of kirtles when you're gay
And play hot cockles, all the doors being shut,
Till, wholly unexpected, in there pops
The hothead husband! Thus I scuttle off
To some safe bench behind, not letting go
The palm of her, the little lily thing
That spoke the good word for me in the nick,
Like the Prior's niece . . . Saint Lucy, I would say.
And so all's saved for me, and for the church
A pretty picture gained. Go, six months hence!
Your hand, sir, and good-bye: no lights, no lights!
The street's hushed, and I know my own way back,
Don't fear me! There's the grey beginning. Zooks!
NOTES
Form:
unrhyming
1.
First published in Men and Women, 1855.In this poem, Browning makes use of the account of
Lippi in Vasari's Lives of the Painters, from
which the following is an extract: "The Carmelite monk,
Fra Filippo di Tommaso Lippi (1412-1469), was born
at Florence in a bye-street called Ardiglione, under the
Canto alla Cuculia, and behind the convent of the
Carmelites. By the death of his father he was left a
friendless orphan at the age of two years, his mother
having also died shortly after his birth. The child was
for some time under the care of a certain Mona Lapaccia,
his aunt, the sister of his father, who brought him up
with very great difficulty till he had attained his eighth
year, when, being no longer able to support the burden
of his maintenance, she placed him in the above-named
convent of the Carmelites. Here, in proportion as he
showed himself dexterous and ingenious in all works
performed by hand, did he manifest the utmost dullness
and incapacity in letters, to which he would never apply
himself, nor would he take any pleasure in learning of
any kind. The boy continued to be called by his worldly
name of Filippo, and being placed with others, who like
himself were in the house of the novices, under the care
of the master, to the end that the latter might see what
could be done with him\; in place of studying, he never
did anything but daub his own books, and those of the
other boys, with caricatures, whereupon the prior determined
to give him all means and every opportunity for learning
to draw. The chapel of the Carmine had then been newly
painted by Masaccio, and this being exceedingly beautiful,
pleased Fra Filippo greatly, wherefore he frequented it daily
for his recreation, and, continually practising there, in
company with many other youths, who were constantly
drawing in that place, he surpassed all the others by very
much in dexterity and knowledge .... Proceeding thus, and
improving from day to day, he has so closely followed the
manner of Masaccio, and his works displayed so much
similarity to those of the latter, that many affirmed the spirit
of Masaccio to have entered the body of Fra Filippo .... "It is
said that Fra Filippo was much addicted to the pleasures of
sense, insomuch that he would give all he possessed to secure
the gratification of whatever inclination might at the moment
be predominant .... It was known that, while occupied in the
pursuit of his pleasures, the works undertaken by him received
little or none of his attention\; for which reason Cosimo de'
Medici, wishing him to execute a work in his own palace, shut
him up, that he might not waste his time in running about\; but
having endured this confinement for two days, he then made
ropes with sheets of his bed, which he cut to pieces for that
purpose, and so having let himself down from a window, escaped,
and for several days gave himself up to his amusements. When
Cosimo found that the painter had disappeared, he caused him
to be sought, and Fra Filippo at last returned to his work, but
from that time forward Cosimo gave him liberty to go in and
out at his pleasure, repenting greatly of having previously shut
him up, when he considered the danger that Fra Filippo had
incurred by his folly in descending from the window\; and ever
afterwards labouring to keep him to his work by kindness only,
he was by this means much more promptly and effectually
served by the painter, and was wont to say that the excellencies
of rare genius were as forms of light and not beasts of burden."
17.
Cosimo of the Medici (1389-1464): the real ruler of Florence,
and a patron of art and literature.
53.
The snatches of song represent a species of Italian folk-song
called Stornelli\; each consisting of three lines of a set form,
and containing the name of a flower in the first line.
67.
Saint Laurence: the Church at San Lorenzo, now famous for
the tombs of the Medici, the work of Michael Angelo.
73.
Jerome: one of the Christian Fathers, translated the Bible
into Latin\; he led a life of extreme asceticism.
117-18.
A reference to the procession carrying the consecrated wafer.
121.
the Eight: a body of magistrates who kept order.
130.
antiphonary: the service-book.
140.
Preaching Friars: the Dominicans.
172.
funked: turned to smoke.
176 ff.
Lippi belonged to the naturalistic school which developed
among the Florentines. These showed a greater attention to
natural form and beauty, as opposed to the conventional school,
who were men under the influence of earlier artists and inherited
an ascetic timidity in the representation of material things.
189.
Giotto (1267-1337): the earliest of the greater Florentine
painters.
196.
Herodias: sister-in-law of Herod, and mother of Salome.
See Matthew, 14 for the story of Salome's dance and the beheading
of John the Baptist.
227.
See line 18 above.
235.
Brother Angelico: Fra Angelico (1387-1455), "By purity of
life, habitual elevation of thought, and natural sweetness of
disposition, he was enabled to express the sacred affections
upon the human countenance, as no one ever did before or since" (Ruskin).
236.
Lorenzo: Lorenzo Monaco (1370-1425), a Camaldolese
friar who painted in Florence.
273 ff.
Tommaso Guidi (1401-28) better known as Masaccio (which means
"hulking") "because," says Vasari, "of his excessive negligence and
disregard of himself." He was the teacher--not, as here represented,
the pupil--of Filippo Lippi (see first note above).
324.
Prato: a town some dozen miles from Florence\; in the Cathedral
are frescoes by Filippo, but they represent St. Stephen, and the
Baptist, not St. Laurence.
328.
According to tradition, St. Laurence was roasted on a gridiron.
339.
Chianti wine: the common red wine of Tuscany.
346.
Browning proceeds to put into Fra Filippo's mouth a description
of what is considered his masterpiece --a Coronation of the Virgin--which
he painted for the nuns of Sant' Ambrogio. Browning, following Vasari,
believes that the painter put a self-portrait in the lower corner of the
picture. Recent research has shown that the figure is a portrait, not of
Fra Filippo, but of the benefactor who ordered the picture for the
church. In this case, perfecit opus means "caused the work to
be made," not, as Browning takes it, "completed the work himself."
354.
St. John the Baptist is the patron saint of the Florentines.
~ Robert Browning, Fra Lippo Lippi
,#NFDB |
1418:I.
Fair Isabel, poor simple Isabel!
Lorenzo, a young palmer in Love's eye!
They could not in the self-same mansion dwell
Without some stir of heart, some malady;
They could not sit at meals but feel how well
It soothed each to be the other by;
They could not, sure, beneath the same roof sleep
But to each other dream, and nightly weep.
II.
With every morn their love grew tenderer,
With every eve deeper and tenderer still;
He might not in house, field, or garden stir,
But her full shape would all his seeing fill;
And his continual voice was pleasanter
To her, than noise of trees or hidden rill;
Her lute-string gave an echo of his name,
She spoilt her half-done broidery with the same.
III.
He knew whose gentle hand was at the latch,
Before the door had given her to his eyes;
And from her chamber-window he would catch
Her beauty farther than the falcon spies;
And constant as her vespers would he watch,
Because her face was turn'd to the same skies;
And with sick longing all the night outwear,
To hear her morning-step upon the stair.
IV.
A whole long month of May in this sad plight
Made their cheeks paler by the break of June:
"To morrow will I bow to my delight,
"To-morrow will I ask my lady's boon."
"O may I never see another night,
"Lorenzo, if thy lips breathe not love's tune."
So spake they to their pillows; but, alas,
Honeyless days and days did he let pass;
V.
Until sweet Isabella's untouch'd cheek
Fell sick within the rose's just domain,
Fell thin as a young mother's, who doth seek
By every lull to cool her infant's pain:
"How ill she is," said he, "I may not speak,
"And yet I will, and tell my love all plain:
"If looks speak love-laws, I will drink her tears,
"And at the least 'twill startle off her cares."
VI.
So said he one fair morning, and all day
His heart beat awfully against his side;
And to his heart he inwardly did pray
For power to speak; but still the ruddy tide
Stifled his voice, and puls'd resolve away
Fever'd his high conceit of such a bride,
Yet brought him to the meekness of a child:
Alas! when passion is both meek and wild!
VII.
So once more he had wak'd and anguished
A dreary night of love and misery,
If Isabel's quick eye had not been wed
To every symbol on his forehead high;
She saw it waxing very pale and dead,
And straight all flush'd; so, lisped tenderly,
"Lorenzo!"here she ceas'd her timid quest,
But in her tone and look he read the rest.
VIII.
"O Isabella, I can half perceive
"That I may speak my grief into thine ear;
"If thou didst ever any thing believe,
"Believe how I love thee, believe how near
"My soul is to its doom: I would not grieve
"Thy hand by unwelcome pressing, would not fear
"Thine eyes by gazing; but I cannot live
"Another night, and not my passion shrive.
IX.
"Love! thou art leading me from wintry cold,
"Lady! thou leadest me to summer clime,
"And I must taste the blossoms that unfold
"In its ripe warmth this gracious morning time."
So said, his erewhile timid lips grew bold,
And poesied with hers in dewy rhyme:
Great bliss was with them, and great happiness
Grew, like a lusty flower in June's caress.
X.
Parting they seem'd to tread upon the air,
Twin roses by the zephyr blown apart
Only to meet again more close, and share
The inward fragrance of each other's heart.
She, to her chamber gone, a ditty fair
Sang, of delicious love and honey'd dart;
He with light steps went up a western hill,
And bade the sun farewell, and joy'd his fill.
XI.
All close they met again, before the dusk
Had taken from the stars its pleasant veil,
All close they met, all eves, before the dusk
Had taken from the stars its pleasant veil,
Close in a bower of hyacinth and musk,
Unknown of any, free from whispering tale.
Ah! better had it been for ever so,
Than idle ears should pleasure in their woe.
XII.
Were they unhappy then?It cannot be
Too many tears for lovers have been shed,
Too many sighs give we to them in fee,
Too much of pity after they are dead,
Too many doleful stories do we see,
Whose matter in bright gold were best be read;
Except in such a page where Theseus' spouse
Over the pathless waves towards him bows.
XIII.
But, for the general award of love,
The little sweet doth kill much bitterness;
Though Dido silent is in under-grove,
And Isabella's was a great distress,
Though young Lorenzo in warm Indian clove
Was not embalm'd, this truth is not the less
Even bees, the little almsmen of spring-bowers,
Know there is richest juice in poison-flowers.
XIV.
With her two brothers this fair lady dwelt,
Enriched from ancestral merchandize,
And for them many a weary hand did swelt
In torched mines and noisy factories,
And many once proud-quiver'd loins did melt
In blood from stinging whip;with hollow eyes
Many all day in dazzling river stood,
To take the rich-ored driftings of the flood.
XV.
For them the Ceylon diver held his breath,
And went all naked to the hungry shark;
For them his ears gush'd blood; for them in death
The seal on the cold ice with piteous bark
Lay full of darts; for them alone did seethe
A thousand men in troubles wide and dark:
Half-ignorant, they turn'd an easy wheel,
That set sharp racks at work, to pinch and peel.
XVI.
Why were they proud? Because their marble founts
Gush'd with more pride than do a wretch's tears?
Why were they proud? Because fair orange-mounts
Were of more soft ascent than lazar stairs?
Why were they proud? Because red-lin'd accounts
Were richer than the songs of Grecian years?
Why were they proud? again we ask aloud,
Why in the name of Glory were they proud?
XVII.
Yet were these Florentines as self-retired
In hungry pride and gainful cowardice,
As two close Hebrews in that land inspired,
Paled in and vineyarded from beggar-spies,
The hawks of ship-mast foreststhe untired
And pannier'd mules for ducats and old lies
Quick cat's-paws on the generous stray-away,
Great wits in Spanish, Tuscan, and Malay.
XVIII.
How was it these same ledger-men could spy
Fair Isabella in her downy nest?
How could they find out in Lorenzo's eye
A straying from his toil? Hot Egypt's pest
Into their vision covetous and sly!
How could these money-bags see east and west?
Yet so they didand every dealer fair
Must see behind, as doth the hunted hare.
XIX.
O eloquent and famed Boccaccio!
Of thee we now should ask forgiving boon,
And of thy spicy myrtles as they blow,
And of thy roses amorous of the moon,
And of thy lilies, that do paler grow
Now they can no more hear thy ghittern's tune,
For venturing syllables that ill beseem
The quiet glooms of such a piteous theme.
XX.
Grant thou a pardon here, and then the tale
Shall move on soberly, as it is meet;
There is no other crime, no mad assail
To make old prose in modern rhyme more sweet:
But it is donesucceed the verse or fail
To honour thee, and thy gone spirit greet;
To stead thee as a verse in English tongue,
An echo of thee in the north-wind sung.
XXI.
These brethren having found by many signs
What love Lorenzo for their sister had,
And how she lov'd him too, each unconfines
His bitter thoughts to other, well nigh mad
That he, the servant of their trade designs,
Should in their sister's love be blithe and glad,
When 'twas their plan to coax her by degrees
To some high noble and his olive-trees.
XXII.
And many a jealous conference had they,
And many times they bit their lips alone,
Before they fix'd upon a surest way
To make the youngster for his crime atone;
And at the last, these men of cruel clay
Cut Mercy with a sharp knife to the bone;
For they resolved in some forest dim
To kill Lorenzo, and there bury him.
XXIII.
So on a pleasant morning, as he leant
Into the sun-rise, o'er the balustrade
Of the garden-terrace, towards him they bent
Their footing through the dews; and to him said,
"You seem there in the quiet of content,
"Lorenzo, and we are most loth to invade
"Calm speculation; but if you are wise,
"Bestride your steed while cold is in the skies.
XXIV.
"To-day we purpose, ay, this hour we mount
"To spur three leagues towards the Apennine;
"Come down, we pray thee, ere the hot sun count
"His dewy rosary on the eglantine."
Lorenzo, courteously as he was wont,
Bow'd a fair greeting to these serpents' whine;
And went in haste, to get in readiness,
With belt, and spur, and bracing huntsman's dress.
XXV.
And as he to the court-yard pass'd along,
Each third step did he pause, and listen'd oft
If he could hear his lady's matin-song,
Or the light whisper of her footstep soft;
And as he thus over his passion hung,
He heard a laugh full musical aloft;
When, looking up, he saw her features bright
Smile through an in-door lattice, all delight.
XXVI.
"Love, Isabel!" said he, "I was in pain
"Lest I should miss to bid thee a good morrow:
"Ah! what if I should lose thee, when so fain
"I am to stifle all the heavy sorrow
"Of a poor three hours' absence? but we'll gain
"Out of the amorous dark what day doth borrow.
"Good bye! I'll soon be back.""Good bye!" said she:
And as he went she chanted merrily.
XXVII.
So the two brothers and their murder'd man
Rode past fair Florence, to where Arno's stream
Gurgles through straiten'd banks, and still doth fan
Itself with dancing bulrush, and the bream
Keeps head against the freshets. Sick and wan
The brothers' faces in the ford did seem,
Lorenzo's flush with love.They pass'd the water
Into a forest quiet for the slaughter.
XXVIII.
There was Lorenzo slain and buried in,
There in that forest did his great love cease;
Ah! when a soul doth thus its freedom win,
It aches in lonelinessis ill at peace
As the break-covert blood-hounds of such sin:
They dipp'd their swords in the water, and did tease
Their horses homeward, with convulsed spur,
Each richer by his being a murderer.
XXIX.
They told their sister how, with sudden speed,
Lorenzo had ta'en ship for foreign lands,
Because of some great urgency and need
In their affairs, requiring trusty hands.
Poor Girl! put on thy stifling widow's weed,
And 'scape at once from Hope's accursed bands;
To-day thou wilt not see him, nor to-morrow,
And the next day will be a day of sorrow.
XXX.
She weeps alone for pleasures not to be;
Sorely she wept until the night came on,
And then, instead of love, O misery!
She brooded o'er the luxury alone:
His image in the dusk she seem'd to see,
And to the silence made a gentle moan,
Spreading her perfect arms upon the air,
And on her couch low murmuring, "Where? O where?"
XXXI.
But Selfishness, Love's cousin, held not long
Its fiery vigil in her single breast;
She fretted for the golden hour, and hung
Upon the time with feverish unrest
Not longfor soon into her heart a throng
Of higher occupants, a richer zest,
Came tragic; passion not to be subdued,
And sorrow for her love in travels rude.
XXXII.
In the mid days of autumn, on their eves
The breath of Winter comes from far away,
And the sick west continually bereaves
Of some gold tinge, and plays a roundelay
Of death among the bushes and the leaves,
To make all bare before he dares to stray
From his north cavern. So sweet Isabel
By gradual decay from beauty fell,
XXXIII.
Because Lorenzo came not. Oftentimes
She ask'd her brothers, with an eye all pale,
Striving to be itself, what dungeon climes
Could keep him off so long? They spake a tale
Time after time, to quiet her. Their crimes
Came on them, like a smoke from Hinnom's vale;
And every night in dreams they groan'd aloud,
To see their sister in her snowy shroud.
XXXIV.
And she had died in drowsy ignorance,
But for a thing more deadly dark than all;
It came like a fierce potion, drunk by chance,
Which saves a sick man from the feather'd pall
For some few gasping moments; like a lance,
Waking an Indian from his cloudy hall
With cruel pierce, and bringing him again
Sense of the gnawing fire at heart and brain.
XXXV.
It was a vision.In the drowsy gloom,
The dull of midnight, at her couch's foot
Lorenzo stood, and wept: the forest tomb
Had marr'd his glossy hair which once could shoot
Lustre into the sun, and put cold doom
Upon his lips, and taken the soft lute
From his lorn voice, and past his loamed ears
Had made a miry channel for his tears.
XXXVI.
Strange sound it was, when the pale shadow spake;
For there was striving, in its piteous tongue,
To speak as when on earth it was awake,
And Isabella on its music hung:
Languor there was in it, and tremulous shake,
As in a palsied Druid's harp unstrung;
And through it moan'd a ghostly under-song,
Like hoarse night-gusts sepulchral briars among.
XXXVII.
Its eyes, though wild, were still all dewy bright
With love, and kept all phantom fear aloof
From the poor girl by magic of their light,
The while it did unthread the horrid woof
Of the late darken'd time,the murderous spite
Of pride and avarice,the dark pine roof
In the forest,and the sodden turfed dell,
Where, without any word, from stabs he fell.
XXXVIII.
Saying moreover, "Isabel, my sweet!
"Red whortle-berries droop above my head,
"And a large flint-stone weighs upon my feet;
"Around me beeches and high chestnuts shed
"Their leaves and prickly nuts; a sheep-fold bleat
"Comes from beyond the river to my bed:
"Go, shed one tear upon my heather-bloom,
"And it shall comfort me within the tomb.
XXXIX.
"I am a shadow now, alas! alas!
"Upon the skirts of human-nature dwelling
"Alone: I chant alone the holy mass,
"While little sounds of life are round me knelling,
"And glossy bees at noon do fieldward pass,
"And many a chapel bell the hour is telling,
"Paining me through: those sounds grow strange to me,
"And thou art distant in Humanity.
XL.
"I know what was, I feel full well what is,
"And I should rage, if spirits could go mad;
"Though I forget the taste of earthly bliss,
"That paleness warms my grave, as though I had
"A Seraph chosen from the bright abyss
"To be my spouse: thy paleness makes me glad;
"Thy beauty grows upon me, and I feel
"A greater love through all my essence steal."
XLI.
The Spirit mourn'd "Adieu!"dissolv'd, and left
The atom darkness in a slow turmoil;
As when of healthful midnight sleep bereft,
Thinking on rugged hours and fruitless toil,
We put our eyes into a pillowy cleft,
And see the spangly gloom froth up and boil:
It made sad Isabella's eyelids ache,
And in the dawn she started up awake;
XLII.
"Ha! ha!" said she, "I knew not this hard life,
"I thought the worst was simple misery;
"I thought some Fate with pleasure or with strife
"Portion'd ushappy days, or else to die;
"But there is crimea brother's bloody knife!
"Sweet Spirit, thou hast school'd my infancy:
"I'll visit thee for this, and kiss thine eyes,
"And greet thee morn and even in the skies."
XLIII.
When the full morning came, she had devised
How she might secret to the forest hie;
How she might find the clay, so dearly prized,
And sing to it one latest lullaby;
How her short absence might be unsurmised,
While she the inmost of the dream would try.
Resolv'd, she took with her an aged nurse,
And went into that dismal forest-hearse.
XLIV.
See, as they creep along the river side,
How she doth whisper to that aged Dame,
And, after looking round the champaign wide,
Shows her a knife."What feverous hectic flame
"Burns in thee, child?What good can thee betide,
"That thou should'st smile again?"The evening came,
And they had found Lorenzo's earthy bed;
The flint was there, the berries at his head.
XLV.
Who hath not loiter'd in a green church-yard,
And let his spirit, like a demon-mole,
Work through the clayey soil and gravel hard,
To see skull, coffin'd bones, and funeral stole;
Pitying each form that hungry Death hath marr'd,
And filling it once more with human soul?
Ah! this is holiday to what was felt
When Isabella by Lorenzo knelt.
XLVI.
She gaz'd into the fresh-thrown mould, as though
One glance did fully all its secrets tell;
Clearly she saw, as other eyes would know
Pale limbs at bottom of a crystal well;
Upon the murderous spot she seem'd to grow,
Like to a native lily of the dell:
Then with her knife, all sudden, she began
To dig more fervently than misers can.
XLVII.
Soon she turn'd up a soiled glove, whereon
Her silk had play'd in purple phantasies,
She kiss'd it with a lip more chill than stone,
And put it in her bosom, where it dries
And freezes utterly unto the bone
Those dainties made to still an infant's cries:
Then 'gan she work again; nor stay'd her care,
But to throw back at times her veiling hair.
XLVIII.
That old nurse stood beside her wondering,
Until her heart felt pity to the core
At sight of such a dismal labouring,
And so she kneeled, with her locks all hoar,
And put her lean hands to the horrid thing:
Three hours they labour'd at this travail sore;
At last they felt the kernel of the grave,
And Isabella did not stamp and rave.
XLIX.
Ah! wherefore all this wormy circumstance?
Why linger at the yawning tomb so long?
O for the gentleness of old Romance,
The simple plaining of a minstrel's song!
Fair reader, at the old tale take a glance,
For here, in truth, it doth not well belong
To speak:O turn thee to the very tale,
And taste the music of that vision pale.
L.
With duller steel than the Persan sword
They cut away no formless monster's head,
But one, whose gentleness did well accord
With death, as life. The ancient harps have said,
Love never dies, but lives, immortal Lord:
If Love impersonate was ever dead,
Pale Isabella kiss'd it, and low moan'd.
'Twas love; cold,dead indeed, but not dethroned.
LI.
In anxious secrecy they took it home,
And then the prize was all for Isabel:
She calm'd its wild hair with a golden comb,
And all around each eye's sepulchral cell
Pointed each fringed lash; the smeared loam
With tears, as chilly as a dripping well,
She drench'd away:and still she comb'd, and kept
Sighing all dayand still she kiss'd, and wept.
LII.
Then in a silken scarf,sweet with the dews
Of precious flowers pluck'd in Araby,
And divine liquids come with odorous ooze
Through the cold serpent pipe refreshfully,
She wrapp'd it up; and for its tomb did choose
A garden-pot, wherein she laid it by,
And cover'd it with mould, and o'er it set
Sweet Basil, which her tears kept ever wet.
LIII.
And she forgot the stars, the moon, and sun,
And she forgot the blue above the trees,
And she forgot the dells where waters run,
And she forgot the chilly autumn breeze;
She had no knowledge when the day was done,
And the new morn she saw not: but in peace
Hung over her sweet Basil evermore,
And moisten'd it with tears unto the core.
LIV.
And so she ever fed it with thin tears,
Whence thick, and green, and beautiful it grew,
So that it smelt more balmy than its peers
Of Basil-tufts in Florence; for it drew
Nurture besides, and life, from human fears,
From the fast mouldering head there shut from view:
So that the jewel, safely casketed,
Came forth, and in perfumed leafits spread.
LV.
O Melancholy, linger here awhile!
O Music, Music, breathe despondingly!
O Echo, Echo, from some sombre isle,
Unknown, Lethean, sigh to usO sigh!
Spirits in grief, lift up your heads, and smile;
Lift up your heads, sweet Spirits, heavily,
And make a pale light in your cypress glooms,
Tinting with silver wan your marble tombs.
LVI.
Moan hither, all ye syllables of woe,
From the deep throat of sad Melpomene!
Through bronzed lyre in tragic order go,
And touch the strings into a mystery;
Sound mournfully upon the winds and low;
For simple Isabel is soon to be
Among the dead: She withers, like a palm
Cut by an Indian for its juicy balm.
LVII.
O leave the palm to wither by itself;
Let not quick Winter chill its dying hour!
It may not bethose Baalites of pelf,
Her brethren, noted the continual shower
From her dead eyes; and many a curious elf,
Among her kindred, wonder'd that such dower
Of youth and beauty should be thrown aside
By one mark'd out to be a Noble's bride.
LVIII.
And, furthermore, her brethren wonder'd much
Why she sat drooping by the Basil green,
And why it flourish'd, as by magic touch;
Greatly they wonder'd what the thing might mean:
They could not surely give belief, that such
A very nothing would have power to wean
Her from her own fair youth, and pleasures gay,
And even remembrance of her love's delay.
LIX.
Therefore they watch'd a time when they might sift
This hidden whim; and long they watch'd in vain;
For seldom did she go to chapel-shrift,
And seldom felt she any hunger-pain;
And when she left, she hurried back, as swift
As bird on wing to breast its eggs again;
And, patient as a hen-bird, sat her there
Beside her Basil, weeping through her hair.
LX.
Yet they contriv'd to steal the Basil-pot,
And to examine it in secret place:
The thing was vile with green and livid spot,
And yet they knew it was Lorenzo's face:
The guerdon of their murder they had got,
And so left Florence in a moment's space,
Never to turn again.Away they went,
With blood upon their heads, to banishment.
LXI.
O Melancholy, turn thine eyes away!
O Music, Music, breathe despondingly!
O Echo, Echo, on some other day,
From isles Lethean, sigh to usO sigh!
Spirits of grief, sing not your "Well-a-way!"
For Isabel, sweet Isabel, will die;
Will die a death too lone and incomplete,
Now they have ta'en away her Basil sweet.
LXII.
Piteous she look'd on dead and senseless things,
Asking for her lost Basil amorously:
And with melodious chuckle in the strings
Of her lorn voice, she oftentimes would cry
After the Pilgrim in his wanderings,
To ask him where her Basil was; and why
'Twas hid from her: "For cruel 'tis," said she,
"To steal my Basil-pot away from me."
LXIII.
And so she pined, and so she died forlorn,
Imploring for her Basil to the last.
No heart was there in Florence but did mourn
In pity of her love, so overcast.
And a sad ditty of this story born
From mouth to mouth through all the country pass'd:
Still is the burthen sung"O cruelty,
"To steal my Basil-pot away from me!"
(stanza XXIV): Leigh Hunt cites the "exquisite metaphor" of lines 3 and 4 as an instance in which Keats "over-informs the occasion or the speaker." But I doubt whether it is fair to class this kind of "over-informing" as an error. If poeple of this kind are to be denied one element of poetry, they must be denied another; and it is scarcely more strange to find the vile brethren of Isabella talking in metaphor than to find them talking in rhyme and metre. For the rest, a common-place Italian, even a villainous Italian, feels so intensely the sunlight of his land, that we need not object to the metaphor even on dramatic grounds.
(stanza XXXIII): For Hinnom's Vale see Second Book of Chronicles of the Kings of Israel, Chapter XXVIII, verse 3: "Moreover he burnt incense in the valley of the son of Hinnom, and burnt his children in the fire, after the abominations of the heathen whom the Lord had cast out before the children of Israel."
(stanza XLVII): The sixth line has been a topic of censure; but I think wrongly. Taken in itself apart from the poem, it might be held to be an inopportune description; but in the context of this most tragic and pathetic story, it has to me a surpassing fitness -- a fitness astonishing in the work of a youth of Keats's age in 1818. The idea of maternity thus connected as it were by chance with the image of this widowed girl on the borders of insanity emphasizes in the most beautiful way the helpless misery of a life wrecked by the wickedness of others, and throws into ghastly contrast the joy of what should have been and the agony of what was.
(stanza XLVIII): Hunt observes here - "It is curious to see how the simple pathos of Boccaccio, or (which is the same thing) the simple intensity of the heroine's feelings, suffices our author more and more, as he gets to the end of his story. And he has related it as happily, as if he had never written any poetry but that of the heart."
(stanza LIV): Whether the "savage and tartarly" assailants of Keats's day availed themselves of the word "leafits" in the 8th line for an accusation of word-coining, I do not know; but as far as I have been able to ascertain this diminutive of "leaf" is peculiar to the present passage.
(stanza LXII): Hunt says - "The passage about the tone of her voice, -- the poor lost-witted coaxing, -- the 'chuckle,' in which she asks after her Pilgrim and her Basil,-- is as true and touching an instance of the effect of a happy familiar word, as any in all poetry." It is difficult to imagine that these sentences of Hunt's were not somehow misprinted; but, as the review occurs only in the original issue of The Indicator, one has no means of testing this passage by comparison with later editions. It can hardly be supposed that Hunt really thought the Pilgrim meant Lorenzo; and it ought not to be necessary to explain that the poor lost girl called after any pilgrim whom chance sent her way, enquiring of him where her Basil was.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Isabella; Or, The Pot Of Basil - A Story From Boccaccio
,#NFDB |
1419:The Botanic Garden( Part I)
The Economy Of Vegetation
Canto I
STAY YOUR RUDE STEPS! whose throbbing breasts infold
The legion-fiends of Glory, or of Gold!
Stay! whose false lips seductive simpers part,
While Cunning nestles in the harlot-heart!For you no Dryads dress the roseate bower,
For you no Nymphs their sparkling vases pour;
Unmark'd by you, light Graces swim the green,
And hovering Cupids aim their shafts, unseen.
'But THOU! whose mind the well-attemper'd ray
Of Taste and Virtue lights with purer day;
Whose finer sense each soft vibration owns
With sweet responsive sympathy of tones;
So the fair flower expands it's lucid form
To meet the sun, and shuts it to the storm;For thee my borders nurse the fragrant wreath,
My fountains murmur, and my zephyrs breathe;
Slow slides the painted snail, the gilded fly
Smooths his fine down, to charm thy curious eye;
On twinkling fins my pearly nations play,
Or win with sinuous train their trackless way;
My plumy pairs in gay embroidery dress'd
Form with ingenious bill the pensile nest,
To Love's sweet notes attune the listening dell,
And Echo sounds her soft symphonious shell.
'And, if with Thee some hapless Maid should stray,
Disasterous Love companion of her way,
Oh, lead her timid steps to yonder glade,
Whose arching cliffs depending alders shade;
There, as meek Evening wakes her temperate breeze,
And moon-beams glimmer through the trembling trees,
The rills, that gurgle round, shall soothe her ear,
The weeping rocks shall number tear for tear;
There as sad Philomel, alike forlorn,
Sings to the Night from her accustomed thorn;
While at sweet intervals each falling note
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Sighs in the gale, and whispers round the grot;
The sister-woe shall calm her aching breast,
And softer slumbers steal her cares to rest.'Winds of the North! restrain your icy gales,
Nor chill the bosom of these happy vales!
Hence in dark heaps, ye gathering Clouds, revolve!
Disperse, ye Lightnings! and, ye Mists, dissolve!
-Hither, emerging from yon orient skies,
BOTANIC GODDESS! bend thy radiant eyes;
O'er these soft scenes assume thy gentle reign,
Pomona, Ceres, Flora in thy train;
O'er the still dawn thy placid smile effuse,
And with thy silver sandals print the dews;
In noon's bright blaze thy vermil vest unfold,
And wave thy emerald banner star'd with gold.'
Thus spoke the GENIUS, as He stept along,
And bade these lawns to Peace and Truth belong;
Down the steep slopes He led with modest skill
The willing pathway, and the truant rill,
Stretch'd o'er the marshy vale yon willowy mound,
Where shines the lake amid the tufted ground,
Raised the young woodland, smooth'd the wavy green,
And gave to Beauty all the quiet scene.She comes!-the GODDESS!-through the whispering air,
Bright as the morn, descends her blushing car;
Each circling wheel a wreath of flowers intwines,
And gem'd with flowers the silken harness shines;
The golden bits with flowery studs are deck'd,
And knots of flowers the crimson reins connect.And now on earth the silver axle rings,
And the shell sinks upon its slender springs;
Light from her airy seat the Goddess bounds,
And steps celestial press the pansied grounds.
Fair Spring advancing calls her feather'd quire,
And tunes to softer notes her laughing lyre;
Bids her gay hours on purple pinions move,
And arms her Zephyrs with the shafts of Love,
Pleased GNOMES, ascending from their earthy beds,
Play round her graceful footsteps, as she treads;
Gay SYLPHS attendant beat the fragrant air
On winnowing wings, and waft her golden hair;
Blue NYMPHS emerging leave their sparkling streams,
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And FIERY FORMS alight from orient beams;
Musk'd in the rose's lap fresh dews they shed,
Or breathe celestial lustres round her head.
First the fine Forms her dulcet voice requires,
Which bathe or bask in elemental fires;
From each bright gem of Day's refulgent car,
From the pale sphere of every twinkling star,
From each nice pore of ocean, earth, and air,
With eye of flame the sparkling hosts repair,
Mix their gay hues, in changeful circles play,
Like motes, that tenant the meridian ray.So the clear Lens collects with magic power
The countless glories of the midnight hour;
Stars after stars with quivering lustre fall,
And twinkling glide along the whiten'd wall.Pleased, as they pass, she counts the glittering bands,
And stills their murmur with her waving hands;
Each listening tribe with fond expectance burns,
And now to these, and now to those, she turns.
I. 'NYMPHS OF PRIMEVAL FIRE! YOUR vestal train
Hung with gold-tresses o'er the vast inane,
Pierced with your silver shafts the throne of Night,
And charm'd young Nature's opening eyes with light;
When LOVE DIVINE, with brooding wings unfurl'd,
Call'd from the rude abyss the living world.
'-LET THERE BE LIGHT!' proclaim'd the ALMIGHTY LORD,
Astonish'd Chaos heard the potent word;Through all his realms the kindling Ether runs,
And the mass starts into a million suns;
Earths round each sun with quick explosions burst,
And second planets issue from the first;
Bend, as they journey with projectile force,
In bright ellipses their reluctant course;
Orbs wheel in orbs, round centres centres roll,
And form, self-balanced, one revolving Whole.
-Onward they move amid their bright abode,
Space without bound, THE BOSOM OF THEIR GOD!
II. 'ETHEREAL POWERS! YOU chase the shooting stars,
Or yoke the vollied lightenings to your cars,
Cling round the aërial bow with prisms bright,
82
And pleased untwist the sevenfold threads of light;
Eve's silken couch with gorgeous tints adorn,
And fire the arrowy throne of rising Morn.
-OR, plum'd with flame, in gay battalion's spring
To brighter regions borne on broader wing;
Where lighter gases, circumfused on high,
Form the vast concave of exterior sky;
With airy lens the scatter'd rays assault,
And bend the twilight round the dusky vault;
Ride, with broad eye and scintillating hair,
The rapid Fire-ball through the midnight air;
Dart from the North on pale electric streams,
Fringing Night's sable robe with transient beams.
-OR rein the Planets in their swift careers,
Gilding with borrow'd light their twinkling spheres;
Alarm with comet-blaze the sapphire plain,
The wan stars glimmering through its silver train;
Gem the bright Zodiac, stud the glowing pole,
Or give the Sun's phlogistic orb to roll.
III. NYMPHS! YOUR fine forms with steps impassive mock
Earth's vaulted roofs of adamantine rock;
Round her still centre tread the burning soil,
And watch the billowy Lavas, as they boil;
Where, in basaltic caves imprison'd deep,
Reluctant fires in dread suspension sleep;
Or sphere on sphere in widening waves expand,
And glad with genial warmth the incumbent land.
So when the Mother-bird selects their food
With curious bill, and feeds her callow brood;
Warmth from her tender heart eternal springs,
And pleased she clasps them with extended wings.
'YOU from deep cauldrons and unmeasured caves
Blow flaming airs, or pour vitrescent waves;
O'er shining oceans ray volcanic light,
Or hurl innocuous embers to the night.While with loud shouts to Etna Heccla calls,
And Andes answers from his beacon'd walls;
Sea-wilder'd crews the mountain-stars admire,
And Beauty beams amid tremendous fire.
'Thus when of old, as mystic bards presume,
Huge CYCLOPS dwelt in Etna's rocky womb,
83
On thundering anvils rung their loud alarms,
And leagued with VULCAN forged immortal arms;
Descending VENUS sought the dark abode,
And sooth'd the labours of the grisly God.While frowning Loves the threatening falchion wield,
And tittering Graces peep behind the shield,
With jointed mail their fairy limbs o'erwhelm,
Or nod with pausing step the plumed helm;
With radiant eye She view'd the boiling ore,
Heard undismay'd the breathing bellows roar,
Admired their sinewy arms, and shoulders bare,
And ponderous hammers lifted high in air,
With smiles celestial bless'd their dazzled sight,
And Beauty blazed amid infernal night.
IV. 'EFFULGENT MAIDS! YOU round deciduous day,
Tressed with soft beams, your glittering bands array;
On Earth's cold bosom, as the Sun retires,
Confine with folds of air the lingering fires;
O'er Eve's pale forms diffuse phosphoric light,
And deck with lambent flames the shrine of Night.
So, warm'd and kindled by meridian skies,
And view'd in darkness with dilated eyes,
BOLOGNA'S chalks with faint ignition blaze,
BECCARI'S shells emit prismatic rays.
So to the sacred Sun in MEMNON's fane,
Spontaneous concords quired the matin strain;
-Touch'd by his orient beam, responsive rings
The living lyre, and vibrates all it's strings;
Accordant ailes the tender tones prolong,
And holy echoes swell the adoring song.
'YOU with light Gas the lamps nocturnal feed,
Which dance and glimmer o'er the marshy mead;
Shine round Calendula at twilight hours,
And tip with silver all her saffron flowers;
Warm on her mossy couch the radiant Worm,
Guard from cold dews her love-illumin'd form,
From leaf to leaf conduct the virgin light,
Star of the earth, and diamond of the night.
You bid in air the tropic Beetle burn,
And fill with golden flame his winged urn;
Or gild the surge with insect-sparks, that swarm
84
Round the bright oar, the kindling prow alarm;
Or arm in waves, electric in his ire,
The dread Gymnotus with ethereal fire.Onward his course with waving tail he helms,
And mimic lightenings scare the watery realms,
So, when with bristling plumes the Bird of JOVE
Vindictive leaves the argent fields above,
Borne on broad wings the guilty world he awes,
And grasps the lightening in his shining claws.
V. 1. 'NYMPHS! Your soft smiles uncultur'd man subdued,
And charm'd the Savage from his native wood;
You, while amazed his hurrying Hords retire
From the fell havoc of devouring FIRE,
Taught, the first Art! with piny rods to raise
By quick attrition the domestic blaze,
Fan with soft breath, with kindling leaves provide,
And lift the dread Destroyer on his side.
So, with bright wreath of serpent-tresses crown'd,
Severe in beauty, young MEDUSA frown'd;
Erewhile subdued, round WISDOM'S Aegis roll'd
Hiss'd the dread snakes, and flam'd in burnish'd gold;
Flash'd on her brandish'd arm the immortal shield,
And Terror lighten'd o'er the dazzled field.
2. NYMPHS! YOU disjoin, unite, condense, expand,
And give new wonders to the Chemist's hand;
On tepid clouds of rising steam aspire,
Or fix in sulphur all it's solid fire;
With boundless spring elastic airs unfold,
Or fill the fine vacuities of gold;
With sudden flash vitrescent sparks reveal,
By fierce collision from the flint and steel;
Or mark with shining letter KUNKEL's name
In the pale Phosphor's self-consuming flame.
So the chaste heart of some enchanted Maid
Shines with insidious light, by Love betray'd;
Round her pale bosom plays the young Desire,
And slow she wastes by self-consuming fire.
3. 'YOU taught mysterious BACON to explore
Metallic veins, and part the dross from ore;
With sylvan coal in whirling mills combine
The crystal'd nitre, and the sulphurous mine;
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Through wiry nets the black diffusion strain,
And close an airy ocean in a grain.Pent in dark chambers of cylindric brass
Slumbers in grim repose the sooty mass;
Lit by the brilliant spark, from grain to grain
Runs the quick fire along the kindling train;
On the pain'd ear-drum bursts the sudden crash,
Starts the red flame, and Death pursues the flash.Fear's feeble hand directs the fiery darts,
And Strength and Courage yield to chemic arts;
Guilt with pale brow the mimic thunder owns,
And Tyrants tremble on their blood-stain'd thrones.
VI. NYMPHS! You erewhile on simmering cauldrons play'd,
And call'd delighted SAVERY to your aid;
Bade round the youth explosive STEAM aspire
In gathering clouds, and wing'd the wave with fire;
Bade with cold streams the quick expansion stop,
And sunk the immense of vapour to a drop.Press'd by the ponderous air the Piston falls
Resistless, sliding through it's iron walls;
Quick moves the balanced beam, of giant-birth,
Wields his large limbs, and nodding shakes the earth.
'The Giant-Power from earth's remotest caves
Lifts with strong arm her dark reluctant waves;
Each cavern'd rock, and hidden den explores,
Drags her dark coals, and digs her shining ores.Next, in close cells of ribbed oak confined,
Gale after gale, He crowds the struggling wind;
The imprison'd storms through brazen nostrils roar,
Fan the white flame, and fuse the sparkling ore.
Here high in air the rising stream He pours
To clay-built cisterns, or to lead-lined towers;
Fresh through a thousand pipes the wave distils,
And thirsty cities drink the exuberant rills.There the vast mill-stone with inebriate whirl
On trembling floors his forceful fingers twirl.
Whose flinty teeth the golden harvests grind,
Feast without blood! and nourish human-kind.
'Now his hard hands on Mona's rifted crest,
Bosom'd in rock, her azure ores arrest;
With iron lips his rapid rollers seize
86
The lengthening bars, in thin expansion squeeze;
Descending screws with ponderous fly-wheels wound
The tawny plates, the new medallions round;
Hard dyes of steel the cupreous circles cramp,
And with quick fall his massy hammers stamp.
The Harp, the Lily and the Lion join,
And GEORGE and BRITAIN guard the sterling coin.
'Soon shall thy arm, UNCONQUER'D STEAM! afar
Drag the slow barge, or drive the rapid car;
Or on wide-waving wings expanded bear
The flying-chariot through the fields of air.
-Fair crews triumphant, leaning from above,
Shall wave their fluttering kerchiefs as they move;
Or warrior-bands alarm the gaping crowd,
And armies shrink beneath the shadowy cloud.
'So mighty HERCULES o'er many a clime
Waved his vast mace in Virtue's cause sublime,
Unmeasured strength with early art combined,
Awed, served, protected, and amazed mankind.First two dread Snakes at JUNO'S vengeful nod
Climb'd round the cradle of the sleeping God;
Waked by the shrilling hiss, and rustling sound,
And shrieks of fair attendants trembling round,
Their gasping throats with clenching hands he holds;
And Death untwists their convoluted folds.
Next in red torrents from her sevenfold heads
Fell HYDRA'S blood on Lerna's lake he sheds;
Grasps ACHELOUS with resistless force,
And drags the roaring River to his course;
Binds with loud bellowing and with hideous yell
The monster Bull, and threefold Dog of Hell.
'Then, where Nemea's howling forests wave,
He drives the Lion to his dusky cave;
Seized by the throat the growling fiend disarms,
And tears his gaping jaws with sinewy arms;
Lifts proud ANTEUS from his mother-plains,
And with strong grasp the struggling Giant strains;
Back falls his fainting head, and clammy hair,
Writhe his weak limbs, and flits his life in air;By steps reverted o'er the blood-dropp'd fen
He tracks huge CACUS to his murderous den;
Where breathing flames through brazen lips he fled,
87
And shakes the rock-roof'd cavern o'er his head.
'Last with wide arms the solid earth He tears,
Piles rock on rock, on mountain mountain rears;
Heaves up huge ABYLA on Afric's sand,
Crowns with high CALPÈ Europe's saliant strand,
Crests with opposing towers the splendid scene,
And pours from urns immense the sea between.-Loud o'er her whirling flood Charybdis roars,
Affrighted Scylla bellows round his shores,
Vesuvio groans through all his echoing caves,
And Etna thunders o'er the insurgent waves.
VII. 1. NYMPHS! YOUR fine hands ethereal floods amass
From the warm cushion, and the whirling glass;
Beard the bright cylinder with golden wire,
And circumfuse the gravitating fire.
Cold from each point cerulean lustres gleam,
Or shoot in air the scintillating stream.
So, borne on brazen talons, watch'd of old
The sleepless dragon o'er his fruits of gold;
Bright beam'd his scales, his eye-balls blazed with ire,
And his wide nostrils breath'd inchanted fire.
'YOU bid gold-leaves, in crystal lantherns held,
Approach attracted, and recede repel'd;
While paper-nymphs instinct with motion rife,
And dancing fauns the admiring Sage surprize.
OR, if on wax some fearless Beauty stand,
And touch the sparkling rod with graceful hand;
Through her fine limbs the mimic lightnings dart,
And flames innocuous eddy round her heart;
O'er her fair brow the kindling lustres glare,
Blue rays diverging from her bristling hair;
While some fond Youth the kiss ethereal sips.
And soft fires issue from their meeting lips.
So round the virgin Saint in silver streams
The holy Halo shoots it's arrowy beams.
'YOU crowd in coated jars the denser fire,
Pierce the thin glass, and fuse the blazing wire;
Or dart the red flash through the circling band
Of youths and timorous damsels, hand in hand.
-Starts the quick Ether through the fibre-trains
Of dancing arteries, and of tingling veins,
88
Goads each fine nerve, with new sensation thrill'd,
Bends the reluctant limbs with power unwill'd;
Palsy's cold hands the fierce concussion own,
And Life clings trembling on her tottering throne.So from dark clouds the playful lightning springs,
Rives the firm oak, or prints the Fairy-rings.
2. NYMPHS! on that day YE shed from lucid eyes.
Celestial tears, and breathed ethereal sighs!
When RICHMAN rear'd, by fearless haste betrayed,
The wiry rod in Nieva's fatal shade;Clouds o'er the Sage, with fringed skirts succeed,
Flash follows flash, the warning corks recede;
Near and more near He ey'd with fond amaze
The silver streams, and watch'd the saphire blaze;
Then burst the steel, the dart electric sped,
And the bold Sage lay number'd with the dead!NYMPHS! on that day YE shed from lucid eyes
Celestial tears, and breathed ethereal sighs!
3. 'YOU led your FRANKLIN to your glazed retreats,
Your air-built castles, and your silken seats;
Bade his bold arm invade the lowering sky,
And seize the tiptoe lightnings, ere they fly;
O'er the young Sage your mystic mantle spread,
And wreath'd the crown electric round his head.Thus when on wanton wing intrepid LOVE
Snatch'd the raised lightning from the arm of JOVE;
Quick o'er his knee the triple bolt He bent,
The cluster'd darts and forky arrows rent,
Snapp'd with illumin'd hands each flaming shaft,
His tingling fingers shook, and stamp'd, and laugh'd;
Bright o'er the floor the scatter'd fragments blaz'd,
And Gods retreating trembled as they gaz'd;
The immortal Sire, indulgent to his child,
Bow'd his ambrosial locks, and Heaven relenting smiled.
VIII. 'When Air's pure essence joins the vital flood,
And with phosphoric Acid dyes the blood,
YOUR VIRGIN TRAINS the transient HEAT dispart,
And lead the soft combustion round the heart;
Life's holy lamp with fires successive feed,
From the crown'd forehead to the prostrate weed,
From Earth's proud realms to all that swim or sweep
89
The yielding ether or tumultuous deep.
You swell the bulb beneath the heaving lawn,
Brood the live seed, unfold the bursting spawn;
Nurse with soft lap, and warm with fragrant breath
The embryon panting in the arms of Death;
Youth's vivid eye with living light adorn,
And fire the rising blush of Beauty's golden morn.
'Thus when the Egg of Night, on Chaos hurl'd,
Burst, and disclosed the cradle of the world;
First from the gaping shell refulgent sprung
IMMORTAL LOVE, his bow celestial strung;O'er the wide waste his gaudy wings unfold,
Beam his soft smiles, and wave his curls of gold;With silver darts He pierced the kindling frame,
And lit with torch divine the ever-living flame.'
IX. The GODDESS paused, admired with conscious pride
The effulgent legions marshal'd by her side,
Forms sphered in fire with trembling light array'd,
Ens without weight, and substance without shade;
And, while tumultuous joy her bosom warms,
Waves her white hand, and calls her hosts to arms,
'Unite, ILLUSTRIOUS NYMPHS! your radiant powers,
Call from their long repose the VERNAL HOURS.
Wake with soft touch, with rosy hands unbind
The struggling pinions of the WESTERN WIND;
Chafe his wan cheeks, his ruffled plumes repair,
And wring the rain-drops from his tangled hair.
Blaze round each frosted rill, or stagnant wave,
And charm the NAIAD from her silent cave;
Where, shrined in ice, like NIOBE she mourns,
And clasps with hoary arms her empty urns.
Call your bright myriads, trooping from afar,
With beamy helms, and glittering shafts of war;
In phalanx firm the FIEND OF FROST assail,
Break his white towers, and pierce his crystal mail;
To Zembla's moon-bright coasts the Tyrant bear,
And chain him howling to the Northern Bear.
'So when enormous GRAMPUS, issuing forth
From the pale regions of the icy North;
Waves his broad tail, and opes his ribbed mouth,
And seeks on winnowing fin the breezy South;
90
From towns deserted rush the breathless hosts,
Swarm round the hills, and darken all the coasts;
Boats follow boats along the shouting tides,
And spears and javelins pierce his blubbery sides;
Now the bold Sailor, raised on pointed toe,
Whirls the wing'd harpoon on the slimy foe;
Quick sinks the monster in his oozy bed,
The blood-stain'd surges circling o'er his head,
Steers to the frozen pole his wonted track,
And bears the iron tempest on his back.
X. 'On wings of flame, ETHEREAL VIRGINS! sweep
O'er Earth's fair bosom, and complacent deep;
Where dwell my vegetative realms benumb'd,
In buds imprison'd, or in bulbs intomb'd,
Pervade, PELLUCID FORMS! their cold retreat,
Ray from bright urns your viewless floods of
heat
From earth's deep wastes
electric
torrents pour,
Or shed from heaven the scintillating shower;
Pierce the dull root, relax its fibre-trains,
Thaw the thick blood, which lingers in its veins;
Melt with warm breath the fragrant gums, that bind
The expanding foliage in its scaly rind;
And as in air the laughing leaflets play,
And turn their shining bosoms to the ray,
NYMPHS! with sweet smile each opening glower invite,
And on its damask eyelids pour the
light
'So shall my pines, Canadian wilds that shade,
Where no bold step has pierc'd the tangled glade,
High-towering palms, that part the Southern flood
With shadowy isles and continents of wood,
Oaks, whose broad antlers crest Britannia's plain,
Or bear her thunders o'er the conquer'd main,
Shout, as you pass, inhale the genial skies,
And bask and brighten in your beamy eyes;
Bow their white heads, admire the changing clime,
91
Shake from their candied trunks the tinkling rime;
With bursting buds their wrinkled barks adorn,
And wed the timorous floret to her thorn;
Deep strike their roots, their lengthening tops revive,
And all my world of foliage wave, alive.
'Thus with Hermetic art the ADEPT combines
The royal acid with cobaltic mines;
Marks with quick pen, in lines unseen portrayed,
The blushing mead, green dell, and dusky glade;
Shades with pellucid clouds the tintless field,
And all the future Group exists conceal'd;
Till waked by fire the dawning tablet glows,
Green springs the herb, the purple floret blows,
Hills vales and woods in bright succession rise,
And all the living landscape charms his eyes.
XI. 'With crest of gold should sultry SIRIUS glare,
And with his kindling tresses scorch the air;
With points of flame the shafts of Summer arm,
And burn the beauties he designs to warm;-So erst when JOVE his oath extorted mourn'd,
And clad in glory to the Fair return'd;
While Loves at forky bolts their torches light,
And resting lightnings gild the car of Night;
His blazing form the dazzled Maid admir'd,
Met with fond lips, and in his arms expir'd;NYMPHS! on light pinion lead your banner'd hosts
High o'er the cliffs of ORKNEY'S gulphy coasts;
Leave on your left the red volcanic light,
Which HECCLA lifts amid the dusky night;
Mark on the right the DOFRINE'S snow-capt brow,
Where whirling MAELSTROME roars and foams below;
Watch with unmoving eye, where CEPHEUS bends
His triple crown, his scepter'd hand extends;
Where studs CASSIOPE with stars unknown
Her golden chair, and gems her sapphire zone;
Where with vast convolution DRACO holds
The ecliptic axis in his scaly folds,
O'er half the skies his neck enormous rears,
And with immense meanders parts the BEARS;
Onward, the kindred BEARS with footstep rude
Dance round the Pole, pursuing and pursued.
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'There in her azure coif and starry stole,
Grey TWILIGHT sits, and rules the slumbering Pole;
Bends the pale moon-beams round the sparkling coast,
And strews with livid hands eternal frost.
There, NYMPHS! alight, array your dazzling powers,
With sudden march alarm the torpid Hours;
On ice-built isles expand a thousand sails,
Hinge the strong helms, and catch the frozen gales;
The winged rocks to feverish climates guide,
Where fainting Zephyrs pant upon the tide;
Pass, where to CEUTA CALPE'S thunder roars,
And answering echoes shake the kindred shores;
Pass, where with palmy plumes CANARY smiles,
And in her silver girdle binds her isles;
Onward, where NIGER'S dusky Naiad laves
A thousand kingdoms with prolific waves,
Or leads o'er golden sands her threefold train
In steamy channels to the fervid main,
While swarthy nations croud the sultry coast,
Drink the fresh breeze, and hail the floating Frost,
NYMPHS! veil'd in mist, the melting treasures steer,
And cool with arctic snows the tropic year.
So from the burning Line by Monsoons driven
Clouds sail in squadrons o'er the darken'd heaven;
Wide wastes of sand the gelid gales pervade,
And ocean cools beneath the moving shade.
XII. Should SOLSTICE, stalking through the sickening bowers,
Suck the warm dew-drops, lap the falling showers;
Kneel with parch'd lip, and bending from it's brink
From dripping palm the scanty river drink;
NYMPHS! o'er the soil ten thousand points erect,
And high in air the electric flame collect.
Soon shall dark mists with self-attraction shroud
The blazing day, and sail in wilds of cloud;
Each silvery Flower the streams aerial quaff,
Bow her sweet head, and infant Harvest laugh.
'Thus when ELIJA mark'd from Carmel's brow
In bright expanse the briny flood below;
Roll'd his red eyes amid the scorching air,
Smote his firm breast, and breathed his ardent prayer;
High in the midst a massy altar stood,
93
And slaughter'd offerings press'd the piles of wood;
While ISRAEL'S chiefs the sacred hill surround,
And famish'd armies crowd the dusty ground;
While proud Idolatry was leagued with dearth,
And wither'd famine swept the desert earth.'OH, MIGHTY LORD! thy woe-worn servant hear,
'Who calls thy name in agony of prayer;
'Thy fanes dishonour'd, and thy prophets slain,
'Lo! I alone survive of all thy train!'Oh send from heaven thy sacred fire,-and pour
'O'er the parch'd land the salutary shower,'So shall thy Priest thy erring flock recal,'And speak in thunder, 'THOU ART LORD OF ALL.'He cried, and kneeling on the mountain-sands,
Stretch'd high in air his supplicating hands.
-Descending flames the dusky shrine illume;
Fire the wet wood, the sacred bull consume;
Wing'd from the sea the gathering mists arise,
And floating waters darken all the skies;
The King with shifted reins his chariot bends,
And wide o'er earth the airy flood descends;
With mingling cries dispersing hosts applaud,
And shouting nations own THE LIVING GOD.'
The GODDESS ceased,-the exulting tribes obey,
Start from the soil, and win their airy way;
The vaulted skies with streams of transient rays
Shine, as they pass, and earth and ocean blaze.
So from fierce wars when lawless Monarch's cease,
Or Liberty returns with laurel'd Peace;
Bright fly the sparks, the colour'd lustres burn,
Flash follows f
Blue serpents sweep along the dusky air,
Imp'd by long trains of scintillating hair;
Red rockets rise, loud cracks are heard on high,
And showers of stars rush headlong from the sky,
Burst, as in silver lines they hiss along,
And the quick flash unfolds the gazing throng.
~ Erasmus Darwin,#NFDB |
1420: Book VI: The Book of the Chieftains
Then as from common hills great Pelion rises to heaven
So from the throng uprearing a brow that no crown could ennoble,
Male and kingly of front like a lion conscious of puissance
Rose a form august, the monarch great Agamemnon.
Wroth he rose yet throwing a rein on the voice of his passion,
Governing the beast and the demon within by the god who is mighty.
Happy thy life and my fame that thou comst with the aegis of heaven
Shadowing thy hoary brows, thou herald of pride and of insult.
Well is it too for his days who sent thee that other and nobler
Heaven made my heart than his who insults and a voice of the immortals
Cries to my soul forbidding its passions. O hardness of virtue,
Thus to be seized and controlled as in fetters by Zeus and Athene.
Free is the peasant to smite in the pastures the mouth that has wronged him,
Chained in his soul is Atrides. Bound by their debt to the fathers,
Curbed by the god in them painfully move the lives of the noble,
Forced to obey the eye that watches within in their bosoms.
Ever since Zeus Cronion turned in our will towards the waters,
Scourged by the heavens in my dearest, wronged by men and their clamours,
Griefs untold I have borne in Argos and Aulis and Troas,
Yoked to this sacred toil of the Greeks for their children and country,
Bound by the gods to a task that is heavy, a load that is bitter.
Seeing the faces of foes in the mask of friends I was silent.
Hateful I hold him who sworn to a cause that is holy and common
Broods upon private wrongs or serving his lonely ambition
Studies to reap his gain from the labour and woe of his fellows.
Mire is the man who hears not the gods when they cry to his bosom.
Grief and wrath I coerced nor carried my heart to its record
All that has hurt its chords and wounded the wings of my spirit.
Nobler must kings be than natures of earth on whom Zeus lays no burden.
Other is Peleus son than the race of his Aeacid fathers,
Nor like his sire of the wise-still heart far-sighted and patient
Bearing the awful rein of the gods, but hastes to his longings,
Dire in his wrath and pursued by the band of his giant ambitions.
Measure and virtue forsake him as Ate grows in his bosom.
Yet not for tyrant wrong nor to serve as a sword for our passions
Zeus created our strength, but that earth might have help from her children.
Not of our moulding its gifts to our soul nor were formed by our labour!
When did we make them, where were they forged, in what workshop or furnace?
Found in what aeon of Time, that pride should bewilder the mortal?
Bowed to our will are the folk and our prowess dreadful and godlike?
Shadows are these of the gods which the deep heavens cast on our spirits.
Transient, we made not ourselves, but at birth from the first we were fashioned
Valiant or fearful and as was our birth by the gods and their thinkings
Formed, so already enacted and fixed by their wills are our fortunes.
What were the strength of Atrides and what were the craft of Odysseus
Save for their triumphing gods? They would fail and be helpless as infants.
Stronger a woman, wiser a child were favoured by Heaven.
Ceased not Sarpedon slain who was son of Zeus and unconquered?
Not to Achilles he fell, but Fate and the gods were his slayers.
Kings, to the arrogant shaft that was launched, the unbearable insult,
Armoured wisdoms oppose, let not Ate seize on your passions.
Be not as common souls, O you who are Greece and her fortunes,
Nor of your spirits of wrath take counsel but of Athene.
Merit the burden laid by Zeus, his demand from your natures
Suffer, O hearts of his seed, O souls who are chosen and mighty,
All forgetting but Greece and her good; resolve what is noble.
I will not speak nor advise, for tis known we are rivals and foemen.
Calmed by his words and his will he sat down mighty and kinglike;
But Menelaus arose, the Spartan, the husb and of Helen,
Atreus younger son from a lesser womb, in his brilliance
Dwarfed by the others port, yet tall was he, gracile and splendid,
As if a panther might hunt by a lions side in the forest.
Smiting his thigh with his firm-clenched hand he spoke mid the Argives:
Woe to me, shameless, born to my country a cause of affliction,
Since for my sake all wrongs must be borne and all shames be encountered;
And for my sake you have spun through the years down the grooves of disaster
Bearing the shocks of the Trojans and ravaged by Zeus and by Hector,
Slaughtered by Rhesus and Memnon, Sarpedon and Penthesilea;
Or by the Archer pierced, the hostile dreadful Apollo,
Evilly end the days of the Greeks remote from their kindred
Slain on an alien soil by Asian Xanthus and Ida.
Doomed to the pyre we have toiled for a woman ungracious who left us
Passing serenely my portals to joy in the chambers of Troya.
Here let it cease, O my brother! how much wilt thou bear for this graceless
Child of thy sire, cause still of thy griefs and never of blessing?
Easily Zeus afflicts who trouble their hearts for a woman;
But in our ships that sailed close-fraught with this dolorous Ate
Worse was the bane they bore which King Peleus begot on white Thetis.
Evil ever was sown by the embrace of the gods with a mortal!
Alien a portent is born and a breaker of men and their labours,
One who afflicts with his light or his force mortalitys weakness
Stripping for falsehoods their verities, shaking the walls they erected.
Hostile all things the scourge divine overbears or, if helpful,
Neither without him his fellows can prosper, nor will his spirit
Fit in the frame of things earthly but shatters their rhythm and order
Rending the measures just that the wise have decreed for our growing.
So have our mortal plannings broken on this fateful Achilles
And with our blood and our anguish Heaven has fostered his greatness.
It is enough; let the dire gods choose between Greece and their offspring.
Even as he bids us, aloof let our hosts twixt the ships and the Xanthus
Stand from the shock and the cry where Hellene meets with Eoan,
Troy and Phthia locked, Achilles and Penthesilea,
Nor any more than watchers care who line an arena;
Calm like the impartial gods, approve the bravest and swiftest.
Sole let him fight! The fates shall preserve him he vaunts of or gather,
Even as death shall gather us all for memorys clusters,
All in their day who were great or were little, heroes or cowards.
So shall he slay or be slain, a boon to mankind and his country.
Since if he mow down this flower of bale, this sickle by Hades
Whirled if he break,for the high gods ride on the hiss of his spear-shaft,
Ours is the gain who shall break rejoicing through obdurate portals
Praising Pallas alone and Hera daughter of Heaven.
But if he sink in this last of his fights, as they say it is fated,
Nor do I deem that the man has been born in Asia or Hellas
Who in the dreadful field can prevail against Penthesilea,
If to their tents the Myrmidons fleeing cumber the meadows
Slain by a girl in her speed and leaving the corpse of their leader,
Ours is the gain, we are rid of a shame and a hate and a danger.
True is it, Troy shall exultant live on in the shadow of Ida,
Yet shall our hearts be light because earth is void of Achilles.
And for the rest of the infinite loss, what we hoped, what we suffered,
Let it all go, let the salt floods swallow it, fate and oblivion
Bury it out in the night; let us sail oer the waves to our country
Leaving Helen in Troy since the gods are the friends of transgressors.
So Menelaus in anger and grief miscounselled the Argives.
Great Idomeneus next, the haughty king of the Cretans,
Raised his brow of pride in the lofty Argive assembly.
Tall like a pine that stands up on the slope of Thessalian mountains
Overpeering a cascades edge and is seen from the valleys,
Such he seemed to their eyes who remembered Greece and her waters,
Heard in their souls the torrents leap and the wind on the hill-tops.
Oft have I marvelled, O Greeks, to behold in this levy of heroes
Armies so many, chieftains so warlike suffer in silence
Pride of a single man when he thunders and lightens in Troas.
Doubtless the nations that follow his cry are many and valiant,
Doubtless the winds of the north have made him a runner and spearman.
Shall not then force be the King? is not strength the seal of the Godhead?
This my soul replies, Agamemnon the Atreid only
Choosing for leader and king I have come to the toil and the warfare.
Wisdom and greatness he owns and the wealth and renown of his fathers.
But for this whelp of the northlands, nursling of rocks and the sea-cliff
Who with his bleak and rough-hewn Myrmidons hastes to the carnage,
Leader of wolves to their prey, not the king of a humanised nation,
Not to such head of the cold-drifting mist and the gloom-vigilled Chaos,
Crude to our culture and light and void of our noble fulfilments
Minos shall bend his knee nor Crete, a barbarians vassal,
Stain her old glories. Oh, but he boasts of a goddess for mother
Born in the senseless seas mid the erring wastes of the Ocean,
White and swift and foam-footed, vast Oceanus daughter.
Gods we adore enough in the heavens, and if from us Hades
Claim one more of this breed, we can bear that excess of his glories,
Not upon earth these new-born deities huge-passioned, sateless
Who with their mouth as of Orcus and stride of the ruinous Ocean
Sole would be seen mid her sons and devour all lifes joy and its greatness.
Millions must empty their lives that a man may oershadow the nations,
Numberless homes must weep, but his hunger of glory is sated!
Troy shall descend to the shadow; gods and men have condemned her,
Weary, hating her fame. Her dreams, her grandeur, her beauty,
All her greatness and deeds that now end in miserable ashes,
Ceasing shall fade and be as a tale that was forged by the poets.
Only a name shall go down from her past and the woe of her ending
Naked to hatred and rapine and punished with rape and with slaughter.
Never again must marble pride high-domed on her hill-top
Look forth dominion and menace over the crested Aegean
Shadowing Achaia. Fire shall abolish the fame of her ramparts,
Earth her foundations forget. Shall she stand affronting the azure?
Dire in our path like a lioness once again must we meet her,
Leap and roar of her led by the spear of Achilles, not Hector?
Asia by Peleus guided shall stride on us after Antenor?
Though one should plan in the night of his thoughts where no eye can pursue him,
Instincts of men discover their foe and like hounds in the darkness
Bay at a danger hid. No silence of servitude trembling
Trains to bondage sons of the race of whom Aeolus father
Storm-voiced was and free, nor like other groupings of mortals
Moulded we were by Zeus, but supremely were sifted and fashioned.
Other are Danaus sons and other the lofty Achaians:
Chainless like Natures tribes in their many-voiced colonies founded
They their god-given impulse shall keep and their natures of freedom.
Only themselves shall rule them, only their equal spirits
Bowed to the voice of a law that is just, obeying their leaders,
Awed by the gods. So with order and balance and harmony noble
Life shall move golden, free in its steps and just in its measure,
Glad of a manhood complete, by excess and defect untormented.
Freedom is life to the Argive soul, to Aeolias peoples.
Dulled by a yoke our nations would perish, or live but as shadows,
Changed into phantoms of men with the name of a Greek for a byword.
Not like the East and her sons is our race, they who bow to a mortal.
Gods there may be in this flesh that suffers and dies; Achaia
Knows them not. Need if he feels of a world to endure and adore him,
Hearts let him seek that are friends with the dust, overpowered by their heavens,
Here in these Asian vastnesses, here where the heats and the perfumes
Sicken the soul and the sense and a soil of indolent plenty
Breeds like the corn in its multitudes natures accustomed to thraldom.
Here let the northern Achilles seek for his slaves and adorers,
Not in the sea-ringed isles and not in the mountains Achaian.
Ten long years of the shock and the war-cry twixt rampart and ocean
Hurting our hearts we have toiled; shall they reap not their ease in the vengeance?
Troas is sown with the lives of our friends and with ashes remembered;
Shall not Meriones slain be reckoned in blood and in treasure?
Cretan Idomeneus girt with the strength of his iron retainers
Slaying and burning will stride through the city of music and pleasure,
Babes of her blood borne high on the spears at the head of my column,
Wives of her princes dragged through her streets in its pomp to their passion,
Gold of Troy stream richly past in the gaze of Achilles.
Then let him threaten my days, then rally the might of his triumphs,
Yet shall a Cretan spear make search in his heart for his godhead.
Limbs of this god can be pierced; not alone shall I fleet down to Hades.
After him rose from the throng the Locrian, swift-footed Ajax.
Kings of the Greeks, throw a veil on your griefs, lay a curb on your anger.
Moved mans tongue in its wrath looses speech that is hard to be pardoned,
Afterwards stilled we regret, we forgive. If all were resented,
None could live on this earth that is thick with our stumblings. Always
This is the burden of man that he acts from his heart and his passions,
Stung by the goads of the gods he hews at the ties that are dearest.
Lust was the guide they sent us, wrath was a whip for his coursers,
Madness they made the hearts comrade, repentance they gave for its scourger.
This too our hearts demand that we bear with our friend when he chides us.
Insult forgive from the noble embittered soul of Achilles!
When with the scorn and the wrath of a lover our depths are tormented,
Who shall forbid the cry and who shall measure the anguish?
Sharper the pain that looses the taunt than theirs who endure it.
Rage has wept in my blood as I lived through the flight oer the pastures,
Shame coils a snake in my back when thought whispers of Penthesilea.
Bright shine his morns if he mows down this hell-bitch armed by the Furies!
But for this shaft of his pity it came from a lesser Pelides,
Not from the slayer of Hector, not from the doom of Sarpedon,
Memnons mighty oerthrower, the blood-stained splendid Achilles.
These are the Trojan snares and the fateful smile of a woman!
This thing the soul of a man shall not bear that blood of his labour
Vainly has brought him victory leaving life to the hated;
This is a wound to our race that a Greek should whisper of mercy.
Who can pardon a foe though a god should descend to persuade him?
Justice is first of the gods, but for Pity twas spawned by a mortal,
Pity that only disturbs Gods measures and false and unrighteous
Holds man back from the joy he might win and troubles his bosom.
Troy has a debt to our hearts; she shall pay it all down to the obol,
Blood of the fall and anguish of flight when the heroes are slaughtered,
Days without joy while we labour and see not the eyes of our parents,
Toil of the war-cry, nights that drag past upon alien beaches,
Helen ravished, Paris triumphant, endless the items
Crowd on a wrath in the memory, kept as in bronze the credit
Stretches out long and blood-stained and savage. Most for the terror
Graved in the hearts of our fathers that still by our youth is remembered,
Hellas waiting and crouching, dreading the spear of the Trojan,
Flattering, sending gifts and pale in her mortal anguish,
Agony long of a race at the mercy of iron invaders,
This she shall pay most, the city of pride, the insolent nation,
Pay with her temples charred and her golden mansions in ruins,
Pay with the shrieks of her ravished virgins, the groans of the aged
Burned in their burning homes for our holiday. Music and dancing
Shall be in Troy of another sort than she loved in her greatness
Merry with conquered gold and insulting the world with her flutings.
All that she boasted of, statue and picture, all shall be shattered;
Out of our shame she chiselled them, rich with our blood they were coloured.
This not the gods from Olympus crowding, this not Achilles,
This not your will, O ye Greeks, shall deny to the Locrian Ajax.
Even though Pallas divine with her aegis counselling mercy
Cumbered my path, I would push her aside to leap on my victims.
Learn shall all men on that day how a warrior deals with his foemen.
Darting flames from his eyes the barbarian sate, and there rose up
Frowning Tydeus son, the Tirynthian, strong Diomedes.
Ajax Oileus, thy words are foam on the lips of a madman.
Cretan Idomeneus, silence the vaunt that thy strength can fulfil not.
Strong art thou, fearless in battle, but not by thy spear-point, O hero,
Hector fell, nor Sarpedon, nor Troilus leading the war-cry.
These were Achilles deeds which a god might have done out of heaven.
Him we upbraid who saved, nor would any now who revile him
Still have a living tongue for ingratitude but for the hero.
Much to the man forgive who has saved his race and his country:
Him shall the termless centuries praise when we are forgotten.
Curb then your speech, crush down in your hearts the grief and the choler;
Has not Atrides curbed who is greatest of all in our nations
Wrath in the heart and the words that are winged for our bale from our bosoms?
For as a load to be borne were these passions given to mortals.
Honour Achilles, conquer Troy by his god-given valour.
Now of our discords and griefs debate not for joy of our foemen!
First over Priams corpse stand victors in Ilions ramparts;
Discord then let arise or concord solder our nations.
Rugged words and few as fit for the soul that he harboured
Great Tydides spoke and ceased; and there rose up impatient
Tall from the spears of the north the hero king Prothonor,
Prince in Cadmeian Thebes who with Leitus led on his thousands.
Loudly thou vauntest thy freedom Ionian Minos recalling,
Lord of thy southern isles who gildst with tri bute Mycenae.
We have not bowed our neck to Pelops line, at Argos
Iron heel have not crouched, nor clasped like thy time-wearied nations,
Python-befriended, gripped in the coils of an iron protection,
Bondage soothed by a name and destruction masked as a helper.
We are the young and lofty and free-souled sons of the Northland.
Nobly Peleus, the Aeacid, seer of a vaster Achaia,
Pride of his strength and his deeds renouncing for joy of that vision,
Yielded his hoary right to the sapling stock of Atrides.
Noble, we gave to that nobleness freely our grandiose approval.
Not as a foe then, O King, who angered sharpens his arrows,
Fits his wrath and hate to the bow and aims at the heart-strings
But from the Truth that is seated within me compelling my accents,
Taught by my fathers stern not to lie nor to hide what I harbour,
Truth the goddess I speak, nor constrain the voice in my bosom.
Monarch, I own thee first of the Greeks save in valour and counsel,
Brave, but less than Achilles, wise, but not as Odysseus,
First still in greatness and calm and majesty. Yet, Agamemnon,
Love of thy house and thy tribe disfigures the king in thy nature;
Thou thy brother preferrest, thy friends and thy nations unjustly,
Even as a common man whose heart is untaught by Athene,
Beastlike favours his brood forgetting the law of the noble.
Therefore Ajax grew wroth and Teucer sailing abandoned
Over the angry seas this fierce-locked toil of the nations;
Therefore Achilles has turned in his soul and gazed towards the Orient.
Yet are we fixed in our truth like hills in heaven, Atrides;
Greece and her safety and good our passions strive to remember.
Not of this stamp was thy brothers speech; such words Lacedaemon
Hearing may praise in her kings; we speak not in Thebes what is shameful.
Shamefuller thoughts have never escaped from lips that were high-born.
We will not send forth earths greatest to die in a friendless battle,
Nor will forsake the daughter of Zeus and white glory of Hellas,
Helen the golden-haired Tyndarid, left for the joy of our foemen,
Chained to Paris delight, earths goddess the slave of the Phrygian,
Though Menelaus the Spartan abandon his wife to the Trojans
And from the field where he lavished the unvalued blood of his people
Flee to a hearth dishonoured. Not the Atreids sullied grandeurs,
Greece to defend we have toiled through the summers and lingering autumns
Blind with our blood; for our country we bleed repelling her foemen.
Dear is that loss to our veins and still that expense we would lavish
Claiming its price from the heavens, though thou sail with thy brother and cohorts.
Weakling, flee! take thy southern ships, take thy Spartan levies.
Still will the Greeks fight on in the Troad helped by thy absence.
For though the beaches vast grow empty, the tents can be numbered
Standing friendless and few on the huge and hostile champaign,
Always a few will be left whom the threatenings of Fate cannot conquer,
Always souls are born whose courage waits not on fortune;
Hellas heart will be firm confronting the threat of the victor,
Sthenelus war and Tydides, Odysseus and Locrian Ajax,
Thebes unconquered sons and the hero chiefs of the northland.
Stern and persistent as Time or the seas and as deaf to affliction
We will clash on in the fight unsatisfied, fain of the war-cry,
Helped by the gods and our cause through the dawns and the blood-haunted evenings,
Rising in armour with morn and outstaying the red of the sunset,
Till in her ashes Troy forgets that she lusted for empire
Or in our own the honour and valour of Greece are extinguished.
So Prothonor spoke nor pleased with his words Agamemnon;
But to the northern kings they were summer rain on the visage.
Last Laertes son, the Ithacan, war-wise Odysseus,
Rose up wide-acclaimed; like an oak was he stunted in stature,
Broad-shouldered, firm-necked, lone and sufficient, as on some island
Regnant one peak whose genial streams flow down to the valley,
Dusk on its slopes are the olives, the storms butt in vain at its shoulders,
Such he stood and pressed the earth with his feet like one vanquished,
Striving, but held to his will. So Atlas might seem were he mortal,
Atlas whose vastness free from impatience suffers the heavens,
Suffering spares the earth, the thought-haunted motionless Titan,
Bearer of worlds. In those jarring tribes no man was his hater;
For as the Master of all guides humanity, so this Odysseus
Dealt with men and helped and guided them, careful and selfless,
Crafty, tender and wise,like the Master who bends oer His creatures,
Suffers their sins and their errors and guides them screening the guidance;
Each through his nature He leads and the world by the lure of His wisdom.
Princes of Argolis, chiefs of the Locrians, spears of the northland,
Warriors vowed to a sacred hate and a vengeance thats holy,
Sateless still is that hate, that vengeance cries for its victims,
Still is the altar unladen, the priest yet waits with the death-knife.
Who while the rites are unfinished, the god unsatisfied, impious
Turns in his heart to the feuds of his house and his strife with his equals?
None will approve the evil that fell from the younger Atrides;
But it was anger and sorrow that spoke, it was not Menelaus.
Who would return from Troy and arrive with his war-wasted legions
Back to his home in populous city or orcharded island;
There from his ships disembarked look round upon eyes that grow joyless
Seeking a father or husb and slain, a brother heart-treasured,
Mothers in tears for their children, and when he is asked, O our chieftain,
What dost thou bring back in place of our dead to fill hearts that are empty?
Who then will say, I bring back my shame and the shame of my nation;
Troy yet stands confronting her skies and Helen in Troya?
Not for such foil will I go back to Ithaca or to Laertes,
Rather far would I sail in my ships past southern Cythera,
Turning away in silence from waters where on some headland
Gazing south oer the waves my father waits for my coming,
Leaving Sicilys shores and on through the pillars of Gades.
Far I would sail whence sound of me never should come to Achaia
Out into tossing worlds and weltering reaches of tempest
Dwarfing the swell of the wide-wayed Aegean,Oceans unbounded
Either by cliff or by sandy margin, only the heavens
Ever receding before my keel as it ploughs on for ever
Frail and alone in a world of waves. Even there would I venture
Seeking some island unknown, not return with shame to my fathers.
Well might they wonder how souls like theirs begot us for their offspring.
Fighters war-afflicted, champions banded by heaven,
Wounds and defeat you have borne; bear too their errors who lead you.
Mortals are kings and have hearts; our leaders too have their passions.
Then if they err, yet still obey lest anarchy fostered,
Discord and deaf rebellion that speed like a poison through kingdoms,
Break all this army in pieces while Ate mocking at mortals
Trails to a shameful end this lofty essay of the nations.
Who among men has not thoughts that he holds for the wisest, though foolish?
Who, though feeble and nought, esteems not his strength oer his fellows?
Therefore the wisest and strongest choose out a king and a leader,
Not as a perfect arbiter armed with impossible virtues
Far oer our heads and our ken like a god high-judging his creatures,
But as a man among men who is valiant, wise and far-seeing,
One of ourselves and the knot of our wills and the sword of our action.
Him they advise and obey and cover his errors with silence.
Not Agamemnon the Atreid, Greeks, we obey in this mortal;
Greece we obey; for she walks in his gait and commands by his gestures.
Evil he works then who loosens this living knot of Achaia;
Falling apart from his nation who, wed to a solitary virtue,
Deeming he does but right, renounces the yoke of his fellows,
Errs more than hearts of the mire that in blindness and weakness go stumbling.
Man when he spurns his kind, when he equals himself with the deathless,
Even in his virtues sins and, erring, calls up Ate:
For among men we were born, not as wild-beasts sole in a fastness.
Oft with a name are misled the passionate hearts of the noble;
Chasing highly some image of good they trample its substance.
Evil is worked, not justice, when into the mould of our thinkings
God we would force and enchain to the throb of our hearts the immortals,
Justice and Virtue, her sister,for where is justice mid creatures
Perfectly? Even the gods are betrayed by our clay to a semblance.
Evil not good he sows who lifted too high for his fellows,
Dreams by his light or his force to compel this deity earth-born,
Evil though his wisdom exceeded the gathered light of the millions,
Evil though his single fate were vaster than Troy and Achaia.
Less is our gain from gods upon earth than from men in our image;
Just is the slow and common march, not a lonely swiftness
Far from our human reach that is vowed to impossible strivings.
Better the stumbling leader of men than inimitable paces.
If he be Peleus son and his name the Phthian Achilles,
Worse is the bane: lo, the Ilian battlefield strewn with his errors!
Yet, O ye Greeks, if the heart returns that was loved, though it wandered,
Though with some pride it return and reproaching the friends that it fled from,
Be not less fond than heart-satisfied parents who yearn oer that coming,
Smile at its pride and accept the wanderer. Happier music
Never has beat on my grief-vexed ears than the steps of Achilles
Turning back to this Greece and the cry of his strength in its rising.
Zeus is awake in this man who his dreadful world-slaying puissance
Gave in an hour of portentous birth to the single Achilles.
Taken today are Ilions towers, a dead man is Priam.
Cross not the heros will in his hour, Agamemnon Atrides,
Cross not the man whom the gods have chosen to work out their purpose
Then when he rises; his hour is his, though thine be all morrows.
First in the chambers of Paris delight let us stable our horses,
Afterwards bale that is best shall be done persuading Achilles;
Doubt not the gods decisions, awful, immutable, ruthless.
Flame shall lick Troys towers and the limbs of her old men and infants.
O not today nor now remember the faults of the hero!
Follow him rather bravely and blindly as children their leader,
Guide your fate through the war-surge loud in the wake of his exploits.
Rise, O ye kings of the Greeks! leave debate for the voices of battle.
Peal forth the war-shout, pour forth the spear-sleet, surge towards Troya.
Ilion falls today; we shall turn in our ships to our children.
So Odysseus spoke and the Achaians heard him applauding;
Ever the pack by the voice of the mighty is seized and attracted!
Then from his seat Agamemnon arising his staff to the herald
Gave and around him arose the Kings of the west and its leaders,
Loud their assembly broke with a stern and martial rumour.
***
~ Sri Aurobindo, 6 - The Book of the Chieftains
,#NFDB |
1421:The Botanic Garden( Part Ii)
The Economy Of Vegetation
Canto II
AND NOW THE GODDESS with attention sweet
Turns to the GNOMES, that circle round her feet;
Orb within orb approach the marshal'd trains,
And pigmy legions darken all the plains;
Thrice shout with silver tones the applauding bands,
Bow, ere She speaks, and clap their fairy hands.
So the tall grass, when noon-tide zephyr blows,
Bends it's green blades in undulating rows;
Wide o'er the fields the billowy tumult spreads,
And rustling harvests bow their golden heads.
I. 'GNOMES! YOUR bright forms, presiding at her birth,
Clung in fond squadrons round the new-born EARTH;
When high in ether, with explosion dire,
From the deep craters of his realms of fire,
The whirling Sun this ponderous planet hurl'd,
And gave the astonish'd void another world.
When from it's vaporous air, condensed by cold,
Descending torrents into oceans roll'd;
And fierce attraction with relentless force
Bent the reluctant wanderer to it's course.
'Where yet the Bull with diamond-eye adorns
The Spring's fair forehead, and with golden horns;
Where yet the Lion climbs the ethereal plain,
And shakes the Summer from his radiant mane;
Where Libra lifts her airy arm, and weighs,
Poised in her silver ballance, nights and days;
With paler lustres where Aquarius burns,
And showers the still snow from his hoary urns;
YOUR ardent troops pursued the flying sphere,
Circling the starry girdle of the year;
While sweet vicissitudes of day and clime
Mark'd the new annals of enascent Time.
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II. 'You trod with printless step Earth's tender globe,
While Ocean wrap'd it in his azure robe;
Beneath his waves her hardening strata spread,
Raised her PRIMEVAL ISLANDS from his bed,
Stretch'd her wide lawns, and sunk her winding dells,
And deck'd her shores with corals, pearls, and shells.
'O'er those blest isles no ice-crown'd mountains tower'd,
No lightnings darted, and no tempests lower'd;
Soft fell the vesper-drops, condensed below,
Or bent in air the rain-refracted bow;
Sweet breathed the zephyrs, just perceiv'd and lost;
And brineless billows only kiss'd the coast;
Round the bright zodiac danced the vernal hours,
And Peace, the Cherub, dwelt in mortal bowers!
'So young DIONE, nursed beneath the waves,
And rock'd by Nereids in their coral caves,
Charm'd the blue sisterhood with playful wiles,
Lisp'd her sweet tones, and tried her tender smiles.
Then, on her beryl throne by Triton's borne,
Bright rose the Goddess like the Star of morn;
When with soft fires the milky dawn He leads,
And wakes to life and love the laughing meads;With rosy fingers, as uncurl'd they hung
Round her fair brow, her golden locks she wrung;
O'er the smooth surge on silver sandals flood,
And look'd enchantment on the dazzled flood.The bright drops, rolling from her lifted arms,
In slow meanders wander o'er her charms,
Seek round her snowy neck their lucid track,
Pearl her white shoulders, gem her ivory back,
Round her fine waist and swelling bosom swim,
And star with glittering brine each crystal limb.-The immortal form enamour'd Nature hail'd,
And Beauty blazed to heaven and earth, unvail'd.
III. 'You! who then, kindling after many an age,
Saw with new fires the first VOLCANO rage,
O'er smouldering heaps of livid sulphur swell
At Earth's firm centre, and distend her shell,
Saw at each opening cleft the furnace glow,
And seas rush headlong on the gulphs below.-
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GNOMES! how you shriek'd! when through the troubled air
Roar'd the fierce din of elemental war;
When rose the continents, and sunk the main,
And Earth's huge sphere exploding burst in twain.GNOMES! how you gazed! when from her wounded side
Where now the South-Sea heaves its waste of tide,
Rose on swift wheels the MOON'S refulgent car,
Circling the solar orb; a sister-star,
Dimpled with vales, with shining hills emboss'd,
And roll'd round Earth her airless realms of frost.
'GNOMES! how you trembled! with the dreadful force
When Earth recoiling stagger'd from her course;
When, as her Line in slower circles spun,
And her shock'd axis nodded from the sun,
With dreadful march the accumulated main
Swept her vast wrecks of mountain, vale, and plain;
And, while new tides their shouting floods unite,
And hail their Queen, fair Regent of the night;
Chain'd to one centre whirl'd the kindred spheres,
And mark'd with lunar cycles solar years.
IV. 'GNOMES! you then bade dissolving SHELLS distil
From the loose summits of each shatter'd hill,
To each fine pore and dark interstice flow,
And fill with liquid chalk the mass below.
Whence sparry forms in dusky caverns gleam
With borrow'd light, and twice refract the beam;
While in white beds congealing rocks beneath
Court the nice chissel, and desire to breathe.'Hence wearied HERCULES in marble rears
His languid limbs, and rests a thousand years;
Still, as he leans, shall young ANTINOUS please
With careless grace, and unaffected ease;
Onward with loftier step APOLLO spring,
And launch the unerring arrow from the string;
In Beauty's bashful form, the veil unfurl'd,
Ideal VENUS win the gazing world.
Hence on ROUBILIAC'S tomb shall Fame sublime
Wave her triumphant wings, and conquer Time;
Long with soft touch shall DAMER'S chissel charm,
With grace delight us, and with beauty warm;
FOSTER'S fine form shall hearts unborn engage,
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And MELBOURN's smile enchant another age.
V. GNOMES! you then taught transuding dews to pass
Through time-fall'n woods, and root-inwove morass
Age after age; and with filtration fine
Dispart, from earths and sulphurs, the saline.
1. 'HENCE with diffusive SALT old Ocean steeps
His emerald shallows, and his sapphire deeps.
Oft in wide lakes, around their warmer brim
In hollow pyramids the crystals swim;
Or, fused by earth-born fires, in cubic blocks
Shoot their white forms, and harden into rocks.
'Thus, cavern'd round in CRACOW'S mighty mines,
With crystal walls a gorgeous city shines;
Scoop'd in the briny rock long streets extend
Their hoary course, and glittering domes ascend;
Down the bright steeps, emerging into day,
Impetuous fountains burst their headlong way,
O'er milk-white vales in ivory channels spread,
And wondering seek their subterraneous bed.
Form'd in pellucid salt with chissel nice,
The pale lamp glimmering through the sculptured ice,
With wild reverted eyes fair LOTTA stands,
And spreads to Heaven, in vain, her glassy hands;
Cold dews condense upon her pearly breast,
And the big tear rolls lucid down her vest.
Far gleaming o'er the town transparent fanes
Rear their white towers, and wave their golden vanes;
Long lines of lustres pour their trembling rays,
And the bright vault returns the mingled blaze.
2. 'HENCE orient NITRE owes it's sparkling birth,
And with prismatic crystals gems the earth,
O'er tottering domes in filmy foliage crawls,
Or frosts with branching plumes the mouldering walls.
As woos Azotic Gas the virgin Air,
And veils in crimson clouds the yielding Fair,
Indignant Fire the treacherous courtship flies,
Waves his light wing, and mingles with the skies.
'So Beauty's GODDESS, warm with new desire,
Left, on her silver wheels, the GOD of Fire;
Her faithless charms to fiercer MARS resign'd,
Met with fond lips, with wanton arms intwin'd.
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-Indignant VULCAN eyed the parting Fair,
And watch'd with jealous step the guilty pair;
O'er his broad neck a wiry net he flung,
Quick as he strode, the tinkling meshes rung;
Fine as the spider's flimsy thread He wove
The immortal toil to lime illicit love;
Steel were the knots, and steel the twisted thong,
Ring link'd in ring, indissolubly strong;
On viewless hooks along the fretted roof
He hung, unseen, the inextricable woof.-Quick start the springs, the webs pellucid spread,
And lock the embracing Lovers on their bed;
Fierce with loud taunts vindictive VULCAN springs,
Tries all the bolts, and tightens all the strings,
Shakes with incessant shouts the bright abodes,
Claps his rude hands, and calls the festive Gods.-With spreading palms the alarmed Goddess tries
To veil her beauties from celestial eyes,
Writhes her fair limbs, the slender ringlets strains,
And bids her Loves untie the obdurate chains;
Soft swells her panting bosom, as she turns,
And her flush'd cheek with brighter blushes burns.
Majestic grief the Queen of Heaven avows,
And chaste Minerva hides her helmed brows;
Attendant Nymphs with bashful eyes askance
Steal of intangled MARS a transient glance;
Surrounding Gods the circling nectar quaff,
Gaze on the Fair, and envy as they laugh.
3. 'HENCE dusky IRON sleeps in dark abodes,
And ferny foliage nestles in the nodes;
Till with wide lungs the panting bellows blow,
And waked by fire the glittering torrents flow;
-Quick whirls the wheel, the ponderous hammer falls,
Loud anvils ring amid the trembling walls,
Strokes follow strokes, the sparkling ingot shines,
Flows the red slag, the lengthening bar refines;
Cold waves, immersed, the glowing mass congeal,
And turn to adamant the hissing Steel.
'Last MICHELL'S hands with touch of potent charm
The polish'd rods with powers magnetic arm;
With points directed to the polar stars
In one long line extend the temper'd bars;
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Then thrice and thrice with steady eye he guides,
And o'er the adhesive train the magnet slides;
The obedient Steel with living instinct moves,
And veers for ever to the pole it loves.
'Hail, adamantine STEEL! magnetic Lord!
King of the prow, the plowshare, and the sword!
True to the pole, by thee the pilot guides
His steady helm amid the struggling tides,
Braves with broad sail the immeasurable sea,
Cleaves the dark air, and asks no star but Thee.By thee the plowshare rends the matted plain,
Inhumes in level rows the living grain;
Intrusive forests quit the cultured ground,
And Ceres laughs with golden fillets crown'd.O'er restless realms when scowling Discord flings
Her snakes, and loud the din of battle rings;
Expiring Strength, and vanquish'd Courage feel
Thy arm resistless, adamantine STEEL!
4. 'HENCE in fine streams diffusive ACIDS flow,
Or wing'd with fire o'er Earth's fair bosom blow;
Transmute to glittering Flints her chalky lands,
Or sink on Ocean's bed in countless Sands.
Hence silvery Selenite her chrystal moulds,
And soft Asbestus smooths his silky folds;
His cubic forms phosphoric Fluor prints,
Or rays in spheres his amethystine tints.
Soft cobweb clouds transparent Onyx spreads,
And playful Agates weave their colour'd threads;
Gay pictured Mochoes glow with landscape-dyes,
And changeful Opals roll their lucid eyes;
Blue lambent light around the Sapphire plays,
Bright Rubies blush, and living Diamonds blaze.
'Thus, for attractive earth, inconstant JOVE
Mask'd in new shapes forsook his realms above.First her sweet eyes his Eagle-form beguiles,
And HEBE feeds him with ambrosial smiles;
Next the chang'd God a Cygnet's down assumes,
And playful LEDA smooths his glossy plumes;
Then glides a silver Serpent, treacherous guest!
And fair OLYMPIA folds him in her breast;
Now lows a milk-white Bull on Afric's strand,
And crops with dancing head the daisy'd land.-
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With rosy wreathes EUROPA'S hand adorns
His fringed forehead, and his pearly horns;
Light on his back the sportive Damsel bounds,
And pleased he moves along the flowery grounds;
Bears with slow step his beauteous prize aloof,
Dips in the lucid flood his ivory hoof;
Then wets his velvet knees, and wading laves
His silky sides amid the dimpling waves.
While her fond train with beckoning hands deplore,
Strain their blue eyes, and shriek along the shore;
Beneath her robe she draws her snowy feet,
And, half-reclining on her ermine seat,
Round his raised neck her radiant arms she throws,
And rests her fair cheek on his curled brows;
Her yellow tresses wave on wanton gales,
And high in air her azure mantle sails.
-Onward He moves, applauding Cupids guide,
And skim on shooting wing the shining tide;
Emerging Triton's leave their coral caves,
Sound their loud conchs, and smooth the circling waves,
Surround the timorous Beauty, as she swims,
And gaze enamour'd on her silver limbs.
-Now Europe's shadowy shores with loud acclaim
Hail the fair fugitive, and shout her name;
Soft echoes warble, whispering forests nod,
And conscious Nature owns the present God.
-Changed from the Bull, the rapturous God assumes
Immortal youth, with glow celestial blooms,
With lenient words her virgin fears disarms,
And clasps the yielding Beauty in his arms;
Whence Kings and Heroes own illustrious birth,
Guards of mankind, and demigods on earth.
VI. 'GNOMES! as you pass'd beneath the labouring soil,
The guards and guides of Nature's chemic toil,
YOU saw, deep-sepulchred in dusky realms,
Which Earth's rock-ribbed ponderous vault o'erwhelms,
With self-born fires the mass fermenting glow,
And flame-wing'd sulphurs quit the earths below.
1. 'HENCE ductile CLAYS in wide expansion spread,
Soft as the Cygnet's down, their snow-white bed;
With yielding flakes successive forms reveal,
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And change obedient to the whirling wheel.
-First CHINA'S sons, with early art elate,
Form'd the gay tea-pot, and the pictured plate;
Saw with illumin'd brow and dazzled eyes
In the red stove vitrescent colours rise;
Speck'd her tall beakers with enamel'd stars,
Her monster-josses, and gigantic jars;
Smear'd her huge dragons with metallic hues,
With golden purples, and cobaltic blues;
Bade on wide hills her porcelain castles glare,
And glazed Pagodas tremble in the air.
'ETRURIA! next beneath thy magic hands
Glides the quick wheel, the plaistic clay expands,
Nerved with fine touch, thy fingers (as it turns)
Mark the nice bounds of vases, ewers, and urns;
Round each fair form in lines immortal trace
Uncopied Beauty, and ideal Grace.
'GNOMES! as you now dissect with hammers fine
The granite-rock, the nodul'd flint calcine;
Grind with strong arm, the circling chertz betwixt,
Your pure Ka-o-lins and Pe-tun-tses mixt;
O'er each red saggars burning cave preside,
The keen-eyed Fire-Nymphs blazing by your side;
And pleased on WEDGWOOD ray your partial smile,
A new Etruria decks Britannia's isle.Charm'd by your touch, the flint liquescent pours
Through finer sieves, and falls in whiter showers;
Charm'd by your touch, the kneaded clay refines,
The biscuit hardens, the enamel shines;
Each nicer mould a softer feature drinks,
The bold Cameo speaks, the soft Intaglio thinks.
'To call the pearly drops from Pity's eye,
Or stay Despair's disanimating sigh,
Whether, O Friend of art! the gem you mould
Rich with new taste, with antient virtue bold;
Form the poor fetter'd SLAVE on bended knee
From Britain's sons imploring to be free;
Or with fair HOPE the brightening scenes improve,
And cheer the dreary wastes at Sydney-cove;
Or bid Mortality rejoice and mourn
O'er the fine forms on PORTLAND'S mystic urn.'
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Here
by fall'n columns and disjoin'd arcades,
On mouldering stones, beneath deciduous shades,
Sits HUMANKIND in hieroglyphic state,
Serious, and pondering on their changeful state;
While with inverted torch, and swimming eyes,
Sinks the fair shade of MORTAL LIFE, and dies.
There
the pale GHOST through Death's wide portal bends
His timid feet, the dusky steep descends;
With smiles assuasive LOVE DIVINE invites,
Guides on broad wing, with torch uplifted lights;
IMMORTAL LIFE, her hand extending, courts
The lingering form, his tottering step supports;
Leads on to Pluto's realms the dreary way,
And gives him trembling to Elysian day.
Beneath
in sacred robes the PRIESTESS dress'd,
The coif close-hooded, and the fluttering vest,
With pointing finger guides the initiate youth,
Unweaves the many-colour'd veil of Truth,
Drives the profane from Mystery's bolted door,
And Silence guards the Eleusinian lore.'Whether, O Friend of Art! your gems derive
Fine forms from Greece, and fabled Gods revive;
Or bid from modern life the Portrait breathe,
And bind round Honour's brow the laurel wreath;
Buoyant shall sail, with Fame's historic page,
Each fair medallion o'er the wrecks of age;
Nor Time shall mar; nor steel, nor fire, nor rust
Touch the hard polish of the immortal bust.
2. 'HENCE sable COAL his massy couch extends,
And stars of gold the sparkling Pyrite blends;
Hence dull-eyed Naphtha pours his pitchy streams,
And Jet uncolour'd drinks the solar beams,
Bright Amber shines on his electric throne,
And adds ethereal lustres to his own.
-Led by the phosphor-light, with daring tread
Immortal FRANKLIN sought the fiery bed;
Where, nursed in night, incumbent Tempest shrouds
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The seeds of Thunder in circumfluent clouds,
Besieged with iron points his airy cell,
And pierced the monster slumbering in the shell.
'So, born on sounding pinions to the WEST,
When Tyrant-Power had built his eagle nest;
While from his eyry shriek'd the famish'd brood,
Clenched their sharp claws, and champ'd their beaks for blood,
Immortal FRANKLIN watch'd the callow crew,
And stabb'd the struggling Vampires, ere they flew.
-The patriot-flame with quick contagion ran,
Hill lighted hill, and man electrised man;
Her heroes slain awhile COLUMBIA mourn'd,
And crown'd with laurels LIBERTY return'd.
'The Warrior, LIBERTY, with bending sails
Helm'd his bold course to fair HIBERNIA'S vales;Firm as he steps, along the shouting lands,
Lo! Truth and Virtue range their radiant bands;
Sad Superstition wails her empire torn,
Art plies his oar, and Commerce pours her horn.
'Long had the Giant-form on GALLIA'S plains
Inglorious slept, unconscious of his chains;
Round his large limbs were wound a thousand strings
By the weak hands of Confessors and Kings;
O'er his closed eyes a triple veil was bound,
And steely rivets lock'd him to the ground;
While stern Bastile with iron cage inthralls
His folded limbs, and hems in marble walls.
-Touch'd by the patriot-flame, he rent amazed
The flimsy bonds, and round and round him gazed;
Starts up from earth, above the admiring throng
Lifts his Colossal form, and towers along;
High o'er his foes his hundred arms He rears,
Plowshares his swords, and pruning hooks his spears;
Calls to the Good and Brave with voice, that rolls
Like Heaven's own thunder round the echoing poles;
Gives to the winds his banner broad unfurl'd,
And gathers in its shade the living world!
VII. 'GNOMES! YOU then taught volcanic airs to force
Through bubbling Lavas their resistless course,
O'er the broad walls of rifted Granite climb,
And pierce the rent roof of incumbent Lime,
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Round sparry caves metallic lustres fling,
And bear phlogiston on their tepid wing.
'HENCE glows, refulgent Tin! thy chrystal grains,
And tawny Copper shoots her azure veins;
Zinc lines his fretted vault with sable ore,
And dull Galena tessellates the floor;
On vermil beds in Idria's mighty caves
The living Silver rolls its ponderous waves;
With gay refractions bright Platina shines,
And studs with squander'd stars his dusky mines;
Long threads of netted gold, and silvery darts,
Inlay the Lazuli, and pierce the Quartz;-Whence roof'd with silver beam'd PERU, of old,
And hapless MEXICO was paved with gold.
'Heavens! on my sight what sanguine colours blaze!
Spain's deathless shame! the crimes of modern days!
When Avarice, shrouded in Religion's robe,
Sail'd to the West, and slaughter'd half the globe;
While Superstition, stalking by his side,
Mock'd the loud groans, and lap'd the bloody tide;
For sacred truths announced her frenzied dreams,
And turn'd to night the sun's meridian beams.Hear, oh, BRITANNIA! potent Queen of isles,
On whom fair Art, and meek Religion smiles,
Now AFRIC'S coasts thy craftier sons invade
With murder, rapine, theft,-and call it Trade!
-The SLAVE, in chains, on supplicating knee,
Spreads his wide arms, and lifts his eyes to Thee;
With hunger pale, with wounds and toil oppress'd,
'ARE WE NOT BRETHREN?' sorrow choaks the rest;-AIR! bear to heaven upon thy azure flood
Their innocent cries!-EARTH! cover not their blood!
VIII. 'When Heaven's dread justice smites in crimes o'ergrown
The blood-nursed Tyrant on his purple throne,
GNOMES! YOUR bold forms unnumber'd arms outstretch,
And urge the vengeance o'er the guilty wretch.Thus when CAMBYSES led his barbarous hosts
From Persia's rocks to Egypt's trembling coasts,
Defiled each hallowed fane, and sacred wood,
And, drunk with fury, swell'd the Nile with blood;
Waved his proud banner o'er the Theban states,
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And pour'd destruction through her hundred gates;
In dread divisions march'd the marshal'd bands,
And swarming armies blacken'd all the lands,
By Memphis these to ETHIOP'S sultry plains,
And those to HAMMON'S sand-incircled fanes.Slow as they pass'd, the indignant temples frown'd,
Low curses muttering from the vaulted ground;
Long ailes of Cypress waved their deepen'd glooms,
And quivering spectres grinn'd amid the tombs;
Prophetic whispers breathed from S
And MEMNON'S lyre with hollow murmurs rung;
Burst from each pyramid expiring groans,
And darker shadows stretch'd their lengthen'd cones.Day after day their deathful rout They steer,
Lust in the van, and rapine in the rear.
'GNOMES! as they march'd, You hid the gathered fruits,
The bladed grass, sweet grains, and mealy roots;
Scared the tired quails, that journey'd o'er their heads,
Retain'd the locusts in their earthy beds;
Bade on your sands no night-born dews distil,
Stay'd with vindictive hands the scanty rill.Loud o'er the camp the Fiend of Famine shrieks,
Calls all her brood, and champs her hundred beaks;
O'er ten square leagues her pennons broad expand,
And twilight swims upon the shuddering sand;
Perch'd on her crest the Griffin Discord clings,
And Giant Murder rides between her wings;
Blood from each clotted hair, and horny quill,
And showers of tears in blended streams distil;
High-poised in air her spiry neck she bends,
Rolls her keen eye, her Dragon-claws extends,
Darts from above, and tears at each fell swoop
With iron fangs the decimated troop.
'Now o'er their head the whizzing whirlwinds breathe,
And the live desert pants, and heaves beneath;
Tinged by the crimson sun, vast columns rise
Of eddying sands, and war amid the skies,
In red arcades the billowy plain surround,
And stalking turrets dance upon the ground.
-Long ranks in vain their shining blades extend,
To Demon-Gods their knees unhallow'd bend,
Wheel in wide circle, form in hollow square,
106
And now they front, and now they fly the war,
Pierce the deaf tempest with lamenting cries,
Press their parch'd lips, and close their blood-shot eyes.
-GNOMES! o'er the waste YOU led your myriad powers,
Climb'd on the whirls, and aim'd the flinty showers!Onward resistless rolls the infuriate surge,
Clouds follow clouds, and mountains mountains urge;
Wave over wave the driving desert swims,
Bursts o'er their heads, inhumes their struggling limbs;
Man mounts on man, on camels camels rush,
Hosts march o'er hosts, and nations nations crush,Wheeling in air the winged islands fall,
And one great earthy Ocean covers all!Then ceased the storm,-NIGHT bow'd his Ethiop brow
To earth, and listen'd to the groans below,Grim HORROR shook,-awhile the living hill
Heaved with convulsive throes,-and all was still!
IX. 'GNOMES! whose fine forms, impassive as the air,
Shrink with soft sympathy for human care;
Who glide unseen, on printless slippers borne,
Beneath the waving grass, and nodding corn;
Or lay your tiny limbs, when noon-tide warms,
Where shadowy cowslips stretch their golden arms,So mark'd on orreries in lucid signs,
Star'd with bright points the mimic zodiac shines;
Borne on fine wires amid the pictured skies
With ivory orbs the planets set and rise;
Round the dwarf earth the pearly moon is roll'd,
And the sun twinkling whirls his rays of gold.Call your bright myriads, march your mailed hosts,
With spears and helmets glittering round the coasts;
Thick as the hairs, which rear the Lion's mane,
Or fringe the Boar, that bays the hunter-train;
Watch, where proud Surges break their treacherous mounds,
And sweep resistless o'er the cultured grounds;
Such as erewhile, impell'd o'er Belgia's plain,
Roll'd her rich ruins to the insatiate main;
With piles and piers the ruffian waves engage,
And bid indignant Ocean stay his rage.
'Where, girt with clouds, the rifted mountain yawns,
And chills with length of shade the gelid lawns,
107
Climb the rude steeps, the granite-cliffs surround,
Pierce with steel points, with wooden wedges wound;
Break into clays the soft volcanic slaggs,
Or melt with acid airs the marble craggs;
Crown the green summits with adventurous flocks,
And charm with novel flowers the wondering rocks.
-So when proud Rome the Afric Warrior braved,
And high on Alps his crimson banner waved;
While rocks on rocks their beetling brows oppose
With piny forests, and unfathomed snows;
Onward he march'd, to Latium's velvet ground
With fires and acids burst the obdurate bound,
Wide o'er her weeping vales destruction hurl'd,
And shook the rising empire of the world.
X. 'Go, gentle GNOMES! resume your vernal toil,
Seek my chill tribes, which sleep beneath the soil;
On grey-moss banks, green meads, or furrow'd lands
Spread the dark mould, white lime, and crumbling sands;
Each bursting bud with healthier juices feed,
Emerging scion, or awaken'd seed.
So, in descending streams, the silver Chyle
Streaks with white clouds the golden floods of bile;
Through each nice valve the mingling currents glide,
Join their fine rills, and swell the sanguine tide;
Each countless cell, and viewless fibre seek,
Nerve the strong arm, and tinge the blushing cheek.
'Oh, watch, where bosom'd in the teeming earth,
Green swells the germ, impatient for its birth;
Guard from rapacious worms its tender shoots,
And drive the mining beetle from its roots;
With ceaseless efforts rend the obdurate clay,
And give my vegetable babes to day!
-Thus when an Angel-form, in light array'd,
Like HOWARD pierced the prison's noisome shade;
Where chain'd to earth, with eyes to heaven upturn'd,
The kneeling Saint in holy anguish mourn'd;Ray'd from his lucid vest, and halo'd brow
O'er the dark roof celestial lustres glow,
'PETER, arise!' with cheering voice He calls,
And sounds seraphic echo round the walls;
Locks, bolts, and chains his potent touch obey,
108
And pleased he leads the dazzled Sage to day.
XI. 'YOU! whose fine fingers fill the organic cells,
With virgin earth, of woods and bones and shells;
Mould with retractile glue their spongy beds,
And stretch and strengthen all their fibre-threads.Late when the mass obeys its changeful doom,
And sinks to earth, its cradle and its tomb,
GNOMES! with nice eye the slow solution watch,
With fostering hand the parting atoms catch,
Join in new forms, combine with life and sense,
And guide and guard the transmigrating Ens.
'So when on Lebanon's sequester'd hight
The fair ADONIS left the realms of light,
Bow'd his bright locks, and, fated from his birth
To change eternal, mingled with the earth;With darker horror shook the conscious wood,
Groan'd the sad gales, and rivers blush'd with blood;
On cypress-boughs the Loves their quivers hung,
Their arrows scatter'd, and their bows unstrung;
And BEAUTY'S GODDESS, bending o'er his bier,
Breathed the soft sigh, and pour'd the tender tear.Admiring PROSERPINE through dusky glades
Led the fair phantom to Elysian shades,
Clad with new form, with finer sense combined,
And lit with purer flame the ethereal mind.
-Erewhile, emerging from infernal night,
The bright Assurgent rises into light,
Leaves the drear chambers of the insatiate tomb,
And shines and charms with renovated bloom.While wondering Loves the bursting grave surround,
And edge with meeting wings the yawning ground,
Stretch their fair necks, and leaning o'er the brink
View the pale regions of the dead, and shrink;
Long with broad eyes ecstatic BEAUTY stands,
Heaves her white bosom, spreads her waxen hands;
Then with loud shriek the panting Youth alarms,
'My Life! my Love!' and springs into his arms.'
The GODDESS ceased,-the delegated throng
O'er the wide plains delighted rush along;
In dusky squadrons, and in shining groups,
Hosts follow hosts, and troops succeed to troops;
109
Scarce bears the bending grass the moving freight,
And nodding florets bow beneath their weight.
So when light clouds on airy pinions sail,
Flit the soft shadows o'er the waving vale;
Shade follows shade, as laughing Zephyrs drive,
And all the chequer'd landscape seems alive.
~ Erasmus Darwin,#NFDB |
1422:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
Ah me!
Aprile.
But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
Whom can you see
Through the accursed darkness?
Aprile.
Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.
~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,#NFDB |
1423:The Bush
I wonder if the spell, the mystery,
That like a haze about your silence clings,
Moulding your void until we seem to see
Tangible Presences of Deathless Things,
Patterned but little to our spirits' woof,
Yet from our love or hate not all aloof,
Can. be the matrix where are forming slowly
Troy tales of Old Australia, to refine
Eras to come of ordered melancholy
'Neath lily-pale Perfection's anodyne.
For Troy hath ever been, and Homer sang
Its younger story for a lodging's fee,
While o'er Scamander settlers' axes rang
Amid the Bush where Ilium was to be.
For Cretan Art, dim centuries before,
Minoan Dream-times some Briseis bore.
Sumerian Phoebus by a willowed water
Song-built a Troy for far Chaldea, where
The sons of God, beholding Leda's daughter,
Bartered eternal thrones for love of her.
Across each terraced aeon Time hath sowed
With green tautology of vanished years,
Gaping aghast or webbed with shining lode,
Achilles' anger's earthquake-rift appears.
The towers that Phoebus builds can never fall:
Desire that Helen lights can never pall:
Yea, wounded Love hath still but gods to fly to,
When lust of war inflames Diomedes:
Must some Australian Hector vainly die, too?
Captives in ships? (0 change that omen, Trees!)
Yea, Mother Bush, in your deep dreams abide
Cupids alert for man and maid unborn,
Apprentice Pucks amid your saplings hide,
And wistful gorges wait a Roland horn:
Wallet of Sigurd shall this swag replace,
And centaurs curvet where those brumbies race.
39
That drover's tale of love shall greaten duly
Through magic prisms of a myriad years,
Till bums Isolde to Tristram's fervour newly,
Or Launcelot to golden Guinevere's.
The miner cradling washdirt by the creek,
Or pulled through darkness dripping to the plat:
The navvy boring tunnels through the peak:
The farmer grubbing box-trees on the flat:
The hawker camping by the roadside spring:
The hodman on the giddy scaffolding:
Moths that around the fashion windows flutter:
The racecourse spider and the betting fly:
The children romping by the city gutter,
While baby crows to every passer-byFrom these rough blocks strewn o'er our ancient stream
Sculptors shall chisel brownie, fairy, faun,
Any myrmidons of some Homeric dream
From Melbourne mob and Sydney push be drawn.
The humdrum lives that now we tire of, then
Romance shall be, and 'we heroic men
Treading the vestibule of Golden Ages,
The Isthmus of the Land of Heart's Desire:
For lo! the Sybil's final volume's pages
Ope with our Advent, close when we expire.
Forgetful Change in one 'antiquity'
Boreal gleams shall drown, and southern glows;
Out of some singing woman's heart-break plea
Australia's dawn shall flush with Sappho's rose:
Strong Shirlow's hand shall trace Mantegna's line,
And Soma foam from Victor Daley's wine:
Scholars to be our prehistoric drama
From Esson's 'Woman Tamer' shall restore,
Or find in Gilbert's 'Lotus Stream and Lama'
An Austral Nile and Buddhas we adore.
The sunlit Satyrs follow Hugh McCrae,
Quinn spans the ocean with a Celtic ford,
And Williamson the Pan-pipe learns to play
From magpie-songs our schoolboy ears ignored:
40
A sweeter woe no keen of Erin gave
Than Kendall sings o'er Araluen's grave:
Tasmanian Wordsworth to his chapel riding
The Burning Bush and Ardath mead shall pass,
Or, from the sea-coast of Bohemia gliding
On craft of dream, behold a shepherd lass.
Jessie Mackay on Southern Highlands sees
The elves deploy in kem and gallowglass:
Our Gilbert Murray writes 'Euripides':
Pirani merges in Pythagoras:
Marsyas plunges into Lethe, flayed,
From Rhadamanthine Stephens' steady blade:
While Benvenuto Morton, drunk with singing,
Sees salamanders in a bush-fire's bed,
And Spencer sails from Alcheringa bringing
Intaglios, totems and Books of the Dead.
On Southern fiords shall Brady's Long Snakes hiss,
Heavy with brides he wins to Viking troth:
O'Reilly's Sydney shall be Sybaris,
While Melbourne's Muses sup their Spartan broth:
Murdoch, Zenobia's counsellor, in time,
Redacts from Burke his book on The Sublime:
By Way was Homer into Greek translated:
And Shakespeare's self is Sophocles so plain
They know the kerb whereon the Furies waited
Outside the Mermaid Inn in Brogan's Lane.
Vane shall divide with Vern Eureka's fame;
Tillett and Mann are Tyler then and Cade:
Dowie's entwines with Cagliostro's name,
And in Tarpeia's, lo, those fair forms fade
Who drug the poor, for social bread and wine,
And lift the furtive latch to Catiline:
There, where the Longmore-featured Gracchi hurry,
And Greek-browed Higinbotham walks, anon,
The 'wealthy lower orders' leap the Murray
Before the stockwhip cracks of Jardine Don.
Cleons in 'Windsor dress at Syracuse
Their thin plebeians' promised meal delay;
41
And Archibald begets Australia's Muse
Upon an undine red of Chowder Bay:
Paterson's swan draws Amphitrite's car,
And Sidon learns from Young what purples are:
Rose Scott refutes dogmatic Cyril gaily,
Hypatia turns the anti-suffrage flank,
And Herod's daughter sools her 'morning daily'
On John the Baptist by the Yarra Bank.
Yon regal bustard, fading hence ere long,
Shall seem the guide we followed to the Grail;
This lyre-bird on his dancing-mound of song
Our mystagogue of some Bacchantic vale,
Where feathered Pan guffaws 'Evoe!' above,
And Maenad curlews shriek their midnight love:
That trailing flight of distant swans is bearing
Sarpedon's soul to its eternal joy:
This ibis, from the very Nile, despairing,
Memnon our own would warn from fatal Troy.
Primeval gnomes distilled the golden bribes
That have impregnated your musing waste with men;
But shall the spell of your pathetic tribes
Curl round, in time, our fairer limbs again?
Through that long tunnel of your gloom, I see
Gardens of a metropolis to be!
Out of the depths the mountain ash is soaring
To embryon gods of what unsounded space?
Out of the heights what influence is pouring
Thin desolation on your haunted face?
Many there are who see no higher lot
For all your writhing centuries of toil
Than that the avaricious plough should blot
Their wilding burgeon, and the red brand spoil
Your cyclopean garniture, to sow
The cheap parterres of Europe on your woe.
They weave all sorceries but yours, and borrow
The tinkling spells of alien winds and seas
To drown the chord of purifying sorrow,
Bom ere the world, that pulses through your trees.
42
For, save when we, in not o'er-subtle mood,
Hear magpies warbling soft November in,
Or, hand in hand with Love, a dreaming wood
Or bouldered crest of crisper April win,
Your harps, unblurred by glozing strings, intone
The dirges that behind Creation moan'Where, riding reinless billows, new lives dash on
The souring beach of yesterday's decay,
Where Love's chord leaps from mandrake shrieks of passion,
And groping gods mould man from quivering clay.
(Is Nature deaf and blind and dumb? A cruse
Unfilled of wine? Clay for an unbreathed soul?
Alien to man, till his desires transfuse
Their flames through wind and water, leaf and bole,
And each crude fane elaborately fit
With oracles that echo all his wit?
The living wilds of Greece saw death returning
When Pan that men had made fell from his throne:
Till through her sap our very blood is churning
The Bush her lonely alien woe shall moan!
Or is she reticent but to be kind?
Whispers she not beneath her mask of clods'Who asks he shall receive, who seeks shall find,
Who knocks shall open every door of God's?'
Dumb Faith's, blind Hope's eternal consort she,
Gravid with all that is on earth to be;
Corn, wine and oil in hungry granite hiding,
All Beauty under sober wings of clay,
All life beneath her dead heart long abiding,
Yea, all the gods her sons and she obey!)
What sin's wan expiation strewed your Vast
With mounded pillage of what conquering fire?
Slumbering throes of what prodigious Past
Exhale these lingering ghosts of its desire?
Sunshine that bleached corruption out, that glare?
Desolate blue of Purgatory, there?
Flagellant winds through guilty Eden scouring?
Sahara drowning Prester John's domain?
Satumian dam her progeny devouring?
Hath dawn-time Hun these footprints left? Hath Cain?
43
Even the human wave, that shall at length
To man's endurance key your strident surge,
Sings in your poignant tones and sombre strength,
And makes, as yet, its own your primal dirge:
A gun-shot startles dawn back from the sky,
And mourning tea-trees echo Gordon's sigh:
Nardoo with Burke's faint sweat is dank for ever:
Spectral a tribe round poisoned rations shrieks:
Till doomday Leichhardt walks die Never Never:
Pensive, of Boake, the circling stock-whip speaks.
The wraiths unseen of roadside crimes unnamed
About that old-time shanty's ruins roam:
This squatter's fenceless acres hide ashamed
The hearth and battered zinc of Naboth's home:
Deserted 'yam-holes' pit your harmonies
With sloughing pock-marks of the gold-disease:
The sludgy creek 'mid hungry rushes rambles,
Where teal once dived and lowan raised her mound:
That tree, with crows, o'erlooks the township shambles:
These paddocks, ordure-smeared, the city bound.
0 yield not all to factory and farm!
For we, who drew a milk no stranger knows
From her scant paps, yearn for the acrid charm
That gossamers the Bush Where No Tree Grows.
And we have ritual moments when we crave
For worship in some messmate-pillared nave,
Where contrite 'bears' for woodland sins are kneeling,
And, 'mid the censers of the mountain musk,
Acolyte bell-birds the Angelus are pealing,
And boobooks moan lone vespers in the dusk,
And you have Children of the Dreaming Star,
Who care but little for the crowded ways
Where meagre spirits' vapid prizes are,
Or for the paddocked ease of dreamless days
And hedges clipped of every sunny growth
That plights the soul to God in daily troth:
Their wayward love prefers your desolation,
Or (where the human trail hath seared its charm)
44
The briar-rose on some abandoned 'station',
To all the tilled obedience of the farm.
Vineyards that purblind thrift shall never glean
The weedy waste and thistly gully hold:
No mint shall melt to currency unclean
Yon river-rounded hillock's Cape-broom gold:
The onion-grass upon that dark green slope
Returns our gaze from eyes of heliotrope:
But more we seek your underflowered expanses
Of scrub monotonous, or, where, O Bush,
The craters of your fiery noon's romances,
Like great firm bosoms, through the bare plains push.
As many. Mother, are your moods and forms
As all the sons who love you. Here, you mow
Careering grounds for every brood of storms
The wild sea-mares to desert stallions throw;
Anon, up through a sea of sand you glance
With green ephemeral exuberance,
And then quick seeds dive deep to years of slumber
From hot-hoofed drought's precipitate return:
There, league on league, the snow's cold fingers number
The shrinking nerves of supple-jack and fern.
To other eyes and ears you are a great
Pillared cathedral tremulously green,
An odorous and hospitable gate
To genial mystery, the happy screen
Of truants or of lovers rambling there
'Neath sun-shot boughs o'er miles of maidenhair.
Wee rubies dot the leaflets of the cherries,
The wooing wagtails hop from log to bough,
The bronzewing comes from Queensland for the berries,
The bell-bird by the creek is calling now.
And you can ride, an Eastern queen, they say,
By living creatures sumptuously borne,
With all barbaric equipages gay,
Beneath the torrid blue of Capricorn.
That native lotus is the very womb
That was the Hindoo goddess' earthly tomb.
45
The gang-gang screams o'er cactus wildernesses,
Palm trees are there, and swampy widths of rice,
Unguents and odours ooze from green recesses,
The jungles blaze with birds of Paradise.
But I, in city exile, hear you sing
Of saplinged hill and box-tree dotted plain,
Or silver-grass that prays the North Wind's wing
Convey its sigh to the loitering rain:
And Spring is half distraught with wintry gusts,
Summer the daily spoil of tropic lusts
The sun and she too fiercely shared together
Lingering thro' voluptuous Hindoo woods,
But o'er my windless, soft autumnal weather
The peace that passes understanding broods.
When, now, they say 'The Bush!', I see the top
Delicate amber leanings of the gum
Flutter, or flocks of screaming green leeks drop
Silent, where in the shining morning hum
The gleaning bees for honey-scented hours
'Mid labyrinthine leaves and white gum flowers.
Cantering midnight hoofs are nearing, nearing,
The straining bullocks flick the harpy flies,
The 'hatter' weeds his melancholy clearing,
The distant cow-bell tinkles o'er the rise.
You are the brooding comrade of our way,
Whispering rumour of a new Unknown,
Moulding us white ideals to obey,
Steeping whate'er we learn in lore your own,
And freshening with unpolluted light
The squalid city's day and pallid night,
Till we become ourselves distinct, Australian,
(Your native lightning charging blood and nerve),
Stripped to the soul of borrowed garments, alien
To that approaching Shape of God you serve.
Brooding, brooding, your whispers murmur plain
That searching for the clue to mystery
In grottos of decrepitude is vain,
That never shall the eye of prophet see
46
In crooked Trade's tumultuous streets the plan
Of templed cities adequate to man.
Brooding, brooding, you make us Brahmins waiting
(While uninspired pass on the hurtling years),
Faithful to dreams your spirit is creating,
Till Great Australia, born of you, appears.
For Great Australia is not yet: She waits
(Where o'er the Bush prophetic auras play)
The passing of these temporary States,
Flaunting their tawdry flags of far decay.
Her aureole above the alien mists
Beacons our filial eyes to mountain trysts:
'Mid homely trees with all ideals fruited,
She shelters us till Trade's Simoom goes by,
And slakes our thirst from cisterns unpolluted .
For ages cold in brooding deeps of sky.
We love our brothers, and to heal their woe
Pluck simples from the known old gardens still:
We love our kindred over seas, and grow
Their symbols tenderly o'er plain and hill;
We feel their blood rebounding in our hearts,
And speak as they would speak our daily parts:
But under all we know, we know that only
A virgin womb unsoiled by ancient fear
Can Saviours bear. So, we, your Brahmins, lonely,
Deaf to the barren tumult, wait your Year.
The Great Year's quivering dawn pencils the Night
To be the morning of our children's prime,
And weave from rays of yet ungathered Light
A richer noon than e'er apparelled Time.
If it must be, as Tuscan wisdom knew,
Babylon's seer, and wistful Egypt too,
That mellow afternoon shall pensive guide us
Down somnolent Decay's ravine to rest,
Then you, reborn, 0 Mother Bush, shall hide us
All the long night at your dream-laden breast.
Australian eyes that heed your lessons know
Another world than older pilgrims may:
47
Prometheus chained in Kosciusko's snow
Sees later gods than Zeus in turn decay:
Boundless plateaux expand the spirit's sight,
Resilient gales uphold her steeper flight:
And your close beating heart, 0 savage Mother,
Throbs secret words of joy and starker pain
Than reach the ears all old deceptions smother
In Lebanon, or e'en in Westermain.
We marvel not, who hear your undersong,
And catch a glimpse in rare exalted hours
Of something like a Being gleam along
Festooned arcades of flossie creeper flowers,
Or, toward the mirk, seem privileged to share
The silent rapture of the trees at prayerWe marvel not that seers in other ages,
With eyes unstrained by peering logic, saw
The desolation glow with Koran pages,
Or Sinai stones with Tables of the Law.
Homers are waiting in the gum trees now,
Far driven from the tarnished Cyclades:
More Druids to your green enchantment bow
Than 'neath unfaithful Mona's vanished trees:
A wind hath spirited from ageing France
To our fresh hills the carpet of Romance:
Heroes and maids of old with young blood tingling
In ampler gardens grow their roses new:
And races long apart their manas mingling
Prepare the cradle of an Advent due.
And those who dig the mounded eld for runes
To read Religion's tangled cipher, here,
Where all Illusion haunts the fainting noons
Of days hysteric with the tireless leer
Of ravenous enamoured suns, shall find
How May a flings her mantle o'er the mind,
Till sober sand to shining water changes,
Dodona whispers from the she-oak groves,
Afreets upon the tempest cross the ranges,
And Fafnir through the bunyip marshes roves.
48
Once, when Uranian Love appeared to glow
Through that abysmal Night that bounds our reignLove that a man may scarcely feel and know i
Quite the same world as other men againWith earthward-streaming frontier wraiths distraught,
Your oracles, 0 Mother Bush, I sought:
But found, dismayed, that eerie light revealing
Those wraiths already in your depths on sleuth,
Termagant Scorns along your hillsides stealing,
Remorse unbaring slow her barbed tooth.
My own thoughts first from far dispersion flew
Back to their sad creator, with the crops
Of woes in flower and all the harvests due
Till tiring Time the fearful seeding stops:
In pigmy forms of friends and foes, anon
In my own image, they came, stung, were gone:
And then I heard the voice of Him Who Questions,
Knowing the faltered answer ere it came,
Chilling the soul by hovering suggestions
Of wan damnation at a wince of blame.
And all your leaves in symbols were arranged,
Despairs long dead would leap from bough to bough,
A gum-tree buttress to a goblin changed
Grinning the warmth of some old broken vow:
Furtive desires for scarce-remembered maids
Glanced in a fearful bo-peep from your shades:
Till you became a purgatory cleansing
With rosy flakes in form of manikins,
To fiercer shame within my soul condensing,
The dim pollution of forgotten sins.
And She, the human symbol of that Love,
Would, as my cleansed eyes forgot their fear,
Comrade beside me. Comforter above,
With sunny smile ubiquitous appear:
Run on before me to the nooks we knew,
Walk hand in hand as glad young lovers do,
Gravely reprove me toying with temptation,
Show me the eyes and ears in roots and clods,
Bend with me o'er some blossom's revelation,
49
Or read from clouds the judgments of the gods.
My old ideals She would tune until
The grating note of self no longer rang:
She drove the birds of gloom and evil will
Out of the cote wherein my poems sang.
Time at Her wand annulled his calendar,
And Space his fallacy of Near and Far,
For through my Bush along with me She glided,
And crowded days of Beauty made more fair,
Though lagging weeks and ocean widths divided
Her mortal casing from Her Presence there.
Her wetted finger oped my shuttered eyes
To boyhood's scership of the Real again:
Upon the Bush descended from the skies
The rapt-up Eden of primordial men:
August Dominions through the vistas strode:
On white-maned clouds the smiling cherubs rode:
Maltreated Faith restored my jangled hearing
Till little seraphs sang from chip and clod:
And prayers were radiant children that, unfearing,
Floated as kisses to the lips of God.
It matters not that for some purpose wise
Myopic Reason censored long ago
The revelations of that Paradise,
When, back of all I feel or will or know,
Its silent angels beacon through the Dark
And point to harbours new my drifted ark.
Nor need we dread the fogs that round us thicken
Questing the Bush for Grails decreed for man,
When Powers our fathers saw unseen still quicken
Eyes that were ours before the world began.
'Twas then I saw the Vision of the Ways,
And 'mid their gloom and glory seemed to live,
Threaded the coverts of the Dark Road's maze,
Toiled up, with tears, the Track Retributive,
And, on the Path of Grace, beheld aglow
The love-lit Nave of all that wheeled below.
And She who flowered, my Mystic Rose, in Heaven,
50
And lit the Purging Mount, my Guiding Star,
Trudged o'er the marl, my mate, through Hell's wan levin,
Nor shrank, like lonely Dante's love, afar.
High towered a cloud over one leafy wild,
And to a bridged volcano grew. Above,
A great Greek group of father, mother, child,
Illumed a narrow round with radiant love.
Below, a smoke-pool thick with faces swirled,
The mutinous omen. of an Under-world,
Defeated, plundered, blackened, but preparing,
E'en though that calm, white dominance fell down,
To overflow the rim, and, sunward faring,
Shape myriad perfect groups from slave and clown.
Or thus I read the symbol, though 'twas sent
To hound compunction on my wincing pride,
That dreamed of raceless brotherhood, content
Though all old Charm dissolved and Glory died.
For often signs will yield their deeper signs,
Virginal Bush, in your untrodden shrines,
Than where the craven ages' human clamour
Distorts the boldest oracle with fear,
Or where dissolving wizards dew with glamour
Arden, Broceliande, or Windermere.
Once while my mother by a spreading tree
Our church's sober rubric bade me con,
My vagrant eyes among the boughs would see
Forbidden wings and •wizard aprons on
Father's 'wee people' from their Irish glades
Brighten and darken with your lights and shades.
And I would only read again those stern leaves
For whispered bribe that, when their tale I told,
We would go and look for fairies in the fern-leaves
And red-capped leprechauns with crocks of gold.
Anon, my boyhood saw how Sunbursts flamed
Or filmy hinds lured on a pale Oisin,
Where lithe indignant saplings crowding claimed
The digger's ravage for their plundered queen:
And heard within yon lichened 'mullock-heap'
51
Lord Edward's waiting horsemen moan in sleep:
Or flew the fragrant path of swans consoling
Lir's exiled daughter wandering with me,
And traced below the Wattle River rolling
Exuberant and golden toward the sea.
Here, would the •wavering wings of heat uplift
Some promontory till the tree-crowned pile
Above a phantom sea would swooning drift,
St. Brendan's vision of the Winged Isle:
Anon, the isle divides again, again,
Till archipelagos poise o'er the main.
There, lazy fingers of a breeze have scattered
The distant blur of factory chimney smoke
hi poignant groups of all the young lives shattered
To feed the ravin of a piston-stroke!
Or when I read the tale of what you were
Beyond these hungry eyes' home-keeping view,
I peopled petrel rocks with Sirens fair,
In Maid Mirage the Fairy Morgan knew,
Steered Quetzalcoatl's skiff to coral coasts,
On Chambers' Pillar throned the Olympian hosts,
Heard in white sulphur-crested parrots' screeches
Remorseful Peris vent their hopeless rage,
Atlantis' borders traced on sunken beaches,
m Alcheringa found the Golden Age.
Sibyl and Siren, with alternate breaths
You read our foetal nation's boon and bane,
And lure to trysts of orgiastic Deaths
Adventurous love that listens to your strain:
Pelsarts and Vanderdeckens of the world
Circle your charms or at your feet are hurled:
And, Southern witch, whose glamour drew De Quiros
O'er half the earth for one unyielded kiss,
Were yours the arms that healed the scalded Eros
When Psyche's curious lamp darkened their bliss?
Ye, who would challenge when we claim to see
The bush alive with Northern wealth of wings,
Forget that at a common mother's knee
52
We learned, with you, the lore of Silent Things.
There is no New that is not older far
Than swirling cradle of the first-born star:
Our youngest hearts prolong the far pulsation
And churn the brine of the primordial sea:
The foetus writes the précis of Creation:
Australia is the whole world's legatee.
Imagination built her throne in us
Before your present bodies saw the sky:
Your myths were counters of our abacus,
And in your brain developed long our eye:
We from the misty folk have also sprung
Who saw the gnomes and heard the Ever Young:
Do Southern skies the fancy disinherit
Of moly flower and Deva-laden breeze?
Do nerves attuned by old defect and merit
Their timbre lose by crossing tropic seas?
All mysteries ye claim as yours alone
Have wafted secrets over oceans here:
Our living soil Antiquity hath sown
With just the corn and tares ye love and fear:
Romance and song enthral us just as you,
Nor change of zenith changes spirit too:
Our necks as yours are sore with feudal halters:
To the Pole ye know our compasses are set;
And shivering years that huddled round your altars
Beneath our stars auspicious tremble yet.
Who fenced the nymphs in European vales?
Or Pan tabooed from all but Oxford dreams?
Warned Shakespeare off from foreign Plutarch's tales?
Or tethered Virgil to Italian themes?
And when the body sailed from your control
Think ye we left behind in bond the soul?
Whate'er was yours is ours in equal measure,
The Temple was not built for you alone,
Altho' 'tis ours to grace the common treasure
With Lares and Penates of our own!
Ye stole yourselves from gardens fragrant long
53
The sprouting seed-pods of your choicest blooms,
And wove the splendid garments of your song
From Viking foam on grave Hebraic looms:
'Twas Roman nerve and rich Hellenic lymph
Changed your pale pixie to a nubile nymph:
Yea, breathed at dawn around Atlantis' islands,
Wind-home o'er some Hesperidean road,
The morning clouds on dim Accadian highlands
Spring-fed the Nile that over Hellas flowed!
As large-eyed Greek amid Sicilian dews
Saw Dis, as ne'er before, pursue the Maid,
Or, safe 'neath screening billows, Arethuse
Alpheus' rugged sleuth unsoiled evade:
We shall complete the tale ye left half-told,
Under the ocean lead your fountains old,
To slake our sceptic thirst with haunted water,
And tame our torrents with a wedding kiss,
Shall loose, mayhap, the spell on Ceres' daughter,
And show, unclouded, God in very Dis.
(Yet, there are moods and mornings when I hear,
Above the music of the Bush's breath,
The rush of alien breezes far and near
Drowning her oracles to very death:
Exotic battle-cries the silence mar,
Seductive perfumes drive the gum-scent far;
And organ-tones august a moment show me
Miltonic billows and Homeric gales
Until I feel the older worlds below me,
And all her wonder trembles, thins and fails.)
Yea, you are all that we may be, and yet
In us is all you are to be for aye!
The Giver of the gifts that we shall get?
An empty womb that waits the wedding day?
Thus drifting sense by age-long habit buoyed
Plays round the thought that knows all nature void!
And so, my song alternate would believe her
Idiot Bush and Daughter of the Sun,
A worthless gift apart from the receiver,
An empty womb, but in a Deathless One.
54
To shapes we would of Freedom, Truth and Joy
Shall we your willing plasm mould for man:
Afresh rebuild the world, and thus destroy
What only Ragnarok in Europe can:
There is no Light but in your dark blendes sleeps,
Drops from your stars or through your ether leaps:
Yea, you are Nature, Chaos since Creation,
Waiting what human Word to chord in song?
Matrix inert of what auspicious nation?
For what far bees your nectar hiving long?
Exhausted manas of the conquering North
Shall rise refreshed to vivid life again
At your approach, and in your lap pour forth
Grateful the gleanings of his mighty reign:
As, when a tropic heat-king southward crawls,
Blistering the ranges, till he hears the calls
Of some cold high-browed bride, her streaming tresses,
Sprinkled with rose-buds, make his wild eyes thrill
To such desire for her superb caresses
He yields his fiery treasures to her will.
'Where is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a Temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!
All that we love in olden lands and lore
Was signal of her coming long ago!
Bacon foresaw her, Campanella, More
And Plato's eyes were with her star aglow!
Who toiled for Truth, whate'er their countries were,
Who fought for Liberty, they yearned for her!
No corsair's gathering ground, or tryst for schemers,
55
No chapman Carthage to a huckster Tyre,
She is the Eldorado of old dreamers,
The Sleeping Beauty of the world's desire!
She is the scroll on which we are to write
Mythologies our own and epics new:
She is the port of our propitious flight
From Ur idolatrous and Pharaoh's crew.
She is our own, unstained, if worthy we,
By dream, or god, or star we would not see:
Her crystal beams all but the eagle dazzle;
Her wind-wide ways none but the strong-winged sail:
She is Eutopia, she is Hy-Brasil,
The watchers on the tower of morning hail I
Yet she shall be as we, the Potter, mould:
Altar or tomb, as we aspire, despair:
What wine we bring shall she, the chalice, hold:
What word we write shall she, the script, declare:
Bandage our eyes, she shall be Memphis, Spain:
Barter our souls, she shall be Tyre again:
And if we pour on her the red oblation
All o'er the world shall Asshur's buzzards throng:
Love-lit, her Chaos shall become Creation:
And dewed with dream, her silence flower in song.
~ Bernard O'Dowd,#NFDB |
1424:The Botanic Garden (Part Iv)
The Economy Of Vegetation
Canto IV
As when at noon in Hybla's fragrant bowers
CACALIA opens all her honey'd flowers;
Contending swarms on bending branches cling,
And nations hover on aurelian wing;
So round the GODDESS, ere she speaks, on high
Impatient SYLPHS in gawdy circlets fly;
Quivering in air their painted plumes expand,
And coloured shadows dance upon the land.
I. 'SYLPHS! YOUR light troops the tropic Winds confine,
And guide their streaming arrows to the Line;
While in warm floods ecliptic breezes rise,
And sink with wings benumb'd in colder skies.
You bid Monsoons on Indian seas reside,
And veer, as moves the sun, their airy tide;
While southern gales o'er western oceans roll,
And Eurus steals his ice-winds from the Pole.
Your playful trains, on sultry islands born,
Turn on fantastic toe at eve and morn;
With soft susurrant voice alternate sweep
Earth's green pavilions and encircling deep.
OR in itinerant cohorts, borne sublime
On tides of ether, float from clime to clime;
O'er waving Autumn bend your airy ring,
Or waft the fragrant bosom of the Spring.
II. 'When Morn, escorted by the dancing Hours,
O'er the bright plains her dewy lustre showers;
Till from her sable chariot Eve serene
Drops the dark curtain o'er the brilliant scene;
You form with chemic hands the airy surge,
Mix with broad vans, with shadowy tridents urge.
SYLPHS! from each sun-bright leaf, that twinkling shakes
O'er Earth's green lap, or shoots amid her lakes,
Your playful bands with simpering lips invite,
10
And wed the enamour'd OXYGENE to LIGHT.Round their white necks with fingers interwove,
Cling the fond Pair with unabating love;
Hand link'd in hand on buoyant step they rise,
And soar and glisten in unclouded skies.
Whence in bright floods the VITAL AIR expands,
And with concentric spheres involves the lands;
Pervades the swarming seas, and heaving earths,
Where teeming Nature broods her myriad births;
Fills the fine lungs of all that
breathe
or
bud
Warms the new heart, and dyes the gushing blood;
With Life's first spark inspires the organic frame,
And, as it wastes, renews the subtile flame.
'So pure, so soft, with sweet attraction shone
Fair PSYCHE, kneeling at the ethereal throne;
Won with coy smiles the admiring court of Jove,
And warm'd the bosom of unconquer'd LOVE.Beneath a moving shade of fruits and flowers
Onward they march to HYMEN'S sacred bowers;
With lifted torch he lights the festive train,
Sublime, and leads them in his golden chain;
Joins the fond pair, indulgent to their vows,
And hides with mystic veil their blushing brows.
Round their fair forms their mingling arms they fling,
Meet with warm lip, and clasp with rustling wing.-Hence plastic Nature, as Oblivion whelms
Her fading forms, repeoples all her realms;
Soft Joys disport on purple plumes unfurl'd,
And Love and Beauty rule the willing world.
III. 1. 'SYLPHS! Your bold myriads on the withering heath
Stay the fell SYROC'S suffocative breath;
Arrest SIMOOM in his realms of sand,
The poisoned javelin balanced in his hand;Fierce on blue streams he rides the tainted air,
Points his keen eye, and waves his whistling hair;
While, as he turns, the undulating soil
Rolls in red waves, and billowy deserts boil.
11
You seize TORNADO by his locks of mist,
Burst his dense clouds, his wheeling spires untwist;
Wide o'er the West when borne on headlong gales,
Dark as meridian night, the Monster sails,
Howls high in air, and shakes his curled brow,
Lashing with serpent-train the waves below,
Whirls his black arm, the forked lightning flings,
And showers a deluge from his demon-wings.
2. 'SYLPHS! with light shafts YOU pierce the drowsy FOG,
That lingering slumbers on the sedge-wove bog,
With webbed feet o'er midnight meadows creeps,
Or flings his hairy limbs on stagnant deeps.
YOU meet CONTAGION issuing from afar,
And dash the baleful conqueror from his car;
When, Guest of DEATH! from charnel vaults he steals,
And bathes in human gore his armed wheels.
'Thus when the PLAGUE, upborne on Belgian air,
Look'd through the mist and shook his clotted hair,
O'er shrinking nations steer'd malignant clouds,
And rain'd destruction on the gasping crouds.
The beauteous AEGLE felt the venom'd dart,
Slow roll'd her eye, and feebly throbb'd her heart;
Each fervid sigh seem'd shorter than the last,
And starting Friendship shunn'd her, as she pass'd.
-With weak unsteady step the fainting Maid
Seeks the cold garden's solitary shade,
Sinks on the pillowy moss her drooping head,
And prints with lifeless limbs her leafy bed.
-On wings of Love her plighted Swain pursues,
Shades her from winds, and shelters her from dews,
Extends on tapering poles the canvas roof,
Spreads o'er the straw-wove matt the flaxen woof,
Sweet buds and blossoms on her bolster strows,
And binds his kerchief round her aching brows;
Sooths with soft kiss, with tender accents charms,
And clasps the bright Infection in his arms.With pale and languid smiles the grateful Fair
Applauds his virtues, and rewards his care;
Mourns with wet cheek her fair companions fled
On timorous step, or number'd with the dead;
Calls to its bosom all its scatter'd rays,
And pours on THYRSIS the collected blaze;
12
Braves the chill night, caressing and caress'd,
And folds her Hero-lover to her breast.Less bold, LEANDER at the dusky hour
Eyed, as he swam, the far love-lighted tower;
Breasted with struggling arms the tossing wave,
And sunk benighted in the watery grave.
Less bold, TOBIAS claim'd the nuptial bed,
Where seven fond Lovers by a Fiend had bled;
And drove, instructed by his Angel-Guide,
The enamour'd Demon from the fatal bride.-SYLPHS! while your winnowing pinions fan'd the air,
And shed gay visions o'er the sleeping pair;
LOVE round their couch effused his rosy breath,
And with his keener arrows conquer'd DEATH.
IV. 1. 'You charm'd, indulgent SYLPHS! their learned toil,
And crown'd with fame your TORRICELL, and BOYLE;
Taught with sweet smiles, responsive to their prayer,
The spring and pressure of the viewless air.
-How up exhausted tubes bright currents flow
Of liquid silver from the lake below,
Weigh the long column of the incumbent skies,
And with the changeful moment fall and rise.
-How, as in brazen pumps the pistons move,
The membrane-valve sustains the weight above;
Stroke follows stroke, the gelid vapour falls,
And misty dew-drops dim the crystal walls;
Rare and more rare expands the fluid thin,
And Silence dwells with Vacancy within.So in the mighty Void with grim delight
Primeval Silence reign'd with ancient Night.
2. 'SYLPHS! your soft voices, whispering from the skies,
Bade from low earth the bold MONGULFIER rise;
Outstretch'd his buoyant ball with airy spring,
And bore the Sage on levity of wing;Where were ye, SYLPHS! when on the ethereal main
Young ROSIERE launch'd, and call'd your aid in vain?
Fair mounts the light balloon, by Zephyr driven,
Parts the thin clouds, and sails along the heaven;
Higher and yet higher the expanding bubble flies,
Lights with quick flash, and bursts amid the skies.Headlong He rushes through the affrighted air
13
With limbs distorted, and dishevel'd hair,
Whirls round and round, the flying croud alarms,
And DEATH receives him in his sable arms!So erst with melting wax and loosen'd strings
Sunk hapless ICARUS on unfaithful wings;
His scatter'd plumage danced upon the wave,
And sorrowing Mermaids deck'd his watery grave;
O'er his pale corse their pearly sea-flowers shed,
And strew'd with crimson moss his marble bed;
Struck in their coral towers the pausing bell,
And wide in ocean toll'd his echoing knell.
V. 'SYLPHS! YOU, retiring to sequester'd bowers,
Where oft your PRIESTLEY woos your airy powers,
On noiseless step or quivering pinion glide,
As sits the Sage with Science by his side;
To his charm'd eye in gay undress appear,
Or pour your secrets on his raptured ear.
How nitrous Gas from iron ingots driven
Drinks with red lips the purest breath of heaven;
How, while Conferva from its tender hair
Gives in bright bubbles empyrean air;
The crystal floods phlogistic ores calcine,
And the pure ETHER marries with the MINE.
'So in Sicilia's ever-blooming shade
When playful PROSERPINE from CERES stray'd,
Led with unwary step her virgin trains
O'er Etna's steeps, and Enna's golden plains;
Pluck'd with fair hand the silver-blossom'd bower,
And purpled mead,-herself a fairer flower;
Sudden, unseen amid the twilight glade,
Rush'd gloomy DIS, and seized the trembling maid.Her starting damsels sprung from mossy seats,
Dropp'd from their gauzy laps the gather'd sweets,
Clung round the struggling Nymph, with piercing cries,
Pursued the chariot, and invoked the skies;Pleased as he grasps her in his iron arms,
Frights with soft sighs, with tender words alarms,
The wheels descending roll'd in smoky rings,
Infernal Cupids flapp'd their demon wings;
Earth with deep yawn received the Fair, amaz'd,
And far in Night celestial Beauty blaz'd.
14
VI. 'Led by the Sage, Lo! Britain's sons shall guide
Huge SEA-BALLOONS beneath the tossing tide;
The diving castles, roof'd with spheric glass,
Ribb'd with strong oak, and barr'd with bolts of brass,
Buoy'd with pure air shall endless tracks pursue,
And PRIESTLEY'S hand the vital flood renew.Then shall BRITANNIA rule the wealthy realms,
Which Ocean's wide insatiate wave o'erwhelms;
Confine in netted bowers his scaly flocks,
Part his blue plains, and people all his rocks.
Deep, in warm waves beneath the Line that roll,
Beneath the shadowy ice-isles of the Pole,
Onward, through bright meandering vales, afar,
Obedient Sharks shall trail her sceptred car,
With harness'd necks the pearly flood disturb,
Stretch the silk rein, and champ the silver curb;
Pleased round her triumph wondering Tritons play,
And Seamaids hail her on the watery way.
-Oft shall she weep beneath the crystal waves
O'er shipwreck'd lovers weltering in their graves;
Mingling in death the Brave and Good behold
With slaves to glory, and with slaves to gold;
Shrin'd in the deep shall DAY and SPALDING mourn,
Each in his treacherous bell, sepulchral urn!Oft o'er thy lovely daughters, hapless PIERCE!
Her sighs shall breathe, her sorrows dew their hearse.With brow upturn'd to Heaven, 'WE WILL NOT PART!'
He cried, and clasp'd them to his aching heart,-Dash'd in dread conflict on the rocky grounds,
Crash the mock'd masts, the staggering wreck rebounds;
Through gaping seams the rushing deluge swims,
Chills their pale bosoms, bathes their shuddering limbs,
Climbs their white shoulders, buoys their streaming hair,
And the last sea-shriek bellows in the air.Each with loud sobs her tender sire caress'd,
And gasping strain'd him closer to her breast!-Stretch'd on one bier they sleep beneath the brine,
And their white bones with ivory arms intwine!
'VII. SYLPHS OF NICE EAR! with beating wings you guide
The fine vibrations of the aerial tide;
15
Join in sweet cadences the measured words,
Or stretch and modulate the trembling cords.
You strung to melody the Grecian lyre,
Breathed the rapt song, and fan'd the thought of fire,
Or brought in combinations, deep and clear,
Immortal harmony to HANDEL'S ear.YOU with soft breath attune the vernal gale,
When breezy evening broods the listening vale;
Or wake the loud tumultuous sounds, that dwell
In Echo's many-toned diurnal shell.
YOU melt in dulcet chords, when Zephyr rings
The Eolian Harp, and mingle all its strings;
Or trill in air the soft symphonious chime,
When rapt CECILIA lifts her eye sublime,
Swell, as she breathes, her bosoms rising snow,
O'er her white teeth in tuneful accents slow,
Through her fair lips on whispering pinions move,
And form the tender sighs, that kindle love!
'So playful LOVE on Ida's flowery sides
With ribbon-rein the indignant Lion guides;
Pleased on his brinded back the lyre he rings,
And shakes delirious rapture from the strings;
Slow as the pausing Monarch stalks along,
Sheaths his retractile claws, and drinks the song;
Soft Nymphs on timid step the triumph view,
And listening Fawns with beating hoofs pursue;
With pointed ears the alarmed forest starts,
And Love and Music soften savage hearts.
VIII. 'SYLPHS! YOUR bold hosts, when Heaven with justice dread
Calls the red tempest round the guilty head,
Fierce at his nod assume vindictive forms,
And launch from airy cars the vollied storms.From Ashur's vales when proud SENACHERIB trod,
Pour'd his swoln heart, defied the living GOD,
Urged with incessant shouts his glittering powers;
And JUDAH shook through all her massy towers;
Round her sad altars press'd the prostrate crowd,
Hosts beat their breasts, and suppliant chieftains bow'd;
Loud shrieks of matrons thrill'd the troubled air,
And trembling virgins rent their scatter'd hair;
High in the midst the kneeling King adored,
16
Spread the blaspheming scroll before the Lord,
Raised his pale hands, and breathed his pausing sighs,
And fixed on Heaven his dim imploring eyes,'Oh! MIGHTY GOD! amidst thy Seraph-throng
'Who sit'st sublime, the Judge of Right and Wrong;
'Thine the wide earth, bright sun, and starry zone,
'That twinkling journey round thy golden throne;
'Thine is the crystal source of life and light,
'And thine the realms of Death's eternal night.
'Oh, bend thine ear, thy gracious eye incline,
'Lo! Ashur's King blasphemes thy holy shrine,
'Insults our offerings, and derides our vows,-'Oh! strike the diadem from his impious brows,
'Tear from his murderous hand the bloody rod,
'And teach the trembling nations, 'THOU ART GOD!'-SYLPHS! in what dread array with pennons broad
Onward ye floated o'er the ethereal road,
Call'd each dank steam the reeking marsh exhales,
Contagious vapours, and volcanic gales,
Gave the soft South with poisonous breath to blow,
And rolled the dreadful whirlwind on the foe!Hark! o'er the camp the venom'd tempest sings,
Man falls on Man, on buckler buckler rings;
Groan answers groan, to anguish anguish yields,
And DEATH'S loud accents shake the tented fields!
-High rears the Fiend his grinning jaws, and wide
Spans the pale nations with colossal stride,
Waves his broad falchion with uplifted hand,
And his vast shadow darkens all the land.
IX. 1. 'Ethereal cohorts! Essences of Air!
Make the green children of the Spring your care!
Oh, SYLPHS! disclose in this inquiring age
One GOLDEN SECRET to some favour'd sage;
Grant the charm'd talisman, the chain, that binds,
Or guides the changeful pinions of the winds!
-No more shall hoary Boreas, issuing forth
With Eurus, lead the tempests of the North;
Rime the pale Dawn, or veil'd in flaky showers
Chill the sweet bosoms of the smiling Hours.
By whispering Auster waked shall Zephyr rise,
Meet with soft kiss, and mingle in the skies,
17
Fan the gay floret, bend the yellow ear,
And rock the uncurtain'd cradle of the year;
Autumn and Spring in lively union blend,
And from the skies the Golden Age descend.
2. 'Castled on ice, beneath the circling Bear,
A vast CAMELION spits and swallows air;
O'er twelve degrees his ribs gigantic bend,
And many a league his leathern jaws extend;
Half-fish, beneath, his scaly volutes spread,
And vegetable plumage crests his head;
Huge fields of air his wrinkled skin receives,
From panting gills, wide lungs, and waving leaves;
Then with dread throes subsides his bloated form,
His shriek the thunder, and his sigh the storm.
Oft high in heaven the hissing Demon wins
His towering course, upborne on winnowing fins;
Steers with expanded eye and gaping mouth,
His mass enormous to the affrighted South;
Spreads o'er the shuddering Line his shadowy limbs,
And Frost and Famine follow as he swims.SYLPHS! round his cloud-built couch your bands array,
And mould the Monster to your gentle sway;
Charm with soft tones, with tender touches check,
Bend to your golden yoke his willing neck,
With silver curb his yielding teeth restrain,
And give to KIRWAN'S hand the silken rein.
-Pleased shall the Sage, the dragon-wings between,
Bend o'er discordant climes his eye serene,
With Lapland breezes cool Arabian vales,
And call to Hindostan antarctic gales,
Adorn with wreathed ears Kampschatca's brows,
And scatter roses on Zealandic snows,
Earth's wondering Zones the genial seasons share,
And nations hail him 'MONARCH OF THE AIR.'
X. 1. 'SYLPHS! as you hover on ethereal wing,
Brood the green children of parturient Spring!Where in their bursting cells my Embryons rest,
I charge you guard the vegetable nest;
Count with nice eye the myriad SEEDS, that swell
Each vaulted womb of husk, or pod, or shell;
Feed with sweet juices, clothe with downy hair,
18
Or hang, inshrined, their little orbs in air.
'So, late descry'd by HERSCHEL'S piercing sight,
Hang the bright squadrons of the twinkling Night;
Ten thousand marshall'd stars, a silver zone,
Effuse their blended lustres round her throne;
Suns call to suns, in lucid clouds conspire,
And light exterior skies with golden fire;
Resistless rolls the illimitable sphere,
And one great circle forms the unmeasured year.
-Roll on, YE STARS! exult in youthful prime,
Mark with bright curves the printless steps of Time;
Near and more near your beamy cars approach,
And lessening orbs on lessening orbs encroach;Flowers of the sky! ye too to age must yield,
Frail as your silken sisters of the field!
Star after star from Heaven's high arch shall rush,
Suns sink on suns, and systems systems crush,
Headlong, extinct, to one dark centre fall,
And Death and Night and Chaos mingle all!
-Till o'er the wreck, emerging from the storm,
Immortal NATURE lifts her changeful form,
Mounts from her funeral pyre on wings of flame,
And soars and shines, another and the same.
2. 'Lo! on each SEED within its slender rind
Life's golden threads in endless circles wind;
Maze within maze the lucid webs are roll'd,
And, as they burst, the living flame unfold.
The pulpy acorn, ere it swells, contains
The Oak's vast branches in its milky veins;
Each ravel'd bud, fine film, and fibre-line
Traced with nice pencil on the small design.
The young Narcissus, in it's bulb compress'd,
Cradles a second nestling on its breast;
In whose fine arms a younger embryon lies,
Folds its thin leaves, and shuts its floret-eyes;
Grain within grain successive harvests dwell,
And boundless forests slumber in a shell.
-So yon grey precipice, and ivy'd towers,
Long winding meads, and intermingled bowers,
Green files of poplars, o'er the lake that bow,
And glimmering wheel, which rolls and foams below,
In one bright point with nice distinction lie
19
Plan'd on the moving tablet of the eye.
-So, fold on fold, Earth's wavy plains extend,
And, sphere in sphere, its hidden strata bend;Incumbent Spring her beamy plumes expands
O'er restless oceans, and impatient lands,
With genial lustres warms the mighty ball,
And the GREAT SEED evolves, disclosing ALL;
LIFE
buds
or
breathes
from Indus to the Poles,
And the vast surface kindles, as it rolls!
3. 'Come, YE SOFT SYLPHS! who sport on Latian land,
Come, sweet-lip'd Zephyr, and Favonius bland!
Teach the fine SEED, instinct with life, to shoot
On Earth's cold bosom its descending root;
With Pith elastic stretch its rising stem,
Part the twin Lobes, expand the throbbing Gem;
Clasp in your airy arms the aspiring Plume,
Fan with your balmy breath its kindling bloom,
Each widening scale and bursting film unfold,
Swell the green cup, and tint the flower with gold;
While in bright veins the silvery Sap ascends,
And refluent blood in milky eddies bends;
While, spread in air, the leaves respiring play,
Or drink the golden quintessence of day.
-So from his shell on Delta's shower-less isle
Bursts into life the Monster of the Nile;
First in translucent lymph with cobweb-threads
The Brain's fine floating tissue swells, and spreads;
Nerve after nerve the glistening spine descends,
The red Heart dances, the Aorta bends;
Through each new gland the purple current glides,
New veins meandering drink the refluent tides;
Edge over edge expands the hardening scale,
And sheaths his slimy skin in silver mail.
-Erewhile, emerging from the brooding sand,
With Tyger-paw He prints the brineless strand,
High on the flood with speckled bosom swims,
Helm'd with broad tail, and oar'd with giant limbs;
Rolls his fierce eye-balls, clasps his iron claws,
20
And champs with gnashing teeth his massy jaws;
Old Nilus sighs along his cane-crown'd shores,
And swarthy Memphis trembles and adores.
XI. 'Come, YE SOFT SYLPHS! who fan the Paphian groves,
And bear on sportive wings the callow Loves;
Call with sweet whisper, in each gale that blows,
The slumbering Snow-drop from her long repose;
Charm the pale Primrose from her clay-cold bed,
Unveil the bashful Violet's tremulous head;
While from her bud the playful Tulip breaks,
And young Carnations peep with blushing cheeks;
Bid the closed
Petals
from nocturnal cold
The virgin
Style
in silken curtains fold,
Shake into viewless air the morning dews,
And wave in light their iridescent hues;
While from on high the bursting
Anthers
trust
To the mild breezes their prolific dust;
Or bend in rapture o'er the central Fair,
Love out their hour, and leave their lives in air.
So in his silken sepulchre the Worm,
Warm'd with new life, unfolds his larva-form;
Erewhile aloft in wanton circles moves,
And woos on Hymen-wings his velvet loves.
XII. 1. 'If prouder branches with exuberance rude
Point their green gems, their barren shoots protrude;
Wound them, ye SYLPHS! with little knives, or bind
A wiry ringlet round the swelling rind;
Bisect with chissel fine the root below,
Or bend to earth the inhospitable bough.
So shall each germ with new prolific power
Delay the leaf-bud, and expand the flower;
Closed in the
Style
the tender pith shall end,
21
The lengthening Wood in circling
Stamens
bend;
The smoother Rind its soft embroidery spread
In vaulted
Petals
o'er their fertile bed;
While the rough Bark, in circling mazes roll'd,
Forms the green
Cup
with many a wrinkled fold;
And each small bud-scale spreads its foliage hard,
Firm round the callow germ, a
Floral Guard
2. 'Where cruder juices swell the leafy vein,
Stint the young germ, the tender blossom stain;
On each lop'd shoot a softer scion bind,
Pith press'd to pith, and rind applied to rind,
So shall the trunk with loftier crest ascend,
And wide in air its happier arms extend;
Nurse the new buds, admire the leaves unknown,
And blushing bend with fruitage not its own.
'Thus when in holy triumph Aaron trod,
And offer'd on the shrine his mystic rod;
First a new bark its silken tissue weaves,
New buds emerging widen into leaves;
Fair fruits protrude, enascent flowers expand,
And blush and tremble round the living wand.
XIII. 1. 'SYLPHS! on each Oak-bud wound the wormy galls,
With pigmy spears, or crush the venom'd balls;
Fright the green Locust from his foamy bed,
Unweave the Caterpillar's gluey thread;
Chase the fierce Earwig, scare the bloated Toad,
Arrest the snail upon his slimy road;
Arm with sharp thorns the Sweet-brier's tender wood,
And dash the Cynips from her damask bud;
Steep in ambrosial dews the Woodbine's bells,
And drive the Night-moth from her honey'd cells.
So where the Humming-bird in Chili's bowers
On murmuring pinions robs the pendent flowers;
22
Seeks, where fine pores their dulcet balm distill,
And sucks the treasure with proboscis-bill;
Fair CYPREPEDIA with successful guile
Knits her smooth brow, extinguishes her smile;
A Spiders bloated paunch and jointed arms
Hide her fine form, and mask her blushing charms;
In ambush sly the mimic warrior lies,
And on quick wing the panting plunderer flies.
2. 'Shield the young Harvest from devouring blight,
The Smut's dark poison, and the Mildew white;
Deep-rooted Mould, and Ergot's horn uncouth,
And break the Canker's desolating tooth.
First in one point the festering wound confin'd
Mines unperceived beneath the shrivel'd rin'd;
Then climbs the branches with increasing strength,
Spreads as they spread, and lengthens with their length;
-Thus the slight wound ingraved on glass unneal'd
Runs in white lines along the lucid field;
Crack follows crack, to laws elastic just,
And the frail fabric shivers into dust.
XIV. 1. 'SYLPHS! if with morn destructive Eurus springs,
O, clasp the Harebel with your velvet wings;
Screen with thick leaves the Jasmine as it blows,
And shake the white rime from the shuddering Rose;
Whilst Amaryllis turns with graceful ease
Her blushing beauties, and eludes the breeze.SYLPHS! if at noon the Fritillary droops,
With drops nectareous hang her nodding cups;
Thin clouds of Gossamer in air display,
And hide the vale's chaste Lily from the ray;
Whilst Erythrina o'er her tender flower
Bends all her leaves, and braves the sultry hour;Shield, when cold Hesper sheds his dewy light,
Mimosa's soft sensations from the night;
Fold her thin foilage, close her timid flowers,
And with ambrosial slumbers guard her bowers;
O'er each warm wall while Cerea flings her arms,
And wastes on night's dull eye a blaze of charms.
2. Round her tall Elm with dewy fingers twine
The gadding tendrils of the adventurous Vine;
From arm to arm in gay festoons suspend
23
Her fragrant flowers, her graceful foliage bend;
Swell with sweet juice her vermil orbs, and feed
Shrined in transparent pulp her pearly seed;
Hang round the Orange all her silver bells,
And guard her fragrance with Hesperian spells;
Bud after bud her polish'd leaves unfold,
And load her branches with successive gold.
So the learn'd Alchemist exulting sees
Rise in his bright matrass DIANA'S trees;
Drop after drop, with just delay he pours
The red-fumed acid on Potosi's ores;
With sudden flash the fierce bullitions rise,
And wide in air the gas phlogistic flies;
Slow shoot, at length, in many a brilliant mass
Metallic roots across the netted glass;
Branch after branch extend their silver stems,
Bud into gold, and blossoms into gems.
So sits enthron'd in vegetable pride
Imperial KEW by Thames's glittering side;
Obedient sails from realms unfurrow'd bring
For her the unnam'd progeny of spring;
Attendant Nymphs her dulcet mandates hear,
And nurse in fostering arms the tender year,
Plant the young bulb, inhume the living seed,
Prop the weak stem, the erring tendril lead;
Or fan in glass-built fanes the stranger flowers
With milder gales, and steep with warmer showers.
Delighted Thames through tropic umbrage glides,
And flowers antarctic, bending o'er his tides;
Drinks the new tints, the sweets unknown inhales,
And calls the sons of science to his vales.
In one bright point admiring Nature eyes
The fruits and foliage of discordant skies,
Twines the gay floret with the fragrant bough,
And bends the wreath round GEORGE'S royal brow.
-Sometimes retiring, from the public weal
One tranquil hour the ROYAL PARTNERS steal;
Through glades exotic pass with step sublime,
Or mark the growths of Britain's happier clime;
With beauty blossom'd, and with virtue blaz'd,
Mark the fair Scions, that themselves have rais'd;
Sweet blooms the Rose, the towering Oak expands,
24
The Grace and Guard of Britain's golden lands.
XV. SYLPHS! who, round earth on purple pinions borne,
Attend the radiant chariot of the morn;
Lead the gay hours along the ethereal hight,
And on each dun meridian shower the light;
SYLPHS! who from realms of equatorial day
To climes, that shudder in the polar ray,
From zone to zone pursue on shifting wing,
The bright perennial journey of the spring;
Bring my rich Balms from Mecca's hallow'd glades,
Sweet flowers, that glitter in Arabia's shades;
Fruits, whose fair forms in bright succession glow
Gilding the Banks of Arno, or of Po;
Each leaf, whose fragrant steam with ruby lip
Gay China's nymphs from pictur'd vases sip;
Each spicy rind, which sultry India boasts,
Scenting the night-air round her breezy coasts;
Roots whose bold stems in bleak Siberia blow,
And gem with many a tint the eternal snow;
Barks, whose broad umbrage high in ether waves
O'er Ande's steeps, and hides his golden caves;
-And, where yon oak extends his dusky shoots
Wide o'er the rill, that bubbles from his roots;
Beneath whose arms, protected from the storm
A turf-built altar rears it's rustic form;
SYLPHS! with religious hands fresh garlands twine,
And deck with lavish pomp HYGEIA'S shrine.
'Call with loud voice the Sisterhood, that dwell
On floating cloud, wide wave, or bubbling well;
Stamp with charm'd foot, convoke the alarmed Gnomes
From golden beds, and adamantine domes;
Each from her sphere with beckoning arm invite,
Curl'd with red flame, the Vestal Forms of light.
Close all your spotted wings, in lucid ranks
Press with your bending knees the crowded banks,
Cross your meek arms, incline your wreathed brows,
And win the Goddess with unwearied vows.
'Oh, wave, HYGEIA! o'er BRITANNIA'S throne
Thy serpent-wand, and mark it for thy own;
Lead round her breezy coasts thy guardian trains,
Her nodding forests, and her waving plains;
25
Shed o'er her peopled realms thy beamy smile,
And with thy airy temple crown her isle!'
The GODDESS ceased,-and calling from afar
The wandering Zephyrs, joins them to her car;
Mounts with light bound, and graceful, as she bends,
Whirls the long lash, the flexile rein extends;
On whispering wheels the silver axle slides,
Climbs into air, and cleaves the crystal tides;
Burst from its pearly chains, her amber hair
Streams o'er her ivory shoulders, buoy'd in air;
Swells her white veil, with ruby clasp confined
Round her fair brow, and undulates behind;
The lessening coursers rise in spiral rings,
Pierce the slow-sailing clouds, and stretch their shadowy wings.
~ Erasmus Darwin,#NFDB |
1425:Pickthorn Manor
How fresh the Dartle's little waves that day!
A steely silver, underlined with blue,
And flashing where the round clouds, blown away,
Let drop the yellow sunshine to gleam through
And tip the edges of the waves with shifts
And spots of whitest fire, hard like gems
Cut from the midnight moon they were, and sharp
As wind through leafless stems.
The Lady Eunice walked between the drifts
Of blooming cherry-trees, and watched the rifts
Of clouds drawn through the river's azure warp.
II
Her little feet tapped softly down the path.
Her soul was listless; even the morning breeze
Fluttering the trees and strewing a light swath
Of fallen petals on the grass, could please
Her not at all. She brushed a hair aside
With a swift move, and a half-angry frown.
She stopped to pull a daffodil or two,
And held them to her gown
To test the colours; put them at her side,
Then at her breast, then loosened them and tried
Some new arrangement, but it would not do.
III
A lady in a Manor-house, alone,
Whose husband is in Flanders with the Duke
Of Marlborough and Prince Eugene, she's grown
Too apathetic even to rebuke
Her idleness. What is she on this Earth?
No woman surely, since she neither can
Be wed nor single, must not let her mind
Build thoughts upon a man
Except for hers. Indeed that were no dearth
174
Were her Lord here, for well she knew his worth,
And when she thought of him her eyes were kind.
IV
Too lately wed to have forgot the wooing.
Too unaccustomed as a bride to feel
Other than strange delight at her wife's doing.
Even at the thought a gentle blush would steal
Over her face, and then her lips would frame
Some little word of loving, and her eyes
Would brim and spill their tears, when all they saw
Was the bright sun, slantwise
Through burgeoning trees, and all the morning's flame
Burning and quivering round her. With quick shame
She shut her heart and bent before the law.
He was a soldier, she was proud of that.
This was his house and she would keep it well.
His honour was in fighting, hers in what
He'd left her here in charge of. Then a spell
Of conscience sent her through the orchard spying
Upon the gardeners. Were their tools about?
Were any branches broken? Had the weeds
Been duly taken out
Under the 'spaliered pears, and were these lying
Nailed snug against the sunny bricks and drying
Their leaves and satisfying all their needs?
VI
She picked a stone up with a little pout,
Stones looked so ill in well-kept flower-borders.
Where should she put it? All the paths about
Were strewn with fair, red gravel by her orders.
No stone could mar their sifted smoothness. So
She hurried to the river. At the edge
She stood a moment charmed by the swift blue
Beyond the river sedge.
She watched it curdling, crinkling, and the snow
175
Purfled upon its wave-tops. Then, 'Hullo,
My Beauty, gently, or you'll wriggle through.'
VII
The Lady Eunice caught a willow spray
To save herself from tumbling in the shallows
Which rippled to her feet. Then straight away
She peered down stream among the budding sallows.
A youth in leather breeches and a shirt
Of finest broidered lawn lay out upon
An overhanging bole and deftly swayed
A well-hooked fish which shone
In the pale lemon sunshine like a spurt
Of silver, bowed and damascened, and girt
With crimson spots and moons which waned and played.
VIII
The fish hung circled for a moment, ringed
And bright; then flung itself out, a thin blade
Of spotted lightning, and its tail was winged
With chipped and sparkled sunshine. And the shade
Broke up and splintered into shafts of light
Wheeling about the fish, who churned the air
And made the fish-line hum, and bent the rod
Almost to snapping. Care
The young man took against the twigs, with slight,
Deft movements he kept fish and line in tight
Obedience to his will with every prod.
IX
He lay there, and the fish hung just beyond.
He seemed uncertain what more he should do.
He drew back, pulled the rod to correspond,
Tossed it and caught it; every time he threw,
He caught it nearer to the point. At last
The fish was near enough to touch. He paused.
Eunice knew well the craft - 'What's got the thing!'
She cried. 'What can have caused Where is his net? The moment will be past.
176
The fish will wriggle free.' She stopped aghast.
He turned and bowed. One arm was in a sling.
The broad, black ribbon she had thought his basket
Must hang from, held instead a useless arm.
'I do not wonder, Madam, that you ask it.'
He smiled, for she had spoke aloud. 'The charm
Of trout fishing is in my eyes enhanced
When you must play your fish on land as well.'
'How will you take him?' Eunice asked. 'In truth
I really cannot tell.
'Twas stupid of me, but it simply chanced
I never thought of that until he glanced
Into the branches. 'Tis a bit uncouth.'
XI
He watched the fish against the blowing sky,
Writhing and glittering, pulling at the line.
'The hook is fast, I might just let him die,'
He mused. 'But that would jar against your fine
Sense of true sportsmanship, I know it would,'
Cried Eunice. 'Let me do it.' Swift and light
She ran towards him. 'It is so long now
Since I have felt a bite,
I lost all heart for everything.' She stood,
Supple and strong, beside him, and her blood
Tingled her lissom body to a glow.
XII
She quickly seized the fish and with a stone
Ended its flurry, then removed the hook,
Untied the fly with well-poised fingers. Done,
She asked him where he kept his fishing-book.
He pointed to a coat flung on the ground.
She searched the pockets, found a shagreen case,
Replaced the fly, noticed a golden stamp
Filling the middle space.
Two letters half rubbed out were there, and round
177
About them gay rococo flowers wound
And tossed a spray of roses to the clamp.
XIII
The Lady Eunice puzzled over these.
'G. D.' the young man gravely said. 'My name
Is Gervase Deane. Your servant, if you please.'
'Oh, Sir, indeed I know you, for your fame
For exploits in the field has reached my ears.
I did not know you wounded and returned.'
'But just come back, Madam. A silly prick
To gain me such unearned
Holiday making. And you, it appears,
Must be Sir Everard's lady. And my fears
At being caught a-trespassing were quick.'
XIV
He looked so rueful that she laughed out loud.
'You are forgiven, Mr. Deane. Even more,
I offer you the fishing, and am proud
That you should find it pleasant from this shore.
Nobody fishes now, my husband used
To angle daily, and I too with him.
He loved the spotted trout, and pike, and dace.
He even had a whim
That flies my fingers tied swiftly confused
The greater fish. And he must be excused,
Love weaves odd fancies in a lonely place.'
XV
She sighed because it seemed so long ago,
Those days with Everard; unthinking took
The path back to the orchard. Strolling so
She walked, and he beside her. In a nook
Where a stone seat withdrew beneath low boughs,
Full-blossomed, hummed with bees, they sat them down.
She questioned him about the war, the share
Her husband had, and grown
Eager by his clear answers, straight allows
178
Her hidden hopes and fears to speak, and rouse
Her numbed love, which had slumbered unaware.
XVI
Under the orchard trees daffodils danced
And jostled, turning sideways to the wind.
A dropping cherry petal softly glanced
Over her hair, and slid away behind.
At the far end through twisted cherry-trees
The old house glowed, geranium-hued, with bricks
Bloomed in the sun like roses, low and long,
Gabled, and with quaint tricks
Of chimneys carved and fretted. Out of these
Grey smoke was shaken, which the faint Spring breeze
Tossed into nothing. Then a thrush's song
XVII
Needled its way through sound of bees and river.
The notes fell, round and starred, between young leaves,
Trilled to a spiral lilt, stopped on a quiver.
The Lady Eunice listens and believes.
Gervase has many tales of her dear Lord,
His bravery, his knowledge, his charmed life.
She quite forgets who's speaking in the gladness
Of being this man's wife.
Gervase is wounded, grave indeed, the word
Is kindly said, but to a softer chord
She strings her voice to ask with wistful sadness,
XVIII
'And is Sir Everard still unscathed? I fain
Would know the truth.' 'Quite well, dear Lady, quite.'
She smiled in her content. 'So many slain,
You must forgive me for a little fright.'
And he forgave her, not alone for that,
But because she was fingering his heart,
Pressing and squeezing it, and thinking so
Only to ease her smart
Of painful, apprehensive longing. At
179
Their feet the river swirled and chucked. They sat
An hour there. The thrush flew to and fro.
XIX
The Lady Eunice supped alone that day,
As always since Sir Everard had gone,
In the oak-panelled parlour, whose array
Of faded portraits in carved mouldings shone.
Warriors and ladies, armoured, ruffed, peruked.
Van Dykes with long, slim fingers; Holbeins, stout
And heavy-featured; and one Rubens dame,
A peony just burst out,
With flaunting, crimson flesh. Eunice rebuked
Her thoughts of gentler blood, when these had duked
It with the best, and scorned to change their name.
XX
A sturdy family, and old besides,
Much older than her own, the Earls of Crowe.
Since Saxon days, these men had sought their brides
Among the highest born, but always so,
Taking them to themselves, their wealth, their lands,
But never their titles. Stern perhaps, but strong,
The Framptons fed their blood from richest streams,
Scorning the common throng.
Gazing upon these men, she understands
The toughness of the web wrought from such strands
And pride of Everard colours all her dreams.
XXI
Eunice forgets to eat, watching their faces
Flickering in the wind-blown candle's shine.
Blue-coated lackeys tiptoe to their places,
And set out plates of fruit and jugs of wine.
The table glitters black like Winter ice.
The Dartle's rushing, and the gentle clash
Of blossomed branches, drifts into her ears.
And through the casement sash
She sees each cherry stem a pointed slice
180
Of splintered moonlight, topped with all the spice
And shimmer of the blossoms it uprears.
XXII
'In such a night -' she laid the book aside,
She could outnight the poet by thinking back.
In such a night she came here as a bride.
The date was graven in the almanack
Of her clasped memory. In this very room
Had Everard uncloaked her. On this seat
Had drawn her to him, bade her note the trees,
How white they were and sweet
And later, coming to her, her dear groom,
Her Lord, had lain beside her in the gloom
Of moon and shade, and whispered her to ease.
XXIII
Her little taper made the room seem vast,
Caverned and empty. And her beating heart
Rapped through the silence all about her cast
Like some loud, dreadful death-watch taking part
In this sad vigil. Slowly she undrest,
Put out the light and crept into her bed.
The linen sheets were fragrant, but so cold.
And brimming tears she shed,
Sobbing and quivering in her barren nest,
Her weeping lips into the pillow prest,
Her eyes sealed fast within its smothering fold.
XXIV
The morning brought her a more stoic mind,
And sunshine struck across the polished floor.
She wondered whether this day she should find
Gervase a-fishing, and so listen more,
Much more again, to all he had to tell.
And he was there, but waiting to begin
Until she came. They fished awhile, then went
To the old seat within
The cherry's shade. He pleased her very well
181
By his discourse. But ever he must dwell
Upon Sir Everard. Each incident
XXV
Must be related and each term explained.
How troops were set in battle, how a siege
Was ordered and conducted. She complained
Because he bungled at the fall of Liege.
The curious names of parts of forts she knew,
And aired with conscious pride her ravelins,
And counterscarps, and lunes. The day drew on,
And his dead fish's fins
In the hot sunshine turned a mauve-green hue.
At last Gervase, guessing the hour, withdrew.
But she sat long in still oblivion.
XXVI
Then he would bring her books, and read to her
The poems of Dr. Donne, and the blue river
Would murmur through the reading, and a stir
Of birds and bees make the white petals shiver,
And one or two would flutter prone and lie
Spotting the smooth-clipped grass. The days went by
Threaded with talk and verses. Green leaves pushed
Through blossoms stubbornly.
Gervase, unconscious of dishonesty,
Fell into strong and watchful loving, free
He thought, since always would his lips be hushed.
XXVII
But lips do not stay silent at command,
And Gervase strove in vain to order his.
Luckily Eunice did not understand
That he but read himself aloud, for this
Their friendship would have snapped. She treated him
And spoilt him like a brother. It was now
'Gervase' and 'Eunice' with them, and he dined
Whenever she'd allow,
In the oak parlour, underneath the dim
182
Old pictured Framptons, opposite her slim
Figure, so bright against the chair behind.
XXVIII
Eunice was happier than she had been
For many days, and yet the hours were long.
All Gervase told to her but made her lean
More heavily upon the past. Among
Her hopes she lived, even when she was giving
Her morning orders, even when she twined
Nosegays to deck her parlours. With the thought
Of Everard, her mind
Solaced its solitude, and in her striving
To do as he would wish was all her living.
She welcomed Gervase for the news he brought.
XXIX
Black-hearts and white-hearts, bubbled with the sun,
Hid in their leaves and knocked against each other.
Eunice was standing, panting with her run
Up to the tool-house just to get another
Basket. All those which she had brought were filled,
And still Gervase pelted her from above.
The buckles of his shoes flashed higher and higher
Until his shoulders strove
Quite through the top. 'Eunice, your spirit's filled
This tree. White-hearts!' He shook, and cherries spilled
And spat out from the leaves like falling fire.
XXX
The wide, sun-winged June morning spread itself
Over the quiet garden. And they packed
Full twenty baskets with the fruit. 'My shelf
Of cordials will be stored with what it lacked.
In future, none of us will drink strong ale,
But cherry-brandy.' 'Vastly good, I vow,'
And Gervase gave the tree another shake.
The cherries seemed to flow
Out of the sky in cloudfuls, like blown hail.
183
Swift Lady Eunice ran, her farthingale,
Unnoticed, tangling in a fallen rake.
XXXI
She gave a little cry and fell quite prone
In the long grass, and lay there very still.
Gervase leapt from the tree at her soft moan,
And kneeling over her, with clumsy skill
Unloosed her bodice, fanned her with his hat,
And his unguarded lips pronounced his heart.
'Eunice, my Dearest Girl, where are you hurt?'
His trembling fingers dart
Over her limbs seeking some wound. She strove
To answer, opened wide her eyes, above
Her knelt Sir Everard, with face alert.
XXXII
Her eyelids fell again at that sweet sight,
'My Love!' she murmured, 'Dearest! Oh, my Dear!'
He took her in his arms and bore her right
And tenderly to the old seat, and 'Here
I have you mine at last,' she said, and swooned
Under his kisses. When she came once more
To sight of him, she smiled in comfort knowing
Herself laid as before
Close covered on his breast. And all her glowing
Youth answered him, and ever nearer growing
She twined him in her arms and soft festooned
XXXIII
Herself about him like a flowering vine,
Drawing his lips to cling upon her own.
A ray of sunlight pierced the leaves to shine
Where her half-opened bodice let be shown
Her white throat fluttering to his soft caress,
Half-gasping with her gladness. And her pledge
She whispers, melting with delight. A twig
Snaps in the hornbeam hedge.
A cackling laugh tears through the quietness.
184
Eunice starts up in terrible distress.
'My God! What's that?' Her staring eyes are big.
XXXIV
Revulsed emotion set her body shaking
As though she had an ague. Gervase swore,
Jumped to his feet in such a dreadful taking
His face was ghastly with the look it wore.
Crouching and slipping through the trees, a man
In worn, blue livery, a humpbacked thing,
Made off. But turned every few steps to gaze
At Eunice, and to fling
Vile looks and gestures back. 'The ruffian!
By Christ's Death! I will split him to a span
Of hog's thongs.' She grasped at his sleeve, 'Gervase!
XXXV
What are you doing here? Put down that sword,
That's only poor old Tony, crazed and lame.
We never notice him. With my dear Lord
I ought not to have minded that he came.
But, Gervase, it surprises me that you
Should so lack grace to stay here.' With one hand
She held her gaping bodice to conceal
Her breast. 'I must demand
Your instant absence. Everard, but new
Returned, will hardly care for guests. Adieu.'
'Eunice, you're mad.' His brain began to reel.
XXXVI
He tried again to take her, tried to twist
Her arms about him. Truly, she had said
Nothing should ever part them. In a mist
She pushed him from her, clasped her aching head
In both her hands, and rocked and sobbed aloud.
'Oh! Where is Everard? What does this mean?
So lately come to leave me thus alone!'
185
But Gervase had not seen
Sir Everard. Then, gently, to her bowed
And sickening spirit, he told of her proud
Surrender to him. He could hear her moan.
XXXVII
Then shame swept over her and held her numb,
Hiding her anguished face against the seat.
At last she rose, a woman stricken - dumb And trailed away with slowly-dragging feet.
Gervase looked after her, but feared to pass
The barrier set between them. All his rare
Joy broke to fragments - worse than that, unreal.
And standing lonely there,
His swollen heart burst out, and on the grass
He flung himself and wept. He knew, alas!
The loss so great his life could never heal.
XXXVIII
For days thereafter Eunice lived retired,
Waited upon by one old serving-maid.
She would not leave her chamber, and desired
Only to hide herself. She was afraid
Of what her eyes might trick her into seeing,
Of what her longing urge her then to do.
What was this dreadful illness solitude
Had tortured her into?
Her hours went by in a long constant fleeing
The thought of that one morning. And her being
Bruised itself on a happening so rude.
XXXIX
It grew ripe Summer, when one morning came
Her tirewoman with a letter, printed
Upon the seal were the Deane crest and name.
With utmost gentleness, the letter hinted
His understanding and his deep regret.
But would she not permit him once again
To pay her his profound respects? No word
186
Of what had passed should pain
Her resolution. Only let them get
Back the old comradeship. Her eyes were wet
With starting tears, now truly she deplored
XL
His misery. Yes, she was wrong to keep
Away from him. He hardly was to blame.
'Twas she - she shuddered and began to weep.
'Twas her fault! Hers! Her everlasting shame
Was that she suffered him, whom not at all
She loved. Poor Boy! Yes, they must still be friends.
She owed him that to keep the balance straight.
It was such poor amends
Which she could make for rousing hopes to gall
Him with their unfulfilment. Tragical
It was, and she must leave him desolate.
XLI
Hard silence he had forced upon his lips
For long and long, and would have done so still
Had not she - here she pressed her finger tips
Against her heavy eyes. Then with forced will
She wrote that he might come, sealed with the arms
Of Crowe and Frampton twined. Her heart felt lighter
When this was done. It seemed her constant care
Might some day cease to fright her.
Illness could be no crime, and dreadful harms
Did come from too much sunshine. Her alarms
Would lessen when she saw him standing there,
XLII
Simple and kind, a brother just returned
From journeying, and he would treat her so.
She knew his honest heart, and if there burned
A spark in it he would not let it show.
But when he really came, and stood beside
Her underneath the fruitless cherry boughs,
He seemed a tired man, gaunt, leaden-eyed.
187
He made her no more vows,
Nor did he mention one thing he had tried
To put into his letter. War supplied
Him topics. And his mind seemed occupied.
XLIII
Daily they met. And gravely walked and talked.
He read her no more verses, and he stayed
Only until their conversation, balked
Of every natural channel, fled dismayed.
Again the next day she would meet him, trying
To give her tone some healthy sprightliness,
But his uneager dignity soon chilled
Her well-prepared address.
Thus Summer waned, and in the mornings, crying
Of wild geese startled Eunice, and their flying
Whirred overhead for days and never stilled.
XLIV
One afternoon of grey clouds and white wind,
Eunice awaited Gervase by the river.
The Dartle splashed among the reeds and whined
Over the willow-roots, and a long sliver
Of caked and slobbered foam crept up the bank.
All through the garden, drifts of skirling leaves
Blew up, and settled down, and blew again.
The cherry-trees were weaves
Of empty, knotted branches, and a dank
Mist hid the house, mouldy it smelt and rank
With sodden wood, and still unfalling rain.
XLV
Eunice paced up and down. No joy she took
At meeting Gervase, but the custom grown
Still held her. He was late. She sudden shook,
And caught at her stopped heart. Her eyes had shown
Sir Everard emerging from the mist.
His uniform was travel-stained and torn,
His jackboots muddy, and his eager stride
188
Jangled his spurs. A thorn
Entangled, trailed behind him. To the tryst
He hastened. Eunice shuddered, ran - a twist
Round a sharp turning and she fled to hide.
XLVI
But he had seen her as she swiftly ran,
A flash of white against the river's grey.
'Eunice,' he called. 'My Darling. Eunice. Can
You hear me? It is Everard. All day
I have been riding like the very devil
To reach you sooner. Are you startled, Dear?'
He broke into a run and followed her,
And caught her, faint with fear,
Cowering and trembling as though she some evil
Spirit were seeing. 'What means this uncivil
Greeting, Dear Heart?' He saw her senses blur.
XLVII
Swaying and catching at the seat, she tried
To speak, but only gurgled in her throat.
At last, straining to hold herself, she cried
To him for pity, and her strange words smote
A coldness through him, for she begged Gervase
To leave her, 'twas too much a second time.
Gervase must go, always Gervase, her mind
Repeated like a rhyme
This name he did not know. In sad amaze
He watched her, and that hunted, fearful gaze,
So unremembering and so unkind.
XLVIII
Softly he spoke to her, patiently dealt
With what he feared her madness. By and by
He pierced her understanding. Then he knelt
Upon the seat, and took her hands: 'Now try
To think a minute I am come, my Dear,
Unharmed and back on furlough. Are you glad
To have your lover home again? To me,
189
Pickthorn has never had
A greater pleasantness. Could you not bear
To come and sit awhile beside me here?
A stone between us surely should not be.'
XLIX
She smiled a little wan and ravelled smile,
Then came to him and on his shoulder laid
Her head, and they two rested there awhile,
Each taking comfort. Not a word was said.
But when he put his hand upon her breast
And felt her beating heart, and with his lips
Sought solace for her and himself. She started
As one sharp lashed with whips,
And pushed him from her, moaning, his dumb quest
Denied and shuddered from. And he, distrest,
Loosened his wife, and long they sat there, parted.
Eunice was very quiet all that day,
A little dazed, and yet she seemed content.
At candle-time, he asked if she would play
Upon her harpsichord, at once she went
And tinkled airs from Lully's `Carnival'
And `Bacchus', newly brought away from France.
Then jaunted through a lively rigadoon
To please him with a dance
By Purcell, for he said that surely all
Good Englishmen had pride in national
Accomplishment. But tiring of it soon
LI
He whispered her that if she had forgiven
His startling her that afternoon, the clock
Marked early bed-time. Surely it was Heaven
He entered when she opened to his knock.
The hours rustled in the trailing wind
Over the chimney. Close they lay and knew
Only that they were wedded. At his touch
190
Anxiety she threw
Away like a shed garment, and inclined
Herself to cherish him, her happy mind
Quivering, unthinking, loving overmuch.
LII
Eunice lay long awake in the cool night
After her husband slept. She gazed with joy
Into the shadows, painting them with bright
Pictures of all her future life's employ.
Twin gems they were, set to a single jewel,
Each shining with the other. Soft she turned
And felt his breath upon her hair, and prayed
Her happiness was earned.
Past Earls of Crowe should give their blood for fuel
To light this Frampton's hearth-fire. By no cruel
Affrightings would she ever be dismayed.
LIII
When Everard, next day, asked her in joke
What name it was that she had called him by,
She told him of Gervase, and as she spoke
She hardly realized it was a lie.
Her vision she related, but she hid
The fondness into which she had been led.
Sir Everard just laughed and pinched her ear,
And quite out of her head
The matter drifted. Then Sir Everard chid
Himself for laziness, and off he rid
To see his men and count his farming-gear.
LIV
At supper he seemed overspread with gloom,
But gave no reason why, he only asked
More questions of Gervase, and round the room
He walked with restless strides. At last he tasked
Her with a greater feeling for this man
Than she had given. Eunice quick denied
The slightest interest other than a friend
191
Might claim. But he replied
He thought she underrated. Then a ban
He put on talk and music. He'd a plan
To work at, draining swamps at Pickthorn End.
LV
Next morning Eunice found her Lord still changed,
Hard and unkind, with bursts of anger. Pride
Kept him from speaking out. His probings ranged
All round his torment. Lady Eunice tried
To sooth him. So a week went by, and then
His anguish flooded over; with clenched hands
Striving to stem his words, he told her plain
Tony had seen them, 'brands
Burning in Hell,' the man had said. Again
Eunice described her vision, and how when
Awoke at last she had known dreadful pain.
LVI
He could not credit it, and misery fed
Upon his spirit, day by day it grew.
To Gervase he forbade the house, and led
The Lady Eunice such a life she flew
At his approaching footsteps. Winter came
Snowing and blustering through the Manor trees.
All the roof-edges spiked with icicles
In fluted companies.
The Lady Eunice with her tambour-frame
Kept herself sighing company. The flame
Of the birch fire glittered on the walls.
LVII
A letter was brought to her as she sat,
Unsealed, unsigned. It told her that his wound,
The writer's, had so well recovered that
To join his regiment he felt him bound.
But would she not wish him one short 'Godspeed',
He asked no more. Her greeting would suffice.
He had resolved he never should return.
192
Would she this sacrifice
Make for a dying man? How could she read
The rest! But forcing her eyes to the deed,
She read. Then dropped it in the fire to burn.
LVIII
Gervase had set the river for their meeting
As farthest from the farms where Everard
Spent all his days. How should he know such cheating
Was quite expected, at least no dullard
Was Everard Frampton. Hours by hours he hid
Among the willows watching. Dusk had come,
And from the Manor he had long been gone.
Eunice her burdensome
Task set about. Hooded and cloaked, she slid
Over the slippery paths, and soon amid
The sallows saw a boat tied to a stone.
LIX
Gervase arose, and kissed her hand, then pointed
Into the boat. She shook her head, but he
Begged her to realize why, and with disjointed
Words told her of what peril there might be
From listeners along the river bank.
A push would take them out of earshot. Ten
Minutes was all he asked, then she should land,
He go away again,
Forever this time. Yet how could he thank
Her for so much compassion. Here she sank
Upon a thwart, and bid him quick unstrand
LX
His boat. He cast the rope, and shoved the keel
Free of the gravel; jumped, and dropped beside
Her; took the oars, and they began to steal
Under the overhanging trees. A wide
Gash of red lantern-light cleft like a blade
Into the gloom, and struck on Eunice sitting
Rigid and stark upon the after thwart.
193
It blazed upon their flitting
In merciless light. A moment so it stayed,
Then was extinguished, and Sir Everard made
One leap, and landed just a fraction short.
LXI
His weight upon the gunwale tipped the boat
To straining balance. Everard lurched and seized
His wife and held her smothered to his coat.
'Everard, loose me, we shall drown -' and squeezed
Against him, she beat with her hands. He gasped
'Never, by God!' The slidden boat gave way
And the black foamy water split - and met.
Bubbled up through the spray
A wailing rose and in the branches rasped,
And creaked, and stilled. Over the treetops, clasped
In the blue evening, a clear moon was set.
LXII
They lie entangled in the twisting roots,
Embraced forever. Their cold marriage bed
Close-canopied and curtained by the shoots
Of willows and pale birches. At the head,
White lilies, like still swans, placidly float
And sway above the pebbles. Here are waves
Sun-smitten for a threaded counterpane
Gold-woven on their graves.
In perfect quietness they sleep, remote
In the green, rippled twilight. Death has smote
Them to perpetual oneness who were twain.
~ Amy Lowell,#NFDB |
1426:The Ruines Of Time
It chaunced me on day beside the shore
Of siluer streaming Thamesis to bee,
Nigh where the goodly Verlame stood of yore,
Of which there now remaines no memorie,
Nor anie little moniment to see,
By which the trauailer, that fares that way,
This once was she, may warned be to say.
There on the other side, I did behold
A Woman sitting sorrowfullie wailing,
Rending her yeolow locks, like wyrie golde,
About her shoulders careleslie downe trailing,
And streames of teares from her faire eyes forth railing.
In her right hand a broken rod she held,
Which towards heauen shee seemd on high to weld.
Whether she were one of that Riuers Nymphes,
Which did the losse of some dere loue lament,
I doubt; or one of those three fatall Impes,
Which draw the dayes of men forth in extent;
Or th' auncient Genius of that Citie brent:
But seeing her so piteouslie perplexed,
I (to her calling) askt what her so vexed.
Ah what delight (quoth she) in earthlie thing,
Or comfort can I, wretched creature haue?
Whose happines the heauens enuying,
From highest staire to lowest step me draue,
And haue in mine owne bowels made my graue,
That of all Nations now I am forlorne,
The worlds sad spectacle, and fortunes scorne.
Much was I mooued at her piteous plaint,
And felt my heart nigh riuen in my brest
With tender ruth to see her sore constraint,
That shedding teares a while I still did rest,
And after did her name of her request.
Name haue I none (quoth she) nor anie being,
Bereft of both by Fates vniust decreeing.
323
I was that Citie, which the garland wore
Of Britaines pride, deliuer'd vnto me
By Romane Victors, which it wonne of yore;
Though nought at all but ruines now I bee,
And lye in mine owne ashes, as ye see:
Verlame I was; what bootes it that I was,
Sith now I am but weedes and wastfull gras?
O vaine worlds glorie, and vnstedfast state
Of all that liues, on face of sinfull earth,
Which from their first vntill their vtmost date
Tast no one hower of happines or merth,
But like as at the ingate of their berth,
They crying creep out of their mothers woomb,
So wailing backe go to their wofull toomb.
Why then dooth flesh, a bubble glas of breath,
Hunt after honour and aduauncement vaine,
And reare a trophee for deuouring death,
With so great labour and long lasting paine,
As if his daies for euer should remaine?
Sith all that in this world is great or gaie,
Doth as a vapour vanish, and decaie.
Looke backe, who list, vnto the former ages,
And call to count, what is of them become:
Where be those learned wits and antique Sages,
Which of all wisedome knew the perfect somme:
Where those great warriors, which did ouercomme
The world with conquest of their might and maine,
And made one meare of th' earth & of their raine?
What nowe is of th' Assyrian Lyonesse,
Of whom no footing now on earth appeares?
What of the Persian Beares outragiousnesse,
Whose memorie is quite worne out with yeares?
Who of the Grecian Libbard now ought heares,
That ouerran the East with greedie powre,
And left his whelps their kingdomes to deuoure?
And where is that same great seuen headded beast,
That made all nations vassals of her pride,
324
To fall before her feete at her beheast,
And in the necke of all the world did ride?
Where doth she all that wondrous welth nowe hide?
With her owne weight downe pressed now shee lies,
And by her heaps her hugenesse testifies.
O Rome thy ruine I lament and rue,
And in thy fall my fatall ouerthrowe,
That whilom was, whilst heauens with equall vewe
Deignd to behold me, and their gifts bestowe,
The picture of thy pride in pompous shew:
And of the whole world as thou wast the Empresse,
So I of this small Northerne world was Princesse.
To tell the beawtie of my buildings fayre,
Adorn'd with purest golde and precious stone;
To tell my riches, and endowments rare
That by my foes are now all spent and gone:
To tell my forces matchable to none,
Were but lost labour, that few would beleeue,
And with rehearsing would me more agreeue.
High towers, faire temples, goodly theaters,
Strong walls, rich porches, princelie pallaces,
Large streetes, braue houses, sacred sepulchers,
Sure gates, sweete gardens, stately galleries,
Wrought with faire pillours and fine imageries
All those (ô pitie) now are turnd to dust,
And ouergrowen with black obliuions rust.
Theretoo for warlike power, and peoples store,
In Brittanie was none to match with mee,
That manie often did abie full sore:
Ne Troynouaunt, though elder sister shee,
With my great forces might compared bee;
That stout Pendragon to his perill felt,
Who in a seige seauen yeres about me dwelt.
But long ere this Bunduca Britonesse
Her mightie hoast against my bulwarkes brought,
Bunduca, that victorious conqueresse,
That lifting vp her braue heroïck thought
325
Bove womens weaknes, with the Romanes fought,
Fought, and in field against them thrice preuailed:
Yet was she foyld, when as she me assailed.
And though at last by force I conquer'd were
Of hardie Saxons, and became their thrall;
Yet was I with much bloodshed bought full deere,
And prizde with slaughter of their Generall:
The moniment of whose sad funerall,
For wonder of the world, long in me lasted;
But now to nought through spoyle of time is wasted.
Wasted it is, as if it neuer were,
And all the rest that me so honord made,
And of the world admired eu'rie where,
Is turnd to smoake, that doth to nothing fade;
And of that brightnes now appeares no shade,
But greislie shades, such as doo haunt in hell.
With fearfull fiends, that in deep darknes dwell.
Where my high steeples whilom vsde to stand,
On which the lordly Faulcon wont to towre,
There now is but an heap of lyme and sand,
For the Shricke-owle to build her baleful bowre:
And where the Nightingale wont forth to powre
Her restles plaints, to comfort wakefull Louers,
There now haunt yelling Mewes & whining Plouers.
And where the christall Thamis wont to slide
In siluer channell, downe along the Lee,
About whose flowrie bankes on either side
A thousand Nymphes, with mirthfull iollitee,
Were wont to play, from all annoyance free;
There now no riuers course is to be seene,
But moorish fennes, and marshes euer greene.
Seemes, that that gentle Riuer for great griefe
Of my mishaps, which oft I to him plained;
Of for to shunne the horrible mischiefe,
With which he saw my cruell foes me pained,
And his pure streames with guiltles blood oft stained,
From my vnhappie neighborhood farre fled,
326
And his sweete waters away with him led.
There also where the winged ships were seene
In liquid waues to cut their fomie waie,
And thousand Fishers numbred to haue been,
In that wide lake looking for plenteous praie
Of fish, which they with baits vsde to betraie,
Is now no lake, nor anie fishers store,
Nor euer ship shall saile there anie more.
They all are gone, and all with them is gone,
Ne ought to me remaines, but to lament
My long decay, which no man els doth mone,
And mourne my fall with dolefull dreriment.
Yet it is comfort in great languishment,
To be bemoned with compassion kinde,
And mitigates the anguish of the minde.
But me no man bewaileth, but in game,
Ne sheddeth teares from lamentable eie:
Nor anie liues that mentioneth my name
To be remembred of posteritie,
Saue One that maugre fortunes iniurie,
And times decay, and enuies cruell tort,
Hath writ my record in true-seeming sort.
Cambden the nourice of antiquitie,
And lanterne vnto late succeeding age,
To see the light of simple veritie,
Buried in ruines, through the great outrage
Of her owne people, led with warlike rage;
Cambden, though Time all moniments obscure,
Yet thy iust labours euer shall endure.
But whie (vnhappie wight) doo I thus crie,
And grieue that my remembrance quite is raced
Out of the knowledge of posteritie,
And all my antique moniments defaced?
Sith I doo dailie see things highest placed,
So soone as fates their vitall thred haue neuer borne.
It is not long, since these two eyes beheld
327
A mightie Prince, of most renowmed race,
Whom England high in count of honour held,
And greatest ones did serue to gaine his grace;
Of greatest ones he greatest in his place,
Sate in the bosome of his Soueraine,
And Right and loyall did his worde maintaine.
I saw him die, I saw him die, as one
Of the meane people, and brought foorth on beare,
I saw him die, and no man left to mone
His dolefull fate, that late him loued deare:
Scarse anie left to close his eylids neare;
Scarse anie left vpon his lips to laie
The sacred sod, or Requiem to saie.
O trustlesse state of miserable men,
That builde your blis on hope of earthly thing,
And vainly thinke your selues halfe happy then,
When painted faces with smooth flattering
Doo fawne on you, and your wide praises sing,
And when the courting masker louteth lowe,
Him true in heart and trustie to you trow.
All is but fained, and with oaker die,
That euerie shower will wash and wipe away,
All things doo change that vnder heauen abide
And after death all friendship doth decaie.
Therefore what euer man bearst worldlie sway,
Liuing, on God, and on thy selfe relie;
For when thou diest, all shall with thee die.
He now is dead, and all is with him dead,
Saue what in heauens storehouse he vplaid:
His hope is faild, and come to passe his dread,
And euill men, now dead, his deedes vpbraid:
Spite bites the dead, that liuing neuer baid.
He now is gone, and whiles the Foxe is crept
Into the hole, the which the Badger swept.
He now is dead, and all his glorie gone,
And all his greatnes vapoured to nought,
That as a glasse vpon the water is shone,
328
Which vanisht quite, so soone as it was sought:
His name is worne alreadie out of thought,
Ne anie Poet seekes him to reuiue;
Yet manie Poets honourd him aliue.
Ne doth his Colin, carelesse Colin Cloute,
Care now his idle bagpipe vp to raise,
Ne tell his sorrow to the listning rout
Of shepherd groomes which wont his songs to praise:
Praise who so list, yet I will him dispraise,
Vntill he quite him of his guiltie blame:
Wake shepheards boy, at length awake for shame.
And who so els did goodnes by him gaine,
And who so els his bounteous minde did trie,
Whether he shepheard be, or shepheards swaine,
(for manie did, which doo it now denie)
Awake, and to his Song a part applie:
And I, the whilest you mourne for his decease,
Will with my mourning plaints your plaint increase.
He dyde, and after him his brother noble Peere,
His brother Prince, his brother noble Peere,
That whilste he liued, was of none enuyde,
And dead is now, as liuing, counted deare,
Deare vnto all that true affection beare:
But vnto thee most deare, ô dearest Dame,
His noble Spouse, and Paragon of fame.
He whilest he liued, happie was through thee,
And being dead is happie now much more;
Liuing, that lincked chaunst with thee to bee,
And dead, because him dead thou dost adore
As liuing, and thy lost deare loue deplore.
So whilst that thou, faire flower of chastitie,
Dost liue, by thee thy Lord shall neuer die.
Thy Lord shall neuer die, the whiles this verse
Shall live, and surely it shall liue for euer:
For euer it shall liue, and shall rehearse
His worthie praise, and vertues dying neuer,
Though death his soule doo from his bodie seuer.
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And thou thy selfe herein shalt also liue;
Such grace the heauens doo to my verses giue.
Ne shall his sister, ne thy father die,
Thy father, that good Earle of rare renowne,
And noble Patrone of weak pouertie;
Whose great good deeds in countrey and in towne
Haue purchast him in heauen an happie crowne;
Where he now liueth in eternall blis,
And left his sonne t' ensue those steps of his.
He noble bud, his Grandsires liuelie hayre,
Vnder the shadow of thy countenaunce
Now ginnes to shoote vp fast, and flourish fayre,
In learned artes and goodlie gouernaunce,
That him to highest honour shall aduaunce.
Braue Impe of Bedford, grow apace in bountie,
And count of wisedome more than of thy Countie.
Ne may I let thy husbands sister die,
That goodly Ladie, sith she eke did spring
Out of his stocke, and famous familie,
Whose praises I to future age doo sing,
And foorth out of her happie womb did bring
The sacred brood of learning and all honour;
In whom the heauens powrde all their gifts vpon her.
Most gentle spirite breathed from aboue,
Out of the bosome of the makers blis,
In whom all bountie and all vertuous loue
Appeared in their natiue propertis,
And did enrich that noble breast of his,
With treasure passing all this worldes worth,
Worthie of heaven it selfe, which brought it forth.
His blessed spirite full of power diuine
And influence of all celestiall grace,
Loathing this sinfull earth and earthlie slime,
Fled backe too soone vnto his natiue place.
Too soone for all that did his loue embrace,
Too soone for all this wretched world, whom he
Robd of all right and true nobilitie.
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Yet ere his happie soule to heauen went
Out of this fleshlie g[ao]le, he did deuise
Vnto his heauenlie maker to present
His bodie, as a spotles sacrifice;
And chose, that guiltie hands of enemies
Should powre forth th' offring of his guiltles blood:
So life exchanging for his countries good.
O noble spirite, liue there euer blessed,
The worlds late wonder, and the heauens new ioy,
Liue euer there, and leaue me here distressed
With mortall cares, and cumbrous worlds anoy.
But where thou dost that happines enioy,
Bid me, ô bid me quicklie come to thee,
That happie there I maie thee alwaies see.
Yet whilest the fates affoord me vitall breath,
I will it spend in speaking of thy praise,
And sing to thee, vntill that timelie death
By heauens doome doo ende my earthlie daies:
Thereto doo thou my humble spirite raise,
And into me that sacred breath inspire,
Which thou there breathest perfect and entire.
Then will I sing, but who can better sing,
Than thine owne sister, peerles Ladie bright,
Which to thee sings with deep harts sorrowing,
Sorrowing tempered with deare delight;
That her to heare I feele my feeble spright
Robbed of sense, and rauished with ioy:
O sad ioy made of mourning and anoy.
Yet will I sing, but who can better sing,
Than thou thy selfe, thine owne selfes valiance,
That whilest thou liuedst, madest the forrests ring,
And fields resownd, and flockes to leap and daunce,
And shepheards leaue their lambs vnto mischaunce,
To runne thy shrill Arcadian Pipe to heare:
O happie were those dayes, thrice happie were.
But now more happie thou, and wretched wee,
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Which want the wonted sweetnes of thy voice,
Whiles thou now in Elisian fields so free,
With Orpheus, and with Linus and the choice
Of all that euer did in rimes reioyce,
Conuersest, and doost heare their heauenlie layes,
And they heare thine, and thine doo better praise.
So there thou liuest, singing euermore,
And here thou liuest, being euer song
Of vs, which liuing loued thee afore,
Which now thee worship, mongst that blessed throng
Of heauenlie Poets and Heroes strong.
So thou both here and there immortall art,
And euerie where through excellent desart.
But such as neither of themselues can sing,
Nor yet are sung of others for reward,
Die in obscure obliuion, as the thing
Which neuer was, ne euer with regard
Their names shall of the later age be heard,
But shall in rustie darknes euer lie,
Vnles they mentiond be with infamie.
What booteth it to haue beene rich aliue?
What to be great? what to be gracious?
When after death no token doth suruiue
Of former being in this mortall hous,
But sleepes in dust dead and inglorious,
Like beast, whose breath but in his nostrels is,
And hath no hope of happinesse or blis.
How manie great ones may remembred be,
Which in their daise most famouslie did florish;
Of whome no word we heare, nor signe now see,
But as things wipt out with a sponge to perishe,
Because they liuing cared not to cherishe
No gentle wits, through pride or couetize,
Which might their names for ever memorize.
Prouide therefore (ye Princes) whilst ye liue,
That of the Muses ye may friended bee,
Which vnto men eternitie do giue;
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For they be daughters of Dame memorie
And Ioue the father of eternitie,
And do those men in golden thrones repose,
Whose merits they to glorifie do chose.
The seuen fold yron gates of grislie Hell,
And horrid house of sad Proserpina,
They able are with power of mightie spell
To breake, and thence the soules to bring awai
Out of dread darknesse, to eternall day,
And them immortall make, which els would die
In foule forgetfulnesse, and nameles lie.
So whilome raised they the puissant brood
Of golden girt Alcmena, for great merite,
Out of the dust, to which the Oetoean wood
Had him consum'd, and spent his vitall spirite:
To highest heauen, where now he doth inherite
All happinesse in Hebes siluer bowre,
Chosen to be her dearest Paramoure.
So raisde they eke faire Ledaes warlick twinnes,
And interchanged life vnto them lent,
That when th'one dies, th' other then beginnes
To shew in Heauen his brightnes orient;
And they, for pittie of the sad wayment
Which Orpheus for Eurydice did make,
Her back againe to life sent for his sake.
So happie are they, and so fortunate,
Whome the Pierian sacred sisters loue,
That freed from bands of implacable fate
And power of death, they liue for aye aboue,
Where mortall wreakes their blis may not remoue:
But with the Gods, for former vertues meede,
On Nectar and Ambrosia do feede.
For deeds doe die, how euer noblie donne,
And thoughts of men do as themselues decay,
But wise wordes taught in numbers for to runne,
Recorded by the Muses, liue for ay;
Ne may with storming showers be washt away,
333
Ne bitter breathing windes with harmfull blast,
Nor age, nor envie shall them euer wast.
In vaine doo earthly Princes then, in vaine
Seeke with Pyramides, to heauen aspired;
Or huge Colosses, built with costlie paine;
Or brasen Pillours, neuer to be fired,
Or Shrines, made of the mettall most desired;
To make their memories for euer liue:
For how can mortall immortalitie giue.
Such one Mausolus made, the worlds great wonder,
But now no remnant doth thereof remaine:
Such one Marcellus but was torne with thunder:
Such one Lisippus, but is worne with raine;
Such one King Edmond, but was rent for gaine.
All such vaine moniments of earthlie masse,
Deuour'd of Time, in time to nought doo passe.
But fame with golden wings aloft doth flie,
Aboue the reach of ruinous decay,
And with braue plumes doth beate the azure skie,
Admir'd of base-borne men from farre away:
Then who so will with vertuous deeds assay
To mount to heauen, on Pegasus must ride,
And with sweete Poets verse be glorifide.
For not to haue been dipt in Lethe lake,
Could saue the sonne of Thetis from to die;
But that blinde bard did him immortall make
With verses, dipt in deaw of Castalie:
Which made the Easterne Conqueror to crie,
O fortunate yong-man, whose vertue found
So braue a Trompe, thy noble acts to sound.
Therefore in this halfe happie I doo read
Good Meliboe, that hath a Poet got,
To sing his liuing praises being dead,
Deseruing neuer here to be forgot,
In spight of enuie that his deeds would spot:
Since whose decease, learning lies vnregarded,
And men of armes doo wander vnrewarded.
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Those two be those two great calamities,
That long agoe did grieue the noble spright
Of Salomon with great indignities;
Who whilome was aliue the wisest wight.
But now his wisedom is disprooued quite;
For he that now welds all things at his will,
Scorns th' one and th' other in his deeper skill.
O griefe of griefes, ô: gall of all good heartes,
to see that vertue should dispised bee
Of him, that first was raisde for vertuous parts,
And now broad spreading like an aged tree,
Lets none shoot vp, that nigh him planted bee:
O let the man, of whom the Muse is scorned,
Nor aliue, nor dead be of the Muse adorned.
O vile worlds trust, that with such vaine illusion
Hath so wise men bewitcht, and ouerkest,
That they see not the way of their confusion,
O vainesse to be added to the rest,
That do my soule with inward griefe infest:
Let them behold the piteous fall of mee:
And in my case their owne ensample see.
And who so els that sits in highest seate
Of this worlds glorie, worshipped of all,
Ne feareth change of time, nor fortunes threate,
Let him behold the horror of my fall,
And his owne end vnto remembrance call;
That of like ruine he may warned bee,
And in himselfe be moou'd to pittie mee.
Thus hauing ended all her piteous plaint,
With dolefull shrikes shee vanished away,
That I through inward sorrowe wexen faint,
And all astonished with deepe dismay,
For her departure, had no word to say:
But fate long time in sencelesse sad affright,
Looking still, if I might of her haue sight.
Which when I missed, hauing looked long,
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My thought returned greeued home againe,
Renewing her complaint with passion strong,
For ruth of that same womans piteous paine;
Whose wordes recording in my troubled braine,
I felt such anguish wound my feeble heart,
That frosen horror ran through euerie part.
So inlie greeuing in my groning brest,
And deepelie muzing at her doubtfull speach,
Whose meaning much I labor'd forth to wreste,
Being aboue my slender reasons reach;
At length by demonstration me to teach,
Before mine eies strange sights presented were,
Like tragicke Pageants seeming to appeare.
1.
I SAW an Image, all of ma[ss]ie gold,
Plac'd on high vpon an Altare faire,
That all, which did the same from farre beholde,
Might worship it, and fall on lowest staire.
Not that great Idoll might with this compaire,
To which the Assyrian tyrant would haue made
The holie brethren, falslie to haue praid,
But th' Altare, on the which this Image staid,
Was (ô great pitie) built of brickle clay,
That shortly the foundation decaid,
With showres of heauen and tempests worne away,
Then downe it fell, and low in ashes lay,
Scorn'd of euerie one, which by it went;
That I it seeing, dearelie did lament.
2.
Next vnto this a statelie Towre appeared,
Built all of richest stone, that might bee found,
And nigh vnto the Heauens in height vpreared,
But placed on a plot of sandie ground:
Not that great Towre, which is so much renownd
For tongues confusion in holie writ,
King Ninus worke, might be compar'd to it.
But ô vaine labours of terrestriall wit,
336
That buildes so stronglie on so frayle a soyle,
As with each storme does fall away, and flit,
And giues the fruit of all your travuailes toyle
To be the pray of Tyme, and Fortunes spoyle:
I saw this Towre fall sodainelie to dust,
That nigh with griefe thereof my heart was brust.
3.
Then did I see a pleasant Paradize,
Full of sweete flowres and daintiest delights,
Such as on earth man could not more deuize,
With pleasures choyce to feed his cheerefull sprights;
Not that, which Merlin by his Magicke slights
Made for the gentle squire, to entertaine
His fayre Belphoebe, could this gardine staine.
But ô short pleasure bought with lasting paine,
Why will hereafter anie flesh delight
In earthlie blis, and ioy in pleasures vaine,
Since that I sawe this gardine wasted quite,
That where it was scarce seemed anie sight?
That I, which once that beautie did beholde,
Could not from teares my melting eyes with-holde.
4.
Soone after this a Giaunt came in place,
Of wondrous power, and of exceeding stature,
That none durst vewe the horror of his face,
Yet was he milde of speach, and meeke of nature.
Not he, which in despight of his Creatour
With railing tearmes defied the Iewish hoast,
Might with this mightie one in hugenes boast.
For from the one he could to th' other coast,
Stretch his strong thighes, and th' Occaean ouerstride,
And reatch his hand into his enemies hoast.
But see the end of pompe and fleshlie pride;
One of his feete vnwares from him did slide,
That downe hee fell into the deepe Abisse,
Where drownd with him is all his earthlie blisse.
5.
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Then did I see a Bridge, made all of golde,
Ouer the Sea from one to other side,
Withouten prop or pillour it t' vpholde,
But like the colour'd Rainbowe arched wide:
Not that great Arche, which Traian edifide,
To be a wonder to all age ensuing,
Was matchable to this in equall vewing.
But (ah) what bootes it to see earthlie thing
In glorie, or in greatnes to excell,
Sith time doth greatest things to ruine bring?
This goodlie bridge, one foote not fastned well,
Gan faile, and all the rest downe shortlie fell,
Ne of so braue a building ought remained,
That griefe thereof my spirite greatly pained.
6.
I saw two Beares, as white as anie milke,
Lying together in a mightie caue,
Of milde aspect, and haire as soft as silke,
That saluage nature seemed not to haue,
Nor after greedie spoyle of blood to craue:
Two fairer beasts might not elswhere be found,
Although the compast world were sought around.
But what can long abide aboue this ground
In state of blis, or stedfast happinesse?
The Caue, in which these Beares lay sleeping sound,
Was but earth, and with her owne weightinesse,
Vpon them fell, and did vnwares oppresse,
That for great sorrow of their sudden fate,
Henceforth all wor[l]ds felicitie I hate.
Much was I troubled in my heauie spright,
At sight of these sad spectacles forepast,
That all my senses were bereaued quight,
And I in minde remained sore agast,
Distraught twixt feare and pitie; when at last
I heard a voyce, which loudly to me called,
That with the suddein shrill I was appalled.
Behold (said it) and by ensample see,
338
That all is vanitie and griefe of minde,
Ne other comfort in this world can be,
But hope of heauen, and heart to God inclinde;
For all the rest must needs be left behinde:
With that it bad me, to the other side
To cast mine eye, where other sights I spide.
1.
UPON that famous Riuers further shore,
There stood a snowie Swan of heauenlie hiew,
And gentle kinde, as euer Fowle afore;
A fairer one in all the goodlie criew
Of white Strimonian brood might no man view:
There he most sweetly sung the prophecie
Of his owne death in dolefull Elegie.
At last, when all his mourning melodie
He ended had, that both the shores resounded,
Feeling the fit that him forewarnd to die,
With loftie flight aboue the earth he bounded,
And out of sight to highest heauen mounted:
Where now he is become an heauenly signe;
There now the ioy is his, here sorrow mine.
2.
Whilest thus I looked, loe adowne the Lee,
I saw an Harpe stroong all with siluer twyne,
And made of golde and costlie yuorie,
Swimming, that whilome seemed to haue been
The harpe, on which Dan Orpheus was seene
Wylde beasts and forrests after him to lead,
But was th' Harpe of Philisides now dead.
At length out of the Riuer it was reard
And borne aboue the cloudes to be diuin'd,
Whilst all the way most heauenly noyse was heard
Of the strings, stirred with the warbling wind,
That wrought both ioy and sorrow in my mind:
So now in heauen a signe it doth appeare,
The Harpe well knowne beside the Northern Beare.
3.
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Soone after this I saw, on th' other side,
A curious Coffer made of Heben wood,
That in it did most precious treasure hide,
Exceeding all this baser worldes good:
Yet through the ouerflowing of the flood
It almost drowned was, and done to nought,
That sight thereof much grieu'd my pensiue thought.
At length when most in perill it was brought,
Two Angels downe descending with swift flight,
Out of the swelling streame it lightly caught,
And twixt their blessed armes it carried quight
Aboue the reach of anie liuing sight:
So now it is transform'd into that starre,
In which all heauenly treasures are.
4.
Looking aside I saw a stately Bed,
Adorned all with costly cloth of gold,
That might for anie Princes couche be red,
And deckt with daintie flowres, as if it shold
Be for some bride, her ioyous night to hold:
Therein a goodly Virgine sleeping lay;
A fairer wight saw neuer summers day.
I heard a voyce that called farre away
And her awaking bad her quickly dight,
For lo her Bridegrome was in readie ray
To come to her, and seeke her loues delight:
With that she started vp with cherefull sight,
When suddeinly both bed and all was gone,
And I in languor left there all alone.
5.
Still as I gazed, I beheld where stood
A Knight all arm'd, vpon a winged steed,
The same that was bred of Medusaes blood,
In which Dan Perseus borne of heauenly see,
The faire Andromeda from perill freed:
Full mortally this Knight ywounded was,
That streames of blood foorth flowed on the gras.
340
Yet was he deckt (small ioy it was to him alas)
With manie garlands for his victories,
And with rich spoyles, which late he did purchas
Through braue atcheiuements from his enemies:
Fainting at last through long infirmities,
He smote his steed, that straight to heauen him bore,
And left me here his losse for to deplore.
6.
Lastly I saw an Arke of purest golde
Vpon a brazen pillour standing hie,
Which th' ashes seem'd of some great Prin[c]e to hold,
Enclosde therein for endles memorie
Of him, whom all the world did glorifie:
Seemed the heauens with the earth did disagree,
Whether should of those ashes keeper bee.
At last me seem'd wing footed Mercurie,
From heauen descending to appease their strife,
The Arke did beare with him aboue the skie,
And to those ashes gaue a second life,
To liue in heauen, where happines is rife:
At which the earth did grieue exceedingly,
And I for dole was almost like to die.
L'Enuoy.
Immortall spirite of Philisides,
Which now art made the heauens ornament,
That whilome wast the worlds chiefst riches;
Giue leaue to him that lou'de thee to lament
His losse, by lacke of thee to heauen hent,
And with last duties of this broken verse,
Broken with sighes, to decke thy sable Herse.
And ye faire Ladie th' honor of your daies,
And glorie of the world, your high thoughts scorne;
Vouchsafe this moniment of his last praise,
With some few siluer dropping teares t'adorne:
And as ye be of heauenlie off-spring borne,
So vnto heauen let your high minde aspire,
And loath this drosse of sinfull worlds desire.
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FINIS.
~ Edmund Spenser,#NFDB |
1427:The King's Tragedy
February 1437
James I. Of Scots.—20th
I Catherine am a Douglas born,
A name to all Scots dear;
And Kate Barlass they've called me now
Through many a waning year.
This old arm's withered now. 'Twas once
Most deft 'mong maidens all
To rein the steed, to wing the shaft,
To smite the palm-play ball.
In hall adown the close-linked dance
It has shone most white and fair;
It has been the rest for a true lord's head,
And many a sweet babe's nursing-bed,
And the bar to a King's chambère.
Aye, lasses, draw round Kate Barlass,
And hark with bated breath
How good King James, King Robert's son,
Was foully done to death.
Through all the days of his gallant youth
The princely James was pent,
By his friends at first and then by his foes,
In long imprisonment.
For the elder Prince, the kingdom's heir,
By treason's murderous brood
Was slain; and the father quaked for the child
With the royal mortal blood.
I' the Bass Rock fort, by his father's care,
Was his childhood's life assured;
And Henry the subtle Bolingbroke,
Proud England's King, 'neath the southron yoke
His youth for long years immured.
Yet in all things meet for a kingly man
Himself did he approve;
And the nightingale through his prison-wall
Taught him both lore and love.
For once, when the bird's song drew him close
To the opened window-pane,
In her bower beneath a lady stood,
431
A light of life to his sorrowful mood,
Like a lily amid the rain.
And for her sake, to the sweet bird's note,
He framed a sweeter Song,
More sweet than ever a poet's heart
Gave yet to the English tongue.
She was a lady of royal blood;
And when, past sorrow and teen,
He stood where still through his crownless years
His Scotish realm had been,
At Scone were the happy lovers crowned,
A heart-wed King and Queen.
But the bird may fall from the bough of youth,
And song be turned to moan,
And Love's storm-cloud be the shadow of Hate,
When the tempest-waves of a troubled State
Are beating against a throne.
Yet well they loved; and the god of Love,
Whom well the King had sung,
Might find on the earth no truer hearts
His lowliest swains among.
From the days when first she rode abroad
With Scotish maids in her train,
I Catherine Douglas won the trust
Of my mistress sweet Queen Jane.
And oft she sighed, “To be born a King!”
And oft along the way
When she saw the homely lovers pass
She has said, “Alack the day!”
Years waned,—the loving and toiling years:
Till England's wrong renewed
Drove James, by outrage cast on his crown,
To the open field of feud.
'Twas when the King and his host were met
At the leaguer of Roxbro' hold,
The Queen o' the sudden sought his camp
With a tale of dread to be told.
And she showed him a secret letter writ
That spoke of treasonous strife,
And how a band of his noblest lords
Were sworn to take his life.
“And it may be here or it may be there,
432
In the camp or the court,” she said:
“But for my sake come to your people's arms
And guard your royal head.”
Quoth he, “'Tis the fifteenth day of the siege,
And the castle's nigh to yield.”
“O face your foes on your throne,” she cried,
“And show the power you wield;
And under your Scotish people's love
You shall sit as under your shield.”
At the fair Queen's side I stood that day
When he bade them raise the siege,
And back to his Court he sped to know
How the lords would meet their Liege.
But when he summoned his Parliament,
The louring brows hung round,
Like clouds that circle the mountain-head
Ere the first low thunders sound.
For he had tamed the nobles' lust
And curbed their power and pride,
And reached out an arm to right the poor
Through Scotland far and wide;
And many a lordly wrong-doer
By the headsman's axe had died.
'Twas then upspoke Sir Robert Græme,
The bold o'ermastering man:—
“O King, in the name of your Three Estates
I set you under their ban!
“For, as your lords made oath to you
Of service and fealty,
Even in like wise you pledged your oath
Their faithful sire to be:—
“Yet all we here that are nobly sprung
Have mourned dear kith and kin
Since first for the Scotish Barons' curse
Did your bloody rule begin.”
With that he laid his hands on his King:—
“Is this not so, my lords?”
But of all who had sworn to league with him
Not one spake back to his words.
Quoth the King:—“Thou speak'st but for one Estate,
Nor doth it avow thy gage.
Let my liege lords hale this traitor hence!”
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The Græme fired dark with rage:—
“Who works for lesser men than himself,
He earns but a witless wage!”
But soon from the dungeon where he lay
He won by privy plots,
And forth he fled with a price on his head
To the country of the Wild Scots.
And word there came from Sir Robert Græme
To the King at Edinbro':—
“No Liege of mine thou art; but I see
From this day forth alone in thee
God's creature, my mortal foe.
“Through thee are my wife and children lost,
My heritage and lands;
And when my God shall show me a way,
Thyself my mortal foe will I slay
With these my proper hands.”
Against the coming of Christmastide
That year the King bade call
I' the Black Friars' Charterhouse of Perth
A solemn festival.
And we of his household rode with him
In a close-ranked company;
But not till the sun had sunk from his throne
Did we reach the Scotish Sea.
That eve was clenched for a boding storm,
'Neath a toilsome moon half seen;
The cloud stooped low and the surf rose high;
And where there was a line of the sky,
Wild wings loomed dark between.
And on a rock of the black beach-side,
By the veiled moon dimly lit,
There was something seemed to heave with life
As the King drew nigh to it.
And was it only the tossing furze
Or brake of the waste sea-wold?
Or was it an eagle bent to the blast?
When near we came, we knew it at last
For a woman tattered and old.
But it seemed as though by a fire within
Her writhen limbs were wrung;
And as soon as the King was close to her,
434
She stood up gaunt and strong.
'Twas then the moon sailed clear of the rack
On high in her hollow dome;
And still as aloft with hoary crest
Each clamorous wave rang home,
Like fire in snow the moonlight blazed
Amid the champing foam.
And the woman held his eyes with her eyes:—
“O King, thou art come at last;
But thy wraith has haunted the Scotish Sea
To my sight for four years past.
“Four years it is since first I met,
'Twixt the Duchray and the Dhu,
A shape whose feet clung close in a shroud,
And that shape for thine I knew.
“A year again, and on Inchkeith Isle
I saw thee pass in the breeze,
With the cerecloth risen above thy feet
And wound about thy knees.
“And yet a year, in the Links of Forth,
As a wanderer without rest,
Thou cam'st with both thine arms i' the shroud
That clung high up thy breast.
“And in this hour I find thee here,
And well mine eyes may note
That the winding-sheet hath passed thy breast
And risen around thy throat.
“And when I meet thee again, O King,
That of death hast such sore drouth,—
Except thou turn again on this shore,—
The winding-sheet shall have moved once more
And covered thine eyes and mouth.
“O King, whom poor men bless for their King,
Of thy fate be not so fain;
But these my words for God's message take,
And turn thy steed, O King, for her sake
Who rides beside thy rein!”
While the woman spoke, the King's horse reared
As if it would breast the sea,
And the Queen turned pale as she heard on the gale
The voice die dolorously.
When the woman ceased, the steed was still,
435
But the King gazed on her yet,
And in silence save for the wail of the sea
His eyes and her eyes met.
At last he said:—“God's ways are His own;
Man is but shadow and dust.
Last night I prayed by His altar-stone;
To-night I wend to the Feast of His Son;
And in Him I set my trust.
“I have held my people in sacred charge,
And have not feared the sting
Of proud men's hate,—to His will resign'd
Who has but one same death for a hind
And one same death for a King.
“And if God in His wisdom have brought close
The day when I must die,
That day by water or fire or air
My feet shall fall in the destined snare
Wherever my road may lie.
“What man can say but the Fiend hath set
Thy sorcery on my path,
My heart with the fear of death to fill,
And turn me against God's very will
To sink in His burning wrath?”
The woman stood as the train rode past,
And moved nor limb nor eye;
And when we were shipped, we saw her there
Still standing against the sky.
As the ship made way, the moon once more
Sank slow in her rising pall;
And I thought of the shrouded wraith of the King,
And I said, “The Heavens know all.”
And now, ye lasses, must ye hear
How my name is Kate Barlass:—
But a little thing, when all the tale
Is told of the weary mass
Of crime and woe which in Scotland's realm
God's will let come to pass.
'Twas in the Charterhouse of Perth
That the King and all his Court
Were met, the Christmas Feast being done,
For solace and disport.
'Twas a wind-wild eve in February,
436
And against the casement-pane
The branches smote like summoning hands,
And muttered the driving rain.
And when the wind swooped over the lift
And made the whole heaven frown,
It seemed a grip was laid on the walls
To tug the housetop down.
And the Queen was there, more stately fair
Than a lily in garden set;
And the King was loth to stir from her side;
For as on the day when she was his bride,
Even so he loved her yet.
And the Earl of Athole, the King's false friend,
Sat with him at the board;
And Robert Stuart the chamberlain
Who had sold his sovereign Lord.
Yet the traitor Christopher Chaumber there
Would fain have told him all,
And vainly four times that night he strove
To reach the King through the hall.
But the wine is bright at the goblet's brim
Though the poison lurk beneath;
And the apples still are red on the tree
Within whose shade may the adder be
That shall turn thy life to death.
There was a knight of the King's fast friends
Whom he called the King of Love;
And to such bright cheer and courtesy
That name might best behove.
And the King and Queen both loved him well
For his gentle knightliness;
And with him the King, as that eve wore on,
Was playing at the chess.
And the King said, (for he thought to jest
And soothe the Queen thereby —
“In a book 'tis writ that this same year
A King shall in Scotland die.
“And I have pondered the matter o'er,
And this have I found, Sir Hugh,—
There are but two Kings on Scotish ground,
And those Kings are I and you.
“And I have a wife and a newborn heir,
437
And you are yourself alone;
So stand you stark at my side with me
To guard our double throne.
“For here sit I and my wife and child,
As well your heart shall approve,
In full surrender and soothfastness,
Beneath your Kingdom of Love.”
And the Knight laughed, and the Queen too smiled;
But I knew her heavy thought,
And I strove to find in the good King's jest
What cheer might thence be wrought.
And I said, “My Liege, for the Queen's dear love
Now sing the song that of old
You made, when a captive Prince you lay,
And the nightingale sang sweet on the spray,
In Windsor's castle-hold.”
Then he smiled the smile I knew so well
When he thought to please the Queen;
The smile which under all bitter frowns
Of fate that rose between
For ever dwelt at the poet's heart
Like the bird of love unseen.
And he kissed her hand and took his harp,
And the music sweetly rang;
And when the song burst forth, it seemed
'Twas the nightingale that sang.
“Worship, ye lovers, on this May:
Of bliss your kalends are begun:
Sing with us, Away, Winter, away!
Come, Summer, the sweet season and sun!
Awake for shame,—your heaven is won,—
And amorously your heads lift all:
Thank Love, that you to his grace doth call!”
But when he bent to the Queen, and sang
The speech whose praise was hers,
It seemed his voice was the voice of the Spring
And the voice of the bygone years.
“The fairest and the freshest flower
That ever I saw before that hour,
The which o' the sudden made to start
The blood of my body to my heart.
Ah sweet, are ye a worldly creature
438
Or heavenly thing in form of nature?”
And the song was long, and richly stored
With wonder and beauteous things;
And the harp was tuned to every change
Of minstrel ministerings;
But when he spoke of the Queen at the last,
Its strings were his own heart-strings.
“Unworthy but only of her grace,
Upon Love's rock that's easy and sure,
In guerdon of all my lovè's space
She took me her humble creäture.
Thus fell my blissful aventure
In youth of love that from day to day
Flowereth aye new, and further I say.
“To reckon all the circumstance
As it happed when lessen gan my sore,
Of my rancour and woful chance,
It were too long,—I have done therefor.
And of this flower I say no more,
But unto my help her heart hath tended
And even from death her man defended.”
“Aye, even from death,” to myself I said;
For I thought of the day when she
Had borne him the news, at Roxbro' siege,
Of the fell confederacy.
But Death even then took aim as he sang
With an arrow deadly bright;
And the grinning skull lurked grimly aloof,
And the wings were spread far over the roof
More dark than the winter night.
Yet truly along the amorous song
Of Love's high pomp and state,
There were words of Fortune's trackless doom
And the dreadful face of Fate.
And oft have I heard again in dreams
The voice of dire appeal
In which the King then sang of the pit
That is under Fortune's wheel.
And under the wheel beheld I there
An ugly Pit as deep as hell,
That to behold I quaked for fear:
And this I heard, that who therein fell
439
Came no more up, tidings to tell:
Whereat, astound of the fearful sight,
I wist not what to do for fright.”
And oft has my thought called up again
These words of the changeful song:—
“Wist thou thy pain and thy travàil
To come, well might'st thou weep and wail!”
And our wail, O God! is long.
But the song's end was all of his love;
And well his heart was grac'd
With her smiling lips and her tear-bright eyes
As his arm went round her waist.
And on the swell of her long fair throat
Close clung the necklet-chain
As he bent her pearl-tir'd head aside,
And in the warmth of his love and pride
He kissed her lips full fain.
And her true face was a rosy red,
The very red of the rose
That, couched on the happy garden-bed,
In the summer sunlight glows.
And all the wondrous things of love
That sang so sweet through the song
Were in the look that met in their eyes,
And the look was deep and long.
'Twas then a knock came at the outer gate,
And the usher sought the King.
“The woman you met by the Scotish Sea,
My Liege, would tell you a thing;
And she says that her present need for speech
Will bear no gainsaying.”
And the King said: “The hour is late;
To-morrow will serve, I ween.”
Then he charged the usher strictly, and said:
“No word of this to the Queen.”
But the usher came again to the King.
“Shall I call her back?” quoth he:
“For as she went on her way, she cried,
‘Woe! Woe! then the thing must be!’”
And the King paused, but he did not speak.
Then he called for the Voidee-cup:
And as we heard the twelfth hour strike,
440
There by true lips and false lips alike
Was the draught of trust drained up.
So with reverence meet to King and Queen,
To bed went all from the board;
And the last to leave of the courtly train
Was Robert Stuart the chamberlain
Who had sold his sovereign lord.
And all the locks of the chamber-door
Had the traitor riven and brast;
And that Fate might win sure way from afar,
He had drawn out every bolt and bar
That made the entrance fast.
And now at midnight he stole his way
To the moat of the outer wall,
And laid strong hurdles closely across
Where the traitors' tread should fall.
But we that were the Queen's bower-maids
Alone were left behind;
And with heed we drew the curtains close
Against the winter wind.
And now that all was still through the hall,
More clearly we heard the rain
That clamoured ever against the glass
And the boughs that beat on the pane.
But the fire was bright in the ingle-nook,
And through empty space around
The shadows cast on the arras'd wall
'Mid the pictured kings stood sudden and tall
Like spectres sprung from the ground.
And the bed was dight in a deep alcove;
And as he stood by the fire
The King was still in talk with the Queen
While he doffed his goodly attire.
And the song had brought the image back
Of many a bygone year;
And many a loving word they said
With hand in hand and head laid to head;
And none of us went anear.
But Love was weeping outside the house,
A child in the piteous rain;
And as he watched the arrow of Death,
He wailed for his own shafts close in the sheath
441
That never should fly again.
And now beneath the window arose
A wild voice suddenly:
And the King reared straight, but the Queen fell back
As for bitter dule to dree;
And all of us knew the woman's voice
Who spoke by the Scotish Sea.
“O King,” she cried, “in an evil hour
They drove me from thy gate;
And yet my voice must rise to thine ears;
But alas! it comes too late!
“Last night at mid-watch, by Aberdour,
When the moon was dead in the skies,
O King, in a death-light of thine own
I saw thy shape arise.
“And in full season, as erst I said,
The doom had gained its growth;
And the shroud had risen above thy neck
And covered thine eyes and mouth.
“And no moon woke, but the pale dawn broke,
And still thy soul stood there;
And I thought its silence cried to my soul
As the first rays crowned its hair.
“Since then have I journeyed fast and fain
In very despite of Fate,
Lest Hope might still be found in God's will:
But they drove me from thy gate.
“For every man on God's ground, O King,
His death grows up from his birth
In a shadow-plant perpetually;
And thine towers high, a black yew-tree,
O'er the Charterhouse of Perth!”
That room was built far out from the house;
And none but we in the room
Might hear the voice that rose beneath,
Nor the tread of the coming doom.
For now there came a torchlight-glare,
And a clang of arms there came;
And not a soul in that space but thought
Of the foe Sir Robert Græme.
Yea, from the country of the Wild Scots,
O'er mountain, valley, and glen,
442
He had brought with him in murderous league
Three hundred armèd men.
The King knew all in an instant's flash;
And like a King did he stand;
But there was no armour in all the room,
Nor weapon lay to his hand.
And all we women flew to the door
And thought to have made it fast;
But the bolts were gone and the bars were gone
And the locks were riven and brast.
And he caught the pale pale Queen in his arms
As the iron footsteps fell,—
Then loosed her, standing alone, and said,
“Our bliss was our farewell!”
And 'twixt his lips he murmured a prayer,
And he crossed his brow and breast;
And proudly in royal hardihood
Even so with folded arms he stood,—
The prize of the bloody quest.
Then on me leaped the Queen like a deer:—
“O Catherine, help!” she cried.
And low at his feet we clasped his knees
Together side by side.
“Oh! even a King, for his people's sake,
From treasonous death must hide!”
“For her sake most!” I cried, and I marked
The pang that my words could wring.
And the iron tongs from the chimney-nook
I snatched and held to the king:—
“Wrench up the plank! and the vault beneath
Shall yield safe harbouring.”
With brows low-bent, from my eager hand
The heavy heft did he take;
And the plank at his feet he wrenched and tore;
And as he frowned through the open floor,
Again I said, “For her sake!”
Then he cried to the Queen, “God's will be done!”
For her hands were clasped in prayer.
And down he sprang to the inner crypt;
And straight we closed the plank he had ripp'd
And toiled to smooth it fair.
(Alas! in that vault a gap once was
443
Wherethro' the King might have fled:
But three days since close-walled had it been
By his will; for the ball would roll therein
When without at the palm he play'd.)
Then the Queen cried, “Catherine, keep the door,
And I to this will suffice!”
At her word I rose all dazed to my feet,
And my heart was fire and ice.
And louder ever the voices grew,
And the tramp of men in mail;
Until to my brain it seemed to be
As though I tossed on a ship at sea
In the teeth of a crashing gale.
Then back I flew to the rest; and hard
We strove with sinews knit
To force the table against the door;
But we might not compass it.
Then my wild gaze sped far down the hall
To the place of the hearthstone-sill;
And the Queen bent ever above the floor,
For the plank was rising still.
And now the rush was heard on the stair,
And “God, what help?” was our cry.
And was I frenzied or was I bold?
I looked at each empty stanchion-hold,
And no bar but my arm had I!
Like iron felt my arm, as through
The staple I made it pass:—
Alack! it was flesh and bone—no more!
'Twas Catherine Douglas sprang to the door,
But I fell back Kate Barlass.
With that they all thronged into the hall,
Half dim to my failing ken;
And the space that was but a void before
Was a crowd of wrathful men.
Behind the door I had fall'n and lay,
Yet my sense was wildly aware,
And for all the pain of my shattered arm
I never fainted there.
Even as I fell, my eyes were cast
Where the King leaped down to the pit;
And lo! the plank was smooth in its place,
444
And the Queen stood far from it.
And under the litters and through the bed
And within the presses all
The traitors sought for the King, and pierced
The arras around the wall.
And through the chamber they ramped and stormed
Like lions loose in the lair,
And scarce could trust to their very eyes,—
For behold! no King was there.
Then one of them seized the Queen, and cried,—
“Now tell us, where is thy lord?”
And he held the sharp point over her heart:
She drooped not her eyes nor did she start,
But she answered never a word.
Then the sword half pierced the true true breast:
But it was the Græme's own son
Cried, “This is a woman,—we seek a man!”
And away from her girdle-zone
He struck the point of the murderous steel;
And that foul deed was not done.
And forth flowed all the throng like a sea
And 'twas empty space once more;
And my eyes sought out the wounded Queen
As I lay behind the door.
And I said: “Dear Lady, leave me here,
For I cannot help you now:
But fly while you may, and none shall reck
Of my place here lying low.”
And she said, “My Catherine, God help thee!”
Then she looked to the distant floor,
And clasping her hands, “O God help him,”
She sobbed, “for we can no more!”
But God He knows what help may mean,
If it mean to live or to die;
And what sore sorrow and mighty moan
On earth it may cost ere yet a throne
Be filled in His house on high.
And now the ladies fled with the Queen;
And through the open door
The night-wind wailed round the empty room
And the rushes shook on the floor.
And the bed drooped low in the dark recess
445
Whence the arras was rent away;
And the firelight still shone over the space
Where our hidden secret lay.
And the rain had ceased, and the moonbeams lit
The window high in the wall,—
Bright beams that on the plank that I knew
Through the painted pane did fall,
And gleamed with the splendour of Scotland's crown
And shield armorial.
But then a great wind swept up the skies
And the climbing moon fell back;
And the royal blazon fled from the floor,
And nought remained on its track;
And high in the darkened window-pane
The shield and the crown were black.
And what I say next I partly saw
And partly I heard in sooth,
And partly since from the murderers' lips
The torture wrung the truth.
For now again came the armèd tread,
And fast through the hall it fell;
But the throng was less; and ere I saw,
By the voice without I could tell
That Robert Stuart had come with them
Who knew that chamber well.
And over the space the Græme strode dark
With his mantle round him flung;
And in his eye was a flaming light
But not a word on his tongue.
And Stuart held a torch to the floor,
And he found the thing he sought;
And they slashed the plank away with their swords;
And O God! I fainted not!
And the traitor held his torch in the gap,
All smoking and smouldering;
And through the vapour and fire, beneath
In the dark crypt's narrow ring,
With a shout that pealed to the room's high roof
They saw their naked King.
Half naked he stood, but stood as one
Who yet could do and dare:
With the crown, the King was stript away,—
446
The Knight was 'reft of his battle-array,—
But still the Man was there.
From the rout then stepped a villain forth,—
Sir John Hall was his name;
With a knife unsheathed he leapt to the vault
Beneath the torchlight-flame.
Of his person and stature was the King
A man right manly strong,
And mightily by the shoulder-blades
His foe to his feet he flung.
Then the traitor's brother, Sir Thomas Hall,
Sprang down to work his worst;
And the King caught the second man by the neck
And flung him above the first.
And he smote and trampled them under him;
And a long month thence they bare
All black their throats with the grip of his hands
When the hangman's hand came there.
And sore he strove to have had their knives,
But the sharp blades gashed his hands.
Oh James! so armed, thou hadst battled there
Till help had come of thy bands;
And oh! once more thou hadst held our throne
And ruled thy Scotish lands!
But while the King o'er his foes still raged
With a heart that nought could tame,
Another man sprang down to the crypt;
And with his sword in his hand hard-gripp'd,
There stood Sir Robert Græme.
(Now shame on the recreant traitor's heart
Who durst not face his King
Till the body unarmed was wearied out
With two-fold combating!
Ah! well might the people sing and say,
As oft ye have heard aright:—
“O Robert Græme, O Robert Græme,
Who slew our King, God give thee shame!”
For he slew him not as a knight.)
And the naked King turned round at bay,
But his strength had passed the goal,
And he could but gasp:—“Mine hour is come;
But oh! to succour thine own soul's doom,
447
Let a priest now shrive my soul!”
And the traitor looked on the King's spent strength,
And said:—“Have I kept my word?—
Yea, King, the mortal pledge that I gave?
No black friar's shrift thy soul shall have,
But the shrift of this red sword!”
With that he smote his King through the breast;
And all they three in that pen
Fell on him and stabbed and stabbed him there
Like merciless murderous men.
Yet seemed it now that Sir Robert Græme,
Ere the King's last breath was o'er,
Turned sick at heart with the deadly sight
And would have done no more.
But a cry came from the troop above:—
“If him thou do not slay,
The price of his life that thou dost spare
Thy forfeit life shall pay!”
O God! what more did I hear or see,
Or how should I tell the rest?
But there at length our King lay slain
With sixteen wounds in his breast.
O God! and now did a bell boom forth,
And the murderers turned and fled;—
Too late, too late, O God, did it sound!—
And I heard the true men mustering round,
And the cries and the coming tread.
But ere they came, to the black death-gap
Somewise did I creep and steal;
And lo! or ever I swooned away,
Through the dusk I saw where the white face lay
In the Pit of Fortune's Wheel.
And now, ye Scotish maids who have heard
Dread things of the days grown old,—
Even at the last, of true Queen Jane
May somewhat yet be told,
And how she dealt for her dear lord's sake
Dire vengeance manifold.
'Twas in the Charterhouse of Perth,
In the fair-lit Death-chapelle,
That the slain King's corpse on bier was laid
With chaunt and requiem-knell.
448
And all with royal wealth of balm
Was the body purified;
And none could trace on the brow and lips
The death that he had died.
In his robes of state he lay asleep
With orb and sceptre in hand;
And by the crown he wore on his throne
Was his kingly forehead spann'd.
And, girls, 'twas a sweet sad thing to see
How the curling golden hair,
As in the day of the poet's youth,
From the King's crown clustered there.
And if all had come to pass in the brain
That throbbed beneath those curls,
Then Scots had said in the days to come
That this their soil was a different home
And a different Scotland, girls!
And the Queen sat by him night and day,
And oft she knelt in prayer,
All wan and pale in the widow's veil
That shrouded her shining hair.
And I had got good help of my hurt:
And only to me some sign
She made; and save the priests that were there,
No face would she see but mine.
And the month of March wore on apace;
And now fresh couriers fared
Still from the country of the Wild Scots
With news of the traitors snared.
And still as I told her day by day,
Her pallor changed to sight,
And the frost grew to a furnace-flame
That burnt her visage white.
And evermore as I brought her word,
She bent to her dead King James,
And in the cold ear with fire-drawn breath
She spoke the traitors' names.
But when the name of Sir Robert Græme
Was the one she had to give,
I ran to hold her up from the floor;
For the froth was on her lips, and sore
I feared that she could not live.
449
And the month of March wore nigh to its end,
And still was the death-pall spread;
For she would not bury her slaughtered lord
Till his slayers all were dead.
And now of their dooms dread tidings came,
And of torments fierce and dire;
And nought she spake,—she had ceased to speak,—
But her eyes were a soul on fire.
But when I told her the bitter end
Of the stern and just award,
She leaned o'er the bier, and thrice three times
She kissed the lips of her lord.
And then she said,—“My King, they are dead!”
And she knelt on the chapel-floor,
And whispered low with a strange proud smile,—
“James, James, they suffered more!”
Last she stood up to her queenly height,
But she shook like an autumn leaf,
As though the fire wherein she burned
Then left her body, and all were turned
To winter of life-long grief.
And “O James!” she said,—“My James!” she said,—
“Alas for the woful thing,
That a poet true and a friend of man,
In desperate days of bale and ban,
Should needs be born a King!”
~ Dante Gabriel Rossetti,#NFDB |
1428:The Moat House
PART I
UNDER the shade of convent towers,
Where fast and vigil mark the hours,
From childhood into youth there grew
A maid as fresh as April dew,
And sweet as May's ideal flowers,
Brighter than dawn in wind-swept skies,
Like children's dreams most pure, unwise,
Yet with a slumbering soul-fire too,
That sometimes shone a moment through
Her wondrous unawakened eyes.
The nuns, who loved her coldly, meant
The twig should grow as it was bent;
That she, like them, should watch youth's bier,
Should watch her day-dreams disappear,
And go the loveless way they went.
The convent walls were high and grey;
How could Love hope to find a way
Into that citadel forlorn,
Where his dear name was put to scorn,
Or called a sinful thing to say?
Yet Love did come; what need to tell
Of flowers downcast, that sometimes fell
Across her feet when dreamily
She paced, with unused breviary,
Down paths made still with August's spell--
Of looks cast through the chapel grate,
331
Of letters helped by Love and Fate,
That to cold fingers did not come
But lay within a warmer home,
Upon her heart inviolate?
Somehow he loved her--she loved him:
Then filled her soul's cup to the brim,
And all her daily life grew bright
With such a flood of rosy light
As turned the altar candles dim.
But love that lights is love that leads,
And lives upon the heart it feeds;
Soon grew she pale though not less fair,
And sighed his name instead of prayer,
And told her heart-throbs, not her beads.
How could she find the sunlight fair,
A sunlight that he did not share?
How could a rose smell sweet within
The cruel bars that shut her in,
And shut him out while she was there?
He vowed her fealty firm and fast,
Then to the winds her fears she cast;
They found a way to cheat the bars,
And in free air, beneath free stars,
Free, and with him, she stood at last.
'Now to some priest,' he said, 'that he
May give thee--blessing us--to me.'
'No priest,' she cried in doubt and fear,
'He would divide, not join us, dear.
I am mine--I give myself to thee.
'Since thou and I are mine and thine,
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What need to swear it at a shrine?
Would love last longer if we swore
That we would love for evermore?
God gives me thee--and thou art mine.'
'God weds us now,' he said, 'yet still
Some day shall we all forms fulfil.
Eternal truth affords to smile
At laws wherewith man marks his guile,
Yet law shall join us--when you will.
'So look your last, my love, on these
Forbidding walls and wooing trees.
Farewell to grief and gloom,' said he;
'Farewell to childhood's joy,' said she;
But neither said, 'Farewell to peace.'
Song.
My sweet, my sweet,
She is complete
From dainty head to darling feet;
So warm and white,
So brown and bright,
So made for love and love's delight.
God could but spare
One flower so fair,
There is none like her anywhere;
Beneath wide skies
The whole earth lies,
But not two other such brown eyes.
The world we're in,
If one might win?
Not worth that dimple in her chin
A heaven to know?
I'll let that go
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But once to see her lids droop low
Over her eyes,
By love made wise:
To see her bosom fall and rise
Is more than worth
The angels' mirth,
And all the heaven-joys of earth.
This is the hour
Which gives me power
To win and wear earth's whitest flower.
Oh, Love, give grace,
Through all life's ways
Keep pure this heart, her dwelling place.
II
The fields were reaped and the pastures bare,
And the nights grown windy and chill,
When the lovers passed through the beech woods fair,
And climbed the brow of the hill.
In the hill's spread arm the Moat House lies
With elm and willow tree;
'And is that your home at last?' she sighs.
'Our home at last,' laughs he.
Across the bridge and into the hall
Where the waiting housefolk were.
'This is my lady,' he said to them all,
And she looked so sweet and fair
That every maid and serving-boy
God-blessed them then and there,
And wished them luck, and gave them joy,
For a happy, handsome pair.
And only the old nurse shook her head:
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'Too young,' she said, 'too young.'
She noted that no prayers were read,
No marriage bells were rung;
No guests were called, no feast was spread,
As was meet for a marriage tide;
The young lord in the banquet hall broke bread
Alone with his little bride.
Yet her old heart warmed to the two, and blessed,
They were both so glad and gay,
By to-morrow and yesterday unoppressed,
Fulfilled of the joy of to-day;
Like two young birds in that dull old nest,
So careless of coming care,
So rapt in the other that each possessed,
The two young lovers were.
He was heir to a stern hard-natured race,
That had held the Moat House long,
But the gloom of his formal dwelling place
Dissolved at her voice and song;
So bright, so sweet, to the house she came,
So winning of way and word,
The household knew her by one pet name,
'My Lady Ladybird.'
First love so rarely gets leave to bring,
In our world where money is might,
Its tender buds to blossoming
With the sun of its own delight.
We love at rose or at vintage prime,
In the glare and heat of the day,
Forgetting the dawn and the violet time,
And the wild sweet scent of the may.
These loved like children, like children played,
The old house laughed with delight
At her song of a voice, at the radiance made
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By her dress's flashing flight.
Up the dark oak stair, through the gallery's gloom,
She ran like a fairy fleet,
And ever her lover from room to room
Fast followed her flying feet.
They gathered the buds of the late-lived rose
In the ordered garden ways,
They walked through the sombre yew-walled close
And threaded the pine woods maze,
They rode through woods where their horses came
Knee-deep through the rustling leaves,
Through fields forlorn of the poppies' flame
And bereft of their golden sheaves.
In the mellow hush of October noon
They rowed in the flat broad boat,
Through the lily leaves so thickly strewn
On the sunny side of the moat.
They were glad of the fire of the beech-crowned hill,
And glad of the pale deep sky,
And the shifting shade that the willows made
On the boat as she glided by.
They roamed each room of the Moat House through
And questioned the wraiths of the past,
What legends rare the old dresses knew,
And the swords, what had wet them last?
What faces had looked through the lozenge panes,
What shadows darkened the door,
What feet had walked in the jewelled stains
That the rich glass cast on the floor?
She dressed her beauty in old brocade
That breathed of loss and regret,
In laces that broken hearts had swayed,
In the days when the swords were wet;
And the rubies and pearls laughed out and said,
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'Though the lovers for whom we were set,
And the women who loved us, have long been dead,
Yet beauty and we live yet.'
When the wild white winter's spectral hand
Effaced the green and the red,
And crushed the fingers brown of the land
Till they grew death-white instead,
The two found cheer in their dark oak room,
And their dreams of a coming spring,
For a brighter sun shone through winter's gloom
Than ever a summer could bring.
They sat where the great fires blazed in the hall,
Where the wolf-skins lay outspread,
The pictured faces looked down from the wall
To hear his praise of the dead.
He told her ghostly tales of the past,
And legends rare of his house,
Till she held her breath at the shade fire-cast,
And the scamper-rush of the mouse,
Till she dared not turn her head to see
What shape might stand by her chair-Till she cried his name, and fled to his knee,
And safely nestled there.
Then they talked of their journey, the city's crowd,
Of the convent's faint joy and pain,
Till the ghosts of the past were laid in the shroud
Of commonplace things again.
So the winter died, and the baby spring,
With hardly voice for a cry,
And hands too weak the signs to bring
That all men might know her by,
Yet woke, and breathed through the soft wet air
The promise of all things dear,
And poets and lovers knew she was there,
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And sang to their hearts, 'She is here.'
Song.
Soft is the ground underfoot,
Soft are the skies overhead,
Green is the ivy round brown hedge root,
Green is the moss where we tread.
Purple the woods are, and brown;
The blackbird is glossy and sleek,
He knows that the worms are no more kept down
By frost out of reach of his beak.
Grey are the sheep in the fold,
Tired of their turnip and beet,
Dreaming of meadow and pasture and wold,
And turf the warm rain will make sweet.
Leaves sleep, no bud wakens yet,
But we know by the song of the sun,
And the happy way that the world smiles, wet,
That the spring--oh, be glad!--is begun.
What stirs the heart of the tree?
What stirs the seed the earth bears?
What is it stirring in you and in me
Longing for summer, like theirs?-Longing you cannot explain,
Yearning that baffles me still!
Ah! that each spring should bring longings again
No summer can ever fulfil!
III
When all the world had echoed the song
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That the poet and lover sang,
When 'Glory to spring,' sweet, soft, and strong,
From the ferny woods outrang,
In wet green meadow, in hollow green,
The primrose stars outshone,
And the bluebells balanced their drooping sheen
In copses lovely and lone.
The green earth laughed, full of leaf and flower,
The sky laughed too, full of sun;
Was this the hour for a parting hour,
With the heaven of spring just won?
The woods and fields were echoing
To a chorus of life and bliss.
Oh, hard to sting the face of the spring
With the smart of a parting kiss!
A kinsman ailing, a summons sent
To haste to his dying bed.
'Oh, cruel sentence of banishment!
For my heart says 'Go'!' he said.
'So now good-bye to my home, my dear,
To the spring we watched from its birth;
There is no spring, oh, my sweet, but here,
'Tis winter all over the earth.
'But I come again, oh, spring of my life,
You hold the cord in your hand
That will draw me back, oh, my sweetheart wife,
To the place where your dear feet stand;
But a few short days, and my arms shall be
Once more round your little head,
And you will be weeping glad tears with me
On the grave of our parting, dead!
'I leave you my heart for a short short while,
It will ache if 'tis wrapped in fears;
Keep it safe and warm in the sun of your smile,
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Not wet with the rain of your tears.
Be glad of the joy that shall soon be won,
Be glad to-day, though we part;
You shall weep for our parting when parting is done,
And drop your tears on my heart.'
Song.
Good-bye, my love, my only dear, I know your heart is true
And that it lingers here with me while mine fares forth with you.
We part? Our hearts are almost one, and are so closely tied
'Tis yours that stirs my bosom-lace, mine beats against your side.
So not at losing you I grieve, since heart and soul stay here,
But all the gladness of my life, I cry to lose it, dear;
Warmth of the sun, sweet of the rose, night's rest and light of day,
I mourn for these, for if you go, you take them all away.
You are sad too--not at leaving me, whose heart must with you go,
But at the heaven you leave behind--ah, yes--you told me so,
You said wherever you might go you could not ever find
A spring so sweet, love so complete, as these you leave behind.
No future joy will ever pay this moment's bitter ache,
Yet I am glad to be so sad, since it is for your sake.
You take so much, I do but wish that you could take the whole,
Could take me, since you take my rest, my light, my joy, my soul.
Song.
Oh, love, I leave
This springtide eve,
When woods in sunset shine blood-red;
The long road lies
Before my eyes,
My horse goes on with even tread.
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I dare not turn
These eyes that burn
Back to the terrace where you lean;
If I should see
Your tears for me,
I must turn back to dry them, O my queen!
Yet I must go,
Fate has it so,
Duty spoke once, and I obey;
Sadly I rise,
Leave paradise,
And turn my face the other way.
Nothing is dear
On earth but here,
There is no joy away from you;
What though there be
New things to see,
New friends, new faces, and adventures new?
Yet since I may
Not with you stay,
Hey for the outer world of life!
Brace limbs, shake rein,
And seek again
The hurry, jostle, jar and strife.
Hey for the new!
Yet, love, for you-I have loved you so--the last hand-kiss.
How vast a world
Lies here unfurled!
How small, if sweet, home's inner round of bliss!
The road bends right,
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Leads out of sight,
Here I may turn, nor fear to see;
So far away,
One could not say
If you are weeping now for me.
Behind this eve
My love I leave,
The big bright world spreads out before;
Yet will I come,
To you and home,
Oh, love, and rest beneath your yoke once more.
IV
She stood upon the terrace, gazing still
Down the long road to watch him out of sight,
Dry-eyed at first, until the swelling hill
Hid him. Then turned she to the garden bright,
Whose ways held memories of lover's laughter,
And lover's sadness that had followed after,
Both born of passion's too intense delight.
The garden knew her secrets, and its bowers
Threw her her secrets back in mocking wise;
''Twas here he buried you in lilac flowers.
Here while he slept you covered up his eyes
With primroses. They died; and by that token
Love, like a flower whose stalk has once been broken,
Will live no more for all your tears and sighs.'
The sundial that had marked their happy hours
Cried out to her, 'I know that he is gone;
So many twos have wreathed me round with flowers,
And always one came afterwards alone,
And always wept--even as you are weeping.
The flowers while they lived were cold, shade keeping,
But always through the tears the sun still shone.'
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She left the garden; but the house still more
Whispered, 'You love him--he has gone away.'
Where fell her single footstep sighed the floor,
'Another foot than yours fell here to-day.'
The very hound she stroked looked round and past her,
Then in her face, and whined, 'Where is our master?'
The whole house had the same one thing to say.
Empty, without its soul, disconsolate,
The great house was: through all the rooms went she,
And every room was dark and desolate,
Nothing seemed good to do or good to see.
At last, upon the wolf-skins, worn with weeping,
The old nurse found her, like a tired child, sleeping
With face tear-stained, and sobbing brokenly.
Wearily went the days, all sad the same,
Yet each brought its own added heaviness.
Why was it that no letter from him came
To ease the burden of her loneliness?
Why did he send no message, word, or greeting,
To help her forward to their day of meeting,
No written love--no black and white caress?
At last there came a letter, sweet but brief,
'He was so busy--had no time for more.'
No time! She had had time enough for grief,
There never had been so much time before;
And yet the letter lay within her bosom,
Pressed closely to her breathing beauty's blossom,
Worn for a balm, because her heart was sore.
She knew not where he stayed, and so could send,
Of all the letters that she wrote, not one;
Hour after soft spring hour the child would spend
In pouring out her soul, for, once begun,
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The tale of all her love and grief flowed over
Upon the letters that she wrote her lover,
And that the fire read when the tale was done.
And yet she never doubted he would come,
If not before, yet when a baby's eyes
Should look for him, when his deserted home
Should waken to a baby's laughs and cries.
'He judges best--perhaps he comes to-morrow,
But come he will, and we shall laugh at sorrow
When in my arms our little baby lies.'
And in the August days a soft hush fell
Upon the house--the old nurse kept her place
Beside the little wife--and all was well;
After rapt anguish came a breathing space,
And she, mid tears and smiles, white-faced, glad-eyed,
Felt her wee baby move against her side,
Kissed its small hands, worshipped its tiny face.
Song.
Oh, baby, baby, baby dear,
We lie alone together here;
The snowy gown and cap and sheet
With lavender are fresh and sweet;
Through half-closed blinds the roses peer
To see and love you, baby dear.
We are so tired, we like to lie
Just doing nothing, you and I,
Within the darkened quiet room.
The sun sends dusk rays through the gloom,
Which is no gloom since you are here,
My little life, my baby dear.
Soft sleepy mouth so vaguely pressed
Against your new-made mother's breast,
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Soft little hands in mine I fold,
Soft little feet I kiss and hold,
Round soft smooth head and tiny ear,
All mine, my own, my baby dear.
And he we love is far away!
But he will come some happy day.
You need but me, and I can rest
At peace with you beside me pressed.
There are no questions, longings vain,
No murmuring, nor doubt, nor pain,
Only content and we are here,
My baby dear.
PART II
While winged Love his pinions folded in the Moat House by the hill,
In the city there was anger, doubt, distrust, and thoughts of ill;
For his kinsmen, hearing rumours of the life the lovers led,
Wept, and wrung their hands, and sorrowed--'Better that the lad were dead
Than to live thus--he, the son of proudest man and noblest earl-Thus in open sin with her, a nameless, shameless, foreign girl.'
(Ever when they thus lamented, 'twas the open sin they named,
Till one wondered whether sinning, if less frank, had been less blamed.)
''Tis our duty to reclaim him--mate him to a noble bride
Who shall fitly grace his station, and walk stately by his side-Gently loose him from the fetters of this siren fair and frail
(In such cases time and absence nearly always will prevail).
He shall meet the Duke's fair daughter--perfect, saintly Lady May-Beauty is the surest beacon to a young man gone astray!
Not at all precipitately, but with judgment sure and fine,
We will rescue and redeem him from his shameful husks and swine.
So--his uncle's long been ailing (gout and dropsy for his sins)-Let that serve for pretext; hither bring the youth--his cure begins.'
So they summoned him and welcomed, and their utmost efforts bent
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To snatch back a brand from burning and a soul from punishment-Sought to charm him with their feastings, each more sumptuous than the last,
From his yearning recollections of his very sinful past-Strove to wipe his wicked doings from his memory's blotted
By the chaster, purer interests of the ball-room and the stage.
And for Lady May--they hinted to the girl, child-innocent,
That her hand to save the sinner by her Saviour had been sent,
That her voice might bring his voice her Master's triumph choir to swell,
And might save a man from sorrow and a human soul from hell.
So she used her maiden graces, maiden glances, maiden smiles,
To protect the erring pilgrim from the devil's subtle wiles-Saw him daily, sent him letters, pious verses by the score,
Every angel's trap she baited with her sweet religious lore-Ventured all she knew, not knowing that her beauty and her youth
Were far better to bait traps with than her odds and ends of truth.
First he listened, vain and flattered that a girl as fair as she
Should be so distinctly anxious for his lost humanity,
Yet determined no attentions, even from the Lady May,
Should delay his home-returning one unnecessary day.
But as she--heart-wrung with pity for his erring soul--grew kind,
Fainter, fainter grew the image of his sweetheart left behind;
Till one day May spoke of sorrow--prayed him to reform--repent,
Urged the festival in heaven over every penitent;
Bold in ignorance, spoke vaguely and low-toned of sin and shame,
And at last her voice, half breathless, faltered, broke upon his name,
And two tears fell from her lashes on the roses at her breast,
Far more potent in their silence than her preaching at its best.
And his weak soul thrilled and trembled at her beauty, and he cried,
'Not for me those priceless tears: I am your slave--you shall decide.'
'Save your soul,' she sighed. 'Was ever man so tempted, tried, before?
It is yours!' and at the word his soul was lost for evermore.
Never woman pure and saintly did the devil's work so well!
Never soul ensnared for heaven took a surer road to hell!
Lady May had gained her convert, loved him, and was satisfied,
And before the last leaves yellowed she would kneel down as his bride.
She was happy, and he struggled to believe that perfidy
Was repentance--reformation was not one with cruelty,
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Yet through all congratulations, friends' smiles, lovers' flatteries,
Lived a gnawing recollection of the lost love harmonies.
In the day he crushed it fiercely, kept it covered out of sight,
But it held him by the heart-strings and came boldly out at night:
In the solemn truthful night his soul shrank shuddering from its lies,
And his base self knew its baseness, and looked full in its false eyes.
In the August nights, when all the sky was deep and toneless blue,
And the gold star-points seemed letting the remembered sunlight through,
When the world was hushed and peaceful in the moonlight's searching white,
He would toss and cast his arms out through the silence and the night
To those eyes that through the night and through the silence came again,
Haunting him with the persistence and the passion of their pain.
'Oh, my little love--my sweetheart--oh, our past--our sweet love-day-Oh, if I were only true--or you were only Lady May!'
But the sunshine scared the vision, and he rose once more love-warm
To the Lady May's perfections and his own proposed reform.
Coward that he was! he could not write and break that loving heart:
To the worn-out gouty kinsman was assigned that pleasing part.
'Say it kindly,' said her lover, 'always friends--I can't forget-We must meet no more--but give her tenderest thought and all regret;
Bid her go back to the convent--she and I can't meet as friends-Offer her a good allowance--any terms to make amends
For what nought could make amends for--for my baseness and my sin.
Oh, I know which side the scale this deed of mine will figure in!
Curse reform!--she may forget me--'tis on me the burdens fall,
For I love her only, solely--not the Lady May at all!'
'Patience,' said the uncle, 'patience, this is but the natural pain
When a young man turns from sinning to the paths of grace again.
Your wild oats are sown--you're plighted to the noble Lady May
(Whose estates adjoin your manor in a providential way).
Do your duty, sir, for surely pangs like these are such as win
Pardon and the heavenly blessing on the sinner weaned from sin.'
Song.
Day is fair, and so is she
Whom so soon I wed;
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But the night, when memory
Guards my sleepless bed,
And with cold hands brings once more
Thorns from rose-sweet days of yore-Night I curse and dread.
Day is sweet, as sweet as her
Girlish tenderness;
But the night, when near me stir
Rustlings of a dress,
Echoes of a loving tone
Now renounced, forsworn, foregone,
Night is bitterness.
Day can stir my blood like wine
Or her beauty's fire,
But at night I burn and pine,
Torture, turn and tire,
With a longing that is pain,
Just to kiss and clasp again
Love's one lost desire.
Day is glad and pure and bright,
Pure, glad, bright as she;
But the sad and guilty night
Outlives day--for me.
Oh, for days when day and night
Equal balance of delight
Were alike to me!
In the day I see my feet
Walk in steadfast wise,
Following my lady sweet
To her Paradise,
Like some stray-recovered lamb;
But I see the beast I am
When the night stars rise.
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Yet in wedding day there lies
Magic--so they say;
Ghosts will have no chance to rise
Near my Lady May.
Vain the hope! In good or ill
Those lost eyes will haunt me still
Till my dying day.
II
Quickly died the August roses, and the kin of Lady May
Dowered her richly, blessed her freely, and announced her wedding day;
And his yearnings and remorses fainter grew as days went on
'Neath the magic of the beauty of the woman he had won;
And less often and less strongly was his fancy caught and crossed
By remembrance of the dearness of the woman he had lost.
Long sweet mornings in the boudoir where the flowers stood about,
Whisperings in the balcony when stars and London lamps came out,
Concerts, flower shows, garden parties, balls and dinners, rides and drives,
All the time-killing distractions of these fashionable lives;
Dreary, joyless as a desert, pleasure's everlasting way,
But enchantment can make lovely even deserts, so they say,
Sandy waste, or waste of London season, where no green leaf grows,
Shone on but by love or passion, each will blossom like the rose!
Came no answer to the letter that announced his marriage day;
But his people wrote that Lady Ladybird had gone away.
So he sent to bid get ready to receive his noble wife.
Two such loving women granted to one man, and in one life!
Though he shuddered to remember with what ghosts the Moat House swarmed-Ghosts of lovely days and dreamings ere the time when he reformed-Yet he said, 'She cannot surely greatly care, or I had heard
Some impulsive, passionate pleading, had some sorrowing written word;
She has journeyed to her convent--will be glad as ere I came,
Through her beauty's dear enchantment, to a life of shameless shame;
And the memories of her dearness passion's flaming sword shall slay,
When the Moat House sees the bridal of myself and Lady May!'
III
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Bright the mellow autumn sunshine glows upon the wedding day;
Lawns are swept from leaves, and doorways are wreathed round with garlands
gay,
Flowery arches span the carriage drive from grass again to grass,
Flowers are ready for the flinging when the wedded pair shall pass;
Bells are ringing, clanging, clamouring from the belfry 'mid the trees,
And the sound rings out o'er woodlands, parks and gardens, lawns and leas;
All the village gay with banners waits the signal, 'Here they come!'
To strew flowers, wave hats, drop curtseys, and hurra its 'Welcome home!'
At the gates the very griffins on the posts are wreathed with green.
In their ordered lines wait servants for the pair to pass between;
But among them there is missing more than one familiar face,
And new faces, blank expectant, fill up each vacated place,
And the other servants whisper, 'Nurse would wail to see this day,
It was well she left the service when 'my Lady' ran away.'
Louder, clearer ring the joy-bells through the shaken, shattered air,
Till the echoes of them waken in the hillside far and fair;
Level shine the golden sunbeams in the golden afternoon.
In the east the wan ghost rises of the silver harvest moon.
Hark! wheels was it? No, but fancy. Listen! No--yes--can you hear?
Yes, it is the coming carriage rolling nearer and more near!
Till the horse-hoofs strike the roadway, unmistakable and clear!
They are coming! shout your welcome to my lord and lady fair:
May God shower his choicest blessings on the happy wedded pair!
Here they are! the open carriage and surrounding dusty cloud,
Whence he smiles his proud acceptance of the homage of the crowd;
And my lady's sweet face! Bless her! there's a one will help the poor,
Eyes like those could never turn a beggar helpless from her door!
Welcome, welcome! scatter flowers: see, they smile--bow left and right,
Reach the lodge gates--God of heaven! what was that, the flash of white?
Shehas sprung out from the ambush of the smiling, cheering crowd:
'Fling your flowers--here's my welcome!' sharp the cry rings out and loud.
Sudden sight of wild white face, and haggard eyes, and outstretched hands-Just one heart-beat's space before the bridal pair that figure stands,
Then the horses, past controlling, forward bound, their hoofs down thrust-And the carriage wheels jolt over something bloody in the dust.
'Stop her! Stop her! Stop the horses!' cry the people all too late,
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For my lord and Lady May have had their welcome at their gate.
'Twas the old nurse who sprang to her, raised the brown-haired, dust-soiled
head,
Looked a moment, closed the eyelids--then turned to my lord and said,
Kneeling still upon the roadway, with her arm flung round the dead,
While the carriage waited near her, blood and dust upon its wheels
(Ask my lord within to tell you how a happy bridegroom feels):
'Now, my lord, you are contented; you have chosen for your bride
This same fine and dainty lady who is sitting by your side.
Did ye tell her ere this bridal of the girl who bore your shame,
Bore your love-vows--bore your baby--everything except your name?
When they strewed the flowers to greet you, and the banners were unfurled,
She has flung before your feet the sweetest flower in all the world!
Woe's the day I ever nursed you--loved your lisping baby word,
For you grew to name of manhood, and to title of my lord;
Woe's the day you ever saw her, brought her home to wreck her life,
Throwing by your human plaything, to seek out another wife.
God will judge, and I would rather be the lost child lying there,
With your babe's milk in her bosom, your horse-hoof marks on her hair,
Than be you when God shall thunder, when your days on earth are filled,
'Where is she I gave, who loved you, whom you ruined, left and killed?'
Murderer, liar, coward, traitor, look upon your work and say
That your heart is glad within you on your happy wedding day!
And for you, my noble lady, take my blessing on your head,
Though it is not like the blessing maidens look for when they wed.
Never bride had such a welcome, such a flower laid on her way,
As was given you when your carriage crushed her out of life to-day.
Take my blessing--see her body, see what you and he have done-And I wish you joy, my lady, of the bridegroom you have won.'
Like a beaten cur, that trembles at the whistling of the lash,
He stands listening, hands a-tremble, face as pale as white wood ash;
But the Lady May springs down, her soul shines glorious in her eyes,
Moving through the angry silence comes to where the other lies,
Gazes long upon her silent, but at last she turns her gaze
On the nurse, and lips a-tremble, hands outstretched, she slowly says,
'She is dead--but, but her baby--' all her woman's heart is wild
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With an infinite compassion for the little helpless child.
Then she turns to snatch the baby from the arms of one near by,
Holds it fast and looks towards him with a voiceless bitter cry,
As imploring him to loose her from some nightmare's deadly bands.
Dogged looks he down and past her, and she sees and understands,
Then she speaks--'I keep your baby--that's my right in sight of men,
But by God I vow I'll never see your dastard face again.'
So she turned with no word further towards the purple-clouded west,
And passed thither with his baby clasped against her maiden breast.
Little Ladybird was buried in the old ancestral tomb.
From that grave there streams a shadow that wraps up his life in gloom,
And he drags the withered life on, longs for death that will not come,
The interminable night hours riven by that 'Welcome home!'
And he dares not leave this earthly hell of sharp remorse behind,
Lest through death not rest but hotter fire of anguish he should find.
Coward to the last, he will not risk so little for so much,
So he burns, convicted traitor, in the hell self-made of such:
And at night he wakes and shivers with unvanquishable dread
At the ghosts that press each other for a place beside his bed,
And he shudders to remember all the dearness that is dead.
Song.
I had a soul,
Not strong, but following good if good but led.
I might have kept it clean and pure and whole,
And given it up at last, grown strong with days
Of steadfast striving in truth's stern sweet ways;
Instead, I soiled and smutched and smothered it
With poison-flowers it valued not one whit-Now it is dead.
I had a heart
Most true, most sweet, that on my loving fed.
I might have kept her all my life, a part
Of all my life--I let her starve and pine,
Ruined her life and desolated mine.
Sin brushed my lips--I yielded at a touch,
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Tempted so little, and I sinned so much,
And she is dead.
There was a life
That in my sin I took and chained and wed,
And made--perpetual remorse!--my wife.
In my sin's harvest she must reap her share,
That makes its sheaves less light for me to bear.
Oh, life I might have left to bloom and grow!
I struck its root of happiness one blow,
And it is dead.
Once joy I had,
Now I have only agony instead,
That maddens, yet will never send me mad.
The best that comes is numbed half-sick despair,
Remembering how sweet the dear dead were.
My whole life might have been one clear joy song!
Now--oh, my heart, how still life is, how long,
For joy is dead.
Yet there is this:
I chose the thorns not grapes, the stones not bread;
I had my chance, they say, to gain or miss.
And yet I feel it was predestinate
From the first hour, from the first dawn of fate,
That I, thus placed, when that hour should arise,
Must act thus, and could not act otherwise.
This is the worst of all that can be said;
For hope is dead.
~ Edith Nesbit,#NFDB |
1429:Orpheus
ORPHEUS.
LAUGHTER and dance, and sounds of harp and lyre,
Piping of flutes, singing of festal songs,
Ribbons of flame from flaunting torches, dulled
By the broad summer sunshine, these had filled
Since the high noon the pillared vestibules,
The peristyles and porches, in the house
Of the bride's father. Maidens, garlanded
With rose and myrtle dedicate to Love,
Adorned with chaplets fresh the bride, and veiled
The shining head and wistful, girlish face,
Ineffable sweetness of divided lips,
Large light of clear, gray eyes, low, lucid brows,
White as a cloud, beneath pale, clustering gold.
When sunless skies uncertain twilight cast,
That makes a friend's face as an alien's strange,
Investing with a foreign mystery
The dear green fields about our very home.
Then waiting stood the gilded chariot
Before the porch, and from the vine-wreathed door,
Issued the white-veiled bride, while jocund youths
And mænads followed her with dance and song.
She came with double glory; for her lord,
Son of Apollo and Calliope,
Towered beside her, beautiful in limb
And feature, as though formed to magic strains,
Like the Bœotian city, that arose
In airy structures to Amphion's lute.
The light serene shone from his brow and eyes,
Of one whose lofty thoughts keep consonance
With the celestial music of the spheres.
His smile was fluent, and his speech outsang
The cadences of soft-stringed instruments.
He to the chariot led Eurydice,
And these twain, mounting with their paranymph,
Drove onward through the dusky twilit fields,
Preceded by the nymphs and singing youths,
And boys diffusing light and odors warm,
With flaming brands of aromatic woods,
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And matrons bearing symbols of the life
Of careful wives, the distaff and the sieve;
And followed by the echoes of their songs,
The fragrance crushed from moist and trodden grass,
The blessing of the ever-present gods,
Whom they invoked with earnest hymns and prayer.
From Orpheus' portico, festooned with vines,
Issued a flood of rare, ambrosial light,
As though Olympian portals stood ajar,
And Hymen, radiant by his torch's flame,
Mystic with saffron vest and purple, stood
With hands munificent to greet and bless.
Ripe fruits were poured upon the married pair
Alighting, and the chariot wheels were burnt,
A token that the bride returned no more
Unto her father's house. With step resolved,
She crossed the threshold soft with flowers, secure
That his heroic soul who guided her,
Was potent and alert to grace her life,
With noble outlines and ideal hues,
Uplifting it to equal height with his.
EPITHALAMIUM. TO ZEUS.
Because thou art enthroned beyond our reach,
Behind the brightest and the farthest star,
And silence is as eloquent as speech,
To thee who knowest us for what we are,
We bring thee naught save brief and simple prayer,
Strong in its naked, frank sincerity.
Send sacred joys of marriage to this pair,
With fertile increase and prosperity.
Three nymphs had met beneath an oak that cast
Cool, dappled shadow on the glowing grass,
And liquid gleam of the translucent brook.
The air was musical with frolic sounds
Of feminine voices, and of laughter blithe.
Patines of sunshine fell like mottled gold
On the rose-white of bright bare limbs and neck,
On flowing, snowy mantles, and again
With sudden splendor on the gloriole
Of warm, rich hair. The fairest nymph reclined
Beneath the tree, and leaned her yellow head,
With its crisp, clustering rings, against the trunk,
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And dipped her pure feet in the colorless brook,
Stirring the ripples into circles wide,
With cool, delicious plashings in the stream.
Her young companions lay upon the grass,
With indolent eyes half closed, and parted lips
Half-smiling, in the languor of the noon.
But suddenly these twain, arising, cried,
Startled and sharply, 'Lo, Eurydice,
Behold!' and she, uplifting frightened eyes,
Saw a strange shepherd watching with bold glance.
Veiling their faces with their mantles light,
Her sisters fled swift-footed, with shrill cries,
Adown the meadow, but her wet feet clung
To the dry grasses and the earthy soil.
'Eurydice, I love thee! fear me not,
For I am Aristæus, with gray groves
Of hoary olives, and innumerous flocks,
And precious swarms of yellow-vested bees.'
But she with sudden strength eluding him,
Sprang o'er the flowery turf, with back-blown hair,
And wing-like garments, shortened breath, and face
Kindled with shame and terror. In her flight
She ran through fatal flowers and tangled weeds,
And thick rank grass beside a stagnant pool,
When, with a keen and breathless cry of pain,
Abrupt she fell amidst the tall, green reeds.
Then Aristæus reached her, as a snake
Crept back in sinuous lines amidst the slime.
Desire was changed to pity, when he saw
The wounded dryad in her agony
Strive vainly to escape, repelling him
With feeble arms. 'Forgive me, nymph,' he cried;
' I will not touch, save with most reverent hands,
Thy sacred form. But let me bear thee hence,
And soothe thy bruise with healing herbs. 'Too late,
Leave me,' she sighed, 'and lead thou Orpheus here,
That I may see him ere the daylight fails.'
He left her pale with suffering, —earth seemed strange
Unto her eyes, who knew she looked her last
On level-stretching meadows, hazy hills,
And all the light and color of the sky.
Brief as a dream she saw her happy life,
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Her father's face, her mother's blessed eyes,
The hero who, unheralded, appeared,
And all was changed,— all things put forth a voice,
As in the season of the singing birds.
She looked around revived, and saw again
The lapsing river and abiding sky.
Across the sunny fields came Aristæus,
With Orpheus following,— and after these,
Sad nymphs and heroes grave with sympathy.
Quite calm she lay, and almost wished to die
Before they reached her, if the throbbing pain
Of limb and heart could only thus be stilled.
But Orpheus hastened to her side, and mourned,
'Eurydice, Eurydice! Remain, —
For there is no delight of speech nor song
Among the dead. Will the gods jest with me,
And call this life, which must forevermore
Be but a void, a hunger, a desire,
A stretching out of empty hands to grasp
What earth nor sea nor heaven will restore?
Is this the life that I conceived and sang,
Rich with all noble opportunities
And beautiful realities?' But she:
'Brave Orpheus, search thou not the eternal gods,
Surely they love us dearer than we know.
Do thou refrain, for yet I hold my faith.
When I am gone, thou still wilt have thy lyre;
Love it and cherish,— it is Fate's best gift,
And with death's clearer vision, I can see
That in all ages men will be upraised
Nearer to gods through this than through aught else.
My death may but inspire a larger note,
A passionate cadence to thy strain, which else
Were not quite human, and thus incomplete.
And with this thought I am content to die.
Cease not to sing to me when I am gone;
Thy voice will reach me in the farthest spheres,
Or wake me out of silence. Now begin,
That I may float on those celestial waves
Into the darkness, as I oft have longed.'
ORPHEUS.
Once in a wild, bright vision, came to me
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Beautiful music, luminous as morn,
An effluence of light and rapture born,
With eyes as full of splendor as the sea;
Dazzling as youth, with pinions frail as air,
Yet potent to uplift and soar as prayer.
Again I see her, cypress in her wreath,
Sad with all grave and tender mysteries;
Tears in her unimaginable eyes,
That look their first with wondering awe on Death.
Never again, in all the after years,
Will her lips laugh with utter mirthfulness;
Nor the strange longing in her eyes grow less,
Nor any time dispel their mist of tears.
Yea, with new numbers she completes her strain,
A song unsung before by gods or men;
But she hath lost, ah! lost for evermore,
The ringing note of joy ineffable,
The high assurance proud, that all is well,
The glad refrain that pealed from shore to shore.
O lyre, thou hast done with joyous things,
Triumphant ecstasies, exultant song;
Of subtle pain, keen anguish, hopeless wrong,
I fashion now another of thy strings,
And strike thee with a strong hand passionate,
Into a fuller music, adequate
Unto a soul that seeks insatiably,
With fond, illusive hope and faith divine;
For through all ages will my soul seek thine,
Eurydice, my lost Eurydice!
What solace to lament with empty hands
And smitten heart, above a mound of earth,
Vivid with mockery of perpetual flowers,
O'er one small urn that holds beneath its lid,
With overmeasure, all the flameless dust
And soulless ashes of our love? Yet this
Was Orpheus' life, to mourn beside the grave,
From his stringed lyre compelling wild response
And thrilling intonation of his grief,
That made the hearts of gnarled and knotty oaks
Ache as with human sympathy, and rived
The adamantine centre of the rock,
And lured the forest beasts, and hushed the birds,
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Mavis and lark, while with wide, awful wings,
The eagle shadowed his exalted brow.
'Surely,' he cried, 'the senseless dust hears not,
More than the burnt brand hears old natural sounds
Innumerable rustle of young leaves.
It cannot be that only these remain,
The ashes of her glittering limbs, warm flesh,
And blessed hair,— my love had more than these
Where is the vital soul, that was to me
An inspiration and an influence?
The gods are not unstable like rash man,
Aimlessly to create and discreate,
With cruel and capricious fantasy,
For thus the immaculate skies would be a lie;
Eurydice is but withdrawn from me,
And disembodied, while mine eyesight blinds,
My senses are a hindrance, and obstruct
The accurate perception of my soul.
When mine own spirit, nightly disenthralled,
Soars to the land of dreams, whose boundaries,
By day, loom infinitely far and vague,
And yet, at night, become our very home,—
There still I see thee with the same bright form,
The same auroral eyes that made for me
Perpetual morning; and I stretch mine arms
Hungering after thee, and, calling, wake
Unto the vapid glare of languid dawn.
Yet all these things address my very soul,
Telling it that thou art not dead; for death
Is but the incarnation of man's fears;
Gods do not recognize it. If thou art
(As I have faith) in the known universe,
Yea, though it be in the extremest land,
Beyond the sunset, with its shining isles,
I will go forth and seek thee, nor will cease
To mourn thee and desire, till I have found.'
Thus Orpheus fared across the full-fed streams
Of Hebrus and of Strymon, and beyond
The purple outlines and aerial crags,
Snow-glittering of Scardus, Rhodope,
And grand Orbelus; through fair, fertile fields
Of Thessaly with increase of ripe corn,
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Through Attica, Bœotia and Eubœa,
And southward to the royal-citied state,
Beautiful Corinth, throned upon the base
Of green Acrocorinthus, whose soft slope
Was dedicate with temples to the gods,
And towering over all the sacred shrine
Of Aphrodite. Upward from the town
The mountain rose defensive, where the walls
Of Corinth ended, and beyond the gates,
The radiant plain of the Corinthian Gulf
Stretched infinitely. Orpheus rested here,
Till he bethought him to ascend the mount,
With offerings at Aphrodite's shrine—
Not sanguine victims, but fresh myrtle wreath
And faultless rose—to sue the oracle
For help and guidance.
All the town was still,
The bright red band of sunrise lit the sky
Above the dark blue gulf, and Orpheus heard
A hundred birds saluting, from the brake,
Aurora, and cool rush of waterfalls.
Made murmurous music, while Athené breathed
The vigor of the morning in his soul.
Up the steep mountain side he passed, beyond
The silver growth of olives, and the belt
Of pines, to where the foam-white temple stood,
Smitten at once by all the beams of morn.
He saw the double peak, rose-white with snow
And early sunshine, of Parnassus cleave
The northern sky, and sacred Helicon
Erect its head, crowned with the Muses' grove,
The Bay of Crissa and Corinthian Gulf,
Below flashed restless, and a path of gold
Divided with clear, tremulous light the waves.
From the large beauty of the morn, he went
Into the holy limits of the shrine,
With warm air heavy with the odorous rose.
ORPHEUS.
I put into my prayer to thee, O mother,
The tumult and the passion of the ocean,
The unflecked purity of winnowed foam-wreaths;
To thee who sprang from these, the incarnation
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Of all the huge sea holds of grace or splendor,
With its own light between thine amorous eyelids.
For I, in thy most sacred cause a pilgrim,
Have wandered tireless, from Thrace to Corinth,
'Midst foreign scenes and alien men and women.
And at my right hand Grief incessant follows,
And at my left walks Memory with the semblance
Of lost Eurydice's ethereal beauty.
Infatuate I gaze, until the vision
Thrills me to madness, and I start and tremble,
Remembering also Grief is my companion.
Onward through spacious fields, by copious waters,
Through purple growth of amaranth and crocus,
And past the marble beauty of great cities,
We three have journeyed,— strangers saw me reckless,
And knew at once that I had walked with sorrow,
And that the gods had chosen me their victim.
Are all my carols useless, worse than useless?
Shall my long pilgrimage, thus unrewarded,
End at the blank, insuperable ocean?
Hast thou no wise compassion, goddess, mother?
In all the measureless years' unfathomed chances,
Is the dear past to be repeated never?
O supreme mother! crowned with blessed poppy
As well as myrtle,— bring her here, or compass
My soul with death, that elsewhere I may seek her.
He ceased, and through the temple spread a mist
Ambrosial, and above the shrine a star
Serenely brightened, and a heavenly voice
Made sweet response: ' Love guides himself thy course
To the last sea-girt rock. No worthy soul
May ever truly seek, and fail to find.'
Still southward Orpheus journeyed, till he reached
Cape Tænarus, the last bleak point of Greece,
Desolate o'er an infinite waste of waves,
While sunset lit the western sea and sky
With yellow floods of warm, diffusive light,
Kindling his serious face and earnest eyes,
And glittering on his lyre. Long time he stood,
And gazed upon the trouble of the waves,
Expectant of a word, a sign— and still
No answer made the wild, indifferent sea.
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Impetuous, he smote his quivering lyre
To reckless and sonorous melody,
Vibrating o'er the watery turbulence.
Then far below its western bath, the sun
Dipped and was gone, and all the sea was gray.
Still through the air rang those imploring notes,
Unutterably plaintive— till there came
From out the ocean cave of Tænarus
The shining forms of Oceanides,
With myriad faces raised supremely fair,
And myriad arms that beckoned as he sang.
Behold! a stir amidst the frothing brine,
As though upheaved by powers submarine,
In implicate confusion, wave on wave,
Then rose with windy manes and fiery eyes,
Proudly careering, the immortal steeds,
Bearing, within the shell-shaped car, the god
Of august aspect and imperial port,
With such profusion of ambrosial locks
As curl around the very front of Zeus.
He with benign regard the minstrel viewed,
Then whirling thrice his massy trident, struck
The scarpéd promontory with its fork.
And Orpheus felt the solid basis yield,
And heard the hollow rumbling, as when earth
Rocks to her centre, and high hills spit flame.
And lo! he stood before a sulphurous throne,
Set in an open space, wherefrom there streamed
Four rivers stagnant, black. Here Ades reigned,
His very presence unto mortal sense
Oppressive as low thunder in the air.
The triple-headed guardian of his realm
Crouched at his feet, and in the dismal murk,
The hideous Harpies hovered o'er his head.
The serpent-haired Eumenides stood near,
Brow-bound with sanguine fillets, and the Fates
Wielded the distaff, spindle, and sharp shears.
The air was dense with noisome influence,
And shadowy apparitions seemed to float
Athwart the dusk. But on the infernal throne
Conspicuous in beauty, by her lord,
Persephone was seated. Wonderment
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Looked from her eyes, in seeing him, no god,
Who came before his time among the dead,
Unarmed with spear or shield, a glistening lyre
Nigh slipping from the loose grasp of his hands.
'Who comes unsummoned to my realm?' began
The baleful godhead in discordant tones,
Widely reverberant; and the low, clear voice
Of Orpheus answered: 'One who would remain,
If but the impotent body could be free
To follow the desires of the soul,—
Orpheus, an unskilled singer.' 'Birth and death
Are preordained for thee, presumptuous man.
What narrow space of time the Fates accord,
'Twould best become thee to bear worthily,
With dignity, and leave the rest to them,
The end as the beginning.' 'Plead for me,
O beautiful Persephone, — behold!
Eurydice was snatched with violent hand
From out mine eager arms, and I have sought
Her image o'er the peopled earth in vain.'
Then she: 'I may not summon her, nor hope
To swerve the haughty purpose of my lord.
With influence of thy familiar voice,
If thou canst touch her spirit, she is thine.'
But Ades: 'Who recalls the dead by prayer?
They whose calm souls are once possessed by death,
Find such a solid joy in grasping firm,
After life's phantasms, this reality,
That wisdom, grief, nor love persuadeth them
Their liberated spirits to confine
With fleshly limitations. Nathless sing,—
And prove life's glittering evanescence vain,
Outweighed by death's sublime security.'
ORPHEUS.
I render thanks, eternal gods, that ye
Empower myself to call Eurydice.
Man only can fulfill his own desire;
And if I fail, the sorrow rests with me.
Ye give what we deserve; I pray alone
Ne'er to be cursed with what I have not won.
And to whom else would I intrust my lyre,
This supreme invocation to intone?
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But in myself I feel the love, the power,
The lyric inspiration, while the flower
Of all my life brings forth its proper fruit,
In this my loftiest, most godlike hour.
If I could make ye feel the agony
Of the strong man, O gods, condemned to see
The light fail from dear eyes, the white lips mute,
The elusive soul take flight eternally
To where we cannot follow it nor find,
With the most subtle searchings of the mind,
With the most passionate longings of the soul,
Deaf, unresponsive as the empty wind;
Then would your pity as your power be,
'Twould crown us all with immortality,
And grace us with completeness, make us whole,
Worthy to be the peers of deity.
For we are mighty now to slay and bless,
Yea, gifted with strange strength of steadfastness,
To conquer bodiless and viewless foes
Within ourselves, yet in our helplessness,
As children, in the presence of this Death,
Whom nor revolt nor patience conquereth,
Implacable, with grim mouth fastened close,
That with no hope our anguish answereth.
Resound with wildest utterance, O my lyre;
Let each note be a living flame of fire,
To reach her, to burn through her, to compel,
Strong with the infinite strength of my desire.
I am no god, yet Fate, Eurydice,
A goddess for my slave hath given me,—
Immortal Music, pure, ineffable;
And I send her, my handmaid, after thee.
If all wherein I put my faith as sure,
Be not delusions vain which death will cure;
If the sublime reliance of the soul
On her own powers be no empty lure,
Whereat the high gods laugh in bitter scorn;
If what I have achieved and what forborne,
Will lead me nearer to a worthy goal,
If all life's promises be not forsworn,—
Eurydice, appear! Before mine eyes,
O gods, I see a formless essence rise,
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That moulds itself unto the music's beat,
Appareled in the glory of the skies.
Now, while I ring a more celestial tone,
The spirit more divinely bright hath grown,
To larger modulations, strains complete,
The white limbs from the shapeless mist are won,
As from the bosom of a summer cloud,
Wherewith a goddess would her semblance shroud.
Is this mine own creation? Is it truth,
That with warm life I have blank air endowed?
The soft cloud parts asunder,— yea, 'tis she!
Once more the face that was my star I see,
Crowned with the beauty of immortal youth,
Eurydice, my lost Eurydice!
Silent beside his silent, fallen lyre,
The singer stood, and clasped her in his arms,
Gazing upon this pale, fair face as one
Whose heart's supreme desire is satisfied.
'Is not this hour the hour I have foreseen,
Through all obstructions and infirmities
Of my mortality, and is it not
More glorious in fruition than I dreamed!
Yea, I have dreamed it all, eternal gods,
Even as now have pressed her to my heart
With the same clinging effort to retain,
And seen this breathing form, these lucent eyes
Vivid as now, instinct with life and love.
Yet have I waked to chill discouragement,
To vacant disappointment, and the sense
Of aching, unassuaged desire. O speak,
For in my dreams I never hear thy voice,
Save veiled and indistinct, a mockery
Of the old limpid music. Speak to me:
Thy flesh is warm, thy heart beats close to mine,
Thine upturned face is wet with human tears;
O speak to me,— lest I should wake again
To barren fields and empty skies of Thrace.'
Then in low, natural tones, Eurydice:
'Thy voice hath reached me in the farthest spheres,
And waked me out of silence.' 'Follow me,—
It is thyself,— if I must wake from this,
'Twill be to death or madness. Follow me,
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From darkness palpable, to earth, to light
Of ample skies, and freshness of blown grass
And rolling waters.' 'Hold!' the jarring voice
Of Ades interposed: ''Tis excellent
The attribute we gave thee, to convert
To such a weapon as may overcome
The old hereditary foes of man,
Sleep, death, corruption, and necessity.
But to reveal thyself the peer of gods,
Not only through inspired ecstasy,
But through a continent persistency,
This never was accomplished by thy race,
And thou must yet be tried. This soul is thine,
For thou hast won her from the jaws of Hell;
Yea, she may follow thee as free as light,—
Lead thou the way and charm the hostile fiends.
Look forward ever; if thine eyes revert
But once to gaze on her, to reassure
Unworthy fears, or sate a mean desire,
Thou art not mate for us. She will dissolve
To empty air —never to be recalled.
ORPHEUS.
Back to the vital earth, O follow me,
Regained Eurydice.
To rippling well-heads and to sunlit plains,
Greened by soft wash of rains.
See orchards rosy with prolific bloom,
And vineyards' purple gloom.
Lulled by the languid flow of lilied streams,
There will I sing my dreams.
Behold! I chant a hymn of adoration,
Triumphant exultation,
For I can see, in all the universe,
No error and no curse.
The gods have naught withheld, in power and sway,
From him who will obey
Their own divine and everlasting laws.
Above the world's applause,
As vigorous as morning, he can rise,
Wrest the desired prize
From the clenched hands of Nemesis and Fate.
With victory elate,
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I chant unmitigated prayer and praise
To gods who part our ways,
Seeing 'midst clamorous change incredible,
That all is ordered well.
In more harmonious strains, O lyre, express
My twice-born happiness;
Yea, utter and translate with larger sense
My rich experience,
That makes complete life's solemn threnody
Joy unalloyed and free,
Grief unexampled, victory at last,
When strife is overpast.
Through pathways hedged with horrors still they fared
Invulnerable. Darkness stayed them not,
Nor yet more dreadful light, revealing oft
The hideous fiends who rose on every side,
Huge shapes of ill, to gaze upon the twain.
A Greek, who, fleeing, smote a vibrant lyre,
That chimed to carols more divinely quired
Than those that fill with ravishment a grove,
Misty with moonlight, where the plain brown bird
Makes midnight vocal. Closely following him,
A woman with grave aspect, parted lips,
Upraising, in enthralléd ecstasy,
Large eyes serene, fulfilled with holier light
For having pierced beyond the boundaries
Of time and of mortality. The day
Shone through the murk at last, and filled their path
With dusky sunbeams; and far-stretching fields
Of soft, delicious green, and crystal skies,
Encouraged them; all perils past save one.
But a black, stagnant river crawled along,
Spanned by no bridge, and ferried by no sail,
With muddy tide between the day and them.
And Orpheus with enamored eyes passed on,
And saw not how the loathsome waters crept,
Nor how his magic song enchanted them
To solid substance; but he missed at once
The footsteps light that had inspired his lay.
Impetuous he turned to reassure
His fearful soul, and sate his hungry eyes;
But as he turned, the inspiration fled,
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His lips refused to frame the fruitless words,
His eyes beheld,—O gods! Eurydice
Removed already far away from him,
By all the wide-expanded space, between
Our loftiest dream and our unworthy deed.
She gazed with no reproachful glance nor tears,
And Orpheus felt himself beneath her, fall,
Momently down from empyreal heights,
And lo! he stood within the fields of Thrace,
On earth familiar, 'neath familiar skies,
And heard a voice float through the shining air,
From unimaginable distances,
Faint as a dream, — 'Farewell, farewell, farewell.'
'Woe! woe! what lamentations may express
The fullness of my new calamity!
I, overbearing, who presumed to reach
The lordly and severe stability
Of the immortals, — whom may I invoke?
To whom may man appeal when he hath failed
Unto himself? What god will interpose
To thwart invincible necessity?
Lost, lost forever! I stood elevate,
For one brief moment dreaming I had won
The skill and power of true divinity.
Gods! with what lofty and superb disdain
Ye must look down on mine unworthy haste,—
Ye, who with grandeur of sublime repose,
And majesty of patience, still abide
Invariable through eternity!
Alas! my mighty visions were to me
Auspicious omens, and they fed my heart
With vigor and encouragement; but now,
This was no dream; for Hope, full-flushed and fair,
Born, like the freshness of auroral dew,
From unseen air, and traceless vanishing,
Consorts not with this mighty goddess, Truth,
With solemn and unfathomable eyes,
For Truth is one with Death and Destiny.
With what a depth of meaning didst thou turn,
For the last time, to me, Eurydice,
A glory 'midst the darkness, with that glance
Of infinite compassion, hands outstretched,
152
As if to save the from mine own defect.
With what humiliation and despair
I saw thee rising unattainably!—
The vault, the stream accursed had disappeared;
I was in Thrace uplooking to the sky.
O, to what harmonies I might have wed
The blessed tidings which all men await!
Now I can only make my song express
A distant echo, a suggestion vague,
Of the serene contentment of thy voice.
Sing this, my lyre, that all who hark to thee
With an attentive and a gentle ear,
May hear the promise, faint and yet assured,
Recall the grace and the deliciousness
Of immortality, and strive anew
Towards the ideal unattained by me,
Yet still accessible to stronger souls.'
Thus Orpheus, when the first wild burst of woe
Had passed; no need to seek her now;
No need to wander o'er the peopled earth.
Was he in truth a victim of the gods,
Or rather with a fairer fortune blest
Than happier men, selected for a fate
Divinely tragical, that he might know
The fullness of a life's experience,
And find expression adequate for all,
Simple as wisdom, and as dignified
As silence? From his kind he lived apart,
As one who cherishes a grief, nor seeks
Forgetfulness nor comfort; elevate
To glittering eminence by destiny,
And lonely through the privacy of woe
Beyond the reaches of man's sympathy.
Where lucid Hebrus bathes its golden sands,
He sat discoursing gracious harmonies,
Amidst the morning fields, when on his ears
Sounded with horrid dissonance the clang
Of smitten cymbals and the throb of drums.
But still the revelers remained unseen,
Till, rounding suddenly a neighboring hill,
The whole mad troop came dancing into sight.
First marched a jovial bacchanal, who bore
153
A crystal vessel, decked with branching vine,
Then youth and nymphs with ivy chapleted,
In purfled raiment of hues delicate,
With mitres, thyrsi, cymbals, drums and flutes,
Some balancing upon their graceful heads,
Regal with crisp-curled gold, their burdens light
Of baskets heaped with figs and dusky grapes.
And 'midst them all the sacrificial goat,
Adorned with berries. Thus the festal throng,
With wanton gestures, and with antic bounds,
And wild embracings, mad with wine, approached,
With peals of laughter, echoing faintly back
From jocund hill to hill, and lusty shouts
Of 'Bacché, Bacché!'
SONG.
With wassail all the night,
Celestial Bacchus, we have worshipped thee!
With riotous revel and with festal wine.
Still on the hills in early morning light,
With frolic dances and brisk jollity,
Our hymns of praise are thine.
For we have seen thee, god!
The fawn-skin slipping from thy shoulder bare,
Thy gestures lithe and loose, thine eyes that shine,
Thy rosy hands that waved a clustered rod
Of uncrushed grapes, and thine ambrosial hair,
Dripping with myrrh and wine.
Thou art not strict, severe,
Like loftier gods and ruthless goddesses,
Implacable like Pallas, Zeus, or Truth;
But to humanity akin and near,
Eager for folly, and the luxuries
Of lustful health and youth.
This crystal-vialed balm,
Divinely brewed, soothing as Lethe's streams,
Is the most generous gift of Deity,
Informing us with soft oblivion calm
Of Death and Fate, with joys beyond the dreams
Of grave sobriety.
Come, let us drink again.
Resound, O timbrels, and thou bird-voiced flute;
Thyrsus and pipes make shrill and dear acclaim,
154
To Bacchus, who impurples hill and plain
With vineyards bursting with increase of fruit,
Subtle as liquid flame.
Œoë! quaff and sing!
Who drinks no more, offends the deity
Of Bacchus! lo on Hebrus' grassy brink,
A minstrel sits, with gold lute glistening,
Marring our rites with stern solemnity,
Who doth not chant nor drink.
Ho! Orpheus, laugh again,
From mirthful heart, and join our happy throng;
Cease to lament with unappeased desire.
We bring a cordial for all grief and pain.
Add to the choral strain thy siren song,
And thine enchanted lyre.
For Fate hath answered thee
With cold derision; Death respondeth not.
Here is a god who soothes tire soul and sense
With sweet nepenthe,—thy Eurydice
Thou wilt not lure to earthly grove nor grot
With suasive eloquence.
Here, nymphs no whit less fair
Are waiting thee, with warm, caressing arms
And loving eyes, lips fit for gods to kiss,
And rosy shoulders, dimpling white and bare,—
Pliant and graceful, with innumerous Charms,
To sate thy heart with bliss.
ORPHEUS.
Hence, thou ignoble throng!
Dare ye profane the splendid purity,
The high nobility of morn, with rites
Lewd and disgusting, and delirious song,
Completing in dear sunshine, shamelessly,
Rude orgies of wild nights?
BACCHANTES.
Ha! he insults the god,
With his presumptuous and impious scorn.
Avenge, O bacchanals, the cause divine;
Compel him with the sacred cup and rod,
To quaff his salutation to the morn,
In frothing, Massic wine!
ORPHEUS.
155
Mad bacchanals, begone!
I honor all the gods and Nemesis.
They favor not such frantic revelry,
But blameless lives, and deeds most like their own,
The service of a patient heart submiss,
And staunch integrity.
Behold the morning hills,
Sky-kissed Libethra, delicate as air;
The fragile grasses gray with wreaths of dew.
Hark to the tumbling of the mountain rills
To Eos and Athene your first prayer
And sacrifice are due.
BACCHANTES.
With shameless blasphemy,
He dares proscribe, O god, thy rank and fame.
Enough! enough! he hath despised us long,
Bewailing his beloved Eurydice.
O nymphs, avenge yourselves in Liber's name,
Slay him 'midst dance and song.
Your deadly javelins fling
With flinty missiles at the singer proud,
Who deems himself an equal of the gods,
Because he hath the skill to pipe and sing,
With facile fluency of speech endowed.
Smite him with spears and rods.
ORPHEUS.
Ring forth, my lyre, again,—
With magic harmonies my doom avert,
In tones as plaintive and as rich as life.
BACCHANTES.
Our stones and javelins we have hurled in vain;
His lyre enchants them, he remains unhurt,
'Midst all the wrath and strife.
Toss the loud tambourine,
Its tight-drawn skin with noisy fingers smite;
Clash ye the cymbals, sing with fatal art;
Cast ye his sundered limbs the stream within,—
They irritate us, soft and bare and white;
Rend them, O nymphs, apart.
ORPHEUS.
Sweet Death, deliver me
Out of the reach of envy, lust, and hate;
156
Enfold me in thy large-embracing arms.
BACCHANTES.
Ah! will he now invoke Eurydice,
Madly resisting his allotted fate
With vile, unhallowed charms?
So with a clamorous swell
Of drums and timbrels, we o'erpower the breath
Of dulcet and persuasive melody.
ORPHEUS.
The maniacs conquer! O my lyre, farewell!
Approach, thou beautiful and welcome Death,
With lost Eurydice.
~ Emma Lazarus,#NFDB |
1430:A SATYRIC DRAMA TRANSLATED FROM THE GREEK OF EURIPIDES.
SILENUS.
ULYSSES.
CHORUS OF SATYRS.
THE CYCLOPS.
SILENUS:
O Bacchus, what a world of toil, both now
And ere these limbs were overworn with age,
Have I endured for thee! First, when thou fledst
The mountain-nymphs who nursed thee, driven afar
By the strange madness Juno sent upon thee;
Then in the battle of the Sons of Earth,
When I stood foot by foot close to thy side,
No unpropitious fellow-combatant,
And, driving through his shield my winged spear,
Slew vast Enceladus. Consider now,
Is it a dream of which I speak to thee?
By Jove it is not, for you have the trophies!
And now I suffer more than all before.
For when I heard that Juno had devised
A tedious voyage for you, I put to sea
With all my children quaint in search of you,
And I myself stood on the beaked prow
And fixed the naked mast; and all my boys
Leaning upon their oars, with splash and strain
Made white with foam the green and purple sea,--
And so we sought you, king. We were sailing
Near Malea, when an eastern wind arose,
And drove us to this waste Aetnean rock;
The one-eyed children of the Ocean God,
The man-destroying Cyclopses, inhabit,
On this wild shore, their solitary caves,
And one of these, named Polypheme. has caught us
To be his slaves; and so, for all delight
Of Bacchic sports, sweet dance and melody,
We keep this lawless giants wandering flocks.
My sons indeed on far declivities,
Young things themselves, tend on the youngling sheep,
But I remain to fill the water-casks,
Or sweeping the hard floor, or ministering
Some impious and abominable meal
To the fell Cyclops. I am wearied of it!
And now I must scrape up the littered floor
With this great iron rake, so to receive
My absent master and his evening sheep
In a cave neat and clean. Even now I see
My children tending the flocks hitherward.
Ha! what is this? are your Sicinnian measures
Even now the same, as when with dance and song
You brought young Bacchus to Althaeas halls?
CHORUS OF SATYRS:
STROPHE:
Where has he of race divine
Wandered in the winding rocks?
Here the air is calm and fine
For the father of the flocks;--
Here the grass is soft and sweet,
And the river-eddies meet
In the trough beside the cave,
Bright as in their fountain wave.--
Neither here, nor on the dew
Of the lawny uplands feeding?
Oh, you come!a stone at you
Will I throw to mend your breeding;--
Get along, you horned thing,
Wild, seditious, rambling!
EPODE:
An Iacchic melody
To the golden Aphrodite
Will I lift, as erst did I
Seeking her and her delight
With the Maenads, whose white feet
To the music glance and fleet.
Bacchus, O beloved, where,
Shaking wide thy yellow hair,
Wanderest thou alone, afar?
To the one-eyed Cyclops, we,
Who by right thy servants are,
Minister in misery,
In these wretched goat-skins clad,
Far from thy delights and thee.
SILENUS:
Be silent, sons; command the slaves to drive
The gathered flocks into the rock-roofed cave.
CHORUS:
Go! But what needs this serious haste, O father?
SILENUS:
I see a Grecian vessel on the coast,
And thence the rowers with some general
Approaching to this cave.About their necks
Hang empty vessels, as they wanted food,
And water-flasks.Oh, miserable strangers!
Whence come they, that they know not what and who
My master is, approaching in ill hour
The inhospitable roof of Polypheme,
And the Cyclopian jaw-bone, man-destroying?
Be silent, Satyrs, while I ask and hear 85
Whence coming, they arrive the Aetnean hill.
ULYSSES:
Friends, can you show me some clear water-spring,
The remedy of our thirst? Will any one
Furnish with food seamen in want of it?
Ha! what is this? We seem to be arrived
At the blithe court of Bacchus. I observe
This sportive band of Satyrs near the caves.
First let me greet the elder.--Hail!
SILENUS:
Hail thou,
O Stranger! tell thy country and thy race.
ULYSSES:
The Ithacan Ulysses and the king
Of Cephalonia.
SILENUS:
Oh! I know the man,
Wordy and shrewd, the son of Sisyphus.
ULYSSES:
I am the same, but do not rail upon me.--
SILENUS:
Whence sailing do you come to Sicily?
ULYSSES:
From Ilion, and from the Trojan toils.
SILENUS:
How, touched you not at your paternal shore?
ULYSSES:
The strength of tempests bore me here by force.
SILENUS:
The self-same accident occurred to me.
ULYSSES:
Were you then driven here by stress of weather?
SILENUS:
Following the Pirates who had kidnapped Bacchus.
ULYSSES:
What land is this, and who inhabit it?--
SILENUS:
Aetna, the loftiest peak in Sicily.
ULYSSES:
And are there walls, and tower-surrounded towns?
SILENUS:
There are not.--These lone rocks are bare of men.
ULYSSES:
And who possess the land? the race of beasts?
SILENUS:
Cyclops, who live in caverns, not in houses.
ULYSSES:
Obeying whom? Or is the state popular?
SILENUS:
Shepherds: no one obeys any in aught.
ULYSSES:
How live they? do they sow the corn of Ceres?
SILENUS:
On milk and cheese, and on the flesh of sheep.
ULYSSES:
Have they the Bromian drink from the vines stream?
SILENUS:
Ah! no; they live in an ungracious land.
ULYSSES:
And are they just to strangers?hospitable?
SILENUS:
They think the sweetest thing a stranger brings
Is his own flesh.
ULYSSES:
What! do they eat mans flesh?
SILENUS:
No one comes here who is not eaten up.
ULYSSES:
The Cyclops now--where is he? Not at home?
SILENUS:
Absent on Aetna, hunting with his dogs.
ULYSSES:
Knowst thou what thou must do to aid us hence?
SILENUS:
I know not: we will help you all we can.
ULYSSES:
Provide us food, of which we are in want.
SILENUS:
Here is not anything, as I said, but meat.
ULYSSES:
But meat is a sweet remedy for hunger.
SILENUS:
Cows milk there is, and store of curdled cheese.
ULYSSES:
Bring out:--I would see all before I bargain.
SILENUS:
But how much gold will you engage to give?
ULYSSES:
I bring no gold, but Bacchic juice.
SILENUS:
Oh, joy!
Tis long since these dry lips were wet with wine.
ULYSSES:
Maron, the son of the God, gave it me.
SILENUS:
Whom I have nursed a baby in my arms.
ULYSSES:
The son of Bacchus, for your clearer knowledge.
SILENUS:
Have you it now?or is it in the ship?
ULYSSES:
Old man, this skin contains it, which you see.
SILENUS:
Why, this would hardly be a mouthful for me.
ULYSSES:
Nay, twice as much as you can draw from thence.
SILENUS:
You speak of a fair fountain, sweet to me.
ULYSSES:
Would you first taste of the unmingled wine?
SILENUS:
Tis justtasting invites the purchaser.
ULYSSES:
Here is the cup, together with the skin.
SILENUS:
Pour: that the draught may fillip my remembrance.
ULYSSES:
See!
SILENUS:
Papaiapax! what a sweet smell it has!
ULYSSES:
You see it then?--
SILENUS:
By Jove, no! but I smell it.
ULYSSES:
Taste, that you may not praise it in words only.
SILENUS:
Babai! Great Bacchus calls me forth to dance!
Joy! joy!
ULYSSES:
Did it flow sweetly down your throat?
SILENUS:
So that it tingled to my very nails.
ULYSSES:
And in addition I will give you gold.
SILENUS:
Let gold alone! only unlock the cask.
ULYSSES:
Bring out some cheeses now, or a young goat.
SILENUS:
That will I do, despising any master.
Yes, let me drink one cup, and I will give
All that the Cyclops feed upon their mountains.
...
CHORUS:
Ye have taken Troy and laid your hands on Helen?
ULYSSES:
And utterly destroyed the race of Priam.
...
SILENUS:
The wanton wretch! she was bewitched to see
The many-coloured anklets and the chain
Of woven gold which girt the neck of Paris,
And so she left that good man Menelaus.
There should be no more women in the world
But such as are reserved for me alone.--
See, here are sheep, and here are goats, Ulysses,
Here are unsparing cheeses of pressed milk;
Take them; depart with what good speed ye may;
First leaving my reward, the Bacchic dew
Of joy-inspiring grapes.
ULYSSES:
Ah me! Alas!
What shall we do? the Cyclops is at hand!
Old man, we perish! whither can we fly?
SILENUS:
Hide yourselves quick within that hollow rock.
ULYSSES:
Twere perilous to fly into the net.
SILENUS:
The cavern has recesses numberless;
Hide yourselves quick.
ULYSSES:
That will I never do!
The mighty Troy would be indeed disgraced
If I should fly one man. How many times
Have I withstood, with shield immovable.
Ten thousand Phrygians!if I needs must die,
Yet will I die with glory;--if I live,
The praise which I have gained will yet remain.
SILENUS:
What, ho! assistance, comrades, haste, assistance!
[THE CYCLOPS, SILENUS, ULYSSES; CHORUS.]
CYCLOPS:
What is this tumult? Bacchus is not here,
Nor tympanies nor brazen castanets.
How are my young lambs in the cavern? Milking
Their dams or playing by their sides? And is
The new cheese pressed into the bulrush baskets?
Speak! Ill beat some of you till you rain tears--
Look up, not downwards when I speak to you.
SILENUS:
See! I now gape at Jupiter himself;
I stare upon Orion and the stars.
CYCLOPS:
Well, is the dinner fitly cooked and laid?
SILENUS:
All ready, if your throat is ready too.
CYCLOPS:
Are the bowls full of milk besides?
SILENUS:
Oer-brimming;
So you may drink a tunful if you will.
CYCLOPS:
Is it ewes milk or cows milk, or both mixed?--
SILENUS:
Both, either; only pray dont swallow me.
CYCLOPS:
By no means.--
...
What is this crowd I see beside the stalls?
Outlaws or thieves? for near my cavern-home
I see my young lambs coupled two by two
With willow bands; mixed with my cheeses lie
Their implements; and this old fellow here
Has his bald head broken with stripes.
SILENUS:
Ah me!
I have been beaten till I burn with fever.
CYCLOPS:
By whom? Who laid his fist upon your head?
SILENUS:
Those men, because I would not suffer them
To steal your goods.
CYCLOPS:
Did not the rascals know
I am a God, sprung from the race of Heaven?
SILENUS:
I told them so, but they bore off your things,
And ate the cheese in spite of all I said,
And carried out the lambsand said, moreover,
Theyd pin you down with a three-cubit collar,
And pull your vitals out through your one eye,
Furrow your back with stripes, then, binding you,
Throw you as ballast into the ships hold,
And then deliver you, a slave, to move
Enormous rocks, or found a vestibule.
CYCLOPS:
In truth? Nay, haste, and place in order quickly
The cooking-knives, and heap upon the hearth,
And kindle it, a great **** of wood.--
As soon as they are slaughtered, they shall fill
My belly, broiling warm from the live coals,
Or boiled and seethed within the bubbling caldron.
I am quite sick of the wild mountain game;
Of stags and lions I have gorged enough,
And I grow hungry for the flesh of men.
SILENUS:
Nay, master, something new is very pleasant
After one thing forever, and of late
Very few strangers have approached our cave.
ULYSSES:
Hear, Cyclops, a plain tale on the other side.
We, wanting to buy food, came from our ship
Into the neighbourhood of your cave, and here
This old Silenus gave us in exchange
These lambs for wine, the which he took and drank,
And all by mutual compact, without force.
There is no word of truth in what he says,
For slyly he was selling all your store.
SILENUS:
I? May you perish, wretch--
ULYSSES:
If I speak false!
SILENUS:
Cyclops, I swear by Neptune who begot thee,
By mighty Triton and by Nereus old,
Calypso and the glaucous Ocean Nymphs,
The sacred waves and all the race of fishes--
Be these the witnesses, my dear sweet master,
My darling little Cyclops, that I never
Gave any of your stores to these false strangers;--
If I speak false may those whom most I love,
My children, perish wretchedly!
CHORUS:
There stop!
I saw him giving these things to the strangers.
If I speak false, then may my father perish,
But do not thou wrong hospitality.
CYCLOPS:
You lie! I swear that he is juster far
Than Rhadamanthus--I trust more in him.
But let me ask, whence have ye sailed, O strangers?
Who are you? And what city nourished ye?
ULYSSES:
Our race is Ithacan--having destroyed
The town of Troy, the tempests of the sea
Have driven us on thy land, O Polypheme.
CYCLOPS:
What, have ye shared in the unenvied spoil
Of the false Helen, near Scamanders stream?
ULYSSES:
The same, having endured a woful toil.
CYCLOPS:
Oh, basest expedition! sailed ye not
From Greece to Phrygia for one womans sake?
ULYSSES:
Twas the Gods workno mortal was in fault.
But, O great Offspring of the Ocean-King,
We pray thee and admonish thee with freedom,
That thou dost spare thy friends who visit thee,
And place no impious food within thy jaws.
For in the depths of Greece we have upreared
Temples to thy great Father, which are all
His homes. The sacred bay of Taenarus
Remains inviolate, and each dim recess
Scooped high on the Malean promontory,
And aery Suniums silver-veined crag,
Which divine Pallas keeps unprofaned ever,
The Gerastian asylums, and whateer
Within wide Greece our enterprise has kept
From Phrygian contumely; and in which
You have a common care, for you inhabit
The skirts of Grecian land, under the roots
Of Aetna and its crags, spotted with fire.
Turn then to converse under human laws,
Receive us shipwrecked suppliants, and provide
Food, clothes, and fire, and hospitable gifts;
Nor fixing upon oxen-piercing spits
Our limbs, so fill your belly and your jaws.
Priams wide land has widowed Greece enough;
And weapon-winged murder leaped together
Enough of dead, and wives are husbandless,
And ancient women and gray fathers wail
Their childless age;if you should roast the rest--
And tis a bitter feast that you prepare--
Where then would any turn? Yet be persuaded;
Forgo the lust of your jaw-bone; prefer
Pious humanity to wicked will:
Many have bought too dear their evil joys.
SILENUS:
Let me advise you, do not spare a morsel
Of all his flesh. If you should eat his tongue
You would become most eloquent, O Cyclops.
CYCLOPS:
Wealth, my good fellow, is the wise mans God,
All other things are a pretence and boast.
What are my fathers ocean promontories,
The sacred rocks whereon he dwells, to me?
Stranger, I laugh to scorn Joves thunderbolt,
I know not that his strength is more than mine.
As to the rest I care not.When he pours
Rain from above, I have a close pavilion
Under this rock, in which I lie supine,
Feasting on a roast calf or some wild beast,
And drinking pans of milk, and gloriously
Emulating the thunder of high Heaven.
And when the Thracian wind pours down the snow,
I wrap my body in the skins of beasts,
Kindle a fire, and bid the snow whirl on.
The earth, by force, whether it will or no,
Bringing forth grass, fattens my flocks and herds,
Which, to what other God but to myself
And this great belly, first of deities,
Should I be bound to sacrifice? I well know
The wise mans only Jupiter is this,
To eat and drink during his little day,
And give himself no care. And as for those
Who complicate with laws the life of man,
I freely give them tears for their reward.
I will not cheat my soul of its delight,
Or hesitate in dining upon you:--
And that I may be quit of all demands,
These are my hospitable gifts;fierce fire
And yon ancestral caldron, which oer-bubbling
Shall finely cook your miserable flesh.
Creep in!--
...
ULYSSES:
Ai! ai! I have escaped the Trojan toils,
I have escaped the sea, and now I fall
Under the cruel grasp of one impious man.
O Pallas, Mistress, Goddess, sprung from Jove,
Now, now, assist me! Mightier toils than Troy
Are these;I totter on the chasms of peril;--
And thou who inhabitest the thrones
Of the bright stars, look, hospitable Jove,
Upon this outrage of thy deity,
Otherwise be considered as no God!
CHORUS (ALONE):
For your gaping gulf and your gullet wide,
The ravin is ready on every side,
The limbs of the strangers are cooked and done;
There is boiled meat, and roast meat, and meat from the coal,
You may chop it, and tear it, and gnash it for fun,
An hairy goats-skin contains the whole.
Let me but escape, and ferry me oer
The stream of your wrath to a safer shore.
The Cyclops Aetnean is cruel and bold,
He murders the strangers
That sit on his hearth,
And dreads no avengers
To rise from the earth.
He roasts the men before they are cold,
He snatches them broiling from the coal,
And from the caldron pulls them whole,
And minces their flesh and gnaws their bone
With his cursed teeth, till all be gone.
Farewell, foul pavilion:
Farewell, rites of dread!
The Cyclops vermilion,
With slaughter uncloying,
Now feasts on the dead,
In the flesh of strangers joying!
ULYSSES:
O Jupiter! I saw within the cave
Horrible things; deeds to be feigned in words,
But not to be believed as being done.
CHORUS:
What! sawest thou the impious Polypheme
Feasting upon your loved companions now?
ULYSSES:
Selecting two, the plumpest of the crowd,
He grasped them in his hands.--
CHORUS:
Unhappy man!
...
ULYSSES:
Soon as we came into this craggy place,
Kindling a fire, he cast on the broad hearth
The knotty limbs of an enormous oak,
Three waggon-loads at least, and then he strewed
Upon the ground, beside the red firelight,
His couch of pine-leaves; and he milked the cows,
And pouring forth the white milk, filled a bowl
Three cubits wide and four in depth, as much
As would contain ten amphorae, and bound it
With ivy wreaths; then placed upon the fire
A brazen pot to boil, and made red hot
The points of spits, not sharpened with the sickle
But with a fruit tree bough, and with the jaws
Of axes for Aetnean slaughterings.
And when this God-abandoned Cook of Hell
Had made all ready, he seized two of us
And killed them in a kind of measured manner;
For he flung one against the brazen rivets
Of the huge caldron, and seized the other
By the foots tendon, and knocked out his brains
Upon the sharp edge of the craggy stone:
Then peeled his flesh with a great cooking-knife
And put him down to roast. The others limbs
He chopped into the caldron to be boiled.
And I, with the tears raining from my eyes,
Stood near the Cyclops, ministering to him;
The rest, in the recesses of the cave,
Clung to the rock like bats, bloodless with fear.
When he was filled with my companions flesh,
He threw himself upon the ground and sent
A loathsome exhalation from his maw.
Then a divine thought came to me. I filled
The cup of Maron, and I offered him
To taste, and said:Child of the Ocean God,
Behold what drink the vines of Greece produce,
The exultation and the joy of Bacchus.
He, satiated with his unnatural food,
Received it, and at one draught drank it off,
And taking my hand, praised me:Thou hast given
A sweet draught after a sweet meal, dear guest.
And I, perceiving that it pleased him, filled
Another cup, well knowing that the wine
Would wound him soon and take a sure revenge.
And the charm fascinated him, and I
Plied him cup after cup, until the drink
Had warmed his entrails, and he sang aloud
In concert with my wailing fellow-seamen
A hideous discordand the cavern rung.
I have stolen out, so that if you will
You may achieve my safety and your own.
But say, do you desire, or not, to fly
This uncompanionable man, and dwell
As was your wont among the Grecian Nymphs
Within the fanes of your beloved God?
Your father there within agrees to it,
But he is weak and overcome with wine,
And caught as if with bird-lime by the cup,
He claps his wings and crows in doting joy.
You who are young escape with me, and find
Bacchus your ancient friend; unsuited he
To this rude Cyclops.
CHORUS:
Oh my dearest friend,
That I could see that day, and leave for ever
The impious Cyclops.
...
ULYSSES:
Listen then what a punishment I have
For this fell monster, how secure a flight
From your hard servitude.
CHORUS:
O sweeter far
Than is the music of an Asian lyre
Would be the news of Polypheme destroyed.
ULYSSES:
Delighted with the Bacchic drink he goes
To call his brother Cyclops--who inhabit
A village upon Aetna not far off.
CHORUS:
I understand, catching him when alone
You think by some measure to dispatch him,
Or thrust him from the precipice.
ULYSSES:
Oh no;
Nothing of that kind; my device is subtle.
CHORUS:
How then? I heard of old that thou wert wise.
ULYSSES:
I will dissuade him from this plan, by saying
It were unwise to give the Cyclopses
This precious drink, which if enjoyed alone
Would make life sweeter for a longer time.
When, vanquished by the Bacchic power, he sleeps,
There is a trunk of olive wood within,
Whose point having made sharp with this good sword
I will conceal in fire, and when I see
It is alight, will fix it, burning yet,
Within the socket of the Cyclops eye
And melt it out with fireas when a man
Turns by its handle a great auger round,
Fitting the framework of a ship with beams,
So will I, in the Cyclops fiery eye
Turn round the brand and dry the pupil up.
CHORUS:
Joy! I am mad with joy at your device.
ULYSSES:
And then with you, my friends, and the old man,
Well load the hollow depth of our black ship,
And row with double strokes from this dread shore.
CHORUS:
May I, as in libations to a God,
Share in the blinding him with the red brand?
I would have some communion in his death.
ULYSSES:
Doubtless: the brand is a great brand to hold.
CHORUS:
Oh! I would lift an hundred waggon-loads,
If like a wasps nest I could scoop the eye out
Of the detested Cyclops.
ULYSSES:
Silence now!
Ye know the close deviceand when I call,
Look ye obey the masters of the craft.
I will not save myself and leave behind
My comrades in the cave: I might escape,
Having got clear from that obscure recess,
But twere unjust to leave in jeopardy
The dear companions who sailed here with me.
CHORUS:
Come! who is first, that with his hand
Will urge down the burning brand
Through the lids, and quench and pierce
The Cyclops eye so fiery fierce?
SEMICHORUS 1 [SONG WITHIN]:
Listen! listen! he is coming,
A most hideous discord humming.
Drunken, museless, awkward, yelling,
Far along his rocky dwelling;
Let us with some comic spell
Teach the yet unteachable.
By all means he must be blinded,
If my counsel be but minded.
SEMICHORUS 2:
Happy thou made odorous
With the dew which sweet grapes weep,
To the village hastening thus,
Seek the vines that soothe to sleep;
Having first embraced thy friend,
Thou in luxury without end,
With the strings of yellow hair,
Of thy voluptuous leman fair,
Shalt sit playing on a bed!--
Speak! what door is opened?
CYCLOPS:
Ha! ha! ha! Im full of wine,
Heavy with the joy divine,
With the young feast oversated;
Like a merchants vessel freighted
To the waters edge, my crop
Is laden to the gullets top.
The fresh meadow grass of spring
Tempts me forth thus wandering
To my brothers on the mountains,
Who shall share the wines sweet fountains.
Bring the cask, O stranger, bring!
CHORUS:
One with eyes the fairest
Cometh from his dwelling;
Some one loves thee, rarest
Bright beyond my telling.
In thy grace thou shinest
Like some nymph divinest
In her caverns dewy:--
All delights pursue thee,
Soon pied flowers, sweet-breathing,
Shall thy head be wreathing.
ULYSSES:
Listen, O Cyclops, for I am well skilled
In Bacchus, whom I gave thee of to drink.
CYCLOPS:
What sort of God is Bacchus then accounted?
ULYSSES:
The greatest among men for joy of life.
CYCLOPS:
I gulped him down with very great delight.
ULYSSES:
This is a God who never injures men.
CYCLOPS:
How does the God like living in a skin?
ULYSSES:
He is content wherever he is put.
CYCLOPS:
Gods should not have their body in a skin.
ULYSSES:
If he gives joy, what is his skin to you?
CYCLOPS:
I hate the skin, but love the wine within.
ULYSSES:
Stay here now: drink, and make your spirit glad.
CYCLOPS:
Should I not share this liquor with my brothers?
ULYSSES:
Keep it yourself, and be more honoured so.
CYCLOPS:
I were more useful, giving to my friends.
ULYSSES:
But village mirth breeds contests, broils, and blows.
CYCLOPS:
When I am drunk none shall lay hands on me.--
ULYSSES:
A drunken man is better within doors.
CYCLOPS:
He is a fool, who drinking, loves not mirth.
ULYSSES:
But he is wise, who drunk, remains at home.
CYCLOPS:
What shall I do, Silenus? Shall I stay?
SILENUS:
Stayfor what need have you of pot companions?
CYCLOPS:
Indeed this place is closely carpeted
With flowers and grass.
SILENUS:
And in the sun-warm noon
Tis sweet to drink. Lie down beside me now,
Placing your mighty sides upon the ground.
CYCLOPS:
What do you put the cup behind me for?
SILENUS:
That no one here may touch it.
CYCLOPS:
Thievish One!
You want to drink;--here place it in the midst.
And thou, O stranger, tell how art thou called?
ULYSSES:
My name is Nobody. What favour now
Shall I receive to praise you at your hands?
CYCLOPS:
Ill feast on you the last of your companions.
ULYSSES:
You grant your guest a fair reward, O Cyclops.
CYCLOPS:
Ha! what is this? Stealing the wine, you rogue!
SILENUS:
It was this stranger kissing me because
I looked so beautiful.
CYCLOPS:
You shall repent
For kissing the coy wine that loves you not.
SILENUS:
By Jupiter! you said that I am fair.
CYCLOPS:
Pour out, and only give me the cup full.
SILENUS:
How is it mixed? let me observe.
CYCLOPS:
Curse you!
Give it me so.
SILENUS:
Not till I see you wear
That coronal, and taste the cup to you.
CYCLOPS:
Thou wily traitor!
SILENUS:
But the wine is sweet.
Ay, you will roar if you are caught in drinking.
CYCLOPS:
See now, my lip is clean and all my beard.
SILENUS:
Now put your elbow right and drink again.
As you see me drink--...
CYCLOPS:
How now?
SILENUS:
Ye Gods, what a delicious gulp!
CYCLOPS:
Guest, take it;--you pour out the wine for me.
ULYSSES:
The wine is well accustomed to my hand.
CYCLOPS:
Pour out the wine!
ULYSSES:
I pour; only be silent.
CYCLOPS:
Silence is a hard task to him who drinks.
ULYSSES:
Take it and drink it off; leave not a dreg.
Oh that the drinker died with his own draught!
CYCLOPS:
Papai! the vine must be a sapient plant.
ULYSSES:
If you drink much after a mighty feast,
Moistening your thirsty maw, you will sleep well;
If you leave aught, Bacchus will dry you up.
CYCLOPS:
Ho! ho! I can scarce rise. What pure delight!
The heavens and earth appear to whirl about
Confusedly. I see the throne of Jove
And the clear congregation of the Gods.
Now if the Graces tempted me to kiss
I would notfor the loveliest of them all
I would not leave this Ganymede.
SILENUS:
Polypheme,
I am the Ganymede of Jupiter.
CYCLOPS:
By Jove, you are; I bore you off from Dardanus.
...
[ULYSSES AND THE CHORUS.]
ULYSSES:
Come, boys of Bacchus, children of high race,
This man within is folded up in sleep,
And soon will vomit flesh from his fell maw;
The brand under the shed thrusts out its smoke,
No preparation needs, but to burn out
The monsters eye;but bear yourselves like men.
CHORUS:
We will have courage like the adamant rock,
All things are ready for you here; go in,
Before our father shall perceive the noise.
ULYSSES:
Vulcan, Aetnean king! burn out with fire
The shining eye of this thy neighbouring monster!
And thou, O Sleep, nursling of gloomy Night,
Descend unmixed on this God-hated beast,
And suffer not Ulysses and his comrades,
Returning from their famous Trojan toils,
To perish by this man, who cares not either
For God or mortal; or I needs must think
That Chance is a supreme divinity,
And things divine are subject to her power.
CHORUS:
Soon a crab the throat will seize
Of him who feeds upon his guest,
Fire will burn his lamp-like eyes
In revenge of such a feast!
A great oak stump now is lying
In the ashes yet undying.
Come, Maron, come!
Raging let him fix the doom,
Let him tear the eyelid up
Of the Cyclopsthat his cup
May be evil!
Oh! I long to dance and revel
With sweet Bromian, long desired,
In loved ivy wreaths attired;
Leaving this abandoned home--
Will the moment ever come?
ULYSSES:
Be silent, ye wild things! Nay, hold your peace,
And keep your lips quite close; dare not to breathe,
Or spit, or een wink, lest ye wake the monster,
Until his eye be tortured out with fire.
CHORUS:
Nay, we are silent, and we chaw the air.
ULYSSES:
Come now, and lend a hand to the great stake
Withinit is delightfully red hot.
CHORUS:
You then command who first should seize the stake
To burn the Cyclops eye, that all may share
In the great enterprise.
SEMICHORUS 1:
We are too far;
We cannot at this distance from the door
Thrust fire into his eye.
SEMICHORUS 2:
And we just now
Have become lame! cannot move hand or foot.
CHORUS:
The same thing has occurred to us,--our ankles
Are sprained with standing here, I know not how.
ULYSSES:
What, sprained with standing still?
CHORUS:
And there is dust
Or ashes in our eyes, I know not whence.
ULYSSES:
Cowardly dogs! ye will not aid me then?
CHORUS:
With pitying my own back and my back-bone,
And with not wishing all my teeth knocked out,
This cowardice comes of itselfbut stay,
I know a famous Orphic incantation
To make the brand stick of its own accord
Into the skull of this one-eyed son of Earth.
ULYSSES:
Of old I knew ye thus by nature; now
I know ye better.I will use the aid
Of my own comrades. Yet though weak of hand
Speak cheerfully, that so ye may awaken
The courage of my friends with your blithe words.
CHORUS:
This I will do with peril of my life,
And blind you with my exhortations, Cyclops.
Hasten and thrust,
And parch up to dust,
The eye of the beast
Who feeds on his guest.
Burn and blind
The Aetnean hind!
Scoop and draw,
But beware lest he claw
Your limbs near his maw.
CYCLOPS:
Ah me! my eyesight is parched up to cinders.
CHORUS:
What a sweet paean! sing me that again!
CYCLOPS:
Ah me! indeed, what woe has fallen upon me!
But, wretched nothings, think ye not to flee
Out of this rock; I, standing at the outlet,
Will bar the way and catch you as you pass.
CHORUS:
What are you roaring out, Cyclops?
CYCLOPS:
I perish!
CHORUS:
For you are wicked.
CYCLOPS:
And besides miserable.
CHORUS:
What, did you fall into the fire when drunk?
CYCLOPS:
Twas Nobody destroyed me.
CHORUS:
Why then no one
Can be to blame.
CYCLOPS:
I say twas Nobody
Who blinded me.
CHORUS:
Why then you are not blind.
CYCLOPS:
I wish you were as blind as I am.
CHORUS:
Nay,
It cannot be that no one made you blind.
CYCLOPS:
You jeer me; where, I ask, is Nobody?
CHORUS:
Nowhere, O Cyclops.
CYCLOPS:
It was that stranger ruined me:--the wretch
First gave me wine and then burned out my eye,
For wine is strong and hard to struggle with.
Have they escaped, or are they yet within?
CHORUS:
They stand under the darkness of the rock
And cling to it.
CYCLOPS:
At my right hand or left?
CHORUS:
Close on your right.
CYCLOPS:
Where?
CHORUS:
Near the rock itself.
You have them.
CYCLOPS:
Oh, misfortune on misfortune!
Ive cracked my skull.
CHORUS:
Now they escape you--there.
CYCLOPS:
Not there, although you say so.
CHORUS:
Not on that side.
CYCLOPS:
Where then?
CHORUS:
They creep about you on your left.
CYCLOPS:
Ah! I am mocked! They jeer me in my ills.
CHORUS:
Not there! he is a little there beyond you.
CYCLOPS:
Detested wretch! where are you?
ULYSSES:
Far from you
I keep with care this body of Ulysses.
CYCLOPS:
What do you say? You proffer a new name.
ULYSSES:
My father named me so; and I have taken
A full revenge for your unnatural feast;
I should have done ill to have burned down Troy
And not revenged the murder of my comrades.
CYCLOPS:
Ai! ai! the ancient oracle is accomplished;
It said that I should have my eyesight blinded
By your coming from Troy, yet it foretold
That you should pay the penalty for this
By wandering long over the homeless sea.
ULYSSES:
I bid thee weepconsider what I say;
I go towards the shore to drive my ship
To mine own land, oer the Sicilian wave.
CYCLOPS:
Not so, if, whelming you with this huge stone,
I can crush you and all your men together;
I will descend upon the shore, though blind,
Groping my way adown the steep ravine.
CHORUS:
And we, the shipmates of Ulysses now,
Will serve our Bacchus all our happy lives.
Published by Mrs. Shelley, Posthumous Poems, 1824; dated 1819. Amongst the Shelley manuscripts at the Bodleian there is a copy, 'practically complete,' which has been collated by Mr. C.D. Locock. See Examination, etc., 1903, pages 64-70. 'Though legible throughout, and comparatively free from corrections, it has the appearance of being a first draft' (Locock).
~ Percy Bysshe Shelley, The Cyclops
,#NFDB |
1431:Jubilate Agno: Fragment B, Part 2
LET PETER rejoice with the MOON FISH who keeps up the life in the waters by
night.
Let Andrew rejoice with the Whale, who is array'd in beauteous blue and is a
combination of bulk and activity.
Let James rejoice with the Skuttle-Fish, who foils his foe by the effusion of his
ink.
Let John rejoice with Nautilus who spreads his sail and plies his oar, and the Lord
is his pilot.
Let Philip rejoice with Boca, which is a fish that can speak.
Let Bartholomew rejoice with the Eel, who is pure in proportion to where he is
found and how he is used.
Let Thomas rejoice with the Sword-Fish, whose aim is perpetual and strength
insuperable.
Let Matthew rejoice with Uranoscopus, whose eyes are lifted up to God.
Let James the less, rejoice with the Haddock, who brought the piece of money for
the Lord and Peter.
Let Jude bless with the Bream, who is of melancholy from his depth and serenity.
Let Simon rejoice with the Sprat, who is pure and innumerable.
Let Matthias rejoice with the Flying-Fish, who has a part with the birds, and is
sublimity in his conceit.
Let Stephen rejoice with Remora -- The Lord remove all obstacles to his glory.
Let Paul rejoice with the Scale, who is pleasant and faithful!, like God's good
ENGLISHMAN.
Let Agrippa, which is Agricola, rejoice with Elops, who is a choice fish.
56
Let Joseph rejoice with the Turbut, whose capture makes the poor fisher-man
sing.
Let Mary rejoice with the Maid -- blessed be the name of the immaculate
CONCEPTION.
Let John, the Baptist, rejoice with the Salmon -- blessed be the name of the Lord
Jesus for infant Baptism.
Let Mark rejoice with the Mullet, who is John Dore, God be gracious to him and
his family.
Let Barnabus rejoice with the Herring -- God be gracious to the Lord's fishery.
Let Cleopas rejoice with the Mackerel, who cometh in a shoal after a leader.
Let Abiud of the Lord's line rejoice with Murex, who is good and of a precious
tincture.
Let Eliakim rejoice with the Shad, who is contemned in his abundance.
Let Azor rejoice with the Flounder, who is both of the sea and of the river,
Let Sadoc rejoice with the Bleak, who playeth upon the surface in the Sun.
Let Achim rejoice with the Miller's Thumb, who is a delicious morsel for the water
fowl.
Let Eliud rejoice with Cinaedus, who is a fish yellow all over.
Let Eleazar rejoice with the Grampus, who is a pompous spouter.
Let Matthan rejoice with the Shark, who is supported by multitudes of small
value.
Let Jacob rejoice with the Gold Fish, who is an eye-trap.
Let Jairus rejoice with the Silver Fish, who is bright and lively.
Let Lazarus rejoice with Torpedo, who chills the life of the assailant through his
staff.
57
Let Mary Magdalen rejoice with the Place, whose goodness and purity are of the
Lord's making.
Let Simon the leper rejoice with the Eel-pout, who is a rarity on account of his
subtlety.
Let Alpheus rejoice with the Whiting, whom God hath bless'd in multitudes, and
his days are as the days of PURIM.
Let Onesimus rejoice with the Cod -- blessed be the name of the Lord Jesus for a
miraculous draught of men.
Let Joses rejoice with the Sturgeon, who saw his maker in the body and obtained
grace.
Let Theophilus rejoice with the Folio, who hath teeth, like the teeth of a saw.
Let Bartimeus rejoice with the Quaviver -- God be gracious to the eyes of him,
who prayeth for the blind.
Let CHRISTOPHER, who is Simon of Cyrene, rejoice with the Rough -- God be
gracious to the CAM and to DAVID CAM and his seed for ever.
Let Timeus rejoice with the Ling -- God keep the English Sailors clear of French
bribery.
Let Salome rejoice with the Mermaid, who hath the countenance and a portion of
human reason.
Let Zacharias rejoice with the Gudgeon, who improves in his growth till he is
mistaken.
Let Campanus rejoice with the Lobster -- God be gracious to all the CAMPBELLs
especially John.
Let Martha rejoice with the Skallop -- the Lord revive the exercise and excellence
of the Needle.
Let Mary rejoice with the Carp -- the ponds of Fairlawn and the garden bless for
the master.
58
Let Zebedee rejoice with the Tench -- God accept the good son for his parents
also.
Let Joseph of Arimathea rejoice with the Barbel -- a good coffin and a tombstone without grudging!
Let Elizabeth rejoice with the Crab -- it is good, at times, to go back.
Let Simeon rejoice with the Oyster, who hath the life without locomotion.
Let Jona rejoice with the Wilk -- Wilks, Wilkie, and Wilkinson bless the name of
the Lord Jesus.
Let Nicodemus rejoice with the Muscle, for so he hath provided for the poor.
Let Gamaliel rejoice with the Cockle -- I will rejoice in the remembrance of
mercy.
Let Agabus rejoice with the Smelt -- The Lord make me serviceable to the
HOWARDS.
Let Rhoda rejoice with the Sea-Cat, who is pleasantry and purity.
Let Elmodam rejoice with the Chubb, who is wary of the bait and thrives in his
circumspection.
Let Jorim rejoice with the Roach -- God bless my throat and keep me from things
stranggled.
Let Addi rejoice with the Dace -- It is good to angle with meditation.
Let Luke rejoice with the Trout -- Blessed be Jesus in Aa, in Dee and in Isis.
Let Cosam rejoice with the Perch, who is a little tyrant, because he is not liable to
that, which he inflicts.
Let Levi rejoice with the Pike -- God be merciful to all dumb creatures in respect
of pain.
Let Melchi rejoice with the Char, who cheweth the cud.
Let Joanna rejoice with the Anchovy -- I beheld and lo! 'a great multitude!
59
Let Neri rejoice with the Keeling Fish, who is also called the Stock Fish.
Let Janna rejoice with the Pilchard -- the Lord restore the seed of Abishai.
Let Esli rejoice with the Soal, who is flat and spackles for the increase of motion.
Let Nagge rejoice with the Perriwinkle -- 'for the rain it raineth every day.'
Let Anna rejoice with the Porpus, who is a joyous fish and of good omen.
Let Phanuel rejoice with the Shrimp, which is the childrens fishery.
Let Chuza rejoice with the Sea-Bear, who is full of sagacity and prank.
Let Susanna rejoice with the Lamprey, who is an eel with a title.
Let Candace rejoice with the Craw-fish -- How hath the Christian minister
renowned the Queen.
Let The Eunuch rejoice with the Thorn-Back -- It is good to be discovered reading
the BIBLE.
Let Simon the Pharisee rejoice with the Grigg -- the Lord bring up Issachar and
Dan.
Let Simon the converted Sorcerer rejoice with the Dab quoth Daniel.
Let Joanna, of the Lord's line, rejoice with the Minnow, who is multiplied against
the oppressor.
Let Jonas rejoice with the Sea-Devil, who hath a good name from his Maker.
Let Alexander rejoice with the Tunny -- the worse the time the better the
eternity.
Let Rufus rejoice with the Needle-fish, who is very good in his element.
Let Matthat rejoice with the Trumpet-fish -- God revive the blowing of the
TRUMPETS.
Let Mary, the mother of James, rejoice with the Sea-Mouse -- it is good to be at
60
peace.
Let Prochorus rejoice with Epodes, who is a kind of fish with Ovid who is at peace
in the Lord.
Let Timotheus rejoice with the Dolphin, who is of benevolence.
Let Nicanor rejoice with the Skeat -- Blessed be the name of the Lord Jesus in
fish and in the Shewbread, which ought to be continually on the altar, now more
than ever, and the want of it is the Abomination of Desolation spoken of by
Daniel.
Let Timon rejoice with Crusion -- The Shew-Bread in the first place is gratitude to
God to shew who is bread, whence it is, and that there is enough and to spare.
Let Parmenas rejoice with the Mixon -- Secondly it is to prevent the last
extremity, for it is lawful that rejected hunger may take it.
Let Dorcas rejoice with Dracunculus -- blessed be the name of the Lord Jesus in
the Grotto.
Let Tychicus rejoice with Scolopendra, who quits himself of the hook by voiding
his intrails.
Let Trophimus rejoice with the Sea-Horse, who shoud have been to Tychicus the
father of Yorkshiremen.
Let Tryphena rejoice with Fluta -- Saturday is the Sabbath for the mouth of God
hath spoken it.
Let Tryphosa rejoice with Acarne -- With such preparation the Lord's Jubile is
better kept.
Let Simon the Tanner rejoice with Alausa -- Five days are sufficient for the
purposes of husbandry.
Let Simeon Niger rejoice with the Loach -- The blacks are the seed of Cain.
Let Lucius rejoice with Corias -- Some of Cain's seed was preserved in the loins
of Ham at the flood.
Let Manaen rejoice with Donax. My DEGREE is good even here, in the Lord I have
61
a better.
Let Sergius Paulus rejoice with Dentex -- Blessed be the name Jesus for my
teeth.
Let Silas rejoice with the Cabot -- the philosophy of the times ev'n now is vain
deceit.
Let Barsabas rejoice with Cammarus -- Newton is ignorant for if a man consult
not the WORD how should he understand the WORK? -Let Lydia rejoice with Attilus -- Blessed be the name of him which eat the fish
and honey comb.
Let Jason rejoice with Alopecias, who is subtlety without offence.
Let Dionysius rejoice with Alabes who is peculiar to the Nile.
Let Damaris rejoice with Anthias -- The fountain of the Nile is known to the
Eastern people who drink it.
Let Apollos rejoice with Astacus, but St Paul is the Agent for England.
Let Justus rejoice with Crispus in a Salmon-Trout -- the Lord look on the soul of
Richard Atwood.
Let Crispus rejoice with Leviathan -- God be gracious to the soul of HOBBES, who
was no atheist, but a servant of Christ, and died in the Lord -- I wronged him
God forgive me.
Let Aquila rejoice with Beemoth who is Enoch no fish but a stupendous creeping
Thing.
Let Priscilla rejoice with Cythera. As earth increases by Beemoth so the sea
likewise enlarges.
Let Tyrannus rejoice with Cephalus who hath a great head.
Let Gaius rejoice with the Water-Tortoise -- Paul and Tychicus were in England
with Agricola my father.
Let Aristarchus rejoice with Cynoglossus -- The Lord was at Glastonbury in the
62
body and blessed the thorn.
Let Alexander rejoice with the Sea-Urchin -- The Lord was at Bristol and blessed
the waters there.
Let Sopater rejoice with Elacate -- The waters of Bath were blessed by St
Matthias.
Let Secundus rejoice with Echeneis who is the sea-lamprey.
Let Eutychus rejoice with Cnide -- Fish and honeycomb are blessed to eat after a
recovery. -Let Mnason rejoice with Vulvula a sort of fish -- Good words are of God, the cant
from the Devil.
Let Claudius Lysias rejoice with Coracinus who is black and peculiar to Nile.
Let Bernice rejoice with Corophium which is a kind of crab.
Let Phebe rejoice with Echinometra who is a beautiful shellfish red and green.
Let Epenetus rejoice with Erythrinus who is red with a white belly.
Let Andronicus rejoice with Esox, the Lax, a great fish of the Rhine.
Let Junia rejoice with the Faber-Fish -- Broil'd fish and honeycomb may be taken
for the sacrament.
Let Amplias rejoice with Garus, who is a kind of Lobster.
Let Urbane rejoice with Glanis, who is a crafty fish who bites away the bait and
saves himself.
Let Stachys rejoice with Glauciscus, who is good for Women's milk.
Let Apelles rejoice with Glaucus -- behold the seed of the brave and ingenious
how they are saved!
Let Aristobulus rejoice with Glycymerides who is pure and sweet.
Let Herodion rejoice with Holothuria which are prickly fishes.
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Let Narcissus rejoice with Hordeia -- I will magnify the Lord who multiplied the
fish.
Let Persis rejoice with Liparis -- I will magnify the Lord who multiplied the barley
loaves.
Let Rufus rejoice with Icthyocolla of whose skin a water-glue is made.
Let Asyncritus rejoice with Labrus who is a voracious fish.
Let Phlegon rejoice with the Sea-Lizard -- Bless Jesus THOMAS BOWLBY and all
the seed of Reuben.
Let Hermas rejoice with Lamyrus who is of things creeping in the sea.
Let Patrobas rejoice with Lepas, all shells are precious.
Let Hermes rejoice with Lepus, who is a venomous fish.
Let Philologus rejoice with Ligarius -- shells are all parries to the adversary.
Let Julia rejoice with the Sleeve-Fish -- Blessed be Jesus for all the TAYLERS.
Let Nereus rejoice with the Calamary -- God give success to our fleets.
Let Olympas rejoice with the Sea-Lantern, which glows upon the waters.
Let Sosipater rejoice with Cornuta. There are fish for the Sea-Night-Birds that
glow at bottom.
Let Lucius rejoice with the Cackrel Fish. God be gracious to JMs FLETCHER who
has my tackling.
Let Tertius rejoice with Maia which is a kind of crab.
Let Erastus rejoice with Melandry which is the largest Tunny.
Let Quartus rejoice with Mena. God be gracious to the immortal soul of poor
Carte, who was barbarously and cowardly murder'd -- the Lord prevent the
dealers in clandestine death.
64
Let Sosthenes rejoice with the Winkle -- all shells like the parts of the body are
good kept for those parts.
Let Chloe rejoice with the Limpin -- There is a way to the terrestrial Paradise
upon the knees.
Let Carpus rejoice with the Frog-Fish -- A man cannot die upon his knees.
Let Stephanas rejoice with Mormyra who is a fish of divers colours.
Let Fortunatus rejoice with the Burret -- it is good to be born when things are
crossed.
Let Lois rejoice with the Angel-Fish -- There is a fish that swims in the fluid
Empyrean.
Let Achaicus rejoice with the Fat-Back -- The Lord invites his fishers to the WEST
INDIES.
Let Sylvanus rejoice with the Black-Fish -- Oliver Cromwell himself was the
murderer in the Mask.
Let Titus rejoice with Mys -- O Tite siquid ego adjuero curamve levasso!
Let Euodias rejoice with Myrcus -- There is a perfumed fish I will offer him for a
sweet savour to the Lord.
Let Syntyche rejoice with Myax -- There are shells in the earth which were left by
the FLOOD.
Let Clement rejoice with Ophidion -- There are shells again in earth at sympathy
with those in sea.
Let Epaphroditus rejoice with Opthalmias -- The Lord increase the Cambridge
collection of fossils.
Let Epaphras rejoice with Orphus -- God be gracious to the immortal soul of Dr
Woodward.
Let Justus rejoice with Pagrus -- God be gracious to the immortal soul of Dr
Middleton.
65
Let Nymphas rejoice with Fagurus -- God bless Charles Mason and all Trinity
College.
Let Archippus rejoice with Nerita whose shell swimmeth.
Let Eunice rejoice with Oculata who is of the Lizard kind.
Let Onesephorus rejoice with Orca, who is a great fish.
Let Eubulus rejoice with Ostrum the scarlet -- God be gracious to Gordon and
Groat.
Let Pudens rejoice with Polypus -- The Lord restore my virgin!
Let Linus rejoice with Ozsena who is a kind of Polype -- God be gracious to Lyne
and Anguish.
Let Claudia rejoice with Pascer -- the purest creatures minister to wantoness by
unthankfulness.
Let Artemas rejoice with Pastinaca who is a fish with a sting.
Let Zenas rejoice with Pecten -- The Lord obliterate the laws of man!
Let Philemon rejoice with Pelagia -- The laws and judgement are impudence and
blindness.
Let Apphia rejoice with Pelamis -- The Lord Jesus is man's judgement.
Let Demetrius rejoice with Peloris, who is greatest of Shell-Fishes.
Let Antipas rejoice with Pentadactylus -- A papist hath no sentiment God bless
CHURCHILL.
***
FOR I pray the Lord JESUS that cured the LUNATICK to be merciful to all my
brethren and sisters in these houses.
For they work me with their harping-irons, which is a barbarous instrument,
because I am more unguarded than others.
66
For the blessing of God hath been on my epistles, which I have written for the
benefit of others.
For I bless God that the CHURCH of ENGLAND is one of the SEVEN ev'n the
candlestick of the Lord.
For the ENGLISH TONGUE shall be the language of the WEST.
For I pray Almighty CHRIST to bless the MAGDALEN HOUSE and to forward a
National purification.
For I have the blessing of God in the three POINTS of manhood, of the pen, of
the sword, and of chivalry.
For I am inquisitive in the Lord, and defend the philosophy of the scripture
against vain deceit.
For the nets come down from the eyes of the Lord to fish up men to their
salvation.
For I have a greater compass both of mirth and melancholy than another.
For I bless the Lord JESUS in the innumerables, and for ever and ever.
For I am redoubted, and redoubtable in the Lord, as is THOMAS BECKET my
father.
For I have had the grace to GO BACK, which is my blessing unto prosperity.
For I paid for my seat in St PAUL's, when I was six years old, and took
possession against the evil day.
For I am descended from the steward of the island -- blessed be the name of the
Lord Jesus king of England.
For the poor gentleman is the first object of the Lord's charity and he is the most
pitied who hath lost the most.
For I am in twelve HARDSHIPS, but he that was born of a virgin shall deliver me
out of all.
For I am safe, as to my head, from the female dancer and her admirers.
67
For I pray for CHICHISTER to give the glory to God, and to keep the adversary at
bay.
For I am making to the shore day by day, the Lord Jesus take me.
For I bless the Lord JESUS upon RAMSGATE PIER -- the Lord forward the building
of harbours.
For I bless the Lord JESUS for his very seed, which is in my body.
For I pray for R and his family, I pray for Mr Becher, and I bean for the Lord
JESUS.
For I pray to God for Nore, for the Trinity house, for all light-houses, beacons and
buoys.
For I bless God that I am not in a dungeon, but am allowed the light of the Sun.
For I pray God for the PYGMIES against their feathered adversaries, as a deed of
charity.
For I pray God for all those, who have defiled themselves in matters
inconvenient.
For I pray God be gracious to CORNELIUS MATTHEWS name and connection.
For I am under the same accusation with my Saviour -- -for they said, he is
besides himself.
For I pray God for the introduction of new creatures into this island.
For I pray God for the ostriches of Salisbury Plain, the beavers of the Medway
and silver fish of Thames.
For Charity is cold in the multitude of possessions, and the rich are covetous of
their crumbs.
For I pray to be accepted as a dog without offence, which is best of all.
For I wish to God and desire towards the most High, which is my policy.
68
For the tides are the life of God in the ocean, and he sends his angel to trouble
the great DEEP.
For he hath fixed the earth upon arches and pillars, and the flames of hell flow
under it.
For the grosser the particles the nearer to the sink, and the nearer to purity, the
quicker the gravitation.
For MATTER is the dust of the Earth, every atom of which is the life.
For MOTION is as the quantity of life direct, and that which hath not motion, is
resistance.
For Resistance is not of GOD, but he -- hath built his works upon it.
For the Centripetal and Centrifugal forces are GOD SUSTAINING and DIRECTING.
For Elasticity is the temper of matter to recover its place with vehemence.
For Attraction is the earning of parts, which have a similitude in the life.
For the Life of God is in the Loadstone, and there is a magnet, which pointeth
due EAST.
For the Glory of God is always in the East, but cannot be seen for the cloud of the
crucifixion.
For due East is the way to Paradise, which man knoweth not by reason of his fall.
For the Longitude is (nevertheless) attainable by steering angularly
notwithstanding.
For Eternity is a creature and is built upon Eternity ¥ê¥á¥ó¥á¥â¥ï¥ë¥ç ¥å¥g¥é
¥ó¥ç ¥ä¥é¥á¥â¥ï¥ë¥ç .
For Fire is a mixed nature of body and spirit, and the body is fed by that which
hath not life.
For Fire is exasperated by the Adversary, who is Death, unto the detriment of
69
man.
For an happy Conjecture is a miraculous cast by the Lord Jesus.
For a bad Conjecture is a draught of stud and mud.
For there is a Fire which is blandishing, and which is of God direct.
For Fire is a substance and distinct, and purifyeth ev'n in hell.
For the Shears is the first of the mechanical powers, and to be used on the
knees.
For if Adam had used this instrument right, he would not have fallen.
For the power of the Shears Is direct as the life.
For the power of the WEDGE is direct as it's altitude by communication of
Almighty God.
For the Skrew, Axle and Wheel, Pulleys, the Lever and Inclined Plane are known
in the Schools.
For the Centre is not known but by the application of the members to matter.
For I have shown the Vis Inerti©¡ to be false, and such is all nonsense.
For the Centre is the hold of the Spirit upon the matter in hand.
For FRICTION is inevitable because the Universe is FULL of God's works.
For the PERPETUAL MOTION is in all the works of Almighty GOD.
For it is not so in the engines of man, which are made of dead materials, neither
indeed can be.
For the Moment of bodies, as it is used, is a false term -- bless God ye Speakers
on the Fifth of November.
For Time and Weight are by their several estimates.
For I bless GOD in the discovery of the LONGITUDE direct by the means of
70
GLADWICK.
For the motion of the PENDULUM is the longest in that it parries resistance.
For the WEDDING GARMENTS of all men are prepared in the SUN against the day
of acceptation.
For the Wedding Garments of all women are prepared in the MOON against the
day of their purification.
For CHASTITY is the key of knowledge as in Esdras, Sr Isaac Newton and now,
God be praised, in me.
For Newton nevertheless is more of error than of the truth, but I am of the
WORD of GOD.
For WATER, is not of solid constituents, but is dissolved from precious stones
above.
For the life remains in its dissolvent state, and that in great power.
For WATER is condensed by the Lord's FROST, tho' not by the FLORENTINE
experiment.
For GLADWICK is a substance growing on hills in the East, candied by the sun,
and of diverse colours.
For it is neither stone nor metal but a new creature, soft to the ax, but hard to
the hammer.
For it answers sundry uses, but particularly it supplies the place of Glass.
For it giveth a benign light without the fragility, malignity or mischief of Glass.
For it attracteth all the colours of the GREAT BOW which is fixed in the EAST.
For the FOUNTAINS and SPRINGS are the life of the waters working up to God.
For they are in SYMPATHY with the waters above the Heavens, which are solid.
For the Fountains, springs and rivers are all of them from the sea, whose water is
filtrated and purified by the earth.
71
For there is Water above the visible surface in a spiritualizing state, which cannot
be seen but by application of a CAPILLARY TUBE.
For the ASCENT of VAPOURS is the return of thanksgiving from all humid bodies.
For the RAIN WATER kept in a reservoir at any altitude, suppose of a thousand
feet, will make a fountain from a spout of ten feet of the same height.
For it will ascend in a stream two thirds of the way and afterwards prank itself
into ten thousand agreeable forms.
For the SEA is a seventh of the Earth -- the spirit of the Lord by Esdras.
For MERCURY is affected by the AIR because it is of a similar subtlety.
For the rising in the BAROMETER is not effected by pressure but by sympathy.
For it cannot be seperated from the creature with which it is intimately and
eternally connected.
For where it is stinted of air there it will adhere together and stretch on the
reverse.
For it works by ballancing according to the hold of the spirit.
For QUICK-SILVER is spiritual and so is the AIR to all intents and purposes.
For the AIR-PUMP weakens and dispirits but cannot wholly exhaust.
For SUCKTION is the withdrawing of the life, but life will follow as fast as it can.
For there is infinite provision to keep up the life in all the parts of Creation.
For the AIR is contaminated by curses and evil language.
For poysonous creatures catch some of it and retain it or ere it goes to the
adversary.
For IRELAND was without these creatures, till of late, because of the simplicity of
the people.
72
For the AIR. is purified by prayer which is made aloud and with all our might.
For loud prayer is good for weak lungs and for a vitiated throat.
For SOUND is propagated in the spirit and in all directions.
For the VOICE of a figure compleat in all its parts.
For a man speaks HIMSELF from the crown of his head to the sole of his feet.
For a LION roars HIMSELF compleat from head to tail.
For all these things are seen in the spirit which makes the beauty of prayer.
For all whispers and unmusical sounds in general are of the Adversary.
For 'I will hiss saith the Lord' is God's denunciation of death.
For applause or the clapping of the hands is the natural action of a man on the
descent of the glory of God.
For EARTH which is an intelligence hath a voice and a propensity to speak in all
her parts.
For ECHO is the soul of the voice exerting itself in hollow places.
For ECHO cannot act but when she can parry the adversary.
For ECHO is greatest in Churches and where she can assist in prayer.
For a good voice hath its Echo with it and it is attainable by much supplication.
For the FOICE is from the body and the spirit -- and is a a body and a spirit.
For the prayers of good men are therefore visible to second-sighted persons.
For HARPSICHORDS are best strung with gold wire.
For HARPS and VIOLS are best strung with Indian weed.
For the GERMAN FLUTE is an indirect -- the common flute good, bless the Lord
Jesus BENJIMIN HALLET.
73
For the feast of TRUMPETS should be kept up, that being the most direct and
acceptable of all instruments.
For the TRUMPET of God is a blessed intelligence and so are all the instruments
in HEAVEN.
For GOD the father Almighty plays upon the HARP of stupendous magnitude and
melody.
For innumerable Angels fly out at every touch and his tune is a work of creation.
For at that time malignity ceases and the devils themselves are at peace.
For this time is perceptible to man by a remarkable stillness and serenity of soul.
For the ¨¡olian harp is improveable into regularity.
For when it is so improved it will be known to be the SHAWM.
For it woud be better if the LITURGY were musically performed.
For the strings of the SHAWM were upon a cylinder which turned to the wind.
For this was spiritual musick altogether, as the wind is a spirit.
For there is nothing but it may be played upon in delight.
For the flames of fire may lie blown thro musical pipes.
For it is so higher up in the vast empyrean.
For is so real as that which is spiritual.
For an IGNIS FATUUS is either the fool's conceit or a blast from the adversary.
For SHELL-FIRE or ELECTRICAL is the quick air when it is caught.
For GLASS is worked in the fire till it partakes of its nature.
For the electrical fire is easily obtain'd by the working of glass.
74
For all spirits are of fire and the air is a very benign one.
For the MAN in VACUO is a flat conceit of preposterous folly.
For the breath of our nostrils is an electrical spirit.
For an electrical spirit may be exasperated into a malignant fire.
For it is good to quicken in paralytic cases being the life applied unto death,
For the method of philosophizing is in a posture of Adoration.
For the School-Doctrine of Thunder and Lightning is a Diabolical Hypothesis.
For it is taking the nitre from the lower regions and directing it against the
Infinite of Heights.
For THUNDER is the voice of God direct in verse and musick.
For LIGHTNING is a glance of the glory of God.
For the Brimstone that is found at the times of thunder and lightning is worked
up by the Adversary.
For the voice is always for infinite good which he strives to impede.
For the Devil can work coals into shapes to afflict the minds of those that will not
pray.
For the coffin and the cradle and the purse are all against a man.
For the coffin is for the dead and death came by disobedience.
For the cradle is for weakness and the child of man was originally strong from the
womb.
For the purse is for money and money is dead matter with the stamp of human
vanity.
For the adversary frequently sends these particular images out of the fire to
those whom they concern.
75
For the coffin is for me because I have nothing to do with it.
For the cradle is for me because the old Dragon attacked me in it and overcame
in Christ.
For the purse is for me because I have neither money nor human friends.
For LIGHT is propagated at all distances in an instant because it is actuated by
the divine conception.
For the Satellites of the planet prove nothing in this matter but the glory of
Almighty God.
For the SHADE is of death and from the adversary.
For Solomon said vanity of vanities, vanity of vanities all is vanity.
For Jesus says verity of verities, verity of verities all is verity.
For Solomon said THOU FOOL in malice from his own vanity.
For the Lord reviled not all in hardship and temptation unutterable.
For Fire hath this property that it reduces a thing till finally it is not.
For all the filth wicked of men shall be done away by fire in Eternity.
For the furnace itself shall come up at the last according to Abraham's vision.
For the Convex Heaven of shall work about on that great event.
For the ANTARTICK POLE is not yet but shall answer in the Consummation.
For the devil hath most power in winter, because darkness prevails.
For the Longing of Women is the operation of the Devil upon their conceptions.
For the marking of their children is from the same cause both of which are to be
parried by prayer.
For the laws of King James the first against Witchcraft were wise, had it been of
man to make laws.
76
For there are witches and wizards even now who are spoken to by their familiars.
For the visitation of their familiars is prevented by the Lord's incarnation.
For to conceive with intense diligence against one's neighbour is a branch of
witchcraft.
For to use pollution, exact and cross things and at the same time to think against
a man is the crime direct.
For prayer with musick is good for persons so exacted upon.
For before the NATIVITY is the dead of the winter and after it the quick.
For the sin against the HOLY GHOST is INGRATITUDE.
For stuff'd guts make no musick; strain them strong and you shall have sweet
melody.
For the SHADOW is of death, which is the Devil, who can make false and faint
images of the works of Almighty God.
For every man beareth death about him ever since the transgression of Adam,
but in perfect light there is no shadow.
For all Wrath is Fire, which the adversary blows upon and exasperates.
For SHADOW is a fair Word from God, which is not returnable till the furnace
comes up.
For the ECLIPSE is of the adversary -- blessed be the name of Jesus for Whisson
of Trinity.
For the shadow is his and the penumbra is his and his the perplexity of the the
phenomenon.
For the eclipses happen at times when the light is defective.
For the more the light is defective, the more the powers of darkness prevail.
77
For deficiencies happen by the luminaries crossing one another.
For the SUN is an intelligence and an angel of the human form.
For the MOON is an intelligence and an angel in shape like a woman.
For they are together in the spirit every night like man and wife.
For Justice is infinitely beneath Mercy in nature and office.
For the Devil himself may be just in accusation and punishment.
For HELL is without eternity from the presence of Almighty God.
For Volcanos and burning mountains are where the adversary hath most power.
For the angel GRATITUDE is my wife -- God bring me to her or her to me.
For the propagation of light is quick as the divine Conception.
For FROST is damp and unwholsome air candied to fall to the best advantage.
For I am the Lord's News-Writer -- the scribe-evangelist -- Widow Mitchel, Gun
and Grange bless the Lord Jesus.
For Adversity above all other is to be deserted of the grace of God.
For in the divine Idea this Eternity is compleat and the Word is a making many
more.
For there is a forlorn hope ev'n for impenitent sinners because the furnace itself
must be the crown of Eternity.
For my hope is beyond Eternity in the bosom of God my saviour.
For by the grace of God I am the Reviver of ADORATION amongst ENGLISH-MEN.
For being desert-ed is to have desert in the sight of God and intitles one to the
Lord's merit.
For things that are not in the sight of men are thro' God of infinite concern.
78
For envious men have exceeding subtlety quippe qui in -- videant.
For avaricious men are exceeding subtle like the soul seperated from the body.
For their attention is on a sinking object which perishes.
For they can go beyond the children of light in matters of their own misery.
For Snow is the dew candied and cherishes.
For TIMES and SEASONS are the Lord's -- Man is no CHRONOLOGER.
For there is a CIRCULATION of the SAP in all vegetables.
For SOOT is the dross of Fire.
For the CLAPPING of the hands is naught unless it be to the glory of God.
For God will descend in visible glory when men begin to applaud him.
For all STAGE-Playing is Hypocrisy and the Devil is the master of their revels.
For the INNATATION of corpuscles is solved by the Gold-beater's hammer -- God
be gracious to Christopher Peacock and to all my God-Children.
For the PRECESSION of the Equinoxes is improving nature -- something being
gained every where for the glory of God perpetually.
For the souls of the departed are embodied in clouds and purged by the Sun.
For the LONGITUDE may be discovered by attending the motions of the Sun.
Way 2d.
For you must consider the Sun as dodging, which he does to parry observation.
For he must be taken with an Astrolabe, and considered respecting the point he
left.
For you must do this upon your knees and that will secure your point.
For I bless God that I dwell within the sound of Success, and that it is well with
79
ENGLAND this blessed day. NATIVITY of our LORD N.S. 1759.
~ Christopher Smart,#NFDB |
1432:The Last Tournament
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'
To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
631
And Lancelot won, methought, for thee to wear.'
`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as givenSlid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance-who knows?-the purest of thy knights
May win them for the purest of my maids.'
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Armed for a day of glory before the King.
But on the hither side of that loud morn
Into the hall staggered, his visage ribbed
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shattered fingers dangling lame,
A churl, to whom indignantly the King,
`My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marred heaven's image in thee thus?'
Then, sputtering through the hedge of splintered teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blackened sawing the air, said the maimed churl,
`He took them and he drave them to his towerSome hold he was a table-knight of thineA hundred goodly ones-the Red Knight, heLord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I called upon thy name as one
632
That doest right by gentle and by churl,
Maimed me and mauled, and would outright have slain,
Save that he sware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it-and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves-and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.''
Then Arthur turned to Kay the seneschal,
`Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen-but that ever-climbing wave,
Hurled back again so often in empty foam,
Hath lain for years at rest-and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, through your manhood and your fealty,-now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchaired tomorrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it,
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?'
Thereto Sir Lancelot answered, `It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has willed it, it is well.'
Then Arthur rose and Lancelot followed him,
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And while they stood without the doors, the King
Turned to him saying, `Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,-the glance
That only seems half-loyal to command,A manner somewhat fallen from reverenceOr have I dreamed the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, upreared,
By noble deeds at one with noble vows,
From flat confusion and brute violences,
Reel back into the beast, and be no more?'
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turned
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watched her lord pass, and knew not that she sighed.
Then ran across her memory the strange rhyme
Of bygone Merlin, `Where is he who knows?
From the great deep to the great deep he goes.'
But when the morning of a tournament,
By these in earnest those in mockery called
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shrieked, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, filled his double-dragoned chair.
He glanced and saw the stately galleries,
Dame, damsel, each through worship of their Queen
White-robed in honour of the stainless child,
And some with scattered jewels, like a bank
Of maiden snow mingled with sparks of fire.
He looked but once, and vailed his eyes again.
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The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet cracked,
And showed him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billowed round the barriers roar
An ocean-sounding welcome to one knight,
But newly-entered, taller than the rest,
And armoured all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle-Tristram-late
From overseas in Brittany returned,
And marriage with a princess of that realm,
Isolt the White-Sir Tristram of the WoodsWhom Lancelot knew, had held sometime with pain
His own against him, and now yearned to shake
The burthen off his heart in one full shock
With Tristram even to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groaned for wrath-so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
Stood, while he muttered, `Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more.'
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than `Hast thou won?
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Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!' to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, `Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Lest be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand-belike the lance hath dript upon itNo blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine.'
And Tristram round the gallery made his horse
Caracole; then bowed his homage, bluntly saying,
`Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here.'
And most of these were mute, some angered, one
Murmuring, `All courtesy is dead,' and one,
`The glory of our Round Table is no more.'
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laughed shrilly, crying, `Praise the patient saints,
Our one white day of Innocence hath past,
Though somewhat draggled at the skirt. So be it.
The snowdrop only, flowering through the year,
Would make the world as blank as Winter-tide.
Come-let us gladden their sad eyes, our Queen's
And Lancelot's, at this night's solemnity
With all the kindlier colours of the field.'
So dame and damsel glittered at the feast
Variously gay: for he that tells the tale
Likened them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
636
With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a withered leaf before the hall.
Then Tristram saying, `Why skip ye so, Sir Fool?'
Wheeled round on either heel, Dagonet replied,
`Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all.'
`Ay, fool,' said Tristram, `but 'tis eating dry
To dance without a catch, a roundelay
To dance to.' Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stayed in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being asked, `Why skipt ye not, Sir Fool?'
Made answer, `I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make.'
Then Tristram, waiting for the quip to come,
`Good now, what music have I broken, fool?'
And little Dagonet, skipping, `Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in BrittanyAnd so thou breakest Arthur's music too.'
`Save for that broken music in thy brains,
Sir Fool,' said Tristram, `I would break thy head.
Fool, I came too late, the heathen wars were o'er,
The life had flown, we sware but by the shellI am but a fool to reason with a fool-
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Come, thou art crabbed and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
`'Free love-free field-we love but while we may:
The woods are hushed, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life-the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love-free field-we love but while we may.'
`Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold.'
But Dagonet with one foot poised in his hand,
`Friend, did ye mark that fountain yesterday
Made to run wine?-but this had run itself
All out like a long life to a sour endAnd them that round it sat with golden cups
To hand the wine to whosoever cameThe twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize-and one of those white slips
Handed her cup and piped, the pretty one,
'Drink, drink, Sir Fool,' and thereupon I drank,
Spat-pish-the cup was gold, the draught was mud.'
And Tristram, `Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?Not marking how the knighthood mock thee, fool'Fear God: honour the King-his one true knightSole follower of the vows'-for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught-yet swine I hold thee still,
638
For I have flung thee pearls and find thee swine.'
And little Dagonet mincing with his feet,
`Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallowed, I have washed-the world
Is flesh and shadow-I have had my day.
The dirty nurse, Experience, in her kind
Hath fouled me-an I wallowed, then I washedI have had my day and my philosophiesAnd thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Trooped round a Paynim harper once, who thrummed
On such a wire as musically as thou
Some such fine song-but never a king's fool.'
And Tristram, `Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell.'
Then Dagonet, turning on the ball of his foot,
`And whither harp'st thou thine? down! and thyself
Down! and two more: a helpful harper thou,
That harpest downward! Dost thou know the star
We call the harp of Arthur up in heaven?'
And Tristram, `Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven.'
And Dagonet answered, `Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your witAnd whether he were King by courtesy,
Or King by right-and so went harping down
The black king's highway, got so far, and grew
So witty that ye played at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?'
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`Nay, fool,' said Tristram, `not in open day.'
And Dagonet, `Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip.' `Lo, fool,' he said, `ye talk
Fool's treason: is the King thy brother fool?'
Then little Dagonet clapt his hands and shrilled,
`Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs,
And men from beasts-Long live the king of fools!'
And down the city Dagonet danced away;
But through the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walked, or crept, or perched, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, returned;
But at the slot or fewmets of a deer,
Or even a fallen feather, vanished again.
So on for all that day from lawn to lawn
Through many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-crammed, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatched her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
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And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? `Isolt
Of the white hands' they called her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and returned.
The black-blue Irish hair and Irish eyes
Had drawn him home-what marvel? then he laid
His brows upon the drifted leaf and dreamed.
He seemed to pace the strand of Brittany
Between Isolt of Britain and his bride,
And showed them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, `Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand-her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower.'
Followed a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoiled her carcanet.
He dreamed; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-winged sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, whereout was rolled
641
A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
`Lo there,' said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
Even to tipmost lance and topmost helm,
In blood-red armour sallying, howled to the King,
`The teeth of Hell flay bare and gnash thee flat!Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the worldThe woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King? -Look to thy life!'
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deigned not use of word or sword,
But let the drunkard, as he stretched from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
642
Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watched him, roared
And shouted and leapt down upon the fallen;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Through open doors, and swording right and left
Men, women, on their sodden faces, hurled
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement streamed with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
Red-pulsing up through Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Came round by the East, and out beyond them flushed
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge returned,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stayed him. `Why weep ye?' `Lord,' she said, `my man
Hath left me or is dead;' whereon he thought`What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would'-but said to her,
`Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not'Then pressing day by day through Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gained
Tintagil, half in sea, and high on land,
643
A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flushed, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, `Not Mark-not Mark, my soul!
The footstep fluttered me at first: not he:
Catlike through his own castle steals my Mark,
But warrior-wise thou stridest through his halls
Who hates thee, as I him-even to the death.
My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh.'
To whom Sir Tristram smiling, `I am here.
Let be thy Mark, seeing he is not thine.'
And drawing somewhat backward she replied,
`Can he be wronged who is not even his own,
But save for dread of thee had beaten me,
Scratched, bitten, blinded, marred me somehow-Mark?
What rights are his that dare not strike for them?
Not lift a hand-not, though he found me thus!
But harken! have ye met him? hence he went
Today for three days' hunting-as he saidAnd so returns belike within an hour.
Mark's way, my soul!-but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.'
So, plucked one way by hate and one by love,
Drained of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
`O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
644
Ye twain had fallen out about the bride
Of one-his name is out of me-the prize,
If prize she were-(what marvel-she could see)Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneeled to last?'
And Tristram, `Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness-ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
Sailing from Ireland.'
Softly laughed Isolt;
`Flatter me not, for hath not our great Queen
My dole of beauty trebled?' and he said,
`Her beauty is her beauty, and thine thine,
And thine is more to me-soft, gracious, kindSave when thy Mark is kindled on thy lips
Most gracious; but she, haughty, even to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love.'
To whom Isolt,
`Ah then, false hunter and false harper, thou
Who brakest through the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinned against the highest,
And I-misyoked with such a want of manThat I could hardly sin against the lowest.'
He answered, `O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crowned warrant had we for the crowning sin
That made us happy: but how ye greet me-fear
And fault and doubt-no word of that fond taleThy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away.'
And, saddening on the sudden, spake Isolt,
645
`I had forgotten all in my strong joy
To see thee-yearnings?-ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seemed those far-rolling, westward-smiling seas,
Watched from this tower. Isolt of Britain dashed
Before Isolt of Brittany on the strand,
Would that have chilled her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
The King was all fulfilled with gratefulness,
And she, my namesake of the hands, that healed
Thy hurt and heart with unguent and caressWell-can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love.'
And Tristram, fondling her light hands, replied,
`Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?-I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark-Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God.'
And Isolt answered, `Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flashed a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiendMark's way to steal behind one in the darkFor there was Mark: 'He has wedded her,' he said,
Not said, but hissed it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swooned away,
646
And woke again in utter dark, and cried,
'I will flee hence and give myself to God'And thou wert lying in thy new leman's arms.'
Then Tristram, ever dallying with her hand,
`May God be with thee, sweet, when old and gray,
And past desire!' a saying that angered her.
`'May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot uttered aught so gross
Even to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, through ever harrying thy wild beastsSave that to touch a harp, tilt with a lance
Becomes thee well-art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him,
The man of men, our King-My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and through their vows
The King prevailing made his realm:-I say,
Swear to me thou wilt love me even when old,
Gray-haired, and past desire, and in despair.'
Then Tristram, pacing moodily up and down,
`Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itselfMy knighthood taught me this-ay, being snaptWe run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once-even to the height-I honoured him.
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'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hallHis hair, a sun that rayed from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with lightMoreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then, his foot was on a stool
Shaped as a dragon; he seemed to me no man,
But Micha l trampling Satan; so I sware,
Being amazed: but this went by- The vows!
O ay-the wholesome madness of an hourThey served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vowsFirst mainly through that sullying of our QueenBegan to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? washed up from out the deep?
They failed to trace him through the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine-the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows-I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love.'
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Here ending, he moved toward her, and she said,
`Good: an I turned away my love for thee
To some one thrice as courteous as thyselfFor courtesy wins woman all as well
As valour may, but he that closes both
Is perfect, he is Lancelot-taller indeed,
Rosier and comelier, thou-but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?'
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
`Press this a little closer, sweet, untilCome, I am hungered and half-angered-meat,
Wine, wine-and I will love thee to the death,
And out beyond into the dream to come.'
So then, when both were brought to full accord,
She rose, and set before him all he willed;
And after these had comforted the blood
With meats and wines, and satiated their heartsNow talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of MarkThen Tristram laughing caught the harp, and sang:
`Ay, ay, O ay-the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay-a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay-the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay-the winds that move the mere.'
Then in the light's last glimmer Tristram showed
And swung the ruby carcanet. She cried,
`The collar of some Order, which our King
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Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers.'
`Not so, my Queen,' he said, `but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee.'
He spoke, he turned, then, flinging round her neck,
Claspt it, and cried, `Thine Order, O my Queen!'
But, while he bowed to kiss the jewelled throat,
Out of the dark, just as the lips had touched,
Behind him rose a shadow and a shriek`Mark's way,' said Mark, and clove him through the brain.
That night came Arthur home, and while he climbed,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and looked and saw
The great Queen's bower was dark,-about his feet
A voice clung sobbing till he questioned it,
`What art thou?' and the voice about his feet
Sent up an answer, sobbing, `I am thy fool,
And I shall never make thee smile again.'
~ Alfred Lord Tennyson,#NFDB |
1433:Idylls Of The King: The Last Tournament (Excerpt)
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."
To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
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And Lancelot won, methought, for thee to wear."
"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given-Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance--who knows?--the purest of thy knights
May win them for the purest of my maids."
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Arm'd for a day of glory before the King.
But on the hither side of that loud morn
Into the hall stagger'd, his visage ribb'd
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shatter'd fingers dangling lame,
A churl, to whom indignantly the King,
"My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marr'd heaven's image in thee thus?"
Then, sputtering thro' the hedge of splinter'd teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blacken'd sawing the air, said the maim'd churl,
"He took them and he drave them to his tower-Some hold he was a table-knight of thine-A hundred goodly ones--the Red Knight, he-Lord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I cal'd upon thy name as one
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That doest right by gentle and by churl,
Maim'd me and maul'd, and would outright have slain,
Save that he aware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it--and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves--and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.' "
Then Arthur turn'd to Kay the seneschal,
"Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen--but that ever-climbing wave,
Hurl'd back again so often in empty foam,
Hath lain for years at rest--and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, thro' your manhood and your fealty,--now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchair'd to-morrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?"
Thereto Sir Lancelot answer'd, "It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has will'd it, it is well."
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Then Arthur rose and Lancelot follow'd him,
And while they stood without the doors, the King
Turn'd to him saying, "Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,--the glance
That only seems half-loyal to command,-A manner somewhat fall'n from reverence-Or have I dream'd the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, uprear'd,
By noble deeds at one with noble vows,
From flat confusion and brute violence,s
Reel back into the beast, and be no more?"
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turn'd
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watch'd her lord pass, and knew not that she sigh'd.
Then ran across her memory the strange rhyme
Of bygone Merlin, "Where is he who knows?
From the great deep to the great deep he goes."
But when the morning of a tournament,
By these in earnest those in mockery call'd
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shriek'd, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, fill'd his double-dragon'd chair.
He glanced and saw the stately galleries,
Dame, damsel, each thro' worship of their Queen
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White-robed in honour of the stainless child,
And some with scatter'd jewels, like a bank
Of maiden snow mingled with sparks of fire.
He look'd but once, and vail'd his eyes again.
The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet crack'd,
And show'd him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billow'd round the barriers roar
An ocean-sounding welcome to one knight,
But newly-enter'd, taller than the rest,
And armour'd all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle--Tristram--late
From overseas in Brittany return'd,
And marriage with a princess of that realm,
Isolt the White--Sir Tristram of the Woods-Whom Lancelot knew, had held sometime with pain
His own against him, and now yearn'd to shake
The burthen off his heart in one full shock
With Tristram ev'n to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groan'd for wrath--so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
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Stood, while he mutter'd, "Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more."
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than "Hast thou won?
Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!" to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, "Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Let be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand--belike the lance hath dript upon it-No blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine."
And Tristram round the gallery made his horse
Caracole; then bow'd his homage, bluntly saying,
"Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here."
And most of these were mute, some anger'd, one
Murmuring, "All courtesy is dead," and one
"The glory of our Round Table is no more."
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laugh'd shrilly, crying, "Praise the patient saints,
Our one white day of Innocence hath past,
Tho' somewhat draggled at the skirt. So be it.
The snowdrop only, flowering thro' the year,
Would make the world as blank as Winter-tide.
Come--let us gladden their sad eyes, our Queen's
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And Lancelot's, at this night's solemnity
With all the kindlier colours of the field."
So dame and damsel glitter'd at the feast
Variously gay: for he that tells the tale
Liken'd them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a wither'd leaf before the hall.
Then Tristram saying, "Why skip ye so, Sir Fool?"
Wheel'd round on either heel, Dagonet replied,
"Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all."
"Ay, fool," said Tristram, "but 'tis eating dry
To dance without a catch, a roundelay
To dance to." Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stay'd in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being ask'd, "Why skipt ye not, Sir Fool?"
Made answer, "I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make."
Then Tristram, waiting for the quip to come,
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"Good now, what music have I broken, fool?"
And little Dagonet, skipping, "Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in Brittany-And so thou breakest Arthur's music, too."
"Save for that broken music in thy brains,
Sir Fool," said Tristram, "I would break thy head.
Fool, I came late, the heathen wars were o'er,
The life had flown, we sware but by the shell-I am but a fool to reason with a fool-Come, thou art crabb'd and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
"`Free love--free field--we love but while we may:
The woods are hush'd, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life--the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love--free field--we love but while we may.'
"Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold."
But Dagonet with one foot poised in his hand,
"Friend, did ye mark that fountain yesterday
Made to run wine?--but this had run itself
All out like a long life to a sour end-And them that round it sat with golden cups
To hand the wine to whosoever came-The twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize--and one of those white slips
Handed her cup and piped, the pretty one,
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'Drink, drink, Sir Fool,' and thereupon I drank,
Spat--pish--the cup was gold, the draught was mud."
And Tristram, "Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?-Not marking how the knighthood mock thee, fool-'Fear God: honour the King--his one true knight-Sole follower of the vows'--for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught--yet swine I hold thee still,
For I have flung thee pearls and find thee swine."
And little Dagonet mincing with his feet,
"Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallow'd, I have wash'd--the world
Is flesh and shadow--I have had my day.
The dirty nurse, Experience, in her kind
Hath foul'd me--an I wallow'd, then I wash'd-I have had my day and my philosophies-And thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Troop'd round a Paynim harper once, who thrumm'd
On such a wire as musically as thou
Some such fine song--but never a king's fool."
And Tristram, "Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell."
Then Dagonet, turning on the ball of his foot,
"And whither harp'st thou thine? down! and thyself
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Down! and two more: a helpful harper thou,
That harpest downward! dost thou know the star
We call the harp of Arthur up in heaven?"
And Tristram, "Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven."
And Dagonet answer'd, "Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your wit-And whether he were King by courtesy,
Or King by right--and so went harping down
The black king's highway, got so far, and grew
So witty that we play'd at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?"
"Nay, fool," said Tristram, "not in open day."
And Dagonet, "Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip." "Lo, fool," he said, "ye talk
Fool's treason: is the King thy brother fool?"
Then little Dagonet clapt his hands and shrill'd,
"Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs
And men from beasts--Long live the king of fools!"
And down the city Dagonet danced away;
But thro' the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
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Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walk'd, or crept, or perch'd, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, return'd;
But at the slot or fewmets of a deer,
Or ev'n a fall'n feather, vanish'd again.
So on for all that day from lawn to lawn
Thro' many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-cramm'd, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatch'd her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? "Isolt
Of the white hands" they call'd her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and return'd.
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The black-blue Irish hair and Irish eyes
Had drawn him home--what marvel? then he laid
His brows upon the drifted leaf and dream'd.
He seem'd to pace the strand of Brittany
Between Isolt of Britain and his bride,
And show'd them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, "Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand--her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower."
Follow'd a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoil'd her carcanet.
He dream'd; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-wing'd sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, where out was roll'd
A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
"Lo there," said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
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Even to tipmost lance and topmost helm
In blood-red armour sallying, howl'd to the King,
"The teeth of Hell flay bare and gnash thee flat!
Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the world-The woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King?--Look to thy life!"
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deign'd not use of word or sword,
But let the drunkard, as he stretch'd from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watch'd him, roar'd
And shouted and leapt down upon the fall'n;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Thro' open doors, and swording right and left
Men, women, on their sodden faces, hurl'd
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement stream'd with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
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Red-pulsing up thro' Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Come round by the East, and out beyond them flush'd
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge return'd,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stay'd him. "Why weep ye?" "Lord," she said, "my man
Hath left me or is dead"; whereon he thought-"What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would"--but said to her,
"Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not"-Then pressing day by day thro' Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gain'd
Tintagil, half in sea, and high on land,
A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flush'd, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, "Not Mark--not Mark, my soul!
The footstep flutter'd me at first: not he:
Catlike thro' his own castle steals my Mark,
But warrior-wise thou stridest thro' his halls
Who hates thee, as I him--ev'n to the death.
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My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh."
To whom Sir Tristram smiling, "I am here.
Let be thy Mark, seeing he is not thine."
And drawing somewhat backward she replied,
"Can he be wrong'd who is not ev'n his own,
But save for dread of thee had beaten me,
Scratch'd, bitten, blinded, marr'd me somehow--Mark?
What rights are his that dare not strike for them?
Not lift a hand--not, tho' he found me thus!
But harken! have ye met him? hence he went
To-day for three days' hunting--as he said-And so returns belike within an hour.
Mark's way, my soul!--but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.''
So, pluck'd one way by hate and one by love,
Drain'd of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
"O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
Ye twain had fallen out about the bride
Of one--his name is out of me--the prize,
If prize she were--(what marvel--she could see)
Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneel'd to last?"
And Tristram, "Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness--ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
211
Sailing from Ireland."
Softly laugh'd Isolt;
"Flatter me not, for hath not our great Queen
My dole of beauty trebled?" and he said,
"Her beauty is her beauty, and thine thine,
And thine is more to me--soft, gracious, kind-Save when thy Mark is kindled on thy lips
Most gracious; but she, haughty ev'n to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love."
To whom Isolt,
"Ah then, false hunter and false harper, thou
Who brakest thro' the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinn'd against the highest,
And I--misyoked with such a want of man-That I could hardly sin against the lowest."
He answer'd, "O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crown'd warrant had we for the crowning sin
That made us happy: but how ye greet me--fear
And fault and doubt--no word of that fond tale-Thy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away."
And, saddening on the sudden, spake Isolt,
"I had forgotten all in my strong joy
To see thee--yearnings?--ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seem'd those far-rolling, westward-smiling seas,
Watch'd from this tower. Isolt of Britain dash'd
Before Isolt of Brittany on the strand,
Would that have chill'd her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
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The King was all fulfill'd with gratefulness,
And she, my namesake of the hands, that heal'd
Thy hurt and heart with unguent and caress-Well--can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love."
And Tristram, fondling her light hands, replied,
"Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?--I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark--Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God."
And Isolt answer'd, "Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flash'd a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiend-Mark's way to steal behind one in the dark-For there was Mark: 'He has wedded her,' he said,
Not said, but hiss'd it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swoon'd away,
And woke again in utter dark, and cried,
'I will flee hence and give myself to God'-And thou wert lying in thy new leman's arms."
Then Tristram, ever dallying with her hand,
"May God be with thee, sweet, when old and gray,
And past desire!" a saying that anger'd her.'
213
"`May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot utter'd aught so gross
Ev'n to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, thro' ever harrying thy wild beasts-Save that to touch a harp, tilt with a lance
Becomes thee well--art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him
The man of men, our King--My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and thro' their vows
The King prevailing made his realm:--I say,
Swear to me thou wilt love me ev'n when old,
Gray-hair'd, and past desire, and in despair."
Then Tristram, pacing moodily up and down,
"Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itself-My knighthood taught me this--ay, being snapt-We run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once--ev'n to the height--I honour'd him.
'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hall-His hair, a sun that ray'd from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with light--
214
Moreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then his foot was on a stool
Shaped as a dragon; he seem'd to me no man,
But Michaël trampling Satan; so I sware,
Being amazed: but this went by--The vows!
O ay--the wholesome madness of an hour-They served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vows-First mainly thro' that sullying of our Queen-Began to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? wash'd up from out the deep?
They fail'd to trace him thro' the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine--the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows--I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love."
Here ending, he moved toward her, and she said,
"Good: an I turn'd away my love for thee
To some one thrice as courteous as thyself-For courtesy wins woman all as well
As valour may, but he that closes both
215
Is perfect, he is Lancelot--taller indeed,
Rosier and comelier, thou--but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?"
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
"Press this a little closer, sweet, until-Come, I am hunger'd and half-anger'd--meat,
Wine, wine--and I will love thee to the death,
And out beyond into the dream to come."
So then, when both were brought to full accord,
She rose, and set before him all he will'd;
And after these had comforted the blood
With meats and wines, and satiated their hearts-Now talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of Mark-Then Tristram laughing caught the harp, and sang:
"Ay, ay, O ay--the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay--a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay--the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay--the winds that move the mere."
Then in the light's last glimmer Tristram show'd
And swung the ruby carcanet. She cried,
"The collar of some Order, which our King
Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers."
216
"Not so, my Queen," he said, "but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee."
He spoke, he turn'd, then, flinging round her neck,
Claspt it, and cried "Thine Order, O my Queen!"
But, while he bow'd to kiss the jewell'd throat,
Out of the dark, just as the lips had touch'd,
Behind him rose a shadow and a shriek-"Mark's way," said Mark, and clove him thro' the brain.
That night came Arthur home, and while he climb'd,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and look'd and saw
The great Queen's bower was dark,--about his feet
A voice clung sobbing till he question'd it,
"What art thou?" and the voice about his feet
Sent up an answer, sobbing, "I am thy fool,
And I shall never make thee smile again."
~ Alfred Lord Tennyson,#NFDB |
1434:Earth, Ocean, Air, belovd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovd brethren, and withdraw
No portion of your wonted favor now!
Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.
There was a Poet whose untimely tomb
No human hands with pious reverence reared,
But the charmed eddies of autumnal winds
Built o'er his mouldering bones a pyramid
Of mouldering leaves in the waste wilderness:
A lovely youth,no mourning maiden decked
With weeping flowers, or votive cypress wreath,
The lone couch of his everlasting sleep:
Gentle, and brave, and generous,no lorn bard
Breathed o'er his dark fate one melodious sigh:
He lived, he died, he sung in solitude.
Strangers have wept to hear his passionate notes,
And virgins, as unknown he passed, have pined
And wasted for fond love of his wild eyes.
The fire of those soft orbs has ceased to burn,
And Silence, too enamoured of that voice,
Locks its mute music in her rugged cell.
By solemn vision and bright silver dream
His infancy was nurtured. Every sight
And sound from the vast earth and ambient air
Sent to his heart its choicest impulses.
The fountains of divine philosophy
Fled not his thirsting lips, and all of great,
Or good, or lovely, which the sacred past
In truth or fable consecrates, he felt
And knew. When early youth had passed, he left
His cold fireside and alienated home
To seek strange truths in undiscovered lands.
Many a wide waste and tangled wilderness
Has lured his fearless steps; and he has bought
With his sweet voice and eyes, from savage men,
His rest and food. Nature's most secret steps
He like her shadow has pursued, where'er
The red volcano overcanopies
Its fields of snow and pinnacles of ice
With burning smoke, or where bitumen lakes
On black bare pointed islets ever beat
With sluggish surge, or where the secret caves,
Rugged and dark, winding among the springs
Of fire and poison, inaccessible
To avarice or pride, their starry domes
Of diamond and of gold expand above
Numberless and immeasurable halls,
Frequent with crystal column, and clear shrines
Of pearl, and thrones radiant with chrysolite.
Nor had that scene of ampler majesty
Than gems or gold, the varying roof of heaven
And the green earth, lost in his heart its claims
To love and wonder; he would linger long
In lonesome vales, making the wild his home,
Until the doves and squirrels would partake
From his innocuous band his bloodless food,
Lured by the gentle meaning of his looks,
And the wild antelope, that starts whene'er
The dry leaf rustles in the brake, suspend
Her timid steps, to gaze upon a form
More graceful than her own.
His wandering step,
Obedient to high thoughts, has visited
The awful ruins of the days of old:
Athens, and Tyre, and Balbec, and the waste
Where stood Jerusalem, the fallen towers
Of Babylon, the eternal pyramids,
Memphis and Thebes, and whatsoe'er of strange,
Sculptured on alabaster obelisk
Or jasper tomb or mutilated sphinx,
Dark thiopia in her desert hills
Conceals. Among the ruined temples there,
Stupendous columns, and wild images
Of more than man, where marble daemons watch
The Zodiac's brazen mystery, and dead men
Hang their mute thoughts on the mute walls around,
He lingered, poring on memorials
Of the world's youth: through the long burning day
Gazed on those speechless shapes; nor, when the moon
Filled the mysterious halls with floating shades
Suspended he that task, but ever gazed
And gazed, till meaning on his vacant mind
Flashed like strong inspiration, and he saw
The thrilling secrets of the birth of time.
Meanwhile an Arab maiden brought his food,
Her daily portion, from her father's tent,
And spread her matting for his couch, and stole
From duties and repose to tend his steps,
Enamoured, yet not daring for deep awe
To speak her love, and watched his nightly sleep,
Sleepless herself, to gaze upon his lips
Parted in slumber, whence the regular breath
Of innocent dreams arose; then, when red morn
Made paler the pale moon, to her cold home
Wildered, and wan, and panting, she returned.
The Poet, wandering on, through Arabie,
And Persia, and the wild Carmanian waste,
And o'er the arial mountains which pour down
Indus and Oxus from their icy caves,
In joy and exultation held his way;
Till in the vale of Cashmire, far within
Its loneliest dell, where odorous plants entwine
Beneath the hollow rocks a natural bower,
Beside a sparkling rivulet he stretched
His languid limbs. A vision on his sleep
There came, a dream of hopes that never yet
Had flushed his cheek. He dreamed a veild maid
Sate near him, talking in low solemn tones.
Her voice was like the voice of his own soul
Heard in the calm of thought; its music long,
Like woven sounds of streams and breezes, held
His inmost sense suspended in its web
Of many-colored woof and shifting hues.
Knowledge and truth and virtue were her theme,
And lofty hopes of divine liberty,
Thoughts the most dear to him, and poesy,
Herself a poet. Soon the solemn mood
Of her pure mind kindled through all her frame
A permeating fire; wild numbers then
She raised, with voice stifled in tremulous sobs
Subdued by its own pathos; her fair hands
Were bare alone, sweeping from some strange harp
Strange symphony, and in their branching veins
The eloquent blood told an ineffable tale.
The beating of her heart was heard to fill
The pauses of her music, and her breath
Tumultuously accorded with those fits
Of intermitted song. Sudden she rose,
As if her heart impatiently endured
Its bursting burden; at the sound he turned,
And saw by the warm light of their own life
Her glowing limbs beneath the sinuous veil
Of woven wind, her outspread arms now bare,
Her dark locks floating in the breath of night,
Her beamy bending eyes, her parted lips
Outstretched, and pale, and quivering eagerly.
His strong heart sunk and sickened with excess
Of love. He reared his shuddering limbs, and quelled
His gasping breath, and spread his arms to meet
Her panting bosom:she drew back awhile,
Then, yielding to the irresistible joy,
With frantic gesture and short breathless cry
Folded his frame in her dissolving arms.
Now blackness veiled his dizzy eyes, and night
Involved and swallowed up the vision; sleep,
Like a dark flood suspended in its course,
Rolled back its impulse on his vacant brain.
Roused by the shock, he started from his trance
The cold white light of morning, the blue moon
Low in the west, the clear and garish hills,
The distinct valley and the vacant woods,
Spread round him where he stood. Whither have fled
The hues of heaven that canopied his bower
Of yesternight? The sounds that soothed his sleep,
The mystery and the majesty of Earth,
The joy, the exultation? His wan eyes
Gaze on the empty scene as vacantly
As ocean's moon looks on the moon in heaven.
The spirit of sweet human love has sent
A vision to the sleep of him who spurned
Her choicest gifts. He eagerly pursues
Beyond the realms of dream that fleeting shade;
He overleaps the bounds. Alas! alas!
Were limbs and breath and being intertwined
Thus treacherously? Lost, lost, forever lost
In the wide pathless desert of dim sleep,
That beautiful shape! Does the dark gate of death
Conduct to thy mysterious paradise,
O Sleep? Does the bright arch of rainbow clouds
And pendent mountains seen in the calm lake
Lead only to a black and watery depth,
While death's blue vault with loathliest vapors hung,
Where every shade which the foul grave exhales
Hides its dead eye from the detested day,
Conducts, O Sleep, to thy delightful realms?
This doubt with sudden tide flowed on his heart;
The insatiate hope which it awakened stung
His brain even like despair.
While daylight held
The sky, the Poet kept mute conference
With his still soul. At night the passion came,
Like the fierce fiend of a distempered dream,
And shook him from his rest, and led him forth
Into the darkness. As an eagle, grasped
In folds of the green serpent, feels her breast
Burn with the poison, and precipitates
Through night and day, tempest, and calm, and cloud,
Frantic with dizzying anguish, her blind flight
O'er the wide ary wilderness: thus driven
By the bright shadow of that lovely dream,
Beneath the cold glare of the desolate night,
Through tangled swamps and deep precipitous dells,
Startling with careless step the moon-light snake,
He fled. Red morning dawned upon his flight,
Shedding the mockery of its vital hues
Upon his cheek of death. He wandered on
Till vast Aornos seen from Petra's steep
Hung o'er the low horizon like a cloud;
Through Balk, and where the desolated tombs
Of Parthian kings scatter to every wind
Their wasting dust, wildly he wandered on,
Day after day, a weary waste of hours,
Bearing within his life the brooding care
That ever fed on its decaying flame.
And now his limbs were lean; his scattered hair,
Sered by the autumn of strange suffering,
Sung dirges in the wind; his listless hand
Hung like dead bone within its withered skin;
Life, and the lustre that consumed it, shone,
As in a furnace burning secretly,
From his dark eyes alone. The cottagers,
Who ministered with human charity
His human wants, beheld with wondering awe
Their fleeting visitant. The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of Wind,
With lightning eyes, and eager breath, and feet
Disturbing not the drifted snow, had paused
In its career; the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream
Of after times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path
Of his departure from their father's door.
At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there,
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:'Thou hast a home,
Beautiful bird! thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here,
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts?' A gloomy smile
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms.
Startled by his own thoughts, he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze.
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste;
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.
The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves.
Following his eager soul, the wanderer
Leaped in the boat; he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane.
As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. A whirlwind swept it on,
With fierce gusts and precipitating force,
Through the white ridges of the chafd sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp.
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers
Appointed to conduct him to the light
Of those belovd eyes, the Poet sate,
Holding the steady helm. Evening came on;
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of Day;
Night followed, clad with stars. On every side
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean; safely fled
As if that frail and wasted human form
Had been an elemental god.
At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves
Bursting and eddying irresistibly
Rage and resound forever.Who shall save?
The boat fled on,the boiling torrent drove,
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea,
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on
With unrelaxing speed.'Vision and Love!'
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long.'
The boat pursued
The windings of the cavern. Daylight shone
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky,
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm;
Stair above stair the eddying waters rose,
Circling immeasurably fast, and laved
With alternating dash the gnarld roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting yet distorting every cloud,
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round and round and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve,
Where through an opening of the rocky bank
The waters overflow, and a smooth spot
Of glassy quiet 'mid those battling tides
Is left, the boat paused shuddering.Shall it sink
Down the abyss? Shall the reverting stress
Of that resistless gulf embosom it?
Now shall it fall?A wandering stream of wind
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion between banks
Of mossy slope, and on a placid stream,
Beneath a woven grove, it sails, and, hark!
The ghastly torrent mingles its far roar
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove
Is closed by meeting banks, whose yellow flowers
Forever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind,
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid
In those flushed cheeks, bent eyes, and shadowy frame,
Had yet performed its ministry; it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.
The noonday sun
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their ary rocks,
Mocking its moans, respond and roar forever.
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as, led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle and his sepulchre. More dark
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below,
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around
The gray trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs,
Uniting their close union; the woven leaves
Make network of the dark blue light of day
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose twined with jasmine
A soul-dissolving odor to invite
To some more lovely mystery. Through the dell
Silence and Twilight here, twin-sisters, keep
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck
Of azure sky darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star,
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon,
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.
Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leavesthe grass that sprung
Startled and glanced and trembled even to feel
An unaccustomed presenceand the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside himclothed in no bright robes
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;
But undulating woods, and silent well,
And leaping rivulet, and evening gloom
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was; onlywhen his regard
Was raised by intense pensivenesstwo eyes,
Two starry eyes, hung in the gloom of thought,
And seemed with their serene and azure smiles
To beckon him.
Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. The rivulet,
Wanton and wild, through many a green ravine
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced, like childhood laughing as it went;
Then, through the plain in tranquil wanderings crept,
Reflecting every herb and drooping bud
That overhung its quietness.'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness,
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain and invisible course,
Have each their type in me; and the wide sky
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind!'
Beside the grassy shore
Of the small stream he went; he did impress
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet not like him
Forgetful of the grave, where, when the flame
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed
For the uniform and lightsome evening sky.
Gray rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarld roots of ancient pines
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes
Had shone, gleam stony orbs:so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm he still pursued
The stream, that with a larger volume now
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
'Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems with its accumulated crags
To overhang the world; for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-colored even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity,
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response at each pause
In most familiar cadence, with the howl,
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void,
Scattering its waters to the passing winds.
Yet the gray precipice and solemn pine
And torrent were not all;one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity
The dark earth and the bending vault of stars.
It was a tranquil spot that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves forever green
And berries dark the smooth and even space
Of its inviolated floor; and here
The children of the autumnal whirlwind bore
In wanton sport those bright leaves whose decay,
Red, yellow, or ethereally pale,
Rivals the pride of summer. 'T is the haunt
Of every gentle wind whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude; one voice
Alone inspired its echoes;even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colors of that varying cheek,
That snowy breast, those dark and drooping eyes.
The dim and hornd moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace.O storm of death,
Whose sightless speed divides this sullen night!
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world! from the red field
Of slaughter, from the reeking hospital,
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee! Ruin calls
His brother Death! A rare and regal prey
He hath prepared, prowling around the world;
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.
When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine; upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and Despair,
The torturers, slept; no mortal pain or fear
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With Nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It pausedit fluttered. But when heaven remained
Utterly black, the murky shades involved
An image silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapor fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame
No sense, no motion, no divinity
A fragile lute, on whose harmonious strings
The breath of heaven did wandera bright stream
Once fed with many-voicd wavesa dream
Of youth, which night and time have quenched forever
Still, dark, and dry, and unremembered now.
Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! Oh, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders forever,
Lone as incarnate death! Oh, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:but thou art fled
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not! Upon those pallid lips
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shednot even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
Composed at Bishopsgate Heath, near Windsor Park, 1815 (autumn).
Note by Mrs. Shelley: 'Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth -- all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor the place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad. He visited some of the more magnificent scenes of Switzerland, and returned to England from Lucerne, by the Reuss and the Rhine. The river-navigation enchanted him. In his favourite poem of Thalaba, his imagination had been excited by a description of such a voyage. In the summer of 1815, after a tour along the southern coast of Devonshire and a visit to Clifton, he rented a house on Bishopgate Heath, on the borders of Windsor Forest, where he enjoyed several months of comparative health and tranquil happiness. The later summer months were warm and dry. Accompanied by a few friends, he visited the source of the Thames, making a voyage in a wherry from Winsdor to Crickdale. His beautiful stanzas in the churchyard of Lechlade were written on that occasion. Alastor was composed on his return. He spent his days under the oak-shades of Windsor Great Park; and the magnificent woodland was a fitting study to inspire the various descriptions of forest-scenery we find in the poem.
None of Shelley's poems is more characteristic than this. The solemn spirit that reigns throughout, the worship of the majesty of nature, the broodings of a poet's heart in solitude -- the mingling of the exulting joy which the various aspects of the visible universe inspires with the sad and struggling pangs which human passion imparts -- give a touching interest to the whole. The death which he had often contemplated during the last months as certain and near he here represented in such colours as had, in his lonely musings, soothed his soul to peace. The versification sustains the solemn spirit which breathes throughout: it is peculiarly melodious. The poem ought rather to be considered didactic than narrative: it was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death.'
~ Percy Bysshe Shelley, Alastor - or, the Spirit of Solitude
,#NFDB |
1435:A Dramatic Poem
The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.
First Sailor. Has he not led us into these waste seas
For long enough?
Second Sailor. Aye, long and long enough.
First Sailor. We have not come upon a shore or ship
These dozen weeks.
Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn
For I am getting on in lifeto something
That has less ups and downs than robbery.
First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.
Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?
First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.
Second Sailor. I dare not do it.
Weret not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before ones eyes,
Or cry about ones ears.
First Sailor. Nothing to fear.
Second Sailor. Do you remember when we sank that
galley
At the full moon?
First Sailor. He played all through the night.
Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
Ive heard a rustling overhead in the wind.
First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.
Second Sailor. But thats not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.
First Sailor. I saw them, too, one night. Forgael was
playing,
And they were listening ther& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.
Second Sailor. You have dared to touch her?
First Sailor. O she was but a shadow, and slipped from
me.
Second Sailor. But were you not afraid?
First Sailor. Why should I fear?
Second Sailor. Twas Aengus and Edain, the wandering
lovers,
To whom all lovers pray.
First Sailor. But what of that?
A shadow does not carry sword or spear.
Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a kings house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man thats not in love,
And has been dangerous to him.
First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.
Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,
First Sailor Well, net or none,
Id drown him while we have the chance to do it.
Second Sailor. Its certain Id sleep easier o nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?
First Sailor. Ive thought of that. We must have Aibric
with us,
For he can judge the stars as well as Forgael.
[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
Theres not a man but will be glad of it
When it is over, nor one to grumble at us.
Aibric. You have taken pay and made your bargain for it.
First Sailor. What good is there in this hard way of
living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captains share of everything
And bring us into populous seas again?
Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! kill Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
Ill give my answer.
First Sailor. You have awakened him.
[To Second Sailor.]
Wed better go, for we have lost this chance.
[They go out.]
Forgael. Have the birds passed us? I could hear your
voice,
But there were others.
Aibric. I have seen nothing pass.
Forgael. Youre certain of it? I never wake from sleep
But that I am afraid they may have passed,
For theyre my only pilots. If I lost them
Straying too far into the north or south,
Id never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.
Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.
Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.
Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing thats alive
Has ever come but those man-headed birds,
Knowing it for the worlds end?
Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.
Aibric. Shadows before now
Have driven travellers mad for their own sport.
Forgael. Do you, too, doubt me? Have you joined their
plot?
Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.
Forgael. Why should you be more faithful than the rest,
Being as doubtful?
Aibric. I have called you master
Too many years to lift a hand against you.
Forgael. Maybe it is but natural to doubt me.
Youve never known, Id lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a womans kiss
Could not amend.
Aibric. I have good spirits enough.
Forgael. If you will give me all your mind awhile
All, all, the very bottom of the bowl
Ill show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of lifethe events of the world
What do you call it?that old promise-breaker,
The cozening fortune-teller that comes whispering,
You will have all you have wished for when you have
earned
Land for your children or money in a pot.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hands turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.
Aibric. If you had loved some woman
Forgael. You say that also? You have heard the voices,
For that is what they sayall, all the shadows
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secrets out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.
Aibric. And yet the world
Has beautiful women to please every man.
Forgael. But he that gets their love after the fashion
Loves in brief longing and deceiving hope
And bodily tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.
Aibric. All that ever loved
Have loved that waythere is no other way.
Forgael. Yet never have two lovers kissed but they
believed there was some other near at hand,
And almost wept because they could not find it.
Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.
Forgael. Its not a dream,
But the reality that makes our passion
As a lamp shadownono lamp, the sun.
What the worlds million lips are thirsting for
Must be substantial somewhere.
Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it
No mortal can.
Forgael. Yes; if they give us help.
Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.
Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?
Aibric, His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.
Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!
Aibric. While
Were in the body thats impossible.
Forgael. And yet I cannot think theyre leading me
To death; for they that promised to me love
As those that can outlive the moon have known it,
Had the worlds total life gathered up, it seemed,
Into their shining limbsIve had great teachers.
Aengus and Edain ran up out of the wave
Youd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.
Aibric. Its certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.
Forgael. What matter
If I am going to my death?for there,
Or somewhere, I shall find the love they have
promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think
One of the Laughing Peopleand she and I
Shall light upon a place in the worlds core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.
[A number of Sailors entcr hurriedly.]
First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!
Second Sailor. We had not known
But for the ambergris and sandalwood.
First Sailor. NO; but opoponax and cinnamon.
Forgael [taking the tiller from Aibric]. The Ever-living have
kept my bargain for me,
And paid you on the nail.
Aibric. Take up that rope
To make her fast while we are plundering her.
First Sailor. There is a king and queen upon her deck,
And where there is one woman therell be others.
Aibric. Speak lower, or theyll hear.
First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.
Second Sailor. When she finds out we have better men
aboard
She may not be too sorry in the end.
First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.
Second Sailor. Theres nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.
Aibric. Run at them now,
And overpower the crew while yet asleep!
[The Sailors go out.]
[Voices and thc clashing of swords are heard from the
other ship, which cannot be seen because of the sail.]
A Voice. Armed men have come upon us! O I am slain!
Another Voice. Wake all below!
Another Voice. Why have you broken our sleep?
First Voice. Armed men have come upon us! O I am
slain!
Forgael [who has remained at the tiller]. There! there they
come! Gull, gannet, or diver,
But with a mans head, or a fair womans,
They hover over the masthead awhile
To wait their Fiends; but when their friends have
come
Theyll fly upon that secret way of theirs.
Oneand onea couplefive together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. Theres one of them that says,
How light we are, now we are changed to birds!
Another answers, Maybe we shall find
Our hearts desire now that we are so light.
And then one asks another how he died,
And says, A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a womans head
Comes crying, I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But whats the meaning? [He cries out.] Why do you
linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?
[His voice sinks again.]
Being too busy in the air and the high air,
They cannot hear my voice; but whats the meaning?
[The Sailors have returned. Dectora is with them.]
Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the worlds core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.
Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!
Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this
place?
They would not send me one that casts a shadow.
Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.
Forgael. There are some
That weigh and measure all in these waste seas
They that have all the wisdom thats in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tearslaughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.
Dectora. Youve nothing but wild words,
And I would know if you will give me vengeance.
Forgael. When she finds out I will not let her go
When she knows that.
Dectora. What is it that you are muttering
That youll not let me go? I am a queen.
Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck
As now.
Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?
Forgael. Queen, I am not mad.
Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.
Forgael. No, I am not mad
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.
Dectora. And did those watchers bid you take me
captive?
Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouths have
promised
I shall have love in their immortal fashion;
And for this end they gave me my old harp
That is more mighty than the sun and moon,
Or than the shivering casting-net of the stars,
That none might take you from me.
Dectora [first trembling back from the mast where the harp is,
and then laughing]. For a moment
Your raving of a message and a harp
More mighty than the stars half troubled me,
But all thats raving. Who is there can compel
The daughter and the granddaughter of kings
To be his bedfellow?
Forgael. Until your lips
Have called me their beloved, Ill not kiss them.
Dectora. My husband and miy king died at my feet,
And yet you talk of love.
Forgael. The movement of time
Is shaken in these seas, and what one does
One moment has no might upon the moment
That follows after.
Dectora. I understand you now.
You have a Druid craft of wicked sound
Wrung from the cold women of the sea
A magic that can call a demon up,
Until my body give you kiss for kiss.
Forgael. Your soul shall give the kiss.
Dectora. I am not afraid,
While theres a rope to run into a noose
Or wave to drown. But I have done with words,
And I would have you look into my face
And know that it is fearless.
Forgael. Do what you will,
For neither I nor you can break a mesh
Of the great golden net that is about us.
Dectora. Theres nothing in the world thats worth a
fear.
[She passes Forgael and stands for a moment looking into
his face.]
I have good reason for that thought.
[She runs suddenly on to the raiscd part of the poop.]
And now
I can put fear away as a queen should.
[She mounts on to the hulwark and turns towards
Forgael.]
Fool, fool! Although you have looked into my face
You do not see my purpose. I shall have gone
Before a hand can touch me.
Forgael [folding his arms]. My hands are still;
The Ever-living hold us. Do what you will,
You cannot leap out of the golden net.
First Sailor. No need to drown, for, if you will pardon
us
And measure out a course and bring us home,
Well put this man to death.
Dectora. I promise it.
First Sailor. There is none to take his side.
Aibric. I am on his side,
Ill strike a blow for him to give him time
To cast his dreams away.
[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]
First Sailor. No otherll do it.
[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]
Second Sailor. He has put a sudden darkness over the
moon.
Dectora. Nine swords with handles of rhinoceros horn
To him that strikes him first!
First Sailor. I will strike him first.
[He goes close up to Forgael with his sword lifted.]
[Shrinking back.] He has caught the crescent moon out
of the sky,
And carries it between us.
Second Sailor. Holy fire
To burn us to the marrow if we strike.
Dectora. Ill give a golden galley full of fruit,
That has the heady flavour of new wine,
To him that wounds him to the death.
First Sailor. Ill do it.
For all his spells will vanish when he dies,
Having their life in him.
Second Sailor. Though it be the moon
That he is holding up between us there,
I will strike at him.
The Others. And I! And I! And I!
[Forgael plays the harp.]
First Sailor [falling into a dream suddenly. But you were
saying there is somebody
Upon that other ship we are to wake.
You did not know what brought him to his end,
But it was sudden.
Second Sailor. You are in the right;
I had forgotten that we must go wake him.
Dectora. He has flung a Druid spell upon the air,
And set you dreaming.
Second Sailor. How can we have a wake
When we have neither brown nor yellow ale?
First Sailor. I saw a flagon of brown ale aboard her.
Third Sailor. How can we raise the keen that do not
know
What name to call him by?
First Sailor. Come to his ship.
His name will come into our thoughts in a minute.
I know that he died a thousand years ago,
And has not yet been waked.
Second Sailor [beginning to keen]. Ohone! O! O! O!
The yew-bough has been broken into two,
And all the birds are scattered.
All the Sailors. O! O! O! O!
[They go out keening.]
Dectora. Protect me now, gods that my people swear by.
[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]
Aibric. Where is my sword that fell out of my hand
When I first heard the news? Ah, there it is!
[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]
Aibric [sleepily]. Queen, give it me.
Dectora. No, I have need of it.
Aibric. Why do you need a sword? But you may keep it.
Now that hes dead I have no need of it,
For everything is gone.
A Sailor [calling from the other ship]. Come hither, Aibric,
And tell me who it is that we are waking.
Aibric [half to Dectora, half to himself]. What name had
that dead king? Arthur of Britain?
No, nonot Arthur. I remember now.
It was golden-armed Iollan, and he died
Broken-hearted, having lost his queen
Through wicked spells. That is not all the tale,
For he was killed. O! O! O! O! O! O!
For golden-armed Iollan has been killed.
[He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]
Dectora. I will end all your magic on the instant.
[Her voice hecomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]
This sword is to lie beside him in the grave.
It was in all his battles. I will spread my hair,
And wring my hands, and wail him bitterly,
For I have heard that he was proud and laughing,
Blue-eyed, and a quick runner on bare feet,
And that he died a thousand years ago.
O; O! O! O!
[Forgael changes the tune.]
But no, that is not it.
They killed him at my feet. O! O! O! O!
For golden-armed Iollan that I loved-
But what is it that made me say I loved him?
It was that harper put it in my thoughts,
But it is true. Why did they run upon him,
And beat the golden helmet with their swords?
Forgael. Do you not know me, lady? I am he
That you are weeping for.
Dectora. No, for he is dead.
O! O! O! O! for golden-armed Iollan.
Forgael. It was so given out, but I will prove
That the grave-diggers in a dreamy frenzy
Have buried nothing but my golden arms.
Listen to that low-laughing string of the moon
And you will recollect my face and voice,
For you have listened to me playing it
These thousand years.
[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]
What are the birds at there?
Why are they all a-flutter of a sudden?
What are you calling out above the mast?
If railing and reproach and mockery
Because I have awakened her to love
By magic strings, Ill make this answer to it:
Being driven on by voices and by dreams
That were clear messages from the Ever-living,
I have done right. What could I but obey?
And yet you make a clamour of reproach.
Dcctora [laughing]. Why, its a wonder out of reckoning
That I should keen him from the full of the moon
To the horn, and he be hale and hearty.
Forgael. How have I wronged her now that she is merry?
But no, no, no! your cry is not against me.
You know the counsels of the Ever-living,
And all that tossing of your wings is joy,
And all that murmurings but a marriage-song;
But if it be reproach, I answer this:
There is not one among you that made love
by any other means. You call it passion,
Consideration, generosity;
But it was all deceit, and flattery
To win a woman in her own despite,
For love is war, and there is hatred in it;
And if you say that she came willingly
Dectora. Why do you turn away and hide your face,
That I would look upon for ever?
Forgael. My grief!
Dectora. Have I not loved you for a thousand years?
Forgael. I never have been golden-armed Iollan.
Vectora. I do not understand. I know your face
Better than my own hands.
Forgael. I have deceived you
Out of all reckoning.
Tectora. Is it not tme
That you were born a thousand years ago,
In islands where the children of Aengus wind
In happy dances under a windy moon,
And that youll bring me there?
Forgael. I have deceived you;
I have deceived you utterly.
Dectora. How can that be?
Is it that though your eyes are full of love
Some other woman has a claim on you,
And Ive but half!
Forgael. O no!
Dectora. And if there is,
If there be half a hundred more, what matter?
Ill never give another thought to it;
No, no, nor half a thought; but do not speak.
Women are hard and proud and stubborn-hearted,
Their heads being turned with praise and flattery;
And that is why their lovers are afraid
To tell them a plain story.
Forgael. Thats not the story;
But I have done so great a wrong against you,
There is no measure that it would not burst.
I will confess it all.
Dectora. What do I care,
Now that my body has begun to dream,
And you have grown to be a burning sod
In the imagination and intellect?
If something thats most fabulous were true
If you had taken me by magic spells,
And killed a lover or husband at my feet
I would not let you speak, for I would know
That it was yesterday and not to-day
I loved him; I would cover up my ears,
As I am doing now. [A pause.] Why do you weep?
Forgael. I weep because Ive nothing for your eyes
But desolate waters and a battered ship.
Dectora. O why do you not lift your eyes to mine?
Forgael. I weepI weep because bare nights above,
And not a roof of ivory and gold.
Dectora. I would grow jealous of the ivory roof,
And strike the golden pillars with my hands.
I would that there was nothing in the world
But my belovedthat night and day had perished,
And all that is and all that is to be,
All that is not the meeting of our lips.
Forgael. You turn away. Why do you turn away?
Am I to fear the waves, or is the moon
My enemy?
Dectora. I looked upon the moon,
Longing to knead and pull it into shape
That I might lay it on your head as a crown.
But now it is your thoughts that wander away,
For you are looking at the sea. Do you not know
How great a wrong it is to let ones thought
Wander a moment when one is in love?
[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]
Why are you looking at the sea?
Forgael. Look there!
Dectora. What is there but a troop of ash-grey birds
That fly into the west?
Forgael. But listen, listen!
Dectora. What is there but the crying of the birds?
Forgael. If youll but listen closely to that crying
Youll hear them calling out to one another
With human voices
Dectora. O, I can hear them now.
What are they? Unto what country do they fly?
Forgael. To unimaginable happiness.
They have been circling over our heads in the air,
But now that they have taken to the road
We have to follow, for they are our pilots;
And though theyre but the colour of grey ash,
Theyre crying out, could you but hear their words,
There is a country at the end of the world
Where no childs born but to outlive the moon.
[The Sailors comc in with Aibric. They are in great
excitement.]
First Sailor. The hold is full of treasure.
Second Sailor. Full to the hatches.
First Sailor. Treasure on treasure.
Third Sailor. Boxes of precious spice.
First Sailor. Ivory images with amethyst eyes.
Third Sailor. Dragons with eyes of ruby.
First Sailor. The whole ship
Flashes as if it were a net of herrings.
Third Sailor. Lets home; Id give some rubies to a
woman.
Second Sailor. Theres somebody Id give the amethyst
eyes to.
Aibric [silencing thcm with agesture]. We would return to
our own country, Forgael,
For we have found a treasure thats so great
Imagination cannot reckon it.
And having lit upon this woman there,
What more have you to look for on the seas?
Forgael. I cannotI am going on to the end.
As for this woman, I think she is coming with me.
Aibric. The Ever-living have made you mad; but no,
It was this woman in her womans vengeance
That drove you to it, and I fool enough
To fancy that shed bring you home again.
Twas you that egged him to it, for you know
That he is being driven to his death.
Dectora. That is not true, for he has promised me
An unimaginable happiness.
Aibric. And if that happiness be more than dreams,
More than the froth, the feather, the dust-whirl,
The crazy nothing that I think it is,
It shall be in the country of the dead,
If there be such a country.
Dectora. No, not there,
But in some island where the life of the world
Leaps upward, as if all the streams o the world
Had run into one fountain.
Aibric. Speak to him.
He knows that he is taking you to death;
Speakhe will not deny it.
Dectora. Is that true?
Forgael. I do not know for certain, but I know.
That I have the best of pilots.
Aibric. Shadows, illusions,
That the Shape-changers, the Ever-laughing Ones,
The Immortal Mockers have cast into his mind,
Or called before his eyes.
Dectora. O carry me
To some sure country, some familiar place.
Have we not everything that life can give
In having one another?
Forgael. How could I rest
If I refused the messengers and pilots
With all those sights and all that crying out?
Dectora. But I will cover up your eyes and ear?,
That you may never hear the cry of the birds,
Or look upon them.
Forgael. Were they but lowlier
Id do your will, but they are too hightoo high.
Dectora. Being too high, their heady prophecies
But harry us with hopes that come to nothing,
Because we are not proud, imperishable,
Alone and winged.
Forgael. Our love shall be like theirs
When we have put their changeless image on.
Dectora. I am a woman, I die at every breath.
Aibric. Let the birds scatter, for the tree is broken,
And theres no help in words. [To the Sailors.]
To the other ship,
And I will follow you and cut the rope
When I have said farewell to this man here,
For neither I nor any living man
Will look upon his face again.
[The Sailors go out.]
Forgael [to Dectora], Go with him,
For he will shelter you and bring you home.
Aibric [taking Forgaels hand]. Ill do it for his sake.
Dectora. No. Take this sword
And cut the rope, for I go on with Forgael.
Aibric [half falling into the keen]. The yew-bough has been
broken into two,
And all the birds are scatteredO! O! O!
Farewell! farewell! [He goes out.]
Dectora. The sword is in the rope
The ropes in twoit falls into the sea,
It whirls into the foam. O ancient worm,
Dragon that loved the world and held us to it,
You are broken, you are broken. The world drifts
away,
And I am left alone with my beloved,
Who cannot put me from his sight for ever.
We are alone for ever, and I laugh,
Forgael, because you cannot put me from you.
The mist has covered the heavens, and you and I
Shall be alone for ever. We twothis crown
I half remember. It has been in my dreams.
Bend lower, O king, that I may crown you with it.
O flower of the branch, 0 bird among the leaves,
O silver fish that my two hands have taken
Out of the running stream, O morning star
Trembling in the blue heavens like a white fawn
Upon the misty border of the wood,
Bend lower, that I may cover you with my hair,
For we will gaze upon this world no longer.
Forgael [gathering Dectoras hair about him]. Beloved, hav-
ing dragged the net about us,
And knitted mesh to mesh, we grow immortal;
And that old harp awakens of itself
To cry aloud to the grey birds, and dreams,
That have had dreams for father, live in us.
~ William Butler Yeats, The Shadowy Waters - The Shadowy Waters
,#NFDB |
1436:First Sailor. Has he not led us into these waste seas
For long enough?
Second Sailor. Aye, long and long enough.
First Sailor. We have not come upon a shore or ship
These dozen weeks.
Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn -
For I am getting on in life - to something
That has less ups and downs than robbery.
First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.
Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?
First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.
Second Sailor. I dare not do it.
Were't not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before one's eyes,
Or cry about one's ears.
First Sailor. Nothing to fear.
Second Sailor. Do you remember when we sank that
galley
At the full moon?
First Sailor. He played all through the night.
Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
I've heard a rustling overhead in the wind.
First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.
Second Sailor. But that's not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.
First Sailor. I saw them, too, one night. Forgael was
playing,
And they were listening there& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.
Second Sailor. You have dared to touch her?
First Sailor. O she was but a shadow, and slipped from
me.
Second Sailor. But were you not afraid?
First Sailor. Why should I fear?
Second Sailor. "Twas Aengus and Edain, the wandering
lovers,
To whom all lovers pray.
First Sailor. But what of that?
A shadow does not carry sword or spear.
Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a king's house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man that's not in love,
And has been dangerous to him.
First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.
Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,
First Sailor Well, net or none,
I'd drown him while we have the chance to do it.
Second Sailor. It's certain I'd sleep easier o' nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?
First Sailor. I've thought of that. We must have Aibric
with us,
For he can judge the stars as well as Forgael.
[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
There's not a man but will be glad of it
When it is over, nor one to grumble at us.
Aibric. You have taken pay and made your bargain for it.
First Sailor. What good is there in this hard way of
living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captain's share of everything
And bring us into populous seas again?
Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! kill Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
I'll give my answer.
First Sailor. You have awakened him.
[To Second Sailor.]
We'd better go, for we have lost this chance.
[They go out.]
Forgael. Have the birds passed us? I could hear your
voice,
But there were others.
Aibric. I have seen nothing pass.
Forgael. You're certain of it? I never wake from sleep
But that I am afraid they may have passed,
For they're my only pilots. If I lost them
Straying too far into the north or south,
I'd never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.
Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.
Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.
Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing that's alive
Has ever come but those man-headed birds,
Knowing it for the world's end?
Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.
Aibric. Shadows before now
Have driven travellers mad for their own sport.
Forgael. Do you, too, doubt me? Have you joined their
plot?
Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.
Forgael. Why should you be more faithful than the rest,
Being as doubtful?
Aibric. I have called you master
Too many years to lift a hand against you.
Forgael. Maybe it is but natural to doubt me.
You've never known, I'd lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a woman's kiss
Could not amend.
Aibric. I have good spirits enough.
Forgael. If you will give me all your mind awhile -
All, all, the very bottom of the bowl -
I'll show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of life - the events of the world -
What do you call it? - that old promise-breaker,
The cozening fortune-teller that comes whispering,
"You will have all you have wished for when you have
earned
Land for your children or money in a pot.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hand's turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.
Aibric. If you had loved some woman -
Forgael. You say that also? You have heard the voices,
For that is what they say - all, all the shadows -
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secret's out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.
Aibric. And yet the world
Has beautiful women to please every man.
Forgael. But he that gets their love after the fashion
"Loves in brief longing and deceiving hope
And bodily tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.
Aibric. All that ever loved
Have loved that way - there is no other way.
Forgael. Yet never have two lovers kissed but they
believed there was some other near at hand,
And almost wept because they could not find it.
Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.
Forgael. It's not a dream,
But the reality that makes our passion
As a lamp shadow - no - no lamp, the sun.
What the world's million lips are thirsting for
Must be substantial somewhere.
Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it -
No mortal can.
Forgael. Yes; if they give us help.
Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.
Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?
Aibric, His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.
Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!
Aibric. While
We're in the body that's impossible.
Forgael. And yet I cannot think they're leading me
To death; for they that promised to me love
As those that can outlive the moon have known it, '
Had the world's total life gathered up, it seemed,
Into their shining limbs - I've had great teachers.
Aengus and Edain ran up out of the wave -
You'd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.
Aibric. It's certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.
Forgael. What matter
If I am going to my death? - for there,
Or somewhere, I shall find the love they have
promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think -
One of the Laughing People - and she and I
Shall light upon a place in the world's core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.
[A number of Sailors enter hurriedly.]
First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!
Second Sailor. We had not known
But for the ambergris and sandalwood.
First Sailor. NO; but opoponax and cinnamon.
Forgael [taking the tiller from Aibric]. The Ever-living have
kept my bargain for me,
And paid you on the nail.
Aibric Take up that rope
To make her fast while we are plundering her.
First Sailor. There is a king and queen upon her deck,
And where there is one woman there'll be others.
Aibric. Speak lower, or they'll hear.
First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.
Second Sailor. When she finds out we have better men
aboard
She may not be too sorry in the end.
First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.
Second Sailor. There's nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.
Aibric. Run at them now,
And overpower the crew while yet asleep!
[The Sailors go out.]
[Voices and the clashing of swords are heard from the
other ship, which cannot be seen because of the sail.]
A Voice. Armed men have come upon us! O I am slain!
Another Voice. Wake all below!
Another Voice. Why have you broken our sleep?
First Voice. Armed men have come upon us! O I am
slain!
Forgael [who has remained at the tiller]. There! there they
come! Gull, gannet, or diver,
But with a man's head, or a fair woman's,
They hover over the masthead awhile
To wait their Fiends; but when their friends have
come
They'll fly upon that secret way of theirs.
One - and one - a couple - five together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. There's one of them that says,
"How light we are, now we are changed to birds!'
Another answers, "Maybe we shall find
Our heart's desire now that we are so light.'
And then one asks another how he died,
And says, "A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a woman's head
Comes crying, "I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.'
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But what's the meaning? [He cries out.] Why do you
linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?
[His voice sinks again.]
Being too busy in the air and the high air,
They cannot hear my voice; but what's the meaning?
[The Sailors have returned. Dectora is with them.]
Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the world's core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.
Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!
Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this
place?
They would not send me one that casts a shadow.
Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.
Forgael. There are some
That weigh and measure all in these waste seas -
They that have all the wisdom that's in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tears - laughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.
Dectora. You've nothing but wild words,
And I would know if you will give me vengeance.
Forgael. When she finds out I will not let her go -
When she knows that.
Dectora. What is it that you are muttering -
That you'll not let me go? I am a queen.
Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck -
As now.
Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?
Forgael. Queen, I am not mad.
Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.
Forgael. No, I am not mad -
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.
Dectora. And did those watchers bid you take me
captive?
Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouths have
promised
I shall have love in their immortal fashion;
And for this end they gave me my old harp
That is more mighty than the sun and moon,
Or than the shivering casting-net of the stars,
That none might take you from me.
Dectora [first trembling back from the mast where the harp is,
and then laughing]. For a moment
Your raving of a message and a harp
More mighty than the stars half troubled me,
But all that's raving. Who is there can compel
The daughter and the granddaughter of kings
To be his bedfellow?
Forgael. Until your lips
Have called me their beloved, I'll not kiss them.
Dectora. My husband and my king died at my feet,
And yet you talk of love.
Forgael. The movement of time
Is shaken in these seas, and what one does
One moment has no might upon the moment
That follows after.
Dectora. I understand you now.
You have a Druid craft of wicked sound
Wrung from the cold women of the sea -
A magic that can call a demon up,
Until my body give you kiss for kiss.
Forgael. Your soul shall give the kiss.
Dectora. I am not afraid,
While there's a rope to run into a noose
Or wave to drown. But I have done with words,
And I would have you look into my face
And know that it is fearless.
Forgael. Do what you will,
For neither I nor you can break a mesh
Of the great golden net that is about us.
Dectora. There's nothing in the world that's worth a
fear.
[She passes Forgael and stands for a moment looking into
his face.]
I have good reason for that thought.
[She runs suddenly on to the raised part of the poop.]
And now
I can put fear away as a queen should.
[She mounts on to the hulwark and turns towards
Forgael.]
Fool, fool! Although you have looked into my face
You do not see my purpose. I shall have gone
Before a hand can touch me.
Forgael [folding his arms]. My hands are still;
The Ever-living hold us. Do what you will,
You cannot leap out of the golden net.
First Sailor. No need to drown, for, if you will pardon
us
And measure out a course and bring us home,
We'll put this man to death.
Dectora. I promise it.
First Sailor. There is none to take his side.
Aibric. I am on his side,
I'll strike a blow for him to give him time
To cast his dreams away.
[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]
First Sailor. No other'll do it.
[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]
Second Sailor. He has put a sudden darkness over the
moon.
Dectora. Nine swords with handles of rhinoceros horn
To him that strikes him first!
First Sailor. I will strike him first.
[He goes close up to Forgael with his sword lifted.]
[Shrinking back.] He has caught the crescent moon out
of the sky,
And carries it between us.
Second Sailor. Holy fire
To burn us to the marrow if we strike.
Dectora. I'll give a golden galley full of fruit,
That has the heady flavour of new wine,
To him that wounds him to the death.
First Sailor. I'll do it.
For all his spells will vanish when he dies,
Having their life in him.
Second Sailor. Though it be the moon
That he is holding up between us there,
I will strike at him.
The Others. And I! And I! And I!
[Forgael plays the harp.]
First Sailor [falling into a dream suddenly. But you were
saying there is somebody
Upon that other ship we are to wake.
You did not know what brought him to his end,
But it was sudden.
Second Sailor. You are in the right;
I had forgotten that we must go wake him.
Dectora. He has flung a Druid spell upon the air,
And set you dreaming.
Second Sailor. How can we have a wake
When we have neither brown nor yellow ale?
First Sailor. I saw a flagon of brown ale aboard her.
Third Sailor. How can we raise the keen that do not
know
What name to call him by?
First Sailor. Come to his ship.
His name will come into our thoughts in a minute.
I know that he died a thousand years ago,
And has not yet been waked.
Second Sailor[beginning to keen]. Ohone! O! O! O!
The yew-bough has been broken into two,
And all the birds are scattered.
All the Sailors. O! O! O! O!
[They go out keening.]
Dectora. Protect me now, gods that my people swear by.
[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]
Aibric. Where is my sword that fell out of my hand
When I first heard the news? Ah, there it is!
[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]
Aibric [sleepily]. Queen, give it me.
Dectora. No, I have need of it.
Aibric. Why do you need a sword? But you may keep it.
Now that he's dead I have no need of it,
For everything is gone.
A Sailor [calling from the other ship]. Come hither, Aibric,
And tell me who it is that we are waking.
Aibric [half to Dectora, half to himself]. What name had
that dead king? Arthur of Britain?
No, no - not Arthur. I remember now.
It was golden-armed Iollan, and he died
Broken-hearted, having lost his queen
Through wicked spells. That is not all the tale,
For he was killed. O! O! O! O! O! O!
For golden-armed Iollan has been killed.
[He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]
Dectora. I will end all your magic on the instant.
[Her voice becomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]
This sword is to lie beside him in the grave.
It was in all his battles. I will spread my hair,
And wring my hands, and wail him bitterly,
For I have heard that he was proud and laughing,
Blue-eyed, and a quick runner on bare feet,
And that he died a thousand years ago.
O; O! O! O!
[Forgael changes the tune.]
But no, that is not it.
They killed him at my feet. O! O! O! O!
For golden-armed Iollan that I loved-
But what is it that made me say I loved him?
It was that harper put it in my thoughts,
But it is true. Why did they run upon him,
And beat the golden helmet with their swords?
Forgael. Do you not know me, lady? I am he
That you are weeping for.
Dectora. No, for he is dead.
O! O! O! O! for golden-armed Iollan.
Forgael. It was so given out, but I will prove
That the grave-diggers in a dreamy frenzy
Have buried nothing but my golden arms.
Listen to that low-laughing string of the moon
And you will recollect my face and voice,
For you have listened to me playing it
These thousand years.
[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]
What are the birds at there?
Why are they all a-flutter of a sudden?
What are you calling out above the mast?
If railing and reproach and mockery
Because I have awakened her to love
By magic strings, I'll make this answer to it:
Being driven on by voices and by dreams
That were clear messages from the Ever-living,
I have done right. What could I but obey?
And yet you make a clamour of reproach.
Dectora [laughing]. Why, it's a wonder out of reckoning
That I should keen him from the full of the moon
To the horn, and he be hale and hearty.
Forgael. How have I wronged her now that she is merry?
But no, no, no! your cry is not against me.
You know the counsels of the Ever-living,
And all that tossing of your wings is joy,
And all that murmuring's but a marriage-song;
But if it be reproach, I answer this:
There is not one among you that made love
by any other means. You call it passion,
Consideration, generosity;
But it was all deceit, and flattery
To win a woman in her own despite,
For love is war, and there is hatred in it;
And if you say that she came willingly -
Dectora. Why do you turn away and hide your face,
That I would look upon for ever?
Forgael. My grief!
Dectora. Have I not loved you for a thousand years?
Forgael. I never have been golden-armed Iollan.
Vectora. I do not understand. I know your face
Better than my own hands.
Forgael. I have deceived you
Out of all reckoning.
Tectora. Is it not time
That you were born a thousand years ago,
In islands where the children of Aengus wind
In happy dances under a windy moon,
And that you'll bring me there?
Forgael. I have deceived you;
I have deceived you utterly.
Dectora. How can that be?
Is it that though your eyes are full of love
Some other woman has a claim on you,
And I've but half!
Forgael. O no!
Dectora. And if there is,
If there be half a hundred more, what matter?
I'll never give another thought to it;
No, no, nor half a thought; but do not speak.
Women are hard and proud and stubborn-hearted,
Their heads being turned with praise and flattery;
And that is why their lovers are afraid
To tell them a plain story.
Forgael. That's not the story;
But I have done so great a wrong against you,
There is no measure that it would not burst.
I will confess it all.
Dectora. What do I care,
Now that my body has begun to dream,
And you have grown to be a burning sod
In the imagination and intellect?
If something that's most fabulous were true -
If you had taken me by magic spells,
And killed a lover or husband at my feet -
I would not let you speak, for I would know
That it was yesterday and not to-day
I loved him; I would cover up my ears,
As I am doing now. [A pause.] Why do you weep?
Forgael. I weep because I've nothing for your eyes
But desolate waters and a battered ship.
Dectora. O why do you not lift your eyes to mine?
Forgael. I weep - I weep because bare night's above,
And not a roof of ivory and gold.
Dectora. I would grow jealous of the ivory roof,
And strike the golden pillars with my hands.
I would that there was nothing in the world
But my beloved - that night and day had perished,
And all that is and all that is to be,
All that is not the meeting of our lips.
Forgael. You turn away. Why do you turn away?
Am I to fear the waves, or is the moon
My enemy?
Dectora. I looked upon the moon,
Longing to knead and pull it into shape
That I might lay it on your head as a crown.
But now it is your thoughts that wander away,
For you are looking at the sea. Do you not know
How great a wrong it is to let one's thought
Wander a moment when one is in love?
[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]
Why are you looking at the sea?
Forgael. Look there!
Dectora. What is there but a troop of ash-grey birds
That fly into the west?
Forgael. But listen, listen!
Dectora. What is there but the crying of the birds?
Forgael. If you'll but listen closely to that crying
You'll hear them calling out to one another
With human voices
Dectora. O, I can hear them now.
What are they? Unto what country do they fly?
Forgael. To unimaginable happiness.
They have been circling over our heads in the air,
But now that they have taken to the road
We have to follow, for they are our pilots;
And though they're but the colour of grey ash,
They're crying out, could you but hear their words,
"There is a country at the end of the world
Where no child's born but to outlive the moon.'
[The Sailors come in with Aibric. They are in great
excitement.]
First Sailor. The hold is full of treasure.
Second Sailor. Full to the hatches.
First Sailor. Treasure on treasure.
Third Sailor. Boxes of precious spice.
First Sailor. Ivory images with amethyst eyes.
Third Sailor. Dragons with eyes of ruby.
First Sailor. The whole ship
Flashes as if it were a net of herrings.
Third Sailor. Let's home; I'd give some rubies to a
woman.
Second Sailor. There's somebody I'd give the amethyst
eyes to.
Aibric [silencing them with agesture]. We would return to
our own country, Forgael,
For we have found a treasure that's so great
Imagination cannot reckon it.
And having lit upon this woman there,
What more have you to look for on the seas?
Forgael. I cannot - I am going on to the end.
As for this woman, I think she is coming with me.
Aibric. The Ever-living have made you mad; but no,
It was this woman in her woman's vengeance
That drove you to it, and I fool enough
To fancy that she'd bring you home again.
'Twas you that egged him to it, for you know
That he is being driven to his death.
Dectora. That is not true, for he has promised me
An unimaginable happiness.
Aibric. And if that happiness be more than dreams,
More than the froth, the feather, the dust-whirl,
The crazy nothing that I think it is,
It shall be in the country of the dead,
If there be such a country.
Dectora. No, not there,
But in some island where the life of the world
Leaps upward, as if all the streams o' the world
Had run into one fountain.
Aibric. Speak to him.
He knows that he is taking you to death;
Speak - he will not deny it.
Dectora. Is that true?
Forgael. I do not know for certain, but I know.
That I have the best of pilots.
Aibric. Shadows, illusions,
That the Shape-changers, the Ever-laughing Ones,
The Immortal Mockers have cast into his mind,
Or called before his eyes.
Dectora. O carry me
To some sure country, some familia'r place.
Have we not everything that life can give
In having one another?
Forgael. How could I rest
If I refused the messengers and pilots
With all those sights and all that crying out?
Dectora. But I will cover up your eyes and ear?,
That you may never hear the cry of the birds,
Or look upon them.
Forgael. Were they but lowlier
I'd do your will, but they are too high - too high.
Dectora. Being too high, their heady prophecies
But harry us with hopes that come to nothing,
Because we are not proud, imperishable,
Alone and winged.
Forgael. Our love shall be like theirs
When we have put their changeless image on.
Dectora. I am a woman, I die at every breath.
Aibric. Let the birds scatter, for the tree is broken,
And there's no help in words. [To the Sailors.]
To the other ship,
And I will follow you and cut the rope
When I have said farewell to this man here,
For neither I nor any living man
Will look upon his face again.
[The Sailors go out.]
Forgael [to Dectora], Go with him,
For he will shelter you and bring you home.
Aibric [taking Forgael's hand]. I'll do it for his sake.
Dectora. No. Take this sword
And cut the rope, for I go on with Forgael.
Aibric [half falling into the keen]. The yew-bough has been
broken into two,
And all the birds are scattered - O! O! O!
Farewell! farewell! [He goes out.]
Dectora. The sword is in the rope -
The rope's in two - it falls into the sea,
It whirls into the foam. O ancient worm,
Dragon that loved the world and held us to it,
You are broken, you are broken. The world drifts
away,
And I am left alone with my beloved,
Who cannot put me from his sight for ever.
We are alone for ever, and I laugh,
Forgael, because you cannot put me from you.
The mist has covered the heavens, and you and I
Shall be alone for ever. We two - this crown -
I half remember. It has been in my dreams.
Bend lower, O king, that I may crown you with it.
O flower of the branch, 0 bird among the leaves,
O silver fish that my two hands have taken
Out of the running stream, O morning star
Trembling in the blue heavens like a white fawn
Upon the misty border of the wood,
Bend lower, that I may cover you with my hair,
For we will gaze upon this world no longer.
Forgael [gathering Dectora's hair about him]. Beloved, hav-
ing dragged the net about us,
And knitted mesh to mesh, we grow immortal;
And that old harp awakens of itself
To cry aloud to the grey birds, and dreams,
That have had dreams for father, live in us.
The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps behind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.
~ William Butler Yeats, A Dramatic Poem
,#NFDB |
1437:Rose Mary
Of her two fights with the Beryl-stone
Lost the first, but the second won.
PART I
“MARY mine that art Mary's Rose
Come in to me from the garden-close.
The sun sinks fast with the rising dew,
And we marked not how the faint moon grew;
But the hidden stars are calling you.
“Tall Rose Mary, come to my side,
And read the stars if you'd be a bride.
In hours whose need was not your own,
While you were a young maid yet ungrown
You've read the stars in the Beryl-stone.
“Daughter, once more I bid you read;
But now let it be for your own need:
Because to-morrow, at break of day,
To Holy Cross he rides on his way,
Your knight Sir James of Heronhaye.
“Ere he wed you, flower of mine,
For a heavy shrift he seeks the shrine.
Now hark to my words and do not fear;
Ill news next I have for your ear;
But be you strong, and our help is here.
“On his road, as the rumour's rife,
An ambush waits to take his life.
He needs will go, and will go alone;
Where the peril lurks may not be known;
But in this glass all things are shown.”
Pale Rose Mary sank to the floor:—
“The night will come if the day is o'er!”
“Nay, heaven takes counsel, star with star,
And help shall reach your heart from afar:
A bride you'll be, as a maid you are.”
The lady unbound her jewelled zone
And drew from her robe the Beryl-stone.
Shaped it was to a shadowy sphere,—
World of our world, the sun's compeer,
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That bears and buries the toiling year.
With shuddering light 'twas stirred and strewn
Like the cloud-nest of the wading moon:
Freaked it was as the bubble's ball,
Rainbow-hued through a misty pall
Like the middle light of the waterfall.
Shadows dwelt in its teeming girth
Of the known and unknown things of earth;
The cloud above and the wave around,—
The central fire at the sphere's heart bound,
Like doomsday prisoned underground.
A thousand years it lay in the sea
With a treasure wrecked from Thessaly;
Deep it lay 'mid the coiled sea-wrack,
But the ocean-spirits found the track:
A soul was lost to win it back.
The lady upheld the wondrous thing:—
“Ill fare”(she said) “with a fiend's-faring:
But Moslem blood poured forth like wine
Can hallow Hell, 'neath the Sacred Sign;
And my lord brought this from Palestine.
“Spirits who fear the Blessed Rood
Drove forth the accursed multitude
That heathen worship housed herein,—
Never again such home to win,
Save only by a Christian's sin.
“All last night at an altar fair
I burnt strange fires and strove with prayer;
Till the flame paled to the red sunrise,
All rites I then did solemnize;
And the spell lacks nothing but your eyes.”
Low spake maiden Rose Mary:—
“O mother mine, if I should not see!”
“Nay, daughter, cover your face no more,
But bend love's heart to the hidden lore,
And you shall see now as heretofore.”
Paler yet were the pale cheeks grown
As the grey eyes sought the Beryl-stone:
Then over her mother's lap leaned she,
And stretched her thrilled throat passionately,
And sighed from her soul, and said, “I see.”
Even as she spoke, they two were 'ware
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Of music-notes that fell through the air;
A chiming shower of strange device,
Drop echoing drop, once, twice, and thrice,
As rain may fall in Paradise.
An instant come, in an instant gone,
No time there was to think thereon.
The mother held the sphere on her knee:—
“Lean this way and speak low to me,
And take no note but of what you see.”
“I see a man with a besom grey
That sweeps the flying dust away.”
“Ay, that comes first in the mystic sphere;
But now that the way is swept and clear,
Heed well what next you look on there.”
“Stretched aloft and adown I see
Two roads that part in waste-country:
The glen lies deep and the ridge stands tall;
What's great below is above seen small,
And the hill-side is the valley-wall.”
“Stream-bank, daughter, or moor and moss,
Both roads will take to Holy Cross.
The hills are a weary waste to wage;
But what of the valley-road's presage?
That way must tend his pilgrimage.”
“As 'twere the turning leaves of a book,
The road runs past me as I look;
Or it is even as though mine eye
Should watch calm waters filled with sky
While lights and clouds and wings went by.”
“In every covert seek a spear;
They'll scarce lie close till he draws near.”
“The stream has spread to a river now;
The stiff blue sedge is deep in the slough,
But the banks are bare of shrub or bough.’
“Is there any roof that near at hand
Might shelter yield to a hidden band?”
“On the further bank I see but one,
And a herdsman now in the sinking sun
Unyokes his team at the threshold-stone.”
“Keep heedful watch by the water's edge,—
Some boat might lurk 'neath the shadowed sedge.”
“One slid but now 'twixt the winding shores,
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But a peasant woman bent to the oars
And only a young child steered its course.
“Mother, something flashed to my sight!—
Nay, it is but the lapwing's flight.—
What glints there like a lance that flees?—
Nay, the flags are stirred in the breeze,
And the water's bright through the dart-rushes.
“Ah! vainly I search from side to side:—
Woe's me! and where do the foemen hide?
Woe's me! and perchance I pass them by,
And under the new dawn's blood-red sky
Even where I gaze the dead shall lie.”
Said the mother: “For dear love's sake,
Speak more low, lest the spell should break.”
Said the daughter: “By love's control,
My eyes, my words, are strained to the goal;
But oh! the voice that cries in my soul!”
“Hush, sweet, hush! be calm and behold.”
“I see two floodgates broken and old:
The grasses wave o'er the ruined weir,
But the bridge still leads to the breakwater;
And—mother, mother, O mother dear!”
The damsel clung to her mother's knee,
And dared not let the shriek go free;
Low she crouched by the lady's chair,
And shrank blindfold in her fallen hair,
And whispering said, “The spears are there!”
The lady stooped aghast from her place,
And cleared the locks from her daughter's face.
“More's to see, and she swoons, alas!
Look, look again, ere the moment pass!
One shadow comes but once to the glass.
“See you there what you saw but now?”
“I see eight men 'neath the willow bough.
All over the weir a wild growth's spread:
Ah me! it will hide a living head
As well as the water hides the dead.
“They lie by the broken water-gate
As men who have a while to wait.
The chief's high lance has a blazoned scroll,—
He seems some lord of tithe and toll
With seven squires to his bannerole.
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“The little pennon quakes in the air,
I cannot trace the blazon there:—
Ah! now I can see the field of blue,
The spurs and the merlins two and two;—
It is the Warden of Holycleugh!”
“God be thanked for the thing we know!
You have named your good knight's mortal foe.
Last Shrovetide in the tourney-game
He sought his life by treasonous shame;
And this way now doth he seek the same.
“So, fair lord, such a thing you are!
But we too watch till the morning star.
Well, June is kind and the moon is clear:
Saint Judas send you a merry cheer
For the night you lie in Warisweir!
“Now, sweet daughter, but one more sight,
And you may lie soft and sleep to-night.
We know in the vale what perils be:
Now look once more in the glass, and see
If over the hills the road lies free.”
Rose Mary pressed to her mother's cheek,
And almost smiled but did not speak;
Then turned again to the saving spell,
With eyes to search and with lips to tell
The heart of things invisible.
“Again the shape with the besom grey
Comes back to sweep the clouds away.
Again I stand where the roads divide;
But now all's near on the steep hillside,
And a thread far down is the rivertide.”
“Ay, child, your road is o'er moor and moss,
Past Holycleugh to Holy Cross.
Our hunters lurk in the valley's wake,
As they knew which way the chase would take:
Yet search the hills for your true love's sake.”
“Swift and swifter the waste runs by,
And nought I see but the heath and the sky;
No brake is there that could hide a spear,
And the gaps to a horseman's sight lie clear;
Still past it goes, and there's nought to fear.”
“Fear no trap that you cannot see,—
They'd not lurk yet too warily.
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Below by the weir they lie in sight,
And take no heed how they pass the night
Till close they crouch with the morning light.”
“The road shifts ever and brings in view
Now first the heights of Holycleugh:
Dark they stand o'er the vale below,
And hide that heaven which yet shall show
The thing their master's heart doth know.
“Where the road looks to the castle steep,
There are seven hill-clefts wide and deep:
Six mine eyes can search as they list,
But the seventh hollow is brimmed with mist:
If aught were there, it might not be wist.”
“Small hope, my girl, for a helm to hide
In mists that cling to a wild moorside:
Soon they melt with the wind and sun,
And scarce would wait such deeds to be done
God send their snares be the worst to shun.”
“Still the road winds ever anew
As it hastens on towards Holycleugh;
And ever the great walls loom more near,
Till the castle-shadow, steep and sheer,
Drifts like a cloud, and the sky is clear.”
“Enough, my daughter,” the mother said,
And took to her breast the bending head;
“Rest, poor head, with my heart below,
While love still lulls you as long ago:
For all is learnt that we need to know.
“Long the miles and many the hours
From the castle-height to the abbey-towers;
But here the journey has no more dread;
Too thick with life is the whole road spread
For murder's trembling foot to tread.”
She gazed on the Beryl-stone full fain
Ere she wrapped it close in her robe again:
The flickering shades were dusk and dun
And the lights throbbed faint in unison
Like a high heart when a race is run.
As the globe slid to its silken gloom,
Once more a music rained through the room;
Low it splashed like a sweet star-spray,
And sobbed like tears at the heart of May,
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And died as laughter dies away.
The lady held her breath for a space,
And then she looked in her daughter's face:
But wan Rose Mary had never heard;
Deep asleep like a sheltered bird
She lay with the long spell minister'd.
“Ah! and yet I must leave you, dear,
For what you have seen your knight must hear.
Within four days, by the help of God,
He comes back safe to his heart's abode:
Be sure he shall shun the valley-road.”
Rose Mary sank with a broken moan,
And lay in the chair and slept alone,
Weary, lifeless, heavy as lead:
Long it was ere she raised her head
And rose up all discomforted.
She searched her brain for a vanished thing,
And clasped her brows, remembering;
Then knelt and lifted her eyes in awe,
And sighed with a long sigh sweet to draw:—
“Thank God, thank God, thank God I saw!”
The lady had left her as she lay,
To seek the Knight of Heronhaye.
But first she clomb by a secret stair,
And knelt at a carven altar fair,
And laid the precious Beryl there.
Its girth was graved with a mystic rune
In a tongue long dead 'neath sun and moon:
A priest of the Holy Sepulchre
Read that writing and did not err;
And her lord had told its sense to her.
She breathed the words in an undertone:—
“None sees here but the pure alone.”
“And oh!” she said, “what rose may be
In Mary's bower more pure to see
Than my own sweet maiden Rose Mary?”
BERYL-SONG
We whose home is the Beryl,
Fire-spirits of dread desire,
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Who entered in
By a secret sin,
'Gainst whom all powers that strive with ours are sterile,—
We cry, Woe to thee, mother!
What hast thou taught her, the girl thy daughter,
That she and none other
Should this dark morrow to her deadly sorrow imperil?
What were her eyes
But the fiend's own spies,
O mother,
And shall We not fee her, our proper prophet and seër?
Go to her, mother,
Even thou, yea thou and none other,
Thou, from the Beryl:
Her fee must thou take her,
Her fee that We send, and make her,
Even in this hour, her sin's unsheltered avower.
Whose steed did neigh,
Riderless, bridleless,
At her gate before it was day?
Lo! where doth hover
The soul of her lover?
She sealed his doom, she, she was the sworn approver,—
Whose eyes were so wondrous wise,
Yet blind, ah! blind to his peril!
For stole not We in
Through a love-linked sin,
'Gainst whom all powers at war with ours are sterile,—
Fire-spirits of dread desire,
We whose home is the Beryl?
PART II
“PALE Rose Mary, what shall be done
With a rose that Mary weeps upon?”
“Mother, let it fall from the tree,
And never walk where the strewn leaves be
Till winds have passed and the path is free.”
“Sad Rose Mary, what shall be done
With a cankered flower beneath the sun?”
“Mother, let it wait for the night;
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Be sure its shame shall be out of sight
Ere the moon pale or the east grow light.”
“Lost Rose Mary, what shall be done
With a heart that is but a broken one?”
“Mother, let it lie where it must;
The blood was drained with the bitter thrust,
And dust is all that sinks in the dust.”
“Poor Rose Mary, what shall I do,—
I, your mother, that lovèd you?”
“O my mother, and is love gone?
Then seek you another love anon:
Who cares what shame shall lean upon?”
Low drooped trembling Rose Mary,
Then up as though in a dream stood she.
“Come, my heart, it is time to go;
This is the hour that has whispered low
When thy pulse quailed in the nights we know.
“Yet O my heart, thy shame has a mate
Who will not leave thee desolate.
Shame for shame, yea and sin for sin:
Yet peace at length may our poor souls win
If love for love be found therein.
“O thou who seek'st our shrift to-day,”
She cried, “O James of Heronhaye—
Thy sin and mine was for love alone;
And oh! in the sight of God 'tis known
How the heart has since made heavy moan.
“Three days yet!” she said to her heart;
“But then he comes, and we will not part.
God, God be thanked that I still could see!
Oh! he shall come back assuredly,
But where, alas! must he seek for me?
“O my heart, what road shall we roam
Till my wedding-music fetch me home?
For love's shut from us and bides afar,
And scorn leans over the bitter bar
And knows us now for the thing we are.”
Tall she stood with a cheek flushed high
And a gaze to burn the heart-strings by.
'Twas the lightning-flash o'er sky and plain
Ere labouring thunders heave the chain
From the floodgates of the drowning rain.
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The mother looked on the daughter still
As on a hurt thing that's yet to kill.
Then wildly at length the pent tears came;
The love swelled high with the swollen shame,
And their hearts' tempest burst on them.
Closely locked, they clung without speech,
And the mirrored souls shook each to each,
As the cloud-moon and the water-moon
Shake face to face when the dim stars swoon
In stormy bowers of the night's mid-noon.
They swayed together, shuddering sore,
Till the mother's heart could bear no more.
'Twas death to feel her own breast shake
Even to the very throb and ache
Of the burdened heart she still must break.
All her sobs ceased suddenly,
And she sat straight up but scarce could see.
“O daughter, where should my speech begin?
Your heart held fast its secret sin:
How think you, child, that I read therein?”
“Ah me! but I thought not how it came
When your words showed that you knew my shame:
And now that you call me still your own,
I half forget you have ever known.
Did you read my heart in the Beryl-stone?”
The lady answered her mournfully:—
“The Beryl-stone has no voice for me:
But when you charged its power to show
The truth which none but the pure may know,
Did naught speak once of a coming woe?”
Her hand was close to her daughter's heart,
And it felt the life-blood's sudden start:
A quick deep breath did the damsel draw,
Like the struck fawn in the oakenshaw:
“O mother,” she cried, “but still I saw!”
“O child, my child, why held you apart
From my great love your hidden heart?
Said I not that all sin must chase
From the spell's sphere the spirits of grace,
And yield their rule to the evil race?
“Ah! would to God I had clearly told
How strong those powers, accurst of old:
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Their heart is the ruined house of lies;
O girl, they can seal the sinful eyes,
Or show the truth by contraries!”
The daughter sat as cold as a stone,
And spoke no word but gazed alone,
Nor moved, though her mother strove a space
To clasp her round in a close embrace,
Because she dared not see her face.
“Oh!” at last did the mother cry,
“Be sure, as he loved you, so will I!
Ah! still and dumb is the bride, I trow;
But cold and stark as the winter snow
Is the bridegroom's heart, laid dead below!
“Daughter, daughter, remember you
That cloud in the hills by Holycleugh?
'Twas a Hell-screen hiding truth away:
There, not i' the vale, the ambush lay,
And thence was the dead borne home to-day.”
Deep the flood and heavy the shock
When sea meets sea in the riven rock:
But calm is the pulse that shakes the sea
To the prisoned tide of doom set free
In the breaking heart of Rose Mary.
Once she sprang as the heifer springs
With the wolf's teeth at its red heart-strings.
First 'twas fire in her breast and brain,
And then scarce hers but the whole world's pain,
As she gave one shriek and sank again.
In the hair dark-waved the face lay white
As the moon lies in the lap of night;
And as night through which no moon may dart
Lies on a pool in the woods apart,
So lay the swoon on the weary heart.
The lady felt for the bosom's stir,
And wildly kissed and called on her;
Then turned away with a quick footfall,
And slid the secret door in the wall,
And clomb the strait stair's interval.
There above in the altar-cell
A little fountain rose and fell:
She set a flask to the water's flow,
And, backward hurrying, sprinkled now
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The still cold breast and the pallid brow.
Scarce cheek that warmed or breath on the air,
Yet something told that life was there.
“Ah! not with the heart the body dies!”
The lady moaned in a bitter wise;
Then wrung her hands and hid her eyes.
“Alas! and how may I meet again
In the same poor eyes the selfsame pain?
What help can I seek, such grief to guide?
Ah! one alone might avail,” she cried—
“The priest who prays at the dead man's side.”
The lady arose, and sped down all
The winding stairs to the castle-hall.
Long-known valley and wood and stream,
As the loopholes passed, naught else did seem
Than the torn threads of a broken dream.
The hall was full of the castle-folk;
The women wept, but the men scarce spoke.
As the lady crossed the rush-strewn floor,
The throng fell backward, murmuring sore,
And pressed outside round the open door.
A stranger shadow hung on the hall
Than the dark pomp of a funeral.
'Mid common sights that were there alway,
As 'twere a chance of the passing day,
On the ingle-bench the dead man lay.
A priest who passed by Holycleugh
The tidings brought when the day was new.
He guided them who had fetched the dead;
And since that hour, unwearièd,
He knelt in prayer at the low bier's head.
Word had gone to his own domain
That in evil wise the knight was slain:
Soon the spears must gather apace
And the hunt be hard on the hunters' trace;
But all things yet lay still for a space.
As the lady's hurried step drew near,
The kneeling priest looked up to her.
“Father, death is a grievous thing;
But oh! the woe has a sharper sting
That craves by me your ministering.
“Alas for the child that should have wed
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This noble knight here lying dead!
Dead in hope, with all blessed boon
Of love thus rent from her heart ere noon,
I left her laid in a heavy swoon.
“O haste to the open bower-chamber
That's topmost as you mount the stair:
Seek her, father, ere yet she wake;
Your words, not mine, be the first to slake
This poor heart's fire, for Christ's sweet sake!
“God speed!” she said as the priest passed through,
“And I ere long will be with you.”
Then low on the hearth her knees sank prone;
She signed all folk from the threshold-stone,
And gazed in the dead man's face alone.
The fight for life found record yet
In the clenched lips and the teeth hard-set;
The wrath from the bent brow was not gone,
And stark in the eyes the hate still shone
Of that they last had looked upon.
The blazoned coat was rent on his breast
Where the golden field was goodliest;
But the shivered sword, close-gripped, could tell
That the blood shed round him where he fell
Was not all his in the distant dell.
The lady recked of the corpse no whit,
But saw the soul and spoke to it:
A light there was in her steadfast eyes,—
The fire of mortal tears and sighs
That pity and love immortalize.
“By thy death have I learnt to-day
Thy deed, O James of Heronhaye!
Great wrong thou hast done to me and mine;
And haply God hath wrought for a sign
By our blind deed this doom of thine.
“Thy shrift, alas! thou wast not to win;
But may death shrive thy soul herein!
Full well do I know thy love should be
Even yet—had life but stayed with thee—
Our honour's strong security.”
She stooped, and said with a sob's low stir,—
“Peace be thine,—but what peace for her?”
But ere to the brow her lips were press'd,
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She marked, half-hid in the riven vest,
A packet close to the dead man's breast.
'Neath surcoat pierced and broken mail
It lay on the blood-stained bosom pale.
The clot hung round it, dull and dense,
And a faintness seized her mortal sense
As she reached her hand and drew it thence.
'Twas steeped in the heart's flood welling high
From the heart it there had rested by:
'Twas glued to a broidered fragment gay,—
A shred by spear-thrust rent away
From the heron-wings of Heronhaye.
She gazed on the thing with piteous eyne:—
“Alas, poor child, some pledge of thine!
Ah me! in this troth the hearts were twain,
And one hath ebbed to this crimson stain,
And when shall the other throb again?”
She opened the packet heedfully;
The blood was stiff, and it scarce might be.
She found but a folded paper there,
And round it, twined with tenderest care,
A long bright tress of golden hair.
Even as she looked, she saw again
That dark-haired face in its swoon of pain:
It seemed a snake with a golden sheath
Crept near, as a slow flame flickereth,
And stung her daughter's heart to death.
She loosed the tress, but her hand did shake
As though indeed she had touched a snake;
And next she undid the paper's fold,
But that too trembled in her hold,
And the sense scarce grasped the tale it told.
“My heart's sweet lord,” ('twas thus she read,)
“At length our love is garlanded.
At Holy Cross, within eight days' space,
I seek my shrift; and the time and place
Shall fit thee too for thy soul's good grace.
“From Holycleugh on the seventh day
My brother rides, and bides away:
And long or e'er he is back, mine own,
Afar where the face of fear's unknown
We shall be safe with our love alone.
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“Ere yet at the shrine my knees I bow,
I shear one tress for our holy vow.
As round these words these threads I wind,
So, eight days hence, shall our loves be twined,
Says my lord's poor lady, JOCELIND.”
She read it twice, with a brain in thrall,
And then its echo told her all.
O'er brows low-fall'n her hands she drew:—
“O God!” she said, as her hands fell too,—
“The Warden's sister of Holycleugh!”
She rose upright with a long low moan,
And stared in the dead man's face new-known.
Had it lived indeed? She scarce could tell:
'Twas a cloud where fiends had come to dwell,—
A mask that hung on the gate of Hell.
She lifted the lock of gleaming hair
And smote the lips and left it there.
“Here's gold that Hell shall take for thy toll!
Full well hath thy treason found its goal,
O thou dead body and damnèd soul!”
She turned, sore dazed, for a voice was near,
And she knew that some one called to her.
On many a column fair and tall
A high court ran round the castle-hall;
And thence it was that the priest did call.
“I sought your child where you bade me go,
And in rooms around and rooms below;
But where, alas! may the maiden be?
Fear nought,—we shall find her speedily,—
But come, come hither, and seek with me.”
She reached the stair like a lifelorn thing,
But hastened upward murmuring,
“Yea, Death's is a face that's fell to see;
But bitterer pang Life hoards for thee,
Thou broken heart of Rose Mary!”
BERYL-SONG
We whose throne is the Beryl,
Dire-gifted spirits of fire,
Who for a twin
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Leash Sorrow to Sin,
Who on no flower refrain to lour with peril,—
We cry,—O desolate daughter!
Thou and thy mother share newer shame with each other
Than last night's slaughter.
Awake and tremble, for our curses assemble!
What more, that thou know'st not yet,—
That life nor death shall forget?
No help from Heaven,—thy woes heart-riven are sterile!
O once a maiden,
With yet worse sorrow can any morrow be laden?
It waits for thee,
It looms, it must be,
O lost among women,—
It comes and thou canst not flee.
Amen to the omen,
Says the voice of the Beryl.
Thou sleep'st? Awake,—
What dar'st thou yet for his sake,
Who each for other did God's own Future imperil?
Dost dare to live
`Mid the pangs each hour must give?
Nay, rather die,—
With him thy lover 'neath Hell's cloud-cover to fly,—
Hopeless, yet not apart,
Cling heart to heart,
And beat through the nether storm-eddying winds together?
Shall this be so?
There thou shalt meet him, but mayst thou greet him? ah no !
He loves, but thee he hoped nevermore to see,—
He sighed as he died,
But with never a thought for thee.
Alone!
Alone, for ever alone,—
Whose eyes were such wondrous spies for the fate foreshown!
Lo! have not We leashed the twin
Of endless Sorrow to Sin,—
Who on no flower refrain to lour with peril,—
Dire-gifted spirits of fire,
We whose throne is the Beryl?
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PART III
A SWOON that breaks is the whelming wave
When help comes late but still can save.
With all blind throes is the instant rife,—
Hurtling clangour and clouds at strife,—
The breath of death, but the kiss of life.
The night lay deep on Rose Mary's heart,
For her swoon was death's kind counterpart:
The dawn broke dim on Rose Mary's soul,—
No hill-crown's heavenly aureole,
But a wild gleam on a shaken shoal.
Her senses gasped in the sudden air,
And she looked around, but none was there.
She felt the slackening frost distil
Through her blood the last ooze dull and chill:
Her lids were dry and her lips were still.
Her tears had flooded her heart again;
As after a long day's bitter rain,
At dusk when the wet flower-cups shrink,
The drops run in from the beaded brink,
And all the close-shut petals drink.
Again her sighs on her heart were rolled;
As the wind that long has swept the wold,—
Whose moan was made with the moaning sea,—
Beats out its breath in the last torn tree,
And sinks at length in lethargy.
She knew she had waded bosom-deep
Along death's bank in the sedge of sleep:
All else was lost to her clouded mind;
Nor, looking back, could she see defin'd
O'er the dim dumb waste what lay behind.
Slowly fades the sun from the wall
Till day lies dead on the sun-dial:
And now in Rose Mary's lifted eye
'Twas shadow alone that made reply
To the set face of the soul's dark sky.
Yet still through her soul there wandered past
Dread phantoms borne on a wailing blast,—
Death and sorrow and sin and shame;
And, murmured still, to her lips there came
Her mother's and her lover's name.
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How to ask, and what thing to know?
She might not stay and she dared not go.
From fires unseen these smoke-clouds curled;
But where did the hidden curse lie furled?
And how to seek through the weary world?
With toiling breath she rose from the floor
And dragged her steps to an open door:
'Twas the secret panel standing wide,
As the lady's hand had let it bide
In hastening back to her daughter's side.
She passed, but reeled with a dizzy brain
And smote the door which closed again.
She stood within by the darkling stair,
But her feet might mount more freely there,—
'Twas the open light most blinded her.
Within her mind no wonder grew
At the secret path she never knew:
All ways alike were strange to her now,—
One field bare-ridged from the spirit's plough,
One thicket black with the cypress-bough.
Once she thought that she heard her name;
And she paused, but knew not whence it came.
Down the shadowed stair a faint ray fell
That guided the weary footsteps well
Till it led her up to the altar-cell.
No change there was on Rose Mary's face
As she leaned in the portal's narrow space:
Still she stood by the pillar's stem,
Hand and bosom and garment's hem,
As the soul stands by at the requiem.
The altar-cell was a dome low-lit,
And a veil hung in the midst of it:
At the pole-points of its circling girth
Four symbols stood of the world's first birth,—
Air and water and fire and earth.
To the north, a fountain glittered free;
To the south, there glowed a red fruit-tree;
To the east, a lamp flamed high and fair;
To the west, a crystal casket rare
Held fast a cloud of the fields of air.
The painted walls were a mystic show
Of time's ebb-tide and overflow;
236
His hoards long-locked and conquering key,
His service-fires that in heaven be,
And earth-wheels whirled perpetually.
Rose Mary gazed from the open door
As on idle things she cared not for,—
The fleeting shapes of an empty tale;
Then stepped with a heedless visage pale,
And lifted aside the altar-veil.
The altar stood from its curved recess
In a coiling serpent's life-likeness:
Even such a serpent evermore
Lies deep asleep at the world's dark core
Till the last Voice shake the sea and shore.
From the altar-cloth a book rose spread
And tapers burned at the altar-head;
And there in the altar-midst alone,
'Twixt wings of a sculptured beast unknown,
Rose Mary saw the Beryl-stone.
Firm it sat 'twixt the hollowed wings,
As an orb sits in the hand of kings:
And lo! for that Foe whose curse far-flown
Had bound her life with a burning zone,
Rose Mary knew the Beryl-stone.
Dread is the meteor's blazing sphere
When the poles throb to its blind career;
But not with a light more grim and ghast
Thereby is the future doom forecast,
Than now this sight brought back the past.
The hours and minutes seemed to whirr
In a clanging swarm that deafened her;
They stung her heart to a writhing flame,
And marshalled past in its glare they came,—
Death and sorrow and sin and shame.
Round the Beryl's sphere she saw them pass
And mock her eyes from the fated glass:
One by one in a fiery train
The dead hours seemed to wax and wane,
And burned till all was known again.
From the drained heart's fount there rose no cry,
There sprang no tears, for the source was dry.
Held in the hand of some heavy law,
Her eyes she might not once withdraw,
237
Nor shrink away from the thing she saw.
Even as she gazed, through all her blood
The flame was quenched in a coming flood:
Out of the depth of the hollow gloom
On her soul's bare sands she felt it boom,—
The measured tide of a sea of doom.
Three steps she took through the altar-gate,
And her neck reared and her arms grew straight:
The sinews clenched like a serpent's throe,
And the face was white in the dark hair's flow,
As her hate beheld what lay below.
Dumb she stood in her malisons,—
A silver statue tressed with bronze:
As the fabled head by Perseus mown,
It seemed in sooth that her gaze alone
Had turned the carven shapes to stone.
O'er the altar-sides on either hand
There hung a dinted helm and brand:
By strength thereof, 'neath the Sacred Sign,
That bitter gift o'er the salt sea-brine
Her father brought from Palestine.
Rose Mary moved with a stern accord
And reached her hand to her father's sword;
Nor did she stir her gaze one whit
From the thing whereon her brows were knit;
But gazing still, she spoke to it.
“O ye, three times accurst,” she said,
“By whom this stone is tenanted!
Lo! here ye came by a strong sin's might;
Yet a sinner's hand that's weak to smite
Shall send you hence ere the day be night.
“This hour a clear voice bade me know
My hand shall work your overthrow:
Another thing in mine ear it spake,—
With the broken spell my life shall break.
I thank Thee, God, for the dear death's sake!
“And he Thy heavenly minister
Who swayed erewhile this spell-bound sphere,—
My parting soul let him haste to greet,
And none but he be guide for my feet
To where Thy rest is made complete.”
Then deep she breathed, with a tender moan:—
238
“My love, my lord, my only one!
Even as I held the cursed clue,
When thee, through me, these foul ones slew,—
By mine own deed shall they slay me too!
“Even while they speed to Hell, my love,
Two hearts shall meet in Heaven above.
Our shrift thou sought'st, but might'st not bring:
And oh! for me 'tis a blessed thing
To work hereby our ransoming.
“One were our hearts in joy and pain,
And our souls e'en now grow one again.
And O my love, if our souls are three,
O thine and mine shall the third soul be,—
One threefold love eternally.”
Her eyes were soft as she spoke apart,
And the lips smiled to the broken heart:
But the glance was dark and the forehead scored
With the bitter frown of hate restored,
As her two hands swung the heavy sword.
Three steps back from her Foe she trod:—
“Love, for thy sake! In Thy Name, O God!”
In the fair white hands small strength was shown;
Yet the blade flashed high and the edge fell prone,
And she cleft the heart of the Beryl-stone.
What living flesh in the thunder-cloud
Hath sat and felt heaven cry aloud?
Or known how the levin's pulse may beat?
Or wrapped the hour when the whirlwinds meet
About its breast for a winding-sheet?
Who hath crouched at the world's deep heart
While the earthquake rends its loins apart?
Or walked far under the seething main
While overhead the heavens ordain
The tempest-towers of the hurricane?
Who hath seen or what ear hath heard
The secret things unregister'd
Of the place where all is past and done,
And tears and laughter sound as one
In Hell's unhallowed unison?
Nay, is it writ how the fiends despair
In earth and water and fire and air?
Even so no mortal tongue may tell
239
How to the clang of the sword that fell
The echoes shook the altar-cell.
When all was still on the air again
The Beryl-stone lay cleft in twain;
The veil was rent from the riven dome;
And every wind that's winged to roam
Might have the ruined place for home.
The fountain no more glittered free;
The fruit hung dead on the leafless tree;
The flame of the lamp had ceased to flare;
And the crystal casket shattered there
Was emptied now of its cloud of air.
And lo! on the ground Rose Mary lay,
With a cold brow like the snows ere May,
With a cold breast like the earth till Spring,
With such a smile as the June days bring
When the year grows warm with harvesting.
The death she had won might leave no trace
On the soft sweet form and gentle face:
In a gracious sleep she seemed to lie;
And over her head her hand on high
Held fast the sword she triumphed by.
'Twas then a clear voice said in the room:—
“Behold the end of the heavy doom.
O come,—for thy bitter love's sake blest;
By a sweet path now thou journeyest,
And I will lead thee to thy rest.
“Me thy sin by Heaven's sore ban
Did chase erewhile from the talisman:
But to my heart, as a conquered home,
In glory of strength thy footsteps come
Who hast thus cast forth my foes therefrom.
“Already thy heart remembereth
No more his name thou sought'st in death:
For under all deeps, all heights above,—
So wide the gulf in the midst thereof,—
Are Hell of Treason and Heaven of Love.
“Thee, true soul, shall thy truth prefer
To blessed Mary's rose-bower:
Warmed and lit is thy place afar
With guerdon-fires of the sweet Love-star
Where hearts of steadfast lovers are:—
240
“Though naught for the poor corpse lying here
Remain to-day but the cold white bier,
But burial-chaunt and bended knee,
But sighs and tears that heaviest be,
But rent rose-flower and rosemary.”
BERYL-SONG
We, cast forth from the Beryl,
Gyre-circling spirits of fire,
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,—
Woe! must We behold this mother
Find grace in her dead child's face, and doubt of none other
But that perfect pardon, alas! hath assured her guerdon?
Woe! must We behold this daughter,
Made clean from the soil of sin wherewith We had fraught her,
Shake off a man's blood like water?
Write up her story
On the Gate of Heaven's glory,
Whom there We behold so fair in shining apparel,
And beneath her the ruin
Of our own undoing!
Alas, the Beryl!
We had for a foeman
But one weak woman;
In one day's strife,
Her hope fell dead from her life;
And yet no iron,
Her soul to environ,
Could this manslayer, this false soothsayer imperil!
Lo, where she bows
In the Holy House!
Who now shall dissever her soul from its joy for ever
While every ditty
Of love and plentiful pity
Fills the White City,
And the floor of Heaven to her feet for ever is given?
Hark, a voice cries “Flee!”
Woe! woe! what shelter have We,
241
Whose pangs begin
With God's grace to sin,
For whose spent powers the immortal hours are sterile,
Gyre-circling spirits of fire,
We, cast forth from the Beryl?
~ Dante Gabriel Rossetti,#NFDB |
1438:Custer
BOOK FIRST.
I.
ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening seaGreece her Achilles claimed, immortal Custer, we.
II.
Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,
And self surrenders to the needs of all;
Incurs vast perils, or, to save those dear,
Embraces death without one sigh or tear.
Life's martyrs still the endless drama play
Though no great Homer lives to chant their worth to-day.
III.
And if he chanted, who would list his songs,
So hurried now the world's gold-seeking throngs?
And yet shall silence mantle mighty deeds?
Awake, dear Muse, and sing though no ear heeds!
Extol the triumphs, and bemoan the end
Of that true hero, lover, son and friend
Whose faithful heart in his last choice was shownDeath with the comrades dear, refusing flight alone.
IV.
He who was born for battle and for strife
Like some caged eagle frets in peaceful life;
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So Custer fretted when detained afar
From scenes of stirring action and of war.
And as the captive eagle in delight,
When freedom offers, plumes himself for flight
And soars away to thunder clouds on high,
With palpitating wings and wild exultant cry,
V.
So lion-hearted Custer sprang to arms,
And gloried in the conflict's loud alarms.
But one dark shadow marred his bounding joy;
And then the soldier vanished, and the boy,
The tender son, clung close, with sobbing breath,
To her from whom each parting was new death;
That mother who like goddesses of old,
Gave to the mighty Mars, three warriors brave and bold,
VI.
Yet who, unlike those martial dames of yore,
Grew pale and shuddered at the sight of gore.
A fragile being, born to grace the hearth,
Untroubled by the conflicts of the earth.
Some gentle dove who reared young eaglets, might,
In watching those bold birdlings take their flight,
Feel what that mother felt who saw her sons
Rush from her loving arms, to face death-dealing guns.
VII.
But ere thy lyre is strung to martial strains
Of wars which sent our hero o'er the plains,
To add the cypress to his laureled brow,
Be brave, my Muse, and darker truths avow.
Let Justice ask a preface to thy songs,
Before the Indian's crimes declare his wrongs;
Before effects, wherein all horrors blend,
Declare the shameful cause, precursor of the end.
VIII.
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When first this soil the great Columbus trod,
He was less like the image of his God
Than those ingenuous souls, unspoiled by art,
Who lived so near to Mother Nature's heart;
Those simple children of the wood and wave,
As frank as trusting, and as true as brave;
Savage they were, when on some hostile raid
(For where is he so high, whom war does not degrade?) .
IX.
But dark deceit and falsehood's shameless shame
They had not learned, until the white man came.
He taught them, too, the lurking devil's joy
In liquid lies, that lure but to destroy.
With wily words, as false as they were sweet,
He spread his snares for unsuspecting feet;
Paid truth with guile, and trampled in the dust
Their gentle childlike faith and unaffected trust.
X.
And for the sport of idle kings and knaves
Of Nature's greater noblemen, made slaves.
Alas, the hour, when the wronged Indian knows
His seeming benefactors are but foes.
His kinsmen kidnapped and his lands possessed,
The demon woke in that untutored breast.
Four hundred years have rolled upon their wayThe ruthless demon rules the red man to this day.
XI.
If, in the morning of success, that grand
Invincible discoverer of our land
Had made no lodge or wigwam desolate
To carry trophies to the proud and great;
If on our history's page there were no blot
Left by the cruel rapine of Cabot,
Of Verrazin, and Hudson, dare we claim
The Indian of the plains, to-day had been same?
154
XII.
For in this brief existence, not alone
Do our lives gather what our hands have sown,
But we reap, too, what others long ago
Sowed, careless of the harvests that might grow.
Thus hour by hour the humblest human souls
Inscribe in cipher on unending scrolls,
The history of nations yet to be;
Incite fierce bloody wars, to rage from sea to sea,
XIII.
Or pave the way to peace. There is no past,
So deathless are events-results so vast.
And he who strives to make one act or hour
Stand separate and alone, needs first the power
To look upon the breaking wave and say,
'These drops were bosomed by a cloud to-day,
And those from far mid-ocean's crest were sent.'
So future, present, past, in one wide sea are blent.
BOOK SECOND.
I.
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II.
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
155
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III.
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV.
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
V.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI.
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
156
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII.
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on, ' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII.
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX.
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
X.
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But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe, ' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI.
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam) .
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die, ' quoth he, ' mine be the part
To fall upon the field, a bullet in my heart.'
XII.
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII.
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
158
XIV.
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV.
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
XVI.
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII.
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
159
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII.
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here,
XIX.
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
Whom following friends will bless, while foes will curse and cower.
XX.
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
160
XXI.
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII.
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII.
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV.
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
161
Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV.
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI.
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII.
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
162
XXVIII.
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX.
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX.
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI.
The weary warriors mount their foam-flecked steeds,
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
163
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII.
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII.
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV.
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV.
164
To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI.
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII.
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII.
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve,
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
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Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
XXXIX.
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL.
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI.
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII.
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With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII.
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV.
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV.
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
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Who in one year have known a lifetime of despair.
XLVI.
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII.
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
A row of six asterisks is on the page at this point
XLVIII.
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX.
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The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
L.
Like some elixir which the gods prepare,
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI.
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII.
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
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The gods alone create, gods only should destroy.
LIII.
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV.
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV.
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI.
At last she lifts her lazy head and heeds
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The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII.
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
LVIII.
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX.
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and, with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
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Against the blue-clad troops, this patch of color lies.
LX.
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI.
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep.
BOOK THIRD.
There is an interval of eight years between Books Second and Third.
I.
As in the long dead days marauding hosts
Of Indians came from far Siberian coasts,
And drove the peaceful Aztecs from their grounds,
Despoiled their homes (but left their tell-tale mounds) ,
So has the white man with the Indians done.
Now with their backs against the setting sun
The remnants of a dying nation stand
And view the lost domain, once their beloved land.
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II.
Upon the vast Atlantic's leagues of shore
The happy red man's tent is seen no more;
And from the deep blue lakes which mirror heaven
His bounding bark canoe was long since driven.
The mighty woods, those temples where his God
Spoke to his soul, are leveled to the sod;
And in their place tall church spires point above,
While priests proclaim the law of Christ, the King of Love.
III.
The avaricious and encroaching rail
Seized the wide fields which knew the Indians' trail.
Back to the reservations in the West
The native owners of the land were pressed,
And selfish cities, harbingers of want,
Shut from their vision each accustomed haunt.
Yet hungry Progress, never satisfied,
Gazed on the western plains, and gazing, longed and sighed.
IV.
As some strange bullock in a pasture field
Compels the herds to fear him, and to yield
The juicy grass plots and the cooling shade
Until, despite their greater strength, afraid,
They huddle in some corner spot and cower
Before the monarch's all controlling power,
So has the white man driven from its place
By his aggressive greed, Columbia's native race.
V.
Yet when the bull pursues the herds at bay,
Incensed they turn, and dare dispute his sway.
And so the Indians turned, when men forgot
Their sacred word, and trespassed on the spot.
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The lonely little spot of all their lands,
The reservation of the peaceful bands.
But lust for gold all conscience kills in man,
'Gold in the Black Hills, gold! ' the cry arose and ran
VI.
From lip to lip, as flames from tree to tree
Leap till the forest is one fiery sea,
And through the country surged that hot unrest
Which thirst for riches wakens in the breast.
In mighty throngs the fortune hunters came,
Despoiled the red man's lands and slew his game,
Broke solemn treaties and defied the law.
And all these ruthless acts the Nation knew and saw.
VII.
Man is the only animal that kills
Just for the wanton love of slaughter; spills
The blood of lesser things to see it flow;
Lures like a friend, to murder like a foe
The trusting bird and beast; and, coward like,
Deals covert blows he dare not boldly strike.
The brutes have finer souls, and only slay
When torn by hunger's pangs, or when to fear a prey.
VIII.
The pale-faced hunter, insolent and bold,
Pursued the bison while he sought for gold.
And on the hungry red man's own domains
He left the rotting and unused remains
To foul with sickening stench each passing wind
And rouse the demon in the savage mind,
Save in the heart where virtues dominate
Injustice always breeds its natural offspring- hate.
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IX.
The chieftain of the Sioux, great Sitting Bull,
Mused o'er their wrongs, and felt his heart swell full
Of bitter vengeance. Torn with hate's unrest
He called a council and his braves addressed.
'From fair Wisconsin's shimmering lakes of blue
Long years ago the white man drove the Sioux.
Made bold by conquest, and inflamed by greed,
He still pursues our tribes, and still our ranks recede.
X.
'Fair are the White Chief's promises and words,
But dark his deeds who robs us of our herds.
He talks of treaties, asks the right to buy,
Then takes by force, not waiting our reply.
He grants us lands for pastures and abodes
To devastate them by his iron roads.
But now from happy Spirit Lands, a friend
Draws near the hunted Sioux, to strengthen and defend.
XI.
'While walking in the fields I saw a star;
Unconsciously I followed it afarIt led me on to valleys filled with light,
Where danced our noble chieftains slain in fight.
Black Kettle, first of all that host I knew,
He whom the strong armed Custer foully slew.
And then a spirit took me by the hand,
The Great Messiah King who comes to free the land.
XII.
'Suns were his eyes, a speaking tear his voice,
.Whose rainbow sounds made listening hearts rejoice
And thus he spake: 'The red man's hour draws near
When all his lost domains shall reappear.
The elk, the deer, the bounding antelope,
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Shall here return to grace each grassy slope.'
He waved his hand above the fields, and lo!
Down through the valleys came a herd of buffalo.
XIII.
'The wondrous vision vanished, but I knew
That Sitting Bull must make the promise true.
Great Spirits plan what mortal man achieves,
The hand works magic when the heart believes.
Arouse, ye braves! let not the foe advance.
Arm for the battle and begin the danceThe sacred dance in honor of our slain,
Who will return to earth, ere many moons shall wane.'
XIV.
Thus Sitting Bull, the chief of wily knaves,
Worked on the superstitions of his braves.
Mixed truth with lies; and stirred to mad unrest
The warlike instinct in each savage breast.
A curious product of unhappy times,
The natural offspring of unnumbered crimes,
He used low cunning and dramatic arts
To startle and surprise those crude untutored hearts.
XV.
Out from the lodges pour a motley throng,
Slow measures chanting of a dirge-like song.
In one great circle dizzily they swing,
A squaw and chief alternate in the ring.
Coarse raven locks stream over robes of white,
Their deep set orbs emit a lurid light,
And as through pine trees moan the winds refrains,
So swells and dies away, the ghostly graveyard strains.
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XVI.
Like worded wine is music to the ear,
And long indulged makes mad the hearts that hear.
The dancers, drunken with the monotone
Of oft repeated notes, now shriek and groan
And pierce their ruddy flesh with sharpened spears;
Still more excited when the blood appears,
With warlike yells, high in the air they bound,
Then in a deathlike trance fall prostrate on the ground.
XVII.
They wake to tell weird stories of the dead,
While fresh performers to the ring are led.
The sacred nature of the dance is lost,
War is their cry, red war, at any cost.
Insane for blood they wait for no command,
But plunge marauding through the frightened land.
Their demon hearts on devils' pleasures bent,
For each new foe surprised, new torturing deaths invent.
XVIII.
Staked to the earth one helpless creature lies,
Flames at his feet and splinters in his eyes.
Another groans with coals upon his breast,
While 'round the pyre the Indians dance and jest.
A crying child is brained upon a tree,
The swooning mother saved from death, to be
The slave and plaything of a filthy knave,
Whose sins would startle hell, whose clay defile a grave.
XIX.
Their cause was right, their methods all were wrong.
Pity and censure both to them belong.
Their woes were many, but their crimes were more.
The soulless Satan holds not in his store
Such awful tortures as the Indians' wrath
177
Keeps for the hapless victim in his path.
And if the last lone remnants of that race
Were by the white man swept from off the earth's fair face,
XX.
Were every red man slaughtered in a day,
Still would that sacrifice but poorly pay
For one insulted woman captive's woes.
Again great Custer in his strength arose,
More daring, more intrepid than of old.
The passing years had touched and turned to gold
The ever widening aureole of fame
That shone upon his brow, and glorified his name.
XXI.
Wise men make laws, then turn their eyes away,
While fools and knaves ignore them day by day;
And unmolested, fools and knaves at length
Induce long wars which sap a country's strength.
The sloth of leaders, ruling but in name,
Has dragged full many a nation down to shame.
A word unspoken by the rightful lips
Has dyed the land with blood, and blocked the sea with ships.
XXII.
The word withheld, when Indians asked for aid,
Came when the red man started on his raid.
What Justice with a gesture might have done
Was left for noisy war with bellowing gun.
And who save Custer and his gallant men
Could calm the tempest into peace again?
What other hero in the land could hope
With Sitting Bull, the fierce and lawless one to cope?
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XXIII.
What other warrior skilled enough to dare
Surprise that human tiger in his lair?
Sure of his strength, unconscious of his fame
Out from the quiet of the camp he came;
And stately as Diana at his side
Elizabeth, his wife and alway bride,
And Margaret, his sister, rode apace;
Love's clinging arms he left to meet death's cold embrace.
XXIV.
As the bright column wound along its course,
The smiling leader turned upon his horse
To gaze with pride on that superb command.
Twelve hundred men, the picked of all the land,
Innured to hardship and made strong by strife
Their lithe limbed bodies breathed of out-door life;
While on their faces, resolute and brave,
Hope stamped its shining seal, although their thoughts were grave.
XXV.
The sad eyed women halted in the dawn,
And waved farewell to dear ones riding on.
The modest mist picked up her robes and ran
Before the Sun god's swift pursuing van.
And suddenly there burst on startled eyes,
The sight of soldiers, marching in the skies;
That phantom host, a phantom Custer led;
Mirage of dire portent, forecasting days ahead.
XXVI.
The soldiers' children, flaunting mimic flags,
Played by the roadside, striding sticks for nags.
Their mothers wept, indifferent to the crowd
Who saw their tears and heard them sob aloud.
Old Indian men and squaws crooned forth a rhyme
179
Sung by their tribes from immemorial time;
And over all the drums' incessant beat
Mixed with the scout's weird rune, and tramp of myriad feet.
XXVII.
So flawless was the union of each part
The mighty column (moved as by one heart)
Pulsed through the air, like some sad song well sung,
Which gives delight, although the soul is wrung.
Farther and fainter to the sight and sound
The beautiful embodied poem wound;
Till like a ribbon, stretched across the land
Seemed the long narrow line of that receding band.
XXVIII.
The lot of those who in the silence wait
Is harder than the fighting soldiers' fate.
Back to the lonely post two women passed,
With unaccustomed sorrow overcast.
Two sad for sighs, too desolate for tears,
The dark forebodings of long widowed years
In preparation for the awful blow
Hung on the door of hope the sable badge of woe.
XXIX.
Unhappy Muse! for thee no song remains,
Save the sad miséréré of the plains.
Yet though defeat, not triumph, ends the tale,
Great victors sometimes are the souls that fail.
All glory lies not in the goals we reach,
But in the lessons which our actions teach.
And he who, conquered, to the end believes
In God and in himself, though vanquished, still achieves.
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XXX.
Ah, grand as rash was that last fatal raid
The little group of daring heroes made.
Two hundred and two score intrepid men
Rode out to war; not one came back again.
Like fiends incarnate from the depths of hell
Five thousand foemen rose with deafening yell,
And swept that vale as with a simoon's breath,
But like the gods of old, each martyr met his death.
XXXI.
Like gods they battled and like gods they died.
Hour following hour that little band defied
The hordes of red men swarming o'er the plain,
Till scarce a score stood upright 'mid the slain.
Then in the lull of battle, creeping near,
A scout breathed low in Custer's listening ear:
'Death lies before, dear life remains behind
Mount thy sure-footed steed, and hasten with the wind.'
XXXII.
A second's silence. Custer dropped his head,
His lips slow moving as when prayers are saidTwo words he breathed-'God and Elizabeth, '
Then shook his long locks in the face of death
And with a final gesture turned away
To join that fated few who stood at bay.
Ah! deeds like that the Christ in man reveal
Let Fame descend her throne at Custer's shrine to kneel.
XXXIII.
Too late to rescue, but in time to weep,
His tardy comrades came. As if asleep
He lay, so fair, that even hellish hate
Withheld its hand and dared not mutilate.
By fiends who knew not honor, honored still,
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He smiled and slept on that far western hill.
Cast down thy lyre, oh Muse! thy song is done!
Let tears complete the tale of him who failed, yet won.
~ Ella Wheeler Wilcox,#NFDB |
1439:The Cremona Violin
Part First
Frau Concert-Meister Altgelt shut the door.
A storm was rising, heavy gusts of wind
Swirled through the trees, and scattered leaves before
Her on the clean, flagged path. The sky behind
The distant town was black, and sharp defined
Against it shone the lines of roofs and towers,
Superimposed and flat like cardboard flowers.
A pasted city on a purple ground,
Picked out with luminous paint, it seemed. The cloud
Split on an edge of lightning, and a sound
Of rivers full and rushing boomed through bowed,
Tossed, hissing branches. Thunder rumbled loud
Beyond the town fast swallowing into gloom.
Frau Altgelt closed the windows of each room.
She bustled round to shake by constant moving
The strange, weird atmosphere. She stirred the fire,
She twitched the supper-cloth as though improving
Its careful setting, then her own attire
Came in for notice, tiptoeing higher and higher
She peered into the wall-glass, now adjusting
A straying lock, or else a ribbon thrusting
This way or that to suit her. At last sitting,
Or rather plumping down upon a chair,
She took her work, the stocking she was knitting,
And watched the rain upon the window glare
In white, bright drops. Through the black glass a flare
Of lightning squirmed about her needles. 'Oh!'
She cried. 'What can be keeping Theodore so!'
A roll of thunder set the casements clapping.
Frau Altgelt flung her work aside and ran,
Pulled open the house door, with kerchief flapping
She stood and gazed along the street. A man
Flung back the garden-gate and nearly ran
272
Her down as she stood in the door. 'Why, Dear,
What in the name of patience brings you here?
Quick, Lotta, shut the door, my violin
I fear is wetted. Now, Dear, bring a light.
This clasp is very much too worn and thin.
I'll take the other fiddle out to-night
If it still rains. Tut! Tut! my child, you're quite
Clumsy. Here, help me, hold the case while I Give me the candle. No, the inside's dry.
Thank God for that! Well, Lotta, how are you?
A bad storm, but the house still stands, I see.
Is my pipe filled, my Dear? I'll have a few
Puffs and a snooze before I eat my tea.
What do you say? That you were feared for me?
Nonsense, my child. Yes, kiss me, now don't talk.
I need a rest, the theatre's a long walk.'
Her needles still, her hands upon her lap
Patiently laid, Charlotta Altgelt sat
And watched the rain-run window. In his nap
Her husband stirred and muttered. Seeing that,
Charlotta rose and softly, pit-a-pat,
Climbed up the stairs, and in her little room
Found sighing comfort with a moon in bloom.
But even rainy windows, silver-lit
By a new-burst, storm-whetted moon, may give
But poor content to loneliness, and it
Was hard for young Charlotta so to strive
And down her eagerness and learn to live
In placid quiet. While her husband slept,
Charlotta in her upper chamber wept.
Herr Concert-Meister Altgelt was a man
Gentle and unambitious, that alone
Had kept him back. He played as few men can,
Drawing out of his instrument a tone
So shimmering-sweet and palpitant, it shone
Like a bright thread of sound hung in the air,
Afloat and swinging upward, slim and fair.
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Above all things, above Charlotta his wife,
Herr Altgelt loved his violin, a fine
Cremona pattern, Stradivari's life
Was flowering out of early discipline
When this was fashioned. Of soft-cutting pine
The belly was. The back of broadly curled
Maple, the head made thick and sharply whirled.
The slanting, youthful sound-holes through
The belly of fine, vigorous pine
Mellowed each note and blew
It out again with a woody flavour
Tanged and fragrant as fir-trees are
When breezes in their needles jar.
The varnish was an orange-brown
Lustered like glass that's long laid down
Under a crumbling villa stone.
Purfled stoutly, with mitres which point
Straight up the corners. Each curve and joint
Clear, and bold, and thin.
Such was Herr Theodore's violin.
Seven o'clock, the Concert-Meister gone
With his best violin, the rain being stopped,
Frau Lotta in the kitchen sat alone
Watching the embers which the fire dropped.
The china shone upon the dresser, topped
By polished copper vessels which her skill
Kept brightly burnished. It was very still.
An air from `Orfeo' hummed in her head.
Herr Altgelt had been practising before
The night's performance. Charlotta had plead
With him to stay with her. Even at the door
She'd begged him not to go. 'I do implore
You for this evening, Theodore,' she had said.
'Leave them to-night, and stay with me instead.'
'A silly poppet!' Theodore pinched her ear.
'You'd like to have our good Elector turn
274
Me out I think.' 'But, Theodore, something queer
Ails me. Oh, do but notice how they burn,
My cheeks! The thunder worried me. You're stern,
And cold, and only love your work, I know.
But Theodore, for this evening, do not go.'
But he had gone, hurriedly at the end,
For she had kept him talking. Now she sat
Alone again, always alone, the trend
Of all her thinking brought her back to that
She wished to banish. What would life be? What?
For she was young, and loved, while he was moved
Only by music. Each day that was proved.
Each day he rose and practised. While he played,
She stopped her work and listened, and her heart
Swelled painfully beneath her bodice. Swayed
And longing, she would hide from him her smart.
'Well, Lottchen, will that do?' Then what a start
She gave, and she would run to him and cry,
And he would gently chide her, 'Fie, Dear, fie.
I'm glad I played it well. But such a taking!
You'll hear the thing enough before I've done.'
And she would draw away from him, still shaking.
Had he but guessed she was another one,
Another violin. Her strings were aching,
Stretched to the touch of his bow hand, again
He played and she almost broke at the strain.
Where was the use of thinking of it now,
Sitting alone and listening to the clock!
She'd best make haste and knit another row.
Three hours at least must pass before his knock
Would startle her. It always was a shock.
She listened - listened - for so long before,
That when it came her hearing almost tore.
She caught herself just starting in to listen.
What nerves she had: rattling like brittle sticks!
She wandered to the window, for the glisten
Of a bright moon was tempting. Snuffed the wicks
275
Of her two candles. Still she could not fix
To anything. The moon in a broad swath
Beckoned her out and down the garden-path.
Against the house, her hollyhocks stood high
And black, their shadows doubling them. The night
Was white and still with moonlight, and a sigh
Of blowing leaves was there, and the dim flight
Of insects, and the smell of aconite,
And stocks, and Marvel of Peru. She flitted
Along the path, where blocks of shadow pitted
The even flags. She let herself go dreaming
Of Theodore her husband, and the tune
From `Orfeo' swam through her mind, but seeming
Changed - shriller. Of a sudden, the clear moon
Showed her a passer-by, inopportune
Indeed, but here he was, whistling and striding.
Lotta squeezed in between the currants, hiding.
'The best laid plans of mice and men,' alas!
The stranger came indeed, but did not pass.
Instead, he leant upon the garden-gate,
Folding his arms and whistling. Lotta's state,
Crouched in the prickly currants, on wet grass,
Was far from pleasant. Still the stranger stayed,
And Lotta in her currants watched, dismayed.
He seemed a proper fellow standing there
In the bright moonshine. His cocked hat was laced
With silver, and he wore his own brown hair
Tied, but unpowdered. His whole bearing graced
A fine cloth coat, and ruffled shirt, and chased
Sword-hilt. Charlotta looked, but her position
Was hardly easy. When would his volition
Suggest his walking on? And then that tune!
A half-a-dozen bars from `Orfeo'
Gone over and over, and murdered. What Fortune
Had brought him there to stare about him so?
'Ach, Gott im Himmel! Why will he not go!'
Thought Lotta, but the young man whistled on,
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And seemed in no great hurry to be gone.
Charlotta, crouched among the currant bushes,
Watched the moon slowly dip from twig to twig.
If Theodore should chance to come, and blushes
Streamed over her. He would not care a fig,
He'd only laugh. She pushed aside a sprig
Of sharp-edged leaves and peered, then she uprose
Amid her bushes. 'Sir,' said she, 'pray whose
Garden do you suppose you're watching? Why
Do you stand there? I really must insist
Upon your leaving. 'Tis unmannerly
To stay so long.' The young man gave a twist
And turned about, and in the amethyst
Moonlight he saw her like a nymph half-risen
From the green bushes which had been her prison.
He swept his hat off in a hurried bow.
'Your pardon, Madam, I had no idea
I was not quite alone, and that is how
I came to stay. My trespass was not sheer
Impertinence. I thought no one was here,
And really gardens cry to be admired.
To-night especially it seemed required.
And may I beg to introduce myself?
Heinrich Marohl of Munich. And your name?'
Charlotta told him. And the artful elf
Promptly exclaimed about her husband's fame.
So Lotta, half-unwilling, slowly came
To conversation with him. When she went
Into the house, she found the evening spent.
Theodore arrived quite wearied out and teased,
With all excitement in him burned away.
It had gone well, he said, the audience pleased,
And he had played his very best to-day,
But afterwards he had been forced to stay
And practise with the stupid ones. His head
Ached furiously, and he must get to bed.
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Part Second
Herr Concert-Meister Altgelt played,
And the four strings of his violin
Were spinning like bees on a day in Spring.
The notes rose into the wide sun-mote
Which slanted through the window,
They lay like coloured beads a-row,
They knocked together and parted,
And started to dance,
Skipping, tripping, each one slipping
Under and over the others so
That the polychrome fire streamed like a lance
Or a comet's tail,
Behind them.
Then a wail arose - crescendo And dropped from off the end of the bow,
And the dancing stopped.
A scent of lilies filled the room,
Long and slow. Each large white bloom
Breathed a sound which was holy perfume from a blessed censer,
And the hum of an organ tone,
And they waved like fans in a hall of stone
Over a bier standing there in the centre, alone.
Each lily bent slowly as it was blown.
Like smoke they rose from the violin Then faded as a swifter bowing
Jumbled the notes like wavelets flowing
In a splashing, pashing, rippling motion
Between broad meadows to an ocean
Wide as a day and blue as a flower,
Where every hour
Gulls dipped, and scattered, and squawked, and squealed,
And over the marshes the Angelus pealed,
And the prows of the fishing-boats were spattered
With spray.
And away a couple of frigates were starting
To race to Java with all sails set,
Topgallants, and royals, and stunsails, and jibs,
And wide moonsails; and the shining rails
Were polished so bright they sparked in the sun.
All the sails went up with a run:
278
'They call me Hanging Johnny,
Away-i-oh;
They call me Hanging Johnny,
So hang, boys, hang.'
And the sun had set and the high moon whitened,
And the ship heeled over to the breeze.
He drew her into the shade of the sails,
And whispered tales
Of voyages in the China seas,
And his arm around her
Held and bound her.
She almost swooned,
With the breeze and the moon
And the slipping sea,
And he beside her,
Touching her, leaning The ship careening,
With the white moon steadily shining over
Her and her lover,
Theodore, still her lover!
Then a quiver fell on the crowded notes,
And slowly floated
A single note which spread and spread
Till it filled the room with a shimmer like gold,
And noises shivered throughout its length,
And tried its strength.
They pulled it, and tore it,
And the stuff waned thinner, but still it bore it.
Then a wide rent
Split the arching tent,
And balls of fire spurted through,
Spitting yellow, and mauve, and blue.
One by one they were quenched as they fell,
Only the blue burned steadily.
Paler and paler it grew, and - faded - away.
Herr Altgelt stopped.
'Well, Lottachen, my Dear, what do you say?
I think I'm in good trim. Now let's have dinner.
What's this, my Love, you're very sweet to-day.
I wonder how it happens I'm the winner
279
Of so much sweetness. But I think you're thinner;
You're like a bag of feathers on my knee.
Why, Lotta child, you're almost strangling me.
I'm glad you're going out this afternoon.
The days are getting short, and I'm so tied
At the Court Theatre my poor little bride
Has not much junketing I fear, but soon
I'll ask our manager to grant a boon.
To-night, perhaps, I'll get a pass for you,
And when I go, why Lotta can come too.
Now dinner, Love. I want some onion soup
To whip me up till that rehearsal's over.
You know it's odd how some women can stoop!
Fraeulein Gebnitz has taken on a lover,
A Jew named Goldstein. No one can discover
If it's his money. But she lives alone
Practically. Gebnitz is a stone,
Pores over books all day, and has no ear
For his wife's singing. Artists must have men;
They need appreciation. But it's queer
What messes people make of their lives, when
They should know more. If Gebnitz finds out, then
His wife will pack. Yes, shut the door at once.
I did not feel it cold, I am a dunce.'
Frau Altgelt tied her bonnet on and went
Into the streets. A bright, crisp Autumn wind
Flirted her skirts and hair. A turbulent,
Audacious wind it was, now close behind,
Pushing her bonnet forward till it twined
The strings across her face, then from in front
Slantingly swinging at her with a shunt,
Until she lay against it, struggling, pushing,
Dismayed to find her clothing tightly bound
Around her, every fold and wrinkle crushing
Itself upon her, so that she was wound
In draperies as clinging as those found
Sucking about a sea nymph on the frieze
280
Of some old Grecian temple. In the breeze
The shops and houses had a quality
Of hard and dazzling colour; something sharp
And buoyant, like white, puffing sails at sea.
The city streets were twanging like a harp.
Charlotta caught the movement, skippingly
She blew along the pavement, hardly knowing
Toward what destination she was going.
She fetched up opposite a jeweller's shop,
Where filigreed tiaras shone like crowns,
And necklaces of emeralds seemed to drop
And then float up again with lightness. Browns
Of striped agates struck her like cold frowns
Amid the gaiety of topaz seals,
Carved though they were with heads, and arms, and wheels.
A row of pencils knobbed with quartz or sard
Delighted her. And rings of every size
Turned smartly round like hoops before her eyes,
Amethyst-flamed or ruby-girdled, jarred
To spokes and flashing triangles, and starred
Like rockets bursting on a festal day.
Charlotta could not tear herself away.
With eyes glued tightly on a golden box,
Whose rare enamel piqued her with its hue,
Changeable, iridescent, shuttlecocks
Of shades and lustres always darting through
Its level, superimposing sheet of blue,
Charlotta did not hear footsteps approaching.
She started at the words: 'Am I encroaching?'
'Oh, Heinrich, how you frightened me! I thought
We were to meet at three, is it quite that?'
'No, it is not,' he answered, 'but I've caught
The trick of missing you. One thing is flat,
I cannot go on this way. Life is what
Might best be conjured up by the word: `Hell'.
Dearest, when will you come?' Lotta, to quell
281
His effervescence, pointed to the gems
Within the window, asked him to admire
A bracelet or a buckle. But one stems
Uneasily the burning of a fire.
Heinrich was chafing, pricked by his desire.
Little by little she wooed him to her mood
Until at last he promised to be good.
But here he started on another tack;
To buy a jewel, which one would Lotta choose.
She vainly urged against him all her lack
Of other trinkets. Should she dare to use
A ring or brooch her husband might accuse
Her of extravagance, and ask to see
A strict accounting, or still worse might be.
But Heinrich would not be persuaded. Why
Should he not give her what he liked? And in
He went, determined certainly to buy
A thing so beautiful that it would win
Her wavering fancy. Altgelt's violin
He would outscore by such a handsome jewel
That Lotta could no longer be so cruel!
Pity Charlotta, torn in diverse ways.
If she went in with him, the shopman might
Recognize her, give her her name; in days
To come he could denounce her. In her fright
She almost fled. But Heinrich would be quite
Capable of pursuing. By and by
She pushed the door and entered hurriedly.
It took some pains to keep him from bestowing
A pair of ruby earrings, carved like roses,
The setting twined to represent the growing
Tendrils and leaves, upon her. 'Who supposes
I could obtain such things! It simply closes
All comfort for me.' So he changed his mind
And bought as slight a gift as he could find.
A locket, frosted over with seed pearls,
Oblong and slim, for wearing at the neck,
282
Or hidden in the bosom; their joined curls
Should lie in it. And further to bedeck
His love, Heinrich had picked a whiff, a fleck,
The merest puff of a thin, linked chain
To hang it from. Lotta could not refrain
From weeping as they sauntered down the street.
She did not want the locket, yet she did.
To have him love her she found very sweet,
But it is hard to keep love always hid.
Then there was something in her heart which chid
Her, told her she loved Theodore in him,
That all these meetings were a foolish whim.
She thought of Theodore and the life they led,
So near together, but so little mingled.
The great clouds bulged and bellied overhead,
And the fresh wind about her body tingled;
The crane of a large warehouse creaked and jingled;
Charlotta held her breath for very fear,
About her in the street she seemed to hear:
'They call me Hanging Johnny,
Away-i-oh;
They call me Hanging Johnny,
So hang, boys, hang.'
And it was Theodore, under the racing skies,
Who held her and who whispered in her ear.
She knew her heart was telling her no lies,
Beating and hammering. He was so dear,
The touch of him would send her in a queer
Swoon that was half an ecstasy. And yearning
For Theodore, she wandered, slowly turning
Street after street as Heinrich wished it so.
He had some aim, she had forgotten what.
Their progress was confused and very slow,
But at the last they reached a lonely spot,
A garden far above the highest shot
Of soaring steeple. At their feet, the town
Spread open like a chequer-board laid down.
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Lotta was dimly conscious of the rest,
Vaguely remembered how he clasped the chain
About her neck. She treated it in jest,
And saw his face cloud over with sharp pain.
Then suddenly she felt as though a strain
Were put upon her, collared like a slave,
Leashed in the meshes of this thing he gave.
She seized the flimsy rings with both her hands
To snap it, but they held with odd persistence.
Her eyes were blinded by two wind-blown strands
Of hair which had been loosened. Her resistance
Melted within her, from remotest distance,
Misty, unreal, his face grew warm and near,
And giving way she knew him very dear.
For long he held her, and they both gazed down
At the wide city, and its blue, bridged river.
From wooing he jested with her, snipped the blown
Strands of her hair, and tied them with a sliver
Cut from his own head. But she gave a shiver
When, opening the locket, they were placed
Under the glass, commingled and enlaced.
'When will you have it so with us?' He sighed.
She shook her head. He pressed her further. 'No,
No, Heinrich, Theodore loves me,' and she tried
To free herself and rise. He held her so,
Clipped by his arms, she could not move nor go.
'But you love me,' he whispered, with his face
Burning against her through her kerchief's lace.
Frau Altgelt knew she toyed with fire, knew
That what her husband lit this other man
Fanned to hot flame. She told herself that few
Women were so discreet as she, who ran
No danger since she knew what things to ban.
She opened her house door at five o'clock,
A short half-hour before her husband's knock.
Part Third
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The `Residenz-Theater' sparked and hummed
With lights and people. Gebnitz was to sing,
That rare soprano. All the fiddles strummed
With tuning up; the wood-winds made a ring
Of reedy bubbling noises, and the sting
Of sharp, red brass pierced every ear-drum; patting
From muffled tympani made a dark slatting
Across the silver shimmering of flutes;
A bassoon grunted, and an oboe wailed;
The 'celli pizzicato-ed like great lutes,
And mutterings of double basses trailed
Away to silence, while loud harp-strings hailed
Their thin, bright colours down in such a scatter
They lost themselves amid the general clatter.
Frau Altgelt in the gallery, alone,
Felt lifted up into another world.
Before her eyes a thousand candles shone
In the great chandeliers. A maze of curled
And powdered periwigs past her eyes swirled.
She smelt the smoke of candles guttering,
And caught the glint of jewelled fans fluttering
All round her in the boxes. Red and gold,
The house, like rubies set in filigree,
Filliped the candlelight about, and bold
Young sparks with eye-glasses, unblushingly
Ogled fair beauties in the balcony.
An officer went by, his steel spurs jangling.
Behind Charlotta an old man was wrangling
About a play-bill he had bought and lost.
Three drunken soldiers had to be ejected.
Frau Altgelt's eyes stared at the vacant post
Of Concert-Meister, she at once detected
The stir which brought him. But she felt neglected
When with no glance about him or her way,
He lifted up his violin to play.
The curtain went up? Perhaps. If so,
Charlotta never saw it go.
285
The famous Fraeulein Gebnitz' singing
Only came to her like the ringing
Of bells at a festa
Which swing in the air
And nobody realizes they are there.
They jingle and jangle,
And clang, and bang,
And never a soul could tell whether they rang,
For the plopping of guns and rockets
And the chinking of silver to spend, in one's pockets,
And the shuffling and clapping of feet,
And the loud flapping
Of flags, with the drums,
As the military comes.
It's a famous tune to walk to,
And I wonder where they're off to.
Step-step-stepping to the beating of the drums.
But the rhythm changes as though a mist
Were curling and twisting
Over the landscape.
For a moment a rhythmless, tuneless fog
Encompasses her. Then her senses jog
To the breath of a stately minuet.
Herr Altgelt's violin is set
In tune to the slow, sweeping bows, and retreats and advances,
To curtsies brushing the waxen floor as the Court dances.
Long and peaceful like warm Summer nights
When stars shine in the quiet river. And against the lights
Blundering insects knock,
And the `Rathaus' clock
Booms twice, through the shrill sounds
Of flutes and horns in the lamplit grounds.
Pressed against him in the mazy wavering
Of a country dance, with her short breath quavering
She leans upon the beating, throbbing
Music. Laughing, sobbing,
Feet gliding after sliding feet;
His - hers The ballroom blurs She feels the air
Lifting her hair,
And the lapping of water on the stone stair.
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He is there! He is there!
Twang harps, and squeal, you thin violins,
That the dancers may dance, and never discover
The old stone stair leading down to the river
With the chestnut-tree branches hanging over
Her and her lover.
Theodore, still her lover!
The evening passed like this, in a half faint,
Delirium with waking intervals
Which were the entr'acts. Under the restraint
Of a large company, the constant calls
For oranges or syrops from the stalls
Outside, the talk, the passing to and fro,
Lotta sat ill at ease, incognito.
She heard the Gebnitz praised, the tenor lauded,
The music vaunted as most excellent.
The scenery and the costumes were applauded,
The latter it was whispered had been sent
From Italy. The Herr Direktor spent
A fortune on them, so the gossips said.
Charlotta felt a lightness in her head.
When the next act began, her eyes were swimming,
Her prodded ears were aching and confused.
The first notes from the orchestra sent skimming
Her outward consciousness. Her brain was fused
Into the music, Theodore's music! Used
To hear him play, she caught his single tone.
For all she noticed they two were alone.
Part Fourth
Frau Altgelt waited in the chilly street,
Hustled by lackeys who ran up and down
Shouting their coachmen's names; forced to retreat
A pace or two by lurching chairmen; thrown
Rudely aside by linkboys; boldly shown
The ogling rapture in two bleary eyes
Thrust close to hers in most unpleasant wise.
287
Escaping these, she hit a liveried arm,
Was sworn at by this glittering gentleman
And ordered off. However, no great harm
Came to her. But she looked a trifle wan
When Theodore, her belated guardian,
Emerged. She snuggled up against him, trembling,
Half out of fear, half out of the assembling
Of all the thoughts and needs his playing had given.
Had she enjoyed herself, he wished to know.
'Oh! Theodore, can't you feel that it was Heaven!'
'Heaven! My Lottachen, and was it so?
Gebnitz was in good voice, but all the flow
Of her last aria was spoiled by Klops,
A wretched flutist, she was mad as hops.'
He was so simple, so matter-of-fact,
Charlotta Altgelt knew not what to say
To bring him to her dream. His lack of tact
Kept him explaining all the homeward way
How this thing had gone well, that badly. 'Stay,
Theodore!' she cried at last. 'You know to me
Nothing was real, it was an ecstasy.'
And he was heartily glad she had enjoyed
Herself so much, and said so. 'But it's good
To be got home again.' He was employed
In looking at his violin, the wood
Was old, and evening air did it no good.
But when he drew up to the table for tea
Something about his wife's vivacity
Struck him as hectic, worried him in short.
He talked of this and that but watched her close.
Tea over, he endeavoured to extort
The cause of her excitement. She arose
And stood beside him, trying to compose
Herself, all whipt to quivering, curdled life,
And he, poor fool, misunderstood his wife.
Suddenly, broken through her anxious grasp,
Her music-kindled love crashed on him there.
288
Amazed, he felt her fling against him, clasp
Her arms about him, weighing down his chair,
Sobbing out all her hours of despair.
'Theodore, a woman needs to hear things proved.
Unless you tell me, I feel I'm not loved.'
Theodore went under in this tearing wave,
He yielded to it, and its headlong flow
Filled him with all the energy she gave.
He was a youth again, and this bright glow,
This living, vivid joy he had to show
Her what she was to him. Laughing and crying,
She asked assurances there's no denying.
Over and over again her questions, till
He quite convinced her, every now and then
She kissed him, shivering as though doubting still.
But later when they were composed and when
She dared relax her probings, 'Lottachen,'
He asked, 'how is it your love has withstood
My inadvertence? I was made of wood.'
She told him, and no doubt she meant it truly,
That he was sun, and grass, and wind, and sky
To her. And even if conscience were unruly
She salved it by neat sophistries, but why
Suppose her insincere, it was no lie
She said, for Heinrich was as much forgot
As though he'd never been within earshot.
But Theodore's hands in straying and caressing
Fumbled against the locket where it lay
Upon her neck. 'What is this thing I'm pressing?'
He asked. 'Let's bring it to the light of day.'
He lifted up the locket. 'It should stay
Outside, my Dear. Your mother has good taste.
To keep it hidden surely is a waste.'
Pity again Charlotta, straight aroused
Out of her happiness. The locket brought
A chilly jet of truth upon her, soused
Under its icy spurting she was caught,
289
And choked, and frozen. Suddenly she sought
The clasp, but with such art was this contrived
Her fumbling fingers never once arrived
Upon it. Feeling, twisting, round and round,
She pulled the chain quite through the locket's ring
And still it held. Her neck, encompassed, bound,
Chafed at the sliding meshes. Such a thing
To hurl her out of joy! A gilded string
Binding her folly to her, and those curls
Which lay entwined beneath the clustered pearls!
Again she tried to break the cord. It stood.
'Unclasp it, Theodore,' she begged. But he
Refused, and being in a happy mood,
Twitted her with her inefficiency,
Then looking at her very seriously:
'I think, Charlotta, it is well to have
Always about one what a mother gave.
As she has taken the great pains to send
This jewel to you from Dresden, it will be
Ingratitude if you do not intend
To carry it about you constantly.
With her fine taste you cannot disagree,
The locket is most beautifully designed.'
He opened it and there the curls were, twined.
Charlotta's heart dropped beats like knitting-stitches.
She burned a moment, flaming; then she froze.
Her face was jerked by little, nervous twitches,
She heard her husband asking: 'What are those?'
Put out her hand quickly to interpose,
But stopped, the gesture half-complete, astounded
At the calm way the question was propounded.
'A pretty fancy, Dear, I do declare.
Indeed I will not let you put it off.
A lovely thought: yours and your mother's hair!'
Charlotta hid a gasp under a cough.
'Never with my connivance shall you doff
This charming gift.' He kissed her on the cheek,
290
And Lotta suffered him, quite crushed and meek.
When later in their room she lay awake,
Watching the moonlight slip along the floor,
She felt the chain and wept for Theodore's sake.
She had loved Heinrich also, and the core
Of truth, unlovely, startled her. Wherefore
She vowed from now to break this double life
And see herself only as Theodore's wife.
Part Fifth
It was no easy matter to convince
Heinrich that it was finished. Hard to say
That though they could not meet (he saw her wince)
She still must keep the locket to allay
Suspicion in her husband. She would pay
Him from her savings bit by bit - the oath
He swore at that was startling to them both.
Her resolution taken, Frau Altgelt
Adhered to it, and suffered no regret.
She found her husband all that she had felt
His music to contain. Her days were set
In his as though she were an amulet
Cased in bright gold. She joyed in her confining;
Her eyes put out her looking-glass with shining.
Charlotta was so gay that old, dull tasks
Were furbished up to seem like rituals.
She baked and brewed as one who only asks
The right to serve. Her daily manuals
Of prayer were duties, and her festivals
When Theodore praised some dish, or frankly said
She had a knack in making up a bed.
So Autumn went, and all the mountains round
The city glittered white with fallen snow,
For it was Winter. Over the hard ground
Herr Altgelt's footsteps came, each one a blow.
On the swept flags behind the currant row
Charlotta stood to greet him. But his lip
291
Only flicked hers. His Concert-Meistership
Was first again. This evening he had got
Important news. The opera ordered from
Young Mozart was arrived. That old despot,
The Bishop of Salzburg, had let him come
Himself to lead it, and the parts, still hot
From copying, had been tried over. Never
Had any music started such a fever.
The orchestra had cheered till they were hoarse,
The singers clapped and clapped. The town was made,
With such a great attraction through the course
Of Carnival time. In what utter shade
All other cities would be left! The trade
In music would all drift here naturally.
In his excitement he forgot his tea.
Lotta was forced to take his cup and put
It in his hand. But still he rattled on,
Sipping at intervals. The new catgut
Strings he was using gave out such a tone
The 'Maestro' had remarked it, and had gone
Out of his way to praise him. Lotta smiled,
He was as happy as a little child.
From that day on, Herr Altgelt, more and more,
Absorbed himself in work. Lotta at first
Was patient and well-wishing. But it wore
Upon her when two weeks had brought no burst
Of loving from him. Then she feared the worst;
That his short interest in her was a light
Flared up an instant only in the night.
`Idomeneo' was the opera's name,
A name that poor Charlotta learnt to hate.
Herr Altgelt worked so hard he seldom came
Home for his tea, and it was very late,
Past midnight sometimes, when he knocked. His state
Was like a flabby orange whose crushed skin
Is thin with pulling, and all dented in.
292
He practised every morning and her heart
Followed his bow. But often she would sit,
While he was playing, quite withdrawn apart,
Absently fingering and touching it,
The locket, which now seemed to her a bit
Of some gone youth. His music drew her tears,
And through the notes he played, her dreading ears
Heard Heinrich's voice, saying he had not changed;
Beer merchants had no ecstasies to take
Their minds off love. So far her thoughts had ranged
Away from her stern vow, she chanced to take
Her way, one morning, quite by a mistake,
Along the street where Heinrich had his shop.
What harm to pass it since she should not stop!
It matters nothing how one day she met
Him on a bridge, and blushed, and hurried by.
Nor how the following week he stood to let
Her pass, the pavement narrowing suddenly.
How once he took her basket, and once he
Pulled back a rearing horse who might have struck
Her with his hoofs. It seemed the oddest luck
How many times their business took them each
Right to the other. Then at last he spoke,
But she would only nod, he got no speech
From her. Next time he treated it in joke,
And that so lightly that her vow she broke
And answered. So they drifted into seeing
Each other as before. There was no fleeing.
Christmas was over and the Carnival
Was very near, and tripping from each tongue
Was talk of the new opera. Each book-stall
Flaunted it out in bills, what airs were sung,
What singers hired. Pictures of the young
'Maestro' were for sale. The town was mad.
Only Charlotta felt depressed and sad.
Each day now brought a struggle 'twixt her will
And Heinrich's. 'Twixt her love for Theodore
293
And him. Sometimes she wished to kill
Herself to solve her problem. For a score
Of reasons Heinrich tempted her. He bore
Her moods with patience, and so surely urged
Himself upon her, she was slowly merged
Into his way of thinking, and to fly
With him seemed easy. But next morning would
The Stradivarius undo her mood.
Then she would realize that she must cleave
Always to Theodore. And she would try
To convince Heinrich she should never leave,
And afterwards she would go home and grieve.
All thought in Munich centered on the part
Of January when there would be given
`Idomeneo' by Wolfgang Mozart.
The twenty-ninth was fixed. And all seats, even
Those almost at the ceiling, which were driven
Behind the highest gallery, were sold.
The inches of the theatre went for gold.
Herr Altgelt was a shadow worn so thin
With work, he hardly printed black behind
The candle. He and his old violin
Made up one person. He was not unkind,
But dazed outside his playing, and the rind,
The pine and maple of his fiddle, guarded
A part of him which he had quite discarded.
It woke in the silence of frost-bright nights,
In little lights,
Like will-o'-the-wisps flickering, fluttering,
Here - there Spurting, sputtering,
Fading and lighting,
Together, asunder Till Lotta sat up in bed with wonder,
And the faint grey patch of the window shone
Upon her sitting there, alone.
For Theodore slept.
294
The twenty-eighth was last rehearsal day,
'Twas called for noon, so early morning meant
Herr Altgelt's only time in which to play
His part alone. Drawn like a monk who's spent
Himself in prayer and fasting, Theodore went
Into the kitchen, with a weary word
Of cheer to Lotta, careless if she heard.
Lotta heard more than his spoken word.
She heard the vibrating of strings and wood.
She was washing the dishes, her hands all suds,
When the sound began,
Long as the span
Of a white road snaking about a hill.
The orchards are filled
With cherry blossoms at butterfly poise.
Hawthorn buds are cracking,
And in the distance a shepherd is clacking
His shears, snip-snipping the wool from his sheep.
The notes are asleep,
Lying adrift on the air
In level lines
Like sunlight hanging in pines and pines,
Strung and threaded,
All imbedded
In the blue-green of the hazy pines.
Lines - long, straight lines!
And stems,
Long, straight stems
Pushing up
To the cup of blue, blue sky.
Stems growing misty
With the many of them,
Red-green mist
Of the trees,
And these
Wood-flavoured notes.
The back is maple and the belly is pine.
The rich notes twine
As though weaving in and out of leaves,
Broad leaves
Flapping slowly like elephants' ears,
295
Waving and falling.
Another sound peers
Through little pine fingers,
And lingers, peeping.
Ping! Ping! pizzicato, something is cheeping.
There is a twittering up in the branches,
A chirp and a lilt,
And crimson atilt on a swaying twig.
Wings! Wings!
And a little ruffled-out throat which sings.
The forest bends, tumultuous
With song.
The woodpecker knocks,
And the song-sparrow trills,
Every fir, and cedar, and yew
Has a nest or a bird,
It is quite absurd
To hear them cutting across each other:
Peewits, and thrushes, and larks, all at once,
And a loud cuckoo is trying to smother
A wood-pigeon perched on a birch,
'Roo - coo - oo - oo -'
'Cuckoo! Cuckoo! That's one for you!'
A blackbird whistles, how sharp, how shrill!
And the great trees toss
And leaves blow down,
You can almost hear them splash on the ground.
The whistle again:
It is double and loud!
The leaves are splashing,
And water is dashing
Over those creepers, for they are shrouds;
And men are running up them to furl the sails,
For there is a capful of wind to-day,
And we are already well under way.
The deck is aslant in the bubbling breeze.
'Theodore, please.
Oh, Dear, how you tease!'
And the boatswain's whistle sounds again,
And the men pull on the sheets:
'My name is Hanging Johnny,
Away-i-oh;
296
They call me Hanging Johnny,
So hang, boys, hang.'
The trees of the forest are masts, tall masts;
They are swinging over
Her and her lover.
Almost swooning
Under the ballooning canvas,
She lies
Looking up in his eyes
As he bends farther over.
Theodore, still her lover!
The suds were dried upon Charlotta's hands,
She leant against the table for support,
Wholly forgotten. Theodore's eyes were brands
Burning upon his music. He stopped short.
Charlotta almost heard the sound of bands
Snapping. She put one hand up to her heart,
Her fingers touched the locket with a start.
Herr Altgelt put his violin away
Listlessly. 'Lotta, I must have some rest.
The strain will be a hideous one to-day.
Don't speak to me at all. It will be best
If I am quiet till I go.' And lest
She disobey, he left her. On the stairs
She heard his mounting steps. What use were prayers!
He could not hear, he was not there, for she
Was married to a mummy, a machine.
Her hand closed on the locket bitterly.
Before her, on a chair, lay the shagreen
Case of his violin. She saw the clean
Sun flash the open clasp. The locket's edge
Cut at her fingers like a pushing wedge.
A heavy cart went by, a distant bell
Chimed ten, the fire flickered in the grate.
She was alone. Her throat began to swell
With sobs. What kept her here, why should she wait?
The violin she had begun to hate
Lay in its case before her. Here she flung
297
The cover open. With the fiddle swung
Over her head, the hanging clock's loud ticking
Caught on her ear. 'Twas slow, and as she paused
The little door in it came open, flicking
A wooden cuckoo out: 'Cuckoo!' It caused
The forest dream to come again. 'Cuckoo!'
Smashed on the grate, the violin broke in two.
'Cuckoo! Cuckoo!' the clock kept striking on;
But no one listened. Frau Altgelt had gone.
~ Amy Lowell,#NFDB |
1440:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
(Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
"Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.
~ Robert Browning, Sordello - Book the Second
,#NFDB |
1441:And the font took them: let our laurels lie!
Braid moonfern now with mystic trifoly
Because once more Goito gets, once more,
Sordello to itself! A dream is o'er,
And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as wellfactitious humours grown
Over the trueloves, hatreds not his own
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud! Mantua's familiar shapes
Die, fair and foul die, fading as they flit,
Men, women, and the pathos and the wit,
Wise speech and foolish, deeds to smile or sigh
For, good, bad, seemly or ignoble, die.
The last face glances through the eglantines,
The last voice murmurs, 'twixt the blossomed vines,
Of Men, of that machine supplied by thought
To compass self-perception with, he sought
By forcing half himselfan insane pulse
Of a god's blood, on clay it could convulse,
Never transmuteon human sights and sounds,
To watch the other half with; irksome bounds
It ebbs from to its source, a fountain sealed
Forever. Better sure be unrevealed
Than part revealed: Sordello well or ill
Is finished: then what further use of Will,
Point in the prime idea not realized,
An oversight? inordinately prized,
No less, and pampered with enough of each
Delight to prove the whole above its reach.
"To need become all natures, yet retain
"The law of my own natureto remain
"Myself, yet yearn . . . as if that chestnut, think,
"Should yearn for this first larch-bloom crisp and pink,
"Or those pale fragrant tears where zephyrs stanch
"March wounds along the fretted pine-tree branch!
"Will and the means to show will, great and small,
"Material, spiritual,abjure them all
"Save any so distinct, they may be left
"To amuse, not tempt become! and, thus bereft,
"Just as I first was fashioned would I be!
"Nor, moon, is it Apollo now, but me
"Thou visitest to comfort and befriend!
"Swim thou into my heart, and there an end,
"Since I possess thee!nay, thus shut mine eyes
"And know, quite know, by this heart's fall and rise,
"When thou dost bury thee in clouds, and when
"Out-standest: wherefore practise upon men
"To make that plainer to myself?"
Slide here
Over a sweet and solitary year
Wasted; or simply notice change in him
How eyes, once with exploring bright, grew dim
And satiate with receiving. Some distress
Was caused, too, by a sort of consciousness
Under the imbecility,nought kept
That down; he slept, but was aware he slept,
So, frustrated: as who brainsick made pact
Erst with the overhanging cataract
To deafen him, yet still distinguished plain
His own blood's measured clicking at his brain.
To finish. One declining Autumn day
Few birds about the heaven chill and grey,
No wind that cared trouble the tacit woods
He sauntered home complacently, their moods
According, his and nature's. Every spark
Of Mantua life was trodden out; so dark
The embers, that the Troubadour, who sung
Hundreds of songs, forgot, its trick his tongue,
Its craft his brain, how either brought to pass
Singing at all; that faculty might class
With any of Apollo's now. The year
Began to find its early promise sere
As well. Thus beauty vanishes; thus stone
Outlingers flesh: nature's and his youth gone,
They left the world to you, and wished you joy.
When, stopping his benevolent employ,
A presage shuddered through the welkin; harsh
The earth's remonstrance followed. 'T was the marsh
Gone of a sudden. Mincio, in its place,
Laughed, a broad water, in next morning's face,
And, where the mists broke up immense and white
I' the steady wind, burned like a spilth of light
Out of the crashing of a myriad stars.
And here was nature, bound by the same bars
Of fate with him!
"No! youth once gone is gone:
"Deeds, let escape, are never to be done.
"Leaf-fall and grass-spring for the year; for us
"Oh forfeit I unalterably thus
"My chance? nor two lives wait me, this to spend,
"Learning save that? Nature has time, may mend
"Mistake, she knows occasion will recur;
"Landslip or seabreach, how affects it her
"With her magnificent resources?I
"Must perish once and perish utterly.
"Not any strollings now at even-close
"Down the field-path, Sordello! by thorn-rows
"Alive with lamp-flies, swimming spots of fire
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
"Woo her, the snow-month through, but ere she durst
"Answer 't was April. Linden-flower-time-long
"Her eyes were on the ground; 't is July, strong
"Now; and because white dust-clouds overwhelm
"The woodside, here or by the village elm
"That holds the moon, she meets you, somewhat pale,
"But letting you lift up her coarse flax veil
"And whisper (the damp little hand in yours)
"Of love, heart's love, your heart's love that endures
"Till death. Tush! No mad mixing with the rout
"Of haggard ribalds wandering about
"The hot torchlit wine-scented island-house
"Where Friedrich holds his wickedest carouse,
"Parading,to the gay Palermitans,
"Soft Messinese, dusk Saracenic clans
"Nuocera holds,those tall grave dazzling Norse,
"High-cheeked, lank-haired, toothed whiter than the morse,
"Queens of the caves of jet stalactites,
"He sent his barks to fetch through icy seas,
"The blind night seas without a saving star,
"And here in snowy birdskin robes they are,
"Sordello!here, mollitious alcoves gilt
"Superb as Byzant domes that devils built!
"Ah, Byzant, there again! no chance to go
"Ever like august cheery Dandolo,
"Worshipping hearts about him for a wall,
"Conducted, blind eyes, hundred years and all,
"Through vanquished Byzant where friends note for him
"What pillar, marble massive, sardius slim,
"'T were fittest he transport to Venice' Square
"Flattered and promised life to touch them there
"Soon, by those fervid sons of senators!
"No more lifes, deaths, loves, hatreds, peaces, wars!
"Ah, fragments of a whole ordained to be,
"Points in the life I waited! what are ye
"But roundels of a ladder which appeared
"Awhile the very platform it was reared
"To lift me on?that happiness I find
"Proofs of my faith in, even in the blind
"Instinct which bade forego you all unless
"Ye led me past yourselves. Ay, happiness
"Awaited me; the way life should be used
"Was to acquire, and deeds like you conduced
"To teach it by a self-revealment, deemed
"Life's very use, so long! Whatever seemed
"Progress to that, was pleasure; aught that stayed
"My reaching itno pleasure. I have laid
"The ladder down; I climb not; still, aloft
"The platform stretches! Blisses strong and soft,
"I dared not entertain, elude me; yet
"Never of what they promised could I get
"A glimpse till now! The common sort, the crowd,
"Exist, perceive; with Being are endowed,
"However slight, distinct from what they See,
"However bounded; Happiness must be,
"To feed the first by gleanings from the last,
"Attain its qualities, and slow or fast
"Become what they behold; such peace-in-strife,
"By transmutation, is the Use of Life,
"The Alien turning Native to the soul
"Or bodywhich instructs me; I am whole
"There and demand a Palma; had the world
"Been from my soul to a like distance hurled,
"'T were Happiness to make it one with me:
"Whereas I must, ere I begin to Be,
"Include a world, in flesh, I comprehend
"In spirit now; and this done, what 's to blend
"With? Nought is Alien in the worldmy Will
"Owns all already; yet can turn itstill
"LessNative, since my Means to correspond
"With Will are so unworthy, 't was my bond
"To tread the very joys that tantalize
"Most now, into a grave, never to rise.
"I die then! Will the rest agree to die?
"Next Age or no? Shall its Sordello try
"Clue after clue, and catch at last the clue
"I miss?that 's underneath my finger too,
"Twice, thrice a day, perhaps,some yearning traced
"Deeper, some petty consequence embraced
"Closer! Why fled I Mantua, then?complained
"So much my Will was fettered, yet remained
"Content within a tether half the range
"I could assign it?able to exchange
"My ignorance (I felt) for knowledge, and
"Idle because I could thus understand
"Could e'en have penetrated to its core
"Our mortal mystery, yetfoolforbore,
"Preferred elaborating in the dark
"My casual stuff, by any wretched spark
"Born of my predecessors, though one stroke
"Of mine had brought the flame forth! Mantua's yoke,
"My minstrel's-trade, was to behold mankind,
"My own concern was just to bring my mind
"Behold, just extricate, for my acquist,
"Each object suffered stifle in the mist
"Which hazard, custom, blindness interpose
"Betwixt things and myself."
Whereat he rose.
The level wind carried above the firs
Clouds, the irrevocable travellers,
Onward.
"Pushed thus into a drowsy copse,
"Arms twine about my neck, each eyelid drops
"Under a humid finger; while there fleets,
"Outside the screen, a pageant time repeats
"Never again! To be deposed, immured
"Clandestinelystill petted, still assured
"To govern were fatiguing workthe Sight
"Fleeting meanwhile! 'T is noontide: wreak ere night
"Somehow my will upon it, rather! Slake
"This thirst somehow, the poorest impress take
"That serves! A blasted bud displays you, torn,
"Faint rudiments of the full flower unborn;
"But who divines what glory coats o'erclasp
"Of the bulb dormant in the mummy's grasp
"Taurello sent?" . . .
"Taurello? Palma sent
"Your Trouvere," (Naddo interposing leant
Over the lost bard's shoulder)"and, believe,
"You cannot more reluctantly receive
"Than I pronounce her message: we depart
"Together. What avail a poet's heart
"Verona's pomps and gauds? five blades of grass
"Suffice him. News? Why, where your marish was,
"On its mud-banks smoke rises after smoke
"I' the valley, like a spout of hell new-broke.
"Oh, the world's tidings! small your thanks, I guess,
"For them. The father of our Patroness,
"Has played Taurello an astounding trick,
"Parts between Ecelin and Alberic
"His wealth and goes into a convent: both
"Wed Guelfs: the Count and Palma plighted troth
"A week since at Verona: and they want
"You doubtless to contrive the marriage-chant
"Ere Richard storms Ferrara." Then was told
The tale from the beginninghow, made bold
By Salinguerra's absence, Guelfs had burned
And pillaged till he unawares returned
To take revenge: how Azzo and his friend
Were doing their endeavour, how the end
O' the siege was nigh, and how the Count, released
From further care, would with his marriage-feast
Inaugurate a new and better rule,
Absorbing thus Romano.
"Shall I school
"My master," added Naddo, "and suggest
"How you may clothe in a poetic vest
"These doings, at Verona? Your response
"To Palma! Wherefore jest? 'Depart at once?
"A good resolve! In truth, I hardly hoped
"So prompt an acquiescence. Have you groped
"Out wisdom in the wilds here?thoughts may be
"Over-poetical for poetry.
"Pearl-white, you poets liken Palma's neck;
"And yet what spoils an orient like some speck
"Of genuine white, turning its own white grey?
"You take me? Curse the cicala!"
One more day,
One eveappears Verona! Many a group,
(You mind) instructed of the osprey's swoop
On lynx and ounce, was gatheringChristendom
Sure to receive, whate'er the end was, from
The evening's purpose cheer or detriment,
Since Friedrich only waited some event
Like this, of Ghibellins establishing
Themselves within Ferrara, ere, as King
Of Lombardy, he 'd glad descend there, wage
Old warfare with the Pontiff, disengage
His barons from the burghers, and restore
The rule of Charlemagne, broken of yore
By Hildebrand.
I' the palace, each by each,
Sordello sat and Palma: little speech
At first in that dim closet, face with face
(Despite the tumult in the market-place)
Exchanging quick low laughters: now would rush
Word upon word to meet a sudden flush,
A look left off, a shifting lips' surmise
But for the most part their two histories
Ran best thro' the locked fingers and linked arms.
And so the night flew on with its alarms
Till in burst one of Palma's retinue;
"Now, Lady!" gasped he. Then arose the two
And leaned into Verona's air, dead-still.
A balcony lay black beneath until
Out, 'mid a gush of torchfire, grey-haired men
Came on it and harangued the people: then
Sea-like that people surging to and fro
Shouted, "Hale forth the carrochtrumpets, ho,
"A flourish! Run it in the ancient grooves!
"Back from the bell! Hammerthat whom behoves
"May hear the League is up! Peallearn who list,
"Verona means not first of towns break tryst
"To-morrow with the League!"
Enough. Now turn
Over the eastern cypresses: discern!
Is any beacon set a-glimmer?
Rang
The air with shouts that overpowered the clang
Of the incessant carroch, even: "Haste
"The candle 's at the gateway! ere it waste,
"Each soldier stand beside it, armed to march
"With Tiso Sampier through the eastern arch!"
Ferrara's succoured, Palma!
Once again
They sat together; some strange thing in train
To say, so difficult was Palma's place
In taking, with a coy fastidious grace
Like the bird's flutter ere it fix and feed.
But when she felt she held her friend indeed
Safe, she threw back her curls, began implant
Her lessons; telling of another want
Goito's quiet nourished than his own;
Palmato serve himto be served, alone
Importing; Agnes' milk so neutralized
The blood of Ecelin. Nor be surprised
If, while Sordello fain had captive led
Nature, in dream was Palma subjected
To some out-soul, which dawned not though she pined
Delaying, till its advent, heart and mind
Their life. "How dared I let expand the force
"Within me, till some out-soul, whose resource
"It grew for, should direct it? Every law
"Of life, its every fitness, every flaw,
"Must One determine whose corporeal shape
"Would be no other than the prime escape
"And revelation to me of a Will
"Orb-like o'ershrouded and inscrutable
"Above, save at the point which, I should know,
"Shone that myself, my powers, might overflow
"So far, so much; as now it signified
"Which earthly shape it henceforth chose my guide,
"Whose mortal lip selected to declare
"Its oracles, what fleshly garb would wear
"The first of intimations, whom to love;
"The next, how love him. Seemed that orb, above
"The castle-covert and the mountain-close,
"Slow in appearing?if beneath it rose
"Cravings, aversions,did our green precinct
"Take pride in me, at unawares distinct
"With this or that endowment,how, repressed
"At once, such jetting power shrank to the rest!
"Was I to have a chance touch spoil me, leave
"My spirit thence unfitted to receive
"The consummating spell?that spell so near
"Moreover! 'Waits he not the waking year?
"'His almond-blossoms must be honey-ripe
"'By this; to welcome him, fresh runnels stripe
"'The thawed ravines; because of him, the wind
"'Walks like a herald. I shall surely find
"'Him now!'
"And chief, that earnest April morn
"Of Richard's Love-court, was it time, so worn
"And white my cheek, so idly my blood beat,
"Sitting that morn beside the Lady's feet
"And saying as she prompted; till outburst
"One face from all the faces. Not then first
"I knew it; where in maple chamber glooms,
"Crowned with what sanguine-heart pomegranate blooms,
"Advanced it ever? Men's acknowledgment
"Sanctioned my own: 't was taken, Palma's bent,
"Sordello,recognized, accepted.
"Dumb
"Sat she still scheming. Ecelin would come
"Gaunt, scared, 'Cesano baffles me,' he 'd say:
"'Better I fought it out, my father's way!
"'Strangle Ferrara in its drowning flats,
"'And you and your Taurello yonder!what's
"'Romano's business there?' An hour's concern
"To cure the froward Chief!induce return
"As heartened from those overmeaning eyes,
"Wound up to persevere,his enterprise
"Marked out anew, its exigent of wit
"Apportioned,she at liberty to sit
"And scheme against the next emergence, I
"To covet her Taurello-sprite, made fly
"Or fold the wingto con your horoscope
"For leave command those steely shafts shoot ope,
"Or straight assuage their blinding eagerness
"In blank smooth snow What semblance of success
"To any of my plans for making you
"Mine and Romano's? Break the first wall through,
"Tread o'er the ruins of the Chief, supplant
"His sons beside, still, vainest were the vaunt:
"There, Salinguerra would obstruct me sheer,
"And the insuperable Tuscan, here,
"Stay me! But one wild eve that Lady died
"In her lone chamber: only I beside:
"Taurello far at Naples, and my sire
"At Padua, Ecelin away in ire
"With Alberic. She held me thusa clutch
"To make our spirits as our bodies touch
"And so began flinging the past up heaps
"Of uncouth treasure from their sunless sleeps
"Within her soul; deeds rose along with dreams,
"Fragments of many miserable schemes,
"Secrets, more secrets, thenno, not the last
"'Mongst others, like a casual trick o' the past,
"How . . . ay, she told me, gathering up her face,
"All left of it, into one arch-grimace
"To die with . . .
"Friend, 't is gone! but not the fear
"Of that fell laughing, heard as now I hear.
"Nor faltered voice, nor seemed her heart grow weak
"When i' the midst abrupt she ceased to speak
"Dead, as to serve a purpose, mark!for in
"Rushed o' the very instant Ecelin
"(How summoned, who divines?)looking as if
"He understood why Adelaide lay stiff
"Already in my arms; for 'Girl, how must
"'I manage Este in the matter thrust
"'Upon me, how unravel your bad coil?
"'Since' (he declared) ''t is on your browa soil
"'Like hers there!' then in the same breath, 'he lacked
"'No counsel after all, had signed no pact
"'With devils, nor was treason here or there,
"'Goito or Vicenza, his affair:
"'He buried it in Adelaide's deep grave,
"'Would begin life afresh, now,would not slave
"'For any Friedrich's nor Taurello's sake!
"'What booted him to meddle or to make
"'In Lombardy?' And afterward I knew
"The meaning of his promise to undo
"All she had donewhy marriages were made,
"New friendships entered on, old followers paid
"With curses for their pains,new friends' amaze
"At height, when, passing out by Gate St. Blaise,
"He stopped short in Vicenza, bent his head
"Over a friar's neck,'had vowed,' he said,
"'Long since, nigh thirty years, because his wife
"'And child were saved there, to bestow his life
"'On God, his gettings on the Church.'
"Exiled
"Within Goito, still one dream beguiled
"My days and nights; 't was found, the orb I sought
"To serve, those glimpses came of Fomalhaut,
"No other: but how serve it?authorize
"You and Romano mingle destinies?
"And straight Romano's angel stood beside
"Me who had else been Boniface's bride,
"For Salinguerra 't was, with neck low bent,
"And voice lightened to music, (as he meant
"To learn, not teach me,) who withdrew the pall
"From the dead past and straight revived it all,
"Making me see how first Romano waxed,
"Wherefore he waned now, why, if I relaxed
"My grasp (even I!) would drop a thing effete,
"Frayed by itself, unequal to complete
"Its course, and counting every step astray
"A gain so much. Romano, every way
"Stable, a Lombard House nowwhy start back
"Into the very outset of its track?
"This patching principle which late allied
"Our House with other Houseswhat beside
"Concerned the apparition, the first Knight
"Who followed Conrad hither in such plight
"His utmost wealth was summed in his one steed?
"For Ecelo, that prowler, was decreed
"A task, in the beginning hazardous
"To him as ever task can be to us;
"But did the weather-beaten thief despair
"When first our crystal cincture of warm air
"That binds the Trevisan,as its spice-belt
"(Crusaders say) the tract where Jesus dwelt,
"Furtive he pierced, and Este was to face
"Despaired Saponian strength of Lombard grace?
"Tried he at making surer aught made sure,
"Maturing what already was mature?
"No; his heart prompted Ecelo, 'Confront
"'Este, inspect yourself. What 's nature? Wont.
"'Discard three-parts your nature, and adopt
"'The rest as an advantage!' Old strength propped
"The man who first grew Podest among
"The Vicentines, no less than, while there sprung
"His palace up in Padua like a threat,
"Their noblest spied a grace, unnoticed yet
"In Conrad's crew. Thus far the object gained,
"Romano was establishedhas remained
"'For are you not Italian, truly peers
"'With Este? Azzo better soothes our ears
"'Than Alberic? or is this lion's-crine
"'From over-mounts' (this yellow hair of mine)
"'So weak a graft on Agnes Este's stock?'
"(Thus went he on with something of a mock)
"'Wherefore recoil, then, from the very fate
"'Conceded you, refuse to imitate
"'Your model farther? Este long since left
"'Being mere Este: as a blade its heft,
"'Este required the Pope to further him:
"'And you, the Kaiserwhom your father's whim
"'Foregoes or, better, never shall forego
"'If Palma dare pursue what Ecelo
"'Commenced, but Ecelin desists from: just
"'As Adelaide of Susa could intrust
"'Her donative,her Piedmont given the Pope,
"'Her Alpine-pass for him to shut or ope
"''Twixt France and Italy,to the superb
"'Matilda's perfecting,so, lest aught curb
"'Our Adelaide's great counter-project for
"'Giving her Trentine to the Emperor
"'With passage here from Germany,shall you
"'Take it,my slender plodding talent, too!'
"Urged me Taurello with his half-smile
"He
"As Patron of the scattered family
"Conveyed me to his Mantua, kept in bruit
"Azzo's alliances and Richard's suit
"Until, the Kaiser excommunicate,
"'Nothing remains,' Taurello said, 'but wait
"'Some rash procedure: Palma was the link,
"'As Agnes' child, between us, and they shrink
"'From losing Palma: judge if we advance,
"'Your father's method, your inheritance!'
"The day I was betrothed to Boniface
"At Padua by Taurello's self, took place
"The outrage of the Ferrarese: again,
"The day I sought Verona with the train
"Agreed for,by Taurello's policy
"Convicting Richard of the fault, since we
"Were present to annul or to confirm,
"Richard, whose patience had outstayed its term,
"Quitted Verona for the siege.
"And now
"What glory may engird Sordello's brow
"Through this? A month since at Oliero slunk
"All that was Ecelin into a monk;
"But how could Salinguerra so forget
"His liege of thirty years as grudge even yet
"One effort to recover him? He sent
"Forthwith the tidings of this last event
"To Ecelindeclared that he, despite
"The recent folly, recognized his right
"To order Salinguerra: 'Should he wring
"'Its uttermost advantage out, or fling
"'This chance away? Or were his sons now Head
"'O' the House?' Through me Taurello's missive sped;
"My father's answer will by me return.
"Behold! 'For him,' he writes, 'no more concern
"'With strife than, for his children, with fresh plots
"'Of Friedrich. Old engagements out he blots
"'For aye: Taurello shall no more subserve,
"'Nor Ecelin impose.' Lest this unnerve
"Taurello at this juncture, slack his grip
"Of Richard, suffer the occasion slip,
"I, in his sons' default (who, mating with
"Este, forsake Romano as the frith
"Its mainsea for that firmland, sea makes head
"Against) I stand, Romano,in their stead
"Assume the station they desert, and give
"Still, as the Kaiser's representative,
"Taurello licence he demands. Midnight
"Morningby noon to-morrow, making light
"Of the League's issue, we, in some gay weed
"Like yours, disguised together, may precede
"The arbitrators to Ferrara: reach
"Him, let Taurello's noble accents teach
"The rest! Then say if I have misconceived
"Your destiny, too readily believed
"The Kaiser's cause your own!"
And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this bodyto wield this aggregate
Of souls and bodies, and so conquer fate
Though he should livea centre of disgust
Evenapart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished; and he found
Not only that a soul, whate'er its might,
Is insufficient to its own delight,
Both in corporeal organs and in skill
By means of such to body forth its Will
And, after, insufficient to apprise
Men of that Will, oblige them recognize
The Hid by the Revealedbut that,the last
Nor lightest of the struggles overpast,
Will, he bade abdicate, which would not void
The throne, might sit there, suffer he enjoyed
Mankind, a varied and divine array
Incapable of homage, the first way,
Nor fit to render incidentally
Tribute connived at, taken by the by,
In joys. If thus with warrant to rescind
The ignominious exile of mankind
Whose proper service, ascertained intact
As yet, (to be by him themselves made act,
Not watch Sordello acting each of them)
Was to secureif the true diadem
Seemed imminent while our Sordello drank
The wisdom of that golden Palma,thank
Verona's Lady in her citadel
Founded by Gaulish Brennus, legends tell:
And truly when she left him, the sun reared
A head like the first clamberer's who peered
A-top the Capitol, his face on flame
With triumph, triumphing till Manlius came.
Nor slight too much my rhymesthat spring, dispread,
Dispart, disperse, lingering over head
Like an escape of angels! Rather say,
My transcendental platan! mounting gay
(An archimage so courts a novice-queen)
With tremulous silvered trunk, whence branches sheen
Laugh out, thick-foliaged next, a-shiver soon
With coloured buds, then glowing like the moon
One mild flame,last a pause, a burst, and all
Her ivory limbs are smothered by a fall,
Bloom-flinders and fruit-sparkles and leaf-dust,
Ending the weird work prosecuted just
For her amusement; he decrepit, stark,
Dozes; her uncontrolled delight may mark
Apart
Yet not so, surely never so
Only, as good my soul were suffered go
O'er the lagune: forth fare thee, put aside
Entrance thy synod, as a god may glide
Out of the world he fills, and leave it mute
For myriad ages as we men compute,
Returning into it without a break
O' the consciousness! They sleep, and I awake
O'er the lagune, being at Venice.
Note,
In just such songs as Eglamor (say) wrote
With heart and soul and strength, for he believed
Himself achieving all to be achieved
By singerin such songs you find alone
Completeness, judge the song and singer one,
And either purpose answered, his in it
Or its in him: while from true works (to wit
Sordello's dream-performances that will
Never be more than dreamed) escapes there still
Some proof, the singer's proper life was 'neath
The life his song exhibits, this a sheath
To that; a passion and a knowledge far
Transcending these, majestic as they are,
Smouldered; his lay was but an episode
In the bard's life: which evidence you owed
To some slight weariness, some looking-off
Or start-away. The childish skit or scoff
In "Charlemagne," (his poem, dreamed divine
In every point except one silly line
About the restiff daughters)what may lurk
In that? "My life commenced before this work,"
(So I interpret the significance
Of the bard's start aside and look askance)
"My life continues after: on I fare
"With no more stopping, possibly, no care
"To note the undercurrent, the why and how,
"Where, when, o' the deeper life, as thus just now.
"But, silent, shall I cease to live? Alas
"For you! who sigh, 'When shall it come to pass
"'We read that story? How will he compress
"'The future gains, his life's true business,
"'Into the better lay whichthat one flout,
"'Howe'er inopportune it be, lets out
"'Engrosses him already, though professed
"'To meditate with us eternal rest,
"'And partnership in all his life has found?'"
'T is but a sailor's promise, weather-bound:
"Strike sail, slip cable, here the bark be moored
"For once, the awning stretched, the poles assured!
"Noontide above; except the wave's crisp dash,
"Or buzz of colibri, or tortoise' splash,
"The margin 's silent: out with every spoil
"Made in our tracking, coil by mighty coil,
"This serpent of a river to his head
"I' the midst! Admire each treasure, as we spread
"The bank, to help us tell our history
"Aright: give ear, endeavour to descry
"The groves of giant rushes, how they grew
"Like demons' endlong tresses we sailed through,
"What mountains yawned, forests to give us vent
"Opened, each doleful side, yet on we went
"Till . . . may that beetle (shake your cap) attest
"The springing of a land-wind from the West!"
Wherefore? Ah yes, you frolic it to-day!
To-morrow, and, the pageant moved away
Down to the poorest tent-pole, we and you
Part company: no other may pursue
Eastward your voyage, be informed what fate
Intends, if triumph or decline await
The tempter of the everlasting steppe.
I muse this on a ruined palace-step
At Venice: why should I break off, nor sit
Longer upon my step, exhaust the fit
England gave birth to? Who 's adorable
Enough reclaim a - no Sordello's Will
Alack!be queen to me? That Bassanese
Busied among her smoking fruit-boats? These
Perhaps from our delicious Asolo
Who twinkle, pigeons o'er the portico
Not prettier, bind June lilies into sheaves
To deck the bridge-side chapel, dropping leaves
Soiled by their own loose gold-meal? Ah, beneath
The cool arch stoops she, brownest cheek! Her wreath
Endures a montha half-monthif I make
A queen of her, continue for her sake
Sordello's story? Nay, that Paduan girl
Splashes with barer legs where a live whirl
In the dead black Giudecca proves sea-weed
Drifting has sucked down three, four, all indeed
Save one pale-red striped, pale-blue turbaned post
For gondolas.
You sad dishevelled ghost
That pluck at me and point, are you advised
I breathe? Let stay those girls (e'en her disguised
Jewels i' the locks that love no crownet like
Their native field-buds and the green wheat-spike,
So fair!who left this end of June's turmoil,
Shook off, as might a lily its gold soil,
Pomp, save a foolish gem or two, and free
In dream, came join the peasants o'er the sea.)
Look they too happy, too tricked out? Confess
There is such ****rd stock of happiness
To share, that, do one's uttermost, dear wretch,
One labours ineffectually to stretch
It o'er you so that mother and children, both
May equitably flaunt the sumpter-cloth!
Divide the robe yet farther: be content
With seeing just a score pre-eminent
Through shreds of it, acknowledged happy wights,
Engrossing what should furnish all, by rights!
For, these in evidence, you clearlier claim
A like garb for the rest,grace all, the same
As these my peasants. I ask youth and strength
And health for each of you, not moreat length
Grown wise, who asked at home that the whole race
Might add the spirit's to the body's grace,
And all be dizened out as chiefs and bards.
But in this magic weather one discards
Much old requirement. Venice seems a type
Of Life'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Lifeas good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
Only, do finish something! Peasants, queens,
Take them, made happy by whatever means,
Parade them for the common credit, vouch
That a luckless residue, we send to crouch
In corners out of sight, was just as framed
For happiness, its portion might have claimed
As well, and so, obtaining joy, had stalked
Fastuous as any!such my project, baulked
Already; I hardly venture to adjust
The first rags, when you find me. To mistrust
Me!nor unreasonably. You, no doubt,
Have the true knack of tiring suitors out
With those thin lips on tremble, lashless eyes
Inveterately tear-shot: there, be wise,
Mistress of mine, there, there, as if I meant
You insult!shall your friend (not slave) be shent
For speaking home? Beside, care-bit erased
Broken-up beauties ever took my taste
Supremely; and I love you more, far more
Than her I looked should foot Life's temple-floor.
Years ago, leagues at distance, when and where
A whisper came, "Let others seek!thy care
"Is found, thy life's provision; if thy race
"Should be thy mistress, and into one face
"The many faces crowd?" Ah, had I, judge,
Or no, your secret? Rough apparelgrudge
All ornaments save tag or tassel worn
To hint we are not thoroughly forlorn
Slouch bonnet, unloop mantle, careless go
Alone (that's saddest, but it must be so)
Through Venice, sing now and now glance aside,
Aught desultory or undignified,
Then, ravishingest lady, will you pass
Or not each formidable group, the mass
Before the Basilic (that feast gone by,
God's great day of the Corpus Domini)
And, wistfully foregoing proper men,
Come timid up to me for alms? And then
The luxury to hesitate, feign do
Some unexampled grace!when, whom but you
Dare I bestow your own upon? And hear
Further before you say, it is to sneer
I call you ravishing; for I regret
Little that she, whose early foot was set
Forth as she 'd plant it on a pedestal,
Now, i' the silent city, seems to fall
Toward meno wreath, only a lip's unrest
To quiet, surcharged eyelids to be pressed
Dry of their tears upon my bosom. Strange
Such sad chance should produce in thee such change,
My love! Warped souls and bodies! yet God spoke
Of right-hand, foot and eyeselects our yoke,
Sordello, as your poetship may find!
So, sleep upon my shoulder, child, nor mind
Their foolish talk; we 'll manage reinstate
Your old worth; ask moreover, when they prate
Of evil men past hope, "Don't each contrive,
"Despite the evil you abuse, to live?
"Keeping, each losel, through a maze of lies,
"His own conceit of truth? to which he hies
"By obscure windings, tortuous, if you will,
"But to himself not inaccessible;
"He sees truth, and his lies are for the crowd
"Who cannot see; some fancied right allowed
"His vilest wrong, empowered the losel clutch
"One pleasure from a multitude of such
"Denied him." Then assert, "All men appear
"To think all better than themselves, by here
"Trusting a crowd they wrong; but really," say,
"All men think all men stupider than they,
"Since, save themselves, no other comprehends
"The complicated scheme to make amends
"Evil, the scheme by which, thro' Ignorance,
"Good labours to exist." A slight advance,
Merely to find the sickness you die through,
And nought beside! but if one can't eschew
One's portion in the common lot, at least
One can avoid an ignorance increased
Tenfold by dealing out hint after hint
How nought were like dispensing without stint
The water of lifeso easy to dispense
Beside, when one has probed the centre whence
Commotion 's borncould tell you of it all!
"Meantime, just meditate my madrigal
"O' the mugwort that conceals a dewdrop safe!"
What, dullard? we and you in smothery chafe,
Babes, baldheads, stumbled thus far into Zin
The Horrid, getting neither out nor in,
A hungry sun above us, sands that bung
Our throats,each dromedary lolls a tongue,
Each camel churns a sick and frothy chap,
And you, 'twixt tales of Potiphar's mishap,
And sonnets on the earliest **** that spoke,
Remark, you wonder any one needs choke
With founts about! Potsherd him, Gibeonites!
While awkwardly enough your Moses smites
The rock, though he forego his Promised Land
Thereby, have Satan claim his carcass, and
Figure as Metaphysic Poet . . . ah,
Mark ye the dim first oozings? Meribah!
Then, quaffing at the fount my courage gained,
Recallnot that I prompt yewho explained . . .
"Presumptuous!" interrupts one. You, not I
'T is brother, marvel at and magnify
Such office: "office," quotha? can we get
To the beginning of the office yet?
What do we here? simply experiment
Each on the other's power and its intent
When elsewhere tasked,if this of mine were trucked
For yours to either's good,we watch construct,
In short, an engine: with a finished one,
What it can do, is all,nought, how 't is done.
But this of ours yet in probation, dusk
A kernel of strange wheelwork through its husk
Grows into shape by quarters and by halves;
Remark this tooth's spring, wonder what that valve's
Fall bodes, presume each faculty's device,
Make out each other more or less precise
The scope of the whole engine 's to be proved;
We die: which means to say, the whole 's removed,
Dismounted wheel by wheel, this complex gin,
To be set up anew elsewhere, begin
A task indeed, but with a clearer clime
Than the murk lodgment of our building-time.
And then, I grant you, it behoves forget
How 't is doneall that must amuse us yet
So long: and, while you turn upon your heel,
Pray that I be not busy slitting steel
Or shredding brass, camped on some virgin shore
Under a cluster of fresh stars, before
I name a tithe o' the wheels I trust to do!
So occupied, then, are we: hitherto,
At present, and a weary while to come,
The office of ourselves,nor blind nor dumb,
And seeing somewhat of man's state,has been,
For the worst of us, to say they so have seen;
For the better, what it was they saw; the best
Impart the gift of seeing to the rest:
"So that I glance," says such an one, "around,
"And there 's no face but I can read profound
"Disclosures in; this stands for hope, thatfear,
"And for a speech, a deed in proof, look here!
"'Stoop, else the strings of blossom, where the nuts
"'O'erarch, will blind thee! Said I not? She shuts
"'Both eyes this time, so close the hazels meet!
"'Thus, prisoned in the Piombi, I repeat
"'Events one rove occasioned, o'er and o'er,
"'Putting 'twixt me and madness evermore
"'Thy sweet shape, Zanze! Therefore stoop!'
"'That's truth!'
"(Adjudge you) 'the incarcerated youth
"'Would say that!'
"Youth? Plara the bard? Set down
"That Plara spent his youth in a grim town
"Whose cramped ill-featured streets huddled about
"The minster for protection, never out
"Of its black belfry's shade and its bells' roar.
"The brighter shone the suburb,all the more
"Ugly and absolute that shade's reproof
"Of any chance escape of joy,some roof,
"Taller than they, allowed the rest detect,
"Before the sole permitted laugh (suspect
"Who could, 't was meant for laughter, that ploughed cheek's
"Repulsive gleam!) when the sun stopped both peaks
"Of the cleft belfry like a fiery wedge,
"Then sank, a huge flame on its socket edge,
"With leavings on the grey glass oriel-pane
"Ghastly some minutes more. No fear of rain
"The minster minded that! in heaps the dust
"Lay everywhere. This town, the minster's trust,
"Held Plara; who, its denizen, bade hail
"In twice twelve sonnets, Tempe's dewy vale."
"'Exact the town, the minster and the street!'"
"As all mirth triumphs, sadness means defeat:
"Lust triumphs and is gay, Love 's triumphed o'er
"And sad: but Lucio 's sad. I said before,
"Love's sad, not Lucio; one who loves may be
"As gay his love has leave to hope, as he
"Downcast that lusts' desire escapes the springe:
"'T is of the mood itself I speak, what tinge
"Determines it, else colourless,or mirth,
"Or melancholy, as from heaven or earth."
"'Ay, that 's the variation's gist!'
"Indeed?
"Thus far advanced in safety then, proceed!
"And having seen too what I saw, be bold
"And next encounter what I do behold
"(That's sure) but bid you take on trust!"
Attack
The use and purpose of such sights! Alack,
Not so unwisely does the crowd dispense
On Salinguerras praise in preference
To the Sordellos: men of action, these!
Who, seeing just as little as you please,
Yet turn that little to account,engage
With, do not gaze at,carry on, a stage,
The work o' the world, not merely make report
The work existed ere their day! In short,
When at some future no-time a brave band
Sees, using what it sees, then shake my hand
In heaven, my brother! Meanwhile where's the hurt
Of keeping the Makers-see on the alert,
At whose defection mortals stare aghast
As though heaven's bounteous windows were slammed fast
Incontinent? Whereas all you, beneath,
Should scowl at, bruise their lips and break their teeth
Who ply the pullies, for neglecting you:
And therefore have I moulded, made anew
A Man, and give him to be turned and tried,
Be angry with or pleased at. On your side,
Have ye times, places, actors of your own?
Try them upon Sordello when full-grown,
And thenah then! If Hercules first parched
His foot in Egypt only to be marched
A sacrifice for Jove with pomp to suit,
What chance have I? The demigod was mute
Till, at the altar, where time out of mind
Such guests became oblations, chaplets twined
His forehead long enough, and he began
Slaying the slayers, nor escaped a man.
Take not affront, my gentle audience! whom
No Hercules shall make his hecatomb,
Believe, nor from his brows your chaplet rend
That's your kind suffrage, yours, my patron-friend,
Whose great verse blares unintermittent on
Like your own trumpeter at Marathon,
You who, Plata and Salamis being scant,
Put up with tna for a stimulant
And did well, I acknowledged, as he loomed
Over the midland sea last month, presumed
Long, lay demolished in the blazing West
At eve, while towards him tilting cloudlets pressed
Like Persian ships at Salamis. Friend, wear
A crest proud as desert while I declare
Had I a flawless ruby fit to wring
Tears of its colour from that painted king
Who lost it, I would, for that smile which went
To my heart, fling it in the sea, content,
Wearing your verse in place, an amulet
Sovereign against all passion, wear and fret!
My English Eyebright, if you are not glad
That, as I stopped my task awhile, the sad
Dishevelled form, wherein I put mankind
To come at times and keep my pact in mind,
Renewed me,hear no crickets in the hedge,
Nor let a glowworm spot the river's edge
At home, and may the summer showers gush
Without a warning from the missel thrush!
So, to our business, nowthe fate of such
As find our common natureovermuch
Despised because restricted and unfit
To bear the burthen they impose on it
Cling when they would discard it; craving strength
To leap from the allotted world, at length
They do leap,flounder on without a term,
Each a god's germ, doomed to remain a germ
In unexpanded infancy, unless . . .
But that 's the storydull enough, confess!
There might be fitter subjects to allure;
Still, neither misconceive my portraiture
Nor undervalue its adornments quaint:
What seems a fiend perchance may prove a saint.
Ponder a story ancient pens transmit,
Then say if you condemn me or acquit.
John the Beloved, banished Antioch
For Patmos, bade collectively his flock
Farewell, but set apart the closing eve
To comfort those his exile most would grieve,
He knew: a touching spectacle, that house
In motion to receive him! Xanthus' spouse
You missed, made panther's meat a month since; but
Xanthus himself (his nephew 't was, they shut
'Twixt boards and sawed asunder) Polycarp,
Soft Charicle, next year no wheel could warp
To swear by Csar's fortune, with the rest
Were ranged; thro' whom the grey disciple pressed,
Busily blessing right and left, just stopped
To pat one infant's curls, the hangman cropped
Soon after, reached the portal. On its hinge
The door turns and he enters: what quick twinge
Ruins the smiling mouth, those wide eyes fix
Whereon, why like some spectral candlestick's
Branch the disciple's arms? Dead swooned he, woke
Anon, heaved sigh, made shift to gasp, heart-broke,
"Get thee behind me, Satan! Have I toiled
"To no more purpose? Is the gospel foiled
"Here too, and o'er my son's, my Xanthus' hearth,
"Portrayed with sooty garb and features swarth
"Ah Xanthus, am I to thy roof beguiled
"To see thethethe Devil domiciled?"
Whereto sobbed Xanthus, "Father, 't is yourself
"Installed, a limning which our utmost pelf
"Went to procure against to-morrow's loss;
"And that's no twy-prong, but a pastoral cross,
"You 're painted with!"
His puckered brows unfold
And you shall hear Sordello's story told.
~ Robert Browning, Sordello - Book the Third
,#NFDB |
1442: Ilion
Book I: The Book of the Herald
Dawn in her journey eternal compelling the labour of mortals,
Dawn the beginner of things with the night for their rest or their ending,
Pallid and bright-lipped arrived from the mists and the chill of the Euxine.
Earth in the dawn-fire delivered from starry and shadowy vastness
Woke to the wonder of life and its passion and sorrow and beauty,
All on her bosom sustaining, the patient compassionate Mother.
Out of the formless vision of Night with its look on things hidden
Given to the gaze of the azure she lay in her garment of greenness,
Wearing light on her brow. In the dawn-ray lofty and voiceless
Ida climbed with her god-haunted peaks into diamond lustres,
Ida first of the hills with the ranges silent beyond her
Watching the dawn in their giant companies, as since the ages
First began they had watched her, upbearing Time on their summits.
Troas cold on her plain awaited the boon of the sunshine.
There, like a hope through an emerald dream sole-pacing for ever,
Stealing to wideness beyond, crept Simois lame in his currents,
Guiding his argent thread mid the green of the reeds and the grasses.
Headlong, impatient of Space and its boundaries, Time and its slowness,
Xanthus clamoured aloud as he ran to the far-surging waters,
Joining his call to the many-voiced roar of the mighty Aegean,
Answering Oceans limitless cry like a whelp to its parent.
Forests looked up through their rifts, the ravines grew aware of their shadows.
Closer now gliding glimmered the golden feet of the goddess.
Over the hills and the headlands spreading her garment of splendour,
Fateful she came with her eyes impartial looking on all things,
Bringer to man of the day of his fortune and day of his downfall.
Full of her luminous errand, careless of eve and its weeping,
Fateful she paused unconcerned above Ilions mysteried greatness,
Domes like shimmering tongues of the crystal flames of the morning,
Opalesque rhythm-line of tower-tops, notes of the lyre of the sungod.
High over all that a nation had built and its love and its laughter,
Lighting the last time highway and homestead, market and temple,
Looking on men who must die and women destined to sorrow,
Looking on beauty fire must lay low and the sickle of slaughter,
Fateful she lifted the doom-scroll red with the script of the Immortals,
Deep in the invisible air that folds in the race and its morrows
Fixed it, and passed on smiling the smile of the griefless and deathless,
Dealers of death though death they know not, who in the morning
Scatter the seed of the event for the reaping ready at nightfall.
Over the brooding of plains and the agelong trance of the summits
Out of the sun and its spaces she came, pausing tranquil and fatal,
And, at a distance followed by the golden herds of the sungod,
Carried the burden of Light and its riddle and danger to Hellas.
Even as fleets on a chariot divine through the gold streets of ether,
Swiftly when Life fleets, invisibly changing the arc of the soul-drift,
And, with the choice that has chanced or the fate man has called and now suffers
Weighted, the moment travels driving the past towards the future,
Only its face and its feet are seen, not the burden it carries.
Weight of the event and its surface we bear, but the meaning is hidden.
Earth sees not; lifes clamour deafens the ear of the spirit:
Man knows not; least knows the messenger chosen for the summons.
Only he listens to the voice of his thoughts, his hearts ignorant whisper,
Whistle of winds in the tree-tops of Time and the rustle of Nature.
Now too the messenger hastened driving the car of the errand:
Even while dawn was a gleam in the east, he had cried to his coursers.
Half yet awake in lights turrets started the scouts of the morning
Hearing the jar of the wheels and the throb of the hooves exultation,
Hooves of the horses of Greece as they galloped to Phrygian Troya.
Proudly they trampled through Xanthus thwarting the foam of his anger,
Whinnying high as in scorn crossed Simois tangled currents,
Xanthus reed-girdled twin, the gentle and sluggard river.
One and unarmed in the car was the driver; grey was he, shrunken,
Worn with his decades. To Pergama cinctured with strength Cyclopean
Old and alone he arrived, insignificant, feeblest of mortals,
Carrying Fate in his helpless hands and the doom of an empire.
Ilion, couchant, saw him arrive from the sea and the darkness.
Heard mid the faint slow stirrings of life in the sleep of the city,
Rapid there neared a running of feet, and the cry of the summons
Beat round the doors that guarded the domes of the splendour of Priam.
Wardens charged with the night, ye who stand in Laomedons gateway,
Waken the Ilian kings. Talthybius, herald of Argos,
Parleying stands at the portals of Troy in the grey of the dawning.
High and insistent the call. In the dimness and hush of his chamber
Charioted far in his dreams amid visions of glory and terror,
Scenes of a vivider world,though blurred and deformed in the brain-cells,
Vague and inconsequent, there full of colour and beauty and greatness,
Suddenly drawn by the pull of the conscious thread of the earth-bond
And of the needs of Time and the travail assigned in the transience
Warned by his body, Deiphobus, reached in that splendid remoteness,
Touched through the nerve-ways of life that branch to the brain of the dreamer,
Heard the terrestrial call and slumber startled receded
Sliding like dew from the mane of a lion. Reluctant he travelled
Back from the light of the fields beyond death, from the wonderful kingdoms
Where he had wandered a soul among souls in the countries beyond us,
Free from the toil and incertitude, free from the struggle and danger:
Now, compelled, he returned from the respite given to the time-born,
Called to the strife and the wounds of the earth and the burden of daylight.
He from the carven couch upreared his giant stature.
Haste-spurred he laved his eyes and regained earths memories, haste-spurred
Donning apparel and armour strode through the town of his fathers,
Watched by her gods on his way to his fate, towards Pergamas portals.
Nine long years had passed and the tenth now was wearily ending,
Years of the wrath of the gods, and the leaguer still threatened the ramparts
Since through a tranquil morn the ships came past Tenedos sailing
And the first Argive fell slain as he leaped on the Phrygian beaches;
Still the assailants attacked, still fought back the stubborn defenders.
When the reward is withheld and endlessly leng thens the labour,
Weary of fruitless toil grows the transient heart of the mortal.
Weary of battle the invaders warring hearthless and homeless
Prayed to the gods for release and return to the land of their fathers:
Weary of battle the Phrygians beset in their beautiful city
Prayed to the gods for an end of the danger and mortal encounter.
Long had the high-beached ships forgotten their measureless ocean.
Greece seemed old and strange to her children camped on the beaches,
Old like a life long past one remembers hardly believing
But as a dream that has happened, but as the tale of another.
Time with his tardy touch and Nature changing our substance
Slowly had dimmed the faces loved and the scenes once cherished:
Yet was the dream still dear to them longing for wife and for children,
Longing for hearth and glebe in the far-off valleys of Hellas.
Always like waves that swallow the shingles, lapsing, returning,
Tide of the battle, race of the onset relentlessly thundered
Over the Phrygian corn-fields. Trojan wrestled with Argive,
Caria, Lycia, Thrace and the war-lord mighty Achaia
Joined in the clasp of the fight. Death, panic and wounds and disaster,
Glory of conquest and glory of fall, and the empty hearth-side,
Weeping and fortitude, terror and hope and the pang of remembrance,
Anguish of hearts, the lives of the warriors, the strength of the nations
Thrown were like weights into Destinys scales, but the balance wavered
Pressed by invisible hands. For not only the mortal fighters,
Heroes half divine whose names are like stars in remoteness,
Triumphed and failed and were winds or were weeds on the dance of the surges,
But from the peaks of Olympus and shimmering summits of Ida
Gleaming and clanging the gods of the antique ages descended.
Hidden from human knowledge the brilliant shapes of Immortals
Mingled unseen in the mellay, or sometimes, marvellous, maskless,
Forms of undying beauty and power that made tremble the heart-strings
Parting their deathless secrecy crossed through the borders of vision,
Plain as of old to the demigods out of their glory emerging,
Heard by mortal ears and seen by the eyeballs that perish.
Mighty they came from their spaces of freedom and sorrowless splendour.
Sea-vast, trailing the azure hem of his clamorous waters,
Blue-lidded, maned with the Night, Poseidon smote for the future,
Earth-shaker who with his trident releases the coils of the Dragon,
Freeing the forces unborn that are locked in the caverns of Nature.
Calm and unmoved, upholding the Word that is Fate and the order
Fixed in the sight of a Will foreknowing and silent and changeless,
Hera sent by Zeus and Athene lifting his aegis
Guarded the hidden decree. But for Ilion, loud as the surges,
Ares impetuous called to the fire in mens hearts, and his passion
Woke in the shadowy depths the forms of the Titan and demon;
Dumb and coerced by the grip of the gods in the abyss of the being,
Formidable, veiled they sit in the grey subconscient darkness
Watching the sleep of the snake-haired Erinnys. Miracled, haloed,
Seer and magician and prophet who beholds what the thought cannot witness,
Lifting the godhead within us to more than a human endeavour,
Slayer and saviour, thinker and mystic, leaped from his sun-peaks
Guarding in Ilion the wall of his mysteries Delphic Apollo.
Heavens strengths divided swayed in the whirl of the Earth-force.
All that is born and destroyed is reborn in the sweep of the ages;
Life like a decimal ever recurring repeats the old figure;
Goal seems there none for the ball that is chased throughout Time by the Fate-teams;
Evil once ended renews and no issue comes out of living:
Only an Eye unseen can distinguish the thread of its workings.
Such seemed the rule of the pastime of Fate on the plains of the Troad;
All went backwards and forwards tossed in the swing of the death-game.
Vain was the toil of the heroes, the blood of the mighty was squandered,
Spray as of surf on the cliffs when it moans unappeased, unrequited
Age after fruitless age. Day hunted the steps of the nightfall;
Joy succeeded to grief; defeat only greatened the vanquished,
Victory offered an empty delight without guerdon or profit.
End there was none of the effort and end there was none of the failure.
Triumph and agony changing hands in a desperate measure
Faced and turned as a man and a maiden trampling the grasses
Face and turn and they laugh in their joy of the dance and each other.
These were gods and they trampled lives. But though Time is immortal,
Mortal his works are and ways and the anguish ends like the rapture.
Artists of Nature content with their work in the plan of the transience,
Beautiful, deathless, august, the Olympians turned from the carnage,
Leaving the battle already decided, leaving the heroes
Slain in their minds, Troy burned, Greece left to her glory and downfall.
Into their heavens they rose up mighty like eagles ascending
Fanning the world with their wings. As the great to their luminous mansions
Turn from the cry and the strife, forgetting the wounded and fallen,
Calm they repose from their toil and incline to the joy of the banquet,
Watching the feet of the wine-bearers rosily placed on the marble,
Filling their hearts with ease, so they to their sorrowless ether
Passed from the wounded earth and its air that is ploughed with mens anguish;
Calm they reposed and their hearts inclined to the joy and the silence.
Lifted was the burden laid on our wills by their starry presence:
Man was restored to his smallness, the world to its inconscient labour.
Life felt a respite from height, the winds breathed freer delivered;
Light was released from their blaze and the earth was released from their greatness.
But their immortal content from the struggle titanic departed.
Vacant the noise of the battle roared like the sea on the shingles;
Wearily hunted the spears their quarry; strength was disheartened;
Silence increased with the march of the months on the tents of the leaguer.
But not alone on the Achaians the steps of the moments fell heavy;
Slowly the shadow deepened on Ilion mighty and scornful:
Dragging her days went by; in the rear of the hearts of her people
Something that knew what they dared not know and the mind would not utter,
Something that smote at her soul of defiance and beauty and laughter,
Darkened the hours. For Doom in her sombre and giant uprising
Neared, assailing the skies: the sense of her lived in all pastimes;
Time was pursued by unease and a terror woke in the midnight:
Even the ramparts felt her, stones that the gods had erected.
Now no longer she dallied and played, but bounded and hastened,
Seeing before her the end and, imagining massacre calmly,
Laughed and admired the flames and rejoiced in the cry of the captives.
Under her, dead to the watching immortals, Deiphobus hastened
Clanging in arms through the streets of the beautiful insolent city,
Brilliant, a gleaming husk but empty and left by the daemon.
Even as a star long extinguished whose light still travels the spaces,
Seen in its form by men, but itself goes phantom-like fleeting
Void and null and dark through the uncaring infinite vastness,
So now he seemed to the sight that sees all things from the Real.
Timeless its vision of Time creates the hour by things coming.
Borne on a force from the past and no more by a power for the future
Mighty and bright was his body, but shadowy the shape of his spirit
Only an eidolon seemed of the being that had lived in him, fleeting
Vague like a phantom seen by the dim Acherontian waters.
But to the guardian towers that watched over Pergamas gateway
Out of the waking city Deiphobus swiftly arriving
Called, and swinging back the huge gates slowly, reluctant,
Flung Troy wide to the entering Argive. Ilions portals
Parted admitting her destiny, then with a sullen and iron
Cry they closed. Mute, staring, grey like a wolf descended
Old Talthybius, propping his steps on the staff of his errand;
Feeble his body, but fierce still his glance with the fire within him;
Speechless and brooding he gazed on the hated and coveted city.
Suddenly, seeking heaven with her buildings hewn as for Titans,
Marvellous, rhythmic, a child of the gods with marble for raiment,
Smiting the vision with harmony, splendid and mighty and golden,
Ilion stood up around him entrenched in her giant defences.
Strength was uplifted on strength and grandeur supported by grandeur;
Beauty lay in her lap. Remote, hieratic and changeless,
Filled with her deeds and her dreams her gods looked out on the Argive,
Helpless and dumb with his hate as he gazed on her, they too like mortals
Knowing their centuries past, not knowing the morrow before them.
Dire were his eyes upon Troya the beautiful, his face like a doom-mask:
All Greece gazed in them, hated, admired, grew afraid, grew relentless.
But to the Greek Deiphobus cried and he turned from his passion
Fixing his ominous eyes with the god in them straight on the Trojan:
Messenger, voice of Achaia, wherefore confronting the daybreak
Comest thou driving thy car from the sleep of the tents that besiege us?
Fateful, I deem, was the thought that, conceived in the silence of midnight,
Raised up thy aged limbs from the couch of their rest in the stillness,
Thoughts of a mortal but forged by the Will that uses our members
And of its promptings our speech and our acts are the tools and the image.
Oft from the veil and the shadow they leap out like stars in their brightness,
Lights that we think our own, yet they are but tokens and counters,
Signs of the Forces that flow through us serving a Power that is secret.
What in the dawning bringst thou to Troya the mighty and dateless
Now in the ending of Time when the gods are weary of struggle?
Sends Agamemnon challenge or courtesy, Greek, to the Trojans?
High like the northwind answered the voice of the doom from Achaia:
Trojan Deiphobus, daybreak, silence of night and the evening
Sink and arise and even the strong sun rests from his splendour.
Not for the servant is rest nor Time is his, only his death-pyre.
I have not come from the monarch of men or the armoured assembly
Held on the wind-swept marge of the thunder and laughter of ocean.
One in his singleness greater than kings and multitudes sends me.
I am a voice out of Phthia, I am the will of the Hellene.
Peace in my right I bring to you, death in my left hand. Trojan,
Proudly receive them, honour the gifts of the mighty Achilles.
Death accept, if Ate deceives you and Doom is your lover,
Peace if your fate can turn and the god in you chooses to hearken.
Full is my heart and my lips are impatient of speech undelivered.
It was not made for the streets or the market, nor to be uttered
Meanly to common ears, but where counsel and majesty harbour
Far from the crowd in the halls of the great and to wisdom and foresight
Secrecy whispers, there I will speak among Ilions princes.
Envoy, answered the Laomedontian, voice of Achilles,
Vain is the offer of peace that sets out with a threat for its prelude.
Yet will we hear thee. Arise who are fleetest of foot in the gateway,
Thou, Thrasymachus, haste. Let the domes of the mansion of Ilus
Wake to the bruit of the Hellene challenge. Summon Aeneas.
Even as the word sank back into stillness, doffing his mantle
Started to run at the bidding a swift-footed youth of the Trojans
First in the race and the battle, Thrasymachus son of Aretes.
He in the dawn disappeared into swiftness. Deiphobus slowly,
Measuring Fate with his thoughts in the troubled vasts of his spirit,
Back through the stir of the city returned to the house of his fathers,
Taming his mighty stride to the pace infirm of the Argive.
But with the god in his feet Thrasymachus rapidly running
Came to the halls in the youth of the wonderful city by Ilus
Built for the joy of the eye; for he rested from war and, triumphant,
Reigned adored by the prostrate nations. Now when all ended,
Last of its mortal possessors to walk in its flowering gardens,
Great Anchises lay in that luminous house of the ancients
Soothing his restful age, the far-warring victor Anchises,
High Bucoleons son and the father of Rome by a goddess;
Lonely and vagrant once in his boyhood divine upon Ida
White Aphrodite ensnared him and she loosed her ambrosial girdle
Seeking a mortals love. On the threshold Thrasymachus halted
Looking for servant or guard, but felt only a loneness of slumber
Drawing the souls sight within away from its life and things human;
Soundless, unheeding, the vacant corridors fled into darkness.
He to the shades of the house and the dreams of the echoing rafters
Trusted his high-voiced call, and from chambers still dim in their twilight
Strong Aeneas armoured and mantled, leonine striding,
Came, Anchises son; for the dawn had not found him reposing,
But in the night he had left his couch and the clasp of Cresa,
Rising from sleep at the call of his spirit that turned to the waters
Prompted by Fate and his mother who guided him, white Aphrodite.
Still with the impulse of speed Thrasymachus greeted Aeneas:
Hero Aeneas, swift be thy stride to the Ilian hill-top.
Dardanid, haste! for the gods are at work; they have risen with the morning,
Each from his starry couch, and they labour. Doom, we can see it,
Glows on their anvils of destiny, clang we can hear of their hammers.
Something they forge there sitting unknown in the silence eternal,
Whether of evil or good it is they who shall choose who are masters
Calm, unopposed; they are gods and they work out their iron caprices.
Troy is their stage and Argos their background; we are their puppets.
Always our voices are prompted to speech for an end that we know not,
Always we think that we drive, but are driven. Action and impulse,
Yearning and thought are their engines, our will is their shadow and helper.
Now too, deeming he comes with a purpose framed by a mortal,
Shaft of their will they have shot from the bow of the Grecian leaguer,
Lashing themselves at his steeds, Talthybius sent by Achilles.
Busy the gods are always, Thrasymachus son of Aretes,
Weaving Fate on their looms, and yesterday, now and tomorrow
Are but the stands they have made with Space and Time for their timber,
Frame but the dance of their shuttle. What eye unamazed by their workings
Ever can pierce where they dwell and uncover their far-stretching purpose?
Silent they toil, they are hid in the clouds, they are wrapped with the midnight.
Yet to Apollo I pray, the Archer friendly to mortals,
Yet to the rider on Fate I abase myself, wielder of thunder,
Evil and doom to avert from my fatherland. All night Morpheus,
He who with shadowy hands heaps error and truth upon mortals,
Stood at my pillow with images. Dreaming I erred like a phantom
Helpless in Ilions streets with the fire and the foeman around me.
Red was the smoke as it mounted triumphant the house-top of Priam,
Clang of the arms of the Greeks was in Troya, and thwarting the clangour
Voices were crying and calling me over the violent Ocean
Borne by the winds of the West from a land where Hesperus harbours.
Brooding they ceased, for their thoughts grew heavy upon them and voiceless.
Then, in a farewell brief and unthought and unconscious of meaning,
Parting they turned to their tasks and their lives now close but soon severed:
Destined to perish even before his perishing nation,
Back to his watch at the gate sped Thrasymachus rapidly running;
Large of pace and swift, but with eyes absorbed and unseeing,
Driven like a car of the gods by the whip of his thoughts through the highways,
Turned to his mighty future the hero born of a goddess.
One was he chosen to ascend into greatness through fall and disaster,
Loser of his world by the will of a heaven that seemed ruthless and adverse,
Founder of a newer and greater world by daring adventure.
Now, from the citadels rise with the townships crowding below it
High towards a pondering of domes and the mystic Palladium climbing,
Fronted with the morning ray and joined by the winds of the ocean,
Fate-weighed up Troys slope strode musing strong Aeneas.
Under him silent the slumbering roofs of the city of Ilus
Dreamed in the light of the dawn; above watched the citadel, sleepless
Lonely and strong like a goddess white-limbed and bright on a hill-top,
Looking far out at the sea and the foe and the prowling of danger.
Over the brow he mounted and saw the palace of Priam,
Home of the gods of the earth, Laomedons marvellous vision
Held in the thought that accustomed his will to unearthly achievement
And in the blaze of his spirit compelling heaven with its greatness,
Dreamed by the harp of Apollo, a melody caught into marble.
Out of his mind it arose like an epic canto by canto;
Each of its halls was a strophe, its chambers lines of an epode,
Victor chant of Ilions destiny. Absent he entered,
Voiceless with thought, the brilliant megaron crowded with paintings,
Paved with a splendour of marble, and saw Deiphobus seated,
Son of the ancient house by the opulent hearth of his fathers,
And at his side like a shadow the grey and ominous Argive.
Happy of light like a lustrous star when it welcomes the morning,
Brilliant, beautiful, glamoured with gold and a fillet of gem-fire,
Paris, plucked from the song and the lyre by the Grecian challenge,
Came with the joy in his face and his eyes that Fate could not alter.
Ever a child of the dawn at play near a turn of the sun-roads,
Facing destinys look with the careless laugh of a comrade,
He with his vision of delight and beauty brightening the earth-field
Passed through its peril and grief on his way to the ambiguous Shadow.
Last from her chamber of sleep where she lay in the Ilian mansion
Far in the heart of the house with the deep-bosomed daughters of Priam,
Noble and tall and erect in a nimbus of youth and of glory,
Claiming the world and life as a fief of her strength and her courage,
Dawned through a doorway that opened to distant murmurs and laughter,
Capturing the eye like a smile or a sunbeam, Penthesilea.
She from the threshold cried to the herald, crossing the marble,
Regal and fleet, with her voice that was mighty and dire in its sweetness.
What with such speed has impelled from the wind-haunted beaches of Troas,
Herald, thy car though the sun yet hesitates under the mountains?
Comest thou humbler to Troy, Talthybius, now than thou camest
Once when the streams of my East sang low to my ear, not this Ocean
Loud, and I roamed in my mountains uncalled by the voice of Apollo?
Bringest thou dulcet-eyed peace or, sweeter to Penthesilea,
Challenge of war when the spears fall thick on the shields of the fighters,
Lightly the wheels leap onward chanting the anthem of Ares,
Death is at work in his fields and the heart is enamoured of danger?
What says Odysseus, the baffled Ithacan? what Agamemnon?
Are they then weary of war who were rapid and bold and triumphant,
Now that their gods are reluctant, now victory darts not from heaven
Down from the clouds above Ida directing the luminous legions
Armed by Fate, now Pallas forgets, now Poseidon slumbers?
Bronze were their throats to the battle like bugles blaring in chorus;
Mercy they knew not, but shouted and ravened and ran to the slaughter
Eager as hounds when they chase, till a woman met them and stayed them,
Loud my war-shout rang by Scamander. Herald of Argos,
What say the vaunters of Greece to the virgin Penthesilea?
High was the Argives answer confronting the mighty in Troya.
Princes of Pergama, whelps of the lion who roar for the mellay,
Suffer my speech! It shall ring like a spear on the hearts of the mighty.
Blame not the herald; his voice is an impulse, an echo, a channel
Now for the timbrels of peace and now for the drums of the battle.
And I have come from no cautious strength, from no half-hearted speaker,
But from the Phthian. All know him! Proud is his soul as his fortunes,
Swift as his sword and his spear are the speech and the wrath from his bosom.
I am his envoy, herald am I of the conquering Argives.
Has not one heard in the night when the breezes whisper and shudder,
Dire, the voice of a lion unsatisfied, gnawed by his hunger,
Seeking his prey from the gods? For he prowls through the glens of the mountains,
Errs a dangerous gleam in the woodlands, fatal and silent.
So for a while he endures, for a while he seeks and he suffers
Patient yet in his terrible grace as assured of his banquet;
But he has lacked too long and he lifts his head and to heaven
Roars in his wonder, incensed, impatiently. Startled the valleys
Shrink from the dreadful alarum, the cattle gallop to shelter.
Arming the herdsmen cry to each other for comfort and courage.
So Talthybius spoke, as a harper voicing his prelude
Touches his strings to a varied music, seeks for a concord;
Long his strain he prepares. But one broke in on the speaker,
Sweet was his voice like a harps though heard in the front of the onset,
One of the sons of Fate by the people loved whom he ruined,
Leader in counsel and battle, the Priamid, he in his beauty
Carelessly walking who scattered the seeds of Titanic disaster.
Surely thou dreamedst at night and awaking thy dreams have not left thee!
Hast thou not woven thy words to intimidate children in Argos
Sitting alarmed in the shadows who listen pale to their nurses?
Greek, thou art standing in Ilion now and thou facest her princes.
Use not thy words but thy kings. If friendship their honey-breathed burden,
Friendship we clasp from Achilles, but challenge outpace with our challenge
Meeting the foe ere he moves in his will to the clash of encounter.
Such is the way of the Trojans since Phryx by the Hellespont halting
Seated Troy on her hill with the Ocean for comrade and sister.
Shaking in wrath his filleted head Talthybius answered:
Princes, ye speak their words who drive you! Thus said Achilles:
Rise, Talthybius, meet in her spaces the car of the morning;
Challenge her coursers divine as they bound through the plains of the Troad.
Hasten, let not the day wear gold ere thou stand in her ramparts.
Herald charged with my will to a haughty and obstinate nation,
Speak in the palace of Priam the word of the Phthian Achilles.
Freely and not as his vassal who leads, Agamemnon, the Argive,
But as a ruler in Hellas I send thee, king of my nations.
Long I have walked apart from the mellay of gods in the Troad,
Long has my listless spear leaned back on the peace of my tent-side,
Deaf to the talk of the trumpets, the whine of the chariots speeding;
Sole with my heart I have lived, unheeding the Hellene murmur,
Chid when it roared for the hunt the lion pack of the war-god,
Day after day I walked at dawn and in blush of the sunset,
Far by the call of the seas and alone with the gods and my dreaming,
Leaned to the unsatisfied chant of my heart and the rhythms of ocean,
Sung to by hopes that were sweet-lipped and vain. For Polyxenas brothers
Still are the brood of the Titan Laomedon slain in his greatness,
Engines of God unable to bear all the might that they harbour.
Awe they have chid from their hearts, nor our common humanity binds them,
Stay have they none in the gods who approve, giving calmness to mortals:
But like the Titans of old they have hugged to them grandeur and ruin.
Seek then the race self-doomed, the leaders blinded by heaven
Not in the agora swept by the winds of debate and the shoutings
Lion-voiced, huge of the people! In Troyas high-crested mansion
Speak out my word to the hero Deiphobus, head of the mellay,
Paris the racer of doom and the stubborn strength of Aeneas.
Herald of Greece, when thy feet shall be pressed on the gold and the marble,
Rise in the Ilian megaron, curb not the cry of the challenge.
Thus shalt thou say to them striking the ground with the staff of defiance,
Fronting the tempests of war, the insensate, the gamblers with downfall.
Princes of Troy, I have sat in your halls, I have slept in your chambers;
Not in the battle alone as a warrior glad of his foemen,
Glad of the strength that mates with his own, in peace we encountered.
Marvelling I sat in the halls of my enemies, close to the bosoms
Scarred by the dints of my sword and the eyes I had seen through the battle,
Ate rejoicing the food of the East at the tables of Priam
Served by the delicatest hands in the world, by Hecubas daughter,
Or with our souls reconciled in some careless and rapturous midnight
Drank of the sweetness of Phrygian wine, admiring your bodies
Shaped by the gods indeed, and my spirit revolted from hatred,
Softening it yearned in its strings to the beauty and joy of its foemen,
Yearned from the death that oertakes and the flame that cries and desires
Even at the end to save and even on the verge to deliver
Troy and her wonderful works and her sons and her deep-bosomed daughters.
Warned by the gods who reveal to the heart what the mind cannot hearken
Deaf with its thoughts, I offered you friendship, I offered you bridal,
Hellas for comrade, Achilles for brother, the world for enjoyment
Won by my spear. And one heard my call and one turned to my seeking.
Why is it then that the war-cry sinks not to rest by the Xanthus?
We are not voices from Argolis, Lacedaemonian tricksters,
Splendid and subtle and false; we are speakers of truth, we are Hellenes,
Men of the northl and faithful in friendship and noble in anger,
Strong like our fathers of old. But you answered my truth with evasion
Hoping to seize what I will not yield and you flattered your people.
Long have I waited for wisdom to dawn on your violent natures.
Lonely I paced oer the sands by the thousand-throated waters
Praying to Pallas the wise that the doom might turn from your mansions,
Buildings delightful, gracious as rhythms, lyrics in marble,
Works of the transient gods, and I yearned for the end of the war-din
Hoping that Death might relent to the beautiful sons of the Trojans.
Far from the cry of the spears, from the speed and the laughter of axles,
Heavy upon me like iron the intolerable yoke of inaction
Weighed like a load on a runner. The war-cry rose by Scamander;
Xanthus was crossed on a bridge of the fallen, not by Achilles.
Often I stretched out my hand to the spear, for the Trojan beaches
Rang with the voice of Deiphobus shouting and slaying the Argives;
Often my heart like an anxious mother for Greece and her children
Leaped, for the air was full of the leonine roar of Aeneas.
Always the evening fell or the gods protected the Argives.
Then by the moat of the ships, on the hither plain of the Xanthus
New was the voice that climbed through the din and sailed on the breezes,
High, insistent, clear, and it shouted an unknown war-cry
Threatening doom to the peoples. A woman had come in to aid you,
Regal and insolent, fair as the morning and fell as the northwind,
Freed from the distaff who grasps at the sword and she spurns at subjection
Breaking the rule of the gods. She is turbulent, swift in the battle.
Clanging her voice of the swan as a summons to death and disaster,
Fleet-footed, happy and pitiless, laughing she runs to the slaughter;
Strong with the gait that allures she leaps from her car to the slaying,
Dabbles in blood smooth hands like lilies. Europe astonished
Reels from her shock to the Ocean. She is the panic and mellay,
War is her paean, the chariots thunder of Penthesilea.
Doom was her coming, it seems, to the men of the West and their legions;
Ajax sleeps for ever, Meriones lies on the beaches.
One by one they are falling before you, the great in Achaia.
Ever the wounded are borne like the stream of the ants when they forage
Past my ships, and they hush their moans as they near and in silence
Gaze at the legions inactive accusing the fame of Achilles.
Still have I borne with you, waited a little, looked for a summons,
Longing for bridal torches, not flame on the Ilian housetops,
Blood in the chambers of sweetness, the golden amorous city
Swallowed by doom. Not broken I turned from the wrestle Titanic,
Hopeless, weary of toil in the ebb of my glorious spirit,
But from my stress of compassion for doom of the kindred nations,
But for her sake whom my soul desires, for the daughter of Priam.
And for Polyxenas sake I will speak to you yet as your lover
Once ere the Fury, abrupt from Erebus, deaf to your crying,
Mad with the joy of the massacre, seizes on wealth and on women
Calling to Fire as it strides and Ilion sinks into ashes.
Yield; for your doom is impatient. No longer your helpers hasten,
Legions swift to your call; the yoke of your pride and your splendour
Lies not now on the nations of earth as when Fortune desired you,
Strength was your slave and Troya the lioness hungrily roaring
Threatened the western world from her ramparts built by Apollo.
Gladly released from the thraldom they hated, the insolent shackles
Curbing their manhood the peoples arise and they pray for your ruin;
Piled are their altars with gifts; their blessings help the Achaians.
Memnon came, but he sleeps, and the faces swart of his nation
Darken no more like a cloud over thunder and surge of the onset.
Wearily Lycia fights; far fled are the Carian levies.
Thrace retreats to her plains preferring the whistle of stormwinds
Or on the banks of the Strymon to wheel in her Orphean measure,
Not in the revel of swords and fronting the spears of the Hellenes.
Princes of Pergama, open your gates to our Peace who would enter,
Life in her gracious clasp and forgetfulness, grave of earths passions,
Healer of wounds and the past. In a comity equal, Hellenic,
Asia join with Greece, one world from the frozen rivers
Trod by the hooves of the Scythian to farthest undulant Ganges.
Tyndarid Helen resign, the desirable cause of your danger,
Back to Greece that is empty long of her smile and her movements.
Broider with riches her coming, pomp of her slaves and the waggons
Endlessly groaning with gold that arrive with the ransom of nations.
So shall the Fury be pacified, she who exultant from Sparta
Breathed in the sails of the Trojan ravisher helping his oarsmen.
So shall the gods be appeased and the thoughts of their wrath shall be cancelled,
Justice contented trace back her steps and for brands of the burning
Torches delightful shall break into Troy with the swords of the bridal.
I like a bridegroom will seize on your city and clasp and defend her
Safe from the envy of Argos, from Lacedaemonian hatred,
Safe from the hunger of Crete and the Locrians violent rapine.
But if you turn from my voice and you hearken only to Ares
Crying for battle within you deluded by Hera and Pallas,
Swiftly the fierce deaths surges shall close over Troy and her ramparts
Built by the gods shall be stubble and earth to the tread of the Hellene.
For to my tents I return not, I swear it by Zeus and Apollo,
Master of Truth who sits within Delphi fathomless brooding
Sole in the caverns of Nature and hearkens her underground murmur,
Giving my oath to his keeping mute and stern who forgets not,
Not from the panting of Ares toil to repose, from the wrestle
Locked of hope and death in the ruthless clasp of the mellay
Leaving again the Trojan ramparts unmounted, leaving
Greece unavenged, the Aegean a lake and Europe a province.
Choosing from Hellas exile, from Peleus and Deidamia,
Choosing the field for my chamber of sleep and the battle for hearthside
I shall go warring on till Asia enslaved to my footsteps
Feels the tread of the God in my sandal pressed on her bosom.
Rest shall I then when the borders of Greece are fringed with the Ganges;
Thus shall the past pay its Titan ransom and, Fate her balance
Changing, a continent ravished suffer the fortune of Helen.
This I have sworn allying my will to Zeus and Ananke.
So was it spoken, the Phthian challenge. Silent the heroes
Looked back amazed on their past and into the night of their future.
Silent their hearts felt a grasp from gods and had hints of the heavens.
Hush was awhile in the room, as if Fate were trying her balance
Poised on the thoughts of her mortals. At length with a musical laughter
Sweet as the jangling of bells upon anklets leaping in measure
Answered aloud to the gods the virgin Penthesilea.
Long I had heard in my distant realms of the fame of Achilles,
Ignorant still while I played with the ball and ran in the dances
Thinking not ever to war; but I dreamed of the shock of the hero.
So might a poet inland who imagines the rumour of Ocean,
Yearn with his lust for the giant upheaval, the dance as of hill-tops,
Toss of the yellow mane and the tawny march and the voices
Lionlike claiming earth as a prey for the clamorous waters.
So have I longed as I came for the cry and the speed of Achilles.
But he has lurked in his ships, he has sulked like a boy that is angry.
Glad am I now of his soul that arises hungry for battle,
Glad, whether victor I live or defeated travel the shadows.
Once shall my spear have rung on the shield of the Phthian Achilles.
Peace I desire not. I came to a haughty and resolute nation,
Honour and fame they cherish, not life by the gift of a foeman.
Sons of the ancient house on whom Ilion looks as on Titans,
Chiefs whom the world admires, do you fear then the shock of the Phthian?
Gods, it is said, have decided your doom. Are you less in your greatness?
Are you not gods to reverse their decrees or unshaken to suffer?
Memnon is dead and the Carians leave you? Lycia lingers?
But from the streams of my East I have come to you, Penthesilea.
Virgin of Asia, answered Talthybius, doom of a nation
Brought thee to Troy and her haters Olympian shielded thy coming,
Vainly who feedest mens hearts with a hope that the gods have rejected.
Doom in thy sweet voice utters her counsels robed like a woman.
Answered the virgin disdainfully, wroth at the words of the Argive:
Hast thou not ended the errand they gave thee, envoy of Hellas?
Not, do I think, as our counsellor camst thou elected from Argos,
Nor as a lover to Troy hast thou hastened with amorous footing
Hurting thy heart with her frowardness. Hatred and rapine sent thee,
Greed of the Ilian gold and lust of the Phrygian women,
Voice of Achaian aggression! Doom am I truly; let Gnossus
Witness it, Salamis speak of my fatal arrival and Argos
Silent remember her wounds. But the Argive answered the virgin:
Hearken then to the words of the Hellene, Penthesilea.
Virgin to whom earths strongest are corn in the sweep of thy sickle,
Lioness vain of thy bruit who besiegest the paths of the battle!
Art thou not satiate yet? hast thou drunk then so little of slaughter?
Death has ascended thy car; he has chosen thy hand for his harvest.
But I have heard of thy pride and disdain, how thou scornest the Argives
And of thy fate thou complainest that ever averse to thy wishes
Cloisters the Phthian and matches with weaklings Penthesilea.
Not of the Ithacan boar nor the wild-cat littered in Locris
Nor of the sleek-coat Argive wild-bulls sates me the hunting;
So hast thou said, I would bury my spear in the lion of Hellas.
Blind and infatuate, art thou not beautiful, bright as the lightning?
Were not thy limbs made cunningly linking sweetness to sweetness?
Is not thy laughter an arrow surprising hearts imprudent?
Charm is the seal of the gods upon woman. Distaff and girdle,
Work of the jar at the well and the hush of our innermost chambers,
These were appointed thee, but thou hast scorned them, O Titaness, grasping
Rather the shield and the spear. Thou, obeying thy turbulent nature,
Tramplest oer laws that are old to the pleasure thy heart has demanded.
Rather bow to the ancient Gods who are seated and constant.
But for thyself thou passest and what hast thou gained for the aeons
Mingled with men in their works and depriving the age of thy beauty?
Fair art thou, woman, but fair with a bitter and opposite sweetness
Clanging in war when thou matchest thy voice with the shout of assemblies.
Not to this end was thy sweetness made and the joy of thy members,
Not to this rhythm Heaven tuned its pipe in thy throat of enchantment,
Armoured like men to go warring forth and with hardness and fierceness
Mix in the strife and the hate while the varied meaning of Nature
Perishes hurt in its heart and life is emptied of music.
Long have I marked in your world a madness. Monarchs descending
Court the imperious mob of their slaves and their suppliant gesture
Shameless and venal offends the majestic tradition of ages:
Princes plead in the agora; spurred by the tongue of a coward,
Heroes march to an impious war at a priestly bidding.
Gold is sought by the great with the chaffering heart of the trader.
Asia fails and the Gods are abandoning Ida for Hellas.
Why must thou come here to perish, O noble and exquisite virgin,
Here in a cause not thine, in a quarrel remote from thy beauty,
Leaving a land that is lovely and far to be slain among strangers?
Girl, to thy rivers go back and thy hills where the grapes are aspirant.
Trust not a fate that indulges; for all things, Penthesilea,
Break with excess and he is the wisest who walks by a measure.
Yet, if thou wilt, thou shalt meet me today in the shock of the battle:
There will I give thee the fame thou desirest; captive in Hellas,
Men shall point to thee always, smiling and whispering, saying,
This is the woman who fought with the Greeks, overthrowing their heroes;
This is the slayer of Ajax, this is the slave of Achilles.
Then with her musical laughter the fearless Penthesilea:
Well do I hope that Achilles enslaved shall taste of that glory
Or on the Phrygian fields lie slain by the spear of a woman.
But to the herald Achaian the Priamid, leader of Troya:
Rest in the halls of thy foes and ease thy fatigue and thy winters.
Herald, abide till the people have heard and reply to Achilles.
Not as the kings of the West are Ilions princes and archons,
Monarchs of men who drive their nations dumb to the battle.
Not in the palace of Priam and not in the halls of the mighty
Whispered councils prevail and the few dispose of the millions;
But with their nation consulting, feeling the hearts of the commons
Ilions princes march to the war or give peace to their foemen.
Lightning departs from her kings and the thunder returns from her people
Met in the ancient assembly where Ilus founded his columns
And since her famous centuries, names that the ages remember
Leading her, Troya proclaims her decrees to obedient nations.
Ceasing he cried to the thralls of his house and they tended the Argive.
Brought to a chamber of rest in the luminous peace of the mansion,
Grey he sat and endured the food and the wine of his foemen,
Chiding his spirit that murmured within him and gazed undelighted,
Vexed with the endless pomps of Laomedon. Far from those glories
Memory winged it back to a sward half-forgotten, a village
Nestling in leaves and low hills watching it crowned with the sunset.
So for his hour he abode in earths palace of lordliest beauty,
But in its caverns his heart was weary and, hurt by the splendours,
Longed for Greece and the smoke-darkened roof of a cottage in Argos,
Eyes of a woman faded and children crowding the hearthside.
Joyless he rose and eastward expected the sunrise on Ida.
***
~ Sri Aurobindo, 1 - The Book of the Herald
,#NFDB |
1443:There are who lord it o'er their fellow-men
With most prevailing tinsel: who unpen
Their baaing vanities, to browse away
The comfortable green and juicy hay
From human pastures; or, O torturing fact!
Who, through an idiot blink, will see unpack'd
Fire-branded foxes to sear up and singe
Our gold and ripe-ear'd hopes. With not one tinge
Of sanctuary splendour, not a sight
Able to face an owl's, they still are dight
By the blear-eyed nations in empurpled vests,
And crowns, and turbans. With unladen breasts,
Save of blown self-applause, they proudly mount
To their spirit's perch, their being's high account,
Their tiptop nothings, their dull skies, their thrones
Amid the fierce intoxicating tones
Of trumpets, shoutings, and belabour'd drums,
And sudden cannon. Ah! how all this hums,
In wakeful ears, like uproar past and gone
Like thunder clouds that spake to Babylon,
And set those old Chaldeans to their tasks.
Are then regalities all gilded masks?
No, there are throned seats unscalable
But by a patient wing, a constant spell,
Or by ethereal things that, unconfin'd,
Can make a ladder of the eternal wind,
And poise about in cloudy thunder-tents
To watch the abysm-birth of elements.
Aye, 'bove the withering of old-lipp'd Fate
A thousand Powers keep religious state,
In water, fiery realm, and airy bourne;
And, silent as a consecrated urn,
Hold sphery sessions for a season due.
Yet few of these far majesties, ah, few!
Have bared their operations to this globe
Few, who with gorgeous pageantry enrobe
Our piece of heavenwhose benevolence
Shakes hand with our own Ceres; every sense
Filling with spiritual sweets to plenitude,
As bees gorge full their cells. And, by the feud
'Twixt Nothing and Creation, I here swear,
Eterne Apollo! that thy Sister fair
Is of all these the gentlier-mightiest.
When thy gold breath is misting in the west,
She unobserved steals unto her throne,
And there she sits most meek and most alone;
As if she had not pomp subservient;
As if thine eye, high Poet! was not bent
Towards her with the Muses in thine heart;
As if the ministring stars kept not apart,
Waiting for silver-footed messages.
O Moon! the oldest shades 'mong oldest trees
Feel palpitations when thou lookest in:
O Moon! old boughs lisp forth a holier din
The while they feel thine airy fellowship.
Thou dost bless every where, with silver lip
Kissing dead things to life. The sleeping kine,
Couched in thy brightness, dream of fields divine:
Innumerable mountains rise, and rise,
Ambitious for the hallowing of thine eyes;
And yet thy benediction passeth not
One obscure hiding-place, one little spot
Where pleasure may be sent: the nested wren
Has thy fair face within its tranquil ken,
And from beneath a sheltering ivy leaf
Takes glimpses of thee; thou art a relief
To the poor patient oyster, where it sleeps
Within its pearly house.The mighty deeps,
The monstrous sea is thinethe myriad sea!
O Moon! far-spooming Ocean bows to thee,
And Tellus feels his forehead's cumbrous load.
Cynthia! where art thou now? What far abode
Of green or silvery bower doth enshrine
Such utmost beauty? Alas, thou dost pine
For one as sorrowful: thy cheek is pale
For one whose cheek is pale: thou dost bewail
His tears, who weeps for thee. Where dost thou sigh?
Ah! surely that light peeps from Vesper's eye,
Or what a thing is love! 'Tis She, but lo!
How chang'd, how full of ache, how gone in woe!
She dies at the thinnest cloud; her loveliness
Is wan on Neptune's blue: yet there's a stress
Of love-spangles, just off yon cape of trees,
Dancing upon the waves, as if to please
The curly foam with amorous influence.
O, not so idle: for down-glancing thence
She fathoms eddies, and runs wild about
O'erwhelming water-courses; scaring out
The thorny sharks from hiding-holes, and fright'ning
Their savage eyes with unaccustomed lightning.
Where will the splendor be content to reach?
O love! how potent hast thou been to teach
Strange journeyings! Wherever beauty dwells,
In gulf or aerie, mountains or deep dells,
In light, in gloom, in star or blazing sun,
Thou pointest out the way, and straight 'tis won.
Amid his toil thou gav'st Leander breath;
Thou leddest Orpheus through the gleams of death;
Thou madest Pluto bear thin element;
And now, O winged Chieftain! thou hast sent
A moon-beam to the deep, deep water-world,
To find Endymion.
On gold sand impearl'd
With lily shells, and pebbles milky white,
Poor Cynthia greeted him, and sooth'd her light
Against his pallid face: he felt the charm
To breathlessness, and suddenly a warm
Of his heart's blood: 'twas very sweet; he stay'd
His wandering steps, and half-entranced laid
His head upon a tuft of straggling weeds,
To taste the gentle moon, and freshening beads,
Lashed from the crystal roof by fishes' tails.
And so he kept, until the rosy veils
Mantling the east, by Aurora's peering hand
Were lifted from the water's breast, and fann'd
Into sweet air; and sober'd morning came
Meekly through billows:when like taper-flame
Left sudden by a dallying breath of air,
He rose in silence, and once more 'gan fare
Along his fated way.
Far had he roam'd,
With nothing save the hollow vast, that foam'd
Above, around, and at his feet; save things
More dead than Morpheus' imaginings:
Old rusted anchors, helmets, breast-plates large
Of gone sea-warriors; brazen beaks and targe;
Rudders that for a hundred years had lost
The sway of human hand; gold vase emboss'd
With long-forgotten story, and wherein
No reveller had ever dipp'd a chin
But those of Saturn's vintage; mouldering scrolls,
Writ in the tongue of heaven, by those souls
Who first were on the earth; and sculptures rude
In ponderous stone, developing the mood
Of ancient Nox;then skeletons of man,
Of beast, behemoth, and leviathan,
And elephant, and eagle, and huge jaw
Of nameless monster. A cold leaden awe
These secrets struck into him; and unless
Dian had chaced away that heaviness,
He might have died: but now, with cheered feel,
He onward kept; wooing these thoughts to steal
About the labyrinth in his soul of love.
"What is there in thee, Moon! that thou shouldst move
My heart so potently? When yet a child
I oft have dried my tears when thou hast smil'd.
Thou seem'dst my sister: hand in hand we went
From eve to morn across the firmament.
No apples would I gather from the tree,
Till thou hadst cool'd their cheeks deliciously:
No tumbling water ever spake romance,
But when my eyes with thine thereon could dance:
No woods were green enough, no bower divine,
Until thou liftedst up thine eyelids fine:
In sowing time ne'er would I dibble take,
Or drop a seed, till thou wast wide awake;
And, in the summer tide of blossoming,
No one but thee hath heard me blithly sing
And mesh my dewy flowers all the night.
No melody was like a passing spright
If it went not to solemnize thy reign.
Yes, in my boyhood, every joy and pain
By thee were fashion'd to the self-same end;
And as I grew in years, still didst thou blend
With all my ardours: thou wast the deep glen;
Thou wast the mountain-topthe sage's pen
The poet's harpthe voice of friendsthe sun;
Thou wast the riverthou wast glory won;
Thou wast my clarion's blastthou wast my steed
My goblet full of winemy topmost deed:
Thou wast the charm of women, lovely Moon!
O what a wild and harmonized tune
My spirit struck from all the beautiful!
On some bright essence could I lean, and lull
Myself to immortality: I prest
Nature's soft pillow in a wakeful rest.
But, gentle Orb! there came a nearer bliss
My strange love cameFelicity's abyss!
She came, and thou didst fade, and fade away
Yet not entirely; no, thy starry sway
Has been an under-passion to this hour.
Now I begin to feel thine orby power
Is coming fresh upon me: O be kind,
Keep back thine influence, and do not blind
My sovereign vision.Dearest love, forgive
That I can think away from thee and live!
Pardon me, airy planet, that I prize
One thought beyond thine argent luxuries!
How far beyond!" At this a surpris'd start
Frosted the springing verdure of his heart;
For as he lifted up his eyes to swear
How his own goddess was past all things fair,
He saw far in the concave green of the sea
An old man sitting calm and peacefully.
Upon a weeded rock this old man sat,
And his white hair was awful, and a mat
Of weeds were cold beneath his cold thin feet;
And, ample as the largest winding-sheet,
A cloak of blue wrapp'd up his aged bones,
O'erwrought with symbols by the deepest groans
Of ambitious magic: every ocean-form
Was woven in with black distinctness; storm,
And calm, and whispering, and hideous roar
Were emblem'd in the woof; with every shape
That skims, or dives, or sleeps, 'twixt cape and cape.
The gulphing whale was like a dot in the spell,
Yet look upon it, and 'twould size and swell
To its huge self; and the minutest fish
Would pass the very hardest gazer's wish,
And show his little eye's anatomy.
Then there was pictur'd the regality
Of Neptune; and the sea nymphs round his state,
In beauteous vassalage, look up and wait.
Beside this old man lay a pearly wand,
And in his lap a book, the which he conn'd
So stedfastly, that the new denizen
Had time to keep him in amazed ken,
To mark these shadowings, and stand in awe.
The old man rais'd his hoary head and saw
The wilder'd strangerseeming not to see,
His features were so lifeless. Suddenly
He woke as from a trance; his snow-white brows
Went arching up, and like two magic ploughs
Furrow'd deep wrinkles in his forehead large,
Which kept as fixedly as rocky marge,
Till round his wither'd lips had gone a smile.
Then up he rose, like one whose tedious toil
Had watch'd for years in forlorn hermitage,
Who had not from mid-life to utmost age
Eas'd in one accent his o'er-burden'd soul,
Even to the trees. He rose: he grasp'd his stole,
With convuls'd clenches waving it abroad,
And in a voice of solemn joy, that aw'd
Echo into oblivion, he said:
"Thou art the man! Now shall I lay my head
In peace upon my watery pillow: now
Sleep will come smoothly to my weary brow.
O Jove! I shall be young again, be young!
O shell-borne Neptune, I am pierc'd and stung
With new-born life! What shall I do? Where go,
When I have cast this serpent-skin of woe?
I'll swim to the syrens, and one moment listen
Their melodies, and see their long hair glisten;
Anon upon that giant's arm I'll be,
That writhes about the roots of Sicily:
To northern seas I'll in a twinkling sail,
And mount upon the snortings of a whale
To some black cloud; thence down I'll madly sweep
On forked lightning, to the deepest deep,
Where through some sucking pool I will be hurl'd
With rapture to the other side of the world!
O, I am full of gladness! Sisters three,
I bow full hearted to your old decree!
Yes, every god be thank'd, and power benign,
For I no more shall wither, droop, and pine.
Thou art the man!" Endymion started back
Dismay'd; and, like a wretch from whom the rack
Tortures hot breath, and speech of agony,
Mutter'd: "What lonely death am I to die
In this cold region? Will he let me freeze,
And float my brittle limbs o'er polar seas?
Or will he touch me with his searing hand,
And leave a black memorial on the sand?
Or tear me piece-meal with a bony saw,
And keep me as a chosen food to draw
His magian fish through hated fire and flame?
O misery of hell! resistless, tame,
Am I to be burnt up? No, I will shout,
Until the gods through heaven's blue look out!
O Tartarus! but some few days agone
Her soft arms were entwining me, and on
Her voice I hung like fruit among green leaves:
Her lips were all my own, andah, ripe sheaves
Of happiness! ye on the stubble droop,
But never may be garner'd. I must stoop
My head, and kiss death's foot. Love! love, farewel!
Is there no hope from thee? This horrid spell
Would melt at thy sweet breath.By Dian's hind
Feeding from her white fingers, on the wind
I see thy streaming hair! and now, by Pan,
I care not for this old mysterious man!"
He spake, and walking to that aged form,
Look'd high defiance. Lo! his heart 'gan warm
With pity, for the grey-hair'd creature wept.
Had he then wrong'd a heart where sorrow kept?
Had he, though blindly contumelious, brought
Rheum to kind eyes, a sting to human thought,
Convulsion to a mouth of many years?
He had in truth; and he was ripe for tears.
The penitent shower fell, as down he knelt
Before that care-worn sage, who trembling felt
About his large dark locks, and faultering spake:
"Arise, good youth, for sacred Phoebus' sake!
I know thine inmost bosom, and I feel
A very brother's yearning for thee steal
Into mine own: for why? thou openest
The prison gates that have so long opprest
My weary watching. Though thou know'st it not,
Thou art commission'd to this fated spot
For great enfranchisement. O weep no more;
I am a friend to love, to loves of yore:
Aye, hadst thou never lov'd an unknown power
I had been grieving at this joyous hour
But even now most miserable old,
I saw thee, and my blood no longer cold
Gave mighty pulses: in this tottering case
Grew a new heart, which at this moment plays
As dancingly as thine. Be not afraid,
For thou shalt hear this secret all display'd,
Now as we speed towards our joyous task."
So saying, this young soul in age's mask
Went forward with the Carian side by side:
Resuming quickly thus; while ocean's tide
Hung swollen at their backs, and jewel'd sands
Took silently their foot-prints. "My soul stands
Now past the midway from mortality,
And so I can prepare without a sigh
To tell thee briefly all my joy and pain.
I was a fisher once, upon this main,
And my boat danc'd in every creek and bay;
Rough billows were my home by night and day,
The sea-gulls not more constant; for I had
No housing from the storm and tempests mad,
But hollow rocks,and they were palaces
Of silent happiness, of slumberous ease:
Long years of misery have told me so.
Aye, thus it was one thousand years ago.
One thousand years!Is it then possible
To look so plainly through them? to dispel
A thousand years with backward glance sublime?
To breathe away as 'twere all scummy slime
From off a crystal pool, to see its deep,
And one's own image from the bottom peep?
Yes: now I am no longer wretched thrall,
My long captivity and moanings all
Are but a slime, a thin-pervading scum,
The which I breathe away, and thronging come
Like things of yesterday my youthful pleasures.
"I touch'd no lute, I sang not, trod no measures:
I was a lonely youth on desert shores.
My sports were lonely, 'mid continuous roars,
And craggy isles, and sea-mew's plaintive cry
Plaining discrepant between sea and sky.
Dolphins were still my playmates; shapes unseen
Would let me feel their scales of gold and green,
Nor be my desolation; and, full oft,
When a dread waterspout had rear'd aloft
Its hungry hugeness, seeming ready ripe
To burst with hoarsest thunderings, and wipe
My life away like a vast sponge of fate,
Some friendly monster, pitying my sad state,
Has dived to its foundations, gulph'd it down,
And left me tossing safely. But the crown
Of all my life was utmost quietude:
More did I love to lie in cavern rude,
Keeping in wait whole days for Neptune's voice,
And if it came at last, hark, and rejoice!
There blush'd no summer eve but I would steer
My skiff along green shelving coasts, to hear
The shepherd's pipe come clear from aery steep,
Mingled with ceaseless bleatings of his sheep:
And never was a day of summer shine,
But I beheld its birth upon the brine:
For I would watch all night to see unfold
Heaven's gates, and Aethon snort his morning gold
Wide o'er the swelling streams: and constantly
At brim of day-tide, on some grassy lea,
My nets would be spread out, and I at rest.
The poor folk of the sea-country I blest
With daily boon of fish most delicate:
They knew not whence this bounty, and elate
Would strew sweet flowers on a sterile beach.
"Why was I not contented? Wherefore reach
At things which, but for thee, O Latmian!
Had been my dreary death? Fool! I began
To feel distemper'd longings: to desire
The utmost privilege that ocean's sire
Could grant in benediction: to be free
Of all his kingdom. Long in misery
I wasted, ere in one extremest fit
I plung'd for life or death. To interknit
One's senses with so dense a breathing stuff
Might seem a work of pain; so not enough
Can I admire how crystal-smooth it felt,
And buoyant round my limbs. At first I dwelt
Whole days and days in sheer astonishment;
Forgetful utterly of self-intent;
Moving but with the mighty ebb and flow.
Then, like a new fledg'd bird that first doth shew
His spreaded feathers to the morrow chill,
I tried in fear the pinions of my will.
'Twas freedom! and at once I visited
The ceaseless wonders of this ocean-bed.
No need to tell thee of them, for I see
That thou hast been a witnessit must be
For these I know thou canst not feel a drouth,
By the melancholy corners of that mouth.
So I will in my story straightway pass
To more immediate matter. Woe, alas!
That love should be my bane! Ah, Scylla fair!
Why did poor Glaucus everever dare
To sue thee to his heart? Kind stranger-youth!
I lov'd her to the very white of truth,
And she would not conceive it. Timid thing!
She fled me swift as sea-bird on the wing,
Round every isle, and point, and promontory,
From where large Hercules wound up his story
Far as Egyptian Nile. My passion grew
The more, the more I saw her dainty hue
Gleam delicately through the azure clear:
Until 'twas too fierce agony to bear;
And in that agony, across my grief
It flash'd, that Circe might find some relief
Cruel enchantress! So above the water
I rear'd my head, and look'd for Phoebus' daughter.
Aeaea's isle was wondering at the moon:
It seem'd to whirl around me, and a swoon
Left me dead-drifting to that fatal power.
"When I awoke, 'twas in a twilight bower;
Just when the light of morn, with hum of bees,
Stole through its verdurous matting of fresh trees.
How sweet, and sweeter! for I heard a lyre,
And over it a sighing voice expire.
It ceasedI caught light footsteps; and anon
The fairest face that morn e'er look'd upon
Push'd through a screen of roses. Starry Jove!
With tears, and smiles, and honey-words she wove
A net whose thraldom was more bliss than all
The range of flower'd Elysium. Thus did fall
The dew of her rich speech: "Ah! Art awake?
O let me hear thee speak, for Cupid's sake!
I am so oppress'd with joy! Why, I have shed
An urn of tears, as though thou wert cold dead;
And now I find thee living, I will pour
From these devoted eyes their silver store,
Until exhausted of the latest drop,
So it will pleasure thee, and force thee stop
Here, that I too may live: but if beyond
Such cool and sorrowful offerings, thou art fond
Of soothing warmth, of dalliance supreme;
If thou art ripe to taste a long love dream;
If smiles, if dimples, tongues for ardour mute,
Hang in thy vision like a tempting fruit,
O let me pluck it for thee." Thus she link'd
Her charming syllables, till indistinct
Their music came to my o'er-sweeten'd soul;
And then she hover'd over me, and stole
So near, that if no nearer it had been
This furrow'd visage thou hadst never seen.
"Young man of Latmos! thus particular
Am I, that thou may'st plainly see how far
This fierce temptation went: and thou may'st not
Exclaim, How then, was Scylla quite forgot?
"Who could resist? Who in this universe?
She did so breathe ambrosia; so immerse
My fine existence in a golden clime.
She took me like a child of suckling time,
And cradled me in roses. Thus condemn'd,
The current of my former life was stemm'd,
And to this arbitrary queen of sense
I bow'd a tranced vassal: nor would thence
Have mov'd, even though Amphion's harp had woo'd
Me back to Scylla o'er the billows rude.
For as Apollo each eve doth devise
A new appareling for western skies;
So every eve, nay every spendthrift hour
Shed balmy consciousness within that bower.
And I was free of haunts umbrageous;
Could wander in the mazy forest-house
Of squirrels, foxes shy, and antler'd deer,
And birds from coverts innermost and drear
Warbling for very joy mellifluous sorrow
To me new born delights!
"Now let me borrow,
For moments few, a temperament as stern
As Pluto's sceptre, that my words not burn
These uttering lips, while I in calm speech tell
How specious heaven was changed to real hell.
"One morn she left me sleeping: half awake
I sought for her smooth arms and lips, to slake
My greedy thirst with nectarous camel-draughts;
But she was gone. Whereat the barbed shafts
Of disappointment stuck in me so sore,
That out I ran and search'd the forest o'er.
Wandering about in pine and cedar gloom
Damp awe assail'd me; for there 'gan to boom
A sound of moan, an agony of sound,
Sepulchral from the distance all around.
Then came a conquering earth-thunder, and rumbled
That fierce complain to silence: while I stumbled
Down a precipitous path, as if impell'd.
I came to a dark valley.Groanings swell'd
Poisonous about my ears, and louder grew,
The nearer I approach'd a flame's gaunt blue,
That glar'd before me through a thorny brake.
This fire, like the eye of gordian snake,
Bewitch'd me towards; and I soon was near
A sight too fearful for the feel of fear:
In thicket hid I curs'd the haggard scene
The banquet of my arms, my arbour queen,
Seated upon an uptorn forest root;
And all around her shapes, wizard and brute,
Laughing, and wailing, groveling, serpenting,
Shewing tooth, tusk, and venom-bag, and sting!
O such deformities! Old Charon's self,
Should he give up awhile his penny pelf,
And take a dream 'mong rushes Stygian,
It could not be so phantasied. Fierce, wan,
And tyrannizing was the lady's look,
As over them a gnarled staff she shook.
Oft-times upon the sudden she laugh'd out,
And from a basket emptied to the rout
Clusters of grapes, the which they raven'd quick
And roar'd for more; with many a hungry lick
About their shaggy jaws. Avenging, slow,
Anon she took a branch of mistletoe,
And emptied on't a black dull-gurgling phial:
Groan'd one and all, as if some piercing trial
Was sharpening for their pitiable bones.
She lifted up the charm: appealing groans
From their poor breasts went sueing to her ear
In vain; remorseless as an infant's bier
She whisk'd against their eyes the sooty oil.
Whereat was heard a noise of painful toil,
Increasing gradual to a tempest rage,
Shrieks, yells, and groans of torture-pilgrimage;
Until their grieved bodies 'gan to bloat
And puff from the tail's end to stifled throat:
Then was appalling silence: then a sight
More wildering than all that hoarse affright;
For the whole herd, as by a whirlwind writhen,
Went through the dismal air like one huge Python
Antagonizing Boreas,and so vanish'd.
Yet there was not a breath of wind: she banish'd
These phantoms with a nod. Lo! from the dark
Came waggish fauns, and nymphs, and satyrs stark,
With dancing and loud revelry,and went
Swifter than centaurs after rapine bent.
Sighing an elephant appear'd and bow'd
Before the fierce witch, speaking thus aloud
In human accent: "Potent goddess! chief
Of pains resistless! make my being brief,
Or let me from this heavy prison fly:
Or give me to the air, or let me die!
I sue not for my happy crown again;
I sue not for my phalanx on the plain;
I sue not for my lone, my widow'd wife;
I sue not for my ruddy drops of life,
My children fair, my lovely girls and boys!
I will forget them; I will pass these joys;
Ask nought so heavenward, so tootoo high:
Only I pray, as fairest boon, to die,
Or be deliver'd from this cumbrous flesh,
From this gross, detestable, filthy mesh,
And merely given to the cold bleak air.
Have mercy, Goddess! Circe, feel my prayer!"
That curst magician's name fell icy numb
Upon my wild conjecturing: truth had come
Naked and sabre-like against my heart.
I saw a fury whetting a death-dart;
And my slain spirit, overwrought with fright,
Fainted away in that dark lair of night.
Think, my deliverer, how desolate
My waking must have been! disgust, and hate,
And terrors manifold divided me
A spoil amongst them. I prepar'd to flee
Into the dungeon core of that wild wood:
I fled three dayswhen lo! before me stood
Glaring the angry witch. O Dis, even now,
A clammy dew is beading on my brow,
At mere remembering her pale laugh, and curse.
"Ha! ha! Sir Dainty! there must be a nurse
Made of rose leaves and thistledown, express,
To cradle thee my sweet, and lull thee: yes,
I am too flinty-hard for thy nice touch:
My tenderest squeeze is but a giant's clutch.
So, fairy-thing, it shall have lullabies
Unheard of yet; and it shall still its cries
Upon some breast more lily-feminine.
Oh, noit shall not pine, and pine, and pine
More than one pretty, trifling thousand years;
And then 'twere pity, but fate's gentle shears
Cut short its immortality. Sea-flirt!
Young dove of the waters! truly I'll not hurt
One hair of thine: see how I weep and sigh,
That our heart-broken parting is so nigh.
And must we part? Ah, yes, it must be so.
Yet ere thou leavest me in utter woe,
Let me sob over thee my last adieus,
And speak a blessing: Mark me! thou hast thews
Immortal, for thou art of heavenly race:
But such a love is mine, that here I chase
Eternally away from thee all bloom
Of youth, and destine thee towards a tomb.
Hence shalt thou quickly to the watery vast;
And there, ere many days be overpast,
Disabled age shall seize thee; and even then
Thou shalt not go the way of aged men;
But live and wither, cripple and still breathe
Ten hundred years: which gone, I then bequeath
Thy fragile bones to unknown burial.
Adieu, sweet love, adieu!"As shot stars fall,
She fled ere I could groan for mercy. Stung
And poisoned was my spirit: despair sung
A war-song of defiance 'gainst all hell.
A hand was at my shoulder to compel
My sullen steps; another 'fore my eyes
Moved on with pointed finger. In this guise
Enforced, at the last by ocean's foam
I found me; by my fresh, my native home.
Its tempering coolness, to my life akin,
Came salutary as I waded in;
And, with a blind voluptuous rage, I gave
Battle to the swollen billow-ridge, and drave
Large froth before me, while there yet remain'd
Hale strength, nor from my bones all marrow drain'd.
"Young lover, I must weepsuch hellish spite
With dry cheek who can tell? While thus my might
Proving upon this element, dismay'd,
Upon a dead thing's face my hand I laid;
I look'd'twas Scylla! Cursed, cursed Circe!
O vulture-witch, hast never heard of mercy?
Could not thy harshest vengeance be content,
But thou must nip this tender innocent
Because I lov'd her?Cold, O cold indeed
Were her fair limbs, and like a common weed
The sea-swell took her hair. Dead as she was
I clung about her waist, nor ceas'd to pass
Fleet as an arrow through unfathom'd brine,
Until there shone a fabric crystalline,
Ribb'd and inlaid with coral, pebble, and pearl.
Headlong I darted; at one eager swirl
Gain'd its bright portal, enter'd, and behold!
'Twas vast, and desolate, and icy-cold;
And all aroundBut wherefore this to thee
Who in few minutes more thyself shalt see?
I left poor Scylla in a niche and fled.
My fever'd parchings up, my scathing dread
Met palsy half way: soon these limbs became
Gaunt, wither'd, sapless, feeble, cramp'd, and lame.
"Now let me pass a cruel, cruel space,
Without one hope, without one faintest trace
Of mitigation, or redeeming bubble
Of colour'd phantasy; for I fear 'twould trouble
Thy brain to loss of reason: and next tell
How a restoring chance came down to quell
One half of the witch in me. On a day,
Sitting upon a rock above the spray,
I saw grow up from the horizon's brink
A gallant vessel: soon she seem'd to sink
Away from me again, as though her course
Had been resum'd in spite of hindering force
So vanish'd: and not long, before arose
Dark clouds, and muttering of winds morose.
Old Eolus would stifle his mad spleen,
But could not: therefore all the billows green
Toss'd up the silver spume against the clouds.
The tempest came: I saw that vessel's shrouds
In perilous bustle; while upon the deck
Stood trembling creatures. I beheld the wreck;
The final gulphing; the poor struggling souls:
I heard their cries amid loud thunder-rolls.
O they had all been sav'd but crazed eld
Annull'd my vigorous cravings: and thus quell'd
And curb'd, think on't, O Latmian! did I sit
Writhing with pity, and a cursing fit
Against that hell-born Circe. The crew had gone,
By one and one, to pale oblivion;
And I was gazing on the surges prone,
With many a scalding tear and many a groan,
When at my feet emerg'd an old man's hand,
Grasping this scroll, and this same slender wand.
I knelt with painreached out my handhad grasp'd
These treasurestouch'd the knucklesthey unclasp'd
I caught a finger: but the downward weight
O'erpowered meit sank. Then 'gan abate
The storm, and through chill aguish gloom outburst
The comfortable sun. I was athirst
To search the book, and in the warming air
Parted its dripping leaves with eager care.
Strange matters did it treat of, and drew on
My soul page after page, till well-nigh won
Into forgetfulness; when, stupefied,
I read these words, and read again, and tried
My eyes against the heavens, and read again.
O what a load of misery and pain
Each Atlas-line bore off!a shine of hope
Came gold around me, cheering me to cope
Strenuous with hellish tyranny. Attend!
For thou hast brought their promise to an end.
"In the wide sea there lives a forlorn wretch,
Doom'd with enfeebled carcase to outstretch
His loath'd existence through ten centuries,
And then to die alone. Who can devise
A total opposition? No one. So
One million times ocean must ebb and flow,
And he oppressed. Yet he shall not die,
These things accomplish'd:If he utterly
Scans all the depths of magic, and expounds
The meanings of all motions, shapes, and sounds;
If he explores all forms and substances
Straight homeward to their symbol-essences;
He shall not die. Moreover, and in chief,
He must pursue this task of joy and grief
Most piously;all lovers tempest-tost,
And in the savage overwhelming lost,
He shall deposit side by side, until
Time's creeping shall the dreary space fulfil:
Which done, and all these labours ripened,
A youth, by heavenly power lov'd and led,
Shall stand before him; whom he shall direct
How to consummate all. The youth elect
Must do the thing, or both will be destroy'd."
"Then," cried the young Endymion, overjoy'd,
"We are twin brothers in this destiny!
Say, I intreat thee, what achievement high
Is, in this restless world, for me reserv'd.
What! if from thee my wandering feet had swerv'd,
Had we both perish'd?""Look!" the sage replied,
"Dost thou not mark a gleaming through the tide,
Of divers brilliances? 'tis the edifice
I told thee of, where lovely Scylla lies;
And where I have enshrined piously
All lovers, whom fell storms have doom'd to die
Throughout my bondage." Thus discoursing, on
They went till unobscur'd the porches shone;
Which hurryingly they gain'd, and enter'd straight.
Sure never since king Neptune held his state
Was seen such wonder underneath the stars.
Turn to some level plain where haughty Mars
Has legion'd all his battle; and behold
How every soldier, with firm foot, doth hold
His even breast: see, many steeled squares,
And rigid ranks of ironwhence who dares
One step? Imagine further, line by line,
These warrior thousands on the field supine:
So in that crystal place, in silent rows,
Poor lovers lay at rest from joys and woes.
The stranger from the mountains, breathless, trac'd
Such thousands of shut eyes in order plac'd;
Such ranges of white feet, and patient lips
All ruddy,for here death no blossom nips.
He mark'd their brows and foreheads; saw their hair
Put sleekly on one side with nicest care;
And each one's gentle wrists, with reverence,
Put cross-wise to its heart.
"Let us commence,
Whisper'd the guide, stuttering with joy, even now."
He spake, and, trembling like an aspen-bough,
Began to tear his scroll in pieces small,
Uttering the while some mumblings funeral.
He tore it into pieces small as snow
That drifts unfeather'd when bleak northerns blow;
And having done it, took his dark blue cloak
And bound it round Endymion: then struck
His wand against the empty air times nine.
"What more there is to do, young man, is thine:
But first a little patience; first undo
This tangled thread, and wind it to a clue.
Ah, gentle! 'tis as weak as spider's skein;
And shouldst thou break itWhat, is it done so clean?
A power overshadows thee! Oh, brave!
The spite of hell is tumbling to its grave.
Here is a shell; 'tis pearly blank to me,
Nor mark'd with any sign or charactery
Canst thou read aught? O read for pity's sake!
Olympus! we are safe! Now, Carian, break
This wand against yon lyre on the pedestal."
'Twas done: and straight with sudden swell and fall
Sweet music breath'd her soul away, and sigh'd
A lullaby to silence."Youth! now strew
These minced leaves on me, and passing through
Those files of dead, scatter the same around,
And thou wilt see the issue."'Mid the sound
Of flutes and viols, ravishing his heart,
Endymion from Glaucus stood apart,
And scatter'd in his face some fragments light.
How lightning-swift the change! a youthful wight
Smiling beneath a coral diadem,
Out-sparkling sudden like an upturn'd gem,
Appear'd, and, stepping to a beauteous corse,
Kneel'd down beside it, and with tenderest force
Press'd its cold hand, and weptand Scylla sigh'd!
Endymion, with quick hand, the charm applied
The nymph arose: he left them to their joy,
And onward went upon his high employ,
Showering those powerful fragments on the dead.
And, as he pass'd, each lifted up its head,
As doth a flower at Apollo's touch.
Death felt it to his inwards; 'twas too much:
Death fell a weeping in his charnel-house.
The Latmian persever'd along, and thus
All were re-animated. There arose
A noise of harmony, pulses and throes
Of gladness in the airwhile many, who
Had died in mutual arms devout and true,
Sprang to each other madly; and the rest
Felt a high certainty of being blest.
They gaz'd upon Endymion. Enchantment
Grew drunken, and would have its head and bent.
Delicious symphonies, like airy flowers,
Budded, and swell'd, and, full-blown, shed full showers
Of light, soft, unseen leaves of sounds divine.
The two deliverers tasted a pure wine
Of happiness, from fairy-press ooz'd out.
Speechless they eyed each other, and about
The fair assembly wander'd to and fro,
Distracted with the richest overflow
Of joy that ever pour'd from heaven.
"Away!"
Shouted the new-born god; "Follow, and pay
Our piety to Neptunus supreme!"
Then Scylla, blushing sweetly from her dream,
They led on first, bent to her meek surprise,
Through portal columns of a giant size,
Into the vaulted, boundless emerald.
Joyous all follow'd, as the leader call'd,
Down marble steps; pouring as easily
As hour-glass sandand fast, as you might see
Swallows obeying the south summer's call,
Or swans upon a gentle waterfall.
Thus went that beautiful multitude, nor far,
Ere from among some rocks of glittering spar,
Just within ken, they saw descending thick
Another multitude. Whereat more quick
Moved either host. On a wide sand they met,
And of those numbers every eye was wet;
For each their old love found. A murmuring rose,
Like what was never heard in all the throes
Of wind and waters: 'tis past human wit
To tell; 'tis dizziness to think of it.
This mighty consummation made, the host
Mov'd on for many a league; and gain'd, and lost
Huge sea-marks; vanward swelling in array,
And from the rear diminishing away,
Till a faint dawn surpris'd them. Glaucus cried,
"Behold! behold, the palace of his pride!
God Neptune's palaces!" With noise increas'd,
They shoulder'd on towards that brightening east.
At every onward step proud domes arose
In prospect,diamond gleams, and golden glows
Of amber 'gainst their faces levelling.
Joyous, and many as the leaves in spring,
Still onward; still the splendour gradual swell'd.
Rich opal domes were seen, on high upheld
By jasper pillars, letting through their shafts
A blush of coral. Copious wonder-draughts
Each gazer drank; and deeper drank more near:
For what poor mortals fragment up, as mere
As marble was there lavish, to the vast
Of one fair palace, that far far surpass'd,
Even for common bulk, those olden three,
Memphis, and Babylon, and Nineveh.
As large, as bright, as colour'd as the bow
Of Iris, when unfading it doth shew
Beyond a silvery shower, was the arch
Through which this Paphian army took its march,
Into the outer courts of Neptune's state:
Whence could be seen, direct, a golden gate,
To which the leaders sped; but not half raught
Ere it burst open swift as fairy thought,
And made those dazzled thousands veil their eyes
Like callow eagles at the first sunrise.
Soon with an eagle nativeness their gaze
Ripe from hue-golden swoons took all the blaze,
And then, behold! large Neptune on his throne
Of emerald deep: yet not exalt alone;
At his right hand stood winged Love, and on
His left sat smiling Beauty's paragon.
Far as the mariner on highest mast
Can see all round upon the calmed vast,
So wide was Neptune's hall: and as the blue
Doth vault the waters, so the waters drew
Their doming curtains, high, magnificent,
Aw'd from the throne aloof;and when storm-rent
Disclos'd the thunder-gloomings in Jove's air;
But sooth'd as now, flash'd sudden everywhere,
Noiseless, sub-marine cloudlets, glittering
Death to a human eye: for there did spring
From natural west, and east, and south, and north,
A light as of four sunsets, blazing forth
A gold-green zenith 'bove the Sea-God's head.
Of lucid depth the floor, and far outspread
As breezeless lake, on which the slim canoe
Of feather'd Indian darts about, as through
The delicatest air: air verily,
But for the portraiture of clouds and sky:
This palace floor breath-air,but for the amaze
Of deep-seen wonders motionless,and blaze
Of the dome pomp, reflected in extremes,
Globing a golden sphere.
They stood in dreams
Till Triton blew his horn. The palace rang;
The Nereids danc'd; the Syrens faintly sang;
And the great Sea-King bow'd his dripping head.
Then Love took wing, and from his pinions shed
On all the multitude a nectarous dew.
The ooze-born Goddess beckoned and drew
Fair Scylla and her guides to conference;
And when they reach'd the throned eminence
She kist the sea-nymph's cheek,who sat her down
A toying with the doves. Then,"Mighty crown
And sceptre of this kingdom!" Venus said,
"Thy vows were on a time to Nais paid:
Behold!"Two copious tear-drops instant fell
From the God's large eyes; he smil'd delectable,
And over Glaucus held his blessing hands.
"Endymion! Ah! still wandering in the bands
Of love? Now this is cruel. Since the hour
I met thee in earth's bosom, all my power
Have I put forth to serve thee. What, not yet
Escap'd from dull mortality's harsh net?
A little patience, youth! 'twill not be long,
Or I am skilless quite: an idle tongue,
A humid eye, and steps luxurious,
Where these are new and strange, are ominous.
Aye, I have seen these signs in one of heaven,
When others were all blind; and were I given
To utter secrets, haply I might say
Some pleasant words:but Love will have his day.
So wait awhile expectant. Pr'ythee soon,
Even in the passing of thine honey-moon,
Visit my Cytherea: thou wilt find
Cupid well-natured, my Adonis kind;
And pray persuade with theeAh, I have done,
All blisses be upon thee, my sweet son!"
Thus the fair goddess: while Endymion
Knelt to receive those accents halcyon.
Meantime a glorious revelry began
Before the Water-Monarch. Nectar ran
In courteous fountains to all cups outreach'd;
And plunder'd vines, teeming exhaustless, pleach'd
New growth about each shell and pendent lyre;
The which, in disentangling for their fire,
Pull'd down fresh foliage and coverture
For dainty toying. Cupid, empire-sure,
Flutter'd and laugh'd, and oft-times through the throng
Made a delighted way. Then dance, and song,
And garlanding grew wild; and pleasure reign'd.
In harmless tendril they each other chain'd,
And strove who should be smother'd deepest in
Fresh crush of leaves.
O 'tis a very sin
For one so weak to venture his poor verse
In such a place as this. O do not curse,
High Muses! let him hurry to the ending.
All suddenly were silent. A soft blending
Of dulcet instruments came charmingly;
And then a hymn.
"KING of the stormy sea!
Brother of Jove, and co-inheritor
Of elements! Eternally before
Thee the waves awful bow. Fast, stubborn rock,
At thy fear'd trident shrinking, doth unlock
Its deep foundations, hissing into foam.
All mountain-rivers lost, in the wide home
Of thy capacious bosom ever flow.
Thou frownest, and old Eolus thy foe
Skulks to his cavern, 'mid the gruff complaint
Of all his rebel tempests. Dark clouds faint
When, from thy diadem, a silver gleam
Slants over blue dominion. Thy bright team
Gulphs in the morning light, and scuds along
To bring thee nearer to that golden song
Apollo singeth, while his chariot
Waits at the doors of heaven. Thou art not
For scenes like this: an empire stern hast thou;
And it hath furrow'd that large front: yet now,
As newly come of heaven, dost thou sit
To blend and interknit
Subdued majesty with this glad time.
O shell-borne King sublime!
We lay our hearts before thee evermore
We sing, and we adore!
"Breathe softly, flutes;
Be tender of your strings, ye soothing lutes;
Nor be the trumpet heard! O vain, O vain;
Not flowers budding in an April rain,
Nor breath of sleeping dove, nor river's flow,
No, nor the Eolian twang of Love's own bow,
Can mingle music fit for the soft ear
Of goddess Cytherea!
Yet deign, white Queen of Beauty, thy fair eyes
On our souls' sacrifice.
"Bright-winged Child!
Who has another care when thou hast smil'd?
Unfortunates on earth, we see at last
All death-shadows, and glooms that overcast
Our spirits, fann'd away by thy light pinions.
O sweetest essence! sweetest of all minions!
God of warm pulses, and dishevell'd hair,
And panting bosoms bare!
Dear unseen light in darkness! eclipser
Of light in light! delicious poisoner!
Thy venom'd goblet will we quaff until
We fillwe fill!
And by thy Mother's lips"
Was heard no more
For clamour, when the golden palace door
Opened again, and from without, in shone
A new magnificence. On oozy throne
Smooth-moving came Oceanus the old,
To take a latest glimpse at his sheep-fold,
Before he went into his quiet cave
To muse for everThen a lucid wave,
Scoop'd from its trembling sisters of mid-sea,
Afloat, and pillowing up the majesty
Of Doris, and the Egean seer, her spouse
Next, on a dolphin, clad in laurel boughs,
Theban Amphion leaning on his lute:
His fingers went across itAll were mute
To gaze on Amphitrite, queen of pearls,
And Thetis pearly too.
The palace whirls
Around giddy Endymion; seeing he
Was there far strayed from mortality.
He could not bear itshut his eyes in vain;
Imagination gave a dizzier pain.
"O I shall die! sweet Venus, be my stay!
Where is my lovely mistress? Well-away!
I dieI hear her voiceI feel my wing"
At Neptune's feet he sank. A sudden ring
Of Nereids were about him, in kind strife
To usher back his spirit into life:
But still he slept. At last they interwove
Their cradling arms, and purpos'd to convey
Towards a crystal bower far away.
Lo! while slow carried through the pitying crowd,
To his inward senses these words spake aloud;
Written in star-light on the dark above:
Dearest Endymion! my entire love!
How have I dwelt in fear of fate: 'tis done
Immortal bliss for me too hast thou won.
Arise then! for the hen-dove shall not hatch
Her ready eggs, before I'll kissing snatch
Thee into endless heaven. Awake! awake!
The youth at once arose: a placid lake
Came quiet to his eyes; and forest green,
Cooler than all the wonders he had seen,
Lull'd with its simple song his fluttering breast.
How happy once again in grassy nest!
(line 1): Woodhouse notes that "Keats said, with much simplicity, 'It will be easily seen what I think of the present ministers, by the beginning of the third Book.'"
(line 407): Whether the reference is to the Pillars of Hercules, the confluence of the Mediterranean and Atlantic, or to the scene of the Death of Hercules, is not very clear; but probably "wound up his story" refers rather to his last labour than to his death on Mount ta.
(lines 863-65): This simile must surely be a reminiscence of Perrin's Fables Amusantes or some similar book used in Mr. Clarke's School. I remember the Fable of the old eagle and her young stood first in the book I used at school. The draft gives line 860 thus -- 'But soon like eagles natively their gaze...'
At the end of this Book Keats wrote in the draft, "Oxf: Sept. 26."
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book III
,#NFDB |
1444:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.
Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.
Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."
Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"
He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.
'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.
What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"
Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.
Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.
O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.
And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.
After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.
At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.
O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.
He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.
Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.
It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."
Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.
Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.
Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!
"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.
He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.
(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.
(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.
(line 430): In the draft, Endymion was described as The mortal Latmian.
(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.
(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).
(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II
,#NFDB |
1445:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.
Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.
Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all weed-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.
Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.
Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,ere their death, oer-taking
The surgy murmurs of the lonely sea.
And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.
Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter hoar. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.Ah, well-a-day,
Why should our young Endymion pine away!
Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of virgin bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."
Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:
"O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinxdo thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!
"O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly 'mong myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completionsbe quickly near,
By every wind that nods the mountain pine,
O forester divine!
"Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown
By all the echoes that about thee ring,
Hear us, O satyr king!
"O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledgesee,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!
Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereala new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknownbut no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!
Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgottenout of memory:
Fair creatures! whose young children's children bred
Thermopyl its heroesnot yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruitsthey danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its bodily tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'Mong shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little Mercury.
Some were athirst in soul to see again
Their fellow huntsmen o'er the wide champaign
In times long past; to sit with them, and talk
Of all the chances in their earthly walk;
Comparing, joyfully, their plenteous stores
Of happiness, to when upon the moors,
Benighted, close they huddled from the cold,
And shar'd their famish'd scrips. Thus all out-told
Their fond imaginations,saving him
Whose eyelids curtain'd up their jewels dim,
Endymion: yet hourly had he striven
To hide the cankering venom, that had riven
His fainting recollections. Now indeed
His senses had swoon'd off: he did not heed
The sudden silence, or the whispers low,
Or the old eyes dissolving at his woe,
Or anxious calls, or close of trembling palms,
Or maiden's sigh, that grief itself embalms:
But in the self-same fixed trance he kept,
Like one who on the earth had never stept.
Aye, even as dead-still as a marble man,
Frozen in that old tale Arabian.
Who whispers him so pantingly and close?
Peona, his sweet sister: of all those,
His friends, the dearest. Hushing signs she made,
And breath'd a sister's sorrow to persuade
A yielding up, a cradling on her care.
Her eloquence did breathe away the curse:
She led him, like some midnight spirit nurse
Of happy changes in emphatic dreams,
Along a path between two little streams,
Guarding his forehead, with her round elbow,
From low-grown branches, and his footsteps slow
From stumbling over stumps and hillocks small;
Until they came to where these streamlets fall,
With mingled bubblings and a gentle rush,
Into a river, clear, brimful, and flush
With crystal mocking of the trees and sky.
A little shallop, floating there hard by,
Pointed its beak over the fringed bank;
And soon it lightly dipt, and rose, and sank,
And dipt again, with the young couple's weight,
Peona guiding, through the water straight,
Towards a bowery island opposite;
Which gaining presently, she steered light
Into a shady, fresh, and ripply cove,
Where nested was an arbour, overwove
By many a summer's silent fingering;
To whose cool bosom she was used to bring
Her playmates, with their needle broidery,
And minstrel memories of times gone by.
So she was gently glad to see him laid
Under her favourite bower's quiet shade,
On her own couch, new made of flower leaves,
Dried carefully on the cooler side of sheaves
When last the sun his autumn tresses shook,
And the tann'd harvesters rich armfuls took.
Soon was he quieted to slumbrous rest:
But, ere it crept upon him, he had prest
Peona's busy hand against his lips,
And still, a sleeping, held her finger-tips
In tender pressure. And as a willow keeps
A patient watch over the stream that creeps
Windingly by it, so the quiet maid
Held her in peace: so that a whispering blade
Of grass, a wailful gnat, a bee bustling
Down in the blue-bells, or a wren light rustling
Among seer leaves and twigs, might all be heard.
O magic sleep! O comfortable bird,
That broodest o'er the troubled sea of the mind
Till it is hush'd and smooth! O unconfin'd
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world
Of silvery enchantment!who, upfurl'd
Beneath thy drowsy wing a triple hour,
But renovates and lives?Thus, in the bower,
Endymion was calm'd to life again.
Opening his eyelids with a healthier brain,
He said: "I feel this thine endearing love
All through my bosom: thou art as a dove
Trembling its closed eyes and sleeked wings
About me; and the pearliest dew not brings
Such morning incense from the fields of May,
As do those brighter drops that twinkling stray
From those kind eyes,the very home and haunt
Of sisterly affection. Can I want
Aught else, aught nearer heaven, than such tears?
Yet dry them up, in bidding hence all fears
That, any longer, I will pass my days
Alone and sad. No, I will once more raise
My voice upon the mountain-heights; once more
Make my horn parley from their foreheads hoar:
Again my trooping hounds their tongues shall loll
Around the breathed boar: again I'll poll
The fair-grown yew tree, for a chosen bow:
And, when the pleasant sun is getting low,
Again I'll linger in a sloping mead
To hear the speckled thrushes, and see feed
Our idle sheep. So be thou cheered sweet,
And, if thy lute is here, softly intreat
My soul to keep in its resolved course."
Hereat Peona, in their silver source,
Shut her pure sorrow drops with glad exclaim,
And took a lute, from which there pulsing came
A lively prelude, fashioning the way
In which her voice should wander. 'Twas a lay
More subtle cadenced, more forest wild
Than Dryope's lone lulling of her child;
And nothing since has floated in the air
So mournful strange. Surely some influence rare
Went, spiritual, through the damsel's hand;
For still, with Delphic emphasis, she spann'd
The quick invisible strings, even though she saw
Endymion's spirit melt away and thaw
Before the deep intoxication.
But soon she came, with sudden burst, upon
Her self-possessionswung the lute aside,
And earnestly said: "Brother, 'tis vain to hide
That thou dost know of things mysterious,
Immortal, starry; such alone could thus
Weigh down thy nature. Hast thou sinn'd in aught
Offensive to the heavenly powers? Caught
A Paphian dove upon a message sent?
Thy deathful bow against some deer-herd bent,
Sacred to Dian? Haply, thou hast seen
Her naked limbs among the alders green;
And that, alas! is death. No, I can trace
Something more high perplexing in thy face!"
Endymion look'd at her, and press'd her hand,
And said, "Art thou so pale, who wast so bland
And merry in our meadows? How is this?
Tell me thine ailment: tell me all amiss!
Ah! thou hast been unhappy at the change
Wrought suddenly in me. What indeed more strange?
Or more complete to overwhelm surmise?
Ambition is no sluggard: 'tis no prize,
That toiling years would put within my grasp,
That I have sigh'd for: with so deadly gasp
No man e'er panted for a mortal love.
So all have set my heavier grief above
These things which happen. Rightly have they done:
I, who still saw the horizontal sun
Heave his broad shoulder o'er the edge of the world,
Out-facing Lucifer, and then had hurl'd
My spear aloft, as signal for the chace
I, who, for very sport of heart, would race
With my own steed from Araby; pluck down
A vulture from his towery perching; frown
A lion into growling, loth retire
To lose, at once, all my toil breeding fire,
And sink thus low! but I will ease my breast
Of secret grief, here in this bowery nest.
"This river does not see the naked sky,
Till it begins to progress silverly
Around the western border of the wood,
Whence, from a certain spot, its winding flood
Seems at the distance like a crescent moon:
And in that nook, the very pride of June,
Had I been used to pass my weary eves;
The rather for the sun unwilling leaves
So dear a picture of his sovereign power,
And I could witness his most kingly hour,
When he doth lighten up the golden reins,
And paces leisurely down amber plains
His snorting four. Now when his chariot last
Its beams against the zodiac-lion cast,
There blossom'd suddenly a magic bed
Of sacred ditamy, and poppies red:
At which I wondered greatly, knowing well
That but one night had wrought this flowery spell;
And, sitting down close by, began to muse
What it might mean. Perhaps, thought I, Morpheus,
In passing here, his owlet pinions shook;
Or, it may be, ere matron Night uptook
Her ebon urn, young Mercury, by stealth,
Had dipt his rod in it: such garland wealth
Came not by common growth. Thus on I thought,
Until my head was dizzy and distraught.
Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul;
And shaping visions all about my sight
Of colours, wings, and bursts of spangly light;
The which became more strange, and strange, and dim,
And then were gulph'd in a tumultuous swim:
And then I fell asleep. Ah, can I tell
The enchantment that afterwards befel?
Yet it was but a dream: yet such a dream
That never tongue, although it overteem
With mellow utterance, like a cavern spring,
Could figure out and to conception bring
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear'd to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And faint away, before my eager view:
At which I sigh'd that I could not pursue,
And dropt my vision to the horizon's verge;
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver'd o'er
A shell for Neptune's goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais'd
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
Again I look'd, and, O ye deities,
Who from Olympus watch our destinies!
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, O Where
Hast thou a symbol of her golden hair?
Not oat-sheaves drooping in the western sun;
Notthy soft hand, fair sister! let me shun
Such follying before theeyet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordian'd up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half smiles, and faintest sighs,
That, when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane?Ah! see her hovering feet,
More bluely vein'd, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
'Tis blue, and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, lushest blue-bell bed,
Handfuls of daisies.""Endymion, how strange!
Dream within dream!""She took an airy range,
And then, towards me, like a very maid,
Came blushing, waning, willing, and afraid,
And press'd me by the hand: Ah! 'twas too much;
Methought I fainted at the charmed touch,
Yet held my recollection, even as one
Who dives three fathoms where the waters run
Gurgling in beds of coral: for anon,
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone;
Felt too, I was not fearful, nor alone,
But lapp'd and lull'd along the dangerous sky.
Soon, as it seem'd, we left our journeying high,
And straightway into frightful eddies swoop'd;
Such as ay muster where grey time has scoop'd
Huge dens and caverns in a mountain's side:
There hollow sounds arous'd me, and I sigh'd
To faint once more by looking on my bliss
I was distracted; madly did I kiss
The wooing arms which held me, and did give
My eyes at once to death: but 'twas to live,
To take in draughts of life from the gold fount
Of kind and passionate looks; to count, and count
The moments, by some greedy help that seem'd
A second self, that each might be redeem'd
And plunder'd of its load of blessedness.
Ah, desperate mortal! I ev'n dar'd to press
Her very cheek against my crowned lip,
And, at that moment, felt my body dip
Into a warmer air: a moment more,
Our feet were soft in flowers. There was store
Of newest joys upon that alp. Sometimes
A scent of violets, and blossoming limes,
Loiter'd around us; then of honey cells,
Made delicate from all white-flower bells;
And once, above the edges of our nest,
An arch face peep'd,an Oread as I guess'd.
"Why did I dream that sleep o'er-power'd me
In midst of all this heaven? Why not see,
Far off, the shadows of his pinions dark,
And stare them from me? But no, like a spark
That needs must die, although its little beam
Reflects upon a diamond, my sweet dream
Fell into nothinginto stupid sleep.
And so it was, until a gentle creep,
A careful moving caught my waking ears,
And up I started: Ah! my sighs, my tears,
My clenched hands;for lo! the poppies hung
Dew-dabbled on their stalks, the ouzel sung
A heavy ditty, and the sullen day
Had chidden herald Hesperus away,
With leaden looks: the solitary breeze
Bluster'd, and slept, and its wild self did teaze
With wayward melancholy; and r thought,
Mark me, Peona! that sometimes it brought
Faint fare-thee-wells, and sigh-shrilled adieus!
Away I wander'dall the pleasant hues
Of heaven and earth had faded: deepest shades
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
Seem'd sooty, and o'er-spread with upturn'd gills
Of dying fish; the vermeil rose had blown
In frightful scarlet, and its thorns out-grown
Like spiked aloe. If an innocent bird
Before my heedless footsteps stirr'd, and stirr'd
In little journeys, I beheld in it
A disguis'd demon, missioned to knit
My soul with under darkness; to entice
My stumblings down some monstrous precipice:
Therefore I eager followed, and did curse
The disappointment. Time, that aged nurse,
Rock'd me to patience. Now, thank gentle heaven!
These things, with all their comfortings, are given
To my down-sunken hours, and with thee,
Sweet sister, help to stem the ebbing sea
Of weary life."
Thus ended he, and both
Sat silent: for the maid was very loth
To answer; feeling well that breathed words
Would all be lost, unheard, and vain as swords
Against the enchased crocodile, or leaps
Of grasshoppers against the sun. She weeps,
And wonders; struggles to devise some blame;
To put on such a look as would say, Shame
On this poor weakness! but, for all her strife,
She could as soon have crush'd away the life
From a sick dove. At length, to break the pause,
She said with trembling chance: "Is this the cause?
This all? Yet it is strange, and sad, alas!
That one who through this middle earth should pass
Most like a sojourning demi-god, and leave
His name upon the harp-string, should achieve
No higher bard than simple maidenhood,
Singing alone, and fearfully,how the blood
Left his young cheek; and how he used to stray
He knew not where; and how he would say, nay,
If any said 'twas love: and yet 'twas love;
What could it be but love? How a ring-dove
Let fall a sprig of yew tree in his path;
And how he died: and then, that love doth scathe,
The gentle heart, as northern blasts do roses;
And then the ballad of his sad life closes
With sighs, and an alas!Endymion!
Be rather in the trumpet's mouth,anon
Among the winds at largethat all may hearken!
Although, before the crystal heavens darken,
I watch and dote upon the silver lakes
Pictur'd in western cloudiness, that takes
The semblance of gold rocks and bright gold sands,
Islands, and creeks, and amber-fretted strands
With horses prancing o'er them, palaces
And towers of amethyst,would I so tease
My pleasant days, because I could not mount
Into those regions? The Morphean fount
Of that fine element that visions, dreams,
And fitful whims of sleep are made of, streams
Into its airy channels with so subtle,
So thin a breathing, not the spider's shuttle,
Circled a million times within the space
Of a swallow's nest-door, could delay a trace,
A tinting of its quality: how light
Must dreams themselves be; seeing they're more slight
Than the mere nothing that engenders them!
Then wherefore sully the entrusted gem
Of high and noble life with thoughts so sick?
Why pierce high-fronted honour to the quick
For nothing but a dream?" Hereat the youth
Look'd up: a conflicting of shame and ruth
Was in his plaited brow: yet his eyelids
Widened a little, as when Zephyr bids
A little breeze to creep between the fans
Of careless butterflies: amid his pains
He seem'd to taste a drop of manna-dew,
Full palatable; and a colour grew
Upon his cheek, while thus he lifeful spake.
"Peona! ever have I long'd to slake
My thirst for the world's praises: nothing base,
No merely slumberous phantasm, could unlace
The stubborn canvas for my voyage prepar'd
Though now 'tis tatter'd; leaving my bark bar'd
And sullenly drifting: yet my higher hope
Is of too wide, too rainbow-large a scope,
To fret at myriads of earthly wrecks.
Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz'd, and free of space. Behold
The clear religion of heaven! Fold
A rose leaf round thy finger's taperness,
And soothe thy lips: hist, when the airy stress
Of music's kiss impregnates the free winds,
And with a sympathetic touch unbinds
Eolian magic from their lucid wombs:
Then old songs waken from enclouded tombs;
Old ditties sigh above their father's grave;
Ghosts of melodious prophecyings rave
Round every spot where trod Apollo's foot;
Bronze clarions awake, and faintly bruit,
Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept.
Feel we these things?that moment have we stept
Into a sort of oneness, and our state
Is like a floating spirit's. But there are
Richer entanglements, enthralments far
More self-destroying, leading, by degrees,
To the chief intensity: the crown of these
Is made of love and friendship, and sits high
Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, whence there ever issues forth
A steady splendour; but at the tip-top,
There hangs by unseen film, an orbed drop
Of light, and that is love: its influence,
Thrown in our eyes, genders a novel sense,
At which we start and fret; till in the end,
Melting into its radiance, we blend,
Mingle, and so become a part of it,
Nor with aught else can our souls interknit
So wingedly: when we combine therewith,
Life's self is nourish'd by its proper pith,
And we are nurtured like a pelican brood.
Aye, so delicious is the unsating food,
That men, who might have tower'd in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love's elysium.
And, truly, I would rather be struck dumb,
Than speak against this ardent listlessness:
For I have ever thought that it might bless
The world with benefits unknowingly;
As does the nightingale, upperched high,
And cloister'd among cool and bunched leaves
She sings but to her love, nor e'er conceives
How tiptoe Night holds back her dark-grey hood.
Just so may love, although 'tis understood
The mere commingling of passionate breath,
Produce more than our searching witnesseth:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?
"Now, if this earthly love has power to make
Men's being mortal, immortal; to shake
Ambition from their memories, and brim
Their measure of content; what merest whim,
Seems all this poor endeavour after fame,
To one, who keeps within his stedfast aim
A love immortal, an immortal too.
Look not so wilder'd; for these things are true,
And never can be born of atomies
That buzz about our slumbers, like brain-flies,
Leaving us fancy-sick. No, no, I'm sure,
My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.
My sayings will the less obscured seem,
When I have told thee how my waking sight
Has made me scruple whether that same night
Was pass'd in dreaming. Hearken, sweet Peona!
Beyond the matron-temple of Latona,
Which we should see but for these darkening boughs,
Lies a deep hollow, from whose ragged brows
Bushes and trees do lean all round athwart,
And meet so nearly, that with wings outraught,
And spreaded tail, a vulture could not glide
Past them, but he must brush on every side.
Some moulder'd steps lead into this cool cell,
Far as the slabbed margin of a well,
Whose patient level peeps its crystal eye
Right upward, through the bushes, to the sky.
Oft have I brought thee flowers, on their stalks set
Like vestal primroses, but dark velvet
Edges them round, and they have golden pits:
'Twas there I got them, from the gaps and slits
In a mossy stone, that sometimes was my seat,
When all above was faint with mid-day heat.
And there in strife no burning thoughts to heed,
I'd bubble up the water through a reed;
So reaching back to boy-hood: make me ships
Of moulted feathers, touchwood, alder chips,
With leaves stuck in them; and the Neptune be
Of their petty ocean. Oftener, heavily,
When love-lorn hours had left me less a child,
I sat contemplating the figures wild
Of o'er-head clouds melting the mirror through.
Upon a day, while thus I watch'd, by flew
A cloudy Cupid, with his bow and quiver;
So plainly character'd, no breeze would shiver
The happy chance: so happy, I was fain
To follow it upon the open plain,
And, therefore, was just going; when, behold!
A wonder, fair as any I have told
The same bright face I tasted in my sleep,
Smiling in the clear well. My heart did leap
Through the cool depth.It moved as if to flee
I started up, when lo! refreshfully,
There came upon my face, in plenteous showers,
Dew-drops, and dewy buds, and leaves, and flowers,
Wrapping all objects from my smothered sight,
Bathing my spirit in a new delight.
Aye, such a breathless honey-feel of bliss
Alone preserved me from the drear abyss
Of death, for the fair form had gone again.
Pleasure is oft a visitant; but pain
Clings cruelly to us, like the gnawing sloth
On the deer's tender haunches: late, and loth,
'Tis scar'd away by slow returning pleasure.
How sickening, how dark the dreadful leisure
Of weary days, made deeper exquisite,
By a fore-knowledge of unslumbrous night!
Like sorrow came upon me, heavier still,
Than when I wander'd from the poppy hill:
And a whole age of lingering moments crept
Sluggishly by, ere more contentment swept
Away at once the deadly yellow spleen.
Yes, thrice have I this fair enchantment seen;
Once more been tortured with renewed life.
When last the wintry gusts gave over strife
With the conquering sun of spring, and left the skies
Warm and serene, but yet with moistened eyes
In pity of the shatter'd infant buds,
That time thou didst adorn, with amber studs,
My hunting cap, because I laugh'd and smil'd,
Chatted with thee, and many days exil'd
All torment from my breast;'twas even then,
Straying about, yet, coop'd up in the den
Of helpless discontent,hurling my lance
From place to place, and following at chance,
At last, by hap, through some young trees it struck,
And, plashing among bedded pebbles, stuck
In the middle of a brook,whose silver ramble
Down twenty little falls, through reeds and bramble,
Tracing along, it brought me to a cave,
Whence it ran brightly forth, and white did lave
The nether sides of mossy stones and rock,
'Mong which it gurgled blythe adieus, to mock
Its own sweet grief at parting. Overhead,
Hung a lush screen of drooping weeds, and spread
Thick, as to curtain up some wood-nymph's home.
"Ah! impious mortal, whither do I roam?"
Said I, low voic'd: "Ah whither! 'Tis the grot
Of Proserpine, when Hell, obscure and hot,
Doth her resign; and where her tender hands
She dabbles, on the cool and sluicy sands:
Or 'tis the cell of Echo, where she sits,
And babbles thorough silence, till her wits
Are gone in tender madness, and anon,
Faints into sleep, with many a dying tone
Of sadness. O that she would take my vows,
And breathe them sighingly among the boughs,
To sue her gentle ears for whose fair head,
Daily, I pluck sweet flowerets from their bed,
And weave them dyinglysend honey-whispers
Round every leaf, that all those gentle lispers
May sigh my love unto her pitying!
O charitable echo! hear, and sing
This ditty to her!tell her"so I stay'd
My foolish tongue, and listening, half afraid,
Stood stupefied with my own empty folly,
And blushing for the freaks of melancholy.
Salt tears were coming, when I heard my name
Most fondly lipp'd, and then these accents came:
Endymion! the cave is secreter
Than the isle of Delos. Echo hence shall stir
No sighs but sigh-warm kisses, or light noise
Of thy combing hand, the while it travelling cloys
And trembles through my labyrinthine hair."
At that oppress'd I hurried in.Ah! where
Are those swift moments? Whither are they fled?
I'll smile no more, Peona; nor will wed
Sorrow the way to death, but patiently
Bear up against it: so farewel, sad sigh;
And come instead demurest meditation,
To occupy me wholly, and to fashion
My pilgrimage for the world's dusky brink.
No more will I count over, link by link,
My chain of grief: no longer strive to find
A half-forgetfulness in mountain wind
Blustering about my ears: aye, thou shalt see,
Dearest of sisters, what my life shall be;
What a calm round of hours shall make my days.
There is a paly flame of hope that plays
Where'er I look: but yet, I'll say 'tis naught
And here I bid it die. Have not I caught,
Already, a more healthy countenance?
By this the sun is setting; we may chance
Meet some of our near-dwellers with my car."
This said, he rose, faint-smiling like a star
Through autumn mists, and took Peona's hand:
They stept into the boat, and launch'd from land.
ENDYMION.
A Romance.
"The stretched metre of an antique song." ~
Shakspeare's Sonnets.
INSCRIBED,
With Every Feeling Of Pride and Regret
and With "A Bowed Mind,"
To the Memory of
The Most English of Poets Except Shakspeare,
THOMAS CHATTERON.
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(line 144): A lovely allusion to the story of Apollo's nine years' sojourn on earth as the herdsman of Admetus, when banished from Olympus for killing the Cyclops who had forged the thunder-bolts wherewith AEsculapius had been slain.
(line 232): It was the Hymn to Pan beginning here that the young poet when engaged in the composition of Endymion was induced to recite in the presence of Wordsworth, on the 28th of December 1817, at Haydon's house. Leigh Hunt records that the elder poet pronounced it "a very pretty piece of paganism."
(line 319): Doubtless meant to refer specially to the Elgin marbles.
(line 347): The reference here is to the passage from the second Book of the Argonautica of Apollonius Rhodius, beginning at verse 674 ... which Shelley had in mind when (Prose Works, Vol. 3, p. 56) he alluded to the Apollo "so finely described by Apollonius Rhodius when the dazzling radiance of his beautiful limbs suddenly shone over the dark Euxine."
__ note found before the Preface of Endymion, in the Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. ...,
'In Woodhouse's copy of Endymion there is a note against the passage "so I will begin" &c., line 39, Book I, to the effect that the poem was begun in the spring of 1817 and finished in the winter of 1817-18; and in the title-page he has inserted April before 1818. The statement corresponds with Keats's own record of May 1817, that he was busying himself at Margate with the commencement of Endymion.'
PREFACE.
Knowing within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.
What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year's castigation would do them any good; -- it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.
This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not a fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honor of English literature.
The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.
I hope I have not in too late a day touched the beautiful mythology of Greece, and dulled its brightness: for I wish to try once more, before I bid it farewell.
Teignmouth, April 10, 1818.
[footnote] Woodhouse notes -- "[for I wish to try once more,] This alluded to his then intention of writing a poem on the fall of Hyperion. He commenced this poem: but, thanks to the critics who fell foul of this work, he discontinued it. The fragment was published in 1820." by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book I
,#NFDB |
1446:class:Classics
BOOK THE FIFTH
The Story of Perseus continu'd
While Perseus entertain'd with this report
His father Cepheus, and the list'ning court,
Within the palace walls was heard aloud
The roaring noise of some unruly crowd;
Not like the songs which chearful friends prepare
For nuptial days, but sounds that threaten'd war;
And all the pleasures of this happy feast,
To tumult turn'd, in wild disorder ceas'd:
So, when the sea is calm, we often find
A storm rais'd sudden by some furious wind.
Chief in the riot Phineus first appear'd,
The rash ringleader of this boist'rous herd,
And brandishing his brazen-pointed lance,
Behold, he said, an injur'd man advance,
Stung with resentment for his ravish'd wife,
Nor shall thy wings, o Perseus, save thy life;
Nor Jove himself; tho' we've been often told
Who got thee in the form of tempting gold.
His lance was aim'd, when Cepheus ran, and said,
Hold, brother, hold; what brutal rage has made
Your frantick mind so black a crime conceive?
Are these the thanks that you to Perseus give?
This the reward that to his worth you pay,
Whose timely valour sav'd Andromeda?
Nor was it he, if you would reason right,
That forc'd her from you, but the jealous spight
Of envious Nereids, and Jove's high decree;
And that devouring monster of the sea,
That ready with his jaws wide gaping stood
To eat my child, the fairest of my blood.
You lost her then, when she seem'd past relief,
And wish'd perhaps her death, to ease your grief
With my afflictions: not content to view
Andromeda in chains, unhelp'd by you,
Her spouse, and uncle; will you grieve that he
Expos'd his life the dying maid to free?
And shall you claim his merit? Had you thought
Her charms so great, you shou'd have bravely sought
That blessing on the rocks, where fix'd she lay:
But now let Perseus bear his prize away,
By service gain'd, by promis'd faith possess'd;
To him I owe it, that my age is bless'd
Still with a child: Nor think that I prefer
Perseus to thee, but to the loss of her.
Phineus on him, and Perseus, roul'd about
His eyes in silent rage, and seem'd to doubt
Which to destroy; 'till, resolute at length,
He threw his spear with the redoubled strength
His fury gave him, and at Perseus struck;
But missing Perseus, in his seat it stuck.
Who, springing nimbly up, return'd the dart,
And almost plung'd it in his rival's heart;
But he for safety to the altar ran,
Unfit protection for so vile a man;
Yet was the stroke not vain, as Rhaetus found,
Who in his brow receiv'd a mortal wound;
Headlong he tumbled, when his skull was broke,
From which his friends the fatal weapon took,
While he lay trembling, and his gushing blood
In crimson streams around the table flow'd.
But this provok'd th' unruly rabble worse,
They flung their darts, and some in loud discourse
To death young Perseus, and the monarch doom;
But Cepheus left before the guilty room,
With grief appealing to the Gods above,
Who laws of hospitality approve,
Who faith protect, and succour injur'd right,
That he was guiltless of this barb'rous fight.
Pallas her brother Perseus close attends,
And with her ample shield from harm defends,
Raising a sprightly courage in his heart:
But Indian Athis took the weaker part,
Born in the chrystal grottoes of the sea,
Limnate's son, a fenny nymph, and she
Daughter of Ganges; graceful was his mein,
His person lovely, and his age sixteen.
His habit made his native beauty more;
A purple mantle fring'd with gold he wore;
His neck well-turn'd with golden chains was grac'd,
His hair with myrrh perfum'd, was nicely dress'd.
Tho' with just aim he cou'd the javelin throw,
Yet with more skill he drew the bending bow;
And now was drawing it with artful hand,
When Perseus snatching up a flaming brand,
Whirl'd sudden at his face the burning wood,
Crush'd his eyes in, and quench'd the fire with blood;
Thro' the soft skin the splinter'd bones appear,
And spoil'd the face that lately was so fair.
When Lycabas his Athis thus beheld,
How was his heart with friendly horror fill'd!
A youth so noble, to his soul so dear,
To see his shapeless look, his dying groans to hear!
He snatch'd the bow the boy was us'd to bend,
And cry'd, With me, false traytor, dare contend;
Boast not a conquest o'er a child, but try
Thy strength with me, who all thy pow'rs defy;
Nor think so mean an act a victory.
While yet he spoke he flung the whizzing dart,
Which pierc'd the plaited robe, but miss'd his heart:
Perseus defy'd, upon him fiercely press'd
With sword, unsheath'd, and plung'd it in his breast;
His eyes o'erwhelm'd with night, he stumbling falls,
And with his latest breath on Athis calls;
Pleas'd that so near the lovely youth he lies,
He sinks his head upon his friend, and dies.
Next eager Phorbas, old Methion's son,
Came rushing forward with Amphimedon;
When the smooth pavement, slippery made with gore,
Trip'd up their feet, and flung 'em on the floor;
The sword of Perseus, who by chance was nigh,
Prevents their rise, and where they fall, they lye:
Full in his ribs Amphimedon he smote,
And then stuck fiery Phorbas in the throat.
Eurythus lifting up his ax, the blow
Was thus prevented by his nimble foe;
A golden cup he seizes, high embost,
And at his head the massy goblet tost:
It hits, and from his forehead bruis'd rebounds,
And blood, and brains he vomits from his wounds;
With his slain fellows on the floor he lies,
And death for ever shuts his swimming eyes.
Then Polydaemon fell, a Goddess-born;
Phlegias, and Elycen with locks unshorn
Next follow'd; next, the stroke of death he gave
To Clytus, Abanis, and Lycetus brave;
While o'er unnumber'd heaps of ghastly dead,
The Argive heroe's feet triumphant tread.
But Phineus stands aloof, and dreads to feel
His rival's force, and flies his pointed steel:
Yet threw a dart from far; by chance it lights
On Idas, who for neither party fights;
But wounded, sternly thus to Phineus said,
Since of a neuter thou a foe hast made,
This I return thee, drawing from his side
The dart; which, as he strove to fling, he dy'd.
Odites fell by Clymenus's sword,
The Cephen court had not a greater lord.
Hypseus his blade does in Protenor sheath,
But brave Lyncides soon reveng'd his death.
Here too was old Emathion, one that fear'd
The Gods, and in the cause of Heav'n appear'd,
Who only wishing the success of right,
And, by his age, exempted from the fight,
Both sides alike condemns: This impious war
Cease, cease, he cries; these bloody broils forbear.
This scarce the sage with high concern had said,
When Chromis at a blow struck off his head,
Which dropping, on the royal altar roul'd,
Still staring on the crowd with aspect bold;
And still it seem'd their horrid strife to blame,
In life and death, his pious zeal the same;
While clinging to the horns, the trunk expires,
The sever'd head consumes amidst the fires.
Then Phineus, who from far his javelin threw,
Broteas and Ammon, twins and brothers, slew;
For knotted gauntlets matchless in the field;
But gauntlets must to swords and javelins yield.
Ampycus next, with hallow'd fillets bound,
As Ceres' priest, and with a mitre crown'd,
His spear transfix'd, and struck him to the ground.
O Iapetides, with pain I tell
How you, sweet lyrist, in the riot fell;
What worse than brutal rage his breast could fill,
Who did thy blood, o bard celestial! spill?
Kindly you press'd amid the princely throng,
To crown the feast, and give the nuptial song:
Discord abhorr'd the musick of thy lyre,
Whose notes did gentle peace so well inspire;
Thee, when fierce Pettalus far off espy'd,
Defenceless with thy harp, he scoffing cry'd,
Go; to the ghosts thy soothing lessons play;
We loath thy lyre, and scorn thy peaceful lay:
And, as again he fiercely bid him go,
He pierc'd his temples with a mortal blow.
His harp he held, tho' sinking on the ground,
Whose strings in death his trembling fingers found
By chance, and tun'd by chance a dying sound.
With grief Lycormas saw him fall, from far,
And, wresting from the door a massy bar,
Full in his poll lays on a load of knocks,
Which stun him, and he falls like a devoted ox.
Another bar Pelates would have snach'd,
But Corynthus his motions slily watch'd;
He darts his weapon from a private stand,
And rivets to the post his veiny hand:
When strait a missive spear transfix'd his side,
By Abas thrown, and as he hung, he dy'd.
Melaneus on the prince's side was slain;
And Dorylas, who own'd a fertile plain,
Of Nasamonia's fields the wealthy lord,
Whose crowded barns, could scarce contain their board.
A whizzing spear obliquely gave a blow,
Stuck in his groin, and pierc'd the nerves below;
His foe behld his eyes convulsive roul,
His ebbing veins, and his departing soul;
Then taunting said, Of all thy spacious plain,
This spot thy only property remains.
He left him thus; but had no sooner left,
Than Perseus in revenge his nostrils cleft;
From his friend's breast the murd'ring dart he drew,
And the same weapon at the murderer threw;
His head in halves the darted javelin cut,
And on each side the brain came issuing out.
Fortune his friend, in deaths around he deals,
And this his lance, and that his faulchion feels:
Now Clytius dies; and by a diff'rent wound,
The twin, his brother Clanis, bites the ground.
In his rent jaw the bearded weapon sticks,
And the steel'd dart does Clytius' thigh transfix.
With these Mendesian Celadon he slew:
And Astreus next, whose mother was a Jew,
His sire uncertain: then by Perseus fell
Aethion, who cou'd things to come foretell;
But now he knows not whence the javelin flies
That wounds his breast, nor by whose arm he dies.
The squire to Phineus next his valour try'd,
And fierce Agyrtes stain'd with paricide.
As these are slain, fresh numbers still appear,
And wage with Perseus an unequal war;
To rob him of his right, the maid he won,
By honour, promise, and desert his own.
With him, the father of the beauteous bride,
The mother, and the frighted virgin side;
With shrieks, and doleful cries they rend the air:
Their shrieks confounded with the din of war,
With dashing arms, and groanings of the slain,
They grieve unpitied, and unheard complain.
The floor with ruddy streams Bellona stains,
And Phineus a new war with double rage maintains.
Perseus begirt, from all around they pour
Their lances on him, a tempestuous show'r,
Aim'd all at him; a cloud of darts, and spears,
Or blind his eyes, or whistle round his ears.
Their numbers to resist, against the wall
He guards his back secure, and dares them all.
Here from the left Molpeus renews the fight,
And bold Ethemon presses on the right:
As when a hungry tyger near him hears
Two lowing herds, a-while he both forbears;
Nor can his hopes of this, or that renounce,
So strong he lusts to prey on both at once;
Thus Perseus now with that, or this is loth
To war distinct:, but fain would fall on both.
And first Chaonian Molpeus felt his blow,
And fled, and never after fac'd his foe;
Then fierce Ethemon, as he turn'd his back,
Hurried with fury, aiming at his neck,
His brandish'd sword against the marble struck
With all his might; the brittle weapon broke,
And in his throat the point rebounding stuck.
Too slight the wound for life to issue thence,
And yet too great for battel, or defence;
His arms extended in this piteous state,
For mercy he wou'd sue, but sues too late;
Perseus has in his bosom plung'd the sword,
And, ere he speaks, the wound prevents the word.
The crowds encreasing, and his friends distress'd,
Himself by warring multitudes oppress'd:
Since thus unequally you fight, 'tis time,
He cry'd, to punish your presumptuous crime;
Beware, my friends; his friends were soon prepar'd,
Their sight averting, high the head he rear'd,
And Gorgon on his foes severely star'd.
Vain shift! says Thescelus, with aspect bold,
Thee, and thy bugbear monster, I behold
With scorn; he lifts his arm, but ere he threw
The dart, the heroe to a statue grew.
In the same posture still the marble stands,
And holds the warrior's weapons in its hands.
Amphyx, whom yet this wonder can't alarm,
Heaves at Lyncides' breast his impious arm;
But, while thus daringly he presses on,
His weapon and his arm are turn'd to stone.
Next Nileus, he who vainly said he ow'd
His origin to Nile's prolifick flood;
Who on his shield seven silver rivers bore,
His birth to witness by the arms he wore;
Full of his sev'n-fold father, thus express'd
His boast to Perseus, and his pride confess'd:
See whence we sprung; let this thy comfort be
In thy sure death, that thou didst die by me.
While yet he spoke, the dying accents hung
In sounds imperfect on his marble tongue;
Tho' chang'd to stone, his lips he seem'd to stretch,
And thro' th' insensate rock wou'd force a speech.
This Eryx saw, but seeing wou'd not own;
The mischief by your selves, he cries, is done,
'Tis your cold courage turns your hearts to stone.
Come, follow me; fall on the stripling boy,
Kill him, and you his magick arms destroy.
Then rushing on, his arm to strike he rear'd,
And marbled o'er his varied frame appear'd.
These for affronting Pallas were chastis'd,
And justly met the death they had despis'd.
But brave Aconteus, Perseus' friend, by chance
Look'd back, and met the Gorgon's fatal glance:
A statue now become, he ghastly stares,
And still the foe to mortal combat dares.
Astyages the living likeness knew,
On the dead stone with vengeful fury flew;
But impotent his rage, the jarring blade
No print upon the solid marble made:
Again, as with redoubled might he struck,
Himself astonish'd in the quarry stuck.
The vulgar deaths 'twere tedious to rehearse,
And fates below the dignity of verse;
Their safety in their flight two hundred found,
Two hundred, by Medusa's head were ston'd.
Fierce Phineus now repents the wrongful fight,
And views his varied friends, a dreadful sight;
He knows their faces, for their help he sues,
And thinks, not hearing him, that they refuse:
By name he begs their succour, one by one,
Then doubts their life, and feels the friendly stone.
Struck with remorse, and conscious of his pride,
Convict of sin, he turn'd his eyes aside;
With suppliant mein to Perseus thus he prays,
Hence with the head, as far as winds and seas
Can bear thee; hence, o quit the Cephen shore,
And never curse us with Medusa more,
That horrid head, which stiffens into stone
Those impious men who, daring death, look on.
I warr'd not with thee out of hate or strife,
My honest cause was to defend my wife,
First pledg'd to me; what crime cou'd I suppose,
To arm my friends, and vindicate my spouse?
But vain, too late I see, was our design;
Mine was the title, but the merit thine.
Contending made me guilty, I confess;
But penitence shou'd make that guilt the less:
'Twas thine to conquer by Minerva's pow'r;
Favour'd of Heav'n, thy mercy I implore;
For life I sue; the rest to thee I yield;
In pity, from my sight remove the shield.
He suing said; nor durst revert his eyes
On the grim head: and Perseus thus replies:
Coward, what is in me to grant, I will,
Nor blood, unworthy of my valour spill:
Fear not to perish by my vengeful sword,
From that secure; 'tis all the Fates afford.
Where I now see thee, thou shalt still be seen,
A lasting monument to please our queen;
There still shall thy betroth'd behold her spouse,
And find his image in her father's house.
This said; where Phineus turn'd to shun the shield
Full in his face the staring head he held;
As here and there he strove to turn aside,
The wonder wrought, the man was petrify'd:
All marble was his frame, his humid eyes
Drop'd tears, which hung upon the stone like ice.
In suppliant posture, with uplifted hands,
And fearful look, the guilty statue stands.
Hence Perseus to his native city hies,
Victorious, and rewarded with his prize.
Conquest, o'er Praetus the usurper, won,
He re-instates his grandsire in the throne.
Praetus, his brother dispossess'd by might,
His realm enjoy'd, and still detain'd his right:
But Perseus pull'd the haughty tyrant down,
And to the rightful king restor'd the throne.
Weak was th' usurper, as his cause was wrong;
Where Gorgon's head appears, what arms are strong?
When Perseus to his host the monster held,
They soon were statues, and their king expell'd.
Thence, to Seriphus with the head he sails,
Whose prince his story treats as idle tales:
Lord of a little isle, he scorns to seem
Too credulous, but laughs at that, and him.
Yet did he not so much suspect the truth,
As out of pride, or envy, hate the youth.
The Argive prince, at his contempt enrag'd,
To force his faith by fatal proof engag'd.
Friends, shut your eyes, he cries; his shield he takes,
And to the king expos'd Medusa's snakes.
The monarch felt the pow'r he wou'd not own,
And stood convict of folly in the stone.
Minerva's Interview with the Muses
Thus far Minerva was content to rove
With Perseus, offspring of her father Jove:
Now, hid in clouds, Seriphus she forsook;
And to the Theban tow'rs her journey took.
Cythnos and Gyaros lying to the right,
She pass'd unheeded in her eager flight;
And chusing first on Helicon to rest,
The virgin Muses in these words address'd:
Me, the strange tidings of a new-found spring,
Ye learned sisters, to this mountain bring.
If all be true that Fame's wide rumours tell,
'Twas Pegasus discover'd first your well;
Whose piercing hoof gave the soft earth a blow,
Which broke the surface where these waters flow.
I saw that horse by miracle obtain
Life, from the blood of dire Medusa slain;
And now, this equal prodigy to view,
From distant isles to fam'd Boeotia flew.
The Muse Urania said, Whatever cause
So great a Goddess to this mansion draws;
Our shades are happy with so bright a guest,
You, Queen, are welcome, and we Muses blest.
What Fame has publish'd of our spring is true,
Thanks for our spring to Pegasus are due.
Then, with becoming courtesy, she led
The curious stranger to their fountain's head;
Who long survey'd, with wonder, and delight,
Their sacred water, charming to the sight;
Their ancient groves, dark grottos, shady bow'rs,
And smiling plains adorn'd with various flow'rs.
O happy Muses! she with rapture cry'd,
Who, safe from cares, on this fair hill reside;
Blest in your seat, and free your selves to please
With joys of study, and with glorious ease.
The Fate of Pyreneus
Then one replies: O Goddess, fit to guide
Our humble works, and in our choir preside,
Who sure wou'd wisely to these fields repair,
To taste our pleasures, and our labours share,
Were not your virtue, and superior mind
To higher arts, and nobler deeds inclin'd;
Justly you praise our works, and pleasing seat,
Which all might envy in this soft retreat,
Were we secur'd from dangers, and from harms;
But maids are frighten'd with the least alarms,
And none are safe in this licentious time;
Still fierce Pyreneus, and his daring crime,
With lasting horror strikes my feeble sight,
Nor is my mind recover'd from the fright.
With Thracian arms this bold usurper gain'd
Daulis, and Phocis, where he proudly reign'd:
It happen'd once, as thro' his lands we went,
For the bright temple of Parnassus bent,
He met us there, and in his artful mind
Hiding the faithless action he design'd,
Confer'd on us (whom, oh! too well he knew)
All honours that to Goddesses are due.
Stop, stop, ye Muses, 'tis your friend who calls,
The tyrant said; behold the rain that falls
On ev'ry side, and that ill-boding sky,
Whose lowring face portends more storms are nigh.
Pray make my house your own, and void of fear,
While this bad weather lasts, take shelter here.
Gods have made meaner places their resort,
And, for a cottage, left their shining court.
Oblig'd to stop, by the united force
Of pouring rains, and complaisant discourse,
His courteous invitation we obey,
And in his hall resolve a-while to stay.
Soon it clear'd up; the clouds began to fly,
The driving north refin'd the show'ry sky;
Then to pursue our journey we began:
But the false traitor to his portal ran,
Stopt our escape, the door securely barr'd,
And to our honour, violence prepar'd.
But we, transform'd to birds, avoid his snare,
On pinions rising in the yielding air.
But he, by lust and indignation fir'd,
Up to his highest tow'r with speed retir'd,
And cries, In vain you from my arms withdrew,
The way you go your lover will pursue.
Then, in a flying posture wildly plac'd,
And daring from that height himself to cast,
The wretch fell headlong, and the ground bestrew'd
With broken bones, and stains of guilty blood.
The Story of the Pierides
The Muse yet spoke; when they began to hear
A noise of wings that flutter'd in the air;
And strait a voice, from some high-spreading bough,
Seem'd to salute the company below.
The Goddess wonder'd, and inquir'd from whence
That tongue was heard, that spoke so plainly sense
(It seem'd to her a human voice to be,
But prov'd a bird's; for in a shady tree
Nine magpies perch'd lament their alter'd state,
And, what they hear, are skilful to repeat).
The sister to the wondring Goddess said,
These, foil'd by us, by us were thus repaid.
These did Evippe of Paeonia bring
With nine hard labour-pangs to Pella's king.
The foolish virgins of their number proud,
And puff'd with praises of the senseless crowd,
Thro' all Achaia, and th' Aemonian plains
Defy'd us thus, to match their artless strains;
No more, ye Thespian girls, your notes repeat,
Nor with false harmony the vulgar cheat;
In voice or skill, if you with us will vye,
As many we, in voice or skill will try.
Surrender you to us, if we excell,
Fam'd Aganippe, and Medusa's well.
The conquest yours, your prize from us shall be
The Aemathian plains to snowy Paeone;
The nymphs our judges. To dispute the field,
We thought a shame; but greater shame to yield.
On seats of living stone the sisters sit,
And by the rivers swear to judge aright.
The Song of the Pierides
Then rises one of the presumptuous throng,
Steps rudely forth, and first begins the song;
With vain address describes the giants' wars,
And to the Gods their fabled acts prefers.
She sings, from Earth's dark womb how Typhon rose,
And struck with mortal fear his heav'nly foes.
How the Gods fled to Egypt's slimy soil,
And hid their heads beneath the banks of Nile:
How Typhon, from the conquer'd skies, pursu'd
Their routed godheads to the sev'n-mouth'd flood;
Forc'd every God, his fury to escape,
Some beastly form to take, or earthly shape.
Jove (so she sung) was chang'd into a ram,
From whence the horns of Libyan Ammon came.
Bacchus a goat, Apollo was a crow,
Phaebe a cat; die wife of Jove a cow,
Whose hue was whiter than the falling snow.
Mercury to a nasty Ibis turn'd,
The change obscene, afraid of Typhon, mourn'd;
While Venus from a fish protection craves,
And once more plunges in her native waves.
She sung, and to her harp her voice apply'd;
Then us again to match her they defy'd.
But our poor song, perhaps, for you to hear,
Nor leisure serves, nor is it worth your ear.
That causeless doubt remove, O Muse rehearse,
The Goddess cry'd, your ever-grateful verse.
Beneath a chequer'd shade she takes her seat,
And bids the sister her whole song repeat.
The sister thus: Calliope we chose
For the performance. The sweet virgin rose,
With ivy crown'd she tunes her golden strings,
And to her harp this composition sings.
The Song of the Muses
First Ceres taught the lab'ring hind to plow
The pregnant Earth, and quickning seed to sow.
She first for Man did wholsome food provide,
And with just laws the wicked world supply'd:
All good from her deriv'd, to her belong
The grateful tri butes of the Muse's song.
Her more than worthy of our verse we deem,
Oh! were our verse more worthy of the theme.
Jove on the giant fair Trinacria hurl'd,
And with one bolt reveng'd his starry world.
Beneath her burning hills Tiphaeus lies,
And, strugling always, strives in vain to rise.
Down does Pelorus his right hand suppress
Tow'rd Latium, on the left Pachyne weighs.
His legs are under Lilybaeum spread,
And Aetna presses hard his horrid head.
On his broad back he there extended lies,
And vomits clouds of ashes to the skies.
Oft lab'ring with his load, at last he tires,
And spews out in revenge a flood of fires.
Mountains he struggles to o'erwhelm, and towns;
Earth's inmost bowels quake, and Nature groans.
His terrors reach the direful king of Hell;
He fears his throws will to the day reveal
The realms of night, and fright his trembling ghosts.
This to prevent, he quits the Stygian coasts,
In his black carr, by sooty horses drawn,
Fair Sicily he seeks, and dreads the dawn.
Around her plains he casts his eager eyes,
And ev'ry mountain to the bottom tries.
But when, in all the careful search, he saw
No cause of fear, no ill-suspected flaw;
Secure from harm, and wand'ring on at will,
Venus beheld him from her flow'ry hill:
When strait the dame her little Cupid prest
With secret rapture to her snowy breast,
And in these words the flutt'ring boy addrest.
O thou, my arms, my glory, and my pow'r,
My son, whom men, and deathless Gods adore;
Bend thy sure bow, whose arrows never miss'd,
No longer let Hell's king thy sway resist;
Take him, while stragling from his dark abodes
He coasts the kingdoms of superior Gods.
If sovereign Jove, if Gods who rule the waves,
And Neptune, who rules them, have been thy slaves;
Shall Hell be free? The tyrant strike, my son,
Enlarge thy mother's empire, and thy own.
Let not our Heav'n be made the mock of Hell,
But Pluto to confess thy pow'r compel.
Our rule is slighted in our native skies,
See Pallas, see Diana too defies
Thy darts, which Ceres' daughter wou'd despise.
She too our empire treats with aukward scorn;
Such insolence no longer's to be born.
Revenge our slighted reign, and with thy dart
Transfix the virgin's to the uncle's heart.
She said; and from his quiver strait he drew
A dart that surely wou'd the business do.
She guides his hand, she makes her touch the test,
And of a thousand arrows chose the best:
No feather better pois'd, a sharper head
None had, and sooner none, and surer sped.
He bends his bow, he draws it to his ear,
Thro' Pluto's heart it drives, and fixes there.
The Rape of Proserpine
Near Enna's walls a spacious lake is spread,
Fam'd for the sweetly-singing swans it bred;
Pergusa is its name: and never more
Were heard, or sweeter on Cayster's shore.
Woods crown the lake; and Phoebus ne'er invades
The tufted fences, or offends the shades:
Fresh fragrant breezes fan the verdant bow'rs,
And the moist ground smiles with enamel'd flow'rs
The chearful birds their airy carols sing,
And the whole year is one eternal spring.
Here, while young Proserpine, among the maids,
Diverts herself in these delicious shades;
While like a child with busy speed and care
She gathers lillies here, and vi'lets there;
While first to fill her little lap she strives,
Hell's grizly monarch at the shade arrives;
Sees her thus sporting on the flow'ry green,
And loves the blooming maid, as soon as seen.
His urgent flame impatient of delay,
Swift as his thought he seiz'd the beauteous prey,
And bore her in his sooty carr away.
The frighted Goddess to her mother cries,
But all in vain, for now far off she flies;
Far she behind her leaves her virgin train;
To them too cries, and cries to them in vain,
And, while with passion she repeats her call,
The vi'lets from her lap, and lillies fall:
She misses 'em, poor heart! and makes new moan;
Her lillies, ah! are lost, her vi'lets gone.
O'er hills, the ravisher, and vallies speeds,
By name encouraging his foamy steeds;
He rattles o'er their necks the rusty reins,
And ruffles with the stroke their shaggy manes.
O'er lakes he whirls his flying wheels, and comes
To the Palici breathing sulph'rous fumes.
And thence to where the Bacchiads of renown
Between unequal havens built their town;
Where Arethusa, round th' imprison'd sea,
Extends her crooked coast to Cyane;
The nymph who gave the neighb'ring lake a name,
Of all Sicilian nymphs the first in fame,
She from the waves advanc'd her beauteous head,
The Goddess knew, and thus to Pluto said:
Farther thou shalt not with the virgin run;
Ceres unwilling, canst thou be her son?
The maid shou'd be by sweet perswasion won.
Force suits not with the softness of the fair;
For, if great things with small I may compare,
Me Anapis once lov'd; a milder course
He took, and won me by his words, not force.
Then, stretching out her arms, she stopt his way;
But he, impatient of the shortest stay,
Throws to his dreadful steeds the slacken'd rein,
And strikes his iron sceptre thro' the main;
The depths profound thro' yielding waves he cleaves,
And to Hell's center a free passage leaves;
Down sinks his chariot, and his realms of night
The God soon reaches with a rapid flight.
Cyane dissolves to a Fountain
But still does Cyane the rape bemoan,
And with the Goddess' wrongs laments her own;
For the stoln maid, and for her injur'd spring,
Time to her trouble no relief can bring.
In her sad heart a heavy load she bears,
'Till the dumb sorrow turns her all to tears.
Her mingling waters with that fountain pass,
Of which she late immortal Goddess was;
Her varied members to a fluid melt,
A pliant softness in her bones is felt;
Her wavy locks first drop away in dew,
And liquid next her slender fingers grew.
The body's change soon seizes its extreme,
Her legs dissolve, and feet flow off in stream.
Her arms, her back, her shoulders, and her side,
Her swelling breasts in little currents glide,
A silver liquor only now remains
Within the channel of her purple veins;
Nothing to fill love's grasp; her husb and chaste
Bathes in that bosom he before embrac'd.
A Boy transform'd to an Eft
Thus, while thro' all the Earth, and all the main,
Her daughter mournful Ceres sought in vain;
Aurora, when with dewy looks she rose,
Nor burnish'd Vesper found her in repose,
At Aetna's flaming mouth two pitchy pines
To light her in her search at length she tines.
Restless, with these, thro' frosty night she goes,
Nor fears the cutting winds, nor heeds the snows;
And, when the morning-star the day renews,
From east to west her absent child pursues.
Thirsty at last by long fatigue she grows,
But meets no spring, no riv'let near her flows.
Then looking round, a lowly cottage spies,
Smoaking among the trees, and thither hies.
The Goddess knocking at the little door,
'Twas open'd by a woman old and poor,
Who, when she begg'd for water, gave her ale
Brew'd long, but well preserv'd from being stale.
The Goddess drank; a chuffy lad was by,
Who saw the liquor with a grutching eye,
And grinning cries, She's greedy more than dry.
Ceres, offended at his foul grimace,
Flung what she had not drunk into his face,
The sprinklings speckle where they hit the skin,
And a long tail does from his body spin;
His arms are turn'd to legs, and lest his size
Shou'd make him mischievous, and he might rise
Against mankind, diminutives his frame,
Less than a lizzard, but in shape the same.
Amaz'd the dame the wondrous sight beheld,
And weeps, and fain wou'd touch her quondam child.
Yet her approach th' affrighted vermin shuns,
And fast into the greatest crevice runs.
A name they gave him, which the spots exprest,
That rose like stars, and varied all his breast.
What lands, what seas the Goddess wander'd o'er,
Were long to tell; for there remain'd no more.
Searching all round, her fruitless toil she mourns,
And with regret to Sicily returns.
At length, where Cyane now flows, she came,
Who cou'd have told her, were she still the same
As when she saw her daughter sink to Hell;
But what she knows she wants a tongue to tell.
Yet this plain signal manifestly gave,
The virgin's girdle floating on a wave,
As late she dropt it from her slender waste,
When with her uncle thro' the deep she past.
Ceres the token by her grief confest,
And tore her golden hair, and beat her breast.
She knows not on what land her curse shou'd fall,
But, as ingrate, alike upbraids them all,
Unworthy of her gifts; Trinacria most,
Where the last steps she found of what she lost.
The plough for this the vengeful Goddess broke,
And with one death the ox, and owner struck,
In vain the fallow fields the peasant tills,
The seed, corrupted ere 'tis sown, she kills.
The fruitful soil, that once such harvests bore,
Now mocks the farmer's care, and teems no more.
And the rich grain which fills the furrow'd glade,
Rots in the seed, or shrivels in the blade;
Or too much sun burns up, or too much rain
Drowns, or black blights destroy the blasted plain;
Or greedy birds the new-sown seed devour,
Or darnel, thistles, and a crop impure
Of knotted grass along the acres stand,
And spread their thriving roots thro' all the land.
Then from the waves soft Arethusa rears
Her head, and back she flings her dropping hairs.
O mother of the maid, whom thou so far
Hast sought, of whom thou canst no tidings hear;
O thou, she cry'd, who art to life a friend,
Cease here thy search, and let thy labour end.
Thy faithful Sicily's a guiltless clime,
And shou'd not suffer for another's crime;
She neither knew, nor cou'd prevent the deed;
Nor think that for my country thus I plead;
My country's Pisa, I'm an alien here,
Yet these abodes to Elis I prefer,
No clime to me so sweet, no place so dear.
These springs I Arethusa now possess,
And this my seat, o gracious Goddess, bless:
This island why I love, and why I crost
Such spacious seas to reach Ortygia's coast,
To you I shall impart, when, void of care,
Your heart's at ease, and you're more fit to hear;
When on your brow no pressing sorrow sits,
For gay content alone such tales admits.
When thro' Earth's caverns I a-while have roul'd
My waves, I rise, and here again behold
The long-lost stars; and, as I late did glide
Near Styx, Proserpina there I espy'd.
Fear still with grief might in her face be seen;
She still her rape laments; yet, made a queen,
Beneath those gloomy shades her sceptre sways,
And ev'n th' infernal king her will obeys.
This heard, the Goddess like a statue stood,
Stupid with grief; and in that musing mood
Continu'd long; new cares a-while supprest
The reigning of her immortal breast.
At last to Jove her daughter's sire she flies,
And with her chariot cuts the chrystal skies;
She comes in clouds, and with dishevel'd hair,
Standing before his throne, prefers her pray'r.
King of the Gods, defend my blood and thine,
And use it not the worse for being mine.
If I no more am gracious in thy sight,
Be just, o Jove, and do thy daughter right.
In vain I sought her the wide world around,
And, when I most despair'd to find her, found.
But how can I the fatal finding boast,
By which I know she is for ever lost?
Without her father's aid, what other Pow'r
Can to my arms the ravish'd maid restore?
Let him restore her, I'll the crime forgive;
My child, tho' ravish'd, I'd with joy receive.
Pity, your daughter with a thief shou'd wed,
Tho' mine, you think, deserves no better bed.
Jove thus replies: It equally belongs
To both, to guard our common pledge from wrongs.
But if to things we proper names apply,
This hardly can be call'd an injury.
The theft is love; nor need we blush to own
The thief, if I can judge, to be our son.
Had you of his desert no other proof,
To be Jove's brother is methinks enough.
Nor was my throne by worth superior got,
Heav'n fell to me, as Hell to him, by lot:
If you are still resolv'd her loss to mourn,
And nothing less will serve than her return;
Upon these terms she may again be yours
(Th' irrevocable terms of fate, not ours),
Of Stygian food if she did never taste,
Hell's bounds may then, and only then, be past.
The Transformation of Ascalaphus into an Owl
The Goddess now, resolving to succeed,
Down to the gloomy shades descends with speed;
But adverse fate had otherwise decreed.
For, long before, her giddy thoughtless child
Had broke her fast, and all her projects spoil'd.
As in the garden's shady walk she stray'd,
A fair pomegranate charm'd the simple maid,
Hung in her way, and tempting her to taste,
She pluck'd the fruit, and took a short repast.
Seven times, a seed at once, she eat the food;
The fact Ascalaphus had only view'd;
Whom Acheron begot in Stygian shades
On Orphne, fam'd among Avernal maids;
He saw what past, and by discov'ring all,
Detain'd the ravish'd nymph in cruel thrall.
But now a queen, she with resentment heard,
And chang'd the vile informer to a bird.
In Phlegeton's black stream her hand she dips,
Sprinkles his head, and wets his babling lips.
Soon on his face, bedropt with magick dew,
A change appear'd, and gawdy feathers grew.
A crooked beak the place of nose supplies,
Rounder his head, and larger are his eyes.
His arms and body waste, but are supply'd
With yellow pinions flagging on each side.
His nails grow crooked, and are turn'd to claws,
And lazily along his heavy wings he draws.
Ill-omen'd in his form, the unlucky fowl,
Abhorr'd by men, and call'd a scrieching owl.
The Daughters of Achelous transform'd to Sirens
Justly this punishment was due to him,
And less had been too little for his crime;
But, o ye nymphs that from the flood descend,
What fault of yours the Gods cou'd so offend,
With wings and claws your beauteous forms to spoil,
Yet save your maiden face, and winning smile?
Were you not with her in Pergusa's bow'rs,
When Proserpine went forth to gather flow'rs?
Since Pluto in his carr the Goddess caught,
Have you not for her in each climate sought?
And when on land you long had search'd in vain,
You wish'd for wings to cross the pathless main;
That Earth and Sea might witness to your care:
The Gods were easy, and return'd your pray'r;
With golden wing o'er foamy waves you fled,
And to the sun your plumy glories spread.
But, lest the soft enchantment of your songs,
And the sweet musick of your flat'ring tongues
Shou'd quite be lost (as courteous fates ordain),
Your voice and virgin beauty still remain.
Jove some amends for Ceres lost to make,
Yet willing Pluto shou'd the joy partake,
Gives 'em of Proserpine an equal share,
Who, claim'd by both, with both divides the year.
The Goddess now in either empire sways,
Six moons in Hell, and six with Ceres stays.
Her peevish temper's chang'd; that sullen mind,
Which made ev'n Hell uneasy, now is kind,
Her voice refines, her mein more sweet appears,
Her forehead free from frowns, her eyes from tears,
As when, with golden light, the conqu'ring day
Thro' dusky exhalations clears a way.
Ceres her daughter's rape no longer mourn'd,
But back to Arethusa's spring return'd;
And sitting on the margin, bid her tell
From whence she came, and why a sacred well.
The Story of Arethusa
Still were the purling waters, and the maid
From the smooth surface rais'd her beauteous head,
Wipes off the drops that from her tresses ran,
And thus to tell Alpheus' loves began.
In Elis first I breath'd the living air,
The chase was all my pleasure, all my care.
None lov'd like me the forest to explore,
To pitch the toils, and drive the bristled boar.
Of fair, tho' masculine, I had the name,
But gladly wou'd to that have quitted claim:
It less my pride than indignation rais'd,
To hear the beauty I neglected, prais'd;
Such compliments I loath'd, such charms as these
I scorn'd, and thought it infamy to please.
Once, I remember, in the summer's heat,
Tir'd with the chase, I sought a cool retreat;
And, walking on, a silent current found,
Which gently glided o'er the grav'ly ground.
The chrystal water was so smooth, so clear,
My eye distinguish'd ev'ry pebble there.
So soft its motion, that I scarce perceiv'd
The running stream, or what I saw believ'd.
The hoary willow, and the poplar, made
Along the shelving bank a grateful shade.
In the cool rivulet my feet I dipt,
Then waded to the knee, and then I stript;
My robe I careless on an osier threw,
That near the place commodiously grew;
Nor long upon the border naked stood,
But plung'd with speed into the silver flood.
My arms a thousand ways I mov'd, and try'd
To quicken, if I cou'd, the lazy tide;
Where, while I play'd my swimming gambols o'er,
I heard a murm'ring voice, and frighted sprung to shore.
Oh! whither, Arethusa, dost thou fly?
From the brook's bottom did Alpheus cry;
Again, I heard him, in a hollow tone,
Oh! whither, Arethusa, dost thou run?
Naked I flew, nor cou'd I stay to hide
My limbs, my robe was on the other side;
Alpheus follow'd fast, th' inflaming sight
Quicken'd his speed, and made his labour light;
He sees me ready for his eager arms,
And with a greedy glance devours my charms.
As trembling doves from pressing danger fly,
When the fierce hawk comes sousing from the sky;
And, as fierce hawks the trembling doves pursue,
From him I fled, and after me he flew.
First by Orchomenus I took my flight,
And soon had Psophis and Cyllene in sight;
Behind me then high Maenalus I lost,
And craggy Erimanthus scal'd with frost;
Elis was next; thus far the ground I trod
With nimble feet, before the distanc'd God.
But here I lagg'd, unable to sustain
The labour longer, and my flight maintain;
While he more strong, more patient of the toil,
And fir'd with hopes of beauty's speedy spoil,
Gain'd my lost ground, and by redoubled pace,
Now left between us but a narrow space.
Unweary'd I 'till now o'er hills, and plains,
O'er rocks, and rivers ran, and felt no pains:
The sun behind me, and the God I kept,
But, when I fastest shou'd have run, I stept.
Before my feet his shadow now appear'd;
As what I saw, or rather what I fear'd.
Yet there I could not be deceiv'd by fear,
Who felt his breath pant on my braided hair,
And heard his sounding tread, and knew him to be near.
Tir'd, and despairing, O celestial maid,
I'm caught, I cry'd, without thy heav'nly aid.
Help me, Diana, help a nymph forlorn,
Devoted to the woods, who long has worn
Thy livery, and long thy quiver born.
The Goddess heard; my pious pray'r prevail'd;
In muffling clouds my virgin head was veil'd,
The am'rous God, deluded of his hopes,
Searches the gloom, and thro' the darkness gropes;
Twice, where Diana did her servant hide
He came, and twice, O Arethusa! cry'd.
How shaken was my soul, how sunk my heart!
The terror seiz'd on ev'ry trembling part.
Thus when the wolf about the mountain prowls
For prey, the lambkin hears his horrid howls:
The tim'rous hare, the pack approaching nigh,
Thus hearkens to the hounds, and trembles at the cry;
Nor dares she stir, for fear her scented breath
Direct the dogs, and guide the threaten'd death.
Alpheus in the cloud no traces found
To mark my way, yet stays to guard the ground,
The God so near, a chilly sweat possest
My fainting limbs, at ev'ry pore exprest;
My strength distill'd in drops, my hair in dew,
My form was chang'd, and all my substance new.
Each motion was a stream, and my whole frame
Turn'd to a fount, which still preserves my name.
Resolv'd I shou'd not his embrace escape,
Again the God resumes his fluid shape;
To mix his streams with mine he fondly tries,
But still Diana his attempt denies.
She cleaves the ground; thro' caverns dark I run
A diff'rent current, while he keeps his own.
To dear Ortygia she conducts my way,
And here I first review the welcome day.
Here Arethusa stopt; then Ceres takes
Her golden carr, and yokes her fiery snakes;
With a just rein, along mid-heaven she flies
O'er Earth, and seas, and cuts the yielding skies.
She halts at Athens, dropping like a star,
And to Triptolemus resigns her carr.
Parent of seed, she gave him fruitful grain,
And bad him teach to till and plough the plain;
The seed to sow, as well in fallow fields,
As where the soil manur'd a richer harvest yields.
The Transformation of Lyncus
The youth o'er Europe and o'er Asia drives,
'Till at the court of Lyncus he arrives.
The tyrant Scythia's barb'rous empire sway'd;
And, when he saw Triptolemus, he said,
How cam'st thou, stranger, to our court, and why?
Thy country, and thy name? The youth did thus reply:
Triptolemus my name; my country's known
O'er all the world, Minerva's fav'rite town,
Athens, the first of cities in renown.
By land I neither walk'd, nor sail'd by sea,
But hither thro' the Aether made my way.
By me, the Goddess who the fields befriends,
These gifts, the greatest of all blessings, sends.
The grain she gives if in your soil you sow,
Thence wholsom food in golden crops shall grow.
Soon as the secret to the king was known,
He grudg'd the glory of the service done,
And wickedly resolv'd to make it all his own.
To hide his purpose, he invites his guest,
The friend of Ceres, to a royal feast,
And when sweet sleep his heavy eyes had seiz'd,
The tyrant with his steel attempts his breast.
Him strait a lynx's shape the Goddess gives,
And home the youth her sacred dragons drives.
The Pierides transform'd to Magpies
The chosen Muse here ends her sacred lays;
The nymphs unanimous decree the bays,
And give the Heliconian Goddesses the praise.
Then, far from vain that we shou'd thus prevail,
But much provok'd to hear the vanquish'd rail,
Calliope resumes: Too long we've born
Your daring taunts, and your affronting scorn;
Your challenge justly merited a curse,
And this unmanner'd railing makes it worse.
Since you refuse us calmly to enjoy
Our patience, next our passions we'll employ;
The dictates of a mind enrag'd pursue,
And, what our just resentment bids us, do.
The railers laugh, our threats and wrath despise,
And clap their hands, and make a scolding noise:
But in the fact they're seiz'd; beneath their nails
Feathers they feel, and on their faces scales;
Their horny beaks at once each other scare,
Their arms are plum'd, and on their backs they bear
Py'd wings, and flutter in the fleeting air.
Chatt'ring, the scandal of the woods they fly,
And there continue still their clam'rous cry:
The same their eloquence, as maids, or birds,
Now only noise, and nothing then but words.
----------------------------------------------------------------------
~ Ovid, BOOK THE FIFTH
,#NFDB |
1447:Book IV: The Book of Partings
Eagerly, spurred by Ares swift in their souls to the war-cry,
All now pressed to their homes for the food of their strength in the battle.
Ilion turned her thoughts in a proud expectancy seaward
Waiting to hear the sounds that she loved and the cry of the mellay.
Now to their citadel Priams sons returned with their father,
Now from the gates Talthybius issued grey in his chariot;
But in the halls of Anchises Aeneas not doffing his breastpiece
Hastily ate of the corn of his country, cakes of the millet
Doubled with wild-deers flesh, from the quiet hands of Cresa.
She, as he ate, with her calm eyes watching him smiled on her husband:
Ever thou hastest to battle, O warrior, ever thou fightest
Far in the front of the ranks and thou seekest out Locrian Ajax,
Turnest thy ear to the roar for the dangerous shout of Tydides;
There, once heard, leaving all thou drivest, O stark in thy courage.
Yet am I blest among women who tremble not, left in thy mansion,
Quiet at old Anchises feet when I see thee in vision
Sole with the shafts hissing round thee and say to my quivering spirit,
Now he is striking at Ajax, now he has met Diomedes.
Such are the mighty twain who are ever near to protect thee,
Phoebus, the Thunderers son, and thy mother, gold Aphrodite;
Such are the Fates that demand thee, O destined head of the future.
But though my thoughts for their own are not troubled, always, Aeneas,
Sore is my heart with pity for other Ilian women
Who in this battle are losing their children and well-loved husbands,
Brothers too dear, for the eyes that are wet, for the hearts that are silent.
Will not this war then end that thunders for ever round Troya?
But to Cresa the hero answered, the son of Anchises:
Surely the gods protect, yet is Death too always mighty.
Most in his shadowy envy he strikes at the brave and the lovely,
Grudging works to abridge their days and to widow the sunlight.
Most, disappointed, he rages against the beloved of Heaven;
Striking their lives through their hearts he mows down their loves and their pleasures.
Truly thou sayst, thou needst not to fear for my life in the battle;
Ever for thine I fear lest he find thee out in his anger,
Missing my head in the fight, when he comes here crossed in his godhead.
Yet shall Phoebus protect and my mother, gold Aphrodite.
But to Aeneas answered the tranquil lips of Cresa:
So may it be that I go before thee, seeing, Aeneas,
Over my dying eyes thy lips bend down for the parting.
Blissfullest end is this for a woman here mid earths sorrows;
Afterwards there we hope that the hands shall join which were parted.
So she spoke, not knowing the gods: but Aeneas departing
Clasped his fathers knees, the ancient mighty Anchises.
Bless me, my father; I go to the battle. Strong with thy blessing
Even today may I hurl down Ajax, slay Diomedes,
And on the morrow gaze on the empty beaches of Troas.
Troubled and joyless, nought replying to warlike Aeneas
Long Anchises sat unmoving, silent, sombre,
Gazing into his soul with eyes that were closed to the sunlight.
Prosper, Aeneas, slowly he answered him, son of a goddess,
Prosper, Aeneas; and if for Troy some doom is preparing,
Suffer always the will of the gods with a piety constant.
Only they will what Necessity fashions compelled by the Silence.
Labour and war she has given to man as the law of his transience.
Work; she shall give thee the crown of thy deeds or their ending appointed,
Whether glorious thou pass or in silent shadows forgotten.
But what thy mother commands perform ever, loading thy vessels.
Who can know what the gods have hid with the mist of our hopings?
Then from the house of his fathers Aeneas rapidly striding
Came to the city echoing now with the wheels of the chariots,
Clanging with arms and astream with the warlike tramp of her thousands.
Fast through the press he strode and men turning knew Aeneas,
Greatened in heart and went on with loftier thoughts towards battle.
He through the noise and the crowd to Antenors high-built mansion
Striding came, and he turned to its courts and the bronze of its threshold
Trod which had suffered the feet of so many princes departed.
But as he crossed its brazen square from the hall there came running,
Leaping up light to his feet and laughing with sudden pleasure,
Eurus the youngest son of Polydamas. Clasping the fatal
War-hardened hand with a palm that was smooth as a maidens or infants,
Well art thou come, Aeneas, he said, and good fortune has sent thee!
Now I shall go to the field; thou wilt speak with my grandsire Antenor
And he shall hear thee though chid by his heart reluctant. Rejoicing
I shall go forth in thy car or warring by Penthesilea,
Famous, give to her grasp the spear that shall smite down Achilles.
Smiling answered Aeneas, Surely will, Eurus, thy prowess
Carry thee far to the front; thou shalt fight with Epeus and slay him.
Who shall say that this hand was not chosen to pierce Menelaus?
But for a while with the ball should it rather strive, O hero,
Till in the play and the wrestle its softness is trained for the smiting.
Eagerly Eurus answered, But they have told me, Aeneas,
This is the last of our fights; for today will Penthesilea
Meet Achilles in battle and slay him ending the Argives.
Then shall I never have mixed in this war that is famous for ever.
What shall I say when my hairs are white like the aged Antenors?
Men will ask, And what were thy deeds in the warfare Titanic?
Whom didst thou slay of the Argives, son of Polydamas, venging
Bravely thy father? Then must I say, I lurked in the city.
I was too young and only ascending the Ilian ramparts
Saw the return or the flight, but never the deed and the triumph.
Friend, if you take me not forth, I shall die of grief ere the sunset.
Plucking the hand of Aeneas he drew him into the mansion
Vast; and over the floor of the spacious hall they hastened
Laughing, the gracious child and the mighty hero and statesman,
Flower of a present stock and the burdened star of the future.
Meanwhile girt by his sons and the sons of his sons in his chamber
Cried to the remnants left of his blood the aged Antenor.
Hearken you who are sprung from my loins and children, their offspring!
None shall again go forth to the fight who is kin to Antenor.
Weighed with my curse he shall go and the spear-points athirst of the Argives
Meet him wroth; he shall die in his sin and his name be forgotten.
Oft have I sent forth my blood to be spilled in vain in the battle
Fighting for Troy and her greatness earned by my toil and my fathers.
Now all the debt has been paid; she rejects us driven by the immortals.
Much do we owe to the mother who bore us, much to our country;
But at the last our life is ours and the gods and the futures.
Gather the gold of my house and our kin, O ye sons of Antenor.
Warned by a voice in my soul I will go forth tonight from this city
Fleeing the doom and bearing my treasures; the ships shall receive them
Gathered, new-keeled by my care and the gods, in the narrow Propontis.
Over Gods waters guided, treading the rage of Poseidon,
Bellying out with their sails let them cleave to the untravelled distance
Oceans crests and resign to their Fates the doomed and the evil.
So Antenor spoke and his children heard him in silence;
Awed by his voice and the dread of his curse they obeyed, though in sorrow.
Halamus only replied to his father: Dire are the white hairs
Reverend, loved, of a father, dreadful his curse to his children.
Yet in my heart there is one who cries, tis the voice of my country,
She for whose sake I would be in Tartarus tortured for ever.
Pardon me then, if thou wilt; if the gods can, then let them pardon.
For I will sleep in the dust of Troy embracing her ashes,
There where Polydamas sleeps and the many comrades I cherished.
So let me go to the darkness remembered or wholly forgotten,
Yet having fought for my country, true in my fall to my nation.
Then in his aged wrath to Halamus answered Antenor:
Go then and perish doomed with the doomed and the hated of heaven;
Nor shall the gods forgive thee dying nor shall thy father.
Out from the chamber Halamus strode with grief in his bosom
Wrestling with wrath and he went to his doom nor looked back at his dear ones.
Crossing the hall the son of Antenor and son of Anchises
Met in the paths of their fates where they knotted and crossed for the parting,
One with the curse of the gods and his sire fast wending to Hades,
Fortunate, blessed the other; yet equal their minds were and virtues.
Cypris son to the Antenorid: Thee I have sought and thy brothers,
Bough of Antenor; sore is our need today of thy counsels,
Endless our want of their arms that are strong and their hearts that recoil not
Meeting myriads stark with the spear in unequal battle.
Halamus answered him: I will go forth to the palace of Priam,
There where Troy yet lives and far from the halls of my fathers;
There will I speak, not here. For my kin they repose in the mansion
Sitting unarmed in their halls while their brothers fall in the battle.
Eurus eagerly answered the hero: Me rather, therefore,
Take to the fight with you; I will make war on the Greeks for my uncles;
One for all I will fill their place in the shock with the foemen.
But from his chamber-door Antenor heard and rebuked him:
Scamp of my heart, thou torment! in to thy chamber and rest there,
Bound with cords lest thou cease, thou flutter-brain, scourged into quiet;
So shall thy lust of the fight be healed and our mansion grow tranquil.
Chid by the old man Eurus slunk from the hall discontented,
Yet with a dubious smile like a moonbeam lighting his beauty.
But to Antenor the Dardanid born from the white Aphrodite:
Late the Antenorids learn to flinch from the spears of the Argives,
Even this boy of their blood has Polydamas heart and his valour.
Nor should a life that was honoured and noble be stained in its ending.
Nay, then, the mood of a child would shame a grey-headed wisdom,
If for the fault of the people virtue and Troy were forgotten.
For, though the people hear us not, yet are we bound to our nation:
Over the people the gods are; over a man is his country;
This is the deity first adored by the hearths of the noble.
For by our nations will we are ruled in the home and the battle
And for our nations weal we offer our lives and our childrens.
Not by their own wills led nor their passions men rise to their manhood,
Selfishly seeking their good, but the gods and the States and the fathers.
Wroth Antenor replied to the warlike son of Anchises:
Great is the soul in thee housed and stern is thy will, O Aeneas;
Onward it moves undismayed to its goal though a city be ruined.
They too guide thee who deepest see of the ageless immortals,
One with her heart and one in his spirit, Cypris and Phoebus.
Yet might a man not knowing this think as he watched thee, Aeneas,
Spurring Priams race to its fall he endangers this city,
Hoping to build a throne out of ruins sole in the Troad.
I too have gods who warn me and lead, Athene and Hera.
Not as the ways of other mortals are theirs who are guided,
They whose eyes are the gods and they walk by a light that is secret.
Coldly Aeneas made answer, stirred into wrath by the taunting:
High wert thou always, nurtured in wisdom, ancient Antenor.
Walk then favoured and led, yet watch lest passion and evil
Feign auguster names and mimic the gait of the deathless.
And with a smile on his lips but wrath in his bosom answered,
Wisest of men but with wisdom of mortals, aged Antenor:
Led or misled we are mortals and walk by a light that is given;
Most they err who deem themselves most from error excluded.
Nor shalt thou hear in this battle the shout of the men of my lineage
Holding the Greeks as once and driving back Fate from their country.
His alone will be heard for a space while the stern gods are patient
Even now who went forth a victim self-offered to Hades,
Last whom their wills have plucked from the fated house of Antenor.
They now with wrath in their bosoms sundered for ever and parted.
Forth from the halls of Antenor Aeneas rapidly striding
Passed once more through the city hurrying now with its car-wheels,
Filled with a mightier rumour of war and the march of its thousands,
Till at Troys upward curve he found the Antenorid crestward
Mounting the steep incline that climbed to the palace of Priam
White in her proud and armed citadel. Silent, ascending
Hardly their feet had attempted the hill when behind them they hearkened
Sweet-tongued a call and the patter and hurry of light-running sandals,
Turning they beheld with a flush on his cheeks and a light on his lashes
Challenging mutely and pleading the boyish beauty of Eurus.
Racer to mischief, said Halamus, couldst thou not sit in thy chamber?
Surely cords and the rod await thee, Eurus, returning.
Answered with laughter the child, I have broken through ranks of the fighters,
Dived under chariot-wheels to arrive here and I return not.
I too for counsel of battle have come to the palace of Priam.
Burdened with thought they mounted slowly the road of their fathers
Breasting the Ilian hill where Laomedons mansion was seated,
They from the crest down-gazing saw their countrys housetops
Under their feet and heard the murmur of Troya below them.
But in the palace of Priam coming and going of house-thralls
Filled all the corridors; smoke from the kitchens curled in its plenty
Rich with savour and breathed from the labouring lungs of Hephaestus.
Far in the halls and the chambers voices travelled and clustered,
Anklets jangling ran and sang back from doorway to doorway
Mocking with music of speed and its laughters the haste of the happy,
Sound came of arms, there was tread of the great, there were murmurs of women,
Voices glad of the doomed in Laomedons marvellous mansion.
Six were the halls of its splendour, a hundred and one were its chambers
Lifted on high upon columns that soared like the thoughts of its dwellers,
Thoughts that transcended the earth though they sank down at last into ashes;
So had Apollo dreamed to his lyre; and its tops were a grandeur
Domed, as if seeking to roof mens lives with a hint of the heavens;
Marble his columns rose and with marble his roofs were appointed,
Conquered wealth of the world in its largeness suffered, supporting
Purities of marble, glories of gold. Nor only of matter
Blazed there the brutal pomps, but images mystic or mighty
Crowded ceiling and wall, a work that the gods even admire
Hardly believing that forms like these were imagined by mortals
Here upon earth where sight is a blur and the soul lives encumbered.
Scrolls that remembered in gems the thoughts austere of the ancients
Bordered the lines of the stone and the forms of serpent and Naiad
Ran in relief on those walls of pride in the palace of Priam
Mingled with Dryads who tempted and fled and Satyrs who followed,
Sports of the nymphs in the sea and the woods and their meetings with mortals,
Sessions and battles of Trojan demigods, deaths that were famous,
Wars and loves of men and the deeds of the golden immortals.
Pillars sculptured with gods and with giants soared up from bases
Lion-carved or were seated on bulls and bore into grandeur
Amply those halls where they soared, or in lordliness slenderly fashioned,
Dressed in flowers and reeds like virgins standing on Ida,
Guarded the screens of stone and divided alcove and chamber.
Ivory carved and broidered robes and the riches of Indus
Cherished in sandalwood triumphed and teemed in the palace of Priam;
Doors that were carven and fragrant sheltered the joys of its princes.
Here in a chamber of luminous privacy Paris was arming.
Near him moved Helen, a whiteness divine, and intent on her labour
Fastened his cuirass, bound the greaves and settled the hauberk
Thrilling his limbs with her touch that was heaven to the yearning of mortals.
She with her hands of delight caressing the senseless metal
Pressed her lips to his brilliant armour; she bowed down, she whispered:
Cuirass, allowed by the gods, protect the beauty of Paris;
Keep for me that for which country was lost and my child and my brothers.
Yearning she bent to his feet, to the sandal-strings of her lover;
Then as she gazed up, changed grew her mood; for the Daemon within her
Rose that had banded Greece and was burning Troy into ashes.
Slowly a smile that was perfect and perilous over her beauty
Dawned like the sunlight on Paradise; strangely she looked on her lover.
So might a goddess have gazed as she played with the love of a mortal
Passing an hour on the earth ere she rose up white to Olympus.
So art thou winner, Paris, yet and thy spirit ascendant
Leads this Troy where thou wilt, O thou mighty one veiled in thy beauty.
First in the dance and the revel, first in the joy of the mellay,
Who would not leave for thy sake and repent it not country and homestead?
Winning thou reignest still over Troy, over Fate, over Helen.
Always so canst thou win? Has Death no claim on thy beauty,
Fate no scourge for thy sins? How the years have passed by in a glory,
Years of this heaven of the gods, O ravisher, since from my hearthstone
Seizing thou borest me compelled to thy ships and my joy on the waters.
Troy is enringed with the spears, her children fall and her glories,
Mighty souls of heroes have gone down prone to the darkness;
Thou and I abide! the mothers wail for our pleasure.
Wilt thou then keep me for ever, O son of Priam, in Troya?
Fate was my mother, they say, and Zeus for this hour begot me.
Art thou a god too, O hero, disguised in this robe of the mortal,
Brilliant, careless of death and of sin as if sure of thy rapture?
What then if Fate today were to lay her hands on thee, Paris?
Calmly he looked on the face of which Greece was enamoured, the body
For whose desire great Troy was a sacrifice, tranquil regarded
Lovely and dire on the lips he loved that smile of a goddess,
Saw the daughter of Zeus in the woman, yet was not shaken.
Temptress of Argos, he answered, thou snare for the world to be seized in,
Thou then hopst to escape! But the gods could not take thee, O Helen,
How then thy will that to mine is a captive, or how, though with battle,
He who has lost thee, unhappy, the Spartan, bright Menelaus?
All things yield to a man and Zeus is himself his accomplice
When like a god he wills without remorse or longing.
Thou on this earth art mine since I claimed thee beheld, not speaking,
But with thy lids that fell thou veiledst thy heart of compliance.
Then in whatever beyond I shall know how to take thee, O Helen,
Even as here upon earth I knew, in heaven as in Sparta;
I on Elysian fields will enjoy thee as now in the Troad.
Silent a moment she lingered like one who is lured by a music
Rapturous, heard by himself alone and his lover in heaven,
Then in her beauty compelling she rose up divine among women.
Yes, it is good, she cried, what the gods do and actions of mortals;
Good is this play of the world; it is good, the joy and the torture.
Praised be the hour of the gods when I wedded bright Menelaus!
Praised, more praised the keels that severed the seas towards Helen
Churning the senseless waves that knew not the bliss of their burden!
Praised to the end the hour when I passed through the doors of my husband
Laughing with joy in my heart for the arms that bore and enchained me!
Never can Death undo what life has done for us, Paris.
Nor, whatsoever betide, can the hour be unlived of our rapture.
This too is good that nations should meet in the shock of the battle,
Heroes be slain and a theme be made for the songs of the poets,
Songs that shall thrill with the name of Helen, the beauty of Paris.
Well is this also that empires should fall for the eyes of a woman;
Well that for Helen Hector ended, Memnon was slaughtered,
Strong Sarpedon fell and Troilus ceased in his boyhood.
Troy for Helen burning, her glory, her empire, her riches,
This is the sign of the gods and the type of things that are mortal.
Thou who art kin to the masters of heaven, unconstrained like thy kindred
High on this ancient stage of the Troad with gods for spectators
Play till the end thy part, O thou wondrous and beautiful actor:
Fight and slay the Greeks, my countrymen; victor returning
Take for reward of the play, thy delight of Argive Helen.
Force from my bosom a hint of the joy denied to the death-claimed,
Rob in the kiss of my lips a pang from the raptures of heaven.
Clasping him wholly her arms of desire were a girdle of madness,
Cestus divine of the dread Aphrodite. He with her kisses
Flushed like the gods with unearthly wine and rejoiced in his ruin.
Thus while they conversed now in this hour that was near to their parting
Last upon earth, a fleet-footed slavegirl came to the chamber:
Paris, thy father and mother desire thee; there in the strangers
Outer hall Aeneas and Halamus wait for thy coming.
So with the Argive he wended to Priams ample chamber
Far in Laomedons house where Troy looked upwards to Ida.
Priam and Hecuba there, the ancient grey-haired rulers,
Waiting him sat in their chairs of ivory calm in their greatness;
Hid in her robes at their feet lay Cassandra crouched from her visions.
Since, O my father, said Paris, thy thoughts have been with me, thy blessing
Surely shall help me today in my strife with the strength of Achilles.
Surely the gods shall obey in the end the might of our spirits,
Pallas and Hera, flame-sandalled Artemis, Zeus and Apollo.
Ever serve the immortal brightnesses man when he stands up
Firm with his will uplifted a steadfast flame towards the heavens,
Ares works in his heart and Hephaestus burns in his labour.
Priam replied to his son: Forewilled by the gods, Alexander,
All things happen on earth and yet we must strive who are mortals,
Knowing all vain, yet we strive; for our nature seizing us always
Drives like the flock that is herded and urged towards shambles or pasture.
So have the high gods fashioned these tools of their action and pleasure;
Failure and grief are their engines no less than the might of the victor;
They in the blow descend and resist in the sobs of the smitten.
Such are their goads that I too must walk in the paths that are common,
Even I who know must send for thee, moved by Cassandra.
Speak, O my child, since Apollo has willed it, once, and be silent.
But in her raiment hidden Cassandra answered her father:
No, for my heart has changed since I cried for him, vexed by Apollo.
Why should I speak? For who will believe me in Troy? who believed me
Ever in Troy or the world? Event and disaster approve me
Only, my comrades, not men in their thoughts, not my brothers and kinsmen.
All by their hopes are gladly deceived and grow wroth with the warner,
Half-blind prophets of hope entertained by the gods in the mortal!
Wiser blind, if nothing they saw or only the darkness.
I too once hoped when Apollo pursued me with love in his temple.
Round me already there gleamed the ray of the vision prophetic,
Thrill of that rapture I felt and the joy of the god in his seeing
Nor did I know that the knowledge of mortals is bound unto blindness.
Either only they walk mid the coloured dreams of the senses
Treading the greenness of earth and deeming the touch of things real,
Or if they see, by the curse of the gods their sight into falsehood
Easily turns and leads them more stumbling astray than the sightless.
So are we either blind in a darkness or dazzled by seeing.
Thus have the gods protected their purpose and baffled the sages;
Over the face of the Truth their shield of gold is extended.
But I deemed otherwise, urged by the Dreadful One, he who sits always
Veiled in us fighting the gods whom he uses. I cried to Apollo,
Give me thy vision sheer, not such as thou givst to thy prophets,
Troubled though luminous; clear be the vision and ruthless to error,
Far-darting god who art veiled by the sun and by death thou art shielded.
Then I shall know that thou lovest. He gave, alarmed and reluctant,
Driven by Fate and his heart; but I mocked him, I broke from my promise,
Courage fatal helping my heart to its ruin with laughter.
Always now I remember his face that grew tranquil and ruthless,
Hear the voice divine and implacable: Since thou deceivest
Even the gods and thou hast not feared to lie to Apollo,
Speak shalt thou henceforth only truth, but none shall believe thee:
Scorned in thy words, rejected yet more for their bitter fulfilment,
Scourged by the gods thou must speak though thy sick heart yearns to be silent.
For in this play thou hast dared to play with the masters of heaven,
Girl, it is thou who hast lost; thy voice is mine and thy bosom.
Since then all I foreknow; therefore anguish is mine for my portion:
Since then all whom I love must perish slain by my loving.
Even of that I denied him, violent force shall bereave me
Grasped mid the flames of my city and shouts of her merciless victors.
But to Cassandra answered gently the voice of her brother:
Sister of mine, afflicted and seized by the dreadful Apollo,
All whose eyes can pierce that curtain, gaze into dimness;
This they have glimpsed and that they imagine deceived by their natures
Seeing the forms in their hearts of dreadful things and of joyous;
As in the darkness our eyes are deceived by shadows uncertain,
Such is their sight who rend the veil that the dire gods have woven.
Busy our hearts are weaving thoughts and images always:
After their kind they see what here we call truth. So thy nature
Tender and loving, plagued by this war and its fears for thy loved ones,
Sees calamity everywhere; when the event like the vision
Seems, as in every war the beloved must fall and the cherished,
Then the heart cries, It has happened as all shall happen I mourn for.
All that was bright it misses and only seizes on sorrow.
Dear, on the brightness look and if thou must prophesy, tell us
Rather of great Pelides slain by my spear in the onset.
But with a voice of grief the sister answered her brother:
Yes, he shall fall and his slayer too perish and Troy with his slayer.
But in his spirit rejoicing Paris answered Cassandra:
Let but this word come true; for the rest, the gods shall avert it.
Look once more, O Cassandra, and comfort the heart of thy mother,
See, O seer, my safe return with the spoils of Achilles.
And with a voice of grief the sister answered her brother:
Thou shalt return for thy hour while Troy yet stands in the sunshine.
But in his spirit exultant Paris seizing the omen:
Hearst thou, my father, my mother? She who still prophesied evil
Now perceives of our night this dawning. Yet is it grievous,
Since through a heart that we love must be pierced the heart of Achilles.
Fate, with this evil satisfied, turn in the end from Troya.
Bless me, my father, and thou, O Hecuba, mother long-patient,
Still forgive that thy children have fallen for Helen and Paris.
Tenderly yearning his mother drew him towards her and murmured:
All for thy hyacinth curls was forgiven even from childhood
And for thy sunlit looks, O wonder of charm, O Paris.
Paris, my son, though Troy must fall, thy mother forgives thee,
Blessing the gods who have lent thee to me for a while in their sunshine.
Theirs are fate and result, but ours is the joy of our children;
Even the griefs are dear that come from their hands while they love us.
Fight and slay Achilles, the murderer dire of thy brothers;
Venging Hector return, my son, to the clasp of thy mother.
But in his calm august to Paris Priam the monarch:
Victor so mightst thou come, so gladden the heart of thy mother.
Then to the aged father of Paris Helen the Argive
Bright and immortal and sad like a star that grows near to the dawning
And on its pale companions looks who now fade from its vision:
Me too pardon and love, my parents, even Helen,
Cause of all bane and all death; but I came from the gods for this ruin
Born as a torch for the burning of empires, cursed with this beauty.
Nor have I known a fathers embrace, a mothers caresses,
But to the distant gods I was born and nursed as an alien
Here by earth from fear, not affection, compelled by the thunders.
Two are her monstrous births, from the Furies and from the immortals;
Either touching mortality suffers and bears not the contact.
I have been both, a monster of doom and a portent of beauty.
Slowly Priam the monarch answered to Argive Helen:
That which thou art the gods have made thee; thou couldst not be other:
That which thou didst, the gods have done; thou couldst not prevent them.
Who here shall blame or whom shall he pardon? Should not my people
Rail at me murmuring, Priam has lost what his fathers had gathered;
Cursed is this king by heaven and cursed who are born as his subjects?
Masked the high gods act; the doer is hid by his working.
Each of us bears his punishment, fruit of a seed thats forgotten;
Each of us curses his neighbour protecting his heart with illusions:
Therefore like children we blame each other and hate and are angry.
Take, my child, the joy of the sunshine won by thy beauty.
I who lodge on this earth as an alien bound by the body,
Wearing my sorrow even as I wear the imperial purple,
Praise yet the gods for my days that have seen thee at last in my ending.
Fitly Troy may cease having gazed on thy beauty, O Helen.
He became silent, he ceased from words. But Paris and Helen
Lightly went and gladly; pursuing their footsteps the mother,
Mother once of Troilus, mother once of Hector,
Stood at the door with her death in her eyes, nor returned from her yearning,
But as one after a vanishing sunbeam gazes in prison,
Gazed down the corridors after him, long who had passed from her vision.
Then in the silent chamber Cassandra seized by Apollo
Staggered erect and tossing her snow-white arms of affliction
Cried to the heavens in her pain; for the fierce god tortured her bosom:
Woe is me, woe for the guile and the bitter gift of Apollo!
Woe, thrice woe, for my birth in Troy and the lineage of Teucer!
So do you deal, O gods, with those who have served you and laboured,
Those who have borne for your sake the evil burden of greatness.
Blessed is he who holds mattock in hand or who bends oer the furrow
Taking no thought for the good of mankind, with no yearnings for knowledge.
Woe unto me for my wisdom which none shall value nor hearken!
Woe unto thee, O King, for thy strength which shall not deliver!
Better the eye that is sealed, more blest is the spirit thats feeble.
Vainly your hopes with iron Necessity struggle, O mortals.
Virtue shall lie in her pangs, for the gods have need of her torture;
Sin shall be scourged, though her deeds were compelled by the gods in their anger.
None shall avail in the end, the coward shall die and the hero.
Troy shall fall in her sin and her virtues shall not protect her;
Argos shall grow by her crimes till the gods shall destroy her for ever.
Now have I fruit of thy love, O Loxias, dreadful Apollo.
Woe is me, woe for the flame that approaches the house of my fathers!
Woe is me, woe for the hand of Ajax laid on my tresses!
Woe, thrice woe to him who shall ravish and him who shall cherish!
Woe for the ships that shall bound too swift oer the azure Aegean!
Woe for thy splendid shambles of hell, O Argive Mycenae!
Woe for the evil spouse and the house accursd of Atreus!
So with her voice of the swan she clanged out doom on the peoples,
Over the palace of Priam and over the armd nation
Marching resolved to the war in the pride of its centuries conquered,
Centuries slain by a single day of the anger of heaven.
Dim to the thoughts like a vision of Hades the luminous chamber
Grew; in his ivory chair King Priam sat like a shadow
Throned mid the ghosts of departed kings and forgotten empires.
But in his valiance careless and bli the the Priamid hastened
Seeking the pillared megaron wide where Deiphobus armoured
Waited his coming forth with the warlike chiefs of the Trojans.
Now as he passed by the halls of the women, the chambers that harboured
Daughters and wives of King Priam and wives of his sons and their playmates,
Niches of joy that were peopled with murmurs and sweet-tongued laughters,
Troubled like trees with their birds in a morning of sun and of shadow
Where in some garden of kings one walks with his heart in the sunshine,
Out from her door where she stood for him waiting Polyxena started,
Seized his hand and looked in his face and spoke to her brother.
Then not even the brilliant strength of Paris availed him;
Joyless he turned his face from her eyes of beauty and sorrow.
So it is come, the hour that I feared, and thou goest, O Paris,
Armed with the strength of Fate to strike at my heart in the battle;
For he is doomed and thou and I, a victim to Hades.
This thou preferrest and neither thy father could move nor thy mother
Burning with Troy in their palace, nor could thy country persuade thee,
Nor dost thou care for thy sisters happiness pierced by thy arrows.
Will she remember it all, my sister Helen, in Argos
Passing tranquil days with her husband, bright Menelaus,
Holding her child on her knees? But we shall lie joyless in Hades.
Paris replied: O sister Polyxena, blame me not wholly.
We by the gods are ensnared; for the pitiless white Aphrodite
Doing her will with us both compels this. Helpless our hearts are
And when she drives perforce must love, for death or for gladness:
Weighed in unequal scales she deals them to one or another.
Happy who holding his love can go down into bottomless Hades.
But to her brother replied in her anguish the daughter of Priam:
Evilly deal with my days the immortals happy in heaven;
Yes, I accuse the gods and I curse them who heed not our sorrow.
This they have done with me, forcing my heart to the love of a foeman,
One whose terrible hands have been stained with the blood of my brothers.
This now they do, they have taken the two whom I love beyond heaven,
Brother and husband, and drive to the fight to be slain by each other.
Nay, go thou forth; for thou canst not help it, nor I, nor can Helen.
Since I must die as a pageant to satisfy Zeus and his daughter,
Since now my heart must be borne as a victim bleeding to please them,
So let it be, let me deck myself and be bright for the altar.
Into her chamber she turned with her great eyes blind, unregarding;
He for a moment stood, then passed to the megaron slowly;
Dim was the light in his eyes and clouded his glorious beauty.
Meanwhile armed in the palace of Priam Penthesilea.
Near her her captains silent and mighty stood, from the Orient
Distant clouds of war, Surabdas and iron Surenas,
Pharatus planned like the hills, Somaranes, Valarus, Tauron,
High-crested Sumalus, Arithon, Sambus and Artavoruxes.
There too the princes of Phrygian Troya gathered for counsel
And with them Eurus came, Polydamas son, who most dearly
Loved was of all the Trojan boys by the glorious virgin.
She from her arming stayed to caress his curls and to chide him:
Eurus, forgotten of grace, dost thou gad like a stray in the city
Eager to mix with the armoured men and the chariots gliding?
High on the roofs wouldst thou watch the swaying speck that is battle?
Better to aim with the dart or seek with thy kind the palaestra;
So wilt thou sooner be part of this greatness rather than straining
Yearn from afar to the distance that veils the deeds of the mighty.
But with an anxious lure in his smile on her Eurus answered:
Not that remoteness to see have I come to the palace of Priam
Leaving the house of my fathers, but for the spear and the breastpiece.
Hast thou not promised me long I shall fight in thy car with Achilles?
Doubtful he eyed her, a lions cub at play in his beauty,
And mid the heroes who heard him laughter arose for a moment,
Yet with a sympathy stirred; they remembered the days of their childhood,
Thought of Troy still mighty, life in its rose-touched dawning
When they had longed for the clash of the fight and the burden of armour.
Glad, with the pride of the lioness watching her cub in the desert,
Couchant she lies with her paws before her and joys in his gambols,
Over the prey as he frisks and is careless, answered the virgin:
Younger than thou in my nation have mounted the steed and the war-car.
Eurus, arm; from under my shield thou shalt gaze at the Phthian,
Reaching my shafts for the cast from the rim of my car in the battle
Handle perhaps the spear that shall smite down the Phthian Achilles.
What sayst thou, Halamus? Were not such prowess a perfect beginning
Worthy Polydamas son and the warlike house of Antenor?
Halamus started and smiting his hand on the grief of his bosom,
Sombre replied and threatened with Fate the high-hearted virgin.
Virgin armipotent, wherefore mockst thou thy friend, though unwitting?
Nay, for the world will know at the end and my death cannot hide it,
Slain by a fathers curse we fight who are kin to Antenor.
Take not the boy in thy car, lest the Furies, Penthesilea,
Aim through the shield and the shielder to wreak the curse of the grandsire.
They will not turn nor repent for thy strength nor his delicate beauty.
Swiftly to Halamus answered the high-crested might of the virgin:
Curses leave lightly the lips when the soul of a man is in anger
Even as blessings easily crowd round the head that is cherished.
Yet have I never seen that a curse has sharpened a spear-point;
Never Death drew back from the doomed by the power of a blessing.
Valour and skill and chance are Fate and the gods and the Furies.
Give me the boy; a hero shall come back formed from the onset.
Do as thou wilt, replied Halamus; Fate shall guard or shall end him.
Then to the boy delighted and smiling-eyed and exultant
Cried with her voice like the call of heavens bugles waking the heroes,
Blown by the lips of gold-haired Valkyries, Penthesilea.
Go, find the spear, gird the sword, don the cuirass, child of the mighty.
Armed when thou standst on the plain of the Xanthus, field of thy fathers,
See that thou fight on this day like the comrade of Penthesilea.
Bud of a hero, gaze unalarmed in the eyes of Achilles.
Light as a hound released he ran to the hall of the armour
Where were the shields of the mighty, the arms of the mansion of Teucer;
There from the house-thralls he wrung the greaves and the cuirass and helmet
Troilus wore, the wonderful boy who, ere ripened his prowess,
Conquered the Greeks and drove to the ships and fought with Achilles.
These on his boyish limbs he donned and ran back exulting
Bearing spears and a sword and rejoiced in the clank on his armour.
Meanwhile Deiphobus, head of the mellay, moved by Aeneas
Opened the doors of their warlike debate to the strength of the virgin:
Well do I hope that our courage outwearying every opponent
Triumph shall lift to her ancient seat on the Pergaman turrets;
Clouds from Zeus come and pass; his sunshine eternal survives them.
Yet we are few in the fight and armoured nations besiege us.
Surging on Troy today a numberless foe well-captained
Hardly pushed back in shock after shock with the Myrmidon numbers
Swelled returns; they fight with a hope that broken refashion
Helpful skies and a man now leads them who conquers and slaughters,
One of the sons of the gods and armed by the gods for the struggle.
We unhelped save by Ares stern and the mystic Apollo
And but as mortals striving with stubborn mortal courage,
Hated and scorned and alone in the world, by the nations rejected,
Fight with the gods and mankind and Achilles and numbers against us
Keeping our country from death in this bitter hour of her fortunes.
Therefore have prudence and hardihood severed contending our counsels
Whether far out to fight on the seaward plain with the Argives
Or behind Xanthus the river impetuous friendly to Troya.
This my brother approves and the son of Antenor advises,
Prudent masters of war who prepare by defence their aggression.
But for myself from rashness I seek a more far-seeing wisdom,
Not behind vain defences choosing a tardy destruction,
Rather as Zeus with his spear of the lightning and chariot of tempest
Scatters and chases the heavy mass of the clouds through the heavens,
So would I hunt the Greeks through the plains to their lair by the Ocean,
Straight at the throat of my foeman so would I leap in the battle.
Swiftly to smite at the foe is prudence for armies outnumbered.
Then to the Dardanid answered the high-crested Penthesilea:
There where I find my foe I will fight him, whether by Xanthus
Or at the fosse of the ships where they crouch behind bulwarks for shelter,
Or if they dare by Scamander the higher marching on Troya.
Sternly approved her the Trojan, So should they fight who would triumph
Meeting the foe ere he move in his will to the clash of encounter.
But with his careless laughter the brilliant Priamid Paris:
Joy of the battle, joy of the tempest, joy of the gamble
Mated are in thy blood, O virgin, daughter of Ares.
Thou like the deathless wouldst have us combat, us who are human?
Come, let the gods do their will with us, Ares let lead and his daughter!
Always the blood is wiser and knows what is hid from the thinker.
Life and treasure and fame to cast on the wings of a moment,
Fiercer joy than this the gods have not given to mortals.
Highly to Paris the virgin armipotent Penthesilea,
Paris and Halamus, shafts of the war-god, fear not for Troya.
Not as a vaunt do I speak it, you gods who stern-thoughted watch us,
But in my vision of strength and the soul that is seated within me,
Not while I live and war shall the host of the Myrmidon fighters
Forcing the currents lave, as once they were wont, in Scamander
Vaunting their victor car-wheels red with the blood of the vanquished.
Then when I lie by some war-god slain on the fields of the Troad,
Fight again if you will behind high-banked fast-flowing Xanthus.
Halamus answered her, Never so by my will would I battle
Flinging Troy as a stake on the doubtful diceboard of Ares.
But you have willed it and so let it be; yet hearken my counsel.
Massed in the fight let us aim the storm of our spears at one greatness,
Mighty Pelides head who gives victory still to the Argives.
Easy the Greeks to destroy lay Achilles once slain on the Troad,
But if the Peleid lives the fire shall yet finish with Troya.
Join then Orestes speed to the stubborn might of Aeneas,
Paris fatal shafts and the missiles of Penthesilea.
Others meanwhile, a puissant screen of our bravest and strongest,
Fighting shall hold back Pylos and Argolis, Crete and the Locrian.
Thou, Deiphobus, front the bronze-clad stern Diomedes,
I with Polydamas spear will dare to restrain and discourage
Ajax feet though they yearn for pursuit and are hungry for swiftness.
Knot of retreat behind let some strong experienced captain
Stand with our younger levies guarding the fords of the Xanthus,
Fortify the wavering line and dawn as fresh strength on the wearied.
Then if the fierce gods prevail we shall perish not driven like cattle
Over the plains, but draw back sternly and slowly to Troya.
Answered the Priamid, Wise is thy counsel, branch of Antenor.
Chaff are the southern Achaians, only the hardihood Hellene,
Only the savage speed of the Locrian rescues their legions.
Marshal we so this field. Stand, Halamus, covering Xanthus,
Helping our need when the foe press hard on the Ilian fighters.
Paris, my brother, thou with our masses aid the Eoan.
I with Aeneas single spear am enough for the Argive.
Gladlier Halamus cried would I fight in the front with the Locrian!
This too let be as you will; for one is the glory and service
Fighting in front or guarding behind the fate of our country.
So in their thoughts they ordered battle. Meanwhile Eurus
Gleaming returned and the room grew glad with the light of his armour.
Glad were its conscious walls of that vision of boyhood and valour;
Gods of the household sighed and smiled at his courage and beauty,
They who had seen so many pass over their floors and return not
Hasting to battle, the fair and the mighty, the curled and the grizzled,
All of them treading one path like the conscious masks of one pageant
Winding past through the glare of a light to the shadows beyond them.
But on her captains proudly smiling Penthesilea
Seized him and cried aloud, her wild and warlike nature
Moved by the mothers heart that the woman loses not ever.
Who then shall fear for the fate of Troy when such are her children?
Verily, Eurus, yearning has seized me to meet thee in battle
Rather than Locrian Ajax, rather than Phthian Achilles.
There acquiring a deathless fame I would make thee my captive,
Greedy and glad who feel as a lioness eyeing her booty.
Nay, I can never leave thee behind, my delicate Trojan,
But, when this war ends, will bear thee away to the hills of my country
And, as a robber might, with my captive glad and unwilling
Bring thee a perfect gift to my sisters Ditis and Anna.
Eurus, there in my land thou shalt look on such hills as thy vision
Gazed not on yet, with their craggy tops besieging Cronion,
Sheeted in virgin white and chilling his feet with their vastness.
Thou shalt rejoice in our wooded peaks and our fruit-bearing valleys,
Lakes of Elysium dreaming and wide and rivers of wonder.
All day long thou shalt glide between mystic woodlands in silence
Broken only by call of the birds and the plashing of waters.
There shalt thou see, O Eurus, the childhood of Penthesilea.
Thou shalt repose in my fathers house and walk in the gardens
Green where I played at the ball with my sisters, Ditis and Anna.
Musing she ceased, but if any god had touched her with prescience
Bidding her think for the last time now of the haunts of her childhood,
Gaze in her soul with a parting love at the thought of her sisters
And of the lovely and distant land where she played through her summers,
Brief was the touch; for she changed at once and only of triumph
Dreamed and only yearned in her heart for the shock of Achilles.
So they passed from the halls of Priam fated and lofty,
Halls where the air seemed sobbing yet with the cry of Cassandra;
Clad in their brilliant armour, bright in their beauty and courage,
Sons of the passing demigods, they to their latest battle
Down the ancestral hill of the Pergamans moved to the gateway.
Loud with an endless march, with a tireless gliding to meet them,
All Troy streamed from her streets and her palaces armed for the combat.
Then to the voice of Deiphobus clanging high oer the rumour
Wide the portals swung that shall close on a blood-red evening,
Slow, foreboding, reluctant, and through the yawn of the gateway
Drove with a cry her steeds the virgin Penthesilea
Calling aloud, O steeds of my east, we drive to Achilles.
Bli the in the car behind her Eurus scouted around him
Scared with his eyes lest Antenor his grandsire should rise in the gateway,
Hardly believing his fate that led him safe through the portals.
After her trampled and crashed the ranks of her orient fighters.
Paris next with his hosts came brilliant, gold on his armour,
Gold on his helm; a mighty bow hung slack on his shoulder,
Propped oer his arm a spear, as he drove his car through the gateway.
Next Deiphobus drove and the hero strong Aeneas,
Leading their numbers on. Behind them Dus and Polites,
Helenus, Priams son, Thrasymachus, grizzled Aretes,
Came like the tempest his father, Adamas, son of the Northwind
Orus old in the fight and Eumachus, kin to Aeneas,
Who was Cresas brother and richest of men in the Troad
After Antenor only and Priam, Ilions monarch.
Halamus drove and Arintheus led on his Lycian levies.
Who were the last to speed out of Troya of all those legions
Doomed to the sword? for never again from the ancient city
Foot would march or chariots crash in their pride to the Xanthus.
Aetor the old and Tryas the conqueror known by the Oxus.
They in the portals met and their ancient eyes on each other
Looked amazed, admiring on age the harness of battle.
They in the turreted head of the gateway halted and conversed.
Twenty years have passed, O Tryas, chief of the Trojans,
Since in the battle thy car was seen and the arm of thy prowess
Age has wronged. Why now to the crowded ways of the battle
Move once more thy body infirm and thy eyes that are faded?
And to Antenors brother the Teucrian, Thou too, O Aetor,
Old and weary hast sat in thy halls and desisted from battle.
Now in Troys portals I meet thee driving forth to the mellay.
Aetor answered, Which then is better, to wretchedly perish
Crushed by the stones of my falling house or slain like a victim
Dragged through the blood of my kin on the sacred hearth of my fathers,
Or in the battle to cease mid the war-cry and hymn of the chariots
Knowing that Troy yet stands in her pride though doomed in her morrows?
So have the young men willed and the old like thee who age not,
Old are thy limbs, but thy heart is still young and hot for the war-din.
Tryas replied, To perish is better for man or for nation
Nobly in battle, nor end disgraced by disease or subjection.
So have I come here to offer this shoulder Laomedon leaned on,
Arms that have fought by the Oxus and conquered the Orients heroes
Famous in Priams wars, and a heart that is faithful to Troya.
These I will offer to death on his splendid altar of battle,
Tri bute from Ilion. If she must fall, I shall see not her ending.
Aetor replied to Tryas, Then let us perish together,
Joined by the love of our race who in life were divided in counsel.
All things embrace in death and the strife and the hatred are ended.
Silent together they drove for the last time through Ilions portals
Out with the rest to the fight towards the sea and the spears of the Argives.
Only once, as they drove, they gazed back silent on Troya
Lifting her marble pride in the golden joy of the morning.
So through the ripening morn the army, crossing Scamander,
Filling the heavens with the dust and the war-cry, marched on the Argives.
Far in front Troys plain spread wide to the echoing Ocean.
***
~ Sri Aurobindo, 4 - The Book of Partings
,#NFDB |
1448: Book VIII: The Book of the Gods
So on the earth the seed that was sown of the centuries ripened;
Europe and Asia, met on their borders, clashed in the Troad.
All over earth men wept and bled and laboured, world-wide
Sowing Fate with their deeds and had other fruit than they hoped for,
Out of desires and their passionate griefs and fleeting enjoyments
Weaving a tapestry fit for the gods to admire, who in silence
Joy, by the cloud and the sunbeam veiled, and men know not their movers.
They in the glens of Olympus, they by the waters of Ida
Or in their temples worshipped in vain or with heart-strings of mortals
Sated their vast desire and enjoying the world and each other
Sported free and unscourged; for the earth was their prey and their playground.
But from his luminous deep domain, from his estate of azure
Zeus looked forth; he beheld the earth in its flowering greenness
Spread like an emerald dream that the eyes have enthroned in the sunlight,
Heard the symphonies old of the ocean recalling the ages
Lost and dead from its marches salt and unharvested furrows,
Felt in the pregnant hour the unborn hearts of the future.
Troubled kingdoms of men he beheld, the hind in the furrow,
Lords of the glebe and the serf subdued to the yoke of his fortunes,
Slavegirls tending the fire and herdsmen driving the cattle,
Artisans labouring long for a little hire in mens cities,
Labour long and the meagre reward for a toil that is priceless.
Kings in their seats august or marching swift with their armies
Founded ruthlessly brittle empires. Merchant and toiler
Patiently heaped up our transient wealth like the ants in their hillock.
And to preserve it all, to protect this dust that must perish,
Hurting the eternal soul and maiming heaven for some metal
Judges condemned their brothers to chains and to death and to torment,
Criminals scourgers of crime, for so are these ant-heaps founded,
Punishing sin by a worse affront to our crucified natures.
All the uncertainty, all the mistaking, all the delusion
Naked were to his gaze; in the moonlit orchards there wandered
Lovers dreaming of love that endurestill the moment of treason;
Helped by the anxious joy of their kindred supported their anguish
Women with travail racked for the child who shall rack them with sorrow.
Hopes that were confident, fates that sprang dire from the seed of a moment,
Yearning that claimed all time for its date and all life for its fuel,
All that we wonder at gazing back when the passion has fallen,
Labour blind and vain expense and sacrifice wasted,
These he beheld with a heart unshaken; to each side he studied
Seas of confused attempt and the strife and the din and the crying.
All things he pierced in us gazing down with his eyelids immortal,
Lids on which sleep dare not settle, the Father of men on his creatures;
Nor by the cloud and the mist was obscured which baffles our eyeballs,
But he distinguished our source and saw to the end of our labour.
He in the animal racked knew the god that is slowly delivered;
Therefore his heart rejoiced. Not alone the mind in its trouble
God beholds, but the spirit behind that has joy of the torture.
Might not our human gaze on the smoke of a furnace, the burning
Red, intolerable, anguish of ore that is fused in the hell-heat,
Shrink and yearn for coolness and peace and condemn all the labour?
Rather look to the purity coming, the steel in its beauty,
Rather rejoice with the master who stands in his gladness accepting
Heat of the glorious god and the fruitful pain of the iron.
Last the eternal gaze was fixed on Troy and the armies
Marching swift to the shock. It beheld the might of Achilles
Helmed and armed, knew all the craft in the brain of Odysseus,
Saw Deiphobus stern in his car and the fates of Aeneas,
Greece of her heroes empty, Troy enringed by her slayers,
Paris a setting star and the beauty of Penthesilea.
These things he saw delighted; the heart that contains all our ages
Blessed our toil and grew full of its fruits, as the Artist eternal
Watched his vehement drama staged twixt the sea and the mountains,
Phrased in the clamour and glitter of arms and closed by the firebrand,
Act itself out in blood and in passions fierce on the Troad.
Yet as a father his children, who sits in the peace of his study
Hearing the noise of his brood and pleased with their play and their quarrels,
So he beheld our mortal race. Then, turned from the armies,
Into his mind he gazed where Time is reflected and, conscient,
Knew the iron knot of our human fates in their warfare.
Calm he arose and left our earth for his limitless kingdoms.
Far from this lower blue and high in the death-scorning spaces
Lifted oer mortal mind where Time and Space are but figures
Lightly imagined by Thought divine in her luminous stillness,
Zeus has his palace high and there he has stabled his war-car.
Thence he descends to our mortal realms; where the heights of our mountains
Meet with the divine air, he touches and enters our regions.
Now he ascended back to his natural realms and their rapture,
There where all life is bliss and each feeling an ecstasy mastered.
Thence his eagle Thought with its flashing pinions extended
Winged through the world to the gods, and they came at the call, they ascended
Up from their play and their calm and their works through the infinite azure.
Some from our mortal domains in grove or by far-flowing river
Cool from the winds of the earth or quivering with perishable fragrance
Came, or our laughter they bore and the song of the sea in their paces.
Some from the heavens above us arrived, our vital dominions
Whence we draw breath; for there all things have life, the stone like the ilex,
Clay of those realms like the children of men and the brood of the giants.
There Enceladus groans oppressed and draws strength from his anguish
Under a living Aetna and flames that have joy of his entrails.
Fiercely he groans and rejoices expecting the end of his foemen
Hastened by every pang and counts long Time by his writhings.
There in the champaigns unending battle the gods and the giants,
There in eternal groves the lovers have pleasure for ever,
There are the faery climes and there are the wonderful pastures.
Some from a marvellous Paradise hundred-realmed in its musings,
Million-ecstasied, climbed like flames that in silence aspire
Windless, erect in a motionless dream, yet ascending for ever.
All grew aware of the will divine and were drawn to the Father.
Grandiose, calm in her gait, imperious, awing the regions,
Hera came in her pride, the spouse of Zeus and his sister.
As at her birth from the foam of the spaces white Aphrodite
Rose in the cloud of her golden hair like the moon in its halo.
Aegis-bearing Athene, shielded and helmeted, answered
Rushing the call and the heavens thrilled with the joy of her footsteps
Dumbly repeating her name, as insulted and trampled by beauty
Thrill might the soul of a lover and cry out the name of its tyrant.
Others there were as mighty; for Artemis, archeress ancient,
Came on her sandals lightning-tasselled. Up the vast incline
Shaking the world with the force of his advent thundered Poseidon;
Space grew full of his stride and his cry. Immortal Apollo
Shone and his silver clang was heard with alarm in our kingdoms.
Ares impetuous eyes looked forth from a cloud-drift of splendour;
Themis steps appeared and Ananke, the mystic Erinnys;
Nor was Hephaestus flaming strength from his father divided.
Even the ancient Dis to arrive dim-featured, eternal,
Seemed; but his rays are the shades and his voice is the call of the silence.
Into the courts divine they crowded, radiant, burning,
Perfect in utter grace and light. The joy of their spirits
Calls to eternal Time and the glories of Space are his answer:
Thence were these bright worlds born and persist by the throb of their heart-beats.
Not in the forms that mortals have seen when assisted they scatter
Mists of this earthly dust from their eyes in their moments of greatness
Shone those unaging Powers; nor as in our centuries radiant
Mortal-seeming bodies they wore when they mixed with our nations.
Then the long youth of the world had not faded still out of our natures,
Flowers and the sunlight were felt and the earth was glad like a mother.
Then for a human delight they were masked in this denser vesture
Earth desires for her bliss, thin veils, for the god through them glimmered.
Quick were mens days with the throng of the brilliant presences near them:
Gods from the wood and the valley, gods from the obvious wayside,
Gods on the secret hills leaped out from their light on the mortal.
Oft in the haunt and the grove they met with our kind and their touches
Seized and subjected our clay to the greatness of passions supernal,
Grasping the earthly virgin and forcing heaven on this death-dust.
Glorifying human beauty Apollo roamed in our regions
Clymene when he pursued or yearned in vain for Marpessa;
Glorifying earth with a human-seeming face of the beauty
Brought from her heavenly climes Aphrodite mixed with Anchises.
Glimpsed in the wilds were the Satyrs, seen in the woodlands the Graces,
Dryad and Naiad in river and forest, Oreads haunting
Glens and the mountain-glades where they played with the manes of our lions
Glimmered on death-claimed eyes; for the gods then were near us and clasped us,
Heaven leaned down in love with our clay and yearned to its transience.
But we have coarsened in heart and in mood; we have turned in our natures
Nearer our poorer kindred; leaned to the ant and the ferret.
Sight we have darkened with sense and power we have stifled with labour,
Likened in mood to the things we gaze at and are in our vestures:
Therefore we toil unhelped; we are left to our weakness and blindness.
Not in those veils now they rose to their skies, but like loose-fitting mantles
Dropped in the vestibules huge of their vigorous realms that besiege us
All that reminded of earth; then clothed with raiment of swiftness
Straight they went quivering up in a glory like fire or the storm-blast.
Even those natural vestures of puissance they leave when they enter
Minds more subtle fields and agree with its limitless regions
Peopled by creatures of bliss and forms more true than earths shadows,
Mind that pure from this density, throned in her splendours immortal
Looks up at Light and suffers bliss from ineffable kingdoms
Where beyond Mind and its rays is the gleam of a glory supernal:
There our sun cannot shine and our moon has no place for her lustres,
There our lightnings flash not, nor fire of these spaces is suffered.
They with bodies impalpable here to our touch and our seeing,
But for a higher delight, to a brighter sense, with more sweetness
Palpable there and visible, thrilled with a lordlier joyance,
Came to the courts of Zeus and his heavens sang to their footsteps.
Harmonies flowed through the blissful coils of the kingdoms of rapture.
Then by his mighty equals surrounded the Thunderer regnant
Veiled his thought in sound that was heard in their souls as they listened.
Veiled are the high gods always lest there should dawn on the mortal
Light too great from the skies and men to their destiny clear-eyed
Walk unsustained like the gods; then Night and Dawn were defeated
And of their masks the deities robbed would be slaves to their subjects.
Children of Immortality, gods who are joyous for ever,
Rapture is ours and eternity measures our lives by his aeons.
For we desireless toil who have joy in the fall as the triumph,
Knowledge eternal possessing we work for an end that is destined
Long already beyond by the Will of which Time is the courser.
Therefore death cannot alter our lives nor pain our enjoyment.
But in the world of mortals twilight is lord of its creatures.
Nothing they perfectly see, but all things seek and imagine,
Out of the clod who have come and would climb from their mire to our heavens.
Yet are the heavenly seats not easy even for the chosen:
Rough and remote is that path; that ascent is too hard for the death-bound.
Hard are Gods terms and few can meet them of men who are mortal.
Mind resists; their breath is a clog; by their tools they are hampered,
Blindly mistaking the throb of their mortal desires for our guidance.
How shall they win in their earth to our skies who are clay and a life-wind,
But that their hearts we invade? Our shocks on their lives come incessant,
Ease discourage and penetrate coarseness; sternness celestial
Forces their souls towards the skies and their bodies by anguish are sifted.
We in the mortal wake an immortal strength by our tortures
And by the flame of our lightnings choose out the vessels of godhead.
This is the nature of earth that to blows she responds and by scourgings
Travails excited; pain is the bed of her blossoms of pleasure.
Earth that was wakened by pain to life and by hunger to thinking
Left to her joys rests inert and content with her gains and her station.
But for the unbearable whips of the gods back soon to her matter
She would go glad and the goal would be missed and the aeons be wasted.
But for the god in their breasts unsatisfied, but for his spurrings
Soon would the hero turn beast and the sage reel back to the savage;
Man from his difficult heights would recoil and be mud in the earth-mud.
This by pain we prevent; we compel his feet to the journey.
But in their minds to impression made subject, by forms of things captured
Blind is the thought and presumptuous the hope and they swerve from our goading;
Blinded are human hearts by desire and fear and possession,
Darkened is knowledge on earth by hope the helper of mortals.
Now too from earth and her children voices of anger and weeping
Beat at our thrones; tis the grief and the wrath of fate-stricken creatures,
Mortals struggling with destiny, hearts that are slaves to their sorrow.
We unmoved by the cry will fulfil our unvarying purpose.
Troy shall fall at last and the ancient ages shall perish.
You who are lovers of Ilion turn from the moans of her people,
Chase from your hearts their prayers, blow back from your nostrils the incense.
Let not one nation resist by its glory the good of the ages.
Twilight thickens over man and he moves to his winter of darkness.
Troy that displaced with her force and her arms the luminous ancients,
Sinks in her turn by the ruder strength of the half-savage Achaians.
They to the Hellene shall yield and the Hellene fall by the Roman.
Rome too shall not endure, but by strengths ill-shaped shall be broken,
Nations formed in the ice and mist, confused and crude-hearted.
So shall the darker and ruder always prevail oer the brilliant
Till in its turn to a ruder and darker it falls and is shattered.
So shall mankind make speed to destroy what twas mighty creating.
Ever since knowledge failed and the ancient ecstasy slackened,
Light has been helper to death and darkness increases the victor.
So shall it last till the fallen ages return to their greatness.
For if the twilight be helped not, night oer the world cannot darken;
Night forbidden how shall a greater dawn be effected?
Gods of the light who know and resist that the doomed may have succour,
Always then shall desire and passion strive with Ananke?
Conquer the cry of your heart-strings that man too may conquer his sorrow,
Stilled in his yearnings. Cease, O ye gods, from the joy of rebellion.
Open the eye of the soul, admit the voice of the Silence.
So in the courts of Heaven august the Thunderer puissant
Spoke to his sons in their souls and they heard him, mighty in silence.
Then to her brother divine the white-armed passionless Hera:
Zeus, we remember; thy sons forget, Apollo and Ares.
Hera, queen of the heavens, they forget not, but choose to be mindless.
This is the greatness of gods that they know and can put back the knowledge;
Doing the work they have chosen they turn not for fruit nor for failure,
Griefless they walk to their goal and strain not their eyes towards the ending.
Light that they have they can lose with a smile, not as souls in the darkness
Clutch at every beam and mistake their one ray for all splendour.
All things are by Time and the Will eternal that moves us,
And for each birth its hour is set in the night or the dawning.
There is an hour for knowledge, an hour to forget and to labour.
Great Cronion ceased and high in the heavenly silence
Rose in their midst the voice of the loud impetuous Ares
Sounding far in the luminous fields of his soul as with thunder.
Father, we know and we have not forgotten. This is our godhead,
Still to strive and never to yield to the evil that conquers.
I will not dwell with the Greeks nor aid them save forced by Ananke
And because lives of the great and the blood of the strong are my portion.
This too thou knowest, our nature enjoys in mankind its fulfilment.
War is my nature and greatness and hardness, the necks of the vanquished;
Force is my soul and strength is my bosom; I shout in the battle
Breaking cities like toys and the nations are playthings of Ares:
Hither and thither I shove them and throw down or range on my table.
Constancy most I love, nobility, virtue and courage;
Fugitive hearts I abhor and the nature fickle as sea-foam.
Now if the ancient spirit of Titan battle is over,
Tros fights no more on the earth, nor now Heracles tramples and struggles,
Bane of the hydra or slaying the Centaurs oer Pelion driven,
Now if the earth no more must be shaken by Titan horsehooves,
Since to a pettier framework all things are fitted consenting,
Yet will I dwell not in Greece nor favour the nurslings of Pallas.
I will await the sons of my loins and the teats of the she-wolf,
Consuls browed like the cliffs and plebeians stern of the wolf-brood,
Senates of kings and armies of granite that grow by disaster;
Such be the nation august that is fit for the favour of Ares!
They shall fulfil me and honour my mother, imperial Hera.
Then with an iron march they shall move to their world-wide dominion,
Through the long centuries rule and at last because earth is impatient,
Slowly with haughtiness perish compelled by mortalitys transience
Leaving a Roman memory stamped on the ages of weakness.
But to his son far-sounding the Father high of the Immortals:
So let it be since such is the will in thee, mightiest Ares;
Thou shalt till sunset prevail, O war-god, fighting for Troya.
So he decreed and the soul of the Warrior sternly consented.
He from his seats arose and down on the summits of Ida
Flaming through Space in his cloud in a headlong glory descended,
Prone like a thunderbolt flaming down from the hand of the Father.
Thence in his chariot drawn by living fire and by swiftness,
Thundered down to earths plains the mighty impetuous Ares.
Far where Deiphobus stern was labouring stark and outnumbered
Smiting the Achaian myriads back on the right of the carnage,
Over the hosts in his car he stood and darkened the Argives.
But in the courts divine the Thunderer spoke to his children:
Ares resisting a present Fate for the hope of the future,
Gods, has gone forth from us. Choose thou thy paths, O my daughter,
More than thy brother assailed by the night that darkens oer creatures.
Choose the silence in heaven or choose the struggle mid mortals,
Golden joy of the worlds, O thou roseate white Aphrodite.
Then with her starry eyes and bosom of bliss from the immortals
Glowing and rosy-limbed cried the wonderful white Aphrodite,
Drawing her fingers like flowers through the flowing gold of her tresses,
Calm, discontented, her perfect mouth like a rose of resistance
Chidingly budded gainst Fate, a charm to their senses enamoured.
Well do I know thou hast given my world to Hera and Pallas.
What though my temples shall stand in Paphos and island Cythera
And though the Greek be a priest for my thoughts and a lyre for my singing,
Beauty pursuing and light through the figures of grace and of rhythm,
Forms shall he mould for mens eyes that the earth has forgotten and mourns for,
Mould even the workings of Pallas to commune with Paphias sweetness,
Mould Hephaestus craft in the gaze of the gold Aphrodite,
Only my form he pursues that I wear for a mortal enchantment,
He to whom now thou givest the world, the Ionian, the Hellene,
But for my might is unfit which Babylon worshipped and Sidon
Palely received from the past in images faint of the gladness
Once that was known by the children of men when the thrill of their members
Was but the immortal joy of the spirit overflowing their bodies,
Wine-cups of Gods desire; but their clay from my natural greatness
Falters betrayed to pain, their delight they have turned into ashes.
Nor to my peaks shall he rise and the perfect fruit of my promptings,
There where the senses swoon but the heart is delivered by rapture:
Never my touch can cling to his soul nor reply from his heart-strings.
Once could my godhead surprise all the stars with the seas of its rapture;
Once the world in its orbit danced to a marvellous rhythm.
Men in their limits, gods in their amplitudes answered my calling;
Life was moved by a chant of delight that sang from the spaces,
Sang from the Soul of the Vast, its rapture clasping its creatures.
Sweetly agreed my fire with their soil and their hearts were as altars.
Pure were its crests; twas not dulled with earth, twas not lost in the hazes
Then when the sons of earth and the daughters of heaven together
Met on lone mountain peaks or, linked on wild beach and green meadow,
Twining embraced. For I danced on Taygetus peaks and oer Ida
Naked and loosing my golden hair like a nimbus of glory
Oer a deep-ecstasied earth that was drunk with my roses and whiteness.
There was no shrinking nor veil in our old Saturnian kingdoms.
Equals were heaven and earth, twin gods on the lap of Dione.
Now shall my waning greatness perish and pass out of Nature.
For though the Romans, my children, shall grasp at the strength of their mother,
They shall not hold the god, but lose in unsatisfied orgies
Yet what the earth has kept of my joy, my glory, my puissance,
Who shall but drink for a troubled hour in the dusk of the sunset
Dregs of my wine Pandemian missing the Uranian sweetness.
So shall the night descend on the greatness and rapture of living;
Creeds that refuse shall persuade the world to revolt from its mother.
Pallas adorers shall loa the me and Heras scorn me for lowness;
Beauty shall pass from mens work and delight from their play and their labour;
Earth restored to the Cyclops shall shrink from the gold Aphrodite.
So shall I live diminished, owned but by beasts in the forest,
Birds of the air and the gods in their heavens, but disgraced in the mortal.
Then to the discontented rosy-mouthed Aphrodite
Zeus replied, the Father divine: O goddess Astarte,
What are these thoughts thou hast suffered to wing from thy rose-mouth immortal?
Bees that sting and delight are the words from thy lips, Cytherea.
Art thou not womb of the world and from thee are the thronging of creatures?
And didst thou cease the worlds too would cease and the aeons be ended.
Suffer my Greeks; accept who accept thee, O gold Dionaean.
They in the works of their craft and their dreams shall enthrone thee for ever,
Building thee temples in Paphos and Eryx and island Cythera,
Building the fane more enduring and bright of thy golden ideal.
Even if natures of men could renounce thee and God do without thee,
Rose of love and sea of delight, O my child Aphrodite,
Still wouldst thou live in the worship they gave thee protected from fading,
Splendidly statued and shrined in mens works and mens thoughts, Cytherea.
Pleased and blushing with bliss of her praise and the thought of her empire
Answered, as cries a harp in heaven, the gold Aphrodite:
Father, I know and I spoke but to hear from another my praises.
I am the womb of the world and the cause of this teeming of creatures,
And if discouraged I ceased, Gods world would lose heart and would perish.
How will you do then without me your works of wisdom and greatness,
Hera, queen of heaven, and thou, O my sister Athene?
Yes, I shall reign and endure though the pride of my workings be conquered.
What though no second Helen find a second Paris,
Lost though their glories of form to the earth, though their confident gladness
Pass from a race misled and forgetting the sap that it sprang from,
They are eternal in man in the worship of beauty and rapture.
Ever while earth is embraced by the sun and hot with his kisses
And while a Will supernal works through the passions of Nature,
Me shall men seek with my light or their darkness, sweetly or crudely,
Cold on the ice of the north or warm in the heats of the southland,
Slowly enduring my touch or with violence rapidly burning.
I am the sweetness of living, I am the touch of the Master.
Love shall die bound to my stake like a victim adorned as for bridal,
Life shall be bathed in my flames and be purified gold or be ashes.
I, Aphrodite, shall move the world for ever and ever.
Yet now since most to me, Father of all, the ages arriving,
Hostile, rebuke my heart and turn from my joy and my sweetness,
I will resist and not yield, nor care what I do, so I conquer.
Often I curbed my mood for your sakes and was gracious and kindly,
Often I lay at Heras feet and obeyed her commandments
Tranquil and proud or oercome by a honeyed and ancient compulsion
Fawned on thy pureness and served thy behests, O my sister Pallas.
Deep was the love that united us, happy the wrestle and clasping;
Love divided, Love united, Love was our mover.
But since you now overbear and would scourge me and chain and control me,
War I declare on you all, O my Father and brothers and sisters.
Henceforth I do my will as the joy in me prompts or the anger.
Ranging the earth with my beauty and passion and golden enjoyments
All whom I can, I will bind; I will drive at the bliss of my workings,
Whether mens hearts are seized by the joy or seized by the torture.
Most I will plague your men, your worshippers and in my malice
Break up your works with confusion divine, O my mother and sister;
Then shall you fume and resist and be helpless and pine with my torments.
Yet will I never relent but always be sweet and malignant,
Cruel and tyrannous, hurtful and subtle, a charm and a torture.
Thou too, O father Zeus, shalt always be vexed with my doings;
Called in each moment to judge thou shalt chafe at our cry and our quarrels,
Often grope for thy thunderbolt, often frown magisterial
Joining in vain thy awful brows oer thy turbulent children.
Yet in thy wrath recall my might and my wickedness, Father;
Hurt me not then too much lest the world and thyself too should suffer.
Save, O my Father, life and grace and the charm of the senses;
Love preserve lest the heart of the world grow dulled and forsaken.
Smiling her smile immortal of love and of mirth and of malice
White Aphrodite arose in her loveliness armed for the conflict.
Golden and careless and joyous she went like a wild bird that winging
Flits from bough to bough and resumes its chant interrupted.
Love where her white feet trod bloomed up like a flower from the spaces;
Mad round her touches billowed incessantly laughter and rapture.
Thrilled with her feet was the bosom of Space, for her amorous motion
Floated, a flower on the wave of her bliss or swayed like the lightning.
Rich as a summer fruit and fresh as Springs blossoms her body
Gleaming and blushing, veiled and bare and with ecstasy smiting
Burned out rosy and white through her happy ambrosial raiment,
Golden-tressed and a charm, her bosom a fragrance and peril.
So was she framed to the gaze as she came from the seats of the Mighty,
So embodied she visits the hearts of men and their dwellings
And in her breathing tenement laughs at the eyes that can see her.
Swift-footed down to the Troad she hastened thrilling the earth-gods.
There with ambrosial secrecy veiled, admiring the heroes
Strong and beautiful, might of the warring and glory of armour,
Over her son Aeneas she stood, his guard in the battle.
But in the courts divine the Thunderer spoke mid his children:
Thou for a day and a night and another day and a nightfall,
White Aphrodite, prevail; oer thee too the night is extended.
She has gone forth who made men like gods in their glory and gladness.
Now in the darkness coming all beauty must wane or be tarnished;
Joy shall fade and mighty Love grow fickle and fretful;
Even as a child that is scared in the night, he shall shake in his chambers.
Yet shall a portion be kept for these, Ares and white Aphrodite.
Thou whom already thy Pythoness bears not, torn by thy advent,
Caverned already who sittest in Delphi knowing thy future,
What wilt thou do with the veil and the night, O burning Apollo?
Then from the orb of his glory unbearable save to immortals
Bright and austere replied the beautiful mystic Apollo:
Zeus, I know that I fade; already the night is around me.
Dusk she extends her reign and obscures my lightnings with error.
Therefore my prophets mislead mens hearts to the ruin appointed,
Therefore Cassandra cries in vain to her sire and her brothers.
All I endure I foresee and the strength in me waits for its coming;
All I foresee I approve; for I know what is willed, O Cronion.
Yet is the fierce strength wroth in my breast at the need of approval
And for the human race fierce pity works in my bosom;
Wroth is my splendid heart with the cowering knowledge of mortals,
Wroth are my burning eyes with the purblind vision of reason.
I will go forth from your seats and descend to the night among mortals
There to guard the flame and the mystery; vast in my moments
Rare and sublime to sound like a sea against Time and its limits,
Cry like a spirit in pain in the hearts of the priest and the poet,
Cry against limits set and disorder sanities bounded.
Jealous for truth to the end my might shall prevail and for ever
Shatter the moulds that men make to imprison their limitless spirits.
Dire, overpowering the brain I shall speak out my oracles splendid.
Then in their ages of barren light or lucidity fruitful
Whenso the clear gods think they have conquered earth and its mortals,
Hidden God from all eyes, they shall wake from their dream and recoiling
Still they shall find in their paths the fallen and darkened Apollo.
So he spoke, repressing his dreadful might in his bosom,
And from their high seats passed, his soul august and resplendent
Drawn to the anguish of men and the fierce terrestrial labour.
Down he dropped with a roar of light invading the regions,
And in his fierce and burning spirit intense and uplifted
Sure of his luminous truth and careless for weakness of mortals
Flaming oppressed the earth with his dire intolerant beauty.
Over the summits descending that slept in the silence of heaven,
He through the spaces angrily drew towards the tramp and the shouting
Over the speeding of Xanthus and over the pastures of Troya.
Clang of his argent bow was the wrath restrained of the mighty,
Stern was his pace like Fates; so he came to the warfare of mortals
And behind Paris strong and inactive waited Gods moment
Knowing what should arrive, nor disturbed like men by their hopings.
But in the courts of Heaven Zeus to his brother immortal
Turned like a menaced king on his counsellor smiling augustly:
Seest thou, Poseidon, this sign that great gods revolting have left us,
Follow their hearts and strive with Ananke? Yet though they struggle,
Thou and I will do our will with the world, O earth-shaker.
Answered to Zeus the besieger of earth, the voice of the waters:
This is our strength and our right, for we are the kings and the masters.
Too much pity has been and yielding of Heaven to mortals.
I will go down with my chariot drawn by my thunder-maned coursers
Into the battle and thrust down Troy with my hand to the silence,
Even though she cling round the snowy knees of our child Aphrodite
Or with Apollos sun take refuge from Night and her shadows.
I will not pity her pain, who am ruthless even as my surges.
Brother, thou knowest, O Zeus, that I am a king and a trader;
For on my paths I receive earths skill and her merchandise gather,
Traffic richly in pearls and bear the swift ships on my bosom.
Blue are my waves and they call mens hearts to wealth and adventure.
Lured by the shifting surges they launch their delight and their treasures
Trusting the toil of years to the perilous moments of Ocean.
Huge mans soul in its petty frame goes wrestling with Nature
Over her vasts and his fragile ships between my horizons
Buffeting death in his solitudes labour through swell and through storm-blast
Bound for each land with her sons and watched for by eyes in each haven.
I from Tyre up to Gades trace on my billows their trade-routes
And on my vast and spuming Atlantic suffer their rudders.
Carthage and Greece are my children, the marts of the world are my term-posts.
Who then deserves the earth if not he who enriches and fosters?
But thou hast favoured thy sons, O Zeus; O Hera, earths sceptres
Still were denied me and kept for strong Ares and brilliant Apollo.
Now all your will shall be done, so you give me the earth for my nations.
Gold shall make men like gods and bind their thoughts into oneness;
Peace I will build with gold and heaven with the pearls of my caverns.
Smiling replied to his brothers craft the mighty Cronion:
Lord of the boundless seas, Poseidon, soul of the surges,
Well thou knowest that earth shall be seized as a booth for the trader.
Rome nor Greece nor France can drive back Carthage for ever.
Always each birth of the silence attaining the field and the movement
Takes from Time its reign; for it came for its throne and its godhead.
So too shall Mammon take and his sons their hour from the ages.
Yet is the flame and the dust last end of the silk and the iron,
And at their end the king and the prophet shall govern the nations.
Even as Troy, so shall Babylon flame up to heaven for the spoiler
Wailed by the merchant afar as he sees the red glow from the ocean.
Up from the seats of the Mighty the Earth-shaker rose. His raiment
Round him purple and dominant rippled and murmured and whispered,
Whispered of argosies sunk and the pearls and the Nereids playing,
Murmured of azure solitudes, sounded of storm and the death-wail.
Even as the march of his waters so was the pace of the sea-god
Flowing on endless through Time; with the glittering symbol of empire
Crowned were his fatal brows; in his grasp was the wrath of the trident,
Tripled force, life-shattering, brutal, imperial, sombre.
Resonant, surging, vast in the pomp of his clamorous greatness
Proud and victorious he came to his home in the far-spuming waters.
Even as a soul from the heights of thought plunges back into living,
So he plunged like a rock through the foam; for it falls from a mountain
Overpeering the waves in some silence of desolate waters
Left to the wind and the sea-gull where Ocean alone with the ages
Dreams of the calm of the skies or tosses its spray to the wind-gods,
Tosses for ever its foam in the solitude huge of its longings
Far from the homes and the noises of men. So the dark-browed Poseidon
Came to his coral halls and the sapphire stables of Nereus
Ever where champ their bits the harnessed steeds of the Ocean
Watched by foam-white girls in the caverns of still Amphitrite.
There was his chariot yoked by the Tritons, drawn by his coursers
Born of the fleeing sea-spray and shod with the northwind who journey
Black like the front of the storm and clothed with their manes as with thunder.
This now rose from its depths to the upper tumults of Ocean
Bearing the awful brows and the mighty form of the sea-god
And from the roar of the surges fast oer the giant margin
Came remembering the storm and the swiftness wide towards the Troad.
So among men he arrived to the clamorous labours of Ares,
Close by the stern Diomedes stood and frowned oer the battle.
He for the Trojan slaughter chose for his mace and his sword-edge
Iron Tydeus son and the adamant heart of young Pyrrhus.
But in the courts divine the Father high of the immortals
Turned in his heart to the brilliant offspring born of his musings,
She who tranquil observes and judges her father and all things.
What shall I say to the thought that is calm in thy breasts, O Athene?
Have I not given thee earth for thy portion, throned thee and armoured,
Darkened Cypris smile, dimmed Heras son and Latonas?
Swift in thy silent ambition, proud in thy radiant sternness,
Girl, thou shalt rule with the Greek and the Saxon, the Frank and the Roman.
Worker and fighter and builder and thinker, light of the reason,
Men shall leave all temples to crowd in thy courts, O Athene.
Go then and do my will, prepare mans tribes for their fullness.
But with her high clear smile on him answered the mighty Athene,
Wisely and soberly, tenderly smiled she chiding her father
Even as a mother might rail at her child when he hides and dissembles:
Zeus, I see and I am not deceived by thy words in my spirit.
We but build forms for thy thought while thou smilest down high oer our toiling;
Even as men are we tools for thee, who are thy children and dear ones.
All this life is thy sport and thou workst like a boy at his engines
Making a toil of the game and a play of the serious labour.
Then to that play thou callest us wearing a sombre visage,
This consulting, that to our wills confiding, O Ruler;
Choosing thy helpers, hastened by those whom thou lurest to oppose thee
Guile thou usest with gods as with mortals, scheming, deceiving,
And at the wrath and the love thou hast prompted laughest in secret.
So we two who are sisters and enemies, lovers and rivals,
Fondled and baffled in turn obey thy will and thy cunning,
I, thy girl of war, and the rosy-white Aphrodite.
Always we served but thy pleasure since our immortal beginnings,
Always each other we helped by our play and our wrestlings and quarrels.
This too I know that I pass preparing the paths of Apollo
And at the end as his sister and slave and bride I must sojourn
Rapt to his courts of mystic light and unbearable brilliance.
Was I not ever condemned since my birth from the toil of thy musings
Seized like a lyre in my body to sob and to laugh out his music,
Shake as a leaf in his fierceness and leap as a flame in his splendours!
So must I dwell overpowered and so must I labour subjected
Robbed of my loneliness pure and coerced in my radiant freedom,
Now whose clearness and pride are the sovereign joy of thy creatures.
Such the reward that thou keepst for my labour obedient always.
Yet I work and I do thy will, for tis mine, O my father.
Proud of her ruthless lust of thought and action and battle,
Swift-footed rose the daughter of Zeus from her sessions immortal:
Breasts of the morning unveiled in a purity awful and candid,
Head of the mighty Dawn, the goddess Pallas Athene!
Strong and rapacious she swooped on the world as her prey and her booty
Down from the courts of the Mighty descending, darting on Ida.
Dire she descended, a god in her reason, a child in her longings,
Joy and woe to the world that is given to the whims of the child-god
Greedy for rule and play and the minds of men and their doings!
So with her aegis scattering light oer the heads of the nations
Shining-eyed in her boyish beauty severe and attractive
Came to the fields of the Troad, came to the fateful warfare,
Veiled, the goddess calm and pure in her luminous raiment
Zoned with beauty and strength. Rejoicing, spurring the fighters
Close oer Odysseus she stood and clear-eyed governed the battle.
Zeus to Hephaestus next, the Cyclopean toiler
Turned, Hephaestus the strong-souled, priest and king and a bond-slave,
Servant of men in their homes and their workshops, servant of Nature,
He who has built these worlds and kindles the fire for a mortal.
Thou, my son, art obedient always. Wisdom is with thee,
Therefore thou knowst and obeyest. Submission is wisdom and knowledge;
He who is blind revolts and he who is limited struggles:
Strife is not for the infinite; wisdom observes to accomplish.
Troy and her sons and her works are thy food today, O Hephaestus.
And to his father the Toiler answered, the silent Seer:
Yes, I obey thee, my Father, and That which than thou is more mighty;
Even as thou obeyest by rule, so I by my labour.
Now must I heap the furnace, now must I toil at the smithy,
I who have flamed on the altar of sacrifice helping the sages.
I am the Cyclops, the lamester, who once was pure and a high-priest.
Holy the pomp of my flames ascendant from pyre and from altar
Robed mens souls for their heavens and my smoke was a pillar to Nature.
Though I have burned in the sight of the sage and the heart of the hero,
Now is no nobler hymn for my ear than the clanging of metal,
Breath of human greed and the dolorous pant of the engines.
Still I repine not, but toil; for to toil I was yoked by my Maker.
I am your servant, O Gods, and his of whom you are servants.
But to the toiler Zeus replied, to the servant of creatures:
What is the thought thou hast uttered betrayed by thy speech, O Hephaestus?
True is it earth shall grow as a smithy, the smoke of the furnace
Fill mens eyes and their souls shall be stunned with the clang of the hammers;
Yet in the end there is rest on the peak of a labour accomplished.
Nor shall the might of the thinker be quelled by that iron oppression,
Nor shall the soul of the warrior despair in the darkness triumphant;
For when the night shall be deepest, dawn shall increase on the mountains
And in the heart of the worst the best shall be born by my wisdom.
Pallas thy sister shall guard mans knowledge fighting the earth-smoke.
Thou too art mighty to live through the clamour even as Apollo.
Work then, endure; expect from the Silence an end and thy wages.
So King Hephaestus arose and passed from the courts of his father;
Down upon earth he came with his lame omnipotent motion;
And with uneven steps absorbed and silent the Master
Worked employed mid the wheels of the cars as a smith in his smithy,
But it was death and bale that he forged, not the bronze and the iron.
Stark, like a fire obscured by its smoke, through the spear-casts he laboured
Helping Ajax war and the Theban and Phocian fighters.
Zeus to his grandiose helper next, who proved and unmoving,
Calm in her greatness waited the mighty comm and of her husband:
Hera, sister and spouse, what my will is thou knowest, O consort.
One are our blood and our hearts, nor the thought for the words of the speaker
Waits, but each other we know and ourselves and the Vast and the heavens,
Life and all between and all beyond and the ages.
That which Space not knows nor Time, we have known, O my sister.
Therefore our souls are one soul and our minds become mirrors of oneness.
Go then and do my will, O thou mighty one, burning down Troya.
Silent she rose from the seats of the Blissful, Hera majestic,
And with her flowing garment and mystical zone through the spaces
Haloed came like the moon on an evening of luminous silence
Down upon Ida descending, a snow-white swan on the greenness,
Down upon Ida the mystic haunted by footsteps immortal
Ever since out of the Ocean it rose and lived gazing towards heaven.
There on a peak of the mountains alone with the sea and the azure
Voiceless and mighty she paused like a thought on the summits of being
Clasped by all heaven; the winds at play in her gust-scattered raiment
Sported insulting her gracious strength with their turbulent sweetness,
Played with their mother and queen; but she stood absorbed and unheeding,
Mute, with her sandalled foot for a moment thrilling the grasses,
Dumbly adored by a soul in the mountains, a thought in the rivers,
Roared to loud by her lions. The voice of the cataracts falling
Entered her soul profound and it heard eternitys rumour.
Silent its gaze immense contained the wheeling of aeons.
Huge-winged through Time flew her thought and its grandiose vast revolutions
Turned and returned. So musing her timeless creative spirit,
Master of Time, its instrument, grieflessly hastening forward
Parted with greatnesses dead and summoned new strengths from their stables;
Maned they came to her call and filled with their pacings the future.
Calm, with the vision satisfied, thrilled by the grandeurs within her,
Down in a billow of whiteness and gold and delicate raiment
Gliding the daughter of Heaven came to the earth that received her
Glad of the tread divine and bright with her more than with sunbeams.
King Agamemnon she found and smiling on Spartas levies
Mixed unseen with the far-glinting spears of haughty Mycenae.
Then to the Mighty who tranquil abode and august in his regions
Zeus, while his gaze over many forms and high-seated godheads
Passed like a swift-fleeing eagle over the peaks and the glaciers
When to his eyrie he flies alone through the vastness and silence:
Artemis, child of my loins and you, O legioned immortals,
All you have heard. Descend, O ye gods, to your sovereign stations,
Labour rejoicing whose task is joy and your bliss is creation;
Shrink from no act that Necessity asks from your luminous natures.
Thee I have given no part in the years that come, O my daughter,
Huntress swift of the worlds who with purity all things pursuest.
Yet not less is thy portion intended than theirs who oerpass thee:
Helped are the souls that wait more than strengths soon fulfilled and exhausted.
Archeress, brilliance, wait thine hour from the speed of the ages.
So they departed, Artemis leading lightning-tasselled.
Ancient Themis remained and awful Dis and Ananke.
Then mid these last of the gods who shall stand when all others have perished,
Zeus to the Silence obscure under iron brows of that goddess,
Griefless, unveiled was her visage, dire and unmoved and eternal:
Thou and I, O Dis, remain and our sister Ananke.
That which the joyous hearts of our children, radiant heaven-moths
Flitting mid flowers of sense for the honey of thought have not captured,
That which Poseidon forgets mid the pomp and the roar of his waters,
We three keep in our hearts. By the Light that I watch for unsleeping,
By thy tremendous consent to the silence and darkness, O Hades,
By her delight renounced and the prayers and the worship of mortals
Making herself as an engine of God without bowels or vision,
Yet in that engine are only heart-beats, yet is her riddle
Only Love that is veiled and pity that suffers and slaughters,
We three are free from ourselves, O Dis, and free from each other.
Do then, O King of the Night, observe then with Time for thy servant
Not my behest, but What she and thou and I are for ever.
Mute the Darkness sat like a soul unmoved through the aeons,
Then came a voice from the silence of Dis, from the night there came wisdom.
Yes, I have chosen and that which I chose I endure, O Cronion,
Though to the courts of the gods I come as a threat and a shadow,
Even though none to their counsels call me, none to their pastime,
None companions me willingly; even thy daughter, my consort,
Trembling whom once from our sister Demeter I plucked like a blossom
Torn from Sicilian fields, while Fate reluctant, consenting,
Bowed her head, lives but by her gasps of the sun and the azure;
Stretched are her hands to the light and she seeks for the clasp of her mother.
I, I am Night and her reign and that of which Night is a symbol.
All to me comes, even thou shalt come to me, brilliant Cronion.
All here exists by me whom all walk fearing and shunning;
He who shuns not, He am I and thou and Ananke.
All things I take to my bosom that Life may be swift in her voyage;
For out of death is Life and not by birth and her motions
And behind Night is light and not in the sun and his splendours.
Troy to the Night I will gather a wreath for my shadows, O grower.
So in his arrogance dire the vast invincible Death-god
Triumphing passed out of heaven with Themis and silent Ananke.
Zeus alone in the spheres of his bliss, in his kingdoms of brilliance
Sat divine and alarmed; for even the gods in their heavens
Scarce shall live who have gazed on the unveiled face of Ananke,
Heard the accents dire of the Darkness that waits for the ages.
Awful and dull grew his eyes and mighty and still grew his members.
Back from his nature he drew to the passionless peaks of the spirit,
Throned where it dwells for ever uplifted and silent and changeless
Far beyond living and death, beyond Nature and ending of Nature.
There for a while he dwelt veiled, protected from Dis and his greatness;
Then to the works of the world he returned and the joy of his musings.
Life and the blaze of the mighty soul that he was of Gods making
Dawned again in the heavenly eyes and the majestied semblance.
Comforted heaven he beheld, to the green of the earth was attracted.
But through this Space unreal, but through these worlds that are shadows
Went the awful Three. None saw them pass, none felt them.
Only in the heavens was a tread as of death, in the air was a winter,
Earth oppressed moaned long like a woman striving with anguish.
Ida saw them not, but her grim lions cowered in their caverns,
Ceased for a while on her slopes the eternal laughter of fountains.
Over the ancient ramparts of Dardanus high-roofed city
Darkening her victor domes and her gardens of life and its sweetness
Silent they came. Unseen and unheard was the dreadful arrival.
Troy and her gods dreamed secure in the moment flattered by sunlight.
Dim to the citadel high they arrived and their silence invaded
Pallas marble shrine where stern and white in her beauty,
Armed on her pedestal, trampling the prostrate image of darkness
Mighty Athenes statue guarded imperial Troya.
Dim and vast they entered in. Then through all the great city
Huge a rushing sound was heard from her gardens and places
And in their musings her seers as they strove with night and with error
And in the fane of Apollo Laocoon torn by his visions
Heard aghast the voice of Troys deities fleeing from Troya,
Saw the flaming lords of her households drive in a death-rout
Forth from her ancient halls and their noble familiar sessions.
Ghosts of her splendid centuries wailed on the wings of the doom-blast.
Moaning the Dryads fled and her Naiads passed from Scamander
Leaving the world to deities dumb of the clod and the earth-smoke,
And from their tombs and their shrines the shadowy Ancestors faded.
Filled was the air with their troops and the sound of a vast lamentation.
Wailing they went, lamenting mortalitys ages of greatness,
Ruthless Anankes deeds and the mortal conquests of Hades.
Then in the fane Palladian the shuddering priests of Athene
Entered the darkened shrine and saw on the suffering marble
Shattered Athenes mighty statue prostrate as conquered,
But on its pedestal rose oer the unhurt image of darkness
Awful shapes, a Trinity dim and dire unto mortals.
Dumb they fell down on the earth and the life-breath was slain in their bosoms.
And in the noon there was night. And Apollo passed out of Troya.
***
~ Sri Aurobindo, 8 - The Book of the Gods
,#NFDB |
1449:BOOK THE ELEVENTH
The Death of Orpheus
Here, while the Thracian bard's enchanting strain
Sooths beasts, and woods, and all the listn'ing plain,
The female Bacchanals, devoutly mad,
In shaggy skins, like savage creatures, clad,
Warbling in air perceiv'd his lovely lay,
And from a rising ground beheld him play.
When one, the wildest, with dishevel'd hair,
That loosely stream'd, and ruffled in the air;
Soon as her frantick eye the lyrist spy'd,
See, see! the hater of our sex, she cry'd.
Then at his face her missive javelin sent,
Which whiz'd along, and brusht him as it went;
But the soft wreathes of ivy twisted round,
Prevent a deep impression of the wound.
Another, for a weapon, hurls a stone,
Which, by the sound subdu'd as soon as thrown,
Falls at his feet, and with a seeming sense
Implores his pardon for its late offence.
But now their frantick rage unbounded grows,
Turns all to madness, and no measure knows:
Yet this the charms of musick might subdue,
But that, with all its charms, is conquer'd too;
In louder strains their hideous yellings rise,
And squeaking horn-pipes eccho thro' the skies,
Which, in hoarse consort with the drum, confound
The moving lyre, and ev'ry gentle sound:
Then 'twas the deafen'd stones flew on with speed,
And saw, unsooth'd, their tuneful poet bleed.
The birds, the beasts, and all the savage crew
Which the sweet lyrist to attention drew,
Now, by the female mob's more furious rage,
Are driv'n, and forc'd to quit the shady stage.
Next their fierce hands the bard himself assail,
Nor can his song against their wrath prevail:
They flock, like birds, when in a clustring flight,
By day they chase the boding fowl of night.
So crowded amphitheatres survey
The stag, to greedy dogs a future prey.
Their steely javelins, which soft curls entwine
Of budding tendrils from the leafy vine,
For sacred rites of mild religion made,
Are flung promiscuous at the poet's head.
Those clods of earth or flints discharge, and these
Hurl prickly branches sliver'd from the trees.
And, lest their passion shou'd be unsupply'd,
The rabble crew, by chance, at distance spy'd
Where oxen, straining at the heavy yoke,
The fallow'd field with slow advances broke;
Nigh which the brawny peasants dug the soil,
Procuring food with long laborious toil.
These, when they saw the ranting throng draw near,
Quitted their tools, and fled, possest with fear.
Long spades, and rakes of mighty size were found,
Carelesly left upon the broken ground.
With these the furious lunaticks engage,
And first the lab'ring oxen feel their rage;
Then to the poet they return with speed,
Whose fate was, past prevention, now decreed:
In vain he lifts his suppliant hands, in vain
He tries, before, his never-failing strain.
And, from those sacred lips, whose thrilling sound
Fierce tygers, and insensate rocks cou'd wound,
Ah Gods! how moving was the mournful sight!
To see the fleeting soul now take its flight.
Thee the soft warblers of the feather'd kind
Bewail'd; for thee thy savage audience pin'd;
Those rocks and woods that oft thy strain had led,
Mourn for their charmer, and lament him dead;
And drooping trees their leafy glories shed.
Naids and Dryads with dishevel'd hair
Promiscuous weep, and scarfs of sable wear;
Nor cou'd the river-Gods conceal their moan,
But with new floods of tears augment their own.
His mangled limbs lay scatter'd all around,
His head, and harp a better fortune found;
In Hebrus' streams they gently roul'd along,
And sooth'd the waters with a mournful song.
Soft deadly notes the lifeless tongue inspire,
A doleful tune sounds from the floating lyre;
The hollows banks in solemn consort mourn,
And the sad strain in ecchoing groans return.
Now with the current to the sea they glide,
Born by the billows of the briny tide;
And driv'n where waves round rocky Lesbos roar,
They strand, and lodge upon Methymna's shore.
But here, when landed on the foreign soil,
A venom'd snake, the product of the isle
Attempts the head, and sacred locks embru'd
With clotted gore, and still fresh-dropping blood.
Phoebus, at last, his kind protection gives,
And from the fact the greedy monster drives:
Whose marbled jaws his impious crime atone,
Still grinning ghastly, tho' transform'd to stone.
His ghost flies downward to the Stygian shore,
And knows the places it had seen before:
Among the shadows of the pious train
He finds Eurydice, and loves again;
With pleasure views the beauteous phantom's charms,
And clasps her in his unsubstantial arms.
There side by side they unmolested walk,
Or pass their blissful hours in pleasing talk;
Aft or before the bard securely goes,
And, without danger, can review his spouse.
The Thracian Women transform'd to Trees
Bacchus, resolving to revenge the wrong,
Of Orpheus murder'd, on the madding throng,
Decreed that each accomplice dame should stand
Fix'd by the roots along the conscious land.
Their wicked feet, that late so nimbly ran
To wreak their malice on the guiltless man,
Sudden with twisted ligatures were bound,
Like trees, deep planted in the turfy ground.
And, as the fowler with his subtle gins,
His feather'd captives by the feet entwines,
That flutt'ring pant, and struggle to get loose,
Yet only closer draw the fatal noose;
So these were caught; and, as they strove in vain
To quit the place, they but encreas'd their pain.
They flounce and toil, yet find themselves controul'd;
The root, tho' pliant, toughly keeps its hold.
In vain their toes and feet they look to find,
For ev'n their shapely legs are cloath'd with rind.
One smites her thighs with a lamenting stroke,
And finds the flesh transform'd to solid oak;
Another, with surprize, and grief distrest,
Lays on above, but beats a wooden breast.
A rugged bark their softer neck invades,
Their branching arms shoot up delightful shades;
At once they seem, and are, a real grove,
With mossy trunks below, and verdant leaves above.
The Fable of Midas
Nor this suffic'd; the God's disgust remains,
And he resolves to quit their hated plains;
The vineyards of Tymole ingross his care,
And, with a better choir, he fixes there;
Where the smooth streams of clear Pactolus roll'd,
Then undistinguish'd for its sands of gold.
The satyrs with the nymphs, his usual throng,
Come to salute their God, and jovial danc'd along.
Silenus only miss'd; for while he reel'd,
Feeble with age, and wine, about the field,
The hoary drunkard had forgot his way,
And to the Phrygian clowns became a prey;
Who to king Midas drag the captive God,
While on his totty pate the wreaths of ivy nod.
Midas from Orpheus had been taught his lore,
And knew the rites of Bacchus long before.
He, when he saw his venerable guest,
In honour of the God ordain'd a feast.
Ten days in course, with each continu'd night,
Were spent in genial mirth, and brisk delight:
Then on th' eleventh, when with brighter ray
Phosphor had chac'd the fading stars away,
The king thro' Lydia's fields young Bacchus sought,
And to the God his foster-father brought.
Pleas'd with the welcome sight, he bids him soon
But name his wish, and swears to grant the boon.
A glorious offer! yet but ill bestow'd
On him whose choice so little judgment show'd.
Give me, says he (nor thought he ask'd too much),
That with my body whatsoe'er I touch,
Chang'd from the nature which it held of old,
May be converted into yellow gold.
He had his wish; but yet the God repin'd,
To think the fool no better wish could find.
But the brave king departed from the place,
With smiles of gladness sparkling in his face:
Nor could contain, but, as he took his way,
Impatient longs to make the first essay.
Down from a lowly branch a twig he drew,
The twig strait glitter'd with a golden hue:
He takes a stone, the stone was turn'd to gold;
A clod he touches, and the crumbling mold
Acknowledg'd soon the great transforming pow'r,
In weight and substance like a mass of ore.
He pluck'd the corn, and strait his grasp appears
Fill'd with a bending tuft of golden ears.
An apple next he takes, and seems to hold
The bright Hesperian vegetable gold.
His hand he careless on a pillar lays.
With shining gold the fluted pillars blaze:
And while he washes, as the servants pour,
His touch converts the stream to Danae's show'r.
To see these miracles so finely wrought,
Fires with transporting joy his giddy thought.
The ready slaves prepare a sumptuous board,
Spread with rich dainties for their happy lord;
Whose pow'rful hands the bread no sooner hold,
But its whole substance is transform'd to gold:
Up to his mouth he lifts the sav'ry meat,
Which turns to gold as he attempts to eat:
His patron's noble juice of purple hue,
Touch'd by his lips, a gilded cordial grew;
Unfit for drink, and wondrous to behold,
It trickles from his jaws a fluid gold.
The rich poor fool, confounded with surprize,
Starving in all his various plenty lies:
Sick of his wish, he now detests the pow'r,
For which he ask'd so earnestly before;
Amidst his gold with pinching famine curst;
And justly tortur'd with an equal thirst.
At last his shining arms to Heav'n he rears,
And in distress, for refuge, flies to pray'rs.
O father Bacchus, I have sinn'd, he cry'd,
And foolishly thy gracious gift apply'd;
Thy pity now, repenting, I implore;
Oh! may I feel the golden plague no more.
The hungry wretch, his folly thus confest,
Touch'd the kind deity's good-natur'd breast;
The gentle God annull'd his first decree,
And from the cruel compact set him free.
But then, to cleanse him quite from further harm,
And to dilute the relicks of the charm,
He bids him seek the stream that cuts the land
Nigh where the tow'rs of Lydian Sardis stand;
Then trace the river to the fountain head,
And meet it rising from its rocky bed;
There, as the bubling tide pours forth amain,
To plunge his body in, and wash away the stain.
The king instructed to the fount retires,
But with the golden charm the stream inspires:
For while this quality the man forsakes,
An equal pow'r the limpid water takes;
Informs with veins of gold the neighb'ring land,
And glides along a bed of golden sand.
Now loathing wealth, th' occasion of his woes,
Far in the woods he sought a calm repose;
In caves and grottos, where the nymphs resort,
And keep with mountain Pan their sylvan court.
Ah! had he left his stupid soul behind!
But his condition alter'd not his mind.
For where high Tmolus rears his shady brow,
And from his cliffs surveys the seas below,
In his descent, by Sardis bounded here,
By the small confines of Hypaepa there,
Pan to the nymphs his frolick ditties play'd,
Tuning his reeds beneath the chequer'd shade.
The nymphs are pleas'd, the boasting sylvan plays,
And speaks with slight of great Apollo's lays.
Tmolus was arbiter; the boaster still
Accepts the tryal with unequal skill.
The venerable judge was seated high
On his own hill, that seem'd to touch the sky.
Above the whisp'ring trees his head he rears,
From their encumbring boughs to free his ears;
A wreath of oak alone his temples bound,
The pendant acorns loosely dangled round.
In me your judge, says he, there's no delay:
Then bids the goatherd God begin, and play.
Pan tun'd the pipe, and with his rural song
Pleas'd the low taste of all the vulgar throng;
Such songs a vulgar judgment mostly please,
Midas was there, and Midas judg'd with these.
The mountain sire with grave deportment now
To Phoebus turns his venerable brow:
And, as he turns, with him the listning wood
In the same posture of attention stood.
The God his own Parnassian laurel crown'd,
And in a wreath his golden tresses bound,
Graceful his purple mantle swept the ground.
High on the left his iv'ry lute he rais'd,
The lute, emboss'd with glitt'ring jewels, blaz'd
In his right hand he nicely held the quill,
His easy posture spoke a master's skill.
The strings he touch'd with more than human art,
Which pleas'd the judge's ear, and sooth'd his heart;
Who soon judiciously the palm decreed,
And to the lute postpon'd the squeaking reed.
All, with applause, the rightful sentence heard,
Midas alone dissatisfy'd appear'd;
To him unjustly giv'n the judgment seems,
For Pan's barbarick notes he most esteems.
The lyrick God, who thought his untun'd ear
Deserv'd but ill a human form to wear,
Of that deprives him, and supplies the place
With some more fit, and of an ampler space:
Fix'd on his noddle an unseemly pair,
Flagging, and large, and full of whitish hair;
Without a total change from what he was,
Still in the man preserves the simple ass.
He, to conceal the scandal of the deed,
A purple turbant folds about his head;
Veils the reproach from publick view, and fears
The laughing world would spy his monstrous ears.
One trusty barber-slave, that us'd to dress
His master's hair, when leng then'd to excess,
The mighty secret knew, but knew alone,
And, tho' impatient, durst not make it known.
Restless, at last, a private place he found,
Then dug a hole, and told it to the ground;
In a low whisper he reveal'd the case,
And cover'd in the earth, and silent left the place.
In time, of trembling reeds a plenteous crop
From the confided furrow sprouted up;
Which, high advancing with the ripening year,
Made known the tiller, and his fruitless care:
For then the rustling blades, and whisp'ring wind,
To tell th' important secret, both combin'd.
The Building of Troy
Phoebus, with full revenge, from Tmolus flies,
Darts thro' the air, and cleaves the liquid skies;
Near Hellespont he lights, and treads the plains
Where great Laomedon sole monarch reigns;
Where, built between the two projecting strands,
To Panomphaean Jove an altar stands.
Here first aspiring thoughts the king employ,
To found the lofty tow'rs of future Troy.
The work, from schemes magnificent begun,
At vast expence was slowly carry'd on:
Which Phoebus seeing, with the trident God
Who rules the swelling surges with his nod,
Assuming each a mortal shape, combine
At a set price to finish his design.
The work was built; the king their price denies,
And his injustice backs with perjuries.
This Neptune cou'd not brook, but drove the main,
A mighty deluge, o'er the Phrygian plain:
'Twas all a sea; the waters of the deep
From ev'ry vale the copious harvest sweep;
The briny billows overflow the soil,
Ravage the fields, and mock the plowman's toil.
Nor this appeas'd the God's revengeful mind,
For still a greater plague remains behind;
A huge sea-monster lodges on the sands,
And the king's daughter for his prey demands.
To him that sav'd the damsel, was decreed
A set of horses of the Sun's fine breed:
But when Alcides from the rock unty'd
The trembling fair, the ransom was deny'd.
He, in revenge, the new-built walls attack'd,
And the twice-perjur'd city bravely sack'd.
Telamon aided, and in justice shar'd
Part of the plunder as his due reward:
The princess, rescu'd late, with all her charms,
Hesione, was yielded to his arms;
For Peleus, with a Goddess-bride, was more
Proud of his spouse, than of his birth before:
Grandsons to Jove there might be more than one,
But he the Goddess had enjoy'd alone.
The Story of Thetis and Peleus
For Proteus thus to virgin Thetis said,
Fair Goddess of the waves, consent to wed,
And take some spritely lover to your bed.
A son you'll have, the terror of the field,
To whom in fame, and pow'r his sire shall yield.
Jove, who ador'd the nymph with boundless love,
Did from his breast the dangerous flame remove.
He knew the Fates, nor car'd to raise up one,
Whose fame and greatness should eclipse his own,
On happy Peleus he bestow'd her charms,
And bless'd his grandson in the Goddess' arms:
A silent creek Thessalia's coast can show;
Two arms project, and shape it like a bow;
'Twould make a bay, but the transparent tide
Does scarce the yellow-gravell'd bottom hide;
For the quick eye may thro' the liquid wave
A firm unweedy level beach perceive.
A grove of fragrant myrtle near it grows,
Whose boughs, tho' thick, a beauteous grot disclose;
The well-wrought fabrick, to discerning eyes,
Rather by art than Nature seems to rise.
A bridled dolphin oft fair Thetis bore
To this her lov'd retreat, her fav'rite shore.
Here Peleus seiz'd her, slumbring while she lay,
And urg'd his suit with all that love could say:
But when he found her obstinately coy,
Resolv'd to force her, and comm and the joy;
The nymph, o'erpowr'd, to art for succour flies
And various shapes the eager youth surprize:
A bird she seems, but plies her wings in vain,
His hands the fleeting substance still detain:
A branchy tree high in the air she grew;
About its bark his nimble arms he threw:
A tyger next she glares with flaming eyes;
The frighten'd lover quits his hold, and flies:
The sea-Gods he with sacred rites adores,
Then a libation on the ocean pours;
While the fat entrails crackle in the fire,
And sheets of smoak in sweet perfume aspire;
'Till Proteus rising from his oozy bed,
Thus to the poor desponding lover said:
No more in anxious thoughts your mind employ,
For yet you shall possess the dear expected joy.
You must once more th' unwary nymph surprize,
As in her cooly grot she slumbring lies;
Then bind her fast with unrelenting hands,
And strain her tender limbs with knotted bands.
Still hold her under ev'ry different shape,
'Till tir'd she tries no longer to escape.
Thus he: then sunk beneath the glassy flood,
And broken accents flutter'd, where he stood.
Bright Sol had almost now his journey done,
And down the steepy western convex run;
When the fair Nereid left the briny wave,
And, as she us'd, retreated to her cave.
He scarce had bound her fast, when she arose,
And into various shapes her body throws:
She went to move her arms, and found 'em ty'd;
Then with a sigh, Some God assists ye, cry'd,
And in her proper shape stood blushing by his side.
About her waiste his longing arms he flung,
From which embrace the great Achilles sprung.
The Transformation of Daedalion
Peleus unmix'd felicity enjoy'd
(Blest in a valiant son, and virtuous bride),
'Till Fortune did in blood his hands imbrue,
And his own brother by curst chance he slew:
Then driv'n from Thessaly, his native clime,
Trachinia first gave shelter to his crime;
Where peaceful Ceyx mildly fill'd the throne,
And like his sire, the morning planet, shone;
But now, unlike himself, bedew'd with tears,
Mourning a brother lost, his brow appears.
First to the town with travel spent, and care,
Peleus, and his small company repair:
His herds, and flocks the while at leisure feed,
On the rich pasture of a neighb'ring mead.
The prince before the royal presence brought,
Shew'd by the suppliant olive what he sought;
Then tells his name, and race, and country right,
But hides th' unhappy reason of his flight.
He begs the king some little town to give,
Where they may safe his faithful vassals live.
Ceyx reply'd: To all my bounty flows,
A hospitable realm your suit has chose.
Your glorious race, and far-resounding fame,
And grandsire Jove, peculiar favours claim.
All you can wish, I grant; entreaties spare;
My kingdom (would 'twere worth the sharing) share.
Tears stop'd his speech: astonish'd Peleus pleads
To know the cause from whence his grief proceeds.
The prince reply'd: There's none of ye but deems
This hawk was ever such as now it seems;
Know 'twas a heroe once, Daedalion nam'd,
For warlike deeds, and haughty valour fam'd;
Like me to that bright luminary born,
Who wakes Aurora, and brings on the morn.
His fierceness still remains, and love of blood,
Now dread of birds, and tyrant of the wood.
My make was softer, peace my greatest care;
But this my brother wholly bent on war;
Late nations fear'd, and routed armies fled
That force, which now the tim'rous pigeons dread.
A daughter he possess'd, divinely fair,
And scarcely yet had seen her fifteenth year;
Young Chione: a thousand rivals strove
To win the maid, and teach her how to love.
Phoebus, and Mercury by chance one day
From Delphi, and Cyllene past this way;
Together they the virgin saw: desire
At once warm'd both their breasts with am'rous fire.
Phoebus resolv'd to wait 'till close of day;
But Mercury's hot love brook'd no delay;
With his entrancing rod the maid he charms,
And unresisted revels in her arms.
'Twas night, and Phoebus in a beldam's dress,
To the late rifled beauty got access.
Her time compleat nine circling moons had run;
To either God she bore a lovely son:
To Mercury Autolycus she brought,
Who turn'd to thefts and tricks his subtle thought;
Possess'd he was of all his father's slight,
At will made white look black, and black look white.
Philammon born to Phoebus, like his sire,
The Muses lov'd, and finely struck the lyre,
And made his voice, and touch in harmony conspire.
In vain, fond maid, you boast this double birth,
The love of Gods, and royal father's worth,
And Jove among your ancestors rehearse!
Could blessings such as these e'er prove a curse?
To her they did, who with audacious pride,
Vain of her own, Diana's charms decry'd.
Her taunts the Goddess with resentment fill;
My face you like not, you shall try my skill.
She said; and strait her vengeful bow she strung,
And sent a shaft that pierc'd her guilty tongue:
The bleeding tongue in vain its accents tries;
In the red stream her soul reluctant flies.
With sorrow wild I ran to her relief,
And try'd to moderate my brother's grief.
He, deaf as rocks by stormy surges beat,
Loudly laments, and hears me not intreat.
When on the fun'ral pile he saw her laid,
Thrice he to rush into the flames assay'd,
Thrice with officious care by us was stay'd.
Now, mad with grief, away he fled amain,
Like a stung heifer that resents the pain,
And bellowing wildly bounds along the plain.
O'er the most rugged ways so fast he ran,
He seem'd a bird already, not a man:
He left us breathless all behind; and now
In quest of death had gain'd Parnassus' brow:
But when from thence headlong himself he threw,
He fell not, but with airy pinions flew.
Phoebus in pity chang'd him to a fowl,
Whose crooked beak and claws the birds controul,
Little of bulk, but of a warlike soul.
A hawk become, the feather'd race's foe,
He tries to case his own by other's woe.
A Wolf turn'd into Marble
While they astonish'd heard the king relate
These wonders of his hapless brother's fate;
The prince's herdsman at the court arrives,
And fresh surprize to all the audience gives.
O Peleus, Peleus! dreadful news I bear,
He said; and trembled as he spoke for fear.
The worst, affrighted Peleus bid him tell,
Whilst Ceyx too grew pale with friendly zeal.
Thus he began: When Sol mid-heav'n had gain'd,
And half his way was past, and half remain'd,
I to the level shore my cattle drove,
And let them freely in the meadows rove.
Some stretch'd at length admire the watry plain,
Some crop'd the herb, some wanton swam the main.
A temple stands of antique make hard by,
Where no gilt domes, nor marble lure the eye;
Unpolish'd rafters bear its lowly height,
Hid by a grove, as ancient, from the sight.
Here Nereus, and the Nereids they adore;
I learnt it from the man who thither bore
His net, to dry it on the sunny shore.
Adjoyns a lake, inclos'd with willows round,
Where swelling waves have overflow'd the mound,
And, muddy, stagnate on the lower ground.
From thence a russling noise increasing flies,
Strikes the still shore; and frights us with surprize,
Strait a huge wolf rush'd from the marshy wood,
His jaws besmear'd with mingled foam, and blood,
Tho' equally by hunger urg'd, and rage,
His appetite he minds not to asswage;
Nought that he meets, his rabid fury spares,
But the whole herd with mad disorder tears.
Some of our men who strove to drive him thence,
Torn by his teeth, have dy'd in their defence.
The echoing lakes, the sea, and fields, and shore,
Impurpled blush with streams of reeking gore.
Delay is loss, nor have we time for thought;
While yet some few remain alive, we ought
To seize our arms, and with confederate force
Try if we so can stop his bloody course.
But Peleus car'd not for his ruin'd herd;
His crime he call'd to mind, and thence inferr'd,
That Psamathe's revenge this havock made,
In sacrifice to murder'd Phocus' shade.
The king commands his servants to their arms;
Resolv'd to go; but the loud noise alarms
His lovely queen, who from her chamber flew,
And her half-plaited hair behind her threw:
About his neck she hung with loving fears,
And now with words, and now with pleading tears,
Intreated that he'd send his men alone,
And stay himself, to save two lives in one.
Then Peleus: Your just fears, o queen, forget;
Too much the offer leaves me in your debt.
No arms against the monster I shall bear,
But the sea nymphs appease with humble pray'r.
The citadel's high turrets pierce the sky,
Which home-bound vessels, glad, from far descry;
This they ascend, and thence with sorrow ken
The mangled heifers lye, and bleeding men;
Th' inexorable ravager they view,
With blood discolour'd, still the rest pursue:
There Peleus pray'd submissive tow'rds the sea,
And deprecates the ire of injur'd Psamathe.
But deaf to all his pray'rs the nymph remain'd,
'Till Thetis for her spouse the boon obtain'd.
Pleas'd with the luxury, the furious beast,
Unstop'd, continues still his bloody feast:
While yet upon a sturdy bull he flew,
Chang'd by the nymph, a marble block he grew.
No longer dreadful now the wolf appears,
Bury'd in stone, and vanish'd like their fears.
Yet still the Fates unhappy Peleus vex'd;
To the Magnesian shore he wanders next.
Acastus there, who rul'd the peaceful clime,
Grants his request, and expiates his crime.
The Story of Ceyx and Alcyone
These prodigies affect the pious prince,
But more perplex'd with those that happen'd since,
He purposes to seek the Clarian God,
Avoiding Delphi, his more fam'd abode,
Since Phlegyan robbers made unsafe the road.
Yet could he not from her he lov'd so well,
The fatal voyage, he resolv'd, conceal;
But when she saw her lord prepar'd to part,
A deadly cold ran shiv'ring to her heart;
Her faded cheeks are chang'd to boxen hue,
And in her eyes the tears are ever new.
She thrice essay'd to speak; her accents hung,
And falt'ring dy'd unfinish'd on her tongue,
And vanish'd into sighs: with long delay
Her voice return'd, and found the wonted way.
Tell me, my lord, she said, what fault unknown
Thy once belov'd Alcyone has done?
Whither, ah, whither, is thy kindness gone!
Can Ceyx then sustain to leave his wife,
And unconcern'd forsake the sweets of life?
What can thy mind to this long journey move?
Or need'st thou absence to renew thy love?
Yet, if thou go'st by land, tho' grief possess
My soul ev'n then, my fears will be the less.
But ah! be warn'd to shun the watry way,
The face is frightful of the stormy sea:
For late I saw a-drift disjointed planks,
And empty tombs erected on the banks.
Nor let false hopes to trust betray thy mind,
Because my sire in caves constrains the wind,
Can with a breath their clam'rous rage appease,
They fear his whistle, and forsake the seas:
Not so; for once indulg'd, they sweep the main;
Deaf to the call, or hearing, hear in vain;
But bent on mischief bear the waves before,
And not content with seas, insult the shore,
When ocean, air, and Earth, at once ingage,
And rooted forests fly before their rage:
At once the clashing clouds to battel move,
And lightnings run across the fields above:
I know them well, and mark'd their rude comport,
While yet a child within my father's court:
In times of tempest they comm and alone,
And he but sits precarious on the throne:
The more I know, the more my fears augment;
And fears are oft prophetick of th' event.
But if not fears, or reasons will prevail,
If Fate has fix'd thee obstinate to sail,
Go not without thy wife, but let me bear
My part of danger with an equal share,
And present, what I suffer only fear:
Then o'er the bounding billows shall we fly,
Secure to live together, or to die.
These reasons mov'd her warlike husband's heart,
But still he held his purpose to depart:
For as he lov'd her equal to his life,
He would not to the seas expose his wife;
Nor could be wrought his voyage to refrain,
But sought by arguments to sooth her pain:
Nor these avail'd; at length he lights on one,
With which so difficult a cause he won:
My love, so short an absence cease to fear,
For by my father's holy flame I swear,
Before two moons their orb with light adorn,
If Heav'n allow me life, I will return.
This promise of so short a stay prevails;
He soon equips the ship, supplies the sails,
And gives the word to launch; she trembling views
This pomp of death, and parting tears renews:
Last with a kiss, she took a long farewel,
Sigh'd with a sad presage, and swooning fell:
While Ceyx seeks delays, the lusty crew,
Rais'd on their banks, their oars in order drew
To their broad breasts, the ship with fury flew.
The queen recover'd, rears her humid eyes,
And first her husb and on the poop espies,
Shaking his hand at distance on the main;
She took the sign, and shook her hand again.
Still as the ground recedes, contracts her view
With sharpen'd sight, 'till she no longer knew
The much-lov'd face; that comfort lost supplies
With less, and with the galley feeds her eyes;
The galley born from view by rising gales,
She follow'd with her sight the flying sails:
When ev'n the flying sails were seen no more,
Forsaken of all sight she left the shore.
Then on her bridal bed her body throws,
And sought in sleep her wearied eyes to close:
Her husband's pillow, and the widow'd part
Which once he press'd, renew'd the former smart.
And now a breeze from shoar began to blow,
The sailors ship their oars, and cease to row;
Then hoist their yards a-trip, and all their sails
Let fall, to court the wind, and catch the gales:
By this the vessel half her course had run,
Both shoars were lost to sight, when at the close
Of day a stiffer gale at east arose:
The sea grew white, the rouling waves from far,
Like heralds, first denounce the watry war.
This seen, the master soon began to cry,
Strike, strike the top-sail; let the main-sheet fly,
And furl your sails: the winds repel the sound,
And in the speaker's mouth the speech is drown'd.
Yet of their own accord, as danger taught
Each in his way, officiously they wrought;
Some stow their oars, or stop the leaky sides,
Another bolder, yet the yard bestrides,
And folds the sails; a fourth with labour laves
Th' intruding seas, and waves ejects on waves.
In this confusion while their work they ply,
The winds augment the winter of the sky,
And wage intestine wars; the suff'ring seas
Are toss'd, and mingled, as their tyrants please.
The master would command, but in despair
Of safety, stands amaz'd with stupid care,
Nor what to bid, or what forbid he knows,
Th' ungovern'd tempest to such fury grows:
Vain is his force, and vainer is his skill;
With such a concourse comes the flood of ill;
The cries of men are mix'd with rattling shrowds;
Seas dash on seas, and clouds encounter clouds:
At once from east to west, from pole to pole,
The forky lightnings flash, the roaring thunders roul.
Now waves on waves ascending scale the skies,
And in the fires above the water fries:
When yellow sands are sifted from below,
The glittering billows give a golden show:
And when the fouler bottom spews the black
The Stygian dye the tainted waters take:
Then frothy white appear the flatted seas,
And change their colour, changing their disease,
Like various fits the Trachin vessel finds,
And now sublime, she rides upon the winds;
As from a lofty summit looks from high,
And from the clouds beholds the nether sky;
Now from the depth of Hell they lift their sight,
And at a distance see superior light;
The lashing billows make a loud report,
And beat her sides, as batt'ring rams a fort:
Or as a lion bounding in his way,
With force augmented, bears against his prey,
Sidelong to seize; or unapal'd with fear,
Springs on the toils, and rushes on the spear:
So seas impell'd by winds, with added pow'r
Assault the sides, and o'er the hatches tow'r.
The planks (their pitchy cov'ring wash'd away)
Now yield; and now a yawning breach display:
The roaring waters with a hostile tide
Rush through the ruins of her gaping side.
Mean-time in sheets of rain the sky descends,
And ocean swell'd with waters upwards tends;
One rising, falling one, the Heav'ns and sea
Meet at their confines, in the middle way:
The sails are drunk with show'rs, and drop with rain,
Sweet waters mingle with the briny main.
No star appears to lend his friendly light;
Darkness, and tempest make a double night;
But flashing fires disclose the deep by turns,
And while the lightnings blaze, the water burns.
Now all the waves their scatter'd force unite,
And as a soldier foremost in the fight,
Makes way for others, and an host alone
Still presses on, and urging gains the town;
So while th' invading billows come a-breast,
The hero tenth advanc'd before the rest,
Sweeps all before him with impetuous sway,
And from the walls descends upon the prey;
Part following enter, part remain without,
With envy hear their fellows' conqu'ring shout,
And mount on others' backs, in hopes to share
The city, thus become the seat of war.
An universal cry resounds aloud,
The sailors run in heaps, a helpless crowd;
Art fails, and courage falls, no succour near;
As many waves, as many deaths appear.
One weeps, and yet despairs of late relief;
One cannot weep, his fears congeal his grief,
But stupid, with dry eyes expects his fate:
One with loud shrieks laments his lost estate,
And calls those happy whom their fun'rals wait.
This wretch with pray'rs and vows the Gods implores,
And ev'n the skies he cannot see, adores.
That other on his friends his thoughts bestows,
His careful father, and his faithful spouse.
The covetous worldling in his anxious mind,
Thinks only on the wealth he left behind.
All Ceyx his Alcyone employs,
For her he grieves, yet in her absence joys:
His wife he wishes, and would still be near,
Not her with him, but wishes him with her:
Now with last looks he seeks his native shoar,
Which Fate has destin'd him to see no more;
He sought, but in the dark tempestuous night
He knew not whither to direct his sight.
So whirl the seas, such darkness blinds the sky,
That the black night receives a deeper dye.
The giddy ship ran round; the tempest tore
Her mast, and over-board the rudder bore.
One billow mounts, and with a scornful brow,
Proud of her conquest gain'd, insults the waves below;
Nor lighter falls, than if some giant tore
Pindus and Athos with the freight they bore,
And toss'd on seas; press'd with the pond'rous blow,
Down sinks the ship within th' abyss below:
Down with the vessel sink into the main
The many, never more to rise again.
Some few on scatter'd planks, with fruitless care,
Lay hold, and swim; but while they swim, despair.
Ev'n he who late a scepter did command,
Now grasps a floating fragment in his hand;
And while he struggles on the stormy main,
Invokes his father, and his wife's, in vain.
But yet his consort is his greatest care,
Alcyone he names amidst his pray'r;
Names as a charm against the waves and wind;
Most in his mouth, and ever in his mind.
Tir'd with his toil, all hopes of safety past,
From pray'rs to wishes he descends at last;
That his dead body, wafted to the sands,
Might have its burial from her friendly hands,
As oft as he can catch a gulp of air,
And peep above the seas, he names the fair;
And ev'n when plung'd beneath, on her he raves,
Murm'ring Alcyone below the waves:
At last a falling billow stops his breath,
Breaks o'er his head, and whelms him underneath.
That night, his heav'nly form obscur'd with tears,
And since he was forbid to leave the skies,
He muffled with a cloud his mournful eyes.
Mean-time Alcyone (his fate unknown)
Computes how many nights he had been gone.
Observes the waining moon with hourly view,
Numbers her age, and wishes for a new;
Against the promis'd time provides with care,
And hastens in the woof the robes he was to wear:
And for her self employs another loom,
New-dress'd to meet her lord returning home,
Flatt'ring her heart with joys, that never were to come:
She fum'd the temples with an od'rous flame,
And oft before the sacred altars came,
To pray for him, who was an empty name.
All Pow'rs implor'd, but far above the rest
To Juno she her pious vows address'd,
Her much-lov'd lord from perils to protect,
And safe o'er seas his voyage to direct:
Then pray'd, that she might still possess his heart,
And no pretending rival share a part;
This last petition heard of all her pray'r,
The rest, dispers'd by winds, were lost in air.
But she, the Goddess of the nuptial bed,
Tir'd with her vain devotions for the dead,
Resolv'd the tainted hand should be repell'd,
Which incense offer'd, and her altar held:
Then Iris thus bespoke: Thou faithful maid,
By whom thy queen's commands are well convey'd,
Haste to the house of sleep, and bid the God
Who rules the night by visions with a nod,
Prepare a dream, in figure, and in form
Resembling him, who perish'd in the storm;
This form before Alcyone present,
To make her certain of the sad event.
Indu'd with robes of various hue she flies,
And flying draws an arch (a segment of the skies):
Then leaves her bending bow, and from the steep
Descends, to search the silent house of sleep.
The House of Sleep
Near the Cymmerians, in his dark abode,
Deep in a cavern, dwells the drowzy God;
Whose gloomy mansion nor the rising sun,
Nor setting, visits, nor the lightsome noon;
But lazy vapours round the region fly,
Perpetual twilight, and a doubtful sky:
No crowing cock does there his wings display,
Nor with his horny bill provoke the day;
Nor watchful dogs, nor the more wakeful geese,
Disturb with nightly noise the sacred peace;
Nor beast of Nature, nor the tame are nigh,
Nor trees with tempests rock'd, nor human cry;
But safe repose without an air of breath
Dwells here, and a dumb quiet next to death.
An arm of Lethe, with a gentle flow
Arising upwards from the rock below,
The palace moats, and o'er the pebbles creeps,
And with soft murmurs calls the coming sleeps.
Around its entry nodding poppies grow,
And all cool simples that sweet rest bestow;
Night from the plants their sleepy virtue drains,
And passing, sheds it on the silent plains:
No door there was th' unguarded house to keep,
On creaking hinges turn'd, to break his sleep.
But in the gloomy court was rais'd a bed,
Stuff'd with black plumes, and on an ebon-sted:
Black was the cov'ring too, where lay the God,
And slept supine, his limbs display'd abroad:
About his head fantastick visions fly,
Which various images of things supply,
And mock their forms; the leaves on trees not more,
Nor bearded ears in fields, nor sands upon the shore.
The virgin ent'ring bright, indulg'd the day
To the brown cave, and brush'd the dreams away:
The God disturb'd with this new glare of light,
Cast sudden on his face, unseal'd his sight,
And rais'd his tardy head, which sunk again,
And sinking, on his bosom knock'd his chin;
At length shook off himself, and ask'd the dame,
(And asking yawn'd) for what intent she came.
To whom the Goddess thus: O sacred rest,
Sweet pleasing sleep, of all the Pow'rs the best!
O peace of mind, repairer of decay,
Whose balms renew the limbs to labours of the day,
Care shuns thy soft approach, and sullen flies away!
Adorn a dream, expressing human form,
The shape of him who suffer'd in the storm,
And send it flitting to the Trachin court,
The wreck of wretched Ceyx to report:
Before his queen bid the pale spectre stand,
Who begs a vain relief at Juno's hand.
She said, and scarce awake her eyes could keep,
Unable to support the fumes of sleep;
But fled, returning by the way she went,
And swerv'd along her bow with swift ascent.
The God, uneasy 'till he slept again,
Resolv'd at once to rid himself of pain;
And, tho' against his custom, call'd aloud,
Exciting Morpheus from the sleepy crowd:
Morpheus, of all his numerous train, express'd
The shape of man, and imitated best;
The walk, the words, the gesture could supply,
The habit mimick, and the mein bely;
Plays well, but all his action is confin'd,
Extending not beyond our human kind.
Another, birds, and beasts, and dragons apes,
And dreadful images, and monster shapes:
This demon, Icelos, in Heav'n's high hall
The Gods have nam'd; but men Phobetor call.
A third is Phantasus, whose actions roul
On meaner thoughts, and things devoid of soul;
Earth, fruits, and flow'rs he represents in dreams,
And solid rocks unmov'd, and running streams.
These three to kings, and chiefs their scenes display,
The rest before th' ignoble commons play.
Of these the chosen Morpheus is dispatch'd;
Which done, the lazy monarch, over-watch'd,
Down from his propping elbow drops his head,
Dissolv'd in sleep, and shrinks within his bed.
Darkling the demon glides, for flight prepar'd,
So soft, that scarce his fanning wings are heard.
To Trachin, swift as thought, the flitting shade,
Thro' air his momentary journey made:
Then lays aside the steerage of his wings,
Forsakes his proper form, assumes the king's;
And pale, as death, despoil'd of his array,
Into the queen's apartment takes his way,
And stands before the bed at dawn of day:
Unmov'd his eyes, and wet his beard appears;
And shedding vain, but seeming real tears;
The briny waters dropping from his hairs.
Then staring on her with a ghastly look,
And hollow voice, he thus the queen bespoke.
Know'st thou not me? Not yet, unhappy wife?
Or are my features perish'd with my life?
Look once again, and for thy husb and lost,
Lo all that's left of him, thy husband's ghost!
Thy vows for my return were all in vain,
The stormy south o'ertook us in the main,
And never shalt thou see thy living lord again.
Bear witness, Heav'n, I call'd on thee in death,
And while I call'd, a billow stop'd my breath.
Think not, that flying fame reports my fate;
I present, I appear, and my own wreck relate.
Rise, wretched widow, rise; nor undeplor'd
Permit my soul to pass the Stygian ford;
But rise, prepar'd in black, to mourn thy perish'd lord.
Thus said the player-God; and adding art
Of voice and gesture, so perform'd his part,
She thought (so like her love the shade appears)
That Ceyx spake the words, and Ceyx shed the tears;
She groan'd, her inward soul with grief opprest,
She sigh'd, she wept, and sleeping beat her breast;
Then stretch'd her arms t' embrace his body bare;
Her clasping arms inclose but empty air:
At this, not yet awake, she cry'd, O stay;
One is our fate, and common is our way!
So dreadful was the dream, so loud she spoke,
That starting sudden up, the slumber broke:
Then cast her eyes around, in hope to view
Her vanish'd lord, and find the vision true:
For now the maids, who waited her commands,
Ran in with lighted tapers in their hands.
Tir'd with the search, not finding what she seeks,
With cruel blows she pounds her blubber'd cheeks;
Then from her beaten breast the linnen tare,
And cut the golden caul that bound her hair.
Her nurse demands the cause; with louder cries
She prosecutes her griefs, and thus replies.
No more Alcyone; she suffer'd death
With her lov'd lord, when Ceyx lost his breath:
No flatt'ry, no false comfort, give me none,
My shipwreck'd Ceyx is for ever gone:
I saw, I saw him manifest in view,
His voice, his figure, and his gestures knew:
His lustre lost, and ev'ry living grace,
Yet I retain'd the features of his face;
Tho' with pale cheeks, wet beard, and dropping hair,
None but my Ceyx could appear so fair:
I would have strain'd him with a strict embrace,
But thro' my arms he slipt, and vanish'd from the place:
There, ev'n just there he stood; and as she spoke,
Where last the spectre was she cast her look:
Fain would she hope, and gaz'd upon the ground,
If any printed footsteps might be found.
Then sigh'd, and said: This I too well foreknew,
And my prophetick fears presag'd too true:
'Twas what I begg'd, when with a bleeding heart
I took my leave, and suffer'd thee to part;
Or I to go along, or thou to stay,
Never, ah never to divide our way!
Happier for me, that all our hours assign'd
Together we had liv'd; ev'n not in death disjoin'd!
So had my Ceyx still been living here,
Or with my Ceyx I had perish'd there:
Now I die absent, in the vast profound;
And me, without my self, the seas have drown'd.
The storms were not so cruel: should I strive
To leng then life, and such a grief survive;
But neither will I strive, nor wretched thee
In death forsake, but keep thee company.
If not one common sepulchre contains
Our bodies, or one urn our last remains,
Yet Ceyx and Alcyone shall join,
Their names remember'd in one common line.
No farther voice her mighty grief affords,
For sighs come rushing in betwixt her words,
And stop'd her tongue; but what her tongue deny'd,
Soft tears, and groans, and dumb complaints supply'd.
'Twas morning; to the port she takes her way,
And stands upon the margin of the sea:
That place, that very spot of ground she sought,
Or thither by her destiny was brought,
Where last he stood: and while she sadly said,
'Twas here he left me, lingring here delay'd
His parting kiss, and there his anchors weigh'd.
Thus speaking, while her thoughts past actions trace,
And call to mind, admonish'd by the place,
Sharp at her utmost ken she cast her eyes,
And somewhat floating from afar descries:
It seems a corps a-drift to distant sight,
But at a distance who could judge aright?
It wafted nearer yet, and then she knew,
That what before she but surmis'd, was true:
A corps it was, but whose it was, unknown,
Yet mov'd, howe'er, she made the cause her own.
Took the bad omen of a shipwreck'd man,
As for a stranger wept, and thus began.
Poor wretch, on stormy seas to lose thy life,
Unhappy thou, but more thy widow'd wife;
At this she paus'd: for now the flowing tide
Had brought the body nearer to the side:
The more she looks, the more her fears increase,
At nearer sight; and she's her self the less:
Now driv'n ashore, and at her feet it lies,
She knows too much in knowing whom she sees:
Her husband's corps; at this she loudly shrieks,
'Tis he, 'tis he, she cries, and tears her cheeks,
Her hair, and vest; and stooping to the sands,
About his neck she cast her trembling hands.
And is it thus, o dearer than my life,
Thus, thus return'st thou to thy longing wife!
She said, and to the neighbouring mole she strode,
(Rais'd there to break th' incursions of the flood).
Headlong from hence to plunge her self she springs,
But shoots along, supported on her wings;
A bird new-made, about the banks she plies,
Not far from shore, and short excursions tries;
Nor seeks in air her humble flight to raise,
Content to skim the surface of the seas:
Her bill tho' slender, sends a creaking noise,
And imitates a lamentable voice.
Now lighting where the bloodless body lies,
She with a fun'ral note renews her cries:
At all her stretch, her little wings she spread,
And with her feather'd arms embrac'd the dead:
Then flick'ring to his palid lips, she strove
To print a kiss, the last essay of love.
Whether the vital touch reviv'd the dead,
Or that the moving waters rais'd his head
To meet the kiss, the vulgar doubt alone;
For sure a present miracle was shown.
The Gods their shapes to winter-birds translate,
But both obnoxious to their former fate.
Their conjugal affection still is ty'd,
And still the mournful race is multiply'd:
They bill, they tread; Alcyone compress'd,
Sev'n days sits brooding on her floating nest:
A wintry queen: her sire at length is kind,
Calms ev'ry storm, and hushes ev'ry wind;
Prepares his empire for his daughter's ease,
And for his hatching nephews smooths the seas.
Aesacus transform'd into a Cormorant
These some old man sees wanton in the air,
And praises the unhappy constant pair.
Then to his friend the long-neck'd corm'rant shows,
The former tale reviving others' woes:
That sable bird, he cries, which cuts the flood
With slender legs, was once of royal blood;
His ancestors from mighty Tros proceed,
The brave Laomedon, and Ganymede
(Whose beauty tempted Jove to steal the boy),
And Priam, hapless prince! who fell with Troy:
Himself was Hector's brother, and (had Fate
But giv'n this hopeful youth a longer date)
Perhaps had rival'd warlike Hector's worth,
Tho' on the mother's side of meaner birth;
Fair Alyxothoe, a country maid,
Bare Aesacus by stealth in Ida's shade.
He fled the noisy town, and pompous court,
Lov'd the lone hills, and simple rural sport.
And seldom to the city would resort.
Yet he no rustick clownishness profest,
Nor was soft love a stranger to his breast:
The youth had long the nymph Hesperie woo'd,
Oft thro' the thicket, or the mead pursu'd:
Her haply on her father's bank he spy'd,
While fearless she her silver tresses dry'd;
Away she fled: not stags with half such speed,
Before the prowling wolf, scud o'er the mead;
Not ducks, when they the safer flood forsake,
Pursu'd by hawks, so swift regain the lake.
As fast he follow'd in the hot career;
Desire the lover wing'd, the virgin fear.
A snake unseen now pierc'd her heedless foot;
Quick thro' the veins the venom'd juices shoot:
She fell, and 'scap'd by death his fierce pursuit;
Her lifeless body, frighted, he embrac'd,
And cry'd, Not this I dreaded, but thy haste:
O had my love been less, or less thy fear!
The victory, thus bought, is far too dear.
Accursed snake! yet I more curs'd than he!
He gave the wound; the cause was given by me.
Yet none shall say, that unreveng'd you dy'd.
He spoke; then climb'd a cliff's o'er-hanging side,
And, resolute, leap'd on the foaming tide.
Tethys receiv'd him gently on the wave;
The death he sought deny'd, and feathers gave.
Debarr'd the surest remedy of grief,
And forc'd to live, he curst th' unask'd relief.
Then on his airy pinions upward flies,
And at a second fall successless tries;
The downy plume a quick descent denies.
Enrag'd, he often dives beneath the wave,
And there in vain expects to find a grave.
His ceaseless sorrow for th' unhappy maid,
Meager'd his look, and on his spirits prey'd.
Still near the sounding deep he lives; his name
From frequent diving and emerging came.
----------------------------------------------------------------------
~ Ovid, BOOK THE ELEVENTH
,#NFDB |
1450:BOOK THE FOURTH
The Story of Alcithoe and her Sisters
Yet still Alcithoe perverse remains,
And Bacchus still, and all his rites, disdains.
Too rash, and madly bold, she bids him prove
Himself a God, nor owns the son of Jove.
Her sisters too unanimous agree,
Faithful associates in impiety.
Be this a solemn feast, the priest had said;
Be, with each mistress, unemploy'd each maid.
With skins of beasts your tender limbs enclose,
And with an ivy-crown adorn your brows,
The leafy Thyrsus high in triumph bear,
And give your locks to wanton in the air.
These rites profan'd, the holy seer foreshow'd
A mourning people, and a vengeful God.
Matrons and pious wives obedience show,
Distaffs, and wooll, half spun, away they throw:
Then incense burn, and, Bacchus, thee adore,
Or lov'st thou Nyseus, or Lyaeus more?
O! doubly got, O! doubly born, they sung,
Thou mighty Bromius, hail, from light'ning sprung!
Hail, Thyon, Eleleus! each name is thine:
Or, listen parent of the genial vine!
Iachus! Evan! loudly they repeat,
And not one Grecian attri bute forget,
Which to thy praise, great Deity, belong,
Stil'd justly Liber in the Roman song.
Eternity of youth is thine! enjoy
Years roul'd on years, yet still a blooming boy.
In Heav'n thou shin'st with a superior grace;
Conceal thy horns, and 'tis a virgin's face.
Thou taught'st the tawny Indian to obey,
And Ganges, smoothly flowing, own'd thy sway.
Lycurgus, Pentheus, equally profane,
By thy just vengeance equally were slain.
By thee the Tuscans, who conspir'd to keep
Thee captive, plung'd, and cut with finns the deep.
With painted reins, all-glitt'ring from afar,
The spotted lynxes proudly draw thy car.
Around, the Bacchae, and the satyrs throng;
Behind, Silenus, drunk, lags slow along:
On his dull ass he nods from side to side,
Forbears to fall, yet half forgets to ride.
Still at thy near approach, applauses loud
Are heard, with yellings of the female crowd.
Timbrels, and boxen pipes, with mingled cries,
Swell up in sounds confus'd, and rend the skies.
Come, Bacchus, come propitious, all implore,
And act thy sacred orgies o'er and o'er.
But Mineus' daughters, while these rites were pay'd,
At home, impertinently busie, stay'd.
Their wicked tasks they ply with various art,
And thro' the loom the sliding shuttle dart;
Or at the fire to comb the wooll they stand,
Or twirl the spindle with a dext'rous hand.
Guilty themselves, they force the guiltless in;
Their maids, who share the labour, share the sin.
At last one sister cries, who nimbly knew
To draw nice threads, and winde the finest clue,
While others idly rove, and Gods revere,
Their fancy'd Gods! they know not who, or where;
Let us, whom Pallas taught her better arts,
Still working, cheer with mirthful chat our hearts,
And to deceive the time, let me prevail
With each by turns to tell some antique tale.
She said: her sisters lik'd the humour well,
And smiling, bad her the first story tell.
But she a-while profoundly seem'd to muse,
Perplex'd amid variety to chuse:
And knew not, whether she should first relate
The poor Dircetis, and her wond'rous fate.
The Palestines believe it to a man,
And show the lake, in which her scales began.
Or if she rather should the daughter sing,
Who in the hoary verge of life took wing;
Who soar'd from Earth, and dwelt in tow'rs on high,
And now a dove she flits along the sky.
Or how lewd Nais, when her lust was cloy'd,
To fishes turn'd the youths, she had enjoy'd,
By pow'rful verse, and herbs; effect most strange!
At last the changer shar'd herself the change.
Or how the tree, which once white berries bore,
Still crimson bears, since stain'd with crimson gore.
The tree was new; she likes it, and begins
To tell the tale, and as she tells, she spins.
The Story of Pyramus and Thisbe
In Babylon, where first her queen, for state
Rais'd walls of brick magnificently great,
Liv'd Pyramus, and Thisbe, lovely pair!
He found no eastern youth his equal there,
And she beyond the fairest nymph was fair.
A closer neighbourhood was never known,
Tho' two the houses, yet the roof was one.
Acquaintance grew, th' acquaintance they improve
To friendship, friendship ripen'd into love:
Love had been crown'd, but impotently mad,
What parents could not hinder, they forbad.
For with fierce flames young Pyramus still burn'd,
And grateful Thisbe flames as fierce return'd.
Aloud in words their thoughts they dare not break,
But silent stand; and silent looks can speak.
The fire of love the more it is supprest,
The more it glows, and rages in the breast.
When the division-wall was built, a chink
Was left, the cement unobserv'd to shrink.
So slight the cranny, that it still had been
For centuries unclos'd, because unseen.
But oh! what thing so small, so secret lies,
Which scapes, if form'd for love, a lover's eyes?
Ev'n in this narrow chink they quickly found
A friendly passage for a trackless sound.
Safely they told their sorrows, and their joys,
In whisper'd murmurs, and a dying noise,
By turns to catch each other's breath they strove,
And suck'd in all the balmy breeze of love.
Oft as on diff'rent sides they stood, they cry'd,
Malicious wall, thus lovers to divide!
Suppose, thou should'st a-while to us give place
To lock, and fasten in a close embrace:
But if too much to grant so sweet a bliss,
Indulge at least the pleasure of a kiss.
We scorn ingratitude: to thee, we know,
This safe conveyance of our minds we owe.
Thus they their vain petition did renew
'Till night, and then they softly sigh'd adieu.
But first they strove to kiss, and that was all;
Their kisses dy'd untasted on the wall.
Soon as the morn had o'er the stars prevail'd,
And warm'd by Phoebus, flow'rs their dews exhal'd,
The lovers to their well-known place return,
Alike they suffer, and alike they mourn.
At last their parents they resolve to cheat
(If to deceive in love be call'd deceit),
To steal by night from home, and thence unknown
To seek the fields, and quit th' unfaithful town.
But, to prevent their wand'ring in the dark,
They both agree to fix upon a mark;
A mark, that could not their designs expose:
The tomb of Ninus was the mark they chose.
There they might rest secure beneath the shade,
Which boughs, with snowy fruit encumber'd, made:
A wide-spread mulberry its rise had took
Just on the margin of a gurgling brook.
Impatient for the friendly dusk they stay;
And chide the slowness of departing day;
In western seas down sunk at last the light,
From western seas up-rose the shades of night.
The loving Thisbe ev'n prevents the hour,
With cautious silence she unlocks the door,
And veils her face, and marching thro' the gloom
Swiftly arrives at th' assignation-tomb.
For still the fearful sex can fearless prove;
Boldly they act, if spirited by love.
When lo! a lioness rush'd o'er the plain,
Grimly besmear'd with blood of oxen slain:
And what to the dire sight new horrors brought,
To slake her thirst the neighb'ring spring she sought.
Which, by the moon, when trembling Thisbe spies,
Wing'd with her fear, swift, as the wind, she flies;
And in a cave recovers from her fright,
But drop'd her veil, confounded in her flight.
When sated with repeated draughts, again
The queen of beasts scour'd back along the plain,
She found the veil, and mouthing it all o'er,
With bloody jaws the lifeless prey she tore.
The youth, who could not cheat his guards so soon,
Late came, and noted by the glimm'ring moon
Some savage feet, new printed on the ground,
His cheeks turn'd pale, his limbs no vigour found;
But when, advancing on, the veil he spied
Distain'd with blood, and ghastly torn, he cried,
One night shall death to two young lovers give,
But she deserv'd unnumber'd years to live!
'Tis I am guilty, I have thee betray'd,
Who came not early, as my charming maid.
Whatever slew thee, I the cause remain,
I nam'd, and fix'd the place where thou wast slain.
Ye lions from your neighb'ring dens repair,
Pity the wretch, this impious body tear!
But cowards thus for death can idly cry;
The brave still have it in their pow'r to die.
Then to th' appointed tree he hastes away,
The veil first gather'd, tho' all rent it lay:
The veil all rent yet still it self endears,
He kist, and kissing, wash'd it with his tears.
Tho' rich (he cry'd) with many a precious stain,
Still from my blood a deeper tincture gain.
Then in his breast his shining sword he drown'd,
And fell supine, extended on the ground.
As out again the blade lie dying drew,
Out spun the blood, and streaming upwards flew.
So if a conduit-pipe e'er burst you saw,
Swift spring the gushing waters thro' the flaw:
Then spouting in a bow, they rise on high,
And a new fountain plays amid the sky.
The berries, stain'd with blood, began to show
A dark complexion, and forgot their snow;
While fatten'd with the flowing gore, the root
Was doom'd for ever to a purple fruit.
Mean-time poor Thisbe fear'd, so long she stay'd,
Her lover might suspect a perjur'd maid.
Her fright scarce o'er, she strove the youth to find
With ardent eyes, which spoke an ardent mind.
Already in his arms, she hears him sigh
At her destruction, which was once so nigh.
The tomb, the tree, but not the fruit she knew,
The fruit she doubted for its alter'd hue.
Still as she doubts, her eyes a body found
Quiv'ring in death, and gasping on the ground.
She started back, the red her cheeks forsook,
And ev'ry nerve with thrilling horrors shook.
So trembles the smooth surface of the seas,
If brush'd o'er gently with a rising breeze.
But when her view her bleeding love confest,
She shriek'd, she tore her hair, she beat her breast.
She rais'd the body, and embrac'd it round,
And bath'd with tears unfeign'd the gaping wound.
Then her warm lips to the cold face apply'd,
And is it thus, ah! thus we meet, she cry'd!
My Pyramus! whence sprung thy cruel fate?
My Pyramus!- ah! speak, ere 'tis too late.
I, thy own Thisbe, but one word implore,
One word thy Thisbe never ask'd before.
At Thisbe's name, awak'd, he open'd wide
His dying eyes; with dying eyes he try'd
On her to dwell, but clos'd them slow, and dy'd.
The fatal cause was now at last explor'd,
Her veil she knew, and saw his sheathless sword:
From thy own hand thy ruin thou hast found,
She said, but love first taught that hand to wound,
Ev'n I for thee as bold a hand can show,
And love, which shall as true direct the blow.
I will against the woman's weakness strive,
And never thee, lamented youth, survive.
The world may say, I caus'd, alas! thy death,
But saw thee breathless, and resign'd my breath.
Fate, tho' it conquers, shall no triumph gain,
Fate, that divides us, still divides in vain.
Now, both our cruel parents, hear my pray'r;
My pray'r to offer for us both I dare;
Oh! see our ashes in one urn confin'd,
Whom love at first, and fate at last has join'd.
The bliss, you envy'd, is not our request;
Lovers, when dead, may sure together rest.
Thou, tree, where now one lifeless lump is laid,
Ere-long o'er two shalt cast a friendly shade.
Still let our loves from thee be understood,
Still witness in thy purple fruit our blood.
She spoke, and in her bosom plung'd the sword,
All warm and reeking from its slaughter'd lord.
The pray'r, which dying Thisbe had preferr'd,
Both Gods, and parents, with compassion heard.
The whiteness of the mulberry soon fled,
And rip'ning, sadden'd in a dusky red:
While both their parents their lost children mourn,
And mix their ashes in one golden urn.
Thus did the melancholy tale conclude,
And a short, silent interval ensu'd.
The next in birth unloos'd her artful tongue,
And drew attentive all the sister-throng.
The Story of Leucothoe and the Sun
The Sun, the source of light, by beauty's pow'r
Once am'rous grew; then hear the Sun's amour.
Venus, and Mars, with his far-piercing eyes
This God first spy'd; this God first all things spies.
Stung at the sight, and swift on mischief bent,
To haughty Juno's shapeless son he went:
The Goddess, and her God gallant betray'd,
And told the cuckold, where their pranks were play'd.
Poor Vulcan soon desir'd to hear no more,
He drop'd his hammer, and he shook all o'er:
Then courage takes, and full of vengeful ire
He heaves the bellows, and blows fierce the fire:
From liquid brass, tho' sure, yet subtile snares
He forms, and next a wond'rous net prepares,
Drawn with such curious art, so nicely sly,
Unseen the mashes cheat the searching eye.
Not half so thin their webs the spiders weave,
Which the most wary, buzzing prey deceive.
These chains, obedient to the touch, he spread
In secret foldings o'er the conscious bed:
The conscious bed again was quickly prest
By the fond pair, in lawless raptures blest.
Mars wonder'd at his Cytherea's charms,
More fast than ever lock'd within her arms.
While Vulcan th' iv'ry doors unbarr'd with care,
Then call'd the Gods to view the sportive pair:
The Gods throng'd in, and saw in open day,
Where Mars, and beauty's queen, all naked, lay.
O! shameful sight, if shameful that we name,
Which Gods with envy view'd, and could not blame;
But, for the pleasure, wish'd to bear the shame.
Each Deity, with laughter tir'd, departs,
Yet all still laugh'd at Vulcan in their hearts.
Thro' Heav'n the news of this surprizal run,
But Venus did not thus forget the Sun.
He, who stol'n transports idly had betray'd,
By a betrayer was in kind repay'd.
What now avails, great God, thy piercing blaze,
That youth, and beauty, and those golden rays?
Thou, who can'st warm this universe alone,
Feel'st now a warmth more pow'rful than thy own:
And those bright eyes, which all things should survey,
Know not from fair Leucothoe to stray.
The lamp of light, for human good design'd,
Is to one virgin niggardly confin'd.
Sometimes too early rise thy eastern beams,
Sometimes too late they set in western streams:
'Tis then her beauty thy swift course delays,
And gives to winter skies long summer days.
Now in thy face thy love-sick mind appears,
And spreads thro' impious nations empty fears:
For when thy beamless head is wrapt in night,
Poor mortals tremble in despair of light.
'Tis not the moon, that o'er thee casts a veil
'Tis love alone, which makes thy looks so pale.
Leucothoe is grown thy only care,
Not Phaeton's fair mother now is fair.
The youthful Rhodos moves no tender thought,
And beauteous Porsa is at last forgot.
Fond Clytie, scorn'd, yet lov'd, and sought thy bed,
Ev'n then thy heart for other virgins bled.
Leucothoe has all thy soul possest,
And chas'd each rival passion from thy breast.
To this bright nymph Eurynome gave birth
In the blest confines of the spicy Earth.
Excelling others, she herself beheld
By her own blooming daughter far excell'd.
The sire was Orchamus, whose vast command,
The sev'nth from Belus, rul'd the Persian Land.
Deep in cool vales, beneath th' Hesperian sky,
For the Sun's fiery steeds the pastures lye.
Ambrosia there they eat, and thence they gain
New vigour, and their daily toils sustain.
While thus on heav'nly food the coursers fed,
And night, around, her gloomy empire spread,
The God assum'd the mother's shape and air,
And pass'd, unheeded, to his darling fair.
Close by a lamp, with maids encompass'd round,
The royal spinster, full employ'd, he found:
Then cry'd, A-while from work, my daughter, rest;
And, like a mother, scarce her lips he prest.
Servants retire!- nor secrets dare to hear,
Intrusted only to a daughter's ear.
They swift obey'd: not one, suspicious, thought
The secret, which their mistress would be taught.
Then he: since now no witnesses are near,
Behold! the God, who guides the various year!
The world's vast eye, of light the source serene,
Who all things sees, by whom are all things seen.
Believe me, nymph! (for I the truth have show'd)
Thy charms have pow'r to charm so great a God.
Confus'd, she heard him his soft passion tell,
And on the floor, untwirl'd, the spindle fell:
Still from the sweet confusion some new grace
Blush'd out by stealth, and languish'd in her face.
The lover, now inflam'd, himself put on,
And out at once the God, all-radiant, shone.
The virgin startled at his alter'd form,
Too weak to bear a God's impetuous storm:
No more against the dazling youth she strove,
But silent yielded, and indulg'd his love.
This Clytie knew, and knew she was undone,
Whose soul was fix'd, and doated on the Sun.
She rag'd to think on her neglected charms,
And Phoebus, panting in another's arms.
With envious madness fir'd, she flies in haste,
And tells the king, his daughter was unchaste.
The king, incens'd to hear his honour stain'd,
No more the father nor the man retain'd.
In vain she stretch'd her arms, and turn'd her eyes
To her lov'd God, th' enlightner of the skies.
In vain she own'd it was a crime, yet still
It was a crime not acted by her will.
The brutal sire stood deaf to ev'ry pray'r,
And deep in Earth entomb'd alive the fair.
What Phoebus could do, was by Phoebus done:
Full on her grave with pointed beams he shone:
To pointed beams the gaping Earth gave way;
Had the nymph eyes, her eyes had seen the day,
But lifeless now, yet lovely still, she lay.
Not more the God wept, when the world was fir'd,
And in the wreck his blooming boy expir'd.
The vital flame he strives to light again,
And warm the frozen blood in ev'ry vein:
But since resistless Fates deny'd that pow'r,
On the cold nymph he rain'd a nectar show'r.
Ah! undeserving thus (he said) to die,
Yet still in odours thou shalt reach the sky.
The body soon dissolv'd, and all around
Perfum'd with heav'nly fragrancies the ground,
A sacrifice for Gods up-rose from thence,
A sweet, delightful tree of frankincense.
The Transformation of Clytie
Tho' guilty Clytie thus the sun betray'd,
By too much passion she was guilty made.
Excess of love begot excess of grief,
Grief fondly bad her hence to hope relief.
But angry Phoebus hears, unmov'd, her sighs,
And scornful from her loath'd embraces flies.
All day, all night, in trackless wilds, alone
She pin'd, and taught the list'ning rocks her moan.
On the bare earth she lies, her bosom bare,
Loose her attire, dishevel'd is her hair.
Nine times the morn unbarr'd the gates of light,
As oft were spread th' alternate shades of night,
So long no sustenance the mourner knew,
Unless she drunk her tears, or suck'd the dew.
She turn'd about, but rose not from the ground,
Turn'd to the Sun, still as he roul'd his round:
On his bright face hung her desiring eyes,
'Till fix'd to Earth, she strove in vain to rise.
Her looks their paleness in a flow'r retain'd,
But here, and there, some purple streaks they gain'd.
Still the lov'd object the fond leafs pursue,
Still move their root, the moving Sun to view,
And in the Heliotrope the nymph is true.
The sisters heard these wonders with surprise,
But part receiv'd them as romantick lies;
And pertly rally'd, that they could not see
In Pow'rs divine so vast an energy.
Part own'd, true Gods such miracles might do,
But own'd not Bacchus, one among the true.
At last a common, just request they make,
And beg Alcithoe her turn to take.
I will (she said) and please you, if I can.
Then shot her shuttle swift, and thus began.
The fate of Daphnis is a fate too known,
Whom an enamour'd nymph transform'd to stone,
Because she fear'd another nymph might see
The lovely youth, and love as much as she:
So strange the madness is of jealousie!
Nor shall I tell, what changes Scython made,
And how he walk'd a man, or tripp'd a maid.
You too would peevish frown, and patience want
To hear, how Celmis grew an adamant.
He once was dear to Jove, and saw of old
Jove, when a child; but what he saw, he told.
Crocus, and Smilax may be turn'd to flow'rs,
And the Curetes spring from bounteous show'rs;
I pass a hundred legends stale, as these,
And with sweet novelty your taste will please.
The Story of Salmacis and Hermaphroditus
How Salmacis, with weak enfeebling streams
Softens the body, and unnerves the limbs,
And what the secret cause, shall here be shown;
The cause is secret, but th' effect is known.
The Naids nurst an infant heretofore,
That Cytherea once to Hermes bore:
From both th' illustrious authors of his race
The child was nam'd, nor was it hard to trace
Both the bright parents thro' the infant's face.
When fifteen years in Ida's cool retreat
The boy had told, he left his native seat,
And sought fresh fountains in a foreign soil:
The pleasure lessen'd the attending toil,
With eager steps the Lycian fields he crost,
A river here he view'd so lovely bright,
It shew'd the bottom in a fairer light,
Nor kept a sand conceal'd from human sight.
The stream produc'd nor slimy ooze, nor weeds,
Nor miry rushes, nor the spiky reeds;
But dealt enriching moisture all around,
The fruitful banks with chearful verdure crown'd,
And kept the spring eternal on the ground.
A nymph presides, not practis'd in the chace,
Nor skilful at the bow, nor at the race;
Of all the blue-ey'd daughters of the main,
The only stranger to Diana's train:
Her sisters often, as 'tis said, wou'd cry,
"Fie Salmacis: what, always idle! fie.
Or take thy quiver, or thy arrows seize,
And mix the toils of hunting with thy ease."
Nor quiver she nor arrows e'er wou'd seize,
Nor mix the toils of hunting with her ease.
But oft would ba the her in the chrystal tide,
Oft with a comb her dewy locks divide;
Now in the limpid streams she views her face,
And drest her image in the floating glass:
On beds of leaves she now repos'd her limbs,
Now gather'd flow'rs that grew about her streams,
And then by chance was gathering, as he stood
To view the boy, and long'd for what she view'd.
Fain wou'd she meet the youth with hasty feet,
She fain wou'd meet him, but refus'd to meet
Before her looks were set with nicest care,
And well deserv'd to be reputed fair.
"Bright youth," she cries, "whom all thy features prove
A God, and, if a God, the God of love;
But if a mortal, blest thy nurse's breast,
Blest are thy parents, and thy sisters blest:
But oh how blest! how more than blest thy bride,
Ally'd in bliss, if any yet ally'd.
If so, let mine the stoln enjoyments be;
If not, behold a willing bride in me."
The boy knew nought of love, and toucht with shame,
He strove, and blusht, but still the blush became:
In rising blushes still fresh beauties rose;
The sunny side of fruit such blushes shows,
And such the moon, when all her silver white
Turns in eclipses to a ruddy light.
The nymph still begs, if not a nobler bliss,
A cold salute at least, a sister's kiss:
And now prepares to take the lovely boy
Between her arms. He, innocently coy,
Replies, "Or leave me to my self alone,
You rude uncivil nymph, or I'll be gone."
"Fair stranger then," says she, "it shall be so";
And, for she fear'd his threats, she feign'd to go:
But hid within a covert's neighbouring green,
She kept him still in sight, herself unseen.
The boy now fancies all the danger o'er,
And innocently sports about the shore,
Playful and wanton to the stream he trips,
And dips his foot, and shivers as he dips.
The coolness pleas'd him, and with eager haste
His airy garments on the banks he cast;
His godlike features, and his heav'nly hue,
And all his beauties were expos'd to view.
His naked limbs the nymph with rapture spies,
While hotter passions in her bosom rise,
Flush in her cheeks, and sparkle in her eyes.
She longs, she burns to clasp him in her arms,
And looks, and sighs, and kindles at his charms.
Now all undrest upon the banks he stood,
And clapt his sides, and leapt into the flood:
His lovely limbs the silver waves divide,
His limbs appear more lovely through the tide;
As lillies shut within a chrystal case,
Receive a glossy lustre from the glass.
He's mine, he's all my own, the Naid cries,
And flings off all, and after him she flies.
And now she fastens on him as he swims,
And holds him close, and wraps about his limbs.
The more the boy resisted, and was coy,
The more she clipt, and kist the strugling boy.
So when the wrigling snake is snatcht on high
In Eagle's claws, and hisses in the sky,
Around the foe his twirling tail he flings,
And twists her legs, and wriths about her wings.
The restless boy still obstinately strove
To free himself, and still refus'd her love.
Amidst his limbs she kept her limbs intwin'd,
"And why, coy youth," she cries, "why thus unkind!
Oh may the Gods thus keep us ever join'd!
Oh may we never, never part again!"
So pray'd the nymph, nor did she pray in vain:
For now she finds him, as his limbs she prest,
Grow nearer still, and nearer to her breast;
'Till, piercing each the other's flesh, they run
Together, and incorporate in one:
Last in one face are both their faces join'd,
As when the stock and grafted twig combin'd
Shoot up the same, and wear a common rind:
Both bodies in a single body mix,
A single body with a double sex.
The boy, thus lost in woman, now survey'd
The river's guilty stream, and thus he pray'd.
(He pray'd, but wonder'd at his softer tone,
Surpriz'd to hear a voice but half his own.)
You parent-Gods, whose heav'nly names I bear,
Hear your Hermaphrodite, and grant my pray'r;
Oh grant, that whomsoe'er these streams contain,
If man he enter'd, he may rise again
Supple, unsinew'd, and but half a man!
The heav'nly parents answer'd from on high,
Their two-shap'd son, the double votary
Then gave a secret virtue to the flood,
And ting'd its source to make his wishes good.
Alcithoe and her Sisters transform'd to Bats
But Mineus' daughters still their tasks pursue,
To wickedness most obstinately true:
At Bacchus still they laugh, when all around,
Unseen, the timbrels hoarse were heard to sound.
Saffron and myrrh their fragrant odours shed,
And now the present deity they dread.
Strange to relate! Here ivy first was seen,
Along the distaff crept the wond'rous green.
Then sudden-springing vines began to bloom,
And the soft tendrils curl'd around the loom:
While purple clusters, dangling from on high,
Ting'd the wrought purple with a second die.
Now from the skies was shot a doubtful light,
The day declining to the bounds of night.
The fabrick's firm foundations shake all o'er,
False tigers rage, and figur'd lions roar.
Torches, aloft, seem blazing in the air,
And angry flashes of red light'nings glare.
To dark recesses, the dire sight to shun,
Swift the pale sisters in confusion run.
Their arms were lost in pinions, as they fled,
And subtle films each slender limb o'er-spread.
Their alter'd forms their senses soon reveal'd;
Their forms, how alter'd, darkness still conceal'd.
Close to the roof each, wond'ring, upwards springs,
Born on unknown, transparent, plumeless wings.
They strove for words; their little bodies found
No words, but murmur'd in a fainting sound.
In towns, not woods, the sooty bats delight,
And, never, 'till the dusk, begin their flight;
'Till Vesper rises with his ev'ning flame;
From whom the Romans have deriv'd their name.
The Transformation of Ino and Melicerta to Sea-Gods
The pow'r of Bacchus now o'er Thebes had flown:
With awful rev'rence soon the God they own.
Proud Ino, all around the wonder tells,
And on her nephew deity still dwells.
Of num'rous sisters, she alone yet knew
No grief, but grief, which she from sisters drew.
Imperial Juno saw her with disdain,
Vain in her offspring, in her consort vain,
Who rul'd the trembling Thebans with a nod,
But saw her vainest in her foster-God.
Could then (she cry'd) a bastard-boy have pow'r
To make a mother her own son devour?
Could he the Tuscan crew to fishes change,
And now three sisters damn to forms so strange?
Yet shall the wife of Jove find no relief?
Shall she, still unreveng'd, disclose her grief?
Have I the mighty freedom to complain?
Is that my pow'r? is that to ease my pain?
A foe has taught me vengeance; and who ought
To scorn that vengeance, which a foe has taught?
What sure destruction frantick rage can throw,
The gaping wounds of slaughter'd Pentheus show.
Why should not Ino, fir'd with madness, stray,
Like her mad sisters her own kindred slay?
Why, she not follow, where they lead the way?
Down a steep, yawning cave, where yews display'd
In arches meet, and lend a baleful shade,
Thro' silent labyrinths a passage lies
To mournful regions, and infernal skies.
Here Styx exhales its noisome clouds, and here,
The fun'ral rites once paid, all souls appear.
Stiff cold, and horror with a ghastly face
And staring eyes, infest the dreary place.
Ghosts, new-arriv'd, and strangers to these plains,
Know not the palace, where grim Pluto reigns.
They journey doubtful, nor the road can tell,
Which leads to the metropolis of Hell.
A thousand avenues those tow'rs command,
A thousand gates for ever open stand.
As all the rivers, disembogu'd, find room
For all their waters in old Ocean's womb:
So this vast city worlds of shades receives,
And space for millions still of worlds she leaves.
Th' unbody'd spectres freely rove, and show
Whate'er they lov'd on Earth, they love below.
The lawyers still, or right, or wrong, support,
The courtiers smoothly glide to Pluto's court.
Still airy heroes thoughts of glory fire,
Still the dead poet strings his deathless lyre,
And lovers still with fancy'd darts expire.
The Queen of Heaven, to gratify her hate,
And sooth immortal wrath, forgets her state.
Down from the realms of day, to realms of night,
The Goddess swift precipitates her flight.
At Hell arriv'd, the noise Hell's porter heard,
Th' enormous dog his triple head up-rear'd:
Thrice from three grizly throats he howl'd profound,
Then suppliant couch'd, and stretch'd along the ground.
The trembling threshold, which Saturnia prest,
The weight of such divinity confest.
Before a lofty, adamantine gate,
Which clos'd a tow'r of brass, the Furies sate:
Mis-shapen forms, tremendous to the sight,
Th' implacable foul daughters of the night.
A sounding whip each bloody sister shakes,
Or from her tresses combs the curling snakes.
But now great Juno's majesty was known;
Thro' the thick gloom, all heav'nly bright, she shone:
The hideous monsters their obedience show'd,
And rising from their seats, submissive bow'd.
This is the place of woe, here groan the dead;
Huge Tityus o'er nine acres here is spread.
Fruitful for pain th' immortal liver breeds,
Still grows, and still th' insatiate vulture feeds.
Poor Tantalus to taste the water tries,
But from his lips the faithless water flies:
Then thinks the bending tree he can command,
The tree starts backwards, and eludes his hand.
The labour too of Sisyphus is vain,
Up the steep mount he heaves the stone with pain,
Down from the summet rouls the stone again.
The Belides their leaky vessels still
Are ever filling, and yet never fill:
Doom'd to this punishment for blood they shed,
For bridegrooms slaughter'd in the bridal bed.
Stretch'd on the rolling wheel Ixion lies;
Himself he follows, and himself he flies.
Ixion, tortur'd, Juno sternly ey'd,
Then turn'd, and toiling Sisyphus espy'd:
And why (she said) so wretched is the fate
Of him, whose brother proudly reigns in state?
Yet still my altars unador'd have been
By Athamas, and his presumptuous queen.
What caus'd her hate, the Goddess thus confest,
What caus'd her journey now was more than guest.
That hate, relentless, its revenge did want,
And that revenge the Furies soon could grant:
They could the glory of proud Thebes efface,
And hide in ruin the Cadmean race.
For this she largely promises, entreats,
And to intreaties adds imperial threats.
Then fell Tisiphone with rage was stung,
And from her mouth th' untwisted serpents flung.
To gain this trifling boon, there is no need
(She cry'd) in formal speeches to proceed.
Whatever thou command'st to do, is done;
Believe it finish'd, tho' not yet begun.
But from these melancholly seats repair
To happier mansions, and to purer air.
She spoke: the Goddess, darting upwards, flies,
And joyous re-ascends her native skies:
Nor enter'd there, till 'round her Iris threw
Ambrosial sweets, and pour'd celestial dew.
The faithful Fury, guiltless of delays,
With cruel haste the dire comm and obeys.
Girt in a bloody gown, a torch she shakes,
And round her neck twines speckled wreaths of snakes.
Fear, and dismay, and agonizing pain,
With frantick rage, compleat her loveless train.
To Thebes her flight she sped, and Hell forsook;
At her approach the Theban turrets shook:
The sun shrunk back, thick clouds the day o'er-cast,
And springing greens were wither'd as she past.
Now, dismal yellings heard, strange spectres seen,
Confound as much the monarch as the queen.
In vain to quit the palace they prepar'd,
Tisiphone was there, and kept the ward.
She wide extended her unfriendly arms,
And all the Fury lavish'd all her harms.
Part of her tresses loudly hiss, and part
Spread poyson, as their forky tongues they dart.
Then from her middle locks two snakes she drew,
Whose merit from superior mischief grew:
Th' envenom'd ruin, thrown with spiteful care,
Clung to the bosoms of the hapless pair.
The hapless pair soon with wild thoughts were fir'd,
And madness, by a thousand ways inspir'd.
'Tis true, th' unwounded body still was sound,
But 'twas the soul which felt the deadly wound.
Nor did th' unsated monster here give o'er,
But dealt of plagues a fresh, unnumber'd store.
Each baneful juice too well she understood,
Foam, churn'd by Cerberus, and Hydra's blood.
Hot hemlock, and cold aconite she chose,
Delighted in variety of woes.
Whatever can untune th' harmonious soul,
And its mild, reas'ning faculties controul,
Give false ideas, raise desires profane,
And whirl in eddies the tumultuous brain,
Mix'd with curs'd art, she direfully around
Thro' all their nerves diffus'd the sad compound.
Then toss'd her torch in circles still the same,
Improv'd their rage, and added flame to flame.
The grinning Fury her own conquest spy'd,
And to her rueful shades return'd with pride,
And threw th' exhausted, useless snakes aside.
Now Athamas cries out, his reason fled,
Here, fellow-hunters, let the toils be spread.
I saw a lioness, in quest of food,
With her two young, run roaring in this wood.
Again the fancy'd savages were seen,
As thro' his palace still he chac'd his queen;
Then tore Learchus from her breast: the child
Stretch'd little arms, and on its father smil'd:
A father now no more, who now begun
Around his head to whirl his giddy son,
And, quite insensible to Nature's call,
The helpless infant flung against the wall.
The same mad poyson in the mother wrought,
Young Melicerta in her arms she caught,
And with disorder'd tresses, howling, flies,
O! Bacchus, Evoe, Bacchus! loud she cries.
The name of Bacchus Juno laugh'd to hear,
And said, Thy foster-God has cost thee dear.
A rock there stood, whose side the beating waves
Had long consum'd, and hollow'd into caves.
The head shot forwards in a bending steep,
And cast a dreadful covert o'er the deep.
The wretched Ino, on destruction bent,
Climb'd up the cliff; such strength her fury lent:
Thence with her guiltless boy, who wept in vain,
At one bold spring she plung'd into the main.
Her neice's fate touch'd Cytherea's breast,
And in soft sounds she Neptune thus addrest:
Great God of waters, whose extended sway
Is next to his, whom Heav'n and Earth obey:
Let not the suit of Venus thee displease,
Pity the floaters on th' Ionian seas.
Encrease thy Subject-Gods, nor yet disdain
To add my kindred to that glorious train.
If from the sea I may such honours claim,
If 'tis desert, that from the sea I came,
As Grecian poets artfully have sung,
And in the name confest, from whence I sprung.
Pleas'd Neptune nodded his assent, and free
Both soon became from frail mortality.
He gave them form, and majesty divine,
And bad them glide along the foamy brine.
For Melicerta is Palaemon known,
And Ino once, Leucothoe is grown.
The Transformation of the Theban Matrons
The Theban matrons their lov'd queen pursu'd,
And tracing to the rock, her footsteps view'd.
Too certain of her fate, they rend the skies
With piteous shrieks, and lamentable cries.
All beat their breasts, and Juno all upbraid,
Who still remember'd a deluded maid:
Who, still revengeful for one stol'n embrace,
Thus wreak'd her hate on the Cadmean race.
This Juno heard: And shall such elfs, she cry'd,
Dispute my justice, or my pow'r deride?
You too shall feel my wrath not idly spent;
A Goddess never for insults was meant.
She, who lov'd most, and who most lov'd had been,
Said, Not the waves shall part me from my queen.
She strove to plunge into the roaring flood;
Fix'd to the stone, a stone her self she stood.
This, on her breast would fain her blows repeat,
Her stiffen'd hands refus'd her breast to beat.
That, stretch'd her arms unto the seas; in vain
Her arms she labour'd to unstretch again.
To tear her comely locks another try'd,
Both comely locks, and fingers petryfi'd.
Part thus; but Juno with a softer mind
Part doom'd to mix among the feather'd kind.
Transform'd, the name of Theban birds they keep,
And skim the surface of that fatal deep.
Cadmus and his Queen transform'd to Serpents
Mean-time, the wretched Cadmus mourns, nor knows,
That they who mortal fell, immortal rose.
With a long series of new ills opprest,
He droops, and all the man forsakes his breast.
Strange prodigies confound his frighted eyes;
From the fair city, which he rais'd, he flies:
As if misfortune not pursu'd his race,
But only hung o'er that devoted place.
Resolv'd by sea to seek some distant land,
At last he safely gain'd th' Illyrian strand.
Chearless himself, his consort still he chears,
Hoary, and loaden'd both with woes and years.
Then to recount past sorrows they begin,
And trace them to the gloomy origin.
That serpent sure was hallow'd, Cadmus cry'd,
Which once my spear transfix'd with foolish pride;
When the big teeth, a seed before unknown,
By me along the wond'ring glebe were sown,
And sprouting armies by themselves o'erthrown.
If thence the wrath of Heav'n on me is bent,
May Heav'n conclude it with one sad event;
To an extended serpent change the man:
And while he spoke, the wish'd-for change began.
His skin with sea-green spots was vary'd 'round,
And on his belly prone he prest the ground.
He glitter'd soon with many a golden scale,
And his shrunk legs clos'd in a spiry tail.
Arms yet remain'd, remaining arms he spread
To his lov'd wife, and human tears yet shed.
Come, my Harmonia, come, thy face recline
Down to my face; still touch, what still is mine.
O! let these hands, while hands, be gently prest,
While yet the serpent has not all possest.
More he had spoke, but strove to speak in vain,
The forky tongue refus'd to tell his pain,
And learn'd in hissings only to complain.
Then shriek'd Harmonia, Stay, my Cadmus, stay,
Glide not in such a monstrous shape away!
Destruction, like impetuous waves, rouls on.
Where are thy feet, thy legs, thy shoulders gone?
Chang'd is thy visage, chang'd is all thy frame;
Cadmus is only Cadmus now in name.
Ye Gods, my Cadmus to himself restore,
Or me like him transform; I ask no more.
The husband-serpent show'd he still had thought,
With wonted fondness an embrace he sought;
Play'd 'round her neck in many a harmless twist,
And lick'd that bosom, which, a man, he kist.
The lookers-on (for lookers-on there were)
Shock'd at the sight, half-dy'd away with fear.
The transformation was again renew'd,
And, like the husband, chang'd the wife they view'd.
Both, serpents now, with fold involv'd in fold,
To the next covert amicably roul'd.
There curl'd they lie, or wave along the green,
Fearless see men, by men are fearless seen,
Still mild, and conscious what they once have been.
The Story of Perseus
Yet tho' this harsh, inglorious fate they found,
Each in the deathless grandson liv'd renown'd.
Thro' conquer'd India Bacchus nobly rode,
And Greece with temples hail'd the conqu'ring God.
In Argos only proud Acrisius reign'd,
Who all the consecrated rites profan'd.
Audacious wretch! thus Bacchus to deny,
And the great Thunderer's great son defie!
Nor him alone: thy daughter vainly strove,
Brave Perseus of celestial stem to prove,
And her self pregnant by a golden Jove.
Yet this was true, and truth in time prevails;
Acrisius now his unbelief bewails.
His former thought, an impious thought he found,
And both the heroe, and the God were own'd.
He saw, already one in Heav'n was plac'd,
And one with more than mortal triumphs grac'd,
The victor Perseus with the Gorgon-head,
O'er Libyan sands his airy journey sped.
The gory drops distill'd, as swift he flew,
And from each drop envenom'd serpents grew,
The mischiefs brooded on the barren plains,
And still th' unhappy fruitfulness remains.
Atlas transform'd to a Mountain
Thence Perseus, like a cloud, by storms was driv'n,
Thro' all th' expanse beneath the cope of Heaven.
The jarring winds unable to controul,
He saw the southern, and the northern pole:
And eastward thrice, and westward thrice was whirl'd,
And from the skies survey'd the nether world.
But when grey ev'ning show'd the verge of night,
He fear'd in darkness to pursue his flight.
He pois'd his pinions, and forgot to soar,
And sinking, clos'd them on th' Hesperian shore:
Then beg'd to rest, 'till Lucifer begun
To wake the morn, the morn to wake the sun.
Here Atlas reign'd, of more than human size,
And in his kingdom the world's limit lies.
Here Titan bids his weary'd coursers sleep,
And cools the burning axle in the deep.
The mighty monarch, uncontrol'd, alone,
His sceptre sways: no neighb'ring states are known.
A thousand flocks on shady mountains fed,
A thousand herds o'er grassy plains were spread.
Here wond'rous trees their shining stores unfold,
Their shining stores too wond'rous to be told,
Their leafs, their branches, and their apples, gold.
Then Perseus the gigantick prince addrest,
Humbly implor'd a hospitable rest.
If bold exploits thy admiration fire,
He said, I fancy, mine thou wilt admire.
Or if the glory of a race can move,
Not mean my glory, for I spring from Jove.
At this confession Atlas ghastly star'd,
Mindful of what an oracle declar'd,
That the dark womb of Time conceal'd a day,
Which should, disclos'd, the bloomy gold betray:
All should at once be ravish'd from his eyes,
And Jove's own progeny enjoy the prize.
For this, the fruit he loftily immur'd,
And a fierce dragon the strait pass secur'd.
For this, all strangers he forbad to land,
And drove them from th' inhospitable strand.
To Perseus then: Fly quickly, fly this coast,
Nor falsly dare thy acts and race to boast.
In vain the heroe for one night entreats,
Threat'ning he storms, and next adds force to threats.
By strength not Perseus could himself defend,
For who in strength with Atlas could contend?
But since short rest to me thou wilt not give,
A gift of endless rest from me receive,
He said, and backward turn'd, no more conceal'd
The present, and Medusa's head reveal'd.
Soon the high Atlas a high mountain stood,
His locks, and beard became a leafy wood.
His hands, and shoulders, into ridges went,
The summit-head still crown'd the steep ascent.
His bones a solid, rocky hardness gain'd:
He, thus immensely grown (as fate ordain'd),
The stars, the Heav'ns, and all the Gods sustain'd.
Andromeda rescu'd from the Sea Monster
Now Aeolus had with strong chains confin'd,
And deep imprison'd e'vry blust'ring wind,
The rising Phospher with a purple light
Did sluggish mortals to new toils invite.
His feet again the valiant Perseus plumes,
And his keen sabre in his hand resumes:
Then nobly spurns the ground, and upwards springs,
And cuts the liquid air with sounding wings.
O'er various seas, and various lands he past,
'Till Aethiopia's shore appear'd at last.
Andromeda was there, doom'd to attone
By her own ruin follies not her own:
And if injustice in a God can be,
Such was the Libyan God's unjust decree.
Chain'd to a rock she stood; young Perseus stay'd
His rapid flight, to view the beauteous maid.
So sweet her frame, so exquisitely fine,
She seem'd a statue by a hand divine,
Had not the wind her waving tresses show'd,
And down her cheeks the melting sorrows flow'd.
Her faultless form the heroe's bosom fires;
The more he looks, the more he still admires.
Th' admirer almost had forgot to fly,
And swift descended, flutt'ring from on high.
O! Virgin, worthy no such chains to prove,
But pleasing chains in the soft folds of love;
Thy country, and thy name (he said) disclose,
And give a true rehearsal of thy woes.
A quick reply her bashfulness refus'd,
To the free converse of a man unus'd.
Her rising blushes had concealment found
From her spread hands, but that her hands were bound.
She acted to her full extent of pow'r,
And bath'd her face with a fresh, silent show'r.
But by degrees in innocence grown bold,
Her name, her country, and her birth she told:
And how she suffer'd for her mother's pride,
Who with the Nereids once in beauty vy'd.
Part yet untold, the seas began to roar,
And mounting billows tumbled to the shore.
Above the waves a monster rais'd his head,
His body o'er the deep was widely spread:
Onward he flounc'd; aloud the virgin cries;
Each parent to her shrieks in shrieks replies:
But she had deepest cause to rend the skies.
Weeping, to her they cling; no sign appears
Of help, they only lend their helpless tears.
Too long you vent your sorrows, Perseus said,
Short is the hour, and swift the time of aid,
In me the son of thund'ring Jove behold,
Got in a kindly show'r of fruitful gold.
Medusa's snaky head is now my prey,
And thro' the clouds I boldly wing my way.
If such desert be worthy of esteem,
And, if your daughter I from death redeem,
Shall she be mine? Shall it not then be thought,
A bride, so lovely, was too cheaply bought?
For her my arms I willingly employ,
If I may beauties, which I save, enjoy.
The parents eagerly the terms embrace:
For who would slight such terms in such a case?
Nor her alone they promise, but beside,
The dowry of a kingdom with the bride.
As well-rigg'd gallies, which slaves, sweating, row,
With their sharp beaks the whiten'd ocean plough;
So when the monster mov'd, still at his back
The furrow'd waters left a foamy track.
Now to the rock he was advanc'd so nigh,
Whirl'd from a sling a stone the space would fly.
Then bounding, upwards the brave Perseus sprung,
And in mid air on hov'ring pinions hung.
His shadow quickly floated on the main;
The monster could not his wild rage restrain,
But at the floating shadow leap'd in vain.
As when Jove's bird, a speckl'd serpent spies,
Which in the shine of Phoebus basking lies,
Unseen, he souses down, and bears away,
Truss'd from behind, the vainly-hissing prey.
To writh his neck the labour nought avails,
Too deep th' imperial talons pierce his scales.
Thus the wing'd heroe now descends, now soars,
And at his pleasure the vast monster gores.
Full in his back, swift stooping from above,
The crooked sabre to its hilt he drove.
The monster rag'd, impatient of the pain,
First bounded high, and then sunk low again.
Now, like a savage boar, when chaf'd with wounds,
And bay'd with opening mouths of hungry hounds,
He on the foe turns with collected might,
Who still eludes him with an airy flight;
And wheeling round, the scaly armour tries
Of his thick sides; his thinner tall now plies:
'Till from repeated strokes out gush'd a flood,
And the waves redden'd with the streaming blood.
At last the dropping wings, befoam'd all o'er,
With flaggy heaviness their master bore:
A rock he spy'd, whose humble head was low,
Bare at an ebb, but cover'd at a flow.
A ridgy hold, he, thither flying, gain'd,
And with one hand his bending weight sustain'd;
With th' other, vig'rous blows he dealt around,
And the home-thrusts the expiring monster own'd.
In deaf'ning shouts the glad applauses rise,
And peal on peal runs ratling thro' the skies.
The saviour-youth the royal pair confess,
And with heav'd hands their daughter's bridegroom bless.
The beauteous bride moves on, now loos'd from chains,
The cause, and sweet reward of all the heroe's pains,
Mean-time, on shore triumphant Perseus stood,
And purg'd his hands, smear'd with the monster's blood:
Then in the windings of a sandy bed
Compos'd Medusa's execrable head.
But to prevent the roughness, leafs he threw,
And young, green twigs, which soft in waters grew,
There soft, and full of sap; but here, when lay'd,
Touch'd by the head, that softness soon decay'd.
The wonted flexibility quite gone,
The tender scyons harden'd into stone.
Fresh, juicy twigs, surpriz'd, the Nereids brought,
Fresh, juicy twigs the same contagion caught.
The nymphs the petrifying seeds still keep,
And propagate the wonder thro' the deep.
The pliant sprays of coral yet declare
Their stiff'ning Nature, when expos'd to air.
Those sprays, which did, like bending osiers, move,
Snatch'd from their element, obdurate prove,
And shrubs beneath the waves, grow stones above.
The great immortals grateful Perseus prais'd,
And to three Pow'rs three turfy altars rais'd.
To Hermes this; and that he did assign
To Pallas: the mid honours, Jove, were thine,
He hastes for Pallas a white cow to cull,
A calf for Hermes, but for Jove a bull.
Then seiz'd the prize of his victorious fight,
Andromeda, and claim'd the nuptial rite.
Andromeda alone he greatly sought,
The dowry kingdom was not worth his thought.
Pleas'd Hymen now his golden torch displays;
With rich oblations fragrant altars blaze,
Sweet wreaths of choicest flow'rs are hung on high,
And cloudless pleasure smiles in ev'ry eye.
The melting musick melting thoughts inspires,
And warbling songsters aid the warbling lyres.
The palace opens wide in pompous state,
And by his peers surrounded, Cepheus sate.
A feast was serv'd, fit for a king to give,
And fit for God-like heroes to receive.
The banquet ended, the gay, chearful bowl
Mov'd round, and brighten'd, and enlarg'd each soul.
Then Perseus ask'd, what customs there obtain'd,
And by what laws the people were restrain'd.
Which told; the teller a like freedom takes,
And to the warrior his petition makes,
To know, what arts had won Medusa's snakes.
The Story of Medusa's Head
The heroe with his just request complies,
Shows, how a vale beneath cold Atlas lies,
Where, with aspiring mountains fenc'd around,
He the two daughters of old Phorcus found.
Fate had one common eye to both assign'd,
Each saw by turns, and each by turns was blind.
But while one strove to lend her sister sight,
He stretch'd his hand, and stole their mutual light,
And left both eyeless, both involv'd in night.
Thro' devious wilds, and trackless woods he past,
And at the Gorgon-seats arriv'd at last:
But as he journey'd, pensive he survey'd,
What wasteful havock dire Medusa made.
Here, stood still breathing statues, men before;
There, rampant lions seem'd in stone to roar.
Nor did he, yet affrighted, quit the field,
But in the mirror of his polish'd shield
Reflected saw Medusa slumbers take,
And not one serpent by good chance awake.
Then backward an unerring blow he sped,
And from her body lop'd at once her head.
The gore prolifick prov'd; with sudden force
Sprung Pegasus, and wing'd his airy course.
The Heav'n-born warrior faithfully went on,
And told the num'rous dangers which he run.
What subject seas, what lands he had in view,
And nigh what stars th' advent'rous heroe flew.
At last he silent sate; the list'ning throng
Sigh'd at the pause of his delightful tongue.
Some beg'd to know, why this alone should wear,
Of all the sisters, such destructive hair.
Great Perseus then: With me you shall prevail,
Worth the relation, to relate a tale.
Medusa once had charms; to gain her love
A rival crowd of envious lovers strove.
They, who have seen her, own, they ne'er did trace
More moving features in a sweeter face.
Yet above all, her length of hair, they own,
In golden ringlets wav'd, and graceful shone.
Her Neptune saw, and with such beauties fir'd,
Resolv'd to compass, what his soul desir'd.
In chaste Minerva's fane, he, lustful, stay'd,
And seiz'd, and rifled the young, blushing maid.
The bashful Goddess turn'd her eyes away,
Nor durst such bold impurity survey;
But on the ravish'd virgin vengeance takes,
Her shining hair is chang'd to hissing snakes.
These in her Aegis Pallas joys to bear,
The hissing snakes her foes more sure ensnare,
Than they did lovers once, when shining hair.
----------------------------------------------------------------------
~ Ovid, BOOK THE FOURTH
,#NFDB |
1451:The Witch Of Hebron
A Rabbinical Legend
Part I.
From morn until the setting of the sun
The rabbi Joseph on his knees had prayed,
And, as he rose with spirit meek and strong,
An Indian page his presence sought, and bowed
Before him, saying that a lady lay
Sick unto death, tormented grievously,
Who begged the comfort of his holy prayers.
The rabbi, ever to the call of grief
Open as day, arose; and girding straight
His robe about him, with the page went forth;
Who swiftly led him deep into the woods
That hung, heap over heap, like broken clouds
On Hebron’s southern terraces; when lo!
Across a glade a stately pile he saw,
With gleaming front, and many-pillared porch
Fretted with sculptured vinage, flowers and fruit,
And carven figures wrought with wondrous art
As by some Phidian hand.
But interposed
For a wide space in front, and belting all
The splendid structure with a finer grace,
A glowing garden smiled; its breezes bore
Airs as from paradise, so rich the scent
That breathed from shrubs and flowers; and fair the growths
Of higher verdure, gemm’d with silver blooms,
Which glassed themselves in fountains gleaming light
Each like a shield of pearl.
Within the halls
Strange splendour met the rabbi’s careless eyes,
Halls wonderful in their magnificance,
With pictured walls, and columns gleaming white
Like Carmel’s snow, or blue-veined as with life;
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Through corridors he passed with tissues hung
Inwrought with threaded gold by Sidon’s art,
Or rich as sunset clouds with Tyrian dye;
Past lofty chambers, where the gorgeous gleam
Of jewels, and the stainèd radiance
Of golden lamps, showed many a treasure rare
Of Indian and Armenian workmanship
Which might have seemed a wonder of the world:
And trains of servitors of every clime,
Greeks, Persians, Indians, Ethiopians,
In richest raiment thronged the spacious halls.
The page led on, the rabbi following close,
And reached a still and distant chamber, where
In more than orient pomp, and dazzling all
The else-unrivalled splendour of the rest,
A queenly woman lay; so beautiful,
That though upon her moon-bright visage, pain
And langour like eclipsing shadows gloomed,
The rabbi’s aged heart with tremor thrilled;
Then o’er her face a hectic colour passed,
Only to leave that pallor which portends
The nearness of the tomb.
From youth to age
The rabbi Joseph still had sought in herbs
And minerals the virtues they possess,
And now of his medicaments he chose
What seemed most needful in her sore estate;
“Alas, not these,” the dying woman said,
“A malady like mine thou canst not cure,
’Tis fatal as the funeral march of Time!
But that I might at length discharge my mind
Of a dread secret, that hath been to me
An ever-haunting and most ghostly fear,
Darkening my whole life like an ominous cloud
And which must end it ere the morning come,
Therefore did I entreat thy presence here.”
The rabbi answered, “If indeed it stand
Within my power to serve thee, speak at once
223
All that thy heart would say. But if ’tis vain,
If this thy sin hath any mortal taint,
Forbear, O woman, to acquaint my soul
With aught that could thenceforth with horror chase
The memory of a man of Israel.”
“I am,” she said “the daughter of thy friend
Rabbi Ben Bachai—be his memory blest!
Once at thy side a laughing child I played;
I married with an Arab Prince, a man
Of lofty lineage, one of Ishmael’s race;
Not great in gear. Behold’st thou this abode?
Did ever yet the tent-born Arab build
Thus for his pride or pleasure? See’st thou
These riches? An no! Such were ne’er amassed
By the grey desert’s wild and wandering son;
Deadly the game by which I won them all!
And with a burning bitterness at best
Have I enjoyed them! And how gladly now
Would I, too late, forego them all, to mend
My broken peace with a repentant heed
In abject poverty!”
She ceased, and lay
Calm in her loveliness, with dreamy looks
Roaming, perhaps, in thought the fateful past;
Then suddenly her beauteous countenance grew
Bedimm’d and drear, then dark with mortal pangs,
While fierce convulsions shook her tortured frame,
And from her foaming lips such words o’erran,
That rabbi Joseph sank upon his knees,
And bowed his head a space in horror down
While ardent, pitying prayers for her great woe
Rose from his soul; when, lo! The woman’s face
Was cloudless as a summer heaven! The late
Dark brow was bright, the late pale cheek suffused
With roseate bloom; and, wondrous more than all,
Here weary eyes were changed to splendours now
That shot electric influence, and her lips
Were full and crimson, curled with stormy pride.
The doubting rabbi stood in wild amaze
To see the dying woman bold and fierce
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In bright audacity of passion’s power.
“These are the common changes,” then she said,
“Of the fell ailment, that with torments strange,
Which search my deepest life, is tearing up
The dark foundations of my mortal state,
And sinking all its structures, hour by hour,
Into the dust of death. For nothing now
Is left me but to meet my nearing doom
As best I may in silent suffering.”
Then as he heard her words and saw her face,
The rabbi in his wisdom knew some strong
Indwelling evil spirit troubled her,
And straighway for an unction sent, wherewith
The famous ancestor whose name he bore,
Herod the Great’s chief hakim, had expelled
The daemon haunter of the dying king.
With this he touched her forehead and her eyes
And all her finger-tips. Forthwith he made
Within a consecrated crucible
A fire of citron-wood and cinnamon;
Then splashed the flames with incense, mingling all
With the strong influence of fervent prayer;
And, as the smoke arose, he bowed her head
Into its coils, that so she might inhale
Its salutary odour—till the fiend
That dwelt within her should be exorcised.
Her face once more grew pale with pain; she writhed
In burning torment, uttering many words
Of most unhallowed meaning! Yet her eyes
Were fixed the while, and motionless her lips!
Whereby the rabbi certainly perceived
’Twas not the woman of herself that spake,
But the dread spirit that possessed her soul,
And thus it cried aloud.
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Part II.
“WHY am I here, in this my last resort,
Perturbed with incense and anointings? Why
Compelled to listen to the sound of prayers
That smite me through as with the fire of God?
O pain, pain, pain! Is not this chamber full
Of the implacable stern punishers?
Full of avenging angels, holding each
A scourge of thunder in his potent hand,
Ready to lighten forth! And then, thus armed,
For ever chase and wound us as we fly!
Nor end with this—but, in each wound they make,
Pour venom sweltered from that tree As-gard,
Whose deadly shadow in its blackness falls
Over the lake of everlasting doom!
“Five hundred years ago, I, who thus speak,
Was an Egyptian of the splendid court
Of Ptolemy Philadelphus. To the top
Of mountainous power, though roughened with unrest,
And girt with dangers as with thunder-clouds,
Had I resolved by all resorts to climb;
By truth and falsehood, right and wrong alike;
And I did climb! Then firmly built in power
Second alone to my imperial lord’s,
I crowned with its impunity my lust
Of beauty, sowing broadcast everywhere
Such sensual baits wide round me, as should lure
Through pleasure, or through interest entrap,
The fairest daughters of the land, and lo!
Their lustrous eyes surcharged with passionate light
The chambers of my harem! But at length
Wearied of these, though sweet, I set my heart
On riches, heaped to such a fabulous sum
As never one man’s hoard in all the world
Might match; and to acquire them, steeped my life
In every public, every private wrong,
In lies, frauds, secret murders; till at last
A favoured minion I had trusted most,
And highest raised, unveiled before the king
The dark abysmal badness of my life;
But dearly did he rue it; nor till then
Guessed I how deadly grateful was revenge!
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I stole into his chamber as he slept,
And with a sword, whose double edge for hours
I had whetted for the purpose of the deed,
There staked him through the midriff to his bed.
I fled; but first I sent, as oft before,
A present to the household of the man
Who had in secret my betrayer bribed.
Twas scented wine, and rich Damascus cakes;
On these he feasted, and fell sudden down,
Rolling and panting in his dying pangs,
A poisoned desert dog!
“But I had fled.
A swift ship bore me, which my forecast long
Had kept prepared against such need as this.
Over the waves three days she proudly rode;
Then came a mighty storm, and trampled all
Her masted bravery flat, and still drove on
The wave-swept ruin towards a reefy shore!
Meanwhile amongst the terror-stricken crew
An ominous murmur went from mouth to mouth;
They grouped themselves in councils, and, ere long,
Grew loud and furious with surmises wild,
And maniac menaces, all aimed at me!
My fugitive head it was at which so loud
The thunder bellowed! The wild-shrieking winds
And roaring waters held in vengeful chase
Me only! Me! Whose signal crimes alone
Had brought on us this anger of the gods!
And thus reproaching me with glaring eyes,
They would have seized and slain me, but I sprang
Back from amongst them, and, outstriking, stabbed
With sudden blow their leader to the heart;
Then, with my poniard scaring off the rest,
Leaped from the deck, and swimming reached the shore,
From which, in savage triumph, I beheld
The battered ship, with all her howling crew,
Heel, and go down, amid the whelming waves.
“Inland my course now lay for many days,
O’er barren hills and glens, whose herbless scopes
Never grew luminous with a water gleam,
227
Or heard the pleasant bubble of a brook,
For vast around the Afric desert stretched.
Starving and sun-scorched and afire with thirst,
I wandered ever on, until I came
To where, amid the dun and level waste,
In frightful loneliness, a mouldered group
Of ancient tombs stood ghostly. Here at last,
Utterly spent, in my despair I lay
Down on the burning sand, to gasp and die!
When from among the stones a withered man,
Old-seeming as the desert where he lived,
Came and stood by me, saying ‘get thee up!
Not much have I to give, but these at least
I offer to thy need, water and bread.’
“Then I arose and followed to his cell,—
A dismal cell, that seemed itself a tomb,
So lightless was it, and so foul with damp,
And at its entrance there were skulls and bones.
Long and deep drank I of the hermit’s draught,
And munched full greedily the hermit’s bread;
But with the strength which thence my frame derived,
Fierce rage devoured me, and I cursed my fate!
Whereat the withered creature laughed in scorn,
And mocked me with the malice of his eyes,
That sometimes, like a snake’s, shrank small, and then
Enlarging blazed as with infernal fire!
Then, on a sudden, with an oath that seemed
To wake a stir in the grey musty tombs,
As if their silence shuddered, he averred
That he could life me once more to the height
Of all my wishes—nay, even higher, but
On one condition only. Dared I swear,
By the dread angel of the second death,
I would be wholly his, both body and soul,
After a hundred years?
“Why should I not?
I answered, quivering with a stormy haste,
A rampart unreluctance! For so great
Was still my fury against all mankind,
And my desire of pomp and riches yet
228
So monstrous, that I felt I could have drunk
Blood, fire, or worse, to wear again the power
That fortune, working through my enemies’ hands,
Had stript away from me. So, word by word,
I swore the oath as he repeated it;
Nor much it moved me, in my eagerness,
To feel a damp and earthy odour break
Out of each tomb, from which there darkling rose
At every word a hissing as of snakes;
And yet the fell of hair upon my scalp
Rose bristling under a cold creeping thrill:
But I failed not, I swore the dread oath through,
And then the tombs grew silent as their dead.
But through my veins a feeling of strong youth
Coursed bold along, and summered in my heart,
Till there before him in my pride I stood
In stately strength, and swift as is the wind,
Magnificant as a desert-nurtured steed
Of princeliest pedigree, with nostrils wide
Dilated, and with eyes effusing flame.
‘Begone,’ he said, ’and live thy hundred years
Of splendour, power, pleasure, ease.’ His voice
Sighed off into the distance. He was gone:
Only a single raven, far aloft,
Was beating outwards with its sable wings;
The tombs had vanished, and the desert grey
Merged its whole circle with the bending sky.
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Part III.
“OUT of these wilds to Egypt I returned:
Men thought that I had perished with the ship,
And no one knew me now, because my face
And form were greatly changed,—from passing fair
To fairer yet; from manly, to a pile
So nobly built, that in all eyes I seemed
Beauteous as Thammuz! And my heart was changed;
Ambition wilder than a leopard’s thirst
229
For blood of roe, or flying hart, possessed
My spirit, like the madness of a god!
But this I yet even in its fiercest strain
Could curb and guide with sovereign strength of will.
From small beginnings onward still I worked,
Stepping as up a stair from rival head
To rival head,—from high to higher still,
Unto the loftiest post that might be held
Under the Ptolemies; and meantime paid
Each old unsettled score, defeating those
Who erst had worked against me, sweeping them
Out of all posts, all places; for though time
And change had wide dispersed them through the land,
The sleuth-hounds of my vengeance found them out!
Which things not being in a corner done,
What wonder was it that all Egypt now,
From end to end, even like a shaken hive,
Buzzed as disturbed with my portentous fame?
“And what to me were secret enemies?
Had I not also spies, who could pin down
A whisper in the dark and keep it there?
Could dash a covert frown by the same means
An open charge had challenged? Hence my name
Became a sound that struck through every heart
Ineffable dismay! And yet behold
There more I trampled on mankind, the more
Did fawning flatterers praise me as I swept
Like a magnificant meteor through the land!
The more I hurled the mighty from their seats,
And triumphed o’er them prostrate in the dust,
The human hounds that licked my master hand
But multiplied the more! And still I strode
From bad to worse, corrupting as I went,
Making the lowly ones more abject yet;
Awing as with a thunder-bearing hand
The high and affluent; while I bound the strong
To basest service, even with chains of gold.
All hated, cursed and feared me, for in vain
Daggers were levelled at my brazen heart—
They glanced, and slew some minion at my side
Poison was harmless as a heifer’s milk
When I had sipped it with my lips of scorn;
230
All that paraded pomp and smiling power
Could draw against me from the envious hearts
Of men in will as wicked as myself
I challenged, I encountered, and o’erthrew!
“But, after many years, exhaustion sere
Spread through the branches of my tree of life;
My forces flagged, my senses more and more
Were blunted, and incapable of joy;
The splendours of my rank availed me not;
A poverty as naked as a slave’s
Peered from them mockingly. The pride of power
That glowed so strong within me in my youth
Was now like something dying at my heart.
To cheat or stimulate my jaded taste,
Feasts, choice or sumptuous, were devised in vain;
there was disfavour, there was fraud within,
Like that which filled the fair-appearing rind
Of those delusive apples that of old
Grew on the Dead Sea shore.
“And yet, though thus
All that gave pleasure to my younger life
Was withering from my path like summer grass,
I still had one intense sensation, which
Grew ever keener as my years increased—
A hatred of mankind; to pamper which
I gloated, with a burning in my soul,
Over their degradation; and like one
Merry with wine, I revelled day by day
In scattering baits that should corrupt them more:
The covetous I sharpened into thieves,
Urged the vindictive, hardened the malign,
Whetted the ruffian with self-interest,
And flung him then, a burning brand, abroad.
And the decadence of the state in which
My fortunes had recast me, served me well.
Excess reeled shameless in the court itself,
Or, staggering thence, was rivalled by the wild
Mad looseness of the crowd. Down to its death
The old Greek dynasty was sinking fast;
Waste and pale want, extortion, meanness, fraud—
231
These, welling outwards from the throne itself,
Spread through the land.
“But now there seized my soul
A new ambition—from his feeble throne
To hurl the king, and mount thereon myself!
To this end still I lured him into ill,
And daily wove around him cunning snares,
That reached and trammelled too his fawning court;
And all went well, the end at last was near,
But in my triumph one thing I forgot—
My name was measured. At a banquet held
In the king’s chamber, lo! A guest appeared,
Chief of a Bactrian tribe, who tendered gold
To pay for some great wrong his desert horde
Had done our caravans; his age, men said,
Was wonderful; his craft more wondrous still;
For this his fame had spread through many lands,
And the dark seekers of forbidden lore
Knew his decrepit wretch to be their lord.
“The first glance that I met of his weird eye
Had sent into my soul a fearful doubt
That I had seen that cramp-shrunk withered form
And strange bright eye in some forgotten past.
But at the dry croak of his raven voice
Remembrance wok; I knew that I beheld
The old man of the tombs: I saw, and fell
Into the outer darkness of despair.
The day that was to close my dread account
Was come at last. The long triumphant feast
Of life had ended in a funeral treat.
I was to die—to suffer with the damned
The hideous torments of the second death!
The days, weeks, months of a whole hundred years
Seemed crushed into a thought, and burning out
In that brief period which was left me now.
“Stung with fierce horror, shame, and hate I fled;
I seized my sword, to plunge its ready point
Into my maddened heart, but on my arm
I felt a strong forbidding grasp! I turned;
232
The withered visage of the Bactrian met
My loathing eyes; I struggled to be free
From the shrunk wretch in vain; his spidery hands
Were strong as fetters of Ephesian brass,
And all my strength, though now with madness strung,
Was as a child’s to his. He calmly smiled:
‘Forbear, thou fool! Am I not Sammael?
Whom to resist is vain, and from whom yet
Has never mercy flowed; for what to me
Are feelings which thou knowest even in men
Are found the most in fools. But wide around
A prince of lies I reign. ’Tis I that fill
the Persian palaces with lust and wrong,
Till like the darkling heads of sewers they flow
With a corruption that in fretting thence
Taints all the region round with rankest ill;
’Tis I that clot the Bactrian sand with blood;
And now I come to fling the brands of war
Through all this people, this most ill-mixed mob,
Where Afric’s savage hordes meet treacherous Greeks,
And swarming Asia’s luxury-wasted sons.
This land throughout shall be a deluge soon
Of blood and fire, till ruin stalk alone,
A grisly spectre, in its grass-grown marts.’
The fiery eyes within his withered face
Glowed like live coals, as he triumphant spake,
And his strange voice, erewhile so thin and dry,
Came as if bellowed from the vaults of doom.
Prone fell I, powerless to move or speak;
And now he was about to plunge me down
Ten thousand times ten thousand fathoms deep
Through the earth’s crust, and through the slimy beds
Of nether ocean—down! Still down, below
The darkling roots of all this upper world
Into the regions of the courts of hell!
“To stamp me downward to the convict dead
His heel was raised, when suddenly I heard
Him heave a groan of superhuman pain,
So deep twas drawn! And as he groaned, I saw
A mighty downburst of celestial light
233
Enwrap his shrivelled form from head to foot,
As with a robe within whose venomous folds
He writhed in torment. Then above him stood
A shining shape, unspeakably sublime,
And gazed upon him! One of the high sons
Of Paradise, who still keep watch and ward
O’er Israel’s progeny, where’er dispersed;
And now they fought for me with arms that filled
The air wide round with flashes and swift gleams
Of dazzling light; full soon the Evil One
Fell conquered. Then forth sprang he from the ground
And with dark curses wrapped him in a cloud
That moved aloft, low thundering as it went.
“And then the shining son of paradise
Came where I lay and spoke, his glorious face
Severe with wrath, and yet divinely fair—
‘O Child of Guilt! Should vengeance not be wrought
On thee as well? On Sammael’s willing slave?’
I clasped his radiant knees—I wept—I groaned—
I beat my bosom in my wild distress.
At last the sacred Presence, who had held
The blow suspended still, spoke thus: ‘Thou’rt spared;
From no weak pity, but because thou art
Descended from the line of Israel:
For that cause spared;—yet must thou at my hand
Find some meet punishment.’ And as he spake,
He laid his hand with a life-crushing weight
Upon my forehead—and I fell, as dead!
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Part IV.
“AWAKING as from sleep, I bounded up,
Stung with a feeling of enormous strength,
Though yet half wild with horror. Onward then
Ramping I went, out through the palace gates,
Down the long streets, and into the highways,
Forth to the wilds, amazed at my own speed!
234
And now afar, in long-drawn line appeared
A caravan upon its outward way
Over the desert of Pentapolis.
And strange the instinct seemed that urged me then
to rush amongst them—and devour: for I
Was fierce with hunger, and inflamed with thirst.
“Amidst a laggard company I leaped
That rested yet beside a cooling spring;
One of those clear springs that, like giant pearls,
Inlay the burning borders of the grey
Enormous desert. All at once they rose!
Some fled, some threw themselves amongst the brakes,
Some seized their swords and lances; this to see
Filled me at once with a mysterious rage
And savage joy! The sternness of their looks,
Their fearful cries, the gleaming of their spears
Seemed to insult me, and I rushed on them.
Then sudden spasms of pain searched deep my side,
Wherein a fell lance quivered. On I rushed;
I roared a roar that startled e’en myself,
So loud and hoarse and terrible its tone,
Then bounding, irresistible it seemed
As some huge fragment from a crag dislodged,
Against the puny wretch that sent the lance,
Instantly tore him, as he were a kid,
All into gory shreds! The others fled
At sight of this, nor would I chase them then,
All wearied by my flight. Besides, the well
Was gleaming in its coolness by me there.
“And as I stooped to quench my parching thirst,
Behold, reversed within the water clear,
The semblance of a monstrous lion stood!
I saw his shaggy mane, I saw his red
And glaring eyeballs rolling in amaze,
His rough and grinning lips, his long sharp fangs
All foul with gore and hung with strings of flesh!
I shrank away in horrible dismay.
But as the sun each moment fiercer grew,
I soon returned to stoop and slake my thirst.
Again was that tremendous presence there
Standing reversed, as erewhile, in the clear
235
And gleaming mirror of the smiling well!
The horrid truth smote like a rush of fire
Upon my brain! The dreadful thing I saw
Was my own shadow! I was a wild beast.”
“They did not fable, then, who held that oft
The guilty dead are punished in the shapes
Of beasts, if brutal were their lives as men.”
“Long lapped I the cool lymph, while still my tongue
Made drip for drip against the monstrous one,
Which, as in ugly mockery, from below
Seemed to lap up against it. But though thirst
Was quenched at length, what was there might appease
The baffled misery of my fated soul?
The thought that I no more was human, ran
Like scorpion venom through my mighty frame;
Fiercely I bounded, tearing up the sands,
That, like a drab mist, coursed me as I went
Out on my homeless track. I made my fangs
Meet in my flesh, trusting to find in pain
Some respite from the anguish of regret.
From morn to night, from night to morn, I fled,
Chased by the memory of my lost estate;
Then, worn and bleeding, in the burning sands
I lay down, as to die. In vain!—in vain!
The savage vigour of my lion-life
Might yield alone to the long tract of time.
“From hill to valley rushing after prey,
With whirlwind speed, was now my daily wont,
For all things fled before me—all things shrank
In mortal terror at my shaggy front.
Sometimes I sought those close-fenced villages,
Wherein the desert-dwellers hide their swart
And naked bodies from the scorching heats,
Hoping that I might perish by their shafts.
And often was I wounded—often bore
Their poisoned arrows in my burning flesh—
But still I lived.
“The tenor of my life
236
Was always this—the solitary state
Of a wild beast of prey, that hunted down
The antelope, the boar, the goat, the gorged
Their quivering flesh, and lapped their steaming blood;
Then slept till hunger, or the hunter’s cry,
Roused him again to battle or to slay,
To flight, pursuit, blood, stratagem, and wounds.
And to make this rude life more hideous yet,
I still retained a consciousness of all
The nobler habits of my eariler time,
And had a keen sense of what most had moved
My nature as a man, and knew besides
That this my punishment was fixed by One
Too mighty to be questioned, and too just
One tittle of its measure to remit.
“How long this haggard course of life went on
I might not even guess, for I had lost
The human faculty that measures time.
But still from night to night I found myself
Roaming the desert, howling at the moon,
Whose cold light always, as she poured it down,
Awoke a drear distemper in my brain:
But much I shunned the sunblaze, which at once
Inflamed me, and revealed my dread approach.
“Homelessly roaming thus for evermore,
The tempests beat on my unsheltered bulk,
In those bleak seasons when the drenching rains
Drove into covert all those gentler beasts
That were my natural prey. I swinkt beneath
The furnace heats of the midsummer sun,
When even the palm of the oasis stood
All withered, like a weed: and for how long,
Yet knew not.
“Thus the sun and moon arose
Through an interminable tract of time,
And yet though sense was dim, the view of all
My human life was ever at my beck,
Nay, opened out before me of itself
Plain as the pictures in a wizard’s glass!
237
I saw again the trains that round my car
Streamed countless, saw its pageants and its pomps,
Its faces fair and passionate, and felt
Lie’s eager pleasures, even its noble pangs!
Then in the anguish of my goaded heart
Would I roll howling in the burning sand.
“At length this life of horror seemed to near
Its fated bourn. The slow but sure approach
Of old decay was felt in every limb
And every function of my lion frame.
My massive strength seemed spent, my speed was gone,
The antelope escaped me! Wearily
I sought a mountain cavern, shut from day
By savage draperies of tangled briers,
And only dragged my tardy bulk abroad
When hunger urged. It chanced on such a day
I sprange amid a herd of buffaloes
And tore their leader down, who bellowing fell.
When, lo! The chief of those that drove them came
Against me, and I turned my rage on him:
But though the long lapse of so many years
Of ever-grinding wretchedness had dulled
My memory, I felt that I had seen
His withered visage twice before; and straight
A shuddering awe subdued me, and I crouched
Beneath him in the dust. My lust of blood,
My ruthless joy at sight of mortal pain,
Within me died, and if in human speech
I might have told the wild desire that filled
My being, I had prayed him once for all
To crush me out of life, and to consign
My misery to the pit of final death!
But when, all hopeless, I again looked up,
The tawney presence of the desert chief
Was gone, and I beheld the shining son
Of paradise, from whose majestic brow
There flashed the lightings of a wrath divine.
Yea, twas the angel that with Sammael
Had fought for me in Egypt; and once more
He laid his crushing had upon my front;
And earth and sky, and all that in them is,
238
Became to me a darkness, swimming blank
In the Eternal, round that point where now
My body lay, stretched dead upon the sand.
--------------------------------------------------------------------------------
Part V.
“AGAIN I lived—again I felt. But now
The winds of heaven seemed under me, and I
Was sweeping, like the spirit of a storm
That bellowed round me, in its murky glooms,
All heaving with a motion wide and swift
That seemed yet mightier than the darkling swells
Of ocean, wrestling with a midnight gale!
The wild winds tossed me; I was drenched throughout
With heavy moisture, and at intervals
Amid the ragged gaps of moving cloud,
Methought I caught dim glimpses of the sun
Hanging aloft, as if in drear eclipse;
But as my senses cleared, I saw my limbs
Were clothed with plumage; and long-taloned claws
Were closing eagerly with fierce desire
And sudden hunger after blood and prey!
An impulse to pursue and to destroy
Both on the earth and in the air, ran quick
Out from my heart and shivered in my wings;
And as a thing more central yet, I felt
Pregnant within me, throned o’er all, a lone
And sullen, yet majestic, glow of pride.
“’Twas plain that I, who had aforetime been
Crushed out of human being into that
Of a wild beast, had thence again passed on
Into the nature of some mighty thing
That now swept sailing on wide van-like wings,
Amid the whirls of an aërial gloom,
That out extending in one mighty cope
Hung heaving, like a black tent-roof, o’er all
The floor of Africa.
239
“Still on I swept,
And still as far as my keen vision went,
That now was gifted with a power that seemed
To pierce all space, I saw the vapours roll
In dreadful continuous of black
And shapeless masses, by the winds convulsed;
But soon in the remotest distance came
A change: the clouds were touched with sunny light,
And, as I nearer drew, I saw them dash,
Like the wild surges of an uproused sea
Of molten gold, against the marble sides
Of lofty mountains, which, though far below
My flight, yet pierced up through them all, and stood
With splintered cones and monster-snouted crags,
Immovable as fate. Beneath me, lo!
The grandeur of the kingdom of the air
Was circling in its magnitude! It was
A dread magnificence of which before
I might not even dream. I saw its quick
And subtle interchange of forms and hues,
Saw its black reservoirs of densest rain,
Its awful forges of the thunderstorm.
“At last, as onward still I swept, above
A milky mass of vapour far outspread,
Behold, reflected in its quiet gleam,
I saw an image that swept on with me,
Reversed as was the lion’s in the well,
With van-like wings, with eyeballs seething fire,
With taloned claws, and cruel down-bent beak,—
The mightiest eagle that had ever sailed
The seas of space since Adam named the first!
“My fated soul had passed into the form
Of that huge eagle which swept shadowed there.
Cold horror thrilled me! I was once again
Imprisoned in the being of a brute,
In the base being of a nature yet
Inferior by what infinite descent
To that poor remnant of intelligence
Which still kept with me,—like a put-back soul
Burningly conscious of its powers foregone,
240
Its inborn sovreignty of kind, and yet
So latent, self-less; once again to live
A life of carnage, and to sail abroad
A terror to all birds and gentle beasts
That heard the stormy rushings of my wings!
A royal bird indeed, who lived alone
In the great stillness of the mighty hills,
Or in the highest heavens.
“But in truth
Not much for many seasons had I need
To search for prey, for countless hosts of men,
Forth mustering over all the face of earth,
Cast the quick gleam of arms o’er trampled leagues
Of golden corn, and as they onward marched
They left behind them seas of raging fire,
In whose red surges cities thronged with men
And happy hamlets, homes of health and peace,
That rang erewhile with rural thankfulness,
Were whelmed in one wide doom; or in their strength
Confronted upon some set field of fight,
Their sullen masses charged with dreadful roar
That far out-yelled the fiercest yells of beasts,
And with brute madness rushed on wounds and death;
Or else about fenced cities they would pitch
Their crowded camps, and leaguer them for years,
Sowing the fields about them with a slime
Of carnage, till their growths were plagues alone.
What is the ravage made by brutes on brutes
To that man makes on man?
“With mingled pain
And joy I saw the wondrous ways of men,
(For ever when I hungered, close at hand,
Some fresh slain man lay smoking in his gore)
And though the instincts of the eagle’s life
Were fierce within me, yet I felt myself
Cast in a lot more capable of joy;
Safe from pursuit, from famine, and from wounds.
Some solaces, though few and far between,
Were added to me; and I argued thence,
In the dark musings of my eagle heart,
241
That not for ever was my soul condemned
To suffer in the body of a brute;
For though remembrance of the towering crimes
And matchless lusts, that filled my whole career
Of human life, worked in me evermore,
No longer did they shed about my life
So venomous a blight. Nay, I could think
How often I had looked with longing eyes
Up at the clear Egyptian heavens, and watched
The wings that cleft them, envying every bird
That, soaring in the sunshine, seemed to be
Exempt from all the grovelling cares of men.
I thought how once, when with my hunting train
I pierced that region round the cataracts,
I watched an eagle as it rose aloft
Into the lovely blue, and wished to change
My being with it as it floated on,
So inaccessible to hate or hurt,
So peaceful, at a height in heaven so safe;
And then it passed away through gorgeous clouds
Against the sunset, through the feathered flags
Of royal purple edged with burning gold.
“These fields of space were my dominion now;
Motion alone within a world so rich
Was something noble: but to move at will,
Upward or forward, or in circles vast,
Through boundless spaces with a rushing speed
No living thing might rival, and to see
The glory of the everlasting hills
Beneath me, and the myriad-peopled plains,
Broad rivers, and the towery towns that sate
Beside their spacious mouths, with out beyond
The lonely strength of the resounding seas—
This liberty began to move my sense
As something godlike; and in moving made
A sure impression that kept graining still
Into the texture of my brute estate—
Yea, graining in through all its fleshy lusts
And savage wonts.
“Hence ever more and more
242
The temper of a better spirit grew
Within me, as from inkling roots, and moved
E’en like an embryon in its moist recess:
A sensibility to beauteous things
As now I saw them in the heavens displayed,
And in the bright luxuriance of the earth;
Some power of just comparison, some sense
Of how a man would rank them, could he see
Those earthly grandeurs from the sovreign height
Whence I beheld them. And with this a wish
To commune even with the human race,
And pour the loftier wonders of my life
Into their ears, through a rich-worded song
Whose golden periods in mellow flow
Should witch all ears that heard them—ev’n old men s,
Ev’n jaded monarchs; not to speak of theirs,
Those spirit-lovely ones—yea, moons of love,
That rise at first in the Circassian hills—
And they should tingle all like tiny shells
Of roseate whiteness to its perfect chords.
“One day amid the mountains of the moon,
Behold a sudden storm had gatherd up
Out of my view, hid by a neighbouring height,
But which, thence wheeling with terrific force,
Wide tossed me with its gusts—aloft, and then
Downward as far; then whirlingly about,
Ev’n like a withered leaf. My strength of wing
Availed me nought, so mightily it raged;
Then suddenly, in the dim distance, lo!
I saw, as from the storm’s Plutonian heart,
A mass of white-hot light come writing forth,
And then the figure of a withered man
Seemed dropping headlong through the lurid clouds;
While full within the radiant light, again
The conquering son of paradise appeared,
Upon whose brow divine I yet might trace
Some sing of wrath. Onward the vision rushed,
Orbed in white light. I felt a stifling heat,
One cruel blasting pang, and headlong then
Fell earthward—dead; a plumb descending mass.
243
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Part VI.
“WITHIN a rustic chamber, dark and low,
Thronged with wild-looking men and women strange,
I seemed to waken. Inwardly I felt
No briskness of existence, but a sense
Of languor rather, or revival slow:
And evermore the men and women came
And gazed upon me, shouting in amaze,
Then would they whirl about the room in dance,
Abandoned to their barbarous delight.
“I turned mine eyes about the low-roofed room,
Half fearing and half hoping I might see
The mighty angel that now ruled my life;
They thought I needed air, and I was borne
to a low casement. Like a picture lay
The world without. On all sides wide around
Nothing but mountains, feathered to their tops
With a dense growth of pines, and valleys filled
With a cold darkness that was lit alone
By the broad flashes of the furious streams
That leaped in thunder our of marble gaps!
Dull vapours, like a canopy of smoke,
Did so obscure the sun, that I had thought
The scene that now I saw was not of earth,
But for a golden flush that now and then
Would touch the highest ranges. What I was
I knew not, but I felt my former wants,
And oft I made vain efforts to expand
The wings I had no longer, and sail off,
And through those sullen vapours—up, and up—
Into the mighty silence of the blue.
“The day was fading, and a blare of horns,
With many voices and much trampling noise,
Heard from without, aroused me; and, ere long,
Women rushed in, each bearing some rich robe
Or some gay bauble, wherewithal they next
244
Arrayed me to their taste; and then they held
A mirror up before me, and I saw
My soul had this time passed into the form
Of a fair damsel. She, whose form I now
Re-animated, was—so learned I soon—
The only child of a Circassian chief,
Who had been long regarded by her house
As its chief treasure, for her beauty rare;
Reserved for him, no matter whence he came,
Whose hand could dip into the longest purse.
But envy lurks in the Circassian hills
As elsewhere, and a dose of opium,
Administered by one who had been long
The rival beauty of a neighbouring tribe,
Had served to quash a bargain quite complete
Save in the final payment of the gold,
Which had been even offered and told down,
And only not accepted, through some old
Delaying ceremony of the tribe;
And in this luckless circumstances, twas plain
That both my admirable parents saw
The unkindest turn of all.
“On all hands forth
Had scouts been sent to summon the whole tribe
To attend my obsequies, and then forthwith
Exterminate our ancient enemies
Through all their tents—such was the fierce resolve.
But while these things were pending, lo! The light
Had broken like a new morn from the eyes
Of the dead beauty; on her cheeks had dawned
A roseate colour; from her moistening lips
Low murmurs, too, had broken; whereupon
My parents in exulting hope transformed
The funeral to a general tribal feast,
And loaded me with all the ancient gauds
And ornaments they held. The Persian, too,
Had been invited to renew his suit,
And carry me at once beyond the reach
Of future opium doses.
“Soon he came
245
Galloping back to bear me to the arms
Of his long-bearded lord. He paid the price;
My worthy parents took a fond farewell
Of me, with tears declaring me to be
The life-light of their eyes, their rose of joy,—
Then stretched their palms out for the stranger’s gold,
And hurried off to count it o’er again—
The dear recovered treasure they so late
Had mourned as lost for ever. On that night
I was packed neatly on a camel’s back
Beside a precious case of porcelain pipes,
And carried Persia-ward, by stages safe,
From the Circassian mountains.
“At the court
I soon became the favourite of the king;
Lived sumptuously, but in perpetual fear:
For all my luxury and gold and gems,
I envied the poor slaves who swept the floors.
I was the favourite of my Persian lord
For one whole month, perhaps a little more,
And then I learned my place was to be filled;
And though I loathed him, as we loathe some cold
And reptile creature, yet I could not bear
To see a newer rival take my place,
For I was beautiful, and therefore vain:
So, that I might regain his favour past,
I now arrayed myself in airy robes,
While scarfs of purple like an orient queen’s
Barred them with brilliant tints, and gold and pearls
Confined the wavelets of my sunny hair.
“The harem all applauded, and there seemed
Even in his own dull eyes almost a flash
As of extorted joy, but this became
At the next moment a malignant scowl,
Which had its dark cause in such thoughts as these:
‘What! Did so soft and ignorant a thing
Hope to enchant again a man so wise
As he was—he! The paragon of kings!
By floating in before him like a swan,
A little better feathered than before?’
246
And then he waved the harem ladies forth,
And with him kept only a Nubian girl,
Whom he thought dull, and altogether his:
A conclave of those strange demoniac dwarfs
Who from their secret dens and crypts would come
On given signals forth, was summoned in:
Wizard-like beings, with enormous heads,
Splay-feet, and monstrous spider-fingered hands.
Nor was the council long; I on that night
Was to be poisoned with a pomegranate.
Then stole the Nubian girl away, and brought
Me word of all; yet her news moved me not,
So sure I felt that this was not my doom;
Or moved me only to prepare for flight
With the poor Nubian girl. Unseen I came
To my own chamber, where I packed my goods;
And whence, unseen by all, we swiftly fled.
’Twas plain and patent to my inmost self
That in this last change I had always been
Regenerating more and more; for though
I had a love of mischief in my head,
At heart I was not bad, and they who knew
Me closely, or at least the woman sort,
Loved me,—nay, served me, as the Nubian did.
And now, as no one else might sell me,—lo!
I sold myself, and found myself installed
Queen of a rude baboon-like Afric king.
“Then I was captive to a Bedouin sheik,
Was sold in the slave-mart of Astrachan,
And carried thence to India, to be crowned
A rajahpoot’s sultana; from which state
Flying at length, I fell into a worse,
Being pounced on by a Turkoman horse-stealer.
At Alexandra I became the slave
Of a harsh Roman matron, who was wont
To flog and famish me to make me good,
And when I owned myself converted, then
She flogged and famished me the more, to make
My goodness lasting; and I finally
Fell stabbed in Cairo—slaughtered by a slave.
247
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Part VII.
“AFTER some short and intermediate terms
Of transmigration, all in female forms,
In which, through kindly offices performed,
It seemed the temper of my spirit much
Had humanized, and in the last of which
Twas mine to die for once a natural death,
Again I had some deep-down hold on being,
Dim as an oyster’s in its ocean-bed;
Then came a sense of light and air, of space,
Of hunger, comfort, warmth, of sight and sound
I caught at length the drift of speech, and knew
That all who came to see me and admire
Called me Ben Bachai’s daughter.
“Dark indeed,
But lovely as a starry night I grew,
A maid, the glory of her father’s house,
Her mother’s dovelet, filling all her wonts
With tenderness and joy. Still as I grew,
By strange degrees the memory of all
That I had been came back upon my mind
To fill it with wild sorrow and dismay;
To know I was a cheat, nor wholly what
I seemed to my fond parents—that I was
But half their daughter, and the rest a fiend,
With a fiend’s destiny,—ah! This, I say,
Would smite me even in dreams with icy pangs
Or wordless woe, yea, even while I slept
So innocently as it seemed, and so
Securely happy in the arms of love!”
As this was said, the Rabbi looked, and saw
That now again the woman seemed to speak
As of herself, and not as heretofore
With moveless lips, and prisoned voice, that came
As from some dark duality within.
248
Her looks had changed, too, with the voice, and now
Again she lay, a queen-like creature, racked
With mortal sufferings, who, when these grew less,
Or for a time remitted, even thus
Took up her tale again.
“At length upgrown
To womanhood, by some mysterious pact
Existing twixt my father’s house and that
Of an Arabian prince time out of mind,
I was now wedded ere I wished, and he,
My husband, finally had come to claim
And bear me from my home, that happiest home
Which I should know no more: a man most fair
To look upon, but void of force, in truth
The weakling of a worn-out line, who yet
(What merit in a prince!) Was not depraved,
Not wicked, not the mendicant of lust,
But mild, and even affectionate and just.
My dowry was immense, and flushed with this
The prince had summoned from his vassal tribe
Five hundred horse, all spearmen, to escort
And guard us desert-ward. And as we went
These ever and anon, at signal given,
Would whirl around us like a thunder-cloud
Wind-torn, and shooting instant shafts of fire!
And thus we roamed about the Arabian wastes,
Pitching our camp amid the fairest spots.
Beneath an awning oft I lay, and gazed
Out at the cloudless ether, where it wrapt
The silent hills, like to a conscious power
Big with the soul of an eternal past.
“But long this life might last not, for the prince
Sickened and died;—died poor, his wealth and mine
Having been squandered on the hungry horde
That wont to prance about us; who ere long,
Divining my extremity, grew loud
And urgent for rewards, till on a day,
By concert as it seemed, the tribe entire
Came fiercely round me, all demanding gifts,
Gifts that I had not; as they nearer pressed,
249
Wearing his way among them, lo! I saw
The old man of the tombs! The Bactrian sage!
With signs of awe they made him room to pass;
He fixed me with his shrunk and serpent eyes,
Waved off the abject Arabs, and then asked
‘Why art thou poor? With needs so great upon thee?
I offer thee long life and wealth and power.’
“I turned to him and said: ‘Should I not know,
By all the past, the nature of thy gifts?
Shows and delusions, evil, sin-stained all,
And terminating in eternal loss.’
‘Well, take it as thou wilt,’ he said; ‘my gifts
Are not so weighed by all.’ And saying this
He went his way, while I retired within
My lonely tent to weep.
“Next day the tribes
Again assembled, and with threats and cries,
And insults loud, they raised a passion in me.
My blood arose: I chid them angrily,
Called them all things but men, till they, alarmed,
Fell back in sullen silence for a while,
Crouching like tigers ready for a spring.
Humbled, perplexed, and frightened, I returned
Into my tent, and there within its folds
Stood the weird Bactrian with his snaky eyes,
And wiry voice that questioned as before:
‘Why art thou poor? Why dost thou suffer wrong,
With all this petty baseness brattling round?
Am I not here to help thee? I, thy one
Sole friend—not empty, but with ample means.
Behold the secrets of the inner earth!
There, down among the rock-roots of the hills,
What seest thou there? Look, as I point, even those
Strange miscreations, as they seem to thee,
Are demoniac moilers that obey
Such arts as I possess; the gnomish brood
Of Demogorgon. See them how they moil
Amid those diamonds shafts and reefs of gold
Embedded in the oldest drifts of time,
And in the mire that was the first crude floor
250
And blind extension of the infant earth:
Why art thou poor, then, when such slaves as they
Might work for thee, and glut thy need with all
The matchless values which are there enwombed,
Serving thee always as they now serve me?
Nor these alone: turn thou thy looks aloft,
And watch the stars as they go swimming past.
Behold their vastness, each a world,’ he said;
‘The secrets of all these, too, thou shalt know,
The spirits of all these shall be thy slaves,
If thou wilt swear as erst amid the tombs.’
“The woe of desolation wrapped me round,
The joy to know all mysteries tempted me,
And with a shudder that shook me to the soul
I swore, as erst I swore amid the tombs.
“As on my hand he placed a signet-ring,
Suddenly loud the desert winds arose,
And blew with mighty stress among the tents;
And instantly aloft the thunder ran,
A mighty issue of miraculous light
Burst shaft-like forward, smiting him in twain,
Or so it seemed, down through the solid earth.
In vain I shrunk into a dim recess;
Before me stood the son of paradise.
Then leapt the soul to life within my heart—
Leapt into life with fear, and pain, and woe—
Anger and sadness both were on his brow.
“‘Could’st thou no trial bear—all but redeemed;
Could’st thou not rest content? A rabbi’s child!
Enjoy as best thou may this ill-won power
Over the darker agencies of time,
And bide the end, which end is punishment
But the more terrible, the more delayed;
Yet know this also, thou shalt thus no more
Be punished in a body built of clay.’
He vanished, leaving me to sharp remorse,
And harrowed with the thought of his grieved look.
‘And yet no power in heaven or hell,’ I said,
‘May now annul my deed.’
251
“And not one day
Of joy has brought to me my ‘ill-won power.’
I built vast palaces in quiet view
Of ancient cities, or by famous streams;
I filled my halls with men and women fair,
And with these pages of a beauty rare
Like striplings kidnapped from some skirt of heaven;
Yet sorrowful of countenance withal,
As knowing that their mortal doom is joined
With mine irrevocably, that with me
’Tis theirs to own these shows of time, with me
To live—with me to die. And as, ’tis said,
A hunted roe will evermore beat round
Towards whence he started first, I felt at length
An ardent longing for my native place;
That spot in all the earth where only I,
In tasting of it, had divined the worth
And Sabbath quality of household peace.
Then coming hither, thus constrained, I pitched
My dwelling here, even this thou seest; built fair,
And filled with splendours such as never yet
Under one roof-tree on this earth were stored.
See yon surpassing lustres! Could this orb
Show such? From Mars came that; from Venus this;
And yonder mass of sun-bright glory, that
From Mercury came, whence came these viols, too,
Instinct with fervent music such as ne’er
From earthly instruments might thrill abroad.”
Then seizing one of them, even as she spake,
Over its chords she moved her ivory hand,
And instantly the palace domes throughout
Rang resonant, as every hall and crypt
Were pulsing music from a thousand shells
That still ran confluent with a mellow slide
And intercourse of cadence: sweet, and yet
Most mournful and most weird, and oft intoned
With a wild wilfulness of power that worked
For madness more than joy. “Even such, ” she said
“Are the delights with which I most converse
In the dark loneness of my fated soul,
252
For all is show, not substance. All I hold
But darkens more the certainty I have
Of wrath to come, from which no change of place,
No earthly power, no power of heaven nor hell,
May shield me now. I see it shadowing forth
Even like a coming night, in whose dark folds
My soul would ask to hide itself in vain.
And now I go to meet the angel’s face;
I will not claim my hundred years of pride,
I trample underneath my feet the gift
For which I sold my soul; I will not touch
The ring of Sammael, nor use his power
To stay the torments that devour my life;
Misery, shame, remorse, and dread are mine;
Yet shall the angel see repentent eyes,
And know at last I could one trial bear;
Too late, too late.”
As thus the woman spake,
Her brow grew dark, and suddenly she shrieked
In her great agony. “Oh pray for me!
Pray, rabbi! For the daughter of thy friend!
The hour is coming, nay, the hour is come!”
There was a rustle as of wings aloft,
A sudden flicker in the lights below,
And she, who until now seemed speaking, sank
Back on her pillow and in silence lay
Beautiful in the marble calm of death.
The rabbi gazed on her, and thought the while
Of those far times, when, as a child, her grace
Had filled with pleasantness her father’s house.
Then to her servants gave in charge the corpse,
And forth he paced, much musing as he went.
At length he turned to gaze once more upon
The silent house of death. Can such things be?
All had evanished like a morning mist!
Only the woods that hung like clouds about
The steeps of Hebron, in the whitening dawn
Lay dark against the sky! Only a pool
Gleamed flat before him, where it seemed erewhile
The splendid palace had adorned the view!
253
Perplexed in mind, the rabbi turned again
And hurried homeward, muttering as he went:
Was it a vision? Can such marvels be?
But what in truth are all things, even those
That seem most solid—dust and air at last
~ Charles Harpur,#NFDB |
1452:Tannhauser
The Landgrave Hermann held a gathering
Of minstrels, minnesingers, troubadours,
At Wartburg in his palace, and the knight,
Sir Tannhauser of France, the greatest bard,
Inspired with heavenly visions, and endowed
With apprehension and rare utterance
Of noble music, fared in thoughtful wise
Across the Horsel meadows. Full of light,
And large repose, the peaceful valley lay,
In the late splendor of the afternoon,
And level sunbeams lit the serious face
Of the young knight, who journeyed to the west,
Towards the precipitous and rugged cliffs,
Scarred, grim, and torn with savage rifts and chasms,
That in the distance loomed as soft and fair
And purple as their shadows on the grass.
The tinkling chimes ran out athwart the air,
Proclaiming sunset, ushering evening in,
Although the sky yet glowed with yellow light.
The ploughboy, ere he led his cattle home,
In the near meadow, reverently knelt,
And doffed his cap, and duly crossed his breast,
Whispering his 'Ave Mary,' as he heard
The pealing vesper-bell. But still the knight,
Unmindful of the sacred hour announced,
Disdainful or unconscious, held his course.
'Would that I also, like yon stupid wight,
Could kneel and hail the Virgin and believe!'
He murmured bitterly beneath his breath.
'Were I a pagan, riding to contend
For the Olympic wreath, O with what zeal,
What fire of inspiration, would I sing
The praises of the gods! How may my lyre
Glorify these whose very life I doubt?
The world is governed by one cruel God,
Who brings a sword, not peace. A pallid Christ,
Unnatural, perfect, and a virgin cold,
They give us for a heaven of living gods,
Beautiful, loving, whose mere names were song;
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A creed of suffering and despair, walled in
On every side by brazen boundaries,
That limit the soul's vision and her hope
To a red hell or and unpeopled heaven.
Yea, I am lost already,-even now
Am doomed to flaming torture for my thoughts.
O gods! O gods! where shall my soul find peace?'
He raised his wan face to the faded skies,
Now shadowing into twilight; no response
Came from their sunless heights; no miracle,
As in the ancient days of answering gods.
With a long, shuddering sigh he glanced to earth,
Finding himself among the Horsel cliffs.
Gray, sullen, gaunt, they towered on either side;
Scant shrubs sucked meagre life between the rifts
Of their huge crags, and made small darker spots
Upon their wrinkled sides; the jaded horse
Stumbled upon loose, rattling, fallen stones,
Amidst the gathering dusk, and blindly fared
Through the weird, perilous pass. As darkness waxed,
And an oppressive mystery enwrapped
The roadstead and the rocks, Sir Tannhauser
Fancied he saw upon the mountain-side
The fluttering of white raiment. With a sense
Of wild joy and horror, he gave pause,
For his sagacious horse that reeked of sweat,
Trembling in every limb, confirmed his thought,
That nothing human scaled that haunted cliff.
The white thing seemed descending,-now a cloud
It looked, and now a rag of drifted mist,
Torn in the jagged gorge precipitous,
And now an apparition clad in white,
Shapely and real,-then he lost it quite,
Gazing on nothing with blank, foolish face.
As with wide eyes he stood, he was aware
Of a strange splendor at his very side,
A presence and a majesty so great,
That ere he saw, he felt it was divine.
He turned, and, leaping from his horse, fell prone,
In speechless adoration, on the earth,
Before the matchless goddess, who appeared
With no less freshness of immortal youth
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Than when first risen from foam of Paphian seas.
He heard delicious strains of melody,
Such as his highest muse had ne'er attained,
Float in the air, while in the distance rang,
Harsh and discordant, jarring with those tones,
The gallop of his frightened horse's hoofs,
Clattering in sudden freedom down the pass.
A voice that made all music dissonance
Then thrilled through heart and flesh of that prone knight,
Triumphantly: 'The gods need but appear,
And their usurped thrones are theirs again!'
Then tenderly: 'Sweet knight, I pray thee, rise;
Worship me not, for I desire thy love.
Look on me, follow me, for I am fain
Of thy fair, human face.' He rose and looked,
Stirred by that heavenly flattery to the soul.
Her hair, unbraided and unfilleted,
Rained in a glittering shower to the ground,
And cast forth lustre. Round her zone was clasped
The scintillant cestus, stiff with flaming gold,
Thicker with restless gems than heaven with stars.
She might have flung the enchanted wonder forth;
Her eyes, her slightest gesture would suffice
To bind all men in blissful slavery.
She sprang upon the mountain's dangerous side,
With feet that left their print in flowers divine,Flushed amaryllis and blue hyacinth,
Impurpled amaranth and asphodel,
Dewy with nectar, and exhaling scents
Richer than all the roses of mid-June.
The knight sped after her, with wild eyes fixed
Upon her brightness, as she lightly leapt
From crag to crag, with flying auburn hair,
Like a gold cloud, that lured him ever on,
Higher and higher up the haunted cliff.
At last amidst a grove of pines she paused,
Until he reached her, breathing hard with haste,
Delight, and wonder. Then upon his hand
She placed her own, and all his blood at once
Tingled and hotly rushed to brow and cheek,
At the supreme caress; but the mere touch
Infused fresh life, and when she looked at him
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With gracious tenderness, he felt himself
Strong suddenly to bear the blinding light
Of those great eyes. 'Dear knight,' she murmured low,
'For love of me, wilt thou accord this boon,To grace my weary home in banishment?'
His hungry eyes gave answer ere he spoke,
In tones abrupt that startled his own ears
With their strange harshness; but with thanks profuse
She guided him, still holding his cold hand
In her warm, dainty palm, unto a cave,
Whence a rare glory issued, and a smell
Of spice and roses, frankincense and balm.
They entering stood within a marble hall,
With straight, slim pillars, at whose farther end
The goddess led him to a spiral flight
Of stairs, descending always 'midst black gloom
Into the very bowels of the earth.
Down these, with fearful swiftness, they made way,
The knight's feet touching not the solid stair,
But sliding down as in a vexing dream,
Blind, feeling but that hand divine that still
Empowered him to walk on empty air.
Then he was dazzled by a sudden blaze,
In vast palace filled with reveling folk.
Cunningly pictured on the ivory walls
Were rolling hills, cool lakes, and boscage green,
And all the summer landscape's various pomp.
The precious canopy aloft was carved
In semblance of the pleached forest trees,
Enameled with the liveliest green, wherethrough
A light pierced, more resplendent than the day.
O'er the pale, polished jasper of the floor
Of burnished metal, fretted and embossed
With all the marvelous story of her birth
Painted in prodigal splendor of rich tincts,
And carved by heavenly artists,-crystal seas,
And long-haired Nereids in their pearly shells,
And all the wonder of her lucent limbs
Sphered in a vermeil mist. Upon the throne
She took her seat, the knight beside her still,
Singing on couches of fresh asphodel,
And the dance ceased, and the flushed revelers came
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In glittering phalanx to adore their queen.
Beautiful girls, with shining delicate heads,
Crested with living jewels, fanned the air
With flickering wings from naked shoulders soft.
Then with preluding low, a thousand harps,
And citherns, and strange nameless instruments,
Sent through the fragrant air sweet symphonies,
And the winged dancers waved in mazy rounds,
With changing lustres like a summer sea.
Fair boys, with charming yellow hair crisp-curled,
And frail, effeminate beauty, the knight saw,
But of strong, stalwart men like him were none.
He gazed thereon bewitched, until the hand
Of Venus, erst withdrawn, now fell again
Upon his own, and roused him from his trance.
He looked on her, and as he looked, a cloud
Auroral, flaming as at sunrising,
Arose from nothing, floating over them
In luminous folds, like that vermilion mist
Penciled upon the throne, and as it waxed
In density and brightness, all the throng
Of festal dancers, less and less distinct,
Grew like pale spirits in a vague, dim dream,
And vanished altogether; and these twain,
Shut from the world in that ambrosial cloud,
Now with a glory inconceivable,
Vivid and conflagrant, looked each on each.
All hours came laden with their own delights
In that enchanted place, wherein Time
Knew no divisions harsh of night and day,
But light was always, and desire of sleep
Was satisfied at once with slumber soft,
Desire of food with magical repast,
By unseen hands on golden tables spread.
But these the knight accepted like a god,
All less was lost in that excess of joy,
The crowning marvel of her love for him,
Assuring him of his divinity.
Meanwhile remembrance of the earth appeared
Like the vague trouble of a transient dream,The doubt, the scruples, the remorse for thoughts
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Beyond his own control, the constant thirst
For something fairer than his life, more real
Than airy revelations of his Muse.
Here was his soul's desire satisfied.
All nobler passions died; his lyre he flung
Recklessly forth, with vows to dedicate
His being to herself. She knew and seized
The moment of her mastery, and conveyed
The lyre beyond his sight and memory.
With blandishment divine she changed for him,
Each hour, her mood; a very woman now,
Fantastic, voluble, affectionate,
And jealous of the vague, unbodied air,
Exacting, penitent, and pacified,
All in a breath. And often she appeared
Majestic with celestial wrath, with eyes
That shot forth fire, and a heavy brow,
Portentous as the lowering front of heaven,
When the reverberant, sullen thunder rolls
Among the echoing clouds. Thus she denounced
Her ancient, fickle worshippers, who left
Her altars desecrate, her fires unfed,
Her name forgotten. 'But I reign, I reign!'
She would shrill forth, triumphant; 'yea, I reign.
Men name me not, but worship me unnamed,
Beauty and Love within their heart of hearts;
Not with bent knees and empty breath of words,
But with devoted sacrifice of lives.'
Then melting in a moment, she would weep
Ambrosial tears, pathetic, full of guile,
Accusing her own base ingratitude,
In craving worship, when she had his heart,
Her priceless knight, her peerless paladin,
Her Tannhauser; then, with an artful glance
Of lovely helplessness, entreated him
Not to desert her, like the faithless world,
For these unbeautiful and barbarous gods,
Or she would never cease her prayers to Jove,
Until he took from her the heavy curse
Of immortality. With closer vows,
The knight then sealed his worship and forswore
All other aims and deeds to serve her cause.
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Thus passed unnoted seven barren years
Of reckless passion and voluptuous sloth,
Undignified by any lofty thought
In his degraded mind, that sometime was
Endowed with noble capability.
From revelry to revelry he passed,
Craving more pungent pleasure momently,
And new intoxications, and each hour
The siren goddess answered his desires.
Once when she left him with a weary sense
Of utter lassitude, he sat alone,
And, raising listless eyes, he saw himself
In a great burnished mirror, wrought about
With cunning imagery of twisted vines.
He scarcely knew those sunken, red-rimmed eyes,
For his who in the flush of manhood rode
Among the cliffs, and followed up the crags
The flying temptress; and there fell on him
A horror of her beauty, a disgust
For his degenerate and corrupted life,
With irresistible, intense desire,
To feel the breath of heaven on his face.
Then as Fate willed, who rules above the gods,
He saw, within the glass, behind him glide
The form of Venus. Certain of her power,
She had laid by, in fond security,
The enchanted cestus, and Sir Tannhauser,
With surfeited regard, beheld her now,
No fairer than the women of the earth,
Whom with serenity and health he left,
Duped by a lovely witch. Before he moved,
She knew her destiny; and when he turned,
He seemed to drop a mask, disclosing thus
An alien face, and eyes with vision true,
That for long time with glamour had been blind.
Hiding the hideous rage within her breast,
With girlish simpleness of folded hands,
Auroral blushes, and sweet, shamefast mien,
She spoke: 'Behold, my love, I have cast forth
All magic, blandishments and sorcery,
For I have dreamed a dream so terrible,
That I awoke to find my pillow stained
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With tears as of real woe. I thought my belt,
By Vulcan wrought with matchless skill and power,
Was the sole bond between us; this being doffed,
I seemed to thee an old, unlovely crone,
Wrinkled by every year that I have seen.
Thou turnedst from me with a brutal sneer,
So that I woke with weeping. Then I rose,
And drew the glittering girdle from my zone,
Jealous thereof, yet full of fears, and said,
'If it be this he loves, then let him go!
I have no solace as a mortal hath,
No hope of change or death to comfort me
Through all eternity; yet he is free,
Though I could hold him fast with heavy chains,
Bound in perpetual imprisonment.'
Tell me my vision was a baseless dream;
See, I am kneeling, and kiss thy hands,In pity, look on me, before thy word
Condemns me to immortal misery!'
As she looked down, the infernal influence
Worked on his soul again; for she was fair
Beyond imagination, and her brow
Seemed luminous with high self-sacrifice.
He bent and kissed her head, warm, shining, soft,
With its close-curling gold, and love revived.
But ere he spoke, he heard the distant sound
Of one sweet, smitten lyre, and a gleam
Of violent anger flashed across the face
Upraised to his in feigned simplicity
And singleness of purpose. Then he sprang,
Well-nigh a god himself, with sudden strength
to vanquish and resist, beyond her reach,
Crying, 'My old Muse calls me, and I hear!
Thy fateful vision is no baseless dream;
I will be gone from this accursed hall!'
Then she, too, rose, dilating over him,
And sullen clouds veiled all her rosy limbs,
Unto her girdle, and her head appeared
Refulgent, and her voice rang wrathfully:
'Have I cajoled and flattered thee till now,
To lose thee thus! How wilt thou make escape?
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ONCE BEING MINE THOU ART FOREVER MINE:
Yea, not my love, but my poor slave and fool.'
But he, with both hands pressed upon his eyes,
Against that blinding lustre, heeded not
Her thundered words, and cried in sharp despair,
'Help me, O Virgin Mary! and thereat,
The very bases of the hall gave way,
The roof was rived, the goddess disappeared,
And Tannhauser stood free upon the cliff,
Amidst the morning sunshine and fresh air.
Around him were the tumbled blocks and crags,
Huge ridges and sharp juts of flinty peaks,
Black caves, and masses of the grim, bald rock.
The ethereal, unfathomable sky,
Hung over him, the valley lay beneath,
Dotted with yellow hayricks, that exhaled
Sweet, healthy odors to the mountain-top.
He breathed intoxicate the infinite air,
And plucked the heather blossoms where they blew,
Reckless with light and dew, in crannies green,
And scarcely saw their darling bells for tears.
No sounds of labor reached him from the farms
And hamlets trim, nor from the furrowed glebe;
But a serene and sabbath stillness reigned,
Till broken by the faint, melodious chimes
Of the small village church that called to prayer.
He hurried down the rugged, scarped cliff,
And swung himself from shelving granite slopes
To narrow foot-holds, near wide-throated chasms,
Tearing against the sharp stones his bleeding hands,
With long hair flying from his dripping brow,
Uncovered head, and white, exalted face.
No memory had he of his smooth ascent,
No thought of fear upon those dreadful hills;
He only heard the bell, inviting him
To satisfy the craving of his heart,
For worship 'midst his fellow men. He reached
The beaten, dusty road, and passed thereon
The pious peasants faring towards the church,
And scarce refrained from greeting them like friends
Dearly beloved, after long absence met.
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How more than fair the sunburnt wenches looked,
In their rough, homespun gowns and coifs demure,
After the beauty of bare, rosy limbs,
And odorous, loose hair! He noted not
Suspicious glances on his garb uncouth,
His air extravagant and face distraught,
With bursts of laughter from the red-cheeked boys,
And prudent crossings of the women's breasts.
He passed the flowering close about the church,
And trod the well worn-path, with throbbing heart,
The little heather-bell between his lips,
And his eyes fastened on the good green grass.
Thus entered he the sanctuary, lit
With frequent tapers, and with sunbeams stained
Through painted glass. How pure and innocent
The waiting congregation seemed to him,
Kneeling, or seated with calm brows upraised!
With faltering strength, he cowered down alone,
And held sincere communion with the Lord,
For one brief moment, in a sudden gush
Of blessed tears. The minister of God
Rose to invoke a blessing on his flock,
And then began the service,-not in words
To raise the lowly, and to heal the sick,
But an alien tongue, with phrases formed,
And meaningless observances. The knight,
Unmoved, yet thirsting for the simple word
That might have moved him, held his bitter thoughts,
But when in his own speech a new priest spake,
Looked up with hope revived, and heard the text:
'Go, preach the Gospel unto all the world.
He that believes and is baptized, is saved.
He that believeth not, is damned in hell!'
He sat with neck thrust forth and staring eyes;
The crowded congregation disappeared;
He felt alone in some black sea of hell,
While a great light smote one exalted face,
Vivid already with prophetic fire,
Whose fatal mouth now thundered forth his doom.
He longed in that void circle to cry out,
With one clear shriek, but sense and voice seemed bound,
And his parched tongue clave useless to his mouth.
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As the last words resounded through the church,
And once again the pastor blessed his flock,
Who, serious and subdued, passed slowly down
The arrow aisle, none noted, near the wall,
A fallen man with face upon his knees,
A heap of huddled garments and loose hair,
Unconscious 'mid the rustling, murmurous stir,
'Midst light and rural smell of grass and flowers,
Let in athwart the doorway. One lone priest,
Darkening the altar lights, moved noiselessly,
Now with the yellow glow upon his face,
Now a black shadow gliding farther on,
Amidst the smooth, slim pillars of hewn ash.
But from the vacant aisles he heard at once
A hollow sigh, heaved from a depth profound.
Upholding his last light above his head,
And peering eagerly amidst the stalls,
He cried, 'Be blest who cometh in God's name.'
Then the gaunt form of Tannhauser arose.
'Father, I am a sinner, and I seek
Forgiveness and help, by whatso means
I can regain the joy of peace with God.'
'The Lord hath mercy on the penitent.
'Although thy sins be scarlet,' He hath said,
'Will I not make them white as wool?' Confess,
And I will shrive you.' Thus the good priest moved
Towards the remorseful knight and pressed his hand.
But shrinking down, he drew his fingers back
From the kind palm, and kissed the friar's feet.
'Thy pure hand is anointed, and can heal.
The cool, calm pressure brings back sanity,
And what serene, past joys! yet touch me not,
My contact is pollution,-hear, O hear,
While I disburden my charged soul.' He lay,
Casting about for words and strength to speak.
'O father, is there help for such a one,'
In tones of deep abasement he began,
'Who hath rebelled against the laws of God,
With pride no less presumptuous than his
Who lost thereby his rank in heaven?' 'My son,
There is atonement for all sins,-or slight
Or difficult, proportioned to the crime.
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Though this may be the staining of thy hands
With blood of kinsmen or of fellow-men.'
'My hands are white,-my crime hath found no name,
This side of hell; yet though my heart-strings snap
To live it over, let me make the attempt.
I was a knight and bard, with such a gift
Of revelation that no hour of life
Lacked beauty and adornment, in myself
The seat and centre of all happiness.
What inspiration could my lofty Muse
Draw from those common and familiar themes,
Painted upon the windows and the walls
Of every church,-the mother and her child,
The miracle and mystery of the birth,
The death, the resurrection? Fool and blind!
That saw not symbols of eternal truth
In that grand tragedy and victory,
Significant and infinite as life.
What tortures did my skeptic soul endure,
At war against herself and all mankind!
The restless nights of feverish sleeplessness,
With balancing of reasons nicely weighed;
The dawn that brought no hope nor energy,
The blasphemous arraignment of the Lord,
Taxing His glorious divinity
With all the grief and folly of the world.
Then came relapses into abject fear,
And hollow prayer and praise from craven heart.
Before a sculptured Venus I would kneel,
Crown her with flowers, worship her, and cry,
'O large and noble type of our ideal,
At least my heart and prayer return to thee,
Amidst a faithless world of proselytes.
Madonna Mary, with her virgin lips,
And eyes that look perpetual reproach,
Insults and is a blasphemy on youth.
Is she to claim the worship of a man
Hot with the first rich flush of ripened life?'
Realities, like phantoms, glided by,
Unnoted 'midst the torment and delights
Of my conflicting spirit, and I doffed
the modest Christian weeds of charity
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And fit humility, and steeled myself
In pagan panoply of stoicism
And self-sufficing pride. Yet constantly
I gained men's charmed attention and applause,
With the wild strains I smote from out my lyre,
To me the native language of my soul,
To them attractive and miraculous,
As all things whose solution and whose source
Remain a mystery. Then came suddenly
The summons to attend the gathering
Of minstrels at the Landgrave Hermann's court.
Resolved to publish there my pagan creed
In harmonies so high and beautiful
That all the world would share my zeal and faith,
I journeyed towards the haunted Horsel cliffs.
O God! how may I tell you how SHE came,
The temptress of a hundred centuries,
Yet fresh as April? She bewitched my sense,
Poisoned my judgment with sweet flatteries,
And for I may not guess how many years
Held me a captive in degrading bonds.
There is no sin of lust so lewd and foul,
Which I learned not in that alluring hell,
Until this morn, I snapped the ignoble tie,
By calling on the Mother of our Lord.
O for the power to stand again erect,
And look men in the eyes! What penitence,
What scourging of the flesh, what rigid fasts,
What terrible privations may suffice
To cleanse me in the sight of God and man?'
Ill-omened silence followed his appeal.
Patient and motionless he lay awhile,
Then sprang unto his feet with sudden force,
Confronting in his breathless vehemence,
With palpitating heart, the timid priest.
'Answer me, as you hope for a response,
One day, at the great judgment seat yourself.'
'I cannot answer,' said the timid priest,
'I have not understood.' 'Just God! is this
The curse Thou layest upon me? I outstrip
The sympathy and brotherhood of men,
So far removed is my experience
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From their clean innocence. Inspire me,
Prompt me to words that bring me near to them!
Father,' in gentler accents he resumed,
'Thank Heaven at your every orison
That sin like mine you cannot apprehend.
More than the truth perchance I have confessed,
But I have sinned, and darkly,-this is true;
And I have suffered, and am suffering now.
Is there no help in your great Christian creed
Of liberal charity, for such a one?'
'My son,' the priest replied, 'your speech distraught
Hath quite bewildered me. I fain would hope
That Christ's large charity can reach your sin,
But I know naught. I cannot but believe
That the enchantress who first tempted you
Must be the Evil one,-your early doubt
Was the possession of your soul by him.
Travel across the mountain to the town,
The first cathedral town upon the road
That leads to Rome,-a sage and reverend priest,
The Bishop Adrian, bides there. Say you have come
From his leal servant, Friar Lodovick;
He hath vast lore and great authority,
And may absolve you freely of your sin.'
Over the rolling hills, through summer fields,
By noisy villages and lonely lanes,
Through glowing days, when all the landscape stretched
Shimmering in the heat, a pilgrim fared
Towards the cathedral town. Sir Tannhauser
Had donned the mournful sackcloth, girt his loins
With a coarse rope that ate into his flesh,
Muffled a cowl about his shaven head,
Hung a great leaden cross around his neck;
And bearing in his hands a knotty staff,
With swollen, sandaled feet he held his course.
He snatched scant rest at twilight or at dawn,
When his forced travel was least difficult.
But most he journeyed when the sky, o'ercast,
Uprolled its threatening clouds of dusky blue,
And angry thunder grumbled through the hills,
And earth grew dark at noonday, till the flash
220
Of the thin lightning through the wide sky leapt.
And tumbling showers scoured along the plain.
Then folk who saw the pilgrim penitent,
Drenched, weird, and hastening as as to some strange doom,
Swore that the wandering Jew had crossed their land,
And the Lord Christ had sent the deadly bolt
Harmless upon his cursed, immortal head.
At length the hill-side city's spires and roofs,
With all its western windows smitten red
By a rich sunset, and with massive towers
Of its cathedral overtopping all,
greeted his sight. Some weary paces more,
And as the twilight deepened in the streets,
He stood within the minster. How serene,
In sculptured calm of centuries, it seemed!
How cool and spacious all the dim-lit aisles,
Still hazy with fumes of frankincense!
The vesper had been said, yet here and there
A wrinkled beldam, or mourner veiled,
Or burly burgher on the cold floor knelt,
And still the organist, with wandering hands,
Drew from the keys mysterious melodies,
And filled the church with flying waifs of song,
That with ethereal beauty moved the soul
To a more tender prayer and gentler faith
Than choral anthems and the solemn mass.
A thousand memories, sweet to bitterness,
Rushed on the knight and filled his eyes with tears;
Youth's blamelessness and faith forever lost,
The love of his neglected lyre, his art,
Revived by these aerial harmonies.
He was unworthy now to touch the strings,
Too base to stir men's soul to ecstasy
And high resolves, as in the days agone;
And yet, with all his spirit's earnestness,
He yearned to feel the lyre between his hands,
To utter all the trouble of his life
Unto the Muse who understands and helps.
Outworn with travel, soothed to drowsiness
By dying music and sweet-scented air,
His limbs relaxed, and sleep possessed his frame.
Auroral light the eastern oriels touched,
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When with delicious sense of rest he woke,
Amidst the cast and silent empty aisles.
'God's peace hath fallen upon me in this place;
This is my Bethel; here I feel again
A holy calm, if not of innocence,
Yet purest after that, the calm serene
Of expiation and forgiveness.'
He spake, and passed with staff and wallet forth
Through the tall portal to the open square,
And turning, paused to look upon the pile.
The northern front against the crystal sky
Loomed dark and heavy, full of sombre shade,
With each projecting buttress, carven cross,
Gable and mullion, tipped with laughing light
By the slant sunbeams of the risen morn.
The noisy swallows wheeled above their nests,
Builded in hidden nooks about the porch.
No human life was stirring in the square,
Save now and then a rumbling market-team,
Fresh from the fields and farms without the town.
He knelt upon the broad cathedral steps,
And kissed the moistened stone, while overhead
The circling swallows sang, and all around
The mighty city lay asleep and still.
To stranger's ears must yet again be made
The terrible confession; yet again
A deathly chill, with something worse than fear,
Seized the knight's heart, who knew his every word
Widened the gulf between his kind and him.
The Bishop sat with pomp of mitred head,
In pride of proven virtue, hearkening to all
With cold, official apathy, nor made
A sign of pity nor encouragement.
The friar understood the pilgrim's grief,
The language of his eyes; his speech alone
Was alien to these kind, untutored ears.
But this was truly to be misconstrued,
To tear each palpitating word alive
From out the depths of his remorseful soul,
And have it weighed with the precision cool
And the nice logic of a reasoning mind.
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This spiritual Father judged his crime
As the mad mischief of a reckless boy,
That call for strict, immediate punishment.
But Tannhauser, who felt himself a man,
Though base, yet fallen through passions and rare gifts
Of an exuberant nature rankly rich,
And knew his weary head was growing gray
With a life's terrible experience,
Found his old sense of proper worth revive;
But modestly he ended: 'Yet I felt,
O holy Father, in the church, this morn,
A strange security, a peace serene,
As though e'en yet the Lord regarded me
With merciful compassion; yea, as though
Even so vile a worm as I might work
Mine own salvation, through repentant prayers.'
'Presumptuous man, it is no easy task
To expiate such sin; a space of prayer
That deprecates the anger of the Lord,
A pilgrimage through pleasant summer lands,
May not atone for years of impious lust;
Thy heart hath lied to thee in offering hope.'
'Is there no hope on earth?' the pilgrim sighed.
'None through thy penance,' said the saintly man.
'Yet there may be through mediation, help.
There is a man who by a blameless life
Hath won the right to intercede with God.
No sins of his own flesh hath he to purge,The Cardinal Filippo,-he abides,
Within the Holy City. Seek him out;
This is my only counsel,-through thyself
Can be no help and no forgiveness.'
How different from the buoyant joy of morn
Was this discouraged sense of lassitude,
The Bishop's words were ringing in his ears,
Measured and pitiless, and blent with these,
The memory of the goddess' last wild cry,'ONCE BEING MINE, THOU ART FOREVER MINE.'
Was it the truth, despite his penitence,
And the dedication of his thought to God,
That still some portion of himself was hers,
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Some lust survived, some criminal regret,
For her corrupted love? He searched his heart:
All was remorse, religious and sincere,
And yet her dreadful curse still haunted him;
For all men shunned him, and denied him help,
Knowing at once in looking on his face,
Ploughed with deep lines and prematurely old,
That he had struggled with some deadly fiend,
And that he was no longer kin to them.
Just past the outskirts of the town, he stopped,
To strengthen will and courage to proceed.
The storm had broken o'er the sultry streets,
But now the lessening clouds were flying east,
And though the gentle shower still wet his face,
The west was cloudless while the sun went down,
And the bright seven-colored arch stood forth,
Against the opposite dull gray. There was
A beauty in the mingled storm and peace,
Beyond clear sunshine, as the vast, green fields
Basked in soft light, though glistening yet with rain.
The roar of all the town was now a buzz
Less than the insects' drowsy murmuring
That whirred their gauzy wings around his head.
The breeze that follows on the sunsetting
Was blowing whiffs of bruised and dripping grass
Into the heated city. But he stood,
Disconsolate with thoughts of fate and sin,
Still wrestling with his soul to win it back
From her who claimed it to eternity.
Then on the delicate air there came to him
The intonation of the minster bells,
Chiming the vespers, musical and faint.
He knew not what of dear and beautiful
There was in those familiar peals, that spake
Of his first boyhood and his innocence,
Leading him back, with gracious influence,
To pleasant thoughts and tender memories,
And last, recalling the fair hour of hope
He passed that morning in the church. Again,
The glad assurance of God's boundless love
Filled all his being, and he rose serene,
And journeyed forward with a calm content.
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Southward he wended, and the landscape took
A warmer tone, the sky a richer light.
The gardens of the graceful, festooned with hops,
With their slight tendrils binding pole to pole,
Gave place to orchards and the trellised grape,
The hedges were enwreathed with trailing vines,
With clustering, shapely bunches, 'midst the growth
Of tangled greenery. The elm and ash
Less frequent grew than cactus, cypresses,
And golden-fruited or large-blossomed trees.
The far hills took the hue of the dove's breast,
Veiled in gray mist of olive groves. No more
He passed dark, moated strongholds of grim knights,
But terraces with marble-paven steps,
With fountains leaping in the sunny air,
And hanging gardens full of sumptuous bloom.
Then cloisters guarded by their dead gray walls,
Where now and then a golden globe of fruit
Or full-flushed flower peered out upon the road,
Nodding against the stone, and where he heard
Sometimes the voices of the chanting monks,
Sometimes the laugh of children at their play,
Amidst the quaint, old gardens. But these sights
Were in the suburbs of the wealthy towns.
For many a day through wildernesses rank,
Or marshy, feverous meadow-lands he fared,
The fierce sun smiting his close-muffled head;
Or 'midst the Alpine gorges faced the storm,
That drave adown the gullies melted snow
And clattering boulders from the mountain-tops.
At times, between the mountains and the sea
Fair prospects opened, with the boundless stretch
Of restless, tideless water by his side,
And their long wash upon the yellow sand.
Beneath this generous sky the country-folk
Could lead a freer life,-the fat, green fields
Offered rich pasturage, athwart the air
Rang tinkling cow-bells and the shepherds' pipes.
The knight met many a strolling troubadour,
Bearing his cithern, flute, or dulcimer;
And oft beneath some castle's balcony,
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At night, he heard their mellow voices rise,
Blent with stringed instruments or tambourines,
Chanting some lay as natural as a bird's.
Then Nature stole with healthy influence
Into his thoughts; his love of beauty woke,
His Muse inspired dreams as in the past.
But after this came crueler remorse,
And he would tighten round his loins the rope,
And lie for hours beside some wayside cross,
And feel himself unworthy to enjoy
The splendid gift and privilege of life.
Then forth he hurried, spurred by his desire
To reach the City of the Seven Hills,
And gain his absolution. Some leagues more
Would bring him to the vast Campagna land,
When by a roadside well he paused to rest.
'T was noon, and reapers in the field hard by
Lay neath the trees upon the sun-scorched grass.
But from their midst one came towards the well,
Not trudging like a man forespent with toil,
But frisking like a child at holiday,
With light steps. The pilgrim watched him come,
And found him scarcely older than a child,
A large-mouthed earthen pitcher in his hand,
And a guitar upon his shoulder slung.
A wide straw hat threw all his face in shade,
But doffing this, to catch whatever breeze
Might stir among the branches, he disclosed
A charming head of rippled, auburn hair,
A frank, fair face, as lovely as a girls,
With great, soft eyes, as mild and grave as kine's.
Above his head he slipped the instrument,
And laid it with his hat upon the turf,
Lowered his pitcher down the well-head cool,
And drew it dripping upward, ere he saw
The watchful pilgrim, craving (as he thought)
The precious draught. 'Your pardon, holy sir,
Drink first,' he cried, 'before I take the jar
Unto my father in the reaping-field.'
Touched by the cordial kindness of the lad,
The pilgrim answered,-'Thanks, my thirst is quenched
From mine own palm.' The stranger deftly poised
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The brimming pitcher on his head, and turned
Back to the reaping-folk, while Tannhauser
Looked after him across the sunny fields,
Clasping each hand about his waist to bear
The balanced pitcher; then, down glancing, found
The lad's guitar near by, and fell at once
To striking its tuned string with wandering hands,
And pensive eyes filled full of tender dreams.
'Yea, holy sir, it is a worthless thing,
And yet I love it, for I make it speak.'
The boy again stood by him and dispelled
His train of fantasies half sweet, half sad.
'That was not in my thought,' the knight replied.
'Its worth is more than rubies; whoso hath
The art to make this speak is raised thereby
Above all loneliness or grief or fear.'
More to himself than to the lad he spake,
Who, understanding not, stood doubtfully
At a loss for answer; but the knight went on:
'How came it in your hands, and who hath tuned
your voice to follow it.' 'I am unskilled,
Good father, but my mother smote its strings
To music rare.' Diverted from one theme,
Pleased with the winsome candor of the boy,
The knight encouraged him to confidence;
Then his own gift of minstrelsy revealed,
And told bright tales of his first wanderings,
When in lords' castles and kings' palaces
Men still made place for him, for in his land
The gift was rare and valued at its worth,
And brought great victory and sounding fame.
Thus, in retracing all his pleasant youth,
His suffering passed as though it had not been.
Wide-eyed and open-mouthed the boy gave ear,
His fair face flushing with the sudden thoughts
That went and came,-then, as the pilgrim ceased,
Drew breath and spake: 'And where now is your lyre?'
The knight with both hands hid his changed, white face,
Crying aloud, 'Lost! lost! forever lost!'
Then, gathering strength, he bared his face again
Unto the frightened, wondering boy, and rose
With hasty fear. 'Ah, child, you bring me back
227
Unwitting to remembrance of my grief,
For which I donned eternal garb of woe;
And yet I owe you thanks for one sweet hour
Of healthy human intercourse and peace.
'T is not for me to tarry by the way.
Farewell!' The impetuous, remorseful boy,
Seeing sharp pain on that kind countenance,
Fell at his feet and cried, 'Forgive my words,
Witless but innocent, and leave me not
Without a blessing.' Moved unutterably,
The pilgrim kissed with trembling lips his head,
And muttered, 'At this moment would to God
That I were worthy!' Then waved wasted hands
Over the youth in act of blessing him,
But faltered, 'Cleanse me through his innocence,
O heavenly Father!' and with quickening steps
Hastened away upon the road to Rome.
The noon was past, the reapers drew broad swaths
With scythes sun-smitten 'midst the ripened crop.
Thin shadows of the afternoon slept soft
On the green meadows as the knight passed forth.
He trudged amidst the sea of poisonous flowers
On the Campagna's undulating plain,
With Rome, the many-steepled, many-towered,
Before him regnant on her throne of hills.
A thick blue cloud of haze o'erhung the town,
But the fast-sinking sun struck fiery light
From shining crosses, roofs, and flashing domes.
Across his path an arching bridge of stone
Was raised above a shrunken yellow stream,
Hurrying with the light on every wave
Towards the great town and outward to the sea.
Upon the bridge's crest he paused, and leaned
Against the barrier, throwing back his cowl,
And gazed upon the dull, unlovely flood
That was the Tiber. Quaggy banks lay bare,
Muddy and miry, glittering in the sun,
And myriad insects hovered o'er the reeds,
Whose lithe, moist tips by listless airs were stirred.
When the low sun had dropped behind the hills,
He found himself within the streets of Rome,
228
Walking as in a sleep, where naught seemed real.
The chattering hubbub of the market-place
Was over now; but voices smote his ear
Of garrulous citizens who jostled past.
Loud cries, gay laughter, snatches of sweet song,
The tinkling fountains set in gardens cool
About the pillared palaces, and blent
With trickling of the conduits in the squares,
The noisy teams within the narrow streets,All these the stranger heard and did not hear,
While ringing bells pealed out above the town,
And calm gray twilight skies stretched over it.
Wide open stood the doors of every church,
And through the porches pressed a streaming throng.
Vague wonderment perplexed him, at the sight
Of broken columns raised to Jupiter
Beside the cross, immense cathedrals reared
Upon a dead faith's ruins; all the whirl
And eager bustle of the living town
Filling the storied streets, whose very stones
Were solemn monuments, and spake of death.
Although he wrestled with himself, the thought
Of that poor, past religion smote his heart
With a huge pity and deep sympathy,
Beyond the fervor which the Church inspired.
Where was the noble race who ruled the world,
Moulded of purest elements, and stuffed
With sternest virtues, every man a king,
Wearing the purple native in his heart?
These lounging beggars, stealthy monks and priests,
And womanish patricians filled their place.
Thus Tannhauser, still half an infidel,
Pagan through mind and Christian through the heart,
Fared thoughtfully with wandering, aimless steps,
Till in the dying glimmer of the day
He raised his eyes and found himself alone
Amid the ruined arches, broken shafts,
And huge arena of the Coliseum.
He did not see it as it was, dim-lit
By something less than day and more than night,
With wan reflections of the rising moon
Rather divined than seen on ivied walls,
229
And crumbled battlements, and topless columnsBut by the light of all the ancient days,
Ringed with keen eager faces, living eyes,
Fixed on the circus with a savage joy,
Where brandished swords flashed white, and human blood
Streamed o'er the thirsty dust, and Death was king.
He started, shuddering, and drew breath to see
The foul pit choked with weeds and tumbled stones,
The cross raised midmost, and the peaceful moon
Shining o'er all; and fell upon his knees,
Restored to faith in one wise, loving God.
Day followed day, and still he bode in Rome,
Waiting his audience with the Cardinal,
And from the gates, on pretext frivolous,
Passed daily forth,-his Eminency slept,Again, his Eminency was fatigued
By tedious sessions of the Papal court,
And thus the patient pilgrim was referred
Unto a later hour. At last the page
Bore him a missive with Filippo's seal,
That in his name commended Tannhauser
Unto the Pope. The worn, discouraged knight
Read the brief scroll, then sadly forth again,
Along the bosky alleys of the park,
Passed to the glare and noise of summer streets.
'Good God!' he muttered, 'Thou hast ears for all,
And sendest help and comfort; yet these men,
Thy saintly ministers, must deck themselves
With arrogance, and from their large delight
In all the beauty of the beauteous earth,
And peace of indolent, untempted souls,
Deny the hungry outcast a bare word.'
Yet even as he nourished bitter thoughts,
He felt a depth of clear serenity,
Unruffled in his heart beneath it all.
No outward object now had farther power
To wound him there, for the brooding o'er those deeps
Of vast contrition was boundless hope.
Yet not to leave a human chance untried,
He sought the absolution of the Pope.
In a great hall with airy galleries,
230
Thronged with high dignitaries of the Church,
He took his seat amidst the humblest friars.
Through open windows came sweet garden smells,
Bright morning light, and twittered song of birds.
Around the hall flashed gold and sunlit gems,
And splendid wealth of color,-white-stoled priests,
And scarlet cardinals, and bishops clad
In violet vestments,-while beneath the shade
Of the high gallery huddled dusky shapes,
With faded, travel-tattered, sombre smocks,
And shaven heads, and girdles of coarse hemp;
Some, pilgrims penitent like Tannhauser;
Some, devotees to kiss the sacred feet.
The brassy blare of trumpets smote the air,
Shrill pipes and horns with swelling clamor came,
And through the doorway's wide-stretched tapestries
Passed the Pope's trumpeters and mace-bearers,
His vergers bearing slender silver wands,
Then mitred bishops, red-clad cardinals,
The stalwart Papal Guard with halberds raised,
And then, with white head crowned with gold ingemmed,
The vicar of the lowly Galilean,
Holding his pastoral rod of smooth-hewn wood,
With censer swung before and peacock fans
Waved constantly by pages, either side.
Attended thus, they bore him to his throne,
And priests and laymen fell upon their knees.
Then, after pause of brief and silent prayer,
The pilgrims singly through the hall defiled,
To kiss the borders of the papal skirts,
Smiting their foreheads on the paven stone;
Some silent, abject, some accusing them
Of venial sins in accents of remorse,
Craving his grace, and passing pardoned forth.
Sir Tannhauser came last, no need for him
To cry 'Peccavi,' and crook suppliant knees.
His gray head rather crushed than bowed, his face
Livid and wasted, his deep thoughtful eyes,
His tall gaunt form in those unseemly weeds,
Spake more than eloquence. His hollow voice
Brake silence, saying, 'I am Tannhauser.
For seven years I lived apart from men,
231
Within the Venusberg.' A horror seized
The assembled folk; some turbulently rose;
Some clamored, 'From the presence cast him forth!'
But the knight never ceased his steady gaze
Upon the Pope. At last,-'I have not spoken
To be condemned,' he said, 'by such as these.
Thou, spiritual Father, answer me.
Look thou upon me with the eyes of Christ.
Can I through expiation gain my shrift,
And work mine own redemption?' 'Insolent man!'
Thundered the outraged Pope, 'is this the tone
Wherewith thou dost parade thy loathsome sin?
Down on thy knees, and wallow on the earth!
Nay, rather go! there is no ray of hope,
No gleam, through cycles of eternity,
For the redemption of a soul like thine.
Yea, sooner shall my pastoral rod branch forth
In leaf and blossom, and green shoots of spring,
Than Christ will pardon thee.' And as he spoke,
He struck the rod upon the floor with force
That gave it entrance 'twixt two loosened tiles,
So that it stood, fast-rooted and alone.
The knight saw naught, he only heard his judge
Ring forth his curses, and the court cry out
'Anathema!' and loud, and blent therewith,
Derisive laughter in the very hall,
And a wild voice that thrilled through flesh and heart:
'ONCE BEING MINE, THOU ART FOREVER MINE!'
Half-mad he clasped both hands upon his brow,
Amidst the storm of voices, till they died,
And all was silence, save the reckless song
Of a young bird upon a twig without.
Then a defiant, ghastly face he raised,
And shrieked, ''T is false! I am no longer thine!'
And through the windows open to the park,
Rushed forth, beyond the sight and sound of men.
By church nor palace paused he, till he passed
All squares and streets, and crossed the bridge of stone,
And stood alone amidst the broad expanse
Of the Campagna, twinkling in the heat.
He knelt upon a knoll of turf, and snapped
232
The cord that held the cross about his neck,
And far from him the leaden burden flung.
'O God! I thank Thee, that my faith in Thee
Subsists at last, through all discouragements.
Between us must no type nor symbol stand,
No mediator, were he more divine
Than the incarnate Christ. All forms, all priests,
I part aside, and hold communion free
Beneath the empty sky of noon, with naught
Between my nothingness and thy high heavensSpirit with spirit. O, have mercy, God!
Cleanse me from lust and bitterness and pride,
Have mercy in accordance with my faith.'
Long time he lay upon the scorching grass,
With his face buried in the tangled weeds.
Ah! who can tell the struggles of his soul
Against its demons in that sacred hour,
The solitude, the anguish, the remorse?
When shadows long and thin lay on the ground,
Shivering with fever, helpless he arose,
But with a face divine, ineffable,
Such as we dream the face of Israel,
When the Lord's wrestling angel, at gray dawn,
Blessed him, and disappeared.
Upon the marsh,
All night, he wandered, striving to emerge
From the wild, pathless plain,-now limitless
And colorless beneath the risen moon;
Outstretching like a sea, with landmarks none,
Save broken aqueducts and parapets,
And ruined columns glinting 'neath the moon.
His dress was dank and clinging with the dew;
A thousand insects fluttered o'er his head,
With buzz and drone; unseen cicadas chirped
Among the long, rank grass, and far and near
The fire-flies flickered through the summer air.
Vague thoughts and gleams prophetic filled his brain.
'Ah, fool!' he mused, 'to look for help from men.
Had they the will to aid, they lack the power.
In mine own flesh and soul the sin had birth,
Through mine own anguish it must be atoned.
Our saviours are not saints and ministers,
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But tear-strung women, children soft of heart,
Or fellow-sufferers, who, by some chance word,
Some glance of comfort, save us from despair.
These I have found, thank heaven! to strengthen trust
In mine own kind, when all the world grew dark.
Make me not proud in spirit, O my God!
Yea, in thy sight I am one mass of sin,
One black and foul corruption, yet I know
My frailty is exceeded by thy love.
Neither is this the slender straw of hope,
Whereto I, drowning, cling, but firm belief,
That fills my inmost soul with vast content.
As surely as the hollow faiths of old
Shriveled to dust before one ray of Truth,
So will these modern temples pass away,
Piled upon rotten doctrines, baseless forms,
And man will look in his own breast for help,
Yea, search for comfort his own inward reins,
Revere himself, and find the God within.
Patience and patience!' Through the sleepless night
He held such thoughts; at times before his eyes
Flashed glimpses of the Church that was to be,
Sublimely simple in the light serene
Of future ages; then the vision changed
To the Pope's hall, thronged with high priests, who hurled
Their curses on him. Staggering, he awoke
Unto the truth, and found himself alone,
Beneath the awful stars. When dawn's first chill
Crept though the shivering grass and heavy leaves,
Giddy and overcome, he fell and slept
Upon the dripping weeds, nor dreamed nor stirred,
Until the wide plain basked in noon's broad light.
He dragged his weary frame some paces more,
Unto a solitary herdsman's hut,
Which, in the vagueness of the moonlit night,
Was touched with lines of beauty, till it grew
Fair as the ruined works of ancient art,
Now squat and hideous with its wattled roof,
Decaying timbers, and loose door wide oped,
Half-fallen from the hinge. A drowsy man,
Bearded and burnt, in shepherd habit lay,
Stretched on the floor, slow-munching, half asleep,
234
His frugal fare; for thus, at blaze of noon,
The shepherds sought a shelter from the sun,
Leaving their vigilant dogs beside their flock.
The knight craved drink and bread, and with respect
For pilgrim weeds, the Roman herdsman stirred
His lazy length, and shared with him his meal.
Refreshed and calm, Sir Tannhauser passed forth,
Yearning with morbid fancy once again
To see the kind face of the minstrel boy
He met beside the well. At set of sun
He reached the place; the reaping-folk were gone,
The day's toil over, yet he took his seat.
A milking-girl with laden buckets full,
Came slowly from the pasture, paused and drank.
From a near cottage ran a ragged boy,
And filled his wooden pail, and to his home
Returned across the fields. A herdsman came,
And drank and gave his dog to drink, and passed,
Greeting the holy man who sat there still,
Awaiting. But his feeble pulse beat high
When he descried at last a youthful form,
Crossing the field, a pitcher on his head,
Advancing towards the well. Yea, this was he,
The same grave eyes, and open, girlish face.
But he saw not, amidst the landscape brown,
The knight's brown figure, who, to win his ear,
Asked the lad's name. 'My name is Salvator,
To serve you, sir,' he carelessly replied,
With eyes and hands intent upon his jar,
Brimming and bubbling. Then he cast one glance
Upon his questioner, and left the well,
Crying with keen and sudden sympathy,
'Good Father, pardon me, I knew you not.
Ah! you have travelled overmuch: your feet
Are grimed with mud and wet, your face is changed,
Your hands are dry with fever.' But the knight:
'Nay, as I look on thee, I think the Lord
Wills not that I should suffer any more.'
'Then you have suffered much,' sighed Salvator,
With wondering pity. 'You must come with me;
My father knows of you, I told him all.
A knight and minstrel who cast by his lyre,
235
His health and fame, to give himself to God,Yours is a life indeed to be desired!
If you will lie with us this night, our home
Will verily be blessed.' By kindness crushed,
Wandering in sense and words, the broken knight
Resisted naught, and let himself be led
To the boy's home. The outcast and accursed
Was welcomed now by kindly human hands;
Once more his blighted spirit was revived
By contact with refreshing innocence.
There, when the morning broke upon the world,
The humble hosts no longer knew their guest.
His fleshly weeds of sin forever doffed,
Tannhauser lay and smiled, for in the night
The angel came who brings eternal peace.
__________
Far into Wartburg, through all Italy,
In every town the Pope sent messengers,
Riding in furious haste; among them, one
Who bore a branch of dry wood burst in bloom;
The pastoral rod had borne green shoots of spring,
And leaf and blossom. God is merciful.
~ Emma Lazarus,#NFDB |
1453:BOOK THE TENTH
The Story of Orpheus and Eurydice
Thence, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
With dread these inauspicious signs were view'd,
And soon a more disastrous end ensu'd;
For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
Now, by the horrors which these realms surround;
By the vast chaos of these depths profound;
By the sad silence which eternal reigns
O'er all the waste of these wide-stretching plains;
Let me again Eurydice receive,
Let Fate her quick-spun thread of life re-weave.
All our possessions are but loans from you,
And soon, or late, you must be paid your due;
Hither we haste to human-kind's last seat,
Your endless empire, and our sure retreat.
She too, when ripen'd years she shall attain,
Must, of avoidless right, be yours again:
I but the transient use of that require,
Which soon, too soon, I must resign entire.
But if the destinies refuse my vow,
And no remission of her doom allow;
Know, I'm determin'd to return no more;
So both retain, or both to life restore.
Thus, while the bard melodiously complains,
And to his lyre accords his vocal strains,
The very bloodless shades attention keep,
And silent, seem compassionate to weep;
Ev'n Tantalus his flood unthirsty views,
Nor flies the stream, nor he the stream pursues;
Ixion's wond'ring wheel its whirl suspends,
And the voracious vulture, charm'd, attends;
No more the Belides their toil bemoan,
And Sisiphus reclin'd, sits list'ning on his stone.
Then first ('tis said) by sacred verse subdu'd,
The Furies felt their cheeks with tears bedew'd:
Nor could the rigid king, or queen of Hell,
Th' impulse of pity in their hearts repell.
Now, from a troop of shades that last arriv'd,
Eurydice was call'd, and stood reviv'd:
Slow she advanc'd, and halting seem to feel
The fatal wound, yet painful in her heel.
Thus he obtains the suit so much desir'd,
On strict observance of the terms requir'd:
For if, before he reach the realms of air,
He backward cast his eyes to view the fair,
The forfeit grant, that instant, void is made,
And she for ever left a lifeless shade.
Now thro' the noiseless throng their way they bend,
And both with pain the rugged road ascend;
Dark was the path, and difficult, and steep,
And thick with vapours from the smoaky deep.
They well-nigh now had pass'd the bounds of night,
And just approach'd the margin of the light,
When he, mistrusting lest her steps might stray,
And gladsome of the glympse of dawning day,
His longing eyes, impatient, backward cast
To catch a lover's look, but look'd his last;
For, instant dying, she again descends,
While he to empty air his arms extends.
Again she dy'd, nor yet her lord reprov'd;
What could she say, but that too well he lov'd?
One last farewell she spoke, which scarce he heard;
So soon she drop'd, so sudden disappear'd.
All stunn'd he stood, when thus his wife he view'd
By second Fate, and double death subdu'd:
Not more amazement by that wretch was shown,
Whom Cerberus beholding, turn'd to stone;
Nor Olenus cou'd more astonish'd look,
When on himself Lethaea's fault he took,
His beauteous wife, who too secure had dar'd
Her face to vye with Goddesses compar'd:
Once join'd by love, they stand united still,
Turn'd to contiguous rocks on Ida's hill.
Now to repass the Styx in vain he tries,
Charon averse, his pressing suit denies.
Sev'n days entire, along th' infernal shores,
Disconsolate, the bard Eurydice deplores;
Defil'd with filth his robe, with tears his cheeks,
No sustenance but grief, and cares, he seeks:
Of rigid Fate incessant he complains,
And Hell's inexorable Gods arraigns.
This ended, to high Rhodope he hastes,
And Haemus' mountain, bleak with northern blasts.
And now his yearly race the circling sun
Had thrice compleat thro' wat'ry Pisces run,
Since Orpheus fled the face of womankind,
And all soft union with the sex declin'd.
Whether his ill success this change had bred,
Or binding vows made to his former bed;
Whate'er the cause, in vain the nymphs contest,
With rival eyes to warm his frozen breast:
For ev'ry nymph with love his lays inspir'd,
But ev'ry nymph repuls'd, with grief retir'd.
A hill there was, and on that hill a mead,
With verdure thick, but destitute of shade.
Where, now, the Muse's son no sooner sings,
No sooner strikes his sweet resounding strings.
But distant groves the flying sounds receive,
And list'ning trees their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head.
The foodful Esculus here shoots his leaves,
That turf soft lime-tree, this, fat beach receives;
Here, brittle hazels, lawrels here advance,
And there tough ash to form the heroe's lance;
Here silver firs with knotless trunks ascend,
There, scarlet oaks beneath their acorns bend.
That spot admits the hospitable plane,
On this, the maple grows with clouded grain;
Here, watry willows are with Lotus seen;
There, tamarisk, and box for ever green.
With double hue here mirtles grace the ground,
And laurestines, with purple berries crown'd.
With pliant feet, now, ivies this way wind,
Vines yonder rise, and elms with vines entwin'd.
Wild Ornus now, the pitch-tree next takes root,
And Ar butus adorn'd with blushing fruit.
Then easy-bending palms, the victor's prize,
And pines erect with bristly tops arise.
For Rhea grateful still the pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warm'd,
And now is cherish'd, to a tree transform'd.
The Fable of Cyparissus
Amid the throng of this promiscuous wood,
With pointed top, the taper cypress stood;
A tree, which once a youth, and heav'nly fair,
Was of that deity the darling care,
Whose hand adapts, with equal skill, the strings
To bows with which he kills, and harps to which he sings.
For heretofore, a mighty stag was bred,
Which on the fertile fields of Caea fed;
In shape and size he all his kind excell'd,
And to Carthaean nymphs was sacred held.
His beamy head, with branches high display'd,
Afforded to itself an ample shade;
His horns were gilt, and his smooth neck was grac'd
With silver collars thick with gems enchas'd:
A silver boss upon his forehead hung,
And brazen pendants in his ear-rings rung.
Frequenting houses, he familiar grew,
And learnt by custom, Nature to subdue;
'Till by degrees, of fear, and wildness, broke,
Ev'n stranger hands his proffer'd neck might stroak.
Much was the beast by Caea's youth caress'd,
But thou, sweet Cyparissus, lov'dst him best:
By thee, to pastures fresh, he oft was led,
By thee oft water'd at the fountain's head:
His horns with garlands, now, by thee were ty'd,
And, now, thou on his back wou'dst wanton ride;
Now here, now there wou'dst bound along the plains,
Ruling his tender mouth with purple reins.
'Twas when the summer sun, at noon of day,
Thro' glowing Cancer shot his burning ray,
'Twas then, the fav'rite stag, in cool retreat,
Had sought a shelter from the scorching heat;
Along the grass his weary limbs he laid,
Inhaling freshness from the breezy shade:
When Cyparissus with his pointed dart,
Unknowing, pierc'd him to the panting heart.
But when the youth, surpriz'd, his error found,
And saw him dying of the cruel wound,
Himself he would have slain thro' desp'rate grief:
What said not Phoebus, that might yield relief!
To cease his mourning, he the boy desir'd,
Or mourn no more than such a loss requir'd.
But he, incessant griev'd: at length address'd
To the superior Pow'rs a last request;
Praying, in expiation of his crime,
Thenceforth to mourn to all succeeding time.
And now, of blood exhausted he appears,
Drain'd by a torrent of continual tears;
The fleshy colour in his body fades,
And a green tincture all his limbs invades;
From his fair head, where curling locks late hung,
A horrid bush with bristled branches sprung,
Which stiffning by degrees, its stem extends,
'Till to the starry skies the spire ascends.
Apollo sad look'd on, and sighing, cry'd,
Then, be for ever, what thy pray'r imply'd:
Bemoan'd by me, in others grief excite;
And still preside at ev'ry fun'ral rite.
Thus the sweet artist in a wondrous shade
Of verdant trees, which harmony had made,
Encircled sate, with his own triumphs crown'd,
Of listning birds, and savages around.
Again the trembling strings he dext'rous tries,
Again from discord makes soft musick rise.
Then tunes his voice: O Muse, from whom I sprung,
Jove be my theme, and thou inspire my song.
To Jove my grateful voice I oft have rais'd,
Oft his almighty pow'r with pleasure prais'd.
I sung the giants in a solemn strain,
Blasted, and thunder-struck on Phlegra's plain.
Now be my lyre in softer accents mov'd,
To sing of blooming boys by Gods belov'd;
And to relate what virgins, void of shame,
Have suffer'd vengeance for a lawless flame.
The King of Gods once felt the burning joy,
And sigh'd for lovely Ganimede of Troy:
Long was he puzzled to assume a shape
Most fit, and expeditious for the rape;
A bird's was proper, yet he scorns to wear
Any but that which might his thunder bear.
Down with his masquerading wings he flies,
And bears the little Trojan to the skies;
Where now, in robes of heav'nly purple drest,
He serves the nectar at th' Almighty's feast,
To slighted Juno an unwelcome guest.
Hyacinthus transform'd into a Flower
Phoebus for thee too, Hyacinth, design'd
A place among the Gods, had Fate been kind:
Yet this he gave; as oft as wintry rains
Are past, and vernal breezes sooth the plains,
From the green turf a purple flow'r you rise,
And with your fragrant breath perfume the skies.
You when alive were Phoebus' darling boy;
In you he plac'd his Heav'n, and fix'd his joy:
Their God the Delphic priests consult in vain;
Eurotas now he loves, and Sparta's plain:
His hands the use of bow and harp forget,
And hold the dogs, or bear the corded net;
O'er hanging cliffs swift he pursues the game;
Each hour his pleasure, each augments his flame.
The mid-day sun now shone with equal light
Between the past, and the succeeding night;
They strip, then, smooth'd with suppling oyl, essay
To pitch the rounded quoit, their wonted play:
A well-pois'd disk first hasty Phoebus threw,
It cleft the air, and whistled as it flew;
It reach'd the mark, a most surprizing length;
Which spoke an equal share of art, and strength.
Scarce was it fall'n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale, and breathless now appear,
The boy with pain, the am'rous God with fear.
He ran, and rais'd him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.
As in a water'd garden's blooming walk,
When some rude hand has bruis'd its tender stalk,
A fading lilly droops its languid head,
And bends to earth, its life, and beauty fled:
So Hyacinth, with head reclin'd, decays,
And, sickning, now no more his charms displays.
O thou art gone, my boy, Apollo cry'd,
Defrauded of thy youth in all its pride!
Thou, once my joy, art all my sorrow now;
And to my guilty hand my grief I owe.
Yet from my self I might the fault remove,
Unless to sport, and play, a fault should prove,
Unless it too were call'd a fault to love.
Oh cou'd I for thee, or but with thee, dye!
But cruel Fates to me that pow'r deny.
Yet on my tongue thou shalt for ever dwell;
Thy name my lyre shall sound, my verse shall tell;
And to a flow'r transform'd, unheard-of yet,
Stamp'd on thy leaves my cries thou shalt repeat.
The time shall come, prophetick I foreknow,
When, joyn'd to thee, a mighty chief shall grow,
And with my plaints his name thy leaf shall show.
While Phoebus thus the laws of Fate reveal'd,
Behold, the blood which stain'd the verdant field,
Is blood no longer; but a flow'r full blown,
Far brighter than the Tyrian scarlet shone.
A lilly's form it took; its purple hue
Was all that made a diff'rence to the view,
Nor stop'd he here; the God upon its leaves
The sad expression of his sorrow weaves;
And to this hour the mournful purple wears
Ai, Ai, inscrib'd in funeral characters.
Nor are the Spartans, who so much are fam'd
For virtue, of their Hyacinth asham'd;
But still with pompous woe, and solemn state,
The Hyacinthian feasts they yearly celebrate
The Transformations of the Cerastae and Propoetides
Enquire of Amathus, whose wealthy ground
With veins of every metal does abound,
If she to her Propoetides wou'd show,
The honour Sparta does to him allow?
Nor more, she'd say, such wretches wou'd we grace,
Than those whose crooked horns deform'd their face,
From thence Cerastae call'd, an impious race:
Before whose gates a rev'rend altar stood,
To Jove inscrib'd, the hospitable God:
This had some stranger seen with gore besmear'd,
The blood of lambs, and bulls it had appear'd:
Their slaughter'd guests it was; nor flock nor herd.
Venus these barb'rous sacrifices view'd
With just abhorrence, and with wrath pursu'd:
At first, to punish such nefarious crimes,
Their towns she meant to leave, her once-lov'd climes:
But why, said she, for their offence shou'd I
My dear delightful plains, and cities fly?
No, let the impious people, who have sinn'd,
A punishment in death, or exile, find:
If death, or exile too severe be thought,
Let them in some vile shape bemoan their fault.
While next her mind a proper form employs,
Admonish'd by their horns, she fix'd her choice.
Their former crest remains upon their heads,
And their strong limbs an ox's shape invades.
The blasphemous Propoetides deny'd
Worship of Venus, and her pow'r defy'd:
But soon that pow'r they felt, the first that sold
Their lewd embraces to the world for gold.
Unknowing how to blush, and shameless grown,
A small transition changes them to stone.
The Story of Pygmalion and the Statue
Pygmalion loathing their lascivious life,
Abhorr'd all womankind, but most a wife:
So single chose to live, and shunn'd to wed,
Well pleas'd to want a consort of his bed.
Yet fearing idleness, the nurse of ill,
In sculpture exercis'd his happy skill;
And carv'd in iv'ry such a maid, so fair,
As Nature could not with his art compare,
Were she to work; but in her own defence
Must take her pattern here, and copy hence.
Pleas'd with his idol, he commends, admires,
Adores; and last, the thing ador'd, desires.
A very virgin in her face was seen,
And had she mov'd, a living maid had been:
One wou'd have thought she cou'd have stirr'd, but strove
With modesty, and was asham'd to move.
Art hid with art, so well perform'd the cheat,
It caught the carver with his own deceit:
He knows 'tis madness, yet he must adore,
And still the more he knows it, loves the more:
The flesh, or what so seems, he touches oft,
Which feels so smooth, that he believes it soft.
Fir'd with this thought, at once he strain'd the breast,
And on the lips a burning kiss impress'd.
'Tis true, the harden'd breast resists the gripe,
And the cold lips return a kiss unripe:
But when, retiring back, he look'd again,
To think it iv'ry, was a thought too mean:
So wou'd believe she kiss'd, and courting more,
Again embrac'd her naked body o'er;
And straining hard the statue, was afraid
His hands had made a dint, and hurt his maid:
Explor'd her limb by limb, and fear'd to find
So rude a gripe had left a livid mark behind:
With flatt'ry now he seeks her mind to move,
And now with gifts (the pow'rful bribes of love),
He furnishes her closet first; and fills
The crowded shelves with rarities of shells;
Adds orient pearls, which from the conchs he drew,
And all the sparkling stones of various hue:
And parrots, imitating human tongue,
And singing-birds in silver cages hung:
And ev'ry fragrant flow'r, and od'rous green,
Were sorted well, with lumps of amber laid between:
Rich fashionable robes her person deck,
Pendants her ears, and pearls adorn her neck:
Her taper'd fingers too with rings are grac'd,
And an embroider'd zone surrounds her slender waste.
Thus like a queen array'd, so richly dress'd,
Beauteous she shew'd, but naked shew'd the best.
Then, from the floor, he rais'd a royal bed,
With cov'rings of Sydonian purple spread:
The solemn rites perform'd, he calls her bride,
With blandishments invites her to his side;
And as she were with vital sense possess'd,
Her head did on a plumy pillow rest.
The feast of Venus came, a solemn day,
To which the Cypriots due devotion pay;
With gilded horns the milk-white heifers led,
Slaughter'd before the sacred altars, bled.
Pygmalion off'ring, first approach'd the shrine,
And then with pray'rs implor'd the Pow'rs divine:
Almighty Gods, if all we mortals want,
If all we can require, be yours to grant;
Make this fair statue mine, he wou'd have said,
But chang'd his words for shame; and only pray'd,
Give me the likeness of my iv'ry maid.
The golden Goddess, present at the pray'r,
Well knew he meant th' inanimated fair,
And gave the sign of granting his desire;
For thrice in chearful flames ascends the fire.
The youth, returning to his mistress, hies,
And impudent in hope, with ardent eyes,
And beating breast, by the dear statue lies.
He kisses her white lips, renews the bliss,
And looks, and thinks they redden at the kiss;
He thought them warm before: nor longer stays,
But next his hand on her hard bosom lays:
Hard as it was, beginning to relent,
It seem'd, the breast beneath his fingers bent;
He felt again, his fingers made a print;
'Twas flesh, but flesh so firm, it rose against the dint:
The pleasing task he fails not to renew;
Soft, and more soft at ev'ry touch it grew;
Like pliant wax, when chasing hands reduce
The former mass to form, and frame for use.
He would believe, but yet is still in pain,
And tries his argument of sense again,
Presses the pulse, and feels the leaping vein.
Convinc'd, o'erjoy'd, his studied thanks, and praise,
To her, who made the miracle, he pays:
Then lips to lips he join'd; now freed from fear,
He found the savour of the kiss sincere:
At this the waken'd image op'd her eyes,
And view'd at once the light, and lover with surprize.
The Goddess, present at the match she made,
So bless'd the bed, such fruitfulness convey'd,
That ere ten months had sharpen'd either horn,
To crown their bliss, a lovely boy was born;
Paphos his name, who grown to manhood, wall'd
The city Paphos, from the founder call'd.
The Story of of Cinyras and Myrrha
Nor him alone produc'd the fruitful queen;
But Cinyras, who like his sire had been
A happy prince, had he not been a sire.
Daughters, and fathers, from my song retire;
I sing of horror; and could I prevail,
You shou'd not hear, or not believe my tale.
Yet if the pleasure of my song be such,
That you will hear, and credit me too much,
Attentive listen to the last event,
And, with the sin, believe the punishment:
Since Nature cou'd behold so dire a crime,
I gratulate at least my native clime,
That such a land, which such a monster bore,
So far is distant from our Thracian shore.
Let Araby extol her happy coast,
Her cinamon, and sweet Amomum boast,
Her fragrant flow'rs, her trees with precious tears,
Her second harvests, and her double years;
How can the land be call'd so bless'd, that Myrrha bears?
Nor all her od'rous tears can cleanse her crime;
Her Plant alone deforms the happy clime:
Cupid denies to have inflam'd thy heart,
Disowns thy love, and vindicates his dart:
Some Fury gave thee those infernal pains,
And shot her venom'd vipers in thy veins.
To hate thy sire, had merited a curse;
But such an impious love deserv'd a worse.
The neighb'ring monarchs, by thy beauty led,
Contend in crowds, ambitious of thy bed:
The world is at thy choice; except but one,
Except but him, thou canst not chuse, alone.
She knew it too, the miserable maid,
Ere impious love her better thoughts betray'd,
And thus within her secret soul she said:
Ah Myrrha! whither wou'd thy wishes tend?
Ye Gods, ye sacred laws, my soul defend
From such a crime as all mankind detest,
And never lodg'd before in human breast!
But is it sin? Or makes my mind alone
Th' imagin'd sin? For Nature makes it none.
What tyrant then these envious laws began,
Made not for any other beast, but Man!
The father-bull his daughter may bestride,
The horse may make his mother-mare a bride;
What piety forbids the lusty ram,
Or more salacious goat, to rut their dam?
The hen is free to wed the chick she bore,
And make a husband, whom she hatch'd before.
All creatures else are of a happier kind,
Whom nor ill-natur'd laws from pleasure bind,
Nor thoughts of sin disturb their peace of mind.
But Man a slave of his own making lives;
The fool denies himself what Nature gives:
Too-busie senates, with an over-care,
To make us better than our kind can bear,
Have dash'd a spice of envy in the laws,
And straining up too high, have spoil'd the cause.
Yet some wise nations break their cruel chains,
And own no laws, but those which love ordains;
Where happy daughters with their sires are join'd,
And piety is doubly paid in kind.
O that I had been born in such a clime,
Not here, where 'tis the country makes the crime!
But whither wou'd my impious fancy stray?
Hence hopes, and ye forbidden thoughts away!
His worth deserves to kindle my desires,
But with the love, that daughters bear to sires.
Then had not Cinyras my father been,
What hinder'd Myrrha's hopes to be his queen?
But the perverseness of my fate is such,
That he's not mine, because he's mine too much:
Our kindred-blood debars a better tie;
He might be nearer, were he not so nigh.
Eyes, and their objects, never must unite;
Some distance is requir'd to help the sight:
Fain wou'd I travel to some foreign shore,
Never to see my native country more,
So might I to my self my self restore;
So might my mind these impious thoughts remove,
And ceasing to behold, might cease to love.
But stay I must, to feed my famish'd sight,
To talk, to kiss, and more, if more I might:
More, impious maid! What more canst thou design?
To make a monstrous mixture in thy line,
And break all statutes human and divine!
Can'st thou be call'd (to save thy wretched life)
Thy mother's rival, and thy father's wife?
Confound so many sacred names in one,
Thy brother's mother! Sister to thy son!
And fear'st thou not to see th' infernal bands,
Their heads with snakes; with torches arm'd their hands
Full at thy face th' avenging brands to bear,
And shake the serpents from their hissing hair;
But thou in time th' increasing ill controul,
Nor first debauch the body by the soul;
Secure the sacred quiet of thy mind,
And keep the sanctions Nature has design'd.
Suppose I shou'd attempt, th' attempt were vain,
No thoughts like mine, his sinless soul profane;
Observant of the right: and o that he
Cou'd cure my madness, or be mad like me!
Thus she: but Cinyras, who daily sees
A crowd of noble suitors at his knees,
Among so many, knew not whom to chuse,
Irresolute to grant, or to refuse.
But having told their names, enquir'd of her
Who pleas'd her best, and whom she would prefer.
The blushing maid stood silent with surprize,
And on her father fix'd her ardent eyes,
And looking sigh'd, and as she sigh'd, began
Round tears to shed, that scalded as they ran.
The tender sire, who saw her blush, and cry,
Ascrib'd it all to maiden modesty,
And dry'd the falling drops, and yet more kind,
He stroak'd her cheeks, and holy kisses join'd.
She felt a secret venom fire her blood,
And found more pleasure, than a daughter shou'd;
And, ask'd again what lover of the crew
She lik'd the best, she answer'd, One like you.
Mistaking what she meant, her pious will
He prais'd, and bid her so continue still:
The word of pious heard, she blush'd with shame
Of secret guilt, and cou'd not bear the name.
'Twas now the mid of night, when slumbers close
Our eyes, and sooth our cares with soft repose;
But no repose cou'd wretched Myrrha find,
Her body rouling, as she roul'd her mind:
Mad with desire, she ruminates her sin,
And wishes all her wishes o'er again:
Now she despairs, and now resolves to try;
Wou'd not, and wou'd again, she knows not why;
Stops, and returns; makes, and retracts the vow;
Fain wou'd begin, but understands not how.
As when a pine is hew'd upon the plains,
And the last mortal stroke alone remains,
Lab'ring in pangs of death, and threatning all,
This way, and that she nods, consid'ring where to fall:
So Myrrha's mind, impell'd on either side,
Takes ev'ry bent, but cannot long abide;
Irresolute on which she shou'd relie,
At last, unfix'd in all, is only fix'd to die.
On that sad thought she rests, resolv'd on death,
She rises, and prepares to choak her breath:
Then while about the beam her zone she ties,
Dear Cinyras farewell, she softly cries;
For thee I die, and only wish to be
Not hated, when thou know'st die I for thee:
Pardon the crime, in pity to the cause:
This said, about her neck the noose she draws.
The nurse, who lay without, her faithful guard,
Though not the words, the murmurs over-heard;
And sighs, and hollow sounds: surpriz'd with fright,
She starts, and leaves her bed, and springs a light;
Unlocks the door, and entring out of breath,
The dying saw, and instruments of death;
She shrieks, she cuts the zone with trembling haste,
And in her arms her fainting charge embrac'd:
Next (for she now had leisure for her tears),
She weeping ask'd, in these her blooming years,
What unforeseen misfortune caus'd her care,
To loath her life, and languish in despair!
The maid, with down-cast eyes, and mute with grief
For death unfinish'd, and ill-tim'd relief,
Stood sullen to her suit: the beldame press'd
The more to know, and bar'd her wither'd breast,
Adjur'd her by the kindly food she drew
From those dry founts, her secret ill to shew.
Sad Myrrha sigh'd, and turn'd her eyes aside:
The nurse still urg'd, and wou'd not be deny'd:
Nor only promis'd secresie, but pray'd
She might have leave to give her offer'd aid.
Good-will, she said, my want of strength supplies,
And diligence shall give what age denies:
If strong desires thy mind to fury move,
With charms and med'cines I can cure thy love:
If envious eyes their hurtuful rays have cast,
More pow'rful verse shall free thee from the blast:
If Heav'n offended sends thee this disease,
Offended Heav'n with pray'rs we can appease.
What then remains, that can these cares procure?
Thy house is flourishing, thy fortune sure:
Thy careful mother yet in health survives,
And, to thy comfort, thy kind father lives.
The virgin started at her father's name,
And sigh'd profoundly, conscious of the shame
Nor yet the nurse her impious love divin'd,
But yet surmis'd that love disturb'd her mind:
Thus thinking, she pursu'd her point, and laid,
And lull'd within her lap the mourning maid;
Then softly sooth'd her thus; I guess your grief:
You love, my child; your love shall find relief.
My long-experienc'd age shall be your guide;
Rely on that, and lay distrust aside.
No breath of air shall on the secret blow,
Nor shall (what most you fear) your father know.
Struck once again, as with a thunder-clap,
The guilty virgin bounded from her lap,
And threw her body prostrate on the bed.
And, to conceal her blushes, hid her head;
There silent lay, and warn'd her with her hand
To go: but she receiv'd not the command;
Remaining still importunate to know:
Then Myrrha thus: Or ask no more, or go;
I pr'ythee go, or staying spare my shame;
What thou would'st hear, is impious ev'n to name.
At this, on high the beldame holds her hands,
And trembling both with age, and terror stands;
Adjures, and falling at her feet intreats,
Sooths her with blandishments, and frights with threats,
To tell the crime intended, or disclose
What part of it she knew, if she no farther knows.
And last, if conscious to her counsel made,
Confirms anew the promise of her aid.
Now Myrrha rais'd her head; but soon oppress'd
With shame, reclin'd it on her nurse's breast;
Bath'd it with tears, and strove to have confess'd:
Twice she began, and stopp'd; again she try'd;
The falt'ring tongue its office still deny'd.
At last her veil before her face she spread,
And drew a long preluding sigh, and said,
O happy mother, in thy marriage-bed!
Then groan'd, and ceas'd. The good old woman shook,
Stiff were her eyes, and ghastly was her look:
Her hoary hair upright with horror stood,
Made (to her grief) more knowing than she wou'd.
Much she reproach'd, and many things she said,
To cure the madness of th' unhappy maid,
In vain: for Myrrha stood convict of ill;
Her reason vanquish'd, but unchang'd her will:
Perverse of mind, unable to reply;
She stood resolv'd, or to possess, or die.
At length the fondness of a nurse prevail'd
Against her better sense, and virtue fail'd:
Enjoy, my child, since such is thy desire,
Thy love, she said; she durst not say, thy sire:
Live, though unhappy, live on any terms;
Then with a second oath her faith confirms.
The solemn feast of Ceres now was near,
When long white linnen stoles the matrons wear;
Rank'd in procession walk the pious train,
Off'ring first-fruits, and spikes of yellow grain:
For nine long nights the nuptial-bed they shun,
And sanctifying harvest, lie alone.
Mix'd with the crowd, the queen forsook her lord,
And Ceres' pow'r with secret rites ador'd:
The royal couch, now vacant for a time,
The crafty crone, officious in her crime,
The first occasion took: the king she found
Easie with wine, and deep in pleasures drown'd,
Prepar'd for love: the beldame blew the flame,
Confess'd the passion, but conceal'd the name.
Her form she prais'd; the monarch ask'd her years;
And she reply'd, The same thy Myrrha bears.
Wine, and commended beauty fir'd his thought;
Impatient, he commands her to be brought.
Pleas'd with her charge perform'd, she hies her home,
And gratulates the nymph, the task was overcome.
Myrrha was joy'd the welcome news to hear;
But clog'd with guilt, the joy was unsincere:
So various, so discordant is the mind,
That in our will a diff'rent will we find.
Ill she presag'd, and yet pursu'd her lust;
For guilty pleasures give a double gust.
'Twas depth of night: Arctophylax had driv'n
His lazy wain half round the northern Heav'n,
When Myrrha hasten'd to the crime desir'd:
The moon beheld her first, and first retir'd:
The stars amaz'd, ran backward from the sight,
And (shrunk within their sockets) lost their light.
Icarius first withdraws his holy flame:
The virgin sign, in Heav'n the second name,
Slides down the belt, and from her station flies,
And night with sable clouds involves the skies.
Bold Myrrha still pursues her black intent;
She stumbled thrice (an omen of th' event);
Thrice shriek'd the fun'ral owl, yet on she went,
Secure of shame, because secure of sight;
Ev'n bashful sins are impudent by night.
Link'd hand in hand, th' accomplice, and the dame,
Their way exploring, to the chamber came:
The door was ope; they blindly grope their way,
Where dark in bed th' expecting monarch lay.
Thus far her courage held, but here forsakes;
Her faint knees knock at ev'ry step she makes.
The nearer to her crime, the more within
She feels remorse, and horror of her sin;
Repents too late her criminal desire,
And wishes, that unknown she could retire.
Her lingring thus, the nurse (who fear'd delay
The fatal secret might at length betray)
Pull'd forward, to compleat the work begun,
And said to Cinyras, Receive thy own.
Thus saying, she deliver'd kind to kind,
Accurs'd, and their devoted bodies join'd.
The sire, unknowing of the crime, admits
His bowels, and prophanes the hallow'd sheets;
He found she trembled, but believ'd she strove
With maiden modesty against her love,
And sought with flatt'ring words vain fancies to remove.
Perhaps he said, My daughter, cease thy fears
(Because the title suited with her years);
And, Father, she might whisper him again,
That names might not be wanting to the sin.
Full of her sire, she left th' incestuous bed,
And carry'd in her womb the crime she bred.
Another, and another night she came;
For frequent sin had left no sense of shame:
'Till Cinyras desir'd to see her face,
Whose body he had held in close embrace,
And brought a taper; the revealer, light,
Expos'd both crime, and criminal to sight.
Grief, rage, amazement, could no speech afford,
But from the sheath he drew th' avenging sword:
The guilty fled: the benefit of night,
That favour'd first the sin, secur'd the flight.
Long wand'ring thro' the spacious fields, she bent
Her voyage to th' Arabian continent;
Then pass'd the region which Panchaea join'd,
And flying, left the palmy plains behind.
Nine times the moon had mew'd her horns; at length
With travel weary, unsupply'd with strength,
And with the burden of her womb oppress'd,
Sabaean fields afford her needful rest:
There, loathing life, and yet of death afraid,
In anguish of her spirit, thus she pray'd:
Ye Pow'rs, if any so propitious are
T' accept my penitence, and hear my pray'r;
Your judgments, I confess, are justly sent;
Great sins deserve as great a punishment:
Yet since my life the living will profane,
And since my death the happy dead will stain,
A middle state your mercy may bestow,
Betwixt the realms above, and those below:
Some other form to wretched Myrrha give,
Nor let her wholly die, nor wholly live.
The pray'rs of penitents are never vain;
At least she did her last request obtain:
For while she spoke, the ground began to rise,
And gather'd round her feet, her legs, and thighs;
Her toes in roots descend, and spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is harden'd into rind.
And now the rising tree her womb invests,
Now shooting upwards still, invades her breasts,
And shades the neck; when weary with delay,
She sunk her head within, and met it half the way.
And tho' with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain;
For still the precious drops her name retain.
Mean-time the mis-begotten infant grows,
And ripe for birth, distends with deadly throes
The swelling rind, with unavailing strife,
To leave the wooden womb, and pushes into life.
The mother-tree, as if oppress'd with pain,
Writhes here, and there, to break the bark, in vain;
And, like a lab'ring woman, wou'd have pray'd,
But wants a voice to call Lucina's aid:
The bending bole sends out a hollow sound,
And trickling tears fall thicker on the ground.
The mild Lucina came uncall'd, and stood
Beside the struggling boughs, and heard the groaning wood;
Then reach'd her midwife-hand to speed the throes,
And spoke the pow'rful spells, that babes to birth disclose.
The bark divides, the living load to free,
And safe delivers the convulsive tree.
The ready nymphs receive the crying child,
And wash him in the tears the parent plant distill'd.
They swath'd him with their scarfs; beneath him spread
The ground with herbs; with roses rais'd his head.
The lovely babe was born with ev'ry grace,
Ev'n envy must have prais'd so fair a face:
Such was his form, as painters when they show
Their utmost art, on naked loves bestow:
And that their arms no diff'rence might betray,
Give him a bow, or his from Cupid take away.
Time glides along with undiscover'd haste,
The future but a length behind the past;
So swift are years. The babe, whom just before
His grandsire got, and whom his sister bore;
The drop, the thing, which late the tree inclos'd,
And late the yawning bark to life expos'd;
A babe, a boy, a beauteous youth appears,
And lovelier than himself at riper years.
Now to the queen of love he gave desires,
And, with her pains, reveng'd his mother's fires.
The Story of Venus and Adonis
For Cytherea's lips while Cupid prest,
He with a heedless arrow raz'd her breast,
The Goddess felt it, and with fury stung,
The wanton mischief from her bosom flung:
Yet thought at first the danger slight, but found
The dart too faithful, and too deep the wound.
Fir'd with a mortal beauty, she disdains
To haunt th' Idalian mount, or Phrygian plains.
She seeks not Cnidos, nor her Paphian shrines,
Nor Amathus, that teems with brazen mines:
Ev'n Heav'n itself with all its sweets unsought,
Adonis far a sweeter Heav'n is thought.
On him she hangs, and fonds with ev'ry art,
And never, never knows from him to part.
She, whose soft limbs had only been display'd
On rosie beds beneath the myrtle shade,
Whose pleasing care was to improve each grace,
And add more charms to an unrival'd face,
Now buskin'd, like the virgin huntress, goes
Thro' woods, and pathless wilds, and mountain-snows
With her own tuneful voice she joys to cheer
The panting hounds, that chace the flying deer.
She runs the labyrinth of fearful hares,
But fearless beasts, and dang'rous prey forbears,
Hunts not the grinning wolf, or foamy boar,
And trembles at the lion's hungry roar.
Thee too, Adonis, with a lover's care
She warns, if warn'd thou wou'dst avoid the snare,
To furious animals advance not nigh,
Fly those that follow, follow those that fly;
'Tis chance alone must the survivors save,
Whene'er brave spirits will attempt the brave.
O! lovely youth! in harmless sports delight;
Provoke not beasts, which, arm'd by Nature, fight.
For me, if not thy self, vouchsafe to fear;
Let not thy thirst of glory cost me dear.
Boars know not bow to spare a blooming age;
No sparkling eyes can sooth the lion's rage.
Not all thy charms a savage breast can move,
Which have so deeply touch'd the queen of love.
When bristled boars from beaten thickets spring,
In grinded tusks a thunderbolt they bring.
The daring hunters lions rouz'd devour,
Vast is their fury, and as vast their pow'r:
Curst be their tawny race! If thou would'st hear
What kindled thus my hate, then lend an ear:
The wond'rous tale I will to thee unfold,
How the fell monsters rose from crimes of old.
But by long toils I faint: see! wide-display'd,
A grateful poplar courts us with a shade.
The grassy turf, beneath, so verdant shows,
We may secure delightfully repose.
With her Adonis here be Venus blest;
And swift at once the grass and him she prest.
Then sweetly smiling, with a raptur'd mind,
On his lov'd bosom she her head reclin'd,
And thus began; but mindful still of bliss,
Seal'd the soft accents with a softer kiss.
Perhaps thou may'st have heard a virgin's name,
Who still in swiftness swiftest youths o'ercame.
Wondrous! that female weakness should outdo
A manly strength; the wonder yet is true.
'Twas doubtful, if her triumphs in the field
Did to her form's triumphant glories yield;
Whether her face could with more ease decoy
A crowd of lovers, or her feet destroy.
For once Apollo she implor'd to show
If courteous Fates a consort would allow:
A consort brings thy ruin, he reply'd;
O! learn to want the pleasures of a bride!
Nor shalt thou want them to thy wretched cost,
And Atalanta living shall be lost.
With such a rueful Fate th' affrighted maid
Sought green recesses in the wood-land glade.
Nor sighing suiters her resolves could move,
She bad them show their speed, to show their love.
He only, who could conquer in the race,
Might hope the conquer'd virgin to embrace;
While he, whose tardy feet had lagg'd behind,
Was doom'd the sad reward of death to find.
Tho' great the prize, yet rigid the decree,
But blind with beauty, who can rigour see?
Ev'n on these laws the fair they rashly sought,
And danger in excess of love forgot.
There sat Hippomenes, prepar'd to blame
In lovers such extravagance of flame.
And must, he said, the blessing of a wife
Be dearly purchas'd by a risk of life?
But when he saw the wonders of her face,
And her limbs naked, springing to the race,
Her limbs, as exquisitely turn'd, as mine,
Or if a woman thou, might vie with thine,
With lifted hands, he cry'd, forgive the tongue
Which durst, ye youths, your well-tim'd courage wrong.
I knew not that the nymph, for whom you strove,
Deserv'd th' unbounded transports of your love.
He saw, admir'd, and thus her spotless frame
He prais'd, and praising, kindled his own flame.
A rival now to all the youths who run,
Envious, he fears they should not be undone.
But why (reflects he) idly thus is shown
The fate of others, yet untry'd my own?
The coward must not on love's aid depend;
The God was ever to the bold a friend.
Mean-time the virgin flies, or seems to fly,
Swift as a Scythian arrow cleaves the sky:
Still more and more the youth her charms admires.
The race itself t' exalt her charms conspires.
The golden pinions, which her feet adorn,
In wanton flutt'rings by the winds are born.
Down from her head, the long, fair tresses flow,
And sport with lovely negligence below.
The waving ribbands, which her buskins tie,
Her snowy skin with waving purple die;
As crimson veils in palaces display'd,
To the white marble lend a blushing shade.
Nor long he gaz'd, yet while he gaz'd, she gain'd
The goal, and the victorious wreath obtain'd.
The vanquish'd sigh, and, as the law decreed,
Pay the dire forfeit, and prepare to bleed.
Then rose Hippomenes, not yet afraid,
And fix'd his eyes full on the beauteous maid.
Where is (he cry'd) the mighty conquest won,
To distance those, who want the nerves to run?
Here prove superior strength, nor shall it be
Thy loss of glory, if excell'd by me.
High my descent, near Neptune I aspire,
For Neptune was grand-parent to my sire.
From that great God the fourth my self I trace,
Nor sink my virtues yet beneath my race.
Thou from Hippomenes, o'ercome, may'st claim
An envy'd triumph, and a deathless fame.
While thus the youth the virgin pow'r defies,
Silent she views him still with softer eyes.
Thoughts in her breast a doubtful strife begin,
If 'tis not happier now to lose, than win.
What God, a foe to beauty, would destroy
The promis'd ripeness of this blooming boy?
With his life's danger does he seek my bed?
Scarce am I half so greatly worth, she said.
Nor has his beauty mov'd my breast to love,
And yet, I own, such beauty well might move:
'Tis not his charms, 'tis pity would engage
My soul to spare the greenness of his age.
What, that heroick conrage fires his breast,
And shines thro' brave disdain of Fate confest?
What, that his patronage by close degrees
Springs from th' imperial ruler of the seas?
Then add the love, which bids him undertake
The race, and dare to perish for my sake.
Of bloody nuptials, heedless youth, beware!
Fly, timely fly from a too barb'rous fair.
At pleasure chuse; thy love will be repaid
By a less foolish, and more beauteous maid.
But why this tenderness, before unknown?
Why beats, and pants my breast for him alone?
His eyes have seen his num'rous rivals yield;
Let him too share the rigour of the field,
Since, by their fates untaught, his own he courts,
And thus with ruin insolently sports.
Yet for what crime shall he his death receive?
Is it a crime with me to wish to live?
Shall his kind passion his destruction prove?
Is this the fatal recompence of love?
So fair a youth, destroy'd, would conquest shame,
Aud nymphs eternally detest my fame.
Still why should nymphs my guiltless fame upbraid?
Did I the fond adventurer persuade?
Alas! I wish thou would'st the course decline,
Or that my swiftness was excell'd by thine.
See! what a virgin's bloom adorns the boy!
Why wilt thou run, and why thy self destroy?
Hippomenes! O that I ne'er had been
By those bright eyes unfortunately seen!
Ah! tempt not thus a swift, untimely Fate;
Thy life is worthy of the longest date.
Were I less wretched, did the galling chain
Of rigid Gods not my free choice restrain,
By thee alone I could with joy be led
To taste the raptures of a nuptial bed.
Thus she disclos'd the woman's secret heart,
Young, innocent, and new to Cupid's dart.
Her thoughts, her words, her actions wildly rove,
With love she burns, yet knows not that 'tis love.
Her royal sire now with the murm'ring crowd
Demands the race impatiently aloud.
Hippomenes then with true fervour pray'd,
My bold attempt let Venus kindly aid.
By her sweet pow'r I felt this am'rous fire,
Still may she succour, whom she did inspire.
A soft, unenvious wind, with speedy care,
Wafted to Heav'n the lover's tender pray'r.
Pity, I own, soon gain'd the wish'd consent,
And all th' assistance he implor'd I lent.
The Cyprian lands, tho' rich, in richness yield
To that, surnam'd the Tamasenian field.
That field of old was added to my shrine,
And its choice products consecrated mine.
A tree there stands, full glorious to behold,
Gold are the leafs, the crackling branches gold.
It chanc'd, three apples in my hand I bore,
Which newly from the tree I sportive tore;
Seen by the youth alone, to him I brought
The fruit, and when, and how to use it, taught.
The signal sounding by the king's command,
Both start at once, and sweep th' imprinted sand.
So swiftly mov'd their feet, they might with ease,
Scarce moisten'd, skim along the glassy seas;
Or with a wondrous levity be born
O'er yellow harvests of unbending corn.
Now fav'ring peals resound from ev'ry part,
Spirit the youth, and fire his fainting heart.
Hippomenes! (they cry'd) thy life preserve,
Intensely labour, and stretch ev'ry nerve.
Base fear alone can baffle thy design,
Shoot boldly onward, and the goal is thine.
'Tis doubtful whether shouts, like these, convey'd
More pleasures to the youth, or to the maid.
When a long distance oft she could have gain'd,
She check'd her swiftness, and her feet restrain'd:
She sigh'd, and dwelt, and languish'd on his face,
Then with unwilling speed pursu'd the race.
O'er-spent with heat, his breath he faintly drew,
Parch'd was his mouth, nor yet the goal in view,
And the first apple on the plain he threw.
The nymph stop'd sudden at th' unusual sight,
Struck with the fruit so beautifully bright.
Aside she starts, the wonder to behold,
And eager stoops to catch the rouling gold.
Th' observant youth past by, and scour'd along,
While peals of joy rung from th' applauding throng.
Unkindly she corrects the short delay,
And to redeem the time fleets swift away,
Swift, as the lightning, or the northern wind,
And far she leaves the panting youth behind.
Again he strives the flying nymph to hold
With the temptation of the second gold:
The bright temptation fruitlessly was tost,
So soon, alas! she won the distance lost.
Now but a little interval of space
Remain'd for the decision of the race.
Fair author of the precious gift, he said,
Be thou, O Goddess, author of my aid!
Then of the shining fruit the last he drew,
And with his full-collected vigour threw:
The virgin still the longer to detain,
Threw not directly, but a-cross the plain.
She seem'd a-while perplex'd in dubious thought,
If the far-distant apple should be sought:
I lur'd her backward mind to seize the bait,
And to the massie gold gave double weight.
My favour to my votary was show'd,
Her speed I lessen'd, and encreas'd her load.
But lest, tho' long, the rapid race be run,
Before my longer, tedious tale is done,
The youth the goal, and so the virgin won.
Might I, Adonis, now not hope to see
His grateful thanks pour'd out for victory?
His pious incense on my altars laid?
But he nor grateful thanks, nor incense paid.
Enrag'd I vow'd, that with the youth the fair,
For his contempt, should my keen vengeance share;
That future lovers might my pow'r revere,
And, from their sad examples, learn to fear.
The silent fanes, the sanctify'd abodes,
Of Cybele, great mother of the Gods,
Rais'd by Echion in a lonely wood,
And full of brown, religious horror stood.
By a long painful journey faint, they chose!
Their weary limbs here secret to repose.
But soon my pow'r inflam'd the lustful boy,
Careless of rest he sought untimely joy.
A hallow'd gloomy cave, with moss o'er-grown,
The temple join'd, of native pumice-stone,
Where antique images by priests were kept.
And wooden deities securely slept.
Thither the rash Hippomenes retires,
And gives a loose to all his wild desires,
And the chaste cell pollutes with wanton fires.
The sacred statues trembled with surprize,
The tow'ry Goddess, blushing, veil'd her eyes;
And the lewd pair to Stygian sounds had sent,
But unrevengeful seem'd that punishment,
A heavier doom such black prophaneness draws,
Their taper figures turn to crooked paws.
No more their necks the smoothness can retain,
Now cover'd sudden with a yellow mane.
Arms change to legs: each finds the hard'ning breast
Of rage unknown, and wond'rous strength possest.
Their alter'd looks with fury grim appear,
And on the ground their brushing tails they hear.
They haunt the woods: their voices, which before
Were musically sweet, now hoarsly roar.
Hence lions, dreadful to the lab'ring swains,
Are tam'd by Cybele, and curb'd with reins,
And humbly draw her car along the plains.
But thou, Adonis, my delightful care,
Of these, and beasts, as fierce as these, beware!
The savage, which not shuns thee, timely shun,
For by rash prowess should'st thou be undone,
A double ruin is contain'd in one.
Thus cautious Venus school'd her fav'rite boy;
But youthful heat all cautions will destroy.
His sprightly soul beyond grave counsels flies,
While with yok'd swans the Goddess cuts the skies.
His faithful hounds, led by the tainted wind,
Lodg'd in thick coverts chanc'd a boar to find.
The callow hero show'd a manly heart,
And pierc'd the savage with a side-long dart.
The flying savage, wounded, turn'd again,
Wrench'd out the gory dart, and foam'd with pain.
The trembling boy by flight his safety sought,
And now recall'd the lore, which Venus taught;
But now too late to fly the boar he strove,
Who in the groin his tusks impetuous drove,
On the discolour'd grass Adonis lay,
The monster trampling o'er his beauteous prey.
Fair Cytherea, Cyprus scarce in view,
Heard from afar his groans, and own'd them true,
And turn'd her snowy swans, and backward flew.
But as she saw him gasp his latest breath,
And quiv'ring agonize in pangs of death,
Down with swift flight she plung'd, nor rage forbore,
At once her garments, and her hair she tore.
With cruel blows she beat her guiltless breast,
The Fates upbraided, and her love confest.
Nor shall they yet (she cry'd) the whole devour
With uncontroul'd, inexorable pow'r:
For thee, lost youth, my tears, and restless pain
Shall in immortal monuments remain,
With solemn pomp in annual rites return'd,
Be thou for ever, my Adonis, mourn'd,
Could Pluto's queen with jealous fury storm,
And Men the to a fragrant herb transform?
Yet dares not Venus with a change surprise,
And in a flow'r bid her fall'n heroe rise?
Then on the blood sweet nectar she bestows,
The scented blood in little bubbles rose:
Little as rainy drops, which flutt'ring fly,
Born by the winds, along a low'ring sky.
Short time ensu'd, 'till where the blood was shed,
A flow'r began to rear its purple head:
Such, as on Punick apples is reveal'd,
Or in the filmy rind but half conceal'd.
Still here the Fate of lovely forms we see,
So sudden fades the sweet Anemonie.
The feeble stems, to stormy blasts a prey,
Their sickly beauties droop, and pine away.
The winds forbid the flow'rs to flourish long,
Which owe to winds their names in Grecian song.
----------------------------------------------------------------------
~ Ovid, BOOK THE TENTH
,#NFDB |
1454:1.
Thou hast made me endless, such is thy pleasure. This frail vessel thou emptiest again and again, and fillest it ever with fresh life.
This little flute of a reed thou hast carried over hills and dales, and hast breathed through it melodies eternally new.
At the immortal touch of thy hands my little heart loses its limits in joy and gives birth to utterance ineffable.
Thy infinite gifts come to me only on these very small hands of mine. Ages pass, and still thou pourest, and still there is room to fill.
2.
When thou commandest me to sing it seems that my heart would break with pride; and I look to thy face, and tears come to my eyes.
All that is harsh and dissonant in my life melts into one sweet harmony - and my adoration spreads wings like a glad bird on its flight across the sea.
I know thou takest pleasure in my singing. I know that only as a singer I come before thy presence.
I touch by the edge of the far-spreading wing of my song thy feet which I could never aspire to reach.
Drunk with the joy of singing I forget myself and call thee friend who art my lord.
3.
I know not how thou singest, my master! I ever listen in silent amazement.
The light of thy music illumines the world. The life breath of thy music runs from sky to sky. The holy stream of thy music breaks through all stony obstacles and rushes on.
My heart longs to join in thy song, but vainly struggles for a voice. I would speak, but speech breaks not into song, and I cry out baffled. Ah, thou hast made my heart captive in the endless meshes of thy music, my master!
4.
Life of my life, I shall ever try to keep my body pure, knowing that thy living touch is upon all my limbs.
I shall ever try to keep all untruths out from my thoughts, knowing that thou art that truth which has kindled the light of reason in my mind.
I shall ever try to drive all evils away from my heart and keep my love in flower, knowing that thou hast thy seat in the inmost shrine of my heart.
And it shall be my endeavour to reveal thee in my actions, knowing it is thy power gives me strength to act.
5.
I ask for a moment's indulgence to sit by thy side. The works that I have in hand I will finish afterwards.
Away from the sight of thy face my heart knows no rest nor respite, and my work becomes an endless toil in a shoreless sea of toil.
Today the summer has come at my window with its sighs and murmurs; and the bees are plying their minstrelsy at the court of the flowering grove.
Now it is time to sit quite, face to face with thee, and to sing dedication of life in this silent and overflowing leisure.
6.
Pluck this little flower and take it, delay not! I fear lest it droop and drop into the dust.
I may not find a place in thy garland, but honour it with a touch of pain from thy hand and pluck it. I fear lest the day end before I am aware, and the time of offering go by.
Though its colour be not deep and its smell be faint, use this flower in thy service and pluck it while there is time.
7.
My song has put off her adornments. She has no pride of dress and decoration. Ornaments would mar our union; they would come between thee and me; their jingling would drown thy whispers.
My poet's vanity dies in shame before thy sight. O master poet, I have sat down at thy feet. Only let me make my life simple and straight, like a flute of reed for thee to fill with music.
8.
The child who is decked with prince's robes and who has jewelled chains round his neck loses all pleasure in his play; his dress hampers him at every step.
In fear that it may be frayed, or stained with dust he keeps himself from the world, and is afraid even to move.
Mother, it is no gain, thy bondage of finery, if it keeps one shut off from the healthful dust of the earth, if it rob one of the right of entrance to the great fair of common human life.
9.
O Fool, try to carry thyself upon thy own shoulders! O beggar, to come beg at thy own door!
Leave all thy burdens on his hands who can bear all, and never look behind in regret.
Thy desire at once puts out the light from the lamp it touches with its breath. It is unholy - take not thy gifts through its unclean hands. Accept only what is offered by sacred love.
10.
Here is thy footstool and there rest thy feet where live the poorest, and lowliest, and lost.
When I try to bow to thee, my obeisance cannot reach down to the depth where thy feet rest among the poorest, and lowliest, and lost.
Pride can never approach to where thou walkest in the clothes of the humble among the poorest, and lowliest, and lost.
My heart can never find its way to where thou keepest company with the companionless among the poorest, the lowliest, and the lost.
11.
Leave this chanting and singing and telling of beads! Whom dost thou worship in this lonely dark corner of a temple with doors all shut? Open thine eyes and see thy God is not before thee!
He is there where the tiller is tilling the hard ground and where the pathmaker is breaking stones. He is with them in sun and in shower, and his garment is covered with dust. Put of thy holy mantle and even like him come down on the dusty soil!
Deliverance? Where is this deliverance to be found? Our master himself has joyfully taken upon him the bonds of creation; he is bound with us all for ever.
Come out of thy meditations and leave aside thy flowers and incense! What harm is there if thy clothes become tattered and stained? Meet him and stand by him in toil and in sweat of thy brow.
12.
The time that my journey takes is long and the way of it long.
I came out on the chariot of the first gleam of light, and pursued my voyage through the wildernesses of worlds leaving my track on many a star and planet.
It is the most distant course that comes nearest to thyself, and that training is the most intricate which leads to the utter simplicity of a tune.
The traveller has to knock at every alien door to come to his own, and one has to wander through all the outer worlds to reach the innermost shrine at the end.
My eyes strayed far and wide before I shut them and said 'Here art thou!'
The question and the cry 'Oh, where?' melt into tears of a thousand streams and deluge the world with the flood of the assurance 'I am!'
13.
The song that I came to sing remains unsung to this day. I have spent my days in stringing and in unstringing my instrument.
The time has not come true, the words have not been rightly set; only there is the agony of wishing in my heart.
The blossom has not opened; only the wind is sighing by. I have not seen his face, nor have I listened to his voice; only I have heard his gentle footsteps from the road before my house.
The livelong day has passed in spreading his seat on the floor; but the lamp has not been lit and I cannot ask him into my house.
I live in the hope of meeting with him; but this meeting is not yet.
14.
My desires are many and my cry is pitiful, but ever didst thou save me by hard refusals; and this strong mercy has been wrought into my life through and through.
Day by day thou art making me worthy of the simple, great gifts that thou gavest to me unasked - this sky and the light, this body and the life and the mind - saving me from perils of overmuch desire.
There are times when I languidly linger and times when I awaken and hurry in search of my goal; but cruelly thou hidest thyself from before me.
Day by day thou art making me worthy of thy full acceptance by refusing me ever and anon, saving me from perils of weak, uncertain desire.
15.
I am here to sing thee songs. In this hall of thine I have a corner seat.
In thy world I have no work to do; my useless life can only break out in tunes without a purpose.
When the hour strikes for thy silent worship at the dark temple of midnight, command me, my master, to stand before thee to sing.
When in the morning air the golden harp is tuned, honour me, commanding my presence.
16.
I have had my invitation to this world's festival, and thus my life has been blessed. My eyes have seen and my ears have heard.
It was my part at this feast to play upon my instrument, and I have done all I could.
Now, I ask, has the time come at last when I may go in and see thy face and offer thee my silent salutation?
17.
I am only waiting for love to give myself up at last into his hands. That is why it is so late and why I have been guilty of such omissions.
They come with their laws and their codes to bind me fast; but I evade them ever, for I am only waiting for love to give myself up at last into his hands.
People blame me and call me heedless; I doubt not they are right in their blame.
The market day is over and work is all done for the busy. Those who came to call me in vain have gone back in anger. I am only waiting for love to give myself up at last into his hands.
18.
Clouds heap upon clouds and it darkens. Ah, love, why dost thou let me wait outside at the door all alone?
In the busy moments of the noontide work I am with the crowd, but on this dark lonely day it is only for thee that I hope.
If thou showest me not thy face, if thou leavest me wholly aside, I know not how I am to pass these long, rainy hours.
I keep gazing on the far-away gloom of the sky, and my heart wanders wailing with the restless wind.
19.
If thou speakest not I will fill my heart with thy silence and endure it. I will keep still and wait like the night with starry vigil and its head bent low with patience.
The morning will surely come, the darkness will vanish, and thy voice pour down in golden streams breaking through the sky.
Then thy words will take wing in songs from every one of my birds' nests, and thy melodies will break forth in flowers in all my forest groves.
20.
On the day when the lotus bloomed, alas, my mind was straying, and I knew it not. My basket was empty and the flower remained unheeded.
Only now and again a sadness fell upon me, and I started up from my dream and felt a sweet trace of a strange fragrance in the south wind.
That vague sweetness made my heart ache with longing and it seemed to me that is was the eager breath of the summer seeking for its completion.
I knew not then that it was so near, that it was mine, and that this perfect sweetness had blossomed in the depth of my own heart.
21.
I must launch out my boat. The languid hours pass by on the shore - Alas for me!
The spring has done its flowering and taken leave. And now with the burden of faded futile flowers I wait and linger.
The waves have become clamorous, and upon the bank in the shady lane the yellow leaves flutter and fall.
What emptiness do you gaze upon! Do you not feel a thrill passing through the air with the notes of the far-away song floating from the other shore?
22.
In the deep shadows of the rainy July, with secret steps, thou walkest, silent as night, eluding all watchers.
Today the morning has closed its eyes, heedless of the insistent calls of the loud east wind, and a thick veil has been drawn over the ever-wakeful blue sky.
The woodlands have hushed their songs, and doors are all shut at every house. Thou art the solitary wayfarer in this deserted street. Oh my only friend, my best beloved, the gates are open in my house - do not pass by like a dream.
23.
Art thou abroad on this stormy night on thy journey of love, my friend? The sky groans like one in despair.
I have no sleep tonight. Ever and again I open my door and look out on the darkness, my friend!
I can see nothing before me. I wonder where lies thy path!
By what dim shore of the ink-black river, by what far edge of the frowning forest, through what mazy depth of gloom art thou threading thy course to come to me, my friend?
24.
If the day is done, if birds sing no more, if the wind has flagged tired, then draw the veil of darkness thick upon me, even as thou hast wrapt the earth with the coverlet of sleep and tenderly closed the petals of the drooping lotus at dusk.
From the traveller, whose sack of provisions is empty before the voyage is ended, whose garment is torn and dustladen, whose strength is exhausted, remove shame and poverty, and renew his life like a flower under the cover of thy kindly night.
25.
In the night of weariness let me give myself up to sleep without struggle, resting my trust upon thee.
Let me not force my flagging spirit into a poor preparation for thy worship.
It is thou who drawest the veil of night upon the tired eyes of the day to renew its sight in a fresher gladness of awakening.
26.
He came and sat by my side but I woke not. What a cursed sleep it was, O miserable me!
He came when the night was still; he had his harp in his hands, and my dreams became resonant with its melodies.
Alas, why are my nights all thus lost? Ah, why do I ever miss his sight whose breath touches my sleep?
27.
Light, oh where is the light? Kindle it with the burning fire of desire!
There is the lamp but never a flicker of a flame - is such thy fate, my heart? Ah, death were better by far for thee!
Misery knocks at thy door, and her message is that thy lord is wakeful, and he calls thee to the love-tryst through the darkness of night.
The sky is overcast with clouds and the rain is ceaseless. I know not what this is that stirs in me - I know not its meaning.
A moment's flash of lightning drags down a deeper gloom on my sight, and my heart gropes for the path to where the music of the night calls me.
Light, oh where is the light! Kindle it with the burning fire of desire! It thunders and the wind rushes screaming through the void. The night is black as a black stone. Let not the hours pass by in the dark. Kindle the lamp of love with thy life.
28.
Obstinate are the trammels, but my heart aches when I try to break them.
Freedom is all I want, but to hope for it I feel ashamed.
I am certain that priceless wealth is in thee, and that thou art my best friend, but I have not the heart to sweep away the tinsel that fills my room.
The shroud that covers me is a shroud of dust and death; I hate it, yet hug it in love.
My debts are large, my failures great, my shame secret and heavy; yet when I come to ask for my good, I quake in fear lest my prayer be granted.
29.
He whom I enclose with my name is weeping in this dungeon. I am ever busy building this wall all around; and as this wall goes up into the sky day by day I lose sight of my true being in its dark shadow.
I take pride in this great wall, and I plaster it with dust and sand lest a least hole should be left in this name; and for all the care I take I lose sight of my true being.
30.
I came out alone on my way to my tryst. But who is this that follows me in the silent dark?
I move aside to avoid his presence but I escape him not.
He makes the dust rise from the earth with his swagger; he adds his loud voice to every word that I utter.
He is my own little self, my lord, he knows no shame; but I am ashamed to come to thy door in his company.
31.
'Prisoner, tell me, who was it that bound you?'
'It was my master,' said the prisoner. 'I thought I could outdo everybody in the world in wealth and power, and I amassed in my own treasure-house the money due to my king. When sleep overcame me I lay upon the bad that was for my lord, and on waking up I found I was a prisoner in my own treasure-house.'
'Prisoner, tell me, who was it that wrought this unbreakable chain?'
'It was I,' said the prisoner, 'who forged this chain very carefully. I thought my invincible power would hold the world captive leaving me in a freedom undisturbed. Thus night and day I worked at the chain with huge fires and cruel hard strokes. When at last the work was done and the links were complete and unbreakable, I found that it held me in its grip.'
32.
By all means they try to hold me secure who love me in this world. But it is otherwise with thy love which is greater than theirs, and thou keepest me free.
Lest I forget them they never venture to leave me alone. But day passes by after day and thou art not seen.
If I call not thee in my prayers, if I keep not thee in my heart, thy love for me still waits for my love.
33.
When it was day they came into my house and said, 'We shall only take the smallest room here.'
They said, 'We shall help you in the worship of your God and humbly accept only our own share in his grace'; and then they took their seat in a corner and they sat quiet and meek.
But in the darkness of night I find they break into my sacred shrine, strong and turbulent, and snatch with unholy greed the offerings from God's altar.
34.
Let only that little be left of me whereby I may name thee my all.
Let only that little be left of my will whereby I may feel thee on every side, and come to thee in everything, and offer to thee my love every moment.
Let only that little be left of me whereby I may never hide thee.
Let only that little of my fetters be left whereby I am bound with thy will, and thy purpose is carried out in my life - and that is the fetter of thy love.
35.
Where the mind is without fear and the head is held high; Where knowledge is free; Where the world has not been broken up into fragments by narrow domestic walls; Where words come out from the depth of truth; Where tireless striving stretches its arms towards perfection; Where the clear stream of reason has not lost its way into the dreary desert sand of dead habit; Where the mind is led forward by thee into ever-widening thought and action- Into that heaven of freedom, my Father, let my country awake.
36.
This is my prayer to thee, my lord - strike, strike at the root of penury in my heart. Give me the strength lightly to bear my joys and sorrows. Give me the strength to make my love fruitful in service. Give me the strength never to disown the poor or bend my knees before insolent might. Give me the strength to raise my mind high above daily trifles. And give me the strength to surrender my strength to thy will with love.
37.
I thought that my voyage had come to its end at the last limit of my power, - that the path before me was closed, that provisions were exhausted and the time come to take shelter in a silent obscurity.
But I find that thy will knows no end in me. And when old words die out on the tongue, new melodies break forth from the heart; and where the old tracks are lost, new country is revealed with its wonders.
38.
That I want thee, only thee - let my heart repeat without end. All desires that distract me, day and night, are false and empty to the core.
As the night keeps hidden in its gloom the petition for light, even thus in the depth of my unconsciousness rings the cry - 'I want thee, only thee'.
As the storm still seeks its end in peace when it strikes against peace with all its might, even thus my rebellion strikes against thy love and still its cry is - 'I want thee, only thee'.
39.
When the heart is hard and parched up, come upon me with a shower of mercy.
When grace is lost from life, come with a burst of song.
When tumultuous work raises its din on all sides shutting me out from beyond, come to me, my lord of silence, with thy peace and rest.
When my beggarly heart sits crouched, shut up in a corner, break open the door, my king, and come with the ceremony of a king.
When desire blinds the mind with delusion and dust, O thou holy one, thou wakeful, come with thy light and thy thunder.
40.
The rain has held back for days and days, my God, in my arid heart. The horizon is fiercely naked - not the thinnest cover of a soft cloud, not the vaguest hint of a distant cool shower.
Send thy angry storm, dark with death, if it is thy wish, and with lashes of lightning startle the sky from end to end.
But call back, my lord, call back this pervading silent heat, still and keen and cruel, burning the heart with dire despair.
Let the cloud of grace bend low from above like the tearful look of the mother on the day of the father's wrath.
41.
Where dost thou stand behind them all, my lover, hiding thyself in the shadows? They push thee and pass thee by on the dusty road, taking thee for naught. I wait here weary hours spreading my offerings for thee, while passers-by come and take my flowers, one by one, and my basket is nearly empty.
The morning time is past, and the noon. In the shade of evening my eyes are drowsy with sleep. Men going home glance at me and smile and fill me with shame. I sit like a beggar maid, drawing my skirt over my face, and when they ask me, what it is I want, I drop my eyes and answer them not.
Oh, how, indeed, could I tell them that for thee I wait, and that thou hast promised to come. How could I utter for shame that I keep for my dowry this poverty. Ah, I hug this pride in the secret of my heart.
I sit on the grass and gaze upon the sky and dream of the sudden splendour of thy coming - all the lights ablaze, golden pennons flying over thy car, and they at the roadside standing agape, when they see thee come down from thy seat to raise me from the dust, and set at thy side this ragged beggar girl a-tremble with shame and pride, like a creeper in a summer breeze.
But time glides on and still no sound of the wheels of thy chariot. Many a procession passes by with noise and shouts and glamour of glory. Is it only thou who wouldst stand in the shadow silent and behind them all? And only I who would wait and weep and wear out my heart in vain longing?
42.
Early in the day it was whispered that we should sail in a boat, only thou and I, and never a soul in the world would know of this our pilgrimage to no country and to no end.
In that shoreless ocean, at thy silently listening smile my songs would swell in melodies, free as waves, free from all bondage of words.
Is the time not come yet? Are there works still to do? Lo, the evening has come down upon the shore and in the fading light the seabirds come flying to their nests.
Who knows when the chains will be off, and the boat, like the last glimmer of sunset, vanish into the night?
43.
The day was when I did not keep myself in readiness for thee; and entering my heart unbidden even as one of the common crowd, unknown to me, my king, thou didst press the signet of eternity upon many a fleeting moment of my life.
And today when by chance I light upon them and see thy signature, I find they have lain scattered in the dust mixed with the memory of joys and sorrows of my trivial days forgotten.
Thou didst not turn in contempt from my childish play among dust, and the steps that I heard in my playroom are the same that are echoing from star to star.
44.
This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer.
Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet.
From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see.
In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
45.
Have you not heard his silent steps? He comes, comes, ever comes.
Every moment and every age, every day and every night he comes, comes, ever comes.
Many a song have I sung in many a mood of mind, but all their notes have always proclaimed, 'He comes, comes, ever comes.'
In the fragrant days of sunny April through the forest path he comes, comes, ever comes.
In the rainy gloom of July nights on the thundering chariot of clouds he comes, comes, ever comes.
In sorrow after sorrow it is his steps that press upon my heart, and it is the golden touch of his feet that makes my joy to shine.
-
46.
I know not from what distant time thou art ever coming nearer to meet me. Thy sun and stars can never keep thee hidden from me for aye.
In many a morning and eve thy footsteps have been heard and thy messenger has come within my heart and called me in secret.
I know not only why today my life is all astir, and a feeling of tremulous joy is passing through my heart.
It is as if the time were come to wind up my work, and I feel in the air a faint smell of thy sweet presence.
47.
The night is nearly spent waiting for him in vain. I fear lest in the morning he suddenly come to my door when I have fallen asleep wearied out. Oh friends, leave the way open to him - forbid him not.
If the sounds of his steps does not wake me, do not try to rouse me, I pray. I wish not to be called from my sleep by the clamorous choir of birds, by the riot of wind at the festival of morning light. Let me sleep undisturbed even if my lord comes of a sudden to my door.
Ah, my sleep, precious sleep, which only waits for his touch to vanish. Ah, my closed eyes that would open their lids only to the light of his smile when he stands before me like a dream emerging from darkness of sleep.
Let him appear before my sight as the first of all lights and all forms. The first thrill of joy to my awakened soul let it come from his glance. And let my return to myself be immediate return to him.
48.
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed.
We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pave more and more as the time sped by.
The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass.
My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation - in the shadow of a dim delight.
The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs.
At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
49.
You came down from your throne and stood at my cottage door.
I was singing all alone in a corner, and the melody caught your ear. You came down and stood at my cottage door.
Masters are many in your hall, and songs are sung there at all hours. But the simple carol of this novice struck at your love. One plaintive little strain mingled with the great music of the world, and with a flower for a prize you came down and stopped at my cottage door.
50.
I had gone a-begging from door to door in the village path, when thy golden chariot appeared in the distance like a gorgeous dream and I wondered who was this King of all kings!
My hopes rose high and methought my evil days were at an end, and I stood waiting for alms to be given unasked and for wealth scattered on all sides in the dust.
The chariot stopped where I stood. Thy glance fell on me and thou camest down with a smile. I felt that the luck of my life had come at last. Then of a sudden thou didst hold out thy right hand and say 'What hast thou to give to me?'
Ah, what a kingly jest was it to open thy palm to a beggar to beg! I was confused and stood undecided, and then from my wallet I slowly took out the least little grain of corn and gave it to thee.
But how great my surprise when at the day's end I emptied my bag on the floor to find a least little gram of gold among the poor heap. I bitterly wept and wished that I had had the heart to give thee my all.
51.
The night darkened. Our day's works had been done. We thought that the last guest had arrived for the night and the doors in the village were all shut. Only some said the king was to come. We laughed and said 'No, it cannot be!'
It seemed there were knocks at the door and we said it was nothing but the wind. We put out the lamps and lay down to sleep. Only some said, 'It is the messenger!' We laughed and said 'No, it must be the wind!'
There came a sound in the dead of the night. We sleepily thought it was the distant thunder. The earth shook, the walls rocked, and it troubled us in our sleep. Only some said it was the sound of wheels. We said in a drowsy murmur, 'No, it must be the rumbling of clouds!'
The night was still dark when the drum sounded. The voice came 'Wake up! delay not!' We pressed our hands on our hearts and shuddered with fear. Some said, 'Lo, there is the king's flag!' We stood up on our feet and cried 'There is no time for delay!'
The king has come - but where are lights, where are wreaths? Where is the throne to seat him? Oh, shame! Oh utter shame! Where is the hall, the decorations? Someone has said, 'Vain is this cry! Greet him with empty hands, lead him into thy rooms all bare!'
Open the doors, let the conch-shells be sounded! in the depth of the night has come the king of our dark, dreary house. The thunder roars in the sky. The darkness shudders with lightning. Bring out thy tattered piece of mat and spread it in the courtyard. With the storm has come of a sudden our king of the fearful night.
52.
I thought I should ask of thee - but I dared not - the rose wreath thou hadst on thy neck. Thus I waited for the morning, when thou didst depart, to find a few fragments on the bed. And like a beggar I searched in the dawn only for a stray petal or two.
Ah me, what is it I find? What token left of thy love? It is no flower, no spices, no vase of perfumed water. It is thy mighty sword, flashing as a flame, heavy as a bolt of thunder. The young light of morning comes through the window and spread itself upon thy bed. The morning bird twitters and asks, 'Woman, what hast thou got?' No, it is no flower, nor spices, nor vase of perfumed water - it is thy dreadful sword.
I sit and muse in wonder, what gift is this of thine. I can find no place to hide it. I am ashamed to wear it, frail as I am, and it hurts me when press it to my bosom. Yet shall I bear in my heart this honour of the burden of pain, this gift of thine.
From now there shall be no fear left for me in this world, and thou shalt be victorious in all my strife. Thou hast left death for my companion and I shall crown him with my life. Thy sword is with me to cut asunder my bonds, and there shall be no fear left for me in the world.
From now I leave off all petty decorations. Lord of my heart, no more shall there be for me waiting and weeping in corners, no more coyness and sweetness of demeanour. Thou hast given me thy sword for adornment. No more doll's decorations for me!
53.
Beautiful is thy wristlet, decked with stars and cunningly wrought in myriad-coloured jewels. But more beautiful to me thy sword with its curve of lightning like the outspread wings of the divine bird of Vishnu, perfectly poised in the angry red light of the sunset.
It quivers like the one last response of life in ecstasy of pain at the final stroke of death; it shines like the pure flame of being burning up earty sense with one fierce flash.
Beautiful is thy wristlet, decked with starry gems; but thy sword, O lord of thunder, is wrought with uttermost beauty, terrible to behold or think of.
54.
I asked nothing from thee; I uttered not my name to thine ear. When thou took'st thy leave I stood silent. I was alone by the well where the shadow of the tree fell aslant, and the women had gone home with their brown earthen pitchers full to the brim. They called me and shouted, 'Come with us, the morning is wearing on to noon.' But I languidly lingered awhile lost in the midst of vague musings.
I heard not thy steps as thou camest. Thine eyes were sad when they fell on me; thy voice was tired as thou spokest low - 'Ah, I am a thirsty traveller.' I started up from my day-dreams and poured water from my jar on thy joined palms. The leaves rustled overhead; the cuckoo sang from the unseen dark, and perfume of babla flowers came from the bend of the road.
I stood speecess with shame when my name thou didst ask. Indeed, what had I done for thee to keep me in remembrance? But the memory that I could give water to thee to allay thy thirst will cling to my heart and enfold it in sweetness. The morning hour is late, the bird sings in weary notes, neem leaves rustle overhead and I sit and think and think.
55.
Languor is upon your heart and the slumber is still on your eyes.
Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain!
At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken!
What if the sky pants and trembles with the heat of the midday sun - what if the burning sand spreads its mantle of thirst -
Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain?
56.
Thus it is that thy joy in me is so full. Thus it is that thou hast come down to me. O thou lord of all heavens, where would be thy love if I were not?
Thou hast taken me as thy partner of all this wealth. In my heart is the endless play of thy delight. In my life thy will is ever taking shape.
And for this, thou who art the King of kings hast decked thyself in beauty to captivate my heart. And for this thy love loses itself in the love of thy lover, and there art thou seen in the perfect union of two.
57.
Light, my light, the world-filling light, the eye-kissing light, heart-sweetening light!
Ah, the light dances, my darling, at the centre of my life; the light strikes, my darling, the chords of my love; the sky opens, the wind runs wild, laughter passes over the earth.
The butterflies spread their sails on the sea of light. Lilies and jasmines surge up on the crest of the waves of light.
The light is shattered into gold on every cloud, my darling, and it scatters gems in profusion.
Mirth spreads from leaf to leaf, my darling, and gladness without measure. The heaven's river has drowned its banks and the flood of joy is abroad.
58.
Let all the strains of joy mingle in my last song - the joy that makes the earth flow over in the riotous excess of the grass, the joy that sets the twin brothers, life and death, dancing over the wide world, the joy that sweeps in with the tempest, shaking and waking all life with laughter, the joy that sits still with its tears on the open red lotus of pain, and the joy that throws everything it has upon the dust, and knows not a word.
59.
Yes, I know, this is nothing but thy love, O beloved of my heart - this golden light that dances upon the leaves, these idle clouds sailing across the sky, this passing breeze leaving its coolness upon my forehead.
The morning light has flooded my eyes - this is thy message to my heart. Thy face is bent from above, thy eyes look down on my eyes, and my heart has touched thy feet.
60.
On the seashore of endless worlds children meet. The infinite sky is motionless overhead and the restless water is boisterous. On the seashore of endless worlds the children meet with shouts and dances.
They build their houses with sand and they play with empty shells. With withered leaves they weave their boats and smilingly float them on the vast deep. Children have their play on the seashore of worlds.
They know not how to swim, they know not how to cast nets. Pearl fishers dive for pearls, merchants sail in their ships, while children gather pebbles and scatter them again. they seek not for hidden treasures, they know not how to cast nets.
The sea surges up with laughter and pale gleams the smile of the sea beach. Death-dealing waves sing meaningless ballads to the children, even like a mother while rocking her baby's cradle. The sea plays with children, and pale gleams the smile of the sea beach.
On the seashore of endless worlds children meet. Tempest roams in the patess sky, ships get wrecked in the trackless water, death is abroad and children play. On the seashore of endless worlds is the great meeting of children.
61.
The sleep that flits on baby's eyes - does anybody know from where it comes? Yes, there is a rumour that it has its dwelling where, in the fairy village among shadows of the forest dimly lit with glow-worms, there hang two timid buds of enchantment. From there it comes to kiss baby's eyes.
The smile that flickers on baby's lips when he sleeps - does anybody know where it was born? Yes, there is a rumour that a young pale beam of a crescent moon touched the edge of a vanishing autumn cloud, and there the smile was first born in the dream of a dew-washed morning - the smile that flickers on baby's lips when he sleeps.
The sweet, soft freshness that blooms on baby's limbs - does anybody know where it was hidden so long? Yes, when the mother was a young girl it lay pervading her heart in tender and silent mystery of love - the sweet, soft freshness that has bloomed on baby's limbs.
62.
When I bring to you coloured toys, my child, I understand why there is such a play of colours on clouds, on water, and why flowers are painted in tints - when I give coloured toys to you, my child.
When I sing to make you dance I truly now why there is music in leaves, and why waves send their chorus of voices to the heart of the listening earth - when I sing to make you dance.
When I bring sweet things to your greedy hands I know why there is honey in the cup of the flowers and why fruits are secretly filled with sweet juice - when I bring sweet things to your greedy hands.
When I kiss your face to make you smile, my darling, I surely understand what pleasure streams from the sky in morning light, and what delight that is that is which the summer breeze brings to my body - when I kiss you to make you smile.
63.
Thou hast made me known to friends whom I knew not. Thou hast given me seats in homes not my own. Thou hast brought the distant near and made a brother of the stranger.
I am uneasy at heart when I have to leave my accustomed shelter; I forget that there abides the old in the new, and that there also thou abidest.
Through birth and death, in this world or in others, wherever thou leadest me it is thou, the same, the one companion of my endless life who ever linkest my heart with bonds of joy to the unfamiliar.
When one knows thee, then alien there is none, then no door is shut. Oh, grant me my prayer that I may never lose the bliss of the touch of the one in the play of many.
64.
On the slope of the desolate river among tall grasses I asked her, 'Maiden, where do you go shading your lamp with your mantle? My house is all dark and lonesome - lend me your light!' she raised her dark eyes for a moment and looked at my face through the dusk. 'I have come to the river,' she said, 'to float my lamp on the stream when the daylight wanes in the west.' I stood alone among tall grasses and watched the timid flame of her lamp uselessly drifting in the tide.
In the silence of gathering night I asked her, 'Maiden, your lights are all lit - then where do you go with your lamp? My house is all dark and lonesome - lend me your light.' She raised her dark eyes on my face and stood for a moment doubtful. 'I have come,' she said at last, 'to dedicate my lamp to the sky.' I stood and watched her light uselessly burning in the void.
In the moonless gloom of midnight I ask her, 'Maiden, what is your quest, holding the lamp near your heart? My house is all dark and lonesome- - lend me your light.' She stopped for a minute and thought and gazed at my face in the dark. 'I have brought my light,' she said, 'to join the carnival of lamps.' I stood and watched her little lamp uselessly lost among lights.
65.
What divine drink wouldst thou have, my God, from this overflowing cup of my life?
My poet, is it thy delight to see thy creation through my eyes and to stand at the portals of my ears silently to listen to thine own eternal harmony?
Thy world is weaving words in my mind and thy joy is adding music to them. Thou givest thyself to me in love and then feelest thine own entire sweetness in me.
66.
She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.
Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.
I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.
Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.
many a man knocked at my door and asked for her and turned away in despair.
There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition.
67.
Thou art the sky and thou art the nest as well.
O thou beautiful, there in the nest is thy love that encloses the soul with colours and sounds and odours.
There comes the morning with the golden basket in her right hand bearing the wreath of beauty, silently to crown the earth.
And there comes the evening over the lonely meadows deserted by herds, through trackless paths, carrying cool draughts of peace in her golden pitcher from the western ocean of rest.
But there, where spreads the infinite sky for the soul to take her flight in, reigns the stainless white radiance. There is no day nor night, nor form nor colour, and never, never a word.
68.
Thy sunbeam comes upon this earth of mine with arms outstretched and stands at my door the livelong day to carry back to thy feet clouds made of my tears and sighs and songs.
With fond delight thou wrappest about thy starry breast that mantle of misty cloud, turning it into numberless shapes and folds and colouring it with hues everchanging.
It is so light and so fleeting, tender and tearful and dark, that is why thou lovest it, O thou spotless and serene. And that is why it may cover thy awful white light with its pathetic shadows.
69.
The same stream of life that runs through my veins night and day runs through the world and dances in rhythmic measures.
It is the same life that shoots in joy through the dust of the earth in numberless blades of grass and breaks into tumultuous waves of leaves and flowers.
It is the same life that is rocked in the ocean-cradle of birth and of death, in ebb and in flow.
I feel my limbs are made glorious by the touch of this world of life. And my pride is from the life-throb of ages dancing in my blood this moment.
70.
Is it beyond thee to be glad with the gladness of this rhythm? to be tossed and lost and broken in the whirl of this fearful joy?
All things rush on, they stop not, they look not behind, no power can hold them back, they rush on.
Keeping steps with that restless, rapid music, seasons come dancing and pass away - colours, tunes, and perfumes pour in endless cascades in the abounding joy that scatters and gives up and dies every moment.
71.
That I should make much of myself and turn it on all sides, thus casting coloured shadows on thy radiance - such is thy maya.
Thou settest a barrier in thine own being and then callest thy severed self in myriad notes. This thy self-separation has taken body in me.
The poignant song is echoed through all the sky in many-coloured tears and smiles, alarms and hopes; waves rise up and sink again, dreams break and form. In me is thy own defeat of self.
This screen that thou hast raised is painted with innumerable figures with the brush of the night and the day. Behind it thy seat is woven in wondrous mysteries of curves, casting away all barren lines of straightness.
The great pageant of thee and me has overspread the sky. With the tune of thee and me all the air is vibrant, and all ages pass with the hiding and seeking of thee and me.
72.
He it is, the innermost one, who awakens my being with his deep hidden touches.
He it is who puts his enchantment upon these eyes and joyfully plays on the chords of my heart in varied cadence of pleasure and pain.
He it is who weaves the web of this maya in evanescent hues of gold and silver, blue and green, and lets peep out through the folds his feet, at whose touch I forget myself.
Days come and ages pass, and it is ever he who moves my heart in many a name, in many a guise, in many a rapture of joy and of sorrow.
73.
Deliverance is not for me in renunciation. I feel the embrace of freedom in a thousand bonds of delight.
Thou ever pourest for me the fresh draught of thy wine of various colours and fragrance, filling this earthen vessel to the brim.
My world will light its hundred different lamps with thy flame and place them before the altar of thy temple.
No, I will never shut the doors of my senses. The delights of sight and hearing and touch will bear thy delight.
Yes, all my illusions will burn into illumination of joy, and all my desires ripen into fruits of love.
74.
The day is no more, the shadow is upon the earth. It is time that I go to the stream to fill my pitcher.
The evening air is eager with the sad music of the water. Ah, it calls me out into the dusk. In the lonely lane there is no passer-by, the wind is up, the ripples are rampant in the river.
I know not if I shall come back home. I know not whom I shall chance to meet. There at the fording in the little boat the unknown man plays upon his lute.
75.
Thy gifts to us mortals fulfil all our needs and yet run back to thee undiminished.
The river has its everyday work to do and hastens through fields and hamlets; yet its incessant stream winds towards the washing of thy feet.
The flower sweetens the air with its perfume; yet its last service is to offer itself to thee.
Thy worship does not impoverish the world.
From the words of the poet men take what meanings please them; yet their last meaning points to thee.
76.
Day after day, O lord of my life, shall I stand before thee face to face. With folded hands, O lord of all worlds, shall I stand before thee face to face.
Under thy great sky in solitude and silence, with humble heart shall I stand before thee face to face.
In this laborious world of thine, tumultuous with toil and with struggle, among hurrying crowds shall I stand before thee face to face.
And when my work shall be done in this world, O King of kings, alone and speecess shall I stand before thee face to face.
77.
I know thee as my God and stand apart - I do not know thee as my own and come closer. I know thee as my father and bow before thy feet- I do not grasp thy hand as my friend's.
I stand not where thou comest down and ownest thyself as mine, there to clasp thee to my heart and take thee as my comrade.
Thou art the Brother amongst my brothers, but I heed them not, I divide not my earnings with them, thus sharing my all with thee.
In pleasure and in pain I stand not by the side of men, and thus stand by thee. I shrink to give up my life, and thus do not plunge into the great waters of life.
78.
When the creation was new and all the stars shone in their first splendour, the gods held their assembly in the sky and sang 'Oh, the picture of perfection! the joy unalloyed!'
But one cried of a sudden - 'It seems that somewhere there is a break in the chain of light and one of the stars has been lost.'
The golden string of their harp snapped, their song stopped, and they cried in dismay - 'Yes, that lost star was the best, she was the glory of all heavens!'
From that day the search is unceasing for her, and the cry goes on from one to the other that in her the world has lost its one joy!
Only in the deepest silence of night the stars smile and whisper among themselves - 'Vain is this seeking! unbroken perfection is over all!'
79.
If it is not my portion to meet thee in this life then let me ever feel that I have missed thy sight - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
As my days pass in the crowded market of this world and my hands grow full with the daily profits, let me ever feel that I have gained nothing - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
When I sit by the roadside, tired and panting, when I spread my bed low in the dust, let me ever feel that the long journey is still before me - let me not forget a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
When my rooms have been decked out and the flutes sound and the laughter there is loud, let me ever feel that I have not invited thee to my house - let me not forget for a moment, let me carry the pangs of this sorrow in my dreams and in my wakeful hours.
80.
I am like a remnant of a cloud of autumn uselessly roaming in the sky, O my sun ever-glorious! Thy touch has not yet melted my vapour, making me one with thy light, and thus I count months and years separated from thee.
If this be thy wish and if this be thy play, then take this fleeting emptiness of mine, paint it with colours, gild it with gold, float it on the wanton wind and spread it in varied wonders.
And again when it shall be thy wish to end this play at night, I shall melt and vanish away in the dark, or it may be in a smile of the white morning, in a coolness of purity transparent.
81.
On many an idle day have I grieved over lost time. But it is never lost, my lord. Thou hast taken every moment of my life in thine own hands.
Hidden in the heart of things thou art nourishing seeds into sprouts, buds into blossoms, and ripening flowers into fruitfulness.
I was tired and sleeping on my idle bed and imagined all work had ceased. In the morning I woke up and found my garden full with wonders of flowers.
82.
Time is endless in thy hands, my lord. There is none to count thy minutes.
Days and nights pass and ages bloom and fade like flowers. Thou knowest how to wait.
Thy centuries follow each other perfecting a small wild flower.
We have no time to lose, and having no time we must scramble for a chances. We are too poor to be late.
And thus it is that time goes by while I give it to every querulous man who claims it, and thine altar is empty of all offerings to the last.
At the end of the day I hasten in fear lest thy gate to be shut; but I find that yet there is time.
83.
Mother, I shall weave a chain of pearls for thy neck with my tears of sorrow.
The stars have wrought their anklets of light to deck thy feet, but mine will hang upon thy breast.
Wealth and fame come from thee and it is for thee to give or to withhold them. But this my sorrow is absolutely mine own, and when I bring it to thee as my offering thou rewardest me with thy grace.
84.
It is the pang of separation that spreads throughout the world and gives birth to shapes innumerable in the infinite sky.
It is this sorrow of separation that gazes in silence all nights from star to star and becomes lyric among rustling leaves in rainy darkness of July.
It is this overspreading pain that deepens into loves and desires, into sufferings and joy in human homes; and this it is that ever melts and flows in songs through my poet's heart.
85.
When the warriors came out first from their master's hall, where had they hid their power? Where were their armour and their arms?
They looked poor and helpless, and the arrows were showered upon them on the day they came out from their master's hall.
When the warriors marched back again to their master's hall where did they hide their power?
They had dropped the sword and dropped the bow and the arrow; peace was on their foreheads, and they had left the fruits of their life behind them on the day they marched back again to their master's hall.
86.
Death, thy servant, is at my door. He has crossed the unknown sea and brought thy call to my home.
The night is dark and my heart is fearful - yet I will take up the lamp, open my gates and bow to him my welcome. It is thy messenger who stands at my door.
I will worship him placing at his feet the treasure of my heart.
He will go back with his errand done, leaving a dark shadow on my morning; and in my desolate home only my forlorn self will remain as my last offering to thee.
87.
In desperate hope I go and search for her in all the corners of my room; I find her not.
My house is small and what once has gone from it can never be regained.
But infinite is thy mansion, my lord, and seeking her I have to come to thy door.
I stand under the golden canopy of thine evening sky and I lift my eager eyes to thy face.
I have come to the brink of eternity from which nothing can vanish - no hope, no happiness, no vision of a face seen through tears.
Oh, dip my emptied life into that ocean, plunge it into the deepest fullness. Let me for once feel that lost sweet touch in the allness of the universe.
88.
Deity of the ruined temple! The broken strings of Vina sing no more your praise. The bells in the evening proclaim not your time of worship. The air is still and silent about you.
In your desolate dwelling comes the vagrant spring breeze. It brings the tidings of flowers - the flowers that for your worship are offered no more.
Your worshipper of old wanders ever longing for favour still refused. In the eventide, when fires and shadows mingle with the gloom of dust, he wearily comes back to the ruined temple with hunger in his heart.
Many a festival day comes to you in silence, deity of the ruined temple. Many a night of worship goes away with lamp unlit.
Many new images are built by masters of cunning art and carried to the holy stream of oblivion when their time is come.
Only the deity of the ruined temple remains unworshipped in deatess neglect.
89.
No more noisy, loud words from me - such is my master's will. Henceforth I deal in whispers. The speech of my heart will be carried on in murmurings of a song.
Men hasten to the King's market. All the buyers and sellers are there. But I have my untimely leave in the middle of the day, in the thick of work.
Let then the flowers come out in my garden, though it is not their time; and let the midday bees strike up their lazy hum.
Full many an hour have I spent in the strife of the good and the evil, but now it is the pleasure of my playmate of the empty days to draw my heart on to him; and I know not why is this sudden call to what useless inconsequence!
90.
On the day when death will knock at thy door what wilt thou offer to him?
Oh, I will set before my guest the full vessel of my life - I will never let him go with empty hands.
All the sweet vintage of all my autumn days and summer nights, all the earnings and gleanings of my busy life will I place before him at the close of my days when death will knock at my door.
91.
O thou the last fulfilment of life, Death, my death, come and whisper to me!
Day after day I have kept watch for thee; for thee have I borne the joys and pangs of life.
All that I am, that I have, that I hope and all my love have ever flowed towards thee in depth of secrecy. One final glance from thine eyes and my life will be ever thine own.
The flowers have been woven and the garland is ready for the bridegroom. After the wedding the bride shall leave her home and meet her lord alone in the solitude of night.
92.
I know that the day will come when my sight of this earth shall be lost, and life will take its leave in silence, drawing the last curtain over my eyes.
Yet stars will watch at night, and morning rise as before, and hours heave like sea waves casting up pleasures and pains.
When I think of this end of my moments, the barrier of the moments breaks and I see by the light of death thy world with its careless treasures. Rare is its lowliest seat, rare is its meanest of lives.
Things that I longed for in vain and things that I got - let them pass. Let me but truly possess the things that I ever spurned and overlooked.
93.
I have got my leave. Bid me farewell, my brothers! I bow to you all and take my departure.
Here I give back the keys of my door - and I give up all claims to my house. I only ask for last kind words from you.
We were neighbours for long, but I received more than I could give. Now the day has dawned and the lamp that lit my dark corner is out. A summons has come and I am ready for my journey.
94.
At this time of my parting, wish me good luck, my friends! The sky is flushed with the dawn and my path lies beautiful.
Ask not what I have with me to take there. I start on my journey with empty hands and expectant heart.
I shall put on my wedding garland. Mine is not the red-brown dress of the traveller, and though there are dangers on the way I have no fear in mind.
The evening star will come out when my voyage is done and the plaintive notes of the twilight melodies be struck up from the King's gateway.
95.
I was not aware of the moment when I first crossed the threshold of this life.
What was the power that made me open out into this vast mystery like a bud in the forest at midnight!
When in the morning I looked upon the light I felt in a moment that I was no stranger in this world, that the inscrutable without name and form had taken me in its arms in the form of my own mother.
Even so, in death the same unknown will appear as ever known to me. And because I love this life, I know I shall love death as well.
The child cries out when from the right breast the mother takes it away, in the very next moment to find in the left one its consolation.
96.
When I go from hence let this be my parting word, that what I have seen is unsurpassable.
I have tasted of the hidden honey of this lotus that expands on the ocean of light, and thus am I blessed - let this be my parting word.
In this playhouse of infinite forms I have had my play and here have I caught sight of him that is formless.
My whole body and my limbs have thrilled with his touch who is beyond touch; and if the end comes here, let it come - let this be my parting word.
97.
When my play was with thee I never questioned who thou wert. I knew nor shyness nor fear, my life was boisterous.
In the early morning thou wouldst call me from my sleep like my own comrade and lead me running from glade to glade.
On those days I never cared to know the meaning of songs thou sangest to me. Only my voice took up the tunes, and my heart danced in their cadence.
Now, when the playtime is over, what is this sudden sight that is come upon me? The world with eyes bent upon thy feet stands in awe with all its silent stars.
98.
I will deck thee with trophies, garlands of my defeat. It is never in my power to escape unconquered.
I surely know my pride will go to the wall, my life will burst its bonds in exceeding pain, and my empty heart will sob out in music like a hollow reed, and the stone will melt in tears.
I surely know the hundred petals of a lotus will not remain closed for ever and the secret recess of its honey will be bared.
From the blue sky an eye shall gaze upon me and summon me in silence. Nothing will be left for me, nothing whatever, and utter death shall I receive at thy feet.
99.
When I give up the helm I know that the time has come for thee to take it. What there is to do will be instantly done. Vain is this struggle.
Then take away your hands and silently put up with your defeat, my heart, and think it your good fortune to sit perfectly still where you are placed.
These my lamps are blown out at every little puff of wind, and trying to light them I forget all else again and again.
But I shall be wise this time and wait in the dark, spreading my mat on the floor; and whenever it is thy pleasure, my lord, come silently and take thy seat here.
100.
I dive down into the depth of the ocean of forms, hoping to gain the perfect pearl of the formless.
No more sailing from harbour to harbour with this my weather-beaten boat. The days are long passed when my sport was to be tossed on waves.
And now I am eager to die into the deatess.
Into the audience hall by the fathomless abyss where swells up the music of toneless strings I shall take this harp of my life.
I shall tune it to the notes of forever, and when it has sobbed out its last utterance, lay down my silent harp at the feet of the silent.
101.
Ever in my life have I sought thee with my songs. It was they who led me from door to door, and with them have I felt about me, searching and touching my world.
It was my songs that taught me all the lessons I ever learnt; they showed me secret paths, they brought before my sight many a star on the horizon of my heart.
They guided me all the day long to the mysteries of the country of pleasure and pain, and, at last, to what palace gate have the brought me in the evening at the end of my journey?
102.
I boasted among men that I had known you. They see your pictures in all works of mine. They come and ask me, 'Who is he?' I know not how to answer them. I say, 'Indeed, I cannot tell.' They blame me and they go away in scorn. And you sit there smiling.
I put my tales of you into lasting songs. The secret gushes out from my heart. They come and ask me, 'Tell me all your meanings.' I know not how to answer them. I say, 'Ah, who knows what they mean!' They smile and go away in utter scorn. And you sit there smiling.
103.
In one salutation to thee, my God, let all my senses spread out and touch this world at thy feet.
Like a rain-cloud of July hung low with its burden of unshed showers let all my mind bend down at thy door in one salutation to thee.
Let all my songs gather together their diverse strains into a single current and flow to a sea of silence in one salutation to thee.
Like a flock of homesick cranes flying night and day back to their mountain nests let all my life take its voyage to its eternal home in one salutation to thee.
In the introduction to Gitanjali, W.B Yeats says of Tagores poetry.
At every moment the heart of this poet flows outward to these without derogation or condescension, for it has known that they will understand; and it has filled itself with the circumstance of their lives.
An innocence, a simplicity that one does not find elsewhere in literature makes the birds and the leaves seem as near to him as they are near to children, and the changes of the seasons great events as before our thoughts had arisen between them and us.
~ Rabindranath Tagore, Gitanjali
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1455:The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
418
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
To be by blood and long descent
A member of a mighty State,
Whose greatness, sea-girt, but unpent
By ocean, makes the world more great;
That, ranging limitless, hath won
A Rule more wide than that of Rome,
And, journeying onward with the sun,
In every zone hath found a home;
That, keeping old traditions fast,
Still hails the things that are to be,
And, firmly rooted in the Past,
On Law hath grafted Liberty;That is a birthright nobler far
Than princely claim or Right Divine
From far-off rapine, wanton war,
And I could feel this birthright mine.
And not the lowliest hand that drives
Or share or loom, if so it be
Of British strain, but thence derives
A patent of nobility.
III
The guiding of the infant years
Onward to good, away from guile,
A mother's humanising tears,
A father's philosophic smile;
419
Refining beauty, gentle ways,
The admonitions of the wise,
The love that watches, helps, and prays,
And pities, but doth ne'er despise;
An ancient Faith, abiding hope,
The charity that suffers long,
But flames with sacred zeal to cope
With man's injustice, nature's wrong;
Melodious leisure, learnëd shelf,
Discourse of earnest, temperate mind,
The playful wit that of itself
Flashes, but leaves no wound behind;
The knowledge gleaned from Greece and Rome,
From studious Teuton, sprightly Gaul,
The lettered page, the mellow tome,
And poets' wisdom more than all;These, when no lips severe upbraid,
But counsel rather than control,
In budding boyhood lend their aid
To sensibility of soul.
IV
But, more than mentor, mother, sire,
Can lend to shape the future man
With help of learning or of lyre,
Of ancient rule, or modern plan,
Is that which with our breath we bring
Into the world, we know not whence,
That needs nor care nor fostering,
Because an instinct and a sense.
And days and years are all forgot
When Nature's aspect, growth, and grace,
And veering moods, to me were not
The features of the Loved One's face.
420
The
The
The
The
cloud whose shadow skims the lake,
shimmering haze of summer noon,
voice of April in the brake,
silence of the mounting moon,
Swaying of bracken on the hill,
The murmur of the vagrant stream,
These motions of some unseen Will,
These babblings of some heavenly dream,
Seemed tokens of divine desire
To hold discourse with me, and so
To touch my lips with hallowed fire,
And tell me things I ought to know.
I gazed and listened, all intent,
As to the face and voice of Fate,
But what they said, or what they meant,
I could surmise not, nor translate.
They did but lure me to unrest,
Unanswered questioning, longings vain,
As when one scans some palimpsest
No erudition can explain;
But left me with a deep distaste
For common speech, that still did seem
More meaningless than mountain waste,
Less human than the far-off stream.
So that a stranger in the land
Wherein I moved, where'er I went,
I dwelt, whom none could understand,
Or exorcise my discontent.
And I to them, and they to me
Seemed from two different planets come,
And, save to flower and wild-bird's glee,
My heart was deaf, my soul was dumb.
421
But slowly dawned a happier time
When I began to apprehend,
And catch, as in some poet's rhyme,
The intimations of a friend;
When Nature spake no unknown tongue,
But language kindred to my thought,
Till everything She said, I sung,
In notes unforced, in words unsought.
And I to Her so closely drew,
The seasons round, in mind and mood,
I felt at length as if we knew
Self-same affection, self-same feud:
That both alike scorned worldly aim,
Profit, applause, parade, and pride,
Whereby the love of generous fame
And worthy deeds grows petrified.
I did as yet not understand
Nature is far more vast than I,
Deep as the ocean, wide as land,
And overarching as the sky;
And but responded to my call,
And only felt and fed my need,
Because She doth the same for all
Who to her pity turn and plead.
VI
Shall man have mind, and Nature none,
Shall I, not she, have soul and heart?
Nay, rather, if we be not one,
Each is of each the counterpart.
She too may have within her breast
A conscience, if not like to yours,
A sense of rightness ill at rest,
Long as her waywardness endures.
422
And hence her thunder, earthquakes, hail,
Her levin bolts, her clouds' discharge:
She sins upon a larger scale,
Because She is herself more large.
Hence, too, when She hath pierced with pain
The heart of man, and wrecked his years,
The pity of the April rain,
And late repentance of her tears.
She is no better, worse, than we;
We can but say she seems more great,
That half her will, like ours, is free,
And half of it is locked in Fate.
Nor need we fear that we should err
Beyond our scope in reasoning thus,That there must be a God for Her,
If that there be a God for us.
VII
The chiming of the Sabbath bell,
The silence of the Sabbath fields,
Over the hamlet cast a spell
To which the gracious spirit yields.
Sound is there none of wheel or wain,
Husht stands the anvil, husht the forge,
No shout is heard in rustic lane,
No axe resounds in timbered gorge.
No flail beats time on granary floor,
The windmill's rushing wings are stayed,
And children's glee rings out no more
From hedgerow bank or primrose glade.
The big-boned team that firm and slow
Draw yoked, are free to couch or stray;
The basking covey seem to know
None will invade their peace to-day.
423
And speckless swains, and maidens neat,
Through rustic porch, down cottage stair,
Demurely up the village street
Stream onward to the House of Prayer.
They kneel as they were taught to kneel
In childhood, and demand not why,
But, as they chant or answer, feel
A vague communion with the sky.
VIII
But when the impetuous mind is spurred
To range through epochs great but gone,
And, heedless of dogmatic word,
With fearless ardour presses on,
Confronting pulpit, sceptre, shrine,
With point by Logic beaten out,
And, questioning tenets deemed divine
With human challenge, human doubt,
Hoists Reason's sail, and for the haze
Of ocean quits Tradition's shore,
Awhile he comes, and kneels, and prays,
Then comes and kneels, but prays no more;
And only for the love he bears
To those who love him, and who reared
His frame to genuflexion, shares
In ritual, vain, if still revered.
His Gods are many or are none,
Saturn and Mithra, Christ and Jove,
Consorting, as the Ages run,
With Vestal choir or Pagan drove.
Abiding still by Northern shores,
He sees far off on Grecian coast
Veiled Aphrodite, but adores
Minerva and Apollo most.
424
Beauty of vision, voice, and mind,
Enthrall him so, that unto him
All Creeds seem true, if he but find
Siren, or saint, or seraphim.
And thus once more he dwells apart,
His inward self enswathed in mist,
Blending with poet's pious heart
The dreams of pagan Hedonist.
IX
If Beauty be the Spirit's quest,
Its adoration, creed, and shrine,
Wherein its restlessness finds rest,
And earthly type of the Divine,
Must there for such not somewhere be
A blending of all beauteous things
In some one form wherein we see
The sum of our imaginings?
The smile on mountain's musing brow,
Sunrise and sunset, moon and star,
Wavelets around the cygnet's prow,
Glamour anear and charm afar;
The silence of the silvery pool,
Autumn's reserve and Summer's fire,
Slow vanishings of Winter's rule
To free full voice of April's choir;The worshippers of Beauty find
In maiden form, and face, and tress;
Faint intimations of her mind
And undulating loveliness.
Bound, runnels, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
425
Gone is the Winter, fled the snow,
And all that lives is flushed with Spring.
Harry the woods, young truant folk,
For flowers to deck your cottage sills,
And, underneath my orchard oak,
Cluster, ye golden daffodils!
Unfettered by domestic vow,
Cuckoo, proclaim your vagrant loves,
And coo upon the self-same bough,
Inseparable turtle-doves.
Soar, laverock, soar on song to sky,
And with the choir of Heaven rejoice!
You cannot be more glad than I,
Who feel Her gaze, and hear Her voice:
Who see Her cheek more crimson glow,
And through Her veins love's current stream,
And feel a fear She doth but know
Is kin to joy and dawning dream.
Bound, rivulets, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
Gone from the world are want and woe,
And I myself am one with Spring.
XI
They err who say that Love is blind,
Or, if it be, 'tis but in part,
And that, if for fair face it find
No counterpart in mind and heart,
It dwells on that which it beholds,
Fair fleshly vision void of soul,
Deeming, illusioned, this enfolds,
Longing's fulfilment, end, and whole.
Were such my hapless carnal lot,
I too might evanescent bliss
426
Embrace, fierce-fancied, fast forgot,
Then leave for some fresh loveliness.
But April gaze, and Summer tress,
With something of Autumnal thought,
In Her seem blent to crown and bless
A bond I long in dreams have sought.
She looks as though She came to grace
The earth, from world less soiled than this,
Around her head and virgin face
Halo of heavenly holiness.
XII
He who hath roamed through various lands,
And, wheresoe'er his steps are set,
The kindred meaning understands
Of spire, and dome, and minaret;
By Roman river, Stamboul's sea,
In Peter's or Sophia's shrine,
Acknowledges with reverent knee
The presence of the One Divine;
Who, to the land he loves so well
Returning, towards the sunset hour
Wends homeward, feels yet stronger spell
In lichened roof and grey church-tower;
Round whose foundations, side by side,
Sleep hamlet wit and village sage,
While loud the blackbird cheers his bride
Deep in umbrageous Vicarage.
XIII
Was it that sense which some aver
Foreshadows Fate it doth not see,
That gave unwittingly to Her
The name, for ever dear to me,
427
Borne by that tearful Mother whom,
Nigh unto Ostia's shelving sand,
Augustine laid in lonely tomb,
Ere sailing for his Afric land?
But I at least should have foreseen,
When Monica to me had grown
Familiar word, that names may mean
More than by word and name is shown;
That nought can keep two lives apart
More than divorce 'twixt mind and mind,
Even though heart be one with heart;Alas! Alas! Yes, Love is blind.
XIV
How could I think of jarring Creeds,
And riddles that unread remain,
Or ask if Heaven's indulgence heeds
Broils born of man's polemic brain,
And pause because my venturous mind
Had roamed through tracks of polar thought,
Whence mightiest spirits turn back blind,
Since finding not the thing they sought,
When Love, with luring gifts in hand,
Beauty, refinement, smile, caress,
Heart to surmise and understand,
And crowning grace of holiness,
Stood there before me, and, with gaze
I had been purblind not to see,
Said, ``I to you will, all my days,
Give what you yearn to give to me''?
Must both then sorrow, while we live,
Because, rejoicing, I forgot
Something there was I could not give,
Because, alas! I had it not.
428
XV
She comes from Vicarage Garden, see!
Radiant as morning, lithe and tall,
Fresh lilies in her hand, but She
The loveliest lily of them all.
The thrushes in their fluting pause,
The bees float humming round her head,
Earth, air, and heaven shine out because
They hear her voice, and feel her tread.
Up in the fretted grey church-tower,
That rustic gaze for miles can see,
The belfry strikes the silvery hour,
Announcing her propinquity.
And I who, fearful to be late,
Passed long since through the deerpark pale,
And loitered by the churchyard gate,
Once more exclaim, ``Hail! loved one! hail!''
We pass within, and up the nave,
Husht, because Heaven seems always there,
Wend choirward, where, devoutly grave,
She kneels, to breathe a silent prayer.
She takes the flowers I too have brought,
Blending them deftly with her own,
And ranges them, as quick as thought,
Around the white-draped altar-throne.
How could she know my gaze was not
On things unseen, but fixed on Her,
That, as She prayed, I all forgot
The worship in the worshipper?While She beheld, as in a glass,
The Light Divine, that I but sought
Sight of her soul?-Alas! Alas!
Love is yet blinder than I thought.
429
XVI
Who hath not seen a little cloud
Up from the clear horizon steal,
And, mounting lurid, mutter loud
Premonitory thunder-peal?
Husht grows the grove, the summer leaf
Trembles and writhes, as if in pain,
And then the sky, o'ercharged with grief,
Bursts into drenching tears of rain.
I through the years had sought to hide
My darkening doubts from simple sight.
'Tis sacrilegious to deride
Faith of unquestioning neophyte.
And what, methought, is Doubt at best?
A sterile wind through seeded sedge
Blowing for nought, an empty nest
That lingers in a leafless hedge.
Pain, too, there is we should not share
With others lest it mar their joy;
There is a quiet bliss in prayer
None but the heartless would destroy.
But just as Love is quick divined
From heightened glow or visage pale,
The meditations of the Mind
Disclose themselves through densest veil.
And 'tis the unloving and least wise
Who through life's inmost precincts press,
And with unsympathetic eyes
Outrage our sacred loneliness.
Then, when their sacrilegious gaze
The mournful void hath half surmised,
To some more tender soul they raise
The veil of ignorance it prized.
430
XVII
`What though I write farewell I could
Not utter, lest your gaze should chide,
'Twill by your love be understood
My love is still, dear, at your side.
``Nor must we meet to speak goodbye,
Lest that my Will should lose its choice,
And conscience waver, for then I
Should see your face and hear your voice.
``But, when you find yourself once more,
Come back, come back and look for me,
Beside the little lowly door,
The Doorway of Humility.''
XVIII
There! Peace at last! The far-off roar
Of human passion dies away.
``Welcome to our broad shade once more,''
The waning woodlands seem to say:
The music of the vagrant wind,
That wandered aimlessly, is stilled;
The songless branches all remind
That Summer's glory is fulfilled.
The fluttering of the falling leaves
Dimples the leaden pool awhile;
So Age impassively receives
Youth's tale of troubles with a smile.
Thus, as the seasons steal away,
How much is schemed, how little done,
What splendid plans at break of day!
What void regrets at set of sun!
The world goes round, for you, for me,
For him who sleeps, for him who strives,
And the cold Fates indifferent see
431
Crowning or failure of our lives.
Then fall, ye leaves, fade, summer breeze!
Grow, sedges, sere on every pool!
Let each old glowing impulse freeze,
Let each old generous project cool!
It is not wisdom, wit, nor worth,
Self-sacrifice nor friendship true,
Makes venal devotees of earth
Prostrate themselves and worship you.
The consciousness of sovran powers,
The stubborn purpose, steadfast will,
Have ever, in this world of ours,
Achieved success, achieve it still.
Farewell, ye woods! No more I sit;
Great voices in the distance call.
If this be peace, enough of it!
I go. Fall, unseen foliage, fall!
XIX
Nay, but repress rebellious woe!
In grief 'tis not that febrile fool,
Passion, that can but overthrow,
But Resignation, that should rule.
In patient sadness lurks a gift
To purify the life it stings,
And, as the days move onward, lift
The lonely heart to loftier things;
Bringing within one's ripening reach
The sceptre of majestic Thought,
Wherefrom one slowly learns to teach
The Wisdom to oneself it taught.
And unto what can man aspire,
On earth, more worth the striving for,
Than to be Reason's loftier lyre,
432
And reconciling monitor;
To strike a more resounding string
And deeper notes of joy and pain,
Than such as but lamenting sing,
Or warble but a sensuous strain:
So, when my days are nearly sped,
And my last harvest labours done,
That I may have around my head
The halo of a setting sun.
Yet even if be heard above
Such selfish hope, presumptuous claim,
Better one hour of perfect love
Than an eternity of Fame!
XX
Where then for grief seek out the cure?
What scenes will bid my smart to cease?
High peaks should teach one to endure,
And lakes secluded bring one peace.
Farewell awhile, then, village bells,
Autumnal wood and harvest wain!
And welcome, as it sinks or swells,
The music of the mighty main,
That seems to say, now loud, now low,
Rising or falling, sweet or shrill,
``I pace, a sentry, to and fro,
To guard your Island fortress still.''
The roses falter on their stalk,
The late peach reddens on the wall,
The flowers along the garden walk
Unheeded fade, unheeded fall.
My gates unopened drip with rain,
The wolf-hound wends from floor to floor,
And, listening for my voice in vain,
433
Waileth along the corridor.
Within the old accustomed place
Where we so oft were wont to be,
Kneeling She prays, while down her face
The fruitless tears fall silently.
SWITZERLAND
XXI
Rain, wind, and rain. The writhing lake
Scuds to and fro to scape their stroke:
The mountains veil their heads, and make
Of cloud and mist a wintry cloak.
Through where the arching pinewoods make
Dusk cloisters down the mountain side,
The loosened avalanches take
Valeward their way, with death for guide,
And toss their shaggy manes and fling
To air their foam and tawny froth,
From ledge and precipice bound and spring,
With hungry roar and deepening wrath;
Till, hamlet homes and orchards crushed,
And, rage for further ravin stayed,
They slumber, satiated, husht,
Upon the ruins they have made.
I rise from larch-log hearth, and, lone,
Gaze on the spears of serried rain,
That faster, nigher, still are blown,
Then stream adown the window pane.
The peasant's goatskin garments drip,
As home he wends with lowered head,
Shakes off the drops from lid and lip,
Then slinks within his châlet shed.
434
The cattle bells sound dull and hoarse,
The boats rock idly by the shore;
Only the swollen torrents course
With faster feet and fuller roar.
Mournful, I shape a mournful song,
And ask the heavens, but ask in vain,
``How long, how long?'' Ah! not so long
As, in my heart, rain, wind, and rain.
XXII
I ask the dark, the dawn, the sun,
The domeward-pointing peaks of snow,
Lofty and low alike, but none
Will tell me what I crave to know.
My mind demands, ``Whence, Whither, Why?''
From mountain slope and green defile,
And wait the answer. The replyA far-off irresponsive smile.
I ask the stars, when mortals sleep,
The pensive moon, the lonely winds;
But, haply if they know, they keep
The secret of secluded minds.
Shall I in
Straining
Where in
Where in
vain, then, strive to find,
towards merely fancied goal?
the lily lurks the mind,
the rose discern the soul?
More mindless still, stream, pasture, lake,
The mountains yet more heartless seem,
And life's unceasing quest and ache
Only a dream within a dream.
We know no more, though racked with thought
Than he who, in yon châlet born,
Gives not the riddle, Life, a thought,
But lays him down and sleeps till morn.
435
Sometimes he kneels; I cannot kneel,
So suffer from a wider curse
Than Eden's outcasts, for I feel
An exile in the universe.
The rudeness of his birth enures
His limbs to every season's stings,
And, never probing, so endures
The sadness at the heart of things.
When lauwine growls, and thunder swells,
Their far-off clamour sounds to me
But as the noise of clanging bells
Above a silent sanctuary.
It is their silence that appals,
Their aspect motionless that awes,
When searching spirit vainly calls
On the effect to bare the Cause.
I get no answer, near or far;
The mountains, though they soar so high,
And scale the pathless ether, are
No nearer unto God than I.
There dwells nor mystery nor veil
Round the clear peaks no foot hath trod;
I, gazing on their frontage pale,
See but the waning ghost of God.
Is Faith then but a drug for sleep,
And Hope a fondly soothing friend
That bids us, when it sees us weep,
Wait for the End that hath no end?
Then do I hear voice unforgot
Wailing across the distance dim,
``Think, dear! If God existeth not,
Why are you always seeking Him?''
XXIII
436
Like glowing furnace of the forge,
How the winds rise and roar, as they
Up twisting valley, craggy gorge,
Seek, and still seek, to storm their way;
Then, baffled, up the open slope
With quickening pulses scale and pant,
Indomitably bent to cope
With bristling fronts of adamant.
All through the day resounds the strife,
Then doth at sunset hour subside:
So the fierce passions of our life
Slowly expire at eventide.
By Nature we are ne'er misled;
We see most truly when we dream.
A singer wise was he who said,
``Follow the gleam! Follow the gleam!''
XXIV
I dreamed, last night, again I stood,
Silent, without the village shrine,
While She in modest maidenhood
Left, fondly clasped, her hand in mine.
And, with a face as cerecloth white,
And tears like those that by the bier
Of loved one lost make dim the sight,
She poured her sorrows in mine ear.
``I love your voice, I love your gaze,
But there is something dearer still,
The faith that kneels, the hope that prays,
And bows before the Heavenly Will.
``Not where hills rise, or torrents roll,
Seek Him, nor yet alone, apart;
He dwells within the troubled soul,
His home is in the human heart.
437
``Withal, the peaceful mountains may
'Twixt doubt and yearning end the strife:
So ponder, though you cannot pray,
And think some meaning into life:
``Nor like to those that cross the main
To wander witless through strange land,
Hearing unmastered tongues, disdain
The speech they do not understand.
``Firm stands my faith that they who sound
The depths of doubt Faith yet will save:
They are like children playing round
A still remembered mother's grave;
``Not knowing, when they wax more old,
And somewhat can her vision share,
She will the winding-sheet unfold,
And beckon them to evening prayer.''
Then, with my hand betwixt her hands,
She laid her lips upon my brow,
And, as to one who understands,
Said, ``Take once more my vestal vow.
``No other gaze makes mine to glow,
No other footstep stirs my heart,
To me you only dearer grow,
Dearer and nearer, more apart.
``Whene'er you come with humble mind,
The little Door stands open wide,
And, bending low, you still will find
Me waiting on the other side.''
Her silence woke me. . . . To your breast
Fold me, O sleep! and seal mine ears;
That She may roam through my unrest
Till all my dreams are drenched with tears!
XXV
438
Why linger longer, subject, here,
Where Nature sits and reigns alone,
Inspiring love not, only fear,
Upon her autocratic throne?
Her edicts are the rigid snow,
The wayward winds, the swaying branch;
She hath no pity to bestow,
Her law the lawless avalanche.
Though soon cascades will bound and sing,
That now but drip with tears of ice,
And upland meadows touched by Spring
Blue gentian blend with edelweiss,
Hence to the Land of youthful dreams,
The Land that taught me all I know.
Farewell, lone mountain-peaks and streams;
Yet take my thanks before I go.
You gave me shelter when I fled,
But sternly bade me stem my tears,
Nor aimless roam with rustling tread
'Mong fallen leaves of fruitless years.
ITALY
XXVI
Upon the topmost wheel-track steep,
The parting of two nations' ways,
Athwart stone cross engraven deep,
The name ``Italia'' greets the gaze!
I trembled, when I saw it first,
With joy, my boyish longings fed,
The headspring of my constant thirst,
The altar of my pilgrim tread.
Now once again the magic word,
So faintly borne to Northern home,
Sounds like a silvery trumpet heard
439
Beneath some universal dome.
The forests soften to a smile,
A smile the very mountains wear,
Through mossy gorge and grassed defile
Torrents race glad and debonair.
From casement, balcony and door,
Hang golden gourds, droops tear-tipped vine,
And sun-bronzed faces bask before
Thin straw-swathed flasks of last year's wine.
Unyoked, the patient sleek-skinned steers
Take, like their lords, no heed of time.
Hark! now the evening star appears,
Ave Maria belfries chime.
The maidens knit, and glance, and sing,
With glowing gaze 'neath ebon tress,
And, like to copse-buds sunned by Spring,
Seem burgeoning into tenderness.
On waveless lake where willows weep,
The Borromean Islands rest
As motionless as babe asleep
Upon a slumbering Mother's breast.
O Land of sunshine, song, and Love!
Whether thy children reap or sow,
Of Love they chant on hills above,
Of Love they sing in vale below.
But what avail the love-linked hands,
And love-lit eyes, to them that roam
Passionless through impassioned lands,
Since they have left their heart at home!
XXVII
Among my dreams, now known as dreams
In this my reawakened life,
I thought that by historic streams,
440
Apart from stress, aloof from strife,
By rugged paths that twist and twine
Through olive slope and chesnut wood
Upward to mediaeval shrine,
Or high conventual brotherhood,
Along the mountain-curtained track
Round peaceful lake where wintry bands
Halt briefly but to bivouac
Ere blustering on to Northern lands;Through these, through all I first did see,
With me to share my raptures none,
That nuptialled Monica would be
My novice and companion:
That we should float from mere to mere,
And sleep within some windless cove,
With nightingales to lull the ear,
From ilex wood and orange grove;
Linger at hamlets lost to fame,
That still wise-wandering feet beguile,
To gaze on frescoed wall or frame
Lit by Luini's gracious smile.
Now, but companioned by my pain,
Among each well-remembered scene
I can but let my Fancy feign
The happiness that might have been;
Imagine that I hear her voice,
Imagine that I feel her hand,
And I, enamoured guide, rejoice
To see her swift to understand.
Alack! Imagination might
As lief with rustic Virgil roam,
Reverent, or, welcomed guest, alight
At Pliny's philosophic home;
441
Hear one majestically trace
Rome's world-wide sway from wattled wall,
And read upon the other's face
The omens of an Empire's fall.
XXVIII
Like moonlight seen through forest leaves,
She shines upon me from afar,
What time men reap the ripened sheaves,
And Heaven rains many a falling star.
I gaze up to her lofty height,
And feel how far we dwell apart:
O if I could, this night, this night,
Fold her full radiance to my heart!
But She in Heaven, and I on earth,
Still journey on, but each alone;
She, maiden Queen of sacred birth,
Who with no consort shares her throne.
XXIX
What if She ever thought She saw
The self within myself prefer
Communion with the silent awe
Of far-off mountains more than Her;
That Nature hath the mobile grace
To make life with our moods agree,
And so had grown the Loved One's face,
Since it nor checked nor chided me;
Or from the tasks that irk and tire
I sought for comfort from the Muse,
Because it grants the mind's desire
All that familiar things refuse.
How vain such thought! The face, the form,
Of mountain summits but express,
Clouded or clear, in sun or storm,
442
Feebly Her spirit's loftiness.
Did I explore from pole to pole,
In Nature's aspect I should find
But faint reflections of Her soul,
Dim adumbrations of Her mind.
O come and test with lake, with stream,
With mountain, which the stronger be,
Thou, my divinest dearest dream,
My Muse, and more than Muse, to me!
XXX
They tell me that Jehovah speaks
In silent grove, on lonely strand,
And summit of the mountain peaks;
Yet there I do not understand.
The stars, disdainful of my thought,
Majestic march toward their goal,
And to my nightly watch have brought
No explanation to my soul.
The truth I seek I cannot find,
In air or sky, on land or sea;
If the hills have their secret mind,
They will not yield it up to me:
Like one who lost mid lonely hills
Still seeks but cannot find his way,
Since guide is none save winding rills,
That seem themselves, too, gone astray.
And so from rise to set of sun,
At glimmering dawn, in twilight haze,
I but behold the face of One
Who veils her face, and weeps, and prays.
What know I that She doth not know?
What I know not, She understands:
With heavenly gifts She overflows,
443
While I have only empty hands.
O weary wanderer! Best forego
This questioning of wind and wave.
For you the sunshine and the snow,
The womb, the cradle, and the grave.
XXXI
How blest, when organ concords swell,
And anthems are intoned, are they
Who neither reason nor rebel,
But meekly bow their heads and pray.
And such the peasants mountain-bred,
Who hail to-day with blithe accord
Her Feast Who to the Angel said,
``Behold the Handmaid of the Lord!''
Downward they wind from pastoral height,
Or hamlet grouped round shattered towers,
To wend to shrine more richly dight,
And bring their gift of wilding flowers;
Their gifts, their griefs, their daily needs,
And lay these at Her statue's base,
Who never, deem they, intercedes
Vainly before the Throne of Grace.
Shall I, because I stand apart,
A stranger to their pious vows,
Scorn their humility of heart
That pleads before the Virgin Spouse,
Confiding that the Son will ne'er,
If in His justice wroth with them,
Refuse to harken to Her prayer
Who suckled Him in Bethlehem?
Of all the intercessors born
By man's celestial fancy, none
444
Hath helped the sorrowing, the forlorn,
Lowly and lone, as She hath done.
The maiden faithful to Her shrine
Bids demons of temptation flee,
And mothers fruitful as the vine
Retain their vestal purity.
Too trustful love, by lust betrayed,
And by cold worldlings unforgiven,
Unto Her having wept and prayed,
Faces its fate, consoled and shriven.
The restless, fiercely probing mind
No honey gleans, though still it stings.
What comfort doth the spirit find
In Reason's endless reasonings?
They have no solace for my grief,
Compassion none for all my pain:
They toss me like the fluttering leaf,
And leave me to the wind and rain.
XXXII
If Conscience be God's Law to Man,
Then Conscience must perforce arraign
Whatever falls beneath the ban
Of that allotted Suzerain.
And He, who bids us not to swerve,
Whither the wayward passions draw,
From its stern sanctions, must observe
The limits of the self-same Law.
Yet, if obedient Conscience scan
The sum of wrongs endured and done
Neither by act nor fault of Man,
They rouse it to rebellion.
Life seems of life by life bereft
445
Through some immitigable curse,
And Man sole moral being left
In a non-moral Universe.
My Conscience would my Will withstand,
Did Will project a world like this:
Better Eternal vacuum still,
Than murder, lust, and heartlessness!
If Man makes Conscience, then being good
Is only being worldly wise,
And universal brotherhood
A comfortable compromise.
O smoke of War! O blood-steeped sod!
O groans of fratricidal strife!
Who will explain the ways of God,
That I may be at peace with life!
The moral riddle 'tis that haunts,
Primeval and unending curse,
Racking the mind when pulpit vaunts
A Heaven-created Universe.
Yet whence came Life, and how begin?
Rolleth the globe by choice or chance?
Dear Lord! Why longer shut me in
This prison-house of ignorance!
FLORENCE
XXXIII
City acclaimed ere Dante's days
Fair, and baptized in field of flowers,
Once more I scan with tender gaze
Your glistening domes, your storied towers.
I feel as if long years had flown
Since first with eager heart I came,
446
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet
When figs are plump, and grapes are pressed,
And all your sons with following feet
Bore a dead Poet to final rest.
You seemed to fling your gates ajar,
And softly lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in the Tuscan land.''
And though no love my love can wean
From native crag and cradling sea,
Yet Florence from that hour hath been
More than a foster-nurse to me.
When mount I terraced slopes arrayed
In bridal bloom of peach and pear,
While under olive's phantom shade
Lupine and beanflower scent the air,
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
447
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
XXXIV
Re-roaming through this palaced town,
I suddenly, 'neath grim-barred pile,
Catch sight of Dante's awful frown,
Or Leonardo's mystic smile;
Then, swayed by memory's fancy, stroll
To where from May-day's flaming pyre
Savonarola's austere soul
Went up to Heaven in tongues of fire;
Or Buonarroti's plastic hand
Made marble block from Massa's steep
Dawn into Day at his command,
Then plunged it into Night and Sleep.
No later wanderings can dispel
The glamour of the bygone years;
And, through the streets I know so well,
448
I scarce can see my way for tears.
XXXV
A sombre shadow seems to fall
On comely altar, transept fair;
The saints are still on frescoed wall,
But who comes thither now for prayer?
Men throng from far-off stranger land,
To stare, to wonder, not to kneel,
With map and guide-book in their hand
To tell them what to think and feel.
They scan, they prate, they marvel why
The figures still expressive glow,
Oblivious they were painted by
Adoring Frà Angelico.
Did Dante from his tomb afar
Return, his wrongs redressed at last,
And see you, Florence, as you are,
Half alien to your gracious Past,
Finding no Donatello now,
No reverent Giotto 'mong the quick,
To glorify ascetic vow
Of Francis or of Dominic;
Self-exiled by yet sterner fate
Than erst, he would from wandering cease,
And, ringing at monastic gate,
Plead, ``I am one who craves for peace.''
And what he sought but ne'er could find,
Shall I, less worthy, hope to gain,
The freedom of the tranquil mind,
The lordship over loss and pain?
More than such peace I found when I
Did first, in unbound youth, repair
449
To Tuscan shrine, Ausonian sky.
I found it, for I brought it there.
XXXVI
Yet Art brings peace, itself is Peace,
And, as I on these frescoes gaze,
I feel all fretful tumults cease
And harvest calm of mellower days.
For Soul too hath its seasons. Time,
That leads Spring, Summer, Autumn, round,
Makes our ephemeral passions chime
With something permanent and profound.
And, as in Nature, April oft
Strives to revert to wintry hours,
But shortly upon garth and croft
Re-sheds warm smiles and moistening showers,
Or, for one day, will Autumn wear
The gayer garments of the Spring,
And then athwart the wheatfields bare
Again her graver shadows fling;
So, though the Soul hath moods that veer,
And seem to hold no Rule in awe,
Like the procession of the year,
It too obeys the sovran Law.
Nor Art itself brings settled peace,
Until the mind is schooled to know
That gusts subside and tumults cease
Only in sunset's afterglow.
Life's contradictions vanish then,
Husht thought replacing clashing talk
Among the windy ways of men.
'Tis in the twilight Angels walk.
450
ROME
XXXVII
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
451
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
452
Here, even in the noontide glare,
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
XXXVIII
Christ is arisen. The place wherein
They laid Him shows but cerements furled,
And belfry answers belfry's din
To ring the tidings round the world.
Grave Hierarchs come, an endless band,
In jewelled mitre, cope embossed,
Who bear Rome's will to every land
453
In all the tongues of Pentecost.
Majestic, along marble floor,
Walk Cardinals in blood-red robe,
Martyrs for Faith and Christ no more,
Who gaze as though they ruled the globe.
With halberds bare and doublets slashed,
Emblems that war will never cease,
Come martial guardians, unabashed,
And march afront the Prince of Peace.
Then, in his gestatorial Chair
See Christ's vicegerent, bland, benign,
To crowds all prostrate as in prayer
Lean low, and make the Holy Sign.
Then trumpets shrill, and organ peals,
Throughout the mighty marble pile,
Whileas a myriad concourse kneels
In dense-packed nave and crowded aisle.
Hark to the sudden hush! Aloft
From unseen source in empty dome
Swells prayerful music silvery-soft,
Borne from far-off celestial Home.
Then, when the solemn rite is done,
The worshippers stream out to where
Dance fountains glittering in the sun,
While expectation fills the air.
Now on high balcony He stands,
And-save for the Colonna curse,Blesses with high-uplifted hands
The City and the Universe.
Christ is arisen! But scarce as when,
On the third day of death and gloom,
Came ever-loving Magdalen
With tears and spices to His tomb.
454
XXXIX
The Tiber winds its sluggish way
Through niggard tracts whence Rome's command
Once cast the shadow of her sway,
O'er Asian city, Afric sand.
Nor even yet doth She resign
Her sceptre. Still the spell is hers,
Though she may seem a rifled shrine
'Mid circumjacent sepulchres.
One after one, they came, they come,
Gaul, Goth, Savoy, to work their will;
She answers, when She most seems dumb,
``I wore the Crown, I wear it still.
``From Jove I first received the gift,
I from Jehovah wear it now,
Nor shall profane invader lift
The diadem from off my brow.
``The Past is mine, and on the Past
The Future builds; and Time will rear
The next strong structure on the last,
Where men behold but shattered tier.
``The Teuton hither hies to teach,
To prove, disprove, to delve and probe.
Fool! Pedant! Does he think to reach
The deep foundations of the globe?''
For me, I am content to tread
On Sabine dust and Gothic foe.
Leave me to deepening silent dread
Of vanished Empire's afterglow.
In this Imperial wilderness
Why rashly babble and explore?
O, let me know a little less,
So I may feel a little more!
455
XL
For upward of one thousand years,
Here men and women prayed to Jove,
With smiles and incense, gifts and tears,
In secret shrine, or civic grove;
And, when Jove did not seem to heed,
Sought Juno's mediatorial power,
Or begged fair Venus intercede
And melt him in his amorous hour.
Sages invoked Minerva's might;
The Poet, ere he struck the lyre,
Prayed to the God of Song and Light
To touch the strings with hallowed fire.
With flaming herbs were altars smoked
Sprinkled with blood and perfumed must,
And gods and goddesses invoked
To second love or sanction lust.
And did they hear and heed the prayer,
Or, through that long Olympian reign,
Were they divinities of air
Begot of man's fantastic brain?
In Roman halls their statues still
Serenely stand, but no one now
Ascends the Capitolian Hill,
To render thanks, or urge the vow.
Through now long centuries hath Rome
Throned other God, preached other Creed,
That here still have their central home,
And feed man's hope, content his need.
Against these, too, will Time prevail?
No! Let whatever gestates, be,
Secure will last the tender tale
456
From Bethlehem to Calvary.
Throughout this world of pain and loss,
Man ne'er will cease to bend his knee
To Crown of Thorns, to Spear, to Cross,
And Doorway of Humility.
XLI
If Reason be the sole safe guide
In man implanted from above,
Why crave we for one only face,
Why consecrate the name of Love?
Faces there are no whit less fair,
Yet ruddier lip, more radiant eye,
Same rippling smile, same auburn hair,
But not for us. Say, Reason, why.
Why bound our hearts when April pied
Comes singing, or when hawthorn blows?
Doth logic in the lily hide,
And where's the reason in the rose?
Why weld our keels and launch our ships,
If Reason urge some wiser part,
Kiss England's Flag with dying lips
And fold its glories to the heart?
In this gross world we touch and see,
If Reason be no trusty guide,
For world unseen why should it be
The sole explorer justified?
The homing swallow knows its nest,
Sure curves the comet to its goal,
Instinct leads Autumn to its rest,
And why not Faith the homing soul?
Is Reason so aloof, aloft,
It doth not 'gainst itself rebel,
457
And are not Reason's reasonings oft
By Reason proved unreasonable?
He is perplexed no more, who prays,
``Hail, Mary Mother, full of grace!''
O drag me from Doubt's endless maze,
And let me see my Loved One's face!
XLII
``Upon this rock!'' Yet even here
Where Christian God ousts Pagan wraith,
Rebellious Reason whets its spear,
And smites upon the shield of Faith.
On sacred mount, down seven-hilled slopes,
Fearless it faces foe and friend,
Saying to man's immortal hopes,
``Whatso began, perforce must end.''
Not men alone, but gods too, die;
Fanes are, like hearths, left bare and lone;
This earth will into fragments fly,
And Heaven itself be overthrown.
Why then should Man immortal be?
He is but fleeting form, to fade,
Like momentary cloud, or sea
Of waves dispersed as soon as made.
Yet if 'tis Force, not Form, survives,
Meseems therein that one may find
Some comfort for distressful lives;
For, if Force ends not, why should Mind?
Is Doubt more forceful than Belief?
The doctor's cap than friar's cowl?
O ripeness of the falling leaf!
O wisdom of the moping owl!
Man's Mind will ever stand apart
458
From Science, save this have for goal
The evolution of the heart,
And sure survival of the Soul.
XLIII
The Umbilicum lonely stands
Where once rose porch and vanished dome;
But he discerns who understands
That every road may lead to Rome.
Enthroned in Peter's peaceful Chair,
The spiritual Caesar sways
A wider Realm of earth and air
Than trembled at Octavian's gaze.
His universal arms embrace
The saint, the sinner, and the sage,
And proffer refuge, comfort, grace
To tribulation's pilgrimage.
Here scientific searchers find
Precursors for two thousand years,
Who in a drouthy world divined
Fresh springs for human doubts and fears.
Here fair chaste Agnes veils her face
From prowlers of the sensual den,
And pity, pardon, and embrace
Await repentant Magdalen.
Princess and peasant-mother wend
To self-same altar, self-same shrine,
And Cardinal and Patriarch bend
Where lepers kneel, and beggars whine.
And is there then, in my distress,
No road, no gate, no shrine, for me?
The answer comes, ``Yes, surely, yes!
The Doorway of Humility.''
459
O rival Faiths! O clamorous Creeds!
Would you but hush your strife in prayer,
And raise one Temple for our needs,
Then, then, we all might worship there.
But dogma new with dogma old
Clashes to soothe the spirit's grief,
And offer to the unconsoled
Polyglot Babel of Belief!
XLIV
The billows roll, and rise, and break,
Around me; fixedly shine the stars
In clear dome overhead, and take
Their course, unheeding earthly jars.
Yet if one's upward gaze could be
But stationed where the planets are,
The star were restless as the sea,
The sea be tranquil as the star.
Hollowed like cradle, then like grave,
Now smoothly curved, now shapeless spray,
Withal the undirected wave
Forms, and reforms, and knows its way.
Then, waters, bear me on where He,
Ere death absolved at Christian font,
Removed Rome's menaced majesty
Eastward beyond the Hellespont.
Foreseeing not what Fate concealed,
But Time's caprice would there beget,
That Cross would unto Crescent yield,
Caesar and Christ to Mahomet.
Is it then man's predestined state
To search for, ne'er to find, the Light?
Arise, my Star, illuminate
These empty spaces of the Night!
460
XLV
Last night I heard the cuckoo call
Among the moist green glades of home,
And in the Chase around the Hall
Saw the May hawthorn flower and foam.
Deep in the wood where primrose stars
Paled before bluebell's dazzling reign,
The nightingale's sad sobbing bars
Rebuked the merle's too joyful strain.
The kine streamed forth from stall and byre,
The foal frisked round its mother staid,
The meads, by sunshine warmed, took fire,
And lambs in pasture, bleating, played.
The uncurbed rivulets raced to where
The statelier river curled and wound,
And trout, of human step aware,
Shot through the wave without a sound.
Adown the village street, as clear
As in one's wakeful mid-day hours,
Beheld I Monica drawing near,
Her vestal lap one crib of flowers.
Lending no look to me, she passed
By the stone path, as oft before,
Between old mounds Spring newly grassed,
And entered through the Little Door.
Led by her feet, I hastened on,
But, ere my feverish steps could get
To the low porch, lo! Morning shone
On Moslem dome and minaret!
CONSTANTINOPLE
461
XLVI
Now Vesper brings the sunset hour,
And, where crusading Knighthood trod,
Muezzin from his minaret tower
Proclaims, ``There is no God but God!''
Male God who shares his godhead with
No Virgin Mother's sacred tear,
But finds on earth congenial kith
In wielders of the sword and spear:
Male God who on male lust bestows
The ruddy lip, the rounded limb,
And promises, at battle's close,
Houri, not saint nor seraphim.
Swift through the doubly-guarded stream,
Shoots the caïque 'neath oarsmen brisk,
While from its cushioned cradle gleam
The eyes of yashmaked odalisque.
Unchanged adown the changing years,
Here where the Judas blossoms blaze,
Against Sophia's marble piers
The scowling Muslim lean and gaze;
And still at sunset's solemn hour,
Where Christ's devout Crusader trod,
Defiant from the minaret's tower
Proclaim, ``There is no God but God!''
XLVII
Three rival Rituals. One revered
In that loved English hamlet where,
With flowers in Vicarage garden reared,
She decks the altar set for prayer:
Another, where majestic Rome,
With fearless Faith and flag unfurled
462
'Gainst Doubt's ephemeral wave and foam,
Demands obedience from the world.
The third, where now I stand, and where
Two hoary Continents have met,
And Islam guards from taint and tare
Monistic Creed of Mahomet.
Yet older than all three, but banned
To suffer still the exile's doom
From shrine where Turkish sentries stand,
And Christians wrangle round Christ's tomb.
Where then find Creed, divine or dead,
All may embrace, and none contemn?Remember Who it was that said,
``Not here, nor at Jerusalem!''
ATHENS
XLVIII
To Acrocorinth's brow I climb,
And, lulled in retrospective bliss,
Descry, as through the mists of time,
Faintly the far Acropolis.
Below me, rivers, mountains, vales,
Wide stretch of ancient Hellas lies:
Symbol of Song that never fails,
Parnassus communes with the skies.
I linger, dream-bound by the Past,
Till sundown joins time's deep abyss,
Then skirt, through shadows moonlight-cast,
Lone strand of sailless Salamis,
Until Eleusis gleams through dawn,
Where, though a suppliant soul I come,
The veil remains still unwithdrawn,
463
And all the Oracles are dumb.
So onward to the clear white Light,
Where, though the worshippers be gone,
Abides on unmysterious height
The calm unquestioning Parthenon.
Find I, now there I stand at last,
That naked Beauty, undraped Truth,
Can satisfy our yearnings vast,
The doubts of age, the dreams of youth;
That, while we ask, in futile strife,
From altar, tripod, fount, or well,
Form is the secret soul of life,
And Art the only Oracle;
That Hera and Athena, linked
With Aphrodite, hush distress,
And, in their several gifts distinct,
Withal are Triune Goddesses?
That mortal wiser then was He
Who gave the prize to Beauty's smile,
Divides his gifts among the Three,
And thuswise baffles Discord's guile?
But who is wise? The nobler twain,
Who the restraining girdle wear,
Contend too often all in vain
With sinuous curve and frolic hair.
Just as one sees in marble, still,
Pan o'er Apollo's shoulder lean,
Suggesting to the poet's quill
The sensual note, the hint obscene.
Doth then the pure white Light grow dim,
And must it be for ever thus?
Listen! I hear a far-off Hymn,
Veni, Creator, Spiritus!
464
XLIX
The harvest of Hymettus drips
As sweet as when the Attic bees
Swarmed round the honey-laden lips
Of heavenly-human Sophocles.
The olives are as green in grove
As in the days the poets bless,
When Pallas with Poseidon strove
To be the City's Patroness.
The wine-hued main, white marble frieze,
Dome of blue ether over all,
One still beholds, but nowhere sees
Panathenaic Festival.
O'erhead, no Zeus or frowns or nods,
Olympus none in air or skies;
Below, a sepulchre of Gods,
And tombs of dead Divinities.
Yet, are they dead? Still stricken blind,
Tiresiaslike, are they that see,
With bold uncompromising mind,
Wisdom in utter nudity;
Experiencing a kindred fate
With the First Parents of us all,
Jehovah thrust through Eden's Gate,
When Knowledge brought about their Fall.
Hath Aphrodite into foam,
Whence She first flowered, sunk back once more,
And doth She nowhere find a home,
Or worship, upon Christian shore?
Her shrine is in the human breast,
To find her none need soar or dive.
Goodness or Loveliness our quest,
The ever-helpful Gods survive.
465
Hellas retorts, when Hebrew gibes
At Gods of levity and lust,
``God of Judaea's wandering tribes
Was jealous, cruel, and unjust.''
Godhead, withal, remains the same,
And Art embalms its symbols still;
As Poets, when athirst for Fame,
Still dream of Aganippe's rill.
Why still pursue a bootless quest,
And wander heartsore farther East,
Because unanswered, south or west,
By Pagan seer or Christian priest?
Brahma and Buddha, what have they
To offer to my shoreless search?
``Let Contemplation be,'' they say,
``Your ritual, Nothingness your Church.
``Passion and purpose both forsake,
Echoes from non-existent wall;
We do but dream we are awake,
Ourselves the deepest dream of all.
``We dream we think, feel, touch, and see,
And what these are, still dreaming, guess,
Though there is no Reality
Behind their fleeting semblances.''
Thus the East answers my appeal,
Denies, and so illudes, my want.
Alas! Could I but cease to feel,
Brahma should be my Hierophant.
But, hampered by my Western mind,
I cannot set the Spirit free
From Matter, but Illusion find,
466
Of all, the most illusory.
DELPHI
LI
The morning mists that hid the bay
And curtained mountains fast asleep,
Begin to feel the touch of day,
And roll from off both wave and steep.
In floating folds they curve and rise,
Then slowly melt and merge in air,
Till high above me glow the skies,
And cloudless sunshine everywhere.
Parnassus wears nor veil nor frown,
Windless the eagle wings his way,
As I from Delphi gaze adown
On Salona and Amphissa.
It was the sovran Sun that drew
Aloft and scattered morning haze,
And now fills all the spacious blue
With its own glorifying rays.
And, no less sovran than the sun,
Imagination brings relief
Of morning light to shadows dun,
To heart's distress, and spirit's grief.
Parnassus boasts no loftier peak
Than Poet's heavenward song; which, though
Harbouring among the sad and weak,
Lifteth aloft man's griefs below.
Though sun-bronzed Phocian maidens lave
Their kerchiefs in Castalia's spring,
The Muses linger round its wave,
And aid the pilgrim sent to sing.
467
And, listening there, I seem to hear
The unseen Oracle say, ``Be strong:
Subdue the sigh, repress the tear,
And let not sorrow silence Song.
``You now have learnt enough from pain;
And, if worse anguish lurk behind,
Breathe in it some unselfish strain,
And with grief's wisdom aid your kind.
``Who but of his own suffering sings,
Is like an eagle, robbed, distressed,
That vainly shrieks and beats its wings,
Because it cannot find its nest.
``Let male Imagination wed
The orphan, Sorrow, to console
Its virgin loneness, whence are bred
Serenity and self-control.
``Hence let the classic breezes blow
You to your Land beyond the sea,
That you may make, for others' woe,
Your own a healing melody;
``To wintry woe no more a slave,
But, having dried your April tears,
Behold a helpful harvest wave
From ridges of the fallow years.''
LII
Rebuked thus by the stately Past,
Whose solemn choruses endure
Through voices new and visions vast,
And centuries of sepulture,
Because, serene, it never blinked
At sheen or shadow of the sun,
But Hades and Olympus linked
468
With Salamis and Marathon;
Which held despondency at bay
And, while revering Fate's decree,
Reconciled with majestic lay
Man to the Human Tragedy;
To Gods of every land I vowed,
Judaea, Hellas, Mecca, Rome,
No more to live by sorrow bowed,
But, wending backward to my home,
Thenceforth to muse on woe more wide
Than individual distress,
The loftier Muses for my guide,
Minerva for my monitress;
Nor yet to scorn the tender aid
Of Christian martyr, virgin, sage,
And, meekly pondering in the shade,
Proffer ripe counsel to my Age.
And, haply, since 'tis Song alone
Can baffle death, and conquer time,
Maiden unborn in days unknown,
Under the leaves of fragrant lime,
Scanning the verse that here is writ,
While cherishing some secret smart
Of love or loss, may glean from it
Some comfort for her weary heart;
And, gently warned, grave minds may own
The world hath more to bear than they,
And, while I dream 'neath mossy stone,
Repeat my name, and love my lay.
LIII
Scarce to the all-indwelling Power
That vow was uttered, ere there came
469
A messenger in boyhood's flower,
Winged with his search, his face aflame.
From Amphissa he straight had clomb,
Thridding that devious mountain land,
With letter from my far-off home,
And written by my Loved One's hand.
``Come to me where I drooping lie.
None yet have died of Love, they say:
Withal, I sometimes think that I
Have prayed and sighed my life away.
``I want your absolution, dear,
For whatso wrong I may have done;
My conscience waneth less severe,
In softness of the setting sun.
``'Twas I, 'twas I, far more than you,
That stood in need, as now I see,
Stooping, to enter meekly through
The Doorway of Humility.
``In vain I turn to Throne of Grace,
Where sorrows cease, and tears are dry;
I fain once more would see your face,
And hear your voice, before I die.''
ENGLAND
LIV
The oak logs smoulder on my hearth,
Though round them hums no household talk;
The roses in the garden-garth
Hang mournfully on curving stalk.
My wolf-hound round me leaps and bays,
That wailed lost footsteps when I went:
He little knows the grief that weighs
470
On my return from banishment.
Half Autumn now, half Summer yet,
For Nature hath a human heart,
It seems as though they, having met,
To take farewell, are loth to part.
The splendour of the Year's decline
Hath not yet come. One still can see
Late honeysuckle intertwine
With Maiden's-Bower and briony.
The bracken-fronds, fast yellowing, tower
From out sere needles of the pine;
Now hawkweed blooms where foxgloves flower,
And bramble where once eglantine.
And, as I wend with hurrying feet
Across the park, along the lane
That leads unto the hamlet street,
And cradle of my bliss and bane,
In cottage plots on either side,
O'er mignonette and fragrant stock
Soar tiger-lilies lithe and tall,
And homely-sheltered hollyhock.
And when I reach the low grey wall
That skirts God's-acre on the hill,
I see, awaiting my recall,
The Little Door stand open still.
A dip, a slight descent, and then
Into the Vicarage Walk I passed;
It seemed as though the tongues of men
Had left it since I saw it last.
Round garden-plot, in westering sun,
Her agëd parents slowly stepped:
Her Mother had the face of one
Who oft hath prayed, and oft hath wept.
471
She wore the silent plaintive grace
Of Autumn just before its close,
And on her slowly fading face
The pathos of November rose.
With pitying gaze and accents kind,
``Go in,'' she said, ``and mount the stair;
And you through open door will find
That Monica awaits you there.''
LV
I mounted. At half-open door
Pausing, I softly called her name,
As one would pause and halt before
Heaven's Gateway. But no answer came.
She lies, methought, in Sleep's caress,
So, passing in, I seemed to see,
So saintly white the vision, less
A chamber than a Sanctuary.
Vestured in white, on snow-white bed,
She lay, as dreaming something sweet,
Madonna lilies at her head,
Madonna lilies at her feet.
A thought, I did not dare to speak,``Is this the sleep of life or death?''
And, with my cheek against her cheek,
Listening, I seemed to hear her breath.
'Twas Love's last blindness not to see
Her sinless soul had taken wing
Unto the Land, if such there be,
Where saints adore, and Seraphs sing.
And yet I felt within my heart,
Though lids were closed and lips were dumb,
That, for Love's sake, her soul in part
Had lingered here, till I should come.
472
I kissed her irresponsive hand,
I laid my lips on her cold brow,
That She, like me, should understand
'Twas thus I sealed our nuptial vow.
And then I saw upon her breast
A something writ, she fain had said
Had I been near, to me addressed,
Which, kneeling down, I took and read.
LVI
``I prayed I might prolong my years
Till you could come and hush my sighs,
And dry my penitential tears;
But Heaven hath willed it otherwise:
``That I may expiate the wrong
By me inflicted on us both,
When, yet Love's novice, feebly strong,
I sinned against Love's sovran troth.
``Now Death, the mirror unto Life,
Shows me that nought should keep apart
Those who, though sore perplexed by strife
'Twixt Faith and Doubt, are one in heart.
``For Doubt is one with Faith when they,
Who doubt, for Truth's sake suffering live;
And Faith meanwhile should hope and pray,
Withholding not what Love can give.
``We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He,
``But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
473
In patience through the darkness grope;
``Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
``Had my poor Love but been more wise,
I should have ta'en you to my breast,
Striving to hush your plaintive cries,
And rock your Reason back to rest.
``But, though alone you now must tread
Where we together should have trod,
In loneliness you may be led,
Through faith in me, to Faith in God.
``With tranquil purpose, fervent mind,
Foster, while you abide on earth,
And humbly proffer to your kind,
The gift assigned to you at birth.
``As in the far-off boyish year
When did your singing voice awake,
Disinterestedly revere
And love it for its own great sake.
``And when life takes autumnal hues,
With fervent reminiscence woo
All the affections of the Muse,
And write the poem lived by you.
``And should, until your days shall end,
You still the lyric voice retain,
With its seductive music blend
A graver note, a loftier strain.
``While buoyant youth and manhood strong
Follow where Siren sounds entice,
The Deities of Love and Song,
Rapture and loveliness, suffice.
474
``But when decay, and pain, and loss,
Remind one of the Goal forgot,
And we in turn must bear the Cross,
The Pagan Gods can help us not.
``Nor need you then seek, far and near,
More sumptuous shrines on alien strand,
But with domestic mind revere
The Ritual of your native Land.
``The Little Door stands open wide,
And, if you meekly pass therethrough,
Though I no longer kneel inside,
I shall be hovering near to you.
``Farewell! till you shall learn the whole
Of what we here but see in part.
Now I to God commend my soul,
And unto you I leave my heart.''
LVII
I wended up the slope once more
To where the Church stands lone and still,
And passed beneath the Little Door,
My will the subject of Her will.
The sunset rays through pictured pane
Fell, fretted into weft and woof,
On transept, nave, and aisle, to wane
On column cold and vaulted roof.
Within the carven altar screen
Were lilies tall, and white, and fair,
So like to those I late had seen,
It seemed She must be sleeping there.
Mutely I knelt, with bended brow
And shaded eyes, but heart intent,
To learn, should any teach me now,
What Life, and Love, and Sorrow meant.
475
And there remained until the shroud
Of dusk foretold the coming night;
And then I rose, and prayed aloud,
``Let there be Light! Let there be Light!''
~ Alfred Austin,#NFDB |
1456:The Ghost - Book Iv
Coxcombs, who vainly make pretence
To something of exalted sense
'Bove other men, and, gravely wise,
Affect those pleasures to despise,
Which, merely to the eye confined,
Bring no improvement to the mind,
Rail at all pomp; they would not go
For millions to a puppet-show,
Nor can forgive the mighty crime
Of countenancing pantomime;
No, not at Covent Garden, where,
Without a head for play or player,
Or, could a head be found most fit,
Without one player to second it,
They must, obeying Folly's call,
Thrive by mere show, or not at all
With these grave fops, who, (bless their brains!)
Most cruel to themselves, take pains
For wretchedness, and would be thought
Much wiser than a wise man ought,
For his own happiness, to be;
Who what they hear, and what they see,
And what they smell, and taste, and feel,
Distrust, till Reason sets her seal,
And, by long trains of consequences
Insured, gives sanction to the senses;
Who would not (Heaven forbid it!) waste
One hour in what the world calls Taste,
Nor fondly deign to laugh or cry,
Unless they know some reason why;
With these grave fops, whose system seems
To give up certainty for dreams,
The eye of man is understood
As for no other purpose good
Than as a door, through which, of course,
Their passage crowding, objects force,
A downright usher, to admit
New-comers to the court of Wit:
(Good Gravity! forbear thy spleen;
190
When I say Wit, I Wisdom mean)
Where (such the practice of the court,
Which legal precedents support)
Not one idea is allow'd
To pass unquestion'd in the crowd,
But ere it can obtain the grace
Of holding in the brain a place,
Before the chief in congregation
Must stand a strict examination.
Not such as those, who physic twirl,
Full fraught with death, from every curl;
Who prove, with all becoming state,
Their voice to be the voice of Fate;
Prepared with essence, drop, and pill,
To be another Ward or Hill,
Before they can obtain their ends,
To sign death-warrants for their friends,
And talents vast as theirs employ,
_Secundum artem_ to destroy,
Must pass (or laws their rage restrain)
Before the chiefs of Warwick Lane:
Thrice happy Lane! where, uncontroll'd,
In power and lethargy grown old,
Most fit to take, in this bless'd land,
The reins--which fell from Wyndham's hand,
Her lawful throne great Dulness rears,
Still more herself, as more in years;
Where she, (and who shall dare deny
Her right, when Reeves and Chauncy's by?)
Calling to mind, in ancient time,
One Garth, who err'd in wit and rhyme,
Ordains, from henceforth, to admit
None of the rebel sons of Wit,
And makes it her peculiar care
That Schomberg never shall be there.
Not such as those, whom Polly trains
To letters, though unbless'd with brains,
Who, destitute of power and will
To learn, are kept to learning still;
Whose heads, when other methods fail,
Receive instruction from the tail,
Because their sires,--a common case
191
Which brings the children to disgrace,-Imagine it a certain rule
They never could beget a fool,
Must pass, or must compound for, ere
The chaplain, full of beef and prayer,
Will give his reverend permit,
Announcing them for orders fit;
So that the prelate (what's a name?
All prelates now are much the same)
May, with a conscience safe and quiet,
With holy hands lay on that fiat
Which doth all faculties dispense,
All sanctity, all faith, all sense;
Makes Madan quite a saint appear,
And makes an oracle of Cheere.
Not such as in that solemn seat,
Where the Nine Ladies hold retreat,-The Ladies Nine, who, as we're told,
Scorning those haunts they loved of old,
The banks of Isis now prefer,
Nor will one hour from Oxford stir,-Are held for form, which Balaam's ass
As well as Balaam's self might pass,
And with his master take degrees,
Could he contrive to pay the fees.
Men of sound parts, who, deeply read,
O'erload the storehouse of the head
With furniture they ne'er can use,
Cannot forgive our rambling Muse
This wild excursion; cannot see
Why Physic and Divinity,
To the surprise of all beholders,
Are lugg'd in by the head and shoulders;
Or how, in any point of view,
Oxford hath any thing to do.
But men of nice and subtle learning,
Remarkable for quick discerning,
Through spectacles of critic mould,
Without instruction, will behold
That we a method here have got
To show what is, by what is not;
And that our drift (parenthesis
192
For once apart) is briefly this:
Within the brain's most secret cells
A certain Lord Chief-Justice dwells,
Of sovereign power, whom, one and all,
With common voice, we Reason call;
Though, for the purposes of satire,
A name, in truth, is no great matter;
Jefferies or Mansfield, which you will-It means a Lord Chief-Justice still.
Here, so our great projectors say,
The Senses all must homage pay;
Hither they all must tribute bring,
And prostrate fall before their king;
Whatever unto them is brought,
Is carried on the wings of Thought
Before his throne, where, in full state,
He on their merits holds debate,
Examines, cross-examines, weighs
Their right to censure or to praise:
Nor doth his equal voice depend
On narrow views of foe and friend,
Nor can, or flattery, or force
Divert him from his steady course;
The channel of Inquiry's clear,
No sham examination's here.
He, upright justicer, no doubt,
_Ad libitum_ puts in and out,
Adjusts and settles in a trice
What virtue is, and what is vice;
What is perfection, what defect;
What we must choose, and what reject;
He takes upon him to explain
What pleasure is, and what is pain;
Whilst we, obedient to the whim,
And resting all our faith on him,
True members of the Stoic Weal,
Must learn to think, and cease to feel.
This glorious system, form'd for man
To practise when and how he can,
If the five Senses, in alliance,
To Reason hurl a proud defiance,
And, though oft conquer'd, yet unbroke,
193
Endeavour to throw off that yoke,
Which they a greater slavery hold
Than Jewish bondage was of old;
Or if they, something touch'd with shame,
Allow him to retain the name
Of Royalty, and, as in sport,
To hold a mimic formal court;
Permitted--no uncommon thing-To be a kind of puppet king,
And suffer'd, by the way of toy,
To hold a globe, but not employ;
Our system-mongers, struck with fear,
Prognosticate destruction near;
All things to anarchy must run;
The little world of man's undone.
Nay, should the Eye, that nicest sense,
Neglect to send intelligence
Unto the Brain, distinct and clear,
Of all that passes in her sphere;
Should she, presumptuous, joy receive
Without the Understanding's leave,
They deem it rank and daring treason
Against the monarchy of Reason,
Not thinking, though they're wondrous wise,
That few have reason, most have eyes;
So that the pleasures of the mind
To a small circle are confined,
Whilst those which to the senses fall
Become the property of all.
Besides, (and this is sure a case
Not much at present out of place)
Where Nature reason doth deny,
No art can that defect supply;
But if (for it is our intent
Fairly to state the argument)
A man should want an eye or two,
The remedy is sure, though new:
The cure's at hand--no need of fear-For proof--behold the Chevalier!-As well prepared, beyond all doubt,
To put eyes in, as put them out.
But, argument apart, which tends
194
To embitter foes and separate friends,
(Nor, turn'd apostate from the Nine,
Would I, though bred up a divine,
And foe, of course, to Reason's Weal,
Widen that breach I cannot heal)
By his own sense and feelings taught,
In speech as liberal as in thought,
Let every man enjoy his whim;
What's he to me, or I to him?
Might I, though never robed in ermine,
A matter of this weight determine,
No penalties should settled be
To force men to hypocrisy,
To make them ape an awkward zeal,
And, feeling not, pretend to feel.
I would not have, might sentence rest
Finally fix'd within my breast,
E'en Annet censured and confined,
Because we're of a different mind.
Nature, who, in her act most free,
Herself delights in liberty,
Profuse in love, and without bound,
Pours joy on every creature round;
Whom yet, was every bounty shed
In double portions on our head,
We could not truly bounteous call,
If Freedom did not crown them all.
By Providence forbid to stray,
Brutes never can mistake their way;
Determined still, they plod along
By instinct, neither right nor wrong;
But man, had he the heart to use
His freedom, hath a right to choose;
Whether he acts, or well, or ill,
Depends entirely on his will.
To her last work, her favourite Man,
Is given, on Nature's better plan,
A privilege in power to err.
Nor let this phrase resentment stir
Amongst the grave ones, since indeed
The little merit man can plead
In doing well, dependeth still
195
Upon his power of doing ill.
Opinions should be free as air;
No man, whate'er his rank, whate'er
His qualities, a claim can found
That my opinion must be bound,
And square with his; such slavish chains
From foes the liberal soul disdains;
Nor can, though true to friendship, bend
To wear them even from a friend.
Let those, who rigid judgment own,
Submissive bow at Judgment's throne,
And if they of no value hold
Pleasure, till pleasure is grown cold,
Pall'd and insipid, forced to wait
For Judgment's regular debate
To give it warrant, let them find
Dull subjects suited to their mind.
Theirs be slow wisdom; be my plan,
To live as merry as I can,
Regardless, as the fashions go,
Whether there's reason for't or no:
Be my employment here on earth
To give a liberal scope to mirth,
Life's barren vale with flowers to adorn,
And pluck a rose from every thorn.
But if, by Error led astray,
I chance to wander from my way,
Let no blind guide observe, in spite,
I'm wrong, who cannot set me right.
That doctor could I ne'er endure
Who found disease, and not a cure;
Nor can I hold that man a friend
Whose zeal a helping hand shall lend
To open happy Folly's eyes,
And, making wretched, make me wise:
For next (a truth which can't admit
Reproof from Wisdom or from Wit)
To being happy here below,
Is to believe that we are so.
Some few in knowledge find relief;
I place my comfort in belief.
Some for reality may call;
196
Fancy to me is all in all.
Imagination, through the trick
Of doctors, often makes us sick;
And why, let any sophist tell,
May it not likewise make us well?
This I am sure, whate'er our view,
Whatever shadows we pursue,
For our pursuits, be what they will,
Are little more than shadows still;
Too swift they fly, too swift and strong,
For man to catch or hold them long;
But joys which in the fancy live,
Each moment to each man may give:
True to himself, and true to ease,
He softens Fate's severe decrees,
And (can a mortal wish for more?)
Creates, and makes himself new o'er,
Mocks boasted vain reality,
And is, whate'er he wants to be.
Hail, Fancy!--to thy power I owe
Deliverance from the gripe of Woe;
To thee I owe a mighty debt,
Which Gratitude shall ne'er forget,
Whilst Memory can her force employ,
A large increase of every joy.
When at my doors, too strongly barr'd,
Authority had placed a guard,
A knavish guard, ordain'd by law
To keep poor Honesty in awe;
Authority, severe and stern,
To intercept my wish'd return;
When foes grew proud, and friends grew cool,
And laughter seized each sober fool;
When Candour started in amaze,
And, meaning censure, hinted praise;
When Prudence, lifting up her eyes
And hands, thank'd Heaven that she was wise;
When all around me, with an air
Of hopeless sorrow, look'd despair;
When they, or said, or seem'd to say,
There is but one, one only way
Better, and be advised by us,
197
Not be at all, than to be thus;
When Virtue shunn'd the shock, and Pride,
Disabled, lay by Virtue's side,
Too weak my ruffled soul to cheer,
Which could not hope, yet would not fear;
Health in her motion, the wild grace
Of pleasure speaking in her face,
Dull regularity thrown by,
And comfort beaming from her eye,
Fancy, in richest robes array'd,
Came smiling forth, and brought me aid;
Came smiling o'er that dreadful time,
And, more to bless me, came in rhyme.
Nor is her power to me confined;
It spreads, it comprehends mankind.
When (to the spirit-stirring sound
Of trumpets breathing courage round,
And fifes well-mingled, to restrain
And bring that courage down again;
Or to the melancholy knell
Of the dull, deep, and doleful bell,
Such as of late the good Saint Bride
Muffled, to mortify the pride
Of those who, England quite forgot,
Paid their vile homage to the Scot;
Where Asgill held the foremost place,
Whilst my lord figured at a race)
Processions ('tis not worth debate
Whether they are of stage or state)
Move on, so very, very slow,
Tis doubtful if they move, or no;
When the performers all the while
Mechanically frown or smile,
Or, with a dull and stupid stare,
A vacancy of sense declare,
Or, with down-bending eye, seem wrought
Into a labyrinth of thought,
Where Reason wanders still in doubt,
And, once got in, cannot get out;
What cause sufficient can we find,
To satisfy a thinking mind,
Why, duped by such vain farces, man
198
Descends to act on such a plan?
Why they, who hold themselves divine,
Can in such wretched follies join,
Strutting like peacocks, or like crows,
Themselves and Nature to expose?
What cause, but that (you'll understand
We have our remedy at hand,
That if perchance we start a doubt,
Ere it is fix'd, we wipe it out;
As surgeons, when they lop a limb,
Whether for profit, fame, or whim,
Or mere experiment to try,
Must always have a styptic by)
Fancy steps in, and stamps that real,
Which, _ipso facto_, is ideal.
Can none remember?--yes, I know,
All must remember that rare show
When to the country Sense went down,
And fools came flocking up to town;
When knights (a work which all admit
To be for knighthood much unfit)
Built booths for hire; when parsons play'd,
In robes canonical array'd,
And, fiddling, join'd the Smithfield dance,
The price of tickets to advance:
Or, unto tapsters turn'd, dealt out,
Running from booth to booth about,
To every scoundrel, by retail,
True pennyworths of beef and ale,
Then first prepared, by bringing beer in,
For present grand electioneering;
When heralds, running all about
To bring in Order, turn'd it out;
When, by the prudent Marshal's care,
Lest the rude populace should stare,
And with unhallow'd eyes profane
Gay puppets of Patrician strain,
The whole procession, as in spite,
Unheard, unseen, stole off by night;
When our loved monarch, nothing both,
Solemnly took that sacred oath,
Whence mutual firm agreements spring
199
Betwixt the subject and the king,
By which, in usual manner crown'd,
His head, his heart, his hands, he bound,
Against himself, should passion stir
The least propensity to err,
Against all slaves, who might prepare,
Or open force, or hidden snare,
That glorious Charter to maintain,
By which we serve, and he must reign;
Then Fancy, with unbounded sway,
Revell'd sole mistress of the day,
And wrought such wonders, as might make
Egyptian sorcerers forsake
Their baffled mockeries, and own
The palm of magic hers alone.
A knight, (who, in the silken lap
Of lazy Peace, had lived on pap;
Who never yet had dared to roam
'Bove ten or twenty miles from home,
Nor even that, unless a guide
Was placed to amble by his side,
And troops of slaves were spread around
To keep his Honour safe and sound;
Who could not suffer, for his life,
A point to sword, or edge to knife;
And always fainted at the sight
Of blood, though 'twas not shed in fight;
Who disinherited one son
For firing off an alder gun,
And whipt another, six years old,
Because the boy, presumptuous, bold
To madness, likely to become
A very Swiss, had beat a drum,
Though it appear'd an instrument
Most peaceable and innocent,
Having, from first, been in the hands
And service of the City bands)
Graced with those ensigns, which were meant
To further Honour's dread intent,
The minds of warriors to inflame,
And spur them on to deeds of fame;
With little sword, large spurs, high feather,
200
Fearless of every thing but weather,
(And all must own, who pay regard
To charity, it had been hard
That in his very first campaign
His honours should be soil'd with rain)
A hero all at once became,
And (seeing others much the same
In point of valour as himself,
Who leave their courage on a shelf
From year to year, till some such rout
In proper season calls it out)
Strutted, look'd big, and swagger'd more
Than ever hero did before;
Look'd up, look'd down, look'd all around,
Like Mavors, grimly smiled and frown'd;
Seem'd Heaven, and Earth, and Hell to call
To fight, that he might rout them all,
And personated Valour's style
So long, spectators to beguile,
That, passing strange, and wondrous true,
Himself at last believed it too;
Nor for a time could he discern,
Till Truth and Darkness took their turn,
So well did Fancy play her part,
That coward still was at the heart.
Whiffle (who knows not Whiffle's name,
By the impartial voice of Fame
Recorded first through all this land
In Vanity's illustrious band?)
Who, by all-bounteous Nature meant
For offices of hardiment,
A modern Hercules at least,
To rid the world of each wild beast,
Of each wild beast which came in view,
Whether on four legs or on two,
Degenerate, delights to prove
His force on the parade of Love,
Disclaims the joys which camps afford,
And for the distaff quits the sword;
Who fond of women would appear
To public eye and public ear,
But, when in private, lets them know
201
How little they can trust to show;
Who sports a woman, as of course,
Just as a jockey shows a horse,
And then returns her to the stable,
Or vainly plants her at his table,
Where he would rather Venus find
(So pall'd, and so depraved his mind)
Than, by some great occasion led,
To seize her panting in her bed,
Burning with more than mortal fires,
And melting in her own desires;
Who, ripe in years, is yet a child,
Through fashion, not through feeling, wild;
Whate'er in others, who proceed
As Sense and Nature have decreed,
From real passion flows, in him
Is mere effect of mode and whim;
Who laughs, a very common way,
Because he nothing has to say,
As your choice spirits oaths dispense
To fill up vacancies of sense;
Who, having some small sense, defies it,
Or, using, always misapplies it;
Who now and then brings something forth
Which seems indeed of sterling worth;
Something, by sudden start and fit,
Which at a distance looks like wit,
But, on examination near,
To his confusion will appear,
By Truth's fair glass, to be at best
A threadbare jester's threadbare jest;
Who frisks and dances through the street,
Sings without voice, rides without seat,
Plays o'er his tricks, like Aesop's ass,
A gratis fool to all who pass;
Who riots, though he loves not waste,
Whores without lust, drinks without taste,
Acts without sense, talks without thought,
Does every thing but what he ought;
Who, led by forms, without the power
Of vice, is vicious; who one hour,
Proud without pride, the next will be
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Humble without humility:
Whose vanity we all discern,
The spring on which his actions turn;
Whose aim in erring, is to err,
So that he may be singular,
And all his utmost wishes mean
Is, though he's laugh'd at, to be seen:
Such, (for when Flattery's soothing strain
Had robb'd the Muse of her disdain,
And found a method to persuade
Her art to soften every shade,
Justice, enraged, the pencil snatch'd
From her degenerate hand, and scratch'd
Out every trace; then, quick as thought,
From life this striking likeness caught)
In mind, in manners, and in mien,
Such Whiffle came, and such was seen
In the world's eye; but (strange to tell!)
Misled by Fancy's magic spell,
Deceived, not dreaming of deceit,
Cheated, but happy in the cheat,
Was more than human in his own.
Oh, bow, bow all at Fancy's throne,
Whose power could make so vile an elf
With patience bear that thing, himself.
But, mistress of each art to please,
Creative Fancy, what are these,
These pageants of a trifler's pen,
To what thy power effected then?
Familiar with the human mind,
And swift and subtle as the wind,
Which we all feel, yet no one knows,
Or whence it comes, or where it goes,
Fancy at once in every part
Possess'd the eye, the head, the heart,
And in a thousand forms array'd,
A thousand various gambols play'd.
Here, in a face which well might ask
The privilege to wear a mask
In spite of law, and Justice teach
For public good to excuse the breach,
Within the furrow of a wrinkle
203
'Twixt eyes, which could not shine but twinkle,
Like sentinels i' th' starry way,
Who wait for the return of day,
Almost burnt out, and seem to keep
Their watch, like soldiers, in their sleep;
Or like those lamps, which, by the power
Of law, must burn from hour to hour,
(Else they, without redemption, fall
Under the terrors of that Hall,
Which, once notorious for a hop,
Is now become a justice shop)
Which are so managed, to go out
Just when the time comes round about,
Which yet, through emulation, strive
To keep their dying light alive,
And (not uncommon, as we find,
Amongst the children of mankind)
As they grow weaker, would seem stronger,
And burn a little, little longer:
Fancy, betwixt such eyes enshrined,
No brush to daub, no mill to grind,
Thrice waved her wand around, whose force
Changed in an instant Nature's course,
And, hardly credible in rhyme,
Not only stopp'd, but call'd back Time;
The face of every wrinkle clear'd,
Smooth as the floating stream appear'd,
Down the neck ringlets spread their flame,
The neck admiring whence they came;
On the arch'd brow the Graces play'd;
On the full bosom Cupid laid;
Suns, from their proper orbits sent,
Became for eyes a supplement;
Teeth, white as ever teeth were seen,
Deliver'd from the hand of Green,
Started, in regular array,
Like train-bands on a grand field day,
Into the gums, which would have fled,
But, wondering, turn'd from white to red;
Quite alter'd was the whole machine,
And Lady ---- ---- was fifteen.
Here she made lordly temples rise
204
Before the pious Dashwood's eyes,
Temples which, built aloft in air,
May serve for show, if not for prayer;
In solemn form herself, before,
Array'd like Faith, the Bible bore.
There over Melcombe's feather'd head-Who, quite a man of gingerbread,
Savour'd in talk, in dress, and phiz,
More of another world than this,
To a dwarf Muse a giant page,
The last grave fop of the last age-In a superb and feather'd hearse,
Bescutcheon'd and betagg'd with verse,
Which, to beholders from afar,
Appear'd like a triumphal car,
She rode, in a cast rainbow clad;
There, throwing off the hallow'd plaid,
Naked, as when (in those drear cells
Where, self-bless'd, self-cursed, Madness dwells)
Pleasure, on whom, in Laughter's shape,
Frenzy had perfected a rape,
First brought her forth, before her time,
Wild witness of her shame and crime,
Driving before an idol band
Of drivelling Stuarts, hand in hand;
Some who, to curse mankind, had wore
A crown they ne'er must think of more;
Others, whose baby brows were graced
With paper crowns, and toys of paste,
She jigg'd, and, playing on the flute,
Spread raptures o'er the soul of Bute.
Big with vast hopes, some mighty plan,
Which wrought the busy soul of man
To her full bent; the Civil Law,
Fit code to keep a world in awe,
Bound o'er his brows, fair to behold,
As Jewish frontlets were of old;
The famous Charter of our land
Defaced, and mangled in his hand;
As one whom deepest thoughts employ,
But deepest thoughts of truest joy,
Serious and slow he strode, he stalk'd;
205
Before him troops of heroes walk'd,
Whom best he loved, of heroes crown'd,
By Tories guarded all around;
Dull solemn pleasure in his face,
He saw the honours of his race,
He saw their lineal glories rise,
And touch'd, or seem'd to touch, the skies:
Not the most distant mark of fear,
No sign of axe or scaffold near,
Not one cursed thought to cross his will
Of such a place as Tower Hill.
Curse on this Muse, a flippant jade,
A shrew, like every other maid
Who turns the corner of nineteen,
Devour'd with peevishness and spleen;
Her tongue (for as, when bound for life,
The husband suffers for the wife,
So if in any works of rhyme
Perchance there blunders out a crime,
Poor culprit bards must always rue it,
Although 'tis plain the Muses do it)
Sooner or later cannot fail
To send me headlong to a jail.
Whate'er my theme, (our themes we choose,
In modern days, without a Muse;
Just as a father will provide
To join a bridegroom and a bride,
As if, though they must be the players,
The game was wholly his, not theirs)
Whate'er my theme, the Muse, who still
Owns no direction but her will,
Plies off, and ere I could expect,
By ways oblique and indirect,
At once quite over head and ears
In fatal politics appears.
Time was, and, if I aught discern
Of fate, that time shall soon return,
When, decent and demure at least,
As grave and dull as any priest,
I could see Vice in robes array'd,
Could see the game of Folly play'd
Successfully in Fortune's school,
206
Without exclaiming rogue or fool.
Time was, when, nothing both or proud,
I lackey'd with the fawning crowd,
Scoundrels in office, and would bow
To cyphers great in place; but now
Upright I stand, as if wise Fate,
To compliment a shatter'd state,
Had me, like Atlas, hither sent
To shoulder up the firmament,
And if I stoop'd, with general crack,
The heavens would tumble from my back.
Time was, when rank and situation
Secured the great ones of the nation
From all control; satire and law
Kept only little knaves in awe;
But now, Decorum lost, I stand
Bemused, a pencil in my hand,
And, dead to every sense of shame,
Careless of safety and of fame,
The names of scoundrels minute down,
And libel more than half the town.
How can a statesman be secure
In all his villanies, if poor
And dirty authors thus shall dare
To lay his rotten bosom bare?
Muses should pass away their time
In dressing out the poet's rhyme
With bills, and ribands, and array
Each line in harmless taste, though gay;
When the hot burning fit is on,
They should regale their restless son
With something to allay his rage,
Some cool Castalian beverage,
Or some such draught (though they, 'tis plain,
Taking the Muse's name in vain,
Know nothing of their real court,
And only fable from report)
As makes a Whitehead's Ode go down,
Or slakes the Feverette of Brown:
But who would in his senses think,
Of Muses giving gall to drink,
Or that their folly should afford
207
To raving poets gun or sword?
Poets were ne'er designed by Fate
To meddle with affairs of state,
Nor should (if we may speak our thought
Truly as men of honour ought)
Sound policy their rage admit,
To launch the thunderbolts of Wit
About those heads, which, when they're shot,
Can't tell if 'twas by Wit or not.
These things well known, what devil, in spite,
Can have seduced me thus to write
Out of that road, which must have led
To riches, without heart or head,
Into that road, which, had I more
Than ever poet had before
Of wit and virtue, in disgrace
Would keep me still, and out of place;
Which, if some judge (you'll understand
One famous, famous through the land
For making law) should stand my friend,
At last may in a pillory end;
And all this, I myself admit,
Without one cause to lead to it?
For instance, now--this book--the Ghost-Methinks I hear some critic Post
Remark most gravely--'The first word
Which we about the Ghost have heard.'
Peace, my good sir!--not quite so fast-What is the first, may be the last,
Which is a point, all must agree,
Cannot depend on you or me.
Fanny, no ghost of common mould,
Is not by forms to be controll'd;
To keep her state, and show her skill,
She never comes but when she will.
I wrote and wrote, (perhaps you doubt,
And shrewdly, what I wrote about;
Believe me, much to my disgrace,
I, too, am in the self-same case
But still I wrote, till Fanny came
Impatient, nor could any shame
On me with equal justice fall
208
If she had never come at all.
An underling, I could not stir
Without the cue thrown out by her,
Nor from the subject aid receive
Until she came and gave me leave.
So that, (ye sons of Erudition
Mark, this is but a supposition,
Nor would I to so wise a nation
Suggest it as a revelation)
If henceforth, dully turning o'er
Page after page, ye read no more
Of Fanny, who, in sea or air,
May be departed God knows where,
Rail at jilt Fortune; but agree
No censure can be laid on me;
For sure (the cause let Mansfield try)
Fanny is in the fault, not I.
But, to return--and this I hold
A secret worth its weight in gold
To those who write, as I write now,
Not to mind where they go, or how,
Through ditch, through bog, o'er hedge and stile,
Make it but worth the reader's while,
And keep a passage fair and plain
Always to bring him back again.
Through dirt, who scruples to approach,
At Pleasure's call, to take a coach?
But we should think the man a clown,
Who in the dirt should set us down.
But to return--if Wit, who ne'er
The shackles of restraint could bear,
In wayward humour should refuse
Her timely succour to the Muse,
And, to no rules and orders tied,
Roughly deny to be her guide,
She must renounce Decorum's plan,
And get back when, and how she can;
As parsons, who, without pretext,
As soon as mention'd, quit their text,
And, to promote sleep's genial power,
Grope in the dark for half an hour,
Give no more reason (for we know
209
Reason is vulgar, mean, and low)
Why they come back (should it befall
That ever they come back at all)
Into the road, to end their rout,
Than they can give why they went out.
But to return--this book--the Ghost-A mere amusement at the most;
A trifle, fit to wear away
The horrors of a rainy day;
A slight shot-silk, for summer wear,
Just as our modern statesmen are,
If rigid honesty permit
That I for once purloin the wit
Of him, who, were we all to steal,
Is much too rich the theft to feel:
Yet in this book, where Base should join
With Mirth to sugar every line;
Where it should all be mere chit-chat,
Lively, good-humour'd, and all that;
Where honest Satire, in disgrace,
Should not so much as show her face,
The shrew, o'erleaping all due bounds,
Breaks into Laughter's sacred grounds,
And, in contempt, plays o'er her tricks
In science, trade, and politics.
By why should the distemper'd scold
Attempt to blacken men enroll'd
In Power's dread book, whose mighty skill
Can twist an empire to their will;
Whose voice is fate, and on their tongue
Law, liberty, and life are hung;
Whom, on inquiry, Truth shall find
With Stuarts link'd, time out of mind,
Superior to their country's laws,
Defenders of a tyrant's cause;
Men, who the same damn'd maxims hold
Darkly, which they avow'd of old;
Who, though by different means, pursue
The end which they had first in view,
And, force found vain, now play their part
With much less honour, much more art?
Why, at the corners of the streets,
210
To every patriot drudge she meets,
Known or unknown, with furious cry
Should she wild clamours vent? or why,
The minds of groundlings to inflame,
A Dashwood, Bute, and Wyndham name?
Why, having not, to our surprise,
The fear of death before her eyes,
Bearing, and that but now and then,
No other weapon but her pen,
Should she an argument afford
For blood to men who wear a sword?
Men, who can nicely trim and pare
A point of honour to a hair-(Honour!--a word of nice import,
A pretty trinket in a court,
Which my lord, quite in rapture, feels
Dangling and rattling with his seals-Honour!--a word which all the Nine
Would be much puzzled to define-Honour!--a word which torture mocks,
And might confound a thousand Lockes-Which--for I leave to wiser heads,
Who fields of death prefer to beds
Of down, to find out, if they can,
What honour is, on their wild plan-Is not, to take it in their way,
And this we sure may dare to say
Without incurring an offence,
Courage, law, honesty, or sense):
Men, who, all spirit, life, and soul
Neat butchers of a button-hole,
Having more skill, believe it true
That they must have more courage too:
Men who, without a place or name,
Their fortunes speechless as their fame,
Would by the sword new fortunes carve,
And rather die in fight than starve
At coronations, a vast field,
Which food of every kind might yield;
Of good sound food, at once most fit
For purposes of health and wit,
Could not ambitious Satire rest,
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Content with what she might digest?
Could she not feast on things of course,
A champion, or a champion's horse?
A champion's horse--no, better say,
Though better figured on that day,
A horse, which might appear to us,
Who deal in rhyme, a Pegasus;
A rider, who, when once got on,
Might pass for a Bellerophon,
Dropt on a sudden from the skies,
To catch and fix our wondering eyes,
To witch, with wand instead of whip,
The world with noble horsemanship,
To twist and twine, both horse and man,
On such a well-concerted plan,
That, Centaur-like, when all was done,
We scarce could think they were not one?
Could she not to our itching ears
Bring the new names of new-coin'd peers,
Who walk'd, nobility forgot,
With shoulders fitter for a knot
Than robes of honour; for whose sake
Heralds in form were forced to make,
To make, because they could not find,
Great predecessors to their mind?
Could she not (though 'tis doubtful since
Whether he plumber is, or prince)
Tell of a simple knight's advance
To be a doughty peer of France?
Tell how he did a dukedom gain,
And Robinson was Aquitain?
Tell how her city chiefs, disgraced,
Were at an empty table placed,-A gross neglect, which, whilst they live,
They can't forget, and won't forgive;
A gross neglect of all those rights
Which march with city appetites,
Of all those canons, which we find
By Gluttony, time out of mind,
Established, which they ever hold
Dearer than any thing but gold?
Thanks to my stars--I now see shore--
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Of courtiers, and of courts no more-Thus stumbling on my city friends,
Blind Chance my guide, my purpose bends
In line direct, and shall pursue
The point which I had first in view,
Nor more shall with the reader sport
Till I have seen him safe in port.
Hush'd be each fear--no more I bear
Through the wide regions of the air
The reader terrified, no more
Wild ocean's horrid paths explore.
Be the plain track from henceforth mine-Cross roads to Allen I resign;
Allen, the honor of this nation;
Allen, himself a corporation;
Allen, of late notorious grown
For writings, none, or all, his own;
Allen, the first of letter'd men,
Since the good Bishop holds his pen,
And at his elbow takes his stand,
To mend his head, and guide his hand.
But hold--once more, Digression hence-Let us return to Common Sense;
The car of Phoebus I discharge,
My carriage now a Lord Mayor's barge.
Suppose we now--we may suppose
In verse, what would be sin in prose-The sky with darkness overspread,
And every star retired to bed;
The gewgaw robes of Pomp and Pride
In some dark corner thrown aside;
Great lords and ladies giving way
To what they seem to scorn by day,
The real feelings of the heart,
And Nature taking place of Art;
Desire triumphant through the night,
And Beauty panting with delight;
Chastity, woman's fairest crown,
Till the return of morn laid down.
Then to be worn again as bright
As if not sullied in the night;
Dull Ceremony, business o'er,
213
Dreaming in form at Cottrell's door;
Precaution trudging all about
To see the candles safely out,
Bearing a mighty master-key,
Habited like Economy,
Stamping each lock with triple seals;
Mean Avarice creeping at her heels.
Suppose we too, like sheep in pen,
The Mayor and Court of Aldermen
Within their barge, which through the deep,
The rowers more than half asleep,
Moved slow, as overcharged with state;
Thames groan'd beneath the mighty weight,
And felt that bauble heavier far
Than a whole fleet of men of war.
Sleep o'er each well-known faithful head
With liberal hand his poppies shed;
Each head, by Dulness render'd fit
Sleep and his empire to admit.
Through the whole passage not a word,
Not one faint, weak half-sound was heard;
Sleep had prevail'd to overwhelm
The steersman nodding o'er the helm;
The rowers, without force or skill,
Left the dull barge to drive at will;
The sluggish oars suspended hung,
And even Beardmore held his tongue.
Commerce, regardful of a freight
On which depended half her state,
Stepp'd to the helm; with ready hand
She safely clear'd that bank of sand,
Where, stranded, our west-country fleet
Delay and danger often meet,
Till Neptune, anxious for the trade,
Comes in full tides, and brings them aid.
Next (for the Muses can survey
Objects by night as well as day;
Nothing prevents their taking aim,
Darkness and light to them the same)
They pass'd that building which of old
Queen-mothers was design'd to hold;
At present a mere lodging-pen,
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A palace turn'd into a den;
To barracks turn'd, and soldiers tread
Where dowagers have laid their head.
Why should we mention Surrey Street,
Where every week grave judges meet
All fitted out with hum and ha,
In proper form to drawl out law,
To see all causes duly tried
'Twixt knaves who drive, and fools who ride?
Why at the Temple should we stay?
What of the Temple dare we say?
A dangerous ground we tread on there,
And words perhaps may actions bear;
Where, as the brethren of the seas
For fares, the lawyers ply for fees.
What of that Bridge, most wisely made
To serve the purposes of trade,
In the great mart of all this nation,
By stopping up the navigation,
And to that sand bank adding weight,
Which is already much too great?
What of that Bridge, which, void of sense
But well supplied with impudence,
Englishmen, knowing not the Guild,
Thought they might have a claim to build,
Till Paterson, as white as milk,
As smooth as oil, as soft as silk,
In solemn manner had decreed
That on the other side the Tweed
Art, born and bred, and fully grown,
Was with one Mylne, a man unknown,
But grace, preferment, and renown
Deserving, just arrived in town:
One Mylne, an artist perfect quite
Both in his own and country's right,
As fit to make a bridge as he,
With glorious Patavinity,
To build inscriptions worthy found
To lie for ever under ground.
Much more worth observation too,
Was this a season to pursue
The theme, our Muse might tell in rhyme:
215
The will she hath, but not the time;
For, swift as shaft from Indian bow,
(And when a goddess comes, we know,
Surpassing Nature acts prevail.
And boats want neither oar nor sail)
The vessel pass'd, and reach'd the shore
So quick, that Thought was scarce before.
Suppose we now our City court
Safely delivered at the port.
And, of their state regardless quite,
Landed, like smuggled goods, by night,
The solemn magistrate laid down,
The dignity of robe and gown,
With every other ensign gone,
Suppose the woollen nightcap on;
The flesh-brush used, with decent state,
To make the spirits circulate,
(A form which, to the senses true,
The lickerish chaplain uses too,
Though, something to improve the plan,
He takes the maid instead of man)
Swathed, and with flannel cover'd o'er,
To show the vigour of threescore,
The vigour of threescore and ten,
Above the proof of younger men,
Suppose, the mighty Dulman led
Betwixt two slaves, and put to bed;
Suppose, the moment he lies down,
No miracle in this great town,
The drone as fast asleep as he
Must in the course of nature be,
Who, truth for our foundation take,
When up, is never half awake.
There let him sleep, whilst we survey
The preparations for the day;
That day on which was to be shown
Court pride by City pride outdone.
The jealous mother sends away,
As only fit for childish play,
That daughter who, to gall her pride,
Shoots up too forward by her side.
The wretch, of God and man accursed,
216
Of all Hell's instruments the worst,
Draws forth his pawns, and for the day
Struts in some spendthrift's vain array;
Around his awkward doxy shine
The treasures of Golconda's mine;
Each neighbour, with a jealous glare,
Beholds her folly publish'd there.
Garments well saved, (an anecdote
Which we can prove, or would not quote)
Garments well saved, which first were made
When tailors, to promote their trade,
Against the Picts in arms arose,
And drove them out, or made them clothes;
Garments immortal, without end,
Like names and titles, which descend
Successively from sire to son;
Garments, unless some work is done
Of note, not suffer'd to appear
'Bove once at most in every year,
Were now, in solemn form, laid bare,
To take the benefit of air,
And, ere they came to be employ'd
On this solemnity, to void
That scent which Russia's leather gave,
From vile and impious moth to save.
Each head was busy, and each heart
In preparation bore a part;
Running together all about
The servants put each other out,
Till the grave master had decreed,
The more haste ever the worse speed.
Miss, with her little eyes half-closed,
Over a smuggled toilette dosed;
The waiting-maid, whom story notes
A very Scrub in petticoats,
Hired for one work, but doing all,
In slumbers lean'd against the wall.
Milliners, summon'd from afar,
Arrived in shoals at Temple Bar,
Strictly commanded to import
Cart loads of foppery from Court;
With labour'd visible design,
217
Art strove to be superbly fine;
Nature, more pleasing, though more wild,
Taught otherwise her darling child,
And cried, with spirited disdain,
Be Hunter elegant and plain!
Lo! from the chambers of the East,
A welcome prelude to the feast,
In saffron-colour'd robe array'd,
High in a car, by Vulcan made,
Who work'd for Jove himself, each steed,
High-mettled, of celestial breed,
Pawing and pacing all the way,
Aurora brought the wish'd-for day,
And held her empire, till out-run
By that brave jolly groom, the Sun.
The trumpet--hark! it speaks--it swells
The loud full harmony; it tells
The time at hand when Dulman, led
By Form, his citizens must head,
And march those troops, which at his call
Were now assembled, to Guildhall,
On matters of importance great,
To court and city, church and state.
From end to end the sound makes way,
All hear the signal and obey;
But Dulman, who, his charge forgot,
By Morpheus fetter'd, heard it not;
Nor could, so sound he slept and fast,
Hear any trumpet, but the last.
Crape, ever true and trusty known,
Stole from the maid's bed to his own,
Then in the spirituals of pride,
Planted himself at Dulman's side.
Thrice did the ever-faithful slave,
With voice which might have reach'd the grave,
And broke Death's adamantine chain,
On Dulman call, but call'd in vain.
Thrice with an arm, which might have made
The Theban boxer curse his trade,
The drone he shook, who rear'd the head,
And thrice fell backward on his bed.
What could be done? Where force hath fail'd,
218
Policy often hath prevail'd;
And what--an inference most plain-Had been, Crape thought might be again.
Under his pillow (still in mind
The proverb kept, 'fast bind, fast find')
Each blessed night the keys were laid,
Which Crape to draw away assay'd.
What not the power of voice or arm
Could do, this did, and broke the charm;
Quick started he with stupid stare,
For all his little soul was there.
Behold him, taken up, rubb'd down,
In elbow-chair, and morning-gown;
Behold him, in his latter bloom,
Stripp'd, wash'd, and sprinkled with perfume;
Behold him bending with the weight
Of robes, and trumpery of state;
Behold him (for the maxim's true,
Whate'er we by another do,
We do ourselves; and chaplain paid,
Like slaves in every other trade,
Had mutter'd over God knows what,
Something which he by heart had got)
Having, as usual, said his prayers,
Go titter, totter to the stairs:
Behold him for descent prepare,
With one foot trembling in the air;
He starts, he pauses on the brink,
And, hard to credit, seems to think;
Through his whole train (the chaplain gave
The proper cue to every slave)
At once, as with infection caught,
Each started, paused, and aim'd at thought;
He turns, and they turn; big with care,
He waddles to his elbow-chair,
Squats down, and, silent for a season,
At last with Crape begins to reason:
But first of all he made a sign,
That every soul, but the divine,
Should quit the room; in him, he knows,
He may all confidence repose.
'Crape--though I'm yet not quite awake--
219
Before this awful step I take,
On which my future all depends,
I ought to know my foes and friends.
My foes and friends--observe me still-I mean not those who well or ill
Perhaps may wish me, but those who
Have't in their power to do it too.
Now if, attentive to the state,
In too much hurry to be great,
Or through much zeal,--a motive, Crape,
Deserving praise,--into a scrape
I, like a fool, am got, no doubt
I, like a wise man, should get out:
Note that remark without replies;
I say that to get out is wise,
Or, by the very self-same rule,
That to get in was like a fool.
The marrow of this argument
Must wholly rest on the event,
And therefore, which is really hard,
Against events too I must guard.
Should things continue as they stand,
And Bute prevail through all the land
Without a rival, by his aid
My fortunes in a trice are made;
Nay, honours on my zeal may smile,
And stamp me Earl of some great Isle:
But if, a matter of much doubt,
The present minister goes out,
Fain would I know on what pretext
I can stand fairly with the next?
For as my aim, at every hour,
Is to be well with those in power,
And my material point of view,
Whoever's in, to be in too,
I should not, like a blockhead, choose
To gain these, so as those to lose:
'Tis good in every case, you know,
To have two strings unto our bow.'
As one in wonder lost, Crape view'd
His lord, who thus his speech pursued:
'This, my good Crape, is my grand point;
220
And as the times are out of joint,
The greater caution is required
To bring about the point desired.
What I would wish to bring about
Cannot admit a moment's doubt;
The matter in dispute, you know,
Is what we call the _Quomodo_.
That be thy task.'--The reverend slave,
Becoming in a moment grave,
Fix'd to the ground and rooted stood,
Just like a man cut out out of wood,
Such as we see (without the least
Reflection glancing on the priest)
One or more, planted up and down,
Almost in every church in town;
He stood some minutes, then, like one
Who wish'd the matter might be done,
But could not do it, shook his head,
And thus the man of sorrow said:
'Hard is this task, too hard I swear,
By much too hard for me to bear;
Beyond expression hard my part,
Could mighty Dulman see my heart,
When he, alas! makes known a will
Which Crape's not able to fulfil.
Was ever my obedience barr'd
By any trifling nice regard
To sense and honour? Could I reach
Thy meaning without help of speech,
At the first motion of thy eye
Did not thy faithful creature fly?
Have I not said, not what I ought,
But what my earthly master taught?
Did I e'er weigh, through duty strong,
In thy great biddings, right and wrong?
Did ever Interest, to whom thou
Canst not with more devotion bow,
Warp my sound faith, or will of mine
In contradiction run to thine?
Have I not, at thy table placed,
When business call'd aloud for haste,
Torn myself thence, yet never heard
221
To utter one complaining word,
And had, till thy great work was done,
All appetites, as having none?
Hard is it, this great plan pursued
Of voluntary servitude;
Pursued without or shame, or fear,
Through the great circle of the year,
Now to receive, in this grand hour,
Commands which lie beyond my power,
Commands which baffle all my skill,
And leave me nothing but my will:
Be that accepted; let my lord
Indulgence to his slave afford:
This task, for my poor strength unfit,
Will yield to none but Dulman's wit.'
With such gross incense gratified,
And turning up the lip of pride,
'Poor Crape'--and shook his empty head-'Poor puzzled Crape!' wise Dulman said,
'Of judgment weak, of sense confined,
For things of lower note design'd;
For things within the vulgar reach,
To run of errands, and to preach;
Well hast thou judged, that heads like mine
Cannot want help from heads like thine;
Well hast thou judged thyself unmeet
Of such high argument to treat;
Twas but to try thee that I spoke,
And all I said was but a joke.
Nor think a joke, Crape, a disgrace,
Or to my person, or my place;
The wisest of the sons of men
Have deign'd to use them now and then.
The only caution, do you see,
Demanded by our dignity,
From common use and men exempt,
Is that they may not breed contempt.
Great use they have, when in the hands
Of one like me, who understands,
Who understands the time and place,
The person, manner, and the grace,
Which fools neglect; so that we find,
222
If all the requisites are join'd,
From whence a perfect joke must spring,
A joke's a very serious thing.
But to our business--my design,
Which gave so rough a shock to thine,
To my capacity is made
As ready as a fraud in trade;
Which, like broad-cloth, I can, with ease,
Cut out in any shape I please.
Some, in my circumstance, some few,
Aye, and those men of genius too,
Good men, who, without love or hate,
Whether they early rise or late,
With names uncrack'd, and credit sound,
Rise worth a hundred thousand pound,
By threadbare ways and means would try
To bear their point--so will not I.
New methods shall my wisdom find
To suit these matters to my mind;
So that the infidels at court,
Who make our city wits their sport,
Shall hail the honours of my reign,
And own that Dulman bears a brain.
Some, in my place, to gain their ends,
Would give relations up, and friends;
Would lend a wife, who, they might swear
Safely, was none the worse for wear;
Would see a daughter, yet a maid,
Into a statesman's arms betray'd;
Nay, should the girl prove coy, nor know
What daughters to a father owe,
Sooner than schemes so nobly plann'd
Should fail, themselves would lend a hand;
Would vote on one side, whilst a brother,
Properly taught, would vote on t'other;
Would every petty band forget;
To public eye be with one set,
In private with a second herd,
And be by proxy with a third;
Would, (like a queen, of whom I read,
The other day--her name is fled-In a book,--where, together bound,
223
'Whittington and his Cat' I found-A tale most true, and free from art,
Which all Lord Mayors should have by heart;
A queen oh!--might those days begin
Afresh, when queens would learn to spin-Who wrought, and wrought, but for some plot,
The cause of which I've now forgot,
During the absence of the sun
Undid what she by day had done)
Whilst they a double visage wear,
What's sworn by day, by night unswear.
Such be their arts, and such, perchance,
May happily their ends advance;
Prom a new system mine shall spring,
A _locum tenens_ is the thing.
That's your true plan. To obligate
The present ministers of state,
My shadow shall our court approach,
And bear my power, and have my coach;
My fine state-coach, superb to view,
A fine state-coach, and paid for too.
To curry favour, and the grace
Obtain of those who're out of place;
In the mean time I--that's to say,
I proper, I myself--here stay.
But hold--perhaps unto the nation,
Who hate the Scot's administration,
To lend my coach may seem to be
Declaring for the ministry,
For where the city-coach is, there
Is the true essence of the Mayor:
Therefore (for wise men are intent
Evils at distance to prevent,
Whilst fools the evils first endure,
And then are plagued to seek a cure)
No coach--a horse--and free from fear,
To make our Deputy appear,
Fast on his back shall he be tied,
With two grooms marching by his side;
Then for a horse--through all the land,
To head our solemn city-band,
Can any one so fit be found
224
As he who in Artillery-ground,
Without a rider, (noble sight!)
Led on our bravest troops to fight?
But first, Crape, for my honour's sake-A tender point--inquiry make
About that horse, if the dispute
Is ended, or is still in suit:
For whilst a cause, (observe this plan
Of justice) whether horse or man
The parties be, remains in doubt,
Till 'tis determined out and out,
That power must tyranny appear
Which should, prejudging, interfere,
And weak, faint judges overawe,
To bias the free course of law.
You have my will--now quickly run,
And take care that my will be done.
In public, Crape, you must appear,
Whilst I in privacy sit here;
Here shall great Dulman sit alone,
Making this elbow-chair my throne,
And you, performing what I bid,
Do all, as if I nothing did.'
Crape heard, and speeded on his way;
With him to hear was to obey;
Not without trouble, be assured,
A proper proxy was procured
To serve such infamous intent,
And such a lord to represent;
Nor could one have been found at all
On t'other side of London Wall.
The trumpet sounds--solemn and slow
Behold the grand procession go,
All moving on, cat after kind,
As if for motion ne'er design'd.
Constables, whom the laws admit
To keep the peace by breaking it;
Beadles, who hold the second place
By virtue of a silver mace,
Which every Saturday is drawn,
For use of Sunday, out of pawn;
Treasurers, who with empty key
225
Secure an empty treasury;
Churchwardens, who their course pursue
In the same state, as to their pew
Churchwardens of St Margaret's go,
Since Peirson taught them pride and show,
Who in short transient pomp appear,
Like almanacs changed every year;
Behind whom, with unbroken locks,
Charity carries the poor's box,
Not knowing that with private keys
They ope and shut it when they please:
Overseers, who by frauds ensure
The heavy curses of the poor;
Unclean came flocking, bulls and bears,
Like beasts into the ark, by pairs.
Portentous, flaming in the van,
Stalk'd the professor, Sheridan,
A man of wire, a mere pantine,
A downright animal machine;
He knows alone, in proper mode,
How to take vengeance on an ode,
And how to butcher Ammon's son
And poor Jack Dryden both in one:
On all occasions next the chair
He stands, for service of the Mayor,
And to instruct him how to use
His A's and B's, and P's and Q's:
O'er letters, into tatters worn,
O'er syllables, defaced and torn,
O'er words disjointed, and o'er sense,
Left destitute of all defence,
He strides, and all the way he goes
Wades, deep in blood, o'er Criss-cross-rows:
Before him every consonant
In agonies is seen to pant;
Behind, in forms not to be known,
The ghosts of tortured vowels groan.
Next Hart and Duke, well worthy grace
And city favour, came in place;
No children can their toils engage,
Their toils are turn'd to reverend age;
When a court dame, to grace his brows
226
Resolved, is wed to city-spouse,
Their aid with madam's aid must join,
The awkward dotard to refine,
And teach, whence truest glory flows,
Grave sixty to turn out his toes.
Each bore in hand a kit; and each
To show how fit he was to teach
A cit, an alderman, a mayor,
Led in a string a dancing bear.
Since the revival of Fingal,
Custom, and custom's all in all,
Commands that we should have regard,
On all high seasons, to the bard.
Great acts like these, by vulgar tongue
Profaned, should not be said, but sung.
This place to fill, renown'd in fame,
The high and mighty Lockman came,
And, ne'er forgot in Dulman's reign,
With proper order to maintain
The uniformity of pride,
Brought Brother Whitehead by his side.
On horse, who proudly paw'd the ground,
And cast his fiery eyeballs round,
Snorting, and champing the rude bit,
As if, for warlike purpose fit,
His high and generous blood disdain'd,
To be for sports and pastimes rein'd,
Great Dymock, in his glorious station,
Paraded at the coronation.
Not so our city Dymock came,
Heavy, dispirited, and tame;
No mark of sense, his eyes half-closed,
He on a mighty dray-horse dozed:
Fate never could a horse provide
So fit for such a man to ride,
Nor find a man with strictest care,
So fit for such a horse to bear.
Hung round with instruments of death,
The sight of him would stop the breath
Of braggart Cowardice, and make
The very court Drawcansir quake;
With dirks, which, in the hands of Spite,
227
Do their damn'd business in the night,
From Scotland sent, but here display'd
Only to fill up the parade;
With swords, unflesh'd, of maiden hue,
Which rage or valour never drew;
With blunderbusses, taught to ride
Like pocket-pistols, by his side,
In girdle stuck, he seem'd to be
A little moving armoury.
One thing much wanting to complete
The sight, and make a perfect treat,
Was, that the horse, (a courtesy
In horses found of high degree)
Instead of going forward on,
All the way backward should have gone.
Horses, unless they breeding lack,
Some scruple make to turn their back,
Though riders, which plain truth declares,
No scruple make of turning theirs.
Far, far apart from all the rest,
Fit only for a standing jest,
The independent, (can you get
A better suited epithet?)
The independent Amyand came,
All burning with the sacred flame
Of Liberty, which well he knows
On the great stock of Slavery grows;
Like sparrow, who, deprived of mate,
Snatch'd by the cruel hand of Fate,
From spray to spray no more will hop,
But sits alone on the house-top;
Or like himself, when all alone
At Croydon he was heard to groan,
Lifting both hands in the defence
Of interest, and common sense;
Both hands, for as no other man
Adopted and pursued his plan,
The left hand had been lonesome quite,
If he had not held up the right;
Apart he came, and fix'd his eyes
With rapture on a distant prize,
On which, in letters worthy note,
228
There 'twenty thousand pounds' was wrote.
False trap, for credit sapp'd is found
By getting twenty thousand pound:
Nay, look not thus on me, and stare,
Doubting the certainty--to swear
In such a case I should be loth-But Perry Cust may take his oath.
In plain and decent garb array'd,
With the prim Quaker, Fraud, came Trade;
Connivance, to improve the plan,
Habited like a juryman,
Judging as interest prevails,
Came next, with measures, weights, and scales;
Extortion next, of hellish race
A cub most damn'd, to show his face
Forbid by fear, but not by shame,
Turn'd to a Jew, like Gideon came;
Corruption, Midas-like, behold
Turning whate'er she touch'd to gold;
Impotence, led by Lust, and Pride,
Strutting with Ponton by her side;
Hypocrisy, demure and sad,
In garments of the priesthood clad,
So well disguised, that you might swear,
Deceived, a very priest was there;
Bankruptcy, full of ease and health,
And wallowing in well-saved wealth,
Came sneering through a ruin'd band,
And bringing B---- in her hand;
Victory, hanging down her head,
Was by a Highland stallion led;
Peace, clothed in sables, with a face
Which witness'd sense of huge disgrace,
Which spake a deep and rooted shame
Both of herself and of her name,
Mourning creeps on, and, blushing, feels
War, grim War, treading on her heels;
Pale Credit, shaken by the arts
Of men with bad heads and worse hearts,
Taking no notice of a band
Which near her were ordain'd to stand,
Well-nigh destroyed by sickly fit,
229
Look'd wistful all around for Pitt;
Freedom--at that most hallow'd name
My spirits mount into a flame,
Each pulse beats high, and each nerve strains,
Even to the cracking; through my veins
The tides of life more rapid run,
And tell me I am Freedom's son-Freedom came next, but scarce was seen,
When the sky, which appear'd serene
And gay before, was overcast;
Horror bestrode a foreign blast,
And from the prison of the North,
To Freedom deadly, storms burst forth.
A car like those, in which, we're told,
Our wild forefathers warr'd of old,
Loaded with death, six horses bear
Through the blank region of the air.
Too fierce for time or art to tame,
They pour'd forth mingled smoke and flame
From their wide nostrils; every steed
Was of that ancient savage breed
Which fell Geryon nursed; their food
The flesh of man, their drink his blood.
On the first horses, ill-match'd pair,
This fat and sleek, that lean and bare,
Came ill-match'd riders side by side,
And Poverty was yoked with Pride;
Union most strange it must appear,
Till other unions make it clear.
Next, in the gall of bitterness,
With rage which words can ill express,
With unforgiving rage, which springs
From a false zeal for holy things,
Wearing such robes as prophets wear,
False prophets placed in Peter's chair,
On which, in characters of fire,
Shapes antic, horrible, and dire
Inwoven flamed, where, to the view,
In groups appear'd a rabble crew
Of sainted devils; where, all round,
Vile relics of vile men were found,
Who, worse than devils, from the birth
230
Perform'd the work of hell on earth,
Jugglers, Inquisitors, and Popes,
Pointing at axes, wheels, and ropes,
And engines, framed on horrid plan,
Which none but the destroyer, Man,
Could, to promote his selfish views,
Have head to make or heart to use,
Bearing, to consecrate her tricks,
In her left hand a crucifix,
'Remembrance of our dying Lord,'
And in her right a two-edged sword,
Having her brows, in impious sport,
Adorn'd with words of high import,
'On earth peace, amongst men good will,
Love bearing and forbearing still,'
All wrote in the hearts' blood of those
Who rather death than falsehood chose:
On her breast, (where, in days of yore,
When God loved Jews, the High Priest wore
Those oracles which were decreed
To instruct and guide the chosen seed)
Having with glory clad and strength,
The Virgin pictured at full length,
Whilst at her feet, in small pourtray'd,
As scarce worth notice, Christ was laid,-Came Superstition, fierce and fell,
An imp detested, e'en in hell;
Her eye inflamed, her face all o'er
Foully besmear'd with human gore,
O'er heaps of mangled saints she rode;
Fast at her heels Death proudly strode,
And grimly smiled, well pleased to see
Such havoc of mortality;
Close by her side, on mischief bent,
And urging on each bad intent
To its full bearing, savage, wild,
The mother fit of such a child,
Striving the empire to advance
Of Sin and Death, came Ignorance.
With looks, where dread command was placed,
And sovereign power by pride disgraced,
Where, loudly witnessing a mind
231
Of savage, more than human kind,
Not choosing to be loved, but fear'd,
Mocking at right, Misrule appear'd.
With eyeballs glaring fiery red,
Enough to strike beholders dead,
Gnashing his teeth, and in a flood
Pouring corruption forth and blood
From his chafed jaws; without remorse
Whipping and spurring on his horse,
Whose sides, in their own blood embay'd,
E'en to the bone were open laid,
Came Tyranny, disdaining awe,
And trampling over Sense and Law;
One thing, and only one, he knew,
One object only would pursue;
Though less (so low doth passion bring)
Than man, he would be more than king.
With every argument and art
Which might corrupt the head and heart,
Soothing the frenzy of his mind,
Companion meet, was Flattery join'd;
Winning his carriage, every look
Employed, whilst it conceal'd a hook;
When simple most, most to be fear'd;
Most crafty, when no craft appear'd;
His tales, no man like him could tell;
His words, which melted as they fell,
Might even a hypocrite deceive,
And make an infidel believe,
Wantonly cheating o'er and o'er
Those who had cheated been before:-Such Flattery came, in evil hour,
Poisoning the royal ear of Power,
And, grown by prostitution great,
Would be first minister of state.
Within the chariot, all alone,
High seated on a kind of throne,
With pebbles graced, a figure came,
Whom Justice would, but dare not name.
Hard times when Justice, without fear,
Dare not bring forth to public ear
The names of those who dare offend
232
'Gainst Justice, and pervert her end!
But, if the Muse afford me grace,
Description shall supply the place.
In foreign garments he was clad;
Sage ermine o'er the glossy plaid
Cast reverend honour; on his heart,
Wrought by the curious hand of Art,
In silver wrought, and brighter far
Than heavenly or than earthly star,
Shone a White Rose, the emblem dear
Of him he ever must revere;
Of that dread lord, who, with his host
Of faithful native rebels lost,
Like those black spirits doom'd to hell,
At once from power and virtue fell:
Around his clouded brows was placed
A bonnet, most superbly graced
With mighty thistles, nor forgot
The sacred motto--'Touch me not.'
In the right hand a sword he bore
Harder than adamant, and more
Fatal than winds, which from the mouth
Of the rough North invade the South;
The reeking blade to view presents
The blood of helpless innocents,
And on the hilt, as meek become
As lamb before the shearers dumb,
With downcast eye, and solemn show
Of deep, unutterable woe,
Mourning the time when Freedom reign'd,
Fast to a rock was Justice chain'd.
In his left hand, in wax impress'd,
With bells and gewgaws idly dress'd,
An image, cast in baby mould,
He held, and seem'd o'erjoy'd to hold
On this he fix'd his eyes; to this,
Bowing, he gave the loyal kiss,
And, for rebellion fully ripe,
Seem'd to desire the antitype.
What if to that Pretender's foes
His greatness, nay, his life, he owes;
Shall common obligations bind,
233
And shake his constancy of mind?
Scorning such weak and petty chains,
Faithful to James he still remains,
Though he the friend of George appear:
Dissimulation's virtue here.
Jealous and mean, he with a frown
Would awe, and keep all merit down,
Nor would to Truth and Justice bend,
Unless out-bullied by his friend:
Brave with the coward, with the brave
He is himself a coward slave:
Awed by his fears, he has no heart
To take a great and open part:
Mines in a subtle train he springs,
And, secret, saps the ears of kings;
But not e'en there continues firm
'Gainst the resistance of a worm:
Born in a country, where the will
Of one is law to all, he still
Retain'd the infection, with full aim
To spread it wheresoe'er he came;
Freedom he hated, Law defied,
The prostitute of Power and Pride;
Law he with ease explains away,
And leads bewilder'd Sense astray;
Much to the credit of his brain,
Puzzles the cause he can't maintain;
Proceeds on most familiar grounds,
And where he can't convince, confounds;
Talents of rarest stamp and size,
To Nature false, he misapplies,
And turns to poison what was sent
For purposes of nourishment.
Paleness, not such as on his wings
The messenger of Sickness brings,
But such as takes its coward rise
From conscious baseness, conscious vice,
O'erspread his cheeks; Disdain and Pride,
To upstart fortunes ever tied,
Scowl'd on his brow; within his eye,
Insidious, lurking like a spy,
To Caution principled by Fear,
234
Not daring open to appear,
Lodged covert Mischief; Passion hung
On his lip quivering; on his tongue
Fraud dwelt at large; within his breast
All that makes villain found a nest;
All that, on Hell's completest plan,
E'er join'd to damn the heart of man.
Soon as the car reach'd land, he rose,
And, with a look which might have froze
The heart's best blood, which was enough
Had hearts been made of sterner stuff
In cities than elsewhere, to make
The very stoutest quail and quake,
He cast his baleful eyes around:
Fix'd without motion to the ground,
Fear waiting on Surprise, all stood,
And horror chill'd their curdled blood;
No more they thought of pomp, no more
(For they had seen his face before)
Of law they thought; the cause forgot,
Whether it was or ghost, or plot,
Which drew them there: they all stood more
Like statues than they were before.
What could be done? Could Art, could Force.
Or both, direct a proper course
To make this savage monster tame,
Or send him back the way he came?
What neither art, nor force, nor both,
Could do, a Lord of foreign growth,
A Lord to that base wretch allied
In country, not in vice and pride,
Effected; from the self-same land,
(Bad news for our blaspheming band
Of scribblers, but deserving note)
The poison came and antidote.
Abash'd, the monster hung his head,
And like an empty vision fled;
His train, like virgin snows, which run,
Kiss'd by the burning bawdy sun,
To love-sick streams, dissolved in air;
Joy, who from absence seem'd more fair,
Came smiling, freed from slavish Awe;
235
Loyalty, Liberty, and Law,
Impatient of the galling chain,
And yoke of Power, resumed their reign;
And, burning with the glorious flame
Of public virtue, Mansfield came.
~ Charles Churchill,#NFDB |
1457:Ashtaroth: A Dramatic Lyric
Dramatis Personae
HUGO, a Norman Baron and a Scholar.
ERIC, a friend of Hugo's.
THURSTON, |
EUSTACE, |
RALPH, | Followers of Hugo.
HENRY, a Page.
LUKE, |
HUBERT, | Monks living in a Norman Chapel.
BASIL, Abbot of a Convent on the Rhine.
CYRIL, a Monk of the same Convent.
OSRIC, a Norwegian Adventurer, and formerly a Corsair.
RUDOLPH, an Outlawed Count, and the Captain of a Band of Robbers.
DAGOBERT, the Captain of some predatory Soldiers called "Free Lances".
HAROLD, a Danish Knight.
ORION.
THORA,
AGATHA,
ELSPETH, a Nurse of Thora's,
URSULA, Abbess of the Convent on the Rhine, |
NUNS, etc.
| Women.
Men-at-arms, Soldiers, and Robbers; Monks, Friars, and Churchmen, Spirits,
etc.
SCENE — A Castle in Normandy.
A Study in a Tower; HUGO seated at a table covered with maps and charts
of the heavens, astronomical instruments, books, manuscripts,
Enter HENRY, a Page.
Hugo:
Well, boy, what is it?
27
Henry: The feast is spread.
Hugo:
Why tarry the guests for me?
Let Eric sit at the table's head;
Alone I desire to be. [Henry goes out.]
What share have I at their festive board?
Their mirth I can only mar;
To me no pleasure their cups afford,
Their songs on my silence jar.
With an aching eye and a throbbing brain,
And yet with a hopeful heart,
I must toil and strain with the planets again
When the rays of the sun depart;
He who must needs with the topers tope,
And the feasters feast in the hall,
How can he hope with a matter to cope
That is immaterial?
Orion:
He who his appetite stints and curbs,
Shut up in the northern wing,
With his rye-bread flavoured with bitter herbs,
And his draught from the tasteless spring,
Good sooth, he is but a sorry clown.
There are some good things upon earth —
Pleasure and power and fair renown,
And wisdom of worldly worth!
There is wisdom in follies that charm the sense,
In follies that light the eyes,
But the folly to wisdom that makes pretence
Is alone by the fool termed wise.
Hugo:
Thy speech, Orion, is somewhat rude;
Perchance, having jeer'd and scoff'd
To thy fill, thou wilt curb thy jeering mood;
I wot thou hast served me oft.
This plan of the skies seems fairly traced;
What errors canst thou detect?
28
Orion:
Nay, the constellations are misplaced,
And the satellites incorrect;
Leave the plan to me; you have time to seek
An hour of needful rest,
The night is young and the planets are weak;
See, the sun still reddens the west.
Hugo:
I fear I shall sleep too long.
Orion: If you do
It matters not much; the sky
Is cloudy, the stars will be faint and few;
Now, list to my lullaby.
[Hugo reclines on a couch.]
(Sings.)
Still the darkling skies are red,
Though the day-god's course is run;
Heavenly night-lamps overhead
Flash and twinkle one by one.
Idle dreamer — earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
From the tree of knowledge first,
Since his parents pluck'd the fruit,
Man, with partial knowledge curs'd,
Of the tree still seeks the root;
Musty volumes crowd thy shelf —
Which of these true knowledge brings?
Wherefore weariest thou thyself
With thy vain imaginings?
Will the stars from heaven descend?
Can the earth-worm soar and rise?
Can the mortal comprehend
Heaven's own hallow'd mysteries?
Greed and glory, power and pelf —
These are won by clowns and kings;
Wherefore weariest thou thyself
29
With thy vain imaginings?
Sow and reap, and toil and spin;
Eat and drink, and dream and die;
Man may strive, yet never win,
And I laugh the while and cry —
Idle dreamer, earth-born elf!
Vainly grasping heavenly things,
Wherefore weariest thou thyself
With thy vain imaginings?
He sleeps, and his sleep appears serene,
Whatever dreams it has brought him —
[Looks at the plans.]
If he knows what those hieroglyphics mean,
He's wiser than one who taught him.
Why does he number the Pole-star thus?
Or the Pleiades why combine?
And what is he doing with Sirius,
In the devil's name or in mine?
Man thinks, discarding the beaten track,
That the sins of his youth are slain,
When he seeks fresh sins, but he soon comes back
To his old pet sins again.
SCENE — The Same.
HUGO waking, ORION seated near him. Daybreak.
Hugo:
Oh, weary spirit! oh, cloudy eyes!
Oh, heavy and misty brain!
Yon riddle that lies 'twixt earth and skies,
Ye seek to explore in vain!
See, the east is grey; put those scrolls away,
And hide them far from my sight;
I will toil and study no more by day,
I will watch no longer by night;
I have labour'd and long'd, and now I seem
No nearer the mystic goal;
30
Orion, I fain would devise some scheme
To quiet this restless soul;
To distant climes I would fain depart —
I would travel by sea or land.
Orion:
Nay, I warn'd you of this, "Short life, long art",
The proverb, though stale, will stand;
Full many a sage from youth to age
Has toil'd to obtain what you
Would master at once. In a pilgrimage,
Forsooth, there is nothing new;
Though virtue, I ween, in change of scene,
And vigour in change of air,
Will always be, and has always been,
And travel is a tonic rare.
Still, the restless, discontented mood
For the time alone is eased;
It will soon return with hunger renew'd,
And appetite unappeased.
Nathless I could teach a shorter plan
To win that wisdom you crave,
That lore that is seldom attain'd by man
From the cradle down to the grave.
Hugo:
Such lore I had rather do without,
It hath nothing mystic nor awful
In my eye. Nay, I despise and doubt
The arts that are term'd unlawful;
'Twixt science and magic the line lies plain,
I shall never wittingly pass it;
There is now no compact between us twain.
Orion: But an understanding tacit.
You have prospered much since the day we met;
You were then a landless knight;
You now have honour and wealth, and yet
I never can serve you right.
Hugo:
Enough; we will start this very day,
31
Thurston, Eric, and I,
And the baffled visions will pass away,
And the restless fires will die.
Orion:
Till the fuel expires that feeds those fires
They smoulder and live unspent;
Give a mortal all that his heart desires,
He is less than ever content.
SCENE — A Cliff on the Breton Coast, Overhanging the Sea.
HUGO.
Hugo:
Down drops the red sun; through the gloaming
They burst — raging waves of the sea,
Foaming out their own shame — ever foaming
Their leprosy up with fierce glee;
Flung back from the stone, snowy fountains
Of feathery flakes, scarcely flag
Where, shock after shock, the green mountains
Explode on the iron-grey crag.
The salt spray with ceaseless commotion
Leaps round me. I sit on the verge
Of the cliff — 'twixt the earth and the ocean —
With feet overhanging the surge.
In thy grandeur, oh, sea! we acknowledge,
In thy fairness, oh, earth! we confess,
Hidden truths that are taught in no college,
Hidden songs that no parchments express.
Were they wise in their own generations,
Those sages and sagas of old?
They have pass'd; o'er their names and their nations
Time's billows have silently roll'd;
They have pass'd, leaving little to their children,
Save histories of a truth far from strict;
Or theories more vague and bewildering,
32
Since three out of four contradict.
Lost labour! vain bookworms have sat in
The halls of dull pedants who teach
Strange tongues, the dead lore of the Latin,
The scroll that is god-like and Greek:
Have wasted life's springtide in learning
Things long ago learnt all in vain;
They are slow, very slow, in discerning
That book lore and wisdom are twain.
Pale shades of a creed that was mythic,
By time or by truth overcome,
Your Delphian temples and Pythic
Are ruins deserted and dumb;
Your Muses are hush'd, and your Graces
Are bruised and defaced; and your gods,
Enshrin'd and enthron'd in high places
No longer, are powerless as clods;
By forest and streamlet, where glisten'd
Fair feet of the Naiads that skimm'd
The shallows; where the Oreads listen'd,
Rose-lipp'd, amber-hair'd, marble-limb'd,
No lithe forms disport in the river,
No sweet faces peer through the boughs,
Elms and beeches wave silent for ever,
Ever silent the bright water flows.
(Were they duller or wiser than we are,
Those heathens of old? Who shall say?
Worse or better? Thy wisdom, O "Thea
Glaucopis", was wise in thy day;
And the false gods alluring to evil,
That sway'd reckless votaries then,
Were slain to no purpose; they revel
Re-crowned in the hearts of us men.)
Dead priests of Osiris and Isis,
And Apis! that mystical lore,
Like a nightmare, conceived in a crisis
Of fever, is studied no more;
33
Dead Magian! yon star-troop that spangles
The arch of yon firmament vast
Looks calm, like a host of white angels,
On dry dust of votaries past.
On seas unexplored can the ship shun
Sunk rocks? Can man fathom life's links,
Past or future, unsolved by Egyptian
Or Theban, unspoken by Sphinx?
The riddle remains still unravell'd
By students consuming night oil.
Oh, earth! we have toil'd, we have travail'd,
How long shall we travail and toil?
How long? The short life that fools reckon
So sweet, by how much is it higher
Than brute life? — the false gods still beckon,
And man, through the dust and the mire,
Toils onward, as toils the dull bullock,
Unreasoning, brutish, and blind,
With Ashtaroth, Mammon, and Moloch
In front, and Alecto behind.
The wise one of earth, the Chaldean,
Serves folly in wisdom's disguise;
And the sensual Epicurean,
Though grosser, is hardly less wise;
'Twixt the former, half pedant, half pagan,
And the latter, half sow and half sloth,
We halt, choose Astarte or Dagon,
Or sacrifice freely to both.
With our reason that seeks to disparage,
Brute instinct it fails to subdue;
With our false illegitimate courage,
Our sophistry, vain and untrue;
Our hopes that ascend so and fall so,
Our passions, fierce hates and hot loves,
We are wise (aye, the snake is wise also) —
Wise as serpents, NOT harmless as doves.
Some flashes, like faint sparks from heaven,
34
Come rarely with rushing of wings;
We are conscious at times we have striven,
Though seldom, to grasp better things;
These pass, leaving hearts that have falter'd,
Good angels with faces estranged,
And the skin of the Ethiop unalter'd,
And the spots of the leopard unchanged.
Oh, earth! pleasant earth! have we hanker'd
To gather thy flowers and thy fruits?
The roses are wither'd, and canker'd
The lilies, and barren the roots
Of the fig-tree, the vine, the wild olive,
Sharp thorns and sad thistles that yield
Fierce harvest — so WE live, and SO live
The perishing beasts of the field.
And withal we are conscious of evil
And good — of the spirit and the clod,
Of the power in our hearts of a devil,
Of the power in our souls of a God,
Whose commandments are graven in no cypher,
But clear as His sun — from our youth
One at least we have cherished — "An eye for
An eye, and a tooth for a tooth."
Oh, man! of thy Maker the image;
To passion, to pride, or to wealth,
Sworn bondsman, from dull youth to dim age,
Thy portion the fire or the filth,
Dross seeking, dead pleasure's death rattle
Thy memories' happiest song,
And thy highest hope — scarce a drawn battle
With dark desperation. How long?
Roar louder! leap higher! ye surf-beds,
And sprinkle your foam on the furze;
Bring the dreams that brought sleep to our turf-beds,
To camps of our long ago years,
With the flashing and sparkling of broadswords,
35
With the tossing of banners and spears,
With the trampling of hard hoofs on hard swards,
With the mingling of trumpets and cheers.
The gale has gone down; yet outlasting
The gale, raging waves of the sea,
Casting up their own foam, ever casting
Their leprosy up with wild glee,
Still storm; so in rashness and rudeness
Man storms through the days of his grace;
Yet man cannot fathom God's goodness,
Exceeding God's infinite space.
And coldly and calmly and purely
Grey rock and green hillock lie white
In star-shine dream-laden — so surely
Night cometh — so cometh the night
When we, too, at peace with our neighbour,
May sleep where God's hillocks are piled,
Thanking HIM for a rest from day's labour,
And a sleep like the sleep of a child!
SCENE — The Castle in Normandy.
THORA working at embroidery, ELSPETH spinning.
Thora (sings):
We severed in autumn early,
Ere the earth was torn by the plough;
The wheat and the oats and the barley
Are ripe for the harvest now.
We sunder'd one misty morning,
Ere the hills were dimm'd by the rain,
Through the flowers those hills adorning —
Thou comest not back again.
My heart is heavy and weary
With the weight of a weary soul;
36
The mid-day glare grows dreary,
And dreary the midnight scroll.
The corn-stalks sigh for the sickle,
'Neath the load of the golden grain;
I sigh for a mate more fickle —
Thou comest not back again.
The warm sun riseth and setteth,
The night bringeth moistening dew,
But the soul that longeth forgetteth
The warmth and the moisture too;
In the hot sun rising and setting
There is naught save feverish pain;
There are tears in the night-dews wetting —
Thou comest not back again.
Thy voice in mine ear still mingles
With the voices of whisp'ring trees;
Thy kiss on my cheek still tingles
At each kiss of the summer breeze;
While dreams of the past are thronging
For substance of shades in vain,
I am waiting, watching, and longing —
Thou comest not back again.
Waiting and watching ever,
Longing and lingering yet,
Leaves rustle and corn-stalks quiver,
Winds murmur and waters fret;
No answer they bring, no greeting,
No speech save that sad refrain,
Nor voice, save an echo repeating —
He cometh not back again.
Elspeth:
Thine eldest sister is wedded to Max;
With Biorn, Hilda hath cast her lot.
If the husbands vanish'd, and left no tracks,
Would the wives have cause for sorrow, I wot?
Thora:
How well I remember that dreary ride;
37
How I sigh'd for the lands of ice and snow,
In the trackless wastes of the desert wide,
With the sun o'erhead and the sand below;
'Neath the scanty shades of the feathery palms,
How I sigh'd for the forest of sheltering firs,
Whose shadows environ'd the Danish farms,
Where I sang and sported in childish years.
On the fourteenth day of our pilgrimage
We stayed at the foot of a sandhill high;
Our fever'd thirst we could scarce assuage
At the brackish well that was nearly dry,
And the hot sun rose, and the hot sun set,
And we rode all the day through a desert land,
And we camp'd where the lake and the river met,
On sedge and shingle and shining sand:
Enfolded in Hugo's cloak I slept,
Or watch'd the stars while I lay awake;
And close to our feet the staghound crept,
And the horses were grazing beside the lake;
Now we own castles and serving men,
Lands and revenues. What of that?
Hugo the Norman was kinder then,
And happier was Thora of Armorat.
Elspeth:
Nay, I warn'd thee, with Norman sails unfurl'd
Above our heads, when we wished thee joy,
That men are the same all over the world,
They will worship only the newest toy;
Yet Hugo is kind and constant too,
Though somewhat given to studies of late;
Biorn is sottish, and Max untrue,
And worse than thine is thy sisters' fate.
But a shadow darkens the chamber door.
Enter THURSTON.
Thurston:
'Tis I, Lady Thora; our lord is near.
My horse being fresher, I rode before;
Both he and Eric will soon be here.
38
Thora:
Good Thurston, give me your hand. You are
Most welcome. What has delayed you thus?
Thurston:
Both by sea and land we have travell'd far,
Yet little of note has happened to us —
We were wreck'd on the shores of Brittany,
Near the coast of Morbihan iron-bound;
The rocks were steep and the surf ran high,
Thy kinsman, Eric, was well-nigh drown'd.
By a swarm of knaves we were next beset,
Who took us for corsairs; then released
By a Breton count, whose name I forget.
Now I go, by your leave, to tend my beast.
[He goes out.]
Elspeth:
That man is rude and froward of speech:
My ears are good, though my sight grows dim.
Thora:
Thurston is faithful. Thou canst not teach
Courtly nor servile manners to him.
SCENE — The Castle Hall.
THURSTON, RALPH, EUSTACE, and other followers of HUGO,
seated at a long table. HAROLD seated apart.
Thurston:
Who is that stranger, dark and tall,
On the wooden settle next to the wall —
Mountebank, pilgrim, or wandering bard?
Eustace:
To define his calling is somewhat hard;
Lady Thora has taken him by the hand
Because he has come from the Holy Land.
39
Pilgrims and palmers are all the rage
With her, since she shared in that pilgrimage
With Hugo. The stranger came yesterday,
And would have gone on, but she bade him stay.
Besides, he sings in the Danish tongue
The songs she has heard in her childhood sung.
That's all I know of him, good or bad;
In my own opinion he's somewhat mad.
You must raise your voice if you speak with him,
And he answers as though his senses were dim.
Thurston (to Harold):
Good-morrow, sir stranger.
Harold: Good-morrow, friend.
Thurston:
Where do you come from? and whither wend?
Harold:
I have travelled of late with the setting sun
At my back; and as soon as my task is done
I purpose to turn my face to the north —
Yet we know not what a day may bring forth.
Thurston:
Indeed we don't.
(To Eustace, aside): Nay, I know him now
By that ugly scar that crosses his brow;
And the less we say to him the better.
Your judgment is right to the very letter —
The man is mad.
Eustace: But harmless, I think;
He eats but little, eschews strong drink,
And only speaks when spoken to first.
Thurston:
Harmless or not, he was once the worst
And bitterest foe Lord Hugo had;
And yet his story is somewhat sad.
40
Eustace:
May I hear it?
Thurston: Nay, I never reveal
What concerns me not. Our lord may conceal
Or divulge at pleasure his own affairs, —
Not even his comrade Eric shares
His secrets; though Eric thinks him wise,
Which is more than I do, for I despise
That foolish science he learnt in Rome.
He dreams and mopes when he sits at home,
And now he's not much better abroad;
'Tis hard to follow so tame a lord.
'Twixt us two, he won't be worth a rush
If he will persist in his studies ——
Eustace: Hush!
Ralph has persuaded our guest to sing.
Thurston:
I have known the day when his voice would ring
Till the rafters echoed.
Eustace: 'Tis pleasant still,
Though far too feeble this hall to fill.
Harold (sings):
On the current, where the wide
Windings of the river
Eddy to the North Sea tide,
Shall I in my shallop glide,
As I have done at her side?
Never! never! never!
In the forest, where the firs,
Pines, and larches quiver
To the northern breeze that stirs,
Shall my lips be press'd to hers,
As they were in by-gone years?
Never! never! never!
41
In the battle on the plain,
Where the lance-shafts shiver,
And the sword-strokes fall like rain,
Shall I bear her scarf again
As I have done — not in vain?
Never! never! never!
In a fairer, brighter land,
Where the saints rest ever,
Shall I once more see her stand,
White, amidst a white-robed band,
Harp and palm-branch in her hand?
Never! never! never!
SCENE — The Same.
EUSTACE, THURSTON, and followers of HUGO. HAROLD.
Enter, by the hall door, HUGO, ERIC, and THORA.
Eustace (and others standing up):
Welcome, Lord Hugo!
Hugo: Welcome or not,
Thanks for your greeting all.
Ha, Eustace! what complaints hast thou got?
What grievances to recall?
Eustace:
Count William came with a numerous band,
Ere the snows began to fall,
And slew a buck on your lordship's land,
Within a league of the wall.
Hugo:
Count William has done to us no more
Than we to him. In his vineyard
Last summer, or later, maybe, a boar
Was slaughter'd by Thurston's whinyard.
42
Thurston:
Aye, Hugo! But William kept the buck,
I will wager marks a score,
Though the tale is new to me; and, worse luck,
You made me give back the boar.
Harold (advancing):
Lord Hugo!
Hugo: What! Art thou living yet?
I scarcely knew thee, Sir Dane!
And 'tis not so very long since we met.
Harold:
'Twill be long ere we meet again. (gives a letter)
This letter was traced by one now dead
In the Holy Land; and I
Must wait till his dying request is read,
And in his name ask the reply.
Thora (aside):
Who is that stranger, Hugo?
Hugo: By birth
He is a countryman of thine,
Thora. What writing is this on earth?
I can scarce decipher a line.
Harold:
The pen in the clutch of death works ill.
Hugo:
Nay, I read now; the letters run
More clearly.
Harold: Wilt grant the request?
Hugo: I will.
Harold:
Enough! Then my task is done. (He holds out his hand.)
Hugo, I go to a far-off land,
43
Wilt thou say, "God speed thee!" now?
Hugo:
Sir Harold, I cannot take thy hand,
Because of my ancient vow.
Harold:
Farewell, then.
Thora: Friend, till the morning wait.
On so wild a night as this
Thou shalt not go from my husband's gate;
The path thou wilt surely miss.
Harold:
I go. Kind lady, some future day
Thy care will requited be.
Thora:
Speak, Hugo, speak.
Hugo: He may go or stay,
It matters little to me.
[Harold goes out.]
Thora:
Husband, that man is ill and weak;
On foot he goes and alone
Through a barren moor in a night-storm bleak.
Eric:
Now I wonder where he has gone!
Hugo:
Indeed, I have not the least idea;
The man is certainly mad.
He wedded my sister, Dorothea,
And used her cruelly bad.
He was once my firmest and surest friend,
And once my deadliest foe;
But hate and friendship both find their end —
Now I heed not where he may go.
44
SCENE — A Chamber in the Castle.
HUGO, THORA, and ERIC.
Hugo:
That letter that came from Palestine,
By the hands of yon wandering Dane,
Will cost me a pilgrimage to the Rhine.
Thora:
Wilt thou travel so soon again?
Hugo:
I can scarce refuse the dying request
Of my comrade, Baldwin, now;
His bones are dust. May his soul find rest
He once made a foolish vow,
That at Englemehr, 'neath the watchful care
Of the Abbess, his child should stay,
For a season at least. To escort her there
I must start at the break of day.
Thora:
Is it Agatha that goes, or Clare?
Hugo:
Nay, Clare is dwelling in Spain
With her spouse.
Thora: 'Tis Agatha. She is fair,
I am told; but giddy and vain.
Eric:
Some musty tales on my memory grow
Concerning Count Baldwin's vow;
Thou knew'st his daughter?
Hugo: Aye, years ago.
I should scarcely know her now.
45
It seems, when her father's vow was made,
She was taken sorely ill;
Then he travell'd, and on his return was stay'd;
He could never his oath fulfil.
Eric:
If rightly I've heard, 'twas Agatha
That fled with some Danish knight —
I forget the name.
Hugo: Nay, she fled not far;
She returned again that night.
Thora:
For a nun, I fear, she is too self-willed.
Hugo:
That is no affair of mine.
My task is over, my word fulfilled,
Should I bring her safe to the Rhine.
Come, Thora, sing.
Thora: Nay, I cannot sing,
Nor would I now if I could.
Sing thou.
Hugo: I will, though my voice should bring
No sound save a discord rude.
(Sings.)
Where the storm in its wrath hath lighted,
The pine lies low in the dust;
And the corn is withered and blighted,
Where the fields are red with the rust;
Falls the black frost, nipping and killing,
Where its petals the violet rears,
And the wind, though tempered, is chilling
To the lamb despoiled by the shears.
The strong in their strength are shaken,
The wise in their wisdom fall;
And the bloom of beauty is taken —
Strength, wisdom, beauty, and all,
46
They vanish, their lot fulfilling,
Their doom approaches and nears,
But the wind, though tempered, is chilling
To the lamb despoiled by the shears.
'Tis the will of a Great Creator,
He is wise, His will must be done,
And it cometh sooner or later;
And one shall be taken, and one
Shall be left here, toiling and tilling,
In this vale of sorrows and tears,
Where the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Tell me, mine own one, tell me,
The shadows of life and the fears
Shall neither daunt me nor quell me,
While I can avert thy tears:
Dost thou shrink, as I shrink, unwilling
To realise lonely years?
Since the wind, though tempered, is chilling
To the lamb despoiled by the shears.
Enter HENRY.
Henry:
My lord, Father Luke craves audience straight,
He has come on foot from the chapel;
Some stranger perished beside his gate
When the dawn began to dapple.
SCENE — A Chapel Not Very Far from Hugo's Castle.
HUGO, ERIC, and two Monks (LUKE and HUBERT). The dead body of HAROLD.
Luke:
When the dawn was breaking,
Came a faint sound, waking
Hubert and myself; we hurried to the door,
Found the stranger lying
47
At the threshold, dying.
Somewhere have I seen a face like his before.
Hugo:
Harold he is hight.
Only yester-night
From our gates he wander'd, in the driving hail;
Well his face I know,
Both as friend and foe;
Of my followers only Thurston knows his tale.
Luke:
Few the words he said,
Faint the signs he made,
Twice or thrice he groaned; quoth Hubert, "Thou hast sinn'd.
This is retribution,
Seek for absolution;
Answer me — then cast thy sorrows to the wind.
Do their voices reach thee,
Friends who failed to teach thee,
In thine earlier days, to sunder right from wrong?
Charges 'gainst thee cited,
Cares all unrequited,
Counsels spurned and slighted — do they press and throng?"
But he shook his head.
"'Tis not so," he said;
"They will scarce reproach me who reproached of yore.
If their counsels good,
Rashly I withstood;
Having suffered longer, I have suffered more."
"Do their curses stun thee?
Foes who failed to shun thee,
Stricken by rash vengeance, in some wild career,
As the barbed arrow
Cleaveth bone and marrow,
From those chambers narrow — do they pierce thine ear?"
And he made reply,
Laughing bitterly,
"Did I fear them living — shall I fear them dead?
Blood that I have spilt
Leaveth little guilt;
48
On the hand it resteth, scarcely on the head."
"Is there one whom thou
May'st have wronged ere now,
Since remorse so sorely weigheth down thine heart?
By some saint in heaven,
Sanctified and shriven,
Would'st thou be forgiven ere thy soul depart?"
Not a word he said,
But he bowed his head
Till his temples rested on the chilly sods
And we heard him groan —
"Ah! mine own, mine own!
If I had thy pardon I might ask for God's."
Hubert raised him slowly,
Sunrise, faint and holy,
Lit the dead face, placid as a child's might be.
May the troubled spirit,
Through Christ's saving merit,
Peace and rest inherit. Thus we sent for thee.
Hugo:
God o'erruleth fate.
I had cause for hate;
In this very chapel, years back, proud and strong,
Joined by priestly vows,
He became the spouse
Of my youngest sister, to her bitter wrong.
And he wrought her woe,
Making me his foe;
Not alone unfaithful — brutal, too, was he.
She had scarce been dead
Three months, ere he fled
With Count Baldwin's daughter, then betrothed to me.
Fortune straight forsook him,
Vengeance overtook him;
Heavy crimes will bring down heavy punishment.
All his strength was shatter'd,
Even his wits were scatter'd,
Half-deranged, half-crippled, wandering he went.
We are unforgiving
49
While our foes are living;
Yet his retribution weigh'd so heavily
That I feel remorse,
Gazing on his corpse,
For my rudeness when he left our gates to die.
And his grave shall be
'Neath the chestnut tree,
Where he met my sister many years ago;
Leave that tress of hair
On his bosom there —
Wrap the cerecloth round him! Eric, let us go.
SCENE — A Room in the Castle.
HUGO and ERIC. Early morning.
Hugo:
The morn is fair, the weary miles
Will shorten 'neath the summer's wiles;
Pomona in the orchard smiles,
And in the meadow, Flora!
And I have roused a chosen band
For escort through the troubled land;
And shaken Elspeth by the hand,
And said farewell to Thora.
Comrade and kinsman — for thou art
Comrade and kin to me — we part
Ere nightfall, if at once we start,
We gain the dead Count's castle.
The roads are fair, the days are fine,
Ere long I hope to reach the Rhine.
Forsooth, no friend to me or mine
Is that same Abbot Basil;
I thought he wronged us by his greed.
My father sign'd a foolish deed
For lack of gold in time of need,
And thus our lands went by us;
Yet wrong on our side may have been:
As far as my will goes, I ween,
'Tis past, the grudge that lay between
50
Us twain. Men call him pious —
And I have prosper'd much since then,
And gain'd for one lost acre ten;
And even the ancient house and glen
Rebought with purchase-money.
He, too, is wealthy; he has got
By churchly rights a fertile spot,
A land of corn and wine, I wot,
A land of milk and honey.
Now, Eric, change thy plans and ride
With us; thou hast no ties, no bride.
Eric:
Nay, ties I have, and time and tide,
Thou knowest, wait for no man;
And I go north; God's blessing shuns
The dwellings of forgetful sons,
That proverb he may read who runs,
In Christian lore or Roman.
My good old mother she hath heard,
For twelve long months, from me no word;
At thought of her my heart is stirr'd,
And even mine eyes grow moister.
Greet Ursula from me; her fame
Is known to all. A nobler dame,
Since days of Clovis, ne'er became
The inmate of a cloister.
Our paths diverge, yet we may go
Together for a league or so;
I, too, will join thy band below
When thou thy bugle windest.
[Eric goes out.]
Hugo:
From weaknesses we stand afar,
On us unpleasantly they jar;
And yet the stoutest-hearted are
The gentlest and the kindest.
My mother loved me tenderly;
Alas! her only son was I.
I shudder'd, but my lids were dry,
By death made orphan newly.
51
A braver man than me, I swear,
Who never comprehended fear,
Scarce names his mother, and the tear,
Unbidden, springs unruly.
SCENE — A Road on the Norman Frontiers.
HUGO, AGATHA, ORION, THURSTON, and armed attendants, riding slowly.
Agatha:
Sir Knight, what makes you so grave and glum?
At times I fear you are deaf or dumb,
Or both.
Hugo: And yet, should I speak the truth,
There is little in common 'twixt us, forsooth;
You would think me duller, and still more vain,
If I uttered the thoughts that fill my brain;
Since the matters with which my mind is laden
Would scarcely serve to amuse a maiden.
Agatha:
I am so foolish and you are so wise,
'Tis the meaning your words so ill disguise.
Alas! my prospects are sad enough:
I had rather listen to speeches rough
Than muse and meditate silently
On the coming loss of my liberty.
Sad hope to me can my future bring,
Yet, while I may, I would prattle and sing,
Though it only were to try and assuage
The dreariness of my pilgrimage.
Hugo:
Prattle and sing to your heart's content,
And none will offer impediment.
Agatha (sings):
We were playmates in childhood, my sister and I,
Whose playtime with childhood is done;
52
Through thickets where briar and bramble grew high,
Barefooted I've oft seen her run.
I've known her, when mists on the moorland hung white,
Bareheaded past nightfall remain;
She has followed a landless and penniless knight
Through battles and sieges in Spain.
But I pulled the flower, and shrank from the thorn,
Sought the sunshine, and fled from the mist;
My sister was born to face hardship with scorn —
I was born to be fondled and kiss'd.
Hugo (aside):
She has a sweet voice.
Orion: And a sweet face, too —
Be candid for once, and give her her due.
Agatha:
Your face grows longer, and still more long,
Sir Scholar! how did you like my song?
Hugo:
I thought it rather a silly one.
Agatha:
You are far from a pleasant companion.
SCENE — An Apartment in a Wayside Inn.
HUGO and AGATHA. Evening.
Hugo:
I will leave you now — we have talked enough,
And for one so tenderly reared and nursed
This journey is wearisome, perhaps, and rough.
Agatha: Will you not finish your story first?
53
Hugo:
I repent me that I began it now,
'Tis a dismal tale for a maiden's ears;
Your cheek is pale already, your brow
Is sad, and your eyes are moist with tears.
Agatha:
It may be thus, I am lightly vexed,
But the tears will lightly come and go;
I can cry one moment and laugh the next,
Yet I have seen terrors, as well you know.
I remember that flight through moss and fern,
The moonlit shadows, the hoofs that rolled
In fierce pursuit, and the ending stern,
And the hawk that left his prey on the wold.
Hugo:
I have sorrowed since that I left you there:
Your friends were close behind on the heath,
Though not so close as I thought they were.
(Aside.) Now I will not tell her of Harold's death.
Agatha:
'Tis true, I was justly punished, and men,
As a rule, of pity have little share;
Had I died you had cared but little then.
Hugo: But little then, yet now I should care
More than you think for. Now, good-night.
Tears still? Ere I leave you, child, alone,
Must I dry your cheeks?
Agatha: Nay, I am not quite
Such a child but what I can dry my own.
[Hugo goes out. Agatha retires.]
Orion (singing outside the window of Agatha's chamber):
'Neath the stems with blossoms laden,
'Neath the tendrils curling,
I, thy servant, sing, oh, maiden!
I, thy slave, oh, darling!
54
Lo! the shaft that slew the red deer,
At the elk may fly too.
Spare them not! The dead are dead, dear,
Let the living die too.
Where the wiles of serpent mingle,
And the looks of dove lie,
Where small hands in strong hands tingle,
Loving eyes meet lovely:
Where the harder natures soften,
And the softer harden —
Certes! such things have been often
Since we left Eve's garden.
Sweeter follies herald sadder
Sins — look not too closely;
Tongue of asp and tooth of adder
Under leaf of rose lie.
Warned, advised in vain, abandon
Warning and advice too,
Let the child lay wilful hand on
Den of cockatrice too.
I, thy servant, or thy master,
One or both — no matter;
If the former — firmer, faster,
Surer still the latter —
Lull thee, soothe thee with my singing,
Bid thee sleep, and ponder
On my lullabies still ringing
Through thy dreamland yonder.
SCENE — A Wooded Rising Ground, Near the Rhine.
HUGO and AGATHA resting under the trees. THURSTON, EUSTACE,
and followers a little apart. ORION. (Noonday.)
The Towers of the Convent in the distance.
Agatha:
I sit on the greensward, and hear the bird sing,
55
'Mid the thickets where scarlet and white blossoms cling;
And beyond the sweet uplands all golden with flower,
It looms in the distance, the grey convent tower.
And the emerald earth and the sapphire-hued sky
Keep telling me ever my spring has gone by;
Ah! spring premature, they are tolling thy knell,
In the wind's soft adieu, in the bird's sweet farewell.
Oh! why is the greensward with garlands so gay,
That I quail at the sight of my prison-house grey?
Oh! why is the bird's note so joyous and clear?
The caged bird must pine in a cage doubly drear.
Hugo:
May the lances of Dagobert harry their house,
If they coax or intimidate thee to take vows;
May the freebooters pillage their shrines, should they dare
Touch with their scissors thy glittering hair.
Our short and sweet journey now draws to an end,
And homeward my sorrowful way I must wend;
Oh, fair one! oh, loved one! I would I were free,
To squander my life in the greenwood with thee.
Orion (aside):
Ho! seeker of knowledge, so grave and so wise,
Touch her soft curl again — look again in her eyes;
Forget for the nonce musty parchments, and learn
How the slow pulse may quicken — the cold blood may burn.
Ho! fair, fickle maiden, so blooming and shy!
The old love is dead, let the old promise die!
Thou dost well, thou dost wise, take the word of Orion,
"A living dog always before a dead lion!"
Thurston:
Ye varlets, I would I knew which of ye burst
Our wine-skin — what, ho! must I perish with thirst!
Go, Henry, thou hast a glib tongue, go and ask
Thy lord to send Ralph to yon inn for a flask.
Henry:
Nay, Thurston, not so; I decline to disturb
56
Our lord for the present; go thou, or else curb
Thy thirst, or drink water, as I do.
Thurston: Thou knave
Of a page, dost thou wish me the colic to have?
Orion (aside):
That clown is a thoroughbred Saxon. He thinks
With pleasure on naught save hard blows and strong drinks;
In hell he will scarce go athirst if once given
An inkling of any good liquors in heaven.
Hugo:
Our Pontiff to manhood at Englemehr grew,
The priests there are many, the nuns are but few.
I love not the Abbot — 'tis needless to tell
My reason; but all of the Abbess speak well.
Agatha:
Through vineyards and cornfields beneath us, the Rhine
Spreads and winds, silver-white, in the merry sunshine;
And the air, overcharged with a subtle perfume,
Grows faint from the essence of manifold bloom.
Hugo:
And the tinkling of bells, and the bleating of sheep,
And the chaunt from the fields, where the labourers reap
The earlier harvest, comes faint on the breeze,
That whispers so faintly in hedgerows and trees.
Orion:
And a waggon wends slow to those turrets and spires,
To feed the fat monks and the corpulent friars;
It carries the corn, and the oil, and the wine,
The honey and milk from the shores of the Rhine.
The oxen are weary and spent with their load,
They pause, but the driver doth recklessly goad;
Up yon steep, flinty rise they have staggered and reeled,
Even devils may pity dumb beasts of the field.
57
Agatha (sings):
Oh! days and years departed,
Vain hopes, vain fears that smarted,
I turn to you sad-hearted —
I turn to you in tears!
Your daily sun shone brightly,
Your happy dreams came nightly,
Flowers bloomed and birds sang lightly,
Through all your hopes and fears!
You halted not, nor tarried,
Your hopes have all miscarried,
And even your fears are buried,
Since fear with hope must die.
You halted not, but hasted,
And flew past, childhood wasted,
And girlhood scarcely tasted,
Now womanhood is nigh.
Yet I forgive your wronging,
Dead seasons round me thronging,
With yearning and with longing,
I call your bitters sweet.
Vain longing, and vain yearning,
There now is no returning;
Oh! beating heart and burning,
Forget to burn and beat!
Oh! childish suns and showers,
Oh! girlish thorns and flowers,
Oh! fruitless days and hours,
Oh! groundless hopes and fears:
The birds still chirp and twitter,
And still the sunbeams glitter:
Oh! barren years and bitter,
Oh! bitter, barren years!
SCENE — The Summit of a Burning Mountain.
Night. A terrific storm. ORION (undisguised).
58
Orion (sings):
From fathomless depths of abysses,
Where fires unquenchable burst,
From the blackness of darkness, where hisses
The brood of the serpent accurs'd;
From shrines where the hymns are the weeping
And wailing and gnashing of teeth,
Where the palm is the pang never sleeping,
Where the worm never dying is the wreath;
Where all fruits save wickedness wither,
Whence naught save despair can be gleaned —
Come hither! come hither! come hither!
Fall'n angel, fell sprite, and foul fiend.
Come hither! the bands are all broken,
And loosed in hell's innermost womb,
When the spell unpronounceable spoken
Divides the unspeakable gloom.
Evil Spirits approach. The storm increases.
Evil Spirits (singing):
We hear thee, we seek thee, on pinions
That darken the shades of the shade;
Oh! Prince of the Air, with dominions
Encompass'd, with powers array'd,
With majesty cloth'd as a garment,
Begirt with a shadowy shine,
Whose feet scorch the hill-tops that are meant
As footstools for thee and for thine.
Orion (sings):
How it swells through each pause of the thunder,
And mounts through each lull of the gust,
Through the crashing of crags torn asunder,
And the hurtling of trees in the dust;
With a chorus of loud lamentations,
With its dreary and hopeless refrain!
'Tis the cry of all tongues and all nations,
That suffer and shudder in vain.
59
Evil Spirits (singing):
'Tis the cry of all tongues and all nations;
Our song shall chime in with their strain;
Lost spirits blend their wild exultations
With the sighing of mortals in pain.
Orion (sings):
With just light enough to see sorrows
In this world, and terrors beyond,
'Twixt the day's bitter pangs and the morrow's
Dread doubts, to despair and despond,
Man lingers through toils unavailing
For blessings that baffle his grasp;
To his cradle he comes with a wailing,
He goes to his grave with a gasp.
Evil Spirits (singing):
His birth is a weeping and wailing,
His death is a groan and a gasp;
O'er the seed of the woman prevailing,
Thus triumphs the seed of the asp.
SCENE — Chamber of a Wayside Inn.
HUGO sitting alone. Evening.
Hugo:
And now the parting is over,
The parting should end the pain;
And the restless heart may recover,
And so may the troubled brain.
I am sitting within the chamber
Whose windows look on the porch,
Where the roses cluster and clamber;
We halted here on our march
With her to the convent going,
And now I go back alone:
Ye roses, budding and blowing,
Ye heed not though she is flown.
60
I remember the girlish gesture,
The sportive and childlike grace,
With which she crumpled and pressed your
Rose leaves to her rose-hued face.
Shall I think on her ways hereafter —
On those flashes of mirth and grief,
On that April of tears and laughter,
On our parting, bitterly brief?
I remember the bell at sunrise,
That sounded so solemnly,
Bidding monk, and prelate, and nun rise;
I rose ere the sun was high.
Down the long, dark, dismal passage,
To the door of her resting-place
I went, on a farewell message,
I trod with a stealthy pace.
There was no one there to see us
When she opened her chamber door.
"Miserere, mei Deus",
Rang faint from the convent choir.
I remember the dark and narrow
And scantily-furnished room;
And the gleam, like a golden arrow —
The gleam that lighted the gloom.
One couch, one seat, and one table,
One window, and only one —
It stands in the eastern gable,
It faces the rising sun;
One ray shot through it, and one light
On doorway and threshold played.
She stood within in the sunlight,
I stood without in the shade.
I remember that bright form under
The sheen of that slanting ray.
I spoke — "For life we must sunder,
Let us sunder without delay.
Let us sever without preamble,
As brother and sister part,
For the sake of one pleasant ramble,
61
That will live in at least one heart."
Still the choir in my ears rang faintly,
In the distance dying away,
Sweetly and sadly and saintly,
Through arch and corridor grey!
And thus we parted for ever,
Between the shade and the shine;
Not as brother and sister sever —
I fondled her hands in mine.
Still the choir in my ears rang deaden'd
And dull'd, though audible yet;
And she redden'd, and paled, and redden'd —
Her lashes and lids grew wet.
Not as brother severs from sister,
My lips clung fast to her lips;
She shivered and shrank when I kissed her.
On the sunbeam drooped the eclipse.
I remember little of the parting
With the Abbot, down by the gate,
My men were eager for starting;
I think he pressed me to wait.
From the lands where convent and glebe lie,
From manors, and Church's right,
Where I fought temptation so feebly,
I, too, felt eager for flight.
Alas! the parting is over —
The parting, but not the pain —
Oh! sweet was the purple clover,
And sweet was the yellow grain;
And sweet were the woody hollows
On the summery Rhineward track;
But a winter untimely swallows
All sweets as I travel back.
Yet I feel assured, in some fashion,
Ere the hedges are crisp with rime,
I shall conquer this senseless passion,
'Twill yield to toil and to time.
I will fetter these fancies roaming;
Already the sun has dipped;
62
I will trim the lamps in the gloaming,
I will finish my manuscript.
Through the nightwatch unflagging study
Shall banish regrets perforce;
As soon as the east is ruddy
Our bugle shall sound "To Horse!"
SCENE — Another Wayside House, Near the Norman Frontier.
HUGO and ORION in a chamber. Evening.
Orion:
Your eyes are hollow, your step is slow,
And your cheek is pallid as though from toil,
Watching or fasting, by which I know
That you have been burning the midnight oil.
Hugo:
Aye, three nights running.
Orion: 'Twill never do
To travel all day, and study all night;
Will you join in a gallop through mist and dew,
In a flight that may vie with the eagle's flight?
Hugo:
With all my heart. Shall we saddle "Rollo"?
Orion:
Nay, leave him undisturb'd in his stall;
I have steeds he would hardly care to follow.
Hugo:
Follow, forsooth! he can lead them all.
Orion:
Touching his merits we will not quarrel;
But let me mount you for once; enough
Of work may await your favourite sorrel,
And the paths we must traverse to-night are rough.
63
But first let me mix you a beverage,
To invigorate your enfeebled frame.
[He mixes a draught and hands it to Hugo.]
All human ills this draught can assuage.
Hugo:
It hisses and glows like liquid flame;
Say, what quack nostrum is this thou'st brewed?
Speak out; I am learned in the chemist's lore.
Orion:
There is nothing but what will do you good;
And the drugs are simples; 'tis hellebore,
Nepenthe, upas, and dragon's blood,
Absinthe, and mandrake, and mandragore.
Hugo:
I will drink it, although, by mass and rood,
I am just as wise as I was before.
SCENE — A Rough, Hilly Country.
HUGO and ORION riding at speed on black horses.
Mountains in the distance. Night.
Hugo:
See! the sparks that fly from our hoof-strokes make
A fiery track that gleams in our wake;
Like a dream the dim landscape past us shoots,
Our horses fly.
Orion: They are useful brutes,
Though somewhat skittish; the foam is whit'ning
The crest and rein of my courser "Lightning";
He pulls to-night, being short of work,
And takes his head with a sudden jerk;
Still heel and steady hand on the bit,
For that is "Tempest" on which you sit.
Hugo:
64
'Tis the bravest steed that ever I back'd;
Did'st mark how he crossed yon cataract?
From hoof to hoof I should like to measure
The space he clear'd.
Orion: He can clear at leisure
A greater distance. Observe the chasm
We are nearing. Ha! did you feel a spasm
As we flew over it?
Hugo: Not at all.
Orion:
Nathless 'twas an ugly place for a fall.
Hugo:
Let us try a race to yon mountain high,
That rears its dusky peak 'gainst the sky.
Orion:
I won't disparage your horsemanship,
But your steed will stand neither spur nor whip,
And is hasty and hard to steer at times.
We must travel far ere the midnight chimes;
We must travel back ere the east is grey.
Ho! "Lightning"! "Tempest"! Away! Away!
[They ride on faster.]
SCENE — A Peak in a Mountainous Country Overhanging a Rocky Pass.
HUGO and ORION on black horses. Midnight.
Hugo:
These steeds are sprung from no common race,
Their vigour seems to annihilate space;
What hast thou brought me here to see?
Orion:
No boisterous scene of unhallow'd glee,
No sabbat of witches coarse and rude,
65
But a mystic and musical interlude;
You have long'd to explore the scrolls of Fate,
Dismount, as I do, and listen and wait.
[They dismount.]
Orion (chanting):
Spirits of earth, and air, and sea,
Spirits unclean, and spirits untrue,
By the symbols three that shall nameless be,
One of your masters calls on you.
Spirits (chanting in the distance):
From the bowels of earth, where gleams the gold;
From the air where the powers of darkness hold
Their court; from the white sea-foam,
Whence the white rose-tinted goddess sprung,
Whom poets of every age have sung,
Ever we come! we come!
Hugo:
How close to our ears the thunder peals!
How the earth beneath us shudders and reels!
A Voice (chanting):
Woe to the earth! Where men give death!
And women give birth!
To the sons of Adam, by Cain or Seth!
Plenty and dearth!
To the daughters of Eve, who toil and spin,
Barren of worth!
Let them sigh, and sicken, and suffer sin!
Woe to the earth!
Hugo:
What is yon phantom large and dim
That over the mountain seems to swim?
Orion:
'Tis the scarlet woman of Babylon!
Hugo:
Whence does she come? Where has she gone?
66
And who is she?
Orion: You would know too much;
These are subjects on which I dare not touch;
And if I were to try and enlighten you,
I should probably fail, and possibly frighten you.
You had better ask some learned divine,
Whose opinion is p'rhaps worth as much as mine,
In his own conceit; and who, besides,
Could tell you the brand of the beast she rides.
What can you see in the valley yonder?
Speak out; I can hear you, for all the thunder.
Hugo:
I see four shadowy altars rise,
They seem to swell and dilate in size;
Larger and clearer now they loom,
Now fires are lighting them through the gloom.
A Voice (chanting):
The first a golden-hued fire shows,
A blood-red flame on the second glows,
The blaze on the third is tinged like the rose,
From the fourth a column of black smoke goes.
Orion:
Can you see all this?
Hugo: I see and hear;
The lights and hues are vivid and clear.
Spirits (sing at the first altar):
Hail, Mammon! while man buys and barters,
Thy kingdom in this world is sure;
Thy prophets thou hast and thy martyrs,
Great things in thy name they endure;
Thy fetters of gold crush the miser,
The usurer bends at thy shrine,
And the wealthier nations and the wiser
Bow with us at this altar of thine.
Spirits (sing at the second altar):
67
Hail, Moloch! whose banner floats blood-red,
From pole to equator unfurl'd,
Whose laws redly written have stood red,
And shall stand while standeth this world;
Clad in purple, with thy diadem gory,
Thy sceptre the blood-dripping steel,
Thy subjects with us give thee glory,
With us at thine altar they kneel.
Spirits (sing at the third altar):
Hail, Sovereign! whose fires are kindled
By sparks from the bottomless pit,
Has thy worship diminish'd or dwindled?
Do the yokes of thy slaves lightly sit?
Nay, the men of all climes and all races
Are stirr'd by the flames that now stir us;
Then (as we do) they fall on their faces,
Crying, "Hear us! Oh! Ashtaroth, hear us!"
Spirits (all in chorus):
The vulture her carrion swallows,
Returns to his vomit the dog.
In the slough of uncleanliness wallows
The he-goat, and revels the hog.
Men are wise with their schools and their teachers,
Men are just with their creeds and their priests;
Yet, in spite of their pedants and preachers,
They backslide in footprints of beasts!
Hugo:
From the smoky altar there seems to come
A stifled murmur, a droning hum.
Orion:
With that we have nothing at all to do,
Or, at least, not now, neither I nor you;
Though some day or other, possibly
We may see it closer, both you and I;
Let us visit the nearest altar first,
Whence the yellow fires flicker and burst,
Like the flames from molten ore that spring;
We may stand in the pale of the outer ring,
68
But forbear to trespass within the inner,
Lest the sins of the past should find out the sinner.
[They approach the first altar, and stand within the
outer circle which surrounds it, and near the inner.]
Spirits (sing):
Beneath us it flashes,
The glittering gold,
Though it turneth to ashes
And dross in the hold;
Yet man will endeavour,
By fraud or by strife,
To grasp it and never
To yield it with life.
Orion:
What can you see?
Hugo: Some decrepit shapes,
That are neither dwarfs, nor demons, nor apes;
In the hollow earth they appear to store
And rake together great heaps of ore.
Orion:
These are the gnomes, coarse sprites and rough;
Come on, of these we have seen enough.
[They approach second altar and stand as before.]
Spirits (singing):
Above us it flashes,
The glittering steel,
Though the red blood splashes
Where its victims reel;
Yet man will endeavour
To grapple the hilt,
And to wield the blade ever
Till his life be spilt.
Orion:
What see you now?
Hugo: A rocky glen,
69
A horrid jumble of fighting men,
And a face that somewhere I've seen before.
Orion:
Come on; there is naught worth seeing more,
Except the altar of Ashtaroth.
Hugo:
To visit that altar I am loth.
Orion:
Why so?
Hugo: Nay, I cannot fathom why,
But I feel no curiosity.
Orion:
Come on. Stand close to the inner ring,
And hear how sweetly these spirits sing.
[They approach third altar.]
Spirits (sing):
Around us it flashes,
The cestus of one
Born of white foam, that dashes
Beneath the white sun;
Let the mortal take heart, he
Has nothing to dare;
She is fair, Queen Astarte,
Her subjects are fair!
Orion:
What see you now, friend?
Hugo: Wood and wold,
And forms that look like the nymphs of old.
There is nothing here worth looking at twice.
I have seen enough.
Orion: You are far too nice;
Nevertheless, you must look again.
Those forms will fade.
70
Hugo: They are growing less plain.
They vanish. I see a door that seems
To open; a ray of sunlight gleams
From a window behind; a vision as fair
As the flush of dawn is standing there.
[He gazes earnestly.]
Orion (sings):
Higher and hotter the white flames glow,
And the adamant may be thaw'd like snow,
And the life for a single chance may go,
And the soul for a certainty.
Oh! vain and shallow philosopher,
Dost feel them quicken, dost feel them stir,
The thoughts that have stray'd again to HER
From whom thou hast sought to fly?
Lo! the furnace is heated till sevenfold;
Is thy brain still calm? Is thy blood still cold
To the curls that wander in ripples of gold,
On the shoulders of ivory?
Do the large, dark eyes, and the small, red mouth,
Consume thine heart with a fiery drouth,
Like the fierce sirocco that sweeps from the south,
When the deserts are parch'd and dry?
Aye, start and shiver and catch thy breath,
The sting is certain, the venom is death,
And the scales are flashing the fruit beneath,
And the fang striketh suddenly.
At the core the ashes are bitter and dead,
But the rind is fair and the rind is red,
It has ever been pluck'd since the serpent said,
Thou shalt NOT SURELY die.
[Hugo tries to enter the inner ring;
Orion holds him back; they struggle.]
Hugo:
Unhand me, slave! or quail to the rod!
Agatha! Speak! in the name of God!
71
[The vision disappears; the altars vanish.
Hugo falls insensible.]
SCENE — The Wayside House.
HUGO waking in his chamber. ORION unseen at first. Morning.
Hugo:
Vanish, fair and fatal vision!
Fleeting shade of fever'd sleep,
Chiding one whose indecision
Waking substance failed to keep;
Picture into life half starting,
As in life once seen before,
Parting somewhat sadly, parting
Slowly at the chamber door.
Were my waking senses duller?
Have I seen with mental eye
Light and shade, and warmth and colour,
Plainer than reality?
Sunlight that on tangled tresses
Every ripple gilds and tips;
Balm and bloom, and breath of kisses,
Warm on dewy, scarlet lips.
Dark eyes veiling half their splendour
'Neath their lashes' darker fringe,
Dusky, dreamy, deep and tender,
Passing smile and passing tinge;
Dimpling fast and flushing faster,
Ivory chin and coral cheek,
Pearly strings, by alabaster
Neck and arms made faint and weak;
Drooping, downcast lids enduring
Gaze of man unwillingly;
Sudden, sidelong gleams alluring,
Partly arch and partly shy.
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Do I bless or curse that beauty?
Am I longing, am I loth?
Is it passion, is it duty
That I strive with, one or both?
Round about one fiery centre
Wayward thoughts like moths revolve.
[He sees Orion.]
Ha! Orion, thou didst enter
Unperceived. I pray thee solve
These two questions: Firstly, tell me,
Must I strive for wrong or right?
Secondly, what things befell me —
Facts, or phantasies — last night?
Orion:
First, your strife is all a sham, you
Know as well as I which wins;
Second, waking sins will damn you,
Never mind your sleeping sins;
Both your questions thus I answer;
Listen, ere you seek or shun:
I at least am no romancer,
What you long for may be won.
Turn again and travel Rhineward,
Tread once more the flowery path.
Hugo:
Aye, the flowery path that, sinward
Pointing, ends in sin and wrath.
Orion:
Songs by love-birds lightly caroll'd,
Even the just man may allure.
Hugo:
To his shame; in this wise Harold
Sinn'd, his punishment was sure.
Orion:
Nay, the Dane was worse than you are,
Base and pitiless to boot;
73
Doubtless all are bad, yet few are
Cruel, false, and dissolute.
Hugo:
Some sins foreign to our nature
Seem; we take no credit when
We escape them.
Orion: Yet the creature,
Sin-created, lives to sin.
Hugo:
Be it so; come good, come evil,
Ride we to the Rhine again!
Orion (aside):
'Gainst the logic of the devil
Human logic strives in vain.
SCENE — A Camp Near the Black Forest.
RUDOLPH, OSRIC, DAGOBERT, and followers. ORION disguised as
one of the Free-lances. Mid-day.
Osric:
Now, by axe of Odin, and hammer of Thor,
And by all the gods of the Viking's war,
I swear we have quitted our homes in vain:
We have nothing to look to, glory nor gain.
Will our galley return to Norway's shore
With heavier gold, or with costlier store?
Will our exploits furnish the scald with a song?
We have travell'd too far, we have tarried too long.
Say, captains all, is there ever a village
For miles around that is worth the pillage?
Will it pay the costs of my men or yours
To harry the homesteads of German boors?
Have we cause for pride in our feats of arms
When we plunder the peasants or sack the farms?
I tell thee, Rudolph of Rothenstein,
74
That were thy soldiers willing as mine,
And I sole leader of this array,
I would give Prince Otto battle this day.
Dost thou call thy followers men of war?
Oh, Dagobert! thou whose ancestor
On the neck of the Caesar's offspring trod,
Who was justly surnamed "The Scourge of God".
Yet in flight lies safety. Skirmish and run
To forest and fastness, Teuton and Hun,
From the banks of the Rhine to the Danube's shore,
And back to the banks of the Rhine once more;
Retreat from the face of an armed foe,
Robbing garden and hen-roost where'er you go.
Let the short alliance betwixt us cease,
I and my Norsemen will go in peace!
I wot it never will suit with us,
Such existence, tame and inglorious;
I could live no worse, living single-handed,
And better with half my men disbanded.
Rudolph:
Jarl Osric, what would'st thou have me do?
'Gainst Otto's army our men count few;
With one chance of victory, fight, say I!
But not when defeat is a certainty.
If Rudiger joins us with his free-lances,
Our chance will be equal to many chances;
For Rudiger is both prompt and wary;
And his men are gallant though mercenary;
But the knave refuses to send a lance
Till half the money is paid in advance.
Dagobert:
May his avarice wither him like a curse!
I guess he has heard of our late reverse;
But, Rudolph, whether he goes or stays,
There is reason in what Jarl Osric says;
Of provisions we need a fresh supply,
And our butts and flasks are shallow or dry;
My men are beginning to grumble sadly,
'Tis no wonder, since they must fare so badly.
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Rudolph:
We have plenty of foragers out, and still
We have plenty of hungry mouths to fill;
And, moreover, by some means, foul or fair,
We must raise money; 'tis little I care,
So long as we raise it, whence it comes.
Osric:
Shall we sit till nightfall biting our thumbs?
The shortest plan is ever the best;
Has anyone here got aught to suggest?
Orion:
The cornfields are golden that skirt the Rhine,
Fat are the oxen, strong is the wine,
In those pleasant pastures, those cellars deep,
That o'erflow with the tears that those vineyards weep;
Is it silver you stand in need of, or gold?
Ingot or coin? There is wealth untold
In the ancient convent of Englemehr;
That is not so very far from here.
The Abbot, esteem'd a holy man,
Will hold what he has and grasp what he can;
The cream of the soil he loves to skim,
Why not levy a contribution on him?
Dagobert:
The stranger speaks well; not far away
That convent lies; and one summer's day
Will suffice for a horseman to reach the gate;
The garrison soon would capitulate,
Since the armed retainers are next to none,
And the walls, I wot, may be quickly won.
Rudolph:
I kept those walls for two months or more,
When they feared the riders of Melchior!
That was little over three years ago.
Their Abbot is thrifty, as well I know;
He haggled sorely about the price
Of our service.
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Dagobert: Rudolph, he paid thee twice.
Rudolph:
Well, what of that? Since then I've tried
To borrow from him; now I know he lied
When he told me he could not spare the sum
I asked. If we to his gates should come,
He could spare it though it were doubled; and still,
This war with the Church I like it ill.
Osric:
The creed of our fathers is well-nigh dead,
And the creed of the Christian reigns in its stead
But the creed of the Christian, too, may die,
For your creeds or your churches what care I!
If there be plunder at Englemehr,
Let us strike our tents and thitherward steer.
SCENE — A Farm-house on the Rhine (About a mile from the Convent).
HUGO in chamber alone. Enter ERIC.
Eric:
What, Hugo, still at the Rhine! I thought
You were home. You have travell'd by stages short.
Hugo (with hesitation):
Our homeward march was labour in vain,
We had to retrace our steps again;
It was here or hereabouts that I lost
Some papers of value; at any cost
I must find them; and which way lies your course?
Eric:
I go to recruit Prince Otto's force.
I cannot study as you do; I
Am wearied with inactivity;
So I carry a blade engrim'd with rust
(That a hand sloth-slacken'd has, I trust,
Not quite forgotten the way to wield),
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To strike once more on the tented field.
Hugo:
Fighting is all a mistake, friend Eric,
And has been so since the age Homeric,
When Greece was shaken and Troy undone,
Ten thousand lives for a worthless one.
Yet I blame you not; you might well do worse;
Better fight and perish than live to curse
The day you were born; and such has been
The lot of many, and shall, I ween,
Be the lot of more. If Thurston chooses
He may go with you. The blockhead abuses
Me and the life I lead.
Enter ORION.
Orion: Great news!
The Englemehr monks will shake in their shoes;
In the soles of their callous feet will shake
The barefooted friars. The nuns will quake.
Hugo: Wherefore?
Orion: The outlaw of Rothenstein
Has come with his soldiers to the Rhine,
Back'd by those hardy adventurers
From the northern forests of pines and firs,
And Dagobert's horse. They march as straight
As the eagle swoops to the convent gate.
Hugo:
We must do something to save the place.
Orion:
They are sure to take it in any case,
Unless the sum that they ask is paid.
Eric:
Some effort on our part must be made.
Hugo:
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'Tis not so much for the monks I care.
Eric:
Nor I; but the Abbess and nuns are there.
Orion:
'Tis not our business; what can we do?
They are too many, and we are too few;
And yet, I suppose, you will save, if you can,
That lady, your ward, or your kinswoman.
Hugo:
She is no kinswoman of mine;
How far is Otto's camp from the Rhine?
Orion:
Too far for help in such time of need
To be brought, though you used your utmost speed.
Eric:
Nay, that I doubt.
Hugo: And how many men
Have they?
Orion: To your one they could muster ten.
Eric:
I know Count Rudolph, and terms may be made
With him, I fancy; for though his trade
Is a rough one now, gainsay it who can,
He was once a knight and a gentleman.
And Dagobert, the chief of the Huns,
Bad as he is, will spare the nuns;
Though neither he nor the Count could check
Those lawless men, should they storm and sack
The convent. Jarl Osric, too, I know;
He is rather a formidable foe,
And will likely enough be troublesome;
But the others, I trust, to terms will come.
Hugo:
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Eric, how many men have you?
I can count a score.
Eric: I have only two.
Hugo:
At every hazard we must try to save
The nuns.
Eric: Count Rudolph shall think we have
A force that almost equals his own,
If I can confer with him alone.
Orion:
He is close at hand; by this time he waits
The Abbot's reply at the convent gates.
Hugo:
We had better send him a herald.
Eric: Nay,
I will go myself. [Eric goes out.]
Hugo: Orion, stay!
So this is the reed on which I've leaned,
These are the hopes thou hast fostered, these
The flames thou hast fanned. Oh, lying fiend!
Is it thus thou dost keep thy promises?
Orion:
Strong language, Hugo, and most unjust;
You will cry out before you are hurt —
You will live to recall your words, I trust.
Fear nothing from Osric or Dagobert,
These are your friends, if you only knew it,
And would take the advice of a friend sincere;
Neglect his counsels and you must rue it,
For I know by a sign the crisis is near.
Accept the terms of these outlaws all,
And be thankful that things have fallen out
Exactly as you would have had them fall —
You may save the one that you care about;
80
Otherwise, how did you hope to gain
Access to her — on what pretence?
What were the schemes that worried your brain
To tempt her there or to lure her thence?
You must have bungled, and raised a scandal
About your ears, that might well have shamed
The rudest Hun, the veriest Vandal,
Long or ever the bird was tamed.
Hugo:
The convent is scarce surrounded yet,
We might reach and hold it against their force
Till another sun has risen and set;
And should I despatch my fleetest horse
To Otto ——
Orion: For Abbot, or Monk, or Friar,
Between ourselves, 'tis little you care
If their halls are harried by steel and fire:
Their avarice left your heritage bare.
Forsake them! Mitres, and cowls, and hoods
Will cover vices while earth endures;
Through the green and gold of the summer woods
Ride out with that pretty bird of yours.
If again you fail to improve your chance,
Why, then, my friend, I can only say
You are duller far than the dullest lance
That rides in Dagobert's troop this day.
"Faemina semper", frown not thus,
The girl was always giddy and wild,
Vain, and foolish, and frivolous,
Since she fled from her father's halls, a child.
I sought to initiate you once
In the mystic lore of the old Chaldean;
But I found you far too stubborn a dunce,
And your tastes are coarser and more plebeian.
Yet mark my words, for I read the stars,
And trace the future in yonder sky;
To the right are wars and rumours of wars,
To the left are peace and prosperity.
Fear naught. The world shall never detect
The cloven hoof, so carefully hid
81
By the scholar so staid and circumspect,
So wise for once to do as he's bid.
Remember what pangs come year by year
For opportunity that has fled;
And Thora in ignorance.
Hugo: Name not her!
I am sorely tempted to strike thee dead!
Orion:
Nay, I hardly think you will take my life,
The angel Michael was once my foe;
He had a little the best of our strife,
Yet he never could deal so stark a blow.
SCENE — A Chamber in the Nuns' Apartments of the Convent.
AGATHA and URSULA.
Agatha:
My sire in my childhood pledged my hand
To Hugo — I know not why —
They were comrades then, 'neath the Duke's command,
In the wars of Lombardy.
I thought, ere my summers had turned sixteen,
That mine was a grievous case;
Save once, for an hour, I had never seen
My intended bridegroom's face;
And maidens vows of their own will plight.
Unknown to my kinsfolk all
My love was vowed to a Danish knight,
A guest in my father's hall.
His foot fell lightest in merry dance,
His shaft never missed the deer;
He could fly a hawk, he could wield a lance,
Our wildest colt he could steer.
His deep voice ringing through hall or glen
Had never its match in song;
And little was known of his past life then,
Or of Dorothea's wrong.
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I loved him — Lady Abbess, I know
That my love was foolish now;
I was but a child five years ago,
And thoughtless as bird on bough.
One evening Hugo the Norman came,
And, to shorten a weary tale,
I fled that night (let me bear the blame)
With Harold by down and dale.
He had mounted me on a dappled steed,
And another of coal-black hue
He rode himself; and away at speed
We fled through mist and dew.
Of miles we had ridden some half a score,
We had halted beside a spring,
When the breeze to our ears through the still night bore
A distant trample and ring;
We listen'd one breathing space, and caught
The clatter of mounted men,
With vigour renewed by their respite short
Our horses dash'd through the glen.
Another league, and we listen'd in vain;
The breeze to our ears came mute;
But we heard them again on the spacious plain,
Faint tidings of hot pursuit.
In the misty light of a moon half hid
By the dark or fleecy rack,
Our shadows over the moorland slid,
Still listening and looking back.
So we fled (with a cheering word to say
At times as we hurried on),
From sounds that at intervals died away,
And at intervals came anon.
Another league, and my lips grew dumb,
And I felt my spirit quailing,
For closer those sounds began to come,
And the speed of my horse was failing.
"The grey is weary and lame to boot,"
Quoth Harold; "the black is strong,
And their steeds are blown with their fierce pursuit,
What wonder! our start was long.
Now, lady, behind me mount the black,
83
The double load he can bear;
We are safe when we reach the forest track,
Fresh horses and friends wait there."
Then I sat behind him and held his waist,
And faster we seemed to go
By moss and moor; but for all our haste
Came the tramp of the nearing foe.
A dyke through the mist before us hover'd,
And, quicken'd by voice and heel,
The black overleap'd it, stagger'd, recover'd;
Still nearer that muffled peal.
And louder on sward the hoof-strokes grew,
And duller, though not less nigh,
On deader sand; and a dark speck drew
On my vision suddenly,
And a single horseman in fleet career,
Like a shadow appear'd to glide
To within six lances' lengths of our rear,
And there for a space to bide.
Quoth Harold, "Speak, has the moon reveal'd
His face?" I replied, "Not so!
Yet 'tis none of my kinsfolk." Then he wheel'd
In the saddle and scanned the foe,
And mutter'd, still gazing in our wake,
"'Tis he; now I will not fight
The brother again, for the sister's sake,
While I can escape by flight."
"Who, Harold?" I asked; but he never spoke.
By the cry of the bittern harsh,
And the bull-frog's dull, discordant croak,
I guess'd that we near'd the marsh;
And the moonbeam flash'd on watery sedge
As it broke from a strip of cloud,
Ragged and jagged about the edge,
And shaped like a dead man's shroud.
And flagg'd and falter'd our gallant steed,
'Neath the weight of his double burden,
As we splash'd through water and crash'd through reed;
Then the soil began to harden,
And again we gain'd, or we seem'd to gain,
With our foe in the deep morass;
But those fleet hoofs thunder'd, and gain'd again,
84
When they trampled the firmer grass,
And I cried, and Harold again look'd back,
And bade me fasten mine eyes on
The forest, that loom'd like a patch of black
Standing out from the faint horizon.
"Courage, sweetheart! we are saved," he said;
"With the moorland our danger ends,
And close to the borders of yonder glade
They tarry, our trusty friends."
Where the mossy uplands rise and dip
On the edge of the leafy dell,
With a lurch, like the lurch of a sinking ship,
The black horse toppled and fell.
Unharm'd we lit on the velvet sward,
And even as I lit I lay,
But Harold uprose, unsheath'd his sword,
And toss'd the scabbard away.
And spake through his teeth, "Good brother-in-law,
Forbearance, at last, is spent;
The strife that thy soul hath lusted for
Thou shalt have to thy soul's content!"
While he spoke, our pursuer past us swept,
Ere he rein'd his war-horse proud,
To his haunches flung, then to the earth he leapt,
And my lover's voice rang loud:
"Thrice welcome! Hugo of Normandy,
Thou hast come at our time of need,
This lady will thank thee, and so will I,
For the loan of thy sorrel steed!"
And never a word Lord Hugo said,
They clos'd 'twixt the wood and the wold,
And the white steel flickered over my head
In the moonlight calm and cold;
'Mid the feathery grasses crouching low,
With face bow'd down to the dust,
I heard the clash of each warded blow,
The click of each parried thrust,
And the shuffling feet that bruis'd the lawn,
As they traversed here and there,
And the breath through the clench'd teeth heavily drawn
When breath there was none to spare;
85
Sharp ringing sword play, dull, trampling heel,
Short pause, spent force to regain,
Quick muffled footfall, harsh grating steel,
Sharp ringing rally again;
They seem'd long hours, those moments fleet,
As I counted them one by one,
Till a dead weight toppled across my feet,
And I knew that the strife was done.
When I looked up, after a little space,
As though from a fearful dream,
The moon was flinging on Harold's face
A white and a weird-like gleam;
And I felt mine ankles moist and warm
With the blood that trickled slow
From a spot on the doublet beneath his arm,
From a ghastly gash on his brow;
I heard the tread of the sorrel's hoof
As he bore his lord away;
They passed me slowly, keeping aloof,
Like spectres, misty and grey.
I thought Lord Hugo had left me there
To die, but it was not so;
Yet then for death I had little care,
My soul seem'd numb'd by the blow;
A faintness follow'd, a sickly swoon,
A long and a dreamless sleep,
And I woke to the light of a sultry noon
In my father's castled keep.
And thus, Lady Abbess, it came to pass
That my father vow'd his vow;
Must his daughter espouse the Church? Alas!
Is she better or wiser now?
For some are feeble and others strong,
And feeble am I and frail.
Mother! 'tis not that I love the wrong,
'Tis not that I loathe the veil,
But with heart still ready to go astray,
If assail'd by a fresh temptation,
I could sin again as I sinned that day,
For a girl's infatuation.
86
See! Harold, the Dane, thou say'st is dead,
Yet I weep NOT BITTERLY;
As I fled with the Dane, so I might have fled
With Hugo of Normandy.
Ursula:
My child, I advise no hasty vows,
Yet I pray that in life's brief span
Thou may'st learn that our Church is a fairer spouse
Than fickle and erring man;
Though fenced for a time by the Church's pale,
When that time expires thou'rt free;
And we cannot force thee to take the veil,
Nay, we scarce can counsel thee.
Enter the ABBOT hastily.
Basil (the Abbot):
I am sorely stricken with shame and grief,
It has come by the self-same sign,
A summons brief from the outlaw'd chief,
Count Rudolph of Rothenstein.
Lady Abbess, ere worse things come to pass,
I would speak with thee alone;
Alack and alas! for by the rood and mass
I fear we are all undone.
SCENE — A Farm-house Near the Convent.
A Chamber furnished with writing materials. HUGO, ERIC, and THURSTON
on one side; on the other OSRIC, RUDOLPH, and DAGOBERT.
Osric:
We have granted too much, ye ask for more;
I am not skill'd in your clerkly lore,
I scorn your logic; I had rather die
Than live like Hugo of Normandy:
I am a Norseman, frank and plain;
Ye must read the parchment over again.
87
Eric:
Jarl Osric, twice we have read this scroll.
Osric:
Thou hast read a part.
Eric: I have read the whole.
Osric:
Aye, since I attached my signature!
Eric:
Before and since!
Rudolph: Nay, of this be sure,
Thou hast signed; in fairness now let it rest.
Osric:
I had rather have sign'd upon Hugo's crest;
He has argued the question mouth to mouth
With the wordy lore of the subtle south;
Let him or any one of his band
Come and argue the question hand to hand.
With the aid of my battle-axe I will show
That a score of words are not worth one blow.
Thurston:
To the devil with thee and thy battle-axe;
I would send the pair of ye back in your tracks,
With an answer that even to thy boorish brain
Would scarce need repetition again.
Osric:
Thou Saxon slave to a milksop knight,
I will give thy body to raven and kite.
Thurston:
Thou liest; I am a freeborn man,
And thy huge carcase — in cubit and span
Like the giant's of Gath — 'neath Saxon steel,
Shall furnish the kites with a fatter meal.
88
Osric:
Now, by Odin!
Rudolph: Jarl Osric, curb thy wrath;
Our names are sign'd, our words have gone forth.
Hugo:
I blame thee, Thurston.
Thurston: And I, too, blame
Myself, since I follow a knight so tame!
[Thurston goes out.]
Osric:
The Saxon hound, he said I lied!
Rudolph:
I pray thee, good Viking, be pacified.
Osric:
Why do we grant the terms they ask?
To crush them all were an easy task.
Dagobert:
That know'st thou not; if it come to war,
They are stronger, perhaps, than we bargain for.
Eric:
Jarl Osric, thou may'st recall thy words —
Should we meet again.
Osric: Should we meet with swords,
Thou, too, may'st recall them to thy sorrow.
Hugo:
Eric! we dally. Sir Count, good-morrow.
SCENE — The Guest Chamber of the Convent.
HUGO, ERIC, and ORION.
89
Eric:
Hugo, their siege we might have tried;
This place would be easier fortified
Than I thought at first; it is now too late,
They have cut off our access to the gate.
Hugo:
I have weigh'd the chances and counted the cost,
And I know by the stars that all is lost
If we take up this quarrel.
Eric: So let it be!
I yield to one who is wiser than me. (Aside.)
Nevertheless, I have seen the day
When the stars would scarcely have bade us stay.
Enter the ABBOT, CYRIL, and other Monks.
Hugo:
Lord Abbot, we greet thee. Good fathers all,
We bring you greeting.
Orion (aside): And comfort small.
Abbot:
God's benediction on you, my sons.
Hugo:
May He save you, too, from Norsemen and Huns!
Since the gates are beleaguer'd and walls begirt
By the forces of Osric and Dagobert;
'Tis a heavy price that the knaves demand.
Abbot:
Were we to mortgage the Church's land
We never could raise what they would extort.
Orion (aside):
The price is too long and the notice too short.
Eric:
90
And you know the stern alternative.
Abbot:
If we die we die, if we live we live;
God's will be done; and our trust is sure
In Him, though His chast'nings we endure.
Two messengers rode from here last night,
To Otto they carry news of our plight;
On my swiftest horses I saw them go.
Orion (aside):
Then his swiftest horses are wondrous slow.
Eric:
One of these is captive and badly hurt;
By the reckless riders of Dagobert
He was overtaken and well-nigh slain,
Not a league from here on the open plain.
Abbot:
But the other escap'd.
Eric: It may be so;
We had no word of him, but we know
That unless you can keep these walls for a day
At least, the Prince is too far away
To afford relief.
Abbot: Then a hopeless case
Is ours, and with death we are face to face.
Eric:
You have arm'd retainers.
Cyril (a Monk): Aye, some half score;
And some few of the brethren, less or more,
Have in youth the brunt of the battle bided,
Yet our armoury is but ill provided.
Hugo:
We have terms of truce from the robbers in chief,
Though the terms are partial, the truce but brief;
91
To Abbess, to nuns, and novices all,
And to every woman within your wall,
We can offer escort, and they shall ride
From hence in safety whate'er betide.
Abbot:
What escort, Hugo, canst thou afford?
Hugo:
Some score of riders who call me lord
Bide at the farm not a mile from here,
Till we rejoin them they will not stir;
My page and armourer wait below,
And all our movements are watch'd by the foe.
Strict stipulation was made, of course,
That, except ourselves, neither man nor horse
Should enter your gates — they were keen to shun
The chance of increasing your garrison.
Eric:
I hold safe conduct here in my hand,
Signed by the chiefs of that lawless band;
See Rudolph's name, no disgrace to a clerk,
And Dagobert's scrawl, and Osric's mark;
Jarl signed sorely against his will,
With a scratch like the print of a raven's bill;
But the foe have muster'd in sight of the gate.
For another hour they will scarcely wait;
Bid Abbess and dame prepare with haste.
Hugo:
Lord Abbot, I tell thee candidly
There is no great love between thou and I,
As well thou know'st; but, nevertheless,
I would we were more, or thy foes were less.
Abbot:
I will summon the Lady Abbess straight.
[The Abbot and Monks go out.]
Eric:
'Tis hard to leave these men to their fate,
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Norsemen and Hun will never relent;
Their day of grace upon earth is spent.
[Hugo goes out, followed by Orion.]
SCENE — The Corridor Outside the Guest Chamber.
HUGO pacing up and down. ORION leaning against the wall.
Hugo:
My day of grace with theirs is past.
I might have saved them; 'tis too late —
Too late for both. The die is cast,
And I resign me to my fate.
God's vengeance I await.
Orion:
The boundary 'twixt right and wrong
Is not so easy to discern;
And man is weak, and fate is strong,
And destiny man's hopes will spurn,
Man's schemes will overturn.
Hugo:
Thou liest, thou fiend! Not unawares
The sinner swallows Satan's bait,
Nor pits conceal'd nor hidden snares
Seeks blindly; wherefore dost thou prate
Of destiny and fate?
Orion:
Who first named fate? But never mind,
Let that pass by — to Adam's fall
And Adam's curse look back, and find
Iniquity the lot of all,
And sin original.
Hugo:
But I have sinn'd, repented, sinn'd,
Till seven times that sin may be
By seventy multiplied; the wind
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Is constant when compared with me,
And stable is the sea!
My hopes are sacrificed, for what?
For days of folly, less or more,
For years to see those dead hopes rot,
Like dead weeds scatter'd on the shore,
Beyond the surfs that roar!
Orion:
The wiles of Eve are swift to smite;
Aye, swift to smite and not to spare —
Red lips and round limbs sweet and white,
Dark eyes and sunny, silken hair,
Thy betters may ensnare.
Hugo:
Not so; the strife 'twixt hell and heaven
I felt last night, and well I knew
The crisis; but my aid was given
To hell. Thou'st known the crisis too,
For once thou'st spoken true.
Having foretold it, there remains
For grace no time, for hope no room;
Even now I seem to feel the pains
Of hell, that wait beyond the gloom
Of my dishonour'd tomb.
Thou who hast lived and died to save,
Us sinners, Christ of Galilee!
Thy great love pardon'd and forgave
The dying thief upon the tree,
Thou canst not pardon me!
Dear Lord! hear Thou my latest prayer,
For prayer must die since hope is dead;
Thy Father's vengeance let me bear,
Nor let my guilt be visited
Upon a guiltless head!
Ah! God is just! Full sure I am
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He never did predestinate
Our souls to hell. Ourselves we damn —
[To Orion, with sudden passion]
Serpent! I know thee now, too late;
Curse thee! Work out thy hate!
Orion:
I hate thee not; thy grievous plight
Would move my pity, but I bear
A curse to which thy curse seems light!
Thy wrong is better than my right,
My day is darker than thy night;
Beside the whitest hope I share
How white is thy despair!
SCENE — The Chapel of the Convent.
URSULA, AGATHA, Nuns and Novices.
(Hymn of the Nuns):
Jehovah! we bless Thee,
All works of Thine hand
Extol Thee, confess Thee;
By sea and by land,
By mountain and river,
By forest and glen,
They praise Thee for ever!
And ever! Amen!
The heathen are raging
Against Thee, O Lord!
The ungodly are waging
Rash war against God!
Arise, and deliver
Us, sheep of Thy pen,
Who praise Thee for ever!
And ever! Amen!
Thou Shepherd of Zion!
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Thy firstlings didst tear
From jaws of the lion,
From teeth of the bear;
Thy strength to deliver
Is strong now as then.
We praise Thee for ever!
And ever! Amen!
Thine arm hath delivered
Thy servants of old,
Hath scatter'd and shiver'd
The spears of the bold,
Hath emptied the quiver
Of bloodthirsty men.
We praise Thee for ever!
And ever! Amen!
Nathless shall Thy right hand
Those counsels fulfil
Most wise in Thy sight, and
We bow to Thy will;
Thy children quail never
For dungeon or den,
They praise Thee for ever!
And ever! Amen!
Though fierce tribulation
Endure for a space,
Yet God! our salvation!
We gain by Thy grace,
At end of life's fever,
Bliss passing man's ken;
There to praise Thee for ever!
And ever! Amen!
SCENE — The Guest Room of the Convent.
HUGO, ERIC, and ORION. Enter URSULA, AGATHA, and Nuns.
Ursula:
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Hugo, we reject thine offers,
Not that we can buy
Safety from the Church's coffers,
Neither can we fly.
Far too great the price they seek is,
Let their lawless throng
Come, we wait their coming; weak is
Man, but God is strong.
Eric:
Think again on our proposals:
It will be too late
When the robbers hold carousals
On this side the gate.
Ursula:
For myself I speak and others
Weak and frail as I;
We will not desert our brothers
In adversity.
Hugo (to the Nuns):
Does the Abbess thus advance her
Will before ye all?
A Nun:
We will stay.
Hugo: Is this thine answer,
Agatha? The wall
Is a poor protection truly,
And the gates are weak,
And the Norsemen most unruly.
Come, then.
A Nun (to Agatha): Sister, speak!
Orion (aside to Hugo):
Press her! She her fears dissembling,
Stands irresolute;
She will yield — her limbs are trembling,
Though her lips are mute.
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[A trumpet is heard without.]
Eric:
Hark! their savage war-horn blowing
Chafes at our delay.
Hugo:
Agatha, we must be going.
Come, girl!
Agatha (clinging to Ursula): Must I stay?
Ursula:
Nay, my child, thou shalt not make me
Judge; I cannot give
Orders to a novice.
Agatha: Take me,
Hugo! Let me live!
Eric (to Nuns):
Foolish women! will ye tarry,
Spite of all we say?
Hugo:
Must we use our strength and carry
You by force away?
Ursula:
Bad enough thou art, Sir Norman,
Yet thou wilt not do
This thing. Shame! — on men make war, man,
Not on women few.
Eric:
Heed her not — her life she barters,
Of her free accord,
For her faith; and, doubtless, martyrs
Have their own reward.
Ursula:
In the Church's cause thy father
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Never grudged his blade —
Hugo, did he rue it?
Orion: Rather!
He was poorly paid.
Hugo:
Abbess, this is not my doing;
I have said my say;
How can I avert the ruin,
Even for a day,
Since they count two hundred fairly,
While we count a score;
And thine own retainers barely
Count a dozen more?
Agatha (kneeling to Ursula):
Ah! forgive me, Lady Abbess,
Bless me ere I go;
She who under sod and slab is
Lying, cold and low,
Scarce would turn away in anger
From a child so frail;
Not dear life, but deadly danger,
Makes her daughter quail.
Hugo:
Eric, will those faces tearful
To God's judgment seat
Haunt us?
Eric: Death is not so fearful.
Hugo: No, but life is sweet —
Sweet for once, to me, though sinful.
Orion (to Hugo): Earth is scant of bliss;
Wisest he who takes his skinful
When the chance is his.
(To Ursula):
Lady Abbess! stay and welcome
99
Osric's savage crew;
Yet when pains of death and hell come,
Thou thy choice may'st rue.
Ursula (to Orion):
What dost thou 'neath roof-trees sacred?
Man or fiend, depart!
Orion:
Dame, thy tongue is sharp and acrid,
Yet I bear the smart.
Ursula (advancing and raising up a crucifix):
I conjure thee by this symbol
Leave us!
[Orion goes out hastily.]
Hugo: Ha! the knave,
He has made an exit nimble;
Abbess! thou art brave.
Yet once gone, we're past recalling,
Let no blame be mine.
See, thy sisters' tears are falling
Fast, and so are thine.
Ursula:
Fare you well! The teardrop splashes
Vainly on the ice.
Ye will sorrow o'er our ashes
And your cowardice.
Eric:
Sorry am I, yet my sorrow
Cannot alter fate;
Should Prince Otto come to-morrow,
He will come too late.
Hugo:
Nay, old comrade, she hath spoken
Words we must not hear;
Shall we pause for sign or token —
Taunted twice with fear?
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Yonder, hilt to hilt adjusted,
Stand the swords in which we trusted
Years ago. Their blades have rusted,
So, perchance, have we.
Ursula! thy words may shame us,
Yet we once were counted famous,
Morituri, salutamus,
Aut victuri, te! [They go out.]
SCENE — The Outskirts of Rudolph's Camp.
RUDOLPH, OSRIC, and DAGOBERT. HUGO.
Rudolph:
Lord Hugo! thy speech is madness;
Thou hast tax'd our patience too far;
We offer'd thee peace — with gladness,
We gladly accept thy war.
Dagobert:
And the clemency we extended
To thee and thine we recall;
And the treaty 'twixt us is ended —
We are ready to storm the wall.
Osric:
Now tear yon parchment to tatters;
Thou shalt make no further use
Of our safeguard; the wind that scatters
The scroll shall scatter the truce.
Hugo:
Jarl Osric, to save the spilling
Of blood, and the waste of life,
I am willing, if thou art willing,
With thee to decide this strife;
Let thy comrades draw their force back;
I defy thee to single fight,
I will meet thee on foot or horseback,
And God shall defend the right.
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Rudolph:
No single combat shall settle
This strife; thou art overbold —
Thou hast put us all on our mettle,
Now the game in our hands we hold.
Dagobert:
Our lances round thee have hover'd,
Have seen where thy fellows bide;
Thy weakness we have discover'd,
Thy nakedness we have spied.
Osric:
And hearken, knight, to my story —
When sack'd are the convent shrines,
When the convent thresholds are gory,
And quaff'd are the convent wines:
When our beasts with pillage are laden,
And the clouds of our black smoke rise
From yon tower, one fair-haired maiden
Is singled as Osric's prize.
I will fit her with chain and collar
Of red gold, studded with pearls;
With bracelet of gold, Sir Scholar,
The queen of my captive girls.
Hugo (savagely):
May the Most High God of battles
The Lord and Ruler of fights,
Who breaketh the shield that rattles,
Who snappeth the sword that smites,
In whose hands are footmen and horsemen,
At whose breath they conquer or flee,
Never show me His mercy, Norseman!
If I show mercy to thee.
Osric:
What, ho! art thou drunk, Sir Norman?
Has the wine made thy pale cheek red?
Now, I swear by Odin and Thor, man,
Already I count thee dead.
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Rudolph:
I crave thy pardon for baulking
The flood of thine eloquence,
But thou canst not scare us with talking,
I therefore pray thee go hence.
Osric:
Though I may not take up thy gauntlet,
Should we meet where the steel strikes fire,
'Twixt thy casque and thy charger's frontlet
The choice will perplex thy squire.
Hugo:
When the Norman rowels are goading,
When glitters the Norman glaive,
Thou shalt call upon Thor and Odin:
They shall not hear thee nor save.
"Should we meet!" Aye, the chance may fall so,
In the furious battle drive,
So may God deal with me — more, also!
If we separate, both alive!
SCENE — The Court-yard of the Old Farm.
EUSTACE and other followers of HUGO and ERIC lounging about.
Enter THURSTON hastily, with swords under his arm.
Thurston:
Now saddle your horses and girth them tight,
And see that your weapons are sharp and bright.
Come, lads, get ready as fast as you can.
Eustace:
Why, what's this bustle about, old man?
Thurston:
Well, it seems Lord Hugo has changed his mind,
As the weathercock veers with the shifting wind;
He has gone in person to Osric's camp,
103
To tell him to pack up his tents and tramp!
But I guess he won't.
Eustace: Then I hope he will,
They are plenty to eat us, as well as to kill.
Ralph:
And I hope he won't — I begin to feel
A longing to moisten my thirsty steel.
[They begin to saddle and make preparations
for a skirmish.]
Thurston:
I've a couple of blades to look to here.
In their scabbards I scarcely could make them stir
At first, but I'll sharpen them both ere long.
A Man-at-arms:
Hurrah for a skirmish! Who'll give us a song?
Thurston (sings, cleaning and sharpening):
Hurrah! for the sword! I hold one here,
And I scour at the rust and say,
'Tis the umpire this, and the arbiter,
That settles in the fairest way;
For it stays false tongues and it cools hot blood,
And it lowers the proud one's crest;
And the law of the land is sometimes good,
But the law of the sword is best.
In all disputes 'tis the shortest plan,
The surest and best appeal; —
What else can decide between man and man?
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of Hugo, our lord!
'Tis a trusty friend and a true;
It has held its own on a grassy sward,
When its blade shone bright and blue,
Though it never has stricken in anger hard,
104
And has scarcely been cleansed from rust,
Since the day when it broke through Harold's guard
With our favourite cut and thrust;
Yet Osric's crown will look somewhat red,
And his brain will be apt to reel,
Should the trenchant blade come down on his head —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword of our ally bold,
It has done good service to him;
It has held its own on an open wold,
When its edge was in keener trim.
It may baffle the plots of the wisest skull,
It may slacken the strongest limb,
Make the brains full of forethought void and null,
And the eyes full of far-sight dim;
And the hasty hands are content to wait,
And the knees are compelled to kneel,
Where it falls with the weight of a downstroke straight —
(Chorus of all):
Hurrah! for the bright blue steel!
Thurston (sings):
Hurrah! for the sword — I've one of my own;
And I think I may safely say,
Give my enemy his, let us stand alone,
And our quarrel shall end one way;
One way or the other — it matters not much,
So the question be fairly tried.
Oh! peacemaker good, bringing peace with a touch,
Thy clients will be satisfied.
As a judge, thou dost judge — as a witness, attest,
And thou settest thy hand and seal,
And the winner is blest, and the loser at rest —
(Chorus of all):
Hurrah! for the bright blue steel!
[Hugo and Eric enter during the last verse
105
of the song.]
Hugo:
Boot and saddle, old friend,
Their defiance they send;
Time is short — make an end
Of thy song.
Let the sword in this fight
Strike as hard for the right
As it once struck for might
Leagued with wrong.
Ha! Rollo, thou champest
Thy bridle and stampest,
For the rush of the tempest
Dost long?
Ho! the kites will grow fatter
On the corpses we scatter,
In the paths where we shatter
Their throng.
Where Osric, the craven,
Hath reared the black raven
'Gainst monks that are shaven
And cowl'd:
Where the Teuton and Hun sit,
In the track of our onset,
Will the wolves, ere the sunset,
Have howl'd.
Retribution is good,
They have revell'd in blood,
Like the wolves of the wood
They have prowl'd.
Birds of prey they have been,
And of carrion unclean,
And their own nests (I ween)
They have foul'd.
Eric:
Two messengers since
Yestermorn have gone hence,
106
And ere long will the Prince
Bring relief.
Shall we pause? — they are ten
To our one, but their men
Are ill-arm'd, and scarce ken
Their own chief;
And for this we give thanks:
Their disorderly ranks,
If assail'd in the flanks,
Will as lief
Run as fight — loons and lords.
Hugo:
Mount your steeds! draw your swords!
Take your places! My words
Shall be brief:
Ride round by the valley,
Through pass and gorge sally —
The linden trees rally
Beneath.
Then, Eric and Thurston,
Their ranks while we burst on,
Try which will be first on
The heath.
(Aside)
Look again, mother mine,
Through the happy starshine,
For my sins dost thou pine?
With my breath,
See! thy pangs are all done,
For the life of thy son:
Thou shalt never feel one
For his death.
[They all go out but Hugo, who lingers to tighten
his girths. Orion appears suddenly in the gateway.]
Orion:
Stay, friend! I keep guard on
Thy soul's gates; hold hard on
Thy horse. Hope of pardon
107
Hath fled!
Bethink once, I crave thee,
Can recklessness save thee?
Hell sooner will have thee
Instead.
Hugo:
Back! My soul, tempest-toss'd,
Hath her Rubicon cross'd,
She shall fly — saved or lost!
Void of dread!
Sharper pang than the steel,
Thou, oh, serpent! shalt feel,
Should I set the bruised heel
On thy head.
[He rides out.]
SCENE — A Room in the Convent Tower Overlooking the Gate.
URSULA at the window. AGATHA and Nuns crouching or kneeling in a corner.
Ursula:
See, Ellinor! Agatha! Anna!
While yet for the ladders they wait,
Jarl Osric hath rear'd the black banner
Within a few yards of the gate;
It faces our window, the raven,
The badge of the cruel sea-kings,
That has carried to harbour and haven
Destruction and death on its wings.
Beneath us they throng, the fierce Norsemen,
The pikemen of Rudolph behind
Are mustered, and Dagobert's horsemen
With faces to rearward inclined;
Come last, on their coursers broad-chested,
Rough-coated, short-pastern'd and strong,
Their casques with white plumes thickly crested,
Their lances barb-headed and long:
They come through the shades of the linden,
Fleet riders and war-horses hot:
108
The Normans, our friends — we have sinn'd in
Our selfishness, sisters, I wot —
They come to add slaughter to slaughter,
Their handful can ne'er stem the tide
Of our foes, and our fate were but shorter
Without them. How fiercely they ride!
And "Hugo of Normandy!" "Hugo!"
"A rescue! a rescue!" rings loud,
And right on the many the few go!
A sway and a swerve of the crowd!
A springing and sparkling of sword-blades!
A crashing and 'countering of steeds!
And the white feathers fly 'neath their broad blades
Like foam-flakes! the spear-shafts like reeds!
A Nun (to Agatha):
Pray, sister!
Agatha: Alas! I have striven
To pray, but the lips move in vain
When the heart with such terror is riven.
Look again, Lady Abbess! Look again!
Ursula:
As leaves fall by wintry gusts scatter'd,
As fall by the sickle ripe ears,
As the pines by the whirlwind fall shatter'd,
As shatter'd by bolt fall the firs —
To the right hand they fall, to the left hand
They yield! They go down! they give back!
And their ranks are divided and cleft, and
Dispers'd and destroy'd in the track!
Where, stirrup to stirrup, and bridle
To bridle, down-trampling the slain!
Our friends, wielding swords never idle,
Hew bloody and desperate lane
Through pikemen, so crowded together
They scarce for their pikes can find room,
Led by Hugo's gilt crest, the tall feather
Of Thurston, and Eric's black plume!
A Nun (to Agatha):
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Pray, sister!
Agatha: First pray thou that heaven
Will lift this dull weight from my brain,
That crushes like crime unforgiven.
Look again, Lady Abbess! Look again!
Ursula:
Close under the gates men are fighting
On foot where the raven is rear'd!
'Neath that sword-stroke, through helm and skull smiting,
Jarl Osric falls, cloven to the beard!
And Hugo, the hilt firmly grasping,
His heel on the throat of his foe,
Wrenches back. I can hear the dull rasping,
The steel through the bone grating low!
And the raven rocks! Thurston has landed
Two strokes, well directed and hard,
On the standard pole, wielding, two-handed,
A blade crimson'd up to the guard.
Like the mast cut in two by the lightning,
The black banner topples and falls!
Bewildering! back-scattering! affright'ning!
It clears a wide space next the walls.
A Nun (to Agatha):
Pray, sister!
Agatha: Does the sinner unshriven,
With naught beyond this life to gain,
Pray for mercy on earth or in heaven?
Look again, Lady Abbess! Look again!
Ursula:
The gates are flung open, and straightway,
By Ambrose and Cyril led on,
Our own men rush out through the gateway;
One charge, and the entrance is won!
No! our foes block the gate and endeavour
To force their way in! Oath and yell,
Shout and war-cry wax wilder than ever!
Those children of Odin fight well;
110
And my ears are confused by the crashing,
The jarring, the discord, the din;
And mine eyes are perplex'd by the flashing
Of fierce lights that ceaselessly spin;
So when thunder to thunder is calling,
Quick flash follows flash in the shade,
So leaping and flashing and falling,
Blade flashes and follows on blade!
While the sward, newly plough'd, freshly painted,
Grows purple with blood of the slain,
And slippery! Has Agatha fainted?
Agatha:
Not so, Lady Abbess! Look again!
Ursula:
No more from the window; in the old years
I have look'd upon strife. Now I go
To the court-yard to rally our soldiers
As I may — face to face with the foe.
[She goes out.]
SCENE — A Room in the Convent.
THURSTON seated near a small fire.
Enter EUSTACE.
Eustace:
We have come through this skirmish with hardly a scratch.
Thurston:
And without us, I fancy, they have a full batch
Of sick men to look to. Those robbers accurs'd
Will soon put our soundest on terms with our worst.
Nathless I'd have bartered, with never a frown,
Ten years for those seconds when Osric went down.
Where's Ethelwolf?
Eustace: Dying.
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Thurston: And Reginald?
Eustace: Dead.
And Ralph is disabled, and Rudolph is sped.
He may last till midnight — not longer. Nor Tyrrel,
Nor Brian will ever see sunrise.
Thurston: That Cyril,
The monk, is a very respectable fighter.
Eustace:
Not bad for a monk. Yet our loss had been lighter
Had he and his fellows thrown open the gate
A little more quickly. And now, spite of fate,
With thirty picked soldiers their siege we might weather,
But the Abbess is worth all the rest put together.
[Enter Ursula.]
Thurston:
Here she comes.
Ursula: Can I speak with your lord?
Eustace: 'Tis too late,
He was dead when we carried him in at the gate.
Thurston:
Nay, he spoke after that, for I heard him myself;
But he won't speak again, he must lie on his shelf.
Ursula:
Alas! is he dead, then?
Thurston: As dead as St. Paul.
And what then? to-morrow we, too, one and all,
Die, to fatten these ravenous carrion birds.
I knelt down by Hugo and heard his last words:
"How heavy the night hangs — how wild the waves dash;
Say a mass for my soul — and give Rollo a mash."
Ursula:
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Nay, Thurston, thou jestest.
Thurston: Ask Eric. I swear
We listened and caught every syllable clear.
Eustace:
Why, his horse was slain, too.
Thurston: 'Neath the linden trees grey,
Ere the onset, young Henry rode Rollo away;
He will hasten the Prince, and they may reach your gate
To-morrow — though to-morrow for us is too late.
Hugo rode the boy's mare, and she's dead — if you like —
Disembowel'd by the thrust of a freebooter's pike.
Eustace:
Neither Henry nor Rollo we ever shall see.
Ursula:
But we may hold the walls till to-morrow.
Thurston: Not we.
In an hour or less, having rallied their force,
They'll storm your old building — and take it, of course,
Since of us, who alone in war's science are skill'd,
One-third are disabled, and two-thirds are kill'd.
Ursula:
Art thou hurt?
Thurston: At present I feel well enough,
But your water is brackish, unwholesome and rough;
Bring a flask of your wine, dame, for Eustace and I,
Let us gaily give battle and merrily die.
[Enter Eric, with arm in sling.]
Eric:
Thou art safe, Lady Abbess! The convent is safe!
To be robbed of their prey how the ravens will chafe!
The vanguard of Otto is looming in sight!
At the sheen of their spears, see! thy foemen take flight,
Their foremost are scarce half a mile from the wall.
113
Thurston:
Bring the wine, lest those Germans should swallow it all.
SCENE — The Chapel of the Convent.
Dirge of the Monks:
Earth to earth, and dust to dust,
Ashes unto ashes go.
Judge not. He who judgeth just,
Judgeth merciful also.
Earthly penitence hath fled,
Earthly sin hath ceased to be;
Pile the sods on heart and head,
Miserere Domine!
Hominum et angelorum,
Domine! precamur te
Ut immemor sis malorum —
Miserere Domine!
(Miserere!)
Will the fruits of life brought forth,
Pride and greed, and wrath and lust,
Profit in the day of wrath,
When the dust returns to dust?
Evil flower and thorny fruit
Load the wild and worthless tree.
Lo! the axe is at the root,
Miserere Domine!
Spes, fidesque, caritasque,
Frustra fatigant per se,
Frustra virtus, forsque, fasque,
Miserere Domine!
(Miserere!)
Fair without and foul within,
When the honey'd husks are reft
From the bitter sweets of sin,
114
Bitterness alone is left;
Yet the wayward soul hath striven
Mostly hell's ally to be,
In the strife 'twixt hell and heaven,
Miserere Domine!
Heu! heu! herba latet anguis —
Caro herba — carni vae —
Solum purgat, Christi sanguis,
Miserere Domine!
(Miserere!)
Pray that in the doubtful fight
Man may win through sore distress,
By His goodness infinite,
And His mercy fathomless.
Pray for one more of the weary,
Head bow'd down and bended knee,
Swell the requiem, Miserere!
Miserere Domine!
Bonum, malum, qui fecisti
Mali imploramus te,
Salve fratrem, causa Christi,
Miserere Domine!
(Miserere!)
[End of Ashtaroth.]
~ Adam Lindsay Gordon,#NFDB |
1458:Obiit Mdcccxxxiii (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
414
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise.
I.
I held it truth, with him who sings
To one clear harp in divers tones,
That men may rise on stepping-stones
Of their dead selves to higher things.
But who shall so forecast the years
And find in loss a gain to match?
Or reach a hand thro’ time to catch
The far-off interest of tears?
Let Love clasp Grief lest both be drown’d,
Let darkness keep her raven gloss:
Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
Than that the victor Hours should scorn
The long result of love, and boast,
‘Behold the man that loved and lost,
But all he was is overworn.’
II.
415
Old Yew, which graspest at the stones
That name the under-lying dead,
Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
The seasons bring the flower again,
And bring the firstling to the flock;
And in the dusk of thee, the clock
Beats out the little lives of men.
O not for thee the glow, the bloom,
Who changest not in any gale,
Nor branding summer suns avail
To touch thy thousand years of gloom:
And gazing on thee, sullen tree,
Sick for thy stubborn hardihood,
I seem to fail from out my blood
And grow incorporate into thee.
III.
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
‘The stars,’ she whispers, ‘blindly run;
A web is wov’n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
‘And all the phantom, Nature, stands–
With all the music in her tone,
A hollow echo of my own,–
A hollow form with empty hands.’
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
416
IV.
To Sleep I give my powers away;
My will is bondsman to the dark;
I sit within a helmless bark,
And with my heart I muse and say:
O heart, how fares it with thee now,
That thou should’st fail from thy desire,
Who scarcely darest to inquire,
‘What is it makes me beat so low?’
Something it is which thou hast lost,
Some pleasure from thine early years.
Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
Such clouds of nameless trouble cross
All night below the darken’d eyes;
With morning wakes the will, and cries,
‘Thou shalt not be the fool of loss.’
V.
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I’ll wrap me o’er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more.
417
VI.
One writes, that ‘Other friends remain,’
That ‘Loss is common to the race’–
And common is the commonplace,
And vacant chaff well meant for grain.
That loss is common would not make
My own less bitter, rather more:
Too common! Never morning wore
To evening, but some heart did break.
O father, wheresoe’er thou be,
Who pledgest now thy gallant son;
A shot, ere half thy draught be done,
Hath still’d the life that beat from thee.
O mother, praying God will save
Thy sailor,–while thy head is bow’d,
His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
Ye know no more than I who wrought
At that last hour to please him well;
Who mused on all I had to tell,
And something written, something thought;
Expecting still his advent home;
And ever met him on his way
With wishes, thinking, ‘here to-day,’
Or ‘here to-morrow will he come.’
O somewhere, meek, unconscious dove,
That sittest ranging golden hair;
And glad to find thyself so fair,
Poor child, that waitest for thy love!
For now her father’s chimney glows
In expectation of a guest;
And thinking ‘this will please him best,’
She takes a riband or a rose;
418
For he will see them on to-night;
And with the thought her colour burns;
And, having left the glass, she turns
Once more to set a ringlet right;
And, even when she turn’d, the curse
Had fallen, and her future Lord
Was drown’d in passing thro’ the ford,
Or kill’d in falling from his horse.
O what to her shall be the end?
And what to me remains of good?
To her, perpetual maidenhood,
And unto me no second friend.
VII.
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp’d no more–
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.
VIII.
A happy lover who has come
To look on her that loves him well,
Who ’lights and rings the gateway bell,
And learns her gone and far from home;
419
He saddens, all the magic light
Dies off at once from bower and hall,
And all the place is dark, and all
The chambers emptied of delight:
So find I every pleasant spot
In which we two were wont to meet,
The field, the chamber and the street,
For all is dark where thou art not.
Yet as that other, wandering there
In those deserted walks, may find
A flower beat with rain and wind,
Which once she foster'd up with care;
So seems it in my deep regret,
O my forsaken heart, with thee
And this poor flower of poesy
Which little cared for fades not yet.
But since it pleased a vanish’d eye,
I go to plant it on his tomb,
That if it can it there may bloom,
Or dying, there at least may die.
IX.
Fair ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
420
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
X.
I hear the noise about thy keel;
I hear the bell struck in the night:
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
XI.
421
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
XII.
Lo, as a dove when up she springs
To bear thro’ Heaven a tale of woe,
Some dolorous message knit below
The wild pulsation of her wings;
Like her I go; I cannot stay;
I leave this mortal ark behind,
A weight of nerves without a mind,
And leave the cliffs, and haste away
O’er ocean-mirrors rounded large,
And reach the glow of southern skies,
And see the sails at distance rise,
And linger weeping on the marge,
422
And saying; ‘Comes he thus, my friend?
Is this the end of all my care?’
And circle moaning in the air:
‘Is this the end? Is this the end?’
And forward dart again, and play
About the prow, and back return
To where the body sits, and learn
That I have been an hour away.
XIII.
Tears of the widower, when he sees
A late-lost form that sleep reveals,
And moves his doubtful arms, and feels
Her place is empty, fall like these;
Which weep a loss for ever new,
A void where heart on heart reposed;
And, where warm hands have prest and closed,
Silence, till I be silent too.
Which weeps the comrade of my choice,
An awful thought, a life removed,
The human-hearted man I loved,
A Spirit, not a breathing voice.
Come Time, and teach me, many years,
I do not suffer in a dream;
For now so strange do these things seem,
Mine eyes have leisure for their tears;
My fancies time to rise on wing,
And glance about the approaching sails,
As tho’ they brought but merchants’ bales,
And not the burthen that they bring.
XIV.
423
If one should bring me this report,
That thou hadst touch’d the land to-day,
And I went down unto the quay,
And found thee lying in the port;
And standing, muffled round with woe,
Should see thy passengers in rank
Come stepping lightly down the plank,
And beckoning unto those they know;
And if along with these should come
The man I held as half-divine;
Should strike a sudden hand in mine,
And ask a thousand things of home;
And
And
And
And
I should tell him all my pain,
how my life had droop’d of late,
he should sorrow o’er my state
marvel what possess’d my brain;
And I perceived no touch of change,
No hint of death in all his frame,
But found him all in all the same,
I should not feel it to be strange.
XV.
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
424
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
XVI.
What words are these have fall’n from me?
Can calm despair and wild unrest
Be tenants of a single breast,
Or sorrow such a changeling be?
Or doth she only seem to take
The touch of change in calm or storm;
But knows no more of transient form
In her deep self, than some dead lake
That holds the shadow of a lark
Hung in the shadow of a heaven?
Or has the shock, so harshly given,
Confused me like the unhappy bark
That strikes by night a craggy shelf,
And staggers blindly ere she sink?
And stunn’d me from my power to think
And all my knowledge of myself;
And made me that delirious man
Whose fancy fuses old and new,
And flashes into false and true,
And mingles all without a plan?
XVII.
425
Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou may’st roam,
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
XVIII.
’Tis well; ’tis something; we may stand
Where he in English earth is laid,
And from his ashes may be made
The violet of his native land.
’Tis little; but it looks in truth
As if the quiet bones were blest
Among familiar names to rest
And in the places of his youth.
Come then, pure hands, and bear the head
That sleeps or wears the mask of sleep,
And come, whatever loves to weep,
And hear the ritual of the dead.
426
Ah yet, ev’n yet, if this might be,
I, falling on his faithful heart,
Would breathing thro’ his lips impart
The life that almost dies in me;
That dies not, but endures with pain,
And slowly forms the the firmer mind,
Treasuring the look it cannot find,
The words that are not heard again.
XIX.
The Danube to the Severn gave
The darken’d heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
That salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush’d nor moved along,
And hush’d my deepest grief of all,
When fill’d with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
XX.
The lesser griefs that may be said,
That breathe a thousand tender vows,
Are but as servants in a house
Where lies the master newly dead;
427
Who speak their feeling as it is,
And weep the fulness from the mind:
‘It will be hard,’ they say, ‘to find
Another service such as this.’
My lighter moods are like to these,
That out of words a comfort win;
But there are other griefs within,
And tears that at their fountain freeze;
For by the hearth the children sit
Cold in that atmosphere of Death,
And scarce endure to draw the breath,
Or like to noiseless phantoms flit:
But open converse is there none,
So much the vital spirits sink
To see the vacant chair, and think,
‘How good! how kind! and he is gone.’
XXI.
I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.
The traveller hears me now and then,
And sometimes harshly will he speak:
‘This fellow would make weakness weak,
And melt the waxen hearts of men.’
Another answers, ‘Let him be,
He loves to make parade of pain,
That with his piping he may gain
The praise that comes to constancy.’
A third is wroth: ‘Is this an hour
For private sorrow’s barren song,
When more and more the people throng
The chairs and thrones of civil power?
428
‘A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?’
Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:
And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol’n away.
XXII.
The path by which we twain did go,
Which led by tracts that pleased us well,
Thro’ four sweet years arose and fell,
From flower to flower, from snow to snow:
And we with singing cheer’d the way,
And, crown’d with all the season lent,
From April on to April went,
And glad at heart from May to May:
But where the path we walk’d began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear’d of man;
Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull’d the murmur on thy lip,
And bore thee where I could not see
Nor follow, tho’ I walk in haste,
And think, that somewhere in the waste
429
The Shadow sits and waits for me.
XXIII.
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
XXIV.
And was the day of my delight
As pure and perfect as I say?
The very source and fount of Day
430
Is dash’d with wandering isles of night.
If all was good and fair we met,
This earth had been the Paradise
It never look’d to human eyes
Since our first Sun arose and set.
And is it that the haze of grief
Makes former gladness loom so great?
The lowness of the present state,
That sets the past in this relief?
Or that the past will always win
A glory from its being far;
And orb into the perfect star
We saw not, when we moved therein?
XXV.
I know that this was Life,–the track
Whereon with equal feet we fared;
And then, as now, the day prepared
The daily burden for the back.
But this it was that made me move
As light as carrier-birds in air;
I loved the weight I had to bear,
Because it needed help of Love:
Nor could I weary, heart or limb,
When mighty Love would cleave in twain
The lading of a single pain,
And part it, giving half to him.
XXVI.
Still onward winds the dreary way;
I with it; for I long to prove
No lapse of moons can canker Love,
Whatever fickle tongues may say.
431
And if that eye which watches guilt
And goodness, and hath power to see
Within the green the moulder’d tree,
And towers fall’n as soon as built–
Oh, if indeed that eye foresee
Or see (in Him is no before)
In more of life true life no more
And Love the indifference to be,
Then might I find, ere yet the morn
Breaks hither over Indian seas,
That Shadow waiting with the keys,
To shroud me from my proper scorn.
XXVII.
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:
I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;
Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.
I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.
XXVIII.
432
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
XXIX.
With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;
Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?
Yet go, and while the holly boughs
Entwine the cold baptismal font,
Make one wreath more for Use and Wont,
That guard the portals of the house;
433
Old sisters of a day gone by,
Gray nurses, loving nothing new;
Why should they miss their yearly due
Before their time? They too will die.
XXX.
With trembling fingers did we weave
The holly round the Christmas hearth;
A rainy cloud possess’d the earth,
And sadly fell our Christmas-eve.
At our old pastimes in the hall
We gambol’d, making vain pretence
Of gladness, with an awful sense
Of one mute Shadow watching all.
We paused: the winds were in the beech:
We heard them sweep the winter land;
And in a circle hand-in-hand
Sat silent, looking each at each.
Then echo-like our voices rang;
We sung, tho’ every eye was dim,
A merry song we sang with him
Last year: impetuously we sang:
We ceased: a gentler feeling crept
Upon us: surely rest is meet:
‘They rest,’ we said, ‘their sleep is sweet,’
And silence follow’d, and we wept.
Our voices took a higher range;
Once more we sang: ‘They do not die
Nor lose their mortal sympathy,
Nor change to us, although they change;
‘Rapt from the fickle and the frail
With gather’d power, yet the same,
Pierces the keen seraphic flame
From orb to orb, from veil to veil.’
434
Rise, happy morn, rise, holy morn,
Draw forth the cheerful day from night:
O Father, touch the east, and light
The light that shone when Hope was born.
XXXI.
When Lazarus left his charnel-cave,
And home to Mary’s house return’d,
Was this demanded–if he yearn’d
To hear her weeping by his grave?
‘Where wert thou, brother, those four days?’
There lives no record of reply,
Which telling what it is to die
Had surely added praise to praise.
From every house the neighbours met,
The streets were fill’d with joyful sound,
A solemn gladness even crown’d
The purple brows of Olivet.
Behold a man raised up by Christ!
The rest remaineth unreveal’d;
He told it not; or something seal’d
The lips of that Evangelist.
XXXII.
Her eyes are homes of silent prayer,
Nor other thought her mind admits
But, he was dead, and there he sits,
And he that brought him back is there.
Then one deep love doth supersede
All other, when her ardent gaze
Roves from the living brother’s face,
And rests upon the Life indeed.
435
All subtle thought, all curious fears,
Borne down by gladness so complete,
She bows, she bathes the Saviour’s feet
With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers,
Whose loves in higher love endure;
What souls possess themselves so pure,
Or is there blessedness like theirs?
XXXIII.
O thou that after toil and storm
Mayst seem to have reach’d a purer air,
Whose faith has centre everywhere,
Nor cares to fix itself to form,
Leave thou thy sister when she prays,
Her early Heaven, her happy views;
Nor thou with shadow’d hint confuse
A life that leads melodious days.
Her faith thro’ form is pure as thine,
Her hands are quicker unto good:
Oh, sacred be the flesh and blood
To which she links a truth divine!
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev’n for want of such a type.
XXXIV.
My own dim life should teach me this,
That life shall live for evermore,
Else earth is darkness at the core,
And dust and ashes all that is;
This round of green, this orb of flame,
436
Fantastic beauty; such as lurks
In some wild Poet, when he works
Without a conscience or an aim.
What then were God to such as I?
’Twere hardly worth my while to choose
Of things all mortal, or to use
A little patience ere I die;
’Twere best at once to sink to peace,
Like birds the charming serpent draws,
To drop head-foremost in the jaws
Of vacant darkness and to cease.
XXXV.
Yet if some voice that man could trust
Should murmur from the narrow house,
‘The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:’
Might I not say? ‘Yet even here,
But for one hour, O Love, I strive
To keep so sweet a thing alive:’
But I should turn mine ears and hear
The moanings of the homeless sea,
The sound of streams that swift or slow
Draw down Æonian hills, and sow
The dust of continents to be;
And Love would answer with a sigh,
‘The sound of that forgetful shore
Will change my sweetness more and more,
Half-dead to know that I shall die.’
O me, what profits it to put
And idle case? If Death were seen
At first as Death, Love had not been,
Or been in narrowest working shut,
437
Mere fellowship of sluggish moods,
Or in his coarsest Satyr-shape
Had bruised the herb and crush’d the grape,
And bask’d and batten’d in the woods.
XXXVI.
Tho’ truths in manhood darkly join,
Deep-seated in our mystic frame,
We yield all blessing to the name
Of Him that made them current coin;
For Wisdom dealt with mortal powers,
Where truth in closest words shall fail,
When truth embodied in a tale
Shall enter in at lowly doors.
And so the Word had breath, and wrought
With human hands the creed of creeds
In loveliness of perfect deeds,
More strong than all poetic thought;
Which he may read that binds the sheaf,
Or builds the house, or digs the grave,
And those wild eyes that watch the wave
In roarings round the coral reef.
XXXVII.
Urania speaks with darken’d brow:
‘Thou pratest here where thou art least;
This faith has many a purer priest,
And many an abler voice than thou.
‘Go down beside thy native rill,
On thy Parnassus set thy feet,
And hear thy laurel whisper sweet
About the ledges of the hill.’
And my Melpomene replies,
438
A touch of shame upon her cheek:
‘I am not worthy ev’n to speak
Of thy prevailing mysteries;
‘For I am but an earthly Muse,
And owning but a little art
To lull with song an aching heart,
And render human love his dues;
‘But brooding on the dear one dead,
And all he said of things divine,
(And dear to me as sacred wine
To dying lips is all he said),
‘I murmur’d, as I came along,
Of comfort clasp’d in truth reveal’d;
And loiter’d in the master’s field,
And darken’d sanctities with song.’
XXXVIII.
With weary steps I loiter on,
Tho’ always under alter’d skies
The purple from the distance dies,
My prospect and horizon gone.
No joy the blowing season gives,
The herald melodies of spring,
But in the songs I love to sing
A doubtful gleam of solace lives.
If any care for what is here
Survive in spirits render’d free,
Then are these songs I sing of thee
Not all ungrateful to thine ear.
XXXIX.
Old warder of these buried bones,
439
And answering now my random stroke
With fruitful cloud and living smoke,
Dark yew, that graspest at the stones
And dippest toward the dreamless head,
To thee too comes the golden hour
When flower is feeling after flower;
But Sorrow–fixt upon the dead,
And darkening the dark graves of men,–
What whisper’d from her lying lips?
Thy gloom is kindled at the tips,
And passes into gloom again.
XL.
Could we forget the widow’d hour
And look on Spirits breathed away,
As on a maiden in the day
When first she wears her orange-flower!
When crown’d with blessing she doth rise
To take her latest leave of home,
And hopes and light regrets that come
Make April of her tender eyes;
And doubtful joys the father move,
And tears are on the mother’s face,
As parting with a long embrace
She enters other realms of love;
Her office there to rear, to teach,
Becoming as is meet and fit
A link among the days, to knit
The generations each with each;
And, doubtless, unto thee is given
A life that bears immortal fruit
In those great offices that suit
The full-grown energies of heaven.
Ay me, the difference I discern!
440
How often shall her old fireside
Be cheer’d with tidings of the bride,
How often she herself return,
And tell them all they would have told,
And bring her babe, and make her boast,
Till even those that miss’d her most
Shall count new things as dear as old:
But thou and I have shaken hands,
Till growing winters lay me low;
My paths are in the fields I know,
And thine in undiscover’d lands.
XLI.
The spirit ere our fatal loss
Did ever rise from high to higher;
As mounts the heavenward altar-fire,
As flies the lighter thro’ the gross.
But thou art turn’d to something strange,
And I have lost the links that bound
Thy changes; here upon the ground,
No more partaker of thy change.
Deep folly! yet that this could be–
That I could wing my will with might
To leap the grades of life and light,
And flash at once, my friend, to thee.
For tho’ my nature rarely yields
To that vague fear implied in death;
Nor shudders at the gulfs beneath,
The howlings from forgotten fields;
Yet oft when sundown skirts the moor
An inner trouble I behold,
A spectral doubt which makes me cold,
That I shall be thy mate no more,
441
Tho’ following with an upward mind
The wonders that have come to thee,
Thro’ all the secular to-be,
But evermore a life behind.
XLII.
I vex my heart with fancies dim:
He still outstript me in the race;
It was but unity of place
That made me dream I rank’d with him.
And so may Place retain us still,
And he the much-beloved again,
A lord of large experience, train
To riper growth the mind and will:
And what delights can equal those
That stir the spirit’s inner deeps,
When one that loves but knows not, reaps
A truth from one that loves and knows?
XLIII.
If Sleep and Death be truly one,
And every spirit’s folded bloom
Thro’ all its intervital gloom
In some long trance should slumber on;
Unconscious of the sliding hour,
Bare of the body, might it last,
And silent traces of the past
Be all the colour of the flower:
So then were nothing lost to man;
So that still garden of the souls
In many a figured leaf enrolls
The total world since life began;
And love will last as pure and whole
442
As when he loved me here in Time,
And at the spiritual prime
Rewaken with the dawning soul.
XLIV.
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs),
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
XLV.
The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that ‘this is I:’
But as he grows he gathers much,
And learns the use of ‘I,’ and ‘me,’
And finds ‘I am not what I see,
And other than the things I touch.’
So rounds he to a separate mind
From whence clear memory may begin,
443
As thro’ the frame that binds him in
His isolation grows defined.
This use may lie in blood and breath,
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.
XLVI.
We ranging down this lower track,
The path we came by, thorn and flower,
Is shadow’d by the growing hour,
Lest life should fail in looking back.
So be it: there no shade can last
In that deep dawn behind the tomb,
But clear from marge to marge shall bloom
The eternal landscape of the past;
A lifelong tract of time reveal’d;
The fruitful hours of still increase;
Days order’d in a wealthy peace,
And those five years its richest field.
O Love, thy province were not large,
A bounded field, nor stretching far;
Look also, Love, a brooding star,
A rosy warmth from marge to marge.
XLVII.
That each, who seems a separate whole,
Should move his rounds, and fusing all
The skirts of self again, should fall
Remerging in the general Soul,
Is faith as vague as all unsweet:
Eternal form shall still divide
The eternal soul from all beside;
444
And I shall know him when we meet:
And we shall sit at endless feast,
Enjoying each the other’s good:
What vaster dream can hit the mood
Of Love on earth? He seeks at least
Upon the last and sharpest height,
Before the spirits fade away,
Some landing-place, to clasp and say,
‘Farewell! We lose ourselves in light.’
XLVIII.
If these brief lays, of Sorrow born,
Were taken to be such as closed
Grave doubts and answers here proposed,
Then these were such as men might scorn:
Her care is not to part and prove;
She takes, when harsher moods remit,
What slender shade of doubt may flit,
And makes it vassal unto love:
And hence, indeed, she sports with words,
But better serves a wholesome law,
And holds it sin and shame to draw
The deepest measure from the chords:
Nor dare she trust a larger lay,
But rather loosens from the lip
Short swallow-flights of song, that dip
Their wings in tears, and skim away.
XLIX.
From art, from nature, from the schools,
Let random influences glance,
Like light in many a shiver’d lance
445
That breaks about the dappled pools:
The lightest wave of thought shall lisp,
The fancy’s tenderest eddy wreathe,
The slightest air of song shall breathe
To make the sullen surface crisp.
And look thy look, and go thy way,
But blame not thou the winds that make
The seeming-wanton ripple break,
The tender-pencil’d shadow play.
Beneath all fancied hopes and fears
Ay me, the sorrow deepens down,
Whose muffled motions blindly drown
The bases of my life in tears.
L.
Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.
Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.
Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.
Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
LI.
446
Do we indeed desire the dead
Should still be near us at our side?
Is there no baseness we would hide?
No inner vileness that we dread?
Shall he for whose applause I strove,
I had such reverence for his blame,
See with clear eye some hidden shame
And I be lessen’d in his love?
I wrong the grave with fears untrue:
Shall love be blamed for want of faith?
There must be wisdom with great Death:
The dead shall look me thro’ and thro’.
Be near us when we climb or fall:
Ye watch, like God, the rolling hours
With larger other eyes than ours,
To make allowance for us all.
LII.
I cannot love thee as I ought,
For love reflects the thing beloved;
My words are only words, and moved
Upon the topmost froth of thought.
‘Yet blame not thou thy plaintive song,’
The Spirit of true love replied;
‘Thou canst not move me from thy side,
Nor human frailty do me wrong.
‘What keeps a spirit wholly true
To that ideal which he bears?
What record? not the sinless years
That breathed beneath the Syrian blue:
‘So fret not, like an idle girl,
That life is dash’d with flecks of sin.
Abide: thy wealth is gather’d in,
When Time hath sunder’d shell from pearl.’
447
LIII.
How many a father have I seen,
A sober man, among his boys,
Whose youth was full of foolish noise,
Who wears his manhood hale and green:
And dare we to this fancy give,
That had the wild oat not been sown,
The soil, left barren, scarce had grown
The grain by which a man may live?
Or, if we held the doctrine sound
For life outliving heats of youth,
Yet who would preach it as a truth
To those that eddy round and round?
Hold thou the good: define it well:
For fear divine Philosophy
Should push beyond her mark, and be
Procuress to the Lords of Hell.
LIV.
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another’s gain.
448
Behold, we know not anything;
I can but trust that good shall fall
At last–far off–at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
LV.
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
LVI.
449
‘So careful of the type?’ but no.
From scarped cliff and quarried stone
She cries, ‘A thousand types are gone:
I care for nothing, all shall go.
‘Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed–
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match’d with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
LVII.
Peace; come away: the song of woe
Is after all an earthly song:
Peace; come away: we do him wrong
To sing so wildly: let us go.
450
Come; let us go: your cheeks are pale;
But half my life I leave behind:
Methinks my friend is richly shrined;
But I shall pass; my work will fail.
Yet in these ears, till hearing dies,
One set slow bell will seem to toll
The passing of the sweetest soul
That ever look’d with human eyes.
I hear it now, and o’er and o’er,
Eternal greetings to the dead;
And ‘Ave, Ave, Ave,’ said,
‘Adieu, adieu’ for evermore.
LVIII.
In those sad words I took farewell:
Like echoes in sepulchral halls,
As drop by drop the water falls
In vaults and catacombs, they fell;
And, falling, idly broke the peace
Of hearts that beat from day to day,
Half-conscious of their dying clay,
And those cold crypts where they shall cease.
The high Muse answer’d: ‘Wherefore grieve
Thy brethren with a fruitless tear?
Abide a little longer here,
And thou shalt take a nobler leave.’
LIX.
O Sorrow, wilt thou live with me
No casual mistress, but a wife,
My bosom-friend and half of life;
As I confess it needs must be;
O Sorrow, wilt thou rule my blood,
451
Be sometimes lovely like a bride,
And put thy harsher moods aside,
If thou wilt have me wise and good.
My centred passion cannot move,
Nor will it lessen from to-day;
But I’ll have leave at times to play
As with the creature of my love;
And set thee forth, for thou art mine,
With so much hope for years to come,
That, howsoe’er I know thee, some
Could hardly tell what name were thine.
LX.
He past; a soul of nobler tone:
My spirit loved and loves him yet,
Like some poor girl whose heart is set
On one whose rank exceeds her own.
He mixing with his proper sphere,
She finds the baseness of her lot,
Half jealous of she knows not what,
And envying all that meet him there.
The little village looks forlorn;
She sighs amid her narrow days,
Moving about the household ways,
In that dark house where she was born.
The foolish neighbours come and go,
And tease her till the day draws by:
At night she weeps, ‘How vain am I!
How should he love a thing so low?’
LXI.
If, in thy second state sublime,
452
Thy ransom’d reason change replies
With all the circle of the wise,
The perfect flower of human time;
And if thou cast thine eyes below,
How dimly character’d and slight,
How dwarf’d a growth of cold and night,
How blanch'd with darkness must I grow!
Yet turn thee to the doubtful shore,
Where thy first form was made a man:
I loved thee, Spirit, and love, nor can
The soul of Shakespeare love thee more.
LXII.
Tho’ if an eye that’s downward cast
Could make thee somewhat blench or fail,
Then be my love an idle tale,
And fading legend of the past;
And thou, as one that once declined,
When he was little more than boy,
On some unworthy heart with joy,
But lives to wed an equal mind;
And breathes a novel world, the while
His other passion wholly dies,
Or in the light of deeper eyes
Is matter for a flying smile.
LXIII.
Yet pity for a horse o’er-driven,
And love in which my hound has part,
Can hang no weight upon my heart
In its assumptions up to heaven;
And I am so much more than these,
As thou, perchance, art more than I,
And yet I spare them sympathy,
453
And I would set their pains at ease.
So mayst thou watch me where I weep,
As, unto vaster motions bound,
The circuits of thine orbit round
A higher height, a deeper deep.
LXIV.
Dost thou look back on what hath been,
As some divinely gifted man,
Whose life in low estate began
And on a simple village green;
Who breaks his birth’s invidious bar,
And grasps the skirts of happy chance,
And breasts the blows of circumstance,
And grapples with his evil star;
Who makes by force his merit known
And lives to clutch the golden keys,
To mould a mighty state’s decrees,
And shape the whisper of the throne;
And moving up from high to higher,
Becomes on Fortune’s crowning slope
The pillar of a people’s hope,
The centre of a world’s desire;
Yet feels, as in a pensive dream,
When all his active powers are still,
A distant dearness in the hill,
A secret sweetness in the stream,
The limit of his narrower fate,
While yet beside its vocal springs
He play’d at counsellors and kings,
With one that was his earliest mate;
Who ploughs with pain his native lea
And reaps the labour of his hands,
454
Or in the furrow musing stands;
‘Does my old friend remember me?’
LXV.
Sweet soul, do with me as thou wilt;
I lull a fancy trouble-tost
With ‘Love’s too precious to be lost,
A little grain shall not be spilt.’
And in that solace can I sing,
Till out of painful phases wrought
There flutters up a happy thought,
Self-balanced on a lightsome wing:
Since we deserved the name of friends,
And thine effect so lives in me,
A part of mine may live in thee
And move thee on to noble ends.
LXVI.
You thought my heart too far diseased;
You wonder when my fancies play
To find me gay among the gay,
Like one with any trifle pleased.
The shade by which my life was crost,
Which makes a desert in the mind,
Has made me kindly with my kind,
And like to him whose sight is lost;
Whose feet are guided thro’ the land,
Whose jest among his friends is free,
Who takes the children on his knee,
And winds their curls about his hand:
He plays with threads, he beats his chair
For pastime, dreaming of the sky;
His inner day can never die,
455
His night of loss is always there.
LXVII.
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o’er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
LXVIII.
When in the down I sink my head,
Sleep, Death’s twin-brother, times my breath;
Sleep, Death’s twin-brother, knows not Death,
Nor can I dream of thee as dead:
I walk as ere I walk’d forlorn,
When all our path was fresh with dew,
And all the bugle breezes blew
Reveillée to the breaking morn.
But what is this? I turn about,
I find a trouble in thine eye,
Which makes me sad I know not why,
Nor can my dream resolve the doubt:
456
But ere the lark hath left the lea
I wake, and I discern the truth;
It is the trouble of my youth
That foolish sleep transfers to thee.
LXIX.
I dream’d there would be Spring no more,
That Nature’s ancient power was lost:
The streets were black with smoke and frost,
They chatter’d trifles at the door:
I wander’d from the noisy town,
I found a wood with thorny boughs:
I took the thorns to bind my brows,
I wore them like a civic crown:
I met with scoffs, I met with scorns
From youth and babe and hoary hairs:
They call’d me in the public squares
The fool that wears a crown of thorns:
They call’d me fool, they call’d me child:
I found an angel of the night;
The voice was low, the look was bright;
He look’d upon my crown and smiled:
He reach’d the glory of a hand,
That seem’d to touch it into leaf:
The voice was not the voice of grief,
The words were hard to understand.
LXX.
I cannot see the features right,
When on the gloom I strive to paint
The face I know; the hues are faint
And mix with hollow masks of night;
457
Cloud-towers by ghostly masons wrought,
A gulf that ever shuts and gapes,
A hand that points, and palled shapes
In shadowy thoroughfares of thought;
And crowds that stream from yawning doors,
And shoals of pucker’d faces drive;
Dark bulks that tumble half alive,
And lazy lengths on boundless shores;
Till all at once beyond the will
I hear a wizard music roll,
And thro’ a lattice on the soul
Looks thy fair face and makes it still.
LXXI.
Sleep, kinsman thou to death and trance
And madness, thou hast forged at last
A night-long Present of the Past
In which we went thro’ summer France.
Hadst thou such credit with the soul?
Then bring an opiate trebly strong,
Drug down the blindfold sense of wrong
That so my pleasure may be whole;
While now we talk as once we talk’d
Of men and minds, the dust of change,
The days that grow to something strange,
In walking as of old we walk’d
Beside the river’s wooded reach,
The fortress, and the mountain ridge,
The cataract flashing from the bridge,
The breaker breaking on the beach.
LXXII.
458
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown’d estate begun
To pine in that reverse of doom,
Which sicken’d every living bloom,
And blurr’d the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might’st have heaved a windless flame
Up the deep East, or, whispering, play’d
A chequer-work of beam and shade
Along the hills, yet look’d the same.
As wan, as chill, as wild as now;
Day, mark’d as with some hideous crime,
When the dark hand struck down thro’ time,
And cancell’d nature’s best: but thou,
Lift as thou may’st thy burthen’d brows
Thro’ clouds that drench the morning star,
And whirl the ungarner’d sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
LXXIII.
So many worlds, so much to do,
So little done, such things to be,
How know I what had need of thee,
For thou wert strong as thou wert true?
459
The fame is quench’d that I foresaw,
The head hath miss’d an earthly wreath:
I curse not nature, no, nor death;
For nothing is that errs from law.
We pass; the path that each man trod
Is dim, or will be dim, with weeds:
What fame is left for human deeds
In endless age? It rests with God.
O hollow wraith of dying fame,
Fade wholly, while the soul exults,
And self-infolds the large results
Of force that would have forged a name.
LXXIV.
As sometimes in a dead man’s face,
To those that watch it more and more,
A likeness, hardly seen before,
Comes out–to some one of his race:
So, dearest, now thy brows are cold,
I see thee what thou art, and know
Thy likeness to the wise below,
Thy kindred with the great of old.
But there is more than I can see,
And what I see I leave unsaid,
Nor speak it, knowing Death has made
His darkness beautiful with thee.
LXXV.
I leave thy praises unexpress’d
In verse that brings myself relief,
And by the measure of my grief
I leave thy greatness to be guess’d;
What practice howsoe’er expert
460
In fitting aptest words to things,
Or voice the richest-toned that sings,
Hath power to give thee as thou wert?
I care not in these fading days
To raise a cry that lasts not long,
And round thee with the breeze of song
To stir a little dust of praise.
Thy leaf has perish’d in the green,
And, while we breathe beneath the sun,
The world which credits what is done
Is cold to all that might have been.
So here shall silence guard thy fame;
But somewhere, out of human view,
Whate’er thy hands are set to do
Is wrought with tumult of acclaim.
LXXVI.
Take wings of fancy, and ascend,
And in a moment set thy face
Where all the starry heavens of space
Are sharpen’d to a needle’s end;
Take wings of foresight; lighten thro’
The secular abyss to come,
And lo, thy deepest lays are dumb
Before the mouldering of a yew;
And if the matin songs, that woke
The darkness of our planet, last,
Thine own shall wither in the vast,
Ere half the lifetime of an oak.
Ere these have clothed their branchy bowers
With fifty Mays, thy songs are vain;
And what are they when these remain
The ruin’d shells of hollow towers?
461
LXXVII.
What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten’d in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden’s locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken’d ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.
LXXVIII.
Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess’d the earth,
And calmly fell our Christmas-eve:
The yule-clog sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.
As in the winters left behind,
Again our ancient games had place,
The mimic picture’s breathing grace,
And dance and song and hoodman-blind.
Who show’d a token of distress?
462
No single tear, no mark of pain:
O sorrow, then can sorrow wane?
O grief, can grief be changed to less?
O last regret, regret can die!
No–mixt with all this mystic frame,
Her deep relations are the same,
But with long use her tears are dry.
LXXIX.
‘More than my brothers are to me,’–
Let this not vex thee, noble heart!
I know thee of what force thou art
To hold the costliest love in fee.
But thou and I are one in kind,
As moulded like in Nature’s mint;
And hill and wood and field did print
The same sweet forms in either mind.
For us the same cold streamlet curl’d
Thro’ all his eddying coves; the same
All winds that roam the twilight came
In whispers of the beauteous world.
At one dear knee we proffer’d vows,
One lesson from one book we learn’d,
Ere childhood’s flaxen ringlet turn’d
To black and brown on kindred brows.
And so my wealth resembles thine,
But he was rich where I was poor,
And he supplied my want the more
As his unlikeness fitted mine.
LXXX.
If any vague desire should rise,
463
That holy Death ere Arthur died
Had moved me kindly from his side,
And dropt the dust on tearless eyes;
Then fancy shapes, as fancy can,
The grief my loss in him had wrought,
A grief as deep as life or thought,
But stay’d in peace with God and man.
I make a picture in the brain;
I hear the sentence that he speaks;
He bears the burthen of the weeks
But turns his burthen into gain.
His credit thus shall set me free;
And, influence-rich to soothe and save,
Unused example from the grave
Reach out dead hands to comfort me.
LXXXI.
Could I have said while he was here,
‘My love shall now no further range;
There cannot come a mellower change,
For now is love mature in ear.’
Love, then, had hope of richer store:
What end is here to my complaint?
This haunting whisper makes me faint,
‘More years had made me love thee more.’
But Death returns an answer sweet:
‘My sudden frost was sudden gain,
And gave all ripeness to the grain,
It might have drawn from after-heat.’
LXXXII.
I wage not any feud with Death
For changes wrought on form and face;
464
No lower life that earth’s embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter’d stalks,
Or ruin’d chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
LXXXIII.
Dip down upon the northern shore,
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speedwell’s darling blue,
Deep tulips dash’d with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
465
LXXXIV.
When I contemplate all alone
The life that had been thine below,
And fix my thoughts on all the glow
To which thy crescent would have grown;
I see thee sitting crown’d with good,
A central warmth diffusing bliss
In glance and smile, and clasp and kiss,
On all the branches of thy blood;
Thy blood, my friend, and partly mine;
For now the day was drawing on,
When thou should’st link thy life with one
Of mine own house, and boys of thine
Had babbled ‘Uncle’ on my knee;
But that remorseless iron hour
Made cypress of her orange flower,
Despair of Hope, and earth of thee.
I seem to meet their least desire,
To clap their cheeks, to call them mine.
I see their unborn faces shine
Beside the never-lighted fire.
I see myself an honour’d guest,
Thy partner in the flowery walk
Of letters, genial table-talk,
Or deep dispute, and graceful jest;
While now thy prosperous labour fills
The lips of men with honest praise,
And sun by sun the happy days
Descend below the golden hills
With promise of a morn as fair;
And all the train of bounteous hours
Conduct by paths of growing powers,
To reverence and the silver hair;
Till slowly worn her earthly robe,
466
Her lavish mission richly wrought,
Leaving great legacies of thought,
Thy spirit should fail from off the globe;
What time mine own might also flee,
As link’d with thine in love and fate,
And, hovering o’er the dolorous strait
To the other shore, involved in thee,
Arrive at last the blessed goal,
And He that died in Holy Land
Would reach us out the shining hand,
And take us as a single soul.
What reed was that on which I leant?
Ah, backward fancy, wherefore wake
The old bitterness again, and break
The low beginnings of content.
LXXXV.
This truth came borne with bier and pall,
I felt it, when I sorrow’d most,
’Tis better to have loved and lost,
Than never to have loved at all–
O true in word, and tried in deed,
Demanding, so to bring relief
To this which is our common grief,
What kind of life is that I lead;
And whether trust in things above
Be dimm’d of sorrow, or sustain’d;
And whether love for him have drain’d
My capabilities of love;
Your words have virtue such as draws
A faithful answer from the breast,
Thro’ light reproaches, half exprest,
And loyal unto kindly laws.
467
My blood an even tenor kept,
Till on mine ear this message falls,
That in Vienna’s fatal walls
God’s finger touch’d him, and he slept.
The great Intelligences fair
That range above our mortal state,
In circle round the blessed gate,
Received and gave him welcome there;
And led him thro’ the blissful climes,
And show'd him in the fountain fresh
All knowledge that the sons of flesh
Shall gather in the cycled times.
But I remained, whose hopes were dim,
Whose life, whose thoughts were little worth,
To wander on a darkened earth,
Where all things round me breathed of him.
friendship, equal poised control,
heart, with kindliest motion warm,
sacred essence, other form,
solemn ghost, O crowned soul!
Yet none could better know than I,
How much of act at human hands
The sense of human will demands
By which we dare to live or die.
Whatever way my days decline,
I felt and feel, tho’ left alone,
His being working in mine own,
The footsteps of his life in mine;
A life that all the Muses decked
With gifts of grace, that might express
All comprehensive tenderness,
All-subtilising intellect:
And so my passion hath not swerved
To works of weakness, but I find
468
An image comforting the mind,
And in my grief a strength reserved.
Likewise the imaginative woe,
That loved to handle spiritual strife,
Diffused the shock thro’ all my life,
But in the present broke the blow.
My pulses therefore beat again
For other friends that once I met;
Nor can it suit me to forget
The mighty hopes that make us men.
I woo your love: I count it crime
To mourn for any overmuch;
I, the divided half of such
A friendship as had master’d Time;
Which masters Time indeed, and is
Eternal, separate from fears:
The all-assuming months and years
Can take no part away from this:
But Summer on the steaming floods,
And Spring that swells the narrow brooks,
And Autumn, with a noise of rooks,
That gather in the waning woods,
And every pulse of wind and wave
Recalls, in change of light or gloom,
My old affection of the tomb,
And my prime passion in the grave:
My old affection of the tomb,
A part of stillness, yearns to speak:
‘Arise, and get thee forth and seek
A friendship for the years to come.
‘I watch thee from the quiet shore;
Thy spirit up to mine can reach;
But in dear words of human speech
We two communicate no more.’
469
And I, ‘Can clouds of nature stain
The starry clearness of the free?
How is it? Canst thou feel for me
Some painless sympathy with pain?’
And lightly does the whisper fall;
‘’Tis hard for thee to fathom this;
I triumph in conclusive bliss,
And that serene result of all.’
So hold I commerce with the dead;
Or so methinks the dead would say;
Or so shall grief with symbols play
And pining life be fancy-fed.
Now looking to some settled end,
That these things pass, and I shall prove
A meeting somewhere, love with love,
I crave your pardon, O my friend;
If not so fresh, with love as true,
I, clasping brother-hands aver
I could not, if I would, transfer
The whole I felt for him to you.
For which be they that hold apart
The promise of the golden hours?
First love, first friendship, equal powers,
That marry with the virgin heart.
Still mine, that cannot but deplore,
That beats within a lonely place,
That yet remembers his embrace,
But at his footstep leaps no more,
My heart, tho’ widow’d, may not rest
Quite in the love of what is gone,
But seeks to beat in time with one
That warms another living breast.
Ah, take the imperfect gift I bring,
470
Knowing the primrose yet is dear,
The primrose of the later year,
As not unlike to that of Spring.
LXXXVI.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro’ all the dewy-tassell’d wood,
And shadowing down the horned flood
In ripples, fan my brows and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death,
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odour streaming far,
To where in yonder orient star
A hundred spirits whisper ‘Peace.’
LXXXVII.
I past beside the reverend walls
In which of old I wore the gown;
I roved at random thro’ the town,
And saw the tumult of the halls;
And heard one more in college fanes
The storm their high-built organs make,
And thunder-music, rolling, shake
The prophet blazon’d on the panes;
And caught one more the distant shout,
The measured pulse of racing oars
471
Among the willows; paced the shores
And many a bridge, and all about
The same gray flats again, and felt
The same, but not the same; and last
Up that long walk of limes I past
To see the rooms in which he dwelt.
Another name was on the door:
I linger’d; all within was noise
Of songs, and clapping hands, and boys
That crash’d the glass and beat the floor;
Where once we held debate, a band
Of youthful friends, on mind and art,
And labour, and the changing mart,
And all the framework of the land;
When one would aim an arrow fair,
But send it slackly from the string;
And one would pierce an outer ring,
And one an inner, here and there;
And last the master-bowman, he,
Would cleave the mark. A willing ear
We lent him. Who, but hung to hear
The rapt oration flowing free
From point to point, with power and grace
And music in the bounds of law,
To those conclusions when we saw
The God within him light his face,
And seem to lift the form, and glow
In azure orbits heavenly wise;
And over those ethereal eyes
The bar of Michael Angelo.
LXXXVIII.
472
Wild bird, whose warble, liquid sweet,
Rings Eden thro’ the budded quicks,
O tell me where the senses mix,
O tell me where the passions meet,
Whence radiate: fierce extremes employ
Thy spirits in the darkening leaf,
And in the midmost heart of grief
Thy passion clasps a secret joy:
And I–my harp would prelude woe–
I cannot all command the strings;
The glory of the sum of things
Will flash along the chords and go.
LXXXIX.
Witch-elms that counterchange the floor
Of this flat lawn with dusk and bright;
And thou, with all thy breadth and height
Of foliage, towering sycamore;
How often, hither wandering down,
My Arthur found your shadows fair,
And shook to all the liberal air
The dust and din and steam of town:
He brought an eye for all he saw;
He mixt in all our simple sports;
They pleased him, fresh from brawling courts
And dusty purlieus of the law.
O joy to him in this retreat,
Immantled in ambrosial dark,
To drink the cooler air, and mark
The landscape winking thro’ the heat:
O sound to rout the brood of cares,
The sweep of scythe in morning dew,
The gust that round the garden flew,
And tumbled half the mellowing pears!
473
O bliss, when all in circle drawn
About him, heart and ear were fed
To hear him, as he lay and read
The Tuscan poets on the lawn:
Or in the all-golden afternoon
A guest, or happy sister, sung,
Or here she brought the harp and flung
A ballad to the brightening moon:
Nor less it pleased in livelier moods,
Beyond the bounding hill to stray,
And break the livelong summer day
With banquet in the distant woods;
Whereat we glanced from theme to theme,
Discuss’d the books to love or hate,
Or touch’d the changes of the state,
Or threaded some Socratic dream;
But if I praised the busy town,
He loved to rail against it still,
For ‘ground in yonder social mill
We rub each other’s angles down,
‘And merge’ he said ‘in form and gloss
The picturesque of man and man.’
We talk’d: the stream beneath us ran,
The wine-flask lying couch’d in moss,
Or cool’d within the glooming wave;
And last, returning from afar,
Before the crimson-circled star
Had fall’n into her father’s grave,
And brushing ankle-deep in flowers,
We heard behind the woodbine veil
The milk that bubbled in the pail,
And buzzings of the honied hours.
474
XC.
He tasted love with half his mind,
Nor ever drank the inviolate spring
Where nighest heaven, who first could fling
This bitter seed among mankind;
That could the dead, whose dying eyes
Were closed with wail, resume their life,
They would but find in child and wife
An iron welcome when they rise:
’Twas well, indeed, when warm with wine,
To pledge them with a kindly tear,
To talk them o’er, to wish them here,
To count their memories half divine;
But if they came who past away,
Behold their brides in other hands;
The hard heir strides about their lands,
And will not yield them for a day.
Yea, tho’ their sons were none of these,
Not less the yet-loved sire would make
Confusion worse than death, and shake
The pillars of domestic peace.
Ah dear, but come thou back to me:
Whatever change the years have wrought,
I find not yet one lonely thought
That cries against my wish for thee.
XCI.
When rosy plumelets tuft the larch,
And rarely pipes the mounted thrush;
Or underneath the barren bush
Flits by the sea-blue bird of March;
Come, wear the form by which I know
Thy spirit in time among thy peers;
The hope of unaccomplish’d years
475
Be large and lucid round thy brow.
When summer’s hourly-mellowing change
May breathe, with many roses sweet,
Upon the thousand waves of wheat,
That ripple round the lonely grange;
Come: not in watches of the night,
But where the sunbeam broodeth warm,
Come, beauteous in thine after form,
And like a finer light in light.
XCII.
If any vision should reveal
Thy likeness, I might count it vain
As but the canker of the brain;
Yea, tho’ it spake and made appeal
To chances where our lots were cast
Together in the days behind,
I might but say, I hear a wind
Of memory murmuring the past.
Yea, tho’ it spake and bared to view
A fact within the coming year;
And tho’ the months, revolving near,
Should prove the phantom-warning true,
They might not seem thy prophecies,
But spiritual presentiments,
And such refraction of events
As often rises ere they rise.
XCIII.
I shall not see thee. Dare I say
No spirit ever brake the band
That stays him from the native land
476
Where first he walk’d when claspt in clay?
No visual shade of some one lost,
But he, the Spirit himself, may come
Where all the nerve of sense is numb;
Spirit to Spirit, Ghost to Ghost.
O, therefore from thy sightless range
With gods in unconjectured bliss,
O, from the distance of the abyss
Of tenfold-complicated change,
Descend, and touch, and enter; hear
The wish too strong for words to name;
That in this blindness of the frame
My Ghost may feel that thine is near.
XCIV.
How pure at heart and sound in head,
With what divine affections bold
Should be the man whose thought would hold
An hour’s communion with the dead.
In vain shalt thou, or any, call
The spirits from their golden day,
Except, like them, thou too canst say,
My spirit is at peace with all.
They haunt the silence of the breast,
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest:
But when the heart is full of din,
And doubt beside the portal waits,
They can but listen at the gates,
And hear the household jar within.
XCV.
477
By night we linger’d on the lawn,
For underfoot the herb was dry;
And genial warmth; and o’er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr’d:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel’d or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal’d
From knoll to knoll, where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall’n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love’s dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro’ wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch’d me from the past,
478
And all at once it seem’d at last
The living soul was flash’d on mine,
And mine in this was wound, and whirl’d
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time–the shocks of Chance–
The blows of Death. At length my trance
Was cancell’d, stricken thro’ with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev’n for intellect to reach
Thro’ memory that which I became:
Till now the doubtful dusk reveal’d
The knolls once more where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field:
And suck’d from out the distant gloom
A breeze began to tremble o’er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock’d the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
‘The dawn, the dawn,’ and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
XCVI.
479
You say, but with no touch of scorn,
Sweet-hearted, you, whose light-blue eyes
Are tender over drowning flies,
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Sinaï’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
XCVII.
My love has talk’d with rocks and trees;
He finds on misty mountain-ground
His own vast shadow glory-crown’d;
He sees himself in all he sees.
Two partners of a married life–
I look’d on these and thought of thee
In vastness and in mystery,
And of my spirit as of a wife.
480
These two–they dwelt with eye on eye,
Their hearts of old have beat in tune,
Their meetings made December June,
Their every parting was to die.
Their love has never past away;
The days she never can forget
Are earnest that he loves her yet,
Whate’er the faithless people say.
Her life is lone, he sits apart,
He loves her yet, she will not weep,
Tho’ rapt in matters dark and deep
He seems to slight her simple heart.
He
He
He
He
thrids the labyrinth of the mind,
reads the secret of the star,
seems so near and yet so far,
looks so cold: she thinks him kind.
She keeps the gift of years before,
A wither’d violet is her bliss:
She knows not what his greatness is,
For that, for all, she loves him more.
For him she plays, to him she sings
Of early faith and plighted vows;
She knows but matters of the house,
And he, he knows a thousand things.
Her faith is fixt and cannot move,
She darkly feels him great and wise,
She dwells on him with faithful eyes,
‘I cannot understand: I love.’
XCVIII.
You leave us: you will see the Rhine,
And those fair hills I sail’d below,
When I was there with him; and go
481
By summer belts of wheat and vine
To where he breathed his latest breath,
That City. All her splendour seems
No livelier than the wisp that gleams
On Lethe in the eyes of Death.
Let her great Danube rolling fair
Enwind her isles, unmark’d of me:
I have not seen, I will not see
Vienna; rather dream that there,
A treble darkness, Evil haunts
The birth, the bridal; friend from friend
Is oftener parted, fathers bend
Above more graves, a thousand wants
Gnarr at the heels of men, and prey
By each cold hearth, and sadness flings
Her shadow on the blaze of kings:
And yet myself have heard him say,
That not in any mother town
With statelier progress to and fro
The double tides of chariots flow
By park and suburb under brown
Of lustier leaves; nor more content,
He told me, lives in any crowd,
When all is gay with lamps, and loud
With sport and song, in booth and tent,
Imperial halls, or open plain;
And wheels the circled dance, and breaks
The rocket molten into flakes
Of crimson or in emerald rain.
XCIX.
Risest thou thus, dim dawn, again,
So loud with voices of the birds,
482
So thick with lowings of the herds,
Day, when I lost the flower of men;
Who tremblest thro’ thy darkling red
On yon swoll’n brook that bubbles fast
By meadows breathing of the past,
And woodlands holy to the dead;
Who murmurest in the foliaged eaves
A song that slights the coming care,
And Autumn laying here and there
A fiery finger on the leaves;
Who wakenest with thy balmy breath
To myriads on the genial earth,
Memories of bridal, or of birth,
And unto myriads more, of death.
O wheresoever those may be,
Betwixt the slumber of the poles,
To-day they count as kindred souls;
They know me not, but mourn with me.
C.
I climb the hill: from end to end
Of all the landscape underneath,
I find no place that does not breathe
Some gracious memory of my friend;
No gray old grange, or lonely fold,
Or low morass and whispering reed,
Or simple stile from mead to mead,
Or sheepwalk up the windy wold;
Nor hoary knoll of ash and haw
That hears the latest linnet trill,
Nor quarry trench’d along the hill
And haunted by the wrangling daw;
Nor runlet tinkling from the rock;
Nor pastoral rivulet that swerves
483
To left and right thro’ meadowy curves,
That feed the mothers of the flock;
But each has pleased a kindred eye,
And each reflects a kindlier day;
And, leaving these, to pass away,
I think once more he seems to die.
CI.
Unwatch’d, the garden bough shall sway,
The tender blossom flutter down,
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sun-flower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
484
CII.
We leave the well-beloved place
Where first we gazed upon the sky;
The roofs, that heard our earliest cry,
Will shelter one of stranger race.
We go, but ere we go from home,
As down the garden-walks I move,
Two spirits of a diverse love
Contend for loving masterdom.
One whispers, ‘Here thy boyhood sung
Long since its matin song, and heard
The low love-language of the bird
In native hazels tassel-hung.’
The other answers, ‘Yea, but here
Thy feet have stray’d in after hours
With thy lost friend among the bowers,
And this hath made them trebly dear.’
These two have striven half the day,
And each prefers his separate claim,
Poor rivals in a losing game,
That will not yield each other way.
I turn to go: my feet are set
To leave the pleasant fields and farms;
They mix in one another’s arms
To one pure image of regret.
CIII.
On that last night before we went
From out the doors where I was bred,
I dream’d a vision of the dead,
Which left my after-morn content.
Methought I dwelt within a hall,
And maidens with me: distant hills
485
From hidden summits fed with rills
A river sliding by the wall.
The hall with harp and carol rang.
They sang of what is wise and good
And graceful. In the centre stood
A statue veil’d, to which they sang;
And which, tho’ veil’d, was known to me,
The shape of him I loved, and love
For ever: then flew in a dove
And brought a summons from the sea:
And when they learnt that I must go
They wept and wail’d, but led the way
To where a little shallop lay
At anchor in the flood below;
And on by many a level mead,
And shadowing bluff that made the banks,
We glided winding under ranks
Of iris, and the golden reed;
And still as vaster grew the shore
And roll’d the floods in grander space,
The maidens gather’d strength and grace
And presence, lordlier than before;
And I myself, who sat apart
And watch’d them, wax’d in every limb;
I felt the thews of Anakim,
The pulses of a Titan’s heart;
As one would sing the death of war,
And one would chant the history
Of that great race, which is to be,
And one the shaping of a star;
Until the forward-creeping tides
Began to foam, and we to draw
From deep to deep, to where we saw
A great ship lift her shining sides.
486
The man we loved was there on deck,
But thrice as large as man he bent
To greet us. Up the side I went,
And fell in silence on his neck:
Whereat those maidens with one mind
Bewail’d their lot; I did them wrong:
‘We served thee here’ they said, ‘so long,
And wilt thou leave us now behind?’
So rapt I was, they could not win
An answer from my lips, but he
Replying, ‘Enter likewise ye
And go with us:’ they enter’d in.
And while the wind began to sweep
A music out of sheet and shroud,
We steer’d her toward a crimson cloud
That landlike slept along the deep.
CIV.
The time draws near the birth of Christ;
The moon is hid, the night is still;
A single church below the hill
Is pealing, folded in the mist.
A single peal of bells below,
That wakens at this hour of rest
A single murmur in the breast,
That these are not the bells I know.
Like strangers’ voices here they sound,
In lands where not a memory strays,
Nor landmark breathes of other days,
But all is new unhallow’d ground.
CV.
487
To-night ungather’d let us leave
This laurel, let this holly stand:
We live within the stranger’s land,
And strangely falls our Christmas-eve.
Our father’s dust is left alone
And silent under other snows:
There in due time the woodbine blows,
The violet comes, but we are gone.
No more shall wayward grief abuse
The genial hour with mask and mime;
For change of place, like growth of time,
Has broke the bond of dying use.
Let cares that petty shadows cast,
By which our lives are chiefly proved,
A little spare the night I loved,
And hold it solemn to the past.
But let no footstep beat the floor,
Nor bowl of wassail mantle warm;
For who would keep an ancient form
Thro’ which the spirit breathes no more?
Be neither song, nor game, nor feast;
Nor harp be touch’d, nor flute be blown;
No dance, no motion, save alone
What lightens in the lucid east
Of rising worlds by yonder wood.
Long sleeps the summer in the seed;
Run out your measured arcs, and lead
The closing cycle rich in good.
CVI.
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
488
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring
Ring
Ring
Ring
out old shapes of foul disease;
out the narrowing lust of gold;
out the thousand wars of old,
in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
CVII.
It is the day when he was born,
A bitter day that early sank
489
Behind a purple-frosty bank
Of vapour, leaving night forlorn.
The time admits not flowers or leaves
To deck the banquet. Fiercely flies
The blast of North and East, and ice
Makes daggers at the sharpen’d eaves,
And bristles all the brakes and thorns
To yon hard crescent, as she hangs
Above the wood which grides and clangs
Its leafless ribs and iron horns
Together, in the drifts that pass
To darken on the rolling brine
That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;
Bring in great logs and let them lie,
To make a solid core of heat;
Be cheerful-minded, talk and treat
Of all things ev’n as he were by;
We keep the day. With festal cheer,
With books and music, surely we
Will drink to him, whate’er he be,
And sing the songs he loved to hear.
CVIII.
I will not shut me from my kind,
And, lest I stiffen into stone,
I will not eat my heart alone,
Nor feed with sighs a passing wind:
What profit lies in barren faith,
And vacant yearning, tho’ with might
To scale the heaven’s highest height,
Or dive below the wells of Death?
What find I in the highest place,
But mine own phantom chanting hymns?
490
And on the depths of death there swims
The reflex of a human face.
I'll rather take what fruit may be
Of sorrow under human skies:
’Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.
CIX.
Heart-affluence in discursive talk
From household fountains never dry;
The critic clearness of an eye,
That saw thro’ all the Muses’ walk;
Seraphic intellect and force
To seize and throw the doubts of man;
Impassion’d logic, which outran
The hearer in its fiery course;
High nature amorous of the good,
But touch’d with no ascetic gloom;
And passion pure in snowy bloom
Thro’ all the years of April blood;
A love of freedom rarely felt,
Of freedom in her regal seat
Of England; not the schoolboy heat,
The blind hysterics of the Celt;
And manhood fused with female grace
In such a sort, the child would twine
A trustful hand, unask’d, in thine,
And find his comfort in thy face;
All these have been, and thee mine eyes
Have look’d on: if they look’d in vain,
My shame is greater who remain,
Nor let thy wisdom make me wise.
491
CX.
Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.
On thee the loyal-hearted hung,
The proud was half disarm’d of pride,
Nor cared the serpent at thy side
To flicker with his double tongue.
The stern were mild when thou wert by,
The flippant put himself to school
And heard thee, and the brazen fool
Was soften’d, and he knew not why;
While I, thy nearest, sat apart,
And felt thy triumph was as mine;
And loved them more, that they were thine,
The graceful tact, the Christian art;
Nor mine the sweetness or the skill,
But mine the love that will not tire,
And, born of love, the vague desire
That spurs an imitative will.
CXI.
The churl in spirit, up or down
Along the scale of ranks, thro’ all,
To him who grasps a golden ball,
By blood a king, at heart a clown;
The churl in spirit, howe’er he veil
His want in forms for fashion’s sake,
Will let his coltish nature break
At seasons thro’ the gilded pale:
For who can always act? but he,
To whom a thousand memories call,
492
Not being less but more than all
The gentleness he seem’d to be,
Best seem’d the thing he was, and join’d
Each office of the social hour
To noble manners, as the flower
And native growth of noble mind;
Nor ever narrowness or spite,
Or villain fancy fleeting by,
Drew in the expression of an eye,
Where God and Nature met in light;
And thus he bore without abuse
The grand old name of gentleman,
Defamed by every charlatan,
And soil’d with all ignoble use.
CXII.
High wisdom holds my wisdom less,
That I, who gaze with temperate eyes
On glorious insufficiencies,
Set light by narrower perfectness.
But thou, that fillest all the room
Of all my love, art reason why
I seem to cast a careless eye
On souls, the lesser lords of doom.
For what wert thou? some novel power
Sprang up for ever at a touch,
And hope could never hope too much,
In watching thee from hour to hour,
Large elements in order brought,
And tracts of calm from tempest made,
And world-wide fluctuation sway’d
In vassal tides that follow’d thought.
493
CXIII.
’Tis held that sorrow makes us wise;
Yet how much wisdom sleeps with thee
Which not alone had guided me,
But served the seasons that may rise;
For can I doubt, who knew thee keen
In intellect, with force and skill
To strive, to fashion, to fulfil–
I doubt not what thou wouldst have been:
life in civic action warm,
soul on highest mission sent,
potent voice of Parliament,
pillar steadfast in the storm,
Should licensed boldness gather force,
Becoming, when the time has birth,
A lever to uplift the earth
And roll it in another course,
With thousand shocks that come and go,
With agonies, with energies,
With overthrowings, and with cries,
And undulations to and fro.
CXIV.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
But on her forehead sits a fire:
She sets her forward countenance
And leaps into the future chance,
Submitting all things to desire.
Half-grown as yet, a child, and vain–
She cannot fight the fear of death.
494
What is she, cut from love and faith,
But some wild Pallas from the brain
Of Demons? fiery-hot to burst
All barriers in her onward race
For power. Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the soul.
O, friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee,
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
CXV.
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
495
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
CXVI.
Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro’ the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:
Yet less of sorrow lives in me
For days of happy commune dead;
Less yearning for the friendship fled,
Than some strong bond which is to be.
CXVII.
O days and hours, your work is this
To hold me from my proper place,
A little while from his embrace
For fuller gain of after bliss:
That out of distance might ensue
Desire of nearness doubly sweet;
496
And unto meeting when we meet,
Delight a hundredfold accrue,
For every grain of sand that runs,
And every span of shade that steals,
And every kiss of toothed wheels,
And all the courses of the suns.
CXVIII.
Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature’s earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;
Who throve and branch’d from clime to clime,
The herald of a higher race,
And of himself in higher place,
If so he type this work of time
Within himself, from more to more;
Or, crown’d with attributes of woe
Like glories, move his course, and show
That life is not as idle ore,
But iron dug from central gloom,
And heated hot with burning fears,
And dipt in baths of hissing tears,
And batter’d with the shocks of doom
To shape and use. Arise and fly
497
The reeling Faun, the sensual feast;
Move upward, working out the beast,
And let the ape and tiger die.
CXIX.
Doors, where my heart was used to beat
So quickly, not as one that weeps
I come once more; the city sleeps;
I smell the meadow in the street;
I hear a chirp of birds; I see
Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,
And think of early days and thee,
And bless thee, for thy lips are bland,
And bright the friendship of thine eye;
And in my thoughts with scarce a sigh
I take the pressure of thine hand.
CXX.
I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;
Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.
Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.
498
CXXI.
Sad Hesper o’er the buried sun
And ready, thou, to die with him,
Thou watchest all things ever dim
And dimmer, and a glory done:
The team is loosen’d from the wain,
The boat is drawn upon the shore;
Thou listenest to the closing door,
And life is darken’d in the brain.
Bright Phosphor, fresher for the night,
By thee the world’s great work is heard
Beginning, and the wakeful bird;
Behind thee comes the greater light:
The market boat is on the stream,
And voices hail it from the brink;
Thou hear’st the village hammer clink,
And see’st the moving of the team.
Sweet Hesper-Phosphor, double name
For what is one, the first, the last,
Thou, like my present and my past,
Thy place is changed; thou art the same.
CXXII.
Oh, wast thou with me, dearest, then,
While I rose up against my doom,
And yearn’d to burst the folded gloom,
To bare the eternal Heavens again,
To feel once more, in placid awe,
The strong imagination roll
A sphere of stars about my soul,
In all her motion one with law;
If thou wert with me, and the grave
Divide us not, be with me now,
And enter in at breast and brow,
499
Till all my blood, a fuller wave,
Be quicken’d with a livelier breath,
And like an inconsiderate boy,
As in the former flash of joy,
I slip the thoughts of life and death;
And all the breeze of Fancy blows,
And every dew-drop paints a bow,
The wizard lightnings deeply glow,
And every thought breaks out a rose.
CXXIII.
There rolls the deep where grew the tree.
O earth, what changes hast thou seen!
There where the long street roars, hath been
The stillness of the central sea.
The hills are shadows, and they flow
From form to form, and nothing stands;
They melt like mist, the solid lands,
Like clouds they shape themselves and go.
But in my spirit will I dwell,
And dream my dream, and hold it true;
For tho’ my lips may breathe adieu,
I cannot think the thing farewell.
CXXIV.
That which we dare invoke to bless;
Our dearest faith; our ghastliest doubt;
He, They, One, All; within, without;
The Power in darkness whom we guess;
I found Him not in world or sun,
Or eagle’s wing, or insect’s eye;
Nor thro’ the questions men may try,
The petty cobwebs we have spun:
500
If e’er when faith had fall’n asleep,
I heard a voice ‘believe no more’
And heard an ever-breaking shore
That tumbled in the Godless deep;
A warmth within the breast would melt
The freezing reason’s colder part,
And like a man in wrath the heart
Stood up and answer’d ‘I have felt.’
No, like a child in doubt and fear:
But that blind clamour made me wise;
Then was I as a child that cries,
But, crying, knows his father near;
And what I am beheld again
What is, and no man understands;
And out of darkness came the hands
That reach thro’ nature, moulding men.
CXXV.
Whatever I have said or sung,
Some bitter notes my harp would give,
Yea, tho’ there often seem’d to live
A contradiction on the tongue,
Yet Hope had never lost her youth;
She did but look through dimmer eyes;
Or Love but play’d with gracious lies,
Because he felt so fix’d in truth:
And if the song were full of care,
He breathed the spirit of the song;
And if the words were sweet and strong
He set his royal signet there;
Abiding with me till I sail
To seek thee on the mystic deeps,
And this electric force, that keeps
501
A thousand pulses dancing, fail.
CXXVI.
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
CXXVII.
And all is well, tho’ faith and form
Be sunder’d in the night of fear;
Well roars the storm to those that hear
A deeper voice across the storm,
Proclaiming social truth shall spread,
And justice, ev’n tho’ thrice again
The red fool-fury of the Seine
Should pile her barricades with dead.
But ill for him that wears a crown,
And him, the lazar, in his rags:
They tremble, the sustaining crags;
The spires of ice are toppled down,
And molten up, and roar in flood;
The fortress crashes from on high,
The brute earth lightens to the sky,
And the great Æon sinks in blood,
502
And compass’d by the fires of Hell;
While thou, dear spirit, happy star,
O’erlook’st the tumult from afar,
And smilest, knowing all is well.
CXXVIII.
The love that rose on stronger wings,
Unpalsied when he met with Death,
Is comrade of the lesser faith
That sees the course of human things.
No doubt vast eddies in the flood
Of onward time shall yet be made,
And throned races may degrade;
Yet O ye mysteries of good,
Wild Hours that fly with Hope and Fear,
If all your office had to do
With old results that look like new;
If this were all your mission here,
To
To
To
To
draw, to sheathe a useless sword,
fool the crowd with glorious lies,
cleave a creed in sects and cries,
change the bearing of a word,
To shift an arbitrary power,
To cramp the student at his desk,
To make old bareness picturesque
And tuft with grass a feudal tower;
Why then my scorn might well descend
On you and yours. I see in part
That all, as in some piece of art,
Is toil coöperant to an end.
CXXIX.
503
Dear friend, far off, my lost desire,
So far, so near in woe and weal;
O loved the most, when most I feel
There is a lower and a higher;
Known and unknown; human, divine;
Sweet human hand and lips and eye;
Dear heavenly friend that canst not die,
Mine, mine, for ever, ever mine;
Strange friend, past, present, and to be;
Loved deeplier, darklier understood;
Behold, I dream a dream of good,
And mingle all the world with thee.
CXXX.
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.
What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:
My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.
Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.
CXXXI.
504
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro’ our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer’d years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
_________
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
505
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
506
Her sweet ‘I will’ has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.
507
But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
508
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
~ Alfred Lord Tennyson,#NFDB |
1459:A Lyrical Drama, In Four Acts.
Audisne haec amphiarae, sub terram abdite?
ACT I
Scene.A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea andIone are seated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,these are mine empire:
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame
Of thine ill tyranny, and hung not here
Nailed to this wall of eagle-baffling mountain,
Black, wintry, dead, unmeasured; without herb,
Insect, or beast, or shape or sound of life.
Ah me! alas, pain, pain ever, for ever!
No change, no pause, no hope! Yet I endure.
I ask the Earth, have not the mountains felt?
I ask yon Heaven, the all-beholding Sun,
Has it not seen? The Sea, in storm or calm,
Heaven's ever-changing Shadow, spread below,
Have its deaf waves not heard my agony?
Ah me! alas, pain, pain ever, for ever!
The crawling glaciers pierce me with the spears
Of their moon-freezing crystals, the bright chains
Eat with their burning cold into my bones.
Heaven's wingd hound, polluting from thy lips
His beak in poison not his own, tears up
My heart; and shapeless sights come wandering by,
The ghastly people of the realm of dream,
Mocking me: and the Earthquake-fiends are charged
To wrench the rivets from my quivering wounds
When the rocks split and close again behind:
While from their loud abysses howling throng
The genii of the storm, urging the rage
Of whirlwind, and afflict me with keen hail.
And yet to me welcome is day and night,
Whether one breaks the hoar frost of the morn,
Or starry, dim, and slow, the other climbs
The leaden-coloured east; for then they lead
The wingless, crawling hours, one among whom
As some dark Priest hales the reluctant victim
Shall drag thee, cruel King, to kiss the blood
From these pale feet, which then might trample thee
If they disdained not such a prostrate slave.
Disdain! Ah no! I pity thee. What ruin
Will hunt thee undefended through wide Heaven!
How will thy soul, cloven to its depth with terror,
Gape like a hell within! I speak in grief,
Not exultation, for I hate no more,
As then ere misery made me wise. The curse
Once breathed on thee I would recall. Ye Mountains,
Whose many-voicd Echoes, through the mist
Of cataracts, flung the thunder of that spell!
Ye icy Springs, stagnant with wrinkling frost,
Which vibrated to hear me, and then crept
Shuddering through India! Thou serenest Air,
Through which the Sun walks burning without beams!
And ye swift Whirlwinds, who on poisd wings
Hung mute and moveless o'er yon hushed abyss,
As thunder, louder than your own, made rock
The orbd world! If then my words had power,
Though I am changed so that aught evil wish
Is dead within; although no memory be
Of what is hate, let them not lose it now!
What was that curse? for ye all heard me speak.
First Voice
(from the Mountains).
Thrice three hundred thousand years
O'er the Earthquake's couch we stood:
Oft, as men convulsed with fears,
We trembled in our multitude.
Second Voice
(from the Springs).
Thunderbolts had parched our water,
We had been stained with bitter blood,
And had run mute, 'mid shrieks of slaughter,
Thro' a city and a solitude.
Third Voice
(from the Air).
I had clothed, since Earth uprose,
Its wastes in colours not their own,
And oft had my serene repose
Been cloven by many a rending groan.
Fourth Voice
(from the Whirlwinds).
We had soared beneath these mountains
Unresting ages; nor had thunder,
Nor yon volcano's flaming fountains,
Nor any power above or under
Ever made us mute with wonder.
First Voice.
But never bowed our snowy crest
As at the voice of thine unrest.
Second Voice.
Never such a sound before
To the Indian waves we bore.
A pilot asleep on the howling sea
Leaped up from the deck in agony,
And heard, and cried, 'Ah, woe is me!'
And died as mad as the wild waves be.
Third Voice.
By such dread words from Earth to Heaven
My still realm was never riven:
When its wound was closed, there stood
Darkness o'er the day like blood.
Fourth Voice.
And we shrank back: for dreams of ruin
To frozen caves our flight pursuing
Made us keep silencethusand thus
Though silence is as hell to us.
The Earth.
The tongueless Caverns of the craggy hills
Cried, 'Misery!' then; the hollow Heaven replied,
'Misery!' And the Ocean's purple waves,
Climbing the land, howled to the lashing winds,
And the pale nations heard it, 'Misery!'
Prometheus.
I heard a sound of voices: not the voice
Which I gave forth. Mother, thy sons and thou
Scorn him, without whose all-enduring will
Beneath the fierce omnipotence of Jove,
Both they and thou had vanished, like thin mist
Unrolled on the morning wind. Know ye not me,
The Titan? He who made his agony
The barrier to your else all-conquering foe?
Oh, rock-embosomed lawns, and snow-fed streams,
Now seen athwart frore vapours, deep below,
Through whose o'ershadowing woods I wandered once
With Asia, drinking life from her loved eyes;
Why scorns the spirit which informs ye, now
To commune with me? me alone, who checked,
As one who checks a fiend-drawn charioteer,
The falsehood and the force of him who reigns
Supreme, and with the groans of pining slaves
Fills your dim glens and liquid wildernesses:
Why answer ye not, still? Brethren!
The Earth.
They dare not.
Prometheus.
Who dares? for I would hear that curse again.
Ha, what an awful whisper rises up!
'Tis scarce like sound: it tingles through the frame
As lightning tingles, hovering ere it strike.
Speak, Spirit! from thine inorganic voice
I only know that thou art moving near
And love. How cursed I him?
The Earth.
How canst thou hear
Who knowest not the language of the dead?
Prometheus.
Thou art a living spirit; speak as they.
The Earth.
I dare not speak like life, lest Heaven's fell King
Should hear, and link me to some wheel of pain
More torturing than the one whereon I roll.
Subtle thou art and good, and though the Gods
Hear not this voice, yet thou art more than God,
Being wise and kind: earnestly hearken now.
Prometheus.
Obscurely through my brain, like shadows dim,
Sweep awful thoughts, rapid and thick. I feel
Faint, like one mingled in entwining love;
Yet 'tis not pleasure.
The Earth.
No, thou canst not hear:
Thou art immortal, and this tongue is known
Only to those who die.
Prometheus.
And what art thou,
O, melancholy Voice?
The Earth.
I am the Earth,
Thy mother; she within whose stony veins,
To the last fibre of the loftiest tree
Whose thin leaves trembled in the frozen air,
Joy ran, as blood within a living frame,
When thou didst from her bosom, like a cloud
Of glory, arise, a spirit of keen joy!
And at thy voice her pining sons uplifted
Their prostrate brows from the polluting dust,
And our almighty Tyrant with fierce dread
Grew pale, until his thunder chained thee here.
Then, see those million worlds which burn and roll
Around us: their inhabitants beheld
My spherd light wane in wide Heaven; the sea
Was lifted by strange tempest, and new fire
From earthquake-rifted mountains of bright snow
Shook its portentous hair beneath Heaven's frown;
Lightning and Inundation vexed the plains;
Blue thistles bloomed in cities; foodless toads
Within voluptuous chambers panting crawled:
When Plague had fallen on man, and beast, and worm,
And Famine; and black blight on herb and tree;
And in the corn, and vines, and meadow-grass,
Teemed ineradicable poisonous weeds
Draining their growth, for my wan breast was dry
With grief; and the thin air, my breath, was stained
With the contagion of a mother's hate
Breathed on her child's destroyer; ay, I heard
Thy curse, the which, if thou rememberest not,
Yet my innumerable seas and streams,
Mountains, and caves, and winds, and yon wide air,
And the inarticulate people of the dead,
Preserve, a treasured spell. We meditate
In secret joy and hope those dreadful words,
But dare not speak them.
Prometheus.
Venerable mother!
All else who live and suffer take from thee
Some comfort; flowers, and fruits, and happy sounds,
And love, though fleeting; these may not be mine.
But mine own words, I pray, deny me not.
The Earth.
They shall be told. Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.
For know there are two worlds of life and death:
One that which thou beholdest; but the other
Is underneath the grave, where do inhabit
The shadows of all forms that think and live
Till death unite them and they part no more;
Dreams and the light imaginings of men,
And all that faith creates or love desires,
Terrible, strange, sublime and beauteous shapes.
There thou art, and dost hang, a writhing shade,
'Mid whirlwind-peopled mountains; all the gods
Are there, and all the powers of nameless worlds,
Vast, sceptred phantoms; heroes, men, and beasts;
And Demogorgon, a tremendous gloom;
And he, the supreme Tyrant, on his throne
Of burning gold. Son, one of these shall utter
The curse which all remember. Call at will
Thine own ghost, or the ghost of Jupiter,
Hades or Typhon, or what mightier Gods
From all-prolific Evil, since thy ruin
Have sprung, and trampled on my prostrate sons.
Ask, and they must reply: so the revenge
Of the Supreme may sweep through vacant shades,
As rainy wind through the abandoned gate
Of a fallen palace.
Prometheus.
Mother, let not aught
Of that which may be evil, pass again
My lips, or those of aught resembling me.
Phantasm of Jupiter, arise, appear!
Ione.
My wings are folded o'er mine ears:
My wings are crossd o'er mine eyes:
Yet through their silver shade appears,
And through their lulling plumes arise,
A Shape, a throng of sounds;
May it be no ill to thee
O thou of many wounds!
Near whom, for our sweet sister's sake,
Ever thus we watch and wake.
Panthea.
The sound is of whirlwind underground,
Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
Clothed in dark purple, star-inwoven.
A sceptre of pale gold
To stay steps proud, o'er the slow cloud
His veind hand doth hold.
Cruel he looks, but calm and strong,
Like one who does, not suffers wrong.
Phantasm of Jupiter.
Why have the secret powers of this strange world
Driven me, a frail and empty phantom, hither
On direst storms? What unaccustomed sounds
Are hovering on my lips, unlike the voice
With which our pallid race hold ghastly talk
In darkness? And, proud sufferer, who art thou?
Prometheus.
Tremendous Image, as thou art must be
He whom thou shadowest forth. I am his foe,
The Titan. Speak the words which I would hear,
Although no thought inform thine empty voice.
The Earth.
Listen! And though your echoes must be mute,
Gray mountains, and old woods, and haunted springs,
Prophetic caves, and isle-surrounding streams,
Rejoice to hear what yet ye cannot speak.
Phantasm.
A spirit seizes me and speaks within:
It tears me as fire tears a thunder-cloud.
Panthea.
See, how he lifts his mighty looks, the Heaven
Darkens above.
Ione.
He speaks! O shelter me!
Prometheus.
I see the curse on gestures proud and cold,
And looks of firm defiance, and calm hate,
And such despair as mocks itself with smiles,
Written as on a scroll: yet speak: Oh, speak!
Phantasm.
Fiend, I defy thee! with a calm, fixed mind,
All that thou canst inflict I bid thee do;
Foul Tyrant both of Gods and Human-kind,
One only being shalt thou not subdue.
Rain then thy plagues upon me here,
Ghastly disease, and frenzying fear;
And let alternate frost and fire
Eat into me, and be thine ire
Lightning, and cutting hail, and legioned forms
Of furies, driving by upon the wounding storms.
Ay, do thy worst. Thou art omnipotent.
O'er all things but thyself I gave thee power,
And my own will. Be thy swift mischiefs sent
To blast mankind, from yon ethereal tower.
Let thy malignant spirit move
In darkness over those I love:
On me and mine I imprecate
The utmost torture of thy hate;
And thus devote to sleepless agony,
This undeclining head while thou must reign on high.
But thou, who art the God and Lord: O, thou,
Who fillest with thy soul this world of woe,
To whom all things of Earth and Heaven do bow
In fear and worship: all-prevailing foe!
I curse thee! let a sufferer's curse
Clasp thee, his torturer, like remorse;
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.
Heap on thy soul, by virtue of this Curse,
Ill deeds, then be thou damned, beholding good;
Both infinite as is the universe,
And thou, and thy self-torturing solitude.
An awful image of calm power
Though now thou sittest, let the hour
Come, when thou must appear to be
That which thou art internally;
And after many a false and fruitless crime
Scorn track thy lagging fall through boundless space and time.
Prometheus.
Were these my words, O Parent?
The Earth.
They were thine.
Prometheus.
It doth repent me: words are quick and vain;
Grief for awhile is blind, and so was mine.
I wish no living thing to suffer pain.
The Earth.
Misery, Oh misery to me,
That Jove at length should vanquish thee.
Wail, howl aloud, Land and Sea,
The Earth's rent heart shall answer ye.
Howl, Spirits of the living and the dead,
Your refuge, your defence lies fallen and vanquishd.
First Echo.
Lies fallen and vanquishd!
Second Echo.
Fallen and vanquishd!
Ione.
Fear not: 'tis but some passing spasm,
The Titan is unvanquished still.
But see, where through the azure chasm
Of yon forked and snowy hill
Trampling the slant winds on high
With golden-sandalled feet, that glow
Under plumes of purple dye,
Like rose-ensanguined ivory,
A Shape comes now,
Stretching on high from his right hand
A serpent-cinctured wand.
Panthea.
'Tis Jove's world-wandering herald, Mercury.
Ione.
And who are those with hydra tresses
And iron wings that climb the wind,
Whom the frowning God represses
Like vapours steaming up behind,
Clanging loud, an endless crowd
Panthea.
These are Jove's tempest-walking hounds,
Whom he gluts with groans and blood,
When charioted on sulphurous cloud
He bursts Heaven's bounds.
Ione.
Are they now led, from the thin dead
On new pangs to be fed?
Panthea.
The Titan looks as ever, firm, not proud.
First Fury.
Ha! I scent life!
Second Fury.
Let me but look into his eyes!
Third Fury.
The hope of torturing him smells like a heap
Of corpses, to a death-bird after battle.
First Fury.
Darest thou delay, O Herald! take cheer, Hounds
Of Hell: what if the Son of Maia soon
Should make us food and sportwho can please long
The Omnipotent?
Mercury.
Back to your towers of iron,
And gnash, beside the streams of fire and wail,
Your foodless teeth. Geryon, arise! and Gorgon,
Chimra, and thou Sphinx, subtlest of fiends
Who ministered to Thebes Heaven's poisoned wine,
Unnatural love, and more unnatural hate:
These shall perform your task.
First Fury.
Oh, mercy! mercy!
We die with our desire: drive us not back!
Mercury.
Crouch then in silence.
Awful Sufferer!
To thee unwilling, most unwillingly
I come, by the great Father's will driven down,
To execute a doom of new revenge.
Alas! I pity thee, and hate myself
That I can do no more: aye from thy sight
Returning, for a season, Heaven seems Hell,
So thy worn form pursues me night and day,
Smiling reproach. Wise art thou, firm and good,
But vainly wouldst stand forth alone in strife
Against the Omnipotent; as yon clear lamps
That measure and divide the weary years
From which there is no refuge, long have taught
And long must teach. Even now thy Torturer arms
With the strange might of unimagined pains
The powers who scheme slow agonies in Hell,
And my commission is to lead them here,
Or what more subtle, foul, or savage fiends
People the abyss, and leave them to their task.
Be it not so! there is a secret known
To thee, and to none else of living things,
Which may transfer the sceptre of wide Heaven,
The fear of which perplexes the Supreme:
Clothe it in words, and bid it clasp his throne
In intercession; bend thy soul in prayer,
And like a suppliant in some gorgeous fane,
Let the will kneel within thy haughty heart:
For benefits and meek submission tame
The fiercest and the mightiest.
Prometheus.
Evil minds
Change good to their own nature. I gave all
He has; and in return he chains me here
Years, ages, night and day: whether the Sun
Split my parched skin, or in the moony night
The crystal-wingd snow cling round my hair:
Whilst my belovd race is trampled down
By his thought-executing ministers.
Such is the tyrant's recompense: 'tis just:
He who is evil can receive no good;
And for a world bestowed, or a friend lost,
He can feel hate, fear, shame; not gratitude:
He but requites me for his own misdeed.
Kindness to such is keen reproach, which breaks
With bitter stings the light sleep of Revenge.
Submission, thou dost know I cannot try:
For what submission but that fatal word,
The death-seal of mankind's captivity,
Like the Sicilian's hair-suspended sword,
Which trembles o'er his crown, would he accept,
Or could I yield? Which yet I will not yield.
Let others flatter Crime, where it sits throned
In brief Omnipotence: secure are they:
For Justice, when triumphant, will weep down
Pity, not punishment, on her own wrongs,
Too much avenged by those who err. I wait,
Enduring thus, the retributive hour
Which since we spake is even nearer now.
But hark, the hell-hounds clamour: fear delay:
Behold! Heaven lowers under thy Father's frown.
Mercury.
Oh, that we might be spared: I to inflict
And thou to suffer! Once more answer me:
Thou knowest not the period of Jove's power?
Prometheus.
I know but this, that it must come.
Mercury.
Alas!
Thou canst not count thy years to come of pain?
Prometheus.
They last while Jove must reign: nor more, nor less
Do I desire or fear.
Mercury.
Yet pause, and plunge
Into Eternity, where recorded time,
Even all that we imagine, age on age,
Seems but a point, and the reluctant mind
Flags wearily in its unending flight,
Till it sink, dizzy, blind, lost, shelterless;
Perchance it has not numbered the slow years
Which thou must spend in torture, unreprieved?
Prometheus.
Perchance no thought can count them, yet they pass.
Mercury.
If thou might'st dwell among the Gods the while
Lapped in voluptuous joy?
Prometheus.
I would not quit
This bleak ravine, these unrepentant pains.
Mercury.
Alas! I wonder at, yet pity thee.
Prometheus.
Pity the self-despising slaves of Heaven,
Not me, within whose mind sits peace serene,
As light in the sun, throned: how vain is talk!
Call up the fiends.
Ione.
O, sister, look! White fire
Has cloven to the roots yon huge snow-loaded cedar;
How fearfully God's thunder howls behind!
Mercury.
I must obey his words and thine: alas!
Most heavily remorse hangs at my heart!
Panthea.
See where the child of Heaven, with wingd feet,
Runs down the slanted sunlight of the dawn.
Ione.
Dear sister, close thy plumes over thine eyes
Lest thou behold and die: they come: they come
Blackening the birth of day with countless wings,
And hollow underneath, like death.
First Fury.
Prometheus!
Second Fury.
Immortal Titan!
Third Fury.
Champion of Heaven's slaves!
Prometheus.
He whom some dreadful voice invokes is here,
Prometheus, the chained Titan. Horrible forms,
What and who are ye? Never yet there came
Phantasms so foul through monster-teeming Hell
From the all-miscreative brain of Jove;
Whilst I behold such execrable shapes,
Methinks I grow like what I contemplate,
And laugh and stare in loathsome sympathy.
First Fury.
We are the ministers of pain, and fear,
And disappointment, and mistrust, and hate,
And clinging crime; and as lean dogs pursue
Through wood and lake some struck and sobbing fawn,
We track all things that weep, and bleed, and live,
When the great King betrays them to our will.
Prometheus.
Oh! many fearful natures in one name,
I know ye; and these lakes and echoes know
The darkness and the clangour of your wings.
But why more hideous than your loathd selves
Gather ye up in legions from the deep?
Second Fury.
We knew not that: Sisters, rejoice, rejoice!
Prometheus.
Can aught exult in its deformity?
Second Fury.
The beauty of delight makes lovers glad,
Gazing on one another: so are we.
As from the rose which the pale priestess kneels
To gather for her festal crown of flowers
The areal crimson falls, flushing her cheek,
So from our victim's destined agony
The shade which is our form invests us round,
Else we are shapeless as our mother Night.
Prometheus.
I laugh your power, and his who sent you here,
To lowest scorn. Pour forth the cup of pain.
First Fury.
Thou thinkest we will rend thee bone from bone,
And nerve from nerve, working like fire within?
Prometheus.
Pain is my element, as hate is thine;
Ye rend me now: I care not.
Second Fury.
Dost imagine
We will but laugh into thy lidless eyes?
Prometheus.
I weigh not what ye do, but what ye suffer,
Being evil. Cruel was the power which called
You, or aught else so wretched, into light.
Third Fury.
Thou think'st we will live through thee, one by one,
Like animal life, and though we can obscure not
The soul which burns within, that we will dwell
Beside it, like a vain loud multitude
Vexing the self-content of wisest men:
That we will be dread thought beneath thy brain,
And foul desire round thine astonished heart,
And blood within thy labyrinthine veins
Crawling like agony?
Prometheus.
Why, ye are thus now;
Yet am I king over myself, and rule
The torturing and conflicting throngs within,
As Jove rules you when Hell grows mutinous.
Chorus of Furies.
From the ends of the earth, from the ends of the earth,
Where the night has its grave and the morning its birth,
Come, come, come!
Oh, ye who shake hills with the scream of your mirth,
When cities sink howling in ruin; and ye
Who with wingless footsteps trample the sea,
And close upon Shipwreck and Famine's track,
Sit chattering with joy on the foodless wreck;
Come, come, come!
Leave the bed, low, cold, and red,
Strewed beneath a nation dead;
Leave the hatred, as in ashes
Fire is left for future burning:
It will burst in bloodier flashes
When ye stir it, soon returning:
Leave the self-contempt implanted
In young spirits, sense-enchanted,
Misery's yet unkindled fuel:
Leave Hell's secrets half unchanted
To the maniac dreamer; cruel
More than ye can be with hate
Is he with fear.
Come, come, come!
We are steaming up from Hell's wide gate
And we burthen the blast of the atmosphere,
But vainly we toil till ye come here.
Ione.
Sister, I hear the thunder of new wings.
Panthea.
These solid mountains quiver with the sound
Even as the tremulous air: their shadows make
The space within my plumes more black than night.
First Fury.
Your call was as a wingd car
Driven on whirlwinds fast and far;
It rapped us from red gulfs of war.
Second Fury.
From wide cities, famine-wasted;
Third Fury.
Groans half heard, and blood untasted;
Fourth Fury.
Kingly conclaves stern and cold,
Where blood with gold is bought and sold;
Fifth Fury.
From the furnace, white and hot,
In which
A Fury.
Speak not: whisper not:
I know all that ye would tell,
But to speak might break the spell
Which must bend the Invincible,
The stern of thought;
He yet defies the deepest power of Hell.
A Fury.
Tear the veil!
Another Fury.
It is torn.
Chorus.
The pale stars of the morn
Shine on a misery, dire to be borne.
Dost thou faint, mighty Titan? We laugh thee to scorn.
Dost thou boast the clear knowledge thou waken'dst for man?
Then was kindled within him a thirst which outran
Those perishing waters; a thirst of fierce fever,
Hope, love, doubt, desire, which consume him for ever.
One came forth of gentle worth
Smiling on the sanguine earth;
His words outlived him, like swift poison
Withering up truth, peace, and pity.
Look! where round the wide horizon
Many a million-peopled city
Vomits smoke in the bright air.
Hark that outcry of despair!
'Tis his mild and gentle ghost
Wailing for the faith he kindled:
Look again, the flames almost
To a glow-worm's lamp have dwindled:
The survivors round the embers
Gather in dread.
Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread
Like a pillow of thorns for thy slumberless head.
Semichorus I.
Drops of bloody agony flow
From his white and quivering brow.
Grant a little respite now:
See a disenchanted nation
Springs like day from desolation;
To Truth its state is dedicate,
And Freedom leads it forth, her mate;
A legioned band of linkd brothers
Whom Love calls children
Semichorus II.
'Tis another's:
See how kindred murder kin:
'Tis the vintage-time for death and sin:
Blood, like new wine, bubbles within:
Till Despair smothers
The struggling world, which slaves and tyrants win.
[All the Furies vanish, except one.
Ione.
Hark, sister! what a low yet dreadful groan
Quite unsuppressed is tearing up the heart
Of the good Titan, as storms tear the deep,
And beasts hear the sea moan in inland caves.
Darest thou observe how the fiends torture him?
Panthea.
Alas! I looked forth twice, but will no more.
Ione.
What didst thou see?
Panthea.
A woful sight: a youth
With patient looks nailed to a crucifix.
Ione.
What next?
Panthea.
The heaven around, the earth below
Was peopled with thick shapes of human death,
All horrible, and wrought by human hands,
And some appeared the work of human hearts,
For men were slowly killed by frowns and smiles:
And other sights too foul to speak and live
Were wandering by. Let us not tempt worse fear
By looking forth: those groans are grief enough.
Fury.
Behold an emblem: those who do endure
Deep wrongs for man, and scorn, and chains, but heap
Thousandfold torment on themselves and him.
Prometheus.
Remit the anguish of that lighted stare;
Close those wan lips; let that thorn-wounded brow
Stream not with blood; it mingles with thy tears!
Fix, fix those tortured orbs in peace and death,
So thy sick throes shake not that crucifix,
So those pale fingers play not with thy gore.
O, horrible! Thy name I will not speak,
It hath become a curse. I see, I see,
The wise, the mild, the lofty, and the just,
Whom thy slaves hate for being like to thee,
Some hunted by foul lies from their heart's home,
An early-chosen, late-lamented home;
As hooded ounces cling to the driven hind;
Some linked to corpses in unwholesome cells:
SomeHear I not the multitude laugh loud?
Impaled in lingering fire: and mighty realms
Float by my feet, like sea-uprooted isles,
Whose sons are kneaded down in common blood
By the red light of their own burning homes.
Fury.
Blood thou canst see, and fire; and canst hear groans;
Worse things, unheard, unseen, remain behind.
Prometheus.
Worse?
Fury.
In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
The good want power, but to weep barren tears.
The powerful goodness want: worse need for them.
The wise want love; and those who love want wisdom;
And all best things are thus confused to ill.
Many are strong and rich, and would be just,
But live among their suffering fellow-men
As if none felt: they know not what they do.
Prometheus.
Thy words are like a cloud of wingd snakes;
And yet I pity those they torture not.
Fury.
Thou pitiest them? I speak no more!
[Vanishes.
Prometheus.
Ah woe!
Ah woe! Alas! pain, pain ever, for ever!
I close my tearless eyes, but see more clear
Thy works within my woe-illumd mind,
Thou subtle tyrant! Peace is in the grave.
The grave hides all things beautiful and good:
I am a God and cannot find it there,
Nor would I seek it: for, though dread revenge,
This is defeat, fierce king, not victory.
The sights with which thou torturest gird my soul
With new endurance, till the hour arrives
When they shall be no types of things which are.
Panthea.
Alas! what sawest thou more?
Prometheus.
There are two woes:
To speak, and to behold; thou spare me one.
Names are there, Nature's sacred watchwords, they
Were borne aloft in bright emblazonry;
The nations thronged around, and cried aloud,
As with one voice, Truth, liberty, and love!
Suddenly fierce confusion fell from heaven
Among them: there was strife, deceit, and fear:
Tyrants rushed in, and did divide the spoil.
This was the shadow of the truth I saw.
The Earth.
I felt thy torture, son; with such mixed joy
As pain and virtue give. To cheer thy state
I bid ascend those subtle and fair spirits,
Whose homes are the dim caves of human thought,
And who inhabit, as birds wing the wind,
Its world-surrounding aether: they behold
Beyond that twilight realm, as in a glass,
The future: may they speak comfort to thee!
Panthea.
Look, sister, where a troop of spirits gather,
Like flocks of clouds in spring's delightful weather,
Thronging in the blue air!
Ione.
And see! more come,
Like fountain-vapours when the winds are dumb,
That climb up the ravine in scattered lines.
And, hark! is it the music of the pines?
Is it the lake? Is it the waterfall?
Panthea.
'Tis something sadder, sweeter far than all.
Chorus of Spirits.
From unremembered ages we
Gentle guides and guardians be
Of heaven-oppressed mortality;
And we breathe, and sicken not,
The atmosphere of human thought:
Be it dim, and dank, and gray,
Like a storm-extinguished day,
Travelled o'er by dying gleams;
Be it bright as all between
Cloudless skies and windless streams,
Silent, liquid, and serene;
As the birds within the wind,
As the fish within the wave,
As the thoughts of man's own mind
Float through all above the grave;
We make there our liquid lair,
Voyaging cloudlike and unpent
Through the boundless element:
Thence we bear the prophecy
Which begins and ends in thee!
Ione.
More yet come, one by one: the air around them
Looks radiant as the air around a star.
First Spirit.
On a battle-trumpet's blast
I fled hither, fast, fast, fast,
'Mid the darkness upward cast.
From the dust of creeds outworn,
From the tyrant's banner torn,
Gathering 'round me, onward borne,
There was mingled many a cry
Freedom! Hope! Death! Victory!
Till they faded through the sky;
And one sound, above, around,
One sound beneath, around, above,
Was moving; 'twas the soul of Love;
'Twas the hope, the prophecy,
Which begins and ends in thee.
Second Spirit.
A rainbow's arch stood on the sea,
Which rocked beneath, immovably;
And the triumphant storm did flee,
Like a conqueror, swift and proud,
Between, with many a captive cloud,
A shapeless, dark and rapid crowd,
Each by lightning riven in half:
I heard the thunder hoarsely laugh:
Mighty fleets were strewn like chaff
And spread beneath a hell of death
O'er the white waters. I alit
On a great ship lightning-split,
And speeded hither on the sigh
Of one who gave an enemy
His plank, then plunged aside to die.
Third Spirit.
I sate beside a sage's bed,
And the lamp was burning red
Near the book where he had fed,
When a Dream with plumes of flame,
To his pillow hovering came,
And I knew it was the same
Which had kindled long ago
Pity, eloquence, and woe;
And the world awhile below
Wore the shade, its lustre made.
It has borne me here as fleet
As Desire's lightning feet:
I must ride it back ere morrow,
Or the sage will wake in sorrow.
Fourth Spirit.
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the areal kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
Nor heed nor see, what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality!
One of these awakened me,
And I sped to succour thee.
Ione.
Behold'st thou not two shapes from the east and west
Come, as two doves to one belovd nest,
Twin nurslings of the all-sustaining air
On swift still wings glide down the atmosphere?
And, hark! their sweet, sad voices! 'tis despair
Mingled with love and then dissolved in sound.
Panthea.
Canst thou speak, sister? all my words are drowned.
Ione.
Their beauty gives me voice. See how they float
On their sustaining wings of skiey grain,
Orange and azure deepening into gold:
Their soft smiles light the air like a star's fire.
Chorus of Spirits.
Hast thou beheld the form of Love?
Fifth Spirit.
As over wide dominions
I sped, like some swift cloud that wings the wide air's wildernesses,
That planet-crested shape swept by on lightning-braided pinions,
Scattering the liquid joy of life from his ambrosial tresses:
His footsteps paved the world with light; but as I passed 'twas fading,
And hollow Ruin yawned behind: great sages bound in madness,
And headless patriots, and pale youths who perished, unupbraiding,
Gleamed in the night. I wandered o'er, till thou, O King of sadness,
Turned by thy smile the worst I saw to recollected gladness.
Sixth Spirit.
Ah, sister! Desolation is a delicate thing:
It walks not on the earth, it floats not on the air,
But treads with lulling footstep, and fans with silent wing
The tender hopes which in their hearts the best and gentlest bear;
Who, soothed to false repose by the fanning plumes above
And the music-stirring motion of its soft and busy feet,
Dream visions of areal joy, and call the monster, Love,
And wake, and find the shadow Pain, as he whom now we greet.
Chorus.
Though Ruin now Love's shadow be,
Following him, destroyingly,
On Death's white and wingd steed,
Which the fleetest cannot flee,
Trampling down both flower and weed,
Man and beast, and foul and fair,
Like a tempest through the air;
Thou shalt quell this horseman grim,
Woundless though in heart or limb.
Prometheus.
Spirits! how know ye this shall be?
Chorus.
In the atmosphere we breathe,
As buds grow red when the snow-storms flee,
From Spring gathering up beneath,
Whose mild winds shake the elder brake,
And the wandering herdsmen know
That the white-thorn soon will blow:
Wisdom, Justice, Love, and Peace,
When they struggle to increase,
Are to us as soft winds be
To shepherd boys, the prophecy
Which begins and ends in thee.
Ione.
Where are the Spirits fled?
Panthea.
Only a sense
Remains of them, like the omnipotence
Of music, when the inspired voice and lute
Languish, ere yet the responses are mute,
Which through the deep and labyrinthine soul,
Like echoes through long caverns, wind and roll.
Prometheus.
How fair these airborn shapes! and yet I feel
Most vain all hope but love; and thou art far,
Asia! who, when my being overflowed,
Wert like a golden chalice to bright wine
Which else had sunk into the thirsty dust.
All things are still: alas! how heavily
This quiet morning weighs upon my heart;
Though I should dream I could even sleep with grief
If slumber were denied not. I would fain
Be what it is my destiny to be,
The saviour and the strength of suffering man,
Or sink into the original gulf of things:
There is no agony, and no solace left;
Earth can console, Heaven can torment no more.
Panthea.
Hast thou forgotten one who watches thee
The cold dark night, and never sleeps but when
The shadow of thy spirit falls on her?
Prometheus.
I said all hope was vain but love: thou lovest.
Panthea.
Deeply in truth; but the eastern star looks white,
And Asia waits in that far Indian vale,
The scene of her sad exile; rugged once
And desolate and frozen, like this ravine;
But now invested with fair flowers and herbs,
And haunted by sweet airs and sounds, which flow
Among the woods and waters, from the aether
Of her transforming presence, which would fade
If it were mingled not with thine. Farewell!
END OF THE FIRST ACT.
ACT II
Scene I.
Morning. A lovely Vale in the Indian Caucasus. Asia alone.
Asia.
From all the blasts of heaven thou hast descended:
Yes, like a spirit, like a thought, which makes
Unwonted tears throng to the horny eyes,
And beatings haunt the desolated heart,
Which should have learnt repose: thou hast descended
Cradled in tempests; thou dost wake, O Spring!
O child of many winds! As suddenly
Thou comest as the memory of a dream,
Which now is sad because it hath been sweet;
Like genius, or like joy which riseth up
As from the earth, clothing with golden clouds
The desert of our life.
This is the season, this the day, the hour;
At sunrise thou shouldst come, sweet sister mine,
Too long desired, too long delaying, come!
How like death-worms the wingless moments crawl!
The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains. through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The olian music of her sea-green plumes
Winnowing the crimson dawn?
[Panthea enters.
I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Belovd and most beautiful, who wearest
The shadow of that soul by which I live,
How late thou art! the spherd sun had climbed
The sea; my heart was sick with hope, before
The printless air felt thy belated plumes.
Panthea.
Pardon, great Sister! but my wings were faint
With the delight of a remembered dream,
As are the noontide plumes of summer winds
Satiate with sweet flowers. I was wont to sleep
Peacefully, and awake refreshed and calm
Before the sacred Titan's fall, and thy
Unhappy love, had made, through use and pity,
Both love and woe familiar to my heart
As they had grown to thine: erewhile I slept
Under the glaucous caverns of old Ocean
Within dim bowers of green and purple moss,
Our young Ione's soft and milky arms
Locked then, as now, behind my dark, moist hair,
While my shut eyes and cheek were pressed within
The folded depth of her life-breathing bosom:
But not as now, since I am made the wind
Which fails beneath the music that I bear
Of thy most wordless converse; since dissolved
Into the sense with which love talks, my rest
Was troubled and yet sweet; my waking hours
Too full of care and pain.
Asia.
Lift up thine eyes,
And let me read thy dream.
Panthea.
As I have said
With our sea-sister at his feet I slept.
The mountain mists, condensing at our voice
Under the moon, had spread their snowy flakes,
From the keen ice shielding our linkd sleep.
Then two dreams came. One, I remember not.
But in the other his pale wound-worn limbs
Fell from Prometheus, and the azure night
Grew radiant with the glory of that form
Which lives unchanged within, and his voice fell
Like music which makes giddy the dim brain,
Faint with intoxication of keen joy:
'Sister of her whose footsteps pave the world
With lovelinessmore fair than aught but her,
Whose shadow thou artlift thine eyes on me.'
I lifted them: the overpowering light
Of that immortal shape was shadowed o'er
By love; which, from his soft and flowing limbs,
And passion-parted lips, and keen, faint eyes,
Steamed forth like vaporous fire; an atmosphere
Which wrapped me in its all-dissolving power,
As the warm aether of the morning sun
Wraps ere it drinks some cloud of wandering dew.
I saw not, heard not, moved not, only felt
His presence flow and mingle through my blood
Till it became his life, and his grew mine,
And I was thus absorbed, until it passed,
And like the vapours when the sun sinks down,
Gathering again in drops upon the pines,
And tremulous as they, in the deep night
My being was condensed; and as the rays
Of thought were slowly gathered, I could hear
His voice, whose accents lingered ere they died
Like footsteps of weak melody: thy name
Among the many sounds alone I heard
Of what might be articulate; though still
I listened through the night when sound was none.
Ione wakened then, and said to me:
'Canst thou divine what troubles me to-night?
I always knew what I desired before,
Nor ever found delight to wish in vain.
But now I cannot tell thee what I seek;
I know not; something sweet, since it is sweet
Even to desire; it is thy sport, false sister;
Thou hast discovered some enchantment old,
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
We kissed, I felt within thy parted lips
The sweet air that sustained me, and the warmth
Of the life-blood, for loss of which I faint,
Quivered between our intertwining arms.'
I answered not, for the Eastern star grew pale,
But fled to thee.
Asia.
Thou speakest, but thy words
Are as the air: I feel them not: Oh, lift
Thine eyes, that I may read his written soul!
Panthea.
I lift them though they droop beneath the load
Of that they would express: what canst thou see
But thine own fairest shadow imaged there?
Asia.
Thine eyes are like the deep, blue, boundless heaven
Contracted to two circles underneath
Their long, fine lashes; dark, far, measureless,
Orb within orb, and line through line inwoven.
Panthea.
Why lookest thou as if a spirit passed?
Asia.
There is a change: beyond their inmost depth
I see a shade, a shape: 'tis He, arrayed
In the soft light of his own smiles, which spread
Like radiance from the cloud-surrounded moon.
Prometheus, it is thine! depart not yet!
Say not those smiles that we shall meet again
Within that bright pavilion which their beams
Shall build o'er the waste world? The dream is told.
What shape is that between us? Its rude hair
Roughens the wind that lifts it, its regard
Is wild and quick, yet 'tis a thing of air,
For through its gray robe gleams the golden dew
Whose stars the noon has quenched not.
Dream.
Follow! Follow!
Panthea.
It is mine other dream.
Asia.
It disappears.
Panthea.
It passes now into my mind. Methought
As we sate here, the flower-infolding buds
Burst on yon lightning-blasted almond-tree,
When swift from the white Scythian wilderness
A wind swept forth wrinkling the Earth with frost:
I looked, and all the blossoms were blown down;
But on each leaf was stamped, as the blue bells
Of Hyacinth tell Apollo's written grief,
O, follow, follow!
Asia.
As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;
And the white dew on the new-bladed grass,
Just piercing the dark earth, hung silently;
And there was more which I remember not:
But on the shadows of the morning clouds,
Athwart the purple mountain slope, was written
Follow, O, follow! as they vanished by;
And on each herb, from which Heaven's dew had fallen,
The like was stamped, as with a withering fire;
A wind arose among the pines; it shook
The clinging music from their boughs, and then
Low, sweet, faint sounds, like the farewell of ghosts,
Were heard: O, follow, follow, follow me!
And then I said: 'Panthea, look on me.'
But in the depth of those belovd eyes
Still I saw, follow, follow!
Echo.
Follow, follow!
Panthea.
The crags, this clear spring morning, mock our voices
As they were spirit-tongued.
Asia.
It is some being
Around the crags. What fine clear sounds! O, list!
Echoes
(unseen).
Echoes we: listen!
We cannot stay:
As dew-stars glisten
Then fade away
Child of Ocean!
Asia.
Hark! Spirits speak. The liquid responses
Of their areal tongues yet sound.
Panthea.
I hear.
Echoes.
O, follow, follow,
As our voice recedeth
Through the caverns hollow,
Where the forest spreadeth; (More distant.)
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
Where the wild bee never flew,
Through the noontide darkness deep,
By the odour-breathing sleep
Of faint night flowers, and the waves
At the fountain-lighted caves,
While our music, wild and sweet,
Mocks thy gently falling feet,
Child of Ocean!
Asia.
Shall we pursue the sound? It grows more faint And distant.
Panthea.
List! the strain floats nearer now.
Echoes.
In the world unknown
Sleeps a voice unspoken;
By thy step alone
Can its rest be broken;
Child of Ocean!
Asia.
How the notes sink upon the ebbing wind!
Echoes.
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
By the woodland noontide dew;
By the forest, lakes, and fountains,
Through the many-folded mountains;
To the rents, and gulfs, and chasms,
Where the Earth reposed from spasms,
On the day when He and thou
Parted, to commingle now;
Child of Ocean!
Asia.
Come, sweet Panthea, link thy hand in mine,
And follow, ere the voices fade away.
Scene II.
A Forest, intermingled with Rocks and Caverns. Asia and Panthea pass into it. Two young Fauns are sitting on a Rock listening.
Semichorus I. of Spirits.
The path through which that lovely twain
Have passed, by cedar, pine, and yew,
And each dark tree that ever grew,
Is curtained out from Heaven's wide blue;
Nor sun, nor moon, nor wind, nor rain,
Can pierce its interwoven bowers,
Nor aught, save where some cloud of dew,
Drifted along the earth-creeping breeze,
Between the trunks of the hoar trees,
Hangs each a pearl in the pale flowers
Of the green laurel, blown anew;
And bends, and then fades silently,
One frail and fair anemone:
Or when some star of many a one
That climbs and wanders through steep night,
Has found the cleft through which alone
Beams fall from high those depths upon
Ere it is borne away, away,
By the swift Heavens that cannot stay,
It scatters drops of golden light,
Like lines of rain that ne'er unite:
And the gloom divine is all around,
And underneath is the mossy ground.
Semichorus II.
There the voluptuous nightingales,
Are awake through all the broad noonday.
When one with bliss or sadness fails,
And through the windless ivy-boughs,
Sick with sweet love, droops dying away
On its mate's music-panting bosom;
Another from the swinging blossom,
Watching to catch the languid close
Of the last strain, then lifts on high
The wings of the weak melody,
'Till some new strain of feeling bear
The song, and all the woods are mute;
When there is heard through the dim air
The rush of wings, and rising there
Like many a lake-surrounded flute,
Sounds overflow the listener's brain
So sweet, that joy is almost pain.
Semichorus I.
There those enchanted eddies play
Of echoes, music-tongued, which draw,
By Demogorgon's mighty law,
With melting rapture, or sweet awe,
All spirits on that secret way;
As inland boats are driven to Ocean
Down streams made strong with mountain-thaw:
And first there comes a gentle sound
To those in talk or slumber bound,
And wakes the destined soft emotion,
Attracts, impels them; those who saw
Say from the breathing earth behind
There steams a plume-uplifting wind
Which drives them on their path, while they
Believe their own swift wings and feet
The sweet desires within obey:
And so they float upon their way,
Until, still sweet, but loud and strong,
The storm of sound is driven along,
Sucked up and hurrying: as they fleet
Behind, its gathering billows meet
And to the fatal mountain bear
Like clouds amid the yielding air.
First Faun.
Canst thou imagine where those spirits live
Which make such delicate music in the woods?
We haunt within the least frequented caves
And closest coverts, and we know these wilds,
Yet never meet them, though we hear them oft:
Where may they hide themselves?
Second Faun.
'Tis hard to tell:
I have heard those more skilled in spirits say,
The bubbles, which the enchantment of the sun
Sucks from the pale faint water-flowers that pave
The oozy bottom of clear lakes and pools,
Are the pavilions where such dwell and float
Under the green and golden atmosphere
Which noontide kindles through the woven leaves;
And when these burst, and the thin fiery air,
The which they breathed within those lucent domes,
Ascends to flow like meteors through the night,
They ride on them, and rein their headlong speed,
And bow their burning crests, and glide in fire
Under the waters of the earth again.
First Faun.
If such live thus, have others other lives,
Under pink blossoms or within the bells
Of meadow flowers, or folded violets deep,
Or on their dying odours, when they die,
Or in the sunlight of the spherd dew?
Second Faun.
Ay, many more which we may well divine.
But, should we stay to speak, noontide would come,
And thwart Silenus find his goats undrawn,
And grudge to sing those wise and lovely songs
Of Fate, and Chance, and God, and Chaos old,
And Love, and the chained Titan's woful doom,
And how he shall be loosed, and make the earth
One brotherhood: delightful strains which cheer
Our solitary twilights, and which charm
To silence the unenvying nightingales.
Scene III.
A Pinnacle of Rock among Mountains.
Asia and Panthea.
Panthea.
Hither the sound has borne usto the realm
Of Demogorgon, and the mighty portal,
Like a volcano's meteor-breathing chasm,
Whence the oracular vapour is hurled up
Which lonely men drink wandering in their youth,
And call truth, virtue, love, genius, or joy,
That maddening wine of life, whose dregs they drain
To deep intoxication; and uplift,
Like Mnads who cry loud, Evoe! Evoe!
The voice which is contagion to the world.
Asia.
Fit throne for such a Power! Magnificent!
How glorious art thou, Earth! And if thou be
The shadow of some spirit lovelier still,
Though evil stain its work, and it should be
Like its creation, weak yet beautiful,
I could fall down and worship that and thee.
Even now my heart adoreth: Wonderful!
Look, sister, ere the vapour dim thy brain:
Beneath is a wide plain of billowy mist,
As a lake, paving in the morning sky,
With azure waves which burst in silver light,
Some Indian vale. Behold it, rolling on
Under the curdling winds, and islanding
The peak whereon we stand, midway, around,
Encinctured by the dark and blooming forests,
Dim twilight-lawns, and stream-illumd caves,
And wind-enchanted shapes of wandering mist;
And far on high the keen sky-cleaving mountains
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
From some Atlantic islet scattered up,
Spangles the wind with lamp-like water-drops.
The vale is girdled with their walls, a howl
Of cataracts from their thaw-cloven ravines,
Satiates the listening wind, continuous, vast,
Awful as silence. Hark! the rushing snow!
The sun-awakened avalanche! whose mass,
Thrice sifted by the storm, had gathered there
Flake after flake, in heaven-defying minds
As thought by thought is piled, till some great truth
Is loosened, and the nations echo round,
Shaken to their roots, as do the mountains now.
Panthea.
Look how the gusty sea of mist is breaking
In crimson foam, even at our feet! it rises
As Ocean at the enchantment of the moon
Round foodless men wrecked on some oozy isle.
Asia.
The fragments of the cloud are scattered up;
The wind that lifts them disentwines my hair;
Its billows now sweep o'er mine eyes; my brain
Grows dizzy; see'st thou shapes within the mist?
Panthea.
A countenance with beckoning smiles: there burns
An azure fire within its golden locks!
Another and another: hark! they speak!
Song of Spirits.
To the deep, to the deep,
Down, down!
Through the shade of sleep,
Through the cloudy strife
Of Death and of Life;
Through the veil and the bar
Of things which seem and are
Even to the steps of the remotest throne,
Down, down!
While the sound whirls around,
Down, down!
As the fawn draws the hound,
As the lightning the vapour,
As a weak moth the taper;
Death, despair; love, sorrow;
Time both; to-day, to-morrow;
As steel obeys the spirit of the stone,
Down, down!
Through the gray, void abysm,
Down, down!
Where the air is no prism,
And the moon and stars are not,
And the cavern-crags wear not
The radiance of Heaven,
Nor the gloom to Earth given,
Where there is One pervading, One alone,
Down, down!
In the depth of the deep,
Down, down!
Like veiled lightning asleep,
Like the spark nursed in embers,
The last look Love remembers,
Like a diamond, which shines
On the dark wealth of mines,
A spell is treasured but for thee alone.
Down, down!
We have bound thee, we guide thee;
Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Most unloose through life's portal
The snake-like Doom coiled underneath his throne
By that alone.
Scene IV.
The Cave of Demogorgon.
Asia and Panthea.
Panthea.
What viled form sits on that ebon throne?
Asia.
The veil has fallen.
Panthea.
I see a mighty darkness
Filling the seat of power, and rays of gloom
Dart round, as light from the meridian sun.
Ungazed upon and shapeless; neither limb,
Nor form, nor outline; yet we feel it is
A living Spirit.
Demogorgon.
Ask what thou wouldst know.
Asia.
What canst thou tell?
Demogorgon.
All things thou dar'st demand.
Asia.
Who made the living world?
Demogorgon.
God.
Asia.
Who made all
That it contains? thought, passion, reason, will, Imagination?
Demogorgon.
God: Almighty God.
Asia.
Who made that sense which, when the winds of Spring
In rarest visitation, or the voice
Of one belovd heard in youth alone,
Fills the faint eyes with falling tears which dim
The radiant looks of unbewailing flowers,
And leaves this peopled earth a solitude
When it returns no more?
Demogorgon.
Merciful God.
Asia.
And who made terror, madness, crime, remorse,
Which from the links of the great chain of things,
To every thought within the mind of man
Sway and drag heavily, and each one reels
Under the load towards the pit of death;
Abandoned hope, and love that turns to hate;
And self-contempt, bitterer to drink than blood;
Pain, whose unheeded and familiar speech
Is howling, and keen shrieks, day after day;
And Hell, or the sharp fear of Hell?
Demogorgon.
He reigns.
Asia.
Utter his name: a world pining in pain
Asks but his name: curses shall drag him down.
Demogorgon.
He reigns.
Asia.
I feel, I know it: who?
Demogorgon.
He reigns.
Asia.
Who reigns? There was the Heaven and Earth at first,
And Light and Love; then Saturn, from whose throne
Time fell, an envious shadow: such the state
Of the earth's primal spirits beneath his sway,
As the calm joy of flowers and living leaves
Before the wind or sun has withered them
And semivital worms; but he refused
The birthright of their being, knowledge, power,
The skill which wields the elements, the thought
Which pierces this dim universe like light,
Self-empire, and the majesty of love;
For thirst of which they fainted. Then Prometheus
Gave wisdom, which is strength, to Jupiter,
And with this law alone, 'Let man be free,'
Clothed him with the dominion of wide Heaven.
To know nor faith, nor love, nor law; to be
Omnipotent but friendless is to reign;
And Jove now reigned; for on the race of man
First famine, and then toil, and then disease,
Strife, wounds, and ghastly death unseen before,
Fell; and the unseasonable seasons drove
With alternating shafts of frost and fire,
Their shelterless, pale tribes to mountain caves:
And in their desert hearts fierce wants he sent,
And mad disquietudes, and shadows idle
Of unreal good, which levied mutual war,
So ruining the lair wherein they raged.
Prometheus saw, and waked the legioned hopes
Which sleep within folded Elysian flowers,
Nepenthe, Moly, Amaranth, fadeless blooms,
That they might hide with thin and rainbow wings
The shape of Death; and Love he sent to bind
The disunited tendrils of that vine
Which bears the wine of life, the human heart;
And he tamed fire which, like some beast of prey,
Most terrible, but lovely, played beneath
The frown of man; and tortured to his will
Iron and gold, the slaves and signs of power,
And gems and poisons, and all subtlest forms
Hidden beneath the mountains and the waves.
He gave man speech, and speech created thought,
Which is the measure of the universe;
And Science struck the thrones of earth and heaven,
Which shook, but fell not; and the harmonious mind
Poured itself forth in all-prophetic song;
And music lifted up the listening spirit
Until it walked, exempt from mortal care,
Godlike, o'er the clear billows of sweet sound;
And human hands first mimicked and then mocked,
With moulded limbs more lovely than its own,
The human form, till marble grew divine;
And mothers, gazing, drank the love men see
Reflected in their race, behold, and perish.
He told the hidden power of herbs and springs,
And Disease drank and slept. Death grew like sleep.
He taught the implicated orbits woven
Of the wide-wandering stars; and how the sun
Changes his lair, and by what secret spell
The pale moon is transformed, when her broad eye
Gazes not on the interlunar sea:
He taught to rule, as life directs the limbs,
The tempest-wingd chariots of the Ocean,
And the Celt knew the Indian. Cities then
Were built, and through their snow-like columns flowed
The warm winds, and the azure aether shone,
And the blue sea and shadowy hills were seen.
Such, the alleviations of his state,
Prometheus gave to man, for which he hangs
Withering in destined pain: but who rains down
Evil, the immedicable plague, which, while
Man looks on his creation like a God
And sees that it is glorious, drives him on,
The wreck of his own will, the scorn of earth,
The outcast, the abandoned, the alone?
Not Jove: while yet his frown shook Heaven, ay, when
His adversary from adamantine chains
Cursed him, he trembled like a slave. Declare
Who is his master? Is he too a slave?
Demogorgon.
All spirits are enslaved which serve things evil:
Thou knowest if Jupiter be such or no.
Asia.
Whom calledst thou God?
Demogorgon.
I spoke but as ye speak,
For Jove is the supreme of living things.
Asia.
Who is the master of the slave?
Demogorgon.
If the abysm
Could vomit forth its secrets. . . But a voice
Is wanting, the deep truth is imageless;
For what would it avail to bid thee gaze
On the revolving world? What to bid speak
Fate, Time, Occasion, Chance, and Change? To these
All things are subject but eternal Love.
Asia.
So much I asked before, and my heart gave
The response thou hast given; and of such truths
Each to itself must be the oracle.
One more demand; and do thou answer me
As mine own soul would answer, did it know
That which I ask. Prometheus shall arise
Henceforth the sun of this rejoicing world:
When shall the destined hour arrive?
Demogorgon.
Behold!
Asia.
The rocks are cloven, and through the purple night
I see cars drawn by rainbow-wingd steeds
Which trample the dim winds: in each there stands
A wild-eyed charioteer urging their flight.
Some look behind, as fiends pursued them there,
And yet I see no shapes but the keen stars:
Others, with burning eyes, lean forth, and drink
With eager lips the wind of their own speed,
As if the thing they loved fled on before,
And now, even now, they clasped it. Their bright locks
Stream like a comet's flashing hair: they all
Sweep onward.
Demogorgon.
These are the immortal Hours,
Of whom thou didst demand. One waits for thee.
Asia.
A spirit with a dreadful countenance
Checks its dark chariot by the craggy gulf.
Unlike thy brethren, ghastly charioteer,
Who art thou? Whither wouldst thou bear me? Speak!
Spirit.
I am the shadow of a destiny
More dread than is my aspect: ere yon planet
Has set, the darkness which ascends with me
Shall wrap in lasting night heaven's kingless throne.
Asia.
What meanest thou?
Panthea.
That terrible shadow floats
Up from its throne, as may the lurid smoke
Of earthquake-ruined cities o'er the sea.
Lo! it ascends the car; the coursers fly
Terrified: watch its path among the stars
Blackening the night!
Asia.
Thus I am answered: strange!
Panthea.
See, near the verge, another chariot stays;
An ivory shell inlaid with crimson fire,
Which comes and goes within its sculptured rim
Of delicate strange tracery; the young spirit
That guides it has the dove-like eyes of hope;
How its soft smiles attract the soul! as light
Lures wingd insects through the lampless air.
Spirit.
My coursers are fed with the lightning,
They drink of the whirlwind's stream,
And when the red morning is bright'ning
They bathe in the fresh sunbeam;
They have strength for their swiftness I deem,
Then ascend with me, daughter of Ocean.
I desire: and their speed makes night kindle;
I fear: they outstrip the Typhoon;
Ere the cloud piled on Atlas can dwindle
We encircle the earth and the moon:
We shall rest from long labours at noon:
Then ascend with me, daughter of Ocean.
Scene V.
The Car pauses within a Cloud on the top of a snowy Mountain. Asia, Panthea, and the Spirit of the Hour.
Spirit.
On the brink of the night and the morning
My coursers are wont to respire;
But the Earth has just whispered a warning
That their flight must be swifter than fire:
They shall drink the hot speed of desire!
Asia.
Thou breathest on their nostrils, but my breath
Would give them swifter speed.
Spirit.
Alas! it could not.
Panthea.
Oh Spirit! pause, and tell whence is the light
Which fills this cloud? the sun is yet unrisen.
Spirit.
The sun will rise not until noon. Apollo
Is held in heaven by wonder; and the light
Which fills this vapour, as the areal hue
Of fountain-gazing roses fills the water,
Flows from thy mighty sister.
Panthea.
Yes, I feel
Asia.
What is it with thee, sister? Thou art pale.
Panthea.
How thou art changed! I dare not look on thee;
I feel but see thee not. I scarce endure
The radiance of thy beauty. Some good change
Is working in the elements, which suffer
Thy presence thus unveiled. The Nereids tell
That on the day when the clear hyaline
Was cloven at thine uprise, and thou didst stand
Within a veind shell, which floated on
Over the calm floor of the crystal sea,
Among the gean isles, and by the shores
Which bear thy name; love, like the atmosphere
Of the sun's fire filling the living world,
Burst from thee, and illumined earth and heaven
And the deep ocean and the sunless caves
And all that dwells within them; till grief cast
Eclipse upon the soul from which it came:
Such art thou now; nor is it I alone,
Thy sister, thy companion, thine own chosen one,
But the whole world which seeks thy sympathy.
Hearest thou not sounds i' the air which speak the love
Of all articulate beings? Feelest thou not
The inanimate winds enamoured of thee? List!
[Music.
Asia.
Thy words are sweeter than aught else but his
Whose echoes they are: yet all love is sweet,
Given or returned. Common as light is love,
And its familiar voice wearies not ever.
Like the wide heaven, the all-sustaining air,
It makes the reptile equal to the God:
They who inspire it most are fortunate,
As I am now; but those who feel it most
Are happier still, after long sufferings,
As I shall soon become.
Panthea.
List! Spirits speak.
Voice in the Air, singing.
Life of Life! thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Faints, entangled in their mazes.
Child of Light! thy limbs are burning
Through the vest which seems to hide them;
As the radiant lines of morning
Through the clouds ere they divide them;
And this atmosphere divinest
Shrouds thee wheresoe'er thou shinest.
Fair are others; none beholds thee,
But thy voice sounds low and tender
Like the fairest, for it folds thee
From the sight, that liquid splendour,
And all feel, yet see thee never,
As I feel now, lost for ever!
Lamp of Earth! where'er thou movest
Its dim shapes are clad with brightness,
And the souls of whom thou lovest
Walk upon the winds with lightness,
Till they fail, as I am failing,
Dizzy, lost, yet unbewailing!
Asia.
My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside a helm conducting it,
Whilst all the winds with melody are ringing.
It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound:
Meanwhile thy spirit lifts its pinions
In music's most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But, by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds and on the waves doth move,
Harmonizing this earth with what we feel above.
We have passed Age's icy caves,
And Manhood's dark and tossing waves,
And Youth's smooth ocean, smiling to betray:
Beyond the glassy gulfs we flee
Of shadow-peopled Infancy,
Through Death and Birth, to a diviner day;
A paradise of vaulted bowers,
Lit by downward-gazing flowers,
And watery paths that wind between
Wildernesses calm and green,
Peopled by shapes too bright to see,
And rest, having beheld; somewhat like thee;
Which walk upon the sea, and chant melodiously!
END OF THE SECOND ACT.
ACT III
Scene I.
Heaven. Jupiter on his Throne; Thetis and the other Deities assembled.
Jupiter.
Ye congregated powers of heaven, who share
The glory and the strength of him ye serve,
Rejoice! henceforth I am omnipotent.
All else had been subdued to me; alone
The soul of man, like unextinguished fire,
Yet burns towards heaven with fierce reproach, and doubt,
And lamentation, and reluctant prayer,
Hurling up insurrection, which might make
Our antique empire insecure, though built
On eldest faith, and hell's coeval, fear;
And though my curses through the pendulous air,
Like snow on herbless peaks, fall flake by flake,
And cling to it; though under my wrath's night
It climbs the crags of life, step after step,
Which wound it, as ice wounds unsandalled feet,
It yet remains supreme o'er misery,
Aspiring, unrepressed, yet soon to fall:
Even now have I begotten a strange wonder,
That fatal child, the terror of the earth,
Who waits but till the destined hour arrive,
Bearing from Demogorgon's vacant throne
The dreadful might of ever-living limbs
Which clothed that awful spirit unbeheld,
To redescend, and trample out the spark.
Pour forth heaven's wine, Idan Ganymede,
And let it fill the Ddal cups like fire,
And from the flower-inwoven soil divine
Ye all-triumphant harmonies arise,
As dew from earth under the twilight stars:
Drink! be the nectar circling through your veins
The soul of joy, ye ever-living Gods,
Till exultation burst in one wide voice
Like music from Elysian winds.
And thou
Ascend beside me, veild in the light
Of the desire which makes thee one with me,
Thetis, bright image of eternity!
When thou didst cry, 'Insufferable might!
God! Spare me! I sustain not the quick flames,
The penetrating presence; all my being,
Like him whom the Numidian seps did thaw
Into a dew with poison, is dissolved,
Sinking through its foundations:' even then
Two mighty spirits, mingling, made a third
Mightier than either, which, unbodied now,
Between us floats, felt, although unbeheld,
Waiting the incarnation, which ascends,
(Hear ye the thunder of the fiery wheels
Griding the winds?) from Demogorgon's throne.
Victory! victory! Feel'st thou not, O world,
The earthquake of his chariot thundering up
Olympus?
[The Car of the Hour arrives. Demogorgon descends, and moves towards the Throne of Jupiter.
Awful shape, what art thou? Speak!
Demogorgon.
Eternity. Demand no direr name.
Descend, and follow me down the abyss.
I am thy child, as thou wert Saturn's child;
Mightier than thee: and we must dwell together
Henceforth in darkness. Lift thy lightnings not.
The tyranny of heaven none may retain,
Or reassume, or hold, succeeding thee:
Yet if thou wilt, as 'tis the destiny
Of trodden worms to writhe till they are dead,
Put forth thy might.
Jupiter.
Detested prodigy!
Even thus beneath the deep Titanian prisons
I trample thee! thou lingerest?
Mercy! mercy!
No pity, no release, no respite! Oh,
That thou wouldst make mine enemy my judge,
Even where he hangs, seared by my long revenge,
On Caucasus! he would not doom me thus.
Gentle, and just, and dreadless, is he not
The monarch of the world? What then art thou?
No refuge! no appeal!
Sink with me then,
We two will sink on the wide waves of ruin,
Even as a vulture and a snake outspent
Drop, twisted in inextricable fight,
Into a shoreless sea. Let hell unlock
Its mounded oceans of tempestuous fire,
And whelm on them into the bottomless void
This desolated world, and thee, and me,
The conqueror and the conquered, and the wreck
Of that for which they combated.
Ai! Ai!
The elements obey me not. I sink
Dizzily down, ever, for ever, down.
And, like a cloud, mine enemy above
Darkens my fall with victory! Ai, Ai!
Scene II.
The Mouth of a great River in the Island Atlantis.Ocean is discovered reclining near the Shore; Apollo stands beside him.
Ocean.
He fell, thou sayest, beneath his conqueror's frown?
Apollo.
Ay, when the strife was ended which made dim
The orb I rule, and shook the solid stars,
The terrors of his eye illumined heaven
With sanguine light, through the thick ragged skirts
Of the victorious darkness, as he fell:
Like the last glare of day's red agony,
Which, from a rent among the fiery clouds,
Burns far along the tempest-wrinkled deep.
Ocean.
He sunk to the abyss? To the dark void?
Apollo.
An eagle so caught in some bursting cloud
On Caucasus, his thunder-baffled wings
Entangled in the whirlwind, and his eyes
Which gazed on the undazzling sun, now blinded
By the white lightning, while the ponderous hail
Beats on his struggling form, which sinks at length
Prone, and the areal ice clings over it.
Ocean.
Henceforth the fields of heaven-reflecting sea
Which are my realm, will heave, unstained with blood,
Beneath the uplifting winds, like plains of corn
Swayed by the summer air; my streams will flow
Round many-peopled continents, and round
Fortunate isles; and from their glassy thrones
Blue Proteus and his humid nymphs shall mark
The shadow of fair ships, as mortals see
The floating bark of the light-laden moon
With that white star, its sightless pilot's crest,
Borne down the rapid sunset's ebbing sea;
Tracking their path no more by blood and groans,
And desolation, and the mingled voice
Of slavery and command; but by the light
Of wave-reflected flowers, and floating odours,
And music soft, and mild, free, gentle voices,
And sweetest music, such as spirits love.
Apollo.
And I shall gaze not on the deeds which make
My mind obscure with sorrow, as eclipse
Darkens the sphere I guide; but list, I hear
The small, clear, silver lute of the young Spirit
That sits i' the morning star.
Ocean.
Thou must away;
Thy steeds will pause at even, till when farewell:
The loud deep calls me home even now to feed it
With azure calm out of the emerald urns
Which stand for ever full beside my throne.
Behold the Nereids under the green sea,
Their wavering limbs borne on the wind-like stream,
Their white arms lifted o'er their streaming hair
With garlands pied and starry sea-flower crowns,
Hastening to grace their mighty sister's joy. [A sound of waves is heard.
It is the unpastured sea hungering for calm.
Peace, monster; I come now. Farewell.
Apollo.
Farewell.
Scene III.
Caucasus. Prometheus, Hercules, Ione, the Earth, Spirits, Asia, and Panthea, borne in the Car with the Spirit of the Hour. Hercules unbinds Prometheus, who descends.
Hercules.
Most glorious among Spirits, thus doth strength
To wisdom, courage, and long-suffering love,
And thee, who art the form they animate,
Minister like a slave.
Prometheus.
Thy gentle words
Are sweeter even than freedom long desired
And long delayed.
Asia, thou light of life,
Shadow of beauty unbeheld: and ye,
Fair sister nymphs, who made long years of pain
Sweet to remember, through your love and care:
Henceforth we will not part. There is a cave,
All overgrown with trailing odorous plants,
Which curtain out the day with leaves and flowers,
And paved with veind emerald, and a fountain
Leaps in the midst with an awakening sound.
From its curved roof the mountain's frozen tears
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
And there is heard the ever-moving air,
Whispering without from tree to tree, and birds,
And bees; and all around are mossy seats,
And the rough walls are clothed with long soft grass;
A simple dwelling, which shall be our own;
Where we will sit and talk of time and change,
As the world ebbs and flows, ourselves unchanged.
What can hide man from mutability?
And if ye sigh, then I will smile; and thou,
Ione, shalt chant fragments of sea-music,
Until I weep, when ye shal smile away
The tears she brought, which yet were sweet to shed.
We will entangle buds and flowers and beams
Which twinkle on the fountain's brim, and make
Strange combinations out of common things,
Like human babes in their brief innocence;
And we will search, with looks and words of love,
For hidden thoughts, each lovelier than the last,
Our unexhausted spirits; and like lutes
Touched by the skill of the enamoured wind,
Weave harmonies divine, yet ever new,
From difference sweet where discord cannot be;
And hither come, sped on the charmd winds,
Which meet from all the points of heaven, as bees
From every flower areal Enna feeds,
At their known island-homes in Himera,
The echoes of the human world, which tell
Of the low voice of love, almost unheard,
And dove-eyed pity's murmured pain, and music,
Itself the echo of the heart, and all
That tempers or improves man's life, now free;
And lovely apparitions,dim at first,
Then radiant, as the mind, arising bright
From the embrace of beauty (whence the forms
Of which these are the phantoms) casts on them
The gathered rays which are reality
Shall visit us, the progeny immortal
Of Painting, Sculpture, and rapt Poesy,
And arts, though unimagined, yet to be.
The wandering voices and the shadows these
Of all that man becomes, the mediators
Of that best worship love, by him and us
Given and returned; swift shapes and sounds, which grow
More fair and soft as man grows wise and kind,
And, veil by veil, evil and error fall:
Such virtue has the cave and place around. [Turning to the Spirit of the Hour.
For thee, fair Spirit, one toil remains. Ione,
Give her that curvd shell, which Proteus old
Made Asia's nuptial boon, breathing within it
A voice to be accomplished, and which thou
Didst hide in grass under the hollow rock.
Ione.
Thou most desired Hour, more loved and lovely
Than all thy sisters, this is the mystic shell;
See the pale azure fading into silver
Lining it with a soft yet glowing light:
Looks it not like lulled music sleeping there?
Spirit.
It seems in truth the fairest shell of Ocean:
Its sound must be at once both sweet and strange.
Prometheus.
Go, borne over the cities of mankind
On whirlwind-footed coursers: once again
Outspeed the sun around the orbd world;
And as thy chariot cleaves the kindling air,
Thou breathe into the many-folded shell,
Loosening its mighty music; it shall be
As thunder mingled with clear echoes: then
Return; and thou shalt dwell beside our cave.
And thou, O, Mother Earth!
The Earth.
I hear, I feel;
Thy lips are on me, and their touch runs down
Even to the adamantine central gloom
Along these marble nerves; 'tis life, 'tis joy,
And through my withered, old, and icy frame
The warmth of an immortal youth shoots down
Circling. Henceforth the many children fair
Folded in my sustaining arms; all plants,
And creeping forms, and insects rainbow-winged,
And birds, and beasts, and fish, and human shapes,
Which drew disease and pain from my wan bosom,
Draining the poison of despair, shall take
And interchange sweet nutriment; to me
Shall they become like sister-antelopes
By one fair dam, snow-white and swift as wind,
Nursed among lilies near a brimming stream.
The dew-mists of my sunless sleep shall float
Under the stars like balm: night-folded flowers
Shall suck unwithering hues in their repose:
And men and beasts in happy dreams shall gather
Strength for the coming day, and all its joy:
And death shall be the last embrace of her
Who takes the life she gave, even as a mother
Folding her child, says, 'Leave me not again.'
Asia.
Oh, mother! wherefore speak the name of death?
Cease they to love, and move, and breathe, and speak,
Who die?
The Earth.
It would avail not to reply:
Thou art immortal, and this tongue is known
But to the uncommunicating dead.
Death is the veil which those who live call life:
They sleep, and it is lifted: and meanwhile
In mild variety the seasons mild
With rainbow-skirted showers, and odorous winds,
And long blue meteors cleansing the dull night,
And the life-kindling shafts of the keen sun's
All-piercing bow, and the dew-mingled rain
Of the calm moonbeams, a soft influence mild,
Shall clothe the forests and the fields, ay, even
The crag-built deserts of the barren deep,
With ever-living leaves, and fruits, and flowers.
And thou! There is a cavern where my spirit
Was panted forth in anguish whilst thy pain
Made my heart mad, and those who did inhale it
Became mad too, and built a temple there,
And spoke, and were oracular, and lured
The erring nations round to mutual war,
And faithless faith, such as Jove kept with thee;
Which breath now rises, as amongst tall weeds
A violet's exhalation, and it fills
With a serener light and crimson air
Intense, yet soft, the rocks and woods around;
It feeds the quick growth of the serpent vine,
And the dark linkd ivy tangling wild,
And budding, blown, or odour-faded blooms
Which star the winds with points of coloured light,
As they rain through them, and bright golden globes
Of fruit, suspended in their own green heaven,
And through their veind leaves and amber stems
The flowers whose purple and translucid bowls
Stand ever mantling with areal dew,
The drink of spirits: and it circles round,
Like the soft waving wings of noonday dreams,
Inspiring calm and happy thoughts, like mine,
Now thou art thus restored. This cave is thine.
Arise! Appear!
[A Spirit rises in the likeness of a winged child.
This is my torch-bearer;
Who let his lamp out in old time with gazing
On eyes from which he kindled it anew
With love, which is as fire, sweet daughter mine,
For such is that within thine own. Run, wayward,
And guide this company beyond the peak
Of Bacchic Nysa, Mnad-haunted mountain,
And beyond Indus and its tribute rivers,
Trampling the torrent streams and glassy lakes
With feet unwet, unwearied, undelaying,
And up the green ravine, across the vale,
Beside the windless and crystalline pool,
Where ever lies, on unerasing waves,
The image of a temple, built above,
Distinct with column, arch, and architrave,
And palm-like capital, and over-wrought,
And populous with most living imagery,
Praxitelean shapes, whose marble smiles
Fill the hushed air with everlasting love.
It is deserted now, but once it bore
Thy name, Prometheus; there the emulous youths
Bore to thy honour through the divine gloom
The lamp which was thine emblem; even as those
Who bear the untransmitted torch of hope
Into the grave, across the night of life,
As thou hast borne it most triumphantly
To this far goal of Time. Depart, farewell.
Beside that temple is the destined cave.
Scene IV.
A Forest. In the Background a Cave. Prometheus, Asia, Panthea, Ione, and the Spirit of the Earth.
Ione.
Sister, it is not earthly: how it glides
Under the leaves! how on its head there burns
A light, like a green star, whose emerald beams
Are twined with its fair hair! how, as it moves,
The splendour drops in flakes upon the grass!
Knowest thou it?
Panthea.
It is the delicate spirit
That guides the earth through heaven. From afar
The populous constellations call that light
The loveliest of the planets; and sometimes
It floats along the spray of the salt sea,
Or makes its chariot of a foggy cloud,
Or walks through fields or cities while men sleep,
Or o'er the mountain tops, or down the rivers,
Or through the green waste wilderness, as now,
Wondering at all it sees. Before Jove reigned
It loved our sister Asia, and it came
Each leisure hour to drink the liquid light
Out of her eyes, for which it said it thirsted
As one bit by a dipsas, and with her
It made its childish confidence, and told her
All it had known or seen, for it saw much,
Yet idly reasoned what it saw; and called her
For whence it sprung it knew not, nor do I
Mother, dear mother.
The Spirit of the Earth
(running to Asia).
Mother, dearest mother;
May I then talk with thee as I was wont?
May I then hide my eyes in thy soft arms,
After thy looks have made them tired of joy?
May I then play beside thee the long noons,
When work is none in the bright silent air?
Asia.
I love thee, gentlest being, and henceforth
Can cherish thee unenvied: speak, I pray:
Thy simple talk once solaced, now delights.
Spirit of the Earth.
Mother, I am grown wiser, though a child
Cannot be wise like thee, within this day;
And happier too; happier and wiser both.
Thou knowest that toads, and snakes, and loathly worms,
And venomous and malicious beasts, and boughs
That bore ill berries in the woods, were ever
An hindrance to my walks o'er the green world:
And that, among the haunts of humankind,
Hard-featured men, or with proud, angry looks,
Or cold, staid gait, or false and hollow smiles,
Or the dull sneer of self-loved ignorance,
Or other such foul masks, with which ill thoughts
Hide that fair being whom we spirits call man;
And women too, ugliest of all things evil,
(Though fair, even in a world where thou art fair,
When good and kind, free and sincere like thee),
When false or frowning made me sick at heart
To pass them, though they slept, and I unseen.
Well, my path lately lay through a great city
Into the woody hills surrounding it:
A sentinel was sleeping at the gate:
When there was heard a sound, so loud, it shook
The towers amid the moonlight, yet more sweet
Than any voice but thine, sweetest of all;
A long, long sound, as it would never end:
And all the inhabitants leaped suddenly
Out of their rest, and gathered in the streets,
Looking in wonder up to Heaven, while yet
The music pealed along. I hid myself
Within a fountain in the public square,
Where I lay like the reflex of the moon
Seen in a wave under green leaves; and soon
Those ugly human shapes and visages
Of which I spoke as having wrought me pain,
Passed floating through the air, and fading still
Into the winds that scattered them; and those
From whom they passed seemed mild and lovely forms
After some foul disguise had fallen, and all
Were somewhat changed, and after brief surprise
And greetings of delighted wonder, all
Went to their sleep again: and when the dawn
Came, wouldst thou think that toads, and snakes, and efts,
Could e'er be beautiful? yet so they were,
And that with little change of shape or hue:
All things had put their evil nature off:
I cannot tell my joy, when o'er a lake
Upon a drooping bough with nightshade twined,
I saw two azure halcyons clinging downward
And thinning one bright bunch of amber berries,
With quick long beaks, and in the deep there lay
Those lovely forms imaged as in a sky;
So, with my thoughts full of these happy changes,
We meet again, the happiest change of all.
Asia.
And never will we part, till thy chaste sister
Who guides the frozen and inconstant moon
Will look on thy more warm and equal light
Till her heart thaw like flakes of April snow
And love thee.
Spirit of the Earth.
What; as Asia loves Prometheus?
Asia.
Peace, wanton, thou art yet not old enough.
Think ye by gazing on each other's eyes
To multiply your lovely selves, and fill
With spherd fires the interlunar air?
Spirit of the Earth.
Nay, mother, while my sister trims her lamp
'Tis hard I should go darkling.
Asia.
Listen; look!
[The Spirit of the Hour enters.
Prometheus.
We feel what thou hast heard and seen: yet speak.
Spirit of the Hour.
Soon as the sound had ceased whose thunder filled
The abysses of the sky and the wide earth,
There was a change: the impalpable thin air
And the all-circling sunlight were transformed,
As if the sense of love dissolved in them
Had folded itself round the spherd world.
My vision then grew clear, and I could see
Into the mysteries of the universe:
Dizzy as with delight I floated down,
Winnowing the lightsome air with languid plumes,
My coursers sought their birthplace in the sun,
Where they henceforth will live exempt from toil,
Pasturing flowers of vegetable fire;
And where my moonlike car will stand within
A temple, gazed upon by Phidian forms
Of thee, and Asia, and the Earth, and me,
And you fair nymphs looking the love we feel,
In memory of the tidings it has borne,
Beneath a dome fretted with graven flowers,
Poised on twelve columns of resplendent stone,
And open to the bright and liquid sky.
Yoked to it by an amphisbaenic snake
The likeness of those wingd steeds will mock
The flight from which they find repose. Alas,
Whither has wandered now my partial tongue
When all remains untold which ye would hear?
As I have said, I floated to the earth:
It was, as it is still, the pain of bliss
To move, to breathe, to be; I wandering went
Among the haunts and dwellings of mankind,
And first was disappointed not to see
Such mighty change as I had felt within
Expressed in outward things; but soon I looked,
And behold, thrones were kingless, and men walked
One with the other even as spirits do,
None fawned, none trampled; hate, disdain, or fear,
Self-love or self-contempt, on human brows
No more inscribed, as o'er the gate of hell,
'All hope abandon ye who enter here;'
None frowned, none trembled, none with eager fear
Gazed on another's eye of cold command,
Until the subject of a tyrant's will
Became, worse fate, the abject of his own,
Which spurred him, like an outspent horse, to death.
None wrought his lips in truth-entangling lines
Which smiled the lie his tongue disdained to speak;
None, with firm sneer, trod out in his own heart
The sparks of love and hope till there remained
Those bitter ashes, a soul self-consumed,
And the wretch crept a vampire among men,
Infecting all with his own hideous ill;
None talked that common, false, cold, hollow talk
Which makes the heart deny the yes it breathes,
Yet question that unmeant hypocrisy
With such a self-mistrust as has no name.
And women, too, frank, beautiful, and kind
As the free heaven which rains fresh light and dew
On the wide earth, past; gentle radiant forms,
From custom's evil taint exempt and pure;
Speaking the wisdom once they could not think,
Looking emotions once they feared to feel,
And changed to all which once they dared not be,
Yet being now, made earth like heaven; nor pride,
Nor jealousy, nor envy, nor ill shame,
The bitterest of those drops of treasured gall,
Spoilt the sweet taste of the nepenthe, love.
Thrones, altars, judgement-seats, and prisons; wherein,
And beside which, by wretched men were borne
Sceptres, tiaras, swords, and chains, and tomes
Of reasoned wrong, glozed on by ignorance,
Were like those monstrous and barbaric shapes,
The ghosts of a no-more-remembered fame,
Which, from their unworn obelisks, look forth
In triumph o'er the palaces and tombs
Of those who were their conquerors: mouldering round,
These imaged to the pride of kings and priests
A dark yet mighty faith, a power as wide
As is the world it wasted, and are now
But an astonishment; even so the tools
And emblems of its last captivity,
Amid the dwellings of the peopled earth,
Stand, not o'erthrown, but unregarded now.
And those foul shapes, abhorred by god and man,
Which, under many a name and many a form
Strange, savage, ghastly, dark and execrable,
Were Jupiter, the tyrant of the world;
And which the nations, panic-stricken, served
With blood, and hearts broken by long hope, and love
Dragged to his altars soiled and garlandless,
And slain amid men's unreclaiming tears,
Flattering the thing they feared, which fear was hate,
Frown, mouldering fast, o'er their abandoned shrines:
The painted veil, by those who were, called life,
Which mimicked, as with colours idly spread,
All men believed or hoped, is torn aside;
The loathsome mask has fallen, the man remains
Sceptreless, free, uncircumscribed, but man
Equal, unclassed, tribeless, and nationless,
Exempt from awe, worship, degree, the king
Over himself; just, gentle, wise: but man
Passionless?no, yet free from guilt or pain,
Which were, for his will made or suffered them,
Nor yet exempt, though ruling them like slaves,
From chance, and death, and mutability,
The clogs of that which else might oversoar
The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.
END OF THE THIRD ACT.
ACT IV
Scene.A Part of the Forest near the Cave of Prometheus.Panthea and Ione are sleeping: they awaken gradually during the first Song.
Voice of unseen Spirits.
The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and they flee
Beyond his blue dwelling,
As fawns flee the leopard.
But where are ye?
A Train of dark Forms and Shadows passes by confusedly, singing.
Here, oh, here:
We bear the bier
Of the Father of many a cancelled year!
Spectres we
Of the dead Hours be,
We bear Time to his tomb in eternity.
Strew, oh, strew
Hair, not yew!
Wet the dusty pall with tears, not dew!
Be the faded flowers
Of Death's bare bowers
Spread on the corpse of the King of Hours!
Haste, oh, haste!
As shades are chased,
Trembling, by day, from heaven's blue waste.
We melt away,
Like dissolving spray,
From the children of a diviner day,
With the lullaby
Of winds that die
On the bosom of their own harmony!
Ione.
What dark forms were they?
Panthea.
The past Hours weak and gray,
With the spoil which their toil
Raked together
From the conquest but One could foil.
Ione.
Have they passed?
Panthea.
They have passed;
They outspeeded the blast,
While 'tis said, they are fled:
Ione.
Whither, oh, whither?
Panthea.
To the dark, to the past, to the dead.
Voice of unseen Spirits.
Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean,
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
But where are ye?
The pine boughs are singing
Old songs with new gladness,
The billows and fountains
Fresh music are flinging,
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
But where are ye?
Ione.
What charioteers are these?
Panthea.
Where are their chariots?
Semichorus of Hours.
The voice of the Spirits of Air and of Earth
Have drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep.
A Voice.
In the deep?
Semichorus II.
Oh, below the deep.
Semichorus I.
An hundred ages we had been kept
Cradled in visions of hate and care,
And each one who waked as his brother slept,
Found the truth
Semichorus II.
Worse than his visions were!
Semichorus I.
We have heard the lute of Hope in sleep;
We have known the voice of Love in dreams;
We have felt the wand of Power, and leap
Semichorus II.
As the billows leap in the morning beams!
Chorus.
Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of Night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now, oh weave the mystic measure
Of music, and dance, and shapes of light,
Let the Hours, and the spirits of might and pleasure,
Like the clouds and sunbeams, unite.
A Voice.
Unite!
Panthea.
See, where the Spirits of the human mind
Wrapped in sweet sounds, as in bright veils, approach.
Chorus of Spirits.
We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep,
And mix with the sea-birds, half asleep.
Chorus of Hours.
Whence come ye, so wild and so fleet,
For sandals of lightning are on your feet,
And your wings are soft and swift as thought,
And your eyes are as love which is veild not?
Chorus of Spirits.
We come from the mind
Of human kind
Which was late so dusk, and obscene, and blind,
Now 'tis an ocean
Of clear emotion,
A heaven of serene and mighty motion
From that deep abyss
Of wonder and bliss,
Whose caverns are crystal palaces;
From those skiey towers
Where Thought's crowned powers
Sit watching your dance, ye happy Hours!
From the dim recesses
Of woven caresses,
Where lovers catch ye by your loose tresses
From the azure isles,
Where sweet Wisdom smiles,
Delaying your ships with her siren wiles.
From the temples high
Of Man's ear and eye,
Roofed over Sculpture and Poesy;
From the murmurings
Of the unsealed springs
Where Science bedews her Ddal wings.
Years after years,
Through blood, and tears,
And a thick hell of hatreds, and hopes, and fears;
We waded and flew,
And the islets were few
Where the bud-blighted flowers of happiness grew.
Our feet now, every palm,
Are sandalled with calm,
And the dew of our wings is a rain of balm;
And, beyond our eyes,
The human love lies
Which makes all it gazes on Paradise.
Chorus of Spirits and Hours.
Then weave the web of the mystic measure;
From the depths of the sky and the ends of the earth,
Come, swift Spirits of might and of pleasure,
Fill the dance and the music of mirth,
As the waves of a thousand streams rush by
To an ocean of splendour and harmony!
Chorus of Spirits.
Our spoil is won,
Our task is done,
We are free to dive, or soar, or run;
Beyond and around,
Or within the bound
Which clips the world with darkness round.
We'll pass the eyes
Of the starry skies
Into the hoar deep to colonize:
Death, Chaos, and Night,
From the sound of our flight,
Shall flee, like mist from a tempest's might.
And Earth, Air, and Light,
And the Spirit of Might,
Which drives round the stars in their fiery flight;
And Love, Thought, and Breath,
The powers that quell Death,
Wherever we soar shall assemble beneath.
And our singing shall build
In the void's loose field
A world for the Spirit of Wisdom to wield;
We will take our plan
From the new world of man,
And our work shall be called the Promethean.
Chorus of Hours.
Break the dance, and scatter the song;
Let some depart, and some remain.
Semichorus I.
We, beyond heaven, are driven along:
Semichorus II.
Us the enchantments of earth retain:
Semichorus I.
Ceaseless, and rapid, and fierce, and free,
With the Spirits which build a new earth and sea,
And a heaven where yet heaven could never be.
Semichorus II.
Solemn, and slow, and serene, and bright,
Leading the Day and outspeeding the Night,
With the powers of a world of perfect light.
Semichorus I.
We whirl, singing loud, round the gathering sphere,
Till the trees, and the beasts, and the clouds appear
From its chaos made calm by love, not fear.
Semichorus II.
We encircle the ocean and mountains of earth,
And the happy forms of its death and birth
Change to the music of our sweet mirth.
Chorus of Hours and Spirits.
Break the dance, and scatter the song,
Let some depart, and some remain,
Wherever we fly we lead along
In leashes, like starbeams, soft yet strong,
The clouds that are heavy with love's sweet rain.
Panthea.
Ha! they are gone!
Ione.
Yet feel you no delight
From the past sweetness?
Panthea.
As the bare green hill
When some soft cloud vanishes into rain,
Laughs with a thousand drops of sunny water
To the unpavilioned sky!
Ione.
Even whilst we speak
New notes arise. What is that awful sound?
Panthea.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
olian modulations.
Ione.
Listen too,
How every pause is filled with under-notes,
Clear, silver, icy, keen, awakening tones,
Which pierce the sense, and live within the soul,
As the sharp stars pierce winter's crystal air
And gaze upon themselves within the sea.
Panthea.
But see where through two openings in the forest
Which hanging branches overcanopy,
And where two runnels of a rivulet,
Between the close moss violet-inwoven,
Have made their path of melody, like sisters
Who part with sighs that they may meet in smiles,
Turning their dear disunion to an isle
Of lovely grief, a wood of sweet sad thoughts;
Two visions of strange radiance float upon
The ocean-like enchantment of strong sound,
Which flows intenser, keener, deeper yet
Under the ground and through the windless air.
Ione.
I see a chariot like that thinnest boat,
In which the Mother of the Months is borne
By ebbing light into her western cave,
When she upsprings from interlunar dreams;
O'er which is curved an orblike canopy
Of gentle darkness, and the hills and woods,
Distinctly seen through that dusk aery veil,
Regard like shapes in an enchanter's glass;
Its wheels are solid clouds, azure and gold,
Such as the genii of the thunderstorm
Pile on the floor of the illumined sea
When the sun rushes under it; they roll
And move and grow as with an inward wind;
Within it sits a wingd infant, white
Its countenance, like the whiteness of bright snow,
Its plumes are as feathers of sunny frost,
Its limbs gleam white, through the wind-flowing folds
Of its white robe, woof of ethereal pearl.
Its hair is white, the brightness of white light
Scattered in strings; yet its two eyes are heavens
Of liquid darkness, which the Deity
Within seems pouring, as a storm is poured
From jaggd clouds, out of their arrowy lashes,
Tempering the cold and radiant air around,
With fire that is not brightness; in its hand
It sways a quivering moonbeam, from whose point
A guiding power directs the chariot's prow
Over its wheeld clouds, which as they roll
Over the grass, and flowers, and waves, wake sounds,
Sweet as a singing rain of silver dew.
Panthea.
And from the other opening in the wood
Rushes, with loud and whirlwind harmony,
A sphere, which is as many thousand spheres,
Solid as crystal, yet through all its mass
Flow, as through empty space, music and light:
Ten thousand orbs involving and involved,
Purple and azure, white, and green, and golden,
Sphere within sphere; and every space between
Peopled with unimaginable shapes,
Such as ghosts dream dwell in the lampless deep,
Yet each inter-transpicuous, and they whirl
Over each other with a thousand motions,
Upon a thousand sightless axles spinning,
And with the force of self-destroying swiftness,
Intensely, slowly, solemnly roll on,
Kindling with mingled sounds, and many tones,
Intelligible words and music wild.
With mighty whirl the multitudinous orb
Grinds the bright brook into an azure mist
Of elemental subtlety, like light;
And the wild odour of the forest flowers,
The music of the living grass and air,
The emerald light of leaf-entangled beams
Round its intense yet self-conflicting speed,
Seem kneaded into one areal mass
Which drowns the sense. Within the orb itself,
Pillowed upon its alabaster arms,
Like to a child o'erwearied with sweet toil,
On its own folded wings, and wavy hair,
The Spirit of the Earth is laid asleep,
And you can see its little lips are moving,
Amid the changing light of their own smiles,
Like one who talks of what he loves in dream.
Ione.
'Tis only mocking the orb's harmony.
Panthea.
And from a star upon its forehead, shoot,
Like swords of azure fire, or golden spears
With tyrant-quelling myrtle overtwined,
Embleming heaven and earth united now,
Vast beams like spokes of some invisible wheel
Which whirl as the orb whirls, swifter than thought,
Filling the abyss with sun-like lightenings,
And perpendicular now, and now transverse,
Pierce the dark soil, and as they pierce and pass,
Make bare the secrets of the earth's deep heart;
Infinite mines of adamant and gold,
Valueless stones, and unimagined gems,
And caverns on crystalline columns poised
With vegetable silver overspread;
Wells of unfathomed fire, and water springs
Whence the great sea, even as a child is fed,
Whose vapours clothe earth's monarch mountain-tops
With kingly, ermine snow. The beams flash on
And make appear the melancholy ruins
Of cancelled cycles; anchors, beaks of ships;
Planks turned to marble; quivers, helms, and spears,
And gorgon-headed targes, and the wheels
Of scythd chariots, and the emblazonry
Of trophies, standards, and armorial beasts,
Round which death laughed, sepulchred emblems
Of dead destruction, ruin within ruin!
The wrecks beside of many a city vast,
Whose population which the earth grew over
Was mortal, but not human; see, they lie,
Their monstrous works, and uncouth skeletons,
Their statues, homes and fanes; prodigious shapes
Huddled in gray annihilation, split,
Jammed in the hard, black deep; and over these,
The anatomies of unknown wingd things,
And fishes which were isles of living scale,
And serpents, bony chains, twisted around
The iron crags, or within heaps of dust
To which the tortuous strength of their last pangs
Had crushed the iron crags; and over these
The jaggd alligator, and the might
Of earth-convulsing behemoth, which once
Were monarch beasts, and on the slimy shores,
And weed-overgrown continents of earth,
Increased and multiplied like summer worms
On an abandoned corpse, till the blue globe
Wrapped deluge round it like a cloak, and they
Yelled, gasped, and were abolished; or some God
Whose throne was in a comet, passed, and cried,
'Be not!' And like my words they were no more.
The Earth.
The joy, the triumph, the delight, the madness!
The boundless, overflowing, bursting gladness,
The vaporous exultation not to be confined!
Ha! ha! the animation of delight
Which wraps me, like an atmosphere of light,
And bears me as a cloud is borne by its own wind.
The Moon.
Brother mine, calm wanderer,
Happy globe of land and air,
Some Spirit is darted like a beam from thee,
Which penetrates my frozen frame,
And passes with the warmth of flame,
With love, and odour, and deep melody
Through me, through me!
The Earth.
Ha! ha! the caverns of my hollow mountains,
My cloven fire-crags, sound-exulting fountains
Laugh with a vast and inextinguishable laughter.
The oceans, and the deserts, and the abysses,
And the deep air's unmeasured wildernesses,
Answer from all their clouds and billows, echoing after.
They cry aloud as I do. Sceptred curse,
Who all our green and azure universe
Threatenedst to muffle round with black destruction, sending
A solid cloud to rain hot thunderstones,
And splinter and knead down my children's bones,
All I bring forth, to one void mass battering and blending,
Until each crag-like tower, and storied column,
Palace, and obelisk, and temple solemn,
My imperial mountains crowned with cloud, and snow, and fire;
My sea-like forests, every blade and blossom
Which finds a grave or cradle in my bosom,
Were stamped by thy strong hate into a lifeless mire:
How art thou sunk, withdrawn, covered, drunk up
By thirsty nothing, as the brackish cup
Drained by a desert-troop, a little drop for all;
And from beneath, around, within, above,
Filling thy void annihilation, love
Burst in like light on caves cloven by the thunder-ball.
The Moon.
The snow upon my lifeless mountains
Is loosened into living fountains,
My solid oceans flow, and sing, and shine:
A spirit from my heart bursts forth,
It clothes with unexpected birth
My cold bare bosom: Oh! it must be thine
On mine, on mine!
Gazing on thee I feel, I know
Green stalks burst forth, and bright flowers grow,
And living shapes upon my bosom move:
Music is in the sea and air,
Wingd clouds soar here and there,
Dark with the rain new buds are dreaming of:
'Tis love, all love!
The Earth.
It interpenetrates my granite mass,
Through tangled roots and trodden clay doth pass
Into the utmost leaves and delicatest flowers;
Upon the winds, among the clouds 'tis spread,
It wakes a life in the forgotten dead,
They breathe a spirit up from their obscurest bowers.
And like a storm bursting its cloudy prison
With thunder, and with whirlwind, has arisen
Out of the lampless caves of unimagined being:
With earthquake shock and swiftness making shiver
Thought's stagnant chaos, unremoved for ever,
Till hate, and fear, and pain, light-vanquished shadows, fleeing,
Leave Man, who was a many-sided mirror,
Which could distort to many a shape of error,
This true fair world of things, a sea reflecting love;
Which over all his kind, as the sun's heaven
Gliding o'er ocean, smooth, serene, and even,
Darting from starry depths radiance and life, doth move:
Leave Man, even as a leprous child is left,
Who follows a sick beast to some warm cleft
Of rocks, through which the might of healing springs is poured;
Then when it wanders home with rosy smile,
Unconscious, and its mother fears awhile
It is a spirit, then, weeps on her child restored.
Man, oh, not men! a chain of linkd thought,
Of love and might to be divided not,
Compelling the elements with adamantine stress;
As the sun rules, even with a tyrant's gaze,
The unquiet republic of the maze
Of planets, struggling fierce towards heaven's free wilderness.
Man, one harmonious soul of many a soul,
Whose nature is its own divine control,
Where all things flow to all, as rivers to the sea;
Familiar acts are beautiful through love;
Labour, and pain, and grief, in life's green grove
Sport like tame beasts, none knew how gentle they could be!
His will, with all mean passions, bad delights,
And selfish cares, its trembling satellites,
A spirit ill to guide, but mighty to obey,
Is as a tempest-wingd ship, whose helm
Love rules, through waves which dare not overwhelm,
Forcing life's wildest shores to own its sovereign sway.
All things confess his strength. Through the cold mass
Of marble and of colour his dreams pass;
Bright threads whence mothers weave the robes their children wear;
Language is a perpetual Orphic song,
Which rules with Ddal harmony a throng
Of thoughts and forms, which else senseless and shapeless were.
The lightning is his slave; heaven's utmost deep
Gives up her stars, and like a flock of sheep
They pass before his eye, are numbered, and roll on!
The tempest is his steed, he strides the air;
And the abyss shouts from her depth laid bare,
Heaven, hast thou secrets? Man unveils me; I have none.
The Moon.
The shadow of white death has passed
From my path in heaven at last,
A clinging shroud of solid frost and sleep;
And through my newly-woven bowers,
Wander happy paramours,
Less mighty, but as mild as those who keep
Thy vales more deep.
The Earth.
As the dissolving warmth of dawn may fold
A half unfrozen dew-globe, green, and gold,
And crystalline, till it becomes a wingd mist,
And wanders up the vault of the blue day,
Outlives the moon, and on the sun's last ray
Hangs o'er the sea, a fleece of fire and amethyst.
The Moon.
Thou art folded, thou art lying
In the light which is undying
Of thine own joy, and heaven's smile divine;
All suns and constellations shower
On thee a light, a life, a power
Which doth array thy sphere; thou pourest thine
On mine, on mine!
The Earth.
I spin beneath my pyramid of night,
Which points into the heavens dreaming delight,
Murmuring victorious joy in my enchanted sleep;
As a youth lulled in love-dreams faintly sighing,
Under the shadow of his beauty lying,
Which round his rest a watch of light and warmth doth keep.
The Moon.
As in the soft and sweet eclipse,
When soul meets soul on lovers' lips,
High hearts are calm, and brightest eyes are dull;
So when thy shadow falls on me,
Then am I mute and still, by thee
Covered; of thy love, Orb most beautiful,
Full, oh, too full!
Thou art speeding round the sun
Brightest world of many a one;
Green and azure sphere which shinest
With a light which is divinest
Among all the lamps of Heaven
To whom life and light is given;
I, thy crystal paramour
Borne beside thee by a power
Like the polar Paradise,
Magnet-like of lovers' eyes;
I, a most enamoured maiden
Whose weak brain is overladen
With the pleasure of her love,
Maniac-like around thee move
Gazing, an insatiate bride,
On thy form from every side
Like a Mnad, round the cup
Which Agave lifted up
In the weird Cadman forest.
Brother, wheresoe'er thou soarest
I must hurry, whirl and follow
Through the heavens wide and hollow,
Sheltered by the warm embrace
Of thy soul from hungry space,
Drinking from thy sense and sight
Beauty, majesty, and might,
As a lover or a chameleon
Grows like what it looks upon,
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds,
As a gray and watery mist
Glows like solid amethyst
Athwart the western mountain it enfolds,
When the sunset sleeps
Upon its snow
The Earth.
And the weak day weeps
That it should be so.
Oh, gentle Moon, the voice of thy delight
Falls on me like thy clear and tender light
Soothing the seaman, borne the summer night,
Through isles for ever calm;
Oh, gentle Moon, thy crystal accents pierce
The caverns of my pride's deep universe,
Charming the tiger joy, whose tramplings fierce
Made wounds which need thy balm.
Panthea.
I rise as from a bath of sparkling water,
A bath of azure light, among dark rocks,
Out of the stream of sound.
Ione.
Ah me! sweet sister,
The stream of sound has ebbed away from us,
And you pretend to rise out of its wave,
Because your words fall like the clear, soft dew
Shaken from a bathing wood-nymph's limbs and hair.
Panthea.
Peace! peace! A mighty Power, which is as darkness,
Is rising out of Earth, and from the sky
Is showered like night, and from within the air
Bursts, like eclipse which had been gathered up
Into the pores of sunlight: the bright visions,
Wherein the singing spirits rode and shone,
Gleam like pale meteors through a watery night.
Ione.
There is a sense of words upon mine ear.
Panthea.
An universal sound like words: Oh, list!
Demogorgon.
Thou, Earth, calm empire of a happy soul,
Sphere of divinest shapes and harmonies,
Beautiful orb! gathering as thou dost roll
The love which paves thy path along the skies:
The Earth.
I hear: I am as a drop of dew that dies.
Demogorgon.
Thou, Moon, which gazest on the nightly Earth
With wonder, as it gazes upon thee;
Whilst each to men, and beasts, and the swift birth
Of birds, is beauty, love, calm, harmony:
The Moon.
I hear: I am a leaf shaken by thee!
Demogorgon.
Ye Kings of suns and stars, Dmons and Gods,
Aetherial Dominations, who possess
Elysian, windless, fortunate abodes
Beyond Heaven's constellated wilderness:
A Voice from above.
Our great Republic hears, we are blest, and bless.
Demogorgon.
Ye happy Dead, whom beams of brightest verse
Are clouds to hide, not colours to portray,
Whether your nature is that universe
Which once ye saw and suffered
A Voice from beneath.
Or as they
Whom we have left, we change and pass away.
Demogorgon.
Ye elemental Genii, who have homes
From man's high mind even to the central stone
Of sullen lead; from heaven's star-fretted domes
To the dull weed some sea-worm battens on:
A confused Voice.
We hear: thy words waken Oblivion.
Demogorgon.
Spirits, whose homes are flesh: ye beasts and birds,
Ye worms, and fish; ye living leaves and buds;
Lightning and wind; and ye untameable herds,
Meteors and mists, which throng air's solitudes:
A Voice.
Thy voice to us is wind among still woods.
Demogorgon.
Man, who wert once a despot and a slave;
A dupe and a deceiver; a decay;
A traveller from the cradle to the grave
Through the dim night of this immortal day:
All.
Speak: thy strong words may never pass away.
Demogorgon.
This is the day, which down the void abysm
At the Earth-born's spell yawns for Heaven's despotism,
And Conquest is dragged captive through the deep:
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.
Composed at Este, Sept., Oct., 1818 (Act I); at Rome, March - April 6, 1819 (Acts II, III); at Florence, close of 1819 (Act IV). Published by C. and J. Ollier, London, summer of 1820.
Note from Mrs. Shelley: 'On the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. .....Through the whole poem there reigns a sort of calm and holy spirit of love; it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and Love, untainted by any evil, becomes the law of the world. ....And, as he wandered among the ruins made one with Nature in their decay, or gaed on the Praxitelean shapes that throng the Vatican, the Capitol, and the palaces of Rome, his soul imbibed forms of loveliness which became a portion of itself. There are many passages in the Prometheus which show the intense delight he received from such studies, and give back the impression with a beauty of poetical description peculiarly his own. He felt this, as a poet must feel when he satisfies himself by the result of his labours; and he wrote from Rome, ''My Prometheus Unbound is just finished, and in a month or two I shall send it. It is a drama, with characters and mechanism of a kind yet unattempted; and I think the execution is better than any of my former attempts.'''
~ Percy Bysshe Shelley, Prometheus Unbound
,#NFDB |
1460:DRAMATIS PERSON
Count Francesco Cenci.
Giacomo, his Son.
Bernardo, his Son.
Cardinal Camillo.
Orsino, a Prelate.
Savella, the Pope's Legate.
Olimpio, Assassin.
Marzio, Assassin.
Andrea, Servant to Cenci.
Nobles, Judges, Guards, Servants.
Lucretia, Wife of Cenci, and Step-mother of his children.
Beatrice, his Daughter.
The Scene lies principally in Rome, but changes during the Fourth Act to Petrella, a castle among the Apulian Apennines.
Time. During the Pontificate of Clement VIII.
ACT I
Scene I.
An Apartment in the Cenci Palace.
Enter Count Cenci, and Cardinal Camillo.
Camillo.
That matter of the murder is hushed up
If you consent to yield his Holiness
Your fief that lies beyond the Pincian gate.
It needed all my interest in the conclave
To bend him to this point: he said that you
Bought perilous impunity with your gold;
That crimes like yours if once or twice compounded
Enriched the Church, and respited from hell
An erring soul which might repent and live:
But that the glory and the interest
Of the high throne he fills, little consist
With making it a daily mart of guilt
As manifold and hideous as the deeds
Which you scarce hide from men's revolted eyes.
Cenci.
The third of my possessionslet it go!
Ay, I once heard the nephew of the Pope
Had sent his architect to view the ground,
Meaning to build a villa on my vines
The next time I compounded with his uncle:
I little thought he should outwit me so!
Henceforth no witnessnot the lampshall see
That which the vassal threatened to divulge
Whose throat is choked with dust for his reward.
The deed he saw could not have rated higher
Than his most worthless life:it angers me!
Respited me from Hell!So may the Devil
Respite their souls from Heaven. No doubt Pope Clement,
And his most charitable nephews, pray
That the Apostle Peter and the Saints
Will grant for their sake that I long enjoy
Strength, wealth, and pride, and lust, and length of days
Wherein to act the deeds which are the stewards
Of their revenue.But much yet remains
To which they show no title.
Camillo.
Oh, Count Cenci!
So much that thou mightst honourably live
And reconcile thyself with thine own heart
And with thy God, and with the offended world.
How hideously look deeds of lust and blood
Through those snow white and venerable hairs!
Your children should be sitting round you now,
But that you fear to read upon their looks
The shame and misery you have written there.
Where is your wife? Where is your gentle daughter?
Methinks her sweet looks, which make all things else
Beauteous and glad, might kill the fiend within you.
Why is she barred from all society
But her own strange and uncomplaining wrongs?
Talk with me, Count,you know I mean you well
I stood beside your dark and fiery youth
Watching its bold and bad career, as men
Watch meteors, but it vanished notI marked
Your desperate and remorseless manhood; now
Do I behold you in dishonoured age
Charged with a thousand unrepented crimes.
Yet I have ever hoped you would amend,
And in that hope have saved your life three times.
Cenci.
For which Aldobrandino owes you now
My fief beyond the Pincian.Cardinal,
One thing, I pray you, recollect henceforth,
And so we shall converse with less restraint.
A man you knew spoke of my wife and daughter
He was accustomed to frequent my house;
So the next day his wife and daughter came
And asked if I had seen him; and I smiled:
I think they never saw him any more.
Camillo.
Thou execrable man, beware!
Cenci.
Of thee?
Nay this is idle:We should know each other.
As to my character for what men call crime
Seeing I please my senses as I list,
And vindicate that right with force or guile,
It is a public matter, and I care not
If I discuss it with you. I may speak
Alike to you and my own conscious heart
For you give out that you have half reformed me,
Therefore strong vanity will keep you silent
If fear should not; both will, I do not doubt.
All men delight in sensual luxury,
All men enjoy revenge; and most exult
Over the tortures they can never feel
Flattering their secret peace with others' pain.
But I delight in nothing else. I love
The sight of agony, and the sense of joy,
When this shall be another's, and that mine.
And I have no remorse and little fear,
Which are, I think, the checks of other men.
This mood has grown upon me, until now
Any design my captious fancy makes
The picture of its wish, and it forms none
But such as men like you would start to know,
Is as my natural food and rest debarred
Until it be accomplished.
Camillo.
Art thou not
Most miserable?
Cenci.
Why, miserable?
No.I am what your theologians call
Hardened;which they must be in impudence,
So to revile a man's peculiar taste.
True, I was happier than I am, while yet
Manhood remained to act the thing I thought;
While lust was sweeter than revenge; and now
Invention palls:Ay, we must all grow old
And but that there yet remains a deed to act
Whose horror might make sharp an appetite
Duller than mineI'd doI know not what.
When I was young I thought of nothing else
But pleasure; and I fed on honey sweets:
Men, by St. Thomas! cannot live like bees,
And I grew tired:yet, till I killed a foe,
And heard his groans, and heard his children's groans,
Knew I not what delight was else on earth,
Which now delights me little. I the rather
Look on such pangs as terror ill conceals,
The dry fixed eyeball; the pale quivering lip,
Which tell me that the spirit weeps within
Tears bitterer than the bloody sweat of Christ.
I rarely kill the body, which preserves,
Like a strong prison, the soul within my power,
Wherein I feed it with the breath of fear
For hourly pain.
Camillo.
Hell's most abandoned fiend
Did never, in the drunkenness of guilt,
Speak to his heart as now you speak to me;
I thank my God that I believe you not.
Enter Andrea.
Andrea.
My Lord, a gentleman from Salamanca
Would speak with you.
Cenci.
Bid him attend me in
The grand saloon.
[Exit Andrea.
Camillo.
Farewell; and I will pray
Almighty God that thy false, impious words
Tempt not his spirit to abandon thee.
[Exit Camillo.
Cenci.
The third of my possessions! I must use
Close husbandry, or gold, the old man's sword,
Falls from my withered hand. But yesterday
There came an order from the Pope to make
Fourfold provision for my cursd sons;
Whom I had sent from Rome to Salamanca,
Hoping some accident might cut them off;
And meaning if I could to starve them there.
I pray thee, God, send some quick death upon them!
Bernardo and my wife could not be worse
If dead and damned:then, as to Beatrice [Looking around him suspiciously.
I think they cannot hear me at that door;
What if they should? And yet I need not speak
Though the heart triumphs with itself in words.
O, thou most silent air, that shalt not hear
What now I think! Thou, pavement, which I tread
Towards her chamber,let your echoes talk
Of my imperious step scorning surprise,
But not of my intent!Andrea!
[Enter Andrea.
Andrea.
My lord?
Cenci.
Bid Beatrice attend me in her chamber
This evening:no, at midnight and alone.
[Exeunt.
Scene II.
A Garden of the Cenci Palace. EnterBeatrice and Orsino, as in conversation.
Beatrice.
Pervert not truth,
Orsino. You remember where we held
That conversation;nay, we see the spot
Even from this cypress;two long years are past
Since, on an April midnight, underneath
The moonlight ruins of mount Palatine,
I did confess to you my secret mind.
Orsino.
You said you loved me then.
Beatrice.
You are a Priest,
Speak to me not of love.
Orsino.
I may obtain
The dispensation of the Pope to marry.
Because I am a Priest do you believe
Your image, as the hunter some struck deer,
Follows me not whether I wake or sleep?
Beatrice.
As I have said, speak to me not of love;
Had you a dispensation I have not;
Nor will I leave this home of misery
Whilst my poor Bernard, and that gentle lady
To whom I owe life, and these virtuous thoughts,
Must suffer what I still have strength to share.
Alas, Orsino! All the love that once
I felt for you, is turned to bitter pain.
Ours was a youthful contract, which you first
Broke, by assuming vows no Pope will loose.
And thus I love you still, but holily,
Even as a sister or a spirit might;
And so I swear a cold fidelity.
And it is well perhaps we shall not marry.
You have a sly, equivocating vein
That suits me not.Ah, wretched that I am!
Where shall I turn? Even now you look on me
As you were not my friend, and as if you
Discovered that I thought so, with false smiles
Making my true suspicion seem your wrong.
Ah, no! forgive me; sorrow makes me seem
Sterner than else my nature might have been;
I have a weight of melancholy thoughts,
And they forbode,but what can they forbode
Worse than I now endure?
Orsino.
All will be well.
Is the petition yet prepared? You know
My zeal for all you wish, sweet Beatrice;
Doubt not but I will use my utmost skill
So that the Pope attend to your complaint.
Beatrice.
Your zeal for all I wish;Ah me, you are cold!
Your utmost skill . . . speak but one word . . . (aside)
Alas!
Weak and deserted creature that I am,
Here I stand bickering with my only friend! [To Orsino.
This night my father gives a sumptuous feast,
Orsino; he has heard some happy news
From Salamanca, from my brothers there,
And with this outward show of love he mocks
His inward hate. 'Tis bold hypocrisy,
For he would gladlier celebrate their deaths,
Which I have heard him pray for on his knees:
Great God! that such a father should be mine!
But there is mighty preparation made,
And all our kin, the Cenci, will be there,
And all the chief nobility of Rome.
And he has bidden me and my pale Mother
Attire ourselves in festival array.
Poor lady! She expects some happy change
In his dark spirit from this act; I none.
At supper I will give you the petition:
Till whenfarewell.
Orsino.
Farewell.
(Exit Beatrice.)
I know the Pope
Will ne'er absolve me from my priestly vow
But by absolving me from the revenue
Of many a wealthy see; and, Beatrice,
I think to win thee at an easier rate.
Nor shall he read her eloquent petition:
He might bestow her on some poor relation
Of his sixth cousin, as he did her sister,
And I should be debarred from all access.
Then as to what she suffers from her father,
In all this there is much exaggeration:
Old men are testy and will have their way;
A man may stab his enemy, or his vassal,
And live a free life as to wine or women,
And with a peevish temper may return
To a dull home, and rate his wife and children;
Daughters and wives call this foul tyranny.
I shall be well content if on my conscience
There rest no heavier sin than what they suffer
From the devices of my lovea net
From which she shall escape not. Yet I fear
Her subtle mind, her awe-inspiring gaze,
Whose beams anatomize me nerve by nerve
And lay me bare, and make me blush to see
My hidden thoughts.Ah, no! A friendless girl
Who clings to me, as to her only hope:
I were a fool, not less than if a panther
Were panic-stricken by the antelope's eye,
If she escape me.
[Exit.
Scene III.
A Magnificent Hall in the Cenci Palace. A Banquet. Enter Cenci, Lucretia, Beatrice, Orsino, Camillo, Nobles.
Cenci.
Welcome, my friends and kinsmen; welcome ye,
Princes and Cardinals, pillars of the church,
Whose presence honours our festivity.
I have too long lived like an anchorite,
And in my absence from your merry meetings
An evil word is gone abroad of me;
But I do hope that you, my noble friends,
When you have shared the entertainment here,
And heard the pious cause for which 'tis given,
And we have pledged a health or two together,
Will think me flesh and blood as well as you;
Sinful indeed, for Adam made all so,
But tender-hearted, meek and pitiful.
First Guest.
In truth, my Lord, you seem too light of heart,
Too sprightly and companionable a man,
To act the deeds that rumour pins on you. (To his Companion.)
I never saw such blithe and open cheer
In any eye!
Second Guest.
Some most desired event,
In which we all demand a common joy,
Has brought us hither; let us hear it, Count.
Cenci.
It is indeed a most desired event.
If, when a parent from a parent's heart
Lifts from this earth to the great Father of all
A prayer, both when he lays him down to sleep,
And when he rises up from dreaming it;
One supplication, one desire, one hope,
That he would grant a wish for his two sons,
Even all that he demands in their regard
And suddenly beyond his dearest hope
It is accomplished, he should then rejoice,
And call his friends and kinsmen to a feast,
And task their love to grace his merriment,
Then honour me thus farfor I am he.
Beatrice
(to Lucretia).
Great God! How horrible! Some dreadful ill
Must have befallen my brothers.
Lucretia.
Fear not, Child,
He speaks too frankly.
Beatrice.
Ah! My blood runs cold.
I fear that wicked laughter round his eye,
Which wrinkles up the skin even to the hair.
Cenci.
Here are the letters brought from Salamanca;
Beatrice, read them to your mother. God!
I thank thee! In one night didst thou perform,
By ways inscrutable, the thing I sought.
My disobedient and rebellious sons
Are dead!Why, dead!What means this change of cheer?
You hear me not, I tell you they are dead;
And they will need no food or raiment more:
The tapers that did light them the dark way
Are their last cost. The Pope, I think, will not
Expect I should maintain them in their coffins.
Rejoice with memy heart is wondrous glad.
[Lucretia sinks, half fainting; Beatrice supports her.
Beatrice.
It is not true!Dear lady, pray look up.
Had it been true, there is a God in Heaven,
He would not live to boast of such a boon.
Unnatural man, thou knowest that it is false.
Cenci.
Ay, as the word of God; whom here I call
To witness that I speak the sober truth;
And whose most favouring Providence was shown
Even in the manner of their deaths. For Rocco
Was kneeling at the mass, with sixteen others,
When the church fell and crushed him to a mummy,
The rest escaped unhurt. Cristofano
Was stabbed in error by a jealous man,
Whilst she he loved was sleeping with his rival;
All in the self-same hour of the same night;
Which shows that Heaven has special care of me.
I beg those friends who love me, that they mark
The day a feast upon their calendars.
It was the twenty-seventh of December:
Ay, read the letters if you doubt my oath.
[The Assembly appears confused; several of the guests rise.
First Guest.
Oh, horrible! I will depart
Second Guest.
And I.
Third Guest.
No, stay!
I do believe it is some jest; though faith!
'Tis mocking us somewhat too solemnly.
I think his son has married the Infanta,
Or found a mine of gold in El Dorado;
'Tis but to season some such news; stay, stay!
I see 'tis only raillery by his smile.
Cenci
(filling a bowl of wine, and lifting it up).
Oh, thou bright wine whose purple splendour leaps
And bubbles gaily in this golden bowl
Under the lamplight, as my spirits do,
To hear the death of my accursd sons!
Could I believe thou wert their mingled blood,
Then would I taste thee like a sacrament,
And pledge with thee the mighty Devil in Hell,
Who, if a father's curses, as men say,
Climb with swift wings after their children's souls,
And drag them from the very throne of Heaven,
Now triumphs in my triumph!But thou art
Superfluous; I have drunken deep of joy,
And I will taste no other wine to-night.
Here, Andrea! Bear the bowl around.
A Guest
(rising).
Thou wretch!
Will none among this noble company
Check the abandoned villain?
Camillo.
For God's sake
Let me dismiss the guests! You are insane,
Some ill will come of this.
Second Guest.
Seize, silence him!
First Guest.
I will!
Third Guest.
And I!
Cenci
(addressing those who rise with a threatening gesture).
Who moves? Who speaks?
(turning to the Company)
'tis nothing
Enjoy yourselves.Beware! For my revenge
Is as the sealed commission of a king
That kills, and none dare name the murderer.
[The Banquet is broken up; several of the Guests are departing.
Beatrice.
I do entreat you, go not, noble guests;
What, although tyranny and impious hate
Stand sheltered by a father's hoary hair?
What, if 'tis he who clothed us in these limbs
Who tortures them, and triumphs? What, if we,
The desolate and the dead, were his own flesh,
His children and his wife, whom he is bound
To love and shelter? Shall we therefore find
No refuge in this merciless wide world?
O think what deep wrongs must have blotted out
First love, then reverence in a child's prone mind,
Till it thus vanquish shame and fear! O think!
I have borne much, and kissed the sacred hand
Which crushed us to the earth, and thought its stroke
Was perhaps some paternal chastisement!
Have excused much, doubted; and when no doubt
Remained, have sought by patience, love, and tears
To soften him, and when this could not be
I have knelt down through the long sleepless nights
And lifted up to God, the Father of all,
Passionate prayers: and when these were not heard
I have still borne,until I meet you here,
Princes and kinsmen, at this hideous feast
Given at my brothers' deaths. Two yet remain,
His wife remains and I, whom if ye save not,
Ye may soon share such merriment again
As fathers make over their children's graves.
O Prince Colonna, thou art our near kinsman,
Cardinal, thou art the Pope's chamberlain,
Camillo, thou art chief justiciary,
Take us away!
Cenci.
(He has been conversing with Camillo during the first part of Beatrice's speech; he hears the conclusion, and now advances.)
I hope my good friends here
Will think of their own daughtersor perhaps
Of their own throatsbefore they lend an ear
To this wild girl.
Beatrice
(not noticing the words of Cenci).
Dare no one look on me?
None answer? Can one tyrant overbear
The sense of many best and wisest men?
Or is it that I sue not in some form
Of scrupulous law, that ye deny my suit?
O God! That I were buried with my brothers!
And that the flowers of this departed spring
Were fading on my grave! And that my father
Were celebrating now one feast for all!
Camillo.
A bitter wish for one so young and gentle;
Can we do nothing?
Colonna.
Nothing that I see.
Count Cenci were a dangerous enemy:
Yet I would second any one.
A Cardinal.
And I.
Cenci.
Retire to your chamber, insolent girl!
Beatrice.
Retire thou, impious man! Ay, hide thyself
Where never eye can look upon thee more!
Wouldst thou have honour and obedience
Who art a torturer? Father, never dream
Though thou mayst overbear this company,
But ill must come of ill.Frown not on me!
Haste, hide thyself, lest with avenging looks
My brothers' ghosts should hunt thee from thy seat!
Cover thy face from every living eye,
And start if thou but hear a human step:
Seek out some dark and silent corner, there,
Bow thy white head before offended God,
And we will kneel around, and fervently
Pray that he pity both ourselves and thee.
Cenci.
My friends, I do lament this insane girl
Has spoilt the mirth of our festivity.
Good night, farewell; I will not make you longer
Spectators of our dull domestic quarrels.
Another time.
[Exeunt all but Cenci and Beatrice.
My brain is swimming round;
Give me a bowl of wine!
[To Beatrice.
Thou painted viper!
Beast that thou art! Fair and yet terrible!
I know a charm shall make thee meek and tame,
Now get thee from my sight!
[Exit Beatrice.
Here, Andrea,
Fill up this goblet with Greek wine. I said
I would not drink this evening; but I must;
For, strange to say, I feel my spirits fail
With thinking what I have decreed to do. [Drinking the wine.
Be thou the resolution of quick youth
Within my veins, and manhood's purpose stern,
And age's firm, cold, subtle villainy;
As if thou wert indeed my children's blood
Which I did thirst to drink! The charm works well;
It must be done; it shall be done, I swear!
[Exit.
END OF THE FIRST ACT.
ACT II
Scene I.
An Apartment in the Cenci Palace. Enter Lucretia and Bernardo.
Lucretia.
Weep not, my gentle boy; he struck but me
Who have borne deeper wrongs. In truth, if he
Had killed me, he had done a kinder deed.
O God, Almighty, do Thou look upon us,
We have no other friend but only Thee!
Yet weep not; though I love you as my own,
I am not your true mother.
Bernardo.
O more, more,
Than ever mother was to any child,
That have you been to me! Had he not been
My father, do you think that I should weep!
Lucretia.
Alas! Poor boy, what else couldst thou have done?
Enter Beatrice.
Beatrice
(in a hurried voice).
Did he pass this way? Have you seen him, brother?
Ah, no! that is his step upon the stairs;
'Tis nearer now; his hand is on the door;
Mother, if I to thee have ever been
A duteous child, now save me! Thou, great God,
Whose image upon earth a father is,
Dost Thou indeed abandon me? He comes;
The door is opening now; I see his face;
He frowns on others, but he smiles on me,
Even as he did after the feast last night. Enter a Servant.
Almighty God, how merciful Thou art!
'Tis but Orsino's servant.Well, what news?
Servant.
My master bids me say, the Holy Father
Has sent back your petition thus unopened. [Giving a paper.
And he demands at what hour 'twere secure
To visit you again?
Lucretia.
At the Ave Mary.[Exit Servant.
So, daughter, our last hope has failed; Ah me!
How pale you look; you tremble, and you stand
Wrapped in some fixed and fearful meditation,
As if one thought were over strong for you:
Your eyes have a chill glare; O, dearest child!
Are you gone mad? If not, pray speak to me.
Beatrice.
You see I am not mad: I speak to you.
Lucretia.
You talked of something that your father did
After that dreadful feast? Could it be worse
Than when he smiled, and cried, 'My sons are dead!'
And every one looked in his neighbour's face
To see if others were as white as he?
At the first word he spoke I felt the blood
Rush to my heart, and fell into a trance;
And when it passed I sat all weak and wild;
Whilst you alone stood up, and with strong words
Checked his unnatural pride; and I could see
The devil was rebuked that lives in him.
Until this hour thus have you ever stood
Between us and your father's moody wrath
Like a protecting presence: your firm mind
Has been our only refuge and defence:
What can have thus subdued it? What can now
Have given you that cold melancholy look,
Succeeding to your unaccustomed fear?
Beatrice.
What is it that you say? I was just thinking
'Twere better not to struggle any more.
Men, like my father, have been dark and bloody,
Yet neverOh! Before worse comes of it
'Twere wise to die: it ends in that at last.
Lucretia.
Oh, talk not so, dear child! Tell me at once
What did your father do or say to you?
He stayed not after that accursd feast
One moment in your chamber.Speak to me.
Bernardo.
Oh, sister, sister, prithee, speak to us!
Beatrice
(speaking very slowly with a forced calmness).
It was one word, Mother, one little word;
One look, one smile. (Wildly.)
Oh! He has trampled me
Under his feet, and made the blood stream down
My pallid cheeks. And he has given us all
Ditch-water, and the fever-stricken flesh
Of buffaloes, and bade us eat or starve,
And we have eaten.He has made me look
On my beloved Bernardo, when the rust
Of heavy chains has gangrened his sweet limbs,
And I have never yet despairedbut now!
What could I say?
[Recovering herself.
Ah, no! 'tis nothing new.
The sufferings we all share have made me wild:
He only struck and cursed me as he passed;
He said, he looked, he did;nothing at all
Beyond his wont, yet it disordered me.
Alas! I am forgetful of my duty,
I should preserve my senses for your sake.
Lucretia.
Nay, Beatrice; have courage, my sweet girl,
If any one despairs it should be I
Who loved him once, and now must live with him
Till God in pity call for him or me.
For you may, like your sister, find some husband,
And smile, years hence, with children round your knees;
Whilst I, then dead, and all this hideous coil
Shall be remembered only as a dream.
Beatrice.
Talk not to me, dear lady, of a husband.
Did you not nurse me when my mother died?
Did you not shield me and that dearest boy?
And had we any other friend but you
In infancy, with gentle words and looks,
To win our father not to murder us?
And shall I now desert you? May the ghost
Of my dead Mother plead against my soul
If I abandon her who filled the place
She left, with more, even, than a mother's love!
Bernardo.
And I am of my sister's mind. Indeed
I would not leave you in this wretchedness,
Even though the Pope should make me free to live
In some blithe place, like others of my age,
With sports, and delicate food, and the fresh air.
Oh, never think that I will leave you, Mother!
Lucretia.
My dear, dear children!
Enter Cenci, suddenly.
Cenci.
What, Beatrice here!
Come hither!
[She shrinks back, and covers her face.
Nay, hide not your face, 'tis fair;
Look up! Why, yesternight you dared to look
With disobedient insolence upon me,
Bending a stern and an inquiring brow
On what I meant; whilst I then sought to hide
That which I came to tell youbut in vain.
Beatrice
(wildly, staggering towards the door).
O that the earth would gape! Hide me, O God!
Cenci.
Then it was I whose inarticulate words
Fell from my lips, and who with tottering steps
Fled from your presence, as you now from mine.
Stay, I command youfrom this day and hour
Never again, I think, with fearless eye,
And brow superior, and unaltered cheek,
And that lip made for tenderness or scorn,
Shalt thou strike dumb the meanest of mankind;
Me least of all. Now get thee to thy chamber!
Thou too, loathed image of thy cursd mother, [To Bernardo.
Thy milky, meek face makes me sick with hate! [Exeunt Beatrice and Bernardo.
(Aside.)
So much has passed between us as must make
Me bold, her fearful.'Tis an awful thing
To touch such mischief as I now conceive:
So men sit shivering on the dewy bank,
And try the chill stream with their feet; once in . . .
How the delighted spirit pants for joy!
Lucretia
(advancing timidly towards him).
O husband! Pray forgive poor Beatrice.
She meant not any ill.
Cenci.
Nor you perhaps?
Nor that young imp, whom you have taught by rote
Parricide with his alphabet? Nor Giacomo?
Nor those two most unnatural sons, who stirred
Enmity up against me with the Pope?
Whom in one night merciful God cut off:
Innocent lambs! They thought not any ill.
You were not here conspiring? You said nothing
Of how I might be dungeoned as a madman;
Or be condemned to death for some offence,
And you would be the witnesses?This failing,
How just it were to hire assassins, or
Put sudden poison in my evening drink?
Or smother me when overcome by wine?
Seeing we had no other judge but God,
And He had sentenced me, and there were none
But you to be the executioners
Of His decree enregistered in Heaven?
Oh, no! You said not this?
Lucretia.
So help me God,
I never thought the things you charge me with!
Cenci.
If you dare speak that wicked lie again
I'll kill you. What! It was not by your counsel
That Beatrice disturbed the feast last night?
You did not hope to stir some enemies
Against me, and escape, and laugh to scorn
What every nerve of you now trembles at?
You judged that men were bolder than they are;
Few dare to stand between their grave and me.
Lucretia.
Look not so dreadfully! By my salvation
I knew not aught that Beatrice designed;
Nor do I think she designed any thing
Until she heard you talk of her dead brothers.
Cenci.
Blaspheming liar! You are damned for this!
But I will take you where you may persuade
The stones you tread on to deliver you:
For men shall there be none but those who dare
All thingsnot question that which I command.
On Wednesday next I shall set out: you know
That savage rock, the Castle of Petrella:
'Tis safely walled, and moated round about:
Its dungeons underground, and its thick towers
Never told tales; though they have heard and seen
What might make dumb things speak.Why do you linger?
Make speediest preparation for the journey! [Exit Lucretia.
The all-beholding sun yet shines; I hear
A busy stir of men about the streets;
I see the bright sky through the window panes:
It is a garish, broad, and peering day;
Loud, light, suspicious, full of eyes and ears,
And every little corner, nook, and hole
Is penetrated with the insolent light.
Come darkness! Yet, what is the day to me?
And wherefore should I wish for night, who do
A deed which shall confound both night and day?
'Tis she shall grope through a bewildering mist
Of horror: if there be a sun in heaven
She shall not dare to look upon its beams;
Nor feel its warmth. Let her then wish for night;
The act I think shall soon extinguish all
For me: I bear a darker deadlier gloom
Than the earth's shade, or interlunar air,
Or constellations quenched in murkiest cloud,
In which I walk secure and unbeheld
Towards my purpose.Would that it were done!
[Exit.
Scene II.
A Chamber in the Vatican. Enter Camillo and Giacomo, in conversation.
Camillo.
There is an obsolete and doubtful law
By which you might obtain a bare provision
Of food and clothing
Giacomo.
Nothing more? Alas!
Bare must be the provision which strict law
Awards, and agd, sullen avarice pays.
Why did my father not apprentice me
To some mechanic trade? I should have then
Been trained in no highborn necessities
Which I could meet not by my daily toil.
The eldest son of a rich nobleman
Is heir to all his incapacities;
He has wide wants, and narrow powers. If you,
Cardinal Camillo, were reduced at once
From thrice-driven beds of down, and delicate food,
An hundred servants, and six palaces,
To that which nature doth indeed require?
Camillo.
Nay, there is reason in your plea; 'twere hard.
Giacomo.
'Tis hard for a firm man to bear: but I
Have a dear wife, a lady of high birth,
Whose dowry in ill hour I lent my father
Without a bond or witness to the deed:
And children, who inherit her fine senses,
The fairest creatures in this breathing world;
And she and they reproach me not. Cardinal,
Do you not think the Pope would interpose
And stretch authority beyond the law?
Camillo.
Though your peculiar case is hard, I know
The Pope will not divert the course of law.
After that impious feast the other night
I spoke with him, and urged him then to check
Your father's cruel hand; he frowned and said,
'Children are disobedient, and they sting
Their fathers' hearts to madness and despair,
Requiting years of care with contumely.
I pity the Count Cenci from my heart;
His outraged love perhaps awakened hate,
And thus he is exasperated to ill.
In the great war between the old and young
I, who have white hairs and a tottering body,
Will keep at least blameless neutrality.' Enter Orsino.
You, my good Lord Orsino, heard those words.
Orsino.
What words?
Giacomo.
Alas, repeat them not again!
There then is no redress for me, at least
None but that which I may achieve myself,
Since I am driven to the brink.But, say,
My innocent sister and my only brother
Are dying underneath my father's eye.
The memorable torturers of this land,
Galeaz Visconti, Borgia, Ezzelin,
Never inflicted on the meanest slave
What these endure; shall they have no protection?
Camillo.
Why, if they would petition to the Pope
I see not how he could refuse ityet
He holds it of most dangerous example
In aught to weaken the paternal power,
Being, as 'twere, the shadow of his own.
I pray you now excuse me. I have business
That will not bear delay.
[Exit Camillo.
Giacomo.
But you, Orsino,
Have the petition: wherefore not present it?
Orsino.
I have presented it, and backed it with
My earnest prayers, and urgent interest;
It was returned unanswered. I doubt not
But that the strange and execrable deeds
Alleged in itin truth they might well baffle
Any beliefhave turned the Pope's displeasure
Upon the accusers from the criminal:
So I should guess from what Camillo said.
Giacomo.
My friend, that palace-walking devil Gold
Has whispered silence to his Holiness:
And we are left, as scorpions ringed with fire.
What should we do but strike ourselves to death?
For he who is our murderous persecutor
Is shielded by a father's holy name,
Or I would
[Stops abruptly.
Orsino.
What? Fear not to speak your thought.
Words are but holy as the deeds they cover:
A priest who has forsworn the God he serves;
A judge who makes Truth weep at his decree;
A friend who should weave counsel, as I now,
But as the mantle of some selfish guile;
A father who is all a tyrant seems,
Were the profaner for his sacred name.
Giacomo.
Ask me not what I think; the unwilling brain
Feigns often what it would not; and we trust
Imagination with such phantasies
As the tongue dares not fashion into words,
Which have no words, their horror makes them dim
To the mind's eye.My heart denies itself
To think what you demand.
Orsino.
But a friend's bosom
Is as the inmost cave of our own mind
Where we sit shut from the wide gaze of day,
And from the all-communicating air.
You look what I suspected
Giacomo.
Spare me now!
I am as one lost in a midnight wood,
Who dares not ask some harmless passenger
The path across the wilderness, lest he,
As my thoughts are, should bea murderer.
I know you are my friend, and all I dare
Speak to my soul that will I trust with thee.
But now my heart is heavy, and would take
Lone counsel from a night of sleepless care.
Pardon me, that I say farewellfarewell!
I would that to my own suspected self
I could address a word so full of peace.
Orsino.
Farewell!Be your thoughts better or more bold. [Exit Giacomo.
I had disposed the Cardinal Camillo
To feed his hope with cold encouragement:
It fortunately serves my close designs
That 'tis a trick of this same family
To analyse their own and other minds.
Such self-anatomy shall teach the will
Dangerous secrets: for it tempts our powers,
Knowing what must be thought, and may be done,
Into the depth of darkest purposes:
So Cenci fell into the pit; even I,
Since Beatrice unveiled me to myself,
And made me shrink from what I cannot shun,
Show a poor figure to my own esteem,
To which I grow half reconciled. I'll do
As little mischief as I can; that thought
Shall fee the accuser conscience.
(After a pause.)
Now what harm
If Cenci should be murdered?Yet, if murdered,
Wherefore by me? And what if I could take
The profit, yet omit the sin and peril
In such an action? Of all earthly things
I fear a man whose blows outspeed his words;
And such is Cenci: and while Cenci lives
His daughter's dowry were a secret grave
If a priest wins her.Oh, fair Beatrice!
Would that I loved thee not, or loving thee
Could but despise danger and gold and all
That frowns between my wish and its effect,
Or smiles beyond it! There is no escape . . .
Her bright form kneels beside me at the altar,
And follows me to the resort of men,
And fills my slumber with tumultuous dreams,
So when I wake my blood seems liquid fire;
And if I strike my damp and dizzy head
My hot palm scorches it: her very name,
But spoken by a stranger, makes my heart
Sicken and pant; and thus unprofitably
I clasp the phantom of unfelt delights
Till weak imagination half possesses
The self-created shadow. Yet much longer
Will I not nurse this life of feverous hours:
From the unravelled hopes of Giacomo
I must work out my own dear purposes.
I see, as from a tower, the end of all:
Her father dead; her brother bound to me
By a dark secret, surer than the grave;
Her mother scared and unexpostulating
From the dread manner of her wish achieved:
And she!Once more take courage, my faint heart;
What dares a friendless maiden matched with thee?
I have such foresight as assures success:
Some unbeheld divinity doth ever,
When dread events are near, stir up men's minds
To black suggestions; and he prospers best,
Not who becomes the instrument of ill,
But who can flatter the dark spirit, that makes
Its empire and its prey of other hearts
Till it become his slave . . . as I will do.
[Exit.
END OF THE SECOND ACT.
ACT III
Scene I.
An Apartment in the Cenci Palace. Lucretia, to her enter Beatrice.
Beatrice.
(She enters staggering, and speaks wildly.)
Reach me that handkerchief!My brain is hurt;
My eyes are full of blood; just wipe them for me . . .
I see but indistinctly . . .
Lucretia.
My sweet child,
You have no wound; 'tis only a cold dew
That starts from your dear brow . . . Alas! Alas!
What has befallen?
Beatrice.
How comes this hair undone?
Its wandering strings must be what blind me so,
And yet I tied it fast.O, horrible!
The pavement sinks under my feet! The walls
Spin round! I see a woman weeping there,
And standing calm and motionless, whilst I
Slide giddily as the world reels. . . . My God!
The beautiful blue heaven is flecked with blood!
The sunshine on the floor is black! The air
Is changed to vapours such as the dead breathe
In charnel pits! Pah! I am choked! There creeps
A clinging, black, contaminating mist
About me . . . 'tis substantial, heavy, thick,
I cannot pluck it from me, for it glues
My fingers and my limbs to one another,
And eats into my sinews, and dissolves
My flesh to a pollution, poisoning
The subtle, pure, and inmost spirit of life!
My God! I never knew what the mad felt
Before; for I am mad beyond all doubt!
(More wildly.)
No, I am dead! These putrefying limbs
Shut round and sepulchre the panting soul
Which would burst forth into the wandering air! (A pause.)
What hideous thought was that I had even now?
'Tis gone; and yet its burthen remains here
O'er these dull eyes . . . upon this weary heart!
O, world! O, life! O, day! O, misery!
Lucretia.
What ails thee, my poor child? She answers not:
Her spirit apprehends the sense of pain,
But not its cause; suffering has dried away
The source from which it sprung . . .
Beatrice
(franticly).
Like Parricide . . .
Misery has killed its father: yet its father
Never like mine . . . O, God! What thing am I?
Lucretia.
My dearest child, what has your father done?
Beatrice
(doubtfully).
Who art thou, questioner? I have no father.
(Aside.)
She is the madhouse nurse who tends on me,
It is a piteous office.
[To Lucretia, in a slow, subdued voice.
Do you know
I thought I was that wretched Beatrice
Men speak of, whom her father sometimes hales
From hall to hall by the entangled hair;
At others, pens up naked in damp cells
Where scaly reptiles crawl, and starves her there,
Till she will eat strange flesh. This woful story
So did I overact in my sick dreams,
That I imagined . . . no, it cannot be!
Horrible things have been in this wide world,
Prodigious mixtures, and confusions strange
Of good and ill; and worse have been conceived
Than ever there was found a heart to do.
But never fancy imaged such a deed
As . . .
[Pauses, suddenly recollecting herself.
Who art thou? Swear to me, ere I die
With fearful expectation, that indeed
Thou art not what thou seemest . . . Mother!
Lucretia.
Oh!
My sweet child, know you . . .
Beatrice.
Yet speak it not:
For then if this be truth, that other too
Must be a truth, a firm enduring truth,
Linked with each lasting circumstance of life,
Never to change, never to pass away.
Why so it is. This is the Cenci Palace;
Thou art Lucretia; I am Beatrice.
I have talked some wild words, but will no more.
Mother, come near me: from this point of time,
I am . . .
[Her voice dies away faintly.
Lucretia.
Alas! What has befallen thee, child?
What has thy father done?
Beatrice.
What have I done?
Am I not innocent? Is it my crime
That one with white hair, and imperious brow,
Who tortured me from my forgotten years,
As parents only dare, should call himself
My father, yet should be!Oh, what am I?
What name, what place, what memory shall be mine?
What retrospects, outliving even despair?
Lucretia.
He is a violent tyrant, surely, child:
We know that death alone can make us free;
His death or ours. But what can he have done
Of deadlier outrage or worse injury?
Thou art unlike thyself; thine eyes shoot forth
A wandering and strange spirit. Speak to me,
Unlock those pallid hands whose fingers twine
With one another.
Beatrice.
'Tis the restless life
Tortured within them. If I try to speak
I shall go mad. Ay, something must be done;
What, yet I know not . . . something which shall make
The thing that I have suffered but a shadow
In the dread lightning which avenges it;
Brief, rapid, irreversible, destroying
The consequence of what it cannot cure.
Some such thing is to be endured or done:
When I know what, I shall be still and calm,
And never anything will move me more.
But now!O blood, which art my father's blood,
Circling through these contaminated veins,
If thou, poured forth on the polluted earth,
Could wash away the crime, and punishment
By which I suffer . . . no, that cannot be!
Many might doubt there were a God above
Who sees and permits evil, and so die:
That faith no agony shall obscure in me.
Lucretia.
It must indeed have been some bitter wrong;
Yet what, I dare not guess. Oh, my lost child,
Hide not in proud impenetrable grief
Thy sufferings from my fear.
Beatrice.
I hide them not.
What are the words which you would have me speak?
I, who can feign no image in my mind
Of that which has transformed me: I, whose thought
Is like a ghost shrouded and folded up
In its own formless horror: of all words,
That minister to mortal intercourse,
Which wouldst thou hear? For there is none to tell
My misery: if another ever knew
Aught like to it, she died as I will die,
And left it, as I must, without a name.
Death! Death! Our law and our religion call thee
A punishment and a reward . . . Oh, which
Have I deserved?
Lucretia.
The peace of innocence;
Till in your season you be called to heaven.
Whate'er you may have suffered, you have done
No evil. Death must be the punishment
Of crime, or the reward of trampling down
The thorns which God has strewed upon the path
Which leads to immortality.
Beatrice.
Ay; death . . .
The punishment of crime. I pray thee, God,
Let me not be bewildered while I judge.
If I must live day after day, and keep
These limbs, the unworthy temple of Thy spirit,
As a foul den from which what Thou abhorrest
May mock Thee, unavenged . . . it shall not be!
Self-murder . . . no, that might be no escape,
For Thy decree yawns like a Hell between
Our will and it:O! In this mortal world
There is no vindication and no law
Which can adjudge and execute the doom
Of that through which I suffer.
Enter Orsino.
(She approaches him solemnly.)
Welcome, Friend!
I have to tell you that, since last we met,
I have endured a wrong so great and strange,
That neither life nor death can give me rest.
Ask me not what it is, for there are deeds
Which have no form, sufferings which have no tongue.
Orsino.
And what is he who has thus injured you?
Beatrice.
The man they call my father: a dread name.
Orsino.
It cannot be . . .
Beatrice.
What it can be, or not,
Forbear to think. It is, and it has been;
Advise me how it shall not be again.
I thought to die; but a religious awe
Restrains me, and the dread lest death itself
Might be no refuge from the consciousness
Of what is yet unexpiated. Oh, speak!
Orsino.
Accuse him of the deed, and let the law
Avenge thee.
Beatrice.
Oh, ice-hearted counsellor!
If I could find a word that might make known
The crime of my destroyer; and that done,
My tongue should like a knife tear out the secret
Which cankers my heart's core; ay, lay all bare
So that my unpolluted fame should be
With vilest gossips a stale mouthd story;
A mock, a byword, an astonishment:
If this were done, which never shall be done,
Think of the offender's gold, his dreaded hate,
And the strange horror of the accuser's tale,
Baffling belief, and overpowering speech;
Scarce whispered, unimaginable, wrapped
In hideous hints . . . Oh, most assured redress!
Orsino.
You will endure it then?
Beatrice.
Endure?Orsino,
It seems your counsel is small profit.
[Turns from him, and speaks half to herself.
Ay,
All must be suddenly resolved and done.
What is this undistinguishable mist
Of thoughts, which rise, like shadow after shadow,
Darkening each other?
Orsino.
Should the offender live?
Triumph in his misdeed? and make, by use,
His crime, whate'er it is, dreadful no doubt,
Thine element; until thou mayst become
Utterly lost; subdued even to the hue
Of that which thou permittest?
Beatrice
(to herself).
Mighty death!
Thou double-visaged shadow? Only judge!
Rightfullest arbiter!
[She retires absorbed in thought.
Lucretia.
If the lightning
Of God has e'er descended to avenge . . .
Orsino.
Blaspheme not! His high Providence commits
Its glory on this earth, and their own wrongs
Into the hands of men; if they neglect
To punish crime . . .
Lucretia.
But if one, like this wretch,
Should mock, with gold, opinion, law, and power?
If there be no appeal to that which makes
The guiltiest tremble? If because our wrongs,
For that they are unnatural, strange, and monstrous,
Exceed all measure of belief? O God!
If, for the very reasons which should make
Redress most swift and sure, our injurer triumphs?
And we, the victims, bear worse punishment
Than that appointed for their torturer?
Orsino.
Think not
But that there is redress where there is wrong,
So we be bold enough to seize it.
Lucretia.
How?
If there were any way to make all sure,
I know not . . . but I think it might be good
To . . .
Orsino.
Why, his late outrage to Beatrice;
For it is such, as I but faintly guess,
As makes remorse dishonour, and leaves her
Only one duty, how she may avenge:
You, but one refuge from ills ill endured;
Me, but one counsel . . .
Lucretia.
For we cannot hope
That aid, or retribution, or resource
Will arise thence, where every other one
Might find them with less need.
[Beatrice advances.
Orsino.
Then . . .
Beatrice.
Peace, Orsino!
And, honoured Lady, while I speak, I pray,
That you put off, as garments overworn,
Forbearance and respect, remorse and fear,
And all the fit restraints of daily life,
Which have been borne from childhood, but which now
Would be a mockery to my holier plea.
As I have said, I have endured a wrong,
Which, though it be expressionless, is such
As asks atonement; both for what is past,
And lest I be reserved, day after day,
To load with crimes an overburthened soul,
And be . . . what ye can dream not. I have prayed
To God, and I have talked with my own heart,
And have unravelled my entangled will,
And have at length determined what is right.
Art thou my friend, Orsino? False or true?
Pledge thy salvation ere I speak.
Orsino.
I swear
To dedicate my cunning, and my strength,
My silence, and whatever else is mine,
To thy commands.
Lucretia.
You think we should devise
His death?
Beatrice.
And execute what is devised,
And suddenly. We must be brief and bold.
Orsino.
And yet most cautious.
Lucretia.
For the jealous laws
Would punish us with death and infamy
For that which it became themselves to do.
Beatrice.
Be cautious as ye may, but prompt. Orsino,
What are the means?
Orsino.
I know two dull, fierce outlaws,
Who think man's spirit as a worm's, and they
Would trample out, for any slight caprice,
The meanest or the noblest life. This mood
Is marketable here in Rome. They sell
What we now want.
Lucretia.
To-morrow before dawn,
Cenci will take us to that lonely rock,
Petrella, in the Apulian Apennines.
If he arrive there . . .
Beatrice.
He must not arrive.
Orsino.
Will it be dark before you reach the tower?
Lucretia.
The sun will scarce be set.
Beatrice.
But I remember
Two miles on this side of the fort, the road
Crosses a deep ravine; 'tis rough and narrow,
And winds with short turns down the precipice;
And in its depth there is a mighty rock,
Which has, from unimaginable years,
Sustained itself with terror and with toil
Over a gulf, and with the agony
With which it clings seems slowly coming down;
Even as a wretched soul hour after hour,
Clings to the mass of life; yet clinging, leans;
And leaning, makes more dark the dread abyss
In which it fears to fall: beneath this crag
Huge as despair, as if in weariness,
The melancholy mountain yawns . . . below,
You hear but see not an impetuous torrent
Raging among the caverns, and a bridge
Crosses the chasm; and high above there grow,
With intersecting trunks, from crag to crag,
Cedars, and yews, and pines; whose tangled hair
Is matted in one solid roof of shade
By the dark ivy's twine. At noonday here
'Tis twilight, and at sunset blackest night.
Orsino.
Before you reach that bridge make some excuse
For spurring on your mules, or loitering
Until . . .
Beatrice.
What sound is that?
Lucretia.
Hark! No, it cannot be a servant's step
It must be Cenci, unexpectedly
Returned . . . Make some excuse for being here.
Beatrice.
(To Orsino, as she goes out.)
That step we hear approach must never pass
The bridge of which we spoke.
[Exeunt Lucretia and Beatrice.
Orsino.
What shall I do?
Cenci must find me here, and I must bear
The imperious inquisition of his looks
As to what brought me hither: let me mask
Mine own in some inane and vacant smile. Enter Giacomo, in a hurried manner.
How! Have you ventured hither? Know you then
That Cenci is from home?
Giacomo.
I sought him here;
And now must wait till he returns.
Orsino.
Great God!
Weigh you the danger of this rashness?
Giacomo.
Ay!
Does my destroyer know his danger? We
Are now no more, as once, parent and child,
But man to man; the oppressor to the oppressed;
The slanderer to the slandered; foe to foe:
He has cast Nature off, which was his shield,
And Nature casts him off, who is her shame;
And I spurn both. Is it a father's throat
Which I will shake, and say, I ask not gold;
I ask not happy years; nor memories
Of tranquil childhood; nor home-sheltered love;
Though all these hast thou torn from me, and more;
But only my fair fame; only one hoard
Of peace, which I thought hidden from thy hate,
Under the penury heaped on me by thee,
Or I will . . . God can understand and pardon,
Why should I speak with man?
Orsino.
Be calm, dear friend.
Giacomo.
Well, I will calmly tell you what he did.
This old Francesco Cenci, as you know,
Borrowed the dowry of my wife from me,
And then denied the loan; and left me so
In poverty, the which I sought to mend
By holding a poor office in the state.
It had been promised to me, and already
I bought new clothing for my raggd babes,
And my wife smiled; and my heart knew repose.
When Cenci's intercession, as I found,
Conferred this office on a wretch, whom thus
He paid for vilest service. I returned
With this ill news, and we sate sad together
Solacing our despondency with tears
Of such affection and unbroken faith
As temper life's worst bitterness; when he,
As he is wont, came to upbraid and curse,
Mocking our poverty, and telling us
Such was God's scourge for disobedient sons.
And then, that I might strike him dumb with shame,
I spoke of my wife's dowry; but he coined
A brief yet specious tale, how I had wasted
The sum in secret riot; and he saw
My wife was touched, and he went smiling forth.
And when I knew the impression he had made,
And felt my wife insult with silent scorn
My ardent truth, and look averse and cold,
I went forth too: but soon returned again;
Yet not so soon but that my wife had taught
My children her harsh thoughts, and they all cried,
'Give us clothes, father! Give us better food!
What you in one night squander were enough
For months!' I looked, and saw that home was hell.
And to that hell will I return no more
Until mine enemy has rendered up
Atonement, or, as he gave life to me
I will, reversing Nature's law . . .
Orsino.
Trust me,
The compensation which thou seekest here
Will be denied.
Giacomo.
Then . . . Are you not my friend?
Did you not hint at the alternative,
Upon the brink of which you see I stand,
The other day when we conversed together?
My wrongs were then less. That word parricide,
Although I am resolved, haunts me like fear.
Orsino.
It must be fear itself, for the bare word
Is hollow mockery. Mark, how wisest God
Draws to one point the threads of a just doom,
So sanctifying it: what you devise
Is, as it were, accomplished.
Giacomo.
Is he dead?
Orsino.
His grave is ready. Know that since we met
Cenci has done an outrage to his daughter.
Giacomo.
What outrage?
Orsino.
That she speaks not, but you may
Conceive such half conjectures as I do,
From her fixed paleness, and the lofty grief
Of her stern brow bent on the idle air,
And her severe unmodulated voice,
Drowning both tenderness and dread; and last
From this; that whilst her step-mother and I,
Bewildered in our horror, talked together
With obscure hints; both self-misunderstood
And darkly guessing, stumbling, in our talk,
Over the truth, and yet to its revenge,
She interrupted us, and with a look
Which told before she spoke it, he must die: . . .
Giacomo.
It is enough. My doubts are well appeased;
There is a higher reason for the act
Than mine; there is a holier judge than me,
A more unblamed avenger. Beatrice,
Who in the gentleness of thy sweet youth
Hast never trodden on a worm, or bruised
A living flower, but thou hast pitied it
With needless tears! Fair sister, thou in whom
Men wondered how such loveliness and wisdom
Did not destroy each other! Is there made
Ravage of thee? O, heart, I ask no more
Justification! Shall I wait, Orsino,
Till he return, and stab him at the door?
Orsino.
Not so; some accident might interpose
To rescue him from what is now most sure;
And you are unprovided where to fly,
How to excuse or to conceal. Nay, listen:
All is contrived; success is so assured
That . . .
Enter Beatrice.
Beatrice.
'Tis my brother's voice! You know me not?
Giacomo.
My sister, my lost sister!
Beatrice.
Lost indeed!
I see Orsino has talked with you, and
That you conjecture things too horrible
To speak, yet far less than the truth. Now, stay not,
He might return: yet kiss me; I shall know
That then thou hast consented to his death.
Farewell, farewell! Let piety to God,
Brotherly love, justice and clemency,
And all things that make tender hardest hearts
Make thine hard, brother. Answer not . . . farewell.
[Exeunt severally.
Scene II.
A mean Apartment in Giacomo's House. Giacomo alone.
Giacomo.
'Tis midnight, and Orsino comes not yet. [Thunder, and the sound of a storm.
What! can the everlasting elements
Feel with a worm like man? If so, the shaft
Of mercy-wingd lightning would not fall
On stones and trees. My wife and children sleep:
They are now living in unmeaning dreams:
But I must wake, still doubting if that deed
Be just which is most necessary. O,
Thou unreplenished lamp! whose narrow fire
Is shaken by the wind, and on whose edge
Devouring darkness hovers! Thou small flame,
Which, as a dying pulse rises and falls,
Still flickerest up and down, how very soon,
Did I not feed thee, wouldst thou fail and be
As thou hadst never been! So wastes and sinks
Even now, perhaps, the life that kindled mine:
But that no power can fill with vital oil
That broken lamp of flesh. Ha! 'tis the blood
Which fed these veins that ebbs till all is cold:
It is the form that moulded mine that sinks
Into the white and yellow spasms of death:
It is the soul by which mine was arrayed
In God's immortal likeness which now stands
Naked before Heaven's judgement seat!
[A bell strikes.
One! Two!
The hours crawl on; and when my hairs are white,
My son will then perhaps be waiting thus,
Tortured between just hate and vain remorse;
Chiding the tardy messenger of news
Like those which I expect. I almost wish
He be not dead, although my wrongs are great;
Yet . . . 'tis Orsino's step . . .
Enter Orsino.
Speak!
Orsino.
I am come
To say he has escaped.
Giacomo.
Escaped!
Orsino.
And safe
Within Petrella. He passed by the spot
Appointed for the deed an hour too soon.
Giacomo.
Are we the fools of such contingencies?
And do we waste in blind misgivings thus
The hours when we should act? Then wind and thunder,
Which seemed to howl his knell, is the loud laughter
With which Heaven mocks our weakness! I henceforth
Will ne'er repent of aught designed or done
But my repentance.
Orsino.
See, the lamp is out.
Giacomo.
If no remorse is ours when the dim air
Has drank this innocent flame, why should we quail
When Cenci's life, that light by which ill spirits
See the worst deeds they prompt, shall sink for ever?
No, I am hardened.
Orsino.
Why, what need of this?
Who feared the pale intrusion of remorse
In a just deed? Although our first plan failed,
Doubt not but he will soon be laid to rest.
But light the lamp; let us not talk i' the dark.
Giacomo
(lighting the lamp).
And yet once quenched I cannot thus relume
My father's life: do you not think his ghost
Might plead that argument with God?
Orsino.
Once gone
You cannot now recall your sister's peace;
Your own extinguished years of youth and hope;
Nor your wife's bitter words; nor all the taunts
Which, from the prosperous, weak misfortune takes;
Nor your dead mother; nor . . .
Giacomo.
O, speak no more!
I am resolved, although this very hand
Must quench the life that animated it.
Orsino.
There is no need of that. Listen: you know
Olimpio, the castellan of Petrella
In old Colonna's time; him whom your father
Degraded from his post? And Marzio,
That desperate wretch, whom he deprived last year
Of a reward of blood, well earned and due?
Giacomo.
I knew Olimpio; and they say he hated
Old Cenci so, that in his silent rage
His lips grew white only to see him pass.
Of Marzio I know nothing.
Orsino.
Marzio's hate
Matches Olimpio's. I have sent these men,
But in your name, and as at your request,
To talk with Beatrice and Lucretia.
Giacomo.
Only to talk?
Orsino.
The moments which even now
Pass onward to to-morrow's midnight hour
May memorize their flight with death: ere then
They must have talked, and may perhaps have done,
And made an end . . .
Giacomo.
Listen! What sound is that?
Orsino.
The house-dog moans, and the beams crack: nought else.
Giacomo.
It is my wife complaining in her sleep:
I doubt not she is saying bitter things
Of me; and all my children round her dreaming
That I deny them sustenance.
Orsino.
Whilst he
Who truly took it from them, and who fills
Their hungry rest with bitterness, now sleeps
Lapped in bad pleasures, and triumphantly
Mocks thee in visions of successful hate
Too like the truth of day.
Giacomo.
If e'er he wakes
Again, I will not trust to hireling hands . . .
Orsino.
Why, that were well. I must be gone; good-night.
When next we meetmay all be done!
Giacomo.
And all
Forgotten: Oh, that I had never been!
[Exeunt.
END OF THE THIRD ACT.
ACT IV
Scene I.
An Apartment in the Castle of Petrella. Enter Cenci.
Cenci.
She comes not; yet I left her even now
Vanquished and faint. She knows the penalty
Of her delay: yet what if threats are vain?
Am I not now within Petrella's moat?
Or fear I still the eyes and ears of Rome?
Might I not drag her by the golden hair?
Stamp on her? Keep her sleepless till her brain
Be overworn? Tame her with chains and famine?
Less would suffice. Yet so to leave undone
What I most seek! No, 'tis her stubborn will
Which by its own consent shall stoop as low
As that which drags it down.
Enter Lucretia.
Thou loathd wretch!
Hide thee from my abhorrence: fly, begone!
Yet stay! Bid Beatrice come hither.
Lucretia.
Oh,
Husband! I pray for thine own wretched sake
Heed what thou dost. A man who walks like thee
Through crimes, and through the danger of his crimes,
Each hour may stumble o'er a sudden grave.
And thou art old; thy hairs are hoary gray;
As thou wouldst save thyself from death and hell,
Pity thy daughter; give her to some friend
In marriage: so that she may tempt thee not
To hatred, or worse thoughts, if worse there be.
Cenci.
What! like her sister who has found a home
To mock my hate from with prosperity?
Strange ruin shall destroy both her and thee
And all that yet remain. My death may be
Rapid, her destiny outspeeds it. Go,
Bid her come hither, and before my mood
Be changed, lest I should drag her by the hair.
Lucretia.
She sent me to thee, husband. At thy presence
She fell, as thou dost know, into a trance;
And in that trance she heard a voice which said,
'Cenci must die! Let him confess himself!
Even now the accusing Angel waits to hear
If God, to punish his enormous crimes,
Harden his dying heart!'
Cenci.
Whysuch things are . . .
No doubt divine revealings may be made.
'Tis plain I have been favoured from above,
For when I cursed my sons they died.Ay . . . so . . .
As to the right or wrong, that's talk . . . repentance . . .
Repentance is an easy moment's work
And more depends on God than me. Well . . . well . . .
I must give up the greater point, which was
To poison and corrupt her soul.
[A pause; Lucretia approaches anxiously, and then shrinks back as he speaks.
One, two;
Ay . . . Rocco and Cristofano my curse
Strangled: and Giacomo, I think, will find
Life a worse Hell than that beyond the grave:
Beatrice shall, if there be skill in hate,
Die in despair, blaspheming: to Bernardo,
He is so innocent, I will bequeath
The memory of these deeds, and make his youth
The sepulchre of hope, where evil thoughts
Shall grow like weeds on a neglected tomb.
When all is done, out in the wide Campagna,
I will pile up my silver and my gold;
My costly robes, paintings and tapestries;
My parchments and all records of my wealth,
And make a bonfire in my joy, and leave
Of my possessions nothing but my name;
Which shall be an inheritance to strip
Its wearer bare as infamy. That done,
My soul, which is a scourge, will I resign
Into the hands of him who wielded it;
Be it for its own punishment or theirs,
He will not ask it of me till the lash
Be broken in its last and deepest wound;
Until its hate be all inflicted. Yet,
Lest death outspeed my purpose, let me make
Short work and sure . . .
[Going.
Lucretia.
(Stops him.)
Oh, stay! It was a feint:
She had no vision, and she heard no voice.
I said it but to awe thee.
Cenci.
That is well.
Vile palterer with the sacred truth of God,
Be thy soul choked with that blaspheming lie!
For Beatrice worse terrors are in store
To bend her to my will.
Lucretia.
Oh! to what will?
What cruel sufferings more than she has known
Canst thou inflict?
Cenci.
Andrea! Go call my daughter,
And if she comes not tell her that I come.
What sufferings? I will drag her, step by step,
Through infamies unheard of among men:
She shall stand shelterless in the broad noon
Of public scorn, for acts blazoned abroad,
One among which shall be . . . What? Canst thou guess?
She shall become (for what she most abhors
Shall have a fascination to entrap
Her loathing will) to her own conscious self
All she appears to others; and when dead,
As she shall die unshrived and unforgiven,
A rebel to her father and her God,
Her corpse shall be abandoned to the hounds;
Her name shall be the terror of the earth;
Her spirit shall approach the throne of God
Plague-spotted with my curses. I will make
Body and soul a monstrous lump of ruin.
Enter Andrea.
Andrea.
The Lady Beatrice . . .
Cenci.
Speak, pale slave! What
Said she?
Andrea.
My Lord, 'twas what she looked; she said:
'Go tell my father that I see the gulf
Of Hell between us two, which he may pass,
I will not.'
[Exit Andrea.
Cenci.
Go thou quick, Lucretia,
Tell her to come; yet let her understand
Her coming is consent: and say, moreover,
That if she come not I will curse her.
[Exit Lucretia.
Ha!
With what but with a father's curse doth God
Panic-strike armd victory, and make pale
Cities in their prosperity? The world's Father
Must grant a parent's prayer against his child,
Be he who asks even what men call me.
Will not the deaths of her rebellious brothers
Awe her before I speak? For I on them
Did imprecate quick ruin, and it came. Enter Lucretia.
Well; what? Speak, wretch!
Lucretia.
She said, 'I cannot come;
Go tell my father that I see a torrent
Of his own blood raging between us.'
Cenci
(kneeling).
God!
Hear me! If this most specious mass of flesh,
Which Thou hast made my daughter; this my blood,
This particle of my divided being;
Or rather, this my bane and my disease,
Whose sight infects and poisons me; this devil
Which sprung from me as from a hell, was meant
To aught good use; if her bright loveliness
Was kindled to illumine this dark world;
If nursed by Thy selectest dew of love
Such virtues blossom in her as should make
The peace of life, I pray Thee for my sake,
As Thou the common God and Father art
Of her, and me, and all; reverse that doom!
Earth, in the name of God, let her food be
Poison, until she be encrusted round
With leprous stains! Heaven, rain upon her head
The blistering drops of the Maremma's dew,
Till she be speckled like a toad; parch up
Those love-enkindled lips, warp those fine limbs
To loathd lameness! All-beholding sun,
Strike in thine envy those life-darting eyes
With thine own blinding beams!
Lucretia.
Peace! Peace!
For thine own sake unsay those dreadful words.
When high God grants He punishes such prayers.
Cenci
(leaping up, and throwing his right hand towards Heaven).
He does His will, I mine! This in addition,
That if she have a child . . .
Lucretia.
Horrible thought!
Cenci.
That if she ever have a child; and thou,
Quick Nature! I adjure thee by thy God,
That thou be fruitful in her, and increase
And multiply, fulfilling his command,
And my deep imprecation! May it be
A hideous likeness of herself, that as
From a distorting mirror, she may see
Her image mixed with what she most abhors,
Smiling upon her from her nursing breast.
And that the child may from its infancy
Grow, day by day, more wicked and deformed,
Turning her mother's love to misery:
And that both she and it may live until
It shall repay her care and pain with hate,
Or what may else be more unnatural.
So he may hunt her through the clamorous scoffs
Of the loud world to a dishonoured grave.
Shall I revoke this curse? Go, bid her come,
Before my words are chronicled in Heaven. [Exit Lucretia.
I do not feel as if I were a man,
But like a fiend appointed to chastise
The offences of some unremembered world.
My blood is running up and down my veins;
A fearful pleasure makes it prick and tingle:
I feel a giddy sickness of strange awe;
My heart is beating with an expectation
Of horrid joy.
Enter Lucretia.
What? Speak!
Lucretia.
She bids thee curse;
And if thy curses, as they cannot do,
Could kill her soul . . .
Cenci.
She would not come. 'Tis well,
I can do both: first take what I demand,
And then extort concession. To thy chamber!
Fly ere I spurn thee: and beware this night
That thou cross not my footsteps. It were safer
To come between the tiger and his prey.[Exit Lucretia.
It must be late; mine eyes grow weary dim
With unaccustomed heaviness of sleep.
Conscience! Oh, thou most insolent of lies!
They say that sleep, that healing dew of Heaven,
Steeps not in balm the foldings of the brain
Which thinks thee an impostor. I will go
First to belie thee with an hour of rest,
Which will be deep and calm, I feel: and then . . .
O, multitudinous Hell, the fiends will shake.
Thine arches with the laughter of their joy!
There shall be lamentation heard in Heaven
As o'er an angel fallen; and upon Earth
All good shall droop and sicken, and ill things
Shall with a spirit of unnatural life
Stir and be quickened . . . even as I am now.
[Exit.
Scene II.
Before the Castle of Petrella. Enter Beatrice andLucretia above on the Ramparts.
Beatrice.
They come not yet.
Lucretia.
'Tis scarce midnight.
Beatrice.
How slow
Behind the course of thought, even sick with speed,
Lags leaden-footed time!
Lucretia.
The minutes pass . . .
If he should wake before the deed is done?
Beatrice.
O, mother! He must never wake again.
What thou hast said persuades me that our act
Will but dislodge a spirit of deep hell
Out of a human form.
Lucretia.
'Tis true he spoke
Of death and judgement with strange confidence
For one so wicked; as a man believing
In God, yet recking not of good or ill.
And yet to die without confession! . . .
Beatrice.
Oh!
Believe that Heaven is merciful and just,
And will not add our dread necessity
To the amount of his offences.
Enter Olimpio and Marzio, below.
Lucretia.
See,
They come.
Beatrice.
All mortal things must hasten thus
To their dark end. Let us go down.
[Exeunt Lucretia and Beatrice from above.
Olimpio.
How feel you to this work?
Marzio.
As one who thinks
A thousand crowns excellent market price
For an old murderer's life. Your cheeks are pale.
Olimpio.
It is the white reflection of your own,
Which you call pale.
Marzio.
Is that their natural hue?
Olimpio.
Or 'tis my hate and the deferred desire
To wreak it, which extinguishes their blood.
Marzio.
You are inclined then to this business?
Olimpio.
Ay.
If one should bribe me with a thousand crowns
To kill a serpent which had stung my child,
I could not be more willing.
Enter Beatrice and Lucretia, below.
Noble ladies!
Beatrice.
Are ye resolved?
Olimpio.
Is he asleep?
Marzio.
Is all
Quiet?
Lucretia.
I mixed an opiate with his drink:
He sleeps so soundly . . .
Beatrice.
That his death will be
But as a change of sin-chastising dreams,
A dark continuance of the Hell within him,
Which God extinguish! But ye are resolved?
Ye know it is a high and holy deed?
Olimpio.
We are resolved.
Marzio.
As to the how this act
Be warranted, it rests with you.
Beatrice.
Well, follow!
Olimpio.
Hush! Hark! What noise is that?
Marzio.
Ha! some one comes!
Beatrice.
Ye conscience-stricken cravens, rock to rest
Your baby hearts. It is the iron gate,
Which ye left open, swinging to the wind,
That enters whistling as in scorn. Come, follow!
And be your steps like mine, light, quick and bold.
[Exeunt.
Scene III.
An Apartment in the Castle. Enter Beatrice and Lucretia.
Lucretia.
They are about it now.
Beatrice.
Nay, it is done.
Lucretia.
I have not heard him groan.
Beatrice.
He will not groan.
Lucretia.
What sound is that?
Beatrice.
List! 'tis the tread of feet
About his bed.
Lucretia.
My God!
If he be now a cold stiff corpse . . .
Beatrice.
O, fear not
What may be done, but what is left undone:
The act seals all.
Enter Olimpio and Marzio.
Is it accomplished?
Marzio.
What?
Olimpio.
Did you not call?
Beatrice.
When?
Olimpio.
Now.
Beatrice.
I ask if all is over?
Olimpio.
We dare not kill an old and sleeping man;
His thin gray hair, his stern and reverend brow,
His veind hands crossed on his heaving breast,
And the calm innocent sleep in which he lay,
Quelled me. Indeed, indeed, I cannot do it.
Marzio.
But I was bolder; for I chid Olimpio,
And bade him bear his wrongs to his own grave
And leave me the reward. And now my knife
Touched the loose wrinkled throat, when the old man
Stirred in his sleep, and said, 'God! hear, O, hear,
A father's curse! What, art Thou not our Father?'
And then he laughed. I knew it was the ghost
Of my dead father speaking through his lips,
And could not kill him.
Beatrice.
Miserable slaves!
Where, if ye dare not kill a sleeping man,
Found ye the boldness to return to me
With such a deed undone? Base palterers!
Cowards and traitors! Why, the very conscience
Which ye would sell for gold and for revenge
Is an equivocation: it sleeps over
A thousand daily acts disgracing men;
And when a deed where mercy insults Heaven . . .
Why do I talk?
[Snatching a dagger from one of them and raising it.
Hadst thou a tongue to say,
'She murdered her own father!'I must do it!
But never dream ye shall outlive him long!
Olimpio.
Stop, for God's sake!
Marzio.
I will go back and kill him.
Olimpio.
Give me the weapon. we must do thy will.
Beatrice.
Take it! Depart! Return!
[Exeunt Olimpio and Marzio.
How pale thou art!
We do but that which 'twere a deadly crime
To leave undone.
Lucretia.
Would it were done!
Beatrice.
Even whilst
That doubt is passing through your mind, the world
Is conscious of a change. Darkness and Hell
Have swallowed up the vapour they sent forth
To blacken the sweet light of life. My breath
Comes, methinks, lighter, and the jellied blood
Runs freely through my veins. Hark!
Enter Olimpio and Marzio.
He is . . .
Olimpio.
Dead!
Marzio.
We strangled him that there might be no blood;
And then we threw his heavy corpse i' the garden
Under the balcony; 'twill seem it fell.
Beatrice
(giving them a bag of coin).
Here, take this gold, and hasten to your homes.
And, Marzio, because thou wast only awed
By that which made me tremble, wear thou this! [Clothes him in a rich mantle.
It was the mantle which my grandfather
Wore in his high prosperity, and men
Envied his state: so may they envy thine.
Thou wert a weapon in the hand of God
To a just use. Live long and thrive! And, mark,
If thou hast crimes, repent: this deed is none.
[A horn is sounded.
Lucretia.
Hark, 'tis the castle horn; my God! it sounds
Like the last trump.
Beatrice
Some tedious guest is coming.
Lucretia.
The drawbridge is let down; there is a tramp
Of horses in the court; fly, hide yourselves!
[Exeunt Olimpio and Marzio.
Beatrice.
Let us retire to counterfeit deep rest;
I scarcely need to counterfeit it now:
The spirit which doth reign within these limbs
Seems strangely undisturbed. I could even sleep
Fearless and calm: all ill is surely past.
[Exeunt.
Scene IV.
Another Apartment in the Castle. Enter on one side the Legate Savella, introduced by a Servant, and on the other Lucretia and Bernardo.
Savella.
Lady, my duty to his Holiness
Be my excuse that thus unseasonably
I break upon your rest. I must speak with
Count Cenci; doth he sleep?
Lucretia
(in a hurried and confused manner).
I think he sleeps;
Yet wake him not, I pray, spare me awhile,
He is a wicked and a wrathful man;
Should he be roused out of his sleep to-night,
Which is, I know, a hell of angry dreams,
It were not well; indeed it were not well.
Wait till day break . . . (aside)
O, I am deadly sick!
Savella.
I grieve thus to distress you, but the Count
Must answer charges of the gravest import,
And suddenly; such my commission is.
Lucretia
(with increased agitation).
I dare not rouse him: I know none who dare . . .
'Twere perilous; . . . you might as safely waken
A serpent; or a corpse in which some fiend
Were laid to sleep.
Savella.
Lady, my moments here
Are counted. I must rouse him from his sleep,
Since none else dare.
Lucretia
(aside).
O, terror! O, despair!
(To Bernardo.)
Bernardo, conduct you the Lord Legate to
Your father's chamber.
[Exeunt Savella and Bernardo.
Enter Beatrice.
Beatrice.
'Tis a messenger
Come to arrest the culprit who now stands
Before the throne of unappealable God.
Both Earth and Heaven, consenting arbiters,
Acquit our deed.
Lucretia.
Oh, agony of fear!
Would that he yet might live! Even now I heard
The Legate's followers whisper as they passed
They had a warrant for his instant death.
All was prepared by unforbidden means
Which we must pay so dearly, having done.
Even now they search the tower, and find the body;
Now they suspect the truth; now they consult
Before they come to tax us with the fact;
O, horrible, 'tis all discovered!
Beatrice.
Mother,
What is done wisely, is done well. Be bold
As thou art just. 'Tis like a truant child
To fear that others know what thou hast done,
Even from thine own strong consciousness, and thus
Write on unsteady eyes and altered cheeks
All thou wouldst hide. Be faithful to thyself,
And fear no other witness but thy fear.
For if, as cannot be, some circumstance
Should rise in accusation, we can blind
Suspicion with such cheap astonishment,
Or overbear it with such guiltless pride,
As murderers cannot feign. The deed is done,
And what may follow now regards not me.
I am as universal as the light;
Free as the earth-surrounding air; as firm
As the world's centre. Consequence, to me,
Is as the wind which strikes the solid rock
But shakes it not.
[A cry within and tumult.
Voices.
Murder! Murder! Murder!
Enter Bernardo and Savella.
Savella
(to his followers).
Go search the castle round; sound the alarm;
Look to the gates that none escape!
Beatrice.
What now?
Bernardo.
I know not what to say . . . my father's dead.
Beatrice.
How; dead! he only sleeps; you mistake, brother.
His sleep is very calm, very like death;
'Tis wonderful how well a tyrant sleeps.
He is not dead?
Bernardo.
Dead; murdered.
Lucretia
(with extreme agitation).
Oh no, no
He is not murdered though he may be dead;
I have alone the keys of those apartments.
Savella.
Ha! Is it so?
Beatrice.
My Lord, I pray excuse us;
We will retire; my mother is not well:
She seems quite overcome with this strange horror.
[Exeunt Lucretia and Beatrice.
Savella.
Can you suspect who may have murdered him?
Bernardo.
I know not what to think.
Savella.
Can you name any
Who had an interest in his death?
Bernardo.
Alas!
I can name none who had not, and those most
Who most lament that such a deed is done;
My mother, and my sister, and myself.
Savella.
'Tis strange! There were clear marks of violence.
I found the old man's body in the moonlight
Hanging beneath the window of his chamber,
Among the branches of a pine: he could not
Have fallen there, for all his limbs lay heaped
And effortless; 'tis true there was no blood . . .
Favour me, Sir; it much imports your house
That all should be made clear; to tell the ladies
That I request their presence.
[Exit Bernardo.
Enter Guards bringing in Marzio.
Guard.
We have one.
Officer.
My Lord, we found this ruffian and another
Lurking among the rocks; there is no doubt
But that they are the murderers of Count Cenci:
Each had a bag of coin; this fellow wore
A gold-inwoven robe, which shining bright
Under the dark rocks to the glimmering moon
Betrayed them to our notice: the other fell
Desperately fighting.
Savella.
What does he confess?
Officer.
He keeps firm silence; but these lines found on him
May speak.
Savella.
Their language is at least sincere.
[Reads.
'To the Lady Beatrice.
'That the atonement of what my nature sickens to conjecture may soon arrive, I send thee, at thy brother's desire, those who will speak and do more than I dare write. . .
'Thy devoted servant, Orsino.'
Enter Lucretia, Beatrice, and Bernardo.
Knowest thou this writing, Lady?
Beatrice.
No.
Savella.
Nor thou?
Lucretia.
(Her conduct throughout the scene is marked by extreme agitation.)
Where was it found? What is it? It should be
Orsino's hand! It speaks of that strange horror
Which never yet found utterance, but which made
Between that hapless child and her dead father
A gulf of obscure hatred.
Savella.
Is it so?
Is it true, Lady, that thy father did
Such outrages as to awaken in thee
Unfilial hate?
Beatrice.
Not hate, 'twas more than hate:
This is most true, yet wherefore question me?
Savella.
There is a deed demanding question done;
Thou hast a secret which will answer not.
Beatrice.
What sayest? My Lord, your words are bold and rash.
Savella.
I do arrest all present in the name
Of the Pope's Holiness. You must to Rome.
Lucretia.
O, not to Rome! Indeed we are not guilty.
Beatrice.
Guilty! Who dares talk of guilt? My Lord,
I am more innocent of parricide
Than is a child born fatherless . . . Dear mother,
Your gentleness and patience are no shield
For this keen-judging world, this two-edged lie,
Which seems, but is not. What! will human laws,
Rather will ye who are their ministers,
Bar all access to retribution first,
And then, when Heaven doth interpose to do
What ye neglect, arming familiar things
To the redress of an unwonted crime,
Make ye the victims who demanded it
Culprits? 'Tis ye are culprits! That poor wretch
Who stands so pale, and trembling, and amazed,
If it be true he murdered Cenci, was
A sword in the right hand of justest God.
Wherefore should I have wielded it? Unless
The crimes which mortal tongue dare never name
God therefore scruples to avenge.
Savella.
You own
That you desired his death?
Beatrice.
It would have been
A crime no less than his, if for one moment
That fierce desire had faded in my heart.
'Tis true I did believe, and hope, and pray,
Ay, I even knew . . . for God is wise and just,
That some strange sudden death hung over him.
'Tis true that this did happen, and most true
There was no other rest for me on earth,
No other hope in Heaven . . . now what of this?
Savella.
Strange thoughts beget strange deeds; and here are both:
I judge thee not.
Beatrice.
And yet, if you arrest me,
You are the judge and executioner
Of that which is the life of life: the breath
Of accusation kills an innocent name,
And leaves for lame acquittal the poor life
Which is a mask without it. 'Tis most false
That I am guilty of foul parricide;
Although I must rejoice, for justest cause,
That other hands have sent my father's soul
To ask the mercy he denied to me.
Now leave us free; stain not a noble house
With vague surmises of rejected crime;
Add to our sufferings and your own neglect
No heavier sum: let them have been enough:
Leave us the wreck we have.
Savella.
I dare not, Lady.
I pray that you prepare yourselves for Rome:
There the Pope's further pleasure will be known.
Lucretia.
O, not to Rome! O, take us not to Rome!
Beatrice.
Why not to Rome, dear mother? There as here
Our innocence is as an armd heel
To trample accusation. God is there
As here, and with His shadow ever clothes
The innocent, the injured and the weak;
And such are we. Cheer up, dear Lady, lean
On me; collect your wandering thoughts. My Lord,
As soon as you have taken some refreshment,
And had all such examinations made
Upon the spot, as may be necessary
To the full understanding of this matter,
We shall be ready. Mother; will you come?
Lucretia.
Ha! they will bind us to the rack, and wrest
Self-accusation from our agony!
Will Giacomo be there? Orsino? Marzio?
All present; all confronted; all demanding
Each from the other's countenance the thing
Which is in every heart! O, misery!
[She faints, and is borne out.
Savella.
She faints: an ill appearance this.
Beatrice.
My Lord,
She knows not yet the uses of the world.
She fears that power is as a beast which grasps
And loosens not: a snake whose look transmutes
All things to guilt which is its nutriment.
She cannot know how well the supine slaves
Of blind authority read the truth of things
When written on a brow of guilelessness:
She sees not yet triumphant Innocence
Stand at the judgement-seat of mortal man,
A judge and an accuser of the wrong
Which drags it there. Prepare yourself, my Lord;
Our suite will join yours in the court below.
[Exeunt.
END OF THE FOURTH ACT.
ACT V
Scene I.
An Apartment in Orsino's Palace. Enter Orsino and Giacomo.
Giacomo.
Do evil deeds thus quickly come to end?
O, that the vain remorse which must chastise
Crimes done, had but as loud a voice to warn
As its keen sting is mortal to avenge!
O, that the hour when present had cast off
The mantle of its mystery, and shown
The ghastly form with which it now returns
When its scared game is roused, cheering the hounds
Of conscience to their prey! Alas! Alas!
It was a wicked thought, a piteous deed,
To kill an old and hoary-headed father.
Orsino.
It has turned out unluckily, in truth.
Giacomo.
To violate the sacred doors of sleep;
To cheat kind Nature of the placid death
Which she prepares for overwearied age;
To drag from Heaven an unrepentant soul
Which might have quenched in reconciling prayers
A life of burning crimes . . .
Orsino.
You cannot say
I urged you to the deed.
Giacomo.
O, had I never
Found in thy smooth and ready countenance
The mirror of my darkest thoughts; hadst thou
Never with hints and questions made me look
Upon the monster of my thought, until
It grew familiar to desire . . .
Orsino.
'Tis thus
Men cast the blame of their unprosperous acts
Upon the abettors of their own resolve;
Or anything but their weak, guilty selves.
And yet, confess the truth, it is the peril
In which you stand that gives you this pale sickness
Of penitence; confess 'tis fear disguised
From its own shame that takes the mantle now
Of thin remorse. What if we yet were safe?
Giacomo.
How can that be? Already Beatrice,
Lucretia and the murderer are in prison.
I doubt not officers are, whilst we speak,
Sent to arrest us.
Orsino.
I have all prepared
For instant flight. We can escape even now,
So we take fleet occasion by the hair.
Giacomo.
Rather expire in tortures, as I may.
What! will you cast by self-accusing flight
Assured conviction upon Beatrice?
She, who alone in this unnatural work,
Stands like God's angel ministered upon
By fiends; avenging such a nameless wrong
As turns black parricide to piety;
Whilst we for basest ends . . . I fear, Orsino,
While I consider all your words and looks,
Comparing them with your proposal now,
That you must be a villain. For what end
Could you engage in such a perilous crime,
Training me on with hints, and signs, and smiles,
Even to this gulf? Thou art no liar? No,
Thou art a lie! Traitor and murderer!
Coward and slave! But, no, defend thyself; [Drawing.
Let the sword speak what the indignant tongue
Disdains to brand thee with.
Orsino.
Put up your weapon.
Is it the desperation of your fear
Makes you thus rash and sudden with a friend,
Now ruined for your sake? If honest anger
Have moved you, know, that what I just proposed
Was but to try you. As for me, I think,
Thankless affection led me to this point,
From which, if my firm temper could repent,
I cannot now recede. Even whilst we speak
The ministers of justice wait below:
They grant me these brief moments. Now if you
Have any word of melancholy comfort
To speak to your pale wife, 'twere best to pass
Out at the postern, and avoid them so.
Giacomo.
O, generous friend! How canst thou pardon me?
Would that my life could purchase thine!
Orsino.
That wish
Now comes a day too late. Haste; fare thee well!
Hear'st thou not steps along the corridor? [Exit Giacomo.
I'm sorry for it; but the guards are waiting
At his own gate, and such was my contrivance
That I might rid me both of him and them.
I thought to act a solemn comedy
Upon the painted scene of this new world,
And to attain my own peculiar ends
By some such plot of mingled good and ill
As others weave; but there arose a Power
Which grasped and snapped the threads of my device
And turned it to a net of ruin . . . Ha! [A shout is heard.
Is that my name I hear proclaimed abroad?
But I will pass, wrapped in a vile disguise;
Rags on my back, and a false innocence
Upon my face, through the misdeeming crowd
Which judges by what seems. 'Tis easy then
For a new name and for a country new,
And a new life, fashioned on old desires,
To change the honours of abandoned Rome.
And these must be the masks of that within,
Which must remain unaltered . . . Oh, I fear
That what is past will never let me rest!
Why, when none else is conscious, but myself,
Of my misdeeds, should my own heart's contempt
Trouble me? Have I not the power to fly
My own reproaches? Shall I be the slave
Of . . . what? A word? which those of this false world
Employ against each other, not themselves;
As men wear daggers not for self-offence.
But if I am mistaken, where shall I
Find the disguise to hide me from myself,
As now I skulk from every other eye?
[Exit.
Scene II.
A Hall of Justice. Camillo, Judges, &c., are discovered seated; Marzio is led in.
First Judge.
Accused, do you persist in your denial?
I ask you, are you innocent, or guilty?
I demand who were the participators
In your offence? Speak truth and the whole truth.
Marzio.
My God! I did not kill him; I know nothing;
Olimpio sold the robe to me from which
You would infer my guilt.
Second Judge.
Away with him!
First Judge.
Dare you, with lips yet white from the rack's kiss
Speak false? Is it so soft a questioner,
That you would bandy lover's talk with it
Till it wind out your life and soul? Away!
Marzio.
Spare me! O, spare! I will confess.
First Judge.
Then speak.
Marzio.
I strangled him in his sleep.
First Judge.
Who urged you to it?
Marzio.
His own son Giacomo, and the young prelate
Orsino sent me to Petrella; there
The ladies Beatrice and Lucretia
Tempted me with a thousand crowns, and I
And my companion forthwith murdered him.
Now let me die.
First Judge.
This sounds as bad as truth. Guards, there,
Lead forth the prisoner!
Enter Lucretia, Beatrice, and Giacomo, guarded.
Look upon this man;
When did you see him last?
Beatrice.
We never saw him.
Marzio.
You know me too well, Lady Beatrice.
Beatrice.
I know thee! How? where? when?
Marzio.
You know 'twas I
Whom you did urge with menaces and bribes
To kill your father. When the thing was done
You clothed me in a robe of woven gold
And bade me thrive: how I have thriven, you see.
You, my Lord Giacomo, Lady Lucretia,
You know that what I speak is true.
[Beatrice advances towards him; he covers his face, and shrinks back.
Oh, dart
The terrible resentment of those eyes
On the dead earth! Turn them away from me!
They wound: 'twas torture forced the truth. My Lords,
Having said this let me be led to death.
Beatrice.
Poor wretch, I pity thee: yet stay awhile.
Camillo.
Guards, lead him not away.
Beatrice.
Cardinal Camillo,
You have a good repute for gentleness
And wisdom: can it be that you sit here
To countenance a wicked farce like this?
When some obscure and trembling slave is dragged
From sufferings which might shake the sternest heart
And bade to answer, not as he believes,
But as those may suspect or do desire
Whose questions thence suggest their own reply:
And that in peril of such hideous torments
As merciful God spares even the damned. Speak now
The thing you surely know, which is that you,
If your fine frame were stretched upon that wheel,
And you were told: 'Confess that you did poison
Your little nephew; that fair blue-eyed child
Who was the lodestar of your life:'and though
All see, since his most swift and piteous death,
That day and night, and heaven and earth, and time,
And all the things hoped for or done therein
Are changed to you, through your exceeding grief,
Yet you would say, 'I confess anything:'
And beg from your tormentors, like that slave,
The refuge of dishonourable death.
I pray thee, Cardinal, that thou assert
My innocence.
Camillo.
(much moved).
What shall we think, my Lords?
Shame on these tears! I thought the heart was frozen
Which is their fountain. I would pledge my soul
That she is guiltless.
Judge.
Yet she must be tortured.
Camillo.
I would as soon have tortured mine own nephew
(If he now lived he would be just her age;
His hair, too, was her colour, and his eyes
Like hers in shape, but blue and not so deep)
As that most perfect image of God's love
That ever came sorrowing upon the earth.
She is as pure as speechless infancy!
Judge.
Well, be her purity on your head, my Lord,
If you forbid the rack. His Holiness
Enjoined us to pursue this monstrous crime
By the severest forms of law; nay even
To stretch a point against the criminals.
The prisoners stand accused of parricide
Upon such evidence as justifies
Torture.
Beatrice.
What evidence? This man's?
Judge.
Even so.
Beatrice
(to Marzio).
Come near. And who art thou thus chosen forth
Out of the multitude of living men
To kill the innocent?
Marzio.
I am Marzio,
Thy father's vassal.
Beatrice.
Fix thine eyes on mine;
Answer to what I ask.
[Turning to the Judges.
I prithee mark
His countenance: unlike bold calumny
Which sometimes dares not speak the thing it looks,
He dares not look the thing he speaks, but bends
His gaze on the blind earth.
(To Marzio.)
What! wilt thou say
That I did murder my own father?
Marzio.
Oh!
Spare me! My brain swims round . . . I cannot speak . . .
It was that horrid torture forced the truth.
Take me away! Let her not look on me!
I am a guilty miserable wretch;
I have said all I know; now, let me die!
Beatrice.
My Lords, if by my nature I had been
So stern, as to have planned the crime alleged,
Which your suspicions dictate to this slave,
And the rack makes him utter, do you think
I should have left this two-edged instrument
Of my misdeed; this man, this bloody knife
With my own name engraven on the heft,
Lying unsheathed amid a world of foes,
For my own death? That with such horrible need
For deepest silence, I should have neglected
So trivial a precaution, as the making
His tomb the keeper of a secret written
On a thief's memory? What is his poor life?
What are a thousand lives? A parricide
Had trampled them like dust; and, see, he lives! (Turning to Marzio.)
And thou . . .
Marzio.
Oh, spare me! Speak to me no more!
That stern yet piteous look, those solemn tones,
Wound worse than torture.
(To the Judges.
I have told it all;
For pity's sake lead me away to death.
Camillo.
Guards, lead him nearer the Lady Beatrice,
He shrinks from her regard like autumn's leaf
From the keen breath of the serenest north.
Beatrice.
O thou who tremblest on the giddy verge
Of life and death, pause ere thou answerest me;
So mayst thou answer God with less dismay:
What evil have we done thee? I, alas!
Have lived but on this earth a few sad years,
And so my lot was ordered, that a father
First turned the moments of awakening life
To drops, each poisoning youth's sweet hope; and then
Stabbed with one blow my everlasting soul;
And my untainted fame; and even that peace
Which sleeps within the core of the heart's heart;
But the wound was not mortal; so my hate
Became the only worship I could lift
To our great father, who in pity and love,
Armed thee, as thou dost say, to cut him off;
And thus his wrong becomes my accusation;
And art thou the accuser? If thou hopest
Mercy in heaven, show justice upon earth:
Worse than a bloody hand is a hard heart.
If thou hast done murders, made thy life's path
Over the trampled laws of God and man,
Rush not before thy Judge, and say: 'My maker,
I have done this and more; for there was one
Who was most pure and innocent on earth;
And because she endured what never any
Guilty or innocent endured before:
Because her wrongs could not be told, not thought;
Because thy hand at length did rescue her;
I with my words killed her and all her kin.'
Think, I adjure you, what it is to slay
The reverence living in the minds of men
Towards our ancient house, and stainless fame!
Think what it is to strangle infant pity,
Cradled in the belief of guileless looks,
Till it become a crime to suffer. Think
What 'tis to blot with infamy and blood
All that which shows like innocence, and is,
Hear me, great God! I swear, most innocent,
So that the world lose all discrimination
Between the sly, fierce, wild regard of guilt,
And that which now compels thee to reply
To what I ask: Am I, or am I not
A parricide?
Marzio.
Thou art not!
Judge.
What is this?
Marzio.
I here declare those whom I did accuse
Are innocent. 'Tis I alone am guilty.
Judge.
Drag him away to torments; let them be
Subtle and long drawn out, to tear the folds
Of the heart's inmost cell. Unbind him not
Till he confess.
Marzio.
Torture me as ye will:
A keener pang has wrung a higher truth
From my last breath. She is most innocent!
Bloodhounds, not men, glut yourselves well with me;
I will not give you that fine piece of nature
To rend and ruin.
[Exit Marzio, guarded.
Camillo.
What say ye now, my Lords?
Judge.
Let tortures strain the truth till it be white
As snow thrice sifted by the frozen wind.
Camillo.
Yet stained with blood.
Judge
(to Beatrice).
Know you this paper, Lady?
Beatrice.
Entrap me not with questions. Who stands here
As my accuser? Ha! wilt thou be he,
Who art my judge? Accuser, witness, judge,
What, all in one? Here is Orsino's name;
Where is Orsino? Let his eye meet mine.
What means this scrawl? Alas! ye know not what,
And therefore on the chance that it may be
Some evil, will ye kill us?
Enter an Officer.
Officer.
Marzio's dead.
Judge.
What did he say?
Officer.
Nothing. As soon as we
Had bound him on the wheel, he smiled on us,
As one who baffles a deep adversary;
And holding his breath, died.
Judge.
There remains nothing
But to apply the question to those prisoners,
Who yet remain stubborn.
Camillo.
I overrule
Further proceedings, and in the behalf
Of these most innocent and noble persons
Will use my interest with the Holy Father.
Judge.
Let the Pope's pleasure then be done. Meanwhile
Conduct these culprits each to separate cells;
And be the engines ready: for this night
If the Pope's resolution be as grave,
Pious, and just as once, I'll wring the truth
Out of those nerves and sinews, groan by groan.
[Exeunt.
Scene III.
The Cell of a Prison. Beatrice is discovered asleep on a couch. Enter Bernardo.
Bernardo.
How gently slumber rests upon her face,
Like the last thoughts of some day sweetly spent
Closing in night and dreams, and so prolonged.
After such torments as she bore last night,
How light and soft her breathing comes. Ay me!
Methinks that I shall never sleep again.
But I must shake the heavenly dew of rest
From this sweet folded flower, thus . . . wake! awake!
What, sister, canst thou sleep?
Beatrice
(awaking).
I was just dreaming
That we were all in Paradise. Thou knowest
This cell seems like a kind of Paradise
After our father's presence.
Bernardo.
Dear, dear sister,
Would that thy dream were not a dream! O God!
How shall I tell?
Beatrice.
What wouldst thou tell, sweet brother?
Bernardo.
Look not so calm and happy, or even whilst
I stand considering what I have to say
My heart will break.
Beatrice.
See now, thou mak'st me weep:
How very friendless thou wouldst be, dear child,
If I were dead. Say what thou hast to say.
Bernardo.
They have confessed; they could endure no more
The tortures . . .
Beatrice.
Ha! What was there to confess?
They must have told some weak and wicked lie
To flatter their tormentors. Have they said
That they were guilty? O white innocence,
That thou shouldst wear the mask of guilt to hide
Thine awful and serenest countenance
From those who know thee not!
Enter Judge with Lucretia and Giacomo, guarded.
Ignoble hearts!
For some brief spasms of pain, which are at least
As mortal as the limbs through which they pass,
Are centuries of high splendour laid in dust?
And that eternal honour which should live
Sunlike, above the reek of mortal fame,
Changed to a mockery and a byword? What!
Will you give up these bodies to be dragged
At horses' heels, so that our hair should sweep
The footsteps of the vain and senseless crowd,
Who, that they may make our calamity
Their worship and their spectacle, will leave
The churches and the theatres as void
As their own hearts? Shall the light multitude
Fling, at their choice, curses or faded pity,
Sad funeral flowers to deck a living corpse,
Upon us as we pass to pass away,
And leave . . . what memory of our having been?
Infamy, blood, terror, despair? O thou,
Who wert a mother to the parentless,
Kill not thy child! Let not her wrongs kill thee!
Brother, lie down with me upon the rack,
And let us each be silent as a corpse;
It soon will be as soft as any grave.
'Tis but the falsehood it can wring from fear
Makes the rack cruel.
Giacomo.
They will tear the truth
Even from thee at last, those cruel pains:
For pity's sake say thou art guilty now.
Lucretia.
Oh, speak the truth! Let us all quickly die;
And after death, God is our judge, not they;
He will have mercy on us.
Bernardo.
If indeed
It can be true, say so, dear sister mine;
And then the Pope will surely pardon you,
And all be well.
Judge.
Confess, or I will warp
Your limbs with such keen tortures . . .
Beatrice.
Tortures! Turn
The rack henceforth into a spinning-wheel!
Torture your dog, that he may tell when last
He lapped the blood his master shed . . . not me!
My pangs are of the mind, and of the heart,
And of the soul; ay, of the inmost soul,
Which weeps within tears as of burning gall
To see, in this ill world where none are true,
My kindred false to their deserted selves.
And with considering all the wretched life
Which I have lived, and its now wretched end,
And the small justice shown by Heaven and Earth
To me or mine; and what a tyrant thou art,
And what slaves these; and what a world we make,
The oppressor and the oppressed . . . such pangs compel
My answer. What is it thou wouldst with me?
Judge.
Art thou not guilty of thy father's death?
Beatrice.
Or wilt thou rather tax high-judging God
That He permitted such an act as that
Which I have suffered, and which He beheld;
Made it unutterable, and took from it
All refuge, all revenge, all consequence,
But that which thou hast called my father's death?
Which is or is not what men call a crime,
Which either I have done, or have not done;
Say what ye will. I shall deny no more.
If ye desire it thus, thus let it be,
And so an end of all. Now do your will;
No other pains shall force another word.
Judge.
She is convicted, but has not confessed.
Be it enough. Until their final sentence
Let none have converse with them. You, young Lord,
Linger not here!
Beatrice.
Oh, tear him not away!
Judge.
Guards, do your duty.
Bernardo
(embracing Beatrice).
Oh! would ye divide
Body from soul?
Officer.
That is the headsman's business.
[Exeunt all but Lucretia, Beatrice, and Giacomo.
Giacomo.
Have I confessed? Is it all over now?
No hope! No refuge! O weak, wicked tongue
Which hast destroyed me, would that thou hadst been
Cut out and thrown to dogs first! To have killed
My father first, and then betrayed my sister;
Ay, thee! the one thing innocent and pure
In this black guilty world, to that which I
So well deserve! My wife! my little ones!
Destitute, helpless, and I . . . Father! God!
Canst Thou forgive even the unforgiving,
When their full hearts break thus, thus! . . .
[Covers his face and weeps.
Lucretia.
O my child!
To what a dreadful end are we all come!
Why did I yield? Why did I not sustain
Those torments? Oh, that I were all dissolved
Into these fast and unavailing tears,
Which flow and feel not!
Beatrice.
What 'twas weak to do,
'Tis weaker to lament, once being done;
Take cheer! The God who knew my wrong, and made
Our speedy act the angel of His wrath,
Seems, and but seems, to have abandoned us.
Let us not think that we shall die for this.
Brother, sit near me; give me your firm hand,
You had a manly heart. Bear up! Bear up!
O dearest Lady, put your gentle head
Upon my lap, and try to sleep awhile:
Your eyes look pale, hollow and overworn,
With heaviness of watching and slow grief.
Come, I will sing you some low, sleepy tune,
Not cheerful, nor yet sad; some dull old thing,
Some outworn and unused monotony,
Such as our country gossips sing and spin,
Till they almost forget they live: lie down!
So, that will do. Have I forgot the words?
Faith! They are sadder than I thought they were.
SONG
False friend, wilt thou smile or weep
When my life is laid asleep?
Little cares for a smile or a tear,
The clay-cold corpse upon the bier!
Farewell! Heigho!
What is this whispers low?
There is a snake in thy smile, my dear;
And bitter poison within thy tear.
Sweet sleep, were death like to thee,
Or if thou couldst mortal be,
I would close these eyes of pain;
When to wake? Never again.
O World! Farewell!
Listen to the passing bell!
It says, thou and I must part,
With a light and a heavy heart.
[The scene closes.
Scene IV.
A Hall of the Prison. Enter Camillo and Bernardo.
Camillo.
The Pope is stern; not to be moved or bent.
He looked as calm and keen as is the engine
Which tortures and which kills, exempt itself
From aught that it inflicts; a marble form,
A rite, a law, a custom: not a man.
He frowned, as if to frown had been the trick
Of his machinery, on the advocates
Presenting the defences, which he tore
And threw behind, muttering with hoarse, harsh voice:
'Which among ye defended their old father
Killed in his sleep?' Then to another: 'Thou
Dost this in virtue of thy place; 'tis well.'
He turned to me then, looking deprecation,
And said these three words, coldly: 'They must die.'
Bernardo.
And yet you left him not?
Camillo.
I urged him still;
Pleading, as I could guess, the devilish wrong
Which prompted your unnatural parent's death.
And he replied: 'Paolo Santa Croce
Murdered his mother yester evening,
And he is fled. Parricide grows so rife
That soon, for some just cause no doubt, the young
Will strangle us all, dozing in our chairs.
Authority, and power, and hoary hair
Are grown crimes capital. You are my nephew,
You come to ask their pardon; stay a moment;
Here is their sentence; never see me more
Till, to the letter, it be all fulfilled.'
Bernardo.
O God, not so! I did believe indeed
That all you said was but sad preparation
For happy news. Oh, there are words and looks
To bend the sternest purpose! Once I knew them,
Now I forget them at my dearest need.
What think you if I seek him out, and bathe
His feet and robe with hot and bitter tears?
Importune him with prayers, vexing his brain
With my perpetual cries, until in rage
He strike me with his pastoral cross, and trample
Upon my prostrate head, so that my blood
May stain the senseless dust on which he treads,
And remorse waken mercy? I will do it!
Oh, wait till I return!
[Rushes out.
Camillo.
Alas! poor boy!
A wreck-devoted seaman thus might pray
To the deaf sea.
Enter Lucretia, Beatrice, and Giacomo, guarded.
Beatrice.
I hardly dare to fear
That thou bring'st other news than a just pardon.
Camillo.
May God in heaven be less inexorable
To the Pope's prayers, than he has been to mine.
Here is the sentence and the warrant.
Beatrice
(wildly).
O
My God! Can it be possible I have
To die so suddenly? So young to go
Under the obscure, cold, rotting, wormy ground!
To be nailed down into a narrow place;
To see no more sweet sunshine; hear no more
Blithe voice of living thing; muse not again
Upon familiar thoughts, sad, yet thus lost
How fearful! to be nothing! Or to be . . .
What? Oh, where am I? Let me not go mad!
Sweet Heaven, forgive weak thoughts! If there should be
No God, no Heaven, no Earth in the void world;
The wide, gray, lampless, deep, unpeopled world!
If all things then should be . . . my father's spirit,
His eye, his voice, his touch surrounding me;
The atmosphere and breath of my dead life!
If sometimes, as a shape more like himself,
Even the form which tortured me on earth,
Masked in gray hairs and wrinkles, he should come
And wind me in his hellish arms, and fix
His eyes on mine, and drag me down, down, down!
For was he not alone omnipotent
On Earth, and ever present? Even though dead,
Does not his spirit live in all that breathe,
And work for me and mine still the same ruin,
Scorn, pain, despair? Who ever yet returned
To teach the laws of Death's untrodden realm?
Unjust perhaps as those which drive us now,
Oh, whither, whither?
Lucretia.
Trust in God's sweet love,
The tender promises of Christ: ere night,
Think, we shall be in Paradise.
Beatrice.
'Tis past!
Whatever comes my heart shall sink no more.
And yet, I know not why, your words strike chill:
How tedious, false and cold seem all things. I
Have met with much injustice in this world;
No difference has been made by God or man,
Or any power moulding my wretched lot,
'Twixt good or evil, as regarded me.
I am cut off from the only world I know,
From light, and life, and love, in youth's sweet prime.
You do well telling me to trust in God,
I hope I do trust in Him. In whom else
Can any trust? And yet my heart is cold.
[During the latter speeches Giacomo has retired conversing with Camillo, who now goes out; Giacomo advances.
Giacomo.
Know you not, Mother . . . Sister, know you not?
Bernardo even now is gone to implore
The Pope to grant our pardon.
Lucretia.
Child, perhaps
It will be granted. We may all then live
To make these woes a tale for distant years:
Oh, what a thought! It gushes to my heart
Like the warm blood.
Beatrice.
Yet both will soon be cold.
Oh, trample out that thought! Worse than despair,
Worse than the bitterness of death, is hope:
It is the only ill which can find place
Upon the giddy, sharp and narrow hour
Tottering beneath us. Plead with the swift frost
That it should spare the eldest flower of spring:
Plead with awakening earthquake, o'er whose couch
Even now a city stands, strong, fair, and free;
Now stench and blackness yawn, like death. Oh, plead
With famine, or wind-walking Pestilence,
Blind lightning, or the deaf sea, not with man!
Cruel, cold, formal man; righteous in words,
In deeds a Cain. No, Mother, we must die:
Since such is the reward of innocent lives;
Such the alleviation of worst wrongs.
And whilst our murderers live, and hard, cold men,
Smiling and slow, walk through a world of tears
To death as to life's sleep; 'twere just the grave
Were some strange joy for us. Come, obscure Death,
And wind me in thine all-embracing arms!
Like a fond mother hide me in thy bosom,
And rock me to the sleep from which none wake.
Live ye, who live, subject to one another
As we were once, who now . . .
Bernardo rushes in.
Bernardo.
Oh, horrible!
That tears, that looks, that hope poured forth in prayer,
Even till the heart is vacant and despairs,
Should all be vain! The ministers of death
Are waiting round the doors. I thought I saw
Blood on the face of one . . . What if 'twere fancy?
Soon the heart's blood of all I love on earth
Will sprinkle him, and he will wipe it off
As if 'twere only rain. O life! O world!
Cover me! let me be no more! To see
That perfect mirror of pure innocence
Wherein I gazed, and grew happy and good,
Shivered to dust! To see thee, Beatrice,
Who made all lovely thou didst look upon . . .
Thee, light of life . . . dead, dark! while I say, sister,
To hear I have no sister; and thou, Mother,
Whose love was as a bond to all our loves . . .
Dead! The sweet bond broken!
Enter Camillo and Guards.
They come! Let me
Kiss those warm lips before their crimson leaves
Are blighted . . . white . . . cold. Say farewell, before
Death chokes that gentle voice! Oh, let me hear
You speak!
Beatrice.
Farewell, my tender brother. Think
Of our sad fate with gentleness, as now:
And let mild, pitying thoughts lighten for thee
Thy sorrow's load. Err not in harsh despair,
But tears and patience. One thing more, my child:
For thine own sake be constant to the love
Thou bearest us; and to the faith that I,
Though wrapped in a strange cloud of crime and shame,
Lived ever holy and unstained. And though
Ill tongues shall wound me, and our common name
Be as a mark stamped on thine innocent brow
For men to point at as they pass, do thou
Forbear, and never think a thought unkind
Of those, who perhaps love thee in their graves.
So mayest thou die as I do; fear and pain
Being subdued. Farewell! Farewell! Farewell!
Bernardo.
I cannot say, farewell!
Camillo.
Oh, Lady Beatrice!
Beatrice.
Give yourself no unnecessary pain,
My dear Lord Cardinal. Here, Mother, tie
My girdle for me, and bind up this hair
In any simple knot; ay, that does well.
And yours I see is coming down. How often
Have we done this for one another; now
We shall not do it any more. My Lord,
We are quite ready. Well, 'tis very well.
THE END
Composed at Rome and near Leghorn (Villa Valsovano), May - August 8, 1819; published 1820 (spring) by C. & J. Ollier, London. This edition of 250 copies was printed in Italy 'because,' writes Shelley to Peacock, Sept. 21, 1819, 'it costs, with all duties and freightage, about half what it would cost in London.'
~ Percy Bysshe Shelley, The Cenci - A Tragedy In Five Acts
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