TERMS STARTING WITH
spired ::: imp. & p. p. --> of Spire ::: a. --> Having a spire; being in the form of a spire; as, a spired steeple.
spire ::: poet. A structure or formation, such as a steeple, that tapers to a point at the top.
spire ::: v. i. --> To breathe.
To shoot forth, or up in, or as if in, a spire. ::: n. --> A slender stalk or blade in vegetation; as, a spire grass or of wheat.
A tapering body that shoots up or out to a point in a
TERMS ANYWHERE
1. An intense, painful feeling of repugnance, fear and shock. 2. Something or someone that inspires dislike; dread; fright; something horrible.
2. According to Plato, a prophetic prediction is a form of inspired "frenzy" which produces a good result which could not be obtained in a normal state of mind (Phaedrus). The other two forms of this abnormal activity are poetic inspiration and religious exaltation. This concept has been exalted by Christian theology which gave to it a divine origin: the gift of prediction is an attribute of a saint, and also of the biblical prophets.
a ::: all the boons of inspired knowledge. [R .g Veda 1.149.5]
aspired ::: imp. & p. p. --> of Aspire
aspirement ::: n. --> Aspiration.
aspirer ::: n. --> One who aspires.
aspire ::: to have a fixed desire, longing, or ambition for something at present above one; to seek to attain, yearn. aspires, aspired, aspiring.
aspire ::: v. t. --> To desire with eagerness; to seek to attain something high or great; to pant; to long; -- followed by to or after, and rarely by at; as, to aspire to a crown; to aspire after immorality.
To rise; to ascend; to tower; to soar.
To aspire to; to long for; to try to reach; to mount to. ::: n.
acrospire ::: n. --> The sprout at the end of a seed when it begins to germinate; the plumule in germination; -- so called from its spiral form. ::: v. i. --> To put forth the first sprout.
addition, he inspires passion between the sexes and
aerial ::: a. --> Of or pertaining to the air, or atmosphere; inhabiting or frequenting the air; produced by or found in the air; performed in the air; as, aerial regions or currents.
Consisting of air; resembling, or partaking of the nature of air. Hence: Unsubstantial; unreal.
Rising aloft in air; high; lofty; as, aerial spires.
Growing, forming, or existing in the air, as opposed to growing or existing in earth or water, or underground; as, aerial
Aesma: The evil spirit of wrath, inspirer of vengeance and evil, in Zoroastrian demonology.
affect ::: v. t. --> To act upon; to produce an effect or change upon.
To influence or move, as the feelings or passions; to touch.
To love; to regard with affection.
To show a fondness for; to like to use or practice; to choose; hence, to frequent habitually.
To dispose or incline.
To aim at; to aspire; to covet.
Agapae (Greek) [plural of agape brotherly love, loving kindness, charity] Love feasts; not only the love for God, but the love of Christians for each other as being members of a divinely inspired communion. The agapae were meetings for prayer, song, reading, exhortation, exchange of news, and ended with the brotherly kiss. With the lapse into worldliness, abuses crept into these love-feasts, which in time became so notorious that they were finally abolished.
Agni ::: 1. the godhead of fire, [psychologically]: the divine will perfectly inspired by divine Wisdom, and indeed one with it, which is the active and effective power of the Truth-Consciousness. ::: 2. [one of the five bhutas]: fire; the formatory principle of intension, represented to our senses in matter as heat, light and fire.
"Ah! Since India is the cradle of religion and since so many gods preside over her destiny, who among them will accomplish the miracle of resuscitating the city?" A. Choumel (in an article on Pondicherry in 1928) Follows response by the Mother: "Blinded by false appearances, deceived by calumnies, held back by fear and prejudice, he has passed by the side of the god whose intervention he implores and saw him not; he has walked near to the forces which will accomplish the miracle he demands and had no will to recognise them. Thus has he lost the greatest opportunity of his life—a unique opportunity of entering into contact with the mysteries and marvelswhose existence his brain has divined and to which his heart obscurely aspires. In all times the aspirant, before receiving initiation, had to pass through tests. In the schools of antiquity these tests were artificial and by that they lost the greater part of their value. But it is no longer so now. The test hides behind some very ordinary every-day circumstance and wears an innocent air of coincidence and chance which makes it still more difficult and dangerous.It is only to those who can conquer the mind’s
references and prejudices of race and education that India reveals the mystery of her treasures. Others depart disappointed, failing to find what they seek; for they have sought it in the wrong way and would not agree to pay the price of the Divine Discovery."
Ref: CWM Vol. 13, Page: 372-373
aladr.s.t.i (trikaldrishti) ::: telepathic trikaladr.s.t.i in the inspired logistis, a form of inspirational trikaladr.s.t.i.
Alan Turing "person" Alan M. Turing, 1912-06-22/3? - 1954-06-07. A British mathematician, inventor of the {Turing Machine}. Turing also proposed the {Turing test}. Turing's work was fundamental in the theoretical foundations of computer science. Turing was a student and fellow of {King's College Cambridge} and was a graduate student at {Princeton University} from 1936 to 1938. While at Princeton Turing published "On Computable Numbers", a paper in which he conceived an {abstract machine}, now called a {Turing Machine}. Turing returned to England in 1938 and during World War II, he worked in the British Foreign Office. He masterminded operations at {Bletchley Park}, UK which were highly successful in cracking the Nazis "Enigma" codes during World War II. Some of his early advances in computer design were inspired by the need to perform many repetitive symbolic manipulations quickly. Before the building of the {Colossus} computer this work was done by a roomful of women. In 1945 he joined the {National Physical Laboratory} in London and worked on the design and construction of a large computer, named {Automatic Computing Engine} (ACE). In 1949 Turing became deputy director of the Computing Laboratory at Manchester where the {Manchester Automatic Digital Machine}, the worlds largest memory computer, was being built. He also worked on theories of {artificial intelligence}, and on the application of mathematical theory to biological forms. In 1952 he published the first part of his theoretical study of morphogenesis, the development of pattern and form in living organisms. Turing was gay, and died rather young under mysterious circumstances. He was arrested for violation of British homosexuality statutes in 1952. He died of potassium cyanide poisoning while conducting electrolysis experiments. An inquest concluded that it was self-administered but it is now thought by some to have been an accident. There is an excellent biography of Turing by Andrew Hodges, subtitled "The Enigma of Intelligence" and a play based on it called "Breaking the Code". There was also a popular summary of his work in Douglas Hofstadter's book "Gödel, Escher, Bach". {(http://AlanTuring.net/)}. (2001-10-09)
Albigenses A sect arising in Southern France in the 11th century and opposed by the Roman Catholic Church, which exterminated it in the 13th century. It had affinity with the Catharists and also more distantly with the Paulicians, derivatives of the Eastern Church. The doctrines and the pedigree of the Albigenses show it to be a distant offshoot of Manichaeism, so long the formidable rival of orthodox Christianity in Europe and Asia. There was the characteristic Manichaean dualism and belief in some form of transmigration and metempsychosis. There was, according to some, the Docetic view of Christ — that his body was a mere appearance, his spirit being the reality. The authority of the Old Testament was not admitted as inspired.
Also applied to any inspired sage, prophet, or seer (e.g., Vyasa, Kapila), especially to one who has attained a state of beatitude; or to any great adept who has acquired the siddhis.
A masterpiece of inspired device and rule,
ambitioned ::: aspired to; desired; sought after earnestly.
ana ::: (in 1914) same as inspirational vijñana; (in 1920) the second plane of ideality, previously called the hermetic ideality, whose essence is sruti or "inspired interpretation". It enters into the lower plane, the logistic ideality or luminous reason, "attended by a diviner splendour of light and blaze of fiery effulgence". The "illumined" level of higher mind in the diagram on page 1360 (c. 1931) may be correlated with the hermetic ideality or srauta vijñana of 1919-20. srauta vyapti srauta
ana ::: (in 1920) the highest, most revelatory form of inspired revelatory logistis.
ana ::: same as inspired logistis or inspirational mentality.
ana ::: same as inspired logistis.
anfractuous ::: a. --> Winding; full of windings and turnings; sinuous; tortuous; as, the anfractuous spires of a born.
anthropology ::: n. --> The science of the structure and functions of the human body.
The science of man; -- sometimes used in a limited sense to mean the study of man as an object of natural history, or as an animal.
That manner of expression by which the inspired writers attribute human parts and passions to God.
apex ::: n. --> The tip, top, point, or angular summit of anything; as, the apex of a mountain, spire, or cone; the apex, or tip, of a leaf.
The end or edge of a vein nearest the surface.
Arian Heresy Originated by Arius (d. 336), a presbyter in Alexandria who did not confuse the cosmic Logos with its ray on earth, the Christ entity, whose human expression was called Jesus. Arius could not accept a consubstantial trinity with the human Son as the first or second remove from its Father aspect — he made a sharp distinction between the three Logoi and any human expression of such logoic triad manifesting on earth as an inspired man. Arius in consequence taught that God was alone, unknowable, and separate from every created being; that the Son, or creative Logos was created by God, who through this Logos brought forth the world and all that is in it. He held, therefore, that Christ was not God in the fullest sense and should be worshiped as a secondary deity, and that at the incarnation the Logos assumed a body but not a human soul. Arianism was condemned as heretical at the Councils of Nicaea (325) and Constantinople (381).
artificial neural network ::: (artificial intelligence) (ANN, commonly just neural network or neural net) A network of many very simple processors (units or neurons), each opposed to symbolic) data. The units operate only on their local data and on the inputs they receive via the connections.A neural network is a processing device, either an algorithm, or actual hardware, whose design was inspired by the design and functioning of animal brains and components thereof.Most neural networks have some sort of training rule whereby the weights of connections are adjusted on the basis of presented patterns. In other words, dogs from examples of dogs, and exhibit some structural capability for generalisation.Neurons are often elementary non-linear signal processors (in the limit they are simple threshold discriminators). Another feature of NNs which distinguishes data and programs, but rather each neuron is pre-programmed and continuously active.The term neural net should logically, but in common usage never does, also include biological neural networks, whose elementary structures are far more complicated than the mathematical models used for ANNs.See Aspirin, Hopfield network, McCulloch-Pitts neuron.Usenet newsgroup: comp.ai.neural-nets. (1997-10-13)
artificial neural network "artificial intelligence" (ANN, commonly just "neural network" or "neural net") A network of many very simple processors ("units" or "neurons"), each possibly having a (small amount of) local memory. The units are connected by unidirectional communication channels ("connections"), which carry numeric (as opposed to symbolic) data. The units operate only on their local data and on the inputs they receive via the connections. A neural network is a processing device, either an {algorithm}, or actual hardware, whose design was inspired by the design and functioning of animal brains and components thereof. Most neural networks have some sort of "training" rule whereby the weights of connections are adjusted on the basis of presented patterns. In other words, neural networks "learn" from examples, just like children learn to recognise dogs from examples of dogs, and exhibit some structural capability for generalisation. Neurons are often elementary non-linear signal processors (in the limit they are simple threshold discriminators). Another feature of NNs which distinguishes them from other computing devices is a high degree of interconnection which allows a high degree of parallelism. Further, there is no idle memory containing data and programs, but rather each neuron is pre-programmed and continuously active. The term "neural net" should logically, but in common usage never does, also include biological neural networks, whose elementary structures are far more complicated than the mathematical models used for ANNs. See {Aspirin}, {Hopfield network}, {McCulloch-Pitts neuron}. {Usenet} newsgroup: {news:comp.ai.neural-nets}. (1997-10-13)
art ::: “The highest aim of the aesthetic being is to find the Divine through beauty; the highest Art is that which by an inspired use of significant and interpretative form unseals the doors of the spirit.” The Human Cycle etc.
Aryaman-Bhaga ::: the combination of Aryaman and Bhaga, "the Aspirer" and "the Enjoyer", in which the power of Aryaman is "the effective term of the self-discovering and self-seizing movement by which Being and Consciousness realise themselves as Bliss".
Aryaman ::: "the Aspirer", a Vedic god, one of the Four who represent the "working of the Truth in the human mind and temperament"; he is "the deity of the human journey" who "sums up in himself the whole aspiration and movement of man in a continual self-enlargement and . self-transcendence to his divine perfection", bringing to this movement a "mighty strength and perfectly-guided happy inner upsurging".
Aryaman ::: [Ved.]: the Aspirer; the aspiring power and action of the Truth; the Force of sacrifice, aspiration, battle, journey towards perfection and light and celestial bliss by which the path is created, travelled, pursued beyond all resistance and obscuration to its luminous and happy goal. [Later]: the chief of the Fathers [pitrs]. ::: Aryama [nominative]
As a creative spirit, Ialdabaoth generates six sons (the lower terrestrial angels or stellar spirits) without assistance of any female, and when these sons strive with him he creates Ophiomorphos, the serpent-shaped spirit of all that is basest in matter. When Ialdabaoth proclaims that he is Father and God, and that none is above him, Sophia tells him that the first and second Anthropos (heavenly man) are above him. So Ialdabaoth’s sons create a man, Adam, to whom Ialdabaoth gives the breath of life, emptying himself of creative power. Having rebelled against his mother, his production is mindless and has to be endowed with mind by Sophia Achamoth — a reference to the descent of the manasaputras. The man, thus informed, aspires away from his producer, who thereupon becomes his adversary, produces the three lower kingdoms of beings, and imprisons man in a house of clay (flesh). Ialdabaoth also makes Eve (Lilith) to deprive the man of his light powers. Sophia sends the serpent or intelligence to make Adam and Eve transgress the commands of Ialdabaoth, who casts them from Paradise into the world along with the serpent. Sophia deprives Adam and Eve of their light power, but eventually restores this power so that they awoke mentally. Here there is much the same confusion that surrounds the various meanings of Satan and the serpent.
As early as one hundred years after the Buddha died and had entered his parinirvana, differences in the doctrines and discipline of the Order become manifest. In the course of the centuries two basic trends developed into what has become popular to call the Hinayana (the lesser vehicle or path) or Theravada (doctrine of the elders), and Mahayana (the greater vehicle or path). The Theravada emphasized the fourfold path leading to nirvana, total liberation of the arhat from material concerns. The Mahayana held the bodhisattvayana as the ideal, the way of compassion for all sentient beings, culminating in renunciation of nirvana in order to return and inspire others “to awake and follow the dhamma.” It is this fundamental difference in goal that characterizes the Old Wisdom School (arhatship) from the New Wisdom School (bodhsattvahood). See also BUDDHA OF COMPASSION; PRATYEKA BUDDHA
aspirant ::: a. --> Aspiring. ::: n. --> One who aspires; one who eagerly seeks some high position or object of attainment.
Aspiration ::: Aspiration in everyone, no matter who it is, has the same power. But the effect of this aspiration is different. For aspiration is aspiration: if you have aspiration, in itself it has a power. Only, this aspiration calls down an answer, and this answer, the effect, which is the result of the aspiration, depends upon each one, for it depends upon his receptivity. I know many people of this kind: they say, "Oh! but I aspire all the time and still I receive nothing." It is impossible that they should receive nothing, in the sense that the answer is sure to come. But it is they who do not receive. The answer comes but they are not receptive, so they receive nothing.. . . When you have an aspiration, a very active aspiration, your aspiration is going to do its work. It is going to call down the answer to what you aspire for. But if, later, you begin to think of something else or are not attentive or receptive, you do not even notice that your aspiration has received an answer. This happens very frequently. So people tell you: "I aspire and I don't receive anything, I get no answer!" Yes, you do have an answer but you are not aware of it, because you continue to be active in this way, like a mill turning all the time.
Ref: CWM, Vol. 06, Page:115
aspiring ::: p. pr. & vb. n. --> of Aspire ::: a. --> That aspires; as, an Aspiring mind.
assurance ::: n. --> The act of assuring; a declaration tending to inspire full confidence; that which is designed to give confidence.
The state of being assured; firm persuasion; full confidence or trust; freedom from doubt; certainty.
Firmness of mind; undoubting, steadiness; intrepidity; courage; confidence; self-reliance.
Excess of boldness; impudence; audacity; as, his assurance is intolerable.
Atharva Veda (Sanskrit) Atharva Veda One of the principal Vedas, commonly known as the fourth; attributed to Atharvan or Atharva. The Rig-Veda states that he was the first to “draw forth fire” and institute its worship, as well as the offering of soma and prayers. Mythologically, Atharvan is represented as a prajapati, Brahma’s eldest son, instructed by his father in brahma-vidya: thus was he inspired to compose the Veda bearing his name. At a later period he is associated with Angiras and called the father of Agni. The Atharva-Veda, considered of later origin than the other three Vedas, comprises about 6000 verses, 760 being hymns, consisting of formulas and spells or incantations for counteracting diseases and calamities. The hymns are of slightly different character from those in the other Vedas: in addition to reverencing the gods, the worshiper himself is exalted and is supposed to receive benefits by reciting the mantras.
attains directly to that higher status of being to which he aspires.
Aureole [diminutive of Latin aureus golden] Either a special spiritual radiance adorning the heads of saints and martyrs, or a golden halo surrounding the head or whole body of a holy man. The matter is clearly explained in The Mahatma Letters as: “a counterpart of what the astronomers call the red flames in the ‘corona’ may be seen in Reichenbach’s crystals or in any other strongly magnetic body. The head of a man — in a strong ecstatic condition, when all the electricity of his system is centered around the brain, will represent — especially in darkness — a perfect simile of the Sun during such periods [eclipses]. The first artist who drew the aureoles about the heads of his Gods and Saints, was not inspired, but represented it on the authority of temple pictures and traditions of the sanctuary and the chambers of initiation where such phenomena took place” (p. 162).
avesamaya (aveshamaya) ::: inspired; enthusiastic. avesamaya avic avicara ara samadhi
awed ::: 1. inspired or influenced by a feeling of fearful wonderment or reverence; 2. Inspired with reverential wonder combined with an element of latent fear.
awe ::: n. --> Dread; great fear mingled with respect.
The emotion inspired by something dreadful and sublime; an undefined sense of the dreadful and the sublime; reverential fear, or solemn wonder; profound reverence. ::: v. t. --> To strike with fear and reverence; to inspire with awe; to
awful ::: 1. Inspiring fear; terrible, dreadful, appalling, awe-inspiring. 2. Extremely impressive. 3. Profoundly inspired by a feeling of fearful wonderment or reverence.
awful ::: a. --> Oppressing with fear or horror; appalling; terrible; as, an awful scene.
Inspiring awe; filling with profound reverence, or with fear and admiration; fitted to inspire reverential fear; profoundly impressive.
Struck or filled with awe; terror-stricken.
Worshipful; reverential; law-abiding.
Frightful; exceedingly bad; great; -- applied intensively;
awk 1. "tool, language" (Named from the authors' initials) An interpreted language included with many versions of {Unix} for massaging text data, developed by Alfred Aho, Peter Weinberger, and Brian Kernighan in 1978. It is characterised by {C}-like syntax, declaration-free variables, {associative arrays}, and field-oriented text processing. There is a {GNU} version called {gawk} and other varients including {bawk}, {mawk}, {nawk}, {tawk}. {Perl} was inspired in part by awk but is much more powerful. {Unix manual page}: awk(1). {netlib WWW (http://plan9.att.com/netlib/research/index.html)}. {netlib FTP (ftp://netlib.att.com/netlib/research/)}. ["The AWK Programming Language" A. Aho, B. Kernighan, P. Weinberger, A-W 1988]. 2. "jargon" An expression which is awkward to manipulate through normal {regexp} facilities, for example, one containing a {newline}. [{Jargon File}] (1995-10-06)
awk ::: 1. (tool, language) (Named from the authors' initials) An interpreted language included with many versions of Unix for massaging text data, developed characterised by C-like syntax, declaration-free variables, associative arrays, and field-oriented text processing.There is a GNU version called gawk and other varients including bawk, mawk, nawk, tawk. Perl was inspired in part by awk but is much more powerful.Unix manual page: awk(1). netlib FTP .[The AWK Programming Language A. Aho, B. Kernighan, P. Weinberger, A-W 1988].2. (jargon) An expression which is awkward to manipulate through normal regexp facilities, for example, one containing a newline.[Jargon File] (1995-10-06)
Axieros, Axiokersa, Axiokersos, (Greek) Also Aschieros, Achiosera, Achiochersus. In ancient Greek mythology, three divinities whose Mysteries and worship were mainly centered in Samothrace. With Kadmilos, often said to be their parent, they were the kabiri [cf Chaldean gibbor, Hebrew geber beings of power or might, the great ones]. Frequently Axieros, Axiokersa, and Axiokersos are stated to be the offspring of Hephaestus or Vulcan, the fiery flame of creative cosmic intellect or mahat. The kabiri are equivalent to the four kumaras of Hindu literature — Sanat-kumara, Sananda, Sanaka, and Sanatana. The functions of both groups was as guardians, guides, inspirers, bringers of illumination and prosperity; and, in the kosmic sense, as divinities intimately involved in the intelligent productive energies of nature. Their number is the same as that of the kosmic elements — four, occasionally five, and in reality seven or ten. The four named above are the lower quaternary of the kosmic septenary — those divinities most closely involved in the intelligent building and architectural construction and therefore government of the four lower cosmic planes.
ayu2 ::: the Vedic god of Wind, the universal deva as "the Master of Life, inspirer of that Breath or dynamic energy", later called pran.a, which "was considered to be a great force pervading all material existence and the condition of all its activities".
Background: (Ger. Hintergrund) In Husserl: The nexus of objects and objective sense explicitly posited along with any object; the objective horizon. The perceptual background is part of the entire background in this broad sense. See Horizon. -- D.C . Bacon, Francis: (1561-1626) Inspired by the Renaissance, and in revolt against Aristotelianism and Scholastic Logic, proposed an inductive method of discovering truth, founded upon empirical observation, analysis of observed data, inference resulting in hypotheses, and verification of hypotheses through continued observation and experiment. The impediments to the use of this method are preconceptions and prejudices, grouped by Bacon under four headings, or Idols: The Idols of the Tribe, or racially "wishful," anthropocentric ways of thinking, e.g. explanation by final causes The Idols of the Cave or personal prejudices The Idols of the Market Place, or failure to define terms The Idol of the Theatre, or blind acceptance of tradition and authority. The use of the inductive method prescribes the extraction of the essential from the non-essential and the discovery of the underlying structure or form of the phenomena under investigation, through (a) comparison of instances, (b) study of concomitant variations, and (c) exclusion of negative instances.
Balaam (Hebrew) Bil‘ām One of the prophets of the Old Testament, last and greatest of the gentile prophets, appearing at the time when the Israelites were completing their forty years of wandering (Numbers 22-4). “The Zohar explains the ‘birds’ which inspired Balaam to mean ‘Serpents,’ to wit, the wise men and adepts at whose school he had learned the mysteries of prophecy” (SD 2:409).
Belphegor: In demonology, the name of a demon, inspirer of discoveries and inventions.
Besides these transcriptions or impresses the psychical vision receives thought Images and other forms created by constant activity of consciousaess in ourselves or in other human beings, and these may be according to the character of the activity, images of truth or falsehood or else mixed things, partly true, partly false, and may be too either mere shells and representa- tions or images inspired wth a temporary life and consciousness and, it may be, canjing in them in one way or another some kind of beneficent or maleficent action or some willed or unwilled effectiveness on our minds or vital being or through them e^'cn on the body. These transcriptions, impresses, thought images, life images, projections of the consciousness may also be representa- tions or creations not of the physical wxtrJd, but of vital, psychic or mental worlds beyond us, seen in our own minds or projected from other than human beings. And as there is this psychical vision of which some of the more cxremaf ana’ ordinary marrr- festaUons arc well enough known by the name of clairvoyance, so there is a psychical hearing and psychical touch, taste, smell
beyond ::: Sri Aurobindo: "The language of the Upanishad makes it strikingly clear that it is no metaphysical abstraction, no void Silence, no indeterminate Absolute which is offered to the soul that aspires, but rather the absolute of all that is possessed by it here in the relative world of its sojourning. All here in the mental is a growing light, consciousness and life; all there in the supramental is an infinite life, light and consciousness. That which is here shadowed, is there found; the incomplete here is there the fulfilled. The Beyond is not an annullation, but a transfiguration of all that we are here in our world of forms; it is sovran Mind of this mind, secret Life of this life, the absolute Sense which supports and justifies our limited senses.” The Upanishads *
Beyond ::: “The language of the Upanishad makes it strikingly clear that it is no metaphysical abstraction, no void Silence, no indeterminate Absolute which is offered to the soul that aspires, but rather the absolute of all that is possessed by it here in the relative world of its sojourning. All here in the mental is a growing light, consciousness and life; all there in the supramental is an infinite life, light and consciousness. That which is here shadowed, is there found; the incomplete here is there the fulfilled. The Beyond is not an annullation, but a transfiguration of all that we are here in our world of forms; it is sovran Mind of this mind, secret Life of this life, the absolute Sense which supports and justifies our limited senses.” The Upanishads
blade ::: n. --> Properly, the leaf, or flat part of the leaf, of any plant, especially of gramineous plants. The term is sometimes applied to the spire of grasses.
The cutting part of an instrument; as, the blade of a knife or a sword.
The broad part of an oar; also, one of the projecting arms of a screw propeller.
The scapula or shoulder blade.
bly inspire them to make right decisions. Accord¬
Boolean algebra "logic" (After the logician {George Boole}) 1. Commonly, and especially in computer science and digital electronics, this term is used to mean {two-valued logic}. 2. This is in stark contrast with the definition used by pure mathematicians who in the 1960s introduced "Boolean-valued {models}" into logic precisely because a "Boolean-valued model" is an interpretation of a {theory} that allows more than two possible truth values! Strangely, a Boolean algebra (in the mathematical sense) is not strictly an {algebra}, but is in fact a {lattice}. A Boolean algebra is sometimes defined as a "complemented {distributive lattice}". Boole's work which inspired the mathematical definition concerned {algebras} of {sets}, involving the operations of intersection, union and complement on sets. Such algebras obey the following identities where the operators ^, V, - and constants 1 and 0 can be thought of either as set intersection, union, complement, universal, empty; or as two-valued logic AND, OR, NOT, TRUE, FALSE; or any other conforming system. a ^ b = b ^ a a V b = b V a (commutative laws) (a ^ b) ^ c = a ^ (b ^ c) (a V b) V c = a V (b V c) (associative laws) a ^ (b V c) = (a ^ b) V (a ^ c) a V (b ^ c) = (a V b) ^ (a V c) (distributive laws) a ^ a = a a V a = a (idempotence laws) --a = a -(a ^ b) = (-a) V (-b) -(a V b) = (-a) ^ (-b) (de Morgan's laws) a ^ -a = 0 a V -a = 1 a ^ 1 = a a V 0 = a a ^ 0 = 0 a V 1 = 1 -1 = 0 -0 = 1 There are several common alternative notations for the "-" or {logical complement} operator. If a and b are elements of a Boolean algebra, we define a "= b to mean that a ^ b = a, or equivalently a V b = b. Thus, for example, if ^, V and - denote set intersection, union and complement then "= is the inclusive subset relation. The relation "= is a {partial ordering}, though it is not necessarily a {linear ordering} since some Boolean algebras contain incomparable values. Note that these laws only refer explicitly to the two distinguished constants 1 and 0 (sometimes written as {LaTeX} \top and \bot), and in {two-valued logic} there are no others, but according to the more general mathematical definition, in some systems variables a, b and c may take on other values as well. (1997-02-27)
Boolean algebra ::: (mathematics, logic) (After the logician George Boole)1. Commonly, and especially in computer science and digital electronics, this term is used to mean two-valued logic.2. This is in stark contrast with the definition used by pure mathematicians who in the 1960s introduced Boolean-valued models into logic precisely because a Boolean-valued model is an interpretation of a theory that allows more than two possible truth values!Strangely, a Boolean algebra (in the mathematical sense) is not strictly an algebra, but is in fact a lattice. A Boolean algebra is sometimes defined as a complemented distributive lattice.Boole's work which inspired the mathematical definition concerned algebras of sets, involving the operations of intersection, union and complement on sets. complement, universal, empty; or as two-valued logic AND, OR, NOT, TRUE, FALSE; or any other conforming system. a ^ b = b ^ a a V b = b V a (commutative laws)(a ^ b) ^ c = a ^ (b ^ c) There are several common alternative notations for the - or logical complement operator.If a and b are elements of a Boolean algebra, we define a = b to mean that a ^ b = a, or equivalently a V b = b. Thus, for example, if ^, V and - denote set relation = is a partial ordering, though it is not necessarily a linear ordering since some Boolean algebras contain incomparable values.Note that these laws only refer explicitly to the two distinguished constants 1 and 0 (sometimes written as LaTeX \top and \bot), and in two-valued logic there are no others, but according to the more general mathematical definition, in some systems variables a, b and c may take on other values as well. (1997-02-27)
brahman ::: (in the Veda) "the soul or soul-consciousness emerging from the secret heart of things" or "the thought, inspired, creative, full of the secret truth, which emerges from that consciousness and becomes thought of the mind"; (in Vedanta) the divine Reality, "the One [eka1] besides whom there is nothing else existent", the Absolute who is "at the same time the omnipresent Reality in which all that is relative exists as its forms or its movements". Its nature is saccidananda, infinite existence (sat), consciousness (cit) and bliss (ananda), whose second element can also be described as consciousness-force (cit-tapas), making four fundamental principles of the integral Reality; brahman seen in all things in terms of these principles is called in the Record of Yoga the fourfold brahman, whose aspects form the brahma catus.t.aya. The complete realisation of brahman included for Sri Aurobindo not only the unification of the experiences of the nirgun.a brahman (brahman without qualities) and sagun.a brahman (brahman with qualities), but the harmonisation of the impersonal brahman which is "the spiritual material and conscious substance of all the ideas and forces and forms of the universe" with the personal isvara in the consciousness of parabrahman, the brahman in its supreme status as "a transcendent Unthinkable too great for any manifestation", which "is at the same time the living supreme Soul of all things" (purus.ottama) and the supreme Lord (paramesvara) and supreme Self (paramatman), "and in all these equal aspects the same single and eternal Godhead". Brahman is represented in sound by the mystic syllable OM.
brahman ::: [Ved.]: the sacred or inspired word, expression of the heart or soul; heart; the Vedic word or mantra in its profoundest aspect as the expression of the intuition arising out of the depths of the soul or being; the Soul that emerges out of the subconscient in Man and rises towards the superconscient and also word of creative Power welling upward out of the soul. [Vedanta]: the Reality; the Eternal; the Absolute; the Spirit; the Supreme Being; the One besides whom there is nothing else existent; in relation to the universe [cf. atman] the Supreme is brahman, the one Reality which is not only the spiritual, material and conscious substance of all the ideas and forces and forms of the universe, but their origin, support and possessor, the cosmic and supracosmic Spirit. ::: brahma [nominative] ::: brahmana [instrumental], by the hymn. ::: brahmani [locative], into the brahman. [cf. Brahma]
breathe ::: 1. To be alive; live. 2. To take air, oxygen, etc., into the lungs and expel it; inhale and exhale; respire. Also fig. 3. To control the outgoing breath in producing voice and speech sounds. 4. To utter, especially quietly. 5. To make apparent or manifest; express; suggest. 6. To exhale (something); emit. 7. To impart as if by breathing; instil. 8. To move gently or blow lightly, as air. breathes, breathed, breathing. ::: To breathe upon fig. To taint; corrupt.
breather ::: n. --> One who breathes. Hence: (a) One who lives.(b) One who utters. (c) One who animates or inspires.
That which puts one out of breath, as violent exercise.
breathe ::: v. i. --> To respire; to inhale and exhale air; hence;, to live.
To take breath; to rest from action.
To pass like breath; noiselessly or gently; to exhale; to emanate; to blow gently. ::: v. t. --> To inhale and exhale in the process of respiration; to
spired ::: imp. & p. p. --> of Spire ::: a. --> Having a spire; being in the form of a spire; as, a spired steeple.
spire ::: poet. A structure or formation, such as a steeple, that tapers to a point at the top.
spire ::: v. i. --> To breathe.
To shoot forth, or up in, or as if in, a spire. ::: n. --> A slender stalk or blade in vegetation; as, a spire grass or of wheat.
A tapering body that shoots up or out to a point in a
But a time will come when you will feel more and more that you are the instrument and not the worker. For first by the force of your devotion your contact with the Divine Mother will become so intimate that at all times you will have only to con- centrate and to put everything into her hands to have her present guidance, her direct command or impulse, the sure indi- cation of the thing to be done and the way to do it and the result. And afterwards you wfil realise that the divine Shakti not only inspires and guides, but initiates and carries out your works ; all your movements are originated by her, all your powers are hers, mind, life and body are conscious and joyful instruments of her action, means for her play, moulds for her manifestation in the physical universe. There can be
canonize ::: v. t. --> To declare (a deceased person) a saint; to put in the catalogue of saints; as, Thomas a Becket was canonized.
To glorify; to exalt to the highest honor.
To rate as inspired; to include in the canon.
Class struggle: Fundamental in Marxian social thought, this term signifies the conflict between classes (q.v.) which, according to the theory of historical materialism (see the entry, Dialectical materialism) may and usually does take place in all aspects of social life, and which has existed ever since the passing of primitive communism (q.v.). The class struggle is considered basic to the dynamics of history in the sense that a widespread change in technics, or a fuller utilization of them, which necessitates changes in economic relations and, in turn, in the social superstructure, is championed and carried through by classes which stand to gain from the change. The economic aspects of the class struggle under capitalism manifest themselves most directly, Marx held, in disputes over amount of wages, rate of profits, rate of interest, amount of rent, length of working day, conditions of work and like matters. The Marxist position is that the class struggle enters into philosophy, politics, law, morals, art, religion and other cultural institutions and fields in various ways, either directly or indirectly, and, in respect to the people involved, consciously or unconsciously, willingly or unwillingly. In any case the specific content of any such field or institution at a given time it held to have a certain effect upon a given class in its conflicts with other classes, weakening or aiding it. Marxists believe that certain kinds of literature or art may inspire people with a lively sense of the need and possibility of a radical change in social relations, or, on the contrary, with a sense of lethargy or complacency, and that various moral, religious or philosophical doctrines may operate to persuade a given class that it should accept its lot without complaint or its privileges without qualms, or may operate to persuade it of the contrary. The Marxist view is that every field or institution has a history, an evolution, and that this evolution is the result of the play of conflicting forces entering into the field, which forces are connected, in one way or another, with class conflicts. While it is thus held that the class struggle involves all cultural fields, it is not held that any cultural production or phenomenon, selected or delimited at random, can be correlated in a one-to-one fashion with an equally delimited class interest. -- J.M.S.
colluder ::: n. --> One who conspires in a fraud.
collude ::: v. i. --> To have secretly a joint part or share in an action; to play into each other&
complot ::: n. --> A plotting together; a confederacy in some evil design; a conspiracy. ::: v. t. & i. --> To plot or plan together; to conspire; to join in a secret design.
conspired ::: imp. & p. p. --> of Conspire
conspirer ::: n. --> One who conspires; a conspirator.
conspire ::: to act or work together toward the same result or goal. conspires, conspired.
conspire ::: v. i. --> To make an agreement, esp. a secret agreement, to do some act, as to commit treason or a crime, or to do some unlawful deed; to plot together.
To concur to one end; to agree. ::: v. t. --> To plot; to plan; to combine for.
conchometer ::: n. --> An instrument for measuring shells, or the angle of their spire.
CONCUR "language" A proposal for a language for programming with {concurrent} processes. CONCUR was inspired by {Modula} but removes Modula's restrictions on the placement of process declarations and invocations in order to study the implications of process support more fully. Anderson presents a {compiler} which translates CONCUR into the {object language} for a hypothetical machine. ["CONCUR, A Language for Continuous Concurrent Processes", R.M. Salter et al, Comp Langs 5(3):163-189, 1981]. {["Concur: a High-Level Language for Concurrent Programming", Karen Anderson Thesis, B. Thomas Golisano College of Computing and Information Sciences, 1979] (https://ritdml.rit.edu/handle/1850/15968?show=full)} (2013-06-05)
Consciousness for true action ::: If you want the consciousness for true action very much and aspire for it, it may come in one of several ways ::: (1) You may gel the habit or faculty of watch- ing your movements in such a way that you see the impulse to action coming and can see too Its nature. (2) A consciousness may come which feels uneasy whenever a wrong thought or impulse to action or feeling is there, (3) Something within you may warn and stop you when you are going to do the wrong action.
conspiring ::: p. pr. & vb. n. --> of Conspire
coronated ::: a. --> Having or wearing a crown.
Having the coronal feathers lengthened or otherwise distinguished; -- said of birds.
Girt about the spire with a row of tubercles or spines; -- said of spiral shells.
Having a crest or a crownlike appendage.
couage ::: v. t. --> To inspire with courage.
crocket ::: n. --> An ornament often resembling curved and bent foliage, projecting from the sloping edge of a gable, spire, etc.
A croche, or knob, on the top of a stag&
cupola ::: n. --> A roof having a rounded form, hemispherical or nearly so; also, a ceiling having the same form. When on a large scale it is usually called dome.
A small structure standing on the top of a dome; a lantern.
A furnace for melting iron or other metals in large quantity, -- used chiefly in foundries and steel works.
A revolving shot-proof turret for heavy ordnance.
The top of the spire of the cochlea of the ear.
Devachan[Tibetan, bde-ba-can, pronounced de-wa-chen] ::: A translation of the Sanskrit sukhavati, the "happy place"or god-land. It is the state between earth-lives into which the human entity, the human monad, enters andthere rests in bliss and repose.When the second death after that of the physical body takes place -- and there are many deaths, that is tosay many changes of the vehicles of the ego -- the higher part of the human entity withdraws into itselfall that aspires towards it, and takes that "all" with it into the devachan; and the atman, with the buddhiand with the higher part of the manas, become thereupon the spiritual monad of man. Devachan as a stateapplies not to the highest or heavenly or divine monad, but only to the middle principles of man, to thepersonal ego or the personal soul in man, overshadowed by atma-buddhi. There are many degrees indevachan: the highest, the intermediate, and the lowest. Yet devachan is not a locality, it is a state, a stateof the beings in that spiritual condition.Devachan is the fulfilling of all the unfulfilled spiritual hopes of the past incarnation, and anefflorescence of all the spiritual and intellectual yearnings of the past incarnation which in that pastincarnation have not had an opportunity for fulfillment. It is a period of unspeakable bliss and peace forthe human soul, until it has finished its rest time and stage of recuperation of its own energies.In the devachanic state, the reincarnating ego remains in the bosom of the monad (or of the monadicessence) in a state of the most perfect and utter bliss and peace, reviewing and constantly reviewing, andimproving upon in its own blissful imagination, all the unfulfilled spiritual and intellectual possibilitiesof the life just closed that its naturally creative faculties automatically suggest to the devachanic entity.Man here is no longer a quaternary of substance-principles (for the second death has taken place), but isnow reduced to the monad with the reincarnating ego sleeping in its bosom, and is therefore a spiritualtriad. (See also Death, Reincarnating Ego)
dictate ::: v. t. --> To tell or utter so that another may write down; to inspire; to compose; as, to dictate a letter to an amanuensis.
To say; to utter; to communicate authoritatively; to deliver (a command) to a subordinate; to declare with authority; to impose; as, to dictate the terms of a treaty; a general dictates orders to his troops.
A statement delivered with authority; an order; a command; an authoritative rule, principle, or maxim; a prescription;
dignity ::: n. --> The state of being worthy or honorable; elevation of mind or character; true worth; excellence.
Elevation; grandeur.
Elevated rank; honorable station; high office, political or ecclesiastical; degree of excellence; preferment; exaltation.
Quality suited to inspire respect or reverence; loftiness and grace; impressiveness; stateliness; -- said of //en, manner, style, etc.
Dionysian mysteries: The ancient Greek mystery cult, originating in Phrygia, observed at various places by migratory groups of adherents. Originally, the rites were highly orgiastic in character; the devotees imbibed the sacred wine, ate the raw flesh of the sacrificed animal and drank its warm blood, and went into a frenzy of ecstasy, believed to be inspired by the presence of the deity within them. (Cf. Orphic mysteries.)
Dissociated Press [Play on "Associated Press"; perhaps inspired by a reference in the 1949 Bugs Bunny cartoon "What's Up, Doc?"] An algorithm for transforming any text into potentially humorous garbage even more efficiently than by passing it through a {marketroid}. The algorithm starts by printing any N consecutive words (or letters) in the text. Then at every step it searches for any random occurrence in the original text of the last N words (or letters) already printed and then prints the next word or letter. {Emacs} has a handy command for this. Here is a short example of word-based Dissociated Press applied to an earlier version of the {Jargon File}: wart: A small, crocky {feature} that sticks out of an array (C has no checks for this). This is relatively benign and easy to spot if the phrase is bent so as to be not worth paying attention to the medium in question. Here is a short example of letter-based Dissociated Press applied to the same source: window sysIWYG: A bit was named aften /bee't*/ prefer to use the other guy's re, especially in every cast a chuckle on neithout getting into useful informash speech makes removing a featuring a move or usage actual abstractionsidered interj. Indeed spectace logic or problem! A hackish idle pastime is to apply letter-based Dissociated Press to a random body of text and {vgrep} the output in hopes of finding an interesting new word. (In the preceding example, "window sysIWYG" and "informash" show some promise.) Iterated applications of Dissociated Press usually yield better results. Similar techniques called "travesty generators" have been employed with considerable satirical effect to the utterances of {Usenet} flamers; see {pseudo}. [{Jargon File}]
Dissociated Press ::: [Play on Associated Press; perhaps inspired by a reference in the 1949 Bugs Bunny cartoon What's Up, Doc?] An algorithm for transforming any text into short example of word-based Dissociated Press applied to an earlier version of the Jargon File: wart: A small, crocky feature that sticks out of an array (C has no checks for this). This is relatively benign and easy to spot if the phrase is bent so as to be not worth paying attention to the medium in question.Here is a short example of letter-based Dissociated Press applied to the same source: window sysIWYG: A bit was named aften /bee't*/ prefer to use the other guy's re, especially in every cast a chuckle on neithout getting into useful informash speech makes removing a featuring a move or usage actual abstractionsidered interj. Indeed spectace logic or problem!A hackish idle pastime is to apply letter-based Dissociated Press to a random body of text and vgrep the output in hopes of finding an interesting new word. techniques called travesty generators have been employed with considerable satirical effect to the utterances of Usenet flamers; see pseudo.[Jargon File]
divinity ::: a. --> The state of being divine; the nature or essence of God; deity; godhead.
The Deity; the Supreme Being; God.
A pretended deity of pagans; a false god.
A celestial being, inferior to the supreme God, but superior to man.
Something divine or superhuman; supernatural power or virtue; something which inspires awe.
dynamic inspirational revelation ::: the dynamic gnosis or pragmatic ideality raised to the inspired revelatory logistis.
Ears ::: Usually the plare of inspired knowledge or else inspir- ed expression.
ebionite ::: n. --> One of a sect of heretics, in the first centuries of the church, whose doctrine was a mixture of Judaism and Christianity. They denied the divinity of Christ, regarding him as an inspired messenger, and rejected much of the New Testament.
eery ::: a. --> Serving to inspire fear, esp. a dread of seeing ghosts; wild; weird; as, eerie stories.
Affected with fear; affrighted.
elan ::: b. --> Ardor inspired by passion or enthusiasm.
embrave ::: v. t. --> To inspire with bravery.
To decorate; to make showy and fine.
EMOTION, Emotion h a good element in yoga ; but emo- tional desire becomes easily a cause of perturbation and an obstacle. Turn your emotions towards the Divine, aspire for their purification ; they will then become a help and no longer a cause of suffering.
"Emotion is a good element in yoga; but emotional desire becomes easily a cause of perturbation and an obstacle. Turn your emotions towards the Divine, aspire for their purification; they will then become a help on the way and no longer a cause of suffering.” Letters on Yoga*
“Emotion is a good element in yoga; but emotional desire becomes easily a cause of perturbation and an obstacle. Turn your emotions towards the Divine, aspire for their purification; they will then become a help on the way and no longer a cause of suffering.” Letters on Yoga
Emotive Meaning: Emotive, as distinguished from the cognitive, meaning of a statement is its ability to communicate an attitude or emotion, to inspire an act of will without conveying truth. Exclamations, commands and perhaps ethical and aesthetic judgments are emotive but not cognitive. -- L.W.
encourage ::: v. t. --> To give courage to; to inspire with courage, spirit, or hope; to raise, or to increase, the confidence of; to animate; enhearten; to incite; to help forward; -- the opposite of discourage.
enthean ::: a. --> Divinely inspired; wrought up to enthusiasm.
entheastic ::: a. --> Of godlike energy; inspired.
entheat ::: a. --> Divinely inspired.
enthusiast ::: n. --> One moved or actuated by enthusiasm; as: (a) One who imagines himself divinely inspired, or possessed of some special revelation; a religious madman; a fanatic. (b) One whose mind is wholly possessed and heated by what engages it; one who is influenced by a peculiar; fervor of mind; an ardent and imaginative person.
Eriugena, Joannes Scottus: (800/815 - c. 800) Was of Irish birth and early education. He came to the Court of Charles the Bald, son of Charlemagne, as a teacher c. 845. A good linguist, he translated works of Maximus, Gregory of Nyssa and the Pseudo-Dionysius from Greek to Latin. His thought is partly Augustinian, partly a personal development inspired by the Greek Fathers. He has been accused of Pantheism. Chief works: De Praedestinatione, De divisione Naturae (PL 122). M. Cippuyns, Jean S.. Erigene, sa vie, son oevre, sa pensee (Louvain-Paris, 1933). -- V.J.B.
exalt ::: v. t. --> To raise high; to elevate; to lift up.
To elevate in rank, dignity, power, wealth, character, or the like; to dignify; to promote; as, to exalt a prince to the throne, a citizen to the presidency.
To elevate by prise or estimation; to magnify; to extol; to glorify.
To lift up with joy, pride, or success; to inspire with delight or satisfaction; to elate.
expire ::: v. t. --> To breathe out; to emit from the lungs; to throw out from the mouth or nostrils in the process of respiration; -- opposed to inspire.
To give forth insensibly or gently, as a fluid or vapor; to emit in minute particles; to exhale; as, the earth expires a damp vapor; plants expire odors.
To emit; to give out.
To bring to a close; to terminate.
Externalize: In astrological parlance, said of the event which transpires when an astrological influence is incited to action by contact with a circumstance of environment. The thought is based upon the theory that astrological influences have to do with the mental and emotional conditioning that determines the nature of the individual’s reaction to circumstances, but that they do not of themselves produce events.
Fairchild F8 ::: (processor) An 8-bit microprocessor. The processor itself had no address bus - program and data memory access were contained in separate units, which addition, the 2-chip processor didn't need support chips, unlike others which needed seven or more.The F8 inspired other similar CPUs, such as the Intel 8048. The use of the ISAR register allowed a subroutine to be entered without saving a bunch of registers, pointed to by the ISAR could be accessed - to access other registers the ISAR was incremented or decremented through the window. (1994-11-16)
Fairchild F8 "processor" An 8-bit {microprocessor}. The processor itself had no {address bus} - program and data memory access were contained in separate units, which reduced the number of pins and the associated cost. It also featured 64 {registers}, accessed by the ISAR register in cells ({register windows}) of eight, which meant external {RAM} wasn't always needed for small applications. In addition, the 2-chip processor didn't need support chips, unlike others which needed seven or more. The F8 inspired other similar {CPUs}, such as the {Intel 8048}. The use of the ISAR register allowed a subroutine to be entered without saving a bunch of registers, speeding execution - the ISAR would just be changed. Special purpose registers were stored in the second cell (regs 9-15), and the first eight registers were accessed directly. The windowing concept was useful, but only the register pointed to by the ISAR could be accessed - to access other registers the ISAR was incremented or decremented through the window. (1994-11-16)
fear and loathing (Hunter S. Thompson) A state inspired by the prospect of dealing with certain real-world systems and standards that are totally {brain-damaged} but ubiquitous - {Intel 8086s}, {COBOL}, {EBCDIC}, or any {IBM} machine except the {Rios} (also known as the {RS/6000}). [{Jargon File}] (1994-12-06)
fear and loathing ::: (Hunter S. Thompson) A state inspired by the prospect of dealing with certain real-world systems and standards that are totally brain-damaged but ubiquitous - Intel 8086s, COBOL, EBCDIC, or any IBM machine except the Rios (also known as the RS/6000).[Jargon File] (1994-12-06)
fierce ::: superl. --> Furious; violent; unrestrained; impetuous; as, a fierce wind.
Vehement in anger or cruelty; ready or eager to kill or injure; of a nature to inspire terror; ferocious.
Excessively earnest, eager, or ardent.
Fischer, Kuno: (1824-1907) Is one of the series of eminent German historians of philosophy, inspired by the impetus which Hegel gave to the study of history. He personally joined in the revival of Kantianism in opposition to rationalistic, speculative metaphysics and the progress of materialism.
Flames Largely interchangeable with fire, both being borrowed from the Fire-philosophers in an attempt to render the ancient teachings. Often the same distinction is made as in ordinary usage: that flame is a portion of fire, or that fire is a more abstract and general term and flame a more concrete and particular. Thus, the intellectual and guiding cosmic spirits, as well as the astrally and physically creative builders, are spoken of as being a hierarchy of flames. The Lords of the Flame are the agnishvatta-pitris, or the intelligent architects cosmically; as the givers of mind to humanity they are alluded to as those whose fire is too pure for the production of physical mortal mankind. The Asiatic Qabbalists or Shemitic initiates meant by Holy Flame what is called the anima mundi or world-soul, and this is why adepts were called sons of the holy flame. Flame is also a projection of fire, as when a flame of the divine fire descends into matter, or flames of fire descend upon one inspired by the Holy Spirit or encircle the head of an initiate.
Following the war in heaven there took place an exchange of “hostages” between the aesir and vanir, and Njord (Saturn) was a vanagod sent as hostage to the aesir. He represents the saturnian qualities, among them those of Chronos (time). His children are Frey, the earth deity, and Freya, Venus, who is the guardian and protectress of the intelligent kingdom (humanity) on earth. This suggests that Njord was an emissary or avatara from the wise vanir to the active planetary gods, and that the vanir inspire avataric figures among the aesir. There are indications also that the aesir may graduate to the stature of the wise vanagods.
...Gabriel, inspired Joan of Arc [119]
gasp ::: v. i. --> To open the mouth wide in catching the breath, or in laborious respiration; to labor for breath; to respire convulsively; to pant violently.
To pant with eagerness; to show vehement desire. ::: v. t. --> To emit or utter with gasps; -- with forth, out, away,
Gayatri or Savitri (Sanskrit) Gāyatrī, Sāvitrī [from the verbal root gā to sing] A verse of the Rig-Veda (III, 62, 10): Tat savitur varenyam bhargo devasya dhimahi dhiyo yo nah prachodayat, “Let us meditate on that excellent splendor of the divine sun; may it illumine (inspire) our hearts (minds).”
GCOS "operating system" /jee'kohs/ An {operating system} developed by {General Electric} from 1962; originally called GECOS (the General Electric Comprehensive Operating System). The GECOS-II operating system was developed by {General Electric} for the 36-bit {GE-635} in 1962-1964. Contrary to rumour, GECOS was not cloned from {System/360} [{DOS/360}?] - the GE-635 architecture was very different from the {IBM 360} and GECOS was more ambitious than DOS/360. GE Information Service Divsion developed a large special multi-computer system that was not publicised because they did not wish {time sharing} customers to challenge their bills. Although GE ISD was marketing {DTSS} - the first commercial time sharing system - GE Computer Division had no license from Dartmouth and GE-ISD to market it to external customers, so they designed a time-sharing system to sell as a standard part of GECOS-III, which replaced GECOS-II in 1967. GECOS TSS was more general purpose than DTSS, it was more a programmer's tool (program editing, e-mail on a single system) than a BASIC TSS. The {GE-645}, a modified 635 built by the same people, was selected by {MIT} and {Bell} for the {Multics} project. Multics' infancy was as painful as any infancy. Bell pulled out in 1969 and later produced {Unix}. After the buy-out of GE's computer division by {Honeywell}, GECOS-III was renamed GCOS-3 (General Comprehensive Operating System). Other OS groups at Honeywell began referring to it as "God's Chosen Operating System", allegedly in reaction to the GCOS crowd's uninformed and snotty attitude about the superiority of their product. [Can anyone confirm this?] GCOS won and this led in the orphaning and eventual death of Honeywell {Multics}. Honeywell also decided to launch a new product line called Level64, and later DPS-7. It was decided to mainatin, at least temporarily, the 36-bit machine as top of the line, because GCOS-3 was so successfull in the 1970s. The plan in 1972-1973 was that GCOS-3 and Multics should converge. This plan was killed by Honeywell management in 1973 for lack of resources and the inability of Multics, lacking {databases} and {transaction processing}, to act as a business operating system without a substantial reinvestment. The name "GCOS" was extended to all Honeywell-marketed product lines and GCOS-64, a completely different 32-bit operating system, significanctly inspired by Multics, was designed in France and Boston. GCOS-62, another different 32-bit low-end DOS level was designed in Italy. GCOS-61 represented a new version of a small system made in France and the new {DPS-6} 16-bit {minicomputer} line got GCOS-6. When the intended merge between GCOS-3 and Multics failed, the Phoenix designers had in mind a big upgrade of the architecture to introduce {segmentation} and {capabilities}. GCOS-3 was renamed GCOS-8, well before it started to use the new features which were introduced in next generation hardware. The GCOS licenses were sold to the Japanese companies {NEC} and {Toshiba} who developed the Honeywell products, including GCOS, much further, surpassing the {IBM 3090} and {IBM 390}. When Honeywell decided in 1984 to get its top of the range machines from NEC, they considered running Multics on them but the Multics market was considered too small. Due to the difficulty of porting the ancient Multics code they considered modifying the NEC hardware to support the Multics compilers. GCOS3 featured a good {Codasyl} {database} called IDS (Integrated Data Store) that was the model for the more successful {IDMS}. Several versions of transaction processing were designed for GCOS-3 and GCOS-8. An early attempt at TP for GCOS-3, not taken up in Europe, assumed that, as in {Unix}, a new process should be started to handle each transaction. IBM customers required a more efficient model where multiplexed {threads} wait for messages and can share resources. Those features were implemented as subsystems. GCOS-3 soon acquired a proper {TP monitor} called Transaction Driven System (TDS). TDS was essentially a Honeywell development. It later evolved into TP8 on GCOS-8. TDS and its developments were commercially successful and predated IBM {CICS}, which had a very similar architecture. GCOS-6 and GCOS-4 (ex-GCOS-62) were superseded by {Motorola 68000}-based {minicomputers} running {Unix} and the product lines were discontinued. In the late 1980s Bull took over Honeywell and Bull's management chose Unix, probably with the intent to move out of hardware into {middleware}. Bull killed the Boston proposal to port Multics to a platform derived from DPS-6. Very few customers rushed to convert from GCOS to Unix and new machines (of CMOS technology) were still to be introduced in 1997 with GCOS-8. GCOS played a major role in keeping Honeywell a dismal also-ran in the {mainframe} market. Some early Unix systems at {Bell Labs} used GCOS machines for print spooling and various other services. The field added to "/etc/passwd" to carry GCOS ID information was called the "{GECOS field}" and survives today as the "pw_gecos" member used for the user's full name and other human-ID information. [{Jargon File}] (1998-04-23)
GCOS ::: (operating system) /jee'kohs/ An operating system developed by General Electric from 1962; originally called GECOS (the General Electric Comprehensive Operating System).The GECOS-II operating system was developed by General Electric for the 36-bit GE-635 in 1962-1964. Contrary to rumour, GECOS was not cloned from System/360 [DOS/360?] - the GE-635 architecture was very different from the IBM 360 and GECOS was more ambitious than DOS/360.GE Information Service Divsion developed a large special multi-computer system that was not publicised because they did not wish time sharing customers to GECOS TSS was more general purpose than DTSS, it was more a programmer's tool (program editing, e-mail on a single system) than a BASIC TSS.The GE-645, a modified 635 built by the same people, was selected by MIT and Bell for the Multics project. Multics' infancy was as painful as any infancy. Bell pulled out in 1969 and later produced Unix.After the buy-out of GE's computer division by Honeywell, GECOS-III was renamed GCOS-3 (General Comprehensive Operating System). Other OS groups at Honeywell their product. [Can anyone confirm this?] GCOS won and this led in the orphaning and eventual death of Honeywell Multics.Honeywell also decided to launch a new product line called Level64, and later DPS-7. It was decided to mainatin, at least temporarily, the 36-bit machine as lacking databases and transaction processing, to act as a business operating system without a substantial reinvestment.The name GCOS was extended to all Honeywell-marketed product lines and GCOS-64, a completely different 32-bit operating system, significanctly inspired small system made in France and the new DPS-6 16-bit minicomputer line got GCOS-6.When the intended merge between GCOS-3 and Multics failed, the Phoenix designers had in mind a big upgrade of the architecture to introduce segmentation and capabilities. GCOS-3 was renamed GCOS-8, well before it started to use the new features which were introduced in next generation hardware.The GCOS licenses were sold to the Japanese companies NEC and Toshiba who developed the Honeywell products, including GCOS, much further, surpassing the IBM 3090 and IBM 390.When Honeywell decided in 1984 to get its top of the range machines from NEC, they considered running Multics on them but the Multics market was considered too small. Due to the difficulty of porting the ancient Multics code they considered modifying the NEC hardware to support the Multics compilers.GCOS3 featured a good Codasyl database called IDS (Integrated Data Store) that was the model for the more successful IDMS.Several versions of transaction processing were designed for GCOS-3 and GCOS-8. An early attempt at TP for GCOS-3, not taken up in Europe, assumed that, as in required a more efficient model where multiplexed threads wait for messages and can share resources. Those features were implemented as subsystems.GCOS-3 soon acquired a proper TP monitor called Transaction Driven System (TDS). TDS was essentially a Honeywell development. It later evolved into TP8 on GCOS-8. TDS and its developments were commercially successful and predated IBM CICS, which had a very similar architecture.GCOS-6 and GCOS-4 (ex-GCOS-62) were superseded by Motorola 68000-based minicomputers running Unix and the product lines were discontinued.In the late 1980s Bull took over Honeywell and Bull's management choose Unix, probably with the intent to move out of hardware into middleware. Bull killed technology) are still to be introduced in 1997 with GCOS-8. GCOS played a major role in keeping Honeywell a dismal also-ran in the mainframe market.Some early Unix systems at Bell Labs used GCOS machines for print spooling and various other services. The field added to /etc/passwd to carry GCOS ID information was called the GECOS field and survives today as the pw_gecos member used for the user's full name and other human-ID information.[Jargon File] (1998-04-23)
helicoid ::: a. --> Spiral; curved, like the spire of a univalve shell.
Shaped like a snail shell; pertaining to the Helicidae, or Snail family. ::: n. --> A warped surface which may be generated by a straight line moving in such a manner that every point of the line shall have a
Hermas The Pastor of Hermas or The Shepherd of Hermas is an early Christian book, attributed to Hermas because that name occurs several times in it, though the authorship is doubtful. It was widely known in the East and regarded as inspired, receiving a respect approximating that paid to the canonical New Testament. It had wide vogue as early as the 2nd century. Irenaeus, Clement of Alexandria, and Origen quote it as scripture; and Origen identifies the author with the Hermas mentioned in Romans. Though it is impossible to assign to it a definite date of composition, conjecture points to the time of Hadrian and Antoninus Pius (117-161 AD). Full of legends and allegories, it presents in suggestive forms the gospel of love, but the name of Jesus Christ does not occur. It was thought by some to be Jewish in origin and contains passages from the Zohar. It has come down to us in several Latin translations, but only fragments of the Greek manuscript have yet come to hand.
hermēneusis [Greek] ::: interpretation; "inspired interpretation", the hermeneusis distinguishing feature of the hermetic ideality and interpretative revelatory vijñana.
Hermes (Greek) Greek god, son of Zeus and Maia, the third person in a triad of Father-Mother-Son, hence the formative Logos or Word. He is equivalent to the Hindu Budha, the Zoroastrian Mithra, the Babylonian Nebo — son of Zarpa-Nitu (moon) and Merodach (sun) — and the Egyptian Thoth with the ibis for his emblem; also to Enoch and the Roman Mercurius, son of Coelus and Lux (heaven and light). Among his emblems are the cross, the cubical shape, the serpent, and especially his wand, the caduceus, which combines the serpent and cross. The name has been used generically for many adepts. To Hermes were attributed many functions, such as that of inspiring eloquence and healing, and he is the patron of intellectual, artistic, and productively agricultural pursuits. The nature and functions of this divinity express themselves to our mind as light, wisdom, intelligence, and quickness — especially in an intellectual sense. He was the messenger of the gods, and also the psychopomp or conductor of souls to the netherworld. In his lower aspects he is often made to serve as the inspirer of gross misuses of intelligence such as clever theft — thus illustrating that even the noblest qualities have their dark side.
Hermetic Chain ::: Among the ancient Greeks there existed a mystical tradition of a chain of living beings, one end of whichincluded the divinities in their various grades or stages of divine authority and activities, and the otherend of which ran downwards through inferior gods and heroes and sages to ordinary men, and to thebeings below man. Each link of this living chain of beings inspired and instructed the chain below itself,thus transmitting and communicating from link to link to the end of the marvelous living chain, love andwisdom and knowledge concerning the secrets of the universe, eventuating in mankind as the arts and thesciences necessary for human life and civilization. This was mystically called the Hermetic Chain or theGolden Chain.In the ancient Mysteries the teaching of the existence and nature of the Hermetic Chain was fullyexplained; it is a true teaching because it represents distinctly and clearly and faithfully true and actualoperations of nature. More or less faint and distorted copies of the teaching of this Hermetic Chain orGolden Chain or succession of teachers were taken over by various later formal and exoteric sects, suchas the Christian Church, wherein the doctrine was called the Apostolic Succession. In all the greatMystery schools of antiquity there was this succession of teacher following teacher, each one passing onthe light to his successor as he himself had received it from his predecessor; and as long as thistransmission of light was a reality, it worked enormous spiritual benefit among men. Therefore all suchmovements lived, flourished, and did great good in the world. These teachers were the messengers tomen from the Great Lodge of the Masters of Wisdom and Compassion. (See also Guru-parampara)
hermetic ideality ::: (in 1919) the second of the three planes of ideality, the plane whose essence is sruti (inspiration), later called srauta vijñana. Whereas the logistic ideality "remembers at a second remove the knowledge secret in the being but lost by the mind in the oblivion of the ignorance", the hermetic ideality "divines at a first remove a greater power of that knowledge". The first "resembles the reason, is a divine reason", the second is said to be of the nature of "inspired interpretation".
highest inspired revelatory gnosis ::: the highest of the three forms of inspired revelatory logistis. highest logistic gnosis; highest logistic ideality; highest logistic vijñana;
highest inspired revelatory ideal reason ::: same as highest inspired revelatory gnosis.
horror ::: n. --> A bristling up; a rising into roughness; tumultuous movement.
A shaking, shivering, or shuddering, as in the cold fit which precedes a fever; in old medical writings, a chill of less severity than a rigor, and more marked than an algor.
A painful emotion of fear, dread, and abhorrence; a shuddering with terror and detestation; the feeling inspired by something frightful and shocking.
Human Ego ::: The human ego is seated in that part of the human constitution which theosophists call the intermediateduad, manas-kama. The part which is attracted below and is mortal is the lower human ego. The partwhich aspires upwards towards the buddhi and ultimately joins it is the higher human ego orreincarnating ego. The dregs of the human ego after the death of the human being and after the seconddeath in the kama-loka, remain in the astral spheres as the disintegrating kama-rupa or spook.
"Human speech is only a secondary expression and at its highest a shadow of the divine Word, of the seed-sounds, the satisfying rhythms, the revealing forms of sound that are the omniscient and omnipotent speech of the eternal Thinker, Harmonist, Creator. The highest inspired speech to which the human mind can attain, the word most unanalysably expressive of supreme truth, the most puissant syllable or mantra can only be its far-off representation.” The Upanishads
“Human speech is only a secondary expression and at its highest a shadow of the divine Word, of the seed-sounds, the satisfying rhythms, the revealing forms of sound that are the omniscient and omnipotent speech of the eternal Thinker, Harmonist, Creator. The highest inspired speech to which the human mind can attain, the word most unanalysably expressive of supreme truth, the most puissant syllable or mantra can only be its far-off representation.” The Upanishads
IDEAL 1. Ideal DEductive Applicative Language. A language by Pier Bosco and Elio Giovannetti combining {Miranda} and {Prolog}. Function definitions can have a {guard} condition (introduced by ":-") which is a conjunction of equalities between arbitrary terms, including functions. These guards are solved by normal {Prolog} {resolution} and {unification}. It was originally compiled into {C-Prolog} but was eventually to be compiled to {K-leaf}. 2. A numerical {constraint} language written by Van Wyk of {Stanford} in 1980 for {typesetting} graphics in documents. It was inspired partly by {Metafont} and is distributed as part of {Troff}. ["A High-Level Language for Specifying Pictures", C.J. Van Wyk, ACM Trans Graphics 1(2):163-182 (Apr 1982)]. (1994-12-15)
Ideal Self ::: Humanistic term representing the characteristics, behaviors, emotions, and thoughts to which a person aspires.
Idun(n) (Icelandic, Scandinavian) [from id rejuvenation] Norse goddess of eternal youth; the oldest of the moon god Ivaldi’s younger brood, representing the soul of the earth. Her spouse is Bragi, the patron and inspirer of bards. Idun is the guardian of the apples of immortality which she feeds the aesir (gods) daily (at each new cycle).
Immortality is conditional for the human soul: if it aspires to its inner god and allies itself therewith, the human soul becomes immortal because it is at one with its spiritual parent, the upper triad or monad. But if the personal or human soul refuse to recognize its spiritual essence and allies itself with increasing fullness with the complex compound of the lower human nature, it loses its chance of immortality and becomes but a psychological mortal compound itself.
inbreathe ::: v. t. --> To infuse by breathing; to inspire.
inspired ::: aroused, animated or imbued with the spirit to do something, by or as if by supernatural or divine influence. inspiring.
inspired gnosis; inspired ideality ::: same as inspired logistis.
inspired ::: having the nature of inspiration (sruti), as it acts on the level of inspired logistis or another level of ideality or intuitive mind, often in combination with intuition or revelation; (vak) having the qualities of the fourth level of style, which "brings to us not only pure light and beauty and inexhaustible depth, but a greater moved ecstasy of highest or largest thought and sight and speech".
inspired her to go to the succor of the King of
inspired ::: imp. & p. p. --> of Inspire ::: a. --> Breathed in; inhaled.
Moved or animated by, or as by, a supernatural influence; affected by divine inspiration; as, the inspired prophets; the inspired writers.
inspired intellectuality ::: (mentioned only in the form of intuitional inspired intellectuality) same as inspirational mentality.
inspired intuitional intellectuality ::: intuitional intellectuality with an element of inspiration, raising it towards inspirational mentality.
inspired intuitional logistis ::: same as inspired intuition.
inspired intuition ::: intuition with an element of inspiration; the middle form of intuitional ideality.
inspired intuitive mentality ::: same as inspired intuitional intellectuality.
inspired intuitivity ::: a working of the intuitive mind related to inspirational mentality and pragmatic intuitivity.
inspired logistic revelation ::: same as inspired revelatory logistis.
inspired logistis ::: the middle level of logistic ideality, where inspiration (sruti) determines the predominant character of the working of the luminous reason; also, the second gradation of this level, between the intuitional inspired and revelatory inspired forms of logistic ideality.
inspired revelation ::: same as inspired revelatory logistis.
inspired revelatory gnosis; inspired revelatory ideal reason ::: same as inspired revelatory logistis.
inspired revelatory ::: having the nature of inspired revelatory logistis, or the second of its three forms, or the corresponding form of revelatory mentality.
inspired revelatory logistis ::: the second scale of revelatory logistis, in .74 which inspiration is taken up into revelation.
inspire (here pronounce the name of the beloved)
inspirer ::: n. --> One who, or that which, inspirer.
inspires ::: 1. Produces, kindles, arouses or awakens a feeling, thought, etc. 2. Guides or arouse by divine influence or inspiration. inspired, inspiring.* *n. inspirer.**
inspire ::: v. t. --> To breathe into; to fill with the breath; to animate.
To infuse by breathing, or as if by breathing.
To draw in by the operation of breathing; to inhale; -- opposed to expire.
To infuse into the mind; to communicate to the spirit; to convey, as by a divine or supernatural influence; to disclose preternaturally; to produce in, as by inspiration.
To infuse into; to affect, as with a superior or
In connection with ’elohim, ruah denotes the rational and purposive mental quality of the gods — the mental breath or power appearing mainly in humans, feebly in animals. It was regarded in Genesis as moving over the chaos at the creation, and operating in and through the universe, producing that which is noble and good in man and leading him to virtue. Cosmic ruah is in many respects equivalent to the Third Logos of Greek philosophy. A similar meaning implied exceptional soul powers, as in the inspired ruler and the prophet; hence the prophetic spirit — which was often represented as passing from one person and resting in another.
inconscient ::: Sri Aurobindo: "The Inconscient and the Ignorance may be mere empty abstractions and can be dismissed as irrelevant jargon if one has not come in collision with them or plunged into their dark and bottomless reality. But to me they are realities, concrete powers whose resistance is present everywhere and at all times in its tremendous and boundless mass.” *Letters on Savitri
". . . in its actual cosmic manifestation the Supreme, being the Infinite and not bound by any limitation, can manifest in Itself, in its consciousness of innumerable possibilities, something that seems to be the opposite of itself, something in which there can be Darkness, Inconscience, Inertia, Insensibility, Disharmony and Disintegration. It is this that we see at the basis of the material world and speak of nowadays as the Inconscient — the Inconscient Ocean of the Rigveda in which the One was hidden and arose in the form of this universe — or, as it is sometimes called, the non-being, Asat.” Letters on Yoga
"The Inconscient itself is only an involved state of consciousness which like the Tao or Shunya, though in a different way, contains all things suppressed within it so that under a pressure from above or within all can evolve out of it — ‘an inert Soul with a somnambulist Force".” Letters on Yoga
"The Inconscient is the last resort of the Ignorance.” Letters on Yoga
"The body, we have said, is a creation of the Inconscient and itself inconscient or at least subconscient in parts of itself and much of its hidden action; but what we call the Inconscient is an appearance, a dwelling place, an instrument of a secret Consciousness or a Superconscient which has created the miracle we call the universe.” Essays in Philosophy and Yoga :::
"The Inconscient is a sleep or a prison, the conscient a round of strivings without ultimate issue or the wanderings of a dream: we must wake into the superconscious where all darkness of night and half-lights cease in the self-luminous bliss of the Eternal.” The Life Divine
"Men have not learnt yet to recognise the Inconscient on which the whole material world they see is built, or the Ignorance of which their whole nature including their knowledge is built; they think that these words are only abstract metaphysical jargon flung about by the philosophers in their clouds or laboured out in long and wearisome books like The Life Divine. Letters on Savitri :::
"Is it really a fact that even the ordinary reader would not be able to see any difference between the Inconscient and Ignorance unless the difference is expressly explained to him? This is not a matter of philosophical terminology but of common sense and the understood meaning of English words. One would say ‘even the inconscient stone" but one would not say, as one might of a child, ‘the ignorant stone". One must first be conscious before one can be ignorant. What is true is that the ordinary reader might not be familiar with the philosophical content of the word Inconscient and might not be familiar with the Vedantic idea of the Ignorance as the power behind the manifested world. But I don"t see how I can acquaint him with these things in a single line, even with the most. illuminating image or symbol. He might wonder, if he were Johnsonianly minded, how an Inconscient could be teased or how it could wake Ignorance. I am afraid, in the absence of a miracle of inspired poetical exegesis flashing through my mind, he will have to be left wondering.” Letters on Savitri
**inconscient, Inconscient"s.**
infatuate ::: a. --> Infatuated. ::: v. t. --> To make foolish; to affect with folly; to weaken the intellectual powers of, or to deprive of sound judgment.
To inspire with a foolish and extravagant passion; as, to be infatuated with gaming.
informer ::: v. --> One who informs, animates, or inspires.
One who informs, or imparts knowledge or news.
One who informs a magistrate of violations of law; one who informs against another for violation of some law or penal statute.
infuse ::: v. t. --> To pour in, as a liquid; to pour (into or upon); to shed.
To instill, as principles or qualities; to introduce.
To inspire; to inspirit or animate; to fill; -- followed by with.
To steep in water or other fluid without boiling, for the propose of extracting medicinal qualities; to soak.
To make an infusion with, as an ingredient; to tincture;
inhale ::: v. t. --> To breathe or draw into the lungs; to inspire; as, to inhale air; -- opposed to exhale.
inspirable ::: a. --> Capable of being inspired or drawn into the lungs; inhalable; respirable; admitting inspiration.
inspirational gnosis ::: same as inspired logistis.
inspirational ::: having the nature of inspiration; same as inspired.
inspirational ideality ::: (in 1918-19) same as inspired logistis; (in 1920) same as srauta vijñana (hermetic ideality).
inspirational intuitive ::: having the nature of inspired intuition.
inspirational intuitive idealised mind ::: the inspirational intuitive form of idealised mentality, same as inspired intuitional intellectuality.
inspirational intuivity ::: same as inspired intuitivity.
inspirational logistis ::: same as inspired logistis.
inspirational revelation ::: revelation with an element of inspiration;(in 1919) same as inspired revelatory logistis.
inspirational tapas ::: tapas acting in the inspired logistis.
Inspiration, Inspired [from Latin in into, upon + spiro breathe (cf afflatus from ad upon + flo breathe); adopted from Greek empneusis from en in + pneo breathe] Generally the reception of knowledge or influence from a source superior — or even inferior — to the ordinary consciousness.
inspiration ::: same as sruti, truth-hearing, the faculty of jñana which "comes as a vibration which carries the Truth in it and sometimes it comes as the actual word"; also, an instance of the working of this faculty; sometimes equivalent to inspired logistis, the middle plane of logistic ideality; (of vak) the characteristic of the fourth level of style (see inspired).
inspiring ::: p. pr. & vb. n. --> of Inspire ::: a. --> Animating; cheering; moving; exhilarating; as, an inspiring or scene.
Intel 8048 "processor" The {microcontroller} used in {IBM PC} keyboards. The 8048 was inspired by, and similar to, the {Fairchild F8} microprocessor but, being a microcontroller, was designed for low cost and small size. The 8048 has a modified {Harvard architecture}, with program {ROM} on chip and 64 to 256 bytes of {RAM} also on chip. I/O is mapped in its own {address space}. Though the 8048 was eventually replaced by the very popular but bizarre {Intel 8051} and {Intel 8052}, even in 2000 it is still very popular due to its low cost, wide availability, and development tools. [Was it really __the_first__ microcontroller? Are the ROM and RAM both on-chip?] (2000-06-01)
intellectual ideality ::: same as uninspired intuition, the lowest form of intuitional ideality, sometimes regarded not as true ideality, but as a transitional stage between intuitive mind and vijñana.
interanimate ::: v. t. --> To animate or inspire mutually.
interpretative ::: (in 1920) being of the nature of an "ideative vision and thought" that "interpret . . . the illimitable unity and variety of the Infinite", the characteristic of the hermetic ideality or srauta vijñana, the plane of vijñana whose essence is sruti, also attributed to the highest forms of logistic ideality containing an element of inspiration; specifically, pertaining to the highest form of inspired revelatory logistis, called interpretative revelatory vijñana, to the second element in the highest representative ideality or to the srauta vijñana itself, from which these derive; (in 1927) short for interpretative imperative. interpretative dr drsti
interpretative-representative highest ideality ::: representative revelatory vijñana (the highest intuitive revelatory logistis) in combination with interpretative revelatory vijñana (the highest inspired revelatory logistis).
” ‘In the Krita age, Vishnu, in the form of Kapila and other (inspired sages) . . . imparts to the world true wisdom as Enoch did. In the Treta age he restrains the wicked, in the form of a universal monarch (the Chakravartin or the ‘Everlasting King’ of Enoch) and protects the three worlds (or races). In the Dwapara age, in the person of Veda-Vyasa, he divides the one Veda into four, and distributes it into hundreds (Sata) of branches.’ Truly so; the Veda of the earliest Aryans, before it was written, went forth into every nation of the Atlanto-Lemurians, and sowed the first seeds of all the now existing old religions. The off-shoots of the never dying tree of wisdom have scattered their dead leaves even on Judeo-Christianity. And at the end of the Kali, our present age, Vishnu, or the ‘Everlasting King’ will appear as Kalki, and re-establish righteousness upon earth. The minds of those who live at that time shall be awakened, and become as pellucid as crystal” (SD 2:483).
In the sixth stage, theopneusty (in-breathing or through-breathing of a god, divine inspiration), the candidate becomes the vehicle of his own inner god, for a time depending on the neophyte’s own power of retention and observation, so that he is then inspired with the spiritual and intellectual powers and faculties of his higher self.
intimidate ::: v. t. --> To make timid or fearful; to inspire of affect with fear; to deter, as by threats; to dishearten; to abash.
intuitional inspired ::: having the nature of intuitive inspiration.
intuitional inspired intellectuality ::: the lowest form of inspirational mentality, in which intuition is taken up into inspiration.
intuitional inspired logistis ::: the lowest form of inspired logistis, in which intuition is taken up into inspiration.
intuitive inspired revelatory ::: having the nature of intuition taken up into inspired revelatory logistis or the corresponding form of revelatory mentality.
intuitive inspiration ::: intuition taken up into inspiration (on the plane of idealised mentality or logistic ideality); the same as intuitional inspired intellectuality or intuitional inspired logistis.
“Is it really a fact that even the ordinary reader would not be able to see any difference between the Inconscient and Ignorance unless the difference is expressly explained to him? This is not a matter of philosophical terminology but of common sense and the understood meaning of English words. One would say ‘even the inconscient stone’ but one would not say, as one might of a child, ‘the ignorant stone’. One must first be conscious before one can be ignorant. What is true is that the ordinary reader might not be familiar with the philosophical content of the word Inconscient and might not be familiar with the Vedantic idea of the Ignorance as the power behind the manifested world. But I don’t see how I can acquaint him with these things in a single line, even with the most. illuminating image or symbol. He might wonder, if he were Johnsonianly minded, how an Inconscient could be teased or how it could wake Ignorance. I am afraid, in the absence of a miracle of inspired poetical exegesis flashing through my mind, he will have to be left wondering.” Letters on Savitri
is reputed to have inspired the 7-volume Grimoire
Jadoogar Jadugar (Hindi) In India, one who practices jadu or sorcery. Believed by the populace to be the possessor of the evil eye inasmuch as such a sorcerer is able to inspire hatred or love at will, cause sudden maladies or even death, and cause disease among cattle, in addition to other practices of a necromantic character.
Jaspers, Karl: (1883-) Inspired by Nietzsche's and Kierkegaard's psychology, but aiming at a strictly scientific method, the "existentialist" Jaspers analyzes the possible attitudes of man towards the world; the decisions which the individual must make in inescapable situations like death, struggle, change, guilt; and the various ways in which man meets these situations. Motivated by the boundless desire for clarity and precision, Jaspers earnestly presents as his main objective to awaken the desire for a fuller, more genuine philosophy, these three methods of philosophizing which have existed from te earliest times to the present: Philosophical world orientation consisting in an analysis of the limitations, incompleteness and relativity of the researches, methods, world pictures of all the sciences; elucidation of existence consisting of a cognitive penetration into reality on the basis of the deepest inner decisions experienced by the individual, and striving to satisfy the deepest demands of human nature; the way of metaphysics, the never-satisfied and unending search for truth in the world of knowledge, conduct of life and in the seeking for the one being, dimly seen through antithetic thoughts, deep existential conflicts and differently conceived metaphysical symbols of the past. Realizing the decisive problematic relation between philosophy and religion in the Middle Ages, Jaspers elevates psychology and history to a more important place in the future of philosophy.
Jehovah-Tzabaoth, -Tsebaoth, or -Sabbaoth The seventh Sephirah of the superior septenary, identified with Netsah (triumph), who “esoterically . . . corresponds with Haniel (human physical life), the androgyne Elohim, with Venus-Lucifer and Baal, and finally with the Letter Vau or Microprosopus, the Logos. All these belong to the formative world” — also with Siva, Saturn, and the angel Michael or Mikael; “Mikael and his angels, or Jehovah-Tzabaoth (the ‘Host’) who refused to create as the seven passionless, mind-born, sons of Brahma did, because they aspire to incarnate as men in order to become higher than the gods — fight the Dragon [of esoteric wisdom], conquer him, and the child of matter is born” (BCW 8:148). See also TSEBA’OTH (SD 1:459)
...Jeliel, inspires passion between the sexes [15 9]
J. Random Hacker "jargon" /J rand'm hak'r/ {MIT} jargon for a mythical figure; the archetypal {hacker} {nerd}. This may originally have been inspired by "J. Fred Muggs", a show-biz chimpanzee whose name was a household word back in the early days of {TMRC}, and was probably influenced by {J. Presper Eckert} (one of the co-inventors of the electronic computer). See {random}, {Suzie COBOL}. (1996-10-16)
Juno A numerical {constraint}-oriented language for graphics applications. It solves its constraints using {Newton-Raphson} {relaxation}. It was inspired partly by {Metafont}. ["Juno, a Constraint-Based Graphics System", G. Nelson in SIGGRAPH '85 Conf Readings, B.A. Barsky ed, Jul 1985, pp. 235-243]. (1994-11-23)
Kama-manas in the human constitution is conditionally immortal or mortal: if the kama-manas aspires successfully upwards and makes intellectual and emotional union with the buddhi over-enlightening it, the immortality for the manvantara is relatively certain. If, however, the kama-manas is insufficiently illuminated to withstand successfully the attractions of the lower astral and material realms of feeling and thought, it is attracted downwards and becomes enchained in these lower realms, and immortality in this case is lost, for the time being at least.
Kama (Sanskrit) Kāma [from the verbal root kam to desire] Desire; the fourth substance-principle of which the human constitution is composed: its desire principle or the driving, impelling force. Born from the interaction of atman, buddhi, and manas, kama per se is a colorless force, good or bad according to the way the mind and soul use it. It is the seat of the living electric impulses, desires, aspirations, considered in their energic aspect. When a person follows his lower impulses and centers his consciousness in the body and astral nature, he is directing that force downwards. When he aspires and opens his heart and mind to the influence of his higher manas and buddhi, he is directing that force upwards and thus progressing in evolution.
Kami: (Japanese) Originally denoting anything that inspires and overawes man with a sense of holiness, the word assumed a meaning in Japanese equivalent to spirit (also ancestral spirit), divinity, and God. It is a central concept in the pre-Confucian and pre-Buddhistic native religion which holds the sun supreme and still enjoys national support, while it may also take on a more abstract philosophic significance. -- K.F.L.
kavi ::: seer; poet (in classical Sanskrit the word is applied to any maker of verse or even of prose, but in the Veda it meant the poet-seer who saw and found the inspired word of his vision). ::: kavayah [plural] ::: kavibhih [instrumental plural]
Lamennais, R.: (1782-1854) Leader of a Platonic-Christian movement in the Catholic clergy of France. He advanced the idea of "inspired mankind." He attacked the eighteenth century for its principles and its method. In finding dissolution and destruction as its aftermath, he advocated a return to the Catholic Church as the solution.
Laya-Center ::: A "point of disappearance" -- which is the Sanskrit meaning. Laya is from the Sanskrit root li, meaning"to dissolve," "to disintegrate," or "to vanish away." A laya-center is the mystical point where a thingdisappears from one plane and passes onwards to reappear on another plane. It is that point or spot -- anypoint or spot -- in space, which, owing to karmic law, suddenly becomes the center of active life, first ona higher plane and later descending into manifestation through and by the laya-centers of the lowerplanes. In one sense a laya-center may be conceived of as a canal, a channel, through which the vitalityof the superior spheres pours down into, and inspires, inbreathes into, the lower planes or states ofmatter, or rather of substance. But behind all this vitality there is a directive and driving force. There aremechanics in the universe, mechanics of many degrees of consciousness and power. But behind the puremechanic stands the spiritual-intellectual mechanician.Finally, a laya-center is the point where substance rebecomes homogeneous. Any laya-center, therefore,of necessity exists in and on the critical line or stage dividing one plane from another. Any hierarchy,therefore, contains within itself a number of laya-centers. (See also Hierarchy)
Life-atoms may be said to belong to all planes, functioning within each of the seven principles of which the human composition is built: thus we may speak of divine life-atoms, spiritual life-atoms, intellectual, psychic, vital, astral, and physical life-atoms. During man’s life those which are intimately connected with an individual are in a state of constant flux and reflux, entering and leaving in unceasing rhythms the body of their owner or host; but after death the dominant controlling factor having departed from the lower planes, each group of life-atoms proceeds to peregrinate throughout their respective natural habitats. Thus when the physical body dies, the life-atoms of the body go into the soil, into plants, or into the bodies of beasts or men — through food or by osmosis, or in breathing creatures through the air that is inspired or expired — they are drawn to bodies by magnetic sympathy. This transmigration of the life-atoms is the origin of the theories of the transmigration of the human soul into beasts after death.
lived. (The Aaron legend may have inspired the
Loki is thus a complex figure of markedly dual character: his giant ancestry, which rightly belongs to the past, suggests the only partly evolved human nature, uninspired by divine wisdom. At the same time he is associated with the divine fire of intelligence. This godlike quality entails free will, which in our human condition is often unwise unless guided by inspiration and brings misfortune when acting on its own.
lower revelatory ::: (in 1920) a term used for a form or forms of logistic ideality other than the highest kinds of revelatory logistis, but containing an element of revelation, such as revelatory intuition, revelatory inspired logistis or the lower forms of intuitive revelatory logistis.
Lucifer has been transformed in later Occidental theology into a synonym for the Evil One or the Devil. If the god Jehovah were the highest divinity, which this Jewish tribal deity is not, then any power withstanding him must necessarily be considered to be his adversary; and in the same way the teaching as to the immanent Christ, not only in the world but in each individual person, not being altogether agreeable with the doctrine of salvation by faith in an external savior, became transformed into the Tempter inspiring man to sinful rebellion against God. Lucifer in a very true sense stands for the self-conscious mind in man, which is at once tempter and enlightener — tempter in its lower aspects and enlightener and inspirer in its higher. See also MANASAPUTRAS; PROMETHEUS; SATAN
Madhav: “An oracle, as you know, is the speech of prophecy, usually by an inspired priest. It is a supernatural prophecy made through any agent. But this oracle will be tongueless to broadcast it, everybody will know this oracle without its being uttered through a tongue.” The Book of the Divine Mother
Mahatma(Mahatman, Sanskrit) ::: "Great soul" or "great self" is the meaning of this compound word (maha, "great";atman, "self"). The mahatmas are perfected men, relatively speaking, known in theosophical literature asteachers, elder brothers, masters, sages, seers, and by other names. They are indeed the "elder brothers"of mankind. They are men, not spirits -- men who have evolved through self-devised efforts in individualevolution, always advancing forwards and upwards until they have now attained the lofty spiritual andintellectual human supremacy that now they hold. They were not so created by any extra-cosmic Deity,but they are men who have become what they are by means of inward spiritual striving, by spiritual andintellectual yearning, by aspiration to be greater and better, nobler and higher, just as every good man inhis own way so aspires. They are farther advanced along the path of evolution than the majority of menare. They possess knowledge of nature's secret processes, and of hid mysteries, which to the average manmay seem to be little short of the marvelous -- yet, after all, this mere fact is of relatively smallimportance in comparison with the far greater and more profoundly moving aspects of their nature andlifework.Especially are they called teachers because they are occupied in the noble duty of instructing mankind, ininspiring elevating thoughts, and in instilling impulses of forgetfulness of self into the hearts of men.Also are they sometimes called the guardians, because they are, in very truth, the guardians of the raceand of the records -- natural, racial, national -- of past ages, portions of which they give out from time totime as fragments of a now long-forgotten wisdom, when the world is ready to listen to them; and theydo this in order to advance the cause of truth and of genuine civilization founded on wisdom andbrotherhood.Never -- such is the teaching -- since the human race first attained self-consciousness has this order orassociation or society or brotherhood of exalted men been without its representatives on our earth.It was the mahatmas who founded the modern Theosophical Society through their envoy or messenger,H. P. Blavatsky, in New York in 1875.
majesty ::: n. --> The dignity and authority of sovereign power; quality or state which inspires awe or reverence; grandeur; exalted dignity, whether proceeding from rank, character, or bearing; imposing loftiness; stateliness; -- usually applied to the rank and dignity of sovereigns.
Hence, used with the possessive pronoun, the title of an emperor, king or queen; -- in this sense taking a plural; as, their majesties attended the concert.
mantic ::: a. --> Of or pertaining to divination, or to the condition of one inspired, or supposed to be inspired, by a deity; prophetic.
Manticism [from Greek mantis seer from mainomai to act ecstatically under a divine impulse] A seer, one inspired with divine ecstasy; according to Plato, one who uttered oracles while under a divine impulse, which in its lowest forms was a kind of frenzy, while a prophetes (prophet) was one who interpreted the oracles. Frenzy, now used only to denote madness or anger, meant in classic times a state of exaltation both of mind and psychical nature which enabled inner faculties of perception to come into play, whereby seership and prophetic power were attained. Certain exhalations from the earth would often act upon the body of the seer or seeress, inducing a state of physical receptivity, as occurred in the grotto of Delphi; and Cicero speaks highly of the better side of the power thus conferred. The condition produced by Bacchic rites was similar, but in later times degenerated into mere frenzy or ravings in the modern sense of the word; and as these rites became degraded into profligacy, the meaning of the word frenzy naturally altered pari passu.
mantra ::: sacred syllable, name or mystic formula; the intuitive and inspired rhythmic utterance; any of the verses of the Veda, revealed verses of power not of an ordinary but of a divine inspiration and source.
Master(s) Adopted in theosophical literature to designate those human beings further progressed on the evolutionary pathway than the general run of humanity, from which are drawn the saviors of humanity and the founders of the world-religions. These great human beings (also known by the Sanskrit term mahatma, “great self”) are the representatives in our day of a brotherhood of immemorial antiquity running back into the very dawn of historic time, and for ages beyond it. It is a self-perpetuating brotherhood formed of individuals who, however much they may differ among themselves in evolution, have all attained mahatmaship, and whose lofty purposes comprise among other things the constant aiding in the regeneration of humanity, its spiritual and intellectual as well as psychic guidance, and in general the working of the best spiritual, intellectual, psychic, and moral good to mankind. From time to time members from their ranks, or their disciples, enter the outside world publicly in order to inspire mankind with their teachings.
Matarisvan, Matariswan (Sanskrit) Mātariśvan [from mātari from mātṛ mother + the verbal root śvas to breathe] A name of Agni, the fire god, or of a divine being closely connected with the messenger of Vivasvat, who brings down the hidden fire to the Bhrigus. Matarisvan is related to the manasaputras, bringers of fire of mind to the early races of mankind. It corresponds to Prometheus, the fire-bringer of ancient Greece, while the Bhrigus thus intellectually inspired by Matarisvan were what the medieval Rosicrucians and Qabbalists would call the Salamanders, as the intellectual children of the cosmic intellect itself, or of what the Hindus have called the offspring of taijasa-tattva.
Matter in the laya-state is in its eternal and normal condition; when differentiated it is in an abnormal state — a phenomenon becoming a transitory illusion when perceived by the senses. “A laya-center is the mystical point where a thing disappears from one plane and passes onwards to reappear on another plane. It is that point or spot — any point or spot — in space, which, owing to karmic law, suddenly becomes the center of active life, first on a higher plane and later descending into manifestation through and by the laya-centers of the lower planes. In one sense a laya-center may be conceived of as a canal, a channel, through which the vitality of the superior spheres pours down into, and inspires, inbreathes into, the lower planes or states of matter, or rather of substance. . . .
Mean: In general, that which in some way mediates or occupies a middle position among various things or between two extremes. Hence (especially in the plural) that through which an end is attained; in mathematics the word is used for any one of various notions of average; in ethics it represents moderation, temperance, prudence, the middle way. In mathematics: The arithmetic mean of two quantities is half their sum; the arithmetic mean of n quantities is the sum of the n quantities, divided by n. In the case of a function f(x) (say from real numbers to real numbers) the mean value of the function for the values x1, x2, . . . , xn of x is the arithmetic mean of f(x1), f(x2), . . . , f(xn). This notion is extended to the case of infinite sets of values of x by means of integration; thus the mean value of f(x) for values of x between a and b is ∫f(x)dx, with a and b as the limits of integration, divided by the difference between a and b. The geometric mean of or between, or the mean proportional between, two quantities is the (positive) square root of their product. Thus if b is the geometric mean between a and c, c is as many times greater (or less) than b as b is than a. The geometric mean of n quantities is the nth root of their product. The harmonic mean of two quantities is defined as the reciprocal of the arithmetic mean of their reciprocals. Hence the harmonic mean of a and b is 2ab/(a + b). The weighted mean or weighted average of a set of n quantities, each of which is associated with a certain number as weight, is obtained by multiplying each quantity by the associated weight, adding these products together, and then dividing by the sum of the weights. As under A, this may be extended to the case of an infinite set of quantities by means of integration. (The weights have the role of estimates of relative importance of the various quantities, and if all the weights are equal the weighted mean reduces to the simple arithmetic mean.) In statistics, given a population (i.e., an aggregate of observed or observable quantities) and a variable x having the population as its range, we have: The mean value of x is the weighted mean of the values of x, with the probability (frequency ratio) of each value taken as its weight. In the case of a finite population this is the same as the simple arithmetic mean of the population, provided that, in calculating the arithmetic mean, each value of x is counted as many times over as it occurs in the set of observations constituting the population. In like manner, the mean value of a function f(x) of x is the weighted mean of the values of f(x), where the probability of each value of x is taken as the weight of the corresponding value of f(x). The mode of the population is the most probable (most frequent) value of x, provided there is one such. The median of the population is so chosen that the probability that x be less than the median (or the probability that x be greater than the median) is ½ (or as near ½ as possible). In the case of a finite population, if the values of x are arranged in order of magnitude --repeating any one value of x as many times over as it occurs in the set of observations constituting the population --then the middle term of this series, or the arithmetic mean of the two middle terms, is the median. --A.C. In cosmology, the fundamental means (arithmetic, geometric, and harmonic) were used by the Greeks in describing or actualizing the process of becoming in nature. The Pythagoreans and the Platonists in particular made considerable use of these means (see the Philebus and the Timaeus more especially). These ratios are among the basic elements used by Plato in his doctrine of the mixtures. With the appearance of the qualitative physics of Aristotle, the means lost their cosmological importance and were thereafter used chiefly in mathematics. The modern mathematical theories of the universe make use of the whole range of means analyzed by the calculus of probability, the theory of errors, the calculus of variations, and the statistical methods. In ethics, the 'Doctrine of the Mean' is the moral theory of moderation, the development of the virtues, the determination of the wise course in action, the practice of temperance and prudence, the choice of the middle way between extreme or conflicting decisions. It has been developed principally by the Chinese, the Indians and the Greeks; it was used with caution by the Christian moralists on account of their rigorous application of the moral law. In Chinese philosophy, the Doctrine of the Mean or of the Middle Way (the Chung Yung, literally 'Equilibrium and Harmony') involves the absence of immoderate pleasure, anger, sorrow or joy, and a conscious state in which those feelings have been stirred and act in their proper degree. This doctrine has been developed by Tzu Shu (V. C. B.C.), a grandson of Confucius who had already described the virtues of the 'superior man' according to his aphorism "Perfect is the virtue which is according to the mean". In matters of action, the superior man stands erect in the middle and strives to follow a course which does not incline on either side. In Buddhist philosophy, the System of the Middle Way or Madhyamaka is ascribed more particularly to Nagarjuna (II c. A.D.). The Buddha had given his revelation as a mean or middle way, because he repudiated the two extremes of an exaggerated ascetlsm and of an easy secular life. This principle is also applied to knowledge and action in general, with the purpose of striking a happy medium between contradictory judgments and motives. The final objective is the realization of the nirvana or the complete absence of desire by the gradual destruction of feelings and thoughts. But while orthodox Buddhism teaches the unreality of the individual (who is merely a mass of causes and effects following one another in unbroken succession), the Madhyamaka denies also the existence of these causes and effects in themselves. For this system, "Everything is void", with the legitimate conclusion that "Absolute truth is silence". Thus the perfect mean is realized. In Greek Ethics, the doctrine of the Right (Mean has been developed by Plato (Philebus) and Aristotle (Nic. Ethics II. 6-8) principally, on the Pythagorean analogy between the sound mind, the healthy body and the tuned string, which has inspired most of the Greek Moralists. Though it is known as the "Aristotelian Principle of the Mean", it is essentially a Platonic doctrine which is preformed in the Republic and the Statesman and expounded in the Philebus, where we are told that all good things in life belong to the class of the mixed (26 D). This doctrine states that in the application of intelligence to any kind of activity, the supreme wisdom is to know just where to stop, and to stop just there and nowhere else. Hence, the "right-mean" does not concern the quantitative measurement of magnitudes, but simply the qualitative comparison of values with respect to a standard which is the appropriate (prepon), the seasonable (kairos), the morally necessary (deon), or generally the moderate (metrion). The difference between these two kinds of metretics (metretike) is that the former is extrinsic and relative, while the latter is intrinsic and absolute. This explains the Platonic division of the sciences into two classes: those involving reference to relative quantities (mathematical or natural), and those requiring absolute values (ethics and aesthetics). The Aristotelian analysis of the "right mean" considers moral goodness as a fixed and habitual proportion in our appetitions and tempers, which can be reached by training them until they exhibit just the balance required by the right rule. This process of becoming good develops certain habits of virtues consisting in reasonable moderation where both excess and defect are avoided: the virtue of temperance (sophrosyne) is a typical example. In this sense, virtue occupies a middle position between extremes, and is said to be a mean; but it is not a static notion, as it leads to the development of a stable being, when man learns not to over-reach himself. This qualitative conception of the mean involves an adaptation of the agent, his conduct and his environment, similar to the harmony displayed in a work of art. Hence the aesthetic aspect of virtue, which is often overstressed by ancient and neo-pagan writers, at the expense of morality proper. The ethical idea of the mean, stripped of the qualifications added to it by its Christian interpreters, has influenced many positivistic systems of ethics, and especially pragmatism and behaviourism (e.g., A. Huxley's rule of Balanced Excesses). It is maintained that it is also involved in the dialectical systems, such as Hegelianism, where it would have an application in the whole dialectical process as such: thus, it would correspond to the synthetic phase which blends together the thesis and the antithesis by the meeting of the opposites. --T.G. Mean, Doctrine of the: In Aristotle's ethics, the doctrine that each of the moral virtues is an intermediate state between extremes of excess and defect. -- O.R.M.
Meditation The attempt to raise the self-conscious mind to the level of its spiritual counterpart, to unite manas with a ray from buddhi. It is a positive attitude of mind, a state of consciousness rather than a system or a time period of intensive thinking. It corresponds in its more perfect form to the ecstasy of Plotinus, which he defines as “the liberation of the mind from its finite consciousness, becoming one and identified with the Infinite.” It is silent prayer in one real sense, for the heart aspires upwards to become freed from all desire for personal benefit, and the mind frames no specific object, but both unite in the aspiration; not my will, but thine, be done. When engaged in at the outset of the day, or on retiring to sleep, it often takes the form of reflecting profoundly and impersonally on spiritual teachings, as well as self-examination, attuning of the mind and heart to calm and unselfish thought and feelings, as well as the endeavor to realize in consciousness one’s highest ideals of duty, purity, and truth, and inducing thereby a general harmonizing and one-pointed adjustment of the whole nature.
Methodology: The systematic analysis and organization of the rational and experimental principles and processes which must guide a scientific inquiry, or which constitute the structure of the special sciences more particularly. Methodology, which is also called scientific method, and more seldom methodeutic, refers not only to the whole of a constituted science, but also to individual problems or groups of problems within a science. As such it is usually considered as a branch of logic; in fact, it is the application of the principles and processes of logic to the special objects of the various sciences; while science in general is accounted for by the combination of deduction and induction as such. Thus, methodology is a generic term exemplified in the specific method of each science. Hence its full significance can be understood only by analyzing the structure of the special sciences. In determining that structure, one must consider the proper object of the special science, the manner in which it develops, the type of statements or generalizations it involves, its philosophical foundations or assumptions, and its relation with the other sciences, and eventually its applications. The last two points mentioned are particularly important: methods of education, for example, will vary considerably according to their inspiration and aim. Because of the differences between the objects of the various sciences, they reveal the following principal methodological patterns, which are not necessarily exclusive of one another, and which are used sometimes in partial combination. It may be added that their choice and combination depend also in a large degree on psychological motives. In the last resort, methodology results from the adjustment of our mental powers to the love and pursuit of truth. There are various rational methods used by the speculative sciences, including theology which adds certain qualifications to their use. More especially, philosophy has inspired the following procedures: The Soctattc method of analysis by questioning and dividing until the essences are reached; the synthetic method developed by Plato, Aristotle and the Medieval thinkers, which involves a demonstrative exposition of the causal relation between thought and being; the ascetic method of intellectual and moral purification leading to an illumination of the mind, as proposed by Plotinus, Augustine and the mystics; the psychological method of inquiry into the origin of ideas, which was used by Descartes and his followers, and also by the British empiricists; the critical or transcendental method, as used by Kant, and involving an analysis of the conditions and limits of knowledge; the dialectical method proceeding by thesis, antithesis and synthesis, which is promoted by Hegelianlsm and Dialectical Materialism; the intuitive method, as used by Bergson, which involves the immediate perception of reality, by a blending of consciousness with the process of change; the reflexive method of metaphysical introspection aiming at the development of the immanent realities and values leading man to God; the eclectic method (historical-critical) of purposive and effective selection as proposed by Cicero, Suarez and Cousin; and the positivistic method of Comte, Spencer and the logical empiricists, which attempts to apply to philosophy the strict procedures of the positive sciences. The axiomatic or hypothetico-deductive method as used by the theoretical and especially the mathematical sciences. It involves such problems as the selection, independence and simplification of primitive terms and axioms, the formalization of definitions and proofs, the consistency and completeness of the constructed theory, and the final interpretation. The nomological or inductive method as used by the experimental sciences, aims at the discovery of regularities between phenomena and their relevant laws. It involves the critical and careful application of the various steps of induction: observation and analytical classification; selection of similarities; hypothesis of cause or law; verification by the experimental canons; deduction, demonstration and explanation; systematic organization of results; statement of laws and construction of the relevant theory. The descriptive method as used by the natural and social sciences, involves observational, classificatory and statistical procedures (see art. on statistics) and their interpretation. The historical method as used by the sciences dealing with the past, involves the collation, selection, classification and interpretation of archeological facts and exhibits, records, documents, archives, reports and testimonies. The psychological method, as used by all the sciences dealing with human behaviour and development. It involves not only introspective analysis, but also experimental procedures, such as those referring to the relations between stimuli and sensations, to the accuracy of perceptions (specific measurements of intensity), to gradation (least noticeable differences), to error methods (average error in right and wrong cases), and to physiological and educational processes.
middle ideality ::: same as inspired logistis.
middle seer logistis ::: an intermediate degree of seer logistis; perhaps a form of inspired revelatory logistis. mithy mithyadharana
Mind-born Born of imagination and will — through kriyasakti, the power of thought and mind — not begotten or produced by any physical mode of procreation. It sometimes refers to sons of will and yoga, sons of wisdom, spiritual dhyanis, sons of the prajapatis, mind-born sons of Brahma, etc. They were the ancestors of the self-conscious human races first appearing numerously during the fourth round, and otherwise known as solar lhas, solar spirits, angishvattas, manasaputras, dhyani-chohans. They had been self-conscious men in a former embodiment of the earth-chain, and it was their lot to awaken self-conscious mind in the mankind of this round. They entered the early third root-race and awakened the intellectual fire in them. The manasas rejected some earlier subraces as unfit vehicles for themselves, hence as refusing to “create,” i.e., emanate mind from themselves to inform these unready or unevolved human vehicles. The mind-born sons of the early third root-race were the first themselves to arouse the fire of mind in the unself-conscious human vehicles, and were the highest and therefore the least affected by such lower contact. Retaining their self-consciousness in full and therefore not falling into oblivion, these were the first founders as fully self-conscious humans of the earliest groups of god-inspired men, the forerunners of what later became the ancient Mysteries. A branch of these entities has continued from immemorial time as the Great Lodge of the Masters of Wisdom and Compassion.
Modern Period. In the 17th century the move towards scientific materialism was tempered by a general reliance on Christian or liberal theism (Galileo, Bacon, Descartes, Hobbes, Gassendi, Toland, Hartley, Priestley, Boyle, Newton). The principle of gravitation was regarded by Newton, Boyle, and others, as an indication of the incompleteness of the mechanistic and materialistic account of the World, and as a direct proof of the existence of God. For Newton Space was the "divine sensorium". The road to pure modern idealism was laid by the epistemological idealism (epistemological subjectivism) of Campanella and Descartes. The theoretical basis of Descartes' system was God, upon whose moral perfection reliance must be placed ("God will not deceive us") to insure the reality of the physical world. Spinoza's impersonalistic pantheism is idealistic to the extent that space or extension (with modes of Body and Motion) is merely one of the infinity of attributes of Being. Leibniz founded pure modern idealism by his doctrine of the immateriality and self-active character of metaphysical individual substances (monads, souls), whose source and ground is God. Locke, a theist, gave chief impetus to the modern theory of the purely subjective character of ideas. The founder of pure objective idealism in Europe was Berkeley, who shares with Leibniz the creation of European immaterialism. According to him perception is due to the direct action of God on finite persons or souls. Nature consists of (a) the totality of percepts and their order, (b) the activity and thought of God. Hume later an implicit Naturalist, earlier subscribed ambiguously to pure idealistic phenomenalism or scepticism. Kant's epistemological, logical idealism (Transcendental or Critical Idealism) inspired the systems of pure speculative idealism of the 19th century. Knowledge, he held, is essentially logical and relational, a product of the synthetic activity of the logical self-consciousness. He also taught the ideality of space and time. Theism, logically undemonstrable, remains the choice of pure speculative reason, although beyond the province of science. It is also a practical implication of the moral life. In the Critique of Judgment Kant, marshalled facts from natural beauty and the apparent teleological character of the physical and biological world, to leave a stronger hint in favor of the theistic hypothesis. His suggestion thit reality, as well as Mind, is organic in character is reflected in the idealistic pantheisms of his followers: Fichte (abstract personalism or "Subjective Idealism"), Schellmg (aesthetic idealism, theism, "Objective Idealism"), Hegel (Absolute or logical Idealism), Schopenhauer (voluntaristic idealism), Schleiermacher (spiritual pantheism), Lotze ("Teleological Idealism"). 19th century French thought was grounder in the psychological idealism of Condillac and the voluntaristic personalism of Biran. Throughout the century it was essentially "spiritualistic" or personalistic (Cousin, Renouvier, Ravaisson, Boutroux, Lachelier, Bergson). British thought after Hume was largely theistic (A. Smith, Paley, J. S. Mill, Reid, Hamilton). In the latter 19th century, inspired largely by Kant and his metaphysical followers, it leaned heavily towards semi-monistic personalism (E. Caird, Green, Webb, Pringle-Pattison) or impersonalistic monism (Bradley, Bosanquet). Recently a more pluralistic personalism has developed (F. C. S. Schiller, A. E. Taylor, McTaggart, Ward, Sorley). Recent American idealism is represented by McCosh, Howison, Bowne, Royce, Wm. James (before 1904), Baldwin. German idealists of the past century include Fechner, Krause, von Hartmann, H. Cohen, Natorp, Windelband, Rickert, Dilthey, Brentano, Eucken. In Italy idealism is represented by Croce and Gentile, in Spain, by Unamuno and Ortega e Gasset; in Russia, by Lossky, in Sweden, by Boström; in Argentina, by Aznar. (For other representatives of recent or contemporary personalism, see Personalism.) -- W.L.
Mother and call back the true conditions and aspire for a clear and undisturbed discrimination showing you from within your- self the cause of the thing that needs to 1^ set right.
muggletonian ::: n. --> One of an extinct sect, named after Ludovic Muggleton, an English journeyman tailor, who (about 1657) claimed to be inspired.
Multipop-68 "operating system" An early {time-sharing} {operating system} developed in Edinburgh by Robin Popplestone and others. It was inspired by {MIT}' {Project MAC}, via a "MiniMac" project which was aborted when it became obvious that {Elliot Brothers} Ltd. could not supply the necessary disk storage. Multipop was highly efficient in its use of machine resources to support {symbolic programming}, and effective - e.g. in supporting the development of the {Boyer-Moore theorem prover} and of Burstall and Darlington's transformation work. It was not good at supporting the user programs which were then the standard fare of computing, e.g. matrix inversion. This arose from the fact that while the {POP-2} compiler generated good code for function call (which is a lot of what layered systems like operating systems do) it did not generate efficient code for arithmetic or store access, because there was no way to police the generation of illegal objects statically. ({Hindley-Milner type} checking did not exist). Indeed, since many OS features like file-access were performed by function-call (of a {closure}) rather than an OS call requiring a {context switch}, POP-2 actually gained performance. Multipop68 was efficient primarily because the one language, POP-2 served all purposes: it was the command language for the operating system as well as being the only available programming language. Thus there was no need to swap in compilers etc. All store management was accomplished uniformly by the {garbage collector}, as opposed to having store management for the OS and store management for each application. There was a substantial amount of {assembly language} in Multipop68. This was primarily for interrupt handling, and it is difficult to handle this without a {real-time} garbage-collector. [Edited from a posting by Robin Popplestone]. (1995-03-15)
Muses: Nine goddesses of Greek mythology, daughters of Zeus and Mnemosyne. Each muse presides over an art or science and inspires the poets or artists in their creative moments.
Muse ::: “. The mystic Muse is more of an inspired Bacchante of the Dionysian wine than an orderly housewife.” Letters on Savitri
Nabi’ (Hebrew) Nābī’ [from nābā’ to deliver an oracle] A prophet, one inspired to foretell future events; the name given to prophecy in the Bible. One of the “spiritual powers, such as divination, clairvoyant visions, trance-conditions, and oracles. But while enchanters, diviners, and even astrologers are strictly condemned in the Mosaic books, prophecy, seership, and nobia appear as the special gifts of heaven. In early ages they were all termed Epoptai, the Greek word for seers, clairvoyants; after which they were designated as Nebim [nebi’im] ‘the plural of Nebo, the Babylonian god of wisdom.’ The kabalist distinguishes between the seer and the magician; one is passive, the other active; Nebirah [nabi’] is one who looks into futurity and a clairvoyant; Nebi-poel [nebi’-po‘el], he who possesses magic powers” (IU 1:xxxvii).
Nafs-i Mulhama ::: Inspired Nafs; the third of seven main levels of nafs attained in the process of Sufi purification
Nafs-i Mulhima ::: The Inspired Self.
Newspeak A language inspired by {Scratchpad}. [J.K. Foderaro. "The Design of a Language for Algebraic Computation", Ph.D. Thesis, UC Berkeley, 1983].
Odr (Icelandic) Mind, wit, soul, sense; in Norse mythology, cosmic mind, corresponding to the Sanskrit mahat. The name Odin is derived from it when Odin represents the Allfather. In one legend reminiscent of the Egyptian tale of Isis, Odr is the husband of Frigga, who weeps golden tears as she searches the worlds for him. Here he may stand for one of the divine ancestors of the human race, and his long journeys are the peregrinations made by the monad, Odr’s spiritual aspect, through the worlds of form and matter. Odr is used for song or poetry in many compound words such as odar-smidr (song smith), odar-ar (speech oar, the tongue), odraerir (inspirer of wisdom, the vessel containing the blood of Kvasir: inspiration brought to the gods from higher gods).
One cannot become altogether this at once, but if one aspires at all times and calls in always the aid of the Divine Shakti \vith a true heart and straightforward will, one grows more and more into this consciousness.
Openness is not always complete from the first ; a part of the being opens, other parts of the consciousness remain still closed or half open only ; one has to aspire till all is open. The full opening takes time.
overflow pdl "jargon" The place where you put things when your {pdl} is full. If you don't have one and too many things get pushed, you forget something. The overflow pdl for a person's memory might be a memo pad. This usage inspired the following doggerel: Hey, diddle, diddle The overflow pdl To get a little more stack; If that's not enough Then you lose it all, And have to pop all the way back. --The Great Quux The term {pdl} seems to be primarily an {MIT}ism; outside MIT this term is replaced by "overflow {stack}". (2008-05-30)
(p. 138) it transpires that it wasn’t a horse or a team
pant ::: v. i. --> To breathe quickly or in a labored manner, as after exertion or from eagerness or excitement; to respire with heaving of the breast; to gasp.
Hence: To long eagerly; to desire earnestly.
To beat with unnatural violence or rapidity; to palpitate, or throb; -- said of the heart.
To sigh; to flutter; to languish.
para vak ::: [the highest of the gradations of speech]: (probably) the revelatory and inspired speech.
patriotic ::: a. --> Inspired by patriotism; actuated by love of one&
patriotism ::: n. --> Love of country; devotion to the welfare of one&
perspired ::: imp. & p. p. --> of Perspire
perspire ::: v. i. --> To excrete matter through the skin; esp., to excrete fluids through the pores of the skin; to sweat.
To be evacuated or excreted, or to exude, through the pores of the skin; as, a fluid perspires. ::: v. t. --> To emit or evacuate through the pores of the skin; to
Perfection in the sense in which we use it in Yoga, means a growth out of a lower undivine into a higher divine nature. In terms of knowledge it is a putting on the being of the higher self and a casting away of the darker broken lower self or a transforming of our imperfect state into the rounded luminous fullness of our real and spiritual personality. In terms of devotion and adoration it is a growing into a likeness of the nature or the law of the being of the Divine, to be united with whom we aspire.
Ref: CWSA Vol. 23-24, Page: 698
perfection ::: “Perfection in the sense in which we use it in Yoga, means a growth out of a lower undivine into a higher divine nature. In terms of knowledge it is a putting on the being of the higher self and a casting away of the darker broken lower self or a transforming of our imperfect state into the rounded luminous fullness of our real and spiritual personality. In terms of devotion and adoration it is a growing into a likeness of the nature or the law of the being of the Divine, to be united with whom we aspire, …” The Synthesis of Yoga
perfection ::: Sri Aurobindo: "Perfection in the sense in which we use it in Yoga, means a growth out of a lower undivine into a higher divine nature. In terms of knowledge it is a putting on the being of the higher self and a casting away of the darker broken lower self or a transforming of our imperfect state into the rounded luminous fullness of our real and spiritual personality. In terms of devotion and adoration it is a growing into a likeness of the nature or the law of the being of the Divine, to be united with whom we aspire, . . . .” *The Synthesis of Yoga
perspirable ::: a. --> Capable of being perspired.
Emitting perspiration; perspiring.
perspiring ::: p. pr. & vb. n. --> of Perspire
“ ‘Pesh-Hun’ is a general not a special Hindu possession. He is the mysterious guiding intelligent power, which gives the impulse to, and regulates the impetus of cycles, Kalpas and universal events. He is Karma’s visible adjuster on a general scale; the inspirer and the leader of the greatest heroes of this Manvantara. In the exoteric works he is referred to by some very uncomplimentary names; such as ‘Kali-Karaka,’ strife-maker, ‘Kapi-vaktra,’ monkey-faced, and even ‘Pisuna,’ the spy, though elsewhere he is called Deva-Brahma. . . .
Philosophy of Religion: An inquiry into the general subject of religion from the philosophical point of view, i.e., an inquiry employing the accepted tools of critical analysis and evaluation without a predisposition to defend or reject the claims of any particular religion. Among the specific questions considered are the nature, function and value of religion; the validity of the claims of religious knowledge; the relation of religion and ethics; the character of ideal religion; the nature of evil; the problem of theodicy; revealed versus natural religion; the problem of the human spirit (soul) and its destiny; the relation of the human to the divine as to the freedom and responsibility of the individual and the character (if any) of a divine purpose; evaluation of the claims of prophecy, mystic intuitions, special revelations, inspired utterances; the value of prayers of petition; the human hope of immortality; evaluation of institutional forms of expressions, rituals, creeds, ceremonies, rites, missionary propaganda; the meaning of human existence, the character of value, its status in the world of reality, the existence and character of deity; the nature of belief and faith, etc.
pinnacle ::: n. --> An architectural member, upright, and generally ending in a small spire, -- used to finish a buttress, to constitute a part in a proportion, as where pinnacles flank a gable or spire, and the like. Pinnacles may be considered primarily as added weight, where it is necessary to resist the thrust of an arch, etc.
Anything resembling a pinnacle; a lofty peak; a pointed summit.
Pneuma: Greek for breath. Spirit, vital force, or creative fire in its penetration into matter. Sometimes understood as psychic energy, or distinguished as the formative fire-mind and the divinely inspired rational part of man from the more emotional, physical aspect of soul. In early Christian, particularly Gnostic philosophy, pneuma, as spirit, is differentiated from psyche, or soul.
Pneuma: (Gr. pneuma, breath) A Stoic, also Epicurean, concept signifying spirit, vital force, or creative fire in its penetration into matter. Sometimes understood as psychic energy, or distinguished as the formative fire-mind and the divinely inspired rational part of man from the more emotional, physical aspect of soul. In early Christian, particularly Gnostic philosophy, pneuma, as spirit, is differentiated from psyche, or soul. See Pneuma Hagion, the Holy Ghost. -- K.F.L.
prachodayat &
Pramati (Sanskrit) Pramati Providence, care, overseeing; described as a son of fohat (SD 2:414). That aspect of the fohatic hierarchy impulsed or inspired by, or contained in, pramati — as overseeing intelligence — directs the manifold cosmic operations of cosmic intelligent energy; the manifested intelligence active in manvantara, derivative from the latent intelligence inherent in fohat.
Prescience: Foreknowledge. It suggests preparedness for the exercise of discretion, rather than the fatalistic terror inspired by a prediction.
profane ::: a. --> Not sacred or holy; not possessing peculiar sanctity; unconsecrated; hence, relating to matters other than sacred; secular; -- opposed to sacred, religious, or inspired; as, a profane place.
Unclean; impure; polluted; unholy.
Treating sacred things with contempt, disrespect, irreverence, or undue familiarity; irreverent; impious.
Irreverent in language; taking the name of God in vain; given to swearing; blasphemous; as, a profane person, word, oath, or
prompted ::: 1. Moved to act; spurred; incited. 2. Gave or given rise to; inspired. prompts, prompting.
prophecy ::: 1. The foretelling or prediction of what is to come. 2. An inspired utterance of a prophet, viewed as a revelation of divine will, prediction, instruction or exhortation.
prophecy ::: n. --> A declaration of something to come; a foretelling; a prediction; esp., an inspired foretelling.
A book of prophecies; a history; as, the prophecy of Ahijah.
Public interpretation of Scripture; preaching; exhortation or instruction.
prophet ::: n. --> One who prophesies, or foretells events; a predicter; a foreteller.
One inspired or instructed by God to speak in his name, or announce future events, as, Moses, Elijah, etc.
An interpreter; a spokesman.
A mantis.
protestant ::: v. --> One who protests; -- originally applied to those who adhered to Luther, and protested against, or made a solemn declaration of dissent from, a decree of the Emperor Charles V. and the Diet of Spires, in 1529, against the Reformers, and appealed to a general council; -- now used in a popular sense to designate any Christian who does not belong to the Roman Catholic or the Greek Church. ::: a.
raster blaster "hardware, jargon" (Cambridge) Specialised hardware for {bitblt} operations (a {blitter}). Allegedly inspired by "Rasta Blasta", British slang for the sort of portable stereo Americans call a "boom box" or "ghetto blaster". [{Jargon File}] (1995-03-22)
Real Programmers Don't Use Pascal "humour" Back in the good old days - the "Golden Era" of computers, it was easy to separate the men from the boys (sometimes called "Real Men" and "Quiche Eaters" in the literature). During this period, the Real Men were the ones that understood computer programming, and the Quiche Eaters were the ones that didn't. A real computer programmer said things like "DO 10 I=1,10" and "ABEND" (they actually talked in capital letters, you understand), and the rest of the world said things like "computers are too complicated for me" and "I can't relate to computers - they're so impersonal". (A previous work [1] points out that Real Men don't "relate" to anything, and aren't afraid of being impersonal.) But, as usual, times change. We are faced today with a world in which little old ladies can get computers in their microwave ovens, 12-year-old kids can blow Real Men out of the water playing Asteroids and Pac-Man, and anyone can buy and even understand their very own Personal Computer. The Real Programmer is in danger of becoming extinct, of being replaced by high-school students with {TRASH-80s}. There is a clear need to point out the differences between the typical high-school junior Pac-Man player and a Real Programmer. If this difference is made clear, it will give these kids something to aspire to -- a role model, a Father Figure. It will also help explain to the employers of Real Programmers why it would be a mistake to replace the Real Programmers on their staff with 12-year-old Pac-Man players (at a considerable salary savings). LANGUAGES The easiest way to tell a Real Programmer from the crowd is by the programming language he (or she) uses. Real Programmers use {Fortran}. Quiche Eaters use {Pascal}. Nicklaus Wirth, the designer of Pascal, gave a talk once at which he was asked how to pronounce his name. He replied, "You can either call me by name, pronouncing it 'Veert', or call me by value, 'Worth'." One can tell immediately from this comment that Nicklaus Wirth is a Quiche Eater. The only parameter passing mechanism endorsed by Real Programmers is call-by-value-return, as implemented in the {IBM 370} {Fortran-G} and H compilers. Real programmers don't need all these abstract concepts to get their jobs done - they are perfectly happy with a {keypunch}, a {Fortran IV} {compiler}, and a beer. Real Programmers do List Processing in Fortran. Real Programmers do String Manipulation in Fortran. Real Programmers do Accounting (if they do it at all) in Fortran. Real Programmers do {Artificial Intelligence} programs in Fortran. If you can't do it in Fortran, do it in {assembly language}. If you can't do it in assembly language, it isn't worth doing. STRUCTURED PROGRAMMING The academics in computer science have gotten into the "structured programming" rut over the past several years. They claim that programs are more easily understood if the programmer uses some special language constructs and techniques. They don't all agree on exactly which constructs, of course, and the examples they use to show their particular point of view invariably fit on a single page of some obscure journal or another - clearly not enough of an example to convince anyone. When I got out of school, I thought I was the best programmer in the world. I could write an unbeatable tic-tac-toe program, use five different computer languages, and create 1000-line programs that WORKED. (Really!) Then I got out into the Real World. My first task in the Real World was to read and understand a 200,000-line Fortran program, then speed it up by a factor of two. Any Real Programmer will tell you that all the Structured Coding in the world won't help you solve a problem like that - it takes actual talent. Some quick observations on Real Programmers and Structured Programming: Real Programmers aren't afraid to use {GOTOs}. Real Programmers can write five-page-long DO loops without getting confused. Real Programmers like Arithmetic IF statements - they make the code more interesting. Real Programmers write self-modifying code, especially if they can save 20 {nanoseconds} in the middle of a tight loop. Real Programmers don't need comments - the code is obvious. Since Fortran doesn't have a structured IF, REPEAT ... UNTIL, or CASE statement, Real Programmers don't have to worry about not using them. Besides, they can be simulated when necessary using {assigned GOTOs}. Data Structures have also gotten a lot of press lately. Abstract Data Types, Structures, Pointers, Lists, and Strings have become popular in certain circles. Wirth (the above-mentioned Quiche Eater) actually wrote an entire book [2] contending that you could write a program based on data structures, instead of the other way around. As all Real Programmers know, the only useful data structure is the Array. Strings, lists, structures, sets - these are all special cases of arrays and can be treated that way just as easily without messing up your programing language with all sorts of complications. The worst thing about fancy data types is that you have to declare them, and Real Programming Languages, as we all know, have implicit typing based on the first letter of the (six character) variable name. OPERATING SYSTEMS What kind of operating system is used by a Real Programmer? CP/M? God forbid - CP/M, after all, is basically a toy operating system. Even little old ladies and grade school students can understand and use CP/M. Unix is a lot more complicated of course - the typical Unix hacker never can remember what the PRINT command is called this week - but when it gets right down to it, Unix is a glorified video game. People don't do Serious Work on Unix systems: they send jokes around the world on {UUCP}-net and write adventure games and research papers. No, your Real Programmer uses OS 370. A good programmer can find and understand the description of the IJK305I error he just got in his JCL manual. A great programmer can write JCL without referring to the manual at all. A truly outstanding programmer can find bugs buried in a 6 megabyte {core dump} without using a hex calculator. (I have actually seen this done.) OS is a truly remarkable operating system. It's possible to destroy days of work with a single misplaced space, so alertness in the programming staff is encouraged. The best way to approach the system is through a keypunch. Some people claim there is a Time Sharing system that runs on OS 370, but after careful study I have come to the conclusion that they were mistaken. PROGRAMMING TOOLS What kind of tools does a Real Programmer use? In theory, a Real Programmer could run his programs by keying them into the front panel of the computer. Back in the days when computers had front panels, this was actually done occasionally. Your typical Real Programmer knew the entire bootstrap loader by memory in hex, and toggled it in whenever it got destroyed by his program. (Back then, memory was memory - it didn't go away when the power went off. Today, memory either forgets things when you don't want it to, or remembers things long after they're better forgotten.) Legend has it that {Seymore Cray}, inventor of the Cray I supercomputer and most of Control Data's computers, actually toggled the first operating system for the CDC7600 in on the front panel from memory when it was first powered on. Seymore, needless to say, is a Real Programmer. One of my favorite Real Programmers was a systems programmer for Texas Instruments. One day he got a long distance call from a user whose system had crashed in the middle of saving some important work. Jim was able to repair the damage over the phone, getting the user to toggle in disk I/O instructions at the front panel, repairing system tables in hex, reading register contents back over the phone. The moral of this story: while a Real Programmer usually includes a keypunch and lineprinter in his toolkit, he can get along with just a front panel and a telephone in emergencies. In some companies, text editing no longer consists of ten engineers standing in line to use an 029 keypunch. In fact, the building I work in doesn't contain a single keypunch. The Real Programmer in this situation has to do his work with a "text editor" program. Most systems supply several text editors to select from, and the Real Programmer must be careful to pick one that reflects his personal style. Many people believe that the best text editors in the world were written at Xerox Palo Alto Research Center for use on their Alto and Dorado computers [3]. Unfortunately, no Real Programmer would ever use a computer whose operating system is called SmallTalk, and would certainly not talk to the computer with a mouse. Some of the concepts in these Xerox editors have been incorporated into editors running on more reasonably named operating systems - {Emacs} and {VI} being two. The problem with these editors is that Real Programmers consider "what you see is what you get" to be just as bad a concept in Text Editors as it is in women. No the Real Programmer wants a "you asked for it, you got it" text editor - complicated, cryptic, powerful, unforgiving, dangerous. TECO, to be precise. It has been observed that a TECO command sequence more closely resembles transmission line noise than readable text [4]. One of the more entertaining games to play with TECO is to type your name in as a command line and try to guess what it does. Just about any possible typing error while talking with TECO will probably destroy your program, or even worse - introduce subtle and mysterious bugs in a once working subroutine. For this reason, Real Programmers are reluctant to actually edit a program that is close to working. They find it much easier to just patch the binary {object code} directly, using a wonderful program called SUPERZAP (or its equivalent on non-IBM machines). This works so well that many working programs on IBM systems bear no relation to the original Fortran code. In many cases, the original source code is no longer available. When it comes time to fix a program like this, no manager would even think of sending anything less than a Real Programmer to do the job - no Quiche Eating structured programmer would even know where to start. This is called "job security". Some programming tools NOT used by Real Programmers: Fortran preprocessors like {MORTRAN} and {RATFOR}. The Cuisinarts of programming - great for making Quiche. See comments above on structured programming. Source language debuggers. Real Programmers can read core dumps. Compilers with array bounds checking. They stifle creativity, destroy most of the interesting uses for EQUIVALENCE, and make it impossible to modify the operating system code with negative subscripts. Worst of all, bounds checking is inefficient. Source code maintenance systems. A Real Programmer keeps his code locked up in a card file, because it implies that its owner cannot leave his important programs unguarded [5]. THE REAL PROGRAMMER AT WORK Where does the typical Real Programmer work? What kind of programs are worthy of the efforts of so talented an individual? You can be sure that no Real Programmer would be caught dead writing accounts-receivable programs in {COBOL}, or sorting {mailing lists} for People magazine. A Real Programmer wants tasks of earth-shaking importance (literally!). Real Programmers work for Los Alamos National Laboratory, writing atomic bomb simulations to run on Cray I supercomputers. Real Programmers work for the National Security Agency, decoding Russian transmissions. It was largely due to the efforts of thousands of Real Programmers working for NASA that our boys got to the moon and back before the Russkies. Real Programmers are at work for Boeing designing the operating systems for cruise missiles. Some of the most awesome Real Programmers of all work at the Jet Propulsion Laboratory in California. Many of them know the entire operating system of the Pioneer and Voyager spacecraft by heart. With a combination of large ground-based Fortran programs and small spacecraft-based assembly language programs, they are able to do incredible feats of navigation and improvisation - hitting ten-kilometer wide windows at Saturn after six years in space, repairing or bypassing damaged sensor platforms, radios, and batteries. Allegedly, one Real Programmer managed to tuck a pattern-matching program into a few hundred bytes of unused memory in a Voyager spacecraft that searched for, located, and photographed a new moon of Jupiter. The current plan for the Galileo spacecraft is to use a gravity assist trajectory past Mars on the way to Jupiter. This trajectory passes within 80 +/-3 kilometers of the surface of Mars. Nobody is going to trust a Pascal program (or a Pascal programmer) for navigation to these tolerances. As you can tell, many of the world's Real Programmers work for the U.S. Government - mainly the Defense Department. This is as it should be. Recently, however, a black cloud has formed on the Real Programmer horizon. It seems that some highly placed Quiche Eaters at the Defense Department decided that all Defense programs should be written in some grand unified language called "ADA" ((C), DoD). For a while, it seemed that ADA was destined to become a language that went against all the precepts of Real Programming - a language with structure, a language with data types, {strong typing}, and semicolons. In short, a language designed to cripple the creativity of the typical Real Programmer. Fortunately, the language adopted by DoD has enough interesting features to make it approachable -- it's incredibly complex, includes methods for messing with the operating system and rearranging memory, and Edsgar Dijkstra doesn't like it [6]. (Dijkstra, as I'm sure you know, was the author of "GoTos Considered Harmful" - a landmark work in programming methodology, applauded by Pascal programmers and Quiche Eaters alike.) Besides, the determined Real Programmer can write Fortran programs in any language. The Real Programmer might compromise his principles and work on something slightly more trivial than the destruction of life as we know it, providing there's enough money in it. There are several Real Programmers building video games at Atari, for example. (But not playing them - a Real Programmer knows how to beat the machine every time: no challenge in that.) Everyone working at LucasFilm is a Real Programmer. (It would be crazy to turn down the money of fifty million Star Trek fans.) The proportion of Real Programmers in Computer Graphics is somewhat lower than the norm, mostly because nobody has found a use for computer graphics yet. On the other hand, all computer graphics is done in Fortran, so there are a fair number of people doing graphics in order to avoid having to write COBOL programs. THE REAL PROGRAMMER AT PLAY Generally, the Real Programmer plays the same way he works - with computers. He is constantly amazed that his employer actually pays him to do what he would be doing for fun anyway (although he is careful not to express this opinion out loud). Occasionally, the Real Programmer does step out of the office for a breath of fresh air and a beer or two. Some tips on recognizing Real Programmers away from the computer room: At a party, the Real Programmers are the ones in the corner talking about operating system security and how to get around it. At a football game, the Real Programmer is the one comparing the plays against his simulations printed on 11 by 14 fanfold paper. At the beach, the Real Programmer is the one drawing flowcharts in the sand. At a funeral, the Real Programmer is the one saying "Poor George, he almost had the sort routine working before the coronary." In a grocery store, the Real Programmer is the one who insists on running the cans past the laser checkout scanner himself, because he never could trust keypunch operators to get it right the first time. THE REAL PROGRAMMER'S NATURAL HABITAT What sort of environment does the Real Programmer function best in? This is an important question for the managers of Real Programmers. Considering the amount of money it costs to keep one on the staff, it's best to put him (or her) in an environment where he can get his work done. The typical Real Programmer lives in front of a computer terminal. Surrounding this terminal are: Listings of all programs the Real Programmer has ever worked on, piled in roughly chronological order on every flat surface in the office. Some half-dozen or so partly filled cups of cold coffee. Occasionally, there will be cigarette butts floating in the coffee. In some cases, the cups will contain Orange Crush. Unless he is very good, there will be copies of the OS JCL manual and the Principles of Operation open to some particularly interesting pages. Taped to the wall is a line-printer Snoopy calendar for the year 1969. Strewn about the floor are several wrappers for peanut butter filled cheese bars - the type that are made pre-stale at the bakery so they can't get any worse while waiting in the vending machine. Hiding in the top left-hand drawer of the desk is a stash of double-stuff Oreos for special occasions. Underneath the Oreos is a flowcharting template, left there by the previous occupant of the office. (Real Programmers write programs, not documentation. Leave that to the maintenance people.) The Real Programmer is capable of working 30, 40, even 50 hours at a stretch, under intense pressure. In fact, he prefers it that way. Bad response time doesn't bother the Real Programmer - it gives him a chance to catch a little sleep between compiles. If there is not enough schedule pressure on the Real Programmer, he tends to make things more challenging by working on some small but interesting part of the problem for the first nine weeks, then finishing the rest in the last week, in two or three 50-hour marathons. This not only impresses the hell out of his manager, who was despairing of ever getting the project done on time, but creates a convenient excuse for not doing the documentation. In general: No Real Programmer works 9 to 5 (unless it's the ones at night). Real Programmers don't wear neckties. Real Programmers don't wear high-heeled shoes. Real Programmers arrive at work in time for lunch [9]. A Real Programmer might or might not know his wife's name. He does, however, know the entire {ASCII} (or EBCDIC) code table. Real Programmers don't know how to cook. Grocery stores aren't open at three in the morning. Real Programmers survive on Twinkies and coffee. THE FUTURE What of the future? It is a matter of some concern to Real Programmers that the latest generation of computer programmers are not being brought up with the same outlook on life as their elders. Many of them have never seen a computer with a front panel. Hardly anyone graduating from school these days can do hex arithmetic without a calculator. College graduates these days are soft - protected from the realities of programming by source level debuggers, text editors that count parentheses, and "user friendly" operating systems. Worst of all, some of these alleged "computer scientists" manage to get degrees without ever learning Fortran! Are we destined to become an industry of Unix hackers and Pascal programmers? From my experience, I can only report that the future is bright for Real Programmers everywhere. Neither OS 370 nor Fortran show any signs of dying out, despite all the efforts of Pascal programmers the world over. Even more subtle tricks, like adding structured coding constructs to Fortran have failed. Oh sure, some computer vendors have come out with Fortran 77 compilers, but every one of them has a way of converting itself back into a Fortran 66 compiler at the drop of an option card - to compile DO loops like God meant them to be. Even Unix might not be as bad on Real Programmers as it once was. The latest release of Unix has the potential of an operating system worthy of any Real Programmer - two different and subtly incompatible user interfaces, an arcane and complicated teletype driver, virtual memory. If you ignore the fact that it's "structured", even 'C' programming can be appreciated by the Real Programmer: after all, there's no type checking, variable names are seven (ten? eight?) characters long, and the added bonus of the Pointer data type is thrown in - like having the best parts of Fortran and assembly language in one place. (Not to mention some of the more creative uses for
respired ::: imp. & p. p. --> of Respire
respire ::: v. i. --> To take breath again; hence, to take rest or refreshment.
To breathe; to inhale air into the lungs, and exhale it from them, successively, for the purpose of maintaining the vitality of the blood. ::: v. t.
reinspire ::: v. t. --> To inspire anew.
Religion [from Latin religare to bind back, implying obligation; or from relegere to select, distinguish among various elements for the choosing of the best; ponder] In theosophy individual religion of conduct means faith in his own essential divinity as a source of wisdom and an unerring and infallible guide in conduct; an ever-growing realization of that truth, an ever-growing consciousness of one’s spiritual identity with the divine in nature; and constant devotion to the ideals thus inspired. Religion means a self-sacrificing devotion to truth, a resolve to live in harmony with all other lives, a sacrificing of the personal self to the greater self.
"Religion in fact is not knowledge, but a faith and aspiration; it is justified indeed both by an imprecise intuitive knowledge of large spiritual truths and by the subjective experience of souls that have risen beyond the ordinary life, but in itself it only gives us the hope and faith by which we may be induced to aspire to the intimate possession of the hidden tracts and larger realities of the Spirit. That we turn always the few distinct truths and the symbols or the particular discipline of a religion into hard and fast dogmas, is a sign that as yet we are only infants in the spiritual knowledge and are yet far from the science of the Infinite.” The Synthesis of Yoga*
“Religion in fact is not knowledge, but a faith and aspiration; it is justified indeed both by an imprecise intuitive knowledge of large spiritual truths and by the subjective experience of souls that have risen beyond the ordinary life, but in itself it only gives us the hope and faith by which we may be induced to aspire to the intimate possession of the hidden tracts and larger realities of the Spirit. That we turn always the few distinct truths and the symbols or the particular discipline of a religion into hard and fast dogmas, is a sign that as yet we are only infants in the spiritual knowledge and are yet far from the science of the Infinite.” The Synthesis of Yoga
Rephaim (Hebrew) Rĕfā’īm The sons of Raphah, a Canaanite race of giants; also the weak ones, shades or specters, the quiet and wan inhabitants of Hades or the Underworld, which were nevertheless considered beings of gigantic size, and hence the collocation of the meanings of gigantic magnitude coupled with intrinsic weakness. This last refers to the phantom or astral races of early mankind: the first, second, and early third root-races before they were illuminated and inspired by the manasaputric descent (SD 2:279).
representative-interpretative ::: having the nature of interpretative revelatory vijñana (the highest inspired revelatory logistis) combined with representative revelatory vijñana (the highest intuitive revelatory logistis).
respiring ::: p. pr. & vvb. n. --> of Respire
Retrieve "language" A {query language} inspired {JPLDIS} which led to {Vulcan} and then to {dBASE II}, developed by {Tymshare Corp} in the 1960s. (1998-04-29)
revelation ::: is direct sight, the direct hearing or inspired memory of Truth, drsti, sruti, smrti; it is the highest experience." [S17:89]
"Revelation is direct sight, the direct hearing or inspired memory of Truth. . . it is the highest experience and always accessible to renewed experience.” Essays Divine and Human*
“Revelation is direct sight, the direct hearing or inspired memory of Truth. . . it is the highest experience and always accessible to renewed experience.” Essays Divine and Human
revelatory inspired ::: having the nature of revelatory inspiration.
revelatory inspired logistis ::: the highest form of inspired logistis, in which inspiration is filled with revelation.
revelatory inspirational ideality; revelatory inspirational vijñana ::: same as revelatory inspired logistis.
revelatory inspiration ::: inspiration filled with revelation; same as revelatory inspired logistis.
Rishi-manus, Rishi-prajapatis (Sanskrit) Ṛṣi-manu-s, Ṛṣi-prajāpati-s Equivalent terms for the far-seeing and enlightened manus or progenitors, or in certain relations the architects of our world, equivalent to the seven or ten: Ki-y of China; amshaspends of ancient Persia; annedoti of the Chaldeans; or Sephiroth of the Qabbalah. They are the inspired progenitors of all living beings and things, cosmic or on lower scales of nature. Both are more generally called dhyani-chohans, gods, or devas. It is only the very highest among them who can be called the architects or builders of the world, because the lower classes of them have as their particular labor the emanating and guidance of the various stocks or races of living beings, humans included.
Rishi (Sanskrit) Ṛṣi An adept, seer, inspired person; in Vedic literature, used for the seers through whom the various mantras or hymns of the Veda were revealed. In later times the rishis were regarded as a particular class of beings, distinct from gods and men, the patriarchs or creators: thus there were the ten maharshis — the mind-born sons of Prajapati. In the Mahabharata, the seven rishis of the first manvantara are enumerated as Marichi, Atri, Angiras, Pulaha, Kratu, Pulastya, and Vasishtha. In Satapatha-Brahmana the Vedic rishis are named as: Gotama, Bharadvaja, Visvamitra, Jamadagni, Vasishtha, Kasyapa, and Atri. The seven rishis (saptarshis) are especially associated with the constellation of the Great Bear.
Romanticism was a healthy and necessary influence in reasserting the dignity of nature, in stressing the emotional factor in knowledge, and in emphasizing the concepts of process and evolution. It was an inadequate doctrine, in that it did not clarify the detailed movement of the process it posited, and could offer no positive advice for discovering this, other than to be inspired and intuit it. Romanticism is metaphysical expressionism, and like any expressionistic doctrine it is unable to give any concrete meaning to the concept of causality; it can therefore provide no categories under which to comprehend things, but can only say that things are because they have been expressed, and can be understood only by being re-expressed i.e., only by re-living the experience of their creator.
Ropt (Icelandic) [from hroptr crier, prophet (cf hroptatyr crier of the gods), slandered, maligned] In Norse mythology, the name by which Odin is known in Valhalla where his heroes, the One-harriers, are brought by the Valkyries when they have been “slain” on the field of battle. As the initiator or higher self of any human aspirant, Odin is said to be maligned for he not only instructs and inspires, he also subjects the soul to the severe testing it must undergo before it can be admitted to the Hall of the Elect (Valhalla). Hence only the successful initiate recognizes Odin as Ropt.
rules over health and longevity, and inspires
Samadhi or Yogic trance retires to increasing depths according as it draws farther and farther away from the normal or waking state and enters into degrees of consciousness less and less communicable to the waking mind, less and less ready to receive a summons from the waking world. Beyond a certain point the trance becomes complete and it is then almost or quite impossible to awaken or call back the soul that has receded into them; it can only come back by its own will or at most by a violent shock of physical appeal dangerous to the system owing to the abrupt upheaval of return. There are said to be supreme states of trance in which the soul persisting for too long a time cannot return; for it loses its hold on the cord which binds it to the consciousness of life, and the body is left, maintained indeed in its set position, not dead by dissolution, but incapable of recovering the ensouled life which had inhabited it. Finally, the Yogin acquires at a certain stage of development the power of abandoning his body definitively without the ordinary phenomena of death, by an act of will,1 or by a process of withdrawing the pranic life-force through the gate of the upward life-current (udana), opening for it a way through the mystic brahmarandhra in the head. By departure from life in the state of Samadhi he attains directly to that higher status of being to which he aspires.
Ref: CWSA Vol. 23-24, Page: 520-21
Sankaracharya, Krishna, Lao-tzu, and Jesus were avataras in differing degrees, of somewhat differing structure. There was a divine ray which came down at the cyclic time of each of these incarnations, and the connecting link or the flame of mind was provided in each case by a member of the Hierarchy of Compassion. Krishna says, “I incarnate in period after period in order to destroy wickedness and reestablish righteousness” (BG ch 4, sl 8). Krishna here represents the Logos or logoic ray which “on our plane would be utterly helpless, inactive, and have no possible means of communication with us and our sphere, because that logoic ray lacks an intermediate and fully conscious vehicle or carrier, i.e., it lacks the intermediate or highly ethereal mechanism, the spiritual-human in us, which in ordinary man is but slightly active. An avatara takes place when a direct ray from the Logos enters into, fully inspires, and illuminates, a human being, through the intermediary of a bodhisattva who has incarnated in that human being, thereby supplying the fit, ready, and fully conscious intermediate vehicle or carrier” (Fund 276).
Sarasvati (Saraswati) ::: "she of the stream, the flowing movement",Sarasvati a Vedic goddess who "represents the truth-audition, sruti, which gives the inspired word"; in later Hinduism, "the goddess of speech, of learning and of poetry"; same as Mahasarasvati.SarasvatiSarasvati bhava
satyamantrah ::: they who have the true thought (expressed in the inspired Word). [RV 1.20.4; 7.76.4]
savesa (savesha) ::: inspired; enthusiastic. savesa
secondary ideality ::: (in 1918) same as superior ideality; (in 1919) same as secondary logistic gnosis or inspired logistis).
secondary logistic gnosis ::: same as inspired logistis. secondary utth utthapana
Semele, Semele-Thyone (Greek) In Greek mythology, daughter of Cadmus, founder of Thebes, and of Harmonia, a daughter of Ares and Aphrodite. The Orphic myth is a permutation of Demeter-Kore the divine spouse, who becomes Semele the mortal maid and mother of Zagreus, later Zagreus-Dionysos, the third of the great Eleusinian deities in later times. Semele is beloved by Zeus, which excites the jealousy of Hera, who accordingly contrives a plot to destroy Semele. Appearing to her in the form of her nurse, Hera insinuates that the lover is not really Zeus, and persuades Semele to ask her lover to prove his identity by appearing to her in his divine panoply and form. Reluctantly Zeus does so, foreseeing the result yet bound by his pledge to her. Semele is reduced to ashes at the sight, and the babe which she had carried for seven months is snatched from the flames by Zeus himself who, that it might complete its term, sewed it up in his thigh. The babe Zagreus was born from the thigh of Zeus as Zagreus-Dionysos, the Savior. Identified with Iacchus, the divine son of Demeter-Kore in the later Eleusinian Mysteries, he visits the Underworld and brings his mother Semele back to earth, now as Thyone (the inspired) to reign with Demeter-Kore as the radiant queen and divine mother in the Orphic Mysteries.
Shamanism: (from Tungusic shaman) A type of religion common in Siberia and neighboring regions without systematic beliefs but entirely inspired by the shaman (priest or priestess) who, working up a frenzy bv dancing, puts himself in touch with the spirits of animals or deceased humans for purposes of magic or divination. -- K.F.L.
Shingon: The Japanese sect of Buddhism which claims that its esoteric doctrine was inspired by Vairochana, the greatest of all Buddhas who came to this earth.
Shivaism, Sivaism, Saivism: One of the major groups of Hinduism which has evolved, in addition to religious doctrines and observances, also philosophical systems of note, based upon certain Agamas (q.v.). Shiva, as one aspect of the trimurti (q.v.), has inspired cosmological speculations no less than psychological and logical ones. As philosophy it attained its greatest flower in the Kashmirian Trika (q.v.) -- K.F.L.
Sibylline Books: Ancient, mythical and inspired utterances of prophecy consulted in times of calamity. Their destruction led to composite and forged versions.
Sibylline Books: These were allegedly ancient, mythical and inspired utterances of prophecy consulted in times of calamity. Their destruction led to composite and forged versions. The so-called Sibylline Oracles were a group of Jewish and Christian writings dating from the 2nd century B.C. to the 3rd century A.D , written in Homeric style, and in imitation of the lost Sibylline Books. They included prophecies of future events, of the fate of eminent persons, of cities and kingdoms. -- V.F.
Sincerity ::: One cannot become altogether this at once, but if one aspires at all times and calls in the aid of the Divine Shakti with a true heart and a straightforward will, one grows more and more into the true consciousness.
Ref: CWSA Vol. 35, Page: 131
sinistral ::: a. --> Of or pertaining to the left, inclining to the left; sinistrous; -- opposed to dextral.
Having the whorls of the spire revolving or rising to the left; reversed; -- said of certain spiral shells.
snoring ::: p. pr. & vb. n. --> of Snore ::: n. --> The act of respiring through the open mouth so that the currents of inspired and expired air cause a vibration of the uvula and soft palate, thus giving rise to a sound more or less harsh. It is usually unvoluntary, but may be produced voluntarily.
sovereignty and who, like Satan, aspired to and
space-cadet keyboard "hardware, history" A now-legendary device used on {MIT} {Lisp} machines, which inspired several still-current jargon terms and influenced the design of {Emacs}. It was equipped with no fewer than *seven* shift keys: four keys for {bucky bits} ("control", "meta", "hyper", and "super") and three like regular shift keys, called "shift", "top", and "front". Many keys had three symbols on them: a letter and a symbol on the top, and a Greek letter on the front. For example, the "L" key had an "L" and a two-way arrow on the top, and the Greek letter lambda on the front. By pressing this key with the right hand while playing an appropriate "chord" with the left hand on the shift keys, you could get the following results: L lowercase l shift-L uppercase L front-L lowercase lambda front-shift-L uppercase lambda top-L two-way arrow (front and shift are ignored) And of course each of these might also be typed with any combination of the control, meta, hyper, and super keys. On this keyboard, you could type over 8000 different characters! This allowed the user to type very complicated mathematical text, and also to have thousands of single-character commands at his disposal. Many hackers were actually willing to memorise the command meanings of that many characters if it reduced typing time (this attitude obviously shaped the interface of {Emacs}). Other hackers, however, thought that many {bucky bits} was overkill, and objected that such a keyboard can require three or four hands to operate. See {cokebottle}, {double bucky}, {meta bit}, {quadruple bucky}. Note: early versions of this entry incorrectly identified the space-cadet keyboard with the "Knight keyboard". Though both were designed by Tom Knight, the latter term was properly applied only to a keyboard used for {ITS} on the {PDP-10} and modelled on the Stanford keyboard (as described under {bucky bits}). The true space-cadet keyboard evolved from the Knight keyboard. [{Jargon File}] (1994-12-05)
SPACEWAR "games" A space-combat simulation game for the {PDP-1} written in 1960-61 by Steve Russell, an employee at {MIT}. SPACEWAR was inspired by E. E. "Doc" Smith's "Lensman" books, in which two spaceships duel around a central sun, shooting torpedoes at each other and jumping through hyperspace. MIT were wondering what to do with a new {vector video display} so Steve wrote the world's first video game. Steve now lives in California and still writes software for {HC12} {emulators}. SPACEWAR aficionados formed the core of the early hacker culture at {MIT}. Nine years later, a descendant of the game motivated {Ken Thompson} to build, in his spare time on a scavenged {PDP-7}, the {operating system} that became {Unix}. Less than nine years after that, SPACEWAR was commercialised as one of the first video games; descendants are still {feep}ing in video arcades everywhere. ["SPACEWAR" or "Space Travel"?] [{Jargon File}] (2004-07-19)
spear ::: n. --> A long, pointed weapon, used in war and hunting, by thrusting or throwing; a weapon with a long shaft and a sharp head or blade; a lance.
Fig.: A spearman.
A sharp-pointed instrument with barbs, used for stabbing fish and other animals.
A shoot, as of grass; a spire.
The feather of a horse. See Feather, n., 4.
spiring ::: p. pr. & vb. n. --> of Spire ::: a. --> Shooting up in a spire or spires.
spirit ::: 1. The principle of conscious life; the vital principle in humans, animating the body or mediating between body and soul. 2. A supernatural being. 3. The essential of anything. 4. An attitude or principle that inspires, animates, or pervades thought, feeling, or action. 5. A supernatural, incorporeal being, esp. one inhabiting a place, object, etc., or having a particular character. **spirit"s, spirits, spirit-depths, spirit-room, spirit-sense, spirit-space, World-spirit, World-Spirit.
spiry ::: a. --> Of a spiral form; wreathed; curled; serpentine.
Of or pertaining to a spire; like a spire, tall, slender, and tapering; abounding in spires; as, spiry turrets.
squinch ::: n. --> A small arch thrown across the corner of a square room to support a superimposed mass, as where an octagonal spire or drum rests upon a square tower; -- called also sconce, and sconcheon.
srauta ::: of the nature of sruti or inspirational knowledge; inspired; srauta short for srauta vijñana. srauta vij srauta ñana
*Sri Aurobindo: "The highest aim of the aesthetic being is to find the Divine through beauty; the highest Art is that which by an inspired use of significant and interpretative form unseals the doors of the spirit.” The Human Cycle etc.*
Sri Aurobindo: ". The mystic Muse is more of an inspired Bacchante of the Dionysian wine than an orderly housewife.” Letters on Savitri
sruti (Shruti) ::: hearing, spiritual audience, inspiration; an inspired Scripture.
Stanzas of Dzyan Archaic verses of philosophical and cosmogonical content drawn from the Book of Dzyan, which form the basis of The Secret Doctrine. They present the esoteric teachings in regard to cosmogenesis and anthropogenesis, and are the ancient heritage of humanity as preserved by the brotherhood of mahatmas. Every race and nation has drawn from this source through the medium of its initiated or inspired teachers and saviors. Only portions of the original verses are given in The Secret Doctrine, and Blavatsky’s presentation there represents the first time that they have been set down in a modern European language; her endeavor always was to represent the meaning rather than to give a merely literal rendering of the words: “it must be left to the intuition and the higher faculties of the reader to grasp, as far as he can, the meaning of the allegorical phrases used. Indeed it must be remembered that all these Stanzas appeal to the inner faculties rather than to the ordinary comprehension of the physical brain” (SD 1:21).
Statement: See Meaning, Kinds of, 1. Statistics: The systematic study of quantitative facts, numerical data, comparative materials, obtained through description and interpretation of group phenomena. The method of using and interpreting processes of classification, enumeration, measurement and evaluation of group phenomena. In a restricted sense, the materials, facts or data referring to group phenomena and forming the subject of systematic computation and interpretation. The Ground of Statistics. Statistics have developed from a specialized application of the inductive principle which concludes from the characteristics of a large number of parts to those of the whole. When we make generalizations from empirical data, we are never certain of having expressed adequately the laws connecting all the relevant and efficient factors in the case under investigation. Not only have we to take into account the personal equation involved and the imperfection of our instru ments of observation and measurement, but also the complex character of physical, biological, psychological and social phenomena which cannot be subjected to an exhaustive analysis. Statistics reveals precisely definite trends and frequencies subject to approximate laws, in these various fields in which phenomena result from many independently varying factors and involve a multitude of numerical units of variable character. Statistics differs fiom probability insofar as it makes a more consistent use of empirical data objectively considered, and of methods directly inspired by the treatment of these data.
steeple ::: n. --> A spire; also, the tower and spire taken together; the whole of a structure if the roof is of spire form. See Spire.
stork ::: n. --> Any one of several species of large wading birds of the family Ciconidae, having long legs and a long, pointed bill. They are found both in the Old World and in America, and belong to Ciconia and several allied genera. The European white stork (Ciconia alba) is the best known. It commonly makes its nests on the top of a building, a chimney, a church spire, or a pillar. The black stork (C. nigra) is native of Asia, Africa, and Europe.
style ::: a quality of vak, the inward speech expressing a higher knowledge, which "may frame itself in the language now employed to express the ideas and perceptions and impulses of the intellect and the sense mind, but it uses it in a different way and with an intense bringing out of the intuitive or revelatory significances of which speech is capable"; this "seeing speech" has "different grades of its power of vision and expression of vision", the main levels of which are the adequate, effective, illuminative, inspired and inevitable styles.
subheccha. ::: good desire for enlightenment; longing for the Truth; noble wish or desire which arises in the heart of one who aspires to cross samsara; when the individual having come to the consciousness of the evils of the earthly living aspires to transcend it; the first stage in the path of Self-knowledge
Svedaja (Sanskrit) Svedaja [from the verbal root svid to sweat, perspire, exude + the verbal root jan to be born] Sweat-born, born by exudation or gemmation; according to theosophy the second root-race reproduced its individuals by what today is called budding or gemmation — a swelling appeared on the outer surface of the body of one of these entities. This swelling then grew in size, and as it grew became constricted near the point of junction with the parent-body, until at length the bond of union became a mere filament, which finally broke, thus freeing the bud, which then grew into another entity in all respects like its parent. This method of reproduction is represented today both in the lower animal and vegetable kingdom and also in certain processes of cell division.
taper ::: n. --> A small wax candle; a small lighted wax candle; hence, a small light.
A tapering form; gradual diminution of thickness in an elongated object; as, the taper of a spire. ::: a. --> Regularly narrowed toward the point; becoming small toward
Teachers In theosophical writings, often used to designate masters of wisdom, adepts, mahatmas, or messengers qualified to instruct and guide pupils on the path of wisdom. Teachers are of various grades, belonging to different degrees of different benevolent hierarchies; at the summit are those buddhas and manus who serve as inspirers and light-bringers to the races of mankind. Below these highest come lesser teachers, pertaining to the lesser cycles of time. The mythology of ancient peoples contains reference to divine instructors of various ranks.
Tempter In general, the human mind, whether reacting to outside impulsions or impressions, or from within its own relatively small and uninspired powers; it has been commonly typified by the dragon, Satan, Zeus, etc. “Zeus is represented as a serpent — the intellectual tempter of man — which, nevertheless, begets in the course of cyclic evolution the ‘Man-Saviour,’ the solar Bacchus or ‘Dionysus,’ more than a man” (SD 2:419-20). Indeed, often it is our higher nature which “tempts” us upwards by calling forth latent or inner powers which, once evoked, are the ladder by which we climb. Thus our tempter is also our redeemer. The esoteric teaching of the tempting of humankind by awakening in its light of intellect has been materialized into a sensual temptation by a Devil in the Garden of Eden; and in the Bible, an evolutionary phase has been theologically degraded into a sin. The astral light is also spoken of as the tempter, especially by Eliphas Levi.
terebra ::: n. --> A genus of marine gastropods having a long, tapering spire. They belong to the Toxoglossa. Called also auger shell.
The boring ovipositor of a hymenopterous insect.
test-driven development "programming, testing" (TDD) An iterative {software development} process where each iteration consists of the developer writing an automated {test case} for an unimplemented improvement or function, then producing code to pass that test and finally {refactoring} the code to acceptable standards. {Kent Beck}, who is credited with having developed or "rediscovered" the technique, stated in 2003 that TDD encourages simple designs and inspires confidence. TDD is related to the humourous definition of programming as the process of {debugging an empty file}. (2012-05-01)
The apex of the light triangle symbolizes the spiritual-divine monad, having its habitat in the spiritual-divine realms; the apex of the dark triangle, the human monad, having its habitat in the middle realm of conflict between spirit and matter, the apex itself being in the worlds of manifestation, the two sides extending from it reaching upwards towards the spiritual realm and representing evolution through aspiration and efforts towards a spiritual life. On the other hand, the two sides extending downwards from the apex of the light triangle represent the rays streaming from the spiritual-divine monad to enlighten, inspire, and uplift all beings in the manifested worlds. In the case of man, the human monad represented by the apex of the dark triangle is the reflection or child of the spiritual-divine monad or inner god.
“The brew of the as,” “Odin’s brew,” or the “bardic mead” is inspired poetry, the runes of ancient wisdom sought by Odin in the giant worlds. The “driving of the as” or Tordon (Thor’s din) is thunder.
“The epithet ‘wide-winged’ then does not belong to the wind and is not transferred from it, but is proper to the voice of the wind which takes the form of a conscious hymn of aspiration and rises ascending from the bosom of the great priest, as might a great-winged bird released into the sky and sinks and rises again, aspires and fails and aspires again on the ‘altar hills’. Letters on Savitri
"The gospel of true supermanhood gives us a generous ideal for the progressive human race and should not be turned into an arrogant claim for a class or individuals. It is a call to man to do what no species has yet done or aspired to do in terrestrial history, evolve itself consciously into the next superior type already half foreseen by the continual cyclic development of the world-idea in Nature"s fruitful musings . . . .” The Supramental Manifestation*
“The gospel of true supermanhood gives us a generous ideal for the progressive human race and should not be turned into an arrogant claim for a class or individuals. It is a call to man to do what no species has yet done or aspired to do in terrestrial history, evolve itself consciously into the next superior type already half foreseen by the continual cyclic development of the world-idea in Nature’s fruitful musings ….” The Supramental Manifestation
The minute one stops going forward, one falls back. The moment one is satisfied and no longer aspires, one begins to die. Life is movement, it is effort, it is a march forward, the scaling of a mountain, the climb towards new revelations, towards future realisations. Nothing is more dangerous than wanting to rest. It is in action, in effort, in the march forward that repose must be found, the true repose of complete trust in the divine Grace, of the absence of desires, of victory over egoism. True repose comes from the widening, the universalisation of the consciousness. Become as vast as the world and you will always be at rest. In the thick of action, in the very midst of the battle, the effort, you will know the repose of infinity and eternity.
Ref: CWM Vol. 09, Page: 66
The nymphs of Mount Nysa reared him safely in a cave, and when he reached manhood, Hera forced him to wander over the earth. He overcame all opposition and was successful in establishing Mystery schools wherever he went. After his triumph in the world of men, Dionysos descended into the underworld and led forth his mother, now rechristened as Semele-Thyone (Semele the Inspired), to take her place among the Olympian divinities as the divine mother and radiant queen, and later, with Dionysos, to ascend to heaven.
Theomancy: The general meaning of the word is: Divination by oracles considered to be divinely inspired. The term is used also as the name of that part of the Hebrew Kabalah devoted to the study of the Majesty of God and to the mastery of the sacred names believed to be the key to the power of divination and magical ability.
theopneusted ::: a. --> Divinely inspired; theopneustic.
The original, pure Bacchic rites pertained to high initiation, in which the candidate becomes conscious of his oneness with divinity. Thus Bacchus, with his symbolic serpent and wine, stands for divine inspiration. But when the keys of the sacred science were lost and symbols were interpreted literally, the rites degenerated and often became profligate. Bacchus-Dionysos also figures as the inspirer of dramatic and representative art, inspiring the individual with the divine afflatus or mystic frenzy. Originally this meant the inner communion of the candidate with his own inner god and the consequent inspiration; on a lower plane it signifies the fleeting inspiration of poet and artist, and finally it degenerated into hysteria and morbid psychic states.
The Qabbalah likewise states that the tsurah produces as its reflection the neshamah, and that the latter is connected with its divine prototype by a vital thread of spiritual radiance, up which even the neshamah aspires to rise to perfect union with its prototype. The tsurah is the spiritual monad, including as it does the three highest principles, and because this monad is an emanative product from the all-encompassing cosmic divinity, it is the divine prototypal form or entity; next, the highest part of the tsurah or monad is the neshama or spirit, which clothes itself in ruah or buddhi-manas; which again clothes itself in the astral monad represented by nephesh; which in its turn incarnates in guph, or the material physical body. The Hebrew Qabbalah so frequently strives to clothe its thought from the vulgar vision by detailed — although usually correct — modification of essential ideas, that its real significant teaching is not always readily apparent.
The Sama-Veda is mystically described as having come forth from or been inspired by the sun. It is said by Hindu Vedic specialists to have reference to the pitris (ancestors), while the Rig-Veda has the gods as its object, and the Yajur-Veda men as its object.
These kumaras are sometimes also called rudras, adityas, gandharvas, asuras, maruts, and vedhas. The seven kumaras — both as groups and as aggregated individuals — are intimately connected with the dhyani-buddhas who watch over the seven rounds of our planetary chain. The four groups of kumaras generally spoken of are connected equally intimately with the four celestial bodhisattvas of the four globes of our round, and by correspondence with the four completed root-races of our earth. They are identical with the angels of the seven planets, and their name shows their connection with the constellation Makara or Capricorn. Makara is connected with the birth of the spiritual microcosm, and the death or dissolution of the physical universe (its passage into the realm of the spiritual) as are the kumaras. Mara is the god of darkness, the Fallen one, and death, i.e., death of every physical thing; but through the karmic lessons learned also the quickener of the birth of the spiritual. The kumaras are connected also with the sage Narada. An allegory in the Puranas says that the kumaras, the first progeny of Brahma, were without desire or passion, inspired with the holy wisdom, and undesirous of progeny. They refused to create, but were compelled later on to complete divine man by incarnating in him. The barhishads or lunar pitris formed the “senseless” astral-physical humanity of the early root-races. Those beings possessing the living spiritual fire were the agnishvattas or solar pitris. The sons of Brahma, the kumaras, being originally themselves unconscious (in our sense) could be of no use in supplying the mental and kamic principles, as they did not possess them: they had attained no individual karmic elevation in merit of their own as had the agnishvattas. The perfection of the kumaras was passive and negative (nirguna). The kumaras eventually “sacrifice” themselves by incarnating in mankind, thus corresponding to the manasaputras and fallen angels cast into hell (material spheres, our earth).
The sexual desires show that the subconscient still retains the old impressions, movements and impulses ; make the conscious parts of the being entirely free and aspire and will for the higher consciousness to come fully into the subconscient so that even in sleep and dream something in you may be aware and on guard and reject these things when they try to take form at that time.
The smritis were a system of oral teaching, passing from one generation of recipients to the succeeding generation, as was the case with the Brahmanical books before they were imbodied in manuscript. The Smartava-Brahmanas are, for this reason, considered by many to be esoterically superior to the Srauta-Brahmanas. In its widest application, the smritis include the Vedangas, the Sutras, the Ramayana, the Mahabharata, the Puranas, the Dharma-sastras, especially the works of Manu, Yajnavalkya, and other inspired lawgivers, and the ethical writing or Niti-sastras; whereas the typical example of the sruti are the Vedas themselves considered as revelations.
The story of Cupid and Psyche — where Psyche represents the human soul as such, apart from special connection with buddhi or kama — depicts the search for happiness, or the course of human love. Psyche is of mortal birth, but so beautiful that Venus herself becomes jealous and sends Cupid to inspire Psyche with love for an unworthy object. But Cupid himself becomes enamored of Psyche. The love between Cupid and Psyche cannot be realized in the atmosphere of earthly passion and delusion, and is fulfilled only when Psyche, reconciled with Venus, is taken to the Olympian heights. The emblem of Psyche was the butterfly, which in winged joy comes forth into the sunlight from its prison of caterpillar and chrysalis.
"The will of self-giving forces away by its power the veil between God and man; it annuls every error and annihilates every obstacle. Those who aspire in their human strength by effort of knowledge or effort of virtue or effort of laborious self-discipline, grow with much anxious difficulty towards the Eternal; but when the soul gives up its ego and its works to the Divine, God himself comes to us and takes up our burden.” Essays on the Gita
“The will of self-giving forces away by its power the veil between God and man; it annuls every error and annihilates every obstacle. Those who aspire in their human strength by effort of knowledge or effort of virtue or effort of laborious self-discipline, grow with much anxious difficulty towards the Eternal; but when the soul gives up its ego and its works to the Divine, God himself comes to us and takes up our burden.” Essays on the Gita
"The Word has its seed-sounds — suggesting the eternal syllable of the Veda, A U M, and the seed-sounds of the Tantriks — which carry in them the principles of things; it has its forms which stand behind the revelatory and inspired speech that comes to man"s supreme faculties, and these compel the forms of things in the universe; it has its rhythms, — for it is no disordered vibration, but moves out into great cosmic measures, — and according to the rhythm is the law, arrangement, harmony, processes of the world it builds. Life itself is a rhythm of God.” The Upanishads
“The Word has its seed-sounds—suggesting the eternal syllable of the Veda, A U M, and the seed-sounds of the Tantriks—which carry in them the principles of things; it has its forms which stand behind the revelatory and inspired speech that comes to man’s supreme faculties, and these compel the forms of things in the universe; it has its rhythms,—for it is no disordered vibration, but moves out into great cosmic measures,—and according to the rhythm is the law, arrangement, harmony, processes of the world it builds. Life itself is a rhythm of God.” The Upanishads
threaten ::: v. t. --> To utter threats against; to menace; to inspire with apprehension; to alarm, or attempt to alarm, as with the promise of something evil or disagreeable; to warn.
To exhibit the appearance of (something evil or unpleasant) as approaching; to indicate as impending; to announce the conditional infliction of; as, to threaten war; to threaten death. ::: v. i.
Three senses of "Ockhamism" may be distinguished: Logical, indicating usage of the terminology and technique of logical analysis developed by Ockham in his Summa totius logicae; in particular, use of the concept of supposition (suppositio) in the significative analysis of terms. Epistemological, indicating the thesis that universality is attributable only to terms and propositions, and not to things as existing apart from discourse. Theological, indicating the thesis that no tneological doctrines, such as those of God's existence or of the immortality of the soul, are evident or demonstrable philosophically, so that religious doctrine rests solely on faith, without metaphysical or scientific support. It is in this sense that Luther is often called an Ockhamist. Bibliography: B. Geyer, Ueberwegs Grundriss d. Gesch. d. Phil., Bd. II (11th ed., Berlin 1928), pp. 571-612 and 781-786; N. Abbagnano, Guglielmo di Ockham (Lanciano, Italy, 1931); E. A. Moody, The Logic of William of Ockham (N. Y. & London, 1935); F. Ehrle, Peter von Candia (Muenster, 1925); G. Ritter, Studien zur Spaetscholastik, I-II (Heidelberg, 1921-1922). --E.A.M. Om, aum: (Skr.) Mystic, holy syllable as a symbol for the indefinable Absolute. See Aksara, Vac, Sabda. --K.F.L. Omniscience: In philosophy and theology it means the complete and perfect knowledge of God, of Himself and of all other beings, past, present, and future, or merely possible, as well as all their activities, real or possible, including the future free actions of human beings. --J.J.R. One: Philosophically, not a number but equivalent to unit, unity, individuality, in contradistinction from multiplicity and the mani-foldness of sensory experience. In metaphysics, the Supreme Idea (Plato), the absolute first principle (Neo-platonism), the universe (Parmenides), Being as such and divine in nature (Plotinus), God (Nicolaus Cusanus), the soul (Lotze). Religious philosophy and mysticism, beginning with Indian philosophy (s.v.), has favored the designation of the One for the metaphysical world-ground, the ultimate icility, the world-soul, the principle of the world conceived as reason, nous, or more personally. The One may be conceived as an independent whole or as a sum, as analytic or synthetic, as principle or ontologically. Except by mysticism, it is rarely declared a fact of sensory experience, while its transcendent or transcendental, abstract nature is stressed, e.g., in epistemology where the "I" or self is considered the unitary background of personal experience, the identity of self-consciousness, or the unity of consciousness in the synthesis of the manifoldness of ideas (Kant). --K.F.L. One-one: A relation R is one-many if for every y in the converse domain there is a unique x such that xRy. A relation R is many-one if for every x in the domain there is a unique y such that xRy. (See the article relation.) A relation is one-one, or one-to-one, if it is at the same time one-many and many-one. A one-one relation is said to be, or to determine, a one-to-one correspondence between its domain and its converse domain. --A.C. On-handedness: (Ger. Vorhandenheit) Things exist in the mode of thereness, lying- passively in a neutral space. A "deficient" form of a more basic relationship, termed at-handedness (Zuhandenheit). (Heidegger.) --H.H. Ontological argument: Name by which later authors, especially Kant, designate the alleged proof for God's existence devised by Anselm of Canterbury. Under the name of God, so the argument runs, everyone understands that greater than which nothing can be thought. Since anything being the greatest and lacking existence is less then the greatest having also existence, the former is not really the greater. The greatest, therefore, has to exist. Anselm has been reproached, already by his contemporary Gaunilo, for unduly passing from the field of logical to the field of ontological or existential reasoning. This criticism has been repeated by many authors, among them Aquinas. The argument has, however, been used, if in a somewhat modified form, by Duns Scotus, Descartes, and Leibniz. --R.A. Ontological Object: (Gr. onta, existing things + logos, science) The real or existing object of an act of knowledge as distinguished from the epistemological object. See Epistemological Object. --L.W. Ontologism: (Gr. on, being) In contrast to psychologism, is called any speculative system which starts philosophizing by positing absolute being, or deriving the existence of entities independently of experience merely on the basis of their being thought, or assuming that we have immediate and certain knowledge of the ground of being or God. Generally speaking any rationalistic, a priori metaphysical doctrine, specifically the philosophies of Rosmini-Serbati and Vincenzo Gioberti. As a philosophic method censored by skeptics and criticists alike, as a scholastic doctrine formerly strongly supported, revived in Italy and Belgium in the 19th century, but no longer countenanced. --K.F.L. Ontology: (Gr. on, being + logos, logic) The theory of being qua being. For Aristotle, the First Philosophy, the science of the essence of things. Introduced as a term into philosophy by Wolff. The science of fundamental principles, the doctrine of the categories. Ultimate philosophy; rational cosmology. Syn. with metaphysics. See Cosmology, First Principles, Metaphysics, Theology. --J.K.F. Operation: "(Lit. operari, to work) Any act, mental or physical, constituting a phase of the reflective process, and performed with a view to acquiring1 knowledge or information about a certain subject-nntter. --A.C.B. In logic, see Operationism. In philosophy of science, see Pragmatism, Scientific Empiricism. Operationism: The doctrine that the meaning of a concept is given by a set of operations. 1. The operational meaning of a term (word or symbol) is given by a semantical rule relating the term to some concrete process, object or event, or to a class of such processes, objectj or events. 2. Sentences formed by combining operationally defined terms into propositions are operationally meaningful when the assertions are testable by means of performable operations. Thus, under operational rules, terms have semantical significance, propositions have empirical significance. Operationism makes explicit the distinction between formal (q.v.) and empirical sentences. Formal propositions are signs arranged according to syntactical rules but lacking operational reference. Such propositions, common in mathematics, logic and syntax, derive their sanction from convention, whereas an empirical proposition is acceptable (1) when its structure obeys syntactical rules and (2) when there exists a concrete procedure (a set of operations) for determining its truth or falsity (cf. Verification). Propositions purporting to be empirical are sometimes amenable to no operational test because they contain terms obeying no definite semantical rules. These sentences are sometimes called pseudo-propositions and are said to be operationally meaningless. They may, however, be 'meaningful" in other ways, e.g. emotionally or aesthetically (cf. Meaning). Unlike a formal statement, the "truth" of an empirical sentence is never absolute and its operational confirmation serves only to increase the degree of its validity. Similarly, the semantical rule comprising the operational definition of a term has never absolute precision. Ordinarily a term denotes a class of operations and the precision of its definition depends upon how definite are the rules governing inclusion in the class. The difference between Operationism and Logical Positivism (q.v.) is one of emphasis. Operationism's stress of empirical matters derives from the fact that it was first employed to purge physics of such concepts as absolute space and absolute time, when the theory of relativity had forced upon physicists the view that space and time are most profitably defined in terms of the operations by which they are measured. Although different methods of measuring length at first give rise to different concepts of length, wherever the equivalence of certain of these measures can be established by other operations, the concepts may legitimately be combined. In psychology the operational criterion of meaningfulness is commonly associated with a behavioristic point of view. See Behaviorism. Since only those propositions which are testable by public and repeatable operations are admissible in science, the definition of such concepti as mind and sensation must rest upon observable aspects of the organism or its behavior. Operational psychology deals with experience only as it is indicated by the operation of differential behavior, including verbal report. Discriminations, or the concrete differential reactions of organisms to internal or external environmental states, are by some authors regarded as the most basic of all operations. For a discussion of the role of operational definition in phvsics. see P. W. Bridgman, The Logic of Modern Physics, (New York, 1928) and The Nature of Physical Theory (Princeton, 1936). "The extension of operationism to psychology is discussed by C. C. Pratt in The Logic of Modem Psychology (New York. 1939.) For a discussion and annotated bibliography relating to Operationism and Logical Positivism, see S. S. Stevens, Psychology and the Science of Science, Psychol. Bull., 36, 1939, 221-263. --S.S.S. Ophelimity: Noun derived from the Greek, ophelimos useful, employed by Vilfredo Pareto (1848-1923) in economics as the equivalent of utility, or the capacity to provide satisfaction. --J.J.R. Opinion: (Lat. opinio, from opinor, to think) An hypothesis or proposition entertained on rational grounds but concerning which doubt can reasonably exist. A belief. See Hypothesis, Certainty, Knowledge. --J.K.F- Opposition: (Lat. oppositus, pp. of oppono, to oppose) Positive actual contradiction. One of Aristotle's Post-predicaments. In logic any contrariety or contradiction, illustrated by the "Square of Opposition". Syn. with: conflict. See Logic, formal, § 4. --J.K.F. Optimism: (Lat. optimus, the best) The view inspired by wishful thinking, success, faith, or philosophic reflection, that the world as it exists is not so bad or even the best possible, life is good, and man's destiny is bright. Philosophically most persuasively propounded by Leibniz in his Theodicee, according to which God in his wisdom would have created a better world had he known or willed such a one to exist. Not even he could remove moral wrong and evil unless he destroyed the power of self-determination and hence the basis of morality. All systems of ethics that recognize a supreme good (Plato and many idealists), subscribe to the doctrines of progressivism (Turgot, Herder, Comte, and others), regard evil as a fragmentary view (Josiah Royce et al.) or illusory, or believe in indemnification (Henry David Thoreau) or melioration (Emerson), are inclined optimistically. Practically all theologies advocating a plan of creation and salvation, are optimistic though they make the good or the better dependent on moral effort, right thinking, or belief, promising it in a future existence. Metaphysical speculation is optimistic if it provides for perfection, evolution to something higher, more valuable, or makes room for harmonies or a teleology. See Pessimism. --K.F.L. Order: A class is said to be partially ordered by a dyadic relation R if it coincides with the field of R, and R is transitive and reflexive, and xRy and yRx never both hold when x and y are different. If in addition R is connected, the class is said to be ordered (or simply ordered) by R, and R is called an ordering relation. Whitehcid and Russell apply the term serial relation to relations which are transitive, irreflexive, and connected (and, in consequence, also asymmetric). However, the use of serial relations in this sense, instead ordering relations as just defined, is awkward in connection with the notion of order for unit classes. Examples: The relation not greater than among leal numbers is an ordering relation. The relation less than among real numbers is a serial relation. The real numbers are simply ordered by the former relation. In the algebra of classes (logic formal, § 7), the classes are partially ordered by the relation of class inclusion. For explanation of the terminology used in making the above definitions, see the articles connexity, reflexivity, relation, symmetry, transitivity. --A.C. Order type: See relation-number. Ordinal number: A class b is well-ordered by a dyadic relation R if it is ordered by R (see order) and, for every class a such that a ⊂ b, there is a member x of a, such that xRy holds for every member y of a; and R is then called a well-ordering relation. The ordinal number of a class b well-ordered by a relation R, or of a well-ordering relation R, is defined to be the relation-number (q. v.) of R. The ordinal numbers of finite classes (well-ordered by appropriate relations) are called finite ordinal numbers. These are 0, 1, 2, ... (to be distinguished, of course, from the finite cardinal numbers 0, 1, 2, . . .). The first non-finite (transfinite or infinite) ordinal number is the ordinal number of the class of finite ordinal numbers, well-ordered in their natural order, 0, 1, 2, . . .; it is usually denoted by the small Greek letter omega. --A.C. G. Cantor, Contributions to the Founding of the Theory of Transfinite Numbers, translated and with an introduction by P. E. B. Jourdain, Chicago and London, 1915. (new ed. 1941); Whitehead and Russell, Princtpia Mathematica. vol. 3. Orexis: (Gr. orexis) Striving; desire; the conative aspect of mind, as distinguished from the cognitive and emotional (Aristotle). --G.R.M.. Organicism: A theory of biology that life consists in the organization or dynamic system of the organism. Opposed to mechanism and vitalism. --J.K.F. Organism: An individual animal or plant, biologically interpreted. A. N. Whitehead uses the term to include also physical bodies and to signify anything material spreading through space and enduring in time. --R.B.W. Organismic Psychology: (Lat. organum, from Gr. organon, an instrument) A system of theoretical psychology which construes the structure of the mind in organic rather than atomistic terms. See Gestalt Psychology; Psychological Atomism. --L.W. Organization: (Lat. organum, from Gr. organon, work) A structured whole. The systematic unity of parts in a purposive whole. A dynamic system. Order in something actual. --J.K.F. Organon: (Gr. organon) The title traditionally given to the body of Aristotle's logical treatises. The designation appears to have originated among the Peripatetics after Aristotle's time, and expresses their view that logic is not a part of philosophy (as the Stoics maintained) but rather the instrument (organon) of philosophical inquiry. See Aristotelianism. --G.R.M. In Kant. A system of principles by which pure knowledge may be acquired and established. Cf. Fr. Bacon's Novum Organum. --O.F.K. Oriental Philosophy: A general designation used loosely to cover philosophic tradition exclusive of that grown on Greek soil and including the beginnings of philosophical speculation in Egypt, Arabia, Iran, India, and China, the elaborate systems of India, Greater India, China, and Japan, and sometimes also the religion-bound thought of all these countries with that of the complex cultures of Asia Minor, extending far into antiquity. Oriental philosophy, though by no means presenting a homogeneous picture, nevertheless shares one characteristic, i.e., the practical outlook on life (ethics linked with metaphysics) and the absence of clear-cut distinctions between pure speculation and religious motivation, and on lower levels between folklore, folk-etymology, practical wisdom, pre-scientiiic speculation, even magic, and flashes of philosophic insight. Bonds with Western, particularly Greek philosophy have no doubt existed even in ancient times. Mutual influences have often been conjectured on the basis of striking similarities, but their scientific establishment is often difficult or even impossible. Comparative philosophy (see especially the work of Masson-Oursel) provides a useful method. Yet a thorough treatment of Oriental Philosophy is possible only when the many languages in which it is deposited have been more thoroughly studied, the psychological and historical elements involved in the various cultures better investigated, and translations of the relevant documents prepared not merely from a philological point of view or out of missionary zeal, but by competent philosophers who also have some linguistic training. Much has been accomplished in this direction in Indian and Chinese Philosophy (q.v.). A great deal remains to be done however before a definitive history of Oriental Philosophy may be written. See also Arabian, and Persian Philosophy. --K.F.L. Origen: (185-254) The principal founder of Christian theology who tried to enrich the ecclesiastic thought of his day by reconciling it with the treasures of Greek philosophy. Cf. Migne PL. --R.B.W. Ormazd: (New Persian) Same as Ahura Mazdah (q.v.), the good principle in Zoroastrianism, and opposed to Ahriman (q.v.). --K.F.L. Orphic Literature: The mystic writings, extant only in fragments, of a Greek religious-philosophical movement of the 6th century B.C., allegedly started by the mythical Orpheus. In their mysteries, in which mythology and rational thinking mingled, the Orphics concerned themselves with cosmogony, theogony, man's original creation and his destiny after death which they sought to influence to the better by pure living and austerity. They taught a symbolism in which, e.g., the relationship of the One to the many was clearly enunciated, and believed in the soul as involved in reincarnation. Pythagoras, Empedocles, and Plato were influenced by them. --K.F.L. Ortega y Gasset, Jose: Born in Madrid, May 9, 1883. At present in Buenos Aires, Argentine. Son of Ortega y Munillo, the famous Spanish journalist. Studied at the College of Jesuits in Miraflores and at the Central University of Madrid. In the latter he presented his Doctor's dissertation, El Milenario, in 1904, thereby obtaining his Ph.D. degree. After studies in Leipzig, Berlin, Marburg, under the special influence of Hermann Cohen, the great exponent of Kant, who taught him the love for the scientific method and awoke in him the interest in educational philosophy, Ortega came to Spain where, after the death of Nicolas Salmeron, he occupied the professorship of metaphysics at the Central University of Madrid. The following may be considered the most important works of Ortega y Gasset: Meditaciones del Quijote, 1914; El Espectador, I-VIII, 1916-1935; El Tema de Nuestro Tiempo, 1921; España Invertebrada, 1922; Kant, 1924; La Deshumanizacion del Arte, 1925; Espiritu de la Letra, 1927; La Rebelion de las Masas, 1929; Goethe desde Adentio, 1934; Estudios sobre el Amor, 1939; Ensimismamiento y Alteracion, 1939; El Libro de las Misiones, 1940; Ideas y Creencias, 1940; and others. Although brought up in the Marburg school of thought, Ortega is not exactly a neo-Kantian. At the basis of his Weltanschauung one finds a denial of the fundamental presuppositions which characterized European Rationalism. It is life and not thought which is primary. Things have a sense and a value which must be affirmed independently. Things, however, are to be conceived as the totality of situations which constitute the circumstances of a man's life. Hence, Ortega's first philosophical principle: "I am myself plus my circumstances". Life as a problem, however, is but one of the poles of his formula. Reason is the other. The two together function, not by dialectical opposition, but by necessary coexistence. Life, according to Ortega, does not consist in being, but rather, in coming to be, and as such it is of the nature of direction, program building, purpose to be achieved, value to be realized. In this sense the future as a time dimension acquires new dignity, and even the present and the past become articulate and meaning-full only in relation to the future. Even History demands a new point of departure and becomes militant with new visions. --J.A.F. Orthodoxy: Beliefs which are declared by a group to be true and normative. Heresy is a departure from and relative to a given orthodoxy. --V.S. Orthos Logos: See Right Reason. Ostensible Object: (Lat. ostendere, to show) The object envisaged by cognitive act irrespective of its actual existence. See Epistemological Object. --L.W. Ostensive: (Lat. ostendere, to show) Property of a concept or predicate by virtue of which it refers to and is clarified by reference to its instances. --A.C.B. Ostwald, Wilhelm: (1853-1932) German chemist. Winner of the Nobel prize for chemistry in 1909. In Die Uberwindung des wissenschaftlichen Materialistmus and in Naturphilosophie, his two best known works in the field of philosophy, he advocates a dynamic theory in opposition to materialism and mechanism. All properties of matter, and the psychic as well, are special forms of energy. --L.E.D. Oupnekhat: Anquetil Duperron's Latin translation of the Persian translation of 50 Upanishads (q.v.), a work praised by Schopenhauer as giving him complete consolation. --K.F.L. Outness: A term employed by Berkeley to express the experience of externality, that is the ideas of space and things placed at a distance. Hume used it in the sense of distance Hamilton understood it as the state of being outside of consciousness in a really existing world of material things. --J.J.R. Overindividual: Term used by H. Münsterberg to translate the German überindividuell. The term is applied to any cognitive or value object which transcends the individual subject. --L.W. P
Thurse (Icelandic) [possibly related to Danish tosse fool] Giant; the difference between the giant and the thurse, as these terms are used in Norse mythology, is subtle. From the tales it would appear that giant is used most often to indicate the passage of a long time (cf Greek aeon), whereas the thurse aspect is accentuated to show the senselessness of matter uninspired by the gods.
" To become ourselves by exceeding ourselves, — so we may turn the inspired phrases of a half-blind seer who knew not the self of which he spoke, — is the difficult and dangerous necessity, the cross surmounted by an invisible crown which is imposed on us, the riddle of the true nature of his being proposed to man by the dark Sphinx of the Inconscience below and from within and above by the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom confronting him as an inscrutable divine Maya. To exceed ego and be our true self, to be aware of our real being, to possess it, to possess a real delight of being, is therefore the ultimate meaning of our life here; it is the concealed sense of our individual and terrestrial existence.” The Life Divine*
“ To become ourselves by exceeding ourselves,—so we may turn the inspired phrases of a half-blind seer who knew not the self of which he spoke,—is the difficult and dangerous necessity, the cross surmounted by an invisible crown which is imposed on us, the riddle of the true nature of his being proposed to man by the dark Sphinx of the Inconscience below and from within and above by the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom confronting him as an inscrutable divine Maya. To exceed ego and be our true self, to be aware of our real being, to possess it, to possess a real delight of being, is therefore the ultimate meaning of our life here; it is the concealed sense of our individual and terrestrial existence.” The Life Divine
“To become ourselves by exceeding ourselves,—so we may turn the inspired phrases of a half-blind seer who knew not the self of which he spoke,—is the difficult and dangerous necessity, the cross surmounted by an invisible crown which is imposed on us, the riddle of the true nature of his being proposed to man by the dark Sphinx of the Inconscience below and from within and above by the luminous veiled Sphinx of the infinite Consciousness and eternal Wisdom confronting him as an inscrutable divine Maya. To exceed ego and be our true self, to be aware of our real being, to possess it, to possess a real delight of being, is therefore the ultimate meaning of our life here; it is the concealed sense of our individual and terrestrial existence.” The Life Divine
torch-bearer ::: one who leads or inspires, imparting knowledge, truth, inspiration, etc. to others. **torch-bearers.**
Towers An edifice which rests on earth and, mystically speaking, aspires upwards toward heaven; coming under the general description of high places appropriate, like mountaintops and other natural and artificial elevations, to the worship of celestial powers. Found in many parts of the world, their origin is lost in the obscurity of ages. Prominent among them are the round towers found in Ireland, Scotland, Corsica, Sardinia, etc., undoubtedly used for different purposes at different times: by warriors as fortresses, by priests as sanctuaries and initiation chambers, or as watchtowers, belfries, or places of refuge. The cylindrical shape indicates symbolically the great positive and active principle in nature. In the Bible the tower is erected physically, and spoken of metaphorically, as an emblem of might and aspiration.
transpired ::: imp. & p. p. --> of Transpire
transpires ::: comes about; happens or occurs.
transpire ::: v. i. --> To pass off in the form of vapor or insensible perspiration; to exhale.
To evaporate from living cells.
To escape from secrecy; to become public; as, the proceedings of the council soon transpired.
To happen or come to pass; to occur. ::: v. t.
Trance [from Latin transpire to cross, pass over] A state in which the soul seems to have passed out of the body into another state of being, a rapture, an ecstasy. In a general way, the entranced conditions thus defined are divided into varying degrees of a negative, unconscious state, and into progressive gradations of a positive, conscious, illumining condition. Examples of all degrees of these conditions have occurred among peoples in all ages, and the two conditions may exist coordinately, or either may exist as an active factor to the virtual exclusion of the other.
transpirable ::: a. --> Capable of being transpired, or of transpiring.
transpiring ::: p. pr. & vb. n. --> of Transpire
triune Infinite ::: Sri Aurobindo: "We do not seek to excise from our being all consciousness of the universe, but to realise God, Truth and Self in the universe as well as transcendent of it. We shall seek therefore not only the Ineffable, but also His manifestation as infinite being, consciousness and bliss embracing the universe and at play in it. For that triune infinity is His supreme manifestation and that we shall aspire to know, to share in and to become; and since we seek to realise this Trinity not only in itself but in its cosmic play, we shall aspire also to knowledge of and participation in the universal divine Truth, Knowledge, Will, Love which are His secondary manifestation, His divine becoming. With this too we shall aspire to identify ourselves, towards this too we shall strive to rise and, when the period of effort is passed, allow it by our renunciation of all egoism to draw us up into itself in our being and to descend into us and embrace us in all our becoming.” The Synthesis of Yoga
Tulku is of many different kinds and very closely parallels the Hindu doctrine of avatara. Taking Jesus as an example: here was a life-long tulku, a ray from a divinity; a tulku of that divinity so far as that ray goes, a divine manifestation, and hence a true avatara in the Brahmanical sense. Again, Gautama Buddha was tulku of his own inner buddha or inner god. The average person, however, is merely overshadowed occasionally, if he really aspires, by a touch of the divine flame from within the higher parts of his own constitution, and yet even for these fugitive instants such person is tulku. But when Gautama attained buddhahood, he was relatively infilled with his own inner buddha, and therefore was that god’s human tulku. That was for Siddhartha the man, nirvana; he then entered dharmakaya and this portion of him was then known of men no more: that portion of him was a man become divine.
U. Cassina, L'oeuvre philosophique de G. Peano, Revue de Metaphysique et de Morale, vol. 40 (1933), pp. 481-491. Peirce, Charles Sanders: American Philosopher. Born in Cambridge, Mass, on September 10th, 1839. Harvard M.A. in 1862 and Sc. B. in 1863. Except for a brief cireer as lectuier in philosophy at Harvard, 1864-65 and 1869-70 and in logic at Johns Hopkins, 1879-84, he did no formal teaching. Longest tenure was with the United States Coast and Geodetic Survey for thirty years beginning in 1861. Died at Milford, Pa. in 1914 He had completed only one work, The Grand Logic, published posthumously (Coll. Papers). Edited Studies in Logic (1883). No volumes published during his lifetime but author of many lectures, essays and reviews in periodicals, particularly in the Popular Science Monthly, 1877-78, and in The Monist, 1891-93, some of which have been reprinted in Chance, Love and Logic (1923), edited by Morris R. Cohen, and. together with the best of his other work both published and unpublished, in Collected Papers of Charles Sanders Peirce (1931-35), edited by Charles Hartshorne ¦ind Paul Weiss. He was most influenced by Kant, who had he thought, raised all the relevant philosophical problems but from whom he differed on almost every solution. He was excited by Darwin, whose doctrine of evolution coincided with his own thought, and disciplined by laboratory experience in the physical sciences which inspired his search for rigor and demonstration throughout his work. Felt himself deeply opposed to Descartes, whom he accused of being responsible for the modern form of the nominalistic error. Favorably inclined toward Duns Scotus, from whom he derived his realism. Philosophy is a sub-class of the science of discovery, in turn a branch of theoretical science. The function of philosophy is to expliin and hence show unity in the variety of the universe. All philosophy takes its start in logic, or the relations of signs to their objects, and phenomenology, or the brute experience of the objective actual world. The conclusions from these two studies meet in the three basic metaphysical categories: quality, reaction, and representation. Quality is firstness or spontaneity; reaction is secondness or actuality; and representation is thirdness or possibility. Realism (q.v.) is explicit in the distinction of the modes of being actuality as the field of reactions, possibility as the field of quality (or values) and representation (or relations). He was much concerned to establish the realism of scientific method: that the postulates, implications and conclusions of science are the results of inquiry yet presupposed by it. He was responsible for pragmatism as a method of philosophy that the sum of the practical consequences which result by necessity from the truth of an intellectual conception constitutes the entire meaning of that conception. Author of the ethical principle that the limited duration of all finite things logically demands the identification of one's interests with those of an unlimited community of persons and things. In his cosmology the flux of actuality left to itself develops those systematic characteristics which are usually associated with the realm of possibility. There is a logical continuity to chance events which through indefinite repetition beget order, as illustrated in the tendency of all things to acquire habits. The desire of all things to come together in this certain order renders love a kind of evolutionary force. Exerted a strong influence both on the American pragmatist, William James (1842-1910), the instrumentalist, John Dewey (1859-), as well as on the idealist, Jociah Royce (1855-1916), and many others. -- J.K.F.
uninspired intuition ::: intuition not uplifted by inspiration (or revelation), the lowest form of intuitional ideality. untelepathic trik trikaladrsti
unlikely ::: a. --> Not likely; improbable; not to be reasonably expected; as, an unlikely event; the thing you mention is very unlikely.
Not holding out a prospect of success; likely to fail; unpromising; as, unlikely means.
Not such as to inspire liking; unattractive; disagreeable. ::: adv.
vak ::: word or words, usually internal, but also (in "indicative vak") vak written words serving as sortilege; speech; subtle (sūks.ma) speech heard in sabdadr.s.t.i; inward speech expressing jñana, a speech "in which the higher knowledge, vision or thought can clothe itself within . us for expression", especially "the word revelatory, inspired or intuitive" that "manifests inwardly with a light, a power, a rhythm of thought and a rhythm of inner sound" by which "it pours into the language, even though the same as that of mental speech, another than the limited intellectual, emotional or sensational significance".
vanity ::: n. --> The quality or state of being vain; want of substance to satisfy desire; emptiness; unsubstantialness; unrealness; falsity.
An inflation of mind upon slight grounds; empty pride inspired by an overweening conceit of one&
vayu ::: 1. wind, breath. ::: 2. Vayu: the Wind-God who in the Vedic system is the Master of Life, inspirer of that Breath or dynamic energy called the prana. ::: 3. [one of the five bhutas]: Air, the motional principle of expansion and contraction represented to the senses as the gaseous state.
"Veda, then, is the creation of an age anterior to our intellectual philosophies. In that original epoch thought proceeded by other methods than those of our logical reasoning and speech accepted modes of expression which in our modern habits would be inadmissible. The wisest then depended on inner experience and the suggestions of the intuitive mind for all knowledge that ranged beyond mankind"s ordinary perceptions and daily activities. Their aim was illumination, not logical conviction, their ideal the inspired seer, not the accurate reasoner. Indian tradition has faithfully preserved this account of the origin of the Vedas. The Rishi was not the individual composer of the hymn, but the seer (drashtâ ) of an eternal truth and an impersonal knowledge. The language of Veda itself is shruti, a rhythm not composed by the intellect but heard, a divine Word that came vibrating out of the Infinite to the inner audience of the man who had previously made himself fit for the impersonal knowledge.” The Secret of the Veda
“Veda, then, is the creation of an age anterior to our intellectual philosophies. In that original epoch thought proceeded by other methods than those of our logical reasoning and speech accepted modes of expression which in our modern habits would be inadmissible. The wisest then depended on inner experience and the suggestions of the intuitive mind for all knowledge that ranged beyond mankind’s ordinary perceptions and daily activities. Their aim was illumination, not logical conviction, their ideal the inspired seer, not the accurate reasoner. Indian tradition has faithfully preserved this account of the origin of the Vedas. The Rishi was not the individual composer of the hymn, but the seer (drashtâ ) of an eternal truth and an impersonal knowledge. The language of Veda itself is shruti, a rhythm not composed by the intellect but heard, a divine Word that came vibrating out of the Infinite to the inner audience of the man who had previously made himself fit for the impersonal knowledge.” The Secret of the Veda
VisiCalc "application, tool, business, history" /vi'zi-calk/ The first {spreadsheet} program, conceived in 1978 by {Dan Bricklin}, while he was an MBA student at Harvard Business School. Inspired by a demonstration given by {Douglas Engelbart} of a {point-and-click} {user interface}, Bricklin set out to design an {application} that would combine the intuitiveness of pencil and paper calculations with the power of a {programmable pocket calculator}. Bricklin's design was based on the (paper) financial spreadsheet, a kind of document already used in business planning. (Some of Bricklin's notes for VisiCalc were scribbled on the back of a spreadsheet pad.) VisiCalc was probably not the first application to use a spreadsheet model, but it did have a number of original features, all of which continue to be fundamental to spreadsheet software. These include {point-and-type} editing, {range} {replication} and formulas that update automatically with changes to other {cells}. VisiCalc is widely credited with creating the sudden demand for desktop computers that helped fuel the {microcomputer} boom of the early 1980s. Thousands of business people with little or no technical expertise found that they could use VisiCalc to create sophisticated financial programs. This makes VisiCalc one of the first {killer apps}. {Dan Bricklin's Site (http://bricklin.com/visicalc.htm)}. (2003-07-05)
visioned ::: imp. & p. p. --> of Vision ::: a. --> Having the power of seeing visions; inspired; also, seen in visions.
visionless ::: 1. Lacking the faculty of sight; blind. 2. Lacking intelligent foresight or imagination; uninspired.
WAITS /wayts/ The mutant cousin of {TOPS-10} used on a handful of systems at {SAIL} up to 1990. There was never an "official" expansion of WAITS (the name itself having been arrived at by a rather sideways process), but it was frequently glossed as "West-coast Alternative to ITS". Though WAITS was less visible than ITS, there was frequent exchange of people and ideas between the two communities, and innovations pioneered at WAITS exerted enormous indirect influence. The early screen modes of {Emacs}, for example, were directly inspired by WAITS's "E" editor - one of a family of editors that were the first to do "real-time editing", in which the editing commands were invisible and where one typed text at the point of insertion/overwriting. The modern style of multi-region windowing is said to have originated there, and WAITS alumni at XEROX PARC and elsewhere played major roles in the developments that led to the XEROX Star, the Macintosh, and the Sun workstations. {Bucky bits} were also invented there thus, the ALT key on every IBM PC is a WAITS legacy. One notable WAITS feature seldom duplicated elsewhere was a news-wire interface that allowed WAITS hackers to read, store, and filter AP and UPI dispatches from their terminals; the system also featured a still-unusual level of support for what is now called "multimedia" computing, allowing analog audio and video signals to be switched to programming terminals. Ken Shoemake adds: Some administrative body told us we needed a name for the operating system, and that "SAIL" wouldn't do. (Up to that point I don't think it had an official name.) So the anarchic denizens of the lab proposed names and voted on them. Although I worked on the OS used by CCRMA folks (a parasitic subgroup), I was not writing WAITS code. Those who were, proposed "SAINTS", for (I think) Stanford AI New Time-sharing System. Thinking of ITS, and AI, and the result of many people using one machine, I proposed the name WAITS. Since I invented it, I can tell you without fear of contradiction that it had no official meaning. Nevertheless, the lab voted that as their favorite; upon which the disgruntled system programmers declared it the "Worst Acronym Invented for a Time-sharing System"! But it was in keeping with the creative approach to acronyms extant at the time, including self-referential ones. For me it was fun, if a little unsettling, to have an "acronym" that wasn't. I have no idea what the voters thought. :) [{Jargon File}] (2003-11-17)
warchalk "networking" A system of runes and annotations chalked on walls or other surfaces to indicate to interested parties the presence of a {wireless} network {node} in the vicinity. Warchalking was inspired by "hobo language" - the signs used by American itinerants during the Depression years to indicate where they might find a meal. {(http://blackbeltjones.com/warchalking/)}. (2002-06-26)
weathercock ::: n. --> A vane, or weather vane; -- so called because originally often in the figure of a cock, turning on the top of a spire with the wind, and showing its direction.
Hence, any thing or person that turns easily and frequently; one who veers with every change of current opinion; a fickle, inconstant person. ::: v. t.
“We do not seek to excise from our being all consciousness of the universe, but to realise God, Truth and Self in the universe as well as transcendent of it. We shall seek therefore not only the Ineffable, but also His manifestation as infinite being, consciousness and bliss embracing the universe and at play in it. For that triune infinity is His supreme manifestation and that we shall aspire to know, to share in and to become; and since we seek to realise this Trinity not only in itself but in its cosmic play, we shall aspire also to knowledge of and participation in the universal divine Truth, Knowledge, Will, Love which are His secondary manifestation, His divine becoming. With this too we shall aspire to identify ourselves, towards this too we shall strive to rise and, when the period of effort is passed, allow it by our renunciation of all egoism to draw us up into itself in our being and to descend into us and embrace us in all our becoming.” The Synthesis of Yoga
What the Vedic poets meant by the Mantra was an inspired and revealed seeing and visioned thinking, attended by a realisation, to use the ponderous but necessary modern word, of some inmost truth of God and self and man and Nature and cosmos and life and thing and thought and experience and deed. it was a thinking that came on the wings of a great soul rhythm, chandas. For the seeing could not be separated from the hearing; it was one act.
Ref: CWSA Vol. 26, Page: 217-218
When there is something in the nature that has to be got over, it is always drawing on itself incidents that put it to the test till the sadhaka has overcome and is free. At least it is a thing that often happens especially if the person is making a sincere effort to overcome. One docs not always know whether it is the hostiles who are trying to break the resolution or putting it to the test (for they claim the right to do it) or whether it is, let us say, the gods who are doing it so as to press and hasten the progress or insisting on the surety and thoroughness of the change aspired after. Perhaps it helps most when' one can take it from the latter standpoint.
whorl ::: n. & v. --> A circle of two or more leaves, flowers, or other organs, about the same part or joint of a stem.
A volution, or turn, of the spire of a univalve shell.
The fly of a spindle.
wide-winged ::: Sri Aurobindo: "The epithet ‘wide-winged" then does not belong to the wind and is not transferred from it, but is proper to the voice of the wind which takes the form of a conscious hymn of aspiration and rises ascending from the bosom of the great priest, as might a great-winged bird released into the sky and sinks and rises again, aspires and fails and aspires again on the ‘altar hills". Letters on Savitri
with Duma (q.v.). Shateiel probably inspired the
Y 1. General purpose language syntactically like {RATFOR}, semantically like {C}. Lacks structures and pointers. Used as a source language for Jack W. Davidson and Christopher W. Fraser's peephole optimiser which inspired {GCC} {RTL} and other optimisation ideas. {(ftp://ftp.cs.princeton.edu/pub/y+po.tar.Z)}. It is a copy of the original distribution from the {University of Arizona} during the early 80's, totally unsupported. ["The Y Programming Language", D.R. Hanson, SIGPLAN Notices 16(2):59-68 (Feb 1981)]. [Jack W. Davidson and Christopher W. Fraser, "The Design and Application of a Retargetable Peephole Optimiser", TOPLAS, Apr. 1980]. [Jack W. Davidson, "Simplifying Code Through Peephole Optimisation" Technical Report TR81-19, The University of Arizona, Tucson, AZ, 1981]. [Jack W. Davidson and Christopher W. Fraser, "Register Allocation and Exhaustive Peephole Optimisation" Software-Practice and Experience, Sep. 1984]. 2. See {fixed point combinator}.
KEYS (10k)
1 Saint Therese of Lisieux
1 Robert Browning
1 Paulo Coelho
NEW FULL DB (2.4M)
7 Simon Sinek
2 Toba Beta
2 Robert T Kiyosaki
2 Robert Kiyosaki
2 Robert Browning
2 Rick Riordan
2 Ralph Waldo Emerson
2 Pierre Corneille
2 Paulo Coelho
2 Lolly Daskal
2 John Milton
2 James Allen
2 Henry David Thoreau
2 Donald Knuth
2 Anonymous
1:As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world; ~ Sri Aurobindo, Savitri, The World-Stair,#KEYS
2:As if from Matter's plinth and viewless base
To a top as viewless, a carved sea of worlds
Climbing with foam-maned waves to the Supreme
Ascended towards breadths immeasurable;
It hoped to soar into the Ineffable's reign:
A hundred levels raised it to the Unknown.
So it towered up to heights intangible
And disappeared in the hushed conscious Vast
As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world;
Mounting into great voiceless stillnesses
It marries the earth to screened eternities.
~ Sri Aurobindo, Savitri, The World-Stair,#KEYS
3:The recurring beat that moments God in Time.
Only was missing the sole timeless Word
That carries eternity in its lonely sound,
The Idea self-luminous key to all ideas,
The integer of the Spirit's perfect sum
That equates the unequal All to the equal One,
The single sign interpreting every sign,
The absolute index to the Absolute.
There walled apart by its own innerness
In a mystical barrage of dynamic light
He saw a lone immense high-curved world-pile
Erect like a mountain-chariot of the Gods
Motionless under an inscrutable sky.
As if from Matter's plinth and viewless base
To a top as viewless, a carved sea of worlds
Climbing with foam-maned waves to the Supreme
Ascended towards breadths immeasurable;
It hoped to soar into the Ineffable's reign:
A hundred levels raised it to the Unknown.
So it towered up to heights intangible
And disappeared in the hushed conscious Vast
As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world;
Mounting into great voiceless stillnesses
It marries the earth to screened eternities.
Amid the many systems of the One
Made by an interpreting creative joy
Alone it points us to our journey back
Out of our long self-loss in Nature's deeps;
Planted on earth it holds in it all realms:
It is a brief compendium of the Vast.
This was the single stair to being's goal.
A summary of the stages of the spirit,
Its copy of the cosmic hierarchies
Refashioned in our secret air of self
A subtle pattern of the universe.
It is within, below, without, above.
Acting upon this visible Nature's scheme
It wakens our earth-matter's heavy doze
To think and feel and to react to joy;
It models in us our diviner parts,
Lifts mortal mind into a greater air,
Makes yearn this life of flesh to intangible aims,
Links the body's death with immortality's call:
Out of the swoon of the Inconscience
It labours towards a superconscient Light.
If earth were all and this were not in her,
Thought could not be nor life-delight's response:
Only material forms could then be her guests
Driven by an inanimate world-force.
Earth by this golden superfluity
Bore thinking man and more than man shall bear;
This higher scheme of being is our cause
And holds the key to our ascending fate;
It calls out of our dense mortality
The conscious spirit nursed in Matter's house.
The living symbol of these conscious planes,
Its influences and godheads of the unseen,
Its unthought logic of Reality's acts
Arisen from the unspoken truth in things,
Have fixed our inner life's slow-scaled degrees.
Its steps are paces of the soul's return
From the deep adventure of material birth,
A ladder of delivering ascent
And rungs that Nature climbs to deity.
Once in the vigil of a deathless gaze
These grades had marked her giant downward plunge,
The wide and prone leap of a godhead's fall.
Our life is a holocaust of the Supreme.
The great World-Mother by her sacrifice
Has made her soul the body of our state;
Accepting sorrow and unconsciousness
Divinity's lapse from its own splendours wove
The many-patterned ground of all we are.
An idol of self is our mortality.
Our earth is a fragment and a residue;
Her power is packed with the stuff of greater worlds
And steeped in their colour-lustres dimmed by her drowse;
An atavism of higher births is hers,
Her sleep is stirred by their buried memories
Recalling the lost spheres from which they fell.
Unsatisfied forces in her bosom move;
They are partners of her greater growing fate
And her return to immortality;
They consent to share her doom of birth and death;
They kindle partial gleams of the All and drive
Her blind laborious spirit to compose
A meagre image of the mighty Whole.
The calm and luminous Intimacy within
~ Sri Aurobindo, Savitri, The World-Stair,#KEYS
*** WISDOM TROVE ***
1:There was no wind; there was no passing shadow on the deep shade of the night; there was no noise. The city lay behind him, lighted here and there, and starry worlds were hidden by the masonry of spire and roof that hardly made out any shapes against the sky. Dark and lonely distance lay around him everywhere, and the clocks were faintly striking two. ~ charles-dickens, @wisdomtrove 2:In this way they went on, and on, and on-in the language of the story-books-until at last the village lights appeared before them, and the church spire cast a long reflection on the graveyard grass; as if it were a dial (alas, the truest in the world!) marking, whatever light shone out of Heaven, the flight of days and weeks and years, by some new shadow on that solemn ground. ~ charles-dickens, @wisdomtrove 3:There is a great deal more correctness of thought respecting manhood in bodily things than in moral things. For men's ideas of manhood shape themselves as the tower and spire of cathedrals do, that stand broad at the bottom, but grow tapering as they rise, and end, far up, in the finest lines, and in an evanishing point. Where they touch the ground they are most, and where they reach to the heaven they are least. ~ henry-ward-beecher, @wisdomtrove *** NEWFULLDB 2.4M ***
1:Who taught that heaven-directed spire to rise? ~ Alexander Pope, #NFDB
2:Death is as light as a feather, duty heavier than a spire. ~ Jim Butcher, #NFDB
3:I suppose I love this life, in spire of my clenched fist. ~ Andrea Gibson, #NFDB
4:Once aboard the Night Spire, Lila barely said a word (Kell would have been thrilled). ~ V E Schwab, #NFDB
5:A dozen pigeons roosting on the cathedral spire cataract down its length and wheel out over the sea. ~ Anthony Doerr, #NFDB
6:I tell you, money can't build your spire for you. Build it of gold and it would simply sink deeper. ~ William Golding, #NFDB
7:Up up up up up up points the spire of the steeple but god's work isn't done by god it's done by people ~ Ani DiFranco, #NFDB
8:And a church spire sketched on the sky,
of sheet metal and open beams, to resemble
a church spire ~ William Carlos Williams,#NFDB
9:Up up up up up up
points the spire of the steeple
but god's work isn't done by god
it's done by people
~ Ani DiFranco,#NFDB
10:She locked her fingers with his, staring up at the endless spire of ascending darkness, and she was not afraid. “Lead on. ~ Ann Aguirre, #NFDB
11:The spire above the empty belfry was bent; it leaned, like the leaning jackpines all around it, with the prevailing northwest wind. ~ Jon Hassler, #NFDB
12:could try to tell you the story, but it would be like describing a cathedral by saying it’s a pile of stones ending in a spire. ~ Carlos Ruiz Zaf n, #NFDB
13:An instinctive taste teaches men to build their churches with spire steeples which point as with a silent finger to the sky and stars. ~ Samuel Taylor Coleridge, #NFDB
14:New York is to the nation what the white church spire is to the village - the visible symbol of aspiration and faith, the white plume saying the way is up ~ E B White, #NFDB
15:No more to wait the twilight of the moon in this sequestered vale of star and spire, for one eternal morning of desire passes to time and earthy afternoon. ~ F Scott Fitzgerald, #NFDB
16:Spire stood on spire in gleaming ziggurat steps that climbed to a central golden temple tower ringed with the crazy radiator flanges of the Mongo gas stations. ~ William Gibson, #NFDB
17:The weather-cock on the church spire, though made of iron, would soon be broken by the storm-wind if it did not understand the noble art of turning to every wind. ~ Heinrich Heine, #NFDB
18:Down they went, into the darkness. Down ancient, worn steps coated in slippery mildew. Down into the deep recesses of the earth, far beneath the corridors of Deep-Spire. ~ Sam J Charlton, #NFDB
19:Rebuilt in Victorian times, it retained the modesty of its medieval origins. Small and neat, its spire indicated the direction of heaven without trying to pierce a hole in it. ~ Diane Setterfield, #NFDB
20:When the enemies of Spire Albion were in the walls, the great-great granddaughter of old Admiral Tagwynn had refused to have a good lie-down, and it was as simple and as profound as that. ~ Jim Butcher, #NFDB
21:Imitai lo stile del Boy's Own Paper, sicchè ogni capitolo finiva nel momento più emozionante, con mamma aggredita da un giaguaro o Larry che si dibatteva tra le spire di un enorme pitone. ~ Gerald Durrell, #NFDB
22:Leo frowned at the giant's spire. "Can't we blow it up or something?" "Without me, you do not have the power," Hera said. "You might as well try to destroy a mountain." "Done that once today," Jason said. ~ Rick Riordan, #NFDB
23:Leo frowned at the giant's spire. "Can't we blow it up or something?"
"Without me, you do not have the power," Hera said. "You might as well try to destroy a mountain."
"Done that once today," Jason said. ~ Rick Riordan,#NFDB
24:There was just something about the guy, the way he struggled with his faith, yearned to do the right thing in spire of the flaws that got in his way, that made her want to kiss him again~ Dana Mentink Shelby Arroyo ~ Dana Mentink, #NFDB
25:I think . . . I think says the brain . . .
But the little spire with the eyes of ecstasy
On the brain’s dome is the life,
Not thinking anything,
But flaming . . . little fool you will cease
Flaming when you flame up to peace. ~ Robinson Jeffers,#NFDB
26:The sun was already long past the spire when Garrick purchased a mug of coffee from his regular man on the tip of Oxford Street. But his palate had been educated by 21st century coffee, and he judged this mug as bilge water not fit for the Irish. ~ Eoin Colfer, #NFDB
27:As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world; ~ Sri Aurobindo, Savitri, The World-Stair,#NFDB
28:Four years of occupation, and the roar of oncoming bombers is the roar of what? Deliverance? Extirpation? The clack-clack of small-arms fire. The gravelly snare drums of flak. A dozen pigeons roosting on the cathedral spire cataract down its length and wheel out over the sea. ~ Anthony Doerr, #NFDB
29:No, from what you say your father was an atheist, an out-and-out unbeliever. Atheism will see your head spiked on a church spire just as soon as Birdcatchery."
Mosca was silent for a few moments.
"But, Mr. Clent," she said at last, "what if he was right? What if it's true? ~ Frances Hardinge,#NFDB
30:no longer existed. Smolensk was no different. Its factories had been destroyed and the entire residential district leveled. The occasional chimney or church spire protruding here and there were the only reminders that a city had once stood there. The Russian soldiers—the very ones who had ~ Jesper Bugge Kold, #NFDB
31:Below, he could see down the entire Strip, from the radioactive green lion at the base of the MGM Grand to the glowing spire of the Stratosphere. The logjam street traffic just added to the visual effect: a thousand headlights blinking like neurons in the glowing spine that snaked down the center of the city. ~ Ben Mezrich, #NFDB
32:There was no wind; there was no passing shadow on the deep shade of the night; there was no noise. The city lay behind him, lighted here and there, and starry worlds were hidden by the masonry of spire and roof that hardly made out any shapes against the sky. Dark and lonely distance lay around him everywhere, and the clocks were faintly striking two. ~ Charles Dickens, #NFDB
33:At noon I feel as though I could devour all the elephants of Hindostan, and then pick my teeth with the spire of Strasburg cathedral; in the evening I become so sentimental that I would fain drink up the Milky Way without reflecting how indigestible I should find the little fixed stars, and by night there is the Devil himself broke loose in my head and no mistake. ~ Heinrich Heine, #NFDB
34:In this way they went on, and on, and on-in the language of the story-books-until at last the village lights appeared before them, and the church spire cast a long reflection on the graveyard grass; as if it were a dial (alas, the truest in the world!) marking, whatever light shone out of Heaven, the flight of days and weeks and years, by some new shadow on that solemn ground. ~ Charles Dickens, #NFDB
35:Her fingers travel back to the cathedral spire. South to the Gate of Dinan. All evening she has been marching her fingers around the model, waiting for her great-uncle Etienne, who owns this house, who went out the previous night while she slept, and who has not returned. And now it is night again, another revolution of the clock, and the whole block is quiet, and she cannot sleep. ~ Anthony Doerr, #NFDB
36:There is a great deal more correctness of thought respecting manhood in bodily things than in moral things. For men's ideas of manhood shape themselves as the tower and spire of cathedrals do, that stand broad at the bottom, but grow tapering as they rise, and end, far up, in the finest lines, and in an evanishing point. Where they touch the ground they are most, and where they reach to the heaven they are least. ~ Henry Ward Beecher, #NFDB
37:Easton's Beach
LAST night I saw a city by the sea,
Outlined in sparks of fire;
Those wreathed lamps made all a fantasy Arch, dome and spire.
I saw above the waters pale and gray,
The pale moon stand,
I heard, but faint and sweet and far away,
A martial band.
The distant voices in the streets, the sound
Of laughter from the towers
Made where we swam the solitude profound:
The sea was ours.
~ Alice Duer Miller,#NFDB
38:I'm afraid you made a serious mistake today."
"Sire?"
"You proved yourself extraordinarily capable, Captain," Albion said. "I can hardly let something like that go unremarked."
"I don't understand, sir," Grimm said, frowning.
"Captain, your clarity of thought in the face of unexpected disaster is a rare quality. It's a poor reward for such heroism, but I'm afraid that I must insist upon continuing to use you for the good of my Spire. ~ Jim Butcher,#NFDB
39:Oh Mother, Mother make my bed
Make it soft and narrow
My William died for love of me,
And I shall die of sorrow
They buried her in the old churchyard.
Sweet William's grave was nigh hers
And from his grave grew a red, red rose
And from her grave a brier.
They grew and grew up the old church spire
Until they could grow no higher
And there they twined, in a true love knot,
The red, red rose and the brier. ~ Cassandra Clare,#NFDB
40:You man that tiller day and night. Won't you rest?'
Ereko lightly laughed the suggestion aside. ‘No, lad. I am so old now that sleeping and waking have melded together into one and I know not which I inhabit.'
Watching the lad struggle through that, Ereko shifted course slightly to avoid a looming ice-spire.
'Truly? So old? As old as the mountains?'
Ereko raised his brows. ‘Goodness, no. Not that old. Only half so old, I should think. ~ Ian C Esslemont,#NFDB
41:But Anne with her elbows on the window sill, her soft cheek laid against her clasped hands, and her eyes filled with visions, looked out unheedingly across city roof and spire to that glorious dome of sunset sky and wove her dreams of a possible future from the golden tissue of youth's own optimism. All the Beyond was hers, with its possibilities lurking rosily in the oncoming years — each year a rose of promise to be woven into an immortal chaplet. ~ Lucy Maud Montgomery, #NFDB
42:and half of learning to play is learning what not to play and she's learning the spaces she leaves have their own things to say and she's trying to sing just enough so that the air around her moves and make music like mercy that gives what it is and has nothing to prove she crawls out on a limb and begins to build her home and it's enough just to look around and to know that she's not alone up up up up up up up points the spire of the steeple but god's work isn't done by god it's done by people ~ Ani DiFranco, #NFDB
43:and half of learning to play is learning what not to play
and she's learning the spaces she leaves have their own things to say
and she's trying to sing just enough so that the air around her moves
and make music like mercy that gives what it is and has nothing to prove
she crawls out on a limb and begins to build her home
and it's enough just to look around and to know that she's not alone
up up up up up up up points the spire of the steeple
but god's work isn't done by god
it's done by people ~ Ani DiFranco,#NFDB
44:For the machine meant the conquest of horizontal space. It also meant a sense of that space which few people had experienced before – the succession and superimposition of views, the unfolding of landscape in flickering surfaces as one was carried swiftly past it, and an exaggerated feeling of relative motion (the poplars nearby seeming to move faster than the church spire across the field) due to parallax. The view from the train was not the view from the horse. It compressed more motifs into the same time. Conversely, it left less time in which to dwell on any one thing. ~ Robert Hughes, #NFDB
45:Sunset On The Spire
All that I dream
By day or night
Lives in that stream
Of lovely light.
Here is the earth,
And there is the spire;
This is my hearth,
And that is my fire.
From the sun's dome
I am shouted proof
That this is my home,
And that is my roof.
Here is my food,
And here is my drink,
And I am wooed
From the moon's brink.
And the days go over,
And the nights end;
Here is my lover,
Here is my friend.
All that I
Can ever ask
Wears that sky
Like a thin gold mask.
~ Elinor Morton Wylie,#NFDB
46:There’s a story my father used to tell about the peak. She was a grand old thing, a cathedral of a mountain. The range had other mountains, taller, more imposing, but Buck’s Peak was the most finely crafted. Its base spanned a mile, its dark form swelling out of the earth and rising into a flawless spire. From a distance, you could see the impression of a woman’s body on the mountain face: her legs formed of huge ravines, her hair a spray of pines fanning over the northern ridge. Her stance was commanding, one leg thrust forward in a powerful movement, more stride than step ~ Tara Westover, #NFDB
47:Some single trees, wholly bright scarlet, seen against others of their kind still freshly green, or against evergreens, are more memorable than whole groves will be by-and-by. How beautiful, when a whole tree is like one great scarlet fruit full of ripe juices, every leaf, from lowest limb to topmost spire, all aglow, especially if you look toward the sun! What more remarkable object can there be in the landscape? Visible for miles, too fair to be believed. If such a phenomenon occurred but once, it would be handed down by tradition to posterity, and get into the mythology at last. ~ Henry David Thoreau, #NFDB
48:She had her eyes on one ship in particular, had been watching, coveting, all day. It was a gorgeous vessel, its hull and masts carved from dark wood and trimmed in silver, its sails shifting from midnight blue to black, depending on the light. A name ran along its hull—Saren Noche—and she would later learn that it meant Night Spire. For now she only knew that she wanted it. But she couldn’t simply storm a fully manned craft and claim it as her own. She was good, but she wasn’t that good. And then there was the grim fact that Lila didn’t technically know how to sail. ~ V E Schwab, #NFDB
49:Lydia Humphrey
Back and forth, back and forth, to and from the church,
With my Bible under my arm
Till I was gray and old;
Unwedded, alone in the world,
Finding brothers and sisters in the congregation,
And children in the church.
I know they laughed and thought me queer.
I knew of the eagle souls that flew high in the sunlight,
Above the spire of the church, and laughed at the church,
Disdaining me, not seeing me.
But if the high air was sweet to them, sweet was the church to me.
It was the vision, vision, vision of the poets
Democratized!
~ Edgar Lee Masters,#NFDB
50:After The Winter
Some day, when trees have shed their leaves
And against the morning's white
The shivering birds beneath the eaves
Have sheltered for the night,
We'll turn our faces southward, love,
Toward the summer isle
Where bamboos spire to shafted grove
And wide-mouthed orchids smile.
And we will seek the quiet hill
Where towers the cotton tree,
And leaps the laughing crystal rill,
And works the droning bee.
And we will build a cottage there
Beside an open glade,
With black-ribbed blue-bells blowing near,
And ferns that never fade.
~ Claude McKay,#NFDB
51:Nicrominus considered that possibility further and came to the realization that the prospect did not bother him particularly. He had led a long life, seen many things, had mates, eaten them, spawned children, eaten them, allowed one of them to live almost on a whim and found the experience to be, on the whole, rather uplifting. There were still things he wished to see and goals he wished to attain. He had no overt desire for death. But if the next few minutes were to result in his being a red and green splotch on the streets of the Spire city, well…it wasn’t as if he hadn’t had more than his share of experiences. ~ Peter David, #NFDB
52:How Like You
How like you, cholera,
to worry over the health of strangers.
And you have let your sweetheart go hungry,
while your legend crossed the country,
a surprise visitor playing Cupid,
keeping the happy happy from guest wing to portrait gallery,
prickly wilderness to deepest city.
With a grace of Goth and Hun,
you taught the danger of your good turn in roadiess times, with early spoons,
and it only took an afternoon.
You rise like Islarn this mauve morning,
inventing dark and savage deserts.
Tonight you launch them from the spire
and they'll spread like spiny fire.
~ Emma Lew,#NFDB
53:The New York of the plays, the movies, the books; the New York of The New Yorker and Vanity Fair and Vogue. It was a beacon, a spire, a beacon on top of a spire. A light, always glowing from afar, visible even from the cornfields of Iowa, the foothills of the Dakotas, the deserts of California. The swamps of Louisiana. Beckoning, always beckoning. Summoning the discontented, seducing the dreamers. Those whose blood ran too hot, and too quickly, causing them to look about at their placid families, their staid neighbors, the graves of their slumbering ancestors and say— I’m different. I’m special. I’m more. They all came to New York. ~ Melanie Benjamin, #NFDB
54:Lxxxiii: Spring
Dip down upon the northern shore,
O sweet new-year, delaying long;
Thou doest expectant Nature wrong,
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the fox-glove spire,
The little speedwell's darling blue,
Deep tulips dashed with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud,
And flood a fresher throat with song.
~ Alfred Lord Tennyson,#NFDB
55:One Cigarette
No smoke without you, my fire.
After you left,
your cigarette glowed on in my ashtray
and sent up a long thread of such quiet grey
I smiled to wonder who would believe its signal
of so much love. One cigarette
in the non-smoker's tray.
As the last spire
trembles up, a sudden draught
blows it winding into my face.
Is it smell, is it taste?
You are here again, and I am drunk on your tobacco lips.
Out with the light.
Let the smoke lie back in the dark.
Till I hear the very ash
sigh down among the flowers of brass
I'll breathe, and long past midnight, your last kiss.
~ Edwin Morgan,#NFDB
56:It was crucial that I not look at him. As long as I kept my eyes on the spire, I almost believed he couldn’t touch me. Almost. Because even while I clung to this belief, I waited to feel his hands on my neck. I knew I would feel them, and soon, but I didn’t dare do anything that might break the spell of waiting. In that moment part of me believed, as I had always believed, that it would me to break the spell, who caused it to break. When the stillness shattered and his fury rushed at me, I would know that something I had done was the catalyst, the cause. There is hope in such superstition; there is the illusion of control.
I stayed still, without thought or motion. ~ Tara Westover,#NFDB
57:Sonnet
The Lord of Life shakes off his drowsihed,
And 'gins to sprinkle on the earth below
Those rays that from his shaken locks do flow;
Meantime, by truant love of rambling led,
I turn my back on thy detested walls,
Proud city! and thy sons I leave behind,
A sordid, selfish, money-getting kind;
Brute things, who shut their ears when Freedom calls.
I pass not thee so lightly, well-known spire,
That mindest me of many a pleasure gone,
Of merrier days, of love and Islington;
Kindling afresh the flames of past desire.
And I shall muse on thee slow journeying on
To the green plains of pleasant Hertfordshire.
1795.
~ Charles Lamb,#NFDB
58:A.D. 19—?
AS in some quiet city bathed in sleep,
Where like a kiss the twilight lingereth,
When suddenly the earth stirs far beneath—
Just moves, then pauses—and a silence deep
Falls on all ere the second shock should sweep
Spire, column, pinnacle to shapeless death!
And white face peers at white face, and no breath
Is drawn, and every heart forgets to leap!
So now across this quiet, dreaming world
The first faint shock has thrilled; and men, aghast,
Wait for the second, whose blind forces pent
Shall in one last convulsion find their vent;
And all the builded fabrics of the past
Shall be in ruins on their builders hurled.
~ Arthur Henry Adams,#NFDB
59:In Memoriam A. H. H.: 83. Dip Down Upon The
Northern Shore
Dip down upon the northern shore
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speed well's darling blue,
Deep tulips dash'd with fiery dew,
Laburnums, dropping-wells of fire.
O thou new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
~ Alfred Lord Tennyson,#NFDB
60:As if from Matter's plinth and viewless base
To a top as viewless, a carved sea of worlds
Climbing with foam-maned waves to the Supreme
Ascended towards breadths immeasurable;
It hoped to soar into the Ineffable's reign:
A hundred levels raised it to the Unknown.
So it towered up to heights intangible
And disappeared in the hushed conscious Vast
As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world;
Mounting into great voiceless stillnesses
It marries the earth to screened eternities.
~ Sri Aurobindo, Savitri, The World-Stair, #index,#NFDB
61:Eldric turned away from the mirror, holding out his hand. In the cup of his hand lay his fidget of paper clips. But the fidget had blossomed into a crown. An allover-filigree crown, with a twisty spire marking the front.
I stared at it for some moments. "It's for you," said Eldric. "If you want it."
"I'm seventeen," I said. "I haven't played at princess for years."
"Does that matter ?" Eldric set it on my head. It was almost weightless, a true crown for the steam age.
In a proper story, antagonistic sparks would fly between Eldric and me, sparks that would sweeten the inevitable kiss on page 324. But life doesn't work that way. I didn't hate Eldric, which, for me, is about as good as things get. ~ Franny Billingsley,#NFDB
62:Sonnet Xlv: Secret Parting
Because our talk was of the cloud-control
And moon-track of the journeying face of Fate,
Her tremulous kisses faltered at love's gate
And her eyes dreamed against a distant goal:
But soon, remembering her how brief the whole
Of joy, which its own hours annihilate,
Her set gaze gathered, thirstier than of late,
And as she kissed, her mouth became her soul.
Thence in what ways we wandered, and how strove
To build with fire-tried vows the piteous home
Which memory haunts and whither sleep may roam,—
They only know for whom the roof of Love
Is the still-seated secret of the grove,
Nor spire may rise nor bell be heard therefrom.
~ Dante Gabriel Rossetti,#NFDB
63:The church is wherever the people of God—the public of Jesus Christ—live out their faith and fellowship in the Triune God. This is public theology: children of light being “the light of the world” (Matt. 5:14), bringing to light “the plan of the mystery hidden for ages” (Eph. 3:9), namely, “to unite all things in [Christ]” (Eph. 1:9–10). In Newbigin’s words: “This koinōnia is indeed the very being of the Church as a sign, instrument, and foretaste of what God purposes for the whole human family.”[67] The church, as public spire, is the vanguard of the realization of this plan. As such, the church is the public truth of Jesus Christ, and not only truth, but also the public goodness and public beauty of God’s plan of redemption. ~ Kevin J Vanhoozer, #NFDB
64:Thomas Chatterton
WITH Shakspeare's manhood at a boy's wild heart,—
Through Hamlet's doubt to Shakspeare near allied,
And kin to Milton through his Satan's pride,—
At Death's sole door he stooped, and craved a dart;
And to the dear new bower of England's art,—
Even to that shrine Time else had deified,
The unuttered heart that soared against his side,—
Drove the fell point, and smote life's seals apart.
Thy nested home-loves, noble Chatterton;
The angel-trodden stair thy soul could trace
Up Redcliffe's spire; and in the world's armed space
Thy gallant sword-play:—these to many an one
Are sweet for ever; as thy grave unknown
And love-dream of thine unrecorded face.
~ Dante Gabriel Rossetti,#NFDB
65:Climbing
High up in the apple tree climbing I go,
With the sky above me, the earth below.
Each branch is the step of a wonderful stair
Which leads to the town I see shining up there.
Climbing, climbing, higher and higher,
The branches blow and I see a spire,
The gleam of a turret, the glint of a dome,
All sparkling and bright, like white sea foam.
On and on, from bough to bough,
The leaves are thick, but I push my way through;
Before, I have always had to stop,
But to-day I am sure I shall reach the top.
Today to the end of the marvelous stair,
Where those glittering pinacles flash in the air!
Climbing, climbing, higher I go,
With the sky close above me, the earth far below.
~ Amy Lowell,#NFDB
66:After midday, the rain eased, and the Land Rover rode into Pokhara on a shaft of storm light. Next day there was humid sun and shifting southern skies, but to the north a deep tumult of swirling grays was all that could be seen of the Himalaya. At dusk, white egrets flapped across the sunken clouds, now black with rain; on earth, the dark had come. Then four miles above these mud streets of the lowlands, at a point so high as to seem overhead, a luminous whiteness shone- the light of snows. Glaciers loomed and vanished in the grays, and the sky parted, and the snow cone of Machhapuchare glistened like a spire of a higher kingdom. In the night, the stars convened, and the vast ghost of Machhapuchare radiated light, although there was no moon. ~ Peter Matthiessen, #NFDB
67:What is going to happen to the Aurorans?"
"They are prisoners of war," Albion said. "I should imagine they will be set to work at the base of the Spire."
Grimm tightened his jaw. "No, sir."
"No?"
"No, sir," Grimm said. "I've seen that place. You might as well tie a noose around their necks and stand them on blocks of ice, if you want them to die a slow death. It will be cleaner."
"I'm not sure why this concerns you, Captain," Albion said.
"Because they surrendered to me," Grimm said. "They gave me their parole, sir. They could have fought on with no real chance of victory, and it would have been bloody. But that surrender saved blood and lives of Albions and Aurorans alike. I will not see Captain Castillo repaid with such churlish treatment. ~ Jim Butcher,#NFDB
68:Tristran sat at the top of the spire of cloud and wondered why none of the heroes of the penny dreadfuls he used to read so avidly were ever hungry. His stomach rumbled, and his hand hurt him so.
Adventures are all very well in their place, he thought, but there’s a lot to be said for regular meals and freedom from pain.
Still, he was alive, and the wind was in his hair, and the cloud was scudding through the sky like a galleon at full sail. Looking out over the world from above, he could never remember feeling so alive as he did at that moment. There was a skyness to the sky and a nowness to the world that he had never seen or felt or realized before.
He understood that he was, in some way, above his problems, just as he was above the world. ~ Neil Gaiman,#NFDB
69:Rose and russet, scarlet and sienna. Old men blew colored smoke through long painted flutes, etching the air with soundless music. Saffron and vermilion, amaranth and coral. From each dome rose a needlelike spire, all of them snapping with swallowtail flags and interconnected by ribbons across which children ran laughing, clad in cloaks of colored feathers. Mulberry and citrine, celadon and chocolate. Their shadows kept pace with them down below in a way that could never happen in the true Weep, enshrouded as it was in one great shadow. The imaginary citizenry wore garments of simple loveliness, the women’s hair long and trailing behind them, or else held aloft by attendant songbirds that were their own sparks of color. Dandelion and chestnut, tangerine and goldenrod. ~ Laini Taylor, #NFDB
70:Father,” he said. The word tasted strange in his mouth; he had never had cause to say it to anyone before. Then Eragon shifted his gaze to the runes he had set into the spire at the head of the tomb, which read:
HERE LIES BROM
Who was a Dragon Rider
And like a father
To me.
May his name live on in glory.
He smiled painfully at how close he had come to the truth. Then he spoke in the ancient language, and he watched the diamond shimmer and flow as a new pattern of runes formed upon its surface. When he finished, the inscription had changed to:
HERE LIES BROM
Who was
A Rider bonded to the dragon Saphira
Son of Holcomb and Nelda
Beloved of Selena
Father of Eragon Shadeslayer
Founder of the Varden
And Bane of the Forsworn.
May his name live on in glory.
Stydja unin mor’ranr. ~ Christopher Paolini,#NFDB
71:The Lilacs
I ALWAYS think of mother, when
The lilac tree's in bloom,
It seems her soul comes back again
Upon its sweet perfume.
And every opal spire that sways
Out in the summer sun
Brings back the good old golden days
Before her work was done.
'T was there her smile seemed sweetest, and
'T was there her eyes were brightest,
'T was there that gentlest was her hand,
And there her heart was lightest.
And now when blooms the lilac tree
I feel that she is near me,
Come back again the flowers to see,
To comfort and to cheer me.
All mothers love a lilac tree,
And that is why I love it;
The blossoms know, it seems to me,
That angels bend above it.
And when the blooms return again
My skies become the clearest,
Because I seem to feel just then
That mother, dear, is nearest.
~ Edgar Albert Guest,#NFDB
72:The next morning, when Thomasin withdrew the curtains of her bedroom window, there stood the Maypole in the middle of the greek, its top cutting into the sky. It had sprung up in the night. or rather early morning, like Jack's bean-stalk. She opened the casement to get a better view of the garlands and posies that adored it. The sweet perfume of the flowers had already spread into the surrounding air, which being free from every taint, conducted to her lips a full measure of the fragrance received from the spire of blossom in its midst. At the top of the pole were crossed hoops decked with small flowers; beneath these came a milk-white zone of Maybloom;then a zone of bluebells, then of cowslips, then of lilacs, then of ragged-rosins, daffodils and so on, till the lowest stage was reached.Thomasin noticed all these, and was delighted that the May revel was to be so near. ~ Thomas Hardy, #NFDB
73:There, eastward, within a stone’s throw, stood the twin towers of All Souls, fantastic, unreal as a house of cards, clear-cut in the sunshine, the drenched oval in the quad beneath brilliant as an emerald in the bezel of a ring. Behind them, black and grey, New College frowning like a fortress, with dark wings wheeling about her belfry louvres; and Queen’s with her dome of green copper; and, as the eye turned southward, Magdalen, yellow and slender, the tall lily of towers; the Schools and the battlemented front of University; Merton, square-pinnacled, half-hidden behind the shadowed North side and mounting spire of St. Mary’s. Westward again, Christ Church, vast between Cathedral spire and Tom Tower; Brasenose close at hand; St. Aldate’s and Carfax beyond; spire and tower and quadrangle, all Oxford springing underfoot in living leaf and enduring stone, ringed far off by her bulwark of blue hills. ~ Dorothy L Sayers, #NFDB
74:Balanced atop the highest spire of the Salt Lake Temple, gleaming in the Utah sun, a statue of the angel Moroni stands watch over downtown Salt Lake City with his golden trumpet raised. This massive granite edifice is the spiritual and temporal nexus of the Church of Jesus Christ of Latter-day Saints (LDS), which presents itself as the world's only true religion. Temple Square is to Mormons what the Vatican is to Catholics, or the Kaaba in Mecca is to Muslims. At last count there were more than eleven million Saints the world over, and Mormonism is the fastest-growing faith in the Western Hemisphere. At present in the United States there are more Mormons than Presbyterians or Episcopalians. On the planet as a whole, there are now more Mormons than Jews. Mormonism is considered in some sober academic circles to be well on its way to becoming a major world religion--the first such faith to emerge since Islam. ~ Jon Krakauer, #NFDB
75:Song Of The Aviator
You may thrill with the speed of your thoroughbred steed,
You may laugh with delight as you ride the ocean,
You may rush afar in your touring car,
Leaping, sweeping, by things that are creepingBut you never will know the joy of motion
Till you rise up over the earth some day,
And soar like an eagle, away-away.
High and higher above each spire,
Till lost to sight is the tallest steeple,
With the winds you chase in a valiant race,
Looping, swooping, where mountains are grouping,
Hailing them comrades, in place of people.
Oh! vast is the rapture the birdman knows,
As into the ether he mounts and goes.
He is over the sphere of human fear;
He has come into touch with things supernal.
At each man's gate death stands await;
And dying, flying, were better than lying
In sick-beds, crying for life eternal,
Better to fly half-way to God
Than to burrow too long like a worm in the sod.
~ Ella Wheeler Wilcox,#NFDB
76:Exmoor
Lost aboard the roll of Kodacolor that was to have superseded all need to remember
Somerset were: a large flock
of winter-bedcover-thickpelted sheep up on the moor;
a stile, a church spire,
and an excess, at Porlock,
of tenderly barbarous antique
thatch in tandem with flowerbeds, relentlessly picturesque, along every sidewalk;
a millwheel; and a millbrook
running down brown as beer.
Exempt from the disaster.
however, as either too quick
or too subtle to put on record, were these: the flutter
of, beside the brown water,
with a butterfly-like flick
of fan-wings, a bright blackand-yellow wagtail; at Dulverton on the moor, the flavor
of the hot toasted teacake
drowning in melted butter
we had along with a bus-tourload of old people; the driver
's way of smothering every r
in the wool of a West Country diphthong, and as a Somerset man, the warmth he had for
18
the high, wild, heatherdank wold he drove us over.
~ Amy Clampitt,#NFDB
77:i am a little church(no great cathedral)
far from the splendor and squalor of hurrying cities
--i do not worry if briefer days grow briefest,
i am not sorry when sun and rain make april
my life is the life of the reaper and the sower;
my prayers are prayers of earth's own clumsily striving
(finding and losing and laughing and crying)children
whose any sadness or joy is my grief or my gladness
around me surges a miracle of unceasing
birth and glory and death and resurrection:
over my sleeping self float flaming symbols
of hope,and i wake to a perfect patience of mountains
i am a little church(far from the frantic
world with its rapture and anguish)at peace with nature
--i do not worry if longer nights grow longest;
i am not sorry when silence becomes singing
winter by spring,i lift my diminutive spire to
merciful Him Whose only now is forever:
standing erect in the deathless truth of His presence
(welcoming humbly His light and proudly His darkness) ~ E E Cummings,#NFDB
78:Charles Webster
The pine woods on the hill,
And the farmhouse miles away,
Showed clear as though behind a lens
Under a sky of peacock blue!
But a blanket of cloud by afternoon
Muffled the earth. And you walked the road
And the clover field, where the only sound
Was the cricket's liquid tremolo.
Then the sun went down between great drifts
Of distant storms. For a rising wind
Swept clean the sky and blew the flames
Of the unprotected stars;
And swayed the russet moon,
Hanging between the rim of the hill
And the twinkling boughs of the apple orchard.
You walked the shore in thought
Where the throats of the waves were like whippoorwills
Singing beneath the water and crying
To the wash of the wind in the cedar trees,
Till you stood, too full for tears, by the cot,
And looking up saw Jupiter,
Tipping the spire of the giant pine,
And looking down saw my vacant chair,
Rocked by the wind on the lonely porch -Be brave, Beloved!
~ Edgar Lee Masters,#NFDB
79:Madonna Of The Evening Flowers
All day long I have been working,
Now I am tired
I call: "Where are you?"
But there is only the oak-tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you? I go about searching.
Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes.
You tell me that the peonies need spraying,
That the columbines have overrun all bounds,
That the pyrus japonica should be cut back and rounded.
You tell me all these things.
But I look at you, heart of silver,
White heart-flame of polished silver,
Burning beneath the blue steeples of the larkspur,
And I long to kneel instantly at your feet,
While all about us peal the loud, sweet, Te Deums of the Canterbury bells.
~ Amy Lowell,#NFDB
80:MADONNA OF THE EVENING FLOWERS
All day long I have been working
Now I am tired.
I call: “Where are you?”
But there is only the oak tree rustling in the wind.
The house is very quiet,
The sun shines in on your books,
On your scissors and thimble just put down,
But you are not there.
Suddenly I am lonely:
Where are you?
I go about searching.
Then I see you,
Standing under a spire of pale blue larkspur,
With a basket of roses on your arm.
You are cool, like silver,
And you smile.
I think the Canterbury bells are playing little tunes,
You tell me that the peonies need spraying,
That the columbines have overrun all bounds,
That the pyrus japonica should be cut back and rounded.
You tell me these things.
But I look at you, heart of silver,
White heart-flame of polished silver,
Burning beneath the blue steeples of the larkspur,
And I long to kneel instantly at your feet,
While all about us peal the loud, sweet Te Deums of the Canterbury bells ~ Amy Lowell,#NFDB
81:The wind whistles down into the skyscraper-bound canyons, across the broad expanses of the avenues and the narrow confines of the streets, where lives unfolded in secret, day in, day out: Sometimes a man sighs for want of love. Sometimes a child cries for the dropped lollipop, its sweetness barely tasted. Sometimes the girl gasps as the train screams into the station, shaken by how close she’d allowed herself to wander to the edge. Sometimes the drunk raises weary eyes to the rows of building rendered beautiful by a brief play of sunlight. “Lord?” he whispers into the held breath between taxi horns. The light catches on a city spire, fracturing for a second into glorious rays before the clouds move in again. The drunk lowers his eyes. “Lord, Lord…” he sobs, as if answering his own broken prayer. […] Another day closes. The sun sinks low on the horizon. It slips below the Hudson, smearing the West Side of Manhattan in a slick of gold. Night arrives for its watchful shift. The neon city bursts its daytime seams, and the great carnival of dreams begins again. ~ Libba Bray, #NFDB
82:One must build to the praise of a Being above, to build the noblest memorial of himself. Then, Angelo may verily " hang the Pantheon in the air." Then the unknown builder, whose personality disappears in his work, may stand an almost inspired mediator between the upward-looking thought and the spheres overhead. Each line then leaps with a swift aspiration, as the vast structure rises, in nave and transept into pointed arch and vanishing spire. The groined roof grows dusky with majestic glooms; while, beneath, the windows flame, as with apocalyptic light of jewels. Angelic presences, sculptured upon the portal, invite the wayfarer, and wave before him their wings of promise. Within is a worship which incense only clouds, which spoken sermons only mar. The building itself becomes a worship, a Gloria in Excelsis, articulate in stone; the noblest tribute offered on earth, by any art, to Him from whom its impulse came, and with the ineffable majesty of whose spirit all skies are filled! ~ Richard Salter Storrs, The Recognition of the Supernatural in Letters and in life (1881), #NFDB
83:The ceaseless rain is falling fast,
And yonder gilded vane,
Immovable for three days past,
Points to the misty main,
It drives me in upon myself
And to the fireside gleams,
To pleasant books that crowd my shelf,
And still more pleasant dreams,
I read whatever bards have sung
Of lands beyond the sea,
And the bright days when I was young
Come thronging back to me.
In fancy I can hear again
The Alpine torrent's roar,
The mule-bells on the hills of Spain,
The sea at Elsinore.
I see the convent's gleaming wall
Rise from its groves of pine,
And towers of old cathedrals tall,
And castles by the Rhine.
I journey on by park and spire,
Beneath centennial trees,
Through fields with poppies all on fire,
And gleams of distant seas.
I fear no more the dust and heat,
No more I feel fatigue,
While journeying with another's feet
O'er many a lengthening league.
Let others traverse sea and land,
And toil through various climes,
I turn the world round with my hand
Reading these poets' rhymes.
From them I learn whatever lies
Beneath each changing zone,
And see, when looking with their eyes,
Better than with mine own. ~ Henry Wadsworth Longfellow,#NFDB
84:...there was about five minutes of time left for him to live.
"...he seemed to be living, in these minutes, so many lives that there was no need as yet to think of that last moment, so that he made several arrangements, dividing up the time into portions--one for saying farewell to his companions, two minutes for that; then a couple more for thinking over his own life and career and all about himself; and another minute for a last look around. He remembered having divided his time like this quite well. While saying good- bye to his friends he recollected asking one of them some very usual everyday question, and being much interested in the answer. Then having bade farewell, he embarked upon those two minutes which he had allotted to looking into himself... He wished to put it to himself as quickly and clearly as possible, that here was he, a living, thinking man, and that in three minutes he would be nobody; or if somebody or something, then what and where? He thought he would decide this question once for all in these last three minutes. A little way off there stood a church, and its gilded spire glittered in the sun. He remembered staring stubbornly at this spire, and at the rays of light sparkling from it. ~ Fyodor Dostoyevsky,#NFDB
85:The Little Old-Fashioned Church
THE little old-fashioned church, with the pews that were straight-backed and
plain,
Where the sunbeams to worship came in through the windows that bore not a
stain,
And the choir was composed of the good folks who toiled week-days in meadow
and lane;
The little old-fashioned church that stood on the brow of the hill,
With its plain, wooden cross on the peak, an emblem of love and good will,
Of the Christ who has died for us all — in fancy I gaze at it still.
I wish I could go there again and list to the preacher who told
Of the wonderful joys that await us when God calls us into His fold,
Who pictured a Heaven unto us as a city with pavements of gold.
The little old-fashioned church with never a towering spire,
With never a sign of great wealth, and the people who sang in the choir
Giving their music for love of the cause and not for the sake of their hire.
Perhaps I am wrong or old-fashioned or queer, but the little, gray church on the
hill,
Where only God's mercy and love were e'er preached, the want in my life
seemed to fill,
And I don't get the comfort I seek from the church of today with its frill.
~ Edgar Albert Guest,#NFDB
86:The sense of respiration is an example of our natural sense relationship with the atmospheric matrix. Remember, respiration means to re-spire, to re-spirit ourselves by breathing. It, too, is a consensus of many senses. We may always bring the natural relationships of our senses and the matrix into consciousness by becoming aware of our tensions and relaxations while breathing. The respiration process is guided by our natural attraction to connect with fresh air and by our attraction to nurture nature by feeding it carbon dioxide and water, the foods for Earth that we grow within us during respiration. When we hold our breath, our story to do so makes our senses feel the suffocation discomfort of being separated from Earth's atmosphere. It draws our attention to follow our attraction to air, so we inspire and gain comfort. Then the attraction to feed Earth comes into play so we exhale food for it to eat and we again gain comfort. This process feels good, it is inspiring. Together, we and Earth conspire (breathe together) so that neither of us will expire. The vital nature of this process is brought to consciousness when we recognize that the word for air, spire, also means spirit and that psyche is another name for air/spirit/soul. ~ Michael J Cohen, #NFDB
87:The Voice And The Dusk
THE slender moon and one pale star,
A rose leaf and a silver bee
From some god's garden blown afar,
Go down the gold deep tranquilly.
Within the south there rolls and grows
A mighty town with tower and spire,
From a cloud bastion masked with rose
The lightning flashes diamond fire.
The purple martin darts about
The purlieus of the iris fen;
The king-bird rushes up and out,
He screams and whirls and screams again.
A thrush is hidden in a maze
Of cedar buds and tamarac bloom,
He throws his rapid flexile phrase,
A flash of emeralds in the gloom.
A voice is singing from the hill
A happy love of long ago;
Ah! tender voice, be still, be still,
''Tis sometimes better not to know.'
The rapture from the amber height
Floats tremblingly along the plain,
Where in the reeds with fairy light
The lingering fireflies gleam again.
Buried in dingles more remote,
Or drifted from some ferny rise,
The swooning of the golden throat
Drops in the mellow dusk and dies.
A soft wind passes lightly drawn,
A wave leaps silverly and stirs
The rustling sedge, and then is gone
Down the black cavern in the firs.
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~ Duncan Campbell Scott,#NFDB
88:«Vieni, sorella. Vieni a noi. Su, vieni, vieni!» Impaurito io mi volgo a mia povera Madam Mina, e il mio cuore per felicità è balzato come fiamma; perché, oh, il terrore in suoi dolci occhi, la repulsione, l'orrore! E la convinzione, per me, che era ancora speranza. Dio sia ringraziato, non era ancora, non ancora, di quelle. Ho preso un pezzo dell'ostia avanzando verso di loro e il fuoco. Esse arretrano davanti a me, ridendo il loro basso, orrido riso. Io attizzo il fuoco e più non temo loro, perché sapevo che dietro nostre protezioni siamo sani e salvi. Esse non potevano accostare me mentre così armato, né Madam Mina mentre che rimaneva dentro il cerchio, che essa non poteva lasciare non più che quelle potevano entrare. I cavalli avevano cessato di gemere, e ancora giacevano a terra; la neve cadeva soffice su di essi, ed essi diventavano più bianchi e più bianchi. Sapevo che per le povere bestie era finito il terrore. E così siamo rimasti finché il rosso dell'alba è filtrato tra il biancore di neve. Ero desolato e intimorito, e pieno di tristi presentimenti; ma quando il bel sole ha cominciato a salire sull'orizzonte, la vita è in me tornata. Al primo venire dell'alba, le orride figure dissolvono nel turbine di nebbia e neve, spire di trasparente tenebra che va via verso il castello e sono perdute ~ Bram Stoker, #NFDB
89:The Storm
Within the pale blue haze above,
Some pitchy shreds took size and form,
And, like a madman's wrath or love,
From nothing rose a sudden storm.
The blossom'd limes, which seem'd to exhale
Her breath, were swept with one strong sweep,
And up the dusty road the hail
Came like a flock of hasty sheep,
Driving me under a cottage-porch,
Whence I could see the distant Spire,
Which, in the darkness, seem'd a torch
Touch'd with the sun's retreating fire.
A voice, so sweet that even her voice,
I thought, could scarcely be more sweet,
As thus I stay'd against my choice,
Did mine attracted hearing greet;
And presently I turn'd my head
Where the kind music seem'd to be,
And where, to an old blind man, she read
The words that teach the blind to see.
She did not mark me; swift I went,
Thro' the fierce shower's whistle and smoke,
To her home, and thence her woman sent
Back with umbrella, shoes and cloak.
The storm soon pass'd; the sun's quick glare
Lay quench'd in vapour fleecy, fray'd;
And all the moist, delicious air
Was fill'd with shine that cast no shade;
And, when she came, forth the sun gleam'd,
And clash'd the trembling Minster chimes;
And the breath with which she thank'd me seem'd
Brought thither from the blossom'd limes.
~ Coventry Patmore,#NFDB
90:In Praise Of England
From tangled brake and trellised bower
Bring every bud that blows,
But never will you find the flower
To match an English rose.
It blooms with more than city grace,
Though rustic and apart;
It has a smile upon its face,
And a dewdrop in its heart.
Though wide the goodly world around
Your fancy may have strayed,
Where was the woman ever found
To match an English maid?
At work she smiles, through play she sings,
She doubts not nor denies;
She'll cling to you as woodbine clings,
And love you till she dies.
If you would put it to the proof,
Then round the zodiac roam;
But never will you find the roof
To match an English home.
You hear the sound of children's feet
Still pattering on the stair:
'Tis made by loving labour sweet,
And sanctified by prayer.
Go traverse tracts sublime or sweet,
Snow-peak or scorched ravine,
But where will you the landscape meet
To match an English scene?
The hamlet hallowed by its spire,
The wildwood fresh with flowers,
Garden and croft and thorp and byre
Gleaming through silvery showers.
Across the wave, along the wind,
Flutter and plough your way,
But where will you a Sceptre find
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To match the English Sway?
Its conscience holds the world in awe
With blessing or with ban;
Its Freedom guards the Reign of Law,
And majesty of Man!
~ Alfred Austin,#NFDB
91:Come Down, O Maid
COME down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang),
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro' the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.
~ Alfred Lord Tennyson,#NFDB
92:LECHLADE, GLOUCESTERSHIRE. (Composed September, 1815. Published with “Alastor”, 1816.) The wind has swept from the wide atmosphere Each vapour that obscured the sunset’s ray; And pallid Evening twines its beaming hair In duskier braids around the languid eyes of Day: Silence and Twilight, unbeloved of men, 5 Creep hand in hand from yon obscurest glen. They breathe their spells towards the departing day, Encompassing the earth, air, stars, and sea; Light, sound, and motion own the potent sway, Responding to the charm with its own mystery. 10 The winds are still, or the dry church-tower grass Knows not their gentle motions as they pass. Thou too, aereal Pile! whose pinnacles Point from one shrine like pyramids of fire, Obeyest in silence their sweet solemn spells, 15 Clothing in hues of heaven thy dim and distant spire, Around whose lessening and invisible height Gather among the stars the clouds of night. The dead are sleeping in their sepulchres: And, mouldering as they sleep, a thrilling sound, 20 Half sense, half thought, among the darkness stirs, Breathed from their wormy beds all living things around, And mingling with the still night and mute sky Its awful hush is felt inaudibly. Thus solemnized and softened, death is mild 25 And terrorless as this serenest night: Here could I hope, like some inquiring child Sporting on graves, that death did hide from human sight Sweet secrets, or beside its breathless sleep That loveliest dreams perpetual watch did keep. 30 ~ Percy Bysshe Shelley, #NFDB
93:The Princess: A Medley: Come Down, O Maid
Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang)
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for Love is of the valley, come,
For Love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying thro' the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.
~ Alfred Lord Tennyson,#NFDB
94:Prospice
The ancient and the lovely land
Is sown with death; across the plain
Ungarnered now the orchards stand,
The Maxim nestles in the grain,
The shrapnel spreads a stinging flail
Where pallid nuns the cloister trod,
The airship spills her leaden hail;
But–after all the battles–God.
Athwart the vineyard's ordered banks,
Silent the red rent forms recline,
And from their stark and speechless ranks
There flows a richer, ruddier wine;
While down the lane and through the wall
The victors writhe upon the sod,
Nor heed the onward bugle call;
But–after all the bugles–God.
By night the blazing cities flare
Like mushroom torches in the sky;
The rocking ramparts tremble ere
The sullen cannon boom reply,
And shattered is the temple spire,
The vestment trampled on the clod,
And every altar black with fire;
But–after all the altars–God.
And all the prizes we have won
Are buried in a deadly dust;
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The things we set our hearts upon
Beneath the stricken earth are thrust;
Again the Savage greets the sun,
Again his feet, with fury shod,
Across a world in anguish run;
But–after all the anguish–God.
The grim campaign, the gun, the sword,
The quick volcano from the sea,
The honour that reveres the word,
The sacrifice, the agony–
These be our heritage and pride,
Till the last despot kiss the rod,
And, with man's freedom purified,
We mark–behind our triumph–God.
~ Alan Sullivan,#NFDB
95:The Things You Can'T Forget
They ain't much, seen from day to dayThe big elm tree across the way,
The church spire, an' the meetin' place
Lit up by many a friendly face.
You pass 'em by a dozen times
An' never think o' them in rhymes,
Or fit for poet's singin'. Yet
They're all the things you can't forget;
An' they're the things you'll miss some day
If ever you should go away.
The people here ain't much to seeJes' common folks like you an' me,
Doin' the ordinary tasks
Which life of everybody asks:
Old Dr. Green, still farin' 'round
To where his patients can be found,
An' Parson Hill, serene o' face,
Carryin' God's message every place,
An' Jim, who keeps the grocery storeYet they are folks you'd hunger for.
They seem so plain when close to viewBill Barker, an' his brother too,
The Jacksons, men of higher rank
Because they chance to run the bank,
Yet friends to every one round here,
Quiet an' kindly an' sincere,
Not much to sing about or praise,
Livin' their lives in modest waysYet in your memory they'd stay
If ever you should go away.
These are things an' these the men
Some day you'll long to see again.
Now it's so near you scarcely see
The beauty o' that big elm tree,
But some day later on you will
An' wonder if it's standin' still,
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An' if the birds return to sing
An' make their nests there every spring.
Mebbe you scorn them now, but they
Will bring you back again some day.
~ Edgar Albert Guest,#NFDB
96:The wind has swept from the wide atmosphere
Each vapour that obscured the sunset's ray;
And pallid Evening twines its beaming hair
In duskier braids around the languid eyes of Day:
Silence and Twilight, unbeloved of men,
Creep hand in hand from yon obscurest glen.
They breathe their spells towards the departing day,
Encompassing the earth, air, stars, and sea;
Light, sound, and motion own the potent sway,
Responding to the charm with its own mystery.
The winds are still, or the dry church-tower grass
Knows not their gentle motions as they pass.
Thou too, areal Pile! whose pinnacles
Point from one shrine like pyramids of fire,
Obeyest in silence their sweet solemn spells,
Clothing in hues of heaven thy dim and distant spire,
Around whose lessening and invisible height
Gather among the stars the clouds of night.
The dead are sleeping in their sepulchres:
And, mouldering as they sleep, a thrilling sound,
Half sense, half thought, among the darkness stirs,
Breathed from their wormy beds all living things around,
And mingling with the still night and mute sky
Its awful hush is felt inaudibly.
Thus solemnized and softened, death is mild
And terrorless as this serenest night:
Here could I hope, like some inquiring child
Sporting on graves, that death did hide from human sight
Sweet secrets, or beside its breathless sleep
That loveliest dreams perpetual watch did keep.
Composed September, 1815. Published with Alastor, 1816.
~ Percy Bysshe Shelley, A Summer Evening Churchyard - Lechlade, Gloucestershire
,#NFDB
97:Autumn
A FRAGMENT
Farewell the softer hours, Spring's opening blush
And Summer's deeper glow, the shepherd's pipe
Tuned to the murmurs of a weeping spring,
And song of birds, and gay enameled fields,—
Farewell! 'T is now the sickness of the year,
Not to be medicined by the skillful hand.
Pale suns arise that like weak kings behold
Their predecessor's empire moulder from them;
While swift-increasing spreads the black domain
Of melancholy Night;—no more content
With equal sway, her stretching shadows gain
On the bright morn, and cloud the evening sky.
Farewell the careless lingering walk at eve,
Sweet with the breath of kine and new-spread hay;
And slumber on a bank, where the lulled youth,
His head on flowers, delicious languor feels
Creep in the blood. A different season now
Invites a different song. The naked trees
Admit the tempest; rent is Nature's robe;
Fast, fast, the blush of Summer fades away
From her wan cheek, and scarce a flower remains
To deck her bosom; Winter follows close,
Pressing impatient on, and with rude breath
Fans her discoloured tresses. Yet not all
Of grace and beauty from the falling year
Is torn ungenial. Still the taper fir
Lifts its green spire, and the dark holly edged
With gold, and many a strong perennial plant,
Yet cheer the waste: nor does yon knot of oaks
Resign its honours to the infant blast.
This is the time, and these the solemn walks,
When inspiration rushes o'er the soul
Sudden, as through the grove the rustling breeze.
~ Anna Laetitia Barbauld,#NFDB
98:It Is The Sinners' Dust-Tongued Bell
It is the sinners' dust-tongued bell claps me to churches
When, with his torch and hourglass, like a sulpher priest,
His beast heel cleft in a sandal,
Time marks a black aisle kindle from the brand of ashes,
Grief with dishevelled hands tear out the altar ghost
And a firewind kill the candle.
Over the choir minute I hear the hour chant:
Time's coral saint and the salt grief drown a foul sepulchre
And a whirlpool drives the prayerwheel;
Moonfall and sailing emperor, pale as their tide-print,
Hear by death's accident the clocked and dashed-down spire
Strike the sea hour through bellmetal.
There is loud and dark directly under the dumb flame,
Storm, snow, and fountain in the weather of fireworks,
Cathedral calm in the pulled house;
Grief with drenched book and candle christens the cherub time
From the emerald, still bell; and from the pacing weather-cock
The voice of bird on coral prays.
Forever it is a white child in the dark-skinned summer
Out of the font of bone and plants at that stone tocsin
Scales the blue wall of spirits;
From blank and leaking winter sails the child in colour,
Shakes, in crabbed burial shawl, by sorcerer's insect woken,
Ding dong from the mute turrets.
I mean by time the cast and curfew rascal of our marriage,
At nightbreak born in the fat side, from an animal bed
In a holy room in a wave;
And all love's sinners in sweet cloth kneel to a hyleg image,
Nutmeg, civet, and sea-parsley serve the plagued groom and bride
Who have brought forth the urchin grief.
~ Dylan Thomas,#NFDB
99:Faust In Old Age
"Poet and veteran of childhood, look!
See in me the obscene, for you have love,
For you have hatred, you, you must be judge,
Deliver judgement, ~ Delmore Schwartz
.
Well-known wishes have been to war,
The vicious mouth has chewed the vine.
The patient crab beneath the shirt
Has charmed such interests as Indies meant.
For I have walked within and seen each sea,
The fish that flies, the broken burning bird,
Born again, beginning again, my breast!
Purple with persons like a tragic play.
For I have flown the cloud and fallen down,
Plucked Venus, sneering at her moan.
I took the train that takes away remorse;
I cast down every king like Socrates.
I knocked each nut to find the meat;
A worm was there and not a mint.
Metaphysicians could have told me this,
But each learns for himself, as in the kiss.
Polonius I poked, not him
To whom aspires spire and hymn,
Who succors children and the very poor;
I pierced the pompous Premier, not Jesus Christ,
I picked Polonius and Moby Dick,
the ego bloomed into an octopus.
29
Now come I to the exhausted West at last;
I know my vanity, my nothingness,
now I float will-less in despair's dead sea,
Every man my enemy.
Spontaneous, I have too much to say,
And what I say will no one not old see:
If we could love one another, it would be well.
But as it is, I am sorry for the whole world, myself
apart. My heart is full of memory and desire, and in
its last nervousness, there is pity for those I have
touched, but only hatred and contempt for myself."
~ Delmore Schwartz,#NFDB
100:Were I A Poet, I Would Dwell
`Were I a Poet, I would dwell,
Not upon lonely height,
Nor cloistered in disdainful cell
From human sound and sight.
I would live nestled near my kind,
Deep in a garden garth,
That they who loved my verse might find
A pathway to my hearth.
`I would not sing of sceptred Kings,
The Tyrant and his thrall,
But everyday pathetic things,
That happen to us all:
The love that lasts through joy, through grief,
The faith that never wanes,
And every wilding bird and leaf
That gladdens English lanes.
`Nor would I shape for Fame my lay,
But only for the sake
Of singing, and to charm away
My own or other's ache;
To close the wound, to soothe the smart,
To heal the feud of years,
And move the misbelieving heart
To tenderness and tears.
`And when to me should come the night,
And I could sing no more,
And faithful lips could but recite
What I had sung before,
I would not have a pompous strain
Resound about my shroud,
Nor sepulchre in sumptuous fane,
Near to the great and proud.
`But only they who loved me best
Should bear me and my lyre,
And lay us, with my kin, at rest
598
Under the hamlet spire,
Where everything around still breathes
Of prayer that soothes and saves,
And widowed hands bear cottage wreaths
To unforgotten graves.
`And they might raise another cross
Within that hallowed ground,
And tend the flowers and trim the moss
About my grassy mound;
But, honouring me, would carve above
No impious boast of Fame,
And, not for Glory, but for Love,
Would keep alive my name.'
~ Alfred Austin,#NFDB
101:Clowns' Houses
BENEATH the flat and paper sky
The sun, a demon's eye,
Glowed through the air, that mask of glass;
All wand'ring sounds that pass
Seemed out of tune, as if the light
Were fiddle-strings pulled tight.
The market-square with spire and bell
Clanged out the hour in Hell;
The busy chatter of the heat
Shrilled like a parakeet;
And shuddering at the noonday light
The dust lay dead and white
As powder on a mummy's face,
Or fawned with simian grace
Round booths with many a hard bright toy
And wooden brittle joy:
The cap and bells of Time the Clown
That, jangling, whistled down
Young cherubs hidden in the guise
Of every bird that flies;
And star-bright masks for youth to wear,
Lest any dream that fare
--Bright pilgrim--past our ken, should see
Hints of Reality.
Upon the sharp-set grass, shrill-green,
Tall trees like rattles lean,
And jangle sharp and dissily;
But when night falls they sign
Till Pierrot moon steals slyly in,
His face more white than sin,
Black-masked, and with cool touch lays bare
Each cherry, plum, and pear.
Then underneath the veiled eyes
Of houses, darkness lies-Tall houses; like a hopeless prayer
They cleave the sly dumb air.
Blind are those houses, paper-thin
Old shadows hid therein,
With sly and crazy movements creep
Like marionettes, and weep.
Tall windows show Infinity;
And, hard reality,
The candles weep and pry and dance
Like lives mocked at by Chance.
The rooms are vast as Sleep within;
When once I ventured in,
Chill Silence, like a surging sea,
Slowly enveloped me.
~ Dame Edith Louisa Sitwell,#NFDB
102:Nocturne
Night of Mid-June, in heavy vapours dying,
Like priestly hands thy holy touch is lying
Upon the world's wide brow;
God-like and grand all nature is commanding
The "peace that passes human understanding";
I, also, feel it now.
What matters it to-night, if one life treasure
I covet, is not mine! Am I to measure
The gifts of Heaven's decree
By my desires? O! life for ever longing
For some far gift, where many gifts are thronging,
God wills, it may not be.
Am I to learn that longing, lifted higher,
Perhaps will catch the gleam of sacred fire
That shows my cross is gold?
That underneath this cross--however lowly,
A jewel rests, white, beautiful and holy,
Whose worth can not be told.
Like to a scene I watched one day in wonder:-A city, great and powerful, lay under
A sky of grey and gold;
The sun outbreaking in his farewell hour,
Was scattering afar a yellow shower
Of light, that aureoled
With brief hot touch, so marvellous and shining,
A hundred steeples on the sky out-lining,
Like network threads of fire;
Above them all, with halo far outspreading,
I saw a golden cross in glory heading
A consecrated spire:
I only saw its gleaming form uplifting,
Against the clouds of grey to seaward drifting,
And yet I surely know
Beneath the seen, a great unseen is resting,
64
For while the cross that pinnacle is cresting,
An Altar lies below.
Night of Mid-June, so slumberous and tender,
Night of Mid-June, transcendent in thy splendour
Thy silent wings enfold
And hush my longing, as at thy desire
All colour fades from round that far-off spire,
Except its cross of gold.
~ Emily Pauline Johnson,#NFDB
103:Interlude: The Hearth And The Window
Thou cricket, that at dusk in the damp weeds,
all that, alack! my sickly garden breeds,
silverest the brown air with thy liquid note
now eve is sharp, I, hearkening, dream remote
the home my exiled heart hath somewhere known
far from these busy days that make me lone,
in twilit past, where the soon autumn damp
is gather'd black above the yellow lamp
that guides my feet towards the rustic roof
infrequent, on the forest edge, aloof,
as I return, nor fail to greet the way
(ah, when?) the witness of my childish play,
and feel that soon the silver-piled snow
will make the watches warm beside the glow
that just reveals, amid the enfolding gloom,
the smoky joists of the familiar room:
and while thy supper-song is shrilling thro'
that well-kept nook, my musing shall renew
its kindred of romance, the friendly throng
that haunts the winters when the nights are long.
Dusk lowers in this uneasy pause of rain;
a blackness clings and thickens on the pane
and damp grows; westward only, watery pale,
two yellow streaks, wan glory, slowly fail:
night shall be loud and thick with driving spears. —
And this was also in the haunting years
this life hath never known, nor this abode,
when the lone window watch'd the lonely road
winding into the exiled west, across
the desolate plain, with, seldom on its fosse
tipt black against grey gloom, a poplar spire;
and I could know the sunset's broken fire
burn'd sombrely in many a leaden glass
whose look was dead amid the morbid grass
where never a dancing foot of harvest came
and ways were lost, a land of vanish'd name.
40
~ Christopher John Brennan,#NFDB
104:I have done it! exclaimed Saphira. She arched her neck and loosed a jet of blue and yellow flame into the upper reaches of the building. I know my true name! She spoke a single line in the ancient language, and the inside of Eragon’s mind seemed to ring with a sound like a bell, and for a moment, the tips of Saphira’s scales gleamed with an inner light, and she looked as if she were made of stars.
The name was grand and majestic, but also tinged with sadness, for it named her as the last female of her kind. In the words, Eragon could hear the love and devotion she felt for him, as well as all the other traits that made up her personality. Most he recognized; a few he did not. Her flaws were as prominent as her virtues, but overall, the impression was one of fire and beauty and grandeur.
Saphira shivered from the tip of her nose to the tip of her tail, and she shuffled her wings.
I know who I am, she said.
Well done, Bjartskular, said Glaedr, and Eragon could sense how impressed he was. You have a name to be proud of. I would not say it again, however, not even to yourself, until we are at the…at the spire we have come to see. You must take great care to keep your name hidden now that you know it.
Saphira blinked and shuffled her wings again. Yes, Master. The excitement running through her was palpable.
Eragon sheathed Brisingr and walked over to her. She lowered her head until it was at his level. He stroked the line of her jaw, and then pressed his forehead against her hard snout and held her as tightly as he could, her scales sharp against his fingers. Hot tears began to slide down his cheeks.
Why do you cry? she asked.
Because…I’m lucky enough to be bonded with you.
Little one. ~ Christopher Paolini,#NFDB
105:Off Monomoy
HAVE you sailed Nantucket Sound
By lightship, buoy, and bell,
And lain becalmed at noon
On an oily summer swell?
Lazily drooped the sail,
Moveless the pennant hung,
Sagging over the rail
Idle the main boom swung;
The sea, one mirror of shine
A single breath would destroy,
Save for the far low line
Of treacherous Monomoy.
Yet eastward there toward Spain,
What castled cities rise
From the Atlantic plain,
To our enchanted eyes!
Turret and spire and roof
Looming out of the sea,
Where the prosy chart gives proof
No cape nor isle can be!
Can a vision shine so clear
Wherein no substance dwells?
One almost harks to hear
The sound of the city's bells.
And yet no pealing notes
Within those belfries be,
Save echoes from the throats
Of ship-bells lost at sea.
For none shall anchor there
Save those who long of yore,
When tide and wind were fair,
Sailed and came back no more.
And none shall climb the stairs
Within those ghostly towers,
Save those for whom sad prayers
Went up through fateful hours.
O image of the world,
O mirage of the sea,
Cloud-built and foam-impearled,
120
What sorcery fashioned thee?
What architect of dream,
What painter of desire,
Conceived that fairy scheme
Touched with fantastic fire?
Even so our city of hope
We mortal dreamers rear
Upon the perilous slope
Above the deep of fear;
Leaving half-known the good
Our kindly earth bestows,
For the feigned beatitude
Of a future no man knows.
Lord of the summer sea,
Whose tides are in thy hand,
Into immensity
The vision at thy command
Fades now, and leaves no sign, —
No light nor bell nor buoy, —
Only the faint low line
Of dangerous Monomoy.
~ Bliss William Carman,#NFDB
106:Letter
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
Cocks and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds. ~ Victor Hugo,#NFDB
107:Now I myself, I cheerfully admit, feel that enormity in Kensington Gardens as something quite natural. I feel it so because I have been brought up, so to speak, under its shadow; and stared at the graven images of Raphael and Shakespeare almost before I knew their names; and long before I saw anything funny in their figures being carved, on a smaller scale, under the feet of Prince Albert. I even took a certain childish pleasure in the gilding of the canopy and spire, as if in the golden palace of what was, to Peter Pan and all children, something of a fairy garden. So do the Christians of Jerusalem take pleasure, and possibly a childish pleasure, in the gilding of a better palace, besides a nobler garden, ornamented with a somewhat worthier aim. But the point is that the people of Kensington, whatever they might think about the Holy Sepulchre, do not think anything at all about the Albert Memorial. They are quite unconscious of how strange a thing it is; and that simply because they are used to it. The religious groups in Jerusalem are also accustomed to their coloured background; and they are surely none the worse if they still feel rather more of the meaning of the colours. It may be said that they retain their childish illusion about their Albert Memorial. I confess I cannot manage to regard Palestine as a place where a special curse was laid on those who can become like little children. And I never could understand why such critics who agree that the kingdom of heaven is for children, should forbid it to be the only sort of kingdom that children would really like; a kingdom with real crowns of gold or even of tinsel. But that is another question, which I shall discuss in another place; the point is for the moment that such people would be quite as much surprised at the place of tinsel in our lives as we are at its place in theirs. If we are critical of the petty things they do to glorify great things, they would find quite as much to criticise (as in Kensington Gardens) in the great things we do to glorify petty things. And if we wonder at the way in which they seem to gild the lily, they would wonder quite as much at the way we gild the weed. ~ G K Chesterton, #NFDB
108:An Honest Valentine
Returned from the Dead-Letter Office
THANK you for your kindness,
Lady fair and wise,
Though love's famed for blindness,
Lovers--hem! for lies.
Courtship's mighty pretty,
Wedlock a sweet sight;-Should I (from the city,
A plain man, Miss--) write,
Ere we spouse-and-wive it,
Just one honest line,
Could you e'er forgive it,
Pretty Valentine?
Honey-moon quite over,
If I less should scan
You with eye of lover
Than of mortal man?
Seeing my fair charmer
Curl hair spire on spire,
All in paper armor,
By the parlor fire;
Gown that wants a stitch in
Hid by apron fine,
Scolding in her kitchen,-O fie, Valentine!
Should I come home surly
Vexed with fortune's frown,
Find a hurly-burly,
House turned upside down,
Servants all a-snarl, or
Cleaning steps or stair:
Breakfast still in parlor,
Dinner--anywhere:
Shall I to cold bacon
Meekly fall and dine?
No,--or I'm mistaken
47
Much, my Valentine.
What if we should quarrel?
--Bless you, all folks do:-Will you take the war ill
Yet half like it too?
When I storm and jangle,
Obstinate, absurd,
Will you sit and wrangle
Just for the last word,-Or, while poor Love, crying,
Upon tiptoe stands,
Ready plumed for flying,-Will you smile, shake hands,
And the truth beholding,
With a kiss divine
Stop my rough mouth's scolding?-Bless you, Valentine!
If, should times grow harder,
We have lack of pelf,
Little in the larder,
Less upon the shelf;
Will you, never tearful,
Make your old gowns do,
Mend my stockings, cheerful,
And pay visits few?
Crave nor gift nor donor,
Old days ne'er regret,
Seek no friend save Honor,
Dread no foe but Debt;
Meet ill-fortune steady,
Hand to hand with mine,
Like a gallant lady,-Will you, Valentine?
Then, whatever weather
Come, or shine, or shade,
We'll set out together,
Not a whit afraid.
Age is ne'er alarming,-I shall find, I ween,
You at sixty charming
48
As at sweet sixteen:
Let's pray, nothing loath, dear,
That our funeral may
Make one date serve both, dear,
As our marriage day.
Then, come joy or sorrow,
Thou art mine,--I thine.
So we'll wed to-morrow,
Dearest Valentine.
~ Dinah Maria Mulock Craik,#NFDB
109:them reminded him of all he had experienced and learned during these weeks and this recollection was pleasant to him. For some days the weather had been calm and clear with slight frosts in the mornings—what is called an “old wives’ summer.” In the sunshine the air was warm, and that warmth was particularly pleasant with the invigorating freshness of the morning frost still in the air. On everything—far and near—lay the magic crystal glitter seen only at that time of autumn. The Sparrow Hills were visible in the distance, with the village, the church, and the large white house. The bare trees, the sand, the bricks and roofs of the houses, the green church spire, and the corners of the white house in the distance, all stood out in the transparent air in most delicate outline and with unnatural clearness. Near by could be seen the familiar ruins of a half-burned mansion occupied by the French, with lilac bushes still showing dark green beside the fence. And even that ruined and befouled house—which in dull weather was repulsively ugly—seemed quietly beautiful now, in the clear, motionless brilliance. A French corporal, with coat unbuttoned in a homely way, a skullcap on his head, and a short pipe in his mouth, came from behind a corner of the shed and approached Pierre with a friendly wink. “What sunshine, Monsieur Kiril!” (Their name for Pierre.) “Eh? Just like spring!” And the corporal leaned against the door and offered Pierre his pipe, though whenever he offered it Pierre always declined it. “To be on the march in such weather . . .” he began. Pierre inquired what was being said about leaving, and the corporal told him that nearly all the troops were starting and there ought to be an order about the prisoners that day. Sokolov, one of the soldiers in the shed with Pierre, was dying, and Pierre told the corporal that something should be done about him. The corporal replied that Pierre need not worry about that as they had an ambulance and a permanent hospital and arrangements would be made for the sick, and that in general everything that could happen had been foreseen by the authorities. “Besides, Monsieur Kiril, you have only to say a word to the captain, you know. He is a man who never forgets anything. Speak to the captain when he makes his round, he will do anything for you.” (The captain of whom the corporal spoke often had long chats with Pierre and showed him all sorts of favors.) “ ‘You see, St. Thomas,’ he said to me the other day. ‘Monsieur Kiril is a man of education, who speaks French. He ~ Leo Tolstoy, #NFDB
110:How Florence Rings Her Bells
With shimmer of steel and blare of brass,
And Switzers marching with martial stride,
And cavaliers trampling brown the grass,
Came bow-legged Charles through the Apennine pass,
With black Il Moro for traitor guide;
And, passing by Pisa's ransomed towers,
He swept up stream over Arno's plain,
Where Florence garlands herself with flowers
From burgeoning vineyards and olive bowers,
And emerald furrows of sprouting grain;
And, flying and flaunting his pennons proud,
Crossed her bridges with naked sword,
And sware he would flourish his trumpets loud
And bristle his spears, save her beauty bowed
Itself to his stirrup, and owned him lord.
Then Savonarola's voice was heard
Swelling as Arno, storm-flushed, sweels,
And, with threat for threat, and with gird for gird,
Capponi flashed back the famous word,
``Then blow your trumpets, we'll ring our bells!''
And lo! as he spake, into street and square
Streamed Florentine burghers in grim array:
Then Charles, and Sforza, and groom Beaucaire,
Scared by the city they deemed but fair,
Shouldered their pikes, and passed away.
But now a Monarch more mighty far
Than ever from Gallic or Teuton throne
Swooped from the Alps upon wings of war,
Comes welcome as April and west winds are,
When Winter is over and mistral flown.
The Fair City peacefully rings her bells,
Rings her bells, and the loving peal
In the lazuline ether ascends and swells,
260
Till hoary turrets and convent cells
Feel young once more as the young buds feel.
And iris gonfalons scale her walls,
And rustic roses storm square and street;
In sound of her gates the cuckoo calls,
And the slow-swaying ox-wain creaks and crawls
'Twixt blossoming bean and beardless wheat.
In gabled pathway and shaded porch
Men gather and wait to acclaim ``The Queen'';
While over the wall, where the sunrays scorch
And the lizard is lost, the silvery torch
Of the fig is tipped with a flame of green.
And cypress spire and stonepine dome,
And circling mountain look on and smile,
Saying, ``Hitherward evermore seek your home,
When you traverse the furrows of fallow foam
That nourish with glory your Northern Isle,
And from weightier cares than a Caesar's brain
Pondered of old, would crave release;
Wise Ruler whose long victorious Reign
Imposes on love-loyal land and main
The fetters of proud Imperial Peace.''
~ Alfred Austin,#NFDB
111:He was almost at his door when Vik’s earsplitting shriek resounded down the corridor. Tom was glad for the excuse to sprint back toward him. “Vik?”
He reached Vik’s doorway as Vik was backing out of it. “Tom,” he breathed, “it’s an abomination.”
Confused, Tom stepped past him into the bunk. Then he gawked, too.
Instead of a standard trainee bunk of two small beds with drawers underneath them and totally bare walls, Vik’s bunk was virtually covered with images of their friend Wyatt Enslow. There were posters all over the wall with Wyatt’s solemn, oval face on them. She wore her customary scowl, her dark eyes tracking their every move through the bunk. There was a giant marble statue of a sad-looking Vik with a boot on top of its head. The Vik statue clutched two very, very tiny hands together in a gesture of supplication, its eyes trained upward on the unseen stomper, an inscription at its base, WHY, OH WHY, DID I CROSS WYATT ENSLOW?
Tom began to laugh.
“She didn’t do it to the bunk,” Vik insisted. “She must’ve done something to our processors.”
That much was obvious. If Wyatt was good at anything, it was pulling off tricks with the neural processors, which could pretty much be manipulated to show them anything. This was some sort of illusion she was making them see, and Tom heartily approved.
He stepped closer to the walls to admire some of the photos pinned there, freeze-frames of some of Vik’s more embarrassing moments at the Spire: that time Vik got a computer virus that convinced him he was a sheep, and he’d crawled around on his hands and knees chewing on plants in the arboretum. Another was Vik gaping in dismay as Wyatt won the war games.
“My hands do not look like that.” Vik jabbed a finger at the statue and its abnormally tiny hands. Wyatt had relentlessly mocked Vik for having small, delicate hands ever since Tom had informed her it was the proper way to counter one of Vik’s nicknames for her, “Man Hands.” Vik had mostly abandoned that nickname for “Evil Wench,” and Tom suspected it was due to the delicate-hands gibe.
Just then, Vik’s new roommate bustled into the bunk.
He was a tall, slim guy with curly black hair and a pointy look to his face. Tom had seen him around, and he called up his profile from memory:
NAME: Giuseppe Nichols
RANK: USIF, Grade IV Middle, Alexander Division
ORIGIN: New York, NY
ACHIEVEMENTS: Runner-up, Van Cliburn International Piano Competition
IP: 2053:db7:lj71::291:ll3:6e8
SECURITY STATUS: Top Secret LANDLOCK-4
Giuseppe must’ve been able to see the bunk template, too, because he stuttered to a stop, staring up at the statue. “Did you really program a giant statue of yourself into your bunk template? That’s so narcissistic.”
Tom smothered his laughter. “Wow. He already has your number, man.”
Vik shot him a look of death as Tom backed out of the bunk. ~ S J Kincaid,#NFDB
112:A Christmas Carol
Hark! In the air, around, above,
The Angelic Music soars and swells,
And, in the Garden that I love,
I hear the sound of Christmas Bells.
From hamlet hollow, village height,
The silvery Message seems to start,
And, far away, its notes to-night
Are surging through the city's heart.
Assurance clear to those who fret
O'er vanished Faith and feelings fled,
That not in English homes is yet
Tradition dumb, or Reverence dead:
Nor, when anew from town-girt tower
Or fen-swept spire the Yule-bells peal,
Are those who watch o'er England's power
Too wise to pray, too proud to kneel.
Now onward floats the sacred tale,
Past leafless woodlands, freezing rills;
It wakes from sleep the silent vale,
It skims the mere, it scales the hills;
And, rippling on up rings of space,
Sounds faint and fainter as more high,
Till mortal ear no more may trace
The music homeward to the sky.
To courtly roof and rustic cot
Old comrades wend from far and wide:
Now is the ancient feud forgot,
The growing grudge is laid aside.
Bright on the board the gifts are spread,
The flagons gleam, the trenchers smoke;
The boar's is now the laurelled head,
Now is the Feast of simple folk.
15
The agëd tell of ancient cheer,
And boast 'twas merrier then than now;
The children shout `A glad New Year!'
And kiss beneath the berried bough.
But, in the pauses of their mirth,
The Heavenly Hymn is carolled still:
`Glory to God on high, on Earth
Peace, and to all mankind good-will.'
Peace and good-will 'twixt rich and poor!
Good-will and peace 'twixt class and class!
Let old with new, let Prince with boor,
Send round the bowl, and drain the glass!
That still behind the steely sea,
That guards our greatness like a sword,
The free-born children of the free
May own one law, one land, one lord;
And never in our midst may sound
Discordant voice or threat morose,
But every Year that circles round
May find and bind us yet more close.
But not alone for those who still
Within the Mother-Land abide,
We deck the porch, we dress the sill,
And fling the portals open wide.
But unto all of British blood,Whether they cling to Egbert's Throne,
Or, far beyond the Western flood,
Have reared a Sceptre of their own,
And, half-regretful, yearn to win
Their way back home, and fondly claim
The rightful share of kith and kin
In Alfred's glory, Shakespeare's fame,We pile the logs, we troll the stave,
16
We waft the tidings wide and far,
And speed the wish, on wind and wave,
To Southern Cross and Northern Star.
Yes! Peace on earth, Atlantic strand!
Peace and good-will, Pacific shore!
Across the waters stretch your hand,
And be our brothers more and more!
Blood of our blood, in every clime!
Race of our race, by every sea!
To you we sing the Christmas rhyme,
For you we light the Christmas-tree.
~ Alfred Austin,#NFDB
113:I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
`Good speed!' cried the watch, as the gate-bolts undrew;
' Speed!' echoed the wall to us galloping through;
Behind shut the postern, the lights sank to rest,
And into the midnight we galloped abreast.
Not a word to each other; we kept the great pace
Neck by neck, stride by stride, never changing our place;
I turned in my saddle and made its girths tight,
Then shortened each stirrup, and set the pique right,
Rebuckled the cheek-strap, chained slacker the bit,
Nor galloped less steadily Roland a whit.
'Twas moonset at starting; but while we drew near
Lokeren, the cocks crew and twilight dawned clear;
At Boom, a great yellow star came out to see;
At Dffeld,'twas morning as plain as could be;
And from Mecheln church-steeple we heard the half-chime,
So, Joris broke silence with, ``Yet there is time!''
At Aershot, up leaped of a sudden the sun,
And against him the cattle stood black every one,
To stare thro' the mist at us galloping past,
And I saw my stout galloper Roland at last,
With resolute shoulders, each hutting away
The haze, as some bluff river headland its spray:
And his low head and crest, just one sharp ear bent back
For my voice, and the other pricked out on his track;
And one eye's black intelligence,-ever that glance
O'er its white edge at me, his own master, askance!
And the thick heavy spume-flakes which aye and anon
His fierce lips shook upwards in galloping on.
By Hasselt, Dirck groaned; and cried Joris, ``Stay spur!
``Your Roos galloped bravely, the fault's not in her,
``We'll remember at Aix''-for one heard the quick wheeze
Of her chest, saw the stretched neck and staggering knees,
And sunk tail, and horrible heave of the flank,
As down on her haunches she shuddered and sank.
So, we were left galloping, Joris and I,
Past Looz and past Tongres, no cloud in the sky;
The broad sun above laughed a pitiless laugh,
'Neath our feet broke the brittle bright stubble like chaff;
Till over by Dalhem a dome-spire sprang white,
And `Gallop,'' gasped Joris, `for Aix is in sight!''
`How they'll greet us!''-and all in a moment his roan
Rolled neck and croup over, lay dead as a stone;
And there was my Roland to bear the whole weight
Of the news which alone could save Aix from her fate,
With his nostrils like pits full of blood to the brim,
And with circles of red for his eye-sockets' rim.
Then I cast loose my buffcoat, each holster let fall,
Shook off both my jack-boots, let go belt and all,
Stood up in the stirrup, leaned, patted his ear,
Called my Roland his pet-name, my horse without peer;
Clapped my hands, laughed and sang, any noise, bad or good,
Till at length into Aix Roland galloped and stood.
And all I remember is-friends flocking round
As I sat with his head 'twixt my knees on the ground;
And no voice but was praising this Roland of mine,
As I poured down his throat our last measure of wine,
Which (the burgesses voted by common consent)
Was no more than his due who brought good news from Ghent.
~ Robert Browning, How They Brought The Good News From Ghent To Aix
,#NFDB
114:A Commuted Sentence
Boruck and Waterman upon their grills
In Hades lay, with many a sigh and groan,
Hotly disputing, for each swore his own
Were clearly keener than the other's ills.
And, truly, each had much to boast of-bone
And sinew, muscle, tallow, nerve and skin,
Blood in the vein and marrow in the shin,
Teeth, eyes and other organs (for the soul
Has all of these and even a wagging chin)
Blazing and coruscating like a coal!
For Lower Sacramento, you remember,
Has trying weather, even in mid-December.
Now this occurred in the far future. All
Mankind had been a million ages dead,
And each to her reward above had sped,
Each to his punishment below,-I call
That quite a just arrangement. As I said,
Boruck and Waterman in warmest pain
Crackled and sizzed with all their might and main.
For, when on earth, they'd freed a scurvy host
Of crooks from the State prison, who again
Had robbed and ravaged the Pacific Coast
And (such the felon's predatory nature)
Even got themselves into the Legislature.
So Waterman and Boruck lay and roared
In Hades. It is true all other males
Felt the like flames and uttered equal wails,
But did not suffer _them_; whereas _they_ bored
Each one the other. But indeed my tale's
Not getting on at all. They lay and browned
Till Boruck (who long since his teeth had ground
Away and spoke Gum Arabic and made
Stump speeches even in praying) looked around
And said to Bob's incinerated shade:
'Your Excellency, this is mighty hard on
The inventors of the unpardonable pardon.'
32
The other soul-his right hand all aflame,
For 'twas with that he'd chiefly sinned, although
His tongue, too, like a wick was working woe
To the reserve of tallow in his frameSaid, with a sputtering, uncertain flow,
And with a gesture like a shaken torch:
'Yes, but I'm sure we'll not much longer scorch.
Although this climate is not good for Hope,
Whose joyous wing 'twould singe, I think the porch
Of Hell we'll quit with a pacific slope.
Last century I signified repentance
And asked for commutation of our sentence.'
Even as he spoke, the form of Satan loomed
In sight, all crimson with reflections's fire,
Like some tall tower or cathedral spire
Touched by the dawn while all the earth is gloomed
In mists and shadows of the night time. 'Sire,'
Said Waterman, his agitable wick
Still sputtering, 'what calls you back so quick?
It scarcely was a century ago
You left us.' 'I have come to bring,' said Nick,
'St. Peter's answer (he is never slow
In correspondence) to your application
For pardon-pardon me!-for commutation.
'He says that he's instructed to reply
(And he has so instructed me) that sin
Like yours-and this poor gentleman's who's in
For bad advice to you-comes rather high;
But since, apparently, you both begin
To feel some pious promptings to the right,
And fain would turn your faces to the light,
Eternity seems all too long a term.
So 'tis commuted to one-half. I'm quite
Prepared, when that expires, to free the worm
And quench the fire.' And, civilly retreating,
He left them holding their protracted meeting.
~ Ambrose Bierce,#NFDB
115:'Ah! quit me not yet, for the wind whistles shrill,
Its blast wanders mournfully over the hill,
The thunders wild voice rattles madly above,
You will not then, cannot then, leave me my love.'--
I must dearest Agnes, the night is far gone--
I must wander this evening to Strasburg alone,
I must seek the drear tomb of my ancestors bones,
And must dig their remains from beneath the cold stones.
'For the spirit of Conrad there meets me this night,
And we quit not the tomb 'till dawn of the light,
And Conrad's been dead just a month and a day!
So farewell dearest Agnes for I must away,
'He bid me bring with me what most I held dear,
Or a month from that time should I lie on my bier,
And I'd sooner resign this false fluttering breath,
Than my Agnes should dread either danger or death,
'And I love you to madness my Agnes I love,
My constant affection this night will I prove,
This night will I go to the sepulchre's jaw
Alone will I glut its all conquering maw'--
'No! no loved Adolphus thy Agnes will share,
In the tomb all the dangers that wait for you there,
I fear not the spirit,--I fear not the grave,
My dearest Adolphus Id perish to save'--
'Nay seek not to say that thy love shall not go,
But spare me those ages of horror and woe,
For I swear to thee here that I'll perish ere day,
If you go unattended by Agnes away'--
The night it was bleak the fierce storm raged around,
The lightning's blue fire-light flashed on the ground,
Strange forms seemed to flit,--and howl tidings of fate,
As Agnes advanced to the sepulchre gate.--
The youth struck the portal,--the echoing sound
Was fearfully rolled midst the tombstones around,
The blue lightning gleamed oer the dark chapel spire,
And tinged were the storm clouds with sulphurous fire.
Still they gazed on the tombstone where Conrad reclined,
Yet they shrank at the cold chilling blast of the wind,
When a strange silver brilliance pervaded the scene,
And a figure advancedtall in formfierce in mien.
A mantle encircled his shadowy form,
As light as a gossamer borne on the storm,
Celestial terror sat throned in his gaze,
Like the midnight pestiferous meteors blaze.
SPIRIT:
Thy father, Adolphus! was false, false as hell,
And Conrad has cause to remember it well,
He ruined my Mother, despised me his son,
I quitted the world ere my vengeance was done.
I was nearly expiring--'twas close of the day,--
A demon advanced to the bed where I lay,
He gave me the power from whence I was hurled,
To return to revenge, to return to the world,--
Now Adolphus I'll seize thy best loved in my arms,
I'll drag her to Hades all blooming in charms,
On the black whirlwinds thundering pinion I'll ride,
And fierce yelling fiends shall exult o'er thy bride--
He spoke, and extending his ghastly arms wide,
Majestic advanced with a swift noiseless stride,
He clasped the fair Agneshe raised her on high,
And cleaving the roof sped his way to the sky--
All was now silent,--and over the tomb,
Thicker, deeper, was swiftly extended a gloom,
Adolphus in horror sank down on the stone,
And his fleeting soul fled with a harrowing groan.
DECEMBER, 1809
~ Percy Bysshe Shelley, Revenge
,#NFDB
116:At The Ferry
On such a day the shrunken stream
Spends its last water and runs dry;
Clouds like far turrets in a dream
Stand baseless in the burning sky.
On such a day at every rod
The toilers in the hay-field halt,
With dripping brows, and the parched sod
Yields to the crushing foot like salt.
But here a little wind astir,
Seen waterward in jetting lines,
From yonder hillside topped with fir
Comes pungent with the breath of pines;
And here when all the noon hangs still,
White-hot upon the city tiles,
A perfume and a wintry chill
Breathe from the yellow lumber-piles.
And all day long there falls a blur
Of noises upon listless ears,
The rumble of the trams, the stir
Of barges at the clacking piers;
The champ of wheels, the crash of steam,
And ever, without change or stay,
The drone, as through a troubled dream,
Of waters falling far away.
A tug-boat up the farther shore
Half pants, half whistles, in her draught;
The cadence of a creaking oar
Falls drowsily; a corded raft
Creeps slowly in the noonday gleam,
And wheresoe'er a shadow sleeps
The men lie by, or half a-dream,
Stand leaning at the idle sweeps.
And all day long in the quiet bay
The eddying amber depths retard,
And hold, as in a ring, at play,
59
The heavy saw-logs notched and scarred;
And yonder between cape and shoal,
Where the long currents swing and shift,
An aged punt-man with his pole
Is searching in the parted drift.
At moments from the distant glare
The murmur of a railway steals
Round yonder jutting point the air
Is beaten with the puff of wheels;
And here at hand an open mill,
Strong clamor at perpetual drive,
With changing chant, now hoarse, now shrill,
Keeps dinning like a mighty hive.
A furnace over field and mead,
The rounding noon hangs hard and white;
Into the gathering heats recede
The hollows of the Chelsea height;
But under all to one quiet tune,
A spirit in cool depths withdrawn,
With logs, and dust, and wrack bestrewn,
The stately river journeys on.
I watch the swinging currents go
Far down to where, enclosed and piled,
The logs crowd, and the Gatineau
Comes rushing from the northern wild.
I see the long low point, where close
The shore-lines, and the waters end,
I watch the barges pass in rows
That vanish at the tapering bend.
I see as at the noon's pale coreA shadow that lifts clear and floatsThe cabin'd village round the shore,
The landing and the fringe of boats;
Faint films of smoke that curl and wreathe,
And upward with the like desire
The vast gray church that seems to breathe
In heaven with its dreaming spire.
60
And there the last blue boundaries rise,
That guard within their compass furled
This plot of earth: beyond them lies
The mystery of the echoing world;
And still my thought goes on, and yields
New vision and new joy to me,
Far peopled hills, and ancient fields,
And cities by the crested sea.
I see no more the barges pass,
Nor mark the ripple round the pier,
And all the uproar, mass on mass,
Falls dead upon a vacant ear.
Beyond the tumult of the mills,
And all the city's sound and strife,
Beyond the waste, beyond the hills,
I look far out and dream of life.
~ Archibald Lampman,#NFDB
117:The Island Hawk
Hushed are the whimpering winds on the hill,
Dumb is the shrinking plain,
And the songs that enchanted the woods are still
As I shoot to the skies again!
Does the blood grow black on my fierce bent beak,
Does the down still cling to my claw?
Who brightened these eyes for the prey they seek?
Life, I follow thy law!
For I am the hawk, the hawk, the hawk!
Who knoweth my pitiless breast?
Who watcheth me sway in the wild wind's way?
Flee – flee – for I quest, I quest.
As I glide and glide with my peering head,
Or swerve at a puff of smoke,
Who watcheth my wings on the wind outspread,
Here – gone – with an instant stroke?
Who toucheth the glory of life I feel
As I buffet this great glad gale,
Spire and spire to the cloud-world, wheel,
Loosen my wings and sail?
For I am the hawk, the island hawk,
Who knoweth my pitiless breast?
Who watcheth me sway in the sun's bright way?
Flee – flee – for I quest, I quest.
My mate in the nest on the high bright tree
Blazing with dawn and dew,
She knoweth the gleam of the world and the glee
As I drop like a bolt from the blue.
She knoweth the fire of the level flight
As I skim, close, close to the ground,
With the long grass lashing my breast and the bright
Dew-drops flashing around.
She watcheth the hawk, the hawk, the hawk
(Oh, the red-blotched eggs in the nest!)
Watcheth him sway in the sun's bright way.
Flee – flee – for I quest, I quest.
126
She builded her nest on the high bright wold,
She was taught in a world afar
The lore that is only an April old
Yet old as the evening star.
Life of a far off ancient day
In an hour unhooded her eyes.
In the time of the budding of one green spray
She was wise as the stars are wise.
An eyas in eyry, a yellow-eyed hawk,
On the old elm's burgeoning breast,
She watcheth me sway in the wild wind's way.
Flee – flee – for I quest, I quest.
She hath ridden on white Arabian steeds
Thro' the ringing English dells,
For the joy of a great queen, hunting in state,
To the music of golden bells.
A queen's fair fingers have drawn the hood
And tossed her aloft in the blue,
A white hand eager for needless blood.
I hunt for the needs of two.
A haggard in yarak, a hawk, a hawk!
Who knoweth my pitiless breast?
Who watcheth me sway in the sun's bright way?
Flee – flee – for I quest, I quest.
Who fashioned her wide and splendid eyes
That have stared in the eyes of kings?
With a silken twist she was looped to their wrist:
She has clawed at their jewelled rings!
Who flung her first thro' the crimson dawn
To pluck him a prey from the skies,
When the love-light shone upon lake and lawn
In the valleys of Paradise?
Who fashioned the hawk, the hawk, the hawk,
Bent beak and pitiless breast?
Who watcheth him sway in the wild wind's way?
Flee – flee – for I quest, I quest.
Is there ever a song in all the world
Shall say how the quest began
With the beak and the wings that have made us kings
127
And cruel – almost – as man?
The wild wind whimpers across the heath
Where the sad little tufts of blue
And the red-stained grey little feathers of death
Flutter! Who fashioned us? Who?
Who fashioned the scimitar wings of the hawk,
Bent beak and arrowy breast?
Who watcheth him sway in the sun's bright way?
Flee – flee – for I quest, I quest.
~ Alfred Noyes,#NFDB
118:In The Forum
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
281
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
Here, even in the noontide glare,
282
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
~ Alfred Austin,#NFDB
119:Poem On His Birthday
In the mustardseed sun,
By full tilt river and switchback sea
Where the cormorants scud,
In his house on stilts high among beaks
And palavers of birds
This sandgrain day in the bent bay's grave
He celebrates and spurns
His driftwood thirty-fifth wind turned age;
Herons spire and spear.
Under and round him go
Flounders, gulls, on their cold, dying trails,
Doing what they are told,
Curlews aloud in the congered waves
Work at their ways to death,
And the rhymer in the long tongued room,
Who tolls his birthday bell,
Toesl towards the ambush of his wounds;
Herons, stepple stemmed, bless.
In the thistledown fall,
He sings towards anguish; finches fly
In the claw tracks of hawks
On a seizing sky; small fishes glide
Through wynds and shells of drowned
Ship towns to pastures of otters. He
In his slant, racking house
And the hewn coils of his trade perceives
Herons walk in their shroud,
The livelong river's robe
Of minnows wreathing around their prayer;
And far at sea he knows,
Who slaves to his crouched, eternal end
Under a serpent cloud,
Dolphins dyive in their turnturtle dust,
The rippled seals streak down
To kill and their own tide daubing blood
Slides good in the sleek mouth.
133
In a cavernous, swung
Wave's silence, wept white angelus knells.
Thirty-five bells sing struck
On skull and scar where his lovews lie wrecked,
Steered by the falling stars.
And to-morrow weeps in a blind cage
Terror will rage apart
Before chains break to a hammer flame
And love unbolts the dark
And freely he goes lost
In the unknown, famous light of great
And fabulous, dear God.
Dark is a way and light is a place,
Heaven that never was
Nor will be ever is alwas true,
And, in that brambled void,
Plenty as blackberries in the woods
The dead grow for His joy.
There he might wander bare
With the spirits of the horseshoe bay
Or the stars' seashore dead,
Marrow of eagles, the roots of whales
And wishbones of wild geese,
With blessed, unborn God and His Ghost,
And every soul His priest,
Gulled and chanter in youg Heaven's fold
Be at cloud quaking peace,
But dark is a long way.
He, on the earth of the night, alone
With all the living, prays,
Who knows the rocketing wind will blow
The bones out of the hills,
And the scythed boulders bleed, and the last
Rage shattered waters kick
Masts and fishes to the still quick stars,
Faithlessly unto Him
Who is the light of old
134
And air shaped Heaven where souls grow wild
As horses in the foam:
Oh, let me midlife mourn by the shrined
And druid herons' vows
The voyage to ruin I must run,
Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
Count my blessings aloud:
Four elements and five
Senses, and man a spirit in love
Thangling through this spun slime
To his nimbus bell cool kingdom come
And the lost, moonshine domes,
And the sea that hides his secret selves
Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
And this last blessing most,
That the closer I move
To death, one man through his sundered hulks,
The louder the sun blooms
And the tusked, ramshackling sea exults;
And every wave of the way
And gale I tackle, the whole world then,
With more triumphant faith
That ever was since the world was said,
Spins its morning of praise,
I hear the bouncing hills
Grow larked and greener at berry brown
Fall and the dew larks sing
Taller this thuderclap spring, and how
More spanned with angles ride
The mansouled fiery islands! Oh,
Holier then their eyes,
And my shining men no more alone
As I sail out to die
~ Dylan Thomas,#NFDB
120:The recurring beat that moments God in Time.
Only was missing the sole timeless Word
That carries eternity in its lonely sound,
The Idea self-luminous key to all ideas,
The integer of the Spirit's perfect sum
That equates the unequal All to the equal One,
The single sign interpreting every sign,
The absolute index to the Absolute.
There walled apart by its own innerness
In a mystical barrage of dynamic light
He saw a lone immense high-curved world-pile
Erect like a mountain-chariot of the Gods
Motionless under an inscrutable sky.
As if from Matter's plinth and viewless base
To a top as viewless, a carved sea of worlds
Climbing with foam-maned waves to the Supreme
Ascended towards breadths immeasurable;
It hoped to soar into the Ineffable's reign:
A hundred levels raised it to the Unknown.
So it towered up to heights intangible
And disappeared in the hushed conscious Vast
As climbs a storeyed temple-tower to heaven
Built by the aspiring soul of man to live
Near to his dream of the Invisible.
Infinity calls to it as it dreams and climbs;
Its spire touches the apex of the world;
Mounting into great voiceless stillnesses
It marries the earth to screened eternities.
Amid the many systems of the One
Made by an interpreting creative joy
Alone it points us to our journey back
Out of our long self-loss in Nature's deeps;
Planted on earth it holds in it all realms:
It is a brief compendium of the Vast.
This was the single stair to being's goal.
A summary of the stages of the spirit,
Its copy of the cosmic hierarchies
Refashioned in our secret air of self
A subtle pattern of the universe.
It is within, below, without, above.
Acting upon this visible Nature's scheme
It wakens our earth-matter's heavy doze
To think and feel and to react to joy;
It models in us our diviner parts,
Lifts mortal mind into a greater air,
Makes yearn this life of flesh to intangible aims,
Links the body's death with immortality's call:
Out of the swoon of the Inconscience
It labours towards a superconscient Light.
If earth were all and this were not in her,
Thought could not be nor life-delight's response:
Only material forms could then be her guests
Driven by an inanimate world-force.
Earth by this golden superfluity
Bore thinking man and more than man shall bear;
This higher scheme of being is our cause
And holds the key to our ascending fate;
It calls out of our dense mortality
The conscious spirit nursed in Matter's house.
The living symbol of these conscious planes,
Its influences and godheads of the unseen,
Its unthought logic of Reality's acts
Arisen from the unspoken truth in things,
Have fixed our inner life's slow-scaled degrees.
Its steps are paces of the soul's return
From the deep adventure of material birth,
A ladder of delivering ascent
And rungs that Nature climbs to deity.
Once in the vigil of a deathless gaze
These grades had marked her giant downward plunge,
The wide and prone leap of a godhead's fall.
Our life is a holocaust of the Supreme.
The great World-Mother by her sacrifice
Has made her soul the body of our state;
Accepting sorrow and unconsciousness
Divinity's lapse from its own splendours wove
The many-patterned ground of all we are.
An idol of self is our mortality.
Our earth is a fragment and a residue;
Her power is packed with the stuff of greater worlds
And steeped in their colour-lustres dimmed by her drowse;
An atavism of higher births is hers,
Her sleep is stirred by their buried memories
Recalling the lost spheres from which they fell.
Unsatisfied forces in her bosom move;
They are partners of her greater growing fate
And her return to immortality;
They consent to share her doom of birth and death;
They kindle partial gleams of the All and drive
Her blind laborious spirit to compose
A meagre image of the mighty Whole.
The calm and luminous Intimacy within
~ Sri Aurobindo, Savitri, The World-Stair,#NFDB
121:The Angel In The House. Book Ii. Canto Ix.
Preludes.
I The Nursling of Civility
Lo, how the woman once was woo'd:
Forth leapt the savage from his lair,
And fell'd her, and to nuptials rude
He dragg'd her, bleeding, by the hair.
From that to Chloe's dainty wiles
And Portia's dignified consent,
What distance! But these Pagan styles
How far below Time's fair intent!
Siegfried sued Kriemhild. Sweeter life
Could Love's self covet? Yet 'tis sung
In what rough sort he chid his wife
For want of curb upon her tongue!
Shall Love, where last I leave him, halt?
Nay; none can fancy or foresee
To how strange bliss may time exalt
This nursling of civility.
II The Foreign Land
A woman is a foreign land,
Of which, though there he settle young,
A man will ne'er quite understand
The customs, politics, and tongue.
The foolish hie them post-haste through,
See fashions odd, and prospects fair,
Learn of the language, ‘How d'ye do,’
And go and brag they have been there.
The most for leave to trade apply,
For once, at Empire's seat, her heart,
Then get what knowledge ear and eye
Glean chancewise in the life-long mart.
And certain others, few and fit,
Attach them to the Court, and see
The Country's best, its accent hit,
And partly sound its polity.
143
III Disappointment
‘The bliss which woman's charms bespeak,
‘I've sought in many, found in none!’
‘In many 'tis in vain you seek
‘What can be found in only one.’
The Friends.
Frank's long, dull letter, lying by
The gay sash from Honoria's waist,
Reproach'd me; passion spared a sigh
For friendship without fault disgraced.
How should I greet him? how pretend
I felt the love he once inspired?
Time was when either, in his friend,
His own deserts with joy admired;
We took one side in school-debate,
Like hopes pursued with equal thirst,
Were even-bracketed by Fate,
Twin-Wranglers, seventh from the First;
And either loved a lady's laugh
More than all music; he and I
Were perfect in the pleasant half
Of universal charity.
II
From pride of likeness thus I loved
Him, and he me, till love begot
The lowliness which now approved
Nothing but that which I was not.
Blest was the pride of feeling so
Subjected to a girl's soft reign.
She was my vanity, and, oh,
All other vanities how vain!
III
Frank follow'd in his letter's track,
And set my guilty heart at ease
By echoing my excuses back
With just the same apologies.
144
So he had slighted me as well!
Nor was my mind disburthen'd less
When what I sought excuse to tell
He of himself did first confess.
IV
Each, rapturous, praised his lady's worth;
He eloquently thus: ‘Her face
‘Is the summ'd sweetness of the earth,
‘Her soul the glass of heaven's grace,
‘To which she leads me by the hand;
‘Or, briefly all the truth to say
‘To you, who briefly understand,
‘She is both heaven and the way.
‘Displeasures and resentments pass
‘Athwart her charitable eyes
‘More fleetingly than breath from glass,
‘Or truth from foolish memories;
‘Her heart's so touch'd with others' woes
‘She has no need of chastisement;
‘Her gentle life's conditions close,
‘Like God's commandments, with content,
‘And make an aspect calm and gay,
‘Where sweet affections come and go,
‘Till all who see her, smile and say,
‘How fair, and happy that she's so!
‘She is so lovely, true, and pure,
‘Her virtue virtue so endears,
‘That often, when I think of her,
‘Life's meanness fills mine eyes with tears—’
‘You paint Miss Churchill! Pray go on—’
‘She's perfect, and, if joy was much
‘To think her nature's paragon,
‘'Tis more that there's another such!’
Praising and paying back their praise
With rapturous hearts, t'ward Sarum Spire
We walk'd, in evening's golden haze,
Friendship from passion stealing fire.
In joy's crown danced the feather jest,
145
And, parting by the Deanery door,
Clasp'd hands, less shy than words, confess'd
We had not been true friends before.
~ Coventry Patmore,#NFDB
122:Marlburyes Fate
When Londons fatal bills were blown abroad
And few but Specters travel'd on the road,
Not towns but men in the black bill enrol'd
Were in Gazetts by Typographers sold:
But our Gazetts without Errataes must
Report the plague of towns reduct to dust:
And feavers formerly to tenants sent
Arrest the timbers of the tenement.
Ere the late ruines of old Groton's cold,
Of Marlbury's peracute disease we're told.
The feet of such who neighbouring dwellings urnd
Unto her ashes, not her doors return'd
And what remaind of tears as yet unspent
Are to its final gasps a tribute lent.
If painter overtrack my pen let him
An olive colour mix these elves to trim:
Of such an hue let many thousand thieves
Be drawn like Scare-crows clad with oaken leaves,
Exhausted of their verdant life and blown
From place to place without an home to own.
Draw Devils like themselves, upon their cheeks
The banks for grease and mud, a place for leeks.
Whose locks Medusaes snakes, do ropes resemble,
And ghostly looks would make Achilles tremble.
Limm them besmear'd with Christian Bloud and oild
With fat out of white humane bodyes boil'd.
Draw them with clubs like maules and full of stains,
Like Vulcans anvilling New-Englands brains.
Let round be gloomy forrests with crag'd rocks
Where like to castles they may hide their flocks,
Till oppertunity their cautious friend
Shall jogge them fiery worship to attend.
Shew them like serpents in an avious path
Seeking to sow the fire-brands of their wrath.
Most like AEneas in his cloak of mist,
Who undiscover'd move where ere they list
Cupid they tell us hath too sorts of darts.
One sharp and one obtuse, one causing wounds,
One piercing deep the other dull rebounds,
But we feel none but such as drill our hearts.
From Indian sheaves which to their shoulders cling,
Upon the word they quickly feel the string.
Let earth be made a screen to hide our woe
From Heavens Monarch and his Ladyes too;
And least our Jealousie think they partake,
For the red stage with clouds a curtain make.
Let dogs be gag'd and every quickning sound
Be charm'd to silence, here and there all round
The town to suffer, from a thousand holes
Let crawle these fiends with brands and fired poles,
Paint here the house and there the barn on fire,
With holocausts ascending in a spire.
Here granaries, yonder the Churches smoak
Which vengeance on the actors doth invoke.
Let Morpheus with his leaden keyes have bound
In feather-beds some, some upon the ground,
That none may burst his drowsie shackles till
The bruitish pagans have obtain'd their will,
And Vulcan files them off then Zeuxis paint
The phrenzy glances of the sinking saint.
Draw there the Pastor for his bible crying,
The souldier for his sword, The Glutton frying
With streams of glory-fat, the thin-jaw'd Miser
Oh had I given this I had been wiser.
Let here the Mother seem a statue turn'd
At the sad object of her bowels burn'd.
Let the unstable weakling in belief
Be mounting Ashurs horses for relief.
Let the half Convert seem suspended twixt
The dens of darkness, and the Planets fixt,
Ready to quit his hold, and yet hold fast
By the great Atlas of the Heavens vast.
Paint Papists mutterring ore their apish beads
Whome the blind follow while the blind man leads.
Let Ataxy be mounted on a throne
Imposing her Commands on every one,
A many-headed monster without eyes
To see the wayes which wont to make men wise.
Give her a thousand tongues with wings and hands
To be ubiquitary in Commands,
But let the concave of her skull appear
Clean washt and empty quite of all but fear,
One she bids flee, another stay, a third
She bids betake him to his rusty sword,
This to his treasure, th'other to his knees,
Some counsels she to fry and some to freeze,
These to the garison, those to the road,
Some to run empty, some to take their load:
Thus while confusion most mens hearts divide
Fire doth their small exchecquer soon decide.
Thus all things seeming ope or secret foes,
An Infant may grow old before a close,
But yet my hopes abide in perfect strength.
New England will be prosperous once at length.
~ Benjamin Tompson,#NFDB
123:Epode
Not to know vice at all, and keep true state,
Is virtue and not fate:
Next to that virtue, is to know vice well,
And her black spite expel.
Which to effect (since no breast is so sure,
Or safe, but she'll procure
Some way of entrance) we must plant a guard
Of thoughts to watch and ward
At th' eye and ear, the ports unto the mind,
That no strange, or unkind
Object arrive there, but the heart, our spy,
Give knowledge instantly
To wakeful reason, our affections' king:
Who, in th' examining,
Will quickly taste the treason, and commit
Close, the close cause of it.
'Tis the securest policy we have,
To make our sense our slave.
But this true course is not embraced by many:
By many! scarce by any.
For either our affections do rebel,
Or else the sentinel,
That should ring 'larum to the heart, doth sleep:
Or some great thought doth keep
Back the intelligence, and falsely swears
They're base and idle fears
Whereof the loyal conscience so complains.
Thus, by these subtle trains,
Do several passions invade the mind,
And strike our reason blind:
Of which usurping rank, some have thought love
The first: as prone to move
Most frequent tumults, horrors, and unrests,
In our inflamed breasts:
But this doth from the cloud of error grow,
Which thus we over-blow.
The thing they here call love is blind desire,
Armed with bow, shafts, and fire;
Inconstant, like the sea, of whence 'tis born,
40
Rough, swelling, like a storm;
With whom who sails, rides on the surge of fear,
And boils as if he were
In a continual tempest. Now, true love
No such effects doth prove;
That is an essence far more gentle, fine,
Pure, perfect, nay, divine;
It is a golden chain let down from heaven,
Whose links are bright and even;
That falls like sleep on lovers, and combines
The soft and sweetest minds
In equal knots: this bears no brands, nor darts,
To murder different hearts,
But, in a calm and god-like unity,
Preserves community.
O, who is he that, in this peace, enjoys
Th' elixir of all joys?
A form more fresh than are the Eden bowers,
And lasting as her flowers;
Richer than Time and, as Times's virtue, rare;
Sober as saddest care;
A fixed thought, an eye untaught to glance;
Who, blest with such high chance,
Would, at suggestion of a steep desire,
Cast himself from the spire
Of all his happiness? But soft: I hear
Some vicious fool draw near,
That cries, we dream, and swears there's no such thing,
As this chaste love we sing.
Peace, Luxury! thou art like one of those
Who, being at sea, suppose,
Because they move, the continent doth so:
No, Vice, we let thee know
Though thy wild thoughts with sparrows' wings do fly,
Turtles can chastely die;
And yet (in this t' express ourselves more clear)
We do not number here
Such spirits as are only continent,
Because lust's means are spent;
Or those who doubt the common mouth of fame,
And for their place and name,
Cannot so safely sin: their chastity
41
Is mere necessity;
Nor mean we those whom vows and conscience
Have filled with abstinence:
Though we acknowledge who can so abstain,
Makes a most blessed gain;
He that for love of goodness hateth ill,
Is more crown-worthy still
Than he, which for sin's penalty forbears:
His heart sins, though he fears.
But we propose a person like our Dove,
Graced with a Phoenix' love;
A beauty of that clear and sparkling light,
Would make a day of night,
And turn the blackest sorrows to bright joys:
Whose odorous breath destroys
All taste of bitterness, and makes the air
As sweet as she is fair.
A body so harmoniously composed,
As if nature disclosed
All her best symmetry in that one feature!
O, so divine a creature
Who could be false to? chiefly, when he knows
How only she bestows
The wealthy treasure of her love on him;
Making his fortunes swim
In the full flood of her admired perfection?
What savage, brute affection,
Would not be fearful to offend a dame
Of this excelling frame?
Much more a noble, and right generous mind,
To virtuous moods inclined,
That knows the weight of guilt: he will refrain
From thoughts of such a strain,
And to his sense object this sentence ever,
'Man may securely sin, but safely never.'
~ Ben Jonson,#NFDB
124:Xi: Epode
Not to know vice at all, and keepe true state,
Is vertue, and not Fate:
Next, to that vertue, is to know vice well,
And her black spight expell.
Which to effect (since no brest is so sure,
Or safe, but shee'll procure
Some way of entrance) we must plant a guard
Of thoughts to watch, and ward
At th'eye and eare (the ports unto the minde)
That no strange, or unkinde
Object arrive there, but the heart (our spie)
Give knowledge instantly,
To wakefull Reason, our affections king:
Who (in th'examining)
Will quickly taste the reason, and commit
Close, the close cause of it.
'Tis the securest policie we have,
To make our sense our slave.
But this true course is not embrac'd by many:
By many? scarce by any.
For either our affections doe rebell,
Or else the sentinell
(That should ring larum to the heart) doth sleepe,
Or some great thought doth keepe
Back the intelligence, and falsely sweares,
Th'are base, and idle feares
Whereof the loyall conscience so complaines.
Thus by these subtill traines,
Doe severall passions invade the minde,
And strike our reason blinde.
Of which usurping ranck, some have thought Love
The first; as prone to move
Most frequent tumults, horrors, and unrests,
In our enflamed brests:
But this doth from the cloud of error grow,
Which thus we over-blow.
The thing, they here call Love, is blinde Desire,
Arm'd with bow, shafts, and fire;
Inconstant, like the sea, of whence 'tis borne,
155
Rough, swelling, like a storme:
With whom who sailes, rides on the surge of feare,
And boyles, as if he were
In a continuall tempest. Now, true Love
No such effects doth prove;
That is an essence farre more gentle, fine,
Pure, perfect, nay divine;
It is a golden chaine let downe from heaven,
Whose linkes are bright, and even.
That falls like sleepe on Lovers, and combines
The soft, and sweetest mindes
In equall knots: This beares no brands, nor darts,
To murther different hearts,
But, in a calme, and god-like unitie,
Preserves communitie.
O, who is he, that (in this peace) enjoyes
Th Elixir of all joyes?
A forme more fresh, than are the Eden bowers,
And lasting, as her flowers:
Richer than Time, and as Time's vertue, rare:
Sober, as saddest care:
A fixed thought, an eye un-taught to glance;
Who (blest with such high chance)
Would, at suggestion of a steep desire,
Cast himselfe from the spire
Of all his happinesse? But soft: I heare
Some vicious foole draw neare,
That cryes, we dream, and swears there's no such thing,
As this chaste love we sing.
Peace luxury, thou art like one of those
Who, being at sea, suppose,
Because they move, the Continent doth so.
No, vice, we let thee know,
Though thy wild thoughts with sparrows wings do flye,
Turtles can chastly dye;
And yet (in this t'expresse our selves more cleare)
We do not number here,
Such Spirits as are only continent,
Because lust's meanes are spent:
Or those, who doubt the common mouth of fame,
And for their place and name,
Cannot so safely sinne. Their chastity
156
Is meere necessity.
Nor meane we those, whom Vowes and conscience
Have fill'd with abstinence:
Though we acknowledge, who can so abstayne,
Makes a most blessed gaine.
He that for love of goodnesse hateth ill,
Is more crowne-worthy still,
Than he, which for sins penalty forbeares;
His heart sins, though he feares.
But we propose a person like our Dove,
Grac'd with a Phoenix love;
A beauty of that cleare, and sparkling light,
Would make a day of night,
And turne the blackest sorrowes to bright joyes:
Whose od'rous breath destroyes
All taste of bitternesse, and makes the ayre
As sweet as she is faire.
A body so harmoniously compos'd,
As if Nature disclos'd
All her best symmetrie in that one feature!
O, so divine a creature,
Who could be false to? chiefly when he knowes
How only she bestowes
The wealthy treasure of her love on him;
Making his fortunes swim
In the full flood of her admir'd perfection?
What savage, brute affection,
Would not be fearefull to offend a dame
Of this excelling frame?
Much more a noble, and right generous mind
(To vertuous moods inclin'd)
That knowes the weight of guilt: He will refraine
From thoughts of such a straine.
And to his sense object this sentence ever,
Man may securely sinne, but safely never.
~ Ben Jonson,#NFDB
125:Glasgow
SING, poet, 'tis a merry world;
That cottage smoke is rolled and curled
In sport, that every moss
Is happy, every inch of soil: Before me runs a road of toil
With my grave cut across.
Sing, trailing showers and breezy downs I know the tragic hearts of towns.
City! I am true son of thine;
Ne'er dwelt I where great mornings shine
Around the bleating pens;
Ne'er by the rivulets I strayed,
And ne'er upon my childhood weighed
The silence of the glens.
Instead of shores where ocean beats
I hear the ebb and flow of streets.
Black Labor draws his weary waves
Into their secret moaning caves;
But, with the morning light,
That sea again will overflow
With a long, weary sound of woe,
Again to faint in night.
Wave am I in that sea of woes,
Which, night and morning, ebbs and flows.
I dwelt within a gloomy court,
Wherein did never sunbeam sport;
Yet there my heart was stirred My very blood did dance and thrill,
When on my narrow window-sill
Spring lighted like a bird.
Poor flowers! I watched them pine for weeks,
With leaves as pale as human cheeks.
Afar, one summer, I was borne;
Through golden vapors of the morn
I heard the hills of sheep:
10
I trod with a wild ecstasy
The bright fringe of the living sea:
And on a ruined keep
I sat, and watched an endless plain
Blacken beneath the gloom of rain.
Oh, fair the lightly-sprinkled waste,
O'er which a laughing shower has raced!
Oh, fair the April shoots!
Oh, fair the woods on summer days,
While a blue hyacinthine haze
Is dreaming round the roots!
In thee, O city! I discern
Another beaity, sad and strern.
Draw thy fierce streams of blinding ore,
Smite on a thousand anvils, roar
Down the harbor-bars;
Smoulder in smoky sunsets, flare
On rainy nights; with street and square
Lie empty to the stars.
From terrace proud to alley base
I know thee as my mother's face.
When sunset bathes thee in his gold,
In wreaths of bronze thy sides are rolled,
They smoke is dusky fire;
And, from the glory round thee poured,
A sunbeam like an angel's sword
Shivers upon a spire.
Thus have I watched thee, Terror! Dream!
While the blue night crept up the stream.
The wild train plunges in the hills,
He shrieks across the midnight rills;
Streams through the shifting glare,
The roar and flap of foundry fires,
That shake with light the sleeping shires;
And on the moorlands bare
He sees afar a crown of light
Hang o'er thee in the hollow night.
11
And through thy heart as through a dream,
Flows on that black disdainful stream;
All scornfully it flows,
Between the huddled gloom of masts,
Silent as pines unvexed by blasts 'Tween lamps in streaming rows,
O wondrous sight! O stream of dread!
O long, dark river of the dead!
Afar, the banner of the year
Unfurls: but dimly prisoned here,
Tis only when I greet
A dropt rose lying in my way,
A butterfly that flutters gay
Athwart the noisy street,
I know the happy Summer smiles
Around thy suburbs, miles on miles.
'Twere neither pæan now, nor dirge,
The flash and thunder of the surge
On flat sands wide and bare;
No haunting joy or anguish dwells
In the green light of sunny dells,
Or in the starry air.
Alike to me the desert flower,
The rainbow laughing o'er the shower
While o'er thy walls the darkness sails,
I lean against the churchyard rails;
Up in the midnight towers
The belfried spire, the street is dead,
I hear in silence overhead
The clang of iron hours:
It moves me not - I know her tomb
Is yonder in the shapeless gloom.
All raptures of this mortal breath,
Solemnities of life and death,
Dwell in thy noise alone:
Of me thou hast become a part Some kindred with my human heart
Lives in thy streets of stone;
12
For we have been familiar more
Than galley-slave and weary oar.
The beech is dipped in wine; the shower
Is burnished; on the swinging flower
The latest bee doth sit.
The low sun stares through dust of gold.
And o'er the darkened heath and wold
The large ghost-moth doth flit.
In every orchard Autumn stands,
With apples in his golden hands.
But all these sights and sounds are strange;
Then wherefore from thee shoud I range?
Thou hast my kith and kin;
My childhood, youth, and manhood brave;
Thou hast that unforgotten grave
Within thy central din.
A sacredness of love and death
Dwells in thy noise and smoky breath.
~ Alexander Smith,#NFDB
126:Epilogue: 1908
The droning tram swings westward: shrill
the wire sings overhead, and chill
midwinter draughts rattle the glass
that shows the dusking way I pass
to yon four turreted square tower
that still exalts the golden hour
where youth, initiate once, endears
a treasure richer with the years.
Dim-seen, the upper stories fleet
along the twisting shabby street;
beneath, the shop-fronts' cover'd ways
bask in their lampions' orange blaze,
or stare phantasmal, weirdly new,
in the electrics' ghastly blue:
and, up and down, I see them go,
along the windows pleas'd and slow
but hurrying where the darkness falls,
the city's drift of pavement thralls
whom the poor pleasures of the street
lure from their niggard homes, to meet
and mix, unknown, and feel the bright
banality 'twixt them and night:
so, in my youth, I saw them flit
where their delusive dream was lit;
so now I see them, and can read
the urge of their unwitting need
one with my own, however dark,
and questing towards one mother-ark.
But, past the gin-shop's ochrous flare,
sudden, a gap of quiet air
and gather'd dark, where, set a pace
beyond the pavement's coiling race
and mask'd by bulk of sober leaves,
the plain obtruncate chancel heaves,
whose lancet-windows faintly show
suffusion of a ruddy glow,
the lamp of adoration, dim
and rich with unction kept for Him
16
whom Bethlehem's manger first made warm,
the sweetest god in human form,
love's prisoner in the Eucharist,
man's pleading, patient amorist:
and there the sacring laver stands
where I was brought in pious hands,
a chrisom-child, that I might be
accepted of that company
who, thro' their journeying, behold
beyond the apparent heavens, controu'd
to likeness of a candid rose,
ascending where the gold heart glows,
cirque within cirque, the blessed host,
their kin, their comfort, and their boast.
With them I walk'd in love and awe
till I was ware of that grim maw
and lazar-pit that reek'd beneath:
what outcast howlings these? what teeth
gnashing in vain? and was that bliss
whose counter-hemisphere was this?
and could it be, when times fulfill'd
had made the tally of either guild,
that this mid-world, dredged clean in both,
should no more bar their gruesome troth?
So from beneath that choiring tent
I stepp'd, and tho' my spirit's bent
was dark to me as yet, I sought
a sphere appeas'd and undistraught;
and found viaticum and goal
in that hard atom of the soul,
that final grain of deathless mind,
which Satan's watch-fiends shall not find
nor the seven mills of darkness bruise,
for all permission to abuse;
stubborn, yet, if one seek aright,
translucent all within and bright
with sheen that bath no paradigm,
not where our proud Golcondas brim,
tho' sky and sea and leaf and flower,
in each rare mood of virtual power,
sleep in their gems' excepted day:
17
and so, nor long, the guarded ray
broke on my eagerness, who brought
the lucid diamond-probe of thought
and, driving it behind, the extreme
blind vehemence of travailing dream
against the inhibitory shell:
and found, no grim eternal cell
and presence of the shrouded Norn,
but Eden, clad in nuptial mom,
young, fair, and radiant with delight
remorse nor sickness shall requite.
Yes, Eden was my own, my bride;
whatever malices denied,
faithful and found again, nor long
absent from aura of wooing song:
but promis'd only, while the sun
must travel yet thro' times undone;
and life must guard the prize of youth,
and thought must steward into truth
the mines of magian ore divined
in rich Cipangos of the mind:
and I, that made my high attempt
no bliss whence any were exempt,
their fellow-pilgrim, I must greet
these listless captives of the street,
these fragments of an orphan'd drift
whose dower was our mother's thrift,
and, tho' they know it not, have care
of what would be their loving prayer
if skill bestow'd might,help them heed
their craving for the simple meed
to be together in the light
when loneliness and dark incite:
long is the way till we are met
where Eden pays her hoarded debt
and we are orb'd in her, and she
hath still'd her hungering to be,
with plentitude beyond impeach,
single, distinct, and whole in each:
and many an evening hour shall bring
the dark crowd's dreary loitering
18
to me who pass and see the tale
of all my striving, bliss or bale,
dated from either spire that strives
clear of the shoal of shiftless lives,
and promise, in all years' despite,
fidelity to old delight.
~ Christopher John Brennan,#NFDB
127:The Midnight Mass
An incident of the French Revolution.
The light lay trembling in a silver bar
Along the western borders of the sky;
From out the shadowy dome a little star
Stole forth to keep its patient watch on high;
And night came down, with solemn, soft embrace,
On storied Brittany.
Another night lay over all the land—
The dark of hell, and lurid with its fire.
She heard the roar of fiends; she saw the brand
Flung red and hissing over roof and spire;
She saw her golden spurs and reaping-hooks
Tossed on the funeral pyre.
She stood in calm defiance, while the flood
Swept over her;—while everywhere was seen
Her dim, majestic cities drenched in blood;
Ashes and smoke where temple-walls had been;
And high on woodland knoll and market-place,
The ghastly guillotine.
'Twas hard to tear her peasant-souls apart
From priest and liege, and clinging faith of old;
'Twas hard to bend the strong and simple heart
By fear of torture or by love of gold:
For naught those gory hands could offer them
Might consciences be sold.
“No tower or belfry shall be left to stand,”
Saint André swore, and waved his cap of red;
“You shall have naught in all this cursèd land
For sign of your superstition,—it is dead!”
A peasant heard, and raised his eyes to heaven;—
“You'll leave the stars,” he said.
True were the priests and people, each to each,
And all alike to their unlettered creed;
No violent force of sophistry could reach
Their rough-hewn faith in bitter time of need.
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They died with deaf ears and dumb mouths; and theirs
Was martyrdom indeed!
Night—midnight—lay beneath her silver lamps;
Her deep sleep broken by the fitful glare
Of bivouac fires in noisy village camps,
And hoarse shouts mellowed through the listening air;
Save only where the sea-waves washed the coast—
'Twas still and quiet there:
The heave and swell, and sudden, plunging dash
Against the low rocks lying in their reach;
The hissing shingle, and the sweet, free plash
Of long-drawn breakers on the open beach;
And now and then, in momentary pause,
The curlew's mournful screech:
The soft, low gurgle in the hollowed track
Through reef and boulder; and the rippling fall
Of idle wandering waters, swirling back
From secret tryst in Naiads' rocky hall;—
Only these sounds—save that deep monotone
Which held and hushed them all.
Only these sounds? Was nothing to be heard
But voice of breaker as it rose and fell,
The kelpie's song, the wailing of a bird?
Ay, far and faint amid the restless swell,
One other voice stole whispering through the air—
The chime of a silver bell.
It came from dim mid-ocean, wild and free,
To listening ears, in silence of the night;
And watchful eyes saw, out upon the sea
And 'neath the stars, a little twinkling light—
Now lost behind a waving mountain-top,
Now shining clear and bright.
Softly the fishers' boats began to glide
From shadowy rock and sheltered cave and creek;
Bronzed men and gentle maidens, side by side,
225
Dipped muffled oars; no woman-hand was weak.
All eyes turned, wistful, to the beacon-lamp;
But no one dared to speak.
The scattered specks, with each its little crowd,
Drew near, converging on the distant bark;
The sweet bell rang out louder and more loud,
The light shone bright and brighter in the dark;
And soon a hundred lips burst forth in praise—
For all had reach'd the ark.
There was the priest, with whom they came to sup,
White-hair'd and holy, by his humble board;
There, amid light and darkness lifted up,
The blessed rood, by simple eyes adored.
Each head was bowed, each pious knee was bent
In presence of the Lord.
Ah! 'twas a grand cathedral where they knelt!
Grand was the organ-music—vast the crypt
Wherein its wild, mysterious echoes dwelt;
And fresh and pure the incense, as it slipp'd
Down shining floor and down wide altar-steps,
With frosted silver tipp'd.
Grand was the darken'd aisles and solemn nave—
The domèd roof, magnificently high—
The airy walls and mighty architrave—
The sweet star-tapers that could never die!
And grander still its purity of peace,
Its untouched sanctity.
The worn and weary ones came there, to search
For rest and hope in holy Eucharist;
There—in the splendour of that solemn church—
They, priest and people, communed with the Christ;
Thus—with all other temples overthrown—
They kept his sacred tryst.
With calm, grave eyes and even-pulsing breath,
They dipp'd their still oars in the darken'd space.
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Strong now the hands fast rowing back to death!—
And strong the simple hearts, new clothed in grace—
The hush'd and quiet souls—ere long to meet
Their Saviour face to face.
~ Ada Cambridge,#NFDB
128:The Bombardment
Slowly, without force, the rain drops into the city. It stops a moment
on the carved head of Saint John, then slides on again, slipping and trickling
over his stone cloak. It splashes from the lead conduit of a gargoyle,
and falls from it in turmoil on the stones in the Cathedral square.
Where are the people, and why does the fretted steeple sweep about in the sky?
Boom! The sound swings against the rain. Boom, again! After it, only water
rushing in the gutters, and the turmoil from the spout of the gargoyle.
Silence. Ripples and mutters. Boom!
The room is damp, but warm. Little flashes swarm about from the firelight.
The lustres of the chandelier are bright, and clusters of rubies
leap in the bohemian glasses on the `etagere'. Her hands are restless,
but the white masses of her hair are quite still. Boom! Will it never cease
to torture, this iteration! Boom! The vibration shatters a glass
on the `etagere'. It lies there, formless and glowing,
with all its crimson gleams shot out of pattern, spilled, flowing red,
blood-red. A thin bell-note pricks through the silence. A door creaks.
The old lady speaks: 'Victor, clear away that broken glass.' 'Alas!
Madame, the bohemian glass!' 'Yes, Victor, one hundred years ago
my father brought it -' Boom! The room shakes, the servitor quakes.
Another goblet shivers and breaks. Boom!
It rustles at the window-pane, the smooth, streaming rain, and he is shut
within its clash and murmur. Inside is his candle, his table, his ink,
his pen, and his dreams. He is thinking, and the walls are pierced with
beams of sunshine, slipping through young green. A fountain tosses itself
up at the blue sky, and through the spattered water in the basin he can see
copper carp, lazily floating among cold leaves. A wind-harp in a cedar-tree
grieves and whispers, and words blow into his brain, bubbled, iridescent,
shooting up like flowers of fire, higher and higher. Boom!
The flame-flowers snap on their slender stems. The fountain rears up
in long broken spears of dishevelled water and flattens into the earth. Boom!
And there is only the room, the table, the candle, and the sliding rain.
Again, Boom! - Boom! - Boom! He stuffs his fingers into his ears.
He sees corpses, and cries out in fright. Boom! It is night,
and they are shelling the city! Boom! Boom!
246
A child wakes and is afraid, and weeps in the darkness. What has made
the bed shake? 'Mother, where are you? I am awake.' 'Hush, my Darling,
I am here.' 'But, Mother, something so queer happened, the room shook.'
Boom! 'Oh! What is it? What is the matter?' Boom! 'Where is Father?
I am so afraid.' Boom! The child sobs and shrieks. The house
trembles and creaks. Boom!
Retorts, globes, tubes, and phials lie shattered. All his trials
oozing across the floor. The life that was his choosing, lonely, urgent,
goaded by a hope, all gone. A weary man in a ruined laboratory,
that is his story. Boom! Gloom and ignorance, and the jig of drunken brutes.
Diseases like snakes crawling over the earth, leaving trails of slime.
Wails from people burying their dead. Through the window, he can see
the rocking steeple. A ball of fire falls on the lead of the roof,
and the sky tears apart on a spike of flame. Up the spire,
behind the lacings of stone, zigzagging in and out of the carved tracings,
squirms the fire. It spouts like yellow wheat from the gargoyles, coils round
the head of Saint John, and aureoles him in light. It leaps into the night
and hisses against the rain. The Cathedral is a burning stain on the white,
wet night.
Boom! The Cathedral is a torch, and the houses next to it begin to scorch.
Boom! The bohemian glass on the `etagere' is no longer there.
Boom! A stalk of flame sways against the red damask curtains.
The old lady cannot walk. She watches the creeping stalk and counts.
Boom! - Boom! - Boom!
The poet rushes into the street, and the rain wraps him in a sheet of silver.
But it is threaded with gold and powdered with scarlet beads. The city burns.
Quivering, spearing, thrusting, lapping, streaming, run the flames.
Over roofs, and walls, and shops, and stalls. Smearing its gold on the sky,
the fire dances, lances itself through the doors, and lisps and chuckles
along the floors.
The child wakes again and screams at the yellow petalled flower
flickering at the window. The little red lips of flame creep along
the ceiling beams.
247
The old man sits among his broken experiments and looks at
the burning Cathedral. Now the streets are swarming with people.
They seek shelter and crowd into the cellars. They shout and call,
and over all, slowly and without force, the rain drops into the city.
Boom! And the steeple crashes down among the people. Boom! Boom, again!
The water rushes along the gutters. The fire roars and mutters. Boom!
~ Amy Lowell,#NFDB
129:I, In My Intricate Image
I, in my intricate image, stride on two levels,
Forged in man's minerals, the brassy orator
Laying my ghost in metal,
The scales of this twin world tread on the double,
My half ghost in armour hold hard in death's corridor,
To my man-iron sidle.
Beginning with doom in the bulb, the spring unravels,
Bright as her spinning-wheels, the colic season
Worked on a world of petals;
She threads off the sap and needles, blood and bubble
Casts to the pine roots, raising man like a mountain
Out of the naked entrail.
Beginning with doom in the ghost, and the springing marvels,
Image of images, my metal phantom
Forcing forth through the harebell,
My man of leaves and the bronze root, mortal, unmortal,
I, in my fusion of rose and male motion,
Create this twin miracle.
This is the fortune of manhood: the natural peril,
A steeplejack tower, bonerailed and masterless,
No death more natural;
Thus the shadowless man or ox, and the pictured devil,
In seizure of silence commit the dead nuisance.
The natural parallel.
My images stalk the trees and the slant sap's tunnel,
No tread more perilous, the green steps and spire
Mount on man's footfall,
I with the wooden insect in the tree of nettles,
In the glass bed of grapes with snail and flower,
Hearing the weather fall.
Intricate manhood of ending, the invalid rivals,
Voyaging clockwise off the symboled harbour,
85
Finding the water final,
On the consumptives' terrace taking their two farewells,
Sail on the level, the departing adventure,
To the sea-blown arrival.
II
They climb the country pinnacle,
Twelve winds encounter by the white host at pasture,
Corner the mounted meadows in the hill corral;
They see the squirrel stumble,
The haring snail go giddily round the flower,
A quarrel of weathers and trees in the windy spiral.
As they dive, the dust settles,
The cadaverous gravels, falls thick and steadily,
The highroad of water where the seabear and mackerel
Turn the long sea arterial
Turning a petrol face blind to the enemy
Turning the riderless dead by the channel wall.
(Death instrumental,
Splitting the long eye open, and the spiral turnkey,
Your corkscrew grave centred in navel and nipple,
The neck of the nostril,
Under the mask and the ether, they making bloody
The tray of knives, the antiseptic funeral;
Bring out the black patrol,
Your monstrous officers and the decaying army,
The sexton sentinel, garrisoned under thistles,
A cock-on-a-dunghill
Crowing to Lazarus the morning is vanity,
Dust be your saviour under the conjured soil.)
As they drown, the chime travels,
Sweetly the diver's bell in the steeple of spindrift
Rings out the Dead Sea scale;
And, clapped in water till the triton dangles,
Strung by the flaxen whale-weed, from the hangman's raft,
Hear they the salt glass breakers and the tongues of burial.
86
(Turn the sea-spindle lateral,
The grooved land rotating, that the stylus of lightning
Dazzle this face of voices on the moon-turned table,
Let the wax disk babble
Shames and the damp dishonours, the relic scraping.
These are your years' recorders. The circular world stands still.)
III
They suffer the undead water where the turtle nibbles,
Come unto sea-stuck towers, at the fibre scaling,
The flight of the carnal skull
And the cell-stepped thimble;
Suffer, my topsy-turvies, that a double angel
Sprout from the stony lockers like a tree on Aran.
Be by your one ghost pierced, his pointed ferrule,
Brass and the bodiless image, on a stick of folly
Star-set at Jacob's angle,
Smoke hill and hophead's valley,
And the five-fathomed Hamlet on his father's coral
Thrusting the tom-thumb vision up the iron mile.
Suffer the slash of vision by the fin-green stubble,
Be by the ships' sea broken at the manstring anchored
The stoved bones' voyage downward
In the shipwreck of muscle;
Give over, lovers, locking, and the seawax struggle,
Love like a mist or fire through the bed of eels.
And in the pincers of the boiling circle,
The sea and instrument, nicked in the locks of time,
My great blood's iron single
In the pouring town,
I, in a wind on fire, from green Adam's cradle,
No man more magical, clawed out the crocodile.
Man was the scales, the death birds on enamel,
Tail, Nile, and snout, a saddler of the rushes,
Time in the hourless houses
Shaking the sea-hatched skull,
And, as for oils and ointments on the flying grail,
87
All-hollowed man wept for his white apparel.
Man was Cadaver's masker, the harnessing mantle,
Windily master of man was the rotten fathom,
My ghost in his metal neptune
Forged in man's mineral.
This was the god of beginning in the intricate seawhirl,
And my images roared and rose on heaven's hill.
~ Dylan Thomas,#NFDB
130:The Angel In The House. Book Ii. Canto I.
Preludes.
I The Song of Songs
The pulse of War, whose bloody heats
Sane purposes insanely work,
Now with fraternal frenzy beats,
And binds the Christian to the Turk,
And shrieking fifes and braggart flags,
Through quiet England, teach our breath
The courage corporate that drags
The coward to heroic death.
Too late for song! Who henceforth sings,
Must fledge his heavenly flight with more
Song-worthy and heroic things
Than hasty, home-destroying war.
While might and right are not agreed,
And battle thus is yet to wage,
So long let laurels be the meed
Of soldier as of poet sage;
But men expect the Tale of Love,
And weary of the Tale of Hate;
Lift me, O Muse, myself above,
And let the world no longer wait!
II The Kites
I saw three Cupids (so I dream'd),
Who made three kites, on which were drawn,
In letters that like roses gleam'd,
‘Plato,’ ‘Anacreon,’ and ‘Vaughan.’
The boy who held by Plato tried
His airy venture first; all sail,
It heav'nward rush'd till scarce descried,
Then pitch'd and dropp'd, for want of tail.
Anacreon's Love, with shouts of mirth
That pride of spirit thus should fall,
To his kite link'd a lump of earth,
And, lo, it would not soar at all.
Last, my disciple freighted his
124
With a long streamer made of flowers,
The children of the sod, and this
Rose in the sun, and flew for hours.
III Orpheus
The music of the Sirens found
Ulysses weak, though cords were strong;
But happier Orpheus stood unbound,
And shamed it with a sweeter song.
His mode be mine. Of Heav'n I ask,
May I, with heart-persuading might,
Pursue the Poet's sacred task
Of superseding faith by sight,
Till ev'n the witless Gadarene,
Preferring Christ to swine, shall know
That life is sweetest when it's clean.
To prouder folly let me show
Earth by divine light made divine;
And let the saints, who hear my word,
Say, ‘Lo, the clouds begin to shine
‘About the coming of the Lord!’
IV Nearest the Dearest
Till Eve was brought to Adam, he
A solitary desert trod,
Though in the great society
Of nature, angels, and of God.
If one slight column counterweighs
The ocean, 'tis the Maker's law,
Who deems obedience better praise
Than sacrifice of erring awe.
V Perspective
What seems to us for us is true.
The planet has no proper light,
And yet, when Venus is in view,
No primal star is half so bright.
Accepted.
125
I
What fortune did my heart foretell?
What shook my spirit, as I woke,
Like the vibration of a bell
Of which I had not heard the stroke?
Was it some happy vision shut
From memory by the sun's fresh ray?
Was it that linnet's song; or but
A natural gratitude for day?
Or the mere joy the senses weave,
A wayward ecstasy of life?
Then I remember'd, yester-eve
I won Honoria for my Wife.
II
Forth riding, while as yet the day
Was dewy, watching Sarum Spire,
Still beckoning me along my way,
And growing every minute higher,
I reach'd the Dean's. One blind was down,
Though nine then struck. My bride to be!
And had she rested ill, my own,
With thinking (oh, my heart!) of me?
I paced the streets; a pistol chose,
To guard my now important life
When riding late from Sarum Close;
At noon return'd. Good Mrs. Fife,
To my, ‘The Dean, is he at home?’
Said, ‘No, Sir; but Miss Honor is;’
And straight, not asking if I'd come,
Announced me, ‘Mr. Felix, Miss,’
To Mildred, in the Study. There
We talk'd, she working. We agreed
The day was fine; the Fancy-Fair
Successful; ‘Did I ever read
‘De Genlis?’ ‘Never.’ ‘Do! She heard
‘I was engaged.’ ‘To whom?’ ‘Miss Fry.’
‘Was it the fact?’ ‘No!’ ‘On my word?’
‘What scandal people talk'd!’ ‘Would I
‘Hold out this skein of silk.’ So pass'd
I knew not how much time away.
‘How were her sisters?’ ‘Well.’ At last
126
I summon'd heart enough to say,
‘I hoped to see Miss Churchill too.’
‘Miss Churchill, Felix! What is this?
‘I said, and now I find 'tis true,
‘Last night you quarrell'd! Here she is.’
III
She came, and seem'd a morning rose
When ruffling rain has paled its blush;
Her crown once more was on her brows;
And, with a faint, indignant flush,
And fainter smile, she gave her hand,
But not her eyes, then sate apart,
As if to make me understand
The honour of her vanquish'd heart.
But I drew humbly to her side;
And she, well pleased, perceiving me
Liege ever to the noble pride
Of her unconquer'd majesty,
Once and for all put it away;
The faint flush pass'd; and, thereupon,
Her loveliness, which rather lay
In light than colour, smiled and shone,
Till sick was all my soul with bliss;
Or was it with remorse and ire
Of such a sanctity as this
Subdued by love to my desire?
~ Coventry Patmore,#NFDB
131:Ode On The Istallation Of The Duke Of Devonshire
Hence a while, severer Muses;
Spare your slaves till drear October.
Hence; for Alma Mater chooses
Not to be for ever sober:
But, like stately matron gray,
Calling child and grandchild round her,
Will for them at least be gay;
Share for once their holiday;
And, knowing she will sleep the sounder,
Cheerier-hearted on the morrow
Rise to grapple care and sorrow,
Grandly leads the dance adown, and joins the children's play.
So go, for in your places
Already, as you see,
(Her tears for some deep sorrow scarcely dried),
Venus holds court among her sinless graces,
With many a nymph from many a park and lea.
She, pensive, waits the merrier faces
Of those your wittier sisters three,
O'er jest and dance and song who still preside,
To cheer her in this merry-mournful tide;
And bids us, as she smiles or sighs,
Tune our fancies by her eyes.
Then let the young be glad,
Fair girl and gallant lad,
And sun themselves to-day
By lawn and garden gay;
'Tis play befits the noon
Of rosy-girdled June:
Who dare frown if heaven shall smile?
Blest, who can forget a while;
The world before them, and above
The light of universal love.
Go, then, let the young be gay;
From their heart as from their dress
Let darkness and let mourning pass away,
While we the staid and worn look on and bless.
62
Health to courage firm and high!
Health to Granta's chivalry!
Wisely finding, day by day,
Play in toil, and toil in play.
Granta greets them, gliding down
On by park and spire and town;
Humming mills and golden meadows,
Barred with elm and poplar shadows;
Giant groves, and learned halls;
Holy fanes and pictured walls.
Yet she bides not here; around
Lies the Muses' sacred ground.
Most she lingers, where below
Gliding wherries come and go;
Stalwart footsteps shake the shores;
Rolls the pulse of stalwart oars;
Rings aloft the exultant cry
For the bloodless victory.
There she greets the sports, which breed
Valiant lads for England's need;
Wisely finding, day by day,
Play in toil, and toil in play.
Health to courage, firm and high!
Health to Granta's chivalry!
Yet stay a while, severer Muses, stay,
For you, too, have your rightful parts to-day.
Known long to you, and known through you to fame,
Are Chatsworth's halls, and Cavendish's name.
You too, then, Alma Mater calls to greet
A worthy patron for your ancient seat;
And bid her sons from him example take,
Of learning purely sought for learning's sake,
Of worth unboastful, power in duty spent;
And see, fulfilled in him, her high intent.
Come, Euterpe, wake thy choir;
Fit thy notes to our desire.
Long may he sit the chiefest here,
Meet us and greet us, year by year;
Long inherit, sire and son,
All that their race has wrought and won,
63
Since that great Cavendish came again,
Round the world and over the main,
Breasting the Thames with his mariners bold,
Past good Queen Bess's palace of old;
With jewel and ingot packed in his hold,
And sails of damask and cloth of gold;
While never a sailor-boy on board
But was decked as brave as a Spanish lord,
With the spoils he had won
In the Isles of the Sun,
And the shores of Fairy-land,
And yet held for the crown of the goodly show,
That queenly smile from the Palace window,
And that wave of a queenly hand.
Yes, let the young be gay,
And sun themselves to-day;And from their hearts, as from their dress,
Let mourning pass away.
But not from us, who watch our years fast fleeing,
And snatching as they flee, fresh fragments of our being.
Can we forget one friend,
Can we forget one face,
Which cheered us toward our end,
Which nerved us for our race?
Oh sad to toil, and yet forego
One presence which has made us know
To Godlike souls how deep our debt!
We would not, if we could, forget.
Severer Muses, linger yet;
Speak out for us one pure and rich regret.
Thou, Clio, who, with awful pen,
Gravest great names upon the hearts of men,
Speak of a fate beyond our ken;
A gem late found and lost too soon; {306}
A sun gone down at highest noon;
A tree from Odin's ancient root,
Which bore for men the ancient fruit,
Counsel, and faith and scorn of wrong,
And cunning lore, and soothing song,
Snapt in mid-growth, and leaving unaware
The flock unsheltered and the pasture bare
64
Nay, let us take what God shall send,
Trusting bounty without end.
God ever lives; and Nature,
Beneath His high dictature,
Hale and teeming, can replace
Strength by strength, and grace by grace,
Hope by hope, and friend by friend:
Trust; and take what God shall send.
So shall Alma Mater see
Daughters fair and wise
Train new lands of liberty
Under stranger skies;
Spreading round the teeming earth
English science, manhood, worth.
1862.
~ Charles Kingsley,#NFDB
132:A:
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night
That lives beneath the overhanging rock
That shades the poolan endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day,
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer,
Whose breath destroys all life--awhile it veils
The rockthen, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace;
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blastsa weatherbeaten crew!
CHORUS:
What wondrous sound is that, mournful and faint,
But more melodious than the murmuring wind
Which through the columns of a temple glides?
A:
It is the wandering voice of Orpheus lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes;
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.
CHORUS:
Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.
A:
Ah, no!
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift streamthe cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked Where she is, it is dark!
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas!
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of springeach riplet makes
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes,
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong,
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on,
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words neer used before,
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes,
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound.
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.
Published by Dr. Garnett, Relics of Shelley, 1862; revised and enlarged by Rossetti, Complete Poetical Works of P. B. S., 1870.
~ Percy Bysshe Shelley, Orpheus
,#NFDB
133:On Returning To England
There! once again I stand on home,
Though round me still there swirls the foam,
Leaping athwart the vessel's track
To bid a wanderer welcome back,
And though as yet through softening haze
White cliffs but vaguely greet my gaze.
For, England! yours the waves, the spray,
And, be one's foothold what it may,
Wherever billow wafts or wends,
Your soil is trodden, your shore extends.
How stern! how sweet! Though fresh from lands
Where soft seas heave on slumbering strands,
And zephyrs moistened by the south
Seem kisses from an infant's mouth,
My northern blood exults to face
The rapture of this rough embrace,
Glowing in every vein to feel
The cordial caress of steel
From spear-blue air and sword-blue sea,
The armour of your liberty.
Braced by the manly air, I reach
My soul out to the approaching beach,
And own, the instant I arrive,
The dignity of being alive!
And now with forward-faring feet
Eager I leap to land, and greet
The hearty grasp, the honest gaze,
The voice that means the thing it says,
The gait of men by birthright free,
Unceremonial courtesy.
None frown, none cringe, but, fearless-eyed,
Are kindly all; since, side by side,
Authority and Freedom reign
In twin equality, and drain
Their sanction from the self-same breast,
And Law is wise Will manifest.
Yes, this is England, frank and fair:
I tread its turf, I breathe its air,
363
And catch from every stalwart lung
The music of my mother tongue.
And who are these that cluster round
With hastening feet and silvery sound,
And eyes as liquid as the dawn,
When laughs the dew on Kentish lawn?
These England's daughters, frank yet arch,
Supple as April, strong as March:
Like pink-white windflowers in the grove,
That came while east and west wind strove
For mastery, and Spring seemed late,
Hardy alike and delicate.
How well their faces fit the scene,
The copses gray, the hedgerows green,
The white-veiled blackthorn, gorse afire,
The cottage yew, the village spire;
The pastures flecked with frisking lambs
Around their gravely grazing dams;
The children loitering home from school,
Their hands and pinafores all full
Of cuckoo-pint and bluebell spike,
Gathered in dingle, dell, and dyke;
The comely homes one just can see
Through flowering belts of bush and tree,
That all combine, all, all conspire,
To more than satisfy desire,
To make one love this lovely earth,
And bless Heaven for one's British birth.
Bewitching climes! where late I sought
In change of scene a change of thought,
Refreshment from familiar ground,
And, what I sought for, more than found,
Where old enchantment haunteth still
Ligurian coast and Tuscan hill,
Climes I have ventured oft and long
To celebrate in faltering song,
Where fearless almond, faery larch,
Smiling, disarm the frown of March,
Snow hath no terrors, frost no sting,
And playful Winter mimics Spring,
364
Deem me not thankless, nor deny
Fresh welcome from your shore and sky,
Repose from thought so oft implored,
And ne'er refused, if, now restored
By you to health, by you to home,
Glad I return, late glad to roam.
For dear to me though wayside shrine
By silent gorge or murmuring brine;
Dear though the barefoot peasant folk
Who lop the vine and steer the yoke
Of soft-eyed, sleek-skinned, creamy beeves,
Up narrow ways to broad slant eaves;
The stony mule-tracks twisting slow
Up slopes where cherry-blossoms blow
'Mid olive gray and ilex brown,
On to some sun-bronzed mountain town;
The hush and cool of marble domes,
Where, wed to reverie, one roams
Through transept, chancel, cloister, cell,
Where still with far-off faces dwell
Sages and saints devoutly limned
By hands long dust and eyes long dimmed;
Dear though all these, and ne'er forgot,
No southern shore, no sunniest spot,
Not Roccabruna's hamlet crest,
Not Eza's brow, not Taggia's breast,
Not Bellosguardo's sunset hour,
Not Dante's seat nor Giotto's Tower,
Nor even Spiaggiascura's foam,
Moisten and melt my heart like home.
For here the cuckoo seems more glad,
The nightingale more sweetly sad,
Primroses more akin in gaze
To childlike wonder, childlike ways;
And all things that one sees and hears,
Since rooted in the bygone years,
And blending with their warm caress
A touch of homely tenderness,
Bid the quick instinct in one's blood
Pay tribute unto motherhood.
How should strange lands, it boots not where,
Divorce one from one's native air,
365
Or in a loyal breast dethrone
Unreasoning reverence for one's own?
Yet love and reason surely blend
To stir this passion and commend?
And who will blame if, though one seeks
In gentler tides, and sterner peaks
That tower above a wider plain,
Contrast to northern hill and main,
I cherish still and hold apart
The fondest feeling in my heart
For where, beneath one's parent sky,
Our dear ones live, our dead ones lie?
And you, dear friend, who linger still
Beside the iris-crested rill
That silvers through your olives gray
From convent-capped Fiesole,
Think not that I forget, forswear,
The scenes we lately vowed so fair.
To these your wandering footsteps bring
The freshness of an English Spring;
And even Florence sunnier glows,
When Phyllis prattles and Ivor crows.
And, though among them still you stray,
Sweet-lengthening-out a Tuscan May,
You too will here return before
Our Northern roses blow once more,
To prove to all of kindred birth,
For winsome grace and sterling worth,
Nothing can match, where'er we roam,
An English wife in English home.
~ Alfred Austin,#NFDB
134:Celestial Heights
Hail! steep ascents and winding ways,
Glimmering through melting morning haze,
Hail! mountain herd-bells chiming clear!
Hail! meads and cherry-orchards green,
And hail, thrice hail! thou golden mean,
The châlet's simple cheer!
I leave the highwayed world behind,
And amid pathless pinewoods wind,
I drink their aromatic air;
Leap with kin feet the leaping stream,
And wake, as from an evil dream,
To dawn and speechless prayer.
Louder I hear the cattle-bells,
Wider the prospect spreads and swells,
Lakes, mountains, snow-peaks, round me throng;
I veil mine eyes, with awe oppressed,
Then gaze, and with a carolling breast
Burst into native song.
The moist cool dews are round my feet;
Forests of wild-flowers, simple, sweet,
With honey load each vacant breeze,
Which healing bears upon its wing,
Breathes with an air of more than Spring,
And banishes disease.
My limbs their youthful stride regain,
From off me fall fatigue and pain,
I mount more borne on wings than feet;
My blood in faster current flows,
Yet, like stream fed by mountain snows,
Is coolest when most fleet.
And not this common frame alone
Reclaims its youth, remounts its throne;
I feel, as air and sky expand,
That here the spirit, as the flesh,
205
Grows fragrant, dewy, healthful, fresh,
And like the landscape, grand.
Is it then so? And must the soul,
That unseen wing towards unseen goal,
Disdain the crowded vale's delights,
Its heat unfruitful, vapid noise,
And soaring, solitary, poise
Among celestial heights?
Even so. And, poised aloft, my soul
Far above human fret and dole
In empyrean calm abides.
No mortal voice the silence mars;
I hear the singing of the stars,
And the eternal tides.
The greedy aims, the lean regrets,
The disenchantment Hope begets
On ravished hearts,-beheld from here,
Like unto hamlet, pasture, stream,
Confused in one indifferent dream,
Mean and minute appear.
Man's feeble fury, trivial hate,
The pains that upon pleasure wait,
The exhaustion of tumultuous love,
The hopes that dwindle, fears that grow,
All that upheaves the plain below,
Tranquil, I breathe above.
Yet 'mid these sun-confronting peaks,
The undesisting spirit seeks
To mount to loftier, rarer height.
Are what we see but toys of sense,
And we who see them but a lens
Refracting heavenly light?-Imperfect mirror, faulty glass,
Who let the pure white rays to pass
But twist the coloured beams awry,
Belittle all the good we see,
206
And ill, since of our own degree,
Absorb, to magnify?
Who knoweth, or shall answer find?
I hear the rising of the wind,
More near and full the torrent's plash;
The swaying pine-woods murmur deep,
The lightnings laugh, and, roused from sleep,
The storm-winds meet and crash!
From underneath their lurid cowls,
Rossberg 'gainst Rigi frowns and scowls,
Across Arth's vale that cowers for dread;
And, mustering for their awful goal,
The phalanxed thunders, rumbling, roll
Around Pilatus' head.
Zug's gentle bosom heaves with fear,
And Küssnachts' waves, late soft and clear
As maiden's gaze or childhood's kiss,
Wax black as murkiest pool of hell,
When the infernal tempests swell,
And demons jeer and hiss.
'Mid such a ferment what is Man?
He sits beneath the rainbow's span,
And contemplates his little state:
He hears the darkness call, and deems
The skies speak to him in his dreams,
And recognise him great.
Yet not for him the Heavens engage
In their reverberating rage,
For him the ambushed levins fight.
Him?-but a fainter lightning-flash,
Him?-but a feebler thunder-crash,
Ending in deeper night!
Lo! unto other lands of air
The elemental furies bear
The roar of unexhausted strife;
And, freed from the sepulchral gloom,
207
Earth once again, as from the tomb,
Rises to light and life.
Pilatus frees his rugged head,
Zug's crouching lake, released from dread,
Looks up and smiles with face serene;
And, gazed on by the dying sun,
The phantom snow-crests, one by one,
Glow with transfigured mien.
Dead! And the tender twilight sighs.
Wan wane her cheeks, moist grow her eyes,
She draws her robes of mourning round:
Slowly she lights her widowed lamp,
And listens, through the night-dews damp,
To catch some cheering sound.
Yet in her loneliness how fair!
There is a sadness in the air
Sweeter than all the chords of joy;
A fragrance, as of spices borne
Unto the tomb of one we mourn,
And can no more annoy.
Cham's spire, I scarce in heaven descry,
Inverted, in that other sky,
The lake's lit breast, still plain doth glow:
So Soul, that darkly points above,
Shows sure and clear, when glassed by love
In answering heart below.
No more the grazing herds I see,
But still their bells chime silvery
The tuneful, if unmeasured peal,
And, as when heard in dewy morn,
From lonely mind and heart forlorn
Their desolation steal.
The legions of the starry host,
Each to their high and solemn post
In silent discipline repair,
And, from the unbattlemented sky,
208
With an intrepid calm defy
The demons of the air.
And, lo! athwart their ordered lines,
That strange auxiliary shines,
Who wears the bright long-flowing crest;
Weird warrior from another world,
Whose banner shortly will be furled,
Or waved in realms unguessed.
Erratic pilgrim! go not yet!
And, each fair planet, do not set!
For once, if only once, O Time!
Stay thine interminable march
Round and still round that hollow arch,
Where aeons vainly chime.
For when the tide, which unto Heaven
Brings night, 'gainst earth is backward driven
In waves of rising day, ah! then
Me helpless will it bear once more
Unto that thronged but barren shore,
Ploughed by the cares of men.
~ Alfred Austin,#NFDB
135:The Angel In The House. Book I. Canto I.
Preludes.
I The Impossibility
Lo, Love's obey'd by all. 'Tis right
That all should know what they obey,
Lest erring conscience damp delight,
And folly laugh our joys away.
Thou Primal Love, who grantest wings
And voices to the woodland birds,
Grant me the power of saying things
Too simple and too sweet for words!
II Love's Reality
I walk, I trust, with open eyes;
I've travell'd half my worldly course;
And in the way behind me lies
Much vanity and some remorse;
I've lived to feel how pride may part
Spirits, tho' match'd like hand and glove;
I've blush'd for love's abode, the heart;
But have not disbelieved in love;
Nor unto love, sole mortal thing
Of worth immortal, done the wrong
To count it, with the rest that sing,
Unworthy of a serious song;
And love is my reward; for now,
When most of dead'ning time complain,
The myrtle blooms upon my brow,
Its odour quickens all my brain.
III The Poet's Confidence
The richest realm of all the earth
Is counted still a heathen land:
Lo, I, like Joshua, now go forth
To give it into Israel's hand.
I will not hearken blame or praise;
For so should I dishonour do
To that sweet Power by which these Lays
Alone are lovely, good, and true;
62
Nor credence to the world's cries give,
Which ever preach and still prevent
Pure passion's high prerogative
To make, not follow, precedent.
From love's abysmal ether rare
If I to men have here made known
New truths, they, like new stars, were there
Before, though not yet written down.
Moving but as the feelings move,
I run, or loiter with delight,
Or pause to mark where gentle Love
Persuades the soul from height to height,
Yet, know ye, though my words are gay
As David's dance, which Michal scorn'd,
If kindly you receive the Lay,
You shall be sweetly help'd and warn'd.
The Cathedral Close.
Once more I came to Sarum Close,
With joy half memory, half desire,
And breathed the sunny wind that rose
And blew the shadows o'er the Spire,
And toss'd the lilac's scented plumes,
And sway'd the chestnut's thousand cones,
And fill'd my nostrils with perfumes,
And shaped the clouds in waifs and zones,
And wafted down the serious strain
Of Sarum bells, when, true to time,
I reach'd the Dean's, with heart and brain
That trembled to the trembling chime.
II
'Twas half my home, six years ago.
The six years had not alter'd it:
Red-brick and ashlar, long and low,
With dormers and with oriels lit.
Geranium, lychnis, rose array'd
The windows, all wide open thrown;
And some one in the Study play'd
63
The Wedding-March of Mendelssohn.
And there it was I last took leave:
'Twas Christmas: I remember'd now
The cruel girls, who feign'd to grieve,
Took down the evergreens; and how
The holly into blazes woke
The fire, lighting the large, low room
A dim, rich lustre of old oak
And crimson velvet's glowing gloom.
III
No change had touch'd Dean Churchill: kind,
By widowhood more than winters bent,
And settled in a cheerful mind,
As still forecasting heaven's content.
Well might his thoughts be fix'd on high,
Now she was there! Within her face
Humility and dignity
Were met in a most sweet embrace.
She seem'd expressly sent below
To teach our erring minds to see
The rhythmic change of time's swift flow
As part of still eternity.
Her life, all honour, observed, with awe
Which cross experience could not mar,
The fiction of the Christian law
That all men honourable are;
And so her smile at once conferr'd
High flattery and benign reproof;
And I, a rude boy, strangely stirr'd,
Grew courtly in my own behoof.
The years, so far from doing her wrong,
Anointed her with gracious balm,
And made her brows more and more young
With wreaths of amaranth and palm.
IV
Was this her eldest, Honor; prude,
Who would not let me pull the swing;
Who, kiss'd at Christmas, call'd me rude,
And, sobbing low, refused to sing?
64
How changed! In shape no slender Grace,
But Venus; milder than the dove;
Her mother's air; her Norman face;
Her large sweet eyes, clear lakes of love.
Mary I knew. In former time
Ailing and pale, she thought that bliss
Was only for a better clime,
And, heavenly overmuch, scorn'd this.
I, rash with theories of the right,
Which stretch'd the tether of my Creed,
But did not break it, held delight
Half discipline. We disagreed.
She told the Dean I wanted grace.
Now she was kindest of the three,
And soft wild roses deck'd her face.
And, what, was this my Mildred, she
To herself and all a sweet surprise?
My Pet, who romp'd and roll'd a hoop?
I wonder'd where those daisy eyes
Had found their touching curve and droop.
Unmannerly times! But now we sat
Stranger than strangers; till I caught
And answer'd Mildred's smile; and that
Spread to the rest, and freedom brought.
The Dean talk'd little, looking on,
Of three such daughters justly vain.
What letters they had had from Bonn,
Said Mildred, and what plums from Spain!
By Honor I was kindly task'd
To excuse my never coming down
From Cambridge; Mary smiled and ask'd
Were Kant and Goethe yet outgrown?
And, pleased, we talk'd the old days o'er;
And, parting, I for pleasure sigh'd.
To be there as a friend, (since more),
Seem'd then, seems still, excuse for pride;
For something that abode endued
With temple-like repose, an air
Of life's kind purposes pursued
With order'd freedom sweet and fair.
65
A tent pitch'd in a world not right
It seem'd, whose inmates, every one,
On tranquil faces bore the light
Of duties beautifully done,
And humbly, though they had few peers,
Kept their own laws, which seem'd to be
The fair sum of six thousand years'
Traditions of civility.
~ Coventry Patmore,#NFDB
136:Would that the structure brave, the manifold music I build,
Bidding my organ obey, calling its keys to their work,
Claiming each slave of the sound, at a touch, as when Solomon willed
Armies of angels that soar, legions of demons that lurk,
Man, brute, reptile, fly,alien of end and of aim,
Adverse, each from the other heaven-high, hell-deep removed,
Should rush into sight at once as he named the ineffable Name,
And pile him a palace straight, to pleasure the princess he loved!
Would it might tarry like his, the beautiful building of mine,
This which my keys in a crowd pressed and importuned to raise!
Ah, one and all, how they helped, would dispart now and now combine,
Zealous to hasten the work, heighten their master his praise!
And one would bury his brow with a blind plunge down to hell,
Burrow awhile and build, broad on the roots of things,
Then up again swim into sight, having based me my palace well,
Founded it, fearless of flame, flat on the nether springs.
And another would mount and march, like the excellent minion he was,
Ay, another and yet another, one crowd but with many a crest,
Raising my rampired walls of gold as transparent as glass,
Eager to do and die, yield each his place to the rest:
For higher still and higher (as a runner tips with fire,
When a great illumination surprises a festal night
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.
In sight? Not half! for it seemed, it was certain, to match man's birth,
Nature in turn conceived, obeying an impulse as I;
And the emulous heaven yearned down, made effort to reach the earth,
As the earth had done her best, in my passion, to scale the sky:
Novel splendours burst forth, grew familiar and dwelt with mine,
Not a point nor peak but found and fixed its wandering star;
Meteor-moons, balls of blaze: and they did not pale nor pine,
For earth had attained to heaven, there was no more near nor far.
Nay more; for there wanted not who walked in the glare and glow,
Presences plain in the place; or, fresh from the Protoplast,
Furnished for ages to come, when a kindlier wind should blow,
Lured now to begin and live, in a house to their liking at last;
Or else the wonderful Dead who have passed through the body and gone,
But were back once more to breathe in an old world worth their new:
What never had been, was now; what was, as it shall be anon;
And what is,shall I say, matched both? for I was made perfect too.
All through my keys that gave their sounds to a wish of my soul,
All through my soul that praised as its wish flowed visibly forth,
All through music and me! For think, had I painted the whole,
Why, there it had stood, to see, nor the process so wonder-worth:
Had I written the same, made versestill, effect proceeds from cause,
Ye know why the forms are fair, ye hear how the tale is told;
It is all triumphant art, but art in obedience to laws,
Painter and poet are proud in the artist-list enrolled:
But here is the finger of God, a flash of the will that can,
Existent behind all laws, that made them and, lo, they are!
And I know not if, save in this, such gift be allowed to man,
That out of three sounds he frame, not a fourth sound, but a star.
Consider it well: each tone of our scale in itself is nought;
It is everywhere in the worldloud, soft, and all is said:
Give it to me to use! I mix it with two in my thought:
And, there! Ye have heard and seen: consider and bow the head!
Well, it is gone at last, the palace of music I reared;
Gone! and the good tears start, the praises that come too slow;
For one is assured at first, one scarce can say that he feared,
That he even gave it a thought, the gone thing was to go.
Never to be again! But many more of the kind
As good, nay, better, perchance: is this your comfort to me?
To me, who must be saved because I cling with my mind
To the same, same self, same love, same God: ay, what was, shall be.
Therefore to whom turn I but to thee, the ineffable Name?
Builder and maker, thou, of houses not made with hands!
What, have fear of change from thee who art ever the same?
Doubt that thy power can fill the heart that thy power expands?
There shall never be one lost good! What was, shall live as before;
The evil is null, is nought, is silence implying sound;
What was good shall be good, with, for evil, so much good more;
On the earth the broken arcs; in the heaven, a perfect round.
All we have willed or hoped or dreamed of good shall exist;
Not its semblance, but itself; no beauty, nor good, nor power
Whose voice has gone forth, but each survives for the melodist
When eternity affirms the conception of an hour.
The high that proved too high, the heroic for earth too hard,
The passion that left the ground to lose itself in the sky,
Are music sent up to God by the lover and the bard;
Enough that he heard it once: we shall hear it by and by.
And what is our failure here but a triumph's evidence
For the fulness of the days? Have we withered or agonized?
Why else was the pause prolonged but that singing might issue thence?
Why rushed the discords in, but that harmony should be prized?
Sorrow is hard to bear, and doubt is slow to clear,
Each sufferer says his say, his scheme of the weal and woe:
But God has a few of us whom he whispers in the ear;
The rest may reason and welcome; 'tis we musicians know.
Well, it is earth with me; silence resumes her reign:
I will be patient and proud, and soberly acquiesce.
Give me the keys. I feel for the common chord again,
Sliding by semitones till I sink to the minor,yes,
And I blunt it into a ninth, and I stand on alien ground,
Surveying awhile the heights I rolled from into the deep;
Which, hark, I have dared and done, for my resting-place is found,
The C Major of this life: so, now I will try to sleep.
~ Robert Browning, Abt Vogler
,#NFDB
137:Beowulf (Episode 35)
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
for woful war ('tis widely known) ,
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
150
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me! '
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord! '
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
151
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
152
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved hisbreast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
~ Anonymous Olde English,#NFDB
138:The Dance At Darmstadt
In the city of Darmstadt, the Sabbath morn
Shone over the broad Cathedral Square,
And to nobly, richly, and lowly born,
The belfry carilloned call to prayer.
Then banker, and burgher, and learn'd in law,
With clean-cut forehead and firm-set jaw,
Master, and prentice, and tradesman trim,
Pikemen stalwart of port and limb,
Pledged to die for their native town,
Scholars stately in cap and gown,
Splendid and simple, halt and hale,
Rosy tapster and student pale,
Stepped from their thresholds, and gravely trod
The streets that lead to the House of God.
And, hurrying after them, maid and dame,
Wives, and daughters, and sweethearts, came,
All in their Sabbath best arrayed,
Delicate ribbon and dainty braid,
Creaseless corset and kirtle clean,
Of sombre homespun or silken sheen,
Rustling by with looks demure,
As bright as posies, and just as pure.
And tight to their kirtles their children clung,
With ambling footstep and nimble tongue,
Prattled and questioned them all the way,
Forgetting quite 'twas the Sabbath Day,
Till they came to the great Cathedral Square,
Where the organ pealed through the House of Prayer.
``Now why do you waste the summer day?''
Cried a velveted stripling with locks of gold,
And eyes like forget-me-nots in May,
When the milch-cows stream from the wintry fold.
``Week after week you troop in there,
To mutter and mumble the self-same prayer,
Through the self-same psalmody drowse and nod;
And that's what you, sooth, call praising God!
Look! the sun is shining on roof and spire,
412
And the wings of the swallow never tire,
The stork hovers over her callow nest,
And Spring is folded to Summer's breast.
There's a flutter of love in the lime-tree leaves,
And the starlings flute on the Rathhaus eaves.
Come away, come away where the sycamore swings
Its tassels of gold, and the blackbird sings,
Where the river swirls past a tangled ledge
Of willow-weed, meadow-sweet, thyme, and sedge,
Where the veins of the vine are flushed with juice,
And the trout in the stream past the miller's sluice
Cast wavering shadows on stone and sand;
And, when we have rambled through all the land,
We will halt at the Inn with the Jocund Sign,
And freshen our throats with the Mosel wine.
But, ere ever we go, let us, hand in hand,
Be comrades sworn of a joyous band,
And, while they jabber and wail in there,
Have a dance in the sunny Cathedral Square.''
Then tabor and viol began to sound,
And ribald and losel to beat the ground,
Boys who mocked at the Sacred Name,
And wantons brazening out their shame.
With languishing eyes and streaming hair,
They footed it all about the Square,
Footed, and frolicked, and revelled round,
To the viol's twang and the tabor's sound;
Shouted, and clapped their hands for glee;
Was never such madcap company:
Forward, backward, forward once more,
Like ebb and flow on a tidal shore,
Trooped together more near and near,
Like a troop of colts at a sound they fear,
Then scampered away and scattered wide,
Again to draw to each other's side;
Hand within hand, and face to face,
Twirled and circled in lewd embrace,
Hurried, slackened, then swept along,
Trilling and trolling a shameful song,
Hurtful and hateful to godly ears.
Never, I ween, in all the years
413
Since the Autumn woods waxed sere and brown,
Was danced such a dance in Darmstadt town.
Now the sermon was over, the service done,
And the grave-faced worshippers, one by one,
Poured into the bright Cathedral Square,
And beheld the ungodly dancing there.
Then they cried, ``Now, shame on you! Stay! O stay!
Surely ye know 'tis the Sabbath Day,
The day of the merciful mighty Lord:
If ye flaunt His mercy, yet dread His sword!''
Yet never an instant the dancing stayed,
But ribald stripling, and wanton maid,
Gasped out, ``Don't you see we are nigh to drop
With panting and pain, but we cannot stop.
The demons have entered our limbs, and we
No longer have power to pause or flee.
They force us to hammer the hard hot ground,
And make us pirouette round and round.
Will never some Christian soul advance,
And break the spell of this demon dance!''
Then the sober and godly would fain have heard
Piteous cry and panting word.
But a something stronger than human will
Fettered their feet, and kept them still
Helplessly watching the ghastly crew;
So swiftly they whirled, and so fast they flew,
It made one giddy to see them there.
So, out of the broad Cathedral Square,
Banker and burgher, and learn'd in law,
With clean-cut forehead and firm-set jaw,
Master and prentice, and tradesman trim,
Pikemen stalwart of port and limb,
Sister, and sweetheart, and wife demure,
As fresh as posies, and just as pure,
With children clutching their mother's gown,
Homeward walked through the awestruck town.
But still, when the godly crowd had gone,
The derelict band went dancing on.
The sunlight glittered on roof and spire,
414
And the wings of the swallow did never tire,
The stork hovered over her callow nest,
And Spring was folded to Summer's breast.
Far away in the woodland the sycamore swung
Its tassels of gold, and the blackbird sung.
The river went swirling past tangled ledge
Of willow-weed, meadow-sweet, thyme, and sedge.
The veins of the vine were flushed with juice,
And the trout poised still by the miller's sluice.
But, though longer and longer the shadows grew,
Still gambolled and anticked the ribald crew,
Wavered and wantoned in broken line,
As though mad-drunk with the Mosel wine,
Reeled and rolled till the sun went down,
And the stars shone over the darkened town,
Golden stars in a dome of blue;
Careered and capered the whole night through,
Till their loose flesh flapped on their creaking bones,
And they staggered and dropped on the hard dry stones.
And when at last in a heap they lay,
Like refuse the scavenger carts away,
They throbbed up still, as at farmyard pyre
The flickering flames of an unfed fire;
Nor yet from their ghastly gambols ceased,
Till the sun ensanguined the pallid East,
And the starlings piped on the Rathhaus eaves.
Never, never since wintry woods waxed brown,
Was danced such a dance in Darmstadt town.
~ Alfred Austin,#NFDB
139:A Royal Princess
I, a princess, king-descended, decked with jewels, gilded, drest,
Would rather be a peasant with her baby at her breast,
For all I shine so like the sun, and am purple like the west.
Two and two my guards behind, two and two before,
Two and two on either hand, they guard me evermore;
Me, poor dove, that must not coo—eagle that must not soar.
All my fountains cast up perfumes, all my gardens grow
Scented woods and foreign spices, with all flowers in blow
That are costly, out of season as the seasons go.
All my walls are lost in mirrors, whereupon I trace
Self to right hand, self to left hand, self in every place,
Self-same solitary figure, self-same seeking face.
Then I have an ivory chair high to sit upon,
Almost like my father's chair, which is an ivory throne;
There I sit uplift and upright, there I sit alone.
Alone by day, alone by night, alone days without end;
My father and my mother give me treasures, search and spend—
O my father! O my mother! have you ne'er a friend?
As I am a lofty princess, so my father is
A lofty king, accomplished in all kingly subtilties,
Holding in his strong right hand world-kingdoms' balances.
He has quarrelled with his neighbours, he has scourged his foes;
Vassal counts and princes follow where his pennon goes,
Long-descended valiant lords whom the vulture knows,
On whose track the vulture swoops, when they ride in state
To break the strength of armies and topple down the great:
Each of these my courteous servant, none of these my mate.
My father counting up his strength sets down with equal pen
So many head of cattle, head of horses, head of men;
These for slaughter, these for breeding, with the how and when.
49
Some to work on roads, canals; some to man his ships;
Some to smart in mines beneath sharp overseers' whips;
Some to trap fur-beasts in lands where utmost winter nips.
Once it came into my heart, and whelmed me like a flood,
That these too are men and women, human flesh and blood;
Men with hearts and men with souls, though trodden down like mud.
Our feasting was not glad that night, our music was not gay:
On my mother's graceful head I marked a thread of grey,
My father frowning at the fare seemed every dish to weigh.
I sat beside them sole princess in my exalted place,
My ladies and my gentlemen stood by me on the dais:
A mirror showed me I look old and haggard in the face;
It showed me that my ladies all are fair to gaze upon,
Plump, plenteous-haired, to every one love's secret lore is known,
They laugh by day, they sleep by night; ah me, what is a throne?
The singing men and women sang that night as usual,
The dancers danced in pairs and sets, but music had a fall,
A melancholy windy fall as at a funeral.
Amid the toss of torches to my chamber back we swept;
My ladies loosed my golden chain; meantime I could have wept
To think of some in galling chains whether they waked or slept.
I took my bath of scented milk, delicately waited on,
They burned sweet things for my delight, cedar and cinnamon,
They lit my shaded silver lamp, and left me there alone.
A day went by, a week went by. One day I heard it said:
'Men are clamouring, women, children, clamouring to be fed;
Men like famished dogs are howling in the streets for bread.'
So two whispered by my door, not thinking I could hear,
Vulgar naked truth, ungarnished for a royal ear;
Fit for cooping in the background, not to stalk so near.
But I strained my utmost sense to catch this truth, and mark:
50
'There are families out grazing like cattle in the park.'
'A pair of peasants must be saved even if we build an ark.'
A merry jest, a merry laugh, each strolled upon his way;
One was my page, a lad I reared and bore with day by day;
One was my youngest maid as sweet and white as cream in May.
Other footsteps followed softly with a weightier tramp;
Voices said: 'Picked soldiers have been summoned from the camp
To quell these base-born ruffians who make free to howl and stamp.'
'Howl and stamp?' one answered: 'They made free to hurl a stone
At the minister's state coach, well aimed and stoutly thrown.'
'There's work then for the soldiers, for this rank crop must be mown.'
'One I saw, a poor old fool with ashes on his head,
Whimpering because a girl had snatched his crust of bread:
Then he dropped; when some one raised him, it turned out he was dead.'
'After us the deluge,' was retorted with a laugh:
'If bread's the staff of life, they must walk without a staff.'
'While I've a loaf they're welcome to my blessing and the chaff.'
These passed. The king: stand up. Said my father with a smile:
'Daughter mine, your mother comes to sit with you awhile,
She's sad to-day, and who but you her sadness can beguile?'
He too left me. Shall I touch my harp now while I wait,—
(I hear them doubling guard below before our palace gate—)
Or shall I work the last gold stitch into my veil of state;
Or shall my woman stand and read some unimpassioned scene,
There's music of a lulling sort in words that pause between;
Or shall she merely fan me while I wait here for the queen?
Again I caught my father's voice in sharp word of command:
'Charge!' a clash of steel: 'Charge again, the rebels stand.
Smite and spare not, hand to hand; smite and spare not, hand to hand.'
There swelled a tumult at the gate, high voices waxing higher;
A flash of red reflected light lit the cathedral spire;
I heard a cry for faggots, then I heard a yell for fire.
51
'Sit and roast there with your meat, sit and bake there with your bread,
You who sat to see us starve,' one shrieking woman said:
'Sit on your throne and roast with your crown upon your head.'
Nay, this thing will I do, while my mother tarrieth,
I will take my fine spun gold, but not to sew therewith,
I will take my gold and gems, and rainbow fan and wreath;
With a ransom in my lap, a king's ransom in my hand,
I will go down to this people, will stand face to face, will stand
Where they curse king, queen, and princess of this cursed land.
They shall take all to buy them bread, take all I have to give;
I, if I perish, perish; they to-day shall eat and live;
I, if I perish, perish; that's the goal I half conceive:
Once to speak before the world, rend bare my heart and show
The lesson I have learned which is death, is life, to know.
I, if I perish, perish; in the name of God I go.
~ Christina Georgina Rossetti,#NFDB
140:[An imaginary composer.]
I.
Hist, but a word, fair and soft!
Forth and be judged, Master Hugues!
Answer the question I've put you so oft:
What do you mean by your mountainous fugues?
See, we're alone in the loft,-
II.
I, the poor organist here,
Hugues, the composer of note,
Dead though, and done with, this many a year:
Let's have a colloquy, something to quote,
Make the world prick up its ear!
III.
See, the church empties apace:
Fast they extinguish the lights.
Hallo there, sacristan! Five minutes' grace!
Here's a crank pedal wants setting to rights,
Baulks one of holding the base.
IV.
See, our huge house of the sounds,
Hushing its hundreds at once,
Bids the last loiterer back to his bounds!
O you may challenge them, not a response
Get the church-saints on their rounds!
V.
(Saints go their rounds, who shall doubt?
-March, with the moon to admire,
Up nave, down chancel, turn transept about,
Supervise all betwixt pavement and spire,
Put rats and mice to the rout-
VI.
Aloys and Jurien and Just-
Order things back to their place,
Have a sharp eye lest the candlesticks rust,
Rub the church-plate, darn the sacrament-lace,
Clear the desk-velvet of dust.)
VII.
Here's your book, younger folks shelve!
Played I not off-hand and runningly,
Just now, your masterpiece, hard number twelve?
Here's what should strike, could one handle it cunningly:
HeIp the axe, give it a helve!
VIII.
Page after page as I played,
Every bar's rest, where one wipes
Sweat from one's brow, I looked up and surveyed,
O'er my three claviers yon forest of pipes
Whence you still peeped in the shade.
IX.
Sure you were wishful to speak?
You, with brow ruled like a score,
Yes, and eyes buried in pits on each cheek,
Like two great breves, as they wrote them of yore,
Each side that bar, your straight beak!
X.
Sure you said-``Good, the mere notes!
``Still, couldst thou take my intent,
``Know what procured me our Company's votes-
``A master were lauded and sciolists shent,
``Parted the sheep from the goats!''
XI.
Well then, speak up, never flinch!
Quick, ere my candle's a snuff
-Burnt, do you see? to its uttermost inch-
I believe in you, but that's not enough:
Give my conviction a clinch!
XII.
First you deliver your phrase
-Nothing propound, that I see,
Fit in itself for much blame or much praise-
Answered no less, where no answer needs be:
Off start the Two on their ways.
XIII.
Straight must a Third interpose,
Volunteer needlessly help;
In strikes a Fourth, a Fifth thrusts in his nose,
So the cry's open, the kennel's a-yelp,
Argument's hot to the close.
XIV.
One dissertates, he is candid;
Two must discept,has distinguished;
Three helps the couple, if ever yet man did;
Four protests; Five makes a dart at the thing wished:
Back to One, goes the case bandied.
XV.
One says his say with a difference
More of expounding, explaining!
All now is wrangle, abuse, and vociferance;
Now there's a truce, all's subdued, self-restraining :
Five, though, stands out all the stiffer hence.
XVI.
One is incisive, corrosive:
Two retorts, nettled, curt, crepitant;
Three makes rejoinder, expansive, explosive;
Four overbears them all, strident and strepitant,
Five O Danaides, O Sieve!
XVII.
Now, they ply axes and crowbars;
Now, they prick pins at a tissue
Fine as a skein of the casuist Escobar's
Worked on the bone of a lie. To what issue?
Where is our gain at the Two-bars?
XVIII.
Est fuga, volvitur rota.
On we drift: where looms the dim port?
One, Two, Three, Four, Five, contribute their quota;
Something is gained, if one caught but the import-
Show it us, Hugues of Saxe-Gotha!
XIX.
What with affirming, denying,
Holding, risposting, subjoining,
All's like it's like for an instance I'm trying
There! See our roof, its gilt moulding and groining
Under those spider-webs lying!
XX.
So your fugue broadens and thickens,
Greatens and deepens and lengthens,
Till we exclaim-``But where's music, the dickens?
``Blot ye the gold, while your spider-web strengthens
``-Blacked to the stoutest of tickens?''
XXI.
I for man's effort am zealous:
Prove me such censure unfounded!
Seems it surprising a lover grows jealous-
Hopes 'twas for something, his organ-pipes sounded,
Tiring three boys at the bellows?
XXII.
Is it your moral of Life?
Such a web, simple and subtle,
Weave we on earth here in impotent strife,
Backward and forward each throwing his shuttle,
Death ending all with a knife?
XXIII.
Over our heads truth and nature-
Still our life's zigzags and dodges,
Ins and outs, weaving a new legislature-
God's gold just shining its last where that lodges,
Palled beneath man's usurpature.
XXIV.
So we o'ershroud stars and roses,
Cherub and trophy and garland;
Nothings grow something which quietly closes
Heaven's earnest eye: not a glimpse of the far land
Gets through our comments and glozes.
XXV.
Ah but traditions, inventions,
(Say we and make up a visage)
So many men with such various intentions,
Down the past ages, must know more than this age!
Leave we the web its dimensions!
XXVI.
Who thinks Hugues wrote for the deaf,
Proved a mere mountain in labour?
Better submit; try again; what's the clef?
'Faith, 'tis no trifle for pipe and for tabor-
Four flats, the minor in F.
XXVII.
Friend, your fugue taxes the finger
Learning it once, who would lose it?
Yet all the while a misgiving will linger,
Truth's golden o'er us although we refuse it-
Nature, thro' cobwebs we string her.
XXVIII.
Hugues! I advise Me Pn
(Counterpoint glares like a Gorgon)
Bid One, Two, Three, Four, Five, clear the arena!
Say the word, straight I unstop the full-organ,
Blare out the mode Palestrina.
XXIX.
While in the roof, if I'm right there,
Lo you, the wick in the socket!
Hallo, you sacristan, show us a light there!
Down it dips, gone like a rocket.
What, you want, do you, to come unawares,
Sweeping the church up for first morning-prayers,
And find a poor devil has ended his cares
At the foot of your rotten-runged rat-riddled stairs?
Do I carry the moon in my pocket?
A fugue is a short melody.
Keyboard of organ.
A note in music.
The daughters of Danaus, condemned to pour water
into a sieve.
The Spanish casuist, so severely mauled by Pascal.
A closely woven fabric.
~ Robert Browning, Master Hugues Of Saxe-Gotha
,#NFDB
141:Winter-Store
Subtly conscious, all awake,
Let us clear our eyes, and break
Through the cloudy chrysalis,
See the wonder as it is.
Down a narrow alley, blind,
Touch and vision, heart and mind,
Turned sharply inward, still we plod,
Till the calmly smiling god
Leaves us, and our spirits grow
More thin, more acrid, as we go.
Creeping by the sullen wall,
We forego the power to see,
The threads that bind us to the All,
God or the Immensity;
Whereof on the eternal road
Man is but a passing mode.
Too blind we are, too little see
Of the magic pageantry,
Every minute, every hour,
From the cloudflake to the flower,
Forever old, forever strange,
Issuing in perpetual change
From the rainbow gates of Time.
But he who through this common air
Surely knows the great and fair,
What is lovely, what sublime,
Becomes in an increasing span,
One with earth and one with man,
One, despite these mortal scars,
With the planets and the stars;
And Nature from her holy place,
Bending with unveiled face,
Fills him in her divine employ
With her own majestic joy.
Up the fielded slopes at morn,
Where light wefts of shadow pass,
278
Films upon the bending corn,
I shall sweep the purple grass.
Sun-crowned heights and mossy woods,
And the outer solitudes,
Mountain-valleys, dim with pine,
Shall be home and haunt of mine.
I shall search in crannied hollows,
Where the sunlight scarcely follows,
And the secret forest brook
Murmurs, and from nook to nook
Forever downward curls and cools,
Frothing in the bouldered pools.
Many a noon shall find me laid
In the pungent balsam shade,
Where sharp breezes spring and shiver
On some deep rough-coasted river,
And the plangent waters come,
Amber-hued and streaked with foam;
Where beneath the sunburnt hills
All day long the crowded mills
With remorseless champ and scream
Overlord the sluicing stream,
And the rapids' iron roar
Hammers at the forest's core;
Where corded rafts creep slowly on,
Glittering in the noonday sun,
And the tawny river-dogs,
Shepherding the branded logs,
Bind and heave with cadenced cry;
Where the blackened tugs go by,
Panting hard and straining slow,
Laboring at the weighty tow,
Flat-nosed barges all in trim,
Creeping in long cumbrous line,
Loaded to the water's brim
With the clean, cool-scented pine.
Perhaps in some low meadow-land,
Stretching wide on either hand,
I shall see the belted bees
Rocking with the tricksy breeze
279
In the spired meadow-sweet,
Or with eager trampling feet
Burrowing in the boneset blooms,
Treading out the dry perfumes.
Where sun-hot hay-fields newly mown
Climb the hillside ruddy brown,
I shall see the haymakers,
While the noonday scarcely stirs,
Brown of neck and booted gray,
Tossing up the rustling hay,
While the hay-racks bend and rock,
As they take each scented cock,
Jolting over dip and rise;
And the wavering butterflies
O'er the spaces brown and bare
Light and wander here and there.
I shall stray by many a stream,
Where the half-shut lilies gleam,
Napping out the sultry days
In the quiet secluded bays;
Where the tasseled rushes tower,
O'er the purple pickerel-flower,
And the floating dragon-flyAzure glint and crystal gleamWatches o'er the burnished stream
With his eye of ebony;
Where the bull-frog lolls at rest
On his float of lily-leaves,
That the swaying water weaves,
And distends his yellow breast,
Lowing out from shore to shore
With a hollow vibrant roar;
Where the softest wind that blows,
As it lightly comes and goes,
O'er the jungled river meads,
Stirs a whisper in the reeds,
And wakes the crowded bull-rushes
From their stately reveries,
Flashing through their long-leaved hordes
Like a brandishing of swords;
There, too, the frost-like arrow-flowers
280
Tremble to the golden core,
Children of enchanted hours,
Whom the rustling river bore
In the night's bewildered noon,
Woven of water and the moon.
I shall hear the grasshoppers
From the parched grass rehearse,
And with drowsy note prolong
Evermore the same thin song.
I shall hear the crickets tell
Stories by the humming well,
And mark the locust, with quaint eyes,
Caper in his cloak of gray
Like a jester in disguise
Rattling by the dusty way.
I shall dream by upland fences,
Where the season's wealth condenses
Over many a weedy wreck,
Wild, uncared-for, desert places,
That sovereign Beauty loves to deck
With her softest, dearest graces.
There the long year dreams in quiet,
And the summer's strength runs riot.
Shall I not remember these,
Deep in winter reveries?
Berried brier and thistle-bloom,
And milkweed with its dense perfume;
Slender vervain towering up
In a many-branched cup,
Like a candlestick, each spire
Kindled with a violet fire;
Matted creepers and wild cherries,
Purple-bunched elderberries,
And on scanty plots of sod
Groves of branchy goldenrod.
What though autumn mornings now,
Winterward with glittering brow,
Stiffen in the silver grass;
And what though robins flock and pass,
281
With subdued and sober call,
To the old year's funeral;
Though October's crimson leaves
Rustle at the gusty door,
And the tempest round the eaves
Alternate with pipe and roar;
I sit, as erst, unharmed, secure,
Conscious that my store is sure,
Whatsoe'er the fenced fields,
Or the untilled forest yields
Of unhurt remembrances,
Or thoughts, far-glimpsed, half-followed, these
I have reaped and laid away,
A treasure of unwinnowed grain,
To the garner packed and gray
Gathered without toil or strain.
And when the darker days shall come,
And the fields are white and dumb;
When our fires are half in vain,
And the crystal starlight weaves
Mockeries of summer leaves,
Pictured on the icy pane;
When the high aurora gleams
Far above the Arctic streams
Like a line of shifting spears,
And the broad pine-circled meres,
Glimmering in that spectral light,
Thunder through the northern night;
Then within the bolted door
I shall con my summer store;
Though the fences scarcely show
Black above the drifted snow,
Though the icy sweeping wind
Whistle in the empty tree,
Safe within the sheltered mind,
I shall feed on memory.
Yet across the windy night
Comes upon its wings a cry;
Fashioned forms and modes take flight,
And a vision sad and high
282
Of the laboring world down there,
Where the lights burn red and warm,
Pricks my soul with sudden stare,
Glowing through the veils of storm.
In the city yonder sleep
Those who smile and those who weep,
Those whose lips are set with care,
Those whose brows are smooth and fair;
Mourners whom the dawning light
Shall grapple with an old distress;
Lovers folded at midnight
In their bridal happiness;
Pale watchers by beloved beds,
Fallen a-drowse with nodding heads,
Whom sleep captured by surprise,
With the circles round their eyes;
Maidens with quiet-taken breath,
Dreaming of enchanted bowers;
Old men with the mask of death;
Little children soft as flowers;
Those who wake wild-eyed and start
In some madness of the heart;
Those whose lips and brows of stone
Evil thoughts have graven upon,
Shade by shade and line by line,
Refashioning what was once divine.
All these sleep, and through the night,
Comes a passion and a cry,
With a blind sorrow and a might,
I know not whence, I know not why,
A something I cannot control,
A nameless hunger of the soul.
It holds me fast. In vain, in vain,
I remember how of old
I saw the ruddy race of men,
Through the glittering world outrolled,
A gay-smiling multitude,
All immortal, all divine,
Treading in a wreathed line
By a pathway through a wood.
283
~ Archibald Lampman,#NFDB
142:On The Victory Obtained By Blake Over The
Spaniards, In The Bay Of Scanctacruze, In The Island
Of Teneriff.1657
Now does Spains Fleet her spatious wings unfold,
Leaves the new World and hastens for the old:
But though the wind was fair, the slowly swoome
Frayted with acted Guilt, and Guilt to come:
For this rich load, of which so proud they are,
Was rais'd by Tyranny, and rais'd for war;
Every capatious Gallions womb was fill'd,
With what the Womb of wealthy Kingdomes yield,
The new Worlds wounded Intails they had tore,
For wealth wherewith to wound the old once more.
Wealth which all others Avarice might cloy,
But yet in them caus'd as much fear, as Joy.
For now upon the Main, themselves they saw,
That boundless Empire, where you give the law,
Of winds and waters rage, they fearful be,
But much more fearful are your Flags to see
Day, that to these who sail upon the deep,
More wish't for, and more welcome is then sleep,
They dreaded to behold, Least the Sun's light,
With English Streamers, should salute their sight:
In thickest darkness they would choose to steer,
So that such darkness might suppress their fear;
At length theirs vanishes, and fortune smiles;
For they behold the sweet Canary Isles.
One of which doubtless is by Nature blest
Above both Worlds, since 'tis above the rest.
For least some Gloominess might stain her sky,
Trees there the duty of the Clouds supply;
O noble Trust which Heaven on this Isle poures,
Fertile to be, yet never need her showres.
A happy People, which at once do gain
The benefits without the ills of rain.
Both health and profit, Fate cannot deny;
Where still the Earth is moist, the Air still dry;
The jarring Elements no discord know,
Fewel and Rain together kindly grow;
112
And coolness there, with heat doth never fight,
This only rules by day, and that by Night.
Your worth to all these Isles, a just right brings,
The best of Lands should have the best of Kings.
And these want nothing Heaven can afford,
Unless it be, the having you their Lord;
But this great want, will not along one prove,
Your Conquering Sword will soon that want remove.
For Spain had better, Shee'l ere long confess,
Have broken all her Swords, then this one Peace,
Casting that League off, which she held so long,
She cast off that which only made her strong.
Forces and art, she soon will feel, are vain,
Peace, against you, was the sole strength of Spain.
By that alone those Islands she secures,
Peace made them hers, but War will make them yours;
There the indulgent Soil that rich Grape breeds,
Which of the Gods the fancied drink exceeds;
They still do yield, such is their pretious mould,
All that is good, and are not curst with Gold.
With fatal Gold, for still where that does grow,
Neither the Soyl, nor People quiet know.
Which troubles men to raise it when 'tis Oar,
And when 'tis raised, does trouble them much more.
Ah, why was thither brought that cause of War,
Kind Nature had from thence remov'd so far.
In vain doth she those Islands free from Ill,
If fortune can make guilty what she will.
But whilst I draw that Scene, where you ere long,
Shall conquests act, your present are unsung,
For Sanctacruze the glad Fleet takes her way,
And safely there casts Anchor in the Bay.
Never so many with one joyful cry,
That place saluted, where they all must dye.
Deluded men! Fate with you did but sport,
You scap't the Sea, to perish in your Port.
'Twas more for Englands fame you should dye there,
Where you had most of strength, and least of fear.
The Peek's proud height, the Spaniards all admire,
Yet in their brests, carry a pride much higher.
Onely to this vast hill a power is given,
At once both to Inhabit Earth and Heaven.
113
But this stupendious Prospect did not neer,
Make them admire, so much as as they did fear.
For here they met with news, which did produce,
A grief, above the cure of Grapes best juice.
They learn'd with Terrour, that nor Summers heat,
Nor Winters storms, had made your Fleet retreat.
To fight against such Foes, was vain they knew,
Which did the rage of Elements subdue.
Who on the Ocean that does horror give,
To all besides, triumphantly do live.
With hast they therefore all their Gallions moar,
And flank with Cannon from the Neighbouring shore.
Forts, Lines, and Sconces all the Bay along,
They build and act all that can make them strong.
Fond men who know not whilst such works they raise,
They only Labour to exalt your praise.
Yet they by restless toyl, because at Length,
So proud and confident of their made strength.
That they with joy their boasting General heard,
Wish then for that assault he lately fear'd.
His wish he has, for now undaunted Blake,
With winged speed, for Sanctacruze does make.
For your renown, his conquering Fleet does ride,
Ore Seas as vast as is the Spaniards pride.
Whose Fleet and Trenches view'd, he soon did say,
We to their Strength are more obilg'd then they.
Wer't not for that, they from their Fate would run,
And a third World seek out our Armes to shun.
Those Forts, which there, so high and strong appear,
Do not so much suppress, as shew their fear.
Of Speedy Victory let no man doubt,
Our worst works past, now we have found them out.
Behold their Navy does at Anchor lye,
And they are ours, for now they cannot fly.
This said, the whole Fleet gave it their applause,
And all assumes your courage, in your cause.
That Bay they enter, which unto them owes,
The noblest wreaths, that Victory bestows.
Bold Stainer Leads, this Fleets design'd by fate,
To give him Lawrel, as the Last did Plate.
The Thund'ring Cannon now begins the Fight,
And though it be at Noon, creates a Night.
114
The Air was soon after the fight begun,
Far more enflam'd by it, then by the Sun.
Never so burning was that Climate known,
War turn'd the temperate, to the Torrid Zone.
Fate these two Fleets, between both Worlds had brought.
Who fight, as if for both those Worlds they fought.
Thousands of wayes, Thousands of men there dye,
Some Ships are sunk, some blown up in the skie.
Nature never made Cedars so high a Spire,
As Oakes did then. Urg'd by the active fire.
Which by quick powders force, so high was sent,
That it return'd to its own Element.
Torn Limbs some leagues into the Island fly,
Whilst others lower, in the Sea do lye.
Scarce souls from bodies sever'd are so far,
By death, as bodies there were by the War.
Th'all-seeing Sun, neer gaz'd on such a sight,
Two dreadful Navies there at Anchor Fight.
And neither have, or power, or will to fly,
There one must Conquer, or there both must dye.
Far different Motives yet, engag'd them thus,
Necessity did them, but Choice did us.
A choice which did the highest forth express,
And was attended by as high success.
For your resistless genious there did Raign,
By which we Laurels reapt ev'n on the Mayn.
So prosperous Stars, though absent to the sence,
Bless those they shine for, by their Influence.
Our Cannon now tears every Ship and Sconce,
And o're two Elements Triumphs at once.
Their Gallions sunk, their wealth the Sea does fill,
The only place where it can cause no ill,
Ah would those Treasures which both Indies have,
Were buryed in as large, and deep a grave,
Wars chief support with them would buried be,
And the Land owe her peace unto the Sea.
Ages to come, your conquering Arms will bless,
There they destroy, what had destroy'd their Peace.
And in one War the present age may boast,
The certain seeds of many Wars are lost,
All the Foes Ships destroy'd, by Sea or fire,
Victorious Blake, does from the Bay retire,
115
His Seige of Spain he then again pursues,
And there first brings of his success the news;
The saddest news that ere to Spain was brought,
Their rich Fleet sunk, and ours with Lawrel fraught.
Whilst fame in every place, her Trumpet blowes,
And tells the World, how much to you it owes.
~ Andrew Marvell,#NFDB
143:Ballad Of The Long-Legged Bait
The bows glided down, and the coast
Blackened with birds took a last look
At his thrashing hair and whale-blue eye;
The trodden town rang its cobbles for luck.
Then good-bye to the fishermanned
Boat with its anchor free and fast
As a bird hooking over the sea,
High and dry by the top of the mast,
Whispered the affectionate sand
And the bulwarks of the dazzled quay.
For my sake sail, and never look back,
Said the looking land.
Sails drank the wind, and white as milk
He sped into the drinking dark;
The sun shipwrecked west on a pearl
And the moon swam out of its hulk.
Funnels and masts went by in a whirl.
Good-bye to the man on the sea-legged deck
To the gold gut that sings on his reel
To the bait that stalked out of the sack,
For we saw him throw to the swift flood
A girl alive with his hooks through her lips;
All the fishes were rayed in blood,
Said the dwindling ships.
Good-bye to chimneys and funnels,
Old wives that spin in the smoke,
He was blind to the eyes of candles
In the praying windows of waves
But heard his bait buck in the wake
And tussle in a shoal of loves.
Now cast down your rod, for the whole
Of the sea is hilly with whales,
39
She longs among horses and angels,
The rainbow-fish bend in her joys,
Floated the lost cathedral
Chimes of the rocked buoys.
Where the anchor rode like a gull
Miles over the moonstruck boat
A squall of birds bellowed and fell,
A cloud blew the rain from its throat;
He saw the storm smoke out to kill
With fuming bows and ram of ice,
Fire on starlight, rake Jesu's stream;
And nothing shone on the water's face
But the oil and bubble of the moon,
Plunging and piercing in his course
The lured fish under the foam
Witnessed with a kiss.
Whales in the wake like capes and Alps
Quaked the sick sea and snouted deep,
Deep the great bushed bait with raining lips
Slipped the fins of those humpbacked tons
And fled their love in a weaving dip.
Oh, Jericho was falling in their lungs!
She nipped and dived in the nick of love,
Spun on a spout like a long-legged ball
Till every
Till every
Till every
Rose and
beast blared down in a swerve
turtle crushed from his shell
bone in the rushing grave
crowed and fell!
Good luck to the hand on the rod,
There is thunder under its thumbs;
Gold gut is a lightning thread,
His fiery reel sings off its flames,
The whirled boat in the burn of his blood
40
Is crying from nets to knives,
Oh the shearwater birds and their boatsized brood
Oh the bulls of Biscay and their calves
Are making under the green, laid veil
The long-legged beautiful bait their wives.
Break the black news and paint on a sail
Huge weddings in the waves,
Over the wakeward-flashing spray
Over the gardens of the floor
Clash out the mounting dolphin's day,
My mast is a bell-spire,
Strike and smoothe, for my decks are drums,
Sing through the water-spoken prow
The octopus walking into her limbs
The polar eagle with his tread of snow.
From salt-lipped beak to the kick of the stern
Sing how the seal has kissed her dead!
The long, laid minute's bride drifts on
Old in her cruel bed.
Over the graveyard in the water
Mountains and galleries beneath
Nightingale and hyena
Rejoicing for that drifting death
Sing and howl through sand and anemone
Valley and sahara in a shell,
Oh all the wanting flesh his enemy
Thrown to the sea in the shell of a girl
Is old as water and plain as an eel;
Always good-bye to the long-legged bread
Scattered in the paths of his heels
For the salty birds fluttered and fed
And the tall grains foamed in their bills;
Always good-bye to the fires of the face,
41
For the crab-backed dead on the sea-bed rose
And scuttled over her eyes,
The blind, clawed stare is cold as sleet.
The tempter under the eyelid
Who shows to the selves asleep
Mast-high moon-white women naked
Walking in wishes and lovely for shame
Is dumb and gone with his flame of brides.
Susannah's drowned in the bearded stream
And no-one stirs at Sheba's side
But the hungry kings of the tides;
Sin who had a woman's shape
Sleeps till Silence blows on a cloud
And all the lifted waters walk and leap.
Lucifer that bird's dropping
Out of the sides of the north
Has melted away and is lost
Is always lost in her vaulted breath,
Venus lies star-struck in her wound
And the sensual ruins make
Seasons over the liquid world,
White springs in the dark.
Always good-bye, cried the voices through the shell,
Good-bye always, for the flesh is cast
And the fisherman winds his reel
With no more desire than a ghost.
Always good luck, praised the finned in the feather
Bird after dark and the laughing fish
As the sails drank up the hail of thunder
And the long-tailed lightning lit his catch.
The boat swims into the six-year weather,
A wind throws a shadow and it freezes fast.
See what the gold gut drags from under
Mountains and galleries to the crest!
42
See what clings to hair and skull
As the boat skims on with drinking wings!
The statues of great rain stand still,
And the flakes fall like hills.
Sing and strike his heavy haul
Toppling up the boatside in a snow of light!
His decks are drenched with miracles.
Oh miracle of fishes! The long dead bite!
Out of the urn a size of a man
Out of the room the weight of his trouble
Out of the house that holds a town
In the continent of a fossil
One by one in dust and shawl,
Dry as echoes and insect-faced,
His fathers cling to the hand of the girl
And the dead hand leads the past,
Leads them as children and as air
On to the blindly tossing tops;
The centuries throw back their hair
And the old men sing from newborn lips:
Time is bearing another son.
Kill Time! She turns in her pain!
The oak is felled in the acorn
And the hawk in the egg kills the wren.
He who blew the great fire in
And died on a hiss of flames
Or walked the earth in the evening
Counting the denials of the grains
Clings to her drifting hair, and climbs;
And he who taught their lips to sing
Weeps like the risen sun among
The liquid choirs of his tribes.
The rod bends low, divining land,
43
And through the sundered water crawls
A garden holding to her hand
With birds and animals
With men and women and waterfalls
Trees cool and dry in the whirlpool of ships
And stunned and still on the green, laid veil
Sand with legends in its virgin laps
And prophets loud on the burned dunes;
Insects and valleys hold her thighs hard,
Times and places grip her breast bone,
She is breaking with seasons and clouds;
Round her trailed wrist fresh water weaves,
with moving fish and rounded stones
Up and down the greater waves
A separate river breathes and runs;
Strike and sing his catch of fields
For the surge is sown with barley,
The cattle graze on the covered foam,
The hills have footed the waves away,
With wild sea fillies and soaking bridles
With salty colts and gales in their limbs
All the horses of his haul of miracles
Gallop through the arched, green farms,
Trot and gallop with gulls upon them
And thunderbolts in their manes.
O Rome and Sodom To-morrow and London
The country tide is cobbled with towns
And steeples pierce the cloud on her shoulder
And the streets that the fisherman combed
When his long-legged flesh was a wind on fire
And his loin was a hunting flame
Coil from the thoroughfares of her hair
And terribly lead him home alive
Lead her prodigal home to his terror,
44
The furious ox-killing house of love.
Down, down, down, under the ground,
Under the floating villages,
Turns the moon-chained and water-wound
Metropolis of fishes,
There is nothing left of the sea but its sound,
Under the earth the loud sea walks,
In deathbeds of orchards the boat dies down
And the bait is drowned among hayricks,
Land, land, land, nothing remains
Of the pacing, famous sea but its speech,
And into its talkative seven tombs
The anchor dives through the floors of a church.
Good-bye, good luck, struck the sun and the moon,
To the fisherman lost on the land.
He stands alone in the door of his home,
With his long-legged heart in his hand.
~ Dylan Thomas,#NFDB
144:'Tis the terror of tempest. The rags of the sail
Are flickering in ribbons within the fierce gale:
From the stark night of vapours the dim rain is driven,
And when lightning is loosed, like a deluge from Heaven,
She sees the black trunks of the waterspouts spin
And bend, as if Heaven was ruining in,
Which they seemed to sustain with their terrible mass
As if ocean had sunk from beneath them: they pass
To their graves in the deep with an earthquake of sound,
And the waves and the thunders, made silent around,
Leave the wind to its echo. The vessel, now tossed
Through the low-trailing rack of the tempest, is lost
In the skirts of the thunder-cloud: now down the sweep
Of the wind-cloven wave to the chasm of the deep
It sinks, and the walls of the watery vale
Whose depths of dread calm are unmoved by the gale,
Dim mirrors of ruin, hang gleaming about;
While the surf, like a chaos of stars, like a rout
Of death-flames, like whirlpools of fire-flowing iron,
With splendour and terror the black ship environ,
Or like sulphur-flakes hurled from a mine of pale fire
In fountains spout oer it. In many a spire
The pyramid-billows with white points of brine
In the cope of the lightning inconstantly shine,
As piercing the sky from the floor of the sea.
The great ship seems splitting! it cracks as a tree,
While an earthquake is splintering its root, ere the blast
Of the whirlwind that stripped it of branches has passed.
The intense thunder-balls which are raining from Heaven
Have shattered its mast, and it stands black and riven.
The chinks suck destruction. The heavy dead hulk
On the living sea rolls an inanimate bulk,
Like a corpse on the clay which is hungering to fold
Its corruption around it. Meanwhile, from the hold,
One deck is burst up by the waters below,
And it splits like the ice when the thaw-breezes blow
Oer the lakes of the desert! Who sit on the other?
Is that all the crew that lie burying each other,
Like the dead in a breach, round the foremast? Are those
Twin tigers, who burst, when the waters arose,
In the agony of terror, their chains in the hold;
(What now makes them tame, is what then made them bold);
Who crouch, side by side, and have driven, like a crank,
The deep grip of their claws through the vibrating plank
Are these all? Nine weeks the tall vessel had lain
On the windless expanse of the watery plain,
Where the death-darting sun cast no shadow at noon,
And there seemed to be fire in the beams of the moon,
Till a lead-coloured fog gathered up from the deep,
Whose breath was quick pestilence; then, the cold sleep
Crept, like blight through the ears of a thick field of corn,
Oer the populous vessel. And even and morn,
With their hammocks for coffins the seamen aghast
Like dead men the dead limbs of their comrades cast
Down the deep, which closed on them above and around,
And the sharks and the dogfish their grave-clothes unbound,
And were glutted like Jews with this manna rained down
From God on their wilderness. One after one
The mariners died; on the eve of this day,
When the tempest was gathering in cloudy array,
But seven remained. Six the thunder has smitten,
And they lie black as mummies on which Time has written
His scorn of the embalmer; the seventh, from the deck
An oak-splinter pierced through his breast and his back,
And hung out to the tempest, a wreck on the wreck.
No more? At the helm sits a woman more fair
Than Heaven, when, unbinding its star-braided hair,
It sinks with the sun on the earth and the sea.
She clasps a bright child on her upgathered knee;
It laughs at the lightning, it mocks the mixed thunder
Of the air and the sea, with desire and with wonder
It is beckoning the tigers to rise and come near,
It would play with those eyes where the radiance of fear
Is outshining the meteors; its bosom beats high,
The heart-fire of pleasure has kindled its eye,
While its mothers is lustreless. Smile not, my child,
But sleep deeply and sweetly, and so be beguiled
Of the pang that awaits us, whatever that be,
So dreadful since thou must divide it with me!
Dream, sleep! This pale bosom, thy cradle and bed,
Will it rock thee not, infant? Tis beating with dread!
Alas! what is life, what is death, what are we,
That when the ship sinks we no longer may be?
What! to see thee no more, and to feel thee no more?
To be after life what we have been before?
Not to touch those sweet hands? Not to look on those eyes,
Those lips, and that hair,all the smiling disguise
Thou yet wearest, sweet Spirit, which I, day by day,
Have so long called my child, but which now fades away
Like a rainbow, and I the fallen shower?Lo! the ship
Is settling, it topples, the leeward ports dip;
The tigers leap up when they feel the slow brine
Crawling inch by inch on them; hair, ears, limbs, and eyne,
Stand rigid with horror; a loud, long, hoarse cry
Bursts at once from their vitals tremendously,
And tis borne down the mountainous vale of the wave,
Rebounding, like thunder, from crag to cave,
Mixed with the clash of the lashing rain,
Hurried on by the might of the hurricane:
The hurricane came from the west, and passed on
By the path of the gate of the eastern sun,
Transversely dividing the stream of the storm;
As an arrowy serpent, pursuing the form
Of an elephant, bursts through the brakes of the waste.
Black as a cormorant the screaming blast,
Between Ocean and Heaven, like an ocean, passed,
Till it came to the clouds on the verge of the world
Which, based on the sea and to Heaven upcurled,
Like columns and walls did surround and sustain
The dome of the tempest; it rent them in twain,
As a flood rends its barriers of mountainous crag:
And the dense clouds in many a ruin and rag,
Like the stones of a temple ere earthquake has passed,
Like the dust of its fall. on the whirlwind are cast;
They are scattered like foam on the torrent; and where
The wind has burst out through the chasm, from the air
Of clear morning the beams of the sunrise flow in,
Unimpeded, keen, golden, and crystalline,
Banded armies of light and of air; at one gate
They encounter, but interpenetrate.
And that breach in the tempest is widening away,
And the caverns of cloud are torn up by the day,
And the fierce winds are sinking with weary wings,
Lulled by the motion and murmurings
And the long glassy heave of the rocking sea,
And overhead glorious, but dreadful to see,
The wrecks of the tempest, like vapours of gold,
Are consuming in sunrise. The heaped waves behold
The deep calm of blue Heaven dilating above,
And, like passions made still by the presence of Love,
Beneath the clear surface reflecting it slide
Tremulous with soft influence; extending its tide
From the Andes to Atlas, round mountain and isle,
Round sea-birds and wrecks, paved with Heavens azure smile,
The wide world of waters is vibrating. Where
Is the ship? On the verge of the wave where it lay
One tiger is mingled in ghastly affray
With a sea-snake. The foam and the smoke of the battle
Stain the clear air with sunbows; the jar, and the rattle
Of solid bones crushed by the infinite stress
Of the snakes adamantine voluminousness;
And the hum of the hot blood that spouts and rains
Where the gripe of the tiger has wounded the veins
Swollen with rage, strength, and effort; the whirl and the splash
As of some hideous engine whose brazen teeth smash
The thin winds and soft waves into thunder; the screams
And hissings crawl fast o'er the smooth ocean-streams,
Each sound like a centipede. Near this commotion,
A blue shark is hanging within the blue ocean,
The fin-winged tomb of the victor. The other
Is winning his way from the fate of his brother
To his own with the speed of despair. Lo! a boat
Advances; twelve rowers with the impulse of thought
Urge on the keen keel,the brine foams. At the stern
Three marksmen stand levelling. Hot bullets burn
In the breast of the tiger, which yet bears him on
To his refuge and ruin. One fragment alone,--
Tis dwindling and sinking, tis now almost gone,--
Of the wreck of the vessel peers out of the sea.
With her left hand she grasps it impetuously.
With her right she sustains her fair infant. Death, Fear,
Love, Beauty, are mixed in the atmosphere,
Which trembles and burns with the fervour of dread
Around her wild eyes, her bright hand, and her head,
Like a meteor of light oer the waters! her child
Is yet smiling, and playing, and murmuring; so smiled
The false deep ere the storm. Like a sister and brother
The child and the ocean still smile on each other,
Whilst
Composed at Pisa early in 1820, and published with Prometheus Unbound in the same year. A transcript in Mrs. Shelleys handwriting is included in the Harvard manuscript book, where it is dated 'April, 1820.'
~ Percy Bysshe Shelley, A Vision Of The Sea
,#NFDB
145:Father Abraham Lincoln
My private shrine. The Gettysburg Address
Framed in with all authentic photographs
Of him from whom the New Religion flows.
Homely? That’s it. A perfect homeliness.
Homely as Home itself that countenance
Benign, immortal sweet, his very soul,
The steadfast, common, great American.
It is a gladness in my aging heart
These eyes three times beheld himself alive,
Ungainly, jointed loose, rail-fence-like, queer
In garb that hung with scarecrow shapelessness—
Absolute figure of The States half-made,
Turning from toil and joke to sacred war.
MY heart has smiles and tears, remembering how
The boy, fourteen, round-cheeked and downy-lipped,
With Philadelphia cheese-cake freshly bit,
Halted to stare on marbled Chestnut Street;
He could not gulp the richness in his maw,
Because that black-frock-coated countryman
Of bulged umbrella, rusty stovepipe hat,
Five yards ahead, and coming rapidly,
Could be none other than the President,
From caricatures familiar as the day.
A sudden twinkle lit his downcast eyes,
Marking the cheese-cake and the staring boy;
Tickled to note the checked gastronomy,
31
Passing, he asked, “Good, sonny?” in a tone
Applausive more than questioning, full of fun,
Yet half-embracive, as your mother’s voice,
And smiled so comrade-like the wondering lad
Glowed with a sense of being chosen chum
To Father Abraham Lincoln, President.
Such was the miracle his spirit wrought
In millions while he lived. And still it lives.
He stalked along, unguarded, all alone,
That central soul of unremitting war,
A common man level with common Man.
The heart-warmed, wondering boy stared after him,
And wonders yet to-day on how it chanced
The mighty, well-loved, martyr President
Went rambling on unknown in broadest day
On crowded street, as if by nimbus hid
From all except the cheese-caked worshipper
He sonnied, smiled on, joked at fatherly.
That night the streets of Philadelphia thronged;
No end of faces; one great human cross,
As far each way as lamp-post boys could see,
Packed Ninth and Chestnut, waiting Father Abe;
The Continental’s balcony on high
Glowed Stars and Stripes, with crape for all the dead
“We cannot dedicate, nor consecrate.”
On chime of eight precise, gaunt, bare of head,
They saw his tallness in the balcony-flare,
And straightway all the murmurous street grew still,
Till silence absolute as death befell.
32
And in that perfect silence one clear voice
Inspired began, from out the multitude, [Page 40]
The song of all the songs of all the war,
Simple, ecstatic, sacrificial, strong—
“We’re coming, Father Abraham, three hundred thousand
more”—
And neighboring voices took the long refrain
While some more distant raised the opening words,
Till to and fro and far and near at once,
Never in chorus, chanting as by groups,
Here ending, there beginning, some halfway,
All sang at once, and all renewing all
In pledge and passion of the mighty song,
Their different words and clashing cadences
Wondrously merging in a sound supreme,
As if the inmost meaning of the hymn
Harmonious rolled in one unending vow
While all the singers gazed on Lincoln’s face.
Hands gripping balcony-rail, he stooped and saw
And listened motionless, with such a look
The boy upon the lamp-post clearly knew
“The heavens were opened unto him,”
“The spirit of God descending like a dove”—
Until the mystery of the general soul
Wrought to unwonted sense of unison
Moved all to silence for the homely words
Of Father Abraham Lincoln to his kind—
Words clear as Light itself, so plain—so plain
None deemed him other than their fellow man.
Once more. A boy in blue at sixteen years,
Mid groups of blue along the crazy road
33
Of corduroy astretch from City Point,
Toward yonder spire in fatal Petersburg,
Beyond what trenches, rifle-pits, and forts,
What woeful far-front grave-mounds sunken down
To puddles over pickets shot on post—
What cemeteries shingle-marked with names
Of companies and regiments and corps
Of mouldering bones and rags of blue and gray,
And belts and buttons, rain and wind exposed—
Mired army wagons—forms of swollen mules—
Springfields and Enfields, broken-stocked, stuck up
Or strown, all rusting—parked artillery—
Brush shelter stables—lines and lines of huts,
Tent-covered winter quarters, sticks and mud
For chimneys to the many thousand smokes
Whose dropping cinders black-rimmed million holes
Through veteran canvas ludicrously patched—
Squares of parade all mud—and mud, and mud,
With mingled grass and chips and refuse cans
Strown myriad far about the plain of war,
Whose scrub-oak roots for scanty fires were grubbed,
And one sole house, and never fence remained
Where fifty leagues of corn-land smiled before.
Belated March—a lowering, rainless day
With glints of shine; the veteran tents of Meade
Gave forth their veteran boys in crowds of blue,
Infantry, cavalry, gunners, engineers,
Easterner, Westerner, Yankee, Irish, “Dutch,”
Canuck, all sorts and sizes, frowsed, unkempt,
Unwashed, half-smoked, profane exceedingly,
Moody or jokeful, formidable, free
From fear of colonels as of corporals,
Each volunteer the child of his own whim,
And every man heart-sworn American
Trudging the mud to view the cavalcade
34
Of Father Abraham Lincoln to The Front.
He, Chief Commander of all Union hosts,
Of more than thrice three hundred thousand more,
Rode half a horseneck first, since Grant on right
And Meade on left kept reining back their bays;
Full uniformed were they and all their train,
Sheridan, Humphreys, Warren, Hazen, Kautz,
Barlow, McLaughlen, Ord, and thirty more,
Blazing for once in feathers and in gold.
Old Abe, all black, bestrode the famous steed,
Grant’s pacing black—and sure since war began
No host of war had such Commander seen!
Loose-reined he let the steady pacer walk;
Those rail-like legs, that forked the saddle, thrust
Prodigious spattered boots anear the mud,
Preposterous his parted coat-tails hung,
In negligence his lounging body stooped,
Tipping the antic-solemn stovepipe hat;
It seemed some old-time circuit preacher turned
From Grant to Meade and back again to Grant,
Attentive, questioning, pondering, deep concerned—
The common Civil Power directing War.
He, travesty of every point of horsemanship,
They, so bedizened, riding soldier stern—
The contrast past all telling comical—
And Father Abraham wholly unaware!
Too much by far for soldier gravity—
A breeze of laughter travelling as he passed,
Rose sudden to a gale that stormed his ear.
The President turned and gazed and understood
35
All in one moment, slightly shook his head,
Not warningly, but with a cheerful glee,
And sympathy and love, as if he spoke:
“You scalawags, you scamps, but have your fun!”
Pushed up the stovepipe hat, and all around
Bestowed his warming, right paternal smile,
As if his soul embraced us all at once.
Then strangely fell all laughter. Some men choked,
And some grew inarticulate with tears;
A thousand veteran children thrilled as one,
And not a man of all the throng knew why;
Some called his name, some blessed his holy heart
And then, inspired with pentecostal tongues,
We cheered so wildly for Old Father Abe
That all the bearded generals flamed in joy!
What was the miracle? His miracle.
Was Father Abraham just a son of Man,
As Jesus seemed to common Nazarenes?
Shall Father Abraham Lincoln yet prevail,
And his Republic come to stay at last?
Kind Age, unenvious Youth, democracy,
None lower than the first in comradeship,
However differing in mental force,
The higher intellect set free to Serve,
All undistracted by the woeful need
To grab or pander lest its children want;
Old trivial gewgaws of the peacock past
Smiled to the nothingness of desuetude,
With strutful Rank, with pinchbeck Pageantry,
With apish separative-cant of Class,
With inhumane conventions, all designed
To sanctify the immemorial robbery
36
Of Man by men; with mockful mummeries,
Called Law, to save the one perennial Wrong—
That fundamental social crime which fate
All babes alike to Inequality,
And so condemns the many million minds
(That might, with happier nurture, finely serve)
To share, through life, the harmful hates or scorns
The accursed System breeds, which still most hurts
The few who fancy it their benefit,
Shutting them lifelong from the happiness
Of such close sympathy with all their kind
As feels the universal God, or Soul,
Alive to love in every human heart.
Was it for this our Mother’s sons were slain?
Shall Father Abraham not prevail again?
We who are marching to the small-flagged graves
We earned by fight to free our fathers’ slaves,
We who by Lincoln’s hero soul were sworn,
We go more sadly toward our earthly bourne
To join our comrade host of long ago,
Since, oh so clearly, do our old hearts know
We shall not witness what we longed to see—
Our own dear children minded to be free.
Why let democracy be flouted down?
Why let your money-mongers more renown
Their golden idol than the Common Weal,
Flaunting the gains of liberty-to-steal,
Fouling the promise of the heights we trod
With Freedom’s sacrifice to Lincoln’s God?
37
Was it for this he wept his children slain?
Or shall our Father’s spirit rise again?
~ Edward William Thomson,#NFDB
146:Michael Oaktree
Under an arch of glorious leaves I passed
Out of the wood and saw the sickle moon
Floating in daylight o'er the pale green sea.
It was the quiet hour before the sun
Gathers the clouds to prayer and silently
Utters his benediction on the waves
That whisper round the death-bed of the day.
The labourers were returning from the farms
And children danced to meet them. From the doors
Of cottages there came a pleasant clink
Where busy hands laid out the evening meal.
From smouldering elms around the village spire
There soared and sank the caw of gathering rooks.
The faint-flushed clouds were listening to the tale
The sea tells to the sunset with one sigh.
The last white wistful sea-bird sought for peace,
And the last fishing-boat stole o'er the bar,
And fragrant grasses, murmuring a prayer,
Bowed all together to the holy west,
Bowed all together thro' the golden hush,
The breathing hush, the solemn scented hush,
The holy, holy hush of eventide.
And, in among the ferns that crowned the hill
With waving green and whispers of the wind,
A boy and girl, carelessly linking hands,
Into their golden dream drifted away.
On that rich afternoon of scent and song
Old Michael Oaktree died. It was not much
He wished for; but indeed I think he longed
To see the light of summer once again
Blossoming o'er the far blue hills. I know
He used to like his rough-hewn wooden bench
Placed in the sun outside the cottage door
Where in the listening stillness he could hear,
Across the waving gilly-flowers that crowned
His crumbling garden wall, the long low sigh
Of supreme peace that whispers to the hills
52
The sacred consolation of the sea.
He did not hope for much: he longed to live
Until the winter came again, he said;
But on the last sweet eve of May he died.
I wandered sadly through the dreaming lanes
Down to the cottage on that afternoon;
For I had known old Michael Oaktree now
So many years, so many happy years.
When I was little he had carried me
High on his back to see the harvest home,
And given me many a ride upon his wagon
Among the dusty scents of sun and hay.
He showed me how to snare the bulky trout
That lurked under the bank of yonder brook.
Indeed, he taught me many a country craft,
For I was apt to learn, and, as I learnt,
I loved the teacher of that homely lore.
Deep in my boyish heart he shared the glad
Influence of the suns and winds and waves,
Giving my childhood what it hungered for-The rude earth-wisdom of the primal man.
He had retained his childhood: Death for him
Had no more terror than his bed. He walked
With wind and sunlight like a brother, glad
Of their companionship and mutual aid.
We, toilers after truth, are weaned too soon
From earth's dark arms and naked barbarous breast.
Too soon, too soon, we leave the golden feast,
Fetter the dancing limbs and pluck the crown
Of roses from the dreaming brow. We pass
Our lives in most laborious idleness.
For we have lost the meaning of the world;
We have gone out into the night too soon;
We have mistaken all the means of grace
And over-rated our small power to learn.
And the years move so swiftly over us:
We have so little time to live in worlds
Unrealised and unknown realms of joy,
We are so old before we learn how vain
Our effort was, how fruitlessly we cast
53
Our Bread upon the waters, and how weak
Our hearts were, but our chance desires how strong!
Then, in the dark, our sense of light decays;
We cannot cry to God as once we cried!
Lost in the gloom, our faith, perhaps our love,
Lies dead with years that never can return.
But Michael Oaktree was a man whose love
Had never waned through all his eighty years.
His faith was hardly faith. He seemed a part
Of all that he believed in. He had lived
In constant conversation with the sun,
The wind, the silence and the heart of peace;
In absolute communion with the Power
That rules all action and all tides of thought,
And all the secret courses of the stars;
The Power that still establishes on earth
Desire and worship, through the radiant laws
Of Duty, Love and Beauty; for through these
As through three portals of the self-same gate
The soul of man attains infinity,
And enters into Godhead. So he gained
On earth a fore-taste of Nirvana, not
The void of eastern dream, but the desire
And goal of all of us, whether thro' lives
Innumerable, by slow degrees, we near
The death divine, or from this breaking body
Of earthly death we flash at once to God.
Through simple love and simple faith, this man
Attained a height above the hope of kings.
Yet, as I softly shut the little gate
And walked across the garden, all the scents
Of mingling blossom ached like inmost pain
Deep in my heart, I know not why. They seemed
Distinct, distinct as distant evening bells
Tolling, over the sea, a secret chime
That breaks and breaks and breaks upon the heart
In sorrow rather than in sound, a chime
Strange as a streak of sunset to the moon,
Strange as a rose upon a starlit grave,
Strange as a smile upon a dead man's lips;
54
A chime of melancholy, mute as death
But strong as love, uttered in plangent tones
Of honeysuckle, jasmine, gilly-flowers,
Jonquils and aromatic musky leaves,
Lilac and lilies to the rose-wreathed porch.
At last I tapped and entered and was drawn
Into the bedroom of the dying man,
Who lay, propped up with pillows, quietly
Gazing; for through his open casement far
Beyond the whispers of the gilly-flowers
He saw the mellow light of eventide
Hallow the west once more; and, as he gazed,
I think I never saw so great a peace
On any human face. There was no sound
Except the slumbrous pulsing of a clock,
The whisper of the garden and, far off,
The sacred consolation of the sea.
His wife sat at his bed-side: she had passed
Her eightieth year; her only child was dead.
She had been wedded more than sixty years,
And she sat gazing with the man she loved
Quietly, out into that unknown Deep.
A butterfly floated into the room
And back again, pausing awhile to bask
And wink its painted fans on the warm sill;
A bird piped in the roses and there came
Into the childless mother's ears a sound
Of happy laughing children, far away.
Then Michael Oaktree took his wife's thin hand
Between his big rough hands. His eyes grew dark,
And, as he turned to her and died, he spoke
Two words of perfect faith and love--_Come soon_!
O then in all the world there was no sound
Except the slumbrous pulsing of a clock,
The whisper of the leaves and far away,
The infinite compassion of the sea.
But, as I softly passed out of the porch
55
And walked across the garden, all the scents
Of mingling blossoms ached like inmost joy,
Distinct no more, but like one heavenly choir
Pealing one mystic music, still and strange
As voices of the holy Seraphim,
One voice of adoration, mute as love,
Stronger than death, and pure with wedded tones
Of honeysuckle, jasmine, gilly-flowers,
Jonquils and aromatic musky leaves,
Lilac and lilies to the garden gate.
O then indeed I knew how closely knit
To stars and flowers we are, how many means
Of grace there are for those that never lose
Their sense of membership in this divine
Body of God; for those that all their days
Have walked in quiet communion with the Life
That keeps the common secret of the sun,
The wind, the silence and the heart of man.
There is one God, one Love, one everlasting
Mystery of Incarnation, one creative
Passion behind the many-coloured veil.
We have obscured God's face with partial truths,
The cause of all our sorrow and sin, our wars
Of force and thought, in this unheavened world.
Yet, by the battle of our partial truths,
The past against the present and the swift
Moment of passing joy against the deep
Eternal love, ever the weaker truth
Falls to the stronger, till once more we near
The enfolding splendour of the whole. Our God
Has been too long a partial God. We are all
Made in His image, men and birds and beasts,
Mountains and clouds and cataracts and suns,
With those great Beings above our little world,
A height beyond for every depth below,
Those long-forgotten Princedoms, Virtues, Powers,
Existences that live and move in realms
As far beyond our thought as Europe lies
With all its little arts and sciences
Beyond the comprehension of the worm.
56
We are all partial images, we need
What lies beyond us to complete our souls;
Therefore our souls are filled with a desire
And love which lead us towards the Infinity
Of Godhead that awaits us each and all.
Peacefully through the dreaming lanes I went.
The sun sank, and the birds were hushed. The stars
Trembled like blossoms in the purple trees.
But, as I paused upon the whispering hill
The mellow light still lingered in the west,
And dark and soft against that rosy depth
A boy and girl stood knee-deep in the ferns.
Dreams of the dead man's youth were in my heart,
Yet I was very glad; and as the moon
Brightened, they kissed; and, linking hand in hand,
Down to their lamp-lit home drifted away.
Under an arch of leaves, into the gloom
I went along the little woodland road,
And through the breathless hedge of hawthorn heard
Out of the deepening night, the long low sigh
Of supreme peace that whispers to the hills
The sacrament and sabbath of the sea.
~ Alfred Noyes,#NFDB
147:Forsaking All Others Part 4
WAYNE was looking near and far
After the theatre to find his car.
He had taken his wife to the play that night;
Broadway was glittering hard and bright
With every sort of electric light
Green and scarlet and diamond-white;
And moving letters against the sky
Told you exactly the reason why
This or that was the thing to buy.
And suddenly there at his side was Nell
Vainly seeking her car as well
They talked. for a moment... of meeting again...
And how were Edward and Ruth, and then
'I wonder,' said Nell, 'if you ever see
My lovely friend...' 'You mean,' said he,
'That blue-eyed lady I once sat next.. '
'Exactly,' said Nellie. 'I feel so vexed
With Lee. I haven't seen her this season,
And between you and me, I know the reason.'
'Do you indeed? ' said Wayne.'Oh, yes,'
Nell answered. 'I know... at least I guess.
When a woman like that whom I've seen so much
All of a sudden drops out of touch,
Is always busy and never can
Spare you a moment, it means a MAN.'
Wayne did not smile. 'I am sure you are
Right,' he said. 'Do you go so far
In the magic art as to tell us who
The man may be? ' 'I certainly do,'
Said Nell. 'It's that handsome young romantic
Doctor who's driving the ladies frantic,
So that they flock to be cured in shoals
And talk of nothing but sex and souls,
And self-expression, and physical passion..
Of course, no wonder the man's the fashion.'
34
'Does Mrs. Kent flock? ' 'Oh, no, I meant
They've called him in to take care of Kent.
Imagine the long deep conversations,
The tears, the intimate revelations...
I wish to all ladies, lonely and sad,
Tied to a husband hopelessly mad
A handsome psychiatrist... good or bad.
Oh, there's my car,' and so with a gay
Good night to Wayne she was driven away.
People will come for miles, they say,
To see a man burnt at the stake, yet none
Turned in that crowd to look at one
Standing quietly burning there,
Suffering more than a man can bear,
Consumed with hideous inner fire,
Believing his love a cheat and a liar...
Believing the moment that Nell had spoken,
For that day of all days Lee had broken
A date... at the time he had thought it queer,
And now, by God, it was perfectly clear,
Perfectly clear, no doubt whatever...
A doctor, handsome and young and clever,
With all this rotten erotic learning....
Strange indeed that no head was turning
To watch this gentleman quietly burning,
In a trance of pain he heard Ruth say:
'Well, dear, what did you think of that play? '
II
'HOW could you think such a thing? '
'Try to forgive if you can.'
'Spoiling our beautiful Spring! '
'Well, I am only a man.'
'I will forgive, if I can.'
'Jealousy made me insane.'
'I never spoke to the man.'
'I'll never doubt you again.'
35
'Jealousy made you insane.'
'Lee, you have much to forgive.'
'Oh, never doubt me again.'
'Never as long as I live.'
'Jim, I have much to forgive.'
'Yes, but I've suffered like hell.'
'Trust me as long as you live.'
'Dearest, I love you too well.'
'Poor darling, going through hell.'
'Spoiling our beautiful Spring.'
'I also love you too well.'
'How could I think such a thing? '
III
LOVERS after a quarrel say to each other lightly:
'Dear, we are closer than ever: I love you better by far;
After the rainstorm is over, the sun shines even more brightly...'
Poor pitiful lovers, trying to hide the unsightly
Stain on the surface of love... the ineffaceable scar.
IV
THE Spring was over, and Summer far advanced,
Lee spent many a hidden week in town,
Days long and enchanted, and nights entranced,
But one thought would not down:
'Is he content with this snatched and broken life? '
She thought, 'when we might be free?
He cannot love that dowdy middle-aged wife.
Does he really love me? '
She was not burnt by jealousy sudden and hot,
But poisoned and chilled that he would not break
A meagre tie to a wife she knew he could not
Love, - yet would not forsake.
One night at her window, looking over the Park,
36
With his strong hand on her shoulder prest,
And a thunder-cloud rolling up out of the dark,
Rolling out of the West,
Suddenly she heard herself quoting Macbeth:
' 'To be thus is nothing, but to be safely thus.' '
He answered after a pause on a long-drawn breath:
'Safety is not for us.'
AND from that moment Lee began - not nagging,
She was too wise for that - but she began
A secret steady pull, a silent dragging
To break the other tie that bound this man.
And she would brood, injured, remote, self-centred
At any mention that he had a wife;
And something chill and faintly hostile entered
The magic circle of this hidden life.
O lovers, those legitimately united
In holy wedlock, and less happy, those
Whose troth may never openly be plighted
(Less happy did I say? Alas, who knows?)
But lovers all, beware, and know the strongest
Of wills may make a strong antagonist:
And that love will not always linger longest
With those who hold it in too clenched a fist.
VI
YET on the whole they were happy, as day by day
The long mysterious Summer passed away.
None guessed their secret - except far off on a shady
Lawn by the coast of Maine, a middle-aged lady
Spending a quiet Summer almost alone
In a great Victorian house of dark gray stone,
Knew as she sat and stared at the cold Maine ocean
Every event, every phase, every emotion
Of that great romance. She knew, none better,
Not by a chance or slip, or anonymous letter,
37
Not through gossip by any tattler carried,
But because she perfectly knew the man she had married.
VII
'DO not go home for Sunday,
Darling,' Lee's letter said.
'How I hate Friday to Monday!
Stay with me here, instead.
Life is so short, and one day
Soon, we shall both be dead.
'The curse of love like ours
Is that we seem to be
Always cut short by powers
Stronger than you and me.
But if you stayed-what hours,
Glorious, alone and free'
VIII
RUTH in her quiet garden beside the sea
Thinking, 'To-morrow at this time Jim will be
Here at my side. It's something to be a wife The background dull and assured of everyday life.
He must come home, whether he wants to or not,
To me, to me... All other women must plot,
Arrange, manoeuver to see him...'
And then behind her
She heard the steps of a servant coming to find her:
A footman stood with a telegram held on a tray:
'Terribly sorry I cannot get away
This week-end. Better luck next. Love. Jim.'
She turned her head to the footman, and said to him,
'Say Mr. Wayne will not be here to-morrow.'
And the man withdrew and left her alone with her sorrow.
The sun went down behind the great blue hill;
And she sat there alone in her garden, perfectly still,
Watching the wraiths of fog blow in like smoke,
38
And her heart as she sat there gently and quietly broke.
IX
AN August Sunday in town,
The Park all sere and brown,
The noise of wheels died down.
Faint tepid breezes wake
Now and again, and make
Lee's slatted curtains shake.
Now and again in the street
The sound of passing feet,
And church bells, faint and sweet.
Faint bells that ought to mean
A village spire seen
Across a meadow green.
Faint bells... Wayne's early youth....
Going to church... in truth
Going to church with Ruth.
Faint bells, and Lee cries, 'Oh,
How I should like to know
Why bells depress me so! '
BEFORE the skulls of Primitive Man,
Lee stood and thought: 'Are we part of a plan
Of Nature's; or are we just a sort
Of Cosmic Coincidence - a sport
Of God - or worse, a sport of chance
Or of Ether - Nature's great romance?
'How queer it would be, if it turned out we
Were merely eddies - Jim and me
Meaningless eddies in ether swirled
In and out of a meaningless world.
Well, if we are it's nice to think
39
We've had some moments upon the brink
Of dissolution - of absolute chaos
Moments of joy that well repay us.'
And she paused to note that her fellow eddy
Was fifteen minutes late already.
Waiting she wandered from floor to floor,
Every instant becoming more
Uneasy, and going back to the door,
Where Wayne ought to have been at exactly four.
She went from the skulls of Primitive Man
To the mystic temples of Yucatan,
Or studied gray elephants, vast and haughty,
But with eyes like pigs' eyes, shrewd and naughty,
Flamingoes of beautiful coral pink
The ancestry of the missing link
But in between she was always hurrying
Back to the doorway, wondering, worrying And then she saw with a horrid sinking
Of heart, it was five! And she went home thinking,
'Something has happened - he's been struck
By a ruthless, rollicking, rumbling truck,
Or crushed by a taxi, and now is lying
In some hospital ward - unknown and dying Or if they knew would they send in truth
For me? Oh, no, they would send for Ruth.'
And hurrying fast as the laws enable,
She found a telegram on her table,
Signed as usual, 'J. H. Wayne:'
'Ruth has pneumonia alone in Maine,
Of course I am taking the very first train.
Sorry to miss you before I go.
When I know my plans, I'll let you know.'
The first emotion felt by Lee
Was pure and perfect relief that he
Was safe. And then she felt the force
Of that cruel, domestic calm 'of course.'
40
And then undeniably into her head
Came the thought unbidden: - 'If Ruth were dead - '
And standing alone: 'Poor thing,' she said
~ Alice Duer Miller,#NFDB
148:From House To House
The first was like a dream through summer heat,
The second like a tedious numbing swoon,
While the half-frozen pulses lagged to beat
Beneath a winter moon.
'But,' says my friend, 'what was this thing and where?'
It was a pleasure-place within my soul;
An earthly paradise supremely fair
That lured me from the goal.
The first part was a tissue of hugged lies;
The second was its ruin fraught with pain:
Why raise the fair delusion to the skies
But to be dashed again?
My castle stood of white transparent glass
Glittering and frail with many a fretted spire,
But when the summer sunset came to pass
It kindled into fire.
My pleasaunce was an undulating green,
Stately with trees whose shadows slept below,
With glimpses of smooth garden-beds between
Like flame or sky or snow.
Swift squirrels on the pastures took their ease,
With leaping lambs safe from the unfeared knife;
All singing-birds rejoicing in those trees
Fulfilled their careless life.
Woodpigeons cooed there, stockdoves nestled there;
My trees were full of songs and flowers and fruit,
Their branches spread a city to the air
And mice lodged in their root.
My heath lay farther off, where lizards lived
In strange metallic mail, just spied and gone;
Like darted lightnings here and there perceived
But nowhere dwelt upon.
158
Frogs and fat toads were there to hop or plod
And propagate in peace, an uncouth crew,
Where velvet-headed rushes rustling nod
And spill the morning dew.
All caterpillars throve beneath my rule,
With snails and slugs in corners out of sight;
I never marred the curious sudden stool
That perfects in a night.
Safe in his excavated gallery
The burrowing mole groped on from year to year;
No harmless hedgehog curled because of me
His prickly back for fear.
Oft times one like an angel walked with me,
With spirit-discerning eyes like flames of fire,
But deep as the unfathomed endless sea,
Fulfilling my desire:
And sometimes like a snowdrift he was fair,
And sometimes like a sunset glorious red,
And sometimes he had wings to scale the air
With aureole round his head.
We sang our songs together by the way,
Calls and recalls and echoes of delight;
So communed we together all the day,
And so in dreams by night.
I have no words to tell what way we walked.
What unforgotten path now closed and sealed;
I have no words to tell all things we talked,
All things that he revealed:
This only can I tell: that hour by hour
I waxed more feastful, lifted up and glad;
I felt no thorn-prick when I plucked a flower,
Felt not my friend was sad.
'To-morrow,' once I said to him with smiles:
159
'To-night,' he answered gravely and was dumb,
But pointed out the stones that numbered miles
And miles to come.
'Not so,' I said: 'to-morrow shall be sweet;
To-night is not so sweet as coming days.'
Then first I saw that he had turned his feet,
Had turned from me his face:
Running and flying miles and miles he went,
But once looked back to beckon with his hand
And cry: 'Come home, O love, from banishment:
Come to the distant land.'
That night destroyed me like an avalanche;
One night turned all my summer back to snow:
Next morning not a bird upon my branch,
Not a lamb woke below,—
No bird, no lamb, no living breathing thing;
No squirrel scampered on my breezy lawn,
No mouse lodged by his hoard: all joys took wing
And fled before that dawn.
Azure and sun were starved from heaven above,
No dew had fallen, but biting frost lay hoar:
O love, I knew that I should meet my love,
Should find my love no more.
'My love no more,' I muttered stunned with pain:
I shed no tear, I wrung no passionate hand,
Till something whispered: 'You shall meet again,
Meet in a distant land.'
Then with a cry like famine I arose,
I lit my candle, searched from room to room,
Searched up and down; a war of winds that froze
Swept through the blank of gloom.
I searched day after day, night after night;
Scant change there came to me of night or day:
'No more,' I wailed, 'no more:' and trimmed my light,
160
And gnashed but did not pray,
Until my heart broke and my spirit broke:
Upon the frost-bound floor I stumbled, fell,
And moaned: 'It is enough: withhold the stroke.
Farewell, O love, farewell.'
Then life swooned from me. And I heard the song
Of spheres and spirits rejoicing over me:
One cried: 'Our sister, she hath suffered long.'—
One answered: 'Make her see.'—
One cried: 'Oh blessed she who no more pain,
Who no more disappointment shall receive.'—
One answered: 'Not so: she must live again;
Strengthen thou her to live.'
So while I lay entranced a curtain seemed
To shrivel with crackling from before my face;
Across mine eyes a waxing radiance beamed
And showed a certain place.
I saw a vision of a woman, where
Night and new morning strive for domination;
Incomparably pale, and almost fair,
And sad beyond expression.
Her eyes were like some fire-enshrining gem,
Were stately like the stars, and yet were tender;
Her figure charmed me like a windy stem
Quivering and drooped and slender.
I stood upon the outer barren ground,
She stood on inner ground that budded flowers;
While circling in their never-slackening round
Danced by the mystic hours.
But every flower was lifted on a thorn,
And every thorn shot upright from its sands
To gall her feet; hoarse laughter pealed in scorn
With cruel clapping hands.
161
She bled and wept, yet did not shrink; her strength
Was strung up until daybreak of delight:
She measured measureless sorrow toward its length,
And breadth, and depth, and height.
Then marked I how a chain sustained her form,
A chain of living links not made nor riven:
It stretched sheer up through lighting, wind, and storm,
And anchored fast in heaven.
One cried: 'How long? yet founded on the Rock
She shall do battle, suffer, and attain.'—
One answered: 'Faith quakes in the tempest shock:
Strengthen her soul again.'
I saw a cup sent down and come to her
Brimfull of loathing and of bitterness:
She drank with livid lips that seemed to stir
The depth, not make it less.
But as she drank I spied a hand distil
New wine and virgin honey; making it
First bitter-sweet, then sweet indeed, until
She tasted only sweet.
Her lips and cheeks waxed rosy-fresh and young;
Drinking she sang: 'My soul shall nothing want;'
And drank anew: while soft a song was sung,
A mystical slow chant.
One cried: 'The wounds are faithful of a friend:
The wilderness shall blossom as a rose.'—
One answered: 'Rend the veil, declare the end,
Strengthen her ere she goes.'
Then earth and heaven were rolled up like a scroll;
Time and space, change and death, had passed away;
Weight, number, measure, each had reached its whole;
The day had come, that day.
Multitudes—multitudes—stood up in bliss,
Made equal to the angels, glorious, fair;
162
With harps, palms, wedding-garments, kiss of peace
And crowned and haloed hair.
They sang a song, a new song in the height,
Harping with harps to Him Who is Strong and True:
They drank new wine, their eyes saw with new light,
Lo, all things were made new.
Tier beyond tier they rose and rose and rose
So high that it was dreadful, flames with flames:
No man could number them, no tongue disclose
Their secret sacred names.
As though one pulse stirred all, one rush of blood
Fed all, one breath swept through them myriad-voiced,
They struck their harps, cast down their crowns, they stood
And worshipped and rejoiced.
Each face looked one way like a moon new-lit,
Each face looked one way towards its Sun of Love;
Drank love and bathed in love and mirrored it
And knew no end thereof.
Glory touched glory on each blessed head,
Hands locked dear hands never to sunder more:
These were the new-begotten from the dead
Whom the great birthday bore.
Heart answered heart, soul answered soul at rest,
Double against each other, filled, sufficed:
All loving, loved of all; but loving best
And best beloved of Christ.
I saw that one who lost her love in pain,
Who trod on thorns, who drank the loathsome cup;
The lost in night, in day was found again;
The fallen was lifted up.
They stood together in the blessed noon,
They sang together through the length of days;
Each loving face bent Sunwards like a moon
New-lit with love and praise.
163
Therefore, O friend, I would not if I might
Rebuild my house of lies, wherein I joyed
One time to dwell: my soul shall walk in white,
Cast down but not destroyed.
Therefore in patience I possess my soul;
Yea, therefore as a flint I set my face,
To pluck down, to build up again the whole—
But in a distant place.
These thorns are sharp, yet I can tread on them;
This cup is loathsome, yet He makes it sweet:
My face is steadfast toward Jerusalem,
My heart remembers it.
I lift the hanging hands, the feeble knees—
I, precious more than seven times molten gold—
Until the day when from his storehouses
God shall bring new and old;
Beauty for ashes, oil of joy for grief,
Garment of praise for spirit of heaviness:
Although to-day I fade as doth a leaf,
I languish and grow less.
Although to-day He prunes my twigs with pain,
Yet doth His blood nourish and warm my root:
To-morrow I shall put forth buds again
And clothe myself with fruit.
Although to-day I walk in tedious ways,
To-day His staff is turned into a rod,
Yet will I wait for Him the appointed days
And stay upon my God.
~ Christina Georgina Rossetti,#NFDB
149:Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on -
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel's track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,
He is ever drifted on
O'er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love's impatient beat;
Wander wheresoe'er he may,
Can he dream before that day
To find refuge from distress
In friendship's smile, in love's caress?
Then 'twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December's bough.
On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O'er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.
Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
'Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun's uprise majestical;
Gathering round with wings all hoar,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning's fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.
Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day's azure eyes
Ocean's nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite's destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.
Sea-girt City, thou hast been
Ocean's child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O'er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean's own,
Topples o'er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o'er the starlight deep,
Lead a rapid masque of death
O'er the waters of his path.
Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch's hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch's hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they! -
Clouds which stain truth's rising day
By her sun consumed away -
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.
Perish -let there only be
Floating o'er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan; -
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O'er a mighty thunder-fit,
Chastening terror: -what though yet
Poesy's unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet's grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander's wasting springs;
As divinest Shakespeare's might
Fills Avon and the world with light
Like omniscient power which he
Imaged 'mid mortality;
As the love from Petrarch's urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly; -so thou art,
Mighty spirit -so shall be
The City that did refuge thee.
Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
'Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a weed whose shade is poison,
Overgrows this region's foison,
Sheaves of whom are ripe to come
To destruction's harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but 'tis a bitter woe
That love or reason cannot change
The despot's rage, the slave's revenge.
Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, "I win, I win!"
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o'er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore, -
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.
In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world's might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!
Noon descends around me now:
'Tis the noon of autumn's glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon's bound
To the point of Heaven's profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song, -
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.
Noon descends, and after noon
Autumn's evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset's radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.
Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O'er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
Composed at Este, October, 1818. Published with Rosalind and Helen, 1819. Amongst the late Mr. Fredk. Locker-Lampsons collections at Rowfant there is a manuscript of the lines (167-205) on Byron, interpolated after the completion of the poem.
~ Percy Bysshe Shelley, Lines Written Among The Euganean Hills
,#NFDB
150:The Spooniad
[The late Mr. Jonathan Swift Somers, laureate of Spoon River, planned The
Spooniad as an epic in twenty-four books, but unfortunately did not live to
complete even the first book. The fragment was found among his papers by
William Marion Reedy and was for the first time published in Reedy's Mirror of
December 18th, 1914.]
Of John Cabanis' wrath and of the strife
Of hostile parties, and his dire defeat
Who led the common people in the cause
Of freedom for Spoon River, and the fall
Of Rhodes' bank that brought unnumbered woes
And loss to many, with engendered hate
That flamed into the torch in Anarch hands
To burn the court-house, on whose blackened wreck
A fairer temple rose and Progress stood -Sing, muse, that lit the Chian's face with smiles,
Who saw the ant-like Greeks and Trojans crawl
About Scamander, over walls, pursued
Or else pursuing, and the funeral pyres
And sacred hecatombs, and first because
Of Helen who with Paris fled to Troy
As soul-mate; and the wrath of Peleus' son,
Decreed to lose Chryseis, lovely spoil
Of war, and dearest concubine.
Say first,
Thou son of night, called Momus, from whose eyes
No secret hides, and Thalia, smiling one,
What bred 'twixt Thomas Rhodes and John Cabanis
The deadly strife? His daughter Flossie, she,
Returning from her wandering with a troop
Of strolling players, walked the village streets,
Her bracelets tinkling and with sparkling rings
And words of serpent wisdom and a smile
Of cunning in her eyes. Then Thomas Rhodes,
Who ruled the church and ruled the bank as well,
Made known his disapproval of the maid;
And all Spoon River whispered and the eyes
Of all the church frowned on her, till she knew
285
They feared her and condemned.
But them to flout
She gave a dance to viols and to flutes,
Brought from Peoria, and many youths,
But lately made regenerate through the prayers
Of zealous preachers and of earnest souls,
Danced merrily, and sought her in the dance,
Who wore a dress so low of neck that eyes
Down straying might survey the snowy swale
Till it was lost in whiteness.
With the dance
The village changed to merriment from gloom.
The milliner, Mrs. Williams, could not fill
Her orders for new hats, and every seamstress
Plied busy needles making gowns; old trunks
And chests were opened for their store of laces
And rings and trinkets were brought out of hiding
And all the youths fastidious grew of dress;
Notes passed, and many a fair one's door at eve
Knew a bouquet, and strolling lovers thronged
About the hills that overlooked the river.
Then, since the mercy seats more empty showed,
One of God's chosen lifted up his voice:
"The woman of Babylon is among us; rise,
Ye sons of light, and drive the wanton forth!"
So John Cabanis left the church and left
The hosts of law and order with his eyes
By anger cleared, and him the liberal cause
Acclaimed as nominee to the mayoralty
To vanquish A. D. Blood.
But as the war
Waged bitterly for votes and rumors flew
About the bank, and of the heavy loans
Which Rhodes' son had made to prop his loss
In wheat, and many drew their coin and left
The bank of Rhodes more hollow, with the talk
Among the liberals of another bank
Soon to be chartered, lo, the bubble burst
'Mid cries and curses; but the liberals laughed
And in the hall of Nicholas Bindle held
Wise converse and inspiriting debate.
High on a stage that overlooked the chairs
286
Where dozens sat, and where a pop-eyed daub
Of Shakespeare, very like the hired man
Of Christian Dallmann, brow and pointed beard,
Upon a drab proscenium outward stared,
Sat Harmon Whitney, to that eminence,
By merit raised in ribaldry and guile,
And to the assembled rebels thus he spake:
"Whether to lie supine and let a clique
Cold-blooded, scheming, hungry, singing psalms,
Devour our substance, wreck our banks and drain
Our little hoards for hazards on the price
Of wheat or pork, or yet to cower beneath
The shadow of a spire upreared to curb
A breed of lackeys and to serve the bank
Coadjutor in greed, that is the question.
Shall we have music and the jocund dance,
Or tolling bells? Or shall young romance roam
These hills about the river, flowering now
To April's tears, or shall they sit at home,
Or play croquet where Thomas Rhodes may see,
I ask you? If the blood of youth runs o'er
And riots 'gainst this regimen of gloom,
Shall we submit to have these youths and maids
Branded as libertines and wantons?"
Ere
His words were done a woman's voice called "No!"
Then rose a sound of moving chairs, as when
The numerous swine o'er-run the replenished troughs;
And every head was turned, as when a flock
Of geese back-turning to the hunter's tread
Rise up with flapping wings; then rang the hall
With riotous laughter, for with battered hat
Tilted upon her saucy head, and fist
Raised in defiance, Daisy Fraser stood.
Headlong she had been hurled from out the hall
Save Wendell Bloyd, who spoke for woman's rights,
Prevented, and the bellowing voice of Burchard.
Then 'mid applause she hastened toward the stage
And flung both gold and silver to the cause
And swiftly left the hall.
Meantime upstood
287
A giant figure, bearded like the son
Of Alcmene, deep-chested, round of paunch,
And spoke in thunder: "Over there behold
A man who for the truth withstood his wife -Such is our spirit -- when that A. D. Blood
Compelled me to remove Dom Pedro --"
Quick
Before Jim Brown could finish, Jefferson Howard
Obtained the floor and spake: "Ill suits the time
For clownish words, and trivial is our cause
If naught's at stake but John Cabanis' wrath,
He who was erstwhile of the other side
And came to us for vengeance. More's at stake
Than triumph for New England or Virginia.
And whether rum be sold, or for two years
As in the past two years, this town be dry
Matters but little -- Oh yes, revenue
For sidewalks, sewers; that is well enough!
I wish to God this fight were now inspired
By other passion than to salve the pride
Of John Cabanis or his daughter. Why
Can never contests of great moment spring
From worthy things, not little? Still, if men
Must always act so, and if rum must be
The symbol and the medium to release
From life's denial and from slavery,
Then give me rum!"
Exultant cries arose.
Then, as George Trimble had o'ercome his fear
And vacillation and begun to speak,
The door creaked and the idiot, Willie Metcalf,
Breathless and hatless, whiter than a sheet,
Entered and cried: "The marshal's on his way
To arrest you all. And if you only knew
Who's coming here to-morrow; I was listening
Beneath the window where the other side
Are making plans."
So to a smaller room
To hear the idiot's secret some withdrew
Selected by the Chair; the Chair himself
And Jefferson Howard, Benjamin Pantier,
And Wendell Bloyd, George Trimble, Adam Weirauch,
288
Imanuel Ehrenhardt, Seth Compton, Godwin James
And Enoch Dunlap, Hiram Scates, Roy Butler,
Carl Hamblin, Roger Heston, Ernest Hyde
And Penniwit, the artist, Kinsey Keene,
And E. C. Culbertson and Franklin Jones,
Benjamin Fraser, son of Benjamin Pantier
By Daisy Fraser, some of lesser note,
And secretly conferred.
But in the hall
Disorder reigned and when the marshal came
And found it so, he marched the hoodlums out
And locked them up.
Meanwhile within a room
Back in the basement of the church, with Blood
Counseled the wisest heads. Judge Somers first,
Deep learned in life, and next him, Elliott Hawkins
And Lambert Hutchins; next him Thomas Rhodes
And Editor Whedon; next him Garrison Standard,
A traitor to the liberals, who with lip
Upcurled in scorn and with a bitter sneer:
"Such strife about an insult to a woman -A girl of eighteen" -- Christian Dallman too,
And others unrecorded. Some there were
Who frowned not on the cup but loathed the rule
Democracy achieved thereby, the freedom
And lust of life it symbolized.
Now morn with snowy fingers up the sky
Flung like an orange at a festival
The ruddy sun, when from their hasty beds
Poured forth the hostile forces, and the streets
Resounded to the rattle of the wheels
That drove this way and that to gather in
The tardy voters, and the cries of chieftains
Who manned the battle. But at ten o'clock
The liberals bellowed fraud, and at the polls
The rival candidates growled and came to blows.
Then proved the idiot's tale of yester-eve
A word of warning. Suddenly on the streets
Walked hog-eyed Allen, terror of the hills
That looked on Bernadotte ten miles removed.
No man of this degenerate day could lift
The boulders which he threw, and when he spoke
289
The windows rattled, and beneath his brows,
Thatched like a shed with bristling hair of black,
His small eyes glistened like a maddened boar.
And as he walked the boards creaked, as he walked
A song of menace rumbled. Thus he came,
The champion of A. D. Blood, commissioned
To terrify the liberals. Many fled
As when a hawk soars o'er the chicken yard.
He passed the polls and with a playful hand
Touched Brown, the giant, and he fell against,
As though he were a child, the wall; so strong
Was hog-eyed Allen. But the liberals smiled.
For soon as hog-eyed Allen reached the walk,
Close on his steps paced Bengal Mike, brought in
By Kinsey Keene, the subtle-witted one,
To match the hog-eyed Allen. He was scarce
Three-fourths the other's bulk, but steel his arms,
And with a tiger's heart. Two men he killed
And many wounded in the days before,
And no one feared.
But when the hog-eyed one
Saw Bengal Mike his countenance grew dark,
The bristles o'er his red eyes twitched with rage,
The song he rumbled lowered. Round and round
The court-house paced he, followed stealthily
By Bengal Mike, who jeered him every step:
"Come, elephant, and fight! Come, hog-eyed coward!
Come, face about and fight me, lumbering sneak!
Come, beefy bully, hit me, if you can!
Take out your gun, you duffer, give me reason
To draw and kill you. Take your billy out;
I'll crack your boar's head with a piece of brick!"
But never a word the hog-eyed one returned
But trod about the court-house, followed both
By troops of boys and watched by all the men.
All day, they walked the square. But when Apollo
Stood with reluctant look above the hills
As fain to see the end, and all the votes
Were cast, and closed the polls, before the door
Of Trainor's drug store Bengal Mike, in tones
That echoed through the village, bawled the taunt:
290
"Who was your mother, hog-eyed?" In a trice,
As when a wild boar turns upon the hound
That through the brakes upon an August day
Has gashed him with its teeth, the hog-eyed one
Rushed with his giant arms on Bengal Mike
And grabbed him by the throat. Then rose to heaven
The frightened cries of boys, and yells of men
Forth rushing to the street. And Bengal Mike
Moved this way and now that, drew in his head
As if his neck to shorten, and bent down
To break the death grip of the hog-eyed one;
'Twixt guttural wrath and fast-expiring strength
Striking his fists against the invulnerable chest
Of hog-eyed Allen. Then, when some came in
To part them, others stayed them, and the fight
Spread among dozens; many valiant souls
Went down from clubs and bricks.
But tell me, Muse,
What god or goddess rescued Bengal Mike?
With one last, mighty struggle did he grasp
The murderous hands and turning kick his foe.
Then, as if struck by lightning, vanished all
The strength from hog-eyed Allen, at his side
Sank limp those giant arms and o'er his face
Dread pallor and the sweat of anguish spread.
And those great knees, invincible but late,
Shook to his weight. And quickly as the lion
Leaps on its wounded prey, did Bengal Mike
Smite with a rock the temple of his foe,
And down he sank and darkness o'er his eyes
Passed like a cloud.
As when the woodman fells
Some giant oak upon a summer's day
And all the songsters of the forest shrill,
And one great hawk that has his nestling young
Amid the topmost branches croaks, as crash
The leafy branches through the tangled boughs
Of brother oaks, so fell the hog-eyed one
Amid the lamentations of the friends
Of A. D. Blood.
Just then, four lusty men
Bore the town marshal, on whose iron face
291
The purple pall of death already lay,
To Trainor's drug store, shot by Jack McGuire.
And cries went up of "Lynch him!" and the sound
Of running feet from every side was heard
Bent on the
~ Edgar Lee Masters,#NFDB
151:I.
The morn when first it thunders in March,
The eel in the pond gives a leap, they say:
As I leaned and looked over the aloed arch
Of the villa-gate this warm March day,
No flash snapped, no dumb thunder rolled
In the valley beneath where, white and wide
And washed by the morning water-gold,
Florence lay out on the mountain-side.
II.
River and bridge and street and square
Lay mine, as much at my beck and call,
Through the live translucent bath of air,
As the sights in a magic crystal ball.
And of all I saw and of all I praised,
The most to praise and the best to see
Was the startling bell-tower Giotto raised:
But why did it more than startle me?
III.
Giotto, how, with that soul of yours,
Could you play me false who loved you so?
Some slights if a certain heart endures
Yet it feels, I would have your fellows know!
I' faith, I perceive not why I should care
To break a silence that suits them best,
But the thing grows somewhat hard to bear
When I find a Giotto join the rest.
IV.
On the arch where olives overhead
Print the blue sky with twig and leaf,
(That sharp-curled leaf which they never shed)
'Twixt the aloes, I used to lean in chief,
And mark through the winter afternoons,
By a gift God grants me now and then,
In the mild decline of those suns like moons,
Who walked in Florence, besides her men.
V.
They might chirp and chaffer, come and go
For pleasure or profit, her men alive-
My business was hardly with them, I trow,
But with empty cells of the human hive;
-With the chapter-room, the cloister-porch,
The church's apsis, aisle or nave,
Its crypt, one fingers along with a torch,
Its face set full for the sun to shave.
VI.
Wherever a fresco peels and drops,
Wherever an outline weakens and wanes
Till the latest life in the painting stops,
Stands One whom each fainter pulse-tick pains:
One, wishful each scrap should clutch the brick,
Each tinge not wholly escape the plaster,
-A lion who dies of an ****'s kick,
The wronged great soul of an ancient Master.
VII.
For oh, this world and the wrong it does
They are safe in heaven with their backs to it,
The Michaels and Rafaels, you hum and buzz
Round the works of, you of the little wit!
Do their eyes contract to the earth's old scope,
Now that they see God face to face,
And have all attained to be poets, I hope?
'Tis their holiday now, in any case.
VIII.
Much they reck of your praise and you!
But the wronged great souls-can they be quit
Of a world where their work is all to do,
Where you style them, you of the little wit,
Old Master This and Early the Other,
Not dreaming that Old and New are fellows:
A younger succeeds to an elder brother,
Da Vincis derive in good time from Dellos.
IX.
And here where your praise might yield returns,
And a handsome word or two give help,
Here, after your kind, the mastiff girns
And the puppy pack of poodles yelp.
What, not a word for Stefano there,
Of brow once prominent and starry,
Called Nature's Ape and the world's despair
For his peerless painting? (See Vasari.)
X.
There stands the Master. Study, my friends,
What a man's work comes to! So he plans it,
Performs it, perfects it, makes amends
For the toiling and moiling, and then, sic transit!
Happier the thrifty blind-folk labour,
With upturned eye while the hand is busy,
Not sidling a glance at the coin of their neighbour!
'Tis looking downward that makes one dizzy.
XI.
``If you knew their work you would deal your dole.''
May I take upon me to instruct you?
When Greek Art ran and reached the goal,
Thus much had the world to boast in fructu-
The Truth of Man, as by God first spoken,
Which the actual generations garble,
Was re-uttered, and Soul (which Limbs betoken)
And Limbs (Soul informs) made new in marble.
XII.
So, you saw yourself as you wished you were,
As you might have been, as you cannot be;
Earth here, rebuked by Olympus there:
And grew content in your poor degree
With your little power, by those statues' godhead,
And your little scope, by their eyes' full sway,
And your little grace, by their grace embodied,
And your little date, by their forms that stay.
XIII.
You would fain be kinglier, say, than I am?
Even so, you will not sit like Theseus.
You would prove a model? The Son of Priam
Has yet the advantage in arms' and knees' use.
You're wroth-can you slay your snake like Apollo?
You're grieved-still Niobe's the grander!
You live-there's the Racers' frieze to follow:
You die-there's the dying Alexander.
XIV.
So, testing your weakness by their strength,
Your meagre charms by their rounded beauty,
Measured by Art in your breadth and length,
You learned-to submit is a mortal's duty.
-When I say ``you'' 'tis the common soul,
The collective, I mean: the race of Man
That receives life in parts to live in a whole,
And grow here according to God's clear plan.
XV.
Growth came when, looking your last on them all,
You turned your eyes inwardly one fine day
And cried with a start-What if we so small
Be greater and grander the while than they?
Are they perfect of lineament, perfect of stature?
In both, of such lower types are we
Precisely because of our wider nature;
For time, theirs-ours, for eternity.
XVI.
To-day's brief passion limits their range;
It seethes with the morrow for us and more.
They are perfect-how else? they shall never change:
We are faulty-why not? we have time in store.
The Artificer's hand is not arrested
With us; we are rough-hewn, nowise polished:
They stand for our copy, and, once invested
With all they can teach, we shall see them abolished.
XVII.
'Tis a life-long toil till our lump be leaven-
The better! What's come to perfection perishes.
Things learned on earth, we shall practise in heaven:
Works done least rapidly, Art most cherishes.
Thyself shalt afford the example, Giotto!
Thy one work, not to decrease or diminish,
Done at a stroke, was just (was it not?) ``O!''
Thy great Campanile is still to finish.
XVIII.
Is it true that we are now, and shall be hereafter,
But what and where depend on life's minute?
Hails heavenly cheer or infernal laughter
Our first step out of the gulf or in it?
Shall Man, such step within his endeavour,
Man's face, have no more play and action
Than joy which is crystallized for ever,
Or grief, an eternal petrifaction?
XIX.
On which I conclude, that the early painters,
To cries of ``Greek Art and what more wish you?''-
Replied, ``To become now self-acquainters,
``And paint man man, whatever the issue!
``Make new hopes shine through the flesh they fray,
``New fears aggrandize the rags and tatters:
``To bring the invisible full into play!
``Let the visible go to the dogs-what matters?''
XX.
Give these, I exhort you, their guerdon and glory
For daring so much, before they well did it.
The first of the new, in our race's story,
Beats the last of the old; 'tis no idle quiddit.
The worthies began a revolution,
Which if on earth you intend to acknowledge,
Why, honour them now! (ends my allocution)
Nor confer your degree when the folk leave college.
XXI.
There's a fancy some lean to and others hate-
That, when this life is ended, begins
New work for the soul in another state,
Where it strives and gets weary, loses and wins:
Where the strong and the weak, this world's congeries,
Repeat in large what they practised in small,
Through life after life in unlimited series;
Only the scale's to be changed, that's all.
XXII.
Yet I hardly know. When a soul has seen
By the means of Evil that Good is best,
And, through earth and its noise, what is heaven's serene,-
When our faith in the same has stood the test-
Why, the child grown man, you burn the rod,
The uses of labour are surely done;
There remaineth a rest for the people of God:
And I have had troubles enough, for one.
XXIII.
But at any rate I have loved the season
Of Art's spring-birth so dim and dewy;
My sculptor is Nicolo the Pisan,
My painter-who but Cimabue?
Nor ever was man of them all indeed,
From these to Ghiberti and Ghirlandaio,
Could say that he missed my critic-meed.
So, now to my special grievance-heigh ho!
XXIV.
Their ghosts still stand, as I said before,
Watching each fresco flaked and rasped,
Blocked up, knocked out, or whitewashed o'er:
-No getting again what the church has grasped!
The works on the wall must take their chance;
``Works never conceded to England's thick clime!''
(I hope they prefer their inheritance
Of a bucketful of Italian quick-lime.)
XXV.
When they go at length, with such a shaking
Of heads o'er the old delusion, sadly
Each master his way through the black streets taking,
Where many a lost work breathes though badly-
Why don't they bethink them of who has merited?
Why not reveal, while their pictures dree
Such doom, how a captive might be out-ferreted?
Why is it they never remember me?
XXVI.
Not that I expect the great Bigordi,
Nor Sandro to hear me, chivalric, bellicose;
Nor the wronged Lippino; and not a word I
Say of a scrap of Fr Angelico's:
But are you too fine, Taddeo Gaddi,
To grant me a taste of your intonaco,
Some Jerome that seeks the heaven with a sad eye?
Not a churlish saint, Lorenzo Monaco?
XXVII.
Could not the ghost with the close red cap,
My Pollajolo, the twice a craftsman,
Save me a sample, give me the hap
Of a muscular Christ that shows the draughtsman?
No Virgin by him the somewhat petty,
Of finical touch and tempera crumbly-
Could not Alesso Baldovinetti
Contribute so much, I ask him humbly?
XXVIII.
Margheritone of Arezzo,
With the grave-clothes garb and swaddling barret
(Why purse up mouth and beak in a pet so,
You bald old saturnine poll-clawed parrot?)
Not a poor glimmering Crucifixion,
Where in the foreground kneels the donor?
If such remain, as is my conviction,
The hoarding it does you but little honour.
XXIX.
They pass; for them the panels may thrill,
The tempera grow alive and tinglish;
Their pictures are left to the mercies still
Of dealers and stealers, Jews and the English,
Who, seeing mere money's worth in their prize,
Will sell it to somebody calm as Zeno
At naked High Art, and in ecstasies
Before some clay-cold vile Carlino!
XXX.
No matter for these! But Giotto, you,
Have you allowed, as the town-tongues babble it,-
Oh, never! it shall not be counted true-
That a certain precious little tablet
Which Buonarroti eyed like a lover,-
Was buried so long in oblivion's womb
And, left for another than I to discover,
Turns up at last! and to whom?-to whom?
XXXI.
I, that have haunted the dim San Spirito,
(Or was it rather the Ognissanti?)
Patient on altar-step planting a weary toe!
Nay, I shall have it yet! Detur amanti!
My Koh-i-noor-or (if that's a platitude)
Jewel of Giamschid, the Persian Sofi's eye
So, in anticipative gratitude,
What if I take up my hope and prophesy?
XXXII.
When the hour grows ripe, and a certain dotard
Is pitched, no parcel that needs invoicing,
To the worse side of the Mont Saint Gothard,
We shall begin by way of rejoicing;
None of that shooting the sky (blank cartridge),
Nor a civic guard, all plumes and lacquer,
Hunting Radetzky's soul like a partridge
Over Morello with squib and cracker.
XXXIII.
This time we'll shoot better game and bag 'em hot-
No mere display at the stone of Dante,
But a kind of sober Witanagemot
(Ex: ``Casa Guidi,'' quod videas ante)
Shall ponder, once Freedom restored to Florence,
How Art may return that departed with her.
Go, hated house, go each trace of the Loraine's,
And bring us the days of Orgagna hither!
XXXIV.
How we shall prologize, how we shall perorate,
Utter fit things upon art and history,
Feel truth at blood-heat and falsehood at zero rate,
Make of the want of the age no mystery;
Contrast the fructuous and sterile eras,
Show-monarchy ever its uncouth cub licks
Out of the bear's shape into Chimra's,
While Pure Art's birth is still the republic's.
XXXV.
Then one shall propose in a speech (curt Tuscan,
Expurgate and sober, with scarcely an ``issimo,'')
To end now our half-told tale of Cambuscan,
And turn the bell-tower's alt to altissimo:
And fine as the beak of a young beccaccia
The Campanile, the Duomo's fit ally,
Shall soar up in gold full fifty braccia,
Completing Florence, as Florence Italy.
XXXVI.
Shall I be alive that morning the scaffold
Is broken away, and the long-pent fire,
Like the golden hope of the world, unbaffled
Springs from its sleep, and up goes the spire
While ``God and the People'' plain for its motto,
Thence the new tricolour flaps at the sky?
At least to foresee that glory of Giotto
And Florence together, the first am I!
A sculptor, died 1278.
Died 1455. Designed the bronze gates of the Baptistry at Florence.
A painter, died 1498.
The son of Fr Lippo Lippi. Wronged, because some of his
pictures have been attributed to others.
Died 1366. One of Giotto's pupils and assistants.
Rough cast.
Painter, sculptor, and goldsmith.
Distemper-mixture of water and egg yolk.
Sculptor and architect, died 1313-
All Saints.
A Florentine painter, died 1576.
Tartar king.
A woodcock
~ Robert Browning, Old Pictures In Florence
,#NFDB
152:Ii. The Quest Of Silence
Secreta Silvarum: Prelude
Oh yon, when Holda leaves her hill
of winter, on the quest of June,
black oaks with emerald lamplets thrill
that flicker forth to her magic tune.
At dawn the forest shivers whist
and all the hidden glades awake;
then sunshine gems the milk-white mist
and the soft-swaying branches make
along its edge a woven sound
of legends that allure and flit
and horns wound towards the enchanted ground
where, in the light moon-vapours lit,
all night, while the black woods in mass,
serried, forbid with goblin fear,
fay-revels gleam o'er the pale grass
till shrill-throats ring the matins near.
Oh there, oh there in the sweet o' the year,
adventurous in the witching green,
last feal of the errant spear,
to seek the eyes of lost Undine
clear blue above the blue cold stream
that lingers till her plaint be done,
oh, and perchance from that sad dream
to woo her, laughing, to the sun
and that glad blue that seems to flow
far up, where dipping branches lift
sidelong their soft-throng'd frondage slow
and slow the thin cloud-fleecelets drift.
Oh, there to drowse the summer thro'
deep in some odorous twilit lair,
swoon'd in delight of golden dew
within the sylvan witches hair;
the while on half-veil'd eyes to feel
the yellow sunshafts broken dim,
and seldom waftures moth-like steal
and settle, on the bare-flung limb:
or under royal autumn, pall'd
27
in smouldering magnificence,
to feel the olden heart enthrall'd
in wisdoms of forgotten sense,
and mad desire and pain that fill'd
red August's heart of throbbing bloom
in one grave hour of knowledge still'd
where glory ponders o'er its doom:
and, when the boughs are sombre lace
and silence chisels silver rime,
o'er some old hearth, with dim-lit face,
to dream the vanish'd forest prime,
the springtime's sweet and June's delight,
more precious now that hard winds chill
the dews that made their mornings bright,
and Holda sleeps beneath her hill.
What tho' the outer day be brazen rude
not here the innocence of morn is fled:
this green unbroken dusk attests it wed
with freshness, where the shadowy breasts are nude,
hers guess'd, whose looks, felt dewy-cool, elude —
save this reproach that smiles on foolish dread:
wood-word, grave gladness in its heart, unsaid,
knoweth the guarded name of Quietude.
Nor start, if satyr-shapes across the path
tumble; it is but children: lo, the wrath
couchant, heraldic, of her beasts that pierce
with ivory single horn whate'er misplaced
outrageous nears, or whinny of the fierce
Centaur, or mailed miscreant unchaste.
II
O friendly shades, where anciently I grew!
me entering at dawn a child ye knew,
all little welcoming leaves, and jealous wove
your roof of lucid emerald above,
that scarce therethro' the envious sun might stray,
save smiling dusk or, lure for idle play,
such glancing finger your chance whim allows,
all that long forenoon of the tuneful boughs;
which growing on, the myriad small noise
28
and flitting of the wood-life's busy joys,
thro' tenuous weft of sound, had left, divined,
the impending threat of silence, clear, behind:
and, noon now past, that hush descended large
in the wood's heart, and caught me in its marge
of luminous foreboding widely flung;
so hourlong I have stray'd, and tho' among
the glimpsing lures of all green aisles delays
that revelation of its wondrous gaze,
yet am I glad to wander, glad to seek
and find not, so the gather'd tufts bespeak,
naked, reclined, its friendly neighbourhood —
as in this hollow of the rarer wood
where, listening, in the cool glen-shade, with me,
white-bloom'd and quiet, stands a single tree;
rich spilth of gold is on the eastward rise;
westward the violet gloom eludes mine eyes.
This is the house of Pan, not whom blind craze
and babbling wood-wits tell, where bare flints blaze,
noon-tide terrific with the single shout,
but whom behind each bole sly-peering out
the traveller knows, but turning, disappear'd
with chuckle of laughter in his thicket-beard,
and rustle of scurrying faun-feet where the ground
each autumn deeper feels its yellow mound.
Onward: and lo, at length, the secret glade,
soft-gleaming grey, what time the grey trunks fade
in the white vapours o'er its further rim.
'Tis no more time to linger: now more dim
the woods are throng'd to ward the haunted spot
where, as I turn my homeward face, I wot
the nymphs of twilight have resumed, unheard,
their glimmering dance upon the glimmering sward.
III
The point of noon is past, outside: light is asleep;
brooding upon its perfect hour: the woods are deep
and solemn, fill'd with unseen presences of light
that glint, allure, and hide them; ever yet more bright
(it seems) the turn of a path will show them: nay, but rest;
seek not, and think not; dream, and know not; this is best:
the hour is full; be lost: whispering, the woods are bent,
29
This is the only revelation; be content.
IIII
The forest has its horrors, as the sea:
and ye that enter from the staling lea
into the early freshness kept around
the waiting trunks that watch its rarer bound,
after the glistening song that, sprinkled, leaves
an innocence upon the glancing leaves;
O ye that dream to find the morning yet
secret and chaste, beside her mirror set,
some glimmering source o'ershadow'd, where the light
is coolness felt, whom filter'd glints invite
thro' the slow-shifting green transparency;
O ye that hearken towards pale mystery
a rustle of hidden pinions, and obey
the beckoning of each little leaf asway:
return, return, or e'er to warn you back
the shadow bend along your rearward track
longer and longer from the brooding west;
return, and evening shall bosom your rest
in the warm gloom that wraps the blazing hearth:
there hear from wither'd lips long wean'd of mirth
the tale that lulls old watches; — How they rode,
brave-glittering once, where the brave morning glow'd
along the forest-edges, and were lost
for ever, where the crossing trunks are most;
and, far beyond the dim arcades of song,
where moon-mist weaves a dancing elfin throng,
and far beyond the luring glades that brood
around a maiden thought of Quietude,
the savage realm begins, of lonely dread,
black branches from the fetid marish bred
that lurks to trap the loyal careless foot,
and gaping trunks protrude a snaky root
o'er slinking paths that centre, where beneath
a sudden rock on the short blasted heath,
bare-set, a cavern lurks and holds within
its womb, obscene with some corroding sin,
coil'd on itself and stirring, a squat shade
before the entrance rusts a broken blade.
The forest hides its horrors, as the sea.
30
V
No emerald spring, no royal autumn-red,
no glint of morn or sullen vanquish'd day
might venture against this obscene horror's sway
blackly from the witch-blasted branches shed.
No silver bells around the bridle-head
ripple, and on no quest the pennons play:
the path's romance is shuddering disarray,
or eaten by the marsh: the knights are dead.
The Lady of the Forest was a tale:
of the white unicorns that round her sleep
gamboll'd, no turf retains a print; and man,
rare traveller, feels, athwart the knitted bale
watching, now lord of loathly deaths that creep,
maliciously the senile leer of Pan.
Fire in the heavens, and fire along the hills,
and fire made solid in the flinty stone,
thick-mass'd or scatter'd pebble, fire that fills
the breathless hour that lives in fire alone.
This valley, long ago the patient bed
of floods that carv'd its antient amplitude,
in stillness of the Egyptian crypt outspread,
endures to drown in noon-days tyrant mood.
Behind the veil of burning silence bound,
vast life's innumerous busy littleness
is hush'd in vague-conjectured blur of sound
that dulls the brain with slumbrous weight, unless
some dazzling puncture let the stridence throng
in the cicada's torture-point of song.
Peace dwells in blessing o'er a place
folded within the hills to keep
and under dark boughs seawind-frayd:
and the kind slopes where soothings creep,
in the gold light or the green shade,
wear evermore the ancient face
of silence, and the eyes of sleep;
because they are listening evermore
unto the seawinds what they tell
to the wise, nodding, indifferent trees
high on the ridge that guard the dell,
31
of wars on many a far grey shore
and how the shores decay and fade
before the obstinate old seas:
and all their triumphing is made
a tale that dwindles with the eves,
while the soft dusk lingers, delay'd,
and drifts between the indolent leaves.
A gray and dusty daylight flows
athwart the shatter'd traceries,
pale absence of the ruin'd rose.
Here once, on labour-harden'd knees,
beneath the kindly vaulted gloom
that gather'd them in quickening ease,
they saw the rose of heaven bloom,
alone, in heights of musky air,
with many an angel's painted plume.
So, shadowing forth their dim-felt prayer,
the daedal glass compell'd to grace
the outer days indifferent stare,
where now its disenhallow'd face
beholds the petal-ribs enclose
nought, in their web of shatter'd lace,
save this pale absence of the rose.
Breaking the desert's tawny level ring
three columns, an oasis; but no shade
falls from the curl'd acanthus-leaves; no spring
bubbles soft laughter for its leaning maid.
The cell is waste: where once the god abode
a burning desolation furls its wing:
enter, and lo! once more, the hopeless road
world-wide, the tawny desert's level ring.
Before she pass'd behind the glacier wall
that hides her white eternal sorceries
the northern witch, in clinging ermine pall,
cast one last look along the shallow seas,
a look that held them in its numbing thrall
and melted onward to the sandy leas
where our lorn city lives its lingering fall
and wistful summer shrinks in scant-clad trees.
32
Hence came one greyness over grass and stone:
the silent-lapping waters fade and tone
into the air and into them the land;
and all along our stagnant waterways
a drown'd and dusky gleaming sleeps, unbann'd,
the lurking twilight of her vanish'd gaze.
Out of no quarter of the charted sky
flung in the bitter wind intolerably,
abrupt, the trump that sings behind the end
exults alone. Here grass is none to bend:
the stony plain blackens with rapid night
that best reveals the land's inflicted blight
since in the smitten hero-hand the sword
broke, and the hope the long-dumb folk adored,
and over all the north a tragic flare
told Valhall perish'd and the void's despair
to dwell as erst, all disinhabited,
a vault above the heart its hungering led.
The strident clangour cuts; but space is whole,
inert, absorb'd in dead regret. Here, sole,
on the bare uplands, stands, vast thro' the gloom
staring, to mark an irretrievable doom,
the stranger stone, sphinx-couchant, thunder-hurl'd
from red star-ruin o'er the elder world.
This night is not of gentle draperies
or cluster'd banners where the star-breaths roam,
nor hangs above the torch a lurching dome
of purple shade that slips with phantom ease;
but, on our apathy encroaching, these,
stable, whose smooth defiance none hath clomb,
basalt and jade, a patience of the gnome,
polish'd and shadow-brimm'd transparencies.
Far, where our oubliette is shut, above,
we guess the ample lids that never move
beneath her brows, each massive arch inert
hung high-contemptuous o'er the blatant wars
we deem'd well waged for her, who may avert
some Janus-face that smiles on hidden stars.
Lightning: and, momently, the silhouette,
33
flat on the far horizon, comes and goes
of that night-haunting city; minaret,
dome, spire, all sharp while yet the levin glows.
Day knows it not; whether fierce noon-tide fuse
earth's rim with sky in throbbing haze, or clear
gray softness tinge afresh the enamell'd hues
of mead and stream, it shows no tipping spear.
Night builds it: now upon the marbled plain
a blur, discern'd lurking, ever more nigh;
now close against the walls that hem my reign
a leaguer-town, threatening my scope of sky.
So late I saw it; in a misty moon
it bulk'd, all dusky and transparent, dumb
as ever, fast in some prodigious swoon:
its battlements deserted — who might come?
— ay, one! his eyes, 'neath the high turban's plume,
watch'd mine, intent, behind the breast-high stone:
his face drew mine across the milky gloom:
a sudden moonbeam show'd it me, my own!
ONE! an iron core, shock'd and dispers'd
in throbs of sound that ebb across the bay:
I shudder: the one clang smites disarray
thro' all my sense, that starts awake, inhears'd
in the whole lifeless world: and some accurs'd
miasma steals, resumed from all decay,
where the dead tide lies flat round the green quay,
hinting what self-fordone despairs it nurs'd.
The corpse of time is stark upon the night:
my soul is coffin'd, staring, grave-bedight,
upon some dance of death that reels and feasts
around its living tomb, with vampire grin,
inverted sacraments of Satan's priests —
and, mask'd no more, the maniac face of sin.
There is a far-off thrill that troubles me:
a faint thin ripple of shadow, momently,
dies out across my lucid icy cell.
I am betrayed by winter to the spell
of morbid sleep, that somewhere rolls its waves
insidiously, gather'd from unblest graves,
to creep above each distant crumbled mole.
34
When that assault is full against my soul,
I must go down, thro' chapels black with mould,
past ruin'd doors, whose arches, ridged with gold,
catch, in their grooves, a gloom more blackly dript,
some stairway winding hours-long towards the crypt
where panic night lies stricken 'neath the curse
exuding from the dense enormous hearse
of some old vampire-god, whose bulk, within,
lies gross and festering in his shroud of sin.
~ Christopher John Brennan,#NFDB
153:Sacred And Profane Love
In the dark shadow of the windless pines
Whose gloomy glory lines the obsequies
Of the gaunt Claudian Aqueduct along
The lone Campagna to sepulchral Rome,
A Northern youth, companionless, reclined,
Pondering on records of the Roman Past,
Kingdom, Republic, Empire, longwhile gone.
Hard-by, through marble tomb revivified,
Rippled and bubbled water crystalline,
Inwelling from the far-off Sabine hills.
When lo! upon the tomb's deep-dinted rim
Slowly there broadened on his gaze two shapes,
Material embodiment of those
The great Venetian in resplendent hues
Upon the canvas lastingly portrayed,
Christened by fame Profane and Sacred Love.
One was in rich habiliments arrayed,
With dimpling folds about her rounded limbs,
And heaving corset of embossed brocade,
Compressing beaker for her brimming breasts.
Jewels were in her hair, jewels entwined
Themselves round her columnar throat, and thus
On him she gazed unshrinkingly, and seemed
Sensuous seduction irresistible.
The other in nude innocency clad,
All save veined vineleaf cincture round her waist,
Sate with her gaze averted, and beheld
Only her image trembling in the wave.
Her had he fain accosted, but the dread
Of violating her aloofness checked
The movement of his mind, and held him mute.
So to the One resplendently enrobed,
Familiarly fearless as herself,
He turned, albeit his thought was otherwhere,
As elsewhere his desire, and boldly said:
``If with your earthly seeming be conjoined
Gift and capacity of earthly speech,
Speak to me, earthly, an you will, and break
The all too spacious silence with your voice.''
383
Her curving lips, whose fulness seemed to pledge
Intoxicating kisses, drooped apart,
And to her orbs upsurged volcanic fire,
As she with prompt unhesitating voice,
Commanding more than musical, rejoined.
Whereat that Other ever and anon
Would for a moment turn to him her face,
To note the interpretation of his heart
And wavering of his will, and then once more
Her look averted to the Sabine hills,
And cloudless vault of overarching Heaven.
Profane Love speaks
``I am the Goddess mortals call Profane,
Yet worship me as though I were divine;
Over their lives, unrecognised, I reign,
For all their thoughts are mine.
``I was coeval with the peopled Earth,
And, while it lasts, I likewise shall endure,
For Destiny endowed me at my birth
With every mundane lure.
``Men rear no marble temple to my name,
No statues mould in Minster or in mart,
Yet in their longings silently proclaim
My throne is on their heart.
``Unto the phantom Deities of air
They pay lip homage, carven altars raise,
To these bow down with ceremonial prayer,
And sycophantic praise.
``With them I kneel, but neither praise nor pray,
While tapers burn, hymns float, and organ rolls,
Because I know that there too can I sway
And stupefy their souls.
``Their pompous flatteries are not for me,
My panegyric is the secret sigh:
Wherefore should mortals monuments decree
To Me who cannot die?
384
``I am the fountain of wealth, titles, power,
'Tis I ordain the pedestal and bust,
When there doth toll the inevitable hour,
The hour of death and dust.
``Ruby, and pearl, and diamond, and the ore
Torn from the entrails of the Earth, are mine;
Mine are the cargoes shipped from shore to shore,
Spices, and silks, and wine:
``Wherewith men buy what crafty barter brings,Greater the gain, more hazardous the risks,Toil from the many, coronets from Kings,
And lust from odalisques.
``If such content not, since your hopes aspire
On heights of popularity to tower,
I can conduct you on yet swifter tire
To winning-peak of Power.
``Then without scruple, pity, or restraint,
Cleave you your conquering way; for there is nought,
Of all that worldlings crave and hirelings paint,
But can be seized or bought.
``Myriads from mine and furrow, quay and loom,
Shall congregate to hear you pledge and prate,
Hailing you heaven-sent warder-off of gloom,
And Saviour of the State.
``And lissom sirens, temptingly attired,
With heartless hearts, self-seeking as your own,
By your sonorous phrases will be fired,
And gather round your throne.
``Platform and Senate, Cabinet and Court,
You shall cajole, convert, or overawe;
Whithersoe'er you speciously disport,
Your wordy Will be law.
``But many and many a worshipper have I,
385
So cannot grant monopoly of power:
Others there be who fain would climb as high
As you, and have their hour.
``Then their ambition with your own will shock,
And they awhile on foremost seat may reign:
Men's favour is a quicksand, not a rock,
And veers like gust and vane.
``Then must you with invectives fume and rage
All through the land, denouncing evil times,
With histrionic passion; 'tis a stage
For mountebanks and mimes``Slandering the foes who slander you, and so,
If thousands hate, thousands will hail, your name,
Till you in notoriety shall grow,
The herd confound with Fame.
``Them that o'erwhelm, vindictiveness o'erwhelms,
So nought shall you from Fortune's wheel entice,
Gambling for Self's predominance with Realms
And Empires for your dice.
``If with the years male energy should wane,
Orders and honours on you shall be shed:
Thus will you still in man's remembrance reign,
A halo round your head.
``And when at length the End of all life's ends
Doth with the little lay the mighty down,
And domination finally descends
Graveward without its Crown,
``Processions populous, bedizened hearse,
And mourners ermined shall your dust convey
To pompous tomb, and vying prose and verse
Protract your little day.
``What though your name grow faint, as time recedes,
Like scarce-heard wave upon a far-off shore,
And wax the record of your words and deeds
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A voice and nothing more,
``You will have drained all that the world can give,
All boons and blandishments of Love Profane,
Success and homage, for which sane men live,
And all the rest is vain.''
She ceased; and, as she ceased, then Sacred Love,
That ever and anon meanwhile had bent
On him her look, and smilingly surmised,
From his vague gaze and inattentive ears,
That he was only waiting for Her voice,
Like to the moon fleeting through fleecy clouds,
Her undissembled beauty on him bared,
And with a voice like sylvan rivulet
That haunts the woodlands, muffled half by leaves,
Serene and slow with silvery clearness spake.
``In the unseen first-fostering of breath
Whose secret is by Science vainly sought,
Uncertain borderland 'twixt Life and Death,
I share the silence of the Mother's thought.
``Her love is not more anxious than is mine,
Together we await the human cry,
For even then I, Sacred Love, divine
If it will grow to voice that may not die.
``And I its foster-mother am, and feed
Its suckling dreams, and watch it waxing strong,
Giving it for its plaything moorland reed,
That it may grow and ripen into Song.
``For Love Profane doth sleeplessly await
Its coming, to mislead it on its way,
Whispering, `Become what Greatness deemeth great,
Till mighty Rulers recognise your sway.'
``I listened tremblingly while Love Profane
Strove to entice you to the worldling's throne,
Along the worldling's way, but strove in vain.
Now hath She gone, and we are here alone.''
387
His gaze that had on Her who thuswise spake
Fastened, since indivisibly intent
Upon the cadence of her voice, quick turned
At these last words, to look for Love Profane.
But lo! its effigy from marble rim
Had vanished, like the face of Roman sway,
Kingship, Republic, Empire; and the flow
Of water welling through the rifled tomb
Was the sole sound he heard, until her voice
Melodiously measured, spake once more.
``Rise and come near to me, and take my hand,
And lay your cheek against my cheek, for sign
That you henceforth will know and understand
That all the children of the Muse are mine.
``Your parent am I, though I seem so young,
It is my birthright never to grow old;
Young shall I keep so long as songs are sung,
By such fresh offspring gladdened and consoled.
``I was beside the font when you were brought
Into the granite-pillared House of Prayer;
Smiled at your loneliness when first you sought
To sing away your load of childish care.
``Rapture maternal fluttered in my heart
When you yourself disdainfully denied
What worldlings prize, and chose the better part,
Wending where now I find you at my side.
``I know your present sorrow, since you fear
I have forsaken you and left you lone,
And Rome has silenced what you held so dear.
Wait! from the unseen seed the flower is grown.
``Rome is the tomb of Heroes, and of Kings,
Consuls, and conquerors, and world-wide sway:
What wonder, should it silence him that sings
Before he learns what he must sing and say?
388
``But you may live and die, a Voice unheard:
I promise not what I can not fulfil:
Only,-in the Beginning was the Word,
It was with God, and it is godlike still.
``But unto you, as unto all my line,
Or strong or weak, resounding or obscure,
I pledge the gifts inalienably mine,
Gifts that content and pleasures that endure:
``Companionship of woodlands, hills, and streams,
And gentle womenkind, to whom you owe
Youth in your heart, and shaping of your dreams,
And these will teach what more you need to know.
``Nature's still fresh society will keep
Your feelings young, as you each April follow
Coy maiden Spring, when she awakes from sleep
In windflower dell and primrose pillowed hollow:
``Watch Autumn wax in splendour day by day,
Then, slowly yielding unto Time's assault,
Her moribund magnificence decay,
To sleep entombed in Winter's icy vault;
``And when the boughs stretch bare and fallows hoar,
And plovers wheel about the moorland wide,
Hear the pinched wind wailing through chink and door,
With piteous prayer to share the warm fireside.
``Nature's capriciousness leaves just the same
Her inmost self; she does nor change nor veer;
Just as the seasons lend, with varying name,
Their contrast to the oneness of the year.
``The Poet's love no base-bred difference knows
Of high and low, the peasant and the peer,
Save that his tenderness more heed bestows
On humble sorrow than luxurious tear.
``Childhood's keen questioning, Youth's gropings blind,
Manhood's ambition, Age's graver part,
389
Alike can move his understanding mind,
And rouse his promptly sympathising heart.
``Here, 'mid the ruins that you now behold,
You will imbibe the meaning of the Past,
Learning to weigh the new by what is old,
The things that perish, and the things that last.
``Instructed thus, keep severed in your mind
The Passing from the Permanent, and prize
Only the precious heirlooms of Mankind,
Thought that ennobles, Art that vivifies.
``Vex not your mind with riddles that beguile
The unwise to wrangle over things unknown.
'Tis not for Song to enrage, but reconcile,
So to the Tower of Babel add no stone.
``But while from futile feuds you dwell apart,
Never forget to render what is due,
In hour of need, from manly hand and heart,
To the male Land whose soil engendered you.
``Should opulence, and ease, and base desire
Deaden effeminate ears to just alarms,
Sound all the clanging octaves of the lyre,
And rouse a nation's manhood unto arms,
``Save only then, no clamorous crowds must mar
The musing silence of secluded days,
Whose course should journey quiet as a star,
That moves alone along Heaven's trackless ways.
``Then will you 'mid deserted Abbey walls
Hear both the matin and the vesper bell,
The girdled Brothers chanting in their stalls,
And see the Prior praying in his cell.
``The Present and the Past shall seem but one,
Kingdoms, and Creeds, and Sceptres, passed away,
Stand out, in retrospection's noonday sun,
As Kingdoms, Creeds, and Sceptres, of to-day.
390
``In the fair hospitable Tuscan Land,
Where Raphael and Donatello wrought,
Sojourn, and ponder till you understand
The masculine restraint themselves were taught``Taught by the disentombed Minervan mind
That, in the days still governing if gone,
Within the rugged Parian block divined
Majestic calmness of the Parthenon.
``And when, departing hence, you wandering wend
Where the brief Attic splendour dawned and shone,
Pray to Athene she to you will lend
The golden curb she lent Bellerophon.
``Nor be the Hill Hellenic sculptors trod
Your one sole haunt, but, let who will condemn,
Kneel at all altars `To the Unknown God,'
Alike at Athens or Jerusalem.
``Siren and seraph, athlete, anchorite,
Saints of the cloister, satyrs of the grove,
In one and all seek meaning and delight,
Reigning Jehovah, abdicated Jove.
``Deem not the Oracles to-day are dumb;
They from their graves the World's course still forecast,
From things long gone expound the things to come,
And prophesy the Future from the Past.
``And not from Gothic shrine and classic urn,
From dome, or spire, or portico alone,
Study the mystery of Art, but learn
From each in turn to apprehend your own.
``Not least from its loved twin, melodious sound,
The universal unseen soul of things,
Whose utterance men invoke when words are found
Powerless to frame their vague imaginings.
``And, when the riper Youth that men call Age
391
Welcomes the closing dispensation, death,
Song that soothes sorrow and makes suffering sage,
Shall linger with you till your farewell breath.
``Not crowded aisle and ceremonial nave
Claim those that have from me life's lesson learned.
Who best have loved them bear them to their grave,
Where they near home lie `quietly inurned.'''
Then, like the cadence of a closing song,
Her soft voice sank to silence, and he felt
Her arms fold round him, and so widened his,
Eager to share in privileged embrace:
When, lo! the vision vanished with the voice,
And all he saw were the calm Sabine hills,
And all he heard, the lisping of the wave
Clear-welling through the rifled marble tomb.
But all She had said sank deep into his heart,
And what She said is truly written here.
~ Alfred Austin,#NFDB
154:The Dunciad: Book I.
The Mighty Mother, and her son who brings
The Smithfield muses to the ear of kings,
I sing. Say you, her instruments the great!
Called to this work by Dulness, Jove, and Fate;
You by whose care, in vain decried and cursed,
Still Dunce the second reigns like Dunce the first;
Say how the Goddess bade Britannia sleep,
And poured her spirit o’er the land and deep.
In eldest time, e’er mortals writ or read,
E’er Pallas issued from the Thunderer’s head,
Dulness o’er all possessed her ancient right,
Daughter of Chaos and eternal Night:
Fate in their dotage this fair idiot gave,
Gross as her sire, and as her mother grave,
Laborious, heavy, busy, bold, and blind,
She ruled, in native anarchy, the mind.
Still her old empire to restore she tries,
For, born a goddess, Dulness never dies.
O thou! whatever title please thine ear,
Dean, Drapier, Bickerstaff, or Gulliver!
Whether thou choose Cervantes’ serious air,
Or laugh and shake in Rabelais’ easy chair,
Or praise the court, or magnify mankind,
Or thy grieved country’s copper chains unbind;
From thy Boeotia though her power retires,
Mourn not, my SWIFT, at ought our realm acquires,
Here pleased behold her mighty wings out-spread
To hatch a new Saturnian age of lead.
Close to those walls where Folly holds her throne,
And laughs to think Monroe would take her down,
Where o’er the gates, by his famed by father’s hand
Great Cibber’s brazen, brainless brothers stand;
One cell there is, concealed from vulgar eye,
The cave of poverty and poetry.
Keen, hollow winds howl through the bleak recess,
Emblem of music caused by emptiness.
Hence bards, like Proteus long in vain tied down,
Escape in monsters, and amaze the town.
Hence miscellanies spring, the weekly boast
170
Of Curll’s chaste press, and Lintot’s rubric post :
Hence hymning Tyburn’s elegiac lines,
Hence Journals, Medleys, Merc’ries, Magazines:
Sepulchral lies, our holy walls to grace,
And new Year odes, and all the Grub Street race.
In clouded majesty here Dulness shone;
Four guardian virtues, round, support her throne:
Fierce champion Fortitude, that knows no fears
Of hisses, blows, or want, or loss of ears:
Calm Temperance, whose blessings those partake
Who hunger, and who thirst for scribbling sake:
Prudence, whose glass presents th’ approaching goal.
Poetic justice, with her lifted scale,
Where, in nice balance, truth with gold she weighs,
And solid pudding against empty praise.
Here she beholds the chaos dark and deep,
Where nameless somethings in their causes sleep,
Till genial Jacob, or a warm third day,
Call forth each mass, a poem, or a play:
How hints, like spawn, scarce quick in embryo lie,
How new-born nonsense first is taught to cry.
Maggots half-formed in rhyme exactly meet,
And learn to crawl upon poetic feet.
Here one poor word an hundred clenches makes,
And ductile dullness new meanders takes;
There motley images her fancy strike,
Figures ill paired, and similes unlike.
She sees a mob of metaphors advance,
Pleased with the madness of the mazy dance:
How tragedy and comedy embrace;
How farce and epic get a jumbled race;
How time himself stands still at her command,
Realms shift their place, and ocean turns to land.
Here gay description Egypt glads with showers,
Or gives to Zembla fruits, to Barca flowers;
Glittering with ice here hoary hills are seen,
There painted valleys of eternal green,
In cold December fragrant chaplets blow,
And heavy harvests nod beneath the snow.
All these, and more, the cloud-compelling Queen
Beholds through fogs, that magnify the scene.
She, tinselled o’er in robes of varying hues,
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With self-applause her wild creation views;
Sees momentary monsters rise and fall,
And with her own fools-colours gilds them all.
’Twas on the day, when
rich and grave,
Like Cimon, triumphed both on land and wave:
(Pomps without guilt, of bloodless swords and maces,
Glad chains, warm furs, broad banners, and broad faces)
Now night descending, the proud scene was o’er,
But lived, in Settle’s numbers, one day more.
Now mayors and shrieves all hushed and satiate lay,
Yet eat, in dreams, the custard of the day;
While pensive poets painful vigils keep,
Sleepless themselves, to give their readers sleep.
Much to the mindful Queen the feast recalls
What city swans once sung within the walls;
Much she revolves their arts, their ancient praise,
And sure succession down from Heywood’s days.
She saw, with joy, the line immortal run,
Each sire impressed and glaring in his son:
So watchful Bruin forms, with plastic care,
Each growing lump, and brings it to a bear.
She saw old Prynne in restless Daniel shine,
And Eusden eke out Blackmore’s endless line;
She saw slow Philips creep like Tate’s poor page,
And all the mighty mad in Dennis rage.
In each she marks her image full expressed,
But chief in BAY’S monster-breeding breast;
Bays, formed by nature stage and town to bless,
And act, and be, a coxcomb with success.
Dulness with transport eyes the lively dunce,
Remembering she herself was pertness once.
Now (shame to fortune!) an ill run at play
Blanked his bold visage, and a thin third day:
Swearing and supperless the hero sate,
Blasphemed his gods, the dice, and damned his fate.
Then gnawed his pen, then dashed it on the ground,
Sinking from thought to thought, a vast profound!
Plunged for his sense, but found no bottom there,
Yet wrote and floundered on, in mere despair.
Round him much embryo, much abortion lay,
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Much future ode, and abdicated play;
Nonsense precipitate, like running lead,
That slipped through cracks and zigzags of the head;
All that on folly frenzy could beget,
Fruits of dull heat, and sooterkins of wit.
Next, o’er his books his eyes began to roll,
In pleasing memory of all he stole,
How here he sipped, how there he plundered snug
And sucked all o’er, like an industrious bug.
Here lay poor Fletcher’s half-eat scenes, and here
The frippery of crucified Molière;
There hapless Shakespeare, yet of Tibbald sore,
Wished he had blotted for himself before.
The rest on outside merit but presume,
Or serve (like other fools) to fill a room;
Such with their shelves as due proportion hold,
Or their fond parents dressed in red and gold;
Or where the pictures for the page atone,
And Quarles is saved by beauties not his own.
Here swells the shelf with Ogibly the great;
There, stamped with arms, Newcastle shines complete:
Here all his suffering brotherhood retire,
And ’scape the martyrdom of jakes and fire:
A Gothic library! Of Greece and Rome
Well purged, and worthy Settle, Banks, and Broome.
But, high above, more solid learning shone,
The classics of an age that heard of none;
There Caxton slept, with Wynkyn at his side,
One clasped in wood, and one in strong cow-hide;
There, saved by spice, like mummies, many a year,
Dry bodies of divinity appear:
De Lyra there a dreadful front extends,
And here the groaning shelves Philemon bends.
Of these twelve volumes, twelve of amplest size,
Redeemed from tapers and defrauded pies,
Inspired he seizes: these an altar raise:
An hetatomb of pure, unsullied lays
That altar crowns: a folio commonplace
Founds the whole pile, of all his works the base:
Quartos, octavos, shape the lessening pyre;
A twisted birthday ode completes the spire.
Then he: ‘Great tamer of all human art!
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First in my care, and ever at my heart;
Dulness! Whose good old cause I yet defend,
With whom my muse began, with whom shall end;
E’er since Sir Fopling’s periwig was praise
To the last honours of the butt and bays:
O thou! of business the directing soul!
To this our head like bias to the bowl,
Which, as more ponderous, made its aim more true,
Obliquely waddling to the mark in view:
O! ever gracias to perplexed mankind,
Still spread a healing mist before the mind;
And lest we err by wit’s wild dancing light,
Secure us kindly in our native night.
Or, if to wit a coxcomb make pretence,
Guard the sure barrier between that and sense;
Or quite unravel all the reasoning thread,
And hang some curious cobweb in its stead!
As, forced from wind-guns, lead itself can fly,
And ponderous slugs cut swiftly through the sky;
As clocks to weight their nimble motion owe,
The wheels above urged by the load below:
Me emptiness, and Dulness could inspire,
And were my elasticity, and fire.
Some daemon stole my pen(forgive th’offence)
And once betrayed me into common sense:
Else all my prose and verse were much the same;
This, prose on stilts, that, poetry fallen lame.
Did on the stage my fops appear confined?
My life gave ampler lessons to mankind.
Did the dead letter unsuccessful prove?
The brisk example never failed to move.
Yet sure had heaven decreed to save the state,
Heaven had decreed these works a longer date.
Could Troy be saved by any single hand,
This grey-goose weapon must have made her stand.
What can I now? my Fletcher cast aside,
Take up the Bible, once my better guide?
Or tread the path by venturous heroes trod,
This box my thunder, this right hand my god?
Or chaired at White’s amidst the doctors sit,
Teach oaths to gamesters, and to nobles wit?
Or bidst thou rather party to embrace?
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(A friend to party thou, and all her race;
’Tis the same rope at different ends they twist;
To Dulness Ridpath is as dear as Mist.)
Shall I, like Curtius, desperate in my zeal,
O’er head and ears plunge for the commonweal?
Or rob Rome’s ancient geese of all their glories,
And cackling save the monarchy of Tories?
Hold—to the minister I more incline;
To serve his cause, O Queen! is serving thine.
And see! Thy very gazetteers give o’er,
Ev’n Ralph repents, and Henley writes no more.
What then remains? Ourself. Still, still remain
Cibberian forehead, and Cibberian brain.
This brazen brightness, to the ‘squire so dear;
This polished hardness, that reflects the peer;
This arch absurd, that sit and fool delights;
This mess, tossed up of Hockley Hole and White’s;
Where dukes and butchers join to wreathe my crown,
At once the bear and fiddle of the town.
O born in sin, and forth in folly brought!
Works damned, or to be damned! (your father’s fault)
Go, purified by flames ascend the sky,
My better and more Christian progeny!
Unstained, untouched, and yet in maiden sheets;
While all your smutty sisters walk the streets.
Ye shall not beg, like gratis-given Bland,
Sent with a pass, and vagrant through the land;
Not sail, with Ward, to ape-and-monkey climes,
Where vile mundungus trucks for viler rhymes;
Not sulphur-tipped, emblaze an alehouse fire;
Not wrap up oranges, to pelt your sire!
O! pass more innocent, in infant state,
To the mild limbo of our father Tate:
Or peaceably forgot, at once be blessed
In Shadwell’s bosom with eternal rest!
Soon to that mass of nonsense to return,
Where things destroyed are swept to things unborn.’
With that, a tear (portentous sign of grace!)
Stole from the master of the sevenfold face:
And thrice he lifted high the birthday brand,
And thrice he dropped it from his quivering hand;
Then lights the structure, with averted eyes:
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The rolling smokes involve the sacrifice.
The opening clouds disclose each work by turns,
Now flames the Cid, and now Perolla burns;
Great Ceasar roars, and hisses in the fires;
King John in silence modestly expires:
No merit now the dear Nonjuror claims,
Molière’s old stubble in a moment flames.
Tears gushed again, as from pale Priam’s eyes
When the last blaze sent Ilion to the skies.
Roused by the light, old Dulness heaved the head;
Then snatched a sheet of Thulè from her bed,
Sudden she flies, and whelms it o’er the pyre;
Down sink the flames, and with a hiss expire.
Her ample presence fills up all the place;
A veil of fogs dilates her awful face;
Great in her charms! as when on shrieves and mayors
She looks, and breathes herself into their airs.
She bids him wait her to her sacred dome:
Well pleased he entered, and confessed his home.
So spirits ending their terrestrial race,
Ascend, and recognize their native place.
This the Great Mother dearer held than all
The clubs of quidnuncs, or her own Guildhall:
Here stood her opium, here she nursed her owls,
And here she planned th’ imperial seat of Fools.
Here to her chosen all her works she shows;
Prose swelled to verse, verse loitering into prose:
How random thoughts now meaning chance to find,
Now leave all memory of sense behind:
How prologues into prefaces decay,
And these to notes are frittered quite away:
How index-learning turns no student pale,
Yet holds the eel of science by the tail:
How, with less reading than makes felons ’scape,
Less human genius than God gives an ape,
Small thanks to France, and none to Rome or Greece,
A past, vamped, future, old, revived, new piece,
’Twixt Plautus, Fletcher, Shakespeare, and Corneille,
Can make a Cibber, Tibbald, or Ozell.
The Goddess then, o’er his anointed head,
With mystic words, the sacred opium shed.
And lo! her bird, (a monster of a fowl,
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Something betwixt a Heidegger and owl,)
Perched on his crown: ‘ All hail! and hail again,
My son! The promised land expects thy reign.
Know, Eusden thirsts no more for sack or praise;
He sleeps among the dull of ancient days;
Safe, where no critics damn, no duns molest,
Where wretched Withers, Ward, and Gildon rest,
And high-born Howard, more majestic sire,
With fool of quality completes the quire.
Thou Cibber! thou, his laurel shalt support,
Folly, my son, has still a friend at court.
Lift up your gates, ye princes, see him come!
Sound, sound ye viols, be the catcall dumb!
Bring, bring the madding bay, the drunken vine;
The creeping, dirty, courtly ivy join.
And thou! his aide de camp, lead on my sons,
Light-armed with points, antitheses, and puns.
Let bawdry, Billingsgate, my daughters dear,
Support his front, and oaths bring up the rear:
And under his, and under Archer’s wing,
Gaming and Grub Street skulk behind the king.
O! when shall rise a monarch all our own,
And I, a nursing-mother, rock the throne,
’Twixt prince and people close the curtain draw,
Shade him from light, and cover him from law;
Fatten the courtier, starve the learned band,
And suckle armies, and dry-nurse the land:
Till senates nod to lullabies divine,
And all be asleep, as at an ode of thine.’
She ceased. Then swells the Chapel Royal throat:
‘God save King Cibber!’ mounts in every note.
Familiar White’s, ‘God save king Colley!’ cries;
‘God save King Colley!’ Drury Lane replies:
To Needham’s quick the voice triumphal rode,
But pious Needham dropped the name of God;
Back to the Devil the last echoes roll,
And ‘Coll!’ each butcher roars at Hockley Hole.
So when Jove’s block descended from on high
(As sings thy great forefather Ogilby)
Loud thunder to its bottom shook the bog,
And the hoarse nation croaked, ‘God save King Log!
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~ Alexander Pope,#NFDB
155:The Princess (Part 7)
So was their sanctuary violated,
So their fair college turned to hospital;
At first with all confusion: by and by
Sweet order lived again with other laws:
A kindlier influence reigned; and everywhere
Low voices with the ministering hand
Hung round the sick: the maidens came, they talked,
They sang, they read: till she not fair began
To gather light, and she that was, became
Her former beauty treble; and to and fro
With books, with flowers, with Angel offices,
Like creatures native unto gracious act,
And in their own clear element, they moved.
But sadness on the soul of Ida fell,
And hatred of her weakness, blent with shame.
Old studies failed; seldom she spoke: but oft
Clomb to the roofs, and gazed alone for hours
On that disastrous leaguer, swarms of men
Darkening her female field: void was her use,
And she as one that climbs a peak to gaze
O'er land and main, and sees a great black cloud
Drag inward from the deeps, a wall of night,
Blot out the slope of sea from verge to shore,
And suck the blinding splendour from the sand,
And quenching lake by lake and tarn by tarn
Expunge the world: so fared she gazing there;
So blackened all her world in secret, blank
And waste it seemed and vain; till down she came,
And found fair peace once more among the sick.
And twilight dawned; and morn by morn the lark
Shot up and shrilled in flickering gyres, but I
Lay silent in the muffled cage of life:
And twilight gloomed; and broader-grown the bowers
Drew the great night into themselves, and Heaven,
Star after Star, arose and fell; but I,
Deeper than those weird doubts could reach me, lay
Quite sundered from the moving Universe,
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Nor knew what eye was on me, nor the hand
That nursed me, more than infants in their sleep.
But Psyche tended Florian: with her oft,
Melissa came; for Blanche had gone, but left
Her child among us, willing she should keep
Court-favour: here and there the small bright head,
A light of healing, glanced about the couch,
Or through the parted silks the tender face
Peeped, shining in upon the wounded man
With blush and smile, a medicine in themselves
To wile the length from languorous hours, and draw
The sting from pain; nor seemed it strange that soon
He rose up whole, and those fair charities
Joined at her side; nor stranger seemed that hears
So gentle, so employed, should close in love,
Than when two dewdrops on the petals shake
To the same sweet air, and tremble deeper down,
And slip at once all-fragrant into one.
Less prosperously the second suit obtained
At first with Psyche. Not though Blanche had sworn
That after that dark night among the fields
She needs must wed him for her own good name;
Not though he built upon the babe restored;
Nor though she liked him, yielded she, but feared
To incense the Head once more; till on a day
When Cyril pleaded, Ida came behind
Seen but of Psyche: on her foot she hung
A moment, and she heard, at which her face
A little flushed, and she past on; but each
Assumed from thence a half-consent involved
In stillness, plighted troth, and were at peace.
Nor only these: Love in the sacred halls
Held carnival at will, and flying struck
With showers of random sweet on maid and man.
Nor did her father cease to press my claim,
Nor did mine own, now reconciled; nor yet
Did those twin-brothers, risen again and whole;
Nor Arac, satiate with his victory.
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But I lay still, and with me oft she sat:
Then came a change; for sometimes I would catch
Her hand in wild delirium, gripe it hard,
And fling it like a viper off, and shriek
'You are not Ida;' clasp it once again,
And call her Ida, though I knew her not,
And call her sweet, as if in irony,
And call her hard and cold which seemed a truth:
And still she feared that I should lose my mind,
And often she believed that I should die:
Till out of long frustration of her care,
And pensive tendance in the all-weary noons,
And watches in the dead, the dark, when clocks
Throbbed thunder through the palace floors, or called
On flying Time from all their silver tongues-And out of memories of her kindlier days,
And sidelong glances at my father's grief,
And at the happy lovers heart in heart-And out of hauntings of my spoken love,
And lonely listenings to my muttered dream,
And often feeling of the helpless hands,
And wordless broodings on the wasted cheek-From all a closer interest flourished up,
Tenderness touch by touch, and last, to these,
Love, like an Alpine harebell hung with tears
By some cold morning glacier; frail at first
And feeble, all unconscious of itself,
But such as gathered colour day by day.
Last I woke sane, but well-nigh close to death
For weakness: it was evening: silent light
Slept on the painted walls, wherein were wrought
Two grand designs; for on one side arose
The women up in wild revolt, and stormed
At the Oppian Law. Titanic shapes, they crammed
The forum, and half-crushed among the rest
A dwarf-like Cato cowered. On the other side
Hortensia spoke against the tax; behind,
A train of dames: by axe and eagle sat,
With all their foreheads drawn in Roman scowls,
And half the wolf's-milk curdled in their veins,
The fierce triumvirs; and before them paused
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Hortensia pleading: angry was her face.
I saw the forms: I knew not where I was:
They did but look like hollow shows; nor more
Sweet Ida: palm to palm she sat: the dew
Dwelt in her eyes, and softer all her shape
And rounder seemed: I moved: I sighed: a touch
Came round my wrist, and tears upon my hand:
Then all for languor and self-pity ran
Mine down my face, and with what life I had,
And like a flower that cannot all unfold,
So drenched it is with tempest, to the sun,
Yet, as it may, turns toward him, I on her
Fixt my faint eyes, and uttered whisperingly:
'If you be, what I think you, some sweet dream,
I would but ask you to fulfil yourself:
But if you be that Ida whom I knew,
I ask you nothing: only, if a dream,
Sweet dream, be perfect. I shall die tonight.
Stoop down and seem to kiss me ere I die.'
I could no more, but lay like one in trance,
That hears his burial talked of by his friends,
And cannot speak, nor move, nor make one sign,
But lies and dreads his doom. She turned; she paused;
She stooped; and out of languor leapt a cry;
Leapt fiery Passion from the brinks of death;
And I believed that in the living world
My spirit closed with Ida's at the lips;
Till back I fell, and from mine arms she rose
Glowing all over noble shame; and all
Her falser self slipt from her like a robe,
And left her woman, lovelier in her mood
Than in her mould that other, when she came
From barren deeps to conquer all with love;
And down the streaming crystal dropt; and she
Far-fleeted by the purple island-sides,
Naked, a double light in air and wave,
To meet her Graces, where they decked her out
For worship without end; nor end of mine,
Stateliest, for thee! but mute she glided forth,
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Nor glanced behind her, and I sank and slept,
Filled through and through with Love, a happy sleep.
Deep in the night I woke: she, near me, held
A volume of the Poets of her land:
There to herself, all in low tones, she read.
'Now sleeps the crimson petal, now the white;
Nor waves the cypress in the palace walk;
Nor winks the gold fin in the porphyry font:
The fire-fly wakens: wake thou with me.
Now droops the milkwhite peacock like a ghost,
And like a ghost she glimmers on to me.
Now lies the Earth all Danaë to the stars,
And all thy heart lies open unto me.
Now lies the silent meteor on, and leaves
A shining furrow, as thy thoughts in me.
Now folds the lily all her sweetness up,
And slips into the bosom of the lake:
So fold thyself, my dearest, thou, and slip
Into my bosom and be lost in me.'
I heard her turn the page; she found a small
Sweet Idyl, and once more, as low, she read:
'Come down, O maid, from yonder mountain height:
What pleasure lives in height (the shepherd sang)
In height and cold, the splendour of the hills?
But cease to move so near the Heavens, and cease
To glide a sunbeam by the blasted Pine,
To sit a star upon the sparkling spire;
And come, for love is of the valley, come,
For love is of the valley, come thou down
And find him; by the happy threshold, he,
Or hand in hand with Plenty in the maize,
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Or red with spirted purple of the vats,
Or foxlike in the vine; nor cares to walk
With Death and Morning on the silver horns,
Nor wilt thou snare him in the white ravine,
Nor find him dropt upon the firths of ice,
That huddling slant in furrow-cloven falls
To roll the torrent out of dusky doors:
But follow; let the torrent dance thee down
To find him in the valley; let the wild
Lean-headed Eagles yelp alone, and leave
The monstrous ledges there to slope, and spill
Their thousand wreaths of dangling water-smoke,
That like a broken purpose waste in air:
So waste not thou; but come; for all the vales
Await thee; azure pillars of the hearth
Arise to thee; the children call, and I
Thy shepherd pipe, and sweet is every sound,
Sweeter thy voice, but every sound is sweet;
Myriads of rivulets hurrying through the lawn,
The moan of doves in immemorial elms,
And murmuring of innumerable bees.'
So she low-toned; while with shut eyes I lay
Listening; then looked. Pale was the perfect face;
The bosom with long sighs laboured; and meek
Seemed the full lips, and mild the luminous eyes,
And the voice trembled and the hand. She said
Brokenly, that she knew it, she had failed
In sweet humility; had failed in all;
That all her labour was but as a block
Left in the quarry; but she still were loth,
She still were loth to yield herself to one
That wholly scorned to help their equal rights
Against the sons of men, and barbarous laws.
She prayed me not to judge their cause from her
That wronged it, sought far less for truth than power
In knowledge: something wild within her breast,
A greater than all knowledge, beat her down.
And she had nursed me there from week to week:
Much had she learnt in little time. In part
It was ill counsel had misled the girl
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To vex true hearts: yet was she but a girl-'Ah fool, and made myself a Queen of farce!
When comes another such? never, I think,
Till the Sun drop, dead, from the signs.'
Her voice
choked, and her forehead sank upon her hands,
And her great heart through all the faultful Past
Went sorrowing in a pause I dared not break;
Till notice of a change in the dark world
Was lispt about the acacias, and a bird,
That early woke to feed her little ones,
Sent from a dewy breast a cry for light:
She moved, and at her feet the volume fell.
'Blame not thyself too much,' I said, 'nor blame
Too much the sons of men and barbarous laws;
These were the rough ways of the world till now.
Henceforth thou hast a helper, me, that know
The woman's cause is man's: they rise or sink
Together, dwarfed or godlike, bond or free:
For she that out of Lethe scales with man
The shining steps of Nature, shares with man
His nights, his days, moves with him to one goal,
Stays all the fair young planet in her hands-If she be small, slight-natured, miserable,
How shall men grow? but work no more alone!
Our place is much: as far as in us lies
We two will serve them both in aiding her-Will clear away the parasitic forms
That seem to keep her up but drag her down-Will leave her space to burgeon out of all
Within her--let her make herself her own
To give or keep, to live and learn and be
All that not harms distinctive womanhood.
For woman is not undevelopt man,
But diverse: could we make her as the man,
Sweet Love were slain: his dearest bond is this,
Not like to like, but like in difference.
Yet in the long years liker must they grow;
The man be more of woman, she of man;
He gain in sweetness and in moral height,
Nor lose the wrestling thews that throw the world;
794
She mental breadth, nor fail in childward care,
Nor lose the childlike in the larger mind;
Till at the last she set herself to man,
Like perfect music unto noble words;
And so these twain, upon the skirts of Time,
Sit side by side, full-summed in all their powers,
Dispensing harvest, sowing the To-be,
Self-reverent each and reverencing each,
Distinct in individualities,
But like each other even as those who love.
Then comes the statelier Eden back to men:
Then reign the world's great bridals, chaste and calm:
Then springs the crowning race of humankind.
May these things be!'
Sighing she spoke 'I fear
They will not.'
'Dear, but let us type them now
In our own lives, and this proud watchword rest
Of equal; seeing either sex alone
Is half itself, and in true marriage lies
Nor equal, nor unequal: each fulfils
Defect in each, and always thought in thought,
Purpose in purpose, will in will, they grow,
The single pure and perfect animal,
The two-celled heart beating, with one full stroke,
Life.'
And again sighing she spoke: 'A dream
That once was mind! what woman taught you this?'
'Alone,' I said, 'from earlier than I know,
Immersed in rich foreshadowings of the world,
I loved the woman: he, that doth not, lives
A drowning life, besotted in sweet self,
Or pines in sad experience worse than death,
Or keeps his winged affections clipt with crime:
Yet was there one through whom I loved her, one
Not learnèd, save in gracious household ways,
Not perfect, nay, but full of tender wants,
No Angel, but a dearer being, all dipt
In Angel instincts, breathing Paradise,
Interpreter between the Gods and men,
Who looked all native to her place, and yet
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On tiptoe seemed to touch upon a sphere
Too gross to tread, and all male minds perforce
Swayed to her from their orbits as they moved,
And girdled her with music. Happy he
With such a mother! faith in womankind
Beats with his blood, and trust in all things high
Comes easy to him, and though he trip and fall
He shall not blind his soul with clay.'
'But I,'
Said Ida, tremulously, 'so all unlike-It seems you love to cheat yourself with words:
This mother is your model. I have heard
of your strange doubts: they well might be: I seem
A mockery to my own self. Never, Prince;
You cannot love me.'
'Nay but thee' I said
'From yearlong poring on thy pictured eyes,
Ere seen I loved, and loved thee seen, and saw
Thee woman through the crust of iron moods
That masked thee from men's reverence up, and forced
Sweet love on pranks of saucy boyhood: now,
Given back to life, to life indeed, through thee,
Indeed I love: the new day comes, the light
Dearer for night, as dearer thou for faults
Lived over: lift thine eyes; my doubts are dead,
My haunting sense of hollow shows: the change,
This truthful change in thee has killed it. Dear,
Look up, and let thy nature strike on mine,
Like yonder morning on the blind half-world;
Approach and fear not; breathe upon my brows;
In that fine air I tremble, all the past
Melts mist-like into this bright hour, and this
Is morn to more, and all the rich to-come
Reels, as the golden Autumn woodland reels
Athwart the smoke of burning weeds. Forgive me,
I waste my heart in signs: let be. My bride,
My wife, my life. O we will walk this world,
Yoked in all exercise of noble end,
And so through those dark gates across the wild
That no man knows. Indeed I love thee: come,
Yield thyself up: my hopes and thine are one:
Accomplish thou my manhood and thyself;
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Lay thy sweet hands in mine and trust to me.'
~ Alfred Lord Tennyson,#NFDB
156:Above The Gaspereau
To H. E. C.
THERE are sunflowers too in my garden on top of the hill,
Where now in the early September the sun has his will—
The slow autumn sun that goes leisurely, taking his fill
Of life in the orchards and fir-woods so moveless and still;
As if, should they stir, they might break some illusion and spill
The germ of their long summer musing on top of the hill.
The crowds of black spruces in tiers from the valley below,
Ranged round their sky-roofed coliseum, mount row after row.
How often there, rank above rank, they have watched for the slow
Silver-lanterned processions of twilight—the moon's come and go!
How often, as if they expected some bugle to blow,
Announcing a bringer of news they were breathless to know,
They have hushed every leaf,—to hear only the murmurous flow
Of the small mountain river sent up from the valley below!
How still through the sweet summer sun, through the soft summer rain,
They have stood there awaiting the summons should bid them attain
The freedom of knowledge, the last touch of truth to explain
The great golden gist of their brooding, the marvellous train
Of thought they have followed so far, been so strong to sustain,—
The white gospel of sun and the long revelations of rain!
Then the orchards that dot, all in order, the green valley floor,
Every tree with its boughs weighed to earth, like a tent from whose door
Not a lodger looks forth,—yet the signs are there gay and galore,
The great ropes of red fruitage and russet, crisp snow to the core.
Can the dark-eyed Romany here have deserted of yore
Their camp at the coming of frost? Will they seek it no more?
Who dwells in St. Eulalie's village? Who knows the fine lore
Of the tribes of the apple-trees there on the green valley floor?
Who, indeed? From the blue mountain gorge to the dikes by the sea,
Goes that stilly wanderer, small Gaspereau; who but he
Should give the last hint of perfection, the touch that sets free
From the taut string of silence the whisper of beauties to be!
The very sun seems to have tarried, turned back a degree,
To lengthen out noon for the apple folk here by the sea.
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What is it? Who comes? What's abroad on the blue mountain side?
A hush has been laid on the leaves and will not be defied.
Is the great Scarlet Hunter at last setting out on his ride
From the North with deliverance now? Were the lights we descried
Last night in the heavens his camp-fire seen far and wide,
The white signal of peace for whose coming the ages have cried?
'Expectancy lingers; fulfilment postponed,' I replied,
When soul said uneasily,'Who is it haunts your hillside?'
All the while not a word from my sunflowers here on the hill.
And to-night when the stars over Blomidon flower and fill
The blue Northern garden of heaven, so pale and so still,
From the lordly king-aster Aldebaran there by the sill
Of the East, where the moonlight will enter, not one will fulfil
A lordlier lot than my sunflowers here on the hill.
So much for mere fact, mere impression. So much I portray
Of the atmosphere, colour, illusion of one autumn day
In the little Acadian valley above the Grand Pré;
Just the quiet of orchards and firs, where the sun had full sway,
And the river went trolling his soft wander-song to the bay,
While roseberry, aster, and sagaban tangled his way.
Be you their interpreter, reasoner; tell what they say,
These children of silence whose patient regard I portray.
You Londoner, walking in Bishopsgate, strolling the Strand,
Some morning in autumn afford, at a fruit-dealer's stand,
The leisure to look at his apples there ruddy and tanned.
Then ask, when he's smiling to serve you, if choice can command
A Gravenstein grown oversea on Canadian land.
(And just for the whim's sake, for once, you'll have no other brand!)
How teach you to tell them? Pick one, and with that in your hand,
Bethink you a while as you turn again into the Strand.
'What if,' you will say,—so smooth in your hand it will lie,
So round and so firm, of so rich a red to the eye,
Like a dash of Fortuny, a tinge of some Indian dye,
While you turn it and toss, mark the bloom, ere you taste it and try—
'Now what if this grew where the same bright pavilion of sky
Is stretched o'er the valley and hillside he bids me descry,
The windless valley of peace, where the seasons go by,
35
And the river goes down through the orchards where long shadows lie!'
There's the fruit in your hand, in your ears is the roar of the street,
The pulse of an empire keeping its volume and beat,
Its sure come and go day and night, while we sleep or we eat.
Taste the apple, bite in to the juice—how abundant and sweet!
As sound as your own English heart, and wholesome as wheat,—
There grow no such apples as that in your Bishopsgate Street.
Or perhaps in St. Helen's Place, when your business is done
And the ledgers put by, you will think of the hundred and one
Commissions and errands to do; but what under the sun
Was that, so important? Ah, yes! the new books overrun
The old shelves. It is high time to order a new set begun.
Then off to the joiner's. You enter, to see his plane run
With a long high shriek through the lumber he's working upon.
Then he turns from his shavings to query what you would have done.
But homeward 'tis you who make question. That song of the blade!
And the sharp sweet cry of the wood, what an answer it made!
What stories the joiner must hear, as he plies his clean trade,
Of all the wild life of the forest where long shadows wade
The untrodden moss, and the firs send a journeying shade
So slow through the valley so far from the song of his blade.
Come back to my orchards a moment. They're waiting for you.
How still are the little gray leaves where the pippins peep through!
The boughs where the ribstons hang red are half breaking in two.
Above them September in magical soft Northern blue
Has woven the spell of her silence, like frost or like dew,
Yet warm as a poppy's red dream. When All Saints shall renew
The beauty of summer a while, will their dreaming come true?
Ah, not of my Grand Pré they dream, nor your London and you!
Their life is their own, and the surge of it. All through the spring
They pushed forth their buds, and the rainbirds at twilight would sing.
They put forth their bloom, and the world was as fairy a thing
As a Japanese garden. Then midsummer came with the zing
And the clack of the locust; then fruit time and coolness, to bring
This aftermath deep underfoot with its velvety spring.
And they all the while with the fatherly, motherly care,
36
Taking sap from the strength of the ground, taking sun from the air,
Taking chance of the frost and the worm, taking courage to dare,
Have given their life that the life might be goodly and fair
In their kind for the seasons to come, with good witness to bear
How the sturdy old race of the apples could give and not spare.
To-morrow the harvest begins. We shall rifle them there
Of the beautiful fruit of their bodies, the crown of their care.
How lovingly then shall the picker set hand to the bough!—
Bid it yield, ere the seed come to earth or the graft to the plough,
Not only sweet life for its kind, as the instincts allow,
That savour and shape may survive generations from now,
But life to its kin who can say, 'I am stronger than thou,'—
Fulfilling a lordlier law than the law of the bough.
I heard before dawn, with planets beginning to quail,—
'Whoso hath life, let him give, that my purpose prevail;
Whoso hath none, let him take, that his strength may be hale.
Behold, I have reckoned the tally, I keep the full tale.
Whoso hath love, let him give, lest his spirit grow stale;
Whoso hath none, let him die; he shall wither and fail.
Behold, I will plenish the loss at the turn of the scale.
He hath law to himself, who hath love; ye shall hope and not quail.'
Then the sun arose, and my sunflowers here on the hill,
Like good little Catholics, turned to the East to fulfil
Their daily observance, receiving his peace and his will,—
The lord of their light who alone bids the darkness be nil,
The lord of their love who alone bids the life in them thrill;
Undismayed and serene, they awaited him here on the hill.
Ah, the patience of earth! Look down at the dark pointed firs;
They are carved out of blackness; one pattern recurs and recurs.
They crowd all the gullies and hillsides, the gashes and spurs,
As silent as death. What an image! How nature avers
The goodness of calm with that taciturn beauty of hers!
As silent as sleep. Yet the life in them climbs and stirs.
They too have received the great law, know that haste but defers
The perfection of time,—the initiate gospeller firs.
So year after year, slow ring upon ring, they have grown,
Putting infinite long-loving care into leafage and cone,
37
By the old ancient craft of the earth they have pondered and known
In the dead of the hot summer noons, as still as a stone.
Not for them the gay fruit of the thorn, nor the high scarlet roan,
Nor the plots of the deep orchard land where the apples are grown.
In winter the wind, all huddled and shuddering, came
To warm his old bones by the fires of sunset aflame
Behind the black house of the firs. When the moose-birds grew tame
In the lumberers' camps in the woods, what marvellous fame
His talk and the ice of his touch would spread and proclaim,
Of the berg and the floe and the lands without nation or name,
Where the earth and the sky, night and noon, north and south are the same,
The white and awful Nirvana of cold whence he came!
Then April, some twilight picked out with a great yellow star,
Returning, like Hylas long lost and come back with his jar
Of sweet living water at last, having wandered so far,
Leads the heart out of doors, and the eye to the point of a spar,
At whose base in the half-melted snow the first Mayflowers are,—
And there the first robin is pealing below the great star.
So soon, over-soon, the full summer. Within those dark boughs,
Deliberate and far, a faltering reed-note will rouse
The shy transports of earth, till the wood-creatures hear where they house,
And grow bold as the tremble-eared rabbits that nibble and mouse.
While up through the pasture-lot, startling the sheep as they browse,
Where kingbirds and warblers are piercing the heat's golden drowse,
Some girl, whom the sun has made tawny, the wind had to blowse,
Will come there to gentle her lover beneath those dark boughs.
Then out of the hush, when the grasses are frosty and old,
Will the chickadee's tiny alarm against winter be rolled;
And soon, when the ledges and ponds are bitten with cold,
The honk of the geese, that wander-cry stirring and bold,
Will sound through the night, where those hardy mariners hold
The uncharted course through the dark, as it was from of old.
Ah, the life of the woods, how they share and partake of it all,
These evergreens, silent as Indians, solemn and tall!
From the goldenwing's first far-heard awakening call,
The serene flute of the thrush in his high beech hall,
And the pipe of the frog, to the bannered approach of the fall,
38
And the sullen wind, when snow arrives on a squall,
Trooping in all night from the North with news would appal
Any outposts but these; with a zest they partake of it all.
Lo, out of the hush they seem to mount and aspire!
From basement to tip they have builded, with heed to go higher,
One circlet of branches a year with their lift of green spire.
Nay, rather they seem to repose, having done with desire,
Awaiting the frost, with the fruit scarlet-bright on the brier,
Each purpose fulfilled, each ardour that bade them aspire.
Then hate be afar from the bite of the axe that shall fell
These keepers of solitude, makers of quiet, who dwell
On the Slopes of the North. And clean be the hand that shall quel
The tread of the sap that was wont to go mounting so well,
Round on round with the sun in a spiral, slow cell after cell,
As a bellringer climbs in a turret. That resinous smell
From the eighth angel's hand might have risen with the incense to swell
His offering in heaven, when the half-hour's silence befell.
Behold, as the prayers of the saints that went up to God's knees
In John's Revelation, the silence and patience of these
Our brothers of orchard and hill, the unhurrying trees,
To better the burden of earth till the dark suns freeze,
Shall go out to the stars with the sound of Acadian seas,
And the scent of the wood-flowers blowing about their great knees.
To-night when Altair and Alshain are ruling the West,
Whence Boötes is driving his dogs to long hunting addressed;
With Alioth sheer over Blomidon standing at rest;
When Algol is leading the Pleiades over the crest
Of the magical East, and the South puts Alpherat to test
With Menkar just risen; will come, like a sigh from Earth's breast,
The first sob of the tide turning home,—one distraught in his quest
For ever, and calling for ever the wind in the west.
And to-night there will answer the ghost of a sigh on the hill,
So small you would say, Is it wind, or the frost with a will
Walking down through the woods, and to-morrow shall show us his skill
In yellows and reds? So noiseless, it hardly will thrill
The timorous aspens, which tremble when all else is still;
Yet the orchards will know, and the firs be aware on the hill.
39
'O Night, I am old, I endure. Since my being began,
When out of the dark thy aurora spread up like a fan,
I have founded the lands and the islands; the hills are my plan.
I have covered the pits of the earth with my bridge of one span.
From the Horn to Dunedin unbroken my long rollers ran,
From Pentland and Fastnet and Foyle to Bras d'Or and Manan,
To dredge and upbuild for the creatures of tribe and of clan.
Lo, now who shall end the contriving my fingers began?'
Then the little wind that blows from the great star-drift
Will answer: 'Thou tide in the least of the planets I lift,
Consider the journeys of light. Are thy journeyings swift?
Thy sands are as smoke to the star-banks I huddle and shift.
Peace! I have seeds of the grasses to scatter and sift.
I have freighting to do for the weed and the frail thistle drift.
'O ye apples and firs, great and small are as one in the end.
Because ye had life to the full, and spared not to spend;
Because ye had love of your kind, to cherish and fend;
Held hard the good instinct to thrive, cleaving close to life's trend;
Nor questioned where impulse had origin,—purpose might tend;
Now, beauty is yours, and the freedom whose promptings transcend
Attainment for ever, in death with new being to blend.
O ye orchards and woods, death is naught, love is all in the end.'
Ah, friend of mine over the sea, shall we not discern,
In the life of our brother the beech and our sister the fern,
As St. Francis would call them (his Minorites, too, would we learn!)
In death but a door to new being no creature may spurn,
But must enter for beauty's completion,—pass up in his turn
To the last round of joy, yours and mine, whence to think and discern?
Who shall say 'the last round'? Have I passed by the exit of soul?
From behind the tall door that swings outward, replies no patrol
To our restless Qui vive? when is paid each implacable toll.
Not a fin of the tribes shall return, having cleared the great shoal;
Not a wing of the migrants come back from below the dark knoll;
Yet the zest of the flight and the swimming who fails to extol?
Saith the Riddle, 'The parts are all plain; ye may guess at the whole.'
I guess, 'Immortality, knowledge, survival of Soul.'
40
To-night, with the orchards below and the firs on the hill
Asleep in the long solemn moonlight and taking no ill,
A hand will open the sluice of the great sea-mill,—
Start the gear and the belts of the tide. Then a murmur will fill
The hollows of midnight with sound, when all else is still,
And stray through the dream of the sunflowers here on the hill.
~ Bliss William Carman,#NFDB
157:Goblin Market
MORNING and evening
Maids heard the goblins cry:
"Come buy our orchard fruits,
Come buy, come buy:
Apples and quinces,
Lemons and oranges,
Plump unpecked cherriesMelons and raspberries,
Bloom-down-cheeked peaches,
Swart-headed mulberries,
Wild free-born cranberries,
Crab-apples, dewberries,
Pine-apples, blackberries,
Apricots, strawberries-All ripe together
In summer weather-Morns that pass by,
Fair eves that fly;
Come buy, come buy;
Our grapes fresh from the vine,
Pomegranates full and fine,
Dates and sharp bullaces,
Rare pears and greengages,
Damsons and bilberries,
Taste them and try:
Currants and gooseberries,
Bright-fire-like barberries,
Figs to fill your mouth,
Citrons from the South,
Sweet to tongue and sound to eye,
Come buy, come buy."
Evening by evening
Among the brookside rushes,
Laura bowed her head to hear,
Lizzie veiled her blushes:
Crouching close together
In the cooling weather,
With clasping arms and cautioning lips,
168
With tingling cheeks and finger-tips.
"Lie close," Laura said,
Pricking up her golden head:
We must not look at goblin men,
We must not buy their fruits:
Who knows upon what soil they fed
Their hungry thirsty roots?"
"Come buy," call the goblins
Hobbling down the glen.
"O! cried Lizzie, Laura, Laura,
You should not peep at goblin men."
Lizzie covered up her eyes
Covered close lest they should look;
Laura reared her glossy head,
And whispered like the restless brook:
"Look, Lizzie, look, Lizzie,
Down the glen tramp little men.
One hauls a basket,
One bears a plate,
One lugs a golden dish
Of many pounds' weight.
How fair the vine must grow
Whose grapes are so luscious;
How warm the wind must blow
Through those fruit bushes."
"No," said Lizzie, "no, no, no;
Their offers should not charm us,
Their evil gifts would harm us."
She thrust a dimpled finger
In each ear, shut eyes and ran:
Curious Laura chose to linger
Wondering at each merchant man.
One had a cat's face,
One whisked a tail,
One tramped at a rat's pace,
One crawled like a snail,
One like a wombat prowled obtuse and furry,
One like a ratel tumbled hurry-scurry.
Lizzie heard a voice like voice of doves
Cooing all together:
They sounded kind and full of loves
In the pleasant weather.
169
Laura stretched her gleaming neck
Like a rush-imbedded swan,
Like a lily from the beck,
Like a moonlit poplar branch,
Like a vessel at the launch
When its last restraint is gone.
Backwards up the mossy glen
Turned and trooped the goblin men,
With their shrill repeated cry,
"Come buy, come buy."
When they reached where Laura was
They stood stock still upon the moss,
Leering at each other,
Brother with queer brother;
Signalling each other,
Brother with sly brother.
One set his basket down,
One reared his plate;
One began to weave a crown
Of tendrils, leaves, and rough nuts brown
(Men sell not such in any town);
One heaved the golden weight
Of dish and fruit to offer her:
"Come buy, come buy," was still their cry.
Laura stared but did not stir,
Longed but had no money:
The whisk-tailed merchant bade her taste
In tones as smooth as honey,
The cat-faced purr'd,
The rat-paced spoke a word
Of welcome, and the snail-paced even was heard;
One parrot-voiced and jolly
Cried "Pretty Goblin" still for "Pretty Polly";
One whistled like a bird.
But sweet-tooth Laura spoke in haste:
"Good folk, I have no coin;
To take were to purloin:
I have no copper in my purse,
I have no silver either,
170
And all my gold is on the furze
That shakes in windy weather
Above the rusty heather."
"You have much gold upon your head,"
They answered altogether:
"Buy from us with a golden curl."
She clipped a precious golden lock,
She dropped a tear more rare than pearl,
Then sucked their fruit globes fair or red:
Sweeter than honey from the rock,
Stronger than man-rejoicing wine,
Clearer than water flowed that juice;
She never tasted such before,
How should it cloy with length of use?
She sucked and sucked and sucked the more
Fruits which that unknown orchard bore,
She sucked until her lips were sore;
Then flung the emptied rinds away,
But gathered up one kernel stone,
And knew not was it night or day
As she turned home alone.
Lizzie met her at the gate
Full of wise upbraidings:
"Dear, you should not stay so late,
Twilight is not good for maidens;
Should not loiter in the glen
In the haunts of goblin men.
Do you not remember Jeanie,
How she met them in the moonlight,
Took their gifts both choice and many,
Ate their fruits and wore their flowers
Plucked from bowers
Where summer ripens at all hours?
But ever in the moonlight
She pined and pined away;
Sought them by night and day,
Found them no more, but dwindled and grew gray;
Then fell with the first snow,
While to this day no grass will grow
Where she lies low:
I planted daisies there a year ago
171
That never blow.
You should not loiter so."
"Nay hush," said Laura.
"Nay hush, my sister:
I ate and ate my fill,
Yet my mouth waters still;
To-morrow night I will
Buy more," and kissed her.
"Have done with sorrow;
I'll bring you plums to-morrow
Fresh on their mother twigs,
Cherries worth getting;
You cannot think what figs
My teeth have met in,
What melons, icy-cold
Piled on a dish of gold
Too huge for me to hold,
What peaches with a velvet nap,
Pellucid grapes without one seed:
Odorous indeed must be the mead
Whereon they grow, and pure the wave they drink,
With lilies at the brink,
And sugar-sweet their sap."
Golden head by golden head,
Like two pigeons in one nest
Folded in each other's wings,
They lay down, in their curtained bed:
Like two blossoms on one stem,
Like two flakes of new-fallen snow,
Like two wands of ivory
Tipped with gold for awful kings.
Moon and stars beamed in at them,
Wind sang to them lullaby,
Lumbering owls forbore to fly,
Not a bat flapped to and fro
Round their rest:
Cheek to cheek and breast to breast
Locked together in one nest.
Early in the morning
When the first cock crowed his warning,
172
Neat like bees, as sweet and busy,
Laura rose with Lizzie:
Fetched in honey, milked the cows,
Aired and set to rights the house,
Kneaded cakes of whitest wheat,
Cakes for dainty mouths to eat,
Next churned butter, whipped up cream,
Fed their poultry, sat and sewed;
Talked as modest maidens should
Lizzie with an open heart,
Laura in an absent dream,
One content, one sick in part;
One warbling for the mere bright day's delight,
One longing for the night.
At length slow evening came-They went with pitchers to the reedy brook;
Lizzie most placid in her look,
Laura most like a leaping flame.
They drew the gurgling water from its deep
Lizzie plucked purple and rich golden flags,
Then turning homeward said: "The sunset flushes
Those furthest loftiest crags;
Come, Laura, not another maiden lags,
No wilful squirrel wags,
The beasts and birds are fast asleep."
But Laura loitered still among the rushes
And said the bank was steep.
And said the hour was early still,
The dew not fallen, the wind not chill:
Listening ever, but not catching
The customary cry,
"Come buy, come buy,"
With its iterated jingle
Of sugar-baited words:
Not for all her watching
Once discerning even one goblin
Racing, whisking, tumbling, hobbling;
Let alone the herds
That used to tramp along the glen,
In groups or single,
173
Of brisk fruit-merchant men.
Till Lizzie urged, "O Laura, come,
I hear the fruit-call, but I dare not look:
You should not loiter longer at this brook:
Come with me home.
The stars rise, the moon bends her arc,
Each glow-worm winks her spark,
Let us get home before the night grows dark;
For clouds may gather even
Though this is summer weather,
Put out the lights and drench us through;
Then if we lost our way what should we do?"
Laura turned cold as stone
To find her sister heard that cry alone,
That goblin cry,
"Come buy our fruits, come buy."
Must she then buy no more such dainty fruit?
Must she no more such succous pasture find,
Gone deaf and blind?
Her tree of life drooped from the root:
She said not one word in her heart's sore ache;
But peering thro' the dimness, naught discerning,
Trudged home, her pitcher dripping all the way;
So crept to bed, and lay
Silent 'til Lizzie slept;
Then sat up in a passionate yearning,
And gnashed her teeth for balked desire, and wept
As if her heart would break.
Day after day, night after night,
Laura kept watch in vain,
In sullen silence of exceeding pain.
She never caught again the goblin cry:
"Come buy, come buy,"
She never spied the goblin men
Hawking their fruits along the glen:
But when the noon waxed bright
Her hair grew thin and gray;
She dwindled, as the fair full moon doth turn
To swift decay, and burn
174
Her fire away.
One day remembering her kernel-stone
She set it by a wall that faced the south;
Dewed it with tears, hoped for a root,
Watched for a waxing shoot,
But there came none;
It never saw the sun,
It never felt the trickling moisture run:
While with sunk eyes and faded mouth
She dreamed of melons, as a traveller sees
False waves in desert drouth
With shade of leaf-crowned trees,
And burns the thirstier in the sandful breeze.
She no more swept the house,
Tended the fowls or cows,
Fetched honey, kneaded cakes of wheat,
Brought water from the brook:
But sat down listless in the chimney-nook
And would not eat.
Tender Lizzie could not bear
To watch her sister's cankerous care,
Yet not to share.
She night and morning
Caught the goblins' cry:
"Come buy our orchard fruits,
Come buy, come buy."
Beside the brook, along the glen
She heard the tramp of goblin men,
The voice and stir
Poor Laura could not hear;
Longed to buy fruit to comfort her,
But feared to pay too dear.
She thought of Jeanie in her grave,
Who should have been a bride;
But who for joys brides hope to have
Fell sick and died
In her gay prime,
In earliest winter-time,
175
With the first glazing rime,
With the first snow-fall of crisp winter-time.
Till Laura, dwindling,
Seemed knocking at Death's door:
Then Lizzie weighed no more
Better and worse,
But put a silver penny in her purse,
Kissed Laura, crossed the heath with clumps of furze
At twilight, halted by the brook,
And for the first time in her life
Began to listen and look.
Laughed every goblin
When they spied her peeping:
Came towards her hobbling,
Flying, running, leaping,
Puffing and blowing,
Chuckling, clapping, crowing,
Clucking and gobbling,
Mopping and mowing,
Full of airs and graces,
Pulling wry faces,
Demure grimaces,
Cat-like and rat-like,
Ratel and wombat-like,
Snail-paced in a hurry,
Parrot-voiced and whistler,
Helter-skelter, hurry-skurry,
Chattering like magpies,
Fluttering like pigeons,
Gliding like fishes, -Hugged her and kissed her;
Squeezed and caressed her;
Stretched up their dishes,
Panniers and plates:
"Look at our apples
Russet and dun,
Bob at our cherries
Bite at our peaches,
Citrons and dates,
Grapes for the asking,
176
Pears red with basking
Out in the sun,
Plums on their twigs;
Pluck them and suck them,
Pomegranates, figs."
"Good folk," said Lizzie,
Mindful of Jeanie,
"Give me much and many"; -Held out her apron,
Tossed them her penny.
"Nay, take a seat with us,
Honor and eat with us,"
They answered grinning;
"Our feast is but beginning.
Night yet is early,
Warm and dew-pearly,
Wakeful and starry:
Such fruits as these
No man can carry;
Half their bloom would fly,
Half their dew would dry,
Half their flavor would pass by.
Sit down and feast with us,
Be welcome guest with us,
Cheer you and rest with us."
"Thank you," said Lizzie; "but one waits
At home alone for me:
So, without further parleying,
If you will not sell me any
Of your fruits though much and many,
Give me back my silver penny
I tossed you for a fee."
They began to scratch their pates,
No longer wagging, purring,
But visibly demurring,
Grunting and snarling.
One called her proud,
Cross-grained, uncivil;
Their tones waxed loud,
Their looks were evil.
Lashing their tails
177
They trod and hustled her,
Elbowed and jostled her,
Clawed with their nails,
Barking, mewing, hissing, mocking,
Tore her gown and soiled her stocking,
Twitched her hair out by the roots,
Stamped upon her tender feet,
Held her hands and squeezed their fruits
Against her mouth to make her eat.
White and golden Lizzie stood,
Like a lily in a flood,
Like a rock of blue-veined stone
Lashed by tides obstreperously, -Like a beacon left alone
In a hoary roaring sea,
Sending up a golden fire, -Like a fruit-crowned orange-tree
White with blossoms honey-sweet
Sore beset by wasp and bee, -Like a royal virgin town
Topped with gilded dome and spire
Close beleaguered by a fleet
Mad to tear her standard down.
One may lead a horse to water,
Twenty cannot make him drink.
Though the goblins cuffed and caught her,
Coaxed and fought her,
Bullied and besought her,
Scratched her, pinched her black as ink,
Kicked and knocked her,
Mauled and mocked her,
Lizzie uttered not a word;
Would not open lip from lip
Lest they should cram a mouthful in;
But laughed in heart to feel the drip
Of juice that syruped all her face,
And lodged in dimples of her chin,
And streaked her neck which quaked like curd.
At last the evil people,
Worn out by her resistance,
178
Flung back her penny, kicked their fruit
Along whichever road they took,
Not leaving root or stone or shoot.
Some writhed into the ground,
Some dived into the brook
With ring and ripple.
Some scudded on the gale without a sound,
Some vanished in the distance.
In a smart, ache, tingle,
Lizzie went her way;
Knew not was it night or day;
Sprang up the bank, tore through the furze,
Threaded copse and dingle,
And heard her penny jingle
Bouncing in her purse, -Its bounce was music to her ear.
She ran and ran
As if she feared some goblin man
Dogged her with gibe or curse
Or something worse:
But not one goblin skurried after,
Nor was she pricked by fear;
The kind heart made her windy-paced
That urged her home quite out of breath with haste
And inward laughter.
She cried "Laura," up the garden,
"Did you miss me ?
Come and kiss me.
Never mind my bruises,
Hug me, kiss me, suck my juices
Squeezed from goblin fruits for you,
Goblin pulp and goblin dew.
Eat me, drink me, love me;
Laura, make much of me:
For your sake I have braved the glen
And had to do with goblin merchant men."
Laura started from her chair,
Flung her arms up in the air,
Clutched her hair:
179
"Lizzie, Lizzie, have you tasted
For my sake the fruit forbidden?
Must your light like mine be hidden,
Your young life like mine be wasted,
Undone in mine undoing,
And ruined in my ruin;
Thirsty, cankered, goblin-ridden?"
She clung about her sister,
Kissed and kissed and kissed her:
Tears once again
Refreshed her shrunken eyes,
Dropping like rain
After long sultry drouth;
Shaking with aguish fear, and pain,
She kissed and kissed her with a hungry mouth.
Her lips began to scorch,
That juice was wormwood to her tongue,
She loathed the feast:
Writhing as one possessed she leaped and sung,
Rent all her robe, and wrung
Her hands in lamentable haste,
And beat her breast.
Her locks streamed like the torch
Borne by a racer at full speed,
Or like the mane of horses in their flight,
Or like an eagle when she stems the light
Straight toward the sun,
Or like a caged thing freed,
Or like a flying flag when armies run.
Swift fire spread through her veins, knocked at her heart,
Met the fire smouldering there
And overbore its lesser flame,
She gorged on bitterness without a name:
Ah! fool, to choose such part
Of soul-consuming care!
Sense failed in the mortal strife:
Like the watch-tower of a town
Which an earthquake shatters down,
Like a lightning-stricken mast,
Like a wind-uprooted tree
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Spun about,
Like a foam-topped water-spout
Cast down headlong in the sea,
She fell at last;
Pleasure past and anguish past,
Is it death or is it life ?
Life out of death.
That night long Lizzie watched by her,
Counted her pulse's flagging stir,
Felt for her breath,
Held water to her lips, and cooled her face
With tears and fanning leaves:
But when the first birds chirped about their eaves,
And early reapers plodded to the place
Of golden sheaves,
And dew-wet grass
Bowed in the morning winds so brisk to pass,
And new buds with new day
Opened of cup-like lilies on the stream,
Laura awoke as from a dream,
Laughed in the innocent old way,
Hugged Lizzie but not twice or thrice;
Her gleaming locks showed not one thread of gray,
Her breath was sweet as May,
And light danced in her eyes.
Days, weeks, months,years
Afterwards, when both were wives
With children of their own;
Their mother-hearts beset with fears,
Their lives bound up in tender lives;
Laura would call the little ones
And tell them of her early prime,
Those pleasant days long gone
Of not-returning time:
Would talk about the haunted glen,
The wicked, quaint fruit-merchant men,
Their fruits like honey to the throat,
But poison in the blood;
(Men sell not such in any town;)
Would tell them how her sister stood
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In deadly peril to do her good,
And win the fiery antidote:
Then joining hands to little hands
Would bid them cling together,
"For there is no friend like a sister,
In calm or stormy weather,
To cheer one on the tedious way,
To fetch one if one goes astray,
To lift one if one totters down,
To strengthen whilst one stands."
~ Christina Georgina Rossetti,#NFDB
158:In An Almshouse
Oh the dear summer evening! How the air
is mellow with the delicate breath of flowers
and wafts of hay scent from the sunburnt swathes:
how the glad song of life comes everywhence,
from thousand harmless voices, from blithe birds
that twitter on incessant sweet good-nights,
from homeward bees that, through the clover tufts,
stray booming, pilfering treasures to the last,
from sleepless crickets clamouring in the grass.
to tell the world they're happy day and night,
from the persistent rooks in their high town,
from sheep in far off meadows: life, life, life,
it is the song they sing, and to my mind
the song is very happy, very good.
My God, I thank thee I have known this life,
although, I doubt not, dying I shall learn
how greater and how happier is death.
Oh beautiful and various earth of ours,
how good God made thee. Ah, I have lost much,
mine is a very grey and dim earth now,
but I can feel and hear and take in so
the joy of present beauty to my soul,
and then I see it there. O strange blurred mists,
that mean the sky to me, my twilight eyes
discern no more than you, but I see more;
I see this gold and glowing sunset spread,
and break the pale blue sky with flashing clouds,
I see the shadows soften on the hills,
and the green summits brighten one by one
and purple in the nightfall one by one.
Oh, seeing can be done without the eyes.
Are those St Mary's church-bells in the town?
How far sound spreads to-night! St Mary's bells,
chiming for evensong. I would the way
were not so over long for feeble limbs,
and that the pathway and the still canal
had not so like a glimmer in the dusk;
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for I could gladly feel the peace of prayer
among the others in the quiet church,
with silent graves seen through the open door,
and rustling heard of slowly stirring leaves.
And then 'tis pleasant too to hear the rhythm
of scholars' English and of words in books:
'tis like the voice of some rare foreign tongue
familiar once and loved, that, howso heard,
takes the glad ear with sweetness of old wont.
Oh, there's no sermon now so trite and crude
but makes for me a sort of literature:
'tis my one echo now from that far world
where books are read and written, my world once;
I listen as one listens, note by note,
to some great symphony one knows by heart,
played powerlessly, uncertainly, with change
and thinner chords to suit a learner's hand,
listening with pleasure part for what there is
and more for what there should be and what was
when long ago one used to hear the strain:
I seem to love words now because they are words.
Not that I'll call our Vicar's sermon words:
no, no; he loves his God and loves his poor;
he makes his life one task of doing good;
can such a man speak idly? What he does
is proof to what he urges, his week's life
soul to his Sunday preachings, his shown faith
the key to his expoundings; one may learn
from such a man more things than he can teach:
Alas, the busy patience of his life,
eager and resolute for little things,
strenuous on petty labours, which no voice
shall ever herald past the parish bounds,
which maybe those who see them do not see,
and those whose gain they are know not for gain,
does it not twit me with my languid years
drifted along expectant of a day
when all my world should thank me I had waked?
My world--ah, after all, a lesser one
than I discerned when I was of it still,
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my world of men who learn and teach and learn,
and then have only learned and taught and learned-my world that has forgotten me, a waif
floated away from it on too rough tides,
left spoiled and stranded to drop piece by piece.
Ah me, the difference: I have not known
what envy means unless I know it now
when, in my helplessness, sick, blind, and poor,
past all fulfilling now, with nought fulfilled,
I see our Vicar, with his cheery look,
hurried and overladen with small cares,
glad in his work because it is his work.
And he'll not envy me my garnered lore,
stored up for moth and mildew; what to him
is any wisdom but to work and pray?
the denizens of our rustic market town,
which ignorant strangers take, and break our hearts,
or just a village, know no Tübingen,
have never heard of varying codices,
love, or love not, the Christ of Luke and John,
and have no guess of Renan's; to their minds
belief and unbelief are simplest things,
mere Yes and No, and God must side with Yes,
as kings must with the loyal. But the love
that comes of faith and faith that comes of love;
they can learn those of him and he can teach,
that plain man, ignorant of philosophies
but wise enough to do good all the day.
Ah, why was I too weak for such a life,
which once I might have chosen? A high life,
full of most blessed service.
But I thought
it was not my life meant for me by God:
and now I know not what I should have done,
only I mourn that I have lived in vain,
still daily dreaming some completed task
that never was begun, still waiting force
of impulse more than mine to waken mine,
still dimly pondering "Shall I? Can I? How?"
and waiting to be ready to begin.
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Ah tardy useless labourer in the fields,
who waits to think what weed he shall rout first;
ah laggard sailor, who will not put out
till the direct fair wind sets for his port.
And time will never linger, and the world
can wait for no man, must have its wants fed
at the want's birth-cry--soldiers to the gap
on the hot instant, else no need of you,
no space for you to stand in. Long long since
I thought to have been somewhat, to perhaps
set some regardful honour round my name,
but surely to receive a destined place,
a part among the workers: for it seemed
to have so far uptrodden, half alone,
from peasant lowliness should prelude me
a future as of one of whom they say
"so low he was" to show how high he is.
Dreams, dreams! I never had the pith, the sap,
the strong aspiring pulses; I was one
to think, and shiver, by the study fire
"outside is the cold boisterous sea of life
where I will plunge to-morrow and snatch pearls,"
to wait like a late sleeper in the morn,
that with a drowsy logic lulls himself,
and chides his tardiness on their delay
who will not come to tell him it is time.
And yet I did not sleep; no, to my thought
I always was at school for work to come:
but these days leave us little schooling time.
Long since, and when the wisdom of the wise
was to accept to live one with to learn,
and men might find their work for half a life
in thinking silent, and the other half
in thinking out aloud, those were my days
I should have lived in: I came out of date:
like a reprinted tome of theories
made reasonably ere the science shaped,
which, all uncut, stands on the library shelf
amid new essays on the daily art
born long since of the science, and men say
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"'Tis learned, curious, looks well on the shelf"
and take its slighter useful neighbour down,
so I showed wise and useless to the world.
Wise with the oldworld wisdom grown unapt
to this changed morrow, for the lesson now
is to accept to live one with to do-the wisest wisdom plainly in this stir,
this over crowding, this hot hurrying on,
that make a tempest of our modern days.
This anxious age is driven half mad with work,
it bids us all work, world no need, no room,
for contemplating sages counting life
a time allowed for solving problems in
and its own self a problem to be solved;
on in the rush, or be swept out of sight,
on in the rush, and find your place, and work.
'Tis right, 'tis very right; not only ours
to fit what state God gives us but what times;
and he who is thrown out in a fierce race
can hardly chide, "the others ran too fast."
And, as for me, if I grow old alone,
hid out of memory of springtime peers,
and have my roof and food by dead men's alms,
it is that I have been an alien son,
a dronish servant careful of his ease,
to the master-Present, the strong century
that gave our lives and will have use of them.
I knew it always, but still while I thought.
"To-morrow I go forth," the sudden Now
had gone before I judged it had been there:
I knew it always, but the stealthy years
slid on while I was busy at my books,
and when I, startled, waked and saw it time,
lo the "Too late" which God has spoken me
in blindness and in sickness.
A strange life;
fair bud, fair blossom, never perfect fruit;
the river that seemed destined to push on
long eager miles among its busy mills,
90
among its teeming meadows and its towns,
hemmed stagnant by some little feeble dykes,
some trivial sand-mounds barred against its way,
and rounding to an issueless dull pool.
And yet, but for that wondering vague remorse
not to have been one stronger than myself,
I look back very kindly on my life
so changeful yet so still, not sorrowless
and yet not sad; I love to think of it
and tell it to myself like an old tale
dear for its homely long-familiar turns.
Oh, often I, the grey-haired palsied man,
am yet again the child beneath the hedge,
the village urchin, truant to his task,
of scaring crows, to con a dog's-eared book,
stealing his indolent scholar's luxury
by naughty half-hours through the lonely day.
Oh happy child, I never saw my guilt
nor dreamed of trust betrayed and pence ill-earned,
and it was such a joy to learn and pore
and read great words and wonder what they meant,
and sometimes see, as if a faint new star
dawned on one through a dusky gap at night,
a sudden meaning breaking on the doubt:
poor as I was, ill cared for, with no kin
but the sharp stepmother who, good at heart,
for widow's duty called me hers, not love,
and little Grace, the toddling sister thing
she'd not let love me and not let me touch,
who learned to scold me in her sweet babe's lisp
and would not kiss me even when we played,
no friends, no playmates, every way alone,
yet 'twas a happy boyhood; not forlorn
with the thumbed book for gossip, not forlorn
with all the outdoor world for company.
Oh, many and many a balmy eve like this,
beside my pollard willows by the brook,
I sat and watched the greyness creeping on,
thinking 'twas pity days must end in nights
and one must sleep away so many hours,
losing such sweetness of the summer time.
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Dulled wistful eyes, you cannot show me now
the brown-ribbed hill behind whose rounded slope
my village stands among its fields of flax;
last year I still could find it, where to me
it seemed a smooth dusk cloud against the sky,
could say "there lies my home," and fancy out
the well known landmarks, and go step by step
mind-pilgrimage among the dear old haunts;
but now the hill and sky are both one haze,
the dusk cloud's place is lost in larger dusk.
Well, well, 'tis present to me none the less,
and I am glad to feel it near in sight
with its white winding road that, from the top,
looks on my home, and sudden slants to it.
My home! and now 'tis twenty years and odd
since I have journeyed down the slanting road
and seen our envied boasts, the bridge and spire;
yes, twenty years and odd since the last time,
and then they called me stranger; yet I feel
my true home there. Not in my happy town,
my placid scholar's town of colleges,
where the smooth river, lagging by its elms,
bears on its painted breast oriels and towers
and grey monastic courts made reverend
with elder learning and historic lives;
not in my Cornish schoolhouse near the rocks,
where from the granite headland, with its crown
of glossy sward and wee white heather bloom
and rare and southern wildflowers of the moors,
one looked on the illimitable plain,
the vague mysterious ocean stretching forth
into the space and silence of the sky;
not in the city of the million homes,
the throbbing heart of England--No, not there,
how could I find home there? those pent black streets,
that skyless prison room, where day by day
my heart and head grew number, day by day
I and my schoolboys seemed to grow less apt,
that whirr and whirl of traffic, ceaseless change
of unknown faces thronging to and fro!
92
my life went shrivelling there as if one brought
some thirsty field plant maimed of half its root
amid a ball-night glare of flashing lamps.
And if I, even in this haven nook,
sheltered out of the cold winds of the world,
if here on the free hill-side, with the sounds
of woodland quiet soothing in my ears,
here where the dear home breezes blow to me
over the well known meadows, yet have longed,
like a sick schoolboy for his mother's face,
to look on my remembered trees and fields,
to touch them, to feel kin with them again,
how else could it be with me in the din
the blackness and the crowding?
Oh my heart,
how faint it grew long ere I grew all faint;
long ere there came this swift decrepitude
of too usurping age forestalling time;
how desolate I felt, like a man wrecked
on some far island in a burning clime
where every voice clangs strangely, and all thoughts
come to him yet more foreign than the words,
and very kindness wears unhomeliness;
how in my weariness I grew to loathe
those prison bars of roofs across the sky.
Well, when He pleased, God gave me the release,
gave His good way not mine, I thank Him for it.
Yes, it is well with me: life grows mere rest-I sit apart and am done with the world,
no hopes, no fears, no changes; I have lost
all part in aims and duties, like a tool
blunted with little use I am laid by
never to serve again; I sit apart
useless, forgotten, a lone purblind man
hid in an almshouse--but the rest is good,
is very peaceful, and I feel God near,
near as I never knew Him in old days
when yet I thought I loved Him.
Did I not?
Was it because I did not love Him then
93
I could not choose His service? It seems strange:
they all said I was fit, they urged me to it:
and there on one hand was my worldly ease
and (if I were fit) service to my God,
on the other, chance and my poor single strength
to wrest a pittance from the world's clenched hand:
yes one might say it had been granted me
to choose both God and Mammon virtuously:
and yet I could not--never might my lips
have spoken the great answers "Christ has called,"
"The Holy Ghost has moved me." Day by day
I urged myself, I prayed to hear the call,
and the call came not. Was it want of love?
and would my warmer heart have been more brave,
and known a summons where I did not know?
Ah no, there was no need for such as I,
who have no ministering gift, no rule on minds.
Oh, the poor souls had perished which must lean
on such a pastor; I, who never found
the teacher's common secret how to write
the accurate human lore on willing minds,
how could I teach God's mysteries of love?
how could I force rebellious hearts to know?
I, who must reason with myself an hour
to cross a room and give a friend good-day,
where were my ready words to greet the poor,
my instant tact, my sympathy, command?
Oh, rather was I one to be content,
to be most happy, cloistered in the peace
of some grey convent where the even hours
go measured out by prayers and each still day
melts stealthily to night and has but seen
change between chapel and the studious cell.
Had such a life been granted by my creed
I could have snatched at it ...... yes, even then
before the silent too delusive hope
died at her careless bidding.
Susan Lee,
you never guessed, I but half knew myself,
how close a part you had of all my life
94
from the first time my schoolboy heart grew proud
to feel itself beat quicker at a smile.
I loved you patiently, content to dream
what happy fireside future should be ours
if you should ever love me; afterwards
I sorrowed patiently; and in both whiles
lived in my peace as if you had not been:
but yet you always have been part of me,
I cannot think upon my earlier self
and not remember you. It was but chance
that you were near me, following up the brook
for water-cresses, on that birthday morn
of my new life, when, as I basked and read,
the young squire's tutor came and saw my book,
and sat with me beneath my willow tree;
it was but chance that, for your good-girl treat,
you went a twelve miles' journey to your aunt's
and saw the prize-day splendours of our school
where I stood in my class-boy eminence
(a shamefaced hero, conscious of renown,
and bearing such a greatness bashfully),
and that your face, set in a window frame,
was still the one I saw when I looked up;
it was but chance that made your merry voice
the one to greet me first when, all elate
with budding freshman honours of first term,
I came back to our village ... where, good lack,
I found small reverence for my dignities,
and no one turned to watch me as I walked;
it was but chance that I could see you lead
a romping battle, armed with pelts of hay,
against my Gracie and her rival band
the time I got the germ and ringingest lines
of the Greek ode which gained my earliest prize;
it was but chance made Grace's letter come,
talking of only you, the selfsame day
I heard my name sound in the topmost list,
the very roll of fame as I thought then-maybe I thought it too long afterwards,
poor lad, who fancied I had won a race
because I gained a vantage post to start;
yes, chance and only chance so mingles you
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with the young promise halos, but you stand
always a star behind them, shining through,
and, though I once was sad because of you,
I have my happy memories of you now.
They said you were not pretty, owed your charm
to choice of ribbons from your father's shop,
but, as for me, I saw not if you wore
too many ribbons or too few, nor sought
what charms you had beyond that one I knew,
the kind and honest look in your grey eyes.
Well, you chose fitlier; and you prosper well,
and I can fancy you in your content,
a busy prudent farmwife all the week
and wearing silk on Sundays when you go
to church among your children, proud to take
your husband's arm ... a man who holds his own
and rents a few more acres every year.
And Grace chose wisely too, the wilful girl
I would have made a lady of--not she,
she would not stay at school, she would not learn
your monkey French, she would not chirp words small
like twittering birds, she would not crotchet lace;
and she would marry sturdy William Ford;
so found some rainy days at first, 'tis true,
but they both took them with a cheery heart,
and now she writes from their far western home
that all goes well with them, and, as for her,
she's happier than a queen the whole day through,
and all the bairns as fresh as buttercups.
'Tis far away, my Gracie, far from me:
I'd like to feel your hand in mine at last,
for I have only you, and, as I think,
you bear a kind heart to me; but that's vain,
there'll be no meeting for us in this world.
But bye and bye, my Gracie, bye and bye.
Aye, there's the answer to one's every want,
one's every doubt, that promise bye and bye;
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it gives this life a beauty, as the glimpse
between near hills of the great open sea
gives to some inland nook among the woods;
it is the full completed melody
the shifting prelude hints at. Life is good,
but most because, in its best perfectness,
it comes like memory of that other life
we have not known, but shall.
What, little one,
my truant playmate, "Mother gives you leave
to come and say good night for half an hour":
well; on my knee--so. Stories must it be?
"The story about Jesus"? Yes, my child,
that is the best one ...... story of our peace;
you'll know that someday, maybe. Now begins...
~ Augusta Davies Webster,#NFDB
159:Ruins Of Rome, By Bellay
Ye heavenly spirits, whose ashy cinders lie
Under deep ruins, with huge walls opprest,
But not your praise, the which shall never die
Through your fair verses, ne in ashes rest;
If so be shrilling voice of wight alive
May reach from hence to depth of darkest hell,
Then let those deep Abysses open rive,
That ye may understand my shreiking yell.
Thrice having seen under the heavens' vail
Your tomb's devoted compass over all,
Thrice unto you with loud voice I appeal,
And for your antique fury here do call,
The whiles that I with sacred horror sing,
Your glory, fairest of all earthly thing.
Great Babylon her haughty walls will praise,
And sharpèd steeples high shot up in air;
Greece will the old Ephesian buildings blaze;
And Nylus' nurslings their Pyramids fair;
The same yet vaunting Greece will tell the story
Of Jove's great image in Olympus placed,
Mausolus' work will be the Carian's glory,
And Crete will boast the Labybrinth, now 'rased;
The antique Rhodian will likewise set forth
The great Colosse, erect to Memory;
And what else in the world is of like worth,
Some greater learnèd wit will magnify.
But I will sing above all monuments
Seven Roman Hills, the world's seven wonderments.
Thou stranger, which for Rome in Rome here seekest,
170
And nought of Rome in Rome perceiv'st at all,
These same old walls, old arches, which thou seest,
Old Palaces, is that which Rome men call.
Behold what wreak, what ruin, and what waste,
And how that she, which with her mighty power
Tam'd all the world, hath tam'd herself at last,
The prey of time, which all things doth devour.
Rome now of Rome is th' only funeral,
And only Rome of Rome hath victory;
Ne ought save Tyber hastening to his fall
Remains of all: O world's inconstancy.
That which is firm doth flit and fall away,
And that is flitting, doth abide and stay.
She, whose high top above the stars did soar,
One foot on Thetis, th' other on the Morning,
One hand on Scythia, th' other on the Moor,
Both heaven and earth in roundness compassing,
Jove fearing, lest if she should greater grow,
The old Giants should once again uprise,
Her whelm'd with hills, these seven hills, which be now
Tombs of her greatness, which did threat the skies:
Upon her head he heaped Mount Saturnal,
Upon her belly th' antique Palatine,
Upon her stomach laid Mount Quirinal,
On her left hand the noisome Esquiline,
And Cælian on the right; but both her feet
Mount Viminall and Aventine do meet.
Who lists to see, what ever nature, art,
And heaven could do, O Rome, thee let him see,
In case thy greatness he can guess in heart,
By that which but the picture is of thee.
Rome is no more: but if the shade of Rome
May of the body yield a seeming sight,
It's like a corse drawn forth out of the tomb
171
By Magick skill out of eternal night:
The corpse of Rome in ashes is entombed,
And her great sprite rejoinèd to the sprite
Of this great mass, is in the same enwombed;
But her brave writings, which her famous merit
In spite of time, out of the dust doth rear,
Do make her idol through the world appear.
Such as the Berecynthian Goddess bright
In her swift chariot with high turrets crowned,
Proud that so many Gods she brought to light;
Such was this City in her good days found:
This city, more than the great Phrygian mother
Renowned for fruit of famous progeny,
Whose greatness by the greatness of none other,
But by herself her equal match could see:
Rome only might to Rome comparèd be,
And only Rome could make great Rome to tremble:
So did the Gods by heavenly doom decree,
That other deathly power should not resemble
Her that did match the whole earth's puissaunce,
And did her courage to the heavens advance.
Ye sacred ruins, and ye tragic sights,
Which only do the name of Rome retain,
Old monuments, which of so famous sprites
The honour yet in ashes do maintain:
Triumphant arcs, spires neighbors to the sky,
That you to see doth th' heaven itself appall,
Alas, by little ye to nothing fly,
The people's fable, and the spoil of all:
And though your frames do for a time make war
'Gainst time, yet time in time shall ruinate
Your works and names, and your last relics mar.
My sad desires, rest therefore moderate:
For if that time make ends of things so sure,
172
It also will end the pain, which I endure.
Through arms and vassals Rome the world subdued,
That one would ween, that one sole City's strength
Both land and sea in roundess had surview'd,
To be the measure of her breadth and length:
This people's virtue yet so fruitful was
Of virtuous nephews that posterity
Striving in power their grandfathers to pass,
The lowest earth join'd to the heaven high;
To th' end that having all parts in their power
Nought from the Roman Empire might be 'quite,
And that though time doth Commonwealths devour,
Yet no time should so low embase their height,
That her head earth'd in her foundations deep,
Should not her name and endless honour keep.
Ye cruel stars, and eke ye Gods unkind,
Heaven envious, and bitter stepdame Nature,
Be it by fortune, or by course of kind
That ye do weld th' affairs of earthly creature:
Why have your hands long sithence troubled
To frame this world, that doth endure so long?
Or why were not these Roman palaces
Made of some matter no less firm and strong?
I say not, as the common voice doth say,
That all things which beneath the moon have being
Are temporal, and subject to decay:
But I say rather, though not all agreeing
With some, that ween the contrary in thought:
That all this whole shall one day come to nought.
10
As that brave son of Aeson, which by charms
173
Achieved the golden fleece in Colchid land,
Out of the earth engendered men of arms
Of Dragons' teetch, sown in the sacred sand;
So this brave town, that in her youthly days
An Hydra was of warriors glorious,
Did fill with her renownéd nurslings praise
The firey sun's both one and other house:
But they at last, there being then not living
An Hercules, so rank seed to repress,;
Amongst themselves with cruel fury striving,
Mow'd down themselves with slaughter merciless;
Renewing in themselves that rage unkind,
Which whilom did those searthborn brethren blind.
11
Mars shaming to have given so great head
To his off-spring, that mortal puissance
Puffed up with pride of Roman hardy head,
Seem'd above heaven's power itself to advance;
Cooling again his former kindled heat,
With which he had those Roman spirits filled;
Did blow new fire, and with enflaméd breath,
Into the Gothic cold hot rage instill'd:
Then 'gan that Nation, th' earth's new Giant brood,
To dart abroad the thunder bolts of war,
And beating down these walls with furious mood
Into her mother's bosom, all did mar;
To th' end that none, all were if Jove his sire
Should boast himself of the Roman Empire.
12
Like as whilome the children of the earth
Heaped hills on hills, to scale the starry sky,
And fight against the Gods of heavenly birth,
Whilst Jove at them his thunderbolts let fly;
All suddenly with lightning overthrown,
The furious squadrons down the ground did fall,
That th' earth under her children's weight did groan,
174
And th' heavens in glory triumphed over all:
So did that haughty front which heapéd was
On these seven Roman hills, itself uprear
Over the world, and lift her lofty face
Against the heaven, that 'gan her force to fear.
But now these scorned fields bemoan her fall,
And Gods secure fear not her force at all.
13
Nor the swift fury of the flames aspiring,
Nor the deep wounds of victor's raging blade,
Nor ruthless spoil of soldiers blood-desiring,
The which so oft thee, Rome, their conquest made;
Ne stroke on stroke of fortune variable,
Ne rust of age hating continuance,
Nor wrath of Gods, nor spite of men unstable,
Nor thou oppos'd against thine own puissance;
Nor th' horrible uproar of winds high blowing,
Nor swelling streams of that God snaky-paced,
Which hath so often with his overflowing
Thee drenched, have thy pride so much abased;
But that this nothing, which they have thee left,
Makes the world wonder, what they from thee reft.
14
As men in summer fearless pass the ford,
Which is in winter lord of all the plain,
And with his tumbling streams doth bear aboard
The plowman's hope, and shepherd's labor vain;
And as the coward beasts use to despise
The noble lion after his life's end
Whetting their teeth, and with vain foolhardise
Daring the foe, that cannot him defend:
And as at Troy most dastards of the Greeks
Did brave about the corpse of Hector cold;
So those which whilome wont with pallid cheeks
The Roman triumphs glory to behold,
Now on these ashy tombs show boldness vain,
175
And conquer'd dare the Conqueror disdain.
15
Ye pallid spirits, and ye ashy ghosts,
Which joying in the brightness of your day,
Brought forth those signs of your premptuous boasts
Which now their dusty relics do bewray;
Tell me ye spirits (sith the darksome river
Of Styx not passable to souls returning,
Enclosing you in thrice three wards forever,
Do not restrain your images still mourning)
Tell me then (for perhaps some one of you
Yet here above him secretly doth hide)
Do ye not feel your torments to accrue,
When ye sometimes behold the ruin'd pride
Of these old Roman works built with your hands,
Now to become nought else, but heaped sands?
16
Like as ye see the wrathful sea from far,
In a great mountain heap'd with hideous noise,
Eftsoons of thousand bilows shouldered narre,
Against a rock to break with dreadful poise;
Like as ye see fell Boreas with sharp blast,
Tossing huge tempests through the troubled sky,
Eftsoons having his wide wings spent in vast,
To stop his wearie carrier suddenly;
And as ye see huge flames spread diversly,
Gathered in one up to the heavens to spire,
Eftsoons consum'd to fall down feebily:
So whilom did this Monarchy aspire
As waves, as wind, as fire spread over all,
Till it by fatal doom adown did fall.
17
So long as Jove's great bird did make his flight,
176
Bearing the fire with which heaven doth us fray,
Heaven had not fear of that presumptuous might,
With which the Giants did the Gods assay.
But all so soon, as scorching Sun had brent
His wings, which wont to the earth to overspread,
The earth out of her massy womb forth sent
That antique horror, which made heaven adread.
Then was the German raven in disguise
That Roman eagle seen to cleave asunder,
And towards heaven freshly to arise
Out of these mountains, not consum'd to powder.
In which the fowl that serves to bear the lightning,
Is now no more seen flying, nor alighting.
18
These heaps of stones, these old walls which ye see,
Were first enclosures but of savage soil;
And these brave palaces which mastered be
Of time, were shepherds cottages somewhile.
Then took the shepherd kingly ornamnets
And the stout hynde arm'd his right hand with steel:
Eftsoones their rule of yearly presidents
Grew great, and six months greater a great deal;
Which made perpetual, rose to so great might,
That thence th' imperial Eagle rooting took,
Till th' heaven itself opposing 'gainst her might,
Her power to Peter's successor betook;
Who shepherdlike, (as fates the same forseeing)
Doth show, that all things turn to their first being.
19
All that is perfect, which th' heaven beautifies;
All that's imperfect, born below the moon;
All that doth feed our spriits and our eyes;
And all that doth consume our pleasures soon;
All the mishap, the which our days outwears,
All the good hap of th' oldest times afore,
Rome in the time of her great ancesters,
177
Like a Pandora, locked long in store.
But destiny this huge Chaos turmoiling,
In which all good and evil was enclosed,
Their heavenly virtues from these woes absolving,
Carried to heaven, from sinful bondage loosed:
But their great sins, the causers of their pain,
Under these antique ruins yet remain.
20
No otherwise than rainy cloud, first fed
With earthly vapors gathered in the air,
Eftsoones in compass arch'd, to steep his head,
Doth plunge himself in Tethys' bosom fair;
And mounting up again, from whence he came,
With his great belly spreads the dimmed world,
Till at last the last dissolving his moist frame,
In rain, or snow, or hail he forth is hurl'd;
This City, which was first but shepherds' shade,
Uprising by degrees, grew to such height,
That queen of land and sea herself she made.
At last not able to bear so great weight.
Her power dispers'd, through all the world did vade;
To show that all in th' end to nought shall fade.
21
The same which Pyrrhus, and the puissance
Of Afric could not tame, that same brave city,
Which with stout courage arm'd against mischance,
Sustain'd the shock of common enmity;
Long as her ship tossed with so many freaks,
Had all the world in arms against her bent,
Was never seen, that any fortune's wreaks
Could break her course begun with brave intent.
But when the object of her virtue failed,
Her power itself agains itself did arm;
As he that having long in tempest sailed,
Fain would arrive, but cannot for the storm,
If too great wind against the port him drive,
178
Doth in the port itself his vessel rive.
22
When that brave honour of the Latin name,
Which bound her rule with Africa, and Byze,
With Thames' inhabitants of noble fame,
And they which see the dawning day arise;
Her nurslings did with mutinous uproar
Hearten against herself, her conquer'd spoil,
Which she had won from all the world afore,
Of all the world was spoil'd within a while.
So when the compass'd course of the universe
In six and thirty thousand years is run,
The bands of th' elements shall back reverse
To their first discord, and be quite undone:
The seeds, of which all things at first were bred,
Shall in great Chaos' womb again be hid.
23
O wary wisdom of the man, that would
That Carthage towers from spoil should be forborn,
To th' end that his victorious people should
With cankering leisure not be overworn;
He well foresaw, how that the Roman courage,
Impatient of pleasure's faint desires,
Through idleness would turn to civil rage,
And be herself the matter of her fires.
For in a people given all to ease,
Ambition is engend'red easily;
As in a vicious body, gross disease
Soon grows through humours' superfluity.
That came to pass, when swoll'n with plentious pride,
Nor prince, nor peer, nor kin they would abide.
24
If the blind fury, which wars breedeth oft,
179
Wonts not t' enrage the hearts of equal beasts,
Whether they fare on foot, or fly aloft,
Or arméd be with claws, or scaly crests;
What fell Erynnis with hot burning tongs,
Did grip your hearts, with noisome rage imbew'd,
That each to other working cruel wrongs,
You blades in your own bowels you embrew'd?
Was this (ye Romans) your hard destiny?
Or some old sin, whose unappeased guilt
Power'd vengeance forth on you eternally?
Or brother's blood, the which at first was spilt
Upon your walls, that God might not endure,
Upon the same to set foundation sure?
25
O that I had the Thracian Poet's harp,
For to awake out of th' infernal shade
Those antique Cæsars, sleeping long in dark,
The which this ancient City whilome made:
Or that I had Amphion's instrument,
To quicken with his vital note's accord,
The stony joints of these old walls now rent,
By which th' Ausonian light might be restor'd:
Or that at least I could with pencil fine,
Fashion the portraits of these palaces,
By pattern of great Virgil's spirit divine;
I would assay with that which in me is,
To build with level of my lofty style,
That which no hands can evermore compile.
26
Who list the Roman greatness forth to figure,
Him needeth not to seek for usage right
Of line, or lead, or rule, or square, to measure
Her length, her breadth, her deepness, or her height:
But him behooves to view in compass round
All that the ocean grasps in his long arms;
Be it where the yearly star doth scorch the ground,
180
Or where cold Boreas blows his bitter storms.
Rome was th' whole world, and all the world was Rome,
And if things nam'd their names do equalize,
When land and sea ye name, then name ye Rome;
And naming Rome ye land and sea comprise:
For th' ancient plot of Rome displayéd plain,
The map of all the wide world doth contain.
27
Thou that at Rome astonish'd dost behold
The antique pride, which menaced the sky,
These haughty heaps, these palaces of old,
These walls, these arcs, these baths, these temples hie;
Judge by these ample ruins' view, the rest
The which injurious time hath quite outworne,
Since of all workmen held in reck'ning best,
Yet these old fragments are for patterns born:
Then also mark, how Rome from day to day,
Repairing her decayéd fashion,
Renews herself with buildings rich and gay;
That one would judge, that the Roman dæmon
Doth yet himself with fatal hand enforce,
Again on foot to rear her pouldred corse.
28
He that hath seen a great oak dry and dead,
Yet clad with relics of some trophies old,
Lifting to heaven her agéd hoary head,
Whose foot in ground hath left but feeble hold;
But half disbowel'd lies above the ground,
Showing her wreathéd roots, and naked arms,
And on her trunk all rotten and unsound
Only supports herself for meat of worms;
And though she owe her fall to the first wind,
Yet of the devout people is ador'd,
And many young plants spring out of her rind;
Who such an oak hath seen let him record
That such this city's honor was of yore,
181
And 'mongst all cities flourishéd much more.
29
All that which Egypt whilome did devise,
All that which Greece their temples to embrave,
After th' Ionic, Attic, Doric guise,
Or Corinth skill'd in curious works to 'grave;
All that Lysippus' practick art could form,
Appeles' wit, or Phidias his skill,
Was wont this ancient city to adorn,
And the heaven itself with her wide wonders fill;
All that which Athens ever brought forth wise,
All that which Africa ever brought forth strange,
All that which Asia ever had of prize,
Was here to see. O marvelous great change:
Rome living, was the world's sole ornament,
And dead, is now the world's sole monument.
30
Like as the seeded field green grass first shows,
Then from green grass into a stalk doth spring,
And from a stalk into an ear forth grows,
Which ear the fruitfull grain doth shortly bring;
And as in season due the husband mows
The waving locks of those fair yellow hairs,
Which bound in sheaves, and laid in comely rows,
Upon the naked fields in stacks he rears:
So grew the Roman Empire by degree,
Till that barbarian hands it quite did spill,
And left of it but these old marks to see,
Of which all passersby do somewhat pill:
As they which glean, the relics use to gather,
Which th' husbandman behind him chanced to scatter.
31
That same is now nought but a campion wide,
182
Where all this world's pride once was situate.
No blame to thee, whosoever dost abide
By Nile, or Ganges, or Tigris, or Euphrate,
Ne Africa thereof guilty is, nor Spain,
Nor the bold people by the Thame's brinks,
Nor the brave, warlike brood of Alemagne,
Nor the born soldier which Rhine running drinks;
Thou only cause, O civil fury, art
Which sowing in the Aemathian fields thy spite,
Didst arm thy hand against thy proper heart;
To th' end that when thou wast in greatest height
To greatness grown, through long prosperity,
Thou then adown might'st fall more horribly.
32
Hope ye, my verses, that posterity
Of age ensuing shall you ever read?
Hope ye that ever immortality
So mean harp's work may challenge for her mead?
If under heaven any endurance were,
These monuments, which not in paper writ,
Put in porphyry and marble do appear,
Might well have hop'd to have obtained it.
Na th' less my lute, whom Phoebus deigned to give,
Cease not to sound these old antiquities:
For if that time do let thy glory live,
Well mayst thou boast, how ever base thou be,
That thou art first, which of thy Nation sung
Th' old nonor of the people gowné long.
L' Envoi
Bellay, first garland of free Poesy
That France brought forth, though fruitful of brave wits,
Well worthy thou of immorality,
That long hast travail'd by thy learned writs,
Old Rome out of her ashes to revive,
And give a second life to dead decays:
Needs must he all eternity survive,
183
That can to other give eternal days.
Thy days therefore are endless, and thy praise
Excelling all, that ever went before;
And after thee, 'gins Bartas high to raise
His heavenly Muse, th' Almighty to adore.
Live, happy spirits, th' honour of your name,
And fill the world with never dying fame.
~ Edmund Spenser,#NFDB
160:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.
Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.
Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?
As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.
The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.
When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.
The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."
Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.
April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.
Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?
Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.
As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.
Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!
Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.
Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.
The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.
The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.
I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.
'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'
Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!
Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.
None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.
So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.
One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.
Who is the Bard thus magnified?
When did he sing, and where abide?
Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.
AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.
Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.
Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?
There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.
For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, May-Day
,#NFDB
161:The Princess (Part 4)
'There sinks the nebulous star we call the Sun,
If that hypothesis of theirs be sound'
Said Ida; 'let us down and rest;' and we
Down from the lean and wrinkled precipices,
By every coppice-feathered chasm and cleft,
Dropt through the ambrosial gloom to where below
No bigger than a glow-worm shone the tent
Lamp-lit from the inner. Once she leaned on me,
Descending; once or twice she lent her hand,
And blissful palpitations in the blood,
Stirring a sudden transport rose and fell.
But when we planted level feet, and dipt
Beneath the satin dome and entered in,
There leaning deep in broidered down we sank
Our elbows: on a tripod in the midst
A fragrant flame rose, and before us glowed
Fruit, blossom, viand, amber wine, and gold.
Then she, 'Let some one sing to us: lightlier move
The minutes fledged with music:' and a maid,
Of those beside her, smote her harp, and sang.
'Tears, idle tears, I know not what they mean,
Tears from the depth of some divine despair
Rise in the heart, and gather to the eyes,
In looking on the happy Autumn-fields,
And thinking of the days that are no more.
'Fresh as the first beam glittering on a sail,
That brings our friends up from the underworld,
Sad as the last which reddens over one
That sinks with all we love below the verge;
So sad, so fresh, the days that are no more.
'Ah, sad and strange as in dark summer dawns
The earliest pipe of half-awakened birds
To dying ears, when unto dying eyes
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The casement slowly grows a glimmering square;
So sad, so strange, the days that are no more.
'Dear as remembered kisses after death,
And sweet as those by hopeless fancy feigned
On lips that are for others; deep as love,
Deep as first love, and wild with all regret;
O Death in Life, the days that are no more.'
She ended with such passion that the tear,
She sang of, shook and fell, an erring pearl
Lost in her bosom: but with some disdain
Answered the Princess, 'If indeed there haunt
About the mouldered lodges of the Past
So sweet a voice and vague, fatal to men,
Well needs it we should cram our ears with wool
And so pace by: but thine are fancies hatched
In silken-folded idleness; nor is it
Wiser to weep a true occasion lost,
But trim our sails, and let old bygones be,
While down the streams that float us each and all
To the issue, goes, like glittering bergs of ice,
Throne after throne, and molten on the waste
Becomes a cloud: for all things serve their time
Toward that great year of equal mights and rights,
Nor would I fight with iron laws, in the end
Found golden: let the past be past; let be
Their cancelled Babels: though the rough kex break
The starred mosaic, and the beard-blown goat
Hang on the shaft, and the wild figtree split
Their monstrous idols, care not while we hear
A trumpet in the distance pealing news
Of better, and Hope, a poising eagle, burns
Above the unrisen morrow:' then to me;
'Know you no song of your own land,' she said,
'Not such as moans about the retrospect,
But deals with the other distance and the hues
Of promise; not a death's-head at the wine.'
Then I remembered one myself had made,
What time I watched the swallow winging south
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From mine own land, part made long since, and part
Now while I sang, and maidenlike as far
As I could ape their treble, did I sing.
'O Swallow, Swallow, flying, flying South,
Fly to her, and fall upon her gilded eaves,
And tell her, tell her, what I tell to thee.
'O tell her, Swallow, thou that knowest each,
That bright and fierce and fickle is the South,
And dark and true and tender is the North.
'O Swallow, Swallow, if I could follow, and light
Upon her lattice, I would pipe and trill,
And cheep and twitter twenty million loves.
'O were I thou that she might take me in,
And lay me on her bosom, and her heart
Would rock the snowy cradle till I died.
'Why lingereth she to clothe her heart with love,
Delaying as the tender ash delays
To clothe herself, when all the woods are green?
'O tell her, Swallow, that thy brood is flown:
Say to her, I do but wanton in the South,
But in the North long since my nest is made.
'O tell her, brief is life but love is long,
And brief the sun of summer in the North,
And brief the moon of beauty in the South.
'O Swallow, flying from the golden woods,
Fly to her, and pipe and woo her, and make her mine,
And tell her, tell her, that I follow thee.'
I ceased, and all the ladies, each at each,
Like the Ithacensian suitors in old time,
Stared with great eyes, and laughed with alien lips,
And knew not what they meant; for still my voice
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Rang false: but smiling 'Not for thee,' she said,
O Bulbul, any rose of Gulistan
Shall burst her veil: marsh-divers, rather, maid,
Shall croak thee sister, or the meadow-crake
Grate her harsh kindred in the grass: and this
A mere love-poem! O for such, my friend,
We hold them slight: they mind us of the time
When we made bricks in Egypt. Knaves are men,
That lute and flute fantastic tenderness,
And dress the victim to the offering up,
And paint the gates of Hell with Paradise,
And play the slave to gain the tyranny.
Poor soul! I had a maid of honour once;
She wept her true eyes blind for such a one,
A rogue of canzonets and serenades.
I loved her. Peace be with her. She is dead.
So they blaspheme the muse! But great is song
Used to great ends: ourself have often tried
Valkyrian hymns, or into rhythm have dashed
The passion of the prophetess; for song
Is duer unto freedom, force and growth
Of spirit than to junketing and love.
Love is it? Would this same mock-love, and this
Mock-Hymen were laid up like winter bats,
Till all men grew to rate us at our worth,
Not vassals to be beat, nor pretty babes
To be dandled, no, but living wills, and sphered
Whole in ourselves and owed to none. Enough!
But now to leaven play with profit, you,
Know you no song, the true growth of your soil,
That gives the manners of your country-women?'
She spoke and turned her sumptuous head with eyes
Of shining expectation fixt on mine.
Then while I dragged my brains for such a song,
Cyril, with whom the bell-mouthed glass had wrought,
Or mastered by the sense of sport, began
To troll a careless, careless tavern-catch
Of Moll and Meg, and strange experiences
Unmeet for ladies. Florian nodded at him,
I frowning; Psyche flushed and wanned and shook;
The lilylike Melissa drooped her brows;
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'Forbear,' the Princess cried; 'Forbear, Sir' I;
And heated through and through with wrath and love,
I smote him on the breast; he started up;
There rose a shriek as of a city sacked;
Melissa clamoured 'Flee the death;' 'To horse'
Said Ida; 'home! to horse!' and fled, as flies
A troop of snowy doves athwart the dusk,
When some one batters at the dovecote-doors,
Disorderly the women. Alone I stood
With Florian, cursing Cyril, vext at heart,
In the pavilion: there like parting hopes
I heard them passing from me: hoof by hoof,
And every hoof a knell to my desires,
Clanged on the bridge; and then another shriek,
'The Head, the Head, the Princess, O the Head!'
For blind with rage she missed the plank, and rolled
In the river. Out I sprang from glow to gloom:
There whirled her white robe like a blossomed branch
Rapt to the horrible fall: a glance I gave,
No more; but woman-vested as I was
Plunged; and the flood drew; yet I caught her; then
Oaring one arm, and bearing in my left
The weight of all the hopes of half the world,
Strove to buffet to land in vain. A tree
Was half-disrooted from his place and stooped
To wrench his dark locks in the gurgling wave
Mid-channel. Right on this we drove and caught,
And grasping down the boughs I gained the shore.
There stood her maidens glimmeringly grouped
In the hollow bank. One reaching forward drew
My burthen from mine arms; they cried 'she lives:'
They bore her back into the tent: but I,
So much a kind of shame within me wrought,
Not yet endured to meet her opening eyes,
Nor found my friends; but pushed alone on foot
(For since her horse was lost I left her mine)
Across the woods, and less from Indian craft
Than beelike instinct hiveward, found at length
The garden portals. Two great statues, Art
And Science, Caryatids, lifted up
A weight of emblem, and betwixt were valves
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Of open-work in which the hunter rued
His rash intrusion, manlike, but his brows
Had sprouted, and the branches thereupon
Spread out at top, and grimly spiked the gates.
A little space was left between the horns,
Through which I clambered o'er at top with pain,
Dropt on the sward, and up the linden walks,
And, tost on thoughts that changed from hue to hue,
Now poring on the glowworm, now the star,
I paced the terrace, till the Bear had wheeled
Through a great arc his seven slow suns.
A step
Of lightest echo, then a loftier form
Than female, moving through the uncertain gloom,
Disturbed me with the doubt 'if this were she,'
But it was Florian. 'Hist O Hist,' he said,
'They seek us: out so late is out of rules.
Moreover "seize the strangers" is the cry.
How came you here?' I told him: 'I' said he,
'Last of the train, a moral leper, I,
To whom none spake, half-sick at heart, returned.
Arriving all confused among the rest
With hooded brows I crept into the hall,
And, couched behind a Judith, underneath
The head of Holofernes peeped and saw.
Girl after girl was called to trial: each
Disclaimed all knowledge of us: last of all,
Melissa: trust me, Sir, I pitied her.
She, questioned if she knew us men, at first
Was silent; closer prest, denied it not:
And then, demanded if her mother knew,
Or Psyche, she affirmed not, or denied:
From whence the Royal mind, familiar with her,
Easily gathered either guilt. She sent
For Psyche, but she was not there; she called
For Psyche's child to cast it from the doors;
She sent for Blanche to accuse her face to face;
And I slipt out: but whither will you now?
And where are Psyche, Cyril? both are fled:
What, if together? that were not so well.
Would rather we had never come! I dread
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His wildness, and the chances of the dark.'
'And yet,' I said, 'you wrong him more than I
That struck him: this is proper to the clown,
Though smocked, or furred and purpled, still the clown,
To harm the thing that trusts him, and to shame
That which he says he loves: for Cyril, howe'er
He deal in frolic, as tonight--the song
Might have been worse and sinned in grosser lips
Beyond all pardon--as it is, I hold
These flashes on the surface are not he.
He has a solid base of temperament:
But as the waterlily starts and slides
Upon the level in little puffs of wind,
Though anchored to the bottom, such is he.'
Scarce had I ceased when from a tamarisk near
Two Proctors leapt upon us, crying, 'Names:'
He, standing still, was clutched; but I began
To thrid the musky-circled mazes, wind
And double in and out the boles, and race
By all the fountains: fleet I was of foot:
Before me showered the rose in flakes; behind
I heard the puffed pursuer; at mine ear
Bubbled the nightingale and heeded not,
And secret laughter tickled all my soul.
At last I hooked my ankle in a vine,
That claspt the feet of a Mnemosyne,
And falling on my face was caught and known.
They haled us to the Princess where she sat
High in the hall: above her drooped a lamp,
And made the single jewel on her brow
Burn like the mystic fire on a mast-head,
Prophet of storm: a handmaid on each side
Bowed toward her, combing out her long black hair
Damp from the river; and close behind her stood
Eight daughters of the plough, stronger than men,
Huge women blowzed with health, and wind, and rain,
And labour. Each was like a Druid rock;
Or like a spire of land that stands apart
Cleft from the main, and wailed about with mews.
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Then, as we came, the crowd dividing clove
An advent to the throne: and therebeside,
Half-naked as if caught at once from bed
And tumbled on the purple footcloth, lay
The lily-shining child; and on the left,
Bowed on her palms and folded up from wrong,
Her round white shoulder shaken with her sobs,
Melissa knelt; but Lady Blanche erect
Stood up and spake, an affluent orator.
'It was not thus, O Princess, in old days:
You prized my counsel, lived upon my lips:
I led you then to all the Castalies;
I fed you with the milk of every Muse;
I loved you like this kneeler, and you me
Your second mother: those were gracious times.
Then came your new friend: you began to change-I saw it and grieved--to slacken and to cool;
Till taken with her seeming openness
You turned your warmer currents all to her,
To me you froze: this was my meed for all.
Yet I bore up in part from ancient love,
And partly that I hoped to win you back,
And partly conscious of my own deserts,
And partly that you were my civil head,
And chiefly you were born for something great,
In which I might your fellow-worker be,
When time should serve; and thus a noble scheme
Grew up from seed we two long since had sown;
In us true growth, in her a Jonah's gourd,
Up in one night and due to sudden sun:
We took this palace; but even from the first
You stood in your own light and darkened mine.
What student came but that you planed her path
To Lady Psyche, younger, not so wise,
A foreigner, and I your countrywoman,
I your old friend and tried, she new in all?
But still her lists were swelled and mine were lean;
Yet I bore up in hope she would be known:
Then came these wolves: ~they~ knew her: ~they~ endured,
Long-closeted with her the yestermorn,
755
To tell her what they were, and she to hear:
And me none told: not less to an eye like mine
A lidless watcher of the public weal,
Last night, their mask was patent, and my foot
Was to you: but I thought again: I feared
To meet a cold "We thank you, we shall hear of it
From Lady Psyche:" you had gone to her,
She told, perforce; and winning easy grace
No doubt, for slight delay, remained among us
In our young nursery still unknown, the stem
Less grain than touchwood, while my honest heat
Were all miscounted as malignant haste
To push my rival out of place and power.
But public use required she should be known;
And since my oath was ta'en for public use,
I broke the letter of it to keep the sense.
I spoke not then at first, but watched them well,
Saw that they kept apart, no mischief done;
And yet this day (though you should hate me for it)
I came to tell you; found that you had gone,
Ridden to the hills, she likewise: now, I thought,
That surely she will speak; if not, then I:
Did she? These monsters blazoned what they were,
According to the coarseness of their kind,
For thus I hear; and known at last (my work)
And full of cowardice and guilty shame,
I grant in her some sense of shame, she flies;
And I remain on whom to wreak your rage,
I, that have lent my life to build up yours,
I that have wasted here health, wealth, and time,
And talent, I--you know it--I will not boast:
Dismiss me, and I prophesy your plan,
Divorced from my experience, will be chaff
For every gust of chance, and men will say
We did not know the real light, but chased
The wisp that flickers where no foot can tread.'
She ceased: the Princess answered coldly, 'Good:
Your oath is broken: we dismiss you: go.
For this lost lamb (she pointed to the child)
Our mind is changed: we take it to ourself.'
756
Thereat the Lady stretched a vulture throat,
And shot from crooked lips a haggard smile.
'The plan was mine. I built the nest' she said
'To hatch the cuckoo. Rise!' and stooped to updrag
Melissa: she, half on her mother propt,
Half-drooping from her, turned her face, and cast
A liquid look on Ida, full of prayer,
Which melted Florian's fancy as she hung,
A Niobëan daughter, one arm out,
Appealing to the bolts of Heaven; and while
We gazed upon her came a little stir
About the doors, and on a sudden rushed
Among us, out of breath as one pursued,
A woman-post in flying raiment. Fear
Stared in her eyes, and chalked her face, and winged
Her transit to the throne, whereby she fell
Delivering sealed dispatches which the Head
Took half-amazed, and in her lion's mood
Tore open, silent we with blind surmise
Regarding, while she read, till over brow
And cheek and bosom brake the wrathful bloom
As of some fire against a stormy cloud,
When the wild peasant rights himself, the rick
Flames, and his anger reddens in the heavens;
For anger most it seemed, while now her breast,
Beaten with some great passion at her heart,
Palpitated, her hand shook, and we heard
In the dead hush the papers that she held
Rustle: at once the lost lamb at her feet
Sent out a bitter bleating for its dam;
The plaintive cry jarred on her ire; she crushed
The scrolls together, made a sudden turn
As if to speak, but, utterance failing her,
She whirled them on to me, as who should say
'Read,' and I read--two letters--one her sire's.
'Fair daughter, when we sent the Prince your way,
We knew not your ungracious laws, which learnt,
We, conscious of what temper you are built,
Came all in haste to hinder wrong, but fell
Into his father's hands, who has this night,
You lying close upon his territory,
757
Slipt round and in the dark invested you,
And here he keeps me hostage for his son.'
The second was my father's running thus:
'You have our son: touch not a hair of his head:
Render him up unscathed: give him your hand:
Cleave to your contract: though indeed we hear
You hold the woman is the better man;
A rampant heresy, such as if it spread
Would make all women kick against their Lords
Through all the world, and which might well deserve
That we this night should pluck your palace down;
And we will do it, unless you send us back
Our son, on the instant, whole.'
So far I read;
And then stood up and spoke impetuously.
'O not to pry and peer on your reserve,
But led by golden wishes, and a hope
The child of regal compact, did I break
Your precinct; not a scorner of your sex
But venerator, zealous it should be
All that it might be: hear me, for I bear,
Though man, yet human, whatsoe'er your wrongs,
From the flaxen curl to the gray lock a life
Less mine than yours: my nurse would tell me of you;
I babbled for you, as babies for the moon,
Vague brightness; when a boy, you stooped to me
From all high places, lived in all fair lights,
Came in long breezes rapt from inmost south
And blown to inmost north; at eve and dawn
With Ida, Ida, Ida, rang the woods;
The leader wildswan in among the stars
Would clang it, and lapt in wreaths of glowworm light
The mellow breaker murmured Ida. Now,
Because I would have reached you, had you been
Sphered up with Cassiopëia, or the enthroned
Persephonè in Hades, now at length,
Those winters of abeyance all worn out,
A man I came to see you: but indeed,
Not in this frequence can I lend full tongue,
O noble Ida, to those thoughts that wait
758
On you, their centre: let me say but this,
That many a famous man and woman, town
And landskip, have I heard of, after seen
The dwarfs of presage: though when known, there grew
Another kind of beauty in detail
Made them worth knowing; but in your I found
My boyish dream involved and dazzled down
And mastered, while that after-beauty makes
Such head from act to act, from hour to hour,
Within me, that except you slay me here,
According to your bitter statute-book,
I cannot cease to follow you, as they say
The seal does music; who desire you more
Than growing boys their manhood; dying lips,
With many thousand matters left to do,
The breath of life; O more than poor men wealth,
Than sick men health--yours, yours, not mine--but half
Without you; with you, whole; and of those halves
You worthiest; and howe'er you block and bar
Your heart with system out from mine, I hold
That it becomes no man to nurse despair,
But in the teeth of clenched antagonisms
To follow up the worthiest till he die:
Yet that I came not all unauthorized
Behold your father's letter.'
On one knee
Kneeling, I gave it, which she caught, and dashed
Unopened at her feet: a tide of fierce
Invective seemed to wait behind her lips,
As waits a river level with the dam
Ready to burst and flood the world with foam:
And so she would have spoken, but there rose
A hubbub in the court of half the maids
Gathered together: from the illumined hall
Long lanes of splendour slanted o'er a press
Of snowy shoulders, thick as herded ewes,
And rainbow robes, and gems and gemlike eyes,
And gold and golden heads; they to and fro
Fluctuated, as flowers in storm, some red, some pale,
All open-mouthed, all gazing to the light,
Some crying there was an army in the land,
And some that men were in the very walls,
759
And some they cared not; till a clamour grew
As of a new-world Babel, woman-built,
And worse-confounded: high above them stood
The placid marble Muses, looking peace.
Not peace she looked, the Head: but rising up
Robed in the long night of her deep hair, so
To the open window moved, remaining there
Fixt like a beacon-tower above the waves
Of tempest, when the crimson-rolling eye
Glares ruin, and the wild birds on the light
Dash themselves dead. She stretched her arms and called
Across the tumult and the tumult fell.
'What fear ye, brawlers? am not I your Head?
On me, me, me, the storm first breaks: ~I~ dare
All these male thunderbolts: what is it ye fear?
Peace! there are those to avenge us and they come:
If not,--myself were like enough, O girls,
To unfurl the maiden banner of our rights,
And clad in iron burst the ranks of war,
Or, falling, promartyr of our cause,
Die: yet I blame you not so much for fear:
Six thousand years of fear have made you that
From which I would redeem you: but for those
That stir this hubbub--you and you--I know
Your faces there in the crowd--tomorrow morn
We hold a great convention: then shall they
That love their voices more than duty, learn
With whom they deal, dismissed in shame to live
No wiser than their mothers, household stuff,
Live chattels, mincers of each other's fame,
Full of weak poison, turnspits for the clown,
The drunkard's football, laughing-stocks of Time,
Whose brains are in their hands and in their heels
But fit to flaunt, to dress, to dance, to thrum,
To tramp, to scream, to burnish, and to scour,
For ever slaves at home and fools abroad.'
She, ending, waved her hands: thereat the crowd
Muttering, dissolved: then with a smile, that looked
A stroke of cruel sunshine on the cliff,
760
When all the glens are drowned in azure gloom
Of thunder-shower, she floated to us and said:
'You have done well and like a gentleman,
And like a prince: you have our thanks for all:
And you look well too in your woman's dress:
Well have you done and like a gentleman.
You saved our life: we owe you bitter thanks:
Better have died and spilt our bones in the flood-Then men had said--but now--What hinders me
To take such bloody vengeance on you both?-Yet since our father--Wasps in our good hive,
You would-be quenchers of the light to be,
Barbarians, grosser than your native bears-O would I had his sceptre for one hour!
You that have dared to break our bound, and gulled
Our servants, wronged and lied and thwarted us-~I~ wed with thee! ~I~ bound by precontract
Your bride, our bondslave! not though all the gold
That veins the world were packed to make your crown,
And every spoken tongue should lord you. Sir,
Your falsehood and yourself are hateful to us:
I trample on your offers and on you:
Begone: we will not look upon you more.
Here, push them out at gates.'
In wrath she spake.
Then those eight mighty daughters of the plough
Bent their broad faces toward us and addressed
Their motion: twice I sought to plead my cause,
But on my shoulder hung their heavy hands,
The weight of destiny: so from her face
They pushed us, down the steps, and through the court,
And with grim laughter thrust us out at gates.
We crossed the street and gained a petty mound
Beyond it, whence we saw the lights and heard the voices murmuring. While I
listened, came
On a sudden the weird seizure and the doubt:
I seemed to move among a world of ghosts;
The Princess with her monstrous woman-guard,
The jest and earnest working side by side,
The cataract and the tumult and the kings
761
Were shadows; and the long fantastic night
With all its doings had and had not been,
And all things were and were not.
This went by
As strangely as it came, and on my spirits
Settled a gentle cloud of melancholy;
Not long; I shook it off; for spite of doubts
And sudden ghostly shadowings I was one
To whom the touch of all mischance but came
As night to him that sitting on a hill
Sees the midsummer, midnight, Norway sun
Set into sunrise; then we moved away.
Thy voice is heard through rolling drums,
That beat to battle where he stands;
Thy face across his fancy comes,
And gives the battle to his hands:
A moment, while the trumpets blow,
He sees his brood about thy knee;
The next, like fire he meets the foe,
And strikes him dead for thine and thee.
So Lilia sang: we thought her half-possessed,
She struck such warbling fury through the words;
And, after, feigning pique at what she called
The raillery, or grotesque, or false sublime-Like one that wishes at a dance to change
The music--clapt her hands and cried for war,
Or some grand fight to kill and make an end:
And he that next inherited the tale
Half turning to the broken statue, said,
'Sir Ralph has got your colours: if I prove
Your knight, and fight your battle, what for me?'
It chanced, her empty glove upon the tomb
Lay by her like a model of her hand.
She took it and she flung it. 'Fight' she said,
'And make us all we would be, great and good.'
He knightlike in his cap instead of casque,
A cap of Tyrol borrowed from the hall,
Arranged the favour, and assumed the Prince.
762
~ Alfred Lord Tennyson,#NFDB
162:Scene. Wrzburg; a garden in the environs. 1512.
Festus, Paracelsus, Michal.
Paracelsus.
Come close to me, dear friends; still closer; thus!
Close to the heart which, though long time roll by
Ere it again beat quicker, pressed to yours,
As now it beatsperchance a long, long time
At least henceforth your memories shall make
Quiet and fragrant as befits their home.
Nor shall my memory want a home in yours
Alas, that it requires too well such free
Forgiving love as shall embalm it there!
For if you would remember me aright,
As I was born to be, you must forget
All fitful strange and moody waywardness
Which e'er confused my better spirit, to dwell
Only on moments such as these, dear friends!
My heart no truer, but my words and ways
More true to it: as Michal, some months hence,
Will say, "this autumn was a pleasant time,"
For some few sunny days; and overlook
Its bleak wind, hankering after pining leaves.
Autumn would fain be sunny; I would look
Liker my nature's truth: and both are frail,
And both beloved, for all our frailty.
Michal.
Aureole!
Paracelsus.
Drop by drop! she is weeping like a child!
Not so! I am contentmore than content;
Nay, autumn wins you best by this its mute
Appeal to sympathy for its decay:
Look up, sweet Michal, nor esteem the less
Your stained and drooping vines their grapes bow down,
Nor blame those creaking trees bent with their fruit,
That apple-tree with a rare after-birth
Of peeping blooms sprinkled its wealth among!
Then for the windswhat wind that ever raved
Shall vex that ash which overlooks you both,
So proud it wears its berries? Ah, at length,
The old smile meet for her, the lady of this
Sequestered nest!this kingdom, limited
Alone by one old populous green wall
Tenanted by the ever-busy flies,
Grey crickets and shy lizards and quick spiders,
Each family of the silver-threaded moss
Which, look through near, this way, and it appears
A stubble-field or a cane-brake, a marsh
Of bulrush whitening in the sun: laugh now!
Fancy the crickets, each one in his house,
Looking out, wondering at the worldor best,
Yon painted snail with his gay shell of dew,
Travelling to see the glossy balls high up
Hung by the caterpillar, like gold lamps.
Michal.
In truth we have lived carelessly and well.
Paracelsus.
And shall, my perfect pair!each, trust me, born
For the other; nay, your very hair, when mixed,
Is of one hue. For where save in this nook
Shall you two walk, when I am far away,
And wish me prosperous fortune? Stay: that plant
Shall never wave its tangles lightly and softly,
As a queen's languid and imperial arm
Which scatters crowns among her lovers, but you
Shall be reminded to predict to me
Some great success! Ah see, the sun sinks broad
Behind Saint Saviour's: wholly gone, at last!
Festus.
Now, Aureole, stay those wandering eyes awhile!
You are ours to-night, at least; and while you spoke
Of Michal and her tears, I thought that none
Could willing leave what he so seemed to love:
But that last look destroys my dreamthat look
As if, where'er you gazed, there stood a star!
How far was Wrzburg with its church and spire
And garden-walls and all things they contain,
From that look's far alighting?
Paracelsus.
I but spoke
And looked alike from simple joy to see
The beings I love best, shut in so well
From all rude chances like to be my lot,
That, when afar, my weary spirit,disposed
To lose awhile its care in soothing thoughts
Of them, their pleasant features, looks and words,
Needs never hesitate, nor apprehend
Encroaching trouble may have reached them too,
Nor have recourse to fancy's busy aid
And fashion even a wish in their behalf
Beyond what they possess already here;
But, unobstructed, may at once forget
Itself in them, assured how well they fare.
Beside, this Festus knows he holds me one
Whom quiet and its charms arrest in vain,
One scarce aware of all the joys I quit,
Too filled with airy hopes to make account
Of soft delights his own heart garners up:
Whereas behold how much our sense of all
That's beauteous proves alike! When Festus learns
That every common pleasure of the world
Affects me as himself; that I have just
As varied appetite for joy derived
From common things; a stake in life, in short,
Like his; a stake which rash pursuit of aims
That life affords not, would as soon destroy;
He may convince himself that, this in view,
I shall act well advised. And last, because,
Though heaven and earth and all things were at stake,
Sweet Michal must not weep, our parting eve.
Festus.
True: and the eve is deepening, and we sit
As little anxious to begin our talk
As though to-morrow I could hint of it
As we paced arm-in-arm the cheerful town
At sun-dawn; or could whisper it by fits
(Trithemius busied with his class the while)
In that dim chamber where the noon-streaks peer
Half-frightened by the awful tomes around;
Or in some grassy lane unbosom all
From even-blush to midnight: but, to-morrow!
Have I full leave to tell my inmost mind?
We have been brothers, and henceforth the world
Will rise between us:all my freest mind?
'T is the last night, dear Aureole!
Paracelsus.
Oh, say on!
Devise some test of love, some arduous feat
To be performed for you: say on! If night
Be spent the while, the better! Recall how oft
My wondrous plans and dreams and hopes and fears
Havenever wearied you, oh no!as I
Recall, and never vividly as now,
Your true affection, born when Einsiedeln
And its green hills were all the world to us;
And still increasing to this night which ends
My further stay at Wrzburg. Oh, one day
You shall be very proud! Say on, dear friends!
Festus.
In truth? 'T is for my proper peace, indeed,
Rather than yours; for vain all projects seem
To stay your course: I said my latest hope
Is fading even now. A story tells
Of some far embassy despatched to win
The favour of an eastern king, and how
The gifts they offered proved but dazzling dust
Shed from the ore-beds native to his clime.
Just so, the value of repose and love,
I meant should tempt you, better far than I
You seem to comprehend; and yet desist
No whit from projects where repose nor love
Has part.
Paracelsus.
Once more? Alas! As I foretold.
Festus.
A solitary briar the bank puts forth
To save our swan's nest floating out to sea.
Paracelsus.
Dear Festus, hear me. What is it you wish?
That I should lay aside my heart's pursuit,
Abandon the sole ends for which I live,
Reject God's great commission, and so die!
You bid me listen for your true love's sake:
Yet how has grown that love? Even in a long
And patient cherishing of the self-same spirit
It now would quell; as though a mother hoped
To stay the lusty manhood of the child
Once weak upon her knees. I was not born
Informed and fearless from the first, but shrank
From aught which marked me out apart from men:
I would have lived their life, and died their death,
Lost in their ranks, eluding destiny:
But you first guided me through doubt and fear,
Taught me to know mankind and know myself;
And now that I am strong and full of hope,
That, from my soul, I can reject all aims
Save those your earnest words made plain to me,
Now that I touch the brink of my design,
When I would have a triumph in their eyes,
A glad cheer in their voicesMichal weeps,
And Festus ponders gravely!
Festus.
When you deign
To hear my purpose . . .
Paracelsus.
Hear it? I can say
Beforehand all this evening's conference!
'T is this way, Michal, that he uses: first,
Or he declares, or I, the leading points
Of our best scheme of life, what is man's end
And what God's will; no two faiths e'er agreed
As his with mine. Next, each of us allows
Faith should be acted on as best we may;
Accordingly, I venture to submit
My plan, in lack of better, for pursuing
The path which God's will seems to authorize.
Well, he discerns much good in it, avows
This motive worthy, that hope plausible,
A danger here to be avoided, there
An oversight to be repaired: in fine
Our two minds go togetherall the good
Approved by him, I gladly recognize,
All he counts bad, I thankfully discard,
And nought forbids my looking up at last
For some stray comfort in his cautious brow.
When, lo! I learn that, spite of all, there lurks
Some innate and inexplicable germ
Of failure in my scheme; so that at last
It all amounts to thisthe sovereign proof
That we devote ourselves to God, is seen
In living just as though no God there were;
A life which, prompted by the sad and blind
Folly of man, Festus abhors the most;
But which these tenets sanctify at once,
Though to less subtle wits it seems the same,
Consider it how they may.
Michal.
Is it so, Festus
He speaks so calmly and kindly: is it so?
Paracelsus.
Reject those glorious visions of God's love
And man's design; laugh loud that God should send
Vast longings to direct us; say how soon
Power satiates these, or lust, or gold; I know
The world's cry well, and how to answer it.
But this ambiguous warfare . . .
Festus.
. . . Wearies so
That you will grant no last leave to your friend
To urge it?for his sake, not yours? I wish
To send my soul in good hopes after you;
Never to sorrow that uncertain words
Erringly apprehended, a new creed
Ill understood, begot rash trust in you,
Had share in your undoing.
Paracelsus.
Choose your side,
Hold or renounce: but meanwhile blame me not
Because I dare to act on your own views,
Nor shrink when they point onward, nor espy
A peril where they most ensure success.
Festus.
Prove that to mebut that! Prove you abide
Within their warrant, nor presumptuous boast
God's labour laid on you; prove, all you covet
A mortal may expect; and, most of all,
Prove the strange course you now affect, will lead
To its attainmentand I bid you speed,
Nay, count the minutes till you venture forth!
You smile; but I had gathered from slow thought
Much musing on the fortunes of my friend
Matter I deemed could not be urged in vain;
But it all leaves me at my need: in shreds
And fragments I must venture what remains.
Michal.
Ask at once, Festus, wherefore he should scorn . . .
Festus.
Stay, Michal: Aureole, I speak guardedly
And gravely, knowing well, whate'er your error,
This is no ill-considered choice of yours,
No sudden fancy of an ardent boy.
Not from your own confiding words alone
Am I aware your passionate heart long since
Gave birth to, nourished and at length matures
This scheme. I will not speak of Einsiedeln,
Where I was born your elder by some years
Only to watch you fully from the first:
In all beside, our mutual tasks were fixed
Even then't was mine to have you in my view
As you had your own soul and those intents
Which filled it when, to crown your dearest wish,
With a tumultuous heart, you left with me
Our childhood's home to join the favoured few
Whom, here, Trithemius condescends to teach
A portion of his lore: and not one youth
Of those so favoured, whom you now despise,
Came earnest as you came, resolved, like you,
To grasp all, and retain all, and deserve
By patient toil a wide renown like his.
Now, this new ardour which supplants the old
I watched, too; 't was significant and strange,
In one matched to his soul's content at length
With rivals in the search for wisdom's prize,
To see the sudden pause, the total change;
From contest, the transition to repose
From pressing onward as his fellows pressed,
To a blank idleness, yet most unlike
The dull stagnation of a soul, content,
Once foiled, to leave betimes a thriveless quest.
That careless bearing, free from all pretence
Even of contempt for what it ceased to seek
Smiling humility, praising much, yet waiving
What it professed to praisethough not so well
Maintained but that rare outbreaks, fierce and brief,
Revealed the hidden scorn, as quickly curbed.
That ostentatious show of past defeat,
That ready acquiescence in contempt,
I deemed no other than the letting go
His shivered sword, of one about to spring
Upon his foe's throat; but it was not thus:
Not that way looked your brooding purpose then.
For after-signs disclosed, what you confirmed,
That you prepared to task to the uttermost
Your strength, in furtherance of a certain aim
Whichwhile it bore the name your rivals gave
Their own most puny effortswas so vast
In scope that it included their best flights,
Combined them, and desired to gain one prize
In place of many,the secret of the world,
Of man, and man's true purpose, path and fate.
That you, not nursing as a mere vague dream
This purpose, with the sages of the past,
Have struck upon a way to this, if all
You trust be true, which following, heart and soul,
You, if a man may, dare aspire to know:
And that this aim shall differ from a host
Of aims alike in character and kind,
Mostly in this,that in itself alone
Shall its reward be, not an alien end
Blending therewith; no hope nor fear nor joy
Nor woe, to elsewhere move you, but this pure
Devotion to sustain you or betray:
Thus you aspire.
Paracelsus.
You shall not state it thus:
I should not differ from the dreamy crew
You speak of. I profess no other share
In the selection of my lot, than this
My ready answer to the will of God
Who summons me to be his organ. All
Whose innate strength supports them shall succeed
No better than the sages.
Festus.
Such the aim, then,
God sets before you; and't is doubtless need
That he appoint no less the way of praise
Than the desire to praise; for, though I hold
With you, the setting forth such praise to be
The natural end and service of a man,
And hold such praise is best attained when man
Attains the general welfare of his kind
Yet this, the end, is not the instrument.
Presume not to serve God apart from such
Appointed channel as he wills shall gather
Imperfect tributes, for that sole obedience
Valued perchance! He seeks not that his altars
Blaze, careless how, so that they do but blaze.
Suppose this, then; that God selected you
To know (heed well your answers, for my faith
Shall meet implicitly what they affirm)
I cannot think you dare annex to such
Selection aught beyond a steadfast will,
An intense hope; nor let your gifts create
Scorn or neglect of ordinary means
Conducive to success, make destiny
Dispense with man's endeavour. Now, dare you search
Your inmost heart, and candidly avow
Whether you have not rather wild desire
For this distinction than security
Of its existence? whether you discern
The path to the fulfilment of your purpose
Clear as that purposeand again, that purpose
Clear as your yearning to be singled out
For its pursuer. Dare you answer this?
Paracelsus
[after a pause].
No, I have nought to fear! Who will may know
The secret'st workings of my soul. What though
It be so?if indeed the strong desire
Eclipse the aim in me?if splendour break
Upon the outset of my path alone,
And duskest shade succeed? What fairer seal
Shall I require to my authentic mission
Than this fierce energy?this instinct striving
Because its nature is to strive?enticed
By the security of no broad course,
Without success forever in its eyes!
How know I else such glorious fate my own,
But in the restless irresistible force
That works within me? Is it for human will
To institute such impulses?still less,
To disregard their promptings! What should I
Do, kept among you all; your loves, your cares,
Your lifeall to be mine? Be sure that God
Ne'er dooms to waste the strength he deigns impart!
Ask the geier-eagle why she stoops at once
Into the vast and unexplored abyss,
What full-grown power informs her from the first,
Why she not marvels, strenuously beating
The silent boundless regions of the sky!
Be sure they sleep not whom God needs! Nor fear
Their holding light his charge, when every hour
That finds that charge delayed, is a new death.
This for the faith in which I trust; and hence
I can abjure so well the idle arts
These pedants strive to learn and teach; Black Arts,
Great Works, the Secret and Sublime, forsooth
Let others prize: too intimate a tie
Connects me with our God! A sullen fiend
To do my bidding, fallen and hateful sprites
To help mewhat are these, at best, beside
God helping, God directing everywhere,
So that the earth shall yield her secrets up,
And every object there be charged to strike,
Teach, gratify her master God appoints?
And I am young, my Festus, happy and free!
I can devote myself; I have a life
To give; I, singled out for this, the One!
Think, think! the wide East, where all Wisdom sprung;
The bright South, where she dwelt; the hopeful North,
All are passed o'erit lights on me! 'T is time
New hopes should animate the world, new light
Should dawn from new revealings to a race
Weighed down so long, forgotten so long; thus shall
The heaven reserved for us at last receive
Creatures whom no unwonted splendours blind,
But ardent to confront the unclouded blaze.
Whose beams not seldom blessed their pilgrimage,
Not seldom glorified their life below.
Festus.
My words have their old fate and make faint stand
Against your glowing periods. Call this, truth
Why not pursue it in a fast retreat,
Some one of Learning's many palaces,
After approved example?seeking there
Calm converse with the great dead, soul to soul,
Who laid up treasure with the like intent
So lift yourself into their airy place,
And fill out full their unfulfilled careers,
Unravelling the knots their baffled skill
Pronounced inextricable, true!but left
Far less confused. A fresh eye, a fresh hand,
Might do much at their vigour's waning-point;
Succeeding with new-breathed new-hearted force,
As at old games the runner snatched the torch
From runner still: this way success might be.
But you have coupled with your enterprise,
An arbitrary self-repugnant scheme
Of seeking it in strange and untried paths.
What books are in the desert? Writes the sea
The secret of her yearning in vast caves
Where yours will fall the first of human feet?
Has wisdom sat there and recorded aught
You press to read? Why turn aside from her
To visit, where her vesture never glanced,
Nowsolitudes consigned to barrenness
By God's decree, which who shall dare impugn?
Nowruins where she paused but would not stay,
Old ravaged cities that, renouncing her,
She called an endless curse on, so it came:
Or worst of all, nowmen you visit, men,
Ignoblest troops who never heard her voice
Or hate it, men without one gift from Rome
Or Athens,these shall Aureole's teachers be!
Rejecting past example, practice, precept,
Aidless'mid these he thinks to stand alone:
Thick like a glory round the Stagirite
Your rivals throng, the sages: here stand you!
Whatever you may protest, knowledge is not
Paramount in your love; or for her sake
You would collect all help from every source
Rival, assistant, friend, foe, all would merge
In the broad class of those who showed her haunts,
And those who showed them not.
Paracelsus.
What shall I say?
Festus, from childhood I have been possessed
By a fireby a true fire, or faint or fierce,
As from without some master, so it seemed,
Repressed or urged its current: this but ill
Expresses what would I convey: but rather
I will believe an angel ruled me thus,
Than that my soul's own workings, own high nature,
So became manifest. I knew not then
What whispered in the evening, and spoke out
At midnight. If some mortal, born too soon,
Were laid away in some great trancethe ages
Coming and going all the whiletill dawned
His true time's advent; and could then record
The words they spoke who kept watch by his bed,
Then I might tell more of the breath so light
Upon my eyelids, and the fingers light
Among my hair. Youth is confused; yet never
So dull was I but, when that spirit passed,
I turned to him, scarce consciously, as turns
A water-snake when fairies cross his sleep.
And having this within me and about me
While Einsiedeln, its mountains, lakes and woods
Confined mewhat oppressive joy was mine
When life grew plain, and I first viewed the thronged,
The everlasting concourse of mankind!
Believe that ere I joined them, ere I knew
The purpose of the pageant, or the place
Consigned me in its rankswhile, just awake,
Wonder was freshest and delight most pure
'T was then that least supportable appeared
A station with the brightest of the crowd,
A portion with the proudest of them all.
And from the tumult in my breast, this only
Could I collect, that I must thenceforth die
Or elevate myself far, far above
The gorgeous spectacle. I seemed to long
At once to trample on, yet save mankind,
To make some unexampled sacrifice
In their behalf, to wring some wondrous good
From heaven or earth for them, to perish, winning
Eternal weal in the act: as who should dare
Pluck out the angry thunder from its cloud,
That, all its gathered flame discharged on him,
No storm might threaten summer's azure sleep:
Yet never to be mixed with men so much
As to have part even in my own work, share
In my own largess. Once the feat achieved,
I would withdraw from their officious praise,
Would gently put aside their profuse thanks.
Like some knight traversing a wilderness,
Who, on his way, may chance to free a tribe
Of desert-people from their dragon-foe;
When all the swarthy race press round to kiss
His feet, and choose him for their king, and yield
Their poor tents, pitched among the sand-hills, for
His realm: and he points, smiling, to his scarf
Heavy with riveled gold, his burgonet
Gay set with twinkling stonesand to the East,
Where these must be displayed!
Festus.
Good: let us hear
No more about your nature, "which first shrank
"From all that marked you out apart from men!"
Paracelsus.
I touch on that; these words but analyse
The first mad impulse: 't was as brief as fond,
For as I gazed again upon the show,
I soon distinguished here and there a shape
Palm-wreathed and radiant, forehead and full eye.
Well pleased was I their state should thus at once
Interpret my own thoughts:"Behold the clue
"To all," I rashly said, "and what I pine
"To do, these have accomplished: we are peers.
"They know and therefore rule: I, too, will know!"
You were beside me, Festus, as you say;
You saw me plunge in their pursuits whom fame
Is lavish to attest the lords of mind,
Not pausing to make sure the prize in view
Would satiate my cravings when obtained,
But since they strove I strove. Then came a slow
And strangling failure. We aspired alike,
Yet not the meanest plodder, Tritheim counts
A marvel, but was all-sufficient, strong,
Or staggered only at his own vast wits;
While I was restless, nothing satisfied,
Distrustful, most perplexed. I would slur over
That struggle; suffice it, that I loathed myself
As weak compared with them, yet felt somehow
A mighty power was brooding, taking shape
Within me; and this lasted till one night
When, as I sat revolving it and more,
A still voice from without said"Seest thou not,
"Desponding child, whence spring defeat and loss?
"Even from thy strength. Consider: hast thou gazed
"Presumptuously on wisdom's countenance,
"No veil between; and can thy faltering hands,
"Unguided by the brain the sight absorbs,
"Pursue their task as earnest blinkers do
"Whom radiance ne'er distracted? Live their life
"If thou wouldst share their fortune, choose their eyes
"Unfed by splendour. Let each task present
"Its petty good to thee. Waste not thy gifts
"In profitless waiting for the gods' descent,
"But have some idol of thine own to dress
"With their array. Know, not for knowing's sake,
"But to become a star to men for ever;
"Know, for the gain it gets, the praise it brings,
"The wonder it inspires, the love it breeds:
"Look one step onward, and secure that step!"
And I smiled as one never smiles but once,
Then first discovering my own aim's extent,
Which sought to comprehend the works of God,
And God himself, and all God's intercourse
With the human mind; I understood, no less,
My fellows' studies, whose true worth I saw,
But smiled not, well aware who stood by me.
And softer came the voice"There is a way:
"'T is hard for flesh to tread therein, imbued
"With frailtyhopeless, if indulgence first
"Have ripened inborn germs of sin to strength:
"Wilt thou adventure for my sake and man's,
"Apart from all reward?" And last it breathed
"Be happy, my good soldier; I am by thee,
"Be sure, even to the end!"I answered not,
Knowing him. As he spoke, I was endued
With comprehension and a steadfast will;
And when he ceased, my brow was sealed his own.
If there took place no special change in me,
How comes it all things wore a different hue
Thenceforward?pregnant with vast consequence,
Teeming with grand result, loaded with fate?
So that when, quailing at the mighty range
Of secret truths which yearn for birth, I haste
To contemplate undazzled some one truth,
Its bearings and effects aloneat once
What was a speck expands into a star,
Asking a life to pass exploring thus,
Till I near craze. I go to prove my soul!
I see my way as birds their trackless way.
I shall arrive! what time, what circuit first,
I ask not: but unless God send his hail
Or blinding fireballs, sleet or stifling snow,
In some time, his good time, I shall arrive:
He guides me and the bird. In his good time!
Michal.
Vex him no further, Festus; it is so!
Festus.
Just thus you help me ever. This would hold
Were it the trackless air, and not a path
Inviting you, distinct with footprints yet
Of many a mighty marcher gone that way.
You may have purer views than theirs, perhaps,
But they were famous in their daythe proofs
Remain. At least accept the light they lend.
Paracelsus.
Their light! the sum of all is briefly this:
They laboured and grew famous, and the fruits
Are best seen in a dark and groaning earth
Given over to a blind and endless strife
With evils, what of all their lore abates?
No; I reject and spurn them utterly
And all they teach. Shall I still sit beside
Their dry wells, with a white lip and filmed eye,
While in the distance heaven is blue above
Mountains where sleep the unsunned tarns?
Festus.
And yet
As strong delusions have prevailed ere now.
Men have set out as gallantly to seek
Their ruin. I have heard of such: yourself
Avow all hitherto have failed and fallen.
Michal.
Nay, Festus, when but as the pilgrims faint
Through the drear way, do you expect to see
Their city dawn amid the clouds afar?
Paracelsus.
Ay, sounds it not like some old well-known tale?
For me, I estimate their works and them
So rightly, that at times I almost dream
I too have spent a life the sages' way,
And tread once more familiar paths. Perchance
I perished in an arrogant self-reliance
Ages ago; and in that act, a prayer
For one more chance went up so earnest, so
Instinct with better light let in by death,
That life was blotted outnot so completely
But scattered wrecks enough of it remain,
Dim memories, as now, when once more seems
The goal in sight again. All which, indeed,
Is foolish, and only meansthe flesh I wear,
The earth I tread, are not more clear to me
Than my belief, explained to you or no.
Festus.
And who am I, to challenge and dispute
That clear belief? I will divest all fear.
Michal.
Then Aureole is God's commissary! he shall
Be great and grandand all for us!
Paracelsus.
No, sweet!
Not great and grand. If I can serve mankind
'T is well; but there our intercourse must end:
I never will be served by those I serve.
Festus.
Look well to this; here is a plague-spot, here,
Disguise it how you may! 'T is true, you utter
This scorn while by our side and loving us;
'T is but a spot as yet: but it will break
Into a hideous blotch if overlooked.
How can that course be safe which from the first
Produces carelessness to human love?
It seems you have abjured the helps which men
Who overpass their kind, as you would do,
Have humbly sought; I dare not thoroughly probe
This matter, lest I learn too much. Let be
That popular praise would little instigate
Your efforts, nor particular approval
Reward you; put reward aside; alone
You shall go forth upon your arduous task,
None shall assist you, none partake your toil,
None share your triumph: still you must retain
Some one to cast your glory on, to share
Your rapture with. Were I elect like you,
I would encircle me with love, and raise
A rampart of my fellows; it should seem
Impossible for me to fail, so watched
By gentle friends who made my cause their own.
They should ward off fate's envythe great gift,
Extravagant when claimed by me alone,
Being so a gift to them as well as me.
If danger daunted me or ease seduced,
How calmly their sad eyes should gaze reproach!
Michal.
O Aureole, can I sing when all alone,
Without first calling, in my fancy, both
To listen by my sideeven I! And you?
Do you not feel this? Say that you feel this!
Paracelsus.
I feel't is pleasant that my aims, at length
Allowed their weight, should be supposed to need
A further strengthening in these goodly helps!
My course allures for its own sake, its sole
Intrinsic worth; and ne'er shall boat of mine
Adventure forth for gold and apes at once.
Your sages say, "if human, therefore weak:"
If weak, more need to give myself entire
To my pursuit; and by its side, all else . . .
No matter! I deny myself but little
In waiving all assistance save its own.
Would there were some real sacrifice to make!
Your friends the sages threw their joys away,
While I must be content with keeping mine.
Festus.
But do not cut yourself from human weal!
You cannot thrivea man that dares affect
To spend his life in service to his kind
For no reward of theirs, unbound to them
By any tie; nor do so, Aureole! No
There are strange punishments for such. Give up
(Although no visible good flow thence) some part
Of the glory to another; hiding thus,
Even from yourself, that all is for yourself.
Say, say almost to God"I have done all
"For her, not for myself!"
Paracelsus.
And who but lately
Was to rejoice in my success like you?
Whom should I love but both of you?
Festus.
I know not:
But know this, you, that't is no will of mine
You should abjure the lofty claims you make;
And this the causeI can no longer seek
To overlook the truth, that there would be
A monstrous spectacle upon the earth,
Beneath the pleasant sun, among the trees:
A being knowing not what love is. Hear me!
You are endowed with faculties which bear
Annexed to them as't were a dispensation
To summon meaner spirits to do their will
And gather round them at their need; inspiring
Such with a love themselves can never feel,
Passionless'mid their passionate votaries.
I know not if you joy in this or no,
Or ever dream that common men can live
On objects you prize lightly, but which make
Their heart's sole treasure: the affections seem
Beauteous at most to you, which we must taste
Or die: and this strange quality accords,
I know not how, with you; sits well upon
That luminous brow, though in another it scowls
An eating brand, a shame. I dare not judge you.
The rules of right and wrong thus set aside,
There's no alternativeI own you one
Of higher order, under other laws
Than bind us; therefore, curb not one bold glance!
'T is best aspire. Once mingled with us all . . .
Michal.
Stay with us, Aureole! cast those hopes away,
And stay with us! An angel warns me, too,
Man should be humble; you are very proud:
And God, dethroned, has doleful plagues for such!
Warns me to have in dread no quick repulse,
No slow defeat, but a complete success:
You will find all you seek, and perish so!
Paracelsus
[after a pause].
Are these the barren firstfruits of my quest?
Is love like this the natural lot of all?
How many years of pain might one such hour
O'erbalance? Dearest Michal, dearest Festus,
What shall I say, if not that I desire
To justify your love; and will, dear friends,
In swerving nothing from my first resolves.
See, the great moon! and ere the mottled owls
Were wide awake, I was to go. It seems
You acquiesce at last in all save this
If I am like to compass what I seek
By the untried career I choose; and then,
If that career, making but small account
Of much of life's delight, will yet retain
Sufficient to sustain my soul: for thus
I understand these fond fears just expressed.
And first; the lore you praise and I neglect,
The labours and the precepts of old time,
I have not lightly disesteemed. But, friends,
Truth is within ourselves; it takes no rise
From outward things, whate'er you may believe.
There is an inmost centre in us all,
Where truth abides in fulness; and around,
Wall upon wall, the gross flesh hems it in,
This perfect, clear perceptionwhich is truth.
A baffling and perverting carnal mesh
Binds it, and makes all error: and to know
Rather consists in opening out a way
Whence the imprisoned splendour may escape,
Than in effecting entry for a light
Supposed to be without. Watch narrowly
The demonstration of a truth, its birth,
And you trace back the effluence to its spring
And source within us; where broods radiance vast,
To be elicited ray by ray, as chance
Shall favour: chancefor hitherto, your sage
Even as he knows not how those beams are born,
As little knows he what unlocks their fount:
And men have oft grown old among their books
To die case-hardened in their ignorance,
Whose careless youth had promised what long years
Of unremitted labour ne'er performed:
While, contrary, it has chanced some idle day,
To autumn loiterers just as fancy-free
As the midges in the sun, gives birth at last
To truthproduced mysteriously as cape
Of cloud grown out of the invisible air.
Hence, may not truth be lodged alike in all,
The lowest as the highest? some slight film
The interposing bar which binds a soul
And makes the idiot, just as makes the sage
Some film removed, the happy outlet whence
Truth issues proudly? See this soul of ours!
How it strives weakly in the child, is loosed
In manhood, clogged by sickness, back compelled
By age and waste, set free at last by death:
Why is it, flesh enthrals it or enthrones?
What is this flesh we have to penetrate?
Oh, not alone when life flows still, do truth
And power emerge, but also when strange chance
Ruffles its current; in unused conjuncture,
When sickness breaks the bodyhunger, watching,
Excess or languoroftenest death's approach,
Peril, deep joy or woe. One man shall crawl
Through life surrounded with all stirring things,
Unmoved; and he goes mad: and from the wreck
Of what he was, by his wild talk alone,
You first collect how great a spirit he hid.
Therefore, set free the soul alike in all,
Discovering the true laws by which the flesh
Accloys the spirit! We may not be doomed
To cope with seraphs, but at least the rest
Shall cope with us. Make no more giants, God,
But elevate the race at once! We ask
To put forth just our strength, our human strength,
All starting fairly, all equipped alike,
Gifted alike, all eagle-eyed, true-hearted
See if we cannot beat thine angels yet!
Such is my task. I go to gather this
The sacred knowledge, here and there dispersed
About the world, long lost or never found.
And why should I be sad or lorn of hope?
Why ever make man's good distinct from God's,
Or, finding they are one, why dare mistrust?
Who shall succeed if not one pledged like me?
Mine is no mad attempt to build a world
Apart from his, like those who set themselves
To find the nature of the spirit they bore,
And, taught betimes that all their gorgeous dreams
Were only born to vanish in this life,
Refused to fit them to its narrow sphere,
But chose to figure forth another world
And other frames meet for their vast desires,
And all a dream! Thus was life scorned; but life
Shall yet be crowned: twine amaranth! I am priest!
And all for yielding with a lively spirit
A poor existence, parting with a youth
Like those who squander every energy
Convertible to good, on painted toys,
Breath-bubbles, gilded dust! And though I spurn
All adventitious aims, from empty praise
To love's award, yet whoso deems such helps
Important, and concerns himself for me,
May know even these will follow with the rest
As in the steady rolling Mayne, asleep
Yonder, is mixed its mass of schistous ore.
My own affections laid to rest awhile,
Will waken purified, subdued alone
By all I have achieved. Till thentill then . . .
Ah, the time-wiling loitering of a page
Through bower and over lawn, till eve shall bring
The stately lady's presence whom he loves
The broken sleep of the fisher whose rough coat
Enwraps the queenly pearlthese are faint types!
See, see, they look on me: I triumph now!
But one thing, Festus, Michal! I have told
All I shall e'er disclose to mortal: say
Do you believe I shall accomplish this?
Festus.
I do believe!
Michal.
I ever did believe!
Paracelsus.
Those words shall never fade from out my brain!
This earnest of the end shall never fade!
Are there not, Festus, are there not, dear Michal,
Two points in the adventure of the diver,
Onewhen, a beggar, he prepares to plunge,
Onewhen, a prince, he rises with his pearl?
Festus, I plunge!
Festus.
We wait you when you rise!
~ Robert Browning, Paracelsus - Part I - Paracelsus Aspires
,#NFDB
163:I.
You're my friend:
I was the man the Duke spoke to;
I helped the Duchess to cast off his yoke, too;
So here's the tale from beginning to end,
My friend!
II.
Ours is a great wild country:
If you climb to our castle's top,
I don't see where your eye can stop;
For when you've passed the cornfield country,
Where vineyards leave off, flocks are packed,
And sheep-range leads to cattle-tract,
And cattle-tract to open-chase,
And open-chase to the very base
Of the mountain where, at a funeral pace,
Round about, solemn and slow,
One by one, row after row,
Up and up the pine-trees go,
So, like black priests up, and so
Down the other side again
To another greater, wilder country,
That's one vast red drear burnt-up plain,
Branched through and through with many a vein
Whence iron's dug, and copper's dealt;
Look right, look left, look straight before,-
Beneath they mine, above they smelt,
Copper-ore and iron-ore,
And forge and furnace mould and melt,
And so on, more and ever more,
Till at the last, for a bounding belt,
Comes the salt sand hoar of the great sea-shore,
-And the whole is our Duke's country.
III.
I was born the day this present Duke was-
(And O, says the song, ere I was old!)
In the castle where the other Duke was-
(When I was happy and young, not old!)
I in the kennel, he in the bower:
We are of like age to an hour.
My father was huntsman in that day;
Who has not heard my father say
That, when a boar was brought to bay,
Three times, four times out of five,
With his huntspear he'd contrive
To get the killing-place transfixed,
And pin him true, both eyes betwixt?
And that's why the old Duke would rather
He lost a salt-pit than my father,
And loved to have him ever in call;
That's why my father stood in the hall
When the old Duke brought his infant out
To show the people, and while they passed
The wondrous bantling round about,
Was first to start at the outside blast
As the Kaiser's courier blew his horn
Just a month after the babe was born.
``And,'' quoth the Kaiser's courier, ``since
``The Duke has got an heir, our Prince
``Needs the Duke's self at his side: ''
The Duke looked down and seemed to wince,
But he thought of wars o'er the world wide,
Castles a-fire, men on their march,
The toppling tower, the crashing arch;
And up he looked, and awhile he eyed
The row of crests and shields and banners
Of all achievements after all manners,
And ``ay,'' said the Duke with a surly pride.
The more was his comfort when he died
At next year's end, in a velvet suit,
With a gilt glove on his hand, his foot
In a silken shoe for a leather boot,
Petticoated like a herald,
In a chamher next to an ante-room,
Where he breathed the breath of page and groom,
What he called stink, and they, perfume:
-They should have set him on red Berold
Mad with pride, like fire to manage!
They should have got his cheek fresh tannage
Such a day as to-day in the merry sunshine!
Had they stuck on his fist a rough-foot merlin!
(Hark, the wind's on the heath at its game!
Oh for a noble falcon-lanner
To flap each broad wing like a banner,
And turn in the wind, and dance like flame!)
Had they broached a white-beer cask from Berlin
-Or if you incline to prescribe mere wine
Put to his lips, when they saw him pine,
A cup of our own Moldavia fine,
Cotnar for instance, green as May sorrel
And ropy with sweet,-we shall not quarrel.
IV.
So, at home, the sick tall yellow Duchess
Was left with the infant in her clutches,
She being the daughter of God knows who:
And now was the time to revisit her tribe.
Abroad and afar they went, the two,
And let our people rail and gibe
At the empty hall and extinguished fire,
As loud as we liked, but ever in vain,
Till after long years we had our desire,
And back came the Duke and his mother again.
V.
And he came back the pertest little ape
That ever affronted human shape;
Full of his travel, struck at himself.
You'd say, he despised our bluff old ways?
-Not he! For in Paris they told the elf
Our rough North land was the Land of Lays,
The one good thing left in evil days;
Since the Mid-Age was the Heroic Time,
And only in wild nooks like ours
Could you taste of it yet as in its prime,
And see true castles, with proper towers,
Young-hearted women, old-minded men,
And manners now as manners were then.
So, all that the old Dukes had been, without knowing it,
This Duke would fain know he was, without being it;
'Twas not for the joy's self, but the joy of his showing it,
Nor for the pride's self, but the pride of our seeing it,
He revived all usages thoroughly worn-out,
The souls of them fumed-forth, the hearts of them torn-out:
And chief in the chase his neck he perilled
On a lathy horse, all legs and length,
With blood for bone, all speed, no strength;
-They should have set him on red Berold
With the red eye slow consuming in fire,
And the thin stiff ear like an abbey-spire!
VI.
Well, such as he was, he must marry, we heard:
And out of a convent, at the word,
Came the lady, in time of spring.
-Oh, old thoughts they cling, they cling!
That day, I know, with a dozen oaths
I clad myself in thick hunting-clothes
Fit for the chase of urochs or buffle
In winter-time when you need to muffle.
But the Duke had a mind we should cut a figure,
And so we saw the lady arrive:
My friend, I have seen a white crane bigger!
She was the smallest lady alive,
Made in a piece of nature's madness,
Too small, almost, for the life and gladness
That over-filled her, as some hive
Out of the bears' reach on the high trees
Is crowded with its safe merry bees:
In truth, she was not hard to please!
Up she looked, down she looked, round at the mead,
Straight at the castle, that's best indeed
To look at from outside the walls:
As for us, styled the ``serfs and thralls,''
She as much thanked me as if she had said it,
(With her eyes, do you understand?)
Because I patted her horse while I led it;
And Max, who rode on her other hand,
Said, no bird flew past but she inquired
What its true name was, nor ever seemed tired-
If that was an eagle she saw hover,
And the green and grey bird on the field was the plover.
When suddenly appeared the Duke:
And as down she sprung, the small foot pointed
On to my hand,-as with a rebuke,
And as if his backbone were not jointed,
The Duke stepped rather aside than forward,
And welcomed her with his grandest smile;
And, mind you, his mother all the while
Chilled in the rear, like a wind to Nor'ward;
And up, like a weary yawn, with its pullies
Went, in a shriek, the rusty portcullis;
And, like a glad sky the north-wind sullies,
The lady's face stopped its play,
As if her first hair had grown grey;
For such things must begin some one day.
VII.
In a day or two she was well again;
As who should say, ``You labour in vain!
``This is all a jest against God, who meant
``I should ever be, as I am, content
`` And glad in his sight; therefore, glad I will be.''
So, smiling as at first went she.
VIII.
She was active, stirring, all fire-
Could not rest, could not tire-
To a stone she might have given life!
(I myself loved once, in my day)
-For a shepherd's, miner's, huntsman's wife,
(I had a wife, I know what I say)
Never in all the world such an one!
And here was plenty to be done,
And she that could do it, great or small,
She was to do nothing at all.
There was already this man in his post,
This in his station, and that in his office,
And the Duke's plan admitted a wife, at most,
To meet his eye, with the other trophies,
Now outside the hall, now in it,
To sit thus, stand thus, see and be seen,
At the proper place in the proper minute,
And die away the life between.
And it was amusing enough, each infraction
Of rule-(but for after-sadness that came)
To hear the consummate self-satisfaction
With which the young Duke and the old dame
Would let her advise, and criticise,
And, being a fool, instruct the wise,
And, child-like, parcel out praise or blame:
They bore it all in complacent guise,
As though an artificer, after contriving
A wheel-work image as if it were living,
Should find with delight it could motion to strike him!
So found the Duke, and his mother like him:
The lady hardly got a rebuff-
That had not been contemptuous enough,
With his cursed smirk, as he nodded applause,
And kept off the old mother-cat's claws.
IX.
So, the little lady grew silent and thin,
Paling and ever paling,
As the way is with a hid chagrin;
And the Duke perceived that she was ailing,
And said in his heart, ``'Tis done to spite me,
``But I shall find in my power to right me!''
Don't swear, friend! The old one, many a year,
Is in hell, and the Duke's self . . . you shall hear.
X.
Well, early in autumn, at first winter-warning,
When the stag had to break with his foot, of a morning,
A drinking-hole out of the fresh tender ice
That covered the pond till the sun, in a trice,
Loosening it, let out a ripple of gold,
And another and another, and faster and faster,
Till, dimpling to blindness, the wide water rolled:
Then it so chanced that the Duke our master
Asked himself what were the pleasures in season,
And found, since the calendar bade him be hearty,
He should do the Middle Age no treason
In resolving on a hunting-party.
Always provided, old books showed the way of it!
What meant old poets by their strictures?
And when old poets had said their say of it,
How taught old painters in their pictures?
We must revert to the proper channels,
Workings in tapestry, paintings on panels,
And gather up woodcraft's authentic traditions:
Here was food for our various ambitions,
As on each case, exactly stated-
To encourage your dog, now, the properest chirrup,
Or best prayer to Saint Hubert on mounting your stirrup-
We of the house hold took thought and debated.
Blessed was he whose back ached with the jerkin
His sire was wont to do forest-work in;
Blesseder he who nobly sunk ``ohs''
And ``ahs'' while he tugged on his grand-sire's trunk-hose;
What signified hats if they had no rims on,
Each slouching before and behind like the scallop,
And able to serve at sea for a shallop,
Loaded with lacquer and looped with crimson?
So that the deer now, to make a short rhyme on't,
What with our Venerers, Prickers and Yerderers,
Might hope for real hunters at length and not murderers,
And oh the Duke's tailor, he had a hot time on't!
XI.
Now you must know that when the first dizziness
Of flap-hats and buff-coats and jack-boots subsided,
The Duke put this question, ``The Duke's part provided,
``Had not the Duchess some share in the business?''
For out of the mouth of two or three witnesses
Did he establish all fit-or-unfitnesses:
And, after much laying of heads together,
Somebody's cap got a notable feather
By the announcement with proper unction
That he had discovered the lady's function;
Since ancient authors gave this tenet,
``When horns wind a mort and the deer is at siege,
``Let the dame of the castle prick forth on her jennet,
``And, with water to wash the hands of her liege
``In a clean ewer with a fair toweling,
`` Let her preside at the disemboweling.''
Now, my friend, if you had so little religion
As to catch a hawk, some falcon-lanner,
And thrust her broad wings like a banner
Into a coop for a vulgar pigeon;
And if day by day and week by week
You cut her claws, and sealed her eyes,
And clipped her wings, and tied her beak,
Would it cause you any great surprise
If, when you decided to give her an airing,
You found she needed a little preparing?
-I say, should you be such a curmudgeon,
If she clung to the perch, as to take it in dudgeon?
Yet when the Duke to his lady signified,
Just a day before, as he judged most dignified,
In what a pleasure she was to participate,-
And, instead of leaping wide in flashes,
Her eyes just lifted their long lashes,
As if pressed by fatigue even he could not dissipate,
And duly acknowledged the Duke's forethought,
But spoke of her health, if her health were worth aught,
Of the weight by day and the watch by night,
And much wrong now that used to be right,
So, thanking him, declined the hunting,-
Was conduct ever more affronting?
With all the ceremony settled-
With the towel ready, and the sewer
Polishing up his oldest ewer,
And the jennet pitched upon, a piebald,
Black-barred, cream-coated and pink eye-balled,-
No wonder if the Duke was nettled
And when she persisted nevertheless,-
Well, I suppose here's the time to confess
That there ran half round our lady's chamber
A balcony none of the hardest to clamber;
And that Jacynth the tire-woman, ready in waiting,
Stayed in call outside, what need of relating?
And since Jacynth was like a June rose, why, a fervent
Adorer of Jacynth of course was your servant;
And if she had the habit to peep through the casement,
How could I keep at any vast distance?
And so, as I say, on the lady's persistence,
The Duke, dumb-stricken with amazement,
Stood for a while in a sultry smother,
And then, with a smile that partook of the awful,
Turned her over to his yellow mother
To learn what was held decorous and lawful;
And the mother smelt blood with a cat-like instinct,
As her cheek quick whitened thro' all its quince-tinct.
Oh, but the lady heard the whole truth at once!
What meant she?Who was she?-Her duty and station,
The wisdom of age and the folly of youth, at once,
Its decent regard and its fitting relation-
In brief, my friend, set all the devils in hell free
And turn them out to carouse in a belfry
And treat the priests to a fifty-part canon,
And then you may guess how that tongue of hers ran on!
Well, somehow or other it ended at last
And, licking her whiskers, out she passed;
And after her,-making (he hoped) a face
Like Emperor Nero or Sultan Saladin,
Stalked the Duke's self with the austere grace
Of ancient hero or modern paladin,
From door to staircase-oh such a solemn
Unbending of the vertebral column!
XII.
However, at sunrise our company mustered;
And here was the huntsman bidding unkennel,
And there 'neath his bonnet the pricker blustered,
With feather dank as a bough of wet fennel;
For the court-yard walls were filled with fog
You might have cut as an axe chops a log-
Like so much wool for colour and bulkiness;
And out rode the Duke in a perfect sulkiness,
Since, before breakfast, a man feels but queasily,
And a sinking at the lower abdomen
Begins the day with indifferent omen.
And lo, as he looked around uneasily,
The sun ploughed the fog up and drove it asunder
This way and that from the valley under;
And, looking through the court-yard arch,
Down in the valley, what should meet him
But a troop of Gipsies on their march?
No doubt with the annual gifts to greet him.
XIII.
Now, in your land, Gipsies reach you, only
After reaching all lands beside;
North they go, South they go, trooping or lonely,
And still, as they travel far and wide,
Catch they and keep now a trace here, trace there,
That puts you in mind of a place here, a place there.
But with us, I believe they rise out of the ground,
And nowhere else, I take it, are found
With the earth-tint yet so freshly embrowned:
Born, no doubt, like insects which breed on
The very fruit they are meant to feed on.
For the earth-not a use to which they don't turn it,
The ore that grows in the mountain's womb,
Or the sand in the pits like a honeycomb,
They sift and soften it, bake it and burn it-
Whether they weld you, for instance, a snaffle
With side-bars never a brute can baffle;
Or a lock that's a puzzle of wards within wards;
Or, if your colt's fore-foot inclines to curve inwards,
Horseshoes they hammer which turn on a swivel
And won't allow the hoof to shrivel.
Then they cast bells like the shell of the winkle
That keep a stout heart in the ram with their tinkle;
But the sand-they pinch and pound it like otters;
Commend me to Gipsy glass-makers and potters!
Glasses they'll blow you, crystal-clear,
Where just a faint cloud of rose shall appear,
As if in pure water you dropped and let die
A bruised black-blooded mulberry;
And that other sort, their crowning pride,
With long white threads distinct inside,
Like the lake-flower's fibrous roots which dangle
Loose such a length and never tangle,
Where the bold sword-lily cuts the clear waters,
And the cup-lily couches with all the white daughters:
Such are the works they put their hand to,
The uses they turn and twist iron and sand to.
And these made the troop, which our Duke saw sally
Toward his castle from out of the valley,
Men and women, like new-hatched spiders,
Come out with the morning to greet our riders.
And up they wound till they reached the ditch,
Whereat all stopped save one, a witch
That I knew, as she hobbled from the group,
By her gait directly and her stoop,
I, whom Jacynth was used to importune
To let that same witch tell us our fortune.
The oldest Gipsy then above ground;
And, sure as the autumn season came round,
She paid us a visit for profit or pastime,
And every time, as she swore, for the last time.
And presently she was seen to sidle
Up to the Duke till she touched his bridle,
So that the horse of a sudden reared up
As under its nose the old witch peered up
With her worn-out eyes, or rather eye-holes
Of no use now but to gather brine,
And began a kind of level whine
Such as they used to sing to their viols
When their ditties they go grinding
Up and down with nobody minding:
And then, as of old, at the end of the humming
Her usual presents were forthcoming
-A dog-whistle blowing the fiercest of trebles,
(Just a sea-shore stone holding a dozen fine pebbles,)
Or a porcelain mouth-piece to screw on a pipe-end,-
And so she awaited her annual stipend.
But this time, the Duke would scarcely vouchsafe
A word in reply; and in vain she felt
With twitching fingers at her belt
For the purse of sleek pine-martin pelt,
Ready to ptlt what he gave in her pouch safe,-
Till, either to quicken his apprehension,
Or possibly with an after-intention,
She was come, she said, to pay her duty
To the new Duchess, the youthful beauty.
No sooner had she named his lady,
Than a shine lit up the face so shady,
And its smirk returned with a novel meaning-
For it struck him, the babe just wanted weaning;
If one gave her a taste of what life was and sorrow,
She, foolish to-day, would be wiser tomorrow;
And who so fit a teacher of trouble
As this sordid crone bent well-nigh double?
So, glancing at her wolf-skin vesture,
(If such it was, for they grow so hirsute
That their own fleece serves for natural fur-suit)
He was contrasting, 'twas plain from his gesture,
The life of the lady so flower-like and delicate
With the loathsome squalor of this helicat.
I, in brief, was the man the Duke beckoned
From out of the throng, and while I drew near
He told the crone-as I since have reckoned
By the way he bent and spoke into her ear
With circumspection and mystery-
The main of the lady's history,
Her frowardness and ingratitude:
And for all the crone's submissive attitude
I could see round her mouth the loose plaits tightening,
And her brow with assenting intelligence brightening,
As though she engaged with hearty good-will
Whatever he now might enjoin to fulfil,
And promised the lady a thorough frightening.
And so, just giving her a glimpse
Of a purse, with the air of a man who imps
The wing of the hawk that shall fetch the hernshaw,
He bade me take the Gipsy mother
And set her telling some story or other
Of hill or dale, oak-wood or fernshaw,
To wile away a weary hour
For the lady left alone in her bower,
Whose mind and body craved exertion
And yet shrank from all better diversion.
XIV.
Then clapping heel to his horse, the mere curveter,
Out rode the Duke, and after his hollo
Horses and hounds swept, huntsman and servitor,
And back I turned and bade the crone follow.
And what makes me confident what's to be told you
Had all along been of this crone's devising,
Is, that, on looking round sharply, behold you,
There was a novelty quick as surprising:
For first, she had shot up a full head in stature,
And her step kept pace with mine nor faltered,
As if age had foregone its usurpature,
And the ignoble mien was wholly altered,
And the face looked quite of another nature,
And the change reached too, whatever the change meant,
Her shaggy wolf-skin cloak's arrangement:
For where its tatters hung loose like sedges,
Gold coins were glittering on the edges,
Like the band-roll strung with tomans
Which proves the veil a Persian woman's.
And under her brow, like a snail's horns newly
Come out as after the rain he paces,
Two unmistakeable eye-points duly
Live and aware looked out of their places.
So, we went and found Jacynth at the entry
Of the lady's chamber standing sentry;
I told the command and produced my companion,
And Jacynth rejoiced to admit any one,
For since last night, by the same token,
Not a single word had the lady spoken:
They went in both to the presence together,
While I in the balcony watched the weather.
XV.
And now, what took place at the very first of all,
I cannot tell, as I never could learn it:
Jacynth constantly wished a curse to fall
On that little head of hers and burn it
If she knew how she came to drop so soundly
Asleep of a sudden and there continue
The whole time sleeping as profoundly
As one of the boars my father would pin you
'Twixt the eyes where life holds garrison,
-Jacynth forgive me the comparison!
But where I begin asy own narration
Is a little after I took my station
To breathe the fresh air from the balcony,
And, having in those days a falcon eye,
To follow the hunt thro' the open country,
From where the bushes thinlier crested
The hillocks, to a plain where's not one tree.
When, in a moment, my ear was arrested
By-was it singing, or was it saying,
Or a strange musical instrument playing
In the chamber?-and to be certain
I pushed the lattice, pulled the curtain,
And there lay Jacynth asleep,
Yet as if a watch she tried to keep,
In a rosy sleep along the floor
With her head against the door;
While in the midst, on the seat of state,
Was a queen-the Gipsy woman late,
With head and face downbent
On the lady's head and face intent:
For, coiled at her feet like a child at ease,
The lady sat between her knees
And o'er them the lady's clasped hands met,
And on those hands her chin was set,
And her upturned face met the face of the crone
Wherein the eyes had grown and grown
As if she could double and quadruple
At pleasure the play of either pupil
-Very like, by her hands' slow fanning,
As up and down like a gor-crow's flappers
They moved to measure, or bell-clappers.
I said ``Is it blessing, is it banning,
``Do they applaud you or burlesque you-
``Those hands and fingers with no flesh on?''
But, just as I thought to spring in to the rescue,
At once I was stopped by the lady's expression:
For it was life her eyes were drinking
From the crone's wide pair above unwinking,
-Life's pure fire received without shrinking,
Into the heart and breast whose heaving
Told you no single drop they were leaving,
-Life, that filling her, passed redundant
Into her very hair, back swerving
Over each shoulder, loose and abundant,
As her head thrown back showed the white throat curving;
And the very tresses shared in the pleasure,
Moving to the mystic measure,
Bounding as the bosom bounded.
I stopped short, more and more confounded,
As still her cheeks burned and eyes glistened,
As she listened and she listened:
When all at once a hand detained me,
The selfsame contagion gained me,
And I kept time to the wondrous chime,
Making out words and prose and rhyme,
Till it seemed that the music furled
Its wings like a task fulfilled, and dropped
From under the words it first had propped,
And left them midway in the world:
Word took word as hand takes hand,
I could hear at last, and understand,
And when I held the unbroken thread,
The Gipsy said:-
``And so at last we find my tribe.
``And so I set thee in the midst,
``And to one and all of them describe
``What thou saidst and what thou didst,
``Our long and terrible journey through,
``And all thou art ready to say and do
``In the trials that remain:
``I trace them the vein and the other vein
``That meet on thy brow and part again,
``Making our rapid mystic mark;
``And I bid my people prove and probe
``Each eye's profound and glorious globe
``Till they detect the kindred spark
``In those depths so dear and dark,
``Like the spots that snap and burst and flee,
``Circling over the midnight sea.
``And on that round young cheek of thine
``I make them recognize the tinge,
``As when of the costly scarlet wine
``They drip so much as will impinge
``And spread in a thinnest scale afloat
``One thick gold drop from the olive's coat
``Over a silver plate whose sheen
``Still thro' the mixture shall be seen.
``For so I prove thee, to one and all,
``Fit, when my people ope their breast,
``To see the sign, and hear the call,
``And take the vow, and stand the test
``Which adds one more child to the rest-
``When the breast is bare and the arms are wide,
``And the world is left outside.
``For there is probation to decree,
``And many and long must the trials be
``Thou shalt victoriously endure,
``If that brow is true and those eyes are sure;
``Like a jewel-finder's fierce assay
``Of the prize he dug from its mountain-tomb-
``Let once the vindicating ray
``Leap out amid the anxious gloom,
``And steel and fire have done their part
``And the prize falls on its finder's heart;
`'So, trial after trial past,
``Wilt thou fall at the very last
``Breathless, half in trance
``With the thrill of the great deliverance,
``Into our arms for evermore;
``And thou shalt know, those arms once curled
``About thee, what we knew before,
``How love is the only good in the world.
``Henceforth be loved as heart can love,
``Or brain devise, or hand approve!
``Stand up, look below,
``It is our life at thy feet we throw
``To step with into light and joy;
``Not a power of life but we employ
``To satisfy thy nature's want;
``Art thou the tree that props the plant,
``Or the climbing plant that seeks the tree-
``Canst thou help us, must we help thee?
``If any two creatures grew into one,
``They would do more than the world has done.
``Though each apart were never so weak,
``Ye vainly through the world should seek
``For the knowledge and the might
``Which in such union grew their right:
``So, to approach at least that end,
``And blend,-as much as may be, blend
``Thee with us or us with thee,-
``As climbing plant or propping tree,
``Shall some one deck thee, over and down,
``Up and about, with blossoms and leaves?
``Fix his heart's fruit for thy garland crown,
``Cling with his soul as the gourd-vine cleaves,
``Die on thy boughs and disappear
``While not a leaf of thine is sere?
``Or is the other fate in store,
``And art thou fitted to adore,
``To give thy wondrous self away,
``And take a stronger nature's sway?
``I foresee and could foretell
``Thy future portion, sure and well:
``But those passionate eyes speak true, speak true,
``Let them say what thou shalt do!
``Only be sure thy daily life,
``In its peace or in its strife,
``Never shall be unobserved:
``We pursue thy whole career,
``And hope for it, or doubt, or fear,-
``Lo, hast thou kept thy path or swerved,
``We are beside thee in all thy ways,
``With our blame, with our praise,
``Our shame to feel, our pride to show,
``Glad, angry-but indifferent, no!
``Whether it be thy lot to go,
``For the good of us all, where the haters meet
``In the crowded city's horrible street;
``Or thou step alone through the morass
``Where never sound yet was
``Save the dry quick clap of the stork's bill,
``For the air is still, and the water still,
``When the blue breast of the dipping coot
``Dives under, and all is mute.
``So, at the last shall come old age,
``Decrepit as befits that stage;
``How else wouldst thou retire apart
``With the hoarded memories of thy heart,
``And gather all to the very least
``Of the fragments of life's earlier feast,
``Let fall through eagerness to find
``The crowning dainties yet behind?
``Ponder on the entire past
``Laid together thus at last,
``When the twilight helps to fuse
``The first fresh with the faded hues,
``And the outline of the whole,
``As round eve's shades their framework roll,
``Grandly fronts for once thy soul.
``And then as, 'mid the dark, a glean
``Of yet another morning breaks,
``And like the hand which ends a dream,
``Death, with the might of his sunbeam,
``Touches the flesh and the soul awakes,
``Then''
Ay, then indeed something would happen!
But what? For here her voice changed like a bird's;
There grew more of the music and less of the words;
Had Jacynth only been by me to clap pen
To paper and put you down every syllable
With those clever clerkly fingers,
All I've forgotten as well as what lingers
In this old brain of mine that's but ill able
To give you even this poor version
Of the speech I spoil, as it were, with stammering
-More fault of those who had the hammering
Of prosody into me and syntax,
And did it, not with hobnails but tintacks!
But to return from this excursion,-
Just, do you mark, when the song was sweetest,
The peace most deep and the charm completest,
There came, shall I say, a snap-
And the charm vanished!
And my sense returned, so strangely banished,
And, starting as from a nap,
I knew the crone was bewitching my lady,
With Jacynth asleep; and but one spring made I
Down from the casement, round to the portal,
Another minute and I had entered,-
When the door opened, and more than mortal
Stood, with a face where to my mind centred
All beauties I ever saw or shall see,
The Duchess: I stopped as if struck by palsy.
She was so different, happy and beautiful,
I felt at once that all was best,
And that I had nothing to do, for the rest,
But wait her commands, obey and be dutiful.
Not that, in fact, there was any commanding;
I saw the glory of her eye,
And the brow's height and the breast's expanding,
And I was hers to live or to die.
As for finding what she wanted,
You know God Almighty granted
Such little signs should serve wild creatures
To tell one another all their desires,
So that each knows what his friend requires,
And does its bidding without teachers.
I preceded her; the crone
Followed silent and alone;
I spoke to her, but she merely jabbered
In the old style; both her eyes had slunk
Back to their pits; her stature shrunk;
In short, the soul in its body sunk
Like a blade sent home to its scabbard.
We descended, I preceding;
Crossed the court with nobody heeding,
All the world was at the chase,
The courtyard like a desert-place,
The stable emptied of its small fry;
I saddled myself the very palfrey
I remember patting while it carried her,
The day she arrived and the Duke married her.
And, do you know, though it's easy deceiving
Oneself in such matters, I can't help believing
The lady had not forgotten it either,
And knew the poor devil so much beneath her
Would have been only too glad for her service
To dance on hot ploughshares like a Turk dervise,
But, unable to pay proper duty where owing it,
Was reduced to that pitiful method of showing it:
For though the moment I began setting
His saddle on my own nag of Berold's begetting,
(Not that I meant to be obtrusive)
She stopped me, while his rug was shifting,
By a single rapid finger's lifting,
And, with a gesture kind but conclusive,
And a little shake of the head, refused me,-
I say, although she never used me,
Yet when she was mounted, the Gipsy behind her,
And I ventured to remind her,
I suppose with a voice of less steadiness
Than usual, for my feeling exceeded me,
-Something to the effect that I was in readiness
Whenever God should please she needed me,-
Then, do you know, her face looked down on me
With a look that placed a crown on me,
And she felt in her bosom,-mark, her bosom-
And, as a flower-tree drops its blossom,
Dropped me . . . ah, had it been a purse
Of silver, my friend, or gold that's worse,
Why, you see, as soon as I found myself
So understood,-that a true heart so may gain
Such a reward,-I should have gone home again,
Kissed Jacynth, and soberly drowned myself!
It was a little plait of hair
Such as friends in a convent make
To wear, each for the other's sake,-
This, see, which at my breast I wear,
Ever did (rather to Jacynth's grudgment),
And ever shall, till the Day of Judgment.
And then,-and then,-to cut short,-this is idle,
These are feelings it is not good to foster,-
I pushed the gate wide, she shook the bridle,
And the palfrey bounded,-and so we lost her.
XVI.
When the liquor's out why clink the cannikin?
I did think to describe you the panic in
The redoubtable breast of our master the mannikin,
And what was the pitch of his mother's yellowness,
How she turned as a shark to snap the spare-rib
Clean off, sailors say, from a pearl-diving Carib,
When she heard, what she called the flight of the feloness
-But it seems such child's play,
What they said and did with the lady away!
And to dance on, when we've lost the music,
Always made me-and no doubt makes you-sick.
Nay, to my mind, the world's face looked so stern
As that sweet form disappeared through the postern,
She that kept it in constant good humour,
It ought to have stopped; there seemed nothing to do more.
But the world thought otherwise and went on,
And my head's one that its spite was spent on:
Thirty years are fled since that morning,
And with them all my head's adorning.
Nor did the old Duchess die outright,
As you expect, of suppressed spite,
The natural end of every adder
Not suffered to empty its poison-bladder:
But she and her son agreed, I take it,
That no one should touch on the story to wake it,
For the wound in the Duke's pride rankled fiery,
So, they made no search and small inquiry-
And when fresh Gipsies have paid us a visit, I've
Noticed the couple were never inquisitive,
But told them they're folks the Duke don't want here,
And bade them make haste and cross the frontier.
Brief, the Duchess was gone and the Duke was glad of it,
And the old one was in the young one's stead,
And took, in her place, the household's head,
And a blessed time the household had of it!
And were I not, as a man may say, cautious
How I trench, more than needs, on the nauseous,
I could favour you with sundry touches
Of the paint-smutches with which the Duchess
Heightened the mellowness of her cheek's yellowness
(To get on faster) until at last her
Cheek grew to be one master-plaster
Of mucus and focus from mere use of ceruse:
In short, she grew from scalp to udder
Just the object to make you shudder.
XVII.
You're my friend-
What a thing friendship is, world without end!
How it gives the heart and soul a stir-up
As if somebody broached you a glorious runlet,
And poured out, all lovelily, sparklingly, sunlit,
Our green Moldavia, the streaky syrup,
Cotnar as old as the time of the Druids-
Friendship may match with that monarch of fluids;
Each supples a dry brain, fills you its ins-and-outs,
Gives your life's hour-glass a shake when the thin sand doubts
Whether to run on or stop short, and guarantees
Age is not all made of stark sloth and arrant ease.
I have seen my little lady once more,
Jacynth, the Gipsy, Berold, and the rest of it,
For to me spoke the Duke, as I told you before;
I always wanted to make a clean breast of it:
And now it is made-why, my heart's blood, that went trickle,
Trickle, but anon, in such muddy driblets,
Is pumped up brisk now, through the main ventricle,
And genially floats me about the giblets.
I'll tell you what I intend to do:
I must see this fellow his sad life through-
He is our Duke, after all,
And I, as he says, but a serf and thrall.
My father was born here, and I inherit
His fame, a chain he bound his son with;
Could I pay in a lump I should prefer it,
But there's no mine to blow up and get done with:
So, I must stay till the end of the chapter.
For, as to our middle-age-manners-adapter,
Be it a thing to be glad on or sorry on,
Some day or other, his head in a morion
And breast in a hauberk, his heels he'll kick up,
Slain by an onslaught fierce of hiccup.
And then, when red doth the sword of our Duke rust,
And its leathern sheath lie o'ergrown with a blue crust,
Then I shall scrape together my earnings;
For, you see, in the churchyard Jacynth reposes,
And our children all went the way of the roses:
It's a long lane that knows no turnings.
One needs but little tackle to travel in;
So, just one stout cloak shall I indue:
And for a stall, what beats the javelin
With which his boars my father pinned you?
And then, for a purpose you shall hear presently,
Taking some Cotnar, a tight plump skinful,
I shall go journeying, who but I, pleasantly!
Sorrow is vain and despondency sinful.
What's a man's age? He must hurry more, that's all;
Cram in a day, what his youth took a year to hold.
When we mind labour, then only, we're too old-
What age had Methusalem when he begat Saul?
And at last, as its haven some buffeted ship sees,
(Come all the way from the north-parts with sperm oil)
I hope to get safely out of the turmoil
And arrive one day at the land of the Gipsies,
And find my lady, or hear the last news of her
From some old thief and son of Lucifer,
His forehead chapleted green with wreathy hop,
Sunburned all over like an thiop.
And when my Cotnar begins to operate
And the tongue of the rogue to run at a proper rate,
And our wine-skin, tight once, shows each flaccid dent,
I shall drop in with-as if by accident-
``You never knew, then, how it all ended,
``What fortune good or bad attended
``The little lady your Queen befriended?''
-And when that's told me, what's remaining?
This world's too hard for my explaining.
The same wise judge of matters equine
Who still preferred some slim four-year-old
To the big-boned stock of mighty Berold,
And, fur strong Cotnar, drank French weak wine,
He also umst be such a lady's scorner!
Smooth Jacob still rubs homely Esau:
Now up, now down, the world's one see-saw.
-So, I shall find out some snug corner
Under a hedge, like Orson the wood-knight,
Turn myself round and bid the world good night;
And sleep a sound sleep till the trumpet's blowing
Wakes me (unless priests cheat us laymen)
To a world where will be no furtiner throwing
Pearls befare swine that Can't value them. Amen!
~ Robert Browning, The Flight Of The Duchess
,#NFDB
164:I.
In midmost Ind, beside Hydaspes cool,
There stood, or hover'd, tremulous in the air,
A faery city 'neath the potent rule
Of Emperor Elfinan; fam'd ev'rywhere
For love of mortal women, maidens fair,
Whose lips were solid, whose soft hands were made
Of a fit mould and beauty, ripe and rare,
To tamper his slight wooing, warm yet staid:
He lov'd girls smooth as shades, but hated a mere shade.
II.
This was a crime forbidden by the law;
And all the priesthood of his city wept,
For ruin and dismay they well foresaw,
If impious prince no bound or limit kept,
And faery Zendervester overstept;
They wept, he sin'd, and still he would sin on,
They dreamt of sin, and he sin'd while they slept;
In vain the pulpit thunder'd at the throne,
Caricature was vain, and vain the tart lampoon.
III.
Which seeing, his high court of parliament
Laid a remonstrance at his Highness' feet,
Praying his royal senses to content
Themselves with what in faery land was sweet,
Befitting best that shade with shade should meet:
Whereat, to calm their fears, he promis'd soon
From mortal tempters all to make retreat,--
Aye, even on the first of the new moon,
An immaterial wife to espouse as heaven's boon.
IV.
Meantime he sent a fluttering embassy
To Pigmio, of Imaus sovereign,
To half beg, and half demand, respectfully,
The hand of his fair daughter Bellanaine;
An audience had, and speeching done, they gain
Their point, and bring the weeping bride away;
Whom, with but one attendant, safely lain
Upon their wings, they bore in bright array,
While little harps were touch'd by many a lyric fay.
V.
As in old pictures tender cherubim
A child's soul thro' the sapphir'd canvas bear,
So, thro' a real heaven, on they swim
With the sweet princess on her plumag'd lair,
Speed giving to the winds her lustrous hair;
And so she journey'd, sleeping or awake,
Save when, for healthful exercise and air,
She chose to "promener l'aile," or take
A pigeon's somerset, for sport or change's sake.
VI.
"Dear Princess, do not whisper me so loud,"
Quoth Corallina, nurse and confidant,
"Do not you see there, lurking in a cloud,
Close at your back, that sly old Crafticant?
He hears a whisper plainer than a rant:
Dry up your tears, and do not look so blue;
He's Elfinan's great state-spy militant,
His running, lying, flying foot-man too,--
Dear mistress, let him have no handle against you!
VII.
"Show him a mouse's tail, and he will guess,
With metaphysic swiftness, at the mouse;
Show him a garden, and with speed no less,
He'll surmise sagely of a dwelling house,
And plot, in the same minute, how to chouse
The owner out of it; show him a" --- "Peace!
Peace! nor contrive thy mistress' ire to rouse!"
Return'd the Princess, "my tongue shall not cease
Till from this hated match I get a free release.
VIII.
"Ah, beauteous mortal!" "Hush!" quoth Coralline,
"Really you must not talk of him, indeed."
"You hush!" reply'd the mistress, with a shinee
Of anger in her eyes, enough to breed
In stouter hearts than nurse's fear and dread:
'Twas not the glance itself made nursey flinch,
But of its threat she took the utmost heed;
Not liking in her heart an hour-long pinch,
Or a sharp needle run into her back an inch.
IX.
So she was silenc'd, and fair Bellanaine,
Writhing her little body with ennui,
Continued to lament and to complain,
That Fate, cross-purposing, should let her be
Ravish'd away far from her dear countree;
That all her feelings should be set at nought,
In trumping up this match so hastily,
With lowland blood; and lowland blood she thought
Poison, as every staunch true-born Imaian ought.
X.
Sorely she griev'd, and wetted three or four
White Provence rose-leaves with her faery tears,
But not for this cause; -- alas! she had more
Bad reasons for her sorrow, as appears
In the fam'd memoirs of a thousand years,
Written by Crafticant, and published
By Parpaglion and Co., (those sly compeers
Who rak'd up ev'ry fact against the dead,)
In Scarab Street, Panthea, at the Jubal's Head.
XI.
Where, after a long hypercritic howl
Against the vicious manners of the age,
He goes on to expose, with heart and soul,
What vice in this or that year was the rage,
Backbiting all the world in every page;
With special strictures on the horrid crime,
(Section'd and subsection'd with learning sage,)
Of faeries stooping on their wings sublime
To kiss a mortal's lips, when such were in their prime.
XII.
Turn to the copious index, you will find
Somewhere in the column, headed letter B,
The name of Bellanaine, if you're not blind;
Then pray refer to the text, and you will see
An article made up of calumny
Against this highland princess, rating her
For giving way, so over fashionably,
To this new-fangled vice, which seems a burr
Stuck in his moral throat, no coughing e'er could stir.
XIII.
There he says plainly that she lov'd a man!
That she around him flutter'd, flirted, toy'd,
Before her marriage with great Elfinan;
That after marriage too, she never joy'd
In husband's company, but still employ'd
Her wits to 'scape away to Angle-land;
Where liv'd the youth, who worried and annoy'd
Her tender heart, and its warm ardours fann'd
To such a dreadful blaze, her side would scorch her hand.
XIV.
But let us leave this idle tittle-tattle
To waiting-maids, and bed-room coteries,
Nor till fit time against her fame wage battle.
Poor Elfinan is very ill at ease,
Let us resume his subject if you please:
For it may comfort and console him much,
To rhyme and syllable his miseries;
Poor Elfinan! whose cruel fate was such,
He sat and curs'd a bride he knew he could not touch.
XV.
Soon as (according to his promises)
The bridal embassy had taken wing,
And vanish'd, bird-like, o'er the suburb trees,
The Emperor, empierc'd with the sharp sting
Of love, retired, vex'd and murmuring
Like any drone shut from the fair bee-queen,
Into his cabinet, and there did fling
His limbs upon a sofa, full of spleen,
And damn'd his House of Commons, in complete chagrin.
XVI.
"I'll trounce some of the members," cry'd the Prince,
"I'll put a mark against some rebel names,
I'll make the Opposition-benches wince,
I'll show them very soon, to all their shames,
What 'tis to smother up a Prince's flames;
That ministers should join in it, I own,
Surprises me! -- they too at these high games!
Am I an Emperor? Do I wear a crown?
Imperial Elfinan, go hang thyself or drown!
XVII.
"I'll trounce 'em! -- there's the square-cut chancellor,
His son shall never touch that bishopric;
And for the nephew of old Palfior,
I'll show him that his speeches made me sick,
And give the colonelcy to Phalaric;
The tiptoe marquis, mortal and gallant,
Shall lodge in shabby taverns upon tick;
And for the Speaker's second cousin's aunt,
She sha'n't be maid of honour,-- by heaven that she sha'n't!
XVIII.
"I'll shirk the Duke of A.; I'll cut his brother;
I'll give no garter to his eldest son;
I won't speak to his sister or his mother!
The Viscount B. shall live at cut-and-run;
But how in the world can I contrive to stun
That fellow's voice, which plagues me worse than any,
That stubborn fool, that impudent state-dun,
Who sets down ev'ry sovereign as a zany,--
That vulgar commoner, Esquire Biancopany?
XIX.
"Monstrous affair! Pshaw! pah! what ugly minx
Will they fetch from Imaus for my bride?
Alas! my wearied heart within me sinks,
To think that I must be so near ally'd
To a cold dullard fay,--ah, woe betide!
Ah, fairest of all human loveliness!
Sweet Bertha! what crime can it be to glide
About the fragrant plaintings of thy dress,
Or kiss thine eyes, or count thy locks, tress after tress?"
XX.
So said, one minute's while his eyes remaind'
Half lidded, piteous, languid, innocent;
But, in a wink, their splendour they regain'd,
Sparkling revenge with amorous fury blent.
Love thwarted in bad temper oft has vent:
He rose, he stampt his foot, he rang the bell,
And order'd some death-warrants to be sent
For signature: -- somewhere the tempest fell,
As many a poor fellow does not live to tell.
XXI.
"At the same time, Eban," -- (this was his page,
A fay of colour, slave from top to toe,
Sent as a present, while yet under age,
From the Viceroy of Zanguebar, -- wise, slow,
His speech, his only words were "yes" and "no,"
But swift of look, and foot, and wing was he,--)
"At the same time, Eban, this instant go
To Hum the soothsayer, whose name I see
Among the fresh arrivals in our empery.
XXII.
"Bring Hum to me! But stay -- here, take my ring,
The pledge of favour, that he not suspect
Any foul play, or awkward murdering,
Tho' I have bowstrung many of his sect;
Throw in a hint, that if he should neglect
One hour, the next shall see him in my grasp,
And the next after that shall see him neck'd,
Or swallow'd by my hunger-starved asp,--
And mention ('tis as well) the torture of the wasp."
XXIII.
These orders given, the Prince, in half a pet,
Let o'er the silk his propping elbow slide,
Caught up his little legs, and, in a fret,
Fell on the sofa on his royal side.
The slave retreated backwards, humble-ey'd,
And with a slave-like silence clos'd the door,
And to old Hun thro' street and alley hied;
He "knew the city," as we say, of yore,
And for short cuts and turns, was nobody knew more.
XXIV.
It was the time when wholesale dealers close
Their shutters with a moody sense of wealth,
But retail dealers, diligent, let loose
The gas (objected to on score of health),
Convey'd in little solder'd pipes by stealth,
And make it flare in many a brilliant form,
That all the powers of darkness it repell'th,
Which to the oil-trade doth great scaith and harm,
And superseded quite the use of the glow-worm.
XXV.
Eban, untempted by the pastry-cooks,
(Of pastry he got store within the palace,)
With hasty steps, wrapp'd cloak, and solemn looks,
Incognito upon his errand sallies,
His smelling-bottle ready for the allies;
He pass'd the Hurdy-gurdies with disdain,
Vowing he'd have them sent on board the gallies;
Just as he made his vow; it 'gan to rain,
Therefore he call'd a coach, and bade it drive amain.
XXVI.
"I'll pull the string," said he, and further said,
"Polluted Jarvey! Ah, thou filthy hack!
Whose springs of life are all dry'd up and dead,
Whose linsey-woolsey lining hangs all slack,
Whose rug is straw, whose wholeness is a crack;
And evermore thy steps go clatter-clitter;
Whose glass once up can never be got back,
Who prov'st, with jolting arguments and bitter,
That 'tis of modern use to travel in a litter.
XXVII.
"Thou inconvenience! thou hungry crop
For all corn! thou snail-creeper to and fro,
Who while thou goest ever seem'st to stop,
And fiddle-faddle standest while you go;
I' the morning, freighted with a weight of woe,
Unto some lazar-house thou journeyest,
And in the evening tak'st a double row
Of dowdies, for some dance or party drest,
Besides the goods meanwhile thou movest east and west.
XXVIII.
"By thy ungallant bearing and sad mien,
An inch appears the utmost thou couldst budge;
Yet at the slightest nod, or hint, or sign,
Round to the curb-stone patient dost thou trudge,
School'd in a beckon, learned in a nudge,
A dull-ey'd Argus watching for a fare;
Quiet and plodding, thou dost bear no grudge
To whisking Tilburies, or Phaetons rare,
Curricles, or Mail-coaches, swift beyond compare."
XXIX.
Philosophizing thus, he pull'd the check,
And bade the Coachman wheel to such a street,
Who, turning much his body, more his neck,
Louted full low, and hoarsely did him greet:
"Certes, Monsieur were best take to his feet,
Seeing his servant can no further drive
For press of coaches, that to-night here meet,
Many as bees about a straw-capp'd hive,
When first for April honey into faint flowers they dive."
XXX.
Eban then paid his fare, and tiptoe went
To Hum's hotel; and, as he on did pass
With head inclin'd, each dusky lineament
Show'd in the pearl-pav'd street, as in a glass;
His purple vest, that ever peeping was
Rich from the fluttering crimson of his cloak,
His silvery trowsers, and his silken sash
Tied in a burnish'd knot, their semblance took
Upon the mirror'd walls, wherever he might look.
XXXI.
He smil'd at self, and, smiling, show'd his teeth,
And seeing his white teeth, he smil'd the more;
Lifted his eye-brows, spurn'd the path beneath,
Show'd teeth again, and smil'd as heretofore,
Until he knock'd at the magician's door;
Where, till the porter answer'd, might be seen,
In the clear panel more he could adore,--
His turban wreath'd of gold, and white, and green,
Mustachios, ear-ring, nose-ring, and his sabre keen.
XXXII.
"Does not your master give a rout to-night?"
Quoth the dark page. "Oh, no!" return'd the Swiss,
"Next door but one to us, upon the right,
The Magazin des Modes now open is
Against the Emperor's wedding;--and, sir, this
My master finds a monstrous horrid bore;
As he retir'd, an hour ago I wis,
With his best beard and brimstone, to explore
And cast a quiet figure in his second floor.
XXXIII.
"Gad! he's oblig'd to stick to business!
For chalk, I hear, stands at a pretty price;
And as for aqua vitae -- there's a mess!
The dentes sapientiae of mice,
Our barber tells me too, are on the rise,--
Tinder's a lighter article, -- nitre pure
Goes off like lightning, -- grains of Paradise
At an enormous figure! -- stars not sure! --
Zodiac will not move without a slight douceur!
XXXIV.
"Venus won't stir a peg without a fee,
And master is too partial, entre nous,
To" -- "Hush -- hush!" cried Eban, "sure that is he
Coming down stairs, -- by St. Bartholomew!
As backwards as he can, -- is't something new?
Or is't his custom, in the name of fun?"
"He always comes down backward, with one shoe"--
Return'd the porter -- "off, and one shoe on,
Like, saving shoe for sock or stocking, my man John!"
XXXV.
It was indeed the great Magician,
Feeling, with careful toe, for every stair,
And retrograding careful as he can,
Backwards and downwards from his own two pair:
"Salpietro!" exclaim'd Hum, "is the dog there?
He's always in my way upon the mat!"
"He's in the kitchen, or the Lord knows where,"--
Reply'd the Swiss, -- "the nasty, yelping brat!"
"Don't beat him!" return'd Hum, and on the floor came pat.
XXXVI.
Then facing right about, he saw the Page,
And said: "Don't tell me what you want, Eban;
The Emperor is now in a huge rage,--
'Tis nine to one he'll give you the rattan!
Let us away!" Away together ran
The plain-dress'd sage and spangled blackamoor,
Nor rested till they stood to cool, and fan,
And breathe themselves at th' Emperor's chamber door,
When Eban thought he heard a soft imperial snore.
XXXVII.
"I thought you guess'd, foretold, or prophesy'd,
That's Majesty was in a raving fit?"
"He dreams," said Hum, "or I have ever lied,
That he is tearing you, sir, bit by bit."
"He's not asleep, and you have little wit,"
Reply'd the page; "that little buzzing noise,
Whate'er your palmistry may make of it,
Comes from a play-thing of the Emperor's choice,
From a Man-Tiger-Organ, prettiest of his toys."
XXXVIII.
Eban then usher'd in the learned Seer:
Elfinan's back was turn'd, but, ne'ertheless,
Both, prostrate on the carpet, ear by ear,
Crept silently, and waited in distress,
Knowing the Emperor's moody bitterness;
Eban especially, who on the floor 'gan
Tremble and quake to death,-- he feared less
A dose of senna-tea or nightmare Gorgon
Than the Emperor when he play'd on his Man-Tiger-Organ.
XXXIX.
They kiss'd nine times the carpet's velvet face
Of glossy silk, soft, smooth, and meadow-green,
Where the close eye in deep rich fur might trace
A silver tissue, scantly to be seen,
As daisies lurk'd in June-grass, buds in green;
Sudden the music ceased, sudden the hand
Of majesty, by dint of passion keen,
Doubled into a common fist, went grand,
And knock'd down three cut glasses, and his best ink-stand.
XL.
Then turning round, he saw those trembling two:
"Eban," said he, "as slaves should taste the fruits
Of diligence, I shall remember you
To-morrow, or next day, as time suits,
In a finger conversation with my mutes,--
Begone! -- for you, Chaldean! here remain!
Fear not, quake not, and as good wine recruits
A conjurer's spirits, what cup will you drain?
Sherry in silver, hock in gold, or glass'd champagne?"
XLI.
"Commander of the faithful!" answer'd Hum,
"In preference to these, I'll merely taste
A thimble-full of old Jamaica rum."
"A simple boon!" said Elfinan; "thou may'st
Have Nantz, with which my morning-coffee's lac'd."
"I'll have a glass of Nantz, then," -- said the Seer,--
"Made racy -- (sure my boldness is misplac'd!)--
With the third part -- (yet that is drinking dear!)--
Of the least drop of crme de citron, crystal clear."
XLII.
"I pledge you, Hum! and pledge my dearest love,
My Bertha!" "Bertha! Bertha!" cry'd the sage,
"I know a many Berthas!" "Mine's above
All Berthas!" sighed the Emperor. "I engage,"
Said Hum, "in duty, and in vassalage,
To mention all the Berthas in the earth;--
There's Bertha Watson, -- and Miss Bertha Page,--
This fam'd for languid eyes, and that for mirth,--
There's Bertha Blount of York, -- and Bertha Knox of Perth."
XLIII.
"You seem to know" -- "I do know," answer'd Hum,
"Your Majesty's in love with some fine girl
Named Bertha; but her surname will not come,
Without a little conjuring." "'Tis Pearl,
'Tis Bertha Pearl! What makes my brain so whirl?
And she is softer, fairer than her name!"
"Where does she live?" ask'd Hum. "Her fair locks curl
So brightly, they put all our fays to shame!--
Live? -- O! at Canterbury, with her old grand-dame."
XLIV.
"Good! good!" cried Hum, "I've known her from a child!
She is a changeling of my management;
She was born at midnight in an Indian wild;
Her mother's screams with the striped tiger's blent,
While the torch-bearing slaves a halloo sent
Into the jungles; and her palanquin,
Rested amid the desert's dreariment,
Shook with her agony, till fair were seen
The little Bertha's eyes ope on the stars serene."
XLV.
"I can't say," said the monarch; "that may be
Just as it happen'd, true or else a bam!
Drink up your brandy, and sit down by me,
Feel, feel my pulse, how much in love I am;
And if your science is not all a sham.
Tell me some means to get the lady here."
"Upon my honour!" said the son of Cham,
"She is my dainty changeling, near and dear,
Although her story sounds at first a little queer."
XLVI.
"Convey her to me, Hum, or by my crown,
My sceptre, and my cross-surmounted globe,
I'll knock you" -- "Does your majesty mean -- down?
No, no, you never could my feelings probe
To such a depth!" The Emperor took his robe,
And wept upon its purple palatine,
While Hum continued, shamming half a sob,--
"In Canterbury doth your lady shine?
But let me cool your brandy with a little wine."
XLVII.
Whereat a narrow Flemish glass he took,
That since belong'd to Admiral De Witt,
Admir'd it with a connoisseuring look,
And with the ripest claret crowned it,
And, ere the lively bead could burst and flit,
He turn'd it quickly, nimbly upside down,
His mouth being held conveniently fit
To catch the treasure: "Best in all the town!"
He said, smack'd his moist lips, and gave a pleasant frown.
XLVIII.
"Ah! good my Prince, weep not!" And then again
He filled a bumper. "Great Sire, do not weep!
Your pulse is shocking, but I'll ease your pain."
"Fetch me that Ottoman, and prithee keep
Your voice low," said the Emperor; "and steep
Some lady's-fingers nice in Candy wine;
And prithee, Hum, behind the screen do peep
For the rose-water vase, magician mine!
And sponge my forehead, -- so my love doth make me pine.
XLIX.
"Ah, cursed Bellanaine!" "Don't think of her,"
Rejoin'd the Mago, "but on Bertha muse;
For, by my choicest best barometer,
You shall not throttled be in marriage noose;
I've said it, Sire; you only have to choose
Bertha or Bellanaine." So saying, he drew
From the left pocket of his threadbare hose,
A sampler hoarded slyly, good as new,
Holding it by his thumb and finger full in view.
L.
"Sire, this is Bertha Pearl's neat handy-work,
Her name, see here, Midsummer, ninety-one."
Elfinan snatch'd it with a sudden jerk,
And wept as if he never would have done,
Honouring with royal tears the poor homespun;
Whereon were broider'd tigers with black eyes,
And long-tail'd pheasants, and a rising sun,
Plenty of posies, great stags, butterflies
Bigger than stags,-- a moon,-- with other mysteries.
LI.
The monarch handled o'er and o'er again
Those day-school hieroglyphics with a sigh;
Somewhat in sadness, but pleas'd in the main,
Till this oracular couplet met his eye
Astounded -- Cupid, I do thee defy!
It was too much. He shrunk back in his chair,
Grew pale as death, and fainted -- very nigh!
"Pho! nonsense!" exclaim'd Hum, "now don't despair;
She does not mean it really. Cheer up, hearty -- there!
LII.
"And listen to my words. You say you won't,
On any terms, marry Miss Bellanaine;
It goes against your conscience -- good! Well, don't.
You say you love a mortal. I would fain
Persuade your honour's highness to refrain
From peccadilloes. But, Sire, as I say,
What good would that do? And, to be more plain,
You would do me a mischief some odd day,
Cut off my ears and limbs, or head too, by my fay!
LIII.
"Besides, manners forbid that I should pass any
Vile strictures on the conduct of a prince
Who should indulge his genius, if he has any,
Not, like a subject, foolish matters mince.
Now I think on't, perhaps I could convince
Your Majesty there is no crime at all
In loving pretty little Bertha, since
She's very delicate,-- not over tall, --
A fairy's hand, and in the waist why -- very small."
LIV.
"Ring the repeater, gentle Hum!" "'Tis five,"
Said the gentle Hum; "the nights draw in apace;
The little birds I hear are all alive;
I see the dawning touch'd upon your face;
Shall I put out the candles, please your Grace?"
"Do put them out, and, without more ado,
Tell me how I may that sweet girl embrace,--
How you can bring her to me." "That's for you,
Great Emperor! to adventure, like a lover true."
LV.
"I fetch her!" -- "Yes, an't like your Majesty;
And as she would be frighten'd wide awake
To travel such a distance through the sky,
Use of some soft manoeuvre you must make,
For your convenience, and her dear nerves' sake;
Nice way would be to bring her in a swoon,
Anon, I'll tell what course were best to take;
You must away this morning." "Hum! so soon?"
"Sire, you must be in Kent by twelve o'clock at noon."
LVI.
At this great Caesar started on his feet,
Lifted his wings, and stood attentive-wise.
"Those wings to Canterbury you must beat,
If you hold Bertha as a worthy prize.
Look in the Almanack -- Moore never lies --
April the twenty- fourth, -- this coming day,
Now breathing its new bloom upon the skies,
Will end in St. Mark's Eve; -- you must away,
For on that eve alone can you the maid convey."
LVII.
Then the magician solemnly 'gan to frown,
So that his frost-white eyebrows, beetling low,
Shaded his deep green eyes, and wrinkles brown
Plaited upon his furnace-scorched brow:
Forth from his hood that hung his neck below,
He lifted a bright casket of pure gold,
Touch'd a spring-lock, and there in wool or snow,
Charm'd into ever freezing, lay an old
And legend-leaved book, mysterious to behold.
LVIII.
"Take this same book,-- it will not bite you, Sire;
There, put it underneath your royal arm;
Though it's a pretty weight it will not tire,
But rather on your journey keep you warm:
This is the magic, this the potent charm,
That shall drive Bertha to a fainting fit!
When the time comes, don't feel the least alarm,
But lift her from the ground, and swiftly flit
Back to your palace. * * * * * * * * * *
LIX.
"What shall I do with that same book?" "Why merely
Lay it on Bertha's table, close beside
Her work-box, and 'twill help your purpose dearly;
I say no more." "Or good or ill betide,
Through the wide air to Kent this morn I glide!"
Exclaim'd the Emperor. "When I return,
Ask what you will, -- I'll give you my new bride!
And take some more wine, Hum; -- O Heavens! I burn
To be upon the wing! Now, now, that minx I spurn!"
LX.
"Leave her to me," rejoin'd the magian:
"But how shall I account, illustrious fay!
For thine imperial absence? Pho! I can
Say you are very sick, and bar the way
To your so loving courtiers for one day;
If either of their two archbishops' graces
Should talk of extreme unction, I shall say
You do not like cold pig with Latin phrases,
Which never should be used but in alarming cases."
LXI.
"Open the window, Hum; I'm ready now!"
Zooks!" exclaim'd Hum, as up the sash he drew.
"Behold, your Majesty, upon the brow
Of yonder hill, what crowds of people!" "Whew!
The monster's always after something new,"
Return'd his Highness, "they are piping hot
To see my pigsney Bellanaine. Hum! do
Tighten my belt a little, -- so, so, -- not
Too tight, -- the book! -- my wand! -- so, nothing is forgot."
LXII.
"Wounds! how they shout!" said Hum, "and there, -- see, see!
Th' ambassador's return'd from Pigmio!
The morning's very fine, -- uncommonly!
See, past the skirts of yon white cloud they go,
Tinging it with soft crimsons! Now below
The sable-pointed heads of firs and pines
They dip, move on, and with them moves a glow
Along the forest side! Now amber lines
Reach the hill top, and now throughout the valley shines."
LXIII.
"Why, Hum, you're getting quite poetical!
Those 'nows' you managed in a special style."
"If ever you have leisure, Sire, you shall
See scraps of mine will make it worth your while,
Tid-bits for Phoebus! -- yes, you well may smile.
Hark! hark! the bells!" "A little further yet,
Good Hum, and let me view this mighty coil."
Then the great Emperor full graceful set
His elbow for a prop, and snuff'd his mignonnette.
LXIV.
The morn is full of holiday; loud bells
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
In echoing places; when the winds respire,
Light flags stream out like gauzy tongues of fire;
A metropolitan murmur, lifeful, warm,
Comes from the northern suburbs; rich attire
Freckles with red and gold the moving swarm;
While here and there clear trumpets blow a keen alarm.
LXV.
And now the fairy escort was seen clear,
Like the old pageant of Aurora's train,
Above a pearl-built minister, hovering near;
First wily Crafticant, the chamberlain,
Balanc'd upon his grey-grown pinions twain,
His slender wand officially reveal'd;
Then black gnomes scattering sixpences like rain;
Then pages three and three; and next, slave-held,
The Imaian 'scutcheon bright, -- one mouse in argent field.
LXVI.
Gentlemen pensioners next; and after them,
A troop of winged Janizaries flew;
Then slaves, as presents bearing many a gem;
Then twelve physicians fluttering two and two;
And next a chaplain in a cassock new;
Then Lords in waiting; then (what head not reels
For pleasure?) -- the fair Princess in full view,
Borne upon wings, -- and very pleas'd she feels
To have such splendour dance attendance at her heels.
LXVII.
For there was more magnificence behind:
She wav'd her handkerchief. "Ah, very grand!"
Cry'd Elfinan, and clos'd the window-blind;
"And, Hum, we must not shilly-shally stand,--
Adieu! adieu! I'm off for Angle-land!
I say, old Hocus, have you such a thing
About you, -- feel your pockets, I command,--
I want, this instant, an invisible ring,--
Thank you, old mummy! -- now securely I take wing."
LXVIII.
Then Elfinan swift vaulted from the floor,
And lighted graceful on the window-sill;
Under one arm the magic book he bore,
The other he could wave about at will;
Pale was his face, he still look'd very ill;
He bow'd at Bellanaine, and said -- "Poor Bell!
Farewell! farewell! and if for ever! still
For ever fare thee well!" -- and then he fell
A laughing! -- snapp'd his fingers! -- shame it is to tell!
LXIX.
"By'r Lady! he is gone!" cries Hum, "and I --
(I own it) -- have made too free with his wine;
Old Crafticant will smoke me. By-the-bye!
This room is full of jewels as a mine,--
Dear valuable creatures, how ye shine!
Sometime to-day I must contrive a minute,
If Mercury propitiously incline,
To examine his scutoire, and see what's in i,
For of superfluous diamonds I as well may thin it.
LXX.
"The Emperor's horrid bad; yes, that's my cue!"
Some histories say that this was Hum's last speech;
That, being fuddled, he went reeling through
The corridor, and scarce upright could reach
The stair-head; that being glutted as a leech,
And us'd, as we ourselves have just now said,
To manage stairs reversely, like a peach
Too ripe, he fell, being puzzled in his head
With liquor and the staircase: verdict -- found stone dead.
LXXI.
This as a falsehood Crafticanto treats;
And as his style is of strange elegance,
Gentle and tender, full of soft conceits,
(Much like our Boswell's,) we will take a glance
At his sweet prose, and, if we can, make dance
His woven periods into careless rhyme;
O, little faery Pegasus! rear -- prance --
Trot round the quarto -- ordinary time!
March, little Pegasus, with pawing hoof sublime!
LXXII.
Well, let us see, -- tenth book and chapter nine,--
Thus Crafticant pursues his diary:--
"'Twas twelve o'clock at night, the weather fine,
Latitude thirty-six; our scouts descry
A flight of starlings making rapidly
Towards Thibet. Mem.: -- birds fly in the night;
From twelve to half-past -- wings not fit to fly
For a thick fog -- the Princess sulky quite;
Call'd for an extra shawl, and gave her nurse a bite.
LXXIII.
"Five minutes before one -- brought down a moth
With my new double-barrel -- stew'd the thighs
And made a very tolerable broth --
Princess turn'd dainty, to our great surprise,
Alter'd her mind, and thought it very nice;
Seeing her pleasant, try'd her with a pun,
She frown'd; a monstrous owl across us flies
About this time, -- a sad old figure of fun;
Bad omen -- this new match can't be a happy one.
LXXIV.
"From two to half-past, dusky way we made,
Above the plains of Gobi, -- desert, bleak;
Beheld afar off, in the hooded shade
Of darkness, a great mountain (strange to speak),
Spitting, from forth its sulphur-baken peak,
A fan-shap'd burst of blood-red, arrowy fire,
Turban'd with smoke, which still away did reek,
Solid and black from that eternal pyre,
Upon the laden winds that scantly could respire.
LXXV.
"Just upon three o'clock a falling star
Created an alarm among our troop,
Kill'd a man-cook, a page, and broke a jar,
A tureen, and three dishes, at one swoop,
Then passing by the princess, singed her hoop:
Could not conceive what Coralline was at,
She clapp'd her hands three times and cry'd out 'Whoop!'
Some strange Imaian custom. A large bat
Came sudden 'fore my face, and brush'd against my hat.
LXXVI.
"Five minutes thirteen seconds after three,
Far in the west a mighty fire broke out,
Conjectur'd, on the instant, it might be,
The city of Balk -- 'twas Balk beyond all doubt:
A griffin, wheeling here and there about,
Kept reconnoitring us -- doubled our guard --
Lighted our torches, and kept up a shout,
Till he sheer'd off -- the Princess very scar'd --
And many on their marrow-bones for death prepar'd.
LXXVII.
"At half-past three arose the cheerful moon--
Bivouack'd for four minutes on a cloud --
Where from the earth we heard a lively tune
Of tambourines and pipes, serene and loud,
While on a flowery lawn a brilliant crowd
Cinque-parted danc'd, some half asleep reposed
Beneath the green-fan'd cedars, some did shroud
In silken tents, and 'mid light fragrance dozed,
Or on the opera turf their soothed eyelids closed.
LXXVIII.
"Dropp'd my gold watch, and kill'd a kettledrum--
It went for apoplexy -- foolish folks! --
Left it to pay the piper -- a good sum --
(I've got a conscience, maugre people's jokes,)
To scrape a little favour; 'gan to coax
Her Highness' pug-dog -- got a sharp rebuff --
She wish'd a game at whist -- made three revokes --
Turn'd from myself, her partner, in a huff;
His majesty will know her temper time enough.
LXXIX.
"She cry'd for chess -- I play'd a game with her --
Castled her king with such a vixen look,
It bodes ill to his Majesty -- (refer
To the second chapter of my fortieth book,
And see what hoity-toity airs she took).
At half-past four the morn essay'd to beam --
Saluted, as we pass'd, an early rook --
The Princess fell asleep, and, in her dream,
Talk'd of one Master Hubert, deep in her esteem.
LXXX.
"About this time, -- making delightful way,--
Shed a quill-feather from my larboard wing --
Wish'd, trusted, hop'd 'twas no sign of decay --
Thank heaven, I'm hearty yet! -- 'twas no such thing:--
At five the golden light began to spring,
With fiery shudder through the bloomed east;
At six we heard Panthea's churches ring --
The city wall his unhiv'd swarms had cast,
To watch our grand approach, and hail us as we pass'd.
LXXXI.
"As flowers turn their faces to the sun,
So on our flight with hungry eyes they gaze,
And, as we shap'd our course, this, that way run,
With mad-cap pleasure, or hand-clasp'd amaze;
Sweet in the air a mild-ton'd music plays,
And progresses through its own labyrinth;
Buds gather'd from the green spring's middle-days,
They scatter'd, -- daisy, primrose, hyacinth,--
Or round white columns wreath'd from capital to plinth.
LXXXII.
"Onward we floated o'er the panting streets,
That seem'd throughout with upheld faces paved;
Look where we will, our bird's-eye vision meets
Legions of holiday; bright standards waved,
And fluttering ensigns emulously craved
Our minute's glance; a busy thunderous roar,
From square to square, among the buildings raved,
As when the sea, at flow, gluts up once more
The craggy hollowness of a wild reefed shore.
LXXXIII.
"And 'Bellanaine for ever!' shouted they,
While that fair Princess, from her winged chair,
Bow'd low with high demeanour, and, to pay
Their new-blown loyalty with guerdon fair,
Still emptied at meet distance, here and there,
A plenty horn of jewels. And here I
(Who wish to give the devil her due) declare
Against that ugly piece of calumny,
Which calls them Highland pebble-stones not worth a fly.
LXXXIV.
"Still 'Bellanaine!' they shouted, while we glide
'Slant to a light Ionic portico,
The city's delicacy, and the pride
Of our Imperial Basilic; a row
Of lords and ladies, on each hand, make show
Submissive of knee-bent obeisance,
All down the steps; and, as we enter'd, lo!
The strangest sight -- the most unlook'd for chance --
All things turn'd topsy-turvy in a devil's dance.
LXXXV.
"'Stead of his anxious Majesty and court
At the open doors, with wide saluting eyes,
Conges and scrape-graces of every sort,
And all the smooth routine of gallantries,
Was seen, to our immoderate surprise,
A motley crowd thick gather'd in the hall,
Lords, scullions, deputy-scullions, with wild cries
Stunning the vestibule from wall to wall,
Where the Chief Justice on his knees and hands doth crawl.
LXXXVI.
"Counts of the palace, and the state purveyor
Of moth's-down, to make soft the royal beds,
The Common Council and my fool Lord Mayor
Marching a-row, each other slipshod treads;
Powder'd bag-wigs and ruffy-tuffy heads
Of cinder wenches meet and soil each other;
Toe crush'd with heel ill-natur'd fighting breeds,
Frill-rumpling elbows brew up many a bother,
And fists in the short ribs keep up the yell and pother.
LXXXVII.
"A Poet, mounted on the Court-Clown's back,
Rode to the Princess swift with spurring heels,
And close into her face, with rhyming clack,
Began a Prothalamion; -- she reels,
She falls, she faints! while laughter peels
Over her woman's weakness. 'Where!' cry'd I,
'Where is his Majesty?' No person feels
Inclin'd to answer; wherefore instantly
I plung'd into the crowd to find him or die.
LXXXVIII.
"Jostling my way I gain'd the stairs, and ran
To the first landing, where, incredible!
I met, far gone in liquor, that old man,
That vile impostor Hum. ----"
So far so well,--
For we have prov'd the Mago never fell
Down stairs on Crafticanto's evidence;
And therefore duly shall proceed to tell,
Plain in our own original mood and tense,
The sequel of this day, though labour 'tis immense!
* * * * * * * * * * * * * * * * * * * * * *
'Lord Houghton first gave this composition in the Life, Letters &c. (1848), and in Volume II, page 51, refers to it as "the last of Keats's literary labours." The poet says in a letter to Brown, written after the first attack of blood-spitting,
"I shall soon begin upon 'Lucy Vaughan Lloyd.' I do not begin composition yet, being willing, in case of a relapse, to have nothing to reproach myself with."
I presume, therefore, that the composition may be assigned to the Spring or Summer of 1820. In August of that year, Leigh Hunt seems to have had the manuscript in his hands, for, in the first part of his article on Coaches, which fills The Indicator for the 23rd of August 1820, he quotes four stanzas and four lines from the poem, as by "a very good poetess, of the name of Lucy V---- L----, who has favoured us with a sight of a manuscript poem," &c. The stanzas quoted are XXV to XXIX. Lord Houghton gives, in the Aldine Edition of 1876, the following note by Brown: --
"This Poem was written subject to future amendments and omissions: it was begun without a plan, and without any prescribed laws for the supernatural machinery."
His Lordship adds an interesting passage from a letter written to him by Lord Jeffrey: --
"There are beautiful passages and lines of ineffable sweetness in these minor pieces, and strange outbursts of individual fancy and felicitous expressions in the 'Cap and Bells,' though the general extravagance of the poetry is more suited to an Italian than to an English taste."
The late Dante Gabriel Rossetti wrote to me of this poem as "the only unworthy stuff Keats ever wrote except an early trifle or two," and again as "the to me hateful Cap and Bells." I confess that it seems to me entirely unworthy of Keats, though certainly a proof, if proof were needed, of his versatility. It has the character of a mere intellectual and mechanical exercise, performed at a time when those higher forces constituting the mainspring of poetry were exhausted; but even so I find it difficult to figure Keats as doing anything so aimless as this appears when regarded solely as an effort of the fancy. He probably had a satirical under-current of meaning; and it needs no great stretch of the imagination to see the illicit passion of Emperor Elfinan, and his detestation for his authorized bride-elect, an oblique glance at the martial relations of George IV.
It is not difficult to suggest prototypes for many of the faery-land statesmen against whom Elfinan vows vengeance; and there are many particulars in which earthly incidents are too thickly strewn to leave one in the settled belief that the poet's programme was wholly unearthly.--- H. B. F.'
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished
,#NFDB
165:class:Classics
BOOK THE THIRD
The Story of of Cadmus
When now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The restless youth search'd all the world around;
But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.
"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."
No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.
Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.
Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
His shoulders and his sides were scal'd with gold;
Three tongues he brandish'd when he charg'd his foes;
His teeth stood jaggy in three dreadful rowes.
The Tyrians in the den for water sought,
And with their urns explor'd the hollow vault:
From side to side their empty urns rebound,
And rowse the sleeping serpent with the sound.
Strait he bestirs him, and is seen to rise;
And now with dreadful hissings fills the skies,
And darts his forky tongues, and rowles his glaring eyes.
The Tyrians drop their vessels in the fright,
All pale and trembling at the hideous sight.
Spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
Then floating on the ground in circles rowl'd;
Then leap'd upon them in a mighty fold.
Of such a bulk, and such a monstrous size
The serpent in the polar circle lyes,
That stretches over half the northern skies.
In vain the Tyrians on their arms rely,
In vain attempt to fight, in vain to fly:
All their endeavours and their hopes are vain;
Some die entangled in the winding train;
Some are devour'd, or feel a loathsom death,
Swoln up with blasts of pestilential breath.
And now the scorching sun was mounted high,
In all its lustre, to the noon-day sky;
When, anxious for his friends, and fill'd with cares,
To search the woods th' impatient chief prepares.
A lion's hide around his loins he wore,
The well poiz'd javelin to the field he bore,
Inur'd to blood; the far-destroying dart;
And, the best weapon, an undaunted heart.
Soon as the youth approach'd the fatal place,
He saw his servants breathless on the grass;
The scaly foe amid their corps he view'd,
Basking at ease, and feasting in their blood.
"Such friends," he cries, "deserv'd a longer date;
But Cadmus will revenge or share their fate."
Then heav'd a stone, and rising to the throw,
He sent it in a whirlwind at the foe:
A tow'r, assaulted by so rude a stroke,
With all its lofty battlements had shook;
But nothing here th' unwieldy rock avails,
Rebounding harmless from the plaited scales,
That, firmly join'd, preserv'd him from a wound,
With native armour crusted all around.
With more success, the dart unerring flew,
Which at his back the raging warriour threw;
Amid the plaited scales it took its course,
And in the spinal marrow spent its force.
The monster hiss'd aloud, and rag'd in vain,
And writh'd his body to and fro with pain;
He bit the dart, and wrench'd the wood away;
The point still buried in the marrow lay.
And now his rage, increasing with his pain,
Reddens his eyes, and beats in ev'ry vein;
Churn'd in his teeth the foamy venom rose,
Whilst from his mouth a blast of vapours flows,
Such as th' infernal Stygian waters cast.
The plants around him wither in the blast.
Now in a maze of rings he lies enrowl'd,
Now all unravel'd, and without a fold;
Now, like a torrent, with a mighty force
Bears down the forest in his boist'rous course.
Cadmus gave back, and on the lion's spoil
Sustain'd the shock, then forc'd him to recoil;
The pointed jav'lin warded off his rage:
Mad with his pains, and furious to engage,
The serpent champs the steel, and bites the spear,
'Till blood and venom all the point besmear.
But still the hurt he yet receiv'd was slight;
For, whilst the champion with redoubled might
Strikes home the jav'lin, his retiring foe
Shrinks from the wound, and disappoints the blow.
The dauntless heroe still pursues his stroke,
And presses forward, 'till a knotty oak
Retards his foe, and stops him in the rear;
Full in his throat he plung'd the fatal spear,
That in th' extended neck a passage found,
And pierc'd the solid timber through the wound.
Fix'd to the reeling trunk, with many a stroke
Of his huge tail he lash'd the sturdy oak;
'Till spent with toil, and lab'ring hard for breath,
He now lay twisting in the pangs of death.
Cadmus beheld him wallow in a flood
Of swimming poison, intermix'd with blood;
When suddenly a speech was heard from high
(The speech was heard, nor was the speaker nigh),
"Why dost thou thus with secret pleasure see,
Insulting man! what thou thy self shalt be?"
Astonish'd at the voice, he stood amaz'd,
And all around with inward horror gaz'd:
When Pallas swift descending from the skies,
Pallas, the guardian of the bold and wise,
Bids him plow up the field, and scatter round
The dragon's teeth o'er all the furrow'd ground;
Then tells the youth how to his wond'ring eyes
Embattled armies from the field should rise.
He sows the teeth at Pallas's command,
And flings the future people from his hand.
The clods grow warm, and crumble where he sows;
And now the pointed spears advance in rows;
Now nodding plumes appear, and shining crests,
Now the broad shoulders and the rising breasts;
O'er all the field the breathing harvest swarms,
A growing host, a crop of men and arms.
So through the parting stage a figure rears
Its body up, and limb by limb appears
By just degrees; 'till all the man arise,
And in his full proportion strikes the eyes.
Cadmus surpriz'd, and startled at the sight
Of his new foes, prepar'd himself for fight:
When one cry'd out, "Forbear, fond man, forbear
To mingle in a blind promiscuous war."
This said, he struck his brother to the ground,
Himself expiring by another's wound;
Nor did the third his conquest long survive,
Dying ere scarce he had begun to live.
The dire example ran through all the field,
'Till heaps of brothers were by brothers kill'd;
The furrows swam in blood: and only five
Of all the vast increase were left alive.
Echion one, at Pallas's command,
Let fall the guiltless weapon from his hand,
And with the rest a peaceful treaty makes,
Whom Cadmus as his friends and partners takes;
So founds a city on the promis'd earth,
And gives his new Boeotian empire birth.
Here Cadmus reign'd; and now one would have guess'd
The royal founder in his exile blest:
Long did he live within his new abodes,
Ally'd by marriage to the deathless Gods;
And, in a fruitful wife's embraces old,
A long increase of children's children told:
But no frail man, however great or high,
Can be concluded blest before he die.
Actaeon was the first of all his race,
Who griev'd his grandsire in his borrow'd face;
Condemn'd by stern Diana to bemoan
The branching horns, and visage not his own;
To shun his once lov'd dogs, to bound away,
And from their huntsman to become their prey,
And yet consider why the change was wrought,
You'll find it his misfortune, not his fault;
Or, if a fault, it was the fault of chance:
For how can guilt proceed from ignorance?
The Transformation of Actaeon into a Stag
In a fair chace a shady mountain stood,
Well stor'd with game, and mark'd with trails of blood;
Here did the huntsmen, 'till the heat of day,
Pursue the stag, and load themselves with rey:
When thus Actaeon calling to the rest:
"My friends," said he, "our sport is at the best,
The sun is high advanc'd, and downward sheds
His burning beams directly on our heads;
Then by consent abstain from further spoils,
Call off the dogs, and gather up the toils,
And ere to-morrow's sun begins his race,
Take the cool morning to renew the chace."
They all consent, and in a chearful train
The jolly huntsmen, loaden with the slain,
Return in triumph from the sultry plain.
Down in a vale with pine and cypress clad,
Refresh'd with gentle winds, and brown with shade,
The chaste Diana's private haunt, there stood
Full in the centre of the darksome wood
A spacious grotto, all around o'er-grown
With hoary moss, and arch'd with pumice-stone.
From out its rocky clefts the waters flow,
And trickling swell into a lake below.
Nature had ev'ry where so plaid her part,
That ev'ry where she seem'd to vie with art.
Here the bright Goddess, toil'd and chaf'd with heat,
Was wont to ba the her in the cool retreat.
Here did she now with all her train resort,
Panting with heat, and breathless from the sport;
Her armour-bearer laid her bow aside,
Some loos'd her sandals, some her veil unty'd;
Each busy nymph her proper part undrest;
While Crocale, more handy than the rest,
Gather'd her flowing hair, and in a noose
Bound it together, whilst her own hung loose.
Five of the more ignoble sort by turns
Fetch up the water, and unlade the urns.
Now all undrest the shining Goddess stood,
When young Actaeon, wilder'd in the wood,
To the cool grott by his hard fate betray'd,
The fountains fill'd with naked nymphs survey'd.
The frighted virgins shriek'd at the surprize
(The forest echo'd with their piercing cries).
Then in a huddle round their Goddess prest:
She, proudly eminent above the rest,
With blushes glow'd; such blushes as adorn
The ruddy welkin, or the purple morn;
And tho' the crowding nymphs her body hide,
Half backward shrunk, and view'd him from a side.
Surpriz'd, at first she would have snatch'd her bow,
But sees the circling waters round her flow;
These in the hollow of her hand she took,
And dash'd 'em in his face, while thus she spoke:
"Tell, if thou can'st, the wond'rous sight disclos'd,
A Goddess naked to thy view expos'd."
This said, the man begun to disappear
By slow degrees, and ended in a deer.
A rising horn on either brow he wears,
And stretches out his neck, and pricks his ears;
Rough is his skin, with sudden hairs o'er-grown,
His bosom pants with fears before unknown:
Transform'd at length, he flies away in haste,
And wonders why he flies away so fast.
But as by chance, within a neighb'ring brook,
He saw his branching horns and alter'd look.
Wretched Actaeon! in a doleful tone
He try'd to speak, but only gave a groan;
And as he wept, within the watry glass
He saw the big round drops, with silent pace,
Run trickling down a savage hairy face.
What should he do? Or seek his old abodes,
Or herd among the deer, and sculk in woods!
Here shame dissuades him, there his fear prevails,
And each by turns his aking heart assails.
As he thus ponders, he behind him spies
His op'ning hounds, and now he hears their cries:
A gen'rous pack, or to maintain the chace,
Or snuff the vapour from the scented grass.
He bounded off with fear, and swiftly ran
O'er craggy mountains, and the flow'ry plain;
Through brakes and thickets forc'd his way, and flew
Through many a ring, where once he did pursue.
In vain he oft endeavour'd to proclaim
His new misfortune, and to tell his name;
Nor voice nor words the brutal tongue supplies;
From shouting men, and horns, and dogs he flies,
Deafen'd and stunn'd with their promiscuous cries.
When now the fleetest of the pack, that prest
Close at his heels, and sprung before the rest,
Had fasten'd on him, straight another pair,
Hung on his wounded haunch, and held him there,
'Till all the pack came up, and ev'ry hound
Tore the sad huntsman grov'ling on the ground,
Who now appear'd but one continu'd wound.
With dropping tears his bitter fate he moans,
And fills the mountain with his dying groans.
His servants with a piteous look he spies,
And turns about his supplicating eyes.
His servants, ignorant of what had chanc'd,
With eager haste and joyful shouts advanc'd,
And call'd their lord Actaeon to the game.
He shook his head in answer to the name;
He heard, but wish'd he had indeed been gone,
Or only to have stood a looker-on.
But to his grief he finds himself too near,
And feels his rav'nous dogs with fury tear
Their wretched master panting in a deer.
The Birth of Bacchus
Actaeon's suff'rings, and Diana's rage,
Did all the thoughts of men and Gods engage;
Some call'd the evils which Diana wrought,
Too great, and disproportion'd to the fault:
Others again, esteem'd Actaeon's woes
Fit for a virgin Goddess to impose.
The hearers into diff'rent parts divide,
And reasons are produc'd on either side.
Juno alone, of all that heard the news,
Nor would condemn the Goddess, nor excuse:
She heeded not the justice of the deed,
But joy'd to see the race of Cadmus bleed;
For still she kept Europa in her mind,
And, for her sake, detested all her kind.
Besides, to aggravate her hate, she heard
How Semele, to Jove's embrace preferr'd,
Was now grown big with an immortal load,
And carry'd in her womb a future God.
Thus terribly incens'd, the Goddess broke
To sudden fury, and abruptly spoke.
"Are my reproaches of so small a force?
'Tis time I then pursue another course:
It is decreed the guilty wretch shall die,
If I'm indeed the mistress of the sky,
If rightly styl'd among the Pow'rs above
The wife and sister of the thund'ring Jove
(And none can sure a sister's right deny);
It is decreed the guilty wretch shall die.
She boasts an honour I can hardly claim,
Pregnant she rises to a mother's name;
While proud and vain she triumphs in her Jove,
And shows the glorious tokens of his love:
But if I'm still the mistress of the skies,
By her own lover the fond beauty dies."
This said, descending in a yellow cloud,
Before the gates of Semele she stood.
Old Beroe's decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse's tone.
The Goddess, thus disguis'd in age, beguil'd
With pleasing stories her false foster-child.
Much did she talk of love, and when she came
To mention to the nymph her lover's name,
Fetching a sigh, and holding down her head,
"'Tis well," says she, "if all be true that's said.
But trust me, child, I'm much inclin'd to fear
Some counterfeit in this your Jupiter:
Many an honest well-designing maid
Has been by these pretended Gods betray'd,
But if he be indeed the thund'ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th' etherial sky,
In all the pomp of his divinity,
Encompass'd round by those celestial charms,
With which he fills th' immortal Juno's arms."
Th' unwary nymph, ensnar'd with what she said,
Desir'd of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
"Fear not," reply'd the God, "that I'll refuse
Whate'er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice."
"Then," says the nymph, "when next you seek my arms,
May you descend in those celestial charms,
With which your Juno's bosom you enflame,
And fill with transport Heav'n's immortal dame."
The God surpriz'd would fain have stopp'd her voice,
But he had sworn, and she had made her choice.
To keep his promise he ascends, and shrowds
His awful brow in whirl-winds and in clouds;
Whilst all around, in terrible array,
His thunders rattle, and his light'nings play.
And yet, the dazling lustre to abate,
He set not out in all his pomp and state,
Clad in the mildest light'ning of the skies,
And arm'd with thunder of the smallest size:
Not those huge bolts, by which the giants slain
Lay overthrown on the Phlegrean plain.
'Twas of a lesser mould, and lighter weight;
They call it thunder of a second-rate,
For the rough Cyclops, who by Jove's comm and
Temper'd the bolt, and turn'd it to his hand,
Work'd up less flame and fury in its make,
And quench'd it sooner in the standing lake.
Thus dreadfully adorn'd, with horror bright,
Th' illustrious God, descending from his height,
Came rushing on her in a storm of light.
The mortal dame, too feeble to engage
The lightning's flashes, and the thunder's rage,
Consum'd amidst the glories she desir'd,
And in the terrible embrace expir'd.
But, to preserve his offspring from the tomb,
Jove took him smoaking from the blasted womb:
And, if on ancient tales we may rely,
Inclos'd th' abortive infant in his thigh.
Here when the babe had all his time fulfill'd,
Ino first took him for her foster-child;
Then the Niseans, in their dark abode,
Nurs'd secretly with milk the thriving God.
The Transformation of Tiresias
'Twas now, while these transactions past on Earth,
And Bacchus thus procur'd a second birth,
When Jove, dispos'd to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff'd,
"In troth," says he, and as he spoke he laugh'd,
"The sense of pleasure in the male is far
More dull and dead, than what you females share."
Juno the truth of what was said deny'd;
Tiresias therefore must the cause decide,
For he the pleasure of each sex had try'd.
It happen'd once, within a shady wood,
Two twisted snakes he in conjunction view'd,
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
But, after seven revolving years, he view'd
The self-same serpents in the self-same wood:
"And if," says he, "such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I'll try."
Again he struck the snakes, and stood again
New-sex'd, and strait recover'd into man.
Him therefore both the deities create
The sov'raign umpire, in their grand debate;
And he declar'd for Jove: when Juno fir'd,
More than so trivial an affair requir'd,
Depriv'd him, in her fury, of his sight,
And left him groping round in sudden night.
But Jove (for so it is in Heav'n decreed,
That no one God repeal another's deed)
Irradiates all his soul with inward light,
And with the prophet's art relieves the want of sight.
The Transformation of Echo
Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.
The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.
Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.
Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.
This love-sick virgin, over-joy'd to find
The boy alone, still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.
The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.
The Story of Narcissus
Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.
There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.
Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.
What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.
Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.
"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."
This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.
She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.
For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.
The Story of Pentheus
This sad event gave blind Tiresias fame,
Through Greece establish'd in a prophet's name.
Th' unhallow'd Pentheus only durst deride
The cheated people, and their eyeless guide.
To whom the prophet in his fury said,
Shaking the hoary honours of his head:
"'Twere well, presumptuous man, 'twere well for thee
If thou wert eyeless too, and blind, like me:
For the time comes, nay, 'tis already here,
When the young God's solemnities appear:
Which, if thou dost not with just rites adorn,
Thy impious carcass, into pieces torn,
Shall strew the woods, and hang on ev'ry thorn.
Then, then, remember what I now foretel,
And own the blind Tiresias saw too well."
Still Pentheus scorns him, and derides his skill;
But time did all the prophet's threats fulfil.
For now through prostrate Greece young Bacchus rode,
Whilst howling matrons celebrate the God:
All ranks and sexes to his Orgies ran,
To mingle in the pomps, and fill the train.
When Pentheus thus his wicked rage express'd:
"What madness, Thebans, has your souls possess'd?
Can hollow timbrels, can a drunken shout,
And the lewd clamours of a beastly rout,
Thus quell your courage; can the weak alarm
Of women's yells those stubborn souls disarm,
Whom nor the sword nor trumpet e'er could fright,
Nor the loud din and horror of a fight?
And you, our sires, who left your old abodes,
And fix'd in foreign earth your country Gods;
Will you without a stroak your city yield,
And poorly quit an undisputed field?
But you, whose youth and vigour should inspire
Heroick warmth, and kindle martial fire,
Whom burnish'd arms and crested helmets grace,
Not flow'ry garlands and a painted face;
Remember him to whom you stand ally'd:
The serpent for his well of waters dy'd.
He fought the strong; do you his courage show,
And gain a conquest o'er a feeble foe.
If Thebes must fall, oh might the fates afford
A nobler doom from famine, fire, or sword.
Then might the Thebans perish with renown:
But now a beardless victor sacks the town;
Whom nor the prancing steed, nor pond'rous shield,
Nor the hack'd helmet, nor the dusty field,
But the soft joys of luxury and ease,
The purple vests, and flow'ry garlands please.
Stand then aside, I'll make the counterfeit
Renounce his god-head, and confess the cheat.
Acrisius from the Grecian walls repell'd
This boasted pow'r; why then should Pentheus yield?
Go quickly drag th' impostor boy to me;
I'll try the force of his divinity."
Thus did th' audacious wretch those rites profane;
His friends dissuade th' audacious wretch in vain:
In vain his grandsire urg'd him to give o'er
His impious threats; the wretch but raves the more.
So have I seen a river gently glide,
In a smooth course, and inoffensive tide;
But if with dams its current we restrain,
It bears down all, and foams along the plain.
But now his servants came besmear'd with blood,
Sent by their haughty prince to seize the God;
The God they found not in the frantick throng,
But dragg'd a zealous votary along.
The Mariners transform'd to Dolphins
Him Pentheus view'd with fury in his look,
And scarce with-held his hands, whilst thus he spoke:
"Vile slave! whom speedy vengeance shall pursue,
And terrify thy base seditious crew:
Thy country and thy parentage reveal,
And, why thou joinest in these mad Orgies, tell."
The captive views him with undaunted eyes,
And, arm'd with inward innocence, replies,
"From high Meonia's rocky shores I came,
Of poor descent, Acoetes is my name:
My sire was meanly born; no oxen plow'd
His fruitful fields, nor in his pastures low'd.
His whole estate within the waters lay;
With lines and hooks he caught the finny prey,
His art was all his livelyhood; which he
Thus with his dying lips bequeath'd to me:
In streams, my boy, and rivers take thy chance;
There swims, said he, thy whole inheritance.
Long did I live on this poor legacy;
'Till tir'd with rocks, and my old native sky,
To arts of navigation I inclin'd;
Observ'd the turns and changes of the wind,
Learn'd the fit havens, and began to note
The stormy Hyades, the rainy Goat,
The bright Taygete, and the shining Bears,
With all the sailor's catalogue of stars.
"Once, as by chance for Delos I design'd,
My vessel, driv'n by a strong gust of wind,
Moor'd in a Chian Creek; a-shore I went,
And all the following night in Chios spent.
When morning rose, I sent my mates to bring
Supplies of water from a neighb'ring spring,
Whilst I the motion of the winds explor'd;
Then summon'd in my crew, and went aboard.
Opheltes heard my summons, and with joy
Brought to the shore a soft and lovely boy,
With more than female sweetness in his look,
Whom straggling in the neighb'ring fields he took.
With fumes of wine the little captive glows,
And nods with sleep, and staggers as he goes.
"I view'd him nicely, and began to trace
Each heav'nly feature, each immortal grace,
And saw divinity in all his face,
I know not who, said I, this God should be;
But that he is a God I plainly see:
And thou, who-e'er thou art, excuse the force
These men have us'd; and oh befriend our course!
Pray not for us, the nimble Dictys cry'd,
Dictys, that could the main-top mast bestride,
And down the ropes with active vigour slide.
To the same purpose old Epopeus spoke,
Who over-look'd the oars, and tim'd the stroke;
The same the pilot, and the same the rest;
Such impious avarice their souls possest.
Nay, Heav'n forbid that I should bear away
Within my vessel so divine a prey,
Said I; and stood to hinder their intent:
When Lycabas, a wretch for murder sent
From Tuscany, to suffer banishment,
With his clench'd fist had struck me over-board,
Had not my hands in falling grasp'd a cord.
"His base confederates the fact approve;
When Bacchus (for 'twas he) begun to move,
Wak'd by the noise and clamours which they rais'd;
And shook his drowsie limbs, and round him gaz'd:
What means this noise? he cries; am I betray'd?
Ah, whither, whither must I be convey'd?
Fear not, said Proreus, child, but tell us where
You wish to land, and trust our friendly care.
To Naxos then direct your course, said he;
Naxos a hospitable port shall be
To each of you, a joyful home to me.
By ev'ry God, that rules the sea or sky,
The perjur'd villains promise to comply,
And bid me hasten to unmoor the ship.
With eager joy I launch into the deep;
And, heedless of the fraud, for Naxos stand.
They whisper oft, and beckon with the hand,
And give me signs, all anxious for their prey,
To tack about, and steer another way.
Then let some other to my post succeed,
Said I, I'm guiltless of so foul a deed.
What, says Ethalion, must the ship's whole crew
Follow your humour, and depend on you?
And strait himself he seated at the prore,
And tack'd about, and sought another shore.
"The beauteous youth now found himself betray'd,
And from the deck the rising waves survey'd,
And seem'd to weep, and as he wept he said:
And do you thus my easy faith beguile?
Thus do you bear me to my native isle?
Will such a multitude of men employ
Their strength against a weak defenceless boy?
"In vain did I the God-like youth deplore,
The more I begg'd, they thwarted me the more.
And now by all the Gods in Heav'n that hear
This solemn oath, by Bacchus' self, I swear,
The mighty miracle that did ensue,
Although it seems beyond belief, is true.
The vessel, fix'd and rooted in the flood,
Unmov'd by all the beating billows stood.
In vain the mariners would plow the main
With sails unfurl'd, and strike their oars in vain;
Around their oars a twining ivy cleaves,
And climbs the mast, and hides the cords in leaves:
The sails are cover'd with a chearful green,
And berries in the fruitful canvass seen.
Amidst the waves a sudden forest rears
Its verdant head, and a new Spring appears.
"The God we now behold with open'd eyes;
A herd of spotted panthers round him lyes
In glaring forms; the grapy clusters spread
On his fair brows, and dangle on his head.
And whilst he frowns, and brandishes his spear,
My mates surpriz'd with madness or with fear,
Leap'd over board; first perjur'd Madon found
Rough scales and fins his stiff'ning sides surround;
Ah what, cries one, has thus transform'd thy look?
Strait his own mouth grew wider as he spoke;
And now himself he views with like surprize.
Still at his oar th' industrious Libys plies;
But, as he plies, each busy arm shrinks in,
And by degrees is fashion'd to a fin.
Another, as he catches at a cord,
Misses his arms, and, tumbling over-board,
With his broad fins and forky tail he laves
The rising surge, and flounces in the waves.
Thus all my crew transform'd around the ship,
Or dive below, or on the surface leap,
And spout the waves, and wanton in the deep.
Full nineteen sailors did the ship convey,
A shole of nineteen dolphins round her play.
I only in my proper shape appear,
Speechless with wonder, and half dead with fear,
'Till Bacchus kindly bid me fear no more.
With him I landed on the Chian shore,
And him shall ever gratefully adore."
"This forging slave," says Pentheus, "would prevail
O'er our just fury by a far-fetch'd tale:
Go, let him feel the whips, the swords, the fire,
And in the tortures of the rack expire."
Th' officious servants hurry him away,
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
The gates fly open, of themselves unbarr'd;
At liberty th' unfetter'd captive stands,
And flings the loosen'd shackles from his hands.
The Death of Pentheus
But Pentheus, grown more furious than before,
Resolv'd to send his messengers no more,
But went himself to the distracted throng,
Where high Cithaeron echo'd with their song.
And as the fiery war-horse paws the ground,
And snorts and trembles at the trumpet's sound;
Transported thus he heard the frantick rout,
And rav'd and madden'd at the distant shout.
A spacious circuit on the hill there stood.
Level and wide, and skirted round with wood;
Here the rash Pentheus, with unhallow'd eyes,
The howling dames and mystick Orgies spies.
His mother sternly view'd him where he stood,
And kindled into madness as she view'd:
Her leafy jav'lin at her son she cast,
And cries, "The boar that lays our country waste!
The boar, my sisters! Aim the fatal dart,
And strike the brindled monster to the heart."
Pentheus astonish'd heard the dismal sound,
And sees the yelling matrons gath'ring round;
He sees, and weeps at his approaching fate,
And begs for mercy, and repents too late.
"Help, help! my aunt Autonoe," he cry'd;
"Remember, how your own Actaeon dy'd."
Deaf to his cries, the frantick matron crops
One stretch'd-out arm, the other Ino lops.
In vain does Pentheus to his mother sue,
And the raw bleeding stumps presents to view:
His mother howl'd; and, heedless of his pray'r,
Her trembling hand she twisted in his hair,
"And this," she cry'd, "shall be Agave's share,"
When from the neck his struggling head she tore,
And in her hands the ghastly visage bore.
With pleasure all the hideous trunk survey;
Then pull'd and tore the mangled limbs away,
As starting in the pangs of death it lay,
Soon as the wood its leafy honours casts,
Blown off and scatter'd by autumnal blasts,
With such a sudden death lay Pentheus slain,
And in a thousand pieces strow'd the plain.
By so distinguishing a judgment aw'd,
The Thebans tremble, and confess the God.
----------------------------------------------------------------------
~ Ovid, BOOK THE THIRD
,#NFDB
166:The Holy Grail
From noiseful arms, and acts of prowess done
In tournament or tilt, Sir Percivale,
Whom Arthur and his knighthood called The Pure,
Had passed into the silent life of prayer,
Praise, fast, and alms; and leaving for the cowl
The helmet in an abbey far away
From Camelot, there, and not long after, died.
And one, a fellow-monk among the rest,
Ambrosius, loved him much beyond the rest,
And honoured him, and wrought into his heart
A way by love that wakened love within,
To answer that which came: and as they sat
Beneath a world-old yew-tree, darkening half
The cloisters, on a gustful April morn
That puffed the swaying branches into smoke
Above them, ere the summer when he died
The monk Ambrosius questioned Percivale:
`O brother, I have seen this yew-tree smoke,
Spring after spring, for half a hundred years:
For never have I known the world without,
Nor ever strayed beyond the pale: but thee,
When first thou camest--such a courtesy
Spake through the limbs and in the voice--I knew
For one of those who eat in Arthur's hall;
For good ye are and bad, and like to coins,
Some true, some light, but every one of you
Stamped with the image of the King; and now
Tell me, what drove thee from the Table Round,
My brother? was it earthly passion crost?'
`Nay,' said the knight; `for no such passion mine.
But the sweet vision of the Holy Grail
Drove me from all vainglories, rivalries,
And earthly heats that spring and sparkle out
Among us in the jousts, while women watch
Who wins, who falls; and waste the spiritual strength
Within us, better offered up to Heaven.'
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To whom the monk: `The Holy Grail!--I trust
We are green in Heaven's eyes; but here too much
We moulder--as to things without I mean-Yet one of your own knights, a guest of ours,
Told us of this in our refectory,
But spake with such a sadness and so low
We heard not half of what he said. What is it?
The phantom of a cup that comes and goes?'
`Nay, monk! what phantom?' answered Percivale.
`The cup, the cup itself, from which our Lord
Drank at the last sad supper with his own.
This, from the blessd land of Aromat-After the day of darkness, when the dead
Went wandering o'er Moriah--the good saint
Arimathan Joseph, journeying brought
To Glastonbury, where the winter thorn
Blossoms at Christmas, mindful of our Lord.
And there awhile it bode; and if a man
Could touch or see it, he was healed at once,
By faith, of all his ills. But then the times
Grew to such evil that the holy cup
Was caught away to Heaven, and disappeared.'
To whom the monk: `From our old books I know
That Joseph came of old to Glastonbury,
And there the heathen Prince, Arviragus,
Gave him an isle of marsh whereon to build;
And there he built with wattles from the marsh
A little lonely church in days of yore,
For so they say, these books of ours, but seem
Mute of this miracle, far as I have read.
But who first saw the holy thing today?'
`A woman,' answered Percivale, `a nun,
And one no further off in blood from me
Than sister; and if ever holy maid
With knees of adoration wore the stone,
A holy maid; though never maiden glowed,
But that was in her earlier maidenhood,
With such a fervent flame of human love,
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Which being rudely blunted, glanced and shot
Only to holy things; to prayer and praise
She gave herself, to fast and alms. And yet,
Nun as she was, the scandal of the Court,
Sin against Arthur and the Table Round,
And the strange sound of an adulterous race,
Across the iron grating of her cell
Beat, and she prayed and fasted all the more.
`And he to whom she told her sins, or what
Her all but utter whiteness held for sin,
A man wellnigh a hundred winters old,
Spake often with her of the Holy Grail,
A legend handed down through five or six,
And each of these a hundred winters old,
From our Lord's time. And when King Arthur made
His Table Round, and all men's hearts became
Clean for a season, surely he had thought
That now the Holy Grail would come again;
But sin broke out. Ah, Christ, that it would come,
And heal the world of all their wickedness!
"O Father!" asked the maiden, "might it come
To me by prayer and fasting?" "Nay," said he,
"I know not, for thy heart is pure as snow."
And so she prayed and fasted, till the sun
Shone, and the wind blew, through her, and I thought
She might have risen and floated when I saw her.
`For on a day she sent to speak with me.
And when she came to speak, behold her eyes
Beyond my knowing of them, beautiful,
Beyond all knowing of them, wonderful,
Beautiful in the light of holiness.
And "O my brother Percivale," she said,
"Sweet brother, I have seen the Holy Grail:
For, waked at dead of night, I heard a sound
As of a silver horn from o'er the hills
Blown, and I thought, `It is not Arthur's use
To hunt by moonlight;' and the slender sound
As from a distance beyond distance grew
Coming upon me--O never harp nor horn,
Nor aught we blow with breath, or touch with hand,
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Was like that music as it came; and then
Streamed through my cell a cold and silver beam,
And down the long beam stole the Holy Grail,
Rose-red with beatings in it, as if alive,
Till all the white walls of my cell were dyed
With rosy colours leaping on the wall;
And then the music faded, and the Grail
Past, and the beam decayed, and from the walls
The rosy quiverings died into the night.
So now the Holy Thing is here again
Among us, brother, fast thou too and pray,
And tell thy brother knights to fast and pray,
That so perchance the vision may be seen
By thee and those, and all the world be healed."
`Then leaving the pale nun, I spake of this
To all men; and myself fasted and prayed
Always, and many among us many a week
Fasted and prayed even to the uttermost,
Expectant of the wonder that would be.
`And one there was among us, ever moved
Among us in white armour, Galahad.
"God make thee good as thou art beautiful,"
Said Arthur, when he dubbed him knight; and none,
In so young youth, was ever made a knight
Till Galahad; and this Galahad, when he heard
My sister's vision, filled me with amaze;
His eyes became so like her own, they seemed
Hers, and himself her brother more than I.
`Sister or brother none had he; but some
Called him a son of Lancelot, and some said
Begotten by enchantment--chatterers they,
Like birds of passage piping up and down,
That gape for flies--we know not whence they come;
For when was Lancelot wanderingly lewd?
`But she, the wan sweet maiden, shore away
Clean from her forehead all that wealth of hair
Which made a silken mat-work for her feet;
And out of this she plaited broad and long
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A strong sword-belt, and wove with silver thread
And crimson in the belt a strange device,
A crimson grail within a silver beam;
And saw the bright boy-knight, and bound it on him,
Saying, "My knight, my love, my knight of heaven,
O thou, my love, whose love is one with mine,
I, maiden, round thee, maiden, bind my belt.
Go forth, for thou shalt see what I have seen,
And break through all, till one will crown thee king
Far in the spiritual city:" and as she spake
She sent the deathless passion in her eyes
Through him, and made him hers, and laid her mind
On him, and he believed in her belief.
`Then came a year of miracle: O brother,
In our great hall there stood a vacant chair,
Fashioned by Merlin ere he past away,
And carven with strange figures; and in and out
The figures, like a serpent, ran a scroll
Of letters in a tongue no man could read.
And Merlin called it "The Siege perilous,"
Perilous for good and ill; "for there," he said,
"No man could sit but he should lose himself:"
And once by misadvertence Merlin sat
In his own chair, and so was lost; but he,
Galahad, when he heard of Merlin's doom,
Cried, "If I lose myself, I save myself!"
`Then on a summer night it came to pass,
While the great banquet lay along the hall,
That Galahad would sit down in Merlin's chair.
`And all at once, as there we sat, we heard
A cracking and a riving of the roofs,
And rending, and a blast, and overhead
Thunder, and in the thunder was a cry.
And in the blast there smote along the hall
A beam of light seven times more clear than day:
And down the long beam stole the Holy Grail
All over covered with a luminous cloud.
And none might see who bare it, and it past.
But every knight beheld his fellow's face
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As in a glory, and all the knights arose,
And staring each at other like dumb men
Stood, till I found a voice and sware a vow.
`I sware a vow before them all, that I,
Because I had not seen the Grail, would ride
A twelvemonth and a day in quest of it,
Until I found and saw it, as the nun
My sister saw it; and Galahad sware the vow,
And good Sir Bors, our Lancelot's cousin, sware,
And Lancelot sware, and many among the knights,
And Gawain sware, and louder than the rest.'
Then spake the monk Ambrosius, asking him,
`What said the King? Did Arthur take the vow?'
`Nay, for my lord,' said Percivale, `the King,
Was not in hall: for early that same day,
Scaped through a cavern from a bandit hold,
An outraged maiden sprang into the hall
Crying on help: for all her shining hair
Was smeared with earth, and either milky arm
Red-rent with hooks of bramble, and all she wore
Torn as a sail that leaves the rope is torn
In tempest: so the King arose and went
To smoke the scandalous hive of those wild bees
That made such honey in his realm. Howbeit
Some little of this marvel he too saw,
Returning o'er the plain that then began
To darken under Camelot; whence the King
Looked up, calling aloud, "Lo, there! the roofs
Of our great hall are rolled in thunder-smoke!
Pray Heaven, they be not smitten by the bolt."
For dear to Arthur was that hall of ours,
As having there so oft with all his knights
Feasted, and as the stateliest under heaven.
`O brother, had you known our mighty hall,
Which Merlin built for Arthur long ago!
For all the sacred mount of Camelot,
And all the dim rich city, roof by roof,
Tower after tower, spire beyond spire,
606
By grove, and garden-lawn, and rushing brook,
Climbs to the mighty hall that Merlin built.
And four great zones of sculpture, set betwixt
With many a mystic symbol, gird the hall:
And in the lowest beasts are slaying men,
And in the second men are slaying beasts,
And on the third are warriors, perfect men,
And on the fourth are men with growing wings,
And over all one statue in the mould
Of Arthur, made by Merlin, with a crown,
And peaked wings pointed to the Northern Star.
And eastward fronts the statue, and the crown
And both the wings are made of gold, and flame
At sunrise till the people in far fields,
Wasted so often by the heathen hordes,
Behold it, crying, "We have still a King."
`And, brother, had you known our hall within,
Broader and higher than any in all the lands!
Where twelve great windows blazon Arthur's wars,
And all the light that falls upon the board
Streams through the twelve great battles of our King.
Nay, one there is, and at the eastern end,
Wealthy with wandering lines of mount and mere,
Where Arthur finds the brand Excalibur.
And also one to the west, and counter to it,
And blank: and who shall blazon it? when and how?-O there, perchance, when all our wars are done,
The brand Excalibur will be cast away.
`So to this hall full quickly rode the King,
In horror lest the work by Merlin wrought,
Dreamlike, should on the sudden vanish, wrapt
In unremorseful folds of rolling fire.
And in he rode, and up I glanced, and saw
The golden dragon sparkling over all:
And many of those who burnt the hold, their arms
Hacked, and their foreheads grimed with smoke, and seared,
Followed, and in among bright faces, ours,
Full of the vision, prest: and then the King
Spake to me, being nearest, "Percivale,"
(Because the hall was all in tumult--some
607
Vowing, and some protesting), "what is this?"
`O brother, when I told him what had chanced,
My sister's vision, and the rest, his face
Darkened, as I have seen it more than once,
When some brave deed seemed to be done in vain,
Darken; and "Woe is me, my knights," he cried,
"Had I been here, ye had not sworn the vow."
Bold was mine answer, "Had thyself been here,
My King, thou wouldst have sworn." "Yea, yea," said he,
"Art thou so bold and hast not seen the Grail?"
`"Nay, lord, I heard the sound, I saw the light,
But since I did not see the Holy Thing,
I sware a vow to follow it till I saw."
`Then when he asked us, knight by knight, if any
Had seen it, all their answers were as one:
"Nay, lord, and therefore have we sworn our vows."
`"Lo now," said Arthur, "have ye seen a cloud?
What go ye into the wilderness to see?"
`Then Galahad on the sudden, and in a voice
Shrilling along the hall to Arthur, called,
"But I, Sir Arthur, saw the Holy Grail,
I saw the Holy Grail and heard a cry-`O Galahad, and O Galahad, follow me.'"
`"Ah, Galahad, Galahad," said the King, "for such
As thou art is the vision, not for these.
Thy holy nun and thou have seen a sign-Holier is none, my Percivale, than she-A sign to maim this Order which I made.
But ye, that follow but the leader's bell"
(Brother, the King was hard upon his knights)
"Taliessin is our fullest throat of song,
And one hath sung and all the dumb will sing.
Lancelot is Lancelot, and hath overborne
Five knights at once, and every younger knight,
Unproven, holds himself as Lancelot,
Till overborne by one, he learns--and ye,
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What are ye? Galahads?--no, nor Percivales"
(For thus it pleased the King to range me close
After Sir Galahad); "nay," said he, "but men
With strength and will to right the wronged, of power
To lay the sudden heads of violence flat,
Knights that in twelve great battles splashed and dyed
The strong White Horse in his own heathen blood-But one hath seen, and all the blind will see.
Go, since your vows are sacred, being made:
Yet--for ye know the cries of all my realm
Pass through this hall--how often, O my knights,
Your places being vacant at my side,
This chance of noble deeds will come and go
Unchallenged, while ye follow wandering fires
Lost in the quagmire! Many of you, yea most,
Return no more: ye think I show myself
Too dark a prophet: come now, let us meet
The morrow morn once more in one full field
Of gracious pastime, that once more the King,
Before ye leave him for this Quest, may count
The yet-unbroken strength of all his knights,
Rejoicing in that Order which he made."
`So when the sun broke next from under ground,
All the great table of our Arthur closed
And clashed in such a tourney and so full,
So many lances broken--never yet
Had Camelot seen the like, since Arthur came;
And I myself and Galahad, for a strength
Was in us from this vision, overthrew
So many knights that all the people cried,
And almost burst the barriers in their heat,
Shouting, "Sir Galahad and Sir Percivale!"
`But when the next day brake from under ground-O brother, had you known our Camelot,
Built by old kings, age after age, so old
The King himself had fears that it would fall,
So strange, and rich, and dim; for where the roofs
Tottered toward each other in the sky,
Met foreheads all along the street of those
Who watched us pass; and lower, and where the long
609
Rich galleries, lady-laden, weighed the necks
Of dragons clinging to the crazy walls,
Thicker than drops from thunder, showers of flowers
Fell as we past; and men and boys astride
On wyvern, lion, dragon, griffin, swan,
At all the corners, named us each by name,
Calling, "God speed!" but in the ways below
The knights and ladies wept, and rich and poor
Wept, and the King himself could hardly speak
For grief, and all in middle street the Queen,
Who rode by Lancelot, wailed and shrieked aloud,
"This madness has come on us for our sins."
So to the Gate of the three Queens we came,
Where Arthur's wars are rendered mystically,
And thence departed every one his way.
`And I was lifted up in heart, and thought
Of all my late-shown prowess in the lists,
How my strong lance had beaten down the knights,
So many and famous names; and never yet
Had heaven appeared so blue, nor earth so green,
For all my blood danced in me, and I knew
That I should light upon the Holy Grail.
`Thereafter, the dark warning of our King,
That most of us would follow wandering fires,
Came like a driving gloom across my mind.
Then every evil word I had spoken once,
And every evil thought I had thought of old,
And every evil deed I ever did,
Awoke and cried, "This Quest is not for thee."
And lifting up mine eyes, I found myself
Alone, and in a land of sand and thorns,
And I was thirsty even unto death;
And I, too, cried, "This Quest is not for thee."
`And on I rode, and when I thought my thirst
Would slay me, saw deep lawns, and then a brook,
With one sharp rapid, where the crisping white
Played ever back upon the sloping wave,
And took both ear and eye; and o'er the brook
Were apple-trees, and apples by the brook
610
Fallen, and on the lawns. "I will rest here,"
I said, "I am not worthy of the Quest;"
But even while I drank the brook, and ate
The goodly apples, all these things at once
Fell into dust, and I was left alone,
And thirsting, in a land of sand and thorns.
`And then behold a woman at a door
Spinning; and fair the house whereby she sat,
And kind the woman's eyes and innocent,
And all her bearing gracious; and she rose
Opening her arms to meet me, as who should say,
"Rest here;" but when I touched her, lo! she, too,
Fell into dust and nothing, and the house
Became no better than a broken shed,
And in it a dead babe; and also this
Fell into dust, and I was left alone.
`And on I rode, and greater was my thirst.
Then flashed a yellow gleam across the world,
And where it smote the plowshare in the field,
The plowman left his plowing, and fell down
Before it; where it glittered on her pail,
The milkmaid left her milking, and fell down
Before it, and I knew not why, but thought
"The sun is rising," though the sun had risen.
Then was I ware of one that on me moved
In golden armour with a crown of gold
About a casque all jewels; and his horse
In golden armour jewelled everywhere:
And on the splendour came, flashing me blind;
And seemed to me the Lord of all the world,
Being so huge. But when I thought he meant
To crush me, moving on me, lo! he, too,
Opened his arms to embrace me as he came,
And up I went and touched him, and he, too,
Fell into dust, and I was left alone
And wearying in a land of sand and thorns.
`And I rode on and found a mighty hill,
And on the top, a city walled: the spires
Pricked with incredible pinnacles into heaven.
611
And by the gateway stirred a crowd; and these
Cried to me climbing, "Welcome, Percivale!
Thou mightiest and thou purest among men!"
And glad was I and clomb, but found at top
No man, nor any voice. And thence I past
Far through a ruinous city, and I saw
That man had once dwelt there; but there I found
Only one man of an exceeding age.
"Where is that goodly company," said I,
"That so cried out upon me?" and he had
Scarce any voice to answer, and yet gasped,
"Whence and what art thou?" and even as he spoke
Fell into dust, and disappeared, and I
Was left alone once more, and cried in grief,
"Lo, if I find the Holy Grail itself
And touch it, it will crumble into dust."
`And thence I dropt into a lowly vale,
Low as the hill was high, and where the vale
Was lowest, found a chapel, and thereby
A holy hermit in a hermitage,
To whom I told my phantoms, and he said:
`"O son, thou hast not true humility,
The highest virtue, mother of them all;
For when the Lord of all things made Himself
Naked of glory for His mortal change,
`Take thou my robe,' she said, `for all is thine,'
And all her form shone forth with sudden light
So that the angels were amazed, and she
Followed Him down, and like a flying star
Led on the gray-haired wisdom of the east;
But her thou hast not known: for what is this
Thou thoughtest of thy prowess and thy sins?
Thou hast not lost thyself to save thyself
As Galahad." When the hermit made an end,
In silver armour suddenly Galahad shone
Before us, and against the chapel door
Laid lance, and entered, and we knelt in prayer.
And there the hermit slaked my burning thirst,
And at the sacring of the mass I saw
The holy elements alone; but he,
612
"Saw ye no more? I, Galahad, saw the Grail,
The Holy Grail, descend upon the shrine:
I saw the fiery face as of a child
That smote itself into the bread, and went;
And hither am I come; and never yet
Hath what thy sister taught me first to see,
This Holy Thing, failed from my side, nor come
Covered, but moving with me night and day,
Fainter by day, but always in the night
Blood-red, and sliding down the blackened marsh
Blood-red, and on the naked mountain top
Blood-red, and in the sleeping mere below
Blood-red. And in the strength of this I rode,
Shattering all evil customs everywhere,
And past through Pagan realms, and made them mine,
And clashed with Pagan hordes, and bore them down,
And broke through all, and in the strength of this
Come victor. But my time is hard at hand,
And hence I go; and one will crown me king
Far in the spiritual city; and come thou, too,
For thou shalt see the vision when I go."
`While thus he spake, his eye, dwelling on mine,
Drew me, with power upon me, till I grew
One with him, to believe as he believed.
Then, when the day began to wane, we went.
`There rose a hill that none but man could climb,
Scarred with a hundred wintry water-courses-Storm at the top, and when we gained it, storm
Round us and death; for every moment glanced
His silver arms and gloomed: so quick and thick
The lightnings here and there to left and right
Struck, till the dry old trunks about us, dead,
Yea, rotten with a hundred years of death,
Sprang into fire: and at the base we found
On either hand, as far as eye could see,
A great black swamp and of an evil smell,
Part black, part whitened with the bones of men,
Not to be crost, save that some ancient king
Had built a way, where, linked with many a bridge,
A thousand piers ran into the great Sea.
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And Galahad fled along them bridge by bridge,
And every bridge as quickly as he crost
Sprang into fire and vanished, though I yearned
To follow; and thrice above him all the heavens
Opened and blazed with thunder such as seemed
Shoutings of all the sons of God: and first
At once I saw him far on the great Sea,
In silver-shining armour starry-clear;
And o'er his head the Holy Vessel hung
Clothed in white samite or a luminous cloud.
And with exceeding swiftness ran the boat,
If boat it were--I saw not whence it came.
And when the heavens opened and blazed again
Roaring, I saw him like a silver star-And had he set the sail, or had the boat
Become a living creature clad with wings?
And o'er his head the Holy Vessel hung
Redder than any rose, a joy to me,
For now I knew the veil had been withdrawn.
Then in a moment when they blazed again
Opening, I saw the least of little stars
Down on the waste, and straight beyond the star
I saw the spiritual city and all her spires
And gateways in a glory like one pearl-No larger, though the goal of all the saints-Strike from the sea; and from the star there shot
A rose-red sparkle to the city, and there
Dwelt, and I knew it was the Holy Grail,
Which never eyes on earth again shall see.
Then fell the floods of heaven drowning the deep.
And how my feet recrost the deathful ridge
No memory in me lives; but that I touched
The chapel-doors at dawn I know; and thence
Taking my war-horse from the holy man,
Glad that no phantom vext me more, returned
To whence I came, the gate of Arthur's wars.'
`O brother,' asked Ambrosius,--`for in sooth
These ancient books--and they would win thee--teem,
Only I find not there this Holy Grail,
With miracles and marvels like to these,
Not all unlike; which oftentime I read,
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Who read but on my breviary with ease,
Till my head swims; and then go forth and pass
Down to the little thorpe that lies so close,
And almost plastered like a martin's nest
To these old walls--and mingle with our folk;
And knowing every honest face of theirs
As well as ever shepherd knew his sheep,
And every homely secret in their hearts,
Delight myself with gossip and old wives,
And ills and aches, and teethings, lyings-in,
And mirthful sayings, children of the place,
That have no meaning half a league away:
Or lulling random squabbles when they rise,
Chafferings and chatterings at the market-cross,
Rejoice, small man, in this small world of mine,
Yea, even in their hens and in their eggs-O brother, saving this Sir Galahad,
Came ye on none but phantoms in your quest,
No man, no woman?'
Then Sir Percivale:
`All men, to one so bound by such a vow,
And women were as phantoms. O, my brother,
Why wilt thou shame me to confess to thee
How far I faltered from my quest and vow?
For after I had lain so many nights
A bedmate of the snail and eft and snake,
In grass and burdock, I was changed to wan
And meagre, and the vision had not come;
And then I chanced upon a goodly town
With one great dwelling in the middle of it;
Thither I made, and there was I disarmed
By maidens each as fair as any flower:
But when they led me into hall, behold,
The Princess of that castle was the one,
Brother, and that one only, who had ever
Made my heart leap; for when I moved of old
A slender page about her father's hall,
And she a slender maiden, all my heart
Went after her with longing: yet we twain
Had never kissed a kiss, or vowed a vow.
And now I came upon her once again,
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And one had wedded her, and he was dead,
And all his land and wealth and state were hers.
And while I tarried, every day she set
A banquet richer than the day before
By me; for all her longing and her will
Was toward me as of old; till one fair morn,
I walking to and fro beside a stream
That flashed across her orchard underneath
Her castle-walls, she stole upon my walk,
And calling me the greatest of all knights,
Embraced me, and so kissed me the first time,
And gave herself and all her wealth to me.
Then I remembered Arthur's warning word,
That most of us would follow wandering fires,
And the Quest faded in my heart. Anon,
The heads of all her people drew to me,
With supplication both of knees and tongue:
"We have heard of thee: thou art our greatest knight,
Our Lady says it, and we well believe:
Wed thou our Lady, and rule over us,
And thou shalt be as Arthur in our land."
O me, my brother! but one night my vow
Burnt me within, so that I rose and fled,
But wailed and wept, and hated mine own self,
And even the Holy Quest, and all but her;
Then after I was joined with Galahad
Cared not for her, nor anything upon earth.'
Then said the monk, `Poor men, when yule is cold,
Must be content to sit by little fires.
And this am I, so that ye care for me
Ever so little; yea, and blest be Heaven
That brought thee here to this poor house of ours
Where all the brethren are so hard, to warm
My cold heart with a friend: but O the pity
To find thine own first love once more--to hold,
Hold her a wealthy bride within thine arms,
Or all but hold, and then--cast her aside,
Foregoing all her sweetness, like a weed.
For we that want the warmth of double life,
We that are plagued with dreams of something sweet
Beyond all sweetness in a life so rich,--
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Ah, blessd Lord, I speak too earthlywise,
Seeing I never strayed beyond the cell,
But live like an old badger in his earth,
With earth about him everywhere, despite
All fast and penance. Saw ye none beside,
None of your knights?'
`Yea so,' said Percivale:
`One night my pathway swerving east, I saw
The pelican on the casque of our Sir Bors
All in the middle of the rising moon:
And toward him spurred, and hailed him, and he me,
And each made joy of either; then he asked,
"Where is he? hast thou seen him--Lancelot?--Once,"
Said good Sir Bors, "he dashed across me--mad,
And maddening what he rode: and when I cried,
`Ridest thou then so hotly on a quest
So holy,' Lancelot shouted, `Stay me not!
I have been the sluggard, and I ride apace,
For now there is a lion in the way.'
So vanished."
`Then Sir Bors had ridden on
Softly, and sorrowing for our Lancelot,
Because his former madness, once the talk
And scandal of our table, had returned;
For Lancelot's kith and kin so worship him
That ill to him is ill to them; to Bors
Beyond the rest: he well had been content
Not to have seen, so Lancelot might have seen,
The Holy Cup of healing; and, indeed,
Being so clouded with his grief and love,
Small heart was his after the Holy Quest:
If God would send the vision, well: if not,
The Quest and he were in the hands of Heaven.
`And then, with small adventure met, Sir Bors
Rode to the lonest tract of all the realm,
And found a people there among their crags,
Our race and blood, a remnant that were left
Paynim amid their circles, and the stones
They pitch up straight to heaven: and their wise men
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Were strong in that old magic which can trace
The wandering of the stars, and scoffed at him
And this high Quest as at a simple thing:
Told him he followed--almost Arthur's words-A mocking fire: "what other fire than he,
Whereby the blood beats, and the blossom blows,
And the sea rolls, and all the world is warmed?"
And when his answer chafed them, the rough crowd,
Hearing he had a difference with their priests,
Seized him, and bound and plunged him into a cell
Of great piled stones; and lying bounden there
In darkness through innumerable hours
He heard the hollow-ringing heavens sweep
Over him till by miracle--what else?-Heavy as it was, a great stone slipt and fell,
Such as no wind could move: and through the gap
Glimmered the streaming scud: then came a night
Still as the day was loud; and through the gap
The seven clear stars of Arthur's Table Round-For, brother, so one night, because they roll
Through such a round in heaven, we named the stars,
Rejoicing in ourselves and in our King-And these, like bright eyes of familiar friends,
In on him shone: "And then to me, to me,"
Said good Sir Bors, "beyond all hopes of mine,
Who scarce had prayed or asked it for myself-Across the seven clear stars--O grace to me-In colour like the fingers of a hand
Before a burning taper, the sweet Grail
Glided and past, and close upon it pealed
A sharp quick thunder." Afterwards, a maid,
Who kept our holy faith among her kin
In secret, entering, loosed and let him go.'
To whom the monk: `And I remember now
That pelican on the casque: Sir Bors it was
Who spake so low and sadly at our board;
And mighty reverent at our grace was he:
A square-set man and honest; and his eyes,
An out-door sign of all the warmth within,
Smiled with his lips--a smile beneath a cloud,
But heaven had meant it for a sunny one:
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Ay, ay, Sir Bors, who else? But when ye reached
The city, found ye all your knights returned,
Or was there sooth in Arthur's prophecy,
Tell me, and what said each, and what the King?'
Then answered Percivale: `And that can I,
Brother, and truly; since the living words
Of so great men as Lancelot and our King
Pass not from door to door and out again,
But sit within the house. O, when we reached
The city, our horses stumbling as they trode
On heaps of ruin, hornless unicorns,
Cracked basilisks, and splintered cockatrices,
And shattered talbots, which had left the stones
Raw, that they fell from, brought us to the hall.
`And there sat Arthur on the das-throne,
And those that had gone out upon the Quest,
Wasted and worn, and but a tithe of them,
And those that had not, stood before the King,
Who, when he saw me, rose, and bad me hail,
Saying, "A welfare in thine eye reproves
Our fear of some disastrous chance for thee
On hill, or plain, at sea, or flooding ford.
So fierce a gale made havoc here of late
Among the strange devices of our kings;
Yea, shook this newer, stronger hall of ours,
And from the statue Merlin moulded for us
Half-wrenched a golden wing; but now--the Quest,
This vision--hast thou seen the Holy Cup,
That Joseph brought of old to Glastonbury?"
`So when I told him all thyself hast heard,
Ambrosius, and my fresh but fixt resolve
To pass away into the quiet life,
He answered not, but, sharply turning, asked
Of Gawain, "Gawain, was this Quest for thee?"
`"Nay, lord," said Gawain, "not for such as I.
Therefore I communed with a saintly man,
Who made me sure the Quest was not for me;
For I was much awearied of the Quest:
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But found a silk pavilion in a field,
And merry maidens in it; and then this gale
Tore my pavilion from the tenting-pin,
And blew my merry maidens all about
With all discomfort; yea, and but for this,
My twelvemonth and a day were pleasant to me."
`He ceased; and Arthur turned to whom at first
He saw not, for Sir Bors, on entering, pushed
Athwart the throng to Lancelot, caught his hand,
Held it, and there, half-hidden by him, stood,
Until the King espied him, saying to him,
"Hail, Bors! if ever loyal man and true
Could see it, thou hast seen the Grail;" and Bors,
"Ask me not, for I may not speak of it:
I saw it;" and the tears were in his eyes.
`Then there remained but Lancelot, for the rest
Spake but of sundry perils in the storm;
Perhaps, like him of Cana in Holy Writ,
Our Arthur kept his best until the last;
"Thou, too, my Lancelot," asked the king, "my friend,
Our mightiest, hath this Quest availed for thee?"
`"Our mightiest!" answered Lancelot, with a groan;
"O King!"--and when he paused, methought I spied
A dying fire of madness in his eyes-"O King, my friend, if friend of thine I be,
Happier are those that welter in their sin,
Swine in the mud, that cannot see for slime,
Slime of the ditch: but in me lived a sin
So strange, of such a kind, that all of pure,
Noble, and knightly in me twined and clung
Round that one sin, until the wholesome flower
And poisonous grew together, each as each,
Not to be plucked asunder; and when thy knights
Sware, I sware with them only in the hope
That could I touch or see the Holy Grail
They might be plucked asunder. Then I spake
To one most holy saint, who wept and said,
That save they could be plucked asunder, all
My quest were but in vain; to whom I vowed
620
That I would work according as he willed.
And forth I went, and while I yearned and strove
To tear the twain asunder in my heart,
My madness came upon me as of old,
And whipt me into waste fields far away;
There was I beaten down by little men,
Mean knights, to whom the moving of my sword
And shadow of my spear had been enow
To scare them from me once; and then I came
All in my folly to the naked shore,
Wide flats, where nothing but coarse grasses grew;
But such a blast, my King, began to blow,
So loud a blast along the shore and sea,
Ye could not hear the waters for the blast,
Though heapt in mounds and ridges all the sea
Drove like a cataract, and all the sand
Swept like a river, and the clouded heavens
Were shaken with the motion and the sound.
And blackening in the sea-foam swayed a boat,
Half-swallowed in it, anchored with a chain;
And in my madness to myself I said,
`I will embark and I will lose myself,
And in the great sea wash away my sin.'
I burst the chain, I sprang into the boat.
Seven days I drove along the dreary deep,
And with me drove the moon and all the stars;
And the wind fell, and on the seventh night
I heard the shingle grinding in the surge,
And felt the boat shock earth, and looking up,
Behold, the enchanted towers of Carbonek,
A castle like a rock upon a rock,
With chasm-like portals open to the sea,
And steps that met the breaker! there was none
Stood near it but a lion on each side
That kept the entry, and the moon was full.
Then from the boat I leapt, and up the stairs.
There drew my sword. With sudden-flaring manes
Those two great beasts rose upright like a man,
Each gript a shoulder, and I stood between;
And, when I would have smitten them, heard a voice,
`Doubt not, go forward; if thou doubt, the beasts
Will tear thee piecemeal.' Then with violence
621
The sword was dashed from out my hand, and fell.
And up into the sounding hall I past;
But nothing in the sounding hall I saw,
No bench nor table, painting on the wall
Or shield of knight; only the rounded moon
Through the tall oriel on the rolling sea.
But always in the quiet house I heard,
Clear as a lark, high o'er me as a lark,
A sweet voice singing in the topmost tower
To the eastward: up I climbed a thousand steps
With pain: as in a dream I seemed to climb
For ever: at the last I reached a door,
A light was in the crannies, and I heard,
`Glory and joy and honour to our Lord
And to the Holy Vessel of the Grail.'
Then in my madness I essayed the door;
It gave; and through a stormy glare, a heat
As from a seventimes-heated furnace, I,
Blasted and burnt, and blinded as I was,
With such a fierceness that I swooned away-O, yet methought I saw the Holy Grail,
All palled in crimson samite, and around
Great angels, awful shapes, and wings and eyes.
And but for all my madness and my sin,
And then my swooning, I had sworn I saw
That which I saw; but what I saw was veiled
And covered; and this Quest was not for me."
`So speaking, and here ceasing, Lancelot left
The hall long silent, till Sir Gawain--nay,
Brother, I need not tell thee foolish words,-A reckless and irreverent knight was he,
Now boldened by the silence of his King,-Well, I will tell thee: "O King, my liege," he said,
"Hath Gawain failed in any quest of thine?
When have I stinted stroke in foughten field?
But as for thine, my good friend Percivale,
Thy holy nun and thou have driven men mad,
Yea, made our mightiest madder than our least.
But by mine eyes and by mine ears I swear,
I will be deafer than the blue-eyed cat,
And thrice as blind as any noonday owl,
622
To holy virgins in their ecstasies,
Henceforward."
`"Deafer," said the blameless King,
"Gawain, and blinder unto holy things
Hope not to make thyself by idle vows,
Being too blind to have desire to see.
But if indeed there came a sign from heaven,
Blessd are Bors, Lancelot and Percivale,
For these have seen according to their sight.
For every fiery prophet in old times,
And all the sacred madness of the bard,
When God made music through them, could but speak
His music by the framework and the chord;
And as ye saw it ye have spoken truth.
`"Nay--but thou errest, Lancelot: never yet
Could all of true and noble in knight and man
Twine round one sin, whatever it might be,
With such a closeness, but apart there grew,
Save that he were the swine thou spakest of,
Some root of knighthood and pure nobleness;
Whereto see thou, that it may bear its flower.
`"And spake I not too truly, O my knights?
Was I too dark a prophet when I said
To those who went upon the Holy Quest,
That most of them would follow wandering fires,
Lost in the quagmire?--lost to me and gone,
And left me gazing at a barren board,
And a lean Order--scarce returned a tithe-And out of those to whom the vision came
My greatest hardly will believe he saw;
Another hath beheld it afar off,
And leaving human wrongs to right themselves,
Cares but to pass into the silent life.
And one hath had the vision face to face,
And now his chair desires him here in vain,
However they may crown him otherwhere.
`"And some among you held, that if the King
Had seen the sight he would have sworn the vow:
623
Not easily, seeing that the King must guard
That which he rules, and is but as the hind
To whom a space of land is given to plow.
Who may not wander from the allotted field
Before his work be done; but, being done,
Let visions of the night or of the day
Come, as they will; and many a time they come,
Until this earth he walks on seems not earth,
This light that strikes his eyeball is not light,
This air that smites his forehead is not air
But vision--yea, his very hand and foot-In moments when he feels he cannot die,
And knows himself no vision to himself,
Nor the high God a vision, nor that One
Who rose again: ye have seen what ye have seen."
`So spake the King: I knew not all he meant.'
~ Alfred Lord Tennyson,#NFDB
167:Scene. Salzburg; a cell in the Hospital of St. Sebastian. 1541.
Festus, Paracelsus.
Festus.
No change! The weary night is well-nigh spent,
The lamp burns low, and through the casement-bars
Grey morning glimmers feebly: yet no change!
Another night, and still no sigh has stirred
That fallen discoloured mouth, no pang relit
Those fixed eyes, quenched by the decaying body,
Like torch-flame choked in dust. While all beside
Was breaking, to the last they held out bright,
As a stronghold where life intrenched itself;
But they are dead nowvery blind and dead:
He will drowse into death without a groan.
My Aureolemy forgotten, ruined Aureole!
The days are gone, are gone! How grand thou wast!
And now not one of those who struck thee down
Poor glorious spiritconcerns him even to stay
And satisfy himself his little hand
Could turn God's image to a livid thing.
Another night, and yet no change! 'T is much
That I should sit by him, and bathe his brow,
And chafe his hands; 't is much: but he will sure
Know me, and look on me, and speak to me
Once morebut only once! His hollow cheek
Looked all night long as though a creeping laugh
At his own state were just about to break
From the dying man: my brain swam, my throat swelled,
And yet I could not turn away. In truth,
They told me how, when first brought here, he seemed
Resolved to live, to lose no faculty;
Thus striving to keep up his shattered strength,
Until they bore him to this stifling cell:
When straight his features fell, an hour made white
The flushed face, and relaxed the quivering limb,
Only the eye remained intense awhile
As though it recognized the tomb-like place,
And then he lay as here he lies.
Ay, here!
Here is earth's noblest, nobly garlanded
Her bravest champion with his well-won prize
Her best achievement, her sublime amends
For countless generations fleeting fast
And followed by no trace;the creature-god
She instances when angels would dispute
The title of her brood to rank with them.
Angels, this is our angel! Those bright forms
We clothe with purple, crown and call to thrones,
Are human, but not his; those are but men
Whom other men press round and kneel before;
Those palaces are dwelt in by mankind;
Higher provision is for him you seek
Amid our pomps and glories: see it here!
Behold earth's paragon! Now, raise thee, clay!
God! Thou art love! I build my faith on that
Even as I watch beside thy tortured child
Unconscious whose hot tears fall fast by him,
So doth thy right hand guide us through the world
Wherein we stumble. God! what shall we say?
How has he sinned? How else should he have done?
Surely he sought thy praisethy praise, for all
He might be busied by the task so much
As half forget awhile its proper end.
Dost thou well, Lord? Thou canst not but prefer
That I should range myself upon his side
How could he stop at every step to set
Thy glory forth? Hadst thou but granted him
Success, thy honour would have crowned success,
A halo round a star. Or, say he erred,
Save him, dear God; it will be like thee: bathe him
In light and life! Thou art not made like us;
We should be wroth in such a case; but thou
Forgivestso, forgive these passionate thoughts
Which come unsought and will not pass away!
I know thee, who hast kept my path, and made
Light for me in the darkness, tempering sorrow
So that it reached me like a solemn joy;
It were too strange that I should doubt thy love.
But what am I? Thou madest him and knowest
How he was fashioned. I could never err
That way: the quiet place beside thy feet,
Reserved for me, was ever in my thoughts:
But hethou shouldst have favoured him as well!
Ah! he wakens! Aureole, I am here! 't is Festus!
I cast away all wishes save one wish
Let him but know me, only speak to me!
He mutters; louder and louder; any other
Than I, with brain less laden, could collect
What he pours forth. Dear Aureole, do but look!
Is it talking or singing, this he utters fast?
Misery that he should fix me with his eye,
Quick talking to some other all the while!
If he would husband this wild vehemence
Which frustrates its intent!I heard, I know
I heard my name amid those rapid words.
Oh, he will know me yet! Could I divert
This current, lead it somehow gently back
Into the channels of the past!His eye
Brighter than ever! It must recognize me!
I am Erasmus: I am here to pray
That Paracelsus use his skill for me.
The schools of Paris and of Padua send
These questions for your learning to resolve.
We are your students, noble master: leave
This wretched cell, what business have you here?
Our class awaits you; come to us once more!
(O agony! the utmost I can do
Touches him not; how else arrest his ear?)
I am commissioned . . . I shall craze like him.
Better be mute and see what God shall send.
Paracelsus.
Stay, stay with me!
Festus.
I will; I am come here
To stay with youFestus, you loved of old;
Festus, you know, you must know!
Paracelsus.
Festus! Where's
Aprile, then? Has he not chanted softly
The melodies I heard all night? I could not
Get to him for a cold hand on my breast,
But I made out his music well enough,
O well enough! If they have filled him full
With magical music, as they freight a star
With light, and have remitted all his sin,
They will forgive me too, I too shall know!
Festus.
Festus, your Festus!
Paracelsus.
Ask him if Aprile
Knows as he Lovesif I shall Love and Know?
I try; but that cold hand, like leadso cold!
Festus.
My hand, see!
Paracelsus.
Ah, the curse, Aprile, Aprile!
We get so nearso very, very near!
'T is an old tale: Jove strikes the Titans down,
Not when they set about their mountain-piling
But when another rock would crown the work.
And Phaetondoubtless his first radiant plunge
Astonished mortals, though the gods were calm,
And Jove prepared his thunder: all old tales!
Festus.
And what are these to you?
Paracelsus.
Ay, fiends must laugh
So cruelly, so well! most like I never
Could tread a single pleasure underfoot,
But they were grinning by my side, were chuckling
To see me toil and drop away by flakes!
Hell-spawn! I am glad, most glad, that thus I fail!
Your cunning has o'ershot its aim. One year,
One month, perhaps, and I had served your turn!
You should have curbed your spite awhile. But now,
Who will believe 't was you that held me back?
Listen: there's shame and hissing and contempt,
And none but laughs who names me, none but spits
Measureless scorn upon me, me alone,
The quack, the cheat, the liar,all on me!
And thus your famous plan to sink mankind
In silence and despair, by teaching them
One of their race had probed the inmost truth,
Had done all man could do, yet failed no less
Your wise plan proves abortive. Men despair?
Ha, ha! why, they are hooting the empiric,
The ignorant and incapable fool who rushed
Madly upon a work beyond his wits;
Nor doubt they but the simplest of themselves
Could bring the matter to triumphant issue.
So, pick and choose among them all, accursed!
Try now, persuade some other to slave for you,
To ruin body and soul to work your ends!
No, no; I am the first and last, I think.
Festus.
Dear friend, who are accursed? who has done
Paracelsus.
What have I done? Fiends dare ask that? or you,
Brave men? Oh, you can chime in boldly, backed
By the others! What had you to do, sage peers?
Here stand my rivals; Latin, Arab, Jew,
Greek, join dead hands against me: all I ask
Is, that the world enrol my name with theirs,
And even this poor privilege, it seems,
They range themselves, prepared to disallow.
Only observe! why, fiends may learn from them!
How they talk calmly of my throes, my fierce
Aspirings, terrible watchings, each one claiming
Its price of blood and brain; how they dissect
And sneeringly disparage the few truths
Got at a life's cost; they too hanging the while
About my neck, their lies misleading me
And their dead names browbeating me! Grey crew,
Yet steeped in fresh malevolence from hell,
Is there a reason for your hate? My truths
Have shaken a little the palm about each prince?
Just think, Aprile, all these leering dotards
Were bent on nothing less than to be crowned
As we! That yellow blear-eyed wretch in chief
To whom the rest cringe low with feigned respect,
Galen of Pergamos and hellnay speak
The tale, old man! We met there face to face:
I said the crown should fall from thee. Once more
We meet as in that ghastly vestibule:
Look to my brow! Have I redeemed my pledge?
Festus.
Peace, peace; ah, see!
Paracelsus.
Oh, emptiness of fame!
Oh Persic Zoroaster, lord of stars!
Who said these old renowns, dead long ago,
Could make me overlook the living world
To gaze through gloom at where they stood, indeed,
But stand no longer? What a warm light life
After the shade! In truth, my delicate witch,
My serpent-queen, you did but well to hide
The juggles I had else detected. Fire
May well run harmless o'er a breast like yours!
The cave was not so darkened by the smoke
But that your white limbs dazzled me: oh, white,
And panting as they twinkled, wildly dancing!
I cared not for your passionate gestures then,
But now I have forgotten the charm of charms,
The foolish knowledge which I came to seek,
While I remember that quaint dance; and thus
I am come back, not for those mummeries,
But to love you, and to kiss your little feet
Soft as an ermine's winter coat!
Festus.
A light
Will struggle through these thronging words at last.
As in the angry and tumultuous West
A soft star trembles through the drifting clouds.
These are the strivings of a spirit which hates
So sad a vault should coop it, and calls up
The past to stand between it and its fate.
Were he at Einsiedelnor Michal here!
Paracelsus.
Cruel! I seek her nowI kneelI shriek
I clasp her vesturebut she fades, still fades;
And she is gone; sweet human love is gone!
'T is only when they spring to heaven that angels
Reveal themselves to you; they sit all day
Beside you, and lie down at night by you
Who care not for their presence, muse or sleep,
And all at once they leave you, and you know them!
We are so fooled, so cheated! Why, even now
I am not too secure against foul play;
The shadows deepen and the walls contract:
No doubt some treachery is going on.
'T is very dusk. Where are we put, Aprile?
Have they left us in the lurch? This murky loathsome
Death-trap, this slaughter-house, is not the hall
In the golden city! Keep by me, Aprile!
There is a hand groping amid the blackness
To catch us. Have the spider-fingers got you,
Poet? Hold on me for your life! If once
They pull you!Hold!
'Tis but a dreamno more!
I have you still; the sun comes out again;
Let us be happy: all will yet go well!
Let us confer: is it not like, Aprile,
That spite of trouble, this ordeal passed,
The value of my labours ascertained,
Just as some stream foams long among the rocks
But after glideth glassy to the sea,
So, full content shall henceforth be my lot?
What think you, poet? Louder! Your clear voice
Vibrates too like a harp-string. Do you ask
How could I still remain on earth, should God
Grant me the great approval which I seek?
I, you, and God can comprehend each other,
But men would murmur, and with cause enough;
For when they saw me, stainless of all sin,
Preserved and sanctified by inward light,
They would complain that comfort, shut from them,
I drank thus unespied; that they live on,
Nor taste the quiet of a constant joy,
For ache and care and doubt and weariness,
While I am calm; help being vouchsafed to me,
And hid from them.'T were best consider that!
You reason well, Aprile; but at least
Let me know this, and die! Is this too much?
I will learn this, if God so please, and die!
If thou shalt please, dear God, if thou shalt please!
We are so weak, we know our motives least
In their confused beginning. If at first
I sought . . . but wherefore bare my heart to thee?
I know thy mercy; and already thoughts
Flock fast about my soul to comfort it,
And intimate I cannot wholly fail,
For love and praise would clasp me willingly
Could I resolve to seek them. Thou art good,
And I should be content. Yetyet first show
I have done wrong in daring! Rather give
The supernatural consciousness of strength
Which fed my youth! Only one hour of that
With thee to helpO what should bar me then!
Lost, lost! Thus things are ordered here! God's creatures,
And yet he takes no pride in us!none, none!
Truly there needs another life to come!
If this be all(I must tell Festus that)
And other life await us notfor one,
I say 't is a poor cheat, a stupid bungle,
A wretched failure. I, for one, protest
Against it, and I hurl it back with scorn.
Well, onward though alone! Small time remains,
And much to do: I must have fruit, must reap
Some profit from my toils. I doubt my body
Will hardly serve me through; while I have laboured
It has decayed; and now that I demand
Its best assistance, it will crumble fast:
A sad thought, a sad fate! How very full
Of wormwood 't is, that just at altar-service,
The rapt hymn rising with the rolling smoke,
When glory dawns and all is at the best,
The sacred fire may flicker and grow faint
And die for want of a wood-piler's help!
Thus fades the flagging body, and the soul
Is pulled down in the overthrow. Well, well
Let men catch every word, let them lose nought
Of what I say; something may yet be done.
They are ruins! Trust me who am one of you!
All ruins, glorious once, but lonely now.
It makes my heart sick to behold you crouch
Beside your desolate fane: the arches dim,
The crumbling columns grand against the moon,
Could I but rear them up once morebut that
May never be, so leave them! Trust me, friends,
Why should you linger here when I have built
A far resplendent temple, all your own?
Trust me, they are but ruins! See, Aprile,
Men will not heed! Yet were I not prepared
With better refuge for them, tongue of mine
Should ne'er reveal how blank their dwelling is:
I would sit down in silence with the rest.
Ha, what? you spit at me, you grin and shriek
Contempt into my earmy ear which drank
God's accents once? you curse me? Why men, men,
I am not formed for it! Those hideous eyes
Will be before me sleeping, waking, praying,
They will not let me even die. Spare, spare me,
Sinning or no, forget that, only spare me
The horrible scorn! You thought I could support it.
But now you see what silly fragile creature
Cowers thus. I am not good nor bad enough,
Not Christ nor Cain, yet even Cain was saved
From Hate like this. Let me but totter back!
Perhaps I shall elude those jeers which creep
Into my very brain, and shut these scorched
Eyelids and keep those mocking faces out.
Listen, Aprile! I am very calm:
Be not deceived, there is no passion here
Where the blood leaps like an imprisoned thing:
I am calm: I will exterminate the race!
Enough of that: 't is said and it shall be.
And now be merry: safe and sound am I
Who broke through their best ranks to get at you.
And such a havoc, such a rout, Aprile!
Festus.
Have you no thought, no memory for me,
Aureole? I am so wretchedmy pure Michal
Is gone, and you alone are left me now,
And even you forget me. Take my hand
Lean on me thus. Do you not know me, Aureole?
Paracelsus.
Festus, my own friend, you are come at last?
As you say, 't is an awful enterprise;
But you believe I shall go through with it:
'T is like you, and I thank you. Thank him for me,
Dear Michal! See how bright St. Saviour's spire
Flames in the sunset; all its figures quaint
Gay in the glancing light: you might conceive them
A troop of yellow-vested white-haired Jews
Bound for their own land where redemption dawns.
Festus.
Not that blest timenot our youth's time, dear God!
Paracelsus.
Hastay! true, I forgetall is done since,
And he is come to judge me. How he speaks,
How calm, how well! yes, it is true, all true;
All quackery; all deceit; myself can laugh
The first at it, if you desire: but still
You know the obstacles which taught me tricks
So foreign to my natureenvy and hate,
Blind opposition, brutal prejudice,
Bald ignorancewhat wonder if I sunk
To humour men the way they most approved?
My cheats were never palmed on such as you,
Dear Festus! I will kneel if you require me,
Impart the meagre knowledge I possess,
Explain its bounded nature, and avow
My insufficiencywhate'er you will:
I give the fight up: let there be an end,
A privacy, an obscure nook for me.
I want to be forgotten even by God.
But if that cannot be, dear Festus, lay me,
When I shall die, within some narrow grave,
Not by itselffor that would be too proud
But where such graves are thickest; let it look
Nowise distinguished from the hillocks round,
So that the peasant at his brother's bed
May tread upon my own and know it not;
And we shall all be equal at the last,
Or classed according to life's natural ranks,
Fathers, sons, brothers, friendsnot rich, nor wise,
Nor gifted: lay me thus, then say, "He lived
"Too much advanced before his brother men;
"They kept him still in front: 't was for their good
"But yet a dangerous station. It were strange
"That he should tell God he had never ranked
"With men: so, here at least he is a man."
Festus.
That God shall take thee to his breast, dear spirit,
Unto his breast, be sure! and here on earth
Shall splendour sit upon thy name for ever.
Sun! all the heaven is glad for thee: what care
If lower mountains light their snowy phares
At thine effulgence, yet acknowledge not
The source of day? Their theft shall be their bale:
For after-ages shall retrack thy beams,
And put aside the crowd of busy ones
And worship thee alonethe master-mind,
The thinker, the explorer, the creator!
Then, who should sneer at the convulsive throes
With which thy deeds were born, would scorn as well
The sheet of winding subterraneous fire
Which, pent and writhing, sends no less at last
Huge islands up amid the simmering sea.
Behold thy might in me! thou hast infused
Thy soul in mine; and I am grand as thou,
Seeing I comprehend theeI so simple,
Thou so august. I recognize thee first;
I saw thee rise, I watched thee early and late,
And though no glance reveal thou dost accept
My homagethus no less I proffer it,
And bid thee enter gloriously thy rest.
Paracelsus.
Festus!
Festus.
I am for noble Aureole, God!
I am upon his side, come weal or woe.
His portion shall be mine. He has done well.
I would have sinned, had I been strong enough,
As he has sinned. Reward him or I waive
Reward! If thou canst find no place for him,
He shall be king elsewhere, and I will be
His slave for ever. There are two of us.
Paracelsus.
Dear Festus!
Festus.
Here, dear Aureole! ever by you!
Paracelsus.
Nay, speak on, or I dream again. Speak on!
Some story, anythingonly your voice.
I shall dream else. Speak on! ay, leaning so!
Festus.
Thus the Mayne glideth
Where my Love abideth.
Sleep's no softer: it proceeds
On through lawns, on through meads,
On and on, whate'er befall,
Meandering and musical,
Though the ****rd pasturage
Bears not on its shaven ledge
Aught but weeds and waving grasses
To view the river as it passes,
Save here and there a scanty patch
Of primroses too faint to catch
A weary bee.
Paracelsus.
More, more; say on!
Festus.
And scarce it pushes
Its gentle way through strangling rushes
Where the glossy kingfisher
Flutters when noon-heats are near,
Glad the shelving banks to shun,
Red and steaming in the sun,
Where the shrew-mouse with pale throat
Burrows, and the speckled stoat;
Where the quick sandpipers flit
In and out the marl and grit
That seems to breed them, brown as they:
Nought disturbs its quiet way,
Save some lazy stork that springs,
Trailing it with legs and wings,
Whom the shy fox from the hill
Rouses, creep he ne'er so still.
Paracelsus.
My heart! they loose my heart, those simple words;
Its darkness passes, which nought else could touch:
Like some dark snake that force may not expel,
Which glideth out to music sweet and low.
What were you doing when your voice broke through
A chaos of ugly images? You, indeed!
Are you alone here?
Festus.
All alone: you know me?
This cell?
Paracelsus.
An unexceptionable vault:
Good brick and stone: the bats kept out, the rats
Kept in: a snug nook: how should I mistake it?
Festus.
But wherefore am I here?
Paracelsus.
Ah, well remembered!
Why, for a purposefor a purpose, Festus!
'T is like me: here I trifle while time fleets,
And this occasion, lost, will ne'er return.
You are here to be instructed. I will tell
God's message; but I have so much to say,
I fear to leave half out. All is confused
No doubt; but doubtless you will learn in time.
He would not else have brought you here: no doubt
I shall see clearer soon.
Festus.
Tell me but this
You are not in despair?
Paracelsus.
I? and for what?
Festus.
Alas, alas! he knows not, as I feared!
Paracelsus.
What is it you would ask me with that earnest
Dear searching face?
Festus.
How feel you, Aureole?
Paracelsus.
Well:
Well. 'T is a strange thing: I am dying, Festus,
And now that fast the storm of life subsides,
I first perceive how great the whirl has been.
I was calm then, who am so dizzy now
Calm in the thick of the tempest, but no less
A partner of its motion and mixed up
With its career. The hurricane is spent,
And the good boat speeds through the brightening weather;
But is it earth or sea that heaves below?
The gulf rolls like a meadow-swell, o'erstrewn
With ravaged boughs and remnants of the shore;
And now some slet, loosened from the land,
Swims past with all its trees, sailing to ocean;
And now the air is full of uptorn canes,
Light strippings from the fan-trees, tamarisks
Unrooted, with their birds still clinging to them,
All high in the wind. Even so my varied life
Drifts by me; I am young, old, happy, sad,
Hoping, desponding, acting, taking rest,
And all at once: that is, those past conditions
Float back at once on me. If I select
Some special epoch from the crowd, 't is but
To will, and straight the rest dissolve away,
And only that particular state is present
With all its long-forgotten circumstance
Distinct and vivid as at firstmyself
A careless looker-on and nothing more,
Indifferent and amused, but nothing more.
And this is death: I understand it all.
New being waits me; new perceptions must
Be born in me before I plunge therein;
Which last is Death's affair; and while I speak,
Minute by minute he is filling me
With power; and while my foot is on the threshold
Of boundless lifethe doors unopened yet,
All preparations not complete within
I turn new knowledge upon old events,
And the effect is . . . but I must not tell;
It is not lawful. Your own turn will come
One day. Wait, Festus! You will die like me.
Festus.
'T is of that past life that I burn to hear.
Paracelsus.
You wonder it engages me just now?
In truth, I wonder too. What 's life to me?
Where'er I look is fire, where'er I listen
Music, and where I tend bliss evermore.
Yet how can I refrain? 'T is a refined
Delight to view those chances,one last view.
I am so near the perils I escape,
That I must play with them and turn them over,
To feel how fully they are past and gone.
Still, it is like, some further cause exists
For this peculiar moodsome hidden purpose;
Did I not tell you something of it, Festus?
I had it fast, but it has somehow slipt
Away from me; it will return anon.
Festus.
(Indeed his cheek seems young again, his voice
Complete with its old tones: that little laugh
Concluding every phrase, with upturned eye,
As though one stooped above his head to whom
He looked for confirmation and approval,
Where was it gone so long, so well preserved?
Then, the fore-finger pointing as he speaks,
Like one who traces in an open book
The matter he declares; 't is many a year
Since I remarked it last: and this in him,
But now a ghastly wreck!)
And can it be,
Dear Aureole, you have then found out at last
That worldly things are utter vanity?
That man is made for weakness, and should wait
In patient ignorance, till God appoint . . .
Paracelsus.
Ha, the purpose: the true purpose: that is it!
How could I fail to apprehend! You here,
I thus! But no more trifling: I see all,
I know all: my last mission shall be done
If strength suffice. No trifling! Stay; this posture
Hardly befits one thus about to speak:
I will arise.
Festus.
Nay, Aureole, are you wild?
You cannot leave your couch.
Paracelsus.
No help; no help;
Not even your hand. So! there, I stand once more!
Speak from a couch? I never lectured thus.
My gownthe scarlet lined with fur; now put
The chain about my neck; my signet-ring
Is still upon my hand, I thinkeven so;
Last, my good sword; ah, trusty Azoth, leapest
Beneath thy master's grasp for the last time?
This couch shall be my throne: I bid these walls
Be consecrate, this wretched cell become
A shrine, for here God speaks to men through me.
Now, Festus, I am ready to begin.
Festus.
I am dumb with wonder.
Paracelsus.
Listen, therefore, Festus!
There will be time enough, but none to spare.
I must content myself with telling only
The most important points. You doubtless feel
That I am happy, Festus; very happy.
Festus.
'T is no delusion which uplifts him thus!
Then you are pardoned, Aureole, all your sin?
Paracelsus.
Ay, pardoned: yet why pardoned?
Festus.
'T is God's praise
That man is bound to seek, and you . . .
Paracelsus.
Have lived!
We have to live alone to set forth well
God's praise. 'T is true, I sinned much, as I thought,
And in effect need mercy, for I strove
To do that very thing; but, do your best
Or worst, praise rises, and will rise for ever
Pardon from him, because of praise denied
Who calls me to himself to exalt himself?
He might laugh as I laugh!
Festus.
But all comes
To the same thing. 'T is fruitless for mankind
To fret themselves with what concerns them not;
They are no use that way: they should lie down
Content as God has made them, nor go mad
In thriveless cares to better what is ill.
Paracelsus.
No, no; mistake me not; let me not work
More harm than I have worked! This is my case:
If I go joyous back to God, yet bring
No offering, if I render up my soul
Without the fruits it was ordained to bear,
If I appear the better to love God
For sin, as one who has no claim on him,-
Be not deceived! It may be surely thus
With me, while higher prizes still await
The mortal persevering to the end.
Beside I am not all so valueless:
I have been something, though too soon I left
Following the instincts of that happy time.
Festus.
What happy time? For God's sake, for man's sake,
What time was happy? All I hope to know
That answer will decide. What happy time?
Paracelsus.
When but the time I vowed myself to man?
Festus.
Great God, thy judgments are inscrutable!
Paracelsus.
Yes, it was in me; I was born for it
I, Paracelsus: it was mine by right.
Doubtless a searching and impetuous soul
Might learn from its own motions that some task
Like this awaited it about the world;
Might seek somewhere in this blank life of ours
For fit delights to stay its longings vast;
And, grappling Nature, so prevail on her
To fill the creature full she dared thus frame
Hungry for joy; and, bravely tyrannous,
Grow in demand, still craving more and more,
And make each joy conceded prove a pledge
Of other joy to followbating nought
Of its desires, still seizing fresh pretence
To turn the knowledge and the rapture wrung
As an extreme, last boon, from destiny,
Into occasion for new coyetings,
New strifes, new triumphs:doubtless a strong soul,
Alone, unaided might attain to this,
So glorious is our nature, so august
Man's inborn uninstructed impulses,
His naked spirit so majestical!
But this was born in me; I was made so;
Thus much time saved: the feverish appeties,
The tumult of unproved desire, the unaimed
Uncertain yearnings, aspirations blind,
Distrust, mistake, and all that ends in tears
Were saved me; thus I entered on my course.
You may be sure I was not all exempt
From human trouble; just so much of doubt
As bade me plant a surer foot upon
The sun-road, kept my eye unruined 'mid
The fierce and flashing splendour, set my heart
Trembling so much as warned me I stood there
On sufferancenot to idly gaze, but cast
Light on a darkling race; save for that doubt,
I stood at first where all aspire at last
To stand: the secret of the world was mine.
I knew, I felt, (perception unexpressed,
Uncomprehended by our narrow thought,
But somehow felt and known in every shift
And change in the spirit,nay, in every pore
Of the body, even,)what God is, what we are,
What life ishow God tastes an infinite joy
In infinite waysone everlasting bliss,
From whom all being emanates, all power
Proceeds; in whom is life for evermore,
Yet whom existence in its lowest form
Includes; where dwells enjoyment there is he;
With still a flying point of bliss remote,
A happiness in store afar, a sphere
Of distant glory in full view; thus climbs
Pleasure its heights for ever and for ever.
The centre-fire heaves underneath the earth,
And the earth changes like a human face;
The molten ore bursts up among the rocks,
Winds into the stone's heart, outbranches bright
In hidden mines, spots barren river-beds,
Crumbles into fine sand where sunbeams bask
God joys therein. The wroth sea's waves are edged
With foam, white as the bitten lip of hate,
When, in the solitary waste, strange groups
Of young volcanos come up, cyclops-like,
Staring together with their eyes on flame
God tastes a pleasure in their uncouth pride.
Then all is still; earth is a wintry clod:
But spring-wind, like a dancing psaltress, passes
Over its breast to waken it, rare verdure
Buds tenderly upon rough banks, between
The withered tree-roots and the cracks of frost,
Like a smile striving with a wrinkled face;
The grass grows bright, the boughs are swoln with blooms
Like chrysalids impatient for the air,
The shining dorrs are busy, beetles run
Along the furrows, ants make their ado;
Above, birds fly in merry flocks, the lark
Soars up and up, shivering for very joy;
Afar the ocean sleeps; white fishing-gulls
Flit where the strand is purple with its tribe
Of nested limpets; savage creatures seek
Their loves in wood and plainand God renews
His ancient rapture. Thus he dwells in all,
From life's minute beginnings, up at last
To manthe consummation of this scheme
Of being, the completion of this sphere
Of life: whose attributes had here and there
Been scattered o'er the visible world before,
Asking to be combined, dim fragments meant
To be united in some wondrous whole,
Imperfect qualities throughout creation,
Suggesting some one creature yet to make,
Some point where all those scattered rays should meet
Convergent in the faculties of man.
Powerneither put forth blindly, nor controlled
Calmly by perfect knowledge; to be used
At risk, inspired or checked by hope and fear:
Knowledgenot intuition, but the slow
Uncertain fruit of an enhancing toil,
Strengthened by love: lovenot serenely pure,
But strong from weakness, like a chance-sown plant
Which, cast on stubborn soil, puts forth changed buds
And softer stains, unknown in happier climes;
Love which endures and doubts and is oppressed
And cherished, suffering much and much sustained,
And blind, oft-failing, yet believing love,
A half-enlightened, often-chequered trust:
Hints and previsions of which faculties,
Are strewn confusedly everywhere about
The inferior natures, and all lead up higher,
All shape out dimly the superior race,
The heir of hopes too fair to turn out false,
And man appears at last. So far the seal
Is put on life; one stage of being complete,
One scheme wound up: and from the grand result
A supplementary reflux of light,
Illustrates all the inferior grades, explains
Each back step in the circle. Not alone
For their possessor dawn those qualities,
But the new glory mixes with the heaven
And earth; man, once descried, imprints for ever
His presence on all lifeless things: the winds
Are henceforth voices, wailing or a shout,
A querulous mutter or a quick gay laugh,
Never a senseless gust now man is born.
The herded pines commune and have deep thoughts
A secret they assemble to discuss
When the sun drops behind their trunks which glare
Like grates of hell: the peerless cup afloat
Of the lake-lily is an urn, some nymph
Swims bearing high above her head: no bird
Whistles unseen, but through the gaps above
That let light in upon the gloomy woods,
A shape peeps from the breezy forest-top,
Arch with small puckered mouth and mocking eye.
The morn has enterprise, deep quiet droops
With evening, triumph takes the sunset hour,
Voluptuous transport ripens with the corn
Beneath a warm moon like a happy face:
And this to fill us with regard for man.
With apprehension of his passing worth,
Desire to work his proper nature out,
And ascertain his rank and final place,
For these things tend still upward, progress is
The law of life, man is not Man as yet.
Nor shall I deem his object served, his end
Attained, his genuine strength put fairly forth,
While only here and there a star dispels
The darkness, here and there a towering mind
O'erlooks its prostrate fellows: when the host
Is out at once to the despair of night,
When all mankind alike is perfected,
Equal in full-blown powersthen, not till then,
I say, begins man's general infancy.
For wherefore make account of feverish starts
Of restless members of a dormant whole,
Impatient nerves which quiver while the body
Slumbers as in a grave? Oh long ago
The brow was twitched, the tremulous lids astir,
The peaceful mouth disturbed; half-uttered speech
Ruffled the lip, and then the teeth were set,
The breath drawn sharp, the strong right-hand clenched stronger,
As it would pluck a lion by the jaw;
The glorious creature laughed out even in sleep!
But when full roused, each giant-limb awake,
Each sinew strung, the great heart pulsing fast,
He shall start up and stand on his own earth,
Then shall his long triumphant march begin,
Thence shall his being date,thus wholly roused,
What he achieves shall be set down to him.
When all the race is perfected alike
As man, that is; all tended to mankind,
And, man produced, all has its end thus far:
But in completed man begins anew
A tendency to God. Prognostics told
Man's near approach; so in man's self arise
August anticipations, symbols, types
Of a dim splendour ever on before
In that eternal circle life pursues.
For men begin to pass their nature's bound,
And find new hopes and cares which fast supplant
Their proper joys and griefs; they grow too great
For narrow creeds of right and wrong, which fade
Before the unmeasured thirst for good: while peace
Rises within them ever more and more.
Such men are even now upon the earth,
Serene amid the half-formed creatures round
Who should be saved by them and joined with them.
Such was my task, and I was born to it
Free, as I said but now, from much that chains
Spirits, high-dowered but limited and vexed
By a divided and delusive aim,
A shadow mocking a reality
Whose truth avails not wholly to disperse
The flitting mimic called up by itself,
And so remains perplexed and nigh put out
By its fantastic fellow's wavering gleam.
I, from the first, was never cheated thus;
I never fashioned out a fancied good
Distinct from man's; a service to be done,
A glory to be ministered unto
With powers put forth at man's expense, withdrawn
From labouring in his behalf; a strength
Denied that might avail him. I cared not
Lest his success ran counter to success
Elsewhere: for God is glorified in man,
And to man's glory vowed I soul and limb.
Yet, constituted thus, and thus endowed,
I failed: I gazed on power till I grew blind.
Power; I could not take my eyes from that:
That only, I thought, should be preserved, increased
At any risk, displayed, struck out at once-
The sign and note and character of man.
I saw no use in the past: only a scene
Of degradation, ugliness and tears,
The record of disgraces best forgotten,
A sullen page in human chronicles
Fit to erase. I saw no cause why man
Should not stand all-sufficient even now,
Or why his annals should be forced to tell
That once the tide of light, about to break
Upon the world, was sealed within its spring:
I would have had one day, one moment's space,
Change man's condition, push each slumbering claim
Of mastery o'er the elemental world
At once to full maturity, then roll
Oblivion o'er the work, and hide from man
What night had ushered morn. Not so, dear child
Of after-days, wilt thou reject the past
Big with deep warnings of the proper tenure
By which thou hast the earth: for thee the present
Shall have distinct and trembling beauty, seen
Beside that past's own shade when, in relief,
Its brightness shall stand out: nor yet on thee
Shall burst the future, as successive zones
Of several wonder open on some spirit
Flying secure and glad from heaven to heaven:
But thou shalt painfully attain to joy,
While hope and fear and love shall keep thee man!
All this was hid from me: as one by one
My dreams grew dim, my wide aims circumscribed,
As actual good within my reach decreased,
While obstacles sprung up this way and that
To keep me from effecting half the sum,
Small as it proved; as objects, mean within
The primal aggregate, seemed, even the least,
Itself a match for my concentred strength
What wonder if I saw no way to shun
Despair? The power I sought for man, seemed God's.
In this conjuncture, as I prayed to die,
A strange adventure made me know, one sin
Had spotted my career from its uprise;
I saw Aprilemy Aprile there!
And as the poor melodious wretch disburthened
His heart, and moaned his weakness in my ear,
I learned my own deep error; love's undoing
Taught me the worth of love in man's estate,
And what proportion love should hold with power
In his right constitution; love preceding
Power, and with much power, always much more love;
Love still too straitened in his present means,
And earnest for new power to set love free.
I learned this, and supposed the whole was learned:
And thus, when men received with stupid wonder
My first revealings, would have worshipped me,
And I despised and loathed their proffered praise
When, with awakened eyes, they took revenge
For past credulity in casting shame
On my real knowledge, and I hated them
It was not strange I saw no good in man,
To overbalance all the wear and waste
Of faculties, displayed in vain, but born
To prosper in some better sphere: and why?
In my own heart love had not been made wise
To trace love's faint beginnings in mankind,
To know even hate is but a mask of love's,
To see a good in evil, and a hope
In ill-success; to sympathize, be proud
Of their half-reasons, faint aspirings, dim
Struggles for truth, their poorest fallacies,
Their prejudice and fears and cares and doubts;
All with a touch of nobleness, despite
Their error, upward tending all though weak,
Like plants in mines which never saw the sun,
But dream of him, and guess where he may be,
And do their best to climb and get to him.
All this I knew not, and I failed. Let men
Regard me, and the poet dead long ago
Who loved too rashly; and shape forth a third
And better-tempered spirit, warned by both:
As from the over-radiant star too mad
To drink the life-springs, beamless thence itself
And the dark orb which borders the abyss,
Ingulfed in icy night,might have its course
A temperate and equidistant world.
Meanwhile, I have done well, though not all well.
As yet men cannot do without contempt;
'T is for their good, and therefore fit awhile
That they reject the weak, and scorn the false,
Rather than praise the strong and true, in me:
But after, they will know me. If I stoop
Into a dark tremendous sea of cloud,
It is but for a time; I press God's lamp
Close to my breast; its splendour, soon or late,
Will pierce the gloom: I shall emerge one day.
You understand me? I have said enough?
Festus.
Now die, dear Aureole!
Paracelsus.
Festus, let my hand
This hand, lie in your own, my own true friend!
Aprile! Hand in hand with you, Aprile!
Festus.
And this was Paracelsus!
~ Robert Browning, Paracelsus - Part V - Paracelsus Attains
,#NFDB
168:1052
The Tale Of Gamelyn
Fitt 1
Lithes and listneth and harkeneth aright,
And ye shul here of a doughty knyght;
Sire John of Boundes was his name,
He coude of norture and of mochel game.
Thre sones the knyght had and with his body he wan,
The eldest was a moche schrewe and sone bygan.
His brether loved wel her fader and of hym were agast,
The eldest deserved his faders curs and had it atte last.
The good knight his fadere lyved so yore,
That deth was comen hym to and handled hym ful sore.
The good knyght cared sore sik ther he lay,
How his children shuld lyven after his day.
He had bene wide where but non husbonde he was,
Al the londe that he had it was purchas.
Fayn he wold it were dressed amonge hem alle,
That eche of hem had his parte as it myght falle.
Thoo sente he in to contrey after wise knyghtes
To helpen delen his londes and dressen hem to-rightes.
He sent hem word by letters thei shul hie blyve,
If thei wolle speke with hym whilst he was alyve.
Whan the knyghtes harden sik that he lay,
Had thei no rest neither nyght ne day,
Til thei come to hym ther he lay stille
On his dethes bedde to abide goddys wille.
Than seide the good knyght seke ther he lay,
'Lordes, I you warne for soth, without nay,
I may no lenger lyven here in this stounde;
For thorgh goddis wille deth droueth me to grounde.'
Ther nas noon of hem alle that herd hym aright,
That thei ne had routh of that ilk knyght,
And seide, 'Sir, for goddes love dismay you nought;
God may don boote of bale that is now ywrought.'
Than speke the good knyght sik ther he lay,
'Boote of bale God may sende I wote it is no nay;
But I beseche you knyghtes for the love of me,
Goth and dresseth my londes amonge my sones thre.
1053
And for the love of God deleth not amyss,
And forgeteth not Gamelyne my yonge sone that is.
Taketh hede to that oon as wel as to that other;
Seelde ye seen eny hier helpen his brother.'
Thoo lete thei the knyght lyen that was not in hele,
And wenten into counselle his londes for to dele;
For to delen hem alle to on that was her thought.
And for Gamelyn was yongest he shuld have nought.
All the londe that ther was thei dalten it in two,
And lete Gamelyne the yonge without londe goo,
And eche of hem seide to other ful loude,
His bretheren myght yeve him londe whan he good cowde.
And whan thei had deled the londe at her wille,
They commen to the knyght ther he lay stille,
And tolde him anoon how thei had wrought;
And the knight ther he lay liked it right nought.
Than seide the knyght, 'Be Seint Martyne,
For al that ye han done yit is the londe myne;
For Goddis love, neighbours stondeth alle stille,
And I wil delen my londe after myn owne wille.
John, myne eldest sone shal have plowes fyve,
That was my faders heritage whan he was alyve;
And my myddelest sone fyve plowes of londe,
That I halpe forto gete with my right honde;
And al myn other purchace of londes and ledes
That I biquethe Gamelyne and alle my good stedes.
And I biseche you, good men that lawe conne of londe,
For Gamelynes love that my quest stonde.'
Thus dalt the knyght his londe by his day,
Right on his deth bed sik ther he lay;
And sone afterward he lay stoon stille,
And deide whan tyme come as it was Cristes wille.
Anoon as he was dede and under gras grave,
Sone the elder brother giled the yonge knave;
He toke into his honde his londe and his lede,
And Gamelyne him selven to clothe and to fede.
He clothed him and fedde him evell and eke wroth,
And lete his londes forfare and his houses bothe,
His parkes and his wodes and did no thing welle;
1054
And sithen he it abought on his owne felle.
So longe was Gamelyne in his brothers halle,
For the strengest, of good will they douted hym alle;
Ther was noon therinne neither yonge ne olde,
That wolde wroth Gamelyne were he never so bolde.
Gamelyne stood on a day in his brotheres yerde,
And byganne with his hond to handel his berde;
He thought on his landes that lay unsowe,
And his fare okes that doune were ydrawe;
His parkes were broken and his deer reved;
Of alle his good stedes noon was hym byleved;
His hous were unhilled and ful evell dight;
Tho thought Gamelyne it went not aright.
Afterward come his brother walking thare,
And seide to Gamelyne, 'Is our mete yare?'
Tho wrathed him Gamelyne and swore by Goddys boke,
'Thow schalt go bake thi self I wil not be thi coke!'
'What? brother Gamelyne howe answerst thou nowe?
Thou spekest nevere such a worde as thou dost nowe.'
'By feithe,' seide Gamelyne 'now me thenketh nede;
Of al the harmes that I have I toke never yit hede.
My parkes bene broken and my dere reved,
Of myn armes ne my stedes nought is byleved;
Alle that my fader me byquathe al goth to shame,
And therfor have thou Goddes curs brother be thi name!'
Than spake his brother that rape was and rees,
'Stond stille, gadlynge and holde thi pees;
Thou shalt be fayn to have thi mete and thi wede;
What spekest thow, gadelinge of londe or of lede?'
Than seide Gamelyne the child so yinge,
'Cristes curs mote he have that me clepeth gadelinge!
I am no wors gadeling ne no wors wight,
But born of a lady and gete of a knyght.'
Ne dorst he not to Gamelyn never a foot goo,
But cleped to hym his men and seide to hem thoo,
'Goth and beteth this boye and reveth hym his witte,
And lat him lerne another tyme to answere me bette.'
Than seide the childe yonge Gamelyne,
1055
'Cristes curs mote thou have brother art thou myne!
And if I shal algates be beten anoon,
Cristes curs mote thou have but thou be that oon!'
And anon his brother in that grete hete
Made his men to fette staves Gamelyn to bete.
Whan every of hem had a staf ynomen,
Gamelyn was werre whan he segh hem comen;
Whan Gamelyne segh hem comen he loked overall,
And was ware of a pestel stode under the wall;
Gamelyn was light and thider gan he lepe,
And droof alle his brotheres men right sone on an hepe
And loked as a wilde lyon and leide on good wone;
And whan his brother segh that he byganne to gon;
He fley up into a loft and shette the door fast;
Thus Gamelyn with his pestel made hem al agast.
Some for Gamelyns love and some for eye,
Alle they droughen hem to halves whan he gan to pleye.
'What now!' seyde Gamelyne 'evel mot ye the!
Wil ye bygynne contecte and so sone flee?'
Gamelyn sought his brother whider he was flowe,
And seghe where he loked out a wyndowe.
'Brother,' sayde Gamelyne 'com a litel nere,
And I wil teche thee a play at the bokelere.'
His brother him answerde and seide by Seint Richere,
'The while that pestel is in thine honde I wil come no nere;
Brother, I will make thi pees I swer by Cristes oore;
Cast away the pestel and wrethe the no more.'
'I most nede,' seide Gamelyn, 'wreth me at onys,
For thou wold make thi men to breke my bonys,
Ne had I hadde mayn and myght in myn armes,
To han hem fro me thei wold have done me harmes.'
'Gamelyn,' seide his brother, 'be thou not wroth,
For to sene the han harme me were right loth;
I ne did it not, brother, but for a fondinge,
For to loken wher thou art stronge and art so yenge.'
'Come adoune than to me and graunt me my bone
Of oon thing I wil the axe and we shal saught sone.'
Doune than come his brother that fikel was and felle,
And was swith sore afeerd of the pestelle.
He seide, 'Brother Gamelyn axe me thi bone,
1056
And loke thou me blame but I it graunte sone.'
Than seide Gamelyn 'Brother, iwys,
And we shul be at one thou most graunte me this:
Alle that my fader me byquath whilst he was alyve,
Thow most do me it have if we shul not strive.'
'That shalt thou have, Gamelyn I swere be Cristes oore!
Al that thi fadere the byquathe, though thou wolde have more;
Thy londe that lith ley wel it shal be sawe,
And thine houses reised up that bene leide ful lawe.'
Thus seide the knyght to Gamelyn with mouthe,
And thought on falsnes as he wel couthe.
The knyght thought on tresoun and Gamelyn on noon,
And wente and kissed his brother and whan thei were at oon
Alas, yonge Gamelyne no thinge he ne wist
With such false tresoun his brother him kist!
Fitt 2
Lytheneth, and listeneth, and holdeth your tonge,
And ye shul here talking of Gamelyn the yonge.
Ther was there bisiden cride a wrastelinge,
And therfore ther was sette a ramme and a ringe;
And Gamelyn was in wille to wende therto,
Forto preven his myght what he coude doo.
'Brothere,' seide Gamelyn, 'by Seint Richere,
Thow most lene me tonyght a litel coursere
That is fresshe for the spore on forto ride;
I moste on an erande a litel here beside.'
'By god!' seide his brothere 'of stedes in my stalle
Goo and chese the the best spare noon of hem alle
Of stedes and of coursers that stoden hem byside;
And telle me, good brother, whider thou wilt ride.'
'Here beside, brother is cried a wrastelinge,
And therfore shal be sette a ram and a ringe;
Moche worschip it were brother to us alle,
Might I the ram and the ringe bringe home to this halle.'
A stede ther was sadeled smertly and skete;
Gamelyn did a peire spores fast on his fete.
He sette his foote in the stirop the stede he bistrode,
And towardes the wrastelinge the yonge childe rode.
1057
Whan Gamelyn the yonge was riden out atte gate,
The fals knyght his brother loked yit after thate,
And bysought Jesu Crist that is hevene kinge,
He myghte breke his necke in the wrestelinge.
As sone as Gamelyn come ther the place was,
He lighte doune of his stede and stood on the gras,
And ther he herde a frankeleyn 'weiloway' singe,
And bygonne bitterly his hondes forto wringe.
'Good man,' seide Gamelyn, 'whi mast thou this fare?
Is ther no man that may you helpen out of care?'
'Allas!' seide this frankeleyn, 'that ever was I bore!
For twey stalworth sones I wene that I have lore;
A champion is in the place that hath wrought me sorowe,
For he hath sclayn my two sones but if God hem borowe.
I will yeve ten pound by Jesu Christ! and more,
With the nones I fonde a man wolde handel hym sore.'
'Good man,' seide Gamelyn, 'wilt thou wele doon,
Holde my hors the whiles my man drowe of my shoon,
And helpe my man to kepe my clothes and my stede,
And I wil to place gon to loke if I may spede.'
'By God!' seide the frankleyn, 'it shal be doon;
I wil myself be thi man to drowe of thi shoon,
And wende thou into place, Jesu Crist the spede,
And drede not of thi clothes ne of thi good stede.'
Barefoot and ungirt Gamelyn inne came,
Alle that were in the place hede of him nam,
Howe he durst aventure him to doon his myght
That was so doghty a champion in wrasteling and in fight.
Up stert the champioun rapely anon,
And toward yonge Gamelyn byganne to gon,
And seide, 'Who is thi fadere and who is thi sire?
For sothe thou art a grete fool that thou come hire!'
Gamelyn answerde the champioun tho,
'Thowe knewe wel my fadere while he myght goo,
The whiles he was alyve, by seynt Martyn!
Sir John of Boundes was his name, and I am Gamelyne.'
'Felawe,' sayde the champion, 'so mot I thrive,
I knewe wel thi fadere the whiles he was alyve;
And thi silf, Gamelyn, I wil that thou it here,
While thou were a yonge boy a moche shrewe thou were.'
1058
Than seide Gamelyn and swore by Cristes ore,
'Now I am older wexe thou shalt finde me a more!'
'By God!' seide the champion 'welcome mote thou be!
Come thow onys in myn honde thou shalt nevere the.'
It was wel within the nyght and the mone shone,
Whan Gamelyn and the champioun togider gon gone.
The champion cast turnes to Gamelyne that was prest,
And Gamelyn stode and bad hym doon his best.
Than seide Gamelyn to the champioun,
'Thowe art fast aboute to bringe me adoun;
Now I have proved mony tornes of thine,
Thow most,' he seide, 'oon or two of myne.'
Gamelyn to the champioun yede smertely anoon,
Of all the turnes that he couthe he shewed him but oon,
And cast him on the lift side that thre ribbes to-brake,
And therto his owne arme that yaf a grete crake.
Than seide Gamelyn smertly anon,
'Shal it bi hold for a cast or ellis for non?'
'By God!' seide the champion, 'whedere it be,
He that cometh ones in thi honde shal he never the!'
Than seide the frankeleyn that had the sones there,
'Blessed be thou, Gamelyn, that ever thou bore were!'
The frankleyn seide to the champioun on hym stode hym noon eye,
'This is yonge Gamelyne that taught the this pleye.'
Agein answerd the champioun that liketh no thing wel,
'He is alther maister and his pley is right felle;
Sithen I wrasteled first it is goon yore,
But I was nevere in my lif handeled so sore.'
Gamelyn stode in the place anon without serk,
And seide, 'Yif ther be moo lat hem come to werk;
The champion that pyned him to worch sore,
It semeth by his countenance that he wil no more.'
Gamelyn in the place stode stille as stone,
For to abide wrastelinge but ther come none;
Ther was noon with Gamelyn that wold wrastel more,
For he handeled the champioun so wonderly sore.
Two gentile men that yemed the place,
Come to Gamelyn -- God yeve him goode grace! --
1059
And seide to him, 'Do on thi hosen and thi shoon,
For soth at this tyme this fare is doon.'
And than seide Gamelyn, 'So mot I wel fare,
I have not yete halvendele sold my ware.'
Thoo seide the champioun, 'So broke I my swere,
He is a fool that therof bieth thou selleth it so dere.'
Tho seide the frankeleyne that was in moche care,
'Felawe,' he saide 'whi lackest thou this ware?
By seynt Jame of Gales that mony man hath sought,
Yit is it to good chepe that thou hast bought.'
Thoo that wardeynes were of that wrastelinge
Come and brought Gamelyn the ramme and the rynge,
And Gamelyn bithought him it was a faire thinge,
And wente with moche joye home in the mornynge.
His brother see wher he came with the grete route,
And bad shitt the gate and holde hym withoute.
The porter of his lord was soor agaast,
And stert anoon to the gate and lokked it fast.
Fitt 3
Now lithenes and listneth both yonge and olde,
And ye schul here gamen of Gamelyn the bolde.
Gamelyn come to the gate forto have come inne,
And it was shette faste with a stronge pynne;
Than seide Gamelyn, 'Porter, undo the yate,
For good menys sones stonden ther ate.'
Than answerd the porter and swore by Goddys berd,
'Thow ne shalt, Gamelyne, come into this yerde.'
'Thow lixt,' seide Gamelyne 'so broke I my chyne!'
He smote the wikett with his foote and breke awaie the pyne.
The porter seie thoo it myght no better be,
He sette foote on erth and bygan to flee.
'By my feye,' seide Gamelyn 'that travaile is ylore,
For I am of fote as light as thou if thou haddest it swore.' 1
Gamelyn overtoke the porter and his tene wrake,
And girt him in the nek that the boon to-brake,
And toke hym by that oon arme and threwe hym in a welle,
Seven fadme it was depe as I have herde telle.
1060
Whan Gamelyn the yonge thus had plaied his playe,
Alle that in the yerde were drowen hem awaye;
Thei dredden him ful sore for werk that he wrought,
And for the faire company that he thider brought.
Gamelyn yede to the gate and lete it up wide;
He lete inne alle that gone wolde or ride,
And seide, 'Ye be welcome without eny greve,
For we wil be maisters here and axe no man leve.
Yusterday I lefte,' seide yonge Gamelyne,
'In my brothers seler fyve tonne of wyne;
I wil not this company partyn atwynne,
And ye wil done after me while sope is therinne;
And if my brother gruche or make foule chere,
Either for spence of mete and drink that we spende here,
I am oure catour and bere oure alther purs,
He shal have for his grucchinge Seint Maries curs.
My brother is a nigon, I swere be Cristes oore,
And we wil spende largely that he hath spared yore;
And who that make grucchinge that we here dwelle,
He shal to the porter into the drowe-welle.'
Seven daies and seven nyghtes Gamelyn helde his feest,
With moche solace was ther noon cheest;
In a litel torret his brother lay steke,
And see hem waast his good and dorst no worde speke.
Erly on a mornynge on the eight day,
The gestes come to Gamelyn and wolde gone her way.
'Lordes,' seide Gamelyn, 'will ye so hie?
Al the wyne is not yit dronke so brouke I myn ye.'
Gamelyn in his herte was ful woo,
Whan his gestes toke her leve fro hym for to go;
He wolde thei had dwelled lenger and thei seide nay,
But bytaught Gamelyn, 'God and good day.'
Thus made Gamelyn his feest and brought wel to ende,
And after his gestes toke leve to wende.
Fitt 4
Lithen and listen and holde your tunge,
And ye shal here game of Gamelyn the yonge;
Harkeneth, lordingges and listeneth aright,
1061
Whan alle gestis were goon how Gamelyn was dight.
Alle the while that Gamelyn heeld his mangerye,
His brothere thought on hym be wroke with his trecherye.
Whan Gamylyns gestes were riden and goon,
Gamelyn stood anon allone frend had he noon;
Tho aftere felle sone within a litel stounde,
Gamelyn was taken and ful hard ybounde.
Forth come the fals knyght out of the solere,
To Gamelyn his brother he yede ful nere,
And saide to Gamelyn, 'Who made the so bold
For to stroien the stoor of myn household?'
'Brother,' seide Gamelyn, 'wreth the right nought,
For it is many day gon sith it was bought;
For, brother, thou hast had by Seint Richere,
Of fiftene plowes of londe this sixtene yere,
And of alle the beestes thou hast forth bredde,
That my fader me byquath on his dethes bedde;
Of al this sixtene yere I yeve the the prowe,
For the mete and the drink that we han spended nowe.'
Than seide the fals knyght (evel mote he thee!)
'Harken, brothere Gamelyn what I wil yeve the;
For of my body, brother here geten have I none,
I wil make the myn here I swere by Seint John.'
'Par fay!' seide Gamelyn 'and if it so be,
And thou thenk as thou seist God yeelde it the!'
Nothinge wiste Gamelyn of his brother gile;
Therfore he hym bygiled in a litel while.
'Gamelyn,' seyde he, 'oon thing I the telle;
Thoo thou threwe my porter in the drowe-welle,
I swore in that wrethe and in that grete moote,
That thou shuldest be bounde bothe honde and fote;
This most be fulfilled my men to dote,
For to holden myn avowe as I the bihote.'
'Brother,' seide Gamelyn, 'as mote I thee!
Thou shalt not be forswore for the love of me.'
Tho maden thei Gamelyn to sitte and not stonde,
To thei had hym bounde both fote and honde.
The fals knyght his brother of Gamelyn was agast,
And sente efter fetters to fetter hym fast.
His brother made lesingges on him ther he stode,
1062
And tolde hem that commen inne that Gamelyn was wode.
Gamelyn stode to a post bounden in the halle,
Thoo that commen inne loked on hym alle.
Ever stode Gamelyn even upright!
But mete and drink had he noon neither day ne nyght.
Than seide Gamelyn, 'Brother, be myn hals,
Now have I aspied thou art a party fals;
Had I wist the tresoun that thou hast yfounde,
I wold have yeve strokes or I had be bounde!'
Gamelyn stode bounde stille as eny stone;
Two daies and two nyghtes mete had he none.
Than seide Gamelyn that stood ybounde stronge,
'Adam Spencere me thenketh I faste to longe;
Adam Spencere now I biseche the,
For the moche love my fadere loved the,
If thou may come to the keys lese me out of bonde,
And I wil part with the of my free londe.'
Than seide Adam that was the spencere,
'I have served thi brother this sixtene yere,
Yif I lete the gone out of his boure,
He wold saye afterwardes I were a traitour.'
'Adam,' seide Gamelyn, 'so brouke I myn hals!
Thow schalt finde my brother at the last fals;
Therfore brother Adam lose me out of bondes,
And I wil parte with the of my free londes.'
'Up such forward,' seide Adam, 'ywis,
I wil do therto al that in me is.'
'Adam,' seide Gamelyn 'as mote I the,
I wil holde the covenaunt and thou wil me.'
Anoon as Adams lord to bed was goon,
Adam toke the kayes and lete Gamelyn out anoon;
He unlocked Gamelyn both hondes and fete,
In hope of avauncement that he hym byhete.
Than seide Gamelyn, 'Thonked be Goddis sonde!
Nowe I am lose both fote and honde;
Had I nowe eten and dronken aright,
Ther is noon in this hous shuld bynde me this nyght.'
Adam toke Gamelyn as stille as eny stone,
And ladde him into the spence raply anon,
And sette him to sopere right in a privey styde,
1063
He bad him do gladly and so he dide.
Anoon as Gamelyn had eten wel and fyne,
And therto y-dronken wel of the rede wyne,
'Adam,' seide Gamelyn, 'what is nowe thi rede?
Or I go to my brother and gerd of his heed?'
'Gamelyn,' seide Adam, 'it shal not be so.
I can teche the a rede that is worth the twoo.
I wote wel for soth that this is no nay,
We shul have a mangerye right on Sonday;
Abbotes and priours mony here shul be,
And other men of holy chirch as I telle the;
Thou shal stonde up by the post as thou were bounde fast,
And I shal leve hem unloke that away thou may hem cast.
Whan that thei han eten and wasshen her handes,
Thow shalt biseche hem alle to bringe the oute of bondes;
And if thei willen borowe the that were good game,
Than were thou out of prisoun and out of blame;
And if ecche of hem saye to us nay,
I shal do another I swere by this day!
Thow shalt have a good staf and I wil have another,
And Cristes curs haf that on that failleth that other!'
'Ye for God,' seide Gamelyn 'I say it for me,
If I faille on my side evel mot I thee!
If we shul algate assoile hem of her synne,
Warne me, brother Adam, whan we shul bygynne.'
'Gamelyn,' seid Adam, 'by Seinte Charité,
I wil warne the biforn whan it shal be;
Whan I winke on the loke for to gone,
And caste away thi fetters and come to me anone.'
'Adam,' seide Gamelyn, 'blessed be thi bonys!
That is a good counseill yeven for the nonys;
Yif thei warne the me to bringe out of bendes,
I wil sette good strokes right on her lendes.'
Whan the Sonday was comen and folk to the feest,
Faire thei were welcomed both leest and mest;
And ever as thei at the haldore come inne,
They casten her yen on yonge Gamelyn.
The fals knyght his brother ful of trecherye,
Al the gestes that ther were at the mangerye,
1064
Of Gamelyn his brother he tolde hem with mouthe
Al the harme and the shame that he telle couthe.
Whan they were yserved of messes two or thre,
Than seide Gamelyn, 'How serve ye me?
It is not wel served by God that alle made!
That I sitte fastinge and other men make glade.'
The fals knyght his brother ther as he stode,
Told to all the gestes that Gamelyn was wode;
And Gamelyn stode stille and answerde nought,
But Adames wordes he helde in his thought.
Thoo Gamelyn gan speke doolfully withalle
To the grete lordes that seton in the halle:
'Lordes,' he seide 'for Cristes passioun,
Helpe to bringe Gamelyn out of prisoun.'
Than seide an abbot, sorowe on his cheke,
'He shal have Cristes curs and Seinte Maries eke,
That the out of prison beggeth or borowe,
And ever worth him wel that doth the moche sorowe.'
After that abbot than speke another,
'I wold thine hede were of though thou were my brother!
Alle that the borowe foule mot hem falle!'
Thus thei seiden alle that were in the halle.
Than seide a priour, evel mote he threve!
'It is grete sorwe and care boy that thou art alyve.'
'Ow!' seide Gamelyn, 'so brouke I my bone!
Now have I spied that frendes have I none
Cursed mote he worth both flesshe and blood,
That ever doth priour or abbot eny good!'
Adam the spencere took up the clothe,
And loked on Gamelyn and segh that he was wrothe;
Adam on the pantry litel he thought,
And two good staves to the halle door he brought,
Adam loked on Gamelyn and he was warre anoon,
And cast away the fetters and bygan to goon;
Whan he come to Adam he took that on staf,
And bygan to worch and good strokes yaf.
Gamelyn come into the halle and the spencer bothe,
And loked hem aboute as thei hadden be wrothe;
Gamelyn spreyeth holy watere with an oken spire,
1065
That some that stode upright felle in the fire.
Ther was no lewe man that in the halle stode,
That wolde do Gamelyn enything but goode,
But stoden bisides and lete hem both wirche,
For thei had no rewthe of men of holy chirche;
Abbot or priour, monk or chanoun,
That Gamelyn overtoke anoon they yeden doun
Ther was noon of alle that with his staf mette,
That he ne made hem overthrowe to quyte hem his dette.
'Gamelyn,' seide Adam, 'for Seinte Charité,
Pay good lyveré for the love of me,
And I wil kepe the door so ever here I masse!
Er they bene assoilled ther shal non passe.'
'Doute the not,' seide Gamelyn 'whil we ben ifere,
Kepe thow wel the door and I wil wirche here;
Bystere the, good Adam, and lete none fle,
And we shul telle largely how mony that ther be.'
'Gamelyn,' seide Adam, 'do hem but goode;
Thei bene men of holy churche drowe of hem no blode
Save wel the crownes and do hem no harmes,
But breke both her legges and sithen her armes.'
Thus Gamelyn and Adam wroughte ryght faste,
And pleide with the monkes and made hem agaste.
Thidere thei come ridinge joly with swaynes,
And home ayein thei were ladde in cartes and waynes.
Tho thei hadden al ydo than seide a grey frere,
'Allas! sire abbot what did we nowe here?
Whan that we comen hidere it was a colde rede,
Us had be bet at home with water and breed.'
While Gamelyn made orders of monke and frere,
Evere stood his brother and made foule chere;
Gamelyn up with his staf that he wel knewe,
And girt him in the nek that he overthrewe;
A litel above the girdel the rigge-boon he barst;
And sette him in the fetters theras he sat arst.
'Sitte ther, brother,' seide Gamelyn,
'For to colen thi body as I did myn.'
As swith as thei had wroken hem on her foon,
Thei asked water and wasshen anon,
What some for her love and some for her awe,
1066
Alle the servantes served hem on the beste lawe.
The sherreve was thennes but fyve myle,
And alle was tolde him in a lytel while,
Howe Gamelyn and Adam had ydo a sorye rees,
Boundon and wounded men ayeinst the kingges pees;
Tho bygan sone strif for to wake,
And the shereff about Gamelyn forto take.
Fitt 5
Now lithen and listen so God geve you good fyne!
And ye shul here good game of yonge Gamelyne.
Four and twenty yonge men that helde hem ful bolde,
Come to the shiref and seide that thei wolde
Gamelyn and Adam fette by her fay;
The sheref gave hem leve soth for to say;
Thei hiden fast wold thei not lynne,
To thei come to the gate there Gamelyn was inne.
They knocked on the gate the porter was nyghe,
And loked out atte an hool as man that was scleghe.
The porter hadde bihold hem a litel while,
He loved wel Gamelyn and was dradde of gyle,
And lete the wikett stonde ful stille,
And asked hem without what was her wille.
For all the grete company speke but oon,
'Undo the gate, porter and lat us in goon.'
Than seide the porter 'So brouke I my chyn,
Ye shul saie youre erand er ye come inne.'
'Sey to Gamelyn and Adam if theire wil be,
We wil speke with hem two wordes or thre.'
'Felawe,' seide the porter 'stonde ther stille,
And I wil wende to Gamelyn to wete his wille.'
Inne went the porter to Gamelyn anoon,
And saide, 'Sir, I warne you here ben comen youre foon;
The shireves men bene at the gate,
Forto take you both ye shul not scape.'
'Porter,' seide Gamelyn, 'so mote I the!
I wil alowe thi wordes whan I my tyme se.
Go ageyn to the gate and dwelle with hem a while,
And thou shalt se right sone porter, a gile.'
1067
'Adam,' seide Gamelyn, 'hast the to goon;
We han foo men mony and frendes never oon;
It bene the shireves men that hider bene comen,
Thei ben swore togidere that we shal be nomen.'
'Gamelyn,' seide Adam, 'hye the right blyve,
And if I faile the this day evel mot I thrive!
And we shul so welcome the shyreves men,
That some of hem shal make her beddes in the fenne.'
At a postern gate Gamelyn out went,
And a good cartstaf in his hondes hent;
Adam hent sone another grete staff
For to helpen Gamelyne and good strokes yaf.
Adam felled tweyn and Gamelyn thre,
The other sette fete on erthe and bygan to flee.
'What' seide Adam, 'so evere here I masse!
I have right good wyne drynk er ye passe!'
'Nay, by God!' seide thei, 'thi drink is not goode,
It wolde make a mannys brayn to lyen on his hode.'
Gamelyn stode stille and loked hym aboute,
And seide 'The shyref cometh with a grete route.'
'Adam,' seyde Gamelyn 'what bene now thi redes?
Here cometh the sheref and wil have our hedes.'
Adam seide to Gamelyn 'My rede is now this,
Abide we no lenger lest we fare amys:
I rede we to wode gon er we be founde,
Better is ther louse than in the toune bounde.'
Adam toke by the honde yonge Gamelyn;
And every of hem dronk a draught of wyn,
And after token her cours and wenten her way;
Tho fonde the scherreve nyst but non aye.
The shirrive light doune and went into halle,
And fonde the lord fetred faste withalle.
The shirreve unfetred hym right sone anoon,
And sente aftere a leche to hele his rigge boon.
Lat we now the fals knyght lye in hys care,
And talke we of Gamelyn and of his fare.
Gamelyn into the wode stalked stille,
And Adam Spensere liked right ille;
Adam swore to Gamelyn, 'By Seint Richere,
1068
Now I see it is mery to be a spencere,
Yit lever me were kayes to bere,
Than walken in this wilde wode my clothes to tere.'
'Adam,' seide Gamelyn, 'dismay the right nought;
Mony good mannys child in care is brought.'
As thei stode talkinge bothen in fere,
Adam herd talking of men and right nyghe hem thei were.
Tho Gamelyn under wode loked aright,
Sevene score of yonge men he seye wel ydight;
Alle satte at the mete compas aboute.
'Adam,' seide Gamelyn, 'now have I no doute,
Aftere bale cometh bote thorgh Goddis myght;
Me think of mete and drynk I have a sight.'
Adam loked thoo under wode bough,
And whan he segh mete was glad ynogh;
For he hoped to God to have his dele,
And he was sore alonged after a mele.
As he seide that worde the mayster outlawe
Saugh Adam and Gamelyn under the wode shawe.
'Yonge men,' seide the maistere 'by the good Rode,
I am ware of gestes God send us goode;
Yond ben twoo yonge men wel ydight,
And parenture ther ben mo whoso loked right.
Ariseth up, yonge men and fette hem to me;
It is good that we weten what men thei be.'
Up ther sterten sevene from the dynere,
And metten with Gamelyn and Adam Spencere.
Whan thei were nyghe hem than seide that oon,
'Yeeldeth up, yonge men your bowes and your floon.'
Than seide Gamelyn that yong was of elde,
'Moche sorwe mote thei have that to you hem yelde!
I curs noon other but right mysilve;
Thoo ye fette to you fyve than be ye twelve!'
Whan they harde by his word that myght was in his arme,
Ther was noon of hem that wolde do hym harme,
But seide to Gamelyn myldely and stille,
'Cometh afore our maister and seith to hym your wille.'
'Yong men,' seide Gamelyn, 'be your lewté,
What man is youre maister that ye with be?'
Alle thei answerd without lesing,
'Our maister is crowned of outlawe king.'
1069
'Adam,' seide Gamelyn, 'go we in Cristes name;
He may neither mete ne drink warne us for shame.
If that he be hende and come of gentil blood,
He wil yeve us mete and drink and do us som gode.'
'By Seint Jame!' seide Adam, 'what harme that I gete,
I wil aventure me that I had mete.'
Gamelyn and Adam went forth in fere,
And thei grette the maister that thei fond there.
Than seide the maister king of outlawes,
'What seche ye, yonge men, under the wode shawes?'
Gamelyn answerde the king with his croune,
'He most nedes walk in feeld that may not in toune.
Sire, we walk not here no harme to doo,
But yif we mete a deer to shete therto,
As men that bene hungry and mow no mete fynde,
And bene harde bystad under wode lynde.'
Of Gamelyns wordes the maister had reuthe,
And seide, 'Ye shul have ynow have God my trouth!'
He bad hem sitte doun for to take rest;
And bad hem ete and drink and that of the best.
As they eten and dronken wel and fyne,
Than seide on to another, 'This is Gamelyne.'
Tho was the maistere outlaw into counseile nome,
And tolde howe it was Gamelyn that thider was come.
Anon as he herd how it was byfalle,
He made him maister under hym over hem alle.
Withinne the thridde weke hym come tydinge,
To the maistere outlawe that was her kinge,
That he shuld come home his pees was made;
And of that good tydinge he was ful glade.
Thoo seide he to his yonge men soth forto telle,
'Me bene comen tydinges I may no lenger dwelle.'
Tho was Gamelyn anoon withoute taryinge,
Made maister outlawe and crowned her kinge.
Whan Gamelyn was crowned king of outlawes,
And walked had a while under the wode shawes,
The fals knyght his brother was sherif and sire,
And lete his brother endite for hate and for ire.
Thoo were his boond men sory and no thing glade,
Whan Gamelyn her lord wolfeshede was made;
1070
And sente out of his men wher thei might hym fynde,
For to go seke Gamelyne under the wode lynde,
To telle hym tydinge the wynde was wente,
And al his good reved and al his men shente.
Whan thei had hym founden on knees thei hem setten,
And adoune with here hodes and her lord gretten;
'Sire, wreth you not for the good Rode,
For we han brought you tyddyngges but thei be not gode.
Now is thi brother sherreve and hath the bayly,
And hath endited the and wolfesheed doth the crye.'
'Allas!' seide Gamelyn, 'that ever I was so sclak
That I ne had broke his nek whan I his rigge brak!
Goth, greteth wel myn husbondes and wif,
I wil be at the nexte shyre have God my lif!'
Gamelyn come redy to the nexte shire,
And ther was his brother both lord and sire.
Gamelyn boldely come into the mote halle,
And putte adoun his hode amonge tho lordes alle;
'God save you, lordinggs that here be!
But broke bak sherreve evel mote thou thee!
Whi hast thou don me that shame and vilenye,
For to lat endite me and wolfeshede do me crye?'
Thoo thoghte the fals knyght forto bene awreke,
And lette Gamelyn most he no thinge speke;
Might ther be no grace but Gamelyn atte last
Was cast in prison and fettred faste.
Gamelyn hath a brothere that highte Sir Ote,
Als good an knyght and hende as might gon on foote.
Anoon yede a massager to that good knyght
And tolde him altogidere how Gamelyn was dight.
Anoon whan Sire Ote herd howe Gamelyn was dight,
He was right sory and no thing light,
And lete sadel a stede and the way name,
And to his tweyne bretheren right sone he came.
'Sire,' seide Sire Ote to the sherreve thoo,
'We bene but three bretheren shul we never be mo;
And thou hast prisoned the best of us alle;
Such another brother evel mote hym byfalle!'
'Sire Ote,' seide the fals knyght, 'lat be thi cors;
By God, for thi wordes he shal fare the wors;
To the kingges prisoun he is ynome,
1071
And ther he shal abide to the justice come.'
'Par de!' seide Sir Ote, 'better it shal be;
I bid hym to maynprise that thou graunte me
To the next sitting of delyveraunce,
And lat than Gamelyn stonde to his chaunce.'
'Brother, in such a forward I take him to the;
And by thine fader soule that the bigate and me,
But he be redy whan the justice sitte,
Thou shalt bere the juggement for al thi grete witte.'
'I graunte wel,' seide Sir Ote, 'that it so be.
Lat delyver him anoon and take hym to me.'
Tho was Gamelyn delyvered to Sire Ote, his brother;
And that nyght dwelled the oon with the other.
On the morowe seide Gamelyn to Sire Ote the hende,
'Brother,' he seide, 'I mote forsoth from you wende
To loke howe my yonge men leden her liff,
Whedere thei lyven in joie or ellis in striff.'
'By God' seyde Sire Ote, 'that is a colde rede,
Nowe I se that alle the carke schal fal on my hede;
For whan the justice sitte and thou be not yfounde,
I shal anoon be take and in thi stede ibounde.'
'Brother,' seide Gamelyn, 'dismay you nought,
For by saint Jame in Gales that mony men hath sought,
Yif that God almyghty holde my lif and witte,
I wil be redy whan the justice sitte.'
Than seide Sir Ote to Gamelyn, 'God shilde the fro shame;
Come whan thou seest tyme and bringe us out of blame.'
Fitt 6
Litheneth, and listeneth and holde you stille,
And ye shul here how Gamelyn had al his wille.
Gamelyn went under the wode-ris,
And fonde ther pleying yenge men of pris.
Tho was yonge Gamelyn right glad ynoughe,
Whan he fonde his men under wode boughe.
Gamelyn and his men talkeden in fere,
And thei hadde good game her maister to here;
His men tolde him of aventures that they had founde,
And Gamelyn tolde hem agein howe he was fast bounde.
1072
While Gamelyn was outlawe had he no cors;
There was no man that for him ferde the wors,
But abbots and priours, monk and chanoun;
On hem left he nought whan he myghte hem nome.
While Gamelyn and his men made merthes ryve,
The fals knyght his brother evel mot he thryve!
For he was fast aboute both day and other,
For to hiren the quest to hongen his brother.
Gamelyn stode on a day and byheeld
The wodes and the shawes and the wild feeld,
He thoughte on his brothere how he hym byhette
That he wolde be redy whan the justice sette;
He thought wel he wold without delay,
Come tofore the justice to kepen his day,
And saide to his yonge men, 'Dighteth you yare,
For whan the justice sitte we most be thare,
For I am under borowe til that I come,
And my brother for me to prison shal be nome.'
'By Seint Jame!' seide his yonge men, 'and thou rede therto,
Ordeyn how it shal be and it shal be do.'
While Gamelyn was comyng ther the justice satte,
The fals knyght his brother forgate he not that,
To hire the men of the quest to hangen his brother;
Thoughe thei had not that oon thei wolde have that other
Tho come Gamelyn from under the wode-ris,
And brought with hym yonge men of pris
'I see wel,' seide Gamelyn, 'the justice is sette;
Go aforn, Adam, and loke how it spette.'
Adam went into the halle and loked al aboute,
He segh there stonde lordes grete and stoute,
And Sir Ote his brother fetred ful fast;
Thoo went Adam out of halle as he were agast.
Adam seide to Gamelyn and to his felawes alle,
'Sir Ote stont fetered in the mote halle.'
'Yonge men,' seide Gamelyn, 'this ye heeren alle:
Sir Ote stont fetered in the mote halle.
If God geve us grace well forto doo,
He shal it abigge that it broughte therto.'
Than seide Adam that lockes had hore,
'Cristes curs mote he have that hym bonde so sore!
1073
And thou wilt, Gamelyn, do after my rede,
Ther is noon in the halle shal bere awey his hede.'
'Adam,' seide Gamelyn, 'we wil not do soo,
We wil slee the giltif and lat the other go.
I wil into the halle and with the justice speke;
Of hem that bene giltif I wil ben awreke.
Lat no skape at the door take, yonge men, yeme;
For I wil be justice this day domes to deme.
God spede me this day at my newe werk!
Adam, com with me for thou shalt be my clerk.'
His men answereden hym and bad don his best,
'And if thou to us have nede thou shalt finde us prest;
We wil stonde with the while that we may dure;
And but we worchen manly pay us none hure.'
'Yonge men,' seid Gamelyn, 'so mot I wel the!
A trusty maister ye shal fynde me.'
Right there the justice satte in the halle,
Inne went Gamelyn amonges hem alle.
Gamelyn lete unfetter his brother out of bende.
Than seide Sire Ote his brother that was hende,
'Thow haddest almost, Gamelyn, dwelled to longe,
For the quest is out on me that I shulde honge.'
'Brother,' seide Gamelyn, 'so God yeve me good rest!
This day shul thei be honged that ben on the quest;
And the justice both that is the juge man,
And the sherreve also thorgh hym it bigan.
Than seide Gamelyn to the justise,
'Now is thi power don, the most nedes rise;
Thow hast yeven domes that bene evel dight,
I will sitten in thi sete and dressen hem aright.'
The justice satte stille and roos not anon;
And Gamelyn cleved his chekebon;
Gamelyn toke him in his armes and no more spake,
But threwe hym over the barre and his arme brake.
Dorst noon to Gamelyn seie but goode,
Forfeerd of the company that without stoode.
Gamelyn sette him doun in the justise sete,
And Sire Ote his brother by him and Adam at his fete.
Whan Gamelyn was sette in the justise stede,
Herken of a bourde that Gamelyn dede.
1074
He lete fetter the justise and his fals brother,
And did hem com to the barre that on with that other.
Whan Gamelyn had thus ydon had he no rest,
Til he had enquered who was on his quest
Forto demen his brother Sir Ote for to honge;
Er he wist what thei were hym thought ful longe.
But as sone as Gamelyn wist where thei were,
He did hem everechon fetter in fere,
And bringgen hem to the barre and setten in rewe;
'By my feith!' seide the justise, 'the sherrive is a shrewe!'
Than seide Gamelyn to the justise,
'Thou hast yove domes of the worst assise;
And the twelve sesoures that weren on the quest,
Thei shul be honged this day so have I good rest!'
Than seide the sheref to yonge Gamelyn,
'Lord, I crie thee mercie brother art thou myn.'
'Therfor,' seide Gamelyn, 'have thou Cristes curs,
For and thow were maister I shuld have wors.'
For to make shorte tale and not to longe,
He ordeyned hym a quest of his men stronge;
The justice and the shirreve both honged hie,
To weyven with the ropes and the winde drye;
And the twelve sisours (sorwe have that rekke!)
Alle thei were honged fast by the nekke.
Thus endeth the fals knyght with his trecherye,
That ever had lad his lif in falsenesse and folye.
He was honged by the nek and not by the purs,
That was the mede that he had for his faders curs.
Sire Ote was eldest and Gamelyn was yenge,
Wenten to her frendes and passed to the kinge;
Thei maden pees with the king of the best sise.
The king loved wel Sir Ote and made hym justise.
And after, the king made Gamelyn in est and in west,
The cheef justice of his free forest;
Alle his wight yonge men the king foryaf her gilt,
And sithen in good office the king hath hem pilt,
Thus wane Gamelyn his land and his lede,
And wreke him on his enemyes and quytte hem her mede;
And Sire Ote his brother made him his heire,
And sithen wedded Gamelyn a wif good and faire;
1075
They lyved togidere the while that Crist wolde,
And sithen was Gamelyn graven under molde.
And so shull we alle may ther no man fle:
God bring us to that joye that ever shal be!
~ Anonymous Olde English,#NFDB
169:The woods were long austere with snow: at last
Pink leaflets budded on the beech, and fast
Larches, scattered through pine-tree solitudes,
Brightened, "as in the slumbrous heart o' the woods
"Our buried year, a witch, grew young again
"To placid incantations, and that stain
"About were from her cauldron, green smoke blent
"With those black pines"so Eglamor gave vent
To a chance fancy. Whence a just rebuke
From his companion; brother Naddo shook
The solemnest of brows: "Beware," he said,
"Of setting up conceits in nature's stead!"
Forth wandered our Sordello. Nought so sure
As that to-day's adventure will secure
Palma, the visioned ladyonly pass
O'er you damp mound and its exhausted grass,
Under that brake where sundawn feeds the stalks
Of withered fern with gold, into those walks
Of pine and take her! Buoyantly he went.
Again his stooping forehead was besprent
With dew-drops from the skirting ferns. Then wide
Opened the great morass, shot every side
With flashing water through and through; a-shine,
Thick-steaming, all-alive. Whose shape divine,
Quivered i' the farthest rainbow-vapour, glanced
Athwart the flying herons? He advanced,
But warily; though Mincio leaped no more,
Each foot-fall burst up in the marish-floor
A diamond jet: and if he stopped to pick
Rose-lichen, or molest the leeches quick,
And circling blood-worms, minnow, newt or loach,
A sudden pond would silently encroach
This way and that. On Palma passed. The verge
Of a new wood was gained. She will emerge
Flushed, now, and panting,crowds to see,will own
She loves himBoniface to hear, to groan,
To leave his suit! One screen of pine-trees still
Opposes: butthe startling spectacle
Mantua, this time! Under the wallsa crowd
Indeed, real men and women, gay and loud
Round a pavilion. How he stood!
In truth
No prophecy had come to pass: his youth
In its prime nowand where was homage poured
Upon Sordello?born to be adored,
And suddenly discovered weak, scarce made
To cope with any, cast into the shade
By this and this. Yet something seemed to prick
And tingle in his blood; a sleighta trick
And much would be explained. It went for nought
The best of their endowments were ill bought
With his identity: nay, the conceit,
That this day's roving led to Palma's feet
Was not so vainlist! The word, "Palma!" Steal
Aside, and die, Sordello; this is real,
And thisabjure!
What next? The curtains see
Dividing! She is there; and presently
He will be therethe proper You, at length
In your own cherished dress of grace and strength:
Most like, the very Boniface!
Not so.
It was a showy man advanced; but though
A glad cry welcomed him, then every sound
Sank and the crowd disposed themselves around,
"This is not he," Sordello felt; while, "Place
"For the best Troubadour of Boniface!"
Hollaed the Jongleurs,"Eglamor, whose lay
"Concludes his patron's Court of Love to-day!"
Obsequious Naddo strung the master's lute
With the new lute-string, "Elys," named to suit
The song: he stealthily at watch, the while,
Biting his lip to keep down a great smile
Of pride: then up he struck. Sordello's brain
Swam; for he knew a sometime deed again;
So, could supply each foolish gap and chasm
The minstrel left in his enthusiasm,
Mistaking its true versionwas the tale
Not of Apollo? Only, what avail
Luring her down, that Elys an he pleased,
If the man dared no further? Has he ceased
And, lo, the people's frank applause half done,
Sordello was beside him, had begun
(Spite of indignant twitchings from his friend
The Trouvere) the true lay with the true end,
Taking the other's names and time and place
For his. On flew the song, a giddy race,
After the flying story; word made leap
Out word, rhymerhyme; the lay could barely keep
Pace with the action visibly rushing past:
Both ended. Back fell Naddo more aghast
Than some Egyptian from the harassed bull
That wheeled abrupt and, bellowing, fronted full
His plague, who spied a scarab 'neath the tongue,
And found 't was Apis' flank his hasty prong
Insulted. But the peoplebut the cries,
The crowding round, and proffering the prize!
For he had gained some prize. He seemed to shrink
Into a sleepy cloud, just at whose brink
One sight withheld him. There sat Adelaide,
Silent; but at her knees the very maid
Of the North Chamber, her red lips as rich,
The same pure fleecy hair; one weft of which,
Golden and great, quite touched his cheek as o'er
She leant, speaking some six words and no more.
He answered something, anything; and she
Unbound a scarf and laid it heavily
Upon him, her neck's warmth and all. Again
Moved the arrested magic; in his brain
Noises grew, and a light that turned to glare,
And greater glare, until the intense flare
Engulfed him, shut the whole scene from his sense.
And when he woke 't was many a furlong thence,
At home; the sun shining his ruddy wont;
The customary birds'-chirp; but his front
Was crownedwas crowned! Her scented scarf around
His neck! Whose gorgeous vesture heaps the ground?
A prize? He turned, and peeringly on him
Brooded the women-faces, kind and dim,
Ready to talk"The Jongleurs in a troop
"Had brought him back, Naddo and Squarcialupe
"And Tagliafer; how strange! a childhood spent
"In taking, well for him, so brave a bent!
"Since Eglamor," they heard, "was dead with spite,
"And Palma chose him for her minstrel."
Light
Sordello roseto think, now; hitherto
He had perceived. Sure, a discovery grew
Out of it all! Best live from first to last
The transport o'er again. A week he passed,
Sucking the sweet out of each circumstance,
From the bard's outbreak to the luscious trance
Bounding his own achievement. Strange! A man
Recounted an adventure, but began
Imperfectly; his own task was to fill
The frame-work up, sing well what he sung ill,
Supply the necessary points, set loose
As many incidents of little use
More imbecile the other, not to see
Their relative importance clear as he!
But, for a special pleasure in the act
Of singinghad he ever turned, in fact,
From Elys, to sing Elys?from each fit
Of rapture to contrive a song of it?
True, this snatch or the other seemed to wind
Into a treasure, helped himself to find
A beauty in himself; for, see, he soared
By means of that mere snatch, to many a hoard
Of fancies; as some falling cone bears soft
The eye along the fir-tree-spire, aloft
To a dove's nest. Then, how divine the cause
Why such performance should exact applause
From men, if they had fancies too? Did fate
Decree they found a beauty separate
In the poor snatch itself?"Take Elys, there,
"'Her head that 's sharp and perfect like a pear,
"'So close and smooth are laid the few fine locks
"'Coloured like honey oozed from topmost rocks
"'Sun-blanched the livelong summer'if they heard
"Just those two rhymes, assented at my word,
"And loved them as I love them who have run
"These fingers through those pale locks, let the sun
"Into the white cool skinwho first could clutch,
"Then praiseI needs must be a god to such.
"Or what if some, above themselves, and yet
"Beneath me, like their Eglamor, have set
"An impress on our gift? So, men believe
"And worship what they know not, nor receive
"Delight from. Have they fanciesslow, perchance,
"Not at their beck, which indistinctly glance
"Until, by song, each floating part be linked
"To each, and all grow palpable, distinct?"
He pondered this.
Meanwhile, sounds low and drear
Stole on him, and a noise of footsteps, near
And nearer, while the underwood was pushed
Aside, the larches grazed, the dead leaves crushed
At the approach of men. The wind seemed laid;
Only, the trees shrunk slightly and a shade
Came o'er the sky although 't was midday yet:
You saw each half-shut downcast floweret
Flutter"a Roman bride, when they 'd dispart
"Her unbound tresses with the Sabine dart,
"Holding that famous rape in memory still,
"Felt creep into her curls the iron chill,
"And looked thus," Eglamor would sayindeed
'T is Eglamor, no other, these precede
Home hither in the woods. "'T were surely sweet
"Far from the scene of one's forlorn defeat
"To sleep!" judged Naddo, who in person led
Jongleurs and Trouveres, chanting at their head,
A scanty company; for, sooth to say,
Our beaten Troubadour had seen his day.
Old worshippers were something shamed, old friends
Nigh weary; still the death proposed amends.
"Let us but get them safely through my song
"And home again!" quoth Naddo.
All along,
This man (they rest the bier upon the sand)
This calm corpse with the loose flowers in his hand,
Eglamor, lived Sordello's opposite.
For him indeed was Naddo's notion right,
And verse a temple-worship vague and vast,
A ceremony that withdrew the last
Opposing bolt, looped back the lingering veil
Which hid the holy place: should one so frail
Stand there without such effort? or repine
If much was blank, uncertain at the shrine
He knelt before, till, soothed by many a rite,
The power responded, and some sound or sight
Grew up, his own forever, to be fixed,
In rhyme, the beautiful, forever!mixed
With his own life, unloosed when he should please,
Having it safe at hand, ready to ease
All pain, remove all trouble; every time
He loosed that fancy from its bonds of rhyme,
(Like Perseus when he loosed his naked love)
Faltering; so distinct and far above
Himself, these fancies! He, no genius rare,
Transfiguring in fire or wave or air
At will, but a poor gnome that, cloistered up
In some rock-chamber with his agate cup,
His topaz rod, his seed-pearl, in these few
And their arrangement finds enough to do
For his best art. Then, how he loved that art!
The calling marking him a man apart
From menone not to care, take counsel for
Cold hearts, comfortless faces(Eglamor
Was neediest of his tribe)since verse, the gift,
Was his, and men, the whole of them, must shift
Without it, e'en content themselves with wealth
And pomp and power, snatching a life by stealth.
So, Eglamor was not without his pride!
The sorriest bat which cowers throughout noontide
While other birds are jocund, has one time
When moon and stars are blinded, and the prime
Of earth is his to claim, nor find a peer;
And Eglamor was noblest poet here
He well knew, 'mid those April woods he cast
Conceits upon in plenty as he passed,
That Naddo might suppose him not to think
Entirely on the coming triumph: wink
At the one weakness! 'T was a fervid child,
That song of his; no brother of the guild
Had e'er conceived its like. The rest you know,
The exaltation and the overthrow:
Our poet lost his purpose, lost his rank,
His lifeto that it came. Yet envy sank
Within him, as he heard Sordello out,
And, for the first time, shoutedtried to shout
Like others, not from any zeal to show
Pleasure that way: the common sort did so,
What else was Eglamor? who, bending down
As they, placed his beneath Sordello's crown,
Printed a kiss on his successor's hand,
Left one great tear on it, then joined his band
In time; for some were watching at the door:
Who knows what envy may effect? "Give o'er,
"Nor charm his lips, nor craze him!" (here one spied
And disengaged the withered crown)"Beside
"His crown? How prompt and clear those verses rang
"To answer yours! nay, sing them!" And he sang
Them calmly. Home he went; friends used to wait
His coming, zealous to congratulate;
But, to a manso quickly runs report
Could do no less than leave him, and escort
His rival. That eve, then, bred many a thought:
What must his future life be? was he brought
So low, who stood so lofty this Spring morn?
At length he said, "Best sleep now with my scorn,
"And by to-morrow I devise some plain
"Expedient!" So, he slept, nor woke again.
They found as much, those friends, when they returned
O'erflowing with the marvels they had learned
About Sordello's paradise, his roves
Among the hills and vales and plains and groves,
Wherein, no doubt, this lay was roughly cast,
Polished by slow degrees, completed last
To Eglamor's discomfiture and death.
Such form the chanters now, and, out of breath,
They lay the beaten man in his abode,
Naddo reciting that same luckless ode,
Doleful to hear. Sordello could explore
By means of it, however, one step more
In joy; and, mastering the round at length,
Learnt how to live in weakness as in strength,
When from his covert forth he stood, addressed
Eglamor, bade the tender ferns invest,
Primval pines o'ercanopy his couch,
And, most of all, his fame(shall I avouch
Eglamor heard it, dead though he might look,
And laughed as from his brow Sordello took
The crown, and laid on the bard's breast, and said
It was a crown, now, fit for poet's head?)
Continue. Nor the prayer quite fruitless fell.
A plant they have, yielding a three-leaved bell
Which whitens at the heart ere noon, and ails
Till evening; evening gives it to her gales
To clear away with such forgotten things
As are an eyesore to the morn: this brings
Him to their mind, and bears his very name.
So much for Eglamor. My own month came;
'T was a sunrise of blossoming and May.
Beneath a flowering laurel thicket lay
Sordello; each new sprinkle of white stars
That smell fainter of wine than Massic jars
Dug up at Bai, when the south wind shed
The ripest, made him happier; filleted
And robed the same, only a lute beside
Lay on the turf. Before him far and wide
The country stretched: Goito slept behind
The castle and its covert, which confined
Him with his hopes and fears; so fain of old
To leave the story of his birth untold.
At intervals, 'spite the fantastic glow
Of his Apollo-life, a certain low
And wretched whisper, winding through the bliss,
Admonished, no such fortune could be his,
All was quite false and sure to fade one day:
The closelier drew he round him his array
Of brilliance to expel the truth. But when
A reason for his difference from men
Surprised him at the grave, he took no rest
While aught of that old life, superbly dressed
Down to its meanest incident, remained
A mystery: alas, they soon explained
Away Apollo! and the tale amounts
To this: when at Vicenza both her counts
Banished the Vivaresi kith and kin,
Those Maltraversi hung on Ecelin,
Reviled him as he followed; he for spite
Must fire their quarter, though that self-same night
Among the flames young Ecelin was born
Of Adelaide, there too, and barely torn
From the roused populace hard on the rear,
By a poor archer when his chieftain's fear
Grew high; into the thick Elcorte leapt,
Saved her, and died; no creature left except
His child to thank. And when the full escape
Was knownhow men impaled from chine to nape
Unlucky Prata, all to pieces spurned
Bishop Pistore's concubines, and burned
Taurello's entire household, flesh and fell,
Missing the sweeter preysuch courage well
Might claim reward. The orphan, ever since,
Sordello, had been nurtured by his prince
Within a blind retreat where Adelaide
(For, once this notable discovery made,
The past at every point was understood)
Might harbour easily when times were rude,
When Azzo schemed for Palma, to retrieve
That pledge of Agnes Esteloth to leave
Mantua unguarded with a vigilant eye,
While there Taurello bode ambiguously
He who could have no motive now to moil
For his own fortunes since their utter spoil
As it were worth while yet (went the report)
To disengage himself from her. In short,
Apollo vanished; a mean youth, just named
His lady's minstrel, was to be proclaimed
How shall I phrase it?Monarch of the World!
For, on the day when that array was furled
Forever, and in place of one a slave
To longings, wild indeed, but longings save
In dreams as wild, suppressedone daring not
Assume the mastery such dreams allot,
Until a magical equipment, strength,
Grace, wisdom, decked him too,he chose at length,
Content with unproved wits and failing frame,
In virtue of his simple will, to claim
That mastery, no lessto do his best
With means so limited, and let the rest
Go by,the seal was set: never again
Sordello could in his own sight remain
One of the many, one with hopes and cares
And interests nowise distinct from theirs,
Only peculiar in a thriveless store
Of fancies, which were fancies and no more;
Never again for him and for the crowd
A common law was challenged and allowed
If calmly reasoned of, howe'er denied
By a mad impulse nothing justified
Short of Apollo's presence. The divorce
Is clear: why needs Sordello square his course
By any known example? Men no more
Compete with him than tree and flower before.
Himself, inactive, yet is greater far
Than such as act, each stooping to his star,
Acquiring thence his function; he has gained
The same result with meaner mortals trained
To strength or beauty, moulded to express
Each the idea that rules him; since no less
He comprehends that function, but can still
Embrace the others, take of might his fill
With Richard as of grace with Palma, mix
Their qualities, or for a moment fix
On one; abiding free meantime, uncramped
By any partial organ, never stamped
Strong, and to strength turning all energies
Wise, and restricted to becoming wise
That is, he loves not, nor possesses One
Idea that, star-like over, lures him on
To its exclusive purpose. "Fortunate!
"This flesh of mine ne'er strove to emulate
"A soul so varioustook no casual mould
"Of the first fancy and, contracted, cold,
"Clogged her foreversoul averse to change
"As flesh: whereas flesh leaves soul free to range,
"Remains itself a blank, cast into shade,
"Encumbers little, if it cannot aid.
"So, range, free soul!who, by self-consciousness,
"The last drop of all beauty dost express
"The grace of seeing grace, a quintessence
"For thee: while for the world, that can dispense
"Wonder on men who, themselves, wondermake
"A shift to love at second-hand, and take
"For idols those who do but idolize,
"Themselves,the world that counts men strong or wise,
"Who, themselves, court strength, wisdom,it shall bow
"Surely in unexampled worship now,
"Discerning me!"
(Dear monarch, I beseech,
Notice how lamentably wide a breach
Is here: discovering this, discover too
What our poor world has possibly to do
With it! As pigmy natures as you please
So much the better for you; take your ease,
Look on, and laugh; style yourself God alone;
Strangle some day with a cross olive-stone!
All that is right enough: but why want us
To know that you yourself know thus and thus?)
"The world shall bow to me conceiving all
"Man's life, who see its blisses, great and small,
"Afarnot tasting any; no machine
"To exercise my utmost will is mine:
"Be mine mere consciousness! Let men perceive
"What I could do, a mastery believe,
"Asserted and established to the throng
"By their selected evidence of song
"Which now shall prove, whate'er they are, or seek
"To be, I amwhose words, not actions speak,
"Who change no standards of perfection, vex
"With no strange forms created to perplex,
"But just perform their bidding and no more,
"At their own satiating-point give o'er,
"While each shall love in me the love that leads
"His soul to power's perfection." Song, not deeds,
(For we get tired) was chosen. Fate would brook
Mankind no other organ; he would look
For not another channel to dispense
His own volition by, receive men's sense
Of its supremacywould live content,
Obstructed else, with merely verse for vent.
Nor should, for instance, strength an outlet seek
And, striving, be admired: nor grace bespeak
Wonder, displayed in gracious attitudes:
Nor wisdom, poured forth, change unseemly moods;
But he would give and take on song's one point.
Like some huge throbbing stone that, poised a-joint,
Sounds, to affect on its basaltic bed,
Must sue in just one accent; tempests shed
Thunder, and raves the windstorm: only let
That key by any little noise be set
The far benighted hunter's halloo pitch
On that, the hungry curlew chance to scritch
Or serpent hiss it, rustling through the rift,
However loud, however lowall lift
The groaning monster, stricken to the heart.
Lo ye, the world's concernment, for its part,
And this, for his, will hardly interfere!
Its businesses in blood and blaze this year
But wile the hour awaya pastime slight
Till he shall step upon the platform: right!
And, now thus much is settled, cast in rough,
Proved feasible, be counselled! thought enough,
Slumber, Sordello! any day will serve:
Were it a less digested plan! how swerve
To-morrow? Meanwhile eat these sun-dried grapes,
And watch the soaring hawk there! Life escapes
Merrily thus.
He thoroughly read o'er
His truchman Naddo's missive six times more,
Praying him visit Mantua and supply
A famished world.
The evening star was high
When he reached Mantua, but his fame arrived
Before him: friends applauded, foes connived,
And Naddo looked an angel, and the rest
Angels, and all these angels would be blest
Supremely by a songthe thrice-renowned
Goito-manufacture. Then he found
(Casting about to satisfy the crowd)
That happy vehicle, so late allowed,
A sore annoyance; 't was the song's effect
He cared for, scarce the song itself: reflect!
In the past life, what might be singing's use?
Just to delight his Delians, whose profuse
Praise, not the toilsome process which procured
That praise, enticed Apollo: dreams abjured,
No overleaping means for endstake both
For granted or take neither! I am loth
To say the rhymes at last were Eglamor's;
But Naddo, chuckling, bade competitors
Go pine; "the master certes meant to waste
"No effort, cautiously had probed the taste
"He 'd please anon: true bard, in short,disturb
"His title if they could; nor spur nor curb,
"Fancy nor reason, wanting in him; whence
"The staple of his verses, common sense:
"He built on man's broad naturegift of gifts,
"That power to build! The world contented shifts
"With counterfeits enough, a dreary sort
"Of warriors, statesmen, ere it can extort
"Its poet-soulthat 's, after all, a freak
"(The having eyes to see and tongue to speak)
"With our herd's stupid sterling happiness
"So plainly incompatible thatyes
"Yesshould a son of his improve the breed
"And turn out poet, he were cursed indeed!"
"Well, there 's Goito and its woods anon,
"If the worst happen; best go stoutly on
"Now!" thought Sordello.
Ay, and goes on yet!
You pother with your glossaries to get
A notion of the Troubadour's intent
In rondel, tenzon, virlai or sirvent
Much as you study arras how to twirl
His angelot, plaything of page and girl
Once; but you surely reach, at last,or, no!
Never quite reach what struck the people so,
As from the welter of their time he drew
Its elements successively to view,
Followed all actions backward on their course,
And catching up, unmingled at the source,
Such a strength, such a weakness, added then
A touch or two, and turned them into men.
Virtue took form, nor vice refused a shape;
Here heaven opened, there was hell agape,
As Saint this simpered past in sanctity,
Sinner the other flared portentous by
A greedy people. Then why stop, surprised
At his success? The scheme was realized
Too suddenly in one respect: a crowd
Praising, eyes quick to see, and lips as loud
To speak, delicious homage to receive,
The woman's breath to feel upon his sleeve,
Who said, "But Anafestwhy asks he less
"Than Lucio, in your verses? how confess,
"It seemed too much but yestereve!"the youth,
Who bade him earnestly, "Avow the truth!
"You love Bianca, surely, from your song;
"I knew I was unworthy!"soft or strong,
In poured such tributes ere he had arranged
Ethereal ways to take them, sorted, changed,
Digested. Courted thus at unawares,
In spite of his pretensions and his cares,
He caught himself shamefully hankering
After the obvious petty joys that spring
From true life, fain relinquish pedestal
And condescend with pleasuresone and all
To be renounced, no doubt; for, thus to chain
Himself to single joys and so refrain
From tasting their quintessence, frustrates, sure,
His prime design; each joy must he abjure
Even for love of it.
He laughed: what sage
But perishes if from his magic page
He look because, at the first line, a proof
'T was heard salutes him from the cavern roof?
"On! Give yourself, excluding aught beside,
"To the day's task; compel your slave provide
"Its utmost at the soonest; turn the leaf
"Thoroughly conned. These lays of yours, in brief
"Cannot men bear, now, something better?fly
"A pitch beyond this unreal pageantry
"Of essences? the period sure has ceased
"For such: present us with ourselves, at least,
"Not portions of ourselves, mere loves and hates
"Made flesh: wait not!"
Awhile the poet waits
However. The first trial was enough:
He left imagining, to try the stuff
That held the imaged thing, and, let it writhe
Never so fiercely, scarce allowed a tithe
To reach the lighthis Language. How he sought
The cause, conceived a cure, and slow re-wrought
That Language,welding words into the crude
Mass from the new speech round him, till a rude
Armour was hammered out, in time to be
Approved beyond the Roman panoply
Melted to make it,boots not. This obtained
With some ado, no obstacle remained
To using it; accordingly he took
An action with its actors, quite forsook
Himself to live in each, returned anon
With the resulta creature, and, by one
And one, proceeded leisurely to equip
Its limbs in harness of his workmanship.
"Accomplished! Listen, Mantuans!" Fond essay!
Piece after piece that armour broke away,
Because perceptions whole, like that he sought
To clothe, reject so pure a work of thought
As language: thought may take perception's place
But hardly co-exist in any case,
Being its mere presentmentof the whole
By parts, the simultaneous and the sole
By the successive and the many. Lacks
The crowd perception? painfully it tacks
Thought to thought, which Sordello, needing such,
Has rent perception into: it's to clutch
And reconstructhis office to diffuse,
Destroy: as hard, then, to obtain a Muse
As to become Apollo. "For the rest,
"E'en if some wondrous vehicle expressed
"The whole dream, what impertinence in me
"So to express it, who myself can be
"The dream! nor, on the other hand, are those
"I sing to, over-likely to suppose
"A higher than the highest I present
"Now, which they praise already: be content
"Both parties, ratherthey with the old verse,
"And I with the old praisefar go, fare worse!"
A few adhering rivets loosed, upsprings
The angel, sparkles off his mail, which rings
Whirled from each delicatest limb it warps;
So might Apollo from the sudden corpse
Of Hyacinth have cast his luckless quoits.
He set to celebrating the exploits
Of Montfort o'er the Mountaineers.
Then came
The world's revenge: their pleasure, now his aim
Merely,what was it? "Not to play the fool
"So much as learn our lesson in your school!"
Replied the world. He found that, every time
He gained applause by any ballad-rhyme,
His auditory recognized no jot
As he intended, and, mistaking not
Him for his meanest hero, ne'er was dunce
Sufficient to believe himall, at once.
His will . . . conceive it caring for his will!
Mantuans, the main of them, admiring still
How a mere singer, ugly, stunted, weak,
Had Montfort at completely (so to speak)
His fingers' ends; while past the praise-tide swept
To Montfort, either's share distinctly kept:
The true meed for true merit!his abates
Into a sort he most repudiates,
And on them angrily he turns. Who were
The Mantuans, after all, that he should care
About their recognition, ay or no?
In spite of the convention months ago,
(Why blink the truth?) was not he forced to help
This same ungrateful audience, every whelp
Of Naddo's litter, make them pass for peers
With the bright band of old Goito years,
As erst he toiled for flower or tree? Why, there
Sat Palma! Adelaide's funereal hair
Ennobled the next corner. Ay, he strewed
A fairy dust upon that multitude,
Although he feigned to take them by themselves;
His giants dignified those puny elves,
Sublimed their faint applause. In short, he found
Himself still footing a delusive round,
Remote as ever from the self-display
He meant to compass, hampered every way
By what he hoped assistance. Wherefore then
Continue, make believe to find in men
A use he found not?
Weeks, months, years went by
And lo, Sordello vanished utterly,
Sundered in twain; each spectral part at strife
With each; one jarred against another life;
The Poet thwarting hopelessly the Man
Who, fooled no longer, free in fancy ran
Here, there: let slip no opportunities
As pitiful, forsooth, beside the prize
To drop on him some no-time and acquit
His constant faith (the Poet-half's to wit
That waiving any compromise between
No joy and all joy kept the hunger keen
Beyond most methods)of incurring scoff
From the Man-portionnot to be put off
With self-reflectings by the Poet's scheme,
Though ne'er so bright. Who sauntered forth in dream,
Dressed any how, nor waited mystic frames,
Immeasurable gifts, astounding claims,
But just his sorry self?who yet might be
Sorrier for aught he in reality
Achieved, so pinioned Man's the Poet-part,
Fondling, in turn of fancy, verse; the Art
Developing his soul a thousand ways
Potent, by its assistance, to amaze
The multitude with majesties, convince
Each sort of nature that the nature's prince
Accosted it. Language, the makeshift, grew
Into a bravest of expedients, too;
Apollo, seemed it now, perverse had thrown
Quiver and bow away, the lyre alone
Sufficed. While, out of dream, his day's work went
To tune a crazy tenzon or sirvent
So hampered him the Man-part, thrust to judge
Between the bard and the bard's audience, grudge
A minute's toil that missed its due reward!
But the complete Sordello, Man and Bard,
John's cloud-girt angel, this foot on the land,
That on the sea, with, open in his hand,
A bitter-sweetling of a bookwas gone.
Then, if internal struggles to be one,
Which frittered him incessantly piecemeal,
Referred, ne'er so obliquely, to the real
Intruding Mantuans! ever with some call
To action while he pondered, once for all,
Which looked the easier effortto pursue
This course, still leap o'er paltry joys, yearn through
The present ill-appreciated stage
Of self-revealment, and compel the age
Know himor else, forswearing bard-craft, wake
From out his lethargy and nobly shake
Off timid habits of denial, mix
With men, enjoy like men. Ere he could fix
On aught, in rushed the Mantuans; much they cared
For his perplexity! Thus unprepared,
The obvious if not only shelter lay
In deeds, the dull conventions of his day
Prescribed the like of him: why not be glad
'T is settled Palma's minstrel, good or bad,
Submits to this and that established rule?
Let Vidal change, or any other fool,
His murrey-coloured robe for filamot,
And crop his hair; too skin-deep, is it not,
Such vigour? Then, a sorrow to the heart,
His talk! Whatever topics they might start
Had to be groped for in his consciousness
Straight, and as straight delivered them by guess.
Only obliged to ask himself, "What was,"
A speedy answer followed; but, alas,
One of God's large ones, tardy to condense
Itself into a period; answers whence
A tangle of conclusions must be stripped
At any risk ere, trim to pattern clipped,
They matched rare specimens the Mantuan flock
Regaled him with, each talker from his stock
Of sorted-o'er opinions, every stage,
Juicy in youth or desiccate with age,
Fruits like the fig-tree's, rathe-ripe, rotten-rich,
Sweet-sour, all tastes to take: a practice which
He too had not impossibly attained,
Once either of those fancy-flights restrained;
(For, at conjecture how might words appear
To others, playing there what happened here,
And occupied abroad by what he spurned
At home, 't was slipped, the occasion he returned
To seize he 'd strike that lyre adroitlyspeech,
Would but a twenty-cubit plectre reach;
A clever hand, consummate instrument,
Were both brought close; each excellency went
For nothing, else. The question Naddo asked,
Had just a lifetime moderately tasked
To answer, Naddo's fashion. More disgust
And more: why move his soul, since move it must
At minute's notice or as good it failed
To move at all? The end was, he retailed
Some ready-made opinion, put to use
This quip, that maxim, ventured reproduce
Gestures and tonesat any folly caught
Serving to finish with, nor too much sought
If false or true 't was spoken; praise and blame
Of what he said grew pretty nigh the same
Meantime awards to meantime acts: his soul,
Unequal to the compassing a whole,
Saw, in a tenth part, less and less to strive
About. And as for men in turn . . . contrive
Who could to take eternal interest
In them, so hate the worst, so love the best,
Though, in pursuance of his passive plan,
He hailed, decried, the proper way.
As Man
So figured he; and how as Poet? Verse
Came only not to a stand-still. The worse,
That his poor piece of daily work to do
Wasnot sink under any rivals; who
Loudly and long enough, without these qualms,
Turned, from Bocafoli's stark-naked psalms,
To Plara's sonnets spoilt by toying with,
"As knops that stud some almug to the pith
"Prickd for gum, wry thence, and crinkld worse
"Than pursd eyelids of a river-horse
"Sunning himself o' the slime when whirrs the breese"
Gad-fly, that is. He might compete with these!
Butbut
"Observe a pompion-twine afloat;
"Pluck me one cup from off the castle-moat!
"Along with cup you raise leaf, stalk and root,
"The entire surface of the pool to boot.
"So could I pluck a cup, put in one song
"A single sight, did not my hand, too strong,
"Twitch in the least the root-strings of the whole.
"How should externals satisfy my soul?"
"Why that's precise the error Squarcialupe"
(Hazarded Naddo) "finds; 'the man can't stoop
"'To sing us out,' quoth he, 'a mere romance;
"'He'd fain do better than the best, enhance
"'The subjects' rarity, work problems out
"'Therewith.' Now, you 're a bard, a bard past doubt,
"And no philosopher; why introduce
"Crotchets like these? fine, surely, but no use
"In poetrywhich still must be, to strike,
"Based upon common sense; there's nothing like
"Appealing to our nature! what beside
"Was your first poetry? No tricks were tried
"In that, no hollow thrills, affected throes!
"'The man,' said we, 'tells his own joys and woes:
"'We'll trust him.' Would you have your songs endure?
"Build on the human heart!why, to be sure
"Yours is one sort of heartbut I mean theirs,
"Ours, every one's, the healthy heart one cares
"To build on! Central peace, mother of strength,
"That's father of . . . nay, go yourself that length,
"Ask those calm-hearted doers what they do
"When they have got their calm! And is it true,
"Fire rankles at the heart of every globe?
"Perhaps. But these are matters one may probe
"Too deeply for poetic purposes:
"Rather select a theory that . . . yes,
"Laugh! what does that prove?stations you midway
"And saves some little o'er-refining. Nay,
"That's rank injustice done me! I restrict
"The poet? Don't I hold the poet picked
"Out of a host of warriors, statesmen . . . did
"I tell you? Very like! As well you hid
"That sense of power, you have! True bards believe
"All able to achieve what they achieve
"That is, just nothingin one point abide
"Profounder simpletons than all beside.
"Oh, ay! The knowledge that you are a bard
"Must constitute your prime, nay sole, reward!"
So prattled Naddo, busiest of the tribe
Of genius-hauntershow shall I describe
What grubs or nips or rubs or ripsyour louse
For love, your flea for hate, magnanimous,
Malignant, Pappacoda, Tagliafer,
Picking a sustenance from wear and tear
By implements it sedulous employs
To undertake, lay down, mete out, o'er-toise
Sordello? Fifty creepers to elude
At once! They settled staunchly; shame ensued:
Behold the monarch of mankind succumb
To the last fool who turned him round his thumb,
As Naddo styled it! 'T was not worth oppose
The matter of a moment, gainsay those
He aimed at getting rid of; better think
Their thoughts and speak their speech, secure to slink
Back expeditiously to his safe place,
And chew the cudwhat he and what his race
Were really, each of them. Yet even this
Conformity was partial. He would miss
Some point, brought into contact with them ere
Assured in what small segment of the sphere
Of his existence they attended him;
Whence blunders, falsehoods rectifieda grim
Listslur it over! How? If dreams were tried,
His will swayed sicklily from side to side,
Nor merely neutralized his waking act
But tended e'en in fancy to distract
The intermediate will, the choice of means.
He lost the art of dreaming: Mantuan scenes
Supplied a baron, say, he sang before,
Handsomely reckless, full to running-o'er
Of gallantries; "abjure the soul, content
"With body, therefore!" Scarcely had he bent
Himself in dream thus low, when matter fast
Cried out, he found, for spirit to contrast
And task it duly; by advances slight,
The simple stuff becoming composite,
Count Lori grew Apollo: best recall
His fancy! Then would some rough peasant-Paul,
Like those old Ecelin confers with, glance
His gay apparel o'er; that countenance
Gathered his shattered fancies into one,
And, body clean abolished, soul alone
Sufficed the grey Paulician: by and by,
To balance the ethereality,
Passions were needed; foiled he sank again.
Meanwhile the world rejoiced ('t is time explain)
Because a sudden sickness set it free
From Adelaide. Missing the mother-bee,
Her mountain-hive Romano swarmed; at once
A rustle-forth of daughters and of sons
Blackened the valley. "I am sick too, old,
"Half-crazed I think; what good's the Kaiser's gold
"To such an one? God help me! for I catch
"My children's greedy sparkling eyes at watch
"'He bears that double breastplate on,' they say,
"'So many minutes less than yesterday!'
"Beside, Monk Hilary is on his knees
"Now, sworn to kneel and pray till God shall please
"Exact a punishment for many things
"You know, and some you never knew; which brings
"To memory, Azzo's sister Beatrix
"And Richard's Giglia are my Alberic's
"And Ecelin's betrothed; the Count himself
"Must get my Palma: Ghibellin and Guelf
"Mean to embrace each other." So began
Romano's missive to his fighting man
Taurelloon the Tuscan's death, away
With Friedrich sworn to sail from Naples' bay
Next month for Syria. Never thunder-clap
Out of Vesuvius' throat, like this mishap
Startled him. "That accursed Vicenza! I
"Absent, and she selects this time to die!
"Ho, fellows, for Vicenza!" Half a score
Of horses ridden dead, he stood before
Romano in his reeking spurs: too late
"Boniface urged me, Este could not wait,"
The chieftain stammered; "let me die in peace
"Forget me! Was it I who craved increase
"Of rule? Do you and Friedrich plot your worst
"Against the Father: as you found me first
"So leave me now. Forgive me! Palma, sure,
"Is at Goito still. Retain that lure
"Only be pacified!"
The country rung
With such a piece of news: on every tongue,
How Ecelin's great servant, congeed off,
Had done a long day's service, so, might doff
The green and yellow, and recover breath
At Mantua, whither,since Retrude's death,
(The girlish slip of a Sicilian bride
From Otho's house, he carried to reside
At Mantua till the Ferrarese should pile
A structure worthy her imperial style,
The gardens raise, the statues there enshrine,
She never lived to see)although his line
Was ancient in her archives and she took
A pride in him, that city, nor forsook
Her child when he forsook himself and spent
A prowess on Romano surely meant
For his own growthwhither he ne'er resorts
If wholly satisfied (to trust reports)
With Ecelin. So, forward in a trice
Were shows to greet him. "Take a friend's advice,"
Quoth Naddo to Sordello, "nor be rash
"Because your rivals (nothing can abash
"Some folks) demur that we pronounced you best
"To sound the great man's welcome; 't is a test,
"Remember! Strojavacca looks asquint,
"The rough fat sloven; and there 's plenty hint
"Your pinions have received of late a shock
"Outsoar them, cobswan of the silver flock!
"Sing well!" A signal wonder, song 's no whit
Facilitated.
Fast the minutes flit;
Another day, Sordello finds, will bring
The soldier, and he cannot choose but sing;
So, a last shift, quits Mantuaslow, alone:
Out of that aching brain, a very stone,
Song must be struck. What occupies that front?
Just how he was more awkward than his wont
The night before, when Naddo, who had seen
Taurello on his progress, praised the mien
For dignity no crosses could affect
Such was a joy, and might not he detect
A satisfaction if established joys
Were proved imposture? Poetry annoys
Its utmost: wherefore fret? Verses may come
Or keep away! And thus he wandered, dumb
Till evening, when he paused, thoroughly spent,
On a blind hill-top: down the gorge he went,
Yielding himself up as to an embrace.
The moon came out; like features of a face,
A querulous fraternity of pines,
Sad blackthorn clumps, leafless and grovelling vines
Also came out, made gradually up
The picture; 't was Goito's mountain-cup
And castle. He had dropped through one defile
He never dared explore, the Chief erewhile
Had vanished by. Back rushed the dream, enwrapped
Him wholly. 'T was Apollo now they lapped,
Those mountains, not a pettish minstrel meant
To wear his soul away in discontent,
Brooding on fortune's malice. Heart and brain
Swelled; he expanded to himself again,
As some thin seedling spice-tree starved and frail,
Pushing between cat's head and ibis' tail
Crusted into the porphyry pavement smooth,
Suffered remain just as it sprung, to soothe
The Soldan's pining daughter, never yet
Well in her chilly green-glazed minaret,
When rooted up, the sunny day she died,
And flung into the common court beside
Its parent tree. Come home, Sordello! Soon
Was he low muttering, beneath the moon,
Of sorrow saved, of quiet evermore,
Since from the purpose, he maintained before,
Only resulted wailing and hot tears.
Ah, the slim castle! dwindled of late years,
But more mysterious; gone to ruintrails
Of vine through every loop-hole. Nought avails
The night as, torch in hand, he must explore
The maple chamber: did I say, its floor
Was made of intersecting cedar beams?
Worn now with gaps so large, there blew cold streams
Of air quite from the dungeon; lay your ear
Close and 't is like, one after one, you hear
In the blind darkness water drop. The nests
And nooks retain their long ranged vesture-chests
Empty and smelling of the iris root
The Tuscan grated o'er them to recruit
Her wasted wits. Palma was gone that day,
Said the remaining women. Last, he lay
Beside the Carian group reserved and still.
The Body, the Machine for Acting Will,
Had been at the commencement proved unfit;
That for Demonstrating, Reflecting it,
Mankindno fitter: was the Will Itself
In fault?
His forehead pressed the moonlit shelf
Beside the youngest marble maid awhile;
Then, raising it, he thought, with a long smile,
"I shall be king again!" as he withdrew
The envied scarf; into the font he threw
His crown
Next day, no poet! "Wherefore?" asked
Taurello, when the dance of Jongleurs, masked
As devils, ended; "don't a song come next?"
The master of the pageant looked perplexed
Till Naddo's whisper came to his relief.
"His Highness knew what poets were: in brief,
"Had not the tetchy race prescriptive right
"To peevishness, caprice? or, call it spite,
"One must receive their nature in its length
"And breadth, expect the weakness with the strength!"
So phrasing, till, his stock of phrases spent,
The easy-natured soldier smiled assent,
Settled his portly person, smoothed his chin,
And nodded that the bull-bait might begin.
~ Robert Browning, Sordello - Book the Second
,#NFDB
170:And the font took them: let our laurels lie!
Braid moonfern now with mystic trifoly
Because once more Goito gets, once more,
Sordello to itself! A dream is o'er,
And the suspended life begins anew;
Quiet those throbbing temples, then, subdue
That cheek's distortion! Nature's strict embrace,
Putting aside the past, shall soon efface
Its print as wellfactitious humours grown
Over the trueloves, hatreds not his own
And turn him pure as some forgotten vest
Woven of painted byssus, silkiest
Tufting the Tyrrhene whelk's pearl-sheeted lip,
Left welter where a trireme let it slip
I' the sea, and vexed a satrap; so the stain
O' the world forsakes Sordello, with its pain,
Its pleasure: how the tinct loosening escapes,
Cloud after cloud! Mantua's familiar shapes
Die, fair and foul die, fading as they flit,
Men, women, and the pathos and the wit,
Wise speech and foolish, deeds to smile or sigh
For, good, bad, seemly or ignoble, die.
The last face glances through the eglantines,
The last voice murmurs, 'twixt the blossomed vines,
Of Men, of that machine supplied by thought
To compass self-perception with, he sought
By forcing half himselfan insane pulse
Of a god's blood, on clay it could convulse,
Never transmuteon human sights and sounds,
To watch the other half with; irksome bounds
It ebbs from to its source, a fountain sealed
Forever. Better sure be unrevealed
Than part revealed: Sordello well or ill
Is finished: then what further use of Will,
Point in the prime idea not realized,
An oversight? inordinately prized,
No less, and pampered with enough of each
Delight to prove the whole above its reach.
"To need become all natures, yet retain
"The law of my own natureto remain
"Myself, yet yearn . . . as if that chestnut, think,
"Should yearn for this first larch-bloom crisp and pink,
"Or those pale fragrant tears where zephyrs stanch
"March wounds along the fretted pine-tree branch!
"Will and the means to show will, great and small,
"Material, spiritual,abjure them all
"Save any so distinct, they may be left
"To amuse, not tempt become! and, thus bereft,
"Just as I first was fashioned would I be!
"Nor, moon, is it Apollo now, but me
"Thou visitest to comfort and befriend!
"Swim thou into my heart, and there an end,
"Since I possess thee!nay, thus shut mine eyes
"And know, quite know, by this heart's fall and rise,
"When thou dost bury thee in clouds, and when
"Out-standest: wherefore practise upon men
"To make that plainer to myself?"
Slide here
Over a sweet and solitary year
Wasted; or simply notice change in him
How eyes, once with exploring bright, grew dim
And satiate with receiving. Some distress
Was caused, too, by a sort of consciousness
Under the imbecility,nought kept
That down; he slept, but was aware he slept,
So, frustrated: as who brainsick made pact
Erst with the overhanging cataract
To deafen him, yet still distinguished plain
His own blood's measured clicking at his brain.
To finish. One declining Autumn day
Few birds about the heaven chill and grey,
No wind that cared trouble the tacit woods
He sauntered home complacently, their moods
According, his and nature's. Every spark
Of Mantua life was trodden out; so dark
The embers, that the Troubadour, who sung
Hundreds of songs, forgot, its trick his tongue,
Its craft his brain, how either brought to pass
Singing at all; that faculty might class
With any of Apollo's now. The year
Began to find its early promise sere
As well. Thus beauty vanishes; thus stone
Outlingers flesh: nature's and his youth gone,
They left the world to you, and wished you joy.
When, stopping his benevolent employ,
A presage shuddered through the welkin; harsh
The earth's remonstrance followed. 'T was the marsh
Gone of a sudden. Mincio, in its place,
Laughed, a broad water, in next morning's face,
And, where the mists broke up immense and white
I' the steady wind, burned like a spilth of light
Out of the crashing of a myriad stars.
And here was nature, bound by the same bars
Of fate with him!
"No! youth once gone is gone:
"Deeds, let escape, are never to be done.
"Leaf-fall and grass-spring for the year; for us
"Oh forfeit I unalterably thus
"My chance? nor two lives wait me, this to spend,
"Learning save that? Nature has time, may mend
"Mistake, she knows occasion will recur;
"Landslip or seabreach, how affects it her
"With her magnificent resources?I
"Must perish once and perish utterly.
"Not any strollings now at even-close
"Down the field-path, Sordello! by thorn-rows
"Alive with lamp-flies, swimming spots of fire
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
"Woo her, the snow-month through, but ere she durst
"Answer 't was April. Linden-flower-time-long
"Her eyes were on the ground; 't is July, strong
"Now; and because white dust-clouds overwhelm
"The woodside, here or by the village elm
"That holds the moon, she meets you, somewhat pale,
"But letting you lift up her coarse flax veil
"And whisper (the damp little hand in yours)
"Of love, heart's love, your heart's love that endures
"Till death. Tush! No mad mixing with the rout
"Of haggard ribalds wandering about
"The hot torchlit wine-scented island-house
"Where Friedrich holds his wickedest carouse,
"Parading,to the gay Palermitans,
"Soft Messinese, dusk Saracenic clans
"Nuocera holds,those tall grave dazzling Norse,
"High-cheeked, lank-haired, toothed whiter than the morse,
"Queens of the caves of jet stalactites,
"He sent his barks to fetch through icy seas,
"The blind night seas without a saving star,
"And here in snowy birdskin robes they are,
"Sordello!here, mollitious alcoves gilt
"Superb as Byzant domes that devils built!
"Ah, Byzant, there again! no chance to go
"Ever like august cheery Dandolo,
"Worshipping hearts about him for a wall,
"Conducted, blind eyes, hundred years and all,
"Through vanquished Byzant where friends note for him
"What pillar, marble massive, sardius slim,
"'T were fittest he transport to Venice' Square
"Flattered and promised life to touch them there
"Soon, by those fervid sons of senators!
"No more lifes, deaths, loves, hatreds, peaces, wars!
"Ah, fragments of a whole ordained to be,
"Points in the life I waited! what are ye
"But roundels of a ladder which appeared
"Awhile the very platform it was reared
"To lift me on?that happiness I find
"Proofs of my faith in, even in the blind
"Instinct which bade forego you all unless
"Ye led me past yourselves. Ay, happiness
"Awaited me; the way life should be used
"Was to acquire, and deeds like you conduced
"To teach it by a self-revealment, deemed
"Life's very use, so long! Whatever seemed
"Progress to that, was pleasure; aught that stayed
"My reaching itno pleasure. I have laid
"The ladder down; I climb not; still, aloft
"The platform stretches! Blisses strong and soft,
"I dared not entertain, elude me; yet
"Never of what they promised could I get
"A glimpse till now! The common sort, the crowd,
"Exist, perceive; with Being are endowed,
"However slight, distinct from what they See,
"However bounded; Happiness must be,
"To feed the first by gleanings from the last,
"Attain its qualities, and slow or fast
"Become what they behold; such peace-in-strife,
"By transmutation, is the Use of Life,
"The Alien turning Native to the soul
"Or bodywhich instructs me; I am whole
"There and demand a Palma; had the world
"Been from my soul to a like distance hurled,
"'T were Happiness to make it one with me:
"Whereas I must, ere I begin to Be,
"Include a world, in flesh, I comprehend
"In spirit now; and this done, what 's to blend
"With? Nought is Alien in the worldmy Will
"Owns all already; yet can turn itstill
"LessNative, since my Means to correspond
"With Will are so unworthy, 't was my bond
"To tread the very joys that tantalize
"Most now, into a grave, never to rise.
"I die then! Will the rest agree to die?
"Next Age or no? Shall its Sordello try
"Clue after clue, and catch at last the clue
"I miss?that 's underneath my finger too,
"Twice, thrice a day, perhaps,some yearning traced
"Deeper, some petty consequence embraced
"Closer! Why fled I Mantua, then?complained
"So much my Will was fettered, yet remained
"Content within a tether half the range
"I could assign it?able to exchange
"My ignorance (I felt) for knowledge, and
"Idle because I could thus understand
"Could e'en have penetrated to its core
"Our mortal mystery, yetfoolforbore,
"Preferred elaborating in the dark
"My casual stuff, by any wretched spark
"Born of my predecessors, though one stroke
"Of mine had brought the flame forth! Mantua's yoke,
"My minstrel's-trade, was to behold mankind,
"My own concern was just to bring my mind
"Behold, just extricate, for my acquist,
"Each object suffered stifle in the mist
"Which hazard, custom, blindness interpose
"Betwixt things and myself."
Whereat he rose.
The level wind carried above the firs
Clouds, the irrevocable travellers,
Onward.
"Pushed thus into a drowsy copse,
"Arms twine about my neck, each eyelid drops
"Under a humid finger; while there fleets,
"Outside the screen, a pageant time repeats
"Never again! To be deposed, immured
"Clandestinelystill petted, still assured
"To govern were fatiguing workthe Sight
"Fleeting meanwhile! 'T is noontide: wreak ere night
"Somehow my will upon it, rather! Slake
"This thirst somehow, the poorest impress take
"That serves! A blasted bud displays you, torn,
"Faint rudiments of the full flower unborn;
"But who divines what glory coats o'erclasp
"Of the bulb dormant in the mummy's grasp
"Taurello sent?" . . .
"Taurello? Palma sent
"Your Trouvere," (Naddo interposing leant
Over the lost bard's shoulder)"and, believe,
"You cannot more reluctantly receive
"Than I pronounce her message: we depart
"Together. What avail a poet's heart
"Verona's pomps and gauds? five blades of grass
"Suffice him. News? Why, where your marish was,
"On its mud-banks smoke rises after smoke
"I' the valley, like a spout of hell new-broke.
"Oh, the world's tidings! small your thanks, I guess,
"For them. The father of our Patroness,
"Has played Taurello an astounding trick,
"Parts between Ecelin and Alberic
"His wealth and goes into a convent: both
"Wed Guelfs: the Count and Palma plighted troth
"A week since at Verona: and they want
"You doubtless to contrive the marriage-chant
"Ere Richard storms Ferrara." Then was told
The tale from the beginninghow, made bold
By Salinguerra's absence, Guelfs had burned
And pillaged till he unawares returned
To take revenge: how Azzo and his friend
Were doing their endeavour, how the end
O' the siege was nigh, and how the Count, released
From further care, would with his marriage-feast
Inaugurate a new and better rule,
Absorbing thus Romano.
"Shall I school
"My master," added Naddo, "and suggest
"How you may clothe in a poetic vest
"These doings, at Verona? Your response
"To Palma! Wherefore jest? 'Depart at once?
"A good resolve! In truth, I hardly hoped
"So prompt an acquiescence. Have you groped
"Out wisdom in the wilds here?thoughts may be
"Over-poetical for poetry.
"Pearl-white, you poets liken Palma's neck;
"And yet what spoils an orient like some speck
"Of genuine white, turning its own white grey?
"You take me? Curse the cicala!"
One more day,
One eveappears Verona! Many a group,
(You mind) instructed of the osprey's swoop
On lynx and ounce, was gatheringChristendom
Sure to receive, whate'er the end was, from
The evening's purpose cheer or detriment,
Since Friedrich only waited some event
Like this, of Ghibellins establishing
Themselves within Ferrara, ere, as King
Of Lombardy, he 'd glad descend there, wage
Old warfare with the Pontiff, disengage
His barons from the burghers, and restore
The rule of Charlemagne, broken of yore
By Hildebrand.
I' the palace, each by each,
Sordello sat and Palma: little speech
At first in that dim closet, face with face
(Despite the tumult in the market-place)
Exchanging quick low laughters: now would rush
Word upon word to meet a sudden flush,
A look left off, a shifting lips' surmise
But for the most part their two histories
Ran best thro' the locked fingers and linked arms.
And so the night flew on with its alarms
Till in burst one of Palma's retinue;
"Now, Lady!" gasped he. Then arose the two
And leaned into Verona's air, dead-still.
A balcony lay black beneath until
Out, 'mid a gush of torchfire, grey-haired men
Came on it and harangued the people: then
Sea-like that people surging to and fro
Shouted, "Hale forth the carrochtrumpets, ho,
"A flourish! Run it in the ancient grooves!
"Back from the bell! Hammerthat whom behoves
"May hear the League is up! Peallearn who list,
"Verona means not first of towns break tryst
"To-morrow with the League!"
Enough. Now turn
Over the eastern cypresses: discern!
Is any beacon set a-glimmer?
Rang
The air with shouts that overpowered the clang
Of the incessant carroch, even: "Haste
"The candle 's at the gateway! ere it waste,
"Each soldier stand beside it, armed to march
"With Tiso Sampier through the eastern arch!"
Ferrara's succoured, Palma!
Once again
They sat together; some strange thing in train
To say, so difficult was Palma's place
In taking, with a coy fastidious grace
Like the bird's flutter ere it fix and feed.
But when she felt she held her friend indeed
Safe, she threw back her curls, began implant
Her lessons; telling of another want
Goito's quiet nourished than his own;
Palmato serve himto be served, alone
Importing; Agnes' milk so neutralized
The blood of Ecelin. Nor be surprised
If, while Sordello fain had captive led
Nature, in dream was Palma subjected
To some out-soul, which dawned not though she pined
Delaying, till its advent, heart and mind
Their life. "How dared I let expand the force
"Within me, till some out-soul, whose resource
"It grew for, should direct it? Every law
"Of life, its every fitness, every flaw,
"Must One determine whose corporeal shape
"Would be no other than the prime escape
"And revelation to me of a Will
"Orb-like o'ershrouded and inscrutable
"Above, save at the point which, I should know,
"Shone that myself, my powers, might overflow
"So far, so much; as now it signified
"Which earthly shape it henceforth chose my guide,
"Whose mortal lip selected to declare
"Its oracles, what fleshly garb would wear
"The first of intimations, whom to love;
"The next, how love him. Seemed that orb, above
"The castle-covert and the mountain-close,
"Slow in appearing?if beneath it rose
"Cravings, aversions,did our green precinct
"Take pride in me, at unawares distinct
"With this or that endowment,how, repressed
"At once, such jetting power shrank to the rest!
"Was I to have a chance touch spoil me, leave
"My spirit thence unfitted to receive
"The consummating spell?that spell so near
"Moreover! 'Waits he not the waking year?
"'His almond-blossoms must be honey-ripe
"'By this; to welcome him, fresh runnels stripe
"'The thawed ravines; because of him, the wind
"'Walks like a herald. I shall surely find
"'Him now!'
"And chief, that earnest April morn
"Of Richard's Love-court, was it time, so worn
"And white my cheek, so idly my blood beat,
"Sitting that morn beside the Lady's feet
"And saying as she prompted; till outburst
"One face from all the faces. Not then first
"I knew it; where in maple chamber glooms,
"Crowned with what sanguine-heart pomegranate blooms,
"Advanced it ever? Men's acknowledgment
"Sanctioned my own: 't was taken, Palma's bent,
"Sordello,recognized, accepted.
"Dumb
"Sat she still scheming. Ecelin would come
"Gaunt, scared, 'Cesano baffles me,' he 'd say:
"'Better I fought it out, my father's way!
"'Strangle Ferrara in its drowning flats,
"'And you and your Taurello yonder!what's
"'Romano's business there?' An hour's concern
"To cure the froward Chief!induce return
"As heartened from those overmeaning eyes,
"Wound up to persevere,his enterprise
"Marked out anew, its exigent of wit
"Apportioned,she at liberty to sit
"And scheme against the next emergence, I
"To covet her Taurello-sprite, made fly
"Or fold the wingto con your horoscope
"For leave command those steely shafts shoot ope,
"Or straight assuage their blinding eagerness
"In blank smooth snow What semblance of success
"To any of my plans for making you
"Mine and Romano's? Break the first wall through,
"Tread o'er the ruins of the Chief, supplant
"His sons beside, still, vainest were the vaunt:
"There, Salinguerra would obstruct me sheer,
"And the insuperable Tuscan, here,
"Stay me! But one wild eve that Lady died
"In her lone chamber: only I beside:
"Taurello far at Naples, and my sire
"At Padua, Ecelin away in ire
"With Alberic. She held me thusa clutch
"To make our spirits as our bodies touch
"And so began flinging the past up heaps
"Of uncouth treasure from their sunless sleeps
"Within her soul; deeds rose along with dreams,
"Fragments of many miserable schemes,
"Secrets, more secrets, thenno, not the last
"'Mongst others, like a casual trick o' the past,
"How . . . ay, she told me, gathering up her face,
"All left of it, into one arch-grimace
"To die with . . .
"Friend, 't is gone! but not the fear
"Of that fell laughing, heard as now I hear.
"Nor faltered voice, nor seemed her heart grow weak
"When i' the midst abrupt she ceased to speak
"Dead, as to serve a purpose, mark!for in
"Rushed o' the very instant Ecelin
"(How summoned, who divines?)looking as if
"He understood why Adelaide lay stiff
"Already in my arms; for 'Girl, how must
"'I manage Este in the matter thrust
"'Upon me, how unravel your bad coil?
"'Since' (he declared) ''t is on your browa soil
"'Like hers there!' then in the same breath, 'he lacked
"'No counsel after all, had signed no pact
"'With devils, nor was treason here or there,
"'Goito or Vicenza, his affair:
"'He buried it in Adelaide's deep grave,
"'Would begin life afresh, now,would not slave
"'For any Friedrich's nor Taurello's sake!
"'What booted him to meddle or to make
"'In Lombardy?' And afterward I knew
"The meaning of his promise to undo
"All she had donewhy marriages were made,
"New friendships entered on, old followers paid
"With curses for their pains,new friends' amaze
"At height, when, passing out by Gate St. Blaise,
"He stopped short in Vicenza, bent his head
"Over a friar's neck,'had vowed,' he said,
"'Long since, nigh thirty years, because his wife
"'And child were saved there, to bestow his life
"'On God, his gettings on the Church.'
"Exiled
"Within Goito, still one dream beguiled
"My days and nights; 't was found, the orb I sought
"To serve, those glimpses came of Fomalhaut,
"No other: but how serve it?authorize
"You and Romano mingle destinies?
"And straight Romano's angel stood beside
"Me who had else been Boniface's bride,
"For Salinguerra 't was, with neck low bent,
"And voice lightened to music, (as he meant
"To learn, not teach me,) who withdrew the pall
"From the dead past and straight revived it all,
"Making me see how first Romano waxed,
"Wherefore he waned now, why, if I relaxed
"My grasp (even I!) would drop a thing effete,
"Frayed by itself, unequal to complete
"Its course, and counting every step astray
"A gain so much. Romano, every way
"Stable, a Lombard House nowwhy start back
"Into the very outset of its track?
"This patching principle which late allied
"Our House with other Houseswhat beside
"Concerned the apparition, the first Knight
"Who followed Conrad hither in such plight
"His utmost wealth was summed in his one steed?
"For Ecelo, that prowler, was decreed
"A task, in the beginning hazardous
"To him as ever task can be to us;
"But did the weather-beaten thief despair
"When first our crystal cincture of warm air
"That binds the Trevisan,as its spice-belt
"(Crusaders say) the tract where Jesus dwelt,
"Furtive he pierced, and Este was to face
"Despaired Saponian strength of Lombard grace?
"Tried he at making surer aught made sure,
"Maturing what already was mature?
"No; his heart prompted Ecelo, 'Confront
"'Este, inspect yourself. What 's nature? Wont.
"'Discard three-parts your nature, and adopt
"'The rest as an advantage!' Old strength propped
"The man who first grew Podest among
"The Vicentines, no less than, while there sprung
"His palace up in Padua like a threat,
"Their noblest spied a grace, unnoticed yet
"In Conrad's crew. Thus far the object gained,
"Romano was establishedhas remained
"'For are you not Italian, truly peers
"'With Este? Azzo better soothes our ears
"'Than Alberic? or is this lion's-crine
"'From over-mounts' (this yellow hair of mine)
"'So weak a graft on Agnes Este's stock?'
"(Thus went he on with something of a mock)
"'Wherefore recoil, then, from the very fate
"'Conceded you, refuse to imitate
"'Your model farther? Este long since left
"'Being mere Este: as a blade its heft,
"'Este required the Pope to further him:
"'And you, the Kaiserwhom your father's whim
"'Foregoes or, better, never shall forego
"'If Palma dare pursue what Ecelo
"'Commenced, but Ecelin desists from: just
"'As Adelaide of Susa could intrust
"'Her donative,her Piedmont given the Pope,
"'Her Alpine-pass for him to shut or ope
"''Twixt France and Italy,to the superb
"'Matilda's perfecting,so, lest aught curb
"'Our Adelaide's great counter-project for
"'Giving her Trentine to the Emperor
"'With passage here from Germany,shall you
"'Take it,my slender plodding talent, too!'
"Urged me Taurello with his half-smile
"He
"As Patron of the scattered family
"Conveyed me to his Mantua, kept in bruit
"Azzo's alliances and Richard's suit
"Until, the Kaiser excommunicate,
"'Nothing remains,' Taurello said, 'but wait
"'Some rash procedure: Palma was the link,
"'As Agnes' child, between us, and they shrink
"'From losing Palma: judge if we advance,
"'Your father's method, your inheritance!'
"The day I was betrothed to Boniface
"At Padua by Taurello's self, took place
"The outrage of the Ferrarese: again,
"The day I sought Verona with the train
"Agreed for,by Taurello's policy
"Convicting Richard of the fault, since we
"Were present to annul or to confirm,
"Richard, whose patience had outstayed its term,
"Quitted Verona for the siege.
"And now
"What glory may engird Sordello's brow
"Through this? A month since at Oliero slunk
"All that was Ecelin into a monk;
"But how could Salinguerra so forget
"His liege of thirty years as grudge even yet
"One effort to recover him? He sent
"Forthwith the tidings of this last event
"To Ecelindeclared that he, despite
"The recent folly, recognized his right
"To order Salinguerra: 'Should he wring
"'Its uttermost advantage out, or fling
"'This chance away? Or were his sons now Head
"'O' the House?' Through me Taurello's missive sped;
"My father's answer will by me return.
"Behold! 'For him,' he writes, 'no more concern
"'With strife than, for his children, with fresh plots
"'Of Friedrich. Old engagements out he blots
"'For aye: Taurello shall no more subserve,
"'Nor Ecelin impose.' Lest this unnerve
"Taurello at this juncture, slack his grip
"Of Richard, suffer the occasion slip,
"I, in his sons' default (who, mating with
"Este, forsake Romano as the frith
"Its mainsea for that firmland, sea makes head
"Against) I stand, Romano,in their stead
"Assume the station they desert, and give
"Still, as the Kaiser's representative,
"Taurello licence he demands. Midnight
"Morningby noon to-morrow, making light
"Of the League's issue, we, in some gay weed
"Like yours, disguised together, may precede
"The arbitrators to Ferrara: reach
"Him, let Taurello's noble accents teach
"The rest! Then say if I have misconceived
"Your destiny, too readily believed
"The Kaiser's cause your own!"
And Palma's fled.
Though no affirmative disturbs the head,
A dying lamp-flame sinks and rises o'er,
Like the alighted planet Pollux wore,
Until, morn breaking, he resolves to be
Gate-vein of this heart's blood of Lombardy,
Soul of this bodyto wield this aggregate
Of souls and bodies, and so conquer fate
Though he should livea centre of disgust
Evenapart, core of the outward crust
He vivifies, assimilates. For thus
I bring Sordello to the rapturous
Exclaim at the crowd's cry, because one round
Of life was quite accomplished; and he found
Not only that a soul, whate'er its might,
Is insufficient to its own delight,
Both in corporeal organs and in skill
By means of such to body forth its Will
And, after, insufficient to apprise
Men of that Will, oblige them recognize
The Hid by the Revealedbut that,the last
Nor lightest of the struggles overpast,
Will, he bade abdicate, which would not void
The throne, might sit there, suffer he enjoyed
Mankind, a varied and divine array
Incapable of homage, the first way,
Nor fit to render incidentally
Tribute connived at, taken by the by,
In joys. If thus with warrant to rescind
The ignominious exile of mankind
Whose proper service, ascertained intact
As yet, (to be by him themselves made act,
Not watch Sordello acting each of them)
Was to secureif the true diadem
Seemed imminent while our Sordello drank
The wisdom of that golden Palma,thank
Verona's Lady in her citadel
Founded by Gaulish Brennus, legends tell:
And truly when she left him, the sun reared
A head like the first clamberer's who peered
A-top the Capitol, his face on flame
With triumph, triumphing till Manlius came.
Nor slight too much my rhymesthat spring, dispread,
Dispart, disperse, lingering over head
Like an escape of angels! Rather say,
My transcendental platan! mounting gay
(An archimage so courts a novice-queen)
With tremulous silvered trunk, whence branches sheen
Laugh out, thick-foliaged next, a-shiver soon
With coloured buds, then glowing like the moon
One mild flame,last a pause, a burst, and all
Her ivory limbs are smothered by a fall,
Bloom-flinders and fruit-sparkles and leaf-dust,
Ending the weird work prosecuted just
For her amusement; he decrepit, stark,
Dozes; her uncontrolled delight may mark
Apart
Yet not so, surely never so
Only, as good my soul were suffered go
O'er the lagune: forth fare thee, put aside
Entrance thy synod, as a god may glide
Out of the world he fills, and leave it mute
For myriad ages as we men compute,
Returning into it without a break
O' the consciousness! They sleep, and I awake
O'er the lagune, being at Venice.
Note,
In just such songs as Eglamor (say) wrote
With heart and soul and strength, for he believed
Himself achieving all to be achieved
By singerin such songs you find alone
Completeness, judge the song and singer one,
And either purpose answered, his in it
Or its in him: while from true works (to wit
Sordello's dream-performances that will
Never be more than dreamed) escapes there still
Some proof, the singer's proper life was 'neath
The life his song exhibits, this a sheath
To that; a passion and a knowledge far
Transcending these, majestic as they are,
Smouldered; his lay was but an episode
In the bard's life: which evidence you owed
To some slight weariness, some looking-off
Or start-away. The childish skit or scoff
In "Charlemagne," (his poem, dreamed divine
In every point except one silly line
About the restiff daughters)what may lurk
In that? "My life commenced before this work,"
(So I interpret the significance
Of the bard's start aside and look askance)
"My life continues after: on I fare
"With no more stopping, possibly, no care
"To note the undercurrent, the why and how,
"Where, when, o' the deeper life, as thus just now.
"But, silent, shall I cease to live? Alas
"For you! who sigh, 'When shall it come to pass
"'We read that story? How will he compress
"'The future gains, his life's true business,
"'Into the better lay whichthat one flout,
"'Howe'er inopportune it be, lets out
"'Engrosses him already, though professed
"'To meditate with us eternal rest,
"'And partnership in all his life has found?'"
'T is but a sailor's promise, weather-bound:
"Strike sail, slip cable, here the bark be moored
"For once, the awning stretched, the poles assured!
"Noontide above; except the wave's crisp dash,
"Or buzz of colibri, or tortoise' splash,
"The margin 's silent: out with every spoil
"Made in our tracking, coil by mighty coil,
"This serpent of a river to his head
"I' the midst! Admire each treasure, as we spread
"The bank, to help us tell our history
"Aright: give ear, endeavour to descry
"The groves of giant rushes, how they grew
"Like demons' endlong tresses we sailed through,
"What mountains yawned, forests to give us vent
"Opened, each doleful side, yet on we went
"Till . . . may that beetle (shake your cap) attest
"The springing of a land-wind from the West!"
Wherefore? Ah yes, you frolic it to-day!
To-morrow, and, the pageant moved away
Down to the poorest tent-pole, we and you
Part company: no other may pursue
Eastward your voyage, be informed what fate
Intends, if triumph or decline await
The tempter of the everlasting steppe.
I muse this on a ruined palace-step
At Venice: why should I break off, nor sit
Longer upon my step, exhaust the fit
England gave birth to? Who 's adorable
Enough reclaim a - no Sordello's Will
Alack!be queen to me? That Bassanese
Busied among her smoking fruit-boats? These
Perhaps from our delicious Asolo
Who twinkle, pigeons o'er the portico
Not prettier, bind June lilies into sheaves
To deck the bridge-side chapel, dropping leaves
Soiled by their own loose gold-meal? Ah, beneath
The cool arch stoops she, brownest cheek! Her wreath
Endures a montha half-monthif I make
A queen of her, continue for her sake
Sordello's story? Nay, that Paduan girl
Splashes with barer legs where a live whirl
In the dead black Giudecca proves sea-weed
Drifting has sucked down three, four, all indeed
Save one pale-red striped, pale-blue turbaned post
For gondolas.
You sad dishevelled ghost
That pluck at me and point, are you advised
I breathe? Let stay those girls (e'en her disguised
Jewels i' the locks that love no crownet like
Their native field-buds and the green wheat-spike,
So fair!who left this end of June's turmoil,
Shook off, as might a lily its gold soil,
Pomp, save a foolish gem or two, and free
In dream, came join the peasants o'er the sea.)
Look they too happy, too tricked out? Confess
There is such ****rd stock of happiness
To share, that, do one's uttermost, dear wretch,
One labours ineffectually to stretch
It o'er you so that mother and children, both
May equitably flaunt the sumpter-cloth!
Divide the robe yet farther: be content
With seeing just a score pre-eminent
Through shreds of it, acknowledged happy wights,
Engrossing what should furnish all, by rights!
For, these in evidence, you clearlier claim
A like garb for the rest,grace all, the same
As these my peasants. I ask youth and strength
And health for each of you, not moreat length
Grown wise, who asked at home that the whole race
Might add the spirit's to the body's grace,
And all be dizened out as chiefs and bards.
But in this magic weather one discards
Much old requirement. Venice seems a type
Of Life'twixt blue and blue extends, a stripe,
As Life, the somewhat, hangs 'twixt nought and nought:
'T is Venice, and 't is Lifeas good you sought
To spare me the Piazza's slippery stone
Or keep me to the unchoked canals alone,
As hinder Life the evil with the good
Which make up Living, rightly understood.
Only, do finish something! Peasants, queens,
Take them, made happy by whatever means,
Parade them for the common credit, vouch
That a luckless residue, we send to crouch
In corners out of sight, was just as framed
For happiness, its portion might have claimed
As well, and so, obtaining joy, had stalked
Fastuous as any!such my project, baulked
Already; I hardly venture to adjust
The first rags, when you find me. To mistrust
Me!nor unreasonably. You, no doubt,
Have the true knack of tiring suitors out
With those thin lips on tremble, lashless eyes
Inveterately tear-shot: there, be wise,
Mistress of mine, there, there, as if I meant
You insult!shall your friend (not slave) be shent
For speaking home? Beside, care-bit erased
Broken-up beauties ever took my taste
Supremely; and I love you more, far more
Than her I looked should foot Life's temple-floor.
Years ago, leagues at distance, when and where
A whisper came, "Let others seek!thy care
"Is found, thy life's provision; if thy race
"Should be thy mistress, and into one face
"The many faces crowd?" Ah, had I, judge,
Or no, your secret? Rough apparelgrudge
All ornaments save tag or tassel worn
To hint we are not thoroughly forlorn
Slouch bonnet, unloop mantle, careless go
Alone (that's saddest, but it must be so)
Through Venice, sing now and now glance aside,
Aught desultory or undignified,
Then, ravishingest lady, will you pass
Or not each formidable group, the mass
Before the Basilic (that feast gone by,
God's great day of the Corpus Domini)
And, wistfully foregoing proper men,
Come timid up to me for alms? And then
The luxury to hesitate, feign do
Some unexampled grace!when, whom but you
Dare I bestow your own upon? And hear
Further before you say, it is to sneer
I call you ravishing; for I regret
Little that she, whose early foot was set
Forth as she 'd plant it on a pedestal,
Now, i' the silent city, seems to fall
Toward meno wreath, only a lip's unrest
To quiet, surcharged eyelids to be pressed
Dry of their tears upon my bosom. Strange
Such sad chance should produce in thee such change,
My love! Warped souls and bodies! yet God spoke
Of right-hand, foot and eyeselects our yoke,
Sordello, as your poetship may find!
So, sleep upon my shoulder, child, nor mind
Their foolish talk; we 'll manage reinstate
Your old worth; ask moreover, when they prate
Of evil men past hope, "Don't each contrive,
"Despite the evil you abuse, to live?
"Keeping, each losel, through a maze of lies,
"His own conceit of truth? to which he hies
"By obscure windings, tortuous, if you will,
"But to himself not inaccessible;
"He sees truth, and his lies are for the crowd
"Who cannot see; some fancied right allowed
"His vilest wrong, empowered the losel clutch
"One pleasure from a multitude of such
"Denied him." Then assert, "All men appear
"To think all better than themselves, by here
"Trusting a crowd they wrong; but really," say,
"All men think all men stupider than they,
"Since, save themselves, no other comprehends
"The complicated scheme to make amends
"Evil, the scheme by which, thro' Ignorance,
"Good labours to exist." A slight advance,
Merely to find the sickness you die through,
And nought beside! but if one can't eschew
One's portion in the common lot, at least
One can avoid an ignorance increased
Tenfold by dealing out hint after hint
How nought were like dispensing without stint
The water of lifeso easy to dispense
Beside, when one has probed the centre whence
Commotion 's borncould tell you of it all!
"Meantime, just meditate my madrigal
"O' the mugwort that conceals a dewdrop safe!"
What, dullard? we and you in smothery chafe,
Babes, baldheads, stumbled thus far into Zin
The Horrid, getting neither out nor in,
A hungry sun above us, sands that bung
Our throats,each dromedary lolls a tongue,
Each camel churns a sick and frothy chap,
And you, 'twixt tales of Potiphar's mishap,
And sonnets on the earliest **** that spoke,
Remark, you wonder any one needs choke
With founts about! Potsherd him, Gibeonites!
While awkwardly enough your Moses smites
The rock, though he forego his Promised Land
Thereby, have Satan claim his carcass, and
Figure as Metaphysic Poet . . . ah,
Mark ye the dim first oozings? Meribah!
Then, quaffing at the fount my courage gained,
Recallnot that I prompt yewho explained . . .
"Presumptuous!" interrupts one. You, not I
'T is brother, marvel at and magnify
Such office: "office," quotha? can we get
To the beginning of the office yet?
What do we here? simply experiment
Each on the other's power and its intent
When elsewhere tasked,if this of mine were trucked
For yours to either's good,we watch construct,
In short, an engine: with a finished one,
What it can do, is all,nought, how 't is done.
But this of ours yet in probation, dusk
A kernel of strange wheelwork through its husk
Grows into shape by quarters and by halves;
Remark this tooth's spring, wonder what that valve's
Fall bodes, presume each faculty's device,
Make out each other more or less precise
The scope of the whole engine 's to be proved;
We die: which means to say, the whole 's removed,
Dismounted wheel by wheel, this complex gin,
To be set up anew elsewhere, begin
A task indeed, but with a clearer clime
Than the murk lodgment of our building-time.
And then, I grant you, it behoves forget
How 't is doneall that must amuse us yet
So long: and, while you turn upon your heel,
Pray that I be not busy slitting steel
Or shredding brass, camped on some virgin shore
Under a cluster of fresh stars, before
I name a tithe o' the wheels I trust to do!
So occupied, then, are we: hitherto,
At present, and a weary while to come,
The office of ourselves,nor blind nor dumb,
And seeing somewhat of man's state,has been,
For the worst of us, to say they so have seen;
For the better, what it was they saw; the best
Impart the gift of seeing to the rest:
"So that I glance," says such an one, "around,
"And there 's no face but I can read profound
"Disclosures in; this stands for hope, thatfear,
"And for a speech, a deed in proof, look here!
"'Stoop, else the strings of blossom, where the nuts
"'O'erarch, will blind thee! Said I not? She shuts
"'Both eyes this time, so close the hazels meet!
"'Thus, prisoned in the Piombi, I repeat
"'Events one rove occasioned, o'er and o'er,
"'Putting 'twixt me and madness evermore
"'Thy sweet shape, Zanze! Therefore stoop!'
"'That's truth!'
"(Adjudge you) 'the incarcerated youth
"'Would say that!'
"Youth? Plara the bard? Set down
"That Plara spent his youth in a grim town
"Whose cramped ill-featured streets huddled about
"The minster for protection, never out
"Of its black belfry's shade and its bells' roar.
"The brighter shone the suburb,all the more
"Ugly and absolute that shade's reproof
"Of any chance escape of joy,some roof,
"Taller than they, allowed the rest detect,
"Before the sole permitted laugh (suspect
"Who could, 't was meant for laughter, that ploughed cheek's
"Repulsive gleam!) when the sun stopped both peaks
"Of the cleft belfry like a fiery wedge,
"Then sank, a huge flame on its socket edge,
"With leavings on the grey glass oriel-pane
"Ghastly some minutes more. No fear of rain
"The minster minded that! in heaps the dust
"Lay everywhere. This town, the minster's trust,
"Held Plara; who, its denizen, bade hail
"In twice twelve sonnets, Tempe's dewy vale."
"'Exact the town, the minster and the street!'"
"As all mirth triumphs, sadness means defeat:
"Lust triumphs and is gay, Love 's triumphed o'er
"And sad: but Lucio 's sad. I said before,
"Love's sad, not Lucio; one who loves may be
"As gay his love has leave to hope, as he
"Downcast that lusts' desire escapes the springe:
"'T is of the mood itself I speak, what tinge
"Determines it, else colourless,or mirth,
"Or melancholy, as from heaven or earth."
"'Ay, that 's the variation's gist!'
"Indeed?
"Thus far advanced in safety then, proceed!
"And having seen too what I saw, be bold
"And next encounter what I do behold
"(That's sure) but bid you take on trust!"
Attack
The use and purpose of such sights! Alack,
Not so unwisely does the crowd dispense
On Salinguerras praise in preference
To the Sordellos: men of action, these!
Who, seeing just as little as you please,
Yet turn that little to account,engage
With, do not gaze at,carry on, a stage,
The work o' the world, not merely make report
The work existed ere their day! In short,
When at some future no-time a brave band
Sees, using what it sees, then shake my hand
In heaven, my brother! Meanwhile where's the hurt
Of keeping the Makers-see on the alert,
At whose defection mortals stare aghast
As though heaven's bounteous windows were slammed fast
Incontinent? Whereas all you, beneath,
Should scowl at, bruise their lips and break their teeth
Who ply the pullies, for neglecting you:
And therefore have I moulded, made anew
A Man, and give him to be turned and tried,
Be angry with or pleased at. On your side,
Have ye times, places, actors of your own?
Try them upon Sordello when full-grown,
And thenah then! If Hercules first parched
His foot in Egypt only to be marched
A sacrifice for Jove with pomp to suit,
What chance have I? The demigod was mute
Till, at the altar, where time out of mind
Such guests became oblations, chaplets twined
His forehead long enough, and he began
Slaying the slayers, nor escaped a man.
Take not affront, my gentle audience! whom
No Hercules shall make his hecatomb,
Believe, nor from his brows your chaplet rend
That's your kind suffrage, yours, my patron-friend,
Whose great verse blares unintermittent on
Like your own trumpeter at Marathon,
You who, Plata and Salamis being scant,
Put up with tna for a stimulant
And did well, I acknowledged, as he loomed
Over the midland sea last month, presumed
Long, lay demolished in the blazing West
At eve, while towards him tilting cloudlets pressed
Like Persian ships at Salamis. Friend, wear
A crest proud as desert while I declare
Had I a flawless ruby fit to wring
Tears of its colour from that painted king
Who lost it, I would, for that smile which went
To my heart, fling it in the sea, content,
Wearing your verse in place, an amulet
Sovereign against all passion, wear and fret!
My English Eyebright, if you are not glad
That, as I stopped my task awhile, the sad
Dishevelled form, wherein I put mankind
To come at times and keep my pact in mind,
Renewed me,hear no crickets in the hedge,
Nor let a glowworm spot the river's edge
At home, and may the summer showers gush
Without a warning from the missel thrush!
So, to our business, nowthe fate of such
As find our common natureovermuch
Despised because restricted and unfit
To bear the burthen they impose on it
Cling when they would discard it; craving strength
To leap from the allotted world, at length
They do leap,flounder on without a term,
Each a god's germ, doomed to remain a germ
In unexpanded infancy, unless . . .
But that 's the storydull enough, confess!
There might be fitter subjects to allure;
Still, neither misconceive my portraiture
Nor undervalue its adornments quaint:
What seems a fiend perchance may prove a saint.
Ponder a story ancient pens transmit,
Then say if you condemn me or acquit.
John the Beloved, banished Antioch
For Patmos, bade collectively his flock
Farewell, but set apart the closing eve
To comfort those his exile most would grieve,
He knew: a touching spectacle, that house
In motion to receive him! Xanthus' spouse
You missed, made panther's meat a month since; but
Xanthus himself (his nephew 't was, they shut
'Twixt boards and sawed asunder) Polycarp,
Soft Charicle, next year no wheel could warp
To swear by Csar's fortune, with the rest
Were ranged; thro' whom the grey disciple pressed,
Busily blessing right and left, just stopped
To pat one infant's curls, the hangman cropped
Soon after, reached the portal. On its hinge
The door turns and he enters: what quick twinge
Ruins the smiling mouth, those wide eyes fix
Whereon, why like some spectral candlestick's
Branch the disciple's arms? Dead swooned he, woke
Anon, heaved sigh, made shift to gasp, heart-broke,
"Get thee behind me, Satan! Have I toiled
"To no more purpose? Is the gospel foiled
"Here too, and o'er my son's, my Xanthus' hearth,
"Portrayed with sooty garb and features swarth
"Ah Xanthus, am I to thy roof beguiled
"To see thethethe Devil domiciled?"
Whereto sobbed Xanthus, "Father, 't is yourself
"Installed, a limning which our utmost pelf
"Went to procure against to-morrow's loss;
"And that's no twy-prong, but a pastoral cross,
"You 're painted with!"
His puckered brows unfold
And you shall hear Sordello's story told.
~ Robert Browning, Sordello - Book the Third
,#NFDB
171:A thing of beauty is a joy for ever:
Its loveliness increases; it will never
Pass into nothingness; but still will keep
A bower quiet for us, and a sleep
Full of sweet dreams, and health, and quiet breathing.
Therefore, on every morrow, are we wreathing
A flowery band to bind us to the earth,
Spite of despondence, of the inhuman dearth
Of noble natures, of the gloomy days,
Of all the unhealthy and o'er-darkened ways
Made for our searching: yes, in spite of all,
Some shape of beauty moves away the pall
From our dark spirits. Such the sun, the moon,
Trees old and young, sprouting a shady boon
For simple sheep; and such are daffodils
With the green world they live in; and clear rills
That for themselves a cooling covert make
'Gainst the hot season; the mid forest brake,
Rich with a sprinkling of fair musk-rose blooms:
And such too is the grandeur of the dooms
We have imagined for the mighty dead;
All lovely tales that we have heard or read:
An endless fountain of immortal drink,
Pouring unto us from the heaven's brink.
Nor do we merely feel these essences
For one short hour; no, even as the trees
That whisper round a temple become soon
Dear as the temple's self, so does the moon,
The passion poesy, glories infinite,
Haunt us till they become a cheering light
Unto our souls, and bound to us so fast,
That, whether there be shine, or gloom o'ercast,
They alway must be with us, or we die.
Therefore, 'tis with full happiness that I
Will trace the story of Endymion.
The very music of the name has gone
Into my being, and each pleasant scene
Is growing fresh before me as the green
Of our own vallies: so I will begin
Now while I cannot hear the city's din;
Now while the early budders are just new,
And run in mazes of the youngest hue
About old forests; while the willow trails
Its delicate amber; and the dairy pails
Bring home increase of milk. And, as the year
Grows lush in juicy stalks, I'll smoothly steer
My little boat, for many quiet hours,
With streams that deepen freshly into bowers.
Many and many a verse I hope to write,
Before the daisies, vermeil rimm'd and white,
Hide in deep herbage; and ere yet the bees
Hum about globes of clover and sweet peas,
I must be near the middle of my story.
O may no wintry season, bare and hoary,
See it half finished: but let Autumn bold,
With universal tinge of sober gold,
Be all about me when I make an end.
And now at once, adventuresome, I send
My herald thought into a wilderness:
There let its trumpet blow, and quickly dress
My uncertain path with green, that I may speed
Easily onward, thorough flowers and weed.
Upon the sides of Latmos was outspread
A mighty forest; for the moist earth fed
So plenteously all weed-hidden roots
Into o'er-hanging boughs, and precious fruits.
And it had gloomy shades, sequestered deep,
Where no man went; and if from shepherd's keep
A lamb strayed far a-down those inmost glens,
Never again saw he the happy pens
Whither his brethren, bleating with content,
Over the hills at every nightfall went.
Among the shepherds, 'twas believed ever,
That not one fleecy lamb which thus did sever
From the white flock, but pass'd unworried
By angry wolf, or pard with prying head,
Until it came to some unfooted plains
Where fed the herds of Pan: ay great his gains
Who thus one lamb did lose. Paths there were many,
Winding through palmy fern, and rushes fenny,
And ivy banks; all leading pleasantly
To a wide lawn, whence one could only see
Stems thronging all around between the swell
Of turf and slanting branches: who could tell
The freshness of the space of heaven above,
Edg'd round with dark tree tops? through which a dove
Would often beat its wings, and often too
A little cloud would move across the blue.
Full in the middle of this pleasantness
There stood a marble altar, with a tress
Of flowers budded newly; and the dew
Had taken fairy phantasies to strew
Daisies upon the sacred sward last eve,
And so the dawned light in pomp receive.
For 'twas the morn: Apollo's upward fire
Made every eastern cloud a silvery pyre
Of brightness so unsullied, that therein
A melancholy spirit well might win
Oblivion, and melt out his essence fine
Into the winds: rain-scented eglantine
Gave temperate sweets to that well-wooing sun;
The lark was lost in him; cold springs had run
To warm their chilliest bubbles in the grass;
Man's voice was on the mountains; and the mass
Of nature's lives and wonders puls'd tenfold,
To feel this sun-rise and its glories old.
Now while the silent workings of the dawn
Were busiest, into that self-same lawn
All suddenly, with joyful cries, there sped
A troop of little children garlanded;
Who gathering round the altar, seemed to pry
Earnestly round as wishing to espy
Some folk of holiday: nor had they waited
For many moments, ere their ears were sated
With a faint breath of music, which ev'n then
Fill'd out its voice, and died away again.
Within a little space again it gave
Its airy swellings, with a gentle wave,
To light-hung leaves, in smoothest echoes breaking
Through copse-clad vallies,ere their death, oer-taking
The surgy murmurs of the lonely sea.
And now, as deep into the wood as we
Might mark a lynx's eye, there glimmered light
Fair faces and a rush of garments white,
Plainer and plainer shewing, till at last
Into the widest alley they all past,
Making directly for the woodland altar.
O kindly muse! let not my weak tongue faulter
In telling of this goodly company,
Of their old piety, and of their glee:
But let a portion of ethereal dew
Fall on my head, and presently unmew
My soul; that I may dare, in wayfaring,
To stammer where old Chaucer used to sing.
Leading the way, young damsels danced along,
Bearing the burden of a shepherd song;
Each having a white wicker over brimm'd
With April's tender younglings: next, well trimm'd,
A crowd of shepherds with as sunburnt looks
As may be read of in Arcadian books;
Such as sat listening round Apollo's pipe,
When the great deity, for earth too ripe,
Let his divinity o'er-flowing die
In music, through the vales of Thessaly:
Some idly trailed their sheep-hooks on the ground,
And some kept up a shrilly mellow sound
With ebon-tipped flutes: close after these,
Now coming from beneath the forest trees,
A venerable priest full soberly,
Begirt with ministring looks: alway his eye
Stedfast upon the matted turf he kept,
And after him his sacred vestments swept.
From his right hand there swung a vase, milk-white,
Of mingled wine, out-sparkling generous light;
And in his left he held a basket full
Of all sweet herbs that searching eye could cull:
Wild thyme, and valley-lilies whiter still
Than Leda's love, and cresses from the rill.
His aged head, crowned with beechen wreath,
Seem'd like a poll of ivy in the teeth
Of winter hoar. Then came another crowd
Of shepherds, lifting in due time aloud
Their share of the ditty. After them appear'd,
Up-followed by a multitude that rear'd
Their voices to the clouds, a fair wrought car,
Easily rolling so as scarce to mar
The freedom of three steeds of dapple brown:
Who stood therein did seem of great renown
Among the throng. His youth was fully blown,
Shewing like Ganymede to manhood grown;
And, for those simple times, his garments were
A chieftain king's: beneath his breast, half bare,
Was hung a silver bugle, and between
His nervy knees there lay a boar-spear keen.
A smile was on his countenance; he seem'd,
To common lookers on, like one who dream'd
Of idleness in groves Elysian:
But there were some who feelingly could scan
A lurking trouble in his nether lip,
And see that oftentimes the reins would slip
Through his forgotten hands: then would they sigh,
And think of yellow leaves, of owlets cry,
Of logs piled solemnly.Ah, well-a-day,
Why should our young Endymion pine away!
Soon the assembly, in a circle rang'd,
Stood silent round the shrine: each look was chang'd
To sudden veneration: women meek
Beckon'd their sons to silence; while each cheek
Of virgin bloom paled gently for slight fear.
Endymion too, without a forest peer,
Stood, wan, and pale, and with an awed face,
Among his brothers of the mountain chase.
In midst of all, the venerable priest
Eyed them with joy from greatest to the least,
And, after lifting up his aged hands,
Thus spake he: "Men of Latmos! shepherd bands!
Whose care it is to guard a thousand flocks:
Whether descended from beneath the rocks
That overtop your mountains; whether come
From vallies where the pipe is never dumb;
Or from your swelling downs, where sweet air stirs
Blue hare-bells lightly, and where prickly furze
Buds lavish gold; or ye, whose precious charge
Nibble their fill at ocean's very marge,
Whose mellow reeds are touch'd with sounds forlorn
By the dim echoes of old Triton's horn:
Mothers and wives! who day by day prepare
The scrip, with needments, for the mountain air;
And all ye gentle girls who foster up
Udderless lambs, and in a little cup
Will put choice honey for a favoured youth:
Yea, every one attend! for in good truth
Our vows are wanting to our great god Pan.
Are not our lowing heifers sleeker than
Night-swollen mushrooms? Are not our wide plains
Speckled with countless fleeces? Have not rains
Green'd over April's lap? No howling sad
Sickens our fearful ewes; and we have had
Great bounty from Endymion our lord.
The earth is glad: the merry lark has pour'd
His early song against yon breezy sky,
That spreads so clear o'er our solemnity."
Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
Anon he stain'd the thick and spongy sod
With wine, in honour of the shepherd-god.
Now while the earth was drinking it, and while
Bay leaves were crackling in the fragrant pile,
And gummy frankincense was sparkling bright
'Neath smothering parsley, and a hazy light
Spread greyly eastward, thus a chorus sang:
"O THOU, whose mighty palace roof doth hang
From jagged trunks, and overshadoweth
Eternal whispers, glooms, the birth, life, death
Of unseen flowers in heavy peacefulness;
Who lov'st to see the hamadryads dress
Their ruffled locks where meeting hazels darken;
And through whole solemn hours dost sit, and hearken
The dreary melody of bedded reeds
In desolate places, where dank moisture breeds
The pipy hemlock to strange overgrowth;
Bethinking thee, how melancholy loth
Thou wast to lose fair Syrinxdo thou now,
By thy love's milky brow!
By all the trembling mazes that she ran,
Hear us, great Pan!
"O thou, for whose soul-soothing quiet, turtles
Passion their voices cooingly 'mong myrtles,
What time thou wanderest at eventide
Through sunny meadows, that outskirt the side
Of thine enmossed realms: O thou, to whom
Broad leaved fig trees even now foredoom
Their ripen'd fruitage; yellow girted bees
Their golden honeycombs; our village leas
Their fairest-blossom'd beans and poppied corn;
The chuckling linnet its five young unborn,
To sing for thee; low creeping strawberries
Their summer coolness; pent up butterflies
Their freckled wings; yea, the fresh budding year
All its completionsbe quickly near,
By every wind that nods the mountain pine,
O forester divine!
"Thou, to whom every fawn and satyr flies
For willing service; whether to surprise
The squatted hare while in half sleeping fit;
Or upward ragged precipices flit
To save poor lambkins from the eagle's maw;
Or by mysterious enticement draw
Bewildered shepherds to their path again;
Or to tread breathless round the frothy main,
And gather up all fancifullest shells
For thee to tumble into Naiads' cells,
And, being hidden, laugh at their out-peeping;
Or to delight thee with fantastic leaping,
The while they pelt each other on the crown
With silvery oak apples, and fir cones brown
By all the echoes that about thee ring,
Hear us, O satyr king!
"O Hearkener to the loud clapping shears,
While ever and anon to his shorn peers
A ram goes bleating: Winder of the horn,
When snouted wild-boars routing tender corn
Anger our huntsman: Breather round our farms,
To keep off mildews, and all weather harms:
Strange ministrant of undescribed sounds,
That come a swooning over hollow grounds,
And wither drearily on barren moors:
Dread opener of the mysterious doors
Leading to universal knowledgesee,
Great son of Dryope,
The many that are come to pay their vows
With leaves about their brows!
Be still the unimaginable lodge
For solitary thinkings; such as dodge
Conception to the very bourne of heaven,
Then leave the naked brain: be still the leaven,
That spreading in this dull and clodded earth
Gives it a touch ethereala new birth:
Be still a symbol of immensity;
A firmament reflected in a sea;
An element filling the space between;
An unknownbut no more: we humbly screen
With uplift hands our foreheads, lowly bending,
And giving out a shout most heaven rending,
Conjure thee to receive our humble Paean,
Upon thy Mount Lycean!
Even while they brought the burden to a close,
A shout from the whole multitude arose,
That lingered in the air like dying rolls
Of abrupt thunder, when Ionian shoals
Of dolphins bob their noses through the brine.
Meantime, on shady levels, mossy fine,
Young companies nimbly began dancing
To the swift treble pipe, and humming string.
Aye, those fair living forms swam heavenly
To tunes forgottenout of memory:
Fair creatures! whose young children's children bred
Thermopyl its heroesnot yet dead,
But in old marbles ever beautiful.
High genitors, unconscious did they cull
Time's sweet first-fruitsthey danc'd to weariness,
And then in quiet circles did they press
The hillock turf, and caught the latter end
Of some strange history, potent to send
A young mind from its bodily tenement.
Or they might watch the quoit-pitchers, intent
On either side; pitying the sad death
Of Hyacinthus, when the cruel breath
Of Zephyr slew him,Zephyr penitent,
Who now, ere Phoebus mounts the firmament,
Fondles the flower amid the sobbing rain.
The archers too, upon a wider plain,
Beside the feathery whizzing of the shaft,
And the dull twanging bowstring, and the raft
Branch down sweeping from a tall ash top,
Call'd up a thousand thoughts to envelope
Those who would watch. Perhaps, the trembling knee
And frantic gape of lonely Niobe,
Poor, lonely Niobe! when her lovely young
Were dead and gone, and her caressing tongue
Lay a lost thing upon her paly lip,
And very, very deadliness did nip
Her motherly cheeks. Arous'd from this sad mood
By one, who at a distance loud halloo'd,
Uplifting his strong bow into the air,
Many might after brighter visions stare:
After the Argonauts, in blind amaze
Tossing about on Neptune's restless ways,
Until, from the horizon's vaulted side,
There shot a golden splendour far and wide,
Spangling those million poutings of the brine
With quivering ore: 'twas even an awful shine
From the exaltation of Apollo's bow;
A heavenly beacon in their dreary woe.
Who thus were ripe for high contemplating,
Might turn their steps towards the sober ring
Where sat Endymion and the aged priest
'Mong shepherds gone in eld, whose looks increas'd
The silvery setting of their mortal star.
There they discours'd upon the fragile bar
That keeps us from our homes ethereal;
And what our duties there: to nightly call
Vesper, the beauty-crest of summer weather;
To summon all the downiest clouds together
For the sun's purple couch; to emulate
In ministring the potent rule of fate
With speed of fire-tailed exhalations;
To tint her pallid cheek with bloom, who cons
Sweet poesy by moonlight: besides these,
A world of other unguess'd offices.
Anon they wander'd, by divine converse,
Into Elysium; vieing to rehearse
Each one his own anticipated bliss.
One felt heart-certain that he could not miss
His quick gone love, among fair blossom'd boughs,
Where every zephyr-sigh pouts and endows
Her lips with music for the welcoming.
Another wish'd, mid that eternal spring,
To meet his rosy child, with feathery sails,
Sweeping, eye-earnestly, through almond vales:
Who, suddenly, should stoop through the smooth wind,
And with the balmiest leaves his temples bind;
And, ever after, through those regions be
His messenger, his little Mercury.
Some were athirst in soul to see again
Their fellow huntsmen o'er the wide champaign
In times long past; to sit with them, and talk
Of all the chances in their earthly walk;
Comparing, joyfully, their plenteous stores
Of happiness, to when upon the moors,
Benighted, close they huddled from the cold,
And shar'd their famish'd scrips. Thus all out-told
Their fond imaginations,saving him
Whose eyelids curtain'd up their jewels dim,
Endymion: yet hourly had he striven
To hide the cankering venom, that had riven
His fainting recollections. Now indeed
His senses had swoon'd off: he did not heed
The sudden silence, or the whispers low,
Or the old eyes dissolving at his woe,
Or anxious calls, or close of trembling palms,
Or maiden's sigh, that grief itself embalms:
But in the self-same fixed trance he kept,
Like one who on the earth had never stept.
Aye, even as dead-still as a marble man,
Frozen in that old tale Arabian.
Who whispers him so pantingly and close?
Peona, his sweet sister: of all those,
His friends, the dearest. Hushing signs she made,
And breath'd a sister's sorrow to persuade
A yielding up, a cradling on her care.
Her eloquence did breathe away the curse:
She led him, like some midnight spirit nurse
Of happy changes in emphatic dreams,
Along a path between two little streams,
Guarding his forehead, with her round elbow,
From low-grown branches, and his footsteps slow
From stumbling over stumps and hillocks small;
Until they came to where these streamlets fall,
With mingled bubblings and a gentle rush,
Into a river, clear, brimful, and flush
With crystal mocking of the trees and sky.
A little shallop, floating there hard by,
Pointed its beak over the fringed bank;
And soon it lightly dipt, and rose, and sank,
And dipt again, with the young couple's weight,
Peona guiding, through the water straight,
Towards a bowery island opposite;
Which gaining presently, she steered light
Into a shady, fresh, and ripply cove,
Where nested was an arbour, overwove
By many a summer's silent fingering;
To whose cool bosom she was used to bring
Her playmates, with their needle broidery,
And minstrel memories of times gone by.
So she was gently glad to see him laid
Under her favourite bower's quiet shade,
On her own couch, new made of flower leaves,
Dried carefully on the cooler side of sheaves
When last the sun his autumn tresses shook,
And the tann'd harvesters rich armfuls took.
Soon was he quieted to slumbrous rest:
But, ere it crept upon him, he had prest
Peona's busy hand against his lips,
And still, a sleeping, held her finger-tips
In tender pressure. And as a willow keeps
A patient watch over the stream that creeps
Windingly by it, so the quiet maid
Held her in peace: so that a whispering blade
Of grass, a wailful gnat, a bee bustling
Down in the blue-bells, or a wren light rustling
Among seer leaves and twigs, might all be heard.
O magic sleep! O comfortable bird,
That broodest o'er the troubled sea of the mind
Till it is hush'd and smooth! O unconfin'd
Restraint! imprisoned liberty! great key
To golden palaces, strange minstrelsy,
Fountains grotesque, new trees, bespangled caves,
Echoing grottos, full of tumbling waves
And moonlight; aye, to all the mazy world
Of silvery enchantment!who, upfurl'd
Beneath thy drowsy wing a triple hour,
But renovates and lives?Thus, in the bower,
Endymion was calm'd to life again.
Opening his eyelids with a healthier brain,
He said: "I feel this thine endearing love
All through my bosom: thou art as a dove
Trembling its closed eyes and sleeked wings
About me; and the pearliest dew not brings
Such morning incense from the fields of May,
As do those brighter drops that twinkling stray
From those kind eyes,the very home and haunt
Of sisterly affection. Can I want
Aught else, aught nearer heaven, than such tears?
Yet dry them up, in bidding hence all fears
That, any longer, I will pass my days
Alone and sad. No, I will once more raise
My voice upon the mountain-heights; once more
Make my horn parley from their foreheads hoar:
Again my trooping hounds their tongues shall loll
Around the breathed boar: again I'll poll
The fair-grown yew tree, for a chosen bow:
And, when the pleasant sun is getting low,
Again I'll linger in a sloping mead
To hear the speckled thrushes, and see feed
Our idle sheep. So be thou cheered sweet,
And, if thy lute is here, softly intreat
My soul to keep in its resolved course."
Hereat Peona, in their silver source,
Shut her pure sorrow drops with glad exclaim,
And took a lute, from which there pulsing came
A lively prelude, fashioning the way
In which her voice should wander. 'Twas a lay
More subtle cadenced, more forest wild
Than Dryope's lone lulling of her child;
And nothing since has floated in the air
So mournful strange. Surely some influence rare
Went, spiritual, through the damsel's hand;
For still, with Delphic emphasis, she spann'd
The quick invisible strings, even though she saw
Endymion's spirit melt away and thaw
Before the deep intoxication.
But soon she came, with sudden burst, upon
Her self-possessionswung the lute aside,
And earnestly said: "Brother, 'tis vain to hide
That thou dost know of things mysterious,
Immortal, starry; such alone could thus
Weigh down thy nature. Hast thou sinn'd in aught
Offensive to the heavenly powers? Caught
A Paphian dove upon a message sent?
Thy deathful bow against some deer-herd bent,
Sacred to Dian? Haply, thou hast seen
Her naked limbs among the alders green;
And that, alas! is death. No, I can trace
Something more high perplexing in thy face!"
Endymion look'd at her, and press'd her hand,
And said, "Art thou so pale, who wast so bland
And merry in our meadows? How is this?
Tell me thine ailment: tell me all amiss!
Ah! thou hast been unhappy at the change
Wrought suddenly in me. What indeed more strange?
Or more complete to overwhelm surmise?
Ambition is no sluggard: 'tis no prize,
That toiling years would put within my grasp,
That I have sigh'd for: with so deadly gasp
No man e'er panted for a mortal love.
So all have set my heavier grief above
These things which happen. Rightly have they done:
I, who still saw the horizontal sun
Heave his broad shoulder o'er the edge of the world,
Out-facing Lucifer, and then had hurl'd
My spear aloft, as signal for the chace
I, who, for very sport of heart, would race
With my own steed from Araby; pluck down
A vulture from his towery perching; frown
A lion into growling, loth retire
To lose, at once, all my toil breeding fire,
And sink thus low! but I will ease my breast
Of secret grief, here in this bowery nest.
"This river does not see the naked sky,
Till it begins to progress silverly
Around the western border of the wood,
Whence, from a certain spot, its winding flood
Seems at the distance like a crescent moon:
And in that nook, the very pride of June,
Had I been used to pass my weary eves;
The rather for the sun unwilling leaves
So dear a picture of his sovereign power,
And I could witness his most kingly hour,
When he doth lighten up the golden reins,
And paces leisurely down amber plains
His snorting four. Now when his chariot last
Its beams against the zodiac-lion cast,
There blossom'd suddenly a magic bed
Of sacred ditamy, and poppies red:
At which I wondered greatly, knowing well
That but one night had wrought this flowery spell;
And, sitting down close by, began to muse
What it might mean. Perhaps, thought I, Morpheus,
In passing here, his owlet pinions shook;
Or, it may be, ere matron Night uptook
Her ebon urn, young Mercury, by stealth,
Had dipt his rod in it: such garland wealth
Came not by common growth. Thus on I thought,
Until my head was dizzy and distraught.
Moreover, through the dancing poppies stole
A breeze, most softly lulling to my soul;
And shaping visions all about my sight
Of colours, wings, and bursts of spangly light;
The which became more strange, and strange, and dim,
And then were gulph'd in a tumultuous swim:
And then I fell asleep. Ah, can I tell
The enchantment that afterwards befel?
Yet it was but a dream: yet such a dream
That never tongue, although it overteem
With mellow utterance, like a cavern spring,
Could figure out and to conception bring
All I beheld and felt. Methought I lay
Watching the zenith, where the milky way
Among the stars in virgin splendour pours;
And travelling my eye, until the doors
Of heaven appear'd to open for my flight,
I became loth and fearful to alight
From such high soaring by a downward glance:
So kept me stedfast in that airy trance,
Spreading imaginary pinions wide.
When, presently, the stars began to glide,
And faint away, before my eager view:
At which I sigh'd that I could not pursue,
And dropt my vision to the horizon's verge;
And lo! from opening clouds, I saw emerge
The loveliest moon, that ever silver'd o'er
A shell for Neptune's goblet: she did soar
So passionately bright, my dazzled soul
Commingling with her argent spheres did roll
Through clear and cloudy, even when she went
At last into a dark and vapoury tent
Whereat, methought, the lidless-eyed train
Of planets all were in the blue again.
To commune with those orbs, once more I rais'd
My sight right upward: but it was quite dazed
By a bright something, sailing down apace,
Making me quickly veil my eyes and face:
Again I look'd, and, O ye deities,
Who from Olympus watch our destinies!
Whence that completed form of all completeness?
Whence came that high perfection of all sweetness?
Speak, stubborn earth, and tell me where, O Where
Hast thou a symbol of her golden hair?
Not oat-sheaves drooping in the western sun;
Notthy soft hand, fair sister! let me shun
Such follying before theeyet she had,
Indeed, locks bright enough to make me mad;
And they were simply gordian'd up and braided,
Leaving, in naked comeliness, unshaded,
Her pearl round ears, white neck, and orbed brow;
The which were blended in, I know not how,
With such a paradise of lips and eyes,
Blush-tinted cheeks, half smiles, and faintest sighs,
That, when I think thereon, my spirit clings
And plays about its fancy, till the stings
Of human neighbourhood envenom all.
Unto what awful power shall I call?
To what high fane?Ah! see her hovering feet,
More bluely vein'd, more soft, more whitely sweet
Than those of sea-born Venus, when she rose
From out her cradle shell. The wind out-blows
Her scarf into a fluttering pavilion;
'Tis blue, and over-spangled with a million
Of little eyes, as though thou wert to shed,
Over the darkest, lushest blue-bell bed,
Handfuls of daisies.""Endymion, how strange!
Dream within dream!""She took an airy range,
And then, towards me, like a very maid,
Came blushing, waning, willing, and afraid,
And press'd me by the hand: Ah! 'twas too much;
Methought I fainted at the charmed touch,
Yet held my recollection, even as one
Who dives three fathoms where the waters run
Gurgling in beds of coral: for anon,
I felt upmounted in that region
Where falling stars dart their artillery forth,
And eagles struggle with the buffeting north
That balances the heavy meteor-stone;
Felt too, I was not fearful, nor alone,
But lapp'd and lull'd along the dangerous sky.
Soon, as it seem'd, we left our journeying high,
And straightway into frightful eddies swoop'd;
Such as ay muster where grey time has scoop'd
Huge dens and caverns in a mountain's side:
There hollow sounds arous'd me, and I sigh'd
To faint once more by looking on my bliss
I was distracted; madly did I kiss
The wooing arms which held me, and did give
My eyes at once to death: but 'twas to live,
To take in draughts of life from the gold fount
Of kind and passionate looks; to count, and count
The moments, by some greedy help that seem'd
A second self, that each might be redeem'd
And plunder'd of its load of blessedness.
Ah, desperate mortal! I ev'n dar'd to press
Her very cheek against my crowned lip,
And, at that moment, felt my body dip
Into a warmer air: a moment more,
Our feet were soft in flowers. There was store
Of newest joys upon that alp. Sometimes
A scent of violets, and blossoming limes,
Loiter'd around us; then of honey cells,
Made delicate from all white-flower bells;
And once, above the edges of our nest,
An arch face peep'd,an Oread as I guess'd.
"Why did I dream that sleep o'er-power'd me
In midst of all this heaven? Why not see,
Far off, the shadows of his pinions dark,
And stare them from me? But no, like a spark
That needs must die, although its little beam
Reflects upon a diamond, my sweet dream
Fell into nothinginto stupid sleep.
And so it was, until a gentle creep,
A careful moving caught my waking ears,
And up I started: Ah! my sighs, my tears,
My clenched hands;for lo! the poppies hung
Dew-dabbled on their stalks, the ouzel sung
A heavy ditty, and the sullen day
Had chidden herald Hesperus away,
With leaden looks: the solitary breeze
Bluster'd, and slept, and its wild self did teaze
With wayward melancholy; and r thought,
Mark me, Peona! that sometimes it brought
Faint fare-thee-wells, and sigh-shrilled adieus!
Away I wander'dall the pleasant hues
Of heaven and earth had faded: deepest shades
Were deepest dungeons; heaths and sunny glades
Were full of pestilent light; our taintless rills
Seem'd sooty, and o'er-spread with upturn'd gills
Of dying fish; the vermeil rose had blown
In frightful scarlet, and its thorns out-grown
Like spiked aloe. If an innocent bird
Before my heedless footsteps stirr'd, and stirr'd
In little journeys, I beheld in it
A disguis'd demon, missioned to knit
My soul with under darkness; to entice
My stumblings down some monstrous precipice:
Therefore I eager followed, and did curse
The disappointment. Time, that aged nurse,
Rock'd me to patience. Now, thank gentle heaven!
These things, with all their comfortings, are given
To my down-sunken hours, and with thee,
Sweet sister, help to stem the ebbing sea
Of weary life."
Thus ended he, and both
Sat silent: for the maid was very loth
To answer; feeling well that breathed words
Would all be lost, unheard, and vain as swords
Against the enchased crocodile, or leaps
Of grasshoppers against the sun. She weeps,
And wonders; struggles to devise some blame;
To put on such a look as would say, Shame
On this poor weakness! but, for all her strife,
She could as soon have crush'd away the life
From a sick dove. At length, to break the pause,
She said with trembling chance: "Is this the cause?
This all? Yet it is strange, and sad, alas!
That one who through this middle earth should pass
Most like a sojourning demi-god, and leave
His name upon the harp-string, should achieve
No higher bard than simple maidenhood,
Singing alone, and fearfully,how the blood
Left his young cheek; and how he used to stray
He knew not where; and how he would say, nay,
If any said 'twas love: and yet 'twas love;
What could it be but love? How a ring-dove
Let fall a sprig of yew tree in his path;
And how he died: and then, that love doth scathe,
The gentle heart, as northern blasts do roses;
And then the ballad of his sad life closes
With sighs, and an alas!Endymion!
Be rather in the trumpet's mouth,anon
Among the winds at largethat all may hearken!
Although, before the crystal heavens darken,
I watch and dote upon the silver lakes
Pictur'd in western cloudiness, that takes
The semblance of gold rocks and bright gold sands,
Islands, and creeks, and amber-fretted strands
With horses prancing o'er them, palaces
And towers of amethyst,would I so tease
My pleasant days, because I could not mount
Into those regions? The Morphean fount
Of that fine element that visions, dreams,
And fitful whims of sleep are made of, streams
Into its airy channels with so subtle,
So thin a breathing, not the spider's shuttle,
Circled a million times within the space
Of a swallow's nest-door, could delay a trace,
A tinting of its quality: how light
Must dreams themselves be; seeing they're more slight
Than the mere nothing that engenders them!
Then wherefore sully the entrusted gem
Of high and noble life with thoughts so sick?
Why pierce high-fronted honour to the quick
For nothing but a dream?" Hereat the youth
Look'd up: a conflicting of shame and ruth
Was in his plaited brow: yet his eyelids
Widened a little, as when Zephyr bids
A little breeze to creep between the fans
Of careless butterflies: amid his pains
He seem'd to taste a drop of manna-dew,
Full palatable; and a colour grew
Upon his cheek, while thus he lifeful spake.
"Peona! ever have I long'd to slake
My thirst for the world's praises: nothing base,
No merely slumberous phantasm, could unlace
The stubborn canvas for my voyage prepar'd
Though now 'tis tatter'd; leaving my bark bar'd
And sullenly drifting: yet my higher hope
Is of too wide, too rainbow-large a scope,
To fret at myriads of earthly wrecks.
Wherein lies happiness? In that which becks
Our ready minds to fellowship divine,
A fellowship with essence; till we shine,
Full alchemiz'd, and free of space. Behold
The clear religion of heaven! Fold
A rose leaf round thy finger's taperness,
And soothe thy lips: hist, when the airy stress
Of music's kiss impregnates the free winds,
And with a sympathetic touch unbinds
Eolian magic from their lucid wombs:
Then old songs waken from enclouded tombs;
Old ditties sigh above their father's grave;
Ghosts of melodious prophecyings rave
Round every spot where trod Apollo's foot;
Bronze clarions awake, and faintly bruit,
Where long ago a giant battle was;
And, from the turf, a lullaby doth pass
In every place where infant Orpheus slept.
Feel we these things?that moment have we stept
Into a sort of oneness, and our state
Is like a floating spirit's. But there are
Richer entanglements, enthralments far
More self-destroying, leading, by degrees,
To the chief intensity: the crown of these
Is made of love and friendship, and sits high
Upon the forehead of humanity.
All its more ponderous and bulky worth
Is friendship, whence there ever issues forth
A steady splendour; but at the tip-top,
There hangs by unseen film, an orbed drop
Of light, and that is love: its influence,
Thrown in our eyes, genders a novel sense,
At which we start and fret; till in the end,
Melting into its radiance, we blend,
Mingle, and so become a part of it,
Nor with aught else can our souls interknit
So wingedly: when we combine therewith,
Life's self is nourish'd by its proper pith,
And we are nurtured like a pelican brood.
Aye, so delicious is the unsating food,
That men, who might have tower'd in the van
Of all the congregated world, to fan
And winnow from the coming step of time
All chaff of custom, wipe away all slime
Left by men-slugs and human serpentry,
Have been content to let occasion die,
Whilst they did sleep in love's elysium.
And, truly, I would rather be struck dumb,
Than speak against this ardent listlessness:
For I have ever thought that it might bless
The world with benefits unknowingly;
As does the nightingale, upperched high,
And cloister'd among cool and bunched leaves
She sings but to her love, nor e'er conceives
How tiptoe Night holds back her dark-grey hood.
Just so may love, although 'tis understood
The mere commingling of passionate breath,
Produce more than our searching witnesseth:
What I know not: but who, of men, can tell
That flowers would bloom, or that green fruit would swell
To melting pulp, that fish would have bright mail,
The earth its dower of river, wood, and vale,
The meadows runnels, runnels pebble-stones,
The seed its harvest, or the lute its tones,
Tones ravishment, or ravishment its sweet,
If human souls did never kiss and greet?
"Now, if this earthly love has power to make
Men's being mortal, immortal; to shake
Ambition from their memories, and brim
Their measure of content; what merest whim,
Seems all this poor endeavour after fame,
To one, who keeps within his stedfast aim
A love immortal, an immortal too.
Look not so wilder'd; for these things are true,
And never can be born of atomies
That buzz about our slumbers, like brain-flies,
Leaving us fancy-sick. No, no, I'm sure,
My restless spirit never could endure
To brood so long upon one luxury,
Unless it did, though fearfully, espy
A hope beyond the shadow of a dream.
My sayings will the less obscured seem,
When I have told thee how my waking sight
Has made me scruple whether that same night
Was pass'd in dreaming. Hearken, sweet Peona!
Beyond the matron-temple of Latona,
Which we should see but for these darkening boughs,
Lies a deep hollow, from whose ragged brows
Bushes and trees do lean all round athwart,
And meet so nearly, that with wings outraught,
And spreaded tail, a vulture could not glide
Past them, but he must brush on every side.
Some moulder'd steps lead into this cool cell,
Far as the slabbed margin of a well,
Whose patient level peeps its crystal eye
Right upward, through the bushes, to the sky.
Oft have I brought thee flowers, on their stalks set
Like vestal primroses, but dark velvet
Edges them round, and they have golden pits:
'Twas there I got them, from the gaps and slits
In a mossy stone, that sometimes was my seat,
When all above was faint with mid-day heat.
And there in strife no burning thoughts to heed,
I'd bubble up the water through a reed;
So reaching back to boy-hood: make me ships
Of moulted feathers, touchwood, alder chips,
With leaves stuck in them; and the Neptune be
Of their petty ocean. Oftener, heavily,
When love-lorn hours had left me less a child,
I sat contemplating the figures wild
Of o'er-head clouds melting the mirror through.
Upon a day, while thus I watch'd, by flew
A cloudy Cupid, with his bow and quiver;
So plainly character'd, no breeze would shiver
The happy chance: so happy, I was fain
To follow it upon the open plain,
And, therefore, was just going; when, behold!
A wonder, fair as any I have told
The same bright face I tasted in my sleep,
Smiling in the clear well. My heart did leap
Through the cool depth.It moved as if to flee
I started up, when lo! refreshfully,
There came upon my face, in plenteous showers,
Dew-drops, and dewy buds, and leaves, and flowers,
Wrapping all objects from my smothered sight,
Bathing my spirit in a new delight.
Aye, such a breathless honey-feel of bliss
Alone preserved me from the drear abyss
Of death, for the fair form had gone again.
Pleasure is oft a visitant; but pain
Clings cruelly to us, like the gnawing sloth
On the deer's tender haunches: late, and loth,
'Tis scar'd away by slow returning pleasure.
How sickening, how dark the dreadful leisure
Of weary days, made deeper exquisite,
By a fore-knowledge of unslumbrous night!
Like sorrow came upon me, heavier still,
Than when I wander'd from the poppy hill:
And a whole age of lingering moments crept
Sluggishly by, ere more contentment swept
Away at once the deadly yellow spleen.
Yes, thrice have I this fair enchantment seen;
Once more been tortured with renewed life.
When last the wintry gusts gave over strife
With the conquering sun of spring, and left the skies
Warm and serene, but yet with moistened eyes
In pity of the shatter'd infant buds,
That time thou didst adorn, with amber studs,
My hunting cap, because I laugh'd and smil'd,
Chatted with thee, and many days exil'd
All torment from my breast;'twas even then,
Straying about, yet, coop'd up in the den
Of helpless discontent,hurling my lance
From place to place, and following at chance,
At last, by hap, through some young trees it struck,
And, plashing among bedded pebbles, stuck
In the middle of a brook,whose silver ramble
Down twenty little falls, through reeds and bramble,
Tracing along, it brought me to a cave,
Whence it ran brightly forth, and white did lave
The nether sides of mossy stones and rock,
'Mong which it gurgled blythe adieus, to mock
Its own sweet grief at parting. Overhead,
Hung a lush screen of drooping weeds, and spread
Thick, as to curtain up some wood-nymph's home.
"Ah! impious mortal, whither do I roam?"
Said I, low voic'd: "Ah whither! 'Tis the grot
Of Proserpine, when Hell, obscure and hot,
Doth her resign; and where her tender hands
She dabbles, on the cool and sluicy sands:
Or 'tis the cell of Echo, where she sits,
And babbles thorough silence, till her wits
Are gone in tender madness, and anon,
Faints into sleep, with many a dying tone
Of sadness. O that she would take my vows,
And breathe them sighingly among the boughs,
To sue her gentle ears for whose fair head,
Daily, I pluck sweet flowerets from their bed,
And weave them dyinglysend honey-whispers
Round every leaf, that all those gentle lispers
May sigh my love unto her pitying!
O charitable echo! hear, and sing
This ditty to her!tell her"so I stay'd
My foolish tongue, and listening, half afraid,
Stood stupefied with my own empty folly,
And blushing for the freaks of melancholy.
Salt tears were coming, when I heard my name
Most fondly lipp'd, and then these accents came:
Endymion! the cave is secreter
Than the isle of Delos. Echo hence shall stir
No sighs but sigh-warm kisses, or light noise
Of thy combing hand, the while it travelling cloys
And trembles through my labyrinthine hair."
At that oppress'd I hurried in.Ah! where
Are those swift moments? Whither are they fled?
I'll smile no more, Peona; nor will wed
Sorrow the way to death, but patiently
Bear up against it: so farewel, sad sigh;
And come instead demurest meditation,
To occupy me wholly, and to fashion
My pilgrimage for the world's dusky brink.
No more will I count over, link by link,
My chain of grief: no longer strive to find
A half-forgetfulness in mountain wind
Blustering about my ears: aye, thou shalt see,
Dearest of sisters, what my life shall be;
What a calm round of hours shall make my days.
There is a paly flame of hope that plays
Where'er I look: but yet, I'll say 'tis naught
And here I bid it die. Have not I caught,
Already, a more healthy countenance?
By this the sun is setting; we may chance
Meet some of our near-dwellers with my car."
This said, he rose, faint-smiling like a star
Through autumn mists, and took Peona's hand:
They stept into the boat, and launch'd from land.
ENDYMION.
A Romance.
"The stretched metre of an antique song." ~
Shakspeare's Sonnets.
INSCRIBED,
With Every Feeling Of Pride and Regret
and With "A Bowed Mind,"
To the Memory of
The Most English of Poets Except Shakspeare,
THOMAS CHATTERON.
------------------------
(line 144): A lovely allusion to the story of Apollo's nine years' sojourn on earth as the herdsman of Admetus, when banished from Olympus for killing the Cyclops who had forged the thunder-bolts wherewith AEsculapius had been slain.
(line 232): It was the Hymn to Pan beginning here that the young poet when engaged in the composition of Endymion was induced to recite in the presence of Wordsworth, on the 28th of December 1817, at Haydon's house. Leigh Hunt records that the elder poet pronounced it "a very pretty piece of paganism."
(line 319): Doubtless meant to refer specially to the Elgin marbles.
(line 347): The reference here is to the passage from the second Book of the Argonautica of Apollonius Rhodius, beginning at verse 674 ... which Shelley had in mind when (Prose Works, Vol. 3, p. 56) he alluded to the Apollo "so finely described by Apollonius Rhodius when the dazzling radiance of his beautiful limbs suddenly shone over the dark Euxine."
__ note found before the Preface of Endymion, in the Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. ...,
'In Woodhouse's copy of Endymion there is a note against the passage "so I will begin" &c., line 39, Book I, to the effect that the poem was begun in the spring of 1817 and finished in the winter of 1817-18; and in the title-page he has inserted April before 1818. The statement corresponds with Keats's own record of May 1817, that he was busying himself at Margate with the commencement of Endymion.'
PREFACE.
Knowing within myself the manner in which this Poem has been produced, it is not without a feeling of regret that I make it public.
What manner I mean, will be quite clear to the reader, who must soon perceive great inexperience, immaturity, and every error denoting a feverish attempt, rather than a deed accomplished. The two first books, and indeed the two last, I feel sensible are not of such completion as to warrant their passing the press; nor should they if I thought a year's castigation would do them any good; -- it will not: the foundations are too sandy. It is just that this youngster should die away: a sad thought for me, if I had not some hope that while it is dwindling I may be plotting, and fitting myself for verses fit to live.
This may be speaking too presumptuously, and may deserve a punishment: but no feeling man will be forward to inflict it: he will leave me alone, with the conviction that there is not a fiercer hell than the failure in a great object. This is not written with the least atom of purpose to forestall criticisms of course, but from the desire I have to conciliate men who are competent to look, and who do look with a zealous eye, to the honor of English literature.
The imagination of a boy is healthy, and the mature imagination of a man is healthy; but there is a space of life between, in which the soul is in a ferment, the character undecided, the way of life uncertain, the ambition thick-sighted: thence proceeds mawkishness, and all the thousand bitters which those men I speak of must necessarily taste in going over the following pages.
I hope I have not in too late a day touched the beautiful mythology of Greece, and dulled its brightness: for I wish to try once more, before I bid it farewell.
Teignmouth, April 10, 1818.
[footnote] Woodhouse notes -- "[for I wish to try once more,] This alluded to his then intention of writing a poem on the fall of Hyperion. He commenced this poem: but, thanks to the critics who fell foul of this work, he discontinued it. The fragment was published in 1820." by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book I
,#NFDB
172:BOOK THE TENTH
The Story of Orpheus and Eurydice
Thence, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
With dread these inauspicious signs were view'd,
And soon a more disastrous end ensu'd;
For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
Now, by the horrors which these realms surround;
By the vast chaos of these depths profound;
By the sad silence which eternal reigns
O'er all the waste of these wide-stretching plains;
Let me again Eurydice receive,
Let Fate her quick-spun thread of life re-weave.
All our possessions are but loans from you,
And soon, or late, you must be paid your due;
Hither we haste to human-kind's last seat,
Your endless empire, and our sure retreat.
She too, when ripen'd years she shall attain,
Must, of avoidless right, be yours again:
I but the transient use of that require,
Which soon, too soon, I must resign entire.
But if the destinies refuse my vow,
And no remission of her doom allow;
Know, I'm determin'd to return no more;
So both retain, or both to life restore.
Thus, while the bard melodiously complains,
And to his lyre accords his vocal strains,
The very bloodless shades attention keep,
And silent, seem compassionate to weep;
Ev'n Tantalus his flood unthirsty views,
Nor flies the stream, nor he the stream pursues;
Ixion's wond'ring wheel its whirl suspends,
And the voracious vulture, charm'd, attends;
No more the Belides their toil bemoan,
And Sisiphus reclin'd, sits list'ning on his stone.
Then first ('tis said) by sacred verse subdu'd,
The Furies felt their cheeks with tears bedew'd:
Nor could the rigid king, or queen of Hell,
Th' impulse of pity in their hearts repell.
Now, from a troop of shades that last arriv'd,
Eurydice was call'd, and stood reviv'd:
Slow she advanc'd, and halting seem to feel
The fatal wound, yet painful in her heel.
Thus he obtains the suit so much desir'd,
On strict observance of the terms requir'd:
For if, before he reach the realms of air,
He backward cast his eyes to view the fair,
The forfeit grant, that instant, void is made,
And she for ever left a lifeless shade.
Now thro' the noiseless throng their way they bend,
And both with pain the rugged road ascend;
Dark was the path, and difficult, and steep,
And thick with vapours from the smoaky deep.
They well-nigh now had pass'd the bounds of night,
And just approach'd the margin of the light,
When he, mistrusting lest her steps might stray,
And gladsome of the glympse of dawning day,
His longing eyes, impatient, backward cast
To catch a lover's look, but look'd his last;
For, instant dying, she again descends,
While he to empty air his arms extends.
Again she dy'd, nor yet her lord reprov'd;
What could she say, but that too well he lov'd?
One last farewell she spoke, which scarce he heard;
So soon she drop'd, so sudden disappear'd.
All stunn'd he stood, when thus his wife he view'd
By second Fate, and double death subdu'd:
Not more amazement by that wretch was shown,
Whom Cerberus beholding, turn'd to stone;
Nor Olenus cou'd more astonish'd look,
When on himself Lethaea's fault he took,
His beauteous wife, who too secure had dar'd
Her face to vye with Goddesses compar'd:
Once join'd by love, they stand united still,
Turn'd to contiguous rocks on Ida's hill.
Now to repass the Styx in vain he tries,
Charon averse, his pressing suit denies.
Sev'n days entire, along th' infernal shores,
Disconsolate, the bard Eurydice deplores;
Defil'd with filth his robe, with tears his cheeks,
No sustenance but grief, and cares, he seeks:
Of rigid Fate incessant he complains,
And Hell's inexorable Gods arraigns.
This ended, to high Rhodope he hastes,
And Haemus' mountain, bleak with northern blasts.
And now his yearly race the circling sun
Had thrice compleat thro' wat'ry Pisces run,
Since Orpheus fled the face of womankind,
And all soft union with the sex declin'd.
Whether his ill success this change had bred,
Or binding vows made to his former bed;
Whate'er the cause, in vain the nymphs contest,
With rival eyes to warm his frozen breast:
For ev'ry nymph with love his lays inspir'd,
But ev'ry nymph repuls'd, with grief retir'd.
A hill there was, and on that hill a mead,
With verdure thick, but destitute of shade.
Where, now, the Muse's son no sooner sings,
No sooner strikes his sweet resounding strings.
But distant groves the flying sounds receive,
And list'ning trees their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head.
The foodful Esculus here shoots his leaves,
That turf soft lime-tree, this, fat beach receives;
Here, brittle hazels, lawrels here advance,
And there tough ash to form the heroe's lance;
Here silver firs with knotless trunks ascend,
There, scarlet oaks beneath their acorns bend.
That spot admits the hospitable plane,
On this, the maple grows with clouded grain;
Here, watry willows are with Lotus seen;
There, tamarisk, and box for ever green.
With double hue here mirtles grace the ground,
And laurestines, with purple berries crown'd.
With pliant feet, now, ivies this way wind,
Vines yonder rise, and elms with vines entwin'd.
Wild Ornus now, the pitch-tree next takes root,
And Ar butus adorn'd with blushing fruit.
Then easy-bending palms, the victor's prize,
And pines erect with bristly tops arise.
For Rhea grateful still the pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warm'd,
And now is cherish'd, to a tree transform'd.
The Fable of Cyparissus
Amid the throng of this promiscuous wood,
With pointed top, the taper cypress stood;
A tree, which once a youth, and heav'nly fair,
Was of that deity the darling care,
Whose hand adapts, with equal skill, the strings
To bows with which he kills, and harps to which he sings.
For heretofore, a mighty stag was bred,
Which on the fertile fields of Caea fed;
In shape and size he all his kind excell'd,
And to Carthaean nymphs was sacred held.
His beamy head, with branches high display'd,
Afforded to itself an ample shade;
His horns were gilt, and his smooth neck was grac'd
With silver collars thick with gems enchas'd:
A silver boss upon his forehead hung,
And brazen pendants in his ear-rings rung.
Frequenting houses, he familiar grew,
And learnt by custom, Nature to subdue;
'Till by degrees, of fear, and wildness, broke,
Ev'n stranger hands his proffer'd neck might stroak.
Much was the beast by Caea's youth caress'd,
But thou, sweet Cyparissus, lov'dst him best:
By thee, to pastures fresh, he oft was led,
By thee oft water'd at the fountain's head:
His horns with garlands, now, by thee were ty'd,
And, now, thou on his back wou'dst wanton ride;
Now here, now there wou'dst bound along the plains,
Ruling his tender mouth with purple reins.
'Twas when the summer sun, at noon of day,
Thro' glowing Cancer shot his burning ray,
'Twas then, the fav'rite stag, in cool retreat,
Had sought a shelter from the scorching heat;
Along the grass his weary limbs he laid,
Inhaling freshness from the breezy shade:
When Cyparissus with his pointed dart,
Unknowing, pierc'd him to the panting heart.
But when the youth, surpriz'd, his error found,
And saw him dying of the cruel wound,
Himself he would have slain thro' desp'rate grief:
What said not Phoebus, that might yield relief!
To cease his mourning, he the boy desir'd,
Or mourn no more than such a loss requir'd.
But he, incessant griev'd: at length address'd
To the superior Pow'rs a last request;
Praying, in expiation of his crime,
Thenceforth to mourn to all succeeding time.
And now, of blood exhausted he appears,
Drain'd by a torrent of continual tears;
The fleshy colour in his body fades,
And a green tincture all his limbs invades;
From his fair head, where curling locks late hung,
A horrid bush with bristled branches sprung,
Which stiffning by degrees, its stem extends,
'Till to the starry skies the spire ascends.
Apollo sad look'd on, and sighing, cry'd,
Then, be for ever, what thy pray'r imply'd:
Bemoan'd by me, in others grief excite;
And still preside at ev'ry fun'ral rite.
Thus the sweet artist in a wondrous shade
Of verdant trees, which harmony had made,
Encircled sate, with his own triumphs crown'd,
Of listning birds, and savages around.
Again the trembling strings he dext'rous tries,
Again from discord makes soft musick rise.
Then tunes his voice: O Muse, from whom I sprung,
Jove be my theme, and thou inspire my song.
To Jove my grateful voice I oft have rais'd,
Oft his almighty pow'r with pleasure prais'd.
I sung the giants in a solemn strain,
Blasted, and thunder-struck on Phlegra's plain.
Now be my lyre in softer accents mov'd,
To sing of blooming boys by Gods belov'd;
And to relate what virgins, void of shame,
Have suffer'd vengeance for a lawless flame.
The King of Gods once felt the burning joy,
And sigh'd for lovely Ganimede of Troy:
Long was he puzzled to assume a shape
Most fit, and expeditious for the rape;
A bird's was proper, yet he scorns to wear
Any but that which might his thunder bear.
Down with his masquerading wings he flies,
And bears the little Trojan to the skies;
Where now, in robes of heav'nly purple drest,
He serves the nectar at th' Almighty's feast,
To slighted Juno an unwelcome guest.
Hyacinthus transform'd into a Flower
Phoebus for thee too, Hyacinth, design'd
A place among the Gods, had Fate been kind:
Yet this he gave; as oft as wintry rains
Are past, and vernal breezes sooth the plains,
From the green turf a purple flow'r you rise,
And with your fragrant breath perfume the skies.
You when alive were Phoebus' darling boy;
In you he plac'd his Heav'n, and fix'd his joy:
Their God the Delphic priests consult in vain;
Eurotas now he loves, and Sparta's plain:
His hands the use of bow and harp forget,
And hold the dogs, or bear the corded net;
O'er hanging cliffs swift he pursues the game;
Each hour his pleasure, each augments his flame.
The mid-day sun now shone with equal light
Between the past, and the succeeding night;
They strip, then, smooth'd with suppling oyl, essay
To pitch the rounded quoit, their wonted play:
A well-pois'd disk first hasty Phoebus threw,
It cleft the air, and whistled as it flew;
It reach'd the mark, a most surprizing length;
Which spoke an equal share of art, and strength.
Scarce was it fall'n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale, and breathless now appear,
The boy with pain, the am'rous God with fear.
He ran, and rais'd him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.
As in a water'd garden's blooming walk,
When some rude hand has bruis'd its tender stalk,
A fading lilly droops its languid head,
And bends to earth, its life, and beauty fled:
So Hyacinth, with head reclin'd, decays,
And, sickning, now no more his charms displays.
O thou art gone, my boy, Apollo cry'd,
Defrauded of thy youth in all its pride!
Thou, once my joy, art all my sorrow now;
And to my guilty hand my grief I owe.
Yet from my self I might the fault remove,
Unless to sport, and play, a fault should prove,
Unless it too were call'd a fault to love.
Oh cou'd I for thee, or but with thee, dye!
But cruel Fates to me that pow'r deny.
Yet on my tongue thou shalt for ever dwell;
Thy name my lyre shall sound, my verse shall tell;
And to a flow'r transform'd, unheard-of yet,
Stamp'd on thy leaves my cries thou shalt repeat.
The time shall come, prophetick I foreknow,
When, joyn'd to thee, a mighty chief shall grow,
And with my plaints his name thy leaf shall show.
While Phoebus thus the laws of Fate reveal'd,
Behold, the blood which stain'd the verdant field,
Is blood no longer; but a flow'r full blown,
Far brighter than the Tyrian scarlet shone.
A lilly's form it took; its purple hue
Was all that made a diff'rence to the view,
Nor stop'd he here; the God upon its leaves
The sad expression of his sorrow weaves;
And to this hour the mournful purple wears
Ai, Ai, inscrib'd in funeral characters.
Nor are the Spartans, who so much are fam'd
For virtue, of their Hyacinth asham'd;
But still with pompous woe, and solemn state,
The Hyacinthian feasts they yearly celebrate
The Transformations of the Cerastae and Propoetides
Enquire of Amathus, whose wealthy ground
With veins of every metal does abound,
If she to her Propoetides wou'd show,
The honour Sparta does to him allow?
Nor more, she'd say, such wretches wou'd we grace,
Than those whose crooked horns deform'd their face,
From thence Cerastae call'd, an impious race:
Before whose gates a rev'rend altar stood,
To Jove inscrib'd, the hospitable God:
This had some stranger seen with gore besmear'd,
The blood of lambs, and bulls it had appear'd:
Their slaughter'd guests it was; nor flock nor herd.
Venus these barb'rous sacrifices view'd
With just abhorrence, and with wrath pursu'd:
At first, to punish such nefarious crimes,
Their towns she meant to leave, her once-lov'd climes:
But why, said she, for their offence shou'd I
My dear delightful plains, and cities fly?
No, let the impious people, who have sinn'd,
A punishment in death, or exile, find:
If death, or exile too severe be thought,
Let them in some vile shape bemoan their fault.
While next her mind a proper form employs,
Admonish'd by their horns, she fix'd her choice.
Their former crest remains upon their heads,
And their strong limbs an ox's shape invades.
The blasphemous Propoetides deny'd
Worship of Venus, and her pow'r defy'd:
But soon that pow'r they felt, the first that sold
Their lewd embraces to the world for gold.
Unknowing how to blush, and shameless grown,
A small transition changes them to stone.
The Story of Pygmalion and the Statue
Pygmalion loathing their lascivious life,
Abhorr'd all womankind, but most a wife:
So single chose to live, and shunn'd to wed,
Well pleas'd to want a consort of his bed.
Yet fearing idleness, the nurse of ill,
In sculpture exercis'd his happy skill;
And carv'd in iv'ry such a maid, so fair,
As Nature could not with his art compare,
Were she to work; but in her own defence
Must take her pattern here, and copy hence.
Pleas'd with his idol, he commends, admires,
Adores; and last, the thing ador'd, desires.
A very virgin in her face was seen,
And had she mov'd, a living maid had been:
One wou'd have thought she cou'd have stirr'd, but strove
With modesty, and was asham'd to move.
Art hid with art, so well perform'd the cheat,
It caught the carver with his own deceit:
He knows 'tis madness, yet he must adore,
And still the more he knows it, loves the more:
The flesh, or what so seems, he touches oft,
Which feels so smooth, that he believes it soft.
Fir'd with this thought, at once he strain'd the breast,
And on the lips a burning kiss impress'd.
'Tis true, the harden'd breast resists the gripe,
And the cold lips return a kiss unripe:
But when, retiring back, he look'd again,
To think it iv'ry, was a thought too mean:
So wou'd believe she kiss'd, and courting more,
Again embrac'd her naked body o'er;
And straining hard the statue, was afraid
His hands had made a dint, and hurt his maid:
Explor'd her limb by limb, and fear'd to find
So rude a gripe had left a livid mark behind:
With flatt'ry now he seeks her mind to move,
And now with gifts (the pow'rful bribes of love),
He furnishes her closet first; and fills
The crowded shelves with rarities of shells;
Adds orient pearls, which from the conchs he drew,
And all the sparkling stones of various hue:
And parrots, imitating human tongue,
And singing-birds in silver cages hung:
And ev'ry fragrant flow'r, and od'rous green,
Were sorted well, with lumps of amber laid between:
Rich fashionable robes her person deck,
Pendants her ears, and pearls adorn her neck:
Her taper'd fingers too with rings are grac'd,
And an embroider'd zone surrounds her slender waste.
Thus like a queen array'd, so richly dress'd,
Beauteous she shew'd, but naked shew'd the best.
Then, from the floor, he rais'd a royal bed,
With cov'rings of Sydonian purple spread:
The solemn rites perform'd, he calls her bride,
With blandishments invites her to his side;
And as she were with vital sense possess'd,
Her head did on a plumy pillow rest.
The feast of Venus came, a solemn day,
To which the Cypriots due devotion pay;
With gilded horns the milk-white heifers led,
Slaughter'd before the sacred altars, bled.
Pygmalion off'ring, first approach'd the shrine,
And then with pray'rs implor'd the Pow'rs divine:
Almighty Gods, if all we mortals want,
If all we can require, be yours to grant;
Make this fair statue mine, he wou'd have said,
But chang'd his words for shame; and only pray'd,
Give me the likeness of my iv'ry maid.
The golden Goddess, present at the pray'r,
Well knew he meant th' inanimated fair,
And gave the sign of granting his desire;
For thrice in chearful flames ascends the fire.
The youth, returning to his mistress, hies,
And impudent in hope, with ardent eyes,
And beating breast, by the dear statue lies.
He kisses her white lips, renews the bliss,
And looks, and thinks they redden at the kiss;
He thought them warm before: nor longer stays,
But next his hand on her hard bosom lays:
Hard as it was, beginning to relent,
It seem'd, the breast beneath his fingers bent;
He felt again, his fingers made a print;
'Twas flesh, but flesh so firm, it rose against the dint:
The pleasing task he fails not to renew;
Soft, and more soft at ev'ry touch it grew;
Like pliant wax, when chasing hands reduce
The former mass to form, and frame for use.
He would believe, but yet is still in pain,
And tries his argument of sense again,
Presses the pulse, and feels the leaping vein.
Convinc'd, o'erjoy'd, his studied thanks, and praise,
To her, who made the miracle, he pays:
Then lips to lips he join'd; now freed from fear,
He found the savour of the kiss sincere:
At this the waken'd image op'd her eyes,
And view'd at once the light, and lover with surprize.
The Goddess, present at the match she made,
So bless'd the bed, such fruitfulness convey'd,
That ere ten months had sharpen'd either horn,
To crown their bliss, a lovely boy was born;
Paphos his name, who grown to manhood, wall'd
The city Paphos, from the founder call'd.
The Story of of Cinyras and Myrrha
Nor him alone produc'd the fruitful queen;
But Cinyras, who like his sire had been
A happy prince, had he not been a sire.
Daughters, and fathers, from my song retire;
I sing of horror; and could I prevail,
You shou'd not hear, or not believe my tale.
Yet if the pleasure of my song be such,
That you will hear, and credit me too much,
Attentive listen to the last event,
And, with the sin, believe the punishment:
Since Nature cou'd behold so dire a crime,
I gratulate at least my native clime,
That such a land, which such a monster bore,
So far is distant from our Thracian shore.
Let Araby extol her happy coast,
Her cinamon, and sweet Amomum boast,
Her fragrant flow'rs, her trees with precious tears,
Her second harvests, and her double years;
How can the land be call'd so bless'd, that Myrrha bears?
Nor all her od'rous tears can cleanse her crime;
Her Plant alone deforms the happy clime:
Cupid denies to have inflam'd thy heart,
Disowns thy love, and vindicates his dart:
Some Fury gave thee those infernal pains,
And shot her venom'd vipers in thy veins.
To hate thy sire, had merited a curse;
But such an impious love deserv'd a worse.
The neighb'ring monarchs, by thy beauty led,
Contend in crowds, ambitious of thy bed:
The world is at thy choice; except but one,
Except but him, thou canst not chuse, alone.
She knew it too, the miserable maid,
Ere impious love her better thoughts betray'd,
And thus within her secret soul she said:
Ah Myrrha! whither wou'd thy wishes tend?
Ye Gods, ye sacred laws, my soul defend
From such a crime as all mankind detest,
And never lodg'd before in human breast!
But is it sin? Or makes my mind alone
Th' imagin'd sin? For Nature makes it none.
What tyrant then these envious laws began,
Made not for any other beast, but Man!
The father-bull his daughter may bestride,
The horse may make his mother-mare a bride;
What piety forbids the lusty ram,
Or more salacious goat, to rut their dam?
The hen is free to wed the chick she bore,
And make a husband, whom she hatch'd before.
All creatures else are of a happier kind,
Whom nor ill-natur'd laws from pleasure bind,
Nor thoughts of sin disturb their peace of mind.
But Man a slave of his own making lives;
The fool denies himself what Nature gives:
Too-busie senates, with an over-care,
To make us better than our kind can bear,
Have dash'd a spice of envy in the laws,
And straining up too high, have spoil'd the cause.
Yet some wise nations break their cruel chains,
And own no laws, but those which love ordains;
Where happy daughters with their sires are join'd,
And piety is doubly paid in kind.
O that I had been born in such a clime,
Not here, where 'tis the country makes the crime!
But whither wou'd my impious fancy stray?
Hence hopes, and ye forbidden thoughts away!
His worth deserves to kindle my desires,
But with the love, that daughters bear to sires.
Then had not Cinyras my father been,
What hinder'd Myrrha's hopes to be his queen?
But the perverseness of my fate is such,
That he's not mine, because he's mine too much:
Our kindred-blood debars a better tie;
He might be nearer, were he not so nigh.
Eyes, and their objects, never must unite;
Some distance is requir'd to help the sight:
Fain wou'd I travel to some foreign shore,
Never to see my native country more,
So might I to my self my self restore;
So might my mind these impious thoughts remove,
And ceasing to behold, might cease to love.
But stay I must, to feed my famish'd sight,
To talk, to kiss, and more, if more I might:
More, impious maid! What more canst thou design?
To make a monstrous mixture in thy line,
And break all statutes human and divine!
Can'st thou be call'd (to save thy wretched life)
Thy mother's rival, and thy father's wife?
Confound so many sacred names in one,
Thy brother's mother! Sister to thy son!
And fear'st thou not to see th' infernal bands,
Their heads with snakes; with torches arm'd their hands
Full at thy face th' avenging brands to bear,
And shake the serpents from their hissing hair;
But thou in time th' increasing ill controul,
Nor first debauch the body by the soul;
Secure the sacred quiet of thy mind,
And keep the sanctions Nature has design'd.
Suppose I shou'd attempt, th' attempt were vain,
No thoughts like mine, his sinless soul profane;
Observant of the right: and o that he
Cou'd cure my madness, or be mad like me!
Thus she: but Cinyras, who daily sees
A crowd of noble suitors at his knees,
Among so many, knew not whom to chuse,
Irresolute to grant, or to refuse.
But having told their names, enquir'd of her
Who pleas'd her best, and whom she would prefer.
The blushing maid stood silent with surprize,
And on her father fix'd her ardent eyes,
And looking sigh'd, and as she sigh'd, began
Round tears to shed, that scalded as they ran.
The tender sire, who saw her blush, and cry,
Ascrib'd it all to maiden modesty,
And dry'd the falling drops, and yet more kind,
He stroak'd her cheeks, and holy kisses join'd.
She felt a secret venom fire her blood,
And found more pleasure, than a daughter shou'd;
And, ask'd again what lover of the crew
She lik'd the best, she answer'd, One like you.
Mistaking what she meant, her pious will
He prais'd, and bid her so continue still:
The word of pious heard, she blush'd with shame
Of secret guilt, and cou'd not bear the name.
'Twas now the mid of night, when slumbers close
Our eyes, and sooth our cares with soft repose;
But no repose cou'd wretched Myrrha find,
Her body rouling, as she roul'd her mind:
Mad with desire, she ruminates her sin,
And wishes all her wishes o'er again:
Now she despairs, and now resolves to try;
Wou'd not, and wou'd again, she knows not why;
Stops, and returns; makes, and retracts the vow;
Fain wou'd begin, but understands not how.
As when a pine is hew'd upon the plains,
And the last mortal stroke alone remains,
Lab'ring in pangs of death, and threatning all,
This way, and that she nods, consid'ring where to fall:
So Myrrha's mind, impell'd on either side,
Takes ev'ry bent, but cannot long abide;
Irresolute on which she shou'd relie,
At last, unfix'd in all, is only fix'd to die.
On that sad thought she rests, resolv'd on death,
She rises, and prepares to choak her breath:
Then while about the beam her zone she ties,
Dear Cinyras farewell, she softly cries;
For thee I die, and only wish to be
Not hated, when thou know'st die I for thee:
Pardon the crime, in pity to the cause:
This said, about her neck the noose she draws.
The nurse, who lay without, her faithful guard,
Though not the words, the murmurs over-heard;
And sighs, and hollow sounds: surpriz'd with fright,
She starts, and leaves her bed, and springs a light;
Unlocks the door, and entring out of breath,
The dying saw, and instruments of death;
She shrieks, she cuts the zone with trembling haste,
And in her arms her fainting charge embrac'd:
Next (for she now had leisure for her tears),
She weeping ask'd, in these her blooming years,
What unforeseen misfortune caus'd her care,
To loath her life, and languish in despair!
The maid, with down-cast eyes, and mute with grief
For death unfinish'd, and ill-tim'd relief,
Stood sullen to her suit: the beldame press'd
The more to know, and bar'd her wither'd breast,
Adjur'd her by the kindly food she drew
From those dry founts, her secret ill to shew.
Sad Myrrha sigh'd, and turn'd her eyes aside:
The nurse still urg'd, and wou'd not be deny'd:
Nor only promis'd secresie, but pray'd
She might have leave to give her offer'd aid.
Good-will, she said, my want of strength supplies,
And diligence shall give what age denies:
If strong desires thy mind to fury move,
With charms and med'cines I can cure thy love:
If envious eyes their hurtuful rays have cast,
More pow'rful verse shall free thee from the blast:
If Heav'n offended sends thee this disease,
Offended Heav'n with pray'rs we can appease.
What then remains, that can these cares procure?
Thy house is flourishing, thy fortune sure:
Thy careful mother yet in health survives,
And, to thy comfort, thy kind father lives.
The virgin started at her father's name,
And sigh'd profoundly, conscious of the shame
Nor yet the nurse her impious love divin'd,
But yet surmis'd that love disturb'd her mind:
Thus thinking, she pursu'd her point, and laid,
And lull'd within her lap the mourning maid;
Then softly sooth'd her thus; I guess your grief:
You love, my child; your love shall find relief.
My long-experienc'd age shall be your guide;
Rely on that, and lay distrust aside.
No breath of air shall on the secret blow,
Nor shall (what most you fear) your father know.
Struck once again, as with a thunder-clap,
The guilty virgin bounded from her lap,
And threw her body prostrate on the bed.
And, to conceal her blushes, hid her head;
There silent lay, and warn'd her with her hand
To go: but she receiv'd not the command;
Remaining still importunate to know:
Then Myrrha thus: Or ask no more, or go;
I pr'ythee go, or staying spare my shame;
What thou would'st hear, is impious ev'n to name.
At this, on high the beldame holds her hands,
And trembling both with age, and terror stands;
Adjures, and falling at her feet intreats,
Sooths her with blandishments, and frights with threats,
To tell the crime intended, or disclose
What part of it she knew, if she no farther knows.
And last, if conscious to her counsel made,
Confirms anew the promise of her aid.
Now Myrrha rais'd her head; but soon oppress'd
With shame, reclin'd it on her nurse's breast;
Bath'd it with tears, and strove to have confess'd:
Twice she began, and stopp'd; again she try'd;
The falt'ring tongue its office still deny'd.
At last her veil before her face she spread,
And drew a long preluding sigh, and said,
O happy mother, in thy marriage-bed!
Then groan'd, and ceas'd. The good old woman shook,
Stiff were her eyes, and ghastly was her look:
Her hoary hair upright with horror stood,
Made (to her grief) more knowing than she wou'd.
Much she reproach'd, and many things she said,
To cure the madness of th' unhappy maid,
In vain: for Myrrha stood convict of ill;
Her reason vanquish'd, but unchang'd her will:
Perverse of mind, unable to reply;
She stood resolv'd, or to possess, or die.
At length the fondness of a nurse prevail'd
Against her better sense, and virtue fail'd:
Enjoy, my child, since such is thy desire,
Thy love, she said; she durst not say, thy sire:
Live, though unhappy, live on any terms;
Then with a second oath her faith confirms.
The solemn feast of Ceres now was near,
When long white linnen stoles the matrons wear;
Rank'd in procession walk the pious train,
Off'ring first-fruits, and spikes of yellow grain:
For nine long nights the nuptial-bed they shun,
And sanctifying harvest, lie alone.
Mix'd with the crowd, the queen forsook her lord,
And Ceres' pow'r with secret rites ador'd:
The royal couch, now vacant for a time,
The crafty crone, officious in her crime,
The first occasion took: the king she found
Easie with wine, and deep in pleasures drown'd,
Prepar'd for love: the beldame blew the flame,
Confess'd the passion, but conceal'd the name.
Her form she prais'd; the monarch ask'd her years;
And she reply'd, The same thy Myrrha bears.
Wine, and commended beauty fir'd his thought;
Impatient, he commands her to be brought.
Pleas'd with her charge perform'd, she hies her home,
And gratulates the nymph, the task was overcome.
Myrrha was joy'd the welcome news to hear;
But clog'd with guilt, the joy was unsincere:
So various, so discordant is the mind,
That in our will a diff'rent will we find.
Ill she presag'd, and yet pursu'd her lust;
For guilty pleasures give a double gust.
'Twas depth of night: Arctophylax had driv'n
His lazy wain half round the northern Heav'n,
When Myrrha hasten'd to the crime desir'd:
The moon beheld her first, and first retir'd:
The stars amaz'd, ran backward from the sight,
And (shrunk within their sockets) lost their light.
Icarius first withdraws his holy flame:
The virgin sign, in Heav'n the second name,
Slides down the belt, and from her station flies,
And night with sable clouds involves the skies.
Bold Myrrha still pursues her black intent;
She stumbled thrice (an omen of th' event);
Thrice shriek'd the fun'ral owl, yet on she went,
Secure of shame, because secure of sight;
Ev'n bashful sins are impudent by night.
Link'd hand in hand, th' accomplice, and the dame,
Their way exploring, to the chamber came:
The door was ope; they blindly grope their way,
Where dark in bed th' expecting monarch lay.
Thus far her courage held, but here forsakes;
Her faint knees knock at ev'ry step she makes.
The nearer to her crime, the more within
She feels remorse, and horror of her sin;
Repents too late her criminal desire,
And wishes, that unknown she could retire.
Her lingring thus, the nurse (who fear'd delay
The fatal secret might at length betray)
Pull'd forward, to compleat the work begun,
And said to Cinyras, Receive thy own.
Thus saying, she deliver'd kind to kind,
Accurs'd, and their devoted bodies join'd.
The sire, unknowing of the crime, admits
His bowels, and prophanes the hallow'd sheets;
He found she trembled, but believ'd she strove
With maiden modesty against her love,
And sought with flatt'ring words vain fancies to remove.
Perhaps he said, My daughter, cease thy fears
(Because the title suited with her years);
And, Father, she might whisper him again,
That names might not be wanting to the sin.
Full of her sire, she left th' incestuous bed,
And carry'd in her womb the crime she bred.
Another, and another night she came;
For frequent sin had left no sense of shame:
'Till Cinyras desir'd to see her face,
Whose body he had held in close embrace,
And brought a taper; the revealer, light,
Expos'd both crime, and criminal to sight.
Grief, rage, amazement, could no speech afford,
But from the sheath he drew th' avenging sword:
The guilty fled: the benefit of night,
That favour'd first the sin, secur'd the flight.
Long wand'ring thro' the spacious fields, she bent
Her voyage to th' Arabian continent;
Then pass'd the region which Panchaea join'd,
And flying, left the palmy plains behind.
Nine times the moon had mew'd her horns; at length
With travel weary, unsupply'd with strength,
And with the burden of her womb oppress'd,
Sabaean fields afford her needful rest:
There, loathing life, and yet of death afraid,
In anguish of her spirit, thus she pray'd:
Ye Pow'rs, if any so propitious are
T' accept my penitence, and hear my pray'r;
Your judgments, I confess, are justly sent;
Great sins deserve as great a punishment:
Yet since my life the living will profane,
And since my death the happy dead will stain,
A middle state your mercy may bestow,
Betwixt the realms above, and those below:
Some other form to wretched Myrrha give,
Nor let her wholly die, nor wholly live.
The pray'rs of penitents are never vain;
At least she did her last request obtain:
For while she spoke, the ground began to rise,
And gather'd round her feet, her legs, and thighs;
Her toes in roots descend, and spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is harden'd into rind.
And now the rising tree her womb invests,
Now shooting upwards still, invades her breasts,
And shades the neck; when weary with delay,
She sunk her head within, and met it half the way.
And tho' with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain;
For still the precious drops her name retain.
Mean-time the mis-begotten infant grows,
And ripe for birth, distends with deadly throes
The swelling rind, with unavailing strife,
To leave the wooden womb, and pushes into life.
The mother-tree, as if oppress'd with pain,
Writhes here, and there, to break the bark, in vain;
And, like a lab'ring woman, wou'd have pray'd,
But wants a voice to call Lucina's aid:
The bending bole sends out a hollow sound,
And trickling tears fall thicker on the ground.
The mild Lucina came uncall'd, and stood
Beside the struggling boughs, and heard the groaning wood;
Then reach'd her midwife-hand to speed the throes,
And spoke the pow'rful spells, that babes to birth disclose.
The bark divides, the living load to free,
And safe delivers the convulsive tree.
The ready nymphs receive the crying child,
And wash him in the tears the parent plant distill'd.
They swath'd him with their scarfs; beneath him spread
The ground with herbs; with roses rais'd his head.
The lovely babe was born with ev'ry grace,
Ev'n envy must have prais'd so fair a face:
Such was his form, as painters when they show
Their utmost art, on naked loves bestow:
And that their arms no diff'rence might betray,
Give him a bow, or his from Cupid take away.
Time glides along with undiscover'd haste,
The future but a length behind the past;
So swift are years. The babe, whom just before
His grandsire got, and whom his sister bore;
The drop, the thing, which late the tree inclos'd,
And late the yawning bark to life expos'd;
A babe, a boy, a beauteous youth appears,
And lovelier than himself at riper years.
Now to the queen of love he gave desires,
And, with her pains, reveng'd his mother's fires.
The Story of Venus and Adonis
For Cytherea's lips while Cupid prest,
He with a heedless arrow raz'd her breast,
The Goddess felt it, and with fury stung,
The wanton mischief from her bosom flung:
Yet thought at first the danger slight, but found
The dart too faithful, and too deep the wound.
Fir'd with a mortal beauty, she disdains
To haunt th' Idalian mount, or Phrygian plains.
She seeks not Cnidos, nor her Paphian shrines,
Nor Amathus, that teems with brazen mines:
Ev'n Heav'n itself with all its sweets unsought,
Adonis far a sweeter Heav'n is thought.
On him she hangs, and fonds with ev'ry art,
And never, never knows from him to part.
She, whose soft limbs had only been display'd
On rosie beds beneath the myrtle shade,
Whose pleasing care was to improve each grace,
And add more charms to an unrival'd face,
Now buskin'd, like the virgin huntress, goes
Thro' woods, and pathless wilds, and mountain-snows
With her own tuneful voice she joys to cheer
The panting hounds, that chace the flying deer.
She runs the labyrinth of fearful hares,
But fearless beasts, and dang'rous prey forbears,
Hunts not the grinning wolf, or foamy boar,
And trembles at the lion's hungry roar.
Thee too, Adonis, with a lover's care
She warns, if warn'd thou wou'dst avoid the snare,
To furious animals advance not nigh,
Fly those that follow, follow those that fly;
'Tis chance alone must the survivors save,
Whene'er brave spirits will attempt the brave.
O! lovely youth! in harmless sports delight;
Provoke not beasts, which, arm'd by Nature, fight.
For me, if not thy self, vouchsafe to fear;
Let not thy thirst of glory cost me dear.
Boars know not bow to spare a blooming age;
No sparkling eyes can sooth the lion's rage.
Not all thy charms a savage breast can move,
Which have so deeply touch'd the queen of love.
When bristled boars from beaten thickets spring,
In grinded tusks a thunderbolt they bring.
The daring hunters lions rouz'd devour,
Vast is their fury, and as vast their pow'r:
Curst be their tawny race! If thou would'st hear
What kindled thus my hate, then lend an ear:
The wond'rous tale I will to thee unfold,
How the fell monsters rose from crimes of old.
But by long toils I faint: see! wide-display'd,
A grateful poplar courts us with a shade.
The grassy turf, beneath, so verdant shows,
We may secure delightfully repose.
With her Adonis here be Venus blest;
And swift at once the grass and him she prest.
Then sweetly smiling, with a raptur'd mind,
On his lov'd bosom she her head reclin'd,
And thus began; but mindful still of bliss,
Seal'd the soft accents with a softer kiss.
Perhaps thou may'st have heard a virgin's name,
Who still in swiftness swiftest youths o'ercame.
Wondrous! that female weakness should outdo
A manly strength; the wonder yet is true.
'Twas doubtful, if her triumphs in the field
Did to her form's triumphant glories yield;
Whether her face could with more ease decoy
A crowd of lovers, or her feet destroy.
For once Apollo she implor'd to show
If courteous Fates a consort would allow:
A consort brings thy ruin, he reply'd;
O! learn to want the pleasures of a bride!
Nor shalt thou want them to thy wretched cost,
And Atalanta living shall be lost.
With such a rueful Fate th' affrighted maid
Sought green recesses in the wood-land glade.
Nor sighing suiters her resolves could move,
She bad them show their speed, to show their love.
He only, who could conquer in the race,
Might hope the conquer'd virgin to embrace;
While he, whose tardy feet had lagg'd behind,
Was doom'd the sad reward of death to find.
Tho' great the prize, yet rigid the decree,
But blind with beauty, who can rigour see?
Ev'n on these laws the fair they rashly sought,
And danger in excess of love forgot.
There sat Hippomenes, prepar'd to blame
In lovers such extravagance of flame.
And must, he said, the blessing of a wife
Be dearly purchas'd by a risk of life?
But when he saw the wonders of her face,
And her limbs naked, springing to the race,
Her limbs, as exquisitely turn'd, as mine,
Or if a woman thou, might vie with thine,
With lifted hands, he cry'd, forgive the tongue
Which durst, ye youths, your well-tim'd courage wrong.
I knew not that the nymph, for whom you strove,
Deserv'd th' unbounded transports of your love.
He saw, admir'd, and thus her spotless frame
He prais'd, and praising, kindled his own flame.
A rival now to all the youths who run,
Envious, he fears they should not be undone.
But why (reflects he) idly thus is shown
The fate of others, yet untry'd my own?
The coward must not on love's aid depend;
The God was ever to the bold a friend.
Mean-time the virgin flies, or seems to fly,
Swift as a Scythian arrow cleaves the sky:
Still more and more the youth her charms admires.
The race itself t' exalt her charms conspires.
The golden pinions, which her feet adorn,
In wanton flutt'rings by the winds are born.
Down from her head, the long, fair tresses flow,
And sport with lovely negligence below.
The waving ribbands, which her buskins tie,
Her snowy skin with waving purple die;
As crimson veils in palaces display'd,
To the white marble lend a blushing shade.
Nor long he gaz'd, yet while he gaz'd, she gain'd
The goal, and the victorious wreath obtain'd.
The vanquish'd sigh, and, as the law decreed,
Pay the dire forfeit, and prepare to bleed.
Then rose Hippomenes, not yet afraid,
And fix'd his eyes full on the beauteous maid.
Where is (he cry'd) the mighty conquest won,
To distance those, who want the nerves to run?
Here prove superior strength, nor shall it be
Thy loss of glory, if excell'd by me.
High my descent, near Neptune I aspire,
For Neptune was grand-parent to my sire.
From that great God the fourth my self I trace,
Nor sink my virtues yet beneath my race.
Thou from Hippomenes, o'ercome, may'st claim
An envy'd triumph, and a deathless fame.
While thus the youth the virgin pow'r defies,
Silent she views him still with softer eyes.
Thoughts in her breast a doubtful strife begin,
If 'tis not happier now to lose, than win.
What God, a foe to beauty, would destroy
The promis'd ripeness of this blooming boy?
With his life's danger does he seek my bed?
Scarce am I half so greatly worth, she said.
Nor has his beauty mov'd my breast to love,
And yet, I own, such beauty well might move:
'Tis not his charms, 'tis pity would engage
My soul to spare the greenness of his age.
What, that heroick conrage fires his breast,
And shines thro' brave disdain of Fate confest?
What, that his patronage by close degrees
Springs from th' imperial ruler of the seas?
Then add the love, which bids him undertake
The race, and dare to perish for my sake.
Of bloody nuptials, heedless youth, beware!
Fly, timely fly from a too barb'rous fair.
At pleasure chuse; thy love will be repaid
By a less foolish, and more beauteous maid.
But why this tenderness, before unknown?
Why beats, and pants my breast for him alone?
His eyes have seen his num'rous rivals yield;
Let him too share the rigour of the field,
Since, by their fates untaught, his own he courts,
And thus with ruin insolently sports.
Yet for what crime shall he his death receive?
Is it a crime with me to wish to live?
Shall his kind passion his destruction prove?
Is this the fatal recompence of love?
So fair a youth, destroy'd, would conquest shame,
Aud nymphs eternally detest my fame.
Still why should nymphs my guiltless fame upbraid?
Did I the fond adventurer persuade?
Alas! I wish thou would'st the course decline,
Or that my swiftness was excell'd by thine.
See! what a virgin's bloom adorns the boy!
Why wilt thou run, and why thy self destroy?
Hippomenes! O that I ne'er had been
By those bright eyes unfortunately seen!
Ah! tempt not thus a swift, untimely Fate;
Thy life is worthy of the longest date.
Were I less wretched, did the galling chain
Of rigid Gods not my free choice restrain,
By thee alone I could with joy be led
To taste the raptures of a nuptial bed.
Thus she disclos'd the woman's secret heart,
Young, innocent, and new to Cupid's dart.
Her thoughts, her words, her actions wildly rove,
With love she burns, yet knows not that 'tis love.
Her royal sire now with the murm'ring crowd
Demands the race impatiently aloud.
Hippomenes then with true fervour pray'd,
My bold attempt let Venus kindly aid.
By her sweet pow'r I felt this am'rous fire,
Still may she succour, whom she did inspire.
A soft, unenvious wind, with speedy care,
Wafted to Heav'n the lover's tender pray'r.
Pity, I own, soon gain'd the wish'd consent,
And all th' assistance he implor'd I lent.
The Cyprian lands, tho' rich, in richness yield
To that, surnam'd the Tamasenian field.
That field of old was added to my shrine,
And its choice products consecrated mine.
A tree there stands, full glorious to behold,
Gold are the leafs, the crackling branches gold.
It chanc'd, three apples in my hand I bore,
Which newly from the tree I sportive tore;
Seen by the youth alone, to him I brought
The fruit, and when, and how to use it, taught.
The signal sounding by the king's command,
Both start at once, and sweep th' imprinted sand.
So swiftly mov'd their feet, they might with ease,
Scarce moisten'd, skim along the glassy seas;
Or with a wondrous levity be born
O'er yellow harvests of unbending corn.
Now fav'ring peals resound from ev'ry part,
Spirit the youth, and fire his fainting heart.
Hippomenes! (they cry'd) thy life preserve,
Intensely labour, and stretch ev'ry nerve.
Base fear alone can baffle thy design,
Shoot boldly onward, and the goal is thine.
'Tis doubtful whether shouts, like these, convey'd
More pleasures to the youth, or to the maid.
When a long distance oft she could have gain'd,
She check'd her swiftness, and her feet restrain'd:
She sigh'd, and dwelt, and languish'd on his face,
Then with unwilling speed pursu'd the race.
O'er-spent with heat, his breath he faintly drew,
Parch'd was his mouth, nor yet the goal in view,
And the first apple on the plain he threw.
The nymph stop'd sudden at th' unusual sight,
Struck with the fruit so beautifully bright.
Aside she starts, the wonder to behold,
And eager stoops to catch the rouling gold.
Th' observant youth past by, and scour'd along,
While peals of joy rung from th' applauding throng.
Unkindly she corrects the short delay,
And to redeem the time fleets swift away,
Swift, as the lightning, or the northern wind,
And far she leaves the panting youth behind.
Again he strives the flying nymph to hold
With the temptation of the second gold:
The bright temptation fruitlessly was tost,
So soon, alas! she won the distance lost.
Now but a little interval of space
Remain'd for the decision of the race.
Fair author of the precious gift, he said,
Be thou, O Goddess, author of my aid!
Then of the shining fruit the last he drew,
And with his full-collected vigour threw:
The virgin still the longer to detain,
Threw not directly, but a-cross the plain.
She seem'd a-while perplex'd in dubious thought,
If the far-distant apple should be sought:
I lur'd her backward mind to seize the bait,
And to the massie gold gave double weight.
My favour to my votary was show'd,
Her speed I lessen'd, and encreas'd her load.
But lest, tho' long, the rapid race be run,
Before my longer, tedious tale is done,
The youth the goal, and so the virgin won.
Might I, Adonis, now not hope to see
His grateful thanks pour'd out for victory?
His pious incense on my altars laid?
But he nor grateful thanks, nor incense paid.
Enrag'd I vow'd, that with the youth the fair,
For his contempt, should my keen vengeance share;
That future lovers might my pow'r revere,
And, from their sad examples, learn to fear.
The silent fanes, the sanctify'd abodes,
Of Cybele, great mother of the Gods,
Rais'd by Echion in a lonely wood,
And full of brown, religious horror stood.
By a long painful journey faint, they chose!
Their weary limbs here secret to repose.
But soon my pow'r inflam'd the lustful boy,
Careless of rest he sought untimely joy.
A hallow'd gloomy cave, with moss o'er-grown,
The temple join'd, of native pumice-stone,
Where antique images by priests were kept.
And wooden deities securely slept.
Thither the rash Hippomenes retires,
And gives a loose to all his wild desires,
And the chaste cell pollutes with wanton fires.
The sacred statues trembled with surprize,
The tow'ry Goddess, blushing, veil'd her eyes;
And the lewd pair to Stygian sounds had sent,
But unrevengeful seem'd that punishment,
A heavier doom such black prophaneness draws,
Their taper figures turn to crooked paws.
No more their necks the smoothness can retain,
Now cover'd sudden with a yellow mane.
Arms change to legs: each finds the hard'ning breast
Of rage unknown, and wond'rous strength possest.
Their alter'd looks with fury grim appear,
And on the ground their brushing tails they hear.
They haunt the woods: their voices, which before
Were musically sweet, now hoarsly roar.
Hence lions, dreadful to the lab'ring swains,
Are tam'd by Cybele, and curb'd with reins,
And humbly draw her car along the plains.
But thou, Adonis, my delightful care,
Of these, and beasts, as fierce as these, beware!
The savage, which not shuns thee, timely shun,
For by rash prowess should'st thou be undone,
A double ruin is contain'd in one.
Thus cautious Venus school'd her fav'rite boy;
But youthful heat all cautions will destroy.
His sprightly soul beyond grave counsels flies,
While with yok'd swans the Goddess cuts the skies.
His faithful hounds, led by the tainted wind,
Lodg'd in thick coverts chanc'd a boar to find.
The callow hero show'd a manly heart,
And pierc'd the savage with a side-long dart.
The flying savage, wounded, turn'd again,
Wrench'd out the gory dart, and foam'd with pain.
The trembling boy by flight his safety sought,
And now recall'd the lore, which Venus taught;
But now too late to fly the boar he strove,
Who in the groin his tusks impetuous drove,
On the discolour'd grass Adonis lay,
The monster trampling o'er his beauteous prey.
Fair Cytherea, Cyprus scarce in view,
Heard from afar his groans, and own'd them true,
And turn'd her snowy swans, and backward flew.
But as she saw him gasp his latest breath,
And quiv'ring agonize in pangs of death,
Down with swift flight she plung'd, nor rage forbore,
At once her garments, and her hair she tore.
With cruel blows she beat her guiltless breast,
The Fates upbraided, and her love confest.
Nor shall they yet (she cry'd) the whole devour
With uncontroul'd, inexorable pow'r:
For thee, lost youth, my tears, and restless pain
Shall in immortal monuments remain,
With solemn pomp in annual rites return'd,
Be thou for ever, my Adonis, mourn'd,
Could Pluto's queen with jealous fury storm,
And Men the to a fragrant herb transform?
Yet dares not Venus with a change surprise,
And in a flow'r bid her fall'n heroe rise?
Then on the blood sweet nectar she bestows,
The scented blood in little bubbles rose:
Little as rainy drops, which flutt'ring fly,
Born by the winds, along a low'ring sky.
Short time ensu'd, 'till where the blood was shed,
A flow'r began to rear its purple head:
Such, as on Punick apples is reveal'd,
Or in the filmy rind but half conceal'd.
Still here the Fate of lovely forms we see,
So sudden fades the sweet Anemonie.
The feeble stems, to stormy blasts a prey,
Their sickly beauties droop, and pine away.
The winds forbid the flow'rs to flourish long,
Which owe to winds their names in Grecian song.
----------------------------------------------------------------------
~ Ovid, BOOK THE TENTH
,#NFDB
173:Gareth And Lynette
The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy-And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to-Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he-Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'
And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
107
Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'
And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw
The splendour sparkling from aloft, and thought
"An I could climb and lay my hand upon it,
Then were I wealthier than a leash of kings."
But ever when he reached a hand to climb,
One, that had loved him from his childhood, caught
And stayed him, "Climb not lest thou break thy neck,
I charge thee by my love," and so the boy,
Sweet mother, neither clomb, nor brake his neck,
But brake his very heart in pining for it,
And past away.'
To whom the mother said,
'True love, sweet son, had risked himself and climbed,
And handed down the golden treasure to him.'
And Gareth answered her with kindling eyes,
'Gold?' said I gold?--ay then, why he, or she,
Or whosoe'er it was, or half the world
Had ventured--HAD the thing I spake of been
Mere gold--but this was all of that true steel,
Whereof they forged the brand Excalibur,
And lightnings played about it in the storm,
And all the little fowl were flurried at it,
And there were cries and clashings in the nest,
That sent him from his senses: let me go.'
Then Bellicent bemoaned herself and said,
'Hast thou no pity upon my loneliness?
Lo, where thy father Lot beside the hearth
Lies like a log, and all but smouldered out!
For ever since when traitor to the King
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He fought against him in the Barons' war,
And Arthur gave him back his territory,
His age hath slowly droopt, and now lies there
A yet-warm corpse, and yet unburiable,
No more; nor sees, nor hears, nor speaks, nor knows.
And both thy brethren are in Arthur's hall,
Albeit neither loved with that full love
I feel for thee, nor worthy such a love:
Stay therefore thou; red berries charm the bird,
And thee, mine innocent, the jousts, the wars,
Who never knewest finger-ache, nor pang
Of wrenched or broken limb--an often chance
In those brain-stunning shocks, and tourney-falls,
Frights to my heart; but stay: follow the deer
By these tall firs and our fast-falling burns;
So make thy manhood mightier day by day;
Sweet is the chase: and I will seek thee out
Some comfortable bride and fair, to grace
Thy climbing life, and cherish my prone year,
Till falling into Lot's forgetfulness
I know not thee, myself, nor anything.
Stay, my best son! ye are yet more boy than man.'
Then Gareth, 'An ye hold me yet for child,
Hear yet once more the story of the child.
For, mother, there was once a King, like ours.
The prince his heir, when tall and marriageable,
Asked for a bride; and thereupon the King
Set two before him. One was fair, strong, armed-But to be won by force--and many men
Desired her; one good lack, no man desired.
And these were the conditions of the King:
That save he won the first by force, he needs
Must wed that other, whom no man desired,
A red-faced bride who knew herself so vile,
That evermore she longed to hide herself,
Nor fronted man or woman, eye to eye-Yea--some she cleaved to, but they died of her.
And one--they called her Fame; and one,--O Mother,
How can ye keep me tethered to you--Shame.
Man am I grown, a man's work must I do.
Follow the deer? follow the Christ, the King,
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Live pure, speak true, right wrong, follow the King-Else, wherefore born?'
To whom the mother said
'Sweet son, for there be many who deem him not,
Or will not deem him, wholly proven King-Albeit in mine own heart I knew him King,
When I was frequent with him in my youth,
And heard him Kingly speak, and doubted him
No more than he, himself; but felt him mine,
Of closest kin to me: yet--wilt thou leave
Thine easeful biding here, and risk thine all,
Life, limbs, for one that is not proven King?
Stay, till the cloud that settles round his birth
Hath lifted but a little. Stay, sweet son.'
And Gareth answered quickly, 'Not an hour,
So that ye yield me--I will walk through fire,
Mother, to gain it--your full leave to go.
Not proven, who swept the dust of ruined Rome
From off the threshold of the realm, and crushed
The Idolaters, and made the people free?
Who should be King save him who makes us free?'
So when the Queen, who long had sought in vain
To break him from the intent to which he grew,
Found her son's will unwaveringly one,
She answered craftily, 'Will ye walk through fire?
Who walks through fire will hardly heed the smoke.
Ay, go then, an ye must: only one proof,
Before thou ask the King to make thee knight,
Of thine obedience and thy love to me,
Thy mother,--I demand.
And Gareth cried,
'A hard one, or a hundred, so I go.
Nay--quick! the proof to prove me to the quick!'
But slowly spake the mother looking at him,
'Prince, thou shalt go disguised to Arthur's hall,
And hire thyself to serve for meats and drinks
Among the scullions and the kitchen-knaves,
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And those that hand the dish across the bar.
Nor shalt thou tell thy name to anyone.
And thou shalt serve a twelvemonth and a day.'
For so the Queen believed that when her son
Beheld his only way to glory lead
Low down through villain kitchen-vassalage,
Her own true Gareth was too princely-proud
To pass thereby; so should he rest with her,
Closed in her castle from the sound of arms.
Silent awhile was Gareth, then replied,
'The thrall in person may be free in soul,
And I shall see the jousts. Thy son am I,
And since thou art my mother, must obey.
I therefore yield me freely to thy will;
For hence will I, disguised, and hire myself
To serve with scullions and with kitchen-knaves;
Nor tell my name to any--no, not the King.'
Gareth awhile lingered. The mother's eye
Full of the wistful fear that he would go,
And turning toward him wheresoe'er he turned,
Perplext his outward purpose, till an hour,
When wakened by the wind which with full voice
Swept bellowing through the darkness on to dawn,
He rose, and out of slumber calling two
That still had tended on him from his birth,
Before the wakeful mother heard him, went.
The three were clad like tillers of the soil.
Southward they set their faces. The birds made
Melody on branch, and melody in mid air.
The damp hill-slopes were quickened into green,
And the live green had kindled into flowers,
For it was past the time of Easterday.
So, when their feet were planted on the plain
That broadened toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
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At times the summit of the high city flashed;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that opened on the field below:
Anon, the whole fair city had disappeared.
Then those who went with Gareth were amazed,
One crying, 'Let us go no further, lord.
Here is a city of Enchanters, built
By fairy Kings.' The second echoed him,
'Lord, we have heard from our wise man at home
To Northward, that this King is not the King,
But only changeling out of Fairyland,
Who drave the heathen hence by sorcery
And Merlin's glamour.' Then the first again,
'Lord, there is no such city anywhere,
But all a vision.'
Gareth answered them
With laughter, swearing he had glamour enow
In his own blood, his princedom, youth and hopes,
To plunge old Merlin in the Arabian sea;
So pushed them all unwilling toward the gate.
And there was no gate like it under heaven.
For barefoot on the keystone, which was lined
And rippled like an ever-fleeting wave,
The Lady of the Lake stood: all her dress
Wept from her sides as water flowing away;
But like the cross her great and goodly arms
Stretched under the cornice and upheld:
And drops of water fell from either hand;
And down from one a sword was hung, from one
A censer, either worn with wind and storm;
And o'er her breast floated the sacred fish;
And in the space to left of her, and right,
Were Arthur's wars in weird devices done,
New things and old co-twisted, as if Time
Were nothing, so inveterately, that men
Were giddy gazing there; and over all
High on the top were those three Queens, the friends
Of Arthur, who should help him at his need.
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Then those with Gareth for so long a space
Stared at the figures, that at last it seemed
The dragon-boughts and elvish emblemings
Began to move, seethe, twine and curl: they called
To Gareth, 'Lord, the gateway is alive.'
And Gareth likewise on them fixt his eyes
So long, that even to him they seemed to move.
Out of the city a blast of music pealed.
Back from the gate started the three, to whom
From out thereunder came an ancient man,
Long-bearded, saying, 'Who be ye, my sons?'
Then Gareth, 'We be tillers of the soil,
Who leaving share in furrow come to see
The glories of our King: but these, my men,
(Your city moved so weirdly in the mist)
Doubt if the King be King at all, or come
From Fairyland; and whether this be built
By magic, and by fairy Kings and Queens;
Or whether there be any city at all,
Or all a vision: and this music now
Hath scared them both, but tell thou these the truth.'
Then that old Seer made answer playing on him
And saying, 'Son, I have seen the good ship sail
Keel upward, and mast downward, in the heavens,
And solid turrets topsy-turvy in air:
And here is truth; but an it please thee not,
Take thou the truth as thou hast told it me.
For truly as thou sayest, a Fairy King
And Fairy Queens have built the city, son;
They came from out a sacred mountain-cleft
Toward the sunrise, each with harp in hand,
And built it to the music of their harps.
And, as thou sayest, it is enchanted, son,
For there is nothing in it as it seems
Saving the King; though some there be that hold
The King a shadow, and the city real:
Yet take thou heed of him, for, so thou pass
Beneath this archway, then wilt thou become
A thrall to his enchantments, for the King
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Will bind thee by such vows, as is a shame
A man should not be bound by, yet the which
No man can keep; but, so thou dread to swear,
Pass not beneath this gateway, but abide
Without, among the cattle of the field.
For an ye heard a music, like enow
They are building still, seeing the city is built
To music, therefore never built at all,
And therefore built for ever.'
Gareth spake
Angered, 'Old master, reverence thine own beard
That looks as white as utter truth, and seems
Wellnigh as long as thou art statured tall!
Why mockest thou the stranger that hath been
To thee fair-spoken?'
But the Seer replied,
'Know ye not then the Riddling of the Bards?
"Confusion, and illusion, and relation,
Elusion, and occasion, and evasion"?
I mock thee not but as thou mockest me,
And all that see thee, for thou art not who
Thou seemest, but I know thee who thou art.
And now thou goest up to mock the King,
Who cannot brook the shadow of any lie.'
Unmockingly the mocker ending here
Turned to the right, and past along the plain;
Whom Gareth looking after said, 'My men,
Our one white lie sits like a little ghost
Here on the threshold of our enterprise.
Let love be blamed for it, not she, nor I:
Well, we will make amends.'
With all good cheer
He spake and laughed, then entered with his twain
Camelot, a city of shadowy palaces
And stately, rich in emblem and the work
Of ancient kings who did their days in stone;
Which Merlin's hand, the Mage at Arthur's court,
Knowing all arts, had touched, and everywhere
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At Arthur's ordinance, tipt with lessening peak
And pinnacle, and had made it spire to heaven.
And ever and anon a knight would pass
Outward, or inward to the hall: his arms
Clashed; and the sound was good to Gareth's ear.
And out of bower and casement shyly glanced
Eyes of pure women, wholesome stars of love;
And all about a healthful people stept
As in the presence of a gracious king.
Then into hall Gareth ascending heard
A voice, the voice of Arthur, and beheld
Far over heads in that long-vaulted hall
The splendour of the presence of the King
Throned, and delivering doom--and looked no more-But felt his young heart hammering in his ears,
And thought, 'For this half-shadow of a lie
The truthful King will doom me when I speak.'
Yet pressing on, though all in fear to find
Sir Gawain or Sir Modred, saw nor one
Nor other, but in all the listening eyes
Of those tall knights, that ranged about the throne,
Clear honour shining like the dewy star
Of dawn, and faith in their great King, with pure
Affection, and the light of victory,
And glory gained, and evermore to gain.
Then came a widow crying to the King,
'A boon, Sir King! Thy father, Uther, reft
From my dead lord a field with violence:
For howsoe'er at first he proffered gold,
Yet, for the field was pleasant in our eyes,
We yielded not; and then he reft us of it
Perforce, and left us neither gold nor field.'
Said Arthur, 'Whether would ye? gold or field?'
To whom the woman weeping, 'Nay, my lord,
The field was pleasant in my husband's eye.'
And Arthur, 'Have thy pleasant field again,
And thrice the gold for Uther's use thereof,
According to the years. No boon is here,
But justice, so thy say be proven true.
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Accursed, who from the wrongs his father did
Would shape himself a right!'
And while she past,
Came yet another widow crying to him,
'A boon, Sir King! Thine enemy, King, am I.
With thine own hand thou slewest my dear lord,
A knight of Uther in the Barons' war,
When Lot and many another rose and fought
Against thee, saying thou wert basely born.
I held with these, and loathe to ask thee aught.
Yet lo! my husband's brother had my son
Thralled in his castle, and hath starved him dead;
And standeth seized of that inheritance
Which thou that slewest the sire hast left the son.
So though I scarce can ask it thee for hate,
Grant me some knight to do the battle for me,
Kill the foul thief, and wreak me for my son.'
Then strode a good knight forward, crying to him,
'A boon, Sir King! I am her kinsman, I.
Give me to right her wrong, and slay the man.'
Then came Sir Kay, the seneschal, and cried,
'A boon, Sir King! even that thou grant her none,
This railer, that hath mocked thee in full hall-None; or the wholesome boon of gyve and gag.'
But Arthur, 'We sit King, to help the wronged
Through all our realm. The woman loves her lord.
Peace to thee, woman, with thy loves and hates!
The kings of old had doomed thee to the flames,
Aurelius Emrys would have scourged thee dead,
And Uther slit thy tongue: but get thee hence-Lest that rough humour of the kings of old
Return upon me! Thou that art her kin,
Go likewise; lay him low and slay him not,
But bring him here, that I may judge the right,
According to the justice of the King:
Then, be he guilty, by that deathless King
Who lived and died for men, the man shall die.'
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Then came in hall the messenger of Mark,
A name of evil savour in the land,
The Cornish king. In either hand he bore
What dazzled all, and shone far-off as shines
A field of charlock in the sudden sun
Between two showers, a cloth of palest gold,
Which down he laid before the throne, and knelt,
Delivering, that his lord, the vassal king,
Was even upon his way to Camelot;
For having heard that Arthur of his grace
Had made his goodly cousin, Tristram, knight,
And, for himself was of the greater state,
Being a king, he trusted his liege-lord
Would yield him this large honour all the more;
So prayed him well to accept this cloth of gold,
In token of true heart and felty.
Then Arthur cried to rend the cloth, to rend
In pieces, and so cast it on the hearth.
An oak-tree smouldered there. 'The goodly knight!
What! shall the shield of Mark stand among these?'
For, midway down the side of that long hall
A stately pile,--whereof along the front,
Some blazoned, some but carven, and some blank,
There ran a treble range of stony shields,-Rose, and high-arching overbrowed the hearth.
And under every shield a knight was named:
For this was Arthur's custom in his hall;
When some good knight had done one noble deed,
His arms were carven only; but if twain
His arms were blazoned also; but if none,
The shield was blank and bare without a sign
Saving the name beneath; and Gareth saw
The shield of Gawain blazoned rich and bright,
And Modred's blank as death; and Arthur cried
To rend the cloth and cast it on the hearth.
'More like are we to reave him of his crown
Than make him knight because men call him king.
The kings we found, ye know we stayed their hands
From war among themselves, but left them kings;
Of whom were any bounteous, merciful,
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Truth-speaking, brave, good livers, them we enrolled
Among us, and they sit within our hall.
But as Mark hath tarnished the great name of king,
As Mark would sully the low state of churl:
And, seeing he hath sent us cloth of gold,
Return, and meet, and hold him from our eyes,
Lest we should lap him up in cloth of lead,
Silenced for ever--craven--a man of plots,
Craft, poisonous counsels, wayside ambushings-No fault of thine: let Kay the seneschal
Look to thy wants, and send thee satisfied-Accursed, who strikes nor lets the hand be seen!'
And many another suppliant crying came
With noise of ravage wrought by beast and man,
And evermore a knight would ride away.
Last, Gareth leaning both hands heavily
Down on the shoulders of the twain, his men,
Approached between them toward the King, and asked,
'A boon, Sir King (his voice was all ashamed),
For see ye not how weak and hungerworn
I seem--leaning on these? grant me to serve
For meat and drink among thy kitchen-knaves
A twelvemonth and a day, nor seek my name.
Hereafter I will fight.'
To him the King,
'A goodly youth and worth a goodlier boon!
But so thou wilt no goodlier, then must Kay,
The master of the meats and drinks, be thine.'
He rose and past; then Kay, a man of mien
Wan-sallow as the plant that feels itself
Root-bitten by white lichen,
'Lo ye now!
This fellow hath broken from some Abbey, where,
God wot, he had not beef and brewis enow,
However that might chance! but an he work,
Like any pigeon will I cram his crop,
And sleeker shall he shine than any hog.'
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Then Lancelot standing near, 'Sir Seneschal,
Sleuth-hound thou knowest, and gray, and all the hounds;
A horse thou knowest, a man thou dost not know:
Broad brows and fair, a fluent hair and fine,
High nose, a nostril large and fine, and hands
Large, fair and fine!--Some young lad's mystery-But, or from sheepcot or king's hall, the boy
Is noble-natured. Treat him with all grace,
Lest he should come to shame thy judging of him.'
Then Kay, 'What murmurest thou of mystery?
Think ye this fellow will poison the King's dish?
Nay, for he spake too fool-like: mystery!
Tut, an the lad were noble, he had asked
For horse and armour: fair and fine, forsooth!
Sir Fine-face, Sir Fair-hands? but see thou to it
That thine own fineness, Lancelot, some fine day
Undo thee not--and leave my man to me.'
So Gareth all for glory underwent
The sooty yoke of kitchen-vassalage;
Ate with young lads his portion by the door,
And couched at night with grimy kitchen-knaves.
And Lancelot ever spake him pleasantly,
But Kay the seneschal, who loved him not,
Would hustle and harry him, and labour him
Beyond his comrade of the hearth, and set
To turn the broach, draw water, or hew wood,
Or grosser tasks; and Gareth bowed himself
With all obedience to the King, and wrought
All kind of service with a noble ease
That graced the lowliest act in doing it.
And when the thralls had talk among themselves,
And one would praise the love that linkt the King
And Lancelot--how the King had saved his life
In battle twice, and Lancelot once the King's-For Lancelot was the first in Tournament,
But Arthur mightiest on the battle-field-Gareth was glad. Or if some other told,
How once the wandering forester at dawn,
Far over the blue tarns and hazy seas,
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On Caer-Eryri's highest found the King,
A naked babe, of whom the Prophet spake,
'He passes to the Isle Avilion,
He passes and is healed and cannot die'-Gareth was glad. But if their talk were foul,
Then would he whistle rapid as any lark,
Or carol some old roundelay, and so loud
That first they mocked, but, after, reverenced him.
Or Gareth telling some prodigious tale
Of knights, who sliced a red life-bubbling way
Through twenty folds of twisted dragon, held
All in a gap-mouthed circle his good mates
Lying or sitting round him, idle hands,
Charmed; till Sir Kay, the seneschal, would come
Blustering upon them, like a sudden wind
Among dead leaves, and drive them all apart.
Or when the thralls had sport among themselves,
So there were any trial of mastery,
He, by two yards in casting bar or stone
Was counted best; and if there chanced a joust,
So that Sir Kay nodded him leave to go,
Would hurry thither, and when he saw the knights
Clash like the coming and retiring wave,
And the spear spring, and good horse reel, the boy
Was half beyond himself for ecstasy.
So for a month he wrought among the thralls;
But in the weeks that followed, the good Queen,
Repentant of the word she made him swear,
And saddening in her childless castle, sent,
Between the in-crescent and de-crescent moon,
Arms for her son, and loosed him from his vow.
This, Gareth hearing from a squire of Lot
With whom he used to play at tourney once,
When both were children, and in lonely haunts
Would scratch a ragged oval on the sand,
And each at either dash from either end-Shame never made girl redder than Gareth joy.
He laughed; he sprang. 'Out of the smoke, at once
I leap from Satan's foot to Peter's knee-These news be mine, none other's--nay, the King's--
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Descend into the city:' whereon he sought
The King alone, and found, and told him all.
'I have staggered thy strong Gawain in a tilt
For pastime; yea, he said it: joust can I.
Make me thy knight--in secret! let my name
Be hidden, and give me the first quest, I spring
Like flame from ashes.'
Here the King's calm eye
Fell on, and checked, and made him flush, and bow
Lowly, to kiss his hand, who answered him,
'Son, the good mother let me know thee here,
And sent her wish that I would yield thee thine.
Make thee my knight? my knights are sworn to vows
Of utter hardihood, utter gentleness,
And, loving, utter faithfulness in love,
And uttermost obedience to the King.'
Then Gareth, lightly springing from his knees,
'My King, for hardihood I can promise thee.
For uttermost obedience make demand
Of whom ye gave me to, the Seneschal,
No mellow master of the meats and drinks!
And as for love, God wot, I love not yet,
But love I shall, God willing.'
And the King
'Make thee my knight in secret? yea, but he,
Our noblest brother, and our truest man,
And one with me in all, he needs must know.'
'Let Lancelot know, my King, let Lancelot know,
Thy noblest and thy truest!'
And the King-'But wherefore would ye men should wonder at you?
Nay, rather for the sake of me, their King,
And the deed's sake my knighthood do the deed,
Than to be noised of.'
Merrily Gareth asked,
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'Have I not earned my cake in baking of it?
Let be my name until I make my name!
My deeds will speak: it is but for a day.'
So with a kindly hand on Gareth's arm
Smiled the great King, and half-unwillingly
Loving his lusty youthhood yielded to him.
Then, after summoning Lancelot privily,
'I have given him the first quest: he is not proven.
Look therefore when he calls for this in hall,
Thou get to horse and follow him far away.
Cover the lions on thy shield, and see
Far as thou mayest, he be nor ta'en nor slain.'
Then that same day there past into the hall
A damsel of high lineage, and a brow
May-blossom, and a cheek of apple-blossom,
Hawk-eyes; and lightly was her slender nose
Tip-tilted like the petal of a flower;
She into hall past with her page and cried,
'O King, for thou hast driven the foe without,
See to the foe within! bridge, ford, beset
By bandits, everyone that owns a tower
The Lord for half a league. Why sit ye there?
Rest would I not, Sir King, an I were king,
Till even the lonest hold were all as free
From cursd bloodshed, as thine altar-cloth
From that best blood it is a sin to spill.'
'Comfort thyself,' said Arthur. 'I nor mine
Rest: so my knighthood keep the vows they swore,
The wastest moorland of our realm shall be
Safe, damsel, as the centre of this hall.
What is thy name? thy need?'
'My name?' she said-'Lynette my name; noble; my need, a knight
To combat for my sister, Lyonors,
A lady of high lineage, of great lands,
And comely, yea, and comelier than myself.
She lives in Castle Perilous: a river
Runs in three loops about her living-place;
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And o'er it are three passings, and three knights
Defend the passings, brethren, and a fourth
And of that four the mightiest, holds her stayed
In her own castle, and so besieges her
To break her will, and make her wed with him:
And but delays his purport till thou send
To do the battle with him, thy chief man
Sir Lancelot whom he trusts to overthrow,
Then wed, with glory: but she will not wed
Save whom she loveth, or a holy life.
Now therefore have I come for Lancelot.'
Then Arthur mindful of Sir Gareth asked,
'Damsel, ye know this Order lives to crush
All wrongers of the Realm. But say, these four,
Who be they? What the fashion of the men?'
'They be of foolish fashion, O Sir King,
The fashion of that old knight-errantry
Who ride abroad, and do but what they will;
Courteous or bestial from the moment, such
As have nor law nor king; and three of these
Proud in their fantasy call themselves the Day,
Morning-Star, and Noon-Sun, and Evening-Star,
Being strong fools; and never a whit more wise
The fourth, who alway rideth armed in black,
A huge man-beast of boundless savagery.
He names himself the Night and oftener Death,
And wears a helmet mounted with a skull,
And bears a skeleton figured on his arms,
To show that who may slay or scape the three,
Slain by himself, shall enter endless night.
And all these four be fools, but mighty men,
And therefore am I come for Lancelot.'
Hereat Sir Gareth called from where he rose,
A head with kindling eyes above the throng,
'A boon, Sir King--this quest!' then--for he marked
Kay near him groaning like a wounded bull-'Yea, King, thou knowest thy kitchen-knave am I,
And mighty through thy meats and drinks am I,
And I can topple over a hundred such.
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Thy promise, King,' and Arthur glancing at him,
Brought down a momentary brow. 'Rough, sudden,
And pardonable, worthy to be knight-Go therefore,' and all hearers were amazed.
But on the damsel's forehead shame, pride, wrath
Slew the May-white: she lifted either arm,
'Fie on thee, King! I asked for thy chief knight,
And thou hast given me but a kitchen-knave.'
Then ere a man in hall could stay her, turned,
Fled down the lane of access to the King,
Took horse, descended the slope street, and past
The weird white gate, and paused without, beside
The field of tourney, murmuring 'kitchen-knave.'
Now two great entries opened from the hall,
At one end one, that gave upon a range
Of level pavement where the King would pace
At sunrise, gazing over plain and wood;
And down from this a lordly stairway sloped
Till lost in blowing trees and tops of towers;
And out by this main doorway past the King.
But one was counter to the hearth, and rose
High that the highest-crested helm could ride
Therethrough nor graze: and by this entry fled
The damsel in her wrath, and on to this
Sir Gareth strode, and saw without the door
King Arthur's gift, the worth of half a town,
A warhorse of the best, and near it stood
The two that out of north had followed him:
This bare a maiden shield, a casque; that held
The horse, the spear; whereat Sir Gareth loosed
A cloak that dropt from collar-bone to heel,
A cloth of roughest web, and cast it down,
And from it like a fuel-smothered fire,
That lookt half-dead, brake bright, and flashed as those
Dull-coated things, that making slide apart
Their dusk wing-cases, all beneath there burns
A jewelled harness, ere they pass and fly.
So Gareth ere he parted flashed in arms.
Then as he donned the helm, and took the shield
And mounted horse and graspt a spear, of grain
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Storm-strengthened on a windy site, and tipt
With trenchant steel, around him slowly prest
The people, while from out of kitchen came
The thralls in throng, and seeing who had worked
Lustier than any, and whom they could but love,
Mounted in arms, threw up their caps and cried,
'God bless the King, and all his fellowship!'
And on through lanes of shouting Gareth rode
Down the slope street, and past without the gate.
So Gareth past with joy; but as the cur
Pluckt from the cur he fights with, ere his cause
Be cooled by fighting, follows, being named,
His owner, but remembers all, and growls
Remembering, so Sir Kay beside the door
Muttered in scorn of Gareth whom he used
To harry and hustle.
'Bound upon a quest
With horse and arms--the King hath past his time-My scullion knave! Thralls to your work again,
For an your fire be low ye kindle mine!
Will there be dawn in West and eve in East?
Begone!--my knave!--belike and like enow
Some old head-blow not heeded in his youth
So shook his wits they wander in his prime-Crazed! How the villain lifted up his voice,
Nor shamed to bawl himself a kitchen-knave.
Tut: he was tame and meek enow with me,
Till peacocked up with Lancelot's noticing.
Well--I will after my loud knave, and learn
Whether he know me for his master yet.
Out of the smoke he came, and so my lance
Hold, by God's grace, he shall into the mire-Thence, if the King awaken from his craze,
Into the smoke again.'
But Lancelot said,
'Kay, wherefore wilt thou go against the King,
For that did never he whereon ye rail,
But ever meekly served the King in thee?
Abide: take counsel; for this lad is great
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And lusty, and knowing both of lance and sword.'
'Tut, tell not me,' said Kay, 'ye are overfine
To mar stout knaves with foolish courtesies:'
Then mounted, on through silent faces rode
Down the slope city, and out beyond the gate.
But by the field of tourney lingering yet
Muttered the damsel, 'Wherefore did the King
Scorn me? for, were Sir Lancelot lackt, at least
He might have yielded to me one of those
Who tilt for lady's love and glory here,
Rather than--O sweet heaven! O fie upon him-His kitchen-knave.'
To whom Sir Gareth drew
(And there were none but few goodlier than he)
Shining in arms, 'Damsel, the quest is mine.
Lead, and I follow.' She thereat, as one
That smells a foul-fleshed agaric in the holt,
And deems it carrion of some woodland thing,
Or shrew, or weasel, nipt her slender nose
With petulant thumb and finger, shrilling, 'Hence!
Avoid, thou smellest all of kitchen-grease.
And look who comes behind,' for there was Kay.
'Knowest thou not me? thy master? I am Kay.
We lack thee by the hearth.'
And Gareth to him,
'Master no more! too well I know thee, ay-The most ungentle knight in Arthur's hall.'
'Have at thee then,' said Kay: they shocked, and Kay
Fell shoulder-slipt, and Gareth cried again,
'Lead, and I follow,' and fast away she fled.
But after sod and shingle ceased to fly
Behind her, and the heart of her good horse
Was nigh to burst with violence of the beat,
Perforce she stayed, and overtaken spoke.
'What doest thou, scullion, in my fellowship?
Deem'st thou that I accept thee aught the more
Or love thee better, that by some device
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Full cowardly, or by mere unhappiness,
Thou hast overthrown and slain thy master--thou!-Dish-washer and broach-turner, loon!--to me
Thou smellest all of kitchen as before.'
'Damsel,' Sir Gareth answered gently, 'say
Whate'er ye will, but whatsoe'er ye say,
I leave not till I finish this fair quest,
Or die therefore.'
'Ay, wilt thou finish it?
Sweet lord, how like a noble knight he talks!
The listening rogue hath caught the manner of it.
But, knave, anon thou shalt be met with, knave,
And then by such a one that thou for all
The kitchen brewis that was ever supt
Shalt not once dare to look him in the face.'
'I shall assay,' said Gareth with a smile
That maddened her, and away she flashed again
Down the long avenues of a boundless wood,
And Gareth following was again beknaved.
'Sir Kitchen-knave, I have missed the only way
Where Arthur's men are set along the wood;
The wood is nigh as full of thieves as leaves:
If both be slain, I am rid of thee; but yet,
Sir Scullion, canst thou use that spit of thine?
Fight, an thou canst: I have missed the only way.'
So till the dusk that followed evensong
Rode on the two, reviler and reviled;
Then after one long slope was mounted, saw,
Bowl-shaped, through tops of many thousand pines
A gloomy-gladed hollow slowly sink
To westward--in the deeps whereof a mere,
Round as the red eye of an Eagle-owl,
Under the half-dead sunset glared; and shouts
Ascended, and there brake a servingman
Flying from out of the black wood, and crying,
'They have bound my lord to cast him in the mere.'
Then Gareth, 'Bound am I to right the wronged,
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But straitlier bound am I to bide with thee.'
And when the damsel spake contemptuously,
'Lead, and I follow,' Gareth cried again,
'Follow, I lead!' so down among the pines
He plunged; and there, blackshadowed nigh the mere,
And mid-thigh-deep in bulrushes and reed,
Saw six tall men haling a seventh along,
A stone about his neck to drown him in it.
Three with good blows he quieted, but three
Fled through the pines; and Gareth loosed the stone
From off his neck, then in the mere beside
Tumbled it; oilily bubbled up the mere.
Last, Gareth loosed his bonds and on free feet
Set him, a stalwart Baron, Arthur's friend.
'Well that ye came, or else these caitiff rogues
Had wreaked themselves on me; good cause is theirs
To hate me, for my wont hath ever been
To catch my thief, and then like vermin here
Drown him, and with a stone about his neck;
And under this wan water many of them
Lie rotting, but at night let go the stone,
And rise, and flickering in a grimly light
Dance on the mere. Good now, ye have saved a life
Worth somewhat as the cleanser of this wood.
And fain would I reward thee worshipfully.
What guerdon will ye?'
Gareth sharply spake,
'None! for the deed's sake have I done the deed,
In uttermost obedience to the King.
But wilt thou yield this damsel harbourage?'
Whereat the Baron saying, 'I well believe
You be of Arthur's Table,' a light laugh
Broke from Lynette, 'Ay, truly of a truth,
And in a sort, being Arthur's kitchen-knave!-But deem not I accept thee aught the more,
Scullion, for running sharply with thy spit
Down on a rout of craven foresters.
A thresher with his flail had scattered them.
Nay--for thou smellest of the kitchen still.
But an this lord will yield us harbourage,
128
Well.'
So she spake. A league beyond the wood,
All in a full-fair manor and a rich,
His towers where that day a feast had been
Held in high hall, and many a viand left,
And many a costly cate, received the three.
And there they placed a peacock in his pride
Before the damsel, and the Baron set
Gareth beside her, but at once she rose.
'Meseems, that here is much discourtesy,
Setting this knave, Lord Baron, at my side.
Hear me--this morn I stood in Arthur's hall,
And prayed the King would grant me Lancelot
To fight the brotherhood of Day and Night-The last a monster unsubduable
Of any save of him for whom I called-Suddenly bawls this frontless kitchen-knave,
"The quest is mine; thy kitchen-knave am I,
And mighty through thy meats and drinks am I."
Then Arthur all at once gone mad replies,
"Go therefore," and so gives the quest to him-Him--here--a villain fitter to stick swine
Than ride abroad redressing women's wrong,
Or sit beside a noble gentlewoman.'
Then half-ashamed and part-amazed, the lord
Now looked at one and now at other, left
The damsel by the peacock in his pride,
And, seating Gareth at another board,
Sat down beside him, ate and then began.
'Friend, whether thou be kitchen-knave, or not,
Or whether it be the maiden's fantasy,
And whether she be mad, or else the King,
Or both or neither, or thyself be mad,
I ask not: but thou strikest a strong stroke,
For strong thou art and goodly therewithal,
And saver of my life; and therefore now,
For here be mighty men to joust with, weigh
Whether thou wilt not with thy damsel back
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To crave again Sir Lancelot of the King.
Thy pardon; I but speak for thine avail,
The saver of my life.'
And Gareth said,
'Full pardon, but I follow up the quest,
Despite of Day and Night and Death and Hell.'
So when, next morn, the lord whose life he saved
Had, some brief space, conveyed them on their way
And left them with God-speed, Sir Gareth spake,
'Lead, and I follow.' Haughtily she replied.
'I fly no more: I allow thee for an hour.
Lion and stout have isled together, knave,
In time of flood. Nay, furthermore, methinks
Some ruth is mine for thee. Back wilt thou, fool?
For hard by here is one will overthrow
And slay thee: then will I to court again,
And shame the King for only yielding me
My champion from the ashes of his hearth.'
To whom Sir Gareth answered courteously,
'Say thou thy say, and I will do my deed.
Allow me for mine hour, and thou wilt find
My fortunes all as fair as hers who lay
Among the ashes and wedded the King's son.'
Then to the shore of one of those long loops
Wherethrough the serpent river coiled, they came.
Rough-thicketed were the banks and steep; the stream
Full, narrow; this a bridge of single arc
Took at a leap; and on the further side
Arose a silk pavilion, gay with gold
In streaks and rays, and all Lent-lily in hue,
Save that the dome was purple, and above,
Crimson, a slender banneret fluttering.
And therebefore the lawless warrior paced
Unarmed, and calling, 'Damsel, is this he,
The champion thou hast brought from Arthur's hall?
For whom we let thee pass.' 'Nay, nay,' she said,
'Sir Morning-Star. The King in utter scorn
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Of thee and thy much folly hath sent thee here
His kitchen-knave: and look thou to thyself:
See that he fall not on thee suddenly,
And slay thee unarmed: he is not knight but knave.'
Then at his call, 'O daughters of the Dawn,
And servants of the Morning-Star, approach,
Arm me,' from out the silken curtain-folds
Bare-footed and bare-headed three fair girls
In gilt and rosy raiment came: their feet
In dewy grasses glistened; and the hair
All over glanced with dewdrop or with gem
Like sparkles in the stone Avanturine.
These armed him in blue arms, and gave a shield
Blue also, and thereon the morning star.
And Gareth silent gazed upon the knight,
Who stood a moment, ere his horse was brought,
Glorying; and in the stream beneath him, shone
Immingled with Heaven's azure waveringly,
The gay pavilion and the naked feet,
His arms, the rosy raiment, and the star.
Then she that watched him, 'Wherefore stare ye so?
Thou shakest in thy fear: there yet is time:
Flee down the valley before he get to horse.
Who will cry shame? Thou art not knight but knave.'
Said Gareth, 'Damsel, whether knave or knight,
Far liefer had I fight a score of times
Than hear thee so missay me and revile.
Fair words were best for him who fights for thee;
But truly foul are better, for they send
That strength of anger through mine arms, I know
That I shall overthrow him.'
And he that bore
The star, when mounted, cried from o'er the bridge,
'A kitchen-knave, and sent in scorn of me!
Such fight not I, but answer scorn with scorn.
For this were shame to do him further wrong
Than set him on his feet, and take his horse
And arms, and so return him to the King.
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Come, therefore, leave thy lady lightly, knave.
Avoid: for it beseemeth not a knave
To ride with such a lady.'
'Dog, thou liest.
I spring from loftier lineage than thine own.'
He spake; and all at fiery speed the two
Shocked on the central bridge, and either spear
Bent but not brake, and either knight at once,
Hurled as a stone from out of a catapult
Beyond his horse's crupper and the bridge,
Fell, as if dead; but quickly rose and drew,
And Gareth lashed so fiercely with his brand
He drave his enemy backward down the bridge,
The damsel crying, 'Well-stricken, kitchen-knave!'
Till Gareth's shield was cloven; but one stroke
Laid him that clove it grovelling on the ground.
Then cried the fallen, 'Take not my life: I yield.'
And Gareth, 'So this damsel ask it of me
Good--I accord it easily as a grace.'
She reddening, 'Insolent scullion: I of thee?
I bound to thee for any favour asked!'
'Then he shall die.' And Gareth there unlaced
His helmet as to slay him, but she shrieked,
'Be not so hardy, scullion, as to slay
One nobler than thyself.' 'Damsel, thy charge
Is an abounding pleasure to me. Knight,
Thy life is thine at her command. Arise
And quickly pass to Arthur's hall, and say
His kitchen-knave hath sent thee. See thou crave
His pardon for thy breaking of his laws.
Myself, when I return, will plead for thee.
Thy shield is mine--farewell; and, damsel, thou,
Lead, and I follow.'
And fast away she fled.
Then when he came upon her, spake, 'Methought,
Knave, when I watched thee striking on the bridge
The savour of thy kitchen came upon me
A little faintlier: but the wind hath changed:
I scent it twenty-fold.' And then she sang,
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'"O morning star" (not that tall felon there
Whom thou by sorcery or unhappiness
Or some device, hast foully overthrown),
"O morning star that smilest in the blue,
O star, my morning dream hath proven true,
Smile sweetly, thou! my love hath smiled on me."
'But thou begone, take counsel, and away,
For hard by here is one that guards a ford-The second brother in their fool's parable-Will pay thee all thy wages, and to boot.
Care not for shame: thou art not knight but knave.'
To whom Sir Gareth answered, laughingly,
'Parables? Hear a parable of the knave.
When I was kitchen-knave among the rest
Fierce was the hearth, and one of my co-mates
Owned a rough dog, to whom he cast his coat,
"Guard it," and there was none to meddle with it.
And such a coat art thou, and thee the King
Gave me to guard, and such a dog am I,
To worry, and not to flee--and--knight or knave-The knave that doth thee service as full knight
Is all as good, meseems, as any knight
Toward thy sister's freeing.'
'Ay, Sir Knave!
Ay, knave, because thou strikest as a knight,
Being but knave, I hate thee all the more.'
'Fair damsel, you should worship me the more,
That, being but knave, I throw thine enemies.'
'Ay, ay,' she said, 'but thou shalt meet thy match.'
So when they touched the second river-loop,
Huge on a huge red horse, and all in mail
Burnished to blinding, shone the Noonday Sun
Beyond a raging shallow. As if the flower,
That blows a globe of after arrowlets,
Ten thousand-fold had grown, flashed the fierce shield,
All sun; and Gareth's eyes had flying blots
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Before them when he turned from watching him.
He from beyond the roaring shallow roared,
'What doest thou, brother, in my marches here?'
And she athwart the shallow shrilled again,
'Here is a kitchen-knave from Arthur's hall
Hath overthrown thy brother, and hath his arms.'
'Ugh!' cried the Sun, and vizoring up a red
And cipher face of rounded foolishness,
Pushed horse across the foamings of the ford,
Whom Gareth met midstream: no room was there
For lance or tourney-skill: four strokes they struck
With sword, and these were mighty; the new knight
Had fear he might be shamed; but as the Sun
Heaved up a ponderous arm to strike the fifth,
The hoof of his horse slipt in the stream, the stream
Descended, and the Sun was washed away.
Then Gareth laid his lance athwart the ford;
So drew him home; but he that fought no more,
As being all bone-battered on the rock,
Yielded; and Gareth sent him to the King,
'Myself when I return will plead for thee.'
'Lead, and I follow.' Quietly she led.
'Hath not the good wind, damsel, changed again?'
'Nay, not a point: nor art thou victor here.
There lies a ridge of slate across the ford;
His horse thereon stumbled--ay, for I saw it.
'"O Sun" (not this strong fool whom thou, Sir Knave,
Hast overthrown through mere unhappiness),
"O Sun, that wakenest all to bliss or pain,
O moon, that layest all to sleep again,
Shine sweetly: twice my love hath smiled on me."
What knowest thou of lovesong or of love?
Nay, nay, God wot, so thou wert nobly born,
Thou hast a pleasant presence. Yea, perchance,-'"O dewy flowers that open to the sun,
O dewy flowers that close when day is done,
Blow sweetly: twice my love hath smiled on me."
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'What knowest thou of flowers, except, belike,
To garnish meats with? hath not our good King
Who lent me thee, the flower of kitchendom,
A foolish love for flowers? what stick ye round
The pasty? wherewithal deck the boar's head?
Flowers? nay, the boar hath rosemaries and bay.
'"O birds, that warble to the morning sky,
O birds that warble as the day goes by,
Sing sweetly: twice my love hath smiled on me."
'What knowest thou of birds, lark, mavis, merle,
Linnet? what dream ye when they utter forth
May-music growing with the growing light,
Their sweet sun-worship? these be for the snare
(So runs thy fancy) these be for the spit,
Larding and basting. See thou have not now
Larded thy last, except thou turn and fly.
There stands the third fool of their allegory.'
For there beyond a bridge of treble bow,
All in a rose-red from the west, and all
Naked it seemed, and glowing in the broad
Deep-dimpled current underneath, the knight,
That named himself the Star of Evening, stood.
And Gareth, 'Wherefore waits the madman there
Naked in open dayshine?' 'Nay,' she cried,
'Not naked, only wrapt in hardened skins
That fit him like his own; and so ye cleave
His armour off him, these will turn the blade.'
Then the third brother shouted o'er the bridge,
'O brother-star, why shine ye here so low?
Thy ward is higher up: but have ye slain
The damsel's champion?' and the damsel cried,
'No star of thine, but shot from Arthur's heaven
With all disaster unto thine and thee!
For both thy younger brethren have gone down
Before this youth; and so wilt thou, Sir Star;
Art thou not old?'
135
'Old, damsel, old and hard,
Old, with the might and breath of twenty boys.'
Said Gareth, 'Old, and over-bold in brag!
But that same strength which threw the Morning Star
Can throw the Evening.'
Then that other blew
A hard and deadly note upon the horn.
'Approach and arm me!' With slow steps from out
An old storm-beaten, russet, many-stained
Pavilion, forth a grizzled damsel came,
And armed him in old arms, and brought a helm
With but a drying evergreen for crest,
And gave a shield whereon the Star of Even
Half-tarnished and half-bright, his emblem, shone.
But when it glittered o'er the saddle-bow,
They madly hurled together on the bridge;
And Gareth overthrew him, lighted, drew,
There met him drawn, and overthrew him again,
But up like fire he started: and as oft
As Gareth brought him grovelling on his knees,
So many a time he vaulted up again;
Till Gareth panted hard, and his great heart,
Foredooming all his trouble was in vain,
Laboured within him, for he seemed as one
That all in later, sadder age begins
To war against ill uses of a life,
But these from all his life arise, and cry,
'Thou hast made us lords, and canst not put us down!'
He half despairs; so Gareth seemed to strike
Vainly, the damsel clamouring all the while,
'Well done, knave-knight, well-stricken, O good knight-knave-O knave, as noble as any of all the knights-Shame me not, shame me not. I have prophesied-Strike, thou art worthy of the Table Round-His arms are old, he trusts the hardened skin-Strike--strike--the wind will never change again.'
And Gareth hearing ever stronglier smote,
And hewed great pieces of his armour off him,
But lashed in vain against the hardened skin,
And could not wholly bring him under, more
Than loud Southwesterns, rolling ridge on ridge,
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The buoy that rides at sea, and dips and springs
For ever; till at length Sir Gareth's brand
Clashed his, and brake it utterly to the hilt.
'I have thee now;' but forth that other sprang,
And, all unknightlike, writhed his wiry arms
Around him, till he felt, despite his mail,
Strangled, but straining even his uttermost
Cast, and so hurled him headlong o'er the bridge
Down to the river, sink or swim, and cried,
'Lead, and I follow.'
But the damsel said,
'I lead no longer; ride thou at my side;
Thou art the kingliest of all kitchen-knaves.
'"O trefoil, sparkling on the rainy plain,
O rainbow with three colours after rain,
Shine sweetly: thrice my love hath smiled on me."
'Sir,--and, good faith, I fain had added--Knight,
But that I heard thee call thyself a knave,-Shamed am I that I so rebuked, reviled,
Missaid thee; noble I am; and thought the King
Scorned me and mine; and now thy pardon, friend,
For thou hast ever answered courteously,
And wholly bold thou art, and meek withal
As any of Arthur's best, but, being knave,
Hast mazed my wit: I marvel what thou art.'
'Damsel,' he said, 'you be not all to blame,
Saving that you mistrusted our good King
Would handle scorn, or yield you, asking, one
Not fit to cope your quest. You said your say;
Mine answer was my deed. Good sooth! I hold
He scarce is knight, yea but half-man, nor meet
To fight for gentle damsel, he, who lets
His heart be stirred with any foolish heat
At any gentle damsel's waywardness.
Shamed? care not! thy foul sayings fought for me:
And seeing now thy words are fair, methinks
There rides no knight, not Lancelot, his great self,
Hath force to quell me.'
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Nigh upon that hour
When the lone hern forgets his melancholy,
Lets down his other leg, and stretching, dreams
Of goodly supper in the distant pool,
Then turned the noble damsel smiling at him,
And told him of a cavern hard at hand,
Where bread and baken meats and good red wine
Of Southland, which the Lady Lyonors
Had sent her coming champion, waited him.
Anon they past a narrow comb wherein
Where slabs of rock with figures, knights on horse
Sculptured, and deckt in slowly-waning hues.
'Sir Knave, my knight, a hermit once was here,
Whose holy hand hath fashioned on the rock
The war of Time against the soul of man.
And yon four fools have sucked their allegory
From these damp walls, and taken but the form.
Know ye not these?' and Gareth lookt and read-In letters like to those the vexillary
Hath left crag-carven o'er the streaming Gelt-'PHOSPHORUS,' then 'MERIDIES'--'HESPERUS'-'NOX'--'MORS,' beneath five figures, armd men,
Slab after slab, their faces forward all,
And running down the Soul, a Shape that fled
With broken wings, torn raiment and loose hair,
For help and shelter to the hermit's cave.
'Follow the faces, and we find it. Look,
Who comes behind?'
For one--delayed at first
Through helping back the dislocated Kay
To Camelot, then by what thereafter chanced,
The damsel's headlong error through the wood-Sir Lancelot, having swum the river-loops-His blue shield-lions covered--softly drew
Behind the twain, and when he saw the star
Gleam, on Sir Gareth's turning to him, cried,
'Stay, felon knight, I avenge me for my friend.'
And Gareth crying pricked against the cry;
But when they closed--in a moment--at one touch
Of that skilled spear, the wonder of the world--
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Went sliding down so easily, and fell,
That when he found the grass within his hands
He laughed; the laughter jarred upon Lynette:
Harshly she asked him, 'Shamed and overthrown,
And tumbled back into the kitchen-knave,
Why laugh ye? that ye blew your boast in vain?'
'Nay, noble damsel, but that I, the son
Of old King Lot and good Queen Bellicent,
And victor of the bridges and the ford,
And knight of Arthur, here lie thrown by whom
I know not, all through mere unhappiness-Device and sorcery and unhappiness-Out, sword; we are thrown!' And Lancelot answered, 'Prince,
O Gareth--through the mere unhappiness
Of one who came to help thee, not to harm,
Lancelot, and all as glad to find thee whole,
As on the day when Arthur knighted him.'
Then Gareth, 'Thou--Lancelot!--thine the hand
That threw me? An some chance to mar the boast
Thy brethren of thee make--which could not chance-Had sent thee down before a lesser spear,
Shamed had I been, and sad--O Lancelot--thou!'
Whereat the maiden, petulant, 'Lancelot,
Why came ye not, when called? and wherefore now
Come ye, not called? I gloried in my knave,
Who being still rebuked, would answer still
Courteous as any knight--but now, if knight,
The marvel dies, and leaves me fooled and tricked,
And only wondering wherefore played upon:
And doubtful whether I and mine be scorned.
Where should be truth if not in Arthur's hall,
In Arthur's presence? Knight, knave, prince and fool,
I hate thee and for ever.'
And Lancelot said,
'Blessd be thou, Sir Gareth! knight art thou
To the King's best wish. O damsel, be you wise
To call him shamed, who is but overthrown?
Thrown have I been, nor once, but many a time.
Victor from vanquished issues at the last,
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And overthrower from being overthrown.
With sword we have not striven; and thy good horse
And thou are weary; yet not less I felt
Thy manhood through that wearied lance of thine.
Well hast thou done; for all the stream is freed,
And thou hast wreaked his justice on his foes,
And when reviled, hast answered graciously,
And makest merry when overthrown. Prince, Knight
Hail, Knight and Prince, and of our Table Round!'
And then when turning to Lynette he told
The tale of Gareth, petulantly she said,
'Ay well--ay well--for worse than being fooled
Of others, is to fool one's self. A cave,
Sir Lancelot, is hard by, with meats and drinks
And forage for the horse, and flint for fire.
But all about it flies a honeysuckle.
Seek, till we find.' And when they sought and found,
Sir Gareth drank and ate, and all his life
Past into sleep; on whom the maiden gazed.
'Sound sleep be thine! sound cause to sleep hast thou.
Wake lusty! Seem I not as tender to him
As any mother? Ay, but such a one
As all day long hath rated at her child,
And vext his day, but blesses him asleep-Good lord, how sweetly smells the honeysuckle
In the hushed night, as if the world were one
Of utter peace, and love, and gentleness!
O Lancelot, Lancelot'--and she clapt her hands-'Full merry am I to find my goodly knave
Is knight and noble. See now, sworn have I,
Else yon black felon had not let me pass,
To bring thee back to do the battle with him.
Thus an thou goest, he will fight thee first;
Who doubts thee victor? so will my knight-knave
Miss the full flower of this accomplishment.'
Said Lancelot, 'Peradventure he, you name,
May know my shield. Let Gareth, an he will,
Change his for mine, and take my charger, fresh,
Not to be spurred, loving the battle as well
As he that rides him.' 'Lancelot-like,' she said,
140
'Courteous in this, Lord Lancelot, as in all.'
And Gareth, wakening, fiercely clutched the shield;
'Ramp ye lance-splintering lions, on whom all spears
Are rotten sticks! ye seem agape to roar!
Yea, ramp and roar at leaving of your lord!-Care not, good beasts, so well I care for you.
O noble Lancelot, from my hold on these
Streams virtue--fire--through one that will not shame
Even the shadow of Lancelot under shield.
Hence: let us go.'
Silent the silent field
They traversed. Arthur's harp though summer-wan,
In counter motion to the clouds, allured
The glance of Gareth dreaming on his liege.
A star shot: 'Lo,' said Gareth, 'the foe falls!'
An owl whoopt: 'Hark the victor pealing there!'
Suddenly she that rode upon his left
Clung to the shield that Lancelot lent him, crying,
'Yield, yield him this again: 'tis he must fight:
I curse the tongue that all through yesterday
Reviled thee, and hath wrought on Lancelot now
To lend thee horse and shield: wonders ye have done;
Miracles ye cannot: here is glory enow
In having flung the three: I see thee maimed,
Mangled: I swear thou canst not fling the fourth.'
'And wherefore, damsel? tell me all ye know.
You cannot scare me; nor rough face, or voice,
Brute bulk of limb, or boundless savagery
Appal me from the quest.'
'Nay, Prince,' she cried,
'God wot, I never looked upon the face,
Seeing he never rides abroad by day;
But watched him have I like a phantom pass
Chilling the night: nor have I heard the voice.
Always he made his mouthpiece of a page
Who came and went, and still reported him
As closing in himself the strength of ten,
And when his anger tare him, massacring
141
Man, woman, lad and girl--yea, the soft babe!
Some hold that he hath swallowed infant flesh,
Monster! O Prince, I went for Lancelot first,
The quest is Lancelot's: give him back the shield.'
Said Gareth laughing, 'An he fight for this,
Belike he wins it as the better man:
Thus--and not else!'
But Lancelot on him urged
All the devisings of their chivalry
When one might meet a mightier than himself;
How best to manage horse, lance, sword and shield,
And so fill up the gap where force might fail
With skill and fineness. Instant were his words.
Then Gareth, 'Here be rules. I know but one-To dash against mine enemy and win.
Yet have I seen thee victor in the joust,
And seen thy way.' 'Heaven help thee,' sighed Lynette.
Then for a space, and under cloud that grew
To thunder-gloom palling all stars, they rode
In converse till she made her palfrey halt,
Lifted an arm, and softly whispered, 'There.'
And all the three were silent seeing, pitched
Beside the Castle Perilous on flat field,
A huge pavilion like a mountain peak
Sunder the glooming crimson on the marge,
Black, with black banner, and a long black horn
Beside it hanging; which Sir Gareth graspt,
And so, before the two could hinder him,
Sent all his heart and breath through all the horn.
Echoed the walls; a light twinkled; anon
Came lights and lights, and once again he blew;
Whereon were hollow tramplings up and down
And muffled voices heard, and shadows past;
Till high above him, circled with her maids,
The Lady Lyonors at a window stood,
Beautiful among lights, and waving to him
White hands, and courtesy; but when the Prince
Three times had blown--after long hush--at last--
142
The huge pavilion slowly yielded up,
Through those black foldings, that which housed therein.
High on a nightblack horse, in nightblack arms,
With white breast-bone, and barren ribs of Death,
And crowned with fleshless laughter--some ten steps-In the half-light--through the dim dawn--advanced
The monster, and then paused, and spake no word.
But Gareth spake and all indignantly,
'Fool, for thou hast, men say, the strength of ten,
Canst thou not trust the limbs thy God hath given,
But must, to make the terror of thee more,
Trick thyself out in ghastly imageries
Of that which Life hath done with, and the clod,
Less dull than thou, will hide with mantling flowers
As if for pity?' But he spake no word;
Which set the horror higher: a maiden swooned;
The Lady Lyonors wrung her hands and wept,
As doomed to be the bride of Night and Death;
Sir Gareth's head prickled beneath his helm;
And even Sir Lancelot through his warm blood felt
Ice strike, and all that marked him were aghast.
At once Sir Lancelot's charger fiercely neighed,
And Death's dark war-horse bounded forward with him.
Then those that did not blink the terror, saw
That Death was cast to ground, and slowly rose.
But with one stroke Sir Gareth split the skull.
Half fell to right and half to left and lay.
Then with a stronger buffet he clove the helm
As throughly as the skull; and out from this
Issued the bright face of a blooming boy
Fresh as a flower new-born, and crying, 'Knight,
Slay me not: my three brethren bad me do it,
To make a horror all about the house,
And stay the world from Lady Lyonors.
They never dreamed the passes would be past.'
Answered Sir Gareth graciously to one
Not many a moon his younger, 'My fair child,
What madness made thee challenge the chief knight
Of Arthur's hall?' 'Fair Sir, they bad me do it.
They hate the King, and Lancelot, the King's friend,
143
They hoped to slay him somewhere on the stream,
They never dreamed the passes could be past.'
Then sprang the happier day from underground;
And Lady Lyonors and her house, with dance
And revel and song, made merry over Death,
As being after all their foolish fears
And horrors only proven a blooming boy.
So large mirth lived and Gareth won the quest.
And he that told the tale in older times
Says that Sir Gareth wedded Lyonors,
But he, that told it later, says Lynette.
~ Alfred Lord Tennyson,#NFDB
174:The Door Of Humility
ENGLAND
We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He;
But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
In patience through the darkness grope;
Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
Let there be Light! The self-same Power
That out of formless dark and void
Endued with life's mysterious dower
Planet, and star, and asteroid;
That moved upon the waters' face,
And, breathing on them His intent,
Divided, and assigned their place
To, ocean, air, and firmament;
That bade the land appear, and bring
Forth herb and leaf, both fruit and flower,
Cattle that graze, and birds that sing,
Ordained the sunshine and the shower;
That, moulding man and woman, breathed
In them an active soul at birth
In His own image, and bequeathed
To them dominion over Earth;
That, by whatever is, decreed
418
His Will and Word shall be obeyed,
From loftiest star to lowliest seed;The worm and me He also made.
And when, for nuptials of the Spring
With Summer, on the vestal thorn
The bridal veil hung flowering,
A cry was heard, and I was born.
II
To be by blood and long descent
A member of a mighty State,
Whose greatness, sea-girt, but unpent
By ocean, makes the world more great;
That, ranging limitless, hath won
A Rule more wide than that of Rome,
And, journeying onward with the sun,
In every zone hath found a home;
That, keeping old traditions fast,
Still hails the things that are to be,
And, firmly rooted in the Past,
On Law hath grafted Liberty;That is a birthright nobler far
Than princely claim or Right Divine
From far-off rapine, wanton war,
And I could feel this birthright mine.
And not the lowliest hand that drives
Or share or loom, if so it be
Of British strain, but thence derives
A patent of nobility.
III
The guiding of the infant years
Onward to good, away from guile,
A mother's humanising tears,
A father's philosophic smile;
419
Refining beauty, gentle ways,
The admonitions of the wise,
The love that watches, helps, and prays,
And pities, but doth ne'er despise;
An ancient Faith, abiding hope,
The charity that suffers long,
But flames with sacred zeal to cope
With man's injustice, nature's wrong;
Melodious leisure, learnëd shelf,
Discourse of earnest, temperate mind,
The playful wit that of itself
Flashes, but leaves no wound behind;
The knowledge gleaned from Greece and Rome,
From studious Teuton, sprightly Gaul,
The lettered page, the mellow tome,
And poets' wisdom more than all;These, when no lips severe upbraid,
But counsel rather than control,
In budding boyhood lend their aid
To sensibility of soul.
IV
But, more than mentor, mother, sire,
Can lend to shape the future man
With help of learning or of lyre,
Of ancient rule, or modern plan,
Is that which with our breath we bring
Into the world, we know not whence,
That needs nor care nor fostering,
Because an instinct and a sense.
And days and years are all forgot
When Nature's aspect, growth, and grace,
And veering moods, to me were not
The features of the Loved One's face.
420
The
The
The
The
cloud whose shadow skims the lake,
shimmering haze of summer noon,
voice of April in the brake,
silence of the mounting moon,
Swaying of bracken on the hill,
The murmur of the vagrant stream,
These motions of some unseen Will,
These babblings of some heavenly dream,
Seemed tokens of divine desire
To hold discourse with me, and so
To touch my lips with hallowed fire,
And tell me things I ought to know.
I gazed and listened, all intent,
As to the face and voice of Fate,
But what they said, or what they meant,
I could surmise not, nor translate.
They did but lure me to unrest,
Unanswered questioning, longings vain,
As when one scans some palimpsest
No erudition can explain;
But left me with a deep distaste
For common speech, that still did seem
More meaningless than mountain waste,
Less human than the far-off stream.
So that a stranger in the land
Wherein I moved, where'er I went,
I dwelt, whom none could understand,
Or exorcise my discontent.
And I to them, and they to me
Seemed from two different planets come,
And, save to flower and wild-bird's glee,
My heart was deaf, my soul was dumb.
421
But slowly dawned a happier time
When I began to apprehend,
And catch, as in some poet's rhyme,
The intimations of a friend;
When Nature spake no unknown tongue,
But language kindred to my thought,
Till everything She said, I sung,
In notes unforced, in words unsought.
And I to Her so closely drew,
The seasons round, in mind and mood,
I felt at length as if we knew
Self-same affection, self-same feud:
That both alike scorned worldly aim,
Profit, applause, parade, and pride,
Whereby the love of generous fame
And worthy deeds grows petrified.
I did as yet not understand
Nature is far more vast than I,
Deep as the ocean, wide as land,
And overarching as the sky;
And but responded to my call,
And only felt and fed my need,
Because She doth the same for all
Who to her pity turn and plead.
VI
Shall man have mind, and Nature none,
Shall I, not she, have soul and heart?
Nay, rather, if we be not one,
Each is of each the counterpart.
She too may have within her breast
A conscience, if not like to yours,
A sense of rightness ill at rest,
Long as her waywardness endures.
422
And hence her thunder, earthquakes, hail,
Her levin bolts, her clouds' discharge:
She sins upon a larger scale,
Because She is herself more large.
Hence, too, when She hath pierced with pain
The heart of man, and wrecked his years,
The pity of the April rain,
And late repentance of her tears.
She is no better, worse, than we;
We can but say she seems more great,
That half her will, like ours, is free,
And half of it is locked in Fate.
Nor need we fear that we should err
Beyond our scope in reasoning thus,That there must be a God for Her,
If that there be a God for us.
VII
The chiming of the Sabbath bell,
The silence of the Sabbath fields,
Over the hamlet cast a spell
To which the gracious spirit yields.
Sound is there none of wheel or wain,
Husht stands the anvil, husht the forge,
No shout is heard in rustic lane,
No axe resounds in timbered gorge.
No flail beats time on granary floor,
The windmill's rushing wings are stayed,
And children's glee rings out no more
From hedgerow bank or primrose glade.
The big-boned team that firm and slow
Draw yoked, are free to couch or stray;
The basking covey seem to know
None will invade their peace to-day.
423
And speckless swains, and maidens neat,
Through rustic porch, down cottage stair,
Demurely up the village street
Stream onward to the House of Prayer.
They kneel as they were taught to kneel
In childhood, and demand not why,
But, as they chant or answer, feel
A vague communion with the sky.
VIII
But when the impetuous mind is spurred
To range through epochs great but gone,
And, heedless of dogmatic word,
With fearless ardour presses on,
Confronting pulpit, sceptre, shrine,
With point by Logic beaten out,
And, questioning tenets deemed divine
With human challenge, human doubt,
Hoists Reason's sail, and for the haze
Of ocean quits Tradition's shore,
Awhile he comes, and kneels, and prays,
Then comes and kneels, but prays no more;
And only for the love he bears
To those who love him, and who reared
His frame to genuflexion, shares
In ritual, vain, if still revered.
His Gods are many or are none,
Saturn and Mithra, Christ and Jove,
Consorting, as the Ages run,
With Vestal choir or Pagan drove.
Abiding still by Northern shores,
He sees far off on Grecian coast
Veiled Aphrodite, but adores
Minerva and Apollo most.
424
Beauty of vision, voice, and mind,
Enthrall him so, that unto him
All Creeds seem true, if he but find
Siren, or saint, or seraphim.
And thus once more he dwells apart,
His inward self enswathed in mist,
Blending with poet's pious heart
The dreams of pagan Hedonist.
IX
If Beauty be the Spirit's quest,
Its adoration, creed, and shrine,
Wherein its restlessness finds rest,
And earthly type of the Divine,
Must there for such not somewhere be
A blending of all beauteous things
In some one form wherein we see
The sum of our imaginings?
The smile on mountain's musing brow,
Sunrise and sunset, moon and star,
Wavelets around the cygnet's prow,
Glamour anear and charm afar;
The silence of the silvery pool,
Autumn's reserve and Summer's fire,
Slow vanishings of Winter's rule
To free full voice of April's choir;The worshippers of Beauty find
In maiden form, and face, and tress;
Faint intimations of her mind
And undulating loveliness.
Bound, runnels, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
425
Gone is the Winter, fled the snow,
And all that lives is flushed with Spring.
Harry the woods, young truant folk,
For flowers to deck your cottage sills,
And, underneath my orchard oak,
Cluster, ye golden daffodils!
Unfettered by domestic vow,
Cuckoo, proclaim your vagrant loves,
And coo upon the self-same bough,
Inseparable turtle-doves.
Soar, laverock, soar on song to sky,
And with the choir of Heaven rejoice!
You cannot be more glad than I,
Who feel Her gaze, and hear Her voice:
Who see Her cheek more crimson glow,
And through Her veins love's current stream,
And feel a fear She doth but know
Is kin to joy and dawning dream.
Bound, rivulets, bound, bound on, and flow!
Sing, merle and mavis, pair and sing!
Gone from the world are want and woe,
And I myself am one with Spring.
XI
They err who say that Love is blind,
Or, if it be, 'tis but in part,
And that, if for fair face it find
No counterpart in mind and heart,
It dwells on that which it beholds,
Fair fleshly vision void of soul,
Deeming, illusioned, this enfolds,
Longing's fulfilment, end, and whole.
Were such my hapless carnal lot,
I too might evanescent bliss
426
Embrace, fierce-fancied, fast forgot,
Then leave for some fresh loveliness.
But April gaze, and Summer tress,
With something of Autumnal thought,
In Her seem blent to crown and bless
A bond I long in dreams have sought.
She looks as though She came to grace
The earth, from world less soiled than this,
Around her head and virgin face
Halo of heavenly holiness.
XII
He who hath roamed through various lands,
And, wheresoe'er his steps are set,
The kindred meaning understands
Of spire, and dome, and minaret;
By Roman river, Stamboul's sea,
In Peter's or Sophia's shrine,
Acknowledges with reverent knee
The presence of the One Divine;
Who, to the land he loves so well
Returning, towards the sunset hour
Wends homeward, feels yet stronger spell
In lichened roof and grey church-tower;
Round whose foundations, side by side,
Sleep hamlet wit and village sage,
While loud the blackbird cheers his bride
Deep in umbrageous Vicarage.
XIII
Was it that sense which some aver
Foreshadows Fate it doth not see,
That gave unwittingly to Her
The name, for ever dear to me,
427
Borne by that tearful Mother whom,
Nigh unto Ostia's shelving sand,
Augustine laid in lonely tomb,
Ere sailing for his Afric land?
But I at least should have foreseen,
When Monica to me had grown
Familiar word, that names may mean
More than by word and name is shown;
That nought can keep two lives apart
More than divorce 'twixt mind and mind,
Even though heart be one with heart;Alas! Alas! Yes, Love is blind.
XIV
How could I think of jarring Creeds,
And riddles that unread remain,
Or ask if Heaven's indulgence heeds
Broils born of man's polemic brain,
And pause because my venturous mind
Had roamed through tracks of polar thought,
Whence mightiest spirits turn back blind,
Since finding not the thing they sought,
When Love, with luring gifts in hand,
Beauty, refinement, smile, caress,
Heart to surmise and understand,
And crowning grace of holiness,
Stood there before me, and, with gaze
I had been purblind not to see,
Said, ``I to you will, all my days,
Give what you yearn to give to me''?
Must both then sorrow, while we live,
Because, rejoicing, I forgot
Something there was I could not give,
Because, alas! I had it not.
428
XV
She comes from Vicarage Garden, see!
Radiant as morning, lithe and tall,
Fresh lilies in her hand, but She
The loveliest lily of them all.
The thrushes in their fluting pause,
The bees float humming round her head,
Earth, air, and heaven shine out because
They hear her voice, and feel her tread.
Up in the fretted grey church-tower,
That rustic gaze for miles can see,
The belfry strikes the silvery hour,
Announcing her propinquity.
And I who, fearful to be late,
Passed long since through the deerpark pale,
And loitered by the churchyard gate,
Once more exclaim, ``Hail! loved one! hail!''
We pass within, and up the nave,
Husht, because Heaven seems always there,
Wend choirward, where, devoutly grave,
She kneels, to breathe a silent prayer.
She takes the flowers I too have brought,
Blending them deftly with her own,
And ranges them, as quick as thought,
Around the white-draped altar-throne.
How could she know my gaze was not
On things unseen, but fixed on Her,
That, as She prayed, I all forgot
The worship in the worshipper?While She beheld, as in a glass,
The Light Divine, that I but sought
Sight of her soul?-Alas! Alas!
Love is yet blinder than I thought.
429
XVI
Who hath not seen a little cloud
Up from the clear horizon steal,
And, mounting lurid, mutter loud
Premonitory thunder-peal?
Husht grows the grove, the summer leaf
Trembles and writhes, as if in pain,
And then the sky, o'ercharged with grief,
Bursts into drenching tears of rain.
I through the years had sought to hide
My darkening doubts from simple sight.
'Tis sacrilegious to deride
Faith of unquestioning neophyte.
And what, methought, is Doubt at best?
A sterile wind through seeded sedge
Blowing for nought, an empty nest
That lingers in a leafless hedge.
Pain, too, there is we should not share
With others lest it mar their joy;
There is a quiet bliss in prayer
None but the heartless would destroy.
But just as Love is quick divined
From heightened glow or visage pale,
The meditations of the Mind
Disclose themselves through densest veil.
And 'tis the unloving and least wise
Who through life's inmost precincts press,
And with unsympathetic eyes
Outrage our sacred loneliness.
Then, when their sacrilegious gaze
The mournful void hath half surmised,
To some more tender soul they raise
The veil of ignorance it prized.
430
XVII
`What though I write farewell I could
Not utter, lest your gaze should chide,
'Twill by your love be understood
My love is still, dear, at your side.
``Nor must we meet to speak goodbye,
Lest that my Will should lose its choice,
And conscience waver, for then I
Should see your face and hear your voice.
``But, when you find yourself once more,
Come back, come back and look for me,
Beside the little lowly door,
The Doorway of Humility.''
XVIII
There! Peace at last! The far-off roar
Of human passion dies away.
``Welcome to our broad shade once more,''
The waning woodlands seem to say:
The music of the vagrant wind,
That wandered aimlessly, is stilled;
The songless branches all remind
That Summer's glory is fulfilled.
The fluttering of the falling leaves
Dimples the leaden pool awhile;
So Age impassively receives
Youth's tale of troubles with a smile.
Thus, as the seasons steal away,
How much is schemed, how little done,
What splendid plans at break of day!
What void regrets at set of sun!
The world goes round, for you, for me,
For him who sleeps, for him who strives,
And the cold Fates indifferent see
431
Crowning or failure of our lives.
Then fall, ye leaves, fade, summer breeze!
Grow, sedges, sere on every pool!
Let each old glowing impulse freeze,
Let each old generous project cool!
It is not wisdom, wit, nor worth,
Self-sacrifice nor friendship true,
Makes venal devotees of earth
Prostrate themselves and worship you.
The consciousness of sovran powers,
The stubborn purpose, steadfast will,
Have ever, in this world of ours,
Achieved success, achieve it still.
Farewell, ye woods! No more I sit;
Great voices in the distance call.
If this be peace, enough of it!
I go. Fall, unseen foliage, fall!
XIX
Nay, but repress rebellious woe!
In grief 'tis not that febrile fool,
Passion, that can but overthrow,
But Resignation, that should rule.
In patient sadness lurks a gift
To purify the life it stings,
And, as the days move onward, lift
The lonely heart to loftier things;
Bringing within one's ripening reach
The sceptre of majestic Thought,
Wherefrom one slowly learns to teach
The Wisdom to oneself it taught.
And unto what can man aspire,
On earth, more worth the striving for,
Than to be Reason's loftier lyre,
432
And reconciling monitor;
To strike a more resounding string
And deeper notes of joy and pain,
Than such as but lamenting sing,
Or warble but a sensuous strain:
So, when my days are nearly sped,
And my last harvest labours done,
That I may have around my head
The halo of a setting sun.
Yet even if be heard above
Such selfish hope, presumptuous claim,
Better one hour of perfect love
Than an eternity of Fame!
XX
Where then for grief seek out the cure?
What scenes will bid my smart to cease?
High peaks should teach one to endure,
And lakes secluded bring one peace.
Farewell awhile, then, village bells,
Autumnal wood and harvest wain!
And welcome, as it sinks or swells,
The music of the mighty main,
That seems to say, now loud, now low,
Rising or falling, sweet or shrill,
``I pace, a sentry, to and fro,
To guard your Island fortress still.''
The roses falter on their stalk,
The late peach reddens on the wall,
The flowers along the garden walk
Unheeded fade, unheeded fall.
My gates unopened drip with rain,
The wolf-hound wends from floor to floor,
And, listening for my voice in vain,
433
Waileth along the corridor.
Within the old accustomed place
Where we so oft were wont to be,
Kneeling She prays, while down her face
The fruitless tears fall silently.
SWITZERLAND
XXI
Rain, wind, and rain. The writhing lake
Scuds to and fro to scape their stroke:
The mountains veil their heads, and make
Of cloud and mist a wintry cloak.
Through where the arching pinewoods make
Dusk cloisters down the mountain side,
The loosened avalanches take
Valeward their way, with death for guide,
And toss their shaggy manes and fling
To air their foam and tawny froth,
From ledge and precipice bound and spring,
With hungry roar and deepening wrath;
Till, hamlet homes and orchards crushed,
And, rage for further ravin stayed,
They slumber, satiated, husht,
Upon the ruins they have made.
I rise from larch-log hearth, and, lone,
Gaze on the spears of serried rain,
That faster, nigher, still are blown,
Then stream adown the window pane.
The peasant's goatskin garments drip,
As home he wends with lowered head,
Shakes off the drops from lid and lip,
Then slinks within his châlet shed.
434
The cattle bells sound dull and hoarse,
The boats rock idly by the shore;
Only the swollen torrents course
With faster feet and fuller roar.
Mournful, I shape a mournful song,
And ask the heavens, but ask in vain,
``How long, how long?'' Ah! not so long
As, in my heart, rain, wind, and rain.
XXII
I ask the dark, the dawn, the sun,
The domeward-pointing peaks of snow,
Lofty and low alike, but none
Will tell me what I crave to know.
My mind demands, ``Whence, Whither, Why?''
From mountain slope and green defile,
And wait the answer. The replyA far-off irresponsive smile.
I ask the stars, when mortals sleep,
The pensive moon, the lonely winds;
But, haply if they know, they keep
The secret of secluded minds.
Shall I in
Straining
Where in
Where in
vain, then, strive to find,
towards merely fancied goal?
the lily lurks the mind,
the rose discern the soul?
More mindless still, stream, pasture, lake,
The mountains yet more heartless seem,
And life's unceasing quest and ache
Only a dream within a dream.
We know no more, though racked with thought
Than he who, in yon châlet born,
Gives not the riddle, Life, a thought,
But lays him down and sleeps till morn.
435
Sometimes he kneels; I cannot kneel,
So suffer from a wider curse
Than Eden's outcasts, for I feel
An exile in the universe.
The rudeness of his birth enures
His limbs to every season's stings,
And, never probing, so endures
The sadness at the heart of things.
When lauwine growls, and thunder swells,
Their far-off clamour sounds to me
But as the noise of clanging bells
Above a silent sanctuary.
It is their silence that appals,
Their aspect motionless that awes,
When searching spirit vainly calls
On the effect to bare the Cause.
I get no answer, near or far;
The mountains, though they soar so high,
And scale the pathless ether, are
No nearer unto God than I.
There dwells nor mystery nor veil
Round the clear peaks no foot hath trod;
I, gazing on their frontage pale,
See but the waning ghost of God.
Is Faith then but a drug for sleep,
And Hope a fondly soothing friend
That bids us, when it sees us weep,
Wait for the End that hath no end?
Then do I hear voice unforgot
Wailing across the distance dim,
``Think, dear! If God existeth not,
Why are you always seeking Him?''
XXIII
436
Like glowing furnace of the forge,
How the winds rise and roar, as they
Up twisting valley, craggy gorge,
Seek, and still seek, to storm their way;
Then, baffled, up the open slope
With quickening pulses scale and pant,
Indomitably bent to cope
With bristling fronts of adamant.
All through the day resounds the strife,
Then doth at sunset hour subside:
So the fierce passions of our life
Slowly expire at eventide.
By Nature we are ne'er misled;
We see most truly when we dream.
A singer wise was he who said,
``Follow the gleam! Follow the gleam!''
XXIV
I dreamed, last night, again I stood,
Silent, without the village shrine,
While She in modest maidenhood
Left, fondly clasped, her hand in mine.
And, with a face as cerecloth white,
And tears like those that by the bier
Of loved one lost make dim the sight,
She poured her sorrows in mine ear.
``I love your voice, I love your gaze,
But there is something dearer still,
The faith that kneels, the hope that prays,
And bows before the Heavenly Will.
``Not where hills rise, or torrents roll,
Seek Him, nor yet alone, apart;
He dwells within the troubled soul,
His home is in the human heart.
437
``Withal, the peaceful mountains may
'Twixt doubt and yearning end the strife:
So ponder, though you cannot pray,
And think some meaning into life:
``Nor like to those that cross the main
To wander witless through strange land,
Hearing unmastered tongues, disdain
The speech they do not understand.
``Firm stands my faith that they who sound
The depths of doubt Faith yet will save:
They are like children playing round
A still remembered mother's grave;
``Not knowing, when they wax more old,
And somewhat can her vision share,
She will the winding-sheet unfold,
And beckon them to evening prayer.''
Then, with my hand betwixt her hands,
She laid her lips upon my brow,
And, as to one who understands,
Said, ``Take once more my vestal vow.
``No other gaze makes mine to glow,
No other footstep stirs my heart,
To me you only dearer grow,
Dearer and nearer, more apart.
``Whene'er you come with humble mind,
The little Door stands open wide,
And, bending low, you still will find
Me waiting on the other side.''
Her silence woke me. . . . To your breast
Fold me, O sleep! and seal mine ears;
That She may roam through my unrest
Till all my dreams are drenched with tears!
XXV
438
Why linger longer, subject, here,
Where Nature sits and reigns alone,
Inspiring love not, only fear,
Upon her autocratic throne?
Her edicts are the rigid snow,
The wayward winds, the swaying branch;
She hath no pity to bestow,
Her law the lawless avalanche.
Though soon cascades will bound and sing,
That now but drip with tears of ice,
And upland meadows touched by Spring
Blue gentian blend with edelweiss,
Hence to the Land of youthful dreams,
The Land that taught me all I know.
Farewell, lone mountain-peaks and streams;
Yet take my thanks before I go.
You gave me shelter when I fled,
But sternly bade me stem my tears,
Nor aimless roam with rustling tread
'Mong fallen leaves of fruitless years.
ITALY
XXVI
Upon the topmost wheel-track steep,
The parting of two nations' ways,
Athwart stone cross engraven deep,
The name ``Italia'' greets the gaze!
I trembled, when I saw it first,
With joy, my boyish longings fed,
The headspring of my constant thirst,
The altar of my pilgrim tread.
Now once again the magic word,
So faintly borne to Northern home,
Sounds like a silvery trumpet heard
439
Beneath some universal dome.
The forests soften to a smile,
A smile the very mountains wear,
Through mossy gorge and grassed defile
Torrents race glad and debonair.
From casement, balcony and door,
Hang golden gourds, droops tear-tipped vine,
And sun-bronzed faces bask before
Thin straw-swathed flasks of last year's wine.
Unyoked, the patient sleek-skinned steers
Take, like their lords, no heed of time.
Hark! now the evening star appears,
Ave Maria belfries chime.
The maidens knit, and glance, and sing,
With glowing gaze 'neath ebon tress,
And, like to copse-buds sunned by Spring,
Seem burgeoning into tenderness.
On waveless lake where willows weep,
The Borromean Islands rest
As motionless as babe asleep
Upon a slumbering Mother's breast.
O Land of sunshine, song, and Love!
Whether thy children reap or sow,
Of Love they chant on hills above,
Of Love they sing in vale below.
But what avail the love-linked hands,
And love-lit eyes, to them that roam
Passionless through impassioned lands,
Since they have left their heart at home!
XXVII
Among my dreams, now known as dreams
In this my reawakened life,
I thought that by historic streams,
440
Apart from stress, aloof from strife,
By rugged paths that twist and twine
Through olive slope and chesnut wood
Upward to mediaeval shrine,
Or high conventual brotherhood,
Along the mountain-curtained track
Round peaceful lake where wintry bands
Halt briefly but to bivouac
Ere blustering on to Northern lands;Through these, through all I first did see,
With me to share my raptures none,
That nuptialled Monica would be
My novice and companion:
That we should float from mere to mere,
And sleep within some windless cove,
With nightingales to lull the ear,
From ilex wood and orange grove;
Linger at hamlets lost to fame,
That still wise-wandering feet beguile,
To gaze on frescoed wall or frame
Lit by Luini's gracious smile.
Now, but companioned by my pain,
Among each well-remembered scene
I can but let my Fancy feign
The happiness that might have been;
Imagine that I hear her voice,
Imagine that I feel her hand,
And I, enamoured guide, rejoice
To see her swift to understand.
Alack! Imagination might
As lief with rustic Virgil roam,
Reverent, or, welcomed guest, alight
At Pliny's philosophic home;
441
Hear one majestically trace
Rome's world-wide sway from wattled wall,
And read upon the other's face
The omens of an Empire's fall.
XXVIII
Like moonlight seen through forest leaves,
She shines upon me from afar,
What time men reap the ripened sheaves,
And Heaven rains many a falling star.
I gaze up to her lofty height,
And feel how far we dwell apart:
O if I could, this night, this night,
Fold her full radiance to my heart!
But She in Heaven, and I on earth,
Still journey on, but each alone;
She, maiden Queen of sacred birth,
Who with no consort shares her throne.
XXIX
What if She ever thought She saw
The self within myself prefer
Communion with the silent awe
Of far-off mountains more than Her;
That Nature hath the mobile grace
To make life with our moods agree,
And so had grown the Loved One's face,
Since it nor checked nor chided me;
Or from the tasks that irk and tire
I sought for comfort from the Muse,
Because it grants the mind's desire
All that familiar things refuse.
How vain such thought! The face, the form,
Of mountain summits but express,
Clouded or clear, in sun or storm,
442
Feebly Her spirit's loftiness.
Did I explore from pole to pole,
In Nature's aspect I should find
But faint reflections of Her soul,
Dim adumbrations of Her mind.
O come and test with lake, with stream,
With mountain, which the stronger be,
Thou, my divinest dearest dream,
My Muse, and more than Muse, to me!
XXX
They tell me that Jehovah speaks
In silent grove, on lonely strand,
And summit of the mountain peaks;
Yet there I do not understand.
The stars, disdainful of my thought,
Majestic march toward their goal,
And to my nightly watch have brought
No explanation to my soul.
The truth I seek I cannot find,
In air or sky, on land or sea;
If the hills have their secret mind,
They will not yield it up to me:
Like one who lost mid lonely hills
Still seeks but cannot find his way,
Since guide is none save winding rills,
That seem themselves, too, gone astray.
And so from rise to set of sun,
At glimmering dawn, in twilight haze,
I but behold the face of One
Who veils her face, and weeps, and prays.
What know I that She doth not know?
What I know not, She understands:
With heavenly gifts She overflows,
443
While I have only empty hands.
O weary wanderer! Best forego
This questioning of wind and wave.
For you the sunshine and the snow,
The womb, the cradle, and the grave.
XXXI
How blest, when organ concords swell,
And anthems are intoned, are they
Who neither reason nor rebel,
But meekly bow their heads and pray.
And such the peasants mountain-bred,
Who hail to-day with blithe accord
Her Feast Who to the Angel said,
``Behold the Handmaid of the Lord!''
Downward they wind from pastoral height,
Or hamlet grouped round shattered towers,
To wend to shrine more richly dight,
And bring their gift of wilding flowers;
Their gifts, their griefs, their daily needs,
And lay these at Her statue's base,
Who never, deem they, intercedes
Vainly before the Throne of Grace.
Shall I, because I stand apart,
A stranger to their pious vows,
Scorn their humility of heart
That pleads before the Virgin Spouse,
Confiding that the Son will ne'er,
If in His justice wroth with them,
Refuse to harken to Her prayer
Who suckled Him in Bethlehem?
Of all the intercessors born
By man's celestial fancy, none
444
Hath helped the sorrowing, the forlorn,
Lowly and lone, as She hath done.
The maiden faithful to Her shrine
Bids demons of temptation flee,
And mothers fruitful as the vine
Retain their vestal purity.
Too trustful love, by lust betrayed,
And by cold worldlings unforgiven,
Unto Her having wept and prayed,
Faces its fate, consoled and shriven.
The restless, fiercely probing mind
No honey gleans, though still it stings.
What comfort doth the spirit find
In Reason's endless reasonings?
They have no solace for my grief,
Compassion none for all my pain:
They toss me like the fluttering leaf,
And leave me to the wind and rain.
XXXII
If Conscience be God's Law to Man,
Then Conscience must perforce arraign
Whatever falls beneath the ban
Of that allotted Suzerain.
And He, who bids us not to swerve,
Whither the wayward passions draw,
From its stern sanctions, must observe
The limits of the self-same Law.
Yet, if obedient Conscience scan
The sum of wrongs endured and done
Neither by act nor fault of Man,
They rouse it to rebellion.
Life seems of life by life bereft
445
Through some immitigable curse,
And Man sole moral being left
In a non-moral Universe.
My Conscience would my Will withstand,
Did Will project a world like this:
Better Eternal vacuum still,
Than murder, lust, and heartlessness!
If Man makes Conscience, then being good
Is only being worldly wise,
And universal brotherhood
A comfortable compromise.
O smoke of War! O blood-steeped sod!
O groans of fratricidal strife!
Who will explain the ways of God,
That I may be at peace with life!
The moral riddle 'tis that haunts,
Primeval and unending curse,
Racking the mind when pulpit vaunts
A Heaven-created Universe.
Yet whence came Life, and how begin?
Rolleth the globe by choice or chance?
Dear Lord! Why longer shut me in
This prison-house of ignorance!
FLORENCE
XXXIII
City acclaimed ere Dante's days
Fair, and baptized in field of flowers,
Once more I scan with tender gaze
Your glistening domes, your storied towers.
I feel as if long years had flown
Since first with eager heart I came,
446
And, girdled by your mountain zone,
Found you yet fairer than your fame.
It was the season purple-sweet
When figs are plump, and grapes are pressed,
And all your sons with following feet
Bore a dead Poet to final rest.
You seemed to fling your gates ajar,
And softly lead me by the hand,
Saying, ``Behold! henceforth you are
No stranger in the Tuscan land.''
And though no love my love can wean
From native crag and cradling sea,
Yet Florence from that hour hath been
More than a foster-nurse to me.
When mount I terraced slopes arrayed
In bridal bloom of peach and pear,
While under olive's phantom shade
Lupine and beanflower scent the air,
The wild-bees hum round golden bay,
The green frog sings on fig-tree bole,
And, see! down daisy-whitened way
Come the slow steers and swaying pole.
The fresh-pruned vine-stems, curving, bend
Over the peaceful wheaten spears,
And with the glittering sunshine blend
Their transitory April tears.
O'er wall and trellis trailed and wound,
Hang roses blushing, roses pale;
And, hark! what was that silvery sound?
The first note of the nightingale.
Curtained, I close my lids and dream
Of Beauty seen not but surmised,
And, lulled by scent and song, I seem
Immortally imparadised.
447
When from the deep sweet swoon I wake
And gaze past slopes of grape and grain,
Where Arno, like some lonely lake,
Silvers the far-off seaward plain,
I see celestial sunset fires
That lift us from this earthly leaven,
And darkly silent cypress spires
Pointing the way from hill to Heaven.
Then something more than mortal steals
Over the wavering twilight air,
And, messenger of nightfall, peals
From each crowned peak a call to prayer.
And now the last meek prayer is said,
And, in the hallowed hush, there is
Only a starry dome o'erhead,
Propped by columnar cypresses.
XXXIV
Re-roaming through this palaced town,
I suddenly, 'neath grim-barred pile,
Catch sight of Dante's awful frown,
Or Leonardo's mystic smile;
Then, swayed by memory's fancy, stroll
To where from May-day's flaming pyre
Savonarola's austere soul
Went up to Heaven in tongues of fire;
Or Buonarroti's plastic hand
Made marble block from Massa's steep
Dawn into Day at his command,
Then plunged it into Night and Sleep.
No later wanderings can dispel
The glamour of the bygone years;
And, through the streets I know so well,
448
I scarce can see my way for tears.
XXXV
A sombre shadow seems to fall
On comely altar, transept fair;
The saints are still on frescoed wall,
But who comes thither now for prayer?
Men throng from far-off stranger land,
To stare, to wonder, not to kneel,
With map and guide-book in their hand
To tell them what to think and feel.
They scan, they prate, they marvel why
The figures still expressive glow,
Oblivious they were painted by
Adoring Frà Angelico.
Did Dante from his tomb afar
Return, his wrongs redressed at last,
And see you, Florence, as you are,
Half alien to your gracious Past,
Finding no Donatello now,
No reverent Giotto 'mong the quick,
To glorify ascetic vow
Of Francis or of Dominic;
Self-exiled by yet sterner fate
Than erst, he would from wandering cease,
And, ringing at monastic gate,
Plead, ``I am one who craves for peace.''
And what he sought but ne'er could find,
Shall I, less worthy, hope to gain,
The freedom of the tranquil mind,
The lordship over loss and pain?
More than such peace I found when I
Did first, in unbound youth, repair
449
To Tuscan shrine, Ausonian sky.
I found it, for I brought it there.
XXXVI
Yet Art brings peace, itself is Peace,
And, as I on these frescoes gaze,
I feel all fretful tumults cease
And harvest calm of mellower days.
For Soul too hath its seasons. Time,
That leads Spring, Summer, Autumn, round,
Makes our ephemeral passions chime
With something permanent and profound.
And, as in Nature, April oft
Strives to revert to wintry hours,
But shortly upon garth and croft
Re-sheds warm smiles and moistening showers,
Or, for one day, will Autumn wear
The gayer garments of the Spring,
And then athwart the wheatfields bare
Again her graver shadows fling;
So, though the Soul hath moods that veer,
And seem to hold no Rule in awe,
Like the procession of the year,
It too obeys the sovran Law.
Nor Art itself brings settled peace,
Until the mind is schooled to know
That gusts subside and tumults cease
Only in sunset's afterglow.
Life's contradictions vanish then,
Husht thought replacing clashing talk
Among the windy ways of men.
'Tis in the twilight Angels walk.
450
ROME
XXXVII
The last warm gleams of sunset fade
From cypress spire and stonepine dome,
And, in the twilight's deepening shade,
Lingering, I scan the wrecks of Rome.
Husht the Madonna's Evening Bell;
The steers lie loosed from wain and plough;
The vagrant monk is in his cell,
The meek nun-novice cloistered now.
Pedant's presumptuous voice no more
Vexes the spot where Caesar trod,
And o'er the pavement's soundless floor
Come banished priest and exiled God.
The lank-ribbed she-wolf, couched among
The regal hillside's tangled scrubs,
With doting gaze and fondling tongue
Suckles the Vestal's twin-born cubs.
Yet once again Evander leads
Æneas to his wattled home,
And, throned on Tiber's fresh-cut reeds,
Talks of burnt Troy and rising Rome.
From out the tawny dusk one hears
The half-feigned scream of Sabine maids,
The rush to arms, then swift the tears
That separate the clashing blades.
The Lictors with their fasces throng
To quell the Commons' rising roar,
As Tullia's chariot flames along,
Splashed with her murdered father's gore.
Her tresses free from band or comb,
Love-dimpled Venus, lithe and tall,
451
And fresh as Fiumicino's foam,
Mounts her pentelic pedestal.
With languid lids, and lips apart,
And curving limbs like wave half-furled,
Unarmed she dominates the heart,
And without sceptre sways the world.
Nerved by her smile, avenging Mars
Stalks through the Forum's fallen fanes,
Or, changed of mien and healed of scars,
Threads sylvan slopes and vineyard plains.
With waves of song from wakening lyre
Apollo routs the wavering night,
While, parsley-crowned, the white-robed choir
Wind chanting up the Sacred Height,
Where Jove, with thunder-garlands wreathed,
And crisp locks frayed like fretted foam,
Sits with his lightnings half unsheathed,
And frowns against the foes of Rome.
You cannot kill the Gods. They still
Reclaim the thrones where once they reigned,
Rehaunt the grove, remount the rill,
And renovate their rites profaned.
Diana's hounds still lead the chase,
Still Neptune's Trident crests the sea,
And still man's spirit soars through space
On feathered heels of Mercury.
No flood can quench the Vestals' Fire;
The Flamen's robes are still as white
As ere the Salii's armoured choir
Were drowned by droning anchorite.
The saint may seize the siren's seat,
The shaveling frown where frisked the Faun;
Ne'er will, though all beside should fleet,
The Olympian Presence be withdrawn.
452
Here, even in the noontide glare,
The Gods, recumbent, take their ease;
Go look, and you will find them there,
Slumbering behind some fallen frieze.
But most, when sunset glow hath paled,
And come, as now, the twilight hour,
In vesper vagueness dimly veiled
I feel their presence and their power.
What though their temples strew the ground,
And to the ruin owls repair,
Their home, their haunt, is all around;
They drive the cloud, they ride the air.
And, when the planets wend their way
Along the never-ageing skies,
``Revere the Gods'' I hear them say;
``The Gods are old, the Gods are wise.''
Build as man may, Time gnaws and peers
Through marble fissures, granite rents;
Only Imagination rears
Imperishable monuments.
Let Gaul and Goth pollute the shrine,
Level the altar, fire the fane:
There is no razing the Divine;
The Gods return, the Gods remain.
XXXVIII
Christ is arisen. The place wherein
They laid Him shows but cerements furled,
And belfry answers belfry's din
To ring the tidings round the world.
Grave Hierarchs come, an endless band,
In jewelled mitre, cope embossed,
Who bear Rome's will to every land
453
In all the tongues of Pentecost.
Majestic, along marble floor,
Walk Cardinals in blood-red robe,
Martyrs for Faith and Christ no more,
Who gaze as though they ruled the globe.
With halberds bare and doublets slashed,
Emblems that war will never cease,
Come martial guardians, unabashed,
And march afront the Prince of Peace.
Then, in his gestatorial Chair
See Christ's vicegerent, bland, benign,
To crowds all prostrate as in prayer
Lean low, and make the Holy Sign.
Then trumpets shrill, and organ peals,
Throughout the mighty marble pile,
Whileas a myriad concourse kneels
In dense-packed nave and crowded aisle.
Hark to the sudden hush! Aloft
From unseen source in empty dome
Swells prayerful music silvery-soft,
Borne from far-off celestial Home.
Then, when the solemn rite is done,
The worshippers stream out to where
Dance fountains glittering in the sun,
While expectation fills the air.
Now on high balcony He stands,
And-save for the Colonna curse,Blesses with high-uplifted hands
The City and the Universe.
Christ is arisen! But scarce as when,
On the third day of death and gloom,
Came ever-loving Magdalen
With tears and spices to His tomb.
454
XXXIX
The Tiber winds its sluggish way
Through niggard tracts whence Rome's command
Once cast the shadow of her sway,
O'er Asian city, Afric sand.
Nor even yet doth She resign
Her sceptre. Still the spell is hers,
Though she may seem a rifled shrine
'Mid circumjacent sepulchres.
One after one, they came, they come,
Gaul, Goth, Savoy, to work their will;
She answers, when She most seems dumb,
``I wore the Crown, I wear it still.
``From Jove I first received the gift,
I from Jehovah wear it now,
Nor shall profane invader lift
The diadem from off my brow.
``The Past is mine, and on the Past
The Future builds; and Time will rear
The next strong structure on the last,
Where men behold but shattered tier.
``The Teuton hither hies to teach,
To prove, disprove, to delve and probe.
Fool! Pedant! Does he think to reach
The deep foundations of the globe?''
For me, I am content to tread
On Sabine dust and Gothic foe.
Leave me to deepening silent dread
Of vanished Empire's afterglow.
In this Imperial wilderness
Why rashly babble and explore?
O, let me know a little less,
So I may feel a little more!
455
XL
For upward of one thousand years,
Here men and women prayed to Jove,
With smiles and incense, gifts and tears,
In secret shrine, or civic grove;
And, when Jove did not seem to heed,
Sought Juno's mediatorial power,
Or begged fair Venus intercede
And melt him in his amorous hour.
Sages invoked Minerva's might;
The Poet, ere he struck the lyre,
Prayed to the God of Song and Light
To touch the strings with hallowed fire.
With flaming herbs were altars smoked
Sprinkled with blood and perfumed must,
And gods and goddesses invoked
To second love or sanction lust.
And did they hear and heed the prayer,
Or, through that long Olympian reign,
Were they divinities of air
Begot of man's fantastic brain?
In Roman halls their statues still
Serenely stand, but no one now
Ascends the Capitolian Hill,
To render thanks, or urge the vow.
Through now long centuries hath Rome
Throned other God, preached other Creed,
That here still have their central home,
And feed man's hope, content his need.
Against these, too, will Time prevail?
No! Let whatever gestates, be,
Secure will last the tender tale
456
From Bethlehem to Calvary.
Throughout this world of pain and loss,
Man ne'er will cease to bend his knee
To Crown of Thorns, to Spear, to Cross,
And Doorway of Humility.
XLI
If Reason be the sole safe guide
In man implanted from above,
Why crave we for one only face,
Why consecrate the name of Love?
Faces there are no whit less fair,
Yet ruddier lip, more radiant eye,
Same rippling smile, same auburn hair,
But not for us. Say, Reason, why.
Why bound our hearts when April pied
Comes singing, or when hawthorn blows?
Doth logic in the lily hide,
And where's the reason in the rose?
Why weld our keels and launch our ships,
If Reason urge some wiser part,
Kiss England's Flag with dying lips
And fold its glories to the heart?
In this gross world we touch and see,
If Reason be no trusty guide,
For world unseen why should it be
The sole explorer justified?
The homing swallow knows its nest,
Sure curves the comet to its goal,
Instinct leads Autumn to its rest,
And why not Faith the homing soul?
Is Reason so aloof, aloft,
It doth not 'gainst itself rebel,
457
And are not Reason's reasonings oft
By Reason proved unreasonable?
He is perplexed no more, who prays,
``Hail, Mary Mother, full of grace!''
O drag me from Doubt's endless maze,
And let me see my Loved One's face!
XLII
``Upon this rock!'' Yet even here
Where Christian God ousts Pagan wraith,
Rebellious Reason whets its spear,
And smites upon the shield of Faith.
On sacred mount, down seven-hilled slopes,
Fearless it faces foe and friend,
Saying to man's immortal hopes,
``Whatso began, perforce must end.''
Not men alone, but gods too, die;
Fanes are, like hearths, left bare and lone;
This earth will into fragments fly,
And Heaven itself be overthrown.
Why then should Man immortal be?
He is but fleeting form, to fade,
Like momentary cloud, or sea
Of waves dispersed as soon as made.
Yet if 'tis Force, not Form, survives,
Meseems therein that one may find
Some comfort for distressful lives;
For, if Force ends not, why should Mind?
Is Doubt more forceful than Belief?
The doctor's cap than friar's cowl?
O ripeness of the falling leaf!
O wisdom of the moping owl!
Man's Mind will ever stand apart
458
From Science, save this have for goal
The evolution of the heart,
And sure survival of the Soul.
XLIII
The Umbilicum lonely stands
Where once rose porch and vanished dome;
But he discerns who understands
That every road may lead to Rome.
Enthroned in Peter's peaceful Chair,
The spiritual Caesar sways
A wider Realm of earth and air
Than trembled at Octavian's gaze.
His universal arms embrace
The saint, the sinner, and the sage,
And proffer refuge, comfort, grace
To tribulation's pilgrimage.
Here scientific searchers find
Precursors for two thousand years,
Who in a drouthy world divined
Fresh springs for human doubts and fears.
Here fair chaste Agnes veils her face
From prowlers of the sensual den,
And pity, pardon, and embrace
Await repentant Magdalen.
Princess and peasant-mother wend
To self-same altar, self-same shrine,
And Cardinal and Patriarch bend
Where lepers kneel, and beggars whine.
And is there then, in my distress,
No road, no gate, no shrine, for me?
The answer comes, ``Yes, surely, yes!
The Doorway of Humility.''
459
O rival Faiths! O clamorous Creeds!
Would you but hush your strife in prayer,
And raise one Temple for our needs,
Then, then, we all might worship there.
But dogma new with dogma old
Clashes to soothe the spirit's grief,
And offer to the unconsoled
Polyglot Babel of Belief!
XLIV
The billows roll, and rise, and break,
Around me; fixedly shine the stars
In clear dome overhead, and take
Their course, unheeding earthly jars.
Yet if one's upward gaze could be
But stationed where the planets are,
The star were restless as the sea,
The sea be tranquil as the star.
Hollowed like cradle, then like grave,
Now smoothly curved, now shapeless spray,
Withal the undirected wave
Forms, and reforms, and knows its way.
Then, waters, bear me on where He,
Ere death absolved at Christian font,
Removed Rome's menaced majesty
Eastward beyond the Hellespont.
Foreseeing not what Fate concealed,
But Time's caprice would there beget,
That Cross would unto Crescent yield,
Caesar and Christ to Mahomet.
Is it then man's predestined state
To search for, ne'er to find, the Light?
Arise, my Star, illuminate
These empty spaces of the Night!
460
XLV
Last night I heard the cuckoo call
Among the moist green glades of home,
And in the Chase around the Hall
Saw the May hawthorn flower and foam.
Deep in the wood where primrose stars
Paled before bluebell's dazzling reign,
The nightingale's sad sobbing bars
Rebuked the merle's too joyful strain.
The kine streamed forth from stall and byre,
The foal frisked round its mother staid,
The meads, by sunshine warmed, took fire,
And lambs in pasture, bleating, played.
The uncurbed rivulets raced to where
The statelier river curled and wound,
And trout, of human step aware,
Shot through the wave without a sound.
Adown the village street, as clear
As in one's wakeful mid-day hours,
Beheld I Monica drawing near,
Her vestal lap one crib of flowers.
Lending no look to me, she passed
By the stone path, as oft before,
Between old mounds Spring newly grassed,
And entered through the Little Door.
Led by her feet, I hastened on,
But, ere my feverish steps could get
To the low porch, lo! Morning shone
On Moslem dome and minaret!
CONSTANTINOPLE
461
XLVI
Now Vesper brings the sunset hour,
And, where crusading Knighthood trod,
Muezzin from his minaret tower
Proclaims, ``There is no God but God!''
Male God who shares his godhead with
No Virgin Mother's sacred tear,
But finds on earth congenial kith
In wielders of the sword and spear:
Male God who on male lust bestows
The ruddy lip, the rounded limb,
And promises, at battle's close,
Houri, not saint nor seraphim.
Swift through the doubly-guarded stream,
Shoots the caïque 'neath oarsmen brisk,
While from its cushioned cradle gleam
The eyes of yashmaked odalisque.
Unchanged adown the changing years,
Here where the Judas blossoms blaze,
Against Sophia's marble piers
The scowling Muslim lean and gaze;
And still at sunset's solemn hour,
Where Christ's devout Crusader trod,
Defiant from the minaret's tower
Proclaim, ``There is no God but God!''
XLVII
Three rival Rituals. One revered
In that loved English hamlet where,
With flowers in Vicarage garden reared,
She decks the altar set for prayer:
Another, where majestic Rome,
With fearless Faith and flag unfurled
462
'Gainst Doubt's ephemeral wave and foam,
Demands obedience from the world.
The third, where now I stand, and where
Two hoary Continents have met,
And Islam guards from taint and tare
Monistic Creed of Mahomet.
Yet older than all three, but banned
To suffer still the exile's doom
From shrine where Turkish sentries stand,
And Christians wrangle round Christ's tomb.
Where then find Creed, divine or dead,
All may embrace, and none contemn?Remember Who it was that said,
``Not here, nor at Jerusalem!''
ATHENS
XLVIII
To Acrocorinth's brow I climb,
And, lulled in retrospective bliss,
Descry, as through the mists of time,
Faintly the far Acropolis.
Below me, rivers, mountains, vales,
Wide stretch of ancient Hellas lies:
Symbol of Song that never fails,
Parnassus communes with the skies.
I linger, dream-bound by the Past,
Till sundown joins time's deep abyss,
Then skirt, through shadows moonlight-cast,
Lone strand of sailless Salamis,
Until Eleusis gleams through dawn,
Where, though a suppliant soul I come,
The veil remains still unwithdrawn,
463
And all the Oracles are dumb.
So onward to the clear white Light,
Where, though the worshippers be gone,
Abides on unmysterious height
The calm unquestioning Parthenon.
Find I, now there I stand at last,
That naked Beauty, undraped Truth,
Can satisfy our yearnings vast,
The doubts of age, the dreams of youth;
That, while we ask, in futile strife,
From altar, tripod, fount, or well,
Form is the secret soul of life,
And Art the only Oracle;
That Hera and Athena, linked
With Aphrodite, hush distress,
And, in their several gifts distinct,
Withal are Triune Goddesses?
That mortal wiser then was He
Who gave the prize to Beauty's smile,
Divides his gifts among the Three,
And thuswise baffles Discord's guile?
But who is wise? The nobler twain,
Who the restraining girdle wear,
Contend too often all in vain
With sinuous curve and frolic hair.
Just as one sees in marble, still,
Pan o'er Apollo's shoulder lean,
Suggesting to the poet's quill
The sensual note, the hint obscene.
Doth then the pure white Light grow dim,
And must it be for ever thus?
Listen! I hear a far-off Hymn,
Veni, Creator, Spiritus!
464
XLIX
The harvest of Hymettus drips
As sweet as when the Attic bees
Swarmed round the honey-laden lips
Of heavenly-human Sophocles.
The olives are as green in grove
As in the days the poets bless,
When Pallas with Poseidon strove
To be the City's Patroness.
The wine-hued main, white marble frieze,
Dome of blue ether over all,
One still beholds, but nowhere sees
Panathenaic Festival.
O'erhead, no Zeus or frowns or nods,
Olympus none in air or skies;
Below, a sepulchre of Gods,
And tombs of dead Divinities.
Yet, are they dead? Still stricken blind,
Tiresiaslike, are they that see,
With bold uncompromising mind,
Wisdom in utter nudity;
Experiencing a kindred fate
With the First Parents of us all,
Jehovah thrust through Eden's Gate,
When Knowledge brought about their Fall.
Hath Aphrodite into foam,
Whence She first flowered, sunk back once more,
And doth She nowhere find a home,
Or worship, upon Christian shore?
Her shrine is in the human breast,
To find her none need soar or dive.
Goodness or Loveliness our quest,
The ever-helpful Gods survive.
465
Hellas retorts, when Hebrew gibes
At Gods of levity and lust,
``God of Judaea's wandering tribes
Was jealous, cruel, and unjust.''
Godhead, withal, remains the same,
And Art embalms its symbols still;
As Poets, when athirst for Fame,
Still dream of Aganippe's rill.
Why still pursue a bootless quest,
And wander heartsore farther East,
Because unanswered, south or west,
By Pagan seer or Christian priest?
Brahma and Buddha, what have they
To offer to my shoreless search?
``Let Contemplation be,'' they say,
``Your ritual, Nothingness your Church.
``Passion and purpose both forsake,
Echoes from non-existent wall;
We do but dream we are awake,
Ourselves the deepest dream of all.
``We dream we think, feel, touch, and see,
And what these are, still dreaming, guess,
Though there is no Reality
Behind their fleeting semblances.''
Thus the East answers my appeal,
Denies, and so illudes, my want.
Alas! Could I but cease to feel,
Brahma should be my Hierophant.
But, hampered by my Western mind,
I cannot set the Spirit free
From Matter, but Illusion find,
466
Of all, the most illusory.
DELPHI
LI
The morning mists that hid the bay
And curtained mountains fast asleep,
Begin to feel the touch of day,
And roll from off both wave and steep.
In floating folds they curve and rise,
Then slowly melt and merge in air,
Till high above me glow the skies,
And cloudless sunshine everywhere.
Parnassus wears nor veil nor frown,
Windless the eagle wings his way,
As I from Delphi gaze adown
On Salona and Amphissa.
It was the sovran Sun that drew
Aloft and scattered morning haze,
And now fills all the spacious blue
With its own glorifying rays.
And, no less sovran than the sun,
Imagination brings relief
Of morning light to shadows dun,
To heart's distress, and spirit's grief.
Parnassus boasts no loftier peak
Than Poet's heavenward song; which, though
Harbouring among the sad and weak,
Lifteth aloft man's griefs below.
Though sun-bronzed Phocian maidens lave
Their kerchiefs in Castalia's spring,
The Muses linger round its wave,
And aid the pilgrim sent to sing.
467
And, listening there, I seem to hear
The unseen Oracle say, ``Be strong:
Subdue the sigh, repress the tear,
And let not sorrow silence Song.
``You now have learnt enough from pain;
And, if worse anguish lurk behind,
Breathe in it some unselfish strain,
And with grief's wisdom aid your kind.
``Who but of his own suffering sings,
Is like an eagle, robbed, distressed,
That vainly shrieks and beats its wings,
Because it cannot find its nest.
``Let male Imagination wed
The orphan, Sorrow, to console
Its virgin loneness, whence are bred
Serenity and self-control.
``Hence let the classic breezes blow
You to your Land beyond the sea,
That you may make, for others' woe,
Your own a healing melody;
``To wintry woe no more a slave,
But, having dried your April tears,
Behold a helpful harvest wave
From ridges of the fallow years.''
LII
Rebuked thus by the stately Past,
Whose solemn choruses endure
Through voices new and visions vast,
And centuries of sepulture,
Because, serene, it never blinked
At sheen or shadow of the sun,
But Hades and Olympus linked
468
With Salamis and Marathon;
Which held despondency at bay
And, while revering Fate's decree,
Reconciled with majestic lay
Man to the Human Tragedy;
To Gods of every land I vowed,
Judaea, Hellas, Mecca, Rome,
No more to live by sorrow bowed,
But, wending backward to my home,
Thenceforth to muse on woe more wide
Than individual distress,
The loftier Muses for my guide,
Minerva for my monitress;
Nor yet to scorn the tender aid
Of Christian martyr, virgin, sage,
And, meekly pondering in the shade,
Proffer ripe counsel to my Age.
And, haply, since 'tis Song alone
Can baffle death, and conquer time,
Maiden unborn in days unknown,
Under the leaves of fragrant lime,
Scanning the verse that here is writ,
While cherishing some secret smart
Of love or loss, may glean from it
Some comfort for her weary heart;
And, gently warned, grave minds may own
The world hath more to bear than they,
And, while I dream 'neath mossy stone,
Repeat my name, and love my lay.
LIII
Scarce to the all-indwelling Power
That vow was uttered, ere there came
469
A messenger in boyhood's flower,
Winged with his search, his face aflame.
From Amphissa he straight had clomb,
Thridding that devious mountain land,
With letter from my far-off home,
And written by my Loved One's hand.
``Come to me where I drooping lie.
None yet have died of Love, they say:
Withal, I sometimes think that I
Have prayed and sighed my life away.
``I want your absolution, dear,
For whatso wrong I may have done;
My conscience waneth less severe,
In softness of the setting sun.
``'Twas I, 'twas I, far more than you,
That stood in need, as now I see,
Stooping, to enter meekly through
The Doorway of Humility.
``In vain I turn to Throne of Grace,
Where sorrows cease, and tears are dry;
I fain once more would see your face,
And hear your voice, before I die.''
ENGLAND
LIV
The oak logs smoulder on my hearth,
Though round them hums no household talk;
The roses in the garden-garth
Hang mournfully on curving stalk.
My wolf-hound round me leaps and bays,
That wailed lost footsteps when I went:
He little knows the grief that weighs
470
On my return from banishment.
Half Autumn now, half Summer yet,
For Nature hath a human heart,
It seems as though they, having met,
To take farewell, are loth to part.
The splendour of the Year's decline
Hath not yet come. One still can see
Late honeysuckle intertwine
With Maiden's-Bower and briony.
The bracken-fronds, fast yellowing, tower
From out sere needles of the pine;
Now hawkweed blooms where foxgloves flower,
And bramble where once eglantine.
And, as I wend with hurrying feet
Across the park, along the lane
That leads unto the hamlet street,
And cradle of my bliss and bane,
In cottage plots on either side,
O'er mignonette and fragrant stock
Soar tiger-lilies lithe and tall,
And homely-sheltered hollyhock.
And when I reach the low grey wall
That skirts God's-acre on the hill,
I see, awaiting my recall,
The Little Door stand open still.
A dip, a slight descent, and then
Into the Vicarage Walk I passed;
It seemed as though the tongues of men
Had left it since I saw it last.
Round garden-plot, in westering sun,
Her agëd parents slowly stepped:
Her Mother had the face of one
Who oft hath prayed, and oft hath wept.
471
She wore the silent plaintive grace
Of Autumn just before its close,
And on her slowly fading face
The pathos of November rose.
With pitying gaze and accents kind,
``Go in,'' she said, ``and mount the stair;
And you through open door will find
That Monica awaits you there.''
LV
I mounted. At half-open door
Pausing, I softly called her name,
As one would pause and halt before
Heaven's Gateway. But no answer came.
She lies, methought, in Sleep's caress,
So, passing in, I seemed to see,
So saintly white the vision, less
A chamber than a Sanctuary.
Vestured in white, on snow-white bed,
She lay, as dreaming something sweet,
Madonna lilies at her head,
Madonna lilies at her feet.
A thought, I did not dare to speak,``Is this the sleep of life or death?''
And, with my cheek against her cheek,
Listening, I seemed to hear her breath.
'Twas Love's last blindness not to see
Her sinless soul had taken wing
Unto the Land, if such there be,
Where saints adore, and Seraphs sing.
And yet I felt within my heart,
Though lids were closed and lips were dumb,
That, for Love's sake, her soul in part
Had lingered here, till I should come.
472
I kissed her irresponsive hand,
I laid my lips on her cold brow,
That She, like me, should understand
'Twas thus I sealed our nuptial vow.
And then I saw upon her breast
A something writ, she fain had said
Had I been near, to me addressed,
Which, kneeling down, I took and read.
LVI
``I prayed I might prolong my years
Till you could come and hush my sighs,
And dry my penitential tears;
But Heaven hath willed it otherwise:
``That I may expiate the wrong
By me inflicted on us both,
When, yet Love's novice, feebly strong,
I sinned against Love's sovran troth.
``Now Death, the mirror unto Life,
Shows me that nought should keep apart
Those who, though sore perplexed by strife
'Twixt Faith and Doubt, are one in heart.
``For Doubt is one with Faith when they,
Who doubt, for Truth's sake suffering live;
And Faith meanwhile should hope and pray,
Withholding not what Love can give.
``We lead the blind by voice and hand,
And not by light they cannot see;
We are not framed to understand
The How and Why of such as He,
``But natured only to rejoice
At every sound or sign of hope,
And, guided by the still small voice,
473
In patience through the darkness grope;
``Until our finer sense expands,
And we exchange for holier sight
The earthly help of voice and hands,
And in His light behold the Light.
``Had my poor Love but been more wise,
I should have ta'en you to my breast,
Striving to hush your plaintive cries,
And rock your Reason back to rest.
``But, though alone you now must tread
Where we together should have trod,
In loneliness you may be led,
Through faith in me, to Faith in God.
``With tranquil purpose, fervent mind,
Foster, while you abide on earth,
And humbly proffer to your kind,
The gift assigned to you at birth.
``As in the far-off boyish year
When did your singing voice awake,
Disinterestedly revere
And love it for its own great sake.
``And when life takes autumnal hues,
With fervent reminiscence woo
All the affections of the Muse,
And write the poem lived by you.
``And should, until your days shall end,
You still the lyric voice retain,
With its seductive music blend
A graver note, a loftier strain.
``While buoyant youth and manhood strong
Follow where Siren sounds entice,
The Deities of Love and Song,
Rapture and loveliness, suffice.
474
``But when decay, and pain, and loss,
Remind one of the Goal forgot,
And we in turn must bear the Cross,
The Pagan Gods can help us not.
``Nor need you then seek, far and near,
More sumptuous shrines on alien strand,
But with domestic mind revere
The Ritual of your native Land.
``The Little Door stands open wide,
And, if you meekly pass therethrough,
Though I no longer kneel inside,
I shall be hovering near to you.
``Farewell! till you shall learn the whole
Of what we here but see in part.
Now I to God commend my soul,
And unto you I leave my heart.''
LVII
I wended up the slope once more
To where the Church stands lone and still,
And passed beneath the Little Door,
My will the subject of Her will.
The sunset rays through pictured pane
Fell, fretted into weft and woof,
On transept, nave, and aisle, to wane
On column cold and vaulted roof.
Within the carven altar screen
Were lilies tall, and white, and fair,
So like to those I late had seen,
It seemed She must be sleeping there.
Mutely I knelt, with bended brow
And shaded eyes, but heart intent,
To learn, should any teach me now,
What Life, and Love, and Sorrow meant.
475
And there remained until the shroud
Of dusk foretold the coming night;
And then I rose, and prayed aloud,
``Let there be Light! Let there be Light!''
~ Alfred Austin,#NFDB
175:The Victories Of Love. Book Ii
From Jane To Her Mother
Thank Heaven, the burthens on the heart
Are not half known till they depart!
Although I long'd, for many a year,
To love with love that casts out fear,
My Frederick's kindness frighten'd me,
And heaven seem'd less far off than he;
And in my fancy I would trace
A lady with an angel's face,
That made devotion simply debt,
Till sick with envy and regret,
And wicked grief that God should e'er
Make women, and not make them fair.
That he might love me more because
Another in his memory was,
And that my indigence might be
To him what Baby's was to me,
The chief of charms, who could have thought?
But God's wise way is to give nought
Till we with asking it are tired;
And when, indeed, the change desired
Comes, lest we give ourselves the praise,
It comes by Providence, not Grace;
And mostly our thanks for granted pray'rs
Are groans at unexpected cares.
First Baby went to heaven, you know,
And, five weeks after, Grace went, too.
Then he became more talkative,
And, stooping to my heart, would give
Signs of his love, which pleased me more
Than all the proofs he gave before;
And, in that time of our great grief,
We talk'd religion for relief;
For, though we very seldom name
Religion, we now think the same!
Oh, what a bar is thus removed
To loving and to being loved!
292
For no agreement really is
In anything when none's in this.
Why, Mother, once, if Frederick press'd
His wife against his hearty breast,
The interior difference seem'd to tear
My own, until I could not bear
The trouble. 'Twas a dreadful strife,
And show'd, indeed, that faith is life.
He never felt this. If he did,
I'm sure it could not have been hid;
For wives, I need not say to you,
Can feel just what their husbands do,
Without a word or look; but then
It is not so, you know, with men.
From that time many a Scripture text
Help'd me, which had, before, perplex'd.
Oh, what a wond'rous word seem'd this:
He is my head, as Christ is his!
None ever could have dared to see
In marriage such a dignity
For man, and for his wife, still less,
Such happy, happy lowliness,
Had God Himself not made it plain!
This revelation lays the rein—
If I may speak so—on the neck
Of a wife's love, takes thence the check
Of conscience, and forbids to doubt
Its measure is to be without
All measure, and a fond excess
Is here her rule of godliness.
I took him not for love but fright;
He did but ask a dreadful right.
In this was love, that he loved me
The first, who was mere poverty.
All that I know of love he taught;
And love is all I know of aught.
My merit is so small by his,
That my demerit is my bliss.
My life is hid with him in Christ,
293
Never thencefrom to be enticed;
And in his strength have I such rest
As when the baby on my breast
Finds what it knows not how to seek,
And, very happy, very weak,
Lies, only knowing all is well,
Pillow'd on kindness palpable.
II
From Lady Clitheroe To Mary Churchill
Dear Saint, I'm still at High-Hurst Park.
The house is fill'd with folks of mark.
Honoria suits a good estate
Much better than I hoped. How fate
Loads her with happiness and pride!
And such a loving lord, beside!
But between us, Sweet, everything
Has limits, and to build a wing
To this old house, when Courtholm stands
Empty upon his Berkshire lands,
And all that Honor might be near
Papa, was buying love too dear.
With twenty others, there are two
Guests here, whose names will startle you:
Mr. and Mrs. Frederick Graham!
I thought he stay'd away for shame.
He and his wife were ask'd, you know,
And would not come, four years ago.
You recollect Miss Smythe found out
Who she had been, and all about
Her people at the Powder-mill;
And how the fine Aunt tried to instil
Haut ton, and how, at last poor Jane
Had got so shy and gauche that, when
The Dockyard gentry came to sup,
She always had to be lock'd up;
And some one wrote to us and said
Her mother was a kitchen-maid.
Dear Mary, you'll be charm'd to know
294
It must be all a fib. But, oh,
She is the oddest little Pet
On which my eyes were ever set!
She's so outrée and natural
That, when she first arrived, we all
Wonder'd, as when a robin comes
In through the window to eat crumbs
At breakfast with us. She has sense,
Humility, and confidence;
And, save in dressing just a thought
Gayer in colours than she ought,
(To-day she looks a cross between
Gipsy and Fairy, red and green,)
She always happens to do well.
And yet one never quite can tell
What she might do or utter next.
Lord Clitheroe is much perplex'd.
Her husband, every now and then,
Looks nervous; all the other men
Are charm'd. Yet she has neither grace,
Nor one good feature in her face.
Her eyes, indeed, flame in her head,
Like very altar-fires to Fred,
Whose steps she follows everywhere
Like a tame duck, to the despair
Of Colonel Holmes, who does his part
To break her funny little heart.
Honor's enchanted. 'Tis her view
That people, if they're good and true,
And treated well, and let alone,
Will kindly take to what's their own,
And always be original,
Like children. Honor's just like all
The rest of us! But, thinking so,
'Tis well she miss'd Lord Clitheroe,
Who hates originality,
Though he puts up with it in me.
Poor Mrs. Graham has never been
To the Opera! You should have seen
The innocent way she told the Earl
She thought Plays sinful when a girl,
295
And now she never had a chance!
Frederick's complacent smile and glance
Towards her, show'd me, past a doubt,
Honoria had been quite cut out.
'Tis very strange; for Mrs. Graham,
Though Frederick's fancy none can blame,
Seems the last woman you'd have thought
Her lover would have ever sought.
She never reads, I find, nor goes
Anywhere; so that I suppose
She got at all she ever knew
By growing up, as kittens do.
Talking of kittens, by-the-bye,
You have more influence than I
With dear Honoria. Get her, Dear,
To be a little more severe
With those sweet Children. They've the run
Of all the place. When school was done,
Maud burst in, while the Earl was there,
With ‘Oh, Mama, do be a bear!’
Do you know, Dear, this odd wife of Fred
Adores his old Love in his stead!
She is so nice, yet, I should say,
Not quite the thing for every day.
Wonders are wearying! Felix goes
Next Sunday with her to the Close,
And you will judge.
Honoria asks
All Wiltshire Belles here; Felix basks
Like Puss in fire-shine, when the room
Is thus aflame with female bloom.
But then she smiles when most would pout;
And so his lawless loves go out
With the last brocade. 'Tis not the same,
I fear, with Mrs. Frederick Graham.
Honoria should not have her here,—
And this you might just hint, my Dear,—
For Felix says he never saw
Such proof of what he holds for law,
296
That ‘beauty is love which can be seen.’
Whatever he by this may mean,
Were it not dreadful if he fell
In love with her on principle!
III
From Jane To Mrs. Graham
Mother, I told you how, at first,
I fear'd this visit to the Hurst.
Fred must, I felt, be so distress'd
By aught in me unlike the rest
Who come here. But I find the place
Delightful; there's such ease, and grace,
And kindness, and all seem to be
On such a high equality.
They have not got to think, you know,
How far to make the money go.
But Frederick says it's less the expense
Of money, than of sound good-sense,
Quickness to care what others feel,
And thoughts with nothing to conceal;
Which I'll teach Johnny. Mrs. Vaughan
Was waiting for us on the Lawn,
And kiss'd and call'd me ‘Cousin.’ Fred
Neglected his old friends, she said.
He laugh'd, and colour'd up at this.
She was, you know, a flame of his;
But I'm not jealous! Luncheon done,
I left him, who had just begun
To talk about the Russian War
With an old Lady, Lady Carr,—
A Countess, but I'm more afraid,
A great deal, of the Lady's Maid,—
And went with Mrs. Vaughan to see
The pictures, which appear'd to be
Of sorts of horses, clowns, and cows
Call'd Wouvermans and Cuyps and Dows.
And then she took me up, to show
Her bedroom, where, long years ago,
A Queen slept. 'Tis all tapestries
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Of Cupids, Gods, and Goddesses,
And black, carved oak. A curtain'd door
Leads thence into her soft Boudoir,
Where even her husband may but come
By favour. He, too, has his room,
Kept sacred to his solitude.
Did I not think the plan was good?
She ask'd me; but I said how small
Our house was, and that, after all,
Though Frederick would not say his prayers
At night till I was safe upstairs,
I thought it wrong to be so shy
Of being good when I was by.
‘Oh, you should humour him!’ she said,
With her sweet voice and smile; and led
The way to where the children ate
Their dinner, and Miss Williams sate.
She's only Nursery-Governess,
Yet they consider her no less
Than Lord or Lady Carr, or me.
Just think how happy she must be!
The Ball-Room, with its painted sky
Where heavy angels seem to fly,
Is a dull place; its size and gloom
Make them prefer, for drawing-room,
The Library, all done up new
And comfortable, with a view
Of Salisbury Spire between the boughs.
When she had shown me through the house,
(I wish I could have let her know
That she herself was half the show;
She is so handsome, and so kind!)
She fetch'd the children, who had dined;
And, taking one in either hand,
Show'd me how all the grounds were plann'd.
The lovely garden gently slopes
To where a curious bridge of ropes
Crosses the Avon to the Park.
We rested by the stream, to mark
The brown backs of the hovering trout.
Frank tickled one, and took it out
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From under a stone. We saw his owls,
And awkward Cochin-China fowls,
And shaggy pony in the croft;
And then he dragg'd us to a loft,
Where pigeons, as he push'd the door,
Fann'd clear a breadth of dusty floor,
And set us coughing. I confess
I trembled for my nice silk dress.
I cannot think how Mrs. Vaughan
Ventured with that which she had on,—
A mere white wrapper, with a few
Plain trimmings of a quiet blue,
But, oh, so pretty! Then the bell
For dinner rang. I look'd quite well
(‘Quite charming,’ were the words Fred said,)
With the new gown that I've had made.
I am so proud of Frederick.
He's so high-bred and lordly-like
With Mrs. Vaughan! He's not quite so
At home with me; but that, you know,
I can't expect, or wish. 'Twould hurt,
And seem to mock at my desert.
Not but that I'm a duteous wife
To Fred; but, in another life,
Where all are fair that have been true
I hope I shall be graceful too,
Like Mrs. Vaughan. And, now, good-bye!
That happy thought has made me cry,
And feel half sorry that my cough,
In this fine air, is leaving off.
IV
From Frederick To Mrs. Graham
Honoria, trebly fair and mild
With added loves of lord and child,
Is else unalter'd. Years, which wrong
The rest, touch not her beauty, young
With youth which rather seems her clime,
Than aught that's relative to time.
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How beyond hope was heard the prayer
I offer'd in my love's despair!
Could any, whilst there's any woe,
Be wholly blest, then she were so.
She is, and is aware of it,
Her husband's endless benefit;
But, though their daily ways reveal
The depth of private joy they feel,
'Tis not their bearing each to each
That does abroad their secret preach,
But such a lovely good-intent
To all within their government
And friendship as, 'tis well discern'd,
Each of the other must have learn'd;
For no mere dues of neighbourhood
Ever begot so blest a mood.
And fair, indeed, should be the few
God dowers with nothing else to do,
And liberal of their light, and free
To show themselves, that all may see!
For alms let poor men poorly give
The meat whereby men's bodies live;
But they of wealth are stewards wise
Whose graces are their charities.
The sunny charm about this home
Makes all to shine who thither come.
My own dear Jane has caught its grace,
And, honour'd, honours too the place.
Across the lawn I lately walk'd
Alone, and watch'd where mov'd and talk'd,
Gentle and goddess-like of air,
Honoria and some Stranger fair.
I chose a path unblest by these;
When one of the two Goddesses,
With my Wife's voice, but softer, said,
‘Will you not walk with us, dear Fred?’
She moves, indeed, the modest peer
Of all the proudest ladies here.
Unawed she talks with men who stand
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Among the leaders of the land,
And women beautiful and wise,
With England's greatness in their eyes.
To high, traditional good-sense,
And knowledge ripe without pretence,
And human truth exactly hit
By quiet and conclusive wit,
Listens my little, homely Dove,
Mistakes the points and laughs for love;
And, after, stands and combs her hair,
And calls me much the wittiest there!
With reckless loyalty, dear Wife,
She lays herself about my life!
The joy I might have had of yore
I have not; for 'tis now no more,
With me, the lyric time of youth,
And sweet sensation of the truth.
Yet, past my hope or purpose bless'd,
In my chance choice let be confess'd
The tenderer Providence that rules
The fates of children and of fools!
I kiss'd the kind, warm neck that slept,
And from her side this morning stepp'd,
To bathe my brain from drowsy night
In the sharp air and golden light.
The dew, like frost, was on the pane.
The year begins, though fair, to wane.
There is a fragrance in its breath
Which is not of the flowers, but death;
And green above the ground appear
The lilies of another year.
I wander'd forth, and took my path
Among the bloomless aftermath;
And heard the steadfast robin sing
As if his own warm heart were Spring,
And watch'd him feed where, on the yew,
Hung honey'd drops of crimson dew;
And then return'd, by walls of peach,
And pear-trees bending to my reach,
And rose-beds with the roses gone,
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To bright-laid breakfast. Mrs. Vaughan
Was there, none with her. I confess
I love her than of yore no less!
But she alone was loved of old;
Now love is twain, nay, manifold;
For, somehow, he whose daily life
Adjusts itself to one true wife,
Grows to a nuptial, near degree
With all that's fair and womanly.
Therefore, as more than friends, we met,
Without constraint, without regret;
The wedded yoke that each had donn'd
Seeming a sanction, not a bond.
From Mrs. Graham
Your love lacks joy, your letter says.
Yes; love requires the focal space
Of recollection or of hope,
Ere it can measure its own scope.
Too soon, too soon comes Death to show
We love more deeply than we know!
The rain, that fell upon the height
Too gently to be call'd delight,
Within the dark vale reappears
As a wild cataract of tears;
And love in life should strive to see
Sometimes what love in death would be!
Easier to love, we so should find,
It is than to be just and kind.
She's gone: shut close the coffin-lid:
What distance for another did
That death has done for her! The good,
Once gazed upon with heedless mood,
Now fills with tears the famish'd eye,
And turns all else to vanity.
'Tis sad to see, with death between,
The good we have pass'd and have not seen!
How strange appear the words of all!
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The looks of those that live appal.
They are the ghosts, and check the breath:
There's no reality but death,
And hunger for some signal given
That we shall have our own in heaven.
But this the God of love lets be
A horrible uncertainty.
How great her smallest virtue seems,
How small her greatest fault! Ill dreams
Were those that foil'd with loftier grace
The homely kindness of her face.
'Twas here she sat and work'd, and there
She comb'd and kiss'd the children's hair;
Or, with one baby at her breast,
Another taught, or hush'd to rest.
Praise does the heart no more refuse
To the chief loveliness of use.
Her humblest good is hence most high
In the heavens of fond memory;
And Love says Amen to the word,
A prudent wife is from the Lord.
Her worst gown's kept, ('tis now the best,
As that in which she oftenest dress'd,)
For memory's sake more precious grown
Than she herself was for her own.
Poor child! foolish it seem'd to fly
To sobs instead of dignity,
When she was hurt. Now, more than all,
Heart-rending and angelical
That ignorance of what to do,
Bewilder'd still by wrong from you:
For what man ever yet had grace
Ne'er to abuse his power and place?
No magic of her voice or smile
Suddenly raised a fairy isle,
But fondness for her underwent
An unregarded increment,
Like that which lifts, through centuries,
The coral-reef within the seas,
Till, lo! the land where was the wave,
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Alas! 'tis everywhere her grave.
VI
From Jane To Mrs. Graham
Dear Mother, I can surely tell,
Now, that I never shall get well.
Besides the warning in my mind,
All suddenly are grown so kind.
Fred stopp'd the Doctor, yesterday,
Downstairs, and, when he went away,
Came smiling back, and sat with me,
Pale, and conversing cheerfully
About the Spring, and how my cough,
In finer weather, would leave off.
I saw it all, and told him plain
I felt no hope of Spring again.
Then he, after a word of jest,
Burst into tears upon my breast,
And own'd, when he could speak, he knew
There was a little danger, too.
This made me very weak and ill,
And while, last night, I lay quite still,
And, as he fancied, in the deep,
Exhausted rest of my short sleep,
I heard, or dream'd I heard him pray:
‘Oh, Father, take her not away!
‘Let not life's dear assurance lapse
‘Into death's agonised 'Perhaps,'
‘A hope without Thy promise, where
‘Less than assurance is despair!
‘Give me some sign, if go she must,
‘That death's not worse than dust to dust,
‘Not heaven, on whose oblivious shore
‘Joy I may have, but her no more!
‘The bitterest cross, it seems to me,
‘Of all is infidelity;
‘And so, if I may choose, I'll miss
‘The kind of heaven which comes to this.
‘If doom'd, indeed, this fever ceased,
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‘To die out wholly, like a beast,
‘Forgetting all life's ill success
‘In dark and peaceful nothingness,
‘I could but say, Thy will be done;
‘For, dying thus, I were but one
‘Of seed innumerable which ne'er
‘In all the worlds shall bloom or bear.
‘I've put life past to so poor use
‘Well may'st Thou life to come refuse;
‘And justice, which the spirit contents,
‘Shall still in me all vain laments;
‘Nay, pleased, I will, while yet I live,
‘Think Thou my forfeit joy may'st give
‘To some fresh life, else unelect,
‘And heaven not feel my poor defect!
‘Only let not Thy method be
‘To make that life, and call it me;
‘Still less to sever mine in twain,
‘And tell each half to live again,
‘And count itself the whole! To die,
‘Is it love's disintegrity?
‘Answer me, 'No,' and I, with grace,
‘Will life's brief desolation face,
‘My ways, as native to the clime,
‘Adjusting to the wintry time,
‘Ev'n with a patient cheer thereof—’
He started up, hearing me cough.
Oh, Mother, now my last doubt's gone!
He likes me more than Mrs. Vaughan;
And death, which takes me from his side,
Shows me, in very deed, his bride!
VII
From Jane To Frederick
I leave this, Dear, for you to read,
For strength and hope, when I am dead.
When Grace died, I was so perplex'd,
I could not find one helpful text;
And when, a little while before,
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I saw her sobbing on the floor,
Because I told her that in heaven
She would be as the angels even,
And would not want her doll, 'tis true
A horrible fear within me grew,
That, since the preciousness of love
Went thus for nothing, mine might prove
To be no more, and heaven's bliss
Some dreadful good which is not this.
But being about to die makes clear
Many dark things. I have no fear,
Now, that my love, my grief, my joy
Is but a passion for a toy.
I cannot speak at all, I find,
The shining something in my mind,
That shows so much that, if I took
My thoughts all down, 'twould make a book.
God's Word, which lately seem'd above
The simpleness of human love,
To my death-sharpen'd hearing tells
Of little or of nothing else;
And many things I hoped were true,
When first they came, like songs, from you,
Now rise with witness past the reach
Of doubt, and I to you can teach,
As if with felt authority
And as things seen, what you taught me.
Yet how? I have no words but those
Which every one already knows:
As, ‘No man hath at any time
‘Seen God, but 'tis the love of Him
‘Made perfect, and He dwells in us,
‘If we each other love.’ Or thus,
‘My goodness misseth in extent
‘Of Thee, Lord! In the excellent
‘I know Thee; and the Saints on Earth
‘Make all my love and holy mirth.’
And further, ‘Inasmuch as ye
‘Did it to one of these, to Me
‘Ye did it, though ye nothing thought
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‘Nor knew of Me, in that ye wrought.’
What shall I dread? Will God undo
Our bond, which is all others too?
And when I meet you will you say
To my reclaiming looks, ‘Away!
‘A dearer love my bosom warms
‘With higher rights and holier charms.
‘The children, whom thou here may'st see,
‘Neighbours that mingle thee and me,
‘And gaily on impartial lyres
‘Renounce the foolish filial fires
‘They felt, with 'Praise to God on high,
‘'Goodwill to all else equally;'
‘The trials, duties, service, tears;
‘The many fond, confiding years
‘Of nearness sweet with thee apart;
‘The joy of body, mind, and heart;
‘The love that grew a reckless growth,
‘Unmindful that the marriage-oath
‘To love in an eternal style
‘Meant—only for a little while:
‘Sever'd are now those bonds earth-wrought:
‘All love, not new, stands here for nought!’
Why, it seems almost wicked, Dear,
Even to utter such a fear!
Are we not ‘heirs,’ as man and wife,
‘Together of eternal life?’
Was Paradise e'er meant to fade,
To make which marriage first was made?
Neither beneath him nor above
Could man in Eden find his Love;
Yet with him in the garden walk'd
His God, and with Him mildly talk'd!
Shall the humble preference offend
In heaven, which God did there commend?
Are ‘honourable and undefiled’
The names of aught from heaven exiled?
And are we not forbid to grieve
As without hope? Does God deceive,
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And call that hope which is despair,
Namely, the heaven we should not share?
Image and glory of the man,
As he of God, is woman. Can
This holy, sweet proportion die
Into a dull equality?
Are we not one flesh, yea, so far
More than the babe and mother are,
That sons are bid mothers to leave
And to their wives alone to cleave,
‘For they two are one flesh?’ But 'tis
In the flesh we rise. Our union is,
You know 'tis said, ‘great mystery.’
Great mockery, it appears to me;
Poor image of the spousal bond
Of Christ and Church, if loosed beyond
This life!—'Gainst which, and much more yet,
There's not a single word to set.
The speech to the scoffing Sadducee
Is not in point to you and me;
For how could Christ have taught such clods
That Cæsar's things are also God's?
The sort of Wife the Law could make
Might well be ‘hated’ for Love's sake,
And left, like money, land, or house;
For out of Christ is no true spouse.
I used to think it strange of Him
To make love's after-life so dim,
Or only clear by inference:
But God trusts much to common sense,
And only tells us what, without
His Word, we could not have found out.
On fleshly tables of the heart
He penn'd truth's feeling counterpart
In hopes that come to all: so, Dear,
Trust these, and be of happy cheer,
Nor think that he who has loved well
Is of all men most miserable.
There's much more yet I want to say,
But cannot now. You know my way
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Of feeling strong from Twelve till Two
After my wine. I'll write to you
Daily some words, which you shall have
To break the silence of the grave.
VIII
From Jane To Frederick
You think, perhaps, ‘Ah, could she know
How much I loved her!’ Dear, I do!
And you may say, ‘Of this new awe
‘Of heart which makes her fancies law,
‘These watchful duties of despair,
‘She does not dream, she cannot care!’
Frederick, you see how false that is,
Or how could I have written this?
And, should it ever cross your mind
That, now and then, you were unkind,
You never, never were at all!
Remember that! It's natural
For one like Mr. Vaughan to come,
From a morning's useful pastime, home,
And greet, with such a courteous zest,
His handsome wife, still newly dress'd,
As if the Bird of Paradise
Should daily change her plumage thrice.
He's always well, she's always gay.
Of course! But he who toils all day,
And comes home hungry, tired, or cold,
And feels 'twould do him good to scold
His wife a little, let him trust
Her love, and say the things he must,
Till sooth'd in mind by meat and rest.
If, after that, she's well caress'd,
And told how good she is, to bear
His humour, fortune makes it fair.
Women like men to be like men;
That is, at least, just now and then.
Thus, I have nothing to forgive,
But those first years, (how could I live!)
When, though I really did behave
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So stupidly, you never gave
One unkind word or look at all:
As if I was some animal
You pitied! Now, in later life,
You used me like a proper Wife.
You feel, Dear, in your present mood,
Your Jane, since she was kind and good,
A child of God, a living soul,
Was not so different, on the whole,
From Her who had a little more
Of God's best gifts: but, oh, be sure,
My dear, dear Love, to take no blame
Because you could not feel the same
Towards me, living, as when dead.
A hungry man must needs think bread
So sweet! and, only at their rise
And setting, blessings, to the eyes,
Like the sun's course, grow visible.
If you are sad, remember well,
Against delusions of despair,
That memory sees things as they were,
And not as they were misenjoy'd,
And would be still, if ought destroy'd
The glory of their hopelessness:
So that, in truth, you had me less
In days when necessary zeal
For my perfection made you feel
My faults the most, than now your love
Forgets but where it can approve.
You gain by loss, if that seem'd small
Possess'd, which, being gone, turns all
Surviving good to vanity.
Oh, Fred, this makes it sweet to die!
Say to yourself: ‘'Tis comfort yet
‘I made her that which I regret;
‘And parting might have come to pass
‘In a worse season; as it was,
‘Love an eternal temper took,
‘Dipp'd, glowing, in Death's icy brook!’
Or say, ‘On her poor feeble head
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‘This might have fallen: 'tis mine instead!
‘And so great evil sets me free
‘Henceforward from calamity.
‘And, in her little children, too,
‘How much for her I yet can do!’
And grieve not for these orphans even;
For central to the love of Heaven
Is each child as each star to space.
This truth my dying love has grace
To trust with a so sure content,
I fear I seem indifferent.
You must not think a child's small heart
Cold, because it and grief soon part.
Fanny will keep them all away,
Lest you should hear them laugh and play,
Before the funeral's over. Then
I hope you'll be yourself again,
And glad, with all your soul, to find
How God thus to the sharpest wind
Suits the shorn lambs. Instruct them, Dear,
For my sake, in His love and fear.
And show how, till their journey's done,
Not to be weary they must run.
Strive not to dissipate your grief
By any lightness. True relief
Of sorrow is by sorrow brought.
And yet for sorrow's sake, you ought
To grieve with measure. Do not spend
So good a power to no good end!
Would you, indeed, have memory stay
In the heart, lock up and put away
Relics and likenesses and all
Musings, which waste what they recall.
True comfort, and the only thing
To soothe without diminishing
A prized regret, is to match here,
By a strict life, God's love severe.
Yet, after all, by nature's course,
Feeling must lose its edge and force.
Again you'll reach the desert tracts
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Where only sin or duty acts.
But, if love always lit our path,
Where were the trial of our faith?
Oh, should the mournful honeymoon
Of death be over strangely soon,
And life-long resolutions, made
In grievous haste, as quickly fade,
Seeming the truth of grief to mock,
Think, Dearest, 'tis not by the clock
That sorrow goes! A month of tears
Is more than many, many years
Of common time. Shun, if you can,
However, any passionate plan.
Grieve with the heart; let not the head
Grieve on, when grief of heart is dead;
For all the powers of life defy
A superstitious constancy.
The only bond I hold you to
Is that which nothing can undo.
A man is not a young man twice;
And if, of his young years, he lies
A faithful score in one wife's breast,
She need not mind who has the rest.
In this do what you will, dear Love,
And feel quite sure that I approve.
And, should it chance as it may be,
Give her my wedding-ring from me;
And never dream that you can err
T'wards me by being good to her;
Nor let remorseful thoughts destroy
In you the kindly flowering joy
And pleasure of the natural life.
But don't forget your fond, dead Wife.
And, Frederick, should you ever be
Tempted to think your love of me
All fancy, since it drew its breath
So much more sweetly after death,
Remember that I never did
A single thing you once forbid;
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All poor folk liked me; and, at the end,
Your Cousin call'd me ‘Dearest Friend!’
And, now, 'twill calm your grief to know,—
You, who once loved Honoria so,—
There's kindness, that's look'd kindly on,
Between her Emily and John.
Thus, in your children, you will wed!
And John seems so much comforted,
(Like Isaac when his mother died
And fair Rebekah was his bride),
By his new hope, for losing me!
So all is happiness, you see.
And that reminds me how, last night,
I dreamt of heaven, with great delight.
A strange, kind Lady watch'd my face,
Kiss'd me, and cried, ‘His hope found grace!’
She bade me then, in the crystal floor,
Look at myself, myself no more;
And bright within the mirror shone
Honoria's smile, and yet my own!
‘And, when you talk, I hear,’ she sigh'd,
‘How much he loved her! Many a bride
‘In heaven such countersemblance wears
‘Through what Love deem'd rejected prayers.’
She would have spoken still; but, lo,
One of a glorious troop, aglow
From some great work, towards her came,
And she so laugh'd, 'twas such a flame,
Aaron's twelve jewels seem'd to mix
With the lights of the Seven Candlesticks.
IX
From Lady Clitheroe To Mrs. Graham
My dearest Aunt, the Wedding-day,
But for Jane's loss, and you away,
Was all a Bride from heaven could beg!
Skies bluer than the sparrow's egg,
And clearer than the cuckoo's call;
And such a sun! the flowers all
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With double ardour seem'd to blow!
The very daisies were a show,
Expanded with uncommon pride,
Like little pictures of the Bride.
Your Great-Niece and your Grandson were
Perfection of a pretty pair.
How well Honoria's girls turn out,
Although they never go about!
Dear me, what trouble and expense
It took to teach mine confidence!
Hers greet mankind as I've heard say
That wild things do, where beasts of prey
Were never known, nor any men
Have met their fearless eyes till then.
Their grave, inquiring trust to find
All creatures of their simple kind
Quite disconcerts bold coxcombry,
And makes less perfect candour shy.
Ah, Mrs. Graham! people may scoff,
But how your home-kept girls go off!
How Hymen hastens to unband
The waist that ne'er felt waltzer's hand!
At last I see my Sister's right,
And I've told Maud this very night,
(But, oh, my daughters have such wills!)
To knit, and only dance quadrilles.
You say Fred never writes to you
Frankly, as once he used to do,
About himself; and you complain
He shared with none his grief for Jane.
It all comes of the foolish fright
Men feel at the word, hypocrite.
Although, when first in love, sometimes
They rave in letters, talk, and rhymes,
When once they find, as find they must.
How hard 'tis to be hourly just
To those they love, they are dumb for shame,
Where we, you see, talk on the same.
Honoria, to whose heart alone
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He seems to open all his own,
At times has tears in her kind eyes,
After their private colloquies.
He's her most favour'd guest, and moves
My spleen by his impartial loves.
His pleasure has some inner spring
Depending not on anything.
Petting our Polly, none e'er smiled
More fondly on his favourite child;
Yet, playing with his own, it is
Somehow as if it were not his.
He means to go again to sea,
Now that the wedding's over. He
Will leave to Emily and John
The little ones to practise on;
And Major-domo, Mrs. Rouse,
A deal old soul from Wilton House,
Will scold the housemaids and the cook,
Till Emily has learn'd to look
A little braver than a lamb
Surprised by dogs without its dam!
Do, dear Aunt, use your influence,
And try to teach some plain good sense
To Mary. 'Tis not yet too late
To make her change her chosen state
Of single silliness. In truth,
I fancy that, with fading youth,
Her will now wavers. Yesterday,
Though, till the Bride was gone away,
Joy shone from Mary's loving heart,
I found her afterwards apart,
Hysterically sobbing. I
Knew much too well to ask her why.
This marrying of Nieces daunts
The bravest souls of maiden Aunts.
Though Sisters' children often blend
Sweetly the bonds of child and friend,
They are but reeds to rest upon.
When Emily comes back with John,
Her right to go downstairs before
Aunt Mary will but be the more
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Observed if kindly waived, and how
Shall these be as they were, when now
Niece has her John, and Aunt the sense
Of her superior innocence?
Somehow, all loves, however fond,
Prove lieges of the nuptial bond;
And she who dares at this to scoff,
Finds all the rest in time drop off;
While marriage, like a mushroom-ring,
Spreads its sure circle every Spring.
She twice refused George Vane, you know;
Yet, when he died three years ago
In the Indian war, she put on gray,
And wears no colours to this day.
And she it is who charges me,
Dear Aunt, with ‘inconsistency!’
From Frederick To Honoria
Cousin, my thoughts no longer try
To cast the fashion of the sky.
Imagination can extend
Scarcely in part to comprehend
The sweetness of our common food
Ambrosial, which ingratitude
And impious inadvertence waste,
Studious to eat but not to taste.
And who can tell what's yet in store
There, but that earthly things have more
Of all that makes their inmost bliss,
And life's an image still of this,
But haply such a glorious one
As is the rainbow of the sun?
Sweet are your words, but, after all
Their mere reversal may befall
The partners of His glories who
Daily is crucified anew:
Splendid privations, martyrdoms
To which no weak remission comes,
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Perpetual passion for the good
Of them that feel no gratitude,
Far circlings, as of planets' fires,
Round never-to-be-reach'd desires,
Whatever rapturously sighs
That life is love, love sacrifice.
All I am sure of heaven is this:
Howe'er the mode, I shall not miss
One true delight which I have known.
Not on the changeful earth alone
Shall loyalty remain unmoved
T'wards everything I ever loved.
So Heaven's voice calls, like Rachel's voice
To Jacob in the field, ‘Rejoice!
‘Serve on some seven more sordid years,
‘Too short for weariness or tears;
‘Serve on; then, oh, Beloved, well-tried,
‘Take me for ever as thy Bride!’
XI
From Mary Churchill To The Dean
Charles does me honour, but 'twere vain
To reconsider now again,
And so to doubt the clear-shown truth
I sought for, and received, when youth,
Being fair, and woo'd by one whose love
Was lovely, fail'd my mind to move.
God bids them by their own will go,
Who ask again the things they know!
I grieve for my infirmity,
And ignorance of how to be
Faithful, at once, to the heavenly life,
And the fond duties of a wife.
Narrow am I and want the art
To love two things with all my heart.
Occupied singly in His search,
Who, in the Mysteries of the Church,
Returns, and calls them Clouds of Heaven,
I tread a road, straight, hard, and even;
But fear to wander all confused,
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By two-fold fealty abused.
Either should I the one forget,
Or scantly pay the other's debt.
You bid me, Father, count the cost.
I have; and all that must be lost
I feel as only woman can.
To make the heart's wealth of some man,
And through the untender world to move,
Wrapt safe in his superior love,
How sweet! How sweet the household round
Of duties, and their narrow bound,
So plain, that to transgress were hard,
Yet full of manifest reward!
The charities not marr'd, like mine,
With chance of thwarting laws divine;
The world's regards and just delight
In one that's clearly, kindly right,
How sweet! Dear Father, I endure,
Not without sharp regret, be sure,
To give up such glad certainty,
For what, perhaps, may never be.
For nothing of my state I know,
But that t'ward heaven I seem to go,
As one who fondly landward hies
Along a deck that seaward flies.
With every year, meantime, some grace
Of earthly happiness gives place
To humbling ills, the very charms
Of youth being counted, henceforth, harms:
To blush already seems absurd;
Nor know I whether I should herd
With girls or wives, or sadlier balk
Maids' merriment or matrons' talk.
But strait's the gate of life! O'er late,
Besides, 'twere now to change my fate:
For flowers and fruit of love to form,
It must be Spring as well as warm.
The world's delight my soul dejects,
Revenging all my disrespects
Of old, with incapacity
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To chime with even its harmless glee,
Which sounds, from fields beyond my range,
Like fairies' music, thin and strange.
With something like remorse, I grant
The world has beauty which I want;
And if, instead of judging it,
I at its Council chance to sit,
Or at its gay and order'd Feast,
My place seems lower than the least.
The conscience of the life to be
Smites me with inefficiency,
And makes me all unfit to bless
With comfortable earthliness
The rest-desiring brain of man.
Finally, then, I fix my plan
To dwell with Him that dwells apart
In the highest heaven and lowliest heart;
Nor will I, to my utter loss,
Look to pluck roses from the Cross.
As for the good of human love,
'Twere countercheck almost enough
To think that one must die before
The other; and perhaps 'tis more
In love's last interest to do
Nought the least contrary thereto,
Than to be blest, and be unjust,
Or suffer injustice; as they must,
Without a miracle, whose pact
Compels to mutual life and act,
Whether love shines, or darkness sleeps
Cold on the spirit's changeful deeps.
Enough if, to my earthly share,
Fall gleams that keep me from despair.
Happy the things we here discern;
More happy those for which we yearn;
But measurelessly happy above
All else are those we guess not of!
XII
From Felix To Honoria
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Dearest, my Love and Wife, 'tis long
Ago I closed the unfinish'd song
Which never could be finish'd; nor
Will ever Poet utter more
Of love than I did, watching well
To lure to speech the unspeakable!
‘Why, having won her, do I woo?’
That final strain to the last height flew
Of written joy, which wants the smile
And voice that are, indeed, the while
They last, the very things you speak,
Honoria, who mak'st music weak
With ways that say, ‘Shall I not be
‘As kind to all as Heaven to me?’
And yet, ah, twenty-fold my Bride!
Rising, this twentieth festal-tide,
You still soft sleeping, on this day
Of days, some words I long to say,
Some words superfluously sweet
Of fresh assurance, thus to greet
Your waking eyes, which never grow
Weary of telling what I know
So well, yet only well enough
To wish for further news thereof.
Here, in this early autumn dawn,
By windows opening on the lawn,
Where sunshine seems asleep, though bright,
And shadows yet are sharp with night,
And, further on, the wealthy wheat
Bends in a golden drowse, how sweet
To sit and cast my careless looks
Around my walls of well-read books,
Wherein is all that stands redeem'd
From time's huge wreck, all men have dream'd
Of truth, and all by poets known
Of feeling, and in weak sort shown,
And, turning to my heart again,
To find I have what makes them vain,
The thanksgiving mind, which wisdom sums,
And you, whereby it freshly comes
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As on that morning, (can there be
Twenty-two years 'twixt it and me?)
When, thrill'd with hopeful love I rose
And came in haste to Sarum Close,
Past many a homestead slumbering white
In lonely and pathetic light,
Merely to fancy which drawn blind
Of thirteen had my Love behind,
And in her sacred neighbourhood
To feel that sweet scorn of all good
But her, which let the wise forfend
When wisdom learns to comprehend!
Dearest, as each returning May
I see the season new and gay
With new joy and astonishment,
And Nature's infinite ostent
Of lovely flowers in wood and mead,
That weet not whether any heed,
So see I, daily wondering, you,
And worship with a passion new
The Heaven that visibly allows
Its grace to go about my house,
The partial Heaven, that, though I err
And mortal am, gave all to her
Who gave herself to me. Yet I
Boldly thank Heaven, (and so defy
The beggarly soul'd humbleness
Which fears God's bounty to confess,)
That I was fashion'd with a mind
Seeming for this great gift design'd,
So naturally it moved above
All sordid contraries of love,
Strengthen'd in youth with discipline
Of light, to follow the divine
Vision, (which ever to the dark
Is such a plague as was the ark
In Ashdod, Gath, and Ekron,) still
Discerning with the docile will
Which comes of full persuaded thought,
That intimacy in love is nought
Without pure reverence, whereas this,
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In tearfullest banishment, is bliss.
And so, dearest Honoria, I
Have never learn'd the weary sigh
Of those that to their love-feasts went,
Fed, and forgot the Sacrament;
And not a trifle now occurs
But sweet initiation stirs
Of new-discover'd joy, and lends
To feeling change that never ends;
And duties, which the many irk,
Are made all wages and no work.
How sing of such things save to her,
Love's self, so love's interpreter?
How the supreme rewards confess
Which crown the austere voluptuousness
Of heart, that earns, in midst of wealth,
The appetite of want and health,
Relinquishes the pomp of life
And beauty to the pleasant Wife
At home, and does all joy despise
As out of place but in her eyes?
How praise the years and gravity
That make each favour seem to be
A lovelier weakness for her lord?
And, ah, how find the tender word
To tell aright of love that glows
The fairer for the fading rose?
Of frailty which can weight the arm
To lean with thrice its girlish charm?
Of grace which, like this autumn day,
Is not the sad one of decay,
Yet one whose pale brow pondereth
The far-off majesty of death?
How tell the crowd, whom passion rends,
That love grows mild as it ascends?
That joy's most high and distant mood
Is lost, not found in dancing blood;
Albeit kind acts and smiling eyes,
And all those fond realities
Which are love's words, in us mean more
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Delight than twenty years before?
How, Dearest, finish, without wrong
To the speechless heart, the unfinish'd song,
Its high, eventful passages
Consisting, say, of things like these:—
One morning, contrary to law,
Which, for the most, we held in awe,
Commanding either not to intrude
On the other's place of solitude
Or solitary mind, for fear
Of coming there when God was near,
And finding so what should be known
To Him who is merciful alone,
And views the working ferment base
Of waking flesh and sleeping grace,
Not as we view, our kindness check'd
By likeness of our own defect,
I, venturing to her room, because
(Mark the excuse!) my Birthday 'twas,
Saw, here across a careless chair,
A ball-dress flung, as light as air,
And, here, beside a silken couch,
Pillows which did the pressure vouch
Of pious knees, (sweet piety!
Of goodness made and charity,
If gay looks told the heart's glad sense,
Much rather than of penitence,)
And, on the couch, an open book,
And written list—I did not look,
Yet just in her clear writing caught:—
‘Habitual faults of life and thought
‘Which most I need deliverance from.’
I turn'd aside, and saw her come
Adown the filbert-shaded way,
Beautified with her usual gay
Hypocrisy of perfectness,
Which made her heart, and mine no less,
So happy! And she cried to me,
‘You lose by breaking rules, you see!
‘Your Birthday treat is now half-gone
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‘Of seeing my new ball-dress on.’
And, meeting so my lovely Wife,
A passing pang, to think that life
Was mortal, when I saw her laugh,
Shaped in my mind this epitaph:
‘Faults had she, child of Adam's stem,
‘But only Heaven knew of them.’
Or thus:
For many a dreadful day,
In sea-side lodgings sick she lay,
Noteless of love, nor seem'd to hear
The sea, on one side, thundering near,
Nor, on the other, the loud Ball
Held nightly in the public hall;
Nor vex'd they my short slumbers, though
I woke up if she breathed too low.
Thus, for three months, with terrors rife,
The pending of her precious life
I watch'd o'er; and the danger, at last,
The kind Physician said, was past.
Howbeit, for seven harsh weeks the East
Breathed witheringly, and Spring's growth ceased,
And so she only did not die;
Until the bright and blighting sky
Changed into cloud, and the sick flowers
Remember'd their perfumes, and showers
Of warm, small rain refreshing flew
Before the South, and the Park grew,
In three nights, thick with green. Then she
Revived, no less than flower and tree,
In the mild air, and, the fourth day,
Look'd supernaturally gay
With large, thanksgiving eyes, that shone,
The while I tied her bonnet on,
So that I led her to the glass,
And bade her see how fair she was,
And how love visibly could shine.
Profuse of hers, desiring mine,
And mindful I had loved her most
When beauty seem'd a vanish'd boast,
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She laugh'd. I press'd her then to me,
Nothing but soft humility;
Nor e'er enhanced she with such charms
Her acquiescence in my arms.
And, by her sweet love-weakness made
Courageous, powerful, and glad,
In a clear illustration high
Of heavenly affection, I
Perceived that utter love is all
The same as to be rational,
And that the mind and heart of love,
Which think they cannot do enough,
Are truly the everlasting doors
Wherethrough, all unpetition'd, pours
The eternal pleasance. Wherefore we
Had innermost tranquillity,
And breathed one life with such a sense
Of friendship and of confidence,
That, recollecting the sure word:
‘If two of you are in accord,
‘On earth, as touching any boon
‘Which ye shall ask, it shall be done
‘In heaven,’ we ask'd that heaven's bliss
Might ne'er be any less than this;
And, for that hour, we seem'd to have
The secret of the joy we gave.
How sing of such things, save to her,
Love's self, so love's interpreter?
How read from such a homely page
In the ear of this unhomely age?
'Tis now as when the Prophet cried:
‘The nation hast Thou multiplied,
‘But Thou hast not increased the joy!’
And yet, ere wrath or rot destroy
Of England's state the ruin fair,
Oh, might I so its charm declare,
That, in new Lands, in far-off years,
Delighted he should cry that hears:
‘Great is the Land that somewhat best
‘Works, to the wonder of the rest!
‘We, in our day, have better done
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‘This thing or that than any one;
‘And who but, still admiring, sees
‘How excellent for images
‘Was Greece, for laws how wise was Rome;
‘But read this Poet, and say if home
‘And private love did e'er so smile
‘As in that ancient English isle!’
XIII
From Lady Clitheroe To Emily Graham
My dearest Niece, I'm charm'd to hear
The scenery's fine at Windermere,
And glad a six-weeks' wife defers
In the least to wisdom not yet hers.
But, Child, I've no advice to give!
Rules only make it hard to live.
And where's the good of having been
Well taught from seven to seventeen,
If, married, you may not leave off,
And say, at last, ‘I'm good enough!’
Weeding out folly, still leave some.
It gives both lightness and aplomb.
We know, however wise by rule,
Woman is still by nature fool;
And men have sense to like her all
The more when she is natural.
'Tis true that, if we choose, we can
Mock to a miracle the man;
But iron in the fire red hot,
Though 'tis the heat, the fire 'tis not:
And who, for such a feint, would pledge
The babe's and woman's privilege,
No duties and a thousand rights?
Besides, defect love's flow incites,
As water in a well will run
Only the while 'tis drawn upon.
‘Point de culte sans mystère,’ you say,
‘And what if that should die away?’
Child, never fear that either could
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Pull from Saint Cupid's face the hood.
The follies natural to each
Surpass the other's moral reach.
Just think how men, with sword and gun,
Will really fight, and never run;
And all in sport: they would have died,
For sixpence more, on the other side!
A woman's heart must ever warm
At such odd ways: and so we charm
By strangeness which, the more they mark,
The more men get into the dark.
The marvel, by familiar life,
Grows, and attaches to the wife
By whom it grows. Thus, silly Girl,
To John you'll always be the pearl
In the oyster of the universe;
And, though in time he'll treat you worse,
He'll love you more, you need not doubt,
And never, never find you out!
My Dear, I know that dreadful thought
That you've been kinder than you ought.
It almost makes you hate him! Yet
'Tis wonderful how men forget,
And how a merciful Providence
Deprives our husbands of all sense
Of kindness past, and makes them deem
We always were what now we seem.
For their own good we must, you know,
However plain the way we go,
Still make it strange with stratagem;
And instinct tells us that, to them,
'Tis always right to bate their price.
Yet I must say they're rather nice,
And, oh, so easily taken in
To cheat them almost seems a sin!
And, Dearest, 'twould be most unfair
To John your feelings to compare
With his, or any man's; for she
Who loves at all loves always; he,
Who loves far more, loves yet by fits,
And when the wayward wind remits
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To blow, his feelings faint and drop
Like forge-flames when the bellows stop.
Such things don't trouble you at all
When once you know they're natural.
My love to John; and, pray, my Dear,
Don't let me see you for a year;
Unless, indeed, ere then you've learn'd
That Beauties wed are blossoms turn'd
To unripe codlings, meant to dwell
In modest shadow hidden well,
Till this green stage again permute
To glow of flowers with good of fruit.
I will not have my patience tried
By your absurd new-married pride,
That scorns the world's slow-gather'd sense,
Ties up the hands of Providence,
Rules babes, before there's hope of one,
Better than mothers e'er have done,
And, for your poor particular,
Neglects delights and graces far
Beyond your crude and thin conceit.
Age has romance almost as sweet
And much more generous than this
Of yours and John's. With all the bliss
Of the evenings when you coo'd with him,
And upset home for your sole whim,
You might have envied, were you wise,
The tears within your Mother's eyes,
Which, I dare say, you did not see.
But let that pass! Yours yet will be,
I hope, as happy, kind, and true
As lives which now seem void to you.
Have you not seen shop-painters paste
Their gold in sheets, then rub to waste
Full half, and, lo, you read the name?
Well, Time, my Dear, does much the same
With this unmeaning glare of love.
But, though you yet may much improve,
In marriage, be it still confess'd,
There's little merit at the best.
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Some half-a-dozen lives, indeed,
Which else would not have had the need,
Get food and nurture, as the price
Of antedated Paradise;
But what's that to the varied want
Succour'd by Mary, your dear Aunt,
Who put the bridal crown thrice by,
For that of which virginity,
So used, has hope? She sends her love,
As usual with a proof thereof—
Papa's discourse, which you, no doubt,
Heard none of, neatly copied out
Whilst we were dancing. All are well,
Adieu, for there's the Luncheon Bell.
The Wedding Sermon
The truths of Love are like the sea
For clearness and for mystery.
Of that sweet love which, startling, wakes
Maiden and Youth, and mostly breaks
The word of promise to the ear,
But keeps it, after many a year,
To the full spirit, how shall I speak?
My memory with age is weak,
And I for hopes do oft suspect
The things I seem to recollect.
Yet who but must remember well
'Twas this made heaven intelligible
As motive, though 'twas small the power
The heart might have, for even an hour,
To hold possession of the height
Of nameless pathos and delight!
II
In Godhead rise, thither flow back
All loves, which, as they keep or lack,
In their return, the course assign'd,
Are virtue or sin. Love's every kind,
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Lofty or low, of spirit or sense,
Desire is, or benevolence.
He who is fairer, better, higher
Than all His works, claims all desire,
And in His Poor, His Proxies, asks
Our whole benevolence: He tasks,
Howbeit, His People by their powers;
And if, my Children, you, for hours,
Daily, untortur'd in the heart,
Can worship, and time's other part
Give, without rough recoils of sense,
To the claims ingrate of indigence,
Happy are you, and fit to be
Wrought to rare heights of sanctity,
For the humble to grow humbler at.
But if the flying spirit falls flat,
After the modest spell of prayer
That saves the day from sin and care,
And the upward eye a void descries,
And praises are hypocrisies,
And, in the soul, o'erstrain'd for grace,
A godless anguish grows apace;
Or, if impartial charity
Seems, in the act, a sordid lie,
Do not infer you cannot please
God, or that He His promises
Postpones, but be content to love
No more than He accounts enough.
Account them poor enough who want
Any good thing which you can grant;
And fathom well the depths of life
In loves of Husband and of Wife,
Child, Mother, Father; simple keys
To what cold faith calls mysteries.
III
The love of marriage claims, above
All other kinds, the name of love,
As perfectest, though not so high
As love which Heaven with single eye
Considers. Equal and entire,
Therein benevolence, desire,
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Elsewhere ill-join'd or found apart,
Become the pulses of one heart,
Which now contracts, and now dilates,
And, both to the height exalting, mates
Self-seeking to self-sacrifice.
Nay, in its subtle paradise
(When purest) this one love unites
All modes of these two opposites,
All balanced in accord so rich
Who may determine which is which?
Chiefly God's Love does in it live,
And nowhere else so sensitive;
For each is all that the other's eye,
In the vague vast of Deity,
Can comprehend and so contain
As still to touch and ne'er to strain
The fragile nerves of joy. And then
'Tis such a wise goodwill to men
And politic economy
As in a prosperous State we see,
Where every plot of common land
Is yielded to some private hand
To fence about and cultivate.
Does narrowness its praise abate?
Nay, the infinite of man is found
But in the beating of its bound,
And, if a brook its banks o'erpass,
'Tis not a sea, but a morass.
IV
No giddiest hope, no wildest guess
Of Love's most innocent loftiness
Had dared to dream of its own worth,
Till Heaven's bold sun-gleam lit the earth.
Christ's marriage with the Church is more,
My Children, than a metaphor.
The heaven of heavens is symbol'd where
The torch of Psyche flash'd despair.
But here I speak of heights, and heights
Are hardly scaled. The best delights
Of even this homeliest passion, are
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In the most perfect souls so rare,
That they who feel them are as men
Sailing the Southern ocean, when,
At midnight, they look up, and eye
The starry Cross, and a strange sky
Of brighter stars; and sad thoughts come
To each how far he is from home.
Love's inmost nuptial sweetness see
In the doctrine of virginity!
Could lovers, at their dear wish, blend,
'Twould kill the bliss which they intend;
For joy is love's obedience
Against the law of natural sense;
And those perpetual yearnings sweet
Of lives which dream that they can meet
Are given that lovers never may
Be without sacrifice to lay
On the high altar of true love,
With tears of vestal joy. To move
Frantic, like comets to our bliss,
Forgetting that we always miss,
And so to seek and fly the sun,
By turns, around which love should run,
Perverts the ineffable delight
Of service guerdon'd with full sight
And pathos of a hopeless want,
To an unreal victory's vaunt,
And plaint of an unreal defeat.
Yet no less dangerous misconceit
May also be of the virgin will,
Whose goal is nuptial blessing still,
And whose true being doth subsist,
There where the outward forms are miss'd,
In those who learn and keep the sense
Divine of ‘due benevolence,’
Seeking for aye, without alloy
Of selfish thought, another's joy,
And finding in degrees unknown
That which in act they shunn'd, their own.
For all delights of earthly love
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Are shadows of the heavens, and move
As other shadows do; they flee
From him that follows them; and he
Who flies, for ever finds his feet
Embraced by their pursuings sweet.
VI
Then, even in love humane, do I
Not counsel aspirations high,
So much as sweet and regular
Use of the good in which we are.
As when a man along the ways
Walks, and a sudden music plays,
His step unchanged, he steps in time,
So let your Grace with Nature chime.
Her primal forces burst, like straws,
The bonds of uncongenial laws.
Right life is glad as well as just,
And, rooted strong in ‘This I must,’
It bears aloft the blossom gay
And zephyr-toss'd, of ‘This I may;’
Whereby the complex heavens rejoice
In fruits of uncommanded choice.
Be this your rule: seeking delight,
Esteem success the test of right;
For 'gainst God's will much may be done,
But nought enjoy'd, and pleasures none
Exist, but, like to springs of steel,
Active no longer than they feel
The checks that make them serve the soul,
They take their vigour from control.
A man need only keep but well
The Church's indispensable
First precepts, and she then allows,
Nay, more, she bids him, for his spouse,
Leave even his heavenly Father's awe,
At times, and His immaculate law,
Construed in its extremer sense.
Jehovah's mild magnipotence
Smiles to behold His children play
In their own free and childish way,
And can His fullest praise descry
333
In the exuberant liberty
Of those who, having understood
The glory of the Central Good,
And how souls ne'er may match or merge,
But as they thitherward converge,
Take in love's innocent gladness part
With infantine, untroubled heart,
And faith that, straight t'wards heaven's far Spring,
Sleeps, like the swallow, on the wing.
VII
Lovers, once married, deem their bond
Then perfect, scanning nought beyond
For love to do but to sustain
The spousal hour's delighted gain.
But time and a right life alone
Fulfil the promise then foreshown.
The Bridegroom and the Bride withal
Are but unwrought material
Of marriage; nay, so far is love,
Thus crown'd, from being thereto enough,
Without the long, compulsive awe
Of duty, that the bond of law
Does oftener marriage-love evoke,
Than love, which does not wear the yoke
Of legal vows, submits to be
Self-rein'd from ruinous liberty.
Lovely is love; but age well knows
'Twas law which kept the lover's vows
Inviolate through the year or years
Of worship pieced with panic fears,
When she who lay within his breast
Seem'd of all women perhaps the best,
But not the whole, of womankind,
Or love, in his yet wayward mind,
Had ghastly doubts its precious life
Was pledged for aye to the wrong wife.
Could it be else? A youth pursues
A maid, whom chance, not he, did choose,
Till to his strange arms hurries she
In a despair of modesty.
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Then, simply and without pretence
Of insight or experience,
They plight their vows. The parents say
‘We cannot speak them yea or nay;
‘The thing proceedeth from the Lord!’
And wisdom still approves their word;
For God created so these two
They match as well as others do
That take more pains, and trust Him less
Who never fails, if ask'd, to bless
His children's helpless ignorance
And blind election of life's chance.
Verily, choice not matters much,
If but the woman's truly such,
And the young man has led the life
Without which how shall e'er the wife
Be the one woman in the world?
Love's sensitive tendrils sicken, curl'd
Round folly's former stay; for 'tis
The doom of all unsanction'd bliss
To mock some good that, gain'd, keeps still
The taint of the rejected ill.
VIII
Howbeit, though both were perfect, she
Of whom the maid was prophecy
As yet lives not, and Love rebels
Against the law of any else;
And, as a steed takes blind alarm,
Disowns the rein, and hunts his harm,
So, misdespairing word and act
May now perturb the happiest pact.
The more, indeed, is love, the more
Peril to love is now in store.
Against it nothing can be done
But only this: leave ill alone!
Who tries to mend his wife succeeds
As he who knows not what he needs.
He much affronts a worth as high
As his, and that equality
Of spirits in which abide the grace
335
And joy of her subjected place;
And does the still growth check and blurr
Of contraries, confusing her
Who better knows what he desires
Than he, and to that mark aspires
With perfect zeal, and a deep wit
Which nothing helps but trusting it.
So, loyally o'erlooking all
In which love's promise short may fall
Of full performance, honour that
As won, which aye love worketh at!
It is but as the pedigree
Of perfectness which is to be
That our best good can honour claim;
Yet honour to deny were shame
And robbery; for it is the mould
Wherein to beauty runs the gold
Of good intention, and the prop
That lifts to the sun the earth-drawn crop
Of human sensibilities.
Such honour, with a conduct wise
In common things, as, not to steep
The lofty mind of love in sleep
Of over much familiarness;
Not to degrade its kind caress,
As those do that can feel no more,
So give themselves to pleasures o'er;
Not to let morning-sloth destroy
The evening-flower, domestic joy;
Not by uxoriousness to chill
The warm devotion of her will
Who can but half her love confer
On him that cares for nought but her;—
These, and like obvious prudences
Observed, he's safest that relies,
For the hope she will not always seem,
Caught, but a laurel or a stream,
On time; on her unsearchable
Love-wisdom; on their work done well,
336
Discreet with mutual aid; on might
Of shared affliction and delight;
On pleasures that so childish be
They're 'shamed to let the children see,
By which life keeps the valleys low
Where love does naturally grow;
On much whereof hearts have account,
Though heads forget; on babes, chief fount
Of union, and for which babes are
No less than this for them, nay far
More, for the bond of man and wife
To the very verge of future life
Strengthens, and yearns for brighter day,
While others, with their use, decay;
And, though true marriage purpose keeps
Of offspring, as the centre sleeps
Within the wheel, transmitting thence
Fury to the circumference,
Love's self the noblest offspring is,
And sanction of the nuptial kiss;
Lastly, on either's primal curse,
Which help and sympathy reverse
To blessings.
IX
God, who may be well
Jealous of His chief miracle,
Bids sleep the meddling soul of man,
Through the long process of this plan,
Whereby, from his unweeting side,
The Wife's created, and the Bride,
That chance one of her strange, sweet sex
He to his glad life did annex,
Grows more and more, by day and night,
The one in the whole world opposite
Of him, and in her nature all
So suited and reciprocal
To his especial form of sense,
Affection, and intelligence,
That, whereas love at first had strange
Relapses into lust of change,
It now finds (wondrous this, but true!)
337
The long-accustom'd only new,
And the untried common; and, whereas
An equal seeming danger was
Of likeness lacking joy and force,
Or difference reaching to divorce,
Now can the finish'd lover see
Marvel of me most far from me,
Whom without pride he may admire,
Without Narcissus' doom desire,
Serve without selfishness, and love
‘Even as himself,’ in sense above
Niggard ‘as much,’ yea, as she is
The only part of him that's his.
I do not say love's youth returns;
That joy which so divinely yearns!
But just esteem of present good
Shows all regret such gratitude
As if the sparrow in her nest,
Her woolly young beneath her breast,
Should these despise, and sorrow for
Her five blue eggs that are no more.
Nor say I the fruit has quite the scope
Of the flower's spiritual hope.
Love's best is service, and of this,
Howe'er devout, use dulls the bliss.
Though love is all of earth that's dear,
Its home, my Children, is not here:
The pathos of eternity
Does in its fullest pleasure sigh.
Be grateful and most glad thereof.
Parting, as 'tis, is pain enough.
If love, by joy, has learn'd to give
Praise with the nature sensitive,
At last, to God, we then possess
The end of mortal happiness,
And henceforth very well may wait
The unbarring of the golden gate,
Wherethrough, already, faith can see
That apter to each wish than we
338
Is God, and curious to bless
Better than we devise or guess;
Not without condescending craft
To disappoint with bliss, and waft
Our vessels frail, when worst He mocks
The heart with breakers and with rocks,
To happiest havens. You have heard
Your bond death-sentenced by His Word.
What, if, in heaven, the name be o'er,
Because the thing is so much more?
All are, 'tis writ, as angels there,
Nor male nor female. Each a stair
In the hierarchical ascent
Of active and recipient
Affections, what if all are both
By turn, as they themselves betroth
To adoring what is next above,
Or serving what's below their love?
Of this we are certified, that we
Are shaped here for eternity,
So that a careless word will make
Its dint upon the form we take
For ever. If, then, years have wrought
Two strangers to become, in thought,
Will, and affection, but one man
For likeness, as none others can,
Without like process, shall this tree
The king of all the forest, be,
Alas, the only one of all
That shall not lie where it doth fall?
Shall this unflagging flame, here nurs'd
By everything, yea, when reversed,
Blazing, in fury, brighter, wink,
Flicker, and into darkness shrink,
When all else glows, baleful or brave,
In the keen air beyond the grave?
Beware; for fiends in triumph laugh
O'er him who learns the truth by half!
Beware; for God will not endure
For men to make their hope more pure
339
Than His good promise, or require
Another than the five-string'd lyre
Which He has vow'd again to the hands
Devout of him who understands
To tune it justly here! Beware
The Powers of Darkness and the Air,
Which lure to empty heights man's hope,
Bepraising heaven's ethereal cope,
But covering with their cloudy cant
Its ground of solid adamant,
That strengthens ether for the flight
Of angels, makes and measures height,
And in materiality
Exceeds our Earth's in such degree
As all else Earth exceeds! Do I
Here utter aught too dark or high?
Have you not seen a bird's beak slay
Proud Psyche, on a summer's day?
Down fluttering drop the frail wings four,
Missing the weight which made them soar.
Spirit is heavy nature's wing,
And is not rightly anything
Without its burthen, whereas this,
Wingless, at least a maggot is,
And, wing'd, is honour and delight
Increasing endlessly with height.
XI
If unto any here that chance
Fell not, which makes a month's romance,
Remember, few wed whom they would.
And this, like all God's laws, is good;
For nought's so sad, the whole world o'er,
As much love which has once been more.
Glorious for light is the earliest love;
But worldly things, in the rays thereof,
Extend their shadows, every one
False as the image which the sun
At noon or eve dwarfs or protracts.
A perilous lamp to light men's acts!
By Heaven's kind, impartial plan,
Well-wived is he that's truly man
340
If but the woman's womanly,
As such a man's is sure to be.
Joy of all eyes and pride of life
Perhaps she is not; the likelier wife!
If it be thus; if you have known,
(As who has not?) some heavenly one,
Whom the dull background of despair
Help'd to show forth supremely fair;
If memory, still remorseful, shapes
Young Passion bringing Eshcol grapes
To travellers in the Wilderness,
This truth will make regret the less:
Mighty in love as graces are,
God's ordinance is mightier far;
And he who is but just and kind
And patient, shall for guerdon find,
Before long, that the body's bond
Is all else utterly beyond
In power of love to actualise
The soul's bond which it signifies,
And even to deck a wife with grace
External in the form and face.
A five years' wife, and not yet fair?
Blame let the man, not Nature, bear!
For, as the sun, warming a bank
Where last year's grass droops gray and dank,
Evokes the violet, bids disclose
In yellow crowds the fresh primrose,
And foxglove hang her flushing head,
So vernal love, where all seems dead,
Makes beauty abound.
Then was that nought,
That trance of joy beyond all thought,
The vision, in one, of womanhood?
Nay, for all women holding good,
Should marriage such a prologue want,
'Twere sordid and most ignorant
Profanity; but, having this,
'Tis honour now, and future bliss;
For where is he that, knowing the height
And depth of ascertain'd delight,
341
Inhumanly henceforward lies
Content with mediocrities!
~ Coventry Patmore,#NFDB
176:Obiit Mdcccxxxiii (Entire)
Strong Son of God, immortal Love,
Whom we, that have not seen thy face,
By faith, and faith alone, embrace,
Believing where we cannot prove;
Thine are these orbs of light and shade;
Thou madest Life in man and brute;
Thou madest Death; and lo, thy foot
Is on the skull which thou hast made.
Thou wilt not leave us in the dust:
Thou madest man, he knows not why,
He thinks he was not made to die;
And thou hast made him: thou art just.
Thou seemest human and divine,
The highest, holiest manhood, thou:
Our wills are ours, we know not how;
Our wills are ours, to make them thine.
Our little systems have their day;
They have their day and cease to be:
They are but broken lights of thee,
And thou, O Lord, art more than they.
We have but faith: we cannot know;
For knowledge is of things we see;
And yet we trust it comes from thee,
A beam in darkness: let it grow.
Let knowledge grow from more to more,
But more of reverence in us dwell;
That mind and soul, according well,
May make one music as before,
But vaster. We are fools and slight;
We mock thee when we do not fear:
But help thy foolish ones to bear;
Help thy vain worlds to bear thy light.
414
Forgive what seem’d my sin in me;
What seem’d my worth since I began;
For merit lives from man to man,
And not from man, O Lord, to thee.
Forgive my grief for one removed,
Thy creature, whom I found so fair.
I trust he lives in thee, and there
I find him worthier to be loved.
Forgive these wild and wandering cries,
Confusions of a wasted youth;
Forgive them where they fail in truth,
And in thy wisdom make me wise.
I.
I held it truth, with him who sings
To one clear harp in divers tones,
That men may rise on stepping-stones
Of their dead selves to higher things.
But who shall so forecast the years
And find in loss a gain to match?
Or reach a hand thro’ time to catch
The far-off interest of tears?
Let Love clasp Grief lest both be drown’d,
Let darkness keep her raven gloss:
Ah, sweeter to be drunk with loss,
To dance with death, to beat the ground,
Than that the victor Hours should scorn
The long result of love, and boast,
‘Behold the man that loved and lost,
But all he was is overworn.’
II.
415
Old Yew, which graspest at the stones
That name the under-lying dead,
Thy fibres net the dreamless head,
Thy roots are wrapt about the bones.
The seasons bring the flower again,
And bring the firstling to the flock;
And in the dusk of thee, the clock
Beats out the little lives of men.
O not for thee the glow, the bloom,
Who changest not in any gale,
Nor branding summer suns avail
To touch thy thousand years of gloom:
And gazing on thee, sullen tree,
Sick for thy stubborn hardihood,
I seem to fail from out my blood
And grow incorporate into thee.
III.
O Sorrow, cruel fellowship,
O Priestess in the vaults of Death,
O sweet and bitter in a breath,
What whispers from thy lying lip?
‘The stars,’ she whispers, ‘blindly run;
A web is wov’n across the sky;
From out waste places comes a cry,
And murmurs from the dying sun:
‘And all the phantom, Nature, stands–
With all the music in her tone,
A hollow echo of my own,–
A hollow form with empty hands.’
And shall I take a thing so blind,
Embrace her as my natural good;
Or crush her, like a vice of blood,
Upon the threshold of the mind?
416
IV.
To Sleep I give my powers away;
My will is bondsman to the dark;
I sit within a helmless bark,
And with my heart I muse and say:
O heart, how fares it with thee now,
That thou should’st fail from thy desire,
Who scarcely darest to inquire,
‘What is it makes me beat so low?’
Something it is which thou hast lost,
Some pleasure from thine early years.
Break, thou deep vase of chilling tears,
That grief hath shaken into frost!
Such clouds of nameless trouble cross
All night below the darken’d eyes;
With morning wakes the will, and cries,
‘Thou shalt not be the fool of loss.’
V.
I sometimes hold it half a sin
To put in words the grief I feel;
For words, like Nature, half reveal
And half conceal the Soul within.
But, for the unquiet heart and brain,
A use in measured language lies;
The sad mechanic exercise,
Like dull narcotics, numbing pain.
In words, like weeds, I’ll wrap me o’er,
Like coarsest clothes against the cold:
But that large grief which these enfold
Is given in outline and no more.
417
VI.
One writes, that ‘Other friends remain,’
That ‘Loss is common to the race’–
And common is the commonplace,
And vacant chaff well meant for grain.
That loss is common would not make
My own less bitter, rather more:
Too common! Never morning wore
To evening, but some heart did break.
O father, wheresoe’er thou be,
Who pledgest now thy gallant son;
A shot, ere half thy draught be done,
Hath still’d the life that beat from thee.
O mother, praying God will save
Thy sailor,–while thy head is bow’d,
His heavy-shotted hammock-shroud
Drops in his vast and wandering grave.
Ye know no more than I who wrought
At that last hour to please him well;
Who mused on all I had to tell,
And something written, something thought;
Expecting still his advent home;
And ever met him on his way
With wishes, thinking, ‘here to-day,’
Or ‘here to-morrow will he come.’
O somewhere, meek, unconscious dove,
That sittest ranging golden hair;
And glad to find thyself so fair,
Poor child, that waitest for thy love!
For now her father’s chimney glows
In expectation of a guest;
And thinking ‘this will please him best,’
She takes a riband or a rose;
418
For he will see them on to-night;
And with the thought her colour burns;
And, having left the glass, she turns
Once more to set a ringlet right;
And, even when she turn’d, the curse
Had fallen, and her future Lord
Was drown’d in passing thro’ the ford,
Or kill’d in falling from his horse.
O what to her shall be the end?
And what to me remains of good?
To her, perpetual maidenhood,
And unto me no second friend.
VII.
Dark house, by which once more I stand
Here in the long unlovely street,
Doors, where my heart was used to beat
So quickly, waiting for a hand,
A hand that can be clasp’d no more–
Behold me, for I cannot sleep,
And like a guilty thing I creep
At earliest morning to the door.
He is not here; but far away
The noise of life begins again,
And ghastly thro’ the drizzling rain
On the bald street breaks the blank day.
VIII.
A happy lover who has come
To look on her that loves him well,
Who ’lights and rings the gateway bell,
And learns her gone and far from home;
419
He saddens, all the magic light
Dies off at once from bower and hall,
And all the place is dark, and all
The chambers emptied of delight:
So find I every pleasant spot
In which we two were wont to meet,
The field, the chamber and the street,
For all is dark where thou art not.
Yet as that other, wandering there
In those deserted walks, may find
A flower beat with rain and wind,
Which once she foster'd up with care;
So seems it in my deep regret,
O my forsaken heart, with thee
And this poor flower of poesy
Which little cared for fades not yet.
But since it pleased a vanish’d eye,
I go to plant it on his tomb,
That if it can it there may bloom,
Or dying, there at least may die.
IX.
Fair ship, that from the Italian shore
Sailest the placid ocean-plains
With my lost Arthur’s loved remains,
Spread thy full wings, and waft him o’er.
So draw him home to those that mourn
In vain; a favourable speed
Ruffle thy mirror’d mast, and lead
Thro’ prosperous floods his holy urn.
All night no ruder air perplex
Thy sliding keel, till Phosphor, bright
As our pure love, thro’ early light
Shall glimmer on the dewy decks.
420
Sphere all your lights around, above;
Sleep, gentle heavens, before the prow;
Sleep, gentle winds, as he sleeps now,
My friend, the brother of my love;
My Arthur, whom I shall not see
Till all my widow’d race be run;
Dear as the mother to the son,
More than my brothers are to me.
X.
I hear the noise about thy keel;
I hear the bell struck in the night:
I see the cabin-window bright;
I see the sailor at the wheel.
Thou bring’st the sailor to his wife,
And travell’d men from foreign lands;
And letters unto trembling hands;
And, thy dark freight, a vanish’d life.
So bring him: we have idle dreams:
This look of quiet flatters thus
Our home-bred fancies: O to us,
The fools of habit, sweeter seems
To rest beneath the clover sod,
That takes the sunshine and the rains,
Or where the kneeling hamlet drains
The chalice of the grapes of God;
Than if with thee the roaring wells
Should gulf him fathom-deep in brine;
And hands so often clasp’d in mine,
Should toss with tangle and with shells.
XI.
421
Calm is the morn without a sound,
Calm as to suit a calmer grief,
And only thro’ the faded leaf
The chestnut pattering to the ground:
Calm and deep peace on this high wold,
And on these dews that drench the furze,
And all the silvery gossamers
That twinkle into green and gold:
Calm and still light on yon great plain
That sweeps with all its autumn bowers,
And crowded farms and lessening towers,
To mingle with the bounding main:
Calm and deep peace in this wide air,
These leaves that redden to the fall;
And in my heart, if calm at all,
If any calm, a calm despair:
Calm on the seas, and silver sleep,
And waves that sway themselves in rest,
And dead calm in that noble breast
Which heaves but with the heaving deep.
XII.
Lo, as a dove when up she springs
To bear thro’ Heaven a tale of woe,
Some dolorous message knit below
The wild pulsation of her wings;
Like her I go; I cannot stay;
I leave this mortal ark behind,
A weight of nerves without a mind,
And leave the cliffs, and haste away
O’er ocean-mirrors rounded large,
And reach the glow of southern skies,
And see the sails at distance rise,
And linger weeping on the marge,
422
And saying; ‘Comes he thus, my friend?
Is this the end of all my care?’
And circle moaning in the air:
‘Is this the end? Is this the end?’
And forward dart again, and play
About the prow, and back return
To where the body sits, and learn
That I have been an hour away.
XIII.
Tears of the widower, when he sees
A late-lost form that sleep reveals,
And moves his doubtful arms, and feels
Her place is empty, fall like these;
Which weep a loss for ever new,
A void where heart on heart reposed;
And, where warm hands have prest and closed,
Silence, till I be silent too.
Which weeps the comrade of my choice,
An awful thought, a life removed,
The human-hearted man I loved,
A Spirit, not a breathing voice.
Come Time, and teach me, many years,
I do not suffer in a dream;
For now so strange do these things seem,
Mine eyes have leisure for their tears;
My fancies time to rise on wing,
And glance about the approaching sails,
As tho’ they brought but merchants’ bales,
And not the burthen that they bring.
XIV.
423
If one should bring me this report,
That thou hadst touch’d the land to-day,
And I went down unto the quay,
And found thee lying in the port;
And standing, muffled round with woe,
Should see thy passengers in rank
Come stepping lightly down the plank,
And beckoning unto those they know;
And if along with these should come
The man I held as half-divine;
Should strike a sudden hand in mine,
And ask a thousand things of home;
And
And
And
And
I should tell him all my pain,
how my life had droop’d of late,
he should sorrow o’er my state
marvel what possess’d my brain;
And I perceived no touch of change,
No hint of death in all his frame,
But found him all in all the same,
I should not feel it to be strange.
XV.
To-night the winds begin to rise
And roar from yonder dropping day:
The last red leaf is whirl’d away,
The rooks are blown about the skies;
The forest crack’d, the waters curl’d,
The cattle huddled on the lea;
And wildly dash’d on tower and tree
The sunbeam strikes along the world:
And but for fancies, which aver
That all thy motions gently pass
Athwart a plane of molten glass,
I scarce could brook the strain and stir
424
That makes the barren branches loud;
And but for fear it is not so,
The wild unrest that lives in woe
Would dote and pore on yonder cloud
That rises upward always higher,
And onward drags a labouring breast,
And topples round the dreary west,
A looming bastion fringed with fire.
XVI.
What words are these have fall’n from me?
Can calm despair and wild unrest
Be tenants of a single breast,
Or sorrow such a changeling be?
Or doth she only seem to take
The touch of change in calm or storm;
But knows no more of transient form
In her deep self, than some dead lake
That holds the shadow of a lark
Hung in the shadow of a heaven?
Or has the shock, so harshly given,
Confused me like the unhappy bark
That strikes by night a craggy shelf,
And staggers blindly ere she sink?
And stunn’d me from my power to think
And all my knowledge of myself;
And made me that delirious man
Whose fancy fuses old and new,
And flashes into false and true,
And mingles all without a plan?
XVII.
425
Thou comest, much wept for: such a breeze
Compell’d thy canvas, and my prayer
Was as the whisper of an air
To breathe thee over lonely seas.
For I in spirit saw thee move
Thro’ circles of the bounding sky,
Week after week: the days go by:
Come quick, thou bringest all I love.
Henceforth, wherever thou may’st roam,
My blessing, like a line of light,
Is on the waters day and night,
And like a beacon guards thee home.
So may whatever tempest mars
Mid-ocean, spare thee, sacred bark;
And balmy drops in summer dark
Slide from the bosom of the stars.
So kind an office hath been done,
Such precious relics brought by thee;
The dust of him I shall not see
Till all my widow’d race be run.
XVIII.
’Tis well; ’tis something; we may stand
Where he in English earth is laid,
And from his ashes may be made
The violet of his native land.
’Tis little; but it looks in truth
As if the quiet bones were blest
Among familiar names to rest
And in the places of his youth.
Come then, pure hands, and bear the head
That sleeps or wears the mask of sleep,
And come, whatever loves to weep,
And hear the ritual of the dead.
426
Ah yet, ev’n yet, if this might be,
I, falling on his faithful heart,
Would breathing thro’ his lips impart
The life that almost dies in me;
That dies not, but endures with pain,
And slowly forms the the firmer mind,
Treasuring the look it cannot find,
The words that are not heard again.
XIX.
The Danube to the Severn gave
The darken’d heart that beat no more;
They laid him by the pleasant shore,
And in the hearing of the wave.
There twice a day the Severn fills;
That salt sea-water passes by,
And hushes half the babbling Wye,
And makes a silence in the hills.
The Wye is hush’d nor moved along,
And hush’d my deepest grief of all,
When fill’d with tears that cannot fall,
I brim with sorrow drowning song.
The tide flows down, the wave again
Is vocal in its wooded walls;
My deeper anguish also falls,
And I can speak a little then.
XX.
The lesser griefs that may be said,
That breathe a thousand tender vows,
Are but as servants in a house
Where lies the master newly dead;
427
Who speak their feeling as it is,
And weep the fulness from the mind:
‘It will be hard,’ they say, ‘to find
Another service such as this.’
My lighter moods are like to these,
That out of words a comfort win;
But there are other griefs within,
And tears that at their fountain freeze;
For by the hearth the children sit
Cold in that atmosphere of Death,
And scarce endure to draw the breath,
Or like to noiseless phantoms flit:
But open converse is there none,
So much the vital spirits sink
To see the vacant chair, and think,
‘How good! how kind! and he is gone.’
XXI.
I sing to him that rests below,
And, since the grasses round me wave,
I take the grasses of the grave,
And make them pipes whereon to blow.
The traveller hears me now and then,
And sometimes harshly will he speak:
‘This fellow would make weakness weak,
And melt the waxen hearts of men.’
Another answers, ‘Let him be,
He loves to make parade of pain,
That with his piping he may gain
The praise that comes to constancy.’
A third is wroth: ‘Is this an hour
For private sorrow’s barren song,
When more and more the people throng
The chairs and thrones of civil power?
428
‘A time to sicken and to swoon,
When Science reaches forth her arms
To feel from world to world, and charms
Her secret from the latest moon?’
Behold, ye speak an idle thing:
Ye never knew the sacred dust:
I do but sing because I must,
And pipe but as the linnets sing:
And one is glad; her note is gay,
For now her little ones have ranged;
And one is sad; her note is changed,
Because her brood is stol’n away.
XXII.
The path by which we twain did go,
Which led by tracts that pleased us well,
Thro’ four sweet years arose and fell,
From flower to flower, from snow to snow:
And we with singing cheer’d the way,
And, crown’d with all the season lent,
From April on to April went,
And glad at heart from May to May:
But where the path we walk’d began
To slant the fifth autumnal slope,
As we descended following Hope,
There sat the Shadow fear’d of man;
Who broke our fair companionship,
And spread his mantle dark and cold,
And wrapt thee formless in the fold,
And dull’d the murmur on thy lip,
And bore thee where I could not see
Nor follow, tho’ I walk in haste,
And think, that somewhere in the waste
429
The Shadow sits and waits for me.
XXIII.
Now, sometimes in my sorrow shut,
Or breaking into song by fits,
Alone, alone, to where he sits,
The Shadow cloak’d from head to foot,
Who keeps the keys of all the creeds,
I wander, often falling lame,
And looking back to whence I came,
Or on to where the pathway leads;
And crying, How changed from where it ran
Thro’ lands where not a leaf was dumb;
But all the lavish hills would hum
The murmur of a happy Pan:
When each by turns was guide to each,
And Fancy light from Fancy caught,
And Thought leapt out to wed with Thought
Ere Thought could wed itself with Speech;
And all we met was fair and good,
And all was good that Time could bring,
And all the secret of the Spring
Moved in the chambers of the blood;
And many an old philosophy
On Argive heights divinely sang,
And round us all the thicket rang
To many a flute of Arcady.
XXIV.
And was the day of my delight
As pure and perfect as I say?
The very source and fount of Day
430
Is dash’d with wandering isles of night.
If all was good and fair we met,
This earth had been the Paradise
It never look’d to human eyes
Since our first Sun arose and set.
And is it that the haze of grief
Makes former gladness loom so great?
The lowness of the present state,
That sets the past in this relief?
Or that the past will always win
A glory from its being far;
And orb into the perfect star
We saw not, when we moved therein?
XXV.
I know that this was Life,–the track
Whereon with equal feet we fared;
And then, as now, the day prepared
The daily burden for the back.
But this it was that made me move
As light as carrier-birds in air;
I loved the weight I had to bear,
Because it needed help of Love:
Nor could I weary, heart or limb,
When mighty Love would cleave in twain
The lading of a single pain,
And part it, giving half to him.
XXVI.
Still onward winds the dreary way;
I with it; for I long to prove
No lapse of moons can canker Love,
Whatever fickle tongues may say.
431
And if that eye which watches guilt
And goodness, and hath power to see
Within the green the moulder’d tree,
And towers fall’n as soon as built–
Oh, if indeed that eye foresee
Or see (in Him is no before)
In more of life true life no more
And Love the indifference to be,
Then might I find, ere yet the morn
Breaks hither over Indian seas,
That Shadow waiting with the keys,
To shroud me from my proper scorn.
XXVII.
I envy not in any moods
The captive void of noble rage,
The linnet born within the cage,
That never knew the summer woods:
I envy not the beast that takes
His license in the field of time,
Unfetter’d by the sense of crime,
To whom a conscience never wakes;
Nor, what may count itself as blest,
The heart that never plighted troth
But stagnates in the weeds of sloth;
Nor any want-begotten rest.
I hold it true, whate’er befall;
I feel it, when I sorrow most;
’Tis better to have loved and lost
Than never to have loved at all.
XXVIII.
432
The time draws near the birth of Christ:
The moon is hid; the night is still;
The Christmas bells from hill to hill
Answer each other in the mist.
Four voices of four hamlets round,
From far and near, on mead and moor,
Swell out and fail, as if a door
Were shut between me and the sound:
Each voice four changes on the wind,
That now dilate, and now decrease,
Peace and goodwill, goodwill and peace,
Peace and goodwill, to all mankind.
This year I slept and woke with pain,
I almost wish’d no more to wake,
And that my hold on life would break
Before I heard those bells again:
But they my troubled spirit rule,
For they controll’d me when a boy;
They bring me sorrow touch’d with joy,
The merry merry bells of Yule.
XXIX.
With such compelling cause to grieve
As daily vexes household peace,
And chains regret to his decease,
How dare we keep our Christmas-eve;
Which brings no more a welcome guest
To enrich the threshold of the night
With shower’d largess of delight
In dance and song and game and jest?
Yet go, and while the holly boughs
Entwine the cold baptismal font,
Make one wreath more for Use and Wont,
That guard the portals of the house;
433
Old sisters of a day gone by,
Gray nurses, loving nothing new;
Why should they miss their yearly due
Before their time? They too will die.
XXX.
With trembling fingers did we weave
The holly round the Christmas hearth;
A rainy cloud possess’d the earth,
And sadly fell our Christmas-eve.
At our old pastimes in the hall
We gambol’d, making vain pretence
Of gladness, with an awful sense
Of one mute Shadow watching all.
We paused: the winds were in the beech:
We heard them sweep the winter land;
And in a circle hand-in-hand
Sat silent, looking each at each.
Then echo-like our voices rang;
We sung, tho’ every eye was dim,
A merry song we sang with him
Last year: impetuously we sang:
We ceased: a gentler feeling crept
Upon us: surely rest is meet:
‘They rest,’ we said, ‘their sleep is sweet,’
And silence follow’d, and we wept.
Our voices took a higher range;
Once more we sang: ‘They do not die
Nor lose their mortal sympathy,
Nor change to us, although they change;
‘Rapt from the fickle and the frail
With gather’d power, yet the same,
Pierces the keen seraphic flame
From orb to orb, from veil to veil.’
434
Rise, happy morn, rise, holy morn,
Draw forth the cheerful day from night:
O Father, touch the east, and light
The light that shone when Hope was born.
XXXI.
When Lazarus left his charnel-cave,
And home to Mary’s house return’d,
Was this demanded–if he yearn’d
To hear her weeping by his grave?
‘Where wert thou, brother, those four days?’
There lives no record of reply,
Which telling what it is to die
Had surely added praise to praise.
From every house the neighbours met,
The streets were fill’d with joyful sound,
A solemn gladness even crown’d
The purple brows of Olivet.
Behold a man raised up by Christ!
The rest remaineth unreveal’d;
He told it not; or something seal’d
The lips of that Evangelist.
XXXII.
Her eyes are homes of silent prayer,
Nor other thought her mind admits
But, he was dead, and there he sits,
And he that brought him back is there.
Then one deep love doth supersede
All other, when her ardent gaze
Roves from the living brother’s face,
And rests upon the Life indeed.
435
All subtle thought, all curious fears,
Borne down by gladness so complete,
She bows, she bathes the Saviour’s feet
With costly spikenard and with tears.
Thrice blest whose lives are faithful prayers,
Whose loves in higher love endure;
What souls possess themselves so pure,
Or is there blessedness like theirs?
XXXIII.
O thou that after toil and storm
Mayst seem to have reach’d a purer air,
Whose faith has centre everywhere,
Nor cares to fix itself to form,
Leave thou thy sister when she prays,
Her early Heaven, her happy views;
Nor thou with shadow’d hint confuse
A life that leads melodious days.
Her faith thro’ form is pure as thine,
Her hands are quicker unto good:
Oh, sacred be the flesh and blood
To which she links a truth divine!
See thou, that countest reason ripe
In holding by the law within,
Thou fail not in a world of sin,
And ev’n for want of such a type.
XXXIV.
My own dim life should teach me this,
That life shall live for evermore,
Else earth is darkness at the core,
And dust and ashes all that is;
This round of green, this orb of flame,
436
Fantastic beauty; such as lurks
In some wild Poet, when he works
Without a conscience or an aim.
What then were God to such as I?
’Twere hardly worth my while to choose
Of things all mortal, or to use
A little patience ere I die;
’Twere best at once to sink to peace,
Like birds the charming serpent draws,
To drop head-foremost in the jaws
Of vacant darkness and to cease.
XXXV.
Yet if some voice that man could trust
Should murmur from the narrow house,
‘The cheeks drop in; the body bows;
Man dies: nor is there hope in dust:’
Might I not say? ‘Yet even here,
But for one hour, O Love, I strive
To keep so sweet a thing alive:’
But I should turn mine ears and hear
The moanings of the homeless sea,
The sound of streams that swift or slow
Draw down Æonian hills, and sow
The dust of continents to be;
And Love would answer with a sigh,
‘The sound of that forgetful shore
Will change my sweetness more and more,
Half-dead to know that I shall die.’
O me, what profits it to put
And idle case? If Death were seen
At first as Death, Love had not been,
Or been in narrowest working shut,
437
Mere fellowship of sluggish moods,
Or in his coarsest Satyr-shape
Had bruised the herb and crush’d the grape,
And bask’d and batten’d in the woods.
XXXVI.
Tho’ truths in manhood darkly join,
Deep-seated in our mystic frame,
We yield all blessing to the name
Of Him that made them current coin;
For Wisdom dealt with mortal powers,
Where truth in closest words shall fail,
When truth embodied in a tale
Shall enter in at lowly doors.
And so the Word had breath, and wrought
With human hands the creed of creeds
In loveliness of perfect deeds,
More strong than all poetic thought;
Which he may read that binds the sheaf,
Or builds the house, or digs the grave,
And those wild eyes that watch the wave
In roarings round the coral reef.
XXXVII.
Urania speaks with darken’d brow:
‘Thou pratest here where thou art least;
This faith has many a purer priest,
And many an abler voice than thou.
‘Go down beside thy native rill,
On thy Parnassus set thy feet,
And hear thy laurel whisper sweet
About the ledges of the hill.’
And my Melpomene replies,
438
A touch of shame upon her cheek:
‘I am not worthy ev’n to speak
Of thy prevailing mysteries;
‘For I am but an earthly Muse,
And owning but a little art
To lull with song an aching heart,
And render human love his dues;
‘But brooding on the dear one dead,
And all he said of things divine,
(And dear to me as sacred wine
To dying lips is all he said),
‘I murmur’d, as I came along,
Of comfort clasp’d in truth reveal’d;
And loiter’d in the master’s field,
And darken’d sanctities with song.’
XXXVIII.
With weary steps I loiter on,
Tho’ always under alter’d skies
The purple from the distance dies,
My prospect and horizon gone.
No joy the blowing season gives,
The herald melodies of spring,
But in the songs I love to sing
A doubtful gleam of solace lives.
If any care for what is here
Survive in spirits render’d free,
Then are these songs I sing of thee
Not all ungrateful to thine ear.
XXXIX.
Old warder of these buried bones,
439
And answering now my random stroke
With fruitful cloud and living smoke,
Dark yew, that graspest at the stones
And dippest toward the dreamless head,
To thee too comes the golden hour
When flower is feeling after flower;
But Sorrow–fixt upon the dead,
And darkening the dark graves of men,–
What whisper’d from her lying lips?
Thy gloom is kindled at the tips,
And passes into gloom again.
XL.
Could we forget the widow’d hour
And look on Spirits breathed away,
As on a maiden in the day
When first she wears her orange-flower!
When crown’d with blessing she doth rise
To take her latest leave of home,
And hopes and light regrets that come
Make April of her tender eyes;
And doubtful joys the father move,
And tears are on the mother’s face,
As parting with a long embrace
She enters other realms of love;
Her office there to rear, to teach,
Becoming as is meet and fit
A link among the days, to knit
The generations each with each;
And, doubtless, unto thee is given
A life that bears immortal fruit
In those great offices that suit
The full-grown energies of heaven.
Ay me, the difference I discern!
440
How often shall her old fireside
Be cheer’d with tidings of the bride,
How often she herself return,
And tell them all they would have told,
And bring her babe, and make her boast,
Till even those that miss’d her most
Shall count new things as dear as old:
But thou and I have shaken hands,
Till growing winters lay me low;
My paths are in the fields I know,
And thine in undiscover’d lands.
XLI.
The spirit ere our fatal loss
Did ever rise from high to higher;
As mounts the heavenward altar-fire,
As flies the lighter thro’ the gross.
But thou art turn’d to something strange,
And I have lost the links that bound
Thy changes; here upon the ground,
No more partaker of thy change.
Deep folly! yet that this could be–
That I could wing my will with might
To leap the grades of life and light,
And flash at once, my friend, to thee.
For tho’ my nature rarely yields
To that vague fear implied in death;
Nor shudders at the gulfs beneath,
The howlings from forgotten fields;
Yet oft when sundown skirts the moor
An inner trouble I behold,
A spectral doubt which makes me cold,
That I shall be thy mate no more,
441
Tho’ following with an upward mind
The wonders that have come to thee,
Thro’ all the secular to-be,
But evermore a life behind.
XLII.
I vex my heart with fancies dim:
He still outstript me in the race;
It was but unity of place
That made me dream I rank’d with him.
And so may Place retain us still,
And he the much-beloved again,
A lord of large experience, train
To riper growth the mind and will:
And what delights can equal those
That stir the spirit’s inner deeps,
When one that loves but knows not, reaps
A truth from one that loves and knows?
XLIII.
If Sleep and Death be truly one,
And every spirit’s folded bloom
Thro’ all its intervital gloom
In some long trance should slumber on;
Unconscious of the sliding hour,
Bare of the body, might it last,
And silent traces of the past
Be all the colour of the flower:
So then were nothing lost to man;
So that still garden of the souls
In many a figured leaf enrolls
The total world since life began;
And love will last as pure and whole
442
As when he loved me here in Time,
And at the spiritual prime
Rewaken with the dawning soul.
XLIV.
How fares it with the happy dead?
For here the man is more and more;
But he forgets the days before
God shut the doorways of his head.
The days have vanish’d, tone and tint,
And yet perhaps the hoarding sense
Gives out at times (he knows not whence)
A little flash, a mystic hint;
And in the long harmonious years
(If Death so taste Lethean springs),
May some dim touch of earthly things
Surprise thee ranging with thy peers.
If such a dreamy touch should fall,
O turn thee round, resolve the doubt;
My guardian angel will speak out
In that high place, and tell thee all.
XLV.
The baby new to earth and sky,
What time his tender palm is prest
Against the circle of the breast,
Has never thought that ‘this is I:’
But as he grows he gathers much,
And learns the use of ‘I,’ and ‘me,’
And finds ‘I am not what I see,
And other than the things I touch.’
So rounds he to a separate mind
From whence clear memory may begin,
443
As thro’ the frame that binds him in
His isolation grows defined.
This use may lie in blood and breath,
Which else were fruitless of their due,
Had man to learn himself anew
Beyond the second birth of Death.
XLVI.
We ranging down this lower track,
The path we came by, thorn and flower,
Is shadow’d by the growing hour,
Lest life should fail in looking back.
So be it: there no shade can last
In that deep dawn behind the tomb,
But clear from marge to marge shall bloom
The eternal landscape of the past;
A lifelong tract of time reveal’d;
The fruitful hours of still increase;
Days order’d in a wealthy peace,
And those five years its richest field.
O Love, thy province were not large,
A bounded field, nor stretching far;
Look also, Love, a brooding star,
A rosy warmth from marge to marge.
XLVII.
That each, who seems a separate whole,
Should move his rounds, and fusing all
The skirts of self again, should fall
Remerging in the general Soul,
Is faith as vague as all unsweet:
Eternal form shall still divide
The eternal soul from all beside;
444
And I shall know him when we meet:
And we shall sit at endless feast,
Enjoying each the other’s good:
What vaster dream can hit the mood
Of Love on earth? He seeks at least
Upon the last and sharpest height,
Before the spirits fade away,
Some landing-place, to clasp and say,
‘Farewell! We lose ourselves in light.’
XLVIII.
If these brief lays, of Sorrow born,
Were taken to be such as closed
Grave doubts and answers here proposed,
Then these were such as men might scorn:
Her care is not to part and prove;
She takes, when harsher moods remit,
What slender shade of doubt may flit,
And makes it vassal unto love:
And hence, indeed, she sports with words,
But better serves a wholesome law,
And holds it sin and shame to draw
The deepest measure from the chords:
Nor dare she trust a larger lay,
But rather loosens from the lip
Short swallow-flights of song, that dip
Their wings in tears, and skim away.
XLIX.
From art, from nature, from the schools,
Let random influences glance,
Like light in many a shiver’d lance
445
That breaks about the dappled pools:
The lightest wave of thought shall lisp,
The fancy’s tenderest eddy wreathe,
The slightest air of song shall breathe
To make the sullen surface crisp.
And look thy look, and go thy way,
But blame not thou the winds that make
The seeming-wanton ripple break,
The tender-pencil’d shadow play.
Beneath all fancied hopes and fears
Ay me, the sorrow deepens down,
Whose muffled motions blindly drown
The bases of my life in tears.
L.
Be near me when my light is low,
When the blood creeps, and the nerves prick
And tingle; and the heart is sick,
And all the wheels of Being slow.
Be near me when the sensuous frame
Is rack’d with pangs that conquer trust;
And Time, a maniac scattering dust,
And Life, a Fury slinging flame.
Be near me when my faith is dry,
And men the flies of latter spring,
That lay their eggs, and sting and sing
And weave their petty cells and die.
Be near me when I fade away,
To point the term of human strife,
And on the low dark verge of life
The twilight of eternal day.
LI.
446
Do we indeed desire the dead
Should still be near us at our side?
Is there no baseness we would hide?
No inner vileness that we dread?
Shall he for whose applause I strove,
I had such reverence for his blame,
See with clear eye some hidden shame
And I be lessen’d in his love?
I wrong the grave with fears untrue:
Shall love be blamed for want of faith?
There must be wisdom with great Death:
The dead shall look me thro’ and thro’.
Be near us when we climb or fall:
Ye watch, like God, the rolling hours
With larger other eyes than ours,
To make allowance for us all.
LII.
I cannot love thee as I ought,
For love reflects the thing beloved;
My words are only words, and moved
Upon the topmost froth of thought.
‘Yet blame not thou thy plaintive song,’
The Spirit of true love replied;
‘Thou canst not move me from thy side,
Nor human frailty do me wrong.
‘What keeps a spirit wholly true
To that ideal which he bears?
What record? not the sinless years
That breathed beneath the Syrian blue:
‘So fret not, like an idle girl,
That life is dash’d with flecks of sin.
Abide: thy wealth is gather’d in,
When Time hath sunder’d shell from pearl.’
447
LIII.
How many a father have I seen,
A sober man, among his boys,
Whose youth was full of foolish noise,
Who wears his manhood hale and green:
And dare we to this fancy give,
That had the wild oat not been sown,
The soil, left barren, scarce had grown
The grain by which a man may live?
Or, if we held the doctrine sound
For life outliving heats of youth,
Yet who would preach it as a truth
To those that eddy round and round?
Hold thou the good: define it well:
For fear divine Philosophy
Should push beyond her mark, and be
Procuress to the Lords of Hell.
LIV.
Oh yet we trust that somehow good
Will be the final goal of ill,
To pangs of nature, sins of will,
Defects of doubt, and taints of blood;
That nothing walks with aimless feet;
That not one life shall be destroy’d,
Or cast as rubbish to the void,
When God hath made the pile complete;
That not a worm is cloven in vain;
That not a moth with vain desire
Is shrivell’d in a fruitless fire,
Or but subserves another’s gain.
448
Behold, we know not anything;
I can but trust that good shall fall
At last–far off–at last, to all,
And every winter change to spring.
So runs my dream: but what am I?
An infant crying in the night:
An infant crying for the light:
And with no language but a cry.
LV.
The wish, that of the living whole
No life may fail beyond the grave,
Derives it not from what we have
The likest God within the soul?
Are God and Nature then at strife,
That Nature lends such evil dreams?
So careful of the type she seems,
So careless of the single life;
That I, considering everywhere
Her secret meaning in her deeds,
And finding that of fifty seeds
She often brings but one to bear,
I falter where I firmly trod,
And falling with my weight of cares
Upon the great world’s altar-stairs
That slope thro’ darkness up to God,
I stretch lame hands of faith, and grope,
And gather dust and chaff, and call
To what I feel is Lord of all,
And faintly trust the larger hope.
LVI.
449
‘So careful of the type?’ but no.
From scarped cliff and quarried stone
She cries, ‘A thousand types are gone:
I care for nothing, all shall go.
‘Thou makest thine appeal to me:
I bring to life, I bring to death:
The spirit does but mean the breath:
I know no more.’ And he, shall he,
Man, her last work, who seem’d so fair,
Such splendid purpose in his eyes,
Who roll’d the psalm to wintry skies,
Who built him fanes of fruitless prayer,
Who trusted God was love indeed
And love Creation’s final law–
Tho’ Nature, red in tooth and claw
With ravine, shriek’d against his creed–
Who loved, who suffer’d countless ills,
Who battled for the True, the Just,
Be blown about the desert dust,
Or seal’d within the iron hills?
No more? A monster then, a dream,
A discord. Dragons of the prime,
That tare each other in their slime,
Were mellow music match’d with him.
O life as futile, then, as frail!
O for thy voice to soothe and bless!
What hope of answer, or redress?
Behind the veil, behind the veil.
LVII.
Peace; come away: the song of woe
Is after all an earthly song:
Peace; come away: we do him wrong
To sing so wildly: let us go.
450
Come; let us go: your cheeks are pale;
But half my life I leave behind:
Methinks my friend is richly shrined;
But I shall pass; my work will fail.
Yet in these ears, till hearing dies,
One set slow bell will seem to toll
The passing of the sweetest soul
That ever look’d with human eyes.
I hear it now, and o’er and o’er,
Eternal greetings to the dead;
And ‘Ave, Ave, Ave,’ said,
‘Adieu, adieu’ for evermore.
LVIII.
In those sad words I took farewell:
Like echoes in sepulchral halls,
As drop by drop the water falls
In vaults and catacombs, they fell;
And, falling, idly broke the peace
Of hearts that beat from day to day,
Half-conscious of their dying clay,
And those cold crypts where they shall cease.
The high Muse answer’d: ‘Wherefore grieve
Thy brethren with a fruitless tear?
Abide a little longer here,
And thou shalt take a nobler leave.’
LIX.
O Sorrow, wilt thou live with me
No casual mistress, but a wife,
My bosom-friend and half of life;
As I confess it needs must be;
O Sorrow, wilt thou rule my blood,
451
Be sometimes lovely like a bride,
And put thy harsher moods aside,
If thou wilt have me wise and good.
My centred passion cannot move,
Nor will it lessen from to-day;
But I’ll have leave at times to play
As with the creature of my love;
And set thee forth, for thou art mine,
With so much hope for years to come,
That, howsoe’er I know thee, some
Could hardly tell what name were thine.
LX.
He past; a soul of nobler tone:
My spirit loved and loves him yet,
Like some poor girl whose heart is set
On one whose rank exceeds her own.
He mixing with his proper sphere,
She finds the baseness of her lot,
Half jealous of she knows not what,
And envying all that meet him there.
The little village looks forlorn;
She sighs amid her narrow days,
Moving about the household ways,
In that dark house where she was born.
The foolish neighbours come and go,
And tease her till the day draws by:
At night she weeps, ‘How vain am I!
How should he love a thing so low?’
LXI.
If, in thy second state sublime,
452
Thy ransom’d reason change replies
With all the circle of the wise,
The perfect flower of human time;
And if thou cast thine eyes below,
How dimly character’d and slight,
How dwarf’d a growth of cold and night,
How blanch'd with darkness must I grow!
Yet turn thee to the doubtful shore,
Where thy first form was made a man:
I loved thee, Spirit, and love, nor can
The soul of Shakespeare love thee more.
LXII.
Tho’ if an eye that’s downward cast
Could make thee somewhat blench or fail,
Then be my love an idle tale,
And fading legend of the past;
And thou, as one that once declined,
When he was little more than boy,
On some unworthy heart with joy,
But lives to wed an equal mind;
And breathes a novel world, the while
His other passion wholly dies,
Or in the light of deeper eyes
Is matter for a flying smile.
LXIII.
Yet pity for a horse o’er-driven,
And love in which my hound has part,
Can hang no weight upon my heart
In its assumptions up to heaven;
And I am so much more than these,
As thou, perchance, art more than I,
And yet I spare them sympathy,
453
And I would set their pains at ease.
So mayst thou watch me where I weep,
As, unto vaster motions bound,
The circuits of thine orbit round
A higher height, a deeper deep.
LXIV.
Dost thou look back on what hath been,
As some divinely gifted man,
Whose life in low estate began
And on a simple village green;
Who breaks his birth’s invidious bar,
And grasps the skirts of happy chance,
And breasts the blows of circumstance,
And grapples with his evil star;
Who makes by force his merit known
And lives to clutch the golden keys,
To mould a mighty state’s decrees,
And shape the whisper of the throne;
And moving up from high to higher,
Becomes on Fortune’s crowning slope
The pillar of a people’s hope,
The centre of a world’s desire;
Yet feels, as in a pensive dream,
When all his active powers are still,
A distant dearness in the hill,
A secret sweetness in the stream,
The limit of his narrower fate,
While yet beside its vocal springs
He play’d at counsellors and kings,
With one that was his earliest mate;
Who ploughs with pain his native lea
And reaps the labour of his hands,
454
Or in the furrow musing stands;
‘Does my old friend remember me?’
LXV.
Sweet soul, do with me as thou wilt;
I lull a fancy trouble-tost
With ‘Love’s too precious to be lost,
A little grain shall not be spilt.’
And in that solace can I sing,
Till out of painful phases wrought
There flutters up a happy thought,
Self-balanced on a lightsome wing:
Since we deserved the name of friends,
And thine effect so lives in me,
A part of mine may live in thee
And move thee on to noble ends.
LXVI.
You thought my heart too far diseased;
You wonder when my fancies play
To find me gay among the gay,
Like one with any trifle pleased.
The shade by which my life was crost,
Which makes a desert in the mind,
Has made me kindly with my kind,
And like to him whose sight is lost;
Whose feet are guided thro’ the land,
Whose jest among his friends is free,
Who takes the children on his knee,
And winds their curls about his hand:
He plays with threads, he beats his chair
For pastime, dreaming of the sky;
His inner day can never die,
455
His night of loss is always there.
LXVII.
When on my bed the moonlight falls,
I know that in thy place of rest
By that broad water of the west,
There comes a glory on the walls:
Thy marble bright in dark appears,
As slowly steals a silver flame
Along the letters of thy name,
And o’er the number of thy years.
The mystic glory swims away;
From off my bed the moonlight dies;
And closing eaves of wearied eyes
I sleep till dusk is dipt in gray:
And then I know the mist is drawn
A lucid veil from coast to coast,
And in the dark church like a ghost
Thy tablet glimmers to the dawn.
LXVIII.
When in the down I sink my head,
Sleep, Death’s twin-brother, times my breath;
Sleep, Death’s twin-brother, knows not Death,
Nor can I dream of thee as dead:
I walk as ere I walk’d forlorn,
When all our path was fresh with dew,
And all the bugle breezes blew
Reveillée to the breaking morn.
But what is this? I turn about,
I find a trouble in thine eye,
Which makes me sad I know not why,
Nor can my dream resolve the doubt:
456
But ere the lark hath left the lea
I wake, and I discern the truth;
It is the trouble of my youth
That foolish sleep transfers to thee.
LXIX.
I dream’d there would be Spring no more,
That Nature’s ancient power was lost:
The streets were black with smoke and frost,
They chatter’d trifles at the door:
I wander’d from the noisy town,
I found a wood with thorny boughs:
I took the thorns to bind my brows,
I wore them like a civic crown:
I met with scoffs, I met with scorns
From youth and babe and hoary hairs:
They call’d me in the public squares
The fool that wears a crown of thorns:
They call’d me fool, they call’d me child:
I found an angel of the night;
The voice was low, the look was bright;
He look’d upon my crown and smiled:
He reach’d the glory of a hand,
That seem’d to touch it into leaf:
The voice was not the voice of grief,
The words were hard to understand.
LXX.
I cannot see the features right,
When on the gloom I strive to paint
The face I know; the hues are faint
And mix with hollow masks of night;
457
Cloud-towers by ghostly masons wrought,
A gulf that ever shuts and gapes,
A hand that points, and palled shapes
In shadowy thoroughfares of thought;
And crowds that stream from yawning doors,
And shoals of pucker’d faces drive;
Dark bulks that tumble half alive,
And lazy lengths on boundless shores;
Till all at once beyond the will
I hear a wizard music roll,
And thro’ a lattice on the soul
Looks thy fair face and makes it still.
LXXI.
Sleep, kinsman thou to death and trance
And madness, thou hast forged at last
A night-long Present of the Past
In which we went thro’ summer France.
Hadst thou such credit with the soul?
Then bring an opiate trebly strong,
Drug down the blindfold sense of wrong
That so my pleasure may be whole;
While now we talk as once we talk’d
Of men and minds, the dust of change,
The days that grow to something strange,
In walking as of old we walk’d
Beside the river’s wooded reach,
The fortress, and the mountain ridge,
The cataract flashing from the bridge,
The breaker breaking on the beach.
LXXII.
458
Risest thou thus, dim dawn, again,
And howlest, issuing out of night,
With blasts that blow the poplar white,
And lash with storm the streaming pane?
Day, when my crown’d estate begun
To pine in that reverse of doom,
Which sicken’d every living bloom,
And blurr’d the splendour of the sun;
Who usherest in the dolorous hour
With thy quick tears that make the rose
Pull sideways, and the daisy close
Her crimson fringes to the shower;
Who might’st have heaved a windless flame
Up the deep East, or, whispering, play’d
A chequer-work of beam and shade
Along the hills, yet look’d the same.
As wan, as chill, as wild as now;
Day, mark’d as with some hideous crime,
When the dark hand struck down thro’ time,
And cancell’d nature’s best: but thou,
Lift as thou may’st thy burthen’d brows
Thro’ clouds that drench the morning star,
And whirl the ungarner’d sheaf afar,
And sow the sky with flying boughs,
And up thy vault with roaring sound
Climb thy thick noon, disastrous day;
Touch thy dull goal of joyless gray,
And hide thy shame beneath the ground.
LXXIII.
So many worlds, so much to do,
So little done, such things to be,
How know I what had need of thee,
For thou wert strong as thou wert true?
459
The fame is quench’d that I foresaw,
The head hath miss’d an earthly wreath:
I curse not nature, no, nor death;
For nothing is that errs from law.
We pass; the path that each man trod
Is dim, or will be dim, with weeds:
What fame is left for human deeds
In endless age? It rests with God.
O hollow wraith of dying fame,
Fade wholly, while the soul exults,
And self-infolds the large results
Of force that would have forged a name.
LXXIV.
As sometimes in a dead man’s face,
To those that watch it more and more,
A likeness, hardly seen before,
Comes out–to some one of his race:
So, dearest, now thy brows are cold,
I see thee what thou art, and know
Thy likeness to the wise below,
Thy kindred with the great of old.
But there is more than I can see,
And what I see I leave unsaid,
Nor speak it, knowing Death has made
His darkness beautiful with thee.
LXXV.
I leave thy praises unexpress’d
In verse that brings myself relief,
And by the measure of my grief
I leave thy greatness to be guess’d;
What practice howsoe’er expert
460
In fitting aptest words to things,
Or voice the richest-toned that sings,
Hath power to give thee as thou wert?
I care not in these fading days
To raise a cry that lasts not long,
And round thee with the breeze of song
To stir a little dust of praise.
Thy leaf has perish’d in the green,
And, while we breathe beneath the sun,
The world which credits what is done
Is cold to all that might have been.
So here shall silence guard thy fame;
But somewhere, out of human view,
Whate’er thy hands are set to do
Is wrought with tumult of acclaim.
LXXVI.
Take wings of fancy, and ascend,
And in a moment set thy face
Where all the starry heavens of space
Are sharpen’d to a needle’s end;
Take wings of foresight; lighten thro’
The secular abyss to come,
And lo, thy deepest lays are dumb
Before the mouldering of a yew;
And if the matin songs, that woke
The darkness of our planet, last,
Thine own shall wither in the vast,
Ere half the lifetime of an oak.
Ere these have clothed their branchy bowers
With fifty Mays, thy songs are vain;
And what are they when these remain
The ruin’d shells of hollow towers?
461
LXXVII.
What hope is here for modern rhyme
To him, who turns a musing eye
On songs, and deeds, and lives, that lie
Foreshorten’d in the tract of time?
These mortal lullabies of pain
May bind a book, may line a box,
May serve to curl a maiden’s locks;
Or when a thousand moons shall wane
A man upon a stall may find,
And, passing, turn the page that tells
A grief, then changed to something else,
Sung by a long-forgotten mind.
But what of that? My darken’d ways
Shall ring with music all the same;
To breathe my loss is more than fame,
To utter love more sweet than praise.
LXXVIII.
Again at Christmas did we weave
The holly round the Christmas hearth;
The silent snow possess’d the earth,
And calmly fell our Christmas-eve:
The yule-clog sparkled keen with frost,
No wing of wind the region swept,
But over all things brooding slept
The quiet sense of something lost.
As in the winters left behind,
Again our ancient games had place,
The mimic picture’s breathing grace,
And dance and song and hoodman-blind.
Who show’d a token of distress?
462
No single tear, no mark of pain:
O sorrow, then can sorrow wane?
O grief, can grief be changed to less?
O last regret, regret can die!
No–mixt with all this mystic frame,
Her deep relations are the same,
But with long use her tears are dry.
LXXIX.
‘More than my brothers are to me,’–
Let this not vex thee, noble heart!
I know thee of what force thou art
To hold the costliest love in fee.
But thou and I are one in kind,
As moulded like in Nature’s mint;
And hill and wood and field did print
The same sweet forms in either mind.
For us the same cold streamlet curl’d
Thro’ all his eddying coves; the same
All winds that roam the twilight came
In whispers of the beauteous world.
At one dear knee we proffer’d vows,
One lesson from one book we learn’d,
Ere childhood’s flaxen ringlet turn’d
To black and brown on kindred brows.
And so my wealth resembles thine,
But he was rich where I was poor,
And he supplied my want the more
As his unlikeness fitted mine.
LXXX.
If any vague desire should rise,
463
That holy Death ere Arthur died
Had moved me kindly from his side,
And dropt the dust on tearless eyes;
Then fancy shapes, as fancy can,
The grief my loss in him had wrought,
A grief as deep as life or thought,
But stay’d in peace with God and man.
I make a picture in the brain;
I hear the sentence that he speaks;
He bears the burthen of the weeks
But turns his burthen into gain.
His credit thus shall set me free;
And, influence-rich to soothe and save,
Unused example from the grave
Reach out dead hands to comfort me.
LXXXI.
Could I have said while he was here,
‘My love shall now no further range;
There cannot come a mellower change,
For now is love mature in ear.’
Love, then, had hope of richer store:
What end is here to my complaint?
This haunting whisper makes me faint,
‘More years had made me love thee more.’
But Death returns an answer sweet:
‘My sudden frost was sudden gain,
And gave all ripeness to the grain,
It might have drawn from after-heat.’
LXXXII.
I wage not any feud with Death
For changes wrought on form and face;
464
No lower life that earth’s embrace
May breed with him, can fright my faith.
Eternal process moving on,
From state to state the spirit walks;
And these are but the shatter’d stalks,
Or ruin’d chrysalis of one.
Nor blame I Death, because he bare
The use of virtue out of earth:
I know transplanted human worth
Will bloom to profit, otherwhere.
For this alone on Death I wreak
The wrath that garners in my heart;
He put our lives so far apart
We cannot hear each other speak.
LXXXIII.
Dip down upon the northern shore,
O sweet new-year delaying long;
Thou doest expectant nature wrong;
Delaying long, delay no more.
What stays thee from the clouded noons,
Thy sweetness from its proper place?
Can trouble live with April days,
Or sadness in the summer moons?
Bring orchis, bring the foxglove spire,
The little speedwell’s darling blue,
Deep tulips dash’d with fiery dew,
Laburnums, dropping-wells of fire.
O thou, new-year, delaying long,
Delayest the sorrow in my blood,
That longs to burst a frozen bud
And flood a fresher throat with song.
465
LXXXIV.
When I contemplate all alone
The life that had been thine below,
And fix my thoughts on all the glow
To which thy crescent would have grown;
I see thee sitting crown’d with good,
A central warmth diffusing bliss
In glance and smile, and clasp and kiss,
On all the branches of thy blood;
Thy blood, my friend, and partly mine;
For now the day was drawing on,
When thou should’st link thy life with one
Of mine own house, and boys of thine
Had babbled ‘Uncle’ on my knee;
But that remorseless iron hour
Made cypress of her orange flower,
Despair of Hope, and earth of thee.
I seem to meet their least desire,
To clap their cheeks, to call them mine.
I see their unborn faces shine
Beside the never-lighted fire.
I see myself an honour’d guest,
Thy partner in the flowery walk
Of letters, genial table-talk,
Or deep dispute, and graceful jest;
While now thy prosperous labour fills
The lips of men with honest praise,
And sun by sun the happy days
Descend below the golden hills
With promise of a morn as fair;
And all the train of bounteous hours
Conduct by paths of growing powers,
To reverence and the silver hair;
Till slowly worn her earthly robe,
466
Her lavish mission richly wrought,
Leaving great legacies of thought,
Thy spirit should fail from off the globe;
What time mine own might also flee,
As link’d with thine in love and fate,
And, hovering o’er the dolorous strait
To the other shore, involved in thee,
Arrive at last the blessed goal,
And He that died in Holy Land
Would reach us out the shining hand,
And take us as a single soul.
What reed was that on which I leant?
Ah, backward fancy, wherefore wake
The old bitterness again, and break
The low beginnings of content.
LXXXV.
This truth came borne with bier and pall,
I felt it, when I sorrow’d most,
’Tis better to have loved and lost,
Than never to have loved at all–
O true in word, and tried in deed,
Demanding, so to bring relief
To this which is our common grief,
What kind of life is that I lead;
And whether trust in things above
Be dimm’d of sorrow, or sustain’d;
And whether love for him have drain’d
My capabilities of love;
Your words have virtue such as draws
A faithful answer from the breast,
Thro’ light reproaches, half exprest,
And loyal unto kindly laws.
467
My blood an even tenor kept,
Till on mine ear this message falls,
That in Vienna’s fatal walls
God’s finger touch’d him, and he slept.
The great Intelligences fair
That range above our mortal state,
In circle round the blessed gate,
Received and gave him welcome there;
And led him thro’ the blissful climes,
And show'd him in the fountain fresh
All knowledge that the sons of flesh
Shall gather in the cycled times.
But I remained, whose hopes were dim,
Whose life, whose thoughts were little worth,
To wander on a darkened earth,
Where all things round me breathed of him.
friendship, equal poised control,
heart, with kindliest motion warm,
sacred essence, other form,
solemn ghost, O crowned soul!
Yet none could better know than I,
How much of act at human hands
The sense of human will demands
By which we dare to live or die.
Whatever way my days decline,
I felt and feel, tho’ left alone,
His being working in mine own,
The footsteps of his life in mine;
A life that all the Muses decked
With gifts of grace, that might express
All comprehensive tenderness,
All-subtilising intellect:
And so my passion hath not swerved
To works of weakness, but I find
468
An image comforting the mind,
And in my grief a strength reserved.
Likewise the imaginative woe,
That loved to handle spiritual strife,
Diffused the shock thro’ all my life,
But in the present broke the blow.
My pulses therefore beat again
For other friends that once I met;
Nor can it suit me to forget
The mighty hopes that make us men.
I woo your love: I count it crime
To mourn for any overmuch;
I, the divided half of such
A friendship as had master’d Time;
Which masters Time indeed, and is
Eternal, separate from fears:
The all-assuming months and years
Can take no part away from this:
But Summer on the steaming floods,
And Spring that swells the narrow brooks,
And Autumn, with a noise of rooks,
That gather in the waning woods,
And every pulse of wind and wave
Recalls, in change of light or gloom,
My old affection of the tomb,
And my prime passion in the grave:
My old affection of the tomb,
A part of stillness, yearns to speak:
‘Arise, and get thee forth and seek
A friendship for the years to come.
‘I watch thee from the quiet shore;
Thy spirit up to mine can reach;
But in dear words of human speech
We two communicate no more.’
469
And I, ‘Can clouds of nature stain
The starry clearness of the free?
How is it? Canst thou feel for me
Some painless sympathy with pain?’
And lightly does the whisper fall;
‘’Tis hard for thee to fathom this;
I triumph in conclusive bliss,
And that serene result of all.’
So hold I commerce with the dead;
Or so methinks the dead would say;
Or so shall grief with symbols play
And pining life be fancy-fed.
Now looking to some settled end,
That these things pass, and I shall prove
A meeting somewhere, love with love,
I crave your pardon, O my friend;
If not so fresh, with love as true,
I, clasping brother-hands aver
I could not, if I would, transfer
The whole I felt for him to you.
For which be they that hold apart
The promise of the golden hours?
First love, first friendship, equal powers,
That marry with the virgin heart.
Still mine, that cannot but deplore,
That beats within a lonely place,
That yet remembers his embrace,
But at his footstep leaps no more,
My heart, tho’ widow’d, may not rest
Quite in the love of what is gone,
But seeks to beat in time with one
That warms another living breast.
Ah, take the imperfect gift I bring,
470
Knowing the primrose yet is dear,
The primrose of the later year,
As not unlike to that of Spring.
LXXXVI.
Sweet after showers, ambrosial air,
That rollest from the gorgeous gloom
Of evening over brake and bloom
And meadow, slowly breathing bare
The round of space, and rapt below
Thro’ all the dewy-tassell’d wood,
And shadowing down the horned flood
In ripples, fan my brows and blow
The fever from my cheek, and sigh
The full new life that feeds thy breath
Throughout my frame, till Doubt and Death,
Ill brethren, let the fancy fly
From belt to belt of crimson seas
On leagues of odour streaming far,
To where in yonder orient star
A hundred spirits whisper ‘Peace.’
LXXXVII.
I past beside the reverend walls
In which of old I wore the gown;
I roved at random thro’ the town,
And saw the tumult of the halls;
And heard one more in college fanes
The storm their high-built organs make,
And thunder-music, rolling, shake
The prophet blazon’d on the panes;
And caught one more the distant shout,
The measured pulse of racing oars
471
Among the willows; paced the shores
And many a bridge, and all about
The same gray flats again, and felt
The same, but not the same; and last
Up that long walk of limes I past
To see the rooms in which he dwelt.
Another name was on the door:
I linger’d; all within was noise
Of songs, and clapping hands, and boys
That crash’d the glass and beat the floor;
Where once we held debate, a band
Of youthful friends, on mind and art,
And labour, and the changing mart,
And all the framework of the land;
When one would aim an arrow fair,
But send it slackly from the string;
And one would pierce an outer ring,
And one an inner, here and there;
And last the master-bowman, he,
Would cleave the mark. A willing ear
We lent him. Who, but hung to hear
The rapt oration flowing free
From point to point, with power and grace
And music in the bounds of law,
To those conclusions when we saw
The God within him light his face,
And seem to lift the form, and glow
In azure orbits heavenly wise;
And over those ethereal eyes
The bar of Michael Angelo.
LXXXVIII.
472
Wild bird, whose warble, liquid sweet,
Rings Eden thro’ the budded quicks,
O tell me where the senses mix,
O tell me where the passions meet,
Whence radiate: fierce extremes employ
Thy spirits in the darkening leaf,
And in the midmost heart of grief
Thy passion clasps a secret joy:
And I–my harp would prelude woe–
I cannot all command the strings;
The glory of the sum of things
Will flash along the chords and go.
LXXXIX.
Witch-elms that counterchange the floor
Of this flat lawn with dusk and bright;
And thou, with all thy breadth and height
Of foliage, towering sycamore;
How often, hither wandering down,
My Arthur found your shadows fair,
And shook to all the liberal air
The dust and din and steam of town:
He brought an eye for all he saw;
He mixt in all our simple sports;
They pleased him, fresh from brawling courts
And dusty purlieus of the law.
O joy to him in this retreat,
Immantled in ambrosial dark,
To drink the cooler air, and mark
The landscape winking thro’ the heat:
O sound to rout the brood of cares,
The sweep of scythe in morning dew,
The gust that round the garden flew,
And tumbled half the mellowing pears!
473
O bliss, when all in circle drawn
About him, heart and ear were fed
To hear him, as he lay and read
The Tuscan poets on the lawn:
Or in the all-golden afternoon
A guest, or happy sister, sung,
Or here she brought the harp and flung
A ballad to the brightening moon:
Nor less it pleased in livelier moods,
Beyond the bounding hill to stray,
And break the livelong summer day
With banquet in the distant woods;
Whereat we glanced from theme to theme,
Discuss’d the books to love or hate,
Or touch’d the changes of the state,
Or threaded some Socratic dream;
But if I praised the busy town,
He loved to rail against it still,
For ‘ground in yonder social mill
We rub each other’s angles down,
‘And merge’ he said ‘in form and gloss
The picturesque of man and man.’
We talk’d: the stream beneath us ran,
The wine-flask lying couch’d in moss,
Or cool’d within the glooming wave;
And last, returning from afar,
Before the crimson-circled star
Had fall’n into her father’s grave,
And brushing ankle-deep in flowers,
We heard behind the woodbine veil
The milk that bubbled in the pail,
And buzzings of the honied hours.
474
XC.
He tasted love with half his mind,
Nor ever drank the inviolate spring
Where nighest heaven, who first could fling
This bitter seed among mankind;
That could the dead, whose dying eyes
Were closed with wail, resume their life,
They would but find in child and wife
An iron welcome when they rise:
’Twas well, indeed, when warm with wine,
To pledge them with a kindly tear,
To talk them o’er, to wish them here,
To count their memories half divine;
But if they came who past away,
Behold their brides in other hands;
The hard heir strides about their lands,
And will not yield them for a day.
Yea, tho’ their sons were none of these,
Not less the yet-loved sire would make
Confusion worse than death, and shake
The pillars of domestic peace.
Ah dear, but come thou back to me:
Whatever change the years have wrought,
I find not yet one lonely thought
That cries against my wish for thee.
XCI.
When rosy plumelets tuft the larch,
And rarely pipes the mounted thrush;
Or underneath the barren bush
Flits by the sea-blue bird of March;
Come, wear the form by which I know
Thy spirit in time among thy peers;
The hope of unaccomplish’d years
475
Be large and lucid round thy brow.
When summer’s hourly-mellowing change
May breathe, with many roses sweet,
Upon the thousand waves of wheat,
That ripple round the lonely grange;
Come: not in watches of the night,
But where the sunbeam broodeth warm,
Come, beauteous in thine after form,
And like a finer light in light.
XCII.
If any vision should reveal
Thy likeness, I might count it vain
As but the canker of the brain;
Yea, tho’ it spake and made appeal
To chances where our lots were cast
Together in the days behind,
I might but say, I hear a wind
Of memory murmuring the past.
Yea, tho’ it spake and bared to view
A fact within the coming year;
And tho’ the months, revolving near,
Should prove the phantom-warning true,
They might not seem thy prophecies,
But spiritual presentiments,
And such refraction of events
As often rises ere they rise.
XCIII.
I shall not see thee. Dare I say
No spirit ever brake the band
That stays him from the native land
476
Where first he walk’d when claspt in clay?
No visual shade of some one lost,
But he, the Spirit himself, may come
Where all the nerve of sense is numb;
Spirit to Spirit, Ghost to Ghost.
O, therefore from thy sightless range
With gods in unconjectured bliss,
O, from the distance of the abyss
Of tenfold-complicated change,
Descend, and touch, and enter; hear
The wish too strong for words to name;
That in this blindness of the frame
My Ghost may feel that thine is near.
XCIV.
How pure at heart and sound in head,
With what divine affections bold
Should be the man whose thought would hold
An hour’s communion with the dead.
In vain shalt thou, or any, call
The spirits from their golden day,
Except, like them, thou too canst say,
My spirit is at peace with all.
They haunt the silence of the breast,
Imaginations calm and fair,
The memory like a cloudless air,
The conscience as a sea at rest:
But when the heart is full of din,
And doubt beside the portal waits,
They can but listen at the gates,
And hear the household jar within.
XCV.
477
By night we linger’d on the lawn,
For underfoot the herb was dry;
And genial warmth; and o’er the sky
The silvery haze of summer drawn;
And calm that let the tapers burn
Unwavering: not a cricket chirr’d:
The brook alone far-off was heard,
And on the board the fluttering urn:
And bats went round in fragrant skies,
And wheel’d or lit the filmy shapes
That haunt the dusk, with ermine capes
And woolly breasts and beaded eyes;
While now we sang old songs that peal’d
From knoll to knoll, where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field.
But when those others, one by one,
Withdrew themselves from me and night,
And in the house light after light
Went out, and I was all alone,
A hunger seized my heart; I read
Of that glad year which once had been,
In those fall’n leaves which kept their green,
The noble letters of the dead:
And strangely on the silence broke
The silent-speaking words, and strange
Was love’s dumb cry defying change
To test his worth; and strangely spoke
The faith, the vigour, bold to dwell
On doubts that drive the coward back,
And keen thro’ wordy snares to track
Suggestion to her inmost cell.
So word by word, and line by line,
The dead man touch’d me from the past,
478
And all at once it seem’d at last
The living soul was flash’d on mine,
And mine in this was wound, and whirl’d
About empyreal heights of thought,
And came on that which is, and caught
The deep pulsations of the world,
Æonian music measuring out
The steps of Time–the shocks of Chance–
The blows of Death. At length my trance
Was cancell’d, stricken thro’ with doubt.
Vague words! but ah, how hard to frame
In matter-moulded forms of speech,
Or ev’n for intellect to reach
Thro’ memory that which I became:
Till now the doubtful dusk reveal’d
The knolls once more where, couch’d at ease,
The white kine glimmer’d, and the trees
Laid their dark arms about the field:
And suck’d from out the distant gloom
A breeze began to tremble o’er
The large leaves of the sycamore,
And fluctuate all the still perfume,
And gathering freshlier overhead,
Rock’d the full-foliaged elms, and swung
The heavy-folded rose, and flung
The lilies to and fro, and said
‘The dawn, the dawn,’ and died away;
And East and West, without a breath,
Mixt their dim lights, like life and death,
To broaden into boundless day.
XCVI.
479
You say, but with no touch of scorn,
Sweet-hearted, you, whose light-blue eyes
Are tender over drowning flies,
You tell me, doubt is Devil-born.
I know not: one indeed I knew
In many a subtle question versed,
Who touch’d a jarring lyre at first,
But ever strove to make it true:
Perplext in faith, but pure in deeds,
At last he beat his music out.
There lives more faith in honest doubt,
Believe me, than in half the creeds.
He fought his doubts and gather’d strength,
He would not make his judgment blind,
He faced the spectres of the mind
And laid them: thus he came at length
To find a stronger faith his own;
And Power was with him in the night,
Which makes the darkness and the light,
And dwells not in the light alone,
But in the darkness and the cloud,
As over Sinaï’s peaks of old,
While Israel made their gods of gold,
Altho’ the trumpet blew so loud.
XCVII.
My love has talk’d with rocks and trees;
He finds on misty mountain-ground
His own vast shadow glory-crown’d;
He sees himself in all he sees.
Two partners of a married life–
I look’d on these and thought of thee
In vastness and in mystery,
And of my spirit as of a wife.
480
These two–they dwelt with eye on eye,
Their hearts of old have beat in tune,
Their meetings made December June,
Their every parting was to die.
Their love has never past away;
The days she never can forget
Are earnest that he loves her yet,
Whate’er the faithless people say.
Her life is lone, he sits apart,
He loves her yet, she will not weep,
Tho’ rapt in matters dark and deep
He seems to slight her simple heart.
He
He
He
He
thrids the labyrinth of the mind,
reads the secret of the star,
seems so near and yet so far,
looks so cold: she thinks him kind.
She keeps the gift of years before,
A wither’d violet is her bliss:
She knows not what his greatness is,
For that, for all, she loves him more.
For him she plays, to him she sings
Of early faith and plighted vows;
She knows but matters of the house,
And he, he knows a thousand things.
Her faith is fixt and cannot move,
She darkly feels him great and wise,
She dwells on him with faithful eyes,
‘I cannot understand: I love.’
XCVIII.
You leave us: you will see the Rhine,
And those fair hills I sail’d below,
When I was there with him; and go
481
By summer belts of wheat and vine
To where he breathed his latest breath,
That City. All her splendour seems
No livelier than the wisp that gleams
On Lethe in the eyes of Death.
Let her great Danube rolling fair
Enwind her isles, unmark’d of me:
I have not seen, I will not see
Vienna; rather dream that there,
A treble darkness, Evil haunts
The birth, the bridal; friend from friend
Is oftener parted, fathers bend
Above more graves, a thousand wants
Gnarr at the heels of men, and prey
By each cold hearth, and sadness flings
Her shadow on the blaze of kings:
And yet myself have heard him say,
That not in any mother town
With statelier progress to and fro
The double tides of chariots flow
By park and suburb under brown
Of lustier leaves; nor more content,
He told me, lives in any crowd,
When all is gay with lamps, and loud
With sport and song, in booth and tent,
Imperial halls, or open plain;
And wheels the circled dance, and breaks
The rocket molten into flakes
Of crimson or in emerald rain.
XCIX.
Risest thou thus, dim dawn, again,
So loud with voices of the birds,
482
So thick with lowings of the herds,
Day, when I lost the flower of men;
Who tremblest thro’ thy darkling red
On yon swoll’n brook that bubbles fast
By meadows breathing of the past,
And woodlands holy to the dead;
Who murmurest in the foliaged eaves
A song that slights the coming care,
And Autumn laying here and there
A fiery finger on the leaves;
Who wakenest with thy balmy breath
To myriads on the genial earth,
Memories of bridal, or of birth,
And unto myriads more, of death.
O wheresoever those may be,
Betwixt the slumber of the poles,
To-day they count as kindred souls;
They know me not, but mourn with me.
C.
I climb the hill: from end to end
Of all the landscape underneath,
I find no place that does not breathe
Some gracious memory of my friend;
No gray old grange, or lonely fold,
Or low morass and whispering reed,
Or simple stile from mead to mead,
Or sheepwalk up the windy wold;
Nor hoary knoll of ash and haw
That hears the latest linnet trill,
Nor quarry trench’d along the hill
And haunted by the wrangling daw;
Nor runlet tinkling from the rock;
Nor pastoral rivulet that swerves
483
To left and right thro’ meadowy curves,
That feed the mothers of the flock;
But each has pleased a kindred eye,
And each reflects a kindlier day;
And, leaving these, to pass away,
I think once more he seems to die.
CI.
Unwatch’d, the garden bough shall sway,
The tender blossom flutter down,
Unloved, that beech will gather brown,
This maple burn itself away;
Unloved, the sun-flower, shining fair,
Ray round with flames her disk of seed,
And many a rose-carnation feed
With summer spice the humming air;
Unloved, by many a sandy bar,
The brook shall babble down the plain,
At noon or when the lesser wain
Is twisting round the polar star;
Uncared for, gird the windy grove,
And flood the haunts of hern and crake;
Or into silver arrows break
The sailing moon in creek and cove;
Till from the garden and the wild
A fresh association blow,
And year by year the landscape grow
Familiar to the stranger’s child;
As year by year the labourer tills
His wonted glebe, or lops the glades;
And year by year our memory fades
From all the circle of the hills.
484
CII.
We leave the well-beloved place
Where first we gazed upon the sky;
The roofs, that heard our earliest cry,
Will shelter one of stranger race.
We go, but ere we go from home,
As down the garden-walks I move,
Two spirits of a diverse love
Contend for loving masterdom.
One whispers, ‘Here thy boyhood sung
Long since its matin song, and heard
The low love-language of the bird
In native hazels tassel-hung.’
The other answers, ‘Yea, but here
Thy feet have stray’d in after hours
With thy lost friend among the bowers,
And this hath made them trebly dear.’
These two have striven half the day,
And each prefers his separate claim,
Poor rivals in a losing game,
That will not yield each other way.
I turn to go: my feet are set
To leave the pleasant fields and farms;
They mix in one another’s arms
To one pure image of regret.
CIII.
On that last night before we went
From out the doors where I was bred,
I dream’d a vision of the dead,
Which left my after-morn content.
Methought I dwelt within a hall,
And maidens with me: distant hills
485
From hidden summits fed with rills
A river sliding by the wall.
The hall with harp and carol rang.
They sang of what is wise and good
And graceful. In the centre stood
A statue veil’d, to which they sang;
And which, tho’ veil’d, was known to me,
The shape of him I loved, and love
For ever: then flew in a dove
And brought a summons from the sea:
And when they learnt that I must go
They wept and wail’d, but led the way
To where a little shallop lay
At anchor in the flood below;
And on by many a level mead,
And shadowing bluff that made the banks,
We glided winding under ranks
Of iris, and the golden reed;
And still as vaster grew the shore
And roll’d the floods in grander space,
The maidens gather’d strength and grace
And presence, lordlier than before;
And I myself, who sat apart
And watch’d them, wax’d in every limb;
I felt the thews of Anakim,
The pulses of a Titan’s heart;
As one would sing the death of war,
And one would chant the history
Of that great race, which is to be,
And one the shaping of a star;
Until the forward-creeping tides
Began to foam, and we to draw
From deep to deep, to where we saw
A great ship lift her shining sides.
486
The man we loved was there on deck,
But thrice as large as man he bent
To greet us. Up the side I went,
And fell in silence on his neck:
Whereat those maidens with one mind
Bewail’d their lot; I did them wrong:
‘We served thee here’ they said, ‘so long,
And wilt thou leave us now behind?’
So rapt I was, they could not win
An answer from my lips, but he
Replying, ‘Enter likewise ye
And go with us:’ they enter’d in.
And while the wind began to sweep
A music out of sheet and shroud,
We steer’d her toward a crimson cloud
That landlike slept along the deep.
CIV.
The time draws near the birth of Christ;
The moon is hid, the night is still;
A single church below the hill
Is pealing, folded in the mist.
A single peal of bells below,
That wakens at this hour of rest
A single murmur in the breast,
That these are not the bells I know.
Like strangers’ voices here they sound,
In lands where not a memory strays,
Nor landmark breathes of other days,
But all is new unhallow’d ground.
CV.
487
To-night ungather’d let us leave
This laurel, let this holly stand:
We live within the stranger’s land,
And strangely falls our Christmas-eve.
Our father’s dust is left alone
And silent under other snows:
There in due time the woodbine blows,
The violet comes, but we are gone.
No more shall wayward grief abuse
The genial hour with mask and mime;
For change of place, like growth of time,
Has broke the bond of dying use.
Let cares that petty shadows cast,
By which our lives are chiefly proved,
A little spare the night I loved,
And hold it solemn to the past.
But let no footstep beat the floor,
Nor bowl of wassail mantle warm;
For who would keep an ancient form
Thro’ which the spirit breathes no more?
Be neither song, nor game, nor feast;
Nor harp be touch’d, nor flute be blown;
No dance, no motion, save alone
What lightens in the lucid east
Of rising worlds by yonder wood.
Long sleeps the summer in the seed;
Run out your measured arcs, and lead
The closing cycle rich in good.
CVI.
Ring out, wild bells, to the wild sky,
The flying cloud, the frosty light:
The year is dying in the night;
488
Ring out, wild bells, and let him die.
Ring out the old, ring in the new,
Ring, happy bells, across the snow:
The year is going, let him go;
Ring out the false, ring in the true.
Ring out the grief that saps the mind,
For those that here we see no more;
Ring out the feud of rich and poor,
Ring in redress to all mankind.
Ring out a slowly dying cause,
And ancient forms of party strife;
Ring in the nobler modes of life,
With sweeter manners, purer laws.
Ring out the want, the care, the sin,
The faithless coldness of the times;
Ring out, ring out my mournful rhymes,
But ring the fuller minstrel in.
Ring out false pride in place and blood,
The civic slander and the spite;
Ring in the love of truth and right,
Ring in the common love of good.
Ring
Ring
Ring
Ring
out old shapes of foul disease;
out the narrowing lust of gold;
out the thousand wars of old,
in the thousand years of peace.
Ring in the valiant man and free,
The larger heart, the kindlier hand;
Ring out the darkness of the land,
Ring in the Christ that is to be.
CVII.
It is the day when he was born,
A bitter day that early sank
489
Behind a purple-frosty bank
Of vapour, leaving night forlorn.
The time admits not flowers or leaves
To deck the banquet. Fiercely flies
The blast of North and East, and ice
Makes daggers at the sharpen’d eaves,
And bristles all the brakes and thorns
To yon hard crescent, as she hangs
Above the wood which grides and clangs
Its leafless ribs and iron horns
Together, in the drifts that pass
To darken on the rolling brine
That breaks the coast. But fetch the wine,
Arrange the board and brim the glass;
Bring in great logs and let them lie,
To make a solid core of heat;
Be cheerful-minded, talk and treat
Of all things ev’n as he were by;
We keep the day. With festal cheer,
With books and music, surely we
Will drink to him, whate’er he be,
And sing the songs he loved to hear.
CVIII.
I will not shut me from my kind,
And, lest I stiffen into stone,
I will not eat my heart alone,
Nor feed with sighs a passing wind:
What profit lies in barren faith,
And vacant yearning, tho’ with might
To scale the heaven’s highest height,
Or dive below the wells of Death?
What find I in the highest place,
But mine own phantom chanting hymns?
490
And on the depths of death there swims
The reflex of a human face.
I'll rather take what fruit may be
Of sorrow under human skies:
’Tis held that sorrow makes us wise,
Whatever wisdom sleep with thee.
CIX.
Heart-affluence in discursive talk
From household fountains never dry;
The critic clearness of an eye,
That saw thro’ all the Muses’ walk;
Seraphic intellect and force
To seize and throw the doubts of man;
Impassion’d logic, which outran
The hearer in its fiery course;
High nature amorous of the good,
But touch’d with no ascetic gloom;
And passion pure in snowy bloom
Thro’ all the years of April blood;
A love of freedom rarely felt,
Of freedom in her regal seat
Of England; not the schoolboy heat,
The blind hysterics of the Celt;
And manhood fused with female grace
In such a sort, the child would twine
A trustful hand, unask’d, in thine,
And find his comfort in thy face;
All these have been, and thee mine eyes
Have look’d on: if they look’d in vain,
My shame is greater who remain,
Nor let thy wisdom make me wise.
491
CX.
Thy converse drew us with delight,
The men of rathe and riper years:
The feeble soul, a haunt of fears,
Forgot his weakness in thy sight.
On thee the loyal-hearted hung,
The proud was half disarm’d of pride,
Nor cared the serpent at thy side
To flicker with his double tongue.
The stern were mild when thou wert by,
The flippant put himself to school
And heard thee, and the brazen fool
Was soften’d, and he knew not why;
While I, thy nearest, sat apart,
And felt thy triumph was as mine;
And loved them more, that they were thine,
The graceful tact, the Christian art;
Nor mine the sweetness or the skill,
But mine the love that will not tire,
And, born of love, the vague desire
That spurs an imitative will.
CXI.
The churl in spirit, up or down
Along the scale of ranks, thro’ all,
To him who grasps a golden ball,
By blood a king, at heart a clown;
The churl in spirit, howe’er he veil
His want in forms for fashion’s sake,
Will let his coltish nature break
At seasons thro’ the gilded pale:
For who can always act? but he,
To whom a thousand memories call,
492
Not being less but more than all
The gentleness he seem’d to be,
Best seem’d the thing he was, and join’d
Each office of the social hour
To noble manners, as the flower
And native growth of noble mind;
Nor ever narrowness or spite,
Or villain fancy fleeting by,
Drew in the expression of an eye,
Where God and Nature met in light;
And thus he bore without abuse
The grand old name of gentleman,
Defamed by every charlatan,
And soil’d with all ignoble use.
CXII.
High wisdom holds my wisdom less,
That I, who gaze with temperate eyes
On glorious insufficiencies,
Set light by narrower perfectness.
But thou, that fillest all the room
Of all my love, art reason why
I seem to cast a careless eye
On souls, the lesser lords of doom.
For what wert thou? some novel power
Sprang up for ever at a touch,
And hope could never hope too much,
In watching thee from hour to hour,
Large elements in order brought,
And tracts of calm from tempest made,
And world-wide fluctuation sway’d
In vassal tides that follow’d thought.
493
CXIII.
’Tis held that sorrow makes us wise;
Yet how much wisdom sleeps with thee
Which not alone had guided me,
But served the seasons that may rise;
For can I doubt, who knew thee keen
In intellect, with force and skill
To strive, to fashion, to fulfil–
I doubt not what thou wouldst have been:
life in civic action warm,
soul on highest mission sent,
potent voice of Parliament,
pillar steadfast in the storm,
Should licensed boldness gather force,
Becoming, when the time has birth,
A lever to uplift the earth
And roll it in another course,
With thousand shocks that come and go,
With agonies, with energies,
With overthrowings, and with cries,
And undulations to and fro.
CXIV.
Who loves not Knowledge? Who shall rail
Against her beauty? May she mix
With men and prosper! Who shall fix
Her pillars? Let her work prevail.
But on her forehead sits a fire:
She sets her forward countenance
And leaps into the future chance,
Submitting all things to desire.
Half-grown as yet, a child, and vain–
She cannot fight the fear of death.
494
What is she, cut from love and faith,
But some wild Pallas from the brain
Of Demons? fiery-hot to burst
All barriers in her onward race
For power. Let her know her place;
She is the second, not the first.
A higher hand must make her mild,
If all be not in vain; and guide
Her footsteps, moving side by side
With wisdom, like the younger child:
For she is earthly of the mind,
But Wisdom heavenly of the soul.
O, friend, who camest to thy goal
So early, leaving me behind,
I would the great world grew like thee,
Who grewest not alone in power
And knowledge, but by year and hour
In reverence and in charity.
CXV.
Now fades the last long streak of snow,
Now burgeons every maze of quick
About the flowering squares, and thick
By ashen roots the violets blow.
Now rings the woodland loud and long,
The distance takes a lovelier hue,
And drown’d in yonder living blue
The lark becomes a sightless song.
Now dance the lights on lawn and lea,
The flocks are whiter down the vale,
And milkier every milky sail
On winding stream or distant sea;
Where now the seamew pipes, or dives
495
In yonder greening gleam, and fly
The happy birds, that change their sky
To build and brood; that live their lives
From land to land; and in my breast
Spring wakens too; and my regret
Becomes an April violet,
And buds and blossoms like the rest.
CXVI.
Is it, then, regret for buried time
That keenlier in sweet April wakes,
And meets the year, and gives and takes
The colours of the crescent prime?
Not all: the songs, the stirring air,
The life re-orient out of dust,
Cry thro’ the sense to hearten trust
In that which made the world so fair.
Not all regret: the face will shine
Upon me, while I muse alone;
And that dear voice, I once have known,
Still speak to me of me and mine:
Yet less of sorrow lives in me
For days of happy commune dead;
Less yearning for the friendship fled,
Than some strong bond which is to be.
CXVII.
O days and hours, your work is this
To hold me from my proper place,
A little while from his embrace
For fuller gain of after bliss:
That out of distance might ensue
Desire of nearness doubly sweet;
496
And unto meeting when we meet,
Delight a hundredfold accrue,
For every grain of sand that runs,
And every span of shade that steals,
And every kiss of toothed wheels,
And all the courses of the suns.
CXVIII.
Contemplate all this work of Time,
The giant labouring in his youth;
Nor dream of human love and truth,
As dying Nature’s earth and lime;
But trust that those we call the dead
Are breathers of an ampler day
For ever nobler ends. They say,
The solid earth whereon we tread
In tracts of fluent heat began,
And grew to seeming-random forms,
The seeming prey of cyclic storms,
Till at the last arose the man;
Who throve and branch’d from clime to clime,
The herald of a higher race,
And of himself in higher place,
If so he type this work of time
Within himself, from more to more;
Or, crown’d with attributes of woe
Like glories, move his course, and show
That life is not as idle ore,
But iron dug from central gloom,
And heated hot with burning fears,
And dipt in baths of hissing tears,
And batter’d with the shocks of doom
To shape and use. Arise and fly
497
The reeling Faun, the sensual feast;
Move upward, working out the beast,
And let the ape and tiger die.
CXIX.
Doors, where my heart was used to beat
So quickly, not as one that weeps
I come once more; the city sleeps;
I smell the meadow in the street;
I hear a chirp of birds; I see
Betwixt the black fronts long-withdrawn
A light-blue lane of early dawn,
And think of early days and thee,
And bless thee, for thy lips are bland,
And bright the friendship of thine eye;
And in my thoughts with scarce a sigh
I take the pressure of thine hand.
CXX.
I trust I have not wasted breath:
I think we are not wholly brain,
Magnetic mockeries; not in vain,
Like Paul with beasts, I fought with Death;
Not only cunning casts in clay:
Let Science prove we are, and then
What matters Science unto men,
At least to me? I would not stay.
Let him, the wiser man who springs
Hereafter, up from childhood shape
His action like the greater ape,
But I was born to other things.
498
CXXI.
Sad Hesper o’er the buried sun
And ready, thou, to die with him,
Thou watchest all things ever dim
And dimmer, and a glory done:
The team is loosen’d from the wain,
The boat is drawn upon the shore;
Thou listenest to the closing door,
And life is darken’d in the brain.
Bright Phosphor, fresher for the night,
By thee the world’s great work is heard
Beginning, and the wakeful bird;
Behind thee comes the greater light:
The market boat is on the stream,
And voices hail it from the brink;
Thou hear’st the village hammer clink,
And see’st the moving of the team.
Sweet Hesper-Phosphor, double name
For what is one, the first, the last,
Thou, like my present and my past,
Thy place is changed; thou art the same.
CXXII.
Oh, wast thou with me, dearest, then,
While I rose up against my doom,
And yearn’d to burst the folded gloom,
To bare the eternal Heavens again,
To feel once more, in placid awe,
The strong imagination roll
A sphere of stars about my soul,
In all her motion one with law;
If thou wert with me, and the grave
Divide us not, be with me now,
And enter in at breast and brow,
499
Till all my blood, a fuller wave,
Be quicken’d with a livelier breath,
And like an inconsiderate boy,
As in the former flash of joy,
I slip the thoughts of life and death;
And all the breeze of Fancy blows,
And every dew-drop paints a bow,
The wizard lightnings deeply glow,
And every thought breaks out a rose.
CXXIII.
There rolls the deep where grew the tree.
O earth, what changes hast thou seen!
There where the long street roars, hath been
The stillness of the central sea.
The hills are shadows, and they flow
From form to form, and nothing stands;
They melt like mist, the solid lands,
Like clouds they shape themselves and go.
But in my spirit will I dwell,
And dream my dream, and hold it true;
For tho’ my lips may breathe adieu,
I cannot think the thing farewell.
CXXIV.
That which we dare invoke to bless;
Our dearest faith; our ghastliest doubt;
He, They, One, All; within, without;
The Power in darkness whom we guess;
I found Him not in world or sun,
Or eagle’s wing, or insect’s eye;
Nor thro’ the questions men may try,
The petty cobwebs we have spun:
500
If e’er when faith had fall’n asleep,
I heard a voice ‘believe no more’
And heard an ever-breaking shore
That tumbled in the Godless deep;
A warmth within the breast would melt
The freezing reason’s colder part,
And like a man in wrath the heart
Stood up and answer’d ‘I have felt.’
No, like a child in doubt and fear:
But that blind clamour made me wise;
Then was I as a child that cries,
But, crying, knows his father near;
And what I am beheld again
What is, and no man understands;
And out of darkness came the hands
That reach thro’ nature, moulding men.
CXXV.
Whatever I have said or sung,
Some bitter notes my harp would give,
Yea, tho’ there often seem’d to live
A contradiction on the tongue,
Yet Hope had never lost her youth;
She did but look through dimmer eyes;
Or Love but play’d with gracious lies,
Because he felt so fix’d in truth:
And if the song were full of care,
He breathed the spirit of the song;
And if the words were sweet and strong
He set his royal signet there;
Abiding with me till I sail
To seek thee on the mystic deeps,
And this electric force, that keeps
501
A thousand pulses dancing, fail.
CXXVI.
Love is and was my Lord and King,
And in his presence I attend
To hear the tidings of my friend,
Which every hour his couriers bring.
Love is and was my King and Lord,
And will be, tho’ as yet I keep
Within his court on earth, and sleep
Encompass’d by his faithful guard,
And hear at times a sentinel
Who moves about from place to place,
And whispers to the worlds of space,
In the deep night, that all is well.
CXXVII.
And all is well, tho’ faith and form
Be sunder’d in the night of fear;
Well roars the storm to those that hear
A deeper voice across the storm,
Proclaiming social truth shall spread,
And justice, ev’n tho’ thrice again
The red fool-fury of the Seine
Should pile her barricades with dead.
But ill for him that wears a crown,
And him, the lazar, in his rags:
They tremble, the sustaining crags;
The spires of ice are toppled down,
And molten up, and roar in flood;
The fortress crashes from on high,
The brute earth lightens to the sky,
And the great Æon sinks in blood,
502
And compass’d by the fires of Hell;
While thou, dear spirit, happy star,
O’erlook’st the tumult from afar,
And smilest, knowing all is well.
CXXVIII.
The love that rose on stronger wings,
Unpalsied when he met with Death,
Is comrade of the lesser faith
That sees the course of human things.
No doubt vast eddies in the flood
Of onward time shall yet be made,
And throned races may degrade;
Yet O ye mysteries of good,
Wild Hours that fly with Hope and Fear,
If all your office had to do
With old results that look like new;
If this were all your mission here,
To
To
To
To
draw, to sheathe a useless sword,
fool the crowd with glorious lies,
cleave a creed in sects and cries,
change the bearing of a word,
To shift an arbitrary power,
To cramp the student at his desk,
To make old bareness picturesque
And tuft with grass a feudal tower;
Why then my scorn might well descend
On you and yours. I see in part
That all, as in some piece of art,
Is toil coöperant to an end.
CXXIX.
503
Dear friend, far off, my lost desire,
So far, so near in woe and weal;
O loved the most, when most I feel
There is a lower and a higher;
Known and unknown; human, divine;
Sweet human hand and lips and eye;
Dear heavenly friend that canst not die,
Mine, mine, for ever, ever mine;
Strange friend, past, present, and to be;
Loved deeplier, darklier understood;
Behold, I dream a dream of good,
And mingle all the world with thee.
CXXX.
Thy voice is on the rolling air;
I hear thee where the waters run;
Thou standest in the rising sun,
And in the setting thou art fair.
What art thou then? I cannot guess;
But tho’ I seem in star and flower
To feel thee some diffusive power,
I do not therefore love thee less:
My love involves the love before;
My love is vaster passion now;
Tho’ mix’d with God and Nature thou,
I seem to love thee more and more.
Far off thou art, but ever nigh;
I have thee still, and I rejoice;
I prosper, circled with thy voice;
I shall not lose thee tho’ I die.
CXXXI.
504
O living will that shalt endure
When all that seems shall suffer shock,
Rise in the spiritual rock,
Flow thro’ our deeds and make them pure,
That we may lift from out of dust
A voice as unto him that hears,
A cry above the conquer’d years
To one that with us works, and trust,
With faith that comes of self-control,
The truths that never can be proved
Until we close with all we loved,
And all we flow from, soul in soul.
_________
O true and tried, so well and long,
Demand not thou a marriage lay;
In that it is thy marriage day
Is music more than any song.
Nor have I felt so much of bliss
Since first he told me that he loved
A daughter of our house; nor proved
Since that dark day a day like this;
Tho’ I since then have number’d o’er
Some thrice three years: they went and came,
Remade the blood and changed the frame,
And yet is love not less, but more;
No longer caring to embalm
In dying songs a dead regret,
But like a statue solid-set,
And moulded in colossal calm.
Regret is dead, but love is more
Than in the summers that are flown,
For I myself with these have grown
To something greater than before;
Which makes appear the songs I made
505
As echoes out of weaker times,
As half but idle brawling rhymes,
The sport of random sun and shade.
But where is she, the bridal flower,
That must he made a wife ere noon?
She enters, glowing like the moon
Of Eden on its bridal bower:
On me she bends her blissful eyes
And then on thee; they meet thy look
And brighten like the star that shook
Betwixt the palms of paradise.
O when her life was yet in bud,
He too foretold the perfect rose.
For thee she grew, for thee she grows
For ever, and as fair as good.
And thou art worthy; full of power;
As gentle; liberal-minded, great,
Consistent; wearing all that weight
Of learning lightly like a flower.
But now set out: the noon is near,
And I must give away the bride;
She fears not, or with thee beside
And me behind her, will not fear.
For I that danced her on my knee,
That watch’d her on her nurse’s arm,
That shielded all her life from harm
At last must part with her to thee;
Now waiting to be made a wife,
Her feet, my darling, on the dead;
Their pensive tablets round her head,
And the most living words of life
Breathed in her ear. The ring is on,
The ‘wilt thou’ answer’d, and again
The ‘wilt thou’ ask’d, till out of twain
506
Her sweet ‘I will’ has made you one.
Now sign your names, which shall be read,
Mute symbols of a joyful morn,
By village eyes as yet unborn;
The names are sign’d, and overhead
Begins the clash and clang that tells
The joy to every wandering breeze;
The blind wall rocks, and on the trees
The dead leaf trembles to the bells.
O happy hour, and happier hours
Await them. Many a merry face
Salutes them–maidens of the place,
That pelt us in the porch with flowers.
O happy hour, behold the bride
With him to whom her hand I gave.
They leave the porch, they pass the grave
That has to-day its sunny side.
To-day the grave is bright for me,
For them the light of life increased,
Who stay to share the morning feast,
Who rest to-night beside the sea.
Let all my genial spirits advance
To meet and greet a whiter sun;
My drooping memory will not shun
The foaming grape of eastern France.
It circles round, and fancy plays,
And hearts are warm’d and faces bloom,
As drinking health to bride and groom
We wish them store of happy days.
Nor count me all to blame if I
Conjecture of a stiller guest,
Perchance, perchance, among the rest,
And, tho’ in silence, wishing joy.
507
But they must go, the time draws on,
And those white-favour’d horses wait;
They rise, but linger; it is late;
Farewell, we kiss, and they are gone.
A shade falls on us like the dark
From little cloudlets on the grass,
But sweeps away as out we pass
To range the woods, to roam the park,
Discussing how their courtship grew,
And talk of others that are wed,
And how she look’d, and what he said,
And back we come at fall of dew.
Again the feast, the speech, the glee,
The shade of passing thought, the wealth
Of words and wit, the double health,
The crowning cup, the three-times-three,
And last the dance;–till I retire:
Dumb is that tower which spake so loud,
And high in heaven the streaming cloud,
And on the downs a rising fire:
And rise, O moon, from yonder down,
Till over down and over dale
All night the shining vapour sail
And pass the silent-lighted town,
The white-faced halls, the glancing rills,
And catch at every mountain head,
And o’er the friths that branch and spread
Their sleeping silver thro’ the hills;
And touch with shade the bridal doors,
With tender gloom the roof, the wall;
And breaking let the splendour fall
To spangle all the happy shores
By which they rest, and ocean sounds,
And, star and system rolling past,
508
A soul shall draw from out the vast
And strike his being into bounds,
And, moved thro’ life of lower phase,
Result in man, be born and think,
And act and love, a closer link
Betwixt us and the crowning race
Of those that, eye to eye, shall look
On knowledge; under whose command
Is Earth and Earth’s, and in their hand
Is Nature like an open book;
No longer half-akin to brute,
For all we thought and loved and did,
And hoped, and suffer’d, is but seed
Of what in them is flower and fruit;
Whereof the man, that with me trod
This planet, was a noble type
Appearing ere the times were ripe,
That friend of mine who lives in God,
That God, which ever lives and loves,
One God, one law, one element,
And one far-off divine event,
To which the whole creation moves.
~ Alfred Lord Tennyson,#NFDB
177:Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
47
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
to say in sooth, no son of the halls,
no hero 'neath heaven, - who harbored that freight!
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that - was -'s queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
a master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot [1] he named it
whose message had might in many a land.
48
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. [2] Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever [5] mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, [6] and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins [7] and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
II
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
49
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, [1] when that bale was shown,
was seen in sooth, with surest token, the hall-thane's [2] hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, - refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
50
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince [4] approach his throne,
- 'twas judgment of God, - or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words [5]
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. - Woe for that man
who in harm and hatred hales his soul
to fiery embraces; - nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
III
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
51
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood [1] he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; [2] afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' [3] clansmen climbed ashore,
anchored their sea-wood, with armor clashing
and gear of battle: God they thanked
for passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
'Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
52
No aliens ever at ease thus bore them,
linden-wielders: [4] yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. - A greater ne'er saw I
of warriors in world than is one of you, yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came.'
IV
To him the stateliest spake in answer;
the warriors' leader his word-hoard unlocked:'We are by kin of the clan of Geats,
and Hygelac's own hearth-fellows we.
To folk afar was my father known,
noble atheling, Ecgtheow named.
Full of winters, he fared away
aged from earth; he is honored still
through width of the world by wise men all.
To thy lord and liege in loyal mood
we hasten hither, to Healfdene's son,
people-protector: be pleased to advise us!
To that mighty-one come we on mickle errand,
to the lord of the Danes; nor deem I right
that aught be hidden. We hear - thou knowest
if sooth it is - the saying of men,
that amid the Scyldings a scathing monster,
dark ill-doer, in dusky nights
shows terrific his rage unmatched,
hatred and murder. To Hrothgar I
in greatness of soul would succor bring,
so the Wise-and-Brave [1] may worst his foes, if ever the end of ills is fated,
of cruel contest, if cure shall follow,
and the boiling care-waves cooler grow;
else ever afterward anguish-days
53
he shall suffer in sorrow while stands in place
high on its hill that house unpeered!'
Astride his steed, the strand-ward answered,
clansman unquailing: 'The keen-souled thane
must be skilled to sever and sunder duly
words and works, if he well intends.
I gather, this band is graciously bent
to the Scyldings' master. March, then, bearing
weapons and weeds the way I show you.
I will bid my men your boat meanwhile
to guard for fear lest foemen come, your new-tarred ship by shore of ocean
faithfully watching till once again
it waft o'er the waters those well-loved thanes,
- winding-neck'd wood, - to Weders' bounds,
heroes such as the hest of fate
shall succor and save from the shock of war.'
They bent them to march, - the boat lay still,
fettered by cable and fast at anchor,
broad-bosomed ship. - Then shone the boars
over the cheek-guard; chased with gold,
keen and gleaming, guard it kept
o'er the man of war, as marched along
heroes in haste, till the hall they saw,
broad of gable and bright with gold:
that was the fairest, 'mid folk of earth,
of houses 'neath heaven, where Hrothgar lived,
and the gleam of it lightened o'er lands afar.
The sturdy shieldsman showed that bright
burg-of-the-boldest; bade them go
straightway thither; his steed then turned,
hardy hero, and hailed them thus:'Tis time that I fare from you. Father Almighty
in grace and mercy guard you well,
safe in your seekings. Seaward I go,
'gainst hostile warriors hold my watch.'
STONE-BRIGHT the street: it showed the way
to the crowd of clansmen. Corselets glistened
hand-forged, hard; on their harness bright
the steel ring sang, as they strode along
54
in mail of battle, and marched to the hall.
There, weary of ocean, the wall along
they set their bucklers, their broad shields, down,
and bowed them to bench: the breastplates clanged,
war-gear of men; their weapons stacked,
spears of the seafarers stood together,
gray-tipped ash: that iron band
was worthily weaponed! - A warrior proud
asked of the heroes their home and kin.
'Whence, now, bear ye burnished shields,
harness gray and helmets grim,
spears in multitude? Messenger, I,
Hrothgar's herald! Heroes so many
ne'er met I as strangers of mood so strong.
'Tis plain that for prowess, not plunged into exile,
for high-hearted valor, Hrothgar ye seek!'
Him the sturdy-in-war bespake with words,
proud earl of the Weders answer made,
hardy 'neath helmet:-'Hygelac's, we,
fellows at board; I am Beowulf named.
I am seeking to say to the son of Healfdene
this mission of mine, to thy master-lord,
the doughty prince, if he deign at all
grace that we greet him, the good one, now.'
Wulfgar spake, the Wendles' chieftain,
whose might of mind to many was known,
his courage and counsel: 'The king of Danes,
the Scyldings' friend, I fain will tell,
the Breaker-of-Rings, as the boon thou askest,
the famed prince, of thy faring hither,
and, swiftly after, such answer bring
as the doughty monarch may deign to give.'
Hied then in haste to where Hrothgar sat
white-haired and old, his earls about him,
till the stout thane stood at the shoulder there
of the Danish king: good courtier he!
Wulfgar spake to his winsome lord:'Hither have fared to thee far-come men
o'er the paths of ocean, people of Geatland;
and the stateliest there by his sturdy band
is Beowulf named. This boon they seek,
that they, my master, may with thee
55
have speech at will: nor spurn their prayer
to give them hearing, gracious Hrothgar!
In weeds of the warrior worthy they,
methinks, of our liking; their leader most surely,
a hero that hither his henchmen has led.'
VI
HROTHGAR answered, helmet of Scyldings:'I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, who carried my gifts to the Geatish court,
thither for thanks, - he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, - they are welcome guests
to folk of the Danes.'
[To the door of the hall
Wulfgar went] and the word declared:'To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end.'
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
56
Beowulf spake, - his breastplate gleamed,
war-net woven by wit of the smith:'Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, brave and wise, the best of men, O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors [1] by night, in need and peril
avenging the Weders, [2] whose woe they sought, crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn - so Hygelac stay,
king of my kindred, kind to me! brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, - as oft before, my noblest thanes. Nor need'st thou then
to hide my head; [3] for his shall I be,
57
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild [4] should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. [5] Fares Wyrd as she must.'
VII
HROTHGAR spake, the Scyldings'-helmet:'For fight defensive, Friend my Beowulf,
to succor and save, thou hast sought us here.
Thy father's combat [1] a feud enkindled
when Heatholaf with hand he slew
among the Wylfings; his Weder kin
for horror of fighting feared to hold him.
Fleeing, he sought our South-Dane folk,
over surge of ocean the Honor-Scyldings,
when first I was ruling the folk of Danes,
wielded, youthful, this widespread realm,
this hoard-hold of heroes. Heorogar was dead,
my elder brother, had breathed his last,
Healfdene's bairn: he was better than I!
Straightway the feud with fee [2] I settled,
to the Wylfings sent, o'er watery ridges,
treasures olden: oaths he [3] swore me.
Sore is my soul to say to any
of the race of man what ruth for me
in Heorot Grendel with hate hath wrought,
what sudden harryings. Hall-folk fail me,
my warriors wane; for Wyrd hath swept them
into Grendel's grasp. But God is able
this deadly foe from his deeds to turn!
Boasted full oft, as my beer they drank,
earls o'er the ale-cup, armed men,
that they would bide in the beer-hall here,
Grendel's attack with terror of blades.
Then was this mead-house at morning tide
dyed with gore, when the daylight broke,
all the boards of the benches blood-besprinkled,
58
gory the hall: I had heroes the less,
doughty dear-ones that death had reft.
- But sit to the banquet, unbind thy words,
hardy hero, as heart shall prompt thee.'
Gathered together, the Geatish men
in the banquet-hall on bench assigned,
sturdy-spirited, sat them down,
hardy-hearted. A henchman attended,
carried the carven cup in hand,
served the clear mead. Oft minstrels sang
blithe in Heorot. Heroes revelled,
no dearth of warriors, Weder and Dane.
VIII
UNFERTH spake, the son of Ecglaf,
who sat at the feet of the Scyldings' lord,
unbound the battle-runes. - Beowulf's quest,
sturdy seafarer's, sorely galled him;
ever he envied that other men
should more achieve in middle-earth
of fame under heaven than he himself. 'Art thou that Beowulf, Breca's rival,
who emulous swam on the open sea,
when for pride the pair of you proved the floods,
and wantonly dared in waters deep
to risk your lives? No living man,
or lief or loath, from your labor dire
could you dissuade, from swimming the main.
Ocean-tides with your arms ye covered,
with strenuous hands the sea-streets measured,
swam o'er the waters. Winter's storm
rolled the rough waves. In realm of sea
a sennight strove ye. In swimming he topped thee,
had more of main! Him at morning-tide
billows bore to the Battling Reamas,
whence he hied to his home so dear
beloved of his liegemen, to land of Brondings,
fastness fair, where his folk he ruled,
town and treasure. In triumph o'er thee
Beanstan's bairn [2] his boast achieved.
So ween I for thee a worse adventure
- though in buffet of battle thou brave hast been,
59
in struggle grim, - if Grendel's approach
thou darst await through the watch of night!'
Beowulf spake, bairn of Ecgtheow:'What a deal hast uttered, dear my Unferth,
drunken with beer, of Breca now,
told of his triumph! Truth I claim it,
that I had more of might in the sea
than any man else, more ocean-endurance.
We twain had talked, in time of youth,
and made our boast, - we were merely boys,
striplings still, - to stake our lives
far at sea: and so we performed it.
Naked swords, as we swam along,
we held in hand, with hope to guard us
against the whales. Not a whit from me
could he float afar o'er the flood of waves,
haste o'er the billows; nor him I abandoned.
Together we twain on the tides abode
five nights full till the flood divided us,
churning waves and chillest weather,
darkling night, and the northern wind
ruthless rushed on us: rough was the surge.
Now the wrath of the sea-fish rose apace;
yet me 'gainst the monsters my mailed coat,
hard and hand-linked, help afforded, battle-sark braided my breast to ward,
garnished with gold. There grasped me firm
and haled me to bottom the hated foe,
with grimmest gripe. 'Twas granted me, though,
to pierce the monster with point of sword,
with blade of battle: huge beast of the sea
was whelmed by the hurly through hand of mine.
IX
ME thus often the evil monsters
thronging threatened. With thrust of my sword,
the darling, I dealt them due return!
Nowise had they bliss from their booty then
to devour their victim, vengeful creatures,
seated to banquet at bottom of sea;
but at break of day, by my brand sore hurt,
on the edge of ocean up they lay,
60
put to sleep by the sword. And since, by them
on the fathomless sea-ways sailor-folk
are never molested. - Light from east,
came bright God's beacon; the billows sank,
so that I saw the sea-cliffs high,
windy walls. For Wyrd oft saveth
earl undoomed if he doughty be!
And so it came that I killed with my sword
nine of the nicors. Of night-fought battles
ne'er heard I a harder 'neath heaven's dome,
nor adrift on the deep a more desolate man!
Yet I came unharmed from that hostile clutch,
though spent with swimming. The sea upbore me,
flood of the tide, on Finnish land,
the welling waters. No wise of thee
have I heard men tell such terror of falchions,
bitter battle. Breca ne'er yet,
not one of you pair, in the play of war
such daring deed has done at all
with bloody brand, - I boast not of it! though thou wast the bane [1] of thy brethren dear,
thy closest kin, whence curse of hell
awaits thee, well as thy wit may serve!
For I say in sooth, thou son of Ecglaf,
never had Grendel these grim deeds wrought,
monster dire, on thy master dear,
in Heorot such havoc, if heart of thine
were as battle-bold as thy boast is loud!
But he has found no feud will happen;
from sword-clash dread of your Danish clan
he vaunts him safe, from the Victor-Scyldings.
He forces pledges, favors none
of the land of Danes, but lustily murders,
fights and feasts, nor feud he dreads
from Spear-Dane men. But speedily now
shall I prove him the prowess and pride of the Geats,
shall bid him battle. Blithe to mead
go he that listeth, when light of dawn
this morrow morning o'er men of earth,
ether-robed sun from the south shall beam!'
Joyous then was the Jewel-giver,
hoar-haired, war-brave; help awaited
61
the Bright-Danes' prince, from Beowulf hearing,
folk's good shepherd, such firm resolve.
Then was laughter of liegemen loud resounding
with winsome words. Came Wealhtheow forth,
queen of Hrothgar, heedful of courtesy,
gold-decked, greeting the guests in hall;
and the high-born lady handed the cup
first to the East-Danes' heir and warden,
bade him be blithe at the beer-carouse,
the land's beloved one. Lustily took he
banquet and beaker, battle-famed king.
Through the hall then went the Helmings' Lady,
to younger and older everywhere
carried the cup, till come the moment
when the ring-graced queen, the royal-hearted,
to Beowulf bore the beaker of mead.
She greeted the Geats' lord, God she thanked,
in wisdom's words, that her will was granted,
that at last on a hero her hope could lean
for comfort in terrors. The cup he took,
hardy-in-war, from Wealhtheow's hand,
and answer uttered the eager-for-combat.
Beowulf spake, bairn of Ecgtheow:'This was my thought, when my thanes and I
bent to the ocean and entered our boat,
that I would work the will of your people
fully, or fighting fall in death,
in fiend's gripe fast. I am firm to do
an earl's brave deed, or end the days
of this life of mine in the mead-hall here.'
Well these words to the woman seemed,
Beowulf's battle-boast. - Bright with gold
the stately dame by her spouse sat down.
Again, as erst, began in hall
warriors' wassail and words of power,
the proud-band's revel, till presently
the son of Healfdene hastened to seek
rest for the night; he knew there waited
fight for the fiend in that festal hall,
when the sheen of the sun they saw no more,
and dusk of night sank darkling nigh,
and shadowy shapes came striding on,
62
wan under welkin. The warriors rose.
Man to man, he made harangue,
Hrothgar to Beowulf, bade him hail,
let him wield the wine hall: a word he added:'Never to any man erst I trusted,
since I could heave up hand and shield,
this noble Dane-Hall, till now to thee.
Have now and hold this house unpeered;
remember thy glory; thy might declare;
watch for the foe! No wish shall fail thee
if thou bidest the battle with bold-won life.'
THEN Hrothgar went with his hero-train,
defence-of-Scyldings, forth from hall;
fain would the war-lord Wealhtheow seek,
couch of his queen. The King-of-Glory
against this Grendel a guard had set,
so heroes heard, a hall-defender,
who warded the monarch and watched for the monster.
In truth, the Geats' prince gladly trusted
his mettle, his might, the mercy of God!
Cast off then his corselet of iron,
helmet from head; to his henchman gave, choicest of weapons, - the well-chased sword,
bidding him guard the gear of battle.
Spake then his Vaunt the valiant man,
Beowulf Geat, ere the bed be sought:'Of force in fight no feebler I count me,
in grim war-deeds, than Grendel deems him.
Not with the sword, then, to sleep of death
his life will I give, though it lie in my power.
No skill is his to strike against me,
my shield to hew though he hardy be,
bold in battle; we both, this night,
shall spurn the sword, if he seek me here,
unweaponed, for war. Let wisest God,
sacred Lord, on which side soever
doom decree as he deemeth right.'
Reclined then the chieftain, and cheek-pillows held
the head of the earl, while all about him
seamen hardy on hall-beds sank.
63
None of them thought that thence their steps
to the folk and fastness that fostered them,
to the land they loved, would lead them back!
Full well they wist that on warriors many
battle-death seized, in the banquet-hall,
of Danish clan. But comfort and help,
war-weal weaving, to Weder folk
the Master gave, that, by might of one,
over their enemy all prevailed,
by single strength. In sooth 'tis told
that highest God o'er human kind
hath wielded ever! - Thro' wan night striding,
came the walker-in-shadow. Warriors slept
whose hest was to guard the gabled hall, all save one. 'Twas widely known
that against God's will the ghostly ravager
him [1] could not hurl to haunts of darkness;
wakeful, ready, with warrior's wrath,
bold he bided the battle's issue.
XI
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; [1] the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
64
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
felt for the foe with fiendish claw,
for the hero reclining, - who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, - none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant - if he might at all to fling himself free, and far away
fly to the fens, - knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
65
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench - men have told me gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, - unless clasp of fire
in smoke engulfed it. - Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
he who of men in might was strongest
in that same day of this our life.
XII
NOT in any wise would the earls'-defence [1]
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, - as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, - no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
66
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. - To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. - 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, - all, indeed,
of Grendel's gripe, - 'neath the gabled roof·
XIII
MANY at morning, as men have told me,
warriors gathered the gift-hall round,
folk-leaders faring from far and near,
o'er wide-stretched ways, the wonder to view,
trace of the traitor. Not troublous seemed
the enemy's end to any man
who saw by the gait of the graceless foe
how the weary-hearted, away from thence,
baffled in battle and banned, his steps
death-marked dragged to the devils' mere.
Bloody the billows were boiling there,
turbid the tide of tumbling waves
horribly seething, with sword-blood hot,
by that doomed one dyed, who in den of the moor
laid forlorn his life adown,
67
his heathen soul,-and hell received it.
Home then rode the hoary clansmen
from that merry journey, and many a youth,
on horses white, the hardy warriors,
back from the mere. Then Beowulf's glory
eager they echoed, and all averred
that from sea to sea, or south or north,
there was no other in earth's domain,
under vault of heaven, more valiant found,
of warriors none more worthy to rule!
(On their lord beloved they laid no slight,
gracious Hrothgar: a good king he!)
From time to time, the tried-in-battle
their gray steeds set to gallop amain,
and ran a race when the road seemed fair.
From time to time, a thane of the king,
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old,
bound word to word in well-knit rime,
welded his lay; this warrior soon
of Beowulf's quest right cleverly sang,
and artfully added an excellent tale,
in well-ranged words, of the warlike deeds
he had heard in saga of Sigemund.
Strange the story: he said it all, the Waelsing's wanderings wide, his struggles,
which never were told to tribes of men,
the feuds and the frauds, save to Fitela only,
when of these doings he deigned to speak,
uncle to nephew; as ever the twain
stood side by side in stress of war,
and multitude of the monster kind
they had felled with their swords. Of Sigemund
grew,
when he passed from life, no little praise;
for the doughty-in-combat a dragon killed
that herded the hoard: [1] under hoary rock
the atheling dared the deed alone
fearful quest, nor was Fitela there.
Yet so it befell, his falchion pierced
that wondrous worm, - on the wall it struck,
best blade; the dragon died in its blood.
68
Thus had the dread-one by daring achieved
over the ring-hoard to rule at will,
himself to pleasure; a sea-boat he loaded,
and bore on its bosom the beaming gold,
son of Waels; the worm was consumed.
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to mingle with monsters at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings. - But here, thanes said,
the kinsman of Hygelac kinder seemed
to all: the other [2] was urged to crime!
And afresh to the race, [3] the fallow roads
by swift steeds measured! The morning sun
was climbing higher. Clansmen hastened
to the high-built hall, those hardy-minded,
the wonder to witness. Warden of treasure,
crowned with glory, the king himself,
with stately band from the bride-bower strode;
and with him the queen and her crowd of maidens
measured the path to the mead-house fair.
XIV
HROTHGAR spake, - to the hall he went,
stood by the steps, the steep roof saw,
garnished with gold, and Grendel's hand:'For the sight I see to the Sovran Ruler
be speedy thanks! A throng of sorrows
I have borne from Grendel; but God still works
wonder on wonder, the Warden-of-Glory.
It was but now that I never more
69
for woes that weighed on me waited help
long as I lived, when, laved in blood,
stood sword-gore-stained this stateliest house, widespread woe for wise men all,
who had no hope to hinder ever
foes infernal and fiendish sprites
from havoc in hall. This hero now,
by the Wielder's might, a work has done
that not all of us erst could ever do
by wile and wisdom. Lo, well can she say
whoso of women this warrior bore
among sons of men, if still she liveth,
that the God of the ages was good to her
in the birth of her bairn. Now, Beowulf, thee,
of heroes best, I shall heartily love
as mine own, my son; preserve thou ever
this kinship new: thou shalt never lack
wealth of the world that I wield as mine!
Full oft for less have I largess showered,
my precious hoard, on a punier man,
less stout in struggle. Thyself hast now
fulfilled such deeds, that thy fame shall endure
through all the ages. As ever he did,
well may the Wielder reward thee still!'
Beowulf spake, bairn of Ecgtheow:'This work of war most willingly
we have fought, this fight, and fearlessly dared
force of the foe. Fain, too, were I
hadst thou but seen himself, what time
the fiend in his trappings tottered to fall!
Swiftly, I thought, in strongest gripe
on his bed of death to bind him down,
that he in the hent of this hand of mine
should breathe his last: but he broke away.
Him I might not - the Maker willed not hinder from flight, and firm enough hold
the life-destroyer: too sturdy was he,
the ruthless, in running! For rescue, however,
he left behind him his hand in pledge,
arm and shoulder; nor aught of help
could the cursed one thus procure at all.
None the longer liveth he, loathsome fiend,
70
sunk in his sins, but sorrow holds him
tightly grasped in gripe of anguish,
in baleful bonds, where bide he must,
evil outlaw, such awful doom
as the Mighty Maker shall mete him out.'
More silent seemed the son of Ecglaf [1]
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers, - the forepart of each
of the sturdy nails to steel was likest, heathen's 'hand-spear,' hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.
XV
THERE was hurry and hest in Heorot now
for hands to bedeck it, and dense was the throng
of men and women the wine-hall to cleanse,
the guest-room to garnish. Gold-gay shone the hangings
that were wove on the wall, and wonders many
to delight each mortal that looks upon them.
Though braced within by iron bands,
that building bright was broken sorely; [1]
rent were its hinges; the roof alone
held safe and sound, when, seared with crime,
the fiendish foe his flight essayed,
of life despairing. - No light thing that,
the flight for safety, - essay it who will!
Forced of fate, he shall find his way
to the refuge ready for race of man,
for soul-possessors, and sons of earth;
and there his body on bed of death
shall rest after revel.
Arrived was the hour
when to hall proceeded Healfdene's son:
the king himself would sit to banquet.
Ne'er heard I of host in haughtier throng
more graciously gathered round giver-of-rings!
Bowed then to bench those bearers-of-glory,
71
fain of the feasting. Featly received
many a mead-cup the mighty-in-spirit,
kinsmen who sat in the sumptuous hall,
Hrothgar and Hrothulf. Heorot now
was filled with friends; the folk of Scyldings
ne'er yet had tried the traitor's deed.
To Beowulf gave the bairn of Healfdene
a gold-wove banner, guerdon of triumph,
broidered battle-flag, breastplate and helmet;
and a splendid sword was seen of many
borne to the brave one. Beowulf took
cup in hall: for such costly gifts
he suffered no shame in that soldier throng.
For I heard of few heroes, in heartier mood,
with four such gifts, so fashioned with gold,
on the ale-bench honoring others thus!
O'er the roof of the helmet high, a ridge,
wound with wires, kept ward o'er the head,
lest the relict-of-files should fierce invade,
sharp in the strife, when that shielded hero
should go to grapple against his foes.
Then the earls'-defence on the floor bade lead
coursers eight, with carven head-gear,
adown the hall: one horse was decked
with a saddle all shining and set in jewels;
'twas the battle-seat of the best of kings,
when to play of swords the son of Healfdene
was fain to fare. Ne'er failed his valor
in the crush of combat when corpses fell.
To Beowulf over them both then gave
the refuge-of-Ingwines right and power,
o'er war-steeds and weapons: wished him joy of them.
Manfully thus the mighty prince,
hoard-guard for heroes, that hard fight repaid
with steeds and treasures contemned by none
who is willing to say the sooth aright.
XVI
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price [] bade pay
72
in gold for him whom Grendel erst
murdered, - and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! [6] Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
73
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. - The hardy Scylding,
battle-thane best, [9] on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: [10] heads all were melted,
gashes burst, and blood gushed out
from bites [11] of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
XVII
THEN hastened those heroes their home to see,
friendless, to find the Frisian land,
houses and high burg. Hengest still
through the death-dyed winter dwelt with Finn,
holding pact, yet of home he minded,
though powerless his ring-decked prow to drive
over the waters, now waves rolled fierce
lashed by the winds, or winter locked them
in icy fetters. Then fared another
year to men's dwellings, as yet they do,
the sunbright skies, that their season ever
74
duly await. Far off winter was driven;
fair lay earth's breast; and fain was the rover,
the guest, to depart, though more gladly he pondered
on wreaking his vengeance than roaming the deep,
and how to hasten the hot encounter
where sons of the Frisians were sure to be.
So he escaped not the common doom,
when Hun with 'Lafing,' the light-of-battle,
best of blades, his bosom pierced:
its edge was famed with the Frisian earls.
On fierce-heart Finn there fell likewise,
on himself at home, the horrid sword-death;
for Guthlaf and Oslaf of grim attack
had sorrowing told, from sea-ways landed,
mourning their woes. [1] Finn's wavering spirit
bode not in breast. The burg was reddened
with blood of foemen, and Finn was slain,
king amid clansmen; the queen was taken.
To their ship the Scylding warriors bore
all the chattels the chieftain owned,
whatever they found in Finn's domain
of gems and jewels. The gentle wife
o'er paths of the deep to the Danes they bore,
led to her land.
The lay was finished,
the gleeman's song. Then glad rose the revel;
bench-joy brightened. Bearers draw
from their 'wonder-vats' wine. Comes Wealhtheow forth,
under gold-crown goes where the good pair sit,
uncle and nephew, true each to the other one,
kindred in amity. Unferth the spokesman
at the Scylding lord's feet sat: men had faith in his Spirit,
his keenness of courage, though kinsmen had found him
unsure at the sword-play. The Scylding queen spoke:
'Quaff of this cup, my king and lord,
breaker of rings, and blithe be thou,
gold-friend of men; to the Geats here speak
such words of mildness as man should use.
Be glad with thy Geats; of those gifts be mindful,
or near or far, which now thou hast.
Men say to me, as son thou wishest
yon hero to hold. Thy Heorot purged,
75
jewel-hall brightest, enjoy while thou canst,
with many a largess; and leave to thy kin
folk and realm when forth thou goest
to greet thy doom. For gracious I deem
my Hrothulf, [2] willing to hold and rule
nobly our youths, if thou yield up first,
prince of Scyldings, thy part in the world.
I ween with good he will well requite
offspring of ours, when all he minds
that for him we did in his helpless days
of gift and grace to gain him honor!'
Then she turned to the seat where her sons were placed,
Hrethric and Hrothmund, with heroes' bairns,
young men together: the Geat, too, sat there,
Beowulf brave, the brothers between.
XVIII
A CUP she gave him, with kindly greeting
and winsome words. Of wounden gold,
she offered, to honor him, arm-jewels twain,
corselet and rings, and of collars the noblest
that ever I knew the earth around.
Ne'er heard I so mighty, 'neath heaven's dome,
a hoard-gem of heroes, since Hama bore
to his bright-built burg the Brisings' necklace,
jewel and gem casket. - Jealousy fled he,
Eormenric's hate: chose help eternal.
Hygelac Geat, grandson of Swerting,
on the last of his raids this ring bore with him,
under his banner the booty defending,
the war-spoil warding; but Wyrd o'erwhelmed him
what time, in his daring, dangers he sought,
feud with Frisians. Fairest of gems
he bore with him over the beaker-of-waves,
sovran strong: under shield he died.
Fell the corpse of the king into keeping of Franks,
gear of the breast, and that gorgeous ring;
weaker warriors won the spoil,
after gripe of battle, from Geatland's lord,
and held the death-field.
Din rose in hall.
Wealhtheow spake amid warriors, and said:-
76
'This jewel enjoy in thy jocund youth,
Beowulf lov'd, these battle-weeds wear,
a royal treasure, and richly thrive!
Preserve thy strength, and these striplings here
counsel in kindness: requital be mine.
Hast done such deeds, that for days to come
thou art famed among folk both far and near,
so wide as washeth the wave of Ocean
his windy walls. Through the ways of life
prosper, O prince! I pray for thee
rich possessions. To son of mine
be helpful in deed and uphold his joys!
Here every earl to the other is true,
mild of mood, to the master loyal!
Thanes are friendly, the throng obedient,
liegemen are revelling: list and obey!'
Went then to her place.-That was proudest of feasts;
flowed wine for the warriors. Wyrd they knew not,
destiny dire, and the doom to be seen
by many an earl when eve should come,
and Hrothgar homeward hasten away,
royal, to rest. The room was guarded
by an army of earls, as erst was done.
They bared the bench-boards; abroad they spread
beds and bolsters. - One beer-carouser
in danger of doom lay down in the hall. At their heads they set their shields of war,
bucklers bright; on the bench were there
over each atheling, easy to see,
the high battle-helmet, the haughty spear,
the corselet of rings. 'Twas their custom so
ever to be for battle prepared,
at home, or harrying, which it were,
even as oft as evil threatened
their sovran king. - They were clansmen good.
XIX
THEN sank they to sleep. With sorrow one bought
his rest of the evening, - as ofttime had happened
when Grendel guarded that golden hall,
evil wrought, till his end drew nigh,
slaughter for sins. 'Twas seen and told
77
how an avenger survived the fiend,
as was learned afar. The livelong time
after that grim fight, Grendel's mother,
monster of women, mourned her woe.
She was doomed to dwell in the dreary waters,
cold sea-courses, since Cain cut down
with edge of the sword his only brother,
his father's offspring: outlawed he fled,
marked with murder, from men's delights
warded the wilds. - There woke from him
such fate-sent ghosts as Grendel, who,
war-wolf horrid, at Heorot found
a warrior watching and waiting the fray,
with whom the grisly one grappled amain.
But the man remembered his mighty power,
the glorious gift that God had sent him,
in his Maker's mercy put his trust
for comfort and help: so he conquered the foe,
felled the fiend, who fled abject,
reft of joy, to the realms of death,
mankind's foe. And his mother now,
gloomy and grim, would go that quest
of sorrow, the death of her son to avenge.
To Heorot came she, where helmeted Danes
slept in the hall. Too soon came back
old ills of the earls, when in she burst,
the mother of Grendel. Less grim, though, that terror,
e'en as terror of woman in war is less,
might of maid, than of men in arms
when, hammer-forged, the falchion hard,
sword gore-stained, through swine of the helm,
crested, with keen blade carves amain.
Then was in hall the hard-edge drawn,
the swords on the settles, [1] and shields a-many
firm held in hand: nor helmet minded
nor harness of mail, whom that horror seized.
Haste was hers; she would hie afar
and save her life when the liegemen saw her.
Yet a single atheling up she seized
fast and firm, as she fled to the moor.
He was for Hrothgar of heroes the dearest,
of trusty vassals betwixt the seas,
78
whom she killed on his couch, a clansman famous,
in battle brave. - Nor was Beowulf there;
another house had been held apart,
after giving of gold, for the Geat renowned. Uproar filled Heorot; the hand all had viewed,
blood-flecked, she bore with her; bale was returned,
dole in the dwellings: 'twas dire exchange
where Dane and Geat were doomed to give
the lives of loved ones. Long-tried king,
the hoary hero, at heart was sad
when he knew his noble no more lived,
and dead indeed was his dearest thane.
To his bower was Beowulf brought in haste,
dauntless victor. As daylight broke,
along with his earls the atheling lord,
with his clansmen, came where the king abode
waiting to see if the Wielder-of-All
would turn this tale of trouble and woe.
Strode o'er floor the famed-in-strife,
with his hand-companions, - the hall resounded, wishing to greet the wise old king,
Ingwines' lord; he asked if the night
had passed in peace to the prince's mind.
XX
HROTHGAR spake, helmet-of-Scyldings:'Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
79
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here [2] and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
80
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back.'
XXI
BEOWULF spake, bairn of Ecgtheow:
'Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her - heed my promise! enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one.'
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he [1] fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
81
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness such as oft essay at hour of morn
on the road-of-sails their ruthless quest, and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
'Hrunting' they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
82
on paths of peril prepared to go
to folkstead [2] of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
XXII
BEOWULF spake, bairn of Ecgtheow:'Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me.'
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
83
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle [1] was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
84
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself,
hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. - On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
XXIII
'MID the battle-gear saw he a blade triumphant,
old-sword of Eotens, with edge of proof,
warriors' heirloom, weapon unmatched,
- save only 'twas more than other men
to bandy-of-battle could bear at all as the giants had wrought it, ready and keen.
Seized then its chain-hilt the Scyldings' chieftain,
bold and battle-grim, brandished the sword,
reckless of life, and so wrathfully smote
that it gripped her neck and grasped her hard,
her bone-rings breaking: the blade pierced through
that fated-one's flesh: to floor she sank.
Bloody the blade: he was blithe of his deed.
Then blazed forth light. 'Twas bright within
as when from the sky there shines unclouded
heaven's candle. The hall he scanned.
By the wall then went he; his weapon raised
high by its hilts the Hygelac-thane,
angry and eager. That edge was not useless
to the warrior now. He wished with speed
Grendel to guerdon for grim raids many,
for the war he waged on Western-Danes
oftener far than an only time,
when of Hrothgar's hearth-companions
he slew in slumber, in sleep devoured,
fifteen men of the folk of Danes,
85
and as many others outward bore,
his horrible prey. Well paid for that
the wrathful prince! For now prone he saw
Grendel stretched there, spent with war,
spoiled of life, so scathed had left him
Heorot's battle. The body sprang far
when after death it endured the blow,
sword-stroke savage, that severed its head.
Soon, [1] then, saw the sage companions
who waited with Hrothgar, watching the flood,
that the tossing waters turbid grew,
blood-stained the mere. Old men together,
hoary-haired, of the hero spake;
the warrior would not, they weened, again,
proud of conquest, come to seek
their mighty master. To many it seemed
the wolf-of-the-waves had won his life.
The ninth hour came. The noble Scyldings
left the headland; homeward went
the gold-friend of men. [2] But the guests sat on,
stared at the surges, sick in heart,
and wished, yet weened not, their winsome lord
again to see.
Now that sword began,
from blood of the fight, in battle-droppings,
war-blade, to wane: 'twas a wondrous thing
that all of it melted as ice is wont
when frosty fetters the Father loosens,
unwinds the wave-bonds, wielding all
seasons and times: the true God he!
Nor took from that dwelling the duke of the Geats
precious things, though a plenty he saw,
save only the head and that hilt withal
blazoned with jewels: the blade had melted,
burned was the bright sword, her blood was so hot,
so poisoned the hell-sprite who perished within there.
Soon he was swimming who safe saw in combat
downfall of demons; up-dove through the flood.
The clashing waters were cleansed now,
waste of waves, where the wandering fiend
her life-days left and this lapsing world.
Swam then to strand the sailors'-refuge,
86
sturdy-in-spirit, of sea-booty glad,
of burden brave he bore with him.
Went then to greet him, and God they thanked,
the thane-band choice of their chieftain blithe,
that safe and sound they could see him again.
Soon from the hardy one helmet and armor
deftly they doffed: now drowsed the mere,
water 'neath welkin, with war-blood stained.
Forth they fared by the footpaths thence,
merry at heart the highways measured,
well-known roads. Courageous men
carried the head from the cliff by the sea,
an arduous task for all the band,
the firm in fight, since four were needed
on the shaft-of-slaughter [4] strenuously
to bear to the gold-hall Grendel's head.
So presently to the palace there
foemen fearless, fourteen Geats,
marching came. Their master-of-clan
mighty amid them the meadow-ways trod.
Strode then within the sovran thane
fearless in fight, of fame renowned,
hardy hero, Hrothgar to greet.
And next by the hair into hall was borne
Grendel's head, where the henchmen were drinking,
an awe to clan and queen alike,
a monster of marvel: the men looked on.
XXIV
BEOWULF spake, bairn of Ecgtheow:'Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, - how oft He guides
87
the friendless wight! - and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then all burned, bright blade, when the
blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!'
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake - the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. - The wise-one spake,
son of Healfdene; silent were all:'Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, [1] that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
88
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised;
thou shalt prove a stay in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
the heart of the hero of high-born race, in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
89
XXV
'UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
at dawn of day, be dealt between us!'
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Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven [2]
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
'war-friend' winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
XXVI
BEOWULF spake, bairn of Ecgtheow:'Lo, we seafarers say our will,
far-come men, that we fain would seek
Hygelac now. We here have found
hosts to our heart: thou hast harbored us well.
If ever on earth I am able to win me
more of thy love, O lord of men,
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aught anew, than I now have done,
for work of war I am willing still!
If it come to me ever across the seas
that neighbor foemen annoy and fright thee, as they that hate thee erewhile have used, thousands then of thanes I shall bring,
heroes to help thee. Of Hygelac I know,
ward of his folk, that, though few his years,
the lord of the Geats will give me aid
by word and by work, that well I may serve thee,
wielding the war-wood to win thy triumph
and lending thee might when thou lackest men.
If thy Hrethric should come to court of Geats,
a sovran's son, he will surely there
find his friends. A far-off land
each man should visit who vaunts him brave.'
Him then answering, Hrothgar spake:'These words of thine the wisest God
sent to thy soul! No sager counsel
from so young in years e'er yet have I heard.
Thou art strong of main and in mind art wary,
art wise in words! I ween indeed
if ever it hap that Hrethel's heir
by spear be seized, by sword-grim battle,
by illness or iron, thine elder and lord,
people's leader, - and life be thine, no seemlier man will the Sea-Geats find
at all to choose for their chief and king,
for hoard-guard of heroes, if hold thou wilt
thy kinsman's kingdom! Thy keen mind pleases me
the longer the better, Beowulf loved!
Thou hast brought it about that both our peoples,
sons of the Geat and Spear-Dane folk,
shall have mutual peace, and from murderous strife,
such as once they waged, from war refrain.
Long as I rule this realm so wide,
let our hoards be common, let heroes with gold
each other greet o'er the gannet's-bath,
and the ringed-prow bear o'er rolling waves
tokens of love. I trow my landfolk
towards friend and foe are firmly joined,
and honor they keep in the olden way.'
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To him in the hall, then, Healfdene's son
gave treasures twelve, and the trust-of-earls
bade him fare with the gifts to his folk beloved,
hale to his home, and in haste return.
Then kissed the king of kin renowned,
Scyldings' chieftain, that choicest thane,
and fell on his neck. Fast flowed the tears
of the hoary-headed. Heavy with winters,
he had chances twain, but he clung to this, [1] that each should look on the other again,
and hear him in hall. Was this hero so dear to him.
his breast's wild billows he banned in vain;
safe in his soul a secret longing,
locked in his mind, for that loved man
burned in his blood. Then Beowulf strode,
glad of his gold-gifts, the grass-plot o'er,
warrior blithe. The wave-roamer bode
riding at anchor, its owner awaiting.
As they hastened onward, Hrothgar's gift
they lauded at length. - 'Twas a lord unpeered,
every way blameless, till age had broken
- it spareth no mortal - his splendid might.
XXVII
CAME now to ocean the ever-courageous
hardy henchmen, their harness bearing,
woven war-sarks. The warden marked,
trusty as ever, the earl's return.
From the height of the hill no hostile words
reached the guests as he rode to greet them;
but 'Welcome!' he called to that Weder clan
as the sheen-mailed spoilers to ship marched on.
Then on the strand, with steeds and treasure
and armor their roomy and ring-dight ship
was heavily laden: high its mast
rose over Hrothgar's hoarded gems.
A sword to the boat-guard Beowulf gave,
mounted with gold; on the mead-bench since
he was better esteemed, that blade possessing,
heirloom old. - Their ocean-keel boarding,
they drove through the deep, and Daneland left.
A sea-cloth was set, a sail with ropes,
93
firm to the mast; the flood-timbers moaned;
nor did wind over billows that wave-swimmer blow
across from her course. The craft sped on,
foam-necked it floated forth o'er the waves,
keel firm-bound over briny currents,
till they got them sight of the Geatish cliffs,
home-known headlands. High the boat,
stirred by winds, on the strand updrove.
Helpful at haven the harbor-guard stood,
who long already for loved companions
by the water had waited and watched afar.
He bound to the beach the broad-bosomed ship
with anchor-bands, lest ocean-billows
that trusty timber should tear away.
Then Beowulf bade them bear the treasure,
gold and jewels; no journey far
was it thence to go to the giver of rings,
Hygelac Hrethling: at home he dwelt
by the sea-wall close, himself and clan.
Haughty that house, a hero the king,
high the hall, and Hygd right young,
wise and wary, though winters few
in those fortress walls she had found a home,
Haereth's daughter. Nor humble her ways,
nor grudged she gifts to the Geatish men,
of precious treasure. Not Thryth's pride showed she,
folk-queen famed, or that fell deceit.
Was none so daring that durst make bold
(save her lord alone) of the liegemen dear
that lady full in the face to look,
but forged fetters he found his lot,
bonds of death! And brief the respite;
soon as they seized him, his sword-doom was spoken,
and the burnished blade a baleful murder
proclaimed and closed. No queenly way
for woman to practise, though peerless she,
that the weaver-of-peace [3] from warrior dear
by wrath and lying his life should reave!
But Hemming's kinsman hindered this. For over their ale men also told
that of these folk-horrors fewer she wrought,
onslaughts of evil, after she went,
94
gold-decked bride, to the brave young prince,
atheling haughty, and Offa's hall
o'er the fallow flood at her father's bidding
safely sought, where since she prospered,
royal, throned, rich in goods,
fain of the fair life fate had sent her,
and leal in love to the lord of warriors.
He, of all heroes I heard of ever
from sea to sea, of the sons of earth,
most excellent seemed. Hence Offa was praised
for his fighting and feeing by far-off men,
the spear-bold warrior; wisely he ruled
over his empire. Eomer woke to him,
help of heroes, Hemming's kinsman,
Grandson of Garmund, grim in war.
XXVIII
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
'What came of thy quest, my kinsman Beowulf,
95
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!'
Beowulf spake, the bairn of Ecgtheow:''Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! - But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
96
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair! [1]
'Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play [2]
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, [3] - he is stern of mood,
heavy at heart, - in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these:_Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel [4]
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
'So [5] I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. - But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
97
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him [6]
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
98
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters - 'tis widely known that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, - and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
XXXI
'So held this king to the customs old,
that I wanted for nought in the wage I gained,
the meed of my might; he made me gifts,
Healfdene's heir, for my own disposal.
Now to thee, my prince, I proffer them all,
gladly give them. Thy grace alone
can find me favor. Few indeed
have I of kinsmen, save, Hygelac, thee!'
Then he bade them bear him the boar-head standard,
the battle-helm high, and breastplate gray,
99
the splendid sword; then spake in form:'Me this war-gear the wise old prince,
Hrothgar, gave, and his hest he added,
that its story be straightway said to thee. A while it was held by Heorogar king,
for long time lord of the land of Scyldings;
yet not to his son the sovran left it,
to daring Heoroweard, - dear as he was to him,
his harness of battle. - Well hold thou it all!'
And I heard that soon passed o'er the path of this treasure, all apple-fallow, four
good steeds,
each like the others, arms and horses
he gave to the king. So should kinsmen be,
not weave one another the net of wiles,
or with deep-hid treachery death contrive
for neighbor and comrade. His nephew was ever
by hardy Hygelac held full dear,
and each kept watch o'er the other's weal.
I heard, too, the necklace to Hygd he presented,
wonder-wrought treasure, which Wealhtheow gave him
sovran's daughter: three steeds he added,
slender and saddle-gay. Since such gift
the gem gleamed bright on the breast of the queen.
Thus showed his strain the son of Ecgtheow
as a man remarked for mighty deeds
and acts of honor. At ale he slew not
comrade or kin; nor cruel his mood,
though of sons of earth his strength was greatest,
a glorious gift that God had sent
the splendid leader. Long was he spurned,
and worthless by Geatish warriors held;
him at mead the master-of-clans
failed full oft to favor at all.
Slack and shiftless the strong men deemed him,
profitless prince; but payment came,
to the warrior honored, for all his woes. Then the bulwark-of-earls [1] bade bring within,
hardy chieftain, Hrethel's heirloom
garnished with gold: no Geat e'er knew
in shape of a sword a statelier prize.
The brand he laid in Beowulf's lap;
and of hides assigned him seven thousand,
100
with house and high-seat. They held in common
land alike by their line of birth,
inheritance, home: but higher the king
because of his rule o'er the realm itself.
Now further it fell with the flight of years,
with harryings horrid, that Hygelac perished,
and Heardred, too, by hewing of swords
under the shield-wall slaughtered lay,
when him at the van of his victor-folk
sought hardy heroes, Heatho-Scilfings,
in arms o'erwhelming Hereric's nephew.
Then Beowulf came as king this broad
realm to wield; and he ruled it well
fifty winters, [4] a wise old prince,
warding his land, until One began
in the dark of night, a Dragon, to rage.
In the grave on the hill a hoard it guarded,
in the stone-barrow steep. A strait path reached it,
unknown to mortals. Some man, however,
came by chance that cave within
to the heathen hoard. [5] In hand he took
a golden goblet, nor gave he it back,
stole with it away, while the watcher slept,
by thievish wiles: for the warden's wrath
prince and people must pay betimes!
XXXII
THAT way he went with no will of his own,
in danger of life, to the dragon's hoard,
but for pressure of peril, some prince's thane.
He fled in fear the fatal scourge,
seeking shelter, a sinful man,
and entered in. At the awful sight
tottered that guest, and terror seized him;
yet the wretched fugitive rallied anon
from fright and fear ere he fled away,
and took the cup from that treasure-hoard.
Of such besides there was store enough,
heirlooms old, the earth below,
which some earl forgotten, in ancient years,
left the last of his lofty race,
heedfully there had hidden away,
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dearest treasure. For death of yore
had hurried all hence; and he alone
left to live, the last of the clan,
weeping his friends, yet wished to bide
warding the treasure, his one delight,
though brief his respite. The barrow, new-ready,
to strand and sea-waves stood anear,
hard by the headland, hidden and closed;
there laid within it his lordly heirlooms
and heaped hoard of heavy gold
that warden of rings. Few words he spake:
'Now hold thou, earth, since heroes may not,
what earls have owned! Lo, erst from thee
brave men brought it! But battle-death seized
and cruel killing my clansmen all,
robbed them of life and a liegeman's joys.
None have I left to lift the sword,
or to cleanse the carven cup of price,
beaker bright. My brave are gone.
And the helmet hard, all haughty with gold,
shall part from its plating. Polishers sleep
who could brighten and burnish the battle-mask;
and those weeds of war that were wont to brave
over bicker of shields the bite of steel
rust with their bearer. The ringed mail
fares not far with famous chieftain,
at side of hero! No harp's delight,
no glee-wood's gladness! No good hawk now
flies through the hall! Nor horses fleet
stamp in the burgstead! Battle and death
the flower of my race have reft away.'
Mournful of mood, thus he moaned his woe,
alone, for them all, and unblithe wept
by day and by night, till death's fell wave
o'erwhelmed his heart. His hoard-of-bliss
that old ill-doer open found,
who, blazing at twilight the barrows haunteth,
naked foe-dragon flying by night
folded in fire: the folk of earth
dread him sore. 'Tis his doom to seek
hoard in the graves, and heathen gold
to watch, many-wintered: nor wins he thereby!
102
Powerful this plague-of-the-people thus
held the house of the hoard in earth
three hundred winters; till One aroused
wrath in his breast, to the ruler bearing
that costly cup, and the king implored
for bond of peace. So the barrow was plundered,
borne off was booty. His boon was granted
that wretched man; and his ruler saw
first time what was fashioned in far-off days.
When the dragon awoke, new woe was kindled.
O'er the stone he snuffed. The stark-heart found
footprint of foe who so far had gone
in his hidden craft by the creature's head. So may the undoomed easily flee
evils and exile, if only he gain
the grace of The Wielder! - That warden of gold
o'er the ground went seeking, greedy to find
the man who wrought him such wrong in sleep.
Savage and burning, the barrow he circled
all without; nor was any there,
none in the waste…. Yet war he desired,
was eager for battle. The barrow he entered,
sought the cup, and discovered soon
that some one of mortals had searched his treasure,
his lordly gold. The guardian waited
ill-enduring till evening came;
boiling with wrath was the barrow's keeper,
and fain with flame the foe to pay
for the dear cup's loss. - Now day was fled
as the worm had wished. By its wall no more
was it glad to bide, but burning flew
folded in flame: a fearful beginning
for sons of the soil; and soon it came,
in the doom of their lord, to a dreadful end.
XXXIII
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
103
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron - the earl's commander a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. - Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of the hoard! Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
104
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras [2] haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. - Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. [3] Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. - A good king he!
XXXIV
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew. [1]
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
105
with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow:'Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
106
A feeless fight, [2] and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; [3] another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; [4] no harp resounds,
in the courts no wassail, as once was heard.
XXXV
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
107
for woful war ('tis widely known),
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, [1] with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he [2] gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me!'
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
108
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. [3] From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord!'
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, [4] for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
109
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved his breast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
XXXVI
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
110
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela. [1]
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. [2] So the worm found out
when once in fight the foes had met!
Wiglaf spake, - and his words were sage;
sad in spirit, he said to his comrades:'I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, - folk-defender
who hath got him glory greater than all men
111
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine! [3]
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!'
Through slaughter-reek strode he to succor his Chieftain,
his battle-helm bore, and brief words spake:'Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee.'
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board [4] to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
112
Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
XXXVII
'TWAS now, men say, in his sovran's need
that the earl made known his noble strain,
craft and keenness and courage enduring.
Heedless of harm, though his hand was burned,
hardy-hearted, he helped his kinsman.
A little lower the loathsome beast
he smote with sword; his steel drove in
bright and burnished; that blaze began
to lose and lessen. At last the king
wielded his wits again, war-knife drew,
a biting blade by his breastplate hanging,
and the Weders'-helm smote that worm asunder,
felled the foe, flung forth its life.
So had they killed it, kinsmen both,
athelings twain: thus an earl should be
in danger's day! - Of deeds of valor
this conqueror's-hour of the king was last,
of his work in the world. The wound began,
which that dragon-of-earth had erst inflicted,
to swell and smart; and soon he found
in his breast was boiling, baleful and deep,
pain of poison. The prince walked on,
wise in his thought, to the wall of rock;
then sat, and stared at the structure of giants,
where arch of stone and steadfast column
upheld forever that hall in earth.
Yet here must the hand of the henchman peerless
lave with water his winsome lord,
the king and conqueror covered with blood,
with struggle spent, and unspan his helmet.
Beowulf spake in spite of his hurt,
his mortal wound; full well he knew
his portion now was past and gone
of earthly bliss, and all had fled
113
of his file of days, and death was near:
'I would fain bestow on son of mine
this gear of war, were given me now
that any heir should after me come
of my proper blood. This people I ruled
fifty winters. No folk-king was there,
none at all, of the neighboring clans
who war would wage me with 'warriors'-friends' [1]
and threat me with horrors. At home I bided
what fate might come, and I cared for mine own;
feuds I sought not, nor falsely swore
ever on oath. For all these things,
though fatally wounded, fain am I!
From the Ruler-of-Man no wrath shall seize me,
when life from my frame must flee away,
for killing of kinsmen! Now quickly go
and gaze on that hoard 'neath the hoary rock,
Wiglaf loved, now the worm lies low,
sleeps, heart-sore, of his spoil bereaved.
And fare in haste. I would fain behold
the gorgeous heirlooms, golden store,
have joy in the jewels and gems, lay down
softlier for sight of this splendid hoard
my life and the lordship I long have held.'
XXXVIII
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, war-sick warrior, - woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, [1] saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. - Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -
114
His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. - The blade of his lord
- its edge was iron - had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. 'For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave.'
115
From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
'Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go.'
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
XXXIX
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
116
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. [2] Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, mournful he looked on those men unloved:'Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. - Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
117
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!'
XL
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little [1] kept back
of the tidings new, but told them all,
the herald that up the headland rode. 'Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: [2] no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch [3] keeps
o'er friend and foe. - Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. - The strife began
when hot on the Hugas [4] Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire [5] of Ohtere,
118
ancient and awful, gave answering blow;
the sea-king [6] he slew, and his spouse redeemed,
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
XLI
'THE bloody swath of Swedes and Geats
and the storm of their strife, were seen afar,
how folk against folk the fight had wakened.
The ancient king with his atheling band
sought his citadel, sorrowing much:
Ongentheow earl went up to his burg.
He had tested Hygelac's hardihood,
the proud one's prowess, would prove it no longer,
defied no more those fighting-wanderers
nor hoped from the seamen to save his hoard,
his bairn and his bride: so he bent him again,
old, to his earth-walls. Yet after him came
with slaughter for Swedes the standards of Hygelac
o'er peaceful plains in pride advancing,
till Hrethelings fought in the fenced town. [1]
Then Ongentheow with edge of sword,
the hoary-bearded, was held at bay,
and the folk-king there was forced to suffer
Eofor's anger. In ire, at the king
Wulf Wonreding with weapon struck;
and the chieftain's blood, for that blow, in streams
flowed 'neath his hair. No fear felt he,
stout old Scylfing, but straightway repaid
119
in better bargain that bitter stroke
and faced his foe with fell intent.
Nor swift enough was the son of Wonred
answer to render the aged chief;
too soon on his head the helm was cloven;
blood-bedecked he bowed to earth,
and fell adown; not doomed was he yet,
and well he waxed, though the wound was sore.
Then the hardy Hygelac-thane, [2]
when his brother fell, with broad brand smote,
giants' sword crashing through giants'-helm
across the shield-wall: sank the king,
his folk's old herdsman, fatally hurt.
There were many to bind the brother's wounds
and lift him, fast as fate allowed
his people to wield the place-of-war.
But Eofor took from Ongentheow,
earl from other, the iron-breastplate,
hard sword hilted, and helmet too,
and the hoar-chief's harness to Hygelac carried,
who took the trappings, and truly promised
rich fee 'mid folk, - and fulfilled it so.
For that grim strife gave the Geatish lord,
Hrethel's offspring, when home he came,
to Eofor and Wulf a wealth of treasure,
Each of them had a hundred thousand [3]
in land and linked rings; nor at less price reckoned
mid-earth men such mighty deeds!
And to Eofor he gave his only daughter
in pledge of grace, the pride of his home.
'Such is the feud, the foeman's rage,
death-hate of men: so I deem it sure
that the Swedish folk will seek us home
for this fall of their friends, the fighting-Scylfings,
when once they learn that our warrior leader
lifeless lies, who land and hoard
ever defended from all his foes,
furthered his folk's weal, finished his course
a hardy hero. - Now haste is best,
that we go to gaze on our Geatish lord,
and bear the bountiful breaker-of-rings
to the funeral pyre. No fragments merely
120
shall burn with the warrior. Wealth of jewels,
gold untold and gained in terror,
treasure at last with his life obtained,
all of that booty the brands shall take,
fire shall eat it. No earl must carry
memorial jewel. No maiden fair
shall wreathe her neck with noble ring:
nay, sad in spirit and shorn of her gold,
oft shall she pass o'er paths of exile
now our lord all laughter has laid aside,
all mirth and revel. Many a spear
morning-cold shall be clasped amain,
lifted aloft; nor shall lilt of harp
those warriors wake; but the wan-hued raven,
fain o'er the fallen, his feast shall praise
and boast to the eagle how bravely he ate
when he and the wolf were wasting the slain.'
So he told his sorrowful tidings,
and little [4] he lied, the loyal man
of word or of work. The warriors rose;
sad, they climbed to the Cliff-of-Eagles,
went, welling with tears, the wonder to view.
Found on the sand there, stretched at rest,
their lifeless lord, who had lavished rings
of old upon them. Ending-day
had dawned on the doughty-one; death had seized
in woful slaughter the Weders' king.
There saw they, besides, the strangest being,
loathsome, lying their leader near,
prone on the field. The fiery dragon,
fearful fiend, with flame was scorched.
Reckoned by feet, it was fifty measures
in length as it lay. Aloft erewhile
it had revelled by night, and anon come back,
seeking its den; now in death's sure clutch
it had come to the end of its earth-hall joys.
By it there stood the stoups and jars;
dishes lay there, and dear-decked swords
eaten with rust, as, on earth's lap resting,
a thousand winters they waited there.
For all that heritage huge, that gold
of bygone men, was bound by a spell, [5]
121
so the treasure-hall could be touched by none
of human kind, - save that Heaven's King,
God himself, might give whom he would,
Helper of Heroes, the hoard to open, even such a man as seemed to him meet.
XLII
A PERILOUS path, it proved, he [1] trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, [2] and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For [3] princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view. [4]
Wiglaf spake, the son of Weohstan:'At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. - This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
122
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, - the way I show you, where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
- man beloved - where long he shall bide
safe in the shelter of sovran God.'
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far - o'er the folk they ruled for the famed-one's funeral. ' Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb.'
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
123
Then the woven gold on a wain was laden countless quite! - and the king was borne,
hoary hero, to Hrones-Ness.
XLIII
THEN fashioned for him the folk of Geats
firm on the earth a funeral-pile,
and hung it with helmets and harness of war
and breastplates bright, as the boon he asked;
and they laid amid it the mighty chieftain,
heroes mourning their master dear.
Then on the hill that hugest of balefires
the warriors wakened. Wood-smoke rose
black over blaze, and blent was the roar
of flame with weeping (the wind was still),
till the fire had broken the frame of bones,
hot at the heart. In heavy mood
their misery moaned they, their master's death.
Wailing her woe, the widow [1] old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. - The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
124
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.
Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.
~ Charles Baudelaire,#NFDB
51 Poetry
27 Fiction
5 Mythology
4 Occultism
2 Philsophy
1 Yoga
1 Thelema
1 Philosophy
1 Mysticism
1 Alchemy
24 H P Lovecraft
10 Percy Bysshe Shelley
9 William Wordsworth
8 Robert Browning
5 Ovid
3 Walt Whitman
3 John Keats
3 Aleister Crowley
2 Sri Aurobindo
2 Ralph Waldo Emerson
2 Edgar Allan Poe
24 Lovecraft - Poems
10 Shelley - Poems
9 Wordsworth - Poems
8 Browning - Poems
5 Metamorphoses
3 Whitman - Poems
3 Keats - Poems
2 Savitri
2 Poe - Poems
2 Emerson - Poems
0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
The temple garden stands directly on the east bank of the Ganges. The northern section of the land and a portion to the east contain an orchard, flower gardens, and two small reservoirs. The southern section is paved with brick and mortar. The visitor arriving by boat ascends the steps of an imposing bathing-ghat which leads to the chandni, a roofed terrace, on either side of which stand in a row six temples of Siva. East of the terrace and the Siva temples is a large court, paved, rectangular in shape, and running north and south. Two temples stand in the centre of this court, the larger one, to the south and facing south, being dedicated to Kali, and the smaller one, facing the Ganges, to Radhakanta, that is, Krishna, the Consort of Radha. Nine domes with spires surmount the temple of Kali, and before it stands the spacious natmandir, or music hall, the terrace of which is sup- ported by stately pillars. At the northwest and southwest
corners of the temple compound are two nahabats, or music towers, from which music flows at different times of day, especially at sunup, noon, and sundown, when the worship is performed in the temples. Three sides of the paved courtyard — all except the west — are lined with rooms set apart for kitchens, store-rooms, dining-rooms, and quarters for the temple staff and guests. The chamber in the northwest angle, just beyond the last of the Siva temples, is of special interest to us; for here Sri Ramakrishna was to spend a considerable part of his life. To the west of this chamber is a semicircular porch overlooking the river. In front of the porch runs a foot-path, north and south, and beyond the path is a large garden and, below the garden, the Ganges. The orchard to the north of the buildings contains the Panchavati, the banyan, and the bel-tree, associated with Sri Ramakrishna's spiritual practices. Outside and to the north of the temple compound proper is the kuthi, or bungalow, used by members of Rani Rasmani's family visiting the garden. And north of the temple garden, separated from it by a high wall, is a powder-magazine belonging to the British Government.
0.00 - The Book of Lies Text, #The Book of Lies, #Aleister Crowley, #Philosophy
in the spire.
Death is the veil of Life, and Life of Death; for both
--
By "the wheel spinning in the spire" is meant the
manifestation of magical force, the spermatozoon in the
02.01 - The World-Stair, #Savitri, #Sri Aurobindo, #Integral Yoga
Its spire touches the apex of the world;
Mounting into great voiceless stillnesses
03.02 - The Adoration of the Divine Mother, #Savitri, #Sri Aurobindo, #Integral Yoga
His base was gathered to one pointing spire.
This was a seed cast into endless Time.
1.01 - The King of the Wood, #The Golden Bough, #James George Frazer, #Occultism
and lemons, with tall cypresses soaring like dark spires above the
garden of Hesperides, now clo the the strip of fertile shore at the
1.03 - BOOK THE THIRD, #Metamorphoses, #Ovid, #Poetry
spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
1.07 - TRUTH, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
Didst thou ever descry a glorious eternity in a winged moment of time? Didst thou ever see a bright infinite in the narrow point of an object? Then thou knowest what spirit means the spire-top, whither all things ascend harmoniously, where they meet and sit contented in an unfathomed Depth of Life.
Peter Sterry
1.08 - BOOK THE EIGHTH, #Metamorphoses, #Ovid, #Poetry
The gates with sculpture grac'd, the spires and tiles of gold.
Then thus the sire of Gods, with looks serene,
--
With glist'ning spires now seem'd an hissing snake,
The bold would tremble in his hands to take:
1.09 - BOOK THE NINTH, #Metamorphoses, #Ovid, #Poetry
Who, when I wreath'd in spires my body round,
Or show'd my forky tongue with hissing sound,
1.10 - BOOK THE TENTH, #Metamorphoses, #Ovid, #Poetry
'Till to the starry skies the spire ascends.
Apollo sad look'd on, and sighing, cry'd,
1.12 - BOOK THE TWELFTH, #Metamorphoses, #Ovid, #Poetry
But, as in spires he stood, he turn'd to stone:
The stony snake retain'd the figure still his own.
1.38 - Woman - Her Magical Formula, #Magick Without Tears, #Aleister Crowley, #Philosophy
The case is not wholly unlike that of a man on a mountain who should see two other peaks jutting up from a paten of cloud. Those tips give little indication of the great mass that supports each; both are equally of the one same planet; they are in fact identical save for the minute spire visible. Yet he, reconnoitering with intent to climb them observes closely only that function of each crag and icefall which is relevant to his plan to reach their summits. He also is of that One Quintessence; but he must fit himself adroitly to each successive incident of the respective Functions of these mountains if he is to make the contacts which will finally enable him to realize the Point-Events which he will summarize as "I climbed Mount Collon and the Aiguille de la Za."
I don't believe I can put it much better than that, and I'm too lazy to try; but I do want to emphasize that Weininger (in Sex and Character) merely scratched the surface. All of us, whether we are "full of strange oaths and bearded like the pard" or "in our hours of ease Uncertain, coy, and hard to please" do in every most minuscule sort of act exercise both the male and female functions almost equally; the determination is rarely more than a matter of a casting vote.
1.at - And Galahad fled along them bridge by bridge (from The Holy Grail), #unset, #Arthur C Clarke, #Fiction
Original Language English And Galahad fled along them bridge by bridge, And every bridge as quickly as he crost Sprang into fire and vanish'd, tho' I yearn'd To follow; and thrice above him all the heavens Open'd and blazed with thunder such as seem'd Shoutings of all the sons of God: and first At once I saw him far on the great Sea, In silver-shining armour starry-clear; And o'er his head the Holy Vessel hung Clothed in white samite or a luminous cloud. And with exceeding swiftness ran the boat, If boat it were -- I saw not whence it came. And when the heavens open'd and blazed again Roaring, I saw him like a silver star -- And had he set the sail, or had the boat Become a living creature clad with wings? And o'er his head the Holy Vessel hung Redder than any rose, a joy to me, For now I knew the veil had been withdrawn. Then in a moment when they blazed again Opening, I saw the least of little stars Down on the waste, and straight beyond the star I saw the spiritual city and all her spires And gateways in a glory like one pearl -- No larger, tho' the goal of all the saints -- Strike from the sea; and from the star there shot A rose-red sparkle to the city, and there Dwelt, and I knew it was the Holy Grail, Which never eyes on earth again shall see. [2490.jpg] -- from The Oxford Book of English Mystical Verse, Edited by D. H. S. Nicholson / Edited by A. H. E. Lee <
1f.lovecraft - At the Mountains of Madness, #Lovecraft - Poems, #unset, #Zen
these stark, nightmare spires marked the pylons of a frightful gateway
into forbidden spheres of dream, and complex gulfs of remote time,
--
and occasional needle-like spires in curious clusters of five. All of
these febrile structures seemed knit together by tubular bridges
--
spires, delicate finials on certain cone and pyramid apexes, and tiers
of thin, horizontal scalloped discs capping cylindrical shafts. This
--
needle-like spires along the upper rim. Most of the masonry had
obviously toppled outward rather than inwarda fortunate happening,
1f.lovecraft - The Case of Charles Dexter Ward, #Lovecraft - Poems, #unset, #Zen
could look dizzily out over all the clustered spires, domes, roofs, and
skyscraper summits of the lower town to the purple hills of the
--
bluff, decked with its two Georgian spires and crowned by the vast new
Christian Science dome as London is crowned by St. Pauls. He liked
--
the tall colonial spire of the First Baptist Church limned pink in the
magic evening light against the fresh springtime verdure of its
--
century and a half to harass Old Providence with her clustered spires
and domes?
1f.lovecraft - The Crawling Chaos, #Lovecraft - Poems, #unset, #Zen
Above the waves rose weedy, remembered spires. The moon laid pale
lilies of light on dead London, and Paris stood up from its damp grave
to be sanctified with star-dust. Then rose spires and monoliths that
were weedy but not remembered; terrible spires and monoliths of lands
that men never knew were lands.
1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
forgotten dreams; the spires of infamous Thalarion, that daemon-city of
a thousand wonders where the eidolon Lathi reigns; the charnal gardens
--
northward through the garden lands by Oukranos to the gilded spires of
Thran, where he might find a galleon bound over the Cerenerian Sea.
--
in the sunset the thousand gilded spires of Thran. Lofty beyond belief
are the alabaster walls of that incredible city, sloping inward toward
--
white beneath their golden spires, are loftier still; so that men on
the plain around see them soaring into the sky, sometimes shining
--
twilight float up from the river to the marvellous golden spires of
Thran. And just at the hour of dusk he came to the southern gate, and
--
against the north the bulbous domes and fantastic spires of the onyx
city. Rare and curious did that archaic city rise above its walls and
--
spires, and arabesqued roofs, were weird and beautiful beyond words;
and nothing was more splendid than the massive height of the great
--
towers and spires seen afar from Marbleheads pastures across the
harbour against the setting sun.
1f.lovecraft - The Festival, #Lovecraft - Poems, #unset, #Zen
ghostly spire.
There was an open space around the church; partly a churchyard with
1f.lovecraft - The Haunter of the Dark, #Lovecraft - Poems, #unset, #Zen
section, and that shimmering, spire-crowned mound in the distance whose
unknown streets and labyrinthine gables so potently provoked his fancy.
--
Now and then a battered church facade or crumbling spire came in sight,
but never the blackened pile that he sought. When he asked a shopkeeper
--
Then suddenly a black spire stood out against the cloudy sky on his
left, above the tiers of brown roofs lining the tangled southerly
--
gaunt, lone spire as never before. When a flock of them approached it,
he thought, they would wheel and scatter in panic confusionand he
--
into the hideous jutting spire. At the same time, however, he displays
the dangerous extent of his fascination, and admits a morbid
--
windowless spire, but when a reporter climbed up, opened the
horizontally sliding trap-door, and shot a feeble flashlight beam into
--
stare out of the west window at that far-off, spire-bristling mound
beyond the swirling smoke of the city. His entries dwell monotonously
1f.lovecraft - The Loved Dead, #Lovecraft - Poems, #unset, #Zen
austere, tapering spire like the spectral chieftain of a lemurian
horde. The air is heavy with the noxious odors of fungi and the scent
1f.lovecraft - The Moon-Bog, #Lovecraft - Poems, #unset, #Zen
antique spire, and far out across the brooding bog the remote olden
ruin on the islet gleaming white and spectral. Just as I dropped to
1f.lovecraft - The Mound, #Lovecraft - Poems, #unset, #Zen
spires and pinnacles which rose afar off across the plain and shimmered
flower-like and spectral in the coruscating blue light. At first
1f.lovecraft - The Music of Erich Zann, #Lovecraft - Poems, #unset, #Zen
and spires which must lie outspread there. Once I went up to the garret
during theatre hours, when Zann was away, but the door was locked.
1f.lovecraft - The Shadow over Innsmouth, #Lovecraft - Poems, #unset, #Zen
The ancient spires and roofs of decaying Innsmouth gleamed lovely and
ethereal in the magic yellow moonlight, and I thought of how they must
1f.lovecraft - The Silver Key, #Lovecraft - Poems, #unset, #Zen
galleys sail up the river Oukranos past the gilded spires of Thran, or
his elephant caravans tramp through perfumed jungles in Kled, where
--
valley, with the distant spires of Kingsport on the horizon, and hints
of the archaic, dream-laden sea in the farthest background.
1f.lovecraft - The Strange High House in the Mist, #Lovecraft - Poems, #unset, #Zen
and antique roofs and spires of Kingsport. Even Central Hill was a
dwarf from this height, and he could just make out the ancient
1f.lovecraft - The White Ship, #Lovecraft - Poems, #unset, #Zen
Zar, we beheld on the distant horizon ahead the spires of a mighty
city; and the bearded man said to me: This is Thalarion, the City of a
--
before. Into the sky the spires of its temples reached, so that no man
might behold their peaks; and far back beyond the horizon stretched the
1f.lovecraft - Through the Gates of the Silver Key, #Lovecraft - Poems, #unset, #Zen
ruin. At the sunset hour, when the distant spires of Kingsport gleamed
in the ruddy blaze, he took out the key and made the needed turnings
--
where galleys sail up the river Oukranos past the gilded spires of
Thran, and elephant caravans tramp through perfumed jungles in Kled
1f.lovecraft - Till A the Seas, #Lovecraft - Poems, #unset, #Zen
last Loton echoed only to the fitful falling of tottering spires and
crumbling domes.
1f.lovecraft - What the Moon Brings, #Lovecraft - Poems, #unset, #Zen
that light old spires that the waves almost uncovered, and white
columns gay with festoons of green seaweed. And knowing that to this
--
the spires, the towers, and the roofs of that dead, dripping city. And
as I watched, my nostrils tried to close against the perfume-conquering
1.jk - Endymion - Book I, #Keats - Poems, #John Keats, #Poetry
Thus ending, on the shrine he heap'd a spire
Of teeming sweets, enkindling sacred fire;
1.jk - The Cap And Bells; Or, The Jealousies - A Faery Tale .. Unfinished, #Keats - Poems, #John Keats, #Poetry
With rival clamours ring from every spire;
Cunningly-station'd music dies and swells
1.jk - To Charles Cowden Clarke, #Keats - Poems, #John Keats, #Poetry
Some weeks have pass'd since last I saw the spires
In lucent Thames reflected:warm desires
1.lovecraft - An Epistle To Rheinhart Kleiner, Esq., Poet-Laureate, And Author Of Another Endless Day, #Lovecraft - Poems, #unset, #Zen
O'er spire and peak diffuse th' expanding gleam
That gilds the grove, and sparkles on the stream.
--
Yon distant spires Ambition's limit show,
For who, here born, could farther wish to go?
1.lovecraft - Fungi From Yuggoth, #Lovecraft - Poems, #unset, #Zen
Of sunset spires and twilight woods that brood
Dim in the gulfs beyond this earth's precisions,
--
The spires and roofs are there - but look! The gloom
Sinks on dark lanes, as lightless as the tomb!
--
The winter sunset, flaming beyond spires
And chimneys half-detached from this dull sphere,
--
Around an ancient spire that once I knew.
Always perplexed I heard those far notes falling,
--
Forgotten lands with weedy spires of gold;
The ground was cleft, and mad auroras rolled
--
Till suddenly that black spire loomed ahead.
XXVI. The Familiars
--
It is in sunsets and strange city spires,
Old villages and woods and misty downs,
--
Over old roofs and past decaying spires
The harbour whistles chant all through the night;
1.lovecraft - Halloween In A Suburb, #Lovecraft - Poems, #unset, #Zen
And the leprous spires ascend;
For new and old alike in the fold
1.lovecraft - Providence, #Lovecraft - Poems, #unset, #Zen
The spires of Providence ascend
Against the ancient skies,
1.lovecraft - The Ancient Track, #Lovecraft - Poems, #unset, #Zen
Of distant spire and roofs would dawn
With ten more upward paces gone. . . .
1.lovecraft - The Peace Advocate, #Lovecraft - Poems, #unset, #Zen
Fells one arm'd brute for each fallen spire,
And in blood is born anew.
1.lovecraft - Waste Paper- A Poem Of Profound Insignificance, #Lovecraft - Poems, #unset, #Zen
Rose spires that reeked of nameless ills,
And ghastly shone upon the sight
1.pbs - Alastor - or, the Spirit of Solitude, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
1.pbs - A Summer Evening Churchyard - Lechlade, Gloucestershire, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Clothing in hues of heaven thy dim and distant spire,
Around whose lessening and invisible height
1.pbs - A Vision Of The Sea, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
In fountains spout oer it. In many a spire
The pyramid-billows with white points of brine
1.pbs - Fragments Of An Unfinished Drama, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Half open for it, trailing its quaint spires
Along the garden and across the lawn,
1.pbs - Lines Written Among The Euganean Hills, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Column, tower, and dome, and spire,
Shine like obelisks of fire,
1.pbs - Orpheus, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
--
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
1.pbs - Queen Mab - Part IV., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
So stainless that their white and glittering spires
Tinge not the moon's pure beam; yon castled steep
1.pbs - Revenge, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
The blue lightning gleamed oer the dark chapel spire,
And tinged were the storm clouds with sulphurous fire.
1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
The City's moonlit spires and myriad lamps,
Like stars in a sublunar sky did glow,
--
And to each spire far lessening in the sky
Bright pennons on the idle winds were hung;
--
The city's myriad spires of gold, almost
With human joy made mute society
--
Beneath whose spires, which swayed in the red flame,
Reclining, as they ate, of Liberty,
--
Still hung in many a hollow dome and spire
Above the towers, like night; beneath whose shade
1.poe - The City In The Sea, #Poe - Poems, #unset, #Zen
Up domes- up spires- up kingly halls-
Up fanes- up Babylon-like walls-
1.poe - The City Of Sin, #Poe - Poems, #unset, #Zen
Up domes up spires up kingly halls
Up fanes up Babylon-like walls
1.rb - Abt Vogler, #Browning - Poems, #Robert Browning, #Poetry
Outlining round and round Rome's dome from space to spire)
Up, the pinnacled glory reached, and the pride of my soul was in sight.
1.rb - Love Among The Ruins, #Browning - Poems, #Robert Browning, #Poetry
Where the domed and daring palace shot its spires
Up like fires
1.rb - Master Hugues Of Saxe-Gotha, #Browning - Poems, #Robert Browning, #Poetry
Supervise all betwixt pavement and spire,
Put rats and mice to the rout-
1.rb - Old Pictures In Florence, #Browning - Poems, #Robert Browning, #Poetry
Springs from its sleep, and up goes the spire
While ``God and the People'' plain for its motto,
1.rb - Paracelsus - Part I - Paracelsus Aspires, #Browning - Poems, #Robert Browning, #Poetry
How far was Wrzburg with its church and spire
And garden-walls and all things they contain,
1.rb - Paracelsus - Part IV - Paracelsus Aspires, #Browning - Poems, #Robert Browning, #Poetry
Lay hid; when suddenly its spires afar
Flashed through the circling clouds; you may conceive
1.rb - Paracelsus - Part V - Paracelsus Attains, #Browning - Poems, #Robert Browning, #Poetry
Dear Michal! See how bright St. Saviour's spire
Flames in the sunset; all its figures quaint
1.rb - Sordello - Book the Third, #Browning - Poems, #Robert Browning, #Poetry
"And dew, outlining the black cypress' spire
"She waits you at, Elys, who heard you first
1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
Giddy with day, to the topmost spire,
Which for a spike of tender green
--
Mounts through all the spires of form.
I saw the bud-crowned Spring go forth,
1.rwe - The Sphinx, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
She spired into a yellow flame;
She flowered in blossoms red;
1.wby - The Man Who Dreamed Of Faeryland, #Yeats - Poems, #William Butler Yeats, #Poetry
Did not the worms that spired about his bones
proclaim with that unwearied, reedy cry
1.whitman - Mannahatta, #Whitman - Poems, #unset, #Zen
tall and wonderful spires,
Rich, hemm'd thick all around with sailships and steamshipsan
--
city of spires and masts!
The city nested in bays! my city!
1.whitman - Song Of The Exposition, #Whitman - Poems, #unset, #Zen
Prouder than Milan's statued, spired Cathedral,
More picturesque than Rhenish castle-keeps,
1.whitman - When Lilacs Last in the Dooryard Bloomd, #Whitman - Poems, #unset, #Zen
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample landthe South and the North in the lightOhios shores, and flashing Missouri,
1.ww - A Whirl-Blast From Behind The Hill, #Wordsworth - Poems, #unset, #Zen
Of Moscow's glittering spires.
He sued:-heart-smitten by the wrong,
1.ww - Book Sixth [Cambridge and the Alps], #unset, #Arthur C Clarke, #Fiction
And each uprising or receding spire
Spake with a sense of peace, at intervals
1.ww - Book Third [Residence at Cambridge], #unset, #Arthur C Clarke, #Fiction
Upon the cypress spire in lonely thought
Might sit and sun himself.--Alas! Alas!
1.ww - Guilt And Sorrow, Or, Incidents Upon Salisbury Plain, #Wordsworth - Poems, #unset, #Zen
That inn he long had passed; the distant spire,
Which oft as he looked back had fixed his eye,
1.ww - Ruth, #Wordsworth - Poems, #unset, #Zen
The cypress and her spire;
--Of flowers that with one scarlet gleam
1.ww - Stray Pleasures, #Wordsworth - Poems, #unset, #Zen
In sight of the spires,
All alive with the fires
1.ww - The Excursion- II- Book First- The Wanderer, #Wordsworth - Poems, #unset, #Zen
Remote from view of city spire, or sound
Of minster clock! From that bleak tenement
1.ww - The Excursion- VII- Book Sixth- The Churchyard Among the Mountains, #Wordsworth - Poems, #unset, #Zen
And spires whose 'silent finger points to heaven;'
Nor wanting, at wide intervals, the bulk
2.02 - The Circle, #Liber ABA, #Aleister Crowley, #Philosophy
4:The centre of this circle is the centre of the Tau of ten squares which is in the midst, as shown in the illustration. The Tau and the circle together make one form of the Rosy Cross, the uniting of subject and object which is the Great Work, and which is symbolized sometimes as this cross and circle, sometimes as the Lingam-Yoni, sometimes as the Ankh or Crux Ansata, sometimes by the spire and Nave of a church or temple, and sometimes as a marriage feast, mystic marriage, spiritual marriage, "chymical nuptials," and in a hundred other ways. Whatever the form chosen , it is the symbol of the Great Work.
5:This place of his working therefore declares the nature and object of the Work. Those persons who have supposed that the use of these symbols implied worship of the generative organs, merely attributed to the sages of every time and country minds of a calibre equal to their own.
2.05 - The Tale of the Vampires Kingdom, #unset, #Arthur C Clarke, #Fiction
The King is an optimist by vocation: in his realm everything proceeds for the best, Coins circulate and are well invested, Cups of abundance are offered to the festive thirst of a prodigal custom, the Wheel of the great mechanism turns by its own power day and night, and there is a Justice stern and rational like that seen in its card with the set expression of a clerk behind her window. The city he has constructed is many-faceted like a crystal, or like the Ace of Cups, pierced by the cheese grater of the skyscrapers' windows, the pulleys of the elevators, auto-coronated by the superhighways, with lots of parking space, burrowed by the luminous anthill of the underground lines, a city whose spires dominate the clouds and whose miasmas' dark wings are buried in the bowels of the earth so as not to dull the view of the great panes of glass and the chromed metals.
The jester, on the other hand, every time he opens his mouth, between a gibe and a prank, sows doubts, denigrating rumors, anxieties, alarms: for him the great mechanism is driven by infernal beasts, and the black wings that sprout beneath the cup-city suggest a snare that threatens it from within. The King has to play along: does he not give the Fool a salary, deliberately to have himself contradicted and teased? It is an ancient and wise custom at courts for the Fool or Jester or Poet to perform his task of upsetting and deriding the values on which the sovereign bases his own rule, to show him that every straight line conceals a crooked obverse, every finished product a jumble of ill-fitting parts, every logical discourse a blah-blah-blah. And yet from time to time these cranks, wiles, quips, jests arouse a vague uneasiness in the King: this too is surely foreseen, actually guaranteed in the contract between King and Jester, and yet it is a little disturbing all the same, and not only because the only way to make the most of an uneasiness is to be uneasy, but precisely because the King really does become ill at ease.
IS - Chapter 1, #Invisible Cities, #Italo Calvino, #Fiction
one dirigible hovering among the city's spires, only
one tattoo artist arranging needles and inks and
The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
waited for some time hopefully for the erection of a tall spire at
Philadelphia, intending to fix a pointed rod on top of it, and so to
--
aside' from that wretched spire in Philadelphia, a pleasant childhood
memory rose like a bubble to the surface of his consciousness: drifting
--
thinking in habitual terms of tall spires, long iron rods, and perhaps the
Tower of Babel. But all these approaches proved impracticable, and the
--
eye-movements); a church spire seems to 'soar* upwards, a picture has
'movement' and 'balance*, and so on. Not only motions, but emotions
The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
Triangle about the middle, and his lofty head with ruddy locks, which floated upwards, spired
into a Pyramide; his Body was bored like a Sieve, and through these little holes, that served
--- Overview of noun spire
The noun spire has 1 sense (first 1 from tagged texts)
1. (4) steeple, spire ::: (a tall tower that forms the superstructure of a building (usually a church or temple) and that tapers to a point at the top)
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun spire
1 sense of spire
Sense 1
steeple, spire
=> tower
=> structure, construction
=> artifact, artefact
=> whole, unit
=> object, physical object
=> physical entity
=> entity
--- Hyponyms of noun spire
1 sense of spire
Sense 1
steeple, spire
=> pinnacle
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun spire
1 sense of spire
Sense 1
steeple, spire
=> tower
--- Coordinate Terms (sisters) of noun spire
1 sense of spire
Sense 1
steeple, spire
-> tower
=> barbican, barbacan
=> beacon, lighthouse, beacon light, pharos
=> bell tower
=> church tower
=> clock tower
HAS INSTANCE=> CN Tower
=> control tower
HAS INSTANCE=> Eiffel Tower
=> high-rise, tower block
=> minaret
=> mooring tower, mooring mast
=> pylon, power pylon
=> pylon
=> shot tower
=> silo
HAS INSTANCE=> Space Needle
=> steeple, spire
=> supporting tower
=> turret
=> watchtower
--- Grep of noun spire
spire
spirea
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https://www.goodreads.com/author/show/14183597.Matt_Spire
https://www.goodreads.com/author/show/16917879.Nafissa_Thompson_Spires
https://www.goodreads.com/author/show/17072713.D_A_Xiaolin_Spires
https://www.goodreads.com/author/show/423993.Petre_Ispirescu
https://www.goodreads.com/author/show/435179.Elizabeth_Spires
https://www.goodreads.com/author/show/755882.Ashley_Spires
https://www.goodreads.com/author/show/7828494.Inspire3_Publishing
Goodreads author - Philip_Spires
Goodreads author - Rebbeca_Spires
Goodreads author - Nafissa_Thompson_Spires
https://familypedia.wikia.org/wiki/File:Canterbury_Cathedral_-_Portal_Nave_Cross-spire.jpeg
https://religion.wikia.org/wiki/File:Canterbury_Cathedral_-_Portal_Nave_Cross-spire.jpeg
https://religion.wikia.org/wiki/Inspired_Songs
https://religion.wikia.org/wiki/Inspired_Version
https://religion.wikia.org/wiki/Shambhala_Buddhism#Shambhala_Inspired_Schools
http://starwars.wikia.com/wiki/Black_Spire_Outfitters
selforum - this is word at once inspired and
selforum - although sri aurobindo was inspired by
selforum - cause self and inspirer poetically
selforum - sri aurobindo illumined and inspired
dedroidify.blogspot - secret-teachers-inspire-me-to-dropkick
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/TheSpire
https://tvtropes.org/pmwiki/pmwiki.php/Creator/Aspire
https://tvtropes.org/pmwiki/pmwiki.php/Fr/InspireDeFaitsReels
https://tvtropes.org/pmwiki/pmwiki.php/Literature/BlackSpireReturnToAShatteredPlanet
https://tvtropes.org/pmwiki/pmwiki.php/Literature/StarWarsBlackSpire
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheCinderSpires
https://tvtropes.org/pmwiki/pmwiki.php/Main/ActorInspiredElement
https://tvtropes.org/pmwiki/pmwiki.php/Main/Archspire
https://tvtropes.org/pmwiki/pmwiki.php/Main/CrystalSpiresAndTogas
https://tvtropes.org/pmwiki/pmwiki.php/Main/InspiredBy
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/AnElderScrollsLegendBattlespire
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/BoxxyQuestTheShiftedSpires
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/SlayTheSpire
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheAnimatorSlayTheSpire
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheDarkSpire
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/VoyageInspiredByJulesVerne
https://tvtropes.org/pmwiki/pmwiki.php/YMMV/StarWarsBlackSpire
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/GlassSpires
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/InspiredBy9000
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SpireEater
https://en.wikiquote.org/wiki/Aspire
https://en.wikiquote.org/wiki/File:Artwork_showing_a_blurred_globe_and_other_celestial_bodies,_inspired_by_the_asteroid_belt_of_HD_69830.jpg
https://en.wikiquote.org/wiki/Inspire
https://en.wikiquote.org/wiki/Inspired
https://en.wikiquote.org/wiki/Inspires
https://en.wikiquote.org/wiki/Special:GlobalUsage/Artwork_showing_a_blurred_globe_and_other_celestial_bodies,_inspired_by_the_asteroid_belt_of_HD_69830.jpg
The Real Ghostbusters (1986 - 1991) - Inspired by the 1984 feature film, The further adventures of the Ghostbusters: Peter, Ray, Egon, Winston and Slimer as they seek to catch ghosts, protect New York City... and make money! They're ready to believe you!
Darkstalkers (1995 - 1995) - I know that this cartoon inspired by the capcom arcade game exist until I saw it in another website. It used to come on UPN in 1995 but I don't know what day,probably on the weekend, and the characters that were there I believe were Demitri, Morrigan, L.Rapter, Victor, Anakaris, Hsien-Ko, J.Talbain...
Beethoven (1994 - 1995) - Inspired by the spectactular Ivan Reitman films, it's the lovable St. Bernard and his friends as they cause trouble or mayhem around any house.
Baby Talk (1991 - 1992) - Ripped-of...I mean inspired by the hit movie "Look Who's Talking", this short-lived sitcom centers around the life and adventures of Mike...I mean..uh Mickey, a baby (voiced by Tony Danza) and his unwed working mom Mol...I mean, Maggie! George Clooney and later Scott Biao, played the John Travolta-t...
Touched by an Angel (1994 - 2003) - Angels are dispatched from heaven to inspire people who are at a crossroads in their lives. Monica, an angel who at times still needs some guidance with her earthly assignments, reports to Tess, her tough, wise, and always loving supervisor. Joining them is Andrew, who, in addition to his duties as...
Yogi's Space Race (1978 - 1979) - Yogi is back in this installment inspired by Star Wars and the Laff-a-Lympics. Yogi (minus Boo Boo) is joined by new characters: Scare Bear, Quack Up, Buford, Jabberjaw, Nugget Nose, Wendy, Rita, and a slasher of a pure/good/perfect guy named Captain Good who is really a front for a villian named...
Kid 'N Play (1990 - 1991) - Inspired by their movie House Party, hip-hop stars Kid 'N Play become cartoon characters on NBC's Saturday morning lineup.
Little Shop (1991 - 1991) - Inspired by the hit 1986 musical comedy "Little Shop of Horrors". Seymour and Audrey are teenagers and Mr. Mushnik is Audrey's father. Audrey II's lust for blood was replaced with a love for rap for the show. The story usually dealt with teen issues (dating, peer pressure, poularity, etc.)
Spaced (1999 - 2001) - Tim Bisley and Daisy Steiner are two London twenty-somethings who meet by chance in a cafe while both are flat-hunting. Despite barely knowing each other, they conspire to pose as a young professional couple in order to meet the requisites of an advertisement for a relatively cheap flat, which is ow...
Anna and the King (1972 - 1972) - A sitcom inspired by the story of Anna Leonwens, the British governess who went to Siam to teach the King's children. Yul Brenner stars reprising the role he made famous (The King, of course!)
Co-ed Fever (1979 - 1979) - Co-Ed Fever was one of a few shows that earned the dubious honor of being cancelled after just 1 episode. The show was supposedly inspired by the movie "National Lampoon's Animal House" in which it was a sitcom about a Women's college suddenly becoming co-ed.
Going Places (1990 - 1991) - This was a show inspired by a previous ABC sitcom known as Bosom Buddies. Both seasons had different premises. The first one was about four writers for a show called Here's Looking at You, a candid camera type program where real people were caught in their normal lives outside the work place. The...
New Game! (2016 - Current) - The main character Suzukaze Aoba graduates from high school and joins a game company. The person who made the game that Aoba loved as a grade-schooler just happens to be Aoba's senior at the company. The story follows girls who work and aspire at the Eaglejump company. (From season 1)
Femme Fatales (2011 - 2012) - An anthology TV series, inspired by the men's magazine of the same name, produced by and aired on Cinemax from 2011 to 2012.
Gundam Build Fighters (2013 - 2014) - Sei Iori is a Gunpla builder whose family runs a hobby shop in a small town. He aspires to be a Gunpla Battle champion like his father, but despite his exceptional building skills, he lacks the combat abilities to compete with other contestants. Then one day, he meets a mysterious boy named Reiji, w...
My Friends Tigger & Pooh (2007 - 2011) - My Friends Tigger & Pooh Is an computer animated interactive children's television series inspired by Winnie-the-Pooh by A. A. Milne. The television series features Winnie-the-Pooh and his friends, including two new characters: a brave 6-year-old red-headed girl named Darby and her dog Buster. Altho...
Ellougik Essiyasi (2011 - Current) - or The political logic (Tunisian arabic : ) is a Tunisian satirical latex puppet show broadcast on Ettounisya TV. It's inspired by the French show Les guignols de l'info and presented by Taoufik LabidiUnder the regime of Zine el Abidine Ben Ali, the show is broadcast under another nam...
Kick Buttowski: Suburban Daredevil (2010 - 2012) - an American animated television series created and executive produced by animator Sandro Corsaro, about a young boy named Clarence Francis "Kick" Buttowski (Charlie Schlatter), who aspires to become the world's greatest daredevil. It became the fourth Disney XD original series and the first such ani...
Phantom Blood / Battle Tendency (2012 - 2013) - In 1868, Dario Brando saves the life of an English nobleman, George Joestar. By taking in Dario's son Dio when the boy becomes fatherless, George hopes to repay the debt he owes to his savior. However Dio, unsatisfied with his station in life, aspires to seize the Joestar house for his own. Wielding...
Tales of Eternia (2001 - Current) - A 13 episode anime series produced and animated by Xebec also called Tales of Eternia was inspired by the game; the series originally ran on Japanese television from 8 January 2001 to 26 March 2001. Tales of Eternia was licensed by Media Blasters on 6 July 2002 for North American distribution, but t...
Princess tutu (2002 - 2003) - is a Japanese magical girl anime series created by Ikuko Itoh in 2002 for animation studio Hal Film Maker. Inspired by ballet and fairy tales, particularly The Ugly Duckling and Swan Lake,nce there was a writer named Drosselmeyer, who had the power to make his stories come to life. But he died befor...
Relic Hunter (1999 - 2002) - Relic Hunter is an anglophone Canadian television series, starring Tia Carrere and Christien Anholt. Actress Lindy Booth also starred for the first two seasons; Tanja Reichert replaced her for the third. It was inspired by the success of the video game Tomb Raider.
The Real World (1992 - Current) - The Real World is a reality television program on MTV originally produced by Jonathan Murray and the late Mary-Ellis Bunim. First broadcast in 1992, the show, which was inspired by the 1973 PBS documentary series An American Family, is the longest-running program in MTV history and one of the longes...
Teamo Supremo (2002 - 2004) - Teamo Supremo is an animated television series created by Disney. Animated in the limited animation style pioneered by Jay Ward, predecessors which inspired its style, it tells of three superhero kids: Captain Crandall, Skate Lad, and Rope Girl. These three protect their state from all sorts of supe...
The MTV Basement Tapes (1983 - 1986) - Bands that aspired to success sent in music videos, and MTV viewers voted on which ones would be successful. Martha Quinn was the host.
CSI: Miami (2002 - 2012) - Inspired by the top-rated series "CSI: Crime Scene Investigation," CSI: MIAMI is a drama that follows a South Florida team of forensic investigators who use both cutting-edge scientific methods and old-fashioned police work to solve crimes. Some of the more notable characters include A top-ranked fo...
Golden Wind (Vento Aureo) (2018 - 2019) - In the coastal city of Naples, corruption is teemingthe police blatantly conspire with outlaws, drugs run rampant around the youth, and the mafia governs the streets with an iron fist. However, various fateful encounters will soon occur.
Simsala Grimm (1999 - 2010) - In each episode of this German animated series, one of the famous Classical fairy tales of the brothers Grimm is told in the magical land of Simsala. The local characters Doc Croc and Yoyo move between the story-teller and the episode cast, which they tend to help or at least inspire.
Castlevania (2017 - Current) - Inspired by the popular video game series, this anime series is a dark medieval fantasy. It follows the last surviving member of the disgraced Belmont clan, Trevor Belmont, trying to save Eastern Europe from extinction at the hands of Vlad Dracula Tepes. As Dracula and his legion of vampires prepare...
Monster High (2010 - 2015) - The original Monster High dolls were created by Garrett Sander, with illustrations by Kellee Riley and illustrator Glen Hanson. The characters are inspired by monster movies, sci-fi horror, thriller fiction, and various other creatures.
Street Fighter(1994) - Inspired by the popular Capcom video game, A.N. Forces Col. Guile and other fighters from around the world rescue 65 hostages and save the world from the clutches of the evil dictator M. Bison who is bent on worl
Detroit Rock City(1999) - Four members of a high school band called Mystery do everything they can to attend a KISS concert in Detroit. In order to make it to the show they must steal, cheat, strip, deal with an anti-rock mom, and generally do whatever it takes to see the band that has inspired them to be musicians. It plays...
The Pebble and the Penguin(1995) - This heartwarming animated tale, reportedly inspired by a National Geographic documentary, follows the exploits of a shy penguin, Hubie, who is hopelessly enamored with Marina, but must compete with the ultra macho, puffed up Drake, who wants her to be his life mate. In order to win her, one of them...
M.A.S.H.(1970) - The movie that more or less inspired the the hit TV show (even though some folk don't want to admit it). This dark comedy set during the Korean War (though that is never mentioned) told the story of the series off-kilter wacky happenings at the 4077th M*A*S*H unit.This movie follows the antics of Ha...
Summer School(1987) - A high-school gym teacher has big plans for the summer, but is forced to cancel them to teach a "bonehead" English class for misfit goof-off students. Fortunately, his unconventional brand of teaching fun field trips begins to connect with them, and even inspires ardor i
The Muse(1999) - When a struggling screenwriter (Albert Brooks) hits rock bottom, he's introduced to Sarah (Sharon Stone), a supposed daughter of Zeus and a muse of the arts who promises to help inspire him. However he soon finds that inspiration doesn't come easy as Sarah moves in with him and his family.
Silent Running(1972) - A young botanist living on a space station in the not to distant future attempts to save the last remaining plant life from Earth with the help of some robots. This movie inspired both "Star Wars" and "Mystery Science Theater 3000"
Battle Arena Toshinden(1997) - While many American films inspire video games and other merchandise, this animated feature, like many from Japan, is based on the popular series of video games called Battle Arena Toshinden. Because the Toshinden video game is essentially a martial-arts fighting game in the tradition of Street Fight...
Wrongfully Accused(1998) - Pat Proft directed this satire on The Fugitive with a plot parody of the 1993 Harrison Ford movie, which in turn was inspired by the 1963-67 ABC television series with David Janssen. Violinist Ryan Harrison (Leslie Nielsen) romances the wife (Kelly Le Brock) of his benefactor (Michael York), a man m...
Metropolis(1927) - In 1927, noted director Fritz Lang created a film masterpiece titled "METROPOLIS", a silent science fiction film with a film budget of $200 Million, having being shot and filmed for 2 years, and the film became a major classic among motion pictures. The film inspired many films, including STAR WARS...
American Anthem(1986) - Former athlete Steve Tevere (Mitch Gaylord) has exited the gymnastics world in favor of working at his dad's auto store. The arrival of a young female gymnast named Julie Lloyd (Janet Jones) inspires him to enter the game again, this time aiming for the U.S Olympic trials as well as trying to gain J...
Bad Boys(1983) - Mick O'Brien (Sean Penn) is a 16-year-old Irish hood from Chicago. While most of Mick's crimes involve snatching purses, vandalism, and getting into brawls, he aspires to bigger and better things, which leads him to attempt ripping off a rival hood, Paco Moreno (Esai Morales). Everything goes wrong:...
Star 80(1983) - Based on a true story, this is the tale of ill-fated Playboy Playmate Dorothy Stratten (Mariel Hemingway) and her relationship with the abusive Paul Snider (Eric Roberts), who both launches her career and aspires to keep her from branching out to do things herself, ending in a murder-suicide.
Gui da gui(1980) - This is a funny and inventive movie. its plot centers around a fat feudal peon named Couragous Cheung (Sammo). He has a reputation for never turning down a bet for money, no matter how foolish. The problem is that his wife is cheating on him with his master. His wife and and master conspire to have...
Bates Motel(1987) - An NBC Original Movie, inspired by Robert Bloch's novel "Psycho", that was intended as a pilot for the anthology series. After the death of PSYCHO's Norman Bates, his motel is left in the care of fellow mental patient Alex (Bud Cort, HAROLD AND MAUDE). Alex gets released from the institution and de...
Bongwater(1997) - Oregon pot dealer David (Luke Wilson) is perfectly happy with his uninspired artwork and sonambulstic slacker life. Along wih his layabout gay friends Tony (Andy Dick) and Robert (Jeremy Sisto) David seems to have no worries as long as the marijuana crop keeps coming in. But a social hitchhike...
The Gumball Rally(1976) - The Gumball Rally is a 1976 film about a coast-to-coast road race. It was inspired by the actual Cannonball Baker Sea-To-Shining-Sea Memorial Trophy Dash run held by Brock Yates that inspired several other movies, like Cannonball with David Carradine, also from 1976. The main difference is while Can...
Velvet Goldmine(1998) - In 1971, Glamrock explodes all over the world and challanges the seriousness within the flowerpower generation by means of glitter and brutal music. Brian Slade, a young rockstar, inspires numerous teenage boys and girls to paint their nails and explore their own sexuality. In the end Slade destroys...
Matinee(1993) - John Goodman's full-throttle performance as a William Castle-inspired schlockmeister propels Joe Dante's delightful and charming comedy Matinee. The film takes place during the November 1962 Cuban Missile Crisis, a time when America's innocence began to crumble. Goodman plays film producer Lawrence...
Stop Making Sense(1984) - This movie depicts a series of concerts that was used to promote the Talking Heads album "Speaking In Tongues". The songs that the group sang were combined with odd dancing, cool sets and peculiar visual ideas inspired by everything from Fred Astaire movies to Kabuki. This movie has oft-times been p...
Black Sunday(1977) - Robert Shaw,Bruce Dern,Marthe Keller,and Fritz Weaver,starred in this 1977 action film.Michael Lander(Dern) is a blimp pilot,and a former Vietnam, prisoner of war.Having suffered a great deal of mental anguish,Lander conspires with a Palestianian terrorist group,to coordinate a terror attack,during"...
Black Caesar(1973) - Tommy Gibbs is a tough kid, raised in the ghetto, who aspires to be a kingpin criminal. As a young boy, his leg is broken by a bad cop on the take, during a payoff gone bad. Nursing his vengeance, he rises to power in Harlem, New York. Angry at the prejudiced society around him, both criminal and st...
The Day Dreamer(1966) - A Rankin/Bass Prods. An Avco Embassey Pictures Release. This live action/puppet animated musical fantasy tells the story of 12 year old Hans Christian Andersen and his search for the "Tree of Knowledge"and meeting the characters that inspired his famed stories.
Osamu Tezuka's Metropolis(2001) - Metropolis ( Metoroporisu) is a 2001 anime film loosely based on the 1949 Metropolis manga created by Osamu Tezuka, itself inspired by the 1927 German silent film (was directed by Fritz Lang) of the same name, though the two do not share plot elements. The anime, however, does draw aspects of...
The Ghost and Mr.Chicken(1966) - A clumsy newspaper typesetter(Don Knotts),who aspires to be a reporter,spends the night in a haunted mansion.
A Walk to Remember(2002) - Inspired by the best-selling novel of the same name by Nicholas Sparks, "A Walk to Remember" tells the story of a preacher's daughter, Jamie (Mandy Moore) and guileless rebel Landon (Shane West), whose worlds collide when, after an initiation gone wrong involving initiating a student into a clique,...
The Wizard of Oz in Concert: Dreams Come True(1995) - Inspired by the classic 1939 film, this concert was performed on stage by an all-star cast at the Lincoln Center in New York City to benefit the Children's Defens
Riding in Cars with Boys(2001) - Inspired by the true story of Beverly Donofrio who, in 1965, got pregnant at the age of 15 derailing her dreams of becoming a writer. Entering into the marriage with little optimism (and to the shaming dismay of her parents), Beverly continues her education while being a wife to her dim-witted husb...
The Transporter(2002) - The Transporter (French: Le Transporteur) is a 2002 French action thriller film directed by Louis Leterrier and Corey Yuen and written by Luc Besson, who was inspired by BMW Films' The Hir
Need for Speed(2014) - A mechanic who moonlights as an underground race-car driver strives to take the top prize in America's most prominent street race in order to have his revenge against the ambitious ex-NASCAR champ who had him framed and sent to prison. Inspired by the popular video-game franchise of the same name, "...
Men of Honor(2000) - Men of Honor (released in the UK and Ireland as Men of Honour) is a 2000 drama film, starring Robert De Niro and Cuba Gooding Jr. The film was directed by George Tillman, Jr. It is inspired by the true story of Master chief petty officer Carl Brashear, the first African American master diver in the...
For Richer, For Poorer(1992) - Fresh out of a college, a young man lazes about his family's estate, which irritates his father, a self-made millionaire who hatches a bankruptcy plan that he hopes will inspire his son to get a job.
Solemn Camel Crew(2002) - Music Inspired by 80's video games
Diabolique(1955) - The wife of a cruel headmaster and his mistress conspire to kill him, but after the murder is committed, his body disappears, and strange events begin to plague the two women.
The Psychic(1977) - A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth about who the person was and who put her there. Soon enough, she starts to realize the possibility that she may sha...
The Arena(1974) - Female gladiators fight to the death. Inspired by the story of Spartacus, follow the adventures of a bevy of slave girls who, upon finding themselves thrust into the gladiator ring, mount a vicious rebellion to fight their way to freedom.
Georgia(1995) - This is the story of two sisters -- one talented and the other passionate -- and the rivalry that binds them together. Georgia is a gifted, well-adjusted and successful folk singer who is also happily married with children. Her younger sister Sadie is a punk rocking rebel who aspires to stardom but...
Identity(2003) - Identity is a 2003 American psychological horror-mystery film, directed by James Mangold and written by Michael Cooney. The film stars John Cusack, Ray Liotta, Amanda Peet, Alfred Molina, Clea DuVall and Rebecca DeMornay. The plot was inspired by Agatha Christie's novel And Then There Were None....
Speed Racer (2008)(2008) - A young driver, Speed Racer, aspires to be champion of the racing world with the help of his family and his high-tech Mach 5 automobile.
Papillon(1973) - A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.
Dr. Dolittle(1998) - Dr. Dolittle is a 1998 American family comedy film starring Eddie Murphy as a doctor who discovers that he has the ability to talk to (and understand) animals. The film was inspired by the series of children's stories of the same name, but used no material from any of the novels; the main connection...
Breakin' All The Rules(2004) - Inspired by his fiance (who dumped him), a man publishes a break-up handbook for men, becoming a bestselling author in the process.
Birdemic: Shock & Terror(2008) - Birdemic: Shock and Terror (often shortened to Birdemic) is a 2008 independent romantic horror film written, directed, and produced by James Nguyen. The leading cast is made up of Alan Bagh and Whitney Moore. Inspired by Alfred Hitchcock's The Birds, Birdemic tells the story of a romance between the...
The Business of Being Born(2008) - Inspired by their own unique birthing experiences, executive producer Ricki Lake and director Abby Epstein team up for this documentary that provides a nation of mothers-to-be with insight into the process of childbirth and the various options available when preparing for the miraculous event of lif...
The Perfect Mother(1997) - After being set up on a blind date by their mothers, John and Kathryn fall love and soon marry. But their fairy tale life takes a fearful turn when John's meddling mother Eleni goes to extreme measures to protect her son, grandson, and family...even if she has to kill her daughter-in-law. Inspired b...
House Of The Dead(2002) - A group of teens arrive on an island for a rave--only to discover the island has been taken over by zombies. The group takes refuge in a house where they try to survive the night. Inspired by Sega's video game franchise.
Dracula Vs. Frankenstein(1971) - Dracula conspires with a mad doctor to resurrect the Frankenstein Monster.
Beer League(2006) - An unemployed slacker inspires his softball teammates to improve their game so they won't get kicked out of the local league.
Saving Silverman(2001) - A pair of buddies conspire to save their best friend from marrying the wrong woman.
Redbelt(2008) - A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition.
Ever After(1998) - Ever After (known in promotional material as Ever After: A Cinderella Story) is a 1998 American romantic drama film inspired by the fairy tale Cinderella. It was directed by Andy Tennant and stars Drew Barrymore, Anjelica Huston, Dougray Scott, and Jeanne Moreau. The screenplay is written by Tennant...
Diary of a Mad Black Woman(2005) - Diary of a Mad Black Woman is a 2005 romantic comedy-drama film written by and starring Tyler Perry, which was inspired by the play of the same name. In this film a couple's seemingly solid marriage begins to crumble when the wife discovers that her husband intends to divorce her.
How to Train Your Dragon(2010) - In a mythical Viking world a young Viking teenager named Hiccup aspires to follow his tribe's tradition of becoming a dragon slayer. After finally capturing his first dragon, a Night Fury, and with his chance at last of gaining the tribe's acceptance, he finds that he no longer wants to kill the dra...
The Wind Rises(2013) - A lifelong love of flight inspires Japanese aviation engineer Jiro Horikoshi (Hideaki Anno, creator of Neon Genesis Evangelion and director of Shin Godzilla), whose storied career includes the creation of the A6M World War II fighter plane.
The Rookie(2002) - A dramatic Baseball movie inspired by the true story.
Crazy Heart(2009) - A faded country music musician is forced to reassess his dysfunctional life during a doomed romance that also inspires him.
North Country(2005) - Inspired by a true story, as depicted on a book, this drama is Directed by Niki Carlo ("Whale Rider").
Our Friend, Martin(1998) - DIC Entertainment has crafted Martin Luther King in animation for black (& white) people with real-life-inspired time-travel elements, Motown recording artists and archival footage of the real Dr. King (including his "I Have a Dream" speech).
X-Men: Days of Future Past(2014) - The second story in the reboot timeline, inspired by the 1981 Uncanny X-Men storyline "Days of Future Past" by Chris Claremont and John Byrne, focuses on two time periods, with Logan traveling back in time to 1973 to change history and prevent an event that results in doom for both humans and mutant...
Journey to the West(2014) - Journey to the West is a 2014 French-Taiwanese film directed by Tsai Ming-liang. The title is inspired by the 16th century Chinese literary classic of the same name. It had its world premiere at the Panorama section of the 64th Berlin International Film Festival in February 2014.
1922 (2017) ::: 6.3/10 -- TV-MA | 1h 42min | Crime, Drama, Horror | 20 October 2017 (USA) -- A simple yet proud farmer in the year 1922 conspires to murder his wife for financial gain, convincing his teenage son to assist. But their actions have unintended consequences. Director: Zak Hilditch Writers:
3 Idiots (2009) ::: 8.4/10 -- PG-13 | 2h 50min | Comedy, Drama | 25 December 2009 (India) -- Two friends are searching for their long lost companion. They revisit their college days and recall the memories of their friend who inspired them to think differently, even as the rest of the world called them "idiots". Director: Rajkumar Hirani Writers:
50/50 (2011) ::: 7.6/10 -- R | 1h 40min | Comedy, Drama, Romance | 30 September 2011 (USA) -- Inspired by a true story, a comedy centered on a 27-year-old guy who learns of his cancer diagnosis and his subsequent struggle to beat the disease. Director: Jonathan Levine Writer:
A Man Called Horse (1970) ::: 6.9/10 -- R | 1h 54min | Adventure, Drama, Western | 1 May 1970 (USA) -- In 1825, an English aristocrat is captured by Native Americans. He lives with them and begins to understand their way of life. Eventually, he is accepted as part of the tribe and aspires to become their leader. Director: Elliot Silverstein Writers: Jack DeWitt (screenplay) (as Jack De Witt), Dorothy M. Johnson (story) | 1 more credit
American Gangster (2007) ::: 7.8/10 -- R | 2h 37min | Biography, Crime, Drama | 2 November 2007 (USA) -- An outcast New York City cop is charged with bringing down Harlem drug lord Frank Lucas, whose real life inspired this partly biographical film. Director: Ridley Scott Writers:
Babylon 5: In the Beginning (1998) ::: 7.7/10 -- Unrated | 1h 34min | Action, Adventure, Drama | TV Movie 4 January 1998 -- Emperor Londo Mollari of the Centauri Republic tells the story of the Earth-Minbari War that almost destroyed humanity and later inspired its last best, hope for peace. Director: Michael Vejar Writers: J. Michael Straczynski (creator), J. Michael Straczynski Stars:
Beyond a Reasonable Doubt (1956) ::: 7.0/10 -- Not Rated | 1h 20min | Crime, Drama, Film-Noir | November 1956 (UK) -- A novelist aided by his future father-in-law conspires to frame himself for the murder of a burlesque dancer as part of an effort to ban capital punishment. Director: Fritz Lang Writer:
Bilal: A New Breed of Hero (2015) ::: 7.9/10 -- PG-13 | 1h 45min | Animation, Action, Adventure | 2 February 2018 (USA) -- A thousand years ago, one boy with a dream of becoming a great warrior is abducted with his sister and taken to a land far away from home. Thrown into a world where greed and injustice rule all, Bilal finds the courage to raise his voice and make a change. Inspired by true events, this is a story of a real hero who earned his remembrance in time and history. Directors: Khurram H. Alavi, Ayman Jamal
Black Narcissus (1947) ::: 7.8/10 -- Not Rated | 1h 41min | Drama | December 1947 (USA) -- A group of nuns struggle to establish a convent in the Himalayas, while isolation, extreme weather, altitude, and culture clashes all conspire to drive the well-intentioned missionaries mad. Directors: Michael Powell, Emeric Pressburger Writers:
Boogie Nights (1997) ::: 7.9/10 -- R | 2h 35min | Drama | 31 October 1997 (USA) -- Back when sex was safe, pleasure was a business and business was booming, an idealistic porn producer aspires to elevate his craft to an art when he discovers a hot young talent. Director: Paul Thomas Anderson Writer:
Brother (2000) ::: 7.1/10 -- R | 1h 54min | Crime, Drama, Thriller | 27 January 2001 (Japan) -- A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence. Director: Takeshi Kitano Writer:
Brother (2000) ::: 7.1/10 -- R | 1h 54min | Crime, Drama, Thriller | 27 January 2001 (Japan) -- A Japanese gangster is exiled to Los Angeles where his brother lives with a small but respectable multi-racial gang, who he inspires to expand their influence.
Bully (2001) ::: 6.9/10 -- R | 1h 48min | Biography, Crime, Drama | 1 January 2001 (Canada) -- A pack of nave teenagers conspire to murder a mutual friend, whose aggressive demeanor has proved too much. Director: Larry Clark
Bully (2001) ::: 6.9/10 -- R | 1h 48min | Biography, Crime, Drama | 1 January 2001 (Canada) -- A pack of nave teenagers conspire to murder a mutual friend, whose aggressive demeanor has proved too much. Director: Larry Clark Writers: Jim Schutze (book), David McKenna (screenplay) (as Zachary Long) | 1
Cheaters (2000) ::: 6.7/10 -- R | 1h 48min | Drama | TV Movie 20 May 2000 -- Eleven students conspire with their teacher to cheat on an academic competition. Director: John Stockwell Writer: John Stockwell
Cheaters (2000) ::: 6.7/10 -- R | 1h 48min | Drama | TV Movie 20 May 2000 -- Eleven students conspire with their teacher to cheat on an academic competition.
Chuck (2016) ::: 6.5/10 -- The Bleeder (original title) -- Chuck Poster -- A drama inspired by the life of heavyweight boxer Chuck Wepner, who had a once-in-a-lifetime bout with Muhammad Ali that would inspire the film Rocky (1976). Director: Philippe Falardeau Writers:
Cloud Atlas (2012) ::: 7.4/10 -- R | 2h 52min | Action, Drama, Mystery | 26 October 2012 (USA) -- An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution. Directors: Tom Tykwer, Lana Wachowski | 1 more credit Writers:
Cloud Atlas (2012) ::: 7.4/10 -- R | 2h 52min | Action, Drama, Mystery | 26 October 2012 (USA) -- An exploration of how the actions of individual lives impact one another in the past, present and future, as one soul is shaped from a killer into a hero, and an act of kindness ripples across centuries to inspire a revolution. Directors: Tom Tykwer, Lana Wachowski | 1 more credit Writers:
Crazy Heart (2009) ::: 7.2/10 -- R | 1h 52min | Drama, Music, Romance | 5 February 2010 (USA) -- A faded country music musician is forced to reassess his dysfunctional life during a doomed romance that also inspires him. Director: Scott Cooper Writers: Scott Cooper, Thomas Cobb (novel)
Creepshow (1982) ::: 6.9/10 -- R | 2h | Comedy, Fantasy, Horror | 12 November 1982 (USA) -- An anthology which tells five terrifying tales inspired by the E.C. horror comic books of the 1950s. Director: George A. Romero Writer: Stephen King (original screenplay by)
Criss Cross (1949) ::: 7.5/10 -- Not Rated | 1h 24min | Crime, Drama, Film-Noir | 4 February 1949 (USA) -- An armored truck driver and his ex-wife conspire with a gang to have his own truck robbed on the route. Director: Robert Siodmak Writers: Daniel Fuchs (screenplay), Don Tracy (novel)
Dreamer (2005) ::: 6.8/10 -- Dreamer: Inspired by a True Story (original title) -- Dreamer Poster -- Cale Crane catalyzes the rescue and rehabilitation of Sonador, a race horse with a broken leg. Director: John Gatins Writer:
Excalibur (1981) ::: 7.4/10 -- PG | 2h 20min | Adventure, Drama, Fantasy | 10 April 1981 (USA) -- Merlin the magician helps Arthur Pendragon unite the Britons around the Round Table of Camelot, even as dark forces conspire to tear it apart. Director: John Boorman Writers: Thomas Malory (book), Rospo Pallenberg (adaptation) | 2 more credits
Fastlane ::: TV-14 | 1h | Action, Comedy, Crime | TV Series (20022003) Two hotshot undercover cops and their equally tough female handler take down the highest and lowest criminals in L.A. in this pop-culture-heavy, dark, flashy, over-the-top action crime dramedy inspired by Bad Boys and Miami Vice. Creators: McG, John McNamara
Father Brown ::: TV-PG | 52min | Crime, Drama, Mystery | TV Series (2013 ) Series inspired by the stories of GK Chesterton; a Catholic priest has a knack for solving mysteries in his English village. Creators: Rachel Flowerday, Tahsin Guner Stars:
Field of Dreams (1989) ::: 7.5/10 -- PG | 1h 47min | Drama, Family, Fantasy | 5 May 1989 (USA) -- Iowa farmer Ray Kinsella is inspired by a voice he can't ignore to pursue a dream he can hardly believe. Supported by his wife, Ray begins the quest by turning his ordinary cornfield into a place where dreams can come true. Director: Phil Alden Robinson Writers:
Fifty Dead Men Walking (2008) ::: 6.9/10 -- R | 1h 57min | Crime, Drama, Thriller | 21 August 2009 (USA) -- Martin McGartland joins the I.R.A. and feeds information to Britain's Special Branch Agent Fergus. Director: Kari Skogland Writers: Martin McGartland (inspired by the book "Fifty Dead Man Walking"),
Finding Neverland (2004) ::: 7.6/10 -- PG | 1h 46min | Biography, Drama, Family | 17 December 2004 (USA) -- The story of Sir J.M. Barrie's friendship with a family who inspired him to create Peter Pan. Director: Marc Forster Writers: Allan Knee (play), David Magee (screenplay)
Force (2011) ::: 6.4/10 -- R | 2h 17min | Action, Crime, Drama | 30 September 2011 (India) -- A vengeful gangster targets and terrorizes an entire police unit and their families. Director: Nishikant Kamat Writer: Ritesh Shah (inspired from the Tamil film "Kaakha Kaakha")
Freedom Writers (2007) ::: 7.6/10 -- PG-13 | 2h 3min | Biography, Crime, Drama | 5 January 2007 (USA) -- A young teacher inspires her class of at-risk students to learn tolerance, apply themselves and pursue education beyond high school. Director: Richard LaGravenese Writers: Richard LaGravenese (screenplay), Freedom Writers (book) | 1 more
Hello, My Name Is Doris (2015) ::: 6.6/10 -- R | 1h 30min | Comedy, Drama, Romance | 1 April 2016 (USA) -- A self-help seminar inspires a sixty-something woman to romantically pursue her younger co-worker. Director: Michael Showalter Writers: Laura Terruso (screenplay), Michael Showalter (screenplay) | 1 more
Horrible Bosses (2011) ::: 6.9/10 -- R | 1h 38min | Comedy, Crime | 8 July 2011 (USA) -- Three friends conspire to murder their awful bosses when they realize they are standing in the way of their happiness. Director: Seth Gordon Writers: Michael Markowitz (screenplay), John Francis Daley (screenplay) | 2
How to Train Your Dragon (2010) ::: 8.1/10 -- PG | 1h 38min | Animation, Action, Adventure | 26 March 2010 (USA) -- A hapless young Viking who aspires to hunt dragons becomes the unlikely friend of a young dragon himself, and learns there may be more to the creatures than he assumed. Directors: Dean DeBlois, Chris Sanders Writers:
Hunter x Hunter ::: TV-14 | 24min | Animation, Action, Adventure | TV Series (2011-2014) Episode Guide 148 episodes Hunter x Hunter Poster -- Gon Freecss aspires to become a Hunter, an exceptional being capable of greatness. With his friends and his potential, he seeks for his father who left him when he was younger. Creator:
Hunter x Hunter ::: TV-14 | 24min | Animation, Action, Adventure | TV Series (20112014) -- Gon Freecss aspires to become a Hunter, an exceptional being capable of greatness. With his friends and his potential, he seeks for his father who left him when he was younger. Creator:
Hustlers (2019) ::: 6.3/10 -- R | 1h 50min | Comedy, Crime, Drama | 13 September 2019 (USA) -- Inspired by the viral New York Magazine article, Hustlers follows a crew of savvy former strip club employees who band together to turn the tables on their Wall Street clients. Director: Lorene Scafaria Writers:
In the Heart of the Sea (2015) ::: 6.9/10 -- PG-13 | 2h 2min | Action, Adventure, Biography | 11 December 2015 (USA) -- A recounting of a New England whaling ship's sinking by a giant whale in 1820, an experience that later inspired the great novel Moby-Dick. Director: Ron Howard Writers: Charles Leavitt (screenplay), Charles Leavitt (story) | 3 more
Into the Dark ::: TV-MA | 1h 30min | Drama, Fantasy, Horror | TV Series (2018 ) -- A horror anthology series with each episode inspired by a holiday. Stars: Aurora Perrineau, Diane Sellers, Dylan Arnold
Jakob the Liar (1999) ::: 6.6/10 -- PG-13 | 2h | Drama, War | 24 September 1999 (USA) -- During World War II, an ordinary inhabitant of a ghetto fakes news about Allied offensives to inspire hope for other victims of the Nazi regime. Director: Peter Kassovitz Writers:
Justice League (2017) ::: 6.3/10 -- PG-13 | 2h | Action, Adventure, Fantasy | 17 November 2017 (USA) -- Fueled by his restored faith in humanity and inspired by Superman's selfless act, Bruce Wayne enlists the help of his new-found ally, Diana Prince, to face an even greater enemy. Director: Zack Snyder Writers:
Kick-Ass 2 (2013) ::: 6.5/10 -- R | 1h 43min | Action, Comedy, Crime | 16 August 2013 (USA) -- Following Kick-Ass' heroics, other citizens are inspired to become masked crusaders. But Red Mist leads his own group of evil supervillains to get revenge, kill Kick-Ass and destroy everything he stands for. Director: Jeff Wadlow Writers:
Kick Buttowski: Suburban Daredevil ::: TV-Y7 | 23min | Animation, Action, Adventure | TV Series (20102012) A satirical look at an 8 year old boy that aspires to be the most hardcore daredevil in existence. Creator: Sandro Corsaro Stars:
Listen to Your Heart (2010) ::: 7.1/10 -- Not Rated | 1h 42min | Drama, Music, Romance | 4 May 2011 (South Korea) -- A singer/songwriter falls in love with a girl who can't hear the music she inspires him to write. Director: Matt Thompson Writer: Kent Moran
Monica Z (2013) ::: 6.9/10 -- 1h 51min | Biography, Drama, Music | 13 September 2013 (Sweden) -- The world famous Swedish jazz singer, actress and icon Monica Zetterlund's life through stardom and hardship. Director: Per Fly Writers: Monica Zetterlund (inspired by the life of), Peter Birro (scenario) | 2 more credits Stars:
Much Ado About Nothing (1993) ::: 7.3/10 -- PG-13 | 1h 51min | Comedy, Drama, Romance | 2 July 1993 (USA) -- Young lovers Hero and Claudio, soon to wed, conspire to get verbal sparring partners and confirmed singles Benedick and Beatrice to wed as well. Director: Kenneth Branagh Writers:
Never Have I Ever ::: TV-14 | 30min | Comedy | TV Series (2020 ) -- The complicated life of a modern-day first generation Indian American teenage girl, inspired by Mindy Kaling's own childhood. Creators: Lang Fisher, Mindy Kaling
October Sky (1999) ::: 7.8/10 -- PG | 1h 48min | Biography, Drama, Family | 19 February 1999 (USA) -- The true story of Homer Hickam, a coal miner's son who was inspired by the first Sputnik launch to take up rocketry against his father's wishes. Director: Joe Johnston Writers: Homer H. Hickam Jr. (book), Lewis Colick (screenplay) Stars:
Operation Mekong (2016) ::: 6.6/10 -- Mei Gong he xing dong (original title) -- (USA) Operation Mekong Poster -- Inspired by the true story known as the Mekong Massacre--two Chinese commercial vessels are ambushed while traveling down the Mekong River in the waters of the Golden Triangle, one of the largest drug-manufacturing regions in the world. 13 sailors are executed at gunpoint, and 900,000 methamphetamine pills are recovered at the scene. Upon discovery, the Chinese government immediately sends a band... S
Papillon (1973) ::: 8.0/10 -- R | 2h 31min | Biography, Crime, Drama | 19 December 1973 (USA) -- A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape. Director: Franklin J. Schaffner Writers:
Poison (1991) ::: 6.5/10 -- R | 1h 25min | Drama, Horror, Romance | 16 August 1991 (Sweden) -- A boy shoots his father and flies out the window. A man falls in love with a fellow inmate in prison. A doctor accidentally ingests his experimental sex serum, wreaking havoc on the community. Director: Todd Haynes Writers: Jean Genet (inspired by the novels of Jean Genet with quotations from "Miracle of the Rose", "Our Lady of the Flowers" and "Thief's Journal"), Todd Haynes
Portrait of Jennie (1948) ::: 7.7/10 -- Approved | 1h 26min | Drama, Fantasy, Mystery | 22 April 1949 (USA) -- A mysterious girl inspires a struggling artist. Director: William Dieterle Writers: Robert Nathan (from the book by), Paul Osborn (screen play) | 2 more credits Stars:
Prancer (1989) ::: 6.4/10 -- G | 1h 43min | Drama, Family, Fantasy | 17 November 1989 (USA) -- A farm girl nurses a wounded reindeer she believes is one of Santa's, hoping to bring it back to health in time for Christmas. Her holiday spirit inspires those around her, something her disheartened father is having trouble understanding. Director: John D. Hancock (as John Hancock) Writer:
Professor Marston & the Wonder Women (2017) ::: 7.1/10 -- Professor Marston and the Wonder Women (original title) -- Professor Marston & the Wonder Women Poster -- The story of psychologist William Moulton Marston, and his polyamorous relationship with his wife and their mistress who would inspire his creation of the superheroine, Wonder Woman. Director: Angela Robinson Writer:
Redbelt (2008) ::: 6.7/10 -- R | 1h 39min | Drama, Sport | 9 May 2008 (USA) -- A fateful event leads to a job in the film business for top mixed-martial arts instructor Mike Terry. Though he refuses to participate in prize bouts, circumstances conspire to force him to consider entering such a competition. Director: David Mamet Writer:
Shakespeare in Love (1998) ::: 7.1/10 -- R | 2h 3min | Comedy, Drama, History | 8 January 1999 (USA) -- The world's greatest ever playwright, William Shakespeare, is young, out of ideas and short of cash, but meets his ideal woman and is inspired to write one of his most famous plays. Director: John Madden Writers:
Sightseers (2012) ::: 6.5/10 -- Not Rated | 1h 28min | Adventure, Comedy, Crime | 10 May 2013 (USA) -- Chris wants to show girlfriend Tina his world, but events soon conspire against the couple and their dream caravan holiday takes a very wrong turn. Director: Ben Wheatley Writers:
Son of Rambow (2007) ::: 7.0/10 -- PG-13 | 1h 36min | Action, Adventure, Comedy | 23 May 2008 (USA) -- During a long English summer in the early 1980s, two schoolboys from differing backgrounds set out to make a film inspired by First Blood (1982). Director: Garth Jennings Writer:
Spies in Disguise (2019) ::: 6.8/10 -- PG | 1h 42min | Animation, Action, Adventure | 25 December 2019 (USA) -- When the world's best spy is turned into a pigeon, he must rely on his nerdy tech officer to save the world. Directors: Nick Bruno, Troy Quane Writers: Lucas Martell (inspired by: the animated short film "Pigeon:
Stand and Deliver (1988) ::: 7.3/10 -- PG | 1h 43min | Biography, Drama | 11 March 1988 (USA) -- The story of Jaime Escalante, a high school teacher who successfully inspired his dropout-prone students to learn calculus. Director: Ramn Menndez (as Ramon Menendez) Writers: Ramn Menndez, Tom Musca
Tale of Tales (2015) ::: 6.4/10 -- Il racconto dei racconti - Tale of Tales (original title) -- Tale of Tales Poster -- From the bitter quest of the Queen of Longtrellis, to two mysterious sisters who provoke the passion of a king, to the King of Highhills obsessed with a giant Flea, these tales are inspired by the fairytales by Giambattista Basile. Director: Matteo Garrone
The Aeronauts (2019) ::: 6.6/10 -- PG-13 | 1h 40min | Action, Adventure, Drama | 6 December 2019 (USA) -- A balloon pilot and a scientist find themselves in a fight for survival while attempting to make discoveries in a gas balloon in the 1860s. Director: Tom Harper Writers: Richard Holmes (inspired by the book 'Falling Upwards' by), Tom Harper
The Angels' Share (2012) ::: 7.0/10 -- R | 1h 41min | Comedy, Crime, Drama | 31 May 2013 (Canada) -- Narrowly avoiding jail, new dad Robbie vows to turn over a new leaf. A visit to a whisky distillery inspires him and his mates to seek a way out of their hopeless lives. Director: Ken Loach Writer:
The Color of Money (1986) ::: 7.0/10 -- R | 1h 59min | Drama, Sport | 17 October 1986 (USA) -- Fast Eddie Felson teaches a cocky but immensely talented protg the ropes of pool hustling, which in turn inspires him to make an unlikely comeback. Director: Martin Scorsese Writers:
The Danish Girl (2015) ::: 7.1/10 -- R | 1h 59min | Biography, Drama, Romance | 22 January 2016 (USA) -- A fictitious love story loosely inspired by the lives of Danish artists Lili Elbe and Gerda Wegener. Lili and Gerda's marriage and work evolve as they navigate Lili's groundbreaking journey as a transgender pioneer. Director: Tom Hooper Writers:
The Dirty Picture (2011) ::: 6.6/10 -- Not Rated | 2h 25min | Biography, Drama, Musical | 2 December 2011 -- The Dirty Picture Poster -- The love story between an actress and a director, inspired by the life of the late south Indian actress Silk Smitha. Director: Milan Luthria Writers:
The Great Debaters (2007) ::: 7.5/10 -- PG-13 | 2h 6min | Biography, Drama, Romance | 25 December 2007 (USA) -- A drama based on the true story of Melvin B. Tolson, a professor at Wiley College Texas. In 1935, he inspired students to form the school's first debate team, which went on to challenge Harvard in the national championship. Director: Denzel Washington Writers:
The Michael J. Fox Show -- 30min | Comedy | TV Series (20132014) ::: A comedy inspired by the life of Michael J. Fox. Creators: Will Gluck, Sam Laybourne
The Mule (2018) ::: 7.0/10 -- R | 1h 56min | Crime, Drama, Thriller | 14 December 2018 (USA) -- A ninety-year-old horticulturist and Korean War veteran turns drug mule for a Mexican cartel. Director: Clint Eastwood Writers: Nick Schenk, Sam Dolnick (inspired by the New York Times Magazine
The Postman Always Rings Twice (1981) ::: 6.6/10 -- R | 2h 2min | Crime, Drama, Romance | 20 March 1981 (USA) -- The sensuous wife of a lunch wagon proprietor and a rootless drifter begin a sordidly steamy affair and conspire to murder her Greek husband. Director: Bob Rafelson Writers:
The Raven (2012) ::: 6.4/10 -- R | 1h 50min | Crime, Mystery, Thriller | 27 April 2012 (USA) -- When a madman begins committing horrific murders inspired by Edgar Allan Poe's works, a young Baltimore detective joins forces with Poe to stop him from making his stories a reality. Director: James McTeigue Writers:
The Red Violin (1998) ::: 7.6/10 -- Le violon rouge (original title) -- The Red Violin Poster A red-colored violin inspires passion, making its way through three centuries over several owners and countries, eventually ending up at an auction where it may find a new owner. Director: Franois Girard Writers: Don McKellar, Franois Girard
The Selfish Giant (2013) ::: 7.3/10 -- Not Rated | 1h 31min | Drama | 25 October 2013 (UK) -- Two thirteen year-old working-class friends in Bradford seek fortune by getting involved with a local scrap dealer and criminal. Director: Clio Barnard Writers: Clio Barnard, Oscar Wilde (inspired by 'The Selfish Giant')
The Serpent and the Rainbow (1988) ::: 6.5/10 -- R | 1h 38min | Fantasy, Horror | 5 February 1988 (USA) -- An anthropologist goes to Haiti after hearing rumors about a drug used by black magic practitioners to turn people into zombies. Director: Wes Craven Writers: Wade Davis (inspired by the book), Richard Maxwell (screenplay) | 1
The Terror ::: TV-14 | 1h | Adventure, Drama, History | TV Series (2018- ) Episode Guide 20 episodes The Terror Poster -- Supernatural, semihistorical, horror anthology series, where each season is inspired by a different infamous or mysterious real life historical tragedy. Creators:
The Terror ::: TV-14 | 1h | Adventure, Drama, History | TV Series (2018 ) -- Supernatural, semihistorical, horror anthology series, where each season is inspired by a different infamous or mysterious real life historical tragedy. Creators:
The White Crow (2018) ::: 6.6/10 -- R | 2h 7min | Biography, Drama | 22 March 2019 (UK) -- The story of Rudolf Nureyev's defection to the West. Director: Ralph Fiennes Writers: David Hare (screenplay), Julie Kavanagh (Inspired by her book: "Rudolf Nureyev: The Life")
Think Like a Man (2012) ::: 6.5/10 -- PG-13 | 2h 2min | Comedy, Romance | 20 April 2012 (USA) -- Four friends conspire to turn the tables on their women when they discover the ladies have been using Steve Harvey's relationship advice against them. Director: Tim Story Writers:
Widows (2018) ::: 6.9/10 -- R | 2h 9min | Crime, Drama, Thriller | 16 November 2018 (USA) -- Four women with nothing in common except a debt left behind by their dead husbands' criminal activities take fate into their own hands and conspire to forge a future on their own terms. Director: Steve McQueen Writers:
Words on Bathroom Walls (2020) ::: 7.0/10 -- PG-13 | 1h 50min | Drama, Romance | 21 August 2020 (USA) -- Diagnosed with a mental illness halfway through his senior year of high school, a witty, introspective teen struggles to keep it a secret while falling in love with a brilliant classmate who inspires him to not be defined by his condition. Director: Thor Freudenthal Writers:
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https://elderscrolls.fandom.com/wiki/Rivenspire_Quests
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https://eq2.fandom.com/wiki/Arcanna'se_Spire:_Repository_of_Secrets_(Solo)
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https://eq2.fandom.com/wiki/Ulteran_Spires
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https://forgottenrealms.fandom.com/wiki/Doomspire
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https://forgottenrealms.fandom.com/wiki/Glittering_Spires
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https://forgottenrealms.fandom.com/wiki/Icespire_Hold
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https://starwars.fandom.com/wiki/Anthan_Spire
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https://starwars.fandom.com/wiki/Black_Spire_Day
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https://starwars.fandom.com/wiki/Black_Spire_Outpost
https://starwars.fandom.com/wiki/Black_Spire_Outpost_(Galaxy_of_Adventures)
https://starwars.fandom.com/wiki/Black_Spire_Outpost_Market
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https://starwars.fandom.com/wiki/Escape_from_the_Spire
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https://starwars.fandom.com/wiki/Temple_Spire
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https://starwars.fandom.com/wiki/Til_the_Spire
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https://tardis.fandom.com/wiki/City_of_Spires_(audio_story)
https://tardis.fandom.com/wiki/Jamie_McCrimmon_(City_of_Spires)
https://tardis.fandom.com/wiki/The_Spire
https://tera.fandom.com/wiki/Molten_Spire
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https://the-elder-scrolls.fandom.com/da/wiki/Rivenspire
https://themagicians.fandom.com/wiki/Castle_Blackspire
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https://whitewolf.fandom.com/wiki/Inspired
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https://wowwiki-archive.fandom.com/wiki/Assault_on_Blackrock_Spire
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https://wowwiki-archive.fandom.com/wiki/Blackrock_Spire
https://wowwiki-archive.fandom.com/wiki/Blackrock_Spire_loot
https://wowwiki-archive.fandom.com/wiki/Bladespire
https://wowwiki-archive.fandom.com/wiki/Bladespire_Citadel
https://wowwiki-archive.fandom.com/wiki/Bladespire_Clan
https://wowwiki-archive.fandom.com/wiki/Bladespire_clan
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https://wowwiki-archive.fandom.com/wiki/Bladespire_Grounds
https://wowwiki-archive.fandom.com/wiki/Bladespire_Hold
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https://wowwiki-archive.fandom.com/wiki/Cerith_Spire_Staff
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https://wowwiki-archive.fandom.com/wiki/Glyph_of_Inspired_Hymns
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https://wowwiki-archive.fandom.com/wiki/Lower_Blackrock_Spire
https://wowwiki-archive.fandom.com/wiki/Narsong_Spires
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https://wowwiki-archive.fandom.com/wiki/Server:Spirestone_US
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https://wowwiki-archive.fandom.com/wiki/Spire_of_Decay
https://wowwiki-archive.fandom.com/wiki/Spire_of_Pain
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https://wowwiki-archive.fandom.com/wiki/Spirestone
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https://www.fandom.com/curated/the-best-wonder-woman-products-inspired-by-the-past-and-present
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Aoki Densetsu Shoot! -- -- Toei Animation -- 58 eps -- Manga -- Action Comedy Drama Romance School Shounen Sports -- Aoki Densetsu Shoot! Aoki Densetsu Shoot! -- Inspired by Yoshiharu Kubo's phenomenal performance that led Kakegawa High School to a miraculous victory in a soccer tournament, Toshihiko Tanaka decides to enter the same school as his idol and join the soccer club, hoping to become as successful as Kubo. -- -- Now a high school freshman, Tanaka is devastated as his expectations suddenly start falling apart. Kubo—the captain of the club—is absent due to illness. To make matters worse, the freshmen are not allowed to practice alongside the sophomores or become regulars on the team. The final nail in the coffin is the reluctance of Tanaka's friends, Kenji Shiraishi and Kazuhiro Hiramatsu, to join him in the club. Although Tanaka and his friends were once known as a deadly soccer trio in their junior high school days, Kenji and Kazuhiro have both quit soccer for personal reasons. -- -- When Tanaka starts to lose hope, an encounter with Kazumi Endo—a girl from his childhood—becomes the unexpected key to his freedom from despair. The disappointed Kazumi wants to see the trio reunite, so she takes matters into her own hands in her mischievous way. Thus, Tanaka's high school soccer career prepares for the kickoff. -- -- 11,742 7.40
Appleseed -- -- Gainax -- 1 ep -- Manga -- Action Sci-Fi Adventure Police Mecha -- Appleseed Appleseed -- Appleseed takes place in the aftermath of World War III, where the General Management Control Office has constructed the experimental city known as Olympus. Built to be a paradise on Earth, Olympus is inhabited by humans, cyborgs, and bioroids (genetically engineered humans designed for increased physical capabilities and decreased emotional capabilities). Bioroids run and control all of the administrative functions of Olympus, ensuring that the city remains the utopian society it was meant to be for all of its citizens. But for some people living in Utopia, the city has become less of a home and more of a cage. -- -- Police officer Calon Mautholos has grown to despise Olympus following his wife's suicide, blaming her death on the lack of creative freedom caused by the rules binding the citizens of the city. As his hatred for the city grows, Calon conspires with the terrorist A.J. Sebastian to destroy the Legislature of the Central Management Bureau to send the rules of Olympus that killed his wife tumbling down. But when Calon discovers it is not political malcontent, but rather hatred for bioroids that motives Sebastian, Calon turns renegade and gains the attention of city officials. Deunan Knute and her partner Briareos of the ESWAT counter-terrorism unit are dispatched to hunt down and stop Calon and Sebastian... by any means necessary! -- -- Licensor: -- Discotek Media, Manga Entertainment -- OVA - Apr 21, 1988 -- 25,245 6.60
Arslan Senki (TV): Tsuioku no Shou - Dakkan no Yaiba -- -- LIDENFILMS, SANZIGEN -- 1 ep -- Manga -- Action Adventure Drama Fantasy Historical Supernatural -- Arslan Senki (TV): Tsuioku no Shou - Dakkan no Yaiba Arslan Senki (TV): Tsuioku no Shou - Dakkan no Yaiba -- Arslan Senki (TV): Dakkan no Yaiba retells the events of the series' first 13 episodes, summarizing the events that transpired from Arslan's escape with Daryun, to their time in the Peshawar Citadel. -- -- Licensor: -- Funimation -- Special - Jul 5, 2015 -- 12,138 6.56
Batman: Gotham Knight -- -- Bee Train, Madhouse, Production I.G, Studio 4°C -- 6 eps -- Other -- Action Adventure Martial Arts -- Batman: Gotham Knight Batman: Gotham Knight -- Anime-inspired direct-to-DVD anthology film. Comprised of six short stories, from diverse creators, including Academy Award-nominated Josh Olsen (A History of Violence), Batman Begins writer David S. Goyer, and comics scribe Brian Azzarello. It's planned for a release window of two to four weeks prior to the release of The Dark Knight, and would bridge the gap between Batman Begins and The Dark Knight. -- -- (Source: IMDB) -- -- Licensor: -- Warner Bros. Japan -- OVA - Jul 8, 2008 -- 24,869 6.97
Black� -- Rock Shooter -- -- - -- 1 ep -- Other -- Action Music -- Black� -- Rock Shooter Black� -- Rock Shooter -- The official music video that eventually spawned the entire Black Rock Shooter franchise. Inspired by the first official illustration by huke, the song was composed by ryo of supercell, illustrated by huke and sung by Hatsune Miku, Vocaloid's main character. -- Music - Jun 13, 2008 -- 60,855 7.05
Boku dake ga Inai Machi -- -- A-1 Pictures -- 12 eps -- Manga -- Mystery Psychological Supernatural Seinen -- Boku dake ga Inai Machi Boku dake ga Inai Machi -- When tragedy is about to strike, Satoru Fujinuma finds himself sent back several minutes before the accident occurs. The detached, 29-year-old manga artist has taken advantage of this powerful yet mysterious phenomenon, which he calls "Revival," to save many lives. -- -- However, when he is wrongfully accused of murdering someone close to him, Satoru is sent back to the past once again, but this time to 1988, 18 years in the past. Soon, he realizes that the murder may be connected to the abduction and killing of one of his classmates, the solitary and mysterious Kayo Hinazuki, that took place when he was a child. This is his chance to make things right. -- -- Boku dake ga Inai Machi follows Satoru in his mission to uncover what truly transpired 18 years ago and prevent the death of his classmate while protecting those he cares about in the present. -- -- -- Licensor: -- Aniplex of America -- 1,470,810 8.35
Buddha Saitan -- -- Group TAC -- 1 ep -- Book -- Psychological Supernatural Romance -- Buddha Saitan Buddha Saitan -- 17-year-old Sayako Amanokawa aspires to become a journalist, just like Kanemoto, an elite newspaper writer she looks up to. But Kanemoto, shamed from an erroneous report about a corruption scandal, jumps in front of a train and commits suicide. Since that incident, Sayako suddenly becomes able to see spirits and almost loses her life. However, from that near-fatal incident she experiences something extraordinary. The journalist inside her stirred, she embarks to find out about the truth. But the forces that stand in her way turn out to be much more formidable than she ever imagined. -- -- (Source: ANN) -- Movie - Oct 17, 2009 -- 5,858 5.94
Bungou Stray Dogs 3rd Season -- -- Bones -- 12 eps -- Manga -- Action Mystery Seinen Super Power Supernatural -- Bungou Stray Dogs 3rd Season Bungou Stray Dogs 3rd Season -- Following the conclusion of the three-way organizational war, government bureaucrat Ango Sakaguchi recalls an event that transpired years ago, after the death of the former Port Mafia boss. Osamu Dazai, still a new recruit at the time, was tasked with investigating rumors related to a mysterious explosion that decimated part of the city years ago—and its connection to the alleged reappearance of the former boss. -- -- Due to circumstances out of his control, he is partnered with Chuuya Nakahara, the gifted yet impulsive leader of a rival clan known as the ''Sheep,'' to uncover the truth behind the case and shine a light on the myth of Arahabaki—the god of fire who might just lead Dazai to the case's solution. -- -- Meanwhile, in the present day, it is business as usual once again for the Armed Detective Agency. Their peaceful break will not last for long, however, as enemies old and new gather their strength and prepare for another face-off. -- -- 337,692 8.18
Capeta -- -- Studio Comet -- 52 eps -- Manga -- Cars Sports Shounen -- Capeta Capeta -- After losing his mother at a very young age, elementary school student Capeta Taira is forced to become more independent to avoid his father worrying for him. Working in a paving company, his father is often busy and has to work overtime to make ends meet. However, no matter how tough he acts in front of his father, Capeta is ultimately just a lonely kid with a rough life. In addition to his typical house duties, he has to deal with the bully Nobu Andou which makes him feel worse, despite support from his classmate, Monami Suzuki. -- -- One day, Capeta's father sees young go-kart drivers racing at high speeds and gets inspired by the scene. He then decides to collect scrapped parts available on the track and begins working on a gift for his son. Meanwhile, Capeta and Monami sneak into his workplace, suspecting that his father is up to something. Much to their surprise, they see a go-kart built from discarded parts—with Capeta's name attached to it! Although it lacks an engine and looks worn out, the kart is mostly complete and functional. -- -- Despite the heavy rain, Capeta cannot resist the urge to try out this new machinery. As he drives the kart downhill on a wet road, an incident that is almost a dangerous accident instead becomes a thrilling obsession. No longer bored with life, the engine of Capeta's heart is ignited with a new passion as he journeys into the world of racing. -- -- 20,851 7.82
Chihayafuru -- -- Madhouse -- 25 eps -- Manga -- Drama Game Josei School Slice of Life Sports -- Chihayafuru Chihayafuru -- Chihaya Ayase, a strong-willed and tomboyish girl, grows up under the shadow of her older sister. With no dreams of her own, she is contented with her share in life till she meets Arata Wataya. The quiet transfer student in her elementary class introduces her to competitive karuta, a physically and mentally demanding card game inspired by the classic Japanese anthology of Hundred Poets. Captivated by Arata's passion for the game and inspired by the possibility of becoming the best in Japan, Chihaya quickly falls in love with the world of karuta. Along with the prodigy Arata and her haughty but hard-working friend Taichi Mashima, she joins the local Shiranami Society. The trio spends their idyllic childhood days playing together, until circumstances split them up. -- -- Now in high school, Chihaya has grown into a karuta freak. She aims to establish the Municipal Mizusawa High Competitive Karuta Club, setting her sights on the national championship at Omi Jingu. Reunited with the now indifferent Taichi, Chihaya's dream of establishing a karuta team is only one step away from becoming true: she must bring together members with a passion for the game that matches her own. -- -- -- Licensor: -- Sentai Filmworks -- TV - Oct 5, 2011 -- 361,019 8.23
Clockwork Planet -- -- Xebec -- 12 eps -- Light novel -- Fantasy Sci-Fi -- Clockwork Planet Clockwork Planet -- Legend tells that when the Earth was destroyed, the great clockmaker Y made a replacement from cogs and gears. Naoto Miura is a young boy who aspires to be a great clockmaker. However, despite his unique talent—sensitive hearing that can immediately understand clockwork mechanics from noise alone—he has made little progress. But this changes when a coffin falls from the sky into his apartment, revealing RyuZU, a female automaton forged by Y himself. -- -- News of RyuZU's arrival brings Marie Bell Breguet, the gifted heir of a distinguished line of clockmakers, and her cyborg bodyguard Vainney Halter into Naoto's life as well. When she and Naoto both become embroiled in an action-packed battle for their lives, they discover an uncomfortable truth: the clockwork planet that humanity has lived on for over a millennium is beginning to break down—a secret that many people will kill to protect. -- -- -- Licensor: -- Funimation -- 132,991 6.46
Code Geass: Soubou no Oz Picture Drama -- -- Sunrise -- 5 eps -- - -- Action Drama Mecha Military School Supernatural -- Code Geass: Soubou no Oz Picture Drama Code Geass: Soubou no Oz Picture Drama -- Code Geass: Soubou no Oz Picture Drama following the lives of two characters from opposite sides of the barricades: Orpheus Zevon—young theorist from KMF searching for the killer of his mistress and Oldrin Zevon—protiteristické member unit of the British Empire "Glindyni knights." Drama quite obviously inspired by the classic story of The Wizard of Oz. -- OVA - Jan 10, 2013 -- 12,041 6.28
Comic Girls -- -- Nexus -- 12 eps -- 4-koma manga -- Slice of Life Comedy -- Comic Girls Comic Girls -- Kaoruko "Chaos" Moeta is a young manga artist who is down on her luck. She wants to draw manga about high school girls, but her storyboards are bland, her art uninspired, and her premises weak. Her concerned, exasperated editor comes up with an idea: push Chaos to be more social. So, by her recommendation, Chaos moves into a dormitory for female manga artists. She soon meets the other residents: Tsubasa Katsuki, a shounen manga artist; Ruki Irokawa, who draws erotic manga popular with women; and Koyume Koizuka, a shoujo artist who, like Chaos, has yet to be serialized. Quickly striking up a friendship with these girls, Chaos finds new inspiration for her manga and continues to grow her creativity. -- -- Comic Girls is a showcase of the daily lives of these manga artists. Will Chaos finally be able to make her debut and become serialized? None of the girls know, but they will all do their best to help each other become the best artists they can be. -- -- 115,115 7.41
Dear Boys -- -- A.C.G.T. -- 26 eps -- Manga -- Drama Shounen Sports -- Dear Boys Dear Boys -- Aikawa Kazuhiko was the captain of Tendoji high school prestigious basketball team. He moves into a new town to attend Mizuho high school and joins its basketball team. However, Mizuho high's basketball team is far from being prestigious, in fact, it's now defunct. Nevertheless to say, Kazuhiko's persistence, passion and basketball skills inspired other team members of the dysfunctional basketball team to gear up and start practicing again. -- -- The goal is to play in the national tournaments where all young basketball players meet their opponents to compete with them. The tale of youth of the five protagonists: Fujiwara Takumi, Ishii Tsutomu, Dobashi Kenji, Miura Ranmaru and Aikawa Kazuhiko have just began along with the live of Mizuho high school basketball team. -- -- (Source: AnimeNfo) -- TV - Apr 7, 2003 -- 19,171 6.84
Detective Conan -- -- TMS Entertainment -- ? eps -- Manga -- Adventure Mystery Comedy Police Shounen -- Detective Conan Detective Conan -- Shinichi Kudou, a high school student of astounding talent in detective work, is well known for having solved several challenging cases. One day, when Shinichi spots two suspicious men and decides to follow them, he inadvertently becomes witness to a disturbing illegal activity. Unfortunately, he is caught in the act, so the men dose him with an experimental drug formulated by their criminal organization, leaving him to his death. However, to his own astonishment, Shinichi lives to see another day, but now in the body of a seven-year-old child. -- -- Perfectly preserving his original intelligence, he hides his real identity from everyone, including his childhood friend Ran Mouri and her father, private detective Kogorou Mouri. To this end, he takes on the alias of Conan Edogawa, inspired by the mystery writers Arthur Conan Doyle and Ranpo Edogawa. -- -- Detective Conan follows Shinichi who, as Conan, starts secretly solving the senior Mouri's cases from behind the scenes with his still exceptional sleuthing skills, while covertly investigating the organization responsible for his current state, hoping to reverse the drug's effects someday. -- -- 262,623 8.16
Detective Conan Movie 02: The Fourteenth Target -- -- TMS Entertainment -- 1 ep -- Manga -- Adventure Mystery Comedy Police Shounen -- Detective Conan Movie 02: The Fourteenth Target Detective Conan Movie 02: The Fourteenth Target -- A mysterious attacker has appeared and is assaulting people whose names contain a number from the standard deck of cards in descending order. When Conan Edogawa points out that all the victims are related to the now famous detective Kogorou Mouri, suspicion immediately falls upon the recently released convict Jou Murakami, as Kogorou was the one responsible for his arrest ten years prior. -- -- With potential victims still at risk, Conan and the police are determined to catch the culprit. As the case gradually unfolds, both Conan and his friend Ran Mouri learn more about her parents' separation and the truth on what transpired a decade ago. -- -- -- Licensor: -- Funimation -- Movie - Apr 18, 1998 -- 49,797 7.89
Etotama -- -- Encourage Films, Shirogumi -- 12 eps -- Original -- Action Comedy Fantasy -- Etotama Etotama -- Every 60 years, the heavens conduct a sacred ritual called ETM12. This custom involves selecting worthy Eto-musume—celestial beings representing different animals—to become one of the members of the Chinese zodiac, or Eto-shin. However, since the first ETM12 two thousand years ago, the original batch of Eto-shin reigns with no one being able to replace them. -- -- Nyaa-tan is a cat Eto-musume who aspires to become a member of the zodiac in the ongoing ETM12. Fulfilling her ambition requires her to secure 12 seals, one for each Eto-shin. To that end, she must win various types of battles using Sol/Lull—divine energy created by people's positive emotions. This task is not easy however, as her powers as an Eto-musume are far below the abilities of a single Eto-shin. As such, she needs a constant source of energy. -- -- But in a chance encounter, Nyaa-tan meets Takeru Amato, a man who has just transferred to the apartment where she is secretly staying. To Nyaa-tan's delight, Takeru discovers that he gives out high quality Sol/Lull—something that sets him apart from most people. With this, the story of Takeru and Nyaa-tan begins. As Takeru supports Nyaa-tan in her dreams, he meets the Eto-shin and begins to uncover a mysterious past. -- -- 70,946 6.84
Etotama -- -- Encourage Films, Shirogumi -- 12 eps -- Original -- Action Comedy Fantasy -- Etotama Etotama -- Every 60 years, the heavens conduct a sacred ritual called ETM12. This custom involves selecting worthy Eto-musume—celestial beings representing different animals—to become one of the members of the Chinese zodiac, or Eto-shin. However, since the first ETM12 two thousand years ago, the original batch of Eto-shin reigns with no one being able to replace them. -- -- Nyaa-tan is a cat Eto-musume who aspires to become a member of the zodiac in the ongoing ETM12. Fulfilling her ambition requires her to secure 12 seals, one for each Eto-shin. To that end, she must win various types of battles using Sol/Lull—divine energy created by people's positive emotions. This task is not easy however, as her powers as an Eto-musume are far below the abilities of a single Eto-shin. As such, she needs a constant source of energy. -- -- But in a chance encounter, Nyaa-tan meets Takeru Amato, a man who has just transferred to the apartment where she is secretly staying. To Nyaa-tan's delight, Takeru discovers that he gives out high quality Sol/Lull—something that sets him apart from most people. With this, the story of Takeru and Nyaa-tan begins. As Takeru supports Nyaa-tan in her dreams, he meets the Eto-shin and begins to uncover a mysterious past. -- -- -- Licensor: -- Ponycan USA -- 70,946 6.84
Fate/Grand Order: Shinsei Entaku Ryouiki Camelot 2 - Paladin; Agateram -- -- Production I.G -- 1 ep -- Game -- Action Supernatural Magic Fantasy -- Fate/Grand Order: Shinsei Entaku Ryouiki Camelot 2 - Paladin; Agateram Fate/Grand Order: Shinsei Entaku Ryouiki Camelot 2 - Paladin; Agateram -- Part two of Fate/Grand Order: Shinsei Entaku Ryouiki Camelot - Wandering; Agateram; an adaptation of the the Sixth Holy Grail War, The Sacred Round Table Realm Camelot Singularity of Fate/Grand Order. -- -- (Source: TYPE-MOON Wiki) -- Movie - May 8, 2021 -- 29,606 N/A -- -- Smile Precure! -- -- Toei Animation -- 48 eps -- Original -- Action Magic Fantasy Shoujo -- Smile Precure! Smile Precure! -- To teenager Miyuki Hoshizora, fairy tales are a world of wondrous encounters and happy endings. Inspired by her love for these stories, she lives every day searching for happiness. While running late on her first day of school as a transfer student, Miyuki meets Candy—a mysterious fairy from the world of fairy tales, Märchenland. However, when Candy disappears as quickly as she appeared, Miyuki is left believing the encounter was only a dream. -- -- After an eventful first day, Miyuki finds a mysterious library at school. While combing through the bookshelves, she is transported next to Candy, who claims to be searching for the so-called legendary warriors, Precure. When forced to protect Candy's and everyone else's happiness, Miyuki transforms into "Cure Happy," one of the Precure warriors! As Cure Happy, Miyuki is now tasked with finding the other legendary warriors and protecting the world from destruction, all while possibly discovering her very own happy ending. -- -- 29,388 6.71
Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- -- ufotable -- 1 ep -- Visual novel -- Action Fantasy Magic Supernatural -- Fate/stay night Movie: Heaven's Feel - I. Presage Flower Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- The Holy Grail War: a violent battle between mages in which seven masters and their summoned servants fight for the Holy Grail, a magical artifact that can grant the victor any wish. Nearly 10 years ago, the final battle of the Fourth Holy Grail War wreaked havoc on Fuyuki City and took over 500 lives, leaving the city devastated. -- -- Shirou Emiya, a survivor of this tragedy, aspires to become a hero of justice like his rescuer and adoptive father, Kiritsugu Emiya. Despite only being a student, Shirou is thrown into the Fifth Holy Grail War when he accidentally sees a battle between servants at school and summons his own servant, Saber. -- -- When a mysterious shadow begins a murderous spree in Fuyuki City, Shirou aligns himself with Rin Toosaka, a fellow participant in the Holy Grail War, in order to stop the deaths of countless people. However, Shirou's feelings for his close friend Sakura Matou lead him deeper into the dark secrets surrounding the war and the feuding families involved. -- -- -- Licensor: -- Aniplex of America -- Movie - Oct 14, 2017 -- 289,661 8.25
Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- -- ufotable -- 1 ep -- Visual novel -- Action Fantasy Magic Supernatural -- Fate/stay night Movie: Heaven's Feel - I. Presage Flower Fate/stay night Movie: Heaven's Feel - I. Presage Flower -- The Holy Grail War: a violent battle between mages in which seven masters and their summoned servants fight for the Holy Grail, a magical artifact that can grant the victor any wish. Nearly 10 years ago, the final battle of the Fourth Holy Grail War wreaked havoc on Fuyuki City and took over 500 lives, leaving the city devastated. -- -- Shirou Emiya, a survivor of this tragedy, aspires to become a hero of justice like his rescuer and adoptive father, Kiritsugu Emiya. Despite only being a student, Shirou is thrown into the Fifth Holy Grail War when he accidentally sees a battle between servants at school and summons his own servant, Saber. -- -- When a mysterious shadow begins a murderous spree in Fuyuki City, Shirou aligns himself with Rin Toosaka, a fellow participant in the Holy Grail War, in order to stop the deaths of countless people. However, Shirou's feelings for his close friend Sakura Matou lead him deeper into the dark secrets surrounding the war and the feuding families involved. -- -- Movie - Oct 14, 2017 -- 289,661 8.25
Full Metal Panic! The Second Raid: Wari to Hima na Sentaichou no Ichinichi -- -- Kyoto Animation -- 1 ep -- Manga -- Comedy -- Full Metal Panic! The Second Raid: Wari to Hima na Sentaichou no Ichinichi Full Metal Panic! The Second Raid: Wari to Hima na Sentaichou no Ichinichi -- On her day off, Tessa wakes up in her commander chair. After regaining her composure, she notices that her favorite stuffed animal is missing and thus tries to remember what actually transpired the night before. To do so, she will spend time with all the main characters of the Danaan crew, and eventually recalls the events of the previous night. -- -- -- Licensor: -- Funimation, Kadokawa Pictures USA -- Special - May 26, 2006 -- 66,064 7.68
Ginga Eiyuu Densetsu: Die Neue These - Seiran 3 -- -- Production I.G -- 4 eps -- Novel -- Action Drama Military Sci-Fi Space -- Ginga Eiyuu Densetsu: Die Neue These - Seiran 3 Ginga Eiyuu Densetsu: Die Neue These - Seiran 3 -- At the behest of Admiral Yang Wen-li, defected intelligence officer Commander Baghdash makes an emergency broadcast announcing that the National Salvation Military Council staged a coup under the direction of the Galactic Empire. Despite the lack of physical evidence, this debilitating declaration inspires former Rear Admiral Andrew Lynch to reveal his own role in sowing discord within the Free Planets Alliance. A fatal shootout between Lynch and Admiral Dwight Greenhill acts as the final death knell to the short-lived period of martial rule. -- -- Within the Galactic Empire, footage of Duke Otto von Braunschweig's nuclear bombing of Westerland results in the dissolution of the Lippstadt League. Marquis Reinhard von Lohengramm's decision to allow the massacre for personal gain creates a rift between him and High Admiral Siegfried Kircheis, souring the taste of their inevitable victory. Now on the cusp of achieving absolute power, Reinhard is embattled by his apparent personal failings and the heavy responsibilities of leadership. -- -- Though the civil wars in both the Alliance and the Empire are coming to a close, neither side can ever regain what is lost. Yang Wen-li and Reinhard von Lohengramm each take bitter solace in the knowledge that just on the other side of the galaxy is a worthy opponent—and a true equal. -- -- Movie - Nov 29, 2019 -- 15,742 8.22
Giovanni no Shima -- -- Production I.G -- 1 ep -- Original -- Drama Historical -- Giovanni no Shima Giovanni no Shima -- In the aftermath of the most devastating conflict mankind had ever experienced, the tiny island of Shikotan became part of the Sakhalin Oblast... and on the unhealed border in this remote corner of the world, friendship among children from two different countries timidly blossomed, striving to overcome language barriers and the waves of history. Inspired by true events. -- -- On August 15th, they told us we had lost the war. At that time, we did not really understand. Then one day, everything changed. Many soldiers, wearing uniforms we had never seen before, arrived on the island. That was the day I met Tanya. -- -- (Source: Production I.G) -- Movie - Feb 22, 2014 -- 25,126 7.70
God Eater Reso Nantoka Gekijou -- -- Creators in Pack, Passione -- 8 eps -- Game -- Fantasy Military Parody Sci-Fi -- God Eater Reso Nantoka Gekijou God Eater Reso Nantoka Gekijou -- Short anime inspired by the iOS and Android mobile game God Eater Resonant Ops. -- ONA - Apr 12, 2018 -- 3,996 5.63
God Eater Reso Nantoka Gekijou: Episode EX -- -- Creators in Pack, Passione -- 2 eps -- Game -- Fantasy Military Parody Sci-Fi -- God Eater Reso Nantoka Gekijou: Episode EX God Eater Reso Nantoka Gekijou: Episode EX -- Short anime inspired by the iOS and Android mobile game God Eater Resonant Ops. -- ONA - Aug 6, 2018 -- 1,557 5.50
God Eater Reso Nantoka Gekijou: Nagerareta Shokupan -- -- Creators in Pack, Passione -- 1 ep -- Game -- Fantasy Military Parody Sci-Fi -- God Eater Reso Nantoka Gekijou: Nagerareta Shokupan God Eater Reso Nantoka Gekijou: Nagerareta Shokupan -- Short anime inspired by the iOS and Android mobile game God Eater Resonant Ops. -- -- Introduces the characters through their first day of school. Resonant Ops continues the story of God Eater 2 Rage Burst, which in turn is a sequel to God Eater Burst, and is set 4 years after the latter's story, moving the setting "at long last" toward the Fenrir Headquarters in the year 2078. -- Special - Mar 24, 2018 -- 5,166 5.81
Go! Princess Precure -- -- Toei Animation -- 50 eps -- Original -- Action Comedy Fantasy Magic School Shoujo Slice of Life -- Go! Princess Precure Go! Princess Precure -- Ever since she was young, Haruka Haruno has always aspired to become a princess. Despite being mocked for this seemingly childish wish, Haruka perseveres to make her dream a reality, ultimately culminating in her acceptance into the prestigious Noble Academy—the birthplace of people's fantasies. -- -- When Haruka arrives at her new school, a chance encounter with a pair of magical creatures influences a series of unbelievable events, and Haruka awakens as "Cure Flora," the princess of blooming flowers. After two of Haruka's classmates also transform into legendary princesses, a story of self-discovery unfolds as the newfound team "Princess Precure" carries the responsibility of protecting everyone's dreams. Engaged in a battle between hope and despair, Haruka may find the key toward becoming the princess she has always dreamed to be. -- -- 13,058 7.71
Haikyuu!! -- -- Production I.G -- 25 eps -- Manga -- Comedy Sports Drama School Shounen -- Haikyuu!! Haikyuu!! -- Inspired after watching a volleyball ace nicknamed "Little Giant" in action, small-statured Shouyou Hinata revives the volleyball club at his middle school. The newly-formed team even makes it to a tournament; however, their first match turns out to be their last when they are brutally squashed by the "King of the Court," Tobio Kageyama. Hinata vows to surpass Kageyama, and so after graduating from middle school, he joins Karasuno High School's volleyball team—only to find that his sworn rival, Kageyama, is now his teammate. -- -- Thanks to his short height, Hinata struggles to find his role on the team, even with his superior jumping power. Surprisingly, Kageyama has his own problems that only Hinata can help with, and learning to work together appears to be the only way for the team to be successful. Based on Haruichi Furudate's popular shounen manga of the same name, Haikyuu!! is an exhilarating and emotional sports comedy following two determined athletes as they attempt to patch a heated rivalry in order to make their high school volleyball team the best in Japan. -- -- -- Licensor: -- Sentai Filmworks -- 1,301,807 8.50
Hakaba Kitarou -- -- Toei Animation -- 11 eps -- Manga -- Horror Supernatural -- Hakaba Kitarou Hakaba Kitarou -- Kitarou is a youkai boy born in a cemetery, and aside from his mostly-decayed father, the last living member of the Ghost tribe. He is missing his left eye, but his hair usually covers the empty socket. He fights for peace between humans and youkai, which generally involves protecting the former from the wiles of the latter. -- -- This version of the Kitarou story is based on the original Hakaba Kitarou manga, the manga which inspired the popular Gegege no Kitarou series in the late 60's. -- -- (Source: Wikipedia) -- 10,074 6.89
Hikari to Mizu no Daphne -- -- J.C.Staff -- 24 eps -- Original -- Sci-Fi Mystery Comedy Police Psychological Drama Ecchi -- Hikari to Mizu no Daphne Hikari to Mizu no Daphne -- In the future, water has covered much of the Earth due to the effects of global warming. The orphaned Maia Mizuki, 15, just graduated from middle school and has already applied for employment in the elite paramilitary Ocean Agency, part of the futuristic world government. Only the best, most intelligent, and physically fit students are eligible for admission. Maia, the series' protagonist, is set to become one of the few. -- -- But her ideal life quickly falls apart. To her disappointment, Maia unexpectedly fails her entrance exams. Making matters worse, she promptly gets evicted from her house, pick pocketed, taken hostage, then shot. She is "saved" by two women (Rena and Shizuka) that are part of an unorthodox help-for-hire organization called Nereids (inspired by the Greek mythological Nereids ). With nowhere to go, Maia joins up with Nereids, taking jobs from capturing wanted criminals to chasing stray cats, often with unexpected results. Gloria and Yu later join up with Nereids. -- -- "Daphne" in the title refers to a subplot that starts midway into the series and eventually become important to Maia. "Brilliant Blue" refers to the fact that this is a world covered by water with almost no land. The world consists of vast oceans, a few islands, and floating cities. -- -- (Source: Wikipedia) -- -- Licensor: -- Geneon Entertainment USA, Sentai Filmworks -- 12,564 6.75
Hikaru no Go -- -- Studio Pierrot -- 75 eps -- Manga -- Comedy Game Shounen Supernatural -- Hikaru no Go Hikaru no Go -- While searching through his grandfather's attic, Hikaru Shindou stumbles upon an old go board. Touching it, he is greeted by a mysterious voice, and soon after falls unconscious. When he regains his senses, he discovers that the voice is still present and belongs to Sai Fujiwara no, the spirit of an ancient go expert. A go instructor for the Japanese Emperor in the Heian Era, Sai's passion for the game transcends time and space, allowing him to continue playing his beloved game as a ghostly entity. Sai's ultimate goal is to master a divine go technique that no player has achieved so far, and he seeks to accomplish this by playing the board game through Hikaru. -- -- Despite having no interest in board games, Hikaru reluctantly agrees to play, executing moves as instructed by Sai. However, when he encounters the young go prodigy Akira Touya, a passion for the game is slowly ignited within him. Inspired by his newfound rival, Hikaru's journey into the world of go is just beginning. -- -- -- Licensor: -- VIZ Media -- TV - Oct 10, 2001 -- 113,725 8.10
Hikaru no Go -- -- Studio Pierrot -- 75 eps -- Manga -- Comedy Game Shounen Supernatural -- Hikaru no Go Hikaru no Go -- While searching through his grandfather's attic, Hikaru Shindou stumbles upon an old go board. Touching it, he is greeted by a mysterious voice, and soon after falls unconscious. When he regains his senses, he discovers that the voice is still present and belongs to Sai Fujiwara no, the spirit of an ancient go expert. A go instructor for the Japanese Emperor in the Heian Era, Sai's passion for the game transcends time and space, allowing him to continue playing his beloved game as a ghostly entity. Sai's ultimate goal is to master a divine go technique that no player has achieved so far, and he seeks to accomplish this by playing the board game through Hikaru. -- -- Despite having no interest in board games, Hikaru reluctantly agrees to play, executing moves as instructed by Sai. However, when he encounters the young go prodigy Akira Touya, a passion for the game is slowly ignited within him. Inspired by his newfound rival, Hikaru's journey into the world of go is just beginning. -- -- TV - Oct 10, 2001 -- 113,725 8.10
Hinako Note -- -- Passione -- 12 eps -- 4-koma manga -- Comedy Slice of Life -- Hinako Note Hinako Note -- Born and raised in the countryside of Japan, Hinako "Hina" Sakuragi gets anxious easily when she talks to new people—so much so that she resembles a stiff scarecrow. To overcome this, Hina hopes to get involved in theater, inspired by a play she saw during her school's field trip. So, Hina moves into the Hitotose Manor in the bustling city of Tokyo to study at Fujiyama High School, aspiring to join the school's renowned theatre club. -- -- But to Hina's dismay, she learns that Fujiyama High's theatre club has been on a lengthy hiatus. Having already come to Tokyo and enrolled in the school, Hina is at a loss for what to do next. Sensing her disappointment and eagerness to learn theatre, Chiaki Hagino, the landlady of Hitotose Manor, encourages Hina to create a troupe with the residents of Hitotose Manor as its members. -- -- Hinako Note follows Hina as she begins a new life in Tokyo attending Fujiyama High while learning the ropes of theatre with the support of her friends along the way. -- -- 82,771 6.76
JoJo no Kimyou na Bouken Part 5: Ougon no Kaze -- -- David Production -- 39 eps -- Manga -- Action Adventure Shounen -- JoJo no Kimyou na Bouken Part 5: Ougon no Kaze JoJo no Kimyou na Bouken Part 5: Ougon no Kaze -- In the coastal city of Naples, corruption is teeming—the police blatantly conspire with outlaws, drugs run rampant around the youth, and the mafia governs the streets with an iron fist. However, various fateful encounters will soon occur. -- -- Enter Giorno Giovanna, a 15-year-old boy with an eccentric connection to the Joestar family, who makes a living out of part-time jobs and pickpocketing. Furthermore, he is gifted with the unexplained Stand ability to give and create life—growing plants from the ground and turning inanimate objects into live animals, an ability he has dubbed "Gold Experience." Fascinated by the might of local gangsters, Giorno has dreamed of rising up in their ranks and becoming a "Gang-Star," a feat made possible by his encounter with Bruno Buccellati, a member of the Passione gang with his own sense of justice. -- -- JoJo no Kimyou na Bouken: Ougon no Kaze follows the endeavors of Giorno after joining Bruno's team while working under Passione, fending off other gangsters and secretly plotting to overthrow their mysterious boss. -- -- -- Licensor: -- VIZ Media -- 592,526 8.60
JoJo no Kimyou na Bouken Part 6: Stone Ocean -- -- - -- ? eps -- Manga -- Action Adventure Shounen -- JoJo no Kimyou na Bouken Part 6: Stone Ocean JoJo no Kimyou na Bouken Part 6: Stone Ocean -- In Florida, 2011, Jolyne Kuujou sits in a jail cell like her father Joutarou once did; yet this situation is not of her own choice. Framed for a crime she didn’t commit, and manipulated into serving a longer sentence, Jolyne is ready to resign to a dire fate as a prisoner of Green Dolphin Street Jail. Though all hope seems lost, a gift from Joutarou ends up awakening her latent abilities, manifesting into her Stand, Stone Free. Now armed with the power to change her fate, Jolyne sets out to find an escape from the stone ocean that holds her. -- -- However, she soon discovers that her incarceration is merely a small part of a grand plot: one that not only takes aim at her family, but has additional far-reaching consequences. What's more, the mastermind is lurking within the very same prison, and is under the protection of a lineup of menacing Stand users. Finding unlikely allies to help her cause, Jolyne sets course to stop their plot, clear her name, and take back her life. -- -- - - ??? ??, ???? -- 85,902 N/ARunway de Waratte -- -- Ezόla -- 12 eps -- Manga -- Slice of Life Drama School Shounen -- Runway de Waratte Runway de Waratte -- Being the daughter of a modeling agency owner, Chiyuki Fujito aspires to represent her father's agency in the prestigious Paris Fashion Week, shining under the spotlight as a runway model. However, although she is equipped with great looks and talent, she unfortunately lacks a key element in becoming a successful model—height. Stuck at 158 cm even after entering high school, her childhood dream seems out of reach. -- -- Meanwhile, Ikuto Tsumura is a high school student with a knack in designing clothes; however, without the resources to pursue the necessary education, his ambition of becoming a fashion designer remains a mere dream. But as fate brings Chiyuki and Ikuto together, the dim hopes within their hearts are ignited once again. Together, the two promise to rebel against convention and carve out their own paths in the fashion world. -- -- 85,891 7.62
JoJo no Kimyou na Bouken (TV) -- -- David Production -- 26 eps -- Manga -- Action Adventure Supernatural Vampire Shounen -- JoJo no Kimyou na Bouken (TV) JoJo no Kimyou na Bouken (TV) -- In 1868, Dario Brando saves the life of an English nobleman, George Joestar. By taking in Dario's son Dio when the boy becomes fatherless, George hopes to repay the debt he owes to his savior. However Dio, unsatisfied with his station in life, aspires to seize the Joestar house for his own. Wielding an Aztec stone mask with supernatural properties, he sets out to destroy George and his son, Jonathan "JoJo" Joestar, and triggers a chain of events that will continue to echo through the years to come. -- -- Half a century later, in New York City, Jonathan's grandson Joseph Joestar discovers the legacy his grandfather left for him. When an archeological dig unearths the truth behind the stone mask, he realizes that he is the only one who can defeat the Pillar Men, mystical beings of immeasurable power who inadvertently began everything. -- -- Adapted from the first two arcs of Hirohiko Araki's outlandish manga series, JoJo no Kimyou na Bouken follows the many thrilling expeditions of JoJo and his descendants. Whether it's facing off with the evil Dio, or combatting the sinister Pillar Men, there's always plenty of bizarre adventures in store. -- -- -- Licensor: -- VIZ Media, Warner Bros. Pictures -- 1,054,934 8.01
Kaibutsu Gakushou -- -- Yamamura Animation, Inc. -- 1 ep -- Original -- Dementia -- Kaibutsu Gakushou Kaibutsu Gakushou -- An animated archive of imaginary monsters written by a fictitious monsterologist in Medieval Europe. -- This work depicts the habits of monsters using movement inspired by short phrases such as “Taste of Tears”, “Tamed Wildness”, etc. -- -- (Source: Yamamura Animation) -- Movie - Nov ??, 2016 -- 322 5.80
Kimi ni Todoke -- -- Production I.G -- 25 eps -- Manga -- Slice of Life Drama Romance School Shoujo -- Kimi ni Todoke Kimi ni Todoke -- Known for her semblance to the Sadako character of The Ring series, Sawako Kuronuma is given the nickname "Sadako" and misunderstood to be frightening and malicious like her fictional counterpart, despite having a timid and sweet nature. Longing to make friends and live a normal life, Sawako is naturally drawn to the cheerful and friendly Shouta Kazehaya, the most popular boy in her class. From their first meeting, Sawako has admired Kazehaya's ability to be the center of attention and aspires to be like him. -- -- When Kazehaya organizes a test of courage for the entire class and encourages her to attend, Sawako sees this as an opportunity to get along with her classmates, starting with Ayane Yano and Chizuru Yoshida. Through each new encounter and emotion she experiences, Sawako believes that meeting Kazehaya has changed her for the better. Little does Sawako know, her presence has also changed Kazehaya. -- -- -- Licensor: -- NIS America, Inc. -- 679,229 8.01
Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. -- -- A.C.G.T. -- 1 ep -- Light novel -- Adventure Drama Fantasy -- Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. -- After running away from the grim future that awaited her back in her home country, a young girl takes upon a new name and identity—inspired by the man who sacrificed his life to help her escape. Alongside her newfound companion, a talking motorcycle, the two find themselves a new home in the forest—where lives an elderly woman with an expertise in guns. Under the woman's care, the girl is trained in marksmanship and motorcycle handling among other various skills needed to survive. -- -- Although the girl is happy with her current life, her guilt regarding her savior's death continues to build within herself. She still feels responsible for her savior's death, and considers the consequences of using his name as her own. In doing so, she is denying her own identity and existence by trying to replicate another person's life, instead of living her own. -- -- Kino no Tabi: The Beautiful World - Nanika wo Suru Tame ni - Life Goes On. follows the journey of a young girl as she begins to come to terms with her new identity. -- -- Movie - Feb 19, 2005 -- 47,709 7.78
Kirakira☆Precure A La Mode -- -- Toei Animation -- 49 eps -- Original -- Action Fantasy Magic Shoujo Slice of Life -- Kirakira☆Precure A La Mode Kirakira☆Precure A La Mode -- Cheerful teenager Ichika Usami has a passion for sweets that is inspired by her mother's baking. In celebration of her mother's return from overseas, she tries her hand at making a cake herself. She is interrupted when a dog-like fairy named Pekorin crashes into her kitchen. With Pekorin's help, Ichika successfully bakes her cake. Only then enters an imp named Gummy who bursts in and attempt to steal the cake's "kirakiraru", a magical power that gives sweets the ability to bring happiness. -- -- Though Ichika initially offers her cake to Gummy in order to protect Pekorin, the fairy helps her realize how important the treat is and the love it represents. As the kirakiraru within Ichika's cake grows, it changes into a set of trinkets that transforms her into Cure Whip, a hero known as a Pretty Cure. Using her newfound powers, she goes on to battle kirakiraru thieves whenever they appear. Ichika fights to protect Ichigozaka's sweets and finds colorful new allies along the way. -- -- 8,515 6.93
Kirepapa. -- -- A.C.G.T. -- 2 eps -- Manga -- Comedy Drama Romance Yaoi -- Kirepapa. Kirepapa. -- Chisato Takatsukasa, a 35-year-old author, has such a youthful appearance that anyone would think him to be in his early twenties. His work is inspired by his idol—the best-selling mystery author Saki Shunka, who is as much of an enigma herself as the plots of the books she writes. -- -- Chisato is also the extremely overprotective father of 15-year old Riju, convinced that the "friends" his son constantly brings over are nothing but predators waiting for the perfect opportunity to defile his precious boy. As a result, Chisato will stop at nothing to ensure they never come over again, resorting to the most extreme of methods. -- -- There is not a man he hates more, however, than Riju's rather persistent best friend Shunsuke Sakaki, who just won't go away regardless of what Chisato tries to do. But the motivations of these characters lie as secrets bubbling just below the surface. Why is Chisato so wary of Riju's friends, and what exactly does Shunsuke know about the mysterious author his friend's father idolizes? -- -- OVA - Jan 25, 2008 -- 47,596 6.68
Kono Oto Tomare! -- -- Platinum Vision -- 13 eps -- Manga -- Drama Music Romance School Shounen -- Kono Oto Tomare! Kono Oto Tomare! -- Gen Kudou, a koto maker, believes that his delinquent grandson Chika would never understand the profoundness of the traditional musical instrument. In an attempt to make up for his naivety and understand the words of his late grandfather, Chika tries to join the Tokise High School Koto Club. -- -- Even though the club is in dire need of members, new club president Takezou Kurata is unwilling to easily accept Chika's application due to his bad reputation. Nonetheless, after seeing Chika's seriousness and enthusiasm, Takezou allows the problem child to join, along with koto prodigy Satowa Houzuki and three of Chika's energetic friends. Kono Oto Tomare! follows the merry band of musicians as they aspire to play at the national competition. -- -- 157,320 7.87
Kono Oto Tomare! -- -- Platinum Vision -- 13 eps -- Manga -- Drama Music Romance School Shounen -- Kono Oto Tomare! Kono Oto Tomare! -- Gen Kudou, a koto maker, believes that his delinquent grandson Chika would never understand the profoundness of the traditional musical instrument. In an attempt to make up for his naivety and understand the words of his late grandfather, Chika tries to join the Tokise High School Koto Club. -- -- Even though the club is in dire need of members, new club president Takezou Kurata is unwilling to easily accept Chika's application due to his bad reputation. Nonetheless, after seeing Chika's seriousness and enthusiasm, Takezou allows the problem child to join, along with koto prodigy Satowa Houzuki and three of Chika's energetic friends. Kono Oto Tomare! follows the merry band of musicians as they aspire to play at the national competition. -- -- -- Licensor: -- Funimation -- 157,320 7.87
Little Witch Academia (TV) -- -- Trigger -- 25 eps -- Original -- Adventure Comedy Fantasy Magic School -- Little Witch Academia (TV) Little Witch Academia (TV) -- "A believing heart is your magic!"—these were the words that Atsuko "Akko" Kagari's idol, the renowned witch Shiny Chariot, said to her during a magic performance years ago. Since then, Akko has lived by these words and aspired to be a witch just like Shiny Chariot, one that can make people smile. Hence, even her non-magical background does not stop her from enrolling in Luna Nova Magical Academy. -- -- However, when an excited Akko finally sets off to her new school, the trip there is anything but smooth. After her perilous journey, she befriends the shy Lotte Yansson and the sarcastic Sucy Manbavaran. To her utmost delight, she also discovers Chariot's wand, the Shiny Rod, which she takes as her own. Unfortunately, her time at Luna Nova will prove to more challenging than Akko could ever believe. She absolutely refuses to stay inferior to the rest of her peers, especially to her self-proclaimed rival, the beautiful and gifted Diana Cavendish, so she relies on her determination to compensate for her reckless behavior and ineptitude in magic. -- -- In a time when wizardry is on the decline, Little Witch Academia follows the magical escapades of Akko and her friends as they learn the true meaning of being a witch. -- -- 482,732 7.88
Little Witch Academia (TV) -- -- Trigger -- 25 eps -- Original -- Adventure Comedy Fantasy Magic School -- Little Witch Academia (TV) Little Witch Academia (TV) -- "A believing heart is your magic!"—these were the words that Atsuko "Akko" Kagari's idol, the renowned witch Shiny Chariot, said to her during a magic performance years ago. Since then, Akko has lived by these words and aspired to be a witch just like Shiny Chariot, one that can make people smile. Hence, even her non-magical background does not stop her from enrolling in Luna Nova Magical Academy. -- -- However, when an excited Akko finally sets off to her new school, the trip there is anything but smooth. After her perilous journey, she befriends the shy Lotte Yansson and the sarcastic Sucy Manbavaran. To her utmost delight, she also discovers Chariot's wand, the Shiny Rod, which she takes as her own. Unfortunately, her time at Luna Nova will prove to more challenging than Akko could ever believe. She absolutely refuses to stay inferior to the rest of her peers, especially to her self-proclaimed rival, the beautiful and gifted Diana Cavendish, so she relies on her determination to compensate for her reckless behavior and ineptitude in magic. -- -- In a time when wizardry is on the decline, Little Witch Academia follows the magical escapades of Akko and her friends as they learn the true meaning of being a witch. -- -- 485,065 7.88
Liz to Aoi Tori -- -- Kyoto Animation -- 1 ep -- Novel -- Drama Music School -- Liz to Aoi Tori Liz to Aoi Tori -- Liz's days of solitude come to an end when she meets a blue bird in the form of a young girl. Although their relationship blossoms, Liz must make a heart-wrenching decision in order to truly realize her love for Blue Bird. -- -- High school seniors and close friends Mizore Yoroizuka and Nozomi Kasaki are tasked to play the lead instruments in the third movement of Liz and the Blue Bird, a concert band piece inspired by this fairy tale. The introverted and reserved Mizore plays the oboe, representing the kind and gentle Liz. Meanwhile, the radiant and popular Nozomi plays the flute, portraying the cheerful and energetic Blue Bird. -- -- However, as they rehearse, the distance between Mizore and Nozomi seems to grow. Their disjointed duet disappoints the band, and with graduation on the horizon, uncertainty about the future spurs complicated emotions. With little time to improve as their performance draws near, they desperately attempt to connect with their respective characters. But when Mizore and Nozomi consider the story from a brand-new perspective, will the girls find the strength to face harsh realities? -- -- A spin-off film adaptation of the Hibike Euphonium! series, Liz to Aoi Tori dances between the parallels of a charming fairy tale, a moving musical piece, and a delicate high school friendship. -- -- Movie - Apr 21, 2018 -- 85,893 8.21
Love Kome: We Love Rice -- -- Encourage Films -- 12 eps -- Original -- Slice of Life -- Love Kome: We Love Rice Love Kome: We Love Rice -- The project anthropomorphizes rice (kome in Japanese) into schoolboys. At the Kokuritsu Inaho Academy ("Rice Ear Academy," a wordplay on national schools), five new rice-inspired students attempt to supplant bread as the popular grain at the school. The new students form the "Love Rice" unit and challenge themselves to perform at the "Harvest Show" to show the delicious appeal of rice grains. The "heartwarming 'kome'dy with laughs and passion" promises to let audiences rediscover the virtues of rice ("Japan's soul food"). -- -- (Source: ANN) -- 9,640 4.64
Love Live! Sunshine!! -- -- Sunrise -- 13 eps -- Other -- Music Slice of Life School -- Love Live! Sunshine!! Love Live! Sunshine!! -- Chika Takami, a self-proclaimed normal girl, has never been involved in any clubs and lacked any notable talents. However, after a visit to Tokyo, she discovers a stage where even an ordinary girl like her could shine—the world of school idols. Inspired by the former superstar school idol group μ's, Chika is determined to start her own school idol club in her seaside hometown at Uranohoshi Girl's High School. But even before gathering any students to join the group, the aspiring school idol finds her greatest obstacle to be student council president Dia Kurosawa who stands firmly against the creation of the club. -- -- Just when it seems there is no hope, Chika meets Riko Sakurauchi, a transfer student from Otonokizaka High School, home of μ's. Somewhat shy but a talented piano player, Chika believes her to be a promising recruit, though convincing her to join is easier said than done. In spite of that, Chika chooses to charge forward and overcome the obstacles keeping her from forming a school idol group that shines as bright as the nine that came before her. -- -- 144,692 7.39
Macross Dynamite 7 -- -- Production Reed -- 4 eps -- Original -- Sci-Fi Adventure Space Comedy Mecha Shounen -- Macross Dynamite 7 Macross Dynamite 7 -- Less than a year after the events that transpired in the Macross 7 TV series, Basara leaves Fire Bomber and travels to the planet Zola. There, he meets a girl named Elma, who is a big fan of Fire Bomber. It is also on this planet where he must once again use his Spiritia powers; this time, to stop an army of poachers and Elma's father Graham from killing a group of space whales travelling within the planetary system. -- OVA - Dec 18, 1997 -- 11,331 6.84
Mad� -- Bull 34 -- -- Magic Bus -- 4 eps -- Manga -- Action Police -- Mad� -- Bull 34 Mad� -- Bull 34 -- Daizaburo Edi-Ban, a Japanese-American, joins New York City's toughest precinct, the 34th. On his first day he is partnered up with John Estes, called Sleepy by his friends and Mad Bull by his enemies, a cop who stops crime with his own violent brand of justice. Mad Bull makes no qualms about executing common thieves with shotgun blasts if they even pose a minor threat to him or anyone around them. Mad Bull also often steals from prostitutes and does incredible amounts of property damage while fighting crime. Mad Bull's unpoliceman-like behavior often puts him in hot water with his partner Daizaburo and the 34th precinct. However, despite how reckless or illegal these acts are, a good cause is always revealed (For example, Sleepy uses the money he steals from the prostitutes to fund a venereal disease clinic and a home for battered and raped women). Perrine Valley, a police lieutenant, joins Daizaburo and Sleepy later on to help them tackle more difficult cases involving the mafia and drug-running. -- -- Mad Bull 34 is inspired by the high-action buddy cop films of the '70s and '80s. -- -- (Source: Thevinnymac) -- -- Licensor: -- Discotek Media, Manga Entertainment -- OVA - Dec 21, 1990 -- 8,417 6.32
Made in Abyss -- -- Kinema Citrus -- 13 eps -- Web manga -- Sci-Fi Adventure Mystery Drama Fantasy -- Made in Abyss Made in Abyss -- The Abyss—a gaping chasm stretching down into the depths of the earth, filled with mysterious creatures and relics from a time long past. How did it come to be? What lies at the bottom? Countless brave individuals, known as Divers, have sought to solve these mysteries of the Abyss, fearlessly descending into its darkest realms. The best and bravest of the Divers, the White Whistles, are hailed as legends by those who remain on the surface. -- -- Riko, daughter of the missing White Whistle Lyza the Annihilator, aspires to become like her mother and explore the furthest reaches of the Abyss. However, just a novice Red Whistle herself, she is only permitted to roam its most upper layer. Even so, Riko has a chance encounter with a mysterious robot with the appearance of an ordinary young boy. She comes to name him Reg, and he has no recollection of the events preceding his discovery. Certain that the technology to create Reg must come from deep within the Abyss, the two decide to venture forth into the chasm to recover his memories and see the bottom of the great pit with their own eyes. However, they know not of the harsh reality that is the true existence of the Abyss. -- -- -- Licensor: -- Sentai Filmworks -- 910,072 8.73
Magia Record: Mahou Shoujo Madoka☆Magica Gaiden (TV) 2nd Season -- -- - -- ? eps -- Game -- Psychological Drama Magic Thriller -- Magia Record: Mahou Shoujo Madoka☆Magica Gaiden (TV) 2nd Season Magia Record: Mahou Shoujo Madoka☆Magica Gaiden (TV) 2nd Season -- 2nd Season of Magia Record: Mahou Shoujo Madoka☆Magica Gaiden (TV). -- TV - ??? ??, ???? -- 19,214 N/A -- -- Dear Boys -- -- A.C.G.T. -- 26 eps -- Manga -- Drama Shounen Sports -- Dear Boys Dear Boys -- Aikawa Kazuhiko was the captain of Tendoji high school prestigious basketball team. He moves into a new town to attend Mizuho high school and joins its basketball team. However, Mizuho high's basketball team is far from being prestigious, in fact, it's now defunct. Nevertheless to say, Kazuhiko's persistence, passion and basketball skills inspired other team members of the dysfunctional basketball team to gear up and start practicing again. -- -- The goal is to play in the national tournaments where all young basketball players meet their opponents to compete with them. The tale of youth of the five protagonists: Fujiwara Takumi, Ishii Tsutomu, Dobashi Kenji, Miura Ranmaru and Aikawa Kazuhiko have just began along with the live of Mizuho high school basketball team. -- -- (Source: AnimeNfo) -- -- Licensor: -- Bandai Entertainment -- TV - Apr 7, 2003 -- 19,171 6.84
Magic-Kyun! Renaissance -- -- Sunrise -- 13 eps -- Original -- Music Magic Romance School -- Magic-Kyun! Renaissance Magic-Kyun! Renaissance -- A world where art becomes magic. In this world, people who can inspire passion with their Magic Arts are called Artistas, and are employed in show business. In Hoshinomori Private Magical Arts High School, where Artistas are taught, a strange new student named Kohana Aigasaki transfers into the school. -- -- Kohana is placed on the planning committee for the school's yearly Hoshinomori Summer Festa cultural festival. She spends her romantic school life with six other boys who aim to become entertainers in the future. Each of the boys specializes in his own Arts, and aims to make Hoshi Fes a success. In addition, the boys also aim to be chosen alongside Kohana as the school's Artista Prince and Princess, only chosen once a year. -- -- A Magic-kyun for you! A new renaissance starts here! Magic-kyun! Renaissance is a multimedia project where you can create great memories with Artistas of greatly varying personalities! -- -- (Source: Official site) -- -- Licensor: -- Ponycan USA -- 41,813 7.06
Magi: Sinbad no Bouken (TV) -- -- Lay-duce -- 13 eps -- Manga -- Action Adventure Fantasy Magic Shounen -- Magi: Sinbad no Bouken (TV) Magi: Sinbad no Bouken (TV) -- In the small, impoverished Tison Village of the Parthevia Empire, a boy, Sinbad, is born to the jaded ex-soldier Badr and his kind-hearted wife Esra. His birth creates a radiant surge throughout the rukh, a declaration of a singularity to those who stand at the pinnacle of magical might: the "Child of Destiny" is here. Despite his country being plagued by economic instability and the repercussions of war, Sinbad leads a cheerful life—until a stranger's arrival shatters his peaceful world, and tragedy soon befalls him. -- -- Years later, mysterious edifices called "dungeons" have been erected all over the world. Rumored to contain great power and treasures, these dungeons piqued the interest of adventurers and armies alike; though to this day, none have returned therefrom. Sinbad, now 14, has grown into a charming and talented young boy. Inspired by the shocking events of his childhood and by his father's words, he yearns to begin exploring the world beyond his village. As though orchestrated by fate, Sinbad meets an enigmatic traveler named Yunan. Stirred by Sinbad's story and ambitions, Yunan directs him to a dungeon which he claims holds the power Sinbad needs to achieve his goals—the "power of a king." -- -- Magi: Sinbad no Bouken tells the epic saga of Sinbad's early life as he travels the world, honing his skill and influence, while gathering allies and power to become the High King of the Seven Seas. -- -- 364,891 7.89
Mahouka Koukou no Rettousei: Tsuioku-hen -- -- - -- ? eps -- Light novel -- Sci-Fi Supernatural Magic -- Mahouka Koukou no Rettousei: Tsuioku-hen Mahouka Koukou no Rettousei: Tsuioku-hen -- Looking at Miyuki and Tatsuya now, it might be hard to imagine them as anything other than loving siblings. But it wasn't always this way.. -- -- Three years ago, Miyuki was always uncomfortable around her older brother. The rest of their family treated him no better than a lowly servant, even though he was the perfect Guardian, watching over Miyuki while she lived a normal middle school life. But what really bothered her was that he never showed any emotions or thoughts of his own. -- -- However, when danger comes calling during a fateful trip to Okinawa, their relationship as brother and sister will change forever… -- -- (Source: Yen Press) -- - - ??? ??, ???? -- 25,203 N/ASakasama no Patema: Beginning of the Day -- -- Purple Cow Studio Japan, Studio Rikka -- 4 eps -- - -- Sci-Fi -- Sakasama no Patema: Beginning of the Day Sakasama no Patema: Beginning of the Day -- This is an online distribution of the prologue of the movie, illustrating the first day of the entire story. -- -- A world, forever beyond your expectations. -- -- In a dark, cramped, underground world of endless tunnels and shafts, people wear protective suits and live out their modest yet happy lives. The princess of the underground community, Patema, goes out exploring as always, inspired by her curiosity of the unknown depths of the world. -- -- Her favorite spot is the "danger zone," an area forbidden by the "rule" of the community. Despite being frequently chastised by her caretaker Jii, she cannot hold back her curiosity for the reason behind the rule, because no one would tell her what the "danger" was. When she approaches the hidden "secret," the story begins. -- -- (Source: translation of a synopsis from the nicovideo news) -- Special - Feb 26, 2012 -- 25,203 7.38
Majo Minarai wo Sagashite -- -- Toei Animation -- 1 ep -- Original -- Comedy Magic Shoujo -- Majo Minarai wo Sagashite Majo Minarai wo Sagashite -- 27-year-old Tokyo office worker Mire Yoshizuki just returned to Japan, while 22-year-old fourth-year college student Sora Nagase aspires to be a teacher, and 20-year-old boyish Reika Kawatani is a part-time Hiroshima okonomiyaki shop worker and freelancer. What draws together these three women from completely different walks of life is a magic gem. A "New Magical Story" begins when they are mysteriously brought together by chance and embark on a journey. -- -- (Source: ANN) -- Movie - Nov 13, 2020 -- 6,598 N/A -- -- Renkin San-kyuu Magical? Pokaan Specials -- -- Remic -- 3 eps -- Original -- Comedy Parody Magic Ecchi Vampire -- Renkin San-kyuu Magical? Pokaan Specials Renkin San-kyuu Magical? Pokaan Specials -- DVD specials. -- Special - Jun 23, 2006 -- 6,488 6.91
Major: Message -- -- SynergySP -- 1 ep -- Manga -- Comedy Drama Shounen Sports -- Major: Message Major: Message -- Thirteen years after achieving major success with the Indiana Hornets, Gorou Honda's career as a pitcher ended abruptly after sustaining a horrible injury. Inspired by his father, who continued playing baseball despite major setbacks, Gorou plans to restart his baseball career and play in a new position. However, his strong dedication to train has puzzled his family, especially his young daughter Izumi, who is frustrated with the absence of her father from her lives. Faced by another tough obstacle, Gorou once again decides to prove his resolve through his beloved sport. -- -- OVA - Dec 17, 2010 -- 25,639 8.20
Maria†Holic -- -- Shaft -- 12 eps -- Manga -- Comedy Parody School Shoujo Ai -- Maria†Holic Maria†Holic -- In search of true love, Kanako Miyamae transfers to Ame no Kisaki Catholic school, inspired by how her parents fell in love with each other there. There is just one difference, though: because men make Kanako break into hives, she has actually come to the all-girls school to find a partner of the same sex. -- -- When she meets the beautiful Mariya Shidou, Kanako believes she has found that special someone; however, there's more to Mariya than meets the eye—it turns out that Kanako's first love is actually a cross-dressing boy. Mariya threatens to expose Kanako's impure intentions unless she keeps his real gender a secret, and to make things worse, he also replaces her original roommate so that he can now keep a close eye on her. -- -- Maria†Holic follows Kanako as she looks for love in all the wrong places and searches for the girl of her dreams—that is, if she can survive being Mariya's roommate! -- -- TV - Jan 4, 2009 -- 150,996 7.04
Megazone 23 -- -- AIC, Artland, Artmic -- 4 eps -- Original -- Action Sci-Fi Music Mystery Romance Mecha -- Megazone 23 Megazone 23 -- Shougo Yahagi is a young motorcycle enthusiast living in a world of hot bikes, hard rock, and J-pop idols. The general populace go about their lives in peace, under the watchful eyes of a computer program in the guise of pop idol sensation Eve, unbeknownst to them. Shougo himself is mostly concerned with riding his motorcycle and picking up beautiful women like Yui Takanaka, who aspires to be a dancer. -- -- Shougo's life suddenly changes when his friend, Shinji Nakagawa, shows him a top-secret project: the "Garland," an advanced motorcycle that can transform into a robot. Ambushed by the military, Shougo hijacks the Garland and escapes into the city. Evading the military with the help of Yui and her friends, he gradually discovers that their idyllic society is only an illusion. -- -- -- Licensor: -- ADV Films -- OVA - Mar 9, 1985 -- 14,801 6.80
Mobile Suit Gundam 00 -- -- Sunrise -- 25 eps -- Original -- Action Military Sci-Fi Space Drama Mecha -- Mobile Suit Gundam 00 Mobile Suit Gundam 00 -- In the distant future, mankind's dependence on fossil fuels will lead to their complete depletion, an energy crisis unlike anything the world witnessed. Out of retaliation and fear, humanity began focusing at an alternative source of energy: solar power. Different nations have united together to form three major factions—the Union of Solar Energy and Free Nations, the Advanced European Union, and the Human Reform League. Each of these sectors has access to a solar power generator, which gives them limitless energy. -- -- As a result, countries that were once dependent on the sale of fossil fuels are now plunged in poverty, leading to years of warfare and internal strife over the control of solar energy. Amid this chaos, an unknown paramilitary organization appeared identifying themselves as "Celestial Being," aspire to end all warfare through armed intervention by using mysterious and technologically advanced Mobile Suits known as Gundams. -- -- Mobile Suit Gundam 00 follows the story of Celestial Being's Gundam Meisters Setsuna F. Seiei, Lockon Stratos, Allelujah Haptism, and Tieria Erde. These four dive into the devastating battle between the three superpowers to accomplish their goal of changing the world. -- -- -- Licensor: -- Bandai Entertainment -- 187,895 8.14
Modern -- -- - -- 1 ep -- - -- Dementia -- Modern Modern -- I finished this film in only two months after the completion of Playground. Inspired by optical illusions, like Escher's paintings, I made the film using isometric drawings. my idea was to make a great film using only transformations of rectangular parallelepipeds. I applied the method of geometric animation, a technique used in Metropolis, in this film. Along with "cell" animation, I continue making films with the application of this method. Hopefully, I will eventually discover a third alternative method to use in my films. -- -- (Source: Mirai Mizue) -- Movie - ??? ??, 2010 -- 609 5.09
Nanatsu no Taizai Movie 2: Hikari ni Norowareshi Mono-tachi -- -- - -- 1 ep -- Manga -- Action Adventure Supernatural Magic Fantasy Shounen -- Nanatsu no Taizai Movie 2: Hikari ni Norowareshi Mono-tachi Nanatsu no Taizai Movie 2: Hikari ni Norowareshi Mono-tachi -- (No synopsis yet.) -- Movie - Jul 2, 2021 -- 19,058 N/A -- -- Yami Shibai 5 -- -- ILCA -- 13 eps -- Original -- Dementia Horror Supernatural -- Yami Shibai 5 Yami Shibai 5 -- The mysterious masked Storyteller returns to tell more twisted tales of horror. Continuing his particular style of kamishibai inspired storytelling, he now finds that his audience is an eerie crowd of young girls, who eagerly await his devilish stories. -- -- He recounts ghostly legends involving girls of all ages: a housewife who receives a barrage of chilling phone calls; a strange girl whose flower readings are always right; a mother and daughter's ominous meeting with the "crow lady"; and a young girl whose demands from others grow more and more outrageous with each request. Witness once again the Storyteller's haunting and gripping tales, which are sure to leave one with more than just chills... -- -- 19,027 6.30
Ningen Shikkaku: Director's Cut-ban -- -- Madhouse -- 1 ep -- Novel -- Drama Historical Psychological Seinen -- Ningen Shikkaku: Director's Cut-ban Ningen Shikkaku: Director's Cut-ban -- A theatrical film version of Madhouse's Aoi Bungaku Series anime. The film will re-edit the four episodes based on Osamu Dazai's No Longer Human (Ningen Shikkaku) novel, which have character designs inspired by manga artist and novel illustrator Takeshi Obata. This "director's cut" will include new "navigation" footage which is being created specifically for the film with narrator Masato Sakai. -- Movie - Dec 12, 2009 -- 8,411 7.51
One Room -- -- Typhoon Graphics -- 12 eps -- Original -- Slice of Life -- One Room One Room -- Having just moved into a new apartment building, Yui Hanasaka makes a customary visit to greet her neighbor. When she learns that he is an upperclassman at the university she aspires to attend, she asks for his help to pass her entrance exams. Meanwhile, Natsuki Momohara decides to visit her older brother, who lives alone in an apartment in Tokyo. Elsewhere, aspiring singer Moka Aoshima reunites with her childhood friend, who is a hopeful novelist. -- -- Three stories, although seemingly unrelated, contain the same essence: strings of fate will bind together those who share the same destiny, and one needs to look no further than a single apartment room. -- -- 93,624 5.56
Ouritsu Uchuugun: Honneamise no Tsubasa -- -- Gainax -- 1 ep -- Original -- Action Drama Military Sci-Fi Space -- Ouritsu Uchuugun: Honneamise no Tsubasa Ouritsu Uchuugun: Honneamise no Tsubasa -- Shirotsugh "Shiro" Lhadatt may be a cadet in the Kingdom of Honneamise's Royal Space Force (RSF), but he has never been in space before—in fact, nobody has. The RSF is often regarded as a failure both by the country's citizens and a government more interested in precipitating a war with a neighboring country than scientific achievement. Following the funeral of a fellow cadet, an unmotivated Shiro is walking in the city one night, when he bumps into Riquinni Nonderaiko, a young, pious woman, genuinely enthusiastic about the significance of space exploration. -- -- As the two gradually bond, Riquinni's encouragement inspires Shiro to volunteer as a pilot for a prospective rocket ship, potentially becoming Honneamise's first man in space. Shiro and the RSF are soon joined by a team of elderly but eager scientists and engineers, and together, they embark on a mission to mold their nation's space program into a success. However, their efforts soon catch the attention of the government, which seems to have a different plan for the RSF in mind. Even as the odds are stacked against them, these men and women continue to stubbornly look to the sky, because somewhere among the frontiers of space may lie humanity's last chance at redemption. -- -- -- Licensor: -- Bandai Visual USA, Maiden Japan, Manga Entertainment -- Movie - Mar 14, 1987 -- 35,422 7.52
Pokemon Omega Ruby & Alpha Sapphire: Mega Special Animation -- -- OLM -- 1 ep -- - -- Action Adventure Fantasy Kids -- Pokemon Omega Ruby & Alpha Sapphire: Mega Special Animation Pokemon Omega Ruby & Alpha Sapphire: Mega Special Animation -- The Pokemon Company streamed the "Mega Special Animation" short inspired by the upcoming Pokémon Omega Ruby and Pokémon Alpha Sapphire games on Sunday. The short features Pokémon undergoing the newly discovered Mega Evolution and Primal Reversion in the Hoenn region. -- -- (Source: ANN) -- ONA - Nov 16, 2014 -- 8,200 6.80
PriPara -- -- Dongwoo A&E, Tatsunoko Production -- 140 eps -- Game -- Music Slice of Life School Shoujo -- PriPara PriPara -- Every little girl waits for the day she'll get her special ticket, one that will grant her entry into the world of PriPara (Prism Paradise). PriPara is a world of music, fashion, and daily auditions for a chance to become a pop idol. Laala Manaka's friends and classmates aspire to become idols, but her school forbids elementary school students from participating in the idol competitions. -- -- Luckily, Laala is only interested in watching the idol shows. Yet somehow despite all this, she manages to bumble her way into the PriPara world, and debut as a fresh new talent. After being told all her life that she's too loud, Laala has finally found a place where she can be as loud as she wants and sing from her heart. -- -- And not only that, but there's a possibility that she might be the legendary Prism Voice. Adventure, fashion, and music awaits as Laala climbs her way to the top, on her way to become the cutest and most beloved pop idol in the world of PriPara! -- 16,826 7.43
Rail Wars! -- -- Passione -- 12 eps -- Light novel -- Action Harem Police Ecchi -- Rail Wars! Rail Wars! -- Rail Wars! takes place in an alternate universe where the Japanese government remains in control of the nation's railway systems. Because of the stability afforded by the leadership of the government, the railway system is allowed to flourish. -- -- Naoto Takayama aspires to become an employee for Japan National Railways because of the comfortable life that it will enable him to live. In order to accomplish this he enters its training program, where students must demonstrate their knowledge of trains as well as their ability to be ready for any challenge that might arise. -- -- During this time period he will encounter other students such as the athletically gifted Aoi Sakura, the constantly hungry Sho Iwaizumi, and the human encyclopedia Haruka Komi. Together they will work towards surviving their trainee period, all the while taking on purse snatchers, bomb threats, and the looming specter of the extremist “RJ” group who wants to privatize the railway system. -- -- Licensor: -- Sentai Filmworks -- TV - Jul 4, 2014 -- 172,395 6.40
Re:Creators -- -- TROYCA -- 22 eps -- Original -- Action Sci-Fi Fantasy Mecha -- Re:Creators Re:Creators -- Humans have designed countless worlds—each one born from the unique imagination of its creator. Souta Mizushino is a high school student who aspires to be such a creator by writing and illustrating his own light novel. One day, while watching anime for inspiration, he is briefly transported into a fierce fight scene. When he returns to the real world, he realizes something is amiss: the anime's headstrong heroine, Selesia Yupitilia, has somehow returned with him. -- -- Before long, other fictional characters appear in the world, carrying the hopes and scars of their home. A princely knight, a magical girl, a ruthless brawler, and many others now crowd the streets of Japan. However, the most mysterious one is a woman in full military regalia, dubbed "Gunpuku no Himegimi," who knows far more than she should about the creators' world. Despite this, no one knows her true name or the world she is from. -- -- Meanwhile, Souta and Selesia work together with Meteora Österreich, a calm and composed librarian NPC, to uncover the meaning behind these unnatural events. With powerful forces at play, the once clear line between reality and imagination continues to blur, leading to a fateful meeting between creators and those they created. -- -- 376,319 7.57
Runway de Waratte -- -- Ezόla -- 12 eps -- Manga -- Slice of Life Drama School Shounen -- Runway de Waratte Runway de Waratte -- Being the daughter of a modeling agency owner, Chiyuki Fujito aspires to represent her father's agency in the prestigious Paris Fashion Week, shining under the spotlight as a runway model. However, although she is equipped with great looks and talent, she unfortunately lacks a key element in becoming a successful model—height. Stuck at 158 cm even after entering high school, her childhood dream seems out of reach. -- -- Meanwhile, Ikuto Tsumura is a high school student with a knack in designing clothes; however, without the resources to pursue the necessary education, his ambition of becoming a fashion designer remains a mere dream. But as fate brings Chiyuki and Ikuto together, the dim hopes within their hearts are ignited once again. Together, the two promise to rebel against convention and carve out their own paths in the fashion world. -- -- 85,891 7.62
Runway de Waratte -- -- Ezόla -- 12 eps -- Manga -- Slice of Life Drama School Shounen -- Runway de Waratte Runway de Waratte -- Being the daughter of a modeling agency owner, Chiyuki Fujito aspires to represent her father's agency in the prestigious Paris Fashion Week, shining under the spotlight as a runway model. However, although she is equipped with great looks and talent, she unfortunately lacks a key element in becoming a successful model—height. Stuck at 158 cm even after entering high school, her childhood dream seems out of reach. -- -- Meanwhile, Ikuto Tsumura is a high school student with a knack in designing clothes; however, without the resources to pursue the necessary education, his ambition of becoming a fashion designer remains a mere dream. But as fate brings Chiyuki and Ikuto together, the dim hopes within their hearts are ignited once again. Together, the two promise to rebel against convention and carve out their own paths in the fashion world. -- -- -- Licensor: -- Funimation -- 85,891 7.62
Sakamichi no Apollon -- -- MAPPA, Tezuka Productions -- 12 eps -- Manga -- Drama Josei Music Romance School -- Sakamichi no Apollon Sakamichi no Apollon -- Introverted classical pianist and top student Kaoru Nishimi has just arrived in Kyushu for his first year of high school. Having constantly moved from place to place since his childhood, he abandons all hope of fitting in, preparing himself for another lonely, meaningless year. That is, until he encounters the notorious delinquent Sentarou Kawabuchi. -- -- Sentarou's immeasurable love for jazz music inspires Kaoru to learn more about the genre, and as a result, he slowly starts to break out of his shell, making his very first friend. Kaoru begins playing the piano at after-school jazz sessions, located in the basement of fellow student Ritsuko Mukae's family-owned record shop. As he discovers the immense joy of using his musical talents to bring enjoyment to himself and others, Kaoru's summer might just crescendo into one that he will remember forever. -- -- Sakamichi no Apollon is a heartwarming story of friendship, music, and love that follows three unique individuals brought together by their mutual appreciation for jazz. -- -- -- Licensor: -- Sentai Filmworks -- 295,472 8.35
Sakasama no Patema -- -- Purple Cow Studio Japan, Studio Rikka -- 1 ep -- Original -- Adventure Sci-Fi -- Sakasama no Patema Sakasama no Patema -- Patema is a plucky young girl from an underground civilization boasting an incredible network of tunnels. Inspired by a friend that mysteriously went missing, she is often reprimanded due to her constant excursions of these tunnels due to her royal status. After she enters what is known as the "forbidden zone," she accidentally falls into a giant bottomless pit after being startled by a strange creature. -- -- Finding herself on the surface, a world literally turned upside down, she begins falling towards the sky only to be saved by Age, a discontented student of the totalitarian nation known as Aiga. The people of Aiga are taught to believe that "Inverts," like Patema, are sinners that will be "swallowed by the sky," but Age has resisted this propaganda and decides to protect his new friend. A chance meeting between two curious teenagers leads to an exploration of two unique worlds as they begin working together to unveil the secrets of their origins in Sakasama no Patema, a heart-warming film about overcoming differences in order to coexist. -- -- -- The film was first premiered at France's Annecy, the world's largest animation festival, on June 13, 2013. Screening in Japanese theaters began on November 9, 2013. -- -- Licensor: -- GKIDS, NYAV Post -- Movie - Nov 9, 2013 -- 225,667 8.03
Shouwa Genroku Rakugo Shinjuu -- -- Studio Deen -- 13 eps -- Manga -- Drama Historical Josei -- Shouwa Genroku Rakugo Shinjuu Shouwa Genroku Rakugo Shinjuu -- Yotarou is a former yakuza member fresh out of prison and fixated on just one thing: rather than return to a life of crime, the young man aspires to take to the stage of Rakugo, a traditional Japanese form of comedic storytelling. Inspired during his incarceration by the performance of distinguished practitioner Yakumo Yuurakutei, he sets his mind on meeting the man who changed his life. After hearing Yotarou's desperate appeal for his mentorship, Yakumo is left with no choice but to accept his very first apprentice. -- -- As he eagerly begins his training, Yotarou meets Konatsu, an abrasive young woman who has been under Yakumo's care ever since her beloved father Sukeroku Yuurakutei, another prolific Rakugo performer, passed away. Through her hidden passion, Yotarou is drawn to Sukeroku's unique style of Rakugo despite learning under contrasting techniques. Upon seeing this, old memories and feelings return to Yakumo who reminisces about a much earlier time when he made a promise with his greatest rival. -- -- Shouwa Genroku Rakugo Shinjuu is a story set in both the past and present, depicting the art of Rakugo, the relationships it creates, and the lives and hearts of those dedicated to keeping the unique form of storytelling alive. -- -- 231,915 8.60
Smile Precure! -- -- Toei Animation -- 48 eps -- Original -- Action Magic Fantasy Shoujo -- Smile Precure! Smile Precure! -- To teenager Miyuki Hoshizora, fairy tales are a world of wondrous encounters and happy endings. Inspired by her love for these stories, she lives every day searching for happiness. While running late on her first day of school as a transfer student, Miyuki meets Candy—a mysterious fairy from the world of fairy tales, Märchenland. However, when Candy disappears as quickly as she appeared, Miyuki is left believing the encounter was only a dream. -- -- After an eventful first day, Miyuki finds a mysterious library at school. While combing through the bookshelves, she is transported next to Candy, who claims to be searching for the so-called legendary warriors, Precure. When forced to protect Candy's and everyone else's happiness, Miyuki transforms into "Cure Happy," one of the Precure warriors! As Cure Happy, Miyuki is now tasked with finding the other legendary warriors and protecting the world from destruction, all while possibly discovering her very own happy ending. -- -- 29,388 6.71
Somali to Mori no Kamisama -- -- HORNETS, Satelight -- 12 eps -- Web manga -- Adventure Slice of Life Demons Drama Fantasy -- Somali to Mori no Kamisama Somali to Mori no Kamisama -- In a world inhabited by demons, cyclopes, and other fantastic creatures, humans stand apart as the outcasts. Quick to anger, the human race engaged in a war that all but wiped them out. The few humans that remain are seen as a delicacy, serving no purpose but to be hunted down and eaten. -- -- One day, Golem, a wandering protector of nature, encounters a lone human child while patrolling. Inspired by her enthusiasm, he takes the girl, named Somali, under his wing. Together, the duo embarks on a journey to find Somali's parents and bring her home. -- -- 204,462 7.82
Sora no Aosa wo Shiru Hito yo -- -- CloverWorks -- 1 ep -- Original -- Drama -- Sora no Aosa wo Shiru Hito yo Sora no Aosa wo Shiru Hito yo -- High school student Aoi Aioi lives with her elder sister, Akane, after a tragic accident took their parents away 13 years ago. Because Akane has since been taking care of her single-handedly, Aoi wants to move to Tokyo after her graduation to relieve her sister's burden and pursue a musical career, inspired by Akane's ex-boyfriend Shinnosuke "Shinno" Kanamuro. Shinno was part of a band until he left for Tokyo to become a professional guitarist after the sisters' parents passed away, and he was never to be seen again. -- -- One afternoon, while Aoi practices her bass in a guest house, she gets startled by the 18-year-old version of Shinno from 13 years ago! As if by coincidence, the current 31-year-old Shinno also returns to the town, but he has changed drastically. There are now two Shinno's in existence, but why is the Shinno from the past present? -- -- Sora no Aosa wo Shiru Hito yo revolves around these four individuals as they confront their inner feelings toward each other and make decisions that will affect their lives from here on out. -- -- Movie - Oct 11, 2019 -- 60,630 7.53
Sora yori mo Tooi Basho -- -- Madhouse -- 13 eps -- Original -- Adventure Comedy Drama -- Sora yori mo Tooi Basho Sora yori mo Tooi Basho -- Filled with an overwhelming sense of wonder for the world around her, Mari Tamaki has always dreamt of what lies beyond the reaches of the universe. However, despite harboring such large aspirations on the inside, her fear of the unknown and anxiety over her own possible limitations have always held her back from chasing them. But now, in her second year of high school, Mari is more determined than ever to not let any more of her youth go to waste. Still, her fear continues to prevent her from taking that ambitious step forward—that is, until she has a chance encounter with a girl who has grand dreams of her own. -- -- Spurred by her mother's disappearance, Shirase Kobuchizawa has been working hard to fund her trip to Antarctica. Despite facing doubt and ridicule from virtually everyone, Shirase is determined to embark on this expedition to search for her mother in a place further than the universe itself. Inspired by Shirase's resolve, Mari jumps at the chance to join her. Soon, their efforts attract the attention of the bubbly Hinata Miyake, who is eager to stand out, and Yuzuki Shiraishi, a polite girl from a high class background. Together, they set sail toward the frozen south. -- -- Sora yori mo Tooi Basho follows the captivating journey of four spirited girls, all in search of something great. -- -- 359,273 8.56
Suzumiya Haruhi no Yuuutsu -- -- Kyoto Animation -- 14 eps -- Light novel -- Comedy Mystery Parody School Sci-Fi Slice of Life -- Suzumiya Haruhi no Yuuutsu Suzumiya Haruhi no Yuuutsu -- Kyon, your typical high school student, has long given up his belief in the supernatural. However, upon meeting Haruhi Suzumiya, he quickly finds out that it is the supernatural that she is interested in—aliens, time travelers, and espers among other things. When Haruhi laments about the lack of intriguing clubs around school, Kyon inspires Haruhi to form her own club. As a result, the SOS Brigade is formed, a club which specializes in all that is the supernatural. -- -- Much to his chagrin, Kyon, along with the silent bookworm, Yuki Nagato, the shy and timid Mikuru Asahina, and the perpetually smiling Itsuki Koizumi, are recruited as members. The story follows the crazy adventures that these four endure under their whimsical leader, Haruhi. The story is based on the light novels by Nagaru Tanigawa. -- -- -- Licensor: -- Bandai Entertainment, Funimation, Kadokawa Pictures USA -- 764,911 7.87
Sword Art Online Fatal Bullet: The Third Episode - Pilot-ban -- -- - -- 1 ep -- Game -- Game -- Sword Art Online Fatal Bullet: The Third Episode - Pilot-ban Sword Art Online Fatal Bullet: The Third Episode - Pilot-ban -- A special movie said to be inspired by the Sword Art Online Fatal Bullet video game. The story takes place during the Gun Gale Online arc. -- -- Bandai Namco uploaded the short to their official YouTube channel saying it was a pilot version. They are also having an open audition for the female's voice via Twitter. Users can vote for the girls by retweeting their videos (which can either be through Twitter or a link to YouTube). February 8-19 will be the first selection where the top 3 accounts retweeted are chosen. And February 21-22 will be the final selection of girls where the previous 3 accounts along with 1 account chosen by the producer are judged. -- ONA - Feb 8, 2018 -- 10,536 5.76
Tetsuwan Atom -- -- Mushi Production -- 193 eps -- Manga -- Action Sci-Fi Adventure Drama Mecha Shounen -- Tetsuwan Atom Tetsuwan Atom -- In the year 2003, Professor Tenma is distraught when his son Tobio is killed in a car accident. He loses himself in his latest project, creating Atom, a robot boy programmed to be forever good. -- -- Upset that his Tobio-substitute can never grow up, Tenma sells Atom to Ham Egg, the cruel ringmaster of a robot circus. Atom meets the kindly Professor Ochanomizu, who adopts him, inspires him to become a crusader against evil, and eventually builds him a robot "sister," Uran. -- -- (Source: The Anime Encyclopedia) -- -- Licensor: -- Nozomi Entertainment -- 9,620 7.10
The Chocolate Panic Picture Show -- -- Gainax -- 1 ep -- Manga -- Dementia Psychological -- The Chocolate Panic Picture Show The Chocolate Panic Picture Show -- Gainax's first professional production, The Chocolate Panic Picture Show is a wacky musical OVA based on a manga by Fujiwara Kamui, serialised in Monthly Super Action and partly inspired by Jamie Uys's The Gods Must Be Crazy (1980). -- -- Follow Manbo, Chinbo and Chonbo as they are flung into a strange, psychedelic world of madness they don't understand. See them cause chaos through their zany, unpredictable antics in this comical take on cultural imperialism. -- OVA - Sep 21, 1985 -- 2,700 4.45
Tiger Mask -- -- Toei Animation -- 105 eps -- Manga -- Action Drama Shounen Sports -- Tiger Mask Tiger Mask -- Tiger Mask (whose real name was Naoto Date) was a feared heel wrestler in America who was extremely vicious in the ring. However, he became a face after returning to Japan when a young boy said that he wanted to be a villain like Tiger Mask when he grew up. The boy resided in an orphanage, the same one that Tiger Mask grew up in during his childhood. Feeling that he did not want the boy to idolize a villain, Tiger was inspired to be a heroic wrestler. -- -- The main antagonist in the manga and anime was Tigers' Den, a mysterious organization that trained young people to be villainous heel wrestlers on the condition that they gave half of their earnings to the organization. Tiger Mask was once a member of Tigers' Den under the name "Yellow Devil", but no longer wanted anything to do with them, instead donating his money to the orphanage. This infuriated the leader of the organization and he sent numerous assassins, including other professional wrestlers, to punish him. -- -- (Source: Wikipedia) -- TV - Oct 2, 1969 -- 8,091 7.26
Toki-iro Kaima -- -- - -- 4 eps -- - -- Horror Shounen -- Toki-iro Kaima Toki-iro Kaima -- Anime adaptation of the same name horror manga by Suzumiya Wayu, serialized in Shogakuan's Weekly Shonen Sunday special issue. -- OVA - Apr 20, 1989 -- 343 N/A -- -- Mechano: Scientific Attack Force -- -- - -- 3 eps -- - -- Comedy Dementia Fantasy Horror Music Parody -- Mechano: Scientific Attack Force Mechano: Scientific Attack Force -- Three 10-minute videos present a trippy view into the minds of their creators. Brought together by Pierre Taki of Denki Groove, Mechano: Scientific Attack Force features three shorts done in very different styles. -- -- The three short films are: -- -- "Plastic Gun Man" - a 3D Western spoof -- "World Meccano Triangle" - a music video reminiscent of '90s era screensavers -- "Haiirogaoka no Soridaijin" (translated as "Prime Minister of Gray Hill") - an anime-style animated video parody of Akira Mochizuki's famous 1977 manga, Yuuhi ga Oka no Souri Daijin -- OVA - Sep 1, 1995 -- 334 N/A -- -- Hwasan Golae -- -- - -- 1 ep -- Original -- Horror Thriller -- Hwasan Golae Hwasan Golae -- In the year 2070, mankind faces a life threatening crisis due to huge earthquakes and volcanic eruptions. Korea is in a state of anarchy and Busan is swarming with refugees. Young street dealer Ha-jin has the ability to communicate with whales – a fact she keeps hidden from everyone. One day, a onearmed woman named Baek Sang-won asks Ha-jin to join her in the gules whale hunt. Painful memories lead Ha-jin to turn down the offer initially, but she eventually ends up joining Baek. As she makes friends on the ship, she grows curious about the gules whale and learns that every crew member has a sad gules story. The madness in the crews’ eyes as they try to kill the gules brings Ha-jin’s trauma to the forefront of her mind – and she experiences her own madness. -- -- (Source: Korean Film Biz Zone) -- Movie - Sep 10, 2015 -- 322 N/A -- -- Shin Gakkou no Yuurei -- -- - -- 1 ep -- Original -- Horror Demons Supernatural Thriller School -- Shin Gakkou no Yuurei Shin Gakkou no Yuurei -- Following the popularity of the original omnibus OVA, this release offers 4 more stories but in animation only. -- OVA - Jun 11, 1999 -- 316 N/A -- -- Burning Village -- -- - -- 10 eps -- - -- Fantasy Horror -- Burning Village Burning Village -- Animal folk tales set in the titular community, in which local eccentric Ohahai retells several popular fairy tales with considerable license. -- -- (Source: AniDB) -- OVA - May 1, 1989 -- 314 N/A -- -- Petit Petit Muse -- -- - -- 26 eps -- Original -- Cars Horror Kids -- Petit Petit Muse Petit Petit Muse -- Two twins, Ara and Ari, aspire into the world of fashion. Ara wants to become a fashion model, while her sister, Ari, wants to become a fashion designer. They meet a man named Yorang, who is the fashion designer in Heaven. -- 311 N/A -- -- Kaibutsu-kun: Demon no Ken -- -- Shin-Ei Animation -- 1 ep -- - -- Comedy Horror Kids Shounen -- Kaibutsu-kun: Demon no Ken Kaibutsu-kun: Demon no Ken -- Based on the shounen manga by Fujiko Fujio. -- -- Note: Screened as a triple feature with Doraemon: Nobita no Daimakyou and Ninja Hattori-kun: Nin Nin Ninpo Enikki no Maki. -- -- (Source: AniDB) -- Movie - Mar 13, 1982 -- 307 N/A -- -- Fire Emblem Heroes Book III Movie：Cohort of the Dead -- -- - -- 1 ep -- Game -- Action Game Horror Supernatural Fantasy -- Fire Emblem Heroes Book III Movie：Cohort of the Dead Fire Emblem Heroes Book III Movie：Cohort of the Dead -- A mini movie released on the Fire Emblem Heroes website in honor of a major plot twist in Book 3. -- Special - Jul 21, 2019 -- 292 6.23
Toriko -- -- Toei Animation -- 147 eps -- Manga -- Action Adventure Comedy Fantasy Shounen -- Toriko Toriko -- Hamburgers that grow out of the ground like four-leaf clovers, mountain ranges carved out of ice cream, and warm servings of mac and cheese that stew deep within the stomachs of volcanoes fill the landscape. This world of delectable natural wonders has reached a prime age of exploration—the Gourmet Age! Citizens and chefs alike aspire to taste and prepare the finest dishes, while adventurers called "Gourmet Hunters" seek out delicious rare ingredients. -- -- Possessing a unique set of skills, the wild and passionate Gourmet Hunter Toriko is infamous for discovering 2% of all known ingredients. Together with his friend Komatsu—a highly skilled chef working at a five-star hotel—Toriko strives to complete his Full Course Menu of Life. But it isn’t going to be easy; in order to obtain the most delicious ingredients, Toriko must battle against obstacles like deadly monsters, evil organizations, and food itself! -- -- -- Licensor: -- Funimation -- 103,881 7.55
Tsurune: Kazemai Koukou Kyuudoubu -- -- Kyoto Animation -- 13 eps -- Light novel -- Sports Drama School -- Tsurune: Kazemai Koukou Kyuudoubu Tsurune: Kazemai Koukou Kyuudoubu -- "Tsurune"—It's the sound made by the bowstring when an arrow is released, and the sound that inspired Minato Narumiya to learn Kyuudo, a modern Japanese martial art focusing on archery. However, an incident during his last middle school tournament caused him to quit the sport. -- -- But soon, many factors conspire to make Minato take up the bow once again: the start of a new Kyuudo club in his high school, a chance encounter with a mysterious archer, and the support of his childhood friends, Seiya Takehaya and Ryouhei Yamanouchi. Together with his childhood friends and his new teammates, Kaito Onogi and Nanao Kisaragi, Minato rekindles his love for Kyuudo and works with his team toward their aim of winning the prefectural tournament. -- -- 93,500 7.59
Twin Angel Break -- -- J.C.Staff -- 12 eps -- Game -- Drama Magic -- Twin Angel Break Twin Angel Break -- Amatsuki Meguru is a girl who innocently aspires to be a hero of justice and the cool Kisaragi Sumire who grew up in the strict Kisaragi household... The two girls who are in their 3rd year of middle school end up getting orders from a mysterious hedgehog named Miruku-chan and turn into Twin Angels in order to fight evil! Meguru is always cheerful but sometimes a bit too forceful. Meanwhile, Sumire isn't accustomed with being around others. Despite their differences, as they work together, they start opening up to each other. -- -- (Source: Crunchyroll) -- 11,172 5.89
Uma Musume: Pretty Derby (TV) -- -- P.A. Works -- 13 eps -- Game -- Comedy Slice of Life Sports -- Uma Musume: Pretty Derby (TV) Uma Musume: Pretty Derby (TV) -- Famous racehorses that have left behind worthy legacies, unique as they can be, are reincarnated as horse girls in a parallel world. In this life, they start their journey anew as they continue to race and perhaps relive the success they once lived through. -- -- Aspiring to become the best racehorse in Japan, a horse girl named Special Week moves to Tokyo to enroll in the Tracen Academy—an institution that nurtures horse girls like her to become better racers. There, Special Week witnesses the sophisticated running style of Silence Suzuka and is inspired to become a racer like her. Shortly after, Special Week finds herself recruited into Silence Suzuka's team, Spica. From there, she begins her path to the top—one lap at a time. -- -- 89,269 7.29
Wonder Momo -- -- Graphinica -- 5 eps -- Game -- Action Game Martial Arts School -- Wonder Momo Wonder Momo -- One day, a group of aliens planning to take over the Earth invade Tokyo. Momoko, who aspires to be an idol, gets involved in the ensuing fight, albeit in an unexpected manner. Warudemon, king of the alien empire, uses various tactics to hunt down Momoko and the people around her. Momoko decides to stand up against this aggression. -- -- Wonder Momo was originally an arcade game released in 1987. A fairly simplistic (by today's standards) side-scrolling beat 'em up game, featuring a transforming, hoop-wielding heroine. -- -- (Source: MAL News) -- ONA - Feb 6, 2014 -- 5,672 3.57
Yami Shibai 5 -- -- ILCA -- 13 eps -- Original -- Dementia Horror Supernatural -- Yami Shibai 5 Yami Shibai 5 -- The mysterious masked Storyteller returns to tell more twisted tales of horror. Continuing his particular style of kamishibai inspired storytelling, he now finds that his audience is an eerie crowd of young girls, who eagerly await his devilish stories. -- -- He recounts ghostly legends involving girls of all ages: a housewife who receives a barrage of chilling phone calls; a strange girl whose flower readings are always right; a mother and daughter's ominous meeting with the "crow lady"; and a young girl whose demands from others grow more and more outrageous with each request. Witness once again the Storyteller's haunting and gripping tales, which are sure to leave one with more than just chills... -- -- 19,027 6.30
Yawara! -- -- Madhouse -- 124 eps -- Manga -- Action Comedy Drama Martial Arts Romance Slice of Life Sports -- Yawara! Yawara! -- High school student Yawara Inokuma lives a completely happy and ordinary life. She aspires to an average lifestyle as a delicate young lady with a handsome boyfriend in the near future. -- -- Unfortunately for Yawara, she has an undesirable prodigious talent in Judo, a modern martial art that is neither feminine nor fashionable. Moreover, Yawara is the only granddaughter of the seventh dan Judo master Jigorou Inokuma, who expects her to become a Japanese Judoka superstar of the '90s. -- -- Yawara cautiously hides her strength from everyone to maintain a normal reputation but is often pushed to situations when she must exercise her Judo skills. Observing Yawara's immense potential from the shadows, Kousaku Matsuda, a sports reporter from a substandard paper, is willing to do everything he can to bring her into the limelight. -- -- -- Licensor: -- AnimEigo -- 15,295 7.47
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