TERMS STARTING WITH
spells ::: 1. To decipher something; comprehend by studying. 2. To amount to; to signify, imply, or involve.
TERMS ANYWHERE
Administrative Procedures Act ::: A law that spells out procedures and requirements related to the promulgation of regulations.
also Invocations, Conjurations, Spells, Charms, and Exorcisms
Astaphaeus. Origen, in Contra Celsum VI, spells
Atharva Veda (Sanskrit) Atharva Veda One of the principal Vedas, commonly known as the fourth; attributed to Atharvan or Atharva. The Rig-Veda states that he was the first to “draw forth fire” and institute its worship, as well as the offering of soma and prayers. Mythologically, Atharvan is represented as a prajapati, Brahma’s eldest son, instructed by his father in brahma-vidya: thus was he inspired to compose the Veda bearing his name. At a later period he is associated with Angiras and called the father of Agni. The Atharva-Veda, considered of later origin than the other three Vedas, comprises about 6000 verses, 760 being hymns, consisting of formulas and spells or incantations for counteracting diseases and calamities. The hymns are of slightly different character from those in the other Vedas: in addition to reverencing the gods, the worshiper himself is exalted and is supposed to receive benefits by reciting the mantras.
bookofshadows ::: Book of Shadows Gerald Gardner coined the term Book of Shadows as a substitute for Grimoire. In Wiccan tradition, the Book of Shadows is the book in which a coven or a solitary witch secretly keeps a record of spells and rituals. Most such books were hand written and elaborately decorated, although many today are created on computers.
Boom Stick: Wand, staff, or device used to cast spectacularly vulgar spells.
spells ::: 1. To decipher something; comprehend by studying. 2. To amount to; to signify, imply, or involve.
cakra. (P. cakka; T. 'khor lo; C. lun; J. rin; K. yun 輪). In Sanskrit, "wheel," "disc," or "circle"; a frequent symbol used to represent various aspects of Buddhism, from the Buddha, to the DHARMA, to Buddhist notions of kingship. When the Buddha first taught his new religion, it is said that he "turned the wheel of dharma" (DHARMACAKRAPRAVARTANA) and the eight-spoked "wheel of dharma" (DHARMACAKRA) is subsequently used as a symbol for both the teachings as well as the person who rediscovered and enunciated those teachings. The ABHIDHARMAKOsABHAsYA explains that the noble eightfold path (ARYAstAnGAMARGA) is like a wheel because it is similar in terms of the hub that is the support of the wheel, the spokes, and the containment rim. Right speech, action, and livelihood are like the hub, because they are the training in morality that provides support for concentration (DHYANA) and wisdom (PRAJNA). Right view, thought, and effort are like spokes, because they are the training in wisdom. Right mindfulness and concentration are like the rim because the spokes of right view and so forth provide the objective support (ALAMBANA) in a one-pointed manner in dependence on them. The dharmacakra appears in some of the earliest Buddhist art, often as an iconographic symbol standing in for the Buddha himself. The sign of a thousand-spoked wheel on the palms of the hands and the soles of the feet is one of the thirty-two major marks of a great man (MAHAPURUsALAKsAnA), which is said to adorn the body of both a Buddha and a "wheel-turning emperor" (CAKRAVARTIN), his secular counterpart. A cakravartin's power is said to derive from his wheel of divine attributes, which rolls across different realms of the earth, bringing them under his dominion. The realm of SAMSARA is sometimes depicted iconographically in the form of a wheel, known as the "wheel of existence" (BHAVACAKRA), with a large circle divided into the six realms of existence (sAdGATI), surrounded by an outer ring representing the twelve links of dependent origination (PRATĪTYASAMUTPADA). ¶ The term cakra is also important in Buddhist TANTRA, especially in ANUTTARAYOGATANTRA. According to various systems of tantric physiognomy, a central channel (AVADHuTĪ) runs from either the tip of the genitals or the base of the spine to either the crown of the head or the point between the eyebrows, with a number of "wheels" (cakra) along its course. In one of the systems, these wheels are located at the point between the eyebrows, the crown of the head, the throat, the heart, the navel, the base of the spine, and the opening of the sexual organ. Running parallel to the central channel to the right and left are two channels, both smaller in diameter, the LALANA and the RASANA. It is said that the right and left channels wrap around the central channel, forming knots at the cakras. Much tantric practice is devoted to techniques for loosening these knots in order to allow the winds (PRAnA) or energies that course through the other channels to flow freely and enter into the central channel. The cakras themselves are essential elements in this practice and other tantric meditative practices, with seed syllables (BĪJA), spells (MANTRA), deities, and diagrams (MAndALA) visualized at their center. The cakras themselves are often described as open lotus blossoms, with varying numbers of petals in different colors.
deosil">Deosil A clockwise movement, symbolic of life, positive energies and good. The majority of rituals, ceremonies and spells, normally call for deosil movement at some point in their construction. See also Widdershins.
dhāranī. (T. gzungs; C. tuoluoni/zongchi; J. darani/soji; K. tarani/ch'ongji 陀羅尼/總持). In Sanskrit, "mnemonic device," "code." The term is derived etymologically from the Sanskrit root √dhṛ ("to hold" or "to maintain"), thus suggesting something that supports, holds, or retains; hence, a verbal formula believed to "retain" or "encapsulate" the meaning of lengthier texts and prolix doctrines, thus functioning as a mnemonic device. It is said that those who memorize these formulae (which may or may not have semantic meaning) gain the power to retain the fuller teachings that the dhāranī "retain." Commenting on the BODHISATTVABHuMISuTRA, Buddhist exegetes, such as the sixth-century Chinese scholiast JINGYING HUIYUAN, describe dhāranī as part of the equipment or accumulation (SAMBHĀRA) that BODHISATTVAs need to reach full enlightenment, and classify dhāranī into four categories, i.e., those associated with (1) teachings (DHARMA), (2) meaning (ARTHA), (3) spells (MANTRA), and (4) acquiescence (KsĀNTI). The first two types are involved with learning and remembering the teachings and intent of Buddhist doctrine and thus function as "codes." In the PRAJNĀPĀRAMITĀ literature, for example, a dhāranī can be a letter of the alphabet associated with a meaningful term: e.g., the letter "a" serves as code for remembering the term "ādy-anutpannatva" ("unproduced from the very beginning"). The third type (mantradhāranī) helps the bodhisattva to overcome adversity, counter baleful influences, and bestow protection (see PARĪTTA). The fourth type assists the bodhisattva in acquiescing to the true nature of dharmas as unproduced (ANUTPATTIKADHARMAKsĀNTI), giving him the courage to remain in the world for the sake of all sentient beings. Dhāranī sometimes occur at the conclusion of a Mahāyāna sutra as a terse synopsis of the fuller teaching of the sutra, again drawing on their denotation as codes. The DHARMAGUPTAKA school of mainstream Buddhism, which may date to as early as the third or second century BCE, included a dhāranī collection (dhāranīpitaka) as an addition to the usual tripartite division of the Buddhist canon (TRIPItAKA), an indication of how widespread the use of dhāranī was across the Buddhist tradition. Dhāranī also appear often in Buddhist tantras and one prevailing theory in the scholarship had been that they were the root source from which tantric literature developed. The connection between dhāranī and the TANTRAs is tenuous, however, and seems not to be found before eighth-century materials. More likely, then, dhāranī should be treated as a pan-Buddhistic, rather than a proto-tantric, phenomenon. Indeed, the DAZHIDU LUN (*MahāprajNāpāramitāsāstra), attributed to NĀGĀRJUNA, includes facility in dhāranī among the skills that all ordained monks should develop and mastery of ten different types of dhāranī as a central part of the training of bodhisattvas. See also MANTRA.
Dharmaksema. (C. Tanwuchen; J. Donmusen; K. Tammuch'am 曇無讖) (385-433 CE). Indian Buddhist monk who was an early translator of Buddhist materials into Chinese. A scion of a brāhmana family from India, Dharmaksema became at the age of six a disciple of Dharmayasas (C. Damoyeshe; J. Donmayasha) (d.u.), an ABHIDHARMA specialist who later traveled to China c. 397-401 and translated the sāriputrābhidharmasāstra. Possessed of both eloquence and intelligence, Dharmaksema was broadly learned in both monastic and secular affairs and was well versed in mainstream Buddhist texts. After he met a meditation monk named "White Head" and had a fiery debate with him, Dharmaksema recognized his superior expertise and ended up studying with him. The monk transmitted to him a text of the MAHĀPARINIRVĀnASuTRA written on bark, which prompted Dharmaksema to embrace the MAHĀYĀNA. Once he reached the age of twenty, Dharmaksema was able to recite over two million words of Buddhist texts. He was also so skilled in casting spells that he earned the sobriquet "Great Divine Spell Master" (C. Dashenzhou shi). Carrying with him the first part of the Mahāparinirvānasutra that he received from "White Head," he left India and arrived in the KUCHA kingdom in Central Asia. As the people of Kucha mostly studied HĪNAYĀNA and did not accept the Mahāyāna teachings, Dharmaksema then moved to China and lived in the western outpost of DUNHUANG for several years. Juqu Mengxun, the non-Chinese ruler of the Northern Liang dynasty (397-439 CE), eventually brought Dharmaksema to his capital. After studying the Chinese language for three years and learning how to translate Sanskrit texts orally into Chinese, Dharmaksema engaged there in a series of translation projects under Juqu Mengxun's patronage. With the assistance of Chinese monks, such as Daolang and Huigao, Dharmaksema produced a number of influential Chinese translations, including the Dabanniepan jing (S. Mahāparinirvānasutra; in forty rolls), the longest recension of the sutra extant in any language; the Jinguangming jing ("Sutra of Golden Light"; S. SUVARnAPRABHĀSOTTAMASuTRA; in four rolls); and the Pusa dichi jing (S. BODHISATTVABHuMISuTRA; in ten rolls). He is also said to have made the first Chinese translation of the LAnKĀVATĀRASuTRA (C. Ru Lengqie jing), but his rendering had dropped out of circulation at least by 730 CE, when the Tang Buddhist cataloguer ZHISHENG (700-786 CE) compiled the KAIYUAN SHIJIAO LU. The Northern Wei ruler Tuoba Tao, a rival of Juqu Mengxun's, admired Dharmaksema's esoteric expertise and requested that the Northern Liang ruler send the Indian monk to his country. Fearing that his rival might seek to employ Dharmaksema's esoteric expertise against him, Juqu Mengxun had the monk assassinated at the age of forty-nine. Dharmaksema's translation of Indian Buddhist texts into Chinese had a significant impact on Chinese Buddhism; in particular, the doctrine that all beings have the buddha-nature (FOXING), a teaching appearing in Dharmaksema's translation of the Mahāparinirvānasutra, exerted tremendous influence on the development of Chinese Buddhist thought.
disenchant ::: v. t. --> To free from enchantment; to deliver from the power of charms or spells; to free from fascination or delusion.
enchantment ::: n. --> The act of enchanting; the production of certain wonderful effects by the aid of demons, or the agency of supposed spirits; the use of magic arts, spells, or charms; incantation.
The effect produced by the act; the state of being enchanted; as, to break an enchantment.
That which captivates the heart and senses; an influence or power which fascinates or highly delights.
Golem ::: (Heb. Cocoon) According to the Talmud and Jewish folklore, the golem is a clay automaton which can be created through a series of spells and incantations to protect an oppressed Jewish community.
grimoire ::: Grimoire A book containing a magician's spells or incantations, or a system of magick. Many such books were produced during the Middle Ages and Renaissance period. The Lemegeten, or Lesser Key of Solomon, is a grimoire, translated by Samuel Liddell Macgregor Mathers and edited by Aleister Crowley. See also Book of Shadows.
Guanding jing. (J. Kanjogyo; K. Kwanjong kyong 灌頂經). In Chinese, "Consecration Scripture." Although the Guanding jing claims to be a translation by srīmitra (d. 343), the scripture is almost certainly a indigenous Chinese scripture (see APOCRYPHA) composed in the mid-fifth century. The Guanding jing is largely a collection of twelve semi-independent scriptures on magical spells (DHĀRAnĪ). They are the (1) spells of the 72,000 spirit kings that protect BHIKsUs; (2) spells of the 120,000 spirit kings that protect BHIKsuNĪs; (3) protective spells of the three refuges and five precepts to be carried on one's person; (4) protective spells of the hundred-knotted spirit kings; (5) incantations of spirit kings who guard one's surroundings; (6) the circumstances of tombs and the spells of the four quarters; (7) devil-subduing seals and great spells; (8) great spells of Maniratna; (9) summoning the dragon kings of the five directions and treating pestilent infections; (10) the oracle of Brahmā; (11) rebirth in the ten pure lands of one's desire; and (12) eliminating faults and transcending life and death. The twelfth scripture is currently the oldest extant Chinese version of the BHAIsAJYAGURUSuTRA. The Guanding jing also contains one of the earliest extant Chinese descriptions of a full Buddhist consecration (ABHIsEKA) ritual, and serves as an important source for studying the influence of Daoism on early Buddhism.
Gyan (Persian) Also Gian-ben-Gian, Gyan-ben-Gian. According to the Persian legend, Gyan was king of the peris or sylphs. He had a wonderful shield which served as a protection against evil or black magic — the sorcery of the devs. Blavatsky remarks that Gyan might be spelled Gnan (which corresponds to the Sanskrit jnana), meaning true or occult wisdom. His shield, “produced on the principles of astrology, destroyed charms, enchantments, and bad spells, could not prevail against Iblis, who was an agent of Fate (or Karma)” (SD 2:394).
Hsi-tsang (Chinese) [from hsi west + tsang (cf Tibet tsan) a central province of Tibet whose most important city is Shigatse] Blavatsky spells Si-dzang. The name for Tibet “mentioned in the MSS. of the sacred library of the province of Fo-Kien [Fu-chien], as the great seat of Occult learning from time immemorial, ages before Buddha” (SD 1:271n).
Into the elivagar massed in Ginnungagap (formless or sacred void) fell showers of sparks from Muspellsheim (home of fire), the energic counterpart of Niflheim (home of clouds, nebulae), creating a vapor — Ymir, the frost giant from which the gods created worlds. Ymir is then said to have given rise to the race of rime-thurses — matter giants, for “all their kin is ever evil.”
Isis: Wife of Osiris, greatest of all goddesses of ancient Egypt, “the Great Enchantress, the Mistress of Magic, the Speaker of Spells.”
magic number "jargon, programming" 1. In {source code}, some non-obvious constant whose value is significant to the operation of a program and that is inserted inconspicuously in-line ({hard-coded}), rather than expanded in by a symbol set by a commented "
magic number ::: (jargon, programming) 1. In source code, some non-obvious constant whose value is significant to the operation of a program and that is inserted inconspicuously in-line (hard-coded), rather than expanded in by a symbol set by a commented
mantra. (T. sngags; C. zhenyan; J. shingon; K. chinon 眞言). In Sanskrit, "spell," "charm," or "magic formula"; a syllable or series of syllables that may or may not have semantic meaning, most often in a form of Sanskrit, the contemplation or recitation of which is thought to be efficacious. Indian exegetes creatively etymologized the term with the paronomastic gloss "mind protector," because a mantra serves to protect the mind from ordinary appearances. There are many famous mantras, ranging in length from one syllable to a hundred syllables or more. They are often recited to propitiate a deity, and their letters are commonly visualized in tantric meditations, sometimes within the body of the meditator. Although mantras are typically associated with tantric texts, they also appear in the SuTRAs, most famously in the PRAJNĀPĀRAMITĀHṚDAYASuTRA ("Heart Sutra"). Numerous tantric SĀDHANAs require the recitation of a particular mantra a specific number of times, with the recitations counted on a rosary (JAPAMĀLĀ). In Tibetan Buddhism, mantras are also repeated mechanically by turning "prayer wheels" (MA nI 'KHOR LO). Perhaps the most famous of all such spells is the six-syllable mantra of the bodhisattva AVALOKITEsVARA, OM MAnI PADME HuM, which is recited throughout the Tibetan Buddhist world. The Japanese SHINGONSHu takes its name from the Sinitic translation of mantra as "true word" (C. zhenyan; J. shingon).
moly ::: n. --> A fabulous herb of occult power, having a black root and white blossoms, said by Homer to have been given by Hermes to Ulysses to counteract the spells of Circe.
A kind of garlic (Allium Moly) with large yellow flowers; -- called also golden garlic.
Muspell, Muspellsheim, Muspellsheimr (Icelandic) Muspell, the Norse god of fire, equivalent to the Hindu Agni. From Muspellsheim (home of fire) sparks fell into Ginnungagap (the yawning void) and Niflheim (home of nebulae), creating vapor which became Ymir, the giant from whom the worlds were fashioned by the creative beneficent powers. From Muspellsheim will also come the destructive forces which will bring the end of life to our world at the final great battle called Ragnarok.
Niflheim (Icelandic), Nebelheim (German) [from nifl mist, nebula + heim home] In Norse mythology, the home of mists in which nebulae form. When the heat from Muspellsheim (home of fire) meets the mist-cold vapors of Niflheim in Ginnungagap (the gaping void), Ymer, the frost giant, comes into being. He is used by the gods to create “victory worlds” wherein souls can evolve. Niflheim has also been regarded as a Hades where the dead are sent, but this appears to refer to the disposition of the forms (bodies) of departed souls.
Occult Arts Blavatsky in “Occultism versus the Occult Arts” (Studies in Occultism), distinguishes between occultism (gupta-vidya, the path of wisdom) and occult arts (evil occultism, sorcery, black magic, spells, incantations, etc.). While true occultism completely renounces self, the occult arts are practiced with selfish motives or from love of evil. Even where there is no sinister motive in one who ventures upon the occult arts, yet he enters a field where danger and destruction threaten unless he is protected by a training in true occultism. He will arouse in himself forces with which he cannot cope, open doors which later he seeks in vain to close, and put himself at the mercy of evil wills probably stronger than his own.
One version relates that sparks from Muspellsheim (realm of fire) fell among the droplets of water vapor in Niflheim (realm of mists or nebulae) creating vapor in Ginnungagap (the yawning void). From this arose the likeness of a man, Ymir, who was nourished by the four streams of milk flowing from the udder of the cow Audhumla — symbol of fertility. Ymer represents the frozen immobility of non-existence when the universe is not. The Vala (sibyl) relates in Voluspa that the frostgiant’s two feet mated with each other and that from them arose all the matter-giants from which all physical creation was formed. She describes poetically how the blood of Ymir became the oceans of water, his bones became mountains, his skull the heavenly vault, but “from his brain were surely all dark skies created.” Midgard (central court), the earth, is surrounded and protected by his eyebrows and each quarter of space is governed by one of the four ruling powers, named for the four cardinal points, North, South, East, and West.
orthographer ::: n. --> One versed in orthography; one who spells words correctly.
orthographist ::: n. --> One who spells words correctly; an orthographer.
Ouija board: An instrument for communication with the spirits of the dead. Made in various shapes and designs, some of them used in the sixth century before Christ. The common feature of all its varieties is that an object moves under the hand of the medium, and one of its corners, or a pointer attached to it, spells out messages by successively pointing to letters of the alphabet marked on a board which is a part of the instrument.
Procedure: Capitalized, a Technocratic focus for technomagickal spells.
Resonance: Metaphysical feedback; traces of past actions and magickal spells. Commonly (and often erroneously) known as karma, Threefold Return, and “payback is a bitch.”
Samguk yusa. (三國遺事). In Korean, "Memorabilia of the Three Kingdoms"; a collection of historical records and legends from the Three Kingdoms period in Korea, attributed to the Korean monk IRYoN (1206-1289), although the extant version may well have been expanded and emended by one of his disciples. The Samguk yusa was written c. 1282-1289, during the period of Mongol suzerainty over Korea, which began in 1259. In his miscellany, Iryon includes a variety of hagiographies of eminent monks in the early Korean Buddhist tradition, often drawing from local accounts of conduct (haengjang) rather than official biographies, and from stories of early Korean Buddhist miracles and anomalies drawn from regional lore. In its emphasis on local narrative, where Buddhism dominated, over official discourse, Iryon's Samguk yusa contrasts with Kim Pusik's (1075-1151) earlier Samguk sagi ("Historical Annals of the Three Kingdoms"), which included little information on Buddhism. The text is divided into nine sections, in five rolls: a dynastic chronology of early Korean kingdoms; "wonders" from the three kingdoms of Koguryo, Paekche, and Silla and their predecessor states; the rise of Buddhism; STuPAs and images; exegetes; divine spells; miraculous responses of bodhisattvas; the lives of recluses; and expressions of filial piety. The dynastic chronology that appears at the beginning of the definitive 1512 edition of the text contains several discrepancies with information that appears later in the text and may be a later addition from the fourteenth century. The Samguk yusa also makes one of the earliest references to the Tan'gun foundation myth of the Korean state and contains many indigenous Korean songs known as hyangga.
samyagājīva. (P. sammājīva; T. yang dag pa'i 'tsho ba; C. zhengming; J. shomyo; K. chongmyong 正命). In Sanskrit, "right livelihood" or "correct livelihood"; the fifth constituent of the noble eightfold path (ĀRYĀstĀnGAMĀRGA). "Right" (samyak) in this context is interpreted as "resulting in a decrease in the net suffering experienced by oneself and others." Of the three divisions of the eightfold path-morality (sĪLA), concentration (SAMĀDHI), and wisdom (PRAJNĀ)-samyagājīva is the third of the three aspects of moral training. It involves abstention from engaging in occupations that are considered to be incompatible with morality because they bring harm to other beings, either directly or indirectly. Such inappropriate occupations include selling weapons, or working as a butcher, fisherman, or soldier. Right livelihood also involves abstention from any occupation that may cause oneself, or encourage others, to break precepts associated with right speech (SAMYAGVĀC) and right action (SAMYAKKARMĀNTA). For this reason, selling intoxicants is considered to be a breach of right livelihood. The tradition provides examples of wrong livelihoods for both monastics and the laity. In Pāli literature, the BRAHMAJĀLASUTTA and SĀMANNAPHALASUTTA of the DĪGHANIKĀYA list several "wrong livelihoods" for monks. These include performing divination and astrology as well as casting spells. MAHĀYĀNA interpretations stress the absence of absolutes, and the relative merits or demerits of any occupation based on the situation at hand and its value to the larger goal of promoting the welfare of others. In the inversion of categories that is characteristic of much of tantric literature, many of the MAHĀSIDDHAs are involved in professions that do not constitute right livelihood according to mainstream Buddhist definitions.
Shin Arahan. An eleventh-century Mon monk credited with bringing THERAVĀDA Buddhism to Burma (Myanmar). According to legend, Shin Arahan (in Pāli, Dhammadassi) was the reincarnation of a NAT, born to a brāhmana virgin wife in the Thaton region in the south of Burma. He attained the state of ARHAT shortly after his ordination. He learned that the dharma was being practiced impurely in the "western regions" (viz., PAGAN [Bagan]) and proceeded there. In Pagan, monks called ari had polluted the dharma, proclaiming that murder was permissible if the proper spells (MANTRA) are recited. They also required that all virgins have intercourse with them before marriage. The newly ordained king ANAWRAHTA (Anuruddha, r. 1044-1077) recognized that these monks were corrupt but was unable to remove them from the order. When Shin Arahan arrived in Pagan, he was discovered by a hunter who had never seen a monk before. Mistaking him for a spirit, he took him to the king. Shin Arahan preached a sermon that impressed the king, who asked him where the Buddha was, how much of the dharma remained, and if there were other disciples of the Buddha. Shin Arahan recounted the history of the Buddha and his relics and described the Pāli canon and the monastic order. The king then adopted Theravāda as the practice of his kingdom and defrocked the ari monks. He asked the Mon king to send a copy of the tipitaka (S. TRIPItAKA) and some relics of the Buddha. When the Mon king refused, Anawrahta invaded Thaton in 1057, taking the Mon king and his family captive. He also took monks and skilled craftsmen, as well as Pāli scriptures, back with him to Pagan.
Shugendo. (修驗道). In Japanese, lit. the "Way of Cultivating Supernatural Power," a Japanese esoteric tradition that is focused on an intensive ascetic regiment of training in the mountains. Its practitioners claim as their founder EN NO OZUNU ([alt. En no Gyoja], En the Ascetic) (b. 634), a semilegendary ascetic from the mountains of KATSURAGISAN on the border between present-day Nara and osaka prefectures, who is venerated for his shamanic powers and for being the prototypical shugenja (lit. one who cultivates supernatural powers). Before it evolved into an independent religious entity, Shugendo was a wide-ranging set of religious practices that included elements drawn from many traditions, lineages, and institutions, including Japanese TENDAI (TIANTAI), SHINGON, Nara Buddhism, ZEN, PURE LAND movements, Daoism, and local indigenous beliefs. Its practitioners, who were known as YAMABUSHI (lit. those who lie down [or sleep] in the mountains), were largely itinerant, spending much of their time in the mountains, which Japanese regarded as numinous places that housed the spirits of the dead. Through severe austerities in the mountains, such as immersion under waterfalls, solitary confinement in caves, fasting, meditating, and the recitation of spells (MANTRA), practitioners strove to attain buddhahood in this very body (SOKUSHIN JoBUTSU) and accumulate power that would benefit others. As Shugendo evolved into a distinctive tradition during the mid- to late-Heian period (794-1185), Shugendo mountain centers either became linked with Tendai and Shingon institutions or continued to operate and expand independently. Mountains that were especially important to Shugendo included the Yoshino peaks in Nara prefecture, KUMANO in Wakayama prefecture, Haguro in Yamagata prefecture, Hiko in Kyushu, and Ishizuchi in Shikoku. During this period, the aristocratic nobility, including a long succession of monarchs and retired monarchs, patronized the Yoshino and Kumano mountains. Shugenja guided these visitors on pilgrimage and performed magical and religious rites for them. Pilgrimages became increasingly popular and became a significant source of revenue for many of these mountain centers. Under the temple regulations (J. jiin hatto) imposed by the shogun Tokugawa Ieyasu (1543-1616) at the start of the Tokugawa period (1600-1868), Shugendo sites were forced to align with either the Tendai Shugen branch of Honzan, administered by the temple of Shogoin, or the Shingon branch of Tozan, administered by Sanboin, both located in Kyoto. Itinerant practitioners largely settled down and began performing rituals and offering prayers in villages. Due to sectarian strife between the two schools, in 1707 the Tozan branch named as its founder Shobo (a.k.a. Rigen Daishi; 832-909), who had established Daigoji at Mt. Yoshino. Shugendo was proscribed in 1872 during the Meiji persecution of Buddhism, as the government tried to purge Shinto-affiliated traditions of their "foreign" elements. However, Shogoinryu, the primary branch of the Honzan school, was returned to the religious rolls in 1892. When religious freedom was restored in postwar Japan, many Shugendo institutions resumed their former rituals and traditions, although not to the same extent as they had previously. While a multitude of indigenous gods (KAMI), buddhas, and bodhisattvas have been venerated historically at Shugendo sites around Japan, Kongo Zao Gongen, a deity in the omine mountains who was venerated by En no Ozunu, gradually became the central deity in Shugendo. Other significant objects of worship include En no Ozunu himself, who is thought to have manifested himself as Hoki Bosatsu (the bodhisattva DHARMODGATA); Shobo, an incarnation of Nyoirin Kannon (Cintāmanicakra AVALOKITEsVARA); and Fudo Myoo (ACALANĀTHA-VIDYĀRĀJA), a wrathful DHARMAPĀLA of the VAJRAYĀNA pantheon.
snatches ::: 1. Brief spells of effort, activity or experience. 2. Short passages, a few words, of a song, etc.; small portions, a few bars, of a melody or tune.
sojae toryang. (消災道場). In Korean, "calamities-solving ritual"; one of the four most important annual rituals performed at court during the Koryo dynasty (918-1392), second only to the YoNDŬNGHOE (lantern ritual). The sojae toryang is a representative of the esoteric Buddhist rituals that became popular in Korea during the Koryo dynasty. The first record of the ritual's performance dates from 1046, the last from 1399, a short time after the demise of the dynasty. This ritual to prevent natural calamities probably derives originally not from Buddhist cosmology but from the theory of heavenly retribution that was foundational in traditional East Asian thought. Koryo's ritual system, modeled after that of Tang China, presumed that cosmological influences dominated human life and activities. Since droughts, floods, and epidemics were considered "calamities from Heaven" (Ch'onjae), and indicated Heaven's dissatisfaction with the quality of terrestrial governance, the sojae toryang sought to draw on various religious and astral powers in order to ward off these threats and to enhance the longevity of its royal sponsors. Koryo kings lavished riches on the monasteries whose monks performed these rituals, particularly when Koryo was threatened by foreign invasion or occupation. This concern explains why the majority of the recorded performances of the sojae toryang occurred during the reigns of kings Kojong (1231-1259), Wonjong (1259-1274), and Ch'ungnyol (1274-1308), who all ruled during the period of Mongol domination in Korea. During King Wonjong's thirteen-year reign, for example, the sojae toryang was performed twenty-three times, or about three times every two years. Historical sources provide little information on how the ritual was actually performed, but its conduct can be inferred from esoteric Buddhist sources. These sources require the monks to establish a purified ritual venue, install a buddha image there, and then make offerings of incense, flowers, and lanterns; once the site is prepared, they are then to recite various codes or spells (DHĀRAnĪ) in order to invoke the power of the BODHISATTVAs, the seven stars of the Big Dipper (see BEIDOU QIXING), the gods of the zodiacal mansions and the constellations, the sun and moon, etc., to overcome calamities and transform disasters into blessings. In the case of the Koryo dynasty, the ritual was always held at court, and the king himself was both participant and presider at the ritual, indicating the close association between court and the religion during this period in Korean history.
sokushin jobutsu. (C. jishen chengfo; K. chŭksin songbul 即身成佛). In Japanese, "attainment of buddhahood in this very body." This doctrine is generally first attributed to KuKAI (774-835), the founder of the SHINGONSHu, who argued in a work entitled Sokushin jobutsugi ("The Meaning of Attaining Buddhahood in This Very Body") that the ultimate goal of practice was to attain awakening in this lifetime. By strictly adhering to Kukai's ritualization of the body (through gestures, or MUDRĀ), speech (through spells, or MANTRA) and mind (as a MAndALA), one could therefore align oneself with the cosmic buddha, MAHĀVAIROCANA, and become a buddha in one's own right. Kukai's contemporary, SAICHo (767-822) of the TENDAISHu, located the notion of sokushin jobutsu in the exoteric teachings of the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"). By following its teachings, he believed that anyone could achieve universal salvation and become a buddha. In contrast to Kukai's esoteric interpretation of sokushin jobutsu, however, Saicho presumed this process of achieving buddhahood would require several lifetimes to complete. Given the two models, it is easy to understand the appeal of Kukai's esoteric version, which promised immediate transformation into buddhahood, over the traditional Tendai doctrine cited by Saicho. As the interest in esotericism increased among the aristocracy during the Heian period (794-1185), Tendai Buddhism became more associated with esoteric ritual and less with practice derived from the Saddharmapundarīkasutra. This shift toward esoteric Buddhism was completed under the Tendai master ANNEN (841-889?), who asserted not only that sokushin jobutsu was attainable in a single lifetime, but that it was central to the Tendai ordination procedure. Given that the two dominant institutions of Heian Buddhism relied heavily on the doctrine of sokushin jobutsu, it is not surprising that SHUGENDo, a movement heavily influenced by both of these schools, would also develop its own interpretation of this doctrine. The means Shugendo advocated for attaining buddhahood, however, were quite varied, as most Shugen mountains operated independently up until the Tokugawa period. One common ritual performed in both the Yoshino/KUMANO region and on Mt. Haguro, for instance, was passage through the ten realms of being (J. jikkai, S. DAsADHĀTU). Physical structures placed along a pilgrimage route, such as torii gates and steps, served as symbolic gateways through the realms. By progressing from the lowest realm of the hells (see S. NĀRAKA) to the highest realm of the buddhas, the pilgrim could ritually enact his journey toward his own attainment of buddhahood. Furthermore, the concept of mountain geography as a mandala in Shugendo created a space through which one entered the sacred realm of buddhahood. By crossing the border separating the mundane from the sacred, the practitioner would undergo a spiritual transformation by directly encountering the Buddha and immediately awakening. In a more severe example, ascetics at Mt. Yudono known as isse gyonin (lifetime ascetics) practiced sokushin jobutsu during the Tokugawa period by undergoing strict austerities in the mountains for from one to three thousand days. Once this period ended, a handful of these gyonin ascetics, following the alleged precedent of Kukai, entered a nearly air-tight, underground chamber to die. Soon afterward, they were mummified as buddhas "in this very body" and venerated by their followers. During the Kamakura period, NICHIREN (1222-1282), who, like Saicho, emphasized the superiority of the Saddharmapundarīkasutra, further claimed that chanting the title (DAIMOKU) of the sutra could lead to the attainment of buddhahood in this very body. Relying on the FAHUA XUANYI, an important commentary on the Saddharmapundarīkasutra by the Chinese monk TIANTAI ZHIYI (538-597), Nichiren claimed that the essence of the sutra was distilled in its title and that chanting the title (see NAMU MYoHoRENGEKYo) could therefore lead to the attainment of sokushin jobutsu.
spasms ::: sudden brief spells of great energy, activity, feeling, etc.; flashes, spurts.
speller ::: n. --> One who spells.
A spelling book.
spellful ::: a. --> Abounding in spells, or charms.
spelling ::: p. pr. & vb. n. --> of Spell
of Spell ::: n. --> The act of one who spells; formation of words by letters; orthography.
Surt (Scandinavian) Surtr (Icelandic) [from svartr the black] Also Surtur, Surter. A Norse fire giant, the world-destroyer in the Edda. In the Norse myths Surt will lead the hosts of Muspellsheim (home of fire) at Ragnarok, when the gods depart the realms of life, and the worlds perish in universal conflagration. Surt himself will slay Frey, the bright god, and when all the combatants are slain, Surt will fling his firebrand, and everything animate or inanimate will be plunged into an ocean of fire, and the nine homes will be no more. Surtarlogi (flame of Surt) represents the volcanic and cosmic forces which will cause the destruction of our world when its life is over. The world, universe, or solar system becoming an ocean of cosmic flame or light refers to the ending of a manvantara and the opening of pralaya. The ocean of fire is the passing of matter back into its primordial fiery spiritual nature and the nine homes are the nine or ten cosmic planes, the nine grades or divisions of the cosmic hierarchy.
Table-turning: The simplest form of communicating with the spirits of the dead, using a table as the instrument of communication; the medium or all those present at the seance place their hands or fingertips on the table, which eventually begins to move and by pointing a leg at letters on a board on the floor, or by rapping according to a code, spells out the messages.
The Magus.] Miniel is also invoked in spells for the
This law applies universally to solar systems, planets, human beings, atoms, etc. The reincarnating ego is born and dies on each of the successive planes of existence through which it descends from spiritual realms to be reborn again on earth. The same rhythmic motion reversed spells death here, with the same repeated births and deaths on its ascending journey to its spiritual home.
tripitaka. (P. tipitaka; T. sde snod gsum; C. sanzang; J. sanzo; K. samjang 三藏). In Sanskrit, "three baskets"; one of the most common and best known of the organizing schema of the Indian Buddhist canon. These three baskets were the SuTRAPItAKA (basket of discourses), VINAYAPItAKA (basket of disciplinary texts) and ABHIDHARMAPItAKA [alt. *sĀSTRAPItAKA] (basket of "higher dharma" or "treatises"). The use of the term pitaka for these categories is thought to come from the custom of storing the palm-leaf or wooden slips of written texts in baskets (S. pitaka). (The Chinese translates pitaka as a "repository," thus tripitaka is the "three repositories.") The various MAINSTREAM BUDDHIST SCHOOLS in India had their own distinctive version of each of the pitakas; the Pāli version transmitted to Sri Lanka is the most complete to survive in an Indic language, although sections of those of other schools, such as the DHARMAGUPTAKA, SARVĀSTIVĀDA, and MuLASARVĀSTIVĀDA, are preserved in Chinese, Tibetan, and in Sanskrit or Middle Indic fragments. Some schools used different organizing schema. The Dharmaguptaka school, for example, is said to have had five pitakas; the usual three, plus a bodhisattvapitaka (on various doctrines and practices related to the BODHISATTVA) and a dhāranīpitaka (of DHĀRAnĪ codes and spells). The MAHĀYĀNA sutras were not organized under this rubric, although it is sometimes said that they can be when the three baskets are interpreted more figuratively, with the vinayapitaka including those teachings connected to the training in morality (sĪLA), the sutrapitaka including those teachings connected to the training in meditation (SAMĀDHI), and the abhidharmapitaka including those teachings connected to the training in wisdom (PRAJNĀ). The East Asian traditions arranged their own indigenous canons as a DAZANGJING (scriptures of the great repository), rather than a tripitaka; the two terms are not synonymous. See also BKA' 'GYUR; DAZANGJING; KORYo TAEJANGGYoNG; TAISHo SHINSHu DAIZoKYo.
Vạn Hạnh. (萬行) (d. 1025). An influential monk during the Vietnamese Lý dynasty (1010-1225); his family name was Nguyễn. Vạn Hạnh was a native of Cổ Pháp Village, Thien Đức Prefecture, in northern Vietnam. The THIỀN UYỂN TẬP ANH reports that at the age of twenty-one, he left home to become a monk and served the monk Thiền Ông of Lục Tổ monastery. After Thiền Ông passed away, Vạn Hạnh devoted himself to the practice of DHĀRAnĪ (spells or mnemonic codes) and SAMĀDHI. King Le Đại Hành (r. 980-1005), founder of the Former Le dynasty (980-1009), greatly revered him and relied on his prophecies in political and diplomatic matters. When Le Ngọa Triều (r. 1005-1009), the last king of the Le dynasty, appeared to be a cruel tyrant, Vạn Hạnh masterminded the overthrow of the latter and helped Lý Công Uẩn ascend the throne to establish the Lý dynasty (1010-1225). Vạn Hạnh remains the most beloved eminent monk among modern Vietnamese Buddhists. In his honor, in 1964, the first nonmonastic Buddhist university was established in Saigon and named after him. Vạn Hạnh University was the first Vietnamese university to be established following the model of an American liberal arts college.
Vedas, dating from 1000 BC, consisting of spells, prayers, charms, and hymns &
witchcraft ::: Witchcraft Often referred to as sorcery, it is the craft or workings of a witch, i.e. magick or healing through the use of personal power and the latent energies found in candles, stones, herbs, and other natural items, combined with spells.
yamabushi. (山伏). In Japanese, lit. "those who lie down [or sleep] in the mountains"; itinerant mountain ascetics associated with the SHUGENDo (way of cultivating supernatural power) tradition; also known as shugenja, or "those who cultivate supernatural powers." Records reveal that as early as the Nara period (although possibly before), yamabushi practiced a variety of severe austerities in the mountains, which were thought to be numinous places that housed the spirits of the dead. Thanks to the special powers accumulated through this training, such adepts were able to mediate with the realm of the dead, convert baleful spirits, and provide healing services. During this early period, the yamabushi were not formally ordained but instead operated independently, drawing freely from Buddhism, Daoism, and indigenous religious beliefs. In the mid to late Heian period (794-1185), such Shugendo sites as the mountains of Yoshino and KUMANO became affiliated with Japanese Tendaishu (TIANTAI) and SHINGONSHu institutions, and yamabushi increasingly incorporated esoteric Buddhism into their training, whereby they strove to attain buddhahood (SOKUSHIN JoBUTSU) through severe asceticism, such as immersion under waterfalls, solitary confinement in caves, fasting, meditating, and the recitation of spells (MANTRA). In addition, yamabushi guided people on pilgrimages through their mountain redoubts and performed powerful rites for the aristocratic nobility and royal court. During the Tokugawa period (1600-1868), they were forced because of temple regulations (J. jin hatto) to adopt permanent residences. While higher-ranking practitioners stayed at the mountain centers, many others settled down in villages, where they performed shamanic rituals and offered healing and prayers. Later in the Tokugawa period, many of these practices would provide the foundation for Japan's so-called new religions. When Shugendo was proscribed in 1872, yamabushi were forced to join either Buddhist or Shinto institutions and to forgo many of their former practices. When this ban was lifted in the late 1940s following World War II, yamabushi at some centers, including Mt. Haguro and Kumano, resumed their former practice, which continues to the present.
Yiqiejing yinyi. (J. Issaikyo ongi; K. Ilch'egyong ŭmŭi 一切經音義). In Chinese, "Pronunciation and Meaning of All the Scriptures"; a specialized Chinese glossary of Buddhist technical terminology. As more and more Indian and Central Asian texts were being translated into Chinese, the use of Sanskrit and Middle Indic transcriptions and technical vocabulary increased, leading to the need for comprehensive glossaries of these abstruse terms. Because of the polysemous and sacred character of such Buddhist doctrinal concepts as BODHI, NIRVĀnA, and PRAJNĀ, many Chinese translators also preferred to transcribe rather than translate such crucial terms, so as not to limit their semantic range to a single Chinese meaning. The Indian pronunciations of proper names were also commonly retained by Chinese translators. Finally, the spiritual efficacy thought to be inherent in the spoken sounds of Buddhist spells (MANTRA) and codes (DHĀRAnĪ) compelled the translators to preserve as closely as possible in Chinese the pronunciation of the Sanskrit or Middle Indic original. By the sixth century, the plethora of different transcriptions used for the same Sanskrit Buddhist terms led to attempts to standardize the Chinese transcriptions of Sanskrit words, and to clarify the obscure Sinographs and compounds used in Chinese translations of Buddhist texts. This material was compiled in various Buddhist "pronunciation and meaning" (yinyi) lexicons, the earliest of which was the twenty-five-roll Yiqiejing yinyi compiled by the monk Xuanying (fl. c. 645-656). Xuanying, a member of the translation bureau organized in the Chinese capital of Chang'an by the renowned Chinese pilgrim, translator, and Sanskritist XUANZANG (600/602-664), compiled his anthology in 649 from 454 of the most important MAHĀYĀNA, sRĀVAKAYĀNA, VINAYA, and sĀSTRA materials, probably as a primer for members of Xuanzang's translation team. His work is arranged by individual scripture, and includes a roll-by-roll listing and discussion of the problematic terms encountered in each section of the text. For the more obscure Sinographs, the entry provides the fanqie (a Chinese phonetic analysis that uses paired Sinographs to indicate the initial and final sounds of the target character), the Chinese translation, and the corrected transcription of the Sanskrit, according to the phonologically sophisticated transcription system developed by Xuanzang. Xuanying's compendium is similar in approach to its predecessor in the secular field, the Jingdian shiwen, compiled during the Tang dynasty in thirty rolls by Lu Deming (c. 550-630). The monk Huilin (783-807) subsequently incorporated all of Xuanying's terms and commentary into an expanded glossary that included difficult terms from more than 1,300 scriptures; Huilin's expansion becomes the definitive glossary used within the tradition. Still another yinyi was compiled later during the Liao dynasty by the monk Xilin (d.u.). In addition to their value in establishing the Chinese interpretation of Buddhist technical terms, these "pronunciation and meaning" glossaries also serve as important sources for studying the Chinese phonology of their times.
Yogacharya (Sanskrit) Yogācārya [from yoga union + ācārya teacher] A teacher of yoga; a mystic and highly esoteric school founded by the original Aryasangha, who lived at a date long preceding the pseudo-Aryasangha of the 5th or 6th century who taught the doctrines of the Tantra besides some of the elements of the Yogacharya system. The earlier Aryasangha was an arhat and founded the original Yogacharya school, a thoroughly esoteric institution; the latter’s school is a branch of the Mahayana, and is of a truly spiritual type, its teachings being identical in essence with those of theosophy. This Yogacharya school must not be confused with the Mahatantra school which was founded by Samantabhadra, whose teachings were later collected and glossed around the 6th century by the pseudo-Aryasangha in connection with litanies, formularies, spells, etc. This school is wholly exoteric, popular, and its works are largely composite of Tantric worship and ritualism that can lead the student only to black magic and sorcery.
Yongsanjae. (山齋). In Korean, "Vulture Peak Ceremony"; a Korean Buddhist rite associated with the SADDHARMAPUndARĪKASuTRA ("Lotus Sutra"), which has been performed in Korea since the mid to late Koryo dynasty (918-1392). This elaborate ritual is a loose reenactment of the Saddharmapundarīkasutra and is intended to depict the process by which all beings, both the living and the dead, are led to enlightenment. Its performance often occurs in conjunction with the forty-ninth day ceremony (K. sasipku [il] chae; C. SISHIJIU [RI] ZHAI), which sends a deceased being in the intermediate transitional state (ANTARĀBHAVA) on to the next rebirth. The Yongsanjae is renowned for including the most complete repertoire of Buddhist chant and dance preserved in the Korean tradition. The rite may last for between one day and a week, although it is rare nowadays to see it extend beyond a single day; briefer productions lasting a couple of hours are sometimes staged for tourists. The Yongsanjae is protected through the Korean Cultural Property Protection Law as an intangible cultural asset (Muhyong Munhwajae, no. 50), and the group responsible for protecting and preserving the rite for the future consists of monks at the monastery of PONGWoNSA in Seoul, the headquarters of the T'AEGO CHONG. The monks at the monastery also train monks and nuns from other orders of Buddhism, as well as laypeople, in different components of the rite. In recent years, the dominant CHOGYE CHONG of Korean Buddhism has also begun to perform the Yongsanjae again, thanks to training from the Pongwonsa specialists in the tradition. ¶ The Yongsanjae is held in front of a large KWAEBUL (hanging painting) scroll depicting sĀKYAMUNI teaching at Vulture Peak (GṚDHRAKutAPARVATA), delivering the Saddharmapundarīkasutra to his followers. A day-long version of the ceremony starts with bell ringing and a procession escorting the attending spirits in a palanquin, which then proceeds to a ceremonial raising of the kwaebul. The rest of the day is made up of the following sequence of events: chanting spells (DHĀRAnĪ) to the bodhisattva AVALOKITEsVARA (K. Kwanseŭm posal); the cymbal dance, or PARACH'UM, as monks chant the Ch'onsu kyong (C. QIANSHOU JING) dedicated to the thousand-handed incarnation of Avalokitesvara (see SĀHASRABHUJASĀHASRANETRĀVALOKITEsVARA); PoMP'AE; purification of the ritual site (toryanggye), during which the butterfly dance, or NABICH'UM, is performed to entice the dead to attend the ceremony while the pomp'ae chants entreat the three jewels (RATNATRAYA) and dragons (NĀGA) to be present; the dharma drum dance, or PoPKOCH'UM, during which a large drum is beaten to awaken all sentient beings; a group prayer to the Buddha and bodhisattvas, where everyone in attendance has the chance to take refuge in the three jewels (ratnatraya); an offering of flowers and incense (hyanghwagye) to the Buddha and bodhisattvas is made by the nabich'um dancers, followed by offering chants; a chant hoping that the food offerings on the altar will be sufficient as the parach'um is performed again together with four dhāranī chants; placing the offerings on the altar while chanting continues; culminating in a transfer of merit (kongdokkye) to all the people in attendance, including sending off the spiritual guests of the ceremony. The siktang chakpop, an elaborate ceremonial meal, is then consumed. A recitation on behalf of the lay donors who funded the ceremony (hoehyang ŭisik) concludes the rite.
KEYS (10k)
2 Aleister Crowley
1 Velimir Khlebnikov
1 Peter J Carroll
1 Harold Abelson
1 Gary Gygax
1 A N Wilson
1 Sri Aurobindo
1 Plato
NEW FULL DB (2.4M)
26 J K Rowling
16 Percy Bysshe Shelley
10 Terry Pratchett
8 Ralph Waldo Emerson
8 Neil Gaiman
6 Madeline Miller
6 Aleister Crowley
5 Richelle Mead
5 Kresley Cole
5 Christopher Paolini
5 Charlie N Holmberg
5 Charles Harpur
5 Anonymous
4 V C Andrews
4 Susanna Clarke
4 Richelle E Goodrich
4 Rachel Hawkins
4 Margaret Weis
4 Ken Kesey
4 J R R Tolkien
1:The "memorize then fire and forget" principal for casting spells Jack Vance assumed in his fantasy stories seemed perfect to me for use by D&D magic-users. IT required forethought by the player and limited the power of the class all at once. ~ Gary Gygax, ENWorld, Q&A with Gary Gygax part 13, 2007, #KEYS
2:The Book of Spells or of Conjurations is the Record of every thought, word and deed of the Magician; for everything that he has willed is willed to a purpose. It is the same as if he had taken an oath or perform some achievement.
~ Aleister Crowley, Liber ABA, The Book,#KEYS
3:Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells. ~ Harold Abelson, Structure and Interpretation of Computer Programs, #KEYS
4:The oil consecrates everything that is touched with it; it is his aspiration; all acts performed in accordance with that are holy. The scourge tortures him; the dagger wounds him; the chain binds him. It is by virtue of these three that his aspiration remains pure, and is able to consecrate all other things. He wears a crown to affirm his lordship, his divinity; a robe to symbolize silence, and a lamen to declare his work. The book of spells or conjurations is his magical record, his Karma. In the East is the Magick Fire, in which all burns up at last. We will now consider each of these matters in detail.
~ Aleister Crowley, Liber ABA, Book 4, Magick, Part II - Magick (elemental theory), Preliminary Marks,#KEYS
5:The magic in a word remains magic even if it is not understood, and loses none of its power. Poems may be understandable or they may not, but they must be good, and they must be real.
From the examples of the algebraic signs on the walls of Kovalevskaia's nursery that had such a decisive influence on the child's fate, and from the example of spells, it is clear we cannot demand of all language: "be easy to understand, like the sign in the street." The speech of higher intelligence, even when it is not understandable, falls like seed into the fertile soil of the soul and only much later, in mysterious ways, does it bring forth its shoots. Does the earth understand the writing of the seeds a farmer scatters on its surface? No. But the grain still ripens in autumn, in response to those seeds. In any case, I certainly do not maintain that every incomprehensible piece of writing is beautiful. I mean only that we must not reject a piece of writing simply because it is incomprehensible to a particular group of readers. ~ Velimir Khlebnikov,#KEYS
6:''He is a great spirit,151 Socrates. All spirits are intermediate between god and mortal''.
''What is the function of a spirit?'' I asked.
''Interpreting and conveying all that passes between gods and humans: from humans, petitions and sacrificial offerings, and from gods, instructions and the favours they return. Spirits, being intermediary, fill the space between the other two, so that all are bound together into one entity. It is by means of spirits that all divination can take place, the whole craft of seers and priests, with their sacrifices, rites and spells, and all prophecy and magic. Deity and humanity are completely separate, but through the mediation of spirits all converse and communication from gods to humans, waking and sleeping, is made possible. The man who is wise in these matters is a man of the spirit,152 whereas the man who is wise in a skill153 or a manual craft,154 which is a different sort of expertise, is materialistic.155 These spirits are many and of many kinds, and one of them is Love''. ~ Plato, Symposium, 202e,#KEYS
7:John Ruskin did not go to school. Nor did Queen Victoria, nor John Stuart Mill, George Eliot or Harriet Martineau. It would be absurd to suggest that Disraeli, Dickens, Newman or Darwin, to name four very different figures, who attended various schools for short spells in their boyhood, owed very much to their schooling. Had they been born in a later generation, school would have loomed much larger in their psychological stories, if only because they would have spent so much longer there, and found themselves preparing for public examinations. It is hard not to feel that a strong 'syllabus', or a school ethos, might have cramped the style of all four and that in their different ways - Disraeli, comparatively rich, anarchically foppish, indiscriminately bookish; Darwin, considered a dunce, but clearly - as he excitedly learned to shoot, to fish and to bird-watch - beginning his revolutionary relationship with the natural world; Newman, imagining himself an angel; Dickens, escaping the ignominy of his circumstances through theatrical and comedic internalized role-play - they were lucky to have been born before the Age of Control. For the well-meaning educational reforms of the 1860s were the ultimate extension of those Benthamite exercises in control which had begun in the 1820s and 1830s. Having exercised their sway over the poor, the criminals, the agricultural and industrial classes, the civil service and - this was next - the military, the controllers had turned to the last free spirits left, the last potential anarchists: the children. ~ A N Wilson, #KEYS
8:The first cause of impurity in the understanding is the intermiscence of desire in the thinking functions, and desire itself is an impurity of the Will involved in the vital and emotional parts of our being. When the vital and emotional desires interfere with the pure Will-to-know, the thought-function becomes subservient to them, pursues ends other than those proper to itself and its perceptions are clogged and deranged. The understanding must lift itself beyond the siege of desire and emotion and, in order that it may have perfect immunity, it must get the vital parts and the emotions themselves purified. The will to enjoy is proper to the vital being but not the choice or the reaching after the enjoyment which must be determined and acquired by higher functions; therefore the vital being must be trained to accept whatever gain or enjoyment comes to it in the right functioning of the life in obedience to the working of the divine Will and to rid itself of craving and attachment. Similarly the heart must be freed from subjection to the cravings of the life-principle and the senses and thus rid itself of the false emotions of fear, wrath, hatred, lust, etc, which constitute the chief impurity of the heart. The will to love is proper to the heart, but here also the choice and reaching after love have to be foregone or tranquillised and the heart taught to love with depth and intensity indeed, but with a calm depth and a settled and equal, not a troubled and disordered intensity. The tranquillisation and mastery of these members is a first condition for the immunity of the understanding from error, ignorance and perversion. This purification spells an entire equality of the nervous being and the heart; equality, therefore, even as it was the first word of the path of works, so also is the first word of the path of knowledge.
~ Sri Aurobindo, The Synthesis Of Yoga, The Purified Understanding,#KEYS
9:SLEIGHT OF MIND IN ILLUMINATION
Only those forms of illumination which lead to useful behaviour changes deserve to be known as such. When I hear the word "spirituality", I tend to reach for a loaded wand. Most professionally spiritual people are vile and untrustworthy when off duty, simply because their beliefs conflict with basic drives and only manage to distort their natural behaviour temporarily. The demons then come screaming up out of the cellar at unexpected moments.
When selecting objectives for illumination, the magician should choose forms of self improvement which can be precisely specified and measured and which effect changes of behaviour in his entire existence. Invocation is the main tool in illumination, although enchantment where spells are cast upon oneselves and divination to seek objectives for illumination may also find some application.
Evocation can sometimes be used with care, but there is no point in simply creating an entity that is the repository of what one wishes were true for oneself in general. This is a frequent mistake in religion. Forms of worship which create only entities in the subconscious are inferior to more wholehearted worship, which, at its best, is pure invocation. The Jesuits "Imitation of Christ" is more effective than merely praying to Jesus for example.
Illumination proceeds in the same general manner as invocation, except that the magician is striving to effect specific changes to his everyday behaviour, rather than to create enhanced facilities that can be drawn upon for particular purposes. The basic technique remains the same, the required beliefs are identified and then implanted in the subconscious by ritual or other acts. Such acts force the subconscious acquisition of the beliefs they imply.
Modest and realistic objectives are preferable to grandiose schemes in illumination.
One modifies the behaviour and beliefs of others by beginning with only the most trivial demands. The same applies to oneselves. The magician should beware of implanting beliefs whose expression cannot be sustained by the human body or the environment. For example it is possible to implant the belief that flight can be achieved without an aircraft. However it has rarely proved possible to implant this belief deeply enough to ensure that such flights were not of exceedingly short duration. Nevertheless such feats as fire-walking and obliviousness to extreme pain are sometimes achieved by this mechanism.
The sleight of mind which implants belief through ritual action is more powerful than any other weapon that humanity possesses, yet its influence is so pervasive that we seldom notice it. It makes religions, wars, cults and cultures possible. It has killed countless millions and created our personal and social realities. Those who understand how to use it on others can be messiahs or dictators, depending on their degree of personal myopia. Those who understand how to apply it to themselves have a jewel beyond price if they use it wisely; otherwise they tend to rapidly invoke their own Nemesis with it. ~ Peter J Carroll, Liber Kaos,#KEYS
*** WISDOM TROVE ***
1:Fear too often spells failure. ~ walt-disney, @wisdomtrove 2:Wondrous strong are the spells of fiction. ~ henry-wadsworth-longfellow, @wisdomtrove 3:Our bodies are always exposed to Satan. The maladies I suffer are not natural, but Devil's spells. ~ martin-luther, @wisdomtrove 4:There is a real magic in enthusiasm. It spells the difference between mediocrity and accomplishment. ~ norman-vincent-peale, @wisdomtrove 5:When the black and mortal blood of man has fallen to the ground ... who then can sing spells to call it back again? ~ aeschylus, @wisdomtrove 6:It always seemed to me they're sort of alike ... magic and music. Spells and tunes. For one thing, you have to get them just exactly right. ~ ursula-k-le-guin, @wisdomtrove 7:... all my clear-eyed fish, Golden, or rainbow-sided, or purplish, Vermilion-tail'd, or finn'd with silvery gauze... My charming rod, my potent river spells... ~ john-keats, @wisdomtrove 8:She was fascinated with words. To her, words were things of beauty, each like a magical powder or potion that could be combined with other words to create powerful spells. ~ dean-koontz, @wisdomtrove 9:Our chief usefulness to humanity rests on our combining power with high purpose. Power undirected by high purpose spells calamity, and high purpose by itself is utterly useless if the power to put it into effect is lacking. ~ theodore-roosevelt, @wisdomtrove 10:You do things when the opportunities come along. I've had periods in my life when I've had a bundle of ideas come along, and I've had long dry spells. If I get an idea next week, I'll do something. If not, I won't do a damn thing. ~ warren-buffet, @wisdomtrove 11:Seek for the Sword that was broken In Imladris it dwells; There shall be counsels taken Stronger than Morgul-spells. There shall be shown a token That Doom is near at hand, For Isuldur's Bane shall waken, And the halfling forth shall stand. ~ j-r-r-tolkien, @wisdomtrove 12:My girlfriend is named Lynn. She spells her name "Lynn". My old girlfriend's name is Lyn, too, but she spells it "Lyn". Every now and then I screw up, I call my new girlfriend by my old girlfriend's name, and she can tell because I don't say "n" as long. ~ mitch-hedberg, @wisdomtrove 13:Just as a satisfaction of instinct spells happiness for us, so severe suffering is caused us if the external world lets us starve, if it refuses to sate our needs. One may therefore hope to be freed from a part of one's sufferings by influencing the instinctual impulses. ~ sigmund-freud, @wisdomtrove 14:It cannot be denied that for a society which has to create scarcity to save its members from starvation, to whom abundance spells disaster, and to whom unlimited energy means unlimited power for war and destruction, there is an ominous cloud in the distance though at present it be no bigger than a man's hand. ~ sir-arthur-eddington, @wisdomtrove 15:Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light. ~ j-r-r-tolkien, @wisdomtrove 16:Under the Mountain dark and tall The King has come unto his hall! His foe is dead, the Worm of Dread, And ever so his foes shall fall. The sword is sharp, the spear is long, The arrow swift, the Gate is strong; The heart is bold that looks on gold; The dwarves no more shall suffer wrong. The dwarves of yore made mighty spells, While hammers fells like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. -from The Hobbit (Dwarves Battle Song) ~ j-r-r-tolkien, @wisdomtrove 17:Great engines crawled across the field; and in the midst was a huge ram, great as a forest-tree a hundred feet in length, swinging on mighty chains. Long had it been forging in the dark smithies of Mordor, and its hideous head, founded of black steel, was shaped in the likeness of a ravening wolf; on it spells of ruin lay. Grond they named it, in memory of the Hammer of the Underworld of old. Great beasts drew it, orcs surrounded it, and behind walked mountain-trolls to wield it. ~ j-r-r-tolkien, @wisdomtrove *** NEWFULLDB 2.4M ***
1:M-O-O-N Spells moon ~ Stephen King, #NFDB
2:Fear too often spells failure. ~ Walt Disney, #NFDB
3:M-O-O-N, that spells sore feet. ~ Stephen King, #NFDB
4:Perfectionism spells paralysis. ~ Winston Churchill, #NFDB
5:Acceptance spells death to a writer. ~ Arundhati Roy, #NFDB
6:Knots were probably the earliest spells. ~ Helen Macdonald, #NFDB
7:The world is the ring of his spells, ~ Ralph Waldo Emerson, #NFDB
8:Books are not seldom talismans and spells. ~ William Cowper, #NFDB
9:No buts, Ben. No. ‘N’ and ‘O’ spells ‘no’. ~ David Walliams, #NFDB
10:The spells hung on us yet I felt weightless. ~ Madeline Miller, #NFDB
11:Spells are like knives, capable of good or evil. ~ J T Lawrence, #NFDB
12:Diaper backward spells repaid. Think about it. ~ Marshall McLuhan, #NFDB
13:Diaper backwards spells repaid. Think about it. ~ Marshall McLuhan, #NFDB
14:... waiting for the spell to end, as all spells must. ~ Angie Sage, #NFDB
15:we conjure the spirits of the computer with our spells. ~ Anonymous, #NFDB
16:i spent the entire night casting spells to bring you back ~ Rupi Kaur, #NFDB
17:I like the old wisdom--puns, riddles, spells, proverbs. ~ Mason Cooley, #NFDB
18:If there are spells, they have a right to weave. ~ Catherynne M Valente, #NFDB
19:Jesus first, others next, and yourself last spells J-O-Y. ~ Linda Byler, #NFDB
20:Wondrous strong are the spells of fiction. ~ Henry Wadsworth Longfellow, #NFDB
21:Only a very dull man spells a word the same way twice. ~ Albert Einstein, #NFDB
22:Even the most unbreakable of spells are meant to be broken. ~ Danielle Paige, #NFDB
23:Art is enchantment and artists have the right of spells. ~ Jeanette Winterson, #NFDB
24:Close’ only counts in horseshoe games and fireball spells ~ Elaine Cunningham, #NFDB
25:Nothing spells shame like living what feels like a double life. ~ Angel Grant, #NFDB
26:There were no spells at my school, just a smack in the mouth. ~ Michael Gambon, #NFDB
27:Nothing spells trouble like two drunk cowboys with a rocket launcher. ~ C J Box, #NFDB
28:looking behind causes nothing but broken spells and wasted pain ~ Cassandra Clare, #NFDB
29:Nothing spells trouble like two drunk cowboys with a rocket launcher. ~ John Lescroart, #NFDB
30:...for we are always at one with the instrument of our magic spells. ~ St phane Mallarm, #NFDB
31:She had spells of manic loquaciousness, followed by days of silence. ~ Elizabeth Strout, #NFDB
32:Jim Bakker spells his name with two k's because three would be too obvious. ~ Bill Maher, #NFDB
33:He’s so stupid. Honestly, when he makes alphabet soup it spells out D-U-M-B. ~ Jack Gantos, #NFDB
34:Enthusiasm spells the difference between mediocrity and accomplishment. ~ Norman Vincent Peale, #NFDB
35:the poetry made her uncomfortable. It was too much like reading spells. ~ Shirley Rousseau Murphy, #NFDB
36:My real wizardry has nothing to do with spells at all. It has to do with knowledge. ~ Danielle Paige, #NFDB
37:The magic of the tongue is the most dangerous of all spells. ~ Edward Bulwer Lytton 1st Baron Lytton, #NFDB
38:We ourselves cannot put any magic spells on this world. The world is its own magic. ~ Shunryu Suzuki, #NFDB
39:No man will ever be President of the United States who spells 'negro' with two gs. ~ William H Seward, #NFDB
40:Your spells are derivatives of the information, experience , and desire you put forth. ~ Rachel E Carter, #NFDB
41:They were spells, spelled with words to make worlds, waiting for me, in the pages of books. ~ Neil Gaiman, #NFDB
42:The present war is the saturation point in violence. It spells, to my mind, also its doom. ~ Mahatma Gandhi, #NFDB
43:It sounds deeply shallow, but for brief spells every member of the public can be fascinating. ~ Graham Norton, #NFDB
44:Love, in the sense of spontaneous, unreflective action, spells the death of the old man. ~ Dietrich Bonhoeffer, #NFDB
45:There are all sorts of monsters, Mister Crowley. Not all of them cast spells or have fangs. ~ Jonathan Maberry, #NFDB
46:None of her spells are planned, but come to her like snatches of poetry or a doodle on a napkin. ~ Sheri Holman, #NFDB
47:He had begun to have spells lately of worrying that he had died, and that everyone knew it but him. ~ Anne Tyler, #NFDB
48:Our bodies are always exposed to Satan. The maladies I suffer are not natural, but Devil's spells. ~ Martin Luther, #NFDB
49:Yes he was, M-O-O-N, that spells my main man. I miss him awful. But I’m going to see him in heaven. ~ Stephen King, #NFDB
50:Death comes suddenly and life is fragile and brief. No one can alter this either by prayers or spells. ~ Lian Hearn, #NFDB
51:I sometimes have these spells of compulsive truth. But as Lady Macbeth would say, "The fit is momentary." ~ Ken Kesey, #NFDB
52:Most of the masses still believe in magic, you know. Spells. Potions. It's a big business, I am told. ~ Philip K Dick, #NFDB
53:Most of the masses still believe in magic, you know. Spells. Potions. It’s a big business, I am told. ~ Philip K Dick, #NFDB
54:There were people in the world for whom the world and its people were subjects on which to cast spells. ~ Dave Eggers, #NFDB
55:...yes I understand your spells—your sex magic—at least, I know this: all lights dim when you walk in... ~ John Geddes, #NFDB
56:Even the greatest actors have had dry spells where they've wondered if they were going to work again. ~ Benjamin Walker, #NFDB
57:Noble hearts are neither jealous nor afraid because jealousy spells doubt and fear spells pettiness. ~ Honore de Balzac, #NFDB
58:Of all the magic words in existence, words of kindness create the greatest transformation spells. ~ Richelle E Goodrich, #NFDB
59:Like many spells with unusual names, the Unrobed Ladies was a great deal less exciting than it sounded. ~ Susanna Clarke, #NFDB
60:Out of all the magic words in existence, kind words produce the most powerful transformation spells. ~ Richelle E Goodrich, #NFDB
61:You go through spells where you feel that maybe you're too sensitive for this world. I certainly felt that. ~ Winona Ryder, #NFDB
62:There is a real magic in enthusiasm. It spells the difference between mediocrity and accomplishment. ~ Norman Vincent Peale, #NFDB
63:Sometimes you need more than herbs and spells of protection. Sometimes it is not enough merely to defend. ~ Veronica Schanoes, #NFDB
64:When the black and mortal blood of man has fallen to the ground ... who then can sing spells to call it back again? ~ Aeschylus, #NFDB
65:Poems in a way are spells against death. They are milestones, to see where you were then from where you are now. ~ Richard Eberhart, #NFDB
66:Stripped of monarchy and magic spells, he was just a man in a mad world looking for the girl who shared his heart. ~ Alethea Kontis, #NFDB
67:Shiva does not spell religion. Shiva spells responsibility – our ability to take our very life process in our hands. When ~ Sadhguru, #NFDB
68:I'll seek a four leaved shamrock in all thy fairy dells, And if I find the charmed leaves, oh, how I'll weave my spells! ~ Samuel Lover, #NFDB
69:Human life began in flight and fear. Religion rose from rituals of propitiation, spells to lull the punishing elements. ~ Camille Paglia, #NFDB
70:Printer's ink, when it spells out a doctor's promise to cure, is one of the subtlest and most dangerous of poisons. ~ Samuel Hopkins Adams, #NFDB
71:...much more than by its army, its administration, its institutions, and its police, society is held together with spells. ~ Antonin Artaud, #NFDB
72:There is something going on in time and space, and beyond time and space, which, whether we like it or not, spells duty. ~ Winston Churchill, #NFDB
73:We are chaotic chemical propositions, in dire need of basic principles that we can adhere to during our brief rational spells. ~ Alain de Botton, #NFDB
74:When we're not trying to kill each other with spells, we just sit in in Daniel's dressing room watching cricket games on television. ~ Tom Felton, #NFDB
75:There the great Planter plants Of fruitful worlds the grain, And with a million spells enchants The souls that walk in pain. ~ Ralph Waldo Emerson, #NFDB
76:Spells? Magic? I mean, don’t get me wrong. I drink blood and control people’s minds.
But I’ve never heard of anything like this. ~ Richelle Mead,#NFDB
77:A character is like an acrostic or Alexandrian stanza; - read it forward, backward, or across, it still spells the same thing. ~ Ralph Waldo Emerson, #NFDB
78:Ah, the magic of books. The kind of magic that had nothing to do with witches or spells or charms. And was perhaps even more powerful. ~ Heather Blake, #NFDB
79:If only one fifth of your spells work you have real power. If only one fifth of your divinations work you have a serious disability. ~ Peter J Carroll, #NFDB
80:The big spells,” Mg. Thane answered, his expression plain but his bright eyes smiling. Did he know how much those eyes gave away? ~ Charlie N Holmberg, #NFDB
81:Did I know any useful spells? Why no, I sure didn't. But go on, ask me the Latin name of, like, foxglove. Digitalis purpurea. You're welcome. ~ Cate Tiernan, #NFDB
82:Longbottom causes devastation with the simplest spells. We’ll be sending what’s left of Finch-Fletchley up to the hospital wing in a matchbox. ~ J K Rowling, #NFDB
83:It always seemed to me they're sort of alike ... magic and music. Spells and tunes. For one thing, you have to get them just exactly right. ~ Ursula K Le Guin, #NFDB
84:Worm was old; he was a man of silence. He could speak prophecy and make spells, but mostly he was quiet and alert, a pleasure to travel with. ~ Larry McMurtry, #NFDB
85:Whatever she tried, my spells would hold. Not even Odysseus could talk his way past witchcraft. He had talked his way past the witch instead. ~ Madeline Miller, #NFDB
86:Did you get any new spells at the Mages' Guild?" "Of course I did. I've also had four mugs of beer, and now I'm absolutely certain of my victory. ~ Arthur Stone, #NFDB
87:If someone else has done it then I can do it too. If no one has then I can be the first. If I can do it so can you”
― Soraya, Book of Spells ~ Soraya,#NFDB
88:My father was prone to thinking spells—it was like someone turned off his switch, and he went from energetic playmate to reclusive overseer. ~ Kimberly Rae Miller, #NFDB
89:That Damon Matthews,” Linda spat. “You know, take one letter out of his name and it spells ‘ damn’ as in ‘damn, that kid’s a worthless sonovabitch’. ~ Kristen Ashley, #NFDB
90:All my clear-eyed fish, Golden, or rainbow-sided, or purplish, Vermilion-tail'd, or finn'd with silvery gauze... My charming rod, my potent river spells. ~ John Keats, #NFDB
91:Evolution teaches us the original purpose of language was to ritualize men's threats and curses, his spells to compel the gods; communication came later. ~ Gene Wolfe, #NFDB
92:I was dealing with bullies. I had plenty of experience with that. Only these bullies had claws and fangs. And spells. Mustn’t forget the spells. Dastien ~ Aileen Erin, #NFDB
93:Julian had a voice meant for casting spells. But tonight he'd have broken them instead. He sounded like salt without the sea. Rough, alone, and lost. ~ Stephanie Garber, #NFDB
94:Singularitarians are the munchkins of the real world. We just ignore all the usual dungeons and head straight for the cycle of infinite wish spells. ~ Eliezer Yudkowsky, #NFDB
95:This is the thing: people think that magic doesn't exist, but it does, all the time. We use spells every day: the spell of forgiveness, the spell of thanks. ~ Nick Lake, #NFDB
96:Ceony pondered paper snow until she drifted into a hazy slumber, where she dreamed of enchanted cannons and the other spells she could have learned, ~ Charlie N Holmberg, #NFDB
97:if you can't concentrate long enough to hold the spell you wish to enact, you’ll never find yourself casting the more advanced spells that you’ll need. ~ Rachel E Carter, #NFDB
98:Aramaic has no vowels. So MLK spells Moloch.” “Or milk,” Deborah said. “Really, Debs, if you think our killer would tattoo milk on his neck, you need a nap. ~ Jeff Lindsay, #NFDB
99:...I was thinking perhaps some kind of Thebazile. Some of them are supposed to be immuned to sleep spells. You know, like maybe a Mastivo hound.” “Or ~ Christine E Schulze, #NFDB
100:I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation. ~ V C Andrews, #NFDB
101:Well, he’s like a wizard, right?” Mercury asked. “He’s exactly like a wizard,” Jessica said, looking over at her. “Mostly because he casts spells and shit.” “I ~ C T Phipps, #NFDB
102:The word "no" denotes a shutting of the door. It means failure, defeat, delay. But spell in backwards and take new hope, for backwards it spells "on." ~ Norman Vincent Peale, #NFDB
103:Do you remember me telling you we are practicing nonverbal spells, Potter?” “Yes,” said Harry stiffly. “Yes, sir.” “There’s no need to call me ‘sir,’ Professor. ~ J K Rowling, #NFDB
104:It (politician) wants to separate them. And to do so it has chosen the worst, blackest pencil of all - the pencil of war, which spells only misery and death. ~ Zlata Filipovi, #NFDB
105:After so many months of hoping, long spells of illness and worry and confinement, I hold in my arms my darling child. Everything else fades away. She is perfect. ~ Kate Morton, #NFDB
106:But the work had told upon the Editor. Work of that sort carries its penalties with it. Success means absorption, and absorption spells softening of the brain. ~ P G Wodehouse, #NFDB
107:A friend comes over with a Ouija board.
It spells out: Bourbon. Where’s the band?
Just because you’re dead doesn’t mean you can’t
have fun. ~ Kelli Russell Agodon,#NFDB
108:Why can’t music be magic? Aren’t spells just words you repeat? And what are songs? Lyrics that play over and over again. The words are like a formula.” All ~ Silvia Moreno Garcia, #NFDB
109:Maybe there was a magic stronger than spells. Maybe the soulmate principle was responsible, and if two people were meant to be together, nothing could keep them apart. ~ L J Smith, #NFDB
110:Before she went to bed, she loaded her Tatham percussion-lock pistol and added its weight to her bounty of spells. One didn’t always need magic to win a fight. ~ Charlie N Holmberg, #NFDB
111:Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer's circle enter, And woundless tread on snakes asleep. Lo! ~ Matthew Lewis, #NFDB
112:light-headed, my body trembling from shoes to shoulders in random spells, like I swallowed a vibrator. It’s always like this when I’m on the sauce. I dosed six hours ago. ~ David Wong, #NFDB
113:The spells are made up. I have met people who assure me, very seriously, that they are trying to do them, and I can assure them, just as seriously, that they don’t work. ~ J K Rowling, #NFDB
114:When we have passed a certain age, the soul of the child we were and the souls of the dead from whom we have sprung come to lavish on us their riches and their spells. ~ Marcel Proust, #NFDB
115:I don't go by trends. I wear what I am comfortable in and what suits me. It is never about what is 'in' and what is 'out'. My personal sense of style spells 'comfort'. ~ Karisma Kapoor, #NFDB
116:She was fascinated with words. To her, words were things of beauty, each like a magical powder or potion that could be combined with other words to create powerful spells. ~ Dean Koontz, #NFDB
117:There are a number of good spells for making an animal speak,” Aruendiel said to Nora. “It is far more difficult to make them say anything worth listening to.” “That ~ Emily Croy Barker, #NFDB
118:Totalitarianism spells simplification: an enormous reduction in the variety of aims, motives, interests, human types, and, above all, in the categories and units of power. ~ Eric Hoffer, #NFDB
119:Devil’s Wish
A bowl of spells
Swirls a mix
Smoke and bubbles
Seek the fix
Young boy's eye
And fever few
Witches grass
Some mandrake root ~ William O Brien,#NFDB
120:I told her that magic spells only work until the person under the spell is really and honestly tired of it. It ends when continuing becomes simply too ghastly a prospect. ~ Helen Oyeyemi, #NFDB
121:She was fascinated with words. To her, words were things of beauty, each like a magical powder or potion that could be combined with other words to create powerful spells. ~ Dean R Koontz, #NFDB
122:And then, from the other room, we could hear Fudge singing himself to sleep. “M-a-i-n-e spells Maine. F-u-d-g-e spells Fudgie. P-e-t-e-r spells Pee-tah. B-e-e-r spells whiskey. ~ Judy Blume, #NFDB
123:Death comes suddenly and life is fragile and brief. No one can alter this, either by prayers or spells. Children cry about it, but men and women do not cry. They have to endure. ~ Lian Hearn, #NFDB
124:Mystically reinforced and trace-proofed by The House of Witches Est. 937 1st-Class Curses, Hexes, Spells, and Potions We Won’t Be Undersold! info@houseofwitches.com Member LBBB ~ Kresley Cole, #NFDB
125:Had the Ellwood plan passed, perhaps her downward spiral into $2-a-day poverty, and her repeated spells of homelessness, could have been avoided. No one will ever know for sure. ~ Kathryn Edin, #NFDB
126:On the count of three, we will cast our first spells. Neither of us will be aiming to kill, of course.” “I wouldn’t bet on that,” Harry murmured, watching Snape baring his teeth. ~ J K Rowling, #NFDB
127:After my first few tastes I was pretty much hooked. I'd have dry spells, months without any or only piddling amounts of grace, but I never forgot about it or stopped wanting it. ~ Mark Vonnegut, #NFDB
128:Somebody said they threw their copy of Dungeons and Dragons into the fire, and it screamed. It's a game! The magic spells in it are as real as the gold. Try retiring on that stuff. ~ Gary Gygax, #NFDB
129:Here it is,' Nigel said. Mrs D, Mrs I, Mrs FFI, Mrs C, Mrs U, Mrs LTY. That spells difficulty.' How perfectly ridiculous!' snorted Miss Trunchbull. 'Why are all these women married? ~ Roald Dahl, #NFDB
130:If you look up "charming" in the dictionary, you'll see that it not only has references to strong attraction, but to spells and magic. Then again, what are liars if not great magicians? ~ Deb Caletti, #NFDB
131:If your friendships can still stay strong in spells of ‘less time spent’ and your mutual respect and love for each other still is evident, the friendship is probably meant to be forever. ~ Devin Blue, #NFDB
132:I could keep going forever, listing all my flaws in order from the most innocuous to the least. I am afraid of spiders... I fall in love too easily... I have fierce spells of self-doubt. ~ Nina LaCour, #NFDB
133:There were filing cabinets, desks once occupied by long-redundant agents, tables, piles of paperwork, back issues of Spells magazine, several worn-out sofas, and in the corner, a moose. ~ Jasper Fforde, #NFDB
134:A little patience, and we shall see the reign of witches pass over, their spells dissolve, and the people, recovering their true sight, restore their government to its true principles. ~ Thomas Jefferson, #NFDB
135:One good wish changes nothing. But one good decision changes everything. Your power to choose, to make a good decision, spells the difference between wishing and making real life changes. ~ Steve Goodier, #NFDB
136:Then the germ of panic seemed to spread among the seekers. It was one thing to chase the nameless entity, but quite another to find it. Spells might be all right—but suppose they weren’t? ~ H P Lovecraft, #NFDB
137:Best Villainous Monologues, 2nd ed. Spells for Suffering, Year 1 The Novice’s Guide to Kidnapping & Murder Embracing Ugliness Inside & Out How to Cook Children (with New Recipes!) ~ Soman Chainani, #NFDB
138:I know Caraval can be magical and romantic and wonderful, but the spells it casts aren’t easily shaken off, and half the time I don’t even think people realise they have been bewitched. ~ Stephanie Garber, #NFDB
139:He cupped her head with both hands. “You’re full of your own kind of magic, and it’s much more rare and beautiful than all the other spells around you. They are commonplace. You are unique. ~ Thea Harrison, #NFDB
140:Normally I can balance two or three things. The problem is when you're out of work and don't have anything to balance. I think people assume you're always busy. You go through dry spells. ~ Marvin Hamlisch, #NFDB
141:You cannot guess what spells I have cast, what poisons I have gathered to protect myself against you, how your power may rebound upon your head. Who knows that is in me? Will you find out? ~ Madeline Miller, #NFDB
142:And precisely because she was a witch, and therefore sensible, she put little faith in protective amulets and spells; she saved it all for a foot-long bread knife which she kept in her belt. ~ Terry Pratchett, #NFDB
143:Creativity depends on a number of things: experience, including knowledge and technical skills; talent; an ability to think in new ways; and the capacity to push through uncreative dry spells. ~ Teresa Amabile, #NFDB
144:Is she for real?” He paused and reconsidered. “Are you for real? Spells? Magic? I mean, don’t get me wrong. I drink blood and control people’s minds. But I’ve never heard of anything like this. ~ Richelle Mead, #NFDB
145:Raw, gentle, and easy, it mizzled out of the high air, a special elixir, tasting of spells and stars and air, carrying a peppery dust in it, and moving like a rare light sherry on his tongue. Rain. ~ Ray Bradbury, #NFDB
146:That could be a problem,” Glo said, “since I seem to have made a combination of two spells. But here’s the good news. I didn’t have any powdered newt snot, so the spell is most likely temporary. ~ Janet Evanovich, #NFDB
147:We don't do spells," she said. She sounded a little disappointed to admit it. "We'll do recipes sometimes. But no spells or cantrips. Gran doesn't hold with none of that. She says it's common. ~ Neil Gaiman, #NFDB
148:And sometimes you just have to trust that there will be more, sometimes you go through dry spells and you have to assure yourself "no no, it's gonna be fine. There's gonna be more songs, it's all good. ~ Dan Mangan, #NFDB
149:When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them. ~ Hilary Mantel, #NFDB
150:During dry spells, the whole river used to dry up into sandy bed, leaving only a faintly damp white trail. Years ago, on my walks I’d trace that trail upstream, searching for where the river had gone ~ Haruki Murakami, #NFDB
151:The vain woman spent fortunes seeking out astrologers, sorcerers, and magicians who would concoct spells and potions to preserve her beauty and help her remain looking young--but envy is hard to cover. ~ Camron Wright, #NFDB
152:The vast generosity of women is a mysterious tunnel, and nobody knows where it leads. The writing on the walls spells out trick questions, and as a man, you must know that you cannot reason your way out. ~ Tayari Jones, #NFDB
153:A new way to stop people from choking, which doesn’t even sound magical until you understand that a way of turning nearly dead people into fully alive people is worth a dozen spells that just go twing! ~ Terry Pratchett, #NFDB
154:Somehow I had tamed the nightmare, cast a spell over it. But sleeping things wake and spells wear off, especially those cast by accident, and beneath its placid surface I could feel the hollow boiling. Addison ~ Ransom Riggs, #NFDB
155:Proximity to the crowd, to the majority view, spells the death of creativity. For a soul can create only when alone, and some are chosen for the flowering that takes place in the dark avenues of night. ~ Abraham Joshua Heschel, #NFDB
156:When you say something or sing something enough times, it becomes a self-fulfilling prophecy. It's almost like casting spells. I don't mean necessarily in the flighty, 'I'm going to go buy a cloak with a hood now' way. ~ Feist, #NFDB
157:I fixed my gaze on his. "Try," I said. For a long moment he stared at me. Then he turned and twitched off through the brush. I tell you, for all my spells, that was the first time I truly felt myself a witch.. ~ Madeline Miller, #NFDB
158:Thou hast evoked in me profounder spells than the evoking one, thou face! For me, thou hast uncovered one infinite, dumb, beseeching countenance of mystery, underlying all the surfaces of visible time and space. ~ Herman Melville, #NFDB
159:Before 'Wings' came out, I told a few people that at the end of book one, readers should think Laurel made the right choice. Then, at the end of 'Spells,' they should understand why Laurel made the choice she did. ~ Aprilynne Pike, #NFDB
160:You cannot keep doing the same things. According to the situation, your role changes in one-day cricket, especially in a phase like the Powerplay. If I bowl four spells, four times I will be playing a different role. ~ Harbhajan Singh, #NFDB
161:Damn fool," Mother whispered, and covered her face with her hands. "It's not enough that he spells out Leon on the roof every year in Christmas lights. Now this!"
My father was dyslexic but would not admit it. ~ Amanda Kyle Williams,#NFDB
162:Do you remember me telling you we are practicing non-verbal spells, Potter?" "Yes," said Harry stiffly. "Yes, sir." "There's no need to call me "sir" Professor." The words had escaped him before he knew what he was saying. ~ J K Rowling, #NFDB
163:How does it feel about women?” “Oh, it’s not choosy. It ate a book of spells last year. Sulked for three days and then spat it out.” “It’s horrible,” said Conina, and backed away. “Oh, yes,” said Rincewind, “absolutely. ~ Terry Pratchett, #NFDB
164:I'm not the world's greatest expert, but I would have thought that the wizards, witches, trolls, unicorns, ... broomsticks and spells would have given her a clue?' - when J.K. Rowling insisted she wasn't writing fantasy. ~ Terry Pratchett, #NFDB
165:Why does the typical adventuring group consist of a wizard, a warrior, and a rogue, anyway? It should really be a wizard, a warrior, and a rich guy. Otherwise who's going to pay for all the swords and spells and hotel rooms? ~ Robin Sloan, #NFDB
166:Tria questioned the morality of even that type of illicit entry. But her need and the enthusiasm of Rehanne and Lina persuaded her to agree to the attempt, despite her strong mistrust of spells. The room door was locked, the ~ E Rose Sabin, #NFDB
167:Not only are magical texts among the oldest surviving pieces of literature, but many scholars and anthropologists suggest that it was the need to record spells and divination results that stimulated the very birth of writing. ~ Judika Illes, #NFDB
168:If angels stoop from visions of more than earthly beauty to spells of less than earthly worth, they are but fallen angels, mingling divine utterances with the babblings of madness, and the madness is not the divineness. ~ Edwin Hubbel Chapin, #NFDB
169:I have walked in the blackest deeps. You cannot guess what spells I have cast, what poisons I have gathered to protect myself against you, how your power may rebound upon your head. Who knows what is in me? Will you find out? ~ Madeline Miller, #NFDB
170:Our chief usefulness to humanity rests on our combining power with high purpose. Power undirected by high purpose spells calamity, and high purpose by itself is utterly useless if the power to put it into effect is lacking. ~ Theodore Roosevelt, #NFDB
171:But between the plan and the operation, there is always an unknown. That unknown spells victory or defeat. ... Some people call it getting the breaks. I call it God. God has His part in everything. That's where prayer comes in. ~ George S Patton, #NFDB
172:Her spirit alternated constantly between spells of lyricism and spirit possession, making no philosophical distinction between the self alone and in relation to others, and unable to achieve the solace of a religious indifference. ~ Fumiko Enchi, #NFDB
173:There: soft fingers on vibrating steel, and a chord shimmered into the air, nebulous and milky, like light from an old, old star. A voice: warm and low and gentle, a voice to cast spells, charm snakes, shape the course of dreams. ~ Gail Honeyman, #NFDB
174:The wrong action done at the wrong time spells disaster The right action done at the wrong time spells resistance The wrong action done at the right time spells mistake but The right action done at the right time spells a miracle ~ John C Maxwell, #NFDB
175:My adopted political ideals had let me approach money with an elevated level of distaste. I saw it as a materialistic pursuit for materialistic people, but what I have realized over time is that in many ways, money spells freedom. ~ Sophia Amoruso, #NFDB
176:You do things when the opportunities come along. I've had periods in my life when I've had a bundle of ideas come along, and I've had long dry spells. If I get an idea next week, I'll do something. If not, I won't do a damn thing. ~ Warren Buffett, #NFDB
177:Do you remember me telling you we are practicing non-verbal spells, Potter?"
"Yes," said Harry stiffly.
"Yes, sir."
"There's no need to call me "sir" Professor."
The words had escaped him before he knew what he was saying. ~ J K Rowling,#NFDB
178:For all its terrible faults, in one sense America is still the last, best hope of mankind, because it spells out so vividly the kind of happiness that most people actually want, regardless of what they are told they ought to want. ~ Ferdinand Mount, #NFDB
179:I was the kind of child who always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explorations. ~ V C Andrews, #NFDB
180:I was the kind of child who always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn't want all of the magic taken out of the world by scientific explorations. ~ V C Andrews, #NFDB
181:You do things when the opportunities come along. I've had periods in my life when I've had a bundle of ideals come along, and I've had long dry spells. If I get an ideal next week, I'll do something. If not, I won't do a damn thing. ~ Warren Buffett, #NFDB
182:As good as' always spells mediocrity. But when a writer's work is in competition with all those thousands of other manuscripts that pour over an editor's desk, he cannot afford to be 'as good as'; he (or she) must be 'better than. ~ Phyllis A Whitney, #NFDB
183:I was the kind of child who’d always looked for fairies dancing on the grass. I wanted to believe in witches, wizards, ogres, giants, and enchanted spells. I didn’t want all of the magic taken out of the world by scientific explanation. ~ V C Andrews, #NFDB
184:We require only a grenade launcher, six pounds of industrial-strength licorice, two spells of Class VIII complexity, a shipping container, a side of bacon, an automobile, several homing snails, a ladder, and two people to act as bait. ~ Jasper Fforde, #NFDB
185:A whirlwind tour, I think, with each day starting in a different city, you wearing a different silk dress, tasting food the likes of which you cannot even imagine and learning how to weave your word-spells in all the world's languages. ~ Lisa Mantchev, #NFDB
186:You know that my spells come from God, and that I would not harm any living creature. You believe that every one should worship God in the way revealed to him. But that is not the way of this country. The way here is for all to do alike. ~ Willa Cather, #NFDB
187:Did you just kiss me?" Will inquired. Magnus made a slip-second decision. "No." "I thought-" "On occasion the aftereffects of the painkilling spells can result in hallucinations of the most bizarre sort." "Oh," Will said. "How peculiar. ~ Cassandra Clare, #NFDB
188:Will you tell her? asked the mare. “Everything?” the demon said. “Of bears and sorcerers, spells made of sapphire and a witch that lost her daughter? No, of course not. I shall tell her as little as possible. And hope that it is enough. ~ Katherine Arden, #NFDB
189:If our sense of self, our values and our ideals, do not originate from within - but are instead largely influenced, shaped or fashioned by celebrated characters - we fall under the spells of idol worship without realizing we have 'souled out'. ~ T F Hodge, #NFDB
190:When it's raining you can't find enough things to catch it in. When it's not you can stand out in the middle of the street in a dress and a funny hat and nothing's gonna make it rain. I go through periods - or spells - when I'm more receptive. ~ Tom Waits, #NFDB
191:Seek for the Sword that was broken In Imladris it dwells; There shall be counsels taken Stronger than Morgul-spells. There shall be shown a token That Doom is near at hand, For Isuldur's Bane shall waken, And the halfling forth shall stand. ~ J R R Tolkien, #NFDB
192:Just as making art allowed him to communicate his private experience, undoing the paralysing spells of speechlessness, so too sex was a way of making contact, of revealing the wordless, unspeakable things he kept concealed deep inside himself. ~ Olivia Laing, #NFDB
193:There is nothing more exhilarating than the ability to impose your will on others. Do it, Tea. Compel my mind. I do not need to cast spells to know you wish to test your strength against mine, to see if you could make a better Faceless than me. ~ Rin Chupeco, #NFDB
194:One volcano puts out more toxic gases - one volcano - than man makes in a whole year. And when you look at this climate change, and when you look at the regular climate change that we all have in the world, we have warm and we have cooling spells. ~ John Raese, #NFDB
195:defensive spells?” Professor Umbridge repeated with a little laugh. “Why, I can’t imagine any situation arising in my classroom that would require you to use a defensive spell, Miss Granger. You surely aren’t expecting to be attacked during class? ~ J K Rowling, #NFDB
196:Geniuses come in many shapes and colors, and they often run in packs. If you can find one, it may lead you to others. Collaborate with geniuses. Send them your spells. Look carefully at theirs. What could you do together? Combination is creation. ~ Aaron Koblin, #NFDB
197:Was it weird having a witch grandma? Scary? Was she always, like, threatening to cast spells if you were bad?" "Most of the time she just threatened to send me to my room." "That doesn't sound so scary to me." "That's because you haven't met her. ~ Richelle Mead, #NFDB
198:The 'democracy gap' in our politics and elections spells a deep sense of powerlessness by people who drop out, do not vote, or listlessly vote for the 'least worst' every four years and then wonder why after every cycle the 'least worst' gets worse. ~ Ralph Nader, #NFDB
199:St Paul, in his second letter to Corinth, spells this out further in the important eighth and ninth chapters, where he urges some of the Christian communities to be generous to others so that they may also have the chance to be generous in return. ~ Rowan Williams, #NFDB
200:this is why I can’t stand your kind. You light your candles and mumble your Latin spells and pray to a god who isn’t there, doesn’t care, or is just plain crazy or cruel or both. The world burns and you praise the asshole who either set it or let it. ~ Rick Yancey, #NFDB
201:Tingle, ting-le, tang-le toes, she’s a good fisherman, catches hens, puts ’em inna pens…wire blier, limber lock, three geese inna flock…one flew east, one flew west, one flew over the cuckoo’s nest…O-U-T spells out…goose swoops down and plucks you out. ~ Ken Kesey, #NFDB
202:Despite a wealth of natural magic and years of rigorous study alongside the Aven Essen, Kell didn’t know everything there was to know about spells. He knew that, but it was still disconcerting to be surrounded by so much evidence in support of the fact. ~ V E Schwab, #NFDB
203:Did you just kiss me?" Will inquired.
Magnus made a slip-second decision. "No."
"I thought-"
"On occasion the aftereffects of the painkilling spells can result in hallucinations of the most bizarre sort."
"Oh," Will said. "How peculiar. ~ Cassandra Clare,#NFDB
204:Love spells are a lot like platform diving. Once you start the process, there’s no going back, and the end will be fugly if you don’t know what the hell you’re doing. —Mariketa the Awaited Mercenary of the Wiccae, Future Leader of the House of Witches ~ Kresley Cole, #NFDB
205:Poems in a way are spells against death. They are milestones, to see where you were then from where you are now. To perpetuate your feelings, to establish them. If you have in any way touched the central heart of mankind's feelings, you'll survive. ~ Richard Eberhart, #NFDB
206:A Northern teacher in Florida reported how one sixty-year-old woman, “just beginning to spell, seems as if she could not think of any thing but her book, says she spells her lesson all the evening, then she dreams about it, and wakes up thinking about it. ~ Eric Foner, #NFDB
207:My girlfriend is named Lynn. She spells her name "Lynn". My old girlfriend's name is Lyn, too, but she spells it "Lyn". Every now and then I screw up, I call my new girlfriend by my old girlfriend's name, and she can tell because I don't say "n" as long. ~ Mitch Hedberg, #NFDB
208:The Book of Spells or of Conjurations is the Record of every thought, word and deed of the Magician; for everything that he has willed is willed to a purpose. It is the same as if he had taken an oath or perform some achievement.
~ Aleister Crowley, Liber ABA, The Book,#NFDB
209:Mr. Norrell did not know a great deal about war, but he suspected that soldiers are not generally your great respecters of books. They might put their dirty fingers on them. They might tear them! They might- horror of horrors!- read them and try the spells! ~ Susanna Clarke, #NFDB
210:Was it weird having a witch grandma? Scary? Was she always, like, threatening to cast spells if you were bad?"
"Most of the time she just threatened to send me to my room."
"That doesn't sound so scary to me."
"That's because you haven't met her. ~ Richelle Mead,#NFDB
211:Watchers were meant to guide Slayers—the Chosen Ones specially endowed to fight demons—but over the centuries we evolved to be more hands-on. Watchers have to make the hard decisions, and sometimes the hard decisions include weapons. Swords. Spells. Knives. ~ Kiersten White, #NFDB
212:She gets that fabulous edge that girls get to their voices, the edge that spells oncoming Tantrum From the Bowels of Hell, that says, 'I'll scratch the heavens down around you and suck the fucken air from your lungs and spit you to fucken hell and you know it. ~ D B C Pierre, #NFDB
213:But absurdist tapeworms and Antoinette’s fever are ills from which, in the nature of the case, Christians are immune, except for occasional spells of derangement when the power of temptation presses their minds out of shape—and these, by God’s mercy, do not last. ~ J I Packer, #NFDB
214:I'm not helping any of you freaks!" she shouts. "I'm not the Witch of Wayland, you hear me? I'm sick of all you mutants pounding on my door for love spells and all the like! I told you, I don't do that backwoods modern-day, wannabe Wiccafuck stuff! You hear me? ~ J A Redmerski, #NFDB
215:Next to the true beauty and magic of the real world, supernatural spells and stage tricks seem cheap and tawdry by comparison. The magic of reality is neither supernatural nor a trick, but – quite simply – wonderful. Wonderful, and real. Wonderful because real. ~ Richard Dawkins, #NFDB
216:Does Tess like me?” David asked. “I haven’t the faintest idea,” Alison said. “She hasn’t done anything to suggest she doesn’t, has she?” “No, not exactly, only—she looks at one as though she disapproves of how one parts one’s hair, or spells one’s name, somehow. ~ Mallory Ortberg, #NFDB
217:Don’t dismiss the elements. Water soothes and heals. Air refreshes and revives. Earth grounds and holds. Fire is a burning reminder of our own will and creative power. Swallow their spells. There’s a certain sweet comfort in knowing that you belong to them all. ~ Victoria Erickson, #NFDB
218:Witchery is merely a word for what we are all capable of - heightened nightsight, an empathy shared with the beasts, a utilization of the more obscure abilities of our minds. Nothing that science can't explain away. Wizardry is spells and enchantments. Fairy tales. ~ Charles de Lint, #NFDB
219:You totally ruined my life, you know that?' said Rincewind hotly. 'I could have really made it as a wizard if you hadn't decided to use me as a sort of portable spellbook. I can't remember any other spells, they're all too frightened to stay in the same head as you! ~ Terry Pratchett, #NFDB
220:. . . had I a river I would gladly let all honest anglers that use the fly cast line in it, but, but where there is no protection, then nets, poison, dynamite, slaughter of fingerlings, and unholy baits devastate the fish, so that 'free fishing' spells no fishing at all. ~ Andrew Lang, #NFDB
221:It is also important to respect the fact that Iran is a signatory to the nuclear non-proliferation treaty, which treaty spells out the rights and obligations of signatures to the treaty and therefore that we can’t deny Iran the rights due to it as a signature of the NPT. ~ Thabo Mbeki, #NFDB
222:Men grow up expecting to be the hero of their own story. Women grow up expecting to be the supporting actress in somebody else's I refuse to burn my energy adding extra magic and sparkle to other people’s lives to get them to love me. I’m busy casting spells for myself. ~ Laurie Penny, #NFDB
223:The destiny of man is not measured by material computations. When great forces are on the move in the world, we learn we’re spirits—not animals…. There’s something going on in time and space, and beyond time and space, which, whether we like it or not, spells duty. ~ Winston Churchill, #NFDB
224:Ting. Tingle, tingle, tremble toes,
She’s a good fisherman, catches hens, puts ‘em inna pens
Wire blier, limber lock, three geese inna flock
One flew east, one flew west
One flew over the cuckoo’s nest
O-U-T- spells out… goose swoops down and plucks you out. ~ Ken Kesey,#NFDB
225:His spells portrayed the spirit as a frail thing, contstantly under attack and in need of stength, always threatening to die inside you. Inman found this notion dismal indeed, since he had been taught by sermon and hymn to hold as truth that the soul of man never dies. ~ Charles Frazier, #NFDB
226:Just as a satisfaction of instinct spells happiness for us, so severe suffering is caused us if the external world lets us starve, if it refuses to sate our needs. One may therefore hope to be freed from a part of one's sufferings by influencing the instinctual impulses. ~ Sigmund Freud, #NFDB
227:A group of adventurers is known as a "party," and not just because they like to celebrate their success together in the end. Your party should be as close to you as your family--assuming your family can cast spells, kill monsters, and bring you back from the edge of death. ~ Matt Forbeck, #NFDB
228:There is a whole other world of spells and sorcery coexisting with my own. Alger knows it. This woman in the woods knows it. I believe, somehow, that Fyel knows it. I am completely ignorant about this hidden realm, but when I bake, I scrape my nails beneath its door. ~ Charlie N Holmberg, #NFDB
229:It will be the same silence, the same as ever, murmurous with muted lamentation, panting and exhaling of impossible sorrow, like distant laughter, and brief spells of hush, as of one buried before his time. Long or short, the same silence. Then I resurrect and begin again. ~ Samuel Beckett, #NFDB
230:Dark witches do the bigger things," Chaston offered. "And our powers are a hell of a lot stronger. We can make barrier spells, and if we're really good, control the weather. We're also necromancers if--" "Whoa!" I held up my hand. "Necromancers? Like, power over dead things? ~ Rachel Hawkins, #NFDB
231:These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books. ~ Neil Gaiman, #NFDB
232:I just managed to go around with one of the Great Spells in my head for years without going insane, didn't I?' He considered the last question form all angles.
'Yes, you did,' he reassured himself. 'You didn't start talking to trees, even when trees started talking to you. ~ Terry Pratchett,#NFDB
233:Screwing things up is a virtue. Being correct is never the point. I have an almost fanatically correct assistant, and by the time she re-spells my words and corrects my punctuation, I can't read what I wrote. Being right can stop all the momentum of a very interesting idea. ~ Robert Rauschenberg, #NFDB
234:What makes a witch, then? If it is not divinity?’
‘I do not know for certain,’ I said. ‘I once thought it was passed through blood, but Telegonus has no spells in him. I have come to believe it is mostly will.’
She nodded. I did not have to explain. We knew what will was. ~ Madeline Miller,#NFDB
235:Magic ran in the family. Even her mother's second cousin, who was adopted, did small spells on the side. She sold these from a stall in Kota Bharu. Her main wares were various types of fruit fried in batter, but if you bought five pisang or cempedak goreng, she threw in a jampi for free. ~ Zen Cho, #NFDB
236:[...] the Chinese character for 'crisis' is comprised of two sub-characters: one that spells 'danger' and another that spells 'opportunity.' I guess that even the ancient Chinese knew that there is a bright side to the darkest circumstance — if you have the courage to look for it. ~ Robin S Sharma, #NFDB
237:The "memorize then fire and forget" principal for casting spells Jack Vance assumed in his fantasy stories seemed perfect to me for use by D&D magic-users. IT required forethought by the player and limited the power of the class all at once. ~ Gary Gygax, ENWorld, Q&A with Gary Gygax part 13, 2007, #NFDB
238:Oh, By-the-Sea, island of Fernwehs and everything I had ever known and loved. How I would miss you—every part of you—but especially the smell, always the smell: of salt, of brine, of water, of spells, of potions, of feathers, and of what it would mean to leave it all in just two months. ~ Katrina Leno, #NFDB
239:To be a Witch, you must be brave enough to face everything inside of you, and have the courage to change the things you do not like. Being a Witch has nothing to do with spells, rituals, and unusual clothing—they are the fun stuff. To be a Witch is to desire personal transformation. ~ Silver RavenWolf, #NFDB
240:Modern bourgeois society with its relations of production, of exchange, and of property, a society that has conjured up such gigantic means of production and of exchange, is like the sorcerer, who is no longer able to control the powers of the nether world whom he has called up by his spells. ~ Karl Marx, #NFDB
241:My new life was marking me. It was happening so quickly. There were intermittent spells of resistance, during which I'd pluck and moisturize and exfoliate, and then there was a period of grieving for my old self, who seemed to be disappearing toward the horizon, and then I relaxed into it. ~ Kristin Kimball, #NFDB
242:But I was not especially skilled at minding children for long spells; I grew bored, perhaps like my own mother. After I spent too much time playing their games, my mind grew peckish and longed to lose itself in some book I had in my backpack. I was ever hopeful of early bedtimes and long naps. ~ Lorrie Moore, #NFDB
243:Unemployment insurance was meant to be a bridge for temporary spells of unemployment. The bad news is all the evidence is that the longer you have unemployment insurance, the longer people stay out of work, their skills erode. The job they ultimately get pays less. And that's not to their benefit. ~ Harry Reid, #NFDB
244:You haven't heard a damn word I've said. See, this is why I can't stand your kinds. You light your candles and mumble your latin spells and pray to a god who isn't there, doesn't care, or is just plain crazy or cruel or both. The world burns and you praise the asshole who either set it or let it. ~ Rick Yancey, #NFDB
245:The Serpent's eyes are glazed and cloudy; it cannot die from heat or thirst. Nobody has come in weeks, it is alone. Death's release it out of reach.
The Turtle's head is full of war; it studies the time streams, planning defence. The streams all merge and gather at a place that spells defeat. ~ Kylie Chan,#NFDB
246:joke. I hadn’t talked much with Liesl, but I would: in time, she’d confide in me, as well. The dad she’d idolized, who left; the men like beads on the string of a furious mother’s life. The anorexic spells. She’d been locked up in a clinic. Obliged to eat, to weigh in. Like a pig for the kill, she said. ~ R O Kwon, #NFDB
247:There are some people who don't conform to the signals. An ordinary well-regulated locomotive slows down or pulls up when it sees the red light hoisted against it. Perhaps I was born color blind. When I see the red signal -- I can't help forging ahead. And in the end, you know, that spells disaster. ~ Agatha Christie, #NFDB
248:How many people similarly spent their lives searching for their own spells—some gratuitous benefit such as a silver tree or political power or undeserved acclaim—when all they really needed was to be satisfied with what they already had? Sometimes what they had was better than what they thought they wanted. ~ Piers Anthony, #NFDB
249:It cannot be denied that for a society which has to create scarcity to save its members from starvation, to whom abundance spells disaster, and to whom unlimited energy means unlimited power for war and destruction, there is an ominous cloud in the distance though at present it be no bigger than a man's hand. ~ Arthur Eddington, #NFDB
250:The Constitution is constant. There's not one elected official who has the power to change it. There is a way to amend the Constitution, and the Constitution spells out the procedures that must be taken to change it. Presidents cannot. Now, I know this is gonna shock many of you in the low-information community. ~ Rush Limbaugh, #NFDB
251:I think the metaphysical world is something Lisa and I have always been interested in. We were encouraged from a very young age to believe in magic. Our mom used to take us to fairy parties. As we got older, I was always very drawn to manifesting my own destiny...learning how to do spells and personal ritual. ~ Jessica Origliasso, #NFDB
252:Here, captured between covers, was the history of the human imagination, and nothing had ever been more beautiful, or fearsome, or bizarre. Here were spells and curses and myths and legends, and Strange the dreamer had for so long fed his mind on them that if one could wander into it, they would discover a fantasia. ~ Laini Taylor, #NFDB
253:He was visited on a lunar basis by these great unspecific waves of horniness, whereby all women within a certain age group and figure envelope became immediately and impossibly desirable. He emerged from these spells with eyeballs still oscillating and a wish that his neck could rotate through the full 360 degrees. ~ Thomas Pynchon, #NFDB
254:Though Brian was only in his late thirties, his life had been scarred by death: not only had he lost his father and brother, but his first wife had died of diabetes when she was seven months pregnant. He had since remarried, yet there were no children, and he suffered spells of what he called “wild, despairing sorrows. ~ David Grann, #NFDB
255:The only real struggle [in Doctor Strange] was casting spells - learning all these amazing things with fingers, and then remembering what to say at the same time. They would say, 'So you have to put your hands there, not there because the light is going to go [MAKES SOUND] so that kind of masks... but it was all good. ~ Tilda Swinton, #NFDB
256:When we have passed a certain age, the soul of the child that we were and the souls of the dead from whom we sprang come and shower upon us their riches and their spells, asking to be allowed to contribute to the new emotions which we feel and in which, erasing their former image, we recast them in an original creation. ~ Marcel Proust, #NFDB
257:Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That’s why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster’s mind. ~ Jim Butcher, #NFDB
258:One of the CIA’s early programs sought to develop a truth serum, an age-old quest that touched upon ideas of magic potions and sorcerers’ spells. In consort with U.S. Army scientists at the Army Chemical Center in Edgewood, Maryland, this classified program was first called Bluebird, then Artichoke, and finally MKULTRA. ~ Annie Jacobsen, #NFDB
259:This is the simplest of spells, and foundation to all others. Magic seeks to better understand, and eventually to build on, the connection between minds and bodies. Even to calm a storm, you treat the wind and rain as if they were alive and corporeal. That is why blood is part of the spell, along with words and symbols. ~ Ruthanna Emrys, #NFDB
260:I struggled to find my words in all that black space. It took all my strength to keep my eyes from closing and the darkness from absorbing me. I had no hope. I felt no joy. I saw no future that didn't fill me with anguish, so I didn't think at all. I didn't make words or cast spells. I just was. And that was all I could manage. ~ Amy Harmon, #NFDB
261:Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells. ~ Harold Abelson, #NFDB
262:Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite. ~ Ezra Pound, #NFDB
263:We are often like rivers: careless and forceful, timid and dangerous, lucid and muddied, eddying, gleaming, still. Lovers, farmers, and artists have one thing in common, at least - a fear of 'dry spells,' dormant periods in which we do no blooming, internal droughts only the waters of imagination and psychic release can civilize. ~ Gretel Ehrlich, #NFDB
264:Our nights are different. She falls asleep like someone yielding to the gentle tug of a warm tide, and floats with confidence till morning. I fall asleep more grudgingly, thrashing at the waves, either reluctant to let a good day depart or still bitching about a bad one. Different currents run through our spells of unconsciousness. ~ Julian Barnes, #NFDB
265:Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite.
~ Ezra Pound,#NFDB
266:I’m not sure why Setne didn’t just magic himself away. I suppose even a powerful magician can succumb to panic. When you’re free-falling, you forget to think rationally: Gee, I have spells and stuff. Instead your animal brain takes over and you think: OH MY GOD THIS KID IS HOLDING ON TO ME AND I’M TRAPPED AND FALLING AND I’M GOING TO DIE! ~ Rick Riordan, #NFDB
267:Rituals were funny things. People thought of them as either elaborate formulas, magic spells, or compulsions drilled into the subconscious by months or years of repetition. But really, ritual was just a fancy word for habit. A thing that became easier to do than not do. And habits were simple—especially bad ones, like letting people in. ~ Victoria Schwab, #NFDB
268:With Alicia and the Alchemists on the loose, Sydney couldn’t leave a secure location like this without good reason. She contented herself by holing up in a guest room and prepping some spells that would be of use in the search for Alicia tomorrow. That left Dimitri and me to babysit, which seemed like the setup for some sort of wacky sitcom. ~ Richelle Mead, #NFDB
269:It seems to me that on one page I recognized a portion of an old diary of mine which mysteriously disappeared shortly after my marriage, and, also, scraps of letters which, though considerably edited, sound to me vaguely familiar. In fact, Mr. Fitzgerald (I believe that is how he spells his name) seems to believe that plagiarism begins at home. ~ Zelda Fitzgerald, #NFDB
270:In the past an artist produced things that were necessary socially; they were instruments, albeit of a special kind, that helped the dead reach eternity, spells to be cast, prayers to be liturgically fleshed. . . . The aesthetic component of those instruments enhanced their function but was never central, never an independent, nonutilitarian thing. ~ Stanis aw Lem, #NFDB
271:You have to know a lot of songs to cook the way our ancestors cooked. The songs are like clocks with spells. Some enslaved cooks timed the cooking by the stanzas of the hymns and spirituals, or little folk songs that began across the Atlantic and melted into plantation Creole, melting Africa with Europe until beginnings and endings were muddied. ~ Michael W Twitty, #NFDB
272:I gotta work out. I keep saying it all the time. I keep saying I gotta start working out. Its been about two months since I've worked out. And I just don't have the time. Which uh..is odd. Because I have the time to go out to dinner. And uh..and watch TV. And get a bone density test. And uh.. try to figure out what my phone number spells in words. ~ Ellen DeGeneres, #NFDB
273:you at the apartment?” He’s asking about the spells of darkness and loss of time. I had seen his concern then, but if he had asked, I wouldn’t have had the answer. “I think it was the grief. I didn’t know how to handle it, so it was just easier to black out.” At any other time, the symptoms would have been frightening, but then I barely realized what ~ Sejal Badani, #NFDB
274:Gentleness, Virtue, Wisdom, and Endurance, These are the seals of that most firm assurance Which bars the pit over Destruction's strength; And if, with infirm hand, Eternity, Mother of many acts and hours, should free The serpent that would clasp her with his length; These are the spells by which to reassume An empire o'er the disentangled doom. ~ Percy Bysshe Shelley, #NFDB
275:That kiss was bigger than my dreams." The words found their way to my ear, softly.
I had no doubt that magic did exist in our world. It wasn't with wands and wizards. It resisted in plain humans like me and Ryan. In finding a pathway from one heart into another's. Our bridge was a kiss. It appeared from nowhere with the simplest of spells. Three words. ~ Dan Skinner,#NFDB
276:The very fact that faith looks to a power beyond itself means that it is continually subject to loss of control. So if you're looking to get control of all your problems, forget Christianity. If you're looking for success, happiness, or freedom from pain, forget Christ. The way of Christ is the cross, and the cross spells weakness, poverty, failure, death. ~ Mike Mason, #NFDB
277:There’s long spells — three days, years — when you can’t see a thing, know where you are only by the speaker sounding overhead like a bell buoy clanging in the fog. When I can see, the guys are usually moving around as unconcerned as though they didn’t notice so much as a mist in the air. I believe the fog affects their memory some way it doesn’t affect mine. ~ Ken Kesey, #NFDB
278:Jews are accused of ruining. Not a vestige of truth in it. (...) The priest spells poverty (...) It's in the dogma. Because if they didn't believe they'd go straight to heaven when they die they'd try to live better, at least so I think. (...) I want to see everyone, all creeds and classes having a comfortable tidysized income. I call that patriotism." (526) ~ James Joyce, #NFDB
279:And now the First Wizard claimed it carried no real power at all? “Magic is not the only power in this world,” the old mage said gently, handing the horn back to its royal owner. “Griffo made an instrument so perfect that even the dead must rise to hear its call. He made it with his hands, without spells or dragon-songs. I wish that I could do the same.” With ~ Robin Sloan, #NFDB
280:A broken heart in real life isn't half as dreadful as it is in books. It's a good deal like a bad tooth, though you won't think THAT a very romantic simile. It takes spells of aching and gives you a sleepless night now and then, but between times it lets you enjoy life and dreams and echoes and peanut candy as if there were nothing the matter with it. ~ Lucy Maud Montgomery, #NFDB
281:The morning after her date with her nerdishly cute prince of darkness, Cassie is scheduled for a lecture at nine o’clock. She blows it off because life’s too short and anyway the world is going to end in about two weeks’ time, when the Second Heavy Cavalry Brigade rumbles into town accompanied by skies that rain wyrmfire and the death spells of combat magi. ~ Charles Stross, #NFDB
282:Your true family.
But what did that mean? Was family the ones you were born to, or the ones who took you in? Did the first years of his life weigh more than the rest?
Strange thing about forgetting spells.
Rhy was his brother.
They fade on their own.
London was his home.
Unless we don’t let go. ~ V E Schwab,#NFDB
283:Your true family.
But what did that mean? Was family the ones you were born to, or the ones who took you in? Did the first years of his life weigh more than the rest?
Strange thing about forgetting spells.
Rhy was his brother.
They fade on their own.
London was his home.
Unless we don’t let go.” ~ V E Schwab,#NFDB
284:The seventh rule of the ethics of means and ends is that generally success or failure is a mighty determinant of ethics. The judgment of history leans heavily on the outcome of success or failure; it spells the difference between the traitor and the patriotic hero. There can be no such thing as a successful traitor, for if one succeeds he becomes a founding father. ~ Saul Alinsky, #NFDB
285:Love spells are a lot like platform diving. Once you start the process, there’s no going back, and the end will be fugly if you don’t know what the hell you’re doing. —Mariketa the Awaited Mercenary of the Wiccae, Future Leader of the House of Witches Witches are good for one thing and only one thing. Tinder. —Bowen Graeme MacRieve Third in line for the Lykae throne ~ Kresley Cole, #NFDB
286:What
would be labeled as the casting of spells-such as sending a plague of locusts-when done by an outsider, is considered a miracle from God when accomplished by an insider. One problem with the "us and them" worldview is that it frequently condemns the behavior of outsiders and glorifies that of insiders, even when the behavior is exactly the same.
One ~ Joyce Higginbotham,#NFDB
287:If Google had existed when I was eleven, my search history would have looked something like this:
how much comes out
how many cups come out
how to stop period
cancel your period
people with no period
spells to delay period
blood magic
witchcraft
witches
the witches
roald dahl
new roald dahl books
free roald dahl books for kids ~ Lindy West,#NFDB
288:Poetry is a sort of inspired mathematics, which gives us equations, not for abstract figures, triangles, squares, and the like, but for the human emotions. If one has a mind which inclines to magic rather than science, one will prefer to speak of these equations as spells or incantations; it sounds more arcane, mysterious, recondite. ~ Ezra Pound, The Spirit of Romance (1910), p. 5., #NFDB
289:your eyes will be drawn to one small odd thing among all the thousands of others—the thing that calls to you, and suddenly, out of everything else your eyes are taking in and disregarding, they’ll focus on this one spot where something doesn’t make sense, or maybe it spells danger, or it just reminds you of a time and place different from this one. And you can’t look away. ~ Joyce Maynard, #NFDB
290:I can kill with a single word. I can hurl a ball of fire into the midst of my enemies. I rule a squadron of skeletal warriors, who can destroy by touch alone. I can raise a wall of ice to protect those I serve. The invisible is discernible to my eyes. Ordinary magic spells crumble in my presence... But I bow in the presence of a master.
-- Lord Soth to Raistlin Majere ~ Margaret Weis,#NFDB
291:To some he was its champion and to others its demise, which would make no sense at all had the game not become an arena for the vitriolic national discourse over race, feminism, gender, central versus local power, and personal liberty. Every single divisive issue electrifying the American body politic has a twin in the game. It just carries a mace and a couple of fireball spells. ~ Anonymous, #NFDB
292:it’s like . . . finding a book inside another book. A small treasure of a book hidden inside a big common one—like . . . spells printed on dragonfly wings, discovered tucked inside a cookery book, right between the recipes for cabbages and corn. That’s what a kiss is like, he thought, no matter how brief: It’s a tiny, magical story, and a miraculous interruption of the mundane. ~ Laini Taylor, #NFDB
293:Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells. ~ Harold Abelson, Structure and Interpretation of Computer Programs, #NFDB
294:If you set off on a witch-hunt, you will find a witch.
When you find her, she will be dressed like any other person. But to you, her skin will glow in stripes of white and black. You will see her broom, and you will hear her witch-cry, and you will feel the effects of her spells on you.
No matter how unlike a witch she is, there she will be, a witch, before your eyes. ~ Chinelo Okparanta,#NFDB
295:The fact was that he had given the matter a great deal of thought over the past fortnight. Sometimes it seemed an insane idea, just as it had on the night Hermione had proposed it, but at other, he had found himself thinking about the spells that had served him best in his various encounters with Dark creatures and Death Eaters - found himself, in fact, subconsciously planning lessons.... ~ J K Rowling, #NFDB
296:Art is enchantment and artists have the right of spells. ... The success of later Shakespeare is the success of spells, where every element, however uneven, however incredible, is fastened to the next with perfect authority. The enchanted world shimmers but does not waver. A Midsummer Night's Dream is the first of his plays to accomplish this, The Tempest is enchantment's apotheosis. ~ Jeanette Winterson, #NFDB
297:If there is a single factor that spells out the difference between the cafeteria fringe headed for greatness and those doomed for low self-worth, even more than a caring teacher or a group of friends, it is supportive, accepting parents who not only love their children unconditionally, but also don't make them feel as if their idiosyncrasies qualify as "conditions" in the first place. ~ Alexandra Robbins, #NFDB
298:Young women should not go alone on dark nights, even in Oxfordshire. But any prowling maniac would have had more than his work cut out if he had accosted Anathema Device. She was a witch, after all. And precisely because she was a witch, and therefore sensible, she put little faith in protective amulets and spells; she saved it all for a foot-long bread knife which she kept in her belt. ~ Terry Pratchett, #NFDB
299:Our mother, in several beautiful ways, may have been a little crazy. For example: who dries their clothing with a hurricane coming? Like Ossie, Mom got distracted easily. It was seventy-thirty odds whether she would remember a conversation with you. Her moods could do sudden plummets, and she’d have to “take a rest” in the house, but she’d always emerge from these spells with a smile for us. ~ Karen Russell, #NFDB
300:Our work-worn hands, our strong legs, our tree-trunk backs, our throats and mouths speaking spells, singing incantations, and screaming out warnings, our bodies and our stories and our ceaseless working, loving, fighting for remembrance of our past and hope for our future, the safety of our loved ones, the knowledge of our ways, all these have been the true magickal tools of our survival. ~ Lasara Firefox Allen, #NFDB
301:Not sleeping enough, which for a portion of the population is a voluntary choice, significantly modifies your gene transcriptome—that is, the very essence of you, or at least you as defined biologically by your DNA. Neglect sleep, and you are deciding to perform a genetic engineering manipulation on yourself each night, tampering with the nucleic alphabet that spells out your daily health story. ~ Matthew Walker, #NFDB
302:When I am told (by those who confuse predestination with God's providence) that God already knows who will be saved and who will be damned, and therefore anything we do is useless, I usually answer with four truths that the bible spells out for us:God wants that everyone be saved; No one is predestined to go to hell; Jesus died for everyone; and everyone is given sufficient graces for salvation. ~ Gabriele Amorth, #NFDB
303:Once
Once, oh once, there was, was not,
A girl, princess, mermaid, widow, witch, queen, wife,
A boy, king, soldier, wizard, troll, giants,
Magic
Life.
The tale turns, returns, confuses, confesses,
And all the hardships, spells, and stresses,
End well in happy laughter
And we hope-
ever after.
Believe me, friend- because would I,
A storyteller, ever lie? ~ Jane Yolen,#NFDB
304:We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial—whatever our special services, Putin's guard dogs, see fit. ~ Anna Politkovskaya, #NFDB
305:We are hurtling back into a Soviet abyss, into an information vacuum that spells death from our own ignorance. All we have left is the internet, where information is still freely available. For the rest, if you want to go on working as a journalist, it's total servility to Putin. Otherwise, it can be death, the bullet, poison, or trial -whatever our special services, Putin's guard dogs, see fit. ~ Anna Politkovskaya, #NFDB
306:Every human is a magician, and in the interaction between the magicians, there are spells being cast everywhere. How? By misusing the word, by taking everything personally, by distorting everything we perceive with assumptions, by gossiping and spreading emotional poison with the word. Humans cast spells mainly upon the people we love the most, and the more authority we have, the more powerful the spells. ~ Miguel Ruiz, #NFDB
307:Can’t you imagine? Haven’t you told her about the place enough?” He tried the handle again, as if that could change anything. Meggie had covered the whole door with quotations. They looked to him now like magic spells written on the white paint in childish hand. Take me to another world! Go on! I know you can do it. My father has shown me how. Odd that your heart didn’t simply stop when it hurt so much. ~ Cornelia Funke, #NFDB
308:he loved everything Siddhartha did and said and what he loved most was his spirit, his transcendent, fiery thoughts, his ardent will, his high calling. Govinda knew: he would not become a common Brahman, not a lazy official in charge of offerings; not a greedy merchant with magic spells; not a vain, vacuous speaker; not a mean, deceitful priest; and also not a decent, stupid sheep in the herd of the many. ~ Hermann Hesse, #NFDB
309:Mad shapeshifters ripped into monsters, their eyes crimson with rage. Witches howled, loosing spells and arrows. The air steamed with blood. The clamor of swords, the pain-laced cries of the injured, the screams of shapeshifters, and groans of the dying melded together into an unbearable cacophony. Above it all the merciless sun blazed, bright enough to blister the skin. This was hell and I was it's fury. ~ Ilona Andrews, #NFDB
310:Faith by its very nature must be tried, and the real trial of faith is not that we find it difficult to trust God, but that God's character has to be cleared in our own minds. Faith in its actual working out has to go through spells of unsyllabled isolation. Never confound the trial of faith with the ordinary discipline of life. Much that we call the trial of faith is the inevitable result of being alive. ~ Oswald Chambers, #NFDB
311:When you are writing laws you are testing words to find their utmost power. Like spells, they have to make things happen in the real world, and like spells, they only work if people believe in them. If your law exacts a penalty, you must be able to enforce it – on the rich as well as the poor, the people on the Scottish borders and the Welsh marches, the men of Cornwall as well as the men of Sussex and Kent. ~ Hilary Mantel, #NFDB
312:You zapped your own brain?"
"And it didn't do me any harm apart from the dizziness and the vomiting spells and the weirdly persistent ringing in my ears. Also the blackouts and the moodswings and the creeping paranoia. Apart from that, zero side effects, if you don't count numb fingertips. Which I don't."
"Because he also lost the ability to count," said Donegan.
"That was temporary," snapped Gracious. ~ Derek Landy,#NFDB
313:It was about finding the sacred within myself, my center, my peaceful core. We each have a sacred space within us, a part of us. This sacred space is a temple, a temple to our inner power, our intuition, and our connection with the divine. Discovery of psychic powers, spells, and meditation are all things that lead us to the temple. They help us find the road within and walk our path to the inner temple. ~ Christopher Penczak, #NFDB
314:Yes, I get dry spells. Sometimes I can't turn out a thing for three months. When one of those spells comes on I quit trying to work and go out and see something of life. You can't write a story that's got any life in it by sitting at a writing table and thinking. You've got to get out into the streets, into the crowds, talk with people, and feel the rush and throb of real life-that's the stimulant for a story writer. ~ O Henry, #NFDB
315:Perry . . .”he started, and I imagined him saying, Perry and I were just having a private conversation about being responsible. I imagined him saying, Perry’s just had another one of his famous dizzy spells. I imagined him saying, Perry seems to be having some trouble discerning fantasy from reality.
Instead, he said: “Perry was asking me about someone called Santamaria. Do you have any idea what that means? ~ Joe Schreiber,#NFDB
316:Ever heard someone tell you that hard physical labor can be soothing? Can take your mind off your problems? Can leave you feeling better? I’d heard that. In my opinion, hard physical labor gives you blisters, and the only real distraction I got was trying to remember the spells I’d once known for curing them. He was much better than me, by the way; turns out there is even skill involved in digging holes. Who knew? ~ Steven Brust, #NFDB
317:Free me from the bonds of your
sweetness, my love! Nor more of this
wine of kisses.
This mist of heavy incense stifles
my heart.
Open the doors, make room for the
morning light.
I am lost in you, wrapped in the
folds of your caresses.
Free me from your spells, and give
me back the manhood to offer you my
freed heart.
~ Rabindranath Tagore, The Gardener XLVIII - Free Me
,#NFDB
318:They were waiting for me in the books and in stories, after all, hiding inside the twenty six characters and a handful of punctuation marks. These letters and words, when placed in the right order, would conjure all manner of exotic beasts and people from the shadows, would reveal the motives and minds of insects and of cats. They were spells, spelled with words to make worlds, waiting for me, in the pages of books. ~ Neil Gaiman, #NFDB
319:Now, by night, our city glows with the heat of what consumes it, spells out in neon orange nothing but a last request. But by day, our true city has no choice but to reveal itself: a heavy thing, the steel anchor that tethers our dreams to the earth. The buildings, those pillars of glass and concrete, cast their monstrous shadows over the land, and the movement of those shadows marks the passage of our time. ~ Chandler Klang Smith, #NFDB
320:Your mind is the projection screen every writer steals; it is the firing of your neurones that makes every book come alive. You are the electricity that turns it on. A book cannot live until the touch of your hand on the first page brings it alive. A writer is essentially typing blank pages – shouting out spells in the dark – until the words are read by you, and the magic explodes into your head, and no one else's. ~ Caitlin Moran, #NFDB
321:The Constitution was written to protect individual freedom and limit the ability of the government to encroach upon it. The liberals don't like that. The Democrats are very unhappy. The Constitution limits government too much. So they want to rewrite it, have a second Bill of Rights. So they want a new Bill of Rights that spells out what government can do instead of a Bill of Rights that tells government what it can't do. ~ Rush Limbaugh, #NFDB
322:Tanis at first wondered what the mage was studying, then realized it was his spellbook. It is the curse of the magi that they must constantly study and recommit their spells to memory every day. The words of magic flame in the mind, then flicker and die when the spell is cast. Each spell burns up some of the magician’s physical and mental energy until he is totally exhausted and must rest before he can use his magic again. ~ Margaret Weis, #NFDB
323:Thank you for the day and night,
for rainy spells and summer’s light.
Thank you for the skies of blue
and puffy clouds in grayish hue.
Thank you for the gigglefests
and midnight’s cloak to hasten rest.
Thank you for tomorrow new
and yesterday’s tomorrow too.
Thank you for “I’m glad we met”
and also for “we haven’t yet.”
Thank you for the peace of mind
a grateful soul doth always find. ~ Richelle E Goodrich,#NFDB
324:Do the nieces come to see her? Oh, yes, now and then, out of a spirit of duty. But they dread these visits. They know they will have to sit and listen for hours to half-veiled reproaches. They will be treated to an endless litany of bitter complaints and self-pitying sighs. And when this woman can no longer bludgeon, browbeat, or bully her nieces into coming to see her, she has one of her “spells.” She develops a heart attack. ~ Dale Carnegie, #NFDB
325:Matthew kept hinting that his desire - for blood, chiefly- was so strong that it put everything else at risk. But vampires weren’t the only creatures who had to manage such strong impulses. Much of what qualified as magic was simply desire in action. Witchcraft was different- that took spells and rituals. But magic? A wish, a need, a hunger too strong to be denied- these could turn into deeds when they cross a witch’s mind. ~ Deborah Harkness, #NFDB
326:There are two ways of avoiding fear: one is by persuading ourselves that we are immune from disaster, and the other is by the practice of sheer courage. The latter is difficult, and to everybody becomes impossible at a certain point. The former has therefore always been more popular. Primitive magic has the purpose of securing safety, either by injuring enemies, or by protecting oneself by talismans, spells, or incantations. ~ Bertrand Russell, #NFDB
327:When a society cannot ridicule and criticize its institutions, it cannot laugh. The shortest book ever written would be the history of German humor, a culture that has suffered spells of paralyzing fear of authority. Comedy is at heart an angry, antisocial art. To solve the problem of weak comedy, therefore, the writer first asks: What am I angry about? He finds that aspect of society that heats his blood and goes on an assault. ~ Robert McKee, #NFDB
328:Her affection for him was now the breath and life of Tess's being; it enveloped her as a photosphere, irradiated her into forgetfulness of her past sorrows, keeping back the gloomy spectres that would persist in their attempts to touch her—doubt, fear, moodiness, care, shame. She knew that they were waiting like wolves just outside the circumscribing light, but she had long spells of power to keep them in hungry subjection there. ~ Thomas Hardy, #NFDB
329:True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells? Maybe it would be easy - like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't fell like a betrayal. Besides, who was I betraying, anyway? Just myself. ~ Stephenie Meyer, #NFDB
330:True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells?
Maybe it would be easy - like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't fell like a betrayal. Besides, who was I betraying, anyway? Just myself. ~ Stephenie Meyer,#NFDB
331:You are a terror, aren't you? Leave this yard alone. I know just where everything is in it, and I won't be able to find the things I need for my transport spells if you tidy them up.'So there was probably a bundle of souls or a box of chewed hearts somewhere out here, Sophie thought. She felt really thwarted. 'Tidying up is what I'm here for!' she shouted at Howl. 'Then you must think of a new meaning for your life,' Howl said. ~ Diana Wynne Jones, #NFDB
332:A writer is dreamed and transfigured into being by spells, wishes, goldfish, silhouettes of trees, boxes of fairy tales dropped in the mud, uncles' and cousins' books, tablets and capsules and powders...and then one day you find yourself leaning here, writing on that round glass table salvaged from the Park View Pharmacy--writing this, an impossibility, a summary of who you came to be where you are now, and where, God knows, is that? ~ Cynthia Ozick, #NFDB
333:but what I have realized over time is that in many ways, money spells freedom. If you learn to control your finances, you won’t find yourself stuck in jobs, places, or relationships that you hate just because you can’t afford to go elsewhere. Learning how to manage your money is one of the most important things you’ll ever do. Being in a good spot financially can open up so many doors. Being in a bad spot can slam them in your face. ~ Sophia Amoruso, #NFDB
334:Eventually I found my way out of the alley. The laughter had died down and I knew there was a foreboding wave of darkness waiting for me. I wondered why, when I had feelings of intense joy or happiness, I could always sense that black wave, cresting above and threatening to crash down on me at any time but, when I was actually having one of my sad spells, it felt like it was never going to end—like I would never get the happiness back. ~ Andersen Prunty, #NFDB
335:Far over the Misty Mountains cold, To dungeons deep and caverns old, We must away, ere break of day, To seek our pale enchanted gold. The dwarves of yore made mighty spells, While hammers fell like ringing bells, In places deep, where dark things sleep, In hollow halls beneath the fells. The pines were roaring on the heights, The wind was moaning in the night, The fire was red, it flaming spread, The trees like torches blazed with light. ~ J R R Tolkien, #NFDB
336:Pope Innocent VIII made such hysterical nonsense official Catholic dogma in his 1484 Bull, Summis desiderantes affectibus: Men and women straying from the Catholic faith have abandoned themselves to devils, incubi and succubi [male and female demonic sexual partners], and by their incantations, spells, conjurations. . .have slain infants yet in the mother's womb, as also the offspring of cattle, have blasted the produce of the earth. . . .24 ~ Dave Hunt, #NFDB
337:To the Richmond Leader in 1966 when the school board banned her novel: “Surely it is plain to the simplest intelligence that ‘To Kill a Mockingbird’ spells out in words of seldom more than two syllables a code of honor and conduct, Christian in its ethic, that is the heritage of all Southerners. To hear that the novel is 'immoral' has made me count the years between now and 1984, for I have yet to come across a better example of doublethink. ~ Harper Lee, #NFDB
338:To escape the power of the unknown, to prove to yourself that you don't believe in it, you accept its spells. Like an avowed atheist who sees the Devil at night, you reason: He certainly doesn't exist; this is therefore an illusion, perhaps a result of indigestion. But the Devil is sure that he exists, and believes in his upside-down theology. What, then, will frighten him? You make the sign of the cross, and he vanishes in a puff of brimstone. ~ Umberto Eco, #NFDB
339:On November Eve they are at their gloomiest, for according to the old Gaelic reckoning, this is the first night of winter. This night they dance with the ghosts, and the pooka is abroad, and witches make their spells, and girls set a table with food in the name of the devil, that the fetch of their future lover may come through the window and eat of the food. After November Eve the blackberries are no longer wholesome, for the pooka has spoiled them. ~ W B Yeats, #NFDB
340:It was the pleasure that a liar takes in his lie as it enters the world wearing the accent and raiment of the truth, sounding so right and plausible that--if he is any kind of liar at all--he begins, himself, to believe it. It was the pleasure that a maker of golems takes as the force of his words, the rhythm and accuracy of his alphabetical spells, blow life into the cold clay nostrils, and the great stony hand unclenches and reaches for his own. ~ Michael Chabon, #NFDB
341: "Were you crying?" Tori peered at my face. "You were."
"I-it's nothing. I—"
"Simon pulled something, didn't he? Got you out on that walk, and the next thing you know, it's not your hand he's holding." Her eyes blaze. "Guys. They can be such—"
"It wasn't like that."
"If he pulled that crap, you can tell me. I've had a few surprise first dates myself. Wish I'd had my spells then. Especially the binding one." ~ Kelley Armstrong,#NFDB
342:There is no substitute under the heavens for productive labor. It is the process by which dreams become realities. It is the process by which idle visions become dynamic achievements. Most of us are inherently lazy. We would rather play than work. We would rather loaf than work...But it is work that spells the difference in the life of a man or woman. It is stretching our minds and utilizing the skills of our hands that lift us from mediocrity. ~ Gordon B Hinckley, #NFDB
343:A novel’s architecture, the lovely slope of predicament, the tendrils of surface detail, the calculated curving upward into inevitability, yet allowing spells of incorrigibility, and then the ending, a corruption of cause and effect and the gathering together of all the characters into a framed operatic circle of consolation and ecstasy, backlit with fibre-optic gold, just for a moment on the second-to-last page, just for an atomic particle of time. ~ Carol Shields, #NFDB
344:How could a superstition be true? Maybe “superstition” was what snuck into the gaps, the cracks, when you worked in a place with falling morale and depleted resources. Maybe superstition was what happened when your director went missing in action and your assistant director was still mourning the loss. Maybe that was when you fell back on spells and rituals, the reptile brain saying to the rest of you, “I’ll take it from here. You’ve had your shot. ~ Jeff VanderMeer, #NFDB
345:The Watchers spread out over all the land, claiming their peoples and unveiling secrets to the sons of men — dark occult secrets that humanity should never have known. They taught mankind the ways of sorcery and alchemy, incantations and the cutting of magical roots, casting of spells and the arts of divination, necromancy, and astrology. Elohim fast became a distant memory for mankind as they worshipped and served the creation instead of the Creator. ~ Brian Godawa, #NFDB
346:Did all the answers lie beyond the open door? Is the future beyond the open door? For after all, why could this not become, in spite of everything, a mere chapter of her life, marked off and seldom reread, once she had returned to the outside world where she had been kept all these years, quite beyond the spells and enchantments that were now claiming her? Oh, but it wasn't going to be. Because when you fell prey to a spell this strong, you were never the same. ~ Anne Rice, #NFDB
347:Cotillion tossed the apple aside, then reached out to grasp Kalam's upper arm. 'Step away and leave the rest to me.'
'Hold on a moment. Quick Ben's spells were dispelled – that's how I ended up stuck here—'
'Probably because he's unconscious.'
'He is?'
'Or dead. We should confirm things either way, yes?'
You sanctimonious blood-lapping sweat-sucking—
'Risky,' Cotillion cut in, 'making your cursing sound like praying. ~ Steven Erikson,#NFDB
348:This demand is valuable in various ways. In the first place it diminishes pleasure while increasing desire. The pleasure of novelty is by its very nature more subject than any other to the law of diminishing returns. And continued novelty costs money, so that the desire for it spells avarice or unhappiness or both. And again, the more rapacious this desire, the sooner it must eat up all the innocent sources of pleasure and pass on to those the Enemy forbids. Thus ~ C S Lewis, #NFDB
349:Story time isn't much better. Imagine sitting in a circle with acquaintances, chanting spells and being drilled on a variety of subjects. "What sound does a duck make?" Who cares? When will I need to know that? How is this knowledge of barnyard animals and their corresponding noises going to improve my life? Toddlers who get up to stretch their legs or explore will be publicly admonished. The participation reward will not be a glazed doughnut, so don't bother. ~ Bunmi Laditan, #NFDB
350:The basic elements of DNA—hydrogen, nitrogen, oxygen, and carbon—translate directly to key letters of the Hebrew and Arabic alphabets. In these languages, our genetic code spells the ancient name of God. The same name lives within all humans, regardless of their beliefs, actions, lifestyle, religion, or heritage. This relationship was described in sacred texts, such as the Hebrew Sepher Yetzirah, at least 1,000 years before modern science verified such connections. ~ Gregg Braden, #NFDB
351:The day becomes more solemn and serene When noon is past; there is a harmony In autumn, and a lustre in its sky, Which through the summer is not heard or seen, As if it could not be, as if it had not been! Thus let thy power, which like the truth Of nature on my passive youth Descended, to my onward life supply Its calm, to one who worships thee, And every form containing thee, Whom, SPIRIT fair, thy spells did bind To fear himself, and love all human kind. ~ Percy Bysshe Shelley, #NFDB
352:Newton's third law
of reciprocal action
says
for every action there is an equal
and opposite
reaction
that all forces are interactions
all forces come in pairs
Physics and You
spells it out
says
if body A exerts a force
on body B
then body B will exert a force
of the same magnitude
on body A
push and pull
I think
maybe this
is what happened
with Lisa
and you, Ruth -
body A
and body B ~ Holly Thompson,#NFDB
353:Emery was kneeling outside “gardening” when Ceony and Langston stepped through the illusion that masked the paper magician’s house. He had positioned himself outside the curving garden of meticulously crafted paper flowers, and seemed to be replacing all the red, tulip-shaped flower heads with blue, lily-shaped ones. Fennel chewed on the discarded spells as Emery worked, crumpling them in his paper mouth and then spitting the balls into an overturned trash receptacle. ~ Charlie N Holmberg, #NFDB
354:We really have no choice but to pray and encourage a return to an America steeped in Judeo-Christian values. It is either that or taking our chances in a society with no values at all. For all Americans the former carries certain risks, but the latter spells certain doom. For now, we should not be deflected by theological debate from the life-saving tasks awaiting us. There is work to be done. We must ensure that America will continue to be part of God's plan for the world. ~ Daniel Lapin, #NFDB
355:The idea of forty precious volumes being taken into a country in a state of war where they might get burnt, blown up, drowned or dusty was almost too horrible to contemplate. Mr Norrell did not know a great deal about war, but he suspected that soldiers are not generally your great respecters of books. They might put their dirty fingers on them. They might tear them! They might – horror of horrors! – read them and try the spells! Could soldiers read? Mr Norrell did not know. ~ Susanna Clarke, #NFDB
356:Diligent climate scientists have carefully assessed the natural processes involved and shown that what is happening now is unprecedented. It’s completely different from the Medieval Warm Period. Using locally documented warm spells from the distant past as proof that global human-caused climate change does not exist today is the kind of superficially convincing claim that is useful for confusing television viewers or scoring political points, but it is not scientifically meaningful. ~ Bill Nye, #NFDB
357:Under the Mountain dark and tall The King has come unto his hall! His foe is dead, the Worm of Dread, And ever so his foes shall fall. The sword is sharp, the spear is long, The arrow swift, the Gate is strong; The heart is bold that looks on gold; The dwarves no more shall suffer wrong. The dwarves of yore made mighty spells, While hammers fells like ringing bells In places deep, where dark things sleep, In hollow halls beneath the fells. -from The Hobbit (Dwarves Battle Song) ~ J R R Tolkien, #NFDB
358:My mate is also human, so don't let some people's old fashioned prejudices get to you my dear." He then turned and walked past Elder Evreux.
"Be thankful I wasn't the one who took exception to your words René. It would have taken more than Rowan's spells to get me to back down." With a regal nod, he swept past René and left the room.
"I swear you guys will drive me to drink. I should be allowed to sedate you three for meetings." Elder Airgead sat back looking tired. ~ Alanea Alder,#NFDB
359:We are missing the truth. We live in a society that lies and fosters and sells dishonesty at a discount. Remember the line, 'America spells cheese K-R-A-F-T? That does not spell cheese! We tell our kids that as long as it looks good on the outside, don't worry about the inside. Or work hard and you'll be rewarded in the end. That's not necessarily true anymore. We don't tell the truth about certain things. Young people see our hypocrisy. We haven't given them a model to follow. ~ Iyanla Vanzant, #NFDB
360:Great engines crawled across the field; and in the midst was a huge ram, great as a forest-tree a hundred feet in length, swinging on mighty chains. Long had it been forging in the dark smithies of Mordor, and its hideous head, founded of black steel, was shaped in the likeness of a ravening wolf; on it spells of ruin lay. Grond they named it, in memory of the Hammer of the Underworld of old. Great beasts drew it, orcs surrounded it, and behind walked mountain-trolls to wield it. ~ J R R Tolkien, #NFDB
361:It's a classic tale of good versus evil, except with garlic. Gramma goes to La Senora for consultation, for help, for direction. But Gramma has darker thoughts than La Senora can get behind.
She's casting midnight spells with nail clippings and earwax, cheap powdery perfumes and dead toads in jars, carrying her 9 millimeter pistol in her car. She prays for strength. She
prays for death. Not for herself or him. Maybe him. She prays to Pancho Villa, she prays to bad saints. ~ Domingo Martinez,#NFDB
362:The phenomenon of female anger has often been turned against itself, the figure of the angry woman reframed as threat — not the one who has been harmed, but the one bent on harming. She conjures a lineage of threatening archetypes: the harpy and her talons, the witch and her spells, the medusa and her writhing locks. The notion that female anger is unnatural or destructive is learned young; children report perceiving displays of anger as more acceptable from boys than from girls. ~ Leslie Jamison, #NFDB
363:Life is magic.
I knew, without having to ask, what she meant. Life was not the magic of spells or enchantments or sorcery; or, it was, but that was not the point. Life created magic as an accidental by-product, it wasn't, definite article, absolute statement, A=B, magic. Life was magic in a more mundane sense of the word; the act of living being magic all of its own.
This was something we instinctively understood - it simply hadn't occurred to us that it might need explaining. ~ Kate Griffin,#NFDB
364:The radicals...want speech regulated by codes that proscribe certain language. They see free speech as at best a delusion, at worst a threat to the welfare of minorities and women....The most obvious (and cynical) explanation for the switched positions is the switched situations. Protesting students became established professors and administrators. For outsiders, free speech is bread and butter; for insiders, indigestion. To the new academics, unregulated free speech spells trouble. ~ Russell Jacoby, #NFDB
365:Shelves filled with jars of items meant for spells and ridiculous concoctions meant to heal bodies, inflict sickness, remove memories and countless other purposes covered most of the walls. The people brave enough to venture out into this part of the swamp and walk through this door were the ones most desperate for an answer. Most people who knew of the true power of voodoo stayed away. It wasn’t an evil humans needed to dabble in. It could possess you, steal your soul if you allowed it. ~ Abbi Glines, #NFDB
366:In the desert, life-threatening stresses aren’t a crisis; they are a normal feature of the life cycle. Extreme stress is part of the very landscape, not something a plant can avoid or ameliorate. Survival depends on the cactus’s ability to tolerate deathly grim dry spells over and over again. If you meet a barrel cactus that’s tall enough to touch your knee, it is likely to be more than twenty-five years old. Cactuses grow slowly in the desert—during the years when they do grow, that is. A ~ Hope Jahren, #NFDB
367:I love playing for my country. I see it as the biggest privilege of my career, so there's no way I'm going to volunteer to give that up. I want to go on for as long as I can. I've got 68 caps and I'd love to think I could get 100. I know there are some players who reach their 30s and announce their international retirement. I totally understand and respect their decisions. We are away a lot and for long spells. But although it's hard, we're doing one of the most privileged jobs in the world. ~ John Terry, #NFDB
368:If men were equally at risk from this condition - if they knew their bellies might swell as if they were suffering from end-stage cirrhosis, that they would have to go nearly a year without a stiff drink, a cigarette, or even an aspirin, that they would be subject to fainting spells and unable to fight their way onto commuter trains - then I am sure that pregnancy would be classified as a sexually transmitted disease and abortions would be no more controversial than emergency appendectomies. ~ Barbara Ehrenreich, #NFDB
369:Dear, sweet, precious, irreplaceable Lily Anne, the heart and soul of Dexter’s new and human self, turned out to have another wondrous talent far beyond her more obvious charms. She had, apparently, a wonderfully powerful set of lungs, and she was determined to share this gift with all of us, every twenty minutes, all night long. And by some quirk of malignant nature, every time I managed to slide into a brief interlude of real sleep, it coincided exactly with one of Lily Anne’s crying spells. Rita ~ Jeff Lindsay, #NFDB
370:The Golden Horn of Griffo is finely wrought," Zenodotus said, tracing his finger along the curve of Telemach's treasure. "And the magic is in its making alone. Do you understand? There is no sorcery here..."
“Magic is not the only power in this world,” the old mage said gently, handing the horn back to its royal owner. “Griffo made an instrument so perfect that even the dead must rise to hear its call. He made it with his hands, without spells or dragon-songs. I wish that I could do the same. ~ Robin Sloan,#NFDB
371:What’s that map?” I asked.
“Spells of Coming Forth by Day,” he said. “Don’t worry. It’s a good copy.”
I looked at Carter for a translation.
“Most people call it The Book of the Dead,” he told me. “Rich Egyptians were always buried with a copy, so they could have directions through the Duat to the Land of the Dead. It’s like an Idiot’s Guide to the Afterlife.”
The captain hummed indignantly. “I am no idiot, Lord Kane.”
“No, no, I just meant...” Carter’s voice faltered. “Uh, what is that? ~ Rick Riordan,#NFDB
372:I wouldn't mind removing all the mistakes I have made. That would be exhausting and take forever. Honestly, it's one of the spells of my life that has been the most perfect. Not because I did the job perfectly, because of course I did it very imperfectly, but because I enjoyed it so much. What would I change? I complain a lot. I whinge, I more or less communicate in levels of complaint so I wish sometimes I didn't just spend all my time saying, 'I'm working so hard, what do I get in return for this?'. ~ Steven Moffat, #NFDB
373:Your spells are derivatives of the information, experience , and desire you put forth. I'm sure all of you have desire— it's why you are here— but the amount of information and experience you put into your castings will be important indicators as well. You can want something more than anything, but if you can't build up the proper projection in your mind , it won’t be very effective. You need to consider all aspects, not just the image or obvious sense of the action or thing you are trying to create. ~ Rachel E Carter, #NFDB
374:Ashe is the energy that permeates the universe. It’s in everything—people, animals, plants, rocks. The orishas are mega-repositories. Spells, ceremonies, and invocations are all conducted to acquire ashe. Ashe gives the power to change things—to solve problems, subdue enemies, win love, acquire money. Ebbo is the concept of sacrifice. It’s what you do to get ashe. Ebbo can be an offering of fruit, flowers, candles, or food, or it can involve animal sacrifice. Priests and priestesses are known as santeros and ~ Kathy Reichs, #NFDB
375:None can use black magic without straining the soul to the uttermost—and staining it into the bargain. None can inflict suffering without enduring the same. None can send death by spells and sorcery without walking on the brink of death’s own abyss, aye, and dripping his own blood into it. The forces black magic evokes are like two-edged poisoned swords with grips studded with scorpion stings. Only a strong man, leather-handed, in whom hate and evil are very powerful, can wield them, and he only for a space. ~ Fritz Leiber, #NFDB
376:Oh who is that young sinner with the handcuffs on his wrists? And what has he been after that they groan and shake their fists? And wherefore is he wearing such a conscience-stricken air? Oh they’re taking him to prison for the colour of his hair. Now ’tis oakum for his fingers and the treadmill for his feet And the quarry-gang on Portland in the cold and in the heat, And between his spells of labour in the time he has to spare He can curse the God that made him for the colour of his hair.39 A.E. Housman (1859 ~ A N Wilson, #NFDB
377:Despite all my public misconduct, in the past year, I had learned the Elemental spells, the Doppelschläferin, and the preparation and flying of a magic broom; I had survived two months as prisoner of war, saving the life of captain Johanne in the process; I had escaped the dungeons of Fortress Drachensbett, and after an arduous journey successfully reunited with my double, so preserving her, and all Montagne, from Prince Flonian's rapacity, I would somehow master the despicable art of being a princess. ~ Catherine Gilbert Murdock, #NFDB
378:The editors of The Boston Globe wrote that there really was a “new Nixon.” “Gone is the lack of self-confidence, gone the scarcely concealed conviction that he was just a political accident who really did not belong in the Big Time, gone the almost self-evident apprehension that he would be found out sooner or later as an upstart tyro….What Mr. Nixon has done and done superbly is to list the problems confronting the nation. His testing period will come when (and if) he spells out what he proposes to do about them. ~ Geoffrey C Ward, #NFDB
379:The Egyptians had what might to us seem a strange attitude to their gods. While they were happy to sing praises to their deities in order to coerce them into manifestation, they were not able threatening them either. Many spells have survived that promise all manner of dire consequences if the deity concerned does not fulfil the practioner’s wishes. These threats included the destruction of temples, the slaughter of sacred beasts, and perhaps worst of all, the deliberate refusal to acknowledge a god’s existence. ~ Storm Constantine, #NFDB
380:Oh, are you doing magic? Let’s see it, then.”
She sat down. Ron looked taken aback.
“Er — all right.”
He cleared his throat.
“Sunshine, daisies, butter mellow,
Turn this stupid, fat rat yellow.”
He waved his wand, but nothing happened. Scabbers stayed gray and fast asleep.
“Are you sure that’s a real spell?” said the girl. “Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. I’ve learned all our course books by heart, of course. ~ J K Rowling,#NFDB
381:ALYCE: 'Gracie's got brown hair, like me. She's about the same height, too. People notice her. I think it's her voice. It's always louder than you expect and covered with laughter.
I was surprised when she said she didn't want to work with me. I don't know Gracie very well, but I remember once in Year 3 she gave me an invitation to her party. She spelt my name right. Everyone always spells it with an 'i', even the teachers. Ever since then I thought she would be nice. I never thought she'd look at me like I was nothing. ~ Cath Crowley,#NFDB
382:The travel sites all describe Luxembourg as a fairy tale come to life, but it feels less like a Grimm land of trolls and big bad wolves, and more like Disneyland Paris. Luxembourg is the wealthiest country in all of Europe, and the Old City is overrun by the tax-sheltered children of eBay and Skype executives, moving in Pied Piper phalanxes with their phones out and thumbs flying—casting spells out into the ethernet." (from "The Unchangeable Spots of Leopards: A Novel (Ala Notable Books for Adults)" by Kristopher Jansma) ~ Kristopher Jansma, #NFDB
383:What is the advantage of a nonverbal spell?” Hermione’s hand shot into the air. Snape took his time looking around at everybody else, making sure he had no choice, before saying curtly, “Very well — Miss Granger?” “Your adversary has no warning about what kind of magic you’re about to perform,” said Hermione, “which gives you a split-second advantage.” “An answer copied almost word for word from The Standard Book of Spells, Grade Six,” said Snape dismissively (over in the corner, Malfoy sniggered), “but correct in essentials. Yes, ~ J K Rowling, #NFDB
384:Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth. ~ C S Lewis, #NFDB
385:What indeed is madness but the orgasm between consciousness and unconsciousness; yet today psychology has passed this chaotic union between mind and soul: it is taking form, and one day it will be brought to the bed of a new priesthood. Already have the heralds of the last illusion blazoned forth the coming of the magicians. Freud and Jung and a host of followers have invented psycho-analysis, which today is still pure black magic, the anatomization of the mind by thought potientized by theories in place of panticles, mantras and spells. ~ J F C Fuller, #NFDB
386:The time between first and second sleep is neither slumber nor waking. Too much dark and your mind will stay at rest, too much light and your dreams will surely flee. Use this time wisely—for writing spells, summoning spirits, and, most important, remembering your dreams. Queens have been crowned, schemes hatched, fortunes gained, demons defeated, lovers found—all from visions born in the stillness of the night. In dreams, our souls are given the eyes of Fate. Dreams must be encouraged by all possible means. —The Grimoire of Eleanor St. Clair ~ Ami McKay, #NFDB
387:Witches and sorcerers cultivated plants with the power to "cast spells" -- in our vocabulary, "psychoactive" plants. Their potion recipes called for such things as datura, opium poppies, belladona, hashish, fly-agaric mushrooms (Amanita muscaria), and the skin of toads (which can contain DMT, a powerful hallucinogen). These ingredients would be combined in a hempseed-oil-based "flying ointment" that the witches would then administer vaginally using a special dildo. This was the "broomstick" by which these women were said to travel. (119) ~ Michael Pollan, #NFDB
388:There were other delights as well. Sorcerers lined the streets with potions and rituals, enabling the citizens to be possessed by a god, a great honor to plebeians who might otherwise never find themselves in the physical presence of deity. Of course, there were exorcists as well for those stubborn “deities” who would not find themselves ready to leave so soon after a possession. Astrological readings, magical potions of fertility and abortion, alchemy, spells, and enchantments—everything an idolater could desire in this panoply of paganism. ~ Brian Godawa, #NFDB
389:This is the most important lesson you must learn about magic," Miss Ochiba went on. "There are many ways of seeing. Each has an element of truth, but none is the whole truth. If you limit yourselves to one way of seeing, one truth, you will limit your power. You will also place limits on the kinds of spells you can cast, as well as their strength. To be a good magician, you must see in many ways. You must be flexible. You must be willing to learn from different sources. And you must always remember that the truths you see are incomplete. ~ Patricia C Wrede, #NFDB
390:So here I am, my father’s daughter, as the light breaks through the forest, writing down the names of my children and my husband, my friends and even the world at large—like our brothers and sisters in Iraq or Haiti or Burundi—and beside these scrawled names, I am writing out the words of Scripture. Not like promises or talismans, not like magic spells, no. But to give language to what I yearn for, what I believe, and even what I hope. It’s my way of walking in the counsel of the Holy Spirit, may our hearts be fixed and established on Jesus. I ~ Sarah Bessey, #NFDB
391:Many people forget that magick is all about change, and the greatest change is the inner, not the outer, landscape. Outer magickal changes - such as immediately getting a new job, lover, or physical healing - seem more impressive at first, but the inner changes last longer. They are the most impressive. Anyone can learn to do some basic spells and have good results, but the practitioners who develop a solid spiritual and magickal practice become more centered, calm, healthy, and truly confident over time are the magicians who impress me. ~ Christopher Penczak, #NFDB
392:I don't remember reading much at all during the writing of Eileen. I go through several years-long dry spells and I don't feel like reading at all. I was working part-time for a guy in Venice, California while I drafted Eileen. He wanted help in writing his memoir. The research had a lot to do with the 60s, so that must have informed my sense of the place and time in my novel, and perhaps even the memoir point-of-view. He was also from New England. It was a fun job. I learned a lot about motorcycle clubs, Charles Manson, hopping freight trains. ~ Ottessa Moshfegh, #NFDB
393:A little patience, and we shall see the reign of witches pass over, their spells dissolve, and the people, recovering their true sight, restore their government to its true principles. It is true that in the meantime we are suffering deeply in spirit, and incurring the horrors of a war and long oppressions of enormous public debt...If the game runs sometime against us at home, we must have patience till luck turns, and then we shall have an opportunity of winning back the principles we have lost, for this is a game where principles are at stake. ~ Thomas Jefferson, #NFDB
394:There are three ways that men get what they want; by planning, by working, and by praying. Any great military operation takes careful planning, or thinking. Then you must have well-trained troops to carry it out: that's working. But between the plan and the operation there is always an unknown. That unknown spells defeat or victory, success or failure. It is the reaction of the actors to the ordeal when it actually comes. Some people call that getting the breaks; I call it God. God has His part, or margin in everything, That's where prayer comes in. ~ George S Patton, #NFDB
395:This isn't the first time I've used this, and the test subject showed no signs of impaired cognitive ability."
"Who was the test subject?" asked Aurora.
"I test everything out on myself before taking it into the field."
She stared at him. "You zapped your own brain?"
"And it didn't do me any harm apart from the dizziness and the vomiting spells and the weirdly persistent ringing in my ears. Also the blackouts and the mood swings and the creeping paranoia. Apart from that, zero side effects, if you don't count the numb fingertips. Which I don't. ~ Derek Landy,#NFDB
396:I am here to tell you that the Pope has no power to loose souls from purgatory because there is no purgatory. I am here to tell you that there are no priests, only God. That the painted images of saints the poor ignorant folk pray to for intercession in their worldly woes are only sticks and stones—and man must pray to God alone. That all the spells a priest may mumble over a piece of bread to conjure it into the body of our Lord cannot make it anything other than bread, for I have read in scripture that God made man, but nowhere have I read that man can make God. ~ Barbara Kyle, #NFDB
397:You know about trauma bonding, right?” the agent asked abruptly. “Forget kidnapping victims, you see it all the time with battered women. They’re isolated, at the mercy of their dominating spouse, going through intense spells of abject terror followed by even more emotionally draining periods of soul-wrenching apologies. The trauma itself creates a powerful bonding element. The things these two have gone through together, how could anyone else ever understand? It becomes one more thing that makes a woman stay, even after her husband has beat the crap out of her again. ~ Lisa Gardner, #NFDB
398:In a conversation, he once discussed the concepts of chaos and order as complementary rather than contrary. ‘People assume that a jungle means disorder and a garden spells order,’ he said. ‘I use the word “jungle” to mean a very superior, highly sophisticated order. You don’t see any straight lines, but still everything is in place. The order of the jungle is not logically correct. For a gardener, a jungle may look chaotic. But no, there is a very deep order in this chaos. A forest will live for millions of years, while a garden may not even last a month without maintenance. ~ Sadhguru, #NFDB
399:Finding unscented candles was another challenge he never thought he’d have to face. Colors were fine, colors could be useful as elements in various spells. But since meeting Amelia, he’d spent way too much time standing in front of walls of candles labeled with names like “Cranberry Spice” and “Warm Honey.” Christian bookstores and other religious supply shops became their go-to spots to find simple, unadorned, non-scented votive candles. Another deep irony, he observed. If only those kind, wide-eyed women at the cash registers knew what those candles were being used for. ~ Carrie Vaughn, #NFDB
400:It wasn’t the first time I’d run across sex spells: they
were just as common as electricity-kindled spells. They just
aren’t convenient for your average on-the-go magical
needs.
“Do all the memory spells require that?” I asked.
“I don’t think so. I just noticed it on the last couple of
retrieval ones.”
“Uh, maybe I could just get myself, you know, privately
…?” I suggested. I regretted it immediately, and felt my face
flush with warmth. What the hell was I going to do? Ask Lon
if he had any porn I could borrow and hole up in his library’s
washroom? ~ Jenn Bennett,#NFDB
401:In the face of the world's harshness and danger, organisms of any kind develop protection — a coat of armor, a rigid system, a comforting ritual. For the short term, it may work, but for the long term it spells disaster. People weighed down by a system and inflexible ways of doing things cannot move fast, cannot sense or adapt to change. They lumber around more and more slowly until they go the way of the brontosaurus. Learn to move fast and adapt or you will be eaten.
The best way to avoid this fate is to assume formlessness. No predator alive can attack what it cannot see. ~ Robert Greene,#NFDB
402:Hello, Minister!” bellowed Percy, sending a neat jinx straight at Thicknesse, who dropped his wand and clawed at the front of his robes, apparently in awful discomfort. “Did I mention I’m resigning?”
“You’re joking, Perce!” shouted Fred as the Death Eater he was battling collapsed under the weight of three separate Stunning Spells. Thicknesse had fallen to the ground with tiny spikes erupting all over him; he seemed to be turning into some form of sea urchin. Fred looked at Percy with glee.
“You actually are joking, Perce…I don’t think I’ve heard you joke since you were-- ~ J K Rowling,#NFDB
403:Having opened up a way for the imprisoned souls, the chief celebrant had succeeded by means of spells and incantations in breaking open the gates of hell. He had shone his light (a little hand mirror) for the souls in darkness. He had confronted Yama, the Judge of the Dead. He had seized the demon torturers who resisted his progress. He had invoked Ksitigarbha, the Saviour King, to aid him. He had raised up a golden bridge, and now, by means of a litle flag which he held aloft in one hand, was conducting over it those souls from the very deepest pit of hell who still remined undelivered. ~ Cao Xueqin, #NFDB
404:You can always accuse my records of being harrowing or dark or bleak. There is processing of trauma on my records and they contain a lot of healing. As a person who has been watching other's rage for years, instead of having my own tantrums, I keep the feelings inside until I can find a way of making them into music. The songs are like healing spells and it really works for me. When I really do a good job on a song, it gets rid of a weight. As far as hope goes, there is hope that you can heal through processing stuff and make it through to the other side. That's all I can hope for. ~ Erika M Anderson, #NFDB
405:This was a few weeks ago," Annabeth said. "Percy told me a crazy story about meeting a boy our near Moriches Bay. Apparently this kid used hieroglyphs to cast spells. He helped Percy battle a crocodile monsters."
"The Sob of Sobek!" Sadie blurted. "But my brother battled that monster. He didn't say anything about-"
"Is your brother's name Carter?" Annabeth asked.
An angry golden aura flickered around Sadie's head-a halo of hieroglyphs that resembled frowns, fists, and dead stick men.
"As of this moment," Sadie growled, "My brother's name is Punching Bag. ~ Rick Riordan,#NFDB
406:Jace had disappeared under the table. He appeared a moment later, holding Church, the Institute's part-time cat. Church had his paws stuck straight out and a look of satisfaction on his face. "We thought the same thing," said Jace, settling the cat on his lap. "But apparently, according to Magnus, there are spells that can be constructed to be activated by a warlock's death."
Emma glared at Church. She knew the cat had once lived in the New York Institute, but it seemed rude to show preference so blatantly. The cat was lying on his back on Jace's lap, purring and ignoring her. ~ Cassandra Clare,#NFDB
407:I don’t sell spells, and I don’t sell tricks. I don’t carry illusions or marked cards or weighted coins. I cannot sell you an endless purse or help you win the lottery. I can’t make that girl you’ve got your eye on fall in love with you, and I wouldn’t do it even if I could. I don’t have a psychic hotline to your dead relatives, I don’t know if you’re going to be successful in your career, and I don’t know when you’re going to get married. I can’t get you into Hogwarts or any other kind of magic school, and if you even mention those stupid sparkly vampires I will do something unpleasant to you. ~ Benedict Jacka, #NFDB
408:I don’t sell spells, and I don’t sell tricks. I don’t carry illusions or marked cards or weighted coins. I can not sell you an endless purse or help you win the lottery. I can’t make that girl you’ve got your eye on fall in love with you, and I wouldn’t do it even if I could. I don’t have a psychic hotline to your dead relatives, I don’t know if you’re going to be successful in your career, and I don’t know when you’re going to get married. I can’t get you into Hogwarts or any other kind of magic school, and if you even mention those stupid sparkly vampires I will do something unpleasant to you. ~ Benedict Jacka, #NFDB
409:The one being Cookie loved is Arsenal.” “The dog?” “Think about it. He doesn’t speak. I’ve thought it was strange since he first showed up at the house. It seems like he should be able to unless he’s mute—which is totally a possibility. But then there’s that strange collar he has. I’d never seen anything like it. Neither had Amelia. It’s blue and hums.” Betty gasped. “It’s a stone!” “Exactly! It’s the stone grounding both spells—the one screwing with your magic and the one keeping us in a deep freeze. All we have to do is get the collar off him and Arsenal may be able to tell us how to break both spells. ~ Amy Boyles, #NFDB
410:Ah, but the Third Hallow is a true Cloak of Invisibility, Miss Granger! I mean to say, it is not a traveling cloak imbued with a Disillusionment Charm, or carrying a Bedazzling Hex, or else woven from Demiguise hair, which will hide one initially but fade with the years until it turns opaque. We are talking about a cloak that really and truly renders the wearer completely invisible, and endures eternally, giving constant and impenetrable concealment, no matter what spells are cast at it. How many cloaks have you ever seen like that, Miss Granger?” Hermione opened her mouth to answer, then closed it again, ~ J K Rowling, #NFDB
411:If you meet somebody and they love you when you are your true, awful, not-ready-yet, boring, not cool enough, not handsome enough, not pretty enough, too fat, too poor self? And if you love them back so much it makes you calm? And they have flaws and you do not mind a single one of them? That means you get yourself to the church and you pull one of those priests out of bed and you have him cast one of those wedding spells on you. If you’re gay and this happens, you might have to rent a car first and drive to one of the states that operates a few hours ahead. Because if you found that, you found it. ~ Augusten Burroughs, #NFDB
412:Ever since those wondrous days of Creation
our Lord God sleeps: we are His sleep.
And He accepted this in His indulgence,
resigned to rest among the distant stars.
Our actions stopped Him from reacting,
for His fist-tight hand is numbed by sleep,
and the times brought in the age of heroes
during which our dark hearts plundered Him.
Sometimes He appears as if tormented,
and His body jerks as if plagued by pain;
but these spells are always outweighed by the
number of His countless other worlds.
Translated by Albert Ernest Flemming
~ Rainer Maria Rilke, In The Beginning
,#NFDB
413:It might have been brief, but so much of a kiss - a first kiss especially - is the moment before your lips touch, and before your eyes close, when you're filled with the sight of each other, and with the compulsion, the pull, and it's like...it's like...finding a book inside another book. A small treasure of a book hidden inside a big common one - like...spells printed on dragonfly wings, discovered tucked inside a cookery book, right between the recipes for cabbages and corn. That's what a kiss is like, he thought, no matter how brief: It's a tiny, magical story, and a miraculous interruption of the mundane. ~ Laini Taylor, #NFDB
414:What does a research witch do?’ Tiffany asked.
‘Oh, it’s a very ancient craft. She tries to find new spells by learning how old ones were really done. You know all that stuff about “ear of bat and toe of frog”? They never work, but Miss Level thinks it’s because we don’t know exactly what kind of frog, or which toe—’
‘I’m sorry, but I’m not going to help anyone chop up innocent frogs and bats,’ said Tiffany firmly.
‘Oh, no, she never kills any!’ said Miss Tick hurriedly. ‘She only uses creatures that have died naturally or been run over or committed suicide. Frogs can get quite depressed at times. ~ Terry Pratchett,#NFDB
415:Peasants brought up on a tradition of superstitious magic could hardly be expected to distinguish between such ostensibly Christian rituals and the mumbled incantations of the local wizard. And so, to the discomfort of the priests, many came to regard elements of Christian devotion as simple magical spells. The Latin Mass was, after all, incomprehensible to the common people, so it already had the aspect of an occult formula. It came to be seen, like magic, as an essentially mechanical rite through which absolution was achieved by observing the correct procedures. In that case, there was no real need for faith. ~ Philip Ball, #NFDB
416:Her father is fastened to his room, with his records and his drugs and his quiet. She crawls under her covers. It is her fault for triggering one of his spells. Normally she can tightrope through his moods. At least it had been brief. Most girls do not have to deal with a father like hers. They would be afraid of the way she lives, lawless in a roachy apartment. They would be scared of his fits. Madeleine would be scared too, she thinks, falling asleep. If she had only experienced finished basements and dads who acted like dads. But Madeleine loves her father, and how can you be scared of someone you love? ~ Marie Helene Bertino, #NFDB
417:I felt like a mountain apart, testimonials and success stories about Dr. Akhere addresses me. Dr. Akhere spells have worked well and you can read my testimonial on the street to achieve it. If anyone has any doubts about how love charms can restore your broken relationship, then I recommend that you learn from me and contact Dr.Akhere: Akheretemple@yahoo.com or What App +2348129175848 Akhere love spell could permanently restore my relationship, and I am so happy about it. My husband and our three sweet sons live happily together for 6 years. I must praise DR.Akhere for his efforts to make other people's lives smile ~ Anna Sewell, #NFDB
418:He was sitting in moonlight and candlelight, scratching the head of some beast that looked to Vevay a cross between a lion and a bear. It had black pelt, a flat, broad, fanged face, a powerful bulky body. It seemed to be purring. It cast a smoldering red glance at Vevay than closed it eyes again, leading heavy against Felan's knee.
"what on earth is that?" Vavey asked.
"I've no idea," Felon said. "It came out of an old book I was reading once and it never went back in again. It seems harmless and is very obliging: it let the students practice transformation spells on it. It eats strawberries when it can get them. ~ Patricia A McKillip,#NFDB
419:It’s a stereotype,” he hissed. “It’s a damn stereotype and it’s harmful. If this catches on, we’ll have all sorts of sorcerers running around, waving wands and chanting spells. Do you know how ridiculous we’d look?”
Tanith shrugged. “I liked Harry Potter.”
“This ain’t about Harry Potter!”
“You liked Harry Potter as well.”
“They’re good books,” he snapped, “but I do not agree with this wand business. All those guys down there, criminals and mobsters and gangsters, and who are they taking orders from? A wizard with a wand. How can they take him seriously? How are they going to take us seriously when we attack? ~ Derek Landy,#NFDB
420:The difference between my darkness and your darkness is that I can look at my own badness in the face and accept its existence while you are busy covering your mirror with a white linen sheet. The difference between my sins and your sins is that when I sin I know I'm sinning while you have actually fallen prey to your own fabricated illusions. I am a siren, a mermaid; I know that I am beautiful while basking on the ocean's waves and I know that I can eat flesh and bones at the bottom of the sea. You are a white witch, a wizard; your spells are manipulations and your cauldron from hell yet you wrap yourself in white and wear a silver wig. ~ C JoyBell C, #NFDB
421:The depiction of the divine family is one of the key expressions of the greatest word of power, the Unpronounceable Name of God, or Tetragrammaton. This fourfold name is comprised of the Hebrew letters Yod, Heh, Vav, Heh corresponding respectively to the Father, Mother, Son, and Daughter. The correct pronunciation of Tetragrammaton, which was said to be immensely powerful and capable of destroying the universe, has been lost for centuries. Significantly, if the Yod, symbolising God the Father, is removed from this name, we are left with Heh Vav Heh, which spells Eve, the first woman of the Book of Genesis and some of the Gnostic texts. ~ Sorita d Este, #NFDB
422:As he spoke, he looked into their faces and saw, as though in his own features, that fundamentally they all bore the indelible impress of a similar background: army tradition; long spells of garrison service in a world isolated from the rest of society; a sense of alienation, of being despised by that society and ridiculed by liberal writers; the official ban on discussing politics and political literature, resulting in a blunting or stultifying of the intellect; a permanent shortage of money; and yet, despite it all, the knowledge that they represented, in purified and concentrated form, the vitality and courage of the whole nation. ~ Aleksandr Solzhenitsyn, #NFDB
423:He had also learned that the sick and unfortunate are far more receptive to traditional magic spells and exorcisms than to sensible advice; that people more readily accept affliction and outward penances than the task of changing themselves, or even examining themselves; that they believe more easily in magic than reason, in formulas than experience . . . They would much rather pay in money and goods than in trust and love. They cheat one another and expect to be cheated themselves. You had to learn to see man as a weak, selfish, and cowardly creature; you also had to realize how many of these evil traits and impulses you shared yourself . . . . ~ Hermann Hesse, #NFDB
424:In any relationship, there will be frightening spells in which your feelings of love dry up. And when that happens you must remember that the essence of marriage is that it is a covenant, a commitment, a promise of future love. So what do you do? You do the acts of love, despite your lack of feeling. You may not feel tender, sympathetic, and eager to please, but in your actions you must BE tender, understanding, forgiving and helpful. And, if you do that, as time goes on you will not only get through the dry spells, but they will become less frequent and deep, and you will become more constant in your feelings. This is what can happen if you decide to love. ~ Timothy J Keller, #NFDB
425:And when you speak of tea or coffee or wine or any of our liquid spells, the drink must be matched perfectly with the drinker to get the best effect. If the match is a good one, the coffee will get to know you a little while you drink it, to know you and love you and cheer for your victories, lend you bravery and daring. The tea will want you to do well, will stand guard before your fear and sorrow. Afternoon tea is really a kind of séance. And at the end of it all, the grounds—or leaves!—left in the bottom of your little cup are not really prophecies but your teatime trying to talk to you, to tell you something secret and dear, just between the two of you. ~ Catherynne M Valente, #NFDB
426:Create a revocable living trust. Transfer all assets into the trust and appoint yourself as the trustee so you retain all control over the trust. Create a pour-over will. Choose a guardian for your children who is truly prepared and ready for the responsibility. Choose an executor for your estate who is ready and able to settle your affairs when you die. Create an advance directive that spells out your health care wishes. Create a durable power of attorney for health care that will allow your appointed agent to speak on your behalf with doctors and family if you become too ill to speak for yourself. Designate beneficiaries for all of your assets held in your will and trust. ~ Suze Orman, #NFDB
427:Demons and the Bible Many readers assume that the belief in demons attested in Scripture the superstitious beliefs of all ancient peoples. Yet anthropologists witness possession trances in most cultures today. Demons’ reality, of course, cannot be decided by archaeology. Researchers can demonstrate, however, that the notion that the New Testament writers simply reflect the prescientific views of their contemporaries is simplistic and misleading. Demons in the Ancient Near East Ancient Near Eastern society was awash in texts containing magical incantations and amulets intended to protect people from evil spirits (spells for defense against demons are called “apotropaic spells”). ~ Anonymous, #NFDB
428:Can we make promises to each other, as if we were truly married? Can we swear to be true and faithful and love only each other and all those things? Because I'm in such pain, Margherita, I need to have you, I need to know that you're mine. I've been in torment since I first saw you. No, since I first heard you singing from you tower height. Please, mia bella bianca, please let us swear to each other. Love breaks all spells, I know it does. Wear my ring and let me know-"
She stopped his words with her mouth, cupping both hands about his face. Then she sat back to show him the ring on her finger. "I swear it all. Is that good enough? Because I really need you to kiss me again. ~ Kate Forsyth,#NFDB
429:Swirling furiously among the stairs and corridors of her exquisite home like a small and angry white bat Sybilla, Dowager Lady Culter, was not above spitting at her unfortunate son when he chose to sit down in his own great hall to take his boots off. ‘If Madge Mumblecrust comes down those stairs once again for a morsel of fowl’s liver with ginger, or pressed meats with almond-milk, I shall retire to a little wicker house in the forest and cast spells which will sink Venice into the sea for ever, and Madame Donati with it. The Church,’ said Sybilla definitely, ‘should excommunicate girls who do not replace lids on sticky jars and wash their hair every day with the best towels. ~ Dorothy Dunnett, #NFDB
430:Month after month the gathered rains descend
Drenching yon secret Aethiopian dells,
And from the deserts ice-girt pinnacles
Where Frost and Heat in strange embraces blend
On Atlas, fields of moist snow half depend.
Girt there with blasts and meteors Tempest dwells
By Niles aereal urn, with rapid spells
Urging those waters to their mighty end.
Oer Egypts land of Memory floods are level
And they are thine, O Nile--and well thou knowest
That soul-sustaining airs and blasts of evil
And fruits and poisons spring whereer thou flowest.
Beware, O Man--for knowledge must to thee,
Like the great flood to Egypt, ever be.
~ Percy Bysshe Shelley, To The Nile
,#NFDB
431:All our troubles begin when we break life up into segments and see things fragmentarily. No, all places are alike. There is no such place in life where only happiness abides. And similarly there is no such place where you meet with suffering and only suffering. Therefore, our heaven and hell are just our imagination. Because we have gotten into the habit of looking at things fragmentarily, we have imagined one place with abounding happiness and another with unmitigated sorrow and suffering – and we call them heaven and hell. No, wherever life is there is happiness and suffering together. They go together. You have happy moments or relaxation in hell and painful spells of boredom in heaven. ~ Osho, #NFDB
432:Many secular observers and spiritual practitioners alike mistake mystical chanting as a kind of anthropological curiosity or interesting musical diversion from secular mainstream entertainment, sometimes labeling it 'world' or 'folk' music. But uttering or chanting spells, mantras or prayers shouldn't be regarded as a romantic excursion to a distant past, or faraway place, or as an escape from our everyday stresses, for relaxation or entertainment. These sounds are meant to be experienced as the timeless unity of energy currents. The chanting of ancient esoteric sounds enables us to realize we are never separate from the one continuously existing omnipresent vibration of the cosmos. ~ Zeena Schreck, #NFDB
433:She isn't a storm or a leader or a king or a war or anyone whose life and death makes noise. The problem is words. There is skin, yes. And then, inside that, there is your language, the casual, inherited magic spells taht make your skin real. It's too late now--even if we could say "Shut up" or "Where's my dinner?" in the first language, the real language, the words weren't born in us. And unless your skin and your language touch each other without interruption, there is no word strong enough to make you understand that it matters that you live. The things that really "stay" are an Orisha, a kind night, a pretended boy, a garden song that made no sense. Those come closer to being enough. ~ Helen Oyeyemi, #NFDB
434:The oil consecrates everything that is touched with it; it is his aspiration; all acts performed in accordance with that are holy. The scourge tortures him; the dagger wounds him; the chain binds him. It is by virtue of these three that his aspiration remains pure, and is able to consecrate all other things. He wears a crown to affirm his lordship, his divinity; a robe to symbolize silence, and a lamen to declare his work. The book of spells or conjurations is his magical record, his Karma. In the East is the Magick Fire, in which all burns up at last. We will now consider each of these matters in detail.
~ Aleister Crowley, Liber ABA, Book 4, Magick, Part II - Magick (elemental theory), Preliminary Marks,#NFDB
435:Was I still myself? If so, who was I? I wasn’t really interested in knowing that. It had no sort of importance for me anymore. Some moorings had broken, some taboos had fallen, and a world of spells and anathemas was springing up from their ruins. What was terrifying about this whole affair was the ease with which I passed from one universe to another without feeling out of place. Such a smooth transition. I had gone to bed a docile, courteous boy, and I’d awakened with an inextinguishable rage lodged in my very flesh. I carried my hatred like a second nature; it was my armor and my shirt of Nessus, my pedestal and my stake; it was all that remained to me in this false, unjust, arid, and cruel life. ~ Yasmina Khadra, #NFDB
436:My mother was a bruja, and I grew up watching her clients come for all sorts of spells—to guarantee healthy babies, to bless a new house, to keep a son from joining the armed forces. When she lit a red candle to Guadalupe and recited an Ave, Doña Tarano’s liver tumor miraculously shrank. When she prayed to Saint Catalina de Alejandría, a family on the brink of debt came into a windfall. Of course, brujas are also specialists in justice when someone’s wronged you. A curse from a bruja might punish a cheating husband, or unleash a rash on someone spreading gossip. People at the receiving end of a bruja’s curse understand that they have done something to deserve it; a hex only works on the guilty. My mother ~ Jodi Picoult, #NFDB
437:By early 1937, the Nazi state could be likened to an atomic structure. The nucleus was Hitler, surrounded by successive rings of henchmen. The innermost ring was Göring, Himmler and Goebbels, privy to his less secret ambitions and the means he was proposing to employ to realize them. In the outer rings were the ministers, commanders-in-chief and diplomats, each aware of only a small sector of the plans radiating from the nucleus. Beyond them was the German people. The whole structure was bound by the forces of the police state – by the fear of the wiretap, the letter censors, the Gestapo and ultimately the short, sharp corrective spells provided by Himmler's renowned establishments at Dachau and elsewhere. ~ David Irving, #NFDB
438:But I also know of yet another life. I know and want it and devour it ferociously. It's a life of magical violence. It's mysterious and bewitching. In it snakes entwine while the stars tremble. Drops of water drip in the phosphorescent darkness of the cave. In that dark the flowers intertwine in a humid fairy garden. And I am the sorceress of that silent bacchanal. I feel defeated by my own corruptibility. And I see that I am intrinsically bad. It's only out of pure kindness that I am good. Defeated by myself. Who lead me along the paths of the salamander, the spirit who rules the fire and lives within it. And I give myself as an offering to the dead. I weave spells on the solstice, spectre of an exorcised dragon. ~ Clarice Lispector, #NFDB
439:A Forecast
What days await this woman, whose strange feet
Breathe spells, whose presence makes men dream like wine,
Tall, free and slender as the forest pine,
Whose form is moulded music, through whose sweet
Frank eyes I feel the very heart's least beat,
Keen, passionate, full of dreams and fire:
How in the end, and to what man's desire
Shall all this yield, whose lips shall these lips meet?
One thing I know: if he be great and pure,
This love, this fire, this beauty shall endure;
Triumph and hope shall lead him by the palm:
But if not this, some differing thing he be,
That dream shall break in terror; he shall see
The whirlwind ripen, where he sowed the calm.
~ Archibald Lampman,#NFDB
440:All Nature seems at work. Slugs leave their lair—
The bees are stirring—birds are on the wing—
And Winter, slumbering in the open air,
Wears on his smiling face a dream of Spring!
And I, the while, the sole unbusy thing,
Nor honey make, nor pair, nor build, nor sing.
Yet well I ken the banks where amaranths blow,
Have traced the fount whence streams of nectar flow.
Bloom, O ye amaranths! bloom for whom ye may,
For me ye bloom not! Glide, rich streams, away!
With lips unbrighten'd, wreathless brow, I stroll:
And would you learn the spells that drowse my soul?
Work without Hope draws nectar in a sieve,
And Hope without an object cannot live.
- Work without Hope ~ Samuel Taylor Coleridge,#NFDB
441:As Kingfishers Catch Fire
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves -- goes itself; myself it speaks and spells,
Crying What I do is me: for that I came .
I say more: the just man justices;
Keeps grace: that keeps all his goings graces;
Acts in God's eye what in God's eye he is --
Christ. For Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces. ~ Gerard Manley Hopkins,#NFDB
442:Feel out of step in the world of modern magic? Find yourself making excuses not to perform simple spells? Ever been taunted for your woeful wandwork? There is an answer! Kwikspell is an all-new, fail-safe, quick-result, easy-learn course. Hundreds of witches and wizards have benefited from the Kwikspell method! Madam Z. Nettles of Topsham writes: “I had no memory for incantations and my potions were a family joke! Now, after a Kwikspell course, I am the center of attention at parties and friends beg for the recipe of my Scintillation Solution!” Warlock D. J. Prod of Didsbury says: “My wife used to sneer at my feeble charms, but one month into your fabulous Kwikspell course and I succeeded in turning her into a yak! Thank you, Kwikspell! ~ J K Rowling, #NFDB
443:Harry: "Have you…" he began. "I mean, who … has anyone you known ever died?"
"Yes," said Luna simply, "my mother. She was a quite extraordinary witch, you know, but she did like to experiment and one of her spells went rather badly wrong one day. I was nine."
"I’m sorry," Harry mumbled.
"Yes, it was rather horrible," said Luna conversationally. "I still feel very sad about it sometimes. But I’ve still got Dad. And anyway, it’s not as though I’ll never see Mum again, is it?"
"Er – isn’t it?" said Harry uncertainly.
She shook her head in disbelief. "Oh, come on. You heard them, just behind the veil, didn’t you?"
" You mean…"
"In that room in the archway. They were just lurking out of sight, that’s all, you heard them. ~ J K Rowling,#NFDB
444:The relatively new trouble with mass society is perhaps even more serious, but not because of the masses themselves, but because this society is essentially a consumers’ society where leisure time is used no longer for self-perfection or acquisition of more social status, but for more and more consumption and more and more entertainment…To believe that such a society will become more “cultured” as time goes on and education has done its work, is, I think, a fatal mistake. The point is that a consumers’ society cannot possibly know how to take care of a world and the things which belong exclusively to the space of worldly appearances, because its central attitude toward all objects, the attitude of consumption, spells ruin to everything it touches. ~ Hannah Arendt, #NFDB
445:They landed with a crash that split paving stones and jarred the nearby houses. Something cracked in Thorn’s left wing-shoulder, and his back arched unnaturally as Murtagh’s wards kept the dragon from crushing him flat.
Saphira could hear Murtagh cursing from underneath Thorn, and she decided that it would be best to move away before the angry two-legs-round-ears started casting spells.
She jumped up, kicking Thorn in the belly as she did so, and alit on the peak of the house behind the red dragon. The building was too weak to support her, so she took flight again and, just for good measure, set the row of buildings on fire.
Let them deal with that, she thought, satisfied, as the flames gnawed hungrily at the wooden structures. ~ Christopher Paolini,#NFDB
446:We are talking about a cloak that really and truly renders the wearer completely invisible, and endures eternally, giving constant and impenetrable concealment, no matter what spells are cast at it. How many cloaks have you ever seen like that, Miss Granger?”
Hermione opened her mouth to answer, then closed it again, looking more confused than ever. She, Harry, and Ron glanced at one another, and Harry knew that they were all thinking the same thing. It so happened that a cloak exactly like the one Xenophilius had just described was in the room with them at that very moment.
“Exactly,” said Xenophilius, as if he had defeated them all in reasoned argument. “None of you have ever seen such a thing. The possessor would be immeasurably rich, would he not? ~ J K Rowling,#NFDB
447:He lay in bed open-eyed in the dark. There were intestinal moans from his left side, where gas makes a hairpin turn at the splenic flexure. He felt a mass of phlegm wobbling in his throat but he didn’t want to get out of bed to expel it, so he swallowed the whole nasty business, a slick syrupy glop. This was the texture of his life. If someone ever writes his true biography, it will be a chronicle of gas pains and skipped heartbeats, grinding teeth and dizzy spells and smothered breath, with detailed descriptions of Bill leaving his desk to walk to the bathroom and spit up mucus, and we see photographs of ellipsoid clots of cells, water, organic slimes, mineral salts and spotty nicotine. Or descriptions just as long and detailed of Bill staying where he is and swallowing. ~ Don DeLillo, #NFDB
448:...You know that my spells come from God, and that I would not harm any living creature. You believe that everyone should worship God in the way revealed to him. But that is not the way of this country. The way here is for all to do alike. I am despised because I do not wear shoes, because I do not cut my hair, and because I have visions. At home, in the old country, there were many like me, who had been touched by God, or who had seen things in the graveyard at night and were different afterward. We thought nothing of it, and let them alone. But here, if a man is different in his feet or in his head, they put him in the asylum. . . . That is the way; they have built the asylum for people who are different, and they will not even let us live in the holes with the badgers. ~ Willa Cather, #NFDB
449:With a long sigh, Emilia rubbed her forehead below the edge of the bandana wrapped around her head. “We must be missing something super obvious here. We’ve been at this for days and keep getting wiped out.” We were in the gaming room in my house, all sitting around a table with our laptops in front of us. Since we were all in the same room for once, we didn’t need headsets. I stifled a yawn. They always got extra irritated when I appeared bored. What did they expect? I had to mentally sit on my hands and let them figure this out by themselves. Kat straightened. “Okay, I’ve got all my spells back. We are good to go again.” “Shit. We have to do something different. I’m not just going to keep doing the same thing over and over again. This is bullshit. Seriously,” Heath moaned. ~ Brenna Aubrey, #NFDB
450:It's my opinion he don't want to kill you,' said Perea - 'at least not yet. I've heard deir idea is to scar and worry a man wid deir spells, and narrow misses, and rheumatic pains, and bad dreams, and all dat, until he's sick of life. Of course, it's all talk, you know. You mustn't worry about it. But I wunder what he'll be up to next.'
'I shall have to be up to something first,' said Pollock, staring gloomily at the greasy cards that Perea was putting on the table. 'It don't suit my dignity to be followed about, and shot at, and blighted in this way. I wonder if Porroh hokey-pokey upsets your luck at cards.'
He looked at Perea suspiciously.
'Very likely it does,' said Perea warmly, shuffling. 'Dey are wonderful people.'
("Pollock And The Porrah Man") ~ H G Wells,#NFDB
451:Now, it is the view of the Ministry that a theoretical knowledge will be more than sufficient to get you through your examination, which, after all, is what school is all about. And your name is?” she added, staring at Parvati, whose hand had just shot up. “Parvati Patil, and isn’t there a practical bit in our Defense Against the Dark Arts O.W.L.? Aren’t we supposed to show that we can actually do the countercurses and things?” “As long as you have studied the theory hard enough, there is no reason why you should not be able to perform the spells under carefully controlled examination conditions,” said Professor Umbridge dismissively. “Without ever practicing them before?” said Parvati incredulously. “Are you telling us that the first time we’ll get to do the spells will be during ~ Anonymous, #NFDB
452:The opium-eater loses none of his moral sensibilities or aspirations. He wishes and longs as earnestly as ever to realize what he believes possible, and feels to be exacted by duty; but his intellectual apprehension of what is possible infinitely outruns his power, not of execution only, but even of power to attempt. He lies under the weight of incubus and nightmare; he lies in sight of all that he would fain perform, just as a man forcibly confined to his bed by the mortal languor of a relaxing disease, who is compelled to witness injury or outrage offered to some object of his tenderest love: he curses the spells which chain him down from motion; he would lay down his life if he might but get up and walk; but he is powerless as an infant, and cannot even attempt to rise. I ~ Thomas de Quincey, #NFDB
453:Bea had always detested visiting the city of the dead, where all she saw was a morbid staging of death and a poor attempt at convincing terrified visitors that ancestry and good names persevere even in the hereafter. She deplored the idea that an army of architects, sculptors, and artisans had sold their talents to construct such a sumptuous necropolis and populate it with statues in which the spirits of death leaned over to kiss the foreheads of children born before the days of penicillin, where ghostly damsels were trapped in spells of eternal melancholy, and where inconsolable angels, stretching out over marble tombstones, wept the loss of some rich colonial butcher who had earned both fortune and glory through the slave trade and the bloodstained sugar of the Caribbean islands. ~ Carlos Ruiz Zaf n, #NFDB
454:Inman guessed Swimmer's spells were right in saying a man's spirit could be torn apart and cease and yet his body keep on living. They could take deathblows independently. He was himself a case in point, and perhaps not a rare one, for his spirit, it seemed, had been about burned out of him to fear that the mere existence of the Henry repeating rifle or the éprouvette mortar made all talk of spirit immediately antique. His spirit, he feared, had been blasted away so that he had become lonesome and estranged from all around him as a sad old heron standing pointless watch in the mudflats of a pond lacking frogs. It seemed a poor swap to find that the only way one might keep from fearing death was to act numb and set apart as if dead already, with nothing left of you but a hut of bones. ~ Charles Frazier, #NFDB
455:I don't even want to think about all those dishes," Donny said. "Hey, now that I believe in demons and magic spells, who's going to tell me about little dish elves that come and clean your kitchen while you nap?"
"There is a class of fairy called Nibs that will do it. But they come with their own set of issues. It's never worth the hassle of summoning them," Varnie answered.
"I was totally kidding, but..." Donny eyed him suspiciously. "Wait, are you punking me? There really is no such thing as Nibs, is there?"
Varnie smiled noncommitally.
"Ame, is there sucha thing as Nibs?"
Amelia bit her lip to keep from laughing. "I've never heard of them, but that doesn't mean they don't exist."
"Amnesia boy?"
I held up my hand. "Yeah, sorry. Amnesia."
"You guys suck." She pouted. ~ Gwen Hayes,#NFDB
456:The Enchanter
In the deep heart of man a poet dwells
Who all the day of life his summer story tells;
Scatters on every eye dust of his spells,
Scent, form and color; to the flower and shells
Wins the believing child with wondrous tales;
Touches a cheek with colors of romance,
And crowds a history into a glance;
Gives beauty to the lake and fountain,
Spies oversea the fires of the mountain;
When thrushes ope their throat, 't is he
that sings,
And he that paints the oriole's fiery wings.
The little Shakspeare in the maiden's heart
Makes Romeo of a plough-boy on his cart;
Opens the eye to Virture's starlike meed
And gives persuasion to a gentle deed.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, The Enchanter
,#NFDB
457:Then she wondered, not for the first time, about the differences between wizards and witches. The main difference, she thought, was that wizards used books and staffs to create spells, big spells about big stuff, and they were men. While witches - always women - dealt with everyday stuff. Big stuff too, she reminded herself firmly. What could be bigger than births and deaths? but why shouldn't this boy want to be a witch? She had chosen to be a witch, so why couldn't he make the same choice? With a start, she realized it was her choice that counted here too. If she was going to be a sort of head witch, she should be able to decide this. She didn't have to ask any other witches. It could be her decision. Her responsibility. Perhaps a first step toward doing things differently? ~ Terry Pratchett, #NFDB
458:Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory. ~ Percy Bysshe Shelley,#NFDB
459:As I told you, I’m not the settlement midwife. I’ve not birthed one baby.” “But you are an herbalist.” “I suppose I am. The woods and Ma Horn have been my teachers since I was a girl.” She looked away from him, embarrassed. Here she was, considering him a quack, and he was unraveling her own lack of expertise fast as a spool of thread. “I’m finding the settlers here a superstitious lot. I dinna doubt you are much the same.” She sat up straighter. “What do you mean?” “Axes under the bed tae cut the pain of childbirth. Garlic charms and spells. Boiling beaver tails tae cure snakebite. No’ tae mention the misuse of useful herbs.” Her own face clouded. “I do none of those things.” He looked doubtful. “Prove it.” “How do you expect me to do that?” His steely eyes held a challenge. “Work alongside me. ~ Laura Frantz, #NFDB
460:There's a thing that happens in Hollywood, when you hand in a script with magic in it, and the people at the studio who read it say "We don't quite understand... can you explain the rules? What are the rules here? The magic must have rules" and sometimes when they say that to me I explain that I am sure it does, just as life has rules, but they didn't give me a rule book to life when I was born, and I've been trying to figure it out as I go along, and I am sure it is the same thing for magic; and sometimes I explain that, yes, the magic has rules, and if they read again carefully they can figure out what they are; and sometimes I sigh and put in a line here and a line there that spells things out, says, YES THESE ARE THE RULES YOU DON'T ACTUALLY HAVE TO PAY ATTENTION and then everyone is very happy. ~ Neil Gaiman, #NFDB
461:what does being a dragonheart mean to you? surviving / having flames in your veins / never-ending loyalty / powerful alone & with like-hearted people / loving fiercely / strong-spined / dangerous / celebrating yourself / celebrating others / magic even without spells / protective / gentle but armored / light-giver / reigning supremely / what fairy tales are made of / queen of your own life / no doubts about your own worth / forever valiant / tower-breaker / kingdom-shaker / standing up for others / resisting over & over / taking charge of your narrative / bravery beyond measure / not giving negativity a seat at your table / facing the fire head-on / prioritizing yourself / story-hungry / made of gold / dream-chaser / sea storm courage / voice-reclaimer / war-hearted / flower-hearted / RELENTLESS ~ Nikita Gill, #NFDB
462:I’ve got a query about your course aims,” said Hermione. Professor Umbridge raised her eyebrows. “And your name is — ?” “Hermione Granger,” said Hermione. “Well, Miss Granger, I think the course aims are perfectly clear if you read them through carefully,” said Professor Umbridge in a voice of determined sweetness. “Well, I don’t,” said Hermione bluntly. “There’s nothing written up there about using defensive spells.” There was a short silence in which many members of the class turned their heads to frown at the three course aims still written on the blackboard. “Using defensive spells?” Professor Umbridge repeated with a little laugh. “Why, I can’t imagine any situation arising in my classroom that would require you to use a defensive spell, Miss Granger. You surely aren’t expecting to be attacked during class? ~ J K Rowling, #NFDB
463:A red-gold glow burst suddenly across the enchanted sky above them as an edge of dazzling sun appeared over the sill of the nearest window. The light hit both of their faces at the same time, so that Voldemort's was suddenly a flaming blur. Harry heard the high voice shriek as he too yelled his best hope to the heavens, pointing Draco's wand:
"Avada Kedavra!"
"Expelliarmus!"
The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort's green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling, spinning through the air toward the master it would not kill, who had come to take full possession of it at last. ~ J K Rowling,#NFDB
464:The Moors
NOT in rich glebe and ripe green garden only
Does Summer weave her sweet resistless spells,
But in high hills, and moorlands waste and lonely,
The vast enchantment of her presence dwells.
Wide sky, and sky-wide waste of thyme and heather,
Perpetual sleepy hum of golden bees-If you and I were only there together,
Free from the weight of all your garden's trees!
The north is mine; though bred by elm and meadow,
Pines, torrents, rocks, and moors my heart loves best;
I love the plover's wail, the cleft hill's shadow,
The sun-browned grass that is the skylark's nest.
Ah, yes! you too I love, dear wistful pleader,
You most I love, dear southern rose, half-blown,
And rather lounge with you beneath your cedar,
Than greet the moor's wide heaven-on-earth alone.
~ Edith Nesbit,#NFDB
465:The etymological meaning of Veda is sacred knowledge or wisdom. There are four Vedas: Rig, Yajur, Sama, and Atharva. Together they constitute the samhitas that are the textual basis of the Hindu religious system. To these samhitas were attached three other kinds of texts. These are, firstly, the Brahmanas, which is essentially a detailed description of rituals, a kind of manual for the priestly class, the Brahmins. The second are the Aranyakas; aranya means forest, and these ‘forest manuals’ move away from rituals, incantations and magic spells to the larger speculations of spirituality, a kind of compendium of contemplations of those who have renounced the world. The third, leading from the Aranyakas, are the Upanishads, which, for their sheer loftiness of thought are the foundational texts of Hindu philosophy and metaphysics. ~ Pavan K Varma, #NFDB
466:The argument that technology cannot create ongoing structural unemployment, rather than just temporary spells of joblessness during recessions, rests on two pillars: 1) economic theory and 2) two hundred years of historical evidence. But both of these are less solid than they first appear. First, the theory. There are three economic mechanisms that are candidates for explaining technological unemployment: inelastic demand, rapid change, and severe inequality. If technology leads to more efficient use of labor, then as the economists on the National Academy of Sciences panel pointed out, this does not automatically lead to reduced demand for labor. Lower costs may lead to lower prices for goods, and in turn, lower prices lead to greater demand for the goods, which can ultimately lead to an increase in demand for labor as well. ~ Erik Brynjolfsson, #NFDB
467:Although we refer to the magical ‘books’ of Ancient Egypt, these were in fact scrolls, more often lengths of papyrus stuck together and rolled up, but occasionally parchments of calf vellum. These books were regarded as extremely esoteric, and certainly not for the eyes of common people. Some were said to have been found in secret places, such as forgotten tombs and hidden caskets, and to record the actual words of Thoth or legendary sages and priests. It is likely that the priests considered their own magic to be most effective and sacred, and they kept their knowledge secret in order to make themselves appear more powerful in the eyes of less priveleged individuals. They often wrote down their spells in a kind of code, referring to their ingredients by alternative names in order to confuse any unintiated person who might try to read them. ~ Storm Constantine, #NFDB
468:And then I remembered something. Holy crap, I’d obviously been without magic for way too long to have forgotten one of the coolest spells I could do.
“Stop!” I yelled.. Archer, Cal, and Jenna all skidded to a halt on the sand. I waved my hands at them to come closer. “Okay, everybody hold hands,” I said.
Archer stared at me, one hand pressed to his bleeding chest. “Sophie, this really isn’t the time for a friendship circle.”
“It’s not that,” I said. “It’s this.”
I closed my eyes and channeled all my magic into a transportation spell. There was a rush of icy air, and then we were standing in the grove of trees that housed Hex Hall’s very own Itineris.
“Wow,” Jenna breathed. “It is awesome to have you back.”
Magic and satisfaction rushed through me. “You said it,” I agreed. “Now come on.”
And with that, the four of us dove into the Itineris. ~ Rachel Hawkins,#NFDB
469:Writers possess magic. It's in their words.
They compose phrases as powerful as incantations, creating illusions in the minds of readers. These spells make eyes envision things that aren't real; they make hearts feel things that aren't actual. A writer's work is to pen enchantments meant to entrance and hypnotize the mind, causing neglect of all other duties and responsibilities in order for the reader to remain a puppet controlled by the writer's wand. And if some foul friend does manage to break the spell, he is despised for it. His heroics are too late in coming. The words―the fairy tales―have seeped beyond the body and into the soul, taking possession. Our poor reader is infected, compromised, never to be cured. The notion of magic found in simple words such as, 'Once upon a time...' has always fascinated me. It is no wonder I am compelled to write. ~ Richelle E Goodrich,#NFDB
470:Magic is a kind of energy. It is given shape by human thoughts and emotions, by imagination. Thoughts define that shape—and words help to define those thoughts. That’s why wizards usually use words to help them with their spells. Words provide a sort of insulation as the energy of magic burns through a spell caster’s mind. If you use words that you’re too familiar with, words that are so close to your thoughts that you have trouble separating thought from word, that insulation is very thin. So most wizards use words from ancient languages they don’t know very well, or else they make up nonsense words and mentally attach their meanings to a particular effect. That way, a wizard’s mind has an extra layer of protection against magical energies coursing through it. But you can work magic without words, without insulation for your mind. If you’re not afraid of it hurting a little. ~ Jim Butcher, #NFDB
471:Every other person who is at the heart of any religion has had his or her beginning either in fancy or in fact. But nevertheless, there is a beginning. Jesus' birth in Bethlehem was a moment preceded by eternity. His being neither originated in time nor came about by the will of humanity. The Author of time, who lived in the eternal, was made incarnate in time that we might live with the eternal in view. In that sense, the message of Christ was not the introduction of a religion, but an introduction to truth about reality as God alone knows it. To deny Jesus' message while pursuing spirituality is to conjure an imaginary religion in an attempt to see heaven while sight is confined to the earth. That is precisely what Jesus challenged when he said, "I have come that [you] may have life" (John 10:10). His life spells living. Your life or my life, apart from Him, spells death. ~ Ravi Zacharias, #NFDB
472:But we shouldn't be like everyone else! Our response to the threats we encounter should be so out of the ordinary that people are amazed. Not that we're not concerned, not even that we're not fearful, but we should react differently to threats from the world because our hope is anchored elsewhere.
And that, I believe, is the answer to paralyzing fear, the antidote for fear of the unknown, the alternative to energy-sapping worry. Jesus spells it out in Matthew 6:33. If you want to begin retraining your mind, you have to live out this verse: "But seek first his kingdom and his righteousness, and all these things will be given to you as well" (NIV). At this point Jesus isn't just inviting us simply to change our perspective. He's inviting us into a entirely different way of thinking and living. He wants us to make his agenda for the world--his "kingdom"--our first priority. ~ Pete Wilson,#NFDB
473:I furrow my brow. “And how would that even affect you?”
Since I’m not seeing his logic, he slowly spells it out for me. “Sides, dude. People break up, their friends take sides. Dean’s my buddy, so obviously the bro code says I have to side with him. But this one—” He jerks a thumb at Hannah, “is my girlfriend. Girlfriend trumps buddy. Wellsy’ll take Allie’s side, and I’ll have to take Wellsy’s side, vis-à-vis, I’m taking Allie’s side.”
“I don’t think you’re using vis-à-vis right,” Morris pipes up.
“Yeah, I believe the word you’re looking for is therefore.” Logan’s lips are twitching wildly.
“I wouldn’t expect you to take Allie’s side on my behalf,” Hannah protests. “And you’re being such a jackass about this. We’re adults. If they break up, we’ll all still be able to co-exist peacefully.”
“Ross and Rachel co-existed,” Logan agrees.
Fitzy snorts. ~ Elle Kennedy,#NFDB
474:[Dedicated to Horace Sheridan-Bickers]
A vision of flushed faces, shining limbs,
The madness of the music that entrances
All life in its delirium of dances!
The white world glitters in the void, and swims
Through the infinite seas of transcendental trances.
Yea! all the hoarded seed of all my fancies
Bursts in a shower of suns! The wine-cup brims
And bubbles over; I drink deep hymns
Of sorceries, of spells, of necromancies;
And all my spirit shudders; dew bedims
My sight -these girls and their alluring glances!
Their eyes that burn like dawn's lascivious lances
Walking all earth to love -to love! Life skims
The cream of joy. If God could see what man sees,
(Intoxicating Nellies, Mauds and Nances!)
I see Him leave the sapphrine expanses,
The choir serene and the celestial air
To swoon into their sacramental hair!
~ Aleister Crowley, Au Bal
,#NFDB
475:These ears aren't to be trusted.
The keening in the night, didn't you hear?
Once I believed all the stories didn’t have endings,
but I realized the endings were invented, like zero,
had yet to be imagined.
The months come around again,
and we are in the same place;
full moons, cherries in bloom,
the same deer, the same frogs,
the same helpless scratching at the dirt.
You leave poems I can’t read
behind on the sheets,
I try to teach you songs made of twigs and frost.
you may be imprisoned in an underwater palace;
I'll come riding to the rescue in disguise.
Leave the magic tricks to me and to the teakettle.
I've inhaled the spells of willow trees,
spat them out as blankets of white crane feathers.
Sleep easy, from behind the closet door
I'll invent our fortunes, spin them from my own skin.
(from, The Fox-Wife's Invitation) ~ Jeannine Hall Gailey,#NFDB
476:Au Bal
[Dedicated to Horace Sheridan-Bickers]
A vision of flushed faces, shining limbs,
The madness of the music that entrances
All life in its delirium of dances!
The white world glitters in the void, and swims
Through the infinite seas of transcendental trances.
Yea! all the hoarded seed of all my fancies
Bursts in a shower of suns! The wine-cup brims
And bubbles over; I drink deep hymns
Of sorceries, of spells, of necromancies;
And all my spirit shudders; dew bedims
My sight -these girls and their alluring glances!
Their eyes that burn like dawn's lascivious lances
Walking all earth to love -to love! Life skims
The cream of joy. If God could see what man sees,
(Intoxicating Nellies, Mauds and Nances!)
I see Him leave the sapphrine expanses,
The choir serene and the celestial air
To swoon into their sacramental hair!
~ Aleister Crowley,#NFDB
477:Oh, are you doing magic? Let’s see it, then.’ She sat down. Ron looked taken aback. ‘Er – all right.’ He cleared his throat. ‘Sunshine, daisies, butter mellow, Turn this stupid, fat rat yellow.’ He waved his wand, but nothing happened. Scabbers stayed grey and fast asleep. ‘Are you sure that’s a real spell?’ said the girl. ‘Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and it’s all worked for me. Nobody in my family’s magic at all, it was ever such a surprise when I got my letter, but I was ever so pleased, of course, I mean, it’s the very best school of witchcraft there is, I’ve heard – I’ve learnt all our set books off by heart, of course, I just hope it will be enough – I’m Hermione Granger, by the way, who are you?’ She said all this very fast. Harry looked at Ron and was relieved to see by his stunned face that he hadn’t learnt all the set books off by heart either. ~ J K Rowling, #NFDB
478:Harry uttered an inarticulate yell of rage: In that instant, he cared not whether he lived or died. Pushing himself to his feet again, he staggered blindly toward Snape, the man he now hated as much as he hated Voldemort himself —
“Sectum — !”
Snape flicked his wand and the curse was repelled yet again; but Harry was mere feet away now and he could see Snape’s face clearly at last: He was no longer sneering or jeering; the blazing flames showed a face full of rage. Mustering all his powers of concentration, Harry thought, Levi —
“No, Potter!” [...] Snape’s pale face, illuminated by the flaming cabin, was suffused with hatred just as it had been before he had cursed Dumbledore.
“You dare use my own spells against me, Potter? It was I who invented them — I, the Half-Blood Prince! And you’d turn my inventions on me, like your filthy father, would you? I don’t think so . . . no! ~ J K Rowling,#NFDB
479:I do not know how you have done this to me. I thought that if I returned the help you had given me that I would be free of the inexplicable influence you have over me. But it does not seem to be working, and you say you cannot break the thread."
Mari realized that her mouth had fallen open as she stared at Mage Alain. "Are you serious?"
"What would I be if not serious?"
"You're saying that I put a spell on you that controls your thoughts and actions?"
"Why else am I here?" The Mage asked.
"Because it was the right thing to do!"
"The...what? I am still uncertain about what right thing means—" the trace of puzzlement had retired to him.
"Listen...Mage Alain! I don't...put spells on boys! Or men! Or anybody! I have no idea why you think that you are thinking about me, but I assure you that it has nothing to do with me thinking about you or making you think that you want to think about me! ~ Jack Campbell,#NFDB
480:Raistlin lay on the floor, his skin white, his breathing shallow. Blood trickled from his mouth. Kneeling down, Caramon lifted him in his arms.
"Raistlin?" he whispered. "What happened?"
"That's what happened," Tanis said grimly, pointing.
Caramon glanced up, his gaze coming to rest on the dragon orb - now grown to the size Caramon had seen in Silvanesti. It stood on the stand Raistlin had made for it. Caramon sucked in his breath in horror. Terrible visions of Lorac flooded his mind. Lorac insane, dying...
"Raist!" he moaned, clutching his brother tightly.
Raistlin's head moved feebly. His eyelids fluttered, and he opened his mouth.
"What?" Caramon bent low, his brother's breath cold upon his skin. "What?"
"Mine..." Raistlin whispered. "Spells...of the ancients...mine...Mine..." The mage's head lolled, his words died. But his face was calm, placid, relaxed. His breathing grew regular. ~ Margaret Weis,#NFDB
481:Memories Of The Pacific Coast
I know a land, I, too,
Where warm keen incense on the sea-wind blows,
And all the winter long the skies are blue,
And the brown deserts blossom with the rose.
Deserts of all delight,
Cactus and palm and earth of thirsty gold,
Dark purple blooms round eaves of sun-washed white,
And that Hesperian fruit men sought of old.
O, to be wandering there,
Under the palm-trees, on that sunset shore,
Where the waves break in song, and the bright air
Is crystal clean; and peace is ours, once more.
There Beauty dwells,
Beauty, re-born in whiteness from the foam;
And Youth returns with all its magic spells,
And the heart finds its long-forgotten home,-Home--home! Where is that land?
For, when I dream it found, the old hungering cry
Aches in the soul, drives me from all I planned,
And sets my sail to seek another sky.
~ Alfred Noyes,#NFDB
482:Oh! how I love, on a fair summer's eve,
When streams of light pour down the golden west,
And on the balmy zephyrs tranquil rest
The silver clouds, far -- far away to leave
All meaner thoughts, and take a sweet reprieve
From little cares; to find, with easy quest,
A fragrant wild, with Nature's beauty drest,
And there into delight my soul deceive.
There warm my breast with patriotic lore,
Musing on Milton's fate -- on Sydney's bier --
Till their stern forms before my mind arise:
Perhaps on wing of Poesy upsoar,
Full often dropping a delicious tear,
When some melodious sorrow spells mine eyes.
'First given among the Literary Remains in the Life, Letters &c. (1848), with the date 1816.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Sonnet - Oh! How I Love, On A Fair Summers Eve
,#NFDB
483:The bang was like a cannon-blast and the golden flames that erupted between them, at the dead centre of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort’s green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling like the head of Nagini, spinning through the air towards the master it would not kill, who had come to take full possession of it at last. And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backwards, arms splayed, the slit pupils of the scarlet eyes rolling upwards. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snake-like face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hand, staring down at his enemy’s shell. ~ J K Rowling, #NFDB
484:Day and far into the opalescent Embelyon night [Turjan of Miir] worked under Pandelume's unseen tutelage. He learned the secret of renewed youth, many spells of the ancients, and a strange abstract lore that Pandelume termed 'Mathematics.' "Within this instrument," said Pandelume, "resides the Universe. Passive in itself and not of sorcery, it elucidates every problem, each phase of existence, all the secrets of time and space. Your spells and runes are built upon its power and codified according to a great underlying mosaic of magic. The design of this mosaic we cannot surmise; our knowledge is didactic, empirical, arbitrary. Phandaal glimpsed the pattern and so was able to formulate many of the spells which bear his name. I have endeavored through the ages to break the clouded glass, but so far my research has failed. He who discovers the pattern will know all of sorcery and be a man powerful beyond comprehension. ~ Jack Vance, #NFDB
485:I followed her through the house into a surprisingly large kitchen with yellow and white checkered curtains hanging in the windows. A green ceramic frog with a dish scrubber in his mouth sat on the side of the sink and a cheery red tea kettle was on the spotless white stove. All together it looked like a completely normal kitchen—there was nothing witchy about it at all except for a huge black pot hanging from the rack over the oven. Gwendolyn saw me eyeing it and grinned. “That’s Grams’ gumbo pot. She always says you can’t make good authentic roux in anything but cast iron.” “Oh,” I said. “I thought—” “That we were hunched over the cauldron cackling and brewing spells?” She arched an eyebrow at me. “Sorry,” I said. “I guess there’s a lot about witches I don’t know.” “That’s okay—apparently there’s a lot about vamps I don’t know,” she said, opening a spotless white refrigerator. She brought out a mason jar and held it up. ~ Evangeline Anderson, #NFDB
486:Poor innocents! Hell has no power overpagans. − And still this is life! Later, the delights of damnation will be all the greater. A crime, quick, so I can fall into nothingness, condemned by human laws. Shut up, will you shut up! . . . Shame and Reproach are here: Satan says the fire is contemptible, my angerridiculous. − Enough! . . . Errors are whispered on their breath, spells, sickly perfumes, insipid music. − And to think that I hold truth in my hands, that I see justice: my judgement is sound and certain, I am ready forperfection . . . Pride. − The skin of my scalp is dry. Have pity! Lord, I am afraid. I am thirsty, so thirsty! Oh! childhood, the smell of grass, the sound of rain, water from the lake lapping on pebbles, the moonlight when theclock strikes twelve . . . that’s when the devil is in thetower. Mary! Holy Virgin! . . . − The horror of my stupidity. Aren’t there any honest souls who wish me well down there? . . . ~ Arthur Rimbaud, #NFDB
487:Avada Kedavra!” “Expelliarmus!” The bang was like a cannon blast, and the golden flames that erupted between them, at the dead center of the circle they had been treading, marked the point where the spells collided. Harry saw Voldemort’s green jet meet his own spell, saw the Elder Wand fly high, dark against the sunrise, spinning across the enchanted ceiling like the head of Nagini, spinning through the air toward the master it would not kill, who had come to take full possession of it at last. And Harry, with the unerring skill of the Seeker, caught the wand in his free hand as Voldemort fell backward, arms splayed, the slit pupils of the scarlet eyes rolling upward. Tom Riddle hit the floor with a mundane finality, his body feeble and shrunken, the white hands empty, the snakelike face vacant and unknowing. Voldemort was dead, killed by his own rebounding curse, and Harry stood with two wands in his hand, staring down at his enemy’s shell. ~ J K Rowling, #NFDB
488:Granny Weatherwax was in trouble.
First of all, she decided, she should never have allowed Hilta to talk her into borrowing her broomstick. It was elderly, erratic, would fly only at night and even then couldn't manage a speed much above a trot.
Its lifting spells had worn so thin that it wouldn't even begin to operate until it was already moving at a fair lick. It was, in fact, the only broomstick ever to need bump-starting.
And it was while Granny Weatherwax, sweating and cursing, was running along a forest path holding the damn thing at shoulder height for the tenth time that she had found the bear trap.
The second problem was that a bear had found it first. In fact this hadn’t been too much of a problem because Granny, already in a bad temper, hit it right between the eyes with the broomstick and it was now sitting as far away from her as it was possible to get in a pit, and trying to think happy thoughts. ~ Terry Pratchett,#NFDB
489:You want to work spells,' Ogion said presently, striding along. 'You've drawn too much water from that well. Wait. Manhood is patience. Mastery is nine times patience. What is that herb by the path?'
'Strawflower.'
'And that?'
'I don't know.'
'Fourfoil, they call it.' Ogion had halted, the coppershod foot of his staff near the little weed, so Ged looked closely at the plant, and plucked a dry seedpod from it, and finally asked, since Ogion said nothing more, 'What is its use, Master?'
'None I know of.'
Ged kept the seedpod a while as they went on, then tossed it away.
'When you know the fourfoil in all its seasons root and leaf and flower, by sight and scent and seed, then you may learn its true name, knowing its being: which is more than its use. What, after all, is the use of you? or of myself? Is Gont Mountain useful, or the Open Sea?' Ogion went on a half mile or so, and said at last, 'To hear, one must be silent. ~ Ursula K Le Guin,#NFDB
490:Then he said, staring ahead of him as he talked, 'I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving.
'I know a charm that will heal with a touch.
'I know a charm that will turn aside the weapons of an enemy.
'I know another charm to free myself from all bonds and locks.'
'A fifth charm: I can catch a bullet in flight and take no harm from it.'
His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful.
'A sixth: spells sent to hurt me will hurt only the sender.'
'A seventh charm I know: I can quench a fire simply by looking at it.'
'An eighth: if any man hates me, I can win his friendship.'
'A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore.'
Those were the first nine charms I learned. ~ Neil Gaiman,#NFDB
491:She appreciated her own reflection- she looked less than a tenth of her earthly age- but knew the years were bound to catch up. There had been a time or two when she had put a glamour on herself, to reverse those years, to remember and even to capture the attention of a young man so she could make the kind of vigorous love she had enjoyed before. But she wouldn't have tried to keep up the glamour permanently, or to create the violent kind of spells that she could have to remain in a state of perpetual youth. The crone cannot be a sage or wisewoman until she reaches beyond the shallow confines of her skin. Children of the earth must also change, like the seasons do. Autumn had seen herself in all these transitions: the tentative buds of spring; the heavy sensuality of summer. And now, like the fall, she was colorful and majestic but right on the verge of winter, to be stripped down to what was really important, the bare branches of what was true. ~ Amy S Foster, #NFDB
492:Had I a man's fair form, then might my sighs
Be echoed swiftly through that ivory shell
Thine ear, and find thy gentle heart; so well
Would passion arm me for the enterprize:
But ah! I am no knight whose foeman dies;
No cuirass glistens on my bosom's swell;
I am no happy shepherd of the dell
Whose lips have trembled with a maiden's eyes.
Yet must I doat upon thee,--call thee sweet,
Sweeter by far than Hybla's honied roses
When steep'd in dew rich to intoxication.
Ah! I will taste that dew, for me 'tis meet,
And when the moon her pallid face discloses,
I'll gather some by spells, and incantation.
'Tom Keats's copy-book contains a transcript of this sonnet showing no variation in the text, except by a copyist's error at the end, -- the last word being 'incantations.' There is no heading beyond the word Sonnet, no date, and no clue to the identity of the person addressed.' ~ John Keats, Sonnet II. To .........
,#NFDB
493:I’ll tell you what was the first division of Ireland. It came from the time the people who worshipped the goddess Danu was hammered by the Milesians—d’you know about the Milesians?” “A race of mighty men taller than Roman spears,” quoted Ronan. “Hah! You’re not as green as you’re cabbage-looking. Up from Spain they came thousands of years ago, thousands. And they had spears, whereas the Danu people only had spells. And a spell is like your arse—it has its uses, but not in a fight.” “I said you came to the right house,” said Myrtle. “And when the Spanish defeated them, they made a treaty, and the Milesians took all of Ireland above the ground, and the Danu took all below the ground, where they are living still—that was the first political division of Ireland. Did you know that?” “We were taught it at school,” said Ronan. “And did you never think to question that you were taught as a historical fact that people live like sprites under the ground of Ireland? ~ Frank Delaney, #NFDB
494:The Black Art
A woman who writes feels too much,
those trances and portents!
As if cycles and children and islands
weren't enough; as if mourners and gossips
and vegetables were never enough.
She thinks she can warn the stars.
A writer is essentially a spy.
Dear love, I am that girl.
A man who writes knows too much,
such spells and fetiches!
As if erections and congresses and products
weren't enough; as if machines and galleons
and wars were never enough.
With used furniture he makes a tree.
A writer is essentially a crook.
Dear love, you are that man.
Never loving ourselves,
hating even our shoes and our hats,
we love each other, precious, precious.
Our hands are light blue and gentle.
Our eyes are full of terrible confessions.
But when we marry,
the children leave in disgust.
There is too much food and no one left over
to eat up all the weird abundance.
~ Anne Sexton,#NFDB
495:There’s a curious correlation between these sunspot peaks and flu epidemics. In the twentieth century, six of the nine sunspot peaks occurred in tandem with massive flu outbreaks. In fact, the worst outbreaks of the century, killing millions in 1918 and 1919, followed a sunspot peak in 1917. This might just be coincidence, of course. Or it might not. Outbreaks and pandemics are thought to be caused by antigenic drift, when a mutation occurs in the DNA of a virus, or antigenic shift, when a virus acquires new genes from a related strain. When the antigenic drift or shift in a virus is significant enough, our bodies don’t recognize it and have no antibodies to fight it—and that spells trouble. It’s like a criminal on the run taking on a whole new identity so his pursuers can’t recognize him. What causes antigenic drift? Mutations, which can be caused by radiation. Which is what the sun spews forth in significantly greater than normal amounts every eleven years. ~ Sharon Moalem, #NFDB
496:I have the idea that we grandmothers are meant to play the part of protective witches; we must watch over younger women, children, community, and also, why not?, this mistreated planet, the victim of such unrelenting desecration. I would like to fly on a broomstick and dance in the moonlight with other pagan witches in the forest, invoking earth forces and howling demons; I want to become a wise old crone, to learn ancient spells and healers' secrets. It is no small thing, this design of mine. Witches, like saints, are solitary stars that shine with a light of their own; they depend on nothing and no one, which is why they have no fear and can plunge blindly into the abyss with the assurance that instead of crashing to earth, they will fly back out. They can change into birds and see the world from above, or worms to see it from within, they can inhabit other dimensions and travel to other galaxies, they are navigators on an infinite ocean of consciousness and cognition. ~ Isabel Allende, #NFDB
497:Flanders
Flanders, the name of a place, a country of people,
Spells itself with letters, is written in books.
"Where is Flanders?" was asked one time,
Flanders known only to those who lived there
And milked cows and made cheese and spoke the home language.
"Where is Flanders?" was asked.
And the slang adepts shot the reply: Search me.
A few thousand people milking cows, raising radishes,
On a land of salt grass and dunes, sand-swept with a sea-breath on it:
This was Flanders, the unknown, the quiet,
The place where cows hunted lush cuds of green on lowlands,
And the raw-boned plowmen took horses with long shanks
Out in the dawn to the sea-breath.
Flanders sat slow-spoken amid slow-swung windmills,
Slow-circling windmill arms turning north or west,
Turning to talk to the swaggering winds, the childish winds,
So Flanders sat with the heart of a kitchen girl
Washing wooden bowls in the winter sun by a window.
~ Carl Sandburg,#NFDB
498:For the next hour and a half he tried all the magic he could think of. He cast spells of remembering, spells of finding, spells of awakening, spells to concentrate the mind, spells to dispel nightmares and evil thoughts, spells to find patterns in chaos, spells to find a path when one was lost, spells of demystification, spells of discernment, spells to increase intelligence, spells to cure sickness and spells to repair a limb that is shattered. Some of the spells were long and complicated. Some were a single word. Some had to be said out loud. Some had only to be thought. Some had no words at all but consisted of a single gesture. Some were spells that Strange and Norrell had employed in some form or other every day for the last five years. Some had probably not been used for centuries. Some used a mirror; two used a tiny bead of blood from the magician’s finger; and one used a candle and a piece of ribbon. But they all had this in common: they had no effect upon the King whatsoever. ~ Susanna Clarke, #NFDB
499:The Spell
OUR boat has drifted with the stream
That stirs the river's full sweet bosom
And now she stays where gold flags gleam
By meadow-sweet's pale foam of blossom.
Sedge-warblers sing the sun the song
The nightingale sings to the shadows;
Forget-me-nots grow all along
The fringes of the happy meadows.
See the wet lilies' golden beads!
The river-nymphs for necklace string them,
And in the sighing of the reeds
You hear the song their lovers sing them.
Gold sun, blue air, green shimmering leaves,
The weir's old song--the wood's old story-Such spells the enchanting Summer weaves
She holds me in a web of glory.
And you--with head against my arm
And subtle wiles that seek to hold me-Not even you can add a charm
To the sweet sorceries that enfold me.
Yet lean there still! The hour is ours;
If we should move the charm might shiver
And joyless sun and scentless flowers
Might mock a disenchanted river.
~ Edith Nesbit,#NFDB
500:Good thing for you I don’t like typical, predictable, boring bedtime stories. I like mine with a few unexpected turns, game-changing twists, and—instead of the dreaded happily-ever-after—I prefer it’s less-well-known, not so spilling-over-with-shit cousin, reality-ever-after.” “Reality ever after?” He lifted a brow, still keeping his eyes down. “I don’t need the promise of happy from a prince or pauper or villain or whoever it is in the story.” That’s what we were still talking about, right? Bedtime stories? “Bursting at the seams happiness all the time isn’t reality. However, I’ll keep the ever-after part. Princes and princesses? Can you say tired cliché? Dragons and demons? There are monsters all around us, so why profile such a small minority? Love at first sight and true love’s kiss breaking spells? Stop dropping acid, reread your shit when you’re done riding the LSD snake, and tell me if that’s the kind of crap we should be filling young girls’ brains with, past fairytale writers.” At ~ Nicole Williams, #NFDB
501:By no means would I describe Adolph Hitler as sexually normal in his relationships with women. In the case of Eva Braun in particular, it seems clear to me that aside from occasional passionate episodes there was no sexual activity at all for long periods of time. The effect of this on Hitler I do not know, but Eva Braun's misery was well-known at headquarters. During the long dry spells she was irritable, impatient and quick to anger. She smoked much more and was incessantly lighting one cigarette after another. By contrast, when once in a great while Hitler's more human feelings expressed themselves in a sudden cloudburst, her manner changed completely. Eva at such times was radiant, flushed with happiness. Her natural warmth and high spirits returned, and she seemed to sparkle again like the cheerful and spontaneous girl she once was.
Though it seems obscene to pity one individual human being with so many millions dead, I do believe that Eva Braun was the loneliest woman I ever knew. ~ Albert Speer,#NFDB
502:The Gypsy’S Song* Come, cross my hand! My art surpasses All that did ever Mortal know; Come, Maidens, come! My magic glasses* Your future Husband’s form can show: For ’tis to me the power is given Unclosed the book of Fate to see; To read the fixed resolves of heaven, And dive into futurity. I guide the pale Moon’s silver waggon; The winds in magic bonds I hold; I charm to sleep the crimson Dragon, Who loves to watch o’er buried gold: Fenced round with spells, unhurt I venture Their sabbath strange where Witches keep; Fearless the Sorcerer’s circle enter, And woundless tread on snakes asleep. Lo! Here are charms of mighty power! This makes secure an Husband’s truth; And this composed at midnight hour Will force to love the coldest Youth: If any Maid too much has granted, Her loss this Philtre* will repair; This blooms a cheek where red is wanted, And this will make a brown girl fair! Then silent hear, while I discover What I in Fortune’s mirror view; And each, when many a year is over, Shall own the Gypsy’s sayings true. ~ Matthew Lewis, #NFDB
503:She’s trying to coax me away from him, speaking in a gentle voice, the way you’d speak to a child or to a frightened animal, not condescending, just gently, respectfully coaxing me to rise and come away and leave my brother here, and I know what this coaxing means, somewhere inside I do in the small, small place where I’m still sane, the small, small place where I’m not casting ancient spells of prophylaxis and reversal according to the ur-control scenario, where is where I am right now, in the magic kingdom that I’m the king and only god of, where nothing ever happens except as I command it, and nothing can ever hurt me so long as I stay inside the magic circle, and maybe that’s why something inside me larger than I am bids me to go back now to that awful scene upon that awful highway to suffer now what I didn’t suffer then because I wasn’t really there the first time. And though I’m not really there, I know what her expression means, this stranger’s, and I’m not having it, not from her or anyone, I don’t want to be awakened ~ David Payne, #NFDB
504:The magic in a word remains magic even if it is not understood, and loses none of its power. Poems may be understandable or they may not, but they must be good, and they must be real.
From the examples of the algebraic signs on the walls of Kovalevskaia's nursery that had such a decisive influence on the child's fate, and from the example of spells, it is clear we cannot demand of all language: "be easy to understand, like the sign in the street." The speech of higher intelligence, even when it is not understandable, falls like seed into the fertile soil of the soul and only much later, in mysterious ways, does it bring forth its shoots. Does the earth understand the writing of the seeds a farmer scatters on its surface? No. But the grain still ripens in autumn, in response to those seeds. In any case, I certainly do not maintain that every incomprehensible piece of writing is beautiful. I mean only that we must not reject a piece of writing simply because it is incomprehensible to a particular group of readers. ~ Velimir Khlebnikov,#NFDB
505:The magic in a word remains magic even if it is not understood, and loses none of its power. Poems may be understandable or they may not, but they must be good, and they must be real.
From the examples of the algebraic signs on the walls of Kovalevskaia's nursery that had such a decisive influence on the child's fate, and from the example of spells, it is clear we cannot demand of all language: "be easy to understand, like the sign in the street." The speech of higher intelligence, even when it is not understandable, falls like seed into the fertile soil of the soul and only much later, in mysterious ways, does it bring forth its shoots. Does the earth understand the writing of the seeds a farmer scatters on its surface? No. But the grain still ripens in autumn, in response to those seeds. In any case, I certainly do not maintain that every incomprehensible piece of writing is beautiful. I mean only that we must not reject a piece of writing simply because it is incomprehensible to a particular group of readers. ~ Velimir Khlebnikov,#NFDB
506:''He is a great spirit,151 Socrates. All spirits are intermediate between god and mortal''.
''What is the function of a spirit?'' I asked.
''Interpreting and conveying all that passes between gods and humans: from humans, petitions and sacrificial offerings, and from gods, instructions and the favours they return. Spirits, being intermediary, fill the space between the other two, so that all are bound together into one entity. It is by means of spirits that all divination can take place, the whole craft of seers and priests, with their sacrifices, rites and spells, and all prophecy and magic. Deity and humanity are completely separate, but through the mediation of spirits all converse and communication from gods to humans, waking and sleeping, is made possible. The man who is wise in these matters is a man of the spirit,152 whereas the man who is wise in a skill153 or a manual craft,154 which is a different sort of expertise, is materialistic.155 These spirits are many and of many kinds, and one of them is Love''. ~ Plato, Symposium, 202e,#NFDB
507:Come to my arms --- is it eve? is it morn?
Is Apollo awake? Is Diana reborn?
Are the streams in full song? Do the woods whisper hush
Is it the nightingale? Is it the thrush?
Is it the smile of the autumn, the blush
Of the spring? Is the world full of peace or alarms?
Come to my arms, Laylah, come to my arms!
Come to my arms, though the hurricane blow.
Thunder and summer, or winter and snow,
It is one to us, one, while our spirits are curled
In the crimson caress: we are fond, we are furled
Like lilies away from the war of the world.
Are there spells beyond ours? Are there alien charms?
Come to my arms, Laylah, come to my arms!
Come to my arms! is it life? is it death?
Is not all immortality born of your breath?
Are not heaven and hell but as handmaids of yours
Who are all that enflames, who are all that allures,
Who are all that destroys, who are all that endures?
I am yours, do I care if it heals me or harms?
Come to my arms, Laylah, come to my arms!
~ Aleister Crowley, Independence
,#NFDB
508:The idea that the GDP still serves as an accurate gauge of social welfare is one of the most widespread myths of our times. Even politicians who fight over everything else can always agree that the GDP must grow. Growth is good. It’s good for employment, it’s good for purchasing power, and it’s good for our government, giving it more to spend. Modern journalism would be all but lost without the GDP, wielding the latest national growth figures as a kind of government report card. A shrinking GDP spells recession and, if it really shrivels, depression. In fact, the GDP offers pretty much everything a journalist could want: hard figures, issued at regular intervals, and the chance to quote experts. Most importantly, the GDP offers a clear benchmark. Is the government doing its job? How do we as a country stack up? Has life gotten a little better? Never fear, we have the latest figures on the GDP, and they’ll tell us everything we need to know. Given our obsession with it, it’s hard to believe that just eighty years ago the GDP didn’t even exist. ~ Rutger Bregman, #NFDB
509:I’m very hungry, Sir Wulf,’ she whispered hopefully. ‘Is that soup?’ ‘Don’t you dare!’ breathed Goodbye. ‘It’s our spell, and you can’t have any.’ September brightened a little. This was what she had come for: witches and spells and wairwulves. ‘What sort of spell?’ All three looked at her as though she had asked what color a carrot is. ‘We’re witches,’ said Hello. Manythanks pointed meaningfully at his hat. ‘But witches do all kinds of spells—’ ‘That’s sorceresses,’ corrected Goodbye. ‘And magic—’ ‘That’s wizards,’ sighed Hello. ‘And they change people into things—’ ‘That’s thaumaturgists,’ huffed Manythanks. ‘And make people do things—’ ‘Enchantresses,’ sneered Goodbye. ‘And they do curses and hexes—’ ‘Stregas,’ hissed both sisters. ‘And change into owls and cats—’ ‘Brujas,’ growled Manythanks. ‘Well . . . what do witches do, then?’ September refused to feel foolish. It was hard enough for a human to get into Fairyland. True stories must be nearly impossible to get out. ‘We look into the future,’ grinned Goodbye. ‘And we help it along. ~ Catherynne M Valente, #NFDB
510:The incubi had sensed great power in her, and believed she could destroy them, but if she could speak their language, she’d tell them they had the wrong girl. Mari was what was known as an underachiever, which even an underachiever knew was sociology code for “overfailer.”
She was famous in the Lore for the simple fact that one day she might be worth being famous. All hype—no substance. That was Mari.
Everyone in the covens expected her to do something epic and always kept an eye on her. They wanted her to be worth “awaiting.” Even other factions in the Lore monitored her with anticipation because, while most witches possessed the strength of one, two, or very rarely, three of the five castes of witches, Mari was the only witch ever to possess the strengths of all of them.
In theory, Mari was a witch warrior, healer, conjurer, seeress, and an enchantress.
In reality, Mari had lost her college scholarship, couldn’t manage even the simplest spells, and kept blowing things up. She couldn’t even balance her checkbook. ~ Kresley Cole,#NFDB
511:Oh Who Is That Young Sinner
Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the color of his hair.
'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the color that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable color of his hair.
Oh a deal of pains he's taken and a pretty price he's paid
To hide his poll or dye it of a mentionable shade;
But they've pulled the beggar's hat off for the world to see and stare,
And they're taking him to justice for the color of his hair.
Now 'tis oakum for his fingers and the treadmill for his feet,
And the quarry-gang on Portland in the cold and in the heat,
And between his spells of labor in the time he has to spare
He can curse the God that made him for the color of his hair.
~ Alfred Edward Housman,#NFDB
512:Independence
Come to my arms --- is it eve? is it morn?
Is Apollo awake? Is Diana reborn?
Are the streams in full song? Do the woods whisper hush
Is it the nightingale? Is it the thrush?
Is it the smile of the autumn, the blush
Of the spring? Is the world full of peace or alarms?
Come to my arms, Laylah, come to my arms!
Come to my arms, though the hurricane blow.
Thunder and summer, or winter and snow,
It is one to us, one, while our spirits are curled
In the crimson caress: we are fond, we are furled
Like lilies away from the war of the world.
Are there spells beyond ours? Are there alien charms?
Come to my arms, Laylah, come to my arms!
Come to my arms! is it life? is it death?
Is not all immortality born of your breath?
Are not heaven and hell but as handmaids of yours
Who are all that enflames, who are all that allures,
Who are all that destroys, who are all that endures?
I am yours, do I care if it heals me or harms?
Come to my arms, Laylah, come to my arms!
~ Aleister Crowley,#NFDB
513:A Sonoran Desert village may receive five inches of rain one year and fifteen the next. A single storm may dump an inch and a half in the matter of an hour on one field and entirely skip another a few hours away. Dry spells lasting for months may be broken by a single torrential cloudburst, then resume again for several more months. Unseasonable storms, and droughts during the customary rainy seasons, are frequent enough to reduce patterns to chaos.
The Papago have become so finely tuned to this unpredictability that it shapes the way they speak of rain. It has also ingrained itself deeply in the structure of their language.
Linguist William Pilcher has observed that the Papago discuss events in terms of their probability of occurrence, avoiding any assumption that an event will happen for sure...
Since few Papago are willing to confirm that something will happen until it does, an element of surprise becomes part of almost everything. Nothing is ever really cut and dried. When rains do come, they're a gift, a windfall, a lucky break. ~ Gary Paul Nabhan,#NFDB
514:The Isle of Pines was Circe's isle, with white marble columns here and there in the dark, green, and pirates would be dueling with a flash of clashing swords and a flash of recklessly smiling white teeth. The Gulf, like the Caribbean, is haunted by the ghosts of the old buccaneers. Tampico, to Pete, wasn't the industrial shipping port his father knew. It had palaces and parrots of many colors, and winding white roads. It was an Arabian Nights city, with robed magicians wandering the streets, benign most of the time, but with gnarled hands like tree-roots that could weave spells.
Manoel, his father, could have told him a different story, for Manoel had shipped once under sail, in the old days, before he settled down to a fisherman's life in Cabrillo. But Manoel didn't talk a great deal. Men talk to men, not to boys, and that was why Pete didn't learn as much as he might have from the sun-browned Portuguese who went out with the fishing fleets. He got his knowledge out of books, and strange books they were, and strange knowledge.
("Before I Wake...") ~ Henry Kuttner,#NFDB
515:In particular those who are condemned to stagnation are often pronounced happy on the pretext that happiness consists in being at rest. This notion we reject, for our perspective is that of existentialist ethics. Every subject plays his part as such specifically through exploits or projects that serve as a mode of transcendence; he achieves liberty only through a continual reaching out towards other liberties. There is no justification for present existence other than its expansion into an indefinitely open future. Every time transcendence falls back into immanence, stagnation, there is a degradation of existence into the ‘en-sois’ – the brutish life of subjection to given conditions – and of liberty into constraint and contingence. This downfall represents a moral fault if the subject consents to it; if it is inflicted upon him, it spells frustration and oppression. In both cases it is an absolute evil. Every individual concerned to justify his existence feels that his existence involves an undefined need to transcend himself, to engage in freely chosen projects. ~ Simone de Beauvoir, #NFDB
516:The others just didn’t seem to have any flare for the theoretical side of magic. They learned their spells by rote, but they weren’t interested in the basic patterns that underlay them. Only a few of them went into the deeper linguistic work, the grammars and the root systems. They preferred to just memorize the syllables and gestures and forget the rest. They were wrong. It sapped the power of their casting, and it meant that every time they started a new spell they were starting over from scratch. They didn’t see the connections between them. And you could forget about doing any original work, which Julia was already looking forward to. Along with Jared she started an ancient languages working group. They only got four other members, and most of those were there because Julia was hot. She kicked them out one by one when they didn’t keep up with the homework. As for the hand exercises, she worked doubly hard at those, because she knew she wasn’t naturally gifted at them. Nobody kept up with her on the hand exercises, not even Jared. They didn’t have her taste for pain. ~ Lev Grossman, #NFDB
517:These things-the beauty, the memory of our own past-are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshippers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited. Do you think I am trying to weave a spell? Perhaps I am; but remember your fairy tales. Spells are used for breaking enchantments as well as for inducing them. And you and I have need of the strongest spell that can be found to wake us from the evil enchantment of worldliness which has been laid upon us for nearly a hundred years. Almost our whole education has been directed to silencing this shy, persistent, inner voice; almost all our modem philosophies have been devised to convince us that the good of man is to be found on this earth. And yet it is a remarkable thing that such philosophies of Progress or Creative Evolution themselves bear reluctant witness to the truth that our real goal is elsewhere. ~ C S Lewis, #NFDB
518:Xvii: The Stars Have Not Dealt Me The Worst They
Could Do
Oh who is that young sinner with the handcuffs on his wrists?
And what has he been after that they groan and shake their fists?
And wherefore is he wearing such a conscience-stricken air?
Oh they're taking him to prison for the colour of his hair.
'Tis a shame to human nature, such a head of hair as his;
In the good old time 'twas hanging for the colour that it is;
Though hanging isn't bad enough and flaying would be fair
For the nameless and abominable colour of his hair.
Oh a deal of pains he's taken and a pretty price he's paid
To hide his poll or dye it of a mentionable shade;
But they've pulled the beggar's hat off for the world to see and stare,
And they're haling him to justice for the colour of his hair.
Now 'tis oakum for his fingers and the treadmill for his feet
And the quarry-gang on Portland in the cold and in the heat,
And between his spells of labour in the time he has to spare
He can curse the God that made him for the colour of his hair.
~ Alfred Edward Housman,#NFDB
519:Banish The Timekeeper, My Beloved Has Come Home
Banish the timekeeper, my beloved has come home, my precious one!
Again and again the time keeper strikes the gong,
Diminishing this night of our union.
Were he to look into my heart,
Himself, he would fling it away.
The unheard music plays majestically.
The singer accomplished in rhythm and measure.
Forgotten are my prayers
As the distiller gives me plentiful wine.
At the wondrous sight of his face,
All my sorrows vanished.
The night marches on. How can I extend it?
O build a wall against the day!
I have lost myself.
I can not remember when I was wedded.
It is not possible to hide,
This complete grace that is upon me.
Many magic spells were cast,
Magicians came, big and small.
Now that my beloved is home,
I will remain with him for a hundred thousand years.
Says Bulle Shah, in this beloved bed
I have crossed over to the other side.
Finally, my turn came,
Separation is no longer possible.
Banish the timekeeper, my beloved has come home, my precious one.
~ Bulleh Shah,#NFDB
520:Do some magic,” Ryan whispered to me, right in my ear. “Slowly. So I can watch.” “When we get out of here, I’m going to do so much magic all over you,” I told him. “You’re going to be covered in it.” At that moment, I really wished I’d been born mute and had never set eyes on Ryan Foxheart. “Make it stop!” Gary wailed. “Yeah. Cover me in your magic.” Ryan was blushing so hard, I thought his face was about to explode. “I want to stop talking. You have no idea how much I want to stop talking.” He leaned closer and I could feel his breath on my face. It smelled of corn and eroticism. “Um,” Eloise said. “Maybe you guys could—” We ignored her completely. “I’m going to do so many spells,” I said, because it seemed impossible for me to stop. “You won’t even believe how many spells I can do. Flora Bora Slam, motherfucker.” Our lips were inches apart. “I want you to Flora Bora Slam me,” Ryan said and I just choked. “Therapy,” Gary said. “I’m going to need so much therapy. It’s like watching cows mating and it’s wet and sticky and uncomfortable but I can’t look away because I’m worried some of it is going to get on me. ~ T J Klune, #NFDB
521: "Derek's a good kid, Chloe. He always has been. Responsible, mature...Kit used to joke that, some days, he'd rather have a dozen of Derek than one of Simon. But the wolf is coming out now, and he's struggling with it. I always told KIt..." He exhaled and shook his head. "The point I'm making is that I know Derek seems like a normal kid."
Normal? I could have laughed at that. I don't think anyone ever mistook Derek for a normal kid.
"But you need to remember that Derek is different. You need to be careful."
I was sick and tired of hearing how dangerous Derek was. Different, yes, but no more than a dozen guys I knew from school, guys who stood out, didn't act like everyone else, followed their own rules. He could be dangerous, with his superhuman strength. But how was he any worse than Tori, with her uncontrollable spells? Tori had a track record of trying to hurt me, but no one except the guys had ever warned me away from her.
Unlike Tori, Derek was struggling to control his powers. But no one ever recognized that. They didn't see Derek. All they saw was the werewolf. ~ Kelley Armstrong,#NFDB
522:Are you sure that’s a real spell?’ said the girl. ‘Well, it’s not very good, is it? I’ve tried a few simple spells just for practice and its all worked for me. Nobody in my family’s magic at all. It was ever such a surprise when I got my letter, but I was ever so pleased, of course, I mean, it’s the very best school of witchcraft there is, I’ve heard – I’ve learnt all our set books off by heart, of course, I just hope it will be enough – I’m Hermione Granger, by the way, who are you?’
She said all this very fast.
Harry looked at Ron, and was relieved to see by his stunned face that he hadn’t learned all the course books by heart either.
‘I’m Ron Weasley,’ Ron muttered.
‘Harry Potter,’ said Harry.
‘Are you really?’ said Hermione. ‘I know all about you, of course – I got a few extra books for background reading, and you’re in Modern Magical History and The Rise and Fall of the Dark Arts and Great Wizarding Events of the Twentieth Century.’
‘Am I?’ said Harry, feeling dazed.
‘Goodness, didn’t you know, I’d have found out everything I could if it was me,’ said Hermione. ~ J K Rowling,#NFDB
523:How do you know they're magic and not some mechanical device of the dwarves?" Tanis asked, sensing that Tas was hiding something.
Tas gulped. He had been hoping Tanis wouldn't ask him that question.
"Uh," Tas stammered, "I---I guess I did sort of happened to, uh, mention them to Raistilin one night when you were all busy doing something else. He told me they might be magic. To find out, he said one of those weird spells of his and they--uh--began to glow. That meant they were enchanted. He asked me what they did and I demonstated and he said they were 'glasses of true seeing.' The dwarven magic-users of old made them to read books written in other languages and--" Tas stopped.
"And?" Tanis pursued.
"And--uh--magic spellbooks." Tas's voice was a whisper.
"And what else did Raistlin say?"
"That if I touched his spellbooks or even looked at them sideways, he'd turn me into a cricket and s-swallow m-me whole," Tasselhoff stammered. He looked up at Tanis with his wide eyed. "I belived him, too."
Tanis shook his head. Trust Raistlin to come up with a threat awful enough to quensh the curiosity of a kender. ~ Margaret Weis,#NFDB
524: five-year-old could have told us as much,” sneered Snape. “The Inferius is a corpse that has been reanimated by a Dark wizard’s spells. It is not alive, it is merely used like a puppet to do the wizard’s bidding. A ghost, as I trust that you are all aware by now, is the imprint of a departed soul left upon the earth . . . and of course, as Potter so wisely tells us, transparent.” “Well, what Harry said is the most useful if we’re trying to tell them apart!” said Ron. “When we come face-to-face with one down a dark alley, we’re going to be having a shufti to see if it’s solid, aren’t we, we’re not going to be asking, ‘Excuse me, are you the imprint of a departed soul?’” There was a ripple of laughter, instantly quelled by the look Snape gave the class. “Another ten points from Gryffindor,” said Snape. “I would expect nothing more sophisticated from you, Ronald Weasley, the boy so solid he cannot Apparate half an inch across a room.” “No!” whispered Hermione, grabbing Harry’s arm as he opened his mouth furiously. “There’s no point, you’ll just end up in detention again, leave it!” “Now open your books to page two hundred and ~ J K Rowling, #NFDB
525:At first it was simply that the spells would not come off. Or they would, but with the most unexpected results. He would try to move a small object, a salt cellar; it would overturn. He would try again and the salt would burst into flames. On the third try it might fly at his head, or mine. One day he attempted a simple messenger spell, and in the space of five minutes every spider, centipede, and earwig in the place came swarming in under the door. We began conducting his training outside after that.
“Attempting to levitate, he blew up an entire grove of trees in the park. A simple summoning, butterflies I think, and all the horses went crazy for an hour. Things soon reached such a state that whenever anything unusual happened within the Orëska grounds, we got the blame for it.
“Oh, but it was frustrating! In spite of all the blunders, all the destruction, I knew the power was there. I could feel it, even when he could not. For he did succeed now and then, but so erratically! Poor Seregil was devastated. I saw him brought to tears just trying to light a candle. Then there was the time he turned himself into a brick. ~ Lynn Flewelling,#NFDB
526:No! I this conflict longer will not wage,
The conflict duty claimsthe giant task;
Thy spells, O virtue, never can assuage
The heart's wild firethis offering do not ask
True, I have sworna solemn vow have sworn,
That I myself will curb the self within;
Yet take thy wreath, no more it shall be worn
Take back thy wreath, and leave me free to sin.
Rent be the contract I with thee once made;
She loves me, loves meforfeit be the crown!
Blessed he who, lulled in rapture's dreamy shade,
Glides, as I glide, the deep fall gladly down.
She sees the worm that my youth's bloom decays,
She sees my spring-time wasted as it flees;
And, marvelling at the rigor that gainsays
The heart's sweet impulse, my reward decrees.
Distrust this angel purity, fair soul!
It is to guilt thy pity armeth me;
Could being lavish its unmeasured whole,
It ne'er could give a gift to rival thee!
Theethe dear guilt I ever seek to shun,
O tyranny of fate, O wild desires!
My virtue's only crown can but be won
In that last breathwhen virtue's self expires!
~ Friedrich Schiller, The Conflict
,#NFDB
527:We do not have to believe in magic spells for this to work. We only have to be able to enjoy a film. The same elements are at work: cinematic technology, suspension of disbelief, the director’s skill in organizing a compelling narrative. The result is the same. Life, too, is like this. What appears to us through the senses seems real and solid enough, but once we submit it to deeper scrutiny (whether through physics, postmodern philosophy, or Buddhist meditation), that out-thereness-in-its-own-right of the thing starts to dissolve. Once we notice its utter contingency, the gut feeling that there must be something solid and unchanging at its core weakens. The thing is seen not only to emerge from a complex set of causes and conditions but also to depend on a vast number of parts, attributes, and components. If we look closer still, we find that it is what it is because of the way we talk and think about it, because of the peculiar way in which our culture perceptually organizes it so that it makes sense. Nothing else, no extra metaphysical essence, is necessary. While language forces us to use the word “it,” ultimately there is nothing to which it refers. Life ~ Stephen Batchelor, #NFDB
528:The Healing spells on his chest were certainly earning their keep tonight. Sullivan got to his feet. The lack of noise from the courtyard indicated that his team had gotten all the mechanical men. “Thanks.”
Toru just grunted a noncommittal response as he lifted the feed tray to check the condition of his borrowed machine gun. They didn’t see the final robot inside until it turned on its eye and illuminated the Iron Guard in blue light.
Sullivan’s Spike reversed gravity, and the gigantic machine fell upward to hit the steel beams in the ceiling. Sullivan cut his Power and the robot dropped. It crashed hard into the floor where it lay twitching and kicking. The two of them riddled the mechanical man with bullets until the light died and it lay still in a spreading puddle of oil.
“Normally, this would be the part where you thank me for returning the favor and saving your life.”
“Yes. Normally… If we were court ladies instead of warriors,” Toru answered. “Shall we continue onward or do you wish to stop and discuss your feelings over tea?”
Sullivan looked forward to the day that the two of them would be able to finish their fight. “Let’s go. ~ Larry Correia,#NFDB
529:So here’s the dealio; I was trying to think of what I could get for your birthday that would mean something, not just the usual Barbie crap. And I was thinking—you and me are Indian. Your mom’s not, but we are. And I’ve always liked Indian symbols. Know what a symbol is?” She shook her head. “Shit that stands for shit. So let’s see if I remember this right.” Sitting on the bed, he plucked the bird card out of her hand, turning it around in his fingers. “Okay, this guy is magic. He’ll protect you from bad spells and other kinds of weirdness you might not even be aware of.” Carefully he unwound the wire ties that attached the small charm to its plastic card and placed the bird on her bedside table. Then he picked up the teddy bear. “This fierce animal is a protector.” She laughed. “No, really. It may not look like it, but appearances can be deceiving. This dude is a fearless spirit. And with that fearless spirit, he signals bravery to those who require it.” He freed the bear from the card and set it on the table next to the bird. “All right. Now the fish. This one might be the best of all. It gives you the power to resist other people’s magic. How cool is that?” She thought ~ Christina Baker Kline, #NFDB
530:He looks more like an elf than he does his own flesh and blood. I wouldn’t count on his loyalty any more than the Urgals’.”
The third man spoke up again: “Have you noticed, he’s always freshly shaven, no mater how early in the morning we break camp?”
“He must use magic for a razor.”
“Goes against the natural order of things, it does. That and all the other spells being tossed around nowadays. Makes you want to hide in a cave somewhere and let the magicians kill each other off without any interference from us.”
“I don’t seem to recall you complaining when the healers used a spell instead of a pair of tongs to remove that arrow from your shoulder.”
“Maybe, but the arrow never would have ended up in my shoulder if it weren’t for Galbatorix. And it’s him and his magic that’s caused this whole mess.”
Someone snorted. “True enough, but I’d bet every last copper I have that, Galbatorix or no, you still would’ve ended up with an arrow sticking out of you. You’re too mean to do anything other than fight.”
“Eragon saved my life in Feinster, you know,” said Svern.
“Aye, and if you bore us with the story one more time, I’ll have you scrubbing pots for a week.”
“Well, he did… ~ Christopher Paolini,#NFDB
531:Elizabeth Gone
1.
You lay in the nest of your real death,
Beyond the print of my nervous fingers
Where they touched your moving head;
Your old skin puckering, your lungs' breath
Grown baby short as you looked up last
At my face swinging over the human bed,
And somewhere you cried, let me go let me go.
You lay in the crate of your last death,
But were not you, not finally you.
They have stuffed her cheeks, I said;
This clay hand, this mask of Elizabeth
Are not true. From within the satin
And the suede of this inhuman bed,
Something cried, let me go let me go.
2.
They gave me your ash and bony shells,
Rattling like gourds in the cardboard urn,
Rattling like stones that their oven had blest.
I waited you in the cathedral of spells
And I waited you in the country of the living,
Still with the urn crooned to my breast,
When something cried, let me go let me go.
So I threw out your last bony shells
And heard me scream for the look of you,
Your apple face, the simple creche
Of your arms, the August smells
Of your skin. Then I sorted your clothes
And the loves you had left, Elizabeth,
Elizabeth, until you were gone.
~ Anne Sexton,#NFDB
532:The answer to all questions of life and death, "the absolute solution" was written all over the world he had known: it was like a traveller realising that the wild country he surveys is not an accidental assembly of natural phenomena, but the page in a book where these mountains and forests, and fields, and rivers are disposed in such a way as to form a coherent sentence; the vowel of a lake fusing with the consonant of a sibilant slope; the windings of a road writing its message in a round hand, as clear as that of one's father; trees conversing in dumb-show, making sense to one who has learnt the gestures of their language... Thus the traveller spells the landscape and its sense is disclosed, and likewise, the intricate pattern of human life turns out to be monogrammatic, now quite clear to the inner eye disentangling the interwoven letters. And the word, the meaning which appears is astounding in its simplicity: the greatest surprise being perhaps that in the course of one's earthly existence, with one's brain encompassed by an iron ring, by the close-fitting dream of one's own personality - one had not made by chance that simple mental jerk, which would have set free imprisoned thought and granted it the great understanding. ~ Vladimir Nabokov, #NFDB
533:We have nothing to destroy," said Rud. "All these things are done for already. They are falling in all over the world. They are dead. No need for destructive activities. But if we have nothing to destroy we have much to clear away. That's different. What is needed is a brand-new common-sense reorganisation of the world's affairs, and that's what we have to give them. I can't imagine how the government sleeps of nights. I should lie awake at night listening all the time for the trickle of plaster that comes before a smash. Ever since they began blundering in the Near East and Spain, they've never done a single wise thing. This American adventure spells disaster. Plainly. Australia has protested already. India now is plainly in collapse. Everyone who has been there lately with open eyes speaks of the vague miasma of hatred in the streets. We don't get half the news from India. Just because there exists no clear idea whatever of a new India, it doesn't mean that the old isn't disintegrating. Things that are tumbling down, tumble down. They don't
wait to be shown the plans of the new building. The East crumbles. All over the world it becomes unpleasant to be a foreigner, but an Englishman now can't walk in a bazaar without a policeman behind him... ~ H G Wells,#NFDB
534:To Erika Lie
When Norse nature's dower
Tones will paint with power,
There is more than mountain-heights that tower,Plains spread wide-extending,
Whereon at their wending
Summer nights soft dews are sending.
Forests great are growing,
And in long waves going
Glommen's valley fill to overflowing,There are green slopes vernal,
Glad with joy fraternal,
Open to the light supernal.
For revealing wholly
All things fine and holyAs in sunshine birds are soaring slowly,
Or, their spells transmitting,
Northern Lights are flitting,None but maiden-hands are fitting.
Your
hands came, and playing,
O'er their secrets straying
Picture after picture are portraying,
As the poet dreamed them,
In soul-travail teemed them,
Till your artist hands redeemed them.
Now their light far-flinging
We see flashing, swinging,
Sparks as from your father's humor springing;
Now there meets us nigher,
Mirroring the higher,
Mother's eye of softer fire.
Child-heart tones are holding
All our minds and molding,
190
So its faith the wide world is enfolding,
While your sweet sounds sally,
Truth to tell and rally,
Maiden blonde from Glommen's valley.
~ Bjornstjerne Bjornson,#NFDB
535:It is because of this sea between us. The earth has never, up to now, separated us. But, ever since yesterday, there has been something in this nonetheless real, perfectly Atlantic, salty, slightly rough sea that has cast a spell on me. And every time I think about Promethea, I see her crossing this great expanse by boat and soon, alas, a storm comes up, my memory clouds over, in a flash there are shipwrecks, I cannot even cry out, my mouth is full of saltwater sobs. I am flooded with vague, deceptive recollections, I am drowning in my imagination in tears borrowed from the most familiar tragedies, I wish I had never read certain books whose poison is working in me. Has this Friday, perhaps, thrown a spell on me? But spells only work if you catch them. I have caught the Tragic illness. If only Promethea would make me some tea I know I would find some relief. But that is exactly what is impossible. And so, today, I am sinning.
I am sinking beneath reality. I am weighted down with literature. That is my fate. Yet I had the presence of mind to start this parenthesis, the only healthy moment in these damp, feverish hours.
All this to try to come back to the surface of our book...
Phone me quickly, Promethea, get me out of this parenthesis fast!) ~ H l ne Cixous,#NFDB
536:MAY 9 YOU WILL REBUKE ALL THE POWERS OF JEZEBEL OUT OF YOUR LIFE MY CHILD, PLACE yourself securely within the control and power of My Holy Spirit so that you will not be surprised or intimidated by the overwhelming of the spirit of Jezebel in your world today. Allow My presence to permeate your spirit and sensitize you to all the gateways by which the devil and Jezebel may enter your life. Get rid of the gods of Jezebel who creep in unawares into your home. Do not let the diviners and evil prophets of this world deceive you, nor listen to the lies they would tell you about your thoughts and dreams. Watch out for the evil influence of this world’s enchanters, astrologers, and diviners. Allow the power of My Holy Spirit to fill your life with My power, which alone is mighty enough to destroy the spirits of Jezebel out of your life. 1 SAMUEL 28:9; JEREMIAH 29:8; DANIEL 5:11 Prayer Declaration Father, I loose tribulation against the kingdom of Jezebel. I rebuke and tear down her strongholds, and in the name of Jesus and the power of the Holy Spirit I destroy her witchcraft. No longer will she be allowed to cast spells or influence me or my family to practice idolatry. Greater is the power of Your Holy Spirit within me than the evil power of Jezebel upon me. ~ John Eckhardt, #NFDB
537:To -- -Not long ago, the writer of these lines,
In the mad pride of intellectuality,
Maintained "the power of words"- denied that ever
A thought arose within the human brain
Beyond the utterance of the human tongue:
And now, as if in mockery of that boast,
Two words- two foreign soft dissyllablesItalian tones, made only to be murmured
By angels dreaming in the moonlit "dew
That hangs like chains of pearl on Hermon hill,"
Have stirred from out the abysses of his heart,
Unthought-like thoughts that are the souls of thought,
Richer, far wilder, far diviner visions
Than even seraph harper, Israfel,
(Who has "the sweetest voice of all God's creatures,")
Could hope to utter. And I! my spells are broken.
The pen falls powerless from my shivering hand.
With thy dear name as text, though bidden by thee,
I cannot write- I cannot speak or thinkAlas, I cannot feel; for 'tis not feeling,
This standing motionless upon the golden
Threshold of the wide-open gate of dreams.
Gazing, entranced, adown the gorgeous vista,
And thrilling as I see, upon the right,
Upon the left, and all the way along,
Amid empurpled vapors, far away
To where the prospect terminates- thee only.
~ Edgar Allan Poe,#NFDB
538:What do you think? he asked.
Go slowly, so that you do not bite your tail by accident.
He agreed with her, then, feeling impish, asked, And have you ever done that? Bitten your tail, I mean?
She remained silently aloof, but he caught a brief flash of sensations: a medley of images--trees, grass, sunshine, the mountains of the Spine--as well as the cloying scent of red orchids and a sudden painful, pinching sensation, as if a door had slammed shut on her tail.
Eragon chuckled quietly to himself, then concentrated on composing the spells he thought he would need to heal the girl. It took quite a while, almost a half hour. He and Saphira spent most of that time going over the arcane sentences again and again, examining and debating every word and phrase--and even his pronunciation--in an attempt to ensure that the spells would do what he intended and nothing more.
In the midst of their silent conversation, Gertrude shifted in her seat and said, “She looks the same as ever. The work goes badly, doesn’t it? There is no need to hide the truth from me, Eragon; I have dealt with far worse in my day.”
Eragon raised his eyebrows and, in a mild voice, said, “The work has not yet begun.”
And Gertrude sank back, subdued. ~ Christopher Paolini,#NFDB
539:Who am I?" she snaps. "I am America, Israel, England! What am I doing?" She waits another long moment, her eyes shining. "I'm shutting up and listening." She draws the last word out so it hisses through the air. "I am the presidents, the kings, the prime ministers, the highs and the mighties—L-I-S-T-E-N!" She spells the word in the air. "The woman who made the baklava has something to say to you! Voilà! You see? Now what am I doing?" She picks up an imaginary plate, lifts something from it, and takes an invisible bite. Then she closes her eyes and says, "Mmm... That is such delicious Arabic-Jordanian-Lebanese-Palestinian baklawa. Thank you so much for sharing it with us! Please will you come to our home now and have some of our food?" She puts down the plate and brushes imaginary crumbs from her fingers. "So now what did I just do?
"You ate some baklawa?"
She curls her hand as if making a point so essential, it can be held only in the tips of the fingers. "I looked, I tasted, I spoke kindly and truthfully. I invited. You know what else? I keep doing it. I don't stop if it doesn't work on the first or the second or the third try. And like that!" She snaps the apron from the chair into the air, leaving a poof of flour like a wish. "There is your peace. ~ Diana Abu Jaber,#NFDB
540:There was a dreadful logic here - so obvious he had overlooked it. The real need was for a different kind of book altogether, a book for the times. Very well then, he would explore that infernal map, transcribe its morbid cartography; record the tale of a realm that was at once a city and Hell and himself.
In this way Owen Maddock turned his back on the light and sought out the oracles that lurk in darkness.
A feverish energy possessed him. He laboured as never before upon his given work. Now he would strive to be obscure, to lead his readers by crooked paths, baffle them with indecipherable mysteries. There would no delicacy of style, only 'thunder at midnight'. Little by little there rose up before his inner eye a new vision to replace that of the White Road that had led him nowhere: a Kingdom of Darkness, a crepuscular domain of monstrous cults that chanted, to the tolling of iron bells and the beating of brazen gongs, unpronounceable demonic litanies. He must familiarise himself with every aspect of this world, its endless roll-calls of Hell, the spells by which the doors of the pit might be opened. He must cast in awful detail the laws by which tortures were administered.
He would write for days in a frenzy, his mind ranging on raven's wings through skies black as pitch.
"The White Road ~ Ron Weighell,#NFDB
541:I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins.
Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went.
Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now ~ Tim Tharp,#NFDB
542:We are about to study the idea of a computational process. Computational processes are abstract beings that inhabit computers. As they evolve, processes manipulate other abstract things called data. The evolution of a process is directed by a pattern of rules called a program. People create programs to direct processes. In effect, we conjure the spirits of the computer with our spells.
A computational process is indeed much like a sorcerer's idea of a spirit. It cannot be seen or touched. It is not composed of matter at all. However, it is very real. It can perform intellectual work. It can answer questions. It can affect the world by disbursing money at a bank or by controlling a robot arm in a factory. The programs we use to conjure processes are like a sorcerer's spells. They are carefully composed from symbolic expressions in arcane and esoteric programming languages that prescribe the tasks we want our processes to perform.
A computational process, in a correctly working computer, executes programs precisely and accurately. Thus, like the sorcerer's apprentice, novice programmers must learn to understand and to anticipate the consequences of their conjuring. Even small errors (usually called bugs or glitches) in programs can have complex and unanticipated consequences. ~ Harold Abelson,#NFDB
543:Out of all green ends and correlated mystic blend underlying the wholesome beauty only one note could speak and flow when nothing else on the barren wet streets she laughed at my grin speaking of what I missed. How is the realm so lovely when the rain tells me how perfect the self organizing smooth system far less attracted so please the muse to the scene, swirling in utter beauty turn away from conversations of horrific overwhelming tension your sublime nature forces half naked bare legged bathing in geometrical arrangements; a future rebelled, tame and dominate your blessed frightened glass ceiling, breath or goodness spells glitter rains down on your laced chest, taking off your shades and notable note from off your written thoughts on the reality page of mirrored candy smile hair twisting, back alone chasing drinks with cheers toward all we saved in the red ashes; smiling how perfect we feel tonight, I could end any beings or spirit. A sucker for the matter found without presence in unlimited rising smoke you weep and invent forms, or nature reflection internality on how few nerves you leave me squirming producing works of utter biting beauty art works off afternoon body gasping at whatever is near or afar, look how smart you get when you cant always get what you dreamt of, on time naughty morning sun baking eyes in mine. ~ Brandon Villasenor, #NFDB
544:Lunch Date
Ten adults at a laden table,
two children sitting on the floor,
one dog to bark when it was able,
who could ask for anything more.
The same old senses intermingling
in spooky ways above the food.
The same old psyches blending; singling
to help inflate the same old mood:
love me, love my lone uniqueness;
listen, tell me what I’ve said
while the world outside in bleakness
loses count of all its dead.
Two go out and three come forward,
ever older grows the mass.
I have only my and your word
that the end will come to pass.
Here it’s just another weekend,
summers flame and winters freeze.
The end of spring is not a bleak end
in the land of cows and bees.
We all ate and drank together
being more fortunate than most.
The wind played havoc with the weather
the rain boomed like an invited ghost
to be sent about its business elsewhere
haunting the rest of the stricken state
casting its watery gift of spells where
it would make the dust abate.
Over our zany conversation
the dryness blew its hurricane.
our wine helped water conservation,
our wind rattled the windowpane.
We raved a lot of first and last things,
Five courses vanished in an hour or two,
The outward gale stayed on to blast things
to nowhere known to me and you.
~ Bruce Beaver,#NFDB
545:Why are you here?” I asked and my heart was suddenly in my throat. “Does it… does it have to do with the stake?” “You’re damn right, it’s the stake,” the witch snapped. She fumbled in the giant, oversized purse she was wearing and pulled out something that looked like an old, dried up tree branch. “What’s that?” I asked, staring at it blankly. “That’s the stake! The soul eater.” She thrust it at me and I pulled back instinctively. “What the hell—keep it out of my face!” “It can’t hurt you now—it can’t hurt anyone. Someone neutralized it—someone reversed my spell.” She glared at me as if I was personally responsible. Which actually, I probably was. “That was my best magic and I come from a long line of powerful witches. Even I couldn’t have reversed that spell. How the hell did you do it?” Taylor turned to me, her eyes wide. “You reversed a witch’s magic? But how, Addison? You’re not a witch—are you?” “No, of course not.” I tried to laugh. “I think you’d know by now if I was. You would have caught me out casting spells at midnight or dancing with the devil or something.” An uncomfortable look crossed Gwendolyn’s face. “That’s a fucking stereotype and I don’t appreciate it. Witches are neutral agents of power—they have nothing to do with demons or any other creatures of the Shadow Lands.” She glared at me. “So how did you reverse my magic?” “She paid the Crimson Debt. ~ Evangeline Anderson, #NFDB
546:Have I not reason, beldams as you are,
Saucy and overbold? How did you dare
To trade and traffic with Macbeth
In riddles and affairs of death;
And I, the mistress of your charms,
The close contriver of all harms,
Was never call'd to bear my part,
Or show the glory of our art?
And, which is worse, all you have done
Hath been but for a wayward son,
Spiteful and wrathful, who, as others do,
Loves for his own ends, not for you.
But make amends now: get you gone,
And at the pit of Acheron
Meet me i' the morning: thither he
Will come to know his destiny:
Your vessels and your spells provide,
Your charms and every thing beside.
I am for the air; this night I'll spend
Unto a dismal and a fatal end:
Great business must be wrought ere noon:
Upon the corner of the moon
There hangs a vaporous drop profound;
I'll catch it ere it come to ground:
And that distill'd by magic sleights
Shall raise such artificial sprites
As by the strength of their illusion
Shall draw him on to his confusion:
He shall spurn fate, scorn death, and bear
He hopes 'bove wisdom, grace and fear:
And you all know, security
Is mortals' chiefest enemy.
Music and a song within: 'Come away, come away,' & c
Hark! I am call'd; my little spirit, see,
Sits in a foggy cloud, and stays for me. ~ William Shakespeare,#NFDB
547:I couldn’t help but smile when my Aunt Bailey answered her phone. “Hey, Liv, whose ass do I need to beat?”
“Why do you assume that’s why I’m calling?” I asked with a laugh. It was the first time I had smiled in days. But with Bailey and her spunky attitude, it was hard to avoid.
“Because darlin’, I got you figured out. You sent out a mass message to us stating you were studying for finals. You’ve neglected to respond to any messages that followed, and that spells out one thing. Trouble on the college guy front.” I could hear a baby squealing happily in the background. “So I’m gonna ask again. Do I need to catch a plane to Texas and beat the shit out of this Keeton guy I’ve been hearing so much about?”
“Are you there?” I asked, because it wasn’t like Bailey to remain so quiet.
“Um, yeah,” she said in return. I could hear clicking sounds as if she was typing on a keyboard. “I’m just checking flights to Texas, because this Lacy bitch needs to meet your Aunt Bailey.”
“You need to make this Lacy realize she won’t run you off.”
I sat silent, letting everything Bailey said sink in. “If he’s who you want, Liv.” I bit down on my lower lip. “If Keeton is who you want, then you have to show her he’s yours.”
“I do,” I whispered. I had never felt about anyone else the way I felt about Keeton. But my fear was that the man I was already falling for was a man I didn’t even know. ~ C A Harms,#NFDB
548:He gave the empty flask to Arya, and as she took it, he grasped her hand, her right hand, and turned it toward the light. The skin was once more smooth and unblemished. No sign of her injury remained. “Blödhgarm healed you?” said Eragon.
Arya nodded, and he released her. “Mostly. I have full use of my hand again.” She demonstrated by opening and closing it several times. “But there is still a patch of skin by the base of my thumb where I have no feeling.” She pointed with her left index finger.
Eragon reached out and lightly touched the area. “Here?”
“Here,” she said, and moved his hand a bit to the right.
“And Blödhgarm wasn’t able to do anything about it?”
She shook her head. “He tried a half-dozen spells, but the nerves refuse to rejoin.” She made dismissive motion. “It’s of no consequence. I can still wield a sword and I can still draw a bow. That is all that matters.”
Eragon hesitated, then said, “You know…how grateful I am for what you did--what you tried to do. I’m only sorry it left you with a permanent mark. If I could have prevented it somehow…”
“Do not feel bad because of it. It’s impossible to go through life unscathed. Nor should you want to. By the hurts we accumulate, we measure both our follies and our accomplishments.”
“Angela said something similar about enemies--that if you didn’t make them, you were a coward or worse.”
Arya nodded. “There is some truth to that. ~ Christopher Paolini,#NFDB
549:You want to kiss me?” I ask. “More than anything,” he says quickly. I grin and look away from him. “Good.” I open the door to the stairwell and walk through it. “What’s that supposed to mean?” he asks my retreating back. “Nothing,” I toss over my shoulder. My heart feels a lot lighter than it did a few minutes ago, probably because there are about a million butterflies fluttering around in my gut. My belly flips when I meet his gaze. “I’m glad you want to kiss me, is all.” I shrug again. “So can I?” he asks softly. He’s following me to the street and toward my car now. I beep the locks so I can open the door. I start to pull bags out and load him up. “Can you what?” I ask. He grins. “You know what.” I drop my voice down to a whisper. “You might have to spell it out for me, Matt.” “I W-A-N-T T-O K-I-S-S Y-O-U,” he spells out, laughing. I laugh, too. “Good,” I say again. I get out the last of the bags. He’s carrying most of them, so my load is pretty light. I step up onto my tiptoes and kiss him really quickly on the cheek. “Thanks for helping with the bags. And for the pizza. And for rushing over when Seth called you. I’m sorry if he ruined your night.” “You can make it up to me,” he says. He puckers his lips. I can’t keep the smile from my face. “You coming up?” I ask. He holds up the bags like he has no other choice. “Run while you can, Mr. Reed,” I say, and I try to take a bag from him. “I don’t think so,” he says. ~ Tammy Falkner, #NFDB
550:History is replete with the seeds of apocalypse. In particular, the 19th/early 20th Century in France was a time of country-shattering events, whether it was the rise and fall of Napoleon Bonaparte (the creation and brutal upending of a whole new social order, within scarcely more than a decade), or the Great War (which devastated the country to a degree that is hard to believe today, wiping out an entire generation in the trenches). It was no great stretch to imagine a magical war engulfing Europe in 1914, and leaving Paris as a field of ruins filled with magical booby traps–the familiar monuments destroyed, the Seine overflowing with the residue of spells.
It’s no secret that I’m fascinated by the narrative of war, and of recovery after war: how people struggle to rebuild lives and go on in the wake of world-shattering devastation; how the past can still cast a long, terrible shadow over everything; how the years before the war become a golden thing, regardless of how many injustices and hardships might have been happening then. I’m equally fascinated by history–the narratives that get preserved and enshrined, the stories that are passed down; and the speed with which some things get forgotten while others endure for generations. For me, the vocabulary and tropes of post-apocalypse were a great way to tackle those subjects, and to imagine what would happen in a city that had such a traumatic event in its past. ~ Aliette de Bodard,#NFDB
551:Our voices sounded small in the noisy darkness. We called her name again and again. We waved our flashlights in hope that she’d see their bobbing light. We were hoarse from calling. And desperate when she didn’t answer. The faint trail gave out, and we began circling back to the house without realizing it until we saw the lights in the windows. “We need to call the police,” Dad said. “We don’t know the land the way they do. We’ll get lost ourselves if we keep going.” Wordlessly, we made our way home. Mom was on the front porch, shivering in her warmest down coat. “You didn’t find her?” “No.” Dad stopped to hug her. Mom clung to him. They stood there whispering to each other, as if they’d forgotten about me. I waited, shifting my weight from one frozen foot to the other, afraid Bloody Bones might be watching us from the trees. Not that I believed he actually existed, not in my world, the real world, the five-senses world. But with the wind blowing and the moon sailing in and out of clouds like a ghost racing across the sky, I could almost believe I’d crossed a border into another world, where anything could be true—even conjure women and spells and monsters. The police came sooner than we’d expected. We heard their sirens and saw their flashing lights before they’d even turned into the driveway. Four cars and an ambulance stopped at the side of the house. Doors opened, men got out. A couple of them had dogs, big German shepherds who ~ Mary Downing Hahn, #NFDB
552:After several long, tense minutes, one of the hounds began to bark excitedly somewhere in the trees upstream. The other dogs rushed in that direction and resumed the deep-chested baying that meant they were in close pursuit of their quarry.
When the clamor had receded, Roran slowly rose to his full height and swept his gaze over the trees and bushes. “All clear,” he said, keeping his voice subdued.
As the others stood, Hamund--who was tall and shaggy-haired and had deep lines next to his mouth, although he was only a year older than Roran--turned on Carn, scowling, and said, “Why couldn’t you have done that before, instead of letting us go riding willy-nilly over the countryside and almost breaking our necks coming down that hill?” He motioned back toward the stream.
Carn responded with an equally angry tone: “Because I hadn’t thought of it yet, that’s why. Given that I just saved you the inconvenience of having a host of small holes poked in your hide, I would think you might show a bit of gratitude.”
“Is that so? Well, I think that you ought to spend more time working on your spells before we’re chased halfway to who-knows-where and--”
Fearing that their argument could turn dangerous, Roran stepped between them. “Enough,” he said. Then he asked Carn, “Will your spell hide us from the guards?”
Carn shook his head. “Men are harder to fool than dogs.” He cast a disparaging look at Hamund. “Most of them, at least. ~ Christopher Paolini,#NFDB
553:If we look through the aperture which we have opened up onto the absolute, what we see there is a rather menacing power--something insensible, and capable of destroying both things and worlds, of bringing forth monstrous absurdities, yet also of never doing anything, of realizing every dream, but also every nightmare, of engendering random and frenetic transformations, or conversely, of producing a universe that remains motionless down to its ultimate recesses, like a cloud bearing the fiercest storms, then the eeriest bright spells, if only for an interval of disquieting calm. We see an omnipotence equal to that of the Cartesian God, and capable of anything, even the inconceivable; but an omnipotence that has become autonomous, without norms, blind, devoid of the other divine perfections, a power with neither goodness nor wisdom, ill-disposed to reassure thought about the veracity of its distinct ideas. We see something akin to Time, but a Time that is inconceivable for physics, since it is capable of destroying without cause or reason, every physical law, just as it is inconceivable for metaphysics, since it is capable of destroying every determinate entity, even a god, even God. This is not a Heraclitean time, since it is not the eternal law of becoming, but rather the eternal and lawless possible becoming of every law. It is a Time capable of destroying even becoming itself by bringing forth, perhaps forever, fixity, stasis, and death. ~ Quentin Meillassoux, #NFDB
554:The smoke stung at the corners of Uri’s eyes as he struggled to open them. He could hear the battle sounds all around him and smell the iron from the blood drenched warfare in the air. Much to his surprise, death had not yet claimed him. He could feel Raimie’s body under his own, no warmth came from him, however, and Uri feared the worse. Over his shoulder, he heard a large blast and the earth shook under him.
The trackers had obviously followed someone through. There were hundreds of designated transportation locations as part of the evacuation drill. Absolutely nobody was allowed to transport directly to a primary facility for this exact reason. If a tracker were to follow your transportation signature to the next facility, the Guardians could be nearly wiped out in one night. The secrecy of the facilities and cloaking spells were key in their safety.
Uri knew if he or Raimie had any chance of surviving, he needed to get clear of the fighting and find a healer. Attempting to sit up, he braced his weight on the earth just beside Raimie’s head. He quickly reconsidered as the unbearable pain shot through his side. Running his hand down to the source, he could feel the shaft of an arrow jutting out from his side; a warm wetness covered his fingertips.
In the distance, Uri could hear someone crying out in agony, not a voice he recognized, yet the pain in it seemed all too familiar. Another blast rang out from behind him as Uri slumped to the ground, groaning in pain. ~ Wendy Owens,#NFDB
555:LECHLADE, GLOUCESTERSHIRE. (Composed September, 1815. Published with “Alastor”, 1816.) The wind has swept from the wide atmosphere Each vapour that obscured the sunset’s ray; And pallid Evening twines its beaming hair In duskier braids around the languid eyes of Day: Silence and Twilight, unbeloved of men, 5 Creep hand in hand from yon obscurest glen. They breathe their spells towards the departing day, Encompassing the earth, air, stars, and sea; Light, sound, and motion own the potent sway, Responding to the charm with its own mystery. 10 The winds are still, or the dry church-tower grass Knows not their gentle motions as they pass. Thou too, aereal Pile! whose pinnacles Point from one shrine like pyramids of fire, Obeyest in silence their sweet solemn spells, 15 Clothing in hues of heaven thy dim and distant spire, Around whose lessening and invisible height Gather among the stars the clouds of night. The dead are sleeping in their sepulchres: And, mouldering as they sleep, a thrilling sound, 20 Half sense, half thought, among the darkness stirs, Breathed from their wormy beds all living things around, And mingling with the still night and mute sky Its awful hush is felt inaudibly. Thus solemnized and softened, death is mild 25 And terrorless as this serenest night: Here could I hope, like some inquiring child Sporting on graves, that death did hide from human sight Sweet secrets, or beside its breathless sleep That loveliest dreams perpetual watch did keep. 30 ~ Percy Bysshe Shelley, #NFDB
556:Especially When The October Wind
Especially when the October wind
With frosty fingers punishes my hair,
Caught by the crabbing sun I walk on fire
And cast a shadow crab upon the land,
By the sea's side, hearing the noise of birds,
Hearing the raven cough in winter sticks,
My busy heart who shudders as she talks
Sheds the syllabic blood and drains her words.
Shut, too, in a tower of words, I mark
On the horizon walking like the trees
The wordy shapes of women, and the rows
Of the star-gestured children in the park.
Some let me make you of the vowelled beeches,
Some of the oaken voices, from the roots
Of many a thorny shire tell you notes,
Some let me make you of the water's speeches.
Behind a pot of ferns the wagging clock
Tells me the hour's word, the neural meaning
Flies on the shafted disk, declaims the morning
And tells the windy weather in the cock.
Some let me make you of the meadow's signs;
The signal grass that tells me all I know
Breaks with the wormy winter through the eye.
Some let me tell you of the raven's sins.
Especially when the October wind
(Some let me make you of autumnal spells,
The spider-tongued, and the loud hill of Wales)
With fists of turnips punishes the land,
Some let me make you of the heartless words.
The heart is drained that, spelling in the scurry
Of chemic blood, warned of the coming fury.
By the sea's side hear the dark-vowelled birds.
~ Dylan Thomas,#NFDB
557:ALL my weary days I pass'd
Sick at heart and poor in purse.
Poverty's the greatest curse,
Riches are the highest good!
And to end my woes at last,
Treasure-seeking forth I sped.
"Thou shalt have my soul instead!"
Thus I wrote, and with my blood.
Ring round ring I forthwith drew,
Wondrous flames collected there,
Herbs and bones in order fair,
Till the charm had work'd aright.
Then, to learned precepts true,
Dug to find some treasure old,
In the place my art foretold
Black and stormy was the night.
Coming o'er the distant plain,
With the glimmer of a star,
Soon I saw a light afar,
As the hour of midnight knell'd.
Preparation was in vain.
Sudden all was lighted up
With the lustre of a cup
That a beauteous boy upheld.
Sweetly seem'd his eves to laugh
Neath his flow'ry chaplet's load;
With the drink that brightly glow'd,
He the circle enter'd in.
And he kindly bade me quaff:
Then methought "This child can ne'er,
With his gift so bright and fair,
To the arch-fiend be akin."
"Pure life's courage drink!" cried he:
"This advice to prize then learn,--
Never to this place return
Trusting in thy spells absurd;
Dig no longer fruitlessly.
Guests by night, and toil by day!
Weeks laborious, feast-days gay!
Be thy future magic-word!
~ Johann Wolfgang von Goethe, The Treasure Digger
,#NFDB
558:John Ruskin did not go to school. Nor did Queen Victoria, nor John Stuart Mill, George Eliot or Harriet Martineau. It would be absurd to suggest that Disraeli, Dickens, Newman or Darwin, to name four very different figures, who attended various schools for short spells in their boyhood, owed very much to their schooling. Had they been born in a later generation, school would have loomed much larger in their psychological stories, if only because they would have spent so much longer there, and found themselves preparing for public examinations. It is hard not to feel that a strong ‘syllabus’, or a school ethos, might have cramped the style of all four and that in their different ways – Disraeli, comparatively rich, anarchically foppish, indiscriminately bookish; Darwin, considered a dunce, but clearly – as he excitedly learned to shoot, to fish and to bird-watch – beginning his revolutionary relationship with the natural world; Newman, imagining himself an angel; Dickens, escaping the ignominy of his circumstances through theatrical and comedic internalized role-play – they were lucky to have been born before the Age of Control. For the well-meaning educational reforms of the 1860s were the ultimate extension of those Benthamite exercises in control which had begun in the 1820s and 1830s. Having exercised their sway over the poor, the criminals, the agricultural and industrial classes, the civil service and – this was next – the military, the controllers had turned to the last free spirits left, the last potential anarchists: the children. ~ A N Wilson, #NFDB
559:John Ruskin did not go to school. Nor did Queen Victoria, nor John Stuart Mill, George Eliot or Harriet Martineau. It would be absurd to suggest that Disraeli, Dickens, Newman or Darwin, to name four very different figures, who attended various schools for short spells in their boyhood, owed very much to their schooling. Had they been born in a later generation, school would have loomed much larger in their psychological stories, if only because they would have spent so much longer there, and found themselves preparing for public examinations. It is hard not to feel that a strong ‘syllabus’, or a school ethos, might have cramped the style of all four and that in their different ways – Disraeli, comparatively rich, anarchically foppish, indiscriminately bookish; Darwin, considered a dunce, but clearly – as he excitedly learned to shoot, to fish and to bird-watch – beginning his revolutionary relationship with the natural world; Newman, imagining himself an angel; Dickens, escaping the ignominy of his circumstances through theatrical and comedic internalized role-play – they were lucky to have been born before the Age of Control. For the well-meaning educational reforms of the 1860s were the ultimate extension of those Benthamite exercises in control which had begun in the 1820s and 1830s. Having exercised their sway over the poor, the criminals, the agricultural and industrial classes, the civil service and – this was next – the military, the controllers had turned to the last free spirits left, the last potential anarchists: the children. ~ A N Wilson, #NFDB
560:He’s leaving.”
“It would appear so.” Leo came to her, extended a hand down, and pulled her up.
“Why did he leave right in the middle of a quarrel?” Beatrix demanded, dusting off her breeches with short, aggravated whacks. “One can’t just leave, one has to finish it.”
“If he had stayed, sweetheart,” Leo said, “there’s every chance I would have had to pry his hands from around your neck.”
Their conversation paused as they saw Christopher riding from the stables, his form straight as a blade as he spurred his horse into a swift graceful canter.
Beatrix sighed. “I was trying to score points rather than consider how he was feeling,” she admitted. “He was probably frightened for me, seeing the horse topple over like that.”
“Probably?” Leo repeated. “He looked like he had just seen Death. I believe it may have touched off one of his bad spells, or whatever it is you call them.”
“I must go to him.”
“Not dressed like that.”
“For heaven’s sake, Leo, just this one time--”
“No exceptions, darling. I know my sisters. Give any one of you an inch, and you’ll take a mile.” He reached out and pushed back her tumbling hair. “Also…don’t go without a chaperone.”
“I don’t want a chaperone. That’s never any fun.”
“Yes, Beatrix, that’s the purpose of a chaperone.”
“Well, in our family, anyone who chaperoned me would probably need a chaperone more than I do.”
Leo opened his mouth to argue, then closed it.
Rare was the occasion when her brother was unable to argue a point.
Repressing a grin, Beatrix strode toward the house. ~ Lisa Kleypas,#NFDB
561:I have come to see this fear, this sense of my own imperilment by my creations, as not only an inevitable, necessary part of writing fiction but as virtual guarantor, insofar as such a thing is possible, of the power of my work: as a sign that I am on the right track, that I am following the recipe correctly, speaking the proper spells. Literature, like magic, has always been about the handling of secrets, about the pain, the destruction and the marvelous liberation that can result when they are revealed. Telling the truth, when the truth matters most, is almost always a frightening prospect. If a writer doesn’t give away secrets, his own or those of the people he loves; if she doesn’t court disapproval, reproach and general wrath, whether of friends, family, or party apparatchiks; if the writer submits his work to an internal censor long before anyone else can get their hands on it, the result is pallid, inanimate, a lump of earth. The adept handles the rich material, the rank river clay, and diligently intones his alphabetical spells, knowing full well the history of golems: how they break free of their creators, grow to unmanageable size and power, refuse to be controlled. In the same way, the writer shapes his story, flecked like river clay with the grit of experience and rank with the smell of human life, heedless of the danger to himself, eager to show his powers, to celebrate his mastery, to bring into being a little world that, like God’s, is at once terribly imperfect and filled with astonishing life.
Originally published in The Washington Post Book World ~ Michael Chabon,#NFDB
562:The wind has swept from the wide atmosphere
Each vapour that obscured the sunset's ray;
And pallid Evening twines its beaming hair
In duskier braids around the languid eyes of Day:
Silence and Twilight, unbeloved of men,
Creep hand in hand from yon obscurest glen.
They breathe their spells towards the departing day,
Encompassing the earth, air, stars, and sea;
Light, sound, and motion own the potent sway,
Responding to the charm with its own mystery.
The winds are still, or the dry church-tower grass
Knows not their gentle motions as they pass.
Thou too, areal Pile! whose pinnacles
Point from one shrine like pyramids of fire,
Obeyest in silence their sweet solemn spells,
Clothing in hues of heaven thy dim and distant spire,
Around whose lessening and invisible height
Gather among the stars the clouds of night.
The dead are sleeping in their sepulchres:
And, mouldering as they sleep, a thrilling sound,
Half sense, half thought, among the darkness stirs,
Breathed from their wormy beds all living things around,
And mingling with the still night and mute sky
Its awful hush is felt inaudibly.
Thus solemnized and softened, death is mild
And terrorless as this serenest night:
Here could I hope, like some inquiring child
Sporting on graves, that death did hide from human sight
Sweet secrets, or beside its breathless sleep
That loveliest dreams perpetual watch did keep.
Composed September, 1815. Published with Alastor, 1816.
~ Percy Bysshe Shelley, A Summer Evening Churchyard - Lechlade, Gloucestershire
,#NFDB
563:Though it's fearful,
Though it's deep, though it's dark
And though you may lose the path,
Though you may encounter wolves,
You can't just act,
You have to listen.
you can't just act,
You have to think.
Though it's dark,
There are always wolves,
There are always spells,
There are always beans,
Or a giant dwells there.
So into the woods you go again,
You have to every now and then.
Into the woods, no telling when,
Be ready for the journey.
Into the woods, but not too fast
or what you wish, you lose at last.
Into the woods, but mind the past.
Into the woods, but mind the future.
Into the woods, but not to stray,
Or tempt the wolf, or steal from the giant--
The way is dark,
The light is dim,
But now there's you, me, her, and him.
The chances look small,
The choices look grim,
But everything you learn there
Will help when you return there.
The light is getting dimmer..
I think I see a glimmer--
Into the woods--you have to grope,
But that's the way you learn to cope.
Into the woods to find there's hope
Of getting through the journey.
Into the woods, each time you go,
There's more to learn of what you know.
Into the woods, but not too slow--
Into the woods, it's nearing midnight--
Into the woods to mind the wolf,
To heed the witch, to honor the giant,
To mind, to heed, to find, to think, to teach, to join, to go to the Festival!
Into the woods,
Into the woods,
Into the woods,
Then out of the woods--
And happy ever after! ~ Stephen Sondheim,#NFDB
564:We stared at each other for a long moment. His hand smoldered against my skin. In my face, I knew there was nothing but wistful sadness―I didn't want to have to say goodbye now, no matter for how short a time. At first his face reflected mine, but then, as neither of us looked away, his expression changed.
He released me, lifting his other hand to brush his fingertips along my cheek, trailing them down to my jaw. I could feel his fingers tremble―not with anger this time. He pressed his palm against my cheek, so that my face was trapped between his burning hands.
"Bella," he whispered.
I was frozen.
No! I hadn't made this decision yet. I didn't know if I could do this, and now I was out of time to think. But I would have been a fool if I thought rejecting him now would have no consequences.
I stared back at him. He was not my Jacob, but he could be. His face was familiar and beloved. in so many real ways, I did love him. He was my comfort, my safe harbor. Right now, I could choose to have him belong to me.
Alice was back for the moment, but that changed nothing. True love was forever lost. The prince was never coming back to kiss me awake from my enchanted sleep. I was not a princess, after all. So what was the fairy-tale protocol for other kisses? The mundane kind that didn't break any spells?
Maybe it would be easy―like holding his hand or having his arms around me. Maybe it would feel nice. Maybe it wouldn't feel like betrayal. Besides, who was I betraying, anyway? Just myself.
Keeping his eyes on mine, Jacob began to bend his face toward me. And I was still absolutely undecided. ~ Stephenie Meyer,#NFDB
565:I don’t believe in curses, or spells, or anything of the sort. The only curse my brother faces is self-imposed.” “You … you mean because of his grief over Laura Dillard?” Amelia’s blue eyes turned round. “He talked to you about her?” Catherine nodded. Amelia seemed caught off guard. Taking Catherine’s arm, she drew her further along the hallway, where there was less risk of being overheard. “What did he say?” “That she liked to watercolor,” Catherine replied hesitantly. “That they were betrothed, and then she caught the scarlet fever, and died in his arms. And that … she haunted him for a time. Literally. But that couldn’t be true … could it?” Amelia was silent for a good half minute. “I think it might be,” she said with remarkable calmness. “I wouldn’t admit that to many people—it makes me sound like a lunatic.” A wry smile crossed her lips. “However, you’ve lived with the Hathaways long enough to know of a certainty that we are indeed a pack of lunatics.” She paused. “Catherine.” “Yes?” “My brother never discusses Laura Dillard with anyone. Ever.” Catherine blinked. “He was in pain. He’d lost blood.” “I don’t think that is why he confided in you.” “What other reason could there have been?” Catherine asked with difficulty. It must have shown in her face, how much she dreaded the answer. Amelia stared at her closely, and then shrugged with a rueful smile. “I’ve already said too much. Forgive me. It’s only that I desire my brother’s happiness so greatly.” She paused before adding sincerely, “And yours.” “I assure you, ma’am, one has nothing to do with the other.” “Of course,” Amelia murmured, and went back to the doorway to wait. ~ Lisa Kleypas, #NFDB
566:It goes something like this. You're walking along minding your own business, or you're on the underground or you're on a bus or something, but generally you're not paying much attention. And suddenly you look around and see all these other people and think, Hey, they can look at me and see me and I can see in my mind what I think they see, and when I'm gone they're going to keep on walking and theyr'e going to go and live their lives, and their thoughts are going to be just like mine, but different, but real and solid and alive and full of feeling and confusion and colour just like life, and, hey, isnt that cool! And it is.
And roughly around this time you're going to notice that you can feel trains under your feet or pipes bubbling, and you can hear the sound of traffic and voices and stuff; and then you'll probably look up at the things around you and think, Those buildings with the lights on look almost alive, like giant trees lit up with their own constellation of stars in every window, or maybe not if you're underground; and you'll realise that you can see the city all around, and it's so full of lives and life, and they're all buzzing around you, and every single individual is real and alive and passionate and full of mystery, and it's not just Joe Bloggs walking by who's like this, but that every part of the city is crawling with life. And you'll think, Hey, that's pretty damn sweet, everywhere I look there's life, and roughly around that point you'll realise you can hear rats and pigeons and thoughts and spells and colours and electricity, and that's probably when you started going a bit mad. ~ Kate Griffin,#NFDB
567:We are talking about a cloak that really and truly renders the wearer completely invisible, and endures eternally, giving constant and impenetrable concealment, no matter what spells are cast at it. How many cloaks have you ever seen like that, Miss Granger?”
Hermione opened her mouth to answer, then closed it again, looking more confused than ever. She, Harry, and Ron glanced at one another, and Harry knew that they were all thinking the same thing. It so happened that a cloak exactly like the one Xenophilius had just described was in the room with them at that very moment.
“Exactly,” said Xenophilius, as if he had defeated them all in reasoned argument. “None of you have ever seen such a thing. The possessor would be immeasurably rich, would he not?”
He glanced out of the window again. The sky was now tinged with the faintest trace of pink.
“All right,” said Hermione, disconcerted. “Say the Cloak existed…what about the stone, Mr. Lovegood? The thing you call the Resurrection Stone?”
“What of it?”
“Well, how can that be real?”
“Prove that it is not,” said Xenophilius.
Hermoine looked outraged.
“But that’s--I’m sorry, but that’s completely ridiculous! How can I possibly prove it doesn’t exist? Do you expect me to get hold of--of all the pebbles in the world and test them? I mean, you could claim that anything’s real if the only basis for believing in it is that nobody’s proved it doesn’t exist!”
“Yes, you could,” said Xenophilius. “I am glad to see that you are opening your mind a little.”
“So the Elder Wand,” said Harry quickly, before Hermione could retort, “you think that exists too? ~ J K Rowling,#NFDB
568:For most people, having company for more than three of four days is a serious mistake, the equivalent to sawing a large hole in the roof and leaving all the doors and windows open in the middle of winter. Out of a desire to be helpful or the need to be kind, they let themselves in for prolonged spells of entertaining, forfeit their privacy and their easy understanding, knowing that the result will be an estrangement―however temporary―between husband and wife, and that nothing proportionate to this is to be gained by the giving up of beds, the endless succession of heavy meals, the afternoon drives. Either the human race is incurably hospitable or else people forget from one time to the next, as women forget the pains of labor, how weeks and months are lost that can never be recovered.
The guest also loses―even the so-called easy guest who makes her own bed, helps with the dishes and doesn't require entertaining. She sees things no outsider should see, overhears whispered conversations about herself from two rooms away, finds old letters in books, and is sooner or later the cause of and witness to scenes that because of her presence do not clear the air. When she has left, she expects to go on being a part of the family she has stayed with so happily and for so long; she expects to be remembered; instead of which, her letters, full of intimate references and family jokes, go unanswered. She sends beautiful presents to the children at a time when she really cannot afford any extravagance and the presents also go unacknowledged. In the end her feelings are hurt, and she begins to doubt―quite unjustly―the genuineness of the family's attachment to her. ~ William Maxwell,#NFDB
569:Practice, Ami. There is no talent without practice."
And practice you did. You hacked at livers and pig brains for sisig, spent hours over a hot stove for the perfect sourness to sinigang. You dug out intestines and wound them around bamboo sticks for grilled isaw, and monitored egg incubation times to make balut.
Lola didn't frequent clean and well-lit farmers markets. Instead, you accompanied her to a Filipino palengke, a makeshift union of vendors who occasionally set up shop near Mandrake Bridge and fled at the first sight of a police uniform. Popular features of such a palengke included slippery floors slicked with unknown ichor; wet, shabby stalls piled high with entrails and meat underneath flickering light bulbs; and enough health code violations to chase away more gentrification in the area. Your grandmother ruled here like some dark sorceress and was treated by the vendors with the reverence of one.
You learned how to make the crackled pork strips they called crispy pata, the pickled-sour raw kilawin fish, the perfect full-bodied peanuty sauce for the oxtail in your kare-kare. One day, after you have mastered them all, you will decide on a specialty of your own and conduct your own tests for the worthy. Asaprán witches have too much magic in their blood, and not all their meals are suitable for consumption. Like candy and heartbreak, moderation is key.
And after all, recipes are much like spells, aren't they? Instead of eyes of newt and wings of bat they are now a quarter kilo of marrow and a pound of garlic, boiled for hours until the meat melts off their bones. Pots have replaced cauldrons, but the attention to detail remains constant. ~ Rin Chupeco,#NFDB
570:I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving.
I know a charm that will heal with a touch.
I know a charm that will turn aside the weapons of an enemy.
I know another charm to free myself from all bonds and locks.
A fifth charm: I can catch an arrow in flight and take no harm from it.
A sixth: spells sent to hurt me will hurt only the sender.
A seventh charm I know: I can quench a fire simply by looking at it.
An eighth: if any man hates me, I can win his friendship.
A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore.
For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again.
An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearths and their homes.
A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers.
A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle.
A fourteenth: I know the names of all the gods. Every damned one of them.
A fifteenth: I had a dream of power, of glory, and of wisdom, and I can make people believe in my dreams.
A sixteenth charm I know: if I need love I can turn the mind and heart of any woman.
A seventeenth, that no woman I want will ever want another.
And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one know but you is the most powerful secret there can ever be. ~ Neil Gaiman,#NFDB
571:I Sleep A Lot
I sleep a lot and read St. Thomas Aquinas
Or The Death of God (that's a Protestant book).
To the right the bay as if molten tin,
Beyond the bay, city, beyond the city, ocean,
Beyond the ocean, ocean, till Japan.
To the left dry hills with white grass,
Beyond the hills an irrigated valley where rice is grown,
Beyond the valley, mountains and Ponderosa pines,
Beyond the mountains, desert and sheep.
When I couldn't do without alcohol, I drove myself on alcohol,
When I couldn't do without cigarettes and coffee, I drove myself
On cigarettes and coffee.
I was courageous. Industrious. Nearly a model of virtue.
But that is good for nothing.
I feel a pain.
not here. Even I don't know.
many islands and continents,
words, bazaars, wooden flutes,
Or too much drinking to the mirror, without beauty,
Though one was to be a kind of archangel
Or a Saint George, over there, on St. George Street.
Please, Doctor,
Not here. No,
Maybe it's too
Unpronounced
Please, Medicine Man, I feel a pain.
I always believed in spells and incantations.
Sure, women have only one, Catholic, soul,
But we have two. When you start to dance
You visit remote pueblos in your sleep
And even lands you have never seen.
Put on, I beg you, charms made of feathers,
Now it's time to help one of your own.
I have read many books but I don't believe them.
When it hurts we return to the banks of certain rivers.
57
I remember those crosses with chiseled suns and moons
And wizards, how they worked during an outbreak of typhus.
Send your second soul beyond the mountains, beyond time.
Tell me what you saw, I will wait.
~ Czeslaw Milosz,#NFDB
572:After fifteen minutes in the air, Sharko started leafing through the book on mass hysteria. As Dr. Taha Abou Zeid had briefly explained, this phenomenon had cut across time periods, nationalities, and religions. The author based his thesis on photos, eyewitness accounts, and interviews with specialists. In France, for instance, witch hunts in the Middle Ages had provoked an inordinate fear of the devil and mass acts of insanity: screaming crowds hungry for blood, mothers and children who cheered to see “witches” burning alive. The cases in the book were astounding. India, 2001: hundreds of individuals from different parts of New Delhi swear they were attacked by a fictional being, half man, half monkey, “with metal claws and red eyes.” Certain “victims” even leap from the window to flee this creature, who’d surged right out of the collective imagination. Belgium, 1990: the Belgian Society for the Study of Space Phenomena suddenly receives several thousand sightings of UFOs. The most likely cause was held to be sociopsychological. A sudden mania for looking for flying objects, exacerbated by the media: when you want to see something, you end up seeing it. Dakar: ninety high school students go into a trance and are brought to the hospital. Some speak of a curse; there are purification rituals and sacrifices to remedy the situation. Sharko turned the pages—it went on forever. Sects committing group suicide, panicked crowds, haunted house syndrome like the Amityville Horror, collective fainting spells at concerts…There was even a chapter on genocides, a “criminal mass hysteria,” according to the terms of certain psychiatrists: organizers who plan coldly, calculatingly, while those who execute sink into a frenzy of wholesale destruction and butchery. ~ Franck Thilliez, #NFDB
573:Dr. Sam
TO MISS GRACE KING
Down in the old French quarter,
Just out of Rampart street,
I wend my way
At close of day
Unto the quaint retreat
Where lives the Voodoo Doctor
By some esteemed a sham,
Yet I'll declare there's none elsewhere
So skilled as Doctor Sam
With the claws of a deviled crawfish,
The juice of the prickly prune,
And the quivering dew
From a yarb that grew
In the light of a midnight moon!
I never should have known him
But for the colored folk
That here obtain
And ne'er in vain
That wizard's art invoke;
For when the Eye that's Evil
Would him and his'n damn,
The negro's grief gets quick relief
Of Hoodoo-Doctor Sam.
With the caul of an alligator,
The plume of an unborn loon,
And the poison wrung
From a serpent's tongue
By the light of a midnight moon!
In all neurotic ailments
I hear that he excels,
And he insures
Immediate cures
Of weird, uncanny spells;
The most unruly patient
Gets docile as a lamb
118
And is freed from ill by the potent skill
Of Hoodoo-Doctor Sam;
Feathers of strangled chickens,
Moss from the dank lagoon,
And plasters wet
With spider sweat
In the light of a midnight moon!
They say when nights are grewsome
And hours are, oh! so late,
Old Sam steals out
And hunts about
For charms that hoodoos hate!
That from the moaning river
And from the haunted glen
He silently brings what eerie things
Give peace to hoodooed men:-The tongue of a piebald 'possum,
The tooth of a senile 'coon,
The buzzard's breath that smells of death,
And the film that lies
On a lizard's eyes
In the light of a midnight moon!
~ Eugene Field,#NFDB
574:In the third part of the year
When men begin to gather fuel
Against the coming cold
Here hooves run hard on frosty ground
Begins our song:
For centuries we lived alone high on the moors
Herding the deer for milk and cheese
For leather and horn
Humans came seldom nigh
For we with our spells held them at bay
And they with gifts of wine and grain
Did honour us.
Returning at evening from the great mountains
Our red hoods rang with bells.
Lightly we ran
Until before our own green hill
There we did stand.
She is stolen!
She is snatched away!
Through watery meads
Straying our lovely daughter.
She of the wild eyes!
She of the wild hair!
Snatched up to the saddle of the lord of Weir
Who has his castle high upon a crag
A league away.
Upon the horse of air at once we rode
To where Weir's castle looks like a crippled claw
Into the moon.
And taking form of minstrels brightly clad
We paced upon white ponies to the gate
And rang thereon
"We come to sing unto my lord of Weir
A merry song."
Into his sorry hall we stepped
Where was our daughter bound?
Near his chair.
"Come play a measure!"
"Sir, at once we will."
And we began to sing and play
To lightly dance in rings and faster turn
No man within that hall could keep his seat
But needs must dance and leap
Against his will
This was the way we danced them to the door
And sent them on their way into the world
Where they will leap amain
Till they think one kind thought
For all I know they may be dancing still.
While we returned with our own
Into our hall
And entering in
Made fast the grassy door.
from "The Dancing of the Lord of Weir ~ Robin Williamson,#NFDB
575:To A Little Invisible Being
WHO IS EXPECTED SOON TO BECOME VISIBLE
Germ of new life, whose powers expanding slow
For many a moon their full perfection wait,Haste, precious pledge of happy love, to go
Auspicious borne through life's mysterious gate.
What powers lie folded in thy curious frame,Senses from objects locked, and mind from thought!
How little canst thou guess thy lofty claim
To grasp at all the worlds the Almighty wrought!
And see, the genial season's warmth to share,
Fresh younglings shoot, and opening roses glow!
Swarms of new life exulting fill the air,Haste, infant bud of being, haste to blow!
For thee the nurse prepares her lulling songs,
The eager matrons count the lingering day;
But far the most thy anxious parent longs
On thy soft cheek a mother's kiss to lay.
She only asks to lay her burden down,
That her glad arms that burden may resume;
And nature's sharpest pangs her wishes crown,
That free thee living from thy living tomb.
She longs to fold to her maternal breast
Part of herself, yet to herself unknown;
To see and to salute the stranger guest,
Fed with her life through many a tedious moon.
Come, reap thy rich inheritance of love!
Bask in the fondness of a Mother's eye!
Nor wit nor eloquence her heart shall move
Like the first accents of thy feeble cry.
Haste, little captive, burst thy prison doors!
Launch on the living world, and spring to light!
Nature for thee displays her various stores,
Opens her thousand inlets of delight.
If charmed verse or muttered prayers had power,
With favouring spells to speed thee on thy way,
Anxious I'd bid my beads each passing hour,
Till thy wished smile thy mother's pangs o'erpay.
156
~ Anna Laetitia Barbauld,#NFDB
576:The first cause of impurity in the understanding is the intermiscence of desire in the thinking functions, and desire itself is an impurity of the Will involved in the vital and emotional parts of our being. When the vital and emotional desires interfere with the pure Will-to-know, the thought-function becomes subservient to them, pursues ends other than those proper to itself and its perceptions are clogged and deranged. The understanding must lift itself beyond the siege of desire and emotion and, in order that it may have perfect immunity, it must get the vital parts and the emotions themselves purified. The will to enjoy is proper to the vital being but not the choice or the reaching after the enjoyment which must be determined and acquired by higher functions; therefore the vital being must be trained to accept whatever gain or enjoyment comes to it in the right functioning of the life in obedience to the working of the divine Will and to rid itself of craving and attachment. Similarly the heart must be freed from subjection to the cravings of the life-principle and the senses and thus rid itself of the false emotions of fear, wrath, hatred, lust, etc, which constitute the chief impurity of the heart. The will to love is proper to the heart, but here also the choice and reaching after love have to be foregone or tranquillised and the heart taught to love with depth and intensity indeed, but with a calm depth and a settled and equal, not a troubled and disordered intensity. The tranquillisation and mastery of these members is a first condition for the immunity of the understanding from error, ignorance and perversion. This purification spells an entire equality of the nervous being and the heart; equality, therefore, even as it was the first word of the path of works, so also is the first word of the path of knowledge.
~ Sri Aurobindo, The Synthesis Of Yoga, The Purified Understanding,#NFDB
577:Waldeinsamkeit
I do not count the hours I spend
In wandering by the sea;
The forest is my loyal friend,
Like God it useth me.
In plains that room for shadows make
Of skirting hills to lie,
Bound in by streams which give and take
Their colours from the sky;
Or on the mountain-crest sublime,
Or down the oaken glade,
O what have I to do with time?
For this the day was made.
Cities of mortals woe begone
Fantastic care derides,
But in the serious landscape lone
Stern benefit abides.
Sheen will tarnish, honey cloy,
And merry is only a mask of sad,
But, sober on a fund of joy,
The woods at heart are glad.
There the great Planter plants
Of fruitful worlds the grain,
And with a million spells enchants
The souls that walk in pain.
Still on the seeds of all he made
The rose of beauty burns;
Through times that wear, and forms that fade,
Immortal youth returns.
The black ducks mounting from the lake,
The pigeon in the pines,
The bittern's boom, a desert make
Which no false art refines.
Down in yon watery nook,
Where bearded mists divide,
The gray old gods whom Chaos knew,
The sires of Nature, hide.
Aloft, in secret veins of air,
Blows the sweet breath of song,
O, few to scale those uplands dare,
Though they to all belong!
See thou bring not to field or stone
The fancies found in books;
Leave authors' eyes, and fetch your own,
To brave the landscape's looks.
And if, amid this dear delight,
My thoughts did home rebound,
I well might reckon it a slight
To the high cheer I found.
Oblivion here thy wisdom is,
Thy thrift, the sleep of cares;
For a proud idleness like this
Crowns all thy mean affairs.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Wakdeubsankeit
,#NFDB
578:Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling ~ J K Rowling, #NFDB
579:Why?” “Why? Blimey, Harry, everyone’d be wantin’ magic solutions to their problems. Nah, we’re best left alone.” At this moment the boat bumped gently into the harbor wall. Hagrid folded up his newspaper, and they clambered up the stone steps onto the street. Passersby stared a lot at Hagrid as they walked through the little town to the station. Harry couldn’t blame them. Not only was Hagrid twice as tall as anyone else, he kept pointing at perfectly ordinary things like parking meters and saying loudly, “See that, Harry? Things these Muggles dream up, eh?” “Hagrid,” said Harry, panting a bit as he ran to keep up, “did you say there are dragons at Gringotts?” “Well, so they say,” said Hagrid. “Crikey, I’d like a dragon.” “You’d like one?” “Wanted one ever since I was a kid — here we go.” They had reached the station. There was a train to London in five minutes’ time. Hagrid, who didn’t understand “Muggle money,” as he called it, gave the bills to Harry so he could buy their tickets. People stared more than ever on the train. Hagrid took up two seats and sat knitting what looked like a canary-yellow circus tent. “Still got yer letter, Harry?” he asked as he counted stitches. Harry took the parchment envelope out of his pocket. “Good,” said Hagrid. “There’s a list there of everything yeh need.” Harry unfolded a second piece of paper he hadn’t noticed the night before, and read: HOGWARTS SCHOOL of WITCHCRAFT and WIZARDRY UNIFORM First-year students will require: 1. Three sets of plain work robes (black) 2. One plain pointed hat (black) for day wear 3. One pair of protective gloves (dragon hide or similar) 4. One winter cloak (black, silver fastenings) Please note that all pupils’ clothes should carry name tags COURSE BOOKS All students should have a copy of each of the following: The Standard Book of Spells (Grade 1) by Miranda Goshawk A History of Magic by Bathilda Bagshot Magical Theory by Adalbert Waffling A ~ J K Rowling, #NFDB
580:Ungh,” Ryan said. “That shit is so hot.” Everyone turned to stare at him. He was bright red. “I said that out loud, didn’t I? Dammit.” “What?” I squeaked. “When you do magic, it turns me on,” Ryan said, shaking his head frantically. “Ah gods. I can’t—stop. Just stop. Ahhh, I get erections when you cast spells. Oh shit.” “Sweet molasses,” I managed to say. “This… this is not what I thought was going to happen today,” Gary said. “What you think happen?” Tiggy asked. “I thought Ryan and Sam would continue to ignore how much they want to bone each other and we would all be suffering in silence because Sam won’t pull his head out of his ass to see that Ryan wants to eat said ass for dinner.” “I do,” Ryan said through gritted teeth. “For breakfast, even. And lunch. And a midnight snack. Especially when you do magic.” “You have a magic kink?” I said, because that was the only thing I could focus on. “Yes. But only for you. Your magic gets me hard,” he said, looking like he wished he could be anywhere but where he was. “When you do anything, I get hard, really. Even your ridiculous sex puns. You remember when you wrapped those Dark wizards in stone at the restaurant?” “Yeah,” I managed to say. “I wanted to tell you that you gave me an e-rock-tion.” He bent over and banged his forehead against the table. “Why, why, why did I say that out loud? Please. Someone. Anyone. Kill me.” “Sex puns,” I breathed. “Knight Delicious Face said a sex pun.” “There it is again!” he exclaimed. “Knight Delicious Face. What is that?” “You’re a knight,” I said. “And your face is delicious.” “You think I’m delicious?” he said, suddenly shy. “Oh my gods,” Gary moaned. “This is so awkward I can’t even stand it. I physically hurt from how awkward this is. I don’t even care that we’re apparently in mortal danger. I just don’t want to listen to you two flirt anymore. Eloise? Yoo-hoo, Eloise? If you’re going to kill us, can you please do it now? I can’t take this anymore. ~ T J Klune, #NFDB
581:Let me explain, Eoin. I’m not a witch. I . . .” He immediately interrupted me with more words in Gaelic that I didn’t understand before he turned and walked over to the window seat to stare outside. “What do ye expect me to do with ye now, lass? I should’ve left ye down in the dungeon to rot, but I expect ye spelled me so that I would relent and release ye, aye? What did ye plan to do, Blaire, place spells on us to do yer bidding and torture me for having married ye? I canna believe Arran was right! What a wicked bitch ye are!” Anger flared within me, and I made no effort to continue the accent I’d tried so hard to use over the past weeks. “Are you crazy? Have I done or said anything to anyone since I’ve been here that would make you think that I wanted to hurt you? If you’d just stop all of your insane ranting and listen to me, I could explain what I was doing in the spell room.” “How did ye even know about the room, Blaire? Ye had no business being in that part of the castle at all!” “Mary showed me. It’s where she found me when I showed up here.” “Ye are a damned liar, Blaire! Do ye no remember the day ye arrived? Ye insulted just about everyone in the castle, and ye nearly broke poor Kip’s back with the inconsiderate load ye piled onto him!” “No!” I was no longer afraid, but I was so angry I was on the verge of tears. Each breath seemed painful in my chest. “I don’t remember the day Blaire arrived because I’m not Blaire! I don’t understand why or how I got here, but I’ve spent almost every minute since I showed up in this godforsaken place trying to get back home to Texas.” “Not Blaire? Texas? God, Arran was right! How could I have been so blind? Well, I’ll no more be fooled by ye, and I’ll no have ye causing havoc here anymore.” He reached as if to grab for my arm, but I evaded him, jumping quickly to the left and chunking the nearest object I could reach at his head. It hit him square on the nose. With a ferocious growl, he leapt in my direction once more. ~ Bethany Claire, #NFDB
582:So yeah, you were part of the job. Don't get me wrong, Mercer, I like you. You're smart, fluent in sarcasm, and, Bad Dog incident aside, pretty kick-ass at magic. And it's not like you're hard to look at."
"Be still my beating heart."
"But to answer your question, no part of the Archer Cross you knew at Hecate exists. That day in the cellar, I kissed you back because it was my job to stay close to you. If that's where you wanted to take things, then that's where I was going to go. I kissed you because I had to. Not exactly the hardest assignment I've ever had, but an assignment nonetheless."
I stood there absorbing his words like blows, my heart aching. But it wasn't what he said that made me feel like I'd been punched in the chest.
It's that I knew he was lying. That speech came out way too quickly and way too smooth, almost like he'd been practicing it in his head. The same way I'd been practing what I'd say to him if I ever saw him again.
I couldn't even begin to handle that right now, so instead I just said, "Okay,then. Yay for honesty. Now that we're done with the confessional part of the evening, why don't you tell me why we're here."
There was another pause, then he started walking again. I followed, leaves crunching under my feet.
"Like I said, Hacte Hall has always made The Eye nervous."
"Why? Are they allergic to plaid?"
I thought he might laugh, but instead, he said, "Think about it,Mercer.One place where Prodigium round up their most powerful members? Don't tell me that's not suspicious."
That had never occurred to me. I'd always just thought of all us at Hecate as giant screwups, but in a way, Archer was right. We'd all been sentenced to Hex Hall because of spells that were powerful and dangerous. I thought of Cal saying I created "too big." Wasn't that what just about everyone at Hecate had done?
Still, the idea that the place I'd called home for nearly a year was actually some evil farm for powerful Prodigium was unsettling to say the least. ~ Rachel Hawkins,#NFDB
583:Beowulf (Episode 12)
NOT in any wise would the earls'-defence
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, -- as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, -- no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. -- To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
109
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. -- 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, -- all, indeed,
of Grendel's gripe, -- 'neath the gabled roof.
~ Anonymous Olde English,#NFDB
584:How Shall My Animal
How shall my animal
Whose wizard shape I trace in the cavernous skull,
Vessel of abscesses and exultation's shell,
Endure burial under the spelling wall,
The invoked, shrouding veil at the cap of the face,
Who should be furious,
Drunk as a vineyard snail, flailed like an octopus,
Roaring, crawling, quarrel
With the outside weathers,
The natural circle of the discovered skies
Draw down to its weird eyes?
How shall it magnetize,
Towards the studded male in a bent, midnight blaze
That melts the lionhead's heel and horseshoe of the heart
A brute land in the cool top of the country days
To trot with a loud mate the haybeds of a mile,
Love and labour and kill
In quick, sweet, cruel light till the locked ground sprout
The black, burst sea rejoice,
The bowels turn turtle,
Claw of the crabbed veins squeeze from each red particle
The parched and raging voice?
Fishermen of mermen
Creep and harp on the tide, sinking their charmed, bent pin
With bridebait of gold bread, I with a living skein,
Tongue and ear in the thread, angle the temple-bound
Curl-locked and animal cavepools of spells and bone,
Trace out a tentacle,
Nailed with an open eye, in the bowl of wounds and weed
To clasp my fury on ground
And clap its great blood down;
Never shall beast be born to atlas the few seas
Or poise the day on a horn.
Sigh long, clay cold, lie shorn,
Cast high, stunned on gilled stone; sly scissors ground in frost
Clack through the thicket of strength, love hewn in pillars drops
74
With carved bird, saint, and suns the wrackspiked maiden mouth
Lops, as a bush plumed with flames, the rant of the fierce eye,
Clips short the gesture of breath.
Die in red feathers when the flying heaven's cut,
And roll with the knocked earth:
Lie dry, rest robbed, my beast.
You have kicked from a dark den, leaped up the whinnying light,
And dug your grave in my breast.
~ Dylan Thomas,#NFDB
585:While she was enjoying this heady control, she decided to test a few minor spells on the werewolf—because it would be good practice, and by good practice she meant amusing for her.
She caused a root to hike up directly in front of his feet. When he tripped, she folded her lips in, biting back a laugh.
Magick . . . good.
For the next hour, whenever his boots came untied just in time for the laces to collect bullet ants, or limbs whacked him across the face, or he scarcely dodged bird and monkey droppings, he always regarded her with narrow-eyed suspicion. She would casually glance over at him with a “Whaaa . . . ?” expression.
But he hadn’t said anything, and as for her, well, she could do this all day—
Out of the corner of her eye she spied movement. What looked like a vine suddenly uncoiled from the ground and came flying toward her. With a shriek, she attempted a pulse of energy to ward it off. But MacRieve had already snatched the snake; her magick caught him and sent him flying, his body crashing through the brush, felling the trees in his way.
After landing one hundred feet away and angrily tossing the snake, he shot to his feet, charging back to her, eyes ice blue with fury. “Goddamn it, witch, no’ again!”
“It was an accident!” the witch cried, and she might have been truthful, but Bowe was beyond caring.
“All morning you’ve toyed with me, have you no’?” He stalked closer to her, letting her see a good glimpse of the beast within.
Yet after swallowing loudly and retreating several steps, she seemed to force herself to stand her ground.
He was dumbfounded that she wasn’t cowering. Battle hardened vampires recoiled in the face of a Lykae’s werewolf form, but she’d planted her boots, and she hadn’t budged.
She even raised her chin.
Cade had started hurrying down the embankment as if to protect her. The very idea made Bowe draw his lips back from his fangs. No doubt thinking his renewed fury was for her, she pulled magick into her hands. ~ Kresley Cole,#NFDB
586:You can't work in the library without going into the Old Levels," said Mirelle somberly. "At least some of the time. I wouldn't be keen on going to some parts of the Library, myself."
Lirael listened, wondering what they were talking about. The Great Library of the Clayr was enormous, but she had never heard of the Old Levels.
She knew the general layout well. The Library was shaped like a nautilus shell, a continuous tunnel that wound down into the mountain in an ever-tightening spiral. This main spiral was an enormously long, twisting ramp that took you from the high reaches of the mountain down past the level of the valley floor, several thousand feet below.
Off the main spiral, there were countless other corridors, rooms, halls, and strange chambers. Many were full of the Clayr's written records, mainly documenting the prophesies and visions of many generations of seers. But they also contained books and papers from all over the Kingdom. Books of magic and mystery, knowledge both ancient and new. Scrolls, maps, spells, recipes, inventories, stories, true tales, and Charter knew what else.
In addition to all these written works, the Great Library also housed other things. There were old armories within it, containing weapons and armor that had not been used for centuries but still stayed bright and new. There were rooms full of odd paraphernalia that no one now knew how to use. There were chambers where dressmakers' dummies stood fully clothed, displaying the fashions of bygone Clayr or the wildly different costumes of the barbaric North. There were greenhouses tended by sendings, with Charter marks for light as bright as the sun. There were rooms of total darkness, swallowing up the light and anyone foolish enough to enter unprepared.
Lirael had seen some of the Library, on carefully escorted excursions with the rest of her year gathering. She had always hankered to enter the doors they passed, to step across the red rope barriers that marked corridors or tunnels where only authorized librarians might pass. ~ Garth Nix,#NFDB
587:The Coliseum
Type of the antique Rome! Rich reliquary
Of lofty contemplation left to Time
By buried centuries of pomp and power!
At length- at length- after so many days
Of weary pilgrimage and burning thirst,
(Thirst for the springs of lore that in thee lie,)
I kneel, an altered and an humble man,
Amid thy shadows, and so drink within
My very soul thy grandeur, gloom, and glory!
Vastness! and Age! and Memories of Eld!
Silence! and Desolation! and dim Night!
I feel ye now- I feel ye in your strengthO spells more sure than e'er Judaean king
Taught in the gardens of Gethsemane!
O charms more potent than the rapt Chaldee
Ever drew down from out the quiet stars!
Here, where a hero fell, a column falls!
Here, where the mimic eagle glared in gold,
A midnight vigil holds the swarthy bat!
Here, where the dames of Rome their gilded hair
Waved to the wind, now wave the reed and thistle!
Here, where on golden throne the monarch lolled,
Glides, spectre-like, unto his marble home,
Lit by the wan light of the horned moon,
The swift and silent lizard of the stones!
But stay! these walls- these ivy-clad arcadesThese moldering plinths- these sad and blackened shaftsThese vague entablatures- this crumbling friezeThese shattered cornices- this wreck- this ruinThese stones- alas! these grey stones- are they allAll of the famed, and the colossal left
By the corrosive Hours to Fate and me?
'Not all'- the Echoes answer me- 'not all!
Prophetic sounds and loud, arise forever
From us, and from all Ruin, unto the wise,
83
As melody from Memnon to the Sun.
We rule the hearts of mightiest men- we rule
With a despotic sway all giant minds.
We are not impotent- we pallid stones.
Not all our power is gone- not all our fameNot all the magic of our high renownNot all the wonder that encircles usNot all the mysteries that in us lieNot all the memories that hang upon
And cling around about us as a garment,
Clothing us in a robe of more than glory.'
~ Edgar Allan Poe,#NFDB
588:An affective death spiral can nucleate around supernatural beliefs; especially monotheisms whose pinnacle is a Super Happy Agent, defined primarily by agreeing with any nice statement about it; especially meme complexes grown sophisticated enough to assert supernatural punishments for disbelief. But the death spiral can also start around a political innovation, a charismatic leader, belief in racial destiny, or an economic hypothesis. The lesson of history is that affective death spirals are dangerous whether or not they happen to involve supernaturalism. Religion isn’t special enough, as a class of mistake, to be the key problem. Sam Harris came closer when he put the accusing finger on faith. If you don’t place an appropriate burden of proof on each and every additional nice claim, the affective resonance gets started very easily. Look at the poor New Agers. Christianity developed defenses against criticism, arguing for the wonders of faith; New Agers culturally inherit the cached thought that faith is positive, but lack Christianity’s exclusionary scripture to keep out competing memes. New Agers end up in happy death spirals around stars, trees, magnets, diets, spells, unicorns . . . But the affective death spiral turns much deadlier after criticism becomes a sin, or a gaffe, or a crime. There are things in this world that are worth praising greatly, and you can’t flatly say that praise beyond a certain point is forbidden. But there is never an Idea so true that it’s wrong to criticize any argument that supports it. Never. Never ever never for ever. That is flat. The vast majority of possible beliefs in a nontrivial answer space are false, and likewise, the vast majority of possible supporting arguments for a true belief are also false, and not even the happiest idea can change that. And it is triple ultra forbidden to respond to criticism with violence. There are a very few injunctions in the human art of rationality that have no ifs, ands, buts, or escape clauses. This is one of them. Bad argument gets counterargument. Does not get bullet. Never. Never ever never for ever. ~ Eliezer Yudkowsky, #NFDB
589:You know, we still have like, half an hour down here. Seems a shame to waste it.”
I poked him in the ribs, and he gave an exaggerated wince. “No way, dude. My days of cellar, mill, and dungeon lovin’ are over. Go castle or go home.”
“Fair enough,” he said as we interlaced our fingers and headed for the stairs. “But does it have to be a real castle, or would one of those inflatable bouncy things work?”
I laughed. “Oh, inflatable castles are totally out of-“
I skidded to a stop on the first step, causing Archer to bump into me.
“What the heck is that?” I asked, pointing to a dark stain in the nearest corner.
“Okay, number one question you don’t want to hear in a creepy cellar,” Archer sad, but I ignored him and stepped off the staircase. The stain bled out from underneath the stone wall, covering maybe a foot of the dirt floor. It looked black and vaguely…sticky. I swallowed my disgust as I knelt down and gingerly touched the blob with one finger.
Archer crouched down next to me and reached into his pocket. He pulled out a lighter, and after a few tries, a wavering flame sprung up.
We studied my fingertip in the dim glow.
“So that’s-“
“It’s blood, yeah,” I said, not taking my eyes off my hand.
“Scary.”
“I was gonna go with vile, but scary works.”
Archer fished in his pockets again, and this time he produced a paper napkin. I took it from him and gave Lady Macbeth a run for her money in the hand-scrubbing department. But even as I attempted to remove a layer of skin from my finger, something was bugging me. I mean, something other than the fact that I’d just touched a puddle of blood.
“Check the other corners,” I told Archer.
He stood up and moved across the room. I stayed where I was, trying to remember that afternoon Dad and I had sat with the Thorne family grimoire. We’d looked at dozens of spells, but there had been one-
“There’s blood in every corner,” Archer called from the other side of the cellar. “Or at least that’s what I’m guessing it is. Unlike some people, I don’t have the urge to go sticking my fingers in it. ~ Rachel Hawkins,#NFDB
590:The Sheep-Washers' Lament
Come now, ye sighing washers all,
Join in my doleful lay,
Mourn for the times none can recall,
With hearts to grief a prey.
We'll mourn the washer's sad downfall
In our regretful strain,
Lamenting on the days gone by
Ne'er to return again.
When first I went a-washing sheep
The year was sixty-one,
The master was a worker then,
The servant was a man;
But now the squatters, puffed with pride,
They treat us with disdain;
Lament the days that are gone by
Ne'er to return again.
From sixty-one to sixty-six,
The bushman, stout and strong,
Would smoke his pipe and whistle his tune,
And sing his cheerful song,
As wanton as the kangaroo
That bounds across the plain.
Lament the days that are gone by
Ne'er to return again.
Supplies of food unstinted, good,
No squatter did withhold.
With plenty grog to cheer our hearts,
We feared nor heat nor cold.
With six-and-six per man per day
We sought not to complain.
Lament the days that are gone by
Ne'er to return again.
With perfect health, a mine of wealth,
Our days seemed short and sweet,
On pleasure bent our evenings spent,
469
Enjoyment was complete.
But now we toil from morn till night,
Though much against the grain,
Lamenting on the days gone by,
Ne'er to return again.
I once could boast two noble steeds,
To bear me on my way,
My good revolver in my belt,
I never knew dismay.
But lonely now I hump my drum
In sunshine and in rain,
Lamenting on the days gone by
Ne'er to return again.
A worthy cheque I always earned,
And spent it like a lord.
My dress a prince's form would grace.
And spells I could afford.
But now in tattered rags arrayed,
My limbs they ache with pain,
Lamenting on the days gone by,
Ne'er to return again.
May bushmen all in unity
Combine with heart and hand,
May cursed cringing poverty
Be banished from the land.
In Queensland may prosperity
In regal glory reign,
And washers in the time to come
Their vanished rights regain.
~ Banjo Paterson,#NFDB
591:Sîva
Mors Janua Vitae.
I am the God of the sensuous fire
That moulds all Nature in forms divine;
The symbols of death and of man’s desire,
The springs of change in the world, are mine;
The organs of birth and the circlet of bones,
And the light loves carved on the temple stones.
I am the lord of delights and pain,
Of the pest that killeth, of fruitful joys;
I rule the currents of heart and vein;
A touch gives passion, a look destroys;
In the heat and cold of my lightest breath
Is the might incarnate of Lust and Death.
If a thousand altars stream with blood
Of the victims slain by the chanting priest,
Is a great God lured by the savoury food?
I reck not of worship, or song, or feast;
But that millions perish, each hour that flies,
Is the mystic sign of my sacrifice.
Ye may plead and pray for the millions born;
They come like dew on the morning grass;
Your vows and vigils I hold in scorn,
The soul stays never, the stages pass;
All life is the play of the power that stirs
In the dance of my wanton worshippers.
And the strong swift river my shrine below
It runs, like man, its unending course
To the boundless sea from eternal snow;
Mine is the Fountain—and mine the Force
That spurs all nature to ceaseless strife;
And my image is Death at the gates of Life.
In many a legend and many a shape,
In the solemn grove and the crowded street,
I am the Slayer, whom none escape;
I am Death trod under a fair girl’s feet;
I govern the tides of the sentient sea
That ebbs and flows to eternity.
And the sum of the thought and the knowledge of man
Is the secret tale that my emblems tell;
Do ye seek God’s purpose, or trace his plan?
Ye may read your doom in my parable:
For the circle of life in its flower and its fall
Is the writing that runs on my temple wall.…
Let my temples fall, they are dark with age,
Let my idols break, they have stood their day;
On their deep hewn stones the primeval sage
Has figured the spells that endure alway;
My presence may vanish from river and grove,
But I rule for ever in Death and Love.
~ Alfred Comyn Lyall,#NFDB
592:I heard or seemed to hear the chiding Sea
Say, Pilgrim, why so late and slow to come?
Am I not always here, thy summer home?
Is not my voice thy music, morn and eve?
My breath thy healthful climate in the heats,
My touch thy antidote, my bay thy bath?
Was ever building like my terraces?
Was ever couch magnificent as mine?
Lie on the warm rock-ledges, and there learn
A little hut suffices like a town.
I make your sculptured architecture vain,
Vain beside mine. I drive my wedges home,
And carve the coastwise mountain into caves.
Lo! here is Rome and Nineveh and Thebes,
Karnak and Pyramid and Giant's Stairs
Half piled or prostrate; and my newest slab
Older than all thy race.
Behold the Sea,
The opaline, the plentiful and strong,
Yet beautiful as is the rose in June,
Fresh as the trickling rainbow of July;
Sea full of food, the nourisher of kinds,
Purger of earth, and medicine of men;
Creating a sweet climate by my breath,
Washing out harms and griefs from memory,
And, in my mathematic ebb and flow,
Giving a hint of that which changes not.
Rich are the sea-gods:who gives gifts but they?
They grope the sea for pearls, but more than pearls:
They pluck Force thence, and give it to the wise.
For every wave is wealth to Ddalus,
Wealth to the cunning artist who can work
This matchless strength. Where shall he find, O waves!
A load your Atlas shoulders cannot lift?
I with my hammer pounding evermore
The rocky coast, smite Andes into dust,
Strewing my bed, and, in another age,
Rebuild a continent of better men.
Then I unbar the doors: my paths lead out
The exodus of nations: I dispersed
Men to all shores that front the hoary main.
I too have arts and sorceries;
Illusion dwells forever with the wave.
I know what spells are laid. Leave me to deal
With credulous and imaginative man;
For, though he scoop my water in his palm,
A few rods off he deems it gems and clouds.
Planting strange fruits and sunshine on the shore,
I make some coast alluring, some lone isle,
To distant men, who must go there, or die.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Seashore
,#NFDB
593:Runach didn't consider himself particularly dull, but he had to admit he was baffled. "Then what now?"
"What do you mean, what now?" Weger echoed in disbelief. "Do what is necessary! Bloody hell, man, must I instruct you in every bloody step? Take your mighty magic and heal her!"
Runach blinked. "What in the world are you talking about?"
Weger threw up his hands in frustration. "Heal her, you fool! Use Fadaire or whatever elvish rot comes first to mind."
"I have no magic."
"Of course you have magic--" Weger stopped suddenly. "You what?"
"I have no magic," Runach repeated, through gritted teeth. "My father took it at the well."
Weger looked suddenly as if he needed to sit down. "Bloody hell," he said faintly. He sagged back against the door. "I had no idea"
Weger rubbed his hands over his face and indulged in a selection of very vile curses. "Damn it," he said, finally. He looked at Runach. "What are we to do now?"
"If magic will work here" Runach said, "why don't you use yours?"
Weger folded his arms over his chest. "I haven't used a word of magic in over three hundred years!"
"No time like the present to dust it off then, is there?"
Weger hesitated. Runach suspected it was the first time in those same three centuries the man had done so. He considered, then looked at Runach.
"I could," he said, sounding as if the words had been dragged from him by a thousand irresistible spells, "but I have no elegant magic."
Runach shrugged. "Then use Wexham."
"It will leave a scar."
"I don't think she'll care."
"It will leave a very large, ugly scar," Weger amended.
"Then use Camanae or Fadaire," Runach suggested.
"And have my mouth catch on fire? You ask too much."
Runach looked at him seriously. "I honestly don't care what you use, as long as you save her life. Whilst you still can."
Weger looked as if his fondest wish was to turn and flee. But he apparently wasn't the master of Gobhann because he was a coward. He took a deep breath, cursed fluently, then knelt down. Runach listened to him spit out an eminently useful spell of Croxteth, then follow that bit of healing with a very long string of curses in which Lothar of Wychweald and Runach's own father figured prominently. ~ Lynn Kurland,#NFDB
594:Fennel Spell Hang fennel from doors and windows to ward off evil energy and entities. Fiery Wall of Protection Spells Fiery Wall of Protection is among the most famous classic condition formulas. Its name invokes the power of Archangel Michael’s protective flaming sword. The formula may be consecrated to the archangel. Fiery Wall’s basic ingredients include such powerful protective agents as salt, frankincense and myrrh. Its red color, the color of protection, derives from dragon’s blood powder. See the Formulary for specific instructions: the dried powder may be used as incense or magic powder. When the powder is added to oil, Fiery Wall of Protection Oil is created. Fiery Wall of Protection Spell (1) Candle Carve a red or white candle with your name, identifying information, hopes, and desires. Dress it with Fiery Wall of Protection Oil and burn. Consecrate the candle to the Archangel Michael if desired. Fiery Wall of Protection Spell (2) Extra-strength Mojo Place a handful of Fiery Wall of Protection Powder in a charm bag. Drizzle it with Fiery Wall of Protection Oil and Protection Oil. Add a medallion depicting Michael the Archangel and/or a tiny doll-sized sword: a fancy tooth pick works well. Carry it in your pocket. Replace the powder weekly, dressing with fresh oil. Cleanse, charge, and consecrate the charms as needed. Fiery Wall of Protection Spell (3) Incense Protect against a threatened curse by burning Fiery Wall of Protection Powder as incense. To intensify the protection, add powdered agrimony and/or vervain. Fiery Wall of Protection Spell (4) Powder Circle Cast a circle of Fiery Wall of Protection Powder around yourself, your home, or whatever needs protection. Envision a circle of enchanted flames magically surrounding and protecting you, something like the magic fire encircling The Ring of the Nibelung’s valkyrie swan-maiden Brunhilde: the flames are cool and won’t harm those whom they protect yet serve as a burning boundary preventing the entrance of all evil. Stay within the circle for as long as necessary. Carry the powder within a charm bag so that circles and boundary lines may be spontaneously cast as needed. Fiery Wall of Protection Spell (5) Quick Fix Soak a cotton ball in Fiery Wall of Protection Oil and carry it in your pocket or tucked into your bra. ~ Judika Illes, #NFDB
595:Sunlight And Sea
Give me the sunlight and the sea
And who shall take my heaven from me?
Light of the Sun, Life of the Sun,
O happy, bold companion,
Whose golden laughters round me run,
Making wine of the blue air
With wild-rose kisses everywhere,
Browning the limb, flushing the cheek,
Apple-fragrant, leopard-sleek,
Dancing from thy red-curtained East
Like a Nautch-girl to my feast,
Proud because her lord, the Spring,
Praised the way those anklets ring;
Or wandering like a white Greek maid
Leaf-dappled through the dancing shade,
Where many a green-veined leaf imprints
Breast and limb with emerald tints,
That softly net her silken shape
But let the splendour still escape,
While rosy ghosts of roses flow
Over the supple rose and snow.
But sweetest, fairest is thy face,
When we meet, when we embrace,
Where the white sand sleeps at noon
Round that lonely blue lagoon,
Fringed with one white reef of coral
Where the sea-birds faintly quarrel
And the breakers on the reef
Fade into a dream of grief,
And the palm-trees overhead
Whisper that all grief is dead.
Sister Sunlight, lead me then
Into thy healing seas again....
For when we swim out, side by side,
Like a lover with his bride,
When thy lips are salt with brine,
89
And thy wild eyes flash in mine,
The music of a mightier sea
Beats with my blood in harmony.
I breast the primal flood of being,
Too clear for speech, too near for seeing;
And to his heart, new reconciled,
The Eternal takes his earth-bound child.
Who the essential secret spells
In those gigantic syllables,-Flowing, ebbing, ebbing, flowing,-Gathers wisdom past all knowing.
Song of the Sea, I hear, I hear,
That deeper music of the sphere,
Catch the rhythm of sun and star,
And know what light and darkness are;
Ay, faint beginnings of a rhyme
That swells beyond the tides of time;
Beat with thy rhythm in blood and breath,
And make one song of life and death.
I hear, I hear, and rest content,
Merged in the primal element,
The old element whence life arose,
The fount of youth, to which it goes.
Give me the sunlight and the sea
And who shall take my heaven from me?
~ Alfred Noyes,#NFDB
596:Get used to it. The weather may feel like science fiction, but the science underlying it is very real and mundane. It takes only a small increase in global average temperatures to have a big effect on weather, because what drives the winds and their circulation patterns on the surface of the earth are differences in temperature. So when you start to change the average surface temperature of the earth, you change the wind patterns—and then before you know it, you change the monsoons. When the earth gets warmer, you also change rates of evaporation—which is a key reason we will get more intense rainstorms in some places and hotter dry spells and longer droughts in others. How can we have both wetter and drier extremes at the same time? As we get rising global average temperatures and the earth gets warmer, it will trigger more evaporation from the soil. So regions that are already naturally dry will tend to get drier. At the same time, higher rates of evaporation, because of global warming, will put more water vapor into the atmosphere, and so areas that are either near large bodies of water or in places where atmospheric dynamics already favor higher rates of precipitation will tend to get wetter. We know one thing about the hydrologic cycle: What moisture goes up must come down, and where more moisture goes up, more will come down. Total global precipitation will probably increase, and the amount that will come down in any one storm is expected to increase as well—which will increase flooding and gully washers. That’s why this rather gentle term “global warming” doesn’t capture the disruptive potential of what lies ahead. “The popular term ‘global warming’ is a misnomer,” says John Holdren. “It implies something uniform, gradual, mainly about temperature, and quite possibly benign. What is happening to global climate is none of those. It is uneven geographically. It is rapid compared to ordinary historic rates of climatic change, as well as rapid compared to the adjustment times of ecosystems and human society. It is affecting a wide array of critically important climatic phenomena besides temperature, including precipitation, humidity, soil moisture, atmospheric circulation patterns, storms, snow and ice cover, and ocean currents and upwellings. And its effects on human well-being are and undoubtedly will remain far more negative than positive. A more accurate, albeit more cumbersome, label than ‘global warming’ is ‘global climatic disruption.’ ~ Thomas L Friedman, #NFDB
597:I know a charm that can cure pain and sickness, and lift the grief from the heart of the grieving. “I know a charm that will heal with a touch. “I know a charm that will turn aside the weapons of an enemy. “I know another charm to free myself from all bonds and locks. “A fifth charm: I can catch a bullet in flight and take no harm from it.” His words were quiet, urgent. Gone was the hectoring tone, gone was the grin. Wednesday spoke as if he were reciting the words of a religious ritual, as if he were speaking something dark and painful. “A sixth: spells sent to hurt me will hurt only the sender. “A seventh charm I know: I can quench a fire simply by looking at it. “An eighth: if any man hates me, I can win his friendship. “A ninth: I can sing the wind to sleep and calm a storm for long enough to bring a ship to shore. “Those were the first nine charms I learned. Nine nights I hung on the bare tree, my side pierced with a spear’s point. I swayed and blew in the cold winds and the hot winds, without food, without water, a sacrifice of myself to myself, and the worlds opened to me. “For a tenth charm, I learned to dispel witches, to spin them around in the skies so that they will never find their way back to their own doors again. “An eleventh: if I sing it when a battle rages it can take warriors through the tumult unscathed and unhurt, and bring them safely back to their hearth and their home. “A twelfth charm I know: if I see a hanged man I can bring him down from the gallows to whisper to us all he remembers. “A thirteenth: if I sprinkle water on a child’s head, that child will not fall in battle. “A fourteenth: I know the names of all the gods. Every damned one of them. “A fifteenth: I have a dream of power, of glory, and of wisdom, and I can make people believe my dreams.” His voice was so low now that Shadow had to strain to hear it over the plane’s engine noise. “A sixteenth charm I know: if I need love I can turn the mind and heart of any woman. “A seventeenth, that no woman I want will ever want another. “And I know an eighteenth charm, and that charm is the greatest of all, and that charm I can tell to no man, for a secret that no one knows but you is the most powerful secret there can ever be.” He sighed, and then stopped talking. Shadow could feel his skin crawl. It was as if he had just seen a door open to another place, somewhere worlds away where hanged men blew in the wind at every crossroads, where witches shrieked overhead in the night. ~ Neil Gaiman, #NFDB
598:The Sphinx
THIS mystery of golden hair,
Of eyes and lips and bosom fair,
Is not--if one could really see-Mere flesh and blood, like you and me:
This is a sphinx whose still lips say
This one thing ever, day by day,
To all who cross her in life's ways:
'Which is the way to love?' she says.
For every man who meets her eyes
In their deep depths the question lies;
And vainly would he seek to fly
Or put the wordless challenge by,
Unless within his soul be set
Some true-love vow as amulet:
This clasping, let him flee her spell,
Nor trust its guardian powers too well.
Nothing seems good to think about
But just to find that secret out;
We bring her fruits of earnest hours,
And offer choice of passion-flowers,
Of crowns, of heart's blood, of heart's ache,
Our hopes we spurn, our joys forsake,
While she looks down upon our pain
Without compassion or disdain.
She does not will to question thus-Fate made her just to torture us;
Nor can she tell you, if she will,
Aught of your guesses, good or ill.
But if you fail to answer well,
Your own foiled heart prepares your hell,
And all your days you walk alone,
And curse the done and the undone.
389
She does not bid you for her sake
Your soul to wreck, your life to break,
Nor would she choose it for her part.
Only for ever in your heart
The haunting question must abide,
And clamour morn and eventide,
Until no single note your ear
Of all life's harmonies can hear.
Yet to some man it will be given
To find the key that opens heaven;
For him, beloved by all the Fates,
Answer as well as question waits
In those unwakened eyes of hers,
And when their calm that answer stirs,
From her stone sleep the sphinx will wake
Into a woman, for his sake.
What though one's whole life's light grows night
With that unanswered question's blight?
One's one poor chance is richly worth
The richest certainties of earth!
Myself would rather die, I know-Starved, just because I want her so-Than feast in highest heaven of bliss
On any other woman's kiss.
Such spells she has, I would not choose
One look or touch of hers to lose,
Though every touch and look have power
To sting me to my dying hour;
Though every breath of hers should bring
Frost on life's bud and blossoming,
What soul could ask a dearer death
Than to be withered by her breath?
~ Edith Nesbit,#NFDB
599:Was this how you were going to awaken the creatures?"
Machiavelli,clutching the bars of his cell,smiled but said nothing.
Virginia stood in front of Dee and stared into his eyes,using herwill to calm him down. "So you tried to use the pages to awaken the cratures.Tell me what happened."
Dee jabbed a finger into the nearest cell. It was empty. Virginia stepped closer and discovered the pile of white dust in the corner.
"I don't even know what was in the cell-some winged monstrosity.Giant vampire bat,I think.I said the words,and the creature opened its eyes and immediately crumbled to dust."
"Maybe you said a word wrong?" Virginia suggested. She plucked a scrap of paper from Josh's hands. "I mean,it looks difficult."
"I am fluent," Dee snapped.
"He is," Machiavelli said, "I will give him that.And his accent is very good too, though not quite as good as mine."
Dee spun back to the cell holding Machiavelli. "Tell me what went wrong."
Machiavelli seemed to be considering it; then he shook his head. "I don't think so."
Dee jerked his thumb at the sphinx. "Right now she's absorbing your aura,ensuring that you cannot use any spells against me. But she'll be just as happy eating your flesh.Isn't that true?"he said, looking up into the crature's female face.
"Oh,I love Italian," she rumbled. She stepped away from Dee and dipped her head to look into the opposite cell. "Give me this one," she said,nodding at Billy the Kid. "He'll make a tasty snack." Her long black forked tongue flickered in the air before the outlaw, who immediately grabbed it,jerked it forward and allowed it to snap back like an elastic band. She screamed,coughed, and squawked all at the same time.
Billy grinned."I'll make sure I'll choke you on the way down."
"It might be difficult to do that if you have no arms," the sphinx said thickly,working her tongue back and forth.
"I'll still give you indigestion."
Dee looked at Machiavelli. "Tell me," he said again, "or I will feed your young American friend to the beast."
"Tell him nothing," Billy yelled.
"This is one of those occasions when I am in agreement with Billy.I am going to tell you nothing."
The Magician looked from one side of the cell to the other. Then he looked at Machiavelli."What happened to you? You were one of the Dark Elders' finest agents in this Shadowrealm. There were times you even made me look like an amateur."
"John,you were always an amateur." Machiavelli smiled."Why, look at the mess you're in now. ~ Michael Scott,#NFDB
600:On Mr. Milton's Paradise Lost
When I beheld the Poet blind, yet bold,
In slender Book his vast Design unfold,
Messiah Crown'd, Gods Reconcil'd Decree,
Rebelling Angels, the Forbidden Tree,
Heav'n, Hell, Earth, Chaos, All; the Argument
Held me a while misdoubting his Intent,
That he would ruine (for I saw him strong)
The sacred Truths to Fable and old Song,
(So Sampson groap'd the Temples Posts in spight)
The World o'rewhelming to revenge his Sight.
Yet as I read, soon growing less severe,
I lik'd his Project, the success did fear;
Through that wide Field how he his way should find
O're which lame Faith leads Understanding blind;
Lest he perplext the things he would explain,
And what was easie he should render vain.
Or if a Work so infinite he spann'd,
Jealous I was that some less skilful hand
(Such as disquiet alwayes what is well,
And by ill imitating would excell)
Might hence presume the whole Creations day
To change in Scenes, and show it in a Play.
Pardon me, Mighty Poet, nor despise
My causeless, yet not impious, surmise.
But I am now convinc'd, and none will dare
Within thy Labours to pretend a Share.
Thou hast not miss'd one thought that could be fit,
And all that was improper dost omit:
So that no room is here for Writers left,
But to detect their Ignorance or Theft.
That Majesty which through thy Work doth Reign
Draws the Devout, deterring the Profane.
And things divine thou treats of in such state
As them preserves, and Thee in violate.
At once delight and horrour on us seize,
Thou singst with so much gravity and ease;
And above humane flight dost soar aloft,
With Plume so strong, so equal, and so soft.
The Bird nam'd from that Paradise you sing
110
So never Flags, but alwaies keeps on Wing.
Where couldst thou Words of such a compass find?
Whence furnish such a vast expense of Mind?
Just Heav'n Thee, like Tiresias, to requite,
Rewards with Prophesie thy loss of Sight.
Well might thou scorn thy Readers to allure
With tinkling Rhime, of thy own Sense secure;
While the Town-Bays writes all the while and spells,
And like a Pack-Horse tires without his Bells.
Their Fancies like our bushy Points appear,
The Poets tag them; we for fashion wear.
I too transported by the Mode offend,
And while I meant to Praise thee, must Commend.
Thy verse created like thy Theme sublime,
In Number, Weight, and Measure, needs not Rhime.
~ Andrew Marvell,#NFDB
601:Red: Maintaining health, bodily strength, physical energy, sex, passion, courage, protection, and defensive magic. This is the color of the element of fire. Throughout the world, red is associated with life and death, for this is the color of blood spilled in both childbirth and injury. Pink: Love, friendship, compassion, relaxation. Pink candles can be burned during rituals designed to improve self-love. They’re ideal for weddings and for all forms of emotional union. Orange: Attraction, energy. Burn to attract specific influences or objects. Yellow: Intellect, confidence, divination, communication, eloquence, travel, movement. Yellow is the color of the element of air. Burn yellow candles during rituals designed to heighten your visualization abilities. Before studying for any purpose, program a yellow candle to stimulate your conscious mind. Light the candle and let it burn while you study. Green: Money, prosperity, employment, fertility, healing, growth. Green is the color of the element of earth. It’s also the color of the fertility of the earth, for it echoes the tint of chlorophyll. Burn when looking for a job or seeking a needed raise. Blue: Healing, peace, psychism, patience, happiness. Blue is the color of the element of water. This is also the realm of the ocean and of all water, of sleep, and of twilight. If you have trouble sleeping, charge a small blue candle with a visualization of yourself sleeping through the night. Burn for a few moments before you get into bed, then extinguish its flame. Blue candles can also be charged and burned to awaken the psychic mind. Purple: Power, healing severe diseases, spirituality, meditation, religion. Purple candles can be burned to enhance all spiritual activities, to increase your magical power, and as a part of intense healing rituals in combination with blue candles. White: Protection, purification, all purposes. White contains all colors. It’s linked with the moon. White candles are specifically burned during purification and protection rituals. If you’re to keep but one candle on hand for magical purposes, choose a white one. Before use, charge it with personal power and it’ll work for all positive purposes. Black: Banishing negativity, absorbing negativity. Black is the absence of color. In magic, it’s also representative of outer space. Despite what you may have heard, black candles are burned for positive purposes, such as casting out baneful energies or to absorb illnesses and nasty habits. Brown: Burned for spells involving animals, usually in combination with other colors. A brown candle and a red candle for animal protection, brown and blue for healing, and so on. ~ Scott Cunningham, #NFDB
602:Are you Countless of Tlanth?” she asked as I dismounted.
I nodded, and she bustled over to a friend, handed off the horse, then beckoned me inside. “I’m to show you to the south parlor, my lady.”
Muddy to the eyebrows, I squelched after her up a broad stair into a warm, good-smelling hallway. Genial noise smote me from all directions, and people came and went. But my guide threaded her way through, then indicated a stairway with a fine mosaic rail, and pointed. “Top, right, all across the back is where your party will be,” she said. “Parlor’s through the double door.” She curtsied and disappeared into the crowd.
I trod up the stairs, making wet footprints on the patterned carpet at each step. The landing opened onto a spacious hallway.
I turned to the double doors, which were of foreign plainwood, and paused to admire the carving round the latch, and the painted pattern of leaves and blossoms worked into it. Then I opened one, and there in the middle of a lovely parlor was Shevraeth. He knelt at a writing table with his back to a fire, his pen scratching rapidly across a paper.
He glanced up inquiringly. His hair seemed damp, but it wasn’t muddy, and his clothing looked miraculously dry.
I gritted my teeth, crossed my arms, and advanced on him, my cold-numbed lips poonched out below what I knew was a ferocious glare.
Obviously on the verge of laughter, he raised his quill to stop me. “As the winner,” he murmured, “I choose the time and place.”
“You cheated,” I said, glad enough to have the embarrassment postponed.
“If you had waited, I would have shown you that shortcut,” he retorted humorously.
“It was a trick,” I snarled. “And as for your wager, I might as well get it over now.”
He sat back, eyeing me. “Wet as you are--and you have to be cold--it’d feel like kissing a fish. We will address this another time. Sit down and have some cider. It’s hot, just brought in. May I request your opinion of that?” He picked up a folded paper and tossed it in my direction. He added, with a faint smile, “Next time you’ll have to remember to bring extra gear.”
“How come you’re not all soggy?” I asked as I set aside my sodden hat and waterlogged riding gloves.
He indicated the black cloak, which was slung over a candle sconce on the wall, and the hat and gloves resting on a side table. “Water-resistant spells. Expensive, but eminently worthwhile.”
“That’s what we need in Remalna,” I said, kneeling on the cushions opposite him and pouring out spicy-smelling cider into a porcelain cup painted with that same leaf-and-blossom theme. “A wizard.”
Shevraeth laid his pen down. “I don’t know,” he said. “A magician is not like a tree that bears fruit for all who want it and demands nothing in return. A wizard is human and will have his or her own goals.”
“And a way of getting them that we couldn’t very well stand against,” I said. “All right. No wizard. But I shall get me one of those cloaks. ~ Sherwood Smith,#NFDB
603:The Woman At The Cross-Roads
(Her lover speaks.)
AN equal love between a man and woman,
This is the only charm to set us free,
And this the only omen
Of immortality.
Only for us the long, long war is over
Between our aspiring spirits,
And all the flesh inherits,
Because, dear saint, your soul no less
Has got a lover,
Than has your body's long slim loveliness.
Ah, my beloved, think not renunciation
Of such a love as ours
Will bring you any strengthening of your powers,
Or calm, or dignity, or peace of mind
To be compared with that which you will find
In love's full consummation.
Talk not to me of other, older ties,
Of duty, and of narrower destinies,
Nor bid me see that we have met too late,
While we have lips and eyes
To kiss and call;
But rather thank our fate,
For this mad gift - that we have met at all.
Come to me then. Ah, must I bid you come?
Your heart is mine. Is then your will so loath?
Leave him from whom your spirit long since fled,
Whose house is not your home; your only home,
Although the same roof never cover both,
Is where I am, until we both are dead.
(Her child speaks.)
Why do you look at me with such a shade
Upon your eyes, so still and steadily?
I am not naughty, but I am afraid;
I know not why.
The world is huge and puzzling and perverse -
103
Even my nurse,
When most my heart is stirred,
Will put me by, with some complacent word;
Or, if she listens, in a little while
Babbles my deepest secret with a smile,
My mother, oh my mother, only you
Are kind and just and honorable and true.
Others are fond, others will play and sing,
Will kiss me, or will let me kiss and cling;
But only you, my mother, comprehend
How little children feel and love the truth;
Only you cherish like an equal friend
The shy and tragic dignity of youth.
(the woman answers her lover.)
All my life long, I think I dreamed of this.
Even as a girl, my visions were of you.
Alas, I grew incredulous of bliss;
And now too late, too late, the dream comes true.
Sweet are the charms you offer me, my lover,
To read the riddle of the universe,
And in your arms I should not soon discover
Our old, old mortal curse.
And yet I put them by, because I trust
In other magic, far beyond the ken,
Even of you, the tenderest of men,
In spells more permanent than any sorrow,
Which bind me to the past, and make to-morrow
My own, although I sleep it through in dust,
The revelation which to every woman
Her children bring,
Making her one not only with things human, With every living thing,
For only mothers raise no passionate cry
Against mortality;
For only they have learned the reason why
It is worth while to live; and presently,
Seeing nature's meaning, are content to die.
~ Alice Duer Miller,#NFDB
604:Wordsworth
LOFTY and strenuous of sentiment
But narrow and partial in its scope and bent,
And thence the bigot of a local set
Of habitudes, meshed round him like a net.
Hence too his intellect, though large it be
By nature, hath one prime deficiency,—
Of moral difference that broad view which leads
The steps of thought beyond the snares of creeds
And circles of opinion, whether they
Be of the Old Time or of yesterday.
Hence too his narrow bias, I suspect,
Even in poesy to attempt a sect.
Still as a Poet he is great and rare,
A King of Thought upon the peak of bare
And rigid majesty, for power immense
Enthroned for ever! And in spirit thence,—
Thence let him waft us on a white-wing’d dream
Within the murmur of some profluent stream,
And there, just whither a dim line of brakes
In the remotest haze of distance shakes,
On his lone rounds let Peter Bell be seen,—
Seen o’er the White Doe on the herbage green
Heard breathing where she lies, and near her there
“The oldest seeming man that ever wore grey hair.”
Then shall we find him verily a Seer
Of Nature’s myst’ries, simple and severe.
With what a plenitude of pure delight
He triumphs on the mountain’s cloudy height,
With what a gleeful harmony of joy
He wanders down the vale “as happy as a boy!”
How in his verse, each picture-pregnant phrase
Full to the eye some given shape conveys,
And thus though in the jarring city pent
Through him we reach the country and content.
Fond Memory apprehends with gladdened eyes
All that is richest in each wilding’s dyes
283
As blending with the beauty and the grace
Of some bright advent of our happier days—
Hears through the sway of greenest boughs, as heard
Even then, the far voice of some favourite bird,
The murmurous industry of bees, the low
Responsive throbs of Echo throbbing slow
Out of some lonely dell, as to the tread
Of our own feet in days for ever fled!
Then of some brook that gushes in his lines
Glad Fancy drinks or on the bank reclines,
While of far cloud, grey rock and ancient tree
The dusky shadows on the page we see:
Yea, the air sweetens as the spells prevail
And our locks seem to wave as in a mountain gale!
Still there remains to tell the charm serene
Wherewith this Bard most sanctifies the scene:
’Tis that with eyes of love he’s quick to find
In all its forms meet ministers of Mind
And that with the rare wealth of his own heart
As with a golden chain he interlinks each part.
But vainly the fond spirit of youth may look
For its peculiar food in Wordsworth’s book,
Where Passion is but introduced to wear
A vestal’s tenderness, demure as fair:
Not as to see it the new soul desires,
In all the splendour of its tragic fires,
Or, at the least, in all the bright distress
And rosy beauty of its wilfulness!
~ Charles Harpur,#NFDB
605:The Trucker
IF YOU want a game to tame you and to take your measure in,
Try a week or two of trucking in a mine
Where the rails are never level for a half-a-minute’s spin,
And the curves are short and sharp along the line.
Try the feverish bottom level, down five hundred feet of shaft,
Where the atmosphere is like a second suit,
When the wash is full of water, and you’ve got to run the graft,
For there’s forty ton of gravel in the shoot.
‘Want a job o’ truckin’, dost tha?’ says the boss, old Geordie Rist,
Shift’s a trucker short, ma lad, but aw don’ know—
Can’st tha do th’ work, though, think’st tha? Art a pretty decent fist?
Eh, well, damme! thoo can try it; go below.’
So the cage is manned, the knocker clangs and clatters on the brace,
The engine draws a deep, defiant breath
To inflate her lungs of iron; and in silence, face to face,
We drop into the darkness deep as death.
Then a fairy sense of lightness and of floating on the night,
A sudden glare, and Number Three is passed;
Soon a sound of warring waters and another rush of light—
‘All clear!’ The up-trip never seems so fast.
It is rough upon the tyro, that first tussle with the trucks—
The wretched four, with worn, three-cornered wheels
That are sure to fall to his lot and to floor him if his pluck’s
Not true when mates are grinding at his heels.
Then the struggle at the incline, and the deuced ticklish squeeze
At the curves where strength alone not all avails,
And the floundering in the mullock, and the badly-broken knees
Before he learns to run upon the rails.
But it’s like all other grafting, and the man that has the grit
Won’t tucker out with one back-racking shift;
When he’s sweated to condition, with his muscles firm and fit,
He’ll disdain to stick at seven trucks of drift.
163
He can swarm around the pinches with a scramble and a dash,
And negotiate the inclines just as pat;
And the sheets of iron rattle and the waters surge and splash
As he shoots the 'full ’uns' in along the plat.
When the empties wind and clatter down the drive and through the dark—
As ‘blowing’ spells those backward journeys serve—
On before, deep set in darkness, glints and glows a feeble spark,
The candle burning dimly at the curve.
After cribs are polished off, and when the smoke begins to rise
And cling about the caps and in the cracks,
There’s a passing satisfaction in the patriarchal lies
Of the Geordie pioneers and Cousin Jacks—
Lanky Steve’s unwritten stories of the fun of Fifty-two,
Or the dashing days at Donkey Woman’s Flat,
Of traps, and beaks, and heavy yields, and pugilists put through,
And lifting up the flag at Ballarat.
Yes, the truckers’ toil is rather heavy grafting as a rule—
Much heavier than the wages, well I know;
But the life’s not full of trouble, and the fellow is a fool
Who cannot find some pleasure down below.
~ Edward George Dyson,#NFDB
606:SLEIGHT OF MIND IN ILLUMINATION
Only those forms of illumination which lead to useful behaviour changes deserve to be known as such. When I hear the word "spirituality", I tend to reach for a loaded wand. Most professionally spiritual people are vile and untrustworthy when off duty, simply because their beliefs conflict with basic drives and only manage to distort their natural behaviour temporarily. The demons then come screaming up out of the cellar at unexpected moments.
When selecting objectives for illumination, the magician should choose forms of self improvement which can be precisely specified and measured and which effect changes of behaviour in his entire existence. Invocation is the main tool in illumination, although enchantment where spells are cast upon oneselves and divination to seek objectives for illumination may also find some application.
Evocation can sometimes be used with care, but there is no point in simply creating an entity that is the repository of what one wishes were true for oneself in general. This is a frequent mistake in religion. Forms of worship which create only entities in the subconscious are inferior to more wholehearted worship, which, at its best, is pure invocation. The Jesuits "Imitation of Christ" is more effective than merely praying to Jesus for example.
Illumination proceeds in the same general manner as invocation, except that the magician is striving to effect specific changes to his everyday behaviour, rather than to create enhanced facilities that can be drawn upon for particular purposes. The basic technique remains the same, the required beliefs are identified and then implanted in the subconscious by ritual or other acts. Such acts force the subconscious acquisition of the beliefs they imply.
Modest and realistic objectives are preferable to grandiose schemes in illumination.
One modifies the behaviour and beliefs of others by beginning with only the most trivial demands. The same applies to oneselves. The magician should beware of implanting beliefs whose expression cannot be sustained by the human body or the environment. For example it is possible to implant the belief that flight can be achieved without an aircraft. However it has rarely proved possible to implant this belief deeply enough to ensure that such flights were not of exceedingly short duration. Nevertheless such feats as fire-walking and obliviousness to extreme pain are sometimes achieved by this mechanism.
The sleight of mind which implants belief through ritual action is more powerful than any other weapon that humanity possesses, yet its influence is so pervasive that we seldom notice it. It makes religions, wars, cults and cultures possible. It has killed countless millions and created our personal and social realities. Those who understand how to use it on others can be messiahs or dictators, depending on their degree of personal myopia. Those who understand how to apply it to themselves have a jewel beyond price if they use it wisely; otherwise they tend to rapidly invoke their own Nemesis with it. ~ Peter J Carroll, Liber Kaos,#NFDB
607:What did he do?”
I whipped around, startled. I had been so immersed in my own thoughts that I hadn’t even noticed Philantha standing into the doorway to one of the sitting rooms.
“Pardon?”
“Well, in my experience, it’s usually the man who bumbles about causing most of the problems in relationships of romance,” she said. “So, naturally, I assumed that your young man has done or said or thought something that caused you to come bursting in like a hurricane. Am I correct?”
I shook my head so violently the braid coiled around my head threatened to come loose. “We’re not in a…relationship of romance. He’s just my friend.”
Philantha made a sound surprisingly like a snicker. “Truly?” she asked. “I suppose that’s why he’s been with you most evenings.”
“Like I said, we’re friends. And we haven’t seen each other in a long time.”
She raised an eyebrow. “I may not care about it--or at least I didn’t, until recently--but I do hear some of the court gossip when I visit the college. The noble students, they bring it with them, you know. And one of the stories is how the Earl of Rithia and his wife are scrambling to find eligible matches for their son.”
I felt suddenly dizzy for no reason, and a hot flush--disturbingly like the jealous feeling I had experienced at the inn--rushed through me. “Matches?” I repeated.
“Girls, young women, marriageable prospects. Strange, how suddenly they started. Right after the princess came back, it’s been noted. As if they had had hope for another match before, and it was ruined.”
“Me?” I asked. “People think Kiernan’s parents wanted him to marry me? That’s…ridiculous. Princesses don’t marry earls--a duke, maybe, but not an earl, not unless he’s foreign and brings some grand alliance. And besides, we’re just--”
“Friends,” Philantha finished. “I know. That’s what you keep saying.” She eyed me, before saying, “They haven’t had much luck, though, from the gossip. He’s polite to everyone they trot out, but nothing more. But that’s neither here nor there, since you don’t love him.”
I glared at her, my face and chest still filled with that rush of heat.
“In fact, he’s made you angry, hasn’t he?”
“He did. Well, I said…Yes, we fought. He says that Na--the princess--wants to see me. And I told him that he couldn’t bring her to me, that I didn’t want to see her. He said that if she asked, he would have to. But he’s wormed his way out of stickier situations than that. He could find a way to avoid it, if he wanted to.”
“Then perhaps he doesn’t want to,” Philantha answered before gliding away up the stairs and out of sight.
I had plenty of time to mull over Philantha’s words, because I didn’t see Kiernan for the next three days. It was the longest we had been parted since I returned to the city, and even through my anger at him it drove me to distraction. I mangled my spells even worse than usual, spilled ink, and tripped so frequently that Philantha threatened to call Kiernan to the house herself and turn him into a sparrow if we didn’t make up. Her eyes glinted dangerously when she said it, and only that was enough to force away a bit of my muddleheadedness. ~ Eilis O Neal,#NFDB
608:Studentdom, he felt, must pass its own Examinations and define its own Commencement--a slow, most painful process, made the more anguishing by bloody intelligences like the Bonifacists of Siegfrieder College. Yet however it seemed at times that men got nowhere, but only repeated class by class the mistakes of their predecessors, two crucial facts about them were at once their hope and the limitation of their possibility, so he believed. One was their historicity: the campus was young, the student race even younger, and by contrast with the whole of past time, the great collegiate cultures had been born only yesterday. The other had to do with comparative cyclology, a field of systematic speculation he could not review for me just then, but whose present relevance lay in the correspondency he held to obtain between the life-history of individuals and the history of studentdom in general. As the embryologists maintained that ontogeny repeats phylogeny, so, Max claimed, the race itself--and on a smaller scale, West-Campus culture--followed demonstrably--in capital letters, as it were, or slow motion--the life-pattern of its least new freshman. This was the basis of Spielman's Law--ontogeny repeats cosmogeny--and there was much more to it and to the science of cyclology whereof it was first principle. The important thing for now was that, by his calculations, West-Campus as a whole was in mid-adolescence...
'Look how we been acting,' he invited me, referring to intercollegiate political squabbles; 'the colleges are spoilt kids, and the whole University a mindless baby, ja? Okay: so weren't we all once, Enos Enoch too? And we got to admit that the University's a precocious kid. If the history of life on campus hadn't been so childish, we couldn't hope it'll reach maturity.' Studentdom had passed already, he asserted, from a disorganized, pre-literate infancy (of which Croaker was a modern representative, nothing ever being entirely lost) through a rather brilliant early childhood ('...ancient Lykeion, Remus, T'ang...') which formed its basic and somewhat contradictory character; it had undergone a period of naive general faith in parental authority (by which he meant early Founderism) and survived critical spells of disillusionment, skepticism, rationalism, willfulness, self-criticism, violence, disorientation, despair, and the like--all characteristic of pre-adolescence and adolescence, at least in their West-Campus form. I even recognized some of those stages in my own recent past; indeed, Max's description of the present state of West-Campus studentdom reminded me uncomfortably of my behavior in the Lady-Creamhair period: capricious, at odds with itself, perverse, hard to live with. Its schisms, as manifested in the Quiet Riot, had been aggravated and rendered dangerous by the access of unwonted power--as when, in the space of a few semesters, a boy finds himself suddenly muscular, deep-voiced, aware of his failings, proud of his strengths, capable of truly potent love and hatred--and on his own. What hope there was that such an adolescent would reach maturity (not to say Commencement) without destroying himself was precisely the hope of the University. ~ John Barth,#NFDB
609:Ode On The Present Times, 27th January 1795
Lo! Winter drives his horrors round;
Wide o'er the rugged soil they fly;
In their cold spells each stream is bound,
While at the magic of their eye
Each sign of Spring's gay beauty fades,
And one white wild the aching sight invades.
It is the time for Woe to reign,
And hark! she bids her haggard train,
Pale poverty and want, appear,
Disease, their darling child, draw near,
And, grateful for the favouring hour,
They feel, they seize, they riot, in their power.
But Winter! not to thee alone
Their heart-appalling sway they owe,
For they to war's despotic throne
As tributary subjects bow;
War, who bids trembling Europe gasp,
With wild convulsions in his bloody grasp.
Whence yonder groans? O wretched land!
Poland, from thee, alas! they came,
A despot speaks, and lo! a band,
Blaspheming pure Religion's name,
Bid cold, deliberate murder live,
And death's dread stroke to helpless thousands give.
And see, on Belgia's reeking plain,
Alternate horrors rise and reign!
What mingled sounds affright the ear!
Now, we the song of victory hear,
And now, despair's appalling tone,
And now, of death the deep sepulchral groan.
Freedom! for whose dear sake I'd dare
Each various ill that tortures life,
Though I thy matchless victories share,
While, towering 'midst the bloody strife,
I see thy form sublime, acquire
New power to charm, new beauty to inspire;
I cannot smile; I cannot join
The song of triumph; tho' thy foes,
Celestial power! are also mine;
24
And tho' I weep for all thy woes,
Yet I thy triumphs too must weep,
And in my tears thy bloody laurels steep.
For who are they that madly bear
Against thy sons the venal spear?
Are they not men?—then say, what power
Can bid my bosom mourn no more;
O where's the fiend-delighting ban
Forbidding MAN to weep for SLAUGHTERED MAN!
E'en Victory, when reflection's voice
Breathes in her ear 'thy brothers die,'
Shall bid her sons no more rejoice,
But change her shouts for pity's sigh:
She will her breast in anguish beat,
And wear the sombrous aspect of defeat.
O Britain! ill-starred land! no more
Must Peace to thee her olive bear,
But on thy once-triumphant shore,
Must we behold the form of fear
Expecting, on the swelling tide,
To see the FOE in proud defiance ride!
Avert the threatening, awful ill;
For fraught with power, and fraught with will
To make thy hardiest veterans die,
A lurking fiend, alas! is nigh,
Who threatens on thy sons to pour
The fatal cloud thou bad'st on GALLIA lower.
Lo! FAMINE spreads her banners wide;[2]
She comes arrayed in horrid state;
But, not to humble Gallia's pride,
And on the rear of victory wait;
She comes the humbled to subdue,
And twine round fading wreaths, death's baleful yew.
She comes to Britain!—at the thought,
Winter! thy scene with horrors fraught,
Fades from my sight—the present ill
Appears to lose its power to kill:
To future scenes pale Fancy flies,
Lifts her dim tearful eyes to heaven, and dies.
~ Amelia Opie,#NFDB
610:Jazz musician Miles Davis once said, “If somebody told me I had only one hour to live, I’d spend it choking a white man. I’d do it nice and slow.”
bell hooks, a black professor of English at City College of New York who spells her name in lower case, once wrote, “I am writing this essay sitting beside an anonymous white male that I long to murder.”
Demond Washington, a star athlete at Tallassee High School in Tallassee, Alabama, got in trouble for saying over the school intercom, “I hate white people and I’m going to kill them all!” Later he said he did not mean it.
Someone who probably did mean it was Maurice Heath, who heads the Philadelphia chapter of the New Black Panther party. He once told a crowd, “I hate white people—all of them! . . . You want freedom? You’re gonna have to kill some crackers! You’re gonna have to kill some of their babies!”
Another one who probably meant it is Dr. Kamau Kambon, black activist and former visiting professor of Africana Studies at North Carolina State University in Raleigh. In 2005, Prof. Kambon told a panel at Howard University Law School that “white people want to kill us,” and that “we have to exterminate white people off the face of the planet to solve this problem.”
In 2005, James “Jimi” Izrael, a black editorial assistant for the Lexington, Kentucky, Herald- Leader, was on a radio program to talk about Prof. Kambon. Another guest mentioned other blacks who have written about the fantasy of killing whites, and Mr. Izrael began to laugh. “Listen,” he said, “I’m laughing because if I had a dollar for every time I heard a black person [talking about] killing somebody white I’d be a millionaire.”
For some, killing whites is not fantasy. Although the press was quiet about this aspect of the story, the two snipers who terrorized the Washington, DC, area in 2002 had a racial motive. Lee Malvo testified that his confederate, John Muhammad, was driven by hatred of America because of its “slavery, hypocrisy and foreign policy.” His plan was to kill six whites every day for 30 days.
For a 179-day period in 1973 and 1974, a group of Black Muslim “Death Angels” kept the city of San Francisco in a panic as they killed scores of randomly-chosen “blue-eyed devils.” Some 71 deaths were eventually attributed to them. Four of an estimated 14 Death Angels were convicted of first-degree murder. Most Americans have never heard of what became known as the Zebra Killings.
A 2005 analysis of crime victim surveys found that 45 percent of the violent crimes blacks committed were against whites, 43 percent against blacks, and 10 percent against Hispanics. There was therefore slightly more black-on-white than black-on-black crime. When whites committed violence they chose black victims only 3 percent of the time.
Violence by whites against blacks, such as the 1998 dragging death of James Byrd, is well reported, but racial murder by blacks is little publicized. For example, in Wilkinsburg, near Philadelphia, 39-year-old Ronald Taylor killed three men and wounded two others in a 2000 rampage, in which he targeted whites. At one point, he pushed a black woman out of his way, saying “Not you, sister. I’m not going to hurt any black people. I’m just out to kill all white people. ~ Jared Taylor,#NFDB
611:Quan L'Herba Fresqu'El.H Folha
Can l'erba fresch' folha par
e la flors boton'el verjan
e.l rossinhols autet e clar
leva sa vots e mou so chan,
joi ai de lui, e joi ai de la flor
e joi de me e de midons major;
daus totas partz sui de joi claus e sens,
mas sel es jois que totz autres jois vens.
Tan am midons e la tenh car,
e tan la dopt' e la reblan
c'anc de me auzi parlar,
ni re quer ni re man.
Pero elh sap mo mal e ma dolor,
e can li plai, mi fai be e onor,
e can li plai, eu m'en sofert ab mens,
per so c'a leis no.n avenha blastens.
S'eu saubés la gen enchantar,
mei enemic foran efan,
que ja us no saubra triar
ni dir re tornes a dan.
Adoncs sai eu que vira la gensor
e sos bels olhs e sa frescha color,
e la bocha en totz sens,
si que d'un mes i paregra lo sens.
Be la volgra sola trobar,
que dormis, o.n fezés semblan,
per qu' emblès un doutz baizar,
pus no valh tan qu'eu deman.
Per Deu, domna, pauc esplecham d'amor;
vai s'en lo tems, e perdem lo melhor!
Parlar degram ab cubertz entresens,
e, pus val arditz, valgués nos gens!
Ai las! com mor de cossirar!
que manhtas vetz en cossir tan:
lairó m'en poirian portar
28
que re no sabria que.s fan.
Per Deu, Amors! be.m tròbas vensedor:
ab pauc d'amics e ses autre senhor.
Car una vetz tan midons no destrens
abans qu'eu fos del dezirer estens?
Messatger, vai, e no m'en prezes mens,
s'eu del anar vas midons sui temens.
(When the new vegetation and the leaves appear, when the flowers bloom on the
branch, and when the nightingale clear and loud raises its voice and begins to
sing, I rejoice in the nightingale, and in the flowers, and in myself, and most of
all in my lady. I am surrounded by joy on all sides, but she is the joy from which
all other joys come.
So much do I love my lady, and hold her dear, and so much do I fear and honor
her, that I dare not talk to her of myself. I ask her nothing and I send her
nothing. But still she knows of my pain and sorrow, and when it pleases her she
bestows on me grace and honor, and when it pleases her I submit to even less so
that no blame may come to her.
If I knew how to cast spells on people, my enemies would become babes, so that
none of them could discover anything that could be turned against us. I know
now that I will see my lady, and her fair eyes and fresh color, and I will kiss her
on the mouth every which way, so that for a month the marks will be visible.
I would like to find her alone, sleeping, or pretending to sleep, so that I could
steal a sweet kiss from her, since I am not worth so much that I could ask it of
her. By God, lady, little do we profit from our love; time passes, and we are
losing the best moments. We should speak in a coded language, and since
audacity is worth little, may ingenuity be the thing.
Alas! I die from desire. For often, I am so full of yearning that theives could carry
me off, and I wouldn't even realize what was happening. By God, Love! you find
me Defeated (vensedor=Ventadorn), with few friends and without another
master. Why don't you, once, ensnare my lady, before I am consumed with
passion?)
~ Bernard de Ventadorn,#NFDB
612:In The Garret
Four little chests all in a row,
Dim with dust, and worn by time,
All fashioned and filled, long ago,
By children now in their prime.
Four little keys hung side by side,
With faded ribbons, brave and gay
When fastened there, with childish pride,
Long ago, on a rainy day.
Four little names, one on each lid,
Carved out by a boyish hand,
And underneath there lieth hid
Histories of the happy band
Once playing here, and pausing oft
To hear the sweet refrain,
That came and went on the roof aloft,
In the falling summer rain.
'Meg' on the first lid, smooth and fair.
I look in with loving eyes,
For folded here, with well-known care,
A goodly gathering lies,
The record of a peaceful life--
Gifts to gentle child and girl,
A bridal gown, lines to a wife,
A tiny shoe, a baby curl.
No toys in this first chest remain,
For all are carried away,
In their old age, to join again
In another small Meg's play.
Ah, happy mother! Well I know
You hear, like a sweet refrain,
Lullabies ever soft and low
In the falling summer rain.
'Jo' on the next lid, scratched and worn,
And within a motley store
Of headless dolls, of schoolbooks torn,
Birds and beasts that speak no more,
Spoils brought home from the fairy ground
Only trod by youthful feet,
Dreams of a future never found,
Memories of a past still sweet,
Half-writ poems, stories wild,
April letters, warm and cold,
Diaries of a wilful child,
Hints of a woman early old,
A woman in a lonely home,
Hearing, like a sad refrain--
'Be worthy, love, and love will come,'
In the falling summer rain.
My Beth! the dust is always swept
From the lid that bears your name,
As if by loving eyes that wept,
By careful hands that often came.
Death canonized for us one saint,
Ever less human than divine,
And still we lay, with tender plaint,
Relics in this household shrine--
The silver bell, so seldom rung,
The little cap which last she wore,
The fair, dead Catherine that hung
By angels borne above her door.
The songs she sang, without lament,
In her prison-house of pain,
Forever are they sweetly blent
With the falling summer rain.
Upon the last lid's polished field--
Legend now both fair and true
A gallant knight bears on his shield,
'Amy' in letters gold and blue.
Within lie snoods that bound her hair,
Slippers that have danced their last,
Faded flowers laid by with care,
Fans whose airy toils are past,
Gay valentines, all ardent flames,
Trifles that have borne their part
In girlish hopes and fears and shames,
The record of a maiden heart
Now learning fairer, truer spells,
Hearing, like a blithe refrain,
The silver sound of bridal bells
In the falling summer rain.
Four little chests all in a row,
Dim with dust, and worn by time,
Four women, taught by weal and woe
To love and labor in their prime.
Four sisters, parted for an hour,
None lost, one only gone before,
Made by love's immortal power,
Nearest and dearest evermore.
Oh, when these hidden stores of ours
Lie open to the Father's sight,
May they be rich in golden hours,
Deeds that show fairer for the light,
Lives whose brave music long shall ring,
Like a spirit-stirring strain,
Souls that shall gladly soar and sing
In the long sunshine after rain ~ Louisa May Alcott,#NFDB
613:To The Moon
With musing mind I watch thee steal
Above those envious clouds that hid
Till now thy face; thou dost reveal
More than the glaring sunlight did;
So round me would I have thy light
In one broad sea of beauty lie,
And who, while thou dost rule the night,
For day would sigh,
Nor long for wings that he might flee
To find thy hidden face and ride the dark with thee?
And hence it was that ever forth
My fancy doated more and more
Upon the wild poetic worth
Of that old tale in Grecian lore,
Which to the head of Latmos gave
Supernal glories, passion-won
By him who, in the mystic cave—
Endymion—
Was wont to meet thee night by night,
And drink into his soul the spirit of thy light.
Not thus it was thy beauty shone
In these drear summers lately past;
Disheartened, world-distrusting, lone,
I shuddered in misfortune’s blast!
Many that loved me, once were nigh
Of whom now these I may not trust,
And those forget me—or they lie
Dark in the dust!
And never can we meet again,
Loving and loved as then, beneath thy friendly reign.
O Cynthia! It would even seem
That portions from our spirits fell,
Like scent from flowers, throughout life’s dream;
And by that clue invisible,
A gathered after-scene of all
Affection builded high in vain,
Is drawn thus in dim funeral
272
Past us again;
The which, where shadowed most with gloom,
Uncertain thought is fain to map with spells of doom.
Let me this night the past forget,
For though its dying voices be
At times like tones from Eden, yet
The years have brought such change for me
That when but now my thoughts were given
To all I’d suffered, loved, and lost,
Turning my eyes again to heaven,
Tear-quenched almost,
I started with impatience strange,
To find thee, even thee, smiling untouched by change!
O vain display of secred pride!
My human heart, what irks thee so?
What, in the scale of being tried,
Should weigh thy happiness or woe?
Pale millions, so by fortune curst,
Have loved for sorrow in the light
Of this yet youthful morn, since first
She claimed the night,
And thus mature even from her birth,
With pale beam chased the glooms that swathed the infant earth.
And be it humbling, too, to know
That when this pile of haughty clay
For ages shall have ceased to glow—
Shrunk to a line of ashes grey,
Which, as the invasive ploughshare drills
The unremembered burial sward,
The wild winds o’er a hundred hills
May whirl abroad—
That in the midnight heavens thou
Shalt hang thy unfaded lamp, and smile serene as now.
Nay, more than this: could even those,
The Edenites, who sorrowed here
Ere Noah’s tilted ark arose,
Or Nimrod chased the bounding deer—
Wherever sepulchred, could they
273
The rigid bonds of death and doom
Now for a moment shake away—
From out their tomb
They watchful face they still might see,
Just as they dying left it, gazing solemnly.
I sadden! Ah! Why bringest thou
Yet later memories to my mind?
I would but gaze upon thee now
A wiser counsel thence to find!
Shall I not even henceforth aim
To shun in act, in thought control,
Whatever dims the heaven-born flame—
The essential soul
I feel within, and which must be
A living light when thine is quenched eternally?
~ Charles Harpur,#NFDB
614:On The Death Of Mr. Crashaw
Poet and Saint! to thee alone are given
The two most sacred names of earth and heaven,
The hard and rarest union which can be
Next that of godhead with humanity.
Long did the Muses banish'd slaves abide,
And built vain pyramids to mortal pride;
Like Moses thou (though spells and charms withstand)
Hast brought them nobly home back to their Holy Land.
Ah wretched we, poets of earth! but thou
Wert living the same poet which thou'rt now.
Whilst angels sing to thee their airs divine,
And joy in an applause so great as thine,
Equal society with them to hold,
Thou need'st not make new songs, but say the old.
And they (kind spirits!) shall all rejoice to see
How little less than they exalted man may be.
Still the old heathen gods in numbers dwell,
The heavenliest thing on earth still keeps up Hell.
Nor have we yet quite purg'd the Christian land;
Still idols here like calves at Bethel stand.
And though Pan's death long since all oracles broke,
Yet still in rhyme the fiend Apollo spoke:
Nay with the worst of heathen dotage we
(Vain men!) the monster Woman deify;
Find stars, and tie our fates there in a face,
And Paradise in them by whom we lost it, place.
What different faults corrupt our Muses thus
Wanton as girls, as old wives fabulous!
Thy spotless Muse, like Mary, did contain
The boundless Godhead; she did well disdain
That her eternal verse employ'd should be
On a less subject than eternity;
And for a sacred mistress scorn'd to take
But her whom God himself scorn'd not his spouse to make.
It (in a kind) her miracle did do;
A fruitful mother was, and virgin too.
35
How well, blest swan, did fate contrive thy death;
And make thee render up thy tuneful breath
In thy great mistress' arms! thou most divine
And richest offering of Loretto's shrine!
Where like some holy sacrifice t' expire
A fever burns thee, and Love lights the fire.
Angels (they say) brought the fam'd chapel there,
And bore the sacred load in triumph through the air.
'Tis surer much they brought thee there, and they,
And thou, their charge, went singing all the way.
Pardon, my Mother Church, if I consent
That angels led him when from thee he went,
For even in error sure no danger is
When join'd with so much piety as his.
Ah, mighty God, with shame I speak't, and grief,
Ah that our greatest faults were in belief!
And our weak reason were even weaker yet,
Rather than thus our wills too strong for it.
His faith perhaps in some nice tenents might
Be wrong; his life, I'm sure, was in the right.
And I myself a Catholic will be,
So far at least, great saint, to pray to thee.
Hail, bard triumphant! and some care bestow
On us, the poets militant below!
Oppos'd by our old enemy, adverse chance,
Attack'd by envy, and by ignorance,
Enchain'd by beauty, tortured by desires,
Expos'd by tyrant Love to savage beasts and fires.
Thou from low earth in nobler flames didst rise,
And like Elijah, mount alive the skies.
Elisha-like (but with a wish much less,
More fit thy greatness, and my littleness)
Lo here I beg (I whom thou once didst prove
So humble to esteem, so good to love)
Not that thy spirit might on me doubled be,
I ask but half thy mighty spirit for me;
And when my Muse soars with so strong a wing,
'Twill learn of things divine, and first of thee to sing.
36
~ Abraham Cowley,#NFDB
615:Nights On Planet Earth
Heaven was originally precisely that: the starry sky, dating back to the earliest
Egyptian texts, which include magic spells that enable the soul to be sewn in the
body of the great mother, Nut, literally 'night,' like the seed of a plant, which is
also a jewel and a star. The Greek Elysian fields derive from the same celestial
topography: the Egyptian 'Field of Rushes,' the eastern stars at dawn where the
soul goes to be purified. That there is another, mirror world, a world of light, and
that this world is simply the sky—and a step further, the breath of the sky, the
weather, the very air—is a formative belief of great antiquity that has continued
to the present day with the godhead becoming brightness itself: dios/theos
(Greek); deus/divine/diana (Latin); devas (Sanskrit); daha (Arabic); day
(English).
—Susan Brind Morrow, Wolves and Honey
Gravel paths on hillsides amid moon-drawn vineyards,
click of pearls upon a polished nightstand
soft as rainwater, self-minded stars, oboe music
distant as the grinding of icebergs against the hull
of the self and the soul in the darkness
chanting to the ecstatic chance of existence.
Deep is the water and long is the moonlight
inscribing addresses in quicksilver ink,
building the staircase a lover forever pauses upon.
Deep is the darkness and long is the night,
solid the water and liquid the light. How strange
that they arrive at all, nights on planet earth.
Sometimes, not often but repeatedly, the past invades my dreams in the form of
a familiar neighborhood I can no longer locate,
a warren of streets lined with dark cafés and unforgettable bars, a place where I
can sing by heart every song on every jukebox,
a city that feels the way the skin of an octopus looks pulse-changing from color
to color, laminar and fluid and electric,
a city of shadow-draped churches, of busses on dim avenues, or riverlights, or
canyonlands, but always a city, and wonderful, and lost.
Sometimes it resembles Amsterdam, students from the ballet school like fanciful
15
gazelles shooting pool in pink tights and soft, shapeless sweaters,
or Madrid at 4AM, arguing the 18th Brumaire with angry Marxists, or Manhattan
when the snowfall crowns every trash-can king of its Bowery stoop,
or Chicago, or Dublin, or some ideal city of the imagination, as in a movie you
can neither remember entirely nor completely forget,
barracuda-faced men drinking sake like yakuza in a Harukami novel, women
sipping champagne or arrack, the rattle of beaded curtains in the back,
the necklaces of Christmas lights reflected in raindrops on windows, the taste of
peanuts and their shells crushed to powder underfoot,
always real, always elusive, always a city, and wonderful, and lost. All night I
wander alone, searching in vain for the irretrievable.
In
In
In
In
In
In
In
In
the
the
the
the
the
the
the
the
night
night
night
night
night
night
night
night
will
will
will
will
will
will
will
will
drink from a cup of ashes and yellow paint.
gossip with the clouds and grow strong.
cross rooftops to watch the sea tremble in a dream.
assemble my army of golden carpenter ants.
walk the towpath among satellites and cosmic dust.
cry to the roots of potted plants in empty offices.
gather the feathers of pigeons in a honey jar.
become an infant before your flag.
~ Campbell McGrath,#NFDB
616:She blinked up at him in confusion. “What happened?”
“The horse reared and fell.” Christopher’s voice came out in a rasp. “Tell me your name.”
“Why are you asking me that?”
“Your name,” he insisted.
“Beatrix Heloise Hathaway.” She looked at him with round blue eyes. “Now that we know who I am…who are you?”
At Christopher’s expression, Beatrix snickered and wrinkled her nose impishly. “I’m teasing. Really. I know who you are. I’m perfectly all right.”
Over Christopher’s shoulder, Beatrix caught sight of Leo shaking his head in warning, drawing a finger across his throat.
She realized too late that it probably hadn’t been an appropriate moment for teasing. What to a Hathaway would have been a good chuckle was positively infuriating to Christopher.
He glared at her with incredulous wrath. It was only then that she realized he was shaking in the aftermath of his terror for her.
Definitely not the time for humor.
“I’m sorry--” she began contritely.
“I asked you not to train that horse,” Christopher snapped, “and you agreed.”
Beatrix felt instantly defensive. She was accustomed to doing as she pleased. This was certainly not the first time she’d ever fallen from a horse, nor the last.
“You didn’t ask that specifically,” she said reasonably, “you asked me not to do anything dangerous. And in my opinion, it wasn’t.”
Instead of calming Christopher, that seemed to enrage him even further. “In light of the fact that you were nearly flattened like a pikelet just now, I’d say you were wrong.”
Beatrix was intent on winning the argument. “Well, it doesn’t matter in any case, because the promise I made was for after we married. And we’re not married yet.”
Leo covered his eyes with his hand, shook his head, and retreated from her vision.
Christopher gave her an incinerating glare, opened his mouth to speak, and closed it again. Without another word, he lifted himself away from her and went to the stable in a long, ground-eating stride.
Sitting up, Beatrix stared after him in perplexed annoyance. “He’s leaving.”
“It would appear so.” Leo came to her, extended a hand down, and pulled her up.
“Why did he leave right in the middle of a quarrel?” Beatrix demanded, dusting off her breeches with short, aggravated whacks. “One can’t just leave, one has to finish it.”
“If he had stayed, sweetheart,” Leo said, “there’s every chance I would have had to pry his hands from around your neck.”
Their conversation paused as they saw Christopher riding from the stables, his form straight as a blade as he spurred his horse into a swift graceful canter.
Beatrix sighed. “I was trying to score points rather than consider how he was feeling,” she admitted. “He was probably frightened for me, seeing the horse topple over like that.”
“Probably?” Leo repeated. “He looked like he had just seen Death. I believe it may have touched off one of his bad spells, or whatever it is you call them.”
“I must go to him.”
“Not dressed like that.”
“For heaven’s sake, Leo, just this one time--”
“No exceptions, darling. I know my sisters. Give any one of you an inch, and you’ll take a mile.” He reached out and pushed back her tumbling hair. “Also…don’t go without a chaperone.”
“I don’t want a chaperone. That’s never any fun.”
“Yes, Beatrix, that’s the purpose of a chaperone.”
“Well, in our family, anyone who chaperoned me would probably need a chaperone more than I do.”
Leo opened his mouth to argue, then closed it.
Rare was the occasion when her brother was unable to argue a point.
Repressing a grin, Beatrix strode toward the house. ~ Lisa Kleypas,#NFDB
617:Storm
Out of the gray northwest, where many a day gone by
Ye tugged and howled in your tempestuous grot,
And evermore the huge frost giants lie,
Your wizard guards in vigilance unforgot,
Out of the gray northwest, for now the bonds are riven,
On wide white wings your thongless flight is driven,
That lulls but resteth not.
And all the gray day long, and all the dense wild night,
Ye wheel and hurry with the sheeted snow,
By cedared waste and many a pine-dark height,
Across white rivers frozen fast below;
Over the lonely forests, where the flowers yet sleeping
Turn in their narrow beds with dreams of weeping
In some remembered woe;
Across the unfenced wide marsh levels, where the dry
Brown ferns sigh out, and last year's sedges scold
In some drear language, rustling haggardly
Their thin dead leaves and dusky hoods of gold;
Across gray beechwoods where the pallid leaves unfalling
In the blind gusts like homeless ghosts are calling
With voices cracked and old;
Across the solitary clearings, where the low
Fierce gusts howl through the blinded woods, and round
The buried shanties all day long the snow
Sifts and piles up in many a spectral mound;
Across lone villages in eerie wildernesses
Whose hidden life no living shape confesses
Nor any human sound;
Across the serried masses of dim cities, blown
Full of the snow that ever shifts and swells,
While far above them all their towers of stone
Stand and beat back your fierce and tyrannous spells,
And hour by hour send out, like voices torn and broken
Of battling giants that have grandly spoken,
The veering sound of bells;
153
So day and night, O Wind, with hiss and moan you fleet,
Where once long gone on many a green-leafed day
Your gentler brethren wandered with light feet
And sang, with voices soft and sweet as they,
The same blind thought that you with wilder might are speaking,
Seeking the same strange thing that you are seeking
In this your stormier way.
O Wind, wild-voicèd brother, in your northern cave,
My spirit also being so beset
With pride and pain, I heard you beat and rave,
Grinding your chains with furious howl and fret,
Knowing full well that all earth's moving things inherit
The same chained might and madness of the spirit,
That none may quite forget.
You in your cave of snows, we in our narrow girth
Of need and sense, for ever chafe and pine;
Only in moods of some demonic birth
Our souls take fire, our flashing wings untwine;
Even like you, mad Wind, above our broken prison,
With streaming hair and maddened eyes uprisen,
We dream ourselves divine;
Mad moods that come and go in some mysterious way,
That flash and fall, none knoweth how or why,
O Wind, our brother, they are yours today,
The stormy joy, the sweeping mastery;
Deep in our narrow cells, we hear you, we awaken,
With hands afret and bosoms strangely shaken,
We answer to your cry.
I most that love you, Wind, when you are fierce and free,
In these dull fetters cannot long remain;
Lo, I will rise and break my thongs and flee
Forth to your drift and beating, till my brain
Even for an hour grow wild in your divine embraces,
And then creep back into mine earthly traces,
And bind me with my chain.
Nay, Wind, I hear you, desperate brother, in your might
Whistle and howl; I shall not tarry long,
154
And though the day be blind and fierce, the night
Be dense and wild, I still am glad and strong
To meet you face to face; through all your gust and drifting
With brow held high, my joyous hands uplifting,
I cry you song for song.
~ Archibald Lampman,#NFDB
618:I.
The awful shadow of some unseen Power
Floats through unseen among us, visiting
This various world with as inconstant wing
As summer winds that creep from flower to flower,--
Like moonbeams that behind some piny mountain shower,
It visits with inconstant glance
Each human heart and countenance;
Like hues and harmonies of evening,
Like clouds in starlight widely spread,
Like memory of music fled,
Like aught that for its grace may be
Dear, and yet dearer for its mystery.
II.
Spirit of Beauty, that dost consecrate
With thine own hues all thou dost shine upon
Of human thought or form, where art thou gone?
Why dost thou pass away and leave our state,
This dim vast vale of tears, vacant and desolate?
Ask why the sunlight not for ever
Weaves rainbows o'er yon mountain-river,
Why aught should fail and fade that once is shown,
Why fear and dream and death and birth
Cast on the daylight of this earth
Such gloom, why man has such a scope
For love and hate, despondency and hope?
III.
No voice from some sublimer world hath ever
To sage or poet these responses given
Therefore the names of Demon, Ghost, and Heaven,
Remain the records of their vain endeavour,
Frail spells--whose uttered charm might not avail to sever,
From all we hear and all we see,
Doubt, chance, and mutability.
Thy light alone--; like mist o'er the mountains driven,
Or music by the night-wind sent
Through strings of some still instrument,
Or moonlight on a midnight stream,
Gives grace and truth to life's unquiet dream.
IV.
Love, Hope, and Self-esteem, like clouds depart
And come, for some uncertain moments lent.
Man were immortal, and omnipotent,
Didst thou, unknown and awful as thou art,
Keep with thy glorious train firm state within his heart.
Thou messgenger of sympathies,
That wax and wane in lovers' eyes
Thou -- that to human thought art nourishment,
Like darkness to a dying flame!
Depart not as thy shadow came,
Depart not -- lest the grave should be,
Like life and fear, a dark reality.
V.
While yet a boy I sought for ghosts, and sped
Through many a listening chamber, cave and ruin,
And starlight wood, with fearful steps pursuing
Hopes of high talk with the departed dead.
I called on poisonous names with which our youth is fed;
I was not heard -- I saw them not --
When musing deeply on the lot
Of life, at that sweet time when winds are wooing
All vital things that wake to bring
News of birds and blossoming,--
Sudden, thy shadow fell on me;
I shrieked, and clasped my hands in ecstasy!
VI.
I vowed that I would dedicate my powers
To thee and thine -- have I not kept the vow?
With beating heart and streaming eyes, even now
I call the phantoms of a thousand hours
Each from his voiceless grave: they have in visioned bowers
Of studious zeal or love's delight
Outwatched with me the envious night
They know that never joy illumed my brow
Unlinked with hope that thou wouldst free
This world from its dark slavery,
That thou - O awful Loveliness,
Wouldst give whate'er these words cannot express.
VII.
The day becomes more solemn and serene
When noon is past there is a harmony
In autumn, and a lustre in its sky,
Which through the summer is not heard or seen,
As if it could not be, as if it had not been!
Thus let thy power, which like the truth
Of nature on my passive youth
Descended, to my onward life supply
Its calm to one who worships thee,
And every form containing thee,
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
Composed, probably, in Switzerland, in the summer of 1816. Published in Hunt's 'Examiner', January 19, 1817, and with 'Rosalind and Helen', 1819.
~ Percy Bysshe Shelley, Hymn to Intellectual Beauty
,#NFDB
619:Mates
It boots not to retrace the path
To ages dim and hoar,
When Man, at the domestic hearth,
First learned the art of war,
And - since in battle one must fall Held his defeated spouse in thrall,
That she should fight no more;
And thereby doomed to sleep and sloth
Strength that in action strengthened both.
It boots not when the better day
First showed a glint of morn,
Nor whose the eye that, in its ray,
Saw Woman's chains outworn;
Nor which was first and which was last
When savage rivalry was past
And chivalry was born;
Enough for us that, free or pent,
Her primal treasure was misspent.
The waxing noontide sees them now
Joint sovereigns of the land,
No trace upon the gentler brow
Of the old helot brand.
Consenting that the right is right,
They walk as comrades - or they might For ever hand in hand.
Yet still a stronger leads and drags,
And still a weaker leans and lags.
Because we reap what we have sown,
And are as we were bred;
Because one passion, overgrown,
Since so long overfed,
Still works confusion to the scheme
Whereof both man and woman dream.
'T'is the unnumbered dead
That laid it on him for a curse,
And her, its immemorial nurse.
134
But, with these tyrants in the dust,
Why should their ghosts hold sway?
Cut the long entail of their lust,
Heirs of a cleaner day!
Lift the dead hand from living mind,
Break the old spells that bind and blind,
O Woman, far astray!
And march with Man the open road
Without a fetter or a load.
Our pioneer brothers can discern
The sunlit heights around;
We, that should likewise look and learn,
Keep eyes upon the ground;
And drug our feebleness with sweets
When needing tonic of strong meats;
And all our ways surround
With tangling trifles, gaud and toy,
That mock us with the name of joy.
What brains these fragile webs enmesh!
What soaring thought they tie!
What energies of soul and flesh
They still or stultify!
What wasted riches of the mind,
What wealth of genius, dumb and blind,
In shop and workroom lie,
While the great realms of life are stored
With such vast mystery unexplored!
Where were the sciences and arts
When men went plumed and curled?
Where were the brains, the hands, the hearts,
That now subdue the world The March of Progress, straight and true When men wore coats of every hue?
In childish swaddlings furled,
Their strength lay latent and unknown,
As ineffectual as our own.
Freed from this complicated coil
By mere vainglory spun,
135
Uprooted from this fruitless soil,
Unfed by rain or sun,
Where sleep the germs of noble deeds
In still unfructifying seeds,
Or leafage scarce begun This ash-heap of the poor and small
That chokes the greatness in us all Uplifted to the light - the place
Where Man his manhood found
When tyranny of silk and lace
No longer held him bound;
With eyes, from Fashion's witchcraft clear,
For Beauty, simple and sincere,
And, unbeguiled by sound
Of siren wooings, quiet ears
For the high message that he hears:
The swelling call to loftier life
That, like a distant bell,
Chimes through the traffic and the strife
Of those who buy and sell;
Through camp and temple, field and street,
The market where we game and cheat,
The home wherein we dwell: Here should we stand, as strong, as free,
For splendid enterprise as he.
To him no flowering parasite
That only sucks and clings
To drain and enervate and blight,
But impulse to his wings;
His mate in passion, mate in power,
His soul's wife, that for marriage dower
Exhaustless treasure brings The daily bread, the daily spur,
The day's reward for him - and her.
Like woodland creatures, that have willed
To pair by Nature's plan,
A woman finished and fulfilled
And a completed man;
136
To run together and abreast,
And side by side to fight or rest,
As when the world began;
Each bound to other, yet both free . . . .
It is not, but it ought to be.
~ Ada Cambridge,#NFDB
620:To The Moon [earlier Version]
WITH silent step behold her steal
Over those envious clouds that hid
Till now her face, then stand—a seal
Of silver on heaven’s mighty lid!
So round me would I have her light
In one broad burst of beauty play,
And who whilst thus she rules the night
Would wish the day,
Nor feel his yearning spirit fraught
With sweetly solemn strains of visionary thought?
Love of my childhood! for but when
A child I loved thee of all things—
Yea, with what ecstacies I then
Did hail thee, what dear visionings!
And when between us up the sky
Obscuring glooms have wildly thronged,
With shortened breath and searching eye
How have I longed
For wings that I away might flee
To kiss thy hidden face and dwell awhile with thee.
I sadden! Ah, why bringest thou
Yet later memories to my mind?
I would but gaze upon thee now,
As erst for wonder;—not to find
Dim phantoms of each faded dream
That fanned my heart with pinions dyed
In passion, by old HAWKESBURY’S stream,
Before me glide,
With shades of days all figured o’er
By feelings lost, and hopes that know their place no more!
Nor was it thus thy beauty shone
Upon me fewer summers past—
Thus hopeless, world-distrusting, lone,
And withering in Misfortune’s blast!
Many that loved me then were nigh,
Of whom now these I may not trust,
275
And those forget—are far—or lie
Cold in the dust!
And never may we meet again
Loving and loved as then ’neath thy nocturnal reign!
O Cynthia! it would seem as though
A something from our spirits fell,
Like scents from flowers, Life’s eras through
And by which web invisible,
A gathered after-scene of all
Affection builded to our loss,
Is drawn thus in dim funeral
The heart across:
And which where stained the most with gloom
Uncertain Thought is prone to map with spells of doom.
But sober Reason sagelier sings
These visioned mysteries are but
The semblances which former things
Imbued our being with, as put
In act by memory, when is seen
Again some marked associate sight;
And thence it happens, Orb serene,
Why thou to-night
Look’st on me from thy native sky
Like an old friend too fond to talk of things gone by.
Let me this night the Past forget!
For though its dying voices be
At times like tones from Eden, yet
It bosoms too much change for me,—
That when but now my thoughts were given
To all I had suffered—loved and lost!
Turning mine eyes again to heaven,
Tear-quenched almost,
I started with a strange despair,
To find thee—even thee smiling unaltered there!
Hence vain regrets of secret pride!
My human heart, what irks thee so,
What in the scale of Nature tried
Should weigh thy happiness or wo?
276
Pale millions, so by Fortune cursed,
Have loved for sorrow in the light
Of this yet youthful Moon, since first
She claimed the night,
And thus mature even from her birth,
Chased with pale beam the glooms that swathed the infant Earth.
And be it humbling too, to know
That when this pile of haughty clay
For ages shall have ceased to glow,
Shall be a heap of ashes grey—
Which as the invading ploughshare drills
The unremembered burial ground,
The winds may o’er a hundred hills
Scatter around—
That in the midnight heavens thou
Shalt hang thy unfaded lamp and smile serene as now.
Nay, more than this: could even those,
The Edenites, who sorrow’d here
Ere Noah’s tilted ark arose
Or Nimrod chased the bounding deer,
Wherever sepulchered, could they
Shake the cold bonds of death and doom
But for a moment now away,—
Into each tomb
Solemnly gazing, thee they’d find
Even as they dying left thee, watchful Moon, behind!
But shall my thoughts thus widely range
And I no profit therein know?
Seeing that wither, waste and change
Must all that lives thine Orb below;
Shall I not turn with this sole aim,
In act to shun, in heart control,
Whatever dims the heavenward flame,
The essential soul
I feel within, and which must be
A living thing when thou art quenched eternally?
~ Charles Harpur,#NFDB
621:The Vision Of The Rock
I SATE upon a lonely peak,
A backwood river’s course to view,
And watched the changing shadows freak
Its liquid length of gleaming blue,
Streaked by the crane slow gliding o’er,
Or chequering to the leafy roar
Of woods that ’neath me grew,
Or curdling dark, as high o’erhead
The gathering clouds before the sounding breezes fled.
Straight I bethought how once the scene
Spread in its primal horror there,
When, but some lone bird’s weary threne
Or howlings from the wild dog’s lair,
Or rush of startled kangaroo,
As near some stealthy savage drew
With hunger in his air,
Or, from the stream some murmur’d sound
Broke the dread slumbrous calm of solitude profound.
A change came o’er my thoughts—behind
A length of coming time I threw,
Till round me, on that rock reclined,
Its folds prophetic vision drew;
And purpling, like the morning, gave
Mine eyes of freedom’s births to have
A seeming ante-view;
As haply in brave promise stole
His country’s purer weal o’er youthful Hampden’s soul.
All round me villages upgrew
At once, with orchards clumped about,
And oft between, tall pine-rows through,
Some mansion’s pillard porch looked out,
And thickening up from alleys green,
Where rustic groups in dance were seen,
Came merry cry and shout;
While from tall groves beyond, the cheer
Of maiden’s laughter soft, broke in rich wavelets near.
216
And in the gusts that overpassed
The stir of neighbouring cities came,
Whose structures in the distance massed
Proclaimed their opulence and fame,
O’er fields of ripening plenty viewed,
Or hills with white flocks fleeced, and strewed
With herds that grazed the same;
While on the paven roads between
The crowding chariots came with rapid-rolling din.
Now gaining depth, the vision lay
Around my being like a law,
So that my spirit might not say
But all was real that I saw:
I mark a youth and maiden, pressed
By love’s sweet power, elude the rest,
And as they nearer draw
I list the vow that each imparts
Folded within the spells of harmonizing hearts.
But suddenly a grim-faced sire
Strides like a fatal wraith between
With that cold whiteness is his ire
Which in the bad alone is seen!
Alas! This world can never be
A poet’s Eden utterly—
Twill be what it hath been!
So long as love’s rich heart is red,
And beauty’s eyes are bright—so long shall tears be shed.
They pass; and lo, a lonely boy
With wandering step goes musing by;
Glory is in his air, and joy,
And all the poet in his eye!
And now, whilst rich emotions flush
His happy face, as cloud-hues blush
In morning’s radiant sky,
He sings—and to the charmful sound
Troops of angelic shapes throng into being round.
But ’neath a sombre cypress tree,
And clad in garbs of kindred gloom,
217
A mother and her child I see
Both mourning o’er a lowly tomb!
Ah! Life hath ever been a brief
Mixed dream of glory and grief—
Its earliest, latest doom!
That heart in which love’s tides first ran
Descends with all its risks to every child of man.
Now turning see, with locks all grey,
A form majestic; wisdom true
Illumes his brow—the power to weigh
All worth, and look all semblence through;
And stately youths of studious mien,
Children of light, with him are seen,
His auditory—who
Attend the speaking sage along
And hearken to the wisdom of his manna-dropping tongue.
And now doth his large utterance throw
A sacred solemnizing spell
O’er scenes that yet no record know,
Round names that now I may not tell;
But there was one—too long unknown!
Whereat, as with a household tone
Upon the ear it fell,
Each listener’s speaking eyes were given
To glisten with a tear and turn awhile to heaven.
Thus night came on; for hours had flown,
And yet its hold the vision kept,
Till lulled by many a dying tone,
I laid me on the rock and slept!
And now the moon hung big between
Two neighbouring summits sheath’d with sheen—
When all with dews dewept,
And roused by a loud coming gale,
I sought our camp-fire’s glow, deep in the darkening vale.
218
~ Charles Harpur,#NFDB
622:Marshal Neigh, V.C.
He came from tumbled country past the
humps of Buffalo
Where the snow sits on the mountain 'n' the
Summer aches below.
He'd a silly name like Archie. Squattin'
sullen on the ship,
He knew nex' to holy nothin' through the gorforsaken trip.
No thoughts he had of women, no refreshin'
talk of beer;
If he'd battled, loved, or suffered vital facts
did not appear;
But the parsons and the poets couldn't teach
him to discourse
When it come to pokin' guyver at a pore,
deluded horse.
If nags got sour 'n' kicked agin the rules of
things at sea,
Artie argued matters with 'em, 'n' he'd kid
'em up a tree.
“Here's a pony got hystericks. Pipe the word
for Privit Rowe,”
The Sargint yapped, 'n' all the ship came
cluckin' to the show.
He'd chat him confidential, 'n' he'd pet 'n'
paw the moke;
He'd tickle him, 'n' flatter him, 'n' try him
with a joke;
'N' presently that neddy sobers up, 'n' sez
“Ive course,
Since you puts it that way, cobber, I will be
a better horse.”
There was one pertickler whaler, known
aboard ez Marshal Neigh,
Whose monkey tricks with Privit Rowe was
66
better than a play.
He'd done stunts in someone's circus, 'n' he
loved a merry bout,
Whirlin' in to bust his boiler, or to kick
the bottom out.
Rowe he sez: “Well, there's an idjit! Oh,
yes, let her whiz, you beauty!
Where's yer 'orse sense, little feller? Where's
yer bloomin' sense iv duty?
Well, you orter serve yer country!” Then
there'd come a painful hush,
'N' that nag would drop his head-piece, 'n', so
'elp me cat, he'd blush.
We was heaped ashore be Suez, rifle, horse,
'n' man, 'n' tent,
Where the land is sand, the water, 'n' the
gory firmament.
We had intervals iv longin', we had sweaty
spells of work
In the ash-pit iv Gehenner, dumbly waitin'
fer the Turk.
We goes driftin' on the desert, nothin' doin',
nothin' said,
Till we get to think we're nowhere, 'n' arf
fancy we are dead,
'N' the only 'uman interest on the red horizon's brim
Is Marshal Neigh's queer faney fer the lad
that straddles him.
Plain-livin's nearly, bored us stiff. The Major
calls on Rowe
To devise an entertainment. What his
charger doesn't know
Isn't in the regulations. Him 'n' Rowe is
brothers met,
'N' that horse's sense iv humor is the oddest
fancy yet.
67
But the Turk arrives one mornin' on the outer
edge iv space.
From back iv things his guns is floppin' kegs
about the place,
'N' Privit Artie Rowe along with others iv
the force
Goes pig-rootin' inter battle, holdin' converse
with his horse.
Little Abdul's quite a fighter, 'n' he mixes it
with skill;
But the Anzacs have him snouted,, 'n', oh,
ma, he's feelin' ill.
They wake the all-fired desert, 'n' the land for
ever dead
Is alive 'n' fairly creepin', and the skies are
droppin' lead.
When they've got the Ot'man goin', little
gaudy hunts begin.
It fer us to chiv His Trousers. 'n' to round
the stragglers in.
Cuttin' closest to the raw, 'n' swearin' lovin'
all the way,
Is Artie from Molinga on his neddy, Marshal
Neigh.
We're pursuin' sundry camels turkey-trottin'
anyhow
With the carriage iv an emu 'n' the action iv
a cow,
When a sand dune busts, 'n' belches arf a
million iv the foe.
They uncork a blanky batt'ry, 'n' it's, Allah,
let her go!
We're not stayin' dinner, thank you. Lie
along yer horse 'n' yell,
While the bullets pip yer britches 'n' you
sniff the flue of Hell.
Here it is that Artie takes it good 'n' solid in
the crust,
68
He dives from out the saddle, 'n' is swallered
in the dust.
I got through 'n' saw them pointin' where the
Marshal faced the band.
He was goin' where we came from, sniffin'
bodies in the sand.
Till he found Rowe snugglin' under, took him
where his pants was slack,
'N' be all the Asiatic gods, he brought his
soldier back!
With a bullet in his buttock, 'n' a drill hole
in his ear,
He dumped Artie down among us. Square
'n' all, how did we cheer!
There's no medals struck fer neddies, but we
rule there orter be,
'N' the pride iv all the Light Horse is old
Marshal Neigh, V.C.
~ Edward George Dyson,#NFDB
623:The Resurrection
I thought I had forever lost,
Alas, though still so young,
The tender joys and sorrows all,
That unto youth belong;
The sufferings sweet, the impulses
Our inmost hearts that warm;
Whatever gives this life of ours
Its value and its charm.
What sore laments, what bitter tears
O'er my sad state I shed,
When first I felt from my cold heart
Its gentle pains had fled!
Its throbs I felt no more; my love
Within me seemed to die;
Nor from my frozen, senseless breast
Escaped a single sigh!
I wept o'er my sad, hapless lot;
The life of life seemed lost;
The earth an arid wilderness,
Locked in eternal frost;
The day how dreary, and the night
How dull, and dark, and lone!
The moon for me no brightness had,
No star in heaven shone.
And yet the old love was the cause
Of all the tears I shed;
Still in my inmost breast I felt
The heart was not yet dead.
My weary fancy still would crave
The images it loved,
And its capricious longings still
A source of sorrow proved.
99
But e'en that lingering spark of grief
Was soon within me spent,
And I the strength no longer had
To utter a lament.
And there I lay, stunned, stupefied,
Nor asked for comfort more;
My heart to hopeless, blank despair
Itself had given o'er.
How changed, alas, was I from him
Who once with passion thrilled,
Whose ardent soul was ever, once,
With sweet illusions filled!
The swallow to my window, still,
Would come, to greet the dawn;
But his sweet song no echo found
In my poor heart, forlorn.
Nor pleased me more, in autumn gray,
Upon the hill-side lone,
The cheerful vesper-bell, or light
Of the departing sun.
In vain the evening star I saw
Above the silent vale,
And vainly warbled in the grove
The plaintive nightingale.
And you, ye furtive glances, bright,
From gentle eyes that rove,
The sweet, the gracious messages
Of first immortal Love;
The soft, white hand, that tenderly
My own hand seemed to woo;
All, all your magic spells were vain,
My torpor to subdue.
Of every pleasure quite bereft,
100
Sad but of tranquil mien;
A state of perfect littleness,
Yet with a face serene;
Save for the lingering wish, indeed,
In death to sink to rest,
The force of all desire was spent
In my exhausted breast.
As some poor, feeble wanderer,
With age and sorrow bent,
The April of my years, alas,
Thus listlessly I spent;
Thus listlessly, thus wearily,
Didst thou consume, O heart,
Those golden days, ineffable,
So swiftly that depart.
_Who_, from this heavy, heedless rest
Awakens me again?
What new, what magic power is this,
I feel within me reign?
Ye motions sweet, ye images,
Ye throbs, illusions blest,
Ah, no,--ye are not then shut out
Forever from this breast?
The glorious light of golden days
Do ye again unfold?
The old affections that I lost,
Do I once more behold?
Now, as I gaze upon the sky,
Or on the verdant fields,
Each thing with sorrow me inspires,
And each a pleasure yields.
The mountain, forest, and the shore
Once more my heart rejoice;
The fountain speaks to me once more,
101
The sea hath found a voice.
Who, after all this apathy,
Restores to me my tears?
Each moment, as I look around,
How changed the world appears!
Hath hope, perchance, O my poor heart,
Beguiled thee of thy pain?
Ah, no, the gracious smile of hope
I ne'er shall see again.
Nature bestowed these impulses,
And these illusions blest;
Their inborn influence, in me,
By suffering was suppressed;
But not annulled, not overcome
By cruel blows of Fate;
Nor by the inauspicious frown
Of Truth, importunate!
I know she has no sympathy
For fond imaginings;
I know that Nature, too, is deaf,
Nor heeds our sufferings;
That for our _good_ she nothing cares,
Our _being_, only heeds;
And with the sight of our distress
Her wild caprices feeds.
I know the poor man pleads in vain,
For others' sympathy;
That scornfully, or heedlessly,
All from his presence flee;
That both for genius and for worth,
This age has no respect;
That all who cherish lofty aims
Are left to cold neglect.
102
And you, ye eyes so tremulous
With lustre all divine,
I know how false your splendors are,
Where no true love doth shine.
No love mysterious and profound
Illumes you with its glow;
Nor gleams one spark of genial fire
Beneath that breast of snow.
Nay, it is wont to laugh to scorn
Another's tender pain;
The fervent flame of heavenly love
To treat with cold disdain.
Yet I with thankfulness once more
The old illusions greet,
And feel, with shock of pleased surprise,
The heart within me beat.
To thee alone this force renewed,
This vital power I owe;
From thee alone, my faithful heart,
My only comforts flow.
I feel it is the destiny
Of every noble mind,
In Fate, in Fortune, Beauty, and the World,
An enemy to find:
But while thou liv'st, nor yield'st to Fate,
Contending without fear,
I will not tax with cruelty
The power that placed me here.
~ Count Giacomo Leopardi,#NFDB
624:Understand That This Is A Dream
Real as a dream
What shall I do with this great opportunity to fly?
What is the interpretation of this planet, this moon?
if I can dream that I dream / and dream anything dreamable / can I dream
I am awake / and why do that?
When I dream in a dream that I wake / up what
happens when I try to move?
I dream that I move
and the effort moves and moves
till I move / and my arm hurts
Then I wake up / dismayed / I was dreaming / I was waking
when I was dreaming still / just now.
and try to remember next time in dreams
that I am in dreaming.
And dream anything I want when I'm awaken.
When I'm in awakeness what do I desire?
I desire to fulfill my emotional belly.
My whole body my heart in my fingertops thrill with some old fulfillments.
Pages of celestial rhymes burning fire-words
unconsumable but disappear.
Arcane parchments my own and the universe the answer.
Belly to Belly and knee to knee.
The hot spurt of my body to thee and thee
old boy / dreamy Earl / you Prince of Paterson / now king of me / lost
Haledon
first dream that made me take down my pants
urgently to show the cars / auto tracks / rolling down avenue hill.
That far back what do I remember / but the face of the leader of the gang
was blond / that loved me / one day on the steps of his house blocks away
all afternoon I told him about my magic Spell
I can do anything I want / palaces millions / chemistry sets / chicken
coops / white horses
stables and torture basements / I inspect my naked victims
chained upside down / my fingertips thrill approval on their thighs
white hairless cheeks I may kiss all I want
92
at my mercy. on the racks.
I pass with my strong attendants / I am myself naked
bending down with my buttocks out
for their smacks of reproval / o the heat of desire
liek shit in my asshole. The strange gang
across the street / thru the grocerystore / in the wood alley / out in the open
on the corner
Because I lied to the Dentist about that chickencoop roofing / slate stolen off
his garage
by me and the boy I loved who would punish me if he knew
what I loved him.
That now I have had that boy back in another blond form
Peter Orlovsky a Chinese teenager in Bangkok ten years twenty years
Jo Army on the campus / white blond loins / my mouth hath kisses /
full of his cock / my ass burning / full of his cock
all that I do desire. In dream and awake
this handsome body mine / answered
all I desired / intimate loves / open eyed / revealed at last / clothes on the
floor
Underwear the most revealing stripped off below the belly button in bed.
That's that / yes yes / the flat cocks the red pricks the gentle public hair /
alone with me
my magic spell. My power / what I desire alone / what after thirty years /
I got forever / after thirty years / satisfied enough with Peter / with all I
wanted /
with many men I knew one generation / our sperm passing
into our mouths and bellies / beautiful when I love / given.
Now the dream oldens / I olden / my hair a year long / my thirtyeight
birthday approaching.
I dream I
am bald / am disappearing / the campus unrecognizable / Haledon Avenue
93
will be covered with neon / motels / Supermarkets / iron
the porches and woods changed when i go back / to see Earl again
He'll be bald / fleshy father / I could pursie him further in the garage
If there's still a garage on the hill / on the planet / when I get back.
From Asia.
If I could even remember his name or his face / or find him /
When I was ten / perhaps he exists in some form.
With a belly and a belt and an auto
Whatever his last name / I never knew / in the phonebook / the Akashic
records.
I'll write my Inspiration for all Mankind to remember,
My Idea, the secret cave / in the clothes closet / that house probably down /
Nothing to go back to / everything's gone / only my idea
that's disappearing / even in dreams / gray dust piles / instant annihilation
of World War II and all its stainless steel shining-mouthed cannons
much less me and my grammar school kisses / I never kissed in time /
and go on kissing in dream and out on the street / as if it were for ever.
No forever left! Even my oldest forever gone, in Bangkok, in Benares,
swept up with words and bodies / all into the brown Ganges /
passing the burning grounds and / into the police state.
My mind, my mind / you had six feet of Earth to hoe /
Why didn't you remember and plant the seed of Law and gather the sprouts
of What?
the golden blossoms of what idea? If I dream that I dream / what dream
should I dream next? Motorcycle rickshaws / parting lamp shine / little
taxis / horses hoofs
on this Saigon midnight street. Angkor Wat ahead and the ruined city's old
Hindu faces
and there was a dream about Eternity. What should I dream when I wake?
What's left to dream, more Chinese meat? More magic Spells? More youths
to love before I change & disappear?
94
More dream words? For now that I know that I am dreaming /
What next for you Allen? Run down to the Presidents Palace full of Morphine /
The cocks crowing / in the street / Dawn trucks / What is the question?
Do I need sleep, now that there's light in the window?
I'll go to sleep. Signing off until / the next idea / the moving van arrives
empty
at the Doctor's house full of Chinese furniture.
~ Allen Ginsberg,#NFDB
625:The Origin Of Flattery
WHEN Jove, in anger to the sons of the earth,
Bid artful Vulcan give Pandora birth,
And sent the fatal gift which spread below
O'er all the wretched race contagious woe,
Unhappy man, by vice and folly tost,
Found in the storms of life his quiet lost,
While Envy, Avarice, and Ambition, hurl'd
Discord and death around the warring world;
Then the blest peasant left his fields and fold,
And barter'd love and peace for power and gold;
Left his calm cottage and his native plain,
In search of wealth to tempt the faithless main;
Or, braving danger, in the battle stood,
And bathed his savage hands in human blood;
No longer then, his woodland walks among,
The shepherd lad his genuine passion sung,
Or sought at early morn his soul's delight,
Or graved her name upon the bark at night;
To deck her flowing hair no more he wove
The simple wreath, or with ambitious love
Bound his own brow with myrtle or with bay,
But broke his pipe, or threw his crook away.
The nymphs forsaken, other pleasures sought;
Then first for gold their venal hearts were bought,
And nature's blush to sickly art gave place,
And affectation seized the seat of grace:
No more simplicity by sense refined,
Or generous sentiment, possess'd the mind:
No more they felt each other's joy and woe,
And Cupid fled, and hid his useless bow.
But with deep grief propitious Venus pined,
To see the ills which threaten'd womankind;
Ills that she knew her empire would disarm,
And rob her subjects of their sweetest charm;
Good humour's potent influence destroy,
And change for lowering frowns the smile of joy,
Then deeply sighing at the mournful view,
She tried at length what heavenly art could do
190
To bring back Pleasure to her pensive train,
And vindicate the glories of her reign.
A thousand little loves attend the task,
And bear from Mars's head his radiant casque,
The fair enchantress on its silver bound
Weaved with soft spells her magic cestus round,
Then shaking from her hair ambrosial dew,
Infused fair hope, and expectation new,
And stifled wishes, and persuasive sighs,
And fond belief, and 'eloquence of eyes,
And falt'ring accents, which explain so well
What studied speeches vainly try to tell;
And more pathetic silence, which imparts
Infectious tenderness to feeling hearts;
Soft tones of pity; fascinating smiles;
And Maia's son assisted her with wiles,
And brought gay dreams, fantastic visions brought,
And waved his wand o'er the seducing draught.
Then Zephyr came: to him the goddess cried,
'Go fetch from Flora all her flowery pride
To fill my charm, each scented bud that blows,
And bind my myrtles with her thornless rose;
Then speed thy flight to Gallia's smiling plain,
Where rolls the Loire, the Garonne, and the Seine;
Dip in their waters thy celestial wing,
And the soft dew to fill my chalice bring;
But chiefly tell thy Flora, that to me
She send a bouquet of her fleurs de lys;
That poignant spirit will complete my spell.'
--'Tis done: the lovely sorceress says 'tis well.
And now Apollo lends a ray of fire,
The caldron bubbles, and the flames aspire;
The watchful Graces round the circle dance,
With arms entwined to mark the work's advance;
And with full quiver sportive Cupid came,
Temp'ring his favourite arrows in the flame.
Then Venus speaks, the wavering flames retire,
And Zephyr's breath extinguishes the fire.
At length the goddess in the helmet's round
A sweet and subtile spirit duly found,
More soft than oil, than ether more refined,
Of power to cure the woes of womankind,
191
And call'd it Flattery:--balm of female life,
It charms alike the widow, maid, and wife;
Clears the sad brow of virgins in despair,
And smooths the cruel traces left by care;
Bids palsied age with youthful spirit glow,
And hangs May's garlands on December's snow.
Delicious essence! howsoe'er applied,
By what rude nature is thy charm denied?
Some form seducing still thy whisper wears,
Stern Wisdom turns to thee her willing ears,
And Prudery listens and forgets her fears.
The rustic nymph whom rigid aunts restrain,
Condemn'd to dress, and practise airs in vain,
At thy first summons finds her bosom swell,
And bids her crabbed gouvernantes farewell;
While, fired by thee with spirit not her own,
She grows a toast, and rises into ton .
The faded beauty who, with secret pain,
Sees younger charms usurp her envied reign,
By thee assisted, can with smiles behold
The record where her conquests are enroll'd;
And dwelling yet on scenes by memory nursed,
When George the Second reign'd, or George the First;
She sees the shades of ancient beaux arise,
Who swear her eyes exceeded modern eyes,
When poets sung for her, and lovers bled,
And giddy fashion follow'd as she led.
Departed modes appear in long array,
The flowers and flounces of her happier day;
Again her locks the decent fillets bind,
The waving lappet flutters in the wind.
And then comparing with a proud disdain
The more fantastic tastes that now obtain,
She deems ungraceful, trifling and absurd,
The gayer world that moves round George the Third.
Nor thy soft influence will the train refuse,
Who court in distant shades the modest Muse,
Though in a form more pure and more refined,
Thy soothing spirit meets the letter'd mind.
Not death itself thine empire can destroy;
Tow'rds thee, even then, we turn the languid eye;
192
Still trust in thee to bid our memory bloom,
And scatter roses round the silent tomb.
~ Charlotte Smith,#NFDB
626:A Winter's Tale
It is a winter's tale
That the snow blind twilight ferries over the lakes
And floating fields from the farm in the cup of the vales,
Gliding windless through the hand folded flakes,
The pale breath of cattle at the stealthy sail,
And the stars falling cold,
And the smell of hay in the snow, and the far owl
Warning among the folds, and the frozen hold
Flocked with the sheep white smoke of the farm house cowl
In the river wended vales where the tale was told.
Once when the world turned old
On a star of faith pure as the drifting bread,
As the food and flames of the snow, a man unrolled
The scrolls of fire that burned in his heart and head,
Torn and alone in a farm house in a fold
Of fields. And burning then
In his firelit island ringed by the winged snow
And the dung hills white as wool and the hen
Roosts sleeping chill till the flame of the cock crow
Combs through the mantled yards and the morning men
Stumble out with their spades,
The cattle stirring, the mousing cat stepping shy,
The puffed birds hopping and hunting, the milkmaids
Gentle in their clogs over the fallen sky,
And all the woken farm at its white trades,
He knelt, he wept, he prayed,
By the spit and the black pot in the log bright light
And the cup and the cut bread in the dancing shade,
In the muffled house, in the quick of night,
At the point of love, forsaken and afraid.
He knelt on the cold stones,
He wept form the crest of grief, he prayed to the veiled sky
May his hunger go howling on bare white bones
23
Past the statues of the stables and the sky roofed sties
And the duck pond glass and the blinding byres alone
Into the home of prayers
And fires where he should prowl down the cloud
Of his snow blind love and rush in the white lairs.
His naked need struck him howling and bowed
Though no sound flowed down the hand folded air
But only the wind strung
Hunger of birds in the fields of the bread of water, tossed
In high corn and the harvest melting on their tongues.
And his nameless need bound him burning and lost
When cold as snow he should run the wended vales among
The rivers mouthed in night,
And drown in the drifts of his need, and lie curled caught
In the always desiring centre of the white
Inhuman cradle and the bride bed forever sought
By the believer lost and the hurled outcast of light.
Deliver him, he cried,
By losing him all in love, and cast his need
Alone and naked in the engulfing bride,
Never to flourish in the fields of the white seed
Or flower under the time dying flesh astride.
Listen. The minstrels sing
In the departed villages. The nightingale,
Dust in the buried wood, flies on the grains of her wings
And spells on the winds of the dead his winter's tale.
The voice of the dust of water from the withered spring
Is telling. The wizened
Stream with bells and baying water bounds. The dew rings
On the gristed leaves and the long gone glistening
Parish of snow. The carved mouths in the rock are wind swept strings.
Time sings through the intricately dead snow drop. Listen.
It was a hand or sound
In the long ago land that glided the dark door wide
And there outside on the bread of the ground
24
A she bird rose and rayed like a burning bride.
A she bird dawned, and her breast with snow and scarlet downed.
Look. And the dancers move
On the departed, snow bushed green, wanton in moon light
As a dust of pigeons. Exulting, the grave hooved
Horses, centaur dead, turn and tread the drenched white
Paddocks in the farms of birds. The dead oak walks for love.
The carved limbs in the rock
Leap, as to trumpets. Calligraphy of the old
Leaves is dancing. Lines of age on the stones weave in a flock.
And the harp shaped voice of the water's dust plucks in a fold
Of fields. For love, the long ago she bird rises. Look.
And the wild wings were raised
Above her folded head, and the soft feathered voice
Was flying through the house as though the she bird praised
And all the elements of the slow fall rejoiced
That a man knelt alone in the cup of the vales,
In the mantle and calm,
By the spit and the black pot in the log bright light.
And the sky of birds in the plumed voice charmed
Him up and he ran like a wind after the kindling flight
Past the blind barns and byres of the windless farm.
In the poles of the year
When black birds died like priests in the cloaked hedge row
And over the cloth of counties the far hills rode near,
Under the one leaved trees ran a scarecrow of snow
And fast through the drifts of the thickets antlered like deer,
Rags and prayers down the kneeDeep hillocks and loud on the numbed lakes,
All night lost and long wading in the wake of the sheBird through the times and lands and tribes of the slow flakes.
Listen and look where she sails the goose plucked sea,
The sky, the bird, the bride,
The cloud, the need, the planted stars, the joy beyond
The fields of seed and the time dying flesh astride,
25
The heavens, the heaven, the grave, the burning font.
In the far ago land the door of his death glided wide,
And the bird descended.
On a bread white hill over the cupped farm
And the lakes and floating fields and the river wended
Vales where he prayed to come to the last harm
And the home of prayers and fires, the tale ended.
The dancing perishes
On the white, no longer growing green, and, minstrel dead,
The singing breaks in the snow shoed villages of wishes
That once cut the figures of birds on the deep bread
And over the glazed lakes skated the shapes of fishes
Flying. The rite is shorn
Of nightingale and centaur dead horse. The springs wither
Back. Lines of age sleep on the stones till trumpeting dawn.
Exultation lies down. Time buries the spring weather
That belled and bounded with the fossil and the dew reborn.
For the bird lay bedded
In a choir of wings, as though she slept or died,
And the wings glided wide and he was hymned and wedded,
And through the thighs of the engulfing bride,
The woman breasted and the heaven headed
Bird, he was brought low,
Burning in the bride bed of love, in the whirlPool at the wanting centre, in the folds
Of paradise, in the spun bud of the world.
And she rose with him flowering in her melting snow.
~ Dylan Thomas,#NFDB
627:The Boston Athenaeum
Thou dear and well-loved haunt of happy hours,
How often in some distant gallery,
Gained by a little painful spiral stair,
Far from the halls and corridors where throng
The crowd of casual readers, have I passed
Long, peaceful hours seated on the floor
Of some retired nook, all lined with books,
Where reverie and quiet reign supreme!
Above, below, on every side, high shelved
From careless grasp of transient interest,
Stand books we can but dimly see, their charm
Much greater that their titles are unread;
While on a level with the dusty floor
Others are ranged in orderly confusion,
And we must stoop in painful posture while
We read their names and learn their histories.
The little gallery winds round about
The middle of a most secluded room,
Midway between the ceiling and the floor.
A type of those high thoughts, which while we read
Hover between the earth and furthest heaven
As fancy wills, leaving the printed page;
For books but give the theme, our hearts the rest,
Enriching simple words with unguessed harmony
And overtones of thought we only know.
And as we sit long hours quietly,
Reading at times, and at times simply dreaming,
The very room itself becomes a friend,
The confidant of intimate hopes and fears;
A place where are engendered pleasant thoughts,
And possibilities before unguessed
Come to fruition born of sympathy.
And as in some gay garden stretched upon
A genial southern slope, warmed by the sun,
The flowers give their fragrance joyously
To the caressing touch of the hot noon;
So books give up the all of what they mean
Only in a congenial atmosphere,
Only when touched by reverent hands, and read
259
By those who love and feel as well as think.
For books are more than books, they are the life,
The very heart and core of ages past,
The reason why men lived, and worked, and died,
The essence and quintessence of their lives.
And we may know them better, and divine
The inner motives whence their actions sprang,
Far better than the men who only knew
Their bodily presence, the soul forever hid
From those with no ability to see.
They wait here quietly for us to come
And find them out, and know them for our friends;
These men who toiled and wrote only for this,
To leave behind such modicum of truth
As each perceived and each alone could tell.
Silently waiting that from time to time
It may be given them to illuminate
Dull daily facts with pristine radiance
For some long-waited-for affinity
Who lingers yet in the deep womb of time.
The shifting sun pierces the young green leaves
Of elm trees, newly coming into bud,
And splashes on the floor and on the books
Through old, high, rounded windows, dim with age.
The noisy city-sounds of modern life
Float softened to us across the old graveyard.
The room is filled with a warm, mellow light,
No garish colours jar on our content,
The books upon the shelves are old and worn.
'T was no belated effort nor attempt
To keep abreast with old as well as new
That placed them here, tricked in a modern guise,
Easily got, and held in light esteem.
Our fathers' fathers, slowly and carefully
Gathered them, one by one, when they were new
And a delighted world received their thoughts
Hungrily; while we but love the more,
Because they are so old and grown so dear!
The backs of tarnished gold, the faded boards,
The slightly yellowing page, the strange old type,
All speak the fashion of another age;
The thoughts peculiar to the man who wrote
260
Arrayed in garb peculiar to the time;
As though the idiom of a man were caught
Imprisoned in the idiom of a race.
A nothing truly, yet a link that binds
All ages to their own inheritance,
And stretching backward, dim and dimmer still,
Is lost in a remote antiquity.
Grapes do not come of thorns nor figs of thistles,
And even a great poet's divinest thought
Is coloured by the world he knows and sees.
The little intimate things of every day,
The trivial nothings that we think not of,
These go to make a part of each man's life;
As much a part as do the larger thoughts
He takes account of. Nay, the little things
Of daily life it is which mold, and shape,
And make him apt for noble deeds and true.
And as we read some much-loved masterpiece,
Read it as long ago the author read,
With eyes that brimmed with tears as he saw
The message he believed in stamped in type
Inviolable for the slow-coming years;
We know a certain subtle sympathy,
We seem to clasp his hand across the past,
His words become related to the time,
He is at one with his own glorious creed
And all that in his world was dared and done.
The long, still, fruitful hours slip away
Shedding their influences as they pass;
We know ourselves the richer to have sat
Upon this dusty floor and dreamed our dreams.
No other place to us were quite the same,
No other dreams so potent in their charm,
For this is ours! Every twist and turn
Of every narrow stair is known and loved;
Each nook and cranny is our very own;
The dear, old, sleepy place is full of spells
For us, by right of long inheritance.
The building simply bodies forth a thought
Peculiarly inherent to the race.
And we, descendants of that elder time,
Have learnt to love the very form in which
261
The thought has been embodied to our years.
And here we feel that we are not alone,
We too are one with our own richest past;
And here that veiled, but ever smouldering fire
Of race, which rarely seen yet never dies,
Springs up afresh and warms us with its heat.
And must they take away this treasure house,
To us so full of thoughts and memories;
To all the world beside a dismal place
Lacking in all this modern age requires
To tempt along the unfamiliar paths
And leafy lanes of old time literatures?
It takes some time for moss and vines to grow
And warmly cover gaunt and chill stone walls
Of stately buildings from the cold North Wind.
The lichen of affection takes as long,
Or longer, ere it lovingly enfolds
A place which since without it were bereft,
All stript and bare, shorn of its chiefest grace.
For what to us were halls and corridors
However large and fitting, if we part
With this which is our birthright; if we lose
A sentiment profound, unsoundable,
Which Time's slow ripening alone can make,
And man's blind foolishness so quickly mar.
~ Amy Lowell,#NFDB
628:To Joy
Joy, beautiful spark of the gods,
Daughter from Elysium,
We enter, drunk with fire,
Heavenly, your sanctuary.
Your spells bind again
What the fashion sword shared
Beggars become prince brothers
Where your gentle wing rests.
Choir us
Be embraced, millions!
This kiss for the whole world!
Brothers - over the stars
Must a dear father live.
Who succeeded the big hit,
To be a friend's friend
Whoever has won a devoted wife,
Mix in his cheers!
Yes - whoever even has a soul
His names on the earth!
And if you never could, steal
Weeping from this covenant
Choir us
What inhabits the great ring,
Pay homage to sympathy!
She leads to the stars
Where the unknown is enthroned.
All beings drink joy
On the breasts of nature
All good, all bad,
Follow their rose trail.
She gave us kisses and vines
A friend tested in death
Pleasure was given to the worm,
And the cherub stands before God.
Choir us
Are you falling, millions?
Do you suspect the Creator, world?
Find him over the canopy of stars.
He must live above the stars.
The strong pen is called joy
In eternal nature.
Joy, joy, drives the wheels
In the great world clock.
She lures flowers from the bud,
Suns from the firmament,
She rolls spheres in the rooms,
Which the seer pipe does not know.
Choir us
Glad how its suns fly
By heaven's glorious plan
Run, brothers, your path,
Happy as a hero to victory.
From the truth, the mirror of fire
She smiles at the researcher.
To the virtue of a steep hill
Guide the path of the sufferer.
On the mountains of the sun of faith
If you see their flags waving
Through the crack of blasted saerge
You stand in the choir of angels.
Chorus
Endure courageously, millions!
Tolerate for the better world!
Up above the starry canopy
Will a great god reward.
Gods cannot be repaid
It's nice to be like them.
Sorrow and poverty should report,
Rejoice with the happy.
Resentment and vengeance be forgotten,
Pardon our mortal enemy,
No tear shall press him,
No regrets gnaw him.
Choir us
Our debt register be destroyed!
The whole world is paved!
Brothers, over the stars
Judge God as we judged.
Joy gushes in cups,
In the cluster of golden blood
Drink gentleness cannibals,
Despair heroism
Brothers, fly from your seats
When the full Roman circles
Let the foam rise to the sky:
This glass to the good spirit.
Choir us
Praise the vortex of the stars
Who praises the seraph's hymn,
This glass to the good spirit
Above the starry tent up there!
Strong courage in grave suffering
Help where innocence weeps
Eternal sworn oaths,
Truth against friend and foe,
Male pride in front of royal thrones
Brothers, there is good and blood. -
His crowns to merit,
Downfall of the brood of lies!
Choir us
Closes the sacred circle more closely
Swear by this golden wine:
To be faithful to the vow
Swear it to the judge of the stars!
Rescue from chains of tyrants,
Generosity even to the villain,
Hope in the deathbeds
Mercy on the high court!
Let the dead live too!
Brothers, drink and join in
Let all sinners forgive
And no longer be hell.
Choir us
A cheerful farewell hour!
Sweet sleep in the shroud!
Brothers - a gentle saying
From the mouth of the judge of the dead.
To Joy
Joy, beautiful spark of Gods,
Daughter of Elysium,
We enter, fire-imbibed,
Heavenly, thy sanctuary.
Thy magic powers re-unite
What custom's sword has divided
Beggars become Princes' brothers
Where thy gentle wing abides.
Chorus
Be embraced, millions!
This kiss to the entire world!
Brothers - above the starry canopy
A loving father must dwell.
Whoever has had the great fortune,
To be a friend's friend,
Whoever has won the love of a devoted wife,
Add his to our jubilation!
Indeed, whoever can call even one soul
His own on this earth!
And whoever was never able to must creep
Tearfully away from this circle.
Chorus
Those who dwell in the great circle,
Pay homage to sympathy!
It leads to the stars,
Where the Unknown reigns.
Joy all creatures drink
At nature's bosoms;
All, Just and Unjust,
Follow her rose-petalled path.
Kisses she gave us, and Wine,
A friend, proven in death,
Pleasure was given (even) to the worm,
And the Cherub stands before God.
Chorus
You bow down, millions?
Can you sense the Creator, world?
Seek him above the starry canopy.
Above the stars He must dwell.
Joy is called the strong motivation
In eternal nature.
Joy, joy moves the wheels
In the universal time machine.
Flowers it calls forth from their buds,
Suns from the Firmament,
Spheres it moves far out in Space,
Where our telescopes cannot reach.
Chorus
Joyful, as His suns are flying,
Across the Firmament's splendid design,
Run, brothers, run your race,
Joyful, as a hero going to conquest.
As truth's fiery reflection
It smiles at the scientist.
To virtue's steep hill
It leads the sufferer on.
Atop faith's lofty summit
One sees its flags in the wind,
Through the cracks of burst-open coffins,
One sees it stand in the angels' chorus.
Chorus
Endure courageously, millions!
Endure for the better world!
Above the starry canopy
A great God will reward you.
Gods one cannot ever repay,
It is beautiful, though, to be like them.
Sorrow and Poverty, come forth
And rejoice with the joyful ones.
Anger and revenge be forgotten,
Our deadly enemy be forgiven,
Not one tear shall he shed anymore,
No feeling of remorse shall pain him.
Chorus
The account of our misdeeds be destroyed!
Reconciled the entire world!
Brothers, above the starry canopy
God judges as we judged.
Joy is bubbling in the glasses,
Through the grapes' golden blood
Cannibals drink gentleness,
And despair drinks courage
Brothers, fly from your seats,
When the full rummer is going around,
Let the foam gush up to heaven *:
This glass to the good spirit.
Chorus
He whom star clusters adore,
He whom the Seraphs' hymn praises,
This glass to him, the good spirit,
Above the starry canopy!
Resolve and courage for great suffering,
Help there, where innocence weeps,
Eternally may last all sworn Oaths,
Truth towards friend and enemy,
Men's pride before Kings' thrones
Brothers, even it if meant our Life and blood,
Give the crowns to those who earn them,
Defeat to the pack of liars!
Chorus
Close the holy circle tighter,
Swear by this golden wine:
To remain true to the Oath,
Swear it by the Judge above the stars!
Delivery from tyrants' chains,
Generosity also towards the villain,
Hope on the deathbeds,
Mercy from the final judge!
Also the dead shall live!
Brothers, drink and chime in,
All sinners shall be forgiven,
And hell shall be no more.
Chorus
A serene hour of farewell!
Sweet rest in the shroud!
Brothers a mild sentence
From the mouth of the final judge!
Many thanks to Oldpoetry reader Vladimir for locating the original version. http://www.raptusassociation.org/
~ Friedrich Schiller, Ode To Joy - With Translation
,#NFDB
629:Song Of Unending Sorrow.
China's Emperor, craving beauty that might shake an empire,
Was on the throne for many years, searching, never finding,
Till a little child of the Yang clan, hardly even grown,
Bred in an inner chamber, with no one knowing her,
But with graces granted by heaven and not to be concealed,
At last one day was chosen for the imperial household.
If she but turned her head and smiled, there were cast a hundred spells,
And the powder and paint of the Six Palaces faded into nothing.
...It was early spring. They bathed her in the FlowerPure Pool,
Which warmed and smoothed the creamy-tinted crystal of her skin,
And, because of her languor, a maid was lifting her
When first the Emperor noticed her and chose her for his bride.
The cloud of her hair, petal of her cheek, gold ripples of her crown when she
moved,
Were sheltered on spring evenings by warm hibiscus curtains;
But nights of spring were short and the sun arose too soon,
And the Emperor, from that time forth, forsook his early hearings
And lavished all his time on her with feasts and revelry,
His mistress of the spring, his despot of the night.
There were other ladies in his court, three thousand of rare beauty,
But his favours to three thousand were concentered in one body.
By the time she was dressed in her Golden Chamber, it would be almost evening;
And when tables were cleared in the Tower of Jade, she would loiter, slow with
wine.
Her sisters and her brothers all were given titles;
And, because she so illumined and glorified her clan,
She brought to every father, every mother through the empire,
Happiness when a girl was born rather than a boy.
...High rose Li Palace, entering blue clouds,
And far and wide the breezes carried magical notes
Of soft song and slow dance, of string and bamboo music.
The Emperor's eyes could never gaze on her enoughTill war-drums, booming from Yuyang, shocked the whole earth
And broke the tunes of The Rainbow Skirt and the Feathered Coat.
The Forbidden City, the nine-tiered palace, loomed in the dust
From thousands of horses and chariots headed southwest.
The imperial flag opened the way, now moving and now pausing- But thirty miles from the capital, beyond the western gate,
65
The men of the army stopped, not one of them would stir
Till under their horses' hoofs they might trample those moth- eyebrows....
Flowery hairpins fell to the ground, no one picked them up,
And a green and white jade hair-tassel and a yellowgold hair- bird.
The Emperor could not save her, he could only cover his face.
And later when he turned to look, the place of blood and tears
Was hidden in a yellow dust blown by a cold wind.
... At the cleft of the Dagger-Tower Trail they crisscrossed through a cloud-line
Under Omei Mountain. The last few came.
Flags and banners lost their colour in the fading sunlight....
But as waters of Shu are always green and its mountains always blue,
So changeless was His Majesty's love and deeper than the days.
He stared at the desolate moon from his temporary palace.
He heard bell-notes in the evening rain, cutting at his breast.
And when heaven and earth resumed their round and the dragon car faced
home,
The Emperor clung to the spot and would not turn away
From the soil along the Mawei slope, under which was buried
That memory, that anguish. Where was her jade-white face?
Ruler and lords, when eyes would meet, wept upon their coats
As they rode, with loose rein, slowly eastward, back to the capital.
...The pools, the gardens, the palace, all were just as before,
The Lake Taiye hibiscus, the Weiyang Palace willows;
But a petal was like her face and a willow-leaf her eyebrow -And what could he do but cry whenever he looked at them?
...Peach-trees and plum-trees blossomed, in the winds of spring;
Lakka-foliage fell to the ground, after autumn rains;
The Western and Southern Palaces were littered with late grasses,
And the steps were mounded with red leaves that no one swept away.
Her Pear-Garden Players became white-haired
And the eunuchs thin-eyebrowed in her Court of PepperTrees;
Over the throne flew fire-flies, while he brooded in the twilight.
He would lengthen the lamp-wick to its end and still could never sleep.
Bell and drum would slowly toll the dragging nighthours
And the River of Stars grow sharp in the sky, just before dawn,
And the porcelain mandarin-ducks on the roof grow thick with morning frost
And his covers of kingfisher-blue feel lonelier and colder
With the distance between life and death year after year;
And yet no beloved spirit ever visited his dreams.
...At Lingqiong lived a Taoist priest who was a guest of heaven,
Able to summon spirits by his concentrated mind.
And people were so moved by the Emperor's constant brooding
66
That they besought the Taoist priest to see if he could find her.
He opened his way in space and clove the ether like lightning,
Up to heaven, under the earth, looking everywhere.
Above, he searched the Green Void, below, the Yellow Spring;
But he failed, in either place, to find the one he looked for.
And then he heard accounts of an enchanted isle at sea,
A part of the intangible and incorporeal world,
With pavilions and fine towers in the five-coloured air,
And of exquisite immortals moving to and fro,
And of one among them-whom they called The Ever TrueWith a face of snow and flowers resembling hers he sought.
So he went to the West Hall's gate of gold and knocked at the jasper door
And asked a girl, called Morsel-of-Jade, to tell The Doubly- Perfect.
And the lady, at news of an envoy from the Emperor of China,
Was startled out of dreams in her nine-flowered, canopy.
She pushed aside her pillow, dressed, shook away sleep,
And opened the pearly shade and then the silver screen.
Her cloudy hair-dress hung on one side because of her great haste,
And her flower-cap was loose when she came along the terrace,
While a light wind filled her cloak and fluttered with her motion
As though she danced The Rainbow Skirt and the Feathered Coat.
And the tear-drops drifting down her sad white face
Were like a rain in spring on the blossom of the pear.
But love glowed deep within her eyes when she bade him thank her liege,
Whose form and voice had been strange to her ever since their parting -Since happiness had ended at the Court of the Bright Sun,
And moons and dawns had become long in Fairy-Mountain Palace.
But when she turned her face and looked down toward the earth
And tried to see the capital, there were only fog and dust.
So she took out, with emotion, the pledges he had given
And, through his envoy, sent him back a shell box and gold hairpin,
But kept one branch of the hairpin and one side of the box,
Breaking the gold of the hairpin, breaking the shell of the box;
"Our souls belong together," she said, " like this gold and this shell -Somewhere, sometime, on earth or in heaven, we shall surely
And she sent him, by his messenger, a sentence reminding him
Of vows which had been known only to their two hearts:
"On the seventh day of the Seventh-month, in the Palace of Long Life,
We told each other secretly in the quiet midnight world
That we wished to fly in heaven, two birds with the wings of one,
And to grow together on the earth, two branches of one tree."
Earth endures, heaven endures; some time both shall end,
67
While this unending sorrow goes on and on for ever.
~ Bai Juyi,#NFDB
630:EPODE 1a.
I stood within the City disinterred;
And heard the autumnal leaves like light footfalls
Of spirits passing through the streets; and heard
The Mountains slumberous voice at intervals
Thrill through those roofless halls;
The oracular thunder penetrating shook
The listening soul in my suspended blood;
I felt that Earth out of her deep heart spoke--
I felt, but heard not:through white columns glowed
The isle-sustaining ocean-flood,
A plane of light between two heavens of azure!
Around me gleamed many a bright sepulchre
Of whose pure beauty, Time, as if his pleasure
Were to spare Death, had never made erasure;
But every living lineament was clear
As in the sculptors thought; and there
The wreaths of stony myrtle, ivy, and pine,
Like winter leaves oergrown by moulded snow,
Seemed only not to move and grow
Because the crystal silence of the air
Weighed on their life; even as the Power divine
Which then lulled all things, brooded upon mine.
EPODE 2a.
Then gentle winds arose
With many a mingled close
Of wild Aeolian sound, and mountain-odours keen;
And where the Baian ocean
Welters with airlike motion,
Within, above, around its bowers of starry green,
Moving the sea-flowers in those purple caves,
Even as the ever stormless atmosphere
Floats oer the Elysian realm,
It bore me, like an Angel, oer the waves
Of sunlight, whose swift pinnace of dewy air
No storm can overwhelm.
I sailed, where ever flows
Under the calm Serene
A spirit of deep emotion
From the unknown graves
Of the dead Kings of Melody.
Shadowy Aornos darkened oer the helm
The horizontal aether; Heaven stripped bare
Its depth over Elysium, where the prow
Made the invisible water white as snow;
From that Typhaean mount, Inarime,
There streamed a sunbright vapour, like the standard
Of some aethereal host;
Whilst from all the coast,
Louder and louder, gathering round, there wandered
Over the oracular woods and divine sea
Prophesyings which grew articulate--
They seize meI must speak them!be they fate!
STROPHE 1.
Naples! thou Heart of men which ever pantest
Naked, beneath the lidless eye of Heaven!
Elysian City, which to calm enchantest
The mutinous air and sea! they round thee, even
As sleep round Love, are driven!
Metropolis of a ruined Paradise
Long lost, late won, and yet but half regained!
Bright Altar of the bloodless sacrifice
Which armed Victory offers up unstained
To Love, the flower-enchained!
Thou which wert once, and then didst cease to be,
Now art, and henceforth ever shalt be, free,
If Hope, and Truth, and Justice can avail,--
Hail, hail, all hail!
STROPHE 2.
Thou youngest giant birth
Which from the groaning earth
Leapst, clothed in armour of impenetrable scale!
Last of the Intercessors!
Who gainst the Crowned Transgressors
Pleadest before Gods love! Arrayed in Wisdoms mail,
Wave thy lightning lance in mirth
Nor let thy high heart fail,
Though from their hundred gates the leagued Oppressors
With hurried legions move!
Hail, hail, all hail!
ANTISTROPHE 1a.
What though Cimmerian Anarchs dare blaspheme
Freedom and thee? thy shield is as a mirror
To make their blind slaves see, and with fierce gleam
To turn his hungry sword upon the wearer;
A new Actaeons error
Shall theirs have beendevoured by their own hounds!
Be thou like the imperial Basilisk
Killing thy foe with unapparent wounds!
Gaze on Oppression, till at that dread risk
Aghast she pass from the Earths disk:
Fear not, but gazefor freemen mightier grow,
And slaves more feeble, gazing on their foe:--
If Hope, and Truth, and Justice may avail,
Thou shalt be greatAll hail!
ANTISTROPHE 2a.
From Freedoms form divine,
From Natures inmost shrine,
Strip every impious gawd, rend
Error veil by veil;
Oer Ruin desolate,
Oer Falsehoods fallen state,
Sit thou sublime, unawed; be the Destroyer pale!
And equal laws be thine,
And winged words let sail,
Freighted with truth even from the throne of God:
That wealth, surviving fate,
Be thine.All hail!
ANTISTROPHE 1b.
Didst thou not start to hear Spains thrilling paean
From land to land re-echoed solemnly,
Till silence became music? From the Aeaean
To the cold Alps, eternal Italy
Starts to hear thine! The Sea
Which paves the desert streets of Venice laughs
In light, and music; widowed Genoa wan
By moonlight spells ancestral epitaphs,
Murmuring, Where is Doria? fair Milan,
Within whose veins long ran
The vipers palsying venom, lifts her heel
To bruise his head. The signal and the seal
(If Hope and Truth and Justice can avail)
Art thou of all these hopes.--O hail!
ANTISTROPHE 2b.
Florence! beneath the sun,
Of cities fairest one,
Blushes within her bower for Freedoms expectation:
From eyes of quenchless hope
Rome tears the priestly cope,
As ruling once by power, so now by admiration,--
An athlete stripped to run
From a remoter station
For the high prize lost on Philippis shore:--
As then Hope, Truth, and Justice did avail,
So now may Fraud and Wrong! O hail!
EPODE 1b.
Hear ye the march as of the Earth-born Forms
Arrayed against the ever-living Gods?
The crash and darkness of a thousand storms
Bursting their inaccessible abodes
Of crags and thunder-clouds?
See ye the banners blazoned to the day,
Inwrought with emblems of barbaric pride?
Dissonant threats kill Silence far away,
The serene Heaven which wraps our Eden wide
With iron light is dyed;
The Anarchs of the North lead forth their legions
Like Chaos oer creation, uncreating;
An hundred tribes nourished on strange religions
And lawless slaveries,down the aereal regions
Of the white Alps, desolating,
Famished wolves that bide no waiting,
Blotting the glowing footsteps of old glory,
Trampling our columned cities into dust,
Their dull and savage lust
On Beautys corse to sickness satiating--
They come! The fields they tread look black and hoary
With firefrom their red feet the streams run gory!
EPODE 2b.
Great Spirit, deepest Love!
Which rulest and dost move
All things which live and are, within the Italian shore;
Who spreadest Heaven around it,
Whose woods, rocks, waves, surround it;
Who sittest in thy star, oer Oceans western floor;
Spirit of beauty! at whose soft command
The sunbeams and the showers distil its foison
From the Earths bosom chill;
Oh, bid those beams be each a blinding brand
Of lightning! bid those showers be dews of poison!
Bid the Earths plenty kill!
Bid thy bright Heaven above,
Whilst light and darkness bound it,
Be their tomb who planned
To make it ours and thine!
Or, with thine harmonizing ardours fill
And raise thy sons, as oer the prone horizon
Thy lamp feeds every twilight wave with fire--
Be mans high hope and unextinct desire
The instrument to work thy will divine!
Then clouds from sunbeams, antelopes from leopards,
And frowns and fears from thee,
Would not more swiftly flee
Than Celtic wolves from the Ausonian shepherds.--
Whatever, Spirit, from thy starry shrine
Thou yieldest or withholdest, oh, let be
This city of thy worship ever free!
The Author has connected many recollections of his visit to Pompeii and Baiae with the enthusiasm excited by the intelligence of the proclamation of a Constitutional Government at Naples. This has given a tinge of picturesque and descriptive imagery to the introductory Epodes which depicture these scenes, and some of the majestic feelings permanently connected with the scene of this animating event.SHELLEYS NOTE.
Composed at San Juliano di Pisa, August 17-25, 1820; published in Posthumous Poems, 1824. There is a copy, 'for the most part neat and legible,' amongst the Shelley manuscripts at the Bodleian Library
~ Percy Bysshe Shelley, Ode To Naples
,#NFDB
631:Disenchanted
Alas, I thought this forest must be true,
And would not change because of my changed eyes;
I thought the growing things were as I knew,
And not a mock; I thought at least the skies
Were honest and would keep that happy blue
They used to wear before I learned to see
.But woe the day!
Lo, I have wandered forth and thought to stay
Here where some gladness still might be for me,
Where some delight
Should still break on my now too faithful sight;
And, lo, not even here may I go free.
Oh, hateful knowledge, pass and let me be:
Why am I made thy slave? why am I wise
Who once beheld all life with glamoured eyes?
Ah, woe the day! this bleak and shrivelled wood,
These rotted leaves, and all the wild flowers dead:
And here the ferns lie bruised and brown that stood
My tall green shelter: and, above my head,
The naked creaking branches show the sky
Athwart their lattice one murk sunless grey
Ah, woe the day!
I see, and beauty has all passed away.
Woe for my desolate wisdom, woe! Ah why
Must the sweet spell be broken ere I die?
Dear glad-tongued lark, come down and talk with me;
Tell me, oh tell me, hast thou caught, maybe,
Some little word,
Some word from heaven to make the meaning plain
Of this great change, or change me back again?
And, chattering sparrow from the eaves, come here
And tell me, thou who seest men so near,
Canst thou have heard
Some talk among them, out of all their lore,
To teach me, who have learned to see as they,
To be like them still more
And smile at hateful things or pass them o'er?
74
Sky-bird and house-bird, do you know the way?
Come hither, let me tell you all my woe;
Have you not known me in my carelessness?
I was that joyous child, not long ago,
The fairies hid away from life's distress
And eager weariness of burdened men
To live their darling in the elfin glen;
I was that thing of mirth and fantasies,
More antic than young squirrels at their play,
More wilful wanton than coy butterflies
Teasing the flowers with make-believes to kiss,
More happy than the early thrush whose lay
Awakes the woodlands with spring melodies
And sings the year to summer with his bliss:
And now I am so sad:
For, listen, I am wise, my eyes see truth,
And nothing wears the brightness that it had,
Nothing is fair or glad;
All joy and grace were dreams, dead with my fairy youth.
Ah, had you seen our home!
For the great hall one amethyst clear dome
Fretted with silver or, who could say which,
With white pure moonbeams; and the floors made rich
With patens of all rare translucent gems
And musky flower-buds bending down their stems
For weight of diamonds that hung like dews;
And everywhere the radiance of carved gold,
And pearls' soft shimmer, and quick various hues
Of mystic opals glinting manifold;
And everywhere the music and the gleams
Of clear cool water's sparkling iris beams
In emerald and crystal fountains wrought
Like river lilies with their buds and leaves,
Or as late briar shoots caught
In the first glittering rime-webs blithe October weaves.
Ah me, so fair, so bright!
Had you but seen! But, lo, the other night
I was alone and watching how the sky
Made a new star each moment and grew dim,
75
And singing to the moon, when he came by,
The wise weird man—what need had I of him?—
The wise weird man who can see fairy folk
And break all spells, he saw me and he spoke
'Poor changeling child,
How is thy heart beguiled,
And thy blind eyes made foolish with false sight!
Let the spell end: be wise, and see aright.'
Then with a frozen salve that brought sharp tears
Signed both my eyes, and went. And from that hour
I am made weary with the cruel dower
Of sight for evil. For mine eyes before
Made beauty where they looked, and saw no more.
Ah happy eyes! Ah sweet, blind, cheated years!
Alas! the glories of our fairy halls:
Alas! the blossoms and the gems and gold:
Dreams, dreams, and lies.
Broken and clammy are the earthen walls,
The mildew is their silvering; where of old
The jewels shimmered shimmers moist and cold
The dew of oozing damps; and, for the dyes
And the fair shapes of diamond laden flowers,
Foul toadstool growths that never saw the skies;
And, for the fountains,pools; and, for the bowers,
Blank caves. Nought, nought in its old gracious guise.
And what is left for beauty is a mock:
Spangles and gilt and glass for precious things,
Bedraggled tinsel gauzes to enfrock
Unlovely nakedness of earth and rock,
And painted images and cozenings.
Ah me! ah me! the beauty, the delight:
Dreams, dreams, and lies.
Ah me! and a curse more has come with sight;
There is no sweetness left me for my ears:
For when they sing the fairy melodies,
Like voice of laughters and like voice of sighs
And voice of running brooks and voice of birds
And voice of lovers' wooing, and the words
Are those that fill the heart of each who hears,
I hate the song, for I hear all the while
'Dreams, dreams, and lies.'
76
Yea, and I see no loving in a smile;
For, when they soothe me tenderly, and praise,
And speak the soft words of the former days,
My heart is cold and wise as are mine eyes,
And I grow sick of pleasant flatteries
And talk of bliss and ancient merry ways:
For, lo, the hollow old content was vain, How shall it live again?
Dreams, dreams, and lies.
And even here is change. For not till now
Have I seen barrenness, and leaves lie dank.
For me the leaf was green upon the bough
The livelong year, my tall ferns never sank,
Some sweet and tender blossom always grew,
The summer and the winter skies were blue;
And when the snow came in a winter freak
To make the blossoms play me hide and seek
I laughed because I knew that they were there.
Ah woe is me!
I said 'I will steal forth and make my lair,
Like some strayed foxcub, in the sheltered wood,
For that will be as it was wont to be:
And I will live among the careless birds
And happy forest beasts and insect herds
Who in blithe wanderings find their easy food,
And feed and sport and rest in ceaseless glee,
Having their world all real and all fair.'
Alas! for it was falseness even here!
The beauty has gone by, it was my dream,
And all the black and dripping trees lie bare,
Soddening in fog and in dull mists that steam
From the unwholesome barren earth and where
The dead leaves fester that were born this year.
Ah me, I am grown wise, my sight is clear:
And to see clear is weeping, wisdom is despair.
Kind birds, oh tell me, whither shall I hie?
Dear lark, hast thou looked down out of thy sky
On the sweet quiet of some summer land
Where truth and beauty yet go hand in hand?—
Nay, but would'st thou be here!
77
Tell me, half human sparrow, hast thou seen,
Among the homes of men where thine has been,
A home where I might be among my kind
And love it, and love them, not being blind?
Tell me; draw near.
Oh answer me, for now I learn desires
For men's strong life to stir me, and were fain
To lose old dreams, warm by their hearthside fires.
Yea, and I must go, though it all were pain:
The doom of my new'wisdom is on me.
Woe for my fairy youth! Man among men
I must go forth and suffer, for I see.
Woe for the blind days in the happy glen!
And the lark answered 'Nay, I am not wise;
I can teach nought. Only, the other day,
I heard them singing who sing in the skies,
And ceaselessly I whisper low that lay,
To sing it when the summer comes again:
'In the world are Love and Pain:
Foes yet lovers they remain:
Pain strengthens Love till Love slay Pain.''
The sparrow said 'I could not hear thee plain,
For I was chirruping the merry rhyme
I heard men sing last night at supper-time:
'Reap the grain, and sow the grain,
To grow by sunshine and by rain.''
Then the sad fairies' foster-child arose,
And saw the grey day darkening to its close,
And passed out from the wood, and wandered down,
Along the misty hillside, to the town.
~ Augusta Davies Webster,#NFDB
632:Les Bijoux (The Jewels)
La très chère était nue, et, connaissant mon coeur,
Elle n'avait gardé que ses bijoux sonores,
Dont le riche attirail lui donnait l'air vainqueur
Qu'ont dans leurs jours heureux les esclaves des Mores.
Quand il jette en dansant son bruit vif et moqueur,
Ce monde rayonnant de métal et de pierre
Me ravit en extase, et j'aime à la fureur
Les choses où le son se mêle à la lumière.
Elle était donc couchée et se laissait aimer,
Et du haut du divan elle souriait d'aise
À mon amour profond et doux comme la mer,
Qui vers elle montait comme vers sa falaise.
Les yeux fixés sur moi, comme un tigre dompté,
D'un air vague et rêveur elle essayait des poses,
Et la candeur unie à la lubricité
Donnait un charme neuf à ses métamorphoses;
Et son bras et sa jambe, et sa cuisse et ses reins,
Polis comme de l'huile, onduleux comme un cygne,
Passaient devant mes yeux clairvoyants et sereins;
Et son ventre et ses seins, ces grappes de ma vigne,
S'avançaient, plus câlins que les Anges du mal,
Pour troubler le repos où mon âme était mise,
Et pour la déranger du rocher de cristal
Où, calme et solitaire, elle s'était assise.
Je croyais voir unis par un nouveau dessin
Les hanches de l'Antiope au buste d'un imberbe,
Tant sa taille faisait ressortir son bassin.
Sur ce teint fauve et brun, le fard était superbe!
— Et la lampe s'étant résignée à mourir,
Comme le foyer seul illuminait la chambre
Chaque fois qu'il poussait un flamboyant soupir,
Il inondait de sang cette peau couleur d'ambre!
335
The Jewels
My darling was naked, and knowing my heart well,
She was wearing only her sonorous jewels,
Whose opulent display made her look triumphant
Like Moorish concubines on their fortunate days.
When it dances and flings its lively, mocking sound,
This radiant world of metal and of gems
Transports me with delight; I passionately love
All things in which sound is mingled with light.
She had lain down; and let herself be loved
From the top of the couch she smiled contentedly
Upon my love, deep and gentle as the sea,
Which rose toward her as toward a cliff.
Her eyes fixed upon me, like a tamed tigress,
With a vague, dreamy air she was trying poses,
And by blending candor with lechery,
Her metamorphoses took on a novel charm;
And her arm and her leg, and her thigh and her loins,
Shiny as oil, sinuous as a swan,
Passed in front of my eyes, clear-sighted and serene;
And her belly, her breasts, grapes of my vine,
Advanced, more cajoling than angels of evil,
To trouble the quiet that had possessed my soul,
To dislodge her from the crag of crystal,
Where calm and alone she had taken her seat.
I thought I saw blended in a novel design
Antiope's haunches and the breast of a boy,
Her waist set off so well the fullness of her hips.
On that tawny brown skin the rouge stood out superb!
— And when at last the lamp allowed itself to die,
Since the fire alone lighted the room,
Each time that it uttered a flaming sigh,
It drenched with blood that amber colored skin!
336
— Translated by William Aggeler
The Jewels
My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan's favoured slave may show to him.
When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone,
Gives me an ecstasy I've only known
Where league of sound and lustre can be found.
She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.
My own approval of each dreamy pose,
Like a tarned tiger, cunningly she sighted:
And candour, with lubricity united,
Gave piquancy to every one she chose,
Her limbs and hips, burnished with changing lustres,
Before my eyes clairvoyant and serene,
Swarmed themselves, undulating in their sheen;
Her breasts and belly, of my vine the clusters,
Like evil angels rose, my fancy twitting,
To kill the peace which over me she'd thrown,
And to disturb her from the crystal throne
Where, calm and solitary, she was sitting.
So swerved her pelvis that, in one design,
Antiope's white rump it seemed to graft
To a boy's torso, merging fore and aft.
The talc on her brown tan seemed half-divine.
The lamp resigned its dying flame. Within,
337
The hearth alone lit up the darkened air,
And every time it sighed a crimson flare
It drowned in blood that amber-coloured skin.
— Translated by Roy Campbell
The Jewels
The lovely one was naked and, knowing well my prayer,
She wore her loud bright armory of jewels. They
Evoked in her the savage and victorious air
Of Moorish concubines upon a holiday.
When it gives forth, being shaken, its gay mocking noise,
This world of metal and of stone, aflare in the night,
Excites me monstrously, for chiefest of my joys
Is the luxurious commingling of sound and light.
Relaxed among the pillows, she looked down at me
And let herself be gazed upon at leisure — as if
Lulled by my wordless adoration, like the sea
Washing perpetually about the foot of a cliff.
Slowly, regarding me like a trained leopardess,
She slouched into successive poses. A certain ease,
A certain candor coupled with lasciviousness,
Lent a new charm to the old metamorphoses.
The whole lithe harmony of loins, hips, buttocks, thighs,
Tawny and sleek, and undulant as the neck of a swan,
Began to move hypnotically before my eyes:
And her large breasts, those fruits I have grown lean upon,
I saw float toward me, tempting as the angels of hell,
To win my soul in thralldom to their dark caprice
Once more, and lure it down from the high citadel
Where, calm and solitary, it thought to have found peace.
She stretched and reared, and made herself all belly. In truth,
It was as if some playful artist had joined the stout
Hips of Antiope to the torso of a youth!...
338
The room grew dark, the lamp having flickered and gone out,
And now the whispering fire that had begun to die,
Falling in lucent embers, was all the light therein —
And when it heaved at moments a flamboyant sigh
It inundated as with blood her amber skin.
— Translated by George Dillon
The Jewels
Naked was my dark love, and, knowing my heart,
Adorned in but her most sonorous gems,
Their high pomp decked her with the conquering art
Of Moorish slave girls crowned with diadems.
Dancing for me with lively, mocking sound,
This world of stone and metal, brittle and bright,
Fills me with rapture who have always found
Excess of joy where hue and tone unite.
Naked she lay, suffered love pleasurably
To mould her, smiled on my desire as if,
Profound and gentle as the rising sea,
It rode the tide toward its appointed cliff.
A tiger, tamed, her eyes on mine, intent
On lust, she sought all strange ways to please:
Her air, half-candid, half-lascivious, lent
A new charm to her metamorphoses.
In turn, her arms and limbs, her veins, her thighs,
Polished as nard, undulant as a swan,
Passed under my serene clairvoyant eyes
As belly and breasts, grapes of my vine, moved on.
Skilled in more spells than evil angels muster
To break the solace which possessed my heart,
Smashing the crystal rock upon whose luster
My quietude sat on its own, apart,
339
Her waist, awrithe, her belly enormously
Out-thrust, formed strange designs unknown to us,
As if the haunches of Antiope
Flowed from a body not yet Ephebus.
Slowly the lamplight sank, resigned to die.
Firelight pierced darkness, stud on glowing stud,
Each time it heaved a sharply flaming sigh
It steeped her amber flesh in pools of blood.
— Translated by Jacques LeClercq
The Jewels
My well-beloved was stripped. Knowing my whim,
She wore her tinkling gems, but naught besides:
And showed such pride as, while her luck betides,
A sultan's favoured slave may show to him.
When it lets off its lively, crackling sound,
This blazing blend of metal crossed with stone,
Gives me an ecstasy I've only known
Where league of sound and luster can be found.
She let herself be loved: then, drowsy-eyed,
Smiled down from her high couch in languid ease.
My love was deep and gentle as the seas
And rose to her as to a cliff the tide.
My own approval of each dreamy pose,
Like a tamed tiger, cunningly she sighted:
And candour, with lubricity united,
Gave piquancy to every one she chose.
Her limbs and hips, burnished with changing lustres,
Before my eyes clairvoyant and serene,
Swanned themselves, undulating in their sheen;
Her breasts and belly, of my vine and clusters,
Like evil angels rose, my fancy twitting,
340
To kill the peace which over me she'd thrown,
And to disturb her from the crystal throne
Where, calm and solitary, she was sitting.
So swerved her pelvis that, in one design,
Antiope's white rump it seemed to graft
To a boy's torso, merging fore and aft.
The talc on her brown tan seemed half-divine.
The lamp resigned its dying flame. Within,
The hearth alone lit up the darkened air,
And every time it sighed a crimson flare
It drowned in blood that amber-coloured skin.
Translated by Anonymous
~ Charles Baudelaire,#NFDB
633:By what arrangements all things come to pass
Through the blue regions of the mighty world,-
How we can know what energy and cause
Started the various courses of the sun
And the moon's goings, and by what far means
They can succumb, the while with thwarted light,
And veil with shade the unsuspecting lands,
When, as it were, they blink, and then again
With open eye survey all regions wide,
Resplendent with white radiance- I do now
Return unto the world's primeval age
And tell what first the soft young fields of earth
With earliest parturition had decreed
To raise in air unto the shores of light
And to entrust unto the wayward winds.
In the beginning, earth gave forth, around
The hills and over all the length of plains,
The race of grasses and the shining green;
The flowery meadows sparkled all aglow
With greening colour, and thereafter, lo,
Unto the divers kinds of trees was given
An emulous impulse mightily to shoot,
With a free rein, aloft into the air.
As feathers and hairs and bristles are begot
The first on members of the four-foot breeds
And on the bodies of the strong-y-winged,
Thus then the new Earth first of all put forth
Grasses and shrubs, and afterward begat
The mortal generations, there upsprung-
Innumerable in modes innumerable-
After diverging fashions. For from sky
These breathing-creatures never can have dropped,
Nor the land-dwellers ever have come up
Out of sea-pools of salt. How true remains,
How merited is that adopted name
Of earth- "The Mother!"- since from out the earth
Are all begotten. And even now arise
From out the loams how many living things-
Concreted by the rains and heat of the sun.
Wherefore 'tis less a marvel, if they sprang
In Long Ago more many, and more big,
Matured of those days in the fresh young years
Of earth and ether. First of all, the race
Of the winged ones and parti-coloured birds,
Hatched out in spring-time, left their eggs behind;
As now-a-days in summer tree-crickets
Do leave their shiny husks of own accord,
Seeking their food and living. Then it was
This earth of thine first gave unto the day
The mortal generations; for prevailed
Among the fields abounding hot and wet.
And hence, where any fitting spot was given,
There 'gan to grow womb-cavities, by roots
Affixed to earth. And when in ripened time
The age of the young within (that sought the air
And fled earth's damps) had burst these wombs, O then
Would Nature thither turn the pores of earth
And make her spurt from open veins a juice
Like unto milk; even as a woman now
Is filled, at child-bearing, with the sweet milk,
Because all that swift stream of aliment
Is thither turned unto the mother-breasts.
There earth would furnish to the children food;
Warmth was their swaddling cloth, the grass their bed
Abounding in soft down. Earth's newness then
Would rouse no dour spells of the bitter cold,
Nor extreme heats nor winds of mighty powers-
For all things grow and gather strength through time
In like proportions; and then earth was young.
Wherefore, again, again, how merited
Is that adopted name of Earth- The Mother!-
Since she herself begat the human race,
And at one well-nigh fixed time brought forth
Each breast that ranges raving round about
Upon the mighty mountains and all birds
Aerial with many a varied shape.
But, lo, because her bearing years must end,
She ceased, like to a woman worn by eld.
For lapsing aeons change the nature of
The whole wide world, and all things needs must take
One status after other, nor aught persists
Forever like itself. All things depart;
Nature she changeth all, compelleth all
To transformation. Lo, this moulders down,
A-slack with weary eld, and that, again,
Prospers in glory, issuing from contempt.
In suchwise, then, the lapsing aeons change
The nature of the whole wide world, and earth
Taketh one status after other. And what
She bore of old, she now can bear no longer,
And what she never bore, she can to-day.
In those days also the telluric world
Strove to beget the monsters that upsprung
With their astounding visages and limbs-
The Man-woman- a thing betwixt the twain,
Yet neither, and from either sex remote-
Some gruesome Boggles orphaned of the feet,
Some widowed of the hands, dumb Horrors too
Without a mouth, or blind Ones of no eye,
Or Bulks all shackled by their legs and arms
Cleaving unto the body fore and aft,
Thuswise, that never could they do or go,
Nor shun disaster, nor take the good they would.
And other prodigies and monsters earth
Was then begetting of this sort- in vain,
Since Nature banned with horror their increase,
And powerless were they to reach unto
The coveted flower of fair maturity,
Or to find aliment, or to intertwine
In works of Venus. For we see there must
Concur in life conditions manifold,
If life is ever by begetting life
To forge the generations one by one:
First, foods must be; and, next, a path whereby
The seeds of impregnation in the frame
May ooze, released from the members all;
Last, the possession of those instruments
Whereby the male with female can unite,
The one with other in mutual ravishments.
And in the ages after monsters died,
Perforce there perished many a stock, unable
By propagation to forge a progeny.
For whatsoever creatures thou beholdest
Breathing the breath of life, the same have been
Even from their earliest age preserved alive
By cunning, or by valour, or at least
By speed of foot or wing. And many a stock
Remaineth yet, because of use to man,
And so committed to man's guardianship.
Valour hath saved alive fierce lion-breeds
And many another terrorizing race,
Cunning the foxes, flight the antlered stags.
Light-sleeping dogs with faithful heart in breast,
However, and every kind begot from seed
Of beasts of draft, as, too, the woolly flocks
And horned cattle, all, my Memmius,
Have been committed to guardianship of men.
For anxiously they fled the savage beasts,
And peace they sought and their abundant foods,
Obtained with never labours of their own,
Which we secure to them as fit rewards
For their good service. But those beasts to whom
Nature has granted naught of these same things-
Beasts quite unfit by own free will to thrive
And vain for any service unto us
In thanks for which we should permit their kind
To feed and be in our protection safe-
Those, of a truth, were wont to be exposed,
Enshackled in the gruesome bonds of doom,
As prey and booty for the rest, until
Nature reduced that stock to utter death.
But Centaurs ne'er have been, nor can there be
Creatures of twofold stock and double frame,
Compact of members alien in kind,
Yet formed with equal function, equal force
In every bodily part- a fact thou mayst,
However dull thy wits, well learn from this:
The horse, when his three years have rolled away,
Flowers in his prime of vigour; but the boy
Not so, for oft even then he gropes in sleep
After the milky nipples of the breasts,
An infant still. And later, when at last
The lusty powers of horses and stout limbs,
Now weak through lapsing life, do fail with age,
Lo, only then doth youth with flowering years
Begin for boys, and clothe their ruddy cheeks
With the soft down. So never deem, percase,
That from a man and from the seed of horse,
The beast of draft, can Centaurs be composed
Or e'er exist alive, nor Scyllas be-
The half-fish bodies girdled with mad dogs-
Nor others of this sort, in whom we mark
Members discordant each with each; for ne'er
At one same time they reach their flower of age
Or gain and lose full vigour of their frame,
And never burn with one same lust of love,
And never in their habits they agree,
Nor find the same foods equally delightsome-
Sooth, as one oft may see the bearded goats
Batten upon the hemlock which to man
Is violent poison. Once again, since flame
Is wont to scorch and burn the tawny bulks
Of the great lions as much as other kinds
Of flesh and blood existing in the lands,
How could it be that she, Chimaera lone,
With triple body- fore, a lion she;
And aft, a dragon; and betwixt, a goat-
Might at the mouth from out the body belch
Infuriate flame? Wherefore, the man who feigns
Such beings could have been engendered
When earth was new and the young sky was fresh
(Basing his empty argument on new)
May babble with like reason many whims
Into our ears: he'll say, perhaps, that then
Rivers of gold through every landscape flowed,
That trees were wont with precious stones to flower,
Or that in those far aeons man was born
With such gigantic length and lift of limbs
As to be able, based upon his feet,
Deep oceans to bestride; or with his hands
To whirl the firmament around his head.
For though in earth were many seeds of things
In the old time when this telluric world
First poured the breeds of animals abroad,
Still that is nothing of a sign that then
Such hybrid creatures could have been begot
And limbs of all beasts heterogeneous
Have been together knit; because, indeed,
The divers kinds of grasses and the grains
And the delightsome trees- which even now
Spring up abounding from within the earth-
Can still ne'er be begotten with their stems
Begrafted into one; but each sole thing
Proceeds according to its proper wont
And all conserve their own distinctions based
In Nature's fixed decree.
author class:Lucretius
~ to what remains!- Since I've resolved, Origins Of Vegetable And Animal Life
,#NFDB
634:The Peter-Bird
Out of the woods by the creek cometh a calling for Peter,
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that strange crying for Peter,
Over the meadows that call is aye and forever repeated.
So let me tell you the tale, when, where, and how it all happened,
And, when the story is told, let us pay heed to the lesson.
Once on a time, long ago, lived in the State of Kentucky
One that was reckoned a witch--full of strange spells and devices;
Nightly she wandered the woods, searching for charms voodooistic-Scorpions, lizards, and herbs, dormice, chameleons, and plantains!
Serpents and caw-caws and bats, screech-owls and crickets and adders-These were the guides of that witch through the dank deeps of the forest.
Then, with her roots and her herbs, back to her cave in the morning
Ambled that hussy to brew spells of unspeakable evil;
And, when the people awoke, seeing that hillside and valley
Sweltered in swathes as of mist--"Look!" they would whisper in terror-"Look! the old witch is at work brewing her spells of great evil!"
Then would they pray till the sun, darting his rays through the vapor,
Lifted the smoke from the earth and baffled the witch's intentions.
One of the boys at that time was a certain young person named Peter,
Given too little to work, given too largely to dreaming;
Fonder of books than of chores, you can imagine that Peter
Led a sad life on the farm, causing his parents much trouble.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
So it was "Peter!" all day--calling, reminding, and chiding-Peter neglected his work; therefore that nagging at Peter!
Peter got hold of some books--how, I'm unable to tell you;
Some have suspected the witch--this is no place for suspicions!
It is sufficient to stick close to the thread of the legend.
Nor is it stated or guessed what was the trend of those volumes;
What thing soever it was--done with a pen and a pencil,
Wrought with a brain, not a hoe--surely 't was hostile to farming!
"Fudge on all readin'!" they quoth; or "that's what's the ruin of
Peter!"
350
So, when the mornings were hot, under the beech or the maple,
Cushioned in grass that was blue, breathing the breath of the blossoms,
Lulled by the hum of the bees, the coo of the ring-doves a-mating,
Peter would frivol his time at reading, or lazing, or dreaming.
"Peter!" his mother would call, "the cream is a'ready for churning!"
"Peter!" his father would cry, "go grub at the weeds in the garden!"
"Peter!" and "Peter!" all day--calling, reminding, and chiding-Peter neglected his chores; therefore that outcry for Peter;
Therefore the neighbors allowed evil would surely befall him-Yes, on account of these things, ruin would come upon Peter!
Surely enough, on a time, reading and lazing and dreaming
Wrought the calamitous ill all had predicted for Peter;
For, of a morning in spring when lay the mist in the valleys-"See," quoth the folk, "how the witch breweth her evil decoctions!
See how the smoke from her fire broodeth on woodland and meadow!
Grant that the sun cometh out to smother the smudge of her caldron!
She hath been forth in the night, full of her spells and devices,
Roaming the marshes and dells for heathenish magical nostrums;
Digging in leaves and at stumps for centipedes, pismires, and spiders,
Grubbing in poisonous pools for hot salamanders and toadstools;
Charming the bats from the flues, snaring the lizards by twilight,
Sucking the scorpion's egg and milking the breast of the adder!"
Peter derided these things held in such faith by the farmer,
Scouted at magic and charms, hooted at Jonahs and hoodoos-Thinking and reading of books must have unsettled his reason!
"There ain't no witches," he cried; "it isn't smoky, but foggy!
I will go out in the wet--you all can't hender me, nuther!"
Surely enough he went out into the damp of the morning,
Into the smudge that the witch spread over woodland and meadow,
Into the fleecy gray pall brooding on hillside and valley.
Laughing and scoffing, he strode into that hideous vapor;
Just as he said he would do, just as he bantered and threatened,
Ere they could fasten the door, Peter had done gone and done it!
Wasting his time over books, you see, had unsettled his reason-Soddened his callow young brain with semi-pubescent paresis,
And his neglect of his chores hastened this evil condition.
Out of the woods by the creek cometh a calling for Peter
351
And from the orchard a voice echoes and echoes it over;
Down in the pasture the sheep hear that shrill crying for Peter,
Up from the spring house the wail stealeth anon like a whisper,
Over the meadows that call is aye and forever repeated.
Such were the voices that whooped wildly and vainly for Peter
Decades and decades ago down in the State of Kentucky-Such are the voices that cry now from the woodland and meadow,
"Peter--O Peter!" all day, calling, reminding, and chiding-Taking us back to the time when Peter he done gone and done it!
These are the voices of those left by the boy in the farmhouse
When, with his laughter and scorn, hatless and bootless and sockless,
Clothed in his jeans and his pride, Peter sailed out in the weather,
Broke from the warmth of his home into that fog of the devil,
Into the smoke of that witch brewing her damnable porridge!
Lo, when he vanished from sight, knowing the evil that threatened,
Forth with importunate cries hastened his father and mother.
"Peter!" they shrieked in alarm, "Peter!" and evermore "Peter!"-Ran from the house to the barn, ran from the barn to the garden,
Ran to the corn-crib anon, then to the smoke-house proceeded;
Henhouse and woodpile they passed, calling and wailing and weeping,
Through the front gate to the road, braving the hideous vapor-Sought him in lane and on pike, called him in orchard and meadow,
Clamoring "Peter!" in vain, vainly outcrying for Peter.
Joining the search came the rest, brothers and sisters and cousins,
Venting unspeakable fears in pitiful wailing for Peter!
And from the neighboring farms gathered the men and the women,
Who, upon hearing the news, swelled the loud chorus for Peter.
Farmers and hussifs and maids, bosses and field-hands and niggers,
Colonels and jedges galore from cornfields and mint-beds and thickets,
All that had voices to voice, all to those parts appertaining,
Came to engage in the search, gathered and bellowed for Peter.
The Taylors, the Dorseys, the Browns, the Wallers, the Mitchells, the
Logans,
The Yenowines, Crittendens, Dukes, the Hickmans, the Hobbses, the Morgans;
The Ormsbys, the Thompsons, the Hikes, the Williamsons, Murrays, and
Hardins,
The Beynroths, the Sherleys, the Hokes, the Haldermans, Harneys, and
Slaughters-All, famed in Kentucky of old for prowess prodigious at farming,
352
Now surged from their prosperous homes to join in that hunt for the
truant,
To ascertain where he was at, to help out the chorus for Peter.
Still on those prosperous farms where heirs and assigns of the people
Specified hereinabove and proved by the records of probate-Still on those farms shall you hear (and still on the turnpikes
adjacent)
That pitiful, petulant call, that pleading, expostulant wailing,
That hopeless, monotonous moan, that crooning and droning for Peter.
Some say the witch in her wrath transmogrified all those good people;
That, wakened from slumber that day by the calling and bawling for Peter,
She out of her cave in a thrice, and, waving the foot of a rabbit
(Crossed with the caul of a coon and smeared with the blood of a chicken),
She changed all those folk into birds and shrieked with demoniac venom:
"Fly away over the land, moaning your Peter forever,
Croaking of Peter, the boy who didn't believe there were hoodoos,
Crooning of Peter, the fool who scouted at stories of witches,
Crying of Peter for aye, forever outcalling for Peter!"
This is the story they tell; so in good sooth saith the legend;
As I have told it to you, so tell the folk and the legend.
That it is true I believe, for on the breezes this morning
Come the shrill voices of birds calling and calling for Peter;
Out of the maple and beech glitter the eyes of the wailers,
Peeping and peering for him who formerly lived in these places-Peter, the heretic lad, lazy and careless and dreaming,
Sorely afflicted with books and with pubescent paresis,
Hating the things of the farm, care of the barn and the garden,
Always neglecting his chores--given to books and to reading,
Which, as all people allow, turn the young person to mischief,
Harden his heart against toil, wean his affections from tillage.
This is the legend of yore told in the state of Kentucky
When in the springtime the birds call from the beeches and maples,
Call from the petulant thorn, call from the acrid persimmon;
When from the woods by the creek and from the pastures and meadows,
When from the spring house and lane and from the mint-bed and orchard,
When from the redbud and gum and from the redolent lilac,
When from the dirt roads and pikes cometh that calling for Peter;
Cometh the dolorous cry, cometh that weird iteration
Of "Peter" and "Peter" for aye, of "Peter" and "Peter" forever!
353
This is the legend of old, told in the tum-titty meter
Which the great poets prefer, being less labor than rhyming
(My first attempt at the same, my last attempt, too, I reckon!);
Nor have I further to say, for the sad story is ended.
~ Eugene Field,#NFDB
635:If solitude hath ever led thy steps
To the wild ocean's echoing shore,
And thou hast lingered there,
Until the sun's broad orb
Seemed resting on the burnished wave,
Thou must have marked the lines
Of purple gold that motionless
Hung o'er the sinking sphere;
Thou must have marked the billowy clouds,
Edged with intolerable radiancy,
Towering like rocks of jet
Crowned with a diamond wreath;
And yet there is a moment,
When the sun's highest point
Peeps like a star o'er ocean's western edge,
When those far clouds of feathery gold,
Shaded with deepest purple, gleam
Like islands on a dark blue sea;
Then has thy fancy soared above the earth
And furled its wearied wing
Within the Fairy's fane.
Yet not the golden islands
Gleaming in yon flood of light,
Nor the feathery curtains
Stretching o'er the sun's bright couch,
Nor the burnished ocean-waves
Paving that gorgeous dome,
So fair, so wonderful a sight
As Mab's ethereal palace could afford.
Yet likest evening's vault, that fary Hall!
As Heaven, low resting on the wave, it spread
Its floors of flashing light,
Its vast and azure dome,
Its fertile golden islands
Floating on a silver sea;
Whilst suns their mingling beamings darted
Through clouds of circumambient darkness,
And pearly battlements around
Looked o'er the immense of Heaven.
The magic car no longer moved.
The Fairy and the Spirit
Entered the Hall of Spells.
Those golden clouds
That rolled in glittering billows
Beneath the azure canopy,
With the ethereal footsteps trembled not;
The light and crimson mists,
Floating to strains of thrilling melody
Through that unearthly dwelling,
Yielded to every movement of the will;
Upon their passive swell the Spirit leaned,
And, for the varied bliss that pressed around,
Used not the glorious privilege
Of virtue and of wisdom.
'Spirit!' the Fairy said,
And pointed to the gorgeous dome,
'This is a wondrous sight
And mocks all human grandeur;
But, were it virtue's only meed to dwell
In a celestial palace, all resigned
To pleasurable impulses, immured
Within the prison of itself, the will
Of changeless Nature would be unfulfilled.
Learn to make others happy. Spirit, come!
This is thine high reward:the past shall rise;
Thou shalt behold the present; I will teach
The secrets of the future.'
The Fairy and the Spirit
Approached the overhanging battlement.
Below lay stretched the universe!
There, far as the remotest line
That bounds imagination's flight,
Countless and unending orbs
In mazy motion intermingled,
Yet still fulfilled immutably
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony;
Each with undeviating aim,
In eloquent silence, through the depths of space
Pursued its wondrous way.
There was a little light
That twinkled in the misty distance.
None but a spirit's eye
Might ken that rolling orb.
None but a spirit's eye,
And in no other place
But that celestial dwelling, might behold
Each action of this earth's inhabitants.
But matter, space, and time,
In those arial mansions cease to act;
And all-prevailing wisdom, when it reaps
The harvest of its excellence, o'erbounds
Those obstacles of which an earthly soul
Fears to attempt the conquest.
The Fairy pointed to the earth.
The Spirit's intellectual eye
Its kindred beings recognized.
The thronging thousands, to a passing view,
Seemed like an ant-hill's citizens.
How wonderful! that even
The passions, prejudices, interests,
That sway the meanest beingthe weak touch
That moves the finest nerve
And in one human brain
Causes the faintest thought, becomes a link
In the great chain of Nature!
'Behold,' the Fairy cried,
'Palmyra's ruined palaces!
Behold where grandeur frowned!
Behold where pleasure smiled!
What now remains?the memory
Of senselessness and shame.
What is immortal there?
Nothingit stands to tell
A melancholy tale, to give
An awful warning; soon
Oblivion will steal silently
The remnant of its fame.
Monarchs and conquerors there
Proud o'er prostrate millions trod
The earthquakes of the human race;
Like them, forgotten when the ruin
That marks their shock is past.
'Beside the eternal Nile
The Pyramids have risen.
Nile shall pursue his changeless way;
Those Pyramids shall fall.
Yea! not a stone shall stand to tell
The spot whereon they stood;
Their very site shall be forgotten,
As is their builder's name!
'Behold yon sterile spot,
Where now the wandering Arab's tent
Flaps in the desert blast!
There once old Salem's haughty fane
Reared high to heaven its thousand golden domes,
And in the blushing face of day
Exposed its shameful glory.
Oh! many a widow, many an orphan cursed
The building of that fane; and many a father,
Worn out with toil and slavery, implored
The poor man's God to sweep it from the earth
And spare his children the detested task
Of piling stone on stone and poisoning
The choicest days of life
To soothe a dotard's vanity.
There an inhuman and uncultured race
Howled hideous praises to their Demon-God;
They rushed to war, tore from the mother's womb
The unborn childold age and infancy
Promiscuous perished; their victorious arms
Left not a soul to breathe. Oh! they were fiends!
But what was he who taught them that the God
Of Nature and benevolence had given
A special sanction to the trade of blood?
His name and theirs are fading, and the tales
Of this barbarian nation, which imposture
Recites till terror credits, are pursuing
Itself into forgetfulness.
'Where Athens, Rome, and Sparta stood,
There is a moral desert now.
The mean and miserable huts,
The yet more wretched palaces,
Contrasted with those ancient fanes
Now crumbling to oblivion,
The long and lonely colonnades
Through which the ghost of Freedom stalks,
Seem like a well-known tune,
Which in some dear scene we have loved to hear,
Remembered now in sadness.
But, oh! how much more changed,
How gloomier is the contrast
Of human nature there!
Where Socrates expired, a tyrant's slave,
A coward and a fool, spreads death around
Then, shuddering, meets his own.
Where Cicero and Antoninus lived,
A cowled and hypocritical monk
Prays, curses and deceives.
'Spirit! ten thousand years
Have scarcely passed away,
Since in the waste, where now the savage drinks
His enemy's blood, and, aping Europe's sons,
Wakes the unholy song of war,
Arose a stately city,
Metropolis of the western continent.
There, now, the mossy column-stone,
Indented by time's unrelaxing grasp,
Which once appeared to brave
All, save its country's ruin,
There the wide forest scene,
Rude in the uncultivated loveliness
Of gardens long run wild,
Seems, to the unwilling sojourner whose steps
Chance in that desert has delayed,
Thus to have stood since earth was what it is.
Yet once it was the busiest haunt,
Whither, as to a common centre, flocked
Strangers, and ships, and merchandise;
Once peace and freedom blest
The cultivated plain;
But wealth, that curse of man,
Blighted the bud of its prosperity;
Virtue and wisdom, truth and liberty,
Fled, to return not, until man shall know
That they alone can give the bliss
Worthy a soul that claims
Its kindred with eternity.
'There 's not one atom of yon earth
But once was living man;
Nor the minutest drop of rain,
That hangeth in its thinnest cloud,
But flowed in human veins;
And from the burning plains
Where Libyan monsters yell,
From the most gloomy glens
Of Greenland's sunless clime,
To where the golden fields
Of fertile England spread
Their harvest to the day,
Thou canst not find one spot
Whereon no city stood.
'How strange is human pride!
I tell thee that those living things,
To whom the fragile blade of grass
That springeth in the morn
And perisheth ere noon,
Is an unbounded world;
I tell thee that those viewless beings,
Whose mansion is the smallest particle
Of the impassive atmosphere,
Think, feel and live like man;
That their affections and antipathies,
Like his, produce the laws
Ruling their moral state;
And the minutest throb
That through their frame diffuses
The slightest, faintest motion,
Is fixed and indispensable
As the majestic laws
That rule yon rolling orbs.'
The Fairy paused. The Spirit,
In ecstasy of admiration, felt
All knowledge of the past revived; the events
Of old and wondrous times,
Which dim tradition interruptedly
Teaches the credulous vulgar, were unfolded
In just perspective to the view;
Yet dim from their infinitude.
The Spirit seemed to stand
High on an isolated pinnacle;
The flood of ages combating below,
The depth of the unbounded universe
Above, and all around
Nature's unchanging harmony.
~ Percy Bysshe Shelley, Queen Mab - Part II.
,#NFDB
636:'Fairy!' the Spirit said,
And on the Queen of Spells
Fixed her ethereal eyes,
'I thank thee. Thou hast given
A boon which I will not resign, and taught
A lesson not to be unlearned. I know
The past, and thence I will essay to glean
A warning for the future, so that man
May profit by his errors and derive
Experience from his folly;
For, when the power of imparting joy
Is equal to the will, the human soul
Requires no other heaven.'
MAB
'Turn thee, surpassing Spirit!
Much yet remains unscanned.
Thou knowest how great is man,
Thou knowest his imbecility;
Yet learn thou what he is;
Yet learn the lofty destiny
Which restless Time prepares
For every living soul.
'Behold a gorgeous palace that amid
Yon populous city rears its thousand towers
And seems itself a city. Gloomy troops
Of sentinels in stern and silent ranks
Encompass it around; the dweller there
Cannot be free and happy; hearest thou not
The curses of the fatherless, the groans
Of those who have no friend? He passes on
The King, the wearer of a gilded chain
That binds his soul to abjectness, the fool
Whom courtiers nickname monarch, whilst a slave
Even to the basest appetitesthat man
Heeds not the shriek of penury; he smiles
At the deep curses which the destitute
Mutter in secret, and a sullen joy
Pervades his bloodless heart when thousands groan
But for those morsels which his wantonness
Wastes in unjoyous revelry, to save
All that they love from famine; when he hears
The tale of horror, to some ready-made face
Of hypocritical assent he turns,
Smothering the glow of shame, that, spite of him,
Flushes his bloated cheek.
Now to the meal
Of silence, grandeur and excess he drags
His palled unwilling appetite. If gold,
Gleaming around, and numerous viands culled
From every clime could force the loathing sense
To overcome satiety,if wealth
The spring it draws from poisons not,or vice,
Unfeeling, stubborn vice, converteth not
Its food to deadliest venom; then that king
Is happy; and the peasant who fulfils
His unforced task, when he returns at even
And by the blazing fagot meets again
Her welcome for whom all his toil is sped,
Tastes not a sweeter meal.
Behold him now
Stretched on the gorgeous couch; his fevered brain
Reels dizzily awhile; but ah! too soon
The slumber of intemperance subsides,
And conscience, that undying serpent, calls
Her venomous brood to their nocturnal task.
Listen! he speaks! oh! mark that frenzied eye
Oh! mark that deadly visage!'
KING
'No cessation!
Oh! must this last forever! Awful death,
I wish, yet fear to clasp thee!Not one moment
Of dreamless sleep! O dear and blessd Peace,
Why dost thou shroud thy vestal purity
In penury and dungeons? Wherefore lurkest
With danger, death, and solitude; yet shun'st
The palace I have built thee? Sacred Peace!
Oh, visit me but once,but pitying shed
One drop of balm upon my withered soul!'
THE FAIRY
'Vain man! that palace is the virtuous heart,
And Peace defileth not her snowy robes
In such a shed as thine. Hark! yet he mutters;
His slumbers are but varied agonies;
They prey like scorpions on the springs of life.
There needeth not the hell that bigots frame
To punish those who err; earth in itself
Contains at once the evil and the cure;
And all-sufficing Nature can chastise
Those who transgress her law; she only knows
How justly to proportion to the fault
The punishment it merits.
Is it strange
That this poor wretch should pride him in his woe?
Take pleasure in his abjectness, and hug
The scorpion that consumes him? Is it strange
That, placed on a conspicuous throne of thorns,
Grasping an iron sceptre, and immured
Within a splendid prison whose stern bounds
Shut him from all that's good or dear on earth,
His soul asserts not its humanity?
That man's mild nature rises not in war
Against a king's employ? No'tis not strange.
He, like the vulgar, thinks, feels, acts, and lives
Just as his father did; the unconquered powers
Of precedent and custom interpose
Between a king and virtue. Stranger yet,
To those who know not Nature nor deduce
The future from the present, it may seem,
That not one slave, who suffers from the crimes
Of this unnatural being, not one wretch,
Whose children famish and whose nuptial bed
Is earth's unpitying bosom, rears an arm
To dash him from his throne!
Those gilded flies
That, basking in the sunshine of a court,
Fatten on its corruption! what are they?
The drones of the community; they feed
On the mechanic's labor; the starved hind
For them compels the stubborn glebe to yield
Its unshared harvests; and yon squalid form,
Leaner than fleshless misery, that wastes
A sunless life in the unwholesome mine,
Drags out in labor a protracted death
To glut their grandeur; many faint with toil
That few may know the cares and woe of sloth.
Whence, thinkest thou, kings and parasites arose?
Whence that unnatural line of drones who heap
Toil and unvanquishable penury
On those who build their palaces and bring
Their daily bread?From vice, black loathsome vice;
From rapine, madness, treachery, and wrong;
From all that genders misery, and makes
Of earth this thorny wilderness; from lust,
Revenge, and murder.And when reason's voice,
Loud as the voice of Nature, shall have waked
The nations; and mankind perceive that vice
Is discord, war and misery; that virtue
Is peace and happiness and harmony;
When man's maturer nature shall disdain
The playthings of its childhood;kingly glare
Will lose its power to dazzle, its authority
Will silently pass by; the gorgeous throne
Shall stand unnoticed in the regal hall,
Fast falling to decay; whilst falsehood's trade
Shall be as hateful and unprofitable
As that of truth is now.
Where is the fame
Which the vain-glorious mighty of the earth
Seek to eternize? Oh! the faintest sound
From time's light footfall, the minutest wave
That swells the flood of ages, whelms in nothing
The unsubstantial bubble. Ay! to-day
Stern is the tyrant's mandate, red the gaze
That flashes desolation, strong the arm
That scatters multitudes. To-morrow comes!
That mandate is a thunder-peal that died
In ages past; that gaze, a transient flash
On which the midnight closed; and on that arm
The worm has made his meal.
The virtuous man,
Who, great in his humility as kings
Are little in their grandeur; he who leads
Invincibly a life of resolute good
And stands amid the silent dungeon-depths
More free and fearless than the trembling judge
Who, clothed in venal power, vainly strove
To bind the impassive spirit;when he falls,
His mild eye beams benevolence no more;
Withered the hand outstretched but to relieve;
Sunk reason's simple eloquence that rolled
But to appall the guilty. Yes! the grave
Hath quenched that eye and death's relentless frost
Withered that arm; but the unfading fame
Which virtue hangs upon its votary's tomb,
The deathless memory of that man whom kings
Call to their minds and tremble, the remembrance
With which the happy spirit contemplates
Its well-spent pilgrimage on earth,
Shall never pass away.
'Nature rejects the monarch, not the man;
The subject, not the citizen; for kings
And subjects, mutual foes, forever play
A losing game into each other's hands,
Whose stakes are vice and misery. The man
Of virtuous soul commands not, nor obeys.
Power, like a desolating pestilence,
Pollutes whate'er it touches; and obedience,
Bane of all genius, virtue, freedom, truth,
Makes slaves of men, and of the human frame
A mechanized automaton.
When Nero
High over flaming Rome with savage joy
Lowered like a fiend, drank with enraptured ear
The shrieks of agonizing death, beheld
The frightful desolation spread, and felt
A new-created sense within his soul
Thrill to the sight and vibrate to the sound,
Thinkest thou his grandeur had not overcome
The force of human kindness? And when Rome
With one stern blow hurled not the tyrant down,
Crushed not the arm red with her dearest blood,
Had not submissive abjectness destroyed
Nature's suggestions?
Look on yonder earth:
The golden harvests spring; the unfailing sun
Sheds light and life; the fruits, the flowers, the trees,
Arise in due succession; all things speak
Peace, harmony and love. The universe,
In Nature's silent eloquence, declares
That all fulfil the works of love and joy,
All but the outcast, Man. He fabricates
The sword which stabs his peace; he cherisheth
The snakes that gnaw his heart; he raiseth up
The tyrant whose delight is in his woe,
Whose sport is in his agony. Yon sun,
Lights it the great alone? Yon silver beams,
Sleep they less sweetly on the cottage thatch
Than on the dome of kings? Is mother earth
A step-dame to her numerous sons who earn
Her unshared gifts with unremitting toil;
A mother only to those puling babes
Who, nursed in ease and luxury, make men
The playthings of their babyhood and mar
In self-important childishness that peace
Which men alone appreciate?
'Spirit of Nature, no!
The pure diffusion of thy essence throbs
Alike in every human heart.
Thou aye erectest there
Thy throne of power unappealable;
Thou art the judge beneath whose nod
Man's brief and frail authority
Is powerless as the wind
That passeth idly by;
Thine the tribunal which surpasseth
The show of human justice
As God surpasses man!
'Spirit of Nature! thou
Life of interminable multitudes;
Soul of those mighty spheres
Whose changeless paths through Heaven's deep silence lie;
Soul of that smallest being,
The dwelling of whose life
Is one faint April sun-gleam;
Man, like these passive things,
Thy will unconsciously fulfilleth;
Like theirs, his age of endless peace,
Which time is fast maturing,
Will swiftly, surely, come;
And the unbounded frame which thou pervadest,
Will be without a flaw
Marring its perfect symmetry!
~ Percy Bysshe Shelley, Queen Mab - Part III.
,#NFDB
637:'O happy Earth, reality of Heaven!
To which those restless souls that ceaselessly
Throng through the human universe, aspire!
Thou consummation of all mortal hope!
Thou glorious prize of blindly working will,
Whose rays, diffused throughout all space and time,
Verge to one point and blend forever there!
Of purest spirits thou pure dwelling-place
Where care and sorrow, impotence and crime,
Languor, disease and ignorance dare not come!
O happy Earth, reality of Heaven!
'Genius has seen thee in her passionate dreams;
And dim forebodings of thy loveliness,
Haunting the human heart, have there entwined
Those rooted hopes of some sweet place of bliss,
Where friends and lovers meet to part no more.
Thou art the end of all desire and will,
The product of all action; and the souls,
That by the paths of an aspiring change
Have reached thy haven of perpetual peace,
There rest from the eternity of toil
That framed the fabric of thy perfectness.
'Even Time, the conqueror, fled thee in his fear;
That hoary giant, who in lonely pride
So long had ruled the world that nations fell
Beneath his silent footstep. Pyramids,
That for millenniums had withstood the tide
Of human things, his storm-breath drove in sand
Across that desert where their stones survived
The name of him whose pride had heaped them there.
Yon monarch, in his solitary pomp,
Was but the mushroom of a summer day,
That his light-wingd footstep pressed to dust;
Time was the king of earth; all things gave way
Before him but the fixed and virtuous will,
The sacred sympathies of soul and sense,
That mocked his fury and prepared his fall.
'Yet slow and gradual dawned the morn of love;
Long lay the clouds of darkness o'er the scene,
Till from its native heaven they rolled away:
First, crime triumphant o'er all hope careered
Unblushing, undisguising, bold and strong,
Whilst falsehood, tricked in virtue's attributes,
Long sanctified all deeds of vice and woe,
Till, done by her own venomous sting to death,
She left the moral world without a law,
No longer fettering passion's fearless wing,
Nor searing reason with the brand of God.
Then steadily the happy ferment worked;
Reason was free; and wild though passion went
Through tangled glens and wood-embosomed meads,
Gathering a garland of the strangest flowers,
Yet, like the bee returning to her queen,
She bound the sweetest on her sister's brow,
Who meek and sober kissed the sportive child,
No longer trembling at the broken rod.
'Mild was the slow necessity of death.
The tranquil spirit failed beneath its grasp,
Without a groan, almost without a fear,
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The deadly germs of languor and disease
Died in the human frame, and purity
Blessed with all gifts her earthly worshippers.
How vigorous then the athletic form of age!
How clear its open and unwrinkled brow!
Where neither avarice, cunning, pride or care
Had stamped the seal of gray deformity
On all the mingling lineaments of time.
How lovely the intrepid front of youth,
Which meek-eyed courage decked with freshest grace;
Courage of soul, that dreaded not a name,
And elevated will, that journeyed on
Through life's phantasmal scene in fearlessness,
With virtue, love and pleasure, hand in hand!
'Then, that sweet bondage which is freedom's self,
And rivets with sensation's softest tie
The kindred sympathies of human souls,
Needed no fetters of tyrannic law.
Those delicate and timid impulses
In Nature's primal modesty arose,
And with undoubting confidence disclosed
The growing longings of its dawning love,
Unchecked by dull and selfish chastity,
That virtue of the cheaply virtuous,
Who pride themselves in senselessness and frost.
No longer prostitution's venomed bane
Poisoned the springs of happiness and life;
Woman and man, in confidence and love,
Equal and free and pure together trod
The mountain-paths of virtue, which no more
Were stained with blood from many a pilgrim's feet.
'Then, where, through distant ages, long in pride
The palace of the monarch-slave had mocked
Famine's faint groan and penury's silent tear,
A heap of crumbling ruins stood, and threw
Year after year their stones upon the field,
Wakening a lonely echo; and the leaves
Of the old thorn, that on the topmost tower
Usurped the royal ensign's grandeur, shook
In the stern storm that swayed the topmost tower,
And whispered strange tales in the whirlwind's ear.
'Low through the lone cathedral's roofless aisles
The melancholy winds a death-dirge sung.
It were a sight of awfulness to see
The works of faith and slavery, so vast,
So sumptuous, yet so perishing withal,
Even as the corpse that rests beneath its wall!
A thousand mourners deck the pomp of death
To-day, the breathing marble glows above
To decorate its memory, and tongues
Are busy of its life; to-morrow, worms
In silence and in darkness seize their prey.
'Within the massy prison's mouldering courts,
Fearless and free the ruddy children played,
Weaving gay chaplets for their innocent brows
With the green ivy and the red wall-flower
That mock the dungeon's unavailing gloom;
The ponderous chains and gratings of strong iron
There rusted amid heaps of broken stone
That mingled slowly with their native earth;
There the broad beam of day, which feebly once
Lighted the cheek of lean captivity
With a pale and sickly glare, then freely shone
On the pure smiles of infant playfulness;
No more the shuddering voice of hoarse despair
Pealed through the echoing vaults, but soothing notes
Of ivy-fingered winds and gladsome birds
And merriment were resonant around.
'These ruins soon left not a wreck behind;
Their elements, wide-scattered o'er the globe,
To happier shapes were moulded, and became
Ministrant to all blissful impulses;
Thus human things were perfected, and earth,
Even as a child beneath its mother's love,
Was strengthened in all excellence, and grew
Fairer and nobler with each passing year.
'Now Time his dusky pennons o'er the scene
Closes in steadfast darkness, and the past
Fades from our charmd sight. My task is done;
Thy lore is learned. Earth's wonders are thine own
With all the fear and all the hope they bring.
My spells are passed; the present now recurs.
Ah me! a pathless wilderness remains
Yet unsubdued by man's reclaiming hand.
'Yet, human Spirit! bravely hold thy course;
Let virtue teach thee firmly to pursue
The gradual paths of an aspiring change;
For birth and life and death, and that strange state
Before the naked soul has found its home,
All tend to perfect happiness, and urge
The restless wheels of being on their way,
Whose flashing spokes, instinct with infinite life,
Bicker and burn to gain their destined goal;
For birth but wakes the spirit to the sense
Of outward shows, whose unexperienced shape
New modes of passion to its frame may lend;
Life is its state of action, and the store
Of all events is aggregated there
That variegate the eternal universe;
Death is a gate of dreariness and gloom,
That leads to azure isles and beaming skies
And happy regions of eternal hope.
Therefore, O Spirit! fearlessly bear on.
Though storms may break the primrose on its stalk,
Though frosts may blight the freshness of its bloom,
Yet spring's awakening breath will woo the earth
To feed with kindliest dews its favorite flower,
That blooms in mossy bank and darksome glens,
Lighting the greenwood with its sunny smile.
'Fear not then, Spirit, death's disrobing hand,
So welcome when the tyrant is awake,
So welcome when the bigot's hell-torch burns;
'T is but the voyage of a darksome hour,
The transient gulf-dream of a startling sleep.
Death is no foe to virtue; earth has seen
Love's brightest roses on the scaffold bloom,
Mingling with freedom's fadeless laurels there,
And presaging the truth of visioned bliss.
Are there not hopes within thee, which this scene
Of linked and gradual being has confirmed?
Whose stingings bade thy heart look further still,
When, to the moonlight walk by Henry led,
Sweetly and sadly thou didst talk of death?
And wilt thou rudely tear them from thy breast,
Listening supinely to a bigot's creed,
Or tamely crouching to the tyrant's rod,
Whose iron thongs are red with human gore?
Never: but bravely bearing on, thy will
Is destined an eternal war to wage
With tyranny and falsehood, and uproot
The germs of misery from the human heart.
Thine is the hand whose piety would soothe
The thorny pillow of unhappy crime,
Whose impotence an easy pardon gains,
Watching its wanderings as a friend's disease;
Thine is the brow whose mildness would defy
Its fiercest rage, and brave its sternest will,
When fenced by power and master of the world.
Thou art sincere and good; of resolute mind,
Free from heart-withering custom's cold control,
Of passion lofty, pure and unsubdued.
Earth's pride and meanness could not vanquish thee,
And therefore art thou worthy of the boon
Which thou hast now received; virtue shall keep
Thy footsteps in the path that thou hast trod,
And many days of beaming hope shall bless
Thy spotless life of sweet and sacred love.
Go, happy one, and give that bosom joy,
Whose sleepless spirit waits to catch
Light, life and rapture from thy smile!'
The Fairy waves her wand of charm.
Speechless with bliss the Spirit mounts the car,
That rolled beside the battlement,
Bending her beamy eyes in thankfulness.
Again the enchanted steeds were yoked;
Again the burning wheels inflame
The steep descent of heaven's untrodden way.
Fast and far the chariot flew;
The vast and fiery globes that rolled
Around the Fairy's palace-gate
Lessened by slow degrees, and soon appeared
Such tiny twinklers as the planet orbs
That there attendant on the solar power
With borrowed light pursued their narrower way.
Earth floated then below;
The chariot paused a moment there;
The Spirit then descended;
The restless coursers pawed the ungenial soil,
Snuffed the gross air, and then, their errand done,
Unfurled their pinions to the winds of heaven.
The Body and the Soul united then.
A gentle start convulsed Ianthe's frame;
Her veiny eyelids quietly unclosed;
Moveless awhile the dark blue orbs remained.
She looked around in wonder, and beheld
Henry, who kneeled in silence by her couch,
Watching her sleep with looks of speechless love,
And the bright beaming stars
That through the casement shone.
~ Percy Bysshe Shelley, Queen Mab - Part IX.
,#NFDB
638:HOW wonderful is Death,
Death, and his brother Sleep!
One, pale as yonder waning moon
With lips of lurid blue;
The other, rosy as the morn
When throned on ocean's wave
It blushes o'er the world;
Yet both so passing wonderful!
Hath then the gloomy Power
Whose reign is in the tainted sepulchres
Seized on her sinless soul?
Must then that peerless form
Which love and admiration cannot view
Without a beating heart, those azure veins
Which steal like streams along a field of snow,
That lovely outline which is fair
As breathing marble, perish?
Must putrefaction's breath
Leave nothing of this heavenly sight
But loathsomeness and ruin?
Spare nothing but a gloomy theme,
On which the lightest heart might moralize?
Or is it only a sweet slumber
Stealing o'er sensation,
Which the breath of roseate morning
Chaseth into darkness?
Will Ianthe wake again,
And give that faithful bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture, from her smile?
Yes! she will wake again,
Although her glowing limbs are motionless,
And silent those sweet lips,
Once breathing eloquence
That might have soothed a tiger's rage
Or thawed the cold heart of a conqueror.
Her dewy eyes are closed,
And on their lids, whose texture fine
Scarce hides the dark blue orbs beneath,
The baby Sleep is pillowed;
Her golden tresses shade
The bosom's stainless pride,
Curling like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound?
'T is like the wondrous strain
That round a lonely ruin swells,
Which, wandering on the echoing shore,
The enthusiast hears at evening;
'T is softer than the west wind's sigh;
'T is wilder than the unmeasured notes
Of that strange lyre whose strings
The genii of the breezes sweep;
Those lines of rainbow light
Are like the moonbeams when they fall
Through some cathedral window, but the tints
Are such as may not find
Comparison on earth.
Behold the chariot of the Fairy Queen!
Celestial coursers paw the unyielding air;
Their filmy pennons at her word they furl,
And stop obedient to the reins of light;
These the Queen of Spells drew in;
She spread a charm around the spot,
And, leaning graceful from the ethereal car,
Long did she gaze, and silently,
Upon the slumbering maid.
Oh! not the visioned poet in his dreams,
When silvery clouds float through the wildered brain,
When every sight of lovely, wild and grand
Astonishes, enraptures, elevates,
When fancy at a glance combines
The wondrous and the beautiful,--
So bright, so fair, so wild a shape
Hath ever yet beheld,
As that which reined the coursers of the air
And poured the magic of her gaze
Upon the maiden's sleep.
The broad and yellow moon
Shone dimly through her form--
That form of faultless symmetry;
The pearly and pellucid car
Moved not the moonlight's line.
'T was not an earthly pageant.
Those, who had looked upon the sight
Passing all human glory,
Saw not the yellow moon,
Saw not the mortal scene,
Heard not the night-wind's rush,
Heard not an earthly sound,
Saw but the fairy pageant,
Heard but the heavenly strains
That filled the lonely dwelling.
The Fairy's frame was slight--yon fibrous cloud,
That catches but the palest tinge of even,
And which the straining eye can hardly seize
When melting into eastern twilight's shadow,
Were scarce so thin, so slight; but the fair star
That gems the glittering coronet of morn,
Sheds not a light so mild, so powerful,
As that which, bursting from the Fairy's form,
Spread a purpureal halo round the scene,
Yet with an undulating motion,
Swayed to her outline gracefully.
From her celestial car
The Fairy Queen descended,
And thrice she waved her wand
Circled with wreaths of amaranth;
Her thin and misty form
Moved with the moving air,
And the clear silver tones,
As thus she spoke, were such
As are unheard by all but gifted ear.
FAIRY
'Stars! your balmiest influence shed!
Elements! your wrath suspend!
Sleep, Ocean, in the rocky bounds
That circle thy domain!
Let not a breath be seen to stir
Around yon grass-grown ruin's height!
Let even the restless gossamer
Sleep on the moveless air!
Soul of Ianthe! thou,
Judged alone worthy of the envied boon
That waits the good and the sincere; that waits
Those who have struggled, and with resolute will
Vanquished earth's pride and meanness, burst the chains,
The icy chains of custom, and have shone
The day-stars of their age;--Soul of
Ianthe!
Awake! arise!'
Sudden arose
Ianthe's Soul; it stood
All beautiful in naked purity,
The perfect semblance of its bodily frame;
Instinct with inexpressible beauty and grace--
Each stain of earthliness
Had passed away--it reassumed
Its native dignity and stood
Immortal amid ruin.
Upon the couch the body lay,
Wrapt in the depth of slumber;
Its features were fixed and meaningless,
Yet animal life was there,
And every organ yet performed
Its natural functions; 'twas a sight
Of wonder to behold the body and the soul.
The self-same lineaments, the same
Marks of identity were there;
Yet, oh, how different! One aspires to Heaven,
Pants for its sempiternal heritage,
And, ever changing, ever rising still,
Wantons in endless being:
The other, for a time the unwilling sport
Of circumstance and passion, struggles on;
Fleets through its sad duration rapidly;
Then like an useless and worn-out machine,
Rots, perishes, and passes.
FAIRY
'Spirit! who hast dived so deep;
Spirit! who hast soared so high;
Thou the fearless, thou the mild,
Accept the boon thy worth hath earned,
Ascend the car with me!'
SPIRIT
'Do I dream? Is this new feeling
But a visioned ghost of slumber?
If indeed I am a soul,
A free, a disembodied soul,
Speak again to me.'
FAIRY
'I am the Fairy MAB: to me 'tis given
The wonders of the human world to keep;
The secrets of the immeasurable past,
In the unfailing consciences of men,
Those stern, unflattering chroniclers, I find;
The future, from the causes which arise
In each event, I gather; not the sting
Which retributive memory implants
In the hard bosom of the selfish man,
Nor that ecstatic and exulting throb
Which virtue's votary feels when he sums up
The thoughts and actions of a well-spent day,
Are unforeseen, unregistered by me;
And it is yet permitted me to rend
The veil of mortal frailty, that the spirit,
Clothed in its changeless purity, may know
How soonest to accomplish the great end
For which it hath its being, and may taste
That peace which in the end all life will share.
This is the meed of virtue; happy Soul,
Ascend the car with me!'
The chains of earth's immurement
Fell from Ianthe's spirit;
They shrank and brake like bandages of straw
Beneath a wakened giant's strength.
She knew her glorious change,
And felt in apprehension uncontrolled
New raptures opening round;
Each day-dream of her mortal life,
Each frenzied vision of the slumbers
That closed each well-spent day,
Seemed now to meet reality.
The Fairy and the Soul proceeded;
The silver clouds disparted;
And as the car of magic they ascended,
Again the speechless music swelled,
Again the coursers of the air
Unfurled their azure pennons, and the Queen,
Shaking the beamy reins,
Bade them pursue their way.
The magic car moved on.
The night was fair, and countless stars
Studded heaven's dark blue vault;
Just o'er the eastern wave
Peeped the first faint smile of morn.
The magic car moved on
From the celestial hoofs
The atmosphere in flaming sparkles flew,
And where the burning wheels
Eddied above the mountain's loftiest peak,
Was traced a line of lightning.
Now it flew far above a rock,
The utmost verge of earth,
The rival of the Andes, whose dark brow
Lowered o'er the silver sea.
Far, far below the chariot's path,
Calm as a slumbering babe,
Tremendous Ocean lay.
The mirror of its stillness showed
The pale and waning stars,
The chariot's fiery track,
And the gray light of morn
Tinging those fleecy clouds
That canopied the dawn.
Seemed it that the chariot's way
Lay through the midst of an immense concave
Radiant with million constellations, tinged
With shades of infinite color,
And semicircled with a belt
Flashing incessant meteors.
The magic car moved on.
As they approached their goal,
The coursers seemed to gather speed;
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere;
The sun's unclouded orb
Rolled through the black concave;
Its rays of rapid light
Parted around the chariot's swifter course,
And fell, like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heaven;
Whilst round the chariot's way
Innumerable systems rolled
And countless spheres diffused
An ever-varying glory.
It was a sight of wonder: some
Were hornd like the crescent moon;
Some shed a mild and silver beam
Like Hesperus o'er the western sea;
Some dashed athwart with trains of flame,
Like worlds to death and ruin driven;
Some shone like suns, and as the chariot passed,
Eclipsed all other light.
Spirit of Nature! here
In this interminable wilderness
Of worlds, at whose immensity
Even soaring fancy staggers,
Here is thy fitting temple!
Yet not the lightest leaf
That quivers to the passing breeze
Is less instinct with thee;
Yet not the meanest worm
That lurks in graves and fattens on the dead,
Less shares thy eternal breath!
Spirit of Nature! thou,
Imperishable as this scene--
Here is thy fitting temple!
~ Percy Bysshe Shelley, Queen Mab - Part I.
,#NFDB
639:Medea In Athens
Dead is he? Yes, our stranger guest said dead-said it by noonday, when it seemed a thing
most natural and so indifferent
as if the tale ran that a while ago
there died a man I talked with a chance hour
when he by chance was near me. If I spoke
"Good news for us but ill news for the dead
when the gods sweep a villain down to them,"
'twas the prompt trick of words, like a pat phrase
from some one other's song, found on the lips
and used because 'tis there: for through all day
the news seemed neither good nor ill to me.
And now, when day with all its useless talk
and useless smiles and idiots' prying eyes
that impotently peer into one's life,
when day with all its seemly lying shows
has gone its way and left pleased fools to sleep,
while weary mummers, taking off the mask,
discern that face themselves forgot anon
and, sitting in the lap of sheltering night,
learn their own secrets from her--even now
does it seem either good or ill to me?
No, but mere strange.
And this most strange of all
that I care nothing.
Nay, how wild thought grows.
Meseems one came and told of Jason's death:
but 'twas a dream. Else should I, wondering thus,
reck not of him, nor with the virulent hate
that should be mine against mine enemy,
nor with that weakness which sometimes I feared
should this day make me, not remembering Glaucè,
envy him to death as though he had died mine?
Can he be dead? It were so strange a world
with him not in it.
108
Dimly I recall
some prophecy a god breathed by my mouth.
It could not err. What was it? For I think;-it told his death¹.
Has a god come to me?
Is it thou, my Hecate? How know I all?
For I know all as if from long ago:
and I know all beholding instantly.
Is not that he, arisen through the mists?-a lean and haggard man, rough round the eyes,
dull and with no scorn left upon his lip,
decayed out of his goodliness and strength;
a wanned and broken image of a god;
dim counterfeit of Jason, heavily
wearing the name of him and memories.
And lo, he rests with lax and careless limbs
on the loose sandbed wind-heaped round his ship
that rots in sloth like him, and props his head
on a half-buried fallen spar. The sea,
climbing the beach towards him, seethes and frets,
and on the verge two sunned and shadowed clouds
take shapes of notched rock-islands; and his thoughts
drift languid to the steep Symplegades
and the sound of waters crashing at their base.
Su d, wsper eikos, katqanei kakos kakws, Argous kara son leiyanw peplhgmenos.
EUR. Med. 1386, 7.
And now he speaks out to his loneliness
"I was afraid and careful, but she laughed:
'Love steers' she said: and when the rocks were far,
grey twinkling spots in distance, suddenly
her face grew white, and, looking back to them,
she said, 'Oh love, a god has whispered me
'twere well had we died there, for strange mad woes
are waiting for us in your Greece': and then
she tossed her head back, while her brown hair streamed
gold in the wind and sun, and her face glowed
with daring beauty, 'What of woes', she cried,
109
'if only they leave time for love enough?'
But what a fire and flush! It took one's breath!"
And then he lay half musing, half adoze,
shadows of me went misty through his sight.
And bye and bye he roused and cried "Oh dolt!
Glaucè was never half so beautiful."
Then under part-closed lids remembering her,
"Poor Glaucè, a sweet face, and yet methinks
she might have wearied me:" and suddenly,
smiting the sand awhirl with his angry hand,
scorned at himself "What god befooled my wits
to dream my fancy for her yellow curls
and milk-white softness subtle policy?
Wealth and a royal bride: but what beyond?
Medea, with her skills, her presciences,
man's wisdom, woman's craft, her rage of love
that gave her to serve me strength next divine,
Medea would have made me what I would;
Glaucè but what she could. I schemed amiss
and earned the curses the gods send on fools.
Ruined, ruined! A laughing stock to foes!
No man so mean but he may pity me;
no man so wretched but will keep aloof
lest the curse upon me make him wretcheder.
Ruined!"
And lo I see him hide his face
like a man who'll weep with passion: but to him
the passion comes not, only slow few tears
of one too weary. And from the great field
where the boys race he hears their jubilant shout
hum through the distance, and he sighs "Ah me!
she might have spared the children, left me them:-no sons, no sons to stand about me now
and prosper me, and tend me bye and bye
in faltering age, and keep my name on earth
when I shall be departed out of sight."
And the shout hummed louder forth: and whirring past
a screaming sea-bird flapped out to the bay,
110
and listlessly he watched it dip and rise
till it skimmed out of sight, so small a speck
as a mayfly on the brook; and then he said
"Fly forth, fly forth, bird, fly to fierce Medea
where by great Ægeus she sits queening it,
belike a joyful mother of new sons;
tell her she never loved me as she talked,
else had no wrong at my hand shewn so great:
tell her that she breaks oaths more than I broke,
even so much as she seemed to love most-she who fits fondling in a husband's arms
while I am desolate." And again he said
"My house is perished with me--ruined, ruined!"
At that he rose and, muttering in his teeth
still "ruined, ruined," slowly paced the sands:
then stood and, gazing on the ragged hulk,
cried "Oh loathed tool of fiends, that, through all storms
and sundering waters, borest me to Medea,
rot, rot, accursed thing," and petulant
pashed at the side-Lo, lo! I see it part!
a tottering spar--it parts, it falls, it strikes!
He is prone on the sand, the blood wells from his brow,
he moans, he speaks, "Medea's prophecy."
See he has fainted.
Hush, hush! he has lain
with death and silence long: now he wakes up-"Where is Medea? Let her bind my head."
Hush, hush! A sigh--a breath--He is dead.
******
Medea!
What, is it thou? What, thou, this whimpering fool,
this kind meek coward! Sick for pity art thou?
Or did the vision scare thee? Out on me!
do I drivel like a slight disconsolate girl
111
wailing her love?
No, not one foolish tear
that shamed my cheek welled up for any grief
at his so pitiful lone end. The touch
of ancient memories and the woman's trick
of easy weeping took me unawares:
but grief! Why should I grieve?
And yet for this,
that he is dead. He should still pine and dwine,
hungry for his old lost strong food of life
vanished with me, hungry for children's love,
hungry for me. Ever to think of me-with love, with hate, what care I? hate is love-Ever to think and long. Oh it was well!
Yea, my new marriage hope has been achieved:
for he did count me happy, picture me
happy with Ægeus; he did dream of me
as all to Ægeus that I was to him,
and to him nothing; and did yearn for me
and know me lost--we two so far apart
as dead and living, I an envied wife
and he alone and childless. Jason, Jason,
come back to earth; live, live for my revenge.
But lo the man is dead: I am forgotten.
Forgotten; something goes from life in that-as if oneself had died, when the half self
of one's true living time has slipped away
from reach of memories, has ceased to know
that such a woman is.
A wondrous thing
to be so separate having been so near-near by hate last and once by so strong love.
Would love have kept us near if he had died
in the good days? Tush, I should have died too:
we should have gone together, hand in hand,
and made dusk Hades glorious each to each.
Ah me, if then when through the fitful seas
112
we saw the great rocks glimmer, and the crew
howled "We are lost! lo the Symplegades!"
too late to shun them, if but then some wave,
our secret friend, had dashed us from our course,
sending us to be shivered at the base,
well, well indeed! And yet what say I there?
Ten years together were they not worth cost
of all the anguish? Oh me, how I loved him!
Why did I not die loving him?
******
What thou!
Have the dead no room, or do they drive thee forth
loathing thee near them? Dost thou threaten me?
Why, so I saw thee last, and was not scared:
think not to scare me now; I am no babe
to shiver at an unavailing shade.
Go, go, thou canst not curse me, none will hear:
the gods remember justice. Wrongs! thy wrongs!
the vengeance, ghost! What hast thou to avenge
as I have? Lo, thy meek-eyed Glaucè died,
and thy king-kinsman Creon died: but I,
I live what thou hast made me.
Oh smooth adder,
who with fanged kisses changedst my natural blood
to venom in me, say, didst thou not find me
a grave and simple girl in a still home,
learning my spells for pleasant services
or to make sick beds easier? With me went
the sweet sound of friends' voices praising me:
all faces smiled on me, even lifeless things
seemed glad because of me; and I could smile
to every face, to everything, to trees,
to skies and waters, to the passing herds,
to the small thievish sparrows, to the grass
with sunshine through it, to the weed's bold flowers:
for all things glad and harmless seemed my kin,
and all seemed glad and harmless in the world.
Thou cam'st, and from the day thou, finding me
113
in Hecate's dim grove to cull my herbs,
didst burn my cheeks with kisses hot and strange,
the curse of thee compelled me. Lo I am
The wretch thou say'st; but wherefore? by whose work?
Who, binding me with dreadful marriage oaths
in the midnight temple, led my treacherous flight
from home and father? Whose voice when I turned,
desperate to save thee, on my own young brother,
my so loved brother, whose voice as I smote
nerved me, cried "Brave Medea"? For whose ends
did I decoy the credulous girls, poor fools,
to slay their father? When have I been base,
when cruel, save for thee, until--Man, man,
wilt thou accuse my guilt? Whose is my guilt?
mine or thine, Jason? Oh, soul of my crimes,
how shall I pardon thee for what I am?
Never. And if, with the poor womanish heart
that for the loving's sake will still love on,
I could let such a past wane as a dream
and turn to thee at waking--turn to thee!
I, put aside like some slight purchased slave
who pleased thee and then tired, still turn to thee!-yet never, not if thou and I could live
thousands of years and all thy years were pain
and all my years were to behold thy pain,
never could I forgive thee for my boys;
never could I look on this hand of mine
that slew them and not hate thee. Childless thou,
what is thy childlessness to mine? Go, go,
thou foolish angry ghost, what wrongs hast thou?
would I could wrong thee more. Come thou sometimes
and see me happy.
Dost thou mock at me
with thy cold smiling? Aye, can I not love?
What then? am I not folded round with love,
with a life's whole of love? There doth no thought
come near to Ægeus save what is of me:
am I no happy wife? And I go proud,
and treasure him for noblest of the world:
am I no happy wife?
114
Dost mock me still?
My children is it? Are the dead so wise?
Why, who told thee my transport of despair
when from the Sun who willed me not to die
nor creep away, sudden and too late came
the winged swift car that could have saved them, mine,
from thee and from their foes? Tush, 'twas best so;
If they had lived, sometimes thou hadst had hope:
for thou wouldst still have said "I have two sons,"
and dreamed perchance they'd bring thee use at last
and build thy greatness higher: but now, now,
thou hast died shamed and childless, none to keep
thy name and memory fresh upon the earth,
none to make boast of thee "My father did it."
Yea, 'twas best so: my sons, we are avenged.
Thou, mock me not. What if I have ill dreams
to see them loathe me, fly from me in dread,
when I would feed my hungry mouth with kisses?
what if I moan in tossing fever thirsts,
crying for them whom I shall have no more,
here nor among the dead, who never more,
here nor among the dead, will smile to me
with young lips prattling "Mother, mother dear"?
what if I turn sick when the women pass
that lead their boys, and hate a child's young face?
what if-Go, go, thou mind'st me of my sons,
and then I hate thee worse; go to thy grave
by which none weeps. I have forgotten thee.
~ Augusta Davies Webster,#NFDB
640:Yet, Freedom, yet, thy banner, torn but flying,
Streams like a thunder-storm against the wind.--BYRON.
I.
A glorious people vibrated again
The lightning of the nations: Liberty
From heart to heart, from tower to tower, o'er Spain,
Scattering contagious fire into the sky,
Gleamed. My soul spurned the chains of its dismay,
And in the rapid plumes of song
Clothed itself, sublime and strong;
As a young eagle soars the morning clouds among,
Hovering inverse o'er its accustomed prey;
Till from its station in the Heaven of fame
The Spirit's whirlwind rapped it, and the ray
Of the remotest sphere of living flame
Which paves the void was from behind it flung,
As foam from a ship's swiftness, when there came
A voice out of the deep: I will record the same.
II.
The Sun and the serenest Moon sprang forth:
The burning stars of the abyss were hurled
Into the depths of Heaven. The daedal earth,
That island in the ocean of the world,
Hung in its cloud of all-sustaining air:
But this divinest universe
Was yet a chaos and a curse,
For thou wert not: but, power from worst producing worse,
The spirit of the beasts was kindled there,
And of the birds, and of the watery forms,
And there was war among them, and despair
Within them, raging without truce or terms:
The bosom of their violated nurse
Groaned, for beasts warred on beasts, and worms on worms,
And men on men; each heart was as a hell of storms.
III.
Man, the imperial shape, then multiplied
His generations under the pavilion
Of the Suns throne: palace and pyramid,
Temple and prison, to many a swarming million
Were, as to mountain-wolves their ragged caves.
This human living multitude
Was savage, cunning, blind, and rude,
For thou wert not; but oer the populous solitude,
Like one fierce cloud over a waste of waves,
Hung Tyranny; beneath, sate deified
The sister-pest, congregator of slaves;
Into the shadow of her pinions wide
Anarchs and priests, who feed on gold and blood
Till with the stain their inmost souls are dyed,
Drove the astonished herds of men from every side.
IV.
The nodding promontories, and blue isles,
And cloud-like mountains, and dividuous waves
Of Greece, basked glorious in the open smiles
Of favouring Heaven: from their enchanted caves
Prophetic echoes flung dim melody.
On the unapprehensive wild
The vine, the corn, the olive mild,
Grew savage yet, to human use unreconciled;
And, like unfolded flowers beneath the sea,
Like the mans thought dark in the infants brain,
Like aught that is which wraps what is to be,
Arts deathless dreams lay veiled by many a vein
Of Parian stone; and, yet a speechless child,
Verse murmured, and Philosophy did strain
Her lidless eyes for thee; when oer the Aegean main.
V.
Athens arose: a city such as vision
Builds from the purple crags and silver towers
Of battlemented cloud, as in derision
Of kingliest masonry: the ocean-floors
Pave it; the evening sky pavilions it;
Its portals are inhabited
By thunder-zoned winds, each head
Within its cloudy wings with sun-fire garlanded,--
A divine work! Athens, diviner yet,
Gleamed with its crest of columns, on the will
Of man, as on a mount of diamond, set;
For thou wert, and thine all-creative skill
Peopled, with forms that mock the eternal dead
In marble immortality, that hill
Which was thine earliest throne and latest oracle.
VI.
Within the surface of Times fleeting river
Its wrinkled image lies, as then it lay
Immovably unquiet, and for ever
It trembles, but it cannot pass away!
The voices of thy bards and sages thunder
With an earth-awakening blast
Through the caverns of the past:
(Religion veils her eyes; Oppression shrinks aghast):
A winged sound of joy, and love, and wonder,
Which soars where Expectation never flew,
Rending the veil of space and time asunder!
One ocean feeds the clouds, and streams, and dew;
One Sun illumines Heaven; one Spirit vast
With life and love makes chaos ever new,
As Athens doth the world with thy delight renew.
VII.
Then Rome was, and from thy deep bosom fairest,
Like a wolf-cub from a Cadmaean Maenad,
She drew the milk of greatness, though thy dearest
From that Elysian food was yet unweaned;
And many a deed of terrible uprightness
By thy sweet love was sanctified;
And in thy smile, and by thy side,
Saintly Camillus lived, and firm Atilius died.
But when tears stained thy robe of vestal-whiteness,
And gold profaned thy Capitolian throne, 100
Thou didst desert, with spirit-winged lightness,
The senate of the tyrants: they sunk prone
Slaves of one tyrant: Palatinus sighed
Faint echoes of Ionian song; that tone
Thou didst delay to hear, lamenting to disown
VIII.
From what Hyrcanian glen or frozen hill,
Or piny promontory of the Arctic main,
Or utmost islet inaccessible,
Didst thou lament the ruin of thy reign,
Teaching the woods and waves, and desert rocks,
And every Naiads ice-cold urn,
To talk in echoes sad and stern
Of that sublimest lore which man had dared unlearn?
For neither didst thou watch the wizard flocks
Of the Scald's dreams, nor haunt the Druid's sleep.
What if the tears rained through thy shattered locks
Were quickly dried? for thou didst groan, not weep,
When from its sea of death, to kill and burn,
The Galilean serpent forth did creep,
And made thy world an undistinguishable heap.
IX.
A thousand years the Earth cried, 'Where art thou?'
And then the shadow of thy coming fell
On Saxon Alfreds olive-cinctured brow:
And many a warrior-peopled citadel.
Like rocks which fire lifts out of the flat deep,
Arose in sacred Italy,
Frowning o'er the tempestuous sea
Of kings, and priests, and slaves, in tower-crowned majesty;
That multitudinous anarchy did sweep
And burst around their walls, like idle foam,
Whilst from the human spirits deepest deep
Strange melody with love and awe struck dumb
Dissonant arms; and Art, which cannot die,
With divine wand traced on our earthly home
Fit imagery to pave Heavens everlasting dome.
X.
Thou huntress swifter than the Moon! thou terror
Of the worlds wolves! thou bearer of the quiver,
Whose sunlike shafts pierce tempest-winged Error,
As light may pierce the clouds when they dissever
In the calm regions of the orient day!
Luther caught thy wakening glance;
Like lightning, from his leaden lance
Reflected, it dissolved the visions of the trance
In which, as in a tomb, the nations lay;
And Englands prophets hailed thee as their queen,
In songs whose music cannot pass away,
Though it must flow forever: not unseen
Before the spirit-sighted countenance
Of Milton didst thou pass, from the sad scene
Beyond whose night he saw, with a dejected mien.
XI.
The eager hours and unreluctant years
As on a dawn-illumined mountain stood.
Trampling to silence their loud hopes and fears,
Darkening each other with their multitude,
And cried aloud, 'Liberty!' Indignation
Answered Pity from her cave;
Death grew pale within the grave,
And Desolation howled to the destroyer, Save!
When like Heavens Sun girt by the exhalation
Of its own glorious light, thou didst arise.
Chasing thy foes from nation unto nation
Like shadows: as if day had cloven the skies
At dreaming midnight oer the western wave,
Men started, staggering with a glad surprise,
Under the lightnings of thine unfamiliar eyes.
XII.
Thou Heaven of earth! what spells could pall thee then
In ominous eclipse? a thousand years
Bred from the slime of deep Oppressions den.
Dyed all thy liquid light with blood and tears.
Till thy sweet stars could weep the stain away;
How like Bacchanals of blood
Round France, the ghastly vintage, stood
Destruction's sceptred slaves, and Follys mitred brood!
When one, like them, but mightier far than they,
The Anarch of thine own bewildered powers,
Rose: armies mingled in obscure array,
Like clouds with clouds, darkening the sacred bowers
Of serene Heaven. He, by the past pursued,
Rests with those dead, but unforgotten hours,
Whose ghosts scare victor kings in their ancestral towers.
XIII.
England yet sleeps: was she not called of old?
Spain calls her now, as with its thrilling thunder
Vesuvius wakens Aetna, and the cold
Snow-crags by its reply are cloven in sunder:
Oer the lit waves every Aeolian isle 185
From Pithecusa to Pelorus
Howls, and leaps, and glares in chorus:
They cry, 'Be dim; ye lamps of Heaven suspended o'er us!'
Her chains are threads of gold, she need but smile
And they dissolve; but Spains were links of steel,
Till bit to dust by virtues keenest file.
Twins of a single destiny! appeal
To the eternal years enthroned before us
In the dim West; impress us from a seal,
All ye have thought and done! Time cannot dare conceal.
XIV.
Tomb of Arminius! render up thy dead
Till, like a standard from a watch-towers staff,
His soul may stream over the tyrants head;
Thy victory shall be his epitaph,
Wild Bacchanal of truths mysterious wine,
King-deluded Germany,
His dead spirit lives in thee.
Why do we fear or hope? thou art already free!
And thou, lost Paradise of this divine
And glorious world! thou flowery wilderness!
Thou island of eternity! thou shrine
Where Desolation, clothed with loveliness,
Worships the thing thou wert! O Italy,
Gather thy blood into thy heart; repress
The beasts who make their dens thy sacred palaces.
XV.
Oh, that the free would stamp the impious name
Of KING into the dust! or write it there,
So that this blot upon the page of fame
Were as a serpents path, which the light air
Erases, and the flat sands close behind!
Ye the oracle have heard:
Lift the victory-flashing sword.
And cut the snaky knots of this foul gordian word,
Which, weak itself as stubble, yet can bind
Into a mass, irrefragably firm,
The axes and the rods which awe mankind;
The sound has poison in it, tis the sperm
Of what makes life foul, cankerous, and abhorred;
Disdain not thou, at thine appointed term,
To set thine armed heel on this reluctant worm.
XVI.
Oh, that the wise from their bright minds would kindle
Such lamps within the dome of this dim world,
That the pale name of PRIEST might shrink and dwindle
Into the hell from which it first was hurled,
A scoff of impious pride from fiends impure;
Till human thoughts might kneel alone,
Each before the judgement-throne
Of its own aweless soul, or of the Power unknown!
Oh, that the words which make the thoughts obscure
From which they spring, as clouds of glimmering dew
From a white lake blot Heavens blue portraiture,
Were stripped of their thin masks and various hue
And frowns and smiles and splendours not their own,
Till in the nakedness of false and true
They stand before their Lord, each to receive its due!
XVII.
He who taught man to vanquish whatsoever
Can be between the cradle and the grave
Crowned him the King of Life. Oh, vain endeavour!
If on his own high will, a willing slave,
He has enthroned the oppression and the oppressor
What if earth can clothe and feed
Amplest millions at their need,
And power in thought be as the tree within the seed?
Or what if Art, an ardent intercessor,
Driving on fiery wings to Natures throne,
Checks the great mother stooping to caress her,
And cries: Give me, thy child, dominion
Over all height and depth? if Life can breed
New wants, and wealth from those who toil and groan,
Rend of thy gifts and hers a thousandfold for one!
XVIII.
Come thou, but lead out of the inmost cave
Of mans deep spirit, as the morning-star
Beckons the Sun from the Eoan wave,
Wisdom. I hear the pennons of her car
Self-moving, like cloud charioted by flame;
Comes she not, and come ye not,
Rulers of eternal thought,
To judge, with solemn truth, lifes ill-apportioned lot?
Blind Love, and equal Justice, and the Fame
Of what has been, the Hope of what will be?
O Liberty! if such could be thy name
Wert thou disjoined from these, or they from thee:
If thine or theirs were treasures to be bought
By blood or tears, have not the wise and free
Wept tears, and blood like tears?The solemn harmony
XIX.
Paused, and the Spirit of that mighty singing
To its abyss was suddenly withdrawn;
Then, as a wild swan, when sublimely winging
Its path athwart the thunder-smoke of dawn,
Sinks headlong through the aereal golden light
On the heavy-sounding plain,
When the bolt has pierced its brain;
As summer clouds dissolve, unburthened of their rain;
As a far taper fades with fading night,
As a brief insect dies with dying day,--
My song, its pinions disarrayed of might,
Drooped; oer it closed the echoes far away
Of the great voice which did its flight sustain,
As waves which lately paved his watery way
Hiss round a drowners head in their tempestuous play.
Composed early in 1820, and published, with Prometheus Unbound, in the same year. A transcript in Shelley's hand of lines 1-21 is included in the Harvard manuscript book, and amongst the Boscombe manuscripts there is a fragment of a rough draft (Garnett).
~ Percy Bysshe Shelley, Ode To Liberty
,#NFDB
641:The spider spreads her webs, whether she be
In poet's tower, cellar, or barn, or tree;
The silk-worm in the dark green mulberry leaves
His winding sheet and cradle ever weaves;
So I, a thing whom moralists call worm,
Sit spinning still round this decaying form,
From the fine threads of rare and subtle thought
No net of words in garish colours wrought
To catch the idle buzzers of the day
But a soft cell, where when that fades away,
Memory may clothe in wings my living name
And feed it with the asphodels of fame,
Which in those hearts which must remember me
Grow, making love an immortality.
Whoever should behold me now, I wist,
Would think I were a mighty mechanist,
Bent with sublime Archimedean art
To breathe a soul into the iron heart
Of some machine portentous, or strange gin,
Which by the force of figured spells might win
Its way over the sea, and sport therein;
For round the walls are hung dread engines, such
As Vulcan never wrought for Jove to clutch
Ixion or the Titan:or the quick
Wit of that man of God, St. Dominic,
To convince Atheist, Turk, or Heretic,
Or those in philanthropic council met,
Who thought to pay some interest for the debt
They owed to Jesus Christ for their salvation,
By giving a faint foretaste of damnation
To Shakespeare, Sidney, Spenser, and the rest
Who made our land an island of the blest,
When lamp-like Spain, who now relumes her fire
On Freedom's hearth, grew dim with Empire:
With thumbscrews, wheels, with tooth and spike and jag,
Which fishers found under the utmost crag
Of Cornwall and the storm-encompassed isles,
Where to the sky the rude sea rarely smiles
Unless in treacherous wrath, as on the morn
When the exulting elements in scorn,
Satiated with destroyed destruction, lay
Sleeping in beauty on their mangled prey,
As panthers sleep;and other strange and dread
Magical forms the brick floor overspread,
Proteus transformed to metal did not make
More figures, or more strange; nor did he take
Such shapes of unintelligible brass,
Or heap himself in such a horrid mass
Of tin and iron not to be understood;
And forms of unimaginable wood,
To puzzle Tubal Cain and all his brood:
Great screws, and cones, and wheels, and groovd blocks,
The elements of what will stand the shocks
Of wave and wind and time.Upon the table
More knacks and quips there be than I am able
To catalogize in this verse of mine:
A pretty bowl of woodnot full of wine,
But quicksilver; that dew which the gnomes drink
When at their subterranean toil they swink,
Pledging the demons of the earthquake, who
Reply to them in lavacry halloo!
And call out to the cities o'er their head,
Roofs, towers, and shrines, the dying and the dead,
Crash through the chinks of earthand then all quaff
Another rouse, and hold their sides and laugh.
This quicksilver no gnome has drunkwithin
The walnut bowl it lies, veind and thin,
In colour like the wake of light that stains
The Tuscan deep, when from the moist moon rains
The inmost shower of its white firethe breeze
Is stillblue Heaven smiles over the pale seas.
And in this bowl of quicksilverfor I
Yield to the impulse of an infancy
Outlasting manhoodI have made to float
A rude idealism of a paper boat:
A hollow screw with cogsHenry will know
The thing I mean and laugh at me,if so
He fears not I should do more mischief.Next
Lie bills and calculations much perplexed,
With steam-boats, frigates, and machinery quaint
Traced over them in blue and yellow paint.
Then comes a range of mathematical
Instruments, for plans nautical and statical;
A heap of rosin, a queer broken glass
With ink in it;a china cup that was
What it will never be again, I think,
A thing from which sweet lips were wont to drink
The liquor doctors rail atand which I
Will quaff in spite of themand when we die
We'll toss up who died first of drinking tea,
And cry out,'Heads or tails?' where'er we be.
Near that a dusty paint-box, some odd hooks,
A half-burnt match, an ivory block, three books,
Where conic sections, spherics, logarithms,
To great Laplace, from Saunderson and Sims,
Lie heaped in their harmonious disarray
Of figures,disentangle them who may.
Baron de Tott's Memoirs beside them lie,
And some odd volumes of old chemistry.
Near those a most inexplicable thing,
With lead in the middleI'm conjecturing
How to make Henry understand; but no
I'll leave, as Spenser says, with many mo,
This secret in the pregnant womb of time,
Too vast a matter for so weak a rhyme.
And here like some weird Archimage sit I,
Plotting dark spells, and devilish enginery,
The self-impelling steam-wheels of the mind
Which pump up oaths from clergymen, and grind
The gentle spirit of our meek reviews
Into a powdery foam of salt abuse,
Ruffling the ocean of their self-content;
I sitand smile or sigh as is my bent,
But not for themLibeccio rushes round
With an inconstant and an idle sound,
I heed him more than themthe thunder-smoke
Is gathering on the mountains, like a cloak
Folded athwart their shoulders broad and bare;
The ripe corn under the undulating air
Undulates like an ocean;and the vines
Are trembling wide in all their trellised lines
The murmur of the awakening sea doth fill
The empty pauses of the blast;the hill
Looks hoary through the white electric rain,
And from the glens beyond, in sullen strain,
The interrupted thunder howls; above
One chasm of Heaven smiles, like the eye of Love
On the unquiet world;while such things are,
How could one worth your friendship heed the war
Of worms? the shriek of the world's carrion jays,
Their censure, or their wonder, or their praise?
You are not here! the quaint witch Memory sees,
In vacant chairs, your absent images,
And points where once you sat, and now should be
But are not.I demand if ever we
Shall meet as then we met;and she replies,
Veiling in awe her second-sighted eyes;
'I know the past alonebut summon home
My sister Hope,she speaks of all to come.'
But I, an old diviner, who knew well
Every false verse of that sweet oracle,
Turned to the sad enchantress once again,
And sought a respite from my gentle pain,
In citing every passage o'er and o'er
Of our communionhow on the sea-shore
We watched the ocean and the sky together,
Under the roof of blue Italian weather;
How I ran home through last year's thunder-storm,
And felt the transverse lightning linger warm
Upon my cheekand how we often made
Feasts for each other, where good will outweighed
The frugal luxury of our country cheer,
As well it might, were it less firm and clear
Than ours must ever be;and how we spun
A shroud of talk to hide us from the sun
Of this familiar life, which seems to be
But is not:or is but quaint mockery
Of all we would believe, and sadly blame
The jarring and inexplicable frame
Of this wrong world:and then anatomize
The purposes and thoughts of men whose eyes
Were closed in distant years;or widely guess
The issue of the earth's great business,
When we shall be as we no longer are
Like babbling gossips safe, who hear the war
Of winds, and sigh, but tremble not;or how
You listened to some interrupted flow
Of visionary rhyme,in joy and pain
Struck from the inmost fountains of my brain,
With little skill perhaps;or how we sought
Those deepest wells of passion or of thought
Wrought by wise poets in the waste of years,
Staining their sacred waters with our tears;
Quenching a thirst ever to be renewed!
Or how I, wisest lady! then endued
The language of a land which now is free,
And, winged with thoughts of truth and majesty,
Flits round the tyrant's sceptre like a cloud,
And bursts the peopled prisons, and cries aloud,
'My name is Legion!'that majestic tongue
Which Calderon over the desert flung
Of ages and of nations; and which found
An echo in our hearts, and with the sound
Startled oblivion;thou wert then to me
As is a nursewhen inarticulately
A child would talk as its grown parents do.
If living winds the rapid clouds pursue,
If hawks chase doves through the aethereal way,
Huntsmen the innocent deer, and beasts their prey,
Why should not we rouse with the spirit's blast
Out of the forest of the pathless past
These recollected pleasures?
You are now
In London, that great sea, whose ebb and flow
At once is deaf and loud, and on the shore
Vomits its wrecks, and still howls on for more.
Yet in its depth what treasures! You will see
That which was Godwin,greater none than he
Though fallenand fallen on evil timesto stand
Among the spirits of our age and land,
Before the dread tribunal of to come
The foremost,while Rebuke cowers pale and dumb.
You will see Coleridgehe who sits obscure
In the exceeding lustre and the pure
Intense irradiation of a mind,
Which, with its own internal lightning blind,
Flags wearily through darkness and despair
A cloud-encircled meteor of the air,
A hooded eagle among blinking owls.
You will see Huntone of those happy souls
Which are the salt of the earth, and without whom
This world would smell like what it isa tomb;
Who is, what others seem; his room no doubt
Is still adorned with many a cast from Shout,
With graceful flowers tastefully placed about;
And coronals of bay from ribbons hung,
And brighter wreaths in neat disorder flung;
The gifts of the most learned among some dozens
Of female friends, sisters-in-law, and cousins.
And there is he with his eternal puns,
Which beat the dullest brain for smiles, like duns
Thundering for money at a poet's door;
Alas! it is no use to say, 'I'm poor!'
Or oft in graver mood, when he will look
Things wiser than were ever read in book,
Except in Shakespeare's wisest tenderness.
You will see Hogg,and I cannot express
His virtues,though I know that they are great,
Because he locks, then barricades the gate
Within which they inhabit;of his wit
And wisdom, you'll cry out when you are bit.
He is a pearl within an oyster shell,
One of the richest of the deep;and there
Is English Peacock, with his mountain Fair,
Turned into a Flamingo;that shy bird
That gleams i' the Indian airhave you not heard
When a man marries, dies, or turns Hindoo,
His best friends hear no more of him?but you
Will see him, and will like him too, I hope,
With the milk-white Snowdonian Antelope
Matched with this cameleopardhis fine wit
Makes such a wound, the knife is lost in it;
A strain too learnd for a shallow age,
Too wise for selfish bigots; let his page,
Which charms the chosen spirits of the time,
Fold itself up for the serener clime
Of years to come, and find its recompense
In that just expectation.Wit and sense,
Virtue and human knowledge; all that might
Make this dull world a business of delight,
Are all combined in Horace Smith.And these,
With some exceptions, which I need not tease
Your patience by descanting on,are all
You and I know in London.
I recall
My thoughts, and bid you look upon the night.
As water does a sponge, so the moonlight
Fills the void, hollow, universal air
What see you?unpavilioned Heaven is fair,
Whether the moon, into her chamber gone,
Leaves midnight to the golden stars, or wan
Climbs with diminished beams the azure steep;
Or whether clouds sail o'er the inverse deep,
Piloted by the many-wandering blast,
And the rare stars rush through them dim and fast:
All this is beautiful in every land.
But what see you beside?a shabby stand
Of Hackney coachesa brick house or wall
Fencing some lonely court, white with the scrawl
Of our unhappy politics;or worse
A wretched woman reeling by, whose curse
Mixed with the watchman's, partner of her trade,
You must accept in place of serenade
Or yellow-haired Pollonia murmuring
To Henry, some unutterable thing.
I see a chaos of green leaves and fruit
Built round dark caverns, even to the root
Of the living stems that feed themin whose bowers
There sleep in their dark dew the folded flowers;
Beyond, the surface of the unsickled corn
Trembles not in the slumbering air, and borne
In circles quaint, and ever-changing dance,
Like wingd stars the fire-flies flash and glance,
Pale in the open moonshine, but each one
Under the dark trees seems a little sun,
A meteor tamed; a fixed star gone astray
From the silver regions of the milky way;
Afar the Contadino's song is heard,
Rude, but made sweet by distanceand a bird
Which cannot be the Nightingale, and yet
I know none else that sings so sweet as it
At this late hour;and then all is still
NowItaly or London, which you will!
Next winter you must pass with me; I'll have
My house by that time turned into a grave
Of dead despondence and low-thoughted care,
And all the dreams which our tormentors are;
Oh! that Hunt, Hogg, Peacock, and Smith were there,
With everything belonging to them fair!
We will have books, Spanish, Italian, Greek;
And ask one week to make another week
As like his father, as I'm unlike mine,
Which is not his fault, as you may divine.
Though we eat little flesh and drink no wine,
Yet let's be merry: we'll have tea and toast;
Custards for supper, and an endless host
Of syllabubs and jellies and mince-pies,
And other such lady-like luxuries,
Feasting on which we will philosophize!
And we'll have fires out of the Grand Duke's wood,
To thaw the six weeks' winter in our blood.
And then we'll talk;what shall we talk about?
Oh! there are themes enough for many a bout
Of thought-entangled descant;as to nerves
With cones and parallelograms and curves
I've sworn to strangle them if once they dare
To bother mewhen you are with me there.
And they shall never more sip laudanum,
From Helicon or Himeros[1];well, come,
And in despite of God and of the devil,
We'll make our friendly philosophic revel
Outlast the leafless time; till buds and flowers
Warn the obscure inevitable hours,
Sweet meeting by sad parting to renew;
'To-morrow to fresh woods and pastures new.'
Composed during Shelley's occupation of the Gisbornes' house at Leghorn, July 1820; published in Posthumous Poems, 1824.
~ Percy Bysshe Shelley, Letter To Maria Gisborne
,#NFDB
642:Prince Dorus
In days of yore, as Ancient Stories tell,
A King in love with a great Princess fell.
Long at her feet submiss the Monarch sigh'd,
While she with stern repulse his suit denied.
Yet was he form'd by birth to please the fair,
Dress'd, danc'd, and courted, with a Monarch's air;
But Magic Spells her frozen breast had steel'd
With stubborn pride, that knew not how to yield.
This to the King a courteous Fairy told,
And bade the Monarch in his suit be bold;
For he that would the charming Princess wed,
Had only on her cat's black tail to tread,
When straight the Spell would vanish into air,
And he enjoy for life the yielding fair.
He thank'd the Fairy for her kind advice.Thought he, 'If this be all, I'll not be nice;
Rather than in my courtship I will fail,
I will to mince-meat tread Minon's black tail.'
To the Princess's court repairing strait,
He sought the cat that must decide his fate;
But when he found her, how the creature stared!
How her back bristled, and her great eyes glared!
That tail, which he so fondly hop'd his prize,
Was swell'd by wrath to twice its usual size;
And all her cattish gestures plainly spoke,
She thought the affair he came upon, no joke.
With wary step the cautious King draws near,
And slyly means to attack her in her rear;
But when he thinks upon her tail to pounce,
Whisk-off she skips-three yards upon a bounceAgain he tries, again his efforts fail-
96
Minon's a witch-the deuce is in her tail.-
The anxious chase for weeks the Monarch tried,
Till courage fail'd, and hope within him died.
A desperate suit 'twas useless to prefer,
Or hope to catch a tail of quicksilver.When on a day, beyond his hopes, he found
Minon, his foe, asleep upon the ground;
Her ample tail hehind her lay outspread,
Full to the eye, and tempting to the tread.
The King with rapture the occasion bless'd,
And with quick foot the fatal part he press'd.
Loud squalls were heard, like howlings of a storm,
And sad he gazed on Minon's altered form,No more a cat, but chang'd into a man
Of giant size, who frown'd, and thus began:
'Rash King, that dared with impious design
To violate that tail, that once was mine;
What tho' the spell be broke, and burst the charms,
That kept the Princess from thy longing arms,Not unrevenged shalt thou my fury dare,
For by that violated tail I swear,
From your unhappy nuptials shall be born
A Prince, whose Nose shall be thy subjects' scorn.
Bless'd in his love thy son shall never be,
Till he his foul deformity shall see,
Till he with tears his blemish shall confess,
Discern its odious length, and wish it less!'
This said, he vanish'd; and the King awhile
Mused at his words, then answer'd with a smile,
'Give me a child in happy wedlock born,
And let his Nose be made like a French horn;
His knowledge of the fact I ne'er can doubt,If he have eyes, or hands, he'll find it out.'
So spake the King, self-flatter'd in his thought,
97
Then with impatient step the Princess sought;
His urgent suit no longer she withstands,
But links with him in Hymen's knot her hands.
Almost as soon a widow as a bride,
Within a year the King her husband died;
And shortly after he was dead and gone
She was deliver'd of a little son,
The prettiest babe, with lips as red as rose,
And eyes like little stars-but such a noseThe tender Mother fondly took the boy
Into her arms, and would have kiss'd her joy;
His luckless nose forbade the fond embraceHe thrust the hideous feature in her face.
Then all her Maids of Honour tried in turn,
And for a Prince's kiss in envy burn;
By sad experience taught, their hopes they miss'd,
And mourn'd a Prince that never could be kiss'd.
In silent tears the Queen confess'd her grief,
Till kindest Flattery came to her relief.
Her maids, as each one takes him in her arms,
Expatiate freely o'er his world of charmsHis eyes, lips, mouth-his forehead was divineAnd for the nose-they call'd it AquilineDeclared that Cæsar, who the world subdued,
Had such a one-just of that longitudeThat Kings like him compell'd folks to adore them,
And drove the short-nos'd sons of men before themThat length of nose portended length of days,
And was a great advantage many waysTo mourn the gifts of Providence was wrongBesides, the Nose was not so very long.-
These arguments in part her grief redrest,
A mother's partial fondness did the rest;
And Time, that all things reconciles by use,
Did in her notions such a change produce,
That, as she views her babe, with favour blind,
98
She thinks him handsomest of human kind.
Meantime, in spite of his disfigured face,
Dorus (for so he's call'd) grew up a pace;
In fair proportion all his features rose,
Save that most prominent of all-his Nose.
That Nose, which in the infant could annoy,
Was grown a perfect nuisance in the boy.
Whene'er he walk'd, his Handle went before,
Long as the snout of Ferret, or Wild Boar;
Or like the Staff, with which on holy day
The solemn Parish Beadle clears the way.
But from their cradle to their latest year,
How seldom Truth can reach a Prince's ear!
To keep the unwelcome knowledge out of view,
His lesson well each flattering Courtier knew;
The hoary Tutor, and the wily Page,
Unmeet confederates! dupe his tender age.
They taught him that whate'er vain mortals boastStrength, Courage, Wisdom-all they value mostWhate'er on human life distinction throwsWas all comprized-in what?-a length of nose!
Ev'n Virtue's self (by some suppos'd chief merit)
In short-nosed folks was only want of spirit.
While doctrines such as these his guides instill'd,
His Palace was with long-nosed people fill'd;
At Court whoever ventured to appear
With a short nose, was treated with a sneer.
Each courtier's wife, that with a babe is blest,
Moulds its young nose betimes; and does her best,
By pulls, and hauls, and twists, and lugs, and pinches,
To stretch it to the standard of the Prince's.
Dup'd by these arts, Dorus to manhood rose,
Nor dream'd of ought more comely than his Nose;
Till Love, whose power ev'n Princes have confest,
99
Claim'd the soft empire o'er his youthful breast.
Fair Claribel was she who caus'd his care;
A neighb'ring Monarch's daughter, and sole heir.
For beauteous Claribel his bosom burn'd;
The beauteous Claribel his flame return'd;
Deign'd with kind words his passion to approve,
Met his soft vows, and yielded love for love.
If in her mind some female pangs arose
At sight (and who can blame her?) of his Nose,
Affection made her willing to be blind;
She loved him for the beauties of his mind;
And in his lustre, and his royal race,
Contented sunk-one feature of his face.
Blooming to sight, and lovely to behold,
Herself was cast in Beauty's richest mould;
Sweet female majesty her person deck'dHer face an angel's-save for one defectWise Nature, who to Dorus over kind,
A length of nose too liberal had assign'd,
As if with us poor mortals to make sport,
Had given to Claribel a nose too short:
But turn'd up with a sort of modest grace;
It took not much of beauty from her face;
And subtle Courtiers, who their Prince's mind
Still watch'd, and turn'd about with every wind,
Assur'd the Prince, that though man's beauty owes
Its charms to a majestic length of nose,
The excellence of Woman (softer creature)
Consisted in the shortness of that feature.
Few arguments were wanted to convince
The already more than half persuaded Prince;
Truths, which we hate, with slowness we receive,
But what we wish to credit, soon believe.
The Princess's affections being gain'd,
What but her Sire's approval now remain'd?
Ambassadors with solemn pomp are sent
To win the aged Monarch to consent
(Seeing their States already were allied)
100
That Dorus might have Claribel to bride.
Her Royal Sire, who wisely understood
The match propos'd was for both kingdoms' good,
Gave his consent; and gentle Claribel
With weeping bids her father's court farewell.
With gallant pomp, and numerous array,
Dorus went forth to meet her on her way;
But when the Princely pair of lovers met,
Their hearts on mutual gratulations set,
Sudden the Enchanter from the ground arose,
(The same who prophesied the Prince's nose)
And with rude grasp, unconscious of her charms,
Snatch'd up the lovely Princess in his arms,
Then bore her out of reach of human eyes,
Up in the pathless regions of the skies.
Bereft of her that was his only care,
Dorus resign'd his soul to wild despair;
Resolv'd to leave the land that gave him birth,
And seek fair Claribel throughout the earth.
Mounting his horse, he gives the beast the reins,
And wanders lonely through the desert plains;
With fearless heart the savage heath explores,
Where the wolf prowls, and where the tiger roars,
Nor wolf, nor tiger, dare his way oppose;
The wildest creatures see, and shun, his Nose.
Ev'n lions fear! the elephant alone
Surveys with pride a trunk so like his own.
At length he to a shady forest came,
Where in a cavern lived an aged dame;
A reverend Fairy, on whose silver head
A hundred years their downy snows had shed.
Here ent'ring in, the Mistress of the place
Bespoke him welcome with a cheerful grace;
Fetch'd forth her dainties, spread her social board
With all the store her dwelling could afford.
The Prince, with toil and hunger sore opprest,
101
Gladly accepts, and deigns to be her guest.
But when the first civilities were paid,
The dishes rang'd, and Grace in order said;
The Fairy, who had leisure now to view
Her guest more closely, from her pocket drew
Her spectacles, and wip'd them from the dust,
Then on her nose endeavour'd to adjust;
With difficulty she could find a place
To hang them on in her unshapely face;
For, if the Princess's was somewhat small,
This Fairy scarce had any nose at all.
But when by help of spectacles the Crone
Discern'd a Nose so different from her own,
What peals of laughter shook her aged sides!
While with sharp jests the Prince she thus derides.
FAIRY.
'Welcome, great Prince of Noses, to my cell;
'Tis a poor place,-but thus we Fairies dwell.
Pray, let me ask you, if from far you comeAnd don't you sometimes find it cumbersome?'
PRINCE.
'Find what?'
FAIRY.
'Your Nose-'
PRINCE.
'My Nose, Ma'am!'
FAIRY.
'No offenceThe King your Father was a man of sense,
A handsome man (but lived not to be old)
And had a Nose cast in the common mould.
Ev'n I myself, that now with age am grey,
102
Was thought to have some beauty in my day,
And am the Daughter of a King.-Your Sire
In this poor face saw something to admireAnd I to shew my gratitude made shiftHave stood his friend-and help'd him at a lift'Twas I that, when his hopes began to fail,
Shew'd him the spell that lurk'd in Minon's tailPerhaps you have heard-but come, Sir, you don't eatThat Nose of yours requires both wine and meatFall to, and welcome, without more adoYou see your fare-what shall I help you to?
This dish the tongues of nightingales contains;
This, eyes of peacocks; and that, linnets' brains;
That next you is a Bird of ParadiseWe Fairies in our food are somewhat nice.And pray, Sir, while your hunger is supplied,
Do lean your Nose a little on one side;
The shadow, which it casts upon the meat,
Darkens my plate, I see not what I eat-'
The Prince, on dainty after dainty feeding,
Felt inly shock'd at the old Fairy's breeding,
But held it want of manners in the Dame,
And did her country education blame.
One thing he only wonder'd at,-what she
So very comic in his Nose could see.
Hers, it must be confest, was somewhat short,
And time and shrinking age accounted for't;
But for his own, thank heaven, he could not tell
That it was ever thought remarkable;
A decent nose, of reasonable size,
And handsome thought, rather than otherwise.
But that which most of all his wonder paid,
Was to observe the Fairy's waiting Maid;
How at each word the aged Dame let fall;
She curtsied low, and smil'd assent to all;
But chiefly when the rev'rend Grannam told
Of conquests, which her beauty made of old.He smiled to see how Flattery sway'd the Dame,
Nor knew himself was open to the same!
He finds her raillery now increase so fast,
103
That making hasty end of his repast,
Glad to escape her tongue, he bids farewell
To the old Fairy, and her friendly cell.
But his kind Hostess, who had vainly tried
The force of ridicule to cure his pride,
Fertile in plans, a surer method chose,
To make him see the error of his Nose;
For, till he view'd that feature with remorse,
The Enchanter's direful spell must be in force.
Midway the road by which the Prince must pass,
She rais'd by magic art a House of Glass;
No mason's hand appear'd, nor work of wood;
Compact of glass the wondrous fabric stood.
Its stately pillars, glittering in the sun,
Conspicuous from afar, like silver, shone.
Here, snatch'd and rescued from th' Enchanter's might,
She placed the beauteous Claribel in sight.
The admiring Prince the chrystal dome survey'd,
And sought access unto his lovely Maid:
But, strange to tell, in all that mansion's bound,
Nor door, nor casement, was there to be found.
Enrag'd he took up massy stones, and flung
With such a force, that all the palace rung;
But made no more impression on the glass,
Than if the solid structure had been brass.
To comfort his despair, the lovely maid
Her snowy hand against her window laid;
But when with eager haste he thought to kiss,
His Nose stood out, and robb'd him of the bliss.
Thrice he essay'd th' impracticable feat;
The window and his lips can never meet.
The painful Truth, which Flattery long conceal'd,
Rush'd on his mind, and 'O!' he cried, 'I yield;
Wisest of Fairies, thou wert right, I wrong-
104
I own, I own, I have a Nose too long.'
The frank confession was no sooner spoke,
But into shivers all the palace broke.
His Nose of monstrous length, to his surprise
Shrunk to the limits of a common size:
And Claribel with joy her Lover view'd,
Now grown as beautiful as he was good.
The aged Fairy in their presence stands,
Confirms their mutual vows, and joins their hands.
The Prince with rapture hails the happy hour,
That rescued him from self-delusion's power;
And trains of blessings crown the future life
Of Dorus, and of Claribel, his wife.
THE END
~ Charles Lamb,#NFDB
643:Tekel
WHEN on the West broke light from out the East,
Then from the splendour and the shame of Rome-Renouncing wealth and pleasure, game and feast,
And all the joys of his polluted home,
Desiring not the gifts his world could give,
If haply he might save his soul and live-Into the desert's heart a man had come.
His God had died for love of him, and he
For love of God would die to all of these
Sweet sins he had not known for sins, and be
Estranged for evermore from rest and ease;
His days in penance spent might half atone
For the iniquity of days bygone,
And in the desert might his soul find peace.
Crossing wide seas, he reached an alien land:
By mighty harbours and broad streams he passed
Into an arid, trackless waste of sand,
And journeying ever faster and more fast,
Left men behind, and onward still did press
To a ruined city in the wilderness,
And there he stayed his restless feet at last.
There stood long lines of columns richly wrought,
Colossal statues of forgotten kings,
Vast shadowy temples, court within dim court,
Great shapes of man-faced beasts with wide firm wings;
And in and out each broken colonnade
The bright-eyed, swift, green-gleaming lizards played,
In that still place the only living things.
But when the moon unveiled her still, white face,
And over sand and stone her glory shed-Another life awoke within the place,
241
And great beasts stalked, with silent heavy tread,
Through pillared vista, over marble floor,
And the stern menace of the lion's roar
Made horrible the city of the dead.
Like a great bird soft sinking on its nest,
Too lightly to disturb its tender brood,
The night, with dark spread wings and cloudy breast,
Sank on the desert city's solitude
As he drew near. The shadows grew more dense,
The silence stronger; weariness intense
Fell on him then, and only rest seemed good.
He passed between tall pillars' sculptured gloom,
And entered a deserted, lightless fane,
And knew not if it temple were, or tomb,
But slept and slept, till over all the plain
The level sunbeams spread, and earth was bright
With morning's radiant resurrection-light;
Then he awoke, refreshed and strong again.
Through empty courts he passed, and lo! a wall
Whereon was imaged all the languid grace
Of fairest women, and among them all
Shone like a star one lovely Eastern face:
Undimmed by centuries the colours were,
Bright as when first the painter found her fair,
And set her there to glorify the place.
All he had fled from suddenly drew near,
And from her eyes a challenge seemed down-thrown;
'Ah, fool!' she seemed to say, 'what dost thou here?
How canst thou bear this stern, sad life alone,
When I--not just this face that copies me,
But I myself--stretch arms and lips to thee,
From that same world whose joys thou hast foregone?'
242
His heart leaped up like flame--she was so fair;
Then with a start he hid his eyes and fled
Into the hotness of the outer air.
His pulse beat quickly. 'Oh, my God!' he said,
'These be the heart made pure, and cleansèd brain!
I vow to Thee to never look again
On women, real or painted, quick or dead!'
So lest within the city he should find,
To tempt his soul, still some accursèd thing,
He left the palaces and courts behind,
Found a green spot, with date-palms and a spring
And built himself a rough stone shelter there
And saw no more the face, so strange and fair
That had begot such vain imagining.
He tilled the patch of land, and planted seeds
Which from his own far country he had brought;
And, caring little for his body's needs,
Strove still by blind belief to strangle thought,
By ceaseless penance to deny desire,
To quench in prayer and fast all human fire,
And wrest from Heaven the blessings that he sought.
And there peace found him, and he dwelt alone,
And gladly gave his life to God. Behind
Lay the long dim arcades of graven stone;
Before him lay the desert, burning blind
Sometimes with the dread dance of its own sand,
That wildly whirled in shadowy columns, fanned
By the hot breath of the fierce desert wind.
Each day passed by as had passed other days,
And days gone by were as the days to come,
Save that on some days he was wild with praise,
And weak with vigil and with fast on some;
And no man saw he for long months and years,
But ever did he penance with hot tears,
243
And but for prayer and praise his lips were dumb.
Sometimes at first, when spent with watch and prayer,
He saw again the Imperial City's towers,
Where, in a mist of music and sweet air,
Thais and Phryne crowned his cup with flowers-He saw the easeful day, the festal night,
The life that was one dream of long delight,
One rose-red glow of rapture and fair hours.
He heard old well-remembered voices cry,
'Come back to us! Think of the joys you miss;
Each moment floats some foregone rapture by,
A cup, a crown, a song, a laugh, a kiss!
Cast down that crown of thorns, return, and be
Once more flower-crowned, love-thrilled, wine-warmed, and see
The old sweet life--how good a thing it is!'
But his soul answered, 'Nay, I am content;
Ye call in vain; the desert shuts me in.
Your flowers are sere, your wine with gall is blent,
Your sweets have all the sickening taste of sin;
Such sin I expiate with ceaseless pain,
And world and flesh and devil strive in vain
Back from its sanctuary my soul to win.
'Fair are the Imperial City's towers to see?
I seek the City with the streets of gold.
Beside the lilies God has grown for me
Faint are the roses that your fingers hold.
Ear hath not heard the music I shall hear,
Eye hath not seen the joys that shall appear,
Nor heart conceived the things I shall behold.'
After long days a stranger halted there,
For some far distant monastery bound.
The hermit fed and lodged, nor could forbear
244
To tell his guest what rest his soul had found
How with the world he long ago had done,
How the hard battle had been fought and won,
And he found peace, pure, perfect and profound.
The stranger answered, 'Thou hast watched an hour,
But many hours go to make up our day,
And some of these are dark with fateful power,
And Satan watches for our souls alway;
The spirit may be willing, but indeed
The flesh is weak, and so much more the need
To pray and watch, my brother, watch and pray.'
The Roman bowed his head in mute assent,
And, having served the stranger with his best,
Bade him God-speed, and down the way he went-Gazed sadly after, but within his breast
A pale fire of resentment sprang to flame
Was he not holy now, and void of blame,
And certain of himself, and pure, and blest?
That night a new-born desolation grew
Within his heart as he made fast the stone
Against the doorway of his hut, and knew
How more than ever he was now alone.
He was in darkness, but the moon without
Made a new tender daylight round about
The hut, the palms, the plot with millet sown.
Hark!--what was that?--For many months and years
He had not heard that faint uncertain noise,
Broken, and weak, and indistinct with tears-A voice--a human voice--a woman's voice.
'Oh, let me in,' it wailed, 'before I die!
Oh, let me in, for Holy Charity!
For see--my life or death is at thy choice!'
245
Unthinking, swift he rolled the stone away:
There stood a woman, trembling, shrinking, thin;
Her pale hair by the moon's white light looked grey,
And grey her hands and grey her withered skin.
'Oh, save me--lest I die among the beasts
Who roam, and roar, and hold their fearful feasts!
Oh, save me,' she besought him, 'let me in!'
Troubled, he answered, 'Nay, I have a vow
Never again a woman's face to see!'
'But, ah,' she cried, 'thy vow is broken now,
For at this moment thou beholdest me.
I cannot journey farther. Help!' she said,
'Or I before the dawning shall be dead,
And thou repent to all eternity!'
His soul was gentle and compassionate.
'Thou shalt not perish--enter here,' he said;
'My vow is broken, and thy need is great.'
She staggered forward to the dry leaf bed,
And sank upon it, cold and still and white.
'Perhaps she may not live until the light,'
He thought, and lifted up her drooping head,
And gave her wine from out a little store
Which he had kept untouched since first he came;
He rolled the stone again before his door
To keep the night air from her wasted frame;
And, though his vow was broken, somehow knew
That he was doing what was right to do,
Yet felt a weight of unacknowledged blame.
And many a day he tended her and fed;
But ever after that first night's surprise
With earnest vigilance he held his head
Averted, and downcast he kept his eyes.
His vow, though broken once, was still his law;
He looked upon her face no more, nor saw
246
Her whom he cared for in such kindly wise.
She never spoke to him, nor he to her-That she was sick and sad was all he knew;
He never asked her what her past days were,
Nor of the future, what she meant to do.
So dwelt they, till the full moon's yellow light
Flooded the world once more. Then came the night
Which all his life had been a prelude to.
The stone was moved a little from the door,
And near it he was kneeling rapt in prayer
Upon the cold uneven earthen floor;
The moonbeams passed him by, and rested where
The woman slept--her breathing soft and slow,
With rhythmic cadence even, restful, low,
Stirring the stillness of the cool night air
His prayer being ended, as he turned to rest,
He chanced to let his eyes fall carelessly
Upon the figure that the moon caressed,
The woman that his care had not let die.
And now no more he turned his face aside,
But gazed, and gazed, and still unsatisfied
His eager look fed on her, hungrily.
On her? On whom? The suppliant he had saved,
Thin, hollow-cheeked and sunken-eyed had been,
With shrunken brow whereon care-lines were graved,
With withered arms, dull hair, and fingers lean.
'Has my blind care transformed her so?' he said;
For she was gone, and there lay in her stead
The loveliest woman he had ever seen.
The rags she wore but made her seem more sweet,
Since in despite of them she was so fair;
The rough brown leaves quite covered up her feet,
247
But left one ivory arm and shoulder bare,
The other lay beneath the little head,
And over all the moonlit couch was spread
The sunlight-coloured wonder of her hair.
He could not move, nor turn away his gaze:
How long he stood and looked he could not guess.
At last she faintly sighed, and in her face
Trembled the dawn of coming consciousness;
The eyelids quivered, and the red lips stirred,
As if they tried to find some sweet lost wo
And then her eyelids lifted, and he met
Full in his dazzled eyes the glorious light
Of eyes that he had struggled to forget
Since he had broken from their spells of might-The Eastern eyes that from the painted wall
Had lightened down upon him, to enthral
Senses and soul with fetters of delight.
He knew her now, his love without a name,
Who in his dreams had looked on him and smiled,
And almost back to his old world of shame
His unconsenting manhood had beguiled!
There was no world now any more. At last
He knew that all--his future, present, past-In her sole self was fused and reconciled.
The moments fled as in a dream divine:
Fire filled his veins--there beat within his brain
The madness that is born of love or wine;
And her eyes gleamed--softened and gleamed again,
And in those stormy seas he gazed, until
Her beauty seemed the whole vast night to fill,
And all, save her, seemed valueless and vain.
Then, with her eyes still deep in his, she rose
248
And moved towards him, and a wave of bliss
Flooded his sense with the wild joy that goes
Before a longed-for, almost granted kiss,
And slowly she drew nearer to his side-Then, with a smile like mid-June's dawn, she sighed,
And turned to him, and laid her hand on his.
And at the touch, all he had deemed effaced-All the heart-searing passions of his past-Surged up, and their destroying wave laid waste
The ordered garden of his soul. At last
The spell of silence broke, and suddenly
The man's whole heart found voice in one low cry,
As round her perfect head his arms he cast--
And did not clasp her, for his foiled arms crossed
Only upon his own tumultuous breast!
His wrecked heart, tempest driven, passion tossed,
Beat fierce against his own hand on it pressed.
As on June fields might fall December frost,
In one cold breath he knew that she was lost-Eternally foregone and unpossessed.
For even as he clasped she had seemed to melt,
And fade into the misty moonlit air;
His arms were empty, yet his hand still felt
The touch of her hand that had rested there:
But she was gone, with all her maddening grace-The solitude and silence, in her place,
Like a chill searching wind crept everywhere.
Silence--at first. Then suddenly outbroke
A little laugh. And then, above, around,
A hideous peal of laughter, shout on shout,
Re-echoing from sky, and air, and ground;
And in his devastated soul had birth
A horrid echo of that demon mirth,
And with his human voice he swelled its sound.
249
'Tricked, fooled!' he laughed. 'We laugh, the fiends and I,
They for their triumph, I to feel my fall!
From snares like these is no security,
In desert wild or close-built city wall:
And since I must be tempted, let me go
And brave the old temptations that I know;
Not these, that are but phantoms after all--
'Phantoms, not living women, warm and real,
As the fair Roman women were. And yet
The phantom only is my soul's ideal,
Longed for through all the years and never met
Till now; and only now to make hell worse-To fan my fires of infinite remorse
With the cold wind of infinite regret.
'Back to the world, the world of love and sin!
For since my soul is lost, I claim its price!
Prayers are not heard. The God I trusted in
Has failed me once--He shall not fail me twice!
No more of that wild striving and intense
For irrecoverable innocence-No more of useless, vain self-sacrifice!
'Life is too potent and too passionate,
Against whose force I all these years have striven
In vain, in vain! Our own lives make our Fate;
And by our Fate our lives are blindly driven!
There is no refuge in the hermit's cell
From memories enough to make a hell-Of chances lost that might have made a heaven!'
Back to his world he went, and plunged anew
Into the old foul life's polluted tide;
But ever in his sweetest feast he knew
A longing never to be satisfied:
250
This strange wild wickedness, that new mad sin,
Might be the frame to find her picture in;
And if that failed, some other must be tried.
And in the search, soul, body, heart, and brain
Were blasted and destroyed, and still his prize,
Ever untouched, seemed always just to gain,
And just beyond his reach shone Paradise.
So followed he, too faithfully, too well,
Through death, into the very gate of hell,
The love-light of those unforgotten eyes!
~ Edith Nesbit,#NFDB
644:I
WHEN the pine tosses its cones
To the song of its waterfall tones,
Who speeds to the woodland walks?
To birds and trees who talks?
Csar of his leafy Rome,
There the poet is at home.
He goes to the river-side,
Not hook nor line hath he;
He stands in the meadows wide,
Nor gun nor scythe to see.
Sure some god his eye enchants:
What he knows nobody wants.
In the wood he travels glad,
Without better fortune had,
Melancholy without bad.
Knowledge this man prizes best
Seems fantastic to the rest:
Pondering shadows, colors, clouds,
Grass-buds and caterpillar-shrouds,
Boughs on which the wild bees settle,
Tints that spot the violet's petal,
Why Nature loves the number five,
And why the star-form she repeats:
Lover of all things alive,
Wonderer at all he meets,
Wonderer chiefly at himself,
Who can tell him what he is?
Or how meet in human elf
Coming and past eternities?
2
And such I knew, a forest seer,
A minstrel of the natural year,
Foreteller of the vernal ides,
Wise harbinger of spheres and tides,
A lover true, who knew by heart
Each joy the mountain dales impart;
It seemed that Nature could not raise
A plant in any secret place,
In quaking bog, on snowy hill,
Beneath the grass that shades the rill,
Under the snow, between the rocks,
In damp fields known to bird and fox.
But he would come in the very hour
It opened in its virgin bower,
As if a sunbeam showed the place,
And tell its long-descended race.
It seemed as if the breezes brought him,
It seemed as if the sparrows taught him;
As if by secret sight he knew
Where, in far fields, the orchis grew.
Many haps fall in the field
Seldom seen by wishful eyes,
But all her shows did Nature yield,
To please and win this pilgrim wise.
He saw the partridge drum in the woods;
He heard the woodcock's evening hymn;
He found the tawny thrushes' broods;
And the shy hawk did wait for him;
What others did at distance hear,
And guessed within the thicket's gloom,
Was shown to this philosopher,
And at his bidding seemed to come.
3
In unploughed Maine he sought the lumberers' gang
Where from a hundred lakes young rivers sprang;
He trod the unplanted forest floor, whereon
The all-seeing sun for ages hath not shone;
Where feeds the moose, and walks the surly bear,
And up the tall mast runs the woodpecker.
He saw beneath dim aisles, in odorous beds,
The slight Linna hang its twin-born heads,
And blessed the monument of the man of flowers,
Which breathes his sweet fame'through the northern bowers.
He heard, when in the grove, at intervals,
With sudden roar the aged pine-tree falls,
One crash, the death-hymn of the perfect tree,
Declares the close of its green century.
Low lies the plant to whose creation went
Sweet influence from every element;
Whose living towers the years conspired to build,
Whose giddy top the morning loved to gild.
Through these green tents, by eldest Nature dressed,
He roamed, content alike with man and beast.
Where darkness found him he lay glad at night;
There the red morning touched him with its light.
Three moons his great heart him a hermit made,
So long he roved at will the boundless shade.
The timid it concerns to ask their way,
And fear what foe in caves and swamps can stray,
To make no step until the event is known,
And ills to come as evils past bemoan.
Not so the wise; no coward watch he keeps
To spy what danger on his pathway creeps;
Go where he will, the wise man is at home,
His hearth the earth,his hall the azure dome;
Where his clear spirit leads him, there's his road
By God's own light illumined and foreshowed.
4
'T was one of the charmd days
When the genius of God doth flow;
The wind may alter twenty ways,
A tempest cannot blow;
It may blow north, it still is warm;
Or south, it still is clear;
Or east, it smells like a clover-farm;
Or west, no thunder fear.
The musing peasant, lowly great,
Beside the forest water sate;
The rope-like pine-roots crosswise grown
Composed the network of his throne;
The wide lake, edged with sand and grass,
Was burnished to a floor of glass,
Painted with shadows green and proud
Of the tree and of the cloud.
He was the heart of all the scene;
On him the sun looked more serene;
To hill and cloud his face was known,
It seemed the likeness of their own;
They knew by secret sympathy
The public child of earth and sky.
'You ask,' he said,'what guide
Me through trackless thickets led,
Through thick-stemmed woodlands rough and wide.
I found the water's bed.
The watercourses were my guide;
I travelled grateful by their side,
Or through their channel dry;
They led me through the thicket damp,
Through brake and fern, the beavers' camp,
Through beds of granite cut my road,
And their resistless friendship showed.
The falling waters led me,
The foodful waters fed me,
And brought me to the lowest land
Unerring to the ocean sand.
The moss upon the forest bark
Was pole-star when the night was dark;
The purple berries in the wood
Supplied me necessary food;
For Nature ever faithful is
To such as trust her faithfulness.
When the forest shall mislead me,
When the night and morning lie,
When sea and land refuse to feed me,
'T will be time enough to die;
Then will yet my mother yield
A pillow in her greenest field,
Nor the June flowers scorn to cover
The clay of their departed lover.'
II
As sunbeams stream through liberal space
And nothing jostle or displace,
So waved the pine-tree through my thought
And fanned the dreams it never brought.
'Whether is better, the gift or the donor?
Come to me,'
Quoth the pine-tree,
'I am the giver of honor.
My garden is the cloven rock,
And my manure the snow;
And drifting sand-heaps feed my stock,
In summer's scorching glow.
He is great who can live by me:
The rough and bearded forester
Is better than the lord;
God fills the scrip and canister,
Sin piles the loaded board.
The lord is the peasant that was,
The peasant the lord that shall be;
The lord is hay, the peasant grass,
One dry, and one the living tree.
Who liveth by the ragged pine
Foundeth a heroic line;
Who liveth in the palace hall
Waneth fast and spendeth all.
He goes to my savage haunts,
With his chariot and his care;
My twilight realm he disenchants,
And finds his prison there.
'What prizes the town and the tower?
Only what the pine-tree yields;
Sinew that subdued the fields;
The wild-eyed boy, who in the woods
Chants his hymn to hills and floods,
Whom the city's poisoning spleen
Made not pale, or fat, or lean;
Whom the rain and the wind purgeth,
Whom the dawn and the day-star urgeth,
In whose cheek the rose-leaf blusheth,
In whose feet the lion rusheth,
Iron arms, and iron mould,
That know not fear, fatigue, or cold.
I give my rafters to his boat,
My billets to his boiler's throat,
And I will swim the ancient sea
To float my child to victory,
And grant to dwellers with the pine
Dominion o'er the palm and vine.
Who leaves the pine-tree, leaves his friend,
Unnerves his strength, invites his end.
Cut a bough from my parent stem,
And dip it in thy porcelain vase;
A little while each russet gem
Will swell and rise with wonted grace;
But when it seeks enlarged supplies,
The orphan of the forest dies.
Whoso walks in solitude
And inhabiteth the wood,
Choosing light, wave, rock and bird,
Before the money-loving herd,
Into that forester shall pass,
From these companions, power and grace.
Clean shall he be, without, within,
From the old adhering sin,
All ill dissolving in the light
Of his triumphant piercing sight:
Not vain, sour, nor frivolous;
Not mad, athirst, nor garrulous;
Grave, chaste, contented, though retired,
And of all other men desired.
On him the light of star and moon
Shall fall with purer radiance down;
All constellations of the sky
Shed their virtue through his eye.
Him Nature giveth for defence
His formidable innocence;
The mounting sap, the shells, the sea,
All spheres, all stones, his helpers be;
He shall meet the speeding year,
Without wailing, without fear;
He shall be happy in his love,
Like to like shall joyful prove;
He shall be happy whilst he wooes,
Muse-born, a daughter of the Muse.
But if with gold she bind her hair,
And deck her breast with diamond,
Take off thine eyes, thy heart forbear,
Though thou lie alone on the ground.
' Heed the old oracles,
Ponder my spells;
Song wakes in my pinnacles
When the wind swells.
Soundeth the prophetic wind,
The shadows shake on the rock behind,
And the countless leaves of the pine are strings
Tuned to the lay the wood-god sings.
Hearken! Hearken!
If thou wouldst know the mystic song
Chanted when the sphere was young.
Aloft, abroad, the pan swells;
O wise man! hear'st thou half it tells?
O wise man! hear'st thou the least part?
'T is the chronicle of art.
To the open ear it sings
Sweet the genesis of things,
Of tendency through endless ages,
Of star-dust, and star-pilgrimages,
Of rounded worlds, of space and time,
Of the old flood's subsiding slime,
Of chemic matter, force and form,
Of poles and powers, cold, wet, and warm:
The rushing metamorphosis
Dissolving all that fixture is,
Melts things that be to things that seem,
And solid nature to a dream.
O, listen to the undersong,
The ever old, the ever young;
And, far within those cadent pauses,
The chorus of the ancient Causes!
Delights the dreadful Destiny
To fling his voice into the tree,
And shock thy weak ear with a note
Breathed from the everlasting throat.
In music he repeats the pang
Whence the fair flock of Nature sprang.
O mortal! thy ears are stones;
These echoes are laden with tones
Which only the pure can hear;
Thou canst not catch what they recite
Of Fate and Will, of Want and Right,
Of man to come, of human life,
Of Death and Fortune, Growth and Strife.'
Once again the pine-tree sung:
' Speak not thy speech my boughs among:
Put off thy years, wash in the breeze;
My hours are peaceful centuries.
Talk no more with feeble tongue;
No more the fool of space and time,
Come weave with mine a nobler rhyme.
Only thy Americans
Can read thy line, can meet thy glance,
But the runes that I rehearse
Understands the universe;
The least breath my boughs which tossed
Brings again the Pentecost;
To every soul resounding clear
In a voice of solemn cheer,
"Am I not thine? Are not these thine?"
And they reply, "Forever mine!"
My branches speak Italian,
English, German, Basque, Castilian,
Mountain speech to Highlanders,
Ocean tongues to islanders,
To Fin and Lap and swart Malay,
To each his bosom-secret say.
'Come learn with me the fatal song
Which knits the world in music strong,
Come lift thine eyes to lofty rhymes,
Of things with things, of times with times,
Primal chimes of sun and shade,
Of sound and echo, man and maid,
The land reflected in the flood,
Body with shadow still pursued.
For Nature beats in perfect tune,
And rounds with rhyme her every rune,
Whether she work in land or sea,
Or hide underground her alchemy.
Thou canst not wave thy staff in air,
Or dip thy paddle in the lake,
But it carves the bow of beauty there,
And the ripples in rhymes the oar forsake.
The wood is wiser far than thou;
The wood and wave each other know
Not unrelated, unaffied,
But to each thought and thing allied,
Is perfect Nature's every part,
Rooted in the mighty Heart.
But thou, poor child! unbound, unrhymed,
Whence camest thou, misplaced, mistimed,
Whence, O thou orphan and defrauded?
Is thy land peeled, thy realm marauded?
Who thee divorced, deceived and left?
Thee of thy faith who hath bereft,
And torn the ensigns from thy brow,
And sunk the immortal eye so low?
Thy cheek too white, thy form too slender,
Thy gait too slow, thy habits tender
For royal man;they thee confess
An exile from the wilderness,
The hills where health with health agrees,
And the wise soul expels disease.
Hark! in thy ear I will tell the sign
By which thy hurt thou may'st divine.
'When thou shalt climb the mountain cliff,
Or see the wide shore from thy skiff,
To thee the horizon shall express
But emptiness on emptiness;
There lives no man of Nature's worth
In the circle of the earth;
And to thine eye the vast skies fall,
Dire and satirical,
On clucking hens and prating fools,
On thieves, on drudges and on dolls.
And thou shalt say to the Most High,
"Godhead! all this astronomy,
And fate and practice and invention,
Strong art and beautiful pretension,
This radiant pomp of sun and star,
Throes that were, and worlds that are,
Behold! were in vain and in vain;
It cannot be,I will look again.
Surely now will the curtain rise,
And earth's fit tenant me surprise;
But the curtain doth not rise,
And Nature has miscarried wholly
Into failure, into folly."
'Alas! thine is the bankruptcy,
Blessed Nature so to see.
Come, lay thee in my soothing shade,
And heal the hurts which sin has made.
I see thee in the crowd alone;
I will be thy companion.
Quit thy friends as the dead in doom,
And build to them a final tomb;
Let the starred shade that nightly falls
Still celebrate their funerals,
And the bell of beetle and of bee
Knell their melodious memory.
Behind thee leave thy merchandise,
Thy churches and thy charities;
And leave thy peacock wit behind;
Enough for thee the primal mind
That flows in streams, that breathes in wind:
Leave all thy pedant lore apart;
God hid the whole world in thy heart.
Love shuns the sage, the child it crowns,
Gives all to them who all renounce.
The rain comes when the wind calls;
The river knows the way to the sea;
Without a pilot it runs and falls,
Blessing all lands with its charity;
The sea tosses and foams to find
Its way up to the cloud and wind;
The shadow sits close to the flying ball;
The date fails not on the palm-tree tall;
And thou,go burn thy wormy pages,
Shalt outsee seers, and outwit sages.
Oft didst thou thread the woods in vain
To find what bird had piped the strain:
Seek not, and the little eremite
Flies gayly forth and sings in sight.
'Hearken once more!
I will tell thee the mundane lore.
Older am I than thy numbers wot,
Change I may, but I pass not.
Hitherto all things fast abide,
And anchored in the tempest ride.
Trenchant time behoves to hurry
All to yean and all to bury:
All the forms are fugitive,
But the substances survive.
Ever fresh the broad creation,
A divine improvisation,
From the heart of God proceeds,
A single will, a million deeds.
Once slept the world an egg of stone,
And pulse, and sound, and light was none;
And God said, "Throb!" and there was motion
And the vast mass became vast ocean.
Onward and on, the eternal Pan,
Who layeth the world's incessant plan,
Halteth never in one shape,
But forever doth escape,
Like wave or flame, into new forms
Of gem, and air, of plants, and worms.
I, that to-day am a pine,
Yesterday was a bundle of grass.
He is free and libertine,
Pouring of his power the wine
To every age, to every race;.
Unto every race and age
He emptieth the beverage;
Unto each, and unto all,
Maker and original.
The world is the ring of his spells,
And the play of his miracles.
As he giveth to all to drink,
Thus or thus they are and think.
With one drop sheds form and feature;
With the next a special nature;
The third adds heat's indulgent spark;
The fourth gives light which eats the dark;
Into the fifth himself he flings,
And conscious Law is King of kings.
As the bee through the garden ranges,
From world to world the godhead changes;
As the sheep go feeding in the waste,
From form to form He maketh haste;
This vault which glows immense with light
Is the inn where he lodges for a night.
What reeks such Traveller if the bowers
Which bloom and fade like meadow flowers
A bunch of fragrant lilies be,
Or the stars of eternity?
Alike to him the better, the worse,
The glowing angel, the outcast corse.
Thou metest him by centuries,
And lo! he passes like the breeze;
Thou seek'st in globe and galaxy,
He hides in pure transparency;
Thou askest in fountains and in fires,
He is the essence that inquires.
He is the axis of the star;
He is the sparkle of the spar;
He is the heart of every creature;
He is the meaning of each feature;
And his mind is the sky.
Than all it holds more deep, more high.'
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, Woodnotes
,#NFDB
645:Epistle To Dr. Arbuthnot
Shut, shut the door, good John! fatigu'd, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide;
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the church is free;
Ev'n Sunday shines no Sabbath-day to me:
Then from the Mint walks forth the man of rhyme,
Happy! to catch me just at dinner-time.
Is there a parson, much bemus'd in beer,
A maudlin poetess, a rhyming peer,
A clerk, foredoom'd his father's soul to cross,
Who pens a stanza, when he should engross?
Is there, who, lock'd from ink and paper, scrawls
With desp'rate charcoal round his darken'd walls?
All fly to Twit'nam, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damn'd works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.
Friend to my life! (which did not you prolong,
The world had wanted many an idle song)
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped,
If foes, they write, if friends, they read me dead.
Seiz'd and tied down to judge, how wretched I!
Who can't be silent, and who will not lie;
To laugh, were want of goodness and of grace,
And to be grave, exceeds all pow'r of face.
73
I sit with sad civility, I read
With honest anguish, and an aching head;
And drop at last, but in unwilling ears,
This saving counsel, 'Keep your piece nine years.'
'Nine years! ' cries he, who high in Drury-lane
Lull'd by soft zephyrs through the broken pane,
Rhymes ere he wakes, and prints before Term ends,
Oblig'd by hunger, and request of friends:
'The piece, you think, is incorrect: why, take it,
I'm all submission, what you'd have it, make it.'
Three things another's modest wishes bound,
My friendship, and a prologue, and ten pound.
Pitholeon sends to me: 'You know his Grace,
I want a patron; ask him for a place.'
Pitholeon libell'd me- 'but here's a letter
Informs you, sir, 'twas when he knew no better.
Dare you refuse him? Curll invites to dine,
He'll write a Journal, or he'll turn Divine.'
Bless me! a packet- ''Tis a stranger sues,
A virgin tragedy, an orphan muse.'
If I dislike it, 'Furies, death and rage! '
If I approve, 'Commend it to the stage.'
There (thank my stars) my whole commission ends,
The play'rs and I are, luckily, no friends.
Fir'd that the house reject him, ''Sdeath I'll print it,
And shame the fools- your int'rest, sir, with Lintot! '
'Lintot, dull rogue! will think your price too much.'
'Not, sir, if you revise it, and retouch.'
All my demurs but double his attacks;
At last he whispers, 'Do; and we go snacks.'
Glad of a quarrel, straight I clap the door,
'Sir, let me see your works and you no more.'
'Tis sung, when Midas' ears began to spring,
(Midas, a sacred person and a king)
His very minister who spied them first,
(Some say his queen) was forc'd to speak, or burst.
And is not mine, my friend, a sorer case,
74
When ev'ry coxcomb perks them in my face?
'Good friend, forbear! you deal in dang'rous things.
I'd never name queens, ministers, or kings;
Keep close to ears, and those let asses prick;
'Tis nothing'- Nothing? if they bite and kick?
Out with it, Dunciad! let the secret pass,
That secret to each fool, that he's an ass:
The truth once told (and wherefore should we lie?)
The queen of Midas slept, and so may I.
You think this cruel? take it for a rule,
No creature smarts so little as a fool.
Let peals of laughter, Codrus! round thee break,
Thou unconcern'd canst hear the mighty crack:
Pit, box, and gall'ry in convulsions hurl'd,
Thou stand'st unshook amidst a bursting world.
Who shames a scribbler? break one cobweb through,
He spins the slight, self-pleasing thread anew;
Destroy his fib or sophistry, in vain,
The creature's at his dirty work again;
Thron'd in the centre of his thin designs;
Proud of a vast extent of flimsy lines!
Whom have I hurt? has poet yet, or peer,
Lost the arch'd eye-brow, or Parnassian sneer?
And has not Colley still his lord, and whore?
His butchers Henley, his Free-masons Moore?
Does not one table Bavius still admit?
Still to one bishop Philips seem a wit?
Still Sappho- 'Hold! for God-sake- you'll offend:
No names! - be calm! - learn prudence of a friend!
I too could write, and I am twice as tall;
But foes like these! ' One flatt'rer's worse than all.
Of all mad creatures, if the learn'd are right,
It is the slaver kills, and not the bite.
A fool quite angry is quite innocent;
Alas! 'tis ten times worse when they repent.
One dedicates in high heroic prose,
And ridicules beyond a hundred foes;
One from all Grub Street will my fame defend,
And, more abusive, calls himself my friend.
75
This prints my Letters, that expects a bribe,
And others roar aloud, 'Subscribe, subscribe.'
There are, who to my person pay their court:
I cough like Horace, and, though lean, am short,
Ammon's great son one shoulder had too high,
Such Ovid's nose, and 'Sir! you have an eye'Go on, obliging creatures, make me see
All that disgrac'd my betters, met in me:
Say for my comfort, languishing in bed,
'Just so immortal Maro held his head:'
And when I die, be sure you let me know
Great Homer died three thousand years ago.
Why did I write? what sin to me unknown
Dipp'd me in ink, my parents', or my own?
As yet a child, nor yet a fool to fame,
I lisp'd in numbers, for the numbers came.
I left no calling for this idle trade,
No duty broke, no father disobey'd.
The Muse but serv'd to ease some friend, not wife,
To help me through this long disease, my life,
To second, Arbuthnot! thy art and care,
And teach the being you preserv'd, to bear.
But why then publish? Granville the polite,
And knowing Walsh, would tell me I could write;
Well-natur'd Garth inflamed with early praise,
And Congreve lov'd, and Swift endur'd my lays;
The courtly Talbot, Somers, Sheffield read,
Ev'n mitred Rochester would nod the head,
And St. John's self (great Dryden's friends before)
With open arms receiv'd one poet more.
Happy my studies, when by these approv'd!
Happier their author, when by these belov'd!
From these the world will judge of men and books,
Not from the Burnets, Oldmixons, and Cookes.
Soft were my numbers; who could take offence,
While pure description held the place of sense?
Like gentle Fanny's was my flow'ry theme,
A painted mistress, or a purling stream.
76
Yet then did Gildon draw his venal quill;
I wish'd the man a dinner, and sat still.
Yet then did Dennis rave in furious fret;
I never answer'd, I was not in debt.
If want provok'd, or madness made them print,
I wag'd no war with Bedlam or the Mint.
Did some more sober critic come abroad?
If wrong, I smil'd; if right, I kiss'd the rod.
Pains, reading, study, are their just pretence,
And all they want is spirit, taste, and sense.
Commas and points they set exactly right,
And 'twere a sin to rob them of their mite.
Yet ne'er one sprig of laurel grac'd these ribalds,
From slashing Bentley down to pidling Tibbalds.
Each wight who reads not, and but scans and spells,
Each word-catcher that lives on syllables,
Ev'n such small critics some regard may claim,
Preserv'd in Milton's or in Shakespeare's name.
Pretty! in amber to observe the forms
Of hairs, or straws, or dirt, or grubs, or worms;
The things, we know, are neither rich nor rare,
But wonder how the devil they got there?
Were others angry? I excus'd them too;
Well might they rage; I gave them but their due.
A man's true merit 'tis not hard to find,
But each man's secret standard in his mind,
That casting weight pride adds to emptiness,
This, who can gratify? for who can guess?
The bard whom pilfer'd pastorals renown,
Who turns a Persian tale for half a crown,
Just writes to make his barrenness appear,
And strains, from hard-bound brains, eight lines a year:
He, who still wanting, though he lives on theft,
Steals much, spends little, yet has nothing left:
And he, who now to sense, now nonsense leaning,
Means not, but blunders round about a meaning:
And he, whose fustian's so sublimely bad,
It is not poetry, but prose run mad:
All these, my modest satire bade translate,
And own'd, that nine such poets made a Tate.
77
How did they fume, and stamp, and roar, and chafe?
And swear, not Addison himself was safe.
Peace to all such! but were there one whose fires
True genius kindles, and fair fame inspires,
Blest with each talent and each art to please,
And born to write, converse, and live with ease:
Should such a man, too fond to rule alone,
Bear, like the Turk, no brother near the throne,
View him with scornful, yet with jealous eyes,
And hate for arts that caus'd himself to rise;
Damn with faint praise, assent with civil leer,
And without sneering, teach the rest to sneer;
Willing to wound, and yet afraid to strike,
Just hint a fault, and hesitate dislike;
Alike reserv'd to blame, or to commend,
A tim'rous foe, and a suspicious friend;
Dreading ev'n fools, by flatterers besieg'd,
And so obliging, that he ne'er oblig'd;
Like Cato, give his little senate laws,
And sit attentive to his own applause;
While wits and templars ev'ry sentence raise,
And wonder with a foolish face of praise.
Who but must laugh, if such a man there be?
Who would not weep, if Atticus were he?
What though my name stood rubric on the walls,
Or plaister'd posts, with claps, in capitals?
Or smoking forth, a hundred hawkers' load,
On wings of winds came flying all abroad?
I sought no homage from the race that write;
I kept, like Asian monarchs, from their sight:
Poems I heeded (now berhym'd so long)
No more than thou, great George! a birthday song.
I ne'er with wits or witlings pass'd my days,
To spread about the itch of verse and praise;
Nor like a puppy, daggled through the town,
To fetch and carry sing-song up and down;
Nor at rehearsals sweat, and mouth'd, and cried,
With handkerchief and orange at my side;
But sick of fops, and poetry, and prate,
To Bufo left the whole Castalian state.
78
Proud as Apollo on his forked hill,
Sat full-blown Bufo, puff'd by every quill;
Fed with soft dedication all day long,
Horace and he went hand in hand in song.
His library (where busts of poets dead
And a true Pindar stood without a head,)
Receiv'd of wits an undistinguish'd race,
Who first his judgment ask'd, and then a place:
Much they extoll'd his pictures, much his seat,
And flatter'd ev'ry day, and some days eat:
Till grown more frugal in his riper days,
He paid some bards with port, and some with praise,
To some a dry rehearsal was assign'd,
And others (harder still) he paid in kind.
Dryden alone (what wonder?) came not nigh,
Dryden alone escap'd this judging eye:
But still the great have kindness in reserve,
He help'd to bury whom he help'd to starve.
May some choice patron bless each grey goose quill!
May ev'ry Bavius have his Bufo still!
So, when a statesman wants a day's defence,
Or envy holds a whole week's war with sense,
Or simple pride for flatt'ry makes demands,
May dunce by dunce be whistled off my hands!
Blest be the great! for those they take away,
And those they left me- for they left me Gay;
Left me to see neglected genius bloom,
Neglected die! and tell it on his tomb;
Of all thy blameless life the sole return
My verse, and Queensb'ry weeping o'er thy urn!
Oh let me live my own! and die so too!
('To live and die is all I have to do:')
Maintain a poet's dignity and ease,
And see what friends, and read what books I please.
Above a patron, though I condescend
Sometimes to call a minister my friend:
I was not born for courts or great affairs;
I pay my debts, believe, and say my pray'rs;
Can sleep without a poem in my head,
79
Nor know, if Dennis be alive or dead.
Why am I ask'd what next shall see the light?
Heav'ns! was I born for nothing but to write?
Has life no joys for me? or (to be grave)
Have I no friend to serve, no soul to save?
'I found him close with Swift'- 'Indeed? no doubt',
(Cries prating Balbus) 'something will come out'.
'Tis all in vain, deny it as I will.
'No, such a genius never can lie still,'
And then for mine obligingly mistakes
The first lampoon Sir Will. or Bubo makes.
Poor guiltless I! and can I choose but smile,
When ev'ry coxcomb knows me by my style?
Curs'd be the verse, how well soe'er it flow,
That tends to make one worthy man my foe,
Give virtue scandal, innocence a fear,
Or from the soft-ey'd virgin steal a tear!
But he, who hurts a harmless neighbour's peace,
Insults fall'n worth, or beauty in distress,
Who loves a lie, lame slander helps about,
Who writes a libel, or who copies out:
That fop, whose pride affects a patron's name,
Yet absent, wounds an author's honest fame;
Who can your merit selfishly approve,
And show the sense of it without the love;
Who has the vanity to call you friend,
Yet wants the honour, injur'd, to defend;
Who tells what'er you think, whate'er you say,
And, if he lie not, must at least betray:
Who to the Dean, and silver bell can swear,
And sees at Cannons what was never there;
Who reads, but with a lust to misapply,
Make satire a lampoon, and fiction, lie.
A lash like mine no honest man shall dread,
But all such babbling blockheads in his stead.
Let Sporus tremble- 'What? that thing of silk,
Sporus, that mere white curd of ass's milk?
Satire or sense, alas! can Sporus feel?
Who breaks a butterfly upon a wheel? '
80
Yet let me flap this bug with gilded wings,
This painted child of dirt that stinks and stings;
Whose buzz the witty and the fair annoys,
Yet wit ne'er tastes, and beauty ne'r enjoys,
So well-bred spaniels civilly delight
In mumbling of the game they dare not bite.
Eternal smiles his emptiness betray,
As shallow streams run dimpling all the way.
Whether in florid impotence he speaks,
And, as the prompter breathes, the puppet squeaks;
Or at the ear of Eve, familiar toad,
Half froth, half venom, spits himself abroad,
In puns, or politics, or tales, or lies,
Or spite, or smut, or rhymes, or blasphemies.
His wit all see-saw, between that and this,
Now high, now low, now Master up, now Miss,
And he himself one vile antithesis.
Amphibious thing! that acting either part,
The trifling head, or the corrupted heart,
Fop at the toilet, flatt'rer at the board,
Now trips a lady, and now struts a lord.
Eve's tempter thus the rabbins have express'd,
A cherub's face, a reptile all the rest;
Beauty that shocks you, parts that none will trust,
Wit that can creep, and pride that licks the dust.
Not fortune's worshipper, nor fashion's fool,
Not lucre's madman, nor ambition's tool,
Not proud, nor servile, be one poet's praise,
That, if he pleas'd, he pleas'd by manly ways;
That flatt'ry, even to kings, he held a shame,
And thought a lie in verse or prose the same:
That not in fancy's maze he wander'd long,
But stoop'd to truth, and moraliz'd his song:
That not for fame, but virtue's better end,
He stood the furious foe, the timid friend,
The damning critic, half-approving wit,
The coxcomb hit, or fearing to be hit;
Laugh'd at the loss of friends he never had,
The dull, the proud, the wicked, and the mad;
The distant threats of vengeance on his head,
The blow unfelt, the tear he never shed;
81
The tale reviv'd, the lie so oft o'erthrown;
Th' imputed trash, and dulness not his own;
The morals blacken'd when the writings 'scape;
The libell'd person, and the pictur'd shape;
Abuse, on all he lov'd, or lov'd him, spread,
A friend in exile, or a father, dead;
The whisper, that to greatness still too near,
Perhaps, yet vibrates on his sovereign's ear:Welcome for thee, fair Virtue! all the past:
For thee, fair Virtue! welcome ev'n the last!
'But why insult the poor? affront the great? '
A knave's a knave, to me, in ev'ry state:
Alike my scorn, if he succeed or fail,
Sporus at court, or Japhet in a jail,
A hireling scribbler, or a hireling peer,
Knight of the post corrupt, or of the shire;
If on a pillory, or near a throne,
He gain his prince's ear, or lose his own.
Yet soft by nature, more a dupe than wit,
Sappho can tell you how this man was bit:
This dreaded sat'rist Dennis will confess
Foe to his pride, but friend to his distress:
So humble, he has knock'd at Tibbald's door,
Has drunk with Cibber, nay, has rhym'd for Moore.
Full ten years slander'd, did he once reply?
Three thousand suns went down on Welsted's lie.
To please a mistress one aspers'd his life;
He lash'd him not, but let her be his wife.
Let Budgell charge low Grub Street on his quill,
And write whate'er he pleas'd, except his will;
Let the two Curlls of town and court, abuse
His father, mother, body, soul, and muse.
Yet why? that father held it for a rule,
It was a sin to call our neighbour fool:
That harmless mother thought no wife a whore,Hear this! and spare his family, James Moore!
Unspotted names! and memorable long,
If there be force in virtue, or in song.
Of gentle blood (part shed in honour's cause,
82
While yet in Britain honour had applause)
Each parent sprung- 'What fortune, pray? '- Their own,
And better got, than Bestia's from the throne.
Born to no pride, inheriting no strife,
Nor marrying discord in a noble wife,
Stranger to civil and religious rage,
The good man walk'd innoxious through his age.
No courts he saw, no suits would ever try,
Nor dar'd an oath, nor hazarded a lie:
Un-learn'd, he knew no schoolman's subtle art,
No language, but the language of the heart.
By nature honest, by experience wise,
Healthy by temp'rance and by exercise;
His life, though long, to sickness past unknown;
His death was instant, and without a groan.
O grant me, thus to live, and thus to die!
Who sprung from kings shall know less joy than I.
O friend! may each domestic bliss be thine!
Be no unpleasing melancholy mine:
Me, let the tender office long engage
To rock the cradle of reposing age,
With lenient arts extend a mother's breath,
Make langour smile, and smooth the bed of death,
Explore the thought, explain the asking eye,
And keep a while one parent from the sky!
On cares like these if length of days attend,
May Heav'n, to bless those days, preserve my friend,
Preserve him social, cheerful, and serene,
And just as rich as when he serv'd a queen.
Whether that blessing be denied or giv'n,
Thus far was right, the rest belongs to Heav'n.
~ Alexander Pope,#NFDB
646:The Tower Of The Dream
Part I
HOW wonderful are dreams! If they but be
As some have said, the thin disjoining shades
Of thoughts or feelings, long foregone or late,
All interweaving, set in ghostly act
And strange procession, fair, grotesque, or grim,
By mimic fancy; wonderful no less
Are they though this be true and wondrous more
Is she, who in the dark, and stript of sense,
Can wield such sovereignty—the Queen of Art!
For what a cunning painter is she then,
Who hurriedly embodying, from the waste
Of things memorial littering life’s dim floor,
The forms and features, manifold and quaint,
That crowd the timeless vistas of a dream,
Fails in no stroke, but breathes Pygmalion-like
A soul of motion into all her work;
And doth full oft in magic mood inspire
Her phantom creatures with more eloquent tones
Than ever broke upon a waking ear.
But are they more? True glimpses oft, though vague,
Over that far unnavigable sea
Of mystic being, where the impatient soul
Is sometimes wont to stray and roam at large?
No answer comes. Yet are they wonderful
However we may rank them in our lore,
And worthy some fond record are these dreams
That with so capable a wand can bring
Back to the faded heart the rosy flush
And sweetness of a long-fled love, or touch
The eyes of an old enmity with tears
Of a yet older friendship; or restore
A world-lost mate, or reunite in joy
The living and the dead!—can, when so wills
Their wand’s weird wielder, whatsoe’er it be,
Lift up the fallen—fallen however low!
Give youth unto the worn, enrich the poor;
Build in the future higher than the hope
200
Of power, when boldest, ever dared to soar;
Annul the bars of space, the dens of time,
Giving the rigid and cold-clanking chain
Which force, that grey iniquity, hath clenched
About its captive, to relent,—yea, stretch
Forth into fairy-land, or melt like wax
In that fierce life whose spirit lightens wide
Round freedom, seated on her mountain throne.
But not thus always are our dreams benign;
Oft are they miscreations—gloomier worlds,
Crowded tempestuously with wrongs and fears,
More ghastly than the actual ever knew,
And rent with racking noises, such as should
Go thundering only through the wastes of hell.
Yes, wonderful are dreams: and I have known
Many most wild and strange. And once, long since,
As in the death-like mystery of sleep
My body lay impalled, my soul arose
And journeyed outward in a wondrous dream.
In the mid-hour of a dark night, methought
I roamed the margin of a waveless lake,
That in the knotted forehead of the land
Deep sunken, like a huge Cyclopean eye,
Lidless and void of speculation, stared
Glassily up—for ever sleepless—up
At the wide vault of heaven; and vaguely came
Into my mind a mystic consciousness
That over against me, on the farther shore
Which yet I might not see, there stood a tower.
The darkness darkened, until overhead
Solidly black the starless heaven domed,
And earth was one wide blot;—when, as I looked,
A light swung blazing from the tower (as yet
Prophesied only in my inner thought),
And brought at once its rounded structure forth
Massive and tall out of the mighty gloom.
On the broad lake that streaming radiance fell,
Through the lit fluid like a shaft of fire,
Burning its sullen depths with one red blaze.
201
Long at that wild light was I gazing held
In speechless wonder, till I thence could feel
A strange and thrillingly attractive power;
My bodily weight seemed witched away, aloft
I mounted, poised within the passive air,
Then felt I through my veins a branching warmth,
The herald of some yet unseen content,
The nearness of some yet inaudible joy,
As if some spell of golden destiny
Lifted me onwards to the fateful tower.
--------------------------------------------------------------------------------
Part II
High up the tower, a circling balcony
Emporched a brazen door. The silver roof
Rested on shafts of jet, and ivory work
Made a light fence against the deep abyss.
Before that portal huge a lady stood
In radiant loveliness, serene and bright,
Yet as it seemed expectant; for as still
She witched me towards her, soft she beckon’d me
With tiny hand more splendid than a star;
And then she smiled, not as a mortal smiles
With visible throes, to the mere face confined,
But with her whole bright influence all at once
In gracious act, as the Immortals might,
God-happy, or as smiles the morning, when
Its subtle lips in rosy beauty part
Under a pearly cloud, and breathe the while
A golden prevalence of power abroad,
That taketh all the orient heaven and earth
Into the glory of its own delight.
Then in a voice, keen, sweet, and silvery clear,
And intimately tender as the first
Fine feeling of a love-born bliss, she spoke,
“Where hast thou stayed so long? Oh, tell me where?”
202
With thrilling ears and heart I heard, but felt
Pass from me forth a cry of sudden fear,
As swooning through the wildness of my joy,
Methought I drifted,—whither? All was now
One wide cold blank; the lady and the tower,
The gleaming lake, with all around it, one
Wide dreary blank;—the drearier for that still
A dizzy, clinging, ghostly consciousness
Kept flickering from mine inmost pulse of life,
Like a far meteor in some dismal marsh;
How long I knew not, but the thrilling warmth
That, like the new birth of a passionate bliss,
Erewhile had searched me to the quick, again
Shuddered within me, more and more, until
Mine eyes had opened under two that made
All else like darkness; and upon my cheek
A breath that seemed the final spirit of health
And floral sweetness, harbingered once more
The silver accents of that wondrous voice,
Which to have heard was never to forget;
And with her tones came, warbled as it seemed,
In mystical respondence to her voice,
Still music, such as Eolus gives forth,
But purer, deeper;—warbled as from some
Unsearchable recess of soul supreme,
Some depth of the Eternal! echoing thence
Through the sweet meanings of its spirit speech.
I answered not, but followed in mute love
The beamy glances of her eyes; methought
Close at her side I lay upon a couch
Of purple, blazoned all with stars of gold
Tremblingly rayed with spiculated gems;
Thus sat we, looking forth; nor seemed it strange
That the broad lake, with its green shelving shores,
And all the hills and woods and winding vales,
Were basking in the beauty of a day
So goldenly serene, that never yet
The perfect power of life-essential light
Had so enrobed, since paradise was lost,
The common world inhabited by man.
203
I saw this rare surpassing beauty;—yea,
But saw it all through her superior life,
Orbing mine own in love; I felt her life,
The source of holiest and truth-loving thoughts,
Breathing abroad like odours from a flower,
Enriched with rosy passion, and pure joy
And earnest tenderness. Nor ever might
The glassy lake below more quickly give
Nimble impressions of the coming wind’s
Invisible footsteps, dimpling swift along,
Than instant tokens of communion sweet
With outward beauty’s subtle spirit, passed
Forth from her eyes, and thence in lambent waves
Suffused and lightened o’er her visage bright.
But as upon the wonder of her face
My soul now feasted, even till it seemed
Instinct with kindred lustre, lo! her eyes
Suddenly saddened; then abstractedly
Outfixing them as on some far wild thought
That darkened up like a portentous cloud
Over the morning of our peace, she flung
Her silver voice into a mystic song
Of many measures, which, as forth they went,
Slid all into a sweet abundant flood
Of metric melody! And to her voice
As still she sung, invisible singers joined
A choral burden that prolonged the strain’s
Rich concords, till the echoes of the hills
Came forth in tidal flow, and backward then
Subsiding like a refluent wave, died down
In one rich harmony. It strangely seemed
As though the song were ware that I but slept,
And that its utterer was but a dream;
’Tis traced upon the tablet of my soul
In shining lines that intonate themselves—
Not sounding to the ear but to the thought—
Out of the vague vast of the wonderful,
And might, when hardened into mortal speech,
And narrowed from its wide and various sweep
Into such flows as make our waking rhymes
Most wildly musical, be written thus:—
204
The Song
Wide apart, wide apart,
In old Time’s dim heart
One terrible Fiend doth his stern watch keep
Over the mystery
Lovely and deep,
Locked in thy history,
Beautiful Sleep!
Could we disarm him,
Could we but charm him,
The soul of the sleeper might happily leap,
Through the dark of the dim waste so deathly and deep
That shroudeth the triple divinity,
The three of thy mystical Trinity:
Gratitude, Liberty,
Joy from all trammels free,
Beautiful Spirit of Sleep!
Beautiful Spirit!
Could we confound him
Who darkens thy throne,
Could we surround him
With spells like thine own
For the divinity
Then of thy Trinity,
Oh, what a blesseder reign were begun!
For then it were evermore one,
With all that soul, freed from the body’s strait scheme,
Inherits of seer-light and mystical dream.
And to sleep were to die
Into life in the Infinite,
Holy and high,
Spotless and bright,
Calmly, peacefully deep
Ah then! that dread gulf should be crossed by a mortal,
Ah then! to what life were thy bright arch the portal,
Beautiful Spirit of Sleep.
205
-------------------------------------------------------------------------------Part III
She ceased, and a deep tingling silence fell
Instantly round,—silence complete, and yet
Instinct as with a breathing sweetness, left
By the rare spirit of her voice foregone;
Even as the fragrance of a flower were felt
Pervading the mute air through which erewhile,
It had been borne by the delighted hand
Of some sweet-thoughted maiden. Turning then
Her bright face towards me, as I stood entranced,
Yet with keen wonder stung, she said, “I love thee
As first love loveth—utterly! But ah
This love itself—this purple-wingéd love—
This life-enriching spirit of delight
Is but a honey-bee of paradise,
That only in the morning glory dares
To range abroad, only in vagrant mood,
Adventures out into the common world
Of man and woman, thither lured by sight
Of some sweet human soul that blooms apart,
Untainted by a rank soil’s weedy growths
Lured thither thus, yet being even then
A wilful wanderer from its birthplace pure,
Whereto it sadly must return again,
Or forfeit else its natal passport, ere
The dread night cometh. Yet of how great worth
Is love within the world! By the fair spring
Of even the lowliest love, how many rich
And gracious things that could not else have been,
Grow up like flowers, and breathe a perfume forth
That never leaves again the quickened sense
It once hath hit, as with a fairy’s wand!”
She spoke in mournful accents wild and sweet,
And lustrous tears brimmed over from the eyes
That met my own now melancholy gaze.
206
But not all comfortless is grief that sees
Itself reflected in another’s eyes,
And love again grew glad: alas, not long
For with a short low gasp of sudden fear
She started back, and hark! within the tower
A sound of strenuous steps approaching fast
Rang upwards, as it seemed, from the hard slabs
Of a steep winding stair; and soon the huge
And brazen portal, that behind us shut,
Burst open with a clang of loosened bolts—
A clang like thunder, that went rattling out
Against the echoes of the distant hills.
With deafened ears and looks aghast I turned
Towards the harsh noise, there to behold, between
The mighty jambs in the strong wall from which
The door swung inward, a tremendous form!
A horrid gloomy form that shapeless seemed,
And yet, in all its monstrous bulk, to man
A hideous likeness bare! Still more and more
Deformed it grew, as forth it swelled, and then
Its outlines melted in a grizzly haze,
That hung about them, even as grey clouds
Beskirt a coming tempest’s denser mass,
That thickens still internally, and shows
The murkiest in the midst—yea, murkiest there,
Where big with fate, and hid in solid gloom,
The yet still spirit of the thunder broods,
And menaces the world.
Beholding that dread form, the lady of light
Had rushed to my extended arms, and hid
Her beamy face, fright-harrowed, in my breast!
And thus we stood, made one in fear; while still
That terrible vision out upon us glared
With horny eyeballs—horrible the more
For that no evidence of conscious will,
No touch of passion, vitalized their fixed
Eumenidèan, stone-cold stare, as towards
Some surely destined task they seemed to guide
Its shapeless bulk and awful ruthless strength.
207
Then with a motion as of one dark stride
Shadowing forward, and outstretching straight
One vague-seen arm, from my reluctant grasp
It tore the radiant lady, saying “This
Is love forbidden!” in a voice whose tones
Were like low guttural thunders heard afar,
Outgrowling from the clouded gorges wild
Of steep-cragged mountains, when a sultry storm
Is pondering in its dark pavilions there.
Me then he seized, and threw me strongly back
Within the brazen door; its massive beam
Dropped with a wall-quake, and the bolts were shot
Into their sockets with a shattering jar.
I may not paint the horrible despair
That froze me now; more horrible than aught
In actual destiny, in waking life,
Could give the self -possession of my soul.
Within, without,—all silent, stirless, cold
Whither was she, my lady of delight
Reft terribly away? Time—every drip of which
Was as an age—kept trickling on and on,
Brought no release, no hope; brought not a breath
That spake of fellowship, or even of life
Out of myself. Utterly blank I stood
In marble-cold astonishment of heart!
And when at length I cast despairing eyes—
Eyes so despairing that the common gift
Of vision stung me like a deadly curse—
The dungeon round, pure pity of myself
So warmed and loosened from my brain, the pent
And icy anguish, that its load at once
Came like an Alp-thaw streaming through my eyes;
Till resignation, that balm-fragrant flower
Of meek pale grief that hath its root in tears,
Grew out of mine, and dewed my soul with peace.
My dungeon was a half-round lofty cell,
Massively set within the crossing wall
That seemed to cut the tower’s whole round in twain;
A door with iron studs and brazen clamps
Shut off the inner stairway of the tower;
And by this door a strange and mystic thing,
208
A bat-winged steed on scaly dragon claws,
Stood mute and rigid in the darkening cell.
The night came on; I saw the bat-winged steed
Fade, melt and die into the gathering gloom,
Then in the blackness hour by hour I paced,
And heard my step—the only sound to me
In all the wide world—throb with a dull blow
Down through the hollow tower that seemed to yawn.
A monstrous well beneath, with wide waste mouth
Bridged only by the quaking strip of floor
On which I darkling strode. Then hour on hour
Paused as if clotting at the heart of time,
And yet no other sound had being there
And still that strange, mute, mystic, bat-winged steed
Stood waiting near me by the inner door.
--------------------------------------------------------------------------------
Part IV
At last, all suddenly, in the air aloft
Over the tower a wild wailful song
Woke, flying many-voiced, then sweeping off
Far o’er the echoing hills, so passed away
In dying murmurs through the hollow dark.
Song
In vain was the charm sought
In vain was our spell wrought
Which that dread watcher’s eyes drowsy might keep;
In vain was the dragon-steed
There at the hour of need
Out with his double freight blissward to sweep.
Lost—lost—lost—lost!
In vain were our spells of an infinite cost
Lost—lost—lost—lost!
Yon gulf by a mortal may never be crossed
209
Never, ah never!
The doom holds for ever
For ever! for ever!
Away, come away!
For see, wide uprolling, the white front of day!
Away to the mystic mid-regions of sleep,
Of the beautiful Spirit of sleep.
Lost—lost—lost—lost!
The gulf we are crossing may never be crossed
By a mortal, ah, never!
The doom holds for ever!
For ever! for ever!
So passed that song (of which the drift alone
Is here reached after in such leaden speech
As uncharmed mortals use). And when its tones
Out towards the mountains in the dark afar
Had wasted, light began to pierce the gloom,
Marbling the dusk with grey; and then the steed,
With his strange dragon-claws and half-spread wings,
Grew slowly back into the day again.
The sunrise! Oh, it was a desolate pass
Immured in that relentless keep, to feel
How o’er the purple hills came the bright sun,
Rejoicing in his strength; and then to know
That he was wheeling up the heaven, and o’er
My prison roof, tracking his midway course
With step of fire, loud rolling through the world
The thunder of its universal life!
Thus seven times wore weary day and night
Wearily on, and still I could not sleep.
And still through this drear time the wintry tooth
Of hunger never gnawed my corporal frame;
No thirst inflamed me; while by the grim door
That strange, unmoving, dragon-footed steed
Stood as at first. Mere wonder at my doom
Relieved the else-fixed darkness of despair!
But on the seventh night at midnight—hark!
210
What might I hear? A step?—a small light step,
That by the stair ascending, swiftly came
Straight to the inner door—then stopped. Alas!
The black leaf opened not; and yet, the while,
A rainbow radiance through its solid breadth
Came flushing bright, in subtle wave on wave,
As sunset glow in swift rich curves wells forth
Through some dense cloud upon the verge of heaven:
So came it, filling all the cell at length
With rosy lights; and then the mystic steed
Moved, and spread wide his glimmering bat-like wings.
When hark! deep down in the mysterious tower
Another step! Yea, the same strenuous tramp
That once before I heard, big beating up—
A cry, a struggle, and retreating steps!
And that fair light had faded from the air.
Again the hateful tramp came booming up;
The great door opened, and the monster-fiend
Filled all the space between the mighty jambs.
My heart glowed hot with rage and hate at once;
Fiercely I charged him, but his horrible glooms
Enwrapped me closer, in yet denser coils
Every dread moment! But my anguish now,
My pain, and hate, and loathing, all had grown
Into so vast a horror that methought
I burst with irresistible strength away—
Rushed through the door and down the stairway—down
An endless depth—till a portcullis, hinged
In the tower’s basement, opened to my flight
It fell behind me, and my passage lay
By the long ripples of the rock-edged lake.
Then, breathless, pausing in my giddy flight,
I saw the lustrous lady upward pass
Through the lit air, with steadfast downward look
Of parting recognition—full of love,
But painless, passionless. Above the tower
And o’er the clouds her radiance passed away,
And melted into heaven’s marble dome!
Then fell there on my soul a sense of loss
So bleak, so desolate, that with a wild
211
Sleep-startling outcry, sudden I awoke
Awoke to find it but a wondrous dream;
Yet ever since to feel as if some pure
And guardian soul, out of the day and night,
Had passed for ever from the reach of love!
~ Charles Harpur,#NFDB
647:Daughter of Heaven and Earth, coy Spring,
With sudden passion languishing,
Maketh all things softly smile,
Painteth pictures mile on mile,
Holds a cup with cowslip-wreaths,
Whence a smokeless incense breathes.
Girls are peeling the sweet willow,
Poplar white, and Gilead-tree,
And troops of boys
Shouting with whoop and hilloa,
And hip, hip three times three.
The air is full of whistlings bland;
What was that I heard
Out of the hazy land?
Harp of the wind, or song of bird,
Or clapping of shepherd's hands,
Or vagrant booming of the air,
Voice of a meteor lost in day?
Such tidings of the starry sphere
Can this elastic air convey.
Or haply 't was the cannonade
Of the pent and darkened lake,
Cooled by the pendent mountain's shade,
Whose deeps, till beams of noonday break,
Afflicted moan, and latest hold
Even unto May the iceberg cold.
Was it a squirrel's pettish bark,
Or clarionet of jay? or hark,
Where yon wedged line the Nestor leads,
Steering north with raucous cry
Through tracts and provinces of sky,
Every night alighting down
In new landscapes of romance,
Where darkling feed the clamorous clans
By lonely lakes to men unknown.
Come the tumult whence it will,
Voice of sport, or rush of wings,
It is a sound, it is a token
That the marble sleep is broken,
And a change has passed on things.
Beneath the calm, within the light,
A hid unruly appetite
Of swifter life, a surer hope,
Strains every sense to larger scope,
Impatient to anticipate
The halting steps of aged Fate.
Slow grows the palm, too slow the pearl:
When Nature falters, fain would zeal
Grasp the felloes of her wheel,
And grasping give the orbs another whirl.
Turn swiftlier round, O tardy ball!
And sun this frozen side,
Bring hither back the robin's call,
Bring back the tulip's pride.
Why chidest thou the tardy Spring?
The hardy bunting does not chide;
The blackbirds make the maples ring
With social cheer and jubilee;
The redwing flutes his o-ka-lee,
The robins know the melting snow;
The sparrow meek, prophetic-eyed,
Her nest beside the snow-drift weaves,
Secure the osier yet will hide
Her callow brood in mantling leaves;
And thou, by science all undone,
Why only must thy reason fail
To see the southing of the sun?
As we thaw frozen flesh with snow,
So Spring will not, foolish fond,
Mix polar night with tropic glow,
Nor cloy us with unshaded sun,
Nor wanton skip with bacchic dance,
But she has the temperance
Of the gods, whereof she is one,--
Masks her treasury of heat
Under east-winds crossed with sleet.
Plants and birds and humble creatures
Well accept her rule austere;
Titan-born, to hardy natures
Cold is genial and dear.
As Southern wrath to Northern right
Is but straw to anthracite;
As in the day of sacrifice,
When heroes piled the pyre,
The dismal Massachusetts ice
Burned more than others' fire,
So Spring guards with surface cold
The garnered heat of ages old:
Hers to sow the seed of bread,
That man and all the kinds be fed;
And, when the sunlight fills the hours,
Dissolves the crust, displays the flowers.
The world rolls round,--mistrust it not,--
Befalls again what once befell;
All things return, both sphere and mote,
And I shall hear my bluebird's note,
And dream the dream of Auburn dell.
When late I walked, in earlier days,
All was stiff and stark;
Knee-deep snows choked all the ways,
In the sky no spark;
Firm-braced I sought my ancient woods,
Struggling through the drifted roads;
The whited desert knew me not,
Snow-ridges masked each darling spot;
The summer dells, by genius haunted,
One arctic moon had disenchanted.
All the sweet secrets therein hid
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
With wicked ingenuity,
Swift cathedrals in the wild;
The piny hosts were sheeted ghosts
In the star-lit minster aisled.
I found no joy: the icy wind
Might rule the forest to his mind.
Who would freeze in frozen brakes?
Back to books and sheltered home,
And wood-fire flickering on the walls,
To hear, when, 'mid our talk and games,
Without the baffled north-wind calls.
But soft! a sultry morning breaks;
The cowslips make the brown brook gay;
A happier hour, a longer day.
Now the sun leads in the May,
Now desire of action wakes,
And the wish to roam.
The caged linnet in the Spring
Hearkens for the choral glee,
When his fellows on the wing
Migrate from the Southern Sea;
When trellised grapes their flowers unmask,
And the new-born tendrils twine,
The old wine darkling in the cask
Feels the bloom on the living vine,
And bursts the hoops at hint of Spring:
And so, perchance, in Adam's race,
Of Eden's bower some dream-like trace
Survived the Flight, and swam the Flood,
And wakes the wish in youngest blood
To tread the forfeit Paradise,
And feed once more the exile's eyes;
And ever when the happy child
In May beholds the blooming wild,
And hears in heaven the bluebird sing,
"Onward," he cries, "your baskets bring,--
In the next field is air more mild,
And o'er yon hazy crest is Eden's balmier Spring."
Not for a regiment's parade,
Nor evil laws or rulers made,
Blue Walden rolls its cannonade,
But for a lofty sign
Which the Zodiac threw,
That the bondage-days are told,
And waters free as winds shall flow.
Lo! how all the tribes combine
To rout the flying foe.
See, every patriot oak-leaf throws
His elfin length upon the snows,
Not idle, since the leaf all day
Draws to the spot the solar ray,
Ere sunset quarrying inches down,
And half-way to the mosses brown;
While the grass beneath the rime
Has hints of the propitious time,
And upward pries and perforates
Through the cold slab a thousand gates,
Till green lances peering through
Bend happy in the welkin blue.
April cold with dropping rain
Willows and lilacs brings again,
The whistle of returning birds,
And trumpet-lowing of the herds.
The scarlet maple-keys betray
What potent blood hath modest May;
What fiery force the earth renews,
The wealth of forms, the flush of hues;
Joy shed in rosy waves abroad
Flows from the heart of Love, the Lord.
Hither rolls the storm of heat;
I feel its finer billows beat
Like a sea which me infolds;
Heat with viewless fingers moulds,
Swells, and mellows, and matures,
Paints, and flavours, and allures,
Bird and brier inly warms,
Still enriches and transforms,
Gives the reed and lily length,
Adds to oak and oxen strength,
Boils the world in tepid lakes,
Burns the world, yet burnt remakes;
Enveloping heat, enchanted robe,
Wraps the daisy and the globe,
Transforming what it doth infold,
Life out of death, new out of old,
Painting fawns' and leopards' fells,
Seethes the gulf-encrimsoning shells,
Fires garden with a joyful blaze
Of tulips in the morning's rays.
The dead log touched bursts into leaf,
The wheat-blade whispers of the sheaf.
What god is this imperial Heat,
Earth's prime secret, sculpture's seat?
Doth it bear hidden in its heart
Water-line patterns of all art,
All figures, organs, hues, and graces?
Is it Daedalus? is it Love?
Or walks in mask almighty Jove,
And drops from Power's redundant horn
All seeds of beauty to be born?
Where shall we keep the holiday,
And duly greet the entering May?
Too strait and low our cottage doors,
And all unmeet our carpet floors;
Nor spacious court, nor monarch's hall,
Suffice to hold the festival.
Up and away! where haughty woods
Front the liberated floods:
We will climb the broad-backed hills,
Hear the uproar of their joy;
We will mark the leaps and gleams
Of the new-delivered streams,
And the murmuring rivers of sap
Mount in the pipes of the trees,
Giddy with day, to the topmost spire,
Which for a spike of tender green
Bartered its powdery cap;
And the colours of joy in the bird,
And the love in its carol heard,
Frog and lizard in holiday coats,
And turtle brave in his golden spots;
We will hear the tiny roar
Of the insects evermore,
While cheerful cries of crag and plain
Reply to the thunder of river and main.
As poured the flood of the ancient sea
Spilling over mountain chains,
Bending forests as bends the sedge,
Faster flowing o'er the plains,--
A world-wide wave with a foaming edge
That rims the running silver sheet,--
So pours the deluge of the heat
Broad northward o'er the land,
Painting artless paradises,
Drugging herbs with Syrian spices,
Fanning secret fires which glow
In columbine and clover-blow,
Climbing the northern zones,
Where a thousand pallid towns
Lie like cockles by the main,
Or tented armies on a plain.
The million-handed sculptor moulds
Quaintest bud and blossom folds,
The million-handed painter pours
Opal hues and purple dye;
Azaleas flush the island floors,
And the tints of heaven reply.
Wreaths for the May! for happy Spring
To-day shall all her dowry bring,
The love of kind, the joy, the grace,
Hymen of element and race,
Knowing well to celebrate
With song and hue and star and state,
With tender light and youthful cheer,
The spousals of the new-born year.
Lo Love's inundation poured
Over space and race abroad!
Spring is strong and virtuous,
Broad-sowing, cheerful, plenteous,
Quickening underneath the mould
Grains beyond the price of gold.
So deep and large her bounties are,
That one broad, long midsummer day
Shall to the planet overpay
The ravage of a year of war.
Drug the cup, thou butler sweet,
And send the nectar round;
The feet that slid so long on sleet
Are glad to feel the ground.
Fill and saturate each kind
With good according to its mind,
Fill each kind and saturate
With good agreeing with its fate,
Willow and violet, maiden and man.
The bitter-sweet, the haunting air,
Creepeth, bloweth everywhere;
It preys on all, all prey on it,
Blooms in beauty, thinks in wit,
Stings the strong with enterprise,
Makes travellers long for Indian skies,
And where it comes this courier fleet
Fans in all hearts expectance sweet,
As if to-morrow should redeem
The vanished rose of evening's dream.
By houses lies a fresher green,
On men and maids a ruddier mien,
As if time brought a new relay
Of shining virgins every May,
And Summer came to ripen maids
To a beauty that not fades.
The ground-pines wash their rusty green,
The maple-tops their crimson tint,
On the soft path each track is seen,
The girl's foot leaves its neater print.
The pebble loosened from the frost
Asks of the urchin to be tost.
In flint and marble beats a heart,
The kind Earth takes her children's part,
The green lane is the school-boy's friend,
Low leaves his quarrel apprehend,
The fresh ground loves his top and ball,
The air rings jocund to his call,
The brimming brook invites a leap,
He dives the hollow, climbs the steep.
The youth reads omens where he goes,
And speaks all languages the rose.
The wood-fly mocks with tiny noise
The far halloo of human voice;
The perfumed berry on the spray
Smacks of faint memories far away.
A subtle chain of countless rings
The next unto the farthest brings,
And, striving to be man, the worm
Mounts through all the spires of form.
I saw the bud-crowned Spring go forth,
Stepping daily onward north
To greet staid ancient cavaliers
Filing single in stately train.
And who, and who are the travellers?
They were Night and Day, and Day and Night,
Pilgrims wight with step forthright.
I saw the Days deformed and low,
Short and bent by cold and snow;
The merry Spring threw wreaths on them,
Flower-wreaths gay with bud and bell;
Many a flower and many a gem,
They were refreshed by the smell,
They shook the snow from hats and shoon,
They put their April raiment on;
And those eternal forms,
Unhurt by a thousand storms,
Shot up to the height of the sky again,
And danced as merrily as young men.
I saw them mask their awful glance
Sidewise meek in gossamer lids;
And to speak my thought if none forbids.
It was as if the eternal gods,
Tired of their starry periods,
Hid their majesty in cloth
Woven of tulips and painted moth.
On carpets green the maskers march
Below May's well-appointed arch,
Each star, each god, each grace amain,
Every joy and virtue speed,
Marching duly in her train,
And fainting Nature at her need
Is made whole again.
'T was the vintage-day of field and wood,
When magic wine for bards is brewed;
Every tree and stem and chink
Gushed with syrup to the brink.
The air stole into the streets of towns,
And betrayed the fund of joy
To the high-school and medalled boy:
On from hall to chamber ran,
From youth to maid, from boy to man,
To babes, and to old eyes as well.
'Once more,' the old man cried, 'ye clouds,
Airy turrets purple-piled,
Which once my infancy beguiled,
Beguile me with the wonted spell.
I know ye skilful to convoy
The total freight of hope and joy
Into rude and homely nooks,
Shed mocking lustres on shelf of books,
On farmer's byre, on meadow-pipes,
Or on a pool of dancing chips.
I care not if the pomps you show
Be what they soothfast appear,
Or if yon realms in sunset glow
Be bubbles of the atmosphere.
And if it be to you allowed
To fool me with a shining cloud,
So only new griefs are consoled
By new delights, as old by old,
Frankly I will be your guest,
Count your change and cheer the best.
The world hath overmuch of pain,--
If Nature give me joy again,
Of such deceit I'll not complain.'
Ah! well I mind the calendar,
Faithful through a thousand years,
Of the painted race of flowers,
Exact to days, exact to hours,
Counted on the spacious dial
Yon broidered zodiac girds.
I know the pretty almanac
Of the punctual coming-back,
On their due days, of the birds.
I marked them yestermorn,
A flock of finches darting
Beneath the crystal arch,
Piping, as they flew, a march,--
Belike the one they used in parting
Last year from yon oak or larch;
Dusky sparrows in a crowd,
Diving, darting northward free,
Suddenly betook them all,
Every one to his hole in the wall,
Or to his niche in the apple-tree.
I greet with joy the choral trains
Fresh from palms and Cuba's canes.
Best gems of Nature's cabinet,
With dews of tropic morning wet,
Beloved of children, bards, and Spring,
O birds, your perfect virtues bring,
Your song, your forms, your rhythmic flight,
Your manners for the heart's delight,
Nestle in hedge, or barn, or roof,
Here weave your chamber weather-proof,
Forgive our harms, and condescend
To man, as to a lubber friend,
And, generous, teach his awkward race
Courage, and probity, and grace!
Poets praise that hidden wine
Hid in milk we drew
At the barrier of Time,
When our life was new.
We had eaten fairy fruit,
We were quick from head to foot,
All the forms we look on shone
As with diamond dews thereon.
What cared we for costly joys,
The Museum's far-fetched toys?
Gleam of sunshine on the wall
Poured a deeper cheer than all
The revels of the Carnival.
We a pine-grove did prefer
To a marble theatre,
Could with gods on mallows dine,
Nor cared for spices or for wine.
Wreaths of mist and rainbow spanned,
Arch on arch, the grimmest land;
Whistle of a woodland bird
Made the pulses dance,
Note of horn in valleys heard
Filled the region with romance.
None can tell how sweet,
How virtuous, the morning air;
Every accent vibrates well;
Not alone the wood-bird's call,
Or shouting boys that chase their ball,
Pass the height of minstrel skill,
But the ploughman's thoughtless cry,
Lowing oxen, sheep that bleat,
And the joiner's hammer-beat,
Softened are above their will.
All grating discords melt,
No dissonant note is dealt,
And though thy voice be shrill
Like rasping file on steel,
Such is the temper of the air,
Echo waits with art and care,
And will the faults of song repair.
So by remote Superior Lake,
And by resounding Mackinac,
When northern storms and forests shake,
And billows on the long beach break,
The artful Air doth separate
Note by note all sounds that grate,
Smothering in her ample breast
All but godlike words,
Reporting to the happy ear
Only purified accords.
Strangely wrought from barking waves,
Soft music daunts the Indian braves,--
Convent-chanting which the child
Hears pealing from the panther's cave
And the impenetrable wild.
One musician is sure,
His wisdom will not fail,
He has not tasted wine impure,
Nor bent to passion frail.
Age cannot cloud his memory,
Nor grief untune his voice,
Ranging down the ruled scale
From tone of joy to inward wail,
Tempering the pitch of all
In his windy cave.
He all the fables knows,
And in their causes tells,--
Knows Nature's rarest moods,
Ever on her secret broods.
The Muse of men is coy,
Oft courted will not come;
In palaces and market squares
Entreated, she is dumb;
But my minstrel knows and tells
The counsel of the gods,
Knows of Holy Book the spells,
Knows the law of Night and Day,
And the heart of girl and boy,
The tragic and the gay,
And what is writ on Table Round
Of Arthur and his peers,
What sea and land discoursing say
In sidereal years.
He renders all his lore
In numbers wild as dreams,
Modulating all extremes,--
What the spangled meadow saith
To the children who have faith;
Only to children children sing,
Only to youth will spring be spring.
Who is the Bard thus magnified?
When did he sing, and where abide?
Chief of song where poets feast
Is the wind-harp which thou seest
In the casement at my side.
AEolian harp,
How strangely wise thy strain!
Gay for youth, gay for youth,
(Sweet is art, but sweeter truth,)
In the hall at summer eve
Fate and Beauty skilled to weave.
From the eager opening strings
Rung loud and bold the song.
Who but loved the wind-harp's note?
How should not the poet doat
On its mystic tongue,
With its primeval memory,
Reporting what old minstrels said
Of Merlin locked the harp within,--
Merlin paying the pain of sin,
Pent in a dungeon made of air,--
And some attain his voice to hear,
Words of pain and cries of fear,
But pillowed all on melody,
As fits the griefs of bards to be.
And what if that all-echoing shell,
Which thus the buried Past can tell,
Should rive the Future, and reveal
What his dread folds would fain conceal?
It shares the secret of the earth,
And of the kinds that owe her birth.
Speaks not of self that mystic tone,
But of the Overgods alone:
It trembles to the cosmic breath,--
As it heareth, so it saith;
Obeying meek the primal Cause,
It is the tongue of mundane laws:
And this, at least, I dare affirm,
Since genius too has bound and term,
There is no bard in all the choir,
Not Homer's self, the poet sire,
Wise Milton's odes of pensive pleasure,
Or Shakspeare, whom no mind can measure,
Nor Collins' verse of tender pain,
Nor Byron's clarion of disdain,
Scott, the delight of generous boys,
Or Wordsworth, Pan's recording voice,--
Not one of all can put in verse,
Or to this presence could rehearse,
The sights and voices ravishing
The boy knew on the hills in Spring,
When pacing through the oaks he heard
Sharp queries of the sentry-bird,
The heavy grouse's sudden whirr,
The rattle of the kingfisher;
Saw bonfires of the harlot flies
In the lowland, when day dies;
Or marked, benighted and forlorn,
The first far signal-fire of morn.
These syllables that Nature spoke,
And the thoughts that in him woke,
Can adequately utter none
Save to his ear the wind-harp lone.
And best can teach its Delphian chord
How Nature to the soul is moored,
If once again that silent string,
As erst it wont, would thrill and ring.
Not long ago, at eventide,
It seemed, so listening, at my side
A window rose, and, to say sooth,
I looked forth on the fields of youth:
I saw fair boys bestriding steeds,
I knew their forms in fancy weeds,
Long, long concealed by sundering fates,
Mates of my youth,--yet not my mates,
Stronger and bolder far than I,
With grace, with genius, well attired,
And then as now from far admired,
Followed with love
They knew not of,
With passion cold and shy.
O joy, for what recoveries rare!
Renewed, I breathe Elysian air,
See youth's glad mates in earliest bloom,--
Break not my dream, obtrusive tomb!
Or teach thou, Spring! the grand recoil
Of life resurgent from the soil
Wherein was dropped the mortal spoil.
Soft on the south-wind sleeps the haze!
So on thy broad mystic van
Lie the opal-coloured days,
And waft the miracle to man.
Soothsayer of the eldest gods,
Repairer of what harms betide,
Revealer of the inmost powers
Prometheus proffered, Jove denied;
Disclosing treasures more than true,
Or in what far to-morrow due;
Speaking by the tongues of flowers,
By the ten-tongued laurel speaking,
Singing by the oriole songs,
Heart of bird the man's heart seeking;
Whispering hints of treasure hid
Under Morn's unlifted lid,
Islands looming just beyond
The dim horizon's utmost bound;--
Who can, like thee, our rags upbraid,
Or taunt us with our hope decayed?
Or who like thee persuade,
Making the splendour of the air,
The morn and sparkling dew, a snare?
Or who resent
Thy genius, wiles, and blandishment?
There is no orator prevails
To beckon or persuade
Like thee the youth or maid:
Thy birds, thy songs, thy brooks, thy gales,
Thy blooms, thy kinds,
Thy echoes in the wilderness,
Soothe pain, and age, and love's distress,
Fire fainting will, and build heroic minds.
For thou, O Spring! canst renovate
All that high God did first create.
Be still his arm and architect,
Rebuild the ruin, mend defect;
Chemist to vamp old worlds with new,
Coat sea and sky with heavenlier blue,
New-tint the plumage of the birds,
And slough decay from grazing herds,
Sweep ruins from the scarped mountain,
Cleanse the torrent at the fountain,
Purge alpine air by towns defiled,
Bring to fair mother fairer child,
Not less renew the heart and brain,
Scatter the sloth, wash out the stain,
Make the aged eye sun-clear,
To parting soul bring grandeur near.
Under gentle types, my Spring
Masks the might of Nature's king,
An energy that searches thorough
From Chaos to the dawning morrow;
Into all our human plight,
The soul's pilgrimage and flight;
In city or in solitude,
Step by step, lifts bad to good,
Without halting, without rest,
Lifting Better up to Best;
Planting seeds of knowledge pure,
Through earth to ripen, through heaven endure.
by owner. provided at no charge for educational purposes
~ Ralph Waldo Emerson, May-Day
,#NFDB
648:The Botanic Garden (Part Viii)
THE LOVES OF THE PLANTS
CANTO IV.
Now the broad Sun his golden orb unshrouds,
Flames in the west, and paints the parted clouds;
O'er heaven's wide arch refracted lustres flow,
And bend in air the many-colour'd bow.-The tuneful Goddess on the glowing sky
Fix'd in mute extacy her glistening eye;
And then her lute to sweeter tones she strung,
And swell'd with softer chords the Paphian song.
Long ailes of Oaks return'd the silver sound,
And amorous Echoes talk'd along the ground;
Pleas'd Lichfield listen'd from her sacred bowers,
Bow'd her tall groves, and shook her stately towers.
'Nymph! not for thee the radiant day returns,
Nymph! not for thee the golden solstice burns,
Refulgent CEREA!-at the dusky hour
She seeks with pensive step the mountain-bower,
Bright as the blush of rising morn, and warms
The dull cold eye of Midnight with her charms.
There to the skies she lifts her pencill'd brows,
Opes her fair lips, and breathes her virgin vows;
Eyes the white zenyth; counts the suns, that roll
Their distant fires, and blaze around the Pole;
Or marks where Jove directs his glittering car
O'er Heaven's blue vault,-Herself a brighter star.
-There as soft Zephyrs sweep with pausing airs
Thy snowy neck, and part thy shadowy hairs,
Sweet Maid of Night! to Cynthia's sober beams
Glows thy warm cheek, thy polish'd bosom gleams.
In crowds
around thee gaze the admiring swains,
And guard in silence the enchanted plains;
Drop the still tear, or breathe the impassion'd sigh,
And drink inebriate rapture from thine eye.
Thus, when old Needwood's hoary scenes the Night
66
Paints with blue shadow, and with milky light;
Where MUNDY pour'd, the listening nymphs among,
Loud to the echoing vales his parting song;
With measured step the Fairy Sovereign treads,
Shakes her high plume, and glitters o'er the meads;
Round each green holly leads her sportive train,
And little footsteps mark the circled plain;
Each haunted rill with silver voices rings,
And Night's sweet bird in livelier accents sings.
Ere the bright star, which leads the morning sky,
Hangs o'er the blushing east his diamond eye,
The chaste TROPAEO leaves her secret bed;
A saint-like glory trembles round her head;
Eight
watchful swains along the lawns of night
With amorous steps pursue the virgin light;
O'er her fair form the electric lustre plays,
And cold she moves amid the lambent blaze.
So shines the glow-fly, when the sun retires,
And gems the night-air with phosphoric fires;
Thus o'er the marsh aërial lights betray,
And charm the unwary wanderer from his way.
So when thy King, Assyria, fierce and proud,
Three human victims to his idol vow'd;
Rear'd a vast pyre before the golden shrine
Of sulphurous coal, and pitch-exsuding pine;-Loud roar the flames, the iron nostrils breathe,
And the huge bellows pant and heave beneath;
Bright and more bright the blazing deluge flows,
And white with seven-fold heat the furnace glows.
And now the Monarch fix'd with dread surprize
Deep in the burning vault his dazzled eyes.
'Lo! Three unbound amid the frightful glare,
Unscorch'd their sandals, and unsing'd their hair!
And now a fourth with seraph-beauty bright
Descends, accosts them, and outshines the light!
Fierce flames innocuous, as they step, retire!
And slow they move amid a world of fire!'
He spoke,-to Heaven his arms repentant spread,
And kneeling bow'd his gem-incircled head.
67
Two
Sister-Nymphs, the fair AVENAS, lead
Their fleecy squadrons on the lawns of Tweed;
Pass with light step his wave-worn banks along,
And wake his Echoes with their silver tongue;
Or touch the reed, as gentle Love inspires,
In notes accordant to their chaste desires.
I.
'Sweet ECHO! sleeps thy vocal shell,
'Where this high arch o'erhangs the dell;
'While Tweed with sun-reflecting streams
'Chequers thy rocks with dancing beams?-
II.
'Here may no clamours harsh intrude,
No brawling hound or clarion rude;
Here no fell beast of midnight prowl,
And teach thy tortured cliffs to howl!
III.
'Be thine to pour these vales along
Some artless Shepherd's evening song;
While Night's sweet bird, from yon high spray
Responsive, listens to his lay.
IV.
'And if, like me, some love-lorn maid
'Should sing her sorrows to thy shade,
'Oh, sooth her breast, ye rocks around!
'With softest sympathy of sound.'
From ozier bowers the brooding Halcyons peep,
The Swans pursuing cleave the glassy deep,
On hovering wings the wondering Reed-larks play,
And silent Bitterns listen to the lay.-
68
Three
shepherd-swains beneath the beechen shades
Twine rival garlands for the tuneful maids;
On each smooth bark the mystic love-knot frame,
Or on white sands inscribe the favour'd name.
From Time's remotest dawn where China brings
In proud succession all her Patriot-Kings;
O'er desert-sands, deep gulfs, and hills sublime,
Extends her massy wall from clime to clime;
With bells and dragons crests her Pagod-bowers,
Her silken palaces, and porcelain towers;
With long canals a thousand nations laves;
Plants all her wilds, and peoples all her waves;
Slow treads fair CANNABIS the breezy strand,
The distaff streams dishevell'd in her hand;
Now to the left her ivory neck inclines,
And leads in Paphian curves its azure lines;
Dark waves the fringed lid, the warm cheek glows,
And the fair ear the parting locks disclose;
Now to the right with airy sweep she bends,
Quick join the threads, the dancing spole depends.
Five
Swains attracted guard the Nymph, by turns
Her grace inchants them, and her beauty burns;
To each She bows with sweet assuasive smile,
Hears his soft vows, and turns her spole the while.
So when with light and shade, concordant strife!
Stern CLOTHO weaves the chequer'd thread of life;
Hour after hour the growing line extends,
The cradle and the coffin bound its ends;
Soft cords of silk the whirling spoles reveal,
If smiling Fortune turn the giddy wheel;
But if sweet Love with baby-fingers twines,
And wets with dewy lips the lengthening lines,
Skein after skein celestial tints unfold,
And all the silken tissue shines with gold.
Warm with sweet blushes bright GALANTHA glows,
And prints with frolic step the melting snows;
O'er silent floods, white hills, and glittering meads
Six
69
rival swains the playful beauty leads,
Chides with her dulcet voice the tardy Spring,
Bids slumbering Zephyr stretch his folded wing,
Wakes the hoarse Cuckoo in his gloomy cave,
And calls the wondering Dormouse from his grave,
Bids the mute Redbreast cheer the budding grove,
And plaintive Ringdove tune her notes to love.
Spring! with thy own sweet smile, and tuneful tongue,
Delighted BELLIS calls her infant throng.
Each on his reed astride, the Cherub-train
Watch her kind looks, and circle o'er the plain;
Now with young wonder touch the siding snail,
Admire his eye-tipp'd horns, and painted mail;
Chase with quick step, and eager arms outspread,
The pausing Butterfly from mead to mead;
Or twine green oziers with the fragrant gale,
The azure harebel, and the primrose pale,
Join hand in hand, and in procession gay
Adorn with votive wreaths the shrine of May.
-So moves the Goddess to the Idalian groves,
And leads her gold-hair'd family of Loves.
These, from the flaming furnace, strong and bold
Pour the red steel into the sandy mould;
On tinkling anvils (with Vulcanian art),
Turn with hot tongs, and forge the dreadful dart;
The barbed head on whirling jaspers grind,
And dip the point in poison for the mind;
Each polish'd shaft with snow-white plumage wing,
Or strain the bow reluctant to its string.
Those on light pinion twine with busy hands,
Or stretch from bough to bough the flowery bands;
Scare the dark beetle, as he wheels on high,
Or catch in silken nets the gilded fly;
Call the young Zephyrs to their fragrant bowers,
And stay with kisses sweet the Vernal Hours.
Where, as proud Maffon rises rude and bleak,
And with mishapen turrets crests the Peak,
Old Matlock gapes with marble jaws, beneath,
And o'er fear'd Derwent bends his flinty teeth;
Deep in wide caves below the dangerous soil
Blue sulphurs flame, imprison'd waters boil.
Impetuous steams in spiral colums rise
70
Through rifted rocks, impatient for the skies;
Or o'er bright seas of bubbling lavas blow,
As heave and toss the billowy fires below;
Condensed on high, in wandering rills they glide
From Maffon's dome, and burst his sparry side;
Round his grey towers, and down his fringed walls,
From cliff to cliff, the liquid treasure falls;
In beds of stalactite, bright ores among,
O'er corals, shells, and crystals, winds along;
Crusts the green mosses, and the tangled wood,
And sparkling plunges to its parent flood.
-O'er the warm wave a smiling youth presides,
Attunes its murmurs, its meanders guides,
(The blooming FUCUS), in her sparry coves
To amorous Echo sings his
secret
loves,
Bathes his fair forehead in the misty stream,
And with sweet breath perfumes the rising steam.
-So, erst, an Angel o'er Bethesda's springs,
Each morn descending, shook his dewy wings;
And as his bright translucent form He laves,
Salubrious powers enrich the troubled waves.
Amphibious Nymph, from Nile's prolific bed
Emerging TRAPA lifts her pearly head;
Fair glows her virgin cheek and modest breast,
A panoply of scales deforms the rest;
Her quivering fins and panting gills she hides
But spreads her silver arms upon the tides;
Slow as she sails, her ivory neck she laves,
And shakes her golden tresses o'er the waves.
Charm'd round the Nymph, in circling gambols glide
Four
Nereid-forms, or shoot along the tide;
Now all as one they rise with frolic spring,
And beat the wondering air on humid wing;
Now all descending plunge beneath the main,
And lash the foam with undulating train;
Above, below, they wheel, retreat, advance,
In air and ocean weave the mazy dance;
Bow their quick heads, and point their diamond eyes,
71
And twinkle to the sun with ever-changing dyes.
Where Andes, crested with volcanic beams,
Sheds a long line of light on Plata's streams;
Opes all his springs, unlocks his golden caves,
And feeds and freights the immeasurable waves;
Delighted OCYMA at twilight hours
Calls her light car, and leaves the sultry bowers;Love's rising ray, and Youth's seductive dye,
Bloom'd on her cheek, and brighten'd in her eye;
Chaste, pure, and white, a zone of silver graced
Her tender breast, as white, as pure, as chaste;-By
four
fond swains in playful circles drawn,
On glowing wheels she tracks the moon-bright lawn,
Mounts the rude cliff, unveils her blushing charms,
And calls the panting zephyrs to her arms.
Emerged from ocean springs the vaporous air,
Bathes her light limbs, uncurls her amber hair,
Incrusts her beamy form with films saline,
And Beauty blazes through the crystal shrine.So with pellucid studs the ice-flower gems
Her rimy foliage, and her candied stems.
So from his glassy horns, and pearly eyes,
The diamond-beetle darts a thousand dyes;
Mounts with enamel'd wings the vesper gale,
And wheeling shines in adamantine mail.
Thus when loud thunders o'er Gomorrah burst,
And heaving earthquakes shook his realms accurst,
An Angel-guest led forth the trembling Fair
With shadowy hand, and warn'd the guiltless pair;
'Haste from these lands of sin, ye Righteous! fly,
Speed the quick step, nor turn the lingering eye!'-Such the command, as fabling Bards indite,
When Orpheus charm'd the grisly King of Night;
Sooth'd the pale phantoms with his plaintive lay,
And led the fair Assurgent into day.Wide yawn'd the earth, the fiery tempest flash'd,
And towns and towers in one vast ruin crash'd;Onward they move,--loud horror roars behind,
And shrieks of Anguish bellow in the wind.
With many a sob, amid a thousand fears,
72
The beauteous wanderer pours her gushing tears;
Each soft connection rends her troubled breast,
-She turns, unconscious of the stern behest!'I faint!-I fall!-ah, me!-sensations chill
Shoot through my bones, my shuddering bosom thrill!
I freeze! I freeze! just Heaven regards my fault,
Numbs my cold limbs, and hardens into salt!Not yet, not yet, your dying Love resign!This last, last kiss receive!-no longer thine!'She said, and ceased,-her stiffen'd form He press'd,
And strain'd the briny column to his breast;
Printed with quivering lips the lifeless snow,
And wept, and gazed the monument of woe.So when Aeneas through the flames of Troy
Bore his pale fire, and led his lovely boy;
With loitering step the fair Creusa stay'd,
And Death involved her in eternal shade.Oft the lone Pilgrim that his road forsakes,
Marks the wide ruins, and the sulphur'd lakes;
On mouldering piles amid asphaltic mud
Hears the hoarse bittern, where Gomorrah stood;
Recalls the unhappy Pair with lifted eye,
Leans on the crystal tomb, and breathes the silent sigh..
With net-wove sash and glittering gorget dress'd,
And scarlet robe lapell'd upon her breast,
Stern ARA frowns, the measured march assumes,
Trails her long lance, and nods her shadowy plumes;
While Love's soft beams illume her treacherous eyes,
And Beauty lightens through the thin disguise.
So erst, when HERCULES, untamed by toil,
Own'd the soft power of DEJANIRA'S smile;His lion-spoils the laughing Fair demands,
And gives the distaff to his awkward hands;
O'er her white neck the bristly mane she throws,
And binds the gaping whiskers on her brows;
Plaits round her slender waist the shaggy vest,
And clasps the velvet paws across her breast.
Next with soft hands the knotted club she rears,
Heaves up from earth, and on her shoulder bears.
Onward with loftier step the Beauty treads,
And trails the brinded ermine o'er the meads;
Wolves, bears, and bards, forsake the affrighted groves,
73
And grinning Satyrs tremble, as she moves.
CARYO'S sweet smile DIANTHUS proud admires,
And gazing burns with unallow'd desires;
With sighs and sorrows her compassion moves,
And wins the damsel to illicit loves.
The Monster-offspring heirs the father's pride,
Mask'd in the damask beauties of the bride.
So, when the Nightingale in eastern bowers
On quivering pinion woos the Queen of flowers;
Inhales her fragrance, as he hangs in air,
And melts with melody the blushing fair;
Half-rose, half-bird, a beauteous Monster springs,
Waves his thin leaves, and claps his glossy wings;
Long horrent thorns his mossy legs surround,
And tendril-talons root him to the ground;
Green films of rind his wrinkled neck o'espread,
And crimson petals crest his curled head;
Soft-warbling beaks in each bright blossom move,
And vocal Rosebuds thrill the enchanted grove!Admiring Evening stays her beamy star,
And still Night listens from his ebon ear;
While on white wings descending Houries throng,
And drink the floods of odour and of song.
When from his golden urn the Solstice pours
O'er Afric's sable sons the sultry hours;
When not a gale flits o'er her tawny hills,
Save where the dry Harmattan breathes and kills;
-Fair CHUNDA smiles amid the burning waste,
Her brow unturban'd, and her zone unbrac'd;
Ten
brother-youths with light umbrella's shade,
Or fan with busy hands the panting maid;
Loose wave her locks, disclosing, as they break,
The rising bosom and averted cheek;
Clasp'd round her ivory neck with studs of gold
Flows her thin vest in many a gauzy fold;
O'er her light limbs the dim transparence plays,
And the fair form, it seems to hide, betrays.
Where leads the northern Star his lucid train
High o'er the snow-clad earth, and icy main,
With milky light the white horizon streams,
74
And to the moon each sparkling mountain gleams.Slow o'er the printed snows with silent walk
Huge shaggy forms across the twilight stalk;
And ever and anon with hideous sound
Burst the thick ribs of ice, and thunder round.There, as old Winter slaps his hoary wing,
And lingering leaves his empire to the Spring,
Pierced with quick shafts of silver-shooting light
Fly in dark troops the dazzled imps of night'Awake, my Love!' enamour'd MUSCHUS cries,
'Stretch thy fair limbs, resulgent Maid! arise;
Ope thy sweet eye-lids to the rising ray,
And hail with ruby lips returning day.
Down the white hills dissolving torrents pour,
Green springs the turf, and purple blows the flower;
His torpid wing the Rail exulting tries,
Mounts the soft gale, and wantons in the skies;
Rise, let us mark how bloom the awaken'd groves,
And 'mid the banks of roses
hide
our loves.'
Night's tinsel beams on smooth Lock-lomond dance,
Impatient ÆGA views the bright expanse;In vain her eyes the parting floods explore,
Wave after wave rolls freightless to the shore.
-Now dim amid the distant foam she spies
A rising speck,-''tis he! 'tis he!' She cries;
As with firm arms he beats the streams aside,
And cleaves with rising chest the tossing tide,
With bended knee she prints the humid sands,
Up-turns her glistening eyes, and spreads her hands;
-''Tis he, 'tis he!-My Lord, my life, my love!Slumber, ye winds; ye billows, cease to move!
beneath his arms your buoyant plumage spread,
Ye Swans! ye Halcyons! hover round his head!'-With eager step the boiling surf she braves,
And meets her refluent lover in the waves;
Loose o'er the flood her azure mantle swims,
And the clear stream betrays her snowy limbs.
So on her sea-girt tower fair HERO stood
At parting day, and mark'd the dashing flood;
While high in air, the glimmering rocks above,
75
Shone the bright lamp, the pilot-star of Love.
-With robe outspread the wavering flame behind
She kneels, and guards it from the shifting wind;
Breathes to her Goddess all her vows, and guides
Her bold LEANDER o'er the dusky tides;
Wrings his wet hair, his briny bosom warms,
And clasps her panting lover in her arms.
Deep, in wide caverns and their shadowy ailes,
Daughter of Earth, the chaste TRUFFELIA smiles;
On silvery beds, of soft asbestus wove,
Meets her Gnome-husband, and avows her love.
High
o'er her couch impending diamonds blaze,
And branching gold the crystal roof inlays;
With verdant light the modest emeralds glow,
Blue sapphires glare, and rubies blush,
below
Light piers of lazuli the dome surround,
And pictured mochoes tesselate the ground;
In glittering threads along reflective walls
The warm rill murmuring twinkles, as it falls;
Now sink the Eolian strings, and now they swell,
And Echoes woo in every vaulted cell;
While on white wings delighted Cupids play,
Shake their bright lamps, and shed celestial day.
Closed in an azure fig by fairy spells,
Bosom'd in down, fair CAPRI-FICA dwells;So sleeps in silence the Curculio, shut
In the dark chambers of the cavern'd nut,
Erodes with ivory beak the vaulted shell,
And quits on filmy wings its narrow cell.
So the pleased Linnet in the moss-wove nest,
Waked into life beneath its parent's breast,
Chirps in the gaping shell, bursts forth erelong,
Shakes its new plumes, and tries its tender song.-And now the talisman she strikes, that charms
Her husband-Sylph,-and calls him to her arms.Quick, the light Gnat her airy Lord bestrides,
With cobweb reins the flying courser guides,
From crystal steeps of viewless ether springs,
76
Cleaves the soft air on still expanded wings;
Darts like a sunbeam o'er the boundless wave,
And seeks the beauty in her
secret
cave.
So with quick impulse through all nature's frame
Shoots the electric air its subtle flame.
So turns the impatient needle to the pole,
Tho' mountains rise between, and oceans roll.
Where round the Orcades white torrents roar,
Scooping with ceaseless rage the incumbent shore,
Wide o'er the deep a dusky cavern bends
Its marble arms, and high in air impends;
Basaltic piers the ponderous roof sustain,
And steep their massy sandals in the main;
Round the dim walls, and through the whispering ailes
Hoarse breathes the wind, the glittering water boils.
Here the charm'd BYSSUS with his blooming bride
Spreads his green sails, and braves the foaming tide;
The star of Venus gilds the twilight wave,
And lights her votaries to the
secret
cave;
Light Cupids flutter round the nuptial bed,
And each coy sea-maid hides her blushing head.
Where cool'd by rills, and curtain'd round by woods,
Slopes the green dell to meet the briny floods,
The sparkling noon-beams trembling on the tide,
The PROTEUS-LOVER woos his playful bride,
To win the fair he tries a thousand forms,
Basks on the sands, or gambols in the storms.
A Dolphin now, his scaly sides he laves,
And bears the sportive damsel on the waves;
She strikes the cymbal as he moves along,
And wondering Ocean listens to the song.
-And now a spotted Pard the lover stalks,
Plays round her steps, and guards her favour'd walks;
As with white teeth he prints her hand, caress'd,
And lays his velvet paw upon her breast,
O'er his round face her snowy fingers strain
The silken knots, and fit the ribbon-rein.
-And now a Swan, he spreads his plumy sails,
77
And proudly glides before the fanning gales;
Pleas'd on the flowery brink with graceful hand
She waves her floating lover to the land;
Bright shines his sinuous neck, with crimson beak
He prints fond kisses on her glowing cheek,
Spreads his broad wings, elates his ebon crest,
And clasps the beauty to his downy breast.
hundred
virgins join a
hundred
swains,
And fond ADONIS leads the sprightly trains;
Pair after pair, along his sacred groves
To Hymen's fane the bright procession moves;
Each smiling youth a myrtle garland shades,
And wreaths of roses veil the blushing maids;
Light joys on twinkling feet attend the throng,
Weave the gay dance, or raise the frolic song;
-Thick, as they pass, exulting Cupids fling
Promiscuous arrows from the sounding string;
On wings of gossamer soft Whispers fly,
And the sly Glance steals side-long from the eye.
-As round his shrine the gaudy circles bow,
And seal with muttering lips the faithless vow,
Licentious Hymen joins their mingled hands,
And loosely twines the meretricious bands.Thus where pleased VENUS, in the southern main,
Sheds all her smiles on Otaheite's plain,
Wide o'er the isle her silken net she draws,
And the Loves laugh at all, but Nature's laws.'
Here ceased the Goddess,-o'er the silent strings
Applauding Zephyrs swept their fluttering wings;
Enraptur'd Sylphs arose in murmuring crowds
To air-wove canopies and pillowy clouds;
Each Gnome reluctant sought his earthy cell,
And each bright Floret clos'd her velvet bell.
Then, on soft tiptoe, NIGHT approaching near
Hung o'er the tuneless lyre his sable ear;
Gem'd with bright stars the still etherial plain,
And bad his Nightingales repeat the strain.
78
~ Erasmus Darwin,#NFDB
649:A FRAGMENT
PART I
Nec tantum prodere vati,
Quantum scire licet. Venit aetas omnis in unam
Congeriem, miserumque premunt tot saecula pectus.
Lucan, Phars. v. 176.
How wonderful is Death,
Death and his brother Sleep!
One pale as yonder wan and hornd moon,
With lips of lurid blue,
The other glowing like the vital morn,
When throned on ocean's wave
It breathes over the world:
Yet both so passing strange and wonderful!
Hath then the iron-sceptred Skeleton,
Whose reign is in the tainted sepulchres,
To the hell dogs that couch beneath his throne
Cast that fair prey? Must that divinest form,
Which love and admiration cannot view
Without a beating heart, whose azure veins
Steal like dark streams along a field of snow,
Whose outline is as fair as marble clothed
In light of some sublimest mind, decay?
Nor putrefaction's breath
Leave aught of this pure spectacle
But loathsomeness and ruin?
Spare aught but a dark theme,
On which the lightest heart might moralize?
Or is it but that downy-wingd slumbers
Have charmed their nurse coy Silence near her lids
To watch their own repose?
Will they, when morning's beam
Flows through those wells of light,
Seek far from noise and day some western cave,
Where woods and streams with soft and pausing winds
A lulling murmur weave?
Ianthe doth not sleep
The dreamless sleep of death:
Nor in her moonlight chamber silently
Doth Henry hear her regular pulses throb,
Or mark her delicate cheek
With interchange of hues mock the broad moon.
Outwatching weary night,
Without assured reward.
Her dewy eyes are closed;
On their translucent lids, whose texture fine
Scarce hides the dark blue orbs that burn below
With unapparent fire,
The baby Sleep is pillowed:
Her golden tresses shade
The bosom's stainless pride,
Twining like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound?
'Tis like a wondrous strain that sweeps
Around a lonely ruin
When west winds sigh and evening waves respond
In whispers from the shore:
'Tis wilder than the unmeasured notes
Which from the unseen lyres of dells and groves
The genii of the breezes sweep.
Floating on waves of music and of light,
The chariot of the Daemon of the World
Descends in silent power:
Its shape reposed within: slight as some cloud
That catches but the palest tinge of day
When evening yields to night,
Bright as that fibrous woof when stars indue
Its transitory robe.
Four shapeless shadows bright and beautiful
Draw that strange car of glory, reins of light
Check their unearthly speed; they stop and fold
Their wings of braided air:
The Daemon leaning from the ethereal car
Gazed on the slumbering maid.
Human eye hath ne'er beheld
A shape so wild, so bright, so beautiful,
As that which o'er the maiden's charmd sleep
Waving a starry wand,
Hung like a mist of light.
Such sounds as breathed around like odorous winds
Of wakening spring arose,
Filling the chamber and the moonlight sky.
Maiden, the world's supremest spirit
Beneath the shadow of her wings
Folds all thy memory doth inherit
From ruin of divinest things,
Feelings that lure thee to betray,
And light of thoughts that pass away.
For thou hast earned a mighty boon,
The truths which wisest poets see
Dimly, thy mind may make its own,
Rewarding its own majesty,
Entranced in some diviner mood
Of self-oblivious solitude.
Custom, and Faith, and Power thou spurnest;
From hate and awe thy heart is free;
Ardent and pure as day thou burnest,
For dark and cold mortality
A living light, to cheer it long,
The watch-fires of the world among.
Therefore from nature's inner shrine,
Where gods and fiends in worship bend,
Majestic spirit, be it thine
The flame to seize, the veil to rend,
Where the vast snake Eternity
In charmd sleep doth ever lie.
All that inspires thy voice of love,
Or speaks in thy unclosing eyes,
Or through thy frame doth burn or move,
Or think or feel, awake, arise!
Spirit, leave for mine and me
Earth's unsubstantial mimicry!
It ceased, and from the mute and moveless frame
A radiant spirit arose,
All beautiful in naked purity.
Robed in its human hues it did ascend,
Disparting as it went the silver clouds,
It moved towards the car, and took its seat
Beside the Daemon shape.
Obedient to the sweep of ary song,
The mighty ministers
Unfurled their prismy wings.
The magic car moved on;
The night was fair, innumerable stars
Studded heaven's dark blue vault;
The eastern wave grew pale
With the first smile of morn.
The magic car moved on.
From the swift sweep of wings
The atmosphere in flaming sparkles flew;
And where the burning wheels
Eddied above the mountain's loftiest peak
Was traced a line of lightning.
Now far above a rock the utmost verge
Of the wide earth it flew,
The rival of the Andes, whose dark brow
Frowned o'er the silver sea.
Far, far below the chariot's stormy path,
Calm as a slumbering babe,
Tremendous ocean lay.
Its broad and silent mirror gave to view
The pale and waning stars,
The chariot's fiery track,
And the grey light of morn
Tingeing those fleecy clouds
That cradled in their folds the infant dawn.
The chariot seemed to fly
Through the abyss of an immense concave,
Radiant with million constellations, tinged
With shades of infinite colour,
And semicircled with a belt
Flashing incessant meteors.
As they approached their goal,
The wingd shadows seemed to gather speed.
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere, suspended
In the black concave of heaven
With the sun's cloudless orb,
Whose rays of rapid light
Parted around the chariot's swifter course,
And fell like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heavens,
Whilst round the chariot's way
Innumerable systems widely rolled,
And countless spheres diffused
An ever varying glory.
It was a sight of wonder! Some were horned.
And like the moon's argentine crescent hung
In the dark dome of heaven; some did shed
A clear mild beam like Hesperus, while the sea
Yet glows with fading sunlight; others dashed
Athwart the night with trains of bickering fire,
Like spherd worlds to death and ruin driven;
Some shone like stars, and as the chariot passed
Bedimmed all other light.
Spirit of Nature! here
In this interminable wilderness
Of worlds, at whose involved immensity
Even soaring fancy staggers,
Here is thy fitting temple.
Yet not the lightest leaf
That quivers to the passing breeze
Is less instinct with thee,
Yet not the meanest worm,
That lurks in graves and fattens on the dead,
Less shares thy eternal breath.
Spirit of Nature! thou
Imperishable as this glorious scene,
Here is thy fitting temple.
If solitude hath ever led thy steps
To the shore of the immeasurable sea,
And thou hast lingered there
Until the sun's broad orb
Seemed resting on the fiery line of ocean,
Thou must have marked the braided webs of gold
That without motion hang
Over the sinking sphere:
Thou must have marked the billowy mountain clouds,
Edged with intolerable radiancy,
Towering like rocks of jet
Above the burning deep:
And yet there is a moment
When the sun's highest point
Peers like a star o'er ocean's western edge,
When those far clouds of feathery purple gleam
Like fairy lands girt by some heavenly sea:
Then has thy rapt imagination soared
Where in the midst of all existing things
The temple of the mightiest Daemon stands.
Yet not the golden islands
That gleam amid yon flood of purple light,
Nor the feathery curtains
That canopy the sun's resplendent couch,
Nor the burnished ocean waves
Paving that gorgeous dome,
So fair, so wonderful a sight
As the eternal temple could afford.
The elements of all that human thought
Can frame of lovely or sublime, did join
To rear the fabric of the fane, nor aught
Of earth may image forth its majesty.
Yet likest evening's vault that fary hall,
As heaven low resting on the wave it spread
Its floors of flashing light,
Its vast and azure dome;
And on the verge of that obscure abyss
Where crystal battlements o'erhang the gulf
Of the dark world, ten thousand spheres diffuse
Their lustre through its adamantine gates.
The magic car no longer moved;
The Daemon and the Spirit
Entered the eternal gates.
Those clouds of ary gold
That slept in glittering billows
Beneath the azure canopy,
With the ethereal footsteps trembled not;
While slight and odorous mists
Floated to strains of thrilling melody
Through the vast columns and the pearly shrines.
The Daemon and the Spirit
Approached the overhanging battlement,
Below lay stretched the boundless universe!
There, far as the remotest line
That limits swift imagination's flight,
Unending orbs mingled in mazy motion,
Immutably fulfilling
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony,
Each with undeviating aim
In eloquent silence through the depths of space
Pursued its wondrous way.
Awhile the Spirit paused in ecstasy.
Yet soon she saw, as the vast spheres swept by,
Strange things within their belted orbs appear.
Like animated frenzies, dimly moved
Shadows, and skeletons, and fiendly shapes,
Thronging round human graves, and o'er the dead
Sculpturing records for each memory
In verse, such as malignant gods pronounce,
Blasting the hopes of men, when heaven and hell
Confounded burst in ruin o'er the world:
And they did build vast trophies, instruments
Of murder, human bones, barbaric gold,
Skins torn from living men, and towers of skulls
With sightless holes gazing on blinder heaven,
Mitres, and crowns, and brazen chariots stained
With blood, and scrolls of mystic wickedness,
The sanguine codes of venerable crime.
The likeness of a thrond king came by,
When these had passed, bearing upon his brow
A threefold crown; his countenance was calm,
His eye severe and cold; but his right hand
Was charged with bloody coin, and he did gnaw
By fits, with secret smiles, a human heart
Concealed beneath his robe; and motley shapes,
A multitudinous throng, around him knelt,
With bosoms bare, and bowed heads, and false looks
Of true submission, as the sphere rolled by.
Brooking no eye to witness their foul shame,
Which human hearts must feel, while human tongues
Tremble to speak, they did rage horribly,
Breathing in self-contempt fierce blasphemies
Against the Daemon of the World, and high
Hurling their armd hands where the pure Spirit,
Serene and inaccessibly secure,
Stood on an isolated pinnacle,
The flood of ages combating below,
The depth of the unbounded universe
Above, and all around
Necessity's unchanging harmony.
PART II
O happy Earth! reality of Heaven!
To which those restless powers that ceaselessly
Throng through the human universe aspire;
Thou consummation of all mortal hope!
Thou glorious prize of blindly-working will!
Whose rays, diffused throughout all space and time,
Verge to one point and blend for ever there:
Of purest spirits thou pure dwelling-place!
Where care and sorrow, impotence and crime,
Languor, disease, and ignorance dare not come:
O happy Earth, reality of Heaven!
Genius has seen thee in her passionate dreams,
And dim forebodings of thy loveliness,
Haunting the human heart, have there entwined
Those rooted hopes, that the proud Power of Evil
Shall not for ever on this fairest world
Shake pestilence and war, or that his slaves
With blasphemy for prayer, and human blood
For sacrifice, before his shrine for ever
In adoration bend, or Erebus
With all its banded fiends shall not uprise
To overwhelm in envy and revenge
The dauntless and the good, who dare to hurl
Defiance at his throne, girt tho' it be
With Death's omnipotence. Thou hast beheld
His empire, o'er the present and the past;
It was a desolate sightnow gaze on mine,
Futurity. Thou hoary giant Time,
Render thou up thy half-devoured babes,
And from the cradles of eternity,
Where millions lie lulled to their portioned sleep
By the deep murmuring stream of passing things,
Tear thou that gloomy shroud.Spirit, behold
Thy glorious destiny!
The Spirit saw
The vast frame of the renovated world
Smile in the lap of Chaos, and the sense
Of hope thro' her fine texture did suffuse
Such varying glow, as summer evening casts
On undulating clouds and deepening lakes.
Like the vague sighings of a wind at even,
That wakes the wavelets of the slumbering sea
And dies on the creation of its breath,
And sinks and rises, fails and swells by fits,
Was the sweet stream of thought that with wild motion
Flowed o'er the Spirit's human sympathies.
The mighty tide of thought had paused awhile,
Which from the Daemon now like Ocean's stream
Again began to pour.
To me is given
The wonders of the human world to keep
Space, matter, time and mindlet the sight
Renew and strengthen all thy failing hope.
All things are recreated, and the flame
Of consentaneous love inspires all life:
The fertile bosom of the earth gives suck
To myriads, who still grow beneath her care,
Rewarding her with their pure perfectness:
The balmy breathings of the wind inhale
Her virtues, and diffuse them all abroad:
Health floats amid the gentle atmosphere,
Glows in the fruits, and mantles on the stream;
No storms deform the beaming brow of heaven,
Nor scatter in the freshness of its pride
The foliage of the undecaying trees;
But fruits are ever ripe, flowers ever fair,
And Autumn proudly bears her matron grace,
Kindling a flush on the fair cheek of Spring,
Whose virgin bloom beneath the ruddy fruit
Reflects its tint and blushes into love.
The habitable earth is full of bliss;
Those wastes of frozen billows that were hurled
By everlasting snow-storms round the poles,
Where matter dared not vegetate nor live,
But ceaseless frost round the vast solitude
Bound its broad zone of stillness, are unloosed;
And fragrant zephyrs there from spicy isles
Ruffle the placid ocean-deep, that rolls
Its broad, bright surges to the sloping sand,
Whose roar is wakened into echoings sweet
To murmur through the heaven-breathing groves
And melodise with man's blest nature there.
The vast tract of the parched and sandy waste
Now teems with countless rills and shady woods,
Corn-fields and pastures and white cottages;
And where the startled wilderness did hear
A savage conqueror stained in kindred blood,
Hymning his victory, or the milder snake
Crushing the bones of some frail antelope
Within his brazen foldsthe dewy lawn,
Offering sweet incense to the sunrise, smiles
To see a babe before his mother's door,
Share with the green and golden basilisk
That comes to lick his feet, his morning's meal.
Those trackless deeps, where many a weary sail
Has seen, above the illimitable plain,
Morning on night and night on morning rise,
Whilst still no land to greet the wanderer spread
Its shadowy mountains on the sunbright sea,
Where the loud roarings of the tempest-waves
So long have mingled with the gusty wind
In melancholy loneliness, and swept
The desert of those ocean solitudes,
But vocal to the sea-bird's harrowing shriek,
The bellowing monster, and the rushing storm.
Now to the sweet and many-mingling sounds
Of kindliest human impulses respond:
Those lonely realms bright garden-isles begem,
With lightsome clouds and shining seas between,
And fertile valleys, resonant with bliss,
Whilst green woods overcanopy the wave,
Which like a toil-worn labourer leaps to shore,
To meet the kisses of the flowerets there.
Man chief perceives the change, his being notes
The gradual renovation, and defines
Each movement of its progress on his mind.
Man, where the gloom of the long polar night
Lowered o'er the snow-clad rocks and frozen soil,
Where scarce the hardiest herb that braves the frost
Basked in the moonlight's ineffectual glow,
Shrank with the plants, and darkened with the night:
Nor where the tropics bound the realms of day
With a broad belt of mingling cloud and flame,
Where blue mists through the unmoving atmosphere
Scattered the seeds of pestilence, and fed
Unnatural vegetation, where the land
Teemed with all earthquake, tempest and disease,
Was man a nobler being; slavery
Had crushed him to his country's blood-stained dust.
Even where the milder zone afforded man
A seeming shelter, yet contagion there,
Blighting his being with unnumbered ills,
Spread like a quenchless fire; nor truth availed
Till late to arrest its progress, or create
That peace which first in bloodless victory waved
Her snowy standard o'er this favoured clime:
There man was long the train-bearer of slaves,
The mimic of surrounding misery,
The jackal of ambition's lion-rage,
The bloodhound of religion's hungry zeal.
Here now the human being stands adorning
This loveliest earth with taintless body and mind:
Blest from his birth with all bland impulses,
Which gently in his noble bosom wake
All kindly passions and all pure desires.
Him, still from hope to hope the bliss pursuing,
Which from the exhaustless lore of human weal
Dawns on the virtuous mind, the thoughts that rise
In time-destroying infiniteness gift
With self-enshrined eternity, that mocks
The unprevailing hoariness of age,
And man, once fleeting o'er the transient scene
Swift as an unremembered vision, stands
Immortal upon earth: no longer now
He slays the beast that sports around his dwelling
And horribly devours its mangled flesh,
Or drinks its vital blood, which like a stream
Of poison thro' his fevered veins did flow
Feeding a plague that secretly consumed
His feeble frame, and kindling in his mind
Hatred, despair, and fear and vain belief,
The germs of misery, death, disease, and crime.
No longer now the wingd habitants,
That in the woods their sweet lives sing away,
Flee from the form of man; but gather round,
And prune their sunny feathers on the hands
Which little children stretch in friendly sport
Towards these dreadless partners of their play.
All things are void of terror: man has lost
His desolating privilege, and stands
An equal amidst equals: happiness
And science dawn though late upon the earth;
Peace cheers the mind, health renovates the frame;
Disease and pleasure cease to mingle here,
Reason and passion cease to combat there;
Whilst mind unfettered o'er the earth extends
Its all-subduing energies, and wields
The sceptre of a vast dominion there.
Mild is the slow necessity of death:
The tranquil spirit fails beneath its grasp,
Without a groan, almost without a fear,
Resigned in peace to the necessity,
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The deadly germs of languor and disease
Waste in the human frame, and Nature gifts
With choicest boons her human worshippers.
How vigorous now the athletic form of age!
How clear its open and unwrinkled brow!
Where neither avarice, cunning, pride, or care,
Had stamped the seal of grey deformity
On all the mingling lineaments of time.
How lovely the intrepid front of youth!
How sweet the smiles of taintless infancy.
Within the massy prison's mouldering courts,
Fearless and free the ruddy children play,
Weaving gay chaplets for their innocent brows
With the green ivy and the red wall-flower,
That mock the dungeon's unavailing gloom;
The ponderous chains, and gratings of strong iron,
There rust amid the accumulated ruins
Now mingling slowly with their native earth:
There the broad beam of day, which feebly once
Lighted the cheek of lean captivity
With a pale and sickly glare, now freely shines
On the pure smiles of infant playfulness:
No more the shuddering voice of hoarse despair
Peals through the echoing vaults, but soothing notes
Of ivy-fingered winds and gladsome birds
And merriment are resonant around.
The fanes of Fear and Falsehood hear no more
The voice that once waked multitudes to war
Thundering thro' all their aisles: but now respond
To the death dirge of the melancholy wind:
It were a sight of awfulness to see
The works of faith and slavery, so vast,
So sumptuous, yet withal so perishing!
Even as the corpse that rests beneath their wall.
A thousand mourners deck the pomp of death
To-day, the breathing marble glows above
To decorate its memory, and tongues
Are busy of its life: to-morrow, worms
In silence and in darkness seize their prey.
These ruins soon leave not a wreck behind:
Their elements, wide-scattered o'er the globe,
To happier shapes are moulded, and become
Ministrant to all blissful impulses:
Thus human things are perfected, and earth,
Even as a child beneath its mother's love,
Is strengthened in all excellence, and grows
Fairer and nobler with each passing year.
Now Time his dusky pennons o'er the scene
Closes in steadfast darkness, and the past
Fades from our charmd sight. My task is done:
Thy lore is learned. Earth's wonders are thine own.
With all the fear and all the hope they bring.
My spells are past: the present now recurs.
Ah me! a pathless wilderness remains
Yet unsubdued by man's reclaiming hand.
Yet, human Spirit, bravely hold thy course,
Let virtue teach thee firmly to pursue
The gradual paths of an aspiring change:
For birth and life and death, and that strange state
Before the naked powers that thro' the world
Wander like winds have found a human home,
All tend to perfect happiness, and urge
The restless wheels of being on their way,
Whose flashing spokes, instinct with infinite life,
Bicker and burn to gain their destined goal:
For birth but wakes the universal mind
Whose mighty streams might else in silence flow
Thro' the vast world, to individual sense
Of outward shows, whose unexperienced shape
New modes of passion to its frame may lend;
Life is its state of action, and the store
Of all events is aggregated there
That variegate the eternal universe;
Death is a gate of dreariness and gloom,
That leads to azure isles and beaming skies
And happy regions of eternal hope.
Therefore, O Spirit! fearlessly bear on:
Though storms may break the primrose on its stalk,
Though frosts may blight the freshness of its bloom,
Yet spring's awakening breath will woo the earth,
To feed with kindliest dews its favourite flower,
That blooms in mossy banks and darksome glens,
Lighting the green wood with its sunny smile.
Fear not then, Spirit, death's disrobing hand,
So welcome when the tyrant is awake,
So welcome when the bigot's hell-torch flares;
'Tis but the voyage of a darksome hour,
The transient gulf-dream of a startling sleep.
For what thou art shall perish utterly,
But what is thine may never cease to be;
Death is no foe to virtue: earth has seen
Love's brightest roses on the scaffold bloom,
Mingling with freedom's fadeless laurels there,
And presaging the truth of visioned bliss.
Are there not hopes within thee, which this scene
Of linked and gradual being has confirmed?
Hopes that not vainly thou, and living fires
Of mind as radiant and as pure as thou,
Have shone upon the paths of menreturn,
Surpassing Spirit, to that world, where thou
Art destined an eternal war to wage
With tyranny and falsehood, and uproot
The germs of misery from the human heart.
Thine is the hand whose piety would soothe
The thorny pillow of unhappy crime,
Whose impotence an easy pardon gains,
Watching its wanderings as a friend's disease:
Thine is the brow whose mildness would defy
Its fiercest rage, and brave its sternest will,
When fenced by power and master of the world.
Thou art sincere and good; of resolute mind,
Free from heart-withering custom's cold control,
Of passion lofty, pure and unsubdued.
Earth's pride and meanness could not vanquish thee.
And therefore art thou worthy of the boon
Which thou hast now received: virtue shall keep
Thy footsteps in the path that thou hast trod,
And many days of beaming hope shall bless
Thy spotless life of sweet and sacred love.
Go, happy one, and give that bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture from thy smile.
The Daemon called its wingd ministers.
Speechless with bliss the Spirit mounts the car,
That rolled beside the crystal battlement,
Bending her beamy eyes in thankfulness.
The burning wheels inflame
The steep descent of Heaven's untrodden way.
Fast and far the chariot flew:
The mighty globes that rolled
Around the gate of the Eternal Fane
Lessened by slow degrees, and soon appeared
Such tiny twinklers as the planet orbs
That ministering on the solar power
With borrowed light pursued their narrower way.
Earth floated then below:
The chariot paused a moment;
The Spirit then descended:
And from the earth departing
The shadows with swift wings
Speeded like thought upon the light of Heaven.
The Body and the Soul united then,
A gentle start convulsed Ianthe's frame:
Her veiny eyelids quietly unclosed;
Moveless awhile the dark blue orbs remained:
She looked around in wonder and beheld
Henry, who kneeled in silence by her couch,
Watching her sleep with looks of speechless love,
And the bright beaming stars
That through the casement shone.
~ Percy Bysshe Shelley, The Daemon Of The World
,#NFDB
650:VERSES ADDRESSED TO THE NOBLE AND UNFORTUNATE LADY, EMILIA V---,
NOW IMPRISONED IN THE CONVENT OF ---
L'anima amante si slancia fuori del creato, e si crea nell' infinito un Mondo tutto per essa, diverso assai da questo oscuro e pauroso baratro. ~Her own words.
My Song, I fear that thou wilt find but few
Who fitly shall conceive thy reasoning,
Of such hard matter dost thou entertain;
Whence, if by misadventure, chance should bring
Thee to base company (as chance may do),
Quite unaware of what thou dost contain,
I prithee, comfort thy sweet self again,
My last delight! tell them that they are dull,
And bid them own that thou art beautiful.
EPIPSYCHIDION.
Sweet Spirit! Sister of that orphan one,
Whose empire is the name thou weepest on,
In my heart's temple I suspend to thee
These votive wreaths of withered memory.
Poor captive bird! who, from thy narrow cage,
Pourest such music, that it might assuage
The ruggd hearts of those who prisoned thee,
Were they not deaf to all sweet melody;
This song shall be thy rose: its petals pale
Are dead, indeed, my adored Nightingale!
But soft and fragrant is the faded blossom,
And it has no thorn left to wound thy bosom.
High, spirit-wingd Heart! who dost for ever
Beat thine unfeeling bars with vain endeavour,
Till those bright plumes of thought, in which arrayed
It over-soared this low and worldly shade,
Lie shattered; and thy panting, wounded breast
Stains with dear blood its unmaternal nest!
I weep vain tears: blood would less bitter be,
Yet poured forth gladlier, could it profit thee.
Seraph of Heaven! too gentle to be human,
Veiling beneath that radiant form of Woman
All that is insupportable in thee
Of light, and love, and immortality!
Sweet Benediction in the eternal Curse!
Veiled Glory of this lampless Universe!
Thou Moon beyond the clouds! Thou living Form
Among the Dead! Thou Star above the Storm!
Thou Wonder, and thou Beauty, and thou Terror!
Thou Harmony of Nature's art! Thou Mirror
In whom, as in the splendour of the Sun,
All shapes look glorious which thou gazest on!
Ay, even the dim words which obscure thee now
Flash, lightning-like, with unaccustomed glow;
I pray thee that thou blot from this sad song
All of its much mortality and wrong,
With those clear drops, which start like sacred dew
From the twin lights thy sweet soul darkens through,
Weeping, till sorrow becomes ecstasy:
Then smile on it, so that it may not die.
I never thought before my death to see
Youth's vision thus made perfect. Emily,
I love thee; though the world by no thin name
Will hide that love from its unvalued shame.
Would we two had been twins of the same mother!
Or, that the name my heart lent to another
Could be a sister's bond for her and thee,
Blending two beams of one eternity!
Yet were one lawful and the other true,
These names, though dear, could paint not, as is due,
How beyond refuge I am thine. Ah me!
I am not thine: I am a part of thee.
Sweet Lamp! my moth-like Muse has burned its wings
Or, like a dying swan who soars and sings,
Young Love should teach Time, in his own gray style,
All that thou art. Art thou not void of guile,
A lovely soul formed to be blessed and bless?
A well of sealed and secret happiness,
Whose waters like blithe light and music are,
Vanquishing dissonance and gloom? A Star
Which moves not in the moving heavens, alone?
A Smile amid dark frowns? a gentle tone
Amid rude voices? a belovd light?
A Solitude, a Refuge, a Delight?
A Lute, which those whom Love has taught to play
Make music on, to soothe the roughest day
And lull fond Grief asleep? a buried treasure?
A cradle of young thoughts of wingless pleasure?
A violet-shrouded grave of Woe?I measure
The world of fancies, seeking one like thee,
And findalas! mine own infirmity.
She met me, Stranger, upon life's rough way,
And lured me towards sweet Death; as Night by Day,
Winter by Spring, or Sorrow by swift Hope,
Led into light, life, peace. An antelope,
In the suspended impulse of its lightness,
Were less aethereally light: the brightness
Of her divinest presence trembles through
Her limbs, as underneath a cloud of dew
Embodied in the windless heaven of June
Amid the splendour-wingd stars, the Moon
Burns, inextinguishably beautiful:
And from her lips, as from a hyacinth full
Of honey-dew, a liquid murmur drops,
Killing the sense with passion; sweet as stops
Of planetary music heard in trance.
In her mild lights the starry spirits dance,
The sunbeams of those wells which ever leap
Under the lightnings of the soultoo deep
For the brief fathom-line of thought or sense.
The glory of her being, issuing thence,
Stains the dead, blank, cold air with a warm shade
Of unentangled intermixture, made
By Love, of light and motion: one intense
Diffusion, one serene Omnipresence,
Whose flowing outlines mingle in their flowing,
Around her cheeks and utmost fingers glowing
With the unintermitted blood, which there
Quivers, (as in a fleece of snow-like air
The crimson pulse of living morning quiver,)
Continuously prolonged, and ending never,
Till they are lost, and in that Beauty furled
Which penetrates and clasps and fills the world;
Scarce visible from extreme loveliness.
Warm fragrance seems to fall from her light dress
And her loose hair; and where some heavy tress
The air of her own speed has disentwined,
The sweetness seems to satiate the faint wind;
And in the soul a wild odour is felt,
Beyond the sense, like fiery dews that melt
Into the bosom of a frozen bud.
See where she stands! a mortal shape indued
With love and life and light and deity,
And motion which may change but cannot die;
An image of some bright Eternity;
A shadow of some golden dream; a Splendour
Leaving the third sphere pilotless; a tender
Reflection of the eternal Moon of Love
Under whose motions life's dull billows move;
A Metaphor of Spring and Youth and Morning;
A Vision like incarnate April, warning,
With smiles and tears, Frost the Anatomy
Into his summer grave.
Ah, woe is me!
What have I dared? where am I lifted? how
Shall I descend, and perish not? I know
That Love makes all things equal: I have heard
By mine own heart this joyous truth averred:
The spirit of the worm beneath the sod
In love and worship, blends itself with God.
Spouse! Sister! Angel! Pilot of the Fate
Whose course has been so starless! O too late
Belovd! O too soon adored, by me!
For in the fields of Immortality
My spirit should at first have worshipped thine,
A divine presence in a place divine;
Or should have moved beside it on this earth,
A shadow of that substance, from its birth;
But not as now:I love thee; yes, I feel
That on the fountain of my heart a seal
Is set, to keep its waters pure and bright
For thee, since in those tears thou hast delight.
Weare we not formed, as notes of music are,
For one another, though dissimilar;
Such difference without discord, as can make
Those sweetest sounds, in which all spirits shake
As trembling leaves in a continuous air?
Thy wisdom speaks in me, and bids me dare
Beacon the rocks on which high hearts are wrecked.
I never was attached to that great sect,
Whose doctrine is, that each one should select
Out of the crowd a mistress or a friend,
And all the rest, though fair and wise, commend
To cold oblivion, though it is in the code
Of modern morals, and the beaten road
Which those poor slaves with weary footsteps tread,
Who travel to their home among the dead
By the broad highway of the world, and so
With one chained friend, perhaps a jealous foe,
The dreariest and the longest journey go.
True Love in this differs from gold and clay,
That to divide is not to take away.
Love is like understanding, that grows bright,
Gazing on many truths; 'tis like thy light,
Imagination! which from earth and sky,
And from the depths of human fantasy,
As from a thousand prisms and mirrors, fills
The Universe with glorious beams, and kills
Error, the worm, with many a sun-like arrow
Of its reverberated lightning. Narrow
The heart that loves, the brain that contemplates,
The life that wears, the spirit that creates
One object, and one form, and builds thereby
A sepulchre for its eternity.
Mind from its object differs most in this:
Evil from good; misery from happiness;
The baser from the nobler; the impure
And frail, from what is clear and must endure.
If you divide suffering and dross, you may
Diminish till it is consumed away;
If you divide pleasure and love and thought,
Each part exceeds the whole; and we know not
How much, while any yet remains unshared,
Of pleasure may be gained, of sorrow spared:
This truth is that deep well, whence sages draw
The unenvied light of hope; the eternal law
By which those live, to whom this world of life
Is as a garden ravaged, and whose strife
Tills for the promise of a later birth
The wilderness of this Elysian earth.
There was a Being whom my spirit oft
Met on its visioned wanderings, far aloft,
In the clear golden prime of my youth's dawn,
Upon the fairy isles of sunny lawn,
Amid the enchanted mountains, and the caves
Of divine sleep, and on the air-like waves
Of wonder-level dream, whose tremulous floor
Paved her light steps;on an imagined shore,
Under the gray beak of some promontory
She met me, robed in such exceeding glory,
That I beheld her not. In solitudes
Her voice came to me through the whispering woods,
And from the fountains, and the odours deep
Of flowers, which, like lips murmuring in their sleep
Of the sweet kisses which had lulled them there,
Breathed but of her to the enamoured air;
And from the breezes whether low or loud,
And from the rain of every passing cloud,
And from the singing of the summer-birds,
And from all sounds, all silence. In the words
Of antique verse and high romance, -- in form,
Sound, colour -- in whatever checks that Storm
Which with the shattered present chokes the past;
And in that best philosophy, whose taste
Makes this cold common hell, our life, a doom
As glorious as a fiery martyrdom;
Her Spirit was the harmony of truth.--
Then, from the caverns of my dreamy youth
I sprang, as one sandalled with plumes of fire,
And towards the lodestar of my one desire,
I flitted, like a dizzy moth, whose flight
Is as a dead leaf's in the owlet light,
When it would seek in Hesper's setting sphere
A radiant death, a fiery sepulchre,
As if it were a lamp of earthly flame.
But She, whom prayers or tears then could not tame,
Passed, like a God throned on a wingd planet,
Whose burning plumes to tenfold swiftness fan it,
Into the dreary cone of our life's shade;
And as a man with mighty loss dismayed,
I would have followed, though the grave between
Yawned like a gulf whose spectres are unseen:
When a voice said:--'O thou of hearts the weakest,
The phantom is beside thee whom thou seekest.'
Then I'Where?'--the world's echo answered 'where?'
And in that silence, and in my despair,
I questioned every tongueless wind that flew
Over my tower of mourning, if it knew
Whither 'twas fled, this soul out of my soul;
And murmured names and spells which have control
Over the sightless tyrants of our fate;
But neither prayer nor verse could dissipate
The night which closed on her; nor uncreate
That world within this Chaos, mine and me,
Of which she was the veiled Divinity,
The world I say of thoughts that worshipped her:
And therefore I went forth, with hope and fear
And every gentle passion sick to death,
Feeding my course with expectation's breath,
Into the wintry forest of our life;
And struggling through its error with vain strife,
And stumbling in my weakness and my haste,
And half bewildered by new forms, I passed,
Seeking among those untaught foresters
If I could find one form resembling hers,
In which she might have masked herself from me.
There,One, whose voice was venomed melody
Sate by a well, under blue nightshade bowers;
The breath of her false mouth was like faint flowers,
Her touch was as electric poison,flame
Out of her looks into my vitals came,
And from her living cheeks and bosom flew
A killing air, which pierced like honey-dew
Into the core of my green heart, and lay
Upon its leaves; until, as hair grown gray
O'er a young brow, they hid its unblown prime
With ruins of unseasonable time.
In many mortal forms I rashly sought
The shadow of that idol of my thought.
And some were fairbut beauty dies away:
Others were wisebut honeyed words betray:
And One was trueoh! why not true to me?
Then, as a hunted deer that could not flee,
I turned upon my thoughts, and stood at bay,
Wounded and weak and panting; the cold day
Trembled, for pity of my strife and pain.
When, like a noonday dawn, there shone again
Deliverance. One stood on my path who seemed
As like the glorious shape which I had dreamed
As is the Moon, whose changes ever run
Into themselves, to the eternal Sun;
The cold chaste Moon, the Queen of Heaven's bright isles,
Who makes all beautiful on which she smiles,
That wandering shrine of soft yet icy flame
Which ever is transformed, yet still the same,
And warms not but illumines. Young and fair
As the descended Spirit of that sphere,
She hid me, as the Moon may hide the night
From its own darkness, until all was bright
Between the Heaven and Earth of my calm mind,
And, as a cloud charioted by the wind,
She led me to a cave in that wild place,
And sate beside me, with her downward face
Illumining my slumbers, like the Moon
Waxing and waning o'er Endymion.
And I was laid asleep, spirit and limb,
And all my being became bright or dim
As the Moon's image in a summer sea,
According as she smiled or frowned on me;
And there I lay, within a chaste cold bed:
Alas, I then was nor alive nor dead:
For at her silver voice came Death and Life,
Unmindful each of their accustomed strife,
Masked like twin babes, a sister and a brother,
The wandering hopes of one abandoned mother,
And through the cavern without wings they flew,
And cried 'Away, he is not of our crew.'
I wept, and though it be a dream, I weep.
What storms then shook the ocean of my sleep,
Blotting that Moon, whose pale and waning lips
Then shrank as in the sickness of eclipse;
And how my soul was as a lampless sea,
And who was then its Tempest; and when She,
The Planet of that hour, was quenched, what frost
Crept o'er those waters, till from coast to coast
The moving billows of my being fell
Into a death of ice, immovable;
And thenwhat earthquakes made it gape and split,
The white Moon smiling all the while on it,
These words conceal:If not, each word would be
The key of staunchless tears. Weep not for me!
At length, into the obscure Forest came
The Vision I had sought through grief and shame.
Athwart that wintry wilderness of thorns
Flashed from her motion splendour like the Morn's,
And from her presence life was radiated
Through the gray earth and branches bare and dead;
So that her way was paved, and roofed above
With flowers as soft as thoughts of budding love;
And music from her respiration spread
Like light,all other sounds were penetrated
By the small, still, sweet spirit of that sound,
So that the savage winds hung mute around;
And odours warm and fresh fell from her hair
Dissolving the dull cold in the frore air:
Soft as an Incarnation of the Sun,
When light is changed to love, this glorious One
Floated into the cavern where I lay,
And called my Spirit, and the dreaming clay
Was lifted by the thing that dreamed below
As smoke by fire, and in her beauty's glow
I stood, and felt the dawn of my long night
Was penetrating me with living light:
I knew it was the Vision veiled from me
So many years -- that it was Emily.
Twin Spheres of light who rule this passive Earth,
This world of love, this me; and into birth
Awaken all its fruits and flowers, and dart
Magnetic might into its central heart;
And lift its billows and its mists, and guide
By everlasting laws, each wind and tide
To its fit cloud, and its appointed cave;
And lull its storms, each in the craggy grave
Which was its cradle, luring to faint bowers
The armies of the rainbow-wingd showers;
And, as those married lights, which from the towers
Of Heaven look forth and fold the wandering globe
In liquid sleep and splendour, as a robe;
And all their many-mingled influence blend,
If equal, yet unlike, to one sweet end;
So ye, bright regents, with alternate sway
Govern my sphere of being, night and day!
Thou, not disdaining even a borrowed might;
Thou, not eclipsing a remoter light;
And, through the shadow of the seasons three,
From Spring to Autumn's sere maturity,
Light it into the Winter of the tomb,
Where it may ripen to a brighter bloom.
Thou too, O Comet beautiful and fierce,
Who drew the heart of this frail Universe
Towards thine own; till, wrecked in that convulsion,
Alternating attraction and repulsion,
Thine went astray and that was rent in twain;
Oh, float into our azure heaven again!
Be there Love's folding-star at thy return;
The living Sun will feed thee from its urn
Of golden fire; the Moon will veil her horn
In thy last smiles; adoring Even and Morn
Will worship thee with incense of calm breath
And lights and shadows; as the star of Death
And Birth is worshipped by those sisters wild
Called Hope and Fearupon the heart are piled
Their offerings,of this sacrifice divine
A World shall be the altar.
Lady mine,
Scorn not these flowers of thought, the fading birth
Which from its heart of hearts that plant puts forth
Whose fruit, made perfect by thy sunny eyes,
Will be as of the trees of Paradise.
The day is come, and thou wilt fly with me.
To whatsoe'er of dull mortality
Is mine, remain a vestal sister still;
To the intense, the deep, the imperishable,
Not mine but me, henceforth be thou united
Even as a bride, delighting and delighted.
The hour is come:the destined Star has risen
Which shall descend upon a vacant prison.
The walls are high, the gates are strong, thick set
The sentinelsbut true Love never yet
Was thus constrained: it overleaps all fence:
Like lightning, with invisible violence
Piercing its continents; like Heaven's free breath,
Which he who grasps can hold not; liker Death,
Who rides upon a thought, and makes his way
Through temple, tower, and palace, and the array
Of arms: more strength has Love than he or they;
For it can burst his charnel, and make free
The limbs in chains, the heart in agony,
The soul in dust and chaos.
Emily,
A ship is floating in the harbour now,
A wind is hovering o'er the mountain's brow;
There is a path on the sea's azure floor,
No keel has ever ploughed that path before;
The halcyons brood around the foamless isles;
The treacherous Ocean has forsworn its wiles;
The merry mariners are bold and free:
Say, my heart's sister, wilt thou sail with me?
Our bark is as an albatross, whose nest
Is a far Eden of the purple East;
And we between her wings will sit, while Night,
And Day, and Storm, and Calm, pursue their flight,
Our ministers, along the boundless Sea,
Treading each other's heels, unheededly.
It is an isle under Ionian skies,
Beautiful as a wreck of Paradise,
And, for the harbours are not safe and good,
This land would have remained a solitude
But for some pastoral people native there,
Who from the Elysian, clear, and golden air
Draw the last spirit of the age of gold,
Simple and spirited; innocent and bold.
The blue Aegean girds this chosen home,
With ever-changing sound and light and foam,
Kissing the sifted sands, and caverns hoar;
And all the winds wandering along the shore
Undulate with the undulating tide:
There are thick woods where sylvan forms abide;
And many a fountain, rivulet, and pond,
As clear as elemental diamond,
Or serene morning air; and far beyond,
The mossy tracks made by the goats and deer
(Which the rough shepherd treads but once a year)
Pierce into glades, caverns, and bowers, and halls
Built round with ivy, which the waterfalls
Illumining, with sound that never fails
Accompany the noonday nightingales;
And all the place is peopled with sweet airs;
The light clear element which the isle wears
Is heavy with the scent of lemon-flowers,
Which floats like mist laden with unseen showers,
And falls upon the eyelids like faint sleep;
And from the moss violets and jonquils peep,
And dart their arrowy odour through the brain
Till you might faint with that delicious pain.
And every motion, odour, beam, and tone,
With that deep music is in unison:
Which is a soul within the soulthey seem
Like echoes of an antenatal dream.
It is an isle 'twixt Heaven, Air, Earth, and Sea,
Cradled, and hung in clear tranquillity;
Bright as that wandering Eden Lucifer,
Washed by the soft blue Oceans of young air.
It is a favoured place. Famine or Blight,
Pestilence, War and Earthquake, never light
Upon its mountain-peaks; blind vultures, they
Sail onward far upon their fatal way:
The wingd storms, chanting their thunder-psalm
To other lands, leave azure chasms of calm
Over this isle, or weep themselves in dew,
From which its fields and woods ever renew
Their green and golden immortality.
And from the sea there rise, and from the sky
There fall, clear exhalations, soft and bright,
Veil after veil, each hiding some delight,
Which Sun or Moon or zephyr draw aside,
Till the isle's beauty, like a naked bride
Glowing at once with love and loveliness,
Blushes and trembles at its own excess:
Yet, like a buried lamp, a Soul no less
Burns in the heart of this delicious isle,
An atom of th'Eternal, whose own smile
Unfolds itself, and may be felt, not seen
O'er the gray rocks, blue waves, and forests green,
Filling their bare and void interstices.
But the chief marvel of the wilderness
Is a lone dwelling, built by whom or how
None of the rustic island-people know:
'Tis not a tower of strength, though with its height
It overtops the woods; but, for delight,
Some wise and tender Ocean-King, ere crime
Had been invented, in the world's young prime,
Reared it, a wonder of that simple time,
An envy of the isles, a pleasure-house
Made sacred to his sister and his spouse.
It scarce seems now a wreck of human art,
But, as it were Titanic; in the heart
Of Earth having assumed its form, then grown
Out of the mountains, from the living stone,
Lifting itself in caverns light and high:
For all the antique and learnd imagery
Has been erased, and in the place of it
The ivy and the wild-vine interknit
The volumes of their many-twining stems;
Parasite flowers illume with dewy gems
The lampless halls, and when they fade, the sky
Peeps through their winter-woof of tracery
With moonlight patches, or star atoms keen,
Or fragments of the day's intense serene;
Working mosaic on their Parian floors.
And, day and night, aloof, from the high towers
And terraces, the Earth and Ocean seem
To sleep in one another's arms, and dream
Of waves, flowers, clouds, woods, rocks, and all that we
Read in their smiles, and call reality.
This isle and house are mine, and I have vowed
Thee to be lady of the solitude.
And I have fitted up some chambers there
Looking towards the golden Eastern air,
And level with the living winds, which flow
Like waves above the living waves below.
I have sent books and music there, and all
Those instruments with which high Spirits call
The future from its cradle, and the past
Out of its grave, and make the present last
In thoughts and joys which sleep, but cannot die,
Folded within their own eternity.
Our simple life wants little, and true taste
Hires not the pale drudge Luxury, to waste
The scene it would adorn, and therefore still,
Nature with all her children haunts the hill.
The ring-dove, in the embowering ivy, yet
Keeps up her love-lament, and the owls flit
Round the evening tower, and the young stars glance
Between the quick bats in their twilight dance;
The spotted deer bask in the fresh moonlight
Before our gate, and the slow, silent night
Is measured by the pants of their calm sleep.
Be this our home in life, and when years heap
Their withered hours, like leaves, on our decay,
Let us become the overhanging day,
The living soul of this Elysian isle,
Conscious, inseparable, one. Meanwhile
We two will rise, and sit, and walk together,
Under the roof of blue Ionian weather,
And wander in the meadows, or ascend
The mossy mountains, where the blue heavens bend
With lightest winds, to touch their paramour;
Or linger, where the pebble-paven shore,
Under the quick, faint kisses of the sea
Trembles and sparkles as with ecstasy,
Possessing and possessed by all that is
Within that calm circumference of bliss,
And by each other, till to love and live
Be one:or, at the noontide hour, arrive
Where some old cavern hoar seems yet to keep
The moonlight of the expired night asleep,
Through which the awakened day can never peep;
A veil for our seclusion, close as night's,
Where secure sleep may kill thine innocent lights;
Sleep, the fresh dew of languid love, the rain
Whose drops quench kisses till they burn again.
And we will talk, until thought's melody
Become too sweet for utterance, and it die
In words, to live again in looks, which dart
With thrilling tone into the voiceless heart,
Harmonizing silence without a sound.
Our breath shall intermix, our bosoms bound,
And our veins beat together; and our lips
With other eloquence than words, eclipse
The soul that burns between them, and the wells
Which boil under our being's inmost cells,
The fountains of our deepest life, shall be
Confused in Passion's golden purity,
As mountain-springs under the morning sun.
We shall become the same, we shall be one
Spirit within two frames, oh! wherefore two?
One passion in twin-hearts, which grows and grew,
Till like two meteors of expanding flame,
Those spheres instinct with it become the same,
Touch, mingle, are transfigured; ever still
Burning, yet ever inconsumable:
In one another's substance finding food,
Like flames too pure and light and unimbued
To nourish their bright lives with baser prey,
Which point to Heaven and cannot pass away:
One hope within two wills, one will beneath
Two overshadowing minds, one life, one death,
One Heaven, one Hell, one immortality,
And one annihilation. Woe is me!
The wingd words on which my soul would pierce
Into the height of Love's rare Universe,
Are chains of lead around its flight of fire
I pant, I sink, I tremble, I expire!
Weak Verses, go, kneel at your Sovereign's feet,
And say:'We are the masters of thy slave;
What wouldest thou with us and ours and thine?"
Then call your sisters from Oblivion's cave,
All singing loud: 'Love's very pain is sweet,
But its reward is in the world divine
Which, if not here, it builds beyond the grave.'
So shall ye live when I am there. Then haste
Over the hearts of men, until ye meet
Marina, Vanna, Primus, and the rest,
And bid them love each other and be blessed:
And leave the troop which errs, and which reproves,
And come and be my guest,for I am Love's.
Epipsychidion was composed at Pisa, Jan., Feb., 1821, and published without the author's name, in the following summer, by C. & J. Ollier, London. The poem was included by Mrs. Shelley in the Poetical Works, 1839, both edd.
~ Percy Bysshe Shelley, Epipsychidion
,#NFDB
651:The Botanic Garden( Part Iii)
The Economy Of Vegetation
Canto III
AGAIN the GODDESS speaks!-glad Echo swells
The tuneful tones along her shadowy dells,
Her wrinkling founts with soft vibration shakes,
Curls her deep wells, and rimples all her lakes,
Thrills each wide stream, Britannia's isle that laves,
Her headlong cataracts, and circumfluent waves.
-Thick as the dews, which deck the morning flowers,
Or rain-drops twinkling in the sun-bright showers,
Fair Nymphs, emerging in pellucid bands,
Rise, as she turns, and whiten all the lands.
I. 'YOUR buoyant troops on dimpling ocean tread,
Wafting the moist air from his oozy bed,
AQUATIC NYMPHS!-YOU lead with viewless march
The winged vapours up the aerial arch,
On each broad cloud a thousand sails expand,
And steer the shadowy treasure o'er the land,
Through vernal skies the gathering drops diffuse,
Plunge in soft rains, or sink in silver dews.YOUR lucid bands condense with fingers chill
The blue mist hovering round the gelid hill;
In clay-form'd beds the trickling streams collect,
Strain through white sands, through pebbly veins direct;
Or point in rifted rocks their dubious way,
And in each bubbling fountain rise to day.
'NYMPHS! YOU then guide, attendant from their source,
The associate rills along their sinuous course;
Float in bright squadrons by the willowy brink,
Or circling slow in limpid eddies sink;
Call from her crystal cave the Naiad-Nymph,
Who hides her fine form in the passing lymph,
And, as below she braids her hyaline hair,
111
Eyes her soft smiles reflected in the air;
Or sport in groups with River-Boys, that lave
Their silken limbs amid the dashing wave;
Pluck the pale primrose bending from its edge,
Or tittering dance amid the whispering sedge.'Onward YOU pass, the pine-capt hills divide,
Or feed the golden harvests on their side;
The wide-ribb'd arch with hurrying torrents fill,
Shove the slow barge, or whirl the foaming mill.
OR lead with beckoning hand the sparkling train
Of refluent water to its parent main,
And pleased revisit in their sea-moss vales
Blue Nereid-forms array'd in shining scales,
Shapes, whose broad oar the torpid wave impels,
And Tritons bellowing through their twisted shells.
'So from the heart the sanguine stream distils,
O'er Beauty's radiant shrine in vermil rills,
Feeds each fine nerve, each slender hair pervades,
The skins bright snow with living purple shades,
Each dimpling cheek with warmer blushes dyes,
Laughs on the lips, and lightens in the eyes.
-Erewhile absorb'd, the vagrant globules swim
From each fair feature, and proportion'd limb,
Join'd in one trunk with deeper tint return
To the warm concave of the vital urn.
II. 1.'AQUATIC MAIDS! YOU sway the mighty realms
Of scale and shell, which Ocean overwhelms;
As Night's pale Queen her rising orb reveals,
And climbs the zenith with refulgent wheels,
Car'd on the foam your glimmering legion rides,
Your little tridents heave the dashing tides,
Urge on the sounding shores their crystal course,
Restrain their fury, or direct their force.
2.'NYMPHS! YOU adorn, in glossy volumes roll'd,
The gaudy conch with azure, green, and gold.
You round Echinus ray his arrowy mail,
Give the keel'd Nautilus his oar and sail;
112
Firm to his rock with silver cords suspend
The anchor'd Pinna, and his Cancer-friend;
With worm-like beard his toothless lips array,
And teach the unwieldy Sturgeon to betray.Ambush'd in weeds, or sepulcher'd in sands,
In dread repose He waits the scaly bands,
Waves in red spires the living lures, and draws
The unwary plunderers to his circling jaws,
Eyes with grim joy the twinkling shoals beset,
And clasps the quick inextricable net.
You chase the warrior Shark, and cumberous Whale,
And guard the Mermaid in her briny vale;
Feed the live petals of her insect-flowers,
Her shell-wrack gardens, and her sea-fan bowers;
With ores and gems adorn her coral cell,
And drop a pearl in every gaping shell.
3. 'YOUR myriad trains o'er stagnant ocean's tow,
Harness'd with gossamer, the loitering prow;
Or with fine films, suspended o'er the deep,
Of oil effusive lull the waves to sleep.
You stay the flying bark, conceal'd beneath,
Where living rocks of worm-built coral breathe;
Meet fell TEREDO, as he mines the keel
With beaked head, and break his lips of steel;
Turn the broad helm, the fluttering canvas urge
From MAELSTROME'S fierce innavigable surge.
-'Mid the lorn isles of Norway's stormy main,
As sweeps o'er many a league his eddying train,
Vast watery walls in rapid circles spin,
And deep-ingulph'd the Demon dwells within;
Springs o'er the fear-froze crew with Harpy-claws,
Down his deep den the whirling vessel draws;
Churns with his bloody mouth the dread repast,
The booming waters murmuring o'er the mast.
III. 'Where with chill frown enormous ALPS alarms
A thousand realms, horizon'd in his arms;
While cloudless suns meridian glories shed
From skies of silver round his hoary head,
Tall rocks of ice refract the coloured rays,
113
And Frost sits throned amid the lambent blaze;
NYMPHS! YOUR thin forms pervade his glittering piles,
His roofs of chrystal, and his glasy ailes;
Where in cold caves imprisoned Naiads sleep,
Or chain'd on mossy couches wake and weep;
Where round dark crags indignant waters bend
Through rifted ice, in ivory veins descend,
Seek through unfathom'd snows their devious track,
Heave the vast spars, the ribbed granites crack,
Rush into day, in foamy torrents shine,
And swell the imperial Danube or the Rhine.Or feed the murmuring TIBER, as he laves
His realms inglorious with diminish'd waves,
Hears his lorn Forum sound with Eunuch-strains,
Sees dancing slaves insult his martial plains;
Parts with chill stream the dim religious bower,
Time-mouldered bastion, and dismantled tower;
By alter'd fanes and nameless villas glides,
And classic domes, that tremble on his sides;
Sighs o'er each broken urn, and yawning tomb,
And mourns the fall of LIBERTY and ROME.
IV. 'Sailing in air, when dark MONSOON inshrouds
His tropic mountains in a night of clouds;
Or drawn by whirlwinds from the Line returns,
And showers o'er Afric all his thousand urns;
High o'er his head the beams of SIRIUS glow,
And, Dog of Nile, ANUBIS barks below.
NYMPHS! YOU from cliff to cliff attendant guide
In headlong cataracts the impetuous tide;
Or lead o'er wastes of Abyssinian sands
The bright expanse to EGYPT'S shower-less lands.
-Her long canals the sacred waters fill,
And edge with silver every peopled hill;
Gigantic SPHINX in circling waves admire;
And MEMNON bending o'er his broken lyre;
O'er furrow'd glebes and green savannas sweep,
And towns and temples laugh amid the deep.
V. 1. 'High in the frozen North where HECCLA glows,
114
And melts in torrents his coeval snows;
O'er isles and oceans sheds a sanguine light,
Or shoots red stars amid the ebon night;
When, at his base intomb'd, with bellowing sound
Fell GIESAR roar'd, and struggling shook the ground;
Pour'd from red nostrils, with her scalding breath,
A boiling deluge o'er the blasted heath;
And, wide in air, in misty volumes hurl'd
Contagious atoms o'er the alarmed world;
NYMPHS! YOUR bold myriads broke the infernal spell,
And crush'd the Sorceress in her flinty cell.
2. 'Where with soft fires in unextinguish'd urns,
Cauldron'd in rock, innocuous Lava burns;
On the bright lake YOUR gelid hands distil
In pearly mowers the parsimonious rill;
And, as aloft the curling vapours rise
Through the cleft roof, ambitious for the skies,
In vaulted hills condense the tepid steams,
And pour to HEALTH the medicated streams.
-So in green vales amid her mountains bleak
BUXTONIA smiles, the Goddess-Nymyh of Peak;
Deep in warm waves, and pebbly baths she dwells,
And calls HYGEIA to her sainted wells.
'Hither in sportive bands bright DEVON leads
Graces and Loves from Chatsworth's flowery meads.Charm'd round the NYMPH, they climb the rifted rocks;
And steep in mountain-mist their golden locks;
On venturous step her sparry caves explore,
And light with radiant eyes her realms of ore;
-Oft by her bubbling founts, and shadowy domes,
In gay undress the fairy legion roams,
Their dripping palms in playful malice fill,
Or taste with ruby lip the sparkling rill;
Croud round her baths, and, bending o'er the side,
Unclasp'd their sandals, and their zones untied,
Dip with gay fear the shuddering foot undress'd,
And quick retract it to the fringed vest;
Or cleave with brandish'd arms the lucid stream,
And sob, their blue eyes twinkling in the steam.
-High o'er the chequer'd vault with transient glow
115
Bright lustres dart, as dash the waves below;
And Echo's sweet responsive voice prolongs
The dulcet tumult of their silver tongues.O'er their flush'd cheeks uncurling tresses flow,
And dew-drops glitter on their necks of snow;
Round each fair Nymph her dropping mantle clings,
And Loves emerging shake their showery wings.
'Here oft her LORD surveys the rude domain,
Fair arts of Greece triumphant in his train;
LO! as he steps, the column'd pile ascends,
The blue roof closes, or the crescent bends;
New woods aspiring clothe their hills with green,
Smooth slope the lawns, the grey rock peeps between;
Relenting Nature gives her hand to Taste,
And Health and Beauty crown the laughing waste.
VI. 'NYMPHS! YOUR bright squadrons watch with chemic eyes
The cold-elastic vapours, as they rise;
With playful force arrest them as they pass,
And to
pure
AIR betroth the
flaming
GAS.
Round their translucent forms at once they fling
Their rapturous arms, with silver bosoms cling;
In fleecy clouds their fluttering wings extend,
Or from the skies in lucid showers descend;
Whence rills and rivers owe their secret birth,
And Ocean's hundred arms infold the earth.
'So, robed by Beauty's Queen, with softer charms
SATURNIA woo'd the Thunderer to her arms;
O'er her fair limbs a veil of light she spread,
And bound a starry diadem on her head;
Long braids of pearl her golden tresses grac'd,
And the charm'd CESTUS sparkled round her waist.
-Raised o'er the woof, by Beauty's hand inwrought,
Breathes the soft Sigh, and glows the enamour'd Thought;
Vows on light wings succeed, and quiver'd Wiles,
Assuasive Accents, and seductive Smiles.
116
-Slow rolls the Cyprian car in purple pride,
And, steer'd by LOVE, ascends admiring Ide;
Climbs the green slopes, the nodding woods pervades,
Burns round the rocks, or gleams amid the shades.
-Glad ZEPHYR leads the train, and waves above
The barbed darts, and blazing torch of Love;
Reverts his smiling face, and pausing flings
Soft showers of roses from aurelian wings.
Delighted Fawns, in wreathes of flowers array'd,
With tiptoe Wood-Boys beat the chequer'd glade;
Alarmed Naiads, rising into air,
Lift o'er their silver urns their leafy hair;
Each to her oak the bashful Dryads shrink,
And azure eyes are seen through every chink.
-LOVE culls a flaming shaft of broadest wing,
And rests the fork upon the quivering string;
Points his arch eye aloft, with fingers strong
Draws to his curled ear the silken thong;
Loud twangs the steel, the golden arrow flies,
Trails a long line of lustre through the skies;
''Tis done!' he shouts, 'the mighty Monarch feels!'
And with loud laughter shakes the silver wheels;
Bends o'er the car, and whirling, as it moves,
His loosen'd bowstring, drives the rising doves.
-Pierced on his throne the slarting Thunderer turns,
Melts with soft sighs, with kindling rapture burns;
Clasps her fair hand, and eyes in fond amaze
The bright Intruder with enamour'd gaze.
'And leaves my Goddess, like a blooming bride,
'The fanes of Argos for the rocks of Ide?
'Her gorgeous palaces, and amaranth bowers,
'For cliff-top'd mountains, and aerial towers?'
He said; and, leading from her ivory seat
The blushing Beauty to his lone retreat,
Curtain'd with night the couch imperial shrouds,
And rests the crimson cushions upon clouds.Earth feels the grateful influence from above,
Sighs the soft Air, and Ocean murmurs love;
Etherial Warmth expands his brooding wing,
And in still showers descends the genial Spring.
117
VII. 'NYMPHS OF AQUATIC TASTE! whose placid smile
Breathes sweet enchantment o'er BRITANNIA'S isle;
Whose sportive touch in showers resplendent flings
Her lucid cataracts, and her bubbling springs;
Through peopled vales the liquid silver guides,
And swells in bright expanse her freighted tides.
YOU with nice ear, in tiptoe trains, pervade
Dim walks of morn or evening's silent shade;
Join the lone Nightingale, her woods among,
And roll your rills symphonious to her song;
Through fount-full dells, and wave-worn valleys move,
And tune their echoing waterfalls to love;
Or catch, attentive to the distant roar,
The pausing murmurs of the dashing shore;
Or, as aloud she pours her liquid strain,
Pursue the NEREID on the twilight main.
-Her playful Sea-horse woos her soft commands,
Turns his quick ears, his webbed claws expands,
His watery way with waving volutes wins,
Or listening librates on unmoving fins.
The Nymph emerging mounts her scaly seat,
Hangs o'er his glossy sides her silver feet,
With snow-white hands her arching veil detains,
Gives to his slimy lips the slacken'd reins,
Lifts to the star of Eve her eye serene,
And chaunts the birth of Beauty's radiant Queen.O'er her fair brow her pearly comb unfurls
Her beryl locks, and parts the waving curls,
Each tangled braid with glistening teeth unbinds
And with the floating treasure musks the winds.Thrill'd by the dulcet accents, as she sings,
The rippling wave in widening circles rings;
Night's shadowy forms along the margin gleam
With pointed ears, or dance upon the stream;
The Moon transported stays her bright career,
And maddening Stars shoot headlong from the sphere.
VIII. 'NYMPHS! whose fair eyes with vivid lustres glow
For human weal, and melt at human woe;
Late as YOU floated on your silver shells,
Sorrowing and slow by DERWENT'S willowy dells;
Where by tall groves his foamy flood he steers
118
Through ponderous arches o'er impetuous wears,
By DERBY'S shadowy towers reflective sweeps,
And gothic grandeur chills his dusky deeps;
You pearl'd with Pity's drops his velvet sides,
Sigh'd in his gales, and murmur'd in his tides,
Waved o'er his fringed brink a deeper gloom,
And bow'd his alders o'er MILCENA'S tomb.
'Oft with sweet voice She led her infant-train,
Printing with graceful step his spangled plain,
Explored his twinkling swarms, that swim or fly,
And mark'd his florets with botanic eye.'Sweet bud of Spring! how frail thy transient bloom,
'Fine film,' she cried, 'of Nature's fairest loom!
'Soon Beauty fades upon its damask throne!'-Unconscious of the worm, that mined her own!-Pale are those lips, where soft caresses hung,
Wan the warm cheek, and mute the tender tongue,
Cold rests that feeling heart on Derwent's shore,
And those love-lighted eye-balls roll no more!
-HERE her sad Consort, stealing through the gloom
Of
Hangs in mute anguish o'er the scutcheon'd hearse,
Or graves with trembling style the votive verse.
'Sexton! oh, lay beneath this sacred shrine,
When Time's cold hand shall close my aching eyes,
Oh, gently lay this wearied earth of mine,
Where wrap'd in night my loved MILCENA lies.
'So shall with purer joy my spirit move,
When the last trumpet thrills the caves of Death,
Catch the first whispers of my waking love,
And drink with holy kiss her kindling breath.
'The spotless Fair, with blush ethereal warm,
Shall hail with sweeter smile returning day,
Rise from her marble bed a brighter form,
And win on buoyant step her airy way.
'Shall bend approved, where beckoning hosts invite,
119
On clouds of silver her adoring knee,
Approach with Seraphim the throne of light,
-And BEAUTY plead with angel-tongue for Me!'
IX. 'YOUR virgin trains on BRINDLEY'S cradle smiled,
And nursed with fairy-love the unletter'd child,
Spread round his pillow all your secret spells,
Pierced all your springs, and open'd all your wells.As now on grass, with glossy folds reveal'd,
Glides the bright serpent, now in flowers conceal'd;
Far shine the scales, that gild his sinuous back,
And lucid undulations mark his track;
So with strong arm immortal BRINDLEY leads
His long canals, and parts the velvet meads;
Winding in lucid lines, the watery mass
Mines the firm rock, or loads the deep morass,
With rising locks a thousand hills alarms,
Flings o'er a thousand streams its silver arms,
Feeds the long vale, the nodding woodland laves,
And Plenty, Arts, and Commerce freight the waves.
-NYMPHS! who erewhile round BRINDLEY'S early bier
On show-white bosoms shower'd the incessant tear,
Adorn his tomb!-oh, raise the marble bust,
Proclaim his honours, and protect his dust!
With urns inverted, round the sacred shrine
Their ozier wreaths let weeping Naiads twine;
While on the top MECHANIC GENIUS stands,
Counts the fleet waves, and balances the lands.
X. 'NYMPHS! YOU first taught to pierce the secret caves
Of humid earth, and lift her ponderous waves;
Bade with quick stroke the sliding piston bear
The viewless columns of incumbent air;Press'd by the incumbent air the floods below,
Through opening valves in foaming torrents flow,
Foot after foot with lessen'd impulse move,
And rising seek the vacancy above.So when the Mother, bending o'er his charms,
Clasps her fair nurseling in delighted arms;
Throws the thin kerchief from her neck of snow,
And half unveils the pearly orbs below;
With sparkling eye the blameless Plunderer owns
120
Her soft embraces, and endearing tones,
Seeks the salubrious fount with opening lips,
Spreads his inquiring hands, and smiles, and sips.
'CONNUBIAL FAIR! whom no fond transport warms
To lull your infant in maternal arms;
Who, bless'd in vain with tumid bosoms, hear
His tender wailings with unfeeling ear;
The soothing kiss and milky rill deny
To the sweet pouting lip, and glistening eye!Ah! what avails the cradle's damask roof,
The eider bolster, and embroider'd woof!Oft hears the gilded couch unpity'd plains,
And many a tear the tassel'd cushion stains!
No voice so sweet attunes his cares to rest,
So soft no pillow, as his Mother's breast!-Thus charm'd to sweet repose, when twilight hours
Shed their soft influence on celestial bowers,
The Cherub, Innocence, with smile divine
Shuts his white wings, and sleeps on Beauty's shrine.
XI. 'From dome to dome when flames infuriate climb,
Sweep the long street, invest the tower sublime;
Gild the tall vanes amid the astonish'd night,
And reddening heaven returns the sanguine light;
While with vast strides and bristling hair aloof
Pale Danger glides along the falling roof;
And Giant Terror howling in amaze
Moves his dark limbs across the lurid blaze.
NYMPHS! you first taught the gelid wave to rise
Hurl'd in resplendent arches to the skies;
In iron cells condensed the airy spring,
And imp'd the torrent with unfailing wing;
-On the fierce flames the shower impetuous falls,
And sudden darkness shrouds the shatter'd walls;
Steam, smoak, and dust in blended volumes roll,
And Night and Silence repossess the Pole.'Where were ye, NYMPHS! in those disasterous hours,
Which wrap'd in flames AUGUSTA'S sinking towers?
Why did ye linger in your wells and groves,
121
When sad WOODMASON mourn'd her infant loves?
When thy fair Daughters with unheeded screams,
Ill-fated MOLESWORTH! call'd the loitering streams?The trembling Nymph on bloodless fingers hung
Eyes from the tottering wall the distant throng,
With ceaseless shrieks her sleeping friends alarms,
Drops with singed hair into her lover's arms.The illumin'd Mother seeks with footsteps fleet,
Where hangs the safe balcony o'er the street,
Wrap'd in her sheet her youngest hope suspends,
And panting lowers it to her tiptoe friends;
Again she hurries on affection's wings,
And now a third, and now a fourth, she brings;
Safe all her babes, she smooths her horrent brow,
And bursts through bickering flames, unscorch'd, below.
So, by her Son arraign'd, with feet unshod
O'er burning bars indignant Emma trod.
'E'en on the day when Youth with Beauty wed,
The flames surprized them in their nuptial bed;Seen at the opening sash with bosom bare,
With wringing hands, and dark dishevel'd hair,
The blushing Beauty with disorder'd charms
Round her fond lover winds her ivory arms;
Beat, as they clasp, their throbbing hearts with fear,
And many a kiss is mix'd with many a tear;Ah me! in vain the labouring engines pour
Round their pale limbs the ineffectual shower!-Then crash'd the floor, while shrinking crouds retire,
And Love and Virtue sunk amid the fire!With piercing screams afflicted strangers mourn,
And their white ashes mingle in their urn.
XII. 'PELLUCID FORMS! whose crystal bosoms show
The shine of welfare, or the shade of woe;
Who with soft lips salute returning Spring,
And hail the Zephyr quivering on his wing;
Or watch, untired, the wintery clouds, and share
With streaming eyes my vegetable care;
Go, shove the dim mist from the mountain's brow,
Chase the white fog, which floods the vale below;
Melt the thick snows, that linger on the lands,
122
And catch the hailstones in your little hands;
Guard the coy blossom from the pelting shower,
And dash the rimy spangles from the bower;
From each chill leaf the silvery drops repel,
And close the timorous floret's golden bell.
'So should young SYMPATHY, in female form,
Climb the tall rock, spectatress of the storm;
Life's sinking wrecks with secret sighs deplore,
And bleed for others' woes, Herself on shore;
To friendless Virtue, gasping on the strand,
Bare her warm heart, her virgin arms expand,
Charm with kind looks, with tender accents cheer,
And pour the sweet consolatory tear;
Grief's cureless wounds with lenient balms asswage,
Or prop with firmer staff the steps of Age;
The lifted arm of mute Despair arrest,
And snatch the dagger pointed to his breast;
Or lull to slumber Envy's haggard mien,
And rob her quiver'd shafts with hand unseen.
-Sound, NYMPHS OF HELICON! the trump of Fame,
And teach Hibernian echoes JONES'S name;
Bind round her polish'd brow the civic bay,
And drag the fair Philanthropist to day.So from secluded springs, and secret caves,
Her Liffy pours his bright meandering waves,
Cools the parch'd vale, the sultry mead divides,
And towns and temples star his shadowy sides.
XIII. 'CALL YOUR light legions, tread the swampy heath,
Pierce with sharp spades the tremulous peat beneath;
With colters bright the rushy sward bisect,
And in new veins the gushing rills direct;So flowers shall rise in purple light array'd,
And blossom'd orchards stretch their silver shade;
Admiring glebes their amber ears unfold,
And Labour sleep amid the waving gold.
'Thus when young HERCULES with firm disdain
Braved the soft smiles of Pleasure's harlot train;
To valiant toils his forceful limbs assign'd,
123
And gave to Virtue all his mighty mind,
Fierce ACHELOUS rush'd from mountain-caves,
O'er sad Etolia pour'd his wasteful waves,
O'er lowing vales and bleating pastures roll'd,
Swept her red vineyards, and her glebes of gold,
Mined all her towns, uptore her rooted woods,
And Famine danced upon the shining floods.
The youthful Hero seized his curled crest,
And dash'd with lifted club the watery Pest;
With waving arm the billowy tumult quell'd,
And to his course the bellowing Fiend repell'd.
'Then to a Snake the finny Demon turn'd
His lengthen'd form, with scales of silver burn'd;
Lash'd with restless sweep his dragon-train,
And shot meandering o'er the affrighted plain.
The Hero-God, with giant fingers clasp'd
Firm round his neck, the hissing monster grasp'd;
With starting eyes, wide throat, and gaping teeth,
Curl his redundant folds, and writhe in death.
'And now a Bull, amid the flying throng
The grisly Demon foam'd, and roar'd along;
With silver hoofs the flowery meadows spurn'd,
Roll'd his red eye, his threatening antlers turn'd.
Dragg'd down to earth, the Warrior's victor-hands
Press'd his deep dewlap on the imprinted sands;
Then with quick bound his bended knee he fix'd
High on his neck, the branching horns betwixt,
Strain'd his strong arms, his sinewy shoulders bent,
And from his curled brow the twisted terror rent.
-Pleased Fawns and Nymphs with dancing step applaud,
And hang their chaplets round the resting God;
Link their soft hands, and rear with pausing toil
The golden trophy on the furrow'd soil;
Fill with ripe fruits, with wreathed flowers adorn,
And give to PLENTY her prolific horn.
XIV. 'On Spring's fair lap, CERULEAN SISTERS! pour
From airy urns the sun-illumined shower,
Feed with the dulcet drops my tender broods,
Mellifluous flowers, and aromatic buds;
124
Hang from each bending grass and horrent thorn
The tremulous pearl, that glitters to the morn;
Or where cold dews their secret channels lave,
And Earth's dark chambers hide the stagnant wave,
O, pierce, YE NYMPHS! her marble veins, and lead
Her gushing fountains to the thirsty mead;
Wide o'er the shining vales, and trickling hills
Spread the bright treasure in a thousand rills.
So shall my peopled realms of Leaf and Flower
Exult, inebriate with the genial shower;
Dip their long tresses from the mossy brink,
With tufted roots the glassy currents drink;
Shade your cool mansions from meridian beams,
And view their waving honours in your streams.
'Thus where the veins their confluent branches bend,
And milky eddies with the purple blend;
The Chyle's white trunk, diverging from its source,
Seeks through the vital mass its shining course;
O'er each red cell, and tissued membrane spreads
In living net-work all its branching threads;
Maze within maze its tortuous path pursues,
Winds into glands, inextricable clues;
Steals through the stomach's velvet sides, and sips
The silver surges with a thousand lips;
Fills each fine pore, pervades each slender hair,
And drinks salubrious dew-drops from the air.
'Thus when to kneel in Mecca's awful gloom,
Or press with pious kiss Medina's tomb,
League after league, through many a lingering day,
Steer the swart Caravans their sultry way;
O'er sandy wastes on gasping camels toil,
Or print with pilgrim-steps the burning soil;
If from lone rocks a sparkling rill descend,
O'er the green brink the kneeling nations bend,
Bathe the parch'd lip, and cool the feverish tongue,
And the clear lake reflects the mingled throng.'
The Goddess paused,-the listening bands awhile
Still seem to hear, and dwell upon her smile;
Then with soft murmur sweep in lucid trains
125
Down the green slopes, and o'er the pebbly plains,
To each bright stream on silver sandals glide,
Reflective fountain, and tumultuous tide.
So shoot the Spider-broods at breezy dawn
Their glittering net-work o'er the autumnal lawn;
From blade to blade connect with cordage fine
The unbending grass, and live along the line;
Or bathe unwet their oily forms, and dwell
With feet repulsive on the dimpling well.
So when the North congeals his watery mass,
Piles high his snows, and floors his seas with glass;
While many a Month, unknown to warmer rays,
Marks its slow chronicle by lunar days;
Stout youths and ruddy damsels, sportive train,
Leave the white soil, and rush upon the main;
From isle to isle the moon-bright squadrons stray,
And win in easy curves their graceful way;
On step alternate borne, with balance nice
Hang o'er the gliding steel, and hiss along the ice.
~ Erasmus Darwin,#NFDB
652:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
Ah me!
Aprile.
But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
Whom can you see
Through the accursed darkness?
Aprile.
Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.
~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,#NFDB
653:The Bush
I wonder if the spell, the mystery,
That like a haze about your silence clings,
Moulding your void until we seem to see
Tangible Presences of Deathless Things,
Patterned but little to our spirits' woof,
Yet from our love or hate not all aloof,
Can. be the matrix where are forming slowly
Troy tales of Old Australia, to refine
Eras to come of ordered melancholy
'Neath lily-pale Perfection's anodyne.
For Troy hath ever been, and Homer sang
Its younger story for a lodging's fee,
While o'er Scamander settlers' axes rang
Amid the Bush where Ilium was to be.
For Cretan Art, dim centuries before,
Minoan Dream-times some Briseis bore.
Sumerian Phoebus by a willowed water
Song-built a Troy for far Chaldea, where
The sons of God, beholding Leda's daughter,
Bartered eternal thrones for love of her.
Across each terraced aeon Time hath sowed
With green tautology of vanished years,
Gaping aghast or webbed with shining lode,
Achilles' anger's earthquake-rift appears.
The towers that Phoebus builds can never fall:
Desire that Helen lights can never pall:
Yea, wounded Love hath still but gods to fly to,
When lust of war inflames Diomedes:
Must some Australian Hector vainly die, too?
Captives in ships? (0 change that omen, Trees!)
Yea, Mother Bush, in your deep dreams abide
Cupids alert for man and maid unborn,
Apprentice Pucks amid your saplings hide,
And wistful gorges wait a Roland horn:
Wallet of Sigurd shall this swag replace,
And centaurs curvet where those brumbies race.
39
That drover's tale of love shall greaten duly
Through magic prisms of a myriad years,
Till bums Isolde to Tristram's fervour newly,
Or Launcelot to golden Guinevere's.
The miner cradling washdirt by the creek,
Or pulled through darkness dripping to the plat:
The navvy boring tunnels through the peak:
The farmer grubbing box-trees on the flat:
The hawker camping by the roadside spring:
The hodman on the giddy scaffolding:
Moths that around the fashion windows flutter:
The racecourse spider and the betting fly:
The children romping by the city gutter,
While baby crows to every passer-byFrom these rough blocks strewn o'er our ancient stream
Sculptors shall chisel brownie, fairy, faun,
Any myrmidons of some Homeric dream
From Melbourne mob and Sydney push be drawn.
The humdrum lives that now we tire of, then
Romance shall be, and 'we heroic men
Treading the vestibule of Golden Ages,
The Isthmus of the Land of Heart's Desire:
For lo! the Sybil's final volume's pages
Ope with our Advent, close when we expire.
Forgetful Change in one 'antiquity'
Boreal gleams shall drown, and southern glows;
Out of some singing woman's heart-break plea
Australia's dawn shall flush with Sappho's rose:
Strong Shirlow's hand shall trace Mantegna's line,
And Soma foam from Victor Daley's wine:
Scholars to be our prehistoric drama
From Esson's 'Woman Tamer' shall restore,
Or find in Gilbert's 'Lotus Stream and Lama'
An Austral Nile and Buddhas we adore.
The sunlit Satyrs follow Hugh McCrae,
Quinn spans the ocean with a Celtic ford,
And Williamson the Pan-pipe learns to play
From magpie-songs our schoolboy ears ignored:
40
A sweeter woe no keen of Erin gave
Than Kendall sings o'er Araluen's grave:
Tasmanian Wordsworth to his chapel riding
The Burning Bush and Ardath mead shall pass,
Or, from the sea-coast of Bohemia gliding
On craft of dream, behold a shepherd lass.
Jessie Mackay on Southern Highlands sees
The elves deploy in kem and gallowglass:
Our Gilbert Murray writes 'Euripides':
Pirani merges in Pythagoras:
Marsyas plunges into Lethe, flayed,
From Rhadamanthine Stephens' steady blade:
While Benvenuto Morton, drunk with singing,
Sees salamanders in a bush-fire's bed,
And Spencer sails from Alcheringa bringing
Intaglios, totems and Books of the Dead.
On Southern fiords shall Brady's Long Snakes hiss,
Heavy with brides he wins to Viking troth:
O'Reilly's Sydney shall be Sybaris,
While Melbourne's Muses sup their Spartan broth:
Murdoch, Zenobia's counsellor, in time,
Redacts from Burke his book on The Sublime:
By Way was Homer into Greek translated:
And Shakespeare's self is Sophocles so plain
They know the kerb whereon the Furies waited
Outside the Mermaid Inn in Brogan's Lane.
Vane shall divide with Vern Eureka's fame;
Tillett and Mann are Tyler then and Cade:
Dowie's entwines with Cagliostro's name,
And in Tarpeia's, lo, those fair forms fade
Who drug the poor, for social bread and wine,
And lift the furtive latch to Catiline:
There, where the Longmore-featured Gracchi hurry,
And Greek-browed Higinbotham walks, anon,
The 'wealthy lower orders' leap the Murray
Before the stockwhip cracks of Jardine Don.
Cleons in 'Windsor dress at Syracuse
Their thin plebeians' promised meal delay;
41
And Archibald begets Australia's Muse
Upon an undine red of Chowder Bay:
Paterson's swan draws Amphitrite's car,
And Sidon learns from Young what purples are:
Rose Scott refutes dogmatic Cyril gaily,
Hypatia turns the anti-suffrage flank,
And Herod's daughter sools her 'morning daily'
On John the Baptist by the Yarra Bank.
Yon regal bustard, fading hence ere long,
Shall seem the guide we followed to the Grail;
This lyre-bird on his dancing-mound of song
Our mystagogue of some Bacchantic vale,
Where feathered Pan guffaws 'Evoe!' above,
And Maenad curlews shriek their midnight love:
That trailing flight of distant swans is bearing
Sarpedon's soul to its eternal joy:
This ibis, from the very Nile, despairing,
Memnon our own would warn from fatal Troy.
Primeval gnomes distilled the golden bribes
That have impregnated your musing waste with men;
But shall the spell of your pathetic tribes
Curl round, in time, our fairer limbs again?
Through that long tunnel of your gloom, I see
Gardens of a metropolis to be!
Out of the depths the mountain ash is soaring
To embryon gods of what unsounded space?
Out of the heights what influence is pouring
Thin desolation on your haunted face?
Many there are who see no higher lot
For all your writhing centuries of toil
Than that the avaricious plough should blot
Their wilding burgeon, and the red brand spoil
Your cyclopean garniture, to sow
The cheap parterres of Europe on your woe.
They weave all sorceries but yours, and borrow
The tinkling spells of alien winds and seas
To drown the chord of purifying sorrow,
Bom ere the world, that pulses through your trees.
42
For, save when we, in not o'er-subtle mood,
Hear magpies warbling soft November in,
Or, hand in hand with Love, a dreaming wood
Or bouldered crest of crisper April win,
Your harps, unblurred by glozing strings, intone
The dirges that behind Creation moan'Where, riding reinless billows, new lives dash on
The souring beach of yesterday's decay,
Where Love's chord leaps from mandrake shrieks of passion,
And groping gods mould man from quivering clay.
(Is Nature deaf and blind and dumb? A cruse
Unfilled of wine? Clay for an unbreathed soul?
Alien to man, till his desires transfuse
Their flames through wind and water, leaf and bole,
And each crude fane elaborately fit
With oracles that echo all his wit?
The living wilds of Greece saw death returning
When Pan that men had made fell from his throne:
Till through her sap our very blood is churning
The Bush her lonely alien woe shall moan!
Or is she reticent but to be kind?
Whispers she not beneath her mask of clods'Who asks he shall receive, who seeks shall find,
Who knocks shall open every door of God's?'
Dumb Faith's, blind Hope's eternal consort she,
Gravid with all that is on earth to be;
Corn, wine and oil in hungry granite hiding,
All Beauty under sober wings of clay,
All life beneath her dead heart long abiding,
Yea, all the gods her sons and she obey!)
What sin's wan expiation strewed your Vast
With mounded pillage of what conquering fire?
Slumbering throes of what prodigious Past
Exhale these lingering ghosts of its desire?
Sunshine that bleached corruption out, that glare?
Desolate blue of Purgatory, there?
Flagellant winds through guilty Eden scouring?
Sahara drowning Prester John's domain?
Satumian dam her progeny devouring?
Hath dawn-time Hun these footprints left? Hath Cain?
43
Even the human wave, that shall at length
To man's endurance key your strident surge,
Sings in your poignant tones and sombre strength,
And makes, as yet, its own your primal dirge:
A gun-shot startles dawn back from the sky,
And mourning tea-trees echo Gordon's sigh:
Nardoo with Burke's faint sweat is dank for ever:
Spectral a tribe round poisoned rations shrieks:
Till doomday Leichhardt walks die Never Never:
Pensive, of Boake, the circling stock-whip speaks.
The wraiths unseen of roadside crimes unnamed
About that old-time shanty's ruins roam:
This squatter's fenceless acres hide ashamed
The hearth and battered zinc of Naboth's home:
Deserted 'yam-holes' pit your harmonies
With sloughing pock-marks of the gold-disease:
The sludgy creek 'mid hungry rushes rambles,
Where teal once dived and lowan raised her mound:
That tree, with crows, o'erlooks the township shambles:
These paddocks, ordure-smeared, the city bound.
0 yield not all to factory and farm!
For we, who drew a milk no stranger knows
From her scant paps, yearn for the acrid charm
That gossamers the Bush Where No Tree Grows.
And we have ritual moments when we crave
For worship in some messmate-pillared nave,
Where contrite 'bears' for woodland sins are kneeling,
And, 'mid the censers of the mountain musk,
Acolyte bell-birds the Angelus are pealing,
And boobooks moan lone vespers in the dusk,
And you have Children of the Dreaming Star,
Who care but little for the crowded ways
Where meagre spirits' vapid prizes are,
Or for the paddocked ease of dreamless days
And hedges clipped of every sunny growth
That plights the soul to God in daily troth:
Their wayward love prefers your desolation,
Or (where the human trail hath seared its charm)
44
The briar-rose on some abandoned 'station',
To all the tilled obedience of the farm.
Vineyards that purblind thrift shall never glean
The weedy waste and thistly gully hold:
No mint shall melt to currency unclean
Yon river-rounded hillock's Cape-broom gold:
The onion-grass upon that dark green slope
Returns our gaze from eyes of heliotrope:
But more we seek your underflowered expanses
Of scrub monotonous, or, where, O Bush,
The craters of your fiery noon's romances,
Like great firm bosoms, through the bare plains push.
As many. Mother, are your moods and forms
As all the sons who love you. Here, you mow
Careering grounds for every brood of storms
The wild sea-mares to desert stallions throw;
Anon, up through a sea of sand you glance
With green ephemeral exuberance,
And then quick seeds dive deep to years of slumber
From hot-hoofed drought's precipitate return:
There, league on league, the snow's cold fingers number
The shrinking nerves of supple-jack and fern.
To other eyes and ears you are a great
Pillared cathedral tremulously green,
An odorous and hospitable gate
To genial mystery, the happy screen
Of truants or of lovers rambling there
'Neath sun-shot boughs o'er miles of maidenhair.
Wee rubies dot the leaflets of the cherries,
The wooing wagtails hop from log to bough,
The bronzewing comes from Queensland for the berries,
The bell-bird by the creek is calling now.
And you can ride, an Eastern queen, they say,
By living creatures sumptuously borne,
With all barbaric equipages gay,
Beneath the torrid blue of Capricorn.
That native lotus is the very womb
That was the Hindoo goddess' earthly tomb.
45
The gang-gang screams o'er cactus wildernesses,
Palm trees are there, and swampy widths of rice,
Unguents and odours ooze from green recesses,
The jungles blaze with birds of Paradise.
But I, in city exile, hear you sing
Of saplinged hill and box-tree dotted plain,
Or silver-grass that prays the North Wind's wing
Convey its sigh to the loitering rain:
And Spring is half distraught with wintry gusts,
Summer the daily spoil of tropic lusts
The sun and she too fiercely shared together
Lingering thro' voluptuous Hindoo woods,
But o'er my windless, soft autumnal weather
The peace that passes understanding broods.
When, now, they say 'The Bush!', I see the top
Delicate amber leanings of the gum
Flutter, or flocks of screaming green leeks drop
Silent, where in the shining morning hum
The gleaning bees for honey-scented hours
'Mid labyrinthine leaves and white gum flowers.
Cantering midnight hoofs are nearing, nearing,
The straining bullocks flick the harpy flies,
The 'hatter' weeds his melancholy clearing,
The distant cow-bell tinkles o'er the rise.
You are the brooding comrade of our way,
Whispering rumour of a new Unknown,
Moulding us white ideals to obey,
Steeping whate'er we learn in lore your own,
And freshening with unpolluted light
The squalid city's day and pallid night,
Till we become ourselves distinct, Australian,
(Your native lightning charging blood and nerve),
Stripped to the soul of borrowed garments, alien
To that approaching Shape of God you serve.
Brooding, brooding, your whispers murmur plain
That searching for the clue to mystery
In grottos of decrepitude is vain,
That never shall the eye of prophet see
46
In crooked Trade's tumultuous streets the plan
Of templed cities adequate to man.
Brooding, brooding, you make us Brahmins waiting
(While uninspired pass on the hurtling years),
Faithful to dreams your spirit is creating,
Till Great Australia, born of you, appears.
For Great Australia is not yet: She waits
(Where o'er the Bush prophetic auras play)
The passing of these temporary States,
Flaunting their tawdry flags of far decay.
Her aureole above the alien mists
Beacons our filial eyes to mountain trysts:
'Mid homely trees with all ideals fruited,
She shelters us till Trade's Simoom goes by,
And slakes our thirst from cisterns unpolluted .
For ages cold in brooding deeps of sky.
We love our brothers, and to heal their woe
Pluck simples from the known old gardens still:
We love our kindred over seas, and grow
Their symbols tenderly o'er plain and hill;
We feel their blood rebounding in our hearts,
And speak as they would speak our daily parts:
But under all we know, we know that only
A virgin womb unsoiled by ancient fear
Can Saviours bear. So, we, your Brahmins, lonely,
Deaf to the barren tumult, wait your Year.
The Great Year's quivering dawn pencils the Night
To be the morning of our children's prime,
And weave from rays of yet ungathered Light
A richer noon than e'er apparelled Time.
If it must be, as Tuscan wisdom knew,
Babylon's seer, and wistful Egypt too,
That mellow afternoon shall pensive guide us
Down somnolent Decay's ravine to rest,
Then you, reborn, 0 Mother Bush, shall hide us
All the long night at your dream-laden breast.
Australian eyes that heed your lessons know
Another world than older pilgrims may:
47
Prometheus chained in Kosciusko's snow
Sees later gods than Zeus in turn decay:
Boundless plateaux expand the spirit's sight,
Resilient gales uphold her steeper flight:
And your close beating heart, 0 savage Mother,
Throbs secret words of joy and starker pain
Than reach the ears all old deceptions smother
In Lebanon, or e'en in Westermain.
We marvel not, who hear your undersong,
And catch a glimpse in rare exalted hours
Of something like a Being gleam along
Festooned arcades of flossie creeper flowers,
Or, toward the mirk, seem privileged to share
The silent rapture of the trees at prayerWe marvel not that seers in other ages,
With eyes unstrained by peering logic, saw
The desolation glow with Koran pages,
Or Sinai stones with Tables of the Law.
Homers are waiting in the gum trees now,
Far driven from the tarnished Cyclades:
More Druids to your green enchantment bow
Than 'neath unfaithful Mona's vanished trees:
A wind hath spirited from ageing France
To our fresh hills the carpet of Romance:
Heroes and maids of old with young blood tingling
In ampler gardens grow their roses new:
And races long apart their manas mingling
Prepare the cradle of an Advent due.
And those who dig the mounded eld for runes
To read Religion's tangled cipher, here,
Where all Illusion haunts the fainting noons
Of days hysteric with the tireless leer
Of ravenous enamoured suns, shall find
How May a flings her mantle o'er the mind,
Till sober sand to shining water changes,
Dodona whispers from the she-oak groves,
Afreets upon the tempest cross the ranges,
And Fafnir through the bunyip marshes roves.
48
Once, when Uranian Love appeared to glow
Through that abysmal Night that bounds our reignLove that a man may scarcely feel and know i
Quite the same world as other men againWith earthward-streaming frontier wraiths distraught,
Your oracles, 0 Mother Bush, I sought:
But found, dismayed, that eerie light revealing
Those wraiths already in your depths on sleuth,
Termagant Scorns along your hillsides stealing,
Remorse unbaring slow her barbed tooth.
My own thoughts first from far dispersion flew
Back to their sad creator, with the crops
Of woes in flower and all the harvests due
Till tiring Time the fearful seeding stops:
In pigmy forms of friends and foes, anon
In my own image, they came, stung, were gone:
And then I heard the voice of Him Who Questions,
Knowing the faltered answer ere it came,
Chilling the soul by hovering suggestions
Of wan damnation at a wince of blame.
And all your leaves in symbols were arranged,
Despairs long dead would leap from bough to bough,
A gum-tree buttress to a goblin changed
Grinning the warmth of some old broken vow:
Furtive desires for scarce-remembered maids
Glanced in a fearful bo-peep from your shades:
Till you became a purgatory cleansing
With rosy flakes in form of manikins,
To fiercer shame within my soul condensing,
The dim pollution of forgotten sins.
And She, the human symbol of that Love,
Would, as my cleansed eyes forgot their fear,
Comrade beside me. Comforter above,
With sunny smile ubiquitous appear:
Run on before me to the nooks we knew,
Walk hand in hand as glad young lovers do,
Gravely reprove me toying with temptation,
Show me the eyes and ears in roots and clods,
Bend with me o'er some blossom's revelation,
49
Or read from clouds the judgments of the gods.
My old ideals She would tune until
The grating note of self no longer rang:
She drove the birds of gloom and evil will
Out of the cote wherein my poems sang.
Time at Her wand annulled his calendar,
And Space his fallacy of Near and Far,
For through my Bush along with me She glided,
And crowded days of Beauty made more fair,
Though lagging weeks and ocean widths divided
Her mortal casing from Her Presence there.
Her wetted finger oped my shuttered eyes
To boyhood's scership of the Real again:
Upon the Bush descended from the skies
The rapt-up Eden of primordial men:
August Dominions through the vistas strode:
On white-maned clouds the smiling cherubs rode:
Maltreated Faith restored my jangled hearing
Till little seraphs sang from chip and clod:
And prayers were radiant children that, unfearing,
Floated as kisses to the lips of God.
It matters not that for some purpose wise
Myopic Reason censored long ago
The revelations of that Paradise,
When, back of all I feel or will or know,
Its silent angels beacon through the Dark
And point to harbours new my drifted ark.
Nor need we dread the fogs that round us thicken
Questing the Bush for Grails decreed for man,
When Powers our fathers saw unseen still quicken
Eyes that were ours before the world began.
'Twas then I saw the Vision of the Ways,
And 'mid their gloom and glory seemed to live,
Threaded the coverts of the Dark Road's maze,
Toiled up, with tears, the Track Retributive,
And, on the Path of Grace, beheld aglow
The love-lit Nave of all that wheeled below.
And She who flowered, my Mystic Rose, in Heaven,
50
And lit the Purging Mount, my Guiding Star,
Trudged o'er the marl, my mate, through Hell's wan levin,
Nor shrank, like lonely Dante's love, afar.
High towered a cloud over one leafy wild,
And to a bridged volcano grew. Above,
A great Greek group of father, mother, child,
Illumed a narrow round with radiant love.
Below, a smoke-pool thick with faces swirled,
The mutinous omen. of an Under-world,
Defeated, plundered, blackened, but preparing,
E'en though that calm, white dominance fell down,
To overflow the rim, and, sunward faring,
Shape myriad perfect groups from slave and clown.
Or thus I read the symbol, though 'twas sent
To hound compunction on my wincing pride,
That dreamed of raceless brotherhood, content
Though all old Charm dissolved and Glory died.
For often signs will yield their deeper signs,
Virginal Bush, in your untrodden shrines,
Than where the craven ages' human clamour
Distorts the boldest oracle with fear,
Or where dissolving wizards dew with glamour
Arden, Broceliande, or Windermere.
Once while my mother by a spreading tree
Our church's sober rubric bade me con,
My vagrant eyes among the boughs would see
Forbidden wings and •wizard aprons on
Father's 'wee people' from their Irish glades
Brighten and darken with your lights and shades.
And I would only read again those stern leaves
For whispered bribe that, when their tale I told,
We would go and look for fairies in the fern-leaves
And red-capped leprechauns with crocks of gold.
Anon, my boyhood saw how Sunbursts flamed
Or filmy hinds lured on a pale Oisin,
Where lithe indignant saplings crowding claimed
The digger's ravage for their plundered queen:
And heard within yon lichened 'mullock-heap'
51
Lord Edward's waiting horsemen moan in sleep:
Or flew the fragrant path of swans consoling
Lir's exiled daughter wandering with me,
And traced below the Wattle River rolling
Exuberant and golden toward the sea.
Here, would the •wavering wings of heat uplift
Some promontory till the tree-crowned pile
Above a phantom sea would swooning drift,
St. Brendan's vision of the Winged Isle:
Anon, the isle divides again, again,
Till archipelagos poise o'er the main.
There, lazy fingers of a breeze have scattered
The distant blur of factory chimney smoke
hi poignant groups of all the young lives shattered
To feed the ravin of a piston-stroke!
Or when I read the tale of what you were
Beyond these hungry eyes' home-keeping view,
I peopled petrel rocks with Sirens fair,
In Maid Mirage the Fairy Morgan knew,
Steered Quetzalcoatl's skiff to coral coasts,
On Chambers' Pillar throned the Olympian hosts,
Heard in white sulphur-crested parrots' screeches
Remorseful Peris vent their hopeless rage,
Atlantis' borders traced on sunken beaches,
m Alcheringa found the Golden Age.
Sibyl and Siren, with alternate breaths
You read our foetal nation's boon and bane,
And lure to trysts of orgiastic Deaths
Adventurous love that listens to your strain:
Pelsarts and Vanderdeckens of the world
Circle your charms or at your feet are hurled:
And, Southern witch, whose glamour drew De Quiros
O'er half the earth for one unyielded kiss,
Were yours the arms that healed the scalded Eros
When Psyche's curious lamp darkened their bliss?
Ye, who would challenge when we claim to see
The bush alive with Northern wealth of wings,
Forget that at a common mother's knee
52
We learned, with you, the lore of Silent Things.
There is no New that is not older far
Than swirling cradle of the first-born star:
Our youngest hearts prolong the far pulsation
And churn the brine of the primordial sea:
The foetus writes the précis of Creation:
Australia is the whole world's legatee.
Imagination built her throne in us
Before your present bodies saw the sky:
Your myths were counters of our abacus,
And in your brain developed long our eye:
We from the misty folk have also sprung
Who saw the gnomes and heard the Ever Young:
Do Southern skies the fancy disinherit
Of moly flower and Deva-laden breeze?
Do nerves attuned by old defect and merit
Their timbre lose by crossing tropic seas?
All mysteries ye claim as yours alone
Have wafted secrets over oceans here:
Our living soil Antiquity hath sown
With just the corn and tares ye love and fear:
Romance and song enthral us just as you,
Nor change of zenith changes spirit too:
Our necks as yours are sore with feudal halters:
To the Pole ye know our compasses are set;
And shivering years that huddled round your altars
Beneath our stars auspicious tremble yet.
Who fenced the nymphs in European vales?
Or Pan tabooed from all but Oxford dreams?
Warned Shakespeare off from foreign Plutarch's tales?
Or tethered Virgil to Italian themes?
And when the body sailed from your control
Think ye we left behind in bond the soul?
Whate'er was yours is ours in equal measure,
The Temple was not built for you alone,
Altho' 'tis ours to grace the common treasure
With Lares and Penates of our own!
Ye stole yourselves from gardens fragrant long
53
The sprouting seed-pods of your choicest blooms,
And wove the splendid garments of your song
From Viking foam on grave Hebraic looms:
'Twas Roman nerve and rich Hellenic lymph
Changed your pale pixie to a nubile nymph:
Yea, breathed at dawn around Atlantis' islands,
Wind-home o'er some Hesperidean road,
The morning clouds on dim Accadian highlands
Spring-fed the Nile that over Hellas flowed!
As large-eyed Greek amid Sicilian dews
Saw Dis, as ne'er before, pursue the Maid,
Or, safe 'neath screening billows, Arethuse
Alpheus' rugged sleuth unsoiled evade:
We shall complete the tale ye left half-told,
Under the ocean lead your fountains old,
To slake our sceptic thirst with haunted water,
And tame our torrents with a wedding kiss,
Shall loose, mayhap, the spell on Ceres' daughter,
And show, unclouded, God in very Dis.
(Yet, there are moods and mornings when I hear,
Above the music of the Bush's breath,
The rush of alien breezes far and near
Drowning her oracles to very death:
Exotic battle-cries the silence mar,
Seductive perfumes drive the gum-scent far;
And organ-tones august a moment show me
Miltonic billows and Homeric gales
Until I feel the older worlds below me,
And all her wonder trembles, thins and fails.)
Yea, you are all that we may be, and yet
In us is all you are to be for aye!
The Giver of the gifts that we shall get?
An empty womb that waits the wedding day?
Thus drifting sense by age-long habit buoyed
Plays round the thought that knows all nature void!
And so, my song alternate would believe her
Idiot Bush and Daughter of the Sun,
A worthless gift apart from the receiver,
An empty womb, but in a Deathless One.
54
To shapes we would of Freedom, Truth and Joy
Shall we your willing plasm mould for man:
Afresh rebuild the world, and thus destroy
What only Ragnarok in Europe can:
There is no Light but in your dark blendes sleeps,
Drops from your stars or through your ether leaps:
Yea, you are Nature, Chaos since Creation,
Waiting what human Word to chord in song?
Matrix inert of what auspicious nation?
For what far bees your nectar hiving long?
Exhausted manas of the conquering North
Shall rise refreshed to vivid life again
At your approach, and in your lap pour forth
Grateful the gleanings of his mighty reign:
As, when a tropic heat-king southward crawls,
Blistering the ranges, till he hears the calls
Of some cold high-browed bride, her streaming tresses,
Sprinkled with rose-buds, make his wild eyes thrill
To such desire for her superb caresses
He yields his fiery treasures to her will.
'Where is Australia, singer, do you know?
These sordid farms and joyless factories,
Mephitic mines and lanes of pallid woe?
Those ugly towns and cities such as these
With incense sick to all unworthy power,
And all old sin in full malignant flower?
No! to her bourn her children still are faring:
She is a Temple that we are to build:
For her the ages have been long preparing:
She is a prophecy to be fulfilled!
All that we love in olden lands and lore
Was signal of her coming long ago!
Bacon foresaw her, Campanella, More
And Plato's eyes were with her star aglow!
Who toiled for Truth, whate'er their countries were,
Who fought for Liberty, they yearned for her!
No corsair's gathering ground, or tryst for schemers,
55
No chapman Carthage to a huckster Tyre,
She is the Eldorado of old dreamers,
The Sleeping Beauty of the world's desire!
She is the scroll on which we are to write
Mythologies our own and epics new:
She is the port of our propitious flight
From Ur idolatrous and Pharaoh's crew.
She is our own, unstained, if worthy we,
By dream, or god, or star we would not see:
Her crystal beams all but the eagle dazzle;
Her wind-wide ways none but the strong-winged sail:
She is Eutopia, she is Hy-Brasil,
The watchers on the tower of morning hail I
Yet she shall be as we, the Potter, mould:
Altar or tomb, as we aspire, despair:
What wine we bring shall she, the chalice, hold:
What word we write shall she, the script, declare:
Bandage our eyes, she shall be Memphis, Spain:
Barter our souls, she shall be Tyre again:
And if we pour on her the red oblation
All o'er the world shall Asshur's buzzards throng:
Love-lit, her Chaos shall become Creation:
And dewed with dream, her silence flower in song.
~ Bernard O'Dowd,#NFDB
654:The Botanic Garden (Part Iv)
The Economy Of Vegetation
Canto IV
As when at noon in Hybla's fragrant bowers
CACALIA opens all her honey'd flowers;
Contending swarms on bending branches cling,
And nations hover on aurelian wing;
So round the GODDESS, ere she speaks, on high
Impatient SYLPHS in gawdy circlets fly;
Quivering in air their painted plumes expand,
And coloured shadows dance upon the land.
I. 'SYLPHS! YOUR light troops the tropic Winds confine,
And guide their streaming arrows to the Line;
While in warm floods ecliptic breezes rise,
And sink with wings benumb'd in colder skies.
You bid Monsoons on Indian seas reside,
And veer, as moves the sun, their airy tide;
While southern gales o'er western oceans roll,
And Eurus steals his ice-winds from the Pole.
Your playful trains, on sultry islands born,
Turn on fantastic toe at eve and morn;
With soft susurrant voice alternate sweep
Earth's green pavilions and encircling deep.
OR in itinerant cohorts, borne sublime
On tides of ether, float from clime to clime;
O'er waving Autumn bend your airy ring,
Or waft the fragrant bosom of the Spring.
II. 'When Morn, escorted by the dancing Hours,
O'er the bright plains her dewy lustre showers;
Till from her sable chariot Eve serene
Drops the dark curtain o'er the brilliant scene;
You form with chemic hands the airy surge,
Mix with broad vans, with shadowy tridents urge.
SYLPHS! from each sun-bright leaf, that twinkling shakes
O'er Earth's green lap, or shoots amid her lakes,
Your playful bands with simpering lips invite,
10
And wed the enamour'd OXYGENE to LIGHT.Round their white necks with fingers interwove,
Cling the fond Pair with unabating love;
Hand link'd in hand on buoyant step they rise,
And soar and glisten in unclouded skies.
Whence in bright floods the VITAL AIR expands,
And with concentric spheres involves the lands;
Pervades the swarming seas, and heaving earths,
Where teeming Nature broods her myriad births;
Fills the fine lungs of all that
breathe
or
bud
Warms the new heart, and dyes the gushing blood;
With Life's first spark inspires the organic frame,
And, as it wastes, renews the subtile flame.
'So pure, so soft, with sweet attraction shone
Fair PSYCHE, kneeling at the ethereal throne;
Won with coy smiles the admiring court of Jove,
And warm'd the bosom of unconquer'd LOVE.Beneath a moving shade of fruits and flowers
Onward they march to HYMEN'S sacred bowers;
With lifted torch he lights the festive train,
Sublime, and leads them in his golden chain;
Joins the fond pair, indulgent to their vows,
And hides with mystic veil their blushing brows.
Round their fair forms their mingling arms they fling,
Meet with warm lip, and clasp with rustling wing.-Hence plastic Nature, as Oblivion whelms
Her fading forms, repeoples all her realms;
Soft Joys disport on purple plumes unfurl'd,
And Love and Beauty rule the willing world.
III. 1. 'SYLPHS! Your bold myriads on the withering heath
Stay the fell SYROC'S suffocative breath;
Arrest SIMOOM in his realms of sand,
The poisoned javelin balanced in his hand;Fierce on blue streams he rides the tainted air,
Points his keen eye, and waves his whistling hair;
While, as he turns, the undulating soil
Rolls in red waves, and billowy deserts boil.
11
You seize TORNADO by his locks of mist,
Burst his dense clouds, his wheeling spires untwist;
Wide o'er the West when borne on headlong gales,
Dark as meridian night, the Monster sails,
Howls high in air, and shakes his curled brow,
Lashing with serpent-train the waves below,
Whirls his black arm, the forked lightning flings,
And showers a deluge from his demon-wings.
2. 'SYLPHS! with light shafts YOU pierce the drowsy FOG,
That lingering slumbers on the sedge-wove bog,
With webbed feet o'er midnight meadows creeps,
Or flings his hairy limbs on stagnant deeps.
YOU meet CONTAGION issuing from afar,
And dash the baleful conqueror from his car;
When, Guest of DEATH! from charnel vaults he steals,
And bathes in human gore his armed wheels.
'Thus when the PLAGUE, upborne on Belgian air,
Look'd through the mist and shook his clotted hair,
O'er shrinking nations steer'd malignant clouds,
And rain'd destruction on the gasping crouds.
The beauteous AEGLE felt the venom'd dart,
Slow roll'd her eye, and feebly throbb'd her heart;
Each fervid sigh seem'd shorter than the last,
And starting Friendship shunn'd her, as she pass'd.
-With weak unsteady step the fainting Maid
Seeks the cold garden's solitary shade,
Sinks on the pillowy moss her drooping head,
And prints with lifeless limbs her leafy bed.
-On wings of Love her plighted Swain pursues,
Shades her from winds, and shelters her from dews,
Extends on tapering poles the canvas roof,
Spreads o'er the straw-wove matt the flaxen woof,
Sweet buds and blossoms on her bolster strows,
And binds his kerchief round her aching brows;
Sooths with soft kiss, with tender accents charms,
And clasps the bright Infection in his arms.With pale and languid smiles the grateful Fair
Applauds his virtues, and rewards his care;
Mourns with wet cheek her fair companions fled
On timorous step, or number'd with the dead;
Calls to its bosom all its scatter'd rays,
And pours on THYRSIS the collected blaze;
12
Braves the chill night, caressing and caress'd,
And folds her Hero-lover to her breast.Less bold, LEANDER at the dusky hour
Eyed, as he swam, the far love-lighted tower;
Breasted with struggling arms the tossing wave,
And sunk benighted in the watery grave.
Less bold, TOBIAS claim'd the nuptial bed,
Where seven fond Lovers by a Fiend had bled;
And drove, instructed by his Angel-Guide,
The enamour'd Demon from the fatal bride.-SYLPHS! while your winnowing pinions fan'd the air,
And shed gay visions o'er the sleeping pair;
LOVE round their couch effused his rosy breath,
And with his keener arrows conquer'd DEATH.
IV. 1. 'You charm'd, indulgent SYLPHS! their learned toil,
And crown'd with fame your TORRICELL, and BOYLE;
Taught with sweet smiles, responsive to their prayer,
The spring and pressure of the viewless air.
-How up exhausted tubes bright currents flow
Of liquid silver from the lake below,
Weigh the long column of the incumbent skies,
And with the changeful moment fall and rise.
-How, as in brazen pumps the pistons move,
The membrane-valve sustains the weight above;
Stroke follows stroke, the gelid vapour falls,
And misty dew-drops dim the crystal walls;
Rare and more rare expands the fluid thin,
And Silence dwells with Vacancy within.So in the mighty Void with grim delight
Primeval Silence reign'd with ancient Night.
2. 'SYLPHS! your soft voices, whispering from the skies,
Bade from low earth the bold MONGULFIER rise;
Outstretch'd his buoyant ball with airy spring,
And bore the Sage on levity of wing;Where were ye, SYLPHS! when on the ethereal main
Young ROSIERE launch'd, and call'd your aid in vain?
Fair mounts the light balloon, by Zephyr driven,
Parts the thin clouds, and sails along the heaven;
Higher and yet higher the expanding bubble flies,
Lights with quick flash, and bursts amid the skies.Headlong He rushes through the affrighted air
13
With limbs distorted, and dishevel'd hair,
Whirls round and round, the flying croud alarms,
And DEATH receives him in his sable arms!So erst with melting wax and loosen'd strings
Sunk hapless ICARUS on unfaithful wings;
His scatter'd plumage danced upon the wave,
And sorrowing Mermaids deck'd his watery grave;
O'er his pale corse their pearly sea-flowers shed,
And strew'd with crimson moss his marble bed;
Struck in their coral towers the pausing bell,
And wide in ocean toll'd his echoing knell.
V. 'SYLPHS! YOU, retiring to sequester'd bowers,
Where oft your PRIESTLEY woos your airy powers,
On noiseless step or quivering pinion glide,
As sits the Sage with Science by his side;
To his charm'd eye in gay undress appear,
Or pour your secrets on his raptured ear.
How nitrous Gas from iron ingots driven
Drinks with red lips the purest breath of heaven;
How, while Conferva from its tender hair
Gives in bright bubbles empyrean air;
The crystal floods phlogistic ores calcine,
And the pure ETHER marries with the MINE.
'So in Sicilia's ever-blooming shade
When playful PROSERPINE from CERES stray'd,
Led with unwary step her virgin trains
O'er Etna's steeps, and Enna's golden plains;
Pluck'd with fair hand the silver-blossom'd bower,
And purpled mead,-herself a fairer flower;
Sudden, unseen amid the twilight glade,
Rush'd gloomy DIS, and seized the trembling maid.Her starting damsels sprung from mossy seats,
Dropp'd from their gauzy laps the gather'd sweets,
Clung round the struggling Nymph, with piercing cries,
Pursued the chariot, and invoked the skies;Pleased as he grasps her in his iron arms,
Frights with soft sighs, with tender words alarms,
The wheels descending roll'd in smoky rings,
Infernal Cupids flapp'd their demon wings;
Earth with deep yawn received the Fair, amaz'd,
And far in Night celestial Beauty blaz'd.
14
VI. 'Led by the Sage, Lo! Britain's sons shall guide
Huge SEA-BALLOONS beneath the tossing tide;
The diving castles, roof'd with spheric glass,
Ribb'd with strong oak, and barr'd with bolts of brass,
Buoy'd with pure air shall endless tracks pursue,
And PRIESTLEY'S hand the vital flood renew.Then shall BRITANNIA rule the wealthy realms,
Which Ocean's wide insatiate wave o'erwhelms;
Confine in netted bowers his scaly flocks,
Part his blue plains, and people all his rocks.
Deep, in warm waves beneath the Line that roll,
Beneath the shadowy ice-isles of the Pole,
Onward, through bright meandering vales, afar,
Obedient Sharks shall trail her sceptred car,
With harness'd necks the pearly flood disturb,
Stretch the silk rein, and champ the silver curb;
Pleased round her triumph wondering Tritons play,
And Seamaids hail her on the watery way.
-Oft shall she weep beneath the crystal waves
O'er shipwreck'd lovers weltering in their graves;
Mingling in death the Brave and Good behold
With slaves to glory, and with slaves to gold;
Shrin'd in the deep shall DAY and SPALDING mourn,
Each in his treacherous bell, sepulchral urn!Oft o'er thy lovely daughters, hapless PIERCE!
Her sighs shall breathe, her sorrows dew their hearse.With brow upturn'd to Heaven, 'WE WILL NOT PART!'
He cried, and clasp'd them to his aching heart,-Dash'd in dread conflict on the rocky grounds,
Crash the mock'd masts, the staggering wreck rebounds;
Through gaping seams the rushing deluge swims,
Chills their pale bosoms, bathes their shuddering limbs,
Climbs their white shoulders, buoys their streaming hair,
And the last sea-shriek bellows in the air.Each with loud sobs her tender sire caress'd,
And gasping strain'd him closer to her breast!-Stretch'd on one bier they sleep beneath the brine,
And their white bones with ivory arms intwine!
'VII. SYLPHS OF NICE EAR! with beating wings you guide
The fine vibrations of the aerial tide;
15
Join in sweet cadences the measured words,
Or stretch and modulate the trembling cords.
You strung to melody the Grecian lyre,
Breathed the rapt song, and fan'd the thought of fire,
Or brought in combinations, deep and clear,
Immortal harmony to HANDEL'S ear.YOU with soft breath attune the vernal gale,
When breezy evening broods the listening vale;
Or wake the loud tumultuous sounds, that dwell
In Echo's many-toned diurnal shell.
YOU melt in dulcet chords, when Zephyr rings
The Eolian Harp, and mingle all its strings;
Or trill in air the soft symphonious chime,
When rapt CECILIA lifts her eye sublime,
Swell, as she breathes, her bosoms rising snow,
O'er her white teeth in tuneful accents slow,
Through her fair lips on whispering pinions move,
And form the tender sighs, that kindle love!
'So playful LOVE on Ida's flowery sides
With ribbon-rein the indignant Lion guides;
Pleased on his brinded back the lyre he rings,
And shakes delirious rapture from the strings;
Slow as the pausing Monarch stalks along,
Sheaths his retractile claws, and drinks the song;
Soft Nymphs on timid step the triumph view,
And listening Fawns with beating hoofs pursue;
With pointed ears the alarmed forest starts,
And Love and Music soften savage hearts.
VIII. 'SYLPHS! YOUR bold hosts, when Heaven with justice dread
Calls the red tempest round the guilty head,
Fierce at his nod assume vindictive forms,
And launch from airy cars the vollied storms.From Ashur's vales when proud SENACHERIB trod,
Pour'd his swoln heart, defied the living GOD,
Urged with incessant shouts his glittering powers;
And JUDAH shook through all her massy towers;
Round her sad altars press'd the prostrate crowd,
Hosts beat their breasts, and suppliant chieftains bow'd;
Loud shrieks of matrons thrill'd the troubled air,
And trembling virgins rent their scatter'd hair;
High in the midst the kneeling King adored,
16
Spread the blaspheming scroll before the Lord,
Raised his pale hands, and breathed his pausing sighs,
And fixed on Heaven his dim imploring eyes,'Oh! MIGHTY GOD! amidst thy Seraph-throng
'Who sit'st sublime, the Judge of Right and Wrong;
'Thine the wide earth, bright sun, and starry zone,
'That twinkling journey round thy golden throne;
'Thine is the crystal source of life and light,
'And thine the realms of Death's eternal night.
'Oh, bend thine ear, thy gracious eye incline,
'Lo! Ashur's King blasphemes thy holy shrine,
'Insults our offerings, and derides our vows,-'Oh! strike the diadem from his impious brows,
'Tear from his murderous hand the bloody rod,
'And teach the trembling nations, 'THOU ART GOD!'-SYLPHS! in what dread array with pennons broad
Onward ye floated o'er the ethereal road,
Call'd each dank steam the reeking marsh exhales,
Contagious vapours, and volcanic gales,
Gave the soft South with poisonous breath to blow,
And rolled the dreadful whirlwind on the foe!Hark! o'er the camp the venom'd tempest sings,
Man falls on Man, on buckler buckler rings;
Groan answers groan, to anguish anguish yields,
And DEATH'S loud accents shake the tented fields!
-High rears the Fiend his grinning jaws, and wide
Spans the pale nations with colossal stride,
Waves his broad falchion with uplifted hand,
And his vast shadow darkens all the land.
IX. 1. 'Ethereal cohorts! Essences of Air!
Make the green children of the Spring your care!
Oh, SYLPHS! disclose in this inquiring age
One GOLDEN SECRET to some favour'd sage;
Grant the charm'd talisman, the chain, that binds,
Or guides the changeful pinions of the winds!
-No more shall hoary Boreas, issuing forth
With Eurus, lead the tempests of the North;
Rime the pale Dawn, or veil'd in flaky showers
Chill the sweet bosoms of the smiling Hours.
By whispering Auster waked shall Zephyr rise,
Meet with soft kiss, and mingle in the skies,
17
Fan the gay floret, bend the yellow ear,
And rock the uncurtain'd cradle of the year;
Autumn and Spring in lively union blend,
And from the skies the Golden Age descend.
2. 'Castled on ice, beneath the circling Bear,
A vast CAMELION spits and swallows air;
O'er twelve degrees his ribs gigantic bend,
And many a league his leathern jaws extend;
Half-fish, beneath, his scaly volutes spread,
And vegetable plumage crests his head;
Huge fields of air his wrinkled skin receives,
From panting gills, wide lungs, and waving leaves;
Then with dread throes subsides his bloated form,
His shriek the thunder, and his sigh the storm.
Oft high in heaven the hissing Demon wins
His towering course, upborne on winnowing fins;
Steers with expanded eye and gaping mouth,
His mass enormous to the affrighted South;
Spreads o'er the shuddering Line his shadowy limbs,
And Frost and Famine follow as he swims.SYLPHS! round his cloud-built couch your bands array,
And mould the Monster to your gentle sway;
Charm with soft tones, with tender touches check,
Bend to your golden yoke his willing neck,
With silver curb his yielding teeth restrain,
And give to KIRWAN'S hand the silken rein.
-Pleased shall the Sage, the dragon-wings between,
Bend o'er discordant climes his eye serene,
With Lapland breezes cool Arabian vales,
And call to Hindostan antarctic gales,
Adorn with wreathed ears Kampschatca's brows,
And scatter roses on Zealandic snows,
Earth's wondering Zones the genial seasons share,
And nations hail him 'MONARCH OF THE AIR.'
X. 1. 'SYLPHS! as you hover on ethereal wing,
Brood the green children of parturient Spring!Where in their bursting cells my Embryons rest,
I charge you guard the vegetable nest;
Count with nice eye the myriad SEEDS, that swell
Each vaulted womb of husk, or pod, or shell;
Feed with sweet juices, clothe with downy hair,
18
Or hang, inshrined, their little orbs in air.
'So, late descry'd by HERSCHEL'S piercing sight,
Hang the bright squadrons of the twinkling Night;
Ten thousand marshall'd stars, a silver zone,
Effuse their blended lustres round her throne;
Suns call to suns, in lucid clouds conspire,
And light exterior skies with golden fire;
Resistless rolls the illimitable sphere,
And one great circle forms the unmeasured year.
-Roll on, YE STARS! exult in youthful prime,
Mark with bright curves the printless steps of Time;
Near and more near your beamy cars approach,
And lessening orbs on lessening orbs encroach;Flowers of the sky! ye too to age must yield,
Frail as your silken sisters of the field!
Star after star from Heaven's high arch shall rush,
Suns sink on suns, and systems systems crush,
Headlong, extinct, to one dark centre fall,
And Death and Night and Chaos mingle all!
-Till o'er the wreck, emerging from the storm,
Immortal NATURE lifts her changeful form,
Mounts from her funeral pyre on wings of flame,
And soars and shines, another and the same.
2. 'Lo! on each SEED within its slender rind
Life's golden threads in endless circles wind;
Maze within maze the lucid webs are roll'd,
And, as they burst, the living flame unfold.
The pulpy acorn, ere it swells, contains
The Oak's vast branches in its milky veins;
Each ravel'd bud, fine film, and fibre-line
Traced with nice pencil on the small design.
The young Narcissus, in it's bulb compress'd,
Cradles a second nestling on its breast;
In whose fine arms a younger embryon lies,
Folds its thin leaves, and shuts its floret-eyes;
Grain within grain successive harvests dwell,
And boundless forests slumber in a shell.
-So yon grey precipice, and ivy'd towers,
Long winding meads, and intermingled bowers,
Green files of poplars, o'er the lake that bow,
And glimmering wheel, which rolls and foams below,
In one bright point with nice distinction lie
19
Plan'd on the moving tablet of the eye.
-So, fold on fold, Earth's wavy plains extend,
And, sphere in sphere, its hidden strata bend;Incumbent Spring her beamy plumes expands
O'er restless oceans, and impatient lands,
With genial lustres warms the mighty ball,
And the GREAT SEED evolves, disclosing ALL;
LIFE
buds
or
breathes
from Indus to the Poles,
And the vast surface kindles, as it rolls!
3. 'Come, YE SOFT SYLPHS! who sport on Latian land,
Come, sweet-lip'd Zephyr, and Favonius bland!
Teach the fine SEED, instinct with life, to shoot
On Earth's cold bosom its descending root;
With Pith elastic stretch its rising stem,
Part the twin Lobes, expand the throbbing Gem;
Clasp in your airy arms the aspiring Plume,
Fan with your balmy breath its kindling bloom,
Each widening scale and bursting film unfold,
Swell the green cup, and tint the flower with gold;
While in bright veins the silvery Sap ascends,
And refluent blood in milky eddies bends;
While, spread in air, the leaves respiring play,
Or drink the golden quintessence of day.
-So from his shell on Delta's shower-less isle
Bursts into life the Monster of the Nile;
First in translucent lymph with cobweb-threads
The Brain's fine floating tissue swells, and spreads;
Nerve after nerve the glistening spine descends,
The red Heart dances, the Aorta bends;
Through each new gland the purple current glides,
New veins meandering drink the refluent tides;
Edge over edge expands the hardening scale,
And sheaths his slimy skin in silver mail.
-Erewhile, emerging from the brooding sand,
With Tyger-paw He prints the brineless strand,
High on the flood with speckled bosom swims,
Helm'd with broad tail, and oar'd with giant limbs;
Rolls his fierce eye-balls, clasps his iron claws,
20
And champs with gnashing teeth his massy jaws;
Old Nilus sighs along his cane-crown'd shores,
And swarthy Memphis trembles and adores.
XI. 'Come, YE SOFT SYLPHS! who fan the Paphian groves,
And bear on sportive wings the callow Loves;
Call with sweet whisper, in each gale that blows,
The slumbering Snow-drop from her long repose;
Charm the pale Primrose from her clay-cold bed,
Unveil the bashful Violet's tremulous head;
While from her bud the playful Tulip breaks,
And young Carnations peep with blushing cheeks;
Bid the closed
Petals
from nocturnal cold
The virgin
Style
in silken curtains fold,
Shake into viewless air the morning dews,
And wave in light their iridescent hues;
While from on high the bursting
Anthers
trust
To the mild breezes their prolific dust;
Or bend in rapture o'er the central Fair,
Love out their hour, and leave their lives in air.
So in his silken sepulchre the Worm,
Warm'd with new life, unfolds his larva-form;
Erewhile aloft in wanton circles moves,
And woos on Hymen-wings his velvet loves.
XII. 1. 'If prouder branches with exuberance rude
Point their green gems, their barren shoots protrude;
Wound them, ye SYLPHS! with little knives, or bind
A wiry ringlet round the swelling rind;
Bisect with chissel fine the root below,
Or bend to earth the inhospitable bough.
So shall each germ with new prolific power
Delay the leaf-bud, and expand the flower;
Closed in the
Style
the tender pith shall end,
21
The lengthening Wood in circling
Stamens
bend;
The smoother Rind its soft embroidery spread
In vaulted
Petals
o'er their fertile bed;
While the rough Bark, in circling mazes roll'd,
Forms the green
Cup
with many a wrinkled fold;
And each small bud-scale spreads its foliage hard,
Firm round the callow germ, a
Floral Guard
2. 'Where cruder juices swell the leafy vein,
Stint the young germ, the tender blossom stain;
On each lop'd shoot a softer scion bind,
Pith press'd to pith, and rind applied to rind,
So shall the trunk with loftier crest ascend,
And wide in air its happier arms extend;
Nurse the new buds, admire the leaves unknown,
And blushing bend with fruitage not its own.
'Thus when in holy triumph Aaron trod,
And offer'd on the shrine his mystic rod;
First a new bark its silken tissue weaves,
New buds emerging widen into leaves;
Fair fruits protrude, enascent flowers expand,
And blush and tremble round the living wand.
XIII. 1. 'SYLPHS! on each Oak-bud wound the wormy galls,
With pigmy spears, or crush the venom'd balls;
Fright the green Locust from his foamy bed,
Unweave the Caterpillar's gluey thread;
Chase the fierce Earwig, scare the bloated Toad,
Arrest the snail upon his slimy road;
Arm with sharp thorns the Sweet-brier's tender wood,
And dash the Cynips from her damask bud;
Steep in ambrosial dews the Woodbine's bells,
And drive the Night-moth from her honey'd cells.
So where the Humming-bird in Chili's bowers
On murmuring pinions robs the pendent flowers;
22
Seeks, where fine pores their dulcet balm distill,
And sucks the treasure with proboscis-bill;
Fair CYPREPEDIA with successful guile
Knits her smooth brow, extinguishes her smile;
A Spiders bloated paunch and jointed arms
Hide her fine form, and mask her blushing charms;
In ambush sly the mimic warrior lies,
And on quick wing the panting plunderer flies.
2. 'Shield the young Harvest from devouring blight,
The Smut's dark poison, and the Mildew white;
Deep-rooted Mould, and Ergot's horn uncouth,
And break the Canker's desolating tooth.
First in one point the festering wound confin'd
Mines unperceived beneath the shrivel'd rin'd;
Then climbs the branches with increasing strength,
Spreads as they spread, and lengthens with their length;
-Thus the slight wound ingraved on glass unneal'd
Runs in white lines along the lucid field;
Crack follows crack, to laws elastic just,
And the frail fabric shivers into dust.
XIV. 1. 'SYLPHS! if with morn destructive Eurus springs,
O, clasp the Harebel with your velvet wings;
Screen with thick leaves the Jasmine as it blows,
And shake the white rime from the shuddering Rose;
Whilst Amaryllis turns with graceful ease
Her blushing beauties, and eludes the breeze.SYLPHS! if at noon the Fritillary droops,
With drops nectareous hang her nodding cups;
Thin clouds of Gossamer in air display,
And hide the vale's chaste Lily from the ray;
Whilst Erythrina o'er her tender flower
Bends all her leaves, and braves the sultry hour;Shield, when cold Hesper sheds his dewy light,
Mimosa's soft sensations from the night;
Fold her thin foilage, close her timid flowers,
And with ambrosial slumbers guard her bowers;
O'er each warm wall while Cerea flings her arms,
And wastes on night's dull eye a blaze of charms.
2. Round her tall Elm with dewy fingers twine
The gadding tendrils of the adventurous Vine;
From arm to arm in gay festoons suspend
23
Her fragrant flowers, her graceful foliage bend;
Swell with sweet juice her vermil orbs, and feed
Shrined in transparent pulp her pearly seed;
Hang round the Orange all her silver bells,
And guard her fragrance with Hesperian spells;
Bud after bud her polish'd leaves unfold,
And load her branches with successive gold.
So the learn'd Alchemist exulting sees
Rise in his bright matrass DIANA'S trees;
Drop after drop, with just delay he pours
The red-fumed acid on Potosi's ores;
With sudden flash the fierce bullitions rise,
And wide in air the gas phlogistic flies;
Slow shoot, at length, in many a brilliant mass
Metallic roots across the netted glass;
Branch after branch extend their silver stems,
Bud into gold, and blossoms into gems.
So sits enthron'd in vegetable pride
Imperial KEW by Thames's glittering side;
Obedient sails from realms unfurrow'd bring
For her the unnam'd progeny of spring;
Attendant Nymphs her dulcet mandates hear,
And nurse in fostering arms the tender year,
Plant the young bulb, inhume the living seed,
Prop the weak stem, the erring tendril lead;
Or fan in glass-built fanes the stranger flowers
With milder gales, and steep with warmer showers.
Delighted Thames through tropic umbrage glides,
And flowers antarctic, bending o'er his tides;
Drinks the new tints, the sweets unknown inhales,
And calls the sons of science to his vales.
In one bright point admiring Nature eyes
The fruits and foliage of discordant skies,
Twines the gay floret with the fragrant bough,
And bends the wreath round GEORGE'S royal brow.
-Sometimes retiring, from the public weal
One tranquil hour the ROYAL PARTNERS steal;
Through glades exotic pass with step sublime,
Or mark the growths of Britain's happier clime;
With beauty blossom'd, and with virtue blaz'd,
Mark the fair Scions, that themselves have rais'd;
Sweet blooms the Rose, the towering Oak expands,
24
The Grace and Guard of Britain's golden lands.
XV. SYLPHS! who, round earth on purple pinions borne,
Attend the radiant chariot of the morn;
Lead the gay hours along the ethereal hight,
And on each dun meridian shower the light;
SYLPHS! who from realms of equatorial day
To climes, that shudder in the polar ray,
From zone to zone pursue on shifting wing,
The bright perennial journey of the spring;
Bring my rich Balms from Mecca's hallow'd glades,
Sweet flowers, that glitter in Arabia's shades;
Fruits, whose fair forms in bright succession glow
Gilding the Banks of Arno, or of Po;
Each leaf, whose fragrant steam with ruby lip
Gay China's nymphs from pictur'd vases sip;
Each spicy rind, which sultry India boasts,
Scenting the night-air round her breezy coasts;
Roots whose bold stems in bleak Siberia blow,
And gem with many a tint the eternal snow;
Barks, whose broad umbrage high in ether waves
O'er Ande's steeps, and hides his golden caves;
-And, where yon oak extends his dusky shoots
Wide o'er the rill, that bubbles from his roots;
Beneath whose arms, protected from the storm
A turf-built altar rears it's rustic form;
SYLPHS! with religious hands fresh garlands twine,
And deck with lavish pomp HYGEIA'S shrine.
'Call with loud voice the Sisterhood, that dwell
On floating cloud, wide wave, or bubbling well;
Stamp with charm'd foot, convoke the alarmed Gnomes
From golden beds, and adamantine domes;
Each from her sphere with beckoning arm invite,
Curl'd with red flame, the Vestal Forms of light.
Close all your spotted wings, in lucid ranks
Press with your bending knees the crowded banks,
Cross your meek arms, incline your wreathed brows,
And win the Goddess with unwearied vows.
'Oh, wave, HYGEIA! o'er BRITANNIA'S throne
Thy serpent-wand, and mark it for thy own;
Lead round her breezy coasts thy guardian trains,
Her nodding forests, and her waving plains;
25
Shed o'er her peopled realms thy beamy smile,
And with thy airy temple crown her isle!'
The GODDESS ceased,-and calling from afar
The wandering Zephyrs, joins them to her car;
Mounts with light bound, and graceful, as she bends,
Whirls the long lash, the flexile rein extends;
On whispering wheels the silver axle slides,
Climbs into air, and cleaves the crystal tides;
Burst from its pearly chains, her amber hair
Streams o'er her ivory shoulders, buoy'd in air;
Swells her white veil, with ruby clasp confined
Round her fair brow, and undulates behind;
The lessening coursers rise in spiral rings,
Pierce the slow-sailing clouds, and stretch their shadowy wings.
~ Erasmus Darwin,#NFDB
655:TO MARY
(ON HER OBJECTING TO THE FOLLOWING POEM, UPON THE SCORE OF ITS CONTAINING NO HUMAN INTEREST)
I.
How, my dear Mary, -- are you critic-bitten
(For vipers kill, though dead) by some review,
That you condemn these verses I have written,
Because they tell no story, false or true?
What, though no mice are caught by a young kitten,
May it not leap and play as grown cats do,
Till its claws come? Prithee, for this one time,
Content thee with a visionary rhyme.
II.
What hand would crush the silken-wingd fly,
The youngest of inconstant April's minions,
Because it cannot climb the purest sky,
Where the swan sings, amid the sun's dominions?
Not thine. Thou knowest 'tis its doom to die,
When Day shall hide within her twilight pinions
The lucent eyes, and the eternal smile,
Serene as thine, which lent it life awhile.
III.
To thy fair feet a wingd Vision came,
Whose date should have been longer than a day,
And o'er thy head did beat its wings for fame,
And in thy sight its fading plumes display;
The watery bow burned in the evening flame,
But the shower fell, the swift Sun went his way
And that is dead.O, let me not believe
That anything of mine is fit to live!
IV.
Wordsworth informs us he was nineteen years
Considering and retouching Peter Bell;
Watering his laurels with the killing tears
Of slow, dull care, so that their roots to Hell
Might pierce, and their wide branches blot the spheres
Of Heaven, with dewy leaves and flowers; this well
May be, for Heaven and Earth conspire to foil
The over-busy gardener's blundering toil.
V.
My Witch indeed is not so sweet a creature
As Ruth or Lucy, whom his graceful praise
Clothes for our grandsonsbut she matches Peter,
Though he took nineteen years, and she three days
In dressing. Light the vest of flowing metre
She wears; he, proud as dandy with his stays,
Has hung upon his wiry limbs a dress
Like King Lear's 'looped and windowed raggedness.'
VI.
If you strip Peter, you will see a fellow
Scorched by Hell's hyperequatorial climate
Into a kind of a sulphureous yellow:
A lean mark, hardly fit to fling a rhyme at;
In shape a Scaramouch, in hue Othello.
If you unveil my Witch, no priest nor primate
Can shrive you of that sin, -- if sin there be
In love, when it becomes idolatry.
THE WITCH OF ATLAS.
I.
Before those cruel Twins, whom at one birth
Incestuous Change bore to her father Time,
Error and Truth, had hunted from the Earth
All those bright natures which adorned its prime,
And left us nothing to believe in, worth
The pains of putting into learnd rhyme,
A lady-witch there lived on Atlas' mountain
Within a cavern, by a secret fountain.
II.
Her mother was one of the Atlantides:
The all-beholding Sun had ne'er beholden
In his wide voyage o'er continents and seas
So fair a creature, as she lay enfolden
In the warm shadow of her loveliness;--
He kissed her with his beams, and made all golden
The chamber of gray rock in which she lay--
She, in that dream of joy, dissolved away.
III.
'Tis said, she first was changed into a vapour,
And then into a cloud, such clouds as flit,
Like splendour-wingd moths about a taper,
Round the red west when the sun dies in it:
And then into a meteor, such as caper
On hill-tops when the moon is in a fit:
Then, into one of those mysterious stars
Which hide themselves between the Earth and Mars.
IV.
Ten times the Mother of the Months had bent
Her bow beside the folding-star, and bidden
With that bright sign the billows to indent
The sea-deserted sand -- like children chidden,
At her command they ever came and went--
Since in that cave a dewy splendour hidden
Took shape and motion: with the living form
Of this embodied Power, the cave grew warm.
V.
A lovely lady garmented in light
From her own beauty -- deep her eyes, as are
Two openings of unfathomable night
Seen through a Temple's cloven roof -- her hair
Darkthe dim brain whirls dizzy with delight,
Picturing her form; her soft smiles shone afar,
And her low voice was heard like love, and drew
All living things towards this wonder new.
VI.
And first the spotted cameleopard came,
And then the wise and fearless elephant;
Then the sly serpent, in the golden flame
Of his own volumes intervolved -- all gaunt
And sanguine beasts her gentle looks made tame.
They drank before her at her sacred fount;
And every beast of beating heart grew bold,
Such gentleness and power even to behold.
VII.
The brinded lioness led forth her young,
That she might teach them how they should forego
Their inborn thirst of death; the pard unstrung
His sinews at her feet, and sought to know
With looks whose motions spoke without a tongue
How he might be as gentle as the doe.
The magic circle of her voice and eyes
All savage natures did imparadise.
VIII.
And old Silenus, shaking a green stick
Of lilies, and the wood-gods in a crew
Came, blithe, as in the olive copses thick
Cicadae are, drunk with the noonday dew:
And Dryope and Faunus followed quick,
Teasing the God to sing them something new;
Till in this cave they found the lady lone,
Sitting upon a seat of emerald stone.
IX.
And universal Pan, 'tis said, was there,
And though none saw him,through the adamant
Of the deep mountains, through the trackless air,
And through those living spirits, like a want,
He passed out of his everlasting lair
Where the quick heart of the great world doth pant,
And felt that wondrous lady all alone,
And she felt him, upon her emerald throne.
X.
And every nymph of stream and spreading tree,
And every shepherdess of Ocean's flocks,
Who drives her white waves over the green sea,
And Ocean with the brine on his gray locks,
And quaint Priapus with his company,
All came, much wondering how the enwombd rocks
Could have brought forth so beautiful a birth;
Her love subdued their wonder and their mirth.
XI.
The herdsmen and the mountain maidens came,
And the rude kings of pastoral Garamant
Their spirits shook within them, as a flame
Stirred by the air under a cavern gaunt:
Pigmies, and Polyphemes, by many a name,
Centaurs, and Satyrs, and such shapes as haunt
Wet clefts,and lumps neither alive nor dead,
Dog-headed, bosom-eyed, and bird-footed.
XII.
For she was beautifulher beauty made
The bright world dim, and everything beside
Seemed like the fleeting image of a shade:
No thought of living spirit could abide,
Which to her looks had ever been betrayed,
On any object in the world so wide,
On any hope within the circling skies,
But on her form, and in her inmost eyes.
XIII.
Which when the lady knew, she took her spindle
And twined three threads of fleecy mist, and three
Long lines of light, such as the dawn may kindle
The clouds and waves and mountains with; and she
As many star-beams, ere their lamps could dwindle
In the belated moon, wound skilfully;
And with these threads a subtle veil she wove
A shadow for the splendour of her love.
XIV.
The deep recesses of her odorous dwelling
Were stored with magic treasuressounds of air,
Which had the power all spirits of compelling,
Folded in cells of crystal silence there;
Such as we hear in youth, and think the feeling
Will never dieyet ere we are aware,
The feeling and the sound are fled and gone,
And the regret they leave remains alone.
XV.
And there lay Visions swift, and sweet, and quaint,
Each in its thin sheath, like a chrysalis,
Some eager to burst forth, some weak and faint
With the soft burthen of intensest bliss
It was its work to bear to many a saint
Whose heart adores the shrine which holiest is,
Even Love's -- and others white, green, gray, and black,
And of all shapesand each was at her beck.
XVI.
And odours in a kind of aviary
Of ever-blooming Eden-trees she kept,
Clipped in a floating net, a love-sick Fairy
Had woven from dew-beams while the moon yet slept;
As bats at the wired window of a dairy.
They beat their vans; and each was an adept,
When loosed and missioned, making wings of winds,
To stir sweet thoughts or sad, in destined minds.
XVII.
And liquors clear and sweet, whose healthful might
Could medicine the sick soul to happy sleep,
And change eternal death into a night
Of glorious dreamsor if eyes needs must weep,
Could make their tears all wonder and delight,
She in her crystal vials did closely keep:
If men could drink of those clear vials, 'tis said
The living were not envied of the dead.
XVIII.
Her cave was stored with scrolls of strange device,
The works of some Saturnian Archimage,
Which taught the expiations at whose price
Men from the Gods might win that happy age
Too lightly lost, redeeming native vice;
And which might quench the Earth-consuming rage
Of gold and bloodtill men should live and move
Harmonious as the sacred stars above;
XIX.
And how all things that seem untameable,
Not to be checked and not to be confined,
Obey the spells of Wisdom's wizard skill;
Time, earth, and firethe ocean and the wind,
And all their shapes -- and man's imperial will;
And other scrolls whose writings did unbind
The inmost lore of Lovelet the profane
Tremble to ask what secrets they contain.
XX.
And wondrous works of substances unknown,
To which the enchantment of her father's power
Had changed those ragged blocks of savage stone,
Were heaped in the recesses of her bower;
Carved lamps and chalices, and vials which shone
In their own golden beams -- each like a flower,
Out of whose depth a fire-fly shakes his light
Under a cypress in a starless night.
XXI.
At first she lived alone in this wild home,
And her own thoughts were each a minister,
Clothing themselves, or with the ocean foam,
Or with the wind, or with the speed of fire,
To work whatever purposes might come
Into her mind; such power her mighty Sire
Had girt them with, whether to fly or run,
Through all the regions which he shines upon.
XXII.
The Ocean-nymphs and Hamadryades,
Oreads and Naiads, with long weedy locks,
Offered to do her bidding through the seas,
Under the earth, and in the hollow rocks,
And far beneath the matted roots of trees,
And in the gnarld heart of stubborn oaks,
So they might live for ever in the light
Of her sweet presence -- each a satellite.
XXIII.
'This may not be,' the wizard maid replied;
'The fountains where the Naiades bedew
Their shining hair, at length are drained and dried;
The solid oaks forget their strength, and strew
Their latest leaf upon the mountains wide;
The boundless ocean like a drop of dew
Will be consumedthe stubborn centre must
Be scattered, like a cloud of summer dust.
XXIV.
'And ye with them will perish, one by one;
If I must sigh to think that this shall be,
If I must weep when the surviving Sun
Shall smile on your decay -- oh, ask not me
To love you till your little race is run;
I cannot die as ye must -- over me
Your leaves shall glance -- the streams in which ye dwell
Shall be my paths henceforth, and so -- farewell!'--
XXV.
She spoke and wept:the dark and azure well
Sparkled beneath the shower of her bright tears,
And every little circlet where they fell
Flung to the cavern-roof inconstant spheres
And intertangled lines of light:a knell
Of sobbing voices came upon her ears
From those departing Forms, o'er the serene
Of the white streams and of the forest green.
XXVI.
All day the wizard lady sate aloof,
Spelling out scrolls of dread antiquity,
Under the cavern's fountain-lighted roof;
Or broidering the pictured poesy
Of some high tale upon her growing woof,
Which the sweet splendour of her smiles could dye
In hues outshining heavenand ever she
Added some grace to the wrought poesy.
XXVII.
While on her hearth lay blazing many a piece
Of sandal wood, rare gums, and cinnamon;
Men scarcely know how beautiful fire is
Each flame of it is as a precious stone
Dissolved in ever-moving light, and this
Belongs to each and all who gaze upon.
The Witch beheld it not, for in her hand
She held a woof that dimmed the burning brand.
XXVIII.
This lady never slept, but lay in trance
All night within the fountain -- as in sleep.
Its emerald crags glowed in her beauty's glance;
Through the green splendour of the water deep
She saw the constellations reel and dance
Like fire-flies -- and withal did ever keep
The tenour of her contemplations calm,
With open eyes, closed feet, and folded palm.
XXIX.
And when the whirlwinds and the clouds descended
From the white pinnacles of that cold hill,
She passed at dewfall to a space extended,
Where in a lawn of flowering asphodel
Amid a wood of pines and cedars blended,
There yawned an inextinguishable well
Of crimson firefull even to the brim,
And overflowing all the margin trim.
XXX.
Within the which she lay when the fierce war
Of wintry winds shook that innocuous liquor
In many a mimic moon and bearded star
O'er woods and lawns -- the serpent heard it flicker
In sleep, and dreaming still, he crept afar--
And when the windless snow descended thicker
Than autumn leaves, she watched it as it came
Melt on the surface of the level flame.
XXXI.
She had a boat, which some say Vulcan wrought
For Venus, as the chariot of her star;
But it was found too feeble to be fraught
With all the ardours in that sphere which are,
And so she sold it, and Apollo bought
And gave it to this daughter: from a car
Changed to the fairest and the lightest boat
Which ever upon mortal stream did float.
XXXII.
And others say, that, when but three hours old,
The first-born Love out of his cradle lept,
And clove dun Chaos with his wings of gold,
And like an horticultural adept,
Stole a strange seed, and wrapped it up in mould,
And sowed it in his mother's star, and kept
Watering it all the summer with sweet dew,
And with his wings fanning it as it grew.
XXXIII.
The plant grew strong and green, the snowy flower
Fell, and the long and gourd-like fruit began
To turn the light and dew by inward power
To its own substance; woven tracery ran
Of light firm texture, ribbed and branching, o'er
The solid rind, like a leaf's veind fan--
Of which Love scooped this boat -- and with soft motion
Piloted it round the circumfluous ocean.
XXXIV.
This boat she moored upon her fount, and lit
A living spirit within all its frame,
Breathing the soul of swiftness into it.
Couched on the fountain like a panther tame,
One of the twain at Evan's feet that sit--
Or as on Vesta's sceptre a swift flame--
Or on blind Homer's heart a wingd thought,--
In joyous expectation lay the boat.
XXXV.
Then by strange art she kneaded fire and snow
Together, tempering the repugnant mass
With liquid love -- all things together grow
Through which the harmony of love can pass;
And a fair Shape out of her hands did flow--
A living Image, which did far surpass
In beauty that bright shape of vital stone
Which drew the heart out of Pygmalion.
XXXVI.
A sexless thing it was, and in its growth
It seemed to have developed no defect
Of either sex, yet all the grace of both,--
In gentleness and strength its limbs were decked;
The bosom swelled lightly with its full youth,
The countenance was such as might select
Some artist that his skill should never die,
Imaging forth such perfect purity.
XXXVII.
From its smooth shoulders hung two rapid wings,
Fit to have borne it to the seventh sphere,
Tipped with the speed of liquid lightenings,
Dyed in the ardours of the atmosphere:
She led her creature to the boiling springs
Where the light boat was moored, and said: 'Sit here!'
And pointed to the prow, and took her seat
Beside the rudder, with opposing feet.
XXXVIII.
And down the streams which clove those mountains vast,
Around their inland islets, and amid
The panther-peopled forests, whose shade cast
Darkness and odours, and a pleasure hid
In melancholy gloom, the pinnace passed;
By many a star-surrounded pyramid
Of icy crag cleaving the purple sky,
And caverns yawning round unfathomably.
XXXIX.
The silver noon into that winding dell,
With slanted gleam athwart the forest tops,
Tempered like golden evening, feebly fell;
A green and glowing light, like that which drops
From folded lilies in which glow-worms dwell,
When Earth over her face Night's mantle wraps;
Between the severed mountains lay on high,
Over the stream, a narrow rift of sky.
XL.
And ever as she went, the Image lay
With folded wings and unawakened eyes;
And o'er its gentle countenance did play
The busy dreams, as thick as summer flies,
Chasing the rapid smiles that would not stay,
And drinking the warm tears, and the sweet sighs
Inhaling, which, with busy murmur vain,
They had aroused from that full heart and brain.
XLI.
And ever down the prone vale, like a cloud
Upon a stream of wind, the pinnace went:
Now lingering on the pools, in which abode
The calm and darkness of the deep content
In which they paused; now o'er the shallow road
Of white and dancing waters, all besprent
With sand and polished pebbles:mortal boat
In such a shallow rapid could not float.
XLII.
And down the earthquaking cataracts which shiver
Their snow-like waters into golden air,
Or under chasms unfathomable ever
Sepulchre them, till in their rage they tear
A subterranean portal for the river,
It fledthe circling sunbows did upbear
Its fall down the hoar precipice of spray,
Lighting it far upon its lampless way.
XLIII.
And when the wizard lady would ascend
The labyrinths of some many-winding vale,
Which to the inmost mountain upward tend
She called 'Hermaphroditus!'and the pale
And heavy hue which slumber could extend
Over its lips and eyes, as on the gale
A rapid shadow from a slope of grass,
Into the darkness of the stream did pass.
XLIV.
And it unfurled its heaven-coloured pinions,
With stars of fire spotting the stream below;
And from above into the Sun's dominions
Flinging a glory, like the golden glow
In which Spring clothes her emerald-wingd minions,
All interwoven with fine feathery snow
And moonlight splendour of intensest rime,
With which frost paints the pines in winter time.
XLV.
And then it winnowed the Elysian air
Which ever hung about that lady bright,
With its aethereal vansand speeding there,
Like a star up the torrent of the night,
Or a swift eagle in the morning glare
Breasting the whirlwind with impetuous flight,
The pinnace, oared by those enchanted wings,
Clove the fierce streams towards their upper springs.
XLVI.
The water flashed, like sunlight by the prow
Of a noon-wandering meteor flung to Heaven;
The still air seemed as if its waves did flow
In tempest down the mountains; loosely driven
The lady's radiant hair streamed to and fro:
Beneath, the billows having vainly striven
Indignant and impetuous, roared to feel
The swift and steady motion of the keel.
XLVII.
Or, when the weary moon was in the wane,
Or in the noon of interlunar night,
The lady-witch in visions could not chain
Her spirit; but sailed forth under the light
Of shooting stars, and bade extend amain
Its storm-outspeeding wings, the Hermaphrodite;
She to the Austral waters took her way,
Beyond the fabulous Thamondocana,
XLVIII.
Where, like a meadow which no scythe has shaven,
Which rain could never bend, or whirl-blast shake,
With the Antarctic constellations paven,
Canopus and his crew, lay the Austral lake
There she would build herself a windless haven
Out of the clouds whose moving turrets make
The bastions of the storm, when through the sky
The spirits of the tempest thundered by:
XLIX.
A haven beneath whose translucent floor
The tremulous stars sparkled unfathomably,
And around which the solid vapours hoar,
Based on the level waters, to the sky
Lifted their dreadful crags, and like a shore
Of wintry mountains, inaccessibly
Hemmed in with rifts and precipices gray,
And hanging crags, many a cove and bay.
L.
And whilst the outer lake beneath the lash
Of the wind's scourge, foamed like a wounded thing,
And the incessant hail with stony clash
Ploughed up the waters, and the flagging wing
Of the roused cormorant in the lightning flash
Looked like the wreck of some wind-wandering
Fragment of inky thunder-smoke -- this haven
Was as a gem to copy Heaven engraven,--
LI.
On which that lady played her many pranks,
Circling the image of a shooting star,
Even as a tiger on Hydaspes' banks
Outspeeds the antelopes which speediest are,
In her light boat; and many quips and cranks
She played upon the water, till the car
Of the late moon, like a sick matron wan,
To journey from the misty east began.
LII.
And then she called out of the hollow turrets
Of those high clouds, white, golden and vermilion,
The armies of her ministering spirits
In mighty legions, million after million,
They came, each troop emblazoning its merits
On meteor flags; and many a proud pavilion
Of the intertexture of the atmosphere
They pitched upon the plain of the calm mere.
LIII.
They framed the imperial tent of their great Queen
Of woven exhalations, underlaid
With lambent lightning-fire, as may be seen
A dome of thin and open ivory inlaid
With crimson silk -- cressets from the serene
Hung there, and on the water for her tread
A tapestry of fleece-like mist was strewn,
Dyed in the beams of the ascending moon.
LIV.
And on a throne o'erlaid with starlight, caught
Upon those wandering isles of ary dew,
Which highest shoals of mountain shipwreck not,
She sate, and heard all that had happened new
Between the earth and moon, since they had brought
The last intelligence -- and now she grew
Pale as that moon, lost in the watery night--
And now she wept, and now she laughed outright.
LV.
These were tame pleasures; she would often climb
The steepest ladder of the crudded rack
Up to some beakd cape of cloud sublime,
And like Arion on the dolphin's back
Ride singing through the shoreless air; -- oft-time
Following the serpent lightning's winding track,
She ran upon the platforms of the wind,
And laughed to hear the fire-balls roar behind.
LVI.
And sometimes to those streams of upper air
Which whirl the earth in its diurnal round,
She would ascend, and win the spirits there
To let her join their chorus. Mortals found
That on those days the sky was calm and fair,
And mystic snatches of harmonious sound
Wandered upon the earth where'er she passed,
And happy thoughts of hope, too sweet to last.
LVII.
But her choice sport was, in the hours of sleep,
To glide adown old Nilus, where he threads
Egypt and Aethiopia, from the steep
Of utmost Axum, until he spreads,
Like a calm flock of silver-fleecd sheep,
His waters on the plain: and crested heads
Of cities and proud temples gleam amid,
And many a vapour-belted pyramid.
LVIII.
By Moeris and the Mareotid lakes,
Strewn with faint blooms like bridal chamber floors,
Where naked boys bridling tame water-snakes,
Or charioteering ghastly alligators,
Had left on the sweet waters mighty wakes
Of those huge forms -- within the brazen doors
Of the great Labyrinth slept both boy and beast,
Tired with the pomp of their Osirian feast.
LIX.
And where within the surface of the river
The shadows of the massy temples lie,
And never are erased -- but tremble ever
Like things which every cloud can doom to die,
Through lotus-paven canals, and wheresoever
The works of man pierced that serenest sky
With tombs, and towers, and fanes, 'twas her delight
To wander in the shadow of the night.
LX.
With motion like the spirit of that wind
Whose soft step deepens slumber, her light feet
Passed through the peopled haunts of humankind,
Scattering sweet visions from her presence sweet,
Through fane, and palace-court, and labyrinth mined
With many a dark and subterranean street
Under the Nile, through chambers high and deep
She passed, observing mortals in their sleep.
LXI.
A pleasure sweet doubtless it was to see
Mortals subdued in all the shapes of sleep.
Here lay two sister twins in infancy;
There, a lone youth who in his dreams did weep;
Within, two lovers linkd innocently
In their loose locks which over both did creep
Like ivy from one stem;and there lay calm
Old age with snow-bright hair and folded palm.
LXII.
But other troubled forms of sleep she saw,
Not to be mirrored in a holy song--
Distortions foul of supernatural awe,
And pale imaginings of visioned wrong;
And all the code of Custom's lawless law
Written upon the brows of old and young:
'This,' said the wizard maiden, 'is the strife
Which stirs the liquid surface of man's life.'
LXIII.
And little did the sight disturb her soul.--
We, the weak mariners of that wide lake
Where'er its shores extend or billows roll,
Our course unpiloted and starless make
O'er its wild surface to an unknown goal:--
But she in the calm depths her way could take,
Where in bright bowers immortal forms abide
Beneath the weltering of the restless tide.
LXIV.
And she saw princes couched under the glow
Of sunlike gems; and round each temple-court
In dormitories ranged, row after row,
She saw the priests asleepall of one sort--
For all were educated to be so.
The peasants in their huts, and in the port
The sailors she saw cradled on the waves,
And the dead lulled within their dreamless graves.
LXV.
And all the forms in which those spirits lay
Were to her sight like the diaphanous
Veils, in which those sweet ladies oft array
Their delicate limbs, who would conceal from us
Only their scorn of all concealment: they
Move in the light of their own beauty thus.
But these and all now lay with sleep upon them,
And little thought a Witch was looking on them.
LXVI.
She, all those human figures breathing there,
Beheld as living spirits -- to her eyes
The naked beauty of the soul lay bare,
And often through a rude and worn disguise
She saw the inner form most bright and fair--
And then she had a charm of strange device,
Which, murmured on mute lips with tender tone,
Could make that spirit mingle with her own.
LXVII.
Alas! Aurora, what wouldst thou have given
For such a charm when Tithon became gray?
Or how much, Venus, of thy silver heaven
Wouldst thou have yielded, ere Proserpina
Had half (oh! why not all?) the debt forgiven
Which dear Adonis had been doomed to pay,
To any witch who would have taught you it?
The Heliad doth not know its value yet.
LXVIII.
'Tis said in after times her spirit free
Knew what love was, and felt itself alone--
But holy Dian could not chaster be
Before she stooped to kiss Endymion,
Than now this lady -- like a sexless bee
Tasting all blossoms, and confined to none,
Among those mortal forms, the wizard-maiden
Passed with an eye serene and heart unladen.
LXIX.
To those she saw most beautiful, she gave
Strange panacea in a crystal bowl:--
They drank in their deep sleep of that sweet wave,
And lived thenceforward as if some control,
Mightier than life, were in them; and the grave
Of such, when death oppressed the weary soul,
Was as a green and overarching bower
Lit by the gems of many a starry flower.
LXX.
For on the night when they were buried, she
Restored the embalmers' ruining, and shook
The light out of the funeral lamps, to be
A mimic day within that deathy nook;
And she unwound the woven imagery
Of second childhood's swaddling bands, and took
The coffin, its last cradle, from its niche,
And threw it with contempt into a ditch.
LXXI.
And there the body lay, age after age,
Mute, breathing, beating, warm, and undecaying,
Like one asleep in a green hermitage,
With gentle smiles about its eyelids playing,
And living in its dreams beyond the rage
Of death or life; while they were still arraying
In liveries ever new, the rapid, blind
And fleeting generations of mankind.
LXXII.
And she would write strange dreams upon the brain
Of those who were less beautiful, and make
All harsh and crooked purposes more vain
Than in the desert is the serpent's wake
Which the sand coversall his evil gain
The miser in such dreams would rise and shake
Into a beggar's lap;the lying scribe
Would his own lies betray without a bribe.
LXXIII.
The priests would write an explanation full,
Translating hieroglyphics into Greek,
How the God Apis really was a bull,
And nothing more; and bid the herald stick
The same against the temple doors, and pull
The old cant down; they licensed all to speak
What'er they thought of hawks, and cats, and geese,
By pastoral letters to each diocese.
LXXIV.
The king would dress an ape up in his crown
And robes, and seat him on his glorious seat,
And on the right hand of the sunlike throne
Would place a gaudy mock-bird to repeat
The chatterings of the monkey.Every one
Of the prone courtiers crawled to kiss the feet
Of their great Emperor, when the morning came,
And kissed -- alas, how many kiss the same!
LXXV.
The soldiers dreamed that they were blacksmiths, and
Walked out of quarters in somnambulism;
Round the red anvils you might see them stand
Like Cyclopses in Vulcan's sooty abysm,
Beating their swords to ploughshares; -- in a band
The gaolers sent those of the liberal schism
Free through the streets of Memphis, much, I wis,
To the annoyance of king Amasis.
LXXVI.
And timid lovers who had been so coy,
They hardly knew whether they loved or not,
Would rise out of their rest, and take sweet joy,
To the fulfilment of their inmost thought;
And when next day the maiden and the boy
Met one another, both, like sinners caught,
Blushed at the thing which each believed was done
Only in fancy -- till the tenth moon shone;
LXXVII.
And then the Witch would let them take no ill:
Of many thousand schemes which lovers find,
The Witch found one,and so they took their fill
Of happiness in marriage warm and kind.
Friends who, by practice of some envious skill,
Were torn apart -- a wide wound, mind from mind!--
She did unite again with visions clear
Of deep affection and of truth sincere.
LXXVIII.
These were the pranks she played among the cities
Of mortal men, and what she did to Sprites
And Gods, entangling them in her sweet ditties
To do her will, and show their subtle sleights,
I will declare another time; for it is
A tale more fit for the weird winter nights
Than for these garish summer days, when we
Scarcely believe much more than we can see.
Composed at the Baths of San Giuliano, near Pisa, August 14-16, 1820; published in Posthumous Poems, ed. Mrs. Shelley, 1824. The dedication To Mary first appeared in the Poetical Works, 1839, 1st ed.
Note by Mrs. Shelley: 'We spent the summer of 1820 at the Baths of San Giuliano, four miles from Pisa. These baths were of great use to Shelley in soothing his nervous irritability. We made several excursions in the neighbourhood. The country around is fertile, and diversified and rendered picturesque by ranges of near hills and more distant mountains. The peasantry are a handsome intelligent race; and there was a gladsome sunny heaven spread over us, that rendered home and every scene we visited cheerful and bright. During some of the hottest days of August, Shelley made a solitary journey on foot to the summit of Monte San Pellegrino -- a mountain of some height, on the top of which there is a chapel, the object, during certain days of the year, of many pilgrimages. The excursion delighted him while it lasted; though he exerted himself too much, and the effect was considerable lsasitude and weakness on his return. During the expedition he conceived the idea, and wrote, in the three days immediately succeeding to his return, the Witch of Atlas.
This poem is peculiarly characteristic of his tastes -- wildly fanciful, full of brilliant imagery, and discarding human interest and passion, to revel in the fantastic ideas that his imagination suggested.'
~ Percy Bysshe Shelley, The Witch Of Atlas
,#NFDB
656:The Bride's Prelude
“Sister,” said busy Amelotte
To listless Aloÿse;
“Along your wedding-road the wheat
Bends as to hear your horse's feet,
And the noonday stands still for heat.”
Amelotte laughed into the air
With eyes that sought the sun:
But where the walls in long brocade
Were screened, as one who is afraid
Sat Aloÿse within the shade.
And even in shade was gleam enough
To shut out full repose
From the bride's 'tiring-chamber, which
Was like the inner altar-niche
Whose dimness worship has made rich.
Within the window's heaped recess
The light was counterchanged
In blent reflexes manifold
From perfume-caskets of wrought gold
And gems the bride's hair could not hold,
All thrust together: and with these
A slim-curved lute, which now,
At Amelotte's sudden passing there,
Was swept in somewise unaware,
And shook to music the close air.
Against the haloed lattice-panes
The bridesmaid sunned her breast;
Then to the glass turned tall and free,
And braced and shifted daintily
Her loin-belt through her côte-hardie.
The belt was silver, and the clasp
Of lozenged arm-bearings;
A world of mirrored tints minute
The rippling sunshine wrought into 't,
That flushed her hand and warmed her foot.
At least an hour had Aloÿse—
Her jewels in her hair—
Her white gown, as became a bride,
Quartered in silver at each side—
377
Sat thus aloof, as if to hide.
Over her bosom, that lay still,
The vest was rich in grain,
With close pearls wholly overset:
Around her throat the fastenings met
Of chevesayle and mantelet.
Her arms were laid along her lap
With the hands open: life
Itself did seem at fault in her:
Beneath the drooping brows, the stir
Of thought made noonday heavier.
Long sat she silent; and then raised
Her head, with such a gasp
As while she summoned breath to speak
Fanned high that furnace in the cheek
But sucked the heart-pulse cold and weak.
(Oh gather round her now, all ye
Past seasons of her fear,—
Sick springs, and summers deadly cold!
To flight your hovering wings unfold,
For now your secret shall be told.
Ye many sunlights, barbed with darts
Of dread detecting flame,—
Gaunt moonlights that like sentinels
Went past with iron clank of bells,—
Draw round and render up your spells!)
“Sister,” said Aloÿse, “I had
A thing to tell thee of
Long since, and could not. But do thou
Kneel first in prayer awhile, and bow
Thine heart, and I will tell thee now.”
Amelotte wondered with her eyes;
But her heart said in her:
“Dear Aloÿse would have me pray
Because the awe she feels to-day
Must need more prayers than she can say.”
So Amelotte put by the folds
That covered up her feet,
And knelt,—beyond the arras'd gloom
And the hot window's dull perfume,—
Where day was stillest in the room.
“Queen Mary, hear,” she said, “and say
378
To Jesus the Lord Christ,
This bride's new joy, which He confers,
New joy to many ministers,
And many griefs are bound in hers.”
The bride turned in her chair, and hid
Her face against the back,
And took her pearl-girt elbows in
Her hands, and could not yet begin,
But shuddering, uttered, “Urscelyn!”
Most weak she was; for as she pressed
Her hand against her throat,
Along the arras she let trail
Her face, as if all heart did fail,
And sat with shut eyes, dumb and pale.
Amelotte still was on her knees
As she had kneeled to pray.
Deeming her sister swooned, she thought,
At first, some succour to have brought;
But Aloÿse rocked, as one distraught.
She would have pushed the lattice wide
To gain what breeze might be;
But marking that no leaf once beat
The outside casement, it seemed meet
Not to bring in more scent and heat.
So she said only: “Aloÿse,
Sister, when happened it
At any time that the bride came
To ill, or spoke in fear of shame,
When speaking first the bridegroom's name?”
A bird had out its song and ceased
Ere the bride spoke. At length
She said: “The name is as the thing:—
Sin hath no second christening,
And shame is all that shame can bring.
“In divers places many an while
I would have told thee this;
But faintness took me, or a fit
Like fever. God would not permit
That I should change thine eyes with it.
“Yet once I spoke, hadst thou but heard:—
That time we wandered out
All the sun's hours, but missed our way
379
When evening darkened, and so lay
The whole night covered up in hay.
“At last my face was hidden: so,
Having God's hint, I paused
Not long; but drew myself more near
Where thou wast laid, and shook off fear,
And whispered quick into thine ear
“Something of the whole tale. At first
I lay and bit my hair
For the sore silence thou didst keep:
Till, as thy breath came long and deep,
I knew that thou hadst been asleep.
“The moon was covered, but the stars
Lasted till morning broke.
Awake, thou told'st me that thy dream
Had been of me,—that all did seem
At jar,—but that it was a dream.
“I knew God's hand and might not speak.
After that night I kept
Silence and let the record swell:
Till now there is much more to tell
Which must be told out ill or well.”
She paused then, weary, with dry lips
Apart. From the outside
By fits there boomed a dull report
From where i' the hanging tennis-court
The bridegroom's retinue made sport.
The room lay still in dusty glare,
Having no sound through it
Except the chirp of a caged bird
That came and ceased: and if she stirred,
Amelotte's raiment could be heard.
Quoth Amelotte: “The night this chanced
Was a late summer night
Last year! What secret, for Christ's love,
Keep'st thou since then? Mary above!
What thing is this thou speakest of?
“Mary and Christ! Lest when 'tis told
I should be prone to wrath,—
This prayer beforehand! How she errs
Soe'er, take count of grief like hers,
Whereof the days are turned to years!”
380
She bowed her neck, and having said,
Kept on her knees to hear;
And then, because strained thought demands
Quiet before it understands,
Darkened her eyesight with her hands.
So when at last her sister spoke,
She did not see the pain
O' the mouth nor the ashamèd eyes,
But marked the breath that came in sighs
And the half-pausing for replies.
This was the bride's sad prelude-strain:—
“I' the convent where a girl
I dwelt till near my womanhood,
I had but preachings of the rood
And Aves told in solitude
“To spend my heart on: and my hand
Had but the weary skill
To eke out upon silken cloth
Christ's visage, or the long bright growth
Of Mary's hair, or Satan wroth.
“So when at last I went, and thou,
A child not known before,
Didst come to take the place I left,—
My limbs, after such lifelong theft
Of life, could be but little deft
“In all that ministers delight
To noble women: I
Had learned no word of youth's discourse,
Nor gazed on games of warriors,
Nor trained a hound, nor ruled a horse.
“Besides, the daily life i' the sun
Made me at first hold back.
To thee this came at once; to me
It crept with pauses timidly;
I am not blithe and strong like thee.
“Yet my feet liked the dances well,
The songs went to my voice,
The music made me shake and weep;
And often, all night long, my sleep
Gave dreams I had been fain to keep.
“But though I loved not holy things,
To hear them scorned brought pain,—
381
They were my childhood; and these dames
Were merely perjured in saints' names
And fixed upon saints' days for games.
“And sometimes when my father rode
To hunt with his loud friends,
I dared not bring him to be quaff'd,
As my wont was, his stirrup-draught,
Because they jested so and laughed.
“At last one day my brothers said,
‘The girl must not grow thus,—
Bring her a jennet,—she shall ride.’
They helped my mounting, and I tried
To laugh with them and keep their side,
“But brakes were rough and bents were steep
Upon our path that day:
My palfrey threw me; and I went
Upon men's shoulders home, sore spent,
While the chase followed up the scent.
“Our shrift-father (and he alone
Of all the household there
Had skill in leechcraft) was away
When I reached home. I tossed, and lay
Sullen with anguish the whole day.
“For the day passed ere some one brought
To mind that in the hunt
Rode a young lord she named, long bred
Among the priests, whose art (she said)
Might chance to stand me in much stead.
“I bade them seek and summon him:
But long ere this, the chase
Had scattered, and he was not found.
I lay in the same weary stound,
Therefore, until the night came round.
“It was dead night and near on twelve
When the horse-tramp at length
Beat up the echoes of the court:
By then, my feverish breath was short
With pain the sense could scarce support.
“My fond nurse sitting near my feet
Rose softly,—her lamp's flame
Held in her hand, lest it should make
My heated lids, in passing, ache;
382
And she passed softly, for my sake.
“Returning soon, she brought the youth
They spoke of. Meek he seemed,
But good knights held him of stout heart.
He was akin to us in part,
And bore our shield, but barred athwart.
“I now remembered to have seen
His face, and heard him praised
For letter-lore and medicine,
Seeing his youth was nurtured in
Priests' knowledge, as mine own had been.”
The bride's voice did not weaken here,
Yet by her sudden pause
She seemed to look for questioning;
Or else (small need though) 'twas to bring
Well to her mind the bygone thing.
Her thought, long stagnant, stirred by speech,
Gave her a sick recoil;
As, dip thy fingers through the green
That masks a pool,—where they have been
The naked depth is black between.
Amelotte kept her knees; her face
Was shut within her hands,
As it had been throughout the tale;
Her forehead's whiteness might avail
Nothing to say if she were pale.
Although the lattice had dropped loose,
There was no wind; the heat
Being so at rest that Amelotte
Heard far beneath the plunge and float
Of a hound swimming in the moat.
Some minutes since, two rooks had toiled
Home to the nests that crowned
Ancestral ash-trees. Through the glare
Beating again, they seemed to tear
With that thick caw the woof o' the air.
But else, 'twas at the dead of noon
Absolute silence; all,
From the raised bridge and guarded sconce
To green-clad places of pleasaùnce
Where the long lake was white with swans.
Amelotte spoke not any word
383
Nor moved she once; but felt
Between her hands in narrow space
Her own hot breath upon her face,
And kept in silence the same place.
Aloÿse did not hear at all
The sounds without. She heard
The inward voice (past help obey'd)
Which might not slacken nor be stay'd,
But urged her till the whole were said.
Therefore she spoke again: “That night
But little could be done:
My foot, held in my nurse's hands,
He swathed up heedfully in bands,
And for my rest gave close commands.
“I slept till noon, but an ill sleep
Of dreams: through all that day
My side was stiff and caught the breath;
Next day, such pain as sickeneth
Took me, and I was nigh to death.
“Life strove, Death claimed me for his own
Through days and nights: but now
'Twas the good father tended me,
Having returned. Still, I did see
The youth I spoke of constantly.
“For he would with my brothers come
To stay beside my couch,
And fix my eyes against his own,
Noting my pulse; or else alone,
To sit at gaze while I made moan.
“(Some nights I knew he kept the watch,
Because my women laid
The rushes thick for his steel shoes.)
Through many days this pain did use
The life God would not let me lose.
“At length, with my good nurse to aid,
I could walk forth again:
And still, as one who broods or grieves,
At noons I'd meet him and at eves,
With idle feet that drove the leaves.
“The day when I first walked alone
Was thinned in grass and leaf,
And yet a goodly day o' the year:
384
The last bird's cry upon mine ear
Left my brain weak, it was so clear.
“The tears were sharp within mine eyes.
I sat down, being glad,
And wept; but stayed the sudden flow
Anon, for footsteps that fell slow;
'Twas that youth passed me, bowing low.
“He passed me without speech; but when,
At least an hour gone by,
Rethreading the same covert, he
Saw I was still beneath the tree,
He spoke and sat him down with me.
“Little we said; nor one heart heard
Even what was said within;
And, faltering some farewell, I soon
Rose up; but then i' the autumn noon
My feeble brain whirled like a swoon.
“He made me sit. ‘Cousin, I grieve
Your sickness stays by you.’
‘I would,’ said I, ‘that you did err
So grieving. I am wearier
Than death, of the sickening dying year.’
“He answered: ‘If your weariness
Accepts a remedy,
I hold one and can give it you.’
I gazed: ‘What ministers thereto,
Be sure,’ I said, “that I will do.’
“He went on quickly:—'Twas a cure
He had not ever named
Unto our kin lest they should stint
Their favour, for some foolish hint
Of wizardry or magic in't:
“But that if he were let to come
Within my bower that night,
(My women still attending me,
He said, while he remain'd there,) he
Could teach me the cure privily.
“I bade him come that night. He came;
But little in his speech
Was cure or sickness spoken of,
Only a passionate fierce love
That clamoured upon God above.
385
“My women wondered, leaning close
Aloof. At mine own heart
I think great wonder was not stirr'd.
I dared not listen, yet I heard
His tangled speech, word within word.
“He craved my pardon first,—all else
Wild tumult. In the end
He remained silent at my feet
Fumbling the rushes. Strange quick heat
Made all the blood of my life meet.
“And lo! I loved him. I but said,
If he would leave me then,
His hope some future might forecast.
His hot lips stung my hand: at last
My damsels led him forth in haste.”
The bride took breath to pause; and turned
Her gaze where Amelotte
Knelt,—the gold hair upon her back
Quite still in all its threads,—the track
Of her still shadow sharp and black.
That listening without sight had grown
To stealthy dread; and now
That the one sound she had to mark
Left her alone too, she was stark
Afraid, as children in the dark.
Her fingers felt her temples beat;
Then came that brain-sickness
Which thinks to scream, and murmureth;
And pent between her hands, the breath
Was damp against her face like death.
Her arms both fell at once; but when
She gasped upon the light,
Her sense returned. She would have pray'd
To change whatever words still stay'd
Behind, but felt there was no aid.
So she rose up, and having gone
Within the window's arch
Once more, she sat there, all intent
On torturing doubts, and once more bent
To hear, in mute bewilderment.
But Aloÿse still paused. Thereon
Amelotte gathered voice
386
In somewise from the torpid fear
Coiled round her spirit. Low but clear
She said: “Speak, sister; for I hear.”
But Aloÿse threw up her neck
And called the name of God:—
“Judge, God, 'twixt her and me to-day!
She knows how hard this is to say,
Yet will not have one word away.”
Her sister was quite silent. Then
Afresh:—“Not she, dear Lord!
Thou be my judge, on Thee I call!”
She ceased,—her forehead smote the wall:
“Is there a God,” she said “at all”?
Amelotte shuddered at the soul,
But did not speak. The pause
Was long this time. At length the bride
Pressed her hand hard against her side,
And trembling between shame and pride
Said by fierce effort: “From that night
Often at nights we met:
That night, his passion could but rave:
The next, what grace his lips did crave
I knew not, but I know I gave.”
Where Amelotte was sitting, all
The light and warmth of day
Were so upon her without shade
That the thing seemed by sunshine made
Most foul and wanton to be said.
She would have questioned more, and known
The whole truth at its worst,
But held her silent, in mere shame
Of day. 'Twas only these words came:—
“Sister, thou hast not said his name.”
“Sister,” quoth Aloÿse, “thou know'st
His name. I said that he
Was in a manner of our kin.
Waiting the title he might win,
They called him the Lord Urscelyn.”
The bridegroom's name, to Amelotte
Daily familiar,—heard
Thus in this dreadful history,—
Was dreadful to her; as might be
387
Thine own voice speaking unto thee.
The day's mid-hour was almost full;
Upon the dial-plate
The angel's sword stood near at One.
An hour's remaining yet; the sun
Will not decrease till all be done.
Through the bride's lattice there crept in
At whiles (from where the train
Of minstrels, till the marriage-call,
Loitered at windows of the wall,)
Stray lute-notes, sweet and musical.
They clung in the green growths and moss
Against the outside stone;
Low like dirge-wail or requiem
They murmured, lost 'twixt leaf and stem:
There was no wind to carry them.
Amelotte gathered herself back
Into the wide recess
That the sun flooded: it o'erspread
Like flame the hair upon her head
And fringed her face with burning red.
All things seemed shaken and at change:
A silent place o' the hills
She knew, into her spirit came:
Within herself she said its name
And wondered was it still the same.
The bride (whom silence goaded) now
Said strongly,—her despair
By stubborn will kept underneath:—
“Sister, 'twere well thou didst not breathe
That curse of thine. Give me my wreath.”
“Sister,” said Amelotte, “abide
In peace. Be God thy judge,
As thou hast said—not I. For me,
I merely will thank God that he
Whom thou hast lovèd loveth thee.”
Then Aloÿse lay back, and laughed
With wan lips bitterly,
Saying, “Nay, thank thou God for this,—
That never any soul like his
Shall have its portion where love is.”
Weary of wonder, Amelotte
388
Sat silent: she would ask
No more, though all was unexplained:
She was too weak; the ache still pained
Her eyes,—her forehead's pulse remained.
The silence lengthened. Aloÿse
Was fain to turn her face
Apart, to where the arras told
Two Testaments, the New and Old,
In shapes and meanings manifold.
One solace that was gained, she hid.
Her sister, from whose curse
Her heart recoiled, had blessed instead:
Yet would not her pride have it said
How much the blessing comforted.
Only, on looking round again
After some while, the face
Which from the arras turned away
Was more at peace and less at bay
With shame than it had been that day.
She spoke right on, as if no pause
Had come between her speech:
“That year from warmth grew bleak and pass'd,”
She said; “the days from first to last
How slow,—woe's me! the nights how fast!
“From first to last it was not known:
My nurse, and of my train
Some four or five, alone could tell
What terror kept inscrutable:
There was good need to guard it well.
“Not the guilt only made the shame,
But he was without land
And born amiss. He had but come
To train his youth here at our home,
And, being man, depart therefrom.
‘Of the whole time each single day
Brought fear and great unrest:
It seemed that all would not avail
Some once,—that my close watch would fail,
And some sign, somehow, tell the tale.
“The noble maidens that I knew,
My fellows, oftentimes
Midway in talk or sport, would look
389
A wonder which my fears mistook,
To see how I turned faint and shook.
“They had a game of cards, where each
By painted arms might find
What knight she should be given to.
Ever with trembling hand I threw
Lest I should learn the thing I knew.
“And once it came. And Aure d'Honvaulx
Held up the bended shield
And laughed: ‘Gramercy for our share!—
If to our bridal we but fare
To smutch the blazon that we bear!’
“But proud Denise de Villenbois
Kissed me, and gave her wench
The card, and said: ‘If in these bowers
You women play at paramours,
You must not mix your game with ours.’
“And one upcast it from her hand:
‘Lo! see how high he'll soar!’
But then their laugh was bitterest;
For the wind veered at fate's behest
And blew it back into my breast.
“Oh! if I met him in the day
Or heard his voice,—at meals
Or at the Mass or through the hall,—
A look turned towards me would appal
My heart by seeming to know all.
“Yet I grew curious of my shame,
And sometimes in the church,
On hearing such a sin rebuked,
Have held my girdle-glass unhooked
To see how such a woman looked.
“But if at night he did not come,
I lay all deadly cold
To think they might have smitten sore
And slain him, and as the night wore,
His corpse be lying at my door.
“And entering or going forth,
Our proud shield o'er the gate
Seemed to arraign my shrinking eyes.
With tremors and unspoken lies
The year went past me in this wise.
390
“About the spring of the next year
An ailing fell on me;
(I had been stronger till the spring
'Twas mine old sickness gathering,
I thought; but 'twas another thing.
“I had such yearnings as brought tears,
And a wan dizziness:
Motion, like feeling, grew intense;
Sight was a haunting evidence
And sound a pang that snatched the sense.
“It now was hard on that great ill
Which lost our wealth from us
And all our lands. Accursed be
The peevish fools of liberty
Who will not let themselves be free!
“The Prince was fled into the west:
A price was on his blood,
But he was safe. To us his friends
He left that ruin which attends
The strife against God's secret ends.
“The league dropped all asunder,—lord,
Gentle and serf. Our house
Was marked to fall. And a day came
When half the wealth that propped our name
Went from us in a wind of flame.
“Six hours I lay upon the wall
And saw it burn. But when
It clogged the day in a black bed
Of louring vapour, I was led
Down to the postern, and we fled.
“But ere we fled, there was a voice
Which I heard speak, and say
That many of our friends, to shun
Our fate, had left us and were gone,
And that Lord Urscelyn was one.
“That name, as was its wont, made sight
And hearing whirl. I gave
No heed but only to the name:
I held my senses, dreading them,
And was at strife to look the same.
“We rode and rode. As the speed grew,
The growth of some vague curse
391
Swarmed in my brain. It seemed to me
Numbed by the swiftness, but would be—
That still—clear knowledge certainly.
“Night lapsed. At dawn the sea was there
And the sea-wind: afar
The ravening surge was hoarse and loud,
And underneath the dim dawn-cloud
Each stalking wave shook like a shroud.
“From my drawn litter I looked out
Unto the swarthy sea,
And knew. That voice, which late had cross'd
Mine ears, seemed with the foam uptoss'd:
I knew that Urscelyn was lost.
“Then I spake all: I turned on one
And on the other, and spake:
My curse laughed in me to behold
Their eyes: I sat up, stricken cold,
Mad of my voice till all was told.
“Oh! of my brothers, Hugues was mute,
And Gilles was wild and loud,
And Raoul strained abroad his face,
As if his gnashing wrath could trace
Even there the prey that it must chase.
“And round me murmured all our train,
Hoarse as the hoarse-tongued sea;
Till Hugues from silence louring woke,
And cried: ‘What ails the foolish folk?
Know ye not frenzy's lightning-stroke?’
“But my stern father came to them
And quelled them with his look,
Silent and deadly pale. Anon
I knew that we were hastening on,
My litter closed and the light gone.
“And I remember all that day
The barren bitter wind
Without, and the sea's moaning there
That I first moaned with unaware,
And when I knew, shook down my hair.
“Few followed us or faced our flight:
Once only I could hear,
Far in the front, loud scornful words,
And cries I knew of hostile lords,
392
And crash of spears and grind of swords.
“It was soon ended. On that day
Before the light had changed
We reached our refuge; miles of rock
Bulwarked for war; whose strength might mock
Sky, sea, or man, to storm or shock.
“Listless and feebly conscious, I
Lay far within the night
Awake. The many pains incurred
That day,—the whole, said, seen or heard,—
Stayed by in me as things deferred.
“Not long. At dawn I slept. In dreams
All was passed through afresh
From end to end. As the morn heaved
Towards noon, I, waking sore aggrieved,
That I might die, cursed God, and lived.
“Many days went, and I saw none
Except my women. They
Calmed their wan faces, loving me;
And when they wept, lest I should see,
Would chaunt a desolate melody.
“Panic unthreatened shook my blood
Each sunset, all the slow
Subsiding of the turbid light.
I would rise, sister, as I might,
And bathe my forehead through the night
“To elude madness. The stark walls
Made chill the mirk: and when
We oped our curtains, to resume
Sun-sickness after long sick gloom,
The withering sea-wind walked the room.
“Through the gaunt windows the great gales
Bore in the tattered clumps
Of waif-weed and the tamarisk-boughs;
And sea-mews, 'mid the storm's carouse,
Were flung, wild-clamouring, in the house.
“My hounds I had not; and my hawk,
Which they had saved for me,
Wanting the sun and rain to beat
His wings, soon lay with gathered feet;
And my flowers faded, lacking heat.
“Such still were griefs: for grief was still
393
A separate sense, untouched
Of that despair which had become
My life. Great anguish could benumb
My soul,—my heart was quarrelsome.
“Time crept. Upon a day at length
My kinsfolk sat with me:
That which they asked was bare and plain:
I answered: the whole bitter strain
Was again said, and heard again.
“Fierce Raoul snatched his sword, and turned
The point against my breast.
I bared it, smiling: ‘To the heart
Strike home,’ I said; ‘another dart
Wreaks hourly there a deadlier smart.’
“'Twas then my sire struck down the sword,
And said with shaken lips:
‘She from whom all of you receive
Your life, so smiled; and I forgive.’
Thus, for my mother's sake, I live.
“But I, a mother even as she,
Turned shuddering to the wall:
For I said: ‘Great God! and what would I do,
When to the sword, with the thing I knew,
I offered not one life but two!’
“Then I fell back from them, and lay
Outwearied. My tired sense
Soon filmed and settled, and like stone
I slept; till something made me moan,
And I woke up at night alone.
“I woke at midnight, cold and dazed;
Because I found myself
Seated upright, with bosom bare,
Upon my bed, combing my hair,
Ready to go, I knew not where.
“It dawned light day,—the last of those
Long months of longing days.
That noon, the change was wrought on me
In somewise,—nought to hear or see,—
Only a trance and agony.”
The bride's voice failed her, from no will
To pause. The bridesmaid leaned,
And where the window-panes were white,
394
Looked for the day: she knew not quite
If there were either day or night.
It seemed to Aloÿse that the whole
Day's weight lay back on her
Like lead. The hours that did remain
Beat their dry wings upon her brain
Once in mid-flight, and passed again.
There hung a cage of burnt perfumes
In the recess: but these,
For some hours, weak against the sun,
Had simmered in white ash. From One
The second quarter was begun.
They had not heard the stroke. The air,
Though altered with no wind,
Breathed now by pauses, so to say:
Each breath was time that went away,—
Each pause a minute of the day.
I' the almonry, the almoner,
Hard by, had just dispensed
Church-dole and march-dole. High and wide
Now rose the shout of thanks, which cried
On God that He should bless the bride.
Its echo thrilled within their feet,
And in the furthest rooms
Was heard, where maidens flushed and gay
Wove with stooped necks the wreaths alway
Fair for the virgin's marriage-day.
The mother leaned along, in thought
After her child; till tears,
Bitter, not like a wedded girl's,
Fell down her breast along her curls,
And ran in the close work of pearls.
The speech ached at her heart. She said:
“Sweet Mary, do thou plead
This hour with thy most blessed Son
To let these shameful words atone,
That I may die when I have done.”
The thought ached at her soul. Yet now:—
“Itself—that life” (she said,)
“Out of my weary life—when sense
Unclosed, was gone. What evil men's
Most evil hands had borne it thence
395
“I knew, and cursed them. Still in sleep
I have my child; and pray
To know if it indeed appear
As in my dream's perpetual sphere,
That I—death reached—may seek it there.
“Sleeping, I wept; though until dark
A fever dried mine eyes
Kept open; save when a tear might
Be forced from the mere ache of sight.
And I nursed hatred day and night.
“Aye, and I sought revenge by spells;
And vainly many a time
Have laid my face into the lap
Of a wise woman, and heard clap
Her thunder, the fiend's juggling trap.
“At length I feared to curse them, lest
From evil lips the curse
Should be a blessing; and would sit
Rocking myself and stifling it
With babbled jargon of no wit.
“But this was not at first: the days
And weeks made frenzied months
Before this came. My curses, pil'd
Then with each hour unreconcil'd,
Still wait for those who took my child.”
She stopped, grown fainter. “Amelotte,
Surely,” she said, “this sun
Sheds judgment-fire from the fierce south:
It does not let me breathe: the drouth
Is like sand spread within my mouth.”
The bridesmaid rose. I' the outer glare
Gleamed her pale cheeks, and eyes
Sore troubled; and aweary weigh'd
Her brows just lifted out of shade;
And the light jarred within her head.
'Mid flowers fair-heaped there stood a bowl
With water. She therein
Through eddying bubbles slid a cup,
And offered it, being risen up,
Close to her sister's mouth, to sup.
The freshness dwelt upon her sense,
Yet did not the bride drink;
396
But she dipped in her hand anon
And cooled her temples; and all wan
With lids that held their ache, went on.
“Through those dark watches of my woe,
Time, an ill plant, had waxed
Apace. That year was finished. Dumb
And blind, life's wheel with earth's had come
Whirled round: and we might seek our home.
“Our wealth was rendered back, with wealth
Snatched from our foes. The house
Had more than its old strength and fame:
But still 'neath the fair outward claim
I rankled,—a fierce core of shame.
“It chilled me from their eyes and lips
Upon a night of those
First days of triumph, as I gazed
Listless and sick, or scarcely raised
My face to mark the sports they praised.
“The endless changes of the dance
Bewildered me: the tones
Of lute and cithern struggled tow'rds
Some sense; and still in the last chords
The music seemed to sing wild words.
“My shame possessed me in the light
And pageant, till I swooned.
But from that hour I put my shame
From me, and cast it over them
By God's command and in God's name
“For my child's bitter sake. O thou
Once felt against my heart
With longing of the eyes,—a pain
Since to my heart for ever,—then
Beheld not, and not felt again!”
She scarcely paused, continuing:—
“That year drooped weak in March;
And April, finding the streams dry,
Choked, with no rain, in dust: the sky
Shall not be fainter this July.
“Men sickened; beasts lay without strength;
The year died in the land.
But I, already desolate,
Said merely, sitting down to wait,—
397
‘The seasons change and Time wears late.’
“For I had my hard secret told,
In secret, to a priest;
With him I communed; and he said
The world's soul, for its sins, was sped,
And the sun's courses numberèd.
“The year slid like a corpse afloat:
None trafficked,—who had bread
Did eat. That year our legions, come
Thinned from the place of war, at home
Found busier death, more burdensome.
“Tidings and rumours came with them,
The first for months. The chiefs
Sat daily at our board, and in
Their speech were names of friend and kin:
One day they spoke of Urscelyn.
“The words were light, among the rest:
Quick glance my brothers sent
To sift the speech; and I, struck through,
Sat sick and giddy in full view:
Yet did none gaze, so many knew.
“Because in the beginning, much
Had caught abroad, through them
That heard my clamour on the coast:
But two were hanged; and then the most
Held silence wisdom, as thou know'st.
“That year the convent yielded thee
Back to our home; and thou
Then knew'st not how I shuddered cold
To kiss thee, seeming to enfold
To my changed heart myself of old.
“Then there was showing thee the house,
So many rooms and doors;
Thinking the while how thou wouldst start
If once I flung the doors apart
Of one dull chamber in my heart.
“And yet I longed to open it;
And often in that year
Of plague and want, when side by side
We've knelt to pray with them that died,
My prayer was, ‘Show her what I hide!’”
398
~ Dante Gabriel Rossetti,#NFDB
657:Andromeda
Over the sea, past Crete, on the Syrian shore to the southward,
Dwells in the well-tilled lowland a dark-haired AEthiop people,
Skilful with needle and loom, and the arts of the dyer and carver,
Skilful, but feeble of heart; for they know not the lords of Olympus,
Lovers of men; neither broad-browed Zeus, nor Pallas Athene,
Teacher of wisdom to heroes, bestower of might in the battle;
Share not the cunning of Hermes, nor list to the songs of Apollo.
Fearing the stars of the sky, and the roll of the blue salt water,
Fearing all things that have life in the womb of the seas and the livers,
Eating no fish to this day, nor ploughing the main, like the Phoenics,
Manful with black-beaked ships, they abide in a sorrowful region,
Vexed with the earthquake, and flame, and the sea-floods, scourge of
Poseidon.
Whelming the dwellings of men, and the toils of the slow-footed oxen,
Drowning the barley and flax, and the hard-earned gold of the harvest,
Up to the hillside vines, and the pastures skirting the woodland,
Inland the floods came yearly; and after the waters a monster,
Bred of the slime, like the worms which are bred from the slime of the Nilebank,
Shapeless, a terror to see; and by night it swam out to the seaward,
Daily returning to feed with the dawn, and devoured of the fairest,
Cattle, and children, and maids, till the terrified people fled inland.
Fasting in sackcloth and ashes they came, both the king and his people,
Came to the mountain of oaks, to the house of the terrible sea-gods,
Hard by the gulf in the rocks, where of old the world-wide deluge
Sank to the inner abyss; and the lake where the fish of the goddess,
Holy, undying, abide; whom the priests feed daily with dainties.
There to the mystical fish, high-throned in her chamber of cedar,
Burnt they the fat of the flock; till the flame shone far to the seaward.
Three days fasting they prayed; but the fourth day the priests of the
goddess,
Cunning in spells, cast lots, to discover the crime of the people.
All day long they cast, till the house of the monarch was taken,
Cepheus, king of the land; and the faces of all gathered blackness.
Then once more they cast; and Cassiopoeia was taken,
Deep-bosomed wife of the king, whom oft far-seeing Apollo
Watched well-pleased from the welkin, the fairest of AEthiop women:
Fairest, save only her daughter; for down to the ankle her tresses
Rolled, blue-black as the night, ambrosial, joy to beholders.
18
Awful and fair she arose, most like in her coming to Here,
Queen before whom the Immortals arise, as she comes on Olympus,
Out of the chamber of gold, which her son Hephaestos has wrought her.
Such in her stature and eyes, and the broad white light of her forehead.
Stately she came from her place, and she spoke in the midst of the people.
'Pure are my hands from blood: most pure this heart in my bosom.
Yet one fault I remember this day; one word have I spoken;
Rashly I spoke on the shore, and I dread lest the sea should have heard it.
Watching my child at her bath, as she plunged in the joy of her girlhood,
Fairer I called her in pride than Atergati, queen of the ocean.
Judge ye if this be my sin, for I know none other.' She ended;
Wrapping her head in her mantle she stood, and the people were silent.
Answered the dark-browed priests, 'No word, once spoken, returneth,
Even if uttered unwitting. Shall gods excuse our rashness?
That which is done, that abides; and the wrath of the sea is against us;
Hers, and the wrath of her brother, the Sun-god, lord of the sheepfolds.
Fairer than her hast thou boasted thy daughter? Ah folly! for hateful,
Hateful are they to the gods, whoso, impious, liken a mortal,
Fair though he be, to their glory; and hateful is that which is likened,
Grieving the eyes of their pride, and abominate, doomed to their anger.
What shall be likened to gods? The unknown, who deep in the darkness
Ever abide, twyformed, many-handed, terrible, shapeless.
Woe to the queen; for the land is defiled, and the people accursed.
Take thou her therefore by night, thou ill-starred Cassiopoeia,
Take her with us in the night, when the moon sinks low to the westward;
Bind her aloft for a victim, a prey for the gorge of the monster,
Far on the sea-girt rock, which is washed by the surges for ever;
So may the goddess accept her, and so may the land make atonement,
Purged by her blood from its sin: so obey thou the doom of the rulers.'
Bitter in soul they went out, Cepheus and Cassiopoeia,
Bitter in soul; and their hearts whirled round, as the leaves in the eddy.
Weak was the queen, and rebelled: but the king, like a shepherd of people,
Willed not the land should waste; so he yielded the life of his daughter.
Deep in the wane of the night, as the moon sank low to the westward,
They by the shade of the cliffs, with the horror of darkness around them,
Stole, as ashamed, to a deed which became not the light of the sunshine,
Slowly, the priests, and the queen, and the virgin bound in the galley,
Slowly they rowed to the rocks: but Cepheus far in the palace
Sate in the midst of the hall, on his throne, like a shepherd of people,
Choking his woe, dry-eyed, while the slaves wailed loudly around him.
They on the sea-girt rock, which is washed by the surges for ever,
Set her in silence, the guiltless, aloft with her face to the eastward.
19
Under a crag of the stone, where a ledge sloped down to the water;
There they set Andromeden, most beautiful, shaped like a goddess,
Lifting her long white arms wide-spread to the walls of the basalt,
Chaining them, ruthless, with brass; and they called on the might of the
Rulers.
'Mystical fish of the seas, dread Queen whom AEthiops honour,
Whelming the land in thy wrath, unavoidable, sharp as the sting-ray,
Thou, and thy brother the Sun, brain-smiting, lord of the sheepfold,
Scorching the earth all day, and then resting at night in thy bosom,
Take ye this one life for many, appeased by the blood of a maiden,
Fairest, and born of the fairest, a queen, most priceless of victims.'
Thrice they spat as they went by the maid: but her mother delaying
Fondled her child to the last, heart-crushed; and the warmth of her weeping
Fell on the breast of the maid, as her woe broke forth into wailing.
'Daughter! my daughter! forgive me! Oh curse not the murderess! Curse
not!
How have I sinned, but in love? Do the gods grudge glory to mothers?
Loving I bore thee in vain in the fate-cursed bride-bed of Cepheus,
Loving I fed thee and tended, and loving rejoiced in thy beauty,
Blessing thy limbs as I bathed them, and blessing thy locks as I combed them;
Decking thee, ripening to woman, I blest thee: yet blessing I slew thee!
How have I sinned, but in love? Oh swear to me, swear to thy mother,
Never to haunt me with curse, as I go to the grave in my sorrow,
Childless and lone: may the gods never send me another, to slay it!
See, I embrace thy knees-soft knees, where no babe will be fondledSwear to me never to curse me, the hapless one, not in the death-pang.'
Weeping she clung to the knees of the maid; and the maid low answered'Curse thee! Not in the death-pang!' The heart of the lady was lightened.
Slowly she went by the ledge; and the maid was alone in the darkness.
Watching the pulse of the oars die down, as her own died with them,
Tearless, dumb with amaze she stood, as a storm-stunned nestling
Fallen from bough or from eave lies dumb, which the home-going herdsman
Fancies a stone, till he catches the light of its terrified eyeball.
So through the long long hours the maid stood helpless and hopeless,
Wide-eyed, downward gazing in vain at the black blank darkness.
Feebly at last she began, while wild thoughts bubbled within her'Guiltless I am: why thus, then? Are gods more ruthless than mortals?
Have they no mercy for youth? no love for the souls who have loved them?
Even as I loved thee, dread sea, as I played by thy margin,
Blessing thy wave as it cooled me, thy wind as it breathed on my forehead,
Bowing my head to thy tempest, and opening my heart to thy children,
Silvery fish, wreathed shell, and the strange lithe things of the water,
20
Tenderly casting them back, as they gasped on the beach in the sunshine,
Home to their mother-in vain! for mine sits childless in anguish!
O false sea! false sea! I dreamed what I dreamed of thy goodness;
Dreamed of a smile in thy gleam, of a laugh in the plash of thy ripple:
False and devouring thou art, and the great world dark and despiteful.'
Awed by her own rash words she was still: and her eyes to the seaward
Looked for an answer of wrath: far off, in the heart of the darkness,
Blight white mists rose slowly; beneath them the wandering ocean
Glimmered and glowed to the deepest abyss; and the knees of the maiden
Trembled and sunk in her fear, as afar, like a dawn in the midnight,
Rose from their seaweed chamber the choir of the mystical sea-maids.
Onward toward her they came, and her heart beat loud at their coming,
Watching the bliss of the gods, as they wakened the cliffs with their
laughter.
Onward they came in their joy, and before them the roll of the surges
Sank, as the breeze sank dead, into smooth green foam-flecked marble,
Awed; and the crags of the cliff, and the pines of the mountain were silent.
Onward they came in their joy, and around them the lamps of the sea-nymphs,
Myriad fiery globes, swam panting and heaving; and rainbows
Crimson and azure and emerald, were broken in star-showers, lighting
Far through the wine-dark depths of the crystal, the gardens of Nereus,
Coral and sea-fan and tangle, the blooms and the palms of the ocean.
Onward they came in their joy, more white than the foam which they
scattered,
Laughing and singing, and tossing and twining, while eager, the Tritons
Blinded with kisses their eyes, unreproved, and above them in worship
Hovered the terns, and the seagulls swept past them on silvery pinions
Echoing softly their laughter; around them the wantoning dolphins
Sighed as they plunged, full of love; and the great sea-horses which bore
them
Curved up their crests in their pride to the delicate arms of the maidens,
Pawing the spray into gems, till a fiery rainfall, unharming,
Sparkled and gleamed on the limbs of the nymphs, and the coils of the mermen.
Onward they went in their joy, bathed round with the fiery coolness,
Needing nor sun nor moon, self-lighted, immortal: but others,
Pitiful, floated in silence apart; in their bosoms the sea-boys,
Slain by the wrath of the seas, swept down by the anger of Nereus;
Hapless, whom never again on strand or on quay shall their mothers
Welcome with garlands and vows to the temple, but wearily pining
Gaze over island and bay for the sails of the sunken; they heedless
Sleep in soft bosoms for ever, and dream of the surge and the sea-maids.
Onward they passed in their joy; on their brows neither sorrow nor anger;
21
Self-sufficing, as gods, never heeding the woe of the maiden.
She would have shrieked for their mercy: but shame made her dumb; and their
eyeballs
Stared on her careless and still, like the eyes in the house of the idols.
Seeing they saw not, and passed, like a dream, on the murmuring ripple.
Stunned by the wonder she gazed, wide-eyed, as the glory departed.
'O fair shapes! far fairer than I! Too fair to be ruthless!
Gladden mine eyes once more with your splendour, unlike to my fancies;
You, then, smiled in the sea-gleam, and laughed in the plash of the ripple.
Awful I deemed you and formless; inhuman, monstrous as idols;
Lo, when ye came, ye were women, more loving and lovelier, only;
Like in all else; and I blest you: why blest ye not me for my worship?
Had you no mercy for me, thus guiltless? Ye pitied the sea-boys:
Why not me, then, more hapless by far? Does your sight and your knowledge
End with the marge of the waves? Is the world which ye dwell in not our
world?'
Over the mountain aloft ran a rush and a roll and a roaring;
Downward the breeze came indignant, and leapt with a howl to the water,
Roaring in cranny and crag, till the pillars and clefts of the basalt
Rang like a god-swept lyre, and her brain grew mad with the noises;
Crashing and lapping of waters, and sighing and tossing of weed-beds,
Gurgle and whisper and hiss of the foam, while thundering surges
Boomed in the wave-worn halls, as they champed at the roots of the mountain.
Hour after hour in the darkness the wind rushed fierce to the landward,
Drenching the maiden with spray; she shivering, weary and drooping,
Stood with her heart full of thoughts, till the foam-crests gleamed in the
twilight,
Leaping and laughing around, and the east grew red with the dawning.
Then on the ridge of the hills rose the broad bright sun in his glory,
Hurling his arrows abroad on the glittering crests of the surges,
Gilding the soft round bosoms of wood, and the downs of the coastland;
Gilding the weeds at her feet, and the foam-laced teeth of the ledges,
Showing the maiden her home through the veil of her locks, as they floated
Glistening, damp with the spray, in a long black cloud to the landward.
High in the far-off glens rose thin blue curls from the homesteads;
Softly the low of the herds, and the pipe of the outgoing herdsman,
Slid to her ear on the water, and melted her heart into weeping.
Shuddering, she tried to forget them; and straining her eyes to the seaward,
Watched for her doom, as she wailed, but in vain, to the terrible Sun-god.
'Dost thou not pity me, Sun, though thy wild dark sister be ruthless;
Dost thou not pity me here, as thou seest me desolate, weary,
22
Sickened with shame and despair, like a kid torn young from its mother?
What if my beauty insult thee, then blight it: but me-Oh spare me!
Spare me yet, ere he be here, fierce, tearing, unbearable! See me,
See me, how tender and soft, and thus helpless! See how I shudder,
Fancying only my doom. Wilt thou shine thus bright, when it takes me?
Are there no deaths save this, great Sun? No fiery arrow,
Lightning, or deep-mouthed wave? Why thus? What music in shrieking,
Pleasure in warm live limbs torn slowly? And dar'st thou behold them!
Oh, thou hast watched worse deeds! All sights are alike to thy brightness!
What if thou waken the birds to their song, dost thou waken no sorrow;
Waken no sick to their pain; no captive to wrench at his fetters?
Smile on the garden and fold, and on maidens who sing at the milking;
Flash into tapestried chambers, and peep in the eyelids of lovers,
Showing the blissful their bliss-Dost love, then, the place where thou
smilest?
Lovest thou cities aflame, fierce blows, and the shrieks of the widow?
Lovest thou corpse-strewn fields, as thou lightest the path of the vulture?
Lovest thou these, that thou gazest so gay on my tears, and my mother's,
Laughing alike at the horror of one, and the bliss of another?
What dost thou care, in thy sky, for the joys and the sorrows of mortals?
Colder art thou than the nymphs: in thy broad bright eye is no seeing.
Hadst thou a soul-as much soul as the slaves in the house of my father,
Wouldst thou not save? Poor thralls! they pitied me, clung to me weeping,
Kissing my hands and my feet-What, are gods more ruthless than mortals?
Worse than the souls which they rule? Let me die: they war not with ashes!'
Sudden she ceased, with a shriek: in the spray, like a hovering foam-bow,
Hung, more fair than the foam-bow, a boy in the bloom of his manhood,
Golden-haired, ivory-limbed, ambrosial; over his shoulder
Hung for a veil of his beauty the gold-fringed folds of the goat-skin,
Bearing the brass of his shield, as the sun flashed clear on its clearness.
Curved on his thigh lay a falchion, and under the gleam of his helmet
Eyes more blue than the main shone awful; around him Athene
Shed in her love such grace, such state, and terrible daring.
Hovering over the water he came, upon glittering pinions,
Living, a wonder, outgrown from the tight-laced gold of his sandals;
Bounding from billow to billow, and sweeping the crests like a sea-gull;
Leaping the gulfs of the surge, as he laughed in the joy of his leaping.
Fair and majestic he sprang to the rock; and the maiden in wonder
Gazed for a while, and then hid in the dark-rolling wave of her tresses,
Fearful, the light of her eyes; while the boy (for her sorrow had awed him)
Blushed at her blushes, and vanished, like mist on the cliffs at the sunrise.
Fearful at length she looked forth: he was gone: she, wild with amazement,
23
Wailed for her mother aloud: but the wail of the wind only answered.
Sudden he flashed into sight, by her side; in his pity and anger
Moist were his eyes; and his breath like a rose-bed, as bolder and bolder,
Hovering under her brows, like a swallow that haunts by the house-eaves,
Delicate-handed, he lifted the veil of her hair; while the maiden
Motionless, frozen with fear, wept loud; till his lips unclosing
Poured from their pearl-strung portal the musical wave of his wonder.
'Ah, well spoke she, the wise one, the gray-eyed Pallas Athene,Known to Immortals alone are the prizes which lie for the heroes
Ready prepared at their feet; for requiring a little, the rulers
Pay back the loan tenfold to the man who, careless of pleasure,
Thirsting for honour and toil, fares forth on a perilous errand
Led by the guiding of gods, and strong in the strength of Immortals.
Thus have they led me to thee: from afar, unknowing, I marked thee,
Shining, a snow-white cross on the dark-green walls of the sea-cliff;
Carven in marble I deemed thee, a perfect work of the craftsman.
Likeness of Amphitrite, or far-famed Queen Cythereia.
Curious I came, till I saw how thy tresses streamed in the sea-wind,
Glistening, black as the night, and thy lips moved slow in thy wailing.
Speak again now-Oh speak! For my soul is stirred to avenge thee;
Tell me what barbarous horde, without law, unrighteous and heartless,
Hateful to gods and to men, thus have bound thee, a shame to the sunlight,
Scorn and prize to the sailor: but my prize now; for a coward,
Coward and shameless were he, who so finding a glorious jewel
Cast on the wayside by fools, would not win it and keep it and wear it,
Even as I will thee; for I swear by the head of my father,
Bearing thee over the sea-wave, to wed thee in Argos the fruitful,
Beautiful, meed of my toil no less than this head which I carry,
Hidden here fearful-Oh speak!'
But the maid, still dumb with amazement,
Watered her bosom with weeping, and longed for her home and her mother.
Beautiful, eager, he wooed her, and kissed off her tears as he hovered,
Roving at will, as a bee, on the brows of a rock nymph-haunted,
Garlanded over with vine, and acanthus, and clambering roses,
Cool in the fierce still noon, where streams glance clear in the mossbeds,
Hums on from blossom to blossom, and mingles the sweets as he tastes them.
Beautiful, eager, he kissed her, and clasped her yet closer and closer,
Praying her still to speak'Not cruel nor rough did my mother
Bear me to broad-browed Zeus in the depths of the brass-covered dungeon;
Neither in vain, as I think, have I talked with the cunning of Hermes,
Face unto face, as a friend; or from gray-eyed Pallas Athene
24
Learnt what is fit, and respecting myself, to respect in my dealings
Those whom the gods should love; so fear not; to chaste espousals
Only I woo thee, and swear, that a queen, and alone without rival
By me thou sittest in Argos of Hellas, throne of my fathers,
Worshipped by fair-haired kings: why callest thou still on thy mother?
Why did she leave thee thus here? For no foeman has bound thee; no foeman
Winning with strokes of the sword such a prize, would so leave it behind
him.'
Just as at first some colt, wild-eyed, with quivering nostril,
Plunges in fear of the curb, and the fluttering robes of the rider;
Soon, grown bold by despair, submits to the will of his master,
Tamer and tamer each hour, and at last, in the pride of obedience,
Answers the heel with a curvet, and arches his neck to be fondled,
Cowed by the need that maid grew tame; while the hero indignant
Tore at the fetters which held her: the brass, too cunningly tempered,
Held to the rock by the nails, deep wedged: till the boy, red with anger,
Drew from his ivory thigh, keen flashing, a falchion of diamond'Now let the work of the smith try strength with the arms of Immortals!'
Dazzling it fell; and the blade, as the vine-hook shears off the vine-bough,
Carved through the strength of the brass, till her arms fell soft on his
shoulder.
Once she essayed to escape: but the ring of the water was round her,
Round her the ring of his arms; and despairing she sank on his bosom.
Then, like a fawn when startled, she looked with a shriek to the seaward.
'Touch me not, wretch that I am! For accursed, a shame and a hissing,
Guiltless, accurst no less, I await the revenge of the sea-gods.
Yonder it comes! Ah go! Let me perish unseen, if I perish!
Spare me the shame of thine eyes, when merciless fangs must tear me
Piecemeal! Enough to endure by myself in the light of the sunshine
Guiltless, the death of a kid!'
But the boy still lingered around her,
Loth, like a boy, to forego her, and waken the cliffs with his laughter.
'Yon is the foe, then? A beast of the sea? I had deemed him immortal.
Titan, or Proteus' self, or Nereus, foeman of sailors:
Yet would I fight with them all, but Poseidon, shaker of mountains,
Uncle of mine, whom I fear, as is fit; for he haunts on Olympus,
Holding the third of the world; and the gods all rise at his coming.
Unto none else will I yield, god-helped: how then to a monster,
Child of the earth and of night, unreasoning, shapeless, accursed?'
'Art thou, too, then a god?'
'No god I,' smiling he answered;
'Mortal as thou, yet divine: but mortal the herds of the ocean,
25
Equal to men in that only, and less in all else; for they nourish
Blindly the life of the lips, untaught by the gods, without wisdom:
Shame if I fled before such!'
In her heart new life was enkindled,
Worship and trust, fair parents of love: but she answered him sighing.
'Beautiful, why wilt thou die? Is the light of the sun, then, so
worthless,
Worthless to sport with thy fellows in flowery glades of the forest,
Under the broad green oaks, where never again shall I wander,
Tossing the ball with my maidens, or wreathing the altar in garlands,
Careless, with dances and songs, till the glens rang loud to our laughter.
Too full of death the sad earth is already: the halls full of weepers,
Quarried by tombs all cliffs, and the bones gleam white on the sea-floor,
Numberless, gnawn by the herds who attend on the pitiless sea-gods,
Even as mine will be soon: and yet noble it seems to me, dying,
Giving my life for a people, to save to the arms of their lovers
Maidens and youths for a while: thee, fairest of all, shall I slay thee?
Add not thy bones to the many, thus angering idly the dread ones!
Either the monster will crush, or the sea-queen's self overwhelm thee,
Vengeful, in tempest and foam, and the thundering walls of the surges.
Why wilt thou follow me down? can we love in the black blank darkness?
Love in the realms of the dead, in the land where all is forgotten?
Why wilt thou follow me down? is it joy, on the desolate oozes,
Meagre to flit, gray ghosts in the depths of the gray salt water?
Beautiful! why wilt thou die, and defraud fair girls of thy manhood?
Surely one waits for thee longing, afar in the isles of the ocean.
Go thy way; I mine; for the gods grudge pleasure to mortals.'
Sobbing she ended her moan, as her neck, like a storm-bent lily,
Drooped with the weight of her woe, and her limbs sank, weary with watching,
Soft on the hard-ledged rock: but the boy, with his eye on the monster,
Clasped her, and stood, like a god; and his lips curved proud as he answered'Great are the pitiless sea-gods: but greater the Lords of Olympus;
Greater the AEgis-wielder, and greater is she who attends him.
Clear-eyed Justice her name is, the counsellor, loved of Athene;
Helper of heroes, who dare, in the god-given might of their manhood,
Greatly to do and to suffer, and far in the fens' and the forests
Smite the devourers of men, Heaven-hated, brood of the giants,
Twyformed, strange, without like, who obey not the golden-haired Rulers.
Vainly rebelling they rage, till they die by the swords of the heroes,
Even as this must die; for I burn with the wrath of my father,
Wandering, led by Athene; and dare whatsoever betides me.
Led by Athene I won from the gray-haired terrible sisters
26
Secrets hidden from men, when I found them asleep on the sand-hills,
Keeping their eye and their tooth, till they showed me the perilous pathway
Over the waterless ocean, the valley that led to the Gorgon.
Her too I slew in my craft, Medusa, the beautiful horror;
Taught by Athene I slew her, and saw not herself, but her image,
Watching the mirror of brass, in the shield which a goddess had lent me.
Cleaving her brass-scaled throat, as she lay with her adders around her,
Fearless I bore off her head, in the folds of the mystical goat-skin
Hide of Amaltheie, fair nurse of the AEgis-wielder.
Hither I bear it, a gift to the gods, and a death to my foe-men,
Freezing the seer to stone; to hide thine eyes from the horror.
Kiss me but once, and I go.'
Then lifting her neck, like a sea-bird
Peering up over the wave, from the foam-white swells of her bosom,
Blushing she kissed him: afar, on the topmost Idalian summit
Laughed in the joy of her heart, far-seeing, the queen Aphrodite.
Loosing his arms from her waist he flew upward, awaiting the sea-beast.
Onward it came from the southward, as bulky and black as a galley,
Lazily coasting along, as the fish fled leaping before it;
Lazily breasting the ripple, and watching by sandbar and headland,
Listening for laughter of maidens at bleaching, or song of the fisher,
Children at play on the pebbles, or cattle that pawed on the sand-hills.
Rolling and dripping it came, where bedded in glistening purple
Cold on the cold sea-weeds lay the long white sides of the maiden,
Trembling, her face in her hands, and her tresses afloat on the water.
As when an osprey aloft, dark-eyebrowed, royally crested,
Flags on by creek and by cove, and in scorn of the anger of Nereus
Ranges, the king of the shore; if he see on a glittering shallow,
Chasing the bass and the mullet, the fin of a wallowing dolphin,
Halting, he wheels round slowly, in doubt at the weight of his quarry,
Whether to clutch it alive, or to fall on the wretch like a plummet,
Stunning with terrible talon the life of the brain in the hindhead:
Then rushes up with a scream, and stooping the wrath of his eyebrows
Falls from the sky, like a star, while the wind rattles hoarse in his
pinions.
Over him closes the foam for a moment; and then from the sand-bed
Rolls up the great fish, dead, and his side gleams white in the sunshine.
Thus fell the boy on the beast, unveiling the face of the Gorgon;
Thus fell the boy on the beast; thus rolled up the beast in his horror,
Once, as the dead eyes glared into his; then his sides, death-sharpened,
Stiffened and stood, brown rock, in the wash of the wandering water.
Beautiful, eager, triumphant, he leapt back again to his treasure;
27
Leapt back again, full blest, toward arms spread wide to receive him.
Brimful of honour he clasped her, and brimful of love she caressed him,
Answering lip with lip; while above them the queen Aphrodite
Poured on their foreheads and limbs, unseen, ambrosial odours,
Givers of longing, and rapture, and chaste content in espousals.
Happy whom ere they be wedded anoints she, the Queen Aphrodite!
Laughing she called to her sister, the chaste Tritonid Athene,
'Seest thou yonder thy pupil, thou maid of the AEgis-wielder?
How he has turned himself wholly to love, and caresses a damsel,
Dreaming no longer of honour, or danger, or Pallas Athene?
Sweeter, it seems, to the young my gifts are; so yield me the stripling;
Yield him me now, lest he die in his prime, like hapless Adonis.'
Smiling she answered in turn, that chaste Tritonid Athene:
'Dear unto me, no less than to thee, is the wedlock of heroes;
Dear, who can worthily win him a wife not unworthy; and noble,
Pure with the pure to beget brave children, the like of their father.
Happy, who thus stands linked to the heroes who were, and who shall be;
Girdled with holiest awe, not sparing of self; for his mother
Watches his steps with the eyes of the gods; and his wife and his children
Move him to plan and to do in the farm and the camp and the council.
Thence comes weal to a nation: but woe upon woe, when the people
Mingle in love at their will, like the brutes, not heeding the future.'
Then from her gold-strung loom, where she wrought in her chamber of cedar,
Awful and fair she arose; and she went by the glens of Olympus;
Went by the isles of the sea, and the wind never ruffled her mantle;
Went by the water of Crete, and the black-beaked fleets of the Phoenics;
Came to the sea-girt rock which is washed by the surges for ever,
Bearing the wealth of the gods, for a gift to the bride of a hero.
There she met Andromeden and Persea, shaped like Immortals;
Solemn and sweet was her smile, while their hearts beat loud at her coming;
Solemn and sweet was her smile, as she spoke to the pair in her wisdom.
'Three things hold we, the Rulers, who sit by the founts of Olympus,
Wisdom, and prowess, and beauty; and freely we pour them on mortals;
Pleased at our image in man, as a father at his in his children.
One thing only we grudge to mankind: when a hero, unthankful,
Boasts of our gifts as his own, stiffnecked, and dishonours the givers,
Turning our weapons against us. Him Ate follows avenging;
Slowly she tracks him and sure, as a lyme-hound; sudden she grips him,
Crushing him, blind in his pride, for a sign and a terror to folly.
This we avenge, as is fit; in all else never weary of giving.
Come, then, damsel, and know if the gods grudge pleasure to mortals.'
Loving and gentle she spoke: but the maid stood in awe, as the goddess
28
Plaited with soft swift finger her tresses, and decked her in jewels,
Armlet and anklet and earbell; and over her shoulders a necklace,
Heavy, enamelled, the flower of the gold and the brass of the mountain.
Trembling with joy she gazed, so well Haephaistos had made it,
Deep in the forges of AEtna, while Charis his lady beside him
Mingled her grace in his craft, as he wrought for his sister Athene.
Then on the brows of the maiden a veil bound Pallas Athene;
Ample it fell to her feet, deep-fringed, a wonder of weaving.
Ages and ages agone it was wrought on the heights of Olympus,
Wrought in the gold-strung loom, by the finger of cunning Athene.
In it she wove all creatures that teem in the womb of the ocean;
Nereid, siren, and triton, and dolphin, and arrowy fishes
Glittering round, many-hued, on the flame-red folds of the mantle.
In it she wove, too, a town where gray-haired kings sat in judgment;
Sceptre in hand in the market they sat, doing right by the people,
Wise: while above watched Justice, and near, far-seeing Apollo.
Round it she wove for a fringe all herbs of the earth and the water,
Violet, asphodel, ivy, and vine-leaves, roses and lilies,
Coral and sea-fan and tangle, the blooms and the palms of the ocean:
Now from Olympus she bore it, a dower to the bride of a hero.
Over the limbs of the damsel she wrapt it: the maid still trembled,
Shading her face with her hands; for the eyes of the goddess were awful.
Then, as a pine upon Ida when southwest winds blow landward,
Stately she bent to the damsel, and breathed on her: under her breathing
Taller and fairer she grew; and the goddess spoke in her wisdom.
'Courage I give thee; the heart of a queen, and the mind of Immortals;
Godlike to talk with the gods, and to look on their eyes unshrinking;
Fearing the sun and the stars no more, and the blue salt water;
Fearing us only, the lords of Olympus, friends of the heroes;
Chastely and wisely to govern thyself and thy house and thy people,
Bearing a godlike race to thy spouse, till dying I set thee
High for a star in the heavens, a sign and a hope to the seamen,
Spreading thy long white arms all night in the heights of the aether,
Hard by thy sire and the hero thy spouse, while near thee thy mother
Sits in her ivory chair, as she plaits ambrosial tresses.
All night long thou wilt shine; all day thou wilt feast on Olympus,
Happy, the guest of the gods, by thy husband, the god-begotten.'
Blissful, they turned them to go: but the fair-tressed Pallas Athene
Rose, like a pillar of tall white cloud, toward silver Olympus;
Far above ocean and shore, and the peaks of the isles and the mainland;
Where no frost nor storm is, in clear blue windless abysses,
High in the home of the summer, the seats of the happy Immortals,
29
Shrouded in keen deep blaze, unapproachable; there ever youthful
Hebe, Harmonie, and the daughter of Jove, Aphrodite,
Whirled in the white-linked dance with the gold-crowned Hours and the Graces,
Hand within hand, while clear piped Phoebe, queen of the woodlands.
All day long they rejoiced: but Athene still in her chamber
Bent herself over her loom, as the stars rang loud to her singing,
Chanting of order and right, and of foresight, warden of nations;
Chanting of labour and craft, and of wealth in the port and the garner;
Chanting of valour and fame, and the man who can fall with the foremost,
Fighting for children and wife, and the field which his father bequeathed
him.
Sweetly and solemnly sang she, and planned new lessons for mortals:
Happy, who hearing obey her, the wise unsullied Athene.
Eversley, 1852.
~ Charles Kingsley,#NFDB
658:A Dramatic Poem
The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps hehind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.
First Sailor. Has he not led us into these waste seas
For long enough?
Second Sailor. Aye, long and long enough.
First Sailor. We have not come upon a shore or ship
These dozen weeks.
Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn
For I am getting on in lifeto something
That has less ups and downs than robbery.
First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.
Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?
First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.
Second Sailor. I dare not do it.
Weret not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before ones eyes,
Or cry about ones ears.
First Sailor. Nothing to fear.
Second Sailor. Do you remember when we sank that
galley
At the full moon?
First Sailor. He played all through the night.
Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
Ive heard a rustling overhead in the wind.
First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.
Second Sailor. But thats not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.
First Sailor. I saw them, too, one night. Forgael was
playing,
And they were listening ther& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.
Second Sailor. You have dared to touch her?
First Sailor. O she was but a shadow, and slipped from
me.
Second Sailor. But were you not afraid?
First Sailor. Why should I fear?
Second Sailor. Twas Aengus and Edain, the wandering
lovers,
To whom all lovers pray.
First Sailor. But what of that?
A shadow does not carry sword or spear.
Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a kings house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man thats not in love,
And has been dangerous to him.
First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.
Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,
First Sailor Well, net or none,
Id drown him while we have the chance to do it.
Second Sailor. Its certain Id sleep easier o nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?
First Sailor. Ive thought of that. We must have Aibric
with us,
For he can judge the stars as well as Forgael.
[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
Theres not a man but will be glad of it
When it is over, nor one to grumble at us.
Aibric. You have taken pay and made your bargain for it.
First Sailor. What good is there in this hard way of
living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captains share of everything
And bring us into populous seas again?
Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! kill Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
Ill give my answer.
First Sailor. You have awakened him.
[To Second Sailor.]
Wed better go, for we have lost this chance.
[They go out.]
Forgael. Have the birds passed us? I could hear your
voice,
But there were others.
Aibric. I have seen nothing pass.
Forgael. Youre certain of it? I never wake from sleep
But that I am afraid they may have passed,
For theyre my only pilots. If I lost them
Straying too far into the north or south,
Id never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.
Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.
Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.
Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing thats alive
Has ever come but those man-headed birds,
Knowing it for the worlds end?
Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.
Aibric. Shadows before now
Have driven travellers mad for their own sport.
Forgael. Do you, too, doubt me? Have you joined their
plot?
Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.
Forgael. Why should you be more faithful than the rest,
Being as doubtful?
Aibric. I have called you master
Too many years to lift a hand against you.
Forgael. Maybe it is but natural to doubt me.
Youve never known, Id lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a womans kiss
Could not amend.
Aibric. I have good spirits enough.
Forgael. If you will give me all your mind awhile
All, all, the very bottom of the bowl
Ill show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of lifethe events of the world
What do you call it?that old promise-breaker,
The cozening fortune-teller that comes whispering,
You will have all you have wished for when you have
earned
Land for your children or money in a pot.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hands turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.
Aibric. If you had loved some woman
Forgael. You say that also? You have heard the voices,
For that is what they sayall, all the shadows
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secrets out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.
Aibric. And yet the world
Has beautiful women to please every man.
Forgael. But he that gets their love after the fashion
Loves in brief longing and deceiving hope
And bodily tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.
Aibric. All that ever loved
Have loved that waythere is no other way.
Forgael. Yet never have two lovers kissed but they
believed there was some other near at hand,
And almost wept because they could not find it.
Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.
Forgael. Its not a dream,
But the reality that makes our passion
As a lamp shadownono lamp, the sun.
What the worlds million lips are thirsting for
Must be substantial somewhere.
Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it
No mortal can.
Forgael. Yes; if they give us help.
Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.
Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?
Aibric, His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.
Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!
Aibric. While
Were in the body thats impossible.
Forgael. And yet I cannot think theyre leading me
To death; for they that promised to me love
As those that can outlive the moon have known it,
Had the worlds total life gathered up, it seemed,
Into their shining limbsIve had great teachers.
Aengus and Edain ran up out of the wave
Youd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.
Aibric. Its certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.
Forgael. What matter
If I am going to my death?for there,
Or somewhere, I shall find the love they have
promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think
One of the Laughing Peopleand she and I
Shall light upon a place in the worlds core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.
[A number of Sailors entcr hurriedly.]
First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!
Second Sailor. We had not known
But for the ambergris and sandalwood.
First Sailor. NO; but opoponax and cinnamon.
Forgael [taking the tiller from Aibric]. The Ever-living have
kept my bargain for me,
And paid you on the nail.
Aibric. Take up that rope
To make her fast while we are plundering her.
First Sailor. There is a king and queen upon her deck,
And where there is one woman therell be others.
Aibric. Speak lower, or theyll hear.
First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.
Second Sailor. When she finds out we have better men
aboard
She may not be too sorry in the end.
First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.
Second Sailor. Theres nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.
Aibric. Run at them now,
And overpower the crew while yet asleep!
[The Sailors go out.]
[Voices and thc clashing of swords are heard from the
other ship, which cannot be seen because of the sail.]
A Voice. Armed men have come upon us! O I am slain!
Another Voice. Wake all below!
Another Voice. Why have you broken our sleep?
First Voice. Armed men have come upon us! O I am
slain!
Forgael [who has remained at the tiller]. There! there they
come! Gull, gannet, or diver,
But with a mans head, or a fair womans,
They hover over the masthead awhile
To wait their Fiends; but when their friends have
come
Theyll fly upon that secret way of theirs.
Oneand onea couplefive together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. Theres one of them that says,
How light we are, now we are changed to birds!
Another answers, Maybe we shall find
Our hearts desire now that we are so light.
And then one asks another how he died,
And says, A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a womans head
Comes crying, I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But whats the meaning? [He cries out.] Why do you
linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?
[His voice sinks again.]
Being too busy in the air and the high air,
They cannot hear my voice; but whats the meaning?
[The Sailors have returned. Dectora is with them.]
Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the worlds core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.
Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!
Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this
place?
They would not send me one that casts a shadow.
Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.
Forgael. There are some
That weigh and measure all in these waste seas
They that have all the wisdom thats in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tearslaughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.
Dectora. Youve nothing but wild words,
And I would know if you will give me vengeance.
Forgael. When she finds out I will not let her go
When she knows that.
Dectora. What is it that you are muttering
That youll not let me go? I am a queen.
Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck
As now.
Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?
Forgael. Queen, I am not mad.
Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.
Forgael. No, I am not mad
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.
Dectora. And did those watchers bid you take me
captive?
Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouths have
promised
I shall have love in their immortal fashion;
And for this end they gave me my old harp
That is more mighty than the sun and moon,
Or than the shivering casting-net of the stars,
That none might take you from me.
Dectora [first trembling back from the mast where the harp is,
and then laughing]. For a moment
Your raving of a message and a harp
More mighty than the stars half troubled me,
But all thats raving. Who is there can compel
The daughter and the granddaughter of kings
To be his bedfellow?
Forgael. Until your lips
Have called me their beloved, Ill not kiss them.
Dectora. My husband and miy king died at my feet,
And yet you talk of love.
Forgael. The movement of time
Is shaken in these seas, and what one does
One moment has no might upon the moment
That follows after.
Dectora. I understand you now.
You have a Druid craft of wicked sound
Wrung from the cold women of the sea
A magic that can call a demon up,
Until my body give you kiss for kiss.
Forgael. Your soul shall give the kiss.
Dectora. I am not afraid,
While theres a rope to run into a noose
Or wave to drown. But I have done with words,
And I would have you look into my face
And know that it is fearless.
Forgael. Do what you will,
For neither I nor you can break a mesh
Of the great golden net that is about us.
Dectora. Theres nothing in the world thats worth a
fear.
[She passes Forgael and stands for a moment looking into
his face.]
I have good reason for that thought.
[She runs suddenly on to the raiscd part of the poop.]
And now
I can put fear away as a queen should.
[She mounts on to the hulwark and turns towards
Forgael.]
Fool, fool! Although you have looked into my face
You do not see my purpose. I shall have gone
Before a hand can touch me.
Forgael [folding his arms]. My hands are still;
The Ever-living hold us. Do what you will,
You cannot leap out of the golden net.
First Sailor. No need to drown, for, if you will pardon
us
And measure out a course and bring us home,
Well put this man to death.
Dectora. I promise it.
First Sailor. There is none to take his side.
Aibric. I am on his side,
Ill strike a blow for him to give him time
To cast his dreams away.
[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]
First Sailor. No otherll do it.
[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]
Second Sailor. He has put a sudden darkness over the
moon.
Dectora. Nine swords with handles of rhinoceros horn
To him that strikes him first!
First Sailor. I will strike him first.
[He goes close up to Forgael with his sword lifted.]
[Shrinking back.] He has caught the crescent moon out
of the sky,
And carries it between us.
Second Sailor. Holy fire
To burn us to the marrow if we strike.
Dectora. Ill give a golden galley full of fruit,
That has the heady flavour of new wine,
To him that wounds him to the death.
First Sailor. Ill do it.
For all his spells will vanish when he dies,
Having their life in him.
Second Sailor. Though it be the moon
That he is holding up between us there,
I will strike at him.
The Others. And I! And I! And I!
[Forgael plays the harp.]
First Sailor [falling into a dream suddenly. But you were
saying there is somebody
Upon that other ship we are to wake.
You did not know what brought him to his end,
But it was sudden.
Second Sailor. You are in the right;
I had forgotten that we must go wake him.
Dectora. He has flung a Druid spell upon the air,
And set you dreaming.
Second Sailor. How can we have a wake
When we have neither brown nor yellow ale?
First Sailor. I saw a flagon of brown ale aboard her.
Third Sailor. How can we raise the keen that do not
know
What name to call him by?
First Sailor. Come to his ship.
His name will come into our thoughts in a minute.
I know that he died a thousand years ago,
And has not yet been waked.
Second Sailor [beginning to keen]. Ohone! O! O! O!
The yew-bough has been broken into two,
And all the birds are scattered.
All the Sailors. O! O! O! O!
[They go out keening.]
Dectora. Protect me now, gods that my people swear by.
[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]
Aibric. Where is my sword that fell out of my hand
When I first heard the news? Ah, there it is!
[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]
Aibric [sleepily]. Queen, give it me.
Dectora. No, I have need of it.
Aibric. Why do you need a sword? But you may keep it.
Now that hes dead I have no need of it,
For everything is gone.
A Sailor [calling from the other ship]. Come hither, Aibric,
And tell me who it is that we are waking.
Aibric [half to Dectora, half to himself]. What name had
that dead king? Arthur of Britain?
No, nonot Arthur. I remember now.
It was golden-armed Iollan, and he died
Broken-hearted, having lost his queen
Through wicked spells. That is not all the tale,
For he was killed. O! O! O! O! O! O!
For golden-armed Iollan has been killed.
[He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]
Dectora. I will end all your magic on the instant.
[Her voice hecomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]
This sword is to lie beside him in the grave.
It was in all his battles. I will spread my hair,
And wring my hands, and wail him bitterly,
For I have heard that he was proud and laughing,
Blue-eyed, and a quick runner on bare feet,
And that he died a thousand years ago.
O; O! O! O!
[Forgael changes the tune.]
But no, that is not it.
They killed him at my feet. O! O! O! O!
For golden-armed Iollan that I loved-
But what is it that made me say I loved him?
It was that harper put it in my thoughts,
But it is true. Why did they run upon him,
And beat the golden helmet with their swords?
Forgael. Do you not know me, lady? I am he
That you are weeping for.
Dectora. No, for he is dead.
O! O! O! O! for golden-armed Iollan.
Forgael. It was so given out, but I will prove
That the grave-diggers in a dreamy frenzy
Have buried nothing but my golden arms.
Listen to that low-laughing string of the moon
And you will recollect my face and voice,
For you have listened to me playing it
These thousand years.
[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]
What are the birds at there?
Why are they all a-flutter of a sudden?
What are you calling out above the mast?
If railing and reproach and mockery
Because I have awakened her to love
By magic strings, Ill make this answer to it:
Being driven on by voices and by dreams
That were clear messages from the Ever-living,
I have done right. What could I but obey?
And yet you make a clamour of reproach.
Dcctora [laughing]. Why, its a wonder out of reckoning
That I should keen him from the full of the moon
To the horn, and he be hale and hearty.
Forgael. How have I wronged her now that she is merry?
But no, no, no! your cry is not against me.
You know the counsels of the Ever-living,
And all that tossing of your wings is joy,
And all that murmurings but a marriage-song;
But if it be reproach, I answer this:
There is not one among you that made love
by any other means. You call it passion,
Consideration, generosity;
But it was all deceit, and flattery
To win a woman in her own despite,
For love is war, and there is hatred in it;
And if you say that she came willingly
Dectora. Why do you turn away and hide your face,
That I would look upon for ever?
Forgael. My grief!
Dectora. Have I not loved you for a thousand years?
Forgael. I never have been golden-armed Iollan.
Vectora. I do not understand. I know your face
Better than my own hands.
Forgael. I have deceived you
Out of all reckoning.
Tectora. Is it not tme
That you were born a thousand years ago,
In islands where the children of Aengus wind
In happy dances under a windy moon,
And that youll bring me there?
Forgael. I have deceived you;
I have deceived you utterly.
Dectora. How can that be?
Is it that though your eyes are full of love
Some other woman has a claim on you,
And Ive but half!
Forgael. O no!
Dectora. And if there is,
If there be half a hundred more, what matter?
Ill never give another thought to it;
No, no, nor half a thought; but do not speak.
Women are hard and proud and stubborn-hearted,
Their heads being turned with praise and flattery;
And that is why their lovers are afraid
To tell them a plain story.
Forgael. Thats not the story;
But I have done so great a wrong against you,
There is no measure that it would not burst.
I will confess it all.
Dectora. What do I care,
Now that my body has begun to dream,
And you have grown to be a burning sod
In the imagination and intellect?
If something thats most fabulous were true
If you had taken me by magic spells,
And killed a lover or husband at my feet
I would not let you speak, for I would know
That it was yesterday and not to-day
I loved him; I would cover up my ears,
As I am doing now. [A pause.] Why do you weep?
Forgael. I weep because Ive nothing for your eyes
But desolate waters and a battered ship.
Dectora. O why do you not lift your eyes to mine?
Forgael. I weepI weep because bare nights above,
And not a roof of ivory and gold.
Dectora. I would grow jealous of the ivory roof,
And strike the golden pillars with my hands.
I would that there was nothing in the world
But my belovedthat night and day had perished,
And all that is and all that is to be,
All that is not the meeting of our lips.
Forgael. You turn away. Why do you turn away?
Am I to fear the waves, or is the moon
My enemy?
Dectora. I looked upon the moon,
Longing to knead and pull it into shape
That I might lay it on your head as a crown.
But now it is your thoughts that wander away,
For you are looking at the sea. Do you not know
How great a wrong it is to let ones thought
Wander a moment when one is in love?
[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]
Why are you looking at the sea?
Forgael. Look there!
Dectora. What is there but a troop of ash-grey birds
That fly into the west?
Forgael. But listen, listen!
Dectora. What is there but the crying of the birds?
Forgael. If youll but listen closely to that crying
Youll hear them calling out to one another
With human voices
Dectora. O, I can hear them now.
What are they? Unto what country do they fly?
Forgael. To unimaginable happiness.
They have been circling over our heads in the air,
But now that they have taken to the road
We have to follow, for they are our pilots;
And though theyre but the colour of grey ash,
Theyre crying out, could you but hear their words,
There is a country at the end of the world
Where no childs born but to outlive the moon.
[The Sailors comc in with Aibric. They are in great
excitement.]
First Sailor. The hold is full of treasure.
Second Sailor. Full to the hatches.
First Sailor. Treasure on treasure.
Third Sailor. Boxes of precious spice.
First Sailor. Ivory images with amethyst eyes.
Third Sailor. Dragons with eyes of ruby.
First Sailor. The whole ship
Flashes as if it were a net of herrings.
Third Sailor. Lets home; Id give some rubies to a
woman.
Second Sailor. Theres somebody Id give the amethyst
eyes to.
Aibric [silencing thcm with agesture]. We would return to
our own country, Forgael,
For we have found a treasure thats so great
Imagination cannot reckon it.
And having lit upon this woman there,
What more have you to look for on the seas?
Forgael. I cannotI am going on to the end.
As for this woman, I think she is coming with me.
Aibric. The Ever-living have made you mad; but no,
It was this woman in her womans vengeance
That drove you to it, and I fool enough
To fancy that shed bring you home again.
Twas you that egged him to it, for you know
That he is being driven to his death.
Dectora. That is not true, for he has promised me
An unimaginable happiness.
Aibric. And if that happiness be more than dreams,
More than the froth, the feather, the dust-whirl,
The crazy nothing that I think it is,
It shall be in the country of the dead,
If there be such a country.
Dectora. No, not there,
But in some island where the life of the world
Leaps upward, as if all the streams o the world
Had run into one fountain.
Aibric. Speak to him.
He knows that he is taking you to death;
Speakhe will not deny it.
Dectora. Is that true?
Forgael. I do not know for certain, but I know.
That I have the best of pilots.
Aibric. Shadows, illusions,
That the Shape-changers, the Ever-laughing Ones,
The Immortal Mockers have cast into his mind,
Or called before his eyes.
Dectora. O carry me
To some sure country, some familiar place.
Have we not everything that life can give
In having one another?
Forgael. How could I rest
If I refused the messengers and pilots
With all those sights and all that crying out?
Dectora. But I will cover up your eyes and ear?,
That you may never hear the cry of the birds,
Or look upon them.
Forgael. Were they but lowlier
Id do your will, but they are too hightoo high.
Dectora. Being too high, their heady prophecies
But harry us with hopes that come to nothing,
Because we are not proud, imperishable,
Alone and winged.
Forgael. Our love shall be like theirs
When we have put their changeless image on.
Dectora. I am a woman, I die at every breath.
Aibric. Let the birds scatter, for the tree is broken,
And theres no help in words. [To the Sailors.]
To the other ship,
And I will follow you and cut the rope
When I have said farewell to this man here,
For neither I nor any living man
Will look upon his face again.
[The Sailors go out.]
Forgael [to Dectora], Go with him,
For he will shelter you and bring you home.
Aibric [taking Forgaels hand]. Ill do it for his sake.
Dectora. No. Take this sword
And cut the rope, for I go on with Forgael.
Aibric [half falling into the keen]. The yew-bough has been
broken into two,
And all the birds are scatteredO! O! O!
Farewell! farewell! [He goes out.]
Dectora. The sword is in the rope
The ropes in twoit falls into the sea,
It whirls into the foam. O ancient worm,
Dragon that loved the world and held us to it,
You are broken, you are broken. The world drifts
away,
And I am left alone with my beloved,
Who cannot put me from his sight for ever.
We are alone for ever, and I laugh,
Forgael, because you cannot put me from you.
The mist has covered the heavens, and you and I
Shall be alone for ever. We twothis crown
I half remember. It has been in my dreams.
Bend lower, O king, that I may crown you with it.
O flower of the branch, 0 bird among the leaves,
O silver fish that my two hands have taken
Out of the running stream, O morning star
Trembling in the blue heavens like a white fawn
Upon the misty border of the wood,
Bend lower, that I may cover you with my hair,
For we will gaze upon this world no longer.
Forgael [gathering Dectoras hair about him]. Beloved, hav-
ing dragged the net about us,
And knitted mesh to mesh, we grow immortal;
And that old harp awakens of itself
To cry aloud to the grey birds, and dreams,
That have had dreams for father, live in us.
~ William Butler Yeats, The Shadowy Waters - The Shadowy Waters
,#NFDB
659:First Sailor. Has he not led us into these waste seas
For long enough?
Second Sailor. Aye, long and long enough.
First Sailor. We have not come upon a shore or ship
These dozen weeks.
Second Sailor. And I had thought to make
A good round Sum upon this cruise, and turn -
For I am getting on in life - to something
That has less ups and downs than robbery.
First Sailor. I am so tired of being bachelor
I could give all my heart to that Red Moll
That had but the one eye.
Second Sailor. Can no bewitchment
Transform these rascal billows into women
That I may drown myself?
First Sailor. Better steer home,
Whether he will or no; and better still
To take him while he sleeps and carry him
And drop him from the gunnel.
Second Sailor. I dare not do it.
Were't not that there is magic in his harp,
I would be of your mind; but when he plays it
Strange creatures flutter up before one's eyes,
Or cry about one's ears.
First Sailor. Nothing to fear.
Second Sailor. Do you remember when we sank that
galley
At the full moon?
First Sailor. He played all through the night.
Second Sailor. Until the moon had set; and when I looked
Where the dead drifted, I could see a bird
Like a grey gull upon the breast of each.
While I was looking they rose hurriedly,
And after circling with strange cries awhile
Flew westward; and many a time since then
I've heard a rustling overhead in the wind.
First Sailor. I saw them on that night as well as you.
But when I had eaten and drunk myself asleep
My courage came again.
Second Sailor. But that's not all.
The other night, while he was playing it,
A beautiful young man and girl came up
In a white breaking wave; they had the look
Of those that are alive for ever and ever.
First Sailor. I saw them, too, one night. Forgael was
playing,
And they were listening there& beyond the sail.
He could not see them, but I held out my hands
To grasp the woman.
Second Sailor. You have dared to touch her?
First Sailor. O she was but a shadow, and slipped from
me.
Second Sailor. But were you not afraid?
First Sailor. Why should I fear?
Second Sailor. "Twas Aengus and Edain, the wandering
lovers,
To whom all lovers pray.
First Sailor. But what of that?
A shadow does not carry sword or spear.
Second Sailor. My mother told me that there is not one
Of the Ever-living half so dangerous
As that wild Aengus. Long before her day
He carried Edain off from a king's house,
And hid her among fruits of jewel-stone
And in a tower of glass, and from that day
Has hated every man that's not in love,
And has been dangerous to him.
First Sailor. I have heard
He does not hate seafarers as he hates
Peaceable men that shut the wind away,
And keep to the one weary marriage-bed.
Second Sailor. I think that he has Forgael in his net,
And drags him through the sea,
First Sailor Well, net or none,
I'd drown him while we have the chance to do it.
Second Sailor. It's certain I'd sleep easier o' nights
If he were dead; but who will be our captain,
Judge of the stars, and find a course for us?
First Sailor. I've thought of that. We must have Aibric
with us,
For he can judge the stars as well as Forgael.
[Going towards Aibric.]
Become our captain, Aibric. I am resolved
To make an end of Forgael while he sleeps.
There's not a man but will be glad of it
When it is over, nor one to grumble at us.
Aibric. You have taken pay and made your bargain for it.
First Sailor. What good is there in this hard way of
living,
Unless we drain more flagons in a year
And kiss more lips than lasting peaceable men
In their long lives? Will you be of our troop
And take the captain's share of everything
And bring us into populous seas again?
Aibric. Be of your troop! Aibric be one of you
And Forgael in the other scale! kill Forgael,
And he my master from my childhood up!
If you will draw that sword out of its scabbard
I'll give my answer.
First Sailor. You have awakened him.
[To Second Sailor.]
We'd better go, for we have lost this chance.
[They go out.]
Forgael. Have the birds passed us? I could hear your
voice,
But there were others.
Aibric. I have seen nothing pass.
Forgael. You're certain of it? I never wake from sleep
But that I am afraid they may have passed,
For they're my only pilots. If I lost them
Straying too far into the north or south,
I'd never come upon the happiness
That has been promised me. I have not seen them
These many days; and yet there must be many
Dying at every moment in the world,
And flying towards their peace.
Aibric. Put by these thoughts,
And listen to me for a while. The sailors
Are plotting for your death.
Forgael. Have I not given
More riches than they ever hoped to find?
And now they will not follow, while I seek
The only riches that have hit my fancy.
Aibric. What riches can you find in this waste sea
Where no ship sails, where nothing that's alive
Has ever come but those man-headed birds,
Knowing it for the world's end?
Forgael. Where the world ends
The mind is made unchanging, for it finds
Miracle, ecstasy, the impossible hope,
The flagstone under all, the fire of fires,
The roots of the world.
Aibric. Shadows before now
Have driven travellers mad for their own sport.
Forgael. Do you, too, doubt me? Have you joined their
plot?
Aibric. No, no, do not say that. You know right well
That I will never lift a hand against you.
Forgael. Why should you be more faithful than the rest,
Being as doubtful?
Aibric. I have called you master
Too many years to lift a hand against you.
Forgael. Maybe it is but natural to doubt me.
You've never known, I'd lay a wager on it,
A melancholy that a cup of wine,
A lucky battle, or a woman's kiss
Could not amend.
Aibric. I have good spirits enough.
Forgael. If you will give me all your mind awhile -
All, all, the very bottom of the bowl -
I'll show you that I am made differently,
That nothing can amend it but these waters,
Where I am rid of life - the events of the world -
What do you call it? - that old promise-breaker,
The cozening fortune-teller that comes whispering,
"You will have all you have wished for when you have
earned
Land for your children or money in a pot.-
And when we have it we are no happier,
Because of that old draught under the door,
Or creaky shoes. And at the end of all
How are we better off than Seaghan the fool,
That never did a hand's turn? Aibric! Aibric!
We have fallen in the dreams the Ever-living
Breathe on the burnished mirror of the world
And then smooth out with ivory hands and sigh,
And find their laughter sweeter to the taste
For that brief sighing.
Aibric. If you had loved some woman -
Forgael. You say that also? You have heard the voices,
For that is what they say - all, all the shadows -
Aengus and Edain, those passionate wanderers,
And all the others; but it must be love
As they have known it. Now the secret's out;
For it is love that I am seeking for,
But of a beautiful, unheard-of kind
That is not in the world.
Aibric. And yet the world
Has beautiful women to please every man.
Forgael. But he that gets their love after the fashion
"Loves in brief longing and deceiving hope
And bodily tenderness, and finds that even
The bed of love, that in the imagination
Had seemed to be the giver of all peace,
Is no more than a wine-cup in the tasting,
And as soon finished.
Aibric. All that ever loved
Have loved that way - there is no other way.
Forgael. Yet never have two lovers kissed but they
believed there was some other near at hand,
And almost wept because they could not find it.
Aibric. When they have twenty years; in middle life
They take a kiss for what a kiss is worth,
And let the dream go by.
Forgael. It's not a dream,
But the reality that makes our passion
As a lamp shadow - no - no lamp, the sun.
What the world's million lips are thirsting for
Must be substantial somewhere.
Aibric. I have heard the Druids
Mutter such things as they awake from trance.
It may be that the Ever-living know it -
No mortal can.
Forgael. Yes; if they give us help.
Aibric. They are besotting you as they besot
The crazy herdsman that will tell his fellows
That he has been all night upon the hills,
Riding to hurley, or in the battle-host
With the Ever-living.
Forgael. What if he speak the truth,
And for a dozen hours have been a part
Of that more powerful life?
Aibric, His wife knows better.
Has she not seen him lying like a log,
Or fumbling in a dream about the house?
And if she hear him mutter of wild riders,
She knows that it was but the cart-horse coughing
That set him to the fancy.
Forgael. All would be well
Could we but give us wholly to the dreams,
And get into their world that to the sense
Is shadow, and not linger wretchedly
Among substantial things; for it is dreams
That lift us to the flowing, changing world
That the heart longs for. What is love itself,
Even though it be the lightest of light love,
But dreams that hurry from beyond the world
To make low laughter more than meat and drink,
Though it but set us sighing? Fellow-wanderer,
Could we but mix ourselves into a dream,
Not in its image on the mirror!
Aibric. While
We're in the body that's impossible.
Forgael. And yet I cannot think they're leading me
To death; for they that promised to me love
As those that can outlive the moon have known it, '
Had the world's total life gathered up, it seemed,
Into their shining limbs - I've had great teachers.
Aengus and Edain ran up out of the wave -
You'd never doubt that it was life they promised
Had you looked on them face to face as I did,
With so red lips, and running on such feet,
And having such wide-open, shining eyes.
Aibric. It's certain they are leading you to death.
None but the dead, or those that never lived,
Can know that ecstasy. Forgael! Forgael!
They have made you follow the man-headed birds,
And you have told me that their journey lies
Towards the country of the dead.
Forgael. What matter
If I am going to my death? - for there,
Or somewhere, I shall find the love they have
promised.
That much is certain. I shall find a woman.
One of the Ever-living, as I think -
One of the Laughing People - and she and I
Shall light upon a place in the world's core,
Where passion grows to be a changeless thing,
Like charmed apples made of chrysoprase,
Or chrysoberyl, or beryl, or chrysclite;
And there, in juggleries of sight and sense,
Become one movement, energy, delight,
Until the overburthened moon is dead.
[A number of Sailors enter hurriedly.]
First Sailor. Look there! there in the mist! a ship of spice!
And we are almost on her!
Second Sailor. We had not known
But for the ambergris and sandalwood.
First Sailor. NO; but opoponax and cinnamon.
Forgael [taking the tiller from Aibric]. The Ever-living have
kept my bargain for me,
And paid you on the nail.
Aibric Take up that rope
To make her fast while we are plundering her.
First Sailor. There is a king and queen upon her deck,
And where there is one woman there'll be others.
Aibric. Speak lower, or they'll hear.
First Sailor. They cannot hear;
They are too busy with each other. Look!
He has stooped down and kissed her on the lips.
Second Sailor. When she finds out we have better men
aboard
She may not be too sorry in the end.
First Sailor. She will be like a wild cat; for these queens
Care more about the kegs of silver and gold
And the high fame that come to them in marriage,
Than a strong body and a ready hand.
Second Sailor. There's nobody is natural but a robber,
And that is why the world totters about
Upon its bandy legs.
Aibric. Run at them now,
And overpower the crew while yet asleep!
[The Sailors go out.]
[Voices and the clashing of swords are heard from the
other ship, which cannot be seen because of the sail.]
A Voice. Armed men have come upon us! O I am slain!
Another Voice. Wake all below!
Another Voice. Why have you broken our sleep?
First Voice. Armed men have come upon us! O I am
slain!
Forgael [who has remained at the tiller]. There! there they
come! Gull, gannet, or diver,
But with a man's head, or a fair woman's,
They hover over the masthead awhile
To wait their Fiends; but when their friends have
come
They'll fly upon that secret way of theirs.
One - and one - a couple - five together;
And I will hear them talking in a minute.
Yes, voices! but I do not catch the words.
Now I can hear. There's one of them that says,
"How light we are, now we are changed to birds!'
Another answers, "Maybe we shall find
Our heart's desire now that we are so light.'
And then one asks another how he died,
And says, "A sword-blade pierced me in my sleep.-
And now they all wheel suddenly and fly
To the other side, and higher in the air.
And now a laggard with a woman's head
Comes crying, "I have run upon the sword.
I have fled to my beloved in the air,
In the waste of the high air, that we may wander
Among the windy meadows of the dawn.'
But why are they still waiting? why are they
Circling and circling over the masthead?
What power that is more mighty than desire
To hurry to their hidden happiness
Withholds them now? Have the Ever-living Ones
A meaning in that circling overhead?
But what's the meaning? [He cries out.] Why do you
linger there?
Why linger? Run to your desire,
Are you not happy winged bodies now?
[His voice sinks again.]
Being too busy in the air and the high air,
They cannot hear my voice; but what's the meaning?
[The Sailors have returned. Dectora is with them.]
Forgael [turning and seeing her]. Why are you standing
with your eyes upon me?
You are not the world's core. O no, no, no!
That cannot be the meaning of the birds.
You are not its core. My teeth are in the world,
But have not bitten yet.
Dectora. I am a queen,
And ask for satisfaction upon these
Who have slain my husband and laid hands upon me.
[Breaking loose from the Sailors who are holding her.]
Let go my hands!
Forgael. Why do you cast a shadow?
Where do you come from? Who brought you to this
place?
They would not send me one that casts a shadow.
Dectora. Would that the storm that overthrew my ships,
And drowned the treasures of nine conquered nations,
And blew me hither to my lasting sorrow,
Had drowned me also. But, being yet alive,
I ask a fitting punishment for all
That raised their hands against him.
Forgael. There are some
That weigh and measure all in these waste seas -
They that have all the wisdom that's in life,
And all that prophesying images
Made of dim gold rave out in secret tombs;
They have it that the plans of kings and queens
But laughter and tears - laughter, laughter, and tears;
That every man should carry his own soul
Upon his shoulders.
Dectora. You've nothing but wild words,
And I would know if you will give me vengeance.
Forgael. When she finds out I will not let her go -
When she knows that.
Dectora. What is it that you are muttering -
That you'll not let me go? I am a queen.
Forgael. Although you are more beautiful than any,
I almost long that it were possible;
But if I were to put you on that ship,
With sailors that were sworn to do your will,
And you had spread a sail for home, a wind
Would rise of a sudden, or a wave so huge
It had washed among the stars and put them out,
And beat the bulwark of your ship on mine,
Until you stood before me on the deck -
As now.
Dectora. Does wandering in these desolate seas
And listening to the cry of wind and wave
Bring madness?
Forgael. Queen, I am not mad.
Dectora. Yet say
That unimaginable storms of wind and wave
Would rise against me.
Forgael. No, I am not mad -
If it be not that hearing messages
From lasting watchers, that outlive the moon,
At the most quiet midnight is to be stricken.
Dectora. And did those watchers bid you take me
captive?
Forgael. Both you and I are taken in the net.
It was their hands that plucked the winds awake
And blew you hither; and their mouths have
promised
I shall have love in their immortal fashion;
And for this end they gave me my old harp
That is more mighty than the sun and moon,
Or than the shivering casting-net of the stars,
That none might take you from me.
Dectora [first trembling back from the mast where the harp is,
and then laughing]. For a moment
Your raving of a message and a harp
More mighty than the stars half troubled me,
But all that's raving. Who is there can compel
The daughter and the granddaughter of kings
To be his bedfellow?
Forgael. Until your lips
Have called me their beloved, I'll not kiss them.
Dectora. My husband and my king died at my feet,
And yet you talk of love.
Forgael. The movement of time
Is shaken in these seas, and what one does
One moment has no might upon the moment
That follows after.
Dectora. I understand you now.
You have a Druid craft of wicked sound
Wrung from the cold women of the sea -
A magic that can call a demon up,
Until my body give you kiss for kiss.
Forgael. Your soul shall give the kiss.
Dectora. I am not afraid,
While there's a rope to run into a noose
Or wave to drown. But I have done with words,
And I would have you look into my face
And know that it is fearless.
Forgael. Do what you will,
For neither I nor you can break a mesh
Of the great golden net that is about us.
Dectora. There's nothing in the world that's worth a
fear.
[She passes Forgael and stands for a moment looking into
his face.]
I have good reason for that thought.
[She runs suddenly on to the raised part of the poop.]
And now
I can put fear away as a queen should.
[She mounts on to the hulwark and turns towards
Forgael.]
Fool, fool! Although you have looked into my face
You do not see my purpose. I shall have gone
Before a hand can touch me.
Forgael [folding his arms]. My hands are still;
The Ever-living hold us. Do what you will,
You cannot leap out of the golden net.
First Sailor. No need to drown, for, if you will pardon
us
And measure out a course and bring us home,
We'll put this man to death.
Dectora. I promise it.
First Sailor. There is none to take his side.
Aibric. I am on his side,
I'll strike a blow for him to give him time
To cast his dreams away.
[Aibric goes in front of Forgael with drawn sword. For-
gael takes the harp.]
First Sailor. No other'll do it.
[The Sailors throw Aibric on one side. He falls and lies
upon the deck. They lift their swords to strike Forgael,
who is about to play the harp. The stage begins to
darken. The Sailors hesitate in fear.]
Second Sailor. He has put a sudden darkness over the
moon.
Dectora. Nine swords with handles of rhinoceros horn
To him that strikes him first!
First Sailor. I will strike him first.
[He goes close up to Forgael with his sword lifted.]
[Shrinking back.] He has caught the crescent moon out
of the sky,
And carries it between us.
Second Sailor. Holy fire
To burn us to the marrow if we strike.
Dectora. I'll give a golden galley full of fruit,
That has the heady flavour of new wine,
To him that wounds him to the death.
First Sailor. I'll do it.
For all his spells will vanish when he dies,
Having their life in him.
Second Sailor. Though it be the moon
That he is holding up between us there,
I will strike at him.
The Others. And I! And I! And I!
[Forgael plays the harp.]
First Sailor [falling into a dream suddenly. But you were
saying there is somebody
Upon that other ship we are to wake.
You did not know what brought him to his end,
But it was sudden.
Second Sailor. You are in the right;
I had forgotten that we must go wake him.
Dectora. He has flung a Druid spell upon the air,
And set you dreaming.
Second Sailor. How can we have a wake
When we have neither brown nor yellow ale?
First Sailor. I saw a flagon of brown ale aboard her.
Third Sailor. How can we raise the keen that do not
know
What name to call him by?
First Sailor. Come to his ship.
His name will come into our thoughts in a minute.
I know that he died a thousand years ago,
And has not yet been waked.
Second Sailor[beginning to keen]. Ohone! O! O! O!
The yew-bough has been broken into two,
And all the birds are scattered.
All the Sailors. O! O! O! O!
[They go out keening.]
Dectora. Protect me now, gods that my people swear by.
[Aibric has risen from the deck where he had fallen. He
has begun looking for his sword as if in a dream.]
Aibric. Where is my sword that fell out of my hand
When I first heard the news? Ah, there it is!
[He goes dreamily towards the sword, but Dectora runs at
it and takes it up before he can reach it.]
Aibric [sleepily]. Queen, give it me.
Dectora. No, I have need of it.
Aibric. Why do you need a sword? But you may keep it.
Now that he's dead I have no need of it,
For everything is gone.
A Sailor [calling from the other ship]. Come hither, Aibric,
And tell me who it is that we are waking.
Aibric [half to Dectora, half to himself]. What name had
that dead king? Arthur of Britain?
No, no - not Arthur. I remember now.
It was golden-armed Iollan, and he died
Broken-hearted, having lost his queen
Through wicked spells. That is not all the tale,
For he was killed. O! O! O! O! O! O!
For golden-armed Iollan has been killed.
[He goes out.]
[While he has been speaking, and through part of what
follows, one hears the wailing of the Sailors from the
other ship. Dectora stands with the sword lifted in
front of Forgael.]
Dectora. I will end all your magic on the instant.
[Her voice becomes dreamy, and she lowers the sword
slowly, and finally lets it fall. She spreads out her hair.
She takes off her crown and lays it upon the deck.]
This sword is to lie beside him in the grave.
It was in all his battles. I will spread my hair,
And wring my hands, and wail him bitterly,
For I have heard that he was proud and laughing,
Blue-eyed, and a quick runner on bare feet,
And that he died a thousand years ago.
O; O! O! O!
[Forgael changes the tune.]
But no, that is not it.
They killed him at my feet. O! O! O! O!
For golden-armed Iollan that I loved-
But what is it that made me say I loved him?
It was that harper put it in my thoughts,
But it is true. Why did they run upon him,
And beat the golden helmet with their swords?
Forgael. Do you not know me, lady? I am he
That you are weeping for.
Dectora. No, for he is dead.
O! O! O! O! for golden-armed Iollan.
Forgael. It was so given out, but I will prove
That the grave-diggers in a dreamy frenzy
Have buried nothing but my golden arms.
Listen to that low-laughing string of the moon
And you will recollect my face and voice,
For you have listened to me playing it
These thousand years.
[He starts up, listening to the birds. The harp slips from
his hands, and remains leaning against the bulwarks
behind him.]
What are the birds at there?
Why are they all a-flutter of a sudden?
What are you calling out above the mast?
If railing and reproach and mockery
Because I have awakened her to love
By magic strings, I'll make this answer to it:
Being driven on by voices and by dreams
That were clear messages from the Ever-living,
I have done right. What could I but obey?
And yet you make a clamour of reproach.
Dectora [laughing]. Why, it's a wonder out of reckoning
That I should keen him from the full of the moon
To the horn, and he be hale and hearty.
Forgael. How have I wronged her now that she is merry?
But no, no, no! your cry is not against me.
You know the counsels of the Ever-living,
And all that tossing of your wings is joy,
And all that murmuring's but a marriage-song;
But if it be reproach, I answer this:
There is not one among you that made love
by any other means. You call it passion,
Consideration, generosity;
But it was all deceit, and flattery
To win a woman in her own despite,
For love is war, and there is hatred in it;
And if you say that she came willingly -
Dectora. Why do you turn away and hide your face,
That I would look upon for ever?
Forgael. My grief!
Dectora. Have I not loved you for a thousand years?
Forgael. I never have been golden-armed Iollan.
Vectora. I do not understand. I know your face
Better than my own hands.
Forgael. I have deceived you
Out of all reckoning.
Tectora. Is it not time
That you were born a thousand years ago,
In islands where the children of Aengus wind
In happy dances under a windy moon,
And that you'll bring me there?
Forgael. I have deceived you;
I have deceived you utterly.
Dectora. How can that be?
Is it that though your eyes are full of love
Some other woman has a claim on you,
And I've but half!
Forgael. O no!
Dectora. And if there is,
If there be half a hundred more, what matter?
I'll never give another thought to it;
No, no, nor half a thought; but do not speak.
Women are hard and proud and stubborn-hearted,
Their heads being turned with praise and flattery;
And that is why their lovers are afraid
To tell them a plain story.
Forgael. That's not the story;
But I have done so great a wrong against you,
There is no measure that it would not burst.
I will confess it all.
Dectora. What do I care,
Now that my body has begun to dream,
And you have grown to be a burning sod
In the imagination and intellect?
If something that's most fabulous were true -
If you had taken me by magic spells,
And killed a lover or husband at my feet -
I would not let you speak, for I would know
That it was yesterday and not to-day
I loved him; I would cover up my ears,
As I am doing now. [A pause.] Why do you weep?
Forgael. I weep because I've nothing for your eyes
But desolate waters and a battered ship.
Dectora. O why do you not lift your eyes to mine?
Forgael. I weep - I weep because bare night's above,
And not a roof of ivory and gold.
Dectora. I would grow jealous of the ivory roof,
And strike the golden pillars with my hands.
I would that there was nothing in the world
But my beloved - that night and day had perished,
And all that is and all that is to be,
All that is not the meeting of our lips.
Forgael. You turn away. Why do you turn away?
Am I to fear the waves, or is the moon
My enemy?
Dectora. I looked upon the moon,
Longing to knead and pull it into shape
That I might lay it on your head as a crown.
But now it is your thoughts that wander away,
For you are looking at the sea. Do you not know
How great a wrong it is to let one's thought
Wander a moment when one is in love?
[He has moved away. She follows him. He is looking out
over the sea, shading his eyes.]
Why are you looking at the sea?
Forgael. Look there!
Dectora. What is there but a troop of ash-grey birds
That fly into the west?
Forgael. But listen, listen!
Dectora. What is there but the crying of the birds?
Forgael. If you'll but listen closely to that crying
You'll hear them calling out to one another
With human voices
Dectora. O, I can hear them now.
What are they? Unto what country do they fly?
Forgael. To unimaginable happiness.
They have been circling over our heads in the air,
But now that they have taken to the road
We have to follow, for they are our pilots;
And though they're but the colour of grey ash,
They're crying out, could you but hear their words,
"There is a country at the end of the world
Where no child's born but to outlive the moon.'
[The Sailors come in with Aibric. They are in great
excitement.]
First Sailor. The hold is full of treasure.
Second Sailor. Full to the hatches.
First Sailor. Treasure on treasure.
Third Sailor. Boxes of precious spice.
First Sailor. Ivory images with amethyst eyes.
Third Sailor. Dragons with eyes of ruby.
First Sailor. The whole ship
Flashes as if it were a net of herrings.
Third Sailor. Let's home; I'd give some rubies to a
woman.
Second Sailor. There's somebody I'd give the amethyst
eyes to.
Aibric [silencing them with agesture]. We would return to
our own country, Forgael,
For we have found a treasure that's so great
Imagination cannot reckon it.
And having lit upon this woman there,
What more have you to look for on the seas?
Forgael. I cannot - I am going on to the end.
As for this woman, I think she is coming with me.
Aibric. The Ever-living have made you mad; but no,
It was this woman in her woman's vengeance
That drove you to it, and I fool enough
To fancy that she'd bring you home again.
'Twas you that egged him to it, for you know
That he is being driven to his death.
Dectora. That is not true, for he has promised me
An unimaginable happiness.
Aibric. And if that happiness be more than dreams,
More than the froth, the feather, the dust-whirl,
The crazy nothing that I think it is,
It shall be in the country of the dead,
If there be such a country.
Dectora. No, not there,
But in some island where the life of the world
Leaps upward, as if all the streams o' the world
Had run into one fountain.
Aibric. Speak to him.
He knows that he is taking you to death;
Speak - he will not deny it.
Dectora. Is that true?
Forgael. I do not know for certain, but I know.
That I have the best of pilots.
Aibric. Shadows, illusions,
That the Shape-changers, the Ever-laughing Ones,
The Immortal Mockers have cast into his mind,
Or called before his eyes.
Dectora. O carry me
To some sure country, some familia'r place.
Have we not everything that life can give
In having one another?
Forgael. How could I rest
If I refused the messengers and pilots
With all those sights and all that crying out?
Dectora. But I will cover up your eyes and ear?,
That you may never hear the cry of the birds,
Or look upon them.
Forgael. Were they but lowlier
I'd do your will, but they are too high - too high.
Dectora. Being too high, their heady prophecies
But harry us with hopes that come to nothing,
Because we are not proud, imperishable,
Alone and winged.
Forgael. Our love shall be like theirs
When we have put their changeless image on.
Dectora. I am a woman, I die at every breath.
Aibric. Let the birds scatter, for the tree is broken,
And there's no help in words. [To the Sailors.]
To the other ship,
And I will follow you and cut the rope
When I have said farewell to this man here,
For neither I nor any living man
Will look upon his face again.
[The Sailors go out.]
Forgael [to Dectora], Go with him,
For he will shelter you and bring you home.
Aibric [taking Forgael's hand]. I'll do it for his sake.
Dectora. No. Take this sword
And cut the rope, for I go on with Forgael.
Aibric [half falling into the keen]. The yew-bough has been
broken into two,
And all the birds are scattered - O! O! O!
Farewell! farewell! [He goes out.]
Dectora. The sword is in the rope -
The rope's in two - it falls into the sea,
It whirls into the foam. O ancient worm,
Dragon that loved the world and held us to it,
You are broken, you are broken. The world drifts
away,
And I am left alone with my beloved,
Who cannot put me from his sight for ever.
We are alone for ever, and I laugh,
Forgael, because you cannot put me from you.
The mist has covered the heavens, and you and I
Shall be alone for ever. We two - this crown -
I half remember. It has been in my dreams.
Bend lower, O king, that I may crown you with it.
O flower of the branch, 0 bird among the leaves,
O silver fish that my two hands have taken
Out of the running stream, O morning star
Trembling in the blue heavens like a white fawn
Upon the misty border of the wood,
Bend lower, that I may cover you with my hair,
For we will gaze upon this world no longer.
Forgael [gathering Dectora's hair about him]. Beloved, hav-
ing dragged the net about us,
And knitted mesh to mesh, we grow immortal;
And that old harp awakens of itself
To cry aloud to the grey birds, and dreams,
That have had dreams for father, live in us.
The deck of an ancient ship. At the right of the stage is the mast,
with a large square sail hiding a great deal of the sky and sea
on that side. The tiller is at the left of the stage; it is a long oar
coming through an opening in the bulwark. The deck rises in a
series of steps behind the tiller, and the stern of the ship curves
overhead. When the play opens there are four persons upon the
deck. Aibric stands by the tiller. Forgael sleeps upon the raised
portion of the deck towards the front of the stage. Two Sailors
are standing near to the mast, on which a harp is hanging.
~ William Butler Yeats, A Dramatic Poem
,#NFDB
660:TO J. MILSAND, OF DIJON.
1840.
BOOK THE FIRST.
Who will, may hear Sordello's story told:
His story? Who believes me shall behold
The man, pursue his fortunes to the end,
Like me: for as the friendless-people's friend
Spied from his hill-top once, despite the din
And dust of multitudes, Pentapolin
Named o' the Naked Arm, I single out
Sordello, compassed murkily about
With ravage of six long sad hundred years.
Only believe me. Ye believe?
Appears
Verona . . . Never,I should warn you first,
Of my own choice had this, if not the worst
Yet not the best expedient, served to tell
A story I could body forth so well
By making speak, myself kept out of view,
The very man as he was wont to do,
And leaving you to say the rest for him.
Since, though I might be proud to see the dim
Abysmal past divide its hateful surge,
Letting of all men this one man emerge
Because it pleased me, yet, that moment past,
I should delight in watching first to last
His progress as you watch it, not a whit
More in the secret than yourselves who sit
Fresh-chapleted to listen. But it seems
Your setters-forth of unexampled themes,
Makers of quite new men, producing them,
Would best chalk broadly on each vesture's hem
The wearer's quality; or take their stand,
Motley on back and pointing-pole in hand,
Beside him. So, for once I face ye, friends,
Summoned together from the world's four ends,
Dropped down from heaven or cast up from hell,
To hear the story I propose to tell.
Confess now, poets know the dragnet's trick,
Catching the dead, if fate denies the quick,
And shaming her; 't is not for fate to choose
Silence or song because she can refuse
Real eyes to glisten more, real hearts to ache
Less oft, real brows turn smoother for our sake:
I have experienced something of her spite;
But there 's a realm wherein she has no right
And I have many lovers. Say; but few
Friends fate accords me? Here they are: now view
The host I muster! Many a lighted face
Foul with no vestige of the grave's disgrace;
What else should tempt them back to taste our air
Except to see how their successors fare?
My audience! and they sit, each ghostly man
Striving to look as living as he can,
Brother by breathing brother; thou art set,
Clear-witted critic, by . . . but I 'll not fret
A wondrous soul of them, nor move death's spleen
Who loves not to unlock them. Friends! I mean
The living in good earnestye elect
Chiefly for lovesuppose not I reject
Judicious praise, who contrary shall peep,
Some fit occasion, forth, for fear ye sleep,
To glean your bland approvals. Then, appear,
Verona! staythou, spirit, come not near
Nownot this time desert thy cloudy place
To scare me, thus employed, with that pure face!
I need not fear this audience, I make free
With them, but then this is no place for thee!
The thunder-phrase of the Athenian, grown
Up out of memories of Marathon,
Would echo like his own sword's griding screech
Braying a Persian shield,the silver speech
Of Sidney's self, the starry paladin,
Turn intense as a trumpet sounding in
The knights to tilt,wert thou to hear! What heart
Have I to play my puppets, bear my part
Before these worthies?
Lo, the past is hurled
In twain: up-thrust, out-staggering on the world,
Subsiding into shape, a darkness rears
Its outline, kindles at the core, appears
Verona. 'T is six hundred years and more
Since an event. The Second Friedrich wore
The purple, and the Third Honorius filled
The holy chair. That autumn eve was stilled:
A last remains of sunset dimly burned
O'er the far forests, like a torch-flame turned
By the wind back upon its bearer's hand
In one long flare of crimson; as a brand,
The woods beneath lay black. A single eye
From all Verona cared for the soft sky.
But, gathering in its ancient market-place,
Talked group with restless group; and not a face
But wrath made livid, for among them were
Death's staunch purveyors, such as have in care
To feast him. Fear had long since taken root
In every breast, and now these crushed its fruit,
The ripe hate, like a wine: to note the way
It worked while each grew drunk! Men grave and grey
Stood, with shut eyelids, rocking to and fro,
Letting the silent luxury trickle slow
About the hollows where a heart should be;
But the young gulped with a delirious glee
Some foretaste of their first debauch in blood
At the fierce news: for, be it understood,
Envoys apprised Verona that her prince
Count Richard of Saint Boniface, joined since
A year with Azzo, Este's Lord, to thrust
Taurello Salinguerra, prime in trust
With Ecelin Romano, from his seat
Ferrara,over zealous in the feat
And stumbling on a peril unaware,
Was captive, trammelled in his proper snare,
They phrase it, taken by his own intrigue.
Immediate succour from the Lombard League
Of fifteen cities that affect the Pope,
For Azzo, therefore, and his fellow-hope
Of the Guelf cause, a glory overcast!
Men's faces, late agape, are now aghast.
"Prone is the purple pavis; Este makes
"Mirth for the devil when he undertakes
"To play the Ecelin; as if it cost
"Merely your pushing-by to gain a post
"Like his! The patron tells ye, once for all,
"There be sound reasons that preferment fall
"On our beloved" . . .
"Duke o' the Rood, why not?"
Shouted an Estian, "grudge ye such a lot?
"The hill-cat boasts some cunning of her own,
"Some stealthy trick to better beasts unknown,
"That quick with prey enough her hunger blunts,
"And feeds her fat while gaunt the lion hunts."
"Taurello," quoth an envoy, "as in wane
"Dwelt at Ferrara. Like an osprey fain
"To fly but forced the earth his couch to make
"Far inland, till his friend the tempest wake,
"Waits he the Kaiser's coming; and as yet
"That fast friend sleeps, and he too sleeps: but let
"Only the billow freshen, and he snuffs
"The aroused hurricane ere it enroughs
"The sea it means to cross because of him.
"Sinketh the breeze? His hope-sick eye grows dim;
"Creep closer on the creature! Every day
"Strengthens the Pontiff; Ecelin, they say,
"Dozes now at Oliero, with dry lips
"Telling upon his perished finger-tips
"How many ancestors are to depose
"Ere he be Satan's Viceroy when the doze
"Deposits him in hell. So, Guelfs rebuilt
"Their houses; not a drop of blood was spilt
"When Cino Bocchimpane chanced to meet
"Buccio VirtGod's wafer, and the street
"Is narrow! Tutti Santi, think, a-swarm
"With Ghibellins, and yet he took no harm!
"This could not last. Off Salinguerra went
"To Padua, Podest, 'with pure intent,'
"Said he, 'my presence, judged the single bar
"'To permanent tranquillity, may jar
"'No longer'so! his back is fairly turned?
"The pair of goodly palaces are burned,
"The gardens ravaged, and our Guelfs laugh, drunk
"A week with joy. The next, their laughter sunk
"In sobs of blood, for they found, some strange way,
"Old Salinguerra back againI say,
"Old Salinguerra in the town once more
"Uprooting, overturning, flame before,
"Blood fetlock-high beneath him. Azzo fled;
"Who 'scaped the carnage followed; then the dead
"Were pushed aside from Salinguerra's throne,
"He ruled once more Ferrara, all alone,
"Till Azzo, stunned awhile, revived, would pounce
"Coupled with Boniface, like lynx and ounce,
"On the gorged bird. The burghers ground their teeth
"To see troop after troop encamp beneath
"I' the standing corn thick o'er the scanty patch
"It took so many patient months to snatch
"Out of the marsh; while just within their walls
"Men fed on men. At length Taurello calls
"A parley: 'let the Count wind up the war!'
"Richard, light-hearted as a plunging star,
"Agrees to enter for the kindest ends
"Ferrara, flanked with fifty chosen friends,
"No horse-boy more, for fear your timid sort
"Should fly Ferrara at the bare report.
"Quietly through the town they rode, jog-jog;
"'Ten, twenty, thirty,curse the catalogue
"'Of burnt Guelf houses! Strange, Taurello shows
"'Not the least sign of life'whereat arose
"A general growl: 'How? With his victors by?
"'I and my Veronese? My troops and I?
"'Receive us, was your word?' So jogged they on,
"Nor laughed their host too openly: once gone
"Into the trap!"
Six hundred years ago!
Such the time's aspect and peculiar woe
(Yourselves may spell it yet in chronicles,
Albeit the worm, our busy brother, drills
His sprawling path through letters anciently
Made fine and large to suit some abbot's eye)
When the new Hohenstauffen dropped the mask,
Flung John of Brienne's favour from his casque,
Forswore crusading, had no mind to leave
Saint Peter's proxy leisure to retrieve
Losses to Otho and to Barbaross,
Or make the Alps less easy to recross;
And, thus confirming Pope Honorius' fear,
Was excommunicate that very year.
"The triple-bearded Teuton come to life!"
Groaned the Great League; and, arming for the strife,
Wide Lombardy, on tiptoe to begin,
Took up, as it was Guelf or Ghibellin,
Its cry: what cry?
"The Emperor to come!"
His crowd of feudatories, all and some,
That leapt down with a crash of swords, spears, shields,
One fighter on his fellow, to our fields,
Scattered anon, took station here and there,
And carried it, till now, with little care
Cannot but cry for him; how else rebut
Us longer?cliffs, an earthquake suffered jut
In the mid-sea, each domineering crest
Which nought save such another throe can wrest
From out (conceive) a certain chokeweed grown
Since o'er the waters, twine and tangle thrown
Too thick, too fast accumulating round,
Too sure to over-riot and confound
Ere long each brilliant islet with itself,
Unless a second shock save shoal and shelf,
Whirling the sea-drift wide: alas, the bruised
And sullen wreck! Sunlight to be diffused
For that!sunlight, 'neath which, a scum at first,
The million fibres of our chokeweed nurst
Dispread themselves, mantling the troubled main,
And, shattered by those rocks, took hold again,
So kindly blazed itthat same blaze to brood
O'er every cluster of the multitude
Still hazarding new clasps, ties, filaments,
An emulous exchange of pulses, vents
Of nature into nature; till some growth
Unfancied yet, exuberantly clothe
A surface solid now, continuous, one:
"The Pope, for us the People, who begun
"The People, carries on the People thus,
"To keep that Kaiser off and dwell with us!"
See you?
Or say, Two Principles that live
Each fitly by its Representative.
"Hill-cat"who called him so?the gracefullest
Adventurer, the ambiguous stranger-guest
Of Lombardy (sleek but that ruffling fur,
Those talons to their sheath!) whose velvet purr
Soothes jealous neighbours when a Saxon scout
Arpo or Yoland, is it?one without
A country or a name, presumes to couch
Beside their noblest; until men avouch
That, of all Houses in the Trevisan,
Conrad descries no fitter, rear or van,
Than Ecelo! They laughed as they enrolled
That name at Milan on the page of gold,
Godego's lord,Ramon, Marostica,
Cartiglion, Bassano, Loria,
And every sheep cote on the Suabian's fief!
No laughter when his son, "the Lombard Chief"
Forsooth, as Barbarossa's path was bent
To Italy along the Vale of Trent,
Welcomed him at Roncaglia! Sadness now
The hamlets nested on the Tyrol's brow,
The Asolan and Euganean hills,
The Rhetian and the Julian, sadness fills
Them all, for Ecelin vouchsafes to stay
Among and care about them; day by day
Choosing this pinnacle, the other spot,
A castle building to defend a cot,
A cot built for a castle to defend,
Nothing but castles, castles, nor an end
To boasts how mountain ridge may join with ridge
By sunken gallery and soaring bridge.
He takes, in brief, a figure that beseems
The griesliest nightmare of the Church's dreams,
A Signory firm-rooted, unestranged
From its old interests, and nowise changed
By its new neighbourhood: perchance the vaunt
Of Otho, "my own Este shall supplant
"Your Este," come to pass. The sire led in
A son as cruel; and this Ecelin
Had sons, in turn, and daughters sly and tall
And curling and compliant; but for all
Romano (so they styled him) throve, that neck
Of his so pinched and white, that hungry cheek
Proved 't was some fiend, not him, the man's-flesh went
To feed: whereas Romano's instrument,
Famous Taurello Salinguerra, sole
I' the world, a tree whose boughs were slipt the bole
Successively, why should not he shed blood
To further a design? Men understood
Living was pleasant to him as he wore
His careless surcoat, glanced some missive o'er,
Propped on his truncheon in the public way,
While his lord lifted writhen hands to pray,
Lost at Oliero's convent.
Hill-cats, face
Our Azzo, our Guelf Lion! Why disgrace
A worthiness conspicuous near and far
(Atii at Rome while free and consular,
Este at Padua who repulsed the Hun)
By trumpeting the Church's princely son?
Styled Patron of Rovigo's Polesine,
Ancona's march, Ferrara's . . . ask, in fine,
Our chronicles, commenced when some old monk
Found it intolerable to be sunk
(Vexed to the quick by his revolting cell)
Quite out of summer while alive and well:
Ended when by his mat the Prior stood,
'Mid busy promptings of the brotherhood,
Striving to coax from his decrepit brains
The reason Father Porphyry took pains
To blot those ten lines out which used to stand
First on their charter drawn by Hildebrand.
The same night wears. Verona's rule of yore
Was vested in a certain Twenty-four;
And while within his palace these debate
Concerning Richard and Ferrara's fate,
Glide we by clapping doors, with sudden glare
Of cressets vented on the dark, nor care
For aught that 's seen or heard until we shut
The smother in, the lights, all noises but
The carroch's booming: safe at last! Why strange
Such a recess should lurk behind a range
Of banquet-rooms? Your fingerthusyou push
A spring, and the wall opens, would you rush
Upon the banqueters, select your prey,
Waiting (the slaughter-weapons in the way
Strewing this very bench) with sharpened ear
A preconcerted signal to appear;
Or if you simply crouch with beating heart,
Bearing in some voluptuous pageant part
To startle them. Nor mutes nor masquers now;
Nor any . . . does that one man sleep whose brow
The dying lamp-flame sinks and rises o'er?
What woman stood beside him? not the more
Is he unfastened from the earnest eyes
Because that arras fell between! Her wise
And lulling words are yet about the room,
Her presence wholly poured upon the gloom
Down even to her vesture's creeping stir.
And so reclines he, saturate with her,
Until an outcry from the square beneath
Pierces the charm: he springs up, glad to breathe,
Above the cunning element, and shakes
The stupor off as (look you) morning breaks
On the gay dress, and, near concealed by it,
The lean frame like a half-burnt taper, lit
Erst at some marriage-feast, then laid away
Till the Armenian bridegroom's dying day,
In his wool wedding-robe.
For hefor he,
Gate-vein of this hearts' blood of Lombardy,
(If I should falter now)for he is thine!
Sordello, thy forerunner, Florentine!
A herald-star I know thou didst absorb
Relentless into the consummate orb
That scared it from its right to roll along
A sempiternal path with dance and song
Fulfilling its allotted period,
Serenest of the progeny of God
Who yet resigns it not! His darling stoops
With no quenched lights, desponds with no blank troops
Of disenfranchised brilliances, for, blent
Utterly with thee, its shy element
Like thine upburneth prosperous and clear.
Still, what if I approach the august sphere
Named now with only one name, disentwine
That under-current soft and argentine
From its fierce mate in the majestic mass
Leavened as the sea whose fire was mixt with glass
In John's transcendent vision,launch once more
That lustre? Dante, pacer of the shore
Where glutted hell disgorgeth filthiest gloom,
Unbitten by its whirring sulphur-spume
Or whence the grieved and obscure waters slope
Into a darkness quieted by hope;
Plucker of amaranths grown beneath God's eye
In gracious twilights where his chosen lie,
I would do this! If I should falter now!
In Mantua territory half is slough,
Half pine-tree forest; maples, scarlet oaks
Breed o'er the river-beds; even Mincio chokes
With sand the summer through: but 't is morass
In winter up to Mantua walls. There was,
Some thirty years before this evening's coil,
One spot reclaimed from the surrounding spoil,
Goito; just a castle built amid
A few low mountains; firs and larches hid
Their main defiles, and rings of vineyard bound
The rest. Some captured creature in a pound,
Whose artless wonder quite precludes distress,
Secure beside in its own loveliness,
So peered with airy head, below, above,
The castle at its toils, the lapwings love
To glean among at grape-time. Pass within.
A maze of corridors contrived for sin,
Dusk winding-stairs, dim galleries got past,
You gain the inmost chambers, gain at last
A maple-panelled room: that haze which seems
Floating about the panel, if there gleams
A sunbeam over it, will turn to gold
And in light-graven characters unfold
The Arab's wisdom everywhere; what shade
Marred them a moment, those slim pillars made,
Cut like a company of palms to prop
The roof, each kissing top entwined with top,
Leaning together; in the carver's mind
Some knot of bacchanals, flushed cheek combined
With straining forehead, shoulders purpled, hair
Diffused between, who in a goat-skin bear
A vintage; graceful sister-palms! But quick
To the main wonder, now. A vault, see; thick
Black shade about the ceiling, though fine slits
Across the buttress suffer light by fits
Upon a marvel in the midst. Nay, stoop
A dullish grey-streaked cumbrous font, a group
Round it,each side of it, where'er one sees,
Upholds it; shrinking Caryatides
Of just-tinged marble like Eve's lilied flesh
Beneath her maker's finger when the fresh
First pulse of life shot brightening the snow.
The font's edge burthens every shoulder, so
They muse upon the ground, eyelids half closed;
Some, with meek arms behind their backs disposed,
Some, crossed above their bosoms, some, to veil
Their eyes, some, propping chin and cheek so pale,
Some, hanging slack an utter helpless length
Dead as a buried vestal whose whole strength
Goes when the grate above shuts heavily.
So dwell these noiseless girls, patient to see,
Like priestesses because of sin impure
Penanced for ever, who resigned endure,
Having that once drunk sweetness to the dregs.
And every eve, Sordello's visit begs
Pardon for them: constant as eve he came
To sit beside each in her turn, the same
As one of them, a certain space: and awe
Made a great indistinctness till he saw
Sunset slant cheerful through the buttress-chinks,
Gold seven times globed; surely our maiden shrinks
And a smile stirs her as if one faint grain
Her load were lightened, one shade less the stain
Obscured her forehead, yet one more bead slipt
From off the rosary whereby the crypt
Keeps count of the contritions of its charge?
Then with a step more light, a heart more large,
He may depart, leave her and every one
To linger out the penance in mute stone.
Ah, but Sordello? 'T is the tale I mean
To tell you.
In this castle may be seen,
On the hill tops, or underneath the vines,
Or eastward by the mound of firs and pines
That shuts out Mantua, still in loneliness,
A slender boy in a loose page's dress,
Sordello: do but look on him awhile
Watching ('t is autumn) with an earnest smile
The noisy flock of thievish birds at work
Among the yellowing vineyards; see him lurk
('T is winter with its sullenest of storms)
Beside that arras-length of broidered forms,
On tiptoe, lifting in both hands a light
Which makes yon warrior's visage flutter bright
Ecelo, dismal father of the brood,
And Ecelin, close to the girl he wooed,
Auria, and their Child, with all his wives
From Agnes to the Tuscan that survives,
Lady of the castle, Adelaide. His face
Look, now he turns away! Yourselves shall trace
(The delicate nostril swerving wide and fine,
A sharp and restless lip, so well combine
With that calm brow) a soul fit to receive
Delight at every sense; you can believe
Sordello foremost in the regal class
Nature has broadly severed from her mass
Of men, and framed for pleasure, as she frames
Some happy lands, that have luxurious names,
For loose fertility; a footfall there
Suffices to upturn to the warm air
Half-germinating spices; mere decay
Produces richer life; and day by day
New pollen on the lily-petal grows,
And still more labyrinthine buds the rose.
You recognise at once the finer dress
Of flesh that amply lets in loveliness
At eye and ear, while round the rest is furled
(As though she would not trust them with her world)
A veil that shows a sky not near so blue,
And lets but half the sun look fervid through.
How can such love?like souls on each full-fraught
Discovery brooding, blind at first to aught
Beyond its beauty, till exceeding love
Becomes an aching weight; and, to remove
A curse that haunts such naturesto preclude
Their finding out themselves can work no good
To what they love nor make it very blest
By their endeavour,they are fain invest
The lifeless thing with life from their own soul,
Availing it to purpose, to control,
To dwell distinct and have peculiar joy
And separate interests that may employ
That beauty fitly, for its proper sake.
Nor rest they here; fresh births of beauty wake
Fresh homage, every grade of love is past,
With every mode of loveliness: then cast
Inferior idols off their borrowed crown
Before a coming glory. Up and down
Runs arrowy fire, while earthly forms combine
To throb the secret forth; a touch divine
And the scaled eyeball owns the mystic rod;
Visibly through his garden walketh God.
So fare they. Now revert. One character
Denotes them through the progress and the stir,
A need to blend with each external charm,
Bury themselves, the whole heart wide and warm,
In something not themselves; they would belong
To what they worshipstronger and more strong
Thus prodigally fedwhich gathers shape
And feature, soon imprisons past escape
The votary framed to love and to submit
Nor ask, as passionate he kneels to it,
Whence grew the idol's empery. So runs
A legend; light had birth ere moons and suns,
Flowing through space a river and alone,
Till chaos burst and blank the spheres were strown
Hither and thither, foundering and blind:
When into each of them rushed lightto find
Itself no place, foiled of its radiant chance.
Let such forego their just inheritance!
For there 's a class that eagerly looks, too,
On beauty, but, unlike the gentler crew,
Proclaims each new revealment born a twin
With a distinctest consciousness within,
Referring still the quality, now first
Revealed, to their own soulits instinct nursed
In silence, now remembered better, shown
More thoroughly, but not the less their own;
A dream come true; the special exercise
Of any special function that implies
The being fair, or good, or wise, or strong,
Dormant within their nature all along
Whose fault? So, homage, other souls direct
Without, turns inward. "How should this deject
"Thee, soul?" they murmur; "wherefore strength be quelled
"Because, its trivial accidents withheld,
"Organs are missed that clog the world, inert,
"Wanting a will, to quicken and exert,
"Like thineexistence cannot satiate,
"Cannot surprise? Laugh thou at envious fate,
"Who, from earth's simplest combination stampt
"With individualityuncrampt
"By living its faint elemental life,
"Dost soar to heaven's complexest essence, rife
"With grandeurs, unaffronted to the last,
"Equal to being all!"
In truth? Thou hast
Life, thenwilt challenge life for us: our race
Is vindicated so, obtains its place
In thy ascent, the first of us; whom we
May follow, to the meanest, finally,
With our more bounded wills?
Ah, but to find
A certain mood enervate such a mind,
Counsel it slumber in the solitude
Thus reached nor, stooping, task for mankind's good
Its nature just as life and time accord
"Too narrow an arena to reward
"Emprizethe world's occasion worthless since
"Not absolutely fitted to evince
"Its mastery!" Or if yet worse befall,
And a desire possess it to put all
That nature forth, forcing our straitened sphere
Contain it,to display completely here
The mastery another life should learn,
Thrusting in time eternity's concern,
So that Sordello. . . .
Fool, who spied the mark
Of leprosy upon him, violet-dark
Already as he loiters? Born just now,
With the new century, beside the glow
And efflorescence out of barbarism;
Witness a Greek or two from the abysm
That stray through Florence-town with studious air,
Calming the chisel of that Pisan pair:
If Nicolo should carve a Christus yet!
While at Siena is Guidone set,
Forehead on hand; a painful birth must be
Matured ere Saint Eufemia's sacristy
Or transept gather fruits of one great gaze
At the moon: look you! The same orange haze,
The same blue stripe round thatand, in the midst,
Thy spectral whiteness, Mother-maid, who didst
Pursue the dizzy painter!
Woe, then, worth
Any officious babble letting forth
The leprosy confirmed and ruinous
To spirit lodged in a contracted house!
Go back to the beginning, rather; blend
It gently with Sordello's life; the end
Is piteous, you may see, but much between
Pleasant enough. Meantime, some pyx to screen
The full-grown pest, some lid to shut upon
The goblin! So they found at Babylon,
(Colleagues, mad Lucius and sage Antonine)
Sacking the city, by Apollo's shrine,
In rummaging among the rarities,
A certain coffer; he who made the prize
Opened it greedily; and out there curled
Just such another plague, for half the world
Was stung. Crawl in then, hag, and couch asquat,
Keeping that blotchy bosom thick in spot
Until your time is ripe! The coffer-lid
Is fastened, and the coffer safely hid
Under the Loxian's choicest gifts of gold.
Who will may hear Sordello's story told,
And how he never could remember when
He dwelt not at Goito. Calmly, then,
About this secret lodge of Adelaide's
Glided his youth away; beyond the glades
On the fir-forest border, and the rim
Of the low range of mountain, was for him
No other world: but this appeared his own
To wander through at pleasure and alone.
The castle too seemed empty; far and wide
Might he disport; only the northern side
Lay under a mysterious interdict
Slight, just enough remembered to restrict
His roaming to the corridors, the vault
Where those font-bearers expiate their fault,
The maple-chamber, and the little nooks
And nests, and breezy parapet that looks
Over the woods to Mantua: there he strolled.
Some foreign women-servants, very old,
Tended and crept about himall his clue
To the world's business and embroiled ado
Distant a dozen hill-tops at the most.
And first a simple sense of life engrossed
Sordello in his drowsy Paradise;
The day's adventures for the day suffice
Its constant tribute of perceptions strange,
With sleep and stir in healthy interchange,
Suffice, and leave him for the next at ease
Like the great palmer-worm that strips the trees,
Eats the life out of every luscious plant,
And, when September finds them sere or scant,
Puts forth two wondrous winglets, alters quite,
And hies him after unforeseen delight.
So fed Sordello, not a shard dissheathed;
As ever, round each new discovery, wreathed
Luxuriantly the fancies infantine
His admiration, bent on making fine
Its novel friend at any risk, would fling
In gay profusion forth: a ficklest king,
Confessed those minions!eager to dispense
So much from his own stock of thought and sense
As might enable each to stand alone
And serve him for a fellow; with his own,
Joining the qualities that just before
Had graced some older favourite. Thus they wore
A fluctuating halo, yesterday
Set flicker and to-morrow filched away,
Those upland objects each of separate name,
Each with an aspect never twice the same,
Waxing and waning as the new-born host
Of fancies, like a single night's hoar-frost,
Gave to familiar things a face grotesque;
Only, preserving through the mad burlesque
A grave regard. Conceive! the orpine patch
Blossoming earliest on the log-house thatch
The day those archers wound along the vines
Related to the Chief that left their lines
To climb with clinking step the northern stair
Up to the solitary chambers where
Sordello never came. Thus thrall reached thrall;
He o'er-festooning every interval,
As the adventurous spider, making light
Of distance, shoots her threads from depth to height,
From barbican to battlement: so flung
Fantasies forth and in their centre swung
Our architect,the breezy morning fresh
Above, and merry,all his waving mesh
Laughing with lucid dew-drops rainbow-edged.
This world of ours by tacit pact is pledged
To laying such a spangled fabric low
Whether by gradual brush or gallant blow.
But its abundant will was baulked here: doubt
Rose tardily in one so fenced about
From most that nurtures judgment,care and pain:
Judgment, that dull expedient we are fain,
Less favoured, to adopt betimes and force
Stead us, diverted from our natural course
Of joyscontrive some yet amid the dearth,
Vary and render them, it may be, worth
Most we forego. Suppose Sordello hence
Selfish enough, without a moral sense
However feeble; what informed the boy
Others desired a portion in his joy?
Or say a ruthful chance broke woof and warp
A heron's nest beat down by March winds sharp,
A fawn breathless beneath the precipice,
A bird with unsoiled breast and unfilmed eyes
Warm in the brakecould these undo the trance
Lapping Sordello? Not a circumstance
That makes for you, friend Naddo! Eat fern-seed
And peer beside us and report indeed
If (your word) "genius" dawned with throes and stings
And the whole fiery catalogue, while springs,
Summers, and winters quietly came and went.
Time put at length that period to content,
By right the world should have imposed: bereft
Of its good offices, Sordello, left
To study his companions, managed rip
Their fringe off, learn the true relationship,
Core with its crust, their nature with his own:
Amid his wild-wood sights he lived alone.
As if the poppy felt with him! Though he
Partook the poppy's red effrontery
Till Autumn spoiled their fleering quite with rain,
And, turbanless, a coarse brown rattling crane
Lay bare. That 's gone: yet why renounce, for that,
His disenchanted tributariesflat
Perhaps, but scarce so utterly forlorn,
Their simple presence might not well be borne
Whose parley was a transport once: recall
The poppy's gifts, it flaunts you, after all,
A poppy:why distrust the evidence
Of each soon satisfied and healthy sense?
The new-born judgment answered, "little boots
"Beholding other creatures' attributes
"And having none!" or, say that it sufficed,
"Yet, could one but possess, oneself," (enticed
Judgment) "some special office!" Nought beside
Serves you? "Well then, be somehow justified
"For this ignoble wish to circumscribe
"And concentrate, rather than swell, the tribe
"Of actual pleasures: what, now, from without
"Effects it?proves, despite a lurking doubt,
"Mere sympathy sufficient, trouble spared?
"That, tasting joys by proxy thus, you fared
"The better for them?" Thus much craved his soul,
Alas, from the beginning love is whole
And true; if sure of nought beside, most sure
Of its own truth at least; nor may endure
A crowd to see its face, that cannot know
How hot the pulses throb its heart below.
While its own helplessness and utter want
Of means to worthily be ministrant
To what it worships, do but fan the more
Its flame, exalt the idol far before
Itself as it would have it ever be.
Souls like Sordello, on the contrary,
Coerced and put to shame, retaining will,
Care little, take mysterious comfort still,
But look forth tremblingly to ascertain
If others judge their claims not urged in vain,
And say for them their stifled thoughts aloud.
So, they must ever live before a crowd:
"Vanity," Naddo tells you.
Whence contrive
A crowd, now? From these women just alive,
That archer-troop? Forth glidednot alone
Each painted warrior, every girl of stone,
Nor Adelaide (bent double o'er a scroll,
One maiden at her knees, that eve, his soul
Shook as he stumbled through the arras'd glooms
On them, for, 'mid quaint robes and weird perfumes,
Started the meagre Tuscan up,her eyes,
The maiden's, also, bluer with surprise)
But the entire out-world: whatever, scraps
And snatches, song and story, dreams perhaps,
Conceited the world's offices, and he
Had hitherto transferred to flower or tree,
Not counted a befitting heritage
Each, of its own right, singly to engage
Some man, no other,such now dared to stand
Alone. Strength, wisdom, grace on every hand
Soon disengaged themselves, and he discerned
A sort of human life: at least, was turned
A stream of lifelike figures through his brain.
Lord, liegeman, valvassor and suzerain,
Ere he could choose, surrounded him; a stuff
To work his pleasure on; there, sure enough:
But as for gazing, what shall fix that gaze?
Are they to simply testify the ways
He who convoked them sends his soul along
With the cloud's thunder or a dove's brood-song?
While they live each his life, boast each his own
Peculiar dower of bliss, stand each alone
In some one point where something dearest loved
Is easiest gainedfar worthier to be proved
Than aught he envies in the forest-wights!
No simple and self-evident delights,
But mixed desires of unimagined range,
Contrasts or combinations, new and strange,
Irksome perhaps, yet plainly recognized
By this, the sudden companyloves prized
By those who are to prize his own amount
Of loves. Once care because such make account,
Allow that foreign recognitions stamp
The current value, and his crowd shall vamp
Him counterfeits enough; and so their print
Be on the piece, 't is gold, attests the mint,
And "good," pronounce they whom his new appeal
Is made to: if their casual print conceal
This arbitrary good of theirs o'ergloss
What he has lived without, nor felt the loss
Qualities strange, ungainly, wearisome,
What matter? So must speech expand the dumb
Part-sigh, part-smile with which Sordello, late
Whom no poor woodland-sights could satiate,
Betakes himself to study hungrily
Just what the puppets his crude phantasy
Supposes notablest,popes, kings, priests, knights,
May please to promulgate for appetites;
Accepting all their artificial joys
Not as he views them, but as he employs
Each shape to estimate the other's stock
Of attributes, whereona marshalled flock
Of authorized enjoymentshe may spend
Himself, be men, now, as he used to blend
With tree and flowernay more entirely, else
'T were mockery: for instance, "How excels
"My life that chieftain's?" (who apprised the youth
Ecelin, here, becomes this month, in truth,
Imperial Vicar?) "Turns he in his tent
"Remissly? Be it somy head is bent
"Deliciously amid my girls to sleep.
"What if he stalks the Trentine-pass? Yon steep
"I climbed an hour ago with little toil:
"We are alike there. But can I, too, foil
"The Guelf's paid stabber, carelessly afford
"Saint Mark's a spectacle, the sleight o' the sword
"Baffling the treason in a moment?" Here
No rescue! Poppy he is none, but peer
To Ecelin, assuredly: his hand,
Fashioned no otherwise, should wield a brand
With Ecelin's successtry, now! He soon
Was satisfied, returned as to the moon
From earth; left each abortive boy's-attempt
For feats, from failure happily exempt,
In fancy at his beck. "One day I will
"Accomplish it! Are they not older still
"Not grown-up men and women? 'T is beside
"Only a dream; and though I must abide
"With dreams now, I may find a thorough vent
"For all myself, acquire an instrument
"For acting what these people act; my soul
"Hunting a body out may gain its whole
"Desire some day!" How else express chagrin
And resignation, show the hope steal in
With which he let sink from an aching wrist
The rough-hewn ash-bow? Straight, a gold shaft hissed
Into the Syrian air, struck Malek down
Superbly! "Crosses to the breach! God's Town
"Is gained him back!" Why bend rough ash-bows more?
Thus lives he: if not careless as before,
Comforted: for one may anticipate,
Rehearse the future, be prepared when fate
Shall have prepared in turn real men whose names
Startle, real places of enormous fames,
Este abroad and Ecelin at home
To worship him,Mantua, Verona, Rome
To witness it. Who grudges time so spent?
Rather test qualities to heart's content
Summon them, thrice selected, near and far
Compress the starriest into one star,
And grasp the whole at once!
The pageant thinned
Accordingly; from rank to rank, like wind
His spirit passed to winnow and divide;
Back fell the simpler phantasms; every side
The strong clave to the wise; with either classed
The beauteous; so, till two or three amassed
Mankind's beseemingnesses, and reduced
Themselves eventually,graces loosed,
Strengths lavished,all to heighten up One Shape
Whose potency no creature should escape.
Can it be Friedrich of the bowmen's talk?
Surely that grape-juice, bubbling at the stalk,
Is some grey scorching Saracenic wine
The Kaiser quaffs with the Miramoline
Those swarthy hazel-clusters, seamed and chapped,
Or filberts russet-sheathed and velvet-capped,
Are dates plucked from the bough John Brienne sent
To keep in mind his sluggish armament
Of Canaan:Friedrich's, all the pomp and fierce
Demeanour! But harsh sounds and sights transpierce
So rarely the serene cloud where he dwells
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
Has thunder for its slave; but where 's the need
Of thunder if the stricken multitude
Hearkens, arrested in its angriest mood,
While songs go up exulting, then dispread,
Dispart, disperse, lingering overhead
Like an escape of angels? 'T is the tune,
Nor much unlike the words his women croon
Smilingly, colourless and faint-designed
Each, as a worn-out queen's face some remind
Of her extreme youth's love-tales. "Eglamor
"Made that!" Half minstrel and half emperor,
What but ill objects vexed him? Such he slew.
The kinder sort were easy to subdue
By those ambrosial glances, dulcet tones;
And these a gracious hand advanced to thrones
Beneath him. Wherefore twist and torture this,
Striving to name afresh the antique bliss,
Instead of saying, neither less nor more,
He had discovered, as our world before,
Apollo? That shall be the name; nor bid
Me rag by rag expose how patchwork hid
The youthwhat thefts of every clime and day
Contributed to purfle the array
He climbed with (June at deep) some close ravine
Mid clatter of its million pebbles sheen,
Over which, singing soft, the runnel slipped
Elate with rains: into whose streamlet dipped
He foot, yet trod, you thought, with unwet sock
Though really on the stubs of living rock
Ages ago it crenelled; vines for roof,
Lindens for wall; before him, aye aloof,
Flittered in the cool some azure damsel-fly,
Born of the simmering quiet, there to die.
Emerging whence, Apollo still, he spied
Mighty descents of forest; multiplied
Tuft on tuft, here, the frolic myrtle-trees,
There gendered the grave maple stocks at ease.
And, proud of its observer, straight the wood
Tried old surprises on him; black it stood
A sudden barrier ('twas a cloud passed o'er)
So dead and dense, the tiniest brute no more
Must pass; yet presently (the cloud dispatched)
Each clump, behold, was glistering detached
A shrub, oak-boles shrunk into ilex-stems!
Yet could not he denounce the stratagems
He saw thro', till, hours thence, aloft would hang
White summer-lightnings; as it sank and sprang
To measure, that whole palpitating breast
Of heaven, 't was Apollo, nature prest
At eve to worship.
Time stole: by degrees
The Pythons perish off; his votaries
Sink to respectful distance; songs redeem
Their pains, but briefer; their dismissals seem
Emphatic; only girls are very slow
To disappearhis Delians! Some that glow
O' the instant, more with earlier loves to wrench
Away, reserves to quell, disdains to quench;
Alike in one material circumstance
All soon or late adore Apollo! Glance
The bevy through, divine Apollo's choice,
His Daphne! "We secure Count Richard's voice
"In Este's counsels, good for Este's ends
"As our Taurello," say his faded friends,
"By granting him our Palma!"the sole child,
They mean, of Agnes Este who beguiled
Ecelin, years before this Adelaide
Wedded and turned him wicked: "but the maid
"Rejects his suit," those sleepy women boast.
She, scorning all beside, deserves the most
Sordello: so, conspicuous in his world
Of dreams sat Palma. How the tresses curled
Into a sumptuous swell of gold and wound
About her like a glory! even the ground
Was bright as with spilt sunbeams; breathe not, breathe
Not!poised, see, one leg doubled underneath,
Its small foot buried in the dimpling snow,
Rests, but the other, listlessly below,
O'er the couch-side swings feeling for cool air,
The vein-streaks swollen a richer violet where
The languid blood lies heavily; yet calm
On her slight prop, each flat and outspread palm,
As but suspended in the act to rise
By consciousness of beauty, whence her eyes
Turn with so frank a triumph, for she meets
Apollo's gaze in the pine glooms.
Time fleets:
That 's worst! Because the pre-appointed age
Approaches. Fate is tardy with the stage
And crowd she promised. Lean he grows and pale,
Though restlessly at rest. Hardly avail
Fancies to soothe him. Time steals, yet alone
He tarries here! The earnest smile is gone.
How long this might continue matters not;
For ever, possibly; since to the spot
None come: our lingering Taurello quits
Mantua at last, and light our lady flits
Back to her place disburthened of a care.
Strangeto be constant here if he is there!
Is it distrust? Oh, never! for they both
Goad Ecelin alike, Romano's growth
Is daily manifest, with Azzo dumb
And Richard wavering: let but Friedrich come,
Find matter for the minstrelsy's report
Lured from the Isle and its young Kaiser's court
To sing us a Messina morning up,
And, double rillet of a drinking cup,
Sparkle along to ease the land of drouth,
Northward to Provence that, and thus far south
The other! What a method to apprise
Neighbours of births, espousals, obsequies,
Which in their very tongue the Troubadour
Records! and his performance makes a tour,
For Trouveres bear the miracle about,
Explain its cunning to the vulgar rout,
Until the Formidable House is famed
Over the countryas Taurello aimed,
Who introduced, although the rest adopt,
The novelty. Such games, her absence stopped,
Begin afresh now Adelaide, recluse
No longer, in the light of day pursues
Her plans at Mantua: whence an accident
Which, breaking on Sordello's mixed content
Opened, like any flash that cures the blind,
The veritable business of mankind.
~ Robert Browning, Sordello - Book the First
,#NFDB
661:O Sovereign power of love! O grief! O balm!
All records, saving thine, come cool, and calm,
And shadowy, through the mist of passed years:
For others, good or bad, hatred and tears
Have become indolent; but touching thine,
One sigh doth echo, one poor sob doth pine,
One kiss brings honey-dew from buried days.
The woes of Troy, towers smothering o'er their blaze,
Stiff-holden shields, far-piercing spears, keen blades,
Struggling, and blood, and shrieks--all dimly fades
Into some backward corner of the brain;
Yet, in our very souls, we feel amain
The close of Troilus and Cressid sweet.
Hence, pageant history! hence, gilded cheat!
Swart planet in the universe of deeds!
Wide sea, that one continuous murmur breeds
Along the pebbled shore of memory!
Many old rotten-timber'd boats there be
Upon thy vaporous bosom, magnified
To goodly vessels; many a sail of pride,
And golden keel'd, is left unlaunch'd and dry.
But wherefore this? What care, though owl did fly
About the great Athenian admiral's mast?
What care, though striding Alexander past
The Indus with his Macedonian numbers?
Though old Ulysses tortured from his slumbers
The glutted Cyclops, what care?--Juliet leaning
Amid her window-flowers,--sighing,weaning
Tenderly her fancy from its maiden snow,
Doth more avail than these: the silver flow
Of Hero's tears, the swoon of Imogen,
Fair Pastorella in the bandit's den,
Are things to brood on with more ardency
Than the death-day of empires. Fearfully
Must such conviction come upon his head,
Who, thus far, discontent, has dared to tread,
Without one muse's smile, or kind behest,
The path of love and poesy. But rest,
In chaffing restlessness, is yet more drear
Than to be crush'd, in striving to uprear
Love's standard on the battlements of song.
So once more days and nights aid me along,
Like legion'd soldiers.
Brain-sick shepherd-prince,
What promise hast thou faithful guarded since
The day of sacrifice? Or, have new sorrows
Come with the constant dawn upon thy morrows?
Alas! 'tis his old grief. For many days,
Has he been wandering in uncertain ways:
Through wilderness, and woods of mossed oaks;
Counting his woe-worn minutes, by the strokes
Of the lone woodcutter; and listening still,
Hour after hour, to each lush-leav'd rill.
Now he is sitting by a shady spring,
And elbow-deep with feverous fingering
Stems the upbursting cold: a wild rose tree
Pavilions him in bloom, and he doth see
A bud which snares his fancy: lo! but now
He plucks it, dips its stalk in the water: how!
It swells, it buds, it flowers beneath his sight;
And, in the middle, there is softly pight
A golden butterfly; upon whose wings
There must be surely character'd strange things,
For with wide eye he wonders, and smiles oft.
Lightly this little herald flew aloft,
Follow'd by glad Endymion's clasped hands:
Onward it flies. From languor's sullen bands
His limbs are loos'd, and eager, on he hies
Dazzled to trace it in the sunny skies.
It seem'd he flew, the way so easy was;
And like a new-born spirit did he pass
Through the green evening quiet in the sun,
O'er many a heath, through many a woodland dun,
Through buried paths, where sleepy twilight dreams
The summer time away. One track unseams
A wooded cleft, and, far away, the blue
Of ocean fades upon him; then, anew,
He sinks adown a solitary glen,
Where there was never sound of mortal men,
Saving, perhaps, some snow-light cadences
Melting to silence, when upon the breeze
Some holy bark let forth an anthem sweet,
To cheer itself to Delphi. Still his feet
Went swift beneath the merry-winged guide,
Until it reached a splashing fountain's side
That, near a cavern's mouth, for ever pour'd
Unto the temperate air: then high it soar'd,
And, downward, suddenly began to dip,
As if, athirst with so much toil, 'twould sip
The crystal spout-head: so it did, with touch
Most delicate, as though afraid to smutch
Even with mealy gold the waters clear.
But, at that very touch, to disappear
So fairy-quick, was strange! Bewildered,
Endymion sought around, and shook each bed
Of covert flowers in vain; and then he flung
Himself along the grass. What gentle tongue,
What whisperer disturb'd his gloomy rest?
It was a nymph uprisen to the breast
In the fountain's pebbly margin, and she stood
'Mong lilies, like the youngest of the brood.
To him her dripping hand she softly kist,
And anxiously began to plait and twist
Her ringlets round her fingers, saying: "Youth!
Too long, alas, hast thou starv'd on the ruth,
The bitterness of love: too long indeed,
Seeing thou art so gentle. Could I weed
Thy soul of care, by heavens, I would offer
All the bright riches of my crystal coffer
To Amphitrite; all my clear-eyed fish,
Golden, or rainbow-sided, or purplish,
Vermilion-tail'd, or finn'd with silvery gauze;
Yea, or my veined pebble-floor, that draws
A virgin light to the deep; my grotto-sands
Tawny and gold, ooz'd slowly from far lands
By my diligent springs; my level lilies, shells,
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
Meander gave me,for I bubbled up
To fainting creatures in a desert wild.
But woe is me, I am but as a child
To gladden thee; and all I dare to say,
Is, that I pity thee; that on this day
I've been thy guide; that thou must wander far
In other regions, past the scanty bar
To mortal steps, before thou cans't be ta'en
From every wasting sigh, from every pain,
Into the gentle bosom of thy love.
Why it is thus, one knows in heaven above:
But, a poor Naiad, I guess not. Farewel!
I have a ditty for my hollow cell."
Hereat, she vanished from Endymion's gaze,
Who brooded o'er the water in amaze:
The dashing fount pour'd on, and where its pool
Lay, half asleep, in grass and rushes cool,
Quick waterflies and gnats were sporting still,
And fish were dimpling, as if good nor ill
Had fallen out that hour. The wanderer,
Holding his forehead, to keep off the burr
Of smothering fancies, patiently sat down;
And, while beneath the evening's sleepy frown
Glow-worms began to trim their starry lamps,
Thus breath'd he to himself: "Whoso encamps
To take a fancied city of delight,
O what a wretch is he! and when 'tis his,
After long toil and travelling, to miss
The kernel of his hopes, how more than vile:
Yet, for him there's refreshment even in toil;
Another city doth he set about,
Free from the smallest pebble-bead of doubt
That he will seize on trickling honey-combs:
Alas, he finds them dry; and then he foams,
And onward to another city speeds.
But this is human life: the war, the deeds,
The disappointment, the anxiety,
Imagination's struggles, far and nigh,
All human; bearing in themselves this good,
That they are sill the air, the subtle food,
To make us feel existence, and to shew
How quiet death is. Where soil is men grow,
Whether to weeds or flowers; but for me,
There is no depth to strike in: I can see
Nought earthly worth my compassing; so stand
Upon a misty, jutting head of land
Alone? No, no; and by the Orphean lute,
When mad Eurydice is listening to 't;
I'd rather stand upon this misty peak,
With not a thing to sigh for, or to seek,
But the soft shadow of my thrice-seen love,
Than beI care not what. O meekest dove
Of heaven! O Cynthia, ten-times bright and fair!
From thy blue throne, now filling all the air,
Glance but one little beam of temper'd light
Into my bosom, that the dreadful might
And tyranny of love be somewhat scar'd!
Yet do not so, sweet queen; one torment spar'd,
Would give a pang to jealous misery,
Worse than the torment's self: but rather tie
Large wings upon my shoulders, and point out
My love's far dwelling. Though the playful rout
Of Cupids shun thee, too divine art thou,
Too keen in beauty, for thy silver prow
Not to have dipp'd in love's most gentle stream.
O be propitious, nor severely deem
My madness impious; for, by all the stars
That tend thy bidding, I do think the bars
That kept my spirit in are burstthat I
Am sailing with thee through the dizzy sky!
How beautiful thou art! The world how deep!
How tremulous-dazzlingly the wheels sweep
Around their axle! Then these gleaming reins,
How lithe! When this thy chariot attains
Is airy goal, haply some bower veils
Those twilight eyes? Those eyes!my spirit fails
Dear goddess, help! or the wide-gaping air
Will gulph mehelp!"At this with madden'd stare,
And lifted hands, and trembling lips he stood;
Like old Deucalion mountain'd o'er the flood,
Or blind Orion hungry for the morn.
And, but from the deep cavern there was borne
A voice, he had been froze to senseless stone;
Nor sigh of his, nor plaint, nor passion'd moan
Had more been heard. Thus swell'd it forth: "Descend,
Young mountaineer! descend where alleys bend
Into the sparry hollows of the world!
Oft hast thou seen bolts of the thunder hurl'd
As from thy threshold, day by day hast been
A little lower than the chilly sheen
Of icy pinnacles, and dipp'dst thine arms
Into the deadening ether that still charms
Their marble being: now, as deep profound
As those are high, descend! He ne'er is crown'd
With immortality, who fears to follow
Where airy voices lead: so through the hollow,
The silent mysteries of earth, descend!"
He heard but the last words, nor could contend
One moment in reflection: for he fled
Into the fearful deep, to hide his head
From the clear moon, the trees, and coming madness.
'Twas far too strange, and wonderful for sadness;
Sharpening, by degrees, his appetite
To dive into the deepest. Dark, nor light,
The region; nor bright, nor sombre wholly,
But mingled up; a gleaming melancholy;
A dusky empire and its diadems;
One faint eternal eventide of gems.
Aye, millions sparkled on a vein of gold,
Along whose track the prince quick footsteps told,
With all its lines abrupt and angular:
Out-shooting sometimes, like a meteor-star,
Through a vast antre; then the metal woof,
Like Vulcan's rainbow, with some monstrous roof
Curves hugely: now, far in the deep abyss,
It seems an angry lightning, and doth hiss
Fancy into belief: anon it leads
Through winding passages, where sameness breeds
Vexing conceptions of some sudden change;
Whether to silver grots, or giant range
Of sapphire columns, or fantastic bridge
Athwart a flood of crystal. On a ridge
Now fareth he, that o'er the vast beneath
Towers like an ocean-cliff, and whence he seeth
A hundred waterfalls, whose voices come
But as the murmuring surge. Chilly and numb
His bosom grew, when first he, far away,
Descried an orbed diamond, set to fray
Old darkness from his throne: 'twas like the sun
Uprisen o'er chaos: and with such a stun
Came the amazement, that, absorb'd in it,
He saw not fiercer wonderspast the wit
Of any spirit to tell, but one of those
Who, when this planet's sphering time doth close,
Will be its high remembrancers: who they?
The mighty ones who have made eternal day
For Greece and England. While astonishment
With deep-drawn sighs was quieting, he went
Into a marble gallery, passing through
A mimic temple, so complete and true
In sacred custom, that he well nigh fear'd
To search it inwards, whence far off appear'd,
Through a long pillar'd vista, a fair shrine,
And, just beyond, on light tiptoe divine,
A quiver'd Dian. Stepping awfully,
The youth approach'd; oft turning his veil'd eye
Down sidelong aisles, and into niches old.
And when, more near against the marble cold
He had touch'd his forehead, he began to thread
All courts and passages, where silence dead
Rous'd by his whispering footsteps murmured faint:
And long he travers'd to and fro, to acquaint
Himself with every mystery, and awe;
Till, weary, he sat down before the maw
Of a wide outlet, fathomless and dim
To wild uncertainty and shadows grim.
There, when new wonders ceas'd to float before,
And thoughts of self came on, how crude and sore
The journey homeward to habitual self!
A mad-pursuing of the fog-born elf,
Whose flitting lantern, through rude nettle-briar,
Cheats us into a swamp, into a fire,
Into the bosom of a hated thing.
What misery most drowningly doth sing
In lone Endymion's ear, now he has caught
The goal of consciousness? Ah, 'tis the thought,
The deadly feel of solitude: for lo!
He cannot see the heavens, nor the flow
Of rivers, nor hill-flowers running wild
In pink and purple chequer, nor, up-pil'd,
The cloudy rack slow journeying in the west,
Like herded elephants; nor felt, nor prest
Cool grass, nor tasted the fresh slumberous air;
But far from such companionship to wear
An unknown time, surcharg'd with grief, away,
Was now his lot. And must he patient stay,
Tracing fantastic figures with his spear?
"No!" exclaimed he, "why should I tarry here?"
No! loudly echoed times innumerable.
At which he straightway started, and 'gan tell
His paces back into the temple's chief;
Warming and glowing strong in the belief
Of help from Dian: so that when again
He caught her airy form, thus did he plain,
Moving more near the while. "O Haunter chaste
Of river sides, and woods, and heathy waste,
Where with thy silver bow and arrows keen
Art thou now forested? O woodland Queen,
What smoothest air thy smoother forehead woos?
Where dost thou listen to the wide halloos
Of thy disparted nymphs? Through what dark tree
Glimmers thy crescent? Wheresoe'er it be,
'Tis in the breath of heaven: thou dost taste
Freedom as none can taste it, nor dost waste
Thy loveliness in dismal elements;
But, finding in our green earth sweet contents,
There livest blissfully. Ah, if to thee
It feels Elysian, how rich to me,
An exil'd mortal, sounds its pleasant name!
Within my breast there lives a choking flame
O let me cool it among the zephyr-boughs!
A homeward fever parches up my tongue
O let me slake it at the running springs!
Upon my ear a noisy nothing rings
O let me once more hear the linnet's note!
Before mine eyes thick films and shadows float
O let me 'noint them with the heaven's light!
Dost thou now lave thy feet and ankles white?
O think how sweet to me the freshening sluice!
Dost thou now please thy thirst with berry-juice?
O think how this dry palate would rejoice!
If in soft slumber thou dost hear my voice,
Oh think how I should love a bed of flowers!
Young goddess! let me see my native bowers!
Deliver me from this rapacious deep!"
Thus ending loudly, as he would o'erleap
His destiny, alert he stood: but when
Obstinate silence came heavily again,
Feeling about for its old couch of space
And airy cradle, lowly bow'd his face
Desponding, o'er the marble floor's cold thrill.
But 'twas not long; for, sweeter than the rill
To its old channel, or a swollen tide
To margin sallows, were the leaves he spied,
And flowers, and wreaths, and ready myrtle crowns
Up heaping through the slab: refreshment drowns
Itself, and strives its own delights to hide
Nor in one spot alone; the floral pride
In a long whispering birth enchanted grew
Before his footsteps; as when heav'd anew
Old ocean rolls a lengthened wave to the shore,
Down whose green back the short-liv'd foam, all hoar,
Bursts gradual, with a wayward indolence.
Increasing still in heart, and pleasant sense,
Upon his fairy journey on he hastes;
So anxious for the end, he scarcely wastes
One moment with his hand among the sweets:
Onward he goeshe stopshis bosom beats
As plainly in his ear, as the faint charm
Of which the throbs were born. This still alarm,
This sleepy music, forc'd him walk tiptoe:
For it came more softly than the east could blow
Arion's magic to the Atlantic isles;
Or than the west, made jealous by the smiles
Of thron'd Apollo, could breathe back the lyre
To seas Ionian and Tyrian.
O did he ever live, that lonely man,
Who lov'dand music slew not? 'Tis the pest
Of love, that fairest joys give most unrest;
That things of delicate and tenderest worth
Are swallow'd all, and made a seared dearth,
By one consuming flame: it doth immerse
And suffocate true blessings in a curse.
Half-happy, by comparison of bliss,
Is miserable. 'Twas even so with this
Dew-dropping melody, in the Carian's ear;
First heaven, then hell, and then forgotten clear,
Vanish'd in elemental passion.
And down some swart abysm he had gone,
Had not a heavenly guide benignant led
To where thick myrtle branches, 'gainst his head
Brushing, awakened: then the sounds again
Went noiseless as a passing noontide rain
Over a bower, where little space he stood;
For as the sunset peeps into a wood
So saw he panting light, and towards it went
Through winding alleys; and lo, wonderment!
Upon soft verdure saw, one here, one there,
Cupids a slumbering on their pinions fair.
After a thousand mazes overgone,
At last, with sudden step, he came upon
A chamber, myrtle wall'd, embowered high,
Full of light, incense, tender minstrelsy,
And more of beautiful and strange beside:
For on a silken couch of rosy pride,
In midst of all, there lay a sleeping youth
Of fondest beauty; fonder, in fair sooth,
Than sighs could fathom, or contentment reach:
And coverlids gold-tinted like the peach,
Or ripe October's faded marigolds,
Fell sleek about him in a thousand folds
Not hiding up an Apollonian curve
Of neck and shoulder, nor the tenting swerve
Of knee from knee, nor ankles pointing light;
But rather, giving them to the filled sight
Officiously. Sideway his face repos'd
On one white arm, and tenderly unclos'd,
By tenderest pressure, a faint damask mouth
To slumbery pout; just as the morning south
Disparts a dew-lipp'd rose. Above his head,
Four lily stalks did their white honours wed
To make a coronal; and round him grew
All tendrils green, of every bloom and hue,
Together intertwin'd and trammel'd fresh:
The vine of glossy sprout; the ivy mesh,
Shading its Ethiop berries; and woodbine,
Of velvet leaves and bugle-blooms divine;
Convolvulus in streaked vases flush;
The creeper, mellowing for an autumn blush;
And virgin's bower, trailing airily;
With others of the sisterhood. Hard by,
Stood serene Cupids watching silently.
One, kneeling to a lyre, touch'd the strings,
Muffling to death the pathos with his wings;
And, ever and anon, uprose to look
At the youth's slumber; while another took
A willow-bough, distilling odorous dew,
And shook it on his hair; another flew
In through the woven roof, and fluttering-wise
Rain'd violets upon his sleeping eyes.
At these enchantments, and yet many more,
The breathless Latmian wonder'd o'er and o'er;
Until, impatient in embarrassment,
He forthright pass'd, and lightly treading went
To that same feather'd lyrist, who straightway,
Smiling, thus whisper'd: "Though from upper day
Thou art a wanderer, and thy presence here
Might seem unholy, be of happy cheer!
For 'tis the nicest touch of human honour,
When some ethereal and high-favouring donor
Presents immortal bowers to mortal sense;
As now 'tis done to thee, Endymion. Hence
Was I in no wise startled. So recline
Upon these living flowers. Here is wine,
Alive with sparklesnever, I aver,
Since Ariadne was a vintager,
So cool a purple: taste these juicy pears,
Sent me by sad Vertumnus, when his fears
Were high about Pomona: here is cream,
Deepening to richness from a snowy gleam;
Sweeter than that nurse Amalthea skimm'd
For the boy Jupiter: and here, undimm'd
By any touch, a bunch of blooming plums
Ready to melt between an infant's gums:
And here is manna pick'd from Syrian trees,
In starlight, by the three Hesperides.
Feast on, and meanwhile I will let thee know
Of all these things around us." He did so,
Still brooding o'er the cadence of his lyre;
And thus: "I need not any hearing tire
By telling how the sea-born goddess pin'd
For a mortal youth, and how she strove to bind
Him all in all unto her doting self.
Who would not be so prison'd? but, fond elf,
He was content to let her amorous plea
Faint through his careless arms; content to see
An unseiz'd heaven dying at his feet;
Content, O fool! to make a cold retreat,
When on the pleasant grass such love, lovelorn,
Lay sorrowing; when every tear was born
Of diverse passion; when her lips and eyes
Were clos'd in sullen moisture, and quick sighs
Came vex'd and pettish through her nostrils small.
Hush! no exclaimyet, justly mightst thou call
Curses upon his head.I was half glad,
But my poor mistress went distract and mad,
When the boar tusk'd him: so away she flew
To Jove's high throne, and by her plainings drew
Immortal tear-drops down the thunderer's beard;
Whereon, it was decreed he should be rear'd
Each summer time to life. Lo! this is he,
That same Adonis, safe in the privacy
Of this still region all his winter-sleep.
Aye, sleep; for when our love-sick queen did weep
Over his waned corse, the tremulous shower
Heal'd up the wound, and, with a balmy power,
Medicined death to a lengthened drowsiness:
The which she fills with visions, and doth dress
In all this quiet luxury; and hath set
Us young immortals, without any let,
To watch his slumber through. 'Tis well nigh pass'd,
Even to a moment's filling up, and fast
She scuds with summer breezes, to pant through
The first long kiss, warm firstling, to renew
Embower'd sports in Cytherea's isle.
Look! how those winged listeners all this while
Stand anxious: see! behold!"This clamant word
Broke through the careful silence; for they heard
A rustling noise of leaves, and out there flutter'd
Pigeons and doves: Adonis something mutter'd,
The while one hand, that erst upon his thigh
Lay dormant, mov'd convuls'd and gradually
Up to his forehead. Then there was a hum
Of sudden voices, echoing, "Come! come!
Arise! awake! Clear summer has forth walk'd
Unto the clover-sward, and she has talk'd
Full soothingly to every nested finch:
Rise, Cupids! or we'll give the blue-bell pinch
To your dimpled arms. Once more sweet life begin!"
At this, from every side they hurried in,
Rubbing their sleepy eyes with lazy wrists,
And doubling overhead their little fists
In backward yawns. But all were soon alive:
For as delicious wine doth, sparkling, dive
In nectar'd clouds and curls through water fair,
So from the arbour roof down swell'd an air
Odorous and enlivening; making all
To laugh, and play, and sing, and loudly call
For their sweet queen: when lo! the wreathed green
Disparted, and far upward could be seen
Blue heaven, and a silver car, air-borne,
Whose silent wheels, fresh wet from clouds of morn,
Spun off a drizzling dew,which falling chill
On soft Adonis' shoulders, made him still
Nestle and turn uneasily about.
Soon were the white doves plain, with necks stretch'd out,
And silken traces lighten'd in descent;
And soon, returning from love's banishment,
Queen Venus leaning downward open arm'd:
Her shadow fell upon his breast, and charm'd
A tumult to his heart, and a new life
Into his eyes. Ah, miserable strife,
But for her comforting! unhappy sight,
But meeting her blue orbs! Who, who can write
Of these first minutes? The unchariest muse
To embracements warm as theirs makes coy excuse.
O it has ruffled every spirit there,
Saving love's self, who stands superb to share
The general gladness: awfully he stands;
A sovereign quell is in his waving hands;
No sight can bear the lightning of his bow;
His quiver is mysterious, none can know
What themselves think of it; from forth his eyes
There darts strange light of varied hues and dyes:
A scowl is sometimes on his brow, but who
Look full upon it feel anon the blue
Of his fair eyes run liquid through their souls.
Endymion feels it, and no more controls
The burning prayer within him; so, bent low,
He had begun a plaining of his woe.
But Venus, bending forward, said: "My child,
Favour this gentle youth; his days are wild
With lovehebut alas! too well I see
Thou know'st the deepness of his misery.
Ah, smile not so, my son: I tell thee true,
That when through heavy hours I used to rue
The endless sleep of this new-born Adon',
This stranger ay I pitied. For upon
A dreary morning once I fled away
Into the breezy clouds, to weep and pray
For this my love: for vexing Mars had teaz'd
Me even to tears: thence, when a little eas'd,
Down-looking, vacant, through a hazy wood,
I saw this youth as he despairing stood:
Those same dark curls blown vagrant in the wind:
Those same full fringed lids a constant blind
Over his sullen eyes: I saw him throw
Himself on wither'd leaves, even as though
Death had come sudden; for no jot he mov'd,
Yet mutter'd wildly. I could hear he lov'd
Some fair immortal, and that his embrace
Had zoned her through the night. There is no trace
Of this in heaven: I have mark'd each cheek,
And find it is the vainest thing to seek;
And that of all things 'tis kept secretest.
Endymion! one day thou wilt be blest:
So still obey the guiding hand that fends
Thee safely through these wonders for sweet ends.
'Tis a concealment needful in extreme;
And if I guess'd not so, the sunny beam
Thou shouldst mount up to with me. Now adieu!
Here must we leave thee."At these words up flew
The impatient doves, up rose the floating car,
Up went the hum celestial. High afar
The Latmian saw them minish into nought;
And, when all were clear vanish'd, still he caught
A vivid lightning from that dreadful bow.
When all was darkened, with Etnean throe
The earth clos'dgave a solitary moan
And left him once again in twilight lone.
He did not rave, he did not stare aghast,
For all those visions were o'ergone, and past,
And he in loneliness: he felt assur'd
Of happy times, when all he had endur'd
Would seem a feather to the mighty prize.
So, with unusual gladness, on he hies
Through caves, and palaces of mottled ore,
Gold dome, and crystal wall, and turquois floor,
Black polish'd porticos of awful shade,
And, at the last, a diamond balustrade,
Leading afar past wild magnificence,
Spiral through ruggedest loopholes, and thence
Stretching across a void, then guiding o'er
Enormous chasms, where, all foam and roar,
Streams subterranean tease their granite beds;
Then heighten'd just above the silvery heads
Of a thousand fountains, so that he could dash
The waters with his spear; but at the splash,
Done heedlessly, those spouting columns rose
Sudden a poplar's height, and 'gan to enclose
His diamond path with fretwork, streaming round
Alive, and dazzling cool, and with a sound,
Haply, like dolphin tumults, when sweet shells
Welcome the float of Thetis. Long he dwells
On this delight; for, every minute's space,
The streams with changed magic interlace:
Sometimes like delicatest lattices,
Cover'd with crystal vines; then weeping trees,
Moving about as in a gentle wind,
Which, in a wink, to watery gauze refin'd,
Pour'd into shapes of curtain'd canopies,
Spangled, and rich with liquid broideries
Of flowers, peacocks, swans, and naiads fair.
Swifter than lightning went these wonders rare;
And then the water, into stubborn streams
Collecting, mimick'd the wrought oaken beams,
Pillars, and frieze, and high fantastic roof,
Of those dusk places in times far aloof
Cathedrals call'd. He bade a loth farewel
To these founts Protean, passing gulph, and dell,
And torrent, and ten thousand jutting shapes,
Half seen through deepest gloom, and griesly gapes,
Blackening on every side, and overhead
A vaulted dome like Heaven's, far bespread
With starlight gems: aye, all so huge and strange,
The solitary felt a hurried change
Working within him into something dreary,
Vex'd like a morning eagle, lost, and weary,
And purblind amid foggy, midnight wolds.
But he revives at once: for who beholds
New sudden things, nor casts his mental slough?
Forth from a rugged arch, in the dusk below,
Came mother Cybele! alonealone
In sombre chariot; dark foldings thrown
About her majesty, and front death-pale,
With turrets crown'd. Four maned lions hale
The sluggish wheels; solemn their toothed maws,
Their surly eyes brow-hidden, heavy paws
Uplifted drowsily, and nervy tails
Cowering their tawny brushes. Silent sails
This shadowy queen athwart, and faints away
In another gloomy arch.
Wherefore delay,
Young traveller, in such a mournful place?
Art thou wayworn, or canst not further trace
The diamond path? And does it indeed end
Abrupt in middle air? Yet earthward bend
Thy forehead, and to Jupiter cloud-borne
Call ardently! He was indeed wayworn;
Abrupt, in middle air, his way was lost;
To cloud-borne Jove he bowed, and there crost
Towards him a large eagle, 'twixt whose wings,
Without one impious word, himself he flings,
Committed to the darkness and the gloom:
Down, down, uncertain to what pleasant doom,
Swift as a fathoming plummet down he fell
Through unknown things; till exhaled asphodel,
And rose, with spicy fannings interbreath'd,
Came swelling forth where little caves were wreath'd
So thick with leaves and mosses, that they seem'd
Large honey-combs of green, and freshly teem'd
With airs delicious. In the greenest nook
The eagle landed him, and farewel took.
It was a jasmine bower, all bestrown
With golden moss. His every sense had grown
Ethereal for pleasure; 'bove his head
Flew a delight half-graspable; his tread
Was Hesperan; to his capable ears
Silence was music from the holy spheres;
A dewy luxury was in his eyes;
The little flowers felt his pleasant sighs
And stirr'd them faintly. Verdant cave and cell
He wander'd through, oft wondering at such swell
Of sudden exaltation: but, "Alas!
Said he, "will all this gush of feeling pass
Away in solitude? And must they wane,
Like melodies upon a sandy plain,
Without an echo? Then shall I be left
So sad, so melancholy, so bereft!
Yet still I feel immortal! O my love,
My breath of life, where art thou? High above,
Dancing before the morning gates of heaven?
Or keeping watch among those starry seven,
Old Atlas' children? Art a maid of the waters,
One of shell-winding Triton's bright-hair'd daughters?
Or art, impossible! a nymph of Dian's,
Weaving a coronal of tender scions
For very idleness? Where'er thou art,
Methinks it now is at my will to start
Into thine arms; to scare Aurora's train,
And snatch thee from the morning; o'er the main
To scud like a wild bird, and take thee off
From thy sea-foamy cradle; or to doff
Thy shepherd vest, and woo thee mid fresh leaves.
No, no, too eagerly my soul deceives
Its powerless self: I know this cannot be.
O let me then by some sweet dreaming flee
To her entrancements: hither sleep awhile!
Hither most gentle sleep! and soothing foil
For some few hours the coming solitude."
Thus spake he, and that moment felt endued
With power to dream deliciously; so wound
Through a dim passage, searching till he found
The smoothest mossy bed and deepest, where
He threw himself, and just into the air
Stretching his indolent arms, he took, O bliss!
A naked waist: "Fair Cupid, whence is this?"
A well-known voice sigh'd, "Sweetest, here am I!"
At which soft ravishment, with doating cry
They trembled to each other.Helicon!
O fountain'd hill! Old Homer's Helicon!
That thou wouldst spout a little streamlet o'er
These sorry pages; then the verse would soar
And sing above this gentle pair, like lark
Over his nested young: but all is dark
Around thine aged top, and thy clear fount
Exhales in mists to heaven. Aye, the count
Of mighty Poets is made up; the scroll
Is folded by the Muses; the bright roll
Is in Apollo's hand: our dazed eyes
Have seen a new tinge in the western skies:
The world has done its duty. Yet, oh yet,
Although the sun of poesy is set,
These lovers did embrace, and we must weep
That there is no old power left to steep
A quill immortal in their joyous tears.
Long time in silence did their anxious fears
Question that thus it was; long time they lay
Fondling and kissing every doubt away;
Long time ere soft caressing sobs began
To mellow into words, and then there ran
Two bubbling springs of talk from their sweet lips.
"O known Unknown! from whom my being sips
Such darling essence, wherefore may I not
Be ever in these arms? in this sweet spot
Pillow my chin for ever? ever press
These toying hands and kiss their smooth excess?
Why not for ever and for ever feel
That breath about my eyes? Ah, thou wilt steal
Away from me again, indeed, indeed
Thou wilt be gone away, and wilt not heed
My lonely madness. Speak, my kindest fair!
Isis it to be so? No! Who will dare
To pluck thee from me? And, of thine own will,
Full well I feel thou wouldst not leave me. Still
Let me entwine thee surer, surernow
How can we part? Elysium! who art thou?
Who, that thou canst not be for ever here,
Or lift me with thee to some starry sphere?
Enchantress! tell me by this soft embrace,
By the most soft completion of thy face,
Those lips, O slippery blisses, twinkling eyes,
And by these tenderest, milky sovereignties
These tenderest, and by the nectar-wine,
The passion""O lov'd Ida the divine!
Endymion! dearest! Ah, unhappy me!
His soul will 'scape usO felicity!
How he does love me! His poor temples beat
To the very tune of lovehow sweet, sweet, sweet.
Revive, dear youth, or I shall faint and die;
Revive, or these soft hours will hurry by
In tranced dulness; speak, and let that spell
Affright this lethargy! I cannot quell
Its heavy pressure, and will press at least
My lips to thine, that they may richly feast
Until we taste the life of love again.
What! dost thou move? dost kiss? O bliss! O pain!
I love thee, youth, more than I can conceive;
And so long absence from thee doth bereave
My soul of any rest: yet must I hence:
Yet, can I not to starry eminence
Uplift thee; nor for very shame can own
Myself to thee. Ah, dearest, do not groan
Or thou wilt force me from this secrecy,
And I must blush in heaven. O that I
Had done it already; that the dreadful smiles
At my lost brightness, my impassion'd wiles,
Had waned from Olympus' solemn height,
And from all serious Gods; that our delight
Was quite forgotten, save of us alone!
And wherefore so ashamed? 'Tis but to atone
For endless pleasure, by some coward blushes:
Yet must I be a coward!Horror rushes
Too palpable before methe sad look
Of JoveMinerva's startno bosom shook
With awe of purityno Cupid pinion
In reverence veiledmy crystaline dominion
Half lost, and all old hymns made nullity!
But what is this to love? O I could fly
With thee into the ken of heavenly powers,
So thou wouldst thus, for many sequent hours,
Press me so sweetly. Now I swear at once
That I am wise, that Pallas is a dunce
Perhaps her love like mine is but unknown
O I do think that I have been alone
In chastity: yes, Pallas has been sighing,
While every eve saw me my hair uptying
With fingers cool as aspen leaves. Sweet love,
I was as vague as solitary dove,
Nor knew that nests were built. Now a soft kiss
Aye, by that kiss, I vow an endless bliss,
An immortality of passion's thine:
Ere long I will exalt thee to the shine
Of heaven ambrosial; and we will shade
Ourselves whole summers by a river glade;
And I will tell thee stories of the sky,
And breathe thee whispers of its minstrelsy.
My happy love will overwing all bounds!
O let me melt into thee; let the sounds
Of our close voices marry at their birth;
Let us entwine hoveringlyO dearth
Of human words! roughness of mortal speech!
Lispings empyrean will I sometime teach
Thine honied tonguelute-breathings, which I gasp
To have thee understand, now while I clasp
Thee thus, and weep for fondnessI am pain'd,
Endymion: woe! woe! is grief contain'd
In the very deeps of pleasure, my sole life?"
Hereat, with many sobs, her gentle strife
Melted into a languor. He return'd
Entranced vows and tears.
Ye who have yearn'd
With too much passion, will here stay and pity,
For the mere sake of truth; as 'tis a ditty
Not of these days, but long ago 'twas told
By a cavern wind unto a forest old;
And then the forest told it in a dream
To a sleeping lake, whose cool and level gleam
A poet caught as he was journeying
To Phoebus' shrine; and in it he did fling
His weary limbs, bathing an hour's space,
And after, straight in that inspired place
He sang the story up into the air,
Giving it universal freedom. There
Has it been ever sounding for those ears
Whose tips are glowing hot. The legend cheers
Yon centinel stars; and he who listens to it
Must surely be self-doomed or he will rue it:
For quenchless burnings come upon the heart,
Made fiercer by a fear lest any part
Should be engulphed in the eddying wind.
As much as here is penn'd doth always find
A resting place, thus much comes clear and plain;
Anon the strange voice is upon the wane
And 'tis but echo'd from departing sound,
That the fair visitant at last unwound
Her gentle limbs, and left the youth asleep.
Thus the tradition of the gusty deep.
Now turn we to our former chroniclers.
Endymion awoke, that grief of hers
Sweet paining on his ear: he sickly guess'd
How lone he was once more, and sadly press'd
His empty arms together, hung his head,
And most forlorn upon that widow'd bed
Sat silently. Love's madness he had known:
Often with more than tortured lion's groan
Moanings had burst from him; but now that rage
Had pass'd away: no longer did he wage
A rough-voic'd war against the dooming stars.
No, he had felt too much for such harsh jars:
The lyre of his soul Eolian tun'd
Forgot all violence, and but commun'd
With melancholy thought: O he had swoon'd
Drunken from pleasure's nipple; and his love
Henceforth was dove-like.Loth was he to move
From the imprinted couch, and when he did,
'Twas with slow, languid paces, and face hid
In muffling hands. So temper'd, out he stray'd
Half seeing visions that might have dismay'd
Alecto's serpents; ravishments more keen
Than Hermes' pipe, when anxious he did lean
Over eclipsing eyes: and at the last
It was a sounding grotto, vaulted, vast,
O'er studded with a thousand, thousand pearls,
And crimson mouthed shells with stubborn curls,
Of every shape and size, even to the bulk
In which whales arbour close, to brood and sulk
Against an endless storm. Moreover too,
Fish-semblances, of green and azure hue,
Ready to snort their streams. In this cool wonder
Endymion sat down, and 'gan to ponder
On all his life: his youth, up to the day
When 'mid acclaim, and feasts, and garlands gay,
He stept upon his shepherd throne: the look
Of his white palace in wild forest nook,
And all the revels he had lorded there:
Each tender maiden whom he once thought fair,
With every friend and fellow-woodlander
Pass'd like a dream before him. Then the spur
Of the old bards to mighty deeds: his plans
To nurse the golden age 'mong shepherd clans:
That wondrous night: the great Pan-festival:
His sister's sorrow; and his wanderings all,
Until into the earth's deep maw he rush'd:
Then all its buried magic, till it flush'd
High with excessive love. "And now," thought he,
"How long must I remain in jeopardy
Of blank amazements that amaze no more?
Now I have tasted her sweet soul to the core
All other depths are shallow: essences,
Once spiritual, are like muddy lees,
Meant but to fertilize my earthly root,
And make my branches lift a golden fruit
Into the bloom of heaven: other light,
Though it be quick and sharp enough to blight
The Olympian eagle's vision, is dark,
Dark as the parentage of chaos. Hark!
My silent thoughts are echoing from these shells;
Or they are but the ghosts, the dying swells
Of noises far away?list!"Hereupon
He kept an anxious ear. The humming tone
Came louder, and behold, there as he lay,
On either side outgush'd, with misty spray,
A copious spring; and both together dash'd
Swift, mad, fantastic round the rocks, and lash'd
Among the conchs and shells of the lofty grot,
Leaving a trickling dew. At last they shot
Down from the ceiling's height, pouring a noise
As of some breathless racers whose hopes poize
Upon the last few steps, and with spent force
Along the ground they took a winding course.
Endymion follow'dfor it seem'd that one
Ever pursued, the other strove to shun
Follow'd their languid mazes, till well nigh
He had left thinking of the mystery,
And was now rapt in tender hoverings
Over the vanish'd bliss. Ah! what is it sings
His dream away? What melodies are these?
They sound as through the whispering of trees,
Not native in such barren vaults. Give ear!
"O Arethusa, peerless nymph! why fear
Such tenderness as mine? Great Dian, why,
Why didst thou hear her prayer? O that I
Were rippling round her dainty fairness now,
Circling about her waist, and striving how
To entice her to a dive! then stealing in
Between her luscious lips and eyelids thin.
O that her shining hair was in the sun,
And I distilling from it thence to run
In amorous rillets down her shrinking form!
To linger on her lily shoulders, warm
Between her kissing breasts, and every charm
Touch raptur'd!See how painfully I flow:
Fair maid, be pitiful to my great woe.
Stay, stay thy weary course, and let me lead,
A happy wooer, to the flowery mead
Where all that beauty snar'd me.""Cruel god,
Desist! or my offended mistress' nod
Will stagnate all thy fountains:tease me not
With syren wordsAh, have I really got
Such power to madden thee? And is it true
Away, away, or I shall dearly rue
My very thoughts: in mercy then away,
Kindest Alpheus for should I obey
My own dear will, 'twould be a deadly bane."
"O, Oread-Queen! would that thou hadst a pain
Like this of mine, then would I fearless turn
And be a criminal.""Alas, I burn,
I shuddergentle river, get thee hence.
Alpheus! thou enchanter! every sense
Of mine was once made perfect in these woods.
Fresh breezes, bowery lawns, and innocent floods,
Ripe fruits, and lonely couch, contentment gave;
But ever since I heedlessly did lave
In thy deceitful stream, a panting glow
Grew strong within me: wherefore serve me so,
And call it love? Alas, 'twas cruelty.
Not once more did I close my happy eyes
Amid the thrush's song. Away! Avaunt!
O 'twas a cruel thing.""Now thou dost taunt
So softly, Arethusa, that I think
If thou wast playing on my shady brink,
Thou wouldst bathe once again. Innocent maid!
Stifle thine heart no more;nor be afraid
Of angry powers: there are deities
Will shade us with their wings. Those fitful sighs
'Tis almost death to hear: O let me pour
A dewy balm upon them!fear no more,
Sweet Arethusa! Dian's self must feel
Sometimes these very pangs. Dear maiden, steal
Blushing into my soul, and let us fly
These dreary caverns for the open sky.
I will delight thee all my winding course,
From the green sea up to my hidden source
About Arcadian forests; and will shew
The channels where my coolest waters flow
Through mossy rocks; where, 'mid exuberant green,
I roam in pleasant darkness, more unseen
Than Saturn in his exile; where I brim
Round flowery islands, and take thence a skim
Of mealy sweets, which myriads of bees
Buzz from their honied wings: and thou shouldst please
Thyself to choose the richest, where we might
Be incense-pillow'd every summer night.
Doff all sad fears, thou white deliciousness,
And let us be thus comforted; unless
Thou couldst rejoice to see my hopeless stream
Hurry distracted from Sol's temperate beam,
And pour to death along some hungry sands."
"What can I do, Alpheus? Dian stands
Severe before me: persecuting fate!
Unhappy Arethusa! thou wast late
A huntress free in"At this, sudden fell
Those two sad streams adown a fearful dell.
The Latmian listen'd, but he heard no more,
Save echo, faint repeating o'er and o'er
The name of Arethusa. On the verge
Of that dark gulph he wept, and said: "I urge
Thee, gentle Goddess of my pilgrimage,
By our eternal hopes, to soothe, to assuage,
If thou art powerful, these lovers pains;
And make them happy in some happy plains.
He turn'dthere was a whelming soundhe stept,
There was a cooler light; and so he kept
Towards it by a sandy path, and lo!
More suddenly than doth a moment go,
The visions of the earth were gone and fled
He saw the giant sea above his head.
(line 31): The reference is of course not to the story of Hero and Leander but to the tears of Hero in Much Ado About Nothing, shed when she was falsely accused; and Imogen must, equally of course, be Shakespeare's heroine in Cymbeline, though she is not the only Imogen of fiction who has swooned. For Pastorella see Faerie Queene, Book VI, Canto II, stanza I. et seq.
(line 168): For the three occasions which Endymion had seen Diana, refer to the account given to Peona; beginning with line 540, Book I, -- to the passage about the well, line 896, Book I, -- and to the passage in which he hurried into the grotto, line 971, Book I.
(line 430): In the draft, Endymion was described as The mortal Latmian.
(line 434): It was a peculiarly happy piece of poetic realism to translate Ariadne's relations with Bacchus into her becoming a vintager; and I presume this was Keats's own thought, as well as the idea immediately following, that the God of Orchards conciliated Love with a gift of pears when paying his addresses to Pomona.
(line 676) Hesperan, I presume, not Hesprean as invariably accented by Milton. The precise value of 'capable' as used here is of course regulated by past and not by present custom. In this case it simply stands for receptive, able to receive, as in Hamlet (Act III, Scene IV).
(lines 689-92) Endymion conjectures whether his unknown love is one of the Hours, or one of the nymph Pleione's daughters by Atlas, transferred to heaven as the Pleiades.
~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
~ John Keats, Endymion - Book II
,#NFDB
662:BOOK THE SEVENTH
The Story of Medea and Jason
The Argonauts now stemm'd the foaming tide,
And to Arcadia's shore their course apply'd;
Where sightless Phineus spent his age in grief,
But Boreas' sons engage in his relief;
And those unwelcome guests, the odious race
Of Harpyes, from the monarch's table chase.
With Jason then they greater toils sustain,
And Phasis' slimy banks at last they gain,
Here boldly they demand the golden prize
Of Scythia's king, who sternly thus replies:
That mighty labours they must first o'ercome,
Or sail their Argo thence unfreighted home.
Meanwhile Medea, seiz'd with fierce desire,
By reason strives to quench the raging fire;
But strives in vain!- Some God (she said) withstands,
And reason's baffl'd council countermands.
What unseen Pow'r does this disorder move?
'Tis love,- at least 'tis like, what men call love.
Else wherefore shou'd the king's commands appear
To me too hard?- But so indeed they are.
Why shou'd I for a stranger fear, lest he
Shou'd perish, whom I did but lately see?
His death, or safety, what are they to me?
Wretch, from thy virgin-breast this flame expel,
And soon- Oh cou'd I, all wou'd then be well!
But love, resistless love, my soul invades;
Discretion this, affection that perswades.
I see the right, and I approve it too,
Condemn the wrong- and yet the wrong pursue.
Why, royal maid, shou'dst thou desire to wed
A wanderer, and court a foreign bed?
Thy native land, tho' barb'rous, can present
A bridegroom worth a royal bride's content:
And whether this advent'rer lives, or dies,
In Fate, and Fortune's fickle pleasure lies.
Yet may be live! for to the Pow'rs above,
A virgin, led by no impulse of love,
So just a suit may, for the guiltless, move.
Whom wou'd not Jason's valour, youth and blood
Invite? or cou'd these merits be withstood,
At least his charming person must encline
The hardest heart- I'm sure 'tis so with mine!
Yet, if I help him not, the flaming breath
Of bulls, and earth-born foes, must be his death.
Or, should he through these dangers force his way,
At last he must be made the dragon's prey.
If no remorse for such distress I feel,
I am a tigress, and my breast is steel.
Why do I scruple then to see him slain,
And with the tragick scene my eyes prophane?
My magick's art employ, not to asswage
The Salvages, but to enflame their rage?
His earth-born foes to fiercer fury move,
And accessary to his murder prove?
The Gods forbid- But pray'rs are idle breath,
When action only can prevent his death.
Shall I betray my father, and the state,
To intercept a rambling hero's fate;
Who may sail off next hour, and sav'd from harms
By my assistance, bless another's arms?
Whilst I, not only of my hopes bereft,
But to unpity'd punishment am left.
If he is false, let the ingrateful bleed!
But no such symptom in his looks I read.
Nature wou'd ne'er have lavish'd so much grace
Upon his person, if his soul were base.
Besides, he first shall plight his faith, and swear
By all the Gods; what therefore can'st thou fear?
Medea haste, from danger set him free,
Jason shall thy eternal debtor be.
And thou, his queen, with sov'raign state enstall'd,
By Graecian dames the Kind Preserver call'd.
Hence idle dreams, by love-sick fancy bred!
Wilt thou, Medea, by vain wishes led,
To sister, brother, father bid adieu?
Forsake thy country's Gods, and country too?
My father's harsh, my brother but a child,
My sister rivals me, my country's wild;
And for its Gods, the greatest of 'em all
Inspires my breast, and I obey his call.
That great endearments I forsake, is true,
But greater far the hopes that I pursue:
The pride of having sav'd the youths of Greece
(Each life more precious than our golden fleece);
A nobler soil by me shall be possest,
I shall see towns with arts and manners blest;
And, what I prize above the world beside,
Enjoy my Jason- and when once his bride,
Be more than mortal, and to Gods ally'd.
They talk of hazards I must first sustain,
Of floating islands justling in the main;
Our tender barque expos'd to dreadful shocks
Of fierce Charybdis' gulf, and Scylla's rocks,
Where breaking waves in whirling eddies rowl,
And rav'nous dogs that in deep caverns howl:
Amidst these terrors, while I lye possest
Of him I love, and lean on Jason's breast,
In tempests unconcern'd I will appear,
Or, only for my husband's safety fear.
Didst thou say husband?- canst thou so deceive
Thy self, fond maid, and thy own cheat believe?
In vain thou striv'st to varnish o'er thy shame,
And grace thy guilt with wedlock's sacred name.
Pull off the coz'ning masque, and oh! in time
Discover and avoid the fatal crime.
She ceas'd- the Graces now, with kind surprize,
And virtue's lovely train, before her eyes
Present themselves, and vanquish'd Cupid flies.
She then retires to Hecate's shrine, that stood
Far in the covert of a shady wood:
She finds the fury of her flames asswag'd,
But, seeing Jason there, again they rag'd.
Blushes, and paleness did by turns invade
Her tender cheeks, and secret grief betray'd.
As fire, that sleeping under ashes lyes,
Fresh-blown, and rous'd, does up in blazes rise,
So flam'd the virgin's breast-
New kindled by her lover's sparkling eyes.
For chance, that day, had with uncommon grace
Adorn'd the lovely youth, and through his face
Display'd an air so pleasing as might charm
A Goddess, and a Vestal's bosom warm.
Her ravish'd eyes survey him o'er and o'er,
As some gay wonder never seen before;
Transported to the skies she seems to be,
And thinks she gazes on a deity.
But when he spoke, and prest her trembling hand,
And did with tender words her aid demand,
With vows, and oaths to make her soon his bride,
She wept a flood of tears, and thus reply'd:
I see my error, yet to ruin move,
Nor owe my fate to ignorance, but love:
Your life I'll guard, and only crave of you
To swear once more- and to your oath be true.
He swears by Hecate he would all fulfil,
And by her grandfa ther's prophetick skill,
By ev'ry thing that doubting love cou'd press,
His present danger, and desir'd success.
She credits him, and kindly does produce
Enchanted herbs, and teaches him their use:
Their mystick names, and virtues he admires,
And with his booty joyfully retires.
The Dragon's Teeth transform'd to Men
Impatient for the wonders of the day,
Aurora drives the loyt'ring stars away.
Now Mars's mount the pressing people fill,
The crowd below, the nobles crown the hill;
The king himself high-thron'd above the rest,
With iv'ry scepter, and in purple drest.
Forthwith the brass-hoof'd bulls are set at large,
Whose furious nostrils sulph'rous flame discharge:
The blasted herbage by their breath expires;
As forges rumble with excessive fires,
And furnaces with fiercer fury glow,
When water on the panting mass ye throw;
With such a noise, from their convulsive breast,
Thro' bellowing throats, the struggling vapour prest.
Yet Jason marches up without concern,
While on th' advent'rous youth the monsters turn
Their glaring eyes, and, eager to engage,
Brandish their steel-tipt horns in threatning rage:
With brazen hoofs they beat the ground, and choak
The ambient air with clouds of dust and smoak:
Each gazing Graecian for his champion shakes,
While bold advances he securely makes
Thro' sindging blasts; such wonders magick art
Can work, when love conspires, and plays his part.
The passive savages like statues stand,
While he their dew-laps stroaks with soothing hand;
To unknown yokes their brawny necks they yield,
And, like tame oxen, plow the wond'ring field.
The Colchians stare; the Graecians shout, and raise
Their champion's courage with inspiring praise.
Embolden'd now, on fresh attempts he goes,
With serpent's teeth the fertile furrows sows;
The glebe, fermenting with inchanted juice,
Makes the snake's teeth a human crop produce.
For as an infant, pris'ner to the womb,
Contented sleeps, 'till to perfection come,
Then does the cell's obscure confinement scorn,
He tosses, throbs, and presses to be born;
So from the lab'ring Earth no single birth,
But a whole troop of lusty youths rush forth;
And, what's more strange, with martial fury warm'd,
And for encounter all compleatly arm'd;
In rank and file, as they were sow'd, they stand,
Impatient for the signal of command.
No foe but the Aemonian youth appears;
At him they level their steel-pointed spears;
His frighted friends, who triumph'd, just before,
With peals of sighs his desp'rate case deplore:
And where such hardy warriors are afraid,
What must the tender, and enamour'd maid?
Her spirits sink, the blood her cheek forsook;
She fears, who for his safety undertook:
She knew the vertue of the spells she gave,
She knew the force, and knew her lover brave;
But what's a single champion to an host?
Yet scorning thus to see him tamely lost,
Her strong reserve of secret arts she brings,
And last, her never-failing song she sings.
Wonders ensue; among his gazing foes
The massy fragment of a rock he throws;
This charm in civil war engag'd 'em all;
By mutual wounds those Earth-born brothers fall.
The Greeks, transported with the strange success,
Leap from their seats the conqu'ror to caress;
Commend, and kiss, and clasp him in their arms:
So would the kind contriver of the charms;
But her, who felt the tenderest concern,
Honour condemns in secret flames to burn;
Committed to a double guard of fame,
Aw'd by a virgin's, and a princess' name.
But thoughts are free, and fancy unconfin'd,
She kisses, courts, and hugs him in her mind;
To fav'ring Pow'rs her silent thanks she gives,
By whose indulgence her lov'd hero lives.
One labour more remains, and, tho' the last,
In danger far surmounting all the past;
That enterprize by Fates in store was kept,
To make the dragon sleep that never slept,
Whose crest shoots dreadful lustre; from his jaws
A tripple tire of forked stings he draws,
With fangs, and wings of a prodigious size:
Such was the guardian of the golden prize.
Yet him, besprinkled with Lethaean dew,
The fair inchantress into slumber threw;
And then, to fix him, thrice she did repeat
The rhyme, that makes the raging winds retreat,
In stormy seas can halcyon seasons make,
Turn rapid streams into a standing lake;
While the soft guest his drowzy eye-lids seals,
Th' ungarded golden fleece the stranger steals;
Proud to possess the purchase of his toil,
Proud of his royal bride, the richer spoil;
To sea both prize, and patroness he bore,
And lands triumphant on his native shore.
Old Aeson restor'd to Youth
Aemonian matrons, who their absence mourn'd,
Rejoyce to see their prosp'rous sons return'd:
Rich curling fumes of incense feast the skies,
An hecatomb of voted victims dies,
With gilded horns, and garlands on their head,
And all the pomp of death, to th' altar led.
Congratulating bowls go briskly round,
Triumphant shouts in louder musick drown'd.
Amidst these revels, why that cloud of care
On Jason's brow? (to whom the largest share
Of mirth was due)- His father was not there.
Aeson was absent, once the young, and brave,
Now crush'd with years, and bending to the grave.
At last withdrawn, and by the crowd unseen,
Pressing her hand (with starting sighs between),
He supplicates his kind, and skilful queen.
O patroness! preserver of my life!
(Dear when my mistress, and much dearer wife)
Your favours to so vast a sum amount,
'Tis past the pow'r of numbers to recount;
Or cou'd they be to computation brought,
The history would a romance be thought:
And yet, unless you add one favour more,
Greater than all that you conferr'd before,
But not too hard for love and magick skill,
Your past are thrown away, and Jason's wretched still.
The morning of my life is just begun,
But my declining father's race is run;
From my large stock retrench the long arrears,
And add 'em to expiring Aeson's years.
Thus spake the gen'rous youth, and wept the rest.
Mov'd with the piety of his request,
To his ag'd sire such filial duty shown,
So diff'rent from her treatment of her own,
But still endeav'ring her remorse to hide,
She check'd her rising sighs, and thus reply'd.
How cou'd the thought of such inhuman wrong
Escape (said she) from pious Jason's tongue?
Does the whole world another Jason bear,
Whose life Medea can to yours prefer?
Or cou'd I with so dire a change dispence,
Hecate will never join in that offence:
Unjust is the request you make, and I
In kindness your petition shall deny;
Yet she that grants not what you do implore,
Shall yet essay to give her Jason more;
Find means t' encrease the stock of Aeson's years,
Without retrenchment of your life's arrears;
Provided that the triple Goddess join
A strong confed'rate in my bold design.
Thus was her enterprize resolv'd; but still
Three tedious nights are wanting to fulfil
The circling crescents of th' encreasing moon;
Then, in the height of her nocturnal noon,
Medea steals from court; her ankles bare,
Her garments closely girt, but loose her hair;
Thus sally'd, like a solitary sprite,
She traverses the terrors of the night.
Men, beasts, and birds in soft repose lay charm'd,
No boistrous wind the mountain-woods alarm'd;
Nor did those walks of love, the myrtle-trees,
Of am'rous Zephir hear the whisp'ring breeze;
All elements chain'd in unactive rest,
No sense but what the twinkling stars exprest;
To them (that only wak'd) she rears her arm,
And thus commences her mysterious charms.
She turn'd her thrice about, as oft she threw
On her pale tresses the nocturnal dew;
Then yelling thrice a most enormous sound,
Her bare knee bended on the flinty ground.
O night (said she) thou confident and guide
Of secrets, such as darkness ought to hide;
Ye stars and moon, that, when the sun retires,
Support his empire with succeeding fires;
And thou, great Hecate, friend to my design;
Songs, mutt'ring spells, your magick forces join;
And thou, O Earth, the magazine that yields
The midnight sorcerer drugs; skies, mountains, fields;
Ye wat'ry Pow'rs of fountain, stream, and lake;
Ye sylvan Gods, and Gods of night, awake,
And gen'rously your parts in my adventure take.
Oft by your aid swift currents I have led
Thro' wand'ring banks, back to their fountain head;
Transformed the prospect of the briny deep,
Made sleeping billows rave, and raving billows sleep;
Made clouds, or sunshine; tempests rise, or fall;
And stubborn lawless winds obey my call:
With mutter'd words disarm'd the viper's jaw;
Up by the roots vast oaks, and rocks cou'd draw,
Make forests dance, and trembling mountains come,
Like malefactors, to receive their doom;
Earth groan, and frighted ghosts forsake their tomb.
Thee, Cynthia, my resistless rhymes drew down,
When tinkling cymbals strove my voice to drown;
Nor stronger Titan could their force sustain,
In full career compell'd to stop his wain:
Nor could Aurora's virgin blush avail,
With pois'nous herbs I turn'd her roses pale;
The fury of the fiery bulls I broke,
Their stubborn necks submitting to my yoke;
And when the sons of Earth with fury burn'd,
Their hostile rage upon themselves I turn'd;
The brothers made with mutual wounds to bleed,
And by their fatal strife my lover freed;
And, while the dragon slept, to distant Greece,
Thro' cheated guards, convey'd the golden fleece.
But now to bolder action I proceed,
Of such prevailing juices now have need,
That wither'd years back to their bloom can bring,
And in dead winter raise a second spring.
And you'll perform't-
You will; for lo! the stars, with sparkling fires,
Presage as bright success to my desires:
And now another happy omen see!
A chariot drawn by dragons waits for me.
With these last words he leaps into the wain,
Stroaks the snakes' necks, and shakes the golden rein;
That signal giv'n, they mount her to the skies,
And now beneath her fruitful Tempe lies,
Whose stories she ransacks, then to Crete she flies;
There Ossa, Pelion, Othrys, Pindus, all
To the fair ravisher, a booty fall;
The tri bute of their verdure she collects,
Nor proud Olympus' height his plants protects.
Some by the roots she plucks; the tender tops
Of others with her culling sickle crops.
Nor could the plunder of the hills suffice,
Down to the humble vales, and meads she flies;
Apidanus, Amphrysus, the next rape
Sustain, nor could Enipeus' bank escape;
Thro' Beebe's marsh, and thro' the border rang'd
Whose pasture Glaucus to a Triton chang'd.
Now the ninth day, and ninth successive night,
Had wonder'd at the restless rover's flight;
Mean-while her dragons, fed with no repast,
But her exhaling simples od'rous blast,
Their tarnish'd scales, and wrinkled skins had cast.
At last return'd before her palace gate,
Quitting her chariot, on the ground she sate;
The sky her only canopy of state.
All conversation with her sex she fled,
Shun'd the caresses of the nuptial bed:
Two altars next of grassy turf she rears,
This Hecate's name, that Youth's inscription bears;
With forest-boughs, and vervain these she crown'd;
Then delves a double trench in lower ground,
And sticks a black-fleec'd ram, that ready stood,
And drench'd the ditches with devoted blood:
New wine she pours, and milk from th' udder warm,
With mystick murmurs to compleat the charm,
And subterranean deities alarm.
To the stern king of ghosts she next apply'd,
And gentle Proserpine, his ravish'd bride,
That for old Aeson with the laws of Fate
They would dispense, and leng then his short date;
Thus with repeated pray'rs she long assails
Th' infernal tyrant and at last prevails;
Then calls to have decrepit Aeson brought,
And stupifies him with a sleeping draught;
On Earth his body, like a corpse, extends,
Then charges Jason and his waiting friends
To quit the place, that no unhallow'd eye
Into her art's forbidden secrets pry.
This done, th' inchantress, with her locks unbound,
About her altars trips a frantick round;
Piece-meal the consecrated wood she splits,
And dips the splinters in the bloody pits,
Then hurles 'em on the piles; the sleeping sire
She lustrates thrice, with sulphur, water, fire.
In a large cauldron now the med'cine boils,
Compounded of her late-collected spoils,
Blending into the mesh the various pow'rs
Of wonder-working juices, roots, and flow'rs;
With gems i' th' eastern ocean's cell refin'd,
And such as ebbing tides had left behind;
To them the midnight's pearly dew she flings,
A scretch-owl's carcase, and ill boding wings;
Nor could the wizard wolf's warm entrails scape
(That wolf who counterfeits a human shape).
Then, from the bottom of her conj'ring bag,
Snakes' skins, and liver of a long-liv'd stag;
Last a crow's head to such an age arriv'd,
That he had now nine centuries surviv'd;
These, and with these a thousand more that grew
In sundry soils, into her pot she threw;
Then with a wither'd olive-bough she rakes
The bubling broth; the bough fresh verdure takes;
Green leaves at first the perish'd plant surround,
Which the next minute with ripe fruit were crown'd.
The foaming juices now the brink o'er-swell;
The barren heath, where-e'er the liquor fell,
Sprang out with vernal grass, and all the pride
Of blooming May- When this Medea spy'd,
She cuts her patient's throat; th' exhausted blood
Recruiting with her new enchanted flood;
While at his mouth, and thro' his op'ning wound,
A double inlet her infusion found;
His feeble frame resumes a youthful air,
A glossy brown his hoary beard and hair.
The meager paleness from his aspect fled,
And in its room sprang up a florid red;
Thro' all his limbs a youthful vigour flies,
His empty'd art'ries swell with fresh supplies:
Gazing spectators scarce believe their eyes.
But Aeson is the most surpriz'd to find
A happy change in body and in mind;
In sense and constitution the same man,
As when his fortieth active year began.
Bacchus, who from the clouds this wonder view'd,
Medea's method instantly pursu'd,
And his indulgent nurse's youth renew'd.
The Death of Pelias
Thus far obliging love employ'd her art,
But now revenge must act a tragick part;
Medea feigns a mortal quarrel bred
Betwixt her, and the partner of her bed;
On this pretence to Pelias' court she flies,
Who languishing with age and sickness lies:
His guiltless daughters, with inveigling wiles,
And well dissembled friendship, she beguiles:
The strange achievements of her art she tells,
With Aeson's cure, and long on that she dwells,
'Till them to firm perswasion she has won,
The same for their old father may be done:
For him they court her to employ her skill,
And put upon the cure what price she will.
At first she's mute, and with a grave pretence
Of difficulty, holds 'em in suspense;
Then promises, and bids 'em, from the fold
Chuse out a ram, the most infirm and old;
That so by fact their doubts may be remov'd,
And first on him the operation prov'd.
A wreath-horn'd ram is brought, so far o'er-grown
With years, his age was to that age unknown
Of sense too dull the piercing point to feel,
And scarce sufficient blood to stain the steel.
His carcass she into a cauldron threw,
With drugs whose vital qualities she knew;
His limbs grow less, he casts his horns, and years,
And tender bleatings strike their wond'ring ears.
Then instantly leaps forth a frisking lamb,
That seeks (too young to graze) a suckling dam.
The sisters, thus confirm'd with the success,
Her promise with renew'd entreaty press;
To countenance the cheat, three nights and days
Before experiment th' inchantress stays;
Then into limpid water, from the springs,
Weeds, and ingredients of no force she flings;
With antique ceremonies for pretence
And rambling rhymes without a word of sense.
Mean-while the king with all his guards lay bound
In magick sleep, scarce that of death so sound;
The daughters now are by the sorc'ress led
Into his chamber, and surround his bed.
Your father's health's concern'd, and can ye stay?
Unnat'ral nymphs, why this unkind delay?
Unsheath your swords, dismiss his lifeless blood,
And I'll recruit it with a vital flood:
Your father's life and health is in your hand,
And can ye thus like idle gazers stand?
Unless you are of common sense bereft,
If yet one spark of piety is left,
Dispatch a father's cure, and disengage
The monarch from his toilsome load of age:
Come- drench your weapons in his putrid gore;
'Tis charity to wound, when wounding will restore.
Thus urg'd, the poor deluded maids proceed,
Betray'd by zeal, to an inhumane deed,
And, in compassion, make a father bleed.
Yes, she who had the kindest, tend'rest heart,
Is foremost to perform the bloody part.
Yet, tho' to act the butchery betray'd,
They could not bear to see the wounds they made;
With looks averted, backward they advance,
Then strike, and stab, and leave the blows to chance.
Waking in consternation, he essays
(Weltring in blood) his feeble arms to raise:
Environ'd with so many swords- From whence
This barb'rous usage? what is my offence?
What fatal fury, what infernal charm,
'Gainst a kind father does his daughters arm?
Hearing his voice, as thunder-struck they stopt,
Their resolution, and their weapons dropt:
Medea then the mortal blow bestows,
And that perform'd, the tragick scene to close,
His corpse into the boiling cauldron throws.
Then, dreading the revenge that must ensue,
High mounted on her dragon-coach she flew;
And in her stately progress thro' the skies,
Beneath her shady Pelion first she spies,
With Othrys, that above the clouds did rise;
With skilful Chiron's cave, and neighb'ring ground,
For old Cerambus' strange escape renown'd,
By nymphs deliver'd, when the world was drown'd;
Who him with unexpected wings supply'd,
When delug'd hills a safe retreat deny'd.
Aeolian Pitane on her left hand
She saw, and there the statu'd dragon stand;
With Ida's grove, where Bacchus, to disguise
His son's bold theft, and to secure the prize,
Made the stoln steer a stag to represent;
Cocytus' father's sandy monument;
And fields that held the murder'd sire's remains,
Where howling Moera frights the startled plains.
Euryphilus' high town, with tow'rs defac'd
By Hercules, and matrons more disgrac'd
With sprouting horns, in signal punishment,
From Juno, or resenting Venus sent.
Then Rhodes, which Phoebus did so dearly prize,
And Jove no less severely did chastize;
For he the wizard native's pois'ning sight,
That us'd the farmer's hopeful crops to blight,
In rage o'erwhelm'd with everlasting night.
Cartheia's ancient walls come next in view,
Where once the sire almost a statue grew
With wonder, which a strange event did move,
His daughter turn'd into a turtle-dove.
Then Hyrie's lake, and Tempe's field o'er-ran,
Fam'd for the boy who there became a swan;
For there enamour'd Phyllius, like a slave,
Perform'd what tasks his paramour would crave.
For presents he had mountain-vultures caught,
And from the desart a tame lion brought;
Then a wild bull commanded to subdue,
The conquer'd savage by the horns he drew;
But, mock'd so oft, the treatment he disdains,
And from the craving boy this prize detains.
Then thus in choler the resenting lad:
Won't you deliver him?- You'll wish you had:
Nor sooner said, but, in a peevish mood,
Leapt from the precipice on which he stood:
The standers-by were struck with fresh surprize,
Instead of falling, to behold him rise
A snowy swan, and soaring to the skies.
But dearly the rash prank his mother cost,
Who ignorantly gave her son for lost;
For his misfortune wept, 'till she became
A lake, and still renown'd with Hyrie's name.
Thence to Latona's isle, where once were seen,
Transform'd to birds, a monarch, and his queen.
Far off she saw how old Cephisus mourn'd
His son, into a seele by Phoebus turn'd;
And where, astonish'd at a stranger sight,
Eumelus gaz'd on his wing'd daughter's flight.
Aetolian Pleuron she did next survey,
Where sons a mother's murder did essay,
But sudden plumes the matron bore away.
On her right hand, Cyllene, a fair soil,
Fair, 'till Menephron there the beauteous hill
Attempted with foul incest to defile.
Her harness'd dragons now direct she drives
For Corinth, and at Corinth she arrives;
Where, if what old tradition tells, be true,
In former ages men from mushrooms grew.
But here Medea finds her bed supply'd,
During her absence, by another bride;
And hopeless to recover her lost game,
She sets both bride and palace in a flame.
Nor could a rival's death her wrath asswage,
Nor stopt at Creon's family her rage,
She murders her own infants, in despight
To faithless Jason, and in Jason's sight;
Yet e'er his sword could reach her, up she springs,
Securely mounted on her dragon's wings.
The Story of Aegeus
From hence to Athens she directs her flight,
Where Phineus, so renown'd for doing right;
Where Periphas, and Polyphemon's neece,
Soaring with sudden plumes amaz'd the towns of Greece.
Here Aegeus so engaging she addrest,
That first he treats her like a royal guest;
Then takes the sorc'ress for his wedded wife;
The only blemish of his prudent life.
Mean-while his son, from actions of renown,
Arrives at court, but to his sire unknown.
Medea, to dispatch a dang'rous heir
(She knew him), did a pois'nous draught prepare;
Drawn from a drug, was long reserv'd in store
For desp'rate uses, from the Scythian shore;
That from the Echydnaean monster's jaws
Deriv'd its origin, and this the cause.
Thro' a dark cave a craggy passage lies,
To ours, ascending from the nether skies;
Thro' which, by strength of hand, Alcides drew
Chain'd Cerberus, who lagg'd, and restive grew,
With his blear'd eyes our brighter day to view.
Thrice he repeated his enormous yell,
With which he scares the ghosts, and startles Hell;
At last outragious (tho' compell'd to yield)
He sheds his foam in fury on the field,-
Which, with its own, and rankness of the ground,
Produc'd a weed, by sorcerers renown'd,
The strongest constitution to confound;
Call'd Aconite, because it can unlock
All bars, and force its passage thro' a rock.
The pious father, by her wheedles won,
Presents this deadly potion to his son;
Who, with the same assurance takes the cup,
And to the monarch's health had drank it up,
But in the very instant he apply'd
The goblet to his lips, old Aegeus spy'd
The iv'ry hilted sword that grac'd his side.
That certain signal of his son he knew,
And snatcht the bowl away; the sword he drew,
Resolv'd, for such a son's endanger'd life,
To sacrifice the most perfidious wife.
Revenge is swift, but her more active charms
A whirlwind rais'd, that snatch'd her from his arms.
While conjur'd clouds their baffled sense surprize,
She vanishes from their deluded eyes,
And thro' the hurricane triumphant flies.
The gen'rous king, altho' o'er-joy'd to find
His son was safe, yet bearing still in mind
The mischief by his treach'rous queen design'd;
The horrour of the deed, and then how near
The danger drew, he stands congeal'd with fear.
But soon that fear into devotion turns,
With grateful incense ev'ry altar burns;
Proud victims, and unconscious of their fate,
Stalk to the temple, there to die in state.
In Athens never had a day been found
For mirth, like that grand festival, renown'd.
Promiscuously the peers, and people dine,
Promiscuously their thankful voices join,
In songs of wit, sublim'd by spritely wine.
To list'ning spheres their joint applause they raise,
And thus resound their matchless Theseus' praise.
Great Theseus! Thee the Marathonian plain
Admires, and wears with pride the noble stain
Of the dire monster's blood, by valiant Theseus slain.
That now Cromyon's swains in safety sow,
And reap their fertile field, to thee they owe.
By thee th' infested Epidaurian coast
Was clear'd, and now can a free commerce boast.
The traveller his journey can pursue,
With pleasure the late dreadful valley view,
And cry, Here Theseus the grand robber slew.
Cephysus' cries to his rescu'd shore,
The merciless Procrustes is no more.
In peace, Eleusis, Ceres' rites renew,
Since Theseus' sword the fierce Cercyon slew.
By him the tort'rer Sinis was destroy'd,
Of strength (but strength to barb'rous use employ'd)
That tops of tallest pines to Earth could bend,
And thus in pieces wretched captives rend.
Inhuman Scyron now has breath'd his last,
And now Alcatho's roads securely past;
By Theseus slain, and thrown into the deep:
But Earth nor Sea his scatter'd bones wou'd keep,
Which, after floating long, a rock became,
Still infamous with Scyron's hated name.
When Fame to count thy acts and years proceeds,
Thy years appear but cyphers to thy deeds.
For thee, brave youth, as for our common-wealth,
We pray; and drink, in yours, the publick health.
Your praise the senate, and plebeians sing,
With your lov'd name the court, and cottage ring.
You make our shepherds and our sailors glad,
And not a house in this vast city's sad.
But mortal bliss will never come sincere,
Pleasure may lead, but grief brings up the rear;
While for his sons' arrival, rev'ling joy
Aegeus, and all his subjects does employ;
While they for only costly feasts prepare,
His neighb'ring monarch, Minos, threatens war:
Weak in land-forces, nor by sea more strong,
But pow'rful in a deep resented wrong
For a son's murder, arm'd with pious rage;
Yet prudently before he would engage,
To raise auxiliaries resolv'd to sail,
And with the pow'rful princes to prevail.
First Anaphe, then proud Astypalaea gains,
By presents that, and this by threats obtains:
Low Mycone, Cymolus, chalky soil,
Tall Cythnos, Scyros, flat Seriphos' isle;
Paros, with marble cliffs afar display'd;
Impregnable Sithonia; yet betray'd
To a weak foe by a gold-admiring maid,
Who, chang'd into a daw of sable hue,
Still hoards up gold, and hides it from the view.
But as these islands chearfully combine,
Others refuse t' embark in his design.
Now leftward with an easy sail he bore,
And prosp'rous passage to Oenopia's shore;
Oenopia once, but now Aegina call'd,
And with his royal mother's name install'd
By Aeacus, under whose reign did spring
The Myrmidons, and now their reigning king.
Down to the port, amidst the rabble, run
The princes of the blood; with Telamon,
Peleus the next, and Phocus the third son:
Then Aeacus, altho' opprest with years,
To ask the cause of their approach appears.
That question does the Gnossian's grief renew,
And sighs from his afflicted bosom drew;
Yet after a short solemn respite made,
The ruler of the hundred cities said:
Assist our arms, rais'd for a murder'd son,
In this religious war no risque you'll run:
Revenge the dead- for who refuse to give
Rest to their urns, unworthy are to live.
What you request, thus Aeacus replies,
Not I, but truth and common faith denies;
Athens and we have long been sworn allies:
Our leagues are fix'd, confed'rate are our pow'rs,
And who declare themselves their foes, are ours.
Minos rejoins, Your league shall dearly cost
(Yet, mindful how much safer 'twas to boast,
Than there to waste his forces, and his fame,
Before in field with his grand foe he came),
Parts without blows- nor long had left the shore,
E're into port another navy bore,
With Cephalus, and all his jolly crew;
Th' Aeacides their old acquaintance knew:
The princes bid him welcome, and in state
Conduct the heroe to their palace gate;
Who entr'ring, seem'd the charming mein to wear,
As when in youth he paid his visit there.
In his right hand an olive-branch he holds,
And, salutation past, the chief unfolds
His embassy from the Athenian state,
Their mutual friendship, leagues of ancient date;
Their common danger, ev'ry thing cou'd wake
Concern, and his address successful make:
Strength'ning his plea with all the charms of sense,
And those, with all the charms of eloquence.
Then thus the king: Like suitors do you stand
For that assistance which you may command?
Athenians, all our listed forces use
(They're such as no bold service will refuse);
And when y' ave drawn them off, the Gods be prais'd,
Fresh legions can within our isle be rais'd:
So stock'd with people, that we can prepare
Both for domestick, and for distant war,
Ours, or our friends' insulters to chastize.
Long may ye flourish thus, the prince replies.
Strange transport seiz'd me as I pass'd along,
To meet so many troops, and all so young,
As if your army did of twins consist;
Yet amongst them my late acquaintance miss'd:
Ev'n all that to your palace did resort,
When first you entertain'd me at your court;
And cannot guess the cause from whence cou'd spring
So vast a change- Then thus the sighing king:
Illustrious guest, to my strange tale attend,
Of sad beginning, but a joyful end:
The whole to a vast history wou'd swell,
I shall but half, and that confus'dly, tell.
That race whom so deserv'dly you admir'd,
Are all into their silent tombs retir'd:
They fell; and falling, how they shook my state,
Thought may conceive, but words can ne'er relate.
The Story of Ants chang'd to Men
A dreadful plague from angry Juno came,
To scourge the land, that bore her rival's name;
Before her fatal anger was reveal'd,
And teeming malice lay as yet conceal'd,
All remedies we try, all med'cines use,
Which Nature cou'd supply, or art produce;
Th' unconquer'd foe derides the vain design,
And art, and Nature foil'd, declare the cause divine.
At first we only felt th' oppressive weight
Of gloomy clouds, then teeming with our fate,
And lab'ring to discarge unactive heat:
But ere four moons alternate changes knew,
With deadly blasts the fatal South-wind blew,
Infected all the air, and poison'd as it flew.
Our fountains too a dire infection yield,
For crowds of vipers creep along the field,
And with polluted gore, and baneful steams,
Taint all the lakes, and venom all the streams.
The young disease with milder force began,
And rag'd on birds, and beasts, excusing Man.
The lab'ring oxen fall before the plow,
Th' unhappy plow-men stare, and wonder how:
The tabid sheep, with sickly bleatings, pines;
Its wool decreasing, as its strength declines:
The warlike steed, by inward foes compell'd,
Neglects his honours, and deserts the field;
Unnerv'd, and languid, seeks a base retreat,
And at the manger groans, but wish'd a nobler fate:
The stags forget their speed, the boars their rage,
Nor can the bears the stronger herds engage:
A gen'ral faintness does invade 'em all,
And in the woods, and fields, promiscuously they fall.
The air receives the stench, and (strange to say)
The rav'nous birds and beasts avoid the prey:
Th' offensive bodies rot upon the ground,
And spread the dire contagion all around.
But now the plague, grown to a larger size,
Riots on Man, and scorns a meaner prize.
Intestine heats begin the civil war,
And flushings first the latent flame declare,
And breath inspir'd, which seem'd like fiery air.
Their black dry tongues are swell'd, and scarce can move,
And short thick sighs from panting lung are drove.
They gape for air, with flatt'ring hopes t' abate
Their raging flames, but that augments their heat.
No bed, no cov'ring can the wretches bear,
But on the ground, expos'd to open air,
They lye, and hope to find a pleasing coolness there.
The suff'ring Earth with that oppression curst,
Returns the heat which they imparted first.
In vain physicians would bestow their aid,
Vain all their art, and useless all their trade;
And they, ev'n they, who fleeting life recall,
Feel the same Pow'rs, and undistinguish'd fall.
If any proves so daring to attend
His sick companion, or his darling friend,
Th' officious wretch sucks in contagious breath,
And with his friend does sympathize in death.
And now the care and hopes of life are past,
They please their fancies, and indulge their taste;
At brooks and streams, regardless of their shame,
Each sex, promiscuous, strives to quench their flame;
Nor do they strive in vain to quench it there,
For thirst, and life at once extinguish'd are.
Thus in the brooks the dying bodies sink,
But heedless still the rash survivors drink.
So much uneasy down the wretches hate,
They fly their beds, to struggle with their fate;
But if decaying strength forbids to rise,
The victim crawls and rouls, 'till on the ground he lies.
Each shuns his bed, as each wou'd shun his tomb,
And thinks th' infection only lodg'd at home.
Here one, with fainting steps, does slowly creep
O'er heaps of dead, and strait augments the heap;
Another, while his strength and tongue prevail'd,
Bewails his friend, and falls himself bewail'd:
This with imploring looks surveys the skies,
The last dear office of his closing eyes,
But finds the Heav'ns implacable, and dies.
What now, ah! what employ'd my troubled mind?
But only hopes my subjects' fate to find.
What place soe'er my weeping eyes survey,
There in lamented heaps the vulgar lay;
As acorns scatter when the winds prevail,
Or mellow fruit from shaken branches fall.
You see that dome which rears its front so high:
'Tis sacred to the monarch of the sky:
How many there, with unregarded tears,
And fruitless vows, sent up successless pray'rs?
There fathers for expiring sons implor'd,
And there the wife bewail'd her gasping lord;
With pious off'rings they'd appease the skies,
But they, ere yet th' attoning vapours rise,
Before the altars fall, themselves a sacrifice:
They fall, while yet their hands the gums contain,
The gums surviving, but their off'rers slain.
The destin'd ox, with holy garlands crown'd,
Prevents the blow, and feels th' expected wound:
When I my self invok'd the Pow'rs divine,
To drive the fatal pest from me and mine;
When now the priest with hands uplifted stood,
Prepar'd to strike, and shed the sacred blood,
The Gods themselves the mortal stroke bestow,
The victim falls, but they impart the blow:
Scarce was the knife with the pale purple stain'd,
And no presages cou'd be then obtain'd,
From putrid entrails, where th' infection reign'd.
Death stalk'd around with such resistless sway,
The temples of the Gods his force obey,
And suppliants feel his stroke, while yet they pray.
Go now, said he, your deities implore
For fruitless aid, for I defie their pow'r.
Then with a curst malicious joy survey'd
The very altars, stain'd with trophies of the dead.
The rest grown mad, and frantick with despair,
Urge their own fate, and so prevent the fear.
Strange madness that, when Death pursu'd so fast,
T' anticipate the blow with impious haste.
No decent honours to their urns are paid,
Nor cou'd the graves receive the num'rous dead;
For, or they lay unbury'd on the ground,
Or unadorn'd a needy fun'ral found:
All rev'rence past, the fainting wretches fight
For fun'ral piles which were another's right.
Unmourn'd they fall: for, who surviv'd to mourn?
And sires, and mothers unlamented burn:
Parents, and sons sustain an equal fate,
And wand'ring ghosts their kindred shadows meet.
The dead a larger space of ground require,
Nor are the trees sufficient for the fire.
Despairing under grief's oppressive weight,
And sunk by these tempestuous blasts of Fate,
O Jove, said I, if common fame says true,
If e'er Aegina gave those joys to you,
If e'er you lay enclos'd in her embrace,
Fond of her charms, and eager to possess;
O father, if you do not yet disclaim
Paternal care, nor yet disown the name;
Grant my petitions, and with speed restore
My subjects num'rous as they were before,
Or make me partner of the fate they bore.
I spoke, and glorious lightning shone around,
And ratling thunder gave a prosp'rous sound;
So let it be, and may these omens prove
A pledge, said I, of your returning love.
By chance a rev'rend oak was near the place,
Sacred to Jove, and of Dodona's race,
Where frugal ants laid up their winter meat,
Whose little bodies bear a mighty weight:
We saw them march along, and hide their store,
And much admir'd their number, and their pow'r;
Admir'd at first, but after envy'd more.
Full of amazement, thus to Jove I pray'd,
O grant, since thus my subjects are decay'd,
As many subjects to supply the dead.
I pray'd, and strange convulsions mov'd the oak,
Which murmur'd, tho' by ambient winds unshook:
My trembling hands, and stiff-erected hair,
Exprest all tokens of uncommon fear;
Yet both the earth and sacred oak I kist,
And scarce cou'd hope, yet still I hop'd the best;
For wretches, whatsoe'er the Fates divine,
Expound all omens to their own design.
But now 'twas night, when ev'n distraction wears
A pleasing look, and dreams beguile our cares,
Lo! the same oak appears before my eyes,
Nor alter'd in his shape, nor former size;
As many ants the num'rous branches bear,
The same their labour, and their frugal care;
The branches too a like commotion sound,
And shook th' industrious creatures on the ground,
Who, by degrees (what's scarce to be believ'd)
A nobler form, and larger bulk receiv'd,
And on the earth walk'd an unusual pace,
With manly strides, and an erected face-
Their num'rous legs, and former colour lost,
The insects cou'd a human figure boast.
I wake, and waking find my cares again,
And to the unperforming Gods complain,
And call their promise, and pretences, vain.
Yet in my court I heard the murm'ring voice
Of strangers, and a mixt uncommon noise:
But I suspected all was still a dream,
'Till Telamon to my apartment came,
Op'ning the door with an impetuous haste,
O come, said he, and see your faith and hopes surpast:
I follow, and, confus'd with wonder, view
Those shapes which my presaging slumbers drew:
I saw, and own'd, and call'd them subjects; they
Confest my pow'r, submissive to my sway.
To Jove, restorer of my race decay'd,
My vows were first with due oblations paid,
I then divide with an impartial hand
My empty city, and my ruin'd land,
To give the new-born youth an equal share,
And call them Myrmidons, from what they were.
You saw their persons, and they still retain
The thrift of ants, tho' now transform'd to men.
A frugal people, and inur'd to sweat,
Lab'ring to gain, and keeping what they get.
These, equal both in strength and years, shall join
Their willing aid, and follow your design,
With the first southern gale that shall present
To fill your sails, and favour your intent.
With such discourse they entertain the day;
The ev'ning past in banquets, sport, and play:
Then, having crown'd the night with sweet repose,
Aurora (with the wind at east) arose.
Now Pallas' sons to Cephalus resort,
And Cephalus with Pallas' sons to court,
To the king's levee; him sleep's silken chain,
And pleasing dreams, beyond his hour detain;
But then the princes of the blood, in state,
Expect, and meet 'em at the palace gate.
The Story of Cephalus and Procris
To th' inmost courts the Grecian youths were led,
And plac'd by Phocus on a Tyrian bed;
Who, soon observing Cephalus to hold
A dart of unknown wood, but arm'd with gold:
None better loves (said he) the huntsman's sport,
Or does more often to the woods resort;
Yet I that jav'lin's stem with wonder view,
Too brown for box, too smooth a grain for yew.
I cannot guess the tree; but never art
Did form, or eyes behold so fair a dart!
The guest then interrupts him- 'Twou'd produce
Still greater wonder, if you knew its use.
It never fails to strike the game, and then
Comes bloody back into your hand again.
Then Phocus each particular desires,
And th' author of the wond'rous gift enquires.
To which the owner thus, with weeping eyes,
And sorrow for his wife's sad fate, replies,
This weapon here (o prince!) can you believe
This dart the cause for which so much I grieve;
And shall continue to grieve on, 'till Fate
Afford such wretched life no longer date.
Would I this fatal gift had ne'er enjoy'd,
This fatal gift my tender wife destroy'd:
Procris her name, ally'd in charms and blood
To fair Orythia courted by a God.
Her father seal'd my hopes with rites divine,
But firmer love before had made her mine.
Men call'd me blest, and blest I was indeed.
The second month our nuptials did succeed;
When (as upon Hymettus' dewy head,
For mountain stags my net betimes I spread)
Aurora spy'd, and ravish'd me away,
With rev'rence to the Goddess, I must say,
Against my will, for Procris had my heart,
Nor wou'd her image from my thoughts depart.
At last, in rage she cry'd, Ingrateful boy
Go to your Procris, take your fatal joy;
And so dismiss'd me: musing, as I went,
What those expressions of the Goddess meant,
A thousand jealous fears possess me now,
Lest Procris had prophan'd her nuptial vow:
Her youth and charms did to my fancy paint
A lewd adultress, but her life a saint.
Yet I was absent long, the Goddess too
Taught me how far a woman cou'd be true.
Aurora's treatment much suspicion bred;
Besides, who truly love, ev'n shadows dread.
I strait impatient for the tryal grew,
What courtship back'd with richest gifts cou'd do.
Aurora's envy aided my design,
And lent me features far unlike to mine.
In this disguise to my own house I came,
But all was chaste, no conscious sign of blame:
With thousand arts I scarce admittance found,
And then beheld her weeping on the ground
For her lost husband; hardly I retain'd
My purpose, scarce the wish'd embrace refrain'd.
How charming was her grief! Then, Phocus, guess
What killing beauties waited on her dress.
Her constant answer, when my suit I prest,
Forbear, my lord's dear image guards this breast;
Where-e'er he is, whatever cause detains,
Who-e'er has his, my heart unmov'd remains.
What greater proofs of truth than these cou'd be?
Yet I persist, and urge my destiny.
At length, she found, when my own form return'd,
Her jealous lover there, whose loss she mourn'd.
Enrag'd with my suspicion, swift as wind,
She fled at once from me and all mankind;
And so became, her purpose to retain,
A nymph, and huntress in Diana's train:
Forsaken thus, I found my flames encrease,
I own'd my folly, and I su'd for peace.
It was a fault, but not of guilt, to move
Such punishment, a fault of too much love.
Thus I retriev'd her to my longing arms,
And many happy days possess'd her charms.
But with herself she kindly did confer,
What gifts the Goddess had bestow'd on her;
The fleetest grey-hound, with this lovely dart,
And I of both have wonders to impart.
Near Thebes a savage beast, of race unknown,
Laid waste the field, and bore the vineyards down;
The swains fled from him, and with one consent
Our Grecian youth to chase the monster went;
More swift than light'ning he the toils surpast,
And in his course spears, men, and trees o'er-cast.
We slipt our dogs, and last my Lelaps too,
When none of all the mortal race wou'd do:
He long before was struggling from my hands,
And, e're we cou'd unloose him, broke his bands.
That minute where he was, we cou'd not find,
And only saw the dust he left behind.
I climb'd a neighb'ring hill to view the chase,
While in the plain they held an equal race;
The savage now seems caught, and now by force
To quit himself, nor holds the same strait course;
But running counter, from the foe withdraws,
And with short turning cheats his gaping jaws:
Which he retrieves, and still so closely prest,
You'd fear at ev'ry stretch he were possess'd;
Yet for the gripe his fangs in vain prepare;
The game shoots from him, and he chops the air.
To cast my jav'lin then I took my stand;
But as the thongs were fitting to my hand,
While to the valley I o'er-look'd the wood,
Before my eyes two marble statues stood;
That, as pursu'd appearing at full stretch,
This barking after, and at point to catch:
Some God their course did with this wonder grace,
That neither might be conquer'd in the chase.
A sudden silence here his tongue supprest,
He here stops short, and fain wou'd wave the rest.
The eager prince then urg'd him to impart,
The Fortune that attended on the dart.
First then (said he) past joys let me relate,
For bliss was the foundation of my fate.
No language can those happy hours express,
Did from our nuptials me, and Procris bless:
The kindest pair! What more cou'd Heav'n confer?
For she was all to me, and I to her.
Had Jove made love, great Jove had been despis'd;
And I my Procris more than Venus priz'd:
Thus while no other joy we did aspire,
We grew at last one soul, and one desire.
Forth to the woods I went at break of day
(The constant practice of my youth) for prey:
Nor yet for servant, horse, or dog did call,
I found this single dart to serve for all.
With slaughter tir'd, I sought the cooler shade,
And winds that from the mountains pierc'd the glade:
Come, gentle air (so was I wont to say)
Come, gentle air, sweet Aura come away.
This always was the burden of my song,
Come 'swage my flames, sweet Aura come along.
Thou always art most welcome to my breast;
I faint; approach, thou dearest, kindest guest!
These blandishments, and more than these, I said
(By Fate to unsuspected ruin led),
Thou art my joy, for thy dear sake I love
Each desart hill, and solitary grove;
When (faint with labour) I refreshment need,
For cordials on thy fragrant breath I feed.
At last a wand'ring swain in hearing came,
And cheated with the sound of Aura's name,
He thought I some assignation made;
And to my Procris' ear the news convey'd.
Great love is soonest with suspicion fir'd:
She swoon'd, and with the tale almost expir'd.
Ah! wretched heart! (she cry'd) ah! faithless man.
And then to curse th' imagin'd nymph began:
Yet oft she doubts, oft hopes she is deceiv'd,
And chides herself, that ever she believ'd
Her lord to such injustice cou'd proceed,
'Till she her self were witness of the deed.
Next morn I to the woods again repair,
And, weary with the chase, invoke the air:
Approach, dear Aura, and my bosom chear:
At which a mournful sound did strike my ear;
Yet I proceeded, 'till the thicket by,
With rustling noise and motion, drew my eye:
I thought some beast of prey was shelter'd there,
And to the covert threw my certain spear;
From whence a tender sigh my soul did wound,
Ah me! it cry'd, and did like Procris sound.
Procris was there, too well the voice I knew,
And to the place with headlong horror flew;
Where I beheld her gasping on the ground,
In vain attempting from the deadly wound
To draw the dart, her love's dear fatal gift!
My guilty arms had scarce the strength to lift
The beauteous load; my silks, and hair I tore
(If possible) to stanch the pressing gore;
For pity beg'd her keep her flitting breath,
And not to leave me guilty of her death.
While I intreat she fainted fast away,
And these few words had only strength to say:
By all the sacred bonds of plighted love,
By all your rev'rence to the Pow'rs above,
By all the truth for which you held me dear,
And last by love, the cause through which I bleed,
Let Aura never to my bed succeed.
I then perceiv'd the error of our fate,
And told it her, but found and told too late!
I felt her lower to my bosom fall,
And while her eyes had any sight at all,
On mine she fix'd them; in her pangs still prest
My hand, and sigh'd her soul into my breast;
Yet, being undeceiv'd, resign'd her breath
Methought more chearfully, and smil'd in death.
With such concern the weeping heroe told
This tale, that none who heard him cou'd with-hold
From melting into sympathizing tears,
'Till Aeacus with his two sons appears;
Whom he commits, with their new-levy'd bands,
To Fortune's, and so brave a gen'ral's hands.
----------------------------------------------------------------------
~ Ovid, BOOK THE SEVENTH
,#NFDB
663:BOOK THE TENTH
The Story of Orpheus and Eurydice
Thence, in his saffron robe, for distant Thrace,
Hymen departs, thro' air's unmeasur'd space;
By Orpheus call'd, the nuptial Pow'r attends,
But with ill-omen'd augury descends;
Nor chearful look'd the God, nor prosp'rous spoke,
Nor blaz'd his torch, but wept in hissing smoke.
In vain they whirl it round, in vain they shake,
No rapid motion can its flames awake.
With dread these inauspicious signs were view'd,
And soon a more disastrous end ensu'd;
For as the bride, amid the Naiad train,
Ran joyful, sporting o'er the flow'ry plain,
A venom'd viper bit her as she pass'd;
Instant she fell, and sudden breath'd her last.
When long his loss the Thracian had deplor'd,
Not by superior Pow'rs to be restor'd;
Inflam'd by love, and urg'd by deep despair,
He leaves the realms of light, and upper air;
Daring to tread the dark Tenarian road,
And tempt the shades in their obscure abode;
Thro' gliding spectres of th' interr'd to go,
And phantom people of the world below:
Persephone he seeks, and him who reigns
O'er ghosts, and Hell's uncomfortable plains.
Arriv'd, he, tuning to his voice his strings,
Thus to the king and queen of shadows sings.
Ye Pow'rs, who under Earth your realms extend,
To whom all mortals must one day descend;
If here 'tis granted sacred truth to tell:
I come not curious to explore your Hell;
Nor come to boast (by vain ambition fir'd)
How Cerberus at my approach retir'd.
My wife alone I seek; for her lov'd sake
These terrors I support, this journey take.
She, luckless wandring, or by fate mis-led,
Chanc'd on a lurking viper's crest to tread;
The vengeful beast, enflam'd with fury, starts,
And thro' her heel his deathful venom darts.
Thus was she snatch'd untimely to her tomb;
Her growing years cut short, and springing bloom.
Long I my loss endeavour'd to sustain,
And strongly strove, but strove, alas, in vain:
At length I yielded, won by mighty love;
Well known is that omnipotence above!
But here, I doubt, his unfelt influence fails;
And yet a hope within my heart prevails.
That here, ev'n here, he has been known of old;
At least if truth be by tradition told;
If fame of former rapes belief may find,
You both by love, and love alone, were join'd.
Now, by the horrors which these realms surround;
By the vast chaos of these depths profound;
By the sad silence which eternal reigns
O'er all the waste of these wide-stretching plains;
Let me again Eurydice receive,
Let Fate her quick-spun thread of life re-weave.
All our possessions are but loans from you,
And soon, or late, you must be paid your due;
Hither we haste to human-kind's last seat,
Your endless empire, and our sure retreat.
She too, when ripen'd years she shall attain,
Must, of avoidless right, be yours again:
I but the transient use of that require,
Which soon, too soon, I must resign entire.
But if the destinies refuse my vow,
And no remission of her doom allow;
Know, I'm determin'd to return no more;
So both retain, or both to life restore.
Thus, while the bard melodiously complains,
And to his lyre accords his vocal strains,
The very bloodless shades attention keep,
And silent, seem compassionate to weep;
Ev'n Tantalus his flood unthirsty views,
Nor flies the stream, nor he the stream pursues;
Ixion's wond'ring wheel its whirl suspends,
And the voracious vulture, charm'd, attends;
No more the Belides their toil bemoan,
And Sisiphus reclin'd, sits list'ning on his stone.
Then first ('tis said) by sacred verse subdu'd,
The Furies felt their cheeks with tears bedew'd:
Nor could the rigid king, or queen of Hell,
Th' impulse of pity in their hearts repell.
Now, from a troop of shades that last arriv'd,
Eurydice was call'd, and stood reviv'd:
Slow she advanc'd, and halting seem to feel
The fatal wound, yet painful in her heel.
Thus he obtains the suit so much desir'd,
On strict observance of the terms requir'd:
For if, before he reach the realms of air,
He backward cast his eyes to view the fair,
The forfeit grant, that instant, void is made,
And she for ever left a lifeless shade.
Now thro' the noiseless throng their way they bend,
And both with pain the rugged road ascend;
Dark was the path, and difficult, and steep,
And thick with vapours from the smoaky deep.
They well-nigh now had pass'd the bounds of night,
And just approach'd the margin of the light,
When he, mistrusting lest her steps might stray,
And gladsome of the glympse of dawning day,
His longing eyes, impatient, backward cast
To catch a lover's look, but look'd his last;
For, instant dying, she again descends,
While he to empty air his arms extends.
Again she dy'd, nor yet her lord reprov'd;
What could she say, but that too well he lov'd?
One last farewell she spoke, which scarce he heard;
So soon she drop'd, so sudden disappear'd.
All stunn'd he stood, when thus his wife he view'd
By second Fate, and double death subdu'd:
Not more amazement by that wretch was shown,
Whom Cerberus beholding, turn'd to stone;
Nor Olenus cou'd more astonish'd look,
When on himself Lethaea's fault he took,
His beauteous wife, who too secure had dar'd
Her face to vye with Goddesses compar'd:
Once join'd by love, they stand united still,
Turn'd to contiguous rocks on Ida's hill.
Now to repass the Styx in vain he tries,
Charon averse, his pressing suit denies.
Sev'n days entire, along th' infernal shores,
Disconsolate, the bard Eurydice deplores;
Defil'd with filth his robe, with tears his cheeks,
No sustenance but grief, and cares, he seeks:
Of rigid Fate incessant he complains,
And Hell's inexorable Gods arraigns.
This ended, to high Rhodope he hastes,
And Haemus' mountain, bleak with northern blasts.
And now his yearly race the circling sun
Had thrice compleat thro' wat'ry Pisces run,
Since Orpheus fled the face of womankind,
And all soft union with the sex declin'd.
Whether his ill success this change had bred,
Or binding vows made to his former bed;
Whate'er the cause, in vain the nymphs contest,
With rival eyes to warm his frozen breast:
For ev'ry nymph with love his lays inspir'd,
But ev'ry nymph repuls'd, with grief retir'd.
A hill there was, and on that hill a mead,
With verdure thick, but destitute of shade.
Where, now, the Muse's son no sooner sings,
No sooner strikes his sweet resounding strings.
But distant groves the flying sounds receive,
And list'ning trees their rooted stations leave;
Themselves transplanting, all around they grow,
And various shades their various kinds bestow.
Here, tall Chaonian oaks their branches spread,
While weeping poplars there erect their head.
The foodful Esculus here shoots his leaves,
That turf soft lime-tree, this, fat beach receives;
Here, brittle hazels, lawrels here advance,
And there tough ash to form the heroe's lance;
Here silver firs with knotless trunks ascend,
There, scarlet oaks beneath their acorns bend.
That spot admits the hospitable plane,
On this, the maple grows with clouded grain;
Here, watry willows are with Lotus seen;
There, tamarisk, and box for ever green.
With double hue here mirtles grace the ground,
And laurestines, with purple berries crown'd.
With pliant feet, now, ivies this way wind,
Vines yonder rise, and elms with vines entwin'd.
Wild Ornus now, the pitch-tree next takes root,
And Ar butus adorn'd with blushing fruit.
Then easy-bending palms, the victor's prize,
And pines erect with bristly tops arise.
For Rhea grateful still the pine remains,
For Atys still some favour she retains;
He once in human shape her breast had warm'd,
And now is cherish'd, to a tree transform'd.
The Fable of Cyparissus
Amid the throng of this promiscuous wood,
With pointed top, the taper cypress stood;
A tree, which once a youth, and heav'nly fair,
Was of that deity the darling care,
Whose hand adapts, with equal skill, the strings
To bows with which he kills, and harps to which he sings.
For heretofore, a mighty stag was bred,
Which on the fertile fields of Caea fed;
In shape and size he all his kind excell'd,
And to Carthaean nymphs was sacred held.
His beamy head, with branches high display'd,
Afforded to itself an ample shade;
His horns were gilt, and his smooth neck was grac'd
With silver collars thick with gems enchas'd:
A silver boss upon his forehead hung,
And brazen pendants in his ear-rings rung.
Frequenting houses, he familiar grew,
And learnt by custom, Nature to subdue;
'Till by degrees, of fear, and wildness, broke,
Ev'n stranger hands his proffer'd neck might stroak.
Much was the beast by Caea's youth caress'd,
But thou, sweet Cyparissus, lov'dst him best:
By thee, to pastures fresh, he oft was led,
By thee oft water'd at the fountain's head:
His horns with garlands, now, by thee were ty'd,
And, now, thou on his back wou'dst wanton ride;
Now here, now there wou'dst bound along the plains,
Ruling his tender mouth with purple reins.
'Twas when the summer sun, at noon of day,
Thro' glowing Cancer shot his burning ray,
'Twas then, the fav'rite stag, in cool retreat,
Had sought a shelter from the scorching heat;
Along the grass his weary limbs he laid,
Inhaling freshness from the breezy shade:
When Cyparissus with his pointed dart,
Unknowing, pierc'd him to the panting heart.
But when the youth, surpriz'd, his error found,
And saw him dying of the cruel wound,
Himself he would have slain thro' desp'rate grief:
What said not Phoebus, that might yield relief!
To cease his mourning, he the boy desir'd,
Or mourn no more than such a loss requir'd.
But he, incessant griev'd: at length address'd
To the superior Pow'rs a last request;
Praying, in expiation of his crime,
Thenceforth to mourn to all succeeding time.
And now, of blood exhausted he appears,
Drain'd by a torrent of continual tears;
The fleshy colour in his body fades,
And a green tincture all his limbs invades;
From his fair head, where curling locks late hung,
A horrid bush with bristled branches sprung,
Which stiffning by degrees, its stem extends,
'Till to the starry skies the spire ascends.
Apollo sad look'd on, and sighing, cry'd,
Then, be for ever, what thy pray'r imply'd:
Bemoan'd by me, in others grief excite;
And still preside at ev'ry fun'ral rite.
Thus the sweet artist in a wondrous shade
Of verdant trees, which harmony had made,
Encircled sate, with his own triumphs crown'd,
Of listning birds, and savages around.
Again the trembling strings he dext'rous tries,
Again from discord makes soft musick rise.
Then tunes his voice: O Muse, from whom I sprung,
Jove be my theme, and thou inspire my song.
To Jove my grateful voice I oft have rais'd,
Oft his almighty pow'r with pleasure prais'd.
I sung the giants in a solemn strain,
Blasted, and thunder-struck on Phlegra's plain.
Now be my lyre in softer accents mov'd,
To sing of blooming boys by Gods belov'd;
And to relate what virgins, void of shame,
Have suffer'd vengeance for a lawless flame.
The King of Gods once felt the burning joy,
And sigh'd for lovely Ganimede of Troy:
Long was he puzzled to assume a shape
Most fit, and expeditious for the rape;
A bird's was proper, yet he scorns to wear
Any but that which might his thunder bear.
Down with his masquerading wings he flies,
And bears the little Trojan to the skies;
Where now, in robes of heav'nly purple drest,
He serves the nectar at th' Almighty's feast,
To slighted Juno an unwelcome guest.
Hyacinthus transform'd into a Flower
Phoebus for thee too, Hyacinth, design'd
A place among the Gods, had Fate been kind:
Yet this he gave; as oft as wintry rains
Are past, and vernal breezes sooth the plains,
From the green turf a purple flow'r you rise,
And with your fragrant breath perfume the skies.
You when alive were Phoebus' darling boy;
In you he plac'd his Heav'n, and fix'd his joy:
Their God the Delphic priests consult in vain;
Eurotas now he loves, and Sparta's plain:
His hands the use of bow and harp forget,
And hold the dogs, or bear the corded net;
O'er hanging cliffs swift he pursues the game;
Each hour his pleasure, each augments his flame.
The mid-day sun now shone with equal light
Between the past, and the succeeding night;
They strip, then, smooth'd with suppling oyl, essay
To pitch the rounded quoit, their wonted play:
A well-pois'd disk first hasty Phoebus threw,
It cleft the air, and whistled as it flew;
It reach'd the mark, a most surprizing length;
Which spoke an equal share of art, and strength.
Scarce was it fall'n, when with too eager hand
Young Hyacinth ran to snatch it from the sand;
But the curst orb, which met a stony soil,
Flew in his face with violent recoil.
Both faint, both pale, and breathless now appear,
The boy with pain, the am'rous God with fear.
He ran, and rais'd him bleeding from the ground,
Chafes his cold limbs, and wipes the fatal wound:
Then herbs of noblest juice in vain applies;
The wound is mortal, and his skill defies.
As in a water'd garden's blooming walk,
When some rude hand has bruis'd its tender stalk,
A fading lilly droops its languid head,
And bends to earth, its life, and beauty fled:
So Hyacinth, with head reclin'd, decays,
And, sickning, now no more his charms displays.
O thou art gone, my boy, Apollo cry'd,
Defrauded of thy youth in all its pride!
Thou, once my joy, art all my sorrow now;
And to my guilty hand my grief I owe.
Yet from my self I might the fault remove,
Unless to sport, and play, a fault should prove,
Unless it too were call'd a fault to love.
Oh cou'd I for thee, or but with thee, dye!
But cruel Fates to me that pow'r deny.
Yet on my tongue thou shalt for ever dwell;
Thy name my lyre shall sound, my verse shall tell;
And to a flow'r transform'd, unheard-of yet,
Stamp'd on thy leaves my cries thou shalt repeat.
The time shall come, prophetick I foreknow,
When, joyn'd to thee, a mighty chief shall grow,
And with my plaints his name thy leaf shall show.
While Phoebus thus the laws of Fate reveal'd,
Behold, the blood which stain'd the verdant field,
Is blood no longer; but a flow'r full blown,
Far brighter than the Tyrian scarlet shone.
A lilly's form it took; its purple hue
Was all that made a diff'rence to the view,
Nor stop'd he here; the God upon its leaves
The sad expression of his sorrow weaves;
And to this hour the mournful purple wears
Ai, Ai, inscrib'd in funeral characters.
Nor are the Spartans, who so much are fam'd
For virtue, of their Hyacinth asham'd;
But still with pompous woe, and solemn state,
The Hyacinthian feasts they yearly celebrate
The Transformations of the Cerastae and Propoetides
Enquire of Amathus, whose wealthy ground
With veins of every metal does abound,
If she to her Propoetides wou'd show,
The honour Sparta does to him allow?
Nor more, she'd say, such wretches wou'd we grace,
Than those whose crooked horns deform'd their face,
From thence Cerastae call'd, an impious race:
Before whose gates a rev'rend altar stood,
To Jove inscrib'd, the hospitable God:
This had some stranger seen with gore besmear'd,
The blood of lambs, and bulls it had appear'd:
Their slaughter'd guests it was; nor flock nor herd.
Venus these barb'rous sacrifices view'd
With just abhorrence, and with wrath pursu'd:
At first, to punish such nefarious crimes,
Their towns she meant to leave, her once-lov'd climes:
But why, said she, for their offence shou'd I
My dear delightful plains, and cities fly?
No, let the impious people, who have sinn'd,
A punishment in death, or exile, find:
If death, or exile too severe be thought,
Let them in some vile shape bemoan their fault.
While next her mind a proper form employs,
Admonish'd by their horns, she fix'd her choice.
Their former crest remains upon their heads,
And their strong limbs an ox's shape invades.
The blasphemous Propoetides deny'd
Worship of Venus, and her pow'r defy'd:
But soon that pow'r they felt, the first that sold
Their lewd embraces to the world for gold.
Unknowing how to blush, and shameless grown,
A small transition changes them to stone.
The Story of Pygmalion and the Statue
Pygmalion loathing their lascivious life,
Abhorr'd all womankind, but most a wife:
So single chose to live, and shunn'd to wed,
Well pleas'd to want a consort of his bed.
Yet fearing idleness, the nurse of ill,
In sculpture exercis'd his happy skill;
And carv'd in iv'ry such a maid, so fair,
As Nature could not with his art compare,
Were she to work; but in her own defence
Must take her pattern here, and copy hence.
Pleas'd with his idol, he commends, admires,
Adores; and last, the thing ador'd, desires.
A very virgin in her face was seen,
And had she mov'd, a living maid had been:
One wou'd have thought she cou'd have stirr'd, but strove
With modesty, and was asham'd to move.
Art hid with art, so well perform'd the cheat,
It caught the carver with his own deceit:
He knows 'tis madness, yet he must adore,
And still the more he knows it, loves the more:
The flesh, or what so seems, he touches oft,
Which feels so smooth, that he believes it soft.
Fir'd with this thought, at once he strain'd the breast,
And on the lips a burning kiss impress'd.
'Tis true, the harden'd breast resists the gripe,
And the cold lips return a kiss unripe:
But when, retiring back, he look'd again,
To think it iv'ry, was a thought too mean:
So wou'd believe she kiss'd, and courting more,
Again embrac'd her naked body o'er;
And straining hard the statue, was afraid
His hands had made a dint, and hurt his maid:
Explor'd her limb by limb, and fear'd to find
So rude a gripe had left a livid mark behind:
With flatt'ry now he seeks her mind to move,
And now with gifts (the pow'rful bribes of love),
He furnishes her closet first; and fills
The crowded shelves with rarities of shells;
Adds orient pearls, which from the conchs he drew,
And all the sparkling stones of various hue:
And parrots, imitating human tongue,
And singing-birds in silver cages hung:
And ev'ry fragrant flow'r, and od'rous green,
Were sorted well, with lumps of amber laid between:
Rich fashionable robes her person deck,
Pendants her ears, and pearls adorn her neck:
Her taper'd fingers too with rings are grac'd,
And an embroider'd zone surrounds her slender waste.
Thus like a queen array'd, so richly dress'd,
Beauteous she shew'd, but naked shew'd the best.
Then, from the floor, he rais'd a royal bed,
With cov'rings of Sydonian purple spread:
The solemn rites perform'd, he calls her bride,
With blandishments invites her to his side;
And as she were with vital sense possess'd,
Her head did on a plumy pillow rest.
The feast of Venus came, a solemn day,
To which the Cypriots due devotion pay;
With gilded horns the milk-white heifers led,
Slaughter'd before the sacred altars, bled.
Pygmalion off'ring, first approach'd the shrine,
And then with pray'rs implor'd the Pow'rs divine:
Almighty Gods, if all we mortals want,
If all we can require, be yours to grant;
Make this fair statue mine, he wou'd have said,
But chang'd his words for shame; and only pray'd,
Give me the likeness of my iv'ry maid.
The golden Goddess, present at the pray'r,
Well knew he meant th' inanimated fair,
And gave the sign of granting his desire;
For thrice in chearful flames ascends the fire.
The youth, returning to his mistress, hies,
And impudent in hope, with ardent eyes,
And beating breast, by the dear statue lies.
He kisses her white lips, renews the bliss,
And looks, and thinks they redden at the kiss;
He thought them warm before: nor longer stays,
But next his hand on her hard bosom lays:
Hard as it was, beginning to relent,
It seem'd, the breast beneath his fingers bent;
He felt again, his fingers made a print;
'Twas flesh, but flesh so firm, it rose against the dint:
The pleasing task he fails not to renew;
Soft, and more soft at ev'ry touch it grew;
Like pliant wax, when chasing hands reduce
The former mass to form, and frame for use.
He would believe, but yet is still in pain,
And tries his argument of sense again,
Presses the pulse, and feels the leaping vein.
Convinc'd, o'erjoy'd, his studied thanks, and praise,
To her, who made the miracle, he pays:
Then lips to lips he join'd; now freed from fear,
He found the savour of the kiss sincere:
At this the waken'd image op'd her eyes,
And view'd at once the light, and lover with surprize.
The Goddess, present at the match she made,
So bless'd the bed, such fruitfulness convey'd,
That ere ten months had sharpen'd either horn,
To crown their bliss, a lovely boy was born;
Paphos his name, who grown to manhood, wall'd
The city Paphos, from the founder call'd.
The Story of of Cinyras and Myrrha
Nor him alone produc'd the fruitful queen;
But Cinyras, who like his sire had been
A happy prince, had he not been a sire.
Daughters, and fathers, from my song retire;
I sing of horror; and could I prevail,
You shou'd not hear, or not believe my tale.
Yet if the pleasure of my song be such,
That you will hear, and credit me too much,
Attentive listen to the last event,
And, with the sin, believe the punishment:
Since Nature cou'd behold so dire a crime,
I gratulate at least my native clime,
That such a land, which such a monster bore,
So far is distant from our Thracian shore.
Let Araby extol her happy coast,
Her cinamon, and sweet Amomum boast,
Her fragrant flow'rs, her trees with precious tears,
Her second harvests, and her double years;
How can the land be call'd so bless'd, that Myrrha bears?
Nor all her od'rous tears can cleanse her crime;
Her Plant alone deforms the happy clime:
Cupid denies to have inflam'd thy heart,
Disowns thy love, and vindicates his dart:
Some Fury gave thee those infernal pains,
And shot her venom'd vipers in thy veins.
To hate thy sire, had merited a curse;
But such an impious love deserv'd a worse.
The neighb'ring monarchs, by thy beauty led,
Contend in crowds, ambitious of thy bed:
The world is at thy choice; except but one,
Except but him, thou canst not chuse, alone.
She knew it too, the miserable maid,
Ere impious love her better thoughts betray'd,
And thus within her secret soul she said:
Ah Myrrha! whither wou'd thy wishes tend?
Ye Gods, ye sacred laws, my soul defend
From such a crime as all mankind detest,
And never lodg'd before in human breast!
But is it sin? Or makes my mind alone
Th' imagin'd sin? For Nature makes it none.
What tyrant then these envious laws began,
Made not for any other beast, but Man!
The father-bull his daughter may bestride,
The horse may make his mother-mare a bride;
What piety forbids the lusty ram,
Or more salacious goat, to rut their dam?
The hen is free to wed the chick she bore,
And make a husband, whom she hatch'd before.
All creatures else are of a happier kind,
Whom nor ill-natur'd laws from pleasure bind,
Nor thoughts of sin disturb their peace of mind.
But Man a slave of his own making lives;
The fool denies himself what Nature gives:
Too-busie senates, with an over-care,
To make us better than our kind can bear,
Have dash'd a spice of envy in the laws,
And straining up too high, have spoil'd the cause.
Yet some wise nations break their cruel chains,
And own no laws, but those which love ordains;
Where happy daughters with their sires are join'd,
And piety is doubly paid in kind.
O that I had been born in such a clime,
Not here, where 'tis the country makes the crime!
But whither wou'd my impious fancy stray?
Hence hopes, and ye forbidden thoughts away!
His worth deserves to kindle my desires,
But with the love, that daughters bear to sires.
Then had not Cinyras my father been,
What hinder'd Myrrha's hopes to be his queen?
But the perverseness of my fate is such,
That he's not mine, because he's mine too much:
Our kindred-blood debars a better tie;
He might be nearer, were he not so nigh.
Eyes, and their objects, never must unite;
Some distance is requir'd to help the sight:
Fain wou'd I travel to some foreign shore,
Never to see my native country more,
So might I to my self my self restore;
So might my mind these impious thoughts remove,
And ceasing to behold, might cease to love.
But stay I must, to feed my famish'd sight,
To talk, to kiss, and more, if more I might:
More, impious maid! What more canst thou design?
To make a monstrous mixture in thy line,
And break all statutes human and divine!
Can'st thou be call'd (to save thy wretched life)
Thy mother's rival, and thy father's wife?
Confound so many sacred names in one,
Thy brother's mother! Sister to thy son!
And fear'st thou not to see th' infernal bands,
Their heads with snakes; with torches arm'd their hands
Full at thy face th' avenging brands to bear,
And shake the serpents from their hissing hair;
But thou in time th' increasing ill controul,
Nor first debauch the body by the soul;
Secure the sacred quiet of thy mind,
And keep the sanctions Nature has design'd.
Suppose I shou'd attempt, th' attempt were vain,
No thoughts like mine, his sinless soul profane;
Observant of the right: and o that he
Cou'd cure my madness, or be mad like me!
Thus she: but Cinyras, who daily sees
A crowd of noble suitors at his knees,
Among so many, knew not whom to chuse,
Irresolute to grant, or to refuse.
But having told their names, enquir'd of her
Who pleas'd her best, and whom she would prefer.
The blushing maid stood silent with surprize,
And on her father fix'd her ardent eyes,
And looking sigh'd, and as she sigh'd, began
Round tears to shed, that scalded as they ran.
The tender sire, who saw her blush, and cry,
Ascrib'd it all to maiden modesty,
And dry'd the falling drops, and yet more kind,
He stroak'd her cheeks, and holy kisses join'd.
She felt a secret venom fire her blood,
And found more pleasure, than a daughter shou'd;
And, ask'd again what lover of the crew
She lik'd the best, she answer'd, One like you.
Mistaking what she meant, her pious will
He prais'd, and bid her so continue still:
The word of pious heard, she blush'd with shame
Of secret guilt, and cou'd not bear the name.
'Twas now the mid of night, when slumbers close
Our eyes, and sooth our cares with soft repose;
But no repose cou'd wretched Myrrha find,
Her body rouling, as she roul'd her mind:
Mad with desire, she ruminates her sin,
And wishes all her wishes o'er again:
Now she despairs, and now resolves to try;
Wou'd not, and wou'd again, she knows not why;
Stops, and returns; makes, and retracts the vow;
Fain wou'd begin, but understands not how.
As when a pine is hew'd upon the plains,
And the last mortal stroke alone remains,
Lab'ring in pangs of death, and threatning all,
This way, and that she nods, consid'ring where to fall:
So Myrrha's mind, impell'd on either side,
Takes ev'ry bent, but cannot long abide;
Irresolute on which she shou'd relie,
At last, unfix'd in all, is only fix'd to die.
On that sad thought she rests, resolv'd on death,
She rises, and prepares to choak her breath:
Then while about the beam her zone she ties,
Dear Cinyras farewell, she softly cries;
For thee I die, and only wish to be
Not hated, when thou know'st die I for thee:
Pardon the crime, in pity to the cause:
This said, about her neck the noose she draws.
The nurse, who lay without, her faithful guard,
Though not the words, the murmurs over-heard;
And sighs, and hollow sounds: surpriz'd with fright,
She starts, and leaves her bed, and springs a light;
Unlocks the door, and entring out of breath,
The dying saw, and instruments of death;
She shrieks, she cuts the zone with trembling haste,
And in her arms her fainting charge embrac'd:
Next (for she now had leisure for her tears),
She weeping ask'd, in these her blooming years,
What unforeseen misfortune caus'd her care,
To loath her life, and languish in despair!
The maid, with down-cast eyes, and mute with grief
For death unfinish'd, and ill-tim'd relief,
Stood sullen to her suit: the beldame press'd
The more to know, and bar'd her wither'd breast,
Adjur'd her by the kindly food she drew
From those dry founts, her secret ill to shew.
Sad Myrrha sigh'd, and turn'd her eyes aside:
The nurse still urg'd, and wou'd not be deny'd:
Nor only promis'd secresie, but pray'd
She might have leave to give her offer'd aid.
Good-will, she said, my want of strength supplies,
And diligence shall give what age denies:
If strong desires thy mind to fury move,
With charms and med'cines I can cure thy love:
If envious eyes their hurtuful rays have cast,
More pow'rful verse shall free thee from the blast:
If Heav'n offended sends thee this disease,
Offended Heav'n with pray'rs we can appease.
What then remains, that can these cares procure?
Thy house is flourishing, thy fortune sure:
Thy careful mother yet in health survives,
And, to thy comfort, thy kind father lives.
The virgin started at her father's name,
And sigh'd profoundly, conscious of the shame
Nor yet the nurse her impious love divin'd,
But yet surmis'd that love disturb'd her mind:
Thus thinking, she pursu'd her point, and laid,
And lull'd within her lap the mourning maid;
Then softly sooth'd her thus; I guess your grief:
You love, my child; your love shall find relief.
My long-experienc'd age shall be your guide;
Rely on that, and lay distrust aside.
No breath of air shall on the secret blow,
Nor shall (what most you fear) your father know.
Struck once again, as with a thunder-clap,
The guilty virgin bounded from her lap,
And threw her body prostrate on the bed.
And, to conceal her blushes, hid her head;
There silent lay, and warn'd her with her hand
To go: but she receiv'd not the command;
Remaining still importunate to know:
Then Myrrha thus: Or ask no more, or go;
I pr'ythee go, or staying spare my shame;
What thou would'st hear, is impious ev'n to name.
At this, on high the beldame holds her hands,
And trembling both with age, and terror stands;
Adjures, and falling at her feet intreats,
Sooths her with blandishments, and frights with threats,
To tell the crime intended, or disclose
What part of it she knew, if she no farther knows.
And last, if conscious to her counsel made,
Confirms anew the promise of her aid.
Now Myrrha rais'd her head; but soon oppress'd
With shame, reclin'd it on her nurse's breast;
Bath'd it with tears, and strove to have confess'd:
Twice she began, and stopp'd; again she try'd;
The falt'ring tongue its office still deny'd.
At last her veil before her face she spread,
And drew a long preluding sigh, and said,
O happy mother, in thy marriage-bed!
Then groan'd, and ceas'd. The good old woman shook,
Stiff were her eyes, and ghastly was her look:
Her hoary hair upright with horror stood,
Made (to her grief) more knowing than she wou'd.
Much she reproach'd, and many things she said,
To cure the madness of th' unhappy maid,
In vain: for Myrrha stood convict of ill;
Her reason vanquish'd, but unchang'd her will:
Perverse of mind, unable to reply;
She stood resolv'd, or to possess, or die.
At length the fondness of a nurse prevail'd
Against her better sense, and virtue fail'd:
Enjoy, my child, since such is thy desire,
Thy love, she said; she durst not say, thy sire:
Live, though unhappy, live on any terms;
Then with a second oath her faith confirms.
The solemn feast of Ceres now was near,
When long white linnen stoles the matrons wear;
Rank'd in procession walk the pious train,
Off'ring first-fruits, and spikes of yellow grain:
For nine long nights the nuptial-bed they shun,
And sanctifying harvest, lie alone.
Mix'd with the crowd, the queen forsook her lord,
And Ceres' pow'r with secret rites ador'd:
The royal couch, now vacant for a time,
The crafty crone, officious in her crime,
The first occasion took: the king she found
Easie with wine, and deep in pleasures drown'd,
Prepar'd for love: the beldame blew the flame,
Confess'd the passion, but conceal'd the name.
Her form she prais'd; the monarch ask'd her years;
And she reply'd, The same thy Myrrha bears.
Wine, and commended beauty fir'd his thought;
Impatient, he commands her to be brought.
Pleas'd with her charge perform'd, she hies her home,
And gratulates the nymph, the task was overcome.
Myrrha was joy'd the welcome news to hear;
But clog'd with guilt, the joy was unsincere:
So various, so discordant is the mind,
That in our will a diff'rent will we find.
Ill she presag'd, and yet pursu'd her lust;
For guilty pleasures give a double gust.
'Twas depth of night: Arctophylax had driv'n
His lazy wain half round the northern Heav'n,
When Myrrha hasten'd to the crime desir'd:
The moon beheld her first, and first retir'd:
The stars amaz'd, ran backward from the sight,
And (shrunk within their sockets) lost their light.
Icarius first withdraws his holy flame:
The virgin sign, in Heav'n the second name,
Slides down the belt, and from her station flies,
And night with sable clouds involves the skies.
Bold Myrrha still pursues her black intent;
She stumbled thrice (an omen of th' event);
Thrice shriek'd the fun'ral owl, yet on she went,
Secure of shame, because secure of sight;
Ev'n bashful sins are impudent by night.
Link'd hand in hand, th' accomplice, and the dame,
Their way exploring, to the chamber came:
The door was ope; they blindly grope their way,
Where dark in bed th' expecting monarch lay.
Thus far her courage held, but here forsakes;
Her faint knees knock at ev'ry step she makes.
The nearer to her crime, the more within
She feels remorse, and horror of her sin;
Repents too late her criminal desire,
And wishes, that unknown she could retire.
Her lingring thus, the nurse (who fear'd delay
The fatal secret might at length betray)
Pull'd forward, to compleat the work begun,
And said to Cinyras, Receive thy own.
Thus saying, she deliver'd kind to kind,
Accurs'd, and their devoted bodies join'd.
The sire, unknowing of the crime, admits
His bowels, and prophanes the hallow'd sheets;
He found she trembled, but believ'd she strove
With maiden modesty against her love,
And sought with flatt'ring words vain fancies to remove.
Perhaps he said, My daughter, cease thy fears
(Because the title suited with her years);
And, Father, she might whisper him again,
That names might not be wanting to the sin.
Full of her sire, she left th' incestuous bed,
And carry'd in her womb the crime she bred.
Another, and another night she came;
For frequent sin had left no sense of shame:
'Till Cinyras desir'd to see her face,
Whose body he had held in close embrace,
And brought a taper; the revealer, light,
Expos'd both crime, and criminal to sight.
Grief, rage, amazement, could no speech afford,
But from the sheath he drew th' avenging sword:
The guilty fled: the benefit of night,
That favour'd first the sin, secur'd the flight.
Long wand'ring thro' the spacious fields, she bent
Her voyage to th' Arabian continent;
Then pass'd the region which Panchaea join'd,
And flying, left the palmy plains behind.
Nine times the moon had mew'd her horns; at length
With travel weary, unsupply'd with strength,
And with the burden of her womb oppress'd,
Sabaean fields afford her needful rest:
There, loathing life, and yet of death afraid,
In anguish of her spirit, thus she pray'd:
Ye Pow'rs, if any so propitious are
T' accept my penitence, and hear my pray'r;
Your judgments, I confess, are justly sent;
Great sins deserve as great a punishment:
Yet since my life the living will profane,
And since my death the happy dead will stain,
A middle state your mercy may bestow,
Betwixt the realms above, and those below:
Some other form to wretched Myrrha give,
Nor let her wholly die, nor wholly live.
The pray'rs of penitents are never vain;
At least she did her last request obtain:
For while she spoke, the ground began to rise,
And gather'd round her feet, her legs, and thighs;
Her toes in roots descend, and spreading wide,
A firm foundation for the trunk provide:
Her solid bones convert to solid wood,
To pith her marrow, and to sap her blood:
Her arms are boughs, her fingers change their kind,
Her tender skin is harden'd into rind.
And now the rising tree her womb invests,
Now shooting upwards still, invades her breasts,
And shades the neck; when weary with delay,
She sunk her head within, and met it half the way.
And tho' with outward shape she lost her sense,
With bitter tears she wept her last offence;
And still she weeps, nor sheds her tears in vain;
For still the precious drops her name retain.
Mean-time the mis-begotten infant grows,
And ripe for birth, distends with deadly throes
The swelling rind, with unavailing strife,
To leave the wooden womb, and pushes into life.
The mother-tree, as if oppress'd with pain,
Writhes here, and there, to break the bark, in vain;
And, like a lab'ring woman, wou'd have pray'd,
But wants a voice to call Lucina's aid:
The bending bole sends out a hollow sound,
And trickling tears fall thicker on the ground.
The mild Lucina came uncall'd, and stood
Beside the struggling boughs, and heard the groaning wood;
Then reach'd her midwife-hand to speed the throes,
And spoke the pow'rful spells, that babes to birth disclose.
The bark divides, the living load to free,
And safe delivers the convulsive tree.
The ready nymphs receive the crying child,
And wash him in the tears the parent plant distill'd.
They swath'd him with their scarfs; beneath him spread
The ground with herbs; with roses rais'd his head.
The lovely babe was born with ev'ry grace,
Ev'n envy must have prais'd so fair a face:
Such was his form, as painters when they show
Their utmost art, on naked loves bestow:
And that their arms no diff'rence might betray,
Give him a bow, or his from Cupid take away.
Time glides along with undiscover'd haste,
The future but a length behind the past;
So swift are years. The babe, whom just before
His grandsire got, and whom his sister bore;
The drop, the thing, which late the tree inclos'd,
And late the yawning bark to life expos'd;
A babe, a boy, a beauteous youth appears,
And lovelier than himself at riper years.
Now to the queen of love he gave desires,
And, with her pains, reveng'd his mother's fires.
The Story of Venus and Adonis
For Cytherea's lips while Cupid prest,
He with a heedless arrow raz'd her breast,
The Goddess felt it, and with fury stung,
The wanton mischief from her bosom flung:
Yet thought at first the danger slight, but found
The dart too faithful, and too deep the wound.
Fir'd with a mortal beauty, she disdains
To haunt th' Idalian mount, or Phrygian plains.
She seeks not Cnidos, nor her Paphian shrines,
Nor Amathus, that teems with brazen mines:
Ev'n Heav'n itself with all its sweets unsought,
Adonis far a sweeter Heav'n is thought.
On him she hangs, and fonds with ev'ry art,
And never, never knows from him to part.
She, whose soft limbs had only been display'd
On rosie beds beneath the myrtle shade,
Whose pleasing care was to improve each grace,
And add more charms to an unrival'd face,
Now buskin'd, like the virgin huntress, goes
Thro' woods, and pathless wilds, and mountain-snows
With her own tuneful voice she joys to cheer
The panting hounds, that chace the flying deer.
She runs the labyrinth of fearful hares,
But fearless beasts, and dang'rous prey forbears,
Hunts not the grinning wolf, or foamy boar,
And trembles at the lion's hungry roar.
Thee too, Adonis, with a lover's care
She warns, if warn'd thou wou'dst avoid the snare,
To furious animals advance not nigh,
Fly those that follow, follow those that fly;
'Tis chance alone must the survivors save,
Whene'er brave spirits will attempt the brave.
O! lovely youth! in harmless sports delight;
Provoke not beasts, which, arm'd by Nature, fight.
For me, if not thy self, vouchsafe to fear;
Let not thy thirst of glory cost me dear.
Boars know not bow to spare a blooming age;
No sparkling eyes can sooth the lion's rage.
Not all thy charms a savage breast can move,
Which have so deeply touch'd the queen of love.
When bristled boars from beaten thickets spring,
In grinded tusks a thunderbolt they bring.
The daring hunters lions rouz'd devour,
Vast is their fury, and as vast their pow'r:
Curst be their tawny race! If thou would'st hear
What kindled thus my hate, then lend an ear:
The wond'rous tale I will to thee unfold,
How the fell monsters rose from crimes of old.
But by long toils I faint: see! wide-display'd,
A grateful poplar courts us with a shade.
The grassy turf, beneath, so verdant shows,
We may secure delightfully repose.
With her Adonis here be Venus blest;
And swift at once the grass and him she prest.
Then sweetly smiling, with a raptur'd mind,
On his lov'd bosom she her head reclin'd,
And thus began; but mindful still of bliss,
Seal'd the soft accents with a softer kiss.
Perhaps thou may'st have heard a virgin's name,
Who still in swiftness swiftest youths o'ercame.
Wondrous! that female weakness should outdo
A manly strength; the wonder yet is true.
'Twas doubtful, if her triumphs in the field
Did to her form's triumphant glories yield;
Whether her face could with more ease decoy
A crowd of lovers, or her feet destroy.
For once Apollo she implor'd to show
If courteous Fates a consort would allow:
A consort brings thy ruin, he reply'd;
O! learn to want the pleasures of a bride!
Nor shalt thou want them to thy wretched cost,
And Atalanta living shall be lost.
With such a rueful Fate th' affrighted maid
Sought green recesses in the wood-land glade.
Nor sighing suiters her resolves could move,
She bad them show their speed, to show their love.
He only, who could conquer in the race,
Might hope the conquer'd virgin to embrace;
While he, whose tardy feet had lagg'd behind,
Was doom'd the sad reward of death to find.
Tho' great the prize, yet rigid the decree,
But blind with beauty, who can rigour see?
Ev'n on these laws the fair they rashly sought,
And danger in excess of love forgot.
There sat Hippomenes, prepar'd to blame
In lovers such extravagance of flame.
And must, he said, the blessing of a wife
Be dearly purchas'd by a risk of life?
But when he saw the wonders of her face,
And her limbs naked, springing to the race,
Her limbs, as exquisitely turn'd, as mine,
Or if a woman thou, might vie with thine,
With lifted hands, he cry'd, forgive the tongue
Which durst, ye youths, your well-tim'd courage wrong.
I knew not that the nymph, for whom you strove,
Deserv'd th' unbounded transports of your love.
He saw, admir'd, and thus her spotless frame
He prais'd, and praising, kindled his own flame.
A rival now to all the youths who run,
Envious, he fears they should not be undone.
But why (reflects he) idly thus is shown
The fate of others, yet untry'd my own?
The coward must not on love's aid depend;
The God was ever to the bold a friend.
Mean-time the virgin flies, or seems to fly,
Swift as a Scythian arrow cleaves the sky:
Still more and more the youth her charms admires.
The race itself t' exalt her charms conspires.
The golden pinions, which her feet adorn,
In wanton flutt'rings by the winds are born.
Down from her head, the long, fair tresses flow,
And sport with lovely negligence below.
The waving ribbands, which her buskins tie,
Her snowy skin with waving purple die;
As crimson veils in palaces display'd,
To the white marble lend a blushing shade.
Nor long he gaz'd, yet while he gaz'd, she gain'd
The goal, and the victorious wreath obtain'd.
The vanquish'd sigh, and, as the law decreed,
Pay the dire forfeit, and prepare to bleed.
Then rose Hippomenes, not yet afraid,
And fix'd his eyes full on the beauteous maid.
Where is (he cry'd) the mighty conquest won,
To distance those, who want the nerves to run?
Here prove superior strength, nor shall it be
Thy loss of glory, if excell'd by me.
High my descent, near Neptune I aspire,
For Neptune was grand-parent to my sire.
From that great God the fourth my self I trace,
Nor sink my virtues yet beneath my race.
Thou from Hippomenes, o'ercome, may'st claim
An envy'd triumph, and a deathless fame.
While thus the youth the virgin pow'r defies,
Silent she views him still with softer eyes.
Thoughts in her breast a doubtful strife begin,
If 'tis not happier now to lose, than win.
What God, a foe to beauty, would destroy
The promis'd ripeness of this blooming boy?
With his life's danger does he seek my bed?
Scarce am I half so greatly worth, she said.
Nor has his beauty mov'd my breast to love,
And yet, I own, such beauty well might move:
'Tis not his charms, 'tis pity would engage
My soul to spare the greenness of his age.
What, that heroick conrage fires his breast,
And shines thro' brave disdain of Fate confest?
What, that his patronage by close degrees
Springs from th' imperial ruler of the seas?
Then add the love, which bids him undertake
The race, and dare to perish for my sake.
Of bloody nuptials, heedless youth, beware!
Fly, timely fly from a too barb'rous fair.
At pleasure chuse; thy love will be repaid
By a less foolish, and more beauteous maid.
But why this tenderness, before unknown?
Why beats, and pants my breast for him alone?
His eyes have seen his num'rous rivals yield;
Let him too share the rigour of the field,
Since, by their fates untaught, his own he courts,
And thus with ruin insolently sports.
Yet for what crime shall he his death receive?
Is it a crime with me to wish to live?
Shall his kind passion his destruction prove?
Is this the fatal recompence of love?
So fair a youth, destroy'd, would conquest shame,
Aud nymphs eternally detest my fame.
Still why should nymphs my guiltless fame upbraid?
Did I the fond adventurer persuade?
Alas! I wish thou would'st the course decline,
Or that my swiftness was excell'd by thine.
See! what a virgin's bloom adorns the boy!
Why wilt thou run, and why thy self destroy?
Hippomenes! O that I ne'er had been
By those bright eyes unfortunately seen!
Ah! tempt not thus a swift, untimely Fate;
Thy life is worthy of the longest date.
Were I less wretched, did the galling chain
Of rigid Gods not my free choice restrain,
By thee alone I could with joy be led
To taste the raptures of a nuptial bed.
Thus she disclos'd the woman's secret heart,
Young, innocent, and new to Cupid's dart.
Her thoughts, her words, her actions wildly rove,
With love she burns, yet knows not that 'tis love.
Her royal sire now with the murm'ring crowd
Demands the race impatiently aloud.
Hippomenes then with true fervour pray'd,
My bold attempt let Venus kindly aid.
By her sweet pow'r I felt this am'rous fire,
Still may she succour, whom she did inspire.
A soft, unenvious wind, with speedy care,
Wafted to Heav'n the lover's tender pray'r.
Pity, I own, soon gain'd the wish'd consent,
And all th' assistance he implor'd I lent.
The Cyprian lands, tho' rich, in richness yield
To that, surnam'd the Tamasenian field.
That field of old was added to my shrine,
And its choice products consecrated mine.
A tree there stands, full glorious to behold,
Gold are the leafs, the crackling branches gold.
It chanc'd, three apples in my hand I bore,
Which newly from the tree I sportive tore;
Seen by the youth alone, to him I brought
The fruit, and when, and how to use it, taught.
The signal sounding by the king's command,
Both start at once, and sweep th' imprinted sand.
So swiftly mov'd their feet, they might with ease,
Scarce moisten'd, skim along the glassy seas;
Or with a wondrous levity be born
O'er yellow harvests of unbending corn.
Now fav'ring peals resound from ev'ry part,
Spirit the youth, and fire his fainting heart.
Hippomenes! (they cry'd) thy life preserve,
Intensely labour, and stretch ev'ry nerve.
Base fear alone can baffle thy design,
Shoot boldly onward, and the goal is thine.
'Tis doubtful whether shouts, like these, convey'd
More pleasures to the youth, or to the maid.
When a long distance oft she could have gain'd,
She check'd her swiftness, and her feet restrain'd:
She sigh'd, and dwelt, and languish'd on his face,
Then with unwilling speed pursu'd the race.
O'er-spent with heat, his breath he faintly drew,
Parch'd was his mouth, nor yet the goal in view,
And the first apple on the plain he threw.
The nymph stop'd sudden at th' unusual sight,
Struck with the fruit so beautifully bright.
Aside she starts, the wonder to behold,
And eager stoops to catch the rouling gold.
Th' observant youth past by, and scour'd along,
While peals of joy rung from th' applauding throng.
Unkindly she corrects the short delay,
And to redeem the time fleets swift away,
Swift, as the lightning, or the northern wind,
And far she leaves the panting youth behind.
Again he strives the flying nymph to hold
With the temptation of the second gold:
The bright temptation fruitlessly was tost,
So soon, alas! she won the distance lost.
Now but a little interval of space
Remain'd for the decision of the race.
Fair author of the precious gift, he said,
Be thou, O Goddess, author of my aid!
Then of the shining fruit the last he drew,
And with his full-collected vigour threw:
The virgin still the longer to detain,
Threw not directly, but a-cross the plain.
She seem'd a-while perplex'd in dubious thought,
If the far-distant apple should be sought:
I lur'd her backward mind to seize the bait,
And to the massie gold gave double weight.
My favour to my votary was show'd,
Her speed I lessen'd, and encreas'd her load.
But lest, tho' long, the rapid race be run,
Before my longer, tedious tale is done,
The youth the goal, and so the virgin won.
Might I, Adonis, now not hope to see
His grateful thanks pour'd out for victory?
His pious incense on my altars laid?
But he nor grateful thanks, nor incense paid.
Enrag'd I vow'd, that with the youth the fair,
For his contempt, should my keen vengeance share;
That future lovers might my pow'r revere,
And, from their sad examples, learn to fear.
The silent fanes, the sanctify'd abodes,
Of Cybele, great mother of the Gods,
Rais'd by Echion in a lonely wood,
And full of brown, religious horror stood.
By a long painful journey faint, they chose!
Their weary limbs here secret to repose.
But soon my pow'r inflam'd the lustful boy,
Careless of rest he sought untimely joy.
A hallow'd gloomy cave, with moss o'er-grown,
The temple join'd, of native pumice-stone,
Where antique images by priests were kept.
And wooden deities securely slept.
Thither the rash Hippomenes retires,
And gives a loose to all his wild desires,
And the chaste cell pollutes with wanton fires.
The sacred statues trembled with surprize,
The tow'ry Goddess, blushing, veil'd her eyes;
And the lewd pair to Stygian sounds had sent,
But unrevengeful seem'd that punishment,
A heavier doom such black prophaneness draws,
Their taper figures turn to crooked paws.
No more their necks the smoothness can retain,
Now cover'd sudden with a yellow mane.
Arms change to legs: each finds the hard'ning breast
Of rage unknown, and wond'rous strength possest.
Their alter'd looks with fury grim appear,
And on the ground their brushing tails they hear.
They haunt the woods: their voices, which before
Were musically sweet, now hoarsly roar.
Hence lions, dreadful to the lab'ring swains,
Are tam'd by Cybele, and curb'd with reins,
And humbly draw her car along the plains.
But thou, Adonis, my delightful care,
Of these, and beasts, as fierce as these, beware!
The savage, which not shuns thee, timely shun,
For by rash prowess should'st thou be undone,
A double ruin is contain'd in one.
Thus cautious Venus school'd her fav'rite boy;
But youthful heat all cautions will destroy.
His sprightly soul beyond grave counsels flies,
While with yok'd swans the Goddess cuts the skies.
His faithful hounds, led by the tainted wind,
Lodg'd in thick coverts chanc'd a boar to find.
The callow hero show'd a manly heart,
And pierc'd the savage with a side-long dart.
The flying savage, wounded, turn'd again,
Wrench'd out the gory dart, and foam'd with pain.
The trembling boy by flight his safety sought,
And now recall'd the lore, which Venus taught;
But now too late to fly the boar he strove,
Who in the groin his tusks impetuous drove,
On the discolour'd grass Adonis lay,
The monster trampling o'er his beauteous prey.
Fair Cytherea, Cyprus scarce in view,
Heard from afar his groans, and own'd them true,
And turn'd her snowy swans, and backward flew.
But as she saw him gasp his latest breath,
And quiv'ring agonize in pangs of death,
Down with swift flight she plung'd, nor rage forbore,
At once her garments, and her hair she tore.
With cruel blows she beat her guiltless breast,
The Fates upbraided, and her love confest.
Nor shall they yet (she cry'd) the whole devour
With uncontroul'd, inexorable pow'r:
For thee, lost youth, my tears, and restless pain
Shall in immortal monuments remain,
With solemn pomp in annual rites return'd,
Be thou for ever, my Adonis, mourn'd,
Could Pluto's queen with jealous fury storm,
And Men the to a fragrant herb transform?
Yet dares not Venus with a change surprise,
And in a flow'r bid her fall'n heroe rise?
Then on the blood sweet nectar she bestows,
The scented blood in little bubbles rose:
Little as rainy drops, which flutt'ring fly,
Born by the winds, along a low'ring sky.
Short time ensu'd, 'till where the blood was shed,
A flow'r began to rear its purple head:
Such, as on Punick apples is reveal'd,
Or in the filmy rind but half conceal'd.
Still here the Fate of lovely forms we see,
So sudden fades the sweet Anemonie.
The feeble stems, to stormy blasts a prey,
Their sickly beauties droop, and pine away.
The winds forbid the flow'rs to flourish long,
Which owe to winds their names in Grecian song.
----------------------------------------------------------------------
~ Ovid, BOOK THE TENTH
,#NFDB
664:A Lyrical Drama, In Four Acts.
Audisne haec amphiarae, sub terram abdite?
ACT I
Scene.A Ravine of Icy Rocks in the Indian Caucasus. Prometheus is discovered bound to the Precipice. Panthea andIone are seated at his feet. Time, night. During the Scene, morning slowly breaks.
Prometheus.
Monarch of Gods and Dmons, and all Spirits
But One, who throng those bright and rolling worlds
Which Thou and I alone of living things
Behold with sleepless eyes! regard this Earth
Made multitudinous with thy slaves, whom thou
Requitest for knee-worship, prayer, and praise,
And toil, and hecatombs of broken hearts,
With fear and self-contempt and barren hope.
Whilst me, who am thy foe, eyeless in hate,
Hast thou made reign and triumph, to thy scorn,
O'er mine own misery and thy vain revenge.
Three thousand years of sleep-unsheltered hours,
And moments aye divided by keen pangs
Till they seemed years, torture and solitude,
Scorn and despair,these are mine empire:
More glorious far than that which thou surveyest
From thine unenvied throne, O Mighty God!
Almighty, had I deigned to share the shame
Of thine ill tyranny, and hung not here
Nailed to this wall of eagle-baffling mountain,
Black, wintry, dead, unmeasured; without herb,
Insect, or beast, or shape or sound of life.
Ah me! alas, pain, pain ever, for ever!
No change, no pause, no hope! Yet I endure.
I ask the Earth, have not the mountains felt?
I ask yon Heaven, the all-beholding Sun,
Has it not seen? The Sea, in storm or calm,
Heaven's ever-changing Shadow, spread below,
Have its deaf waves not heard my agony?
Ah me! alas, pain, pain ever, for ever!
The crawling glaciers pierce me with the spears
Of their moon-freezing crystals, the bright chains
Eat with their burning cold into my bones.
Heaven's wingd hound, polluting from thy lips
His beak in poison not his own, tears up
My heart; and shapeless sights come wandering by,
The ghastly people of the realm of dream,
Mocking me: and the Earthquake-fiends are charged
To wrench the rivets from my quivering wounds
When the rocks split and close again behind:
While from their loud abysses howling throng
The genii of the storm, urging the rage
Of whirlwind, and afflict me with keen hail.
And yet to me welcome is day and night,
Whether one breaks the hoar frost of the morn,
Or starry, dim, and slow, the other climbs
The leaden-coloured east; for then they lead
The wingless, crawling hours, one among whom
As some dark Priest hales the reluctant victim
Shall drag thee, cruel King, to kiss the blood
From these pale feet, which then might trample thee
If they disdained not such a prostrate slave.
Disdain! Ah no! I pity thee. What ruin
Will hunt thee undefended through wide Heaven!
How will thy soul, cloven to its depth with terror,
Gape like a hell within! I speak in grief,
Not exultation, for I hate no more,
As then ere misery made me wise. The curse
Once breathed on thee I would recall. Ye Mountains,
Whose many-voicd Echoes, through the mist
Of cataracts, flung the thunder of that spell!
Ye icy Springs, stagnant with wrinkling frost,
Which vibrated to hear me, and then crept
Shuddering through India! Thou serenest Air,
Through which the Sun walks burning without beams!
And ye swift Whirlwinds, who on poisd wings
Hung mute and moveless o'er yon hushed abyss,
As thunder, louder than your own, made rock
The orbd world! If then my words had power,
Though I am changed so that aught evil wish
Is dead within; although no memory be
Of what is hate, let them not lose it now!
What was that curse? for ye all heard me speak.
First Voice
(from the Mountains).
Thrice three hundred thousand years
O'er the Earthquake's couch we stood:
Oft, as men convulsed with fears,
We trembled in our multitude.
Second Voice
(from the Springs).
Thunderbolts had parched our water,
We had been stained with bitter blood,
And had run mute, 'mid shrieks of slaughter,
Thro' a city and a solitude.
Third Voice
(from the Air).
I had clothed, since Earth uprose,
Its wastes in colours not their own,
And oft had my serene repose
Been cloven by many a rending groan.
Fourth Voice
(from the Whirlwinds).
We had soared beneath these mountains
Unresting ages; nor had thunder,
Nor yon volcano's flaming fountains,
Nor any power above or under
Ever made us mute with wonder.
First Voice.
But never bowed our snowy crest
As at the voice of thine unrest.
Second Voice.
Never such a sound before
To the Indian waves we bore.
A pilot asleep on the howling sea
Leaped up from the deck in agony,
And heard, and cried, 'Ah, woe is me!'
And died as mad as the wild waves be.
Third Voice.
By such dread words from Earth to Heaven
My still realm was never riven:
When its wound was closed, there stood
Darkness o'er the day like blood.
Fourth Voice.
And we shrank back: for dreams of ruin
To frozen caves our flight pursuing
Made us keep silencethusand thus
Though silence is as hell to us.
The Earth.
The tongueless Caverns of the craggy hills
Cried, 'Misery!' then; the hollow Heaven replied,
'Misery!' And the Ocean's purple waves,
Climbing the land, howled to the lashing winds,
And the pale nations heard it, 'Misery!'
Prometheus.
I heard a sound of voices: not the voice
Which I gave forth. Mother, thy sons and thou
Scorn him, without whose all-enduring will
Beneath the fierce omnipotence of Jove,
Both they and thou had vanished, like thin mist
Unrolled on the morning wind. Know ye not me,
The Titan? He who made his agony
The barrier to your else all-conquering foe?
Oh, rock-embosomed lawns, and snow-fed streams,
Now seen athwart frore vapours, deep below,
Through whose o'ershadowing woods I wandered once
With Asia, drinking life from her loved eyes;
Why scorns the spirit which informs ye, now
To commune with me? me alone, who checked,
As one who checks a fiend-drawn charioteer,
The falsehood and the force of him who reigns
Supreme, and with the groans of pining slaves
Fills your dim glens and liquid wildernesses:
Why answer ye not, still? Brethren!
The Earth.
They dare not.
Prometheus.
Who dares? for I would hear that curse again.
Ha, what an awful whisper rises up!
'Tis scarce like sound: it tingles through the frame
As lightning tingles, hovering ere it strike.
Speak, Spirit! from thine inorganic voice
I only know that thou art moving near
And love. How cursed I him?
The Earth.
How canst thou hear
Who knowest not the language of the dead?
Prometheus.
Thou art a living spirit; speak as they.
The Earth.
I dare not speak like life, lest Heaven's fell King
Should hear, and link me to some wheel of pain
More torturing than the one whereon I roll.
Subtle thou art and good, and though the Gods
Hear not this voice, yet thou art more than God,
Being wise and kind: earnestly hearken now.
Prometheus.
Obscurely through my brain, like shadows dim,
Sweep awful thoughts, rapid and thick. I feel
Faint, like one mingled in entwining love;
Yet 'tis not pleasure.
The Earth.
No, thou canst not hear:
Thou art immortal, and this tongue is known
Only to those who die.
Prometheus.
And what art thou,
O, melancholy Voice?
The Earth.
I am the Earth,
Thy mother; she within whose stony veins,
To the last fibre of the loftiest tree
Whose thin leaves trembled in the frozen air,
Joy ran, as blood within a living frame,
When thou didst from her bosom, like a cloud
Of glory, arise, a spirit of keen joy!
And at thy voice her pining sons uplifted
Their prostrate brows from the polluting dust,
And our almighty Tyrant with fierce dread
Grew pale, until his thunder chained thee here.
Then, see those million worlds which burn and roll
Around us: their inhabitants beheld
My spherd light wane in wide Heaven; the sea
Was lifted by strange tempest, and new fire
From earthquake-rifted mountains of bright snow
Shook its portentous hair beneath Heaven's frown;
Lightning and Inundation vexed the plains;
Blue thistles bloomed in cities; foodless toads
Within voluptuous chambers panting crawled:
When Plague had fallen on man, and beast, and worm,
And Famine; and black blight on herb and tree;
And in the corn, and vines, and meadow-grass,
Teemed ineradicable poisonous weeds
Draining their growth, for my wan breast was dry
With grief; and the thin air, my breath, was stained
With the contagion of a mother's hate
Breathed on her child's destroyer; ay, I heard
Thy curse, the which, if thou rememberest not,
Yet my innumerable seas and streams,
Mountains, and caves, and winds, and yon wide air,
And the inarticulate people of the dead,
Preserve, a treasured spell. We meditate
In secret joy and hope those dreadful words,
But dare not speak them.
Prometheus.
Venerable mother!
All else who live and suffer take from thee
Some comfort; flowers, and fruits, and happy sounds,
And love, though fleeting; these may not be mine.
But mine own words, I pray, deny me not.
The Earth.
They shall be told. Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.
For know there are two worlds of life and death:
One that which thou beholdest; but the other
Is underneath the grave, where do inhabit
The shadows of all forms that think and live
Till death unite them and they part no more;
Dreams and the light imaginings of men,
And all that faith creates or love desires,
Terrible, strange, sublime and beauteous shapes.
There thou art, and dost hang, a writhing shade,
'Mid whirlwind-peopled mountains; all the gods
Are there, and all the powers of nameless worlds,
Vast, sceptred phantoms; heroes, men, and beasts;
And Demogorgon, a tremendous gloom;
And he, the supreme Tyrant, on his throne
Of burning gold. Son, one of these shall utter
The curse which all remember. Call at will
Thine own ghost, or the ghost of Jupiter,
Hades or Typhon, or what mightier Gods
From all-prolific Evil, since thy ruin
Have sprung, and trampled on my prostrate sons.
Ask, and they must reply: so the revenge
Of the Supreme may sweep through vacant shades,
As rainy wind through the abandoned gate
Of a fallen palace.
Prometheus.
Mother, let not aught
Of that which may be evil, pass again
My lips, or those of aught resembling me.
Phantasm of Jupiter, arise, appear!
Ione.
My wings are folded o'er mine ears:
My wings are crossd o'er mine eyes:
Yet through their silver shade appears,
And through their lulling plumes arise,
A Shape, a throng of sounds;
May it be no ill to thee
O thou of many wounds!
Near whom, for our sweet sister's sake,
Ever thus we watch and wake.
Panthea.
The sound is of whirlwind underground,
Earthquake, and fire, and mountains cloven;
The shape is awful like the sound,
Clothed in dark purple, star-inwoven.
A sceptre of pale gold
To stay steps proud, o'er the slow cloud
His veind hand doth hold.
Cruel he looks, but calm and strong,
Like one who does, not suffers wrong.
Phantasm of Jupiter.
Why have the secret powers of this strange world
Driven me, a frail and empty phantom, hither
On direst storms? What unaccustomed sounds
Are hovering on my lips, unlike the voice
With which our pallid race hold ghastly talk
In darkness? And, proud sufferer, who art thou?
Prometheus.
Tremendous Image, as thou art must be
He whom thou shadowest forth. I am his foe,
The Titan. Speak the words which I would hear,
Although no thought inform thine empty voice.
The Earth.
Listen! And though your echoes must be mute,
Gray mountains, and old woods, and haunted springs,
Prophetic caves, and isle-surrounding streams,
Rejoice to hear what yet ye cannot speak.
Phantasm.
A spirit seizes me and speaks within:
It tears me as fire tears a thunder-cloud.
Panthea.
See, how he lifts his mighty looks, the Heaven
Darkens above.
Ione.
He speaks! O shelter me!
Prometheus.
I see the curse on gestures proud and cold,
And looks of firm defiance, and calm hate,
And such despair as mocks itself with smiles,
Written as on a scroll: yet speak: Oh, speak!
Phantasm.
Fiend, I defy thee! with a calm, fixed mind,
All that thou canst inflict I bid thee do;
Foul Tyrant both of Gods and Human-kind,
One only being shalt thou not subdue.
Rain then thy plagues upon me here,
Ghastly disease, and frenzying fear;
And let alternate frost and fire
Eat into me, and be thine ire
Lightning, and cutting hail, and legioned forms
Of furies, driving by upon the wounding storms.
Ay, do thy worst. Thou art omnipotent.
O'er all things but thyself I gave thee power,
And my own will. Be thy swift mischiefs sent
To blast mankind, from yon ethereal tower.
Let thy malignant spirit move
In darkness over those I love:
On me and mine I imprecate
The utmost torture of thy hate;
And thus devote to sleepless agony,
This undeclining head while thou must reign on high.
But thou, who art the God and Lord: O, thou,
Who fillest with thy soul this world of woe,
To whom all things of Earth and Heaven do bow
In fear and worship: all-prevailing foe!
I curse thee! let a sufferer's curse
Clasp thee, his torturer, like remorse;
Till thine Infinity shall be
A robe of envenomed agony;
And thine Omnipotence a crown of pain,
To cling like burning gold round thy dissolving brain.
Heap on thy soul, by virtue of this Curse,
Ill deeds, then be thou damned, beholding good;
Both infinite as is the universe,
And thou, and thy self-torturing solitude.
An awful image of calm power
Though now thou sittest, let the hour
Come, when thou must appear to be
That which thou art internally;
And after many a false and fruitless crime
Scorn track thy lagging fall through boundless space and time.
Prometheus.
Were these my words, O Parent?
The Earth.
They were thine.
Prometheus.
It doth repent me: words are quick and vain;
Grief for awhile is blind, and so was mine.
I wish no living thing to suffer pain.
The Earth.
Misery, Oh misery to me,
That Jove at length should vanquish thee.
Wail, howl aloud, Land and Sea,
The Earth's rent heart shall answer ye.
Howl, Spirits of the living and the dead,
Your refuge, your defence lies fallen and vanquishd.
First Echo.
Lies fallen and vanquishd!
Second Echo.
Fallen and vanquishd!
Ione.
Fear not: 'tis but some passing spasm,
The Titan is unvanquished still.
But see, where through the azure chasm
Of yon forked and snowy hill
Trampling the slant winds on high
With golden-sandalled feet, that glow
Under plumes of purple dye,
Like rose-ensanguined ivory,
A Shape comes now,
Stretching on high from his right hand
A serpent-cinctured wand.
Panthea.
'Tis Jove's world-wandering herald, Mercury.
Ione.
And who are those with hydra tresses
And iron wings that climb the wind,
Whom the frowning God represses
Like vapours steaming up behind,
Clanging loud, an endless crowd
Panthea.
These are Jove's tempest-walking hounds,
Whom he gluts with groans and blood,
When charioted on sulphurous cloud
He bursts Heaven's bounds.
Ione.
Are they now led, from the thin dead
On new pangs to be fed?
Panthea.
The Titan looks as ever, firm, not proud.
First Fury.
Ha! I scent life!
Second Fury.
Let me but look into his eyes!
Third Fury.
The hope of torturing him smells like a heap
Of corpses, to a death-bird after battle.
First Fury.
Darest thou delay, O Herald! take cheer, Hounds
Of Hell: what if the Son of Maia soon
Should make us food and sportwho can please long
The Omnipotent?
Mercury.
Back to your towers of iron,
And gnash, beside the streams of fire and wail,
Your foodless teeth. Geryon, arise! and Gorgon,
Chimra, and thou Sphinx, subtlest of fiends
Who ministered to Thebes Heaven's poisoned wine,
Unnatural love, and more unnatural hate:
These shall perform your task.
First Fury.
Oh, mercy! mercy!
We die with our desire: drive us not back!
Mercury.
Crouch then in silence.
Awful Sufferer!
To thee unwilling, most unwillingly
I come, by the great Father's will driven down,
To execute a doom of new revenge.
Alas! I pity thee, and hate myself
That I can do no more: aye from thy sight
Returning, for a season, Heaven seems Hell,
So thy worn form pursues me night and day,
Smiling reproach. Wise art thou, firm and good,
But vainly wouldst stand forth alone in strife
Against the Omnipotent; as yon clear lamps
That measure and divide the weary years
From which there is no refuge, long have taught
And long must teach. Even now thy Torturer arms
With the strange might of unimagined pains
The powers who scheme slow agonies in Hell,
And my commission is to lead them here,
Or what more subtle, foul, or savage fiends
People the abyss, and leave them to their task.
Be it not so! there is a secret known
To thee, and to none else of living things,
Which may transfer the sceptre of wide Heaven,
The fear of which perplexes the Supreme:
Clothe it in words, and bid it clasp his throne
In intercession; bend thy soul in prayer,
And like a suppliant in some gorgeous fane,
Let the will kneel within thy haughty heart:
For benefits and meek submission tame
The fiercest and the mightiest.
Prometheus.
Evil minds
Change good to their own nature. I gave all
He has; and in return he chains me here
Years, ages, night and day: whether the Sun
Split my parched skin, or in the moony night
The crystal-wingd snow cling round my hair:
Whilst my belovd race is trampled down
By his thought-executing ministers.
Such is the tyrant's recompense: 'tis just:
He who is evil can receive no good;
And for a world bestowed, or a friend lost,
He can feel hate, fear, shame; not gratitude:
He but requites me for his own misdeed.
Kindness to such is keen reproach, which breaks
With bitter stings the light sleep of Revenge.
Submission, thou dost know I cannot try:
For what submission but that fatal word,
The death-seal of mankind's captivity,
Like the Sicilian's hair-suspended sword,
Which trembles o'er his crown, would he accept,
Or could I yield? Which yet I will not yield.
Let others flatter Crime, where it sits throned
In brief Omnipotence: secure are they:
For Justice, when triumphant, will weep down
Pity, not punishment, on her own wrongs,
Too much avenged by those who err. I wait,
Enduring thus, the retributive hour
Which since we spake is even nearer now.
But hark, the hell-hounds clamour: fear delay:
Behold! Heaven lowers under thy Father's frown.
Mercury.
Oh, that we might be spared: I to inflict
And thou to suffer! Once more answer me:
Thou knowest not the period of Jove's power?
Prometheus.
I know but this, that it must come.
Mercury.
Alas!
Thou canst not count thy years to come of pain?
Prometheus.
They last while Jove must reign: nor more, nor less
Do I desire or fear.
Mercury.
Yet pause, and plunge
Into Eternity, where recorded time,
Even all that we imagine, age on age,
Seems but a point, and the reluctant mind
Flags wearily in its unending flight,
Till it sink, dizzy, blind, lost, shelterless;
Perchance it has not numbered the slow years
Which thou must spend in torture, unreprieved?
Prometheus.
Perchance no thought can count them, yet they pass.
Mercury.
If thou might'st dwell among the Gods the while
Lapped in voluptuous joy?
Prometheus.
I would not quit
This bleak ravine, these unrepentant pains.
Mercury.
Alas! I wonder at, yet pity thee.
Prometheus.
Pity the self-despising slaves of Heaven,
Not me, within whose mind sits peace serene,
As light in the sun, throned: how vain is talk!
Call up the fiends.
Ione.
O, sister, look! White fire
Has cloven to the roots yon huge snow-loaded cedar;
How fearfully God's thunder howls behind!
Mercury.
I must obey his words and thine: alas!
Most heavily remorse hangs at my heart!
Panthea.
See where the child of Heaven, with wingd feet,
Runs down the slanted sunlight of the dawn.
Ione.
Dear sister, close thy plumes over thine eyes
Lest thou behold and die: they come: they come
Blackening the birth of day with countless wings,
And hollow underneath, like death.
First Fury.
Prometheus!
Second Fury.
Immortal Titan!
Third Fury.
Champion of Heaven's slaves!
Prometheus.
He whom some dreadful voice invokes is here,
Prometheus, the chained Titan. Horrible forms,
What and who are ye? Never yet there came
Phantasms so foul through monster-teeming Hell
From the all-miscreative brain of Jove;
Whilst I behold such execrable shapes,
Methinks I grow like what I contemplate,
And laugh and stare in loathsome sympathy.
First Fury.
We are the ministers of pain, and fear,
And disappointment, and mistrust, and hate,
And clinging crime; and as lean dogs pursue
Through wood and lake some struck and sobbing fawn,
We track all things that weep, and bleed, and live,
When the great King betrays them to our will.
Prometheus.
Oh! many fearful natures in one name,
I know ye; and these lakes and echoes know
The darkness and the clangour of your wings.
But why more hideous than your loathd selves
Gather ye up in legions from the deep?
Second Fury.
We knew not that: Sisters, rejoice, rejoice!
Prometheus.
Can aught exult in its deformity?
Second Fury.
The beauty of delight makes lovers glad,
Gazing on one another: so are we.
As from the rose which the pale priestess kneels
To gather for her festal crown of flowers
The areal crimson falls, flushing her cheek,
So from our victim's destined agony
The shade which is our form invests us round,
Else we are shapeless as our mother Night.
Prometheus.
I laugh your power, and his who sent you here,
To lowest scorn. Pour forth the cup of pain.
First Fury.
Thou thinkest we will rend thee bone from bone,
And nerve from nerve, working like fire within?
Prometheus.
Pain is my element, as hate is thine;
Ye rend me now: I care not.
Second Fury.
Dost imagine
We will but laugh into thy lidless eyes?
Prometheus.
I weigh not what ye do, but what ye suffer,
Being evil. Cruel was the power which called
You, or aught else so wretched, into light.
Third Fury.
Thou think'st we will live through thee, one by one,
Like animal life, and though we can obscure not
The soul which burns within, that we will dwell
Beside it, like a vain loud multitude
Vexing the self-content of wisest men:
That we will be dread thought beneath thy brain,
And foul desire round thine astonished heart,
And blood within thy labyrinthine veins
Crawling like agony?
Prometheus.
Why, ye are thus now;
Yet am I king over myself, and rule
The torturing and conflicting throngs within,
As Jove rules you when Hell grows mutinous.
Chorus of Furies.
From the ends of the earth, from the ends of the earth,
Where the night has its grave and the morning its birth,
Come, come, come!
Oh, ye who shake hills with the scream of your mirth,
When cities sink howling in ruin; and ye
Who with wingless footsteps trample the sea,
And close upon Shipwreck and Famine's track,
Sit chattering with joy on the foodless wreck;
Come, come, come!
Leave the bed, low, cold, and red,
Strewed beneath a nation dead;
Leave the hatred, as in ashes
Fire is left for future burning:
It will burst in bloodier flashes
When ye stir it, soon returning:
Leave the self-contempt implanted
In young spirits, sense-enchanted,
Misery's yet unkindled fuel:
Leave Hell's secrets half unchanted
To the maniac dreamer; cruel
More than ye can be with hate
Is he with fear.
Come, come, come!
We are steaming up from Hell's wide gate
And we burthen the blast of the atmosphere,
But vainly we toil till ye come here.
Ione.
Sister, I hear the thunder of new wings.
Panthea.
These solid mountains quiver with the sound
Even as the tremulous air: their shadows make
The space within my plumes more black than night.
First Fury.
Your call was as a wingd car
Driven on whirlwinds fast and far;
It rapped us from red gulfs of war.
Second Fury.
From wide cities, famine-wasted;
Third Fury.
Groans half heard, and blood untasted;
Fourth Fury.
Kingly conclaves stern and cold,
Where blood with gold is bought and sold;
Fifth Fury.
From the furnace, white and hot,
In which
A Fury.
Speak not: whisper not:
I know all that ye would tell,
But to speak might break the spell
Which must bend the Invincible,
The stern of thought;
He yet defies the deepest power of Hell.
A Fury.
Tear the veil!
Another Fury.
It is torn.
Chorus.
The pale stars of the morn
Shine on a misery, dire to be borne.
Dost thou faint, mighty Titan? We laugh thee to scorn.
Dost thou boast the clear knowledge thou waken'dst for man?
Then was kindled within him a thirst which outran
Those perishing waters; a thirst of fierce fever,
Hope, love, doubt, desire, which consume him for ever.
One came forth of gentle worth
Smiling on the sanguine earth;
His words outlived him, like swift poison
Withering up truth, peace, and pity.
Look! where round the wide horizon
Many a million-peopled city
Vomits smoke in the bright air.
Hark that outcry of despair!
'Tis his mild and gentle ghost
Wailing for the faith he kindled:
Look again, the flames almost
To a glow-worm's lamp have dwindled:
The survivors round the embers
Gather in dread.
Joy, joy, joy!
Past ages crowd on thee, but each one remembers,
And the future is dark, and the present is spread
Like a pillow of thorns for thy slumberless head.
Semichorus I.
Drops of bloody agony flow
From his white and quivering brow.
Grant a little respite now:
See a disenchanted nation
Springs like day from desolation;
To Truth its state is dedicate,
And Freedom leads it forth, her mate;
A legioned band of linkd brothers
Whom Love calls children
Semichorus II.
'Tis another's:
See how kindred murder kin:
'Tis the vintage-time for death and sin:
Blood, like new wine, bubbles within:
Till Despair smothers
The struggling world, which slaves and tyrants win.
[All the Furies vanish, except one.
Ione.
Hark, sister! what a low yet dreadful groan
Quite unsuppressed is tearing up the heart
Of the good Titan, as storms tear the deep,
And beasts hear the sea moan in inland caves.
Darest thou observe how the fiends torture him?
Panthea.
Alas! I looked forth twice, but will no more.
Ione.
What didst thou see?
Panthea.
A woful sight: a youth
With patient looks nailed to a crucifix.
Ione.
What next?
Panthea.
The heaven around, the earth below
Was peopled with thick shapes of human death,
All horrible, and wrought by human hands,
And some appeared the work of human hearts,
For men were slowly killed by frowns and smiles:
And other sights too foul to speak and live
Were wandering by. Let us not tempt worse fear
By looking forth: those groans are grief enough.
Fury.
Behold an emblem: those who do endure
Deep wrongs for man, and scorn, and chains, but heap
Thousandfold torment on themselves and him.
Prometheus.
Remit the anguish of that lighted stare;
Close those wan lips; let that thorn-wounded brow
Stream not with blood; it mingles with thy tears!
Fix, fix those tortured orbs in peace and death,
So thy sick throes shake not that crucifix,
So those pale fingers play not with thy gore.
O, horrible! Thy name I will not speak,
It hath become a curse. I see, I see,
The wise, the mild, the lofty, and the just,
Whom thy slaves hate for being like to thee,
Some hunted by foul lies from their heart's home,
An early-chosen, late-lamented home;
As hooded ounces cling to the driven hind;
Some linked to corpses in unwholesome cells:
SomeHear I not the multitude laugh loud?
Impaled in lingering fire: and mighty realms
Float by my feet, like sea-uprooted isles,
Whose sons are kneaded down in common blood
By the red light of their own burning homes.
Fury.
Blood thou canst see, and fire; and canst hear groans;
Worse things, unheard, unseen, remain behind.
Prometheus.
Worse?
Fury.
In each human heart terror survives
The ravin it has gorged: the loftiest fear
All that they would disdain to think were true:
Hypocrisy and custom make their minds
The fanes of many a worship, now outworn.
They dare not devise good for man's estate,
And yet they know not that they do not dare.
The good want power, but to weep barren tears.
The powerful goodness want: worse need for them.
The wise want love; and those who love want wisdom;
And all best things are thus confused to ill.
Many are strong and rich, and would be just,
But live among their suffering fellow-men
As if none felt: they know not what they do.
Prometheus.
Thy words are like a cloud of wingd snakes;
And yet I pity those they torture not.
Fury.
Thou pitiest them? I speak no more!
[Vanishes.
Prometheus.
Ah woe!
Ah woe! Alas! pain, pain ever, for ever!
I close my tearless eyes, but see more clear
Thy works within my woe-illumd mind,
Thou subtle tyrant! Peace is in the grave.
The grave hides all things beautiful and good:
I am a God and cannot find it there,
Nor would I seek it: for, though dread revenge,
This is defeat, fierce king, not victory.
The sights with which thou torturest gird my soul
With new endurance, till the hour arrives
When they shall be no types of things which are.
Panthea.
Alas! what sawest thou more?
Prometheus.
There are two woes:
To speak, and to behold; thou spare me one.
Names are there, Nature's sacred watchwords, they
Were borne aloft in bright emblazonry;
The nations thronged around, and cried aloud,
As with one voice, Truth, liberty, and love!
Suddenly fierce confusion fell from heaven
Among them: there was strife, deceit, and fear:
Tyrants rushed in, and did divide the spoil.
This was the shadow of the truth I saw.
The Earth.
I felt thy torture, son; with such mixed joy
As pain and virtue give. To cheer thy state
I bid ascend those subtle and fair spirits,
Whose homes are the dim caves of human thought,
And who inhabit, as birds wing the wind,
Its world-surrounding aether: they behold
Beyond that twilight realm, as in a glass,
The future: may they speak comfort to thee!
Panthea.
Look, sister, where a troop of spirits gather,
Like flocks of clouds in spring's delightful weather,
Thronging in the blue air!
Ione.
And see! more come,
Like fountain-vapours when the winds are dumb,
That climb up the ravine in scattered lines.
And, hark! is it the music of the pines?
Is it the lake? Is it the waterfall?
Panthea.
'Tis something sadder, sweeter far than all.
Chorus of Spirits.
From unremembered ages we
Gentle guides and guardians be
Of heaven-oppressed mortality;
And we breathe, and sicken not,
The atmosphere of human thought:
Be it dim, and dank, and gray,
Like a storm-extinguished day,
Travelled o'er by dying gleams;
Be it bright as all between
Cloudless skies and windless streams,
Silent, liquid, and serene;
As the birds within the wind,
As the fish within the wave,
As the thoughts of man's own mind
Float through all above the grave;
We make there our liquid lair,
Voyaging cloudlike and unpent
Through the boundless element:
Thence we bear the prophecy
Which begins and ends in thee!
Ione.
More yet come, one by one: the air around them
Looks radiant as the air around a star.
First Spirit.
On a battle-trumpet's blast
I fled hither, fast, fast, fast,
'Mid the darkness upward cast.
From the dust of creeds outworn,
From the tyrant's banner torn,
Gathering 'round me, onward borne,
There was mingled many a cry
Freedom! Hope! Death! Victory!
Till they faded through the sky;
And one sound, above, around,
One sound beneath, around, above,
Was moving; 'twas the soul of Love;
'Twas the hope, the prophecy,
Which begins and ends in thee.
Second Spirit.
A rainbow's arch stood on the sea,
Which rocked beneath, immovably;
And the triumphant storm did flee,
Like a conqueror, swift and proud,
Between, with many a captive cloud,
A shapeless, dark and rapid crowd,
Each by lightning riven in half:
I heard the thunder hoarsely laugh:
Mighty fleets were strewn like chaff
And spread beneath a hell of death
O'er the white waters. I alit
On a great ship lightning-split,
And speeded hither on the sigh
Of one who gave an enemy
His plank, then plunged aside to die.
Third Spirit.
I sate beside a sage's bed,
And the lamp was burning red
Near the book where he had fed,
When a Dream with plumes of flame,
To his pillow hovering came,
And I knew it was the same
Which had kindled long ago
Pity, eloquence, and woe;
And the world awhile below
Wore the shade, its lustre made.
It has borne me here as fleet
As Desire's lightning feet:
I must ride it back ere morrow,
Or the sage will wake in sorrow.
Fourth Spirit.
On a poet's lips I slept
Dreaming like a love-adept
In the sound his breathing kept;
Nor seeks nor finds he mortal blisses,
But feeds on the areal kisses
Of shapes that haunt thought's wildernesses.
He will watch from dawn to gloom
The lake-reflected sun illume
The yellow bees in the ivy-bloom,
Nor heed nor see, what things they be;
But from these create he can
Forms more real than living man,
Nurslings of immortality!
One of these awakened me,
And I sped to succour thee.
Ione.
Behold'st thou not two shapes from the east and west
Come, as two doves to one belovd nest,
Twin nurslings of the all-sustaining air
On swift still wings glide down the atmosphere?
And, hark! their sweet, sad voices! 'tis despair
Mingled with love and then dissolved in sound.
Panthea.
Canst thou speak, sister? all my words are drowned.
Ione.
Their beauty gives me voice. See how they float
On their sustaining wings of skiey grain,
Orange and azure deepening into gold:
Their soft smiles light the air like a star's fire.
Chorus of Spirits.
Hast thou beheld the form of Love?
Fifth Spirit.
As over wide dominions
I sped, like some swift cloud that wings the wide air's wildernesses,
That planet-crested shape swept by on lightning-braided pinions,
Scattering the liquid joy of life from his ambrosial tresses:
His footsteps paved the world with light; but as I passed 'twas fading,
And hollow Ruin yawned behind: great sages bound in madness,
And headless patriots, and pale youths who perished, unupbraiding,
Gleamed in the night. I wandered o'er, till thou, O King of sadness,
Turned by thy smile the worst I saw to recollected gladness.
Sixth Spirit.
Ah, sister! Desolation is a delicate thing:
It walks not on the earth, it floats not on the air,
But treads with lulling footstep, and fans with silent wing
The tender hopes which in their hearts the best and gentlest bear;
Who, soothed to false repose by the fanning plumes above
And the music-stirring motion of its soft and busy feet,
Dream visions of areal joy, and call the monster, Love,
And wake, and find the shadow Pain, as he whom now we greet.
Chorus.
Though Ruin now Love's shadow be,
Following him, destroyingly,
On Death's white and wingd steed,
Which the fleetest cannot flee,
Trampling down both flower and weed,
Man and beast, and foul and fair,
Like a tempest through the air;
Thou shalt quell this horseman grim,
Woundless though in heart or limb.
Prometheus.
Spirits! how know ye this shall be?
Chorus.
In the atmosphere we breathe,
As buds grow red when the snow-storms flee,
From Spring gathering up beneath,
Whose mild winds shake the elder brake,
And the wandering herdsmen know
That the white-thorn soon will blow:
Wisdom, Justice, Love, and Peace,
When they struggle to increase,
Are to us as soft winds be
To shepherd boys, the prophecy
Which begins and ends in thee.
Ione.
Where are the Spirits fled?
Panthea.
Only a sense
Remains of them, like the omnipotence
Of music, when the inspired voice and lute
Languish, ere yet the responses are mute,
Which through the deep and labyrinthine soul,
Like echoes through long caverns, wind and roll.
Prometheus.
How fair these airborn shapes! and yet I feel
Most vain all hope but love; and thou art far,
Asia! who, when my being overflowed,
Wert like a golden chalice to bright wine
Which else had sunk into the thirsty dust.
All things are still: alas! how heavily
This quiet morning weighs upon my heart;
Though I should dream I could even sleep with grief
If slumber were denied not. I would fain
Be what it is my destiny to be,
The saviour and the strength of suffering man,
Or sink into the original gulf of things:
There is no agony, and no solace left;
Earth can console, Heaven can torment no more.
Panthea.
Hast thou forgotten one who watches thee
The cold dark night, and never sleeps but when
The shadow of thy spirit falls on her?
Prometheus.
I said all hope was vain but love: thou lovest.
Panthea.
Deeply in truth; but the eastern star looks white,
And Asia waits in that far Indian vale,
The scene of her sad exile; rugged once
And desolate and frozen, like this ravine;
But now invested with fair flowers and herbs,
And haunted by sweet airs and sounds, which flow
Among the woods and waters, from the aether
Of her transforming presence, which would fade
If it were mingled not with thine. Farewell!
END OF THE FIRST ACT.
ACT II
Scene I.
Morning. A lovely Vale in the Indian Caucasus. Asia alone.
Asia.
From all the blasts of heaven thou hast descended:
Yes, like a spirit, like a thought, which makes
Unwonted tears throng to the horny eyes,
And beatings haunt the desolated heart,
Which should have learnt repose: thou hast descended
Cradled in tempests; thou dost wake, O Spring!
O child of many winds! As suddenly
Thou comest as the memory of a dream,
Which now is sad because it hath been sweet;
Like genius, or like joy which riseth up
As from the earth, clothing with golden clouds
The desert of our life.
This is the season, this the day, the hour;
At sunrise thou shouldst come, sweet sister mine,
Too long desired, too long delaying, come!
How like death-worms the wingless moments crawl!
The point of one white star is quivering still
Deep in the orange light of widening morn
Beyond the purple mountains. through a chasm
Of wind-divided mist the darker lake
Reflects it: now it wanes: it gleams again
As the waves fade, and as the burning threads
Of woven cloud unravel in pale air:
'Tis lost! and through yon peaks of cloud-like snow
The roseate sunlight quivers: hear I not
The olian music of her sea-green plumes
Winnowing the crimson dawn?
[Panthea enters.
I feel, I see
Those eyes which burn through smiles that fade in tears,
Like stars half quenched in mists of silver dew.
Belovd and most beautiful, who wearest
The shadow of that soul by which I live,
How late thou art! the spherd sun had climbed
The sea; my heart was sick with hope, before
The printless air felt thy belated plumes.
Panthea.
Pardon, great Sister! but my wings were faint
With the delight of a remembered dream,
As are the noontide plumes of summer winds
Satiate with sweet flowers. I was wont to sleep
Peacefully, and awake refreshed and calm
Before the sacred Titan's fall, and thy
Unhappy love, had made, through use and pity,
Both love and woe familiar to my heart
As they had grown to thine: erewhile I slept
Under the glaucous caverns of old Ocean
Within dim bowers of green and purple moss,
Our young Ione's soft and milky arms
Locked then, as now, behind my dark, moist hair,
While my shut eyes and cheek were pressed within
The folded depth of her life-breathing bosom:
But not as now, since I am made the wind
Which fails beneath the music that I bear
Of thy most wordless converse; since dissolved
Into the sense with which love talks, my rest
Was troubled and yet sweet; my waking hours
Too full of care and pain.
Asia.
Lift up thine eyes,
And let me read thy dream.
Panthea.
As I have said
With our sea-sister at his feet I slept.
The mountain mists, condensing at our voice
Under the moon, had spread their snowy flakes,
From the keen ice shielding our linkd sleep.
Then two dreams came. One, I remember not.
But in the other his pale wound-worn limbs
Fell from Prometheus, and the azure night
Grew radiant with the glory of that form
Which lives unchanged within, and his voice fell
Like music which makes giddy the dim brain,
Faint with intoxication of keen joy:
'Sister of her whose footsteps pave the world
With lovelinessmore fair than aught but her,
Whose shadow thou artlift thine eyes on me.'
I lifted them: the overpowering light
Of that immortal shape was shadowed o'er
By love; which, from his soft and flowing limbs,
And passion-parted lips, and keen, faint eyes,
Steamed forth like vaporous fire; an atmosphere
Which wrapped me in its all-dissolving power,
As the warm aether of the morning sun
Wraps ere it drinks some cloud of wandering dew.
I saw not, heard not, moved not, only felt
His presence flow and mingle through my blood
Till it became his life, and his grew mine,
And I was thus absorbed, until it passed,
And like the vapours when the sun sinks down,
Gathering again in drops upon the pines,
And tremulous as they, in the deep night
My being was condensed; and as the rays
Of thought were slowly gathered, I could hear
His voice, whose accents lingered ere they died
Like footsteps of weak melody: thy name
Among the many sounds alone I heard
Of what might be articulate; though still
I listened through the night when sound was none.
Ione wakened then, and said to me:
'Canst thou divine what troubles me to-night?
I always knew what I desired before,
Nor ever found delight to wish in vain.
But now I cannot tell thee what I seek;
I know not; something sweet, since it is sweet
Even to desire; it is thy sport, false sister;
Thou hast discovered some enchantment old,
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
We kissed, I felt within thy parted lips
The sweet air that sustained me, and the warmth
Of the life-blood, for loss of which I faint,
Quivered between our intertwining arms.'
I answered not, for the Eastern star grew pale,
But fled to thee.
Asia.
Thou speakest, but thy words
Are as the air: I feel them not: Oh, lift
Thine eyes, that I may read his written soul!
Panthea.
I lift them though they droop beneath the load
Of that they would express: what canst thou see
But thine own fairest shadow imaged there?
Asia.
Thine eyes are like the deep, blue, boundless heaven
Contracted to two circles underneath
Their long, fine lashes; dark, far, measureless,
Orb within orb, and line through line inwoven.
Panthea.
Why lookest thou as if a spirit passed?
Asia.
There is a change: beyond their inmost depth
I see a shade, a shape: 'tis He, arrayed
In the soft light of his own smiles, which spread
Like radiance from the cloud-surrounded moon.
Prometheus, it is thine! depart not yet!
Say not those smiles that we shall meet again
Within that bright pavilion which their beams
Shall build o'er the waste world? The dream is told.
What shape is that between us? Its rude hair
Roughens the wind that lifts it, its regard
Is wild and quick, yet 'tis a thing of air,
For through its gray robe gleams the golden dew
Whose stars the noon has quenched not.
Dream.
Follow! Follow!
Panthea.
It is mine other dream.
Asia.
It disappears.
Panthea.
It passes now into my mind. Methought
As we sate here, the flower-infolding buds
Burst on yon lightning-blasted almond-tree,
When swift from the white Scythian wilderness
A wind swept forth wrinkling the Earth with frost:
I looked, and all the blossoms were blown down;
But on each leaf was stamped, as the blue bells
Of Hyacinth tell Apollo's written grief,
O, follow, follow!
Asia.
As you speak, your words
Fill, pause by pause, my own forgotten sleep
With shapes. Methought among these lawns together
We wandered, underneath the young gray dawn,
And multitudes of dense white fleecy clouds
Were wandering in thick flocks along the mountains
Shepherded by the slow, unwilling wind;
And the white dew on the new-bladed grass,
Just piercing the dark earth, hung silently;
And there was more which I remember not:
But on the shadows of the morning clouds,
Athwart the purple mountain slope, was written
Follow, O, follow! as they vanished by;
And on each herb, from which Heaven's dew had fallen,
The like was stamped, as with a withering fire;
A wind arose among the pines; it shook
The clinging music from their boughs, and then
Low, sweet, faint sounds, like the farewell of ghosts,
Were heard: O, follow, follow, follow me!
And then I said: 'Panthea, look on me.'
But in the depth of those belovd eyes
Still I saw, follow, follow!
Echo.
Follow, follow!
Panthea.
The crags, this clear spring morning, mock our voices
As they were spirit-tongued.
Asia.
It is some being
Around the crags. What fine clear sounds! O, list!
Echoes
(unseen).
Echoes we: listen!
We cannot stay:
As dew-stars glisten
Then fade away
Child of Ocean!
Asia.
Hark! Spirits speak. The liquid responses
Of their areal tongues yet sound.
Panthea.
I hear.
Echoes.
O, follow, follow,
As our voice recedeth
Through the caverns hollow,
Where the forest spreadeth; (More distant.)
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
Where the wild bee never flew,
Through the noontide darkness deep,
By the odour-breathing sleep
Of faint night flowers, and the waves
At the fountain-lighted caves,
While our music, wild and sweet,
Mocks thy gently falling feet,
Child of Ocean!
Asia.
Shall we pursue the sound? It grows more faint And distant.
Panthea.
List! the strain floats nearer now.
Echoes.
In the world unknown
Sleeps a voice unspoken;
By thy step alone
Can its rest be broken;
Child of Ocean!
Asia.
How the notes sink upon the ebbing wind!
Echoes.
O, follow, follow!
Through the caverns hollow,
As the song floats thou pursue,
By the woodland noontide dew;
By the forest, lakes, and fountains,
Through the many-folded mountains;
To the rents, and gulfs, and chasms,
Where the Earth reposed from spasms,
On the day when He and thou
Parted, to commingle now;
Child of Ocean!
Asia.
Come, sweet Panthea, link thy hand in mine,
And follow, ere the voices fade away.
Scene II.
A Forest, intermingled with Rocks and Caverns. Asia and Panthea pass into it. Two young Fauns are sitting on a Rock listening.
Semichorus I. of Spirits.
The path through which that lovely twain
Have passed, by cedar, pine, and yew,
And each dark tree that ever grew,
Is curtained out from Heaven's wide blue;
Nor sun, nor moon, nor wind, nor rain,
Can pierce its interwoven bowers,
Nor aught, save where some cloud of dew,
Drifted along the earth-creeping breeze,
Between the trunks of the hoar trees,
Hangs each a pearl in the pale flowers
Of the green laurel, blown anew;
And bends, and then fades silently,
One frail and fair anemone:
Or when some star of many a one
That climbs and wanders through steep night,
Has found the cleft through which alone
Beams fall from high those depths upon
Ere it is borne away, away,
By the swift Heavens that cannot stay,
It scatters drops of golden light,
Like lines of rain that ne'er unite:
And the gloom divine is all around,
And underneath is the mossy ground.
Semichorus II.
There the voluptuous nightingales,
Are awake through all the broad noonday.
When one with bliss or sadness fails,
And through the windless ivy-boughs,
Sick with sweet love, droops dying away
On its mate's music-panting bosom;
Another from the swinging blossom,
Watching to catch the languid close
Of the last strain, then lifts on high
The wings of the weak melody,
'Till some new strain of feeling bear
The song, and all the woods are mute;
When there is heard through the dim air
The rush of wings, and rising there
Like many a lake-surrounded flute,
Sounds overflow the listener's brain
So sweet, that joy is almost pain.
Semichorus I.
There those enchanted eddies play
Of echoes, music-tongued, which draw,
By Demogorgon's mighty law,
With melting rapture, or sweet awe,
All spirits on that secret way;
As inland boats are driven to Ocean
Down streams made strong with mountain-thaw:
And first there comes a gentle sound
To those in talk or slumber bound,
And wakes the destined soft emotion,
Attracts, impels them; those who saw
Say from the breathing earth behind
There steams a plume-uplifting wind
Which drives them on their path, while they
Believe their own swift wings and feet
The sweet desires within obey:
And so they float upon their way,
Until, still sweet, but loud and strong,
The storm of sound is driven along,
Sucked up and hurrying: as they fleet
Behind, its gathering billows meet
And to the fatal mountain bear
Like clouds amid the yielding air.
First Faun.
Canst thou imagine where those spirits live
Which make such delicate music in the woods?
We haunt within the least frequented caves
And closest coverts, and we know these wilds,
Yet never meet them, though we hear them oft:
Where may they hide themselves?
Second Faun.
'Tis hard to tell:
I have heard those more skilled in spirits say,
The bubbles, which the enchantment of the sun
Sucks from the pale faint water-flowers that pave
The oozy bottom of clear lakes and pools,
Are the pavilions where such dwell and float
Under the green and golden atmosphere
Which noontide kindles through the woven leaves;
And when these burst, and the thin fiery air,
The which they breathed within those lucent domes,
Ascends to flow like meteors through the night,
They ride on them, and rein their headlong speed,
And bow their burning crests, and glide in fire
Under the waters of the earth again.
First Faun.
If such live thus, have others other lives,
Under pink blossoms or within the bells
Of meadow flowers, or folded violets deep,
Or on their dying odours, when they die,
Or in the sunlight of the spherd dew?
Second Faun.
Ay, many more which we may well divine.
But, should we stay to speak, noontide would come,
And thwart Silenus find his goats undrawn,
And grudge to sing those wise and lovely songs
Of Fate, and Chance, and God, and Chaos old,
And Love, and the chained Titan's woful doom,
And how he shall be loosed, and make the earth
One brotherhood: delightful strains which cheer
Our solitary twilights, and which charm
To silence the unenvying nightingales.
Scene III.
A Pinnacle of Rock among Mountains.
Asia and Panthea.
Panthea.
Hither the sound has borne usto the realm
Of Demogorgon, and the mighty portal,
Like a volcano's meteor-breathing chasm,
Whence the oracular vapour is hurled up
Which lonely men drink wandering in their youth,
And call truth, virtue, love, genius, or joy,
That maddening wine of life, whose dregs they drain
To deep intoxication; and uplift,
Like Mnads who cry loud, Evoe! Evoe!
The voice which is contagion to the world.
Asia.
Fit throne for such a Power! Magnificent!
How glorious art thou, Earth! And if thou be
The shadow of some spirit lovelier still,
Though evil stain its work, and it should be
Like its creation, weak yet beautiful,
I could fall down and worship that and thee.
Even now my heart adoreth: Wonderful!
Look, sister, ere the vapour dim thy brain:
Beneath is a wide plain of billowy mist,
As a lake, paving in the morning sky,
With azure waves which burst in silver light,
Some Indian vale. Behold it, rolling on
Under the curdling winds, and islanding
The peak whereon we stand, midway, around,
Encinctured by the dark and blooming forests,
Dim twilight-lawns, and stream-illumd caves,
And wind-enchanted shapes of wandering mist;
And far on high the keen sky-cleaving mountains
From icy spires of sun-like radiance fling
The dawn, as lifted Ocean's dazzling spray,
From some Atlantic islet scattered up,
Spangles the wind with lamp-like water-drops.
The vale is girdled with their walls, a howl
Of cataracts from their thaw-cloven ravines,
Satiates the listening wind, continuous, vast,
Awful as silence. Hark! the rushing snow!
The sun-awakened avalanche! whose mass,
Thrice sifted by the storm, had gathered there
Flake after flake, in heaven-defying minds
As thought by thought is piled, till some great truth
Is loosened, and the nations echo round,
Shaken to their roots, as do the mountains now.
Panthea.
Look how the gusty sea of mist is breaking
In crimson foam, even at our feet! it rises
As Ocean at the enchantment of the moon
Round foodless men wrecked on some oozy isle.
Asia.
The fragments of the cloud are scattered up;
The wind that lifts them disentwines my hair;
Its billows now sweep o'er mine eyes; my brain
Grows dizzy; see'st thou shapes within the mist?
Panthea.
A countenance with beckoning smiles: there burns
An azure fire within its golden locks!
Another and another: hark! they speak!
Song of Spirits.
To the deep, to the deep,
Down, down!
Through the shade of sleep,
Through the cloudy strife
Of Death and of Life;
Through the veil and the bar
Of things which seem and are
Even to the steps of the remotest throne,
Down, down!
While the sound whirls around,
Down, down!
As the fawn draws the hound,
As the lightning the vapour,
As a weak moth the taper;
Death, despair; love, sorrow;
Time both; to-day, to-morrow;
As steel obeys the spirit of the stone,
Down, down!
Through the gray, void abysm,
Down, down!
Where the air is no prism,
And the moon and stars are not,
And the cavern-crags wear not
The radiance of Heaven,
Nor the gloom to Earth given,
Where there is One pervading, One alone,
Down, down!
In the depth of the deep,
Down, down!
Like veiled lightning asleep,
Like the spark nursed in embers,
The last look Love remembers,
Like a diamond, which shines
On the dark wealth of mines,
A spell is treasured but for thee alone.
Down, down!
We have bound thee, we guide thee;
Down, down!
With the bright form beside thee;
Resist not the weakness,
Such strength is in meekness
That the Eternal, the Immortal,
Most unloose through life's portal
The snake-like Doom coiled underneath his throne
By that alone.
Scene IV.
The Cave of Demogorgon.
Asia and Panthea.
Panthea.
What viled form sits on that ebon throne?
Asia.
The veil has fallen.
Panthea.
I see a mighty darkness
Filling the seat of power, and rays of gloom
Dart round, as light from the meridian sun.
Ungazed upon and shapeless; neither limb,
Nor form, nor outline; yet we feel it is
A living Spirit.
Demogorgon.
Ask what thou wouldst know.
Asia.
What canst thou tell?
Demogorgon.
All things thou dar'st demand.
Asia.
Who made the living world?
Demogorgon.
God.
Asia.
Who made all
That it contains? thought, passion, reason, will, Imagination?
Demogorgon.
God: Almighty God.
Asia.
Who made that sense which, when the winds of Spring
In rarest visitation, or the voice
Of one belovd heard in youth alone,
Fills the faint eyes with falling tears which dim
The radiant looks of unbewailing flowers,
And leaves this peopled earth a solitude
When it returns no more?
Demogorgon.
Merciful God.
Asia.
And who made terror, madness, crime, remorse,
Which from the links of the great chain of things,
To every thought within the mind of man
Sway and drag heavily, and each one reels
Under the load towards the pit of death;
Abandoned hope, and love that turns to hate;
And self-contempt, bitterer to drink than blood;
Pain, whose unheeded and familiar speech
Is howling, and keen shrieks, day after day;
And Hell, or the sharp fear of Hell?
Demogorgon.
He reigns.
Asia.
Utter his name: a world pining in pain
Asks but his name: curses shall drag him down.
Demogorgon.
He reigns.
Asia.
I feel, I know it: who?
Demogorgon.
He reigns.
Asia.
Who reigns? There was the Heaven and Earth at first,
And Light and Love; then Saturn, from whose throne
Time fell, an envious shadow: such the state
Of the earth's primal spirits beneath his sway,
As the calm joy of flowers and living leaves
Before the wind or sun has withered them
And semivital worms; but he refused
The birthright of their being, knowledge, power,
The skill which wields the elements, the thought
Which pierces this dim universe like light,
Self-empire, and the majesty of love;
For thirst of which they fainted. Then Prometheus
Gave wisdom, which is strength, to Jupiter,
And with this law alone, 'Let man be free,'
Clothed him with the dominion of wide Heaven.
To know nor faith, nor love, nor law; to be
Omnipotent but friendless is to reign;
And Jove now reigned; for on the race of man
First famine, and then toil, and then disease,
Strife, wounds, and ghastly death unseen before,
Fell; and the unseasonable seasons drove
With alternating shafts of frost and fire,
Their shelterless, pale tribes to mountain caves:
And in their desert hearts fierce wants he sent,
And mad disquietudes, and shadows idle
Of unreal good, which levied mutual war,
So ruining the lair wherein they raged.
Prometheus saw, and waked the legioned hopes
Which sleep within folded Elysian flowers,
Nepenthe, Moly, Amaranth, fadeless blooms,
That they might hide with thin and rainbow wings
The shape of Death; and Love he sent to bind
The disunited tendrils of that vine
Which bears the wine of life, the human heart;
And he tamed fire which, like some beast of prey,
Most terrible, but lovely, played beneath
The frown of man; and tortured to his will
Iron and gold, the slaves and signs of power,
And gems and poisons, and all subtlest forms
Hidden beneath the mountains and the waves.
He gave man speech, and speech created thought,
Which is the measure of the universe;
And Science struck the thrones of earth and heaven,
Which shook, but fell not; and the harmonious mind
Poured itself forth in all-prophetic song;
And music lifted up the listening spirit
Until it walked, exempt from mortal care,
Godlike, o'er the clear billows of sweet sound;
And human hands first mimicked and then mocked,
With moulded limbs more lovely than its own,
The human form, till marble grew divine;
And mothers, gazing, drank the love men see
Reflected in their race, behold, and perish.
He told the hidden power of herbs and springs,
And Disease drank and slept. Death grew like sleep.
He taught the implicated orbits woven
Of the wide-wandering stars; and how the sun
Changes his lair, and by what secret spell
The pale moon is transformed, when her broad eye
Gazes not on the interlunar sea:
He taught to rule, as life directs the limbs,
The tempest-wingd chariots of the Ocean,
And the Celt knew the Indian. Cities then
Were built, and through their snow-like columns flowed
The warm winds, and the azure aether shone,
And the blue sea and shadowy hills were seen.
Such, the alleviations of his state,
Prometheus gave to man, for which he hangs
Withering in destined pain: but who rains down
Evil, the immedicable plague, which, while
Man looks on his creation like a God
And sees that it is glorious, drives him on,
The wreck of his own will, the scorn of earth,
The outcast, the abandoned, the alone?
Not Jove: while yet his frown shook Heaven, ay, when
His adversary from adamantine chains
Cursed him, he trembled like a slave. Declare
Who is his master? Is he too a slave?
Demogorgon.
All spirits are enslaved which serve things evil:
Thou knowest if Jupiter be such or no.
Asia.
Whom calledst thou God?
Demogorgon.
I spoke but as ye speak,
For Jove is the supreme of living things.
Asia.
Who is the master of the slave?
Demogorgon.
If the abysm
Could vomit forth its secrets. . . But a voice
Is wanting, the deep truth is imageless;
For what would it avail to bid thee gaze
On the revolving world? What to bid speak
Fate, Time, Occasion, Chance, and Change? To these
All things are subject but eternal Love.
Asia.
So much I asked before, and my heart gave
The response thou hast given; and of such truths
Each to itself must be the oracle.
One more demand; and do thou answer me
As mine own soul would answer, did it know
That which I ask. Prometheus shall arise
Henceforth the sun of this rejoicing world:
When shall the destined hour arrive?
Demogorgon.
Behold!
Asia.
The rocks are cloven, and through the purple night
I see cars drawn by rainbow-wingd steeds
Which trample the dim winds: in each there stands
A wild-eyed charioteer urging their flight.
Some look behind, as fiends pursued them there,
And yet I see no shapes but the keen stars:
Others, with burning eyes, lean forth, and drink
With eager lips the wind of their own speed,
As if the thing they loved fled on before,
And now, even now, they clasped it. Their bright locks
Stream like a comet's flashing hair: they all
Sweep onward.
Demogorgon.
These are the immortal Hours,
Of whom thou didst demand. One waits for thee.
Asia.
A spirit with a dreadful countenance
Checks its dark chariot by the craggy gulf.
Unlike thy brethren, ghastly charioteer,
Who art thou? Whither wouldst thou bear me? Speak!
Spirit.
I am the shadow of a destiny
More dread than is my aspect: ere yon planet
Has set, the darkness which ascends with me
Shall wrap in lasting night heaven's kingless throne.
Asia.
What meanest thou?
Panthea.
That terrible shadow floats
Up from its throne, as may the lurid smoke
Of earthquake-ruined cities o'er the sea.
Lo! it ascends the car; the coursers fly
Terrified: watch its path among the stars
Blackening the night!
Asia.
Thus I am answered: strange!
Panthea.
See, near the verge, another chariot stays;
An ivory shell inlaid with crimson fire,
Which comes and goes within its sculptured rim
Of delicate strange tracery; the young spirit
That guides it has the dove-like eyes of hope;
How its soft smiles attract the soul! as light
Lures wingd insects through the lampless air.
Spirit.
My coursers are fed with the lightning,
They drink of the whirlwind's stream,
And when the red morning is bright'ning
They bathe in the fresh sunbeam;
They have strength for their swiftness I deem,
Then ascend with me, daughter of Ocean.
I desire: and their speed makes night kindle;
I fear: they outstrip the Typhoon;
Ere the cloud piled on Atlas can dwindle
We encircle the earth and the moon:
We shall rest from long labours at noon:
Then ascend with me, daughter of Ocean.
Scene V.
The Car pauses within a Cloud on the top of a snowy Mountain. Asia, Panthea, and the Spirit of the Hour.
Spirit.
On the brink of the night and the morning
My coursers are wont to respire;
But the Earth has just whispered a warning
That their flight must be swifter than fire:
They shall drink the hot speed of desire!
Asia.
Thou breathest on their nostrils, but my breath
Would give them swifter speed.
Spirit.
Alas! it could not.
Panthea.
Oh Spirit! pause, and tell whence is the light
Which fills this cloud? the sun is yet unrisen.
Spirit.
The sun will rise not until noon. Apollo
Is held in heaven by wonder; and the light
Which fills this vapour, as the areal hue
Of fountain-gazing roses fills the water,
Flows from thy mighty sister.
Panthea.
Yes, I feel
Asia.
What is it with thee, sister? Thou art pale.
Panthea.
How thou art changed! I dare not look on thee;
I feel but see thee not. I scarce endure
The radiance of thy beauty. Some good change
Is working in the elements, which suffer
Thy presence thus unveiled. The Nereids tell
That on the day when the clear hyaline
Was cloven at thine uprise, and thou didst stand
Within a veind shell, which floated on
Over the calm floor of the crystal sea,
Among the gean isles, and by the shores
Which bear thy name; love, like the atmosphere
Of the sun's fire filling the living world,
Burst from thee, and illumined earth and heaven
And the deep ocean and the sunless caves
And all that dwells within them; till grief cast
Eclipse upon the soul from which it came:
Such art thou now; nor is it I alone,
Thy sister, thy companion, thine own chosen one,
But the whole world which seeks thy sympathy.
Hearest thou not sounds i' the air which speak the love
Of all articulate beings? Feelest thou not
The inanimate winds enamoured of thee? List!
[Music.
Asia.
Thy words are sweeter than aught else but his
Whose echoes they are: yet all love is sweet,
Given or returned. Common as light is love,
And its familiar voice wearies not ever.
Like the wide heaven, the all-sustaining air,
It makes the reptile equal to the God:
They who inspire it most are fortunate,
As I am now; but those who feel it most
Are happier still, after long sufferings,
As I shall soon become.
Panthea.
List! Spirits speak.
Voice in the Air, singing.
Life of Life! thy lips enkindle
With their love the breath between them;
And thy smiles before they dwindle
Make the cold air fire; then screen them
In those looks, where whoso gazes
Faints, entangled in their mazes.
Child of Light! thy limbs are burning
Through the vest which seems to hide them;
As the radiant lines of morning
Through the clouds ere they divide them;
And this atmosphere divinest
Shrouds thee wheresoe'er thou shinest.
Fair are others; none beholds thee,
But thy voice sounds low and tender
Like the fairest, for it folds thee
From the sight, that liquid splendour,
And all feel, yet see thee never,
As I feel now, lost for ever!
Lamp of Earth! where'er thou movest
Its dim shapes are clad with brightness,
And the souls of whom thou lovest
Walk upon the winds with lightness,
Till they fail, as I am failing,
Dizzy, lost, yet unbewailing!
Asia.
My soul is an enchanted boat,
Which, like a sleeping swan, doth float
Upon the silver waves of thy sweet singing;
And thine doth like an angel sit
Beside a helm conducting it,
Whilst all the winds with melody are ringing.
It seems to float ever, for ever,
Upon that many-winding river,
Between mountains, woods, abysses,
A paradise of wildernesses!
Till, like one in slumber bound,
Borne to the ocean, I float down, around,
Into a sea profound, of ever-spreading sound:
Meanwhile thy spirit lifts its pinions
In music's most serene dominions;
Catching the winds that fan that happy heaven.
And we sail on, away, afar,
Without a course, without a star,
But, by the instinct of sweet music driven;
Till through Elysian garden islets
By thee, most beautiful of pilots,
Where never mortal pinnace glided,
The boat of my desire is guided:
Realms where the air we breathe is love,
Which in the winds and on the waves doth move,
Harmonizing this earth with what we feel above.
We have passed Age's icy caves,
And Manhood's dark and tossing waves,
And Youth's smooth ocean, smiling to betray:
Beyond the glassy gulfs we flee
Of shadow-peopled Infancy,
Through Death and Birth, to a diviner day;
A paradise of vaulted bowers,
Lit by downward-gazing flowers,
And watery paths that wind between
Wildernesses calm and green,
Peopled by shapes too bright to see,
And rest, having beheld; somewhat like thee;
Which walk upon the sea, and chant melodiously!
END OF THE SECOND ACT.
ACT III
Scene I.
Heaven. Jupiter on his Throne; Thetis and the other Deities assembled.
Jupiter.
Ye congregated powers of heaven, who share
The glory and the strength of him ye serve,
Rejoice! henceforth I am omnipotent.
All else had been subdued to me; alone
The soul of man, like unextinguished fire,
Yet burns towards heaven with fierce reproach, and doubt,
And lamentation, and reluctant prayer,
Hurling up insurrection, which might make
Our antique empire insecure, though built
On eldest faith, and hell's coeval, fear;
And though my curses through the pendulous air,
Like snow on herbless peaks, fall flake by flake,
And cling to it; though under my wrath's night
It climbs the crags of life, step after step,
Which wound it, as ice wounds unsandalled feet,
It yet remains supreme o'er misery,
Aspiring, unrepressed, yet soon to fall:
Even now have I begotten a strange wonder,
That fatal child, the terror of the earth,
Who waits but till the destined hour arrive,
Bearing from Demogorgon's vacant throne
The dreadful might of ever-living limbs
Which clothed that awful spirit unbeheld,
To redescend, and trample out the spark.
Pour forth heaven's wine, Idan Ganymede,
And let it fill the Ddal cups like fire,
And from the flower-inwoven soil divine
Ye all-triumphant harmonies arise,
As dew from earth under the twilight stars:
Drink! be the nectar circling through your veins
The soul of joy, ye ever-living Gods,
Till exultation burst in one wide voice
Like music from Elysian winds.
And thou
Ascend beside me, veild in the light
Of the desire which makes thee one with me,
Thetis, bright image of eternity!
When thou didst cry, 'Insufferable might!
God! Spare me! I sustain not the quick flames,
The penetrating presence; all my being,
Like him whom the Numidian seps did thaw
Into a dew with poison, is dissolved,
Sinking through its foundations:' even then
Two mighty spirits, mingling, made a third
Mightier than either, which, unbodied now,
Between us floats, felt, although unbeheld,
Waiting the incarnation, which ascends,
(Hear ye the thunder of the fiery wheels
Griding the winds?) from Demogorgon's throne.
Victory! victory! Feel'st thou not, O world,
The earthquake of his chariot thundering up
Olympus?
[The Car of the Hour arrives. Demogorgon descends, and moves towards the Throne of Jupiter.
Awful shape, what art thou? Speak!
Demogorgon.
Eternity. Demand no direr name.
Descend, and follow me down the abyss.
I am thy child, as thou wert Saturn's child;
Mightier than thee: and we must dwell together
Henceforth in darkness. Lift thy lightnings not.
The tyranny of heaven none may retain,
Or reassume, or hold, succeeding thee:
Yet if thou wilt, as 'tis the destiny
Of trodden worms to writhe till they are dead,
Put forth thy might.
Jupiter.
Detested prodigy!
Even thus beneath the deep Titanian prisons
I trample thee! thou lingerest?
Mercy! mercy!
No pity, no release, no respite! Oh,
That thou wouldst make mine enemy my judge,
Even where he hangs, seared by my long revenge,
On Caucasus! he would not doom me thus.
Gentle, and just, and dreadless, is he not
The monarch of the world? What then art thou?
No refuge! no appeal!
Sink with me then,
We two will sink on the wide waves of ruin,
Even as a vulture and a snake outspent
Drop, twisted in inextricable fight,
Into a shoreless sea. Let hell unlock
Its mounded oceans of tempestuous fire,
And whelm on them into the bottomless void
This desolated world, and thee, and me,
The conqueror and the conquered, and the wreck
Of that for which they combated.
Ai! Ai!
The elements obey me not. I sink
Dizzily down, ever, for ever, down.
And, like a cloud, mine enemy above
Darkens my fall with victory! Ai, Ai!
Scene II.
The Mouth of a great River in the Island Atlantis.Ocean is discovered reclining near the Shore; Apollo stands beside him.
Ocean.
He fell, thou sayest, beneath his conqueror's frown?
Apollo.
Ay, when the strife was ended which made dim
The orb I rule, and shook the solid stars,
The terrors of his eye illumined heaven
With sanguine light, through the thick ragged skirts
Of the victorious darkness, as he fell:
Like the last glare of day's red agony,
Which, from a rent among the fiery clouds,
Burns far along the tempest-wrinkled deep.
Ocean.
He sunk to the abyss? To the dark void?
Apollo.
An eagle so caught in some bursting cloud
On Caucasus, his thunder-baffled wings
Entangled in the whirlwind, and his eyes
Which gazed on the undazzling sun, now blinded
By the white lightning, while the ponderous hail
Beats on his struggling form, which sinks at length
Prone, and the areal ice clings over it.
Ocean.
Henceforth the fields of heaven-reflecting sea
Which are my realm, will heave, unstained with blood,
Beneath the uplifting winds, like plains of corn
Swayed by the summer air; my streams will flow
Round many-peopled continents, and round
Fortunate isles; and from their glassy thrones
Blue Proteus and his humid nymphs shall mark
The shadow of fair ships, as mortals see
The floating bark of the light-laden moon
With that white star, its sightless pilot's crest,
Borne down the rapid sunset's ebbing sea;
Tracking their path no more by blood and groans,
And desolation, and the mingled voice
Of slavery and command; but by the light
Of wave-reflected flowers, and floating odours,
And music soft, and mild, free, gentle voices,
And sweetest music, such as spirits love.
Apollo.
And I shall gaze not on the deeds which make
My mind obscure with sorrow, as eclipse
Darkens the sphere I guide; but list, I hear
The small, clear, silver lute of the young Spirit
That sits i' the morning star.
Ocean.
Thou must away;
Thy steeds will pause at even, till when farewell:
The loud deep calls me home even now to feed it
With azure calm out of the emerald urns
Which stand for ever full beside my throne.
Behold the Nereids under the green sea,
Their wavering limbs borne on the wind-like stream,
Their white arms lifted o'er their streaming hair
With garlands pied and starry sea-flower crowns,
Hastening to grace their mighty sister's joy. [A sound of waves is heard.
It is the unpastured sea hungering for calm.
Peace, monster; I come now. Farewell.
Apollo.
Farewell.
Scene III.
Caucasus. Prometheus, Hercules, Ione, the Earth, Spirits, Asia, and Panthea, borne in the Car with the Spirit of the Hour. Hercules unbinds Prometheus, who descends.
Hercules.
Most glorious among Spirits, thus doth strength
To wisdom, courage, and long-suffering love,
And thee, who art the form they animate,
Minister like a slave.
Prometheus.
Thy gentle words
Are sweeter even than freedom long desired
And long delayed.
Asia, thou light of life,
Shadow of beauty unbeheld: and ye,
Fair sister nymphs, who made long years of pain
Sweet to remember, through your love and care:
Henceforth we will not part. There is a cave,
All overgrown with trailing odorous plants,
Which curtain out the day with leaves and flowers,
And paved with veind emerald, and a fountain
Leaps in the midst with an awakening sound.
From its curved roof the mountain's frozen tears
Like snow, or silver, or long diamond spires,
Hang downward, raining forth a doubtful light:
And there is heard the ever-moving air,
Whispering without from tree to tree, and birds,
And bees; and all around are mossy seats,
And the rough walls are clothed with long soft grass;
A simple dwelling, which shall be our own;
Where we will sit and talk of time and change,
As the world ebbs and flows, ourselves unchanged.
What can hide man from mutability?
And if ye sigh, then I will smile; and thou,
Ione, shalt chant fragments of sea-music,
Until I weep, when ye shal smile away
The tears she brought, which yet were sweet to shed.
We will entangle buds and flowers and beams
Which twinkle on the fountain's brim, and make
Strange combinations out of common things,
Like human babes in their brief innocence;
And we will search, with looks and words of love,
For hidden thoughts, each lovelier than the last,
Our unexhausted spirits; and like lutes
Touched by the skill of the enamoured wind,
Weave harmonies divine, yet ever new,
From difference sweet where discord cannot be;
And hither come, sped on the charmd winds,
Which meet from all the points of heaven, as bees
From every flower areal Enna feeds,
At their known island-homes in Himera,
The echoes of the human world, which tell
Of the low voice of love, almost unheard,
And dove-eyed pity's murmured pain, and music,
Itself the echo of the heart, and all
That tempers or improves man's life, now free;
And lovely apparitions,dim at first,
Then radiant, as the mind, arising bright
From the embrace of beauty (whence the forms
Of which these are the phantoms) casts on them
The gathered rays which are reality
Shall visit us, the progeny immortal
Of Painting, Sculpture, and rapt Poesy,
And arts, though unimagined, yet to be.
The wandering voices and the shadows these
Of all that man becomes, the mediators
Of that best worship love, by him and us
Given and returned; swift shapes and sounds, which grow
More fair and soft as man grows wise and kind,
And, veil by veil, evil and error fall:
Such virtue has the cave and place around. [Turning to the Spirit of the Hour.
For thee, fair Spirit, one toil remains. Ione,
Give her that curvd shell, which Proteus old
Made Asia's nuptial boon, breathing within it
A voice to be accomplished, and which thou
Didst hide in grass under the hollow rock.
Ione.
Thou most desired Hour, more loved and lovely
Than all thy sisters, this is the mystic shell;
See the pale azure fading into silver
Lining it with a soft yet glowing light:
Looks it not like lulled music sleeping there?
Spirit.
It seems in truth the fairest shell of Ocean:
Its sound must be at once both sweet and strange.
Prometheus.
Go, borne over the cities of mankind
On whirlwind-footed coursers: once again
Outspeed the sun around the orbd world;
And as thy chariot cleaves the kindling air,
Thou breathe into the many-folded shell,
Loosening its mighty music; it shall be
As thunder mingled with clear echoes: then
Return; and thou shalt dwell beside our cave.
And thou, O, Mother Earth!
The Earth.
I hear, I feel;
Thy lips are on me, and their touch runs down
Even to the adamantine central gloom
Along these marble nerves; 'tis life, 'tis joy,
And through my withered, old, and icy frame
The warmth of an immortal youth shoots down
Circling. Henceforth the many children fair
Folded in my sustaining arms; all plants,
And creeping forms, and insects rainbow-winged,
And birds, and beasts, and fish, and human shapes,
Which drew disease and pain from my wan bosom,
Draining the poison of despair, shall take
And interchange sweet nutriment; to me
Shall they become like sister-antelopes
By one fair dam, snow-white and swift as wind,
Nursed among lilies near a brimming stream.
The dew-mists of my sunless sleep shall float
Under the stars like balm: night-folded flowers
Shall suck unwithering hues in their repose:
And men and beasts in happy dreams shall gather
Strength for the coming day, and all its joy:
And death shall be the last embrace of her
Who takes the life she gave, even as a mother
Folding her child, says, 'Leave me not again.'
Asia.
Oh, mother! wherefore speak the name of death?
Cease they to love, and move, and breathe, and speak,
Who die?
The Earth.
It would avail not to reply:
Thou art immortal, and this tongue is known
But to the uncommunicating dead.
Death is the veil which those who live call life:
They sleep, and it is lifted: and meanwhile
In mild variety the seasons mild
With rainbow-skirted showers, and odorous winds,
And long blue meteors cleansing the dull night,
And the life-kindling shafts of the keen sun's
All-piercing bow, and the dew-mingled rain
Of the calm moonbeams, a soft influence mild,
Shall clothe the forests and the fields, ay, even
The crag-built deserts of the barren deep,
With ever-living leaves, and fruits, and flowers.
And thou! There is a cavern where my spirit
Was panted forth in anguish whilst thy pain
Made my heart mad, and those who did inhale it
Became mad too, and built a temple there,
And spoke, and were oracular, and lured
The erring nations round to mutual war,
And faithless faith, such as Jove kept with thee;
Which breath now rises, as amongst tall weeds
A violet's exhalation, and it fills
With a serener light and crimson air
Intense, yet soft, the rocks and woods around;
It feeds the quick growth of the serpent vine,
And the dark linkd ivy tangling wild,
And budding, blown, or odour-faded blooms
Which star the winds with points of coloured light,
As they rain through them, and bright golden globes
Of fruit, suspended in their own green heaven,
And through their veind leaves and amber stems
The flowers whose purple and translucid bowls
Stand ever mantling with areal dew,
The drink of spirits: and it circles round,
Like the soft waving wings of noonday dreams,
Inspiring calm and happy thoughts, like mine,
Now thou art thus restored. This cave is thine.
Arise! Appear!
[A Spirit rises in the likeness of a winged child.
This is my torch-bearer;
Who let his lamp out in old time with gazing
On eyes from which he kindled it anew
With love, which is as fire, sweet daughter mine,
For such is that within thine own. Run, wayward,
And guide this company beyond the peak
Of Bacchic Nysa, Mnad-haunted mountain,
And beyond Indus and its tribute rivers,
Trampling the torrent streams and glassy lakes
With feet unwet, unwearied, undelaying,
And up the green ravine, across the vale,
Beside the windless and crystalline pool,
Where ever lies, on unerasing waves,
The image of a temple, built above,
Distinct with column, arch, and architrave,
And palm-like capital, and over-wrought,
And populous with most living imagery,
Praxitelean shapes, whose marble smiles
Fill the hushed air with everlasting love.
It is deserted now, but once it bore
Thy name, Prometheus; there the emulous youths
Bore to thy honour through the divine gloom
The lamp which was thine emblem; even as those
Who bear the untransmitted torch of hope
Into the grave, across the night of life,
As thou hast borne it most triumphantly
To this far goal of Time. Depart, farewell.
Beside that temple is the destined cave.
Scene IV.
A Forest. In the Background a Cave. Prometheus, Asia, Panthea, Ione, and the Spirit of the Earth.
Ione.
Sister, it is not earthly: how it glides
Under the leaves! how on its head there burns
A light, like a green star, whose emerald beams
Are twined with its fair hair! how, as it moves,
The splendour drops in flakes upon the grass!
Knowest thou it?
Panthea.
It is the delicate spirit
That guides the earth through heaven. From afar
The populous constellations call that light
The loveliest of the planets; and sometimes
It floats along the spray of the salt sea,
Or makes its chariot of a foggy cloud,
Or walks through fields or cities while men sleep,
Or o'er the mountain tops, or down the rivers,
Or through the green waste wilderness, as now,
Wondering at all it sees. Before Jove reigned
It loved our sister Asia, and it came
Each leisure hour to drink the liquid light
Out of her eyes, for which it said it thirsted
As one bit by a dipsas, and with her
It made its childish confidence, and told her
All it had known or seen, for it saw much,
Yet idly reasoned what it saw; and called her
For whence it sprung it knew not, nor do I
Mother, dear mother.
The Spirit of the Earth
(running to Asia).
Mother, dearest mother;
May I then talk with thee as I was wont?
May I then hide my eyes in thy soft arms,
After thy looks have made them tired of joy?
May I then play beside thee the long noons,
When work is none in the bright silent air?
Asia.
I love thee, gentlest being, and henceforth
Can cherish thee unenvied: speak, I pray:
Thy simple talk once solaced, now delights.
Spirit of the Earth.
Mother, I am grown wiser, though a child
Cannot be wise like thee, within this day;
And happier too; happier and wiser both.
Thou knowest that toads, and snakes, and loathly worms,
And venomous and malicious beasts, and boughs
That bore ill berries in the woods, were ever
An hindrance to my walks o'er the green world:
And that, among the haunts of humankind,
Hard-featured men, or with proud, angry looks,
Or cold, staid gait, or false and hollow smiles,
Or the dull sneer of self-loved ignorance,
Or other such foul masks, with which ill thoughts
Hide that fair being whom we spirits call man;
And women too, ugliest of all things evil,
(Though fair, even in a world where thou art fair,
When good and kind, free and sincere like thee),
When false or frowning made me sick at heart
To pass them, though they slept, and I unseen.
Well, my path lately lay through a great city
Into the woody hills surrounding it:
A sentinel was sleeping at the gate:
When there was heard a sound, so loud, it shook
The towers amid the moonlight, yet more sweet
Than any voice but thine, sweetest of all;
A long, long sound, as it would never end:
And all the inhabitants leaped suddenly
Out of their rest, and gathered in the streets,
Looking in wonder up to Heaven, while yet
The music pealed along. I hid myself
Within a fountain in the public square,
Where I lay like the reflex of the moon
Seen in a wave under green leaves; and soon
Those ugly human shapes and visages
Of which I spoke as having wrought me pain,
Passed floating through the air, and fading still
Into the winds that scattered them; and those
From whom they passed seemed mild and lovely forms
After some foul disguise had fallen, and all
Were somewhat changed, and after brief surprise
And greetings of delighted wonder, all
Went to their sleep again: and when the dawn
Came, wouldst thou think that toads, and snakes, and efts,
Could e'er be beautiful? yet so they were,
And that with little change of shape or hue:
All things had put their evil nature off:
I cannot tell my joy, when o'er a lake
Upon a drooping bough with nightshade twined,
I saw two azure halcyons clinging downward
And thinning one bright bunch of amber berries,
With quick long beaks, and in the deep there lay
Those lovely forms imaged as in a sky;
So, with my thoughts full of these happy changes,
We meet again, the happiest change of all.
Asia.
And never will we part, till thy chaste sister
Who guides the frozen and inconstant moon
Will look on thy more warm and equal light
Till her heart thaw like flakes of April snow
And love thee.
Spirit of the Earth.
What; as Asia loves Prometheus?
Asia.
Peace, wanton, thou art yet not old enough.
Think ye by gazing on each other's eyes
To multiply your lovely selves, and fill
With spherd fires the interlunar air?
Spirit of the Earth.
Nay, mother, while my sister trims her lamp
'Tis hard I should go darkling.
Asia.
Listen; look!
[The Spirit of the Hour enters.
Prometheus.
We feel what thou hast heard and seen: yet speak.
Spirit of the Hour.
Soon as the sound had ceased whose thunder filled
The abysses of the sky and the wide earth,
There was a change: the impalpable thin air
And the all-circling sunlight were transformed,
As if the sense of love dissolved in them
Had folded itself round the spherd world.
My vision then grew clear, and I could see
Into the mysteries of the universe:
Dizzy as with delight I floated down,
Winnowing the lightsome air with languid plumes,
My coursers sought their birthplace in the sun,
Where they henceforth will live exempt from toil,
Pasturing flowers of vegetable fire;
And where my moonlike car will stand within
A temple, gazed upon by Phidian forms
Of thee, and Asia, and the Earth, and me,
And you fair nymphs looking the love we feel,
In memory of the tidings it has borne,
Beneath a dome fretted with graven flowers,
Poised on twelve columns of resplendent stone,
And open to the bright and liquid sky.
Yoked to it by an amphisbaenic snake
The likeness of those wingd steeds will mock
The flight from which they find repose. Alas,
Whither has wandered now my partial tongue
When all remains untold which ye would hear?
As I have said, I floated to the earth:
It was, as it is still, the pain of bliss
To move, to breathe, to be; I wandering went
Among the haunts and dwellings of mankind,
And first was disappointed not to see
Such mighty change as I had felt within
Expressed in outward things; but soon I looked,
And behold, thrones were kingless, and men walked
One with the other even as spirits do,
None fawned, none trampled; hate, disdain, or fear,
Self-love or self-contempt, on human brows
No more inscribed, as o'er the gate of hell,
'All hope abandon ye who enter here;'
None frowned, none trembled, none with eager fear
Gazed on another's eye of cold command,
Until the subject of a tyrant's will
Became, worse fate, the abject of his own,
Which spurred him, like an outspent horse, to death.
None wrought his lips in truth-entangling lines
Which smiled the lie his tongue disdained to speak;
None, with firm sneer, trod out in his own heart
The sparks of love and hope till there remained
Those bitter ashes, a soul self-consumed,
And the wretch crept a vampire among men,
Infecting all with his own hideous ill;
None talked that common, false, cold, hollow talk
Which makes the heart deny the yes it breathes,
Yet question that unmeant hypocrisy
With such a self-mistrust as has no name.
And women, too, frank, beautiful, and kind
As the free heaven which rains fresh light and dew
On the wide earth, past; gentle radiant forms,
From custom's evil taint exempt and pure;
Speaking the wisdom once they could not think,
Looking emotions once they feared to feel,
And changed to all which once they dared not be,
Yet being now, made earth like heaven; nor pride,
Nor jealousy, nor envy, nor ill shame,
The bitterest of those drops of treasured gall,
Spoilt the sweet taste of the nepenthe, love.
Thrones, altars, judgement-seats, and prisons; wherein,
And beside which, by wretched men were borne
Sceptres, tiaras, swords, and chains, and tomes
Of reasoned wrong, glozed on by ignorance,
Were like those monstrous and barbaric shapes,
The ghosts of a no-more-remembered fame,
Which, from their unworn obelisks, look forth
In triumph o'er the palaces and tombs
Of those who were their conquerors: mouldering round,
These imaged to the pride of kings and priests
A dark yet mighty faith, a power as wide
As is the world it wasted, and are now
But an astonishment; even so the tools
And emblems of its last captivity,
Amid the dwellings of the peopled earth,
Stand, not o'erthrown, but unregarded now.
And those foul shapes, abhorred by god and man,
Which, under many a name and many a form
Strange, savage, ghastly, dark and execrable,
Were Jupiter, the tyrant of the world;
And which the nations, panic-stricken, served
With blood, and hearts broken by long hope, and love
Dragged to his altars soiled and garlandless,
And slain amid men's unreclaiming tears,
Flattering the thing they feared, which fear was hate,
Frown, mouldering fast, o'er their abandoned shrines:
The painted veil, by those who were, called life,
Which mimicked, as with colours idly spread,
All men believed or hoped, is torn aside;
The loathsome mask has fallen, the man remains
Sceptreless, free, uncircumscribed, but man
Equal, unclassed, tribeless, and nationless,
Exempt from awe, worship, degree, the king
Over himself; just, gentle, wise: but man
Passionless?no, yet free from guilt or pain,
Which were, for his will made or suffered them,
Nor yet exempt, though ruling them like slaves,
From chance, and death, and mutability,
The clogs of that which else might oversoar
The loftiest star of unascended heaven,
Pinnacled dim in the intense inane.
END OF THE THIRD ACT.
ACT IV
Scene.A Part of the Forest near the Cave of Prometheus.Panthea and Ione are sleeping: they awaken gradually during the first Song.
Voice of unseen Spirits.
The pale stars are gone!
For the sun, their swift shepherd,
To their folds them compelling,
In the depths of the dawn,
Hastes, in meteor-eclipsing array, and they flee
Beyond his blue dwelling,
As fawns flee the leopard.
But where are ye?
A Train of dark Forms and Shadows passes by confusedly, singing.
Here, oh, here:
We bear the bier
Of the Father of many a cancelled year!
Spectres we
Of the dead Hours be,
We bear Time to his tomb in eternity.
Strew, oh, strew
Hair, not yew!
Wet the dusty pall with tears, not dew!
Be the faded flowers
Of Death's bare bowers
Spread on the corpse of the King of Hours!
Haste, oh, haste!
As shades are chased,
Trembling, by day, from heaven's blue waste.
We melt away,
Like dissolving spray,
From the children of a diviner day,
With the lullaby
Of winds that die
On the bosom of their own harmony!
Ione.
What dark forms were they?
Panthea.
The past Hours weak and gray,
With the spoil which their toil
Raked together
From the conquest but One could foil.
Ione.
Have they passed?
Panthea.
They have passed;
They outspeeded the blast,
While 'tis said, they are fled:
Ione.
Whither, oh, whither?
Panthea.
To the dark, to the past, to the dead.
Voice of unseen Spirits.
Bright clouds float in heaven,
Dew-stars gleam on earth,
Waves assemble on ocean,
They are gathered and driven
By the storm of delight, by the panic of glee!
They shake with emotion,
They dance in their mirth.
But where are ye?
The pine boughs are singing
Old songs with new gladness,
The billows and fountains
Fresh music are flinging,
Like the notes of a spirit from land and from sea;
The storms mock the mountains
With the thunder of gladness.
But where are ye?
Ione.
What charioteers are these?
Panthea.
Where are their chariots?
Semichorus of Hours.
The voice of the Spirits of Air and of Earth
Have drawn back the figured curtain of sleep
Which covered our being and darkened our birth
In the deep.
A Voice.
In the deep?
Semichorus II.
Oh, below the deep.
Semichorus I.
An hundred ages we had been kept
Cradled in visions of hate and care,
And each one who waked as his brother slept,
Found the truth
Semichorus II.
Worse than his visions were!
Semichorus I.
We have heard the lute of Hope in sleep;
We have known the voice of Love in dreams;
We have felt the wand of Power, and leap
Semichorus II.
As the billows leap in the morning beams!
Chorus.
Weave the dance on the floor of the breeze,
Pierce with song heaven's silent light,
Enchant the day that too swiftly flees,
To check its flight ere the cave of Night.
Once the hungry Hours were hounds
Which chased the day like a bleeding deer,
And it limped and stumbled with many wounds
Through the nightly dells of the desert year.
But now, oh weave the mystic measure
Of music, and dance, and shapes of light,
Let the Hours, and the spirits of might and pleasure,
Like the clouds and sunbeams, unite.
A Voice.
Unite!
Panthea.
See, where the Spirits of the human mind
Wrapped in sweet sounds, as in bright veils, approach.
Chorus of Spirits.
We join the throng
Of the dance and the song,
By the whirlwind of gladness borne along;
As the flying-fish leap
From the Indian deep,
And mix with the sea-birds, half asleep.
Chorus of Hours.
Whence come ye, so wild and so fleet,
For sandals of lightning are on your feet,
And your wings are soft and swift as thought,
And your eyes are as love which is veild not?
Chorus of Spirits.
We come from the mind
Of human kind
Which was late so dusk, and obscene, and blind,
Now 'tis an ocean
Of clear emotion,
A heaven of serene and mighty motion
From that deep abyss
Of wonder and bliss,
Whose caverns are crystal palaces;
From those skiey towers
Where Thought's crowned powers
Sit watching your dance, ye happy Hours!
From the dim recesses
Of woven caresses,
Where lovers catch ye by your loose tresses
From the azure isles,
Where sweet Wisdom smiles,
Delaying your ships with her siren wiles.
From the temples high
Of Man's ear and eye,
Roofed over Sculpture and Poesy;
From the murmurings
Of the unsealed springs
Where Science bedews her Ddal wings.
Years after years,
Through blood, and tears,
And a thick hell of hatreds, and hopes, and fears;
We waded and flew,
And the islets were few
Where the bud-blighted flowers of happiness grew.
Our feet now, every palm,
Are sandalled with calm,
And the dew of our wings is a rain of balm;
And, beyond our eyes,
The human love lies
Which makes all it gazes on Paradise.
Chorus of Spirits and Hours.
Then weave the web of the mystic measure;
From the depths of the sky and the ends of the earth,
Come, swift Spirits of might and of pleasure,
Fill the dance and the music of mirth,
As the waves of a thousand streams rush by
To an ocean of splendour and harmony!
Chorus of Spirits.
Our spoil is won,
Our task is done,
We are free to dive, or soar, or run;
Beyond and around,
Or within the bound
Which clips the world with darkness round.
We'll pass the eyes
Of the starry skies
Into the hoar deep to colonize:
Death, Chaos, and Night,
From the sound of our flight,
Shall flee, like mist from a tempest's might.
And Earth, Air, and Light,
And the Spirit of Might,
Which drives round the stars in their fiery flight;
And Love, Thought, and Breath,
The powers that quell Death,
Wherever we soar shall assemble beneath.
And our singing shall build
In the void's loose field
A world for the Spirit of Wisdom to wield;
We will take our plan
From the new world of man,
And our work shall be called the Promethean.
Chorus of Hours.
Break the dance, and scatter the song;
Let some depart, and some remain.
Semichorus I.
We, beyond heaven, are driven along:
Semichorus II.
Us the enchantments of earth retain:
Semichorus I.
Ceaseless, and rapid, and fierce, and free,
With the Spirits which build a new earth and sea,
And a heaven where yet heaven could never be.
Semichorus II.
Solemn, and slow, and serene, and bright,
Leading the Day and outspeeding the Night,
With the powers of a world of perfect light.
Semichorus I.
We whirl, singing loud, round the gathering sphere,
Till the trees, and the beasts, and the clouds appear
From its chaos made calm by love, not fear.
Semichorus II.
We encircle the ocean and mountains of earth,
And the happy forms of its death and birth
Change to the music of our sweet mirth.
Chorus of Hours and Spirits.
Break the dance, and scatter the song,
Let some depart, and some remain,
Wherever we fly we lead along
In leashes, like starbeams, soft yet strong,
The clouds that are heavy with love's sweet rain.
Panthea.
Ha! they are gone!
Ione.
Yet feel you no delight
From the past sweetness?
Panthea.
As the bare green hill
When some soft cloud vanishes into rain,
Laughs with a thousand drops of sunny water
To the unpavilioned sky!
Ione.
Even whilst we speak
New notes arise. What is that awful sound?
Panthea.
'Tis the deep music of the rolling world
Kindling within the strings of the waved air
olian modulations.
Ione.
Listen too,
How every pause is filled with under-notes,
Clear, silver, icy, keen, awakening tones,
Which pierce the sense, and live within the soul,
As the sharp stars pierce winter's crystal air
And gaze upon themselves within the sea.
Panthea.
But see where through two openings in the forest
Which hanging branches overcanopy,
And where two runnels of a rivulet,
Between the close moss violet-inwoven,
Have made their path of melody, like sisters
Who part with sighs that they may meet in smiles,
Turning their dear disunion to an isle
Of lovely grief, a wood of sweet sad thoughts;
Two visions of strange radiance float upon
The ocean-like enchantment of strong sound,
Which flows intenser, keener, deeper yet
Under the ground and through the windless air.
Ione.
I see a chariot like that thinnest boat,
In which the Mother of the Months is borne
By ebbing light into her western cave,
When she upsprings from interlunar dreams;
O'er which is curved an orblike canopy
Of gentle darkness, and the hills and woods,
Distinctly seen through that dusk aery veil,
Regard like shapes in an enchanter's glass;
Its wheels are solid clouds, azure and gold,
Such as the genii of the thunderstorm
Pile on the floor of the illumined sea
When the sun rushes under it; they roll
And move and grow as with an inward wind;
Within it sits a wingd infant, white
Its countenance, like the whiteness of bright snow,
Its plumes are as feathers of sunny frost,
Its limbs gleam white, through the wind-flowing folds
Of its white robe, woof of ethereal pearl.
Its hair is white, the brightness of white light
Scattered in strings; yet its two eyes are heavens
Of liquid darkness, which the Deity
Within seems pouring, as a storm is poured
From jaggd clouds, out of their arrowy lashes,
Tempering the cold and radiant air around,
With fire that is not brightness; in its hand
It sways a quivering moonbeam, from whose point
A guiding power directs the chariot's prow
Over its wheeld clouds, which as they roll
Over the grass, and flowers, and waves, wake sounds,
Sweet as a singing rain of silver dew.
Panthea.
And from the other opening in the wood
Rushes, with loud and whirlwind harmony,
A sphere, which is as many thousand spheres,
Solid as crystal, yet through all its mass
Flow, as through empty space, music and light:
Ten thousand orbs involving and involved,
Purple and azure, white, and green, and golden,
Sphere within sphere; and every space between
Peopled with unimaginable shapes,
Such as ghosts dream dwell in the lampless deep,
Yet each inter-transpicuous, and they whirl
Over each other with a thousand motions,
Upon a thousand sightless axles spinning,
And with the force of self-destroying swiftness,
Intensely, slowly, solemnly roll on,
Kindling with mingled sounds, and many tones,
Intelligible words and music wild.
With mighty whirl the multitudinous orb
Grinds the bright brook into an azure mist
Of elemental subtlety, like light;
And the wild odour of the forest flowers,
The music of the living grass and air,
The emerald light of leaf-entangled beams
Round its intense yet self-conflicting speed,
Seem kneaded into one areal mass
Which drowns the sense. Within the orb itself,
Pillowed upon its alabaster arms,
Like to a child o'erwearied with sweet toil,
On its own folded wings, and wavy hair,
The Spirit of the Earth is laid asleep,
And you can see its little lips are moving,
Amid the changing light of their own smiles,
Like one who talks of what he loves in dream.
Ione.
'Tis only mocking the orb's harmony.
Panthea.
And from a star upon its forehead, shoot,
Like swords of azure fire, or golden spears
With tyrant-quelling myrtle overtwined,
Embleming heaven and earth united now,
Vast beams like spokes of some invisible wheel
Which whirl as the orb whirls, swifter than thought,
Filling the abyss with sun-like lightenings,
And perpendicular now, and now transverse,
Pierce the dark soil, and as they pierce and pass,
Make bare the secrets of the earth's deep heart;
Infinite mines of adamant and gold,
Valueless stones, and unimagined gems,
And caverns on crystalline columns poised
With vegetable silver overspread;
Wells of unfathomed fire, and water springs
Whence the great sea, even as a child is fed,
Whose vapours clothe earth's monarch mountain-tops
With kingly, ermine snow. The beams flash on
And make appear the melancholy ruins
Of cancelled cycles; anchors, beaks of ships;
Planks turned to marble; quivers, helms, and spears,
And gorgon-headed targes, and the wheels
Of scythd chariots, and the emblazonry
Of trophies, standards, and armorial beasts,
Round which death laughed, sepulchred emblems
Of dead destruction, ruin within ruin!
The wrecks beside of many a city vast,
Whose population which the earth grew over
Was mortal, but not human; see, they lie,
Their monstrous works, and uncouth skeletons,
Their statues, homes and fanes; prodigious shapes
Huddled in gray annihilation, split,
Jammed in the hard, black deep; and over these,
The anatomies of unknown wingd things,
And fishes which were isles of living scale,
And serpents, bony chains, twisted around
The iron crags, or within heaps of dust
To which the tortuous strength of their last pangs
Had crushed the iron crags; and over these
The jaggd alligator, and the might
Of earth-convulsing behemoth, which once
Were monarch beasts, and on the slimy shores,
And weed-overgrown continents of earth,
Increased and multiplied like summer worms
On an abandoned corpse, till the blue globe
Wrapped deluge round it like a cloak, and they
Yelled, gasped, and were abolished; or some God
Whose throne was in a comet, passed, and cried,
'Be not!' And like my words they were no more.
The Earth.
The joy, the triumph, the delight, the madness!
The boundless, overflowing, bursting gladness,
The vaporous exultation not to be confined!
Ha! ha! the animation of delight
Which wraps me, like an atmosphere of light,
And bears me as a cloud is borne by its own wind.
The Moon.
Brother mine, calm wanderer,
Happy globe of land and air,
Some Spirit is darted like a beam from thee,
Which penetrates my frozen frame,
And passes with the warmth of flame,
With love, and odour, and deep melody
Through me, through me!
The Earth.
Ha! ha! the caverns of my hollow mountains,
My cloven fire-crags, sound-exulting fountains
Laugh with a vast and inextinguishable laughter.
The oceans, and the deserts, and the abysses,
And the deep air's unmeasured wildernesses,
Answer from all their clouds and billows, echoing after.
They cry aloud as I do. Sceptred curse,
Who all our green and azure universe
Threatenedst to muffle round with black destruction, sending
A solid cloud to rain hot thunderstones,
And splinter and knead down my children's bones,
All I bring forth, to one void mass battering and blending,
Until each crag-like tower, and storied column,
Palace, and obelisk, and temple solemn,
My imperial mountains crowned with cloud, and snow, and fire;
My sea-like forests, every blade and blossom
Which finds a grave or cradle in my bosom,
Were stamped by thy strong hate into a lifeless mire:
How art thou sunk, withdrawn, covered, drunk up
By thirsty nothing, as the brackish cup
Drained by a desert-troop, a little drop for all;
And from beneath, around, within, above,
Filling thy void annihilation, love
Burst in like light on caves cloven by the thunder-ball.
The Moon.
The snow upon my lifeless mountains
Is loosened into living fountains,
My solid oceans flow, and sing, and shine:
A spirit from my heart bursts forth,
It clothes with unexpected birth
My cold bare bosom: Oh! it must be thine
On mine, on mine!
Gazing on thee I feel, I know
Green stalks burst forth, and bright flowers grow,
And living shapes upon my bosom move:
Music is in the sea and air,
Wingd clouds soar here and there,
Dark with the rain new buds are dreaming of:
'Tis love, all love!
The Earth.
It interpenetrates my granite mass,
Through tangled roots and trodden clay doth pass
Into the utmost leaves and delicatest flowers;
Upon the winds, among the clouds 'tis spread,
It wakes a life in the forgotten dead,
They breathe a spirit up from their obscurest bowers.
And like a storm bursting its cloudy prison
With thunder, and with whirlwind, has arisen
Out of the lampless caves of unimagined being:
With earthquake shock and swiftness making shiver
Thought's stagnant chaos, unremoved for ever,
Till hate, and fear, and pain, light-vanquished shadows, fleeing,
Leave Man, who was a many-sided mirror,
Which could distort to many a shape of error,
This true fair world of things, a sea reflecting love;
Which over all his kind, as the sun's heaven
Gliding o'er ocean, smooth, serene, and even,
Darting from starry depths radiance and life, doth move:
Leave Man, even as a leprous child is left,
Who follows a sick beast to some warm cleft
Of rocks, through which the might of healing springs is poured;
Then when it wanders home with rosy smile,
Unconscious, and its mother fears awhile
It is a spirit, then, weeps on her child restored.
Man, oh, not men! a chain of linkd thought,
Of love and might to be divided not,
Compelling the elements with adamantine stress;
As the sun rules, even with a tyrant's gaze,
The unquiet republic of the maze
Of planets, struggling fierce towards heaven's free wilderness.
Man, one harmonious soul of many a soul,
Whose nature is its own divine control,
Where all things flow to all, as rivers to the sea;
Familiar acts are beautiful through love;
Labour, and pain, and grief, in life's green grove
Sport like tame beasts, none knew how gentle they could be!
His will, with all mean passions, bad delights,
And selfish cares, its trembling satellites,
A spirit ill to guide, but mighty to obey,
Is as a tempest-wingd ship, whose helm
Love rules, through waves which dare not overwhelm,
Forcing life's wildest shores to own its sovereign sway.
All things confess his strength. Through the cold mass
Of marble and of colour his dreams pass;
Bright threads whence mothers weave the robes their children wear;
Language is a perpetual Orphic song,
Which rules with Ddal harmony a throng
Of thoughts and forms, which else senseless and shapeless were.
The lightning is his slave; heaven's utmost deep
Gives up her stars, and like a flock of sheep
They pass before his eye, are numbered, and roll on!
The tempest is his steed, he strides the air;
And the abyss shouts from her depth laid bare,
Heaven, hast thou secrets? Man unveils me; I have none.
The Moon.
The shadow of white death has passed
From my path in heaven at last,
A clinging shroud of solid frost and sleep;
And through my newly-woven bowers,
Wander happy paramours,
Less mighty, but as mild as those who keep
Thy vales more deep.
The Earth.
As the dissolving warmth of dawn may fold
A half unfrozen dew-globe, green, and gold,
And crystalline, till it becomes a wingd mist,
And wanders up the vault of the blue day,
Outlives the moon, and on the sun's last ray
Hangs o'er the sea, a fleece of fire and amethyst.
The Moon.
Thou art folded, thou art lying
In the light which is undying
Of thine own joy, and heaven's smile divine;
All suns and constellations shower
On thee a light, a life, a power
Which doth array thy sphere; thou pourest thine
On mine, on mine!
The Earth.
I spin beneath my pyramid of night,
Which points into the heavens dreaming delight,
Murmuring victorious joy in my enchanted sleep;
As a youth lulled in love-dreams faintly sighing,
Under the shadow of his beauty lying,
Which round his rest a watch of light and warmth doth keep.
The Moon.
As in the soft and sweet eclipse,
When soul meets soul on lovers' lips,
High hearts are calm, and brightest eyes are dull;
So when thy shadow falls on me,
Then am I mute and still, by thee
Covered; of thy love, Orb most beautiful,
Full, oh, too full!
Thou art speeding round the sun
Brightest world of many a one;
Green and azure sphere which shinest
With a light which is divinest
Among all the lamps of Heaven
To whom life and light is given;
I, thy crystal paramour
Borne beside thee by a power
Like the polar Paradise,
Magnet-like of lovers' eyes;
I, a most enamoured maiden
Whose weak brain is overladen
With the pleasure of her love,
Maniac-like around thee move
Gazing, an insatiate bride,
On thy form from every side
Like a Mnad, round the cup
Which Agave lifted up
In the weird Cadman forest.
Brother, wheresoe'er thou soarest
I must hurry, whirl and follow
Through the heavens wide and hollow,
Sheltered by the warm embrace
Of thy soul from hungry space,
Drinking from thy sense and sight
Beauty, majesty, and might,
As a lover or a chameleon
Grows like what it looks upon,
As a violet's gentle eye
Gazes on the azure sky
Until its hue grows like what it beholds,
As a gray and watery mist
Glows like solid amethyst
Athwart the western mountain it enfolds,
When the sunset sleeps
Upon its snow
The Earth.
And the weak day weeps
That it should be so.
Oh, gentle Moon, the voice of thy delight
Falls on me like thy clear and tender light
Soothing the seaman, borne the summer night,
Through isles for ever calm;
Oh, gentle Moon, thy crystal accents pierce
The caverns of my pride's deep universe,
Charming the tiger joy, whose tramplings fierce
Made wounds which need thy balm.
Panthea.
I rise as from a bath of sparkling water,
A bath of azure light, among dark rocks,
Out of the stream of sound.
Ione.
Ah me! sweet sister,
The stream of sound has ebbed away from us,
And you pretend to rise out of its wave,
Because your words fall like the clear, soft dew
Shaken from a bathing wood-nymph's limbs and hair.
Panthea.
Peace! peace! A mighty Power, which is as darkness,
Is rising out of Earth, and from the sky
Is showered like night, and from within the air
Bursts, like eclipse which had been gathered up
Into the pores of sunlight: the bright visions,
Wherein the singing spirits rode and shone,
Gleam like pale meteors through a watery night.
Ione.
There is a sense of words upon mine ear.
Panthea.
An universal sound like words: Oh, list!
Demogorgon.
Thou, Earth, calm empire of a happy soul,
Sphere of divinest shapes and harmonies,
Beautiful orb! gathering as thou dost roll
The love which paves thy path along the skies:
The Earth.
I hear: I am as a drop of dew that dies.
Demogorgon.
Thou, Moon, which gazest on the nightly Earth
With wonder, as it gazes upon thee;
Whilst each to men, and beasts, and the swift birth
Of birds, is beauty, love, calm, harmony:
The Moon.
I hear: I am a leaf shaken by thee!
Demogorgon.
Ye Kings of suns and stars, Dmons and Gods,
Aetherial Dominations, who possess
Elysian, windless, fortunate abodes
Beyond Heaven's constellated wilderness:
A Voice from above.
Our great Republic hears, we are blest, and bless.
Demogorgon.
Ye happy Dead, whom beams of brightest verse
Are clouds to hide, not colours to portray,
Whether your nature is that universe
Which once ye saw and suffered
A Voice from beneath.
Or as they
Whom we have left, we change and pass away.
Demogorgon.
Ye elemental Genii, who have homes
From man's high mind even to the central stone
Of sullen lead; from heaven's star-fretted domes
To the dull weed some sea-worm battens on:
A confused Voice.
We hear: thy words waken Oblivion.
Demogorgon.
Spirits, whose homes are flesh: ye beasts and birds,
Ye worms, and fish; ye living leaves and buds;
Lightning and wind; and ye untameable herds,
Meteors and mists, which throng air's solitudes:
A Voice.
Thy voice to us is wind among still woods.
Demogorgon.
Man, who wert once a despot and a slave;
A dupe and a deceiver; a decay;
A traveller from the cradle to the grave
Through the dim night of this immortal day:
All.
Speak: thy strong words may never pass away.
Demogorgon.
This is the day, which down the void abysm
At the Earth-born's spell yawns for Heaven's despotism,
And Conquest is dragged captive through the deep:
Love, from its awful throne of patient power
In the wise heart, from the last giddy hour
Of dread endurance, from the slippery, steep,
And narrow verge of crag-like agony, springs
And folds over the world its healing wings.
Gentleness, Virtue, Wisdom, and Endurance,
These are the seals of that most firm assurance
Which bars the pit over Destruction's strength;
And if, with infirm hand, Eternity,
Mother of many acts and hours, should free
The serpent that would clasp her with his length;
These are the spells by which to reassume
An empire o'er the disentangled doom.
To suffer woes which Hope thinks infinite;
To forgive wrongs darker than death or night;
To defy Power, which seems omnipotent;
To love, and bear; to hope till Hope creates
From its own wreck the thing it contemplates;
Neither to change, nor falter, nor repent;
This, like thy glory, Titan, is to be
Good, great and joyous, beautiful and free;
This is alone Life, Joy, Empire, and Victory.
Composed at Este, Sept., Oct., 1818 (Act I); at Rome, March - April 6, 1819 (Acts II, III); at Florence, close of 1819 (Act IV). Published by C. and J. Ollier, London, summer of 1820.
Note from Mrs. Shelley: 'On the 12th of March, 1818, Shelley quitted England, never to return. His principal motive was the hope that his health would be improved by a milder climate; he suffered very much during the winter previous to his emigration, and this decided his vacillating purpose. .....Through the whole poem there reigns a sort of calm and holy spirit of love; it soothes the tortured, and is hope to the expectant, till the prophecy is fulfilled, and Love, untainted by any evil, becomes the law of the world. ....And, as he wandered among the ruins made one with Nature in their decay, or gaed on the Praxitelean shapes that throng the Vatican, the Capitol, and the palaces of Rome, his soul imbibed forms of loveliness which became a portion of itself. There are many passages in the Prometheus which show the intense delight he received from such studies, and give back the impression with a beauty of poetical description peculiarly his own. He felt this, as a poet must feel when he satisfies himself by the result of his labours; and he wrote from Rome, ''My Prometheus Unbound is just finished, and in a month or two I shall send it. It is a drama, with characters and mechanism of a kind yet unattempted; and I think the execution is better than any of my former attempts.'''
~ Percy Bysshe Shelley, Prometheus Unbound
,#NFDB
665:Beowulf
LO, praise of the prowess of people-kings
of spear-armed Danes, in days long sped,
we have heard, and what honor the athelings won!
Oft Scyld the Scefing from squadroned foes,
from many a tribe, the mead-bench tore,
awing the earls. Since erst he lay
friendless, a foundling, fate repaid him:
for he waxed under welkin, in wealth he throve,
till before him the folk, both far and near,
who house by the whale-path, heard his mandate,
gave him gifts: a good king he!
To him an heir was afterward born,
a son in his halls, whom heaven sent
to favor the folk, feeling their woe
that erst they had lacked an earl for leader
so long a while; the Lord endowed him,
the Wielder of Wonder, with world's renown.
Famed was this Beowulf: far flew the boast of him,
son of Scyld, in the Scandian lands.
So becomes it a youth to quit him well
with his father's friends, by fee and gift,
that to aid him, aged, in after days,
come warriors willing, should war draw nigh,
liegemen loyal: by lauded deeds
shall an earl have honor in every clan.
Forth he fared at the fated moment,
sturdy Scyld to the shelter of God.
Then they bore him over to ocean's billow,
loving clansmen, as late he charged them,
while wielded words the winsome Scyld,
the leader beloved who long had ruled….
In the roadstead rocked a ring-dight vessel,
ice-flecked, outbound, atheling's barge:
there laid they down their darling lord
on the breast of the boat, the breaker-of-rings,
by the mast the mighty one. Many a treasure
fetched from far was freighted with him.
No ship have I known so nobly dight
with weapons of war and weeds of battle,
47
with breastplate and blade: on his bosom lay
a heaped hoard that hence should go
far o'er the flood with him floating away.
No less these loaded the lordly gifts,
thanes' huge treasure, than those had done
who in former time forth had sent him
sole on the seas, a suckling child.
High o'er his head they hoist the standard,
a gold-wove banner; let billows take him,
gave him to ocean. Grave were their spirits,
mournful their mood. No man is able
to say in sooth, no son of the halls,
no hero 'neath heaven, - who harbored that freight!
Now Beowulf bode in the burg of the Scyldings,
leader beloved, and long he ruled
in fame with all folk, since his father had gone
away from the world, till awoke an heir,
haughty Healfdene, who held through life,
sage and sturdy, the Scyldings glad.
Then, one after one, there woke to him,
to the chieftain of clansmen, children four:
Heorogar, then Hrothgar, then Halga brave;
and I heard that - was -'s queen,
the Heathoscylfing's helpmate dear.
To Hrothgar was given such glory of war,
such honor of combat, that all his kin
obeyed him gladly till great grew his band
of youthful comrades. It came in his mind
to bid his henchmen a hall uprear,
a master mead-house, mightier far
than ever was seen by the sons of earth,
and within it, then, to old and young
he would all allot that the Lord had sent him,
save only the land and the lives of his men.
Wide, I heard, was the work commanded,
for many a tribe this mid-earth round,
to fashion the folkstead. It fell, as he ordered,
in rapid achievement that ready it stood there,
of halls the noblest: Heorot [1] he named it
whose message had might in many a land.
48
Not reckless of promise, the rings he dealt,
treasure at banquet: there towered the hall,
high, gabled wide, the hot surge waiting
of furious flame. [2] Nor far was that day
when father and son-in-law stood in feud
for warfare and hatred that woke again.
With envy and anger an evil spirit
endured the dole in his dark abode,
that he heard each day the din of revel
high in the hall: there harps rang out,
clear song of the singer. He sang who knew
tales of the early time of man,
how the Almighty made the earth,
fairest fields enfolded by water,
set, triumphant, sun and moon
for a light to lighten the land-dwellers,
and braided bright the breast of earth
with limbs and leaves, made life for all
of mortal beings that breathe and move.
So lived the clansmen in cheer and revel
a winsome life, till one began
to fashion evils, that field of hell.
Grendel this monster grim was called,
march-riever [5] mighty, in moorland living,
in fen and fastness; fief of the giants
the hapless wight a while had kept
since the Creator his exile doomed.
On kin of Cain was the killing avenged
by sovran God for slaughtered Abel.
Ill fared his feud, [6] and far was he driven,
for the slaughter's sake, from sight of men.
Of Cain awoke all that woful breed,
Etins [7] and elves and evil-spirits,
as well as the giants that warred with God
weary while: but their wage was paid them!
II
WENT he forth to find at fall of night
that haughty house, and heed wherever
the Ring-Danes, outrevelled, to rest had gone.
Found within it the atheling band
asleep after feasting and fearless of sorrow,
49
of human hardship. Unhallowed wight,
grim and greedy, he grasped betimes,
wrathful, reckless, from resting-places,
thirty of the thanes, and thence he rushed
fain of his fell spoil, faring homeward,
laden with slaughter, his lair to seek.
Then at the dawning, as day was breaking,
the might of Grendel to men was known;
then after wassail was wail uplifted,
loud moan in the morn. The mighty chief,
atheling excellent, unblithe sat,
labored in woe for the loss of his thanes,
when once had been traced the trail of the fiend,
spirit accurst: too cruel that sorrow,
too long, too loathsome. Not late the respite;
with night returning, anew began
ruthless murder; he recked no whit,
firm in his guilt, of the feud and crime.
They were easy to find who elsewhere sought
in room remote their rest at night,
bed in the bowers, [1] when that bale was shown,
was seen in sooth, with surest token, the hall-thane's [2] hate. Such held themselves
far and fast who the fiend outran!
Thus ruled unrighteous and raged his fill
one against all; until empty stood
that lordly building, and long it bode so.
Twelve years' tide the trouble he bore,
sovran of Scyldings, sorrows in plenty,
boundless cares. There came unhidden
tidings true to the tribes of men,
in sorrowful songs, how ceaselessly Grendel
harassed Hrothgar, what hate he bore him,
what murder and massacre, many a year,
feud unfading, - refused consent
to deal with any of Daneland's earls,
make pact of peace, or compound for gold:
still less did the wise men ween to get
great fee for the feud from his fiendish hands.
But the evil one ambushed old and young
death-shadow dark, and dogged them still,
lured, or lurked in the livelong night
50
of misty moorlands: men may say not
where the haunts of these Hell-Runes be.
Such heaping of horrors the hater of men,
lonely roamer, wrought unceasing,
harassings heavy. O'er Heorot he lorded,
gold-bright hall, in gloomy nights;
and ne'er could the prince [4] approach his throne,
- 'twas judgment of God, - or have joy in his hall.
Sore was the sorrow to Scyldings'-friend,
heart-rending misery. Many nobles
sat assembled, and searched out counsel
how it were best for bold-hearted men
against harassing terror to try their hand.
Whiles they vowed in their heathen fanes
altar-offerings, asked with words [5]
that the slayer-of-souls would succor give them
for the pain of their people. Their practice this,
their heathen hope; 'twas Hell they thought of
in mood of their mind. Almighty they knew not,
Doomsman of Deeds and dreadful Lord,
nor Heaven's-Helmet heeded they ever,
Wielder-of-Wonder. - Woe for that man
who in harm and hatred hales his soul
to fiery embraces; - nor favor nor change
awaits he ever. But well for him
that after death-day may draw to his Lord,
and friendship find in the Father's arms!
III
THUS seethed unceasing the son of Healfdene
with the woe of these days; not wisest men
assuaged his sorrow; too sore the anguish,
loathly and long, that lay on his folk,
most baneful of burdens and bales of the night.
This heard in his home Hygelac's thane,
great among Geats, of Grendel's doings.
He was the mightiest man of valor
in that same day of this our life,
stalwart and stately. A stout wave-walker
he bade make ready. Yon battle-king, said he,
far o'er the swan-road he fain would seek,
the noble monarch who needed men!
51
The prince's journey by prudent folk
was little blamed, though they loved him dear;
they whetted the hero, and hailed good omens.
And now the bold one from bands of Geats
comrades chose, the keenest of warriors
e'er he could find; with fourteen men
the sea-wood [1] he sought, and, sailor proved,
led them on to the land's confines.
Time had now flown; [2] afloat was the ship,
boat under bluff. On board they climbed,
warriors ready; waves were churning
sea with sand; the sailors bore
on the breast of the bark their bright array,
their mail and weapons: the men pushed off,
on its willing way, the well-braced craft.
Then moved o'er the waters by might of the wind
that bark like a bird with breast of foam,
till in season due, on the second day,
the curved prow such course had run
that sailors now could see the land,
sea-cliffs shining, steep high hills,
headlands broad. Their haven was found,
their journey ended. Up then quickly
the Weders' [3] clansmen climbed ashore,
anchored their sea-wood, with armor clashing
and gear of battle: God they thanked
for passing in peace o'er the paths of the sea.
Now saw from the cliff a Scylding clansman,
a warden that watched the water-side,
how they bore o'er the gangway glittering shields,
war-gear in readiness; wonder seized him
to know what manner of men they were.
Straight to the strand his steed he rode,
Hrothgar's henchman; with hand of might
he shook his spear, and spake in parley.
'Who are ye, then, ye armed men,
mailed folk, that yon mighty vessel
have urged thus over the ocean ways,
here o'er the waters? A warden I,
sentinel set o'er the sea-march here,
lest any foe to the folk of Danes
with harrying fleet should harm the land.
52
No aliens ever at ease thus bore them,
linden-wielders: [4] yet word-of-leave
clearly ye lack from clansmen here,
my folk's agreement. - A greater ne'er saw I
of warriors in world than is one of you, yon hero in harness! No henchman he
worthied by weapons, if witness his features,
his peerless presence! I pray you, though, tell
your folk and home, lest hence ye fare
suspect to wander your way as spies
in Danish land. Now, dwellers afar,
ocean-travellers, take from me
simple advice: the sooner the better
I hear of the country whence ye came.'
IV
To him the stateliest spake in answer;
the warriors' leader his word-hoard unlocked:'We are by kin of the clan of Geats,
and Hygelac's own hearth-fellows we.
To folk afar was my father known,
noble atheling, Ecgtheow named.
Full of winters, he fared away
aged from earth; he is honored still
through width of the world by wise men all.
To thy lord and liege in loyal mood
we hasten hither, to Healfdene's son,
people-protector: be pleased to advise us!
To that mighty-one come we on mickle errand,
to the lord of the Danes; nor deem I right
that aught be hidden. We hear - thou knowest
if sooth it is - the saying of men,
that amid the Scyldings a scathing monster,
dark ill-doer, in dusky nights
shows terrific his rage unmatched,
hatred and murder. To Hrothgar I
in greatness of soul would succor bring,
so the Wise-and-Brave [1] may worst his foes, if ever the end of ills is fated,
of cruel contest, if cure shall follow,
and the boiling care-waves cooler grow;
else ever afterward anguish-days
53
he shall suffer in sorrow while stands in place
high on its hill that house unpeered!'
Astride his steed, the strand-ward answered,
clansman unquailing: 'The keen-souled thane
must be skilled to sever and sunder duly
words and works, if he well intends.
I gather, this band is graciously bent
to the Scyldings' master. March, then, bearing
weapons and weeds the way I show you.
I will bid my men your boat meanwhile
to guard for fear lest foemen come, your new-tarred ship by shore of ocean
faithfully watching till once again
it waft o'er the waters those well-loved thanes,
- winding-neck'd wood, - to Weders' bounds,
heroes such as the hest of fate
shall succor and save from the shock of war.'
They bent them to march, - the boat lay still,
fettered by cable and fast at anchor,
broad-bosomed ship. - Then shone the boars
over the cheek-guard; chased with gold,
keen and gleaming, guard it kept
o'er the man of war, as marched along
heroes in haste, till the hall they saw,
broad of gable and bright with gold:
that was the fairest, 'mid folk of earth,
of houses 'neath heaven, where Hrothgar lived,
and the gleam of it lightened o'er lands afar.
The sturdy shieldsman showed that bright
burg-of-the-boldest; bade them go
straightway thither; his steed then turned,
hardy hero, and hailed them thus:'Tis time that I fare from you. Father Almighty
in grace and mercy guard you well,
safe in your seekings. Seaward I go,
'gainst hostile warriors hold my watch.'
STONE-BRIGHT the street: it showed the way
to the crowd of clansmen. Corselets glistened
hand-forged, hard; on their harness bright
the steel ring sang, as they strode along
54
in mail of battle, and marched to the hall.
There, weary of ocean, the wall along
they set their bucklers, their broad shields, down,
and bowed them to bench: the breastplates clanged,
war-gear of men; their weapons stacked,
spears of the seafarers stood together,
gray-tipped ash: that iron band
was worthily weaponed! - A warrior proud
asked of the heroes their home and kin.
'Whence, now, bear ye burnished shields,
harness gray and helmets grim,
spears in multitude? Messenger, I,
Hrothgar's herald! Heroes so many
ne'er met I as strangers of mood so strong.
'Tis plain that for prowess, not plunged into exile,
for high-hearted valor, Hrothgar ye seek!'
Him the sturdy-in-war bespake with words,
proud earl of the Weders answer made,
hardy 'neath helmet:-'Hygelac's, we,
fellows at board; I am Beowulf named.
I am seeking to say to the son of Healfdene
this mission of mine, to thy master-lord,
the doughty prince, if he deign at all
grace that we greet him, the good one, now.'
Wulfgar spake, the Wendles' chieftain,
whose might of mind to many was known,
his courage and counsel: 'The king of Danes,
the Scyldings' friend, I fain will tell,
the Breaker-of-Rings, as the boon thou askest,
the famed prince, of thy faring hither,
and, swiftly after, such answer bring
as the doughty monarch may deign to give.'
Hied then in haste to where Hrothgar sat
white-haired and old, his earls about him,
till the stout thane stood at the shoulder there
of the Danish king: good courtier he!
Wulfgar spake to his winsome lord:'Hither have fared to thee far-come men
o'er the paths of ocean, people of Geatland;
and the stateliest there by his sturdy band
is Beowulf named. This boon they seek,
that they, my master, may with thee
55
have speech at will: nor spurn their prayer
to give them hearing, gracious Hrothgar!
In weeds of the warrior worthy they,
methinks, of our liking; their leader most surely,
a hero that hither his henchmen has led.'
VI
HROTHGAR answered, helmet of Scyldings:'I knew him of yore in his youthful days;
his aged father was Ecgtheow named,
to whom, at home, gave Hrethel the Geat
his only daughter. Their offspring bold
fares hither to seek the steadfast friend.
And seamen, too, have said me this, who carried my gifts to the Geatish court,
thither for thanks, - he has thirty men's
heft of grasp in the gripe of his hand,
the bold-in-battle. Blessed God
out of his mercy this man hath sent
to Danes of the West, as I ween indeed,
against horror of Grendel. I hope to give
the good youth gold for his gallant thought.
Be thou in haste, and bid them hither,
clan of kinsmen, to come before me;
and add this word, - they are welcome guests
to folk of the Danes.'
[To the door of the hall
Wulfgar went] and the word declared:'To you this message my master sends,
East-Danes' king, that your kin he knows,
hardy heroes, and hails you all
welcome hither o'er waves of the sea!
Ye may wend your way in war-attire,
and under helmets Hrothgar greet;
but let here the battle-shields bide your parley,
and wooden war-shafts wait its end.'
Uprose the mighty one, ringed with his men,
brave band of thanes: some bode without,
battle-gear guarding, as bade the chief.
Then hied that troop where the herald led them,
under Heorot's roof: [the hero strode,]
hardy 'neath helm, till the hearth he neared.
56
Beowulf spake, - his breastplate gleamed,
war-net woven by wit of the smith:'Thou Hrothgar, hail! Hygelac's I,
kinsman and follower. Fame a plenty
have I gained in youth! These Grendel-deeds
I heard in my home-land heralded clear.
Seafarers say how stands this hall,
of buildings best, for your band of thanes
empty and idle, when evening sun
in the harbor of heaven is hidden away.
So my vassals advised me well, brave and wise, the best of men, O sovran Hrothgar, to seek thee here,
for my nerve and my might they knew full well.
Themselves had seen me from slaughter come
blood-flecked from foes, where five I bound,
and that wild brood worsted. I' the waves I slew
nicors [1] by night, in need and peril
avenging the Weders, [2] whose woe they sought, crushing the grim ones. Grendel now,
monster cruel, be mine to quell
in single battle! So, from thee,
thou sovran of the Shining-Danes,
Scyldings'-bulwark, a boon I seek, and, Friend-of-the-folk, refuse it not,
O Warriors'-shield, now I've wandered far, that I alone with my liegemen here,
this hardy band, may Heorot purge!
More I hear, that the monster dire,
in his wanton mood, of weapons recks not;
hence shall I scorn - so Hygelac stay,
king of my kindred, kind to me! brand or buckler to bear in the fight,
gold-colored targe: but with gripe alone
must I front the fiend and fight for life,
foe against foe. Then faith be his
in the doom of the Lord whom death shall take.
Fain, I ween, if the fight he win,
in this hall of gold my Geatish band
will he fearless eat, - as oft before, my noblest thanes. Nor need'st thou then
to hide my head; [3] for his shall I be,
57
dyed in gore, if death must take me;
and my blood-covered body he'll bear as prey,
ruthless devour it, the roamer-lonely,
with my life-blood redden his lair in the fen:
no further for me need'st food prepare!
To Hygelac send, if Hild [4] should take me,
best of war-weeds, warding my breast,
armor excellent, heirloom of Hrethel
and work of Wayland. [5] Fares Wyrd as she must.'
VII
HROTHGAR spake, the Scyldings'-helmet:'For fight defensive, Friend my Beowulf,
to succor and save, thou hast sought us here.
Thy father's combat [1] a feud enkindled
when Heatholaf with hand he slew
among the Wylfings; his Weder kin
for horror of fighting feared to hold him.
Fleeing, he sought our South-Dane folk,
over surge of ocean the Honor-Scyldings,
when first I was ruling the folk of Danes,
wielded, youthful, this widespread realm,
this hoard-hold of heroes. Heorogar was dead,
my elder brother, had breathed his last,
Healfdene's bairn: he was better than I!
Straightway the feud with fee [2] I settled,
to the Wylfings sent, o'er watery ridges,
treasures olden: oaths he [3] swore me.
Sore is my soul to say to any
of the race of man what ruth for me
in Heorot Grendel with hate hath wrought,
what sudden harryings. Hall-folk fail me,
my warriors wane; for Wyrd hath swept them
into Grendel's grasp. But God is able
this deadly foe from his deeds to turn!
Boasted full oft, as my beer they drank,
earls o'er the ale-cup, armed men,
that they would bide in the beer-hall here,
Grendel's attack with terror of blades.
Then was this mead-house at morning tide
dyed with gore, when the daylight broke,
all the boards of the benches blood-besprinkled,
58
gory the hall: I had heroes the less,
doughty dear-ones that death had reft.
- But sit to the banquet, unbind thy words,
hardy hero, as heart shall prompt thee.'
Gathered together, the Geatish men
in the banquet-hall on bench assigned,
sturdy-spirited, sat them down,
hardy-hearted. A henchman attended,
carried the carven cup in hand,
served the clear mead. Oft minstrels sang
blithe in Heorot. Heroes revelled,
no dearth of warriors, Weder and Dane.
VIII
UNFERTH spake, the son of Ecglaf,
who sat at the feet of the Scyldings' lord,
unbound the battle-runes. - Beowulf's quest,
sturdy seafarer's, sorely galled him;
ever he envied that other men
should more achieve in middle-earth
of fame under heaven than he himself. 'Art thou that Beowulf, Breca's rival,
who emulous swam on the open sea,
when for pride the pair of you proved the floods,
and wantonly dared in waters deep
to risk your lives? No living man,
or lief or loath, from your labor dire
could you dissuade, from swimming the main.
Ocean-tides with your arms ye covered,
with strenuous hands the sea-streets measured,
swam o'er the waters. Winter's storm
rolled the rough waves. In realm of sea
a sennight strove ye. In swimming he topped thee,
had more of main! Him at morning-tide
billows bore to the Battling Reamas,
whence he hied to his home so dear
beloved of his liegemen, to land of Brondings,
fastness fair, where his folk he ruled,
town and treasure. In triumph o'er thee
Beanstan's bairn [2] his boast achieved.
So ween I for thee a worse adventure
- though in buffet of battle thou brave hast been,
59
in struggle grim, - if Grendel's approach
thou darst await through the watch of night!'
Beowulf spake, bairn of Ecgtheow:'What a deal hast uttered, dear my Unferth,
drunken with beer, of Breca now,
told of his triumph! Truth I claim it,
that I had more of might in the sea
than any man else, more ocean-endurance.
We twain had talked, in time of youth,
and made our boast, - we were merely boys,
striplings still, - to stake our lives
far at sea: and so we performed it.
Naked swords, as we swam along,
we held in hand, with hope to guard us
against the whales. Not a whit from me
could he float afar o'er the flood of waves,
haste o'er the billows; nor him I abandoned.
Together we twain on the tides abode
five nights full till the flood divided us,
churning waves and chillest weather,
darkling night, and the northern wind
ruthless rushed on us: rough was the surge.
Now the wrath of the sea-fish rose apace;
yet me 'gainst the monsters my mailed coat,
hard and hand-linked, help afforded, battle-sark braided my breast to ward,
garnished with gold. There grasped me firm
and haled me to bottom the hated foe,
with grimmest gripe. 'Twas granted me, though,
to pierce the monster with point of sword,
with blade of battle: huge beast of the sea
was whelmed by the hurly through hand of mine.
IX
ME thus often the evil monsters
thronging threatened. With thrust of my sword,
the darling, I dealt them due return!
Nowise had they bliss from their booty then
to devour their victim, vengeful creatures,
seated to banquet at bottom of sea;
but at break of day, by my brand sore hurt,
on the edge of ocean up they lay,
60
put to sleep by the sword. And since, by them
on the fathomless sea-ways sailor-folk
are never molested. - Light from east,
came bright God's beacon; the billows sank,
so that I saw the sea-cliffs high,
windy walls. For Wyrd oft saveth
earl undoomed if he doughty be!
And so it came that I killed with my sword
nine of the nicors. Of night-fought battles
ne'er heard I a harder 'neath heaven's dome,
nor adrift on the deep a more desolate man!
Yet I came unharmed from that hostile clutch,
though spent with swimming. The sea upbore me,
flood of the tide, on Finnish land,
the welling waters. No wise of thee
have I heard men tell such terror of falchions,
bitter battle. Breca ne'er yet,
not one of you pair, in the play of war
such daring deed has done at all
with bloody brand, - I boast not of it! though thou wast the bane [1] of thy brethren dear,
thy closest kin, whence curse of hell
awaits thee, well as thy wit may serve!
For I say in sooth, thou son of Ecglaf,
never had Grendel these grim deeds wrought,
monster dire, on thy master dear,
in Heorot such havoc, if heart of thine
were as battle-bold as thy boast is loud!
But he has found no feud will happen;
from sword-clash dread of your Danish clan
he vaunts him safe, from the Victor-Scyldings.
He forces pledges, favors none
of the land of Danes, but lustily murders,
fights and feasts, nor feud he dreads
from Spear-Dane men. But speedily now
shall I prove him the prowess and pride of the Geats,
shall bid him battle. Blithe to mead
go he that listeth, when light of dawn
this morrow morning o'er men of earth,
ether-robed sun from the south shall beam!'
Joyous then was the Jewel-giver,
hoar-haired, war-brave; help awaited
61
the Bright-Danes' prince, from Beowulf hearing,
folk's good shepherd, such firm resolve.
Then was laughter of liegemen loud resounding
with winsome words. Came Wealhtheow forth,
queen of Hrothgar, heedful of courtesy,
gold-decked, greeting the guests in hall;
and the high-born lady handed the cup
first to the East-Danes' heir and warden,
bade him be blithe at the beer-carouse,
the land's beloved one. Lustily took he
banquet and beaker, battle-famed king.
Through the hall then went the Helmings' Lady,
to younger and older everywhere
carried the cup, till come the moment
when the ring-graced queen, the royal-hearted,
to Beowulf bore the beaker of mead.
She greeted the Geats' lord, God she thanked,
in wisdom's words, that her will was granted,
that at last on a hero her hope could lean
for comfort in terrors. The cup he took,
hardy-in-war, from Wealhtheow's hand,
and answer uttered the eager-for-combat.
Beowulf spake, bairn of Ecgtheow:'This was my thought, when my thanes and I
bent to the ocean and entered our boat,
that I would work the will of your people
fully, or fighting fall in death,
in fiend's gripe fast. I am firm to do
an earl's brave deed, or end the days
of this life of mine in the mead-hall here.'
Well these words to the woman seemed,
Beowulf's battle-boast. - Bright with gold
the stately dame by her spouse sat down.
Again, as erst, began in hall
warriors' wassail and words of power,
the proud-band's revel, till presently
the son of Healfdene hastened to seek
rest for the night; he knew there waited
fight for the fiend in that festal hall,
when the sheen of the sun they saw no more,
and dusk of night sank darkling nigh,
and shadowy shapes came striding on,
62
wan under welkin. The warriors rose.
Man to man, he made harangue,
Hrothgar to Beowulf, bade him hail,
let him wield the wine hall: a word he added:'Never to any man erst I trusted,
since I could heave up hand and shield,
this noble Dane-Hall, till now to thee.
Have now and hold this house unpeered;
remember thy glory; thy might declare;
watch for the foe! No wish shall fail thee
if thou bidest the battle with bold-won life.'
THEN Hrothgar went with his hero-train,
defence-of-Scyldings, forth from hall;
fain would the war-lord Wealhtheow seek,
couch of his queen. The King-of-Glory
against this Grendel a guard had set,
so heroes heard, a hall-defender,
who warded the monarch and watched for the monster.
In truth, the Geats' prince gladly trusted
his mettle, his might, the mercy of God!
Cast off then his corselet of iron,
helmet from head; to his henchman gave, choicest of weapons, - the well-chased sword,
bidding him guard the gear of battle.
Spake then his Vaunt the valiant man,
Beowulf Geat, ere the bed be sought:'Of force in fight no feebler I count me,
in grim war-deeds, than Grendel deems him.
Not with the sword, then, to sleep of death
his life will I give, though it lie in my power.
No skill is his to strike against me,
my shield to hew though he hardy be,
bold in battle; we both, this night,
shall spurn the sword, if he seek me here,
unweaponed, for war. Let wisest God,
sacred Lord, on which side soever
doom decree as he deemeth right.'
Reclined then the chieftain, and cheek-pillows held
the head of the earl, while all about him
seamen hardy on hall-beds sank.
63
None of them thought that thence their steps
to the folk and fastness that fostered them,
to the land they loved, would lead them back!
Full well they wist that on warriors many
battle-death seized, in the banquet-hall,
of Danish clan. But comfort and help,
war-weal weaving, to Weder folk
the Master gave, that, by might of one,
over their enemy all prevailed,
by single strength. In sooth 'tis told
that highest God o'er human kind
hath wielded ever! - Thro' wan night striding,
came the walker-in-shadow. Warriors slept
whose hest was to guard the gabled hall, all save one. 'Twas widely known
that against God's will the ghostly ravager
him [1] could not hurl to haunts of darkness;
wakeful, ready, with warrior's wrath,
bold he bided the battle's issue.
XI
THEN from the moorland, by misty crags,
with God's wrath laden, Grendel came.
The monster was minded of mankind now
sundry to seize in the stately house.
Under welkin he walked, till the wine-palace there,
gold-hall of men, he gladly discerned,
flashing with fretwork. Not first time, this,
that he the home of Hrothgar sought, yet ne'er in his life-day, late or early,
such hardy heroes, such hall-thanes, found!
To the house the warrior walked apace,
parted from peace; [1] the portal opended,
though with forged bolts fast, when his fists had
struck it,
and baleful he burst in his blatant rage,
the house's mouth. All hastily, then,
o'er fair-paved floor the fiend trod on,
ireful he strode; there streamed from his eyes
fearful flashes, like flame to see.
He spied in hall the hero-band,
kin and clansmen clustered asleep,
64
hardy liegemen. Then laughed his heart;
for the monster was minded, ere morn should dawn,
savage, to sever the soul of each,
life from body, since lusty banquet
waited his will! But Wyrd forbade him
to seize any more of men on earth
after that evening. Eagerly watched
Hygelac's kinsman his cursed foe,
how he would fare in fell attack.
Not that the monster was minded to pause!
Straightway he seized a sleeping warrior
for the first, and tore him fiercely asunder,
the bone-frame bit, drank blood in streams,
swallowed him piecemeal: swiftly thus
the lifeless corse was clear devoured,
e'en feet and hands. Then farther he hied;
for the hardy hero with hand he grasped,
felt for the foe with fiendish claw,
for the hero reclining, - who clutched it boldly,
prompt to answer, propped on his arm.
Soon then saw that shepherd-of-evils
that never he met in this middle-world,
in the ways of earth, another wight
with heavier hand-gripe; at heart he feared,
sorrowed in soul, - none the sooner escaped!
Fain would he flee, his fastness seek,
the den of devils: no doings now
such as oft he had done in days of old!
Then bethought him the hardy Hygelac-thane
of his boast at evening: up he bounded,
grasped firm his foe, whose fingers cracked.
The fiend made off, but the earl close followed.
The monster meant - if he might at all to fling himself free, and far away
fly to the fens, - knew his fingers' power
in the gripe of the grim one. Gruesome march
to Heorot this monster of harm had made!
Din filled the room; the Danes were bereft,
castle-dwellers and clansmen all,
earls, of their ale. Angry were both
those savage hall-guards: the house resounded.
Wonder it was the wine-hall firm
65
in the strain of their struggle stood, to earth
the fair house fell not; too fast it was
within and without by its iron bands
craftily clamped; though there crashed from sill
many a mead-bench - men have told me gay with gold, where the grim foes wrestled.
So well had weened the wisest Scyldings
that not ever at all might any man
that bone-decked, brave house break asunder,
crush by craft, - unless clasp of fire
in smoke engulfed it. - Again uprose
din redoubled. Danes of the North
with fear and frenzy were filled, each one,
who from the wall that wailing heard,
God's foe sounding his grisly song,
cry of the conquered, clamorous pain
from captive of hell. Too closely held him
he who of men in might was strongest
in that same day of this our life.
XII
NOT in any wise would the earls'-defence [1]
suffer that slaughterous stranger to live,
useless deeming his days and years
to men on earth. Now many an earl
of Beowulf brandished blade ancestral,
fain the life of their lord to shield,
their praised prince, if power were theirs;
never they knew, - as they neared the foe,
hardy-hearted heroes of war,
aiming their swords on every side
the accursed to kill, - no keenest blade,
no farest of falchions fashioned on earth,
could harm or hurt that hideous fiend!
He was safe, by his spells, from sword of battle,
from edge of iron. Yet his end and parting
on that same day of this our life
woful should be, and his wandering soul
far off flit to the fiends' domain.
Soon he found, who in former days,
harmful in heart and hated of God,
on many a man such murder wrought,
66
that the frame of his body failed him now.
For him the keen-souled kinsman of Hygelac
held in hand; hateful alive
was each to other. The outlaw dire
took mortal hurt; a mighty wound
showed on his shoulder, and sinews cracked,
and the bone-frame burst. To Beowulf now
the glory was given, and Grendel thence
death-sick his den in the dark moor sought,
noisome abode: he knew too well
that here was the last of life, an end
of his days on earth. - To all the Danes
by that bloody battle the boon had come.
From ravage had rescued the roving stranger
Hrothgar's hall; the hardy and wise one
had purged it anew. His night-work pleased him,
his deed and its honor. To Eastern Danes
had the valiant Geat his vaunt made good,
all their sorrow and ills assuaged,
their bale of battle borne so long,
and all the dole they erst endured
pain a-plenty. - 'Twas proof of this,
when the hardy-in-fight a hand laid down,
arm and shoulder, - all, indeed,
of Grendel's gripe, - 'neath the gabled roof·
XIII
MANY at morning, as men have told me,
warriors gathered the gift-hall round,
folk-leaders faring from far and near,
o'er wide-stretched ways, the wonder to view,
trace of the traitor. Not troublous seemed
the enemy's end to any man
who saw by the gait of the graceless foe
how the weary-hearted, away from thence,
baffled in battle and banned, his steps
death-marked dragged to the devils' mere.
Bloody the billows were boiling there,
turbid the tide of tumbling waves
horribly seething, with sword-blood hot,
by that doomed one dyed, who in den of the moor
laid forlorn his life adown,
67
his heathen soul,-and hell received it.
Home then rode the hoary clansmen
from that merry journey, and many a youth,
on horses white, the hardy warriors,
back from the mere. Then Beowulf's glory
eager they echoed, and all averred
that from sea to sea, or south or north,
there was no other in earth's domain,
under vault of heaven, more valiant found,
of warriors none more worthy to rule!
(On their lord beloved they laid no slight,
gracious Hrothgar: a good king he!)
From time to time, the tried-in-battle
their gray steeds set to gallop amain,
and ran a race when the road seemed fair.
From time to time, a thane of the king,
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old,
bound word to word in well-knit rime,
welded his lay; this warrior soon
of Beowulf's quest right cleverly sang,
and artfully added an excellent tale,
in well-ranged words, of the warlike deeds
he had heard in saga of Sigemund.
Strange the story: he said it all, the Waelsing's wanderings wide, his struggles,
which never were told to tribes of men,
the feuds and the frauds, save to Fitela only,
when of these doings he deigned to speak,
uncle to nephew; as ever the twain
stood side by side in stress of war,
and multitude of the monster kind
they had felled with their swords. Of Sigemund
grew,
when he passed from life, no little praise;
for the doughty-in-combat a dragon killed
that herded the hoard: [1] under hoary rock
the atheling dared the deed alone
fearful quest, nor was Fitela there.
Yet so it befell, his falchion pierced
that wondrous worm, - on the wall it struck,
best blade; the dragon died in its blood.
68
Thus had the dread-one by daring achieved
over the ring-hoard to rule at will,
himself to pleasure; a sea-boat he loaded,
and bore on its bosom the beaming gold,
son of Waels; the worm was consumed.
He had of all heroes the highest renown
among races of men, this refuge-of-warriors,
for deeds of daring that decked his name
since the hand and heart of Heremod
grew slack in battle. He, swiftly banished
to mingle with monsters at mercy of foes,
to death was betrayed; for torrents of sorrow
had lamed him too long; a load of care
to earls and athelings all he proved.
Oft indeed, in earlier days,
for the warrior's wayfaring wise men mourned,
who had hoped of him help from harm and bale,
and had thought their sovran's son would thrive,
follow his father, his folk protect,
the hoard and the stronghold, heroes' land,
home of Scyldings. - But here, thanes said,
the kinsman of Hygelac kinder seemed
to all: the other [2] was urged to crime!
And afresh to the race, [3] the fallow roads
by swift steeds measured! The morning sun
was climbing higher. Clansmen hastened
to the high-built hall, those hardy-minded,
the wonder to witness. Warden of treasure,
crowned with glory, the king himself,
with stately band from the bride-bower strode;
and with him the queen and her crowd of maidens
measured the path to the mead-house fair.
XIV
HROTHGAR spake, - to the hall he went,
stood by the steps, the steep roof saw,
garnished with gold, and Grendel's hand:'For the sight I see to the Sovran Ruler
be speedy thanks! A throng of sorrows
I have borne from Grendel; but God still works
wonder on wonder, the Warden-of-Glory.
It was but now that I never more
69
for woes that weighed on me waited help
long as I lived, when, laved in blood,
stood sword-gore-stained this stateliest house, widespread woe for wise men all,
who had no hope to hinder ever
foes infernal and fiendish sprites
from havoc in hall. This hero now,
by the Wielder's might, a work has done
that not all of us erst could ever do
by wile and wisdom. Lo, well can she say
whoso of women this warrior bore
among sons of men, if still she liveth,
that the God of the ages was good to her
in the birth of her bairn. Now, Beowulf, thee,
of heroes best, I shall heartily love
as mine own, my son; preserve thou ever
this kinship new: thou shalt never lack
wealth of the world that I wield as mine!
Full oft for less have I largess showered,
my precious hoard, on a punier man,
less stout in struggle. Thyself hast now
fulfilled such deeds, that thy fame shall endure
through all the ages. As ever he did,
well may the Wielder reward thee still!'
Beowulf spake, bairn of Ecgtheow:'This work of war most willingly
we have fought, this fight, and fearlessly dared
force of the foe. Fain, too, were I
hadst thou but seen himself, what time
the fiend in his trappings tottered to fall!
Swiftly, I thought, in strongest gripe
on his bed of death to bind him down,
that he in the hent of this hand of mine
should breathe his last: but he broke away.
Him I might not - the Maker willed not hinder from flight, and firm enough hold
the life-destroyer: too sturdy was he,
the ruthless, in running! For rescue, however,
he left behind him his hand in pledge,
arm and shoulder; nor aught of help
could the cursed one thus procure at all.
None the longer liveth he, loathsome fiend,
70
sunk in his sins, but sorrow holds him
tightly grasped in gripe of anguish,
in baleful bonds, where bide he must,
evil outlaw, such awful doom
as the Mighty Maker shall mete him out.'
More silent seemed the son of Ecglaf [1]
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers, - the forepart of each
of the sturdy nails to steel was likest, heathen's 'hand-spear,' hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.
XV
THERE was hurry and hest in Heorot now
for hands to bedeck it, and dense was the throng
of men and women the wine-hall to cleanse,
the guest-room to garnish. Gold-gay shone the hangings
that were wove on the wall, and wonders many
to delight each mortal that looks upon them.
Though braced within by iron bands,
that building bright was broken sorely; [1]
rent were its hinges; the roof alone
held safe and sound, when, seared with crime,
the fiendish foe his flight essayed,
of life despairing. - No light thing that,
the flight for safety, - essay it who will!
Forced of fate, he shall find his way
to the refuge ready for race of man,
for soul-possessors, and sons of earth;
and there his body on bed of death
shall rest after revel.
Arrived was the hour
when to hall proceeded Healfdene's son:
the king himself would sit to banquet.
Ne'er heard I of host in haughtier throng
more graciously gathered round giver-of-rings!
Bowed then to bench those bearers-of-glory,
71
fain of the feasting. Featly received
many a mead-cup the mighty-in-spirit,
kinsmen who sat in the sumptuous hall,
Hrothgar and Hrothulf. Heorot now
was filled with friends; the folk of Scyldings
ne'er yet had tried the traitor's deed.
To Beowulf gave the bairn of Healfdene
a gold-wove banner, guerdon of triumph,
broidered battle-flag, breastplate and helmet;
and a splendid sword was seen of many
borne to the brave one. Beowulf took
cup in hall: for such costly gifts
he suffered no shame in that soldier throng.
For I heard of few heroes, in heartier mood,
with four such gifts, so fashioned with gold,
on the ale-bench honoring others thus!
O'er the roof of the helmet high, a ridge,
wound with wires, kept ward o'er the head,
lest the relict-of-files should fierce invade,
sharp in the strife, when that shielded hero
should go to grapple against his foes.
Then the earls'-defence on the floor bade lead
coursers eight, with carven head-gear,
adown the hall: one horse was decked
with a saddle all shining and set in jewels;
'twas the battle-seat of the best of kings,
when to play of swords the son of Healfdene
was fain to fare. Ne'er failed his valor
in the crush of combat when corpses fell.
To Beowulf over them both then gave
the refuge-of-Ingwines right and power,
o'er war-steeds and weapons: wished him joy of them.
Manfully thus the mighty prince,
hoard-guard for heroes, that hard fight repaid
with steeds and treasures contemned by none
who is willing to say the sooth aright.
XVI
AND the lord of earls, to each that came
with Beowulf over the briny ways,
an heirloom there at the ale-bench gave,
precious gift; and the price [] bade pay
72
in gold for him whom Grendel erst
murdered, - and fain of them more had killed,
had not wisest God their Wyrd averted,
and the man's brave mood. The Maker then
ruled human kind, as here and now.
Therefore is insight always best,
and forethought of mind. How much awaits him
of lief and of loath, who long time here,
through days of warfare this world endures!
Then song and music mingled sounds
in the presence of Healfdene's head-of-armies
and harping was heard with the hero-lay
as Hrothgar's singer the hall-joy woke
along the mead-seats, making his song
of that sudden raid on the sons of Finn.
Healfdene's hero, Hnaef the Scylding,
was fated to fall in the Frisian slaughter.
Hildeburh needed not hold in value
her enemies' honor! [6] Innocent both
were the loved ones she lost at the linden-play,
bairn and brother, they bowed to fate,
stricken by spears; 'twas a sorrowful woman!
None doubted why the daughter of Hoc
bewailed her doom when dawning came,
and under the sky she saw them lying,
kinsmen murdered, where most she had kenned
of the sweets of the world! By war were swept, too,
Finn's own liegemen, and few were left;
in the parleying-place he could ply no longer
weapon, nor war could he wage on Hengest,
and rescue his remnant by right of arms
from the prince's thane. A pact he offered:
another dwelling the Danes should have,
hall and high-seat, and half the power
should fall to them in Frisian land;
and at the fee-gifts, Folcwald's son
day by day the Danes should honor,
the folk of Hengest favor with rings,
even as truly, with treasure and jewels,
with fretted gold, as his Frisian kin
he meant to honor in ale-hall there.
Pact of peace they plighted further
73
on both sides firmly. Finn to Hengest
with oath, upon honor, openly promised
that woful remnant, with wise-men's aid,
nobly to govern, so none of the guests
by word or work should warp the treaty,
or with malice of mind bemoan themselves
as forced to follow their fee-giver's slayer,
lordless men, as their lot ordained.
Should Frisian, moreover, with foeman's taunt,
that murderous hatred to mind recall,
then edge of the sword must seal his doom.
Oaths were given, and ancient gold
heaped from hoard. - The hardy Scylding,
battle-thane best, [9] on his balefire lay.
All on the pyre were plain to see
the gory sark, the gilded swine-crest,
boar of hard iron, and athelings many
slain by the sword: at the slaughter they fell.
It was Hildeburh's hest, at Hnaef's own pyre
the bairn of her body on brands to lay,
his bones to burn, on the balefire placed,
at his uncle's side. In sorrowful dirges
bewept them the woman: great wailing ascended.
Then wound up to welkin the wildest of death-fires,
roared o'er the hillock: [10] heads all were melted,
gashes burst, and blood gushed out
from bites [11] of the body. Balefire devoured,
greediest spirit, those spared not by war
out of either folk: their flower was gone.
XVII
THEN hastened those heroes their home to see,
friendless, to find the Frisian land,
houses and high burg. Hengest still
through the death-dyed winter dwelt with Finn,
holding pact, yet of home he minded,
though powerless his ring-decked prow to drive
over the waters, now waves rolled fierce
lashed by the winds, or winter locked them
in icy fetters. Then fared another
year to men's dwellings, as yet they do,
the sunbright skies, that their season ever
74
duly await. Far off winter was driven;
fair lay earth's breast; and fain was the rover,
the guest, to depart, though more gladly he pondered
on wreaking his vengeance than roaming the deep,
and how to hasten the hot encounter
where sons of the Frisians were sure to be.
So he escaped not the common doom,
when Hun with 'Lafing,' the light-of-battle,
best of blades, his bosom pierced:
its edge was famed with the Frisian earls.
On fierce-heart Finn there fell likewise,
on himself at home, the horrid sword-death;
for Guthlaf and Oslaf of grim attack
had sorrowing told, from sea-ways landed,
mourning their woes. [1] Finn's wavering spirit
bode not in breast. The burg was reddened
with blood of foemen, and Finn was slain,
king amid clansmen; the queen was taken.
To their ship the Scylding warriors bore
all the chattels the chieftain owned,
whatever they found in Finn's domain
of gems and jewels. The gentle wife
o'er paths of the deep to the Danes they bore,
led to her land.
The lay was finished,
the gleeman's song. Then glad rose the revel;
bench-joy brightened. Bearers draw
from their 'wonder-vats' wine. Comes Wealhtheow forth,
under gold-crown goes where the good pair sit,
uncle and nephew, true each to the other one,
kindred in amity. Unferth the spokesman
at the Scylding lord's feet sat: men had faith in his Spirit,
his keenness of courage, though kinsmen had found him
unsure at the sword-play. The Scylding queen spoke:
'Quaff of this cup, my king and lord,
breaker of rings, and blithe be thou,
gold-friend of men; to the Geats here speak
such words of mildness as man should use.
Be glad with thy Geats; of those gifts be mindful,
or near or far, which now thou hast.
Men say to me, as son thou wishest
yon hero to hold. Thy Heorot purged,
75
jewel-hall brightest, enjoy while thou canst,
with many a largess; and leave to thy kin
folk and realm when forth thou goest
to greet thy doom. For gracious I deem
my Hrothulf, [2] willing to hold and rule
nobly our youths, if thou yield up first,
prince of Scyldings, thy part in the world.
I ween with good he will well requite
offspring of ours, when all he minds
that for him we did in his helpless days
of gift and grace to gain him honor!'
Then she turned to the seat where her sons were placed,
Hrethric and Hrothmund, with heroes' bairns,
young men together: the Geat, too, sat there,
Beowulf brave, the brothers between.
XVIII
A CUP she gave him, with kindly greeting
and winsome words. Of wounden gold,
she offered, to honor him, arm-jewels twain,
corselet and rings, and of collars the noblest
that ever I knew the earth around.
Ne'er heard I so mighty, 'neath heaven's dome,
a hoard-gem of heroes, since Hama bore
to his bright-built burg the Brisings' necklace,
jewel and gem casket. - Jealousy fled he,
Eormenric's hate: chose help eternal.
Hygelac Geat, grandson of Swerting,
on the last of his raids this ring bore with him,
under his banner the booty defending,
the war-spoil warding; but Wyrd o'erwhelmed him
what time, in his daring, dangers he sought,
feud with Frisians. Fairest of gems
he bore with him over the beaker-of-waves,
sovran strong: under shield he died.
Fell the corpse of the king into keeping of Franks,
gear of the breast, and that gorgeous ring;
weaker warriors won the spoil,
after gripe of battle, from Geatland's lord,
and held the death-field.
Din rose in hall.
Wealhtheow spake amid warriors, and said:-
76
'This jewel enjoy in thy jocund youth,
Beowulf lov'd, these battle-weeds wear,
a royal treasure, and richly thrive!
Preserve thy strength, and these striplings here
counsel in kindness: requital be mine.
Hast done such deeds, that for days to come
thou art famed among folk both far and near,
so wide as washeth the wave of Ocean
his windy walls. Through the ways of life
prosper, O prince! I pray for thee
rich possessions. To son of mine
be helpful in deed and uphold his joys!
Here every earl to the other is true,
mild of mood, to the master loyal!
Thanes are friendly, the throng obedient,
liegemen are revelling: list and obey!'
Went then to her place.-That was proudest of feasts;
flowed wine for the warriors. Wyrd they knew not,
destiny dire, and the doom to be seen
by many an earl when eve should come,
and Hrothgar homeward hasten away,
royal, to rest. The room was guarded
by an army of earls, as erst was done.
They bared the bench-boards; abroad they spread
beds and bolsters. - One beer-carouser
in danger of doom lay down in the hall. At their heads they set their shields of war,
bucklers bright; on the bench were there
over each atheling, easy to see,
the high battle-helmet, the haughty spear,
the corselet of rings. 'Twas their custom so
ever to be for battle prepared,
at home, or harrying, which it were,
even as oft as evil threatened
their sovran king. - They were clansmen good.
XIX
THEN sank they to sleep. With sorrow one bought
his rest of the evening, - as ofttime had happened
when Grendel guarded that golden hall,
evil wrought, till his end drew nigh,
slaughter for sins. 'Twas seen and told
77
how an avenger survived the fiend,
as was learned afar. The livelong time
after that grim fight, Grendel's mother,
monster of women, mourned her woe.
She was doomed to dwell in the dreary waters,
cold sea-courses, since Cain cut down
with edge of the sword his only brother,
his father's offspring: outlawed he fled,
marked with murder, from men's delights
warded the wilds. - There woke from him
such fate-sent ghosts as Grendel, who,
war-wolf horrid, at Heorot found
a warrior watching and waiting the fray,
with whom the grisly one grappled amain.
But the man remembered his mighty power,
the glorious gift that God had sent him,
in his Maker's mercy put his trust
for comfort and help: so he conquered the foe,
felled the fiend, who fled abject,
reft of joy, to the realms of death,
mankind's foe. And his mother now,
gloomy and grim, would go that quest
of sorrow, the death of her son to avenge.
To Heorot came she, where helmeted Danes
slept in the hall. Too soon came back
old ills of the earls, when in she burst,
the mother of Grendel. Less grim, though, that terror,
e'en as terror of woman in war is less,
might of maid, than of men in arms
when, hammer-forged, the falchion hard,
sword gore-stained, through swine of the helm,
crested, with keen blade carves amain.
Then was in hall the hard-edge drawn,
the swords on the settles, [1] and shields a-many
firm held in hand: nor helmet minded
nor harness of mail, whom that horror seized.
Haste was hers; she would hie afar
and save her life when the liegemen saw her.
Yet a single atheling up she seized
fast and firm, as she fled to the moor.
He was for Hrothgar of heroes the dearest,
of trusty vassals betwixt the seas,
78
whom she killed on his couch, a clansman famous,
in battle brave. - Nor was Beowulf there;
another house had been held apart,
after giving of gold, for the Geat renowned. Uproar filled Heorot; the hand all had viewed,
blood-flecked, she bore with her; bale was returned,
dole in the dwellings: 'twas dire exchange
where Dane and Geat were doomed to give
the lives of loved ones. Long-tried king,
the hoary hero, at heart was sad
when he knew his noble no more lived,
and dead indeed was his dearest thane.
To his bower was Beowulf brought in haste,
dauntless victor. As daylight broke,
along with his earls the atheling lord,
with his clansmen, came where the king abode
waiting to see if the Wielder-of-All
would turn this tale of trouble and woe.
Strode o'er floor the famed-in-strife,
with his hand-companions, - the hall resounded, wishing to greet the wise old king,
Ingwines' lord; he asked if the night
had passed in peace to the prince's mind.
XX
HROTHGAR spake, helmet-of-Scyldings:'Ask not of pleasure! Pain is renewed
to Danish folk. Dead is Aeschere,
of Yrmenlaf the elder brother,
my sage adviser and stay in council,
shoulder-comrade in stress of fight
when warriors clashed and we warded our heads,
hewed the helm-boars; hero famed
should be every earl as Aeschere was!
But here in Heorot a hand hath slain him
of wandering death-sprite. I wot not whither,
proud of the prey, her path she took,
fain of her fill. The feud she avenged
that yesternight, unyieldingly,
Grendel in grimmest grasp thou killedst, seeing how long these liegemen mine
he ruined and ravaged. Reft of life,
79
in arms he fell. Now another comes,
keen and cruel, her kin to avenge,
faring far in feud of blood:
so that many a thane shall think, who e'er
sorrows in soul for that sharer of rings,
this is hardest of heart-bales. The hand lies low
that once was willing each wish to please.
Land-dwellers here [2] and liegemen mine,
who house by those parts, I have heard relate
that such a pair they have sometimes seen,
march-stalkers mighty the moorland haunting,
wandering spirits: one of them seemed,
so far as my folk could fairly judge,
of womankind; and one, accursed,
in man's guise trod the misery-track
of exile, though huger than human bulk.
Grendel in days long gone they named him,
folk of the land; his father they knew not,
nor any brood that was born to him
of treacherous spirits. Untrod is their home;
by wolf-cliffs haunt they and windy headlands,
fenways fearful, where flows the stream
from mountains gliding to gloom of the rocks,
underground flood. Not far is it hence
in measure of miles that the mere expands,
and o'er it the frost-bound forest hanging,
sturdily rooted, shadows the wave.
By night is a wonder weird to see,
fire on the waters. So wise lived none
of the sons of men, to search those depths!
Nay, though the heath-rover, harried by dogs,
the horn-proud hart, this holt should seek,
long distance driven, his dear life first
on the brink he yields ere he brave the plunge
to hide his head: 'tis no happy place!
Thence the welter of waters washes up
wan to welkin when winds bestir
evil storms, and air grows dusk,
and the heavens weep. Now is help once more
with thee alone! The land thou knowst not,
place of fear, where thou findest out
that sin-flecked being. Seek if thou dare!
80
I will reward thee, for waging this fight,
with ancient treasure, as erst I did,
with winding gold, if thou winnest back.'
XXI
BEOWULF spake, bairn of Ecgtheow:
'Sorrow not, sage! It beseems us better
friends to avenge than fruitlessly mourn them.
Each of us all must his end abide
in the ways of the world; so win who may
glory ere death! When his days are told,
that is the warrior's worthiest doom.
Rise, O realm-warder! Ride we anon,
and mark the trail of the mother of Grendel.
No harbor shall hide her - heed my promise! enfolding of field or forested mountain
or floor of the flood, let her flee where she will!
But thou this day endure in patience,
as I ween thou wilt, thy woes each one.'
Leaped up the graybeard: God he thanked,
mighty Lord, for the man's brave words.
For Hrothgar soon a horse was saddled
wave-maned steed. The sovran wise
stately rode on; his shield-armed men
followed in force. The footprints led
along the woodland, widely seen,
a path o'er the plain, where she passed, and trod
the murky moor; of men-at-arms
she bore the bravest and best one, dead,
him who with Hrothgar the homestead ruled.
On then went the atheling-born
o'er stone-cliffs steep and strait defiles,
narrow passes and unknown ways,
headlands sheer, and the haunts of the Nicors.
Foremost he [1] fared, a few at his side
of the wiser men, the ways to scan,
till he found in a flash the forested hill
hanging over the hoary rock,
a woful wood: the waves below
were dyed in blood. The Danish men
had sorrow of soul, and for Scyldings all,
for many a hero, 'twas hard to bear,
81
ill for earls, when Aeschere's head
they found by the flood on the foreland there.
Waves were welling, the warriors saw,
hot with blood; but the horn sang oft
battle-song bold. The band sat down,
and watched on the water worm-like things,
sea-dragons strange that sounded the deep,
and nicors that lay on the ledge of the ness such as oft essay at hour of morn
on the road-of-sails their ruthless quest, and sea-snakes and monsters. These started away,
swollen and savage that song to hear,
that war-horn's blast. The warden of Geats,
with bolt from bow, then balked of life,
of wave-work, one monster, amid its heart
went the keen war-shaft; in water it seemed
less doughty in swimming whom death had seized.
Swift on the billows, with boar-spears well
hooked and barbed, it was hard beset,
done to death and dragged on the headland,
wave-roamer wondrous. Warriors viewed the grisly guest.
Then girt him Beowulf
in martial mail, nor mourned for his life.
His breastplate broad and bright of hues,
woven by hand, should the waters try;
well could it ward the warrior's body
that battle should break on his breast in vain
nor harm his heart by the hand of a foe.
And the helmet white that his head protected
was destined to dare the deeps of the flood,
through wave-whirl win: 'twas wound with chains,
decked with gold, as in days of yore
the weapon-smith worked it wondrously,
with swine-forms set it, that swords nowise,
brandished in battle, could bite that helm.
Nor was that the meanest of mighty helps
which Hrothgar's orator offered at need:
'Hrunting' they named the hilted sword,
of old-time heirlooms easily first;
iron was its edge, all etched with poison,
with battle-blood hardened, nor blenched it at fight
in hero's hand who held it ever,
82
on paths of peril prepared to go
to folkstead [2] of foes. Not first time this
it was destined to do a daring task.
For he bore not in mind, the bairn of Ecglaf
sturdy and strong, that speech he had made,
drunk with wine, now this weapon he lent
to a stouter swordsman. Himself, though, durst not
under welter of waters wager his life
as loyal liegeman. So lost he his glory,
honor of earls. With the other not so,
who girded him now for the grim encounter.
XXII
BEOWULF spake, bairn of Ecgtheow:'Have mind, thou honored offspring of Healfdene
gold-friend of men, now I go on this quest,
sovran wise, what once was said:
if in thy cause it came that I
should lose my life, thou wouldst loyal bide
to me, though fallen, in father's place!
Be guardian, thou, to this group of my thanes,
my warrior-friends, if War should seize me;
and the goodly gifts thou gavest me,
Hrothgar beloved, to Hygelac send!
Geatland's king may ken by the gold,
Hrethel's son see, when he stares at the treasure,
that I got me a friend for goodness famed,
and joyed while I could in my jewel-bestower.
And let Unferth wield this wondrous sword,
earl far-honored, this heirloom precious,
hard of edge: with Hrunting I
seek doom of glory, or Death shall take me.'
After these words the Weder-Geat lord
boldly hastened, biding never
answer at all: the ocean floods
closed o'er the hero. Long while of the day
fled ere he felt the floor of the sea.
Soon found the fiend who the flood-domain
sword-hungry held these hundred winters,
greedy and grim, that some guest from above,
some man, was raiding her monster-realm.
She grasped out for him with grisly claws,
83
and the warrior seized; yet scathed she not
his body hale; the breastplate hindered,
as she strove to shatter the sark of war,
the linked harness, with loathsome hand.
Then bore this brine-wolf, when bottom she touched,
the lord of rings to the lair she haunted
whiles vainly he strove, though his valor held,
weapon to wield against wondrous monsters
that sore beset him; sea-beasts many
tried with fierce tusks to tear his mail,
and swarmed on the stranger. But soon he marked
he was now in some hall, he knew not which,
where water never could work him harm,
nor through the roof could reach him ever
fangs of the flood. Firelight he saw,
beams of a blaze that brightly shone.
Then the warrior was ware of that wolf-of-the-deep,
mere-wife monstrous. For mighty stroke
he swung his blade, and the blow withheld not.
Then sang on her head that seemly blade
its war-song wild. But the warrior found
the light-of-battle [1] was loath to bite,
to harm the heart: its hard edge failed
the noble at need, yet had known of old
strife hand to hand, and had helmets cloven,
doomed men's fighting-gear. First time, this,
for the gleaming blade that its glory fell.
Firm still stood, nor failed in valor,
heedful of high deeds, Hygelac's kinsman;
flung away fretted sword, featly jewelled,
the angry earl; on earth it lay
steel-edged and stiff. His strength he trusted,
hand-gripe of might. So man shall do
whenever in war he weens to earn him
lasting fame, nor fears for his life!
Seized then by shoulder, shrank not from combat,
the Geatish war-prince Grendel's mother.
Flung then the fierce one, filled with wrath,
his deadly foe, that she fell to ground.
Swift on her part she paid him back
with grisly grasp, and grappled with him.
Spent with struggle, stumbled the warrior,
84
fiercest of fighting-men, fell adown.
On the hall-guest she hurled herself,
hent her short sword,
broad and brown-edged, the bairn to avenge,
the sole-born son. - On his shoulder lay
braided breast-mail, barring death,
withstanding entrance of edge or blade.
Life would have ended for Ecgtheow's son,
under wide earth for that earl of Geats,
had his armor of war not aided him,
battle-net hard, and holy God
wielded the victory, wisest Maker.
The Lord of Heaven allowed his cause;
and easily rose the earl erect.
XXIII
'MID the battle-gear saw he a blade triumphant,
old-sword of Eotens, with edge of proof,
warriors' heirloom, weapon unmatched,
- save only 'twas more than other men
to bandy-of-battle could bear at all as the giants had wrought it, ready and keen.
Seized then its chain-hilt the Scyldings' chieftain,
bold and battle-grim, brandished the sword,
reckless of life, and so wrathfully smote
that it gripped her neck and grasped her hard,
her bone-rings breaking: the blade pierced through
that fated-one's flesh: to floor she sank.
Bloody the blade: he was blithe of his deed.
Then blazed forth light. 'Twas bright within
as when from the sky there shines unclouded
heaven's candle. The hall he scanned.
By the wall then went he; his weapon raised
high by its hilts the Hygelac-thane,
angry and eager. That edge was not useless
to the warrior now. He wished with speed
Grendel to guerdon for grim raids many,
for the war he waged on Western-Danes
oftener far than an only time,
when of Hrothgar's hearth-companions
he slew in slumber, in sleep devoured,
fifteen men of the folk of Danes,
85
and as many others outward bore,
his horrible prey. Well paid for that
the wrathful prince! For now prone he saw
Grendel stretched there, spent with war,
spoiled of life, so scathed had left him
Heorot's battle. The body sprang far
when after death it endured the blow,
sword-stroke savage, that severed its head.
Soon, [1] then, saw the sage companions
who waited with Hrothgar, watching the flood,
that the tossing waters turbid grew,
blood-stained the mere. Old men together,
hoary-haired, of the hero spake;
the warrior would not, they weened, again,
proud of conquest, come to seek
their mighty master. To many it seemed
the wolf-of-the-waves had won his life.
The ninth hour came. The noble Scyldings
left the headland; homeward went
the gold-friend of men. [2] But the guests sat on,
stared at the surges, sick in heart,
and wished, yet weened not, their winsome lord
again to see.
Now that sword began,
from blood of the fight, in battle-droppings,
war-blade, to wane: 'twas a wondrous thing
that all of it melted as ice is wont
when frosty fetters the Father loosens,
unwinds the wave-bonds, wielding all
seasons and times: the true God he!
Nor took from that dwelling the duke of the Geats
precious things, though a plenty he saw,
save only the head and that hilt withal
blazoned with jewels: the blade had melted,
burned was the bright sword, her blood was so hot,
so poisoned the hell-sprite who perished within there.
Soon he was swimming who safe saw in combat
downfall of demons; up-dove through the flood.
The clashing waters were cleansed now,
waste of waves, where the wandering fiend
her life-days left and this lapsing world.
Swam then to strand the sailors'-refuge,
86
sturdy-in-spirit, of sea-booty glad,
of burden brave he bore with him.
Went then to greet him, and God they thanked,
the thane-band choice of their chieftain blithe,
that safe and sound they could see him again.
Soon from the hardy one helmet and armor
deftly they doffed: now drowsed the mere,
water 'neath welkin, with war-blood stained.
Forth they fared by the footpaths thence,
merry at heart the highways measured,
well-known roads. Courageous men
carried the head from the cliff by the sea,
an arduous task for all the band,
the firm in fight, since four were needed
on the shaft-of-slaughter [4] strenuously
to bear to the gold-hall Grendel's head.
So presently to the palace there
foemen fearless, fourteen Geats,
marching came. Their master-of-clan
mighty amid them the meadow-ways trod.
Strode then within the sovran thane
fearless in fight, of fame renowned,
hardy hero, Hrothgar to greet.
And next by the hair into hall was borne
Grendel's head, where the henchmen were drinking,
an awe to clan and queen alike,
a monster of marvel: the men looked on.
XXIV
BEOWULF spake, bairn of Ecgtheow:'Lo, now, this sea-booty, son of Healfdene,
Lord of Scyldings, we've lustily brought thee,
sign of glory; thou seest it here.
Not lightly did I with my life escape!
In war under water this work I essayed
with endless effort; and even so
my strength had been lost had the Lord not shielded me.
Not a whit could I with Hrunting do
in work of war, though the weapon is good;
yet a sword the Sovran of Men vouchsafed me
to spy on the wall there, in splendor hanging,
old, gigantic, - how oft He guides
87
the friendless wight! - and I fought with that brand,
felling in fight, since fate was with me,
the house's wardens. That war-sword then all burned, bright blade, when the
blood gushed o'er it,
battle-sweat hot; but the hilt I brought back
from my foes. So avenged I their fiendish deeds
death-fall of Danes, as was due and right.
And this is my hest, that in Heorot now
safe thou canst sleep with thy soldier band,
and every thane of all thy folk
both old and young; no evil fear,
Scyldings' lord, from that side again,
aught ill for thy earls, as erst thou must!'
Then the golden hilt, for that gray-haired leader,
hoary hero, in hand was laid,
giant-wrought, old. So owned and enjoyed it
after downfall of devils, the Danish lord,
wonder-smiths' work, since the world was rid
of that grim-souled fiend, the foe of God,
murder-marked, and his mother as well.
Now it passed into power of the people's king,
best of all that the oceans bound
who have scattered their gold o'er Scandia's isle.
Hrothgar spake - the hilt he viewed,
heirloom old, where was etched the rise
of that far-off fight when the floods o'erwhelmed,
raging waves, the race of giants
(fearful their fate!), a folk estranged
from God Eternal: whence guerdon due
in that waste of waters the Wielder paid them.
So on the guard of shining gold
in runic staves it was rightly said
for whom the serpent-traced sword was wrought,
best of blades, in bygone days,
and the hilt well wound. - The wise-one spake,
son of Healfdene; silent were all:'Lo, so may he say who sooth and right
follows 'mid folk, of far times mindful,
a land-warden old, [1] that this earl belongs
to the better breed! So, borne aloft,
thy fame must fly, O friend my Beowulf,
far and wide o'er folksteads many. Firmly thou
88
shalt all maintain,
mighty strength with mood of wisdom. Love of
mine will I assure thee,
as, awhile ago, I promised;
thou shalt prove a stay in future,
in far-off years, to folk of thine,
to the heroes a help. Was not Heremod thus
to offspring of Ecgwela, Honor-Scyldings,
nor grew for their grace, but for grisly slaughter,
for doom of death to the Danishmen.
He slew, wrath-swollen, his shoulder-comrades,
companions at board! So he passed alone,
chieftain haughty, from human cheer.
Though him the Maker with might endowed,
delights of power, and uplifted high
above all men, yet blood-fierce his mind,
his breast-hoard, grew, no bracelets gave he
to Danes as was due; he endured all joyless
strain of struggle and stress of woe,
long feud with his folk. Here find thy lesson!
Of virtue advise thee! This verse I have said for thee,
wise from lapsed winters. Wondrous seems
how to sons of men Almighty God
in the strength of His spirit sendeth wisdom,
estate, high station: He swayeth all things.
Whiles He letteth right lustily fare
the heart of the hero of high-born race, in seat ancestral assigns him bliss,
his folk's sure fortress in fee to hold,
puts in his power great parts of the earth,
empire so ample, that end of it
this wanter-of-wisdom weeneth none.
So he waxes in wealth, nowise can harm him
illness or age; no evil cares
shadow his spirit; no sword-hate threatens
from ever an enemy: all the world
wends at his will, no worse he knoweth,
till all within him obstinate pride
waxes and wakes while the warden slumbers,
the spirit's sentry; sleep is too fast
which masters his might, and the murderer nears,
stealthily shooting the shafts from his bow!
89
XXV
'UNDER harness his heart then is hit indeed
by sharpest shafts; and no shelter avails
from foul behest of the hellish fiend.
Him seems too little what long he possessed.
Greedy and grim, no golden rings
he gives for his pride; the promised future
forgets he and spurns, with all God has sent him,
Wonder-Wielder, of wealth and fame.
Yet in the end it ever comes
that the frame of the body fragile yields,
fated falls; and there follows another
who joyously the jewels divides,
the royal riches, nor recks of his forebear.
Ban, then, such baleful thoughts, Beowulf dearest,
best of men, and the better part choose,
profit eternal; and temper thy pride,
warrior famous! The flower of thy might
lasts now a while: but erelong it shall be
that sickness or sword thy strength shall minish,
or fang of fire, or flooding billow,
or bite of blade, or brandished spear,
or odious age; or the eyes' clear beam
wax dull and darken: Death even thee
in haste shall o'erwhelm, thou hero of war!
So the Ring-Danes these half-years a hundred I ruled,
wielded 'neath welkin, and warded them bravely
from mighty-ones many o'er middle-earth,
from spear and sword, till it seemed for me
no foe could be found under fold of the sky.
Lo, sudden the shift! To me seated secure
came grief for joy when Grendel began
to harry my home, the hellish foe;
for those ruthless raids, unresting I suffered
heart-sorrow heavy. Heaven be thanked,
Lord Eternal, for life extended
that I on this head all hewn and bloody,
after long evil, with eyes may gaze!
- Go to the bench now! Be glad at banquet,
warrior worthy! A wealth of treasure
at dawn of day, be dealt between us!'
90
Glad was the Geats' lord, going betimes
to seek his seat, as the Sage commanded.
Afresh, as before, for the famed-in-battle,
for the band of the hall, was a banquet dight
nobly anew. The Night-Helm darkened
dusk o'er the drinkers.
The doughty ones rose:
for the hoary-headed would hasten to rest,
aged Scylding; and eager the Geat,
shield-fighter sturdy, for sleeping yearned.
Him wander-weary, warrior-guest
from far, a hall-thane heralded forth,
who by custom courtly cared for all
needs of a thane as in those old days
warrior-wanderers wont to have.
So slumbered the stout-heart. Stately the hall
rose gabled and gilt where the guest slept on
till a raven black the rapture-of-heaven [2]
blithe-heart boded. Bright came flying
shine after shadow. The swordsmen hastened,
athelings all were eager homeward
forth to fare; and far from thence
the great-hearted guest would guide his keel.
Bade then the hardy-one Hrunting be brought
to the son of Ecglaf, the sword bade him take,
excellent iron, and uttered his thanks for it,
quoth that he counted it keen in battle,
'war-friend' winsome: with words he slandered not
edge of the blade: 'twas a big-hearted man!
Now eager for parting and armed at point
warriors waited, while went to his host
that Darling of Danes. The doughty atheling
to high-seat hastened and Hrothgar greeted.
XXVI
BEOWULF spake, bairn of Ecgtheow:'Lo, we seafarers say our will,
far-come men, that we fain would seek
Hygelac now. We here have found
hosts to our heart: thou hast harbored us well.
If ever on earth I am able to win me
more of thy love, O lord of men,
91
aught anew, than I now have done,
for work of war I am willing still!
If it come to me ever across the seas
that neighbor foemen annoy and fright thee, as they that hate thee erewhile have used, thousands then of thanes I shall bring,
heroes to help thee. Of Hygelac I know,
ward of his folk, that, though few his years,
the lord of the Geats will give me aid
by word and by work, that well I may serve thee,
wielding the war-wood to win thy triumph
and lending thee might when thou lackest men.
If thy Hrethric should come to court of Geats,
a sovran's son, he will surely there
find his friends. A far-off land
each man should visit who vaunts him brave.'
Him then answering, Hrothgar spake:'These words of thine the wisest God
sent to thy soul! No sager counsel
from so young in years e'er yet have I heard.
Thou art strong of main and in mind art wary,
art wise in words! I ween indeed
if ever it hap that Hrethel's heir
by spear be seized, by sword-grim battle,
by illness or iron, thine elder and lord,
people's leader, - and life be thine, no seemlier man will the Sea-Geats find
at all to choose for their chief and king,
for hoard-guard of heroes, if hold thou wilt
thy kinsman's kingdom! Thy keen mind pleases me
the longer the better, Beowulf loved!
Thou hast brought it about that both our peoples,
sons of the Geat and Spear-Dane folk,
shall have mutual peace, and from murderous strife,
such as once they waged, from war refrain.
Long as I rule this realm so wide,
let our hoards be common, let heroes with gold
each other greet o'er the gannet's-bath,
and the ringed-prow bear o'er rolling waves
tokens of love. I trow my landfolk
towards friend and foe are firmly joined,
and honor they keep in the olden way.'
92
To him in the hall, then, Healfdene's son
gave treasures twelve, and the trust-of-earls
bade him fare with the gifts to his folk beloved,
hale to his home, and in haste return.
Then kissed the king of kin renowned,
Scyldings' chieftain, that choicest thane,
and fell on his neck. Fast flowed the tears
of the hoary-headed. Heavy with winters,
he had chances twain, but he clung to this, [1] that each should look on the other again,
and hear him in hall. Was this hero so dear to him.
his breast's wild billows he banned in vain;
safe in his soul a secret longing,
locked in his mind, for that loved man
burned in his blood. Then Beowulf strode,
glad of his gold-gifts, the grass-plot o'er,
warrior blithe. The wave-roamer bode
riding at anchor, its owner awaiting.
As they hastened onward, Hrothgar's gift
they lauded at length. - 'Twas a lord unpeered,
every way blameless, till age had broken
- it spareth no mortal - his splendid might.
XXVII
CAME now to ocean the ever-courageous
hardy henchmen, their harness bearing,
woven war-sarks. The warden marked,
trusty as ever, the earl's return.
From the height of the hill no hostile words
reached the guests as he rode to greet them;
but 'Welcome!' he called to that Weder clan
as the sheen-mailed spoilers to ship marched on.
Then on the strand, with steeds and treasure
and armor their roomy and ring-dight ship
was heavily laden: high its mast
rose over Hrothgar's hoarded gems.
A sword to the boat-guard Beowulf gave,
mounted with gold; on the mead-bench since
he was better esteemed, that blade possessing,
heirloom old. - Their ocean-keel boarding,
they drove through the deep, and Daneland left.
A sea-cloth was set, a sail with ropes,
93
firm to the mast; the flood-timbers moaned;
nor did wind over billows that wave-swimmer blow
across from her course. The craft sped on,
foam-necked it floated forth o'er the waves,
keel firm-bound over briny currents,
till they got them sight of the Geatish cliffs,
home-known headlands. High the boat,
stirred by winds, on the strand updrove.
Helpful at haven the harbor-guard stood,
who long already for loved companions
by the water had waited and watched afar.
He bound to the beach the broad-bosomed ship
with anchor-bands, lest ocean-billows
that trusty timber should tear away.
Then Beowulf bade them bear the treasure,
gold and jewels; no journey far
was it thence to go to the giver of rings,
Hygelac Hrethling: at home he dwelt
by the sea-wall close, himself and clan.
Haughty that house, a hero the king,
high the hall, and Hygd right young,
wise and wary, though winters few
in those fortress walls she had found a home,
Haereth's daughter. Nor humble her ways,
nor grudged she gifts to the Geatish men,
of precious treasure. Not Thryth's pride showed she,
folk-queen famed, or that fell deceit.
Was none so daring that durst make bold
(save her lord alone) of the liegemen dear
that lady full in the face to look,
but forged fetters he found his lot,
bonds of death! And brief the respite;
soon as they seized him, his sword-doom was spoken,
and the burnished blade a baleful murder
proclaimed and closed. No queenly way
for woman to practise, though peerless she,
that the weaver-of-peace [3] from warrior dear
by wrath and lying his life should reave!
But Hemming's kinsman hindered this. For over their ale men also told
that of these folk-horrors fewer she wrought,
onslaughts of evil, after she went,
94
gold-decked bride, to the brave young prince,
atheling haughty, and Offa's hall
o'er the fallow flood at her father's bidding
safely sought, where since she prospered,
royal, throned, rich in goods,
fain of the fair life fate had sent her,
and leal in love to the lord of warriors.
He, of all heroes I heard of ever
from sea to sea, of the sons of earth,
most excellent seemed. Hence Offa was praised
for his fighting and feeing by far-off men,
the spear-bold warrior; wisely he ruled
over his empire. Eomer woke to him,
help of heroes, Hemming's kinsman,
Grandson of Garmund, grim in war.
XXVIII
HASTENED the hardy one, henchmen with him,
sandy strand of the sea to tread
and widespread ways. The world's great candle,
sun shone from south. They strode along
with sturdy steps to the spot they knew
where the battle-king young, his burg within,
slayer of Ongentheow, shared the rings,
shelter-of-heroes. To Hygelac
Beowulf's coming was quickly told, that there in the court the clansmen's refuge,
the shield-companion sound and alive,
hale from the hero-play homeward strode.
With haste in the hall, by highest order,
room for the rovers was readily made.
By his sovran he sat, come safe from battle,
kinsman by kinsman. His kindly lord
he first had greeted in gracious form,
with manly words. The mead dispensing,
came through the high hall Haereth's daughter,
winsome to warriors, wine-cup bore
to the hands of the heroes. Hygelac then
his comrade fairly with question plied
in the lofty hall, sore longing to know
what manner of sojourn the Sea-Geats made.
'What came of thy quest, my kinsman Beowulf,
95
when thy yearnings suddenly swept thee yonder
battle to seek o'er the briny sea,
combat in Heorot? Hrothgar couldst thou
aid at all, the honored chief,
in his wide-known woes? With waves of care
my sad heart seethed; I sore mistrusted
my loved one's venture: long I begged thee
by no means to seek that slaughtering monster,
but suffer the South-Danes to settle their feud
themselves with Grendel. Now God be thanked
that safe and sound I can see thee now!'
Beowulf spake, the bairn of Ecgtheow:''Tis known and unhidden, Hygelac Lord,
to many men, that meeting of ours,
struggle grim between Grendel and me,
which we fought on the field where full too many
sorrows he wrought for the Scylding-Victors,
evils unending. These all I avenged.
No boast can be from breed of Grendel,
any on earth, for that uproar at dawn,
from the longest-lived of the loathsome race
in fleshly fold! - But first I went
Hrothgar to greet in the hall of gifts,
where Healfdene's kinsman high-renowned,
soon as my purpose was plain to him,
assigned me a seat by his son and heir.
The liegemen were lusty; my life-days never
such merry men over mead in hall
have I heard under heaven! The high-born queen,
people's peace-bringer, passed through the hall,
cheered the young clansmen, clasps of gold,
ere she sought her seat, to sundry gave.
Oft to the heroes Hrothgar's daughter,
to earls in turn, the ale-cup tendered, she whom I heard these hall-companions
Freawaru name, when fretted gold
she proffered the warriors. Promised is she,
gold-decked maid, to the glad son of Froda.
Sage this seems to the Scylding's-friend,
kingdom's-keeper: he counts it wise
the woman to wed so and ward off feud,
store of slaughter. But seldom ever
96
when men are slain, does the murder-spear sink
but briefest while, though the bride be fair! [1]
'Nor haply will like it the Heathobard lord,
and as little each of his liegemen all,
when a thane of the Danes, in that doughty throng,
goes with the lady along their hall,
and on him the old-time heirlooms glisten
hard and ring-decked, Heathobard's treasure,
weapons that once they wielded fair
until they lost at the linden-play [2]
liegeman leal and their lives as well.
Then, over the ale, on this heirloom gazing,
some ash-wielder old who has all in mind
that spear-death of men, [3] - he is stern of mood,
heavy at heart, - in the hero young
tests the temper and tries the soul
and war-hate wakens, with words like these:_Canst thou not, comrade, ken that sword
which to the fray thy father carried
in his final feud, 'neath the fighting-mask,
dearest of blades, when the Danish slew him
and wielded the war-place on Withergild's fall,
after havoc of heroes, those hardy Scyldings?
Now, the son of a certain slaughtering Dane,
proud of his treasure, paces this hall,
joys in the killing, and carries the jewel [4]
that rightfully ought to be owned by thee!_
Thus he urges and eggs him all the time
with keenest words, till occasion offers
that Freawaru's thane, for his father's deed,
after bite of brand in his blood must slumber,
losing his life; but that liegeman flies
living away, for the land he kens.
And thus be broken on both their sides
oaths of the earls, when Ingeld's breast
wells with war-hate, and wife-love now
after the care-billows cooler grows.
'So [5] I hold not high the Heathobards' faith
due to the Danes, or their during love
and pact of peace. - But I pass from that,
turning to Grendel, O giver-of-treasure,
and saying in full how the fight resulted,
97
hand-fray of heroes. When heaven's jewel
had fled o'er far fields, that fierce sprite came,
night-foe savage, to seek us out
where safe and sound we sentried the hall.
To Hondscio then was that harassing deadly,
his fall there was fated. He first was slain,
girded warrior. Grendel on him
turned murderous mouth, on our mighty kinsman,
and all of the brave man's body devoured.
Yet none the earlier, empty-handed,
would the bloody-toothed murderer, mindful of bale,
outward go from the gold-decked hall:
but me he attacked in his terror of might,
with greedy hand grasped me. A glove hung by him [6]
wide and wondrous, wound with bands;
and in artful wise it all was wrought,
by devilish craft, of dragon-skins.
Me therein, an innocent man,
the fiendish foe was fain to thrust
with many another. He might not so,
when I all angrily upright stood.
'Twere long to relate how that land-destroyer
I paid in kind for his cruel deeds;
yet there, my prince, this people of thine
got fame by my fighting. He fled away,
and a little space his life preserved;
but there staid behind him his stronger hand
left in Heorot; heartsick thence
on the floor of the ocean that outcast fell.
Me for this struggle the Scyldings'-friend
paid in plenty with plates of gold,
with many a treasure, when morn had come
and we all at the banquet-board sat down.
Then was song and glee. The gray-haired Scylding,
much tested, told of the times of yore.
Whiles the hero his harp bestirred,
wood-of-delight; now lays he chanted
of sooth and sadness, or said aright
legends of wonder, the wide-hearted king;
or for years of his youth he would yearn at times,
for strength of old struggles, now stricken with age,
hoary hero: his heart surged full
98
when, wise with winters, he wailed their flight.
Thus in the hall the whole of that day
at ease we feasted, till fell o'er earth
another night. Anon full ready
in greed of vengeance, Grendel's mother
set forth all doleful. Dead was her son
through war-hate of Weders; now, woman monstrous
with fury fell a foeman she slew,
avenged her offspring. From Aeschere old,
loyal councillor, life was gone;
nor might they e'en, when morning broke,
those Danish people, their death-done comrade
burn with brands, on balefire lay
the man they mourned. Under mountain stream
she had carried the corpse with cruel hands.
For Hrothgar that was the heaviest sorrow
of all that had laden the lord of his folk.
The leader then, by thy life, besought me
(sad was his soul) in the sea-waves' coil
to play the hero and hazard my being
for glory of prowess: my guerdon he pledged.
I then in the waters - 'tis widely known that sea-floor-guardian savage found.
Hand-to-hand there a while we struggled;
billows welled blood; in the briny hall
her head I hewed with a hardy blade
from Grendel's mother, - and gained my life,
though not without danger. My doom was not yet.
Then the haven-of-heroes, Healfdene's son,
gave me in guerdon great gifts of price.
XXXI
'So held this king to the customs old,
that I wanted for nought in the wage I gained,
the meed of my might; he made me gifts,
Healfdene's heir, for my own disposal.
Now to thee, my prince, I proffer them all,
gladly give them. Thy grace alone
can find me favor. Few indeed
have I of kinsmen, save, Hygelac, thee!'
Then he bade them bear him the boar-head standard,
the battle-helm high, and breastplate gray,
99
the splendid sword; then spake in form:'Me this war-gear the wise old prince,
Hrothgar, gave, and his hest he added,
that its story be straightway said to thee. A while it was held by Heorogar king,
for long time lord of the land of Scyldings;
yet not to his son the sovran left it,
to daring Heoroweard, - dear as he was to him,
his harness of battle. - Well hold thou it all!'
And I heard that soon passed o'er the path of this treasure, all apple-fallow, four
good steeds,
each like the others, arms and horses
he gave to the king. So should kinsmen be,
not weave one another the net of wiles,
or with deep-hid treachery death contrive
for neighbor and comrade. His nephew was ever
by hardy Hygelac held full dear,
and each kept watch o'er the other's weal.
I heard, too, the necklace to Hygd he presented,
wonder-wrought treasure, which Wealhtheow gave him
sovran's daughter: three steeds he added,
slender and saddle-gay. Since such gift
the gem gleamed bright on the breast of the queen.
Thus showed his strain the son of Ecgtheow
as a man remarked for mighty deeds
and acts of honor. At ale he slew not
comrade or kin; nor cruel his mood,
though of sons of earth his strength was greatest,
a glorious gift that God had sent
the splendid leader. Long was he spurned,
and worthless by Geatish warriors held;
him at mead the master-of-clans
failed full oft to favor at all.
Slack and shiftless the strong men deemed him,
profitless prince; but payment came,
to the warrior honored, for all his woes. Then the bulwark-of-earls [1] bade bring within,
hardy chieftain, Hrethel's heirloom
garnished with gold: no Geat e'er knew
in shape of a sword a statelier prize.
The brand he laid in Beowulf's lap;
and of hides assigned him seven thousand,
100
with house and high-seat. They held in common
land alike by their line of birth,
inheritance, home: but higher the king
because of his rule o'er the realm itself.
Now further it fell with the flight of years,
with harryings horrid, that Hygelac perished,
and Heardred, too, by hewing of swords
under the shield-wall slaughtered lay,
when him at the van of his victor-folk
sought hardy heroes, Heatho-Scilfings,
in arms o'erwhelming Hereric's nephew.
Then Beowulf came as king this broad
realm to wield; and he ruled it well
fifty winters, [4] a wise old prince,
warding his land, until One began
in the dark of night, a Dragon, to rage.
In the grave on the hill a hoard it guarded,
in the stone-barrow steep. A strait path reached it,
unknown to mortals. Some man, however,
came by chance that cave within
to the heathen hoard. [5] In hand he took
a golden goblet, nor gave he it back,
stole with it away, while the watcher slept,
by thievish wiles: for the warden's wrath
prince and people must pay betimes!
XXXII
THAT way he went with no will of his own,
in danger of life, to the dragon's hoard,
but for pressure of peril, some prince's thane.
He fled in fear the fatal scourge,
seeking shelter, a sinful man,
and entered in. At the awful sight
tottered that guest, and terror seized him;
yet the wretched fugitive rallied anon
from fright and fear ere he fled away,
and took the cup from that treasure-hoard.
Of such besides there was store enough,
heirlooms old, the earth below,
which some earl forgotten, in ancient years,
left the last of his lofty race,
heedfully there had hidden away,
101
dearest treasure. For death of yore
had hurried all hence; and he alone
left to live, the last of the clan,
weeping his friends, yet wished to bide
warding the treasure, his one delight,
though brief his respite. The barrow, new-ready,
to strand and sea-waves stood anear,
hard by the headland, hidden and closed;
there laid within it his lordly heirlooms
and heaped hoard of heavy gold
that warden of rings. Few words he spake:
'Now hold thou, earth, since heroes may not,
what earls have owned! Lo, erst from thee
brave men brought it! But battle-death seized
and cruel killing my clansmen all,
robbed them of life and a liegeman's joys.
None have I left to lift the sword,
or to cleanse the carven cup of price,
beaker bright. My brave are gone.
And the helmet hard, all haughty with gold,
shall part from its plating. Polishers sleep
who could brighten and burnish the battle-mask;
and those weeds of war that were wont to brave
over bicker of shields the bite of steel
rust with their bearer. The ringed mail
fares not far with famous chieftain,
at side of hero! No harp's delight,
no glee-wood's gladness! No good hawk now
flies through the hall! Nor horses fleet
stamp in the burgstead! Battle and death
the flower of my race have reft away.'
Mournful of mood, thus he moaned his woe,
alone, for them all, and unblithe wept
by day and by night, till death's fell wave
o'erwhelmed his heart. His hoard-of-bliss
that old ill-doer open found,
who, blazing at twilight the barrows haunteth,
naked foe-dragon flying by night
folded in fire: the folk of earth
dread him sore. 'Tis his doom to seek
hoard in the graves, and heathen gold
to watch, many-wintered: nor wins he thereby!
102
Powerful this plague-of-the-people thus
held the house of the hoard in earth
three hundred winters; till One aroused
wrath in his breast, to the ruler bearing
that costly cup, and the king implored
for bond of peace. So the barrow was plundered,
borne off was booty. His boon was granted
that wretched man; and his ruler saw
first time what was fashioned in far-off days.
When the dragon awoke, new woe was kindled.
O'er the stone he snuffed. The stark-heart found
footprint of foe who so far had gone
in his hidden craft by the creature's head. So may the undoomed easily flee
evils and exile, if only he gain
the grace of The Wielder! - That warden of gold
o'er the ground went seeking, greedy to find
the man who wrought him such wrong in sleep.
Savage and burning, the barrow he circled
all without; nor was any there,
none in the waste…. Yet war he desired,
was eager for battle. The barrow he entered,
sought the cup, and discovered soon
that some one of mortals had searched his treasure,
his lordly gold. The guardian waited
ill-enduring till evening came;
boiling with wrath was the barrow's keeper,
and fain with flame the foe to pay
for the dear cup's loss. - Now day was fled
as the worm had wished. By its wall no more
was it glad to bide, but burning flew
folded in flame: a fearful beginning
for sons of the soil; and soon it came,
in the doom of their lord, to a dreadful end.
XXXIII
THEN the baleful fiend its fire belched out,
and bright homes burned. The blaze stood high
all landsfolk frighting. No living thing
would that loathly one leave as aloft it flew.
Wide was the dragon's warring seen,
its fiendish fury far and near,
103
as the grim destroyer those Geatish people
hated and hounded. To hidden lair,
to its hoard it hastened at hint of dawn.
Folk of the land it had lapped in flame,
with bale and brand. In its barrow it trusted,
its battling and bulwarks: that boast was vain!
To Beowulf then the bale was told
quickly and truly: the king's own home,
of buildings the best, in brand-waves melted,
that gift-throne of Geats. To the good old man
sad in heart, 'twas heaviest sorrow.
The sage assumed that his sovran God
he had angered, breaking ancient law,
and embittered the Lord. His breast within
with black thoughts welled, as his wont was never.
The folk's own fastness that fiery dragon
with flame had destroyed, and the stronghold all
washed by waves; but the warlike king,
prince of the Weders, plotted vengeance.
Warriors'-bulwark, he bade them work
all of iron - the earl's commander a war-shield wondrous: well he knew
that forest-wood against fire were worthless,
linden could aid not. - Atheling brave,
he was fated to finish this fleeting life,
his days on earth, and the dragon with him,
though long it had watched o'er the wealth of the hoard! Shame he reckoned it, sharer-of-rings,
to follow the flyer-afar with a host,
a broad-flung band; nor the battle feared he,
nor deemed he dreadful the dragon's warring,
its vigor and valor: ventures desperate
he had passed a-plenty, and perils of war,
contest-crash, since, conqueror proud,
Hrothgar's hall he had wholly purged,
and in grapple had killed the kin of Grendel,
loathsome breed! Not least was that
of hand-to-hand fights where Hygelac fell,
when the ruler of Geats in rush of battle,
lord of his folk, in the Frisian land,
son of Hrethel, by sword-draughts died,
by brands down-beaten. Thence Beowulf fled
104
through strength of himself and his swimming power,
though alone, and his arms were laden with thirty
coats of mail, when he came to the sea!
Nor yet might Hetwaras [2] haughtily boast
their craft of contest, who carried against him
shields to the fight: but few escaped
from strife with the hero to seek their homes!
Then swam over ocean Ecgtheow's son
lonely and sorrowful, seeking his land,
where Hygd made him offer of hoard and realm,
rings and royal-seat, reckoning naught
the strength of her son to save their kingdom
from hostile hordes, after Hygelac's death.
No sooner for this could the stricken ones
in any wise move that atheling's mind
over young Heardred's head as lord
and ruler of all the realm to be:
yet the hero upheld him with helpful words,
aided in honor, till, older grown,
he wielded the Weder-Geats. - Wandering exiles
sought him o'er seas, the sons of Ohtere,
who had spurned the sway of the Scylfings'-helmet,
the bravest and best that broke the rings,
in Swedish land, of the sea-kings' line,
haughty hero. [3] Hence Heardred's end.
For shelter he gave them, sword-death came,
the blade's fell blow, to bairn of Hygelac;
but the son of Ongentheow sought again
house and home when Heardred fell,
leaving Beowulf lord of Geats
and gift-seat's master. - A good king he!
XXXIV
THE fall of his lord he was fain to requite
in after days; and to Eadgils he proved
friend to the friendless, and forces sent
over the sea to the son of Ohtere,
weapons and warriors: well repaid he
those care-paths cold when the king he slew. [1]
Thus safe through struggles the son of Ecgtheow
had passed a plenty, through perils dire,
105
with daring deeds, till this day was come
that doomed him now with the dragon to strive.
With comrades eleven the lord of Geats
swollen in rage went seeking the dragon.
He had heard whence all the harm arose
and the killing of clansmen; that cup of price
on the lap of the lord had been laid by the finder.
In the throng was this one thirteenth man,
starter of all the strife and ill,
care-laden captive; cringing thence
forced and reluctant, he led them on
till he came in ken of that cavern-hall,
the barrow delved near billowy surges,
flood of ocean. Within 'twas full
of wire-gold and jewels; a jealous warden,
warrior trusty, the treasures held,
lurked in his lair. Not light the task
of entrance for any of earth-born men!
Sat on the headland the hero king,
spake words of hail to his hearth-companions,
gold-friend of Geats. All gloomy his soul,
wavering, death-bound. Wyrd full nigh
stood ready to greet the gray-haired man,
to seize his soul-hoard, sunder apart
life and body. Not long would be
the warrior's spirit enwound with flesh.
Beowulf spake, the bairn of Ecgtheow:'Through store of struggles I strove in youth,
mighty feuds; I mind them all.
I was seven years old when the sovran of rings,
friend-of-his-folk, from my father took me,
had me, and held me, Hrethel the king,
with food and fee, faithful in kinship.
Ne'er, while I lived there, he loathlier found me,
bairn in the burg, than his birthright sons,
Herebeald and Haethcyn and Hygelac mine.
For the eldest of these, by unmeet chance,
by kinsman's deed, was the death-bed strewn,
when Haethcyn killed him with horny bow,
his own dear liege laid low with an arrow,
missed the mark and his mate shot down,
one brother the other, with bloody shaft.
106
A feeless fight, [2] and a fearful sin,
horror to Hrethel; yet, hard as it was,
unavenged must the atheling die!
Too awful it is for an aged man
to bide and bear, that his bairn so young
rides on the gallows. A rime he makes,
sorrow-song for his son there hanging
as rapture of ravens; no rescue now
can come from the old, disabled man!
Still is he minded, as morning breaks,
of the heir gone elsewhere; [3] another he hopes not
he will bide to see his burg within
as ward for his wealth, now the one has found
doom of death that the deed incurred.
Forlorn he looks on the lodge of his son,
wine-hall waste and wind-swept chambers
reft of revel. The rider sleepeth,
the hero, far-hidden; [4] no harp resounds,
in the courts no wassail, as once was heard.
XXXV
'THEN he goes to his chamber, a grief-song chants
alone for his lost. Too large all seems,
homestead and house. So the helmet-of-Weders
hid in his heart for Herebeald
waves of woe. No way could he take
to avenge on the slayer slaughter so foul;
nor e'en could he harass that hero at all
with loathing deed, though he loved him not.
And so for the sorrow his soul endured,
men's gladness he gave up and God's light chose.
Lands and cities he left his sons
(as the wealthy do) when he went from earth.
There was strife and struggle 'twixt Swede and Geat
o'er the width of waters; war arose,
hard battle-horror, when Hrethel died,
and Ongentheow's offspring grew
strife-keen, bold, nor brooked o'er the seas
pact of peace, but pushed their hosts
to harass in hatred by Hreosnabeorh.
Men of my folk for that feud had vengeance,
107
for woful war ('tis widely known),
though one of them bought it with blood of his heart,
a bargain hard: for Haethcyn proved
fatal that fray, for the first-of-Geats.
At morn, I heard, was the murderer killed
by kinsman for kinsman, [1] with clash of sword,
when Ongentheow met Eofor there.
Wide split the war-helm: wan he fell,
hoary Scylfing; the hand that smote him
of feud was mindful, nor flinched from the death-blow.
- 'For all that he [2] gave me, my gleaming sword
repaid him at war, - such power I wielded, for lordly treasure: with land he entrusted me,
homestead and house. He had no need
from Swedish realm, or from Spear-Dane folk,
or from men of the Gifths, to get him help, some warrior worse for wage to buy!
Ever I fought in the front of all,
sole to the fore; and so shall I fight
while I bide in life and this blade shall last
that early and late hath loyal proved
since for my doughtiness Daeghrefn fell,
slain by my hand, the Hugas' champion.
Nor fared he thence to the Frisian king
with the booty back, and breast-adornments;
but, slain in struggle, that standard-bearer
fell, atheling brave. Not with blade was he slain,
but his bones were broken by brawny gripe,
his heart-waves stilled. - The sword-edge now,
hard blade and my hand, for the hoard shall strive.'
Beowulf spake, and a battle-vow made
his last of all: 'I have lived through many
wars in my youth; now once again,
old folk-defender, feud will I seek,
do doughty deeds, if the dark destroyer
forth from his cavern come to fight me!'
Then hailed he the helmeted heroes all,
for the last time greeting his liegemen dear,
comrades of war: 'I should carry no weapon,
no sword to the serpent, if sure I knew
how, with such enemy, else my vows
I could gain as I did in Grendel's day.
108
But fire in this fight I must fear me now,
and poisonous breath; so I bring with me
breastplate and board. [3] From the barrow's keeper
no footbreadth flee I. One fight shall end
our war by the wall, as Wyrd allots,
all mankind's master. My mood is bold
but forbears to boast o'er this battling-flyer.
- Now abide by the barrow, ye breastplate-mailed,
ye heroes in harness, which of us twain
better from battle-rush bear his wounds.
Wait ye the finish. The fight is not yours,
nor meet for any but me alone
to measure might with this monster here
and play the hero. Hardily I
shall win that wealth, or war shall seize,
cruel killing, your king and lord!'
Up stood then with shield the sturdy champion,
stayed by the strength of his single manhood,
and hardy 'neath helmet his harness bore
under cleft of the cliffs: no coward's path!
Soon spied by the wall that warrior chief,
survivor of many a victory-field
where foemen fought with furious clashings,
an arch of stone; and within, a stream
that broke from the barrow. The brooklet's wave
was hot with fire. The hoard that way
he never could hope unharmed to near,
or endure those deeps, [4] for the dragon's flame.
Then let from his breast, for he burst with rage,
the Weder-Geat prince a word outgo;
stormed the stark-heart; stern went ringing
and clear his cry 'neath the cliff-rocks gray.
The hoard-guard heard a human voice;
his rage was enkindled. No respite now
for pact of peace! The poison-breath
of that foul worm first came forth from the cave,
hot reek-of-fight: the rocks resounded.
Stout by the stone-way his shield he raised,
lord of the Geats, against the loathed-one;
while with courage keen that coiled foe
came seeking strife. The sturdy king
had drawn his sword, not dull of edge,
109
heirloom old; and each of the two
felt fear of his foe, though fierce their mood.
Stoutly stood with his shield high-raised
the warrior king, as the worm now coiled
together amain: the mailed-one waited.
Now, spire by spire, fast sped and glided
that blazing serpent. The shield protected,
soul and body a shorter while
for the hero-king than his heart desired,
could his will have wielded the welcome respite
but once in his life! But Wyrd denied it,
and victory's honors. - His arm he lifted
lord of the Geats, the grim foe smote
with atheling's heirloom. Its edge was turned
brown blade, on the bone, and bit more feebly
than its noble master had need of then
in his baleful stress. - Then the barrow's keeper
waxed full wild for that weighty blow,
cast deadly flames; wide drove and far
those vicious fires. No victor's glory
the Geats' lord boasted; his brand had failed,
naked in battle, as never it should,
excellent iron! - 'Twas no easy path
that Ecgtheow's honored heir must tread
over the plain to the place of the foe;
for against his will he must win a home
elsewhere far, as must all men, leaving
this lapsing life! - Not long it was
ere those champions grimly closed again.
The hoard-guard was heartened; high heaved his breast
once more; and by peril was pressed again,
enfolded in flames, the folk-commander!
Nor yet about him his band of comrades,
sons of athelings, armed stood
with warlike front: to the woods they bent them,
their lives to save. But the soul of one
with care was cumbered. Kinship true
can never be marred in a noble mind!
XXXVI
WIGLAF his name was, Weohstan's son,
linden-thane loved, the lord of Scylfings,
110
Aelfhere's kinsman. His king he now saw
with heat under helmet hard oppressed.
He minded the prizes his prince had given him,
wealthy seat of the Waegmunding line,
and folk-rights that his father owned
Not long he lingered. The linden yellow,
his shield, he seized; the old sword he drew: as heirloom of Eanmund earth-dwellers knew it,
who was slain by the sword-edge, son of Ohtere,
friendless exile, erst in fray
killed by Weohstan, who won for his kin
brown-bright helmet, breastplate ringed,
old sword of Eotens, Onela's gift,
weeds of war of the warrior-thane,
battle-gear brave: though a brother's child
had been felled, the feud was unfelt by Onela. [1]
For winters this war-gear Weohstan kept,
breastplate and board, till his bairn had grown
earlship to earn as the old sire did:
then he gave him, mid Geats, the gear of battle,
portion huge, when he passed from life,
fared aged forth. For the first time now
with his leader-lord the liegeman young
was bidden to share the shock of battle.
Neither softened his soul, nor the sire's bequest
weakened in war. [2] So the worm found out
when once in fight the foes had met!
Wiglaf spake, - and his words were sage;
sad in spirit, he said to his comrades:'I remember the time, when mead we took,
what promise we made to this prince of ours
in the banquet-hall, to our breaker-of-rings,
for gear of combat to give him requital,
for hard-sword and helmet, if hap should bring
stress of this sort! Himself who chose us
from all his army to aid him now,
urged us to glory, and gave these treasures,
because he counted us keen with the spear
and hardy 'neath helm, though this hero-work
our leader hoped unhelped and alone
to finish for us, - folk-defender
who hath got him glory greater than all men
111
for daring deeds! Now the day is come
that our noble master has need of the might
of warriors stout. Let us stride along
the hero to help while the heat is about him
glowing and grim! For God is my witness
I am far more fain the fire should seize
along with my lord these limbs of mine! [3]
Unsuiting it seems our shields to bear
homeward hence, save here we essay
to fell the foe and defend the life
of the Weders' lord. I wot 'twere shame
on the law of our land if alone the king
out of Geatish warriors woe endured
and sank in the struggle! My sword and helmet,
breastplate and board, for us both shall serve!'
Through slaughter-reek strode he to succor his Chieftain,
his battle-helm bore, and brief words spake:'Beowulf dearest, do all bravely,
as in youthful days of yore thou vowedst
that while life should last thou wouldst let no wise
thy glory droop! Now, great in deeds,
atheling steadfast, with all thy strength
shield thy life! I will stand to help thee.'
At the words the worm came once again,
murderous monster mad with rage,
with fire-billows flaming, its foes to seek,
the hated men. In heat-waves burned
that board [4] to the boss, and the breastplate failed
to shelter at all the spear-thane young.
Yet quickly under his kinsman's shield
went eager the earl, since his own was now
all burned by the blaze. The bold king again
had mind of his glory: with might his glaive
was driven into the dragon's head, blow nerved by hate. But Naegling was shivered,
broken in battle was Beowulf's sword,
old and gray. 'Twas granted him not
that ever the edge of iron at all
could help him at strife: too strong was his hand,
so the tale is told, and he tried too far
with strength of stroke all swords he wielded,
though sturdy their steel: they steaded him nought.
112
Then for the third time thought on its feud
that folk-destroyer, fire-dread dragon,
and rushed on the hero, where room allowed,
battle-grim, burning; its bitter teeth
closed on his neck, and covered him
with waves of blood from his breast that welled.
XXXVII
'TWAS now, men say, in his sovran's need
that the earl made known his noble strain,
craft and keenness and courage enduring.
Heedless of harm, though his hand was burned,
hardy-hearted, he helped his kinsman.
A little lower the loathsome beast
he smote with sword; his steel drove in
bright and burnished; that blaze began
to lose and lessen. At last the king
wielded his wits again, war-knife drew,
a biting blade by his breastplate hanging,
and the Weders'-helm smote that worm asunder,
felled the foe, flung forth its life.
So had they killed it, kinsmen both,
athelings twain: thus an earl should be
in danger's day! - Of deeds of valor
this conqueror's-hour of the king was last,
of his work in the world. The wound began,
which that dragon-of-earth had erst inflicted,
to swell and smart; and soon he found
in his breast was boiling, baleful and deep,
pain of poison. The prince walked on,
wise in his thought, to the wall of rock;
then sat, and stared at the structure of giants,
where arch of stone and steadfast column
upheld forever that hall in earth.
Yet here must the hand of the henchman peerless
lave with water his winsome lord,
the king and conqueror covered with blood,
with struggle spent, and unspan his helmet.
Beowulf spake in spite of his hurt,
his mortal wound; full well he knew
his portion now was past and gone
of earthly bliss, and all had fled
113
of his file of days, and death was near:
'I would fain bestow on son of mine
this gear of war, were given me now
that any heir should after me come
of my proper blood. This people I ruled
fifty winters. No folk-king was there,
none at all, of the neighboring clans
who war would wage me with 'warriors'-friends' [1]
and threat me with horrors. At home I bided
what fate might come, and I cared for mine own;
feuds I sought not, nor falsely swore
ever on oath. For all these things,
though fatally wounded, fain am I!
From the Ruler-of-Man no wrath shall seize me,
when life from my frame must flee away,
for killing of kinsmen! Now quickly go
and gaze on that hoard 'neath the hoary rock,
Wiglaf loved, now the worm lies low,
sleeps, heart-sore, of his spoil bereaved.
And fare in haste. I would fain behold
the gorgeous heirlooms, golden store,
have joy in the jewels and gems, lay down
softlier for sight of this splendid hoard
my life and the lordship I long have held.'
XXXVIII
I HAVE heard that swiftly the son of Weohstan
at wish and word of his wounded king, war-sick warrior, - woven mail-coat,
battle-sark, bore 'neath the barrow's roof.
Then the clansman keen, of conquest proud,
passing the seat, [1] saw store of jewels
and glistening gold the ground along;
by the wall were marvels, and many a vessel
in the den of the dragon, the dawn-flier old:
unburnished bowls of bygone men
reft of richness; rusty helms
of the olden age; and arm-rings many
wondrously woven. - Such wealth of gold,
booty from barrow, can burden with pride
each human wight: let him hide it who will! -
114
His glance too fell on a gold-wove banner
high o'er the hoard, of handiwork noblest,
brilliantly broidered; so bright its gleam,
all the earth-floor he easily saw
and viewed all these vessels. No vestige now
was seen of the serpent: the sword had ta'en him.
Then, I heard, the hill of its hoard was reft,
old work of giants, by one alone;
he burdened his bosom with beakers and plate
at his own good will, and the ensign took,
brightest of beacons. - The blade of his lord
- its edge was iron - had injured deep
one that guarded the golden hoard
many a year and its murder-fire
spread hot round the barrow in horror-billows
at midnight hour, till it met its doom.
Hasted the herald, the hoard so spurred him
his track to retrace; he was troubled by doubt,
high-souled hero, if haply he'd find
alive, where he left him, the lord of Weders,
weakening fast by the wall of the cave.
So he carried the load. His lord and king
he found all bleeding, famous chief
at the lapse of life. The liegeman again
plashed him with water, till point of word
broke through the breast-hoard. Beowulf spake,
sage and sad, as he stared at the gold. 'For the gold and treasure, to God my thanks,
to the Wielder-of-Wonders, with words I say,
for what I behold, to Heaven's Lord,
for the grace that I give such gifts to my folk
or ever the day of my death be run!
Now I've bartered here for booty of treasure
the last of my life, so look ye well
to the needs of my land! No longer I tarry.
A barrow bid ye the battle-fanned raise
for my ashes. 'Twill shine by the shore of the flood,
to folk of mine memorial fair
on Hrones Headland high uplifted,
that ocean-wanderers oft may hail
Beowulf's Barrow, as back from far
they drive their keels o'er the darkling wave.'
115
From his neck he unclasped the collar of gold,
valorous king, to his vassal gave it
with bright-gold helmet, breastplate, and ring,
to the youthful thane: bade him use them in joy.
'Thou art end and remnant of all our race
the Waegmunding name. For Wyrd hath swept them,
all my line, to the land of doom,
earls in their glory: I after them go.'
This word was the last which the wise old man
harbored in heart ere hot death-waves
of balefire he chose. From his bosom fled
his soul to seek the saints' reward.
XXXIX
IT was heavy hap for that hero young
on his lord beloved to look and find him
lying on earth with life at end,
sorrowful sight. But the slayer too,
awful earth-dragon, empty of breath,
lay felled in fight, nor, fain of its treasure,
could the writhing monster rule it more.
For edges of iron had ended its days,
hard and battle-sharp, hammers' leaving;
and that flier-afar had fallen to ground
hushed by its hurt, its hoard all near,
no longer lusty aloft to whirl
at midnight, making its merriment seen,
proud of its prizes: prone it sank
by the handiwork of the hero-king.
Forsooth among folk but few achieve,
- though sturdy and strong, as stories tell me,
and never so daring in deed of valor, the perilous breath of a poison-foe
to brave, and to rush on the ring-board hall,
whenever his watch the warden keeps
bold in the barrow. Beowulf paid
the price of death for that precious hoard;
and each of the foes had found the end
of this fleeting life.
Befell erelong
that the laggards in war the wood had left,
116
trothbreakers, cowards, ten together,
fearing before to flourish a spear
in the sore distress of their sovran lord.
Now in their shame their shields they carried,
armor of fight, where the old man lay;
and they gazed on Wiglaf. Wearied he sat
at his sovran's shoulder, shieldsman good,
to wake him with water. [2] Nowise it availed.
Though well he wished it, in world no more
could he barrier life for that leader-of-battles
nor baffle the will of all-wielding God.
Doom of the Lord was law o'er the deeds
of every man, as it is to-day.
Grim was the answer, easy to get,
from the youth for those that had yielded to fear!
Wiglaf spake, the son of Weohstan, mournful he looked on those men unloved:'Who sooth will speak, can say indeed
that the ruler who gave you golden rings
and the harness of war in which ye stand
- for he at ale-bench often-times
bestowed on hall-folk helm and breastplate,
lord to liegemen, the likeliest gear
which near of far he could find to give, threw away and wasted these weeds of battle,
on men who failed when the foemen came!
Not at all could the king of his comrades-in-arms
venture to vaunt, though the Victory-Wielder,
God, gave him grace that he got revenge
sole with his sword in stress and need.
To rescue his life, 'twas little that I
could serve him in struggle; yet shift I made
(hopeless it seemed) to help my kinsman.
Its strength ever waned, when with weapon I struck
that fatal foe, and the fire less strongly
flowed from its head. - Too few the heroes
in throe of contest that thronged to our king!
Now gift of treasure and girding of sword,
joy of the house and home-delight
shall fail your folk; his freehold-land
every clansman within your kin
shall lose and leave, when lords highborn
117
hear afar of that flight of yours,
a fameless deed. Yea, death is better
for liegemen all than a life of shame!'
XL
THAT battle-toil bade he at burg to announce,
at the fort on the cliff, where, full of sorrow,
all the morning earls had sat,
daring shieldsmen, in doubt of twain:
would they wail as dead, or welcome home,
their lord beloved? Little [1] kept back
of the tidings new, but told them all,
the herald that up the headland rode. 'Now the willing-giver to Weder folk
in death-bed lies; the Lord of Geats
on the slaughter-bed sleeps by the serpent's deed!
And beside him is stretched that slayer-of-men
with knife-wounds sick: [2] no sword availed
on the awesome thing in any wise
to work a wound. There Wiglaf sitteth,
Weohstan's bairn, by Beowulf's side,
the living earl by the other dead,
and heavy of heart a head-watch [3] keeps
o'er friend and foe. - Now our folk may look
for waging of war when once unhidden
to Frisian and Frank the fall of the king
is spread afar. - The strife began
when hot on the Hugas [4] Hygelac fell
and fared with his fleet to the Frisian land.
Him there the Hetwaras humbled in war,
plied with such prowess their power o'erwhelming
that the bold-in-battle bowed beneath it
and fell in fight. To his friends no wise
could that earl give treasure! And ever since
the Merowings' favor has failed us wholly.
Nor aught expect I of peace and faith
from Swedish folk. 'Twas spread afar
how Ongentheow reft at Ravenswood
Haethcyn Hrethling of hope and life,
when the folk of Geats for the first time sought
in wanton pride the Warlike-Scylfings.
Soon the sage old sire [5] of Ohtere,
118
ancient and awful, gave answering blow;
the sea-king [6] he slew, and his spouse redeemed,
his good wife rescued, though robbed of her gold,
mother of Ohtere and Onela.
Then he followed his foes, who fled before him
sore beset and stole their way,
bereft of a ruler, to Ravenswood.
With his host he besieged there what swords had left,
the weary and wounded; woes he threatened
the whole night through to that hard-pressed throng:
some with the morrow his sword should kill,
some should go to the gallows-tree
for rapture of ravens. But rescue came
with dawn of day for those desperate men
when they heard the horn of Hygelac sound,
tones of his trumpet; the trusty king
had followed their trail with faithful band.
XLI
'THE bloody swath of Swedes and Geats
and the storm of their strife, were seen afar,
how folk against folk the fight had wakened.
The ancient king with his atheling band
sought his citadel, sorrowing much:
Ongentheow earl went up to his burg.
He had tested Hygelac's hardihood,
the proud one's prowess, would prove it no longer,
defied no more those fighting-wanderers
nor hoped from the seamen to save his hoard,
his bairn and his bride: so he bent him again,
old, to his earth-walls. Yet after him came
with slaughter for Swedes the standards of Hygelac
o'er peaceful plains in pride advancing,
till Hrethelings fought in the fenced town. [1]
Then Ongentheow with edge of sword,
the hoary-bearded, was held at bay,
and the folk-king there was forced to suffer
Eofor's anger. In ire, at the king
Wulf Wonreding with weapon struck;
and the chieftain's blood, for that blow, in streams
flowed 'neath his hair. No fear felt he,
stout old Scylfing, but straightway repaid
119
in better bargain that bitter stroke
and faced his foe with fell intent.
Nor swift enough was the son of Wonred
answer to render the aged chief;
too soon on his head the helm was cloven;
blood-bedecked he bowed to earth,
and fell adown; not doomed was he yet,
and well he waxed, though the wound was sore.
Then the hardy Hygelac-thane, [2]
when his brother fell, with broad brand smote,
giants' sword crashing through giants'-helm
across the shield-wall: sank the king,
his folk's old herdsman, fatally hurt.
There were many to bind the brother's wounds
and lift him, fast as fate allowed
his people to wield the place-of-war.
But Eofor took from Ongentheow,
earl from other, the iron-breastplate,
hard sword hilted, and helmet too,
and the hoar-chief's harness to Hygelac carried,
who took the trappings, and truly promised
rich fee 'mid folk, - and fulfilled it so.
For that grim strife gave the Geatish lord,
Hrethel's offspring, when home he came,
to Eofor and Wulf a wealth of treasure,
Each of them had a hundred thousand [3]
in land and linked rings; nor at less price reckoned
mid-earth men such mighty deeds!
And to Eofor he gave his only daughter
in pledge of grace, the pride of his home.
'Such is the feud, the foeman's rage,
death-hate of men: so I deem it sure
that the Swedish folk will seek us home
for this fall of their friends, the fighting-Scylfings,
when once they learn that our warrior leader
lifeless lies, who land and hoard
ever defended from all his foes,
furthered his folk's weal, finished his course
a hardy hero. - Now haste is best,
that we go to gaze on our Geatish lord,
and bear the bountiful breaker-of-rings
to the funeral pyre. No fragments merely
120
shall burn with the warrior. Wealth of jewels,
gold untold and gained in terror,
treasure at last with his life obtained,
all of that booty the brands shall take,
fire shall eat it. No earl must carry
memorial jewel. No maiden fair
shall wreathe her neck with noble ring:
nay, sad in spirit and shorn of her gold,
oft shall she pass o'er paths of exile
now our lord all laughter has laid aside,
all mirth and revel. Many a spear
morning-cold shall be clasped amain,
lifted aloft; nor shall lilt of harp
those warriors wake; but the wan-hued raven,
fain o'er the fallen, his feast shall praise
and boast to the eagle how bravely he ate
when he and the wolf were wasting the slain.'
So he told his sorrowful tidings,
and little [4] he lied, the loyal man
of word or of work. The warriors rose;
sad, they climbed to the Cliff-of-Eagles,
went, welling with tears, the wonder to view.
Found on the sand there, stretched at rest,
their lifeless lord, who had lavished rings
of old upon them. Ending-day
had dawned on the doughty-one; death had seized
in woful slaughter the Weders' king.
There saw they, besides, the strangest being,
loathsome, lying their leader near,
prone on the field. The fiery dragon,
fearful fiend, with flame was scorched.
Reckoned by feet, it was fifty measures
in length as it lay. Aloft erewhile
it had revelled by night, and anon come back,
seeking its den; now in death's sure clutch
it had come to the end of its earth-hall joys.
By it there stood the stoups and jars;
dishes lay there, and dear-decked swords
eaten with rust, as, on earth's lap resting,
a thousand winters they waited there.
For all that heritage huge, that gold
of bygone men, was bound by a spell, [5]
121
so the treasure-hall could be touched by none
of human kind, - save that Heaven's King,
God himself, might give whom he would,
Helper of Heroes, the hoard to open, even such a man as seemed to him meet.
XLII
A PERILOUS path, it proved, he [1] trod
who heinously hid, that hall within,
wealth under wall! Its watcher had killed
one of a few, [2] and the feud was avenged
in woful fashion. Wondrous seems it,
what manner a man of might and valor
oft ends his life, when the earl no longer
in mead-hall may live with loving friends.
So Beowulf, when that barrow's warden
he sought, and the struggle; himself knew not
in what wise he should wend from the world at last.
For [3] princes potent, who placed the gold,
with a curse to doomsday covered it deep,
so that marked with sin the man should be,
hedged with horrors, in hell-bonds fast,
racked with plagues, who should rob their hoard.
Yet no greed for gold, but the grace of heaven,
ever the king had kept in view. [4]
Wiglaf spake, the son of Weohstan:'At the mandate of one, oft warriors many
sorrow must suffer; and so must we.
The people's-shepherd showed not aught
of care for our counsel, king beloved!
That guardian of gold he should grapple not, urged we,
but let him lie where he long had been
in his earth-hall waiting the end of the world,
the hest of heaven. - This hoard is ours
but grievously gotten; too grim the fate
which thither carried our king and lord.
I was within there, and all I viewed,
the chambered treasure, when chance allowed me
(and my path was made in no pleasant wise)
under the earth-wall. Eager, I seized
such heap from the hoard as hands could bear
122
and hurriedly carried it hither back
to my liege and lord. Alive was he still,
still wielding his wits. The wise old man
spake much in his sorrow, and sent you greetings
and bade that ye build, when he breathed no more,
on the place of his balefire a barrow high,
memorial mighty. Of men was he
worthiest warrior wide earth o'er
the while he had joy of his jewels and burg.
Let us set out in haste now, the second time
to see and search this store of treasure,
these wall-hid wonders, - the way I show you, where, gathered near, ye may gaze your fill
at broad-gold and rings. Let the bier, soon made,
be all in order when out we come,
our king and captain to carry thither
- man beloved - where long he shall bide
safe in the shelter of sovran God.'
Then the bairn of Weohstan bade command,
hardy chief, to heroes many
that owned their homesteads, hither to bring
firewood from far - o'er the folk they ruled for the famed-one's funeral. ' Fire shall devour
and wan flames feed on the fearless warrior
who oft stood stout in the iron-shower,
when, sped from the string, a storm of arrows
shot o'er the shield-wall: the shaft held firm,
featly feathered, followed the barb.'
And now the sage young son of Weohstan
seven chose of the chieftain's thanes,
the best he found that band within,
and went with these warriors, one of eight,
under hostile roof. In hand one bore
a lighted torch and led the way.
No lots they cast for keeping the hoard
when once the warriors saw it in hall,
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out,
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
123
Then the woven gold on a wain was laden countless quite! - and the king was borne,
hoary hero, to Hrones-Ness.
XLIII
THEN fashioned for him the folk of Geats
firm on the earth a funeral-pile,
and hung it with helmets and harness of war
and breastplates bright, as the boon he asked;
and they laid amid it the mighty chieftain,
heroes mourning their master dear.
Then on the hill that hugest of balefires
the warriors wakened. Wood-smoke rose
black over blaze, and blent was the roar
of flame with weeping (the wind was still),
till the fire had broken the frame of bones,
hot at the heart. In heavy mood
their misery moaned they, their master's death.
Wailing her woe, the widow [1] old,
her hair upbound, for Beowulf's death
sung in her sorrow, and said full oft
she dreaded the doleful days to come,
deaths enow, and doom of battle,
and shame. - The smoke by the sky was devoured.
The folk of the Weders fashioned there
on the headland a barrow broad and high,
by ocean-farers far descried:
in ten days' time their toil had raised it,
the battle-brave's beacon. Round brands of the pyre
a wall they built, the worthiest ever
that wit could prompt in their wisest men.
They placed in the barrow that precious booty,
the rounds and the rings they had reft erewhile,
hardy heroes, from hoard in cave, trusting the ground with treasure of earls,
gold in the earth, where ever it lies
useless to men as of yore it was.
Then about that barrow the battle-keen rode,
atheling-born, a band of twelve,
lament to make, to mourn their king,
chant their dirge, and their chieftain honor.
124
They praised his earlship, his acts of prowess
worthily witnessed: and well it is
that men their master-friend mightily laud,
heartily love, when hence he goes
from life in the body forlorn away.
Thus made their mourning the men of Geatland,
for their hero's passing his hearth-companions:
quoth that of all the kings of earth,
of men he was mildest and most beloved,
to his kin the kindest, keenest for praise.
~ Charles Baudelaire,#NFDB
47 Poetry
33 Fiction
23 Occultism
12 Integral Yoga
7 Philosophy
5 Philsophy
4 Psychology
3 Mysticism
2 Mythology
2 Christianity
1 Yoga
1 Science
1 Alchemy
18 H P Lovecraft
15 Percy Bysshe Shelley
14 Sri Aurobindo
11 James George Frazer
6 William Wordsworth
6 Satprem
6 Aleister Crowley
5 The Mother
5 Ralph Waldo Emerson
4 Plato
4 Carl Jung
3 John Keats
2 William Butler Yeats
2 Sri Ramakrishna
2 Robert Browning
2 Peter J Carroll
2 Ovid
2 Nolini Kanta Gupta
2 Friedrich Schiller
2 Franz Bardon
2 Edgar Allan Poe
18 Lovecraft - Poems
15 Shelley - Poems
11 The Golden Bough
6 Wordsworth - Poems
5 Liber ABA
5 Emerson - Poems
3 The Synthesis Of Yoga
3 The Secret Doctrine
3 Keats - Poems
2 Yeats - Poems
2 The Practice of Magical Evocation
2 The Archetypes and the Collective Unconscious
2 Sri Aurobindo or the Adventure of Consciousness
2 Schiller - Poems
2 Savitri
2 Record of Yoga
2 Poe - Poems
2 Metamorphoses
2 Liber Null
2 Crowley - Poems
2 Browning - Poems
2 Advanced Dungeons and Dragons 2E
01.13 - T. S. Eliot: Four Quartets, #Collected Works of Nolini Kanta Gupta - Vol 02, #Nolini Kanta Gupta, #Integral Yoga
The Divine Love is a greater fire than the low smouldering fire that our secular unregenerate life is. One has to choose and declare his adhesion. Indeed, the stage of conversion, the crucial turn from the ordinary life to the spiritual life Eliot has characterised in a very striking manner. We usually say, sometimes in an outburst of grief, sometimes in a spirit of sudden disgust and renunciation that the world is dark and dismal and lonesome, the only thing to do here is to be done with it. The true renunciation, that which is deep and abiding, is not, however, so simple a thing, such a short cut. So our poet says, but the world is not dark enough, it is not lonesome enough: the world lives and moves in a superficial half-light, it is neither real death nor real life, it is death in life. It is this miserable mediocrity, the shallow uncertainty of consciousness that spells danger and ruin for the soul. Hence the poet exclaims:
. . . . Not here
0 1962-09-08, #Agenda Vol 03, #The Mother, #Integral Yoga
(Mother looks unwell. She seems to have been having some fainting spells, but this is not clear.)
Are you tired?
0 1964-11-12, #Agenda Vol 05, #The Mother, #Integral Yoga
As a matter of fact, it was after I spoke to him (I mentioned it to him as a sort of dizzy spell) that I was able to perceive precisely those routes. I wondered if it wasnt the projection on a magnifying screen of phenomena taking place between different brain cells? Because those sorts of dizzy spells always follow (today there hasnt been anything at all), they always follow a moment or a day of intense aspiration for the transformation of the brain. It may be that. You know, all those brain cells in there are hitched together, and if those hitchings are disturbed, generally people become deranged; and it gave me the impression of a magnifying projection enabling me to follow the connections established between certain brain cells, so that the functioning may not be the automatic, semiconscious functioning of the old state anymore and the brain may truly become the instrument of the higher Force. Because the formula of my aspiration is always, Lord, take possession of this brain, and its always after this intense aspiration that those kinds of phenomena occur. So it is to prepare the brain to be the direct expression of the higher Force.
This is what I have learned these last few days.
0 1965-01-12, #Agenda Vol 06, #The Mother, #Integral Yoga
(Soon afterwards, about Satprems illness. It may be noted that since his operation for a complicated peritonitisSatprem has been a victim of violent bouts of fever with fainting spells, as if the heart were giving way. Yet he walks about and goes on with his work. This Agenda will again be interrupted for more than a month, Satprem having to be taken to the Vellore hospital, 120 miles from Pondicherry.)
You must emerge from this (Mother touches her forehead) completely, but emerge, you know, into Freedom (gesture of a bursting above), because I have some things Id like to tell you, beautiful things, but I can tell them only when you feel that you are on top of the situation.
0 1970-03-07, #Agenda Vol 11, #The Mother, #Integral Yoga
I wanted to tell you first that Nolini had a very interesting experience. That was yesterday. He hadnt been well for the past day or two: he had spells of dizziness, could hardly walk, anyway rather miserable. Then, suddenly (he had to go to the bathroom and had to walk, but his steps werent even steady), suddenly there came into him, All this is because your physical consciousness doesnt have trust: it doesnt believe, doesnt have trust. Then, ALL AT ONCE, he felt something as if seizing him, and everything went away! He was perfectly fine, and it remained like that. He knew very well that in his physical consciousness there was doubt and all the old ideashe swept it all aside and found himself perfectly fine. It happened in the morning; I saw him in the evening, and he was perfectly fine. Thats interesting.
There, thats all I wanted to say.
02.06 - The Kingdoms and Godheads of the Greater Life, #Savitri, #Sri Aurobindo, #Integral Yoga
As one who spells illumined characters,
The key-book of a crabbed magician text,
02.10 - The Kingdoms and Godheads of the Little Mind, #Savitri, #Sri Aurobindo, #Integral Yoga
This constant change spells progress to her eyes:
Her thought is an endless march without a goal.
02.11 - New World-Conditions, #Collected Works of Nolini Kanta Gupta - Vol 01, #Nolini Kanta Gupta, #Integral Yoga
With this perspective in view, keeping always in front the probable shape of things to come, one must learn to consider the present, look for those forces that make for the new world and thus help the course of evolution and progress. Nature does not care for her past formations, she is not bound to them; she is always throwing up chances and opportunitiesvariations-for new developments. Nature red in tooth and claw is only one side of the shield; and the picture is not as true today as it was even a few hundred years ago, in spite of the spells of devastating carnage she still allows in her surface movements. It may be that the very pressure and insistence of an inner harmony has brought to the fore, made acute difficulties and contraries that have to be met and solved for good.
International co-operation has become a thing of immediate necessity, of practical utility. We met in San Francisco, not out of the spirit of sheer idealism or altruism but because we were forced to it. Circumstances have come to such a pass that even local needs, natural aspirations can be best met and served in and through international understanding. It is the solution of international problems, the amelioration of international relations first that would more easily lead to the solution of national problems than the other way round, which was perhaps the normal direction of the world-forces even a decade or two ago. Such world-organisations as the UNRRA or even the Red Cross, although they do not go deep enough into the root problems and are not powerful enough to mould or control world-forces, appearing more or less as charitable institutions, are still concrete expressions of an urgent immediate demand for mutuality and solidarity among the nations, even between warring nations.
1.01 - A NOTE ON PROGRESS, #The Future of Man, #Pierre Teilhard de Chardin, #Christianity
simply a state of very slow movement, or of rest between spells of
movement. It is true that we have not yet succeeded in shaping life
1.01 - Archetypes of the Collective Unconscious, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
of spirits, the lifting of spells, the averting of the evil omen,
propitiation, purification, and the production by sympathetic
1.01 - To Watanabe Sukefusa, #Beating the Cloth Drum Letters of Zen Master Hakuin, #unset, #Zen
It was a truly dreadful state of affairs. Being wealthy, the family freely dispensed money for physicians. Practitioners were called in to employ their magic spells and incantations. But none of them was able to diminish the young man's suffering. At this point, with the situation becoming extremely dire, they came to the temple where I was staying to offer prayers and other devotions. The assembly of monks performed secret rites on the afflicted man's behalf throughout the night. When morning came, they brought me some purified rice, saying, "He should sleep easier tonight."
I immediately scotched that assumption. "No, he will probably suffer even more tonight. Despite your prayers, I am afraid he will undergo even worse sweating spells. Prayers and religious rites cannot help people who are suffering retri bution for unfilial acts."
After I left the temple, word reached me that the gods and Buddhas had protected him and that his life was no longer in danger. But his eyes had been destroyed, his hearing was gone, and he seemed to have lost his desire to live.
1.04 - Magic and Religion, #The Golden Bough, #James George Frazer, #Occultism
by the appropriate ceremonies and spells. In ancient Egypt, for
example, the magicians claimed the power of compelling even the
--
sorcerers, who, by means of their spells, exercise such an
ascendency over the mightiest deities, that these are bound
--
to the gods; the gods are subject to the spells (_mantras_); the
spells to the Brahmans; therefore the Brahmans are our gods."
--
nature to his wishes by the sheer force of spells and enchantments
before he strove to coax and mollify a coy, capricious, or irascible
1.06 - Quieting the Vital, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
The seeker will no longer be fooled by the dubious game going on in his surface vital, but for a long time he will keep the habit of responding to the thousands of small biological and emotional vibrations circling around him. The transition takes time, much as the transition from the world-mongering mind to mental silence did, and it is often accompanied by spells of intense fatigue, because our organism loses the habit of renewing its energy at the common superficial source (which soon appears crude and heavy once we have tasted the other type of energy), yet it still lacks the capacity to remain constantly connected to the true source, hence some "gaps." But here again the seeker is helped by the descending Force, which powerfully contri butes to establish a new rhythm in him. He even notices, with ever-renewed astonishment, that if he takes but one small step forward, the Help from above will take ten toward him as if he were expected. It would be quite wrong to believe that the work is only negative, however; naturally the vital likes to think that it is making huge efforts to struggle against itself, which is its skillful way of protecting itself on all fronts, but in practice the seeker does not follow an austere or negative rule; he follows a positive need within his being, because he is truly growing out of yesterday's norms and yesterday's pleasures, which now feel to him like a baby's diet. He is no longer content with all that; he has better things to do, better things to live. This is why it is so difficult to explain the path to one who has never tried it, for he will see only his own current perspective or,
rather, the loss of his perspective. Yet if we only knew how each loss of perspective is a step forward, how greatly life changes when we pass from the stage of closed truths to that of open truths a truth like life itself, too great to be confined within limited perspectives, because it embraces them all and sees the usefulness of each thing at each stage of an infinite development; a truth great enough to deny itself and move endlessly to a higher truth.
1.07 - BOOK THE SEVENTH, #Metamorphoses, #Ovid, #Poetry
She knew the vertue of the spells she gave,
She knew the force, and knew her lover brave;
--
Songs, mutt'ring spells, your magick forces join;
And thou, O Earth, the magazine that yields
1.07 - Standards of Conduct and Spiritual Freedom, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
26:The older religions erected their rule of the wise, their dicta of Manu or Confucius, a complex Shastra in which they attempted to combine the social rule and moral law with the declaration of certain eternal principles of our highest nature in some kind of uniting amalgam. All three were treated on the same ground as equally the expression of everlasting verities, sanatana dharma. But two of these elements are evolutionary and valid for a time, mental constructions, human readings of the will of the Eternal; the third, attached and subdued to certain social and moral formulas, had to share the fortunes of its forms. Either the Shastra grows obsolete and has to be progressively changed or finally cast away or else it stands as a rigid barrier to the self-development of the individual and the race. The Shastra erects a collective and external standard; it ignores the inner nature of the individual, the indeterminable elements of a secret spiritual force within him. But the nature of the individual will not be ignored; its demand is inexorable. The unrestrained indulgence of his outer impulses leads to anarchy and dissolution, but the suppression and coercion of his soul's freedom by a fixed and mechanical rule spells stagnation or an inner death. Not this coercion or determination from outside, but the free discovery of his highest spirit and the truth of an eternal movement is the supreme thing that he has to discover.
27:The higher ethical law is discovered by the individual in his mind and will and psychic sense and then extended to the race. The supreme law also must be discovered by the individual in his spirit. Then only, through a spiritual influence and not by the mental idea, can it be extended to others. A moral law can be imposed as a rule or an ideal on numbers of men who have not attained that level of consciousness or that fineness of mind and will and psychic sense in which it can become a reality to them and a living force. As an ideal it can be revered without any need of practice. As a rule it can be observed in its outsides even if the inner sense is missed altogether. The supramental and spiritual life cannot be mechanised in this way, it cannot be turned into a mental ideal or an external rule. It has its own great lines, but these must be made real, must be the workings of an active Power felt in the individual's consciousness and the transcriptions of an eternal Truth powerful to transform mind, life and body. And because it is thus real, effective, imperative, the generalisation of the supramental consciousness and the spiritual life is the sole force that can lead to individual and collective perfection in earth's highest creatures. Only by our coming into constant touch with the divine Consciousness and its absolute Truth can some form of the conscious Divine, the dynamic Absolute, take up our earth-existence and transform its strife, stumbling, sufferings and falsities into an image of the supreme Light, Power and Ananda.
1.09 - ADVICE TO THE BRAHMOS, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
"A child spells out every word as he writes, but later on he writes fluently.
"The goldsmith is up and doing while melting gold. As long as the gold hasn't melted, he works the bellows with one hand, moves the fan with the other, and blows through a pipe with his mouth. But the moment the gold melts and is poured into the mould, he is relieved of all anxiety.
1.10 - BOOK THE TENTH, #Metamorphoses, #Ovid, #Poetry
And spoke the pow'rful spells, that babes to birth disclose.
The bark divides, the living load to free,
1.12 - The Sacred Marriage, #The Golden Bough, #James George Frazer, #Occultism
the Mediterranean to the Arctic Ocean. But if these old spells and
enchantments for the growth of leaves and blossoms, of grass and
1.12 - The Superconscient, #Sri Aurobindo or the Adventure of Consciousness, #Satprem, #Integral Yoga
There exists in India a secret knowledge based upon sounds and the differences of vibratory modes found on different planes of consciousness. If we pronounce the sound OM, for example, we clearly feel its vibrations enveloping the head centers, while the sound RAM affects the navel center. And since each of our centers of consciousness is in direct contact with a plane, we can, by the repetition of certain sounds (japa), come into contact with the corresponding plane of consciousness.200 This is the basis of an entire spiritual discipline, called "tantric" because it originates from sacred texts known as Tantra. The basic or essential sounds that have the power to establish the contact are called mantras. The mantras, usually secret and given to the disciple by his Guru,201 are of all kinds (there are many levels within each plane of consciousness), and may serve the most contradictory purposes. By combining certain sounds, one can at the lower levels of consciousness generally at the vital level come in contact with the corresponding forces and acquire many strange powers: some mantras can cause death (in five minutes, with violent vomiting), some mantras can strike with precision a particular part or organ of the body, some mantras can cure, some mantras can start a fire, protect, or cast spells. This type of magic, or chemistry of vibrations, derives simply from a conscious handling of the lower vibrations. But there is a higher magic, which also derives from handling vibrations, on higher planes of consciousness. This is poetry, music, the spiritual mantras of the Upanishads and the Veda, the mantras given by a Guru to his disciple to help him come consciously into direct contact with a special plane of consciousness, a force or a divine being. In this case, the sound holds in itself the power of experience and realization it is a sound that makes one see.
Similarly, poetry and music, which are but unconscious processes of handling these secret vibrations, can be a powerful means of opening up the consciousness. If we could compose conscious poetry or music through the conscious manipulation of higher vibrations, we would create masterpieces endowed with initiatory powers. Instead of a poetry that is a fantasy of the intellect and a nautch-girl of the mind,202 as Sri Aurobindo put it, we would create a mantric music or poetry to bring the gods into our life. 203 For true poetry is action; it opens little inlets in the consciousness we are so walled in, so barricaded! through which the Real can enter. It is a mantra of the Real,204 an initiation. This is what the Vedic rishis and the seers of the Upanishads did with their mantras, which have the power of communicating illumination to one who is ready. 205 This is what Sri Aurobindo has explained in his Future Poetry and what he has accomplished himself in Savitri.
1.14 - The Book of Magic Formulae, #The Practice of Magical Evocation, #Franz Bardon, #Occultism
First of all the book of formulae is not to be understood in a literal sense, for the expression "magic spells" or "magical formulae" used in the grimoires has served as a cloak for certain ideas. In other cases its object has been to take away the magician's consciousness from its normal state by barbaric words, names and expressions, and thus bring him into a state of ecstasy in which, it is assumed, he is able to influence a being. But generally speaking, the only success that untrained persons will have in this case, is hallucinations, phantoms or delusions, or incomplete, mediumistic results which need not be dealt with here. Usually such mediumistic results are, provided that they are genuine at all, the outcome of the extoriorisation of the person's unconsciousness. Sometimes elementals, and, should the person concerned have a strong capability for emanation, even elementaries might be formed which the genuine magician has already been informed about in "Initiation into Hermetics". These elementaries are falsely regarded as the beings which are the object of evocation, and a person whose astral senses have not yet been sufficiently developed is not able to tell the difference or to control the situation. Therefore readers are warned against trying to practise ritual magic without necessary training. Apart from disappointments, the disturbances in the person's spirit and soul could have most regrettable consequences for the health. A genuine magician who has completed his magical training, may, however, without any danger whatever, safely practise ritual magic. This field of magic is no place for dabbler's experiments but a scheme of operation which facilitates the magical labour for the mature magician with already developed powers.
The book of formulae, sometimes wrongly called the book of spirits, is the genuine magical diary of the magician practising ritual magic, in which he enters, step by step, the procedures of his ritual in order to be able to follow every point conscientiously up to his goal. Some readers might wish to know how mutilated charms, furmulae for incantation etc. could ever develop? From the days of yore the secret of magic has been restricted to high castes, potentates, kings and high priests. In order that the real truth, that true ideas and spiritual facts might never be known by the public, many code-words and secret formulae have been introduced, the deciphering of which has been reserved to the mature. The key for these codes was only transferred upon mature persons by word of mouth, and their profanation was punished with death. This is the reason why this science has remained a secret up to our time and it will continue to remain an occult and mystic science even if it is directly published, as the immature und profane person will regard it all as delusion or fantastic nonsense and, depending on his grade of maturity and psychic receptivity, will always have at hand an individual interpretation or view of this science. The most secret matters will thus never lose their occult tradition and there will always be but a few people who will profit by it. If a person who is not an initiate gets such a book of magic formulae in his hands and does not know the key to it, he will take everything in its literal sense without knowing that the particular words and formulae are nothing but aids for the magician's memory and that it is a schematic layout for the ritual work of a true magician. This makes it clear why sometimes the most senseless words have been used as magic charms to evoke a certain being. But the book of formulae is a proper note-book in which the genuine magician writes the whole procedure of his magic operations from beginning to end. If he is not sure that his book will never fall into the hands of another person, he will have to use, point by point, code-names. I can only give here a few instructions. These will, however, enable the magician to procede according to his own taste and ideas.
1.17 - Astral Journey Example, How to do it, How to Verify your Experience, #Magick Without Tears, #Aleister Crowley, #Philosophy
"There is help & hope in other spells. Wisdom says: be strong! Then canst thou bear more joy. Be not animal; refine thy rapture! If thou drink, drink by the eight and ninety rules of art: if thou love, exceed by delicacy; and if thou do aught joyous, let there be subtlety therein!
"But exceed! exceed!
1.18 - Evocation, #The Practice of Magical Evocation, #Franz Bardon, #Occultism
For the actual evocation of beings no spells or similar nonsense is necessary. Since, during the whole time of the evocation, the magician is in an elevated state, in a true relationship with God, he places himself with his consciousness into the sphere of the chosen being and, after having called out its name, asks the being to appear to him. The being hears the magician, at once reacts to his call, and quite willingly comes near him. A true magician will never be obliged to threaten a being or do anything of that sort in order to make the being obedient to his will. This may only happen with stubborn demons to whom the magician demonstrates the power of his relationship to God. In the case of a true relationship to God, hardly any being, no matter what rank it may have, will ever dare to place itself in opposition to the divinity, for the divinity is the power by which the being was created, and therefore it must be respected.
Since, for the magician, the saying is true that the stars influence, but do not force, it is left to the magician to fix the time for the evocation according to astrological rules, provided that he has a fundamental knowledge of astrology and is therefore able to fix the favourable planetary moments in respect of the relevant beings.
1.18 - The Perils of the Soul, #The Golden Bough, #James George Frazer, #Occultism
pictures to cast spells on them, and they alleged that a photograph
of the scenery blighted the landscape. Until the reign of the late
1.201 - Socrates, #Symposium, #Plato, #Philosophy
Interpreting and conveying all that passes between gods and humans: from humans, petitions and sacrificial offerings, and from gods, instructions and the favours they return. Spirits, being intermediary, fill the space between the other two, so that all are bound together into one entity. It is by means of spirits that all divination can take place, the whole craft of seers and priests, with their sacrifices, rites and spells, and all prophecy and magic. Deity and humanity are completely separate, but through the mediation of spirits all converse and communication from gods to humans, waking and sleeping, is made possible. The man who is wise in these matters is a man of the spirit,152 whereas the man who is wise in a skill153 or a manual craft,154 which is a different sort of expertise, is materialistic.155 These spirits are many and of many kinds, and one of them is Love.
And who are his father and mother? I asked.
1.20 - The Fourth Bolgia Soothsayers. Amphiaraus, Tiresias, Aruns, Manto, Eryphylus, Michael Scott, Guido Bonatti, and Asdente. Virgil reproaches Dante's Pity., #The Divine Comedy, #Dante Alighieri, #Christianity
They wrought their magic spells with herb and image.
But come now, for already holds the confines
1.21 - Tabooed Things, #The Golden Bough, #James George Frazer, #Occultism
from the chief." Amongst the Maoris many spells were uttered at
hair-cutting; one, for example, was spoken to consecrate the
--
certain spells and curses over it in a falsetto voice and buried it
in the ground. As the thing decayed, the person to whom it had
--
enemies, who would, by means of it, be able to cast spells over him
and so compass his destruction. When the top-knot of a Siamese child
--
certain spells as he does so in the belief that his foe will waste
away as the potato dries in the smoke. Or he will put the spittle in
--
draw Daphnis to her from the city by spells and by tying three knots
on each of three strings of different colours. So an Arab maiden,
1.22 - Tabooed Words, #The Golden Bough, #James George Frazer, #Occultism
the breath of life, whose spells chase pain away, whose word maketh
the dead to live. She said, "What is it, divine Father? what is it?"
1.29 - The Myth of Adonis, #The Golden Bough, #James George Frazer, #Occultism
they performed ceremonies and recited spells to make the rain to
fall, the sun to shine, animals to multiply, and the fruits of the
1.38 - The Myth of Osiris, #The Golden Bough, #James George Frazer, #Occultism
child and uttered her powerful spells; so the poison was driven out
of the child and he lived. Afterwards Isis herself gave birth to a
1.53 - The Propitation of Wild Animals By Hunters, #The Golden Bough, #James George Frazer, #Occultism
practice by Koui hunters in Laos; they think that the spells which
they utter in the chase may lose their magical virtue, and that the
1.57 - Public Scapegoats, #The Golden Bough, #James George Frazer, #Occultism
sorceress has uttered some spells over it. They believe that by
performing this ceremony they dispel all the illnesses that would
1.62 - The Fire-Festivals of Europe, #The Golden Bough, #James George Frazer, #Occultism
witches were abroad and busy casting spells on cattle and stealing
cows' milk. To counteract their machinations, pieces of rowan-tree
--
against lightning, conflagrations, and spells.
In Brittany, apparently, the custom of the midsummer bonfires is
1.63 - The Interpretation of the Fire-Festivals, #The Golden Bough, #James George Frazer, #Occultism
power of the fire to remove those obstacles which the spells of
witches and wizards notoriously present to the union of man and
1958-09-10 - Magic, occultism, physical science, #Questions And Answers 1957-1958, #The Mother, #Integral Yoga
He is in a state of consciousness and inner power which automatically protects him from everything that is inferior. Naturally, he can also use his power deliberately to protect others. This rebounding of the bad formation from his atmosphere automatically protects him, but if this bad formation is made against someone he is protecting or simply someone who asks for his help, then he can, by a movement of his own atmosphere, his own aura, surround the person who is exposed to the evil magic spells, and the rebounding process acts in the same way and causes the bad formation to fall back quite naturally on the one who made it. But in this case the conscious will of the yogi or saint or sage is needed. He has to be informed about what has happened and he must decide to intervene.
That is the difference between true knowledge and magic.
1.ac - Au Bal, #Crowley - Poems, #Aleister Crowley, #Philosophy
Of sorceries, of spells, of necromancies;
And all my spirit shudders; dew bedims
1.ac - Independence, #Crowley - Poems, #Aleister Crowley, #Philosophy
Are there spells beyond ours? Are there alien charms?
Come to my arms, Laylah, come to my arms!
1f.lovecraft - Cool Air, #Lovecraft - Poems, #unset, #Zen
Physicians had told me of the danger of those spells, and I knew there
was no time to be lost; so remembering what the landlady had said about
1f.lovecraft - Old Bugs, #Lovecraft - Poems, #unset, #Zen
folk of Sheehans deemed foolish and irrational. But the spells would
soon pass, and once more Old Bugs would resume his eternal
1f.lovecraft - Out of the Aeons, #Lovecraft - Poems, #unset, #Zen
even seeking to awaken it to life by spells and incantationswas
emphasised and reiterated in the most sensational fashion.
1f.lovecraft - Pickmans Model, #Lovecraft - Poems, #unset, #Zen
elevated last year. There were witches and what their spells summoned;
pirates and what they brought in from the sea; smugglers;
1f.lovecraft - The Call of Cthulhu, #Lovecraft - Poems, #unset, #Zen
Their great city of Rlyeh, preserved by the spells of mighty Cthulhu
for a glorious resurrection when the stars and the earth might once
--
serve to liberate Their bodies. The spells that preserved Them intact
likewise prevented Them from making an initial move, and They could
1f.lovecraft - The Colour out of Space, #Lovecraft - Poems, #unset, #Zen
the soil. His wife now had spells of terrific screaming, and he and the
boys were in a constant state of nervous tension. They shunned people
1f.lovecraft - The Curse of Yig, #Lovecraft - Poems, #unset, #Zen
Yes. There were lucid spells at first, but they got to be fewer and
fewer. Her hair came white at the roots as it grew, and later began to
1f.lovecraft - The Dream-Quest of Unknown Kadath, #Lovecraft - Poems, #unset, #Zen
name is forgotten. spells of the Elder Ones keep those places unharmed
and undecayed, for it is written that there may one day be need of them
1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
practiced her spells. It had been vacant from the first-for no one had
ever been willing to stay there long-but the Polish landlord had grown
1f.lovecraft - The Dunwich Horror, #Lovecraft - Poems, #unset, #Zen
spells might be all rightbut suppose they werent? Voices began
questioning Armitage about what he knew of the thing, and no reply
1f.lovecraft - The Loved Dead, #Lovecraft - Poems, #unset, #Zen
spells of morbid moroseness, I was ostracized by the healthy normal
youngsters of my own age. They dubbed me a spoil-sport, an old woman,
1f.lovecraft - The Man of Stone, #Lovecraft - Poems, #unset, #Zen
I married him only under one of those spells that he was able to lay on
people. I guess he hypnotised both my father and me, for he was always
1f.lovecraft - The Other Gods, #Lovecraft - Poems, #unset, #Zen
their spells and barriers are as naught; Barzai will behold the gods,
the proud gods, the secret gods, the gods of earth who spurn the sight
1f.lovecraft - The Shadow over Innsmouth, #Lovecraft - Poems, #unset, #Zen
go daown fer little spells afore they go fer good. Aint ben seed
abaout in public fer nigh on ten year. Dunt know haow his poor wife
1f.lovecraft - The Whisperer in Darkness, #Lovecraft - Poems, #unset, #Zen
very competent host for a day or two. These spells hit him hard when
they came, and were always accompanied by a debilitating fever and
--
No, thankstheres nothing you can do for me. I know these spells of
old. Just come back for a little quiet visiting before night, and then
1f.lovecraft - Through the Gates of the Silver Key, #Lovecraft - Poems, #unset, #Zen
too persistentthey interfered with his duties in weaving spells to
keep the frightful bholes in their burrows, and became mixed up with
--
feet and levelled a bleached, viscous end at him. But his spells were
effective, and in another moment he was falling away from Yaddith
1f.lovecraft - Two Black Bottles, #Lovecraft - Poems, #unset, #Zen
ever, for the old sexton was now free to cast his worst spells over the
town from the church across the moor. Muttering something in a tongue
--
incantations, he could cast spells over human beings. He had performed
horrible occult rites of his hellish creed, calling down anathema upon
1f.lovecraft - Winged Death, #Lovecraft - Poems, #unset, #Zen
vocal equipment is limited, but I noticed that its spells of buzzing
came in groups of four.
1.fs - Ode To Joy - With Translation, #Schiller - Poems, #Friedrich Schiller, #Poetry
Your spells bind again
What the fashion sword shared
1.fs - The Conflict, #Schiller - Poems, #Friedrich Schiller, #Poetry
Thy spells, O virtue, never can assuage
The heart's wild firethis offering do not ask
1.jk - Endymion - Book II, #Keats - Poems, #John Keats, #Poetry
My charming rod, my potent river spells;
Yes, every thing, even to the pearly cup
1.jk - Sonnet II. To ........., #Keats - Poems, #John Keats, #Poetry
I'll gather some by spells, and incantation.
'Tom Keats's copy-book contains a transcript of this sonnet showing no variation in the text, except by a copyist's error at the end, -- the last word being 'incantations.' There is no heading beyond the word Sonnet, no date, and no clue to the identity of the person addressed.' ~ Poetical Works of John Keats, ed. H. Buxton Forman, Crowell publ. 1895. by owner. provided at no charge for educational purposes
1.jk - Sonnet - Oh! How I Love, On A Fair Summers Eve, #Keats - Poems, #John Keats, #Poetry
When some melodious sorrow spells mine eyes.
'First given among the Literary Remains in the Life, Letters &c. (1848), with the date 1816.'
1.jwvg - The Treasure Digger, #Goethe - Poems, #Johann Wolfgang von Goethe, #Poetry
Trusting in thy spells absurd;
Dig no longer fruitlessly.
1.pbs - A Summer Evening Churchyard - Lechlade, Gloucestershire, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
They breathe their spells towards the departing day,
Encompassing the earth, air, stars, and sea;
--
Obeyest in silence their sweet solemn spells,
Clothing in hues of heaven thy dim and distant spire,
1.pbs - Epipsychidion, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
And murmured names and spells which have control
Over the sightless tyrants of our fate;
1.pbs - Hymn to Intellectual Beauty, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Frail spells--whose uttered charm might not avail to sever,
From all we hear and all we see,
--
Whom, Spirit fair, thy spells did bind
To fear himself, and love all human kind.
1.pbs - Letter To Maria Gisborne, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Which by the force of figured spells might win
Its way over the sea, and sport therein;
--
Plotting dark spells, and devilish enginery,
The self-impelling steam-wheels of the mind
1.pbs - Ode To Liberty, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Thou Heaven of earth! what spells could pall thee then
In ominous eclipse? a thousand years
1.pbs - Ode To Naples, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
By moonlight spells ancestral epitaphs,
Murmuring, Where is Doria? fair Milan,
1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Whose spells have stolen my spirit as I slept
And mingled it with thine: for when just now
--
These are the spells by which to reassume
An empire o'er the disentangled doom.
1.pbs - Queen Mab - Part I., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
These the Queen of spells drew in;
She spread a charm around the spot,
1.pbs - Queen Mab - Part II., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Entered the Hall of spells.
Those golden clouds
1.pbs - Queen Mab - Part III., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
And on the Queen of spells
Fixed her ethereal eyes,
1.pbs - Queen Mab - Part IX., #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
My spells are passed; the present now recurs.
Ah me! a pathless wilderness remains
1.pbs - The Daemon Of The World, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
My spells are past: the present now recurs.
Ah me! a pathless wilderness remains
1.pbs - The Revolt Of Islam - Canto I-XII, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
There with the music of thine own sweet spells
Will disenchant the captives, and will pour
--
Who shook with mortal spells his undefended reign?
'Ay, there is famine in the gulf of hell,
1.pbs - The Witch Of Atlas, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
Obey the spells of Wisdom's wizard skill;
Time, earth, and firethe ocean and the wind,
1.pbs - To The Nile, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
By Niles aereal urn, with rapid spells
Urging those waters to their mighty end.
1.poe - The Coliseum, #Poe - Poems, #unset, #Zen
O spells more sure than e'er Judaean king
Taught in the gardens of Gethsemane!
1.poe - To -- (3), #Poe - Poems, #unset, #Zen
Could hope to utter. And I! my spells are broken.
The pen falls powerless from my shivering hand.
1.rb - Paracelsus - Part II - Paracelsus Attains, #Browning - Poems, #Robert Browning, #Poetry
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
1.rb - Sordello - Book the First, #Browning - Poems, #Robert Browning, #Poetry
Whose looks enjoin, whose lightest words are spells
On the obdurate! That right arm indeed
1.rmr - In The Beginning, #Rilke - Poems, #Rainer Maria Rilke, #Poetry
but these spells are always outweighed by the
number of His countless other worlds.
1.rt - The Gardener XLVIII - Free Me, #Tagore - Poems, #Rabindranath Tagore, #Poetry
Free me from your spells, and give
me back the manhood to offer you my
1.rwe - May-Day, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
By Fancy, ghastly spells undid.
Eldest mason, Frost, had piled,
--
Knows of Holy Book the spells,
Knows the law of Night and Day,
1.rwe - Seashore, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
I know what spells are laid. Leave me to deal
With credulous and imaginative man;
1.rwe - The Enchanter, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
Scatters on every eye dust of his spells,
Scent, form and color; to the flower and shells
1.rwe - Wakdeubsankeit, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
And with a million spells enchants
The souls that walk in pain.
1.rwe - Woodnotes, #Emerson - Poems, #Ralph Waldo Emerson, #Philosophy
Ponder my spells;
Song wakes in my pinnacles
--
The world is the ring of his spells,
And the play of his miracles.
1.wby - A Dramatic Poem, #Yeats - Poems, #William Butler Yeats, #Poetry
For all his spells will vanish when he dies,
Having their life in him.
--
Through wicked spells. That is not all the tale,
For he was killed. O! O! O! O! O! O!
--
If you had taken me by magic spells,
And killed a lover or husband at my feet -
1.wby - The Shadowy Waters - The Shadowy Waters, #Yeats - Poems, #William Butler Yeats, #Poetry
For all his spells will vanish when he dies,
Having their life in him.
--
Through wicked spells. That is not all the tale,
For he was killed. O! O! O! O! O! O!
--
If you had taken me by magic spells,
And killed a lover or husband at my feet
1.whitman - Song Of The Exposition, #Whitman - Poems, #unset, #Zen
And by the spells which ye vouchsafe,
To those, your ministers in earnest,
1.ww - Book Seventh [Residence in London], #unset, #Arthur C Clarke, #Fiction
Amid the fiery furnace. Charms and spells
Muttered on black and spiteful instigation
1.ww - Book Third [Residence at Cambridge], #unset, #Arthur C Clarke, #Fiction
That spells seemed on me when I was alone,
Yet could I only cleave to solitude
1.ww - Book Twelfth [Imagination And Taste, How Impaired And Restored ], #unset, #Arthur C Clarke, #Fiction
When spells forbade the voyager to land,
That fragrant notice of a pleasant shore
1.ww - Extempore Effusion upon the Death of James Hogg, #Wordsworth - Poems, #unset, #Zen
recurring spells of insanity and confinement in an asylum.
30-32.
1.ww - Laodamia, #Wordsworth - Poems, #unset, #Zen
Medea's spells dispersed the weight of years,
And son stood a youth 'mid youthful peers.
--
;son: the father of Jason, who was restored to youth by the spells of
Medea (see Ovid's Metamorphoses, VII, 159 ff.).
1.ww - To Sir George Howland Beaumont, Bart From the South-West Coast Or Cumberland 1811, #Wordsworth - Poems, #unset, #Zen
On which he stood, by spells unnatural bound,
Like a gaunt shaggy Porter forced to wait
2.02 - The Ishavasyopanishad with a commentary in English, #Isha Upanishad, #unset, #Zen
them only as intellectual marbles. And that spells in the end
a colossal selfishness, an increasing sensuality, lust of power,
2.03 - The Purified Understanding, #The Synthesis Of Yoga, #Sri Aurobindo, #Integral Yoga
The first cause of impurity in the understanding is the intermiscence of desire in the thinking functions, and desire itself is an impurity of the Will involved in the vital and emotional parts of our being. When the vital and emotional desires interfere with the pure Will-to-know, the thought-function becomes subservient to them, pursues ends other than those proper to itself and its perceptions are clogged and deranged. The understanding must lift itself beyond the siege of desire and emotion and, in order that it may have perfect immunity, it must get the vital parts and the emotions themselves purified. The will to enjoy is proper to the vital being but not the choice or the reaching after the enjoyment which must be determined and acquired by higher functions; therefore the vital being must be trained to accept whatever gain or enjoyment comes to it in the right functioning of the life in obedience to the working of the divine Will and to rid itself of craving and attachment. Similarly the heart must be freed from subjection to the cravings of the life-principle and the senses and thus rid itself of the false emotions of fear, wrath, hatred, lust, etc, which constitute the chief impurity of the heart. The will to love is proper to the heart, but here also the choice and reaching after love have to be foregone or tranquillised and the heart taught to love with depth and intensity indeed, but with a calm depth and a settled and equal, not a troubled and disordered intensity. The tranquillisation and mastery299 of these members is a first condition for the immunity of the understanding from error, ignorance and perversion. This purification spells an entire equality of the nervous being and the heart; equality, therefore, even as it was the first word of the path of works, so also is the first word of the path of knowledge.
The second cause of impurity in the understanding is the illusion of the senses and the intermiscence of the sense-mind in the thinking functions. No knowledge can be true knowledge which subjects itself to the senses or uses them otherwise than as first indices whose data have constantly to be corrected and overpassed. The beginning of Science is the examination of the truths of the world-force that underlie its apparent workings such as our senses represent them to be; the beginning of philosophy is the examination of the principles of things which the senses mistranslate to us; the beginning of spiritual knowledge is the refusal to accept the limitations of the sense-life or to take the visible and sensible as anything more than phenomenon of the Reality.
2.05 - The Tale of the Vampires Kingdom, #unset, #Arthur C Clarke, #Fiction
"God save us! At night a nasty tribe of women roams about here," the gravedigger must have answered, making the sign of the cross, "experts in philters and books of spells, seeking the ingredients for their witchcraft."
"Let us follow her and observe her behavior."
2.0 - THE ANTICHRIST, #Twilight of the Idols, #Friedrich Nietzsche, #Philosophy
proposition can be read quite plainly from history: history spells it
with appalling distinctness. Whereas we have just seen a religious
2.13 - The Book, #Liber ABA, #Aleister Crowley, #Philosophy
1:THE Book of spells or of Conjurations is the Record of every thought, word, and deed of the Magician; for everything that he has willed is willed to a purpose. It is the same as if he had taken an oath to perform some achievement.
2:Now this Book must be a holy Book, not a scribbling-book in which you jot down every piece of rubbish that comes into your head. It is written, Liber VII, v, 23: "Every breath, every word, every thought, every deed is an act of love with Thee. Be this devotion a potent spell to exorcise the demons of the Five."
--
4:Let him then be careful to write nothing therein that is inharmonious or untrue. Nor can he avoid this writing, for this is a Magick Book. If you abandon even for an hour the one purpose of your life, you will find a number of meaningless scratches and scrawls on the white vellum; and these cannot be erased. In such a case, when you come to conjure a demon by the power of the Book, he will mock you; he will point to all this foolish writing, more like his own than yours. In vain will you continue with the subsequent spells; you have broken by your own foolishness the chain which would have bound him.
5:Even the calligraphy of the Book must be firm, clear, and beautiful; in the cloud of incense it is hard to read the conjuration. While you peer dimly through the smoke, the demon will vanish, and you will have to write the terrible word "failure."
2.28 - The Divine Life, #The Life Divine, #Sri Aurobindo, #Integral Yoga
80: An alternative solution is the development of an enlightened reason and will of the normal man consenting to a new socialised life in which he will subordinate his ego for the sake of the right arrangement of the life of the community. If we inquire how this radical change is to be brought about, two agencies seem to be suggested, the agency of a greater and better mental knowledge, right ideas, right information, right training of the social and civic individual and the agency of a new social machinery which will solve everything by the magic of the social machine cutting humanity into a better pattern. But it has not been found in experience, whatever might have once been hoped, that education and intellectual training by itself can change man; it only provides the human individual and collective ego with better information and a more efficient machinery for its selfaffirmation, but leaves it the same unchanged human ego. Nor can human mind and life be cut into perfection - even into what is thought to be perfection, a constructed substitute, - by any kind of social machinery; matter can be so cut, thought can be so cut, but in our human existence matter and thought are only instruments for the soul and the life-force. Machinery cannot form the soul and life-force into standardised shapes; it can at best coerce them, make soul and mind inert and stationary and regulate the life's outward action; but if this is to be effectively done, coercion and compression of the mind and life are indispensable and that again spells either unprogressive stability or decadence.
81: The reasoning mind with its logical practicality has no other way of getting the better of Nature's ambiguous and complex movements than a regulation and mechanisation of mind and life. If that is done, the soul of humanity will either have to recover its freedom and growth by a revolt and a destruction of the machine into whose grip it has been cast or escape by a withdrawal into itself and a rejection of life. Man's true way out is to discover his soul and its self-force and instrumentation and replace by it both the mechanisation of mind and the ignorance and disorder of life-nature. But there would be little room and freedom for such a movement of self-discovery and self-effectuation in a closely regulated and mechanised social existence.
3.00 - Introduction, #Liber ABA, #Aleister Crowley, #Philosophy
Also the mantras and spells; the obeah and the wanga; the work
of the wand and the work of the sword: these he shall learn and
3.02 - The Practice Use of Dream-Analysis, #The Practice of Psycho therapy, #Carl Jung, #Psychology
higher consciousness. Also it has to do with sorcery and magical spells
especially the black night-horses which herald death.
3.11 - Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
object:3.11 - spells
class:chapter
--
Multiple bless spells are not cumulative. In addition to the verbal and somatic gesture components, the bless spell requires holy water.
This spell can be reversed by the priest to a curse spell that, when cast upon enemy creatures, lowers their morale and attack rolls by -1. The curse requires the sprinkling of unholy water.
--
This spell is particularly potent if bless and chant spells are cast in the area of effect.
Consequence ::: (Divination)
--
This spell allows the priest to alter the characteristics of certain extradimensional spaces such as those created by rope trick and similar spells or those contained in items like bags of holding or portable holes.
Extradimensional manipulation can increase or reduce the size of a single extradimensional space. The amount of increase or decrease depends on the level of the caster:
--
Memories of events that happened before the onset of the spell are not affected at all; these are safely stored in long-term memory. This means that the subject can cast any spells memorized before the memory wrack took effect, but he is likely to have difficulty casting the spell as described below.
The subject of this spell has a limited ability to act. He is restricted to one action at a time and must concentrate mightily to keep the situation and any planned actions in shortterm memory. As long as the subject is able to maintain concentration, he may act normally within these limits.
--
First, each member of the mindnet benefits from Intelligence, Wisdom, and Dexterity bonuses. The bonuses are equal to the bonuses held by the member of the mindnet with the highest ability score. For example, if five creatures in a mindnet have Wisdom scores of 15, 15, 16, 17, and 18, each creature would make saving throws, ability checks, and the like as if he had a Wisdom score of 18. Bonus spells are not gained due to enhanced
Wisdom, however.
Second, spells may be pooled among the spellcasters within the mindnet. Any priest may use a spell memorized by another priest with two conditions: the priest who has memorized the spell must allow its use; and a priest "borrowing" a spell may use only spells of levels he could normally cast. Such borrowing still causes the spell to be lost from the mind of the caster who memorized it. A caster may not borrow spells outside his normal class restrictions. Priests and wizards within a mindnet cannot mix their priestly and wizardly spells, nor can a specialist borrow a spell from an opposition school.
Third, each member of the mindnet is in constant mental communication. Each member knows what is happening at the locations of all other members.
--
While the tracker is dogging its quarry, its presence can be felt as an eery, creepy sensation of being watched. If the victim makes an initial save vs. paralyzation, each of the following stages lasts three hours instead of two. For the first two hours, the quarry has a general feeling of ill ease. In the third and fourth hours, the victim is distracted and nervous, and suffers a -1 penalty on all saving throws. In the fifth and sixth hours, the victim is convinced someone or something is following him and suffers a -3 penalty on saving throws and a -2 (or -10%) penalty on all other dice rolls. After six hours the victim is near his breaking point. He is unable to concentrate to cast spells or use any of his class's special abilities. All die rolls have a -5 (or -25%) penalty. After eight hours, he must make a saving throw vs. paralyzation. If he fails, he collapses, fevered and delirious.
This state persists until the tracker ceases to exist.
--
The physical mirror operates from only one direction; that is, only one side of the mirror reflects attacks. The caster of the mirror may direct spells and missile attacks normally through the space occupied by the mirror.
In the case of physical attacks, the attacker must roll to hit himself (without the armor class benefits of Dexterity or shield). spells turned back may require the caster to make a saving throw vs. his own spell. In both of these cases, range is important. If the distance between the initiator of the attack and the physical mirror is more than twice the range of the attack, the attacker is safe; the attack has insufficient range to travel from the attacker to the mirror and back again.
When the priest casts the spell, he must specify the location and orientation of the physical mirror disk. Once it is created, the disk cannot be moved.
If two physical mirror disks touch or intersect, they destructively interact and both immediately vanish. The resulting "ripples" in the space-time continuum are exceedingly destructive and inflict 3d10 hit points of damage on any creature within 35 yards (a saving throw is allowed for half-damage). This always includes the casters of the physical mirror spells.
The material component is a tiny mirror of polished platinum, worth at least 500 gp.
--
A building protected by preservation suffers only 25% of normal structural damage from sources such as siege engines, earthquakes (both natural and magical), and powerful weather-affecting spells. spells which directly affect the physical integrity of the structure (e.g., passwall, stone shape, transmute rock to mud) simply fail when cast on the protected building.
Preservation creates a permanent protection from evil spell on the affected building.
--
Magical spells allowing access to the building fail. Thus, creatures attempting to teleport or fly into the building are stopped. Birds and creatures with natural flight may enter the building normally.
If the building is a temple (or other consecrated building) dedicated to the Power that granted the spell, all priests inside it gain the benefit of a sanctuary spell for the duration of the preservation.
--
The participants can quickly share such personal concepts as plans, hopes, and fears, but they cannot share skills or spells. Thus, it is impossible to communicate the procedure for casting a particular spell or for picking a lock.
Communication through rapport is approximately 15 times faster than verbal communication. As with telepathy, the priest can establish separate "channels" to multiple individuals; each such linkage costs one casting of the spell. There is no
--
Any spells cast by the priest's allies during the previous turn are restored and may be used again. This does not apply to magical or spell-like effects from magical items or scrolls. Material components consumed in spellcasting during this time are also restored.
The reversion spell affects only creatures and characters. Equipment and magical items are not affected.
--
The creature within the extradimensional space can see and hear everything that occurs around him. However, he cannot cast spells, and no action of his can affect anyone or anything in the "real world."
While occupied, the extradimensional space is totally immobile. If the caster chooses to occupy the space, he can pass in and out of the space at will. Other creatures can leave or reenter the space only if the caster allows it. To an outside observer, an enclosed character who exits the space simply appears from nowhere.
--
No time passes for creatures affected by skip day; they are in the exact condition that they were in before the spell was cast. They are fatigued, have recovered no hit points, and carry the same spells. Wizards must wait for actual time to pass before they can memorize spells.
The affected creatures remain in the same location as they were before skip day was cast. Their immediate environment is likely to have changed; for instance, fires have burned out, enemies who were attacking have departed, and weather has changed for better or worse.
--
Even if the deity releases the priests, they are left severely drained. All spells memorized are lost until the priest can rest and perform his prayers once again. The physical drain leaves each priest with only 1 hit point upon awakening, regardless of the number of hit points the character had when the spell was cast. Since damage suffered during the spell takes effect instantly, any priest who is hurt dies immediately (although quick action by others might save him).
Each priest who survives the spell will be bound by a quest (a duty that must be completed in exchange for calling upon their god).
--
The caster cannot communicate or otherwise interact with the image. spells cannot be cast into the time pool.
The material components are a suitable reflective surface and a pinch of powdered quartz.
--
spells, including dispel magic, are totally incapable of affecting the subject in any way.
The subject does not age.
--
Uplift bestows increased spellcasting ability on one priest, including additional spells per level and use of spells beyond the caster's normal level. This cooperative spell requires two priests who must spend the day casting this spell. During the casting, the priests must decide which additional spells (of all levels) are desired. Upon completion of the casting, the priests touch palms, and the priest of higher level receives a charge of magical energy. This charge temporarily boosts the level of the priest for spellcasting purposes. The amount of increase is one level per five levels of the lower level caster
(fractions rounded up). If both priests are of equal level, the casters must decide who benefits from the spell.
The spell grants the priest the spellcasting ability of the new level. It does not improve hit points, attack rolls, or other abilities. If the increase allows more spells per level, the additional spells are instantly placed in the character's memory. A priest is also enabled to cast spells normally beyond his level. Range, duration, area of effect, and other variables are all based on the character's temporary level.
The increased effect lasts only 1 turn. At the end of the turn, all additional spells are lost and the character reverts to his normal level.
As an example, consider a party with a fallen comrade. The two priests in the party are 7th and 8th level, both unable to cast raise dead. After a night's rest, each priest adds uplift to his memorized spells. After casting the spell, the 8th-level priest suddenly gains the casting abilities of a 10th-level priest, including the ability to cast raise dead. At the end of one turn, the priest's abilities revert to 8th-level.
Casting this spell is an arduous task, causing a severe drain on the priests. When the spell expires, the uplifted character suffers 2d6 points of damage from mental exhaustion.
--
3.11 spells
conformance
3.14 - Of the Consecrations, #Liber ABA, #Aleister Crowley, #Philosophy
Supreme spells.
97
3.2.2 - Sleep, #Letters On Yoga IV, #Sri Aurobindo, #Integral Yoga
The sleep you describe in which there is a luminous silence or else the sleep in which there is Ananda in the cells, these are obviously the best states. The other hours, those of which you are unconscious, may be spells of a deep slumber in which you have gone out of the physical into the mental, vital or other planes. You say you were unconscious, but it may simply be that you do not remember what happened; for in coming back there is a sort of turning over of the consciousness, a transition or reversal, in which everything experienced in sleep except perhaps the last happening of all or else one that was very impressive, recedes from the physical awareness and all becomes as if a blank. There is another blank state, a state of inertia, not truly blank, but heavy and unremembering; but that is when one goes deeply and crassly into the subconscient; this subterranean plunge is very undesirable, obscuring, lowering, often fatiguing rather than restful, the reverse of the luminous silence.
***
4.04 - THE REGENERATION OF THE KING, #Mysterium Coniunctionis, #Carl Jung, #Psychology
[401] While peacock flesh135 was the queens diet, her drink was the blood of the green lion. Blood136 is one of the best-known synonyms for the aqua permanens, and its use in alchemy is often based on the blood symbolism and allegories of the Church.137 In the Cantilena the imbibitio (saturation)138 of the dead 139 arcane substance is performed not on the king, as in the Allegoria Merlini, but on the queen. The displacement and overlapping of images are as great in alchemy as in mythology and folklore. As these archetypal images are produced directly by the unconscious, it is not surprising that they exhibit its contamination of content 140 to a very high degree. This is what makes it so difficult for us to understand alchemy. Here the dominant factor is not logic but the play of archetypal motifs, and although this is illogical in the formal sense, it nevertheless obeys natural laws which we are far from having explained. In this respect the Chinese are much in advance of us, as a thorough study of the I Ching will show. Called by short-sighted Westerners a collection of ancient magic spells, an opinion echoed by the modernized Chinese themselves, the I Ching is a formidable psychological system that endeavours to organize the play of archetypes, the wondrous operations of nature, into a certain pattern, so that a reading becomes possible. It was ever a sign of stupidity to depreciate something one does not understand.
[402] Displacement and overlapping of images would be quite impossible if there did not exist between them an essential similarity of substance, a homoousia. Father, mother, and son are of the same substance, and what is said of one is largely true of the other. This accounts for the variants of incestbetween mother and son, brother and sister, father and daughter, etc. The uroboros is one even though in the twilight of the unconscious its head and tail appear as separate figures and are regarded as such. The alchemists, however, were sufficiently aware of the homoousia of their basic substances not only to call the two protagonists of the coniunctio drama the one Mercurius, but to assert that the prima materia and the vessel were identical. Just as the aqua permanens, the moist soul-substance, comes from the body it is intended to dissolve, so the mother who dissolves her son in herself is none other than the feminine aspect of the father-son. This view current among the alchemists cannot be based on anything except the essential similarity of the substances, which were not chemical but psychic; and, as such, appurtenances not of consciousness, where they would be differentiated concepts, but of the unconscious, in whose increasing obscurity they merge together in larger and larger contaminations.
4.41 - Chapter One, #Liber ABA, #Aleister Crowley, #Philosophy
I,37: Also the mantras and spells; the obeah and the wanga; the work of the wand and the work of the sword; these he shall learn and teach.
I,38: He must teach; but he may make severe the ordeals.
4.42 - Chapter Two, #Liber ABA, #Aleister Crowley, #Philosophy
II,70: There is help & hope in other spells. Wisdom says: be strong! Then canst thou bear more joy. Be not animal; refine thy rapture! If thou drink, drink by the eight and ninety rules of art: if thou love, exceed by delicacy; and if thou do aught joyous, let there be subtlety therein!
II,71: But exceed! exceed!
5.05 - Origins Of Vegetable And Animal Life, #Of The Nature Of Things, #Lucretius, #Poetry
Would rouse no dour spells of the bitter cold,
Nor extreme heats nor winds of mighty powers-
5 - The Phenomenology of the Spirit in Fairytales, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
lieve in ghosts? in witches? in spells and magic?" he would deny
it indignantly. It is a hundred to one he has never heard of
Appendix 4 - Priest Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
object:Appendix 4 - Priest spells
class:chapter
--
Priest spells
Following the name of each priest spell, a magical school is given in parentheses. This is for reference purposes only. For instance, Wisdom bonuses apply to saving throws vs. enchantment/charm spells. If the appropriate magical school were not listed with priest spells, it would be hard to figure out which spells were considered to be enchantment/charms. There are a few other reasons one might need to know this information. The priest spells are not really organized into magical schools, but rather into spheres of influence, as described in Chapter 3: Player Character Classes and Chapter 7: Magic.
See Appendix 2: Notes on spells for explanations of what the spell parameters (range, components, etc.) mean.
First-Level spells
SPELL - Animal Friendship (Enchantment/Charm)
--
Multiple bless spells are not cumulative. In addition to the verbal and somatic gesture components, the bless spell requires holy water.
This spell can be reversed by the priest to a curse spell that, when cast upon enemy creatures, lowers their morale and attack rolls by -1. The curse requires the sprinkling of unholy water.
--
Using this spell, three to five priests combine their abilities so that one of them casts spells and turns undead at an enhanced level. The highest-level priest (or one of them, if two or more are tied for highest) stands alone, while the others join hands in a surrounding circle. The central priest casts the combine spell. He temporarily gains one level for each priest in the circle, up to a maximum gain of four levels. The level increase affects turning undead and spell details that vary with the caster's level. Note that the central priest gains no additional spells and that the group is limited to his currently memorized spells.
The encircling priests must concentrate on maintaining the combine effect. They lose all Armor Class bonuses for shield and Dexterity. If any of them has his concentration broken, the combine spell ends immediately. If the combine spell is broken while the central priest is in the act of casting a spell, that spell is ruined just as if the caster were disturbed. spells cast in combination have the full enhanced effect, even if the combine is broken before the duration of the enhanced spell ends. Note that the combination is not broken if only the central caster is disturbed.
SPELL - Command (Enchantment/Charm)
--
This spell causes affected undead to lose track of and ignore the warded creature for the duration of the spell. Undead of 4 or fewer Hit Dice are automatically affected, but those with more Hit Dice receive a saving throw vs. spell to avoid the effect. Note that a priest protected by this spell cannot turn affected undead. The spell ends immediately if the recipient makes any attack, although casting spells such as cure light wounds, augury, or chant does not end the ward.
The material component is the priest's holy symbol.
--
This spell causes a luminous glow within 20 feet of the spell's center. The area of light thus caused is equal in brightness to torchlight. Objects in darkness beyond this sphere can be seen, at best, as vague and shadowy shapes. The spell is centered on a point selected by the caster, and he must have a line of sight or unobstructed path to that point when the spell is cast. Light can spring from air, rock, metal, wood, or almost any similar substance. The effect is immobile unless it is specifically centered on a movable object or mobile creature. If this spell is cast upon a creature, any applicable magic resistance and saving throws must be rolled. Successful resistance negates the spell, while a successful saving throw indicates that the spell is centered immediately behind the creature, rather than upon the creature itself. A light spell centered on the visual organs of a creature blinds it, reducing its attack and saving throw rolls by 4 and worsening its Armor Class by 4. The caster can extinguish the light at any time by uttering a single word. Light spells are not cumulative--multiple castings do not provide a brighter light.
The spell is reversible, causing darkness in the same area and under the same conditions as the light spell, but with half the duration. Magical darkness is equal to that of an unlit interior room--pitch darkness. Any normal light source or magical light source of lesser intensity than full daylight does not function in magical darkness. A darkness spell cast directly against a light spell cancels both, and vice versa.
--
Animals or monsters summoned or conjured by spells or similar magic are likewise hedged from the character. This protection ends if the protected character makes a melee attack against or tries to force the barrier against the blocked creature.
To complete this spell, the priest uses holy water or burning incense.
--
When the priest casts a sanctuary spell, any opponent attempting to strike or otherwise directly attack the protected creature must roll a saving throw vs. spell. If the saving throw is successful, the opponent can attack normally and is unaffected by that casting of the spell. If the saving throw is failed, the opponent loses track of and totally ignores the warded creature for the duration of the spell. Those not attempting to attack the subject remain unaffected. Note that this spell does not prevent the operation of area attacks (fireball, ice storm, etc.). While protected by this spell, the subject cannot take direct offensive action without breaking the spell, but may use nonattack spells or otherwise act in any way that does not violate the prohibition against offensive action. This allows a warded priest to heal wounds, for example, or to bless, perform an augury, chant, cast a light in the area (but not upon an opponent), and so on.
The components of the spell include the priest's holy symbol and a small silver mirror.
--
Second-Level spells
SPELL - Aid (Necromancy, Conjuration)
--
A trap is any device or magical ward that meets three criteria: it can inflict a sudden or unexpected result, the spellcaster would view the result as undesirable or harmful, and the harmful or undesirable result was specifically intended as such by the creator. Thus, traps include alarms, glyphs, and similar spells or devices.
The caster learns the general nature of the trap (magical or mechanical) but not its exact effect, nor how to disarm it. Close examination will, however, enable the caster to sense what intended actions might trigger it. Note that the caster's divination is limited to his knowledge of what might be unexpected and harmful. The spell cannot predict actions of creatures (hence, a concealed murder hole or ambush is not a trap), nor are natural hazards considered traps (a cavern that floods during a rain, a wall weakened by age, a naturally poisonous plant, etc.). If the DM is using specific glyphs or sigils to identify magical wards (see the 3rd-level spell glyph of warding), this spell shows the form of the glyph or mark. The spell does not detect traps that have been disarmed or are otherwise inactive.
--
Upon casting this spell, complete silence prevails in the affected area. All sound is stopped: Conversation is impossible, spells cannot be cast (or at least not those with verbal components, if the optional component rule is used), and no noise whatsoever issues from or enters the area. The spell can be cast into the air or upon an object, but the effect is stationary unless cast on a mobile object or creature. The spell lasts two rounds for each level of experience of the priest. The spell can be centered upon a creature, and the effect then radiates from the creature and moves as it moves. An unwilling creature receives a saving throw against the spell. If the saving throw is successful, the spell effect is centered about 1 foot behind the position of the subject creature at the instant of casting. This spell provides a defense against sound-based attacks, such as harpy singing, horn of blasting, etc.
SPELL - Slow Poison (Necromancy)
--
Variations of this spell may exist, allowing other creatures significant to a particular mythos to be affected. Your DM will inform you if such spells exist.
SPELL - Speak With Animals (Alteration)
--
By means of a withdraw spell, the priest in effect alters the flow of time with regard to himself. While but one round of time passes for those not affected by the spell, the priest is able to spend two rounds, plus one round per level, in contemplation. Thus, a 5th-level priest can withdraw for seven rounds to cogitate on some matter while one round passes for all others. (The DM should allow the player one minute of real time per round withdrawn to ponder some problem or question. No discussion with other players is permitted.) Note that while affected by the withdraw spell, the caster can use only the following spells: any divination spell or any curing or healing spell, the latter on himself only. The casting of any of these spells in different fashion (for example, a cure light wounds spell bestowed upon a companion) negates the withdraw spell. Similarly, the withdrawn caster cannot walk or run, become invisible, or engage in actions other than thinking, reading, and the like. He can be affected by the actions of others, losing any
Dexterity or shield bonus. Any successful attack upon the caster breaks the spell.
--
Third-Level spells
SPELL - Animate Dead (Necromancy)
--
A deafened creature can react only to what it can see or feel, and suffers a -1 penalty to surprise rolls, a +1 penalty to its initiative rolls, and a 20% chance of spell failure for spells with verbal components. A blinded creature suffers a -4 penalty to its attack rolls, a
+4 penalty to its Armor Class, and a +2 penalty to its initiative rolls.
--
Fatal: This wasting disease is effective immediately. Infected creatures receive no benefit from cure wound spells while the disease is in effect; wounds heal at only 10% of the natural rate. The disease proves fatal within 1d6 months and can be cured only by magical means. Each month the disease progresses, the creature loses 2 points of
Charisma, permanently.
--
First, it has a chance to remove spells and spell-like effects (including device effects and innate abilities) from creatures or objects. Second, it may disrupt the casting or use of these in the area of effect at the instant the dispel is cast. Third, it may destroy magical potions (which are treated as 12th level for purposes of this spell).
Each effect or potion in the spell's area is checked to determine if it is dispelled. The caster can always dispel his own magic; otherwise, the chance depends on the difference in level between the magical effect and the caster. The base chance of successfully dispelling is 11 or higher on 1d20. If the caster is of higher level than the creator of the effect to be dispelled, the difference is subtracted from this base number needed. If the caster is of lower level, the difference is added to the base. A die roll of 20 always succeeds and a die roll of 1 always fails. Thus, if a caster is 10 levels higher than the magic he is trying to dispel, only a roll of 1 prevents the effect from being dispelled.
--
Note that this spell, if successful, will release charmed and similarly beguiled creatures. Certain spells or effects cannot be dispelled; these are listed in the spell descriptions.
Summary of Dispel Effects
--
By means of this spell, the caster empowers one or more creatures to withstand nonmagical fires of temperatures up to 2,000 F. (enabling them to walk upon molten lava). It also confers a +2 bonus to saving throws against magical fire and reduces damage from such fires by one-half, even if the saving throw is failed. For every experience level above the minimum required to cast the spell (5th), the priest can affect an additional creature. This spell is not cumulative with resist fire spells or similar protections.
The material components of the spell are the priest's holy symbol and at least 500 gp of powdered ruby per affected creature.
--
The following spells harm the priest if cast upon the stone that he is occupying: stone to flesh expels the priest and inflicts 4d8 points of damage; stone shape causes 4d4 points of damage, but does not expel the priest; transmute rock to mud expels and slays him instantly unless he rolls a successful saving throw vs. spell; and passwall expels the priest without damage.
SPELL - Negative Plane Protection (Abjuration)
--
This spell affords the caster or touched creature partial protection from undead monsters with Negative Energy plane connections (such as shadows, wights, wraiths, spectres, or vampires) and certain weapons and spells that drain energy levels. The negative plane protection spell opens a channel to the Positive Energy plane, possibly offsetting the effect of the negative energy attack. A protected creature struck by a negative energy attack is allowed a saving throw vs. death magic. If successful, the energies cancel with a bright flash of light and a thunderclap. The protected creature suffers only normal hit point damage from the attack and does not suffer any drain of experience or Strength, regardless of the number of levels the attack would have drained.
An attacking undead creature suffers 2d6 points of damage from the positive energy; a draining wizard or weapon receives no damage.
--
If the spell is cast upon the caster, it confers complete invulnerability to: normal fires (torches, bonfires, oil fires, and the like); exposure to magical fires such as fiery dragon breath; spells such as burning hands, fireball, fire seeds, fire storm, flame strike, and meteor swarm; hell hound or pyrohydra breath, etc. The invulnerability lasts until the spell has absorbed 12 points of heat or fire damage per level of the caster, at which time the spell is negated.
If the spell is cast upon another creature, it gives invulnerability to normal fire, gives a bonus of +4 to saving throw die rolls vs. fire attacks, and reduces damage sustained from magical fires by 50%.
--
Fourth-Level spells
SPELL - Abjure (Abjuration)
--
This spell enables the creature touched to move and attack normally for the duration of the spell, even under the influence of magic that impedes movement (such as web or slow spells) or while under water. It even negates or prevents the effects of paralysis and hold spells. Under water, the individual moves at normal (surface) speed and inflicts full damage, even with such cutting weapons as axes and swords and with such smashing
weapons as flails, hammers, and maces, provided that the weapon is wielded in the hand rather than hurled. The free action spell does not, however, allow water breathing without further appropriate magic.
--
By the use of this spell, the priest can transfer a limited number and selection of his currently memorized spells, and the ability to cast them, to another person. Only nonspellcasters (including rangers under 8th level and paladins under 9th level) can receive this bestowal; the imbue with spell ability enchantment does not function for those belonging to spellcasting classes, for unintelligent monsters, nor for any individual with less than 1 full Hit Die. In addition, the person thus imbued must have a Wisdom score of 9 or higher. Only priest spells of an informational or defensive nature or a cure light wounds spell can be transferred. Transferring any other spell type negates the entire attempt, including any allowable spells that were chosen. Higher level persons can receive more than one spell at the priest's option:
Level of Recipient
--
spells Imbued
One 1st-level spell
Two 1st-level spells
Two 1st- and one 2nd-level spells
The transferred spell's variable characteristics (range, duration, area of effect, etc.) function according to the level of the priest originally imbuing the spell.
--
1st- and 2nd-level spells he has imbued until the recipient uses the transferred spells or is slain. For example, a 7th-level priest with five 1st- and four 2nd-level spells imbues a
10th-level fighter with a cure light wounds spell and a slow poison spell. The cleric now can have only four 1st-level spells memorized until the cure is cast and only three 2ndlevel spells until the slow poison is cast, or until the fighter is killed. In the meantime, the priest remains responsible to his ethos for the use to which the spell is put.
The material components for this spell are the priest's holy symbol, plus some minor item from the recipient that is symbolic of his profession (a lockpick for a thief, etc.).
--
The following spells can be cast through a reflecting pool, with a 5% per level chance for operating correctly: detect magic, detect snares and pits, and detect poison. Each additional detection attempt requires a round of concentration, regardless of success.
Infravision, if available, operates normally through the reflecting pool.
--
By means of this spell, the priest renders a creature touched immune to the effects of a specified spell of 4th level or lower. It protects against spells, spell-like effects of magical items, and innate spell-like abilities of creatures. It does not protect against breath weapons or gaze attacks of any type.
The spell has several additional limitations. First, the caster must have directly experienced the effect of the specified spell. For example, if the caster has been attacked by a fireball spell at some time, he can use the spell immunity spell to provide protection from a fireball. Second, the spell cannot affect a creature already magically protected by a potion, protective spell, ring, or other device. Third, only a particular spell can be protected against, not a certain sphere of spells or a group of spells that are similar in effect; thus, a creature given immunity to the lightning bolt spell is still vulnerable to a shocking grasp spell.
The material component for spell immunity is the same as that for the spell to be protected against.
--
Fifth Level spells
SPELL - Air Walk (Alteration)
--
By use of a commune spell, the priest is able to contact his deity--or agents thereof-and request information in the form of questions that can be answered by a simple "yes" or "no." The priest is allowed one such question for every experience level he has attained. The answers given are correct within the limits of the entity's knowledge. "I don't know" is a legitimate answer, as powerful outer planar beings ar not necessarily omniscient. Optionally, the DM may give a single short answer of five words or less. The spell will, at best, provide information to aid character decisions. Entities communed with structure their answers to further their own purposes. It is probable that the DM will limit the use of commune spells to one per adventure, one per week, or even one per month, for the greater powers dislike frequent interruptions. Likewise, if the caster lags, discusses the answers, or goes off to do anything else, the spell immediately ends.
The material components necessary for a commune spell are the priest's religious symbol, holy (unholy) water, and incense. If a particularly potent commune is needed, a sacrifice proportionate with the difficulty of obtaining the information is required. If the offering is insufficient, no information or only partial information is gained.
--
The reversed spell, cause critical wounds, operates in the same fashion as other causes wounds spells, requiring a successful touch to inflict the 3d8+3 points of damage. Caused wounds heal via the same methods as do wounds of other sorts.
SPELL - Dispel Evil (Abjuration)
--
The components for this spell are the priest's holy symbol and a vial of holy water. If no rainbow is in the vicinity, the caster can substitute a diamond of not less than 1,000 gp value, specially prepared with bless and prayer spells while in sight of a rainbow. The holy water and diamond disappear when the spell is cast.
SPELL - Raise Dead (Necromancy)
--
For both spells, the ointment must be aged for 1d6 months.
SPELL - Wall of Fire (Conjuration/Summoning)
--
Sixth-Level spells
SPELL - Aerial Servant (Conjuration/Summoning)
--
The very potent heal spell enables the priest to wipe away disease and injury in the creature who receives the benefits of the spell. It completely cures all diseases or blindness of the recipient and heals all points of damage suffered due to wounds or injury. It dispels a feeblemind spell. It cures those mental disorders caused by spells or injury to the brain. Naturally, the effects can be negated by later wounds, injuries, and diseases.
The reverse, harm, infects the victim with a disease and causes loss of all but 1d4 hit points, if a successful touch is inflicted. For creatures that are not affected by the heal or harm spell, see the cure light wounds spell.
--
Seventh-Level spells
SPELL - Animate Rock (Alteration)
--
Naturally, fire has no effect upon either the vehicle or its steeds, but magical fires other than those of the chariot can affect the riders. Other spells, such as a successful dispel magic or holy word, will force the chariot back to its home plane, without its passengers.
The chariot can be summoned only once per week.
--
The upper-case headings represent existing weather conditions. The lower-case headings below are the new conditions to which the caster can change the existing conditions. In addition, the caster can control the direction of the wind. For example, a day that is clear, warm, and with moderate wind can be controlled to become hazy, hot, and calm. Contradictions are not possible--fog and strong wind, for example. Multiple control weather spells can be used only in succession.
The material components for this spell are the priest's religious symbol, incense, and prayer beads or similar prayer object. Obviously, the spell functions only in areas where there are appropriate climatic conditions.
--
Failure to fulfill the promise to the letter results in the priest being subject to exaction by the subject creature or by its master, liege, etc., at the very least. At worst, the creature can attack the reneging priest without fear of any of his spells affecting it, for the priest's failure to live up to the bargain gives the creature immunity from the priest's spell powers.
The material components of this spell are the priest's holy symbol, some matter or substance from the plane of the creature from whom an exaction is expected, and knowledge of the creature's nature or actions that is written out on a parchment that is burned to seal the pledge.
--
spells
---50% chance of failure
--
The priest is able to restore life and complete strength to any living creature, including elves, by bestowing the resurrection spell. The creature can have been dead up to 10 years per level of the priest casting the spell. Thus, a 19th-level priest can resurrect the bones of a creature dead up to 190 years. The creature, upon surviving a resurrection survival check, is immediately restored to full hit points and can perform strenuous activity. The spell cannot bring back a creature that has reached its allotted life span (i.e., died of natural causes). Casting this spell makes it impossible for the priest to cast further spells or engage in combat until he has had one day of bed rest for each experience level or Hit Die of the creature brought back to life. The caster ages three years upon casting this spell.
The reverse, destruction, causes the victim of the spell to be instantly dead and turned to dust. A wish spell or equivalent is required for recovery. Destruction requires a touch, either in combat or otherwise, and does not age the caster. In addition, the victim is allowed a saving throw (with a -4 penalty). If the save is successful, the victim receives
--
The cost of preparing the special item (for either version of the spell) varies from 2,000 to 5,000 gp. The more costly items can transport the subject from one plane of existence to another, if the DM allows. Note that the same factors that can prevent the operation of the plane shift and teleport spells can also prevent the use of this spell.
SPELL - Sunray (Evocation, Alteration)
BOOK II. -- PART I. ANTHROPOGENESIS., #The Secret Doctrine, #H P Blavatsky, #Theosophy
principles of astrology, destroyed charms, enchantments, and bad spells, could not prevail against Iblis,
who was an agent of Fate (or Karma).** They count ten kings in their last metropolis called Khanoom,
BOOK II. -- PART II. THE ARCHAIC SYMBOLISM OF THE WORLD-RELIGIONS, #The Secret Doctrine, #H P Blavatsky, #Theosophy
Philo Byblus spells it in Greek letters [[IEUO]] -- IEVO. Theodoret says that the
Samaritans pronounced it Jahe (yahra), and the Jews Yaho; which would make it as we
BOOK I. -- PART II. THE EVOLUTION OF SYMBOLISM IN ITS APPROXIMATE ORDER, #The Secret Doctrine, #H P Blavatsky, #Theosophy
"unreachable," in the sense of illusion and unreality; as being the source and cause of spells, the
personification of ILLUSION.
BOOK X. - Porphyrys doctrine of redemption, #City of God, #Saint Augustine of Hippo, #Christianity
It was a better tone which Porphyry adopted in his letter to Anebo the Egyptian, in which, assuming the character of an inquirer consulting him, he unmasks and explodes these sacrilegious arts. In that letter, indeed, he repudiates all demons, whom he maintains to be so foolish as to be attracted by the sacrificial vapours, and therefore residing not in the ether, but in the air beneath the moon, and indeed in the moon itself. Yet he has not the boldness to attri bute to all the demons all the deceptions and malicious and foolish practices which justly move his indignation. For, though he acknowledges that as a race demons are foolish, he so far accommodates himself to popular ideas as to call some of them benignant demons. He expresses surprise that sacrifices not only incline the gods, but also compel and force them to do what men wish; and he is at a loss to understand how the[Pg 398] sun and moon, and other visible celestial bodies,for bodies he does not doubt that they are,are considered gods, if the gods are distinguished from the demons by their incorporeality; also, if they are gods, how some are called beneficent and others hurtful, and how they, being corporeal, are numbered with the gods, who are incorporeal. He inquires further, and still as one in doubt, whether diviners and wonderworkers are men of unusually powerful souls, or whether the power to do these things is communicated by spirits from without. He inclines to the latter opinion, on the ground that it is by the use of stones and herbs that they lay spells on people, and open closed doors, and do similar wonders. And on this account, he says, some suppose that there is a race of beings whose property it is to listen to men,a race deceitful, full of contrivances, capable of assuming all forms, simulating gods, demons, and dead men, and that it is this race which brings about all these things which have the appearance of good or evil, but that what is really good they never help us in, and are indeed unacquainted with, for they make wickedness easy, but throw obstacles in the path of those who eagerly follow virtue; and that they are filled with pride and rashness, delight in sacrificial odours, are taken with flattery. These and the other characteristics of this race of deceitful and malicious spirits, who come into the souls of men and delude their senses, both in sleep and waking, he describes not as things of which he is himself convinced, but only with so much suspicion and doubt as to cause him to speak of them as commonly received opinions. We should sympathize with this great philosopher in the difficulty he experienced in acquainting himself with and confidently assailing the whole fraternity of devils, which any Christian old woman would unhesitatingly describe and most unreservedly detest. Perhaps, however, he shrank from offending Anebo, to whom he was writing, himself the most eminent patron of these mysteries, or the others who marvelled at these magical feats as divine works, and closely allied to the worship of the gods.
However, he pursues this subject, and, still in the character of an inquirer, mentions some things which no sober judgment could attri bute to any but malicious and deceitful powers.[Pg 399] He asks why, after the better class of spirits have been invoked, the worse should be commanded to perform the wicked desires of men; why they do not hear a man who has just left a woman's embrace, while they themselves make no scruple of tempting men to incest and adultery; why their priests are commanded to abstain from animal food for fear of being polluted by the corporeal exhalations, while they themselves are attracted by the fumes of sacrifices and other exhalations; why the initiated are forbidden to touch a dead body, while their mysteries are celebrated almost entirely by means of dead bodies; why it is that a man addicted to any vice should utter threats, not to a demon or to the soul of a dead man, but to the sun and moon, or some of the heavenly bodies, which he intimidates by imaginary terrors, that he may wring from them a real boon,for he threatens that he will demolish the sky, and such like impossibilities,that those gods, being alarmed, like silly children, with imaginary and absurd threats, may do what they are ordered. Porphyry further relates that a man Chremon, profoundly versed in these sacred or rather sacrilegious mysteries, had written that the famous Egyptian mysteries of Isis and her husb and Osiris had very great influence with the gods to compel them to do what they were ordered, when he who used the spells threatened to divulge or do away with these mysteries, and cried with a threatening voice that he would scatter the members of Osiris if they neglected his orders. Not without reason is Porphyry surprised that a man should utter such wild and empty threats against the gods,not against gods of no account, but against the heavenly gods, and those that shine with sidereal light, and that these threats should be effectual to constrain them with resistless power, and alarm them so that they fulfil his wishes. Not without reason does he, in the character of an inquirer into the reasons of these surprising things, give it to be understood that they are done by that race of spirits which he previously described as if quoting other people's opinions,spirits who deceive not, as he said, by nature, but by their own corruption, and who simulate gods and dead men, but not, as he said, demons, for demons they really are. As to his idea that by means of herbs, and stones, and animals, and[Pg 400] certain incantations and noises, and drawings, sometimes fanciful, and sometimes copied from the motions of the heavenly bodies, men create upon earth powers capable of bringing about various results, all that is only the mystification which these demons practise on those who are subject to them, for the sake of furnishing themselves with merriment at the expense of their dupes. Either, then, Porphyry was sincere in his doubts and inquiries, and mentioned these things to demonstrate and put beyond question that they were the work, not of powers which aid us in obtaining life, but of deceitful demons; or, to take a more favourable view of the philosopher, he adopted this method with the Egyptian who was wedded to these errors, and was proud of them, that he might not offend him by assuming the attitude of a teacher, nor discompose his mind by the altercation of a professed assailant, but, by assuming the character of an inquirer, and the humble attitude of one who was anxious to learn, might turn his attention to these matters, and show how worthy they are to be despised and relinquished. Towards the conclusion of his letter, he requests Anebo to inform him what the Egyptian wisdom indicates as the way to blessedness. But as to those who hold intercourse with the gods, and pester them only for the sake of finding a runaway slave, or acquiring property, or making a bargain of a marriage, or such things, he declares that their pretensions to wisdom are vain. He adds that these same gods, even granting that on other points their utterances were true, were yet so ill-advised and unsatisfactory in their disclosures about blessedness, that they cannot be either gods or good demons, but are either that spirit who is called the deceiver, or mere fictions of the imagination.
12. Of the miracles wrought by the true God through the ministry of the holy angels.
Cratylus, #unset, #Arthur C Clarke, #Fiction
all the rest of the world, have been laid under his spells. Such a
charm, as I imagine, is the God able to infuse into his words. And,
Gorgias, #unset, #Arthur C Clarke, #Fiction
CALLICLES: O Socrates, you are a regular declaimer, and seem to be running riot in the argument. And now you are declaiming in this way because Polus has fallen into the same error himself of which he accused Gorgias:for he said that when Gorgias was asked by you, whether, if some one came to him who wanted to learn rhetoric, and did not know justice, he would teach him justice, Gorgias in his modesty replied that he would, because he thought that mankind in general would be displeased if he answered 'No'; and then in consequence of this admission, Gorgias was compelled to contradict himself, that being just the sort of thing in which you delight. Whereupon Polus laughed at you deservedly, as I think; but now he has himself fallen into the same trap. I cannot say very much for his wit when he conceded to you that to do is more dishonourable than to suffer injustice, for this was the admission which led to his being entangled by you; and because he was too modest to say what he thought, he had his mouth stopped. For the truth is, Socrates, that you, who pretend to be engaged in the pursuit of truth, are appealing now to the popular and vulgar notions of right, which are not natural, but only conventional. Convention and nature are generally at variance with one another: and hence, if a person is too modest to say what he thinks, he is compelled to contradict himself; and you, in your ingenuity perceiving the advantage to be thereby gained, slyly ask of him who is arguing conventionally a question which is to be determined by the rule of nature; and if he is talking of the rule of nature, you slip away to custom: as, for instance, you did in this very discussion about doing and suffering injustice. When Polus was speaking of the conventionally dishonourable, you assailed him from the point of view of nature; for by the rule of nature, to suffer injustice is the greater disgrace because the greater evil; but conventionally, to do evil is the more disgraceful. For the suffering of injustice is not the part of a man, but of a slave, who indeed had better die than live; since when he is wronged and trampled upon, he is unable to help himself, or any other about whom he cares. The reason, as I conceive, is that the makers of laws are the majority who are weak; and they make laws and distribute praises and censures with a view to themselves and to their own interests; and they terrify the stronger sort of men, and those who are able to get the better of them, in order that they may not get the better of them; and they say, that dishonesty is shameful and unjust; meaning, by the word injustice, the desire of a man to have more than his neighbours; for knowing their own inferiority, I suspect that they are too glad of equality. And therefore the endeavour to have more than the many, is conventionally said to be shameful and unjust, and is called injustice (compare Republic), whereas nature herself intimates that it is just for the better to have more than the worse, the more powerful than the weaker; and in many ways she shows, among men as well as among animals, and indeed among whole cities and races, that justice consists in the superior ruling over and having more than the inferior. For on what principle of justice did Xerxes invade Hellas, or his father the Scythians? (not to speak of numberless other examples). Nay, but these are the men who act according to nature; yes, by Heaven, and according to the law of nature: not, perhaps, according to that artificial law, which we invent and impose upon our fellows, of whom we take the best and strongest from their youth upwards, and tame them like young lions,charming them with the sound of the voice, and saying to them, that with equality they must be content, and that the equal is the honourable and the just. But if there were a man who had sufficient force, he would shake off and break through, and escape from all this; he would trample under foot all our formulas and spells and charms, and all our laws which are against nature: the slave would rise in rebellion and be lord over us, and the light of natural justice would shine forth. And this I take to be the sentiment of Pindar, when he says in his poem, that
'Law is the king of all, of mortals as well as of immortals;'
Liber 111 - The Book of Wisdom - LIBER ALEPH VEL CXI, #unset, #Arthur C Clarke, #Fiction
manifest in thyself. First, invoke him by the Power of all thy spells
and conjurations, with Mind concentrated and Will vehement, toward him,
Liber 46 - The Key of the Mysteries, #unset, #Arthur C Clarke, #Fiction
spells, and practices which stupidity alone could credit or knavery
counsel. In fact, it is a book complete of its kind; it is consequently
LUX.07 - ENCHANTMENT, #Liber Null, #Peter J Carroll, #Occultism
All these serve as a focus for the will. Concentration on these spells should be augmented by some form of gnostic exaltation to cast the enchantment.
When considering any form of enchantment, remember this: it is infinitely easier to manipulate events while they are still embryonic or at their inception. Thus does the magician turn that aspect of Chaos which manifests as causality to his advantage, rather than oppose it. The desire then manifests as a convenient, but strange, coincidence, rather than as a startling discontinuity.
Medea - A Vergillian Cento, #unset, #Arthur C Clarke, #Fiction
Thy city and thy hateful race and spells
Maleficent unknown to us. Let not
--
Medea. For me thou nought of pity hast, my spells
Thou carest nothing for: I'll make it come
Meno, #unset, #Arthur C Clarke, #Fiction
MENO: O Socrates, I used to be told, before I knew you, that you were always doubting yourself and making others doubt; and now you are casting your spells over me, and I am simply getting bewitched and enchanted, and am at my wits' end. And if I may venture to make a jest upon you, you seem to me both in your appearance and in your power over others to be very like the flat torpedo fish, who torpifies those who come near him and touch him, as you have now torpified me, I think. For my soul and my tongue are really torpid, and I do not know how to answer you; and though I have been delivered of an infinite variety of speeches about virtue before now, and to many personsand very good ones they were, as I thoughtat this moment I cannot even say what virtue is. And I think that you are very wise in not voyaging and going away from home, for if you did in other places as you do in Athens, you would be cast into prison as a magician.
SOCRATES: You are a rogue, Meno, and had all but caught me.
MMM.02 - MAGIC, #Liber Null, #Peter J Carroll, #Occultism
Ritual is a combination of the use of talismanic weapons, gesture, visualized sigils, word spells, and magical trance. Before proceeding with sigils or dreaming, it is essential to develop an effective Banishing Ritual. A well-constructed banishing ritual has the following aspects. It prepares the magician more rapidly for magical concentration than any of the trance exercises alone. It enables the magician to resist obsession if problems are encountered with dream experiences or with sigils becoming conscious. It also protects the magician from any hostile occult influences which may assail him.
To develop a banishing ritual, first acquire a magical weapon - a sword, a dagger, a wand, or perhaps a large ring. The instrument should be something which is impressive to the mind and should also represent the aspirations of the magician. The advantages of hand-forging one's own instruments, or discovering them in some strange way, cannot be overemphasized. The banishing ritual should contain the following elements as a minimum.
--
There are three parts to the operation of a sigil. The sigil is constructed, the sigil is lost to the mind, the sigil is charged. In constructing a sigil, the aim is to produce a glyph of desire, stylized so as not to immediately suggest the desire. It is not necessary to use complex symbol systems. Figure 2 shows how sigils may be constructed from words, from images, and from sounds. The subject matter of these spells is arbitrary and not recommended. To successfully lose the sigil, both the sigil form and the associated desire must be banished from normal waking consciousness. The magician strives against any manifestation of either by a forceful turning of his attention to other matters. Sometimes the sigil may be burnt, buried, or cast into an ocean. It is possible to lose a word spell by constant repetition as this eventually empties the mind of associated desire. The sigil is charged at moments when the mind has achieved quiescence through magical trance, or when high emotionality paralyzes its normal functioning. At these times the sigil is concentrated upon, either as a mental image, or mantra, or as a drawn form. Some of the times when sigils may be charged are as follows: during magical trance; at the moment of orgasm or great elation; at times of great fear, anger, or embarrassment; or at times when intense frustration or disappointment arises. Alternatively, when another strong desire arises, this desire is sacrificed (forgotten) and the sigil is concentrated on instead. After holding the sigil in the mind for as long as possible, it is wise to banish it by evoking laughter.
A record should be kept of all work with sigils but not in such a
r1912 11 29, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
The dispersion of the clouds foreseen yesterday morning as destined to happen today the first thing in the morning, took place suddenly at the time indicated, although the whole sky was dark & heavy till that moment. All yesterday the skies were heavily overcast but there was no rain. This also had been foreseen. The spell of entirely cloudy weather has lasted, allowing for one imperfect break, exactly the time predicted & foreseen some eight or ten days before, viz three days. There will be still flying clouds & temporary spells.
For some days there have been continual proofs of vyapti prakamya. eg the presence of an Austrian warship at Durazzo, the rumour of the Austrian consul being killed, etc. Yesterday there came in the mind the positive idea that Turkey had asked to be included in the Balkan Confederacy; today the same is given (in yesterdays evening paper reaching here this morning), as a strange piece of news from Constantinople and Sofia. This is striking as there was neither data nor probability & the knowledge, of the fact or rumour, came suddenly without previous thinking in that direction. Vyapti & prakamya of precise thought has begun to be frequent & often confirmed by the speech or action of the person or animal in whom it is perceived. Formerly only feeling & general thought used to come. Vyapti and prakamya are now abundant, continuous and almost perfect in arrangement, ie in assignment of its source & nature.
r1920 03 05, #Record of Yoga, #Sri Aurobindo, #Integral Yoga
Ananda is wavering between the second condition and a compromise between the third and second, a basic uninterrupted continuity of the inspirational or representative kind, but also spells of interruption, interrupted continuity and a weight of recurrent mentality overlaying by invasion.
In the afternoon samadhi oppressed by nidra. Shama darkened by some element of tamas in the system; a depression or relative inactivity of tapas.
Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
306. Trust not a Sannyasin who practices medicine, uses spells and incantations, receives money, and
displays his piety with the sign-boards of elaborate external marks.
Talks With Sri Aurobindo 1, #unset, #Arthur C Clarke, #Fiction
about political work and had spells of revolutionary fervour. Once he had a
vision which corresponded to something like the Maniktola Garden.
The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
incantations, and verbal spells. Related to this is the belief that the
letters contained in a word form secret connections according to cer-
--
and word-puzzles; incantations and verbal spells; hermeneutics and
Cabala, which interpreted the Scriptures as a collection of the
--
motor and auditory letter habits. At this stage the learner spells the words
in sending or receiving. "With further practice he becomes familiar
The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
1-11 - THE spells AND WONDERS OF THE CASTLE OF DAMPIERRE
1-7 - THE BODYGUARDS OF FRANCIS II - DUKE OF BRITTANY
--
THE spells AND WONDERS OF THE CASTLE OF DAMPIERREI
In the Santoine region to which Coulonges-sur-lAutize, the county town where once stood
--
according to them it possesses an occult property that breaks charms and spells. Others assert
that it has the power to transmute metals into gold, which is the reason why the Arabs call it
--- Overview of noun spell
The noun spell has 4 senses (first 3 from tagged texts)
1. (4) enchantment, spell, trance ::: (a psychological state induced by (or as if induced by) a magical incantation)
2. (1) go, spell, tour, turn ::: (a time for working (after which you will be relieved by someone else); "it's my go"; "a spell of work")
3. (1) while, piece, spell, patch ::: (a period of indeterminate length (usually short) marked by some action or condition; "he was here for a little while"; "I need to rest for a piece"; "a spell of good weather"; "a patch of bad weather")
4. spell, magic spell, magical spell, charm ::: (a verbal formula believed to have magical force; "he whispered a spell as he moved his hands"; "inscribed around its base is a charm in Balinese")
--- Overview of verb spell
The verb spell has 6 senses (first 3 from tagged texts)
1. (2) spell, spell out ::: (orally recite the letters of or give the spelling of; "How do you spell this word?" "We had to spell out our names for the police officer")
2. (2) spell, import ::: (indicate or signify; "I'm afraid this spells trouble!")
3. (1) spell, write ::: (write or name the letters that comprise the conventionally accepted form of (a word or part of a word); "He spelled the word wrong in this letter")
4. spell ::: (relieve (someone) from work by taking a turn; "She spelled her husband at the wheel")
5. spell ::: (place under a spell)
6. spell ::: (take turns working; "the workers spell every four hours")
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun spell
4 senses of spell
Sense 1
enchantment, spell, trance
=> psychological state, psychological condition, mental state, mental condition
=> condition, status
=> state
=> attribute
=> abstraction, abstract entity
=> entity
Sense 2
go, spell, tour, turn
=> shift, work shift, duty period
=> hours
=> work time
=> time period, period of time, period
=> fundamental quantity, fundamental measure
=> measure, quantity, amount
=> abstraction, abstract entity
=> entity
Sense 3
while, piece, spell, patch
=> time
=> time period, period of time, period
=> fundamental quantity, fundamental measure
=> measure, quantity, amount
=> abstraction, abstract entity
=> entity
Sense 4
spell, magic spell, magical spell, charm
=> speech, speech communication, spoken communication, spoken language, language, voice communication, oral communication
=> auditory communication
=> communication
=> abstraction, abstract entity
=> entity
--- Hyponyms of noun spell
3 of 4 senses of spell
Sense 1
enchantment, spell, trance
=> possession
=> fascination, captivation
Sense 3
while, piece, spell, patch
=> cold spell, cold snap
=> hot spell
=> snap
Sense 4
spell, magic spell, magical spell, charm
=> incantation, conjuration
=> hex, jinx, curse, whammy
--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun spell
4 senses of spell
Sense 1
enchantment, spell, trance
=> psychological state, psychological condition, mental state, mental condition
Sense 2
go, spell, tour, turn
=> shift, work shift, duty period
Sense 3
while, piece, spell, patch
=> time
Sense 4
spell, magic spell, magical spell, charm
=> speech, speech communication, spoken communication, spoken language, language, voice communication, oral communication
--- Coordinate Terms (sisters) of noun spell
4 senses of spell
Sense 1
enchantment, spell, trance
-> psychological state, psychological condition, mental state, mental condition
=> cognitive state, state of mind
=> state of mind, frame of mind
=> abulia, aboulia
=> anhedonia
=> depersonalization, depersonalisation
=> hypnosis
=> fugue
=> trauma, psychic trauma
=> morale
=> anxiety, anxiousness
=> hallucinosis
=> identity crisis
=> nervousness, nerves
=> delusion, psychotic belief
=> mental health
=> mental illness, mental disease, psychopathy
=> agitation
=> depression
=> elation
=> irritation, annoyance, vexation, botheration
=> enchantment, spell, trance
=> dissociation, disassociation
Sense 2
go, spell, tour, turn
-> shift, work shift, duty period
=> go, spell, tour, turn
=> trick
=> watch
=> day shift
=> evening shift, swing shift
=> night shift, graveyard shift
=> split shift
Sense 3
while, piece, spell, patch
-> time
=> day
=> dead
=> hard times
=> incarnation
=> wee
=> while, piece, spell, patch
=> moment, mo, minute, second, bit
=> ephemera
=> space age
Sense 4
spell, magic spell, magical spell, charm
-> speech, speech communication, spoken communication, spoken language, language, voice communication, oral communication
=> words
=> pronunciation, orthoepy
=> conversation
=> discussion, give-and-take, word
=> saying, expression, locution
=> non-standard speech
=> idiolect
=> monologue
=> spell, magic spell, magical spell, charm
=> dictation
=> soliloquy, monologue
--- Grep of noun spell
breathing spell
cold spell
hot spell
magic spell
magical spell
sinking spell
spell
spell-checker
spellbinder
spelldown
speller
spelling
spelling bee
spelling checker
spelling contest
Wikipedia - 78th Scripps National Spelling Bee -- Annual spelling bee
Wikipedia - Aaron Spelling -- American film and television producer
Wikipedia - Acrostic -- Writing in which the first letter, syllable or word of each line, paragraph or other recurring feature in the text spells out a word or a message
Wikipedia - Agglutination -- Process in linguistic morphology derivation in which complex words are formed by stringing together morphemes without changing them in spelling or phonetics
Wikipedia - Akash Vukoti -- Child prodigy and spelling competitor
Wikipedia - American and British English spelling differences -- Comparison between US and UK English spelling
Wikipedia - Anadrome -- Word whose spelling is derived by reversing the spelling of another word
Wikipedia - A Spell for Chameleon
Wikipedia - A Spell of Winter -- 1995 gothic novel by Helen Dunmore
Wikipedia - Barbara Spellman -- Professor of law and psychology
Wikipedia - Brachypremna dispellens -- Species of fly
Wikipedia - Breaking the Spell: Religion as a Natural Phenomenon
Wikipedia - Broken Spell (film) -- 1958 film
Wikipedia - Calculator spelling
Wikipedia - Camilla Speller -- Biomolecular archaeologist and researcher
Wikipedia - Cardinal Spellman High School (New York City)
Wikipedia - Carolyn Jean Spellmann Shoemaker
Wikipedia - Category:Use Oxford spelling from August 2016
Wikipedia - Category:Use Oxford spelling from December 2016
Wikipedia - Category:Use Oxford spelling from February 2018
Wikipedia - Category:Use Oxford spelling from January 2018
Wikipedia - Category:Use Oxford spelling from January 2020
Wikipedia - Category:Use Oxford spelling from July 2020
Wikipedia - Category:Use Oxford spelling from June 2020
Wikipedia - Category:Use Oxford spelling from March 2020
Wikipedia - Category:Use Oxford spelling from May 2016
Wikipedia - Category:Use Oxford spelling from May 2018
Wikipedia - Category:Use Oxford spelling from May 2019
Wikipedia - Category:Use Oxford spelling from May 2020
Wikipedia - Category:Use Oxford spelling from October 2016
Wikipedia - Category:Use Oxford spelling from October 2017
Wikipedia - Category:Use Oxford spelling from September 2017
Wikipedia - Chinese respelling of the English alphabet -- Chinese pronunciation of the English alphabet.
Wikipedia - Commonly misspelled English words -- Wikimedia list article.
Wikipedia - Coreen Mary Spellman -- American artist
Wikipedia - Cupertino effect -- Tendency of a spell checker to suggest or autocorrect with inappropriate words to replace misspelled words and words not in its dictionary
Wikipedia - Curses, Hexes and Spells -- Children's book by Daniel Cohen
Wikipedia - Daggerspell
Wikipedia - Day by Day (Godspell song)
Wikipedia - Death Spells -- American rock band
Wikipedia - Doppelganger domain -- Domain spelled identically to a legitimate domain name but missing the dot between host/subdomain and domain
Wikipedia - Dreamspell
Wikipedia - English-language spelling reform
Wikipedia - Evan O'Dorney -- Scripps National Spelling Bee winner
Wikipedia - Eye rhyme -- A rhyme in which two words are spelled similarly but pronounced differently; e.g. "tough / through"
Wikipedia - Fingerspelling -- Form of communication using one or both hands
Wikipedia - Francis Spellman -- American Catholic cardinal and bishop
Wikipedia - Frank Neuhauser -- American spelling bee champion (1913-2011)
Wikipedia - Frank Spellman -- American weightlifter
Wikipedia - French orthography -- Spelling and punctuation of the French language
Wikipedia - Galdr -- Old Norse word for spell or incantation
Wikipedia - German orthography reform of 1996 -- Reform of spelling and punctuation of the German language
Wikipedia - Ghoti -- Creative re-spelling of the word 'fish', illustrating irregularities of English spelling
Wikipedia - Gladys Spellman -- American politician from Maryland (1918-1988)
Wikipedia - Godspell
Wikipedia - Good Spells -- extended play by Eleventyseven
Wikipedia - Grammarly -- Online grammar, spell checking and plagiarism detection service
Wikipedia - Help:Pronunciation respelling key -- Wikipedia information page
Wikipedia - Hilda Spellman -- Fictional character from Sabrina the Teenage Witch
Wikipedia - Homonym (biology) -- Scientific name that is identical in spelling to a name with a different type
Wikipedia - Homonym -- One of a group of words that share the same spelling and the same pronunciation but have different meanings
Wikipedia - I before E except after C -- Mnemonic rule of thumb for English spelling
Wikipedia - Indonesian Spelling System -- Spelling system used for the Indonesian language
Wikipedia - Inventive spelling -- The use of unconventional spellings of words
Wikipedia - I Put a Spell on You -- 1956 single by Screamin' Jay Hawkins
Wikipedia - Ispell
Wikipedia - Jim Spellman -- American journalist and musician
Wikipedia - John Hart (spelling reformer) -- English educator and spelling reformer
Wikipedia - John Spellar -- British politician
Wikipedia - John Spellman -- American politician
Wikipedia - Kalispell, Montana -- City in Montana, United States
Wikipedia - Kanazukai -- Orthographic rules for spelling
Wikipedia - Key of Solomon -- Pseudepigraphical grimoire (book of spells)
Wikipedia - Kilimanjaro: How to spell Love! -- 2001 film by Mike Eschmann
Wikipedia - LanguageTool -- Free and open-source spell and grammar checker
Wikipedia - Leighton Aspell -- Irish jockey
Wikipedia - List of irregularly spelled English names -- Wikimedia list article
Wikipedia - List of irregularly spelled places in the United States -- Wikipedia list article
Wikipedia - List of Scripps National Spelling Bee champions -- US spelling competition winners
Wikipedia - List of words that may be spelled with a ligature -- Wikipedia list article
Wikipedia - Lyman Cobb -- Writer of spelling books
Wikipedia - Magica De Spell -- Disney comics character
Wikipedia - Magic in Harry Potter -- Various spells, charms, etc. used in J.K. Rowling's Wizarding World
Wikipedia - Marilyn Crispell -- American jazz pianist and composer
Wikipedia - Martin Spellman -- American child actor
Wikipedia - Mirko Spelli -- Italian canoeist
Wikipedia - Muspell
Wikipedia - NATO phonetic alphabet -- The most widely used spelling alphabet
Wikipedia - Noah Webster -- American lexicographer, textbook pioneer, English-language spelling reformer, writer, editor, and author
Wikipedia - Oxford spelling -- Spelling standard used by the Oxford University Press for British publications
Wikipedia - Plague of Spells -- Novel by Bruce Cordell
Wikipedia - Player's Option: Spells > Magic
Wikipedia - Pronunciation respelling for English
Wikipedia - Sabrina Spellman -- Fictional half-witch half-human
Wikipedia - Scripps National Spelling Bee -- an annual spelling bee held in the United States
Wikipedia - Shavian alphabet -- Phonetic alphabet proposed for English spelling
Wikipedia - Spellbinder (DC Comics)
Wikipedia - Spellbound (1941 film) -- 1941 British drama film directed by John Harlow
Wikipedia - Spellbound (1945 film) -- 1945 film by Alfred Hitchcock
Wikipedia - Spell checker
Wikipedia - Spellemannprisen -- Annual Norwegian music award
Wikipedia - Spellenspektakel -- Dutch board game event
Wikipedia - Speller Aa -- River in Germany
Wikipedia - Spellewauerynsherde -- 2004 album by Akira Rabelais
Wikipedia - Spellfire -- Collectible card game
Wikipedia - SpellForce 3: Soul Harvest -- 2019 video game expansion pack
Wikipedia - SpellForce: The Order of Dawn
Wikipedia - Spelling alphabet -- Standardized pronunciation of letters
Wikipedia - Spelling bee -- Competition
Wikipedia - Spelling-Goldberg Productions -- American television production company
Wikipedia - Spelling in Gwoyeu Romatzyh
Wikipedia - Spelling of Shakespeare's name -- Several forms of the name of the English playwright have been used.
Wikipedia - Spelling the Dream -- 2020 documentary film
Wikipedia - Spelling
Wikipedia - Spelljammer: AD>D Adventures in Space
Wikipedia - Spelljammer: Pirates of Realmspace
Wikipedia - Spelljammer -- Dungeons & Dragons fictional campaign setting
Wikipedia - Spell of the Looking Glass -- 1932 film
Wikipedia - Spell of the Twelve Caves
Wikipedia - Spell (paranormal)
Wikipedia - Spells Writing Lab, Inc. -- Philadelphia, Pennsylvania, USA based 501(c)(3) non-profit organization
Wikipedia - SpellTower -- 2011 puzzle video game
Wikipedia - Spell (Unix)
Wikipedia - Spring 2013 United Kingdom cold spell -- Period of unusually cold weather in the United Kingdom between 6 March and April 2013
Wikipedia - Swords & Spells -- Tabletop role-playing game supplement for Dungeons & Dragons
Wikipedia - The Compleat Spell Caster -- 1983 role-playing game supplement
Wikipedia - The Lesser Key of Solomon -- Anonymous spellbook (grimoire) of the 17th century
Wikipedia - The Spell (1977 film) -- 1977 television film by Lee Philips
Wikipedia - The Spell (2009 film) -- 2009 British horror film
Wikipedia - The Spell of Conan -- Book by Lyon Sprague de Camp
Wikipedia - The Spell of the Circus -- 1931 film
Wikipedia - The Spell of the Poppy -- 1915 film
Wikipedia - The Spell of the Yukon (film) -- 1916 film
Wikipedia - Tori Spelling -- American actress and author
Wikipedia - Trilogy of Dispelling Darkness
Wikipedia - Typographical error -- Mistake made in the typing process (such as a spelling mistake) of printed material
Wikipedia - Under Your Spell -- 1936 film by Otto Preminger
Wikipedia - Unifon -- Spelling reform of the English language
Wikipedia - User talk:Chris the speller
Wikipedia - Wikipedia:Typo Team -- Collaboration to fix typos and misspellings
Wikipedia - Witte Boekje -- Alternative spelling list of the Dutch language
Wikipedia - Wizard's Spell Compendium
Wikipedia - Za'aba Spelling -- 1924 spelling reform of the Malay alphabet
Wikipedia - Zelda Spellman -- Fictional character from Sabrina the Teenage Witch
Tori Spelling ::: Born: May 16, 1973; Occupation: Actress;
Susan Glaspell ::: Born: July 1, 1876; Died: July 27, 1948; Occupation: Playwright;
Francis Spellman ::: Born: May 4, 1889; Died: December 2, 1967;
Aaron Spelling ::: Born: April 22, 1923; Died: June 23, 2006; Occupation: Film Producer;
https://www.goodreads.com/book/show/10118172-spellbound
https://www.goodreads.com/book/show/10278032-dreamspell-fangs-volume-1
https://www.goodreads.com/book/show/10307872-daggerspell
https://www.goodreads.com/book/show/10358720-the-magical-detectives-and-the-forbidden-spell
https://www.goodreads.com/book/show/1042367.A_Bad_Spell_for_the_Worst_Witch
https://www.goodreads.com/book/show/10465086.Moon_Spell_Part_One_in_the_Tale_of_Lunarmorte
https://www.goodreads.com/book/show/10679230-bloodspell
https://www.goodreads.com/book/show/10773791-the-spell
https://www.goodreads.com/book/show/1081261.303_Dumb_Spelling_Misstakes_Sic_And_What_You_Can_Do_about_Them
https://www.goodreads.com/book/show/10822283-spellbound
https://www.goodreads.com/book/show/10864459-spells-stitches
https://www.goodreads.com/book/show/10904084-into-the-spell
https://www.goodreads.com/book/show/1092759.The_Spell_of_the_Rockies
https://www.goodreads.com/book/show/1093410.Spellcraft_for_Hedge_Witches
https://www.goodreads.com/book/show/11053270-shimmerspell
https://www.goodreads.com/book/show/11054759-celtic-lore-spellcraft-of-the-dark-goddess
https://www.goodreads.com/book/show/11233115-the-only-wiccan-spell-book-you-ll-ever-need
https://www.goodreads.com/book/show/113216.The_Spell_of_the_Yukon_and_Other_Verses
https://www.goodreads.com/book/show/11379914-hard-spell
https://www.goodreads.com/book/show/11394624-spellmonger
https://www.goodreads.com/book/show/11399778-the-spellman-series-box-set-1---4
https://www.goodreads.com/book/show/11422831-spell-checked
https://www.goodreads.com/book/show/11454587-spell-bound
https://www.goodreads.com/book/show/11534460-no-shoes-no-shirt-no-spells
https://www.goodreads.com/book/show/1158967.Garden_Spells
https://www.goodreads.com/book/show/1158967.Garden_Spells\
https://www.goodreads.com/book/show/1158967.Garden_Spells__Waverley_Family___1_
https://www.goodreads.com/book/show/11607446-the-wishing-spell
https://www.goodreads.com/book/show/11607446.The_Wishing_Spell__The_Land_of_Stories___1_
https://www.goodreads.com/book/show/11692299-spellbound-falls
https://www.goodreads.com/book/show/11722351-catspell
https://www.goodreads.com/book/show/11738976-spells-and-bananas
https://www.goodreads.com/book/show/12166282-trail-of-the-spellmans
https://www.goodreads.com/book/show/12302752-spell-checked
https://www.goodreads.com/book/show/12493963-the-spellcasting-picture-book
https://www.goodreads.com/book/show/12608311-darkspell
https://www.goodreads.com/book/show/12637477-spellcaster
https://www.goodreads.com/book/show/12647428-encyclopedia-of-5-000-spells
https://www.goodreads.com/book/show/126503.Spellsinger
https://www.goodreads.com/book/show/129117.The_Spellman_Files
https://www.goodreads.com/book/show/12988004.The_Sweetest_Spell
https://www.goodreads.com/book/show/12988004-the-sweetest-spell
https://www.goodreads.com/book/show/12996352.Bound_to_Remember__Spellbound___1_
https://www.goodreads.com/book/show/13018588-inkspell
https://www.goodreads.com/book/show/13180063-catspell
https://www.goodreads.com/book/show/1320880.A_Century_of_Spells
https://www.goodreads.com/book/show/1323384.PowerSpells
https://www.goodreads.com/book/show/13245591-all-that-shimmers-shimmerspell-lore
https://www.goodreads.com/book/show/13295054-firespell
https://www.goodreads.com/book/show/13414149-queen-victoria-s-book-of-spells
https://www.goodreads.com/book/show/13419427-the-shoppe-of-spells
https://www.goodreads.com/book/show/13513409-unlocking-the-spell
https://www.goodreads.com/book/show/13542763-spellfire
https://www.goodreads.com/book/show/13547903-what-the-spell
https://www.goodreads.com/book/show/13547904-what-the-spell
https://www.goodreads.com/book/show/13547906-what-the-spell
https://www.goodreads.com/book/show/13589580-what-the-spell
https://www.goodreads.com/book/show/1360047.Spellspam
https://www.goodreads.com/book/show/1360047.Spellspam__Worldweavers___2_
https://www.goodreads.com/book/show/13642726-dispelling-wetiko
https://www.goodreads.com/book/show/137536.The_Wicca_Spellbook
https://www.goodreads.com/book/show/13757082-spellcasting-for-beginners
https://www.goodreads.com/book/show/1386531.The_Wizard_s_Book_of_Spells
https://www.goodreads.com/book/show/1427650.A_Spiritual_Worker_s_Spell_Book
https://www.goodreads.com/book/show/1432353.The_Real_Witches_Book_of_Spells_and_Rituals
https://www.goodreads.com/book/show/1432355.Spell_in_Your_Pocket
https://www.goodreads.com/book/show/145566.Spell_Crafts
https://www.goodreads.com/book/show/15000049-captain-awesome-and-the-ultimate-spelling-bee
https://www.goodreads.com/book/show/15740806-frogspell
https://www.goodreads.com/book/show/15800522-demon-love-spell-vol-1
https://www.goodreads.com/book/show/15803907-demon-love-spell-vol-2
https://www.goodreads.com/book/show/1590979.Curse_of_the_Spellmans
https://www.goodreads.com/book/show/159264.Under_God_s_Spell
https://www.goodreads.com/book/show/16039122-cold-spell
https://www.goodreads.com/book/show/16045004-spell-it-out
https://www.goodreads.com/book/show/16076092-the-spell-you-cast
https://www.goodreads.com/book/show/16076799.Bound_to_Remember__Spellbound___1_
https://www.goodreads.com/book/show/16136470-love-s-spell
https://www.goodreads.com/book/show/16146214-demon-love-spell-vol-4
https://www.goodreads.com/book/show/16146215-demon-love-spell-vol-3
https://www.goodreads.com/book/show/16211541-spells
https://www.goodreads.com/book/show/16268911-wolf-spell
https://www.goodreads.com/book/show/17160733.Witch_s_Brew__The_Spellspinners_of_Melas_County___1_
https://www.goodreads.com/book/show/17214409-under-a-spell
https://www.goodreads.com/book/show/172734.DragonSpell
https://www.goodreads.com/book/show/17295145-best-practices-of-spell-design
https://www.goodreads.com/book/show/17562510-kiss-and-spell
https://www.goodreads.com/book/show/17706398-the-complete-spellbound-trilogy-bundle
https://www.goodreads.com/book/show/17729100-spell-sword
https://www.goodreads.com/book/show/17831899-goddess-spells-for-busy-girls
https://www.goodreads.com/book/show/17887147-the-bannockburn-spell
https://www.goodreads.com/book/show/18053939-spellbound-and-determined
https://www.goodreads.com/book/show/18074672-lovespell
https://www.goodreads.com/book/show/18103410-xx-moonspell-20-anos
https://www.goodreads.com/book/show/18114551-spell-robbers
https://www.goodreads.com/book/show/18132276-spellbound-in-his-arms
https://www.goodreads.com/book/show/1813293.Dry_Spell
https://www.goodreads.com/book/show/18141171-a-charming-spell
https://www.goodreads.com/book/show/18144146-spelling-it-like-it-is
https://www.goodreads.com/book/show/18176505-slightly-spellbound
https://www.goodreads.com/book/show/18187275-mine-to-spell
https://www.goodreads.com/book/show/1821835.Spells
https://www.goodreads.com/book/show/18398708-spell-sword
https://www.goodreads.com/book/show/18466677-the-trouble-with-spells
https://www.goodreads.com/book/show/18475593-winterspell
https://www.goodreads.com/book/show/185288.Spellbinder
https://www.goodreads.com/book/show/1861138.The_Original_Blue_Back_Speller
https://www.goodreads.com/book/show/18654412-the-voodoo-doll-spellbook
https://www.goodreads.com/book/show/18755217-cyborg-spell-shop
https://www.goodreads.com/book/show/18889963-shadow-spell
https://www.goodreads.com/book/show/18951094-spell-81a
https://www.goodreads.com/book/show/18952823-spelling-it-out-for-your-man
https://www.goodreads.com/book/show/18965576-voodoo-hoodoo-spellbook
https://www.goodreads.com/book/show/19058972-spellsinger
https://www.goodreads.com/book/show/19139167-spelling-it-out-for-your-man
https://www.goodreads.com/book/show/19176825-spellcasting-for-beginners
https://www.goodreads.com/book/show/19215014-best-practices-of-spell-design
https://www.goodreads.com/book/show/1931021.Under_the_Devil_s_Spell
https://www.goodreads.com/book/show/194236.Book_of_Spells
https://www.goodreads.com/book/show/19485291-under-the-spell-of-the-serenissima
https://www.goodreads.com/book/show/19755850-the-wishing-spell
https://www.goodreads.com/book/show/19828025-the-spellspinners-of-melas-county-books-1-3
https://www.goodreads.com/book/show/2067.Breaking_the_Spell
https://www.goodreads.com/book/show/2067.Breaking_the_Spell_Religion_as_a_Natural_Phenomenon
https://www.goodreads.com/book/show/207107.Spells_of_Enchantment
https://www.goodreads.com/book/show/20883025-spell-or-high-water
https://www.goodreads.com/book/show/21082249-the-healing-spell-by-kimberley-griffiths-little
https://www.goodreads.com/book/show/21089449-deadly-spells
https://www.goodreads.com/book/show/21412009-spell-blind
https://www.goodreads.com/book/show/21483760-spell-or-high-water
https://www.goodreads.com/book/show/2155264.Spells_and_How_They_Work
https://www.goodreads.com/book/show/21758632-into-the-spell-a-paranormal-thriller
https://www.goodreads.com/book/show/21779925-discarded-christmas-spell
https://www.goodreads.com/book/show/21813486-the-final-spell
https://www.goodreads.com/book/show/21853347-dreamspell
https://www.goodreads.com/book/show/21911686.Spell_Booked
https://www.goodreads.com/book/show/21911686-spell-booked
https://www.goodreads.com/book/show/21946031-spelled
https://www.goodreads.com/book/show/22088245.NPCs__Spells__Swords____Stealth___1_
https://www.goodreads.com/book/show/22307320-spell-booked
https://www.goodreads.com/book/show/22809153-bring-spelling-alive-bk-3-yrs-1-6
https://www.goodreads.com/book/show/22809154-bring-spelling-alive-bk-4-yrs-1-6
https://www.goodreads.com/book/show/228827.Totally_Spellbound
https://www.goodreads.com/book/show/23153020-kiss-and-spell
https://www.goodreads.com/book/show/23164943-spellstorm
https://www.goodreads.com/book/show/23400992-a-handful-of-spells
https://www.goodreads.com/book/show/23483358-laurie-cabot-s-book-of-spells-enchantments
https://www.goodreads.com/book/show/23498122-halloween-love-spells-a-single-s-guide-to-samhain-romance
https://www.goodreads.com/book/show/2357073.Spellfall
https://www.goodreads.com/book/show/23634971-frequently-misused-and-misspelled-words-and-phrases
https://www.goodreads.com/book/show/2419621.Spells_Sleeping_Bags
https://www.goodreads.com/book/show/24380140-spelled
https://www.goodreads.com/book/show/24692866-dictionary-of-ancient-magic-words-and-spells
https://www.goodreads.com/book/show/24851276-the-logic-of-english-spelling-rules-flash-cards
https://www.goodreads.com/book/show/24915689-the-logic-of-english-spelling-journal
https://www.goodreads.com/book/show/25070349-the-spellbinder-s-mark
https://www.goodreads.com/book/show/2508878.I_Put_a_Spell_on_You
https://www.goodreads.com/book/show/25135774-spellwrought
https://www.goodreads.com/book/show/25181955-spellslinger
https://www.goodreads.com/book/show/25181955.Spellslinger__Spellslinger__1_
https://www.goodreads.com/book/show/25218037-don-t-ask-me-to-spell-it-out
https://www.goodreads.com/book/show/25247843-the-spellbinder-s-mark
https://www.goodreads.com/book/show/25421311-spellfinder
https://www.goodreads.com/book/show/25712627-spell-it-write-teacher-resource-book-grade-3
https://www.goodreads.com/book/show/25918087-the-spellbound-series
https://www.goodreads.com/book/show/25986205-1001-spells
https://www.goodreads.com/book/show/2599653-garden-spells
https://www.goodreads.com/book/show/26114389.Spells_of_Blood_and_Kin
https://www.goodreads.com/book/show/26202959-miss-spelled
https://www.goodreads.com/book/show/26207.Spells_Sleeping_Bags
https://www.goodreads.com/book/show/26293901-wedding-bells-magic-spells
https://www.goodreads.com/book/show/26404120-spellcasting
https://www.goodreads.com/book/show/26516457-four-letters-spell-love
https://www.goodreads.com/book/show/267630.Clarice_Bean_Spells_Trouble
https://www.goodreads.com/book/show/2678868-spells-for-clear-vision
https://www.goodreads.com/book/show/26796662-365-tarot-spells
https://www.goodreads.com/book/show/26871572-the-spell-chanted-by-lambs
https://www.goodreads.com/book/show/26892050-the-spelling-bee-scuffle
https://www.goodreads.com/book/show/27130572-the-big-book-of-practical-spells
https://www.goodreads.com/book/show/27177386-spells-and-scones
https://www.goodreads.com/book/show/27208353-dragonspell
https://www.goodreads.com/book/show/27570350.The_Ice_People_1___Spellbound_Spellbound
https://www.goodreads.com/book/show/27802612-spell-it---write
https://www.goodreads.com/book/show/27809645-dizzy-spells
https://www.goodreads.com/book/show/28118951-spell-found
https://www.goodreads.com/book/show/28187318-the-modern-witchcraft-spell-book
https://www.goodreads.com/book/show/28195.Inkspell
https://www.goodreads.com/book/show/2821792-under-the-highlander-s-spell
https://www.goodreads.com/book/show/28595871-pride-s-spell
https://www.goodreads.com/book/show/28943040-sit-for-a-spell
https://www.goodreads.com/book/show/291164.Breaking_the_Magic_Spell
https://www.goodreads.com/book/show/291729.Spellfire
https://www.goodreads.com/book/show/2917848-the-forger-s-spell
https://www.goodreads.com/book/show/29233558-modern-spellcaster-s-tarot
https://www.goodreads.com/book/show/2944083-codespell
https://www.goodreads.com/book/show/29496466-a-season-of-spells
https://www.goodreads.com/book/show/29589407-the-moon-casts-a-spell
https://www.goodreads.com/book/show/30079439.Spellbook_of_the_Lost_and_Found
https://www.goodreads.com/book/show/30079439-spellbook-of-the-lost-and-found
https://www.goodreads.com/book/show/30104.The_Spell
https://www.goodreads.com/book/show/30114649-sleep-spell
https://www.goodreads.com/book/show/30217.Before_You_Cast_A_Spell
https://www.goodreads.com/book/show/30280826-spells
https://www.goodreads.com/book/show/30326748-the-witch-who-couldn-t-spell
https://www.goodreads.com/book/show/303296.Eight_Spells_a_Week
https://www.goodreads.com/book/show/30339895.Too_Wyrd__Runespells___1_
https://www.goodreads.com/book/show/30653882-the-last-spell
https://www.goodreads.com/book/show/30811374-i-arose-as-aleph-the-speller-the-killer
https://www.goodreads.com/book/show/30831893-spellbound
https://www.goodreads.com/book/show/30971732-emily-and-the-spellstone
https://www.goodreads.com/book/show/3099787.Night_World_No__1_Secret_Vampire__Daughters_of_Darkness__Spellbinder
https://www.goodreads.com/book/show/3099787.Night_World__No__1_Secret_Vampire__Daughters_of_Darkness__Spellbinder__Night_World___1_3__
https://www.goodreads.com/book/show/3109566-casting-spells
https://www.goodreads.com/book/show/31206432-spelling-the-hours
https://www.goodreads.com/book/show/31211385-comspelling-trilled
https://www.goodreads.com/book/show/31211876-under-your-spell
https://www.goodreads.com/book/show/31213477-spells
https://www.goodreads.com/book/show/31235120-the-good-witch-s-daily-spellbook
https://www.goodreads.com/book/show/3131313-a-summer-spell
https://www.goodreads.com/book/show/31315098-the-fountas-pinnell-comprehensive-phonics-spelling-and-word-study-gu
https://www.goodreads.com/book/show/31427193-a-spell-of-trouble
https://www.goodreads.com/book/show/31538574-the-unlove-spell
https://www.goodreads.com/book/show/31747944-spellbound
https://www.goodreads.com/book/show/31787888-a-plea-for-spelling-reform-tracts-ed-by-i-pitman
https://www.goodreads.com/book/show/3199365-the-spell-keeper
https://www.goodreads.com/book/show/320216.With_a_Single_Spell
https://www.goodreads.com/book/show/320223.Three_Hand_Jax_Other_Spells
https://www.goodreads.com/book/show/32070543-spell-it-write-my-steps-to-super-spelling-gr-2
https://www.goodreads.com/book/show/32607047-the-truly-magical-spell
https://www.goodreads.com/book/show/32622208-the-selkie-spell
https://www.goodreads.com/book/show/32734735-wands-spells-and-magic-tales
https://www.goodreads.com/book/show/32870603-the-spell
https://www.goodreads.com/book/show/32891349-spellbound
https://www.goodreads.com/book/show/32999289-dreamspell-calendar-2009
https://www.goodreads.com/book/show/332351.A_Spell_of_Empire
https://www.goodreads.com/book/show/334522.The_Bell_the_Book_and_the_Spellbinder
https://www.goodreads.com/book/show/33528544-a-spell-of-murder
https://www.goodreads.com/book/show/33980043-spellbinder
https://www.goodreads.com/book/show/33980043.Spellbinder__Moonshadow___2_
https://www.goodreads.com/book/show/34144611-spellbound
https://www.goodreads.com/book/show/34390407-spell-on-wheels
https://www.goodreads.com/book/show/3440738-spellbound-by-beauty
https://www.goodreads.com/book/show/34425846-the-secret-of-spellshadow-manor
https://www.goodreads.com/book/show/344580.A_Spell_Is_Cast
https://www.goodreads.com/book/show/34458331-you-can-t-spell-america-without-me
https://www.goodreads.com/book/show/34633958-beyond-spells
https://www.goodreads.com/book/show/34715124-awakened-spells
https://www.goodreads.com/book/show/34913546-snowspelled
https://www.goodreads.com/book/show/34997900-it-spells-z-o-m-b-i-e
https://www.goodreads.com/book/show/351501.The_Spell_Book_of_Listen_Taylor
https://www.goodreads.com/book/show/35215746-the-blood-spell
https://www.goodreads.com/book/show/35215746.The_Blood_Spell__Ravenspire___4_
https://www.goodreads.com/book/show/35238966-spellbound
https://www.goodreads.com/book/show/35442901-spellbinder
https://www.goodreads.com/book/show/3545387-revenge-of-the-spellmans
https://www.goodreads.com/book/show/35505789-lovespelled
https://www.goodreads.com/book/show/35721870-fairy-spell
https://www.goodreads.com/book/show/3579520-spellbound-in-darkness
https://www.goodreads.com/book/show/35963502-spell-book-scandal
https://www.goodreads.com/book/show/3610689.Thornspell
https://www.goodreads.com/book/show/3610689-thornspell
https://www.goodreads.com/book/show/36162331-the-adventures-of-philippe-and-the-magic-spell
https://www.goodreads.com/book/show/36204768-the-language-of-spells
https://www.goodreads.com/book/show/36206773-seashells-spells-caramels
https://www.goodreads.com/book/show/36244818-sigils-and-spells
https://www.goodreads.com/book/show/36489396-1001-spells
https://www.goodreads.com/book/show/36501255-spellhacker
https://www.goodreads.com/book/show/36510582-spells-and-oregano
https://www.goodreads.com/book/show/36511087-spells-and-oregano
https://www.goodreads.com/book/show/36587134-a-spell-in-the-country
https://www.goodreads.com/book/show/37638211-the-spellbook-of-katrina-van-tassel
https://www.goodreads.com/book/show/37827517-protection-spells
https://www.goodreads.com/book/show/37910502-spellcraft-for-hedge-witches
https://www.goodreads.com/book/show/3871801-spell-games
https://www.goodreads.com/book/show/38737405-hand-for-spelling
https://www.goodreads.com/book/show/38749092-the-green-wiccan-magical-spell-book
https://www.goodreads.com/book/show/388196.The_Love_Spell
https://www.goodreads.com/book/show/390245.The_Spell_of_the_Black_Dagger
https://www.goodreads.com/book/show/39028804-southern-spells
https://www.goodreads.com/book/show/39327946-spell-speakers
https://www.goodreads.com/book/show/39676313.Three_Mages_and_a_Margarita__The_Guild_Codex_Spellbound___1_
https://www.goodreads.com/book/show/39679355-psychic-s-spell
https://www.goodreads.com/book/show/40204156-the-gypsy-casts-a-spell
https://www.goodreads.com/book/show/40696333-sweet-tea-spells
https://www.goodreads.com/book/show/40732893-a-spell-of-murder
https://www.goodreads.com/book/show/408584.Tarot_Spells
https://www.goodreads.com/book/show/408888.A_Spell_of_Winter
https://www.goodreads.com/book/show/40936951-spelling-it-out
https://www.goodreads.com/book/show/41068897-love-spells-trouble
https://www.goodreads.com/book/show/41442291-read-write-and-spell-book-5
https://www.goodreads.com/book/show/41452597-under-her-spell
https://www.goodreads.com/book/show/41719687-shadows-and-spellcraft
https://www.goodreads.com/book/show/41730849-the-case-of-the-love-spell
https://www.goodreads.com/book/show/41732688-spellswept
https://www.goodreads.com/book/show/41757448-the-spellbound-spindle
https://www.goodreads.com/book/show/41948577-spellswept
https://www.goodreads.com/book/show/42207348-break-the-spell
https://www.goodreads.com/book/show/42288622-the-spellwright-trilogy
https://www.goodreads.com/book/show/42350107-the-case-of-the-power-spell
https://www.goodreads.com/book/show/42612440-spell-caster
https://www.goodreads.com/book/show/427697.The_Widening_Spell_of_the_Leaves
https://www.goodreads.com/book/show/4278916.The_Sweet_Scent_of_Blood__Spellcrackers___1_
https://www.goodreads.com/book/show/4278916.The_Sweet_Scent_of_Blood__Spellcrackers_com___1_
https://www.goodreads.com/book/show/42818120-the-case-of-the-banishing-spell
https://www.goodreads.com/book/show/430660.The_Boy_and_the_Spell
https://www.goodreads.com/book/show/43253491-the-green-wiccan-spell-book
https://www.goodreads.com/book/show/43257254-awakened-spells-series
https://www.goodreads.com/book/show/43323819-spellbound-murder-series-books-1-3
https://www.goodreads.com/book/show/43335188-the-case-of-the-desire-spell
https://www.goodreads.com/book/show/43365965-a-spellmason-chronicle
https://www.goodreads.com/book/show/43484023-the-daily-spell-journal
https://www.goodreads.com/book/show/43495475-spellcrackers-com
https://www.goodreads.com/book/show/43527712-spell-crazy
https://www.goodreads.com/book/show/43565758-the-case-of-the-trust-spell
https://www.goodreads.com/book/show/436280.The_Element_Encyclopedia_of_5000_Spells
https://www.goodreads.com/book/show/436283.Spell
https://www.goodreads.com/book/show/43727013-under-her-spell
https://www.goodreads.com/book/show/43797813.The_Chains_That_Bind__Runespells___3_
https://www.goodreads.com/book/show/438190.Darkspell
https://www.goodreads.com/book/show/44012802-the-case-of-the-vision-spell
https://www.goodreads.com/book/show/44105563-the-case-of-the-vision-spell
https://www.goodreads.com/book/show/44157285-a-sinister-spell-in-faerywood-falls
https://www.goodreads.com/book/show/44242714-wedding-bells-and-deadly-spells
https://www.goodreads.com/book/show/444315.The_Spellcoats
https://www.goodreads.com/book/show/44440262-shadowspell-academy
https://www.goodreads.com/book/show/44565402-love-spell
https://www.goodreads.com/book/show/44664861-a-spell-takes-root
https://www.goodreads.com/book/show/45029762-spellcrest-academy
https://www.goodreads.com/book/show/45053687-the-case-of-the-voice-spell
https://www.goodreads.com/book/show/45283183-the-case-of-the-voice-spell
https://www.goodreads.com/book/show/465955.The_Silver_Spell
https://www.goodreads.com/book/show/474209.The_Spell_of_the_Sorcerer_s_Skull
https://www.goodreads.com/book/show/48582.The_Spell_of_the_Sensuous
https://www.goodreads.com/book/show/488450.The_Salamander_Spell
https://www.goodreads.com/book/show/495878.Spelling_Mississippi
https://www.goodreads.com/book/show/498214.Daggerspell
https://www.goodreads.com/book/show/498214.Daggerspell__Deverry___1_
https://www.goodreads.com/book/show/5064095-ntc-s-spell-it-right-dictionary
https://www.goodreads.com/book/show/5090367-little-spells
https://www.goodreads.com/book/show/519663.Hot_Spell
https://www.goodreads.com/book/show/5228384-spellbound
https://www.goodreads.com/book/show/5228384.Spellbound"><i>Spellbound</i></a>
https://www.goodreads.com/book/show/571921.The_Spell
https://www.goodreads.com/book/show/576116.Zodiac_Spells
https://www.goodreads.com/book/show/5978920-abigail-spells
https://www.goodreads.com/book/show/604728.Spell_Castings
https://www.goodreads.com/book/show/611351.Castle_Spellbound
https://www.goodreads.com/book/show/6249203-the-spell-of-rosette
https://www.goodreads.com/book/show/6352896-the-element-encyclopedia-of-1000-spells
https://www.goodreads.com/book/show/6391917-spells-a-ceremony-above
https://www.goodreads.com/book/show/6500152-spellbent
https://www.goodreads.com/book/show/6500152.Spellbent__Jessie_Shimmer___1_
https://www.goodreads.com/book/show/6520391-the-voodoo-hoodoo-spellbook
https://www.goodreads.com/book/show/6571967-the-spellmans-strike-again
https://www.goodreads.com/book/show/6611024-firespell
https://www.goodreads.com/book/show/6611024.Firespell__Dark_Elite___1_
https://www.goodreads.com/book/show/6631087-under-man-s-spell
https://www.goodreads.com/book/show/6703145.Spellwright
https://www.goodreads.com/book/show/6703145-spellwright
https://www.goodreads.com/book/show/6703145.Spellwright__Spellwright___1_
https://www.goodreads.com/book/show/6768413-nightspell
https://www.goodreads.com/book/show/6801582-spells
https://www.goodreads.com/book/show/692947.The_Marriage_Spell
https://www.goodreads.com/book/show/694188.Be_A_Goddess_A_Guide_to_Celtic_Spells_and_Wisdom_for_Self_Healing_Prosperity_and_Great_Sex
https://www.goodreads.com/book/show/6999354-godspell
https://www.goodreads.com/book/show/7017330-spells-and-psychic-powers
https://www.goodreads.com/book/show/7291406-spellcrash
https://www.goodreads.com/book/show/7506410.Spell_Checkers__Vol__1
https://www.goodreads.com/book/show/7506410-spell-checkers-vol-1
https://www.goodreads.com/book/show/76664.A_Spell_for_Chameleon
https://www.goodreads.com/book/show/76664.A_Spell_for_Chameleon__Xanth___1_
https://www.goodreads.com/book/show/767944.The_Book_of_Spells
https://www.goodreads.com/book/show/775972.Spellbound
https://www.goodreads.com/book/show/7863207-blood-spells
https://www.goodreads.com/book/show/7954785-spellbreaker
https://www.goodreads.com/book/show/7964496-the-dispeller-of-disputes
https://www.goodreads.com/book/show/8037738-planetary-spells-rituals
https://www.goodreads.com/book/show/8161632-shadowspell
https://www.goodreads.com/book/show/821996.Charms_Spells_and_Formulas
https://www.goodreads.com/book/show/836698.Spells_of_Binding
https://www.goodreads.com/book/show/8414525-all-spell-breaks-loose
https://www.goodreads.com/book/show/8414525.All_Spell_Breaks_Loose__Raine_Benares___6_
https://www.goodreads.com/book/show/84214.Silver_s_Spells_for_Protection
https://www.goodreads.com/book/show/8474746-home-for-a-spell
https://www.goodreads.com/book/show/8502650-the-sevenfold-spell
https://www.goodreads.com/book/show/8512555-spellbound
https://www.goodreads.com/book/show/8546628-the-book-of-gold-the-magic-spells-of-the-biblical-psalms
https://www.goodreads.com/book/show/8709526-the-indigo-spell
https://www.goodreads.com/book/show/8709526.The_Indigo_Spell__Bloodlines___3_
https://www.goodreads.com/book/show/881018.Power_Spellcraft_for_Life
https://www.goodreads.com/book/show/88328.I_Put_a_Spell_on_You
https://www.goodreads.com/book/show/884851.A_Dry_Spell
https://www.goodreads.com/book/show/88522.The_Spell
https://www.goodreads.com/book/show/90928.Dorrie_and_the_Wizard_s_Spell
https://www.goodreads.com/book/show/9261978-spellbound
https://www.goodreads.com/book/show/9524124-planetary-spells-and-rituals
https://www.goodreads.com/book/show/9549267.Spell_Bound__Women_of_the_Otherworld___12_
https://www.goodreads.com/book/show/965098.Alfred_Hitchcock_s_Spellbinders_in_Suspense
https://www.goodreads.com/book/show/9653291-hard-spell
https://www.goodreads.com/book/show/9653291.Hard_Spell__Occult_Crimes_Unit_Investigation__1_
https://www.goodreads.com/book/show/9664976-spellcast
https://www.goodreads.com/book/show/9782697-dreamspell-nightmares
https://www.goodreads.com/book/show/9922530-breaking-the-magic-spell
https://www.goodreads.com/book/show/9996750-spellcaster
https://www.goodreads.com/author/show/1163390.Tori_Spelling
https://www.goodreads.com/author/show/15299661.Safari_Spell
https://www.goodreads.com/author/show/154569.Susan_Glaspell
https://www.goodreads.com/author/show/15486620.Lavisa_Spell
https://www.goodreads.com/author/show/226183.Elizabeth_Speller
https://www.goodreads.com/author/show/2869632.Candy_Spelling
https://www.goodreads.com/author/show/5633961.Barbara_A_Spellman
https://www.goodreads.com/author/show/660401.Aaron_Spelling
https://www.goodreads.com/author/show/6897696.Denise_A_Spellberg
https://www.goodreads.com/author/show/7257289.Susan_Bishop_Crispell
https://www.goodreads.com/author/show/95409.Cathy_Cash_Spellman
Goodreads author - Tori_Spelling
Goodreads author - Elizabeth_Speller
Goodreads author - Susan_Bishop_Crispell
http://arcanum.wikia.com/wiki/Spell_Colleges
http://hu.spelljammer.wikia.com/wiki/Spelljammer_Wikip
https://religion.wikia.org/wiki/Francis_Cardinal_Spellman
https://religion.wikia.org/wiki/Francis_Spellman
https://religion.wikia.org/wiki/Hecate#Etymology.2C_spelling.2C_and_pronunciation
https://religion.wikia.org/wiki/Louisiana_Voodoo#Voodoo_superstitions_and_spells
https://religion.wikia.org/wiki/Muspell
https://religion.wikia.org/wiki/Spellman_Hall
https://religion.wikia.org/wiki/Talk:Muspell
Integral World - Dispelling the Myths, A Second Reply to Ray Harris, Jeff Meyerhoff
selforum - all for want of horse riding spell
dedroidify.blogspot - heres-love-spell-all-you-have-to-do-is
Occultopedia - book_of_spells
https://tvtropes.org/pmwiki/pmwiki.php/Administrivia/AmericanAndCommonwealthSpellings
https://tvtropes.org/pmwiki/pmwiki.php/Analysis/SpellMyNameWithAnS
https://tvtropes.org/pmwiki/pmwiki.php/Anime/SpellboundMagicalPrincessLilPri
https://tvtropes.org/pmwiki/pmwiki.php/Anime/SpellboundMagicalPrincessLilpri
https://tvtropes.org/pmwiki/pmwiki.php/AudioPlay/TheUnfinishedSpellingErrorsOfBolkien
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/Spellbinders
https://tvtropes.org/pmwiki/pmwiki.php/ComicBook/Spellbound
https://tvtropes.org/pmwiki/pmwiki.php/Creator/AaronSpelling
https://tvtropes.org/pmwiki/pmwiki.php/Creator/LillyAspell
https://tvtropes.org/pmwiki/pmwiki.php/Creator/ToriSpelling
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/Spellbound
https://tvtropes.org/pmwiki/pmwiki.php/FanFic/TheSpellbook
https://tvtropes.org/pmwiki/pmwiki.php/Fanfic/TheSpellbook
https://tvtropes.org/pmwiki/pmwiki.php/Film/CastADeadlySpell
https://tvtropes.org/pmwiki/pmwiki.php/Film/Godspell
https://tvtropes.org/pmwiki/pmwiki.php/Film/Spellbinder
https://tvtropes.org/pmwiki/pmwiki.php/Film/Spellbound
https://tvtropes.org/pmwiki/pmwiki.php/Film/SpellMyNameWithAnS
https://tvtropes.org/pmwiki/pmwiki.php/Literature/Spellbent
https://tvtropes.org/pmwiki/pmwiki.php/Literature/Spellbreaker
https://tvtropes.org/pmwiki/pmwiki.php/Literature/Spellfall
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SpellmanFiles
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SpellMyNameWithAnS
https://tvtropes.org/pmwiki/pmwiki.php/Literature/Spellsinger
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SpellsRUs
https://tvtropes.org/pmwiki/pmwiki.php/Literature/SpellsSwordsAndStealth
https://tvtropes.org/pmwiki/pmwiki.php/Literature/Spellster
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheCaseOfTheToxicSpellDump
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheDoomspellTrilogy
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheMagicBookOfSpells
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheSpellmongerSeries
https://tvtropes.org/pmwiki/pmwiki.php/Literature/TwilightSparkleAndTheCrystalHeartSpell
https://tvtropes.org/pmwiki/pmwiki.php/Literature/WithASingleSpell
https://tvtropes.org/pmwiki/pmwiki.php/Main/BulletHoleSpelling
https://tvtropes.org/pmwiki/pmwiki.php/Main/CensorshipBySpelling
https://tvtropes.org/pmwiki/pmwiki.php/Main/HollywoodSpelling
https://tvtropes.org/pmwiki/pmwiki.php/Main/MisspellingOutLoud
https://tvtropes.org/pmwiki/pmwiki.php/Main/ParodyMagicSpell
https://tvtropes.org/pmwiki/pmwiki.php/Main/PhantasySpelling
https://tvtropes.org/pmwiki/pmwiki.php/Main/ProjectileSpell
https://tvtropes.org/pmwiki/pmwiki.php/Main/RandomEffectSpell
https://tvtropes.org/pmwiki/pmwiki.php/Main/RandomSpellEffect
https://tvtropes.org/pmwiki/pmwiki.php/Main/SacrificialRevivalSpell
https://tvtropes.org/pmwiki/pmwiki.php/Main/SimplifiedSpellcasting
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellBlade
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellBook
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellBooks
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellConstruction
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellCrafting
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellingBee
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellingBonus
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellingForEmphasis
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellingSong
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellLevels
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellMyNameWithABlank
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellMyNameWithAnS
https://tvtropes.org/pmwiki/pmwiki.php/Main/SpellMyNameWithAThe
https://tvtropes.org/pmwiki/pmwiki.php/Main/StockRPGSpells
https://tvtropes.org/pmwiki/pmwiki.php/Main/UselessUsefulSpell
https://tvtropes.org/pmwiki/pmwiki.php/Main/VideoGameEffectsAndSpells
https://tvtropes.org/pmwiki/pmwiki.php/Main/VideogameEffectsAndSpells
https://tvtropes.org/pmwiki/pmwiki.php/Manga/CrimsonSpell
https://tvtropes.org/pmwiki/pmwiki.php/Music/DeathspellOmega
https://tvtropes.org/pmwiki/pmwiki.php/Music/Moonspell
https://tvtropes.org/pmwiki/pmwiki.php/Music/SpeakAndSpell
https://tvtropes.org/pmwiki/pmwiki.php/Recap/SmallvilleS04E08Spell
https://tvtropes.org/pmwiki/pmwiki.php/Series/LosExitososPells
https://tvtropes.org/pmwiki/pmwiki.php/Series/Spellbinder
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/Spellfire
https://tvtropes.org/pmwiki/pmwiki.php/TabletopGame/Spelljammer
https://tvtropes.org/pmwiki/pmwiki.php/Theatre/Godspell
https://tvtropes.org/pmwiki/pmwiki.php/Theatre/HocusPocusVillainSpelltacular
https://tvtropes.org/pmwiki/pmwiki.php/Theatre/The25thAnnualPutnamCountySpellingBee
https://tvtropes.org/pmwiki/pmwiki.php/Theatre/TheTwentyFifthAnnualPutnamCountySpellingBee
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/DanmakuAmanojakuImpossibleSpellCard
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/MaidenAndSpell
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Spellbinder
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Spellbreak
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Spellbreaker
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Spellforce
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Spellforce2
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/SpellforceIII
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/SpellingJungle
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/SpiritsAndSpells
https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/TheSpellcastingSeries
https://tvtropes.org/pmwiki/pmwiki.php/WebAnimation/AnimatedSpellbook
https://tvtropes.org/pmwiki/pmwiki.php/WebAnimation/Counterspell
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/SpectraSpell
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/SpellingTheVacuum
https://tvtropes.org/pmwiki/pmwiki.php/Webcomic/Spellshocked
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Caspellaer
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SpellBlade
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SpellcraftQuill
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/SpellCzech
http://tvtropes.org/pmwiki/pmwiki.php/Tropers/Spellraiser
https://en.wikiquote.org/wiki/Cast_a_Deadly_Spell
https://en.wikiquote.org/wiki/Godspell
https://en.wikiquote.org/wiki/Spellbound_(1945_film)
https://en.wikiquote.org/wiki/Spell_checker
https://en.wikiquote.org/wiki/Spelling
https://en.wikiquote.org/wiki/The_25th_Annual_Putnam_County_Spelling_Bee
Sabrina The Teenage Witch (1996 - 2003) - Sabrina Spellman, a perfectly normal 16-year-old, is informed by her aunts, Hilda and Zelda, that she (and they, and her whole family on her father's side) are witches. She lives with them in Massachusetts while preparing to receive her witch's license. Along the way, she gets into many scrapes whil...
Sabrina, The Animated Series (1999 - 2000) - This is a spin-off to the live-action "Sabrina, The Teenage Witch" series. These are the adventures of twelve-year-old Sabrina Spellman, her friends and her family as they cast spells and incantations around Greendale if they have problems. Produced by DiC Animation.
Wizadora (1993 - 1993) - Kids Tv Show Wizadora was a trainee witch, who often had trouble casting spells. This was one of Meridian's earliest productions for the ITV network.
Spellbinder (1995 - 1997) - When a prank on a school trip goes drastically wrong, 15-year-old Paul Reynolds is blasted into an alternative reality where the advanced ideas of science are thought to be heretical magic, and outlawed. The regressive heirachic society is ruled by the Spellbinders, enforcers and politicians who wie...
The Charmings (1987 - 1988) - "Once upon a time there was a vain queen who was so jealous of her beautiful stepdaughter, Snow White, that she poisoned her with an apple. But a handsome prince came along and broke the spell. Snow White and Prince Charming threw the wicked stepmother down a bottomless pit and lived happily ever af...
Richie Rich (1980) (1980 - 1984) - Richie Rich, sometimes spelled as Rihie Rih, is an animated television series produced by Hanna-Barbera Productions that aired on ABC from 1980 to 1984. Based upon Harvey Comics' popular Richie Rich comic book characters, shared time slots with Scooby-Doo and Scrappy-Doo, The Little Rascals, and P...
Monster by Mistake (1996 - 2003) - Warren Patterson is an 8-year-old boy with allergies who has been enchanted by a magical jewel from a mysterious parallel world. Because of a spell that goes awry, Warren turns into a 7-foot-tall blue monster whenever he sneezes. He can't return to his normal form until he sneezes again, and it's an...
Pacific Palisades (1997 - 1997) - This one-hour serial drama from Aaron Spelling follows the lives of young professionals who have it all, but haven't paid for it yet, on the Southern California fast track to fame, fortune, scandal and ruin. The cast of characters includes Joanna (Michelle Stafford) and Nick Hadley (Jarrod Emick), a...
Hotel (1983 - 1988) - For five years, audiences checked into a cushy drama set of San Francisco's ritzy St. Gregory, where visitors found considerably more than a free bar of soap. They encountered romance, glamour, and excitement in this Aaron Spelling series based on Arthur Hailey's novel (which was first a 1967 movie...
Nightingales (1989 - 1989) - Aaron Spelling series centering around a group of young student nurses and their personal lives.
Bibi Blocksberg (1999 - Current) - Bibi Blocksberg is a German TV Show about a teenage witch and her family. Her mother is a witch too, but not her father (men can't normally be witches, but there are exceptions). Bibi has a broom that she calls "Apple Pie" (Kartoffelbrei). She is still learning how to do spells and gets into trouble...
Sorcerer Hunters (1995 - 1995) - In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira...
Croket! (2003 - 2005) - (! Korokke!, lit. "Croquette!"), also spelled Korokke!, is a Japanese manga written and illustrated by Manavu Kashimoto. It was published by Shogakukan in CoroCoro Comic from April 2001 to November 2006 and collected in 15 bound volumes. It received the 2003 Shogakukan Manga Award for children's...
Basilisk: The Ouka Ninja Scrolls (2018 - 2018) - It has been 10 years since the war between the Iga and Kouga ninja clans came to an end. The two groups have since made peace, supposedly dispelling the animosity that once existed between them. Hachirou Kouga and Hibiki Iga, the successors of their respective bloodlines, seem to have the perfect co...
Those Who Hunt Elves (1996 - 1997) - An actor, a martial artist, a gun-crazy high school student, and their tank are transported from earth to a world of elves and magic. However, the spell to return them home was botched resulting in fragments of the spell being magicly imprinted onto their skin. Their solution: run around looking for...
Trouble Chocolate (1999 - 2000) - a romantic comedy fantasy anime produced by AIC in 1999 and is licensed in the United States by Viz Media. The series features Cacao, a student at Micro-Grand Academy studying magic. One day, while his magic class teacher, Ghana, is performing a spell to summon a tree spirit, Cacao finds and eats so...
Spellbinder 2: Land of the Dragon Lord (1997 - 1997) - Spellbinder 2: Land of the Dragon Lord (1997) is a children's television miniseries, and a sequel to Spellbinder. Both series deal with children travelling between parallel universes, although the only common characters between the two series are Ashka (Heather Mitchell), and her sidekick Gryvon (Ra...
Kindred: The Embraced (1996 - 1996) - Kindred: The Embraced is an American television series produced by John Leekley Productions and Spelling Television. Loosely based on the role-playing game Vampire: The Masquerade, the series premiered on Fox on April 2, 1996, and ran for eight episodes before it was canceled on May 9, 1996. The ser...
Double Talk (1986 - 1986) - Double Talk Was A Game Sow Where Two Teams Of Two Celeb/Civilian) Guess Puzzles To Earn Points, It Is A Cousin Of the Pyramid Hosted By Dick Clark. In The Bonus Game, The Team Has 60 Seconds To Spell The Name Of The Game By Answering Puzzles (Ex. EL: After U Had Breakfast, The Next Meal, I'm Going...
Wunschpunsch (2000 - 2002) - A wizard named Bubonic and a witch named Tyrannia are casting spells on their city every episode. They use a special magical parchment to give it power. Their pets, Mauricio and Jacob, have to reverse the spell in 7 hours.
Ultimate Book of Spells (2001 - 2002) - Cassy, Verne & Gus are three gifted students who go to an enchanted school where they learn about magic and how to use it. One day they receive a strange talking book in the mail. The book says his name is UBOS (Ultimate Book of Spells) and together they must journey to the center of the Earth to st...
Scripps National Spelling Bee (1994 - Current) - Every year since 1925 the E.W. Scripps Company has brought the world's best students together to challenge them with the world's toughest words. ESPN has aired the bee since 1994 with early rounds during the day and with championship rounds in Primetime.
The Nutcracker Prince(1990) - Clara is on the verge of growing up with dreams of traveling the world in the grand ballet. Then, during the annual Christmas party, the mysterious family friend, Drosselmeier, tells her a story about a young man named Hans who rescued a princess under a spell by the Mouse Queen and her whining son....
Gargoyles: The Movie - The Heros Awaken(1994) - In 994 A.D., Goliath and the few remaining gargoyles help defend the Scottish castle where they live. In exchange the human occupants protect the gargoyles during the day, since they turn to stone from dawn to dusk. The gargoyles are put under a spell, and they remain in stone form for one thousand...
Mickey's 60th Birthday(1988) - This film combines live action/original animation and library animation. Mickey steals a magic hat from a Sorcerer and is put under a spell by the angry magi so that no one will recognize him until he finds his own magic within. While Mickey is on his quest, network news teams around the country des...
Cannon Movie Tales: Sleeping Beauty(1987) - Princess Rosebud (Tahnee Welch) is cursed with an evil spell that will bring her to her fate. Luckily, a white fairy (Jane Wiedlin) softens the curse by making it so that she will sleep for a hundred years.
Reefer Madness(1936) - Reefer Madness was a exploitation film created to demonize "marihuana" (an actual misspelling in th
Sabrina Goes to Rome(1998) - Sabrina Spellman (Melissa Joan Hart) heads off to Italy, with stowaway cat Salem Saberhagen, to solve a family mystery regarding an antique locket and an ancient relative. Soon she meets a a fellow witch (Tara Charendoff Strong) with a talking hamster named Stonehenge, and she romances a handsome A...
Sabrina Down Under(1999) - Sabrina Spellman (Melissa Joan Hart) and her friend Gwen (Tara Charendoff Strong) go on vacation to Sydney, Australia. They soon meet a merman, and Sabrina casts a spell to give him legs for two days. But as the two witches try to investigate the pollution that's making the mermen sick, suspicion...
Godspell(1973) - Based on the gospel according to St. Matthew and the Broadway musical, a group of disciples are called upon by John the Baptist to follow and learn Jesus through the streets of modern day New York City. Enacting the parables through song, dance, comedy and mime the day ends with the last supper and...
Bell,Book,and Candle(1958) - A Witch(Kim Novak)puts a spell on a Publisher(James Stewart)making him fall in love with her.
The House of Yes(1997) - The House of Yes is a witty Black Comedy about a rather interesting Thanksgiving dinner. It stars Parker Posey, Genevive Bujold, Josh Hamilton, Tori Spelling, and Freddy Prinze Jr. It was originally a stage play by Wendy MacLeod that was adapted by Mar
Howl's Moving Castle(2004) - Sophie (Emily Mortimer) has an uneventful life at her late father's hat shop, but all that changes when she befriends wizard Howl (Christian Bale), who lives in a magical flying castle. However, the evil Witch of Waste (Lauren Bacall) takes issue with their budding relationship and casts a spell on...
Postcards From The Edge(1990) - Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who h...
The Squeeze(1987) - A mysterious black box spells danger to a con man and female detective.
Spellbinder(1988) - A young lawyer, after falling in love with a beautiful woman, finds that she has an extremely mysteriou
The Princess And The Frog(2009) - Tiana is a young girl with a passion for culinary arts living in Jazz Age-era New Orleans. She wants to find a man to become her prince and become wealthy. Meanwhile, Prince Naveen is an unskilled prince that gets transformed into a frog with a voodoo spell so that he can be used to marry a girl and...
Spellbound(1945) - A female psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory.
Evilspeak(1981) - A military cadet who happens to be a social outcast taps into a way to summon demons and cast spells on his tormentors through his computer.
Rudolph and Frosty's Christmas in July(1979) - The evil wizard king Winterbolt has caused havoc upon the people who have entered his domain. He is then punished by Lady Boreal when she places a spell on him that puts him in a deep sleep. Years later, Winterbolt awakens and in her final act of magic, Boreal transfers the last of her power into Ru...
Akeelah and the Bee(2006) - Young Akeelah hails from South Central, California and wants to go all the way to the National Spelling Bee. But to make it there, she'll need a coach's help and the approval of her mother. Directed by Doug Atchison. Starring Laurence Fishburne, Angela Bassett, and Keke Palmer.
Akeelah and the Bee(2006) - Akeelah Anderson attends Crenshaw Middle School, a predominantly black school in South Los Angeles. Akeelah is a bright 11-year-old and never makes errors on her spelling tests and doesn't really seem to fit in. She lives with her widowed mother, Tanya, her three siblings Kiana, Devon, and Terrence,...
Imagine That(2009) - Evan Danielson is a very successful stockbroker, who had been working at the same securities firm for eight years as their top account manager, that is until Johnny Whitefeather was hired as his rival. Whitefeather seems to have the whole company under some spell as he spiels his nonsensical idioms...
The Smurfs 2(2013) - The Smurfs team up with their human friends to rescue Smurfette, who has been abducted by Gargamel, since she knows a secret spell that can turn the evil sorcerer's newest creation, creatures called "The Naughties", into real Smurfs. Based on The Smurfs comic book series created by the Belgian comic...
Earwig and the Witch(2020) - A headstrong orphan discovers a world of spells and potions while living with a selfish witch. It's the very first CGI film ever made by Studio Ghibli and directed by Goro Miyazaki.
https://myanimelist.net/anime/42657/Himitsukessha_Taka_no_Tsume__Golden_Spell -- Comedy, Parody, Super Power
A Boy Named Charlie Brown (1969) ::: 7.3/10 -- G | 1h 26min | Animation, Comedy, Drama | 4 December 1969 (USA) -- Charlie Brown makes his way to the national spelling bee finals. Director: Bill Melendez Writers: Charles M. Schulz (created by), Charles M. Schulz
Akeelah and the Bee (2006) ::: 7.3/10 -- PG | 1h 52min | Drama, Family | 28 April 2006 (USA) -- A young girl from South Los Angeles tries to make it to the National Spelling Bee. Director: Doug Atchison Writer: Doug Atchison
Anything for Jackson (2020) ::: 6.4/10 -- Not Rated | 1h 37min | Horror | 3 December 2020 (USA) -- A bereaved Satanist couple kidnap a pregnant woman so they can use an ancient spellbook to put their dead grandson's spirit into her unborn child but end up summoning more than they bargained for. Director: Justin G. Dyck Writer:
Bad Words (2013) ::: 6.6/10 -- R | 1h 29min | Comedy, Drama | 28 March 2014 (USA) -- A spelling bee loser sets out to exact revenge by finding a loophole and attempting to win as an adult. Director: Jason Bateman Writer: Andrew Dodge
Bedknobs and Broomsticks (1971) ::: 7.1/10 -- G | 1h 57min | Animation, Adventure, Comedy | 13 December 1971 (USA) -- An apprentice witch, three kids and a cynical magician conman search for the missing component to a magic spell to be used in the defense of Britain in World War II. Directors: Robert Stevenson, Ward Kimball (uncredited) Writers:
Cast a Deadly Spell (1991) ::: 6.5/10 -- R | 1h 36min | Comedy, Fantasy, Horror | TV Movie 7 September 1991 -- In a fantastical 40's where magic is used by everyone, a hard-boiled detective investigates the theft of a mystical tome. Director: Martin Campbell Writer: Joseph Dougherty
Godspell (1973) ::: 6.5/10 -- Godspell: A Musical Based on the Gospel According to St. Matthew -- G | 1h 43min | Comedy, Drama, Musical | 31 May 1973 (UK) Godspell Poster -- An adaption of the musical, in a modern-day song-and-dance recreation of the Gospel of St. Matthew. Director: David Greene Writers:
Halloweentown II: Kalabar's Revenge (2001) ::: 6.5/10 -- TV-PG | 1h 21min | Adventure, Family, Fantasy | TV Movie 12 October -- Halloweentown II: Kalabar's Revenge Poster A young witch and her grandmother work together to foil the plans of a wicked warlock's son before he can use powerful spells to create chaos in the world. Director: Mary Lambert Writers: Jon Cooksey, Ali Marie Matheson | 1 more credit
Spellbound (1945) ::: 7.6/10 -- Approved | 1h 51min | Film-Noir, Mystery, Romance | 28 December 1945 -- Spellbound Poster -- A psychiatrist protects the identity of an amnesia patient accused of murder while attempting to recover his memory. Director: Alfred Hitchcock Writers:
The Craft (1996) ::: 6.4/10 -- R | 1h 41min | Drama, Fantasy, Horror | 3 May 1996 (USA) -- A newcomer to a Catholic prep high school falls in with a trio of outcast teenage girls who practice witchcraft, and they all soon conjure up various spells and curses against those who anger them. Director: Andrew Fleming Writers:
The Fits (2015) ::: 6.7/10 -- Not Rated | 1h 12min | Drama, Music | 11 January 2017 (France) -- While training at the gym 11-year-old tomboy Toni becomes entranced with a dance troupe. As she struggles to fit in she finds herself caught up in danger as the group begins to suffer from fainting spells and other violent fits. Director: Anna Rose Holmer Writers:
The Old Man and the Sea (1958) ::: 7.0/10 -- Not Rated | 1h 26min | Adventure, Drama | 11 October 1958 (USA) -- An old Cuban fisherman's dry spell is broken when he hooks a gigantic fish that drags him out to sea. Directors: John Sturges, Fred Zinnemann (uncredited) Writers: Ernest Hemingway (novel), Peter Viertel (screenplay)
The Sure Thing (1985) ::: 7.0/10 -- PG-13 | 1h 35min | Comedy, Drama, Romance | 1 March 1985 (USA) -- Walter Gibson is a university freshman going through a dry spell. His old buddy arranges a "sure thing" for him in California. Gibson and his classmate Allison then take a long road trip out to Cali, and both foil each other's plans. Director: Rob Reiner Writers: Steve Bloom (as Steven L. Bloom), Jonathan Roberts
Todd and the Book of Pure Evil ::: TV-MA | Comedy, Horror, Sci-Fi | TV Series (20102012) -- A stoner metalhead named Todd Smith, his crushee Jenny, his best friend Curtis, and the geeky Hannah, search their high school for a mayhem-causing Satanic spell book, while being opposed by Atticus, the evil guidance councillor. Creators:
Topsy-Turvy (1999) ::: 7.3/10 -- R | 2h 40min | Biography, Comedy, Drama | 11 February 2000 (USA) -- Set in the 1880s, the story of how, during a creative dry spell, the partnership of the legendary musical/theatrical writers Gilbert and Sullivan almost dissolves, before they turn it all around and write the Mikado. Director: Mike Leigh Writer:
Tristan + Isolde (2006) ::: 6.8/10 -- PG-13 | 2h 5min | Action, Drama, Romance | 13 January 2006 (USA) -- An affair between the second in line to Britain's throne and the princess of the feuding Irish spells doom for the young lovers. Director: Kevin Reynolds Writer: Dean Georgaris
Uncle ::: 30min | Comedy | TV Series (20122017) An amateur musician of stunted emotional growth is reluctant to take care of his young nephew, but as his reluctance grows, his other emotions begin to follow to the fore, meaning he may even become a better, more-rounded person. Stars: Nick Helm, Elliot Speller-Gillott, Daisy Haggard
https://spellborn.fandom.com
https://spellforce.fandom.com
https://spelljammer.fandom.com
https://spellborn.fandom.com/
https://allods.fandom.com/wiki/Beginner%27s_Guide_(Spells_and_Abilities)
https://allods.fandom.com/wiki/Beginner's_Guide_(Spells_and_Abilities)
https://allods.fandom.com/wiki/Savage_Astral_Spellweaver
https://allods.fandom.com/wiki/Spellcaster%27s_Jeweled_Tiara_(m)
https://allods.fandom.com/wiki/Spellcaster's_Jeweled_Tiara_(l)
https://allods.fandom.com/wiki/Spellcaster's_Jeweled_Tiara_(m)
https://allods.fandom.com/wiki/Young_Astral_Spellweaver
https://ancardia.fandom.com/wiki/Ball_spells
https://ancardia.fandom.com/wiki/Bless_(spell)
https://ancardia.fandom.com/wiki/Darkness_(spell)
https://ancardia.fandom.com/wiki/Invisibility_(spell)
https://ancardia.fandom.com/wiki/Spell
https://ancardia.fandom.com/wiki/Spellbook
https://ancardia.fandom.com/wiki/Spellbook_of_Wish
https://ancardia.fandom.com/wiki/Spellbook_of_wish
https://ancardia.fandom.com/wiki/Spellbooks
https://ancardia.fandom.com/wiki/Spellcasting
https://ancardia.fandom.com/wiki/Spells
https://ancardia.fandom.com/wiki/Teleportation_(spell)
https://ancardia.fandom.com/wiki/Web_(spell)
https://ancardia.fandom.com/wiki/Wish_(spell)
https://animanga.fandom.com/wiki/Crimson_Spell
https://animanga.fandom.com/wiki/Spell_of_Desire
https://aoc.fandom.com/wiki/Armor_of_Faith_(spell)
https://aoc.fandom.com/wiki/Avatar_of_Mitra_(spell)
https://aoc.fandom.com/wiki/Lich/Spells_and_Abilities
https://aoc.fandom.com/wiki/Quest:Breaking_the_Spell
https://aoc.fandom.com/wiki/Spell
https://aoc.fandom.com/wiki/Spell_-_Despoil_the_Soul
https://aoc.fandom.com/wiki/Spells
https://aoc.fandom.com/wiki/Spells/Assassin
https://aoc.fandom.com/wiki/Spells/Barbarian
https://aoc.fandom.com/wiki/Spells/Bear_Shaman
https://aoc.fandom.com/wiki/Spells/Conqueror
https://aoc.fandom.com/wiki/Spells/Dark_Templar
https://aoc.fandom.com/wiki/Spells/Demonologist
https://aoc.fandom.com/wiki/Spells/Guardian
https://aoc.fandom.com/wiki/Spells/Herald_of_Xotli
https://aoc.fandom.com/wiki/Spells/Mage
https://aoc.fandom.com/wiki/Spells/Necromancer
https://aoc.fandom.com/wiki/Spells/Priest
https://aoc.fandom.com/wiki/Spells/Priest_of_Mitra
https://aoc.fandom.com/wiki/Spells/Ranger
https://aoc.fandom.com/wiki/Spells/Rogue
https://aoc.fandom.com/wiki/Spells/Soldier
https://aoc.fandom.com/wiki/Spells/Tempest_of_Set
https://aoc.fandom.com/wiki/Spellweaving
https://arcanum.fandom.com/wiki/Spell_Colleges
https://banjokazooie.fandom.com/wiki/List_of_Transformations_and_Spells
https://banjokazooie.fandom.com/wiki/Magnet_Spell
https://banjokazooie.fandom.com/wiki/Spell_Out_BANJOKAZOOIE_Within_the_Time_Limit
https://bastard.fandom.com/wiki/Golem_(spell)
https://batman.fandom.com/wiki/Dr._Cassandra_Spellcraft
https://batman.fandom.com/wiki/Spellbinder
https://batman.fandom.com/wiki/Spellbinder_(The_Batman)
https://buddyfight.fandom.com/wiki/Spell
https://castleage.fandom.com/wiki/Dispelling
https://castlevania.fandom.com/wiki/Spell
https://ccsakura.fandom.com/wiki/Incantations_&_Spells
https://characters.fandom.com/wiki/Bea_Spells-a-Lot
https://characters.fandom.com/wiki/Magica_De_Spell
https://characters.fandom.com/wiki/Sabrina_Spellman
https://characters.fandom.com/wiki/Sabrina_Spellman_(1970)
https://characters.fandom.com/wiki/Sabrina_Spellman_(sitcom)
https://characters.fandom.com/wiki/Spellman_Boyle
https://characters.fandom.com/wiki/The_Spelling_Bees
https://characters.fandom.com/wiki/Zombie_(Cast_a_Deadly_Spell)
https://charmed.fandom.com/wiki/List_of_spells
https://charmed-reboot.fandom.com/wiki/Decloaking_Spell
https://charmed-reboot.fandom.com/wiki/Desenmascarar_Spell
https://charmed-reboot.fandom.com/wiki/Elemental_Binding_Spell
https://charmed-reboot.fandom.com/wiki/Fumigation_Spell
https://clashofclans.fandom.com/wiki/Dark_Spells
https://clashofclans.fandom.com/wiki/Spells
https://coronationstreet.fandom.com/wiki/Summer_Spellman
https://dc.fandom.com/wiki/Lady_Spellbinder
https://dc.fandom.com/wiki/Smallville_(TV_Series)_Episode:_Spell
https://dc.fandom.com/wiki/Spelljammer_Vol_1_11
https://dc.fandom.com/wiki/Spelljammer_Vol_1_12
https://dc.fandom.com/wiki/Spelljammer_Vol_1_13
https://dc.fandom.com/wiki/Spelljammer_Vol_1_15
https://dc.fandom.com/wiki/Spelljammer_Vol_1_2
https://dc.fandom.com/wiki/Spelljammer_Vol_1_3
https://dc.fandom.com/wiki/Spelljammer_Vol_1_4
https://dc.fandom.com/wiki/Spelljammer_Vol_1_5
https://dc.fandom.com/wiki/Spelljammer_Vol_1_6
https://dc.fandom.com/wiki/Spelljammer_Vol_1_9
https://demonssouls.fandom.com/wiki/Spells
https://demonssouls.fandom.com/wiki/Spells_and_Miracles
https://diablo.fandom.com/wiki/Cold_Spells
https://diablo.fandom.com/wiki/Elemental_(Spell)
https://diablo.fandom.com/wiki/Fire_Spells
https://diablo.fandom.com/wiki/Guardian_(Spell)
https://diablo.fandom.com/wiki/Guardian_(spell)
https://diablo.fandom.com/wiki/Inferno_(Spell)
https://diablo.fandom.com/wiki/Lightning_Spells
https://diablo.fandom.com/wiki/Penetrating_Spells
https://diablo.fandom.com/wiki/Poison_and_Bone_Spells
https://diablo.fandom.com/wiki/Spell
https://diablo.fandom.com/wiki/Spellbook
https://diablo.fandom.com/wiki/Spellbook_(Diablo_III)
https://diablo.fandom.com/wiki/Spellbooks
https://diablo.fandom.com/wiki/Spell_Speed
https://diablo.fandom.com/wiki/Summoning_Spells
https://disgaea.fandom.com/wiki/List_of_Disgaea_2_Spells
https://disgaea.fandom.com/wiki/List_of_Disgaea_3_Spells
https://disgaea.fandom.com/wiki/List_of_Disgaea_4_Spells
https://disgaea.fandom.com/wiki/List_of_Disgaea_5_Spells
https://disgaea.fandom.com/wiki/List_of_Disgaea_D2_Spells
https://disgaea.fandom.com/wiki/List_of_Disgaea_Spells
https://dnd4.fandom.com/wiki/Arcane_Spellfury
https://dnd4.fandom.com/wiki/Archspell
https://dnd4.fandom.com/wiki/Book_of_Infinite_Spells
https://dnd4.fandom.com/wiki/Cosmic_Spellfury
https://dnd4.fandom.com/wiki/Draconic_Spellcaster
https://dnd4.fandom.com/wiki/Dual_Implement_Spellcaster
https://dnd4.fandom.com/wiki/Enlarge_Spell
https://dnd4.fandom.com/wiki/Expanded_Spellbook
https://dnd4.fandom.com/wiki/Explosive_Spellcasting
https://dnd4.fandom.com/wiki/Far_Spell
https://dnd4.fandom.com/wiki/Focusing_Spellfury
https://dnd4.fandom.com/wiki/Mountain_Hammer_Spellcasting
https://dnd4.fandom.com/wiki/Nimble_Spellcaster
https://dnd4.fandom.com/wiki/Rising_Spellfury
https://dnd4.fandom.com/wiki/Spell_Accuracy
https://dnd4.fandom.com/wiki/Spellbind
https://dnd4.fandom.com/wiki/Spellbinder's_gift
https://dnd4.fandom.com/wiki/Spell_Focus
https://dnd4.fandom.com/wiki/Spellscar
https://dnd4.fandom.com/wiki/Spellstorm_Mage
https://dnd4.fandom.com/wiki/Storm_Spellfury
https://dnd4.fandom.com/wiki/Stretch_spell
https://dofuswiki.fandom.com/wiki/Spell
https://dothack.fandom.com/wiki/Spells
https://dragonage.fandom.com/wiki/Healing_spells_efficiency
https://dragonage.fandom.com/wiki/Spells
https://dragonage.fandom.com/wiki/Spells_(Dragon_Age_II)
https://dragonage.fandom.com/wiki/Spells_(Origins)
https://dragonprince.fandom.com/wiki/Callum's_Spellbook
https://dragonprince.fandom.com/wiki/Spells
https://dreamfiction.fandom.com/wiki/SpellForce:_The_Order_of_Dawn_(console_ports)
https://dreamfiction.fandom.com/wiki/The_Order_of_The_Spellbinders
https://duelmasters.fandom.com/wiki/Spell
https://duelmastersplays.fandom.com/wiki/Spell
https://dungeonkeeper.fandom.com/wiki/Creature_Spells
https://dungeonkeeper.fandom.com/wiki/Keeper_Spells
https://dungeonsiege.fandom.com/wiki/Character_Leveling_and_Spell_Guide
https://elderscrolls.fandom.com/wiki/Altar_of_Spellmaking_(Oblivion)
https://elderscrolls.fandom.com/wiki/Alteration_Ritual_Spell
https://elderscrolls.fandom.com/wiki/Alteration_Spells_(Morrowind)
https://elderscrolls.fandom.com/wiki/Alteration_Spells_(Oblivion)
https://elderscrolls.fandom.com/wiki/Black_Hand_(Spell)
https://elderscrolls.fandom.com/wiki/Conjuration_Ritual_Spell
https://elderscrolls.fandom.com/wiki/Console_Commands_(Skyrim)/Spells
https://elderscrolls.fandom.com/wiki/Console_Commands_(Skyrim)/Spell_Scrolls
https://elderscrolls.fandom.com/wiki/Console_Commands_(Skyrim)/Spell_Tomes
https://elderscrolls.fandom.com/wiki/Crow's_Spell_of_Binding
https://elderscrolls.fandom.com/wiki/Destruction_Ritual_Spell
https://elderscrolls.fandom.com/wiki/Destruction_Spells_(Morrowind)
https://elderscrolls.fandom.com/wiki/Destruction_Spells_(Oblivion)
https://elderscrolls.fandom.com/wiki/Drainspell_Bow
https://elderscrolls.fandom.com/wiki/Falmer_Spellsword
https://elderscrolls.fandom.com/wiki/If_the_Spell_Fits
https://elderscrolls.fandom.com/wiki/Illusion_Ritual_Spell
https://elderscrolls.fandom.com/wiki/Increase_Spell_Power
https://elderscrolls.fandom.com/wiki/Increase_Spell_Resist
https://elderscrolls.fandom.com/wiki/Lamia_Spellslinger
https://elderscrolls.fandom.com/wiki/Lower_Spell_Power
https://elderscrolls.fandom.com/wiki/Major_Spell_Power
https://elderscrolls.fandom.com/wiki/Miremonwe_Spellslinger
https://elderscrolls.fandom.com/wiki/Netch_Gouger_Spellfiend
https://elderscrolls.fandom.com/wiki/Restoration_Ritual_Spell
https://elderscrolls.fandom.com/wiki/Shield_(Morrowind_Spell)
https://elderscrolls.fandom.com/wiki/Spell
https://elderscrolls.fandom.com/wiki/Spell_Absorption
https://elderscrolls.fandom.com/wiki/Spell_Absorption_(Morrowind)
https://elderscrolls.fandom.com/wiki/Spell_Absorption_(Oblivion)
https://elderscrolls.fandom.com/wiki/Spell_Absorption_(Online)
https://elderscrolls.fandom.com/wiki/Spell_Absorption_(Skyrim)
https://elderscrolls.fandom.com/wiki/Spell_Breaker
https://elderscrolls.fandom.com/wiki/Spellbreaker
https://elderscrolls.fandom.com/wiki/Spell_Breaker_(Arena)
https://elderscrolls.fandom.com/wiki/Spellbreaker_(Blades)
https://elderscrolls.fandom.com/wiki/Spell_Breaker_(Daggerfall)
https://elderscrolls.fandom.com/wiki/Spell_Breaker_(Morrowind)
https://elderscrolls.fandom.com/wiki/Spell_Breaker_(Oblivion)
https://elderscrolls.fandom.com/wiki/Spellbreaker_(Skyrim)
https://elderscrolls.fandom.com/wiki/Spellcrafting
https://elderscrolls.fandom.com/wiki/Spellcrafting_(Online)
https://elderscrolls.fandom.com/wiki/Spell_Critical
https://elderscrolls.fandom.com/wiki/Spell_Critical_(Effect)
https://elderscrolls.fandom.com/wiki/Spell_Critical_(Mechanic)
https://elderscrolls.fandom.com/wiki/Spell_Damage
https://elderscrolls.fandom.com/wiki/Spell_damage
https://elderscrolls.fandom.com/wiki/Spelldrinker_Amulet
https://elderscrolls.fandom.com/wiki/Spell_Erosion
https://elderscrolls.fandom.com/wiki/Spellfiend
https://elderscrolls.fandom.com/wiki/Spell_Maker_(Daggerfall)
https://elderscrolls.fandom.com/wiki/Spell_Merchants_(Oblivion)
https://elderscrolls.fandom.com/wiki/Spell_Merchants_(Skyrim)
https://elderscrolls.fandom.com/wiki/Spell_Power_Cure
https://elderscrolls.fandom.com/wiki/Spell_Precision
https://elderscrolls.fandom.com/wiki/Spell_Recharge
https://elderscrolls.fandom.com/wiki/Spell_Resistance
https://elderscrolls.fandom.com/wiki/Spell_Resistance_(Online)
https://elderscrolls.fandom.com/wiki/Spells
https://elderscrolls.fandom.com/wiki/Spells_(Arena)
https://elderscrolls.fandom.com/wiki/Spells_(Battlespire)
https://elderscrolls.fandom.com/wiki/Spells_(Blades)
https://elderscrolls.fandom.com/wiki/Spellscar
https://elderscrolls.fandom.com/wiki/Spellscar_Wayshrine
https://elderscrolls.fandom.com/wiki/Spells_(Daggerfall)
https://elderscrolls.fandom.com/wiki/Spells_(Dragonborn)
https://elderscrolls.fandom.com/wiki/Spell_Shield_(Online)
https://elderscrolls.fandom.com/wiki/Spells_(Morrowind)
https://elderscrolls.fandom.com/wiki/Spells_(Oblivion)
https://elderscrolls.fandom.com/wiki/Spells_(Shadowkey)
https://elderscrolls.fandom.com/wiki/Spells_(Skyrim)
https://elderscrolls.fandom.com/wiki/Spellsword
https://elderscrolls.fandom.com/wiki/Spellsword_(Shadowkey)
https://elderscrolls.fandom.com/wiki/Spellsword_(Skyrim)
https://elderscrolls.fandom.com/wiki/Spellsword's_Summoning
https://elderscrolls.fandom.com/wiki/Spell_Symmetry
https://elderscrolls.fandom.com/wiki/Spell_Tomes
https://elderscrolls.fandom.com/wiki/Spell_Tomes_(Oblivion)
https://elderscrolls.fandom.com/wiki/Spell_Tomes_(Skyrim)
https://elderscrolls.fandom.com/wiki/Spell_Wall
https://elderscrolls.fandom.com/wiki/Spell_Warding
https://elderscrolls.fandom.com/wiki/Spell-Weaver's_Sanctum
https://elderscrolls.fandom.com/wiki/Swims-in-Spells
https://elderscrolls.fandom.com/wiki/The_Amronal's_Spell
https://elderscrolls.fandom.com/wiki/The_Elder_Scrolls_Wiki:Style_and_Formatting/Spells
https://elgoonishshive.fandom.com/wiki/Spellbook
https://elite-dangerous.fandom.com/wiki/Elite_Dangerous_Wiki:Spelling
https://elona.fandom.com/wiki/Spells
https://eq2.fandom.com/wiki/Acid_(Spell)
https://eq2.fandom.com/wiki/Ambush_(Spell)
https://eq2.fandom.com/wiki/Aviak_Elemental_Spells
https://eq2.fandom.com/wiki/Celestial_Spellshard
https://eq2.fandom.com/wiki/Cure_Spells
https://eq2.fandom.com/wiki/Draw_from_the_Void_(Spell)
https://eq2.fandom.com/wiki/Enhance:_Spell_Curse
https://eq2.fandom.com/wiki/Essence_of_Magic_(Spell)
https://eq2.fandom.com/wiki/Gelga_Gloomspellsl
https://eq2.fandom.com/wiki/Guardian_(Spell)
https://eq2.fandom.com/wiki/Jin'tu's_Gift_(Spell)
https://eq2.fandom.com/wiki/Key_to_Curing_the_Spellpox
https://eq2.fandom.com/wiki/Non_upgradeable_spell_list
https://eq2.fandom.com/wiki/Reaper_(Spell)
https://eq2.fandom.com/wiki/'Shroom_Spore_(Spell_Scroll)
https://eq2.fandom.com/wiki/Spellblade's_Counter
https://eq2.fandom.com/wiki/Spellblade's_Reflexes
https://eq2.fandom.com/wiki/Spellbound_Sorcery_(Armor_Set)
https://eq2.fandom.com/wiki/Spell_Expertise
https://eq2.fandom.com/wiki/Spell_Reach
https://eq2.fandom.com/wiki/Spells_and_Combat_Arts
https://eq2.fandom.com/wiki/Spellshaping
https://eq2.fandom.com/wiki/Spellshifting
https://eq2.fandom.com/wiki/The_Spellweave
https://eq2.fandom.com/wiki/Ykeshan_Spellbear_whistle
https://eternalcardgame.fandom.com/wiki/Spells
https://everquest.fandom.com/wiki/Spells
https://everquest.fandom.com/wiki/Spells_&_Skills
https://everywitchway.fandom.com/wiki/Spell_Creator
https://everywitchway.fandom.com/wiki/Spells
https://everywitchway.fandom.com/wiki/Spells/Gallery
https://fairytail.fandom.com/wiki/Fairy_Tail_Wiki:Name_Spellings
https://fanfiction.fandom.com/wiki/The_Spellbook
https://fategrandorder.fandom.com/wiki/Command_Spell
https://ffxiclopedia.fandom.com/wiki/Bar_Spell
https://ffxiclopedia.fandom.com/wiki/Bar_Spell_Effect_(Merit)
https://ffxiclopedia.fandom.com/wiki/Black_Mage_Spells_and_Abilities
https://ffxiclopedia.fandom.com/wiki/Blue_Mage:_Sky/God_Spells_And_Subs
https://ffxiclopedia.fandom.com/wiki/Blue_Mage_Spell_Locations
https://ffxiclopedia.fandom.com/wiki/Blue_Magic_Spell_Monster_Correlation_Chart
https://ffxiclopedia.fandom.com/wiki/Chainspell
https://ffxiclopedia.fandom.com/wiki/Curse_(Spell)
https://ffxiclopedia.fandom.com/wiki/Dispelling_Attack_(Feral_Skill)
https://ffxiclopedia.fandom.com/wiki/Enspell
https://ffxiclopedia.fandom.com/wiki/Enspell_Damage
https://ffxiclopedia.fandom.com/wiki/Everyone's_Grudge_(spell)
https://ffxiclopedia.fandom.com/wiki/Exzir's_BLU_Spell_Swap_Gear_Guide
https://ffxiclopedia.fandom.com/wiki/Guide_to_Dispelling_Effects
https://ffxiclopedia.fandom.com/wiki/Regen_Spell_Effect_(Merit)
https://ffxiclopedia.fandom.com/wiki/Spell_Interruption_Rate
https://ffxiclopedia.fandom.com/wiki/Spell_Interruption_Rate_(Merit)
https://finalfantasy.fandom.com/wiki/Spellblade
https://fireemblem.fandom.com/wiki/Amrita_(spell)
https://fireemblem.fandom.com/wiki/Spellbane_Yumi
https://fireemblem.fandom.com/wiki/Spell_Incantations
https://forgottenrealms.fandom.com/wiki/Aerial_servant_(spell)
https://forgottenrealms.fandom.com/wiki/Akdam's_Traveling_Spellbook
https://forgottenrealms.fandom.com/wiki/Amulet_of_spell_warding
https://forgottenrealms.fandom.com/wiki/Animal_companion_(spell)
https://forgottenrealms.fandom.com/wiki/Anyspell
https://forgottenrealms.fandom.com/wiki/Aquamarine_of_spell_extending
https://forgottenrealms.fandom.com/wiki/Arcane_spell
https://forgottenrealms.fandom.com/wiki/Arcane_spellcaster
https://forgottenrealms.fandom.com/wiki/Archveult%27s_spell_dagger
https://forgottenrealms.fandom.com/wiki/Archveult's_spell_dagger
https://forgottenrealms.fandom.com/wiki/Armada_(spelljammer)
https://forgottenrealms.fandom.com/wiki/Armor_of_faith_(spell)
https://forgottenrealms.fandom.com/wiki/Armor_(spell)
https://forgottenrealms.fandom.com/wiki/Army_(spell)
https://forgottenrealms.fandom.com/wiki/Astral_spell
https://forgottenrealms.fandom.com/wiki/Attraction_(Bhaalist_spell)
https://forgottenrealms.fandom.com/wiki/Azuth%27s_spell_shield
https://forgottenrealms.fandom.com/wiki/Azuth's_spell_shield
https://forgottenrealms.fandom.com/wiki/Bane_(spell)
https://forgottenrealms.fandom.com/wiki/Blackstaff_(spell)
https://forgottenrealms.fandom.com/wiki/Blight_(spell)
https://forgottenrealms.fandom.com/wiki/Book_of_infinite_spells
https://forgottenrealms.fandom.com/wiki/Brain_spider_(spell)
https://forgottenrealms.fandom.com/wiki/Call_(spell)
https://forgottenrealms.fandom.com/wiki/Cantrip_(spell)
https://forgottenrealms.fandom.com/wiki/Catapult_(spell)
https://forgottenrealms.fandom.com/wiki/Chameleon_(spell)
https://forgottenrealms.fandom.com/wiki/Chaos_(spell)
https://forgottenrealms.fandom.com/wiki/Chill_(spell)
https://forgottenrealms.fandom.com/wiki/Comet_(spell)
https://forgottenrealms.fandom.com/wiki/Compulsion_spells
https://forgottenrealms.fandom.com/wiki/Counterspell
https://forgottenrealms.fandom.com/wiki/Creation_spells
https://forgottenrealms.fandom.com/wiki/Curse_(spell)
https://forgottenrealms.fandom.com/wiki/Darkvision_(spell)
https://forgottenrealms.fandom.com/wiki/Darsson_Spellmaker
https://forgottenrealms.fandom.com/wiki/Death_spell
https://forgottenrealms.fandom.com/wiki/Death_ward_(spell)
https://forgottenrealms.fandom.com/wiki/Divination_(spell)
https://forgottenrealms.fandom.com/wiki/Divine_spellcaster
https://forgottenrealms.fandom.com/wiki/Dolor_(spell)
https://forgottenrealms.fandom.com/wiki/Dragonbane_(abjuration_spell)
https://forgottenrealms.fandom.com/wiki/Dragonfly_(spelljammer)
https://forgottenrealms.fandom.com/wiki/Dragon_scales_(spell)
https://forgottenrealms.fandom.com/wiki/Eldaerneth_Spellstalker
https://forgottenrealms.fandom.com/wiki/Elemental_aura_(spell)
https://forgottenrealms.fandom.com/wiki/Enduring_spellbook
https://forgottenrealms.fandom.com/wiki/Fire_(spell)
https://forgottenrealms.fandom.com/wiki/Forge_of_Spells
https://forgottenrealms.fandom.com/wiki/Frostbite_(spell)
https://forgottenrealms.fandom.com/wiki/Gauntlet_(spell)
https://forgottenrealms.fandom.com/wiki/Giant_spider_(spell)
https://forgottenrealms.fandom.com/wiki/Greater_anyspell
https://forgottenrealms.fandom.com/wiki/Greater_dispelling
https://forgottenrealms.fandom.com/wiki/Hellfire_(spell)
https://forgottenrealms.fandom.com/wiki/Imbue_undead_with_spell_ability
https://forgottenrealms.fandom.com/wiki/Infravision_(spell)
https://forgottenrealms.fandom.com/wiki/Ironwood_(spell)
https://forgottenrealms.fandom.com/wiki/Juggernaut_(spell)
https://forgottenrealms.fandom.com/wiki/Kartak_Spellseer
https://forgottenrealms.fandom.com/wiki/Laeral's_spell_shield
https://forgottenrealms.fandom.com/wiki/Leviathan_(spell)
https://forgottenrealms.fandom.com/wiki/Living_spell
https://forgottenrealms.fandom.com/wiki/Locust_(spelljammer)
https://forgottenrealms.fandom.com/wiki/Luck_(spell)
https://forgottenrealms.fandom.com/wiki/Magic_resistance_(spell)
https://forgottenrealms.fandom.com/wiki/Magic_weapon_(spell)
https://forgottenrealms.fandom.com/wiki/Minor_spell_deflection
https://forgottenrealms.fandom.com/wiki/Minor_spell_turning
https://forgottenrealms.fandom.com/wiki/Monstrous_Compendium_Spelljammer_Appendix_1
https://forgottenrealms.fandom.com/wiki/Monstrous_Compendium_Spelljammer_Appendix_2
https://forgottenrealms.fandom.com/wiki/Moonfire_(spell)
https://forgottenrealms.fandom.com/wiki/Mount_(spell)
https://forgottenrealms.fandom.com/wiki/Net_of_stars_(spell)
https://forgottenrealms.fandom.com/wiki/Net_(spell)
https://forgottenrealms.fandom.com/wiki/Phontyr_Wonderspell
https://forgottenrealms.fandom.com/wiki/Plague_of_Spells
https://forgottenrealms.fandom.com/wiki/Player's_Option:_Spells_&_Magic
https://forgottenrealms.fandom.com/wiki/Poison_(spell)
https://forgottenrealms.fandom.com/wiki/Portal:Magic/Spells
https://forgottenrealms.fandom.com/wiki/Potion_of_spell_enhancement
https://forgottenrealms.fandom.com/wiki/Prayer_(spell)
https://forgottenrealms.fandom.com/wiki/Priest's_Spell_Compendium_Volume_One
https://forgottenrealms.fandom.com/wiki/Priest's_Spell_Compendium_Volume_Three
https://forgottenrealms.fandom.com/wiki/Priest's_Spell_Compendium_Volume_Two
https://forgottenrealms.fandom.com/wiki/Rary's_spell_enhancer
https://forgottenrealms.fandom.com/wiki/Rary's_superior_spell_enhancer
https://forgottenrealms.fandom.com/wiki/Realms_of_Infamy/Stolen_Spells
https://forgottenrealms.fandom.com/wiki/Resurrection_(spell)
https://forgottenrealms.fandom.com/wiki/Ring_of_spell_storing
https://forgottenrealms.fandom.com/wiki/Ring_of_spell_turning
https://forgottenrealms.fandom.com/wiki/Scarf_(spell)
https://forgottenrealms.fandom.com/wiki/Scavenger_(spelljammer)
https://forgottenrealms.fandom.com/wiki/Scepter_Tower_of_Spellgard
https://forgottenrealms.fandom.com/wiki/Scrying_(spell)
https://forgottenrealms.fandom.com/wiki/Serten's_spell_immunity
https://forgottenrealms.fandom.com/wiki/Shadow_dragon_(spell)
https://forgottenrealms.fandom.com/wiki/Shield_(spell)
https://forgottenrealms.fandom.com/wiki/Simbul's_spell_sequencer
https://forgottenrealms.fandom.com/wiki/Simbul's_spell_supremacy
https://forgottenrealms.fandom.com/wiki/Simbul's_spell_trigger
https://forgottenrealms.fandom.com/wiki/Skeletal_spellcraft
https://forgottenrealms.fandom.com/wiki/Slowspell
https://forgottenrealms.fandom.com/wiki/Spell
https://forgottenrealms.fandom.com/wiki/Spellblade
https://forgottenrealms.fandom.com/wiki/Spellbook
https://forgottenrealms.fandom.com/wiki/Spellbound
https://forgottenrealms.fandom.com/wiki/Spell_Breaker
https://forgottenrealms.fandom.com/wiki/Spellcaster
https://forgottenrealms.fandom.com/wiki/Spell_Compendium
https://forgottenrealms.fandom.com/wiki/Spell_component_pouch
https://forgottenrealms.fandom.com/wiki/Spellcraft
https://forgottenrealms.fandom.com/wiki/Spell_deflection
https://forgottenrealms.fandom.com/wiki/Spell_domain
https://forgottenrealms.fandom.com/wiki/Spellfilcher
https://forgottenrealms.fandom.com/wiki/Spellfire
https://forgottenrealms.fandom.com/wiki/Spellfire_(card_game)
https://forgottenrealms.fandom.com/wiki/Spellfire:_Master_the_Magic
https://forgottenrealms.fandom.com/wiki/Spellfire_(novel)
https://forgottenrealms.fandom.com/wiki/Spell_focus
https://forgottenrealms.fandom.com/wiki/Spellgard
https://forgottenrealms.fandom.com/wiki/Spellgaunt
https://forgottenrealms.fandom.com/wiki/Spell_gem
https://forgottenrealms.fandom.com/wiki/Spellguard
https://forgottenrealms.fandom.com/wiki/Spellhaunt
https://forgottenrealms.fandom.com/wiki/Spellhold
https://forgottenrealms.fandom.com/wiki/Spell_immunity
https://forgottenrealms.fandom.com/wiki/SPELLJAMMER
https://forgottenrealms.fandom.com/wiki/Spelljammer
https://forgottenrealms.fandom.com/wiki/Spelljammer:_AD%26D_Adventures_in_Space
https://forgottenrealms.fandom.com/wiki/Spelljammer:_AD&D_Adventures_in_Space
https://forgottenrealms.fandom.com/wiki/Spelljammer_(comic_series)
https://forgottenrealms.fandom.com/wiki/Spelljammer:_Pirates_of_Realmspace
https://forgottenrealms.fandom.com/wiki/Spelljammer_(spelljammer)
https://forgottenrealms.fandom.com/wiki/Spelljamming_helm
https://forgottenrealms.fandom.com/wiki/Spell-lash
https://forgottenrealms.fandom.com/wiki/Spell_mantle
https://forgottenrealms.fandom.com/wiki/Spell_mirror
https://forgottenrealms.fandom.com/wiki/Spellplague
https://forgottenrealms.fandom.com/wiki/Spell_reflection
https://forgottenrealms.fandom.com/wiki/Spell_resistance
https://forgottenrealms.fandom.com/wiki/Spells
https://forgottenrealms.fandom.com/wiki/Spellscar
https://forgottenrealms.fandom.com/wiki/Spellscarred
https://forgottenrealms.fandom.com/wiki/Spell_sequencer
https://forgottenrealms.fandom.com/wiki/Spell_shield
https://forgottenrealms.fandom.com/wiki/Spellsinger
https://forgottenrealms.fandom.com/wiki/Spellslayer
https://forgottenrealms.fandom.com/wiki/Spellslayer_wine
https://forgottenrealms.fandom.com/wiki/Spellsong
https://forgottenrealms.fandom.com/wiki/Spellstorm_mage
https://forgottenrealms.fandom.com/wiki/Spellstorm_(novel)
https://forgottenrealms.fandom.com/wiki/Spellstorm_(spell)
https://forgottenrealms.fandom.com/wiki/Spellstrike
https://forgottenrealms.fandom.com/wiki/Spell_thrust
https://forgottenrealms.fandom.com/wiki/Spelltouch
https://forgottenrealms.fandom.com/wiki/Spelltrap
https://forgottenrealms.fandom.com/wiki/Spell_trap
https://forgottenrealms.fandom.com/wiki/Spell_trigger
https://forgottenrealms.fandom.com/wiki/Spell_turning
https://forgottenrealms.fandom.com/wiki/Spellweb
https://forgottenrealms.fandom.com/wiki/Stonefire_(spell)
https://forgottenrealms.fandom.com/wiki/Storm's_spell_thrust
https://forgottenrealms.fandom.com/wiki/Universal_spell
https://forgottenrealms.fandom.com/wiki/Wasp_(spelljammer)
https://forgottenrealms.fandom.com/wiki/Well_of_spells
https://forgottenrealms.fandom.com/wiki/Wizard's_Spell_Compendium_Volume_Four
https://forgottenrealms.fandom.com/wiki/Wizard's_Spell_Compendium_Volume_One
https://forgottenrealms.fandom.com/wiki/Wizard's_Spell_Compendium_Volume_Three
https://forgottenrealms.fandom.com/wiki/Wizard's_Spell_Compendium_Volume_Two
https://freed20.fandom.com/wiki/Aiming_a_Spell
https://freed20.fandom.com/wiki/Arcane_Spells
https://funorb.fandom.com/wiki/Arcanists/Spells
https://gallowmere.fandom.com/wiki/The_Spell
https://garoseries.fandom.com/wiki/Style_Guide/Names_and_Spellings
https://goblin-slayer.fandom.com/wiki/Spells
https://goldbox.fandom.com/wiki/Spelljammer
https://grandfantasia.fandom.com/wiki/Spellcaster
https://harrypotter.fandom.com/wiki/Draconifors_Spell
https://harrypotter.fandom.com/wiki/Fire-Making_Spell
https://harrypotter.fandom.com/wiki/Harry_Potter:_Puzzles_&_Spells
https://harrypotter.fandom.com/wiki/Harry_Potter:_Spells
https://harrypotter.fandom.com/wiki/List_of_spells
https://harrypotter.fandom.com/wiki/Merge_School_of_Under-Water_Spellage
https://harrypotter.fandom.com/wiki/Room-sealing_spell
https://harrypotter.fandom.com/wiki/Wonderbook:_Book_of_Spells
https://harrypotterwizardsunite.fandom.com/wiki/Spells
https://hearthstone.fandom.com/wiki/Spellburst
https://hearthstone.fandom.com/wiki/Spell_Damage
https://hearthstone.fandom.com/wiki/Twinspell
https://hero.fandom.com/wiki/Sabrina_Spellman_(sitcom)
https://hoodoo.fandom.com/wiki/List_of_Voodoo_Spells
https://houshinengi.fandom.com/wiki/Spells
https://huntik.fandom.com/wiki/Huntik_Wiki:Spell_database
https://idle-wizard.fandom.com/wiki/Spellhound
https://idle-wizard.fandom.com/wiki/Spells
https://inheritance.fandom.com/wiki/Breathing_Spell
https://inheritance.fandom.com/wiki/Empathy_Spell
https://inheritance.fandom.com/wiki/List_of_spells
https://inheritance.fandom.com/wiki/Process_spells
https://jusenkyo.fandom.com/wiki/Spells_R_Us:_Nerima_Chronicles
https://kaijudo.fandom.com/wiki/Spell
https://kamenrider.fandom.com/wiki/Style_Guide/Kamen_Rider_Spellings
https://king-of-thieves.fandom.com/wiki/Spells
https://lalaloopsyland.fandom.com/wiki/Bea_Spells-a-Lot
https://leagueoflegends.fandom.com/wiki/Spell_(Legends_of_Runeterra)
https://leagueoflegends.fandom.com/wiki/Spells_(Legends_of_Runeterra)
https://leagueoflegends.fandom.com/wiki/Summoner_spell
https://logos.fandom.com/wiki/Spelling_Films
https://logos.fandom.com/wiki/Spelling_Television
https://logos.fandom.com/wiki/Spelling_Television/Other
https://logos.fandom.com/wiki/Thomas-Spelling_Productions
https://lol.fandom.com/wiki/Portal:Summoner_Spells
https://lostodyssey.fandom.com/wiki/Spells
https://marvelanimated.fandom.com/wiki/Spellbound_(Short)
https://marvelcinematicuniverse.fandom.com/wiki/Malcolm_Spellman
https://memory-alpha.fandom.com/wiki/Dry_spell_(sex)
https://memory-alpha.fandom.com/wiki/Fingerspelling
https://memory-alpha.fandom.com/wiki/Ian_Spelling
https://memory-alpha.fandom.com/wiki/Lance_Spellerberg
https://memory-alpha.fandom.com/wiki/MA:SPELLING
https://memory-alpha.fandom.com/wiki/Memory_Alpha:List_of_common_misspellings
https://memory-alpha.fandom.com/wiki/Spell
https://merlin.fandom.com/wiki/Spells
https://midnight-texas.fandom.com/wiki/I_Put_a_Spell_On_You
https://mtg.fandom.com/wiki/Casting_spells
https://mtg.fandom.com/wiki/Counterspell
https://mtg.fandom.com/wiki/Face-down_spells_and_permanents
https://mtg.fandom.com/wiki/Guildpact_(spell)
https://mtg.fandom.com/wiki/Resolving_spells_and_abilities
https://mtg.fandom.com/wiki/Signature_Spellbook
https://mtg.fandom.com/wiki/Signature_Spellbook:_Chandra
https://mtg.fandom.com/wiki/Signature_Spellbook:_Gideon
https://mtg.fandom.com/wiki/Spell
https://mtg.fandom.com/wiki/Spellcaster
https://mtg.fandom.com/wiki/Spells
https://mtg.fandom.com/wiki/Spells,_abilities,_and_effects
https://mtg.fandom.com/wiki/Spellshaper
https://mtg.fandom.com/wiki/Spellslinger_Starter_Kit
https://mtg.fandom.com/wiki/Spell_type
https://mtg.fandom.com/wiki/World_Spell
https://mythus.fandom.com/wiki/M%C3%BAspellsheimr
https://myyugiohdeck.fandom.com/wiki/Spellcaster_Deck_(by_Cody7)
https://myyugiohdeck.fandom.com/wiki/Spellcaster/Elemental_Hero_Deck_(by_KiraXFlay)
https://nanatsu-no-taizai.fandom.com/wiki/Spells
https://nanoha.fandom.com/wiki/Magical_Girl_Lyrical_Nanoha_Wiki:Spell_article_layout
https://nethack.fandom.com/wiki/Spellbook
https://ninjago.fandom.com/wiki/Spellbound
https://ninjago.fandom.com/wiki/Spellbound/Transcript
https://nintendo.fandom.com/wiki/Spirits_&_Spells
https://nintendo.fandom.com/wiki/Touhou_Spell_Bubble
https://non-aliencreatures.fandom.com/wiki/Entei_(Spell_of_the_Unown)
https://norwichmusic.fandom.com/wiki/Spellbound
https://nwn.fandom.com/wiki/Annakolia/Spellmastery
https://nwn.fandom.com/wiki/Automatic_quicken_spell
https://nwn.fandom.com/wiki/Automatic_silent_spell
https://nwn.fandom.com/wiki/Automatic_still_spell
https://nwn.fandom.com/wiki/Bonus_spells
https://nwn.fandom.com/wiki/Cast_spell
https://nwn.fandom.com/wiki/Darkness_(spell)
https://nwn.fandom.com/wiki/Empower_spell
https://nwn.fandom.com/wiki/Entangle_(spell)
https://nwn.fandom.com/wiki/Epic_spell:_dragon_knight
https://nwn.fandom.com/wiki/Epic_spell:_epic_mage_armor
https://nwn.fandom.com/wiki/Epic_spell:_epic_warding
https://nwn.fandom.com/wiki/Epic_spell_focus
https://nwn.fandom.com/wiki/Epic_spell:_greater_ruin
https://nwn.fandom.com/wiki/Epic_spell:_hellball
https://nwn.fandom.com/wiki/Epic_spell:_mummy_dust
https://nwn.fandom.com/wiki/Epic_spell_penetration
https://nwn.fandom.com/wiki/Extend_spell
https://nwn.fandom.com/wiki/Fear_(spell)
https://nwn.fandom.com/wiki/Greater_dispelling
https://nwn.fandom.com/wiki/Greater_spell_breach
https://nwn.fandom.com/wiki/Greater_spell_focus
https://nwn.fandom.com/wiki/Greater_spell_mantle
https://nwn.fandom.com/wiki/Greater_spell_penetration
https://nwn.fandom.com/wiki/Hardiness_vs._spells
https://nwn.fandom.com/wiki/Haste_(spell)
https://nwn.fandom.com/wiki/Heal_(spell)
https://nwn.fandom.com/wiki/Improved_spell_resistance
https://nwn.fandom.com/wiki/Invisibility_(spell)
https://nwn.fandom.com/wiki/Lesser_spell_breach
https://nwn.fandom.com/wiki/Lesser_spell_mantle
https://nwn.fandom.com/wiki/Maximize_spell
https://nwn.fandom.com/wiki/Nonsomatic_spell
https://nwn.fandom.com/wiki/Nonverbal_spell
https://nwn.fandom.com/wiki/On-hit:_cast_spell
https://nwn.fandom.com/wiki/Protection_from_spells
https://nwn.fandom.com/wiki/Quicken_spell
https://nwn.fandom.com/wiki/Shield_(spell)
https://nwn.fandom.com/wiki/Silent_spell
https://nwn.fandom.com/wiki/Sleep_(spell)
https://nwn.fandom.com/wiki/Slow_(spell)
https://nwn.fandom.com/wiki/Spell
https://nwn.fandom.com/wiki/Spellcraft
https://nwn.fandom.com/wiki/Spell_failure
https://nwn.fandom.com/wiki/Spell_focus
https://nwn.fandom.com/wiki/Spellhook
https://nwn.fandom.com/wiki/Spell_immunity
https://nwn.fandom.com/wiki/Spell_level_absorption
https://nwn.fandom.com/wiki/Spell-like_ability_(archmage)
https://nwn.fandom.com/wiki/Spell_mantle
https://nwn.fandom.com/wiki/Spell_penetration
https://nwn.fandom.com/wiki/Spell_power
https://nwn.fandom.com/wiki/Spell_resistance
https://nwn.fandom.com/wiki/Spell_school
https://nwn.fandom.com/wiki/Spell_school_list
https://nwn.fandom.com/wiki/Spell_school_list_(bard)
https://nwn.fandom.com/wiki/Spell_school_list_(cleric)
https://nwn.fandom.com/wiki/Spell_school_list_(druid)
https://nwn.fandom.com/wiki/Spell_school_list_(paladin)
https://nwn.fandom.com/wiki/Spell_school_list_(ranger)
https://nwn.fandom.com/wiki/Spell_school_list_(sorcerer/wizard)
https://nwn.fandom.com/wiki/Spells_listed_by_range
https://nwn.fandom.com/wiki/Spell_slot
https://nwn.fandom.com/wiki/Still_spell
https://nwn.fandom.com/wiki/True_seeing_(spell)
https://orcsmustdie.fandom.com/wiki/Spellbook
https://orcsmustdie.fandom.com/wiki/Weapons_and_Spells
https://orderandchaosduels.fandom.com/wiki/Common_Spell_Cards
https://orderandchaosduels.fandom.com/wiki/Eledon_Weavespell
https://orderandchaosduels.fandom.com/wiki/Epic_Spell_Cards
https://orderandchaosduels.fandom.com/wiki/Rare_Spell_Cards
https://orderandchaosduels.fandom.com/wiki/Spellcaster_Adavia
https://orderandchaosduels.fandom.com/wiki/Spells
https://orderandchaosduels.fandom.com/wiki/Uncommon_Spell_Cards
https://overlordmaruyama.fandom.com/wiki/Tier_Spells
https://powerrangers.fandom.com/wiki/Style_Guide/Power_Rangers_Names_and_Spellings
https://powerrangers.fandom.com/wiki/Style_Guide/Sentai_Spellings
https://ppc.fandom.com/wiki/Spelling
https://questforglory.fandom.com/wiki/Spells
https://quickipedia.fandom.com/wiki/Categroy:Spells
https://rappelz.fandom.com/wiki/Spell_Singer
https://riverdale.fandom.com/wiki/Ambrose_Spellman
https://riverdale.fandom.com/wiki/Chapter_Eighteen:_The_Miracles_of_Sabrina_Spellman
https://riverdale.fandom.com/wiki/Chapter_Thirteen:_The_Passion_of_Sabrina_Spellman
https://riverdale.fandom.com/wiki/Chapter_Three:_The_Trial_of_Sabrina_Spellman
https://riverdale.fandom.com/wiki/Hilda_Spellman
https://riverdale.fandom.com/wiki/Sabrina_Spellman
https://riverdale.fandom.com/wiki/Zelda_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Diana_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Dorma_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Edward_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Hilda_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Irma_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Jezebelda_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Katrina_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Lydia_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Mortimer_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Sabrina_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Sabrina_Spellman_(1996_TV_Series)
https://sabrinatheteenagewitch.fandom.com/wiki/Sabrina_Spellman_(1997-2000_Comic_Series)
https://sabrinatheteenagewitch.fandom.com/wiki/Vesta_Spellman
https://sabrinatheteenagewitch.fandom.com/wiki/Zelda_Spellman
https://salem.fandom.com/wiki/Spell_Casting
https://scifi.fandom.com/wiki/WikiSciFi:Spelling_Error_Correction
https://scratchpad.fandom.com/wiki/01:_Charms_spells_and_hexes
https://scrooge-mcduck.fandom.com/wiki/Magica_De_Spell
https://sfery.fandom.com/wiki/Spelljammer
https://shadowverse.fandom.com/wiki/Spell
https://shakugan.fandom.com/wiki/Unrestricted_Spell
https://shakugan.fandom.com/wiki/Unrestricted_Spell_Insignia
https://shakugan.fandom.com/wiki/Unrestricted_Spell_Insignia_of_Reincarnation
https://shakugan.fandom.com/wiki/Unrestricted_Spell_Master
https://smallville.fandom.com/wiki/Spell
https://smurfs.fandom.com/wiki/Great_Book_Of_Spells
https://sot.fandom.com/wiki/Spell-Forms
https://spellborn.fandom.com/index.php?title=
https://spellborn.fandom.com/wiki/
https://spellborn.fandom.com/wiki/Adept
https://spellborn.fandom.com/wiki/Aiming
https://spellborn.fandom.com/wiki/Ancestral_Mage
https://spellborn.fandom.com/wiki/Attributes
https://spellborn.fandom.com/wiki/Attuned_Items
https://spellborn.fandom.com/wiki/Basic_Lead_Counterweight
https://spellborn.fandom.com/wiki/Berserker_Liquid_Humour
https://spellborn.fandom.com/wiki/Blog:Recent_posts
https://spellborn.fandom.com/wiki/Blood_Warrior
https://spellborn.fandom.com/wiki/Body_Slots
https://spellborn.fandom.com/wiki/Building_Your_Skill_Deck
https://spellborn.fandom.com/wiki/Burlap_Sole
https://spellborn.fandom.com/wiki/Character_States
https://spellborn.fandom.com/wiki/Client
https://spellborn.fandom.com/wiki/Combat
https://spellborn.fandom.com/wiki/Combat_For_Beginners
https://spellborn.fandom.com/wiki/Combos
https://spellborn.fandom.com/wiki/Common_Ousted_Essence
https://spellborn.fandom.com/wiki/Common_Ousted_Soul
https://spellborn.fandom.com/wiki/Daevi
https://spellborn.fandom.com/wiki/Deadspell_Storm
https://spellborn.fandom.com/wiki/Death_Hand
https://spellborn.fandom.com/wiki/Demon_Chests
https://spellborn.fandom.com/wiki/Dodo_Anima
https://spellborn.fandom.com/wiki/Dying_and_Respawning
https://spellborn.fandom.com/wiki/Equipment
https://spellborn.fandom.com/wiki/EU_to_US_Transfer
https://spellborn.fandom.com/wiki/Factions
https://spellborn.fandom.com/wiki/Fame
https://spellborn.fandom.com/wiki/Game_Mechanics
https://spellborn.fandom.com/wiki/Getting_Started
https://spellborn.fandom.com/wiki/Glint_Raptor_Vitreous_Humour
https://spellborn.fandom.com/wiki/Health_Regeneration
https://spellborn.fandom.com/wiki/Heroes_and_Villains
https://spellborn.fandom.com/wiki/Human
https://spellborn.fandom.com/wiki/Instances
https://spellborn.fandom.com/wiki/Inventory
https://spellborn.fandom.com/wiki/Item_Rarity
https://spellborn.fandom.com/wiki/Item_Types
https://spellborn.fandom.com/wiki/Known_Shards
https://spellborn.fandom.com/wiki/Level_Requirements
https://spellborn.fandom.com/wiki/Liquid_Urgarut_Humour
https://spellborn.fandom.com/wiki/Local_Sitemap
https://spellborn.fandom.com/wiki/Magnus_Howler_Essence
https://spellborn.fandom.com/wiki/Money
https://spellborn.fandom.com/wiki/Obsidian_Slab
https://spellborn.fandom.com/wiki/Out-of-Combat
https://spellborn.fandom.com/wiki/Outstanding_Whiteleather_Fragments
https://spellborn.fandom.com/wiki/Patch_1.0.4.2
https://spellborn.fandom.com/wiki/Patch_1.0.5
https://spellborn.fandom.com/wiki/Patch_1.0.5.2
https://spellborn.fandom.com/wiki/Personal_experience_Point
https://spellborn.fandom.com/wiki/Porous_Bone_Edging
https://spellborn.fandom.com/wiki/Porous_Bone_Ring
https://spellborn.fandom.com/wiki/Prepared_&_Unprepared
https://spellborn.fandom.com/wiki/Recipe:Dawnbreaker's_Shoes
https://spellborn.fandom.com/wiki/Redevelopment
https://spellborn.fandom.com/wiki/Resistance_Affinity
https://spellborn.fandom.com/wiki/Rogue
https://spellborn.fandom.com/wiki/Rough_Bone_Guard
https://spellborn.fandom.com/wiki/Rune_Mage
https://spellborn.fandom.com/wiki/Shutdown
https://spellborn.fandom.com/wiki/Skill_Deck_Primer
https://spellborn.fandom.com/wiki/Skill_Primer
https://spellborn.fandom.com/wiki/Skinshifter
https://spellborn.fandom.com/wiki/Slaying_&_Defeating
https://spellborn.fandom.com/wiki/Small_Molted_Feather
https://spellborn.fandom.com/wiki/Special_Attacks
https://spellborn.fandom.com/wiki/Special_Damage_Types
https://spellborn.fandom.com/wiki/Spellborn_Reborn
https://spellborn.fandom.com/wiki/Spellborn_Wiki
https://spellborn.fandom.com/wiki/Spellcaster
https://spellborn.fandom.com/wiki/State_Damage_Types
https://spellborn.fandom.com/wiki/Status_Effects
https://spellborn.fandom.com/wiki/System_Requirements
https://spellborn.fandom.com/wiki/Tagging
https://spellborn.fandom.com/wiki/The_Chronicles_of_Spellborn
https://spellborn.fandom.com/wiki/The_User_Interface
https://spellborn.fandom.com/wiki/Thin_Bone_Joint
https://spellborn.fandom.com/wiki/Timeline
https://spellborn.fandom.com/wiki/Tin_Ore
https://spellborn.fandom.com/wiki/Trailers
https://spellborn.fandom.com/wiki/Travel
https://spellborn.fandom.com/wiki/Trickster
https://spellborn.fandom.com/wiki/Void_Seer
https://spellborn.fandom.com/wiki/Warrior
https://spellborn.fandom.com/wiki/Within_Temptation_The_Howling
https://spellborn.fandom.com/wiki/Worn_Rawhide_Braid
https://spellborn.fandom.com/wiki/Wrathguard
https://spellforce.fandom.com/wiki/
https://spellforce.fandom.com/wiki/Archfire
https://spellforce.fandom.com/wiki/Armors
https://spellforce.fandom.com/wiki/Artefacts
https://spellforce.fandom.com/wiki/Artefacts_(SF3)
https://spellforce.fandom.com/wiki/Aryn_Crisis
https://spellforce.fandom.com/wiki/Battle_of_Fiara
https://spellforce.fandom.com/wiki/Blog:Recent_posts
https://spellforce.fandom.com/wiki/Eo
https://spellforce.fandom.com/wiki/Gods
https://spellforce.fandom.com/wiki/Local_Sitemap
https://spellforce.fandom.com/wiki/Magic
https://spellforce.fandom.com/wiki/Purity_Wars
https://spellforce.fandom.com/wiki/Quests
https://spellforce.fandom.com/wiki/Races
https://spellforce.fandom.com/wiki/Rune_Heroes
https://spellforce.fandom.com/wiki/Shadow_Wars
https://spellforce.fandom.com/wiki/SpellForce_2:_Demons_of_the_Past
https://spellforce.fandom.com/wiki/SpellForce_2:_Dragon_Storm
https://spellforce.fandom.com/wiki/SpellForce_2:_Faith_in_Destiny
https://spellforce.fandom.com/wiki/SpellForce_2:_Shadow_Wars
https://spellforce.fandom.com/wiki/SpellForce_3
https://spellforce.fandom.com/wiki/SpellForce_3/Companions
https://spellforce.fandom.com/wiki/SpellForce_3:_Soul_Harvest
https://spellforce.fandom.com/wiki/SpellForce:_Shadow_of_the_Phoenix
https://spellforce.fandom.com/wiki/SpellForce:_The_Breath_of_Winter
https://spellforce.fandom.com/wiki/SpellForce:_The_Order_of_Dawn
https://spellforce.fandom.com/wiki/SpellForce_Wiki
https://spellforce.fandom.com/wiki/Spellforce_Wiki:Community_Portal
https://spellforce.fandom.com/wiki/Stats_and_Abilities
https://spellforce.fandom.com/wiki/Stats_and_Abilities_in_SpellForce
https://spellforce.fandom.com/wiki/Stats_and_Abilities_in_SpellForce_2
https://spellforce.fandom.com/wiki/Stats_and_Abilities_in_SpellForce_3
https://spellforce.fandom.com/wiki/Stats_and_Abilities_in_SpellForce_3:_Soul_Harvest
https://spellforce.fandom.com/wiki/The_Circle
https://spellforce.fandom.com/wiki/Units_in_SpellForce
https://spellforce.fandom.com/wiki/War_of_the_Six_Races
https://spellforce.fandom.com/wiki/Weapons
https://spelljammer.fandom.com/wiki/
https://spelljammer.fandom.com/wiki/Aartuk
https://spelljammer.fandom.com/wiki/Armistice
https://spelljammer.fandom.com/wiki/Blackjammer's_Cutlass
https://spelljammer.fandom.com/wiki/Blog:Recent_posts
https://spelljammer.fandom.com/wiki/Cloakmaster_Cycle,_The
https://spelljammer.fandom.com/wiki/DM_Guide
https://spelljammer.fandom.com/wiki/Drow
https://spelljammer.fandom.com/wiki/Giff
https://spelljammer.fandom.com/wiki/Gilean_(deity)
https://spelljammer.fandom.com/wiki/Gossamer
https://spelljammer.fandom.com/wiki/Grav
https://spelljammer.fandom.com/wiki/Great_Dreamer
https://spelljammer.fandom.com/wiki/Grommam
https://spelljammer.fandom.com/wiki/Hadozee
https://spelljammer.fandom.com/wiki/Hammership
https://spelljammer.fandom.com/wiki/Illithid
https://spelljammer.fandom.com/wiki/Ka'jk'zxl
https://spelljammer.fandom.com/wiki/Kil'lix
https://spelljammer.fandom.com/wiki/Kr'tx
https://spelljammer.fandom.com/wiki/Local_Sitemap
https://spelljammer.fandom.com/wiki/Nautiloid
https://spelljammer.fandom.com/wiki/Neogi
https://spelljammer.fandom.com/wiki/Pirates_of_Realmspace
https://spelljammer.fandom.com/wiki/P'kk
https://spelljammer.fandom.com/wiki/Ports_of_Call
https://spelljammer.fandom.com/wiki/Radole
https://spelljammer.fandom.com/wiki/Realmspace
https://spelljammer.fandom.com/wiki/Spelljammer_Helms
https://spelljammer.fandom.com/wiki/Spelljammer,_The
https://spelljammer.fandom.com/wiki/Spelljammer_Wiki
https://spelljammer.fandom.com/wiki/Spelljammer_Wiki:About
https://spelljammer.fandom.com/wiki/Spelljammer_Wiki:Community_Portal
https://spelljammer.fandom.com/wiki/Stellar_dragon
https://spelljammer.fandom.com/wiki/Sun,_The_(Realmspace)
https://spelljammer.fandom.com/wiki/The_Library
https://spelljammer.fandom.com/wiki/Thrig'ki
https://spelljammer.fandom.com/wiki/TSR,_Inc.
https://spelljammer.fandom.com/wiki/T'zen'kil
https://spelljammer.fandom.com/wiki/Yggdrasil's_Child
https://starfox.fandom.com/wiki/SpellStone
https://starfox.fandom.com/wiki/SpellStone_Seal
https://starvstheforcesofevil.fandom.com/wiki/Spells
https://starvstheforcesofevil.fandom.com/wiki/Star_vs._the_Forces_of_Evil:_The_Magic_Book_of_Spells
https://starwars.fandom.com/wiki/Wookieepedia:List_of_common_misspellings
https://tardis.fandom.com/wiki/Elijah_Spellman
https://tardis.fandom.com/wiki/Tardis:Spelling_policy
https://tes-sandbox.fandom.com/wiki/Book_IV:_Spellwrights_and_Magisters
https://the7d.fandom.com/wiki/The_Glooms'_spells
https://theatre.fandom.com/wiki/Godspell
https://themagicians.fandom.com/wiki/Spells
https://tibia.fandom.com/wiki/Spellbooks
https://tibia.fandom.com/wiki/Spells
https://titanquest.fandom.com/wiki/Spell_of_Pieces
https://tokyo-ravens.fandom.com/wiki/Break_a_spell
https://toonami.fandom.com/wiki/Pokemon_3:_The_Movie:_The_Spell_of_the_Unown
https://torment.fandom.com/wiki/Spell
https://touhou.fandom.com/wiki/Impossible_Spell_Card
https://vim.fandom.com/wiki/Auto_spelling_correction_using_abbreviations
https://vim.fandom.com/wiki/Auto_spelling_correction_using_abbreviations?printable=yes
https://vim.fandom.com/wiki/Auto_spelling_correction_using_abbreviations?useskin=monobook
https://wakfu.fandom.com/wiki/Spell
https://whitewolf.fandom.com/wiki/Counterspell_(MTAw)
https://whitewolf.fandom.com/wiki/Spell-Bound_Autumn
https://whitewolf.fandom.com/wiki/Spell_(MTAw)
https://whitewolf.fandom.com/wiki/Spell_of_Going_Westward
https://whitewolf.fandom.com/wiki/Spell_of_Life
https://wildstaronline-archive.fandom.com/wiki/Spellslinger
https://witchesofeastend.fandom.com/wiki/For_Whom_the_Spell_Tolls
https://witchesofeastend.fandom.com/wiki/Spellcasting
https://witchesofeastend.fandom.com/wiki/Spells
https://witchesofeastend.fandom.com/wiki/Spells_-_Season_1
https://witchesofeastend.fandom.com/wiki/Spells_-_Season_2
https://wizard101.fandom.com/wiki/Spells
https://wizard101.fandom.com/wiki/Spell_Types
https://wizardrock.fandom.com/wiki/Jingle_Spells
https://wizardrock.fandom.com/wiki/Jingle_Spells_2
https://wizardrock.fandom.com/wiki/Jingle_Spells_3
https://wizardrock.fandom.com/wiki/Jingle_Spells_4
https://wizardrock.fandom.com/wiki/Jingle_Spells_5
https://wizardry.fandom.com/wiki/Spells
https://wowrp.fandom.com/wiki/Usvira_Longspell
https://wowwiki-archive.fandom.com/wiki/API_CastSpell
https://wowwiki-archive.fandom.com/wiki/API_CastSpellByName
https://wowwiki-archive.fandom.com/wiki/API_GameTooltip_GetSpell
https://wowwiki-archive.fandom.com/wiki/API_GameTooltip_SetSpell
https://wowwiki-archive.fandom.com/wiki/API_GetMultiCastTotemSpells
https://wowwiki-archive.fandom.com/wiki/API_GetNumSpellTabs
https://wowwiki-archive.fandom.com/wiki/API_GetQuestLogRewardSpell
https://wowwiki-archive.fandom.com/wiki/API_GetRewardSpell
https://wowwiki-archive.fandom.com/wiki/API_GetSpellAutocast
https://wowwiki-archive.fandom.com/wiki/API_GetSpellBonusDamage
https://wowwiki-archive.fandom.com/wiki/API_GetSpellBonusHealing
https://wowwiki-archive.fandom.com/wiki/API_GetSpellBookItemInfo
https://wowwiki-archive.fandom.com/wiki/API_GetSpellBookItemName
https://wowwiki-archive.fandom.com/wiki/API_GetSpellCooldown
https://wowwiki-archive.fandom.com/wiki/API_GetSpellCritChance
https://wowwiki-archive.fandom.com/wiki/API_GetSpellInfo
https://wowwiki-archive.fandom.com/wiki/API_GetSpellLink
https://wowwiki-archive.fandom.com/wiki/API_GetSpellTabInfo
https://wowwiki-archive.fandom.com/wiki/API_GetSpellTexture
https://wowwiki-archive.fandom.com/wiki/API_HasPetSpells
https://wowwiki-archive.fandom.com/wiki/API_IsAttackSpell
https://wowwiki-archive.fandom.com/wiki/API_IsPassiveSpell
https://wowwiki-archive.fandom.com/wiki/API_IsSpellInRange
https://wowwiki-archive.fandom.com/wiki/API_IsUsableSpell
https://wowwiki-archive.fandom.com/wiki/API_PickupSpell
https://wowwiki-archive.fandom.com/wiki/API_SetBindingSpell
https://wowwiki-archive.fandom.com/wiki/API_SetMultiCastSpell
https://wowwiki-archive.fandom.com/wiki/API_SetOverrideBindingSpell
https://wowwiki-archive.fandom.com/wiki/API_SpellCanTargetUnit
https://wowwiki-archive.fandom.com/wiki/API_SpellIsTargeting
https://wowwiki-archive.fandom.com/wiki/API_SpellStopCasting
https://wowwiki-archive.fandom.com/wiki/API_SpellStopTargeting
https://wowwiki-archive.fandom.com/wiki/API_SpellTargetUnit
https://wowwiki-archive.fandom.com/wiki/API_ToggleSpellBook
https://wowwiki-archive.fandom.com/wiki/Azure_Spellthread
https://wowwiki-archive.fandom.com/wiki/Brilliant_Spellthread
https://wowwiki-archive.fandom.com/wiki/Counterspell
https://wowwiki-archive.fandom.com/wiki/Enchanted_Spellthread
https://wowwiki-archive.fandom.com/wiki/Enchant_Ring_-_Greater_Spellpower
https://wowwiki-archive.fandom.com/wiki/Enchant_Ring_-_Spellpower
https://wowwiki-archive.fandom.com/wiki/Enchant_Weapon_-_Spellpower
https://wowwiki-archive.fandom.com/wiki/Events/Spell
https://wowwiki-archive.fandom.com/wiki/Fur_Lining_-_Spell_Power
https://wowwiki-archive.fandom.com/wiki/Ghostly_Spellthread
https://wowwiki-archive.fandom.com/wiki/Golden_Spellthread
https://wowwiki-archive.fandom.com/wiki/Mass_Spell_Reflection
https://wowwiki-archive.fandom.com/wiki/Master's_Spellthread
https://wowwiki-archive.fandom.com/wiki/Mystic_Spellthread
https://wowwiki-archive.fandom.com/wiki/Portal_(Spell)
https://wowwiki-archive.fandom.com/wiki/Portal_(spell)
https://wowwiki-archive.fandom.com/wiki/Powerful_Enchanted_Spellthread
https://wowwiki-archive.fandom.com/wiki/Powerful_Ghostly_Spellthread
https://wowwiki-archive.fandom.com/wiki/Powerful_Spell_(mission_counter)
https://wowwiki-archive.fandom.com/wiki/Runic_Spellthread
https://wowwiki-archive.fandom.com/wiki/Sanctified_Spellthread
https://wowwiki-archive.fandom.com/wiki/Sapphire_Spellthread
https://wowwiki-archive.fandom.com/wiki/Shining_Spellthread
https://wowwiki-archive.fandom.com/wiki/Silver_Spellthread
https://wowwiki-archive.fandom.com/wiki/Slow_(Mage_spell)
https://wowwiki-archive.fandom.com/wiki/Spell
https://wowwiki-archive.fandom.com/wiki/Spellbook
https://wowwiki-archive.fandom.com/wiki/Spell_Breaker_(Warcraft_III)
https://wowwiki-archive.fandom.com/wiki/Spellcloth
https://wowwiki-archive.fandom.com/wiki/Spell_Damage_Coefficients
https://wowwiki-archive.fandom.com/wiki/Spellfire_Bag
https://wowwiki-archive.fandom.com/wiki/Spellfire_Tailoring
https://wowwiki-archive.fandom.com/wiki/Spelling_of_shaman
https://wowwiki-archive.fandom.com/wiki/Spell_Lock
https://wowwiki-archive.fandom.com/wiki/Spell_penetration
https://wowwiki-archive.fandom.com/wiki/Spell_penetration_gems
https://wowwiki-archive.fandom.com/wiki/Spell_power
https://wowwiki-archive.fandom.com/wiki/Spell_power_coefficient
https://wowwiki-archive.fandom.com/wiki/Spell_power_gems
https://wowwiki-archive.fandom.com/wiki/Spell_Reflection
https://wowwiki-archive.fandom.com/wiki/Spellsteal
https://wowwiki-archive.fandom.com/wiki/Spellstrike_Infusion
https://wowwiki-archive.fandom.com/wiki/Spellthread
https://wowwiki-archive.fandom.com/wiki/Spellweave
https://wowwiki-archive.fandom.com/wiki/WoWWiki:List_of_common_misspellings
https://wowwiki-archive.fandom.com/wiki/Wrath_of_Spellfire
https://ycm.fandom.com/wiki/Quick-Play_Spell_Card
https://ycm.fandom.com/wiki/Spell_Card
https://yugioh.fandom.com/wiki/Continuous_Spell
https://yugioh.fandom.com/wiki/Equip_Spell
https://yugioh.fandom.com/wiki/Field_Spell
https://yugioh.fandom.com/wiki/Normal_Spell
https://yugioh.fandom.com/wiki/Quick-Play_Spell
https://yugioh.fandom.com/wiki/Ritual_Spell
https://yugioh.fandom.com/wiki/Spell_Card
https://yugioh.fandom.com/wiki/Spell_Speed
https://yugioh.fandom.com/wiki/Spell_&_Trap_Zone
https://zork.fandom.com/wiki/Duck_Spell
Akazukin Chacha -- -- Gallop -- 74 eps -- Manga -- Adventure Comedy Fantasy Magic Romance Shoujo -- Akazukin Chacha Akazukin Chacha -- Akazukin Chacha is the story of a young magical girl (Mahō Shōjo) named Chacha. Living with her guardian in a cottage on Mochi-mochi mountain is Seravi, who is her teacher and also the fictional world's greatest magician. Chacha is clumsy in casting her spells because, throughout the anime, when she summons something, it often turns out to be something that she didn't mean to cast, for example, spiders (kumo) instead of a cloud (also kumo). At times in the anime when she and her friends are in trouble, however, her spells do work. Living on the same mountain is a boy gifted with enormous strength named Riiya. It is described that Riiya came from a family of werewolves who can instantly change into a wolf whenever they want. Quite far from Mochi-mochi mountain lies Urizuri mountain. Dorothy, also a well known magician in her land, lives in a castle on Urizuri mountain. Living with her is Shiine, her student. Shiine is adept when it comes to casting spells. He is a young wizard and most of his knowledge about magic was taught to him by Dorothy. -- -- The first 2 seasons were originally created by the anime team. Most of the stories in season 3 are based on the manga. -- -- (Source: Wikipedia) -- 12,257 7.38
Bakuretsu Hunters -- -- Xebec -- 26 eps -- Manga -- Adventure Comedy Ecchi Fantasy Magic Shounen Supernatural -- Bakuretsu Hunters Bakuretsu Hunters -- In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira (who can transform into dominatrix's at will) must stop the evil sorcerers from picking on the weak; however, none of them (except maybe Marron) have a clue to what's going on. -- -- (Source: ANN) -- 17,495 6.70
Bakuretsu Hunters -- -- Xebec -- 26 eps -- Manga -- Adventure Comedy Ecchi Fantasy Magic Shounen Supernatural -- Bakuretsu Hunters Bakuretsu Hunters -- In the continent of spooner, sorcerers, who are the continent's aristocrats, have begun to abuse their powers. Under the guidance of Big Momma (their boss) Carrot (who turns into a giant monster every time he's placed under a magic spell), Gateau (a bodybuilder), Marron (a mage), Chocolate and Tira (who can transform into dominatrix's at will) must stop the evil sorcerers from picking on the weak; however, none of them (except maybe Marron) have a clue to what's going on. -- -- (Source: ANN) -- -- Licensor: -- ADV Films, Discotek Media -- 17,495 6.70
Basilisk: Ouka Ninpouchou -- -- Seven Arcs Pictures -- 24 eps -- Manga -- Action Drama Historical Martial Arts -- Basilisk: Ouka Ninpouchou Basilisk: Ouka Ninpouchou -- It has been 10 years since the war between the Iga and Kouga ninja clans came to an end. The two groups have since made peace, supposedly dispelling the animosity that once existed between them. Hachirou Kouga and Hibiki Iga, the successors of their respective bloodlines, seem to have the perfect conditions for their love to bloom, but not everyone is satisfied with the results of the age-old battle. -- -- Different tales of the final showdown between Gennosuke Kouga and Oboro Iga have spread, leaving Tadanaga Tokugawa—whom the Kouga represented—dissatisfied. As tension between the two clans rises once again, the brewing political climate threatens to keep the two fated lovers apart, just as it had in the previous generation. -- -- 30,267 5.47
Basilisk: Ouka Ninpouchou -- -- Seven Arcs Pictures -- 24 eps -- Manga -- Action Drama Historical Martial Arts -- Basilisk: Ouka Ninpouchou Basilisk: Ouka Ninpouchou -- It has been 10 years since the war between the Iga and Kouga ninja clans came to an end. The two groups have since made peace, supposedly dispelling the animosity that once existed between them. Hachirou Kouga and Hibiki Iga, the successors of their respective bloodlines, seem to have the perfect conditions for their love to bloom, but not everyone is satisfied with the results of the age-old battle. -- -- Different tales of the final showdown between Gennosuke Kouga and Oboro Iga have spread, leaving Tadanaga Tokugawa—whom the Kouga represented—dissatisfied. As tension between the two clans rises once again, the brewing political climate threatens to keep the two fated lovers apart, just as it had in the previous generation. -- -- -- Licensor: -- Funimation -- 30,267 5.47
Bible Black Gaiden -- -- Studio Jam -- 2 eps -- Visual novel -- Hentai Supernatural -- Bible Black Gaiden Bible Black Gaiden -- Twelve years prior to its discovery by Minase, the origins of the magic book with dark,sensuous powers is revealed. Initially owned by a female student, Takashiro, who, along with other curious students form the first magic club on campus. The club begins to use the erotic spells to carry out favors for fellow students, and vengeance. After underestimating the powers behind the book, Takashiro is taken out of the picture, as a new leader guides the club towards a darker course, one that will force school newcomer Kitami to make a dire choice. -- OVA - May 25, 2002 -- 23,111 6.69
Choujigen Game Neptune The Animation -- -- David Production -- 12 eps -- Game -- Action Comedy Fantasy Parody Sci-Fi Supernatural -- Choujigen Game Neptune The Animation Choujigen Game Neptune The Animation -- After years of fruitless war between the four realms of Gamindustri (Planeptune, Lastation, Lowee and Leanbox) over Share energy, the source of their strength based on how much their people have faith in their goddesses, the four CPUs that rule over them have finally signed a friendship treaty. The treaty bans any attempt at claiming Share energy through military force, in hopes of bringing peace and prosperity to their worlds. Yet, a month after the treaty, Neptune, the CPU Goddess of Planeptune, spends her time goofing off and playing games rather than doing her job, leaving her land's Shares plummeting. -- -- Choujigen Game Neptune The Animation follows Neptune and her friends' attempts at raising Shares, while dealing with an external threat that could spell the end of both the Goddesses and Gamindustri itself... -- -- Licensor: -- Funimation -- TV - Jul 12, 2013 -- 134,162 6.97
Choujigen Game Neptune The Animation -- -- David Production -- 12 eps -- Game -- Action Comedy Fantasy Parody Sci-Fi Supernatural -- Choujigen Game Neptune The Animation Choujigen Game Neptune The Animation -- After years of fruitless war between the four realms of Gamindustri (Planeptune, Lastation, Lowee and Leanbox) over Share energy, the source of their strength based on how much their people have faith in their goddesses, the four CPUs that rule over them have finally signed a friendship treaty. The treaty bans any attempt at claiming Share energy through military force, in hopes of bringing peace and prosperity to their worlds. Yet, a month after the treaty, Neptune, the CPU Goddess of Planeptune, spends her time goofing off and playing games rather than doing her job, leaving her land's Shares plummeting. -- -- Choujigen Game Neptune The Animation follows Neptune and her friends' attempts at raising Shares, while dealing with an external threat that could spell the end of both the Goddesses and Gamindustri itself... -- TV - Jul 12, 2013 -- 134,162 6.97
Darker than Black: Kuro no Keiyakusha Gaiden -- -- Bones -- 4 eps -- Original -- Action Mystery Sci-Fi Super Power -- Darker than Black: Kuro no Keiyakusha Gaiden Darker than Black: Kuro no Keiyakusha Gaiden -- Fleeing from the consequences of his decision at the Hell's Gate, superpowered Contractor Hei and his companion Yin take refuge in a quiet inn, adopting the guise of a married couple in order to not draw suspicion. In an attempt to recover from recent events, Hei befriends the inn's other guests. He discovers that one of them is a fellow Contractor tasked with killing him. Their resulting encounter spells disaster for both Hei and Yin, who are forced to fight for their lives and grapple with the emotional wounds sustained in their previous life together. -- -- -- Licensor: -- Funimation -- Special - Jan 27, 2010 -- 223,787 7.96
Death March kara Hajimaru Isekai Kyousoukyoku -- -- Connect, SILVER LINK. -- 12 eps -- Light novel -- Adventure Fantasy Harem -- Death March kara Hajimaru Isekai Kyousoukyoku Death March kara Hajimaru Isekai Kyousoukyoku -- Ichirou Suzuki, a programmer nearing his thirties, is drowning in work. Worn out, he eventually has a chance to catch up on sleep, only to wake up and discover himself in a fantasy RPG world, which is mashed together from the games he was debugging in reality. In this new place, he realizes that not only has his appearance changed to a younger version of himself, but his name has also changed to Satou, a nickname he used while running beta tests on games. -- -- However, before Satou can fully grasp his situation, an army of lizardmen launch an assault on him. Forced to cast a powerful spell in retaliation, Satou wipes them out completely and his level is boosted to 310, effectively maximizing his stats. Now, as a high-leveled adventurer armed with a plethora of skills and no way to return to reality, Satou sets out to explore this magical new world. -- -- 350,234 6.51
Dragon Quest: Dai no Daibouken (TV) -- -- Toei Animation -- 46 eps -- Manga -- Adventure Comedy Demons Magic Martial Arts Fantasy Shounen -- Dragon Quest: Dai no Daibouken (TV) Dragon Quest: Dai no Daibouken (TV) -- After the defeat of the demon lord Hadlar all of the monsters were unleashed from his evil will and moved to the island of Delmurin to live in peace. Dai is the only human living on the island. Having been raised by the kindly monster Brass, Dai's dream is to grow up to be a hero. He gets to become one when Hadlar is resurrected and the previous hero, Avan, comes to train Dai to help in the battle. But Hadlar, announcing that he now works for an even more powerful demon lord, comes to kill Avan. To save his students Avan uses a Self-Sacrifice spell to attack, but is unable to defeat Hadlar. When it seems that Dai and Avan's other student Pop are doomed a mark appears on Dai's forehead and he suddenly gains super powers and is able to fend off Hadlar. The two students then go off on a journey to avenge Avan and bring peace back to the world. -- -- (Source: ANN) -- TV - Oct 17, 1991 -- 19,176 7.61
Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV -- -- - -- ? eps -- Light novel -- Action Adventure Comedy Romance Fantasy -- Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka IV -- Fourth season of Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka. -- TV - ??? ??, 2022 -- 55,073 N/A -- -- Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e -- -- SILVER LINK. -- ? eps -- Light novel -- Magic Fantasy School -- Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e -- Second season of Maou Gakuin no Futekigousha: Shijou Saikyou no Maou no Shiso, Tensei shite Shison-tachi no Gakkou e Kayou. -- TV - ??? ??, ???? -- 55,065 N/A -- -- Tegamibachi Reverse -- -- Studio Pierrot -- 25 eps -- Manga -- Adventure Supernatural Fantasy Shounen -- Tegamibachi Reverse Tegamibachi Reverse -- After Niche carries the wounded and stunned Lag back to the Bee Hive, the Letter Bee finally begins to piece the puzzle together. Now he knows what's happened to Gauche, why the Marauders are so focused on stealing mail and the actual intent of the group controlling both, Reverse. However, when he's forbidden to reveal the truth, Lag is soon forced out of the artificial sunlight and back into the world of perpetual night. And soon Reverse's plot to take down the Letter Bees and overthrow the Amberground government begins to accelerate. If things weren't already bad enough, the giant insect creatures called gaichuu are apparently evolving into something new; there may be traitors working within the Hive; and Niche's sister, who's definitely not human friendly, shows up to turn family drama into a full-scale siege! It all spells serious trouble for the Letter Bees, but if anyone can weather the storms and gloom of night, Lag and his team are the ones who'll deliver. -- -- (Source: FUNimation) -- -- Licensor: -- Sentai Filmworks -- 55,008 7.77
Elf wo Karu Mono-tachi -- -- Amuse, Group TAC -- 12 eps -- Manga -- Adventure Comedy Ecchi Fantasy Magic Shounen -- Elf wo Karu Mono-tachi Elf wo Karu Mono-tachi -- Loudmouthed martial artist Junpei Ryuzouji, elegant actress Airi Komiyama, and cheery but artillery-obsessed student Ritsuko Inoue all find themselves transported from their homeland of Japan to an unfamiliar, magical world. When the elven priestess Celcia Marieclaire casts the spell to send them home, she is interrupted, and the spell is broken into parts that scatter throughout the world. The spell fragments imprint themselves onto the skin of various elves. -- -- The trio travels in Ritsuko's tank, searching for elves who might carry the spell fragments so that Celcia can transfer them to her own body and make the spell whole again. As they adventure, people begin to refer to them as "Those Who Hunt Elves," gaining a reputation as warriors that put a stop to evil-doers with their miraculous cannon, terrifying elves by stripping any that they find. Though they're not the smartest group, they make up for it with enthusiasm and their strong determination to get back to Japan. -- -- 21,535 7.02
Elf wo Karu Mono-tachi -- -- Amuse, Group TAC -- 12 eps -- Manga -- Adventure Comedy Ecchi Fantasy Magic Shounen -- Elf wo Karu Mono-tachi Elf wo Karu Mono-tachi -- Loudmouthed martial artist Junpei Ryuzouji, elegant actress Airi Komiyama, and cheery but artillery-obsessed student Ritsuko Inoue all find themselves transported from their homeland of Japan to an unfamiliar, magical world. When the elven priestess Celcia Marieclaire casts the spell to send them home, she is interrupted, and the spell is broken into parts that scatter throughout the world. The spell fragments imprint themselves onto the skin of various elves. -- -- The trio travels in Ritsuko's tank, searching for elves who might carry the spell fragments so that Celcia can transfer them to her own body and make the spell whole again. As they adventure, people begin to refer to them as "Those Who Hunt Elves," gaining a reputation as warriors that put a stop to evil-doers with their miraculous cannon, terrifying elves by stripping any that they find. Though they're not the smartest group, they make up for it with enthusiasm and their strong determination to get back to Japan. -- -- -- Licensor: -- ADV Films, Sentai Filmworks -- 21,535 7.02
Endro~! -- -- Studio Gokumi -- 12 eps -- Original -- Fantasy Magic Slice of Life -- Endro~! Endro~! -- In a world of adventurers and magic lies Naral Island. Every generation, a Demon Lord rises to plague the land, and every generation, a Hero is born to subdue him. For countless centuries, the cycle has repeated with no end in sight. The latest Hero, Juulia "Yusha" Charldetto, has almost completed her valiant campaign alongside her party members: responsible priest Seiran "Seira" Élénoir, enigmatic mage Meiza "Mei" Endust, and hyper-energetic warrior Fai Fai. -- -- In the final battle against the Demon Lord, Yusha's party attempt a risky spell to cast their enemy into the drifts of time. But the incantation goes awry, sending Yusha and her friends back to a time before the Demon Lord, before Yusha becomes the Hero, and before the party had even graduated as adventurers. With their memories of the future erased, the four girls restart their ambitions to become the Hero's Party, aspiring to defeat the Demon Lord. -- -- However, in a sudden twist of fate, the Demon Lord was also sent back in time with her memories intact. Reduced to the form of a little girl, the Demon Lord takes the name Mao and infiltrates the adventurers' school as a teacher, planning to stop Yusha before she becomes a hero. Thus begins the story of Yusha and her friends, in their quest to defeat the Demon Lord, not knowing that the one they seek is right by their side. -- -- -- Licensor: -- Funimation -- 57,878 6.93
Fairy Tail Movie 1: Houou no Miko -- -- A-1 Pictures, Satelight -- 1 ep -- Manga -- Action Adventure Comedy Fantasy Magic Shounen -- Fairy Tail Movie 1: Houou no Miko Fairy Tail Movie 1: Houou no Miko -- In the mountains of north Fiore lies the Fire Village, where a lush-blue relic known as the Phoenix Stone is preserved. Entrusted to a mystifying woman named Éclair, it is said to contain the power of an ancient phoenix. She wanders the land alone and protects the stone from harm, despite having no memory of why it was left in her care and only the faintest recollection of where she must take it. -- -- After encountering the wizard guild Fairy Tail, Éclair receives an offer from Natsu Dragneel and his friends to help her uncover the mysteries surrounding the stone. However, in the midst of the group's journey, Éclair is suddenly attacked and the stone is taken from her. With this, nefarious intentions to revive the blazing phoenix for its unparalleled power come to light, and the wizards of Fairy Tail find themselves in a situation that could spell calamity. They must now work together to prevent the revival of the phoenix and save the world from ruin. -- -- -- Licensor: -- Funimation -- Movie - Aug 18, 2012 -- 171,203 7.39
Fairy Tail Movie 1: Houou no Miko -- -- A-1 Pictures, Satelight -- 1 ep -- Manga -- Action Adventure Comedy Fantasy Magic Shounen -- Fairy Tail Movie 1: Houou no Miko Fairy Tail Movie 1: Houou no Miko -- In the mountains of north Fiore lies the Fire Village, where a lush-blue relic known as the Phoenix Stone is preserved. Entrusted to a mystifying woman named Éclair, it is said to contain the power of an ancient phoenix. She wanders the land alone and protects the stone from harm, despite having no memory of why it was left in her care and only the faintest recollection of where she must take it. -- -- After encountering the wizard guild Fairy Tail, Éclair receives an offer from Natsu Dragneel and his friends to help her uncover the mysteries surrounding the stone. However, in the midst of the group's journey, Éclair is suddenly attacked and the stone is taken from her. With this, nefarious intentions to revive the blazing phoenix for its unparalleled power come to light, and the wizards of Fairy Tail find themselves in a situation that could spell calamity. They must now work together to prevent the revival of the phoenix and save the world from ruin. -- -- Movie - Aug 18, 2012 -- 171,203 7.39
Fate/kaleid liner Prisma☆Illya 2wei! -- -- SILVER LINK. -- 10 eps -- Manga -- Action Comedy Fantasy Magic -- Fate/kaleid liner Prisma☆Illya 2wei! Fate/kaleid liner Prisma☆Illya 2wei! -- Another lovely summer goes by for Illyasviel von Einzbern. Taking a break from her magical girl duties, she enjoys her time off after collecting the Class Cards with her best friend Miyu Edelfelt. -- -- However, her break comes to an abrupt end when she and Miyu are abducted by Rin Toosaka and Luviagelita Edelfelt, while out with her friends. The magical girls learn that their work is far from over, as Clock Tower informs them that the out of control mana thought to have been sealed continues to be dispersing throughout Fuyuki City. After heading to the origin point of the out of control mana, Illya and Miyu are tasked with solving the anomaly. -- -- But after casting their spell, Illyasviel discovers that she's split into two people! As this mysterious new form darts off, she can only wonder: what is to come from the existence of her dopplegänger, running amok in the unsuspecting town? -- -- 128,717 7.29
Fate/kaleid liner Prisma☆Illya 2wei! -- -- SILVER LINK. -- 10 eps -- Manga -- Action Comedy Fantasy Magic -- Fate/kaleid liner Prisma☆Illya 2wei! Fate/kaleid liner Prisma☆Illya 2wei! -- Another lovely summer goes by for Illyasviel von Einzbern. Taking a break from her magical girl duties, she enjoys her time off after collecting the Class Cards with her best friend Miyu Edelfelt. -- -- However, her break comes to an abrupt end when she and Miyu are abducted by Rin Toosaka and Luviagelita Edelfelt, while out with her friends. The magical girls learn that their work is far from over, as Clock Tower informs them that the out of control mana thought to have been sealed continues to be dispersing throughout Fuyuki City. After heading to the origin point of the out of control mana, Illya and Miyu are tasked with solving the anomaly. -- -- But after casting their spell, Illyasviel discovers that she's split into two people! As this mysterious new form darts off, she can only wonder: what is to come from the existence of her dopplegänger, running amok in the unsuspecting town? -- -- -- Licensor: -- Sentai Filmworks -- 128,717 7.29
Fuuun Ishin Dai☆Shogun -- -- A.C.G.T., J.C.Staff -- 12 eps -- Original -- Action Historical Mecha -- Fuuun Ishin Dai☆Shogun Fuuun Ishin Dai☆Shogun -- In the late Edo period, Japan had experienced an unprecedented crisis by Kurofune (Black Ships), the ships from foreign countries. But a giant robot called Onigami, which has existed since ancient time, dispelled the Kurofune ships and the exclusion of foreigners was accomplished. The story begins in Japan where Meiji restoration in 1868 didn't happen. The tagline says, "I can be the greatest man in the world, because I am a virgin!!" -- -- (Source: Crunchyroll) -- -- Licensor: -- Sentai Filmworks -- TV - Apr 10, 2014 -- 23,305 5.72
Genjitsu Shugi Yuusha no Oukoku Saikenki -- -- J.C.Staff -- ? eps -- Light novel -- Action Military Harem Magic Romance Fantasy -- Genjitsu Shugi Yuusha no Oukoku Saikenki Genjitsu Shugi Yuusha no Oukoku Saikenki -- O, Hero! -- -- When Kazuya Souma is unexpectedly transported to another world, he knows the people expect a hero. But Souma's idea of heroism is more practical than most—he wants to rebuild the flagging economy of the new land he's found himself in! Betrothed to the princess and abruptly planted on the throne, this realist hero must gather talented people to help him get the country back on its feet—not through war, or adventure, but with administrative reform! -- -- (Source: Seven Seas Entertainment) -- TV - Jul ??, 2021 -- 23,670 N/A -- -- Tenshi na Konamaiki -- -- TMS Entertainment -- 50 eps -- Manga -- Comedy Magic Romance Shounen -- Tenshi na Konamaiki Tenshi na Konamaiki -- Megumi-chan is a girl with a secret past. She used to be a boy until she met a person she thought was a magic user. This person gave him/her a magical book from which a genie appears to grant one wish when blood is applied to it. Megumi made the wish to be a man in a man's body but the genie has a twist: he grants wishes backwards so he turns Megumi-kun aged 9 to Megumi-chan. Years pass and Megumi enters High School where she immediately beats up the school bully who of course falls in love with her. She is looking for that book again to be able to reverse the spell placed upon her. -- -- (Source: ANN) -- TV - Apr 6, 2002 -- 23,228 7.47
High School DxD Hero -- -- Passione -- 12 eps -- Light novel -- Action Harem Comedy Demons Romance Ecchi School -- High School DxD Hero High School DxD Hero -- After rescuing his master, Rias Gremory, from the Dimensional Gap, Red Dragon Emperor and aspiring Harem King Issei Hyoudou can finally return to his high school activities alongside fellow members of the Occult Research Club: Yuuto Kiba, Asia Argento, Xenovia Quarta, and Irina Shidou. The group soon embarks on a school trip to Kyoto. -- -- While peacefully visiting a temple thanks to Rias' spell, an attacking group of local youkai breaks the calm atmosphere. Once the altercation ends, the club learns that the mythical nine-tailed fox that protected the city was abducted and that someone has framed them for the act. Issei and his friends will now have to fight to protect the city and save their school trip from a planned disaster! -- -- In the meantime, Rias, who had to stay in Tokyo with Akeno Himejima and Koneko Toujou, grows increasingly restless to have left the perverted Issei alone with the other girls of the Occult Research Club. Beyond this vague anxiety, what is the exact nature of the feelings Rias has been struggling with for the past few months? -- -- 329,243 7.26
High School DxD Hero -- -- Passione -- 12 eps -- Light novel -- Action Harem Comedy Demons Romance Ecchi School -- High School DxD Hero High School DxD Hero -- After rescuing his master, Rias Gremory, from the Dimensional Gap, Red Dragon Emperor and aspiring Harem King Issei Hyoudou can finally return to his high school activities alongside fellow members of the Occult Research Club: Yuuto Kiba, Asia Argento, Xenovia Quarta, and Irina Shidou. The group soon embarks on a school trip to Kyoto. -- -- While peacefully visiting a temple thanks to Rias' spell, an attacking group of local youkai breaks the calm atmosphere. Once the altercation ends, the club learns that the mythical nine-tailed fox that protected the city was abducted and that someone has framed them for the act. Issei and his friends will now have to fight to protect the city and save their school trip from a planned disaster! -- -- In the meantime, Rias, who had to stay in Tokyo with Akeno Himejima and Koneko Toujou, grows increasingly restless to have left the perverted Issei alone with the other girls of the Occult Research Club. Beyond this vague anxiety, what is the exact nature of the feelings Rias has been struggling with for the past few months? -- -- -- Licensor: -- Funimation -- 329,243 7.26
Irozuku Sekai no Ashita kara -- -- P.A. Works -- 13 eps -- Original -- Drama Magic Romance School -- Irozuku Sekai no Ashita kara Irozuku Sekai no Ashita kara -- Despite the kaleidoscopic magic ingrained in everyday life, Hitomi Tsukishiro's monochrome world is deprived of emotion and feeling. On a night as black and white as any other, amidst the fireworks spreading across the sky, Hitomi's grandmother Kohaku conjures a spell, for which she has been harnessing the moon's light for 60 years, to send Hitomi back in time to the year 2018 when Kohaku was in high school. -- -- Hitomi's mission seems unclear, but her grandmother assures her that she will know when she gets there. Following a trip through time aboard a train driven by a strange yellow creature, Hitomi finds herself in stoic artist Yuito Aoi's room, and his drawings flood her world with color. What is Hitomi's purpose there, and why do Yuito's drawings return such breathtaking color to her drab world? -- -- 237,287 7.54
Isekai Maou to Shoukan Shoujo no Dorei Majutsu -- -- Ajia-Do -- 12 eps -- Light novel -- Comedy Ecchi Fantasy Harem Magic -- Isekai Maou to Shoukan Shoujo no Dorei Majutsu Isekai Maou to Shoukan Shoujo no Dorei Majutsu -- When it comes to the fantasy MMORPG Cross Reverie, none can match the power of the Demon King Diablo. Possessing the game's rarest artifacts and an unrivaled player level, he overpowers all foolish enough to confront him. But despite his fearsome reputation, Diablo's true identity is Takuma Sakamoto, a shut-in gamer devoid of any social skills. Defeating hopeless challengers day by day, Takuma cares about nothing else but his virtual life—that is, until a summoning spell suddenly transports him to another world where he has Diablo's appearance! -- -- In this new world resembling his favorite game, Takuma is greeted by the two girls who summoned him: Rem Galeu, a petite Pantherian adventurer, and Shera L. Greenwood, a busty Elf summoner. They perform an Enslavement Ritual in an attempt to subjugate him, but the spell backfires and causes them to become his slaves instead. With the situation now becoming more awkward than ever, Takuma decides to accompany the girls in finding a way to unbind their contract while learning to adapt to his new existence as the menacing Demon King. -- -- -- Licensor: -- Funimation -- 470,797 6.95
Jashin-chan Dropkick' -- -- Nomad -- 11 eps -- Web manga -- Comedy Supernatural -- Jashin-chan Dropkick' Jashin-chan Dropkick' -- Jashin-chan is a demon who was summoned by Yurine Hanazono, a gothic looking girl. Unable to return home as the relevant spell was not included in the summoning grimoire, Jashin-chan resorts to violence to liberate herself from her earthly shackles. -- -- However, this is easier said than done, as Yurine is no weakling herself. She in fact possesses formidable physical power and uses it to massacre Jashin-chan in a variety of ways, be it shoving her arm in a blender, spreading her intestines across the room or even cooking her. Though these actions would be fatal to anyone without the ability to regenerate, Jashin-chan isn't exactly undeserving of this treatment. Stuck with each other, Yurine lets Jashin-chan live with her in exchange for work around the apartment, and this cohabitation results in situations where, more often than not, Jashin-chan ends up in pieces. -- -- ONA - Apr 6, 2020 -- 25,669 7.41
Jujutsu Kaisen 0 Movie -- -- MAPPA -- 1 ep -- Manga -- Action Demons Supernatural Shounen -- Jujutsu Kaisen 0 Movie Jujutsu Kaisen 0 Movie -- Yuuta Okkotsu is haunted. Ever since his childhood friend Rika died in a traffic accident, her ghost has stuck with him. But her spirit does not appear as the sweet girl Yuuta once knew. Instead, she manifests as a monstrous and powerful entity who fiercely protects him. Unable to control Rika's violent behavior, Yuuta is helpless to stop the bloodshed that follows from her brutal vengeance. As a result, when apprehended by "Jujutsu" sorcerers—the secret guardians of the world, trained to combat forces like Rika—Yuuta wishes to be completely isolated so that no one else can get hurt. -- -- Yet his apprehender, the master sorcerer Satoru Gojou, has different plans for him: he will join Jujutsu High School and learn to control Rika in order to help people. Now a first-year at this school, Yuuta starts to learn Jujutsu arts and combat malignant beings. Alongside his new classmates Maki Zenin, a Jujutsu weapons expert; Toge Inumaki, a spellcaster who uses his words as weapons; and Panda, a seemingly walking and talking panda bear, Yuuta begins to find his place in the world and, for once, to feel comfortable with his abilities. However, as his training progresses, Yuuta comes to learn that the dangers of the Jujutsu world go far beyond that of wicked spirits. -- -- Movie - ??? ??, ???? -- 97,895 N/A -- -- Boku no Hero Academia: Ikinokore! Kesshi no Survival Kunren -- -- Bones -- 2 eps -- Manga -- Action Shounen Super Power -- Boku no Hero Academia: Ikinokore! Kesshi no Survival Kunren Boku no Hero Academia: Ikinokore! Kesshi no Survival Kunren -- In this brand-new adventure, some Class 1-A students are sent to hone their survival skills at a training course. Having yet to receive their provisional licenses, they're eager to cut loose and have a little fun. -- -- They quickly discover that the danger they face is no simulation! It's going to take their combined training, teamwork, and quick thinking if they're going to pass this assignment! -- -- (Source: Funimation) -- ONA - Aug 16, 2020 -- 97,538 7.12
Jujutsu Kaisen 0 Movie -- -- MAPPA -- 1 ep -- Manga -- Action Demons Supernatural Shounen -- Jujutsu Kaisen 0 Movie Jujutsu Kaisen 0 Movie -- Yuuta Okkotsu is haunted. Ever since his childhood friend Rika died in a traffic accident, her ghost has stuck with him. But her spirit does not appear as the sweet girl Yuuta once knew. Instead, she manifests as a monstrous and powerful entity who fiercely protects him. Unable to control Rika's violent behavior, Yuuta is helpless to stop the bloodshed that follows from her brutal vengeance. As a result, when apprehended by "Jujutsu" sorcerers—the secret guardians of the world, trained to combat forces like Rika—Yuuta wishes to be completely isolated so that no one else can get hurt. -- -- Yet his apprehender, the master sorcerer Satoru Gojou, has different plans for him: he will join Jujutsu High School and learn to control Rika in order to help people. Now a first-year at this school, Yuuta starts to learn Jujutsu arts and combat malignant beings. Alongside his new classmates Maki Zenin, a Jujutsu weapons expert; Toge Inumaki, a spellcaster who uses his words as weapons; and Panda, a seemingly walking and talking panda bear, Yuuta begins to find his place in the world and, for once, to feel comfortable with his abilities. However, as his training progresses, Yuuta comes to learn that the dangers of the Jujutsu world go far beyond that of wicked spirits. -- -- Movie - ??? ??, ???? -- 97,895 N/A -- -- Boogiepop wa Warawanai -- -- Madhouse -- 12 eps -- Light novel -- Psychological Supernatural Dementia Mystery Drama Horror -- Boogiepop wa Warawanai Boogiepop wa Warawanai -- Five years ago, a string of grisly murders shook the city to its core and now the rumors have begun once more. Boogiepop... Everyone knows about Boogiepop: meet her one dark night and you are taken. People tell each other the stories and laugh: no one believes that she can possibly exist in this day and age. Still, strange things appear to be going on and the darkness is taking on many forms. Something is out there. Are you safe? -- -- (Source: RightStuf) -- 97,293 7.16
Jujutsu Kaisen 0 Movie -- -- MAPPA -- 1 ep -- Manga -- Action Demons Supernatural Shounen -- Jujutsu Kaisen 0 Movie Jujutsu Kaisen 0 Movie -- Yuuta Okkotsu is haunted. Ever since his childhood friend Rika died in a traffic accident, her ghost has stuck with him. But her spirit does not appear as the sweet girl Yuuta once knew. Instead, she manifests as a monstrous and powerful entity who fiercely protects him. Unable to control Rika's violent behavior, Yuuta is helpless to stop the bloodshed that follows from her brutal vengeance. As a result, when apprehended by "Jujutsu" sorcerers—the secret guardians of the world, trained to combat forces like Rika—Yuuta wishes to be completely isolated so that no one else can get hurt. -- -- Yet his apprehender, the master sorcerer Satoru Gojou, has different plans for him: he will join Jujutsu High School and learn to control Rika in order to help people. Now a first-year at this school, Yuuta starts to learn Jujutsu arts and combat malignant beings. Alongside his new classmates Maki Zenin, a Jujutsu weapons expert; Toge Inumaki, a spellcaster who uses his words as weapons; and Panda, a seemingly walking and talking panda bear, Yuuta begins to find his place in the world and, for once, to feel comfortable with his abilities. However, as his training progresses, Yuuta comes to learn that the dangers of the Jujutsu world go far beyond that of wicked spirits. -- -- Movie - ??? ??, ???? -- 97,895 N/A -- -- High School DxD BorN: Yomigaeranai Fushichou -- -- TNK -- 1 ep -- Light novel -- Action Ecchi Comedy Harem Romance Demons School -- High School DxD BorN: Yomigaeranai Fushichou High School DxD BorN: Yomigaeranai Fushichou -- Unaired anime episode bundled with the limited edition of High School DxD DX.2. -- OVA - Dec 9, 2015 -- 97,637 7.44
Kaifuku Jutsushi no Yarinaoshi -- -- TNK -- 12 eps -- Light novel -- Adventure Harem Drama Magic Ecchi Fantasy -- Kaifuku Jutsushi no Yarinaoshi Kaifuku Jutsushi no Yarinaoshi -- When Keyaru acquired his powers as a Hero who specialized in healing all injuries regardless of severity, it seemed that he would walk the path to a great future. But what awaited him instead was great agony; he was subjected to years of seemingly endless hellish torture and abuse. Keyaru's healing skills allowed him to secretly collect the memories and abilities of those he treated, gradually making him stronger than anyone else. But by the time he reached his full potential, it was far too late—he had already lost everything. -- -- Determined to put his life back on track, Keyaru decided to unleash a powerful healing spell that rewound the entire world back to the time before he began to suffer his horrible fate. Equipped with the anguish of his past, he vows to redo everything in order to fulfill a new purpose—to exact revenge upon those who have wronged him. -- -- 307,219 6.31
Kaifuku Jutsushi no Yarinaoshi -- -- TNK -- 12 eps -- Light novel -- Adventure Harem Drama Magic Ecchi Fantasy -- Kaifuku Jutsushi no Yarinaoshi Kaifuku Jutsushi no Yarinaoshi -- When Keyaru acquired his powers as a Hero who specialized in healing all injuries regardless of severity, it seemed that he would walk the path to a great future. But what awaited him instead was great agony; he was subjected to years of seemingly endless hellish torture and abuse. Keyaru's healing skills allowed him to secretly collect the memories and abilities of those he treated, gradually making him stronger than anyone else. But by the time he reached his full potential, it was far too late—he had already lost everything. -- -- Determined to put his life back on track, Keyaru decided to unleash a powerful healing spell that rewound the entire world back to the time before he began to suffer his horrible fate. Equipped with the anguish of his past, he vows to redo everything in order to fulfill a new purpose—to exact revenge upon those who have wronged him. -- -- -- Licensor: -- Sentai Filmworks -- 307,219 6.31
Kaleido Star -- -- Gonzo, Production I.G -- 51 eps -- Original -- Comedy Sports Drama Fantasy Shoujo -- Kaleido Star Kaleido Star -- The Kaleido Stage is known throughout the world for captivating audiences with its amazing acrobatics, innovative routines, and extravagant costumes and sets. It is a place for guests to believe in magic, and Sora Naegino wants nothing more than to be a part of that magic—by becoming an acrobat for the famed circus herself. -- -- To realize her dream, she travels from Japan to California to audition for a place in the group. However, Sora learns that she needs much more than her natural talent to bring joy to the faces in the crowd. She quickly discovers just how difficult it is to be a professional performer where the stakes—and the stunts—are higher and mistakes spell danger! To put on performances worthy of the Kaleido Stage, she will need to endure rigorous training, unconventional assignments, fierce competition, and the antics of a mischievous spirit named Fool. -- -- Can Sora reach new heights, make new friends, conquer her fears, and surpass her limits to become a Kaleido Star? -- -- 70,745 7.94
Kaleido Star -- -- Gonzo, Production I.G -- 51 eps -- Original -- Comedy Sports Drama Fantasy Shoujo -- Kaleido Star Kaleido Star -- The Kaleido Stage is known throughout the world for captivating audiences with its amazing acrobatics, innovative routines, and extravagant costumes and sets. It is a place for guests to believe in magic, and Sora Naegino wants nothing more than to be a part of that magic—by becoming an acrobat for the famed circus herself. -- -- To realize her dream, she travels from Japan to California to audition for a place in the group. However, Sora learns that she needs much more than her natural talent to bring joy to the faces in the crowd. She quickly discovers just how difficult it is to be a professional performer where the stakes—and the stunts—are higher and mistakes spell danger! To put on performances worthy of the Kaleido Stage, she will need to endure rigorous training, unconventional assignments, fierce competition, and the antics of a mischievous spirit named Fool. -- -- Can Sora reach new heights, make new friends, conquer her fears, and surpass her limits to become a Kaleido Star? -- -- -- Licensor: -- ADV Films, Funimation -- 70,745 7.94
Kannazuki no Miko -- -- TNK -- 12 eps -- Manga -- Supernatural Drama Magic Romance Mecha Shounen Shoujo Ai -- Kannazuki no Miko Kannazuki no Miko -- Kannazuki no Miko begins in the village of Mahoroba, where time passes slowly for both man and nature. Two students from the village's prestigious Ototachibana Academy might as well be night and day. Himeko is shy and unassertive, while Chikane is bold and elegant. Despite this, they love each other, and nothing can come between them, no matter how hard they try. -- -- On the two girls' shared birthday, a sinister voice corrupts one of their friends into attacking them, and just when it seemed grimmest, the lunar and solar priestess powers that lay dormant in the two girls awaken, dispelling the evil. That was only the first hurdle, however. The two must now fend off the countless others who would threaten their well-being—even the people closest to them! -- 60,919 6.86
Kannazuki no Miko -- -- TNK -- 12 eps -- Manga -- Supernatural Drama Magic Romance Mecha Shounen Shoujo Ai -- Kannazuki no Miko Kannazuki no Miko -- Kannazuki no Miko begins in the village of Mahoroba, where time passes slowly for both man and nature. Two students from the village's prestigious Ototachibana Academy might as well be night and day. Himeko is shy and unassertive, while Chikane is bold and elegant. Despite this, they love each other, and nothing can come between them, no matter how hard they try. -- -- On the two girls' shared birthday, a sinister voice corrupts one of their friends into attacking them, and just when it seemed grimmest, the lunar and solar priestess powers that lay dormant in the two girls awaken, dispelling the evil. That was only the first hurdle, however. The two must now fend off the countless others who would threaten their well-being—even the people closest to them! -- -- Licensor: -- Geneon Entertainment USA, Sentai Filmworks -- 60,919 6.86
Kono Subarashii Sekai ni Shukufuku wo! 2 -- -- Studio Deen -- 10 eps -- Light novel -- Adventure Comedy Parody Supernatural Magic Fantasy -- Kono Subarashii Sekai ni Shukufuku wo! 2 Kono Subarashii Sekai ni Shukufuku wo! 2 -- When Kazuma Satou died, he was given two choices: pass on to heaven or be revived in a fantasy world. After choosing the new world, the goddess Aqua tasked him with defeating the Demon King, and let him choose any weapon to aid him. Unfortunately, Kazuma chose to bring Aqua herself and has regretted the decision ever since then. -- -- Not only is he stuck with a useless deity turned party archpriest, the pair also has to make enough money for living expenses. To add to their problems, their group continued to grow as more problematic adventurers joined their ranks. Their token spellcaster, Megumin, is an explosion magic specialist who can only cast one spell once per day and refuses to learn anything else. There is also their stalwart crusader, Lalatina "Darkness" Dustiness Ford, a helpless masochist who makes Kazuma look pure in comparison. -- -- Kono Subarashii Sekai ni Shukufuku wo! 2 continues to follow Kazuma and the rest of his party through countless more adventures as they struggle to earn money and have to deal with one another's problematic personalities. However, things rarely go as planned, and they are often sidetracked by their own idiotic tendencies. -- -- -- Licensor: -- Discotek Media -- 1,062,426 8.30
Koutetsu no Majo Annerose -- -- - -- 4 eps -- Visual novel -- Action Hentai Supernatural -- Koutetsu no Majo Annerose Koutetsu no Majo Annerose -- Amidahara is a twisted city, well beyond the reaches of any salvation. Here, humans, demons, and criminals walk the streets with the mighty witch Annerose being one of the most feared and respected of the city's denizens. As part of her abilities, she was able to form a binding spell with a human male, keeping him as her undead servant. This man, Rikurou Tachibana, was about to end up sold to slavers, but instead, he wound up in the eternal service of Annerose—something her other servent, Mitico didn't take too kindly to. Rikurou doesn't know what's worse, Mitico being able to chop him up into tiny pieces, only to be resurrected, or having to deal with the intense sexual frustration of living with Annerose. -- -- Both of these problems get set aside, however, when Annerose and her servants take on a case involving a girl named Miki and her missing brother. The events of Koutetsu no Majo Annerose will lead the unlikely heroine into the workings of the Kuurou Group and their leader Lee Mayfeng, a sworn enemy from Annerose's past. Mayfeng's contempt for Annerose is deep enough to plunge into the depths of sexual depravity and she's willing to do anything to humiliate and ruin her. The danger only grows from there as yet another malevolent force is at work, one that goes well beyond threatening Amidahara and aims to bring about ruin to the entire world. -- OVA - Jul 27, 2012 -- 12,238 6.81
Kuuchuu Buranko -- -- Toei Animation -- 11 eps -- Novel -- Comedy Psychological Drama Seinen -- Kuuchuu Buranko Kuuchuu Buranko -- The world of psychology is far from strange to the unusual Dr. Ichirou Irabu, a resident psychiatrist of Irabu General Hospital. He and his charming nurse Mayumi run through several patients, each suffering from a mental illness that harms their everyday life. -- -- Patients should be wary of the seductive Mayumi, with her spellbinding looks and devilishly short pink nurse uniform. On the other hand, the doctor seems to have three separate personalities: a child with an oversized lab coat; an intelligent, youthful man with feminine traits; and a selfish, outgoing green bear. While curing his patients in questionable ways, Dr. Irabu often tries to gain something from them outside of his profession—and in doing so, occasionally forgets his role as a doctor. -- -- As each patient struggles to face the nature of their distress, an obvious yet invisible thread ties their paths together. -- -- 75,563 7.96
Macademi Wasshoi! -- -- Zexcs -- 12 eps -- Light novel -- Comedy Ecchi Fantasy Romance School Supernatural -- Macademi Wasshoi! Macademi Wasshoi! -- Magician's Academy revolves around Takuto Hasegawa, who attends a magic academy that is not marked on any map. During a summoning spell exam, he accidentally creates a girl named Tanarotte, who happens to hold enough magical power to destroy his country, but fortunately Tanarotte professes undying loyalty (and love) to her "creator." -- -- (Source: ANN) -- TV - Oct 6, 2008 -- 39,416 6.96
Magikano -- -- Tokyo Kids -- 13 eps -- Manga -- Comedy Fantasy Harem Magic Romance Shounen -- Magikano Magikano -- Ayumi Mamiya is a witch cursed to lose her powers and only one boy can break the spell. Haruo Yoshikawa thinks he is a normal boy but unknown to him his three sisters have magical powers and keep him protected and ignorant about the exsistence of magic. Now Ayumi must wake up Haruo's latent powers to save herself but his sisters will have none of that. -- -- (Source: ANN) -- -- Licensor: -- ADV Films, Funimation -- TV - Jan 1, 2006 -- 31,048 6.37
Magikano -- -- Tokyo Kids -- 13 eps -- Manga -- Comedy Fantasy Harem Magic Romance Shounen -- Magikano Magikano -- Ayumi Mamiya is a witch cursed to lose her powers and only one boy can break the spell. Haruo Yoshikawa thinks he is a normal boy but unknown to him his three sisters have magical powers and keep him protected and ignorant about the exsistence of magic. Now Ayumi must wake up Haruo's latent powers to save herself but his sisters will have none of that. -- -- (Source: ANN) -- TV - Jan 1, 2006 -- 31,048 6.37
Mahoutsukai ni Taisetsu na Koto: Natsu no Sora -- -- Hal Film Maker -- 12 eps -- Manga -- Slice of Life Drama Magic Romance Shounen -- Mahoutsukai ni Taisetsu na Koto: Natsu no Sora Mahoutsukai ni Taisetsu na Koto: Natsu no Sora -- Get ready for a second magical journey to the world of Someday's Dreamers, where spellcasting is a profession that requires both the proper training AND a license. It's to get that license and fulfill a promise made to her late father that young Sora Suzuki has made the long journey from her distant home in the countryside town of Biei to the big city of Tokyo. It's a daunting challenge, but she's got a little bit of talent, a charming personality and, most important of all, the promise of an internship! What she ISN'T expecting, though, is how different life in the city will be, especially the people themselves. While she gets along with the confident Asagi, Kuroda and the gentle Hiyori, she's completely confused with the mysterious boy Gouta. And yet, as a result of their internships they keep ending up in the same situations and slowly learning to understand more about each other than they ever imagined possible! -- -- (Source: Sentai Filmworks) -- -- Licensor: -- Sentai Filmworks -- TV - Jul 3, 2008 -- 22,704 7.28
Mahoutsukai ni Taisetsu na Koto: Natsu no Sora -- -- Hal Film Maker -- 12 eps -- Manga -- Slice of Life Drama Magic Romance Shounen -- Mahoutsukai ni Taisetsu na Koto: Natsu no Sora Mahoutsukai ni Taisetsu na Koto: Natsu no Sora -- Get ready for a second magical journey to the world of Someday's Dreamers, where spellcasting is a profession that requires both the proper training AND a license. It's to get that license and fulfill a promise made to her late father that young Sora Suzuki has made the long journey from her distant home in the countryside town of Biei to the big city of Tokyo. It's a daunting challenge, but she's got a little bit of talent, a charming personality and, most important of all, the promise of an internship! What she ISN'T expecting, though, is how different life in the city will be, especially the people themselves. While she gets along with the confident Asagi, Kuroda and the gentle Hiyori, she's completely confused with the mysterious boy Gouta. And yet, as a result of their internships they keep ending up in the same situations and slowly learning to understand more about each other than they ever imagined possible! -- -- (Source: Sentai Filmworks) -- TV - Jul 3, 2008 -- 22,704 7.28
Mahoutsukai Precure! -- -- Toei Animation -- 50 eps -- Original -- Action Slice of Life Magic Fantasy School Shoujo -- Mahoutsukai Precure! Mahoutsukai Precure! -- In the human realm, witches and wizards seem to be mere creations of fantasy. Ever the adventurous teenager, Mirai Asahina sets out to disprove this notion by following the tracks of a peculiar shooting star that had fallen the night before. Sure enough, Mirai soon has a chance encounter with Liko—a clumsy witch apprentice who hails from the Magic World, a colorful realm inhabited by magicians. -- -- As if by fate, the appearance of strange villains forces Mirai and Liko to join hands. In doing so, they unleash their strength as a pair of legendary magicians—the "Maho Girls Precure!" Now gifted with unbelievable power, the unlikely duo embarks on an adventure filled with magical spells and powerful gemstones. Along the way, the two girls discover the hidden marvels that tie their individual worlds together. -- -- 9,869 7.10
Mairimashita! Iruma-kun -- -- Bandai Namco Pictures -- 23 eps -- Manga -- Comedy Demons Supernatural Fantasy School Shounen -- Mairimashita! Iruma-kun Mairimashita! Iruma-kun -- Fourteen-year-old Iruma Suzuki has been unfortunate all his life, having to work to earn money for his irresponsible parents despite being underage. One day, he finds out that his parents sold him to the demon Sullivan. However, Iruma's worries about what will become of him are soon relieved, for Sullivan merely wants a grandchild, pampering him and making him attend the demon school Babyls. -- -- At first, Iruma tries to keep a low profile in fear of his peers discovering that he is human. Unfortunately, this ends up being more difficult than he expected. It turns out that Sullivan himself is the chairman of the school, and everyone expects him to become the next Demon King! -- -- Iruma immediately finds himself in an outrageous situation when he has to chant a forbidden spell in front of the entire school. With this, Iruma instantly earns a reputation he does not want. Even so, he is bound to be roped into more bizarre circumstances. -- -- 221,515 7.69
Maryuu Senki -- -- AIC -- 3 eps -- Original -- Fantasy Horror -- Maryuu Senki Maryuu Senki -- Once upon a time, there was a certain family having strong influence on the rule of the Imperial Court. They had their own might called "Kidou" and yet got hated because of the might itself. At last, the patriarch of the family was entrapped to his death, and all the family was doomed to ruin... The present day — the survived descendants of this family, now calling themselves "Kidousyuu" schemed to resurrect their murdered patriarch once again, and the ferocious evil spell went into action. -- -- (Source: BakaBT) -- OVA - Mar 5, 1987 -- 2,215 5.21
Master of Epic: The Animation Age -- -- Gonzo, Palm Studio -- 12 eps -- Game -- Fantasy Game Comedy -- Master of Epic: The Animation Age Master of Epic: The Animation Age -- Over millions of years, there have been many ages - war, gods, and future to name a few. Each of these was infinitely less exciting than the current Animation Age! In this RPG-esque existence, becoming stronger is paramount to one's survival and leveling up is a must. From pacifists to news casting, from fishing woes to love advice, there's nothing the Animation Age can't show or teach us about life in a game world! Armed with healing spells, changes of clothes and plenty of summoned familiars, the characters of Master of Epic will do what it takes to level up and live to fight another day! -- -- (Source: Anime-Planet) -- TV - Jan 8, 2007 -- 1,687 6.05
Nagi no Asu kara -- -- P.A. Works -- 26 eps -- Original -- Drama Fantasy Romance -- Nagi no Asu kara Nagi no Asu kara -- Long ago, all humans lived beneath the sea. However, some people preferred the surface and abandoned living underwater permanently. As a consequence, they were stripped of their god-given protection called "Ena" which allowed them to breathe underwater. Over time, the rift between the denizens of the sea and of the surface widened, although contact between the two peoples still existed. -- -- Nagi no Asu kara follows the story of Hikari Sakishima and Manaka Mukaido, along with their childhood friends Chisaki Hiradaira and Kaname Isaki, who are forced to leave the sea and attend a school on the surface. There, the group also meets Tsumugu Kihara, a fellow student and fisherman who loves the sea. -- -- Hikari and his friends' lives are bound to change as they have to deal with the deep-seated hatred and discrimination between the people of sea and of the surface, the storms in their personal lives, as well as an impending tempest which may spell doom for all who dwell on the surface. -- -- -- Licensor: -- NIS America, Inc. -- 482,003 8.06
Negima!? -- -- Shaft -- 26 eps -- Manga -- Adventure Harem Comedy Supernatural Magic Romance Ecchi Fantasy School -- Negima!? Negima!? -- A remake of the Negima anime with its own original story. -- -- Wizard Negi Springfield may be a boy, but he has a man-sized job to do! Fresh from the Academy of Magic, Negi continues his training as an instructor at Mahora Academy in Japan. But before he can get his Masters in magic, the 31 schoolgirls of Class 3-A are gonna keep him up all night cramming for a final exam in will power. Temptation aside, Negi has more on his syllabus than flirting and spells. Darkness is closing in, and Negi is gonna need help from his lovely student bodies to drive the ghouls from their school. These girls want to prove that they're the best in class, and extra credit is available to the cuties that aren't afraid of after-hours phantom fighting! -- -- (Source: DVD case) -- -- Licensor: -- Funimation, Sentai Filmworks -- TV - Oct 4, 2006 -- 79,110 7.00
Negima!? -- -- Shaft -- 26 eps -- Manga -- Adventure Harem Comedy Supernatural Magic Romance Ecchi Fantasy School -- Negima!? Negima!? -- A remake of the Negima anime with its own original story. -- -- Wizard Negi Springfield may be a boy, but he has a man-sized job to do! Fresh from the Academy of Magic, Negi continues his training as an instructor at Mahora Academy in Japan. But before he can get his Masters in magic, the 31 schoolgirls of Class 3-A are gonna keep him up all night cramming for a final exam in will power. Temptation aside, Negi has more on his syllabus than flirting and spells. Darkness is closing in, and Negi is gonna need help from his lovely student bodies to drive the ghouls from their school. These girls want to prove that they're the best in class, and extra credit is available to the cuties that aren't afraid of after-hours phantom fighting! -- -- (Source: DVD case) -- TV - Oct 4, 2006 -- 79,110 7.00
Nogizaka Haruka no Himitsu -- -- Diomedéa -- 12 eps -- Light novel -- Comedy Romance -- Nogizaka Haruka no Himitsu Nogizaka Haruka no Himitsu -- Haruka Nogizaka is the most popular student in the prestigious Hakujo Academy, possessing unparalleled beauty, talent, and influence. Unbeknownst to her fellow students, however, she keeps an embarrassing secret of being an otaku—something that can potentially destroy her elegant reputation. -- -- Unfortunately for Haruka, an encounter with the timid Yuuto Ayase in the school library spells the end of her well-kept secret. However, the two reach a mutual agreement with Yuuto promising to keep Haruka's secret, sparking an unexpected friendship between them. Nonetheless, with Haruka's status as the school celebrity and her friendly relationship with Yuuta, both of them are bound to be the subject of gossip everywhere they go! -- -- -- Licensor: -- Discotek Media -- TV - Jul 3, 2008 -- 118,929 7.23
Quanzhi Fashi -- -- Shanghai Foch Film Culture Investment -- 12 eps -- Novel -- Action Fantasy Magic School -- Quanzhi Fashi Quanzhi Fashi -- The aloof high schooler Mo Fan has found himself in a universe similar yet distinctly different from his own mundane one; it's a place where magic has replaced the essence of science. Here, the most capable students are taught to master the wonders of spellworking to fend off large devastating beasts that lurk in the forests surrounding the city. -- -- Like his previous life, Mo Fan remains the son of a poor laborer and the older step-brother to a crippled sister. Despite these disadvantages, he dreams of attending a magic school to become a magician—a highly respected and lucrative trade—in order to repay his father for his hard work. -- -- Mo Fan is accepted into a renowned magic institution. However, rumors spread about his poverty and lack of magical ability, labeling him as the laughing stock of the school. Nonetheless, Mo Fan manages to harness not only the powerful fire element, but also the rare lightning element! Now armed with dual abilities, what dangerous encounters will the versatile mage face? -- -- ONA - Sep 2, 2016 -- 88,810 7.27
Queen's Blade: Rurou no Senshi -- -- Arms -- 12 eps -- Other -- Action Adventure Ecchi Fantasy -- Queen's Blade: Rurou no Senshi Queen's Blade: Rurou no Senshi -- In a land where a queen is chosen every few years solely by winning a tournament, there can be no short supply of formidable opponents. For one woman warrior however, an early defeat clearly shows her that she is lacking in experience though she may be bountiful in body. -- -- Fortunately, while defeat could spell one's doom, her life is saved by a powerful stranger. But unfortunately for this savior, less-than-pure motives and shrewd family members mean her reward is a prison cell. Her release is prompt when the unseasoned warrior she saved, tired of her current lifestyle of nobility, sets off to prove herself. -- -- (Source: Media Blasters) -- -- Licensor: -- Media Blasters -- TV - Apr 2, 2009 -- 80,249 6.17
Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season -- -- White Fox -- 13 eps -- Light novel -- Psychological Drama Thriller Fantasy -- Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season Re:Zero kara Hajimeru Isekai Seikatsu 2nd Season -- A reunion that was supposed to spell the arrival of peaceful times is quickly shattered when Subaru Natsuki and Emilia return to Irlam village. Witnessing the devastation left behind by the calamities known as Sin Archbishops, Subaru sinks into the depths of despair as his ability to redo proves futile. -- -- As the group makes their way to the Sanctuary in search of answers, Subaru has an unexpected encounter with the Witch of Greed—Echidna. Subjected to her untamed rhythm, he is forced to dive into the spirals of the past and future. At the same time, several mysterious threats set their sights on the Sanctuary, heralding a horrific fate for the hapless people trapped within. -- -- Everlasting contracts, past sins, and unrequited love will clash and submerge into a river of blood in the second season of Re:Zero kara Hajimeru Isekai Seikatsu. Pushed to the brink of hopelessness, how long will Subaru's resolve to save his loved ones last? -- -- 689,281 8.47
Seitokai no Ichizon Lv.2 -- -- AIC -- 10 eps -- Light novel -- Harem Comedy Parody School -- Seitokai no Ichizon Lv.2 Seitokai no Ichizon Lv.2 -- Sugisaki Ken, through diligence and academic excellence, had successfully entered the paradise that is the Hekiyou Private Academy's Student Council. There, he boldly embarks on his plan to create his personal harem with the 4 girls who are the other council members, namely: The incredibly youthful president Sakurano Kurimu; The cool and kindly yet super-sadistic secretary Akaba Chizuru; Tomboyish and hot-blooded vice-president Shiina Minatsu; and The ephemerally beautiful yet complicated treasurer Shiina Mafuyu. While every day since then has been non-stop fun, Graduation Day now looms near. Could this spell the end of their carefree days? -- -- (Source: translated and adapted from official site by Cranston) -- -- Licensor: -- Sentai Filmworks -- ONA - Oct 13, 2012 -- 63,446 7.37
Sengoku Otome: Momoiro Paradox -- -- TMS Entertainment -- 13 eps -- Game -- Action Comedy Historical Samurai Sci-Fi Super Power -- Sengoku Otome: Momoiro Paradox Sengoku Otome: Momoiro Paradox -- Yoshino Hide is an average girl who always seems to find trouble wherever she goes. One day Yoshino visits a local shrine to pray in order to pass her upcoming test. However, Yoshino sees a blue light coming from inside the Shrine and looks inside to find a mysterious person performing a magic spell. In a stroke of bad luck, Yoshino trips on a small bell and crashes into the shrine, prompting the stranger to catch her. Upon Yoshino's capture, the magic spell spirals out of control and sends Yoshino back in time to the Sengoku Era. -- -- Yoshino then encounters Akechi Mitsuhide and Oda Nobunaga. But unlike what really happened during the era, Hideyoshino realizes that everyone in the world is female. She then decides to help Oda Nobunaga find the Crimson Armor which is said to allow the person wearing the armor to conquer all of Japan. -- -- Licensor: -- Sentai Filmworks -- TV - Apr 5, 2011 -- 40,349 6.58
Sin: The Movie -- -- Phoenix Entertainment -- 1 ep -- Game -- Action Sci-Fi Horror Police Supernatural -- Sin: The Movie Sin: The Movie -- In Sin, Blade must unravel a series of mysterious kidnappings. As he delves into the city's merciless underworld, an elaborate mystery unfold; at is heart, the SinTEK corporation and its leader, the ruthless and beautiful Elexis Sinclair. A Brilliant biochemist, Sinclair will stop at nothing to achieve her goal: a plan that could force the next step of human evolution-or spell doom for mankind. -- -- (Source: ANN) -- -- Licensor: -- ADV Films -- OVA - Oct 24, 2000 -- 4,550 5.15
Slayers Special -- -- J.C.Staff -- 3 eps -- Light novel -- Adventure Comedy Supernatural Magic Fantasy Shounen -- Slayers Special Slayers Special -- In these three self-contained half-hour stories, Lina Inverse and her partner, Naga The Serpent, take on a variety of jobs for quick cash, food, and/or their own skins. The first episode, "The Scary Chimera Plan," pits them against a lunatic magician who intends to use Lina to create a fearsome, spell-slinging monster. Then, in "Jeffry's Knighthood," they're hired by an overprotective mother to see that her son - a young man barely capable of holding a sword - becomes a respected knight, by "helping" him fight off the marauding soldiers terrorizing the area. Finally, "Mirror, Mirror" puts the two in a race to hunt down and capture (for bounty, of course) a rogue sorceror who's found an ancient artifact that can create loyal duplicates of anything or anyone, including his enemies. -- -- (Source: ANN) -- -- Licensor: -- ADV Films -- OVA - Jul 25, 1996 -- 17,252 7.37
Slayers Special -- -- J.C.Staff -- 3 eps -- Light novel -- Adventure Comedy Supernatural Magic Fantasy Shounen -- Slayers Special Slayers Special -- In these three self-contained half-hour stories, Lina Inverse and her partner, Naga The Serpent, take on a variety of jobs for quick cash, food, and/or their own skins. The first episode, "The Scary Chimera Plan," pits them against a lunatic magician who intends to use Lina to create a fearsome, spell-slinging monster. Then, in "Jeffry's Knighthood," they're hired by an overprotective mother to see that her son - a young man barely capable of holding a sword - becomes a respected knight, by "helping" him fight off the marauding soldiers terrorizing the area. Finally, "Mirror, Mirror" puts the two in a race to hunt down and capture (for bounty, of course) a rogue sorceror who's found an ancient artifact that can create loyal duplicates of anything or anyone, including his enemies. -- -- (Source: ANN) -- OVA - Jul 25, 1996 -- 17,252 7.37
Tantei wa Mou, Shindeiru. -- -- ENGI -- ? eps -- Light novel -- Mystery Comedy Drama Romance -- Tantei wa Mou, Shindeiru. Tantei wa Mou, Shindeiru. -- Kimizuka Kimihiko is a crisis-magnet. From getting caught up in a crime scene to accidentally witnessing a drug deal, trouble seems to find him around every corner. So it is no surprise when his rather mundane flight suddenly enters a state of emergency with a dire need of a detective onboard. Unfortunately, his attempt at avoiding trouble is foiled by a beautiful girl with silver hair who goes by the codename Siesta. Declaring herself a detective, she unceremoniously drags Kimizuka into the case as her assistant. -- -- That incident spelled the beginning of an adventure around the globe that went beyond his wildest imagination. Putting their lives on the line, the two took down criminal organizations, prevented disasters, and saved thousands. But the curtain closed to their epic journey with Siesta's untimely death three years later. -- -- Resolving to live an ordinary high school life this time, Kimizuka spends a year maintaining a low profile. However, as fate would have it, a girl with an uncanny resemblance to Siesta comes crashing into his life, threatening to throw his peaceful days into disarray. -- -- TV - Jul ??, 2021 -- 19,730 N/A -- -- Master Keaton -- -- Madhouse -- 24 eps -- Manga -- Adventure Drama Historical Mystery Seinen Slice of Life -- Master Keaton Master Keaton -- Taichi Keaton is a half-British half-Japanese archeologist and SAS veteran of the Falklands War. He solves mysteries and investigates insurance fraud for Lloyd's around the world. -- -- (Source: ANN) -- -- Licensor: -- Geneon Entertainment USA -- 19,713 7.60
Tegamibachi Reverse -- -- Studio Pierrot -- 25 eps -- Manga -- Adventure Supernatural Fantasy Shounen -- Tegamibachi Reverse Tegamibachi Reverse -- After Niche carries the wounded and stunned Lag back to the Bee Hive, the Letter Bee finally begins to piece the puzzle together. Now he knows what's happened to Gauche, why the Marauders are so focused on stealing mail and the actual intent of the group controlling both, Reverse. However, when he's forbidden to reveal the truth, Lag is soon forced out of the artificial sunlight and back into the world of perpetual night. And soon Reverse's plot to take down the Letter Bees and overthrow the Amberground government begins to accelerate. If things weren't already bad enough, the giant insect creatures called gaichuu are apparently evolving into something new; there may be traitors working within the Hive; and Niche's sister, who's definitely not human friendly, shows up to turn family drama into a full-scale siege! It all spells serious trouble for the Letter Bees, but if anyone can weather the storms and gloom of night, Lag and his team are the ones who'll deliver. -- -- (Source: FUNimation) -- 55,008 7.77
Tegamibachi Reverse -- -- Studio Pierrot -- 25 eps -- Manga -- Adventure Supernatural Fantasy Shounen -- Tegamibachi Reverse Tegamibachi Reverse -- After Niche carries the wounded and stunned Lag back to the Bee Hive, the Letter Bee finally begins to piece the puzzle together. Now he knows what's happened to Gauche, why the Marauders are so focused on stealing mail and the actual intent of the group controlling both, Reverse. However, when he's forbidden to reveal the truth, Lag is soon forced out of the artificial sunlight and back into the world of perpetual night. And soon Reverse's plot to take down the Letter Bees and overthrow the Amberground government begins to accelerate. If things weren't already bad enough, the giant insect creatures called gaichuu are apparently evolving into something new; there may be traitors working within the Hive; and Niche's sister, who's definitely not human friendly, shows up to turn family drama into a full-scale siege! It all spells serious trouble for the Letter Bees, but if anyone can weather the storms and gloom of night, Lag and his team are the ones who'll deliver. -- -- (Source: FUNimation) -- -- Licensor: -- Sentai Filmworks -- 55,008 7.77
Tenkuu Danzai Skelter+Heaven -- -- - -- 1 ep -- Game -- Sci-Fi Mecha -- Tenkuu Danzai Skelter+Heaven Tenkuu Danzai Skelter+Heaven -- When a mysterious entity suddenly appears in the center of Tokyo, the Alta Mira Agency is tasked to repel the extraterrestrial threat. Otsuya Funagai must guide his all-female unit of "Battle Sole" pilots to take down the strange being no matter the cost. However, his intimate relationship with one of the pilots, Rin Ichikawa, may spell trouble for the team and the mission itself. -- -- OVA - Dec 8, 2004 -- 26,426 1.85
Tenshi na Konamaiki -- -- TMS Entertainment -- 50 eps -- Manga -- Comedy Magic Romance Shounen -- Tenshi na Konamaiki Tenshi na Konamaiki -- Megumi-chan is a girl with a secret past. She used to be a boy until she met a person she thought was a magic user. This person gave him/her a magical book from which a genie appears to grant one wish when blood is applied to it. Megumi made the wish to be a man in a man's body but the genie has a twist: he grants wishes backwards so he turns Megumi-kun aged 9 to Megumi-chan. Years pass and Megumi enters High School where she immediately beats up the school bully who of course falls in love with her. She is looking for that book again to be able to reverse the spell placed upon her. -- -- (Source: ANN) -- TV - Apr 6, 2002 -- 23,228 7.47
Tentacle and Witches -- -- - -- 4 eps -- Visual novel -- Hentai Supernatural Magic -- Tentacle and Witches Tentacle and Witches -- High school can be a complicated time for young men, especially for young men named Ichirou Tachibana. Ichirou knows his homeroom teacher Yuuko Morino's biggest secret: she's a witch! When fellow classmate and witch Lily Ramses Futaba catches him peaking on Yuuko, she decides it's the perfect time for her to use a new spell she's acquired and turn Ichirou into her familiar servant. -- -- Lily's planned antagonism for Ichirou goes awry when the spell turns him into some sort of twisted, purple, tentacle monster. Now he must directly acquire sexual energy from witches in order to sate the tentacle monster's lust and retain elements of his humanity. To make matters worse for the two witches, Ichirou's new form gives him the power to control them to satisfy his basest desires! -- -- The trio also find out that the spell that Lily acquired was sold to her deceptively and intentionally made to appear genuine. Amidst all the sexual misadventures in the Witches and Tentacle, they're about to discover that something far more sinister is at work, and they are but pawns within a larger game. -- OVA - May 27, 2011 -- 14,597 7.11
"Tokyo" -- -- - -- 1 ep -- Original -- Dementia -- "Tokyo" "Tokyo" -- A short film spelling Tokyo in hiragana. -- Movie - Oct 5, 2017 -- 417 4.63
Ultra Maniac -- -- Production Reed -- 26 eps -- Manga -- Comedy Magic Romance School Shoujo -- Ultra Maniac Ultra Maniac -- Fantasies and miracles never interested Ayu Tateishi, a popular second-year student at her middle school. She was content with preserving her image of being cool, calm, and collected—all to catch the eye of her crush, Tetsushi Kaji. Ayu's carefree youthful days are interrupted by the appearance of Nina Sakura, a new transfer student who turns out to be a witch. As the only person who knows about Nina's ability to cast spells using a mini-computer, Ayu is forced to help Nina with her mission to find the five Holy Stones, qualifying her to marry the prince of the Magic Kingdom. -- -- Unfortunately, Nina's ineptitude with magic and her habit of meddling in Ayu's personal life cause nothing but trouble for the two of them as Ayu toils to maintain her good reputation and Nina struggles to hide her secret from the discerning eye of Hiroki Tsujiai, Tetsushi's best friend and an avid fan of manga. And when Nina's search for the five Holy Stones brings allies and challengers from the Magic Kingdom, Ayu is dragged into a world she never even dreamed was possible. -- -- 28,255 7.17
Wild Arms: Twilight Venom -- -- Bee Train -- 22 eps -- Game -- Action Sci-Fi Adventure Magic Vampire Fantasy -- Wild Arms: Twilight Venom Wild Arms: Twilight Venom -- This anime is based on a playstation game under the same title. The story is about four people who travel the desolated land of Filgaea and carve themselves a legendary story while they're at it. These adventurers are Sheyenne Rainstorm, a gunslinger who holds the legendary weapon called ARMs; Kiel Aromax, a scientist who looks like he should be carrying a sword; Roleta Oratorio the Crest Sorceress, a magic-user who uses cards called Crests to cast spells; and Mirabelle Graceland, one of the Noble Red, which are a family of vampiric creatures who live alongside human beings They also travel with cute little intelligent furry things, from the Popepi Pipepo Tribe, named Isaac and Jerusha. -- -- (Source: AniDB) -- -- Licensor: -- ADV Films -- 6,817 6.65
Zero kara Hajimeru Mahou no Sho -- -- White Fox -- 12 eps -- Light novel -- Action Adventure Magic Fantasy -- Zero kara Hajimeru Mahou no Sho Zero kara Hajimeru Mahou no Sho -- In a world of constant war between humans and witches, there exist the "beastfallen"—cursed humans born with the appearance and strength of an animal. Their physical prowess and bestial nature cause them to be feared and shunned by both humans and witches. As a result, many beastfallen become sellswords, making their living through hunting witches. -- -- Despite the enmity between the races, a lighthearted witch named Zero enlists a beastfallen whom she refers to as "Mercenary" to act as her protector. He travels with Zero and Albus, a young magician, on their search for the Grimoire of Zero: a powerful spell book that could be extremely dangerous in the wrong hands. During their journey, his inner kindness is revealed as he starts to show compassion and sympathy towards humans and witches alike, and the unlikely companions grow together. -- -- -- Licensor: -- Sentai Filmworks -- 206,628 7.09
https://wiki.archlinux.org/index.php/List_of_applications#Spell_checkers
https://commons.wikimedia.org/wiki/File:Javanese_spelling_mistakes.jpg
https://commons.wikimedia.org/wiki/File:Margaret_Spellings_speaking_at_the_University_of_Houston.jpg
10th Scripps National Spelling Bee
12 Little Spells
1908 National Education Association Spelling Bee
1990 spelling reform
42nd Scripps National Spelling Bee
67th Scripps National Spelling Bee
75th Scripps National Spelling Bee
78th Scripps National Spelling Bee
79th Scripps National Spelling Bee
80th Scripps National Spelling Bee
86th Scripps National Spelling Bee
87th Scripps National Spelling Bee
89th Scripps National Spelling Bee
90th Scripps National Spelling Bee
91st Scripps National Spelling Bee
92nd Scripps National Spelling Bee
Aaron Spelling
A. B. Spellman
Alfred Spellman
Allied military phonetic spelling alphabets
American and British English spelling differences
A Neapolitan Spell
APCO radiotelephony spelling alphabet
A SeaSpell
Asia Spelling Cup
A Spell for Chameleon
A Spell to Ward Off the Darkness
Barbara Spellman
Beaver Gets 'Spelled
BloodSpell
Bob Speller
Book of Spells
Break a Spell
Breaking the Spell
Breaking the Spell: Religion as a Natural Phenomenon
Breaking the Spell (Stork book)
Break the Spell
Break the Spell (Voodoo Glow Skulls album)
Breath-holding spell
Broken Spell (film)
Calculator spelling
Candy Spelling
Cast a Deadly Spell
Cel Spellman
Clandestine Blaze / Deathspell Omega Split
Cold Spell
Commonly misspelled English words
Crimson Spell
Curses, Hexes and Spells
Cut Spelling
Death Spell
Deathspell Omega
Death Spells
Demon Love Spell
Denise Spellberg
Dizzy Spells
Draft:Spellbound (2022 film)
Dry Spell
English-language spelling reform
English Spelling Society
Eugene P. Spellman
Fingerspelling
Francis Spellman
Frank Spellman
Fred Speller
Gladys Spellman
GNU Aspell
Godspell (film)
Good Spells
Gospellers
Greek spelling alphabet
Hebrew spelling
Help:Pronunciation respelling key
Henry Speller
Hot Spell (film)
How Do You Spell Matrimony?
Hyperion (Marilyn Crispell, Peter Brtzmann and Hamid Drake album)
I'm Spelling as Fast as I Can
In Danger and Deep Distress, the Middleway Spells Certain Death
Indonesian Spelling System
Infiorate di Spello
Ingo Spelly
Intentional misspelling
I Put a Spell on You
I Put a Spell on You (album)
I Put a Spell on You (book)
I Put a Spell on You (disambiguation)
Isaac Glaspell House
Jack Spellman
John Hart (spelling reformer)
John Spellar
John Spellman
Jubaku: Spellbound
Kalispell Main Street Historic District
Kalispell, Montana
Kalispell (YTB-784)
Kal Spelletich
Knurr and spell
Leora Spellman
List of Di-Gata Defenders spells
List of irregularly spelled English names
List of Scripps National Spelling Bee champions
List of words that may be spelled with a ligature
Louise Svalastog Spellerberg
Magica De Spell
Magic Spells
Margaret Spellings
Michael Spellman
Moonspell
Mtiilation / Deathspell Omega split
MySpell
Omari Spellman
Oxford spelling
Partly Cloudy with Sunny Spells
Peter Spellos
Player's Option: Spells & Magic
Postmedia Canspell National Spelling Bee
Pronunciation respelling
Pronunciation respelling for English
Proud Spell
Pspell
Quechuan and Aymaran spelling shift
Republican Spelling System
Robert Spellane
Russian spelling alphabet
Russian spelling rules
Sabrina Spellman
San Girolamo, Spello
Sant'Anna, Spello
Satiric misspelling
Scripps National Spelling Bee
Simplified Spelling Board
Sketches and Spells
South Asian Spelling Bee
Speak & Spell
Speak & Spell (album)
Speak & Spell (toy)
Speak n Spell Music
Spell
Spell (album)
Spellbinder
Spellbinder (DC Comics)
Spellbinder (film)
Spellbinder (game)
Spellbinder: Land of the Dragon Lord
Spellbinder (TV series)
Spellbinder (video game)
Spellbound
Spellbound (1941 film)
Spellbound (1984 video game)
Spellbound (2002 film)
Spellbound (2011 film)
Spellbound (Dale novel)
Spellbound Dizzy
Spellbound Entertainment
Spellbound (Green novel)
Spellbound (TVXQ album)
Spellbound (video game)
Spellbreaker
SpellBrite
Spell Cast
Spellcaster
SpellCaster (video game)
Spellcasting 101: Sorcerers Get All The Girls
Spellcasting 201: The Sorcerer's Appliance
Spellcasting 301: Spring Break
Spellcasting (series)
Spell checker
Spellcraft: Aspects of Valor
Spell Dolce mattatoio
Spellemann (album)
Spellemannprisen
Spellenspektakel
Speller Aa
Spellfall
Spell (film)
Spellfire
SpellForce
SpellForce 2: Dragon Storm
SpellForce 2: Faith in Destiny
SpellForce 2: Shadow Wars
SpellForce 3
SpellForce: The Order of Dawn
Spell House
Spelling
Spelling alphabet
Spelling bee
Spelling Bee of Canada
Spellingg Bee
Spelling-Goldberg Productions
Spelling Jungle
Spelling of disc
Spelling of Shakespeare's name
Spelling pronunciation
Spelling reform
Spelling suggestion
Spelling Television
Spelljammer
Spelljammer: AD&D Adventures in Space
Spelljammer: Pirates of Realmspace
Spellman Lake
Spellman Museum of Stamps & Postal History
Spell My Name
Spell My Name with an S
Spell of Iron
Spell of the Looking Glass
Spells (album)
Spellsinger
Spells (novel)
SpellTower
Spellz (producer)
Spellz production discography
Spring 2013 United Kingdom cold spell
Susan Glaspell
Swords & Spells
Talk:Yogurt/yogurtspellinghistory
Thai spelling reform of 1942
The Bad Spellers
The Big Spell (TV series)
The Butterfly's Evil Spell
The Chronicles of Spellborn
The Doomspell Trilogy
The Great American Celebrity Spelling Bee
The Indigo Spell
The Rainy Spell
The Shanghai Spell
The Spell (Alphabeat album)
The Spellcoats
The Spelling Mistakes
The Spell of the Poppy
The Spell (song)
The Spell Sword
Thomas J. Spellacy
Thomas Spelling
Tony Speller
Tori Spelling
Touch-type Read and Spell
Tragic Spell
Trial of Joseph Spell
Ultimate Book of Spells
Under My Spell Tour
Under the Moonspell
Under the Spell of Silence
Under Your Spell
Under Your Spell (The Birthday Massacre album)
User:Lupin/Live spellcheck
Van Ophuijsen Spelling System
Vespella de Gai
William Spell
Wizards of Waverly Place: Spellbound
You Can't Spell Slaughter Without Laughter
Zami: A New Spelling of My Name
Zelda Spellman
convenience portal:
recent: Section Maps - index table - favoritesSavitri --Savitri extended toc Savitri Section Map --1 2 3 4 5 6 7 8 9 10 11 12
authors -- Crowley - Peterson - Borges - Wilber - Teresa -Aurobindo -Ramakrishna - Maharshi -Mother
places -- Garden - Inf. Art Gallery - Inf. Building - Inf. Library - Labyrinth - Library - School -Temple - Tower - Tower of MEM
powers -- Aspiration - Beauty - Concentration - Effort - Faith - Force - Grace - inspiration -Presence - Purity - Sincerity - surrender
difficulties -- cowardice - depres. - distract. - distress - dryness - evil - fear - forget - habits - impulse - incapacity - irritation - lost - mistakes - obscur. - problem - resist - sadness - self-deception - shame - sin - suffering
practices -- Lucid Dreaming - meditation - project - programming - Prayer - read Savitri - studysubjects -- CS - Cybernetics - Game Dev - Integral Theory - Integral Yoga - Kabbalah - Language - Philosophy - Poetry - Zen
6.01 books -- KC - ABA - Null -Savitri - SA O TAOC -SICP - The Gospel of SRK - TIC - The Library of Babel -TLD -TSOY - TTYODAS - TSZ - WOTM II
8 unsorted / add here -- Always - Everyday - Verbs