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branches ::: Skeleton

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object:Skeleton
class:monster

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now begins generated list of local instances, definitions, quotes, instances in chapters, wordnet info if available and instances among weblinks


OBJECT INSTANCES [0] - TOPICS - AUTHORS - BOOKS - CHAPTERS - CLASSES - SEE ALSO - SIMILAR TITLES

TOPICS
SEE ALSO


AUTH

BOOKS
A_Brief_History_of_Everything
Evolution_II
Full_Circle
Heart_of_Matter
Infinite_Library
Life_without_Death
Modern_Man_in_Search_of_a_Soul
Skeletons
The_Tarot_of_Paul_Christian
The_Use_and_Abuse_of_History

IN CHAPTERS TITLE

IN CHAPTERS CLASSNAME

IN CHAPTERS TEXT
0.00_-_INTRODUCTION
0_1961-09-23
0_1966-09-30
0_1970-07-11
0_1972-07-26
05.03_-_Satyavan_and_Savitri
06.17_-_Directed_Change
08.34_-_To_Melt_into_the_Divine
1.01_-_Economy
1.01_-_MASTER_AND_DISCIPLE
1.01_-_The_Path_of_Later_On
1.02_-_What_is_Psycho_therapy?
10.37_-_The_Golden_Bridge
1.03_-_BOOK_THE_THIRD
1.04_-_GOD_IN_THE_WORLD
1.04_-_THE_APPEARANCE_OF_ANOMALY_-_CHALLENGE_TO_THE_SHARED_MAP
1.04_-_The_Paths
1.05_-_The_Magical_Control_of_the_Weather
1.05_-_THE_MASTER_AND_KESHAB
1.07_-_Incarnate_Human_Gods
1.07_-_The_Three_Schools_of_Magick_2
1.12_-_Truth_and_Knowledge
1.15_-_LAST_VISIT_TO_KESHAB
1.19_-_THE_MASTER_AND_HIS_INJURED_ARM
1.22_-_ADVICE_TO_AN_ACTOR
1.240_-_1.300_Talks
1.240_-_Talks_2
1.28_-_Need_to_Define_God,_Self,_etc.
15.06_-_Words,_Words,_Words...
1.54_-_Types_of_Animal_Sacrament
1.60_-_Between_Heaven_and_Earth
1.68_-_The_God-Letters
18.04_-_Modern_Poems
18.05_-_Ashram_Poets
1953-05-20
1955-09-21_-_Literature_and_the_taste_for_forms_-_The_characters_of_The_Great_Secret_-_How_literature_helps_us_to_progress_-_Reading_to_learn_-_The_commercial_mentality_-_How_to_choose_ones_books_-_Learning_to_enrich_ones_possibilities_...
1f.lovecraft_-_In_the_Walls_of_Eryx
1f.lovecraft_-_Medusas_Coil
1f.lovecraft_-_The_Alchemist
1f.lovecraft_-_The_Case_of_Charles_Dexter_Ward
1f.lovecraft_-_The_Cats_of_Ulthar
1f.lovecraft_-_The_Dreams_in_the_Witch_House
1f.lovecraft_-_The_Dunwich_Horror
1f.lovecraft_-_The_Haunter_of_the_Dark
1f.lovecraft_-_The_Hound
1f.lovecraft_-_The_Last_Test
1f.lovecraft_-_The_Lurking_Fear
1f.lovecraft_-_The_Rats_in_the_Walls
1f.lovecraft_-_The_Temple
1f.lovecraft_-_The_Transition_of_Juan_Romero
1f.lovecraft_-_Till_A_the_Seas
1.jk_-_Endymion_-_Book_III
1.pbs_-_Alastor_-_or,_the_Spirit_of_Solitude
1.pbs_-_Oedipus_Tyrannus_or_Swellfoot_The_Tyrant
1.pbs_-_Prometheus_Unbound
1.pbs_-_Saint_Edmonds_Eve
1.pbs_-_Sister_Rosa_-_A_Ballad
1.pbs_-_Song._To_--_[Harriet]
1.pbs_-_The_Daemon_Of_The_World
1.pbs_-_The_Mask_Of_Anarchy
1.pbs_-_The_Spectral_Horseman
1.rb_-_Paracelsus_-_Part_II_-_Paracelsus_Attains
1.rb_-_Sordello_-_Book_the_Sixth
1.rmpsd_-_In_the_worlds_busy_market-place,_O_Shyama
1.wby_-_In_Memory_Of_Eva_Gore-Booth_And_Con_Markiewicz
1.whitman_-_As_I_Sat_Alone_By_Blue_Ontarios_Shores
1.whitman_-_Passage_To_India
1.whitman_-_Spain_1873-74
1.ww_-_Address_To_Kilchurn_Castle,_Upon_Loch_Awe
1.ww_-_Fidelity
1.ww_-_Yew-Trees
2.02_-_THE_EXPANSION_OF_LIFE
2.03_-_DEMETER
2.14_-_ON_THE_LAND_OF_EDUCATION
2.19_-_THE_MASTER_AND_DR._SARKAR
3.00.2_-_Introduction
3.02_-_THE_DEPLOYMENT_OF_THE_NOOSPHERE
33.14_-_I_Played_Football
3-5_Full_Circle
3.7.2.05_-_Appendix_I_-_The_Tangle_of_Karma
38.05_-_Living_Matter
4.02_-_Existence_And_Character_Of_The_Images
4.04_-_Conclusion
5.2.01_-_Word-Formation
5.4.01_-_Notes_on_Root-Sounds
Appendix_4_-_Priest_Spells
BOOK_II._--_PART_III._ADDENDA._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
BOOK_I._--_PART_I._COSMIC_EVOLUTION
BOOK_I._--_PART_III._SCIENCE_AND_THE_SECRET_DOCTRINE_CONTRASTED
Liber_111_-_The_Book_of_Wisdom_-_LIBER_ALEPH_VEL_CXI
Liber_46_-_The_Key_of_the_Mysteries
LUX.03_-_INVOCATION
Sayings_of_Sri_Ramakrishna_(text)
Sophist
Talks_With_Sri_Aurobindo_1
The_Act_of_Creation_text
The_Circular_Ruins
The_Dwellings_of_the_Philosophers
The_Gold_Bug
Verses_of_Vemana

PRIMARY CLASS

monster
SIMILAR TITLES
Skeleton
Skeletons

DEFINITIONS


TERMS STARTING WITH

skeletonized ::: imp. & p. p. --> of Skeletonize

skeletonizer ::: n. --> Any small moth whose larva eats the parenchyma of leaves, leaving the skeleton; as, the apple-leaf skeletonizer.

skeletonize ::: v. t. --> To prepare a skeleton of; also, to reduce, as a leaf, to its skeleton.

skeletonizing ::: p. pr. & vb. n. --> of Skeletonize

skeleton ::: n. --> The bony and cartilaginous framework which supports the soft parts of a vertebrate animal.
The more or less firm or hardened framework of an invertebrate animal.
A very thin or lean person.
The framework of anything; the principal parts that support the rest, but without the appendages.
The heads and outline of a literary production,


skeleton ::: something reduced to its minimal form; a bare outline or sketch.


TERMS ANYWHERE

4. endowed with skeletons (S. karankin; T. keng rus can; C. gusuo hanlin 骨鎖寒林)

9. a skeleton (S. asthisaMjNā; T. rus gong gi 'du shes; C. guxiang 骨想)

articulated ::: imp. & p. p. --> of Articulate ::: a. --> United by, or provided with, articulations; jointed; as, an articulated skeleton.
Produced, as a letter, syllable, or word, by the organs of speech; pronounced.


articulation ::: n. --> A joint or juncture between bones in the skeleton.
The connection of the parts of a plant by joints, as in pods.
One of the nodes or joints, as in cane and maize.
One of the parts intercepted between the joints; also, a subdivision into parts at regular or irregular intervals as a result of serial intermission in growth, as in the cane, grasses, etc.
The act of putting together with a joint or joints;


articulator ::: n. --> One who, or that which, articulates; as: (a) One who enunciates distinctly. (b) One who prepares and mounts skeletons. (c) An instrument to cure stammering.

atomy ::: n. --> An atom; a mite; a pigmy.
A skeleton.


axial ::: a. --> Of or pertaining to an axis; of the nature of, or resembling, an axis; around an axis.
Belonging to the axis of the body; as, the axial skeleton; or to the axis of any appendage or organ; as, the axial bones.


bone ::: n. --> The hard, calcified tissue of the skeleton of vertebrate animals, consisting very largely of calcic carbonate, calcic phosphate, and gelatine; as, blood and bone.
One of the pieces or parts of an animal skeleton; as, a rib or a thigh bone; a bone of the arm or leg; also, any fragment of bony substance. (pl.) The frame or skeleton of the body.
Anything made of bone, as a bobbin for weaving bone lace.
Two or four pieces of bone held between the fingers and


Bones The hard tissues that constitute the framework or skeleton of the physical body. They have an organic matrix for the inorganic mineral salts, which go through cycles of dissolution, changed location, crystallization, and reconstruction. Mineral molecules dissolving in their matrix and re-forming themselves anew occurs at that zero-point of transition between the living mineral matter and that of the live animal tissue. This transformation of the mineral atom through crystallization is “the same function, and bears the same relation to its inorganic (so-called) upadhi (or basis) as the formation of cells to their organic nuclei, through plant, insect and animal into man” (SD 2:255). The bones also furnish blood cells and mineral content to the blood stream. In the embryonic resume of racial imbodiments, the process of ossification appears after the progressive stages of its protoplasmic, gelatinous, and cartilaginous frames, analogous to those forms through which nascent humanity passed in the first two and one-half root-races. With the deposit of bones in the fetal framework, and its functional relation to the blood, and with the development of the placenta and of the organs in the mesoderm, the conditions review the gradual physicalization of the gelatinous androgynes of the early third root-race into the bisexual humanity with organized functions like the present mammalian type.

cadre ::: n. --> The framework or skeleton upon which a regiment is to be formed; the officers of a regiment forming the staff.

cage ::: n. --> A box or inclosure, wholly or partly of openwork, in wood or metal, used for confining birds or other animals.
A place of confinement for malefactors
An outer framework of timber, inclosing something within it; as, the cage of a staircase.
A skeleton frame to limit the motion of a loose piece, as a ball valve.
A wirework strainer, used in connection with pumps and pipes.


carcass ::: n. --> A dead body, whether of man or beast; a corpse; now commonly the dead body of a beast.
The living body; -- now commonly used in contempt or ridicule.
The abandoned and decaying remains of some bulky and once comely thing, as a ship; the skeleton, or the uncovered or unfinished frame, of a thing.
A hollow case or shell, filled with combustibles, to be


cartilaginous ::: a. --> Of or pertaining to cartilage; gristly; firm and tough like cartilage.
Having the skeleton in the state of cartilage, the bones containing little or no calcareous matter; said of certain fishes, as the sturgeon and the sharks.


ceratospongiae ::: n. pl. --> An order of sponges in which the skeleton consists of horny fibers. It includes all the commercial sponges.

chondroganoidea ::: n. --> An order of ganoid fishes, including the sturgeons; -- so called on account of their cartilaginous skeleton.

chondropterygian ::: a. --> Having a cartilaginous skeleton. ::: n. --> One of the Chondropterygii.

chondropterygii ::: n. pl. --> A group of fishes, characterized by cartilaginous fins and skeleton. It includes both ganoids (sturgeons, etc.) and selachians (sharks), but is now often restricted to the latter.

chondrostei ::: n. pl. --> An order of fishes, including the sturgeons; -- so named because the skeleton is cartilaginous.

Citipati. (T. Dur khrod bdag po). In Sanskrit, "Lord of the Funeral Pile"; a pair of male and female dancing skeletons associated with the CAKRASAMVARATANTRA and who are often depicted as protectors of VAJRAYOGINĪ. They are also called srīsmasAnAdhipati or "lords of the charnel ground" and are regarded as enlightened beings and emanations of CAKRASAMVARA. They are also propitiated for wealth and for protection from thieves. According to legend, they are the spirits of two Indian ascetics who were murdered by thieves while practicing austerities in a charnel ground (sMAsANA). They each hold a danda or staff made of bone and a KAPALA and dance on corpses in ARDHAPARYAnKA pose, either in YAB YUM posture or side by side. They are not to be confused with the skeleton dancers in Tibetan 'CHAM performances, who represent servants of YAMA, the deity of death.

Common Object Request Broker Architecture "standard, programming" (CORBA) An {Object Management Group} specification which provides a standard messaging interface between distributed {objects}. The original CORBA specification (1.1) has been revised through version 2 (CORBA 2) with the latest specification being version 3 (CORBA 3). In its most basic form CORBA consists of the {Interface Definition Language} (IDL) and the Dynamic Invocation Interface (DII). The IDL definition is complied into a Stub (client) and Skeleton (server) component that communicate through an {Object Request Broker} (ORB). When an ORB determines that a request is to a remote object, it may execute the request by communicating with the remote ORB. The Corba IDL can be mapped to a number of languages including {C}, {C++}, {Java}, {COBOL}, {Smalltalk}, {Ada}, {Lisp}, {Python}, and {IDLscript}. CORBA ORBs are widely available for a number of platforms. The OMG standard for inter-ORB communication is {IIOP}, this ensures that all CORBA 2 compliant ORBS are able to interoperate. See also {COSS}, {Component Object Model}, {RMI}. {OMG CORBA specs (http://www.omg.org/technology/documents/corba_spec_catalog.htm)}. (2007-09-04)

Common Object Request Broker Architecture ::: (standard, programming) (CORBA) An Object Management Group specification which provides a standard messaging interface between distributed objects.The original CORBA specification (1.1) has been revised through version 2 (CORBA 2) with the latest specification being version 3 (CORBA 3). In its most basic form CORBA consists of the Interface Definition Language (IDL) and the Dynamic Invocation Interface (DII).The IDL definition is complied into a Stub (client) and Skeleton (server) component that communicate through an Object Request Broker (ORB). When an ORB determines that a request is to a remote object, it may execute the request by communicating with the remote ORB.The Corba IDL can be mapped to a number of languages including C, C++, Java, COBOL, Smalltalk, Ada, Lisp, Python, and IDLscript. CORBA ORBs are widely communication is IIOP, this ensures that all CORBA 2 compliant ORBS are able to interoperate.See also COSS, Component Object Model, RMI. .(2003-11-21)

corallum ::: n. --> The coral or skeleton of a zoophyte, whether calcareous of horny, simple or compound. See Coral.

coral ::: n. --> The hard parts or skeleton of various Anthozoa, and of a few Hydrozoa. Similar structures are also formed by some Bryozoa.
The ovaries of a cooked lobster; -- so called from their color.
A piece of coral, usually fitted with small bells and other appurtenances, used by children as a plaything.


corona ::: n. --> A crown or garland bestowed among the Romans as a reward for distinguished services.
The projecting part of a Classic cornice, the under side of which is cut with a recess or channel so as to form a drip. See Illust. of Column.
The upper surface of some part, as of a tooth or the skull; a crown.
The shelly skeleton of a sea urchin.


Cromagnon Man A highly advanced type of prehistoric mankind existing before the Neolithic Period, supposed to be separated into several distinct races. The first remains discovered consisted of four skeletons found in a rock shelter at Cromagnon in southwestern France in 1868; but many specimens have been found since which show that the Cromagnons were widely spread in Europe — although they are not found outside of Europe — in the last third of the Glacial Age, at the close of the Mousterian and during the Aurignacian period.

crossbones ::: n. pl. --> A representation of two of the leg bones or arm bones of a skeleton, laid crosswise, often surmounted with a skull, and serving as a symbol of death.

death ::: v. i. --> The cessation of all vital phenomena without capability of resuscitation, either in animals or plants.
Total privation or loss; extinction; cessation; as, the death of memory.
Manner of dying; act or state of passing from life.
Cause of loss of life.
Personified: The destroyer of life, -- conventionally represented as a skeleton with a scythe.


dermoskeleton ::: n. --> See Exoskeleton.

dinosauria ::: n. pl. --> An order of extinct mesozoic reptiles, mostly of large size (whence the name). Notwithstanding their size, they present birdlike characters in the skeleton, esp. in the pelvis and hind limbs. Some walked on their three-toed hind feet, thus producing the large "bird tracks," so-called, of mesozoic sandstones; others were five-toed and quadrupedal. See Illust. of Compsognathus, also Illustration of Dinosaur in Appendix.

disarticulator ::: n. --> One who disarticulates and prepares skeletons.

elasmobranchii ::: n. pl. --> A subclass of fishes, comprising the sharks, the rays, and the Chimaera. The skeleton is mainly cartilaginous.

endoskeletal ::: a. --> Pertaining to, or connected with, the endoskeleton; as, endoskeletal muscles.

endoskeleton ::: n. --> The bony, cartilaginous, or other internal framework of an animal, as distinguished from the exoskeleton.

epaxial ::: a. --> Above, or on the dorsal side of, the axis of the skeleton; episkeletal.

episkeletal ::: a. --> Above or outside of the endoskeleton; epaxial.

exo ::: --> A prefix signifying out of, outside; as in exocarp, exogen, exoskeleton.

exoskeletal ::: a. --> Pertaining to the exoskeleton; as exoskeletal muscles.

exoskeleton ::: n. --> The hardened parts of the external integument of an animal, including hair, feathers, nails, horns, scales, etc.,as well as the armor of armadillos and many reptiles, and the shells or hardened integument of numerous invertebrates; external skeleton; dermoskeleton.

fibrospongiae ::: n. pl. --> An order of sponges having a fibrous skeleton, including the commercial sponges.

frame ::: v. t. --> To construct by fitting and uniting the several parts of the skeleton of any structure; specifically, in woodwork, to put together by cutting parts of one member to fit parts of another. See Dovetail, Halve, v. t., Miter, Tenon, Tooth, Tusk, Scarf, and Splice.
To originate; to plan; to devise; to contrive; to compose; in a bad sense, to invent or fabricate, as something false.
To fit to something else, or for some specific end; to adjust; to regulate; to shape; to conform.


General Public Virus "software, legal" A pejorative name for some versions of the {GNU} project {copyleft} or {General Public License} (GPL), which requires that any tools or {application programs} incorporating copylefted code must be source-distributed on the same terms as GNU code. Thus it is alleged that the copyleft "infects" software generated with GNU tools, which may in turn infect other software that reuses any of its code. {Copyright} law limits the scope of the GPL to "programs textually incorporating significant amounts of GNU code" so GPL is only passed on if actual GNU source is transmitted. This used to be the case with the {Bison} {parser} skeleton until its licence was fixed. {(http://org.gnu.de/manual/bison/html_chapter/bison_2.html

General Public Virus ::: (software, legal) A pejorative name for some versions of the GNU project copyleft or General Public License (GPL), which requires that any tools or software generated with GNU tools, which may in turn infect other software that reuses any of its code.Copyright law limits the scope of the GPL to programs textually incorporating significant amounts of GNU code so GPL is only passed on if actual GNU source is transmitted. This used to be the case with the Bison parser skeleton until its licence was fixed. .[Jargon File] (1999-07-14)

ginglymodi ::: n. --> An order of ganoid fishes, including the modern gar pikes and many allied fossil forms. They have rhombic, ganoid scales, a heterocercal tail, paired fins without an axis, fulcra on the fins, and a bony skeleton, with the vertebrae convex in front and concave behind, forming a ball and socket joint. See Ganoidel.

gorilla ::: n. --> A large, arboreal, anthropoid ape of West Africa. It is larger than a man, and is remarkable for its massive skeleton and powerful muscles, which give it enormous strength. In some respects its anatomy, more than that of any other ape, except the chimpanzee, resembles that of man.

grimreaper ::: Grim Reaper The anthropomorphism of Death, normally as a skeleton carrying a scythe, who exists in mythology and popular culture. The actual reality of death has had a tremendous influence on the human psyche throughout time, which explains why the personification of 'Death' as a living entity has existed in most societies since history began.

Gyges (Greek) One of three giants having a dual aspect as a god and a mortal, imprisoned by Kronos for their rebellion against him. The Ring of Gyges is a familiar metaphor in European literature. Plato relates that Gyges was a Lydian who murdered King Candaules and then married his widow. He once descended into a chasm and found a brazen horse with an opening in its side in which was the skeleton of a man, on whose finger was a brass ring. Gyges took the ring and when placed upon his own finger, it made him invisible.

hypaxial ::: a. --> Beneath the axis of the skeleton; subvertebral; hyposkeletal.

hyposkeletal ::: a. --> Beneath the endoskeleton; hypaxial; as, the hyposkeletal muscles; -- opposed to episkeletal.

Ikkyu Sojun. (一休宗純) (1394-1481). Japanese ZEN master in the RINZAISHu, also known by his sobriquet Kyoun shi (Master Crazy Cloud). Materials on Ikkyu's life are an often indistinguishable mixture of history and legend. Little is known of Ikkyu's early years, but he is said to have been the illegitimate son of Emperor Gokomatsu (r. 1382-1392, 1392-1412). In 1399, Ikkyu was sent to the monastery of ANKOKUJI in Kyoto. In 1410, he left Ankokuji to study under Ken'o Soi (d. 1414), who belonged to the MYoSHINJI branch of Rinzai Zen. After Ken'o's death in 1414, Ikkyu continued his studies under the monk Kaso Sodon (1352-1428) in Katada (present-day Shiga prefecture) near Lake Biwa. Kaso gave him the name Ikkyu, which he continued to use. While studying under Kaso, Ikkyu had his first awakening experience and also acquired some notoriety for his antinomian behavior. Perhaps because of his rivalry with a fellow student named Yoso Soi (1378-1458), Ikkyu left Kaso shortly before his death and headed for the city of Sakai. During this transition period, Ikkyu is said to have briefly returned to lay life, marrying a blind singer and fathering a son. Ikkyu's life in Sakai is shrouded in legend (most of which date to the Tokugawa period). There, he is said to have led the life of a mad monk, preaching in taverns and brothels. In 1437, Ikkyu is also said to have torn up the certificate of enlightenment that his teacher Kaso had prepared for him before his death. In 1440, Ikkyu was called to serve as the abbot of the monastery of DAITOKUJI, but he resigned his post the next year. Ikkyu devoted much of his later life to his famous poetry and brushstroke art. Later, Ikkyu had a falling out with Yoso, who as abbot secured Daitokuji's prominent place in Kyoto. In 1455, Ikkyu published a collection of his poems, the Jikaishu ("Self-Admonishment Collection"), and publicly attacked Yoso. In 1456, Ikkyu restored the dilapidated temple Myoshoji in Takigi (located halfway between Sakai and Kyoto). There, he installed a portrait of the Zen master Daito (see SoHo MYoCHo). Ikkyu also began identifying himself with the Chinese Chan master XUTANG ZHIYU, the spiritual progenitor of the Daitokuji lineage(s), by transforming portraits of Xutang into those of himself. In 1474, Ikkyu was appointed abbot of Daitokuji, which had suffered from a devastating fire during the onin war, and he committed himself to its reconstruction, until his death in 1481. Among his writings, his poetry collection Kyounshu ("Crazy Cloud Anthology") is most famous. Also well known is his Gaikotsu ("Skeletons"), a work, illustrated by Ikkyu himself, about his conversations with skeletons. See also WU'AI XING.

image processing "graphics" Computer manipulation of {images}. Some of the many {algorithms} used in image processing include {convolution} (on which many others are based), {FFT}, {DCT}, {thinning} (or {skeletonisation}), {edge detection} and {contrast enhancement}. These are usually implemented in {software} but may also use special purpose {hardware} for speed. Image processing contrasts with {computer graphics}, which is usually more concerned with the generation of artificial images, and {visualisation}, which attempts to understand (real-world) data by displaying it as an artificial image (e.g. a graph). Image processing is used in {image recognition} and {computer vision}. {Silicon Graphics} manufacture {workstations} which are often used for image processing. There are a few programming languages designed for image processing, e.g. {CELIP}, {VPL}. See also {Pilot European Image Processing Archive}. {Usenet} newsgroup: {news:sci.image.processing}. [Other algorithms, languages? FAQ?] (1995-04-12)

keratosa ::: n. pl. --> An order of sponges having a skeleton composed of hornlike fibers. It includes the commercial sponges.

keratose ::: n. --> A tough, horny animal substance entering into the composition of the skeleton of sponges, and other invertebrates; -- called also keratode. ::: a. --> Containing hornlike fibers or fibers of keratose; belonging to the Keratosa.

marsipobranchia ::: n. pl. --> A class of Vertebrata, lower than fishes, characterized by their purselike gill cavities, cartilaginous skeletons, absence of limbs, and a suckerlike mouth destitute of jaws. It includes the lampreys and hagfishes. See Cyclostoma, and Lamprey. Called also Marsipobranchiata, and Marsipobranchii.

mesoderm ::: The middle of the three germ layers; gives rise to muscle, connective tissue, skeleton, and other structures.

metacarpus ::: n. --> That part of the skeleton of the hand or forefoot between the carpus and phalanges. In man it consists of five bones. See Illust. of Artiodactyla.

metatarsus ::: n. --> That part of the skeleton of the hind or lower limb between the tarsus and phalanges; metatarse. It consists, in the human foot, of five bones. See Illustration in Appendix.

neuroskeletal ::: a. --> Of or pertaining to the neuroskeleton.

neuroskeleton ::: n. --> The deep-seated parts of the vertebrate skeleton which are relation with the nervous axis and locomation.

notochord ::: n. --> An elastic cartilagelike rod which is developed beneath the medullary groove in the vertebrate embryo, and constitutes the primitive axial skeleton around which the centra of the vertebrae and the posterior part of the base of the skull are developed; the chorda dorsalis. See Illust. of Ectoderm.

Object Request Broker "programming" (ORB) Part of the {OMG} {CORBA} specification, an ORB's basic function is to pass {method} invocation requests to the correct {objects} and return the results to the caller. To achieve this the ORB must be able must be able to identify and locate objects, handle connections from invoker and the data returned from methods. Communication between the ORB and applications are achieved through {IDL} stubs and skeletons whilst the OMG has specified {IIOP} as the protocol through which ORBs may communicate with each other. Using IIOP, an ORB may request method invocations from a remote object. (2003-11-21)

ornithopoda ::: n. pl. --> An order of herbivorous dinosaurs with birdlike characteristics in the skeleton, esp. in the pelvis and hind legs, which in some genera had only three functional toes, and supported the body in walking as in Iguanodon. See Illust. in Appendix.

ossean ::: n. --> A fish having a bony skeleton; a teleost.

ossicle ::: n. --> A little bone; as, the auditory ossicles in the tympanum of the ear.
One of numerous small calcareous structures forming the skeleton of certain echinoderms, as the starfishes.


osteocomma ::: n. --> A metamere of the vertebrate skeleton; an osteomere; a vertebra.

osteology ::: n. --> The science which treats of the bones of the vertebrate skeleton.

paraML ::: An extension of Standard ML which supports coarse-grained parallelism. Peter Bailey, while at the Edinburgh Parallel Computing Centre at University of Edinburgh, has implemented of Murray Cole's original four skeletons in paraML.See also Skel-ML.

paraML An extension of {Standard ML} which supports {coarse-grained parallelism}. Peter Bailey, while at the Edinburgh Parallel Computing Centre at {University of Edinburgh}, has implemented of Murray Cole's original four {skeletons} in paraML. See also {Skel-ML}.

paraxial ::: a. --> On either side of the axis of the skeleton.

placoganoidei ::: n. pl. --> A division of ganoid fishes including those that have large external bony plates and a cartilaginous skeleton.

pneumoskeleton ::: n. --> A chitinous structure which supports the gill in some invertebrates.

polycystina ::: n. pl. --> A division of Radiolaria including numerous minute marine species. The skeleton is composed of silica, and is often very elegant in form and sculpture. Many have been found in the fossil state.

Powered exoskeleton - (also known as powered armor, exoframe, or exosuit) is a mobile machine consisting primarily of an outer framework worn by a person, and powered by a system of motors or hydraulics that delivers at least part of the energy for limb movement.

radiolaria ::: n. pl. --> Order of rhizopods, usually having a siliceous skeleton, or shell, and sometimes radiating spicules. The pseudopodia project from the body like rays. It includes the polycystines. See Polycystina.

  “Referred to as an enigmatical personage by modern writers. Frederic II., King of Prussia, used to say of him that he was a man whom no one had ever been able to make out. Many are his ‘biographies,’ and each is wilder than the other. By some he was regarded as an incarnate god, by others as a clever Alsatian Jew. One thing is certain, Count de St. Germain — whatever his real patronymic may have been — had a right to his name and title, for he had bought a property called San Germano, in the Italian Tyrol, and paid the Pope for the title. He was uncommonly handsome, and his enormous erudition and linguistic capacities are undeniable, for he spoke English, Italian, French, Spanish, Portuguese, German, Russian, Swedish, Danish, and many Slavonian and Oriental languages, with equal facility with a native. He was extremely wealthy, never received a sou from anyone — in fact never accepted a glass of water or broke bread with anyone — but made most extravagant presents of superb jewellery to all his friends, even to the royal families of Europe. His proficiency in music was marvellous; he played on every instrument, the violin being his favourite. ‘St. Germain rivalled Paganinni himself,’ was said of him by an octogenarian Belgian in 1835, after hearing the ‘Genoese maestro.’ ‘It is St. Germain resurrected who plays the violin in the body of an Italian Skeleton,’ exclaimed a Lithuanian baron who had heard both.

Remote Reference Layer "protocol" (RRL) Part of {Java}'s {Remote Method Invocation} protocol. RRL exists in both the RMI {client} and {server}. It is used by the {stub} or {skeleton} {protocol layer} and uses the {transport layer}. RRL is reponsible for transport-independent functioning of RMI, such as {connection management} or {unicast}/{multicast} {object invocation}. [Specification URL?] (1997-12-03)

Remote Reference Layer ::: (protocol) (RRL) Part of Java's Remote Method Invocation protocol. RRL exists in both the RMI client and server. It is used by the stub or skeleton transport-independent functioning of RMI, such as connection management or unicast/multicast object invocation.[Specification URL?] (1997-12-03)

scale ::: n. --> The dish of a balance; hence, the balance itself; an instrument or machine for weighing; as, to turn the scale; -- chiefly used in the plural when applied to the whole instrument or apparatus for weighing. Also used figuratively.
The sign or constellation Libra.
One of the small, thin, membranous, bony or horny pieces which form the covering of many fishes and reptiles, and some mammals, belonging to the dermal part of the skeleton, or dermoskeleton. See


scelet ::: n. --> A mummy; a skeleton.

scleroskeleton ::: n. --> That part of the skeleton which is developed in tendons, ligaments, and aponeuroses.

sibi. (P. Sivi; T. Shi bi; C. Shipi; J. Shibi; K. Sibi 尸毘). A king who is the protagonist of a famous JĀTAKA tale. There are two different stories associated with him. In the first, versions of which also appear in the Hindu epics, sibi is a king renowned for his generosity. Seeking to test the limits of his charity, the divinities (DEVA) sAKRA and AGNI take the form of a hawk and a dove. Pursued by the hawk, the dove seeks shelter in the king's lap. The hawk agrees to spare the dove if the king will offer in exchange flesh equal to the weight of the dove. A scale is produced and the king cuts off a piece of his own flesh. However, the gods manipulate the scale so that no matter how much of his flesh the king cuts off and places on the scale, it never equals the weight of the dove. Eventually, the king is reduced to a skeleton, at which point the gods reveal their true identity and make the king whole again. In the second version of the story, which appears in the JĀTAKAMĀLĀ and other sources, sakra, the king of the gods, hears of the king's generosity and seeks to test it. He takes the form of a blind brāhmana, who goes to King sibi and asks that the king give him his eyes. The king agrees and has his eyes removed and given to the blind man, restoring his sight. Again, the god reveals his true identity and returns the king's eyes. Both versions are famous examples of the BODHISATTVA's "gift of the body" (DEHADĀNA), which he makes as part of his practice of the perfection of giving (DĀNAPĀRAMITĀ). See also SHE SHEN.

silicoidea ::: n. pl. --> An extensive order of Porifera, which includes those that have the skeleton composed mainly of siliceous fibers or spicules.

skeletal ::: a. --> Pertaining to the skeleton.

skelet ::: n. --> A skeleton. See Scelet.

skeletogenous ::: a. --> Forming or producing parts of the skeleton.

skeletology ::: n. --> That part of anatomy which treats of the skeleton; also, a treatise on the skeleton.

skeletonized ::: imp. & p. p. --> of Skeletonize

skeletonizer ::: n. --> Any small moth whose larva eats the parenchyma of leaves, leaving the skeleton; as, the apple-leaf skeletonizer.

skeletonize ::: v. t. --> To prepare a skeleton of; also, to reduce, as a leaf, to its skeleton.

skeletonizing ::: p. pr. & vb. n. --> of Skeletonize

skeleton ::: n. --> The bony and cartilaginous framework which supports the soft parts of a vertebrate animal.
The more or less firm or hardened framework of an invertebrate animal.
A very thin or lean person.
The framework of anything; the principal parts that support the rest, but without the appendages.
The heads and outline of a literary production,


skeleton ::: something reduced to its minimal form; a bare outline or sketch.

Skel-ML A parallel variant of {ML} using {skeletons} being developed (April 1994) as part of Tore Bratvold's PhD in the Department of Computing and Electronic Engineering, Heriot-Watt University, Edinburgh, UK. Programs are written in a subset of {Standard ML}, and parallelism is extracted from the use of certain {higher-order functions}. The SkelML compiler uses profiling information together with skeleton performance models to distinguish useful from non-useful parallelism. An important feature is the ability to perform transformations between skeletons to improve performance. Skeletons currently supported are map, filter, fold, pipe (implicitly extracted from function application) and various combinations of these. See also {paraML}. E-mail: Tore A Bratvold "tore@cee.hw.ac.uk".

Skel-ML ::: A parallel variant of ML using skeletons being developed (April 1994) as part of Tore Bratvold's PhD in the Department of Computing and Electronic Engineering, (implicitly extracted from function application) and various combinations of these.See also paraML.E-mail: Tore A Bratvold .

skull ::: n. --> A school, company, or shoal.
The skeleton of the head of a vertebrate animal, including the brain case, or cranium, and the bones and cartilages of the face and mouth. See Illusts. of Carnivora, of Facial angles under Facial, and of Skeleton, in Appendix.
The head or brain; the seat of intelligence; mind.
A covering for the head; a skullcap.
A sort of oar. See Scull.


smasāna. (P. susāna; T. dur khrod; C. shilin/hanlin; J. shirin/kanrin; K. sirim/hallim 屍林/寒林). In Sanskrit, "charnel ground," "cemetery"; funerary sites in ancient India where corpses were left to decompose. The charnel ground was recommended as a site for monks to practice meditation in order to overcome attachment to the body. In the MAHĀSATIPAttHĀNASUTTA, the Buddha recommends nine "charnel ground contemplations" (sīvathikā manasikāra). There is a set of "contemplations on the foul" (AsUBHABHĀVANĀ) described in mainstream Buddhist literature that were to take place in the charnel grounds, where the monks would sit next to the dead and contemplate the nine or ten specific stages in the decomposition of a corpse; this meditation was a powerful antidote to the affliction of lust (RĀGA). The traditional list of thirteen authorized ascetic practices (S. dhutaguna; P. DHUTAnGA) also includes dwelling in a charnel ground (no. 11) and wearing only discarded cloth (no. 1), which typically meant to use funerary cloth taken from rotting corpses to make monastic raiments (CĪVARA), thus weaning the monk or nun from attachment to material possessions. The ideal charnel ground is described as a place where corpses are cremated daily, where there is the constant smell of decomposing corpses, and where the weeping of the families of the dead can be heard. The practice of meditation there is said to result in an awareness of the inevitability of death, the abandonment of lust, and the overcoming of attachment to the body. In India, the charnel ground was a frightful place not only because of the presence of corpses but also for the creatures, including wild animals and various demons, that frequented it at night. Thus, in tantric Buddhism, the charnel ground was considered to be inhabited by wrathful deities, dĀKINĪs, and MAHĀSIDDHAs, making it a potent place for the performance of ritual and meditation. Mahāsiddhas are sometimes depicted in charnel grounds, sitting on corpses and drinking from skull cups. ANUTTARAYOGATANTRA texts also refer to a set of "eight great charnel grounds" (S. AstAMAHĀsMAsĀNA), which are also frequently depicted in tantric Buddhist art. While the eight sites are often equated with actual geographic locations in India, they also carry a deeper symbolism, referring to regions of tantric sacred geography, points on a MAndALA or a deity's body, and elements of tantric physiology such as the channels (NĀdĪ) in the subtle body of a meditating YOGIN. Their origin myth describes the defeat of the demon Rudra, after which the charnel grounds arose in the eight cardinal and intermediate directions, each from a piece of his dismembered body. They are described as wild and terrifying places, littered with human corpses and wild animals, each with their own trees, protectors, STuPAs, NĀGAs, jewels, fires, clouds, mountains, and lakes. They are inhabited by a host of spirits and nonhuman beings, as well as meditating yogins and YOGINĪs. In general, charnel grounds and similar frightening locations are said to be efficacious for the practice of tantric meditation. The astamahāsmasāna are also usually depicted as forming part of the outer protection wheel in mandalas of anuttarayogatantra. There are varying lists of the eight great charnel grounds, one of which is: candogrā (most fierce), gahvara (dense thicket), vajrajvala (blazing vajra), endowed with skeletons (karankin), cool grove (sītavana), black darkness (ghorāndhakāra), resonant with "kilikili" (kilikilārava), and cries of "ha ha" (attahāsa); Tibetan sources give the names of the eight great charnel grounds as gtum drag (candogra), tshang tshing 'khrigs pa (gahvara), rdo rje bar ba (vajrajvala), keng rus can (karankin), bsil bu tshal (sītavana), mun pa nag po (ghorāndhakāra) ki li ki lir sgra sgrog pa (kilikilārava), and ha ha rgod pa (attahāsa).

splanchnapophysis ::: n. --> Any element of the skeleton in relation with the alimentary canal, as the jaws and hyoidean apparatus.

splanchno-skeleton ::: n. --> That part of the skeleton connected with the sense organs and the viscera.

sponge ::: n. --> Any one of numerous species of Spongiae, or Porifera. See Illust. and Note under Spongiae.
The elastic fibrous skeleton of many species of horny Spongiae (keratosa), used for many purposes, especially the varieties of the genus Spongia. The most valuable sponges are found in the Mediterranean and the Red Sea, and on the coasts of Florida and the West Indies.
One who lives upon others; a pertinaceous and indolent


sternum ::: n. --> A plate of cartilage, or a series of bony or cartilaginous plates or segments, in the median line of the pectoral skeleton of most vertebrates above fishes; the breastbone.
The ventral part of any one of the somites of an arthropod.


tubipora ::: n. --> A genus of halcyonoids in which the skeleton, or coral (called organ-pipe coral), consists of a mass of parallel cylindrical tubes united at intervals by transverse plates. These corals are usually red or purple and form large masses. They are natives of the tropical parts of the Indian and Pacific Oceans.

unflesh ::: v. t. --> To deprive of flesh; to reduce a skeleton.

visceroskeletal ::: a. --> Of or pertaining to the framework, or skeleton, or skeleton, of the viscera; as, the visceroskeletal system of muscles.



QUOTES [3 / 3 - 553 / 553]


KEYS (10k)

   1 Matsuo Basho
   1 George Gordon Byron
   1 Basho

NEW FULL DB (2.4M)

   18 Derek Landy
   17 Rick Riordan
   11 Charles Dickens
   8 Terry Pratchett
   7 Tahereh Mafi
   6 Stephen King
   5 Seanan McGuire
   5 Richelle Mead
   5 Leo Tolstoy
   5 G K Chesterton
   4 Victor Hugo
   4 Karen Russell
   4 Douglas Adams
   3 Zachary Koukol
   3 Walter Isaacson
   3 Mary Roach
   3 Mahatma Gandhi
   3 Leonora Carrington
   3 Krystal Sutherland
   3 John Green

1:a skeleton
in the fields of memory
stabs like a knife ~ Matsuo Basho,
2:A weathered skeleton
in windy fields of memory,
piercing like a knife ~ Basho,
3:Darkness
I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went-and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires-and the thrones,
The palaces of crowned kings-the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire-but hour by hour
They fell and faded-and the crackling trunks
Extinguish'd with a crash-and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless-they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought-and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails-men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress-he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects-saw, and shriek'd, and died-
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless-
A lump of death-a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge-
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them-She was the Universe.
~ George Gordon Byron,

*** WISDOM TROVE ***

1:Rigid, the skeleton of habit alone upholds the human frame. ~ virginia-woolf, @wisdomtrove
2:The world dies over and over again, but the skeleton always gets up and walks. ~ henry-miller, @wisdomtrove
3:If you cannot get rid of the family skeleton you may as well make it dance. ~ george-bernard-shaw, @wisdomtrove
4:... there is a skeleton (or death) that flees terrified in the face of my will to live. ~ frida-kahlo, @wisdomtrove
5:Any constraint is part of the skeleton that you build the composition on - including your own incompetence. ~ brian-eno, @wisdomtrove
6:Effort ceases. Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame ~ virginia-woolf, @wisdomtrove
7:An evening wind uprose too, and the slighter branches cracked and rattled as they moved, in skeleton dances, to its moaning music. ~ charles-dickens, @wisdomtrove
8:Hunting after happiness is like hunting after a lost sheep in the wilderness&
9:There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. To the best of my belief, our case was in the last respect a rather common one. ~ charles-dickens, @wisdomtrove
10:A belief in hell and the knowledge that every ambition is doomed to frustration at the hands of a skeleton have never prevented the majority of human beings from behaving as though death were no more than an unfounded rumor. ~ aldous-huxley, @wisdomtrove
11:in the newspapers I read a biography about an American. He left his whole huge fortune to factories and for the positive sciences, his skeleton to the students at the academy there, and his skin to make a drum so as to have the American national anthem drummed on it day and night. ~ fyodor-dostoevsky, @wisdomtrove
12:I find in the domestic duck that the bones of the wing weigh less and the bones of the leg more, in proportion to the whole skeleton, than do the same bones in the wild duck; and this change may be safely attributed to the domestic duck flying much less, and walking more, than its wild parents. ~ charles-darwin, @wisdomtrove
13:But, as Douglas E Harding has pointed out, we tend to think of this planet as a life-infested rock, which is as absurd as thinking of the human body as a cell infested skeleton. Surely all forms of life, including man, must be understood as "symptoms" of the earth, the solar system, and the galaxy in which case we cannot escape the conclusion that the galaxy is intelligent. ~ alan-watts, @wisdomtrove
14:We spent as much money as we could and got as little for it as people could make up their minds to give us. We were always more or less miserable, and most of our acquaintance were in the same condition. There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. To the best of my belief, our case was in the last aspect a rather common one. ~ charles-dickens, @wisdomtrove
15:How unutterably sweet is the knowledge that our Heavenly Father knows us completely. No talebearer can inform on us; no enemy can make an accusation stick; no forgotten skeleton can come tumbling out of some hidden closet to abash us and expose out past; no unsuspected weakness in our characters can come to light to turn God away from us, since He knew us utterly before we knew him and called us to Himself in the full knowledge of everything that was against us. ~ aiden-wilson-tozer, @wisdomtrove
16:Blackened skeleton arms of wood by the wayside pointed upward to the convent, as if the ghosts of former travellers, overwhelmed by the snow, haunted the scene of their distress. Icicle-hung caves and cellars built for refuges from sudden storms, were like so many whispers of the perils of the place; never-resting wreaths and mazes of mist wandered about, hunted by a moaning wind; and snow, the besetting danger of the mountain, against which all its defences were taken, drifted sharply down. ~ charles-dickens, @wisdomtrove

*** NEWFULLDB 2.4M ***

1:A weathered skeleton ~ Matsuo Basho,
2:was the isolated skeleton? ~ Kathy Reichs,
3:she was next to the skeleton of what ~ Heather Graham,
4:shoulders of a skeleton, and the five people ~ Derek Landy,
5:The dreams are the skeleton of all reality. ~ James Salter,
6:Tell me I can marry Anne Frank's skeleton. ~ Cameron Pierce,
7:There is a skeleton in every house. ~ William Makepeace Thackeray,
8:His hair fell out, his face went gaunt as a skeleton. ~ Mitch Albom,
9:Like people, a picture has a skeleton, muscles and skin. ~ Paul Klee,
10:What was one more skeleton in an already crowded closet? ~ Brenda Novak,
11:Man, talk about having a skeleton in the closet—this ~ Wendelin Van Draanen,
12:Rigid, the skeleton of habit alone upholds the human frame. ~ Virginia Woolf,
13:We’re all puzzle boxes, skeleton and skin, soul and shadow. ~ Seanan McGuire,
14:Instinct's the iron skeleton under all our ideas of free will. ~ Stephen King,
15:Last time, I imagined myself as the kid. This time, the skeleton. ~ John Green,
16:The skeleton is just a way to keep your tissue off the floor. ~ Chuck Palahniuk,
17:Wouldn’t this be tantamount to giving a butterfly a skeleton? ~ Haruki Murakami,
18:Drawing is the skeleton of what you do and color is its flesh. ~ Nicolas Poussin,
19:Thankfully, it’s she who spoke. Not the skeleton. Because … gross. ~ Chuck Wendig,
20:when it comes to animal form, an external skeleton is better. ~ Scott Richard Shaw,
21:Wear your skeleton on the inside out, and keep your insect heart secret. ~ Karen Russell,
22:I saw a man whose suffering had become a kind of skeleton holding him upright. ~ Eli Brown,
23:I can't wait to die so I can be a skeleton and play my chest like a xylophone. ~ Thom Yorke,
24:The great Skeleton Detective, in the flesh – figuratively speakin’, of course. ~ Derek Landy,
25:If you can’t get rid of the family skeleton, you may as well make it dance. ~ Emily Arsenault,
26:The world dies over and over again, but the skeleton always gets up and walks. ~ Henry Miller,
27:America forms the longest and straightest bone in the earth's skeleton. ~ Ellsworth Huntington,
28:Stubbs may have envisaged the skeleton inside the horse, but most of us do not ~ Richard Adams,
29:I awoke at dawn, thrown up on a rock, the skeleton of a ship choked in its own sails. ~ Ana s Nin,
30:The skeleton was as happy as a madman whose straitjacket had been taken off. ~ Leonora Carrington,
31:You'd better put sunblock on that skeleton head of yours. You're gonna fry." -Bobby ~ D J MacHale,
32:If you cannot get rid of the family skeleton, you may as well make it dance. ~ George Bernard Shaw,
33:and I guess I believe instinct’s the iron skeleton under all our ideas of free will. ~ Stephen King,
34:You could see the skeleton behind the man, and almost the ghost behind the skeleton. ~ Thomas Hardy,
35:... there is a skeleton (or death) that flees terrified in the face of my will to live. ~ Frida Kahlo,
36:If a plot is a novel's skeleton, and characters are the muscle, then theme is its soul. ~ Janice Hardy,
37:leafless trees stand atop slag heaps like skeleton hands shoved up from the underworld. ~ Anthony Doerr,
38:If you can't get rid of the skeleton in your closet, you'd best teach it to dance. ~ George Bernard Shaw,
39:Naked violence repels like the naked skeleton shorn of flesh, blood and the velvety skin. ~ Mahatma Gandhi,
40:Drawing need not be the bones of art, but skill must always be the skeleton of accomplishment. ~ Adam Gopnik,
41:But somewhere, there is a skeleton. And that skeleton has a penis. And it will fuck your life. ~ Neil Strauss,
42:My act is sort of improvisational. I have a skeleton in my head, but no fat or skin on it. ~ Paula Poundstone,
43:I began thinking about my skeleton, this solid, beautiful thing inside me that I would never see. ~ Mary Roach,
44:Lucy constituted only 28 per cent of a half skeleton (and only about 20 per cent of a full one). ~ Bill Bryson,
45:Some things are fairly obvious when it's a seven-foot skeleton with a scythe telling you them ~ Terry Pratchett,
46:A frigate bird with a seven-foot wingspan has a skeleton that weighs less than its feathers. ~ Jennifer Ackerman,
47:I am a man. And I am former baby and a future skeleton, and I am a distant future pile of dust. ~ Demetri Martin,
48:My past still clings to me, skeleton hands holding me back even as I push forward into the light. ~ Tahereh Mafi,
49:Some things are fairly obvious when it's a seven-foot skeleton with a scythe telling you them. ~ Terry Pratchett,
50:A living skeleton isn't enough for you, is it? What does it take to impress young people these days? ~ Derek Landy,
51:Sleep is cousin-german unto death: Sleep and death differ, no more, than a carcass And a skeleton. ~ Thomas Traherne,
52:Any constraint is part of the skeleton that you build the composition on - including your own incompetence. ~ Brian Eno,
53:At night, the creature that was the Garden peeled back its synthetic skin to show the skeleton beneath. ~ Dot Hutchison,
54:Every book has a skeleton hidden between its covers. Your job as an analytical reader is to find it. ~ Mortimer J Adler,
55:A skeleton, even a walking one, is at least human; Death of a sort lurks inside every living creature. ~ Terry Pratchett,
56:Do you know where most skeletons come from?"
"When a mommy skeleton loves a daddy skeleton very much... ~ Leigh Perry,
57:a picked-clean skeleton sitting there in one of ‘em with its seatbelt still on like it might crank the engine ~ Hugh Howey,
58:It's instinct, babe . . . and I guess I believe instinct's the iron skeleton under all our ideas of free will. ~ Stephen King,
59:No man wants to f*ck a skeleton-and nibbling crackers and water like a prisoner of war at dinner isn't attractive. ~ Emma Chase,
60:Everybody knows, she thought, that we have a skeleton underneath our skin; there's no reason to show it ~ Alexander McCall Smith,
61:Only by the candle, held in the skeleton hand of Poverty, can man read his own dark heart. ~ Edward Bulwer Lytton 1st Baron Lytton,
62:We now know that the human skeleton evolved over the last 7 million years or so, from the first likely hominins. ~ Daniel L Everett,
63:I clearly saw the skeleton underneath all this show of personality what is left of a man and all his pride but bones? ~ Jack Kerouac,
64:If I am to be a skeleton in a box buried deep into the ground, I pray you will be the dust that rests atop my bones. ~ John Hennessy,
65:Me and Death have an agreement, asshole,” I said. “He doesn’t mess with me, and I don’t tear his skeleton nuts off. ~ Seanan McGuire,
66:When those who found this skeleton attempted to disengage it from that which it held in its grasp, it crumbled to dust. ~ Victor Hugo,
67:If you cannot get rid of the family skeleton, you may as well make it dance,”’ quotes Veronika. ‘George Bernard Shaw. ~ Liane Moriarty,
68:The more work you put in on your outline and getting the skeleton of your story right, the easier the process is later. ~ Drew Goddard,
69:one time because he had turned a cross-section kidney and some skeleton legs into a kidney monster and scared the nurse. ~ Rick Riordan,
70:The screaming skeleton stopped screaming when I gave him an old teddy bear, although I’m not certain why that worked, ~ Terry Pratchett,
71:There was a gay fiction among us that we were constantly enjoying ourselves and a skeleton of truth that we never did. ~ Charles Dickens,
72:You can almost hear it, Rubie’s skeleton rearranging itself, one bone set against the other, the angry blood backing down. ~ Carolyn Chute,
73:I clearly saw the skeleton underneath
all this show of personality
what is left of a man
and all his pride but bones? ~ Jack Kerouac,
74:Valkyrie, I hate to be the one to tell you this, but your friend is most likely dead.”
“Of course he’s dead. He’s a skeleton. ~ Derek Landy,
75:Effort ceases. Time flaps on the mast. There we stop; there we stand. Rigid, the skeleton of habit alone upholds the human frame ~ Virginia Woolf,
76:All four of them looked at Diane as if she had said Kendel had just returned from her trip and had brought them a unicorn skeleton. ~ Beverly Connor,
77:An evening wind uprose too, and the slighter branches cracked and rattled as they moved, in skeleton dances, to its moaning music. ~ Charles Dickens,
78:Verily, I myself am the scared crow that once saw you naked, and without paint; and I flew away when the skeleton ogled at me. ~ Friedrich Nietzsche,
79:George Bernard Shaw once famously said that if you can’t get rid of the skeleton in your closet, you might as well teach it to dance. ~ Robert B Baer,
80:It took something massive to shatter a Mimic endo-skeleton in one hit. That it could kill me in the process was beside the point. ~ Hiroshi Sakurazaka,
81:It is very foolish of a man to be frightened of a skeleton, for Nature has put an insurmountable obstacle against running away from it. ~ G K Chesterton,
82:The skeleton warrior's right foot and hand were slowly dissolving from poison. His head was on fire, but otherwise he looked pretty good. ~ Rick Riordan,
83:Stretched out in front of me was my time as an adult, and then a skeleton, and then nothing except perhaps a few books on a few shelves. ~ Daniel Handler,
84:The dead have come to take the living. The dead in winding-sheets, the regimented dead on horseback, the skeleton that plays the hurdy-gurdy. ~ Don DeLillo,
85:She’s not… She’s not datin’ the skeleton, is she? How would that be even possible, let alone… nice? He’s got no skin, or lips, or… or nothin’. ~ Derek Landy,
86:It is very foolish of a man to be frightened of a skeleton, for Nature has put an insurmountable obstacle against running away from it. ~ Gilbert K Chesterton,
87:Now people don't know what it was in the Paris version, they put the skeleton at the end, not at the beginning. At least they've learn something! ~ John Hench,
88:How’s a skeleton crew supposed to save Chase from the giants who annihilated our parents?”

"I believe your people call it “girl power. ~ Brian K Vaughan,
89:If you look at a map of Europe you will observe that Greece is a skeleton-like hand stretching its crooked fingers out into the Mediterranean Sea. ~ Will Durant,
90:Nice" said Paul staring transfixed at Fran's delicate and extreme gaze, like that of a skeleton with eyeballs, or a person with their face peeled off. ~ Tao Lin,
91:None of us is perfect. Everyone has got a skeleton in the closet that they don't want people to find out. I just let it go, with a bit of humor. ~ Ozzy Osbourne,
92:I dreamed of becoming a scientist, in general, and a paleontologist, in particular, ever since the Tyrannosaurus skeleton awed and scared me. ~ Stephen Jay Gould,
93:The bones of his hand reminded her of the skeleton of a baby field mouse that Della had once found. It was completely intact, missing only its future. ~ Marisa Silver,
94:A jolly young fellow from Yuma
Told an elephant joke to a puma;
now his skeleton lies
beneath hot western skies-
the puma had no sense of huma ~ Ogden Nash,
95:The Irish are people who will never have leaders, for at the great moment they always desert them. They have produced one skeleton--Parnell--never a man. ~ James Joyce,
96:What?” Bree asked. “Never seen a skeleton key before?”The mayor scoffed. “No, what I’ve never seen is someone turn into a fucking bat before my
eyes! ~ Lily Luchesi,
97:The cafe windows wrapped all the way around the observation floor, which gave us a beautiful panoramic view of the skeleton army that had come to kill us. ~ Rick Riordan,
98:This problem of borrowing from the skeleton in times of stress may soften the bones so that they will be badly distorted. This is frequently seen as bow legs ~ Anonymous,
99:What?” Bree asked. “Never seen a skeleton key before?”
The mayor scoffed. “No, what I’ve never seen is someone turn into a fucking bat before my
eyes! ~ Lily Luchesi,
100:I wondered, for a brief instant, what a necromancer like Damien Ecko could do with the skeleton of a T. rex. I shrugged the idea off. Nobody’s that good. ~ Craig Schaefer,
101:They were the children that The Skeleton Man gave up on. They became his soldiers, and their hatred mutated their fragile bodies into demonic, dog-like creatures. ~ A R Wise,
102:I don't recall seeing your friend, either. What did you say he was? A zombie? A mummy?"
"A skeleton."
"A skeleton, yeah. Haven't seen one of those in ages. ~ Derek Landy,
103:I wonder, skeleton, would you still be alive? Would you be conscious if you were dice, or keys on a piano?” “Always wanted a life in music,” Skulduggery mumbled. ~ Derek Landy,
104:Behind this story so far is another story, as behind the girders of an ancient bridge is the skeleton of a child which superstition says keeps the bridge standing. ~ James Purdy,
105:Every vertebra, every knuckle, both kneecaps, both hips. I am a pile of bones on the floor and no one knows it but me. I am a broken skeleton with a beating heart. ~ Tahereh Mafi,
106:A mountain had died, its skeleton had been scattered over the ground. Time had aged the mountain; time had killed the mountain-and here lay the mountain's bones. ~ Vasily Grossman,
107:China is the same age as I am, and even I have to admit that she wears it better!" He laughed, then stopped and peered at her. "Because I'm a skeleton" he explained. ~ Derek Landy,
108:Once again the absurdity of my inner thoughts overwhelms me, and I want to crawl out of my skin, escape my ugly, awkward flesh and be a skeleton, naked and anonymous. ~ Isaac Marion,
109:I'm in Stockholm in my office. I just got here after seeing my eighth child on an ultrasound, so I'm in a good mood. It's beautiful: an energetic little skeleton. ~ Stellan Skarsgard,
110:Lucy brought with her an image of our human ancestors that you don't get when you find a jaw or an arm bone or a leg bone. Here was 40 percent of a single skeleton. ~ Donald Johanson,
111:One would think it would be most unwise in a man to be afraid of a skeleton, since Nature has set curious and quite insuperable obstacles to his running away from it. ~ G K Chesterton,
112:What I didn't realize was how many doors the act of writing unlocks, as if my Dad's old fountain pen wasn't really a pen at all, but some strange variety of skeleton key. ~ Stephen King,
113:What I didn’t realize was how many doors the act of writing unlocks, as if my Dad’s old fountain pen wasn’t really a pen at all, but some strange variety of skeleton key. ~ Stephen King,
114:He has a name."
"Oh yeah. Skulduggery isn’t it?" Fletcher responded. "That’s an unusual one. Tell me were you born a skeleton or were your folks just disturbingly hopeful? ~ Derek Landy,
115:No one has lived so close to his skeleton as I have lived to mine: from which results an endless dialogue and certain truths which I manage neither to accept nor to reject. ~ Emil M Cioran,
116:She put her hands over her ears and made a monkey face. Even then, she couldn't look ugly. She had such good bones, her skeleton would have been an ornament in any closet. ~ Ross Macdonald,
117:The bones are hard and by themselves seem dead and stony, but by rooting into and pulling against the skeleton, the rest of the body carries out all the motions of life. ~ Orson Scott Card,
118:No one demands more caution than a spy, and when someone has the skeleton key to minds, counter him by leaving the key of caution inside, on the other side of the keyhole. ~ Baltasar Gracian,
119:You can never escape the bonds of family history, no matter how far you travel. And the skeleton of a house can carry in its bones the marrow of all that came before. ~ Christina Baker Kline,
120:It is I, and I stand with the girl, the Elemental and the partner of the skeleton detective, and although she is late she is here, which is the important thing, and we are moving on. ~ Derek Landy,
121:The dinosaur skeleton was a body plus time. They all were. The question was what they wanted to do and who they wanted to love in the years when muscle and skin still covered them. ~ Ramona Ausubel,
122:This dinosaur skeleton was a body plus time. They all were. The question was what they wanted to do and who they wanted to love in the years when muscle and skin still covered them. ~ Ramona Ausubel,
123:Hamburg totally wrecked us. I remember getting home to England and my dad thought I was half-dead. I looked like a skeleton, I hadn't noticed the change, I'd been having such a ball! ~ Paul McCartney,
124:There is something in the character of every man which cannot be broken in--the skeleton of his character; and to try to alter this is like training a sheep for draught purposes. ~ Georg C Lichtenberg,
125:I have spent years of my life sitting in my room, creating defenses of cynicism, darkness, and bleakness. Jed's friendship is the skeleton key to my fortress. He disarms me every time. ~ David Levithan,
126:Poetry is not only dream and vision; it is the skeleton architecture of our lives. It lays the foundations for a future of change, a bridge across our fears of what has never been before. ~ Audre Lorde,
127:You could believe that Sinbad could fight a skeleton because that's from a period in the past, a magical period. But if you had James Bond fighting a skeleton, it'd be almost comical. ~ Ray Harryhausen,
128:I am going to hold a pistol to the head of the Modern Man. But I shall not use it to kill him—only to bring him to life. I begin to see a new meaning in being the skeleton at the feast. ~ G K Chesterton,
129:I strike the ground with the soles of my feet and life rises up my legs, spreads up my skeleton, takes possession of me, drives away distress and sweetens my memory. The world trembles. ~ Isabel Allende,
130:It’s like the P-38 is an old skeleton key I’m trying to fit into an old padlock and when I make that connection I’ll hear a click and a door will open and I’ll walk through and be saved. ~ Matthew Quick,
131:From the time the Englishman's bones harden into bones at all, he makes his skeleton a flagstaff, and he early plants his feet like one who is to walk the world and the decks of all the seas. ~ Willa Cather,
132:He raged for hours. And the skeleton, ever the frail and solelmn philosopher, hung quietly inside, saying not a word, suspended like a delicate insect within a chrysalis, waiting and waiting. ~ Ray Bradbury,
133:How can any person justify an aesthetic that reduces a woman or child to an emaciated skeleton? Is it art? Surely fashion's aesthetic should enhance and beautify the human form, not destroy it. ~ Coco Rocha,
134:...I begin with songs. They provide a sort of skeleton grammar for me to flesh out. Songs of longing for future tense, songs of regret for past tense, and songs of love for present tense. ~ Mary Doria Russell,
135:Crowned with leaves of the laurel. In England the Poet Laureate is an officer of the sovereign's court, acting as dancing skeleton at every royal feast and singing-mute at every royal funeral. ~ Ambrose Bierce,
136:I have seen trees that survive fire. Their bark is burned and their limbs are dead branches. But hidden under that skeleton is a force that sends a single shoot of green out into the world. ~ Holly Goldberg Sloan,
137:There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. To the best of my belief, our case was in the last respect a rather common one. ~ Charles Dickens,
138:Doctrine is the frame-work of life; it is the skeleton of truth, to be clothed and rounded out by the living graces of a holy life. It is only the lean creature whose bones become offensive. ~ Adoniram Judson Gordon,
139:have seen trees that survive fire. Their bark is burned and their limbs are dead branches. But hidden under that skeleton is a force that sends a single shoot of green out into the world. Maybe ~ Holly Goldberg Sloan,
140:I took her in the standard jive hold that I had practised on the skeleton, and immediately felt the awkwardness, approaching revulsion, that I feel when forced into intimate contact with another human. ~ Graeme Simsion,
141:Legions of grotesques sweep under his hand; for has not nature too her grotesques—the rent rock, the distorting lights of evening on lonely roads, the unveiled structure of man in the embryo, or the skeleton? ~ Walter Pater,
142:in order to detain the fleeting apparition, he must enchain it in the fetters of rule, dissect its fair proportions into abstract notions, and preserve its living spirit in a fleshless skeleton of words. ~ Friedrich Schiller,
143:I pointed at the little kids goading each other to jump from rib cage to shoulder and Gus answered just loud enough for me to hear over the din, 'Last time, I imagined myself as the kid. This time, the skeleton. ~ John Green,
144:Do you really think these are Alice's tears?" I ask. "That I'm supposed to make them go away somehow?"
"I'm the wrong guy to ask. I just saw a skeleton with antlers and a forest of aphid-noshing flower zombies. ~ A G Howard,
145:You continually recycle your material body—almost all of it—once a year (stomach lining every five days; skin once a month; skeleton every three months; liver every six weeks; genetic material every six weeks). ~ Deepak Chopra,
146:Your past is a skeleton walking one step behind you, and your future is a a skeleton walking one step in front of you. Maybe you don't wear a watch, but your skeletons do, and they always know what time it is. ~ Sherman Alexie,
147:In fact, I know that a 'nice live little boy' would be far better than - my skeleton in the closet; only - we aren't always willing to make the exchange. We are apt to still cling to - our skeletons, Pollyanna. ~ Eleanor H Porter,
148:I did not want to cry any more. Instead I felt hollow, empty, as if all the meaning had been sucked out of me and I was drifting, light as a skeleton leaf, at the mercy of the four winds. I was drained of tears. ~ Juliet Marillier,
149:She's not... She's not dating the skeleton, is she? How would that even be possible, let alone... nice? He's got no skin, or lips, or... or nothin'. And he talks. Good God, he talks and he never shuts up." - Billy-Ray ~ Derek Landy,
150:In Breeze’s business one got used to running across the skeletons in people’s closets. If Billy’s skeleton wore women’s underwear, it didn’t really matter. Homosexuality on Billy Winston was like acne on a leper. ~ Christopher Moore,
151:The older I grow the more sharply I mistrust words. So few of them have any meaning left. It is impossible to write one sentence in which every word has the bareness and hardness of bones, the reality of the skeleton. ~ Storm Jameson,
152:Ever since the morning, Pierre had beheld many frightful sufferings in that woeful white train. But none had so distressed his soul as did that wretched female skeleton, liquefying in the midst of its lace and its millions. ~ mile Zola,
153:Scott let Maggie out the rear, clipped her lead, and hurried to catch up as Sims and another Fugitive dick brought out Estelle Rolley. Rolley looked like a walking skeleton. Street officers called this “the meth diet.” Cowly ~ Robert Crais,
154:A belief in hell and the knowledge that every ambition is doomed to frustration at the hands of a skeleton have never prevented the majority of human beings from behaving as though death were no more than an unfounded rumor. ~ Aldous Huxley,
155:your soul was stronger than your body, and in spite of what the doctors told me over and over, I always believed that was the reason for the breaks. What ordinary skeleton could contain a heart as big as the whole world? Marin ~ Jodi Picoult,
156:If any of you are injured, take a seat in this fine classroom.” Dee opens up the nearest door and peeks in. It’s a classroom with a life-sized skeleton hanging on a stand. “Bones will keep you company while you wait for the doctor. ~ Susan Ee,
157:And here you see me working out, as cheerfully and thankfully as I may, my doom of sharing in the glass a constant change of customers, and of lying down and rising up with the skeleton allotted to me for my mortal companion. ~ Charles Dickens,
158:Photographs are still being taken but aren't being shown. There's one of a skeleton bound at the wrists with pants still around its ankles; if it was a woman, she was likely raped; if it was a man, he was possibly castrated. ~ Nicholas D Kristof,
159:In a dark, dark wood there was a dark, dark house; And in the dark, dark house there was a dark, dark room; And in the dark, dark room there was a dark, dark cupboard; And in the dark, dark cupboard there was … a skeleton. Traditional ~ Ruth Ware,
160:The Nazis take the skeleton in the closet of centuries and rattle it boastfully. Force, they declare, will always be necessary, since it is in the nature of human life (which is true, if one accepts their concept of human life). ~ Leonard Peikoff,
161:I suggest in my own discussion of this episode, Mann invites us to set the attempt to philosophize about his predicament in the context of Aschenbach's life. The literary presentation thus adds to the naked philosophical skeleton. ~ Philip Kitcher,
162:Stanford University suggests that a two-year mission to Mars would have about the same effect on one’s skeleton. Would an astronaut returning from Mars run the risk of stepping out of the capsule into Earth gravity and snapping a bone? ~ Mary Roach,
163:The demon of revenge had already taken hold of his heart. The cancer of injustice had already eaten at his cheerful soul, leaving a skeleton of a carcass behind, one that could never feel compassion for humans—or anything else—again. ~ Cameron Jace,
164:Who's this?" Dad asks when a catchy tune comes on the CD mix I made for the trip. We pass the skeleton tree that never has leaves, no matter what the time of year. Bare gray branches wave us on. "No one you know Dad," I say. It's me. ~ Cath Crowley,
165:ancient charmers with skeleton throats and peachy cheeks that have a rather ghastly bloom upon them seen by daylight, when indeed these fascinating creatures look like Death and the Lady fused together, dazzle the eyes of men. Forth ~ Charles Dickens,
166:Johnny Depp is like a brother to me. We have matching tattoos on our backs - Charles Baudelaire, the flowers of evil, this giant skeleton thing. It's kind of a secret. People say to us, 'Why did you get that?' And we say, 'No reason.' ~ Marilyn Manson,
167:She searched for a possible escape route should she need one and spied the paper skeleton immediately behind her and shrieked for the second time. Who needed ghosts to haunt a house when one could form his own demons out of paper? ~ Charlie N Holmberg,
168:It's three disparate elements: the stop sign, the stage paintings, and the skeleton paintings. Those are three sharp ideas, although none of them are necessarily good ideas. Tons of artists have made whole careers out of those three ideas. ~ Josh Smith,
169:Adam stopped by one of the beasts near the front; its shoulder was taller than him, its great skull even higher, and above it all spread a set of antlers that seemed massive in comparison even to the giant skeleton. It was beautiful. ~ Maggie Stiefvater,
170:If we’re going to solve the problems of the world, we have to learn how to talk to one another. Poetry is the language at its essence. It’s the bones and the skeleton of the language. It teaches you, if nothing else, how to choose your words. ~ Rita Dove,
171:It's rare that I've read a script where I'm like, "Oh, my god, it's hilarious!" All you want is a good skeleton and good characters. Then, you can go, "Okay, I can bring a lot to this. I can improvise and I can create something out of this." ~ Nick Swardson,
172:Nothing, if I rightly call to mind, was left of my respected predecessor, save an imperfect skeleton, and some fragments of apparel, and a wig of majestic frizzle, which, unlike the head that it once adorned, was in very satisfactory preservation. ~ Anonymous,
173:Then he saw Catty. He hadn't recognized her at first. She had painted her face white for the day and drawn black caverns around her eyes. Squares over her lips made skeleton teeth.
Children circled her, watching her paint a little girl's face. ~ Lynne Ewing,
174:Businesses are great structures for managing big projects. It’s like trying to develop the ability to walk without developing a skeleton. Once in a blue moon, you get an octopus, but for the most part, you get skeletons. Skeletons are good shit. ~ Cory Doctorow,
175:I always sense the future, the antithesis of everything is always before my eyes. I have never seen a child without thinking that it would grow old, nor a cradle without thinking of a grave. The sight of a naked woman makes me imagine her skeleton. ~ Paul Auster,
176:I myself identify as a recovering Blockhead. You'd be surprised how many twenty- and thirty-something hipster chicks have the NKOTB skeleton in their closet, albeit artfully concealed by stacks of Ksubi skinny jeans and ironic Judas Priest T-shirts. ~ Diablo Cody,
177:Lured by the wilderness, and by the chance of spotting rare desert elephants, a few intrepid tourists make their way to the Skeleton Coast each year. It's just about as remote as any tourist destination on earth, but one that pays fabulous dividends. ~ Tahir Shah,
178:The Golden Number is a mathematical definition of a proportional function which all of nature obeys, whether it be a mollusk shell, the leaves of plants, the proportions of the animal body, the human skeleton, or the ages of growth in man. ~ R A Schwaller de Lubicz,
179:Wanderers eastward, wanderers west, Know you why you cannot rest? 'Tis that every mother's son Travails with a skeleton. Lie down in the bed of dust; Bear the fruit that bear you must; Bring the eternal seed to light, And morn is all the same as night. ~ A E Housman,
180:Compounding the horror, German officials committed an act of staggering insensitivity: they struck a commemorative medal with a depiction of the sinking ship on one side and on the other a smiling skeleton under the inscription “Business above all. ~ Joseph E Persico,
181:Flesh is a reasonably good fertilizer, or even better, predator food. A family of coyotes would live off the carcass for a few days. Then the grass and ferns would grow up through the skeleton until the porcupines had gnawed it away for its salt content. ~ Jim Harrison,
182:He’d been an odd one, that boy with the camera. Such a distinctive physique: pale skin so taut on his skeleton, holding himself with a shy hunch, not ugly as such but certainly not handsome, with a demeanor eager to cause no trouble, to attract no attention. ~ Ali Shaw,
183:Cheating, especially the mental kind—because when we desire something we shouldn’t, the ravenous hunger for it consumes each fantasy playing through our immoral brains—can rot a relationship, sending its skeleton to the graveyard of “what should have been. ~ Gail McHugh,
184:Why did you want me to dress warmly?” she asks. “Are you taking me to a Siberian prison?”
“Nope.”
“Abandoned research station in Antarctica?”
“Nope.”
“You’re taking me to practice for our two-person skeleton race at the Olympics.”
“Yes. ~ Stephanie Perkins,
185:Funnily enough, the most difficult style to do is the plain pump because it needs to look good on a variety of feet. I compare it to having a good bone structure. Make-up will make you look good, but it helps if you have a good skeleton to begin with. ~ Christian Louboutin,
186:In families there are frequently matters of which no one speaks, nor even alludes. There are no words for these matters. As the binding skeleton beneath the flesh is never acknowledged by us and, when at last it defines itself, is after all an obscenity. ~ Joyce Carol Oates,
187:In prose too much seems superfluous to me, in poetry (genuine) everything is necessary. Given my attraction to asceticism of the prosaic word, I could end up with a skeleton.

In poetry- there's a certain innate measure of flesh: less is impossible. ~ Marina Tsvetaeva,
188:There's got to be a backbone, there's got to be a skeleton to the whole way I perform, but you never want to hit the same note twice during a performance, I think. I think it's always got to be fresh so it doesn't bore me, and I always want to go out on edge. ~ Casey Abrams,
189:Hey," Dopey said when I was finished reading. "How come they never mentioned me? I'm the one who found the skeleton." "Oh, yeah," Sleepy said in disgust. "Your role was really crucial. After all, if it wasn't for you, the guy's skull might still have been intact. ~ Meg Cabot,
190:Racism, for many people, seems to occupy space in very much the same way as dark matter: it forms the skeleton of our world, yet remains ultimately invisible, undetectable. This is convenient. If nothing is racist, then nothing needs to be done to address it. ~ Alicia Elliott,
191:Word books traditionally focus on unusual and quirky items. They tend to ignore the words that provide the skeleton of the language, without which it would fall apart, such as 'and' and 'what,' or words that provide structure to our conversation, such as 'hello. ~ David Crystal,
192:What I found interesting writing a screenplay as opposed to writing a novel is not the obvious thing, which is having to pare everything down and find the kind of essence, the skeleton if you like, which can then be fleshed out by performance and cinematography. ~ Salman Rushdie,
193:I believe instinct's the iron skeleton under all our ideas of free will. Unless you're willing to take the pipe or eat the gun or take a long walk off a short dock, you can't say no to some things. You can't refuse to pick up your option because there is no option. ~ Stephen King,
194:Hey," Dopey said when I was finished reading. "How come they never mentioned me? I'm the one who found the skeleton."
"Oh, yeah," Sleepy said in disgust. "Your role was really crucial. After all, if it wasn't for you, the guy's
skull might still have been intact. ~ Meg Cabot,
195:I have orders to bring Reyna in alive to stand trial for treason. I have no orders to bring you in alive, or the faun.” “Satyr!” the coach yelled. He kicked a skeleton in its bony crotch, which seemed to hurt Hedge more than the redcoat. “Ow! Stupid British dead guys! ~ Rick Riordan,
196:Many women have asked me if it is possible to have a well-built complete wardrobe on a limited budget. "Money," I tell them, "is no guarantee of taste and the fitness of things, and an overstuffed closet is often as bare as a skeleton when it comes to wearable apparel." ~ Edith Head,
197:There can be conceptual skeletons on several different levels of abstraction. For instance, the "isomorphism" between Bongard problems 70 and 71, already pointed out, involves higher-level conceptual skeleton than that needed to solve either problem in isolation. ~ Douglas R Hofstadter,
198:I hated my body. It disgusted me--its hair, its pinpricks of sweat, its scrawniness. Skin pulled over a skeleton, an animated corpse. I wanted out--out of my body, out of my thoughts, out--but I was stuck inside of this thing, just like all the bacteria colonizing me. ~ John Green,
199:Raven has lost deeply, again and again, and she, too, has buried herself. There are pieces of her scattered all over. Her heart is nestled next to a small set of bones buried beside a frozen river, which will emerge with the spring thaw, a skeleton ship rising out of the water”. ~ Lauren Oliver,
200:Suppose that insect wings developed primarily as thermoregulators and then were used for skimming and finally flying, evolving along the way. What would they be "for"? Or what is the skeleton "for"? For keeping one upright, protecting organs, storing calcium, making blood cells...? ~ Noam Chomsky,
201:Oh for Thor's sake,' said Camicazi in exasperation. 'Have you not hung around with him for long enough to know that you never give up hope until you are presented with actual Hiccup skeleton, solemnly registered and verified by the Valkyrie Death Committee as completely authentic? ~ Cressida Cowell,
202:The Skeleton

Chattering finch and water-fly
Are not merrier than I;
Here among the flowers I lie
Laughing everlastingly.
No: I may not tell the best;
Surely, friends, I might have guessed
Death was but the good King's jest,
It was hid so carefully. ~ G K Chesterton,
203:Skeleton people generally aren’t,” said Jack, setting her cocoa aside. “If they were, I would expect them to die instantly, due to their lack of functional respiration or circulatory systems. The lack of tendons alone—”

“You must be a lot of fun at parties,” said Christopher. ~ Seanan McGuire,
204:in the newspapers I read a biography about an American. He left his whole huge fortune to factories and for the positive sciences, his skeleton to the students at the academy there, and his skin to make a drum so as to have the American national anthem drummed on it day and night. ~ Fyodor Dostoevsky,
205:in the newspapers I read a biography about an American. He left his whole huge fortune to factories and for the positive sciences, his skeleton to the students at the academy there, and his skin to make a drum so as to have the American national anthem drummed on it day and night. ~ Fyodor Dostoyevsky,
206:Yes, and because we grow old we become more and more the stuff our forbears put into us. I can feel his savagery strengthen in me. We think we are so individual and so misunderstood when we are young; but the nature our strain of blood carries is inside there, waiting, like our skeleton. ~ Willa Cather,
207:He loves this food that contains no disgusting proofs of slain animals, no bloody slab of cow haunch or hen’s sinewy skeleton; these ghosts have been minced and destroyed and painlessly merged with the shapes of mute vegetables, plump green bodies that invite his appetite’s innocent gusto. ~ John Updike,
208:I’m going to consult some witches’ books. Not that I have many here to consult. But I’m not going to Bryn’s house. I’ve made it twelve whole days without sleeping with him, and no scary skeleton in a tree is going to send me to Seduction Central now that Bryn’s big case is finally over. ~ Kimberly Frost,
209:Mosquito [...] had asked Ear to marry him, whereupon Ear fell on the floor in uncontrollable laughter. "How much longer do you think you will live?" she asked. "You are already a skeleton." Mosquito went away humiliated, and any time he passed her way he told Ear that he was still alive. ~ Chinua Achebe,
210:Off course, if Steven had a wife in the attic, like Mr. Rochester in Jane Eyre, that, I thought, would be another matter entirely. But the very idea made me laugh. His building had no attic, and his one small closet couldn't even hold a skeleton. It was too packed with clothes, his and mine. ~ Lisa Tucker,
211:Bone of my bone. Flesh of my flesh. To remember you it’s my own body I touch. Thus she was, here and here. The physical memory blunders through the doors the mind has tried to seal. A skeleton key to Bluebeard’s chamber. The bloody key that unlocks pain. Wisdom says forget, the body howls. ~ Jeanette Winterson,
212:Certainly the first true humans were unique by virtue of their large brains. It was because the human brain is so large when compared with that of a chimpanzee that paleontologists for years hunted for a half-ape, half-human skeleton that would provide a fossil link between the human and the ape. ~ Jane Goodall,
213:I find in the domestic duck that the bones of the wing weigh less and the bones of the leg more, in proportion to the whole skeleton, than do the same bones in the wild duck; and this change may be safely attributed to the domestic duck flying much less, and walking more, than its wild parents. ~ Charles Darwin,
214:She is here
because no-one else was there when worn-to-skeleton
her enemy died. Her love. Her twin.
Marghanita dreamed the intravenous, the intensive
the stainless steel
before she ever saw them. She's not practical,
you know, they used to say.
She's the artist, she got away. ~ Adrienne Rich,
215:There was so much of beauty here: the neat, small tracks of a foraging creature, stoat or marten; the inticate tracery of a skeleton leaf, still clinging vainly to its parent tree as, little by little, time stripped it of its substance, leaving only the delicate remembrance of what it had been. ~ Juliet Marillier,
216:The skeleton was as happy as a madman whose straightjacket had been taken off. He felt liberated at being able to walk without flesh. The mosquitoes didn't bite him anymore. He didn't have to have his hair cut. He was neither hungry nor thirsty, hot nor cold. He was far from the lizard of love. ~ Leonora Carrington,
217:We judge and punish based on facts, but facts are not truth. Facts are like a buried skeleton uncovered long after death. Truth is fluid. Truth is alive. To know the truth requires understanding, the most difficult human art. It requires seeing all things at once, forward and backward, the way God sees. ~ Greg Iles,
218:It looked up at them with animal-like intelligence, arching its back as it prepared to leap. “A ghoul!” Sion shouted. The robed skeleton waved its hand, and the doors slammed shut with an ominous boom, locking them in. Then Richter heard something even more disturbing from his Companion. “Fuck my life! ~ Aleron Kong,
219:Outside, the sleet had gotten thicker. You could hear it pebbling against the large glass windows, you could see it swirling wildly through the spotlights of street lamps. It was the kind of night when you might expect to see a skeleton flying through the air, its ragged black shroud flapping in the wind. ~ Dan Chaon,
220:But, well-endowed as Mrs. Rumfoord was, she still did troubled things like chaining a dog's skeleton to the wall, like having the gates of the estate bricked up, like letting the famous formal gardens turn into New England jungle. The moral: Money, position, health, handsomeness and talent aren't everything. ~ Kurt Vonnegut,
221:How is it that there are so many minds that are incapable of understanding mathematics? ... the skeleton of our understanding, ... and actually they are the majority. ... We have here a problem that is not easy of solution, but yet must engage the attention of all who wish to devote themselves to education. ~ Henri Poincare,
222:Lola and I both highly believed in the value of metaphorical gifts, so while everyone else saw a demonic-looking cat skeleton dripping wax on the packaging, Lola saw the message: Our friendship is like this feline shaped candle - burn away all the shit, and you and me are still solid underneath. Always. ~ Krystal Sutherland,
223:One of the first questions I get about the skeleton is... is it real? Usually they're plastic, but this one is the real deal. It was a private donation to the academy, and every year, someone attempts to steal it. It is alarmed. Don't steal the skeleton. His name is Mr. Nelson. Be nice to Mr. Nelson. - Pix ~ Maureen Johnson,
224:Someday it will vanish here as well, replaced by the skeleton of the store where someone fell in love, someone had their heart broken, someone died, because that's the way it works here, in this palimpsest twilight, where America overwrites America in an eternal dance of old becoming new becoming old again. ~ Seanan McGuire,
225:They who know the agonies of an ambitious, indolent, doubting, self-accusing man,—of a man who has a skeleton in his cupboard as to which he can ask for sympathy from no one,—will understand what feelings were at work within the bosom of Sir Thomas when his Percycross friends left him alone in his chamber. ~ Anthony Trollope,
226:The consul was at a loss for words the first time he set eyes on me. “My God! How could they treat you like that? You look like a skeleton,” he said. His wife burst into tears when I told her that people were really starving to death. She’d heard the rumors, but the reality was much worse than she’d thought. ~ Masaji Ishikawa,
227:By Interstate 70: a dog skeleton, a vacuum cleaner, TV dinners, a doll, a pie, rolls of carpet.Later, next to the South Platte River: algae, broken concrete, jet contrails, the smell of crude oil. What I hope to document, though not at the expense of surface detail, is the form that underlies this apparent chaos. ~ Robert Adam,
228:My sense of touch was floating six feet away from me; if anyone entered my room, I would cry out, but the knife was serenely cutting me up. Yes, I became a skeleton. At night my thinness would rise up before me to terrify me. As it came and went it insulted me, it tired me out; oh, I was certainly very tired. ~ Maurice Blanchot,
229:These are the jokes I know. What’s in the middle of a jellyfish? A jellybutton. Why didn’t the skeleton cross the road? It didn’t have the guts. Why did the cookie go to the hospital? It felt crumby. What do lizards put on their kitchen floors? Reptiles. What do you call a blind dinosaur? An I-don’t-think-he-saurus. ~ Jodi Picoult,
230:I’m not crazy,” I said, crazily, to my court-appointed therapist. He seemed bored with our session. That actually made me want to act crazy, to impress him. Maybe that was his tactic. I thought, maybe I should tell him I’m the only person on Earth who has seen his entire skeleton. Or, I could make something up instead. ~ David Wong,
231:The big weekend rush is on. The big city emptying itself out at once. Just a skeleton crew left to keep it going until Monday morning. Everybody getting out - everybody but me, everybody but those who are coming here for me tonight. We're going to have the whole damned town to ourselves.

("New York Blues") ~ Cornell Woolrich,
232:While she was snooping around, she had run across an old article on the grocery store, how it had originally been used as a casket making factory and the skeleton crew who worked the graveyard shift regularly complained there were odd noises, foggy silhouettes and cold spots inside the building, especially in the back. ~ Hope Callaghan,
233:We spent as much money as we could, and got as little for it as people could make up their minds to give us. We were always more or less miserable, and most of our acquaintance were in the same condition. There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. ~ Charles Dickens,
234:After the dazzling orgies in form and color of the eighteenth century, art was put on a diet, and allowed nothing but the straight line. This sort of progress ended in ugliness. Art reduced to a skeleton, was the result. This was the advantage of this kind of wisdom and abstinence; the style was so sober that it became lean. ~ Victor Hugo,
235:Do not allow yourself to be full of hate, princess. Hate is a heavy thing. It weighs us down, chaining us in a dark place. You focus on your love. If you want to be free of this heavy darkness you feel, focus on your love. Love is a chariot with a skeleton key to the chains which hate can wrap around you. To love is to be free. ~ H D Gordon,
236:Bones, murdered or merely perished, ought to stay silent. That's the law. But, quick and shrill as a violin-screech, they come back, to the terror of all who stand guilty of living, and then they dance, playing on their tomb-lids as lightly as cats--but the game's evil, hateful, angry; there's no fun in being a skeleton! ~ William T Vollmann,
237:Can you imagine any better example of divine creative accomplishment that the consummate flying machine that is a bird? The skeleton, very flexible and strong, is also largely pneumatic - especially in the bigger birds. The beak, skull, feet, and all the other bones of a 25-pound pelican have been found to weigh but 23 ounces. ~ Guy Murchie,
238:I need geometry to set the grammar of the image expressive language . The structural skeleton, the composition and the geometric layout provide a perspective from which one can read the image; otherwise we would do what Dadaists did when they put words in a little bag and then took them out at random in order to compose a poem. ~ Augusto De Luca,
239:She wanted Adam Fox with the fervour of
parched earth thirsting for water, corn aching for the warmth of ripening sun, a starving skeleton drooling over a crust of bread. Her passionate young body yearned to feel his touch, soft lips quivered an invitation to be kissed, wounded eyes promised a lifetime of devotion, if only . . . ~ Margaret Rome,
240:Yeah? Can you draw a skeleton riding a motorcycle with flames coming out of it? And I want a pirate hat on the skeleton. And a parrot on his shoulder. A skeleton parrot. Or maybe a ninja skeleton parrot? No, that would be overkill. But it'd be cool if the biker skeleton could be shooting some ninja throwing stars. That are on fire. ~ Richelle Mead,
241:Yeah? Can you draw a skeleton riding a motorcycle with flames coming out of it? And I want a pirate hat on the skeleton. And a parrot on his shoulder. A skeleton parrot. Or maybe a ninja skeleton parrot? No, that would be overkill. But it’d be cool if the biker skeleton could be shooting some ninja throwing stars. That are on fire. ~ Richelle Mead,
242:We all begin as a bundle of bones lost somewhere in a desert, a dismantled skeleton that lies under the sand. It is our work to recover the parts. It is a painstaking process best done when the shadows are just right, for it takes much looking. La Loba indicates what we are to look for—the indestructible life force, the bones. ~ Clarissa Pinkola Est s,
243:In glades they meet skull after skull/Where pine-cones lay--the rusted gun,/Green shoes full of bones, the mouldering coat/And cuddled-up skeleton;/And scores of such. Some start as in dreams,/And comrades lost bemoan:/By the edge of those wilds Stonewall had charged--/But the Year and the Man were gone. ("The Armies of the Wilderness") ~ Herman Melville,
244:Poetry is only secondarily about words. Primarily, it is about truth. I dealt with the Ding an Sich, the substance behind the shadow, weaving powerful concepts, similes, and connections the way an engineer would raise a skyscraper with the whiskered-alloy skeleton being constructed long before the glass and plastic and chromaluminum appears. ~ Dan Simmons,
245:I'm sorry, I don't know what any of you want, or why guns and knives are being waved around, or why the girl has just been taken hostage, but everyone seems to be acting like having a TALKING SKELETON in the room is perfectly normal. And you, where are your eyes? How can you see? How come the only people with eyes in this room are me and her? ~ Derek Landy,
246:Nico twisted his skull ring. Around him, bones began to quiver as if they were trying to form a new skeleton. Whenever he got moody, Nico had that effect on the dead, kind of like Hazel’s curse. Between them, they represented Pluto’s two spheres of control: death and riches. Sometimes Hazel thought Nico had gotten the better end of the deal. ~ Rick Riordan,
247:Was it the speciality of Mr and Mrs Lammle, or does it ever obtain with other loving couples? In these matrimonial dialogues they never addressed each other, but always some invisible presence that appeared to take a station about midway between them. Perhaps the skeleton in the cupboard comes out to be talked to, on such domestic occasions? ~ Charles Dickens,
248:Holmes explained that he had been doing some dissection but now had completed his research. He offered Chappell thirty-six dollars to cleanse the bones and skull and return to him a fully articulated skeleton. Chappell agreed. Holmes and Chappell placed the body in a trunk lined with duckcloth. An express company delivered it to Chappell’s house. ~ Erik Larson,
249:Hugh’s old drawing teacher used to have one, and though it had been ten years since he’d taken the woman’s class, I could suddenly recall him talking about it. “If I had a skeleton like Minerva’s . . . ,” he used to say. I don’t remember the rest of the sentence, as I’d always been sidetracked by the teacher’s name, Minerva. Sounds like a witch. ~ David Sedaris,
250:Some odd things were found; among other things the skeleton of an ourang-outang which disappeared from the Jardin des Plantes in 1800, a disappearance probably connected with the famous and incontestable appearance of the devil in the Rue des Bernardins in the last year of the eighteenth century. The poor devil finally drowned himself in the sewer. ~ Victor Hugo,
251:Then Grover had a brilliant, totally Grover-like idea.
“Burrito fight!” he yelled, and flung his Guacamole Grande at the nearest skeleton.

“Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs.” (The Titan’s Curse - chapter 14, page 216) ~ Rick Riordan,
252:The Death of Rats nibbled a bit of the pork pie because when you are the personification of the death of small rodents you have to behave in certain ways. He also piddled on one of the turnips for the same reason, although only metaphorically, because when you are a small skeleton in a black robe there are also some things you technically cannot do. ~ Terry Pratchett,
253:Something inexorable seeds itself in the place of your origin. You can never escape the bonds of family history, no matter how far you travel. And the skeleton of a house can carry in its bones the marrow of all that came before. Who are you, Christina Olson? he asked me once. Nobody had ever asked me that. I had to think about it for a while. If ~ Christina Baker Kline,
254:Sometimes you find the panel, but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love I maintain. ~ Julian Barnes,
255:Believe me, if it had been closer to October, I’d have thought someone was pulling my leg. But this is very real.” “Been around a lot of bodies, Mr. Grant?” I raised an eyebrow. “I have enough understanding of human anatomy to know the difference between a plastic skeleton from Kmart and the real deal.” Tillman’s mouth tightened. Yeah, I could be sassy too, buddy. ~ C S Poe,
256:There are times when you see the news, and you go, "How the hell am I meant to do anything tonight?" I'm not good at compartmentalizing myself and not being affected by the world around me, so it was very difficult for me when atrocious news stories would pop up. And I would think, "How the hell am I supposed to talk to the skeleton about the horse tonight?" ~ Craig Ferguson,
257:Certain memories, certain thoughts,are holes...holes ripped in you, through which precious things escape and leave you wanting, needing, gaping open. Laughter and belonging and comfort gush out, leaving their tracks but not their substance.
And you are left empty, a skeleton,a shell with wind rushing through you and a sensation of sinking, barely existing... ~ Danielle Younge Ullman,
258:But, as Douglas E Harding has pointed out, we tend to think of this planet as a life-infested rock, which is as absurd as thinking of the human body as a cell infested skeleton. Surely all forms of life, including man, must be understood as "symptoms" of the earth, the solar system, and the galaxy in which case we cannot escape the conclusion that the galaxy is intelligent. ~ Alan Watts,
259:I see my skeleton walking down the street now. I’m walking behind it. Our feet touch the ground at the same time. I am my own shadow. The road we’re walking along looks familiar. The trees lining the pavement have been bleached by the sun. There are stone steps on my left. I climb them. This is the route I used to take after school. It’s very dark. The skeleton has disappeared. ~ Ma Jian,
260:In literature and in art, alike, this gloomy fashion of regarding Death has been characteristic of Christianity. Death has been painted as a skeleton grasping a scythe, a grinning skull, a threatening figure with terrible face and uplifted dart, a bony scarecrow shaking an hourglass - all that could alarm and repel has been gathered round this rightly-named King of Terrors. ~ Annie Besant,
261:Tall tree, Spy-glass shoulder, bearing a point to the N. of N.N.E. Skeleton Island E.S.E. and by E. Ten feet. The bar silver is in the north cache; you can find it by the trend of the east hummock, ten fathoms south of the black crag with the face on it. The arms are easy found, in the sand-hill, N. point of north inlet cape, bearing E. and a quarter N. J.F.   That ~ Robert Louis Stevenson,
262:Tracy is turning into a skeleton right before my eyes. Last night as we lay in bed talking I looked at her profile and it was like she was already dead, her skull hanging in a professor’s lecture hall. I can’t believe how much weight she’s already lost. It’s like the decomposition process can’t wait until after death, it’s getting a head start. The sight takes my breath away. ~ Frederick Marx,
263:White spiders, demon-headed and large as monkeys, had woven their webs in the hollow arches of the bones; and they swarmed out interminably as Nushain approached; and the skeleton seemed to stir and quiver as they seethed over it abhorrently and dropped to the ground before the astrologer. Behind them others poured in a countless army, crowding and mantling every ossicle. ~ Clark Ashton Smith,
264:Everyone will tell you that genealogy serves two purposes: self-knowledge and social status, some sort of pedigree divined from names, locations, and achievements of eminence. However, there is nothing quite like an anomaly to suck attention away from the droning census records. A suicide hinted at emotion and thought. A closet door was flung open and daylight flooded a skeleton. ~ Ellen Meloy,
265:He ran his hand over his chest and stopped above his heart where a black tattoo of an ornate skeleton key was inked on his skin.She had its other half-a lock in the shape of a heart with a keyhole in the center-tattooed on her lower stomach beside her right hip bone. Laying on top of her, he'd slide down to kiss her breasts and their two tattoos would come together. Lock and key. ~ Kelli Maine,
266:They remain dead, the people I try to resuscitate by straining to hear what they say. But the illusion is not pointless, or not quite, even if the reader knows all this better than I do. One thing a book tries to do, beneath the disguise of words and causes and clothes and grief, is show the skeleton and the skeleton dust to come. The author too, like those of whom he speaks, is dead. ~ Jean Genet,
267:Werner Pfennig grows up three hundred miles northeast of Paris in a place called Zollverein: a four-thousand-acre coalmining complex outside Essen, Germany. It’s steel country, anthracite country, a place full of holes. Smokestacks fume and locomotives trundle back and forth on elevated conduits and leafless trees stand atop slag heaps like skeleton hands shoved up from the underworld. ~ Anthony Doerr,
268:Willow sees her before any of the others. A walking skeleton, the victim of some terrible wasting disease, like something out of the history books, a death camp survivor. It takes Willow a moment to realize that the girl is none of those things. She's just a girl, a girl like Willow, who's chosen to inflict terrible pain on herself. Only this girl's weapon isn't a razor, it's starvation. ~ Julia Hoban,
269:And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go and dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is a part of the flowers and the apple tree and the hawthorn bush now. ~ Mark Haddon,
270:The closed door to the left of the hallway hid whatever room lay beyond it, but instead of walking farther into the house to see what the second right revealed, she shouted, “Magician Thane! Your guests are here and would greatly appreciate a real person at the door!”
“Miss Twill!” Mg. Aviosky said in a suppressed sort of hiss as the paper skeleton shut the front door. “Manners! ~ Charlie N Holmberg,
271:It isn't easy to become a fossil. ... Only about one bone in a billion, it is thought, becomes fossilized. If that is so, it means that the complete fossil legacy of all the Americans alive today - that's 270 million people with 206 bones each - will only be about 50 bones, one-quarter of a complete skeleton. That's not to say, of course, that any of these bones will ever actually be found. ~ Bill Bryson,
272:The tide goes out imperceptibly. The boulders show and seem to rise up and the ocean recedes leaving little pools, leaving wet weed and moss and sponge, iridescence and brown and blue and China red. On the bottoms lie the incredible refuse of the sea, shells broken and chipped and bits of skeleton, claws, the whole sea bottom a fantastic cemetery on which the living scamper and scramble. ~ John Steinbeck,
273:We have come without anything, we will go without anything. Before it happens, just a little adventure inward to see who is this fellow hiding behind the clothes, inside the skeleton; who is this person who is born, becomes a youth, falls in love and one day dies and nobody knows where he goes.… Just a little curiosity to inquire into one’s own being. It is very natural; there is no question of fear. ~ Osho,
274:Superficially so like them all, and so eager to outdo them in detachment and adaptability, ridiculing the prejudices he had shaken off, and the people to whom he belonged, he still kept, under his easy pliancy, the skeleton of old faiths and old fashions. "He talks every language as well as the rest of us," Susy had once said of him, "but at least he talks one language better than the others. ~ Edith Wharton,
275:Still hiding, Cupid said, smashing another skeleton to pieces. You do not have the strength.

"Nico," Jason managed to say, "it's okay. I get it."

Nico glanced over, pain and misery washing across his face.

"No you don't," he said. "There's no way you can understand."

And so you run away again, Cupid chided. From your friends, from yourself. ~ Rick Riordan,
276:The Chinese food arrives. Delicious saliva fills his mouth. He really hasn't had any since Texas. He loves this food that contains no disgusting proofs of slain animals, a bloody slab of cow haunch, a hen's sinewy skeleton; these ghosts have been minced and destroyed and painlessly merged with the shapes of insensate vegetables, plump green bodies that invite his appetite's innocent gusto. Candy. ~ John Updike,
277:There are few gardens that can be left alone. A few years of neglect and only the skeleton of a garden can be traced. . . . Japanese artists working with a few stones and sand four hundred years ago achieved strangely lasting compositions. However there, too, but for the hands that have piously raked the white sand into patterns and controlled the spread of moss and lichens, little would remain. ~ Russell Page,
278:We spent as much money as we could and got as little for it as people could make up their minds to give us. We were always more or less miserable, and most of our acquaintance were in the same condition. There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. To the best of my belief, our case was in the last aspect a rather common one. ~ Charles Dickens,
279:We spent as much money as we could, and got as little for it as people could make up their minds to give us. We were always more or less miserable, and most of our acquaintance were in the same condition. There was a gay fiction among us that we were constantly enjoying ourselves, and a skeleton truth that we never did. To the best of my belief, our case was in the last aspect a rather common one. ~ Charles Dickens,
280:Meditation handbooks from Sheer Peaks monasteries advised the practitioner to envision herself midcopulation with a sensory lushness from which even an Iskari romance might shrink—and then to envision one’s partner undergoing the many stages of death and decomposition, until one lay in congress with a skeleton. Which proved, to Kai’s mind, that monks were a lot kinkier than most people gave them credit. ~ Max Gladstone,
281:She doesn't know how to answer the man's question about why she snuck into the conch. She just feels like there's something she needs to protect. Some larval understanding, something cocooned inside her, that seems to get unspun and exploded with each passing year...That's the way to do it, the grown up voices whisper. Wear your skeleton on the inside out, and keep your insect heart secret. ~ Karen Russell,
282:You're so fucking intense. When I'm around you everything is amplified, acute. You've infected me with it. Today I got off the train early and walked home, tasted the autumn air in my mouth. Watched leaves blowing out of the trees. Felt the skeleton inside my skin, this part of me I can't see that will remain when I die, outlast me. Everything was bloody poetry. I need to numb myself a little or I'll go mad. ~ Leah Raeder,
283:Now, if you have never been hit by a flying burrito, count yourself lucky. In terms of deadly projectiles, it’s right up there with grenades and cannonballs. Grover’s lunch hit the skeleton and knocked his skull clean off his shoulders. I’m not sure what the other kids in the café saw, but they went crazy and started throwing their burritos and baskets of chips and sodas at each other, shrieking and screaming. ~ Rick Riordan,
284:The cayote is a long, slim, sick and sorry-looking skeleton, with a gray wolf-skin stretched over it, a tolerably bushy tail that forever sags down with a despairing expression of forsakenness and misery, a furtive and evil eye, and a long, sharp face, with slightly lifted lip and exposed teeth. He has a general slinking expression all over. The cayote is a living, breathing allegory of Want. He is always hungry. ~ Mark Twain,
285:This was crazy, the world was upside down. He had to think of something to get the upper hand. After all, who was in command of this ship? He was going to have to pull out all the stops and show this halfling who was in charge. Using all his energy, he turned transparent, his skin sliding off, leaving him a skeleton, his eye sockets empty but for worms. It was no use. The imp of Satan was snoring softly. ~ Michael Phillip Cash,
286:Sea fleas,” Frank said. “They’re everywhere, very wee, practically invisible. They love our bait. If you fell overboard and weren’t picked up until the next day, those sea fleas would eat you right up, and your skeleton would sink to the bottom!” Cody lifted me up and hung me over the side. “Want to try it?” he said. “Not funny, Cody,” I said. I didn’t much like the idea of sea fleas nibbling me down to my bones. ~ Sharon Creech,
287:Sometimes I'll have a scene that strikes me, I just feel like writing a scene, a mini-story that seems like it might lead somewhere. But that is such a tentative, fishing-hook way to go about it that these days I've found it's easier to kind of at least have your concept and start attaching things to a skeleton. So I try to find the armature, the kind of backbone of it first that you can start to hang those scenes on. ~ Shane Black,
288:You'll look like a scary calavera now," Catty assured the young girl as she leaned back to admire the skeleton skull she had made on her face.
"Who's next?" Catty asked and pulled out another paintbrush.
Four hands shot up, but one little girl eased into the chair in front of Catty before she had a chance to choose. "My turn," she said.
Catty smiled and began smudging white over the girl's rosy cheeks. ~ Lynne Ewing,
289:Good. Slowly, nerves as tight as bowstrings, she swept the weakening beam across the floor. Heart racing, ready to bolt, she tried to convince herself there was no one in the vault, no one but her and her own pounding pulse. She was wrong. A skeleton lay stretched upon a slab—a woman, she guessed, from its small size and the rotting nightgown and dark clumps of hair. “Oh, dear God.” The corpse had been here a while—teeth ~ Lisa Jackson,
290:But it had seemed, when Cory broke up with Greer, that she became like a piece of knotted wire. Where were the qualities he had loved in her? He had taken on some of them himself. Because of course everyone was soft and hard. Skeleton and skin. But women claimed for themselves the province of softness, which men cast off. Maybe it was easier to say you liked it in a woman. But really, maybe you wished you had it yourself. ~ Meg Wolitzer,
291:If you think you’re immune to my charms, you’re fooling yourself.”
I pull my hand away and ignore how fiercely it tingles as I place it in my lap. “So, you don’t think any woman can resist you?”
“I’m sure plenty of women could. But you? No. You’re so starved of romance in your life, you’re like an emotional skeleton. I intend to put some meat back on your bones. Make you believe in something other than a bleak apocalypse. ~ Leisa Rayven,
292:I have a word for you. I know your whole life story. I know every skeleton in your closet. I know every moment of sin, shame, dishonesty and degraded love that has darkened your past. Right now I know your shallow faith, your feeble prayer life, your inconsistent discipleship. And my word is this: I dare you to trust that I love you just as you are, and not as you should be. Because you’re never going to be as you should be. ~ Brennan Manning,
293:The past is not a peaceful landscape lying there behind me, a country in which I can stroll wherever I please, and will gradually show me all its secret hills and dales. As I was moving forward, so it was crumbling. Most of the wreckage that can be seen is colourless, distorted, frozen: its meaning escapes me... all that's left is a skeleton. I shall never find my plans again, my hopes and fears - I shall not find myself. ~ Simone de Beauvoir,
294:Do you remember what Crux said?" Scorn asked China. "I bet you do. He said that you handed Skulduggery Pleasant's wife and child over to Nefarian Serpine. He said that you led them to their deaths... Blackmail is just an ugly, ungainly word, but these are ugly and ungainly times in which we live. You will do as I say, exactly as I say, or I will tell the Skeleton Detective your terrible, terrible secret. Do you agree to my terms? ~ Derek Landy,
295:To help others is the way of Buddha and the teaching of Christianity - in this point the two religions are the same. What matters is weather or not you walk the path of truth."

"That is not God. It is like a butterfly caught in a spider's web. At first it is certainly a butterfly, but the next day only the externals, the wings and the trunk, are those of a butterfly; it has lost it's true reality and has become a skeleton. ~ Sh saku End,
296:These are things you should learn. Your past is a skeleton walking one step behind you; your future is a skeleton walking one step in front of you. Maybe you don’t wear a watch, but your skeletons do, and they always know what time it is. Now, these skeletons are made of memories, dreams, and voices. And they can trap you in the in-between, between touching and becoming. But they’re not necessarily evil, unless you let them be. ~ Sherman Alexie,
297:A little further on, you see an old soldier changing his linen. His face and body are of a sort of cinnamon-brown color, and gaunt as a skeleton. He has no arm at all; it has been cut off at the shoulder. He is sitting with a wideawake air, he puts himself to rights ; but you see, by his dull, corpse-like gaze, his frightful gaunt-ness, and the wrinkles on his face, that he is a being who has suffered for the best part of his life. ~ Leo Tolstoy,
298:What you are saying, skeleton, is blasphemous.”
“You’re the one who dug up your own god.” . . .
Vengeous scowled. “As you can see, you’re vastly outnumbered.”
“I usually am.”
“Your situation has become quite untenable.”
“It usually does.”
“You are within moments of being swamped by these filthy creatures of Undeath and torn apart in a maelstrom of pain and fury.”
Skulduggery paused. “OK, that’s a new one to me. ~ Derek Landy,
299:Because it seems like a lot of hassle, liking someone. Your brain runs hot, the cogs inside your mind jarring together until all the oil of your thoughts is burned away. The fire spreads to your chest, where it chars your lungs and turns your heart to embers. And right when you think the flames have burned away everything but your skeleton, the spark skips from your bones to immolate not only your flesh, but your entire life. ~ Krystal Sutherland,
300:Cal’s insides became spaghetti. This nicely complimented his brain, which temporarily took on the consistency of homemade pasta sauce with extra onions and garlic. His skeleton, which had seemed perfectly content to remain wrapped in muscle and skin throughout most of his life, suddenly made a break for freedom. He felt every inch of it as it tried to vacate his body through the front, taking full custody of his teeth as well. ~ Barry J Hutchison,
301:Postmodernism is grounded in the assumption that the ideological system sustaining the cultural and material practices of Western European civilization is bankrupt and on the point of collapse. It claims that the intellectual schemata of the Enlightenment have been abraded by history to the point that nothing but a skeleton remains, held together by unreflective habit, incapable of accommodating the creative impulses of the future. ~ Paul R Gross,
302:Although there is validity, I believe, in leaving a church where the leadership consistently presents false doctrine, I also see people who are offended by one remark from the pulpit or one perceived hurt flit to the next church to look for fault there. It's like the cartoon I saw of a skeleton dressed in women's clothes and sitting on a park bench; the caption read, 'Waiting for the perfect man.' There is no perfect church either. ~ David Jeremiah,
303:We operate from this position of, "Let's build the skeleton and then insert the filling." We have this ping-pong dynamic with each other where we're able to try different things and bounce different ideas, and it ends up being us building our music together. I've never had a moment where I've been like, "I don't like it." Actually, that's total bullshit. I've had many moments where I'm like, "I don't like it," but it's always evolving. ~ Sarah Jaffe,
304:She doesn’t know how to answer the man’s question about why she snuck into the conch. She just feels like there’s something she needs to protect. Some larval understanding, something cocooned inside her, that seems to get unspun and exploded with each passing year. Big Red curls up in a cold recess of the conch. That’s the way to do it, the grown-up voices whisper. Wear your skeleton on the inside out, and keep your insect heart secret. ~ Karen Russell,
305:I feel empty, like there is nothing inside of me but this broken heart, the only organ left in this shell. I feel the bleats echo within me, I feel the thumping reverberate around my skeleton. I have a heart, says science, but I am a monster, says society. And I know it, of course I know it. I know what I've done. I'm not asking for sympathy. But sometimes I think - sometimes I wonder - if I were a monster - surely, I would feel it by now? ~ Tahereh Mafi,
306:The mere mention of the Farakka Express, which jerks its way eastward each day from Delhi to Calcutta, is enough to throw even a seasoned traveller into fits of apoplexy. At a desert encampment on Namibia's Skeleton Coast, a hard-bitten adventurer had downed a peg of local fire-water then told me the tale. Farakka was a ghost train, he said, haunted by ghouls, Thuggees, and thieves. Only a passenger with a death wish would go anywhere near it. ~ Tahir Shah,
307:I walked across the snowy plain of the Tiergarten - a smashed statue here, a newly planted sapling there; the Brandenburger Tor, with its red flag flapping against the blue winter sky; and on the horizon, the great ribs of a gutted railway station, like the skeleton of a whale. In the morning light it was all as raw and frank as the voice of history which tells you not to fool yourself; this can happen to any city, to anyone, to you. ~ Christopher Isherwood,
308:Even in this place one can survive, and therefore one must want to survive, to tell the story, to bear witness; and that to survive we must force ourselves to save at least the skeleton, the scaffolding, the form of civilization. We are slaves, deprived of every right, exposed to every insult, condemned to certain death, but we still possess one power, and we must defend it with all our strength for it is the last — the power to refuse our consent. ~ Primo Levi,
309:Of the seven deadly sins, anger is possbly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back--in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you. ~ Frederick Buechner,
310:Of the Seven Deadly Sins, anger is possibly the most fun. To lick your wounds, to smack your lips over grievances long past, to roll over your tongue the prospect of bitter confrontations still to come, to savor to the last toothsome morsel both the pain you are given and the pain you are giving back--in many ways it is a feast fit for a king. The chief drawback is that what you are wolfing down is yourself. The skeleton at the feast is you. ~ Frederick Buechner,
311:If he stretches to care about something else – like what the Maestro thinks of him or how he fails at school or what he really wants to do with his life – he’ll be pulled too thin. His skin will part like old paper and the world will see how his skeleton is made of dark wishes and macabre dreams. They’ll know his heart thumps to the beat of the Maestro’s metronome because it’s too scared to do otherwise. But worst? They’ll see the emptiness inside him. ~ C G Drews,
312:What's a Dullahan?'
'He's a headless horseman, in the service of the banshee.'
'Headless?'
'Yes.'
'Seriously?'
'Yes.'
'So he has no head?'
'That's usually what headless means.'
'No head at all?'
'You're really getting hung up on this headless thing, aren't you?'
'It's just kind of silly, even for us.'
'Yet you spend your days with a living skeleton.'
'But at least he has a head.'
'True.'
'He even has a spare. ~ Derek Landy,
313:My curiosity was in no way cruel. Deviations from the commonplace attracted me strongly, as they still do; and to me the hermaphrodite and the living skeleton were interesting for the same reason as was Creatore, or the resplendent Guardsmen of the bands - because such people did not often come my way, and I hoped that they might impart some great revelation to me, some insight which would help me to a clearer understanding of the world about me. ~ Robertson Davies,
314:Sparrows soar on high; they are light and agile. They fly through the clouds unafraid and travel where the skeleton could never go. That is strength on little wings. And they fly about inside the tower, waiting for the sun to go down so they can open the windows and escape out into the night sky.” “And what do they do when they come out?” “They rain tiny blessings down on the Jews of Prague while we all are asleep. They shine light in the darkness. ~ Kristy Cambron,
315:Behind the chain-link fence the skeleton of the structure, floodlit from all sides, looked very much like a rocket ship on its launchpad. The lights, so harsh and intense, refused to admit darkness was behind them, beyond them. But the beams quickly disappeared once they flooded out past the museum and into the Alpine night. You would think so much candlepower could shine well up into the sky, but it can bully the night only so far, which is not far at all. ~ Jonathan Carroll,
316:Immensely tall trunks of trees, gray and leafless, rose up in endless succession as far as the eye could reach. Their roots were concealed in wide-spreading morasses, whose dreary water lay intensely black, still, and altogether terrible, beneath. And the strange trees seemed endowed with a human vitality, and waving to and fro their skeleton arms, were crying to the silent waters for mercy, in the shrill and piercing accents of the most acute agony and despair. ~ Edgar Allan Poe,
317:The Duchessa d’Aosta had been placed under the command of Geoffrey Appleyard and a skeleton crew, who were so delighted with their prize ship – and their Italian prisoners now locked below decks – that they hoisted a skull and crossbones from the mainmast. March-Phillipps exploded when he saw it fluttering in the dawn breeze. ‘We all got a rocket and we were told we weren’t to fly the Jolly Roger,’ recalled Leonard Guise. ‘He was a great stickler for etiquette, old Gus. ~ Giles Milton,
318:Logan licked a glob of strawberry jelly from her lower lip and smiled up
at Odin. Only one comment seemed to perfectly fit her current situation. “I
see dead people.”
He leaned forward, hands on his hips. “Me, too. It’s the only explanation
for what’s standing in front of me. Unless some high school kids broke into
the anatomy closet and stole the classroom skeleton, stretched some cadaver
skin over that bitch then cast an ancient ritual to animate it. ~ Jennifer Turner,
319:The Railroad
Along the iron rails
Plod still with panting power,
Range still the empty trails
Hour after hour;
Stare still where looms ahead
Each signal-skeleton,
Whose jerking arms forbid
Or bid you on,
Whose grim lamps rule the glooms
With stringent red or green—
Forget your sunny home's
Wild-paths between
Primrose and violet,
Your breeze-lit fields of rye...
Your golden sheaves forget—
Forget, or die.
~ Elizabeth Daryush,
320:In the opening scene of the film, Bond glides through the mêlée in a skeleton mask and tux and slips into a hotel with a masked woman. Except, here’s the trick. The Días de los Muertos parade did not inspire the James Bond film. The James Bond film inspired the parade. The Mexican government, afraid that people around the world would see the film and expect that the parade exists when it did not, recruited 1,200 volunteers and spent a year re-creating the four-hour pageant. ~ Caitlin Doughty,
321:What danger signs should patients watch for when selecting a skeleton doctor? Well, if the doctor refers to patients as “poor unlucky bastards,” be careful. Also, doctors who turn abandoned mental institutions into their own private research facilities are probably up to no good. Especially when the entrance to said clinic is “an underground passageway behind the morgue.” Most important, just remember that whenever a skeleton does science, innocent people wind up getting hurt. ~ Grady Hendrix,
322:Death And The Maiden
BARCAROLE ON THE STYX
Fair youth with the rose at your lips,
A riddle is hid in your eyes;
Discard conversational quips,
Give over elaborate disguise.
The rose's funeral breath
Confirms by intuitive fears;
To prove your devotion, Sir Death,
Avaunt for a dozen of years.
But do not forget to array
Your terror in juvenile charms;
I shall deeply regret my delay
If I sleep in a skeleton's arms.
~ Elinor Morton Wylie,
323:The Skeleton: We have wisdom, if you like—a dull and dusty wisdom, and I would give it all for a good draught of Chian wine.4 Perchance ’tis something to know that bodies are made of dust and water, the last of which is evaporable, and the former capable of dissolvement. For this is all our knowledge, in spite of much that is known and spoken of hierophant and philosopher. However, unlike the lore and wisdom of these, it may be contained without discommodation by one skull. ~ Clark Ashton Smith,
324:Paris was dead. More cars, more pedestrians—except at certain hours in certain quarters. We walked between the cobblestones; it appeared that we were the forgotten members of an immense exodus. A bit of provincial life was caught on the sharp angles of the capital; it remained a skeleton city, pompous and immobile, too long and too big for us: too large, the streets that we discovered as far as the eye could see, too great the distances, too vast the perspectives: we got lost. ~ Jean Paul Sartre,
325:He looked out across the field. He seemed to have forgotten where he was, and for a while Larry rocked, bats fluttering over his view and crickets chirping in the monkey grass along the edge of the porch and his mother's wind chime jingling, delicate notes too tender to be metal, more like soft bone on wire; he'd always thought the chime sounded like a skeleton playing a guitar, and for a time they sat together on the porch and watched the sun scald the sky red and the trees black. ~ Tom Franklin,
326:The problem is that much of what we have learned is harmful to our system because it was learned in childhood, when immediate dependence on others distorted our real needs. Long-standing habitual action feels right. Training a body to be perfect in all the possible forms and configurations of its members changes not only the strength and flexibility of the skeleton and muscles, but makes a profound and beneficial change in the self-image and quality of the direction of the self. ~ Mosh Feldenkrais,
327:Before modern medicine, one of the worst imaginable skin diseases was syphilis, which would start as itchy boils and then eat its way into the bones until it exposed the skeleton. The microbe that caused this disgusting sight and unbearable pain had different names in different places. In Russia it was called the Polish disease. In Poland it was the German disease; in Germany, the French disease; and in France, the Italian disease. The Italians blamed back, calling it the French disease. ~ Hans Rosling,
328:Centre on deck three was just a large metal box; far less impressive than its name suggested. Lots of pipes, lots of exposed metal. Compared to the rest of the expensively-appointed ship, the control centre looked like a wound; like someone had peeled back the Oceanus’ perfect skin to reveal the steel skeleton underneath. All around the main room, metal veins snaked away, large and small. Vents that disappeared into the walls, delivering the purified, warm air to other parts of the ship. ~ K R Griffiths,
329:At the southwest corner Malvern joined its fields to that of his nearest neighbor, John MacBain. Pierce held his horse just short of the border and looked across a meadow. Part of the MacBain house had been burned down. He had heard of it, but he had not seen it. Now it was plain. The east wing was grey and gaunt, a skeleton attached to the main house. Strange how crippled the house looked—like a man with his right arm withered! No, he was not going to let himself think about crippled men. ~ Pearl S Buck,
330:There is a passage in the Buddhist Sutra on Mindfulness called the Nine Cemetery Contemplations. Apprentice monks are instructed to meditate on a series of decomposing bodies in the charnel ground, starting with a body “swollen and blue and festering,” progressing to one “being eaten by…different kinds of worms,” and moving on to a skeleton, “without flesh and blood, held together by the tendons.” The monks were told to keep meditating until they were calm and a smile appeared on their faces. ~ Mary Roach,
331:The rum fiend would like to go and hang up a skeleton in your beautiful house so that, when you opened the front door to go in, you would see it in the hall; and, when you sat at your table you would see it hanging from the wall; and, when you opened your bedroom you would find it stretched upon your pillow; and, waking at night, you would feel its cold hand passing over your face and pinching at your heart. There is no home so beautiful but it may be devastated by the awful curse. ~ Thomas De Witt Talmage,
332:Blackened skeleton arms of wood by the wayside pointed upward to the convent, as if the ghosts of former travellers, overwhelmed by the snow, haunted the scene of their distress. Icicle-hung caves and cellars built for refuges from sudden storms, were like so many whispers of the perils of the place; never-resting wreaths and mazes of mist wandered about, hunted by a moaning wind; and snow, the besetting danger of the mountain, against which all its defences were taken, drifted sharply down. ~ Charles Dickens,
333:The dead at Nyarubuye were, I'm afraid, beautiful. There was no getting around it. The skeleton is a beautiful thing. The randomness of the fallen forms, the strange tranquillity of their rude exposure, the skull here, the arm bent in some uninterpretable gesture there - these things were beautiful, and their beauty only added to the affront of the place. I couldn't settle on any meaningful response: revulsion, alarm, sorrow, grief, shame, incomprehension, sure, but nothing truly meaningful. ~ Philip Gourevitch,
334:At locations scattered all across North America from Alaska to New Mexico and from Florida to the state of Washington, more than 1,500 Clovis sites have been found. These sites have yielded more than 10,000 Clovis points and tens of thousands of other artifacts from the Clovis toolkit (40,000 at Topper alone [...]). yet among all these archaeological riches, it bears repeating that the sum total of Clovis human remains found in 85 years of excavations is limited to the Anzick-1 partial skeleton. ~ Graham Hancock,
335:There was a full-sized seated skeleton in front of them on the steps. “The Walking Skeleton!” Benny said.
Henry chuckled. “No, I guess you’d have to call it the Sitting Skeleton. It’s just sitting there as if it stopped to take a rest.”
“I’m not afraid of Halloween tricks even when it’s not Halloween.” Benny scurried past the skeleton.
Henry looked very serious. “Now I know someone is trying to scare us away from Skeleton Point again,” he said.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
336:Now it is a noticeable fact that we do not much mind what men think of us, or what humiliating secret they discover of our means, parentage, or object, provided that each thinks and acts thereupon in isolation. It is the exchange of ideas about us that we dread most; and the possession by a hundred acquaintances, severally insulated, of the knowledge of our skeleton-closet’s whereabouts, is not so distressing to the nerves as a chat over it by a party of half-a-dozen — exclusive depositaries though these may be. ~ Thomas Hardy,
337:Its funny how certain objects convey a message -- my washer and dryer, for example. They can't speak, of course, but whenever I pass them they remind me that I'm doing fairly well. "No more laundromat for you," they hum. My stove, a downer, tells me every day that I can't cook, and before I can defend myself my scale jumps in, shouting from the bathroom, "Well, he must be doing something. My numbers are off the charts." The skeleton has a much more limited vocabulary and says only one thing: "You are going to die. ~ David Sedaris,
338:It's funny how certain objects convey a message - my washer and dryer, for example. They can't speak, of course, but whenever I pass them they remind me that I'm doing fairly well. "No more laundromat for you," they hum. My stove, a downer, tells me every day that I can't cook, and before I can defend myself my scale jumps in, shouting from the bathroom, "Well, he must be doing _something - _my numbers is off the charts." The skeleton has a much more limited vocabulary, and says only one thing: "You are going to die." ~ David Sedaris,
339:Right," I scoffed, "Alpha Yam Ergo." Adrian nodded solemnly. "A very old and prestigious society." "I've never heard of them," said the girl who'd claimed the first shirt. "They don't let many people in," he said. In white paint, he wrote his fake fraternity's initials: AYE. "Isn't that what pirates say?" asked one of the girls. "Well, the Alpha Yams have nautical origins," he explained. To my horror he began painting a pirate skeleton riding a motorcycle. "Oh, no," I groaned. "Not the tattoo." "It's our logo," he said. ~ Richelle Mead,
340:Food won't go down when you know your mother didn't want you, never liked to feed you, always hated you in her rooms. You were wrong to clutch and swallow and move your mouth. You must not be flushed, layered in fat or ripe from meat or she will despise your sight. Your skeleton cries, "I make no demands, I am ashamed of my needs, I am unworthy. I'm aware of those more deserving, those with prior and urgent claims to food." Skeleton says, "My safety is in slightness, my pride is denial. My victory is no gluttony, no guilt. ~ Jenny Holzer,
341:His teeth began to chatter. God All-Mighty! he thought, why haven't I realized it all these years? All these years I've gone around with a--SKELETON--inside me! How is it we take ourselves for granted? How is it we never question our bodies and our being? A skeleton. One of those jointed, snowy, hard things, one of those foul, dry, brittle, gouge-eyed, skull-faced, shake-fingered, rattling things that sway from neck-chains in abandoned webbed closets, one of those things found on the desert all long and scattered like dice! ~ Ray Bradbury,
342:If the seasons bleed into each other like a watercolor painting, it means not enough fish and berries to last the winter, not enough wood chopped for the stove, not enough meat in the freezer. One year winter came so fast and so hard, the leaves on the birch trees didn't even have time to turn yellow and fall off; they froze solid green on the branches. They clung there for months on skinny skeleton arms, the color so blindingly wrong it was creepy. Every year it's a race between the seasons, and that year fall lost. ~ Bonnie Sue Hitchcock,
343:Oak raised his head, and wondering what he could do, listlessly surveyed the scene. By the outer margin of the Pit was an oval pond, and over it hung the attenuated skeleton of a chrome-yellow moon which had only a few days to last—the morning star dogging her on the left hand. The pool glittered like a dead man’s eye, and as the world awoke a breeze blew, shaking and elongating the reflection of the moon without breaking it, and turning the image of the star to a phosphoric streak upon the water. All this Oak saw and remembered. ~ Thomas Hardy,
344:Normand. I can't stop thinking about Bradie and the danger he's in" I say.
"Why?" he asks matter of factly. "He'll be back."
The skeleton key starts spinning
"You said he'd be different!" I say.
"He's been taken by agents. Of course that will alter him, he says.
"He'll be broken," I realize out loud.
"Broken things can often be fixed," Normand says.
His words catch me off guard. I'm pretty sure he has no idea that hes said exactly the right thing. The skeleton key stops spinning and the gat pops open. ~ Steven Bereznai,
345:Staring at her face, she began to fancy her outer layer had begun to melt away while she wasn't paying attention, and something -- some new skeleton -- was emerging from beneath the softness of her accustomed self. With a deep, visceral ache, she wished her true form might prove to be a sleek and shining one, like a stiletto blade slicing free of an ungainly sheath. Like a bird of prey losing its hatchling fluff to hunt in cold, magnificent skies. That she might become something glittering, something startling, something dangerous. ~ Laini Taylor,
346:Just a little sense of humor, a little laughter, a childlike innocence—and what have you got to lose? What is the fear? We don’t have anything. We have come without anything, we will go without anything. Before it happens, just a little adventure inward to see who is this fellow hiding behind the clothes, inside the skeleton; who is this person who is born, becomes a youth, falls in love and one day dies and nobody knows where he goes.… Just a little curiosity to inquire into one’s own being. It is very natural; there is no question of fear. ~ Osho,
347:I fought the truth of my continued state of sobriety daily. Deep inside, a black storm thrashed, lashing the underside of my heart, making me bleed steadily. I still felt like I couldn’t walk by a certain kind of bar without the energy of that bar grasping its wormy phantom skeleton fingers after me, catching my long hair or pricking my cheek and leaving scratches. I couldn’t pass by without the smell of it pressing on my chest, suffocating me even as it drew me in. That’s what being sober felt like. Something like not enough oxygen. ~ Lauren Sapala,
348:With that, the poignant charm vanished. Inside the fifth machine, all was rampant malignity. Deformed flowers thrust monstrous horned tusks and trumpets ending in blaring teeth through the crimson walls, rending them; the ravenous garden slavered over its prey and every brick was shown in the act of falling. Amid the violence of this transformation, the oblivion of the embrace went on. The awakened girl, in all her youthful loveliness, still clasped in the arms of a lover from whom all the flesh had fallen. He was a grinning skeleton. ~ Angela Carter,
349:Right,' I scoffed, 'Alpha Yam Ergo.'
Adrian nodded solemnly. 'A very old and prestigious society.'
'I've never heard of them,' said the girl who'd claimed the first shirt.
'They don't let many people in,' he said. In white paint, he wrote his fake fraternity's initials: AYE.
'Isn't that what pirates say?' asked one of the girls.
'Well, the Alpha Yams have nautical origins,' he explained. To my horror he began painting a pirate skeleton riding a motorcycle.
'Oh, no,' I groaned. 'Not the tattoo.'
'It's our logo,' he said. ~ Richelle Mead,
350:The reader tries to uncover the skeleton that the book conceals. The author starts with the skeleton and tries to cover it up. His aim is to conceal the skeleton artistically or, in other words, to put flesh on the bare bones. If he is a good writer, he does not bury a puny skeleton under a mass of fat; on the other hand, neither should the flesh be too thin, so that the bones show through. If the flesh is thick enough, and if the flabbiness is avoided, the joints will be detectable and the motion of the parts will reveal the articulation. ~ Mortimer J Adler,
351:There are houses in certain provincial towns whose aspect inspires melancholy, akin to that called forth by sombre cloisters, dreary moorlands, or the desolation of ruins. Within these houses there is, perhaps, the silence of the cloister, the barrenness of moors, the skeleton of ruins; life and movement are so stagnant there that a stranger might think them uninhabited, were it not that he encounters suddenly the pale, cold glance of a motionless person, whose half-monastic face peers beyond the window-casing at the sound of an unaccustomed step. ~ Honore de Balzac,
352:If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness. ~ David Foster Wallace,
353:and Dad, for their unending support and confidence; and to all of my husband’s family for being wonderful cheerleaders. Skeleton’s Key is my toughest novel to date, and I relied heavily on Dr. Erin Barnhart, Deputy Medical Examiner for the state of Mississippi. Thank you for your patience and eagerness to answer questions and for putting so much time into my writing. Many thanks to the Natchez Historical Society for its guidance in getting the historical details correct. I have to thank my good friend Kristine Kelly for her faith my writing and her diligence ~ Stacy Green,
354:THE “AUSTRALOPITHS” At 4.2 million years ago, in northern Kenya, we find the first evidence of a hominid species called Australopithecus anamensis. This is the first member of our family whose fossil leg and foot bones speak directly of upright bipedality. Its jaws and teeth were also comfortingly similar to the next-in-time Australopithecus afarensis, a hominid whose fossils are widely known in eastern Africa between about 3.6 and 3.0 million years ago. Most famously represented by the 3.2-million-year-old partial skeleton “Lucy,” from Hadar in Ethiopia, ~ Ian Tattersall,
355:What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go and dig in the same place in 10 years there will be nothing exept his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is a part of the flowers and the apple tree and the hawthorn bush now. ~ Mark Haddon,
356:Squatting' in a Smith machine is an oxymoron. A Smith machine is not a squat rack, no matter what the girls at the front desk tell you. A squat cannot be performed on a Smith machine any more than it can be performed in a small closet with a hamster. Sorry. There is a gigantic difference between a machine that makes the bar path vertical for you and a squat that is executed correctly enough to have a vertical bar path. The job of keeping the bar path vertical should be done by the muscles, skeleton, and nervous system, not by grease fittings, rails, and floor bolts. ~ Mark Rippetoe,
357:Epidermal Macabre

Indelicate is he who loathes
The aspect of his fleshy clothes,-
The flying fabric stitched on bone,
The vesture of the skeleton,
The garment neither fur nor hair,
The cloak of evil and despair,
The veil long violated by
Caresses of the hand and eye.
Yet such is my unseemliness:
I hate my epidermal dress,
The savage blood's obscenity,
The rags of my anatomy,
And willingly would I dispense
With false accouterments of sense,
To sleep immodestly, a most
Incarnadine and carnal ghost. ~ Theodore Roethke,
358:Both in Jnani and ajnani, ego is sprouting forth, but with this difference, namely the ajnani's ego when it rises up is quite ignorant of its source, or he is not aware of his sushupti in the dream and jagrat states; whereas a Jnani when his ego rises up enjoys his transcendental experience with this ego keeping his lakshya (aim) always on its source. This ego is not dangerous: it is like the skeleton of a burnt rope: in this form it is ineffective. By constantly keeping our aim on our source, our ego is dissolved in its source. like a doll of salt in the ocean. ~ Sri Ramana Maharshi,
359:MYSTERY THE MYSTERY OF THE MIDNIGHT DOG THE MYSTERY OF THE SCREECH OWL THE SUMMER CAMP MYSTERY THE COPYCAT MYSTERY THE HAUNTED CLOCK TOWER MYSTERY THE MYSTERY OF THE TIGER’S EYE THE DISAPPEARING STAIRCASE MYSTERY THE MYSTERY ON BLIZZARD MOUNTAIN THE MYSTERY OF THE SPIDER’S CLUE THE CANDY FACTORY MYSTERY THE MYSTERY OF THE MUMMY’S CURSE THE MYSTERY OF THE STAR RUBY THE STUFFED BEAR MYSTERY THE MYSTERY OF ALLIGATOR SWAMP THE MYSTERY AT SKELETON POINT THE TATTLETALE MYSTERY THE COMIC BOOK MYSTERY THE GREAT SHARK MYSTERY THE ICE CREAM MYSTERY THE MIDNIGHT MYSTERY T ~ Gertrude Chandler Warner,
360:Before coming to the United States, I knew what others know: that the cruelty of its borders was only a thin crust, and that on the other side a possible life was waiting. I understood, some time after, that once you stay here long enough, you begin to remember the place where you originally came from the way a backyard might look from a high window in the deep of winter: a skeleton of the world, a tract of abandonment, objects dead and obsolete. And once you're here, you'r ready to give everything, or almost everything, to stay and play a part in the great theatre of belonging. ~ Valeria Luiselli,
361:I’m Scarlet,” she said. The smile never left her lips for a second. “Scarlet Monroe.”
She was absolutely gorgeous. With her long blonde mane of hair, almost pure-white porcelain skin, those ruby red lips and the queenly arched eyebrows, it was impossible not to notice how beautiful she was. But her being beautiful didn’t strike me right off the bat. It wasn’t the first thing I noticed about her. What that first thing was, it’s impossible for me to say. Any skull has a human face, but that’s not the first thing anyone notices about a skeleton—that it was human once, and so still is. ~ Lauren Sapala,
362:Perhaps the most avid user of Amazon’s auction site was Bezos himself, who began to collect various scientific and historical curiosities. Most memorably, he purchased the skeleton of an Ice Age cave bear, complete with an accompanying penis bone, for $40,000. After the company’s headquarters moved yet again over the summer, out of the deteriorating Columbia Building and into the Pacific Medical Center building, a 1930s-era art-deco hospital that sat on a hill overlooking the I-5 freeway, Bezos displayed the skeleton in the lobby. Next to it was a sign that read PLEASE DON’T FEED THE BEAR. ~ Brad Stone,
363:God,” said Benedict Fludd, “your God, that is, strides in and out of my life with no warning. One day he seems impossible—laughable, laughable—and the next, he is imperious.” He stopped. He said “It is like the phases of the moon, maybe. Or the seasons of the sphere we live on, rolling in and out of the light, skeleton trees one day, and then snow, and afterwards the bright green veil and after that the full heat and shining. Only it is neither regular nor predictable. And there are—others—who stride in, when he takes himself off. Who seem persuasive. Like Hindoo demons who are gods in their own terms. ~ A S Byatt,
364:aggressivity common in hunter-gatherer groups. The human fossil record shows that in the period prior to settlement, there had been a gradual thinning of the human skeleton, a process known to physical anthropologists as gracilization. Gracilization typically occurs in the skeletons of wild animal species as they become domesticated. It seems that humans underwent a similar lightening of their bone structure for the same reason—that they were becoming less aggressive. Like animals undergoing domestication, humans shed bone mass because extreme aggressivity no longer carried the same survival advantages, ~ Nicholas J Wade,
365:We wanted to blast the world free of history.... picture yourself planting radishes and seed potatoes on the fifteenth green of a forgotten golf course. You'll hunt elk through the damp canyon forests around the ruins of Rockefeller Center, and dig clams next to the skeleton of the Space Needle leaning at a forty-five degree angle. We'll paint the skyscrapers with huge totem faces and goblin tikis, and every evening what's left of mankind will retreat to empty zoos and lock itself in cages as protection against the bears and big cats and wolves that pace and watch us from outside the cage bars at night. ~ Chuck Palahniuk,
366:Getting an education is a running leap towards becoming filthy rich in Asia. This is no secret. But like many desirable things, simply being well known does not make it easily achieved. There are forks in the road to wealth that have nothing to do with choice or desire or effort, forks that have to do with chance, and in your case, the order of your birth is one of these. Third means you are not heading back to the village. Third means you are not working as a painter's assistant. Third also means you are not, like the fourth of you three surviving siblings, a tiny skeleton in a small grave at the base of a tree. ~ Mohsin Hamid,
367:You have heard, of course, of those tiny fish in the rivers of Brazil that attack the unwary swimmer by thousands and with swift little nibbles clean him up in a few minutes, leaving only an immaculate skeleton? Well, that's what their organization is. "Do you want a good clean life? Like everybody else?" You say yes, of course. How can one say no? "O.K. You'll be cleaned up. Here's a job, a family, and organized leisure activities." And the little teeth attack the flesh, right down to the bone. But I am unjust. I shouldn't say their organization. It is ours, after all: it's a question of which will clean up the other. ~ Albert Camus,
368:A mask has but one expression, frozen and eternal, yet it is always and ever the essential expression, and to hide one’s telltale flesh behind the external skeleton of the mask is to display the universal identity of the inner being in place of the outer identity that is transitory and corrupt. The freedom of the masked is not the vulgar political freedom of the successful revolutionary, but the magical freedom of the Divine, beyond politics and beyond success. A mask, any mask, whether horned like a beast or feathered like an angel, is the face of immortality. Meet me in Cognito, baby. In Cognito, we’ll have nothing to hide. ~ Tom Robbins,
369:Or you have twelve hours for us to save you, if you want to be half-glass full about it. Cheer up, Geoffrey, you have our full attention focused on your dilemma. Wait, where's my hat?"
Valkyrie picked it up off the armchair and handed it to him.
"Perfect," he said. "Now you have our full attention."
Scrutinous smiled gratefully, suddenly reassured that everything was going to be alright. The skeleton detective and Valkyrie Cain were on the case, and they would stop at nothing to solve it.
"I'm hungry," Valkyrie said.
Skulduggery nodded decisively, said, "Then let's get you something to eat," and Scrutinous sagged. ~ Derek Landy,
370:Of Dixie Doyle it is said that she could convince grown men of anything. While she is only a mediocre student and a wholly untalented tennis player, she possesses a quality of performed girlishness that turns sex into a ragged paradox for men beyond the age of thirty. She speaks with the hint of a babyish lisp, the pink end of her tongue frequently peeking out from between her teeth, but her eyes are implacable fields of gray that at any moment could conceal everything you imagine - or nothing at all. She might be an X-ray registering the skeleton of your soul, or, like Oscar Wilde's women, she might be a sphinx without a secret. ~ Joshua Gaylord,
371:The creek at night under the moon was just enough like the creek in daylight to be reassuring. There was the deadfall spruce that sieved the current with skeleton branches, churning a line of pale foam. There was the long pool above, a dark mirror of tree shadows and beacon moon. There were the gravel bars, chalky, shaped to the banks and swept into low moraines that divided the water. There the sky, softened as if by a thin fog of moonlight, filling the canyon. For a moment I forgot my preoccupation with the dark and drove up the road with that awe I felt before certain paintings in certain museums, the awe in which I disappeared. ~ Peter Heller,
372:He tired to reconstruct in his imagination the annihilated splendor of the banana company town, whose dry swimming pool was filled to the brim with rotting men's and woman's shoes, and in the houses of which, destroyed by rye grass, he found the skeleton of a German shepherd dog still tied to a ring by a steel chain and a telephone that was ringing, ringing, ringing until he picked it up and an anguished and distant woman spoke in English, and he said yes, that the strike was over, that three thousand dead people had been thrown into the sea, that the banana company had left, and that Macondo finally had peace after many years. ~ Gabriel Garc a M rquez,
373:Another Hole For W.R Rodgers
Speak like a singularity, a lack
residing deep inside every lock, just
past the point keys can jab: against all thrust
make safe-ensure your door's core is held back,
for reckless access to that pure center
quarks more quintessence than taking exits
from those pried voids whose secret quickly sates:
ubiquitous if Space presses Enter.
Which inadmissible sill still calls loud
with imagine: our skeleton keeping
each such portal neither open nor shut,
unhoused of that exclusive dustborne cloud
we breathe, though there must be something
it accumulates, accommodates: what?
~ Bill Knott,
374:At first you saw only a mass of coarse, matted black hair; presently it was seen that this covered a body of fearful thinness, almost a skeleton, but with the muscles standing out like wires. The hands were of a dusky pallor, covered, like the body, with long, coarse hairs, and hideously taloned. The eyes, touched in with a burning yellow, had intensely black pupils, and were fixed upon the throned King with a look of beast-like hate. Imagine one of the awful bird-catching spiders of South America translated into human form, and endowed with intelligence just less than human, and you will have some faint conception of the terror inspired by the appalling effigy. ~ M R James,
375:Up in Illinois, we've forgotten what it's all about. I mean the dead, up in our town, tonight, heck, they're forgotten. Nobody goes to sit and talk to them. Boy, that's lonely. That's really sad. But here-- why, shucks. It's both happy and sad. It's all firecrackers and skeleton toys down here in the plaza and up in that graveyard now are all the Mexican dead folks with the families visiting and flowers and candles and singing and candy. I mean it's almost like Thanksgiving, huh? And everyone set down to dinner, but only half the people able to eat, but that's no mind, they're THERE. It's like holding hands at a séance with your friends, but some of the friends gone. ~ Ray Bradbury,
376:The leaves on our little maple, all taken together, weigh thirty-five pounds. Every ounce therein must be pulled from the air or mined from the soil—and quickly—over the course of a few short months. From the atmosphere, a plant gains carbon dioxide, which it will make into sugar and pith. Thirty-five pounds of maple leaves may not taste sweet to you and me, but they actually contain enough sucrose to make three pecan pies, which is the sweetest thing that I can think of right now. The pithy skeleton within the leaves contains enough cellulose to make almost three hundred sheets of paper, which is about the number that I used to print out the manuscript for this book. Our ~ Hope Jahren,
377:I’m having a permanent out-of-body experience. When it’s finally done, I lie flat on my back. Glare up at the greenish, star-pricked night sky. I try not to think about what I must look like, black and bony out here on the bank of this pond. My body is all sharp angles—nothing to hold it together but armored joints and a knobby curved spine. I’m a holy fucking terror, I imagine. A walking weapon. After a while, I dig my elbow joints into the mud and sit up. My body can really move now, no longer hauling rotted bone and flesh but streamlined with these thin limbs made of light titanium. I feel like an obsidian skeleton out here. A devil dancing in the dark. I feel free. ~ Daniel H Wilson,
378:The White City
I will not toy with it nor bend an inch.
Deep in the secret chambers of my heart
I muse my life-long hate, and without flinch
I bear it nobly as I live my part.
My being would be a skeleton, a shell,
If this dark Passion that fills my every mood,
And makes my heaven in the white world's hell,
Did not forever feed me vital blood.
I see the mighty city through a mist-The strident trains that speed the goaded mass,
The poles and spires and towers vapor-kissed,
The fortressed port through which the great ships pass,
The tides, the wharves, the dens I contemplate,
Are sweet like wanton loves because I hate.
~ Claude McKay,
379:Every gear and bearing in this room was making the sort of sound that normally made Bob Shaftoe freeze like a startled animal. Even after he’d gotten it through his head that they were all clocks, or studies for clocks, he was hushed and intimidated by a sense of being surrounded by patient mechanical life. He stood at attention in the middle of the big room, hands in his pockets, blowing steam from his mouth and darting his eyes to and fro. These clocks were made to tell time precisely and nothing else. There were no bells, no chimes, and certainly no cuckoos. If Bob was waiting for such entertainments, he’d wait until he was a dusty skeleton surrounded by cobweb-clogged gears. ~ Neal Stephenson,
380:He scoffs. "I fucking bought this house. You did nothing but sign a piece of paper."

My teeth grind, and I point at my chest. "I did nothing? Really? Nothing? I didn't give birth to two of your children? I didn't sacrifice my career? I didn't keep your house while you were running off behind my back fucking that fake-breasted skeleton?"

I see red and my body is on fire. Everything burns. My eyes. My chest. My lips. I can't even feel my face. Every cell in body buzzes. I've never felt more alive. If this is what Saige was talking about when she said anger is healthy, then I'll have to let her know, once again, that she was right because this feels fan-fucking-tastic. ~ Winter Renshaw,
381:Only one comment seemed to perfectly fit her current situation. “I see dead people.”
He leaned forward hands on his hips. “Me too. It’s the only explanation for what’s standing in front of me. Unless some high school kids broke into the anatomy closet and stole the classroom skeleton, stretched some cadaver skin over that bitch then cast an ancient ritual to animate it.” She laughed. For as much as she now disliked the bastard she had to admit he was amusing. “Did they do the same to that shit you’re wearing? You do realize it’s 2008 right?” She raised a hand. “Wait let me see if I can reach you using your own language. You do ken ‘tis year of our Lord two thousand and eight aye? ~ Jennifer Turner,
382:Let him who thinks war is a glorious, golden thing, who loves to roll forth stirring words of exhortation, invoking honour and praise and valour and love of country … Let him but look at a little pile of sodden grey rags that cover half a skull and a shin-bone and what might have been its ribs, or at this skeleton lying on its side, resting half crouching as it fell, perfect that it is headless, and with the tattered clothing still draped round it; and let him realize how grand and glorious a thing it is to have distilled all youth and joy and life into a fetid heap of hideous putrescence! Who is there who has known and seen who can say that victory is worth the death of even one of these? ~ Wade Davis,
383:He bogged down in traffic three blocks from the freeway. Yet another apartment building was being framed on a lot intended for a single-family home. A lumber truck was blocking the street as it crept off the site, and a food truck maneuvered to take its place. Locked in the standstill, Scott watched the framers perched in the wood skeleton like spiders, banging away with their nail guns and hammers. A few climbed down to the food truck, but most continued working. The banging ebbed and flowed around periods of silence; sometimes a single hammer, sometimes a dozen hammers at once, sometimes nail guns snapping so fast the construction site sounded like the Police Academy pistol range. Scott ~ Robert Crais,
384:If I have been given any gifts in this life, it's my ability to live simultaneously in the rational world and the world of imagination. I'm in my eighties now, and if there's one thing of which I am most proud, it's that I have permitted no authority (neither civilian nor military, neither institutional nor societal) to relieve me -- by means of force, coercion or ridicule -- of that gift. From the beginning, imagination has been my wild card, my skeleton key, my servant, my master, my bat cave, my home entertainment center, my flotation device, my syrup of wahoo; and I plan to stick with it to the end, whenever and however that end might come, and whether or not there is another act to follow. ~ Tom Robbins,
385:The Man In The Dead Machine
High on a slope in New Guinea
The Grumman Hellcat
lodges among bright vines
as thick as arms. In 1943,
the clenched hand of a pilot
glided it here
where no one has ever been.
In the cockpit, the helmeted
skeleton sits
upright, held
by dry sinews at neck
and shoulder, and webbing
that straps the pelvic cross
to the cracked
leather of the seat, and the breastbone
to the canvas cover
of the parachute.
Or say the shrapnel
missed him, he flew
back to the carrier, and every
morning takes the train, his pale
hands on the black case, and sits
upright, held
by the firm webbing.
~ Donald Hall,
386:Snowmen
My ancestor, a man
of Himalayan snow,
came to Kashmir from Samarkand,
carrying a bag
of whale bones:
heirlooms from sea funerals.
His skeleton
carved from glaciers, his breath arctic,
he froze women in his embrace.
His wife thawed into stony water,
her old age a clear
evaporation.
This heirloom,
his skeleton under my skin, passed
from son to grandson,
generations of snowmen on my back.
They tap every year on my window,
their voices hushed to ice.
No, they won't let me out of winter,
and I've promised myself,
even if I'm the last snowman,
that I'll ride into spring
on their melting shoulders.
~ Agha Shahid Ali,
387:The Barn Owl
In late summer
I feel the chill again
the first marauding
from the high plateau
I can sense the teeth in everything
and claws under rock and ti-tree
biting down
in the dry sand of the creekbed
I find the skeleton of a barn owl
and snap off its skull
with a twist of my thumb and forefinger
I string it
with a length of fishing-line
and for days
I wear it around my neck
dreaming at night
of the crack of lizard-bones
the death-cries of small marsupials
the hard beak
as I work
knocking against my chest
the great, absent eyes
as I sleep
watching from eucalpyts
or waiting in dark rafters.
~ David Brooks,
388:At last that great supper was over, everything had been eaten; the enormous roast goose had dwindled to a very skeleton. Mr. Sieppe had reduced the calf’s head to a mere skull; a row of empty champagne bottles—“dead soldiers,” as the facetious waiter had called them—lined the mantelpiece. Nothing of the stewed prunes remained but the juice, which was given to Owgooste and the twins. The platters were as clean as if they had been washed; crumbs of bread, potato parings, nutshells, and bits of cake littered the table; coffee and ice-cream stains and spots of congealed gravy marked the position of each plate. It was a devastation, a pillage; the table presented the appearance of an abandoned battlefield ~ Frank Norris,
389:I don't mind skulls and bones," said Marie. "There's nothing even vaguely human to them. I'm not scared of skulls and hones. They're like something insectile. If a child was raised and didn't know he had a skeleton in him, he wouldn't think anything of hones, would he? That's how it is with me. Everything human has been scraped off these. There's nothing familiar left to be horrible. In order for a thing to be horrible it has to suffer a change you can recognize. This isn't changed. They're still skeletons, like they always were. The part that changed is gone, and so there's nothing to show for it. Isn't that interesting?" Joseph nodded. She was quite brave now. "Well," she said, "let's see the mummies. ~ Ray Bradbury,
390:(re: Grace and Truth + Time = Growth)

"Grace is the first ingredient necessary for growing up in the image of God. Grace is unbroken, uninterrupted, unearned, accepting relationship...Grace, then, is the relational aspect of God's character.
[...]
Truth is the second ingredient necessary...truth is the structural aspect of [God's] character. Truth is the skeleton life hangs upon; it adds shape to everything in the universe. God's truth leads us to what is real, to what is accurate.
[...]
Time is not just an act of God's grace, to us, 'giving us some space.' God is much too loving to allow us to continue in sin for one moment longer than necessary. Time is not a luxury, but a necessity. ~ Henry Cloud,
391:Don't you think our society is designed to kill in that way? Of course, you've surely heard about those tiny fish in the rivers of Brazil which attack the swimmer by the thousands, eat him up in a few moments in quick little mouthfuls and leave only a perfectly clean skeleton behind? So, that's the way they're constituted. 'Do you want a clean life, like everyone else?' Of course the answer is yes. How could you not? 'Fine. We'll clean you up. Here's a job, here's a family, here's some organized leisure.' And the little teeth bite into the flesh, right down to the bone. But i'm being unfair. I shouldn't have said, 'the way they're constituted', because after all, it's our way, too: it's a case of who strips whom. ~ Albert Camus,
392:The Chinese food arrives. Delicious saliva fills his mouth. He really hasn’t had any since Texas. He loves this food that contains no disgusting proofs of slain animals, a bloody slab of cow haunch, a hen’s sinewy skeleton; these ghosts have been minced and destroyed and painlessly merged with the shapes of insensate vegetables, plump green bodies that invite his appetite’s innocent gusto. Candy. Heaped on a smoking breast of rice. Each is given such a tidy hot breast, and Margaret is in a special hurry to muddle hers with glazed chunks; all eat well. Their faces take color and strength from the oval plates of dark pork, sugar peas, chicken, stiff sweet sauce, shrimp, water chestnuts, who knows what else. Their talk grows hearty. ~ John Updike,
393:In a scheduled world, you are told you have half an hour to peruse an exhibit at the museum; in a programmed world, you are strapped into the ride at Disneyland and conveyed through the experience at a predetermined pace. However richly conceived, the ride’s complexity is limited because its features are built-in, appearing and unfolding in sync with the motions of your cart. The skeleton dangles, the pirate waves, and the holographic ship emerges from the cloud of smoke. In the programmed life, the lights go on and off at a specified time, the coffee pot activates, the daylight-balanced bulb in the programmable clock radio fades up. Active participation is optional, for these events will go on without us and at their own pace. ~ Douglas Rushkoff,
394:Every 30 seconds, it transmitted portions of [a Chopin Polonaise] to tell the world that the capital was still in Polish hands. Angered by the unexpected setback, the German High Command decided to pound the stubborn citadel into submission. In round-the-clock raids, bombers knocked out flourmills, gasworks, power plants and reservoirs, then sowed the residential areas with incendiaries. One witness, passing scenes of carnage, enumerated the horrors: ‘Everywhere corpses, wounded humans, dead horses . . . and hastily-dug graves.’ . . . Finally food ran out, and famished Poles, as one man put it, ‘cut off flesh as soon as a horse fell, leaving only the skeleton.’ On September 28, Warsaw Radio replaced the polonaise with a funeral dirge.15 ~ Norman Davies,
395:We all need sympathy. And as it
is impossible that we should ever perfectly obtain it from our fellow men, there remains but One
who can give it to us. There is One
who can enter the closet where the skeleton is locked up. One who is in touch with our unmentionable grief. He weighs and measures that which is too heavy for us to bear. That blessed One! Oh,that we may each one have Him for our
Friend! Without Him we shall lack the great necessity of a happy life! A personal Savior is absolutely needful to each of us to meet our individual personality. Jesus, alone, can understand with our joy and make it still more gladsome. He,alone, can understand our grief and remove its wormwood.

"Man unknown to man sermon ~ Charles Haddon Spurgeon,
396:In one picture, the pool was half hidden by a fringe of mace- weeds, and the dead willow was leaning across it at a prone, despondent angle, as if mysteriously arrested in its fall towards the stagnant waters. Beyond, the alders seemed to strain away from the pool, exposing their knotted roots as if in eternal effort. In the other drawing, the pool formed the main portion of the foreground, with the skeleton tree looming drearily at one side. At the water's farther end, the cat-tails seemed to wave and whisper among themselves in a dying wind; and the steeply barring slope of pine at the meadow's terminus was indicated as a wall of gloomy green that closed in the picture, leaving only a pale of autumnal sky at the top. ("Genius Loci") ~ Clark Ashton Smith,
397:Perhaps you should head home until you hear from her again.”
The children looked at one another. Why was this woman always trying to make them go away?
Jessie surprised her brothers and sister by agreeing. “Sure. I guess we will go. See you tomorrow.”
When the children got outside, Benny was confused. “Why are we going home? Can’t we ask her about my photos?”
Jessie put her arm on Benny’s shoulder. “We’re only going to pretend to leave. We’ll sneak to the other side of the house and see what the two of them are up to.”
When the children came outside, they waved at William.
“See you tomorrow,” Henry called out loudly. Then in a whisper he said, “And probably a whole lot sooner.”

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
398:The basic problem for Lawrence was that he was lazy. He had figured out that everything was much simpler if, like Superman with his X-ray vision, you just stared through the cosmetic distractions and saw the underlying mathematical skeleton. Once you found the math in a thing, you knew everything about it, and you could manipulate it to your heart’s content with nothing more than a pencil and a napkin. He saw it in the curve of the silver bars on his glockenspiel, saw it in the catenary arch of a bridge and in the capacitor-studded drum of Atanasoff and Berry’s computing machine. Actually pounding on the glockenspiel, riveting the bridge together, or trying to figure out why the computing machine wasn’t working were not as interesting to him. ~ Neal Stephenson,
399:The whole island was exactly what a kid growing up in some trailer park--say some dump like Tecumseh Lake, Georgia--would dream about. This kid would turn out all the lights in the trailer while her mom was at work. She'd lie down flat on her back, on the matted-down orange shag carpet in the living room. The carpet smelling like somebody stepped in a dog pile. The orange melted black in spots from cigarette burns. The ceiling was water-stained. she'd fold her arms across her chest, and she could picture life in this kind of place. It would be that time--late at night--when your ears reach out for any sound. When you can see more with your eyes closed than open. The fish skeleton. From the first time she held a crayon, that's what she'd draw. ~ Chuck Palahniuk,
400:The coyote is a long, slim, sick and sorry-looking skeleton, with a gray wolfskin stretched over it, a tolerably bushy tail that forever sags down with a despairing expression of forsakenness and misery, a furtive and evil eye, and a long, sharp face, with slightly lifted lip and exposed teeth. He has a general slinking expression all over. The coyote is a living, breathing allegory of Want. He is always hungry. He is always poor, out of luck, and friendless. The meanest creatures despise him, and even the fleas would desert him for a velocipede. He is so spirtless and cowardly that even while his exposed teeth are pretending a threat, the rest of his face is apologizing for it. And he is so homely! -so scrawny, and ribby, and coarse-haired, and pitiful. ~ Mark Twain,
401:Jacob really did look older than sixteen--not quite forty, but maybe older than me. Quil didn't have too much on him in the muscle department, for all that Jacob claimed to be a skeleton. The muscles were the long wiry kind, but they were definitely there under the smooth skin. His skin was such a pretty color, it made me jealous.
Jacob noticed my scrutiny.
"What?" he asked, suddenly self-conscious.
"Nothing. I just hadn't realized before. Did you know, you're sort of beautiful?"
Once the words slipped out, I worried that he might take my impulsive observation the wrong way.
But Jacob just rolled his eyes. "You hit your head pretty hard, didn't you?"
"I'm serious."
"Well, then, thanks. Sort of."
I grinned. "You're sort of welcome. ~ Stephenie Meyer,
402:Music made my day so much easier. Walking through the halls at school was somehow easier; sitting alone all the time was easier. I loved that no one could tell i was listening to music and that, because no one knew, i was never asked to turn it off. I'd had multiple conversations with teachers who had no idea i was only half hearing whatever they were saying to me, and for some reason this made me happy. Music seemed to steady me like a second skeleton; I leaned on it when my own bones were too shaken to stand. I always listened to music on the iPod i'd stolen from my brother, and here- as i did last year, when he first bought the thing- I walked to class like i was listening to the soundtrack of my own shitty movie. It gave me an inexplecable kind of hope. ~ Tahereh Mafi,
403:Poem (Internal Scene)

To make beauty out of pain, it damns the eyes—
No, dams the eyes. See how they overflow?
No damns them, damns them, and so they cry.
What shape can I swallow to make me whole?
Baby’s bird-shaped block, blue-painted wood
That fits in the bird-hole of the painted wood box?
The skeleton leaf? The skeleton key? Loud
Knock when the shape won’t unlock any locks.
I hear it through the static in the baby’s room
When the monitor clicks on and off, sound
Of sea-ice cracking against the jagged sea-rocks,
Laughing gull in the gale. What is it dives down
Past sight, down there dark with the other blocks?
It can’t be seen, only heard. A kind of curse,
This kind curse. Forgive me. Blessing that hurts. ~ Dan Beachy Quick,
404:The Foreign Disease The body’s largest organ is the skin. Before modern medicine, one of the worst imaginable skin diseases was syphilis, which would start as itchy boils and then eat its way into the bones until it exposed the skeleton. The microbe that caused this disgusting sight and unbearable pain had different names in different places. In Russia it was called the Polish disease. In Poland it was the German disease; in Germany, the French disease; and in France, the Italian disease. The Italians blamed back, calling it the French disease. The instinct to find a scapegoat is so core to human nature that it’s hard to imagine the Swedish people calling the open sores the Swedish disease, or the Russians calling it the Russian disease. That’s not how people work. ~ Hans Rosling,
405:Game Over! In this country, we outnumber them by the hundreds of millions, yet in the end, they’ll win. They’ve already won. Over decades, with the appetite of the greedy and the cunning of the wicked, their hired agents have built up a national archetype that’s now unstoppable. While we were distracted by our own shadows, their needles pierced the national psyche, slow dripping the poison of mendacity into our nation’s bloodstream. They contaminated the law with toxic corruption, and while invoking the name of freedom, they crushed any opposition with bone-cracking efficiency. When we finally peel away the submissive bandages that wrapped our imaginary wounds and promised us safety, we’ll find our flesh gone to dust, leaving only a willowy skeleton of hopelessness and surrender. ~ Anonymous,
406:It reminded me of second grade when our teacher said each of us had a skeleton inside us; you know, to hold up your body. I’d been watching some horror flick with witches and werewolves and skeletons and stuff, and it absolutely terrorized me, Lar, because I couldn’t figure out how I was going to get away from a monster that lived inside me. But Mr. Nak kept at it. “So you have the answer. It ain’t about Redmond, it’s about you. When you come face-to-face with this here Jesse James of a football coach, you tell your pain-in-the-butt cousin, Fear, he can come along if he wants to, but you’re gonna take care of binniss once an’ for all, no matter what he does or says, because you’re by God fed up with gettin’ jerked around. His presence ain’t gonna change your actions one whit. ~ Chris Crutcher,
407:The psychic said I would have two children. This makes me shake my head. I know you are not supposed to leave a baby alone. Not even for a minute. But after a while I think, What could happen to a baby in the time it would take for me to run to the corner for a cappuccino on the go? So I do it, I run to the corner and get the cappuccino. And then I think how close the store is that is having the sale on leather gloves. Really, I think, it is only a couple of blocks. So I go to the store and buy the gloves. And it hits me--how long it has been since I have gone to a movie. A matinee! So I do that, too. I go to a movie. And when I come out of the theater it occurs to me that it has been years since I have been to Paris. Years. So I go to Paris, and come back three months later and find a skeleton in the crib. ~ Amy Hempel,
408:Ugly and futile: lean neck and thick hair and a stain of ink, a snail’s bed. Yet someone had loved him, borne him in her arms and in her heart. But for her the race of the world would have trampled him underfoot, a squashed boneless snail. She had loved his weak watery blood drained from her own. Was that then real? The only true thing in life? His mother’s prostrate body the fiery Columbanus in holy zeal bestrode. She was no more: the trembling skeleton of a twig burnt in the fire, an odour of rosewood and wetted ashes. She had saved him from being trampled underfoot and had gone, scarcely having been. A poor soul gone to heaven: and on a heath beneath winking stars a fox, red reek of rapine in his fur, with merciless bright eyes scraped in the earth, listened, scraped up the earth, listened, scraped and scraped. ~ James Joyce,
409:If you worship money and things — if they are where you tap real meaning in life — then you will never have enough. Never feel you have enough. It’s the truth. Worship your own body and beauty and sexual allure and you will always feel ugly, and when time and age start showing, you will die a million deaths before they finally plant you. On one level, we all know this stuff already — it’s been codified as myths, proverbs, clichés, bromides, epigrams, parables: the skeleton of every great story. The trick is keeping the truth up-front in daily consciousness. Worship power — you will feel weak and afraid, and you will need ever more power over others to keep the fear at bay. Worship your intellect, being seen as smart — you will end up feeling stupid, a fraud, always on the verge of being found out. And so on. ~ David Foster Wallace,
410:Spleen
I'm like the king of a rain-country, rich
but sterile, young but with an old wolf's itch,
one who escapes Fénelon's apologues,
and kills the day in boredom with his dogs;
nothing cheers him, darts, tennis, falconry,
his people dying by the balcony;
the bawdry of the pet hermaphrodite
no longer gets him through a single night;
his bed of fleur-de-lys becomes a tomb;
even the ladies of the court, for whom
all kings are beautiful, cannot put on
shameful enough dresses for this skeleton;
the scholar who makes his gold cannot invent
washes to cleanse the poisoned element;
even in baths of blood, Rome's legacy,
our tyrants' solace in senility,
we cannot warm up his shot corpse, whose food
is syrup-green Lethean ooze, not blood.
~ Charles Baudelaire,
411:On September 6, 1522, a battered ship appeared on the horizon … A small pilot boat was dispatched to lead the strange ship over the reefs … The vessel they were guiding into the harbor was manned by a skeleton crew of just eighteen sailors and three captives, all of them severely malnourished. … Their captain was dead, as were the officers, the boatswains, and the pilots; in fact, nearly the entire crew had perished … the ship, Victoria, … had departed three years earlier. No one knew what had become of her … Despite the journey’s hardships, Victoria and her diminished crew accomplished what no other ship had ever done before. By sailing west until they reached the East, and then sailing on in the same direction, they had fulfilled an ambition as old as the human imagination, the first circumnavigation of the globe ~ Laurence Bergreen,
412:…the matter was new to me, and I had no material for its treatment. But I got books, read up the facts, laboriously constructed a skeleton out of the dry bones of the real, and then clothed them, and tried to breathe into them life, and in this last aim I had pleasure. With me it was a difficult and anxious time till my facts were found, selected, and properly pointed; nor could I rest from research and effort till I was satisfied of correct anatomy; the strength of my inward repugnance to the idea of flaw or falsity sometimes enabled me to shun egregious blunders; but the knowledge was not there in my head, ready and mellow; it had not been down in Spring, grown in Summer, harvested in Autumn, and garnered through Winter; whatever I wanted I must go out and gather fresh; glean of wild herbs my lap full, and shred them green into the pot. ~ Charlotte Bront,
413:Images flashed through his mind. He saw Nico and his sister on a snowy cliff in Maine, Percy Jackson protecting them from a manticore. Percy's sword gleamed in the dark. He'd been the first demigod Nico had ever seen in action.

Later, at Camp Half-Blood, Percy took Nico by the arm, promising to keep his sister Bianca safe. Nico believed him. Nico looked into his sea-green eyes and thought, How can he possibly fail? This is a real hero. He was Nico's favorite game, Mythomagic, brought to life.

Jason saw the moment when Percy returned and told Nico that Bianca was dead. Nico had screamed and called him a liar. He'd felt betrayed, but still... when the skeleton warriors attacked, he couldn't let them harm Percy. Nico had called on the earth to swallow them up, and then he'd run away- terrified of his own powers, and his own emotions. ~ Rick Riordan,
414:Russell Kincaid
In the last spring I ever knew,
In those last days,
I sat in the forsaken orchard
Where beyond fields of greenery shimmered
The hills at Miller's Ford;
Just to muse on the apple tree
With its ruined trunk and blasted branches,
And shoots of green whose delicate blossoms
Were sprinkled over the skeleton tangle,
Never to grow in fruit.
And there was I with my spirit girded
By the flesh half dead, the senses numb
Yet thinking of youth and the earth in youth, -Such phantom blossoms palely shining
Over the lifeless boughs of Time.
O earth that leaves us ere heaven takes us!
Had I been only a tree to shiver
With dreams of spring and a leafy youth,
Then I had fallen in the cyclone
Which swept me out of the soul's suspense
Where it's neither earth nor heaven.
~ Edgar Lee Masters,
415:What is it you’re interested in exactly?” the man asked
slowly. “Just the color?”
“I think we both know,” said Adrian cunningly. “I want the
color. I want the ‘bonus effects.’ And I want it to look
badass. You probably can’t even do the design I want.”
“That’s the least of your worries,” said the guy. “I’ve been
doing this for years. I can draw anything you want.”
“Yeah? Can you draw a skeleton riding a motorcycle with
flames coming out of it? And I want a pirate hat on the
skeleton. And a parrot on his shoulder. A skeleton parrot.
Or maybe a ninja skeleton parrot? No, that would be
overkill. But it’d be cool if the biker skeleton could be
shooting some ninja throwing stars. That are on fire.”
“That’s the most ridiculous thing I’ve ever heard,” said the
tattooist.
“That’s not what the ladies are going to say,” said Adrian ~ Richelle Mead,
416:Raven, lying on the sandy ground, covered in creepy-crawlies. Spiders, cockroaches, termites, ants, crickets—they smother her, nibble on her, devouring her from hair to toenails in seconds, leaving just a skeleton behind. Apple, standing at the podium on Legacy Day. Poof, she disappears. And reappears in a goblin cave. The goblin troop moves in, brandishing salad bowls and chopping knives. Daring Charming, no story to call home, thins and melts into a wisp of a ghost, swimming endlessly through walls. The crowded Charmitorium at Ever After High, Headmaster Grimm on the stage. “And remember, students, no matter what you do, don’t follow the example of the worst, most despised, most selfish character in all of Ever After history—Raven Queen!” “Boo!” the students yell. “Boo!” says the Daring ghost. Apple’s head in a goblin bowl opens her eyes and looks straight at Raven. “Boo! ~ Shannon Hale,
417:Said the lion to the lioness - "when you are amber dust -
No more a raging fire like the heat of the sun
(no liking but all lust) -
Remember still the flowering of the amber blood
and bone,
the rippling of bright muscles like
a sea,
Remember the rose-prickles of
bright paws
Though we shall mate no more
Till the fire of that sun
and the moon -
Cold bone are one"

Said the skeleton lying upon the
sands of time -
"The great gold planet that
is the mourning heat
of the sun
Is greater than all gold, more powerful
Than the tawny body of a lion that fire
consumes
Like all that grows or leaps...so
is the heart.

More powerful than all dust. Once
I was hercules
Or Samson, strong as the pillars of the
seas:
But the flames of the heart
Consumed me, and
the mind
Is but a foolish wind. ~ Edith Sitwell,
418:heron flew over the bamboo forest—and Siddhartha took the heron into his soul, he flew over the woods and the mountains. He was a heron: he fed upon fish and hungered with the heron’s hunger, he spoke the cawing of the heron and died the heron’s death. A dead jackal lay there on the sandy riverbank, and Siddhartha’s soul slipped into the dead body. He was a dead jackal: he lay on the beach, he swelled up and stank, he rotted away and was dismembered by the hyenas before being skinned by the vultures. He turned to a skeleton and then to dust, and then he blew into the fields. And Siddhartha’s soul returned. His soul had died, it had decayed, it had crumbled to dust. He had tasted the hazy intoxication of the cycle of existence and, like the hunter poised for the opportunity, awaited his chance to escape from this cycle to the place where causality ended and an eternity free of sorrow began. ~ Hermann Hesse,
419:There is nothing so bracing as planning a murder. I recommend it to the weak-willed and those with a leaky sense of self. It is fortifying as a drop of coagulant in a solution. I had planned (The word is too strong. Imagined. Anticipated?) this particular murder for so many years that it had taken on an air of performance and respectability. To understand how a murder can be domesticated and even humdrum may be hard for fans of the pounce of the soundtrack, the streak of scarlet, the gunky skeleton jiggling in the flashlight beam. But I am convinced that if murder is horrible, its for the overflow into the ordinary: severed heads in Ziploc bags, the dead baby in the dumpster behind Chubby’s. Anyone who has eaten a pork chop has all the information she needs for murder…It takes a special kind of person, a criminal, to commit a crime? You know better; in your dreams you’ve already tried it… ~ Shelley Jackson,
420:Your ribcage never meant to hurt you.
Your windpipe doesn’t know how to be pretty,
but she knows how to howl—
and here, I’d like to take a moment
to submit a formal apology to my soft parts
because they kept me warm
when I was trying to freeze to death,
and I hated them for it. An apology
for a starvation that went deeper than my skin.
One for the strongest skeleton I will ever own
and how I kept using the word girl against it.
Or how I turned words like beautiful into shapes
I could contort myself into. I didn’t mean
to compare myself to faces I can’t have.
Or spend years trying to carve myself,
like Michelangelo’s angels, from the marble—
forgetting what it is to be skin instead of stone.
I let myself be afraid. I was taught to be.
When you learn you are only as good
as your beauty routine, you forget
how to define yourself by anything else. ~ Ashe Vernon,
421:The buggy should be here soon. Do you have your suitcase packed?”

“So eager to get rid of me?”

“Eager?” he repeated, rolling back the sleeves of his favorite indigo coat. “My kitchen will be empty in two days and I’ll be forced to purchase my own groceries. How could I be eager for that?”

Ceony smiled and scooped out more egg. “You could always have Jonto cook your meals.”

In fact, Emery once had tried to get Jonto to cook his meals. It had taken the paper magician two days to reconstruct the right hand and arm of the paper skeleton, which had burned off after Jonto attempted to light the coals in the oven.

“I’ll be sure to stock up on sandwich supplies,” Emery murmured.

And all you’ll miss is the food, hm?”

His eyes glimmered. “I may miss the mid-night companionship.”

Ceony flushed. “Emery Thane!” That was one time.

Emery just chuckled, the cursed man.  ~ Charlie N Holmberg,
422:One informed theory holds that the secret procedures have a specific, defined role for a small, preselected set of congressional leaders—perhaps as small as the four party leaders of the two houses—who would serve as a “rump” or “skeleton” Congress until a full group could be established months later and would, in the absence of the larger body, serve to approve or disapprove legislation and executive actions. Such a body would mirror the “Gang of Eight” who are kept regularly informed by the president about covert military and intelligence actions conducted around the world. Whereas Congress in general is supposed to be kept informed of U.S. military and intelligence matters, the president could choose in “extraordinary circumstances affecting vital interests” to tell only this smaller group—the four party leaders and the chairs and ranking minority members of the House and Senate intelligence committees—about particularly ~ Garrett M Graff,
423:for the core of the body is involved. This built-in support does not depend on muscular effort because it is derived from the relationships between the noncontractile tissues of cartilage, ligament, and bone. Consequently, when this support asserts itself, it is always because some extraneous muscular effort has ceased to obstruct it. It takes a lot of energy to fuel our constant, unconscious muscular exertions against gravity, and that is why the release of that effort is associated with a feeling of liberated energy. Thus, it is tempting to refer to intrinsic equilibrium as a source of energy because its discovery is always accompanied by a profound sensation of increased vitality in the body. In short, yoga can help you to release the stored potential energy of the axial skeleton by identifying and releasing the less efficient extraneous muscular effort that can obstruct the expression of those deeper forces. Elements of Linkage Between ~ Anonymous,
424:The drive of his own nature to keep developing prevents him from believing that anything is final and complete, yet everything he encounters behaves as though it were final and complete. He suspects that the given order of things is not as solid as it pretends to be; no thing, no self, no form, no principle, is safe, everything is undergoing an invisible but ceaseless transformation, the unsettled holds more of the future than the settled, and the present is nothing but a hypothesis that has not yet been surmounted. What better can he do than hold himself apart from the world, in the good sense exemplified by the scientist's guarded attitude toward facts that might be tempting him to premature conclusions? Hence he hesitates in trying to make something of himself; a character, a profession, a fixed mode of being, are for him concepts that already shadow forth the outlines of the skeleton, which is all that will be left of him in the end. ~ Robert Musil,
425:Another savage trait of our time is the disposition to talk about material substances instead of about ideas. The old civilisation talked about the sin of gluttony or excess. We talk about the Problem of Drink--as if drink could be a problem. When people have come to call the problem of human intemperance the Problem of Drink, and to talk about curing it by attacking the drink traffic, they have reached quite a dim stage of barbarism. The thing is an inverted form of fetish worship; it is no sillier to say that a bottle is a god than to say that a bottle is a devil. The people who talk about the curse of drink will probably progress down that dark hill. In a little while we shall have them calling the practice of wife-beating the Problem of Pokers; the habit of housebreaking will be called the Problem of the Skeleton-Key Trade; and for all I know they may try to prevent forgery by shutting up all the stationers' shops by Act of Parliament. ~ G K Chesterton,
426:Artifact

As long as I can remember you kept the rifle--
your grandfather's an antique you called it-

in your study, propped against the tall shelves
that held your many books. Upright,

beside those hard-worn spins, it was another
backbone of your pas, a remnant I studied

as if it might unlock-- like the skeleton key
its long body resembled-- some door i had yet

to find. Peering into the dark muzzle, I imagined a bullet
as you described: spiraling through the bore

and spinning straight for its target. It did not hit me
then: the rifle I'd inherited showing me

how one life is bound to another, that hardship
endures. For years I admired its slender profile,

until-- late one night, somber with drink--you told me
it still worked, that you kept it loaded just in case,

and I saw the rifle for what it is; a relic
sharp as sorrow, the barrel hollow as regret. ~ Natasha Trethewey,
427:He has the kind of density that makes me constantly guess to myself how much he’d weigh. Does muscle weigh more than fat? He’s a ton. He’s six-six, and I watched him get this tall, but it’s a surprise every time I see him. It’s the body you see on first responders. Think big-ass firemen kicking in doors, ready to save you.

“How do you cope with a skeleton that big?” I ask, and he looks down at himself, mystified. “I mean, how do you coordinate all four limbs and actually ambulate around the place?”

My eyes are back on his shoulders, following the round lines down, the flat sections, the dips and shadowed lines, the creases on the cotton. I can see his belt, which doesn’t know how lucky it is to be strapped around that, and a lush half inch of black underwear waistband, and my cheeks are burning and I can hear my heart and—

“Eyes up, DB.” He’s busted me. Not that I was very subtle. “Me and my skeleton getaround just fine. ~ Sally Thorne,
428:their records. Then you killed an orderly and got away. You said I’m not going back, because you knew as soon as you arrived anywhere somebody would realize you weren’t Hobie. They’d find out who you were, and you’d be back in the shit. So you just disappeared. A new life, a new name. A clean slate. You want to deny anything yet?” Allen tightened his grip on Jodie. “It’s all bullshit" he said. Reacher shook his head. Pain flashed in his eye like a camera. “No, it’s all true" he said. “Nash Newman just identified Victor Hobie’s skeleton. It’s lying in a casket in Hawaii with your dog tags around its neck.” “Bullshit" Allen said again. “It was the teeth" Reacher said. “Mr. and Mrs. Hobie sent their boy to the dentist thirty-five times, to give him perfect teeth. Newman says they’re definitive. He spent an hour with the X rays, programming the computer. Then he recognized the exact same skull when he walked back past the casket. Definitive match.” Allen ~ Lee Child,
429:...in better company, they found among all those hideous carcasses two skeletons, one of which held the other in its embrace. One of these skeletons, which was that of a woman, still had a few strips of a garment which had once been white, and around her neck was to be seen a string of adrezarach beads with a little silk bag ornamented with green glass, which was open and empty. These objects were of so little value that the executioner had probably not cared for them. The other, which held this one in a close embrace, was the skeleton of a man. It was noticed that his spinal column was crooked, his head seated on his shoulder blades, and that one leg was shorter than the other. Moreover, there was no fracture of the vertebrae at the nape of the neck, and it was evident that he had not been hanged. Hence, the man to whom it had belonged had come thither and had died there. When they tried to detach the skeleton which he held in his embrace, he fell to dust. ~ Victor Hugo,
430:Separation of function is not to be despised, but neither should it be exalted. Separation is not an unbreakable law, but a convenience for overcoming inadequate human abilities, whether in science or engineering. As D'Arcy Thompson, one of the spiritual fathers of the general systems movement, said: As we analyze a thing into its parts or into its properties, we tend to magnify these, to exaggerate their apparent independence, and to hide from ourselves (at least for a time) the essential integrity and individuality of the composite whole. We divided the body into its organs, the skeleton into its bones, as in very much the same fashion we make a subjective analysis of the mind, according to the teaching of psychology, into component factors: but we know very well that judgement and knowledge, courage or gentleness, love or fear, have no separate existence, but are somehow mere manifestations, or imaginary coefficients, of a most complex integral.10 The ~ Gerald M Weinberg,
431:Cyrano: I can see him there---he grins---
He is looking at my nose---that skeleton
---What's that you say? Hopeless?---Why, very well!---
But a man does not fight merely to win!

No---no---better to know one fights in vain!...
You there---Who are you? A hundred against one---
I know them now, my ancient enemies---
Falsehood!...There! There! Prejudice---Compromise---Cowardice---
What's that? No! Surrender? No!

Never---never!...
Ah, you too, Vanity!

I knew you would overthrow me in the end---
No! I fight on! I fight on! I fight on!

Yes, all my laurels you have riven away

And all my roses; yet in spite of you,

There is one crown I bear away with me,

And to-night, when I enter before God,
My salute shall sweep all the stars away
From the blue threshold! One thing without stain,
Unspotted from the world, in spite of doom
Mine own!---
And that is...
Roxane: ---That is...
Cyrano: My white plume.... ~ Edmond Rostand,
432:What're you reading?"
"Gertrude Stein."
I shook my head. I'd never heard of her.
"The poet?" he asked. "You know, 'A rose is a rose is a rose'?"
I shook my head again.
"During the last year of her life, my mother became obsessed with her," Grant said. "She'd spent most of her life reading the Victorian poets, and when she found Gertrude Stein, she told me she was a comfort."
"What does she mean, 'A rose is a rose is a rose'?" I asked. Snapping the biology book shut, I was confronted with the skeleton of a human body. I tapped the empty eye socket.
"That things just are what they are," he said.
" 'A rose is a rose.' "
" 'Is a rose,' " he finished, smiling faintly.
I thought about all the roses in the garden below, their varying shades of color and youth. "Except when it's yellow," I said. "Or red, or pink, or unopened, or dying."
"That's what I've always thought," said Grant. "But I'm giving Ms. Stein the opportunity to convince me. ~ Vanessa Diffenbaugh,
433:You will not apply for membership, but the tribe of the elderly will claim you. Your present will not keep pace with the world’s. This slippage will stretch your skin, sag your skeleton, erode your hair and memory, make your skin turn opaque so your twitching organs and blue-cheese veins will be semivisible. You will venture out only in daylight, avoiding weekends and school holidays. Language, too, will leave you behind, betraying your tribal affiliations whenever you speak. On escalators, on trunk roads, in supermarket aisles, the living will overtake you, incessantly. Elegant women will not see you. Store detectives will not see you. Salespeople will not see you, unless they sell stair lifts or fraudulent insurance policies. Only babies, cats, and drug addicts will acknowledge your existence. So do not fritter away your days. Sooner than you fear, you will stand before a mirror in a care home, look at your body, and think, E.T., locked in a ruddy cupboard for a fortnight. ~ Anonymous,
434:That's the way it is. If you believe in something your very belief renders you unqualified to do it. Your earnestness will come across. Your passion will show. Your enthusiasm will make everyone nervous. And your naivety will irritate. Which means that you will become suspect. Which means you will be prone to disillusionment. Which means that you will not be able to sustain your belief in the face of all the piranha fish which nibble away at your idea and your faith, 'till only the skeleton of your dream is left. Which means that you have to become a fanatic, a fool, a joke, an embarrassment. The world - which is to say the powers that be - would listen to your ardent ideas with a stiff smile on its face, then put up impossible obstacles, watch you finally give up your cherished idea, having mangled it beyond recognition, and after you slope away in profound discouragement it will take up your idea, dust it down, give it a new spin, and hand it over to someone who doesn't believe in it at all. ~ Ben Okri,
435:Craig Newmark simply started e-mailing his friends about local events in 1995; almost twenty-two years later, network effects have kept Craigslist a dominant player in online classifieds despite operating with a skeleton crew and making seemingly no changes to the website design during that entire period! This is where an emphasis on speed also plays an important role. Because Silicon Valley’s entrepreneurs focus on designing business models that can get big fast, they are more likely to incorporate network effects. And because the fierce local competition forces start-ups to grow so aggressively (i.e., blitzscale), Silicon Valley start-ups are more likely to reach the tipping point of network effects before start-ups from less aggressive geographies. One of the motivations for this book is to help entrepreneurs from around the world emulate these successes by teaching them how to systematically design their businesses for blitzscaling. When you design your business model to leverage network effects, you can succeed anywhere. ~ Reid Hoffman,
436:Ghosts
There are ghosts in the room.
As I sit here alone, from the dark corners there
They come out of the gloom,
And they stand at my side and they lean on my chair.
There's the ghost of a Hope
That lighted my days with a fanciful glow.
In her hand is the rope
That strangled her life out. Hope was slain long ago.
But her ghost comes to-night,
With its skeleton face and expressionless eyes,
And it stands in the light,
And mocks me, and jeers me with sobs and with sighs.
There's the ghost of a Joy,
A frail, fragile thing, and I prized it too much,
And the hands that destroy
Clasped it close, and it died at the withering touch.
There's the ghost of a Love,
Born with joy, reared with hope, died in pain and unrest,
But he towers above
All the others... this ghost: yet a ghost at the best.
I am weary, and fain
Would forget all these dead: but the gibbering host
Make my struggle in vain,
In each shadowy corner there lurketh a ghost.
~ Ella Wheeler Wilcox,
437:After a long bike ride, the Aldens finally came to Skeleton Point. Just as the children slowed down, a familiar dog bounded from the bushes and barked. Then he began to sniff around.
“He smells our ham sandwiches,” Benny guessed.
“There, there, Max,” Jessie said softly.
The dog tilted his head the way Watch always did when someone knew his name and spoke gently to him.
Jessie carefully reached into her bike bag. She found her ham sandwich and tossed a piece of it to Max. This calmed him right away. When the dog whined for more, Jessie tossed another piece farther off. The children didn’t have to worry about the dog now.
“I’m glad that worked,” Jessie said. “I wonder if Greeny knows his dog is loose.”
The next thing the children heard was somebody yelling and whistling. “Max! Maxilla! Get over here!”
“What kind of a name is Maxilla?” Benny wanted to know.
Henry laughed. “It’s part of a jawbone. I guess it’s a good name for a dog whose owner wears a skull shirt.”

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
438:A lady at the general store said the Walking Skeleton takes arms and hands from the statues so it can turn into a person again!”
“That’s one of the tales going around, but, of course, it’s just a story,” Charlotte said. “I really don’t know how the statues got damaged recently. They are quite old and already worn away by the weather. But now a few pieces are missing--not just falling off, but disappearing. I do hope you can all keep an eye on the property.”
This gave Jessie a good idea. “We gave Benny an instant camera for his birthday. If we take pictures of the statues and something happens to them, maybe we can figure out when it happened and who was around at that time.”
“Excellent,” Charlotte said. “I’ll be dropping off a job list tomorrow morning with Hilda and William. I’ll make sure to tell them to let you children photograph and sketch around the property. That will give them more time to do other things.”
“Here’s to catching the Walking Skeleton!” Jessie said.
The Aldens clinked their lemonade glasses.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
439:His teeth began to chatter. God All-Mighty! he thought, why haven't I realized it all these years? All these years I've gone around with a--SKELETON--inside me! How is it we take ourselves for granted? How is it we never question our bodies and our being? A skeleton. One of those jointed, snowy, hard things, one of those foul, dry, brittle, gouge-eyed, skull-faced, shake-fingered, rattling things that sway from neck-chains in abandoned webbed closets, one of those things found on the desert all long and scattered like dice! He stood upright, because he could not bear to remain seated. Inside me now, he grasped his stomach, his head, inside my head is a--skull. One of those curved carapaces which holds my brain like an electrical jelly, one of those cracked shells with the holes in front like two holes shot through it by a double-barreled shotgun! With its grottoes and caverns of bone, its revetments and placements for my flesh, my smelling, my seeing, my hearing, my thinking! A skull, encompassing my brain, allowing it exit through its brittle windows to see the outside world! ~ Ray Bradbury,
440:Because here's something else that's weird but true: in the day-to day trenches of adult life, there is actually no such thing as atheism. There is no such thing as not worshipping. Everybody worships. The only choice we get is what to worship. And the compelling reason for maybe choosing some sort of god or spiritual-type thing to worship—be it JC or Allah, be it YHWH or the Wiccan Mother Goddess, or the Four Noble Truths, or some inviolable set of ethical principles—is that pretty much anything else you worship will eat you alive. If you worship money and things, if they are where you tap real meaning in life, then you will never have enough, never feel you have enough. It's the truth. Worship your body and beauty and sexual allure and you will always feel ugly. And when time and age start showing, you will die a million deaths before they finally grieve you. On one level, we all know this stuff already. It's been codified as myths, proverbs, clichés, epigrams, parables; the skeleton of every great story. The whole trick is keeping the truth up front in daily consciousness. ~ David Foster Wallace,
441:Heart And Mind
SAID the Lion to the Lioness-'When you are amber dust,No more a raging fire like the heat of the Sun
(No liking but all lust)Remember still the flowering of the amber blood and bone,
The rippling of bright muscles like a sea,
Remember the rose-prickles of bright paws
Though the fire of that sun the heart and the moon-cold bone are one.'
Said the Skeleton lying upon the sands of Time'The great gold planet that is the mourning heat of the Sun
Is greater than all gold, more powerful
Than the tawny body of a Lion that fire consumes
Like all that grows or leaps...so is the heart
More powerful than all dust. Once I was Hercules
Or Samson, strong as the pillars of the seas:
But the flames of the heart consumed me, and the mind
Is but a foolish wind.'
Said the Sun to the Moon-'When you are but a lonely white crone,
And I, a dead King in my golden armour somewhere in a dark wood,
Remember only this of our hopeless love
That never till Time is done
Will the fire of the heart and the fire of the mind be one.'
~ Dame Edith Louisa Sitwell,
442:The glove comes off, flops loosely over, and there's suddenly horror beating into his brain, smashing, pounding, battering. He reels a little in his chair, has to hold onto the edge of the table with both hands, at the impact of it.

A clawlike thing - two of the finger extremities already bare of flesh as far as the second joint; two more with only shriveled, bloodless, rotting remnants of it adhering, only the thumb intact, and that already unhealthy-looking, flabby. A dead hand - the hand of a skeleton - on a still-living body. A body he was dancing with only a few minutes ago.

A rank odor, a smell of decay, of the grave and of the tomb, hovers about the two of them now.

A woman points from the next table, screams. She's seen it, too. She hides her face, cowers against her companion's shoulder, shudders. Then he sees it too. His collar's suddenly too tight for him.

Others see it, one by one. A wave of impalpable horror spreads centrifugally from that thing lying there in the blazing electric light on O'Shaughnessy's table. The skeleton at the feast! ("Jane Brown's Body") ~ Cornell Woolrich,
443:What makes us want to know the worst? Is it that we tire of preferring to know the best? Does curiosity always hurdle self-interest? Or is it, more simply, that wanting to know the worst is love’s favourite perversion? … I loved Ellen, and i wanted to know the worst. I never provoked her; I was cautious and defensive, as is my habit; I didn’t even ask questions; but I wanted to know the worst. Ellen never returned this caress. She was fond of me - she would automatically agree, as if the matter weren’t worth of discussing, that she loved me - but she unquestioningly believed the best about me. That’s the difference. She didn’t ever search for that sliding panel which opens the secret chamber of the heart, the chamber where the memory and corpses are kept. Sometimes you find the panel but it doesn’t open; sometimes it opens, and your gaze meets nothing but a mouse skeleton. But at least you’ve looked. That’s the real distinction between people: not between those who have secrets and those who don’t, but between those who want to know everything and those who don’t. This search is a sign of love, I maintain. ~ Julian Barnes,
444:Stern, stern is the voice of fate's fearful command,
When accents of horror it breathes in our ear,
Or compels us for aye bid adieu to the land,
Where exists that loved friend to our bosom so dear,

'Tis sterner than death oer the shuddering wretch bending,
And in skeleton grasp his fell sceptre extending,
Like the heart-stricken deer to that loved covert wending,
Which never again to his eyes may appear--

And ah! he may envy the heart-stricken quarry,
Who bids to the friend of affection farewell,
He may envy the bosom so bleeding and gory,
He may envy the sound of the drear passing knell,

Not so deep is his grief on his death couch reposing,
When on the last vision his dim eyes are closing!
As the outcast whose love-raptured senses are losing,
The last tones of thy voice on the wild breeze that swell!

Those tones were so soft, and so sad, that ah! never,
Can the sound cease to vibrate on Memorys ear,
In the stern wreck of Nature for ever and ever,
The remembrance must live of a friend so sincere.

AUGUST, 1810.

~ Percy Bysshe Shelley, Song. To -- [Harriet]
,
445:The Pun
Hail, peerless Pun! thou last and best,
Most rare and excellent bequest
Of dying idiot to the wit
He died of, rat-like, in a pit!
Thyself disguised, in many a way
Thou let'st thy sudden splendor play,
Adorning all where'er it turns,
As the revealing bull's-eye burns,
Of the dim thief, and plays its trick
Upon the lock he means to pick.
Yet sometimes, too, thou dost appear
As boldly as a brigadier
Tricked out with marks and signs, all o'er,
Of rank, brigade, division, corps,
To show by every means he can
An officer is not a man;
Or naked, with a lordly swagger,
Proud as a cur without a wagger,
Who says: 'See simple worth prevail
All dog, sir-not a bit of tail!'
'T is then men give thee loudest welcome,
As if thou wert a soul from Hell come.
O obvious Pun! thou hast the grace
Of skeleton clock without a case
With all its boweling displayed,
And all its organs on parade.
Dear Pun, you're common ground of bliss,
Where _Punch_ and I can meet and kiss;
Than thee my wit can stoop no low'r
No higher his does ever soar.
~ Ambrose Bierce,
446:Perhaps I am here because of last night’s dream, when I stood on the frozen lake before a kayak made of sealskin. I walked on the ice toward the boat and picked up a handful of shredded hide and guts. An old Eskimo man said, “You have much to work with.” Suddenly, the kayak was stripped of its skin. It was a rib cage of willow. It was the skeleton of a fish. I want to see it for myself, wild exposure, in January, when this desert is most severe. The lake is like steel. I wrap my alpaca shawl tight around my face until only my eyes are exposed. I must keep walking to stay warm. Even the land is frozen. There is no give beneath my feet. I want to see the lake as Woman, as myself, in her refusal to be tamed. The State of Utah may try to dike her, divert her waters, build roads across her shores, but ultimately, it won’t matter. She will survive us. I recognize her as a wilderness, raw and self-defined. Great Salt Lake strips me of contrivances and conditioning, saying, “I am not what you see. Question me. Stand by your own impressions.” We are taught not to trust our own experiences. Great Salt Lake teaches me experience is all we have. ~ Terry Tempest Williams,
447:The Digging Skeleton
In the anatomical plates
displayed on the dusty quays
where many a dry book sleeps
mummified, as in ancient days,
drawings to which the gravity
and skill of some past artist,
despite the gloomy subject
have communicated beauty,
you’ll see, and it renders those
gruesome mysteries more complete,
flayed men, and skeletons posed,
farm-hands, digging the soil at their feet.
II
Peasants, dour and resigned,
convicts pressed from the grave,
what’s the strange harvest, say,
for which you hack the ground,
bending your backbones there,
flexing each fleshless sinew,
what farmer’s barn must you
labour to fill with such care?
Do you seek to show – by that pure,
and terrible, emblem of too hard
a fate! – that even in the bone-yard
the promised sleep’s far from sure:
that even the Void’s a traitor:
that even Death tells us lies,
that in some land new to our eyes,
we must, perhaps, alas, forever,
and ever, and ever, eternally,
wield there the heavy spade,
scrape the dull earth, its blade
beneath our naked, bleeding feet?
~ Charles Baudelaire,
448:In the Jolan district, on the edge of the Euphrates River, in the northwestern corner of the city, Marines found something far more troubling. Inside a metal-sided warehouse, past the insurgent caches of rocket-propelled grenades and artillery rounds, the Marines discovered a crawl space barricaded with a safe. Pushing it aside, the troops saw an Iraqi man chained hand and foot, lying in his own waste. The virtual skeleton proved to be a still-living taxi driver who’d been abducted four months earlier along with a pair of French journalists—thankfully, he would survive. Down the hall, Marines crashed through another door and found themselves in what appeared to be a ramshackle movie studio. On the table was a glass with ice in it; whoever had left had just done so in a hurry. Nearby, Marines found two video cameras, klieg lights, and instructions on how to get footage to the Baghdad offices of some of the regional news networks. On the back wall of the room hung the black-and-green flag of Ansar al-Islam. The floor was caked in dried blood. The moment I read that last detail in the intelligence report I received, I knew it was the room where Nick Berg had been murdered. ~ Nada Bakos,
449:Doesn’t that look like Mr. Mason from behind?”
Henry grabbed the glasses. “I think it is him. I recognize the red hat he had on yesterday. If he had a motorboat, why did Hilda tell us they didn’t have time to go to the hardware store?”
Jessie found the towel she’d packed and shared it with Henry. “The sun will have to dry off the rest of us,” she said. “If you ask me, those two are trying to keep us away from Cousin Charlotte’s property.”
“Well, they can’t,” Henry said. “Hop in, everybody. We’re going to follow Mr. Mason back to Skeleton Point.”
But Henry couldn’t follow the motorboat to Skeleton Point. It sped right past there without stopping.
“He must be docking someplace else,” Jessie said. “That gives me an idea. Instead of going back to Skeleton Point, let’s row to that cove we passed not too far from the general store. We’ll hike up from there. If Hilda and William don’t spot our boat coming in, we’ll have a chance to see what they’re up to before they expect us back.”
Henry didn’t need to think twice about Jessie’s good suggestion. He dipped one oar into the water and headed for the deserted cove.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
450:Have you lived here a very long time?” the young woman asked the man, who was wearing a fishing vest today. “I’m trying to get information about those statues out at Skeleton Point. Nobody seems to know how old they are or where they came from.”
“Or where some parts of the statues are going,” the man told the young woman. “Lots of fool stories are going around about somebody--or something--damaging the statues. Stay away from them, I say. Those old statues have been out there forever--before I was born, anyway. Leave ‘em be. Why do you want to know?”
The young woman hesitated, then stopped to read the label on a jar of honey. “Um…just curious.”
With that, the young woman left the store without buying anything.
“Newcomers!” the man told Benny and Violet when he saw them standing there. “Always asking questions. You’d think from that young lady that Shady Lake was nothing but old statues covered with moss. What about our fishing? Why, our trout are practically jumping out of the lake.”
“They are?” Benny asked, hoping to find out where he could see some of these jumping trout.
The man left without answering Benny.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
451:Well, children, I guess we’ll need to get all these statues and skeletons back to the house,” Charlotte said, in a happier voice. “Thank you so much for finding them for me! I had no idea that they were made by a well-known sculptor.” She turned to Grandfather. “James, does the name Clover Dodge ring a bell with you?” she asked.
Grandfather looked at his cousin Charlotte as if remembering something long ago. “Dodge? Yes, yes,” Grandfather began. “I vaguely recall the name--that was the name of the original family that owned Skeleton Point--before it was Skeleton Point, that is. But I had no idea she was a sculptor as well.”
A smile slowly lit up Charlotte’s face.
“What’s funny?” Benny asked.
Charlotte sighed. “In some ways, I’m better off than I was before all this happened! I have all these valuable statues back, including the ones I didn’t even know were missing. And now I have experts--Greeny and Hilda--who can help me bring Skeleton Point back to life.”
Benny walked over to Mister Bones. He was hanging just inside the doorway of Dead Man’s Cave. “Did you hear that, Mister Bones? You might be coming back to life.”

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
452:Though all the Protestant denominations have historically condemned the veneration of holy objects (relics) and their use in healing, the Catholic church - until recently - preferred to depend entirely upon the magical qualities attributed to the possessions or actual physical parts of various saints and biblical characters for healing. The Vatican not only permitted but encouraged this practice, which entered history in the third century. Catholic churches and private collections still overflow with hundreds of thousands of items. Included are pieces of the True Cross (enough to build a few log cabins), bones of the children slain by King Herod, the toenails and bones of St. Peter, the bones of the Three Wise Kings and of St. Stephen (as well as his complete corpse, including another complete skeleton!), jars of the Virgin Mary’s milk, the bones and several entire heads and pieces thereof that were allegedly once atop John the Baptist, 16 foreskins of Christ, Mary Magdalene’s entire skeleton (with two right feet), scraps of bread and fish left over from feeding the 5,000, a crust of bread from the Last Supper, and a hair from Christ’s beard - not to mention a few shrouds, including the one at Turin. ~ James Randi,
453:What actually happens when you die is that your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is part of the flowers and the apple tree and the hawthorn bush now.
When people die they are sometimes put into coffins which means that they don't mix with the earth for a very long time until the wood of the coffin rots.
But Mother was cremated. This means that she was put into a coffin and burnt and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think that there are molecules of Mother up there, or in clouds over Africa or the Antartic, or coming down as rain in rainforests in Brazil, or in snow somewhere. ~ Mark Haddon,
454:What actually happens when you die is your brain stops working and your body rots, like Rabbit did when he died and we buried him in the earth at the bottom of the garden. And all his molecules were broken down into other molecules and they went into the earth and were eaten by worms and went into the plants and if we go and dig in the same place in 10 years there will be nothing except his skeleton left. And in 1,000 years even his skeleton will be gone. But that is all right because he is a part of the flowers and the apple tree and the hawthorn bush now.

When people die they are sometimes put into coffins, which mean that they don't mix with the earth for a very long time until the wood of the coffin rots.

But Mother was cremated. This means she was put into a coffin and burned and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the crematorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up into the sky and I think there are molecules of Mother up there, or in clouds over Africa or the Antarctic, or coming down as rain in the rain forests in Brazil, or in snow somewhere. ~ Mark Haddon,
455:I Dreamed My Genesis
I dreamed my genesis in sweat of sleep, breaking
Through the rotating shell, strong
As motor muscle on the drill, driving
Through vision and the girdered nerve.
From limbs that had the measure of the worm, shuffled
Off from the creasing flesh, filed
Through all the irons in the grass, metal
Of suns in the man-melting night.
Heir to the scalding veins that hold love's drop, costly
A creature in my bones I
Rounded my globe of heritage, journey
In bottom gear through night-geared man.
I dreamed my genesis and died again, shrapnel
Rammed in the marching heart, hole
In the stitched wound and clotted wind, muzzled
Death on the mouth that ate the gas.
Sharp in my second death I marked the hills, harvest
Of hemlock and the blades, rust
My blood upon the tempered dead, forcing
My second struggling from the grass.
And power was contagious in my birth, second
Rise of the skeleton and
Rerobing of the naked ghost. Manhood
Spat up from the resuffered pain.
I dreamed my genesis in sweat of death, fallen
Twice in the feeding sea, grown
Stale of Adam's brine until, vision
Of new man strength, I seek the sun.
~ Dylan Thomas,
456:To be free, you have to examine authority, the whole skeleton of authority, tearing to pieces the whole dirty thing. And that requires energy, actual physical energy, and also it demands psychological energy. By the energy is destroyed, is wasted when one is in conflict. So when there is the understanding of the whole process of conflict, there is the ending of conflict, there is abundance of energy. Then you can proceed tearing the house that you have built throughout the centuries and that has no meaning at all. You know, to destroy is to create. We must destroy, not the buildings, not the social or economic system, - this comes about daily – but the psychological, the unconscious and the rationally, individually, deeply and superficially. We must tear through all that to be utterly defenseless, because you must be defenseless to love and have affection. Then you see and understand ambition, authority, and you begin to see when authority is necessary and at what level. Then there is no authority of learning, no authority of knowledge, no authority of capacity; no authority that function assumes and which becomes status. To understand all authority – of the gurus, of the Masters, and others – requires a very sharp mind, a clear brain, not a muddy brain, not a dull brain. ~ Jiddu Krishnamurti,
457:A thrilling sense of having been chosen for something is the best and the only certain thing in one whose glance surveys the world for the first time. If he monitors his feelings, he finds nothing he can accept without reservation. He seeks a possible beloved but can't tell whether it's the right one; he is capable of killing without being sure that he will have to. The drive of his own nature to keep developing prevents him from believing that anything is final and complete, yet
everything he encounters behaves as though it were final and complete. He suspects that the given order of things is not as solid as it pretends to be; no thing, no self, no form, no principle, is safe, everything is undergoing an invisible but ceaseless transformation, the unsettled holds more of the future than the settled, and the present is nothing but a hypothesis that has not yet been surmounted. What better can he do than hold himself apart from the world, in the good sense exemplified by the scientist's guarded attitude toward facts that might be tempting him to premature conclusions? Hence he hesitates in trying to make something of himself; a character, a profession, a fixed mode of being, are for him concepts that already shadow forth the outlines of the skeleton, which is all that will be left of him in the end. ~ Robert Musil,
458:He staggers through the forest. The burning forest. Bits of brush smoldering. A stormtrooper helmet nearby, charred and half melted. A small fire burns nearby. In the distance, the skeleton of an AT-AT walker. Its top blown open in the blast, peeled open like a metal flower. That burns, too. Bodies all around. Some of them are faceless, nameless. To him, at least. But others, he knows. Or knew. There—the fresh-faced officer, Cerk Lormin. Good kid. Eager to please. Joined the Empire because it’s what you did. Not a true believer, not by a long stretch. Not far from him: Captain Blevins. Definitely a true believer. A froth-mouthed braggart and bully, too. His face is a mask of blood. Sinjir is glad that one is dead. Nearby, a young woman: He knows her face from the mess, but not her name, and the insignia rank on her chest has been covered in blood. Whoever she was, she’s nobody now. Mulch for the forest. Food for the native Ewoks. Just stardust and nothing. We’re all stardust and nothing, he thinks. An absurd thought. But no less absurd than the one that follows: We did this to ourselves. He should blame them. The rebels. Even now he can hear them applauding. Firing blasters into the air. Hicks and yokels. Farm boy warriors and pipe-fitter pilots. Good for them. They deserve their celebration. Just as we deserve our graves. ~ Chuck Wendig,
459:The Fury Of Beautiful Bones
Sing me a thrush, bone.
Sing me a nest of cup and pestle.
Sing me a sweetbread fr an old grandfather.
Sing me a foot and a doorknob, for you are my love.
Oh sing, bone bag man, sing.
Your head is what I remember that August
you were in love with another woman but
that didn't matter. I was the guy of your
bones, your fingers long and nubby, your
forehead a beacon, bare as marble and I worried
you like an odor because you had not quite forgotten,
bone bag man, garlic in the North End,
the book you dedicated, naked as a fish,
naked as someone drowning into his own mouth.
I wonder, Mr. Bone man, what you're thinking
of your fury now, gone sour as a sinking whale,
crawling up the alphabet on her own bones.
Am I in your ear still singing songs in the rain,
me of the death rattle, me of the magnolias,
me of the sawdust tavern at the city's edge.
Women have lovely bones, arms, neck, thigh
and I admire them also, but your bones
supersede loveliness. They are the tough
ones that get broken and reset. I just can't
answer for you, only for your bones,
round rulers, round nudgers, round poles,
numb nubkins, the sword of sugar.
I feel the skull, Mr. Skeleton, living its
own life in its own skin.
~ Anne Sexton,
460:When the children returned to the studio, the STUDIO CLOSED sign was still on the door. This didn’t stop the Aldens.
“Hi, Hilda! It’s the Aldens,” Jessie yelled as she rapped on the window.
Hilda whirled around, startled to see four pairs of eyes staring at her. She opened the door slightly. “What are you doing here? My studio is closed right now.”
Violet looked past Hilda. “Oh, so you have the Clover Dodge statue,” she said before the young woman could block her view. “Are you fixing it? I’d love to see how.”
Hilda stared at Violet. “I’m not here to teach art classes, Violet. I’m here to…well, I haven’t time to explain.”
Henry, who was taller than Hilda, peered right over her shoulder. “Are you fixing the arm from the angel statue, too? Charlotte will be glad you got started on that.”
Hilda studied the Aldens’ faces. “What do you mean? William was the one who got me working on the angel statue, not Charlotte. He told me she left most of the decisions up to him.” Hilda pushed the door to keep the children back. “I really must get back to my work. I’ll see you at Skeleton Point later this afternoon.”
The Aldens had a lot more to say, but they never got the chance. After she slammed the door, Hilda walked over to the windows and pulled the shade down one by one.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
461:The Sign-Post
The dim sea glints chill. The white sun is shy,
And the skeleton weeds and the never-dry,
Rough, long grasses keep white with frost
At the hill-top by the finger-post;
The smoke of the traveller's-joy is puffed
Over hawthorn berry and hazel tuft.
I read the sign. Which way shall I go?
A voice says: "You would not have doubted so
At twenty." Another voice gentle with scorn
Says: "At twenty you wished you had never been born."
One hazel lost a leaf of gold
From a tuft at the tip, when the first voice told
The other he wished to know what 'twould be
To be sixty by this same post. "You shall see,"
He laughed -and I had to join his laughter "You shall see; but either before or after,
Whatever happens, it must befall.
A mouthful of earth to remedy all
Regrets and wishes shall be freely given;
And if there be a flaw in that heaven
'Twill be freedom to wish, and your wish may be
To be here or anywhere talking to me,
No matter what the weather, on earth,
At any age between death and birth, To see what day or night can be,
The sun and the frost, tha land and the sea,
Summer, Winter, Autumn, Spring, With a poor man of any sort, down to a king,
Standing upright out in the air
Wondering where he shall journey, O where?"
~ Edward Thomas,
462:When I put my hands on your body on your flesh I feel the history of that body. Not just the beginning of its forming in that distant lake but all the way beyond its ending. I feel the warmth and texture and simultaneously I see the flesh unwrap from the layers of fat and disappear. I see the fat disappear from the muscle. I see the muscle disappearing from around the organs and detaching iself from the bones. I see the organs gradually fade into transparency leaving a gleaming skeleton gleaming like ivory that slowly resolves until it becomes dust. I am consumed in the sense of your weight the way your flesh occupies momentary space the fullness of it beneath my palms. I am amazed at how perfectly your body fits to the curves of my hands. If I could attach our blood vessels so we could become each other I would. If I could attach our blood vessels in order to anchor you to the earth to this present time I would. If I could open up your body and slip inside your skin and look out your eyes and forever have my lips fused with yours I would. It makes me weep to feel the history of your flesh beneath my hands in a time of so much loss. It makes me weep to feel the movement of your flesh beneath my palms as you twist and turn over to one side to create a series of gestures to reach up around my neck to draw me nearer. All these memories will be lost in time like tears in the rain. ~ David Wojnarowicz,
463:The desertion of Rwanda by the UN force was Hutu Power’s greatest diplomatic victory to date, and it can be credited almost single-handedly to the United States. With the memory of the Somalia debacle still very fresh, the White House had just finished drafting a document called Presidential Decision Directive 25, which amounted to a checklist of reasons to avoid American involvement in UN peacekeeping missions. It hardly mattered that Dallaire’s call for an expanded force and mandate would not have required American troops, or that the mission was not properly peacekeeping, but genocide prevention. PDD 25 also contained what Washington policymakers call “language” urging that the United States should persuade others not to undertake the missions that it wished to avoid. In fact, the Clinton administration’s ambassador to the UN, Madeleine Albright, opposed leaving even the skeleton crew of two hundred seventy in Rwanda. Albright went on to become Secretary of State, largely because of her reputation as a “daughter of Munich,” a Czech refugee from Nazism with no tolerance for appeasement and with a taste for projecting U.S. force abroad to bring rogue dictators and criminal states to heel. Her name is rarely associated with Rwanda, but ducking and pressuring others to duck, as the death toll leapt from thousands to tens of thousands to hundreds of thousands, was the absolute low point in her career as a stateswoman. ~ Philip Gourevitch,
464:The light of evening, Lissadell,
Great windows open to the south,
Two girls in silk kimonos, both
Beautiful, one a gazelle.
But a raving autumn shears
Blossom from the summer's wreath;
The older is condemned to death,
Pardoned, drags out lonely years
Conspiring among the ignorant.
I know not what the younger dreams -
Some vague Utopia - and she seems,
When withered old and skeleton-gaunt,
An image of such politics.
Many a time I think to seek
One or the other out and speak
Of that old Georgian mansion, mix
Pictures of the mind, recall
That table and the talk of youth,
Two girls in silk kimonos, both
Beautiful, one a gazelle.

Dear shadows, now you know it all,
All the folly of a fight
With a common wrong or right.
The innocent and the beautiful.
Have no enemy but time;
Arise and bid me strike a match
And strike another till time catch;
Should the conflagration climb,
Run till all the sages know.
We the great gazebo built,
They convicted us of guilt;
Bid me strike a match and blow.
Eva Gore-Booth and Constance Markiewicz were sisters who lived at Lissadell House and who knew and encouraged the young Yeats. They both became involved in Irish Nationalist politics. Constance was sentenced to death for her part in the Easter Rising of 1916, but the sentence was commuted.
~ William Butler Yeats, In Memory Of Eva Gore-Booth And Con Markiewicz
,
465:Channel Firing
BY THOMAS HARDY
That night your great guns, unawares,
Shook all our coffins as we lay,
And broke the chancel window-squares,
We thought it was the Judgment-day

And sat upright. While drearisome
Arose the howl of wakened hounds:
The mouse let fall the altar-crumb,
The worms drew back into the mounds,

The glebe cow drooled. Till God called, “No;
It’s gunnery practice out at sea
Just as before you went below;
The world is as it used to be:

“All nations striving strong to make
Red war yet redder. Mad as hatters
They do no more for Christés sake
Than you who are helpless in such matters.

“That this is not the judgment-hour
For some of them’s a blessed thing,
For if it were they’d have to scour
Hell’s floor for so much threatening....

“Ha, ha. It will be warmer when
I blow the trumpet (if indeed
I ever do; for you are men,
And rest eternal sorely need).”

So down we lay again. “I wonder,
Will the world ever saner be,”
Said one, “than when He sent us under
In our indifferent century!”

And many a skeleton shook his head.
“Instead of preaching forty year,”
My neighbour Parson Thirdly said,
“I wish I had stuck to pipes and beer.”

Again the guns disturbed the hour,
Roaring their readiness to avenge,
As far inland as Stourton Tower,
And Camelot, and starlit Stonehenge.

April, 1914 ~ Thomas Hardy,
466:A Winter Walk
WE never had believed, I wis,
At primrose time when west winds stole
Like thoughts of youth across the soul,
In such an altered time as this,
When if one little flower did peep
Up through the brown and sullen grass,
We should just look on it, and pass
As if we saw it in our sleep.
Feeling as sure as that this ray
Which cottage children call the sun,
Colors the pale clouds one by one,-Our touch would make it drop to clay.
We never could have looked, in prime
Of April, or when July trees
Shook full-leaved in the evening bree
Upon the face of this pale time,
Still, soft, familiar; shining bleak
On naked branches, sodden ground,
Yet shining--as if one had found
A smile upon a dead friend's cheek,
Or old friend, lost for years, had strange
In altered mien come sudden back,
Confronting us with our great lack-Till loss seemed far less sad than change.
Yet though, alas! Hope did not see
This winter skeleton through full leaves,
Out of all bareness Faith perceives
Possible life in field and tree.
In bough and trunk the sap will move,
And the mould break o'er springing flowers;
Nature revives with all her powers,
But only nature;--never love.
40
So, listlessly with linkèd hands
Both Faith and Hope glide soft away;
While in long shadows, cool and gray,
The sun sets o'er the barren lands.
~ Dinah Maria Mulock Craik,
467:What is a fanatic? One who believes passionately and acts desperately upon what he believes. I was always believing in something and so getting into trouble. The more my hands were slapped the more firmly I believed. I believed- and the rest of the world did not! If it were only a question of enduring punishment one could go on believing till the end; but the way of the world is more insidious than that. Instead of being punished you are undermined, hollowed out, the ground taken from under your feet. It isn't even treachery, what I have in mind. Treachery is understandable and combatable. No, it is something worse, something less than treachery. It's a negativism that causes you to overreach yourself. you are perpetually spending your energy in the act of balancing yourself. You are seized with a sort of spiritual vertigo, you totter on the brink, your hair stands on end, you can't believe that beneath your feet lies an immeasurable abyss. It comes about through excess of enthusiasm, through a passionate desire to embrace people, to show them your love. The more you reach out toward the world the more the world retreats. Nobody wants real love, real hatred. Nobody wants you to put your hand in his sacred entrails- that's only for the priest in the hour of sacrifice. While you live, while the blood's still warm, you are to pretend that there is no such thing as blood and no such thing as a skeleton beneath the covering of flesh. "Keep off the grass!" That's the motto by which people live. ~ Henry Miller,
468:The Phantom Ball
You remember the hall on the corner?
To-night as I walked down street
I heard the sound of music,
And the rhythmic beat and beat,
In time to the pulsing measure
Of lightly tripping feet.
And I turned and entered the doorwayIt was years since I had been thereYears, and life seemed altered:
Pleasure had changed to care.
But again I was hearing the music
And watching the dancers fair.
And then, as I stood and listened,
The music lost its glee;
And instead of the merry waltzers
There were ghosts of the Used-to-beGhosts of the pleasure-seekers
Who once had danced with me.
Oh, 'twas a ghastly picture!
Oh, 'twas a gruesome crowd!
Each bearing a skull on his shoulder,
Each trailing a long white shroud,
As they whirled in the dance together,
And the music shrieked aloud.
As they danced, their dry bones rattled
Like shutters in a blast;
And they stared from eyeless sockets
On me as they circled past;
And the music that kept them whirling
Was a funeral dirge played fast.
656
Some of them wore their face-cloths,
Others were rotted away.
Some had mould on their garments,
And some seemed dead but a day.
Corpses all, but I knew them
As friends, once blithe and gay.
Beauty and strength and manhoodAnd this was the end of it all:
Nothing but phantoms whirling
In a ghastly skeleton ball.
But the music ceased-and they vanished,
And I came away from the hall.
~ Ella Wheeler Wilcox,
469:The aspiring child is often checked by the dull disciple who has learned his lessons so imperfectly that he has never got beyond his school-books. Full of fragmentary rules, he has perceived the principle of none of them. The child draws near to him with some outburst of unusual feeling, some scintillation of a lively hope, some wide-reaching imagination that draws into the circle of religious theory the world of nature, and the yet wider world of humanity, for to the child the doings of the Father fill the spaces; he has not yet learned to divide between God and nature, between Providence and grace, between love and benevolence;—the child comes, I say, with his heart full, and the answer he receives from the dull disciple is—" God has said nothing about that in his word, therefore we have no right to believe anything about it. It is better not to speculate on such matters. However desirable it may seem to us, we have nothing to do with it. It is not revealed." For such a man is incapable of suspecting, that what has remained hidden from him may have been revealed to the babe. With the authority, therefore, of years and ignorance, he forbids the child, for he believes in no revelation but the Bible, and in the word of that alone. For him all revelation has ceased with and been buried in the Bible, to be with difficulty exhumed, and, with much questioning of the decayed form, re-united into a rigid skeleton of metaphysical and legal contrivance for letting the love of God have its way unchecked by the other perfections of his being. ~ George MacDonald,
470:Steppingstone
Home (from Court Square Fountain—
where affluent ghosts still importune
a taciturn
slave to entertain
them with a slow barbarous tune
in his auctioned baritone—
to Hank Williams' headstone
atop a skeleton
loose in a pristine
white suit and bearing a pristine
white bible, to the black bloodstain
on Martin King's torn
white shirt and Jim Clark's baton,
which smashed black skulls to gelatin)
was home, at fifteen: brimstone
on Sunday morning, badminton
hot afternoons, and brimstone
again that night. Often,
as the preacher flailed the lectern,
the free grace I couldn't sustain
past lunch led to clandestine
speculation. Skeleton
and flesh, bone and protein
hold—or is it detain?—
my soul. Was my hometown
Montgomery's molten
sunlight or the internal nocturne
of my unformed soul? Was I torn
from time or was time torn
from me? Turn
on byzantine
turn, I entertain
possibilities still, and overturn
most. It's routine
now to call a hometown
a steppingstone—
and a greased, uncertain,
aleatory stone
at that. Metaphors attune
our ears to steppingstone,
as well a corner-, grind-, and millstone—
all obtain
and all also cartoon
history, which like a piston,
struck hard and often
that blood-dappled town
scrubbed with the acetone
of American inattention. Atone
me no atoning. We know the tune
and as we sing it, we attain
a slow, wanton,
and puritan
grace, grace can't contain.
~ Andrew Hudgins,
471:[The cosmic impact that started the Younger Dryas] marked the end of their story, and the end of an epoch, really. There's not a single Clovis point found anywhere in North America that's above that black mat. They're all in it or below it. And there's not a single mammoth skeleton anywhere in North America that's above it. A huge part of the die-off could have been as a direct result of the impacts themselves, but impacts and airbursts south of the ice cap, particularly as far south as New Mexico, would also have set off wildfires. There's overwhelming evidence that gigantic wildfires raged at the onset of the Younger Dryas--in fact, more soot has been found at the Younger Dryas Boundary than at the Cretaceous-Paleogene Boundary. We did the calculations and it looks like as much as 25 percent of the edible biomass and around 9 percent of the total biomass of the planet was on fire and destroyed within days or weeks of the YDB. So in many areas if the animals weren't killed outright they wouldn't have been able to forage enough food afterwards to survive. The grass would have burned up, leaves on trees were gone. ... And you know, the other thing is that when comet fragments come in they're traveling incredibly fast and they literally punch a hole in the atmosphere. They actually push the air aside and they bring in that super cold from space, and when they explode in the air that cold plume continues to the ground and you literally have things frozen in place if they were close enough to where the plume came down. It's possible they were fried and then frozen all within a matter of seconds. ~ Graham Hancock,
472:There are some phases of modern physical degeneration in which most of us take part with remarkable complacency. We would consider it a great misfortune and disgrace to burn up the furniture in our homes to provide warmth, if fuel were available for the collection. This is precisely what we are doing with our skeletons by a process of borrowing, simply because we fail to provide new body repairing material each day in the food. You are all familiar with the tragic misfortune that overtakes so many elderly people through the accident of a broken hip or other fractured bone. Statistics show that approximately 50 per cent of fractured hips occurring in people beyond 65 years of age never unite. We look upon this as one of the inevitable consequences of advancing age. In Chapter 15 I have referred to the small boy whose leg was broken when he fell in a convulsion while walking across the kitchen floor. That bone did not break because the blow was hard but because the minerals had been borrowed from the inside by the blood stream in order to maintain an adequate amount of the minerals, chiefly calcium and phosphorus in the blood and body fluids. He had been borrowing from his skeleton for months because due to a lack of vitamins he could not absorb even the minerals that were present in the inadequate food that he was eating. The calcium and the phosphorus of the milk were in the skimmed milk that he was using but he needed the activators of the butter-fat in order to use the minerals. Simply replacing white bread with these activators and the normal minerals and vitamins of wheat immediately checked the convulsions ~ Anonymous,
473:If it was a video-file that I was trying to watch, then at the bottom of the screen there’d be that line, that bar that slowly fills itself in—twice: once in bold red and, at the same time, running ahead of that, in fainter grey; the fainter section, of course, has to remain in advance of the bold section, and of the cursor showing which part of the video you’re actually watching at a given moment; if the cursor and red section catch up, then buffering sets in again. Staring at this bar, losing myself in it just as with the circle, I was granted a small revelation: it dawned on me that what I was actually watching was nothing less than the skeleton, laid bare, of time or memory itself. Not our computers’ time and memory, but our own. This was its structure. We require experience to stay ahead, if only by a nose, of our consciousness of experience—if for no other reason than that the latter needs to make sense of the former, to (as Peyman would say) narrate it both to others and ourselves, and, for this purpose, has to be fed with a constant, unsorted supply of fresh sensations and events. But when the narrating cursor catches right up with the rendering one, when occurrences and situations don’t replenish themselves quickly enough for the awareness they sustain, when, no matter how fast they regenerate, they’re instantly devoured by a mouth too voracious to let anything gather or accrue unconsumed before it, then we find ourselves jammed, stuck in limbo: we can enjoy neither experience nor consciousness of it. Everything becomes buffering, and buffering becomes everything. The revelation pleased me. I decided I would start a dossier on buffering. ~ Tom McCarthy,
474:I find people confusing.
This is for two main reasons.
The first main reason is that people do a lot of talking without using any words. Siobhan says that if you raise one eyebrow it can mean lots of different things. It can mean "I want to do sex with you" and it can also mean "I think that what you just said was very stupid."
Siobhan also says that if you close your mouth and breathe out loudly through your nose, it can mean that you are relaxed, or that you are bored, or that you are angry, and it all depends on how much air comes out of your nose and how fast and what shape your mouth is when you do it and how you are sitting and what you said just before and hundreds of other things which are too complicated to work out in a few seconds.
The second main reason is that people often talk using metaphors. These are examples of metaphors
I laughed my socks off.
He was the apple of her eye.
They had a skeleton in the cupboard.
We had a real pig of a day.
The dog was stone dead.
The word metaphor means carrying something from one place to another, and it comes from the Greek words (which means from one place to another) and (which means to carry), and it is when you describe something by using a word for something that it isn't. This means that the word metaphor is a metaphor.
I think it should be called a lie because a pig is not like a day and people do not have skeletons in their cupboards. And when I try and make a picture of the phrase in my head it just confuses me because imagining an apple in someone's eye doesn't have anything to do with liking someone a lot and it makes you forget what the person was talking about. ~ Mark Haddon,
475:Roderick Sutton, Earl of Westerham, owner of Farleigh Place, a stately home in Kent Lady Esme Sutton, Roderick’s wife Lady Olivia “Livvy” Sutton, twenty-six, the Suttons’ eldest daughter, married to Viscount Carrington, mother of Charles Lady Margaret “Margot” Sutton, twenty-three, the second daughter, now living in Paris Lady Pamela “Pamma” Sutton, twenty-one, the third daughter, currently working for a “government department” Lady Diana “Dido” Sutton, nineteen, the fourth daughter, a frustrated debutante Lady Phoebe “Feebs” Sutton, twelve, the fifth daughter, too smart and observant for her own good Servants at Farleigh (a skeleton staff) Soames, butler Mrs. Mortlock, cook Elsie, parlourmaid Jennie, housemaid Ruby, scullery maid Philpott, Lady Esme’s maid Nanny Miss Gumble, governess to Lady Phoebe Mr. Robbins, gamekeeper Mrs. Robbins, gamekeeper’s wife Alfie, a Cockney boy, now evacuated to the country Jackson, groom Farleigh Neighbours Rev. Cresswell, vicar of All Saints Church Ben Cresswell, the vicar’s son, now working for a “government department” At Nethercote Sir William Prescott, city financier Lady Prescott, Sir William’s wife Jeremy Prescott, Sir William and Lady Prescott’s son, RAF flying ace At Simla Colonel Huntley, formerly of the British Army Mrs. Huntley, the colonel’s wife Miss Hamilton, spinster Dr. Sinclair, doctor Sundry villagers, including an artist couple, a builder, and a questionable Austrian Officers of the Royal West Kent Regiment Colonel Pritchard, commanding officer Captain Hartley, adjutant Soldiers under command At Dolphin Square Maxwell Knight, spymaster Joan Miller, Knight’s secretary At Bletchley Park Commander Travis, deputy ~ Rhys Bowen,
476:The Immortal Part
When I meet the morning beam,
Or lay me down at night to dream,
I hear my bones within me say,
"Another night, another day.
"When shall this slough of sense be cast,
This dust of thoughts be laid at last,
The man of flesh and soul be slain
And the man of bone remain?
"This tongue that talks, these lungs that shout,
These thews that hustle us about,
This brain that fills the skull with schemes,
And its humming hive of dreams,-"These to-day are proud in power
And lord it in their little hour:
The immortal bones obey control
Of dying flesh and dying soul.
"'Tis long till eve and morn are gone:
Slow the endless night comes on,
And late to fulness grows the birth
That shall last as long as earth.
"Wanderers eastward, wanderers west,
Know you why you cannot rest?
'Tis that every mother's son
Travails with a skeleton.
"Lie down in the bed of dust;
Bear the fruit that bear you must;
Bring the eternal seed to light,
And morn is all the same as night.
"Rest you so from trouble sore,
Fear the heat o' the sun no more,
Nor the snowing winter wild,
Now you labour not with child.
77
"Empty vessel, garment cast,
We that wore you long shall last.
--Another night, another day."
So my bones within me say.
Therefore they shall do my will
To-day while I am master still,
And flesh and soul, now both are strong,
Shall hale the sullen slaves along,
Before this fire of sense decay,
This smoke of thought blow clean away,
And leave with ancient night alone
The stedfast and enduring bone.
~ Alfred Edward Housman,
477:If My Head Hurt A Hair's Foot
'If my head hurt a hair's foot
Pack back the downed bone. If the unpricked ball of my breath
Bump on a spout let the bubbles jump out.
Sooner drop with the worm of the ropes round my throat
Than bully ill love in the clouted scene.
'All game phrases fit your ring of a cockfight:
I'll comb the snared woods with a glove on a lamp,
Peck, sprint, dance on fountains and duck time
Before I rush in a crouch the ghost with a hammer, air,
Strike light, and bloody a loud room.
'If my bunched, monkey coming is cruel
Rage me back to the making house. My hand unravel
When you sew the deep door. The bed is a cross place.
Bend, if my journey ache, direction like an arc or make
A limp and riderless shape to leap nine thinning months.'
'No. Not for Christ's dazzling bed
Or a nacreous sleep among soft particles and charms
My dear would I change my tears or your iron head.
Thrust, my daughter or son, to escape, there is none, none, none,
Nor when all ponderous heaven's host of waters breaks.
'Now to awake husked of gestures and my joy like a cave
To the anguish and carrion, to the infant forever unfree,
O my lost love bounced from a good home;
The grain that hurries this way from the rim of the grave
Has a voice and a house, and there and here you must couch and cry.
'Rest beyond choice in the dust-appointed grain,
At the breast stored with seas. No return
Through the waves of the fat streets nor the skeleton's thin ways.
The grave and my calm body are shut to your coming as stone,
And the endless beginning of prodigies suffers open.'
~ Dylan Thomas,
478:My Birthday
A dozen years since in this house what commotion,
What bustle, what stir, and what joyful ado;
Every soul in the family at my devotion,
When into the world I came twelve years ago.
I've been told by my friends (if they do not belie me)
My promise was such as no parent would scorn;
The wise and the aged who prophesied by me
Augured nothing but good of me when I was born.
But vain are the hopes which are formed by a parent,
Fallacious the marks which in infancy shine;
My frail constitution soon made it apparent,
I nourished within me the seeds of decline.
On a sick bed I lay, through the flesh my bones started,
My grief-wasted frame to a skeleton fell;
My physicians foreboding took leave and departed,
And they wished me dead now, who wishëd me well.
Life and soul were kept in by a mother's assistance,
Who struggled with faith, and prevailed 'gainst despair;
Like an angel she watched o'er the lamp of existence,
And never would leave while a glimmer was there.
By her care I'm alive now-but what retribution
Can I for a life twice bestowed thus confer?
Were I to be silent, each year's revolution
Proclaims-each new birthday is owing to her.
The chance-rooted tree that by waysides is planted,
Where no friendly hand will watch o'er its young shoots,
Has less blame if in autumn, when produce is wanted,
78
Enriched by small culture it put forth small fruits.
But that which with labour in hot-beds is reared,
Secured by nice art from the dews and the rains,
Unsound at the root may with justice be feared,
If it pay not with interest the tiller's hard pains.
~ Charles Lamb,
479:Haunted Chambers
The lamp-lit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before, deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late, and Miriam came too soon;
Joseph was dead, his wife and children starving;
Elaine was married and soon to have a child.
You dreamed last night of fiddler crabs with fiddles.
They played a buzzing melody, and you smiled.
Tomorrow—what ? And what of yesterday ?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall.
We walk with you. Where is it that you lead us ?
We climbed the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: 'This darkness, here, 'will slowly kill me—
It creeps and weighs upon me .... is full of bells.
'This is the thing remembered I would forget:
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
'Fatigue!' it says—and points its finger at me;
Touches my throat and stops my breath.
'My fans, my jewels, the portrait of my husband,
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away—like drops of water.
They signify no crime.
'Let us retrace our steps: I have deceived you!
Nothing is here I could not frankly tell you—
No hint of guilt, or faithlessness, or threat.
48
Dreams—they are madness; staring eyes—illusion.
Let us return, hear music, and forget.'
~ Conrad Potter Aiken,
480:Twilights, V
Now the great wheel of darkness and low clouds
Whirs and whirls in the heavens with dipping rim;
Against the ice-white wall of light in the west
Skeleton trees bow down in a stream of air.
Leaves, black leaves and smoke, are blown on the wind;
Mount upward past my window; swoop again;
In a sharp silence, loudly, loudly falls
The first cold drop, striking a shriveled leaf . . .
Doom and dusk for the earth! Upward I reach
To draw chill curtains and shut out the dark,
Pausing an instant, with uplifted hand,
To watch, between black ruined portals of cloud,
One star,—the tottering portals fall and crush it.
Here are a thousand books! here is the wisdom
Alembicked out of dust, or out of nothing;
Choose now the weightiest word, most golden page,
Most somberly musicked line; hold up these lanterns,—
These paltry lanterns, wisdoms, philosophies,—
Above your eyes, against this wall of darkness;
And you'll see—what? One hanging strand of cobweb,
A window-sill a half-inch deep in dust . . .
Speak out, old wise-men! Now, if ever, we need you.
Cry loudly, lift shrill voices like magicians
Against this baleful dusk, this wail of rain . . .
But you are nothing! Your pages turn to water
Under my fingers: cold, cold and gleaming,
Arrowy in the darkness, rippling, dripping—
All things are rain . . . Myself, this lighted room,
What are we but a murmurous pool of rain? . . .
The slow arpeggios of it, liquid, sibilant,
Thrill and thrill in the dark. World-deep I lie
Under a sky of rain. Thus lies the sea-shell
Under the rustling twilight of the sea;
No gods remember it, no understanding
Cleaves the long darkness with a sword of light.
~ Conrad Potter Aiken,
481:Spleen

Je suis comme le roi d'un pays pluvieux,
Riche, mais impuissant, jeune et pourtant très vieux,
Qui, de ses précepteurs méprisant les courbettes,
S'ennuie avec ses chiens comme avec d'autres bêtes.
Rien ne peut l'égayer, ni gibier, ni faucon,
Ni son peuple mourant en face du balcon.
Du bouffon favori la grotesque ballade
Ne distrait plus le front de ce cruel malade;
Son lit fleurdelisé se transforme en tombeau,
Et les dames d'atour, pour qui tout prince est beau,
Ne savent plus trouver d'impudique toilette
Pour tirer un souris de ce jeune squelette.
Le savant qui lui fait de l'or n'a jamais pu
De son être extirper l'élément corrompu,
Et dans ces bains de sang qui des Romains nous viennent,
Et dont sur leurs vieux jours les puissants se souviennent,
II n'a su réchauffer ce cadavre hébété
Où coule au lieu de sang l'eau verte du Léthé

//

I'm like the king of a rain-country, rich
but sterile, young but with an old wolf's itch,
one who escapes his tutor's monologues,
and kills the day in boredom with his dogs;
nothing cheers him, darts, tennis, falconry,
his people dying by the balcony;
the bawdry of the pet hermaphrodite
no longer gets him through a single night;
his bed of fleur-de-lys becomes a tomb;
even the ladies of the court, for whom
all kings are beautiful, cannot put on
shameful enough dresses for this skeleton;
the scholar who makes his gold cannot invent
washes to cleanse the poisoned element;
even in baths of blood, Rome's legacy,
our tyrants' solace in senility,
he cannot warm up his shot corpse, whose food
is syrup-green Lethean ooze, not blood.

— Robert Lowell, from Marthiel & Jackson Matthews, eds., The Flowers of Evil (NY: New Directions, 1963) ~ Charles Baudelaire,
482:The House Of Dust: Part 03: 03: Haunted Chambers
The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .
We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.
This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
250
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .
~ Conrad Potter Aiken,
483:Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God. ~ William H Gass,
484:I picked her up and carried her down the hall to the bathroom, just a pitiful skeleton with skin stretched over the top and a great red scar across her chest. She sank onto the plastic seat we had got from the hospital and closed her eyes as I washed her, leaning her poor bald head back exhaustedly against the back of the shower cubicle. "I'll just change the sheets," I said, "I won't be a minute - would you rather sit under the water, or shall I turn it off and wrap you up in a towel ?"
"Under the water," she whispered.
I had to strip the bed entirely, and two of the pillows were saturated. I replaced them with pillows from my bed, and while I was at it my duvet as well. Then I propped the poor woman up against the bathroom sink to dry and dress her, picked her up and carried her back to bed. Never have I been so grateful to be, after all, a strapping wench rather than a delicate wisp of a girl.
As I pulled the covers up under her chin she opened her eyes, looked at me sternly and said with nearly her old decision, "This is not the way I wish to be remembered, Josephine."
"I know," I whispered, the tears spilling unchecked down my cheeks. Nurses are supposed to be bright and matter-of-fact about these things: my bracing professional manner left a lot to be desired. "I'll get you some dinner."
"No," she said. "Just my pills, love."
Back in the kitchen I stood for a moment in a trance of indecision, wondering where the hell to start. It didn't really matter - when you're overcome with lethargy you just have to do something. And then the next thing, and then the next, and eventually, although you'd have sworn you were far too tired and depressed to accomplish anything, you're finished. I turned on the tap about the big concrete sink by the back door and began to scrub sheets and blankets. ~ Danielle Hawkins,
485:Death The first of the Modoc Indians, Kumokums, built a village on the banks of a river. Although it left the bears plenty of room to curl up and sleep, the deer complained that it was very cold and there wasn’t enough grass. Kumokums built another village far from there and decided to spend half of every year in each. For this he divided the year into two parts, six moons of summer and six of winter, and the remaining moon was dedicated to moving. Life between the two villages was as happy as could be, and births multiplied amazingly; but people who died refused to get out, and the population got so big that there was no way to feed it. Then Kumokums decided to throw out the dead people. He knew that the chief of the land of the dead was a great man and didn’t mistreat anybody. Soon afterward Kumokums’s small daughter died. She died and left the country of the Modocs, as her father had ordered. In despair, Kumokums consulted the porcupine. “You made the decision,” said the porcupine, “and now you must take the consequences like anyone else.” But Kumokums journeyed to the far-off land of the dead and claimed his daughter. “Now your daughter is my daughter,” said the big skeleton in charge there. “She has no flesh or blood. What can she do in your country?” “I want her anyway,” said Kumokums. The chief of the land of the dead thought for a long time. “Take her,” he yielded, and warned, “Shell walk behind you. On approaching the country of the living, flesh will return to cover her bones. But you may not turn around till you arrive. Understand? I give you this chance.” Kumokums set out. The daughter walked behind him. Several times he touched her hand, which was more fleshy and warm each time, and still he didn’t look back. But when the green woods appeared on the horizon he couldn’t stand the strain and turned his head. A handful of bones crumbled before his eyes. (132) ~ Eduardo Galeano,
486:Worked-Out Mine
On summer nights when moonbeams flow
And glisten o’er the high, white tips,
And winds make lamentation low,
As through the ribs of shattered ships,
And steal about the broken brace
Where pendant timbers swing and moan,
And flitting bats give aimless chase,
Who dares to seek the mine alone?
The shrinking bush with sable rims
A skeleton forlorn and bowed,
With pipe-clay white about its limbs
And at its feet a tattered shroud;
And ghostly figures lurk and groan,
Shrill whispers sound from ghostly lips,
And ghostly footsteps start the stone
That clatters sharply down the tips.
The engine-house is dark and still,
The life that raged within has fled;
Like open graves the boilers chill
That once with glowing fires were red;
Above the shaft in measured space
A rotted rope swings to and fro,
Whilst o’er the plat and on the brace
The silent shadows come and go.
And there below, in chambers dread
Where darkness like a fungus clings,
Are lingering still the old mine’s dead—
Bend o’er and hear their whisperings!
Up from the blackness sobs and sighs
Are flung with moans and muttered fears,
A low lament that never dies,
And ceaseless sound of falling tears.
My ears intent have heard their grief—
The fitful tones of Carter’s tongue,
The strong man crushed beneath the reef,
196
The groans of Panton, Praer, and Young,
And ‘Trucker Bill’ of Number Five,
Along the ruined workings roll;
For deep in every shoot and drive
This mine secretes a shackled soul.
Ah! woful mine, where wives have wept,
And mothers prayed in anxious pain,
And long, distracting vigil kept,
You yawn for victims now in vain!
Still to that god, whose shrine you were,
Is homage done in wild device;
Men hate you as the sepulchre
That stores their bloody sacrifice.
~ Edward George Dyson,
487:My Skeleton, My Rival
Interesting that I have to live with my skeleton.
It stands, prepared to emerge, and I carry it
with me—this other thing I will become at death,
and yet it keeps me erect and limber in my walk,
my rival.
What will the living see of me
if they should open my grave but my bones
that will stare at them through hollow sockets
and bared teeth.
I write this to warn my friends
not to be shocked at my changed attitude
toward them, but to be aware
that I have it in me to be someone
other than I am, and I write to ask forgiveness
that death is not wholesome for friendships,
that bones do not talk, have no quarrel with me,
do not even know I exist.
A machine called skeleton will take my place
in the minds of others when I am dead
among the living, and that machine
will make it obvious that I have died
to be identified by bones
that have no speech, no thought, no mind
to speak of having let themselves be carried
once around in me, as at my service
at the podium or as I lay beside my love
or when I held my child at birth
or embraced a friend or shook a critic's hand
or held a pen to sign a check or book
or wrote a farewell letter to a love
or held my penis at the bowl
or lay my hand upon my face at the mirror
and approved of it.
21
There is Ignatow, it will be said,
looking down inside the open grave.
I'll be somewhere in my poems, I think,
to be mistaken for my bones, but There's Ignatow
will be said. I say to those who persist,
just read what I have written.
I'll be there, held together by another kind
of structure, of thought and imagery,
mind and matter, love and longing, tensions
opposite, such as the skeleton requires
to stand upright, to move with speed,
to sit with confidence, my friend the skeleton
and I its friend, shielding it from harm.
~ David Ignatow,
488:When I started sixth grade, the other kids made fun of Brian and me because we were so skinny. They called me spider legs, skeleton girl, pipe cleaner, two-by-four, bony butt, stick woman, bean pole, and giraffe, and they said I could stay dry in the rain by standing under a telephone wire. At lunchtime, when other kids unwrapped their sandwiches or bought their hot meals, Brian and I would get out books and read. Brian told everyone he had to keep his weight down because he wanted to join the wrestling team when he got to high school. I told people that I had forgotten to bring my lunch. No one believed me, so I started hiding in the bathroom during lunch hour. I’d stay in one of the stalls with the door locked and my feet propped up so that no one would recognize my shoes. When other girls came in and threw away their lunch bags in the garbage pails, I’d go retrieve them. I couldn’t get over the way kids tossed out all this perfectly good food: apples, hard-boiled eggs, packages of peanut-butter crackers, sliced pickles, half-pint cartons of milk, cheese sandwiches with just one bite taken out because the kid didn’t like the pimentos in the cheese. I’d return to the stall and polish off my tasty finds. There was, at times, more food in the wastebasket than I could eat. The first time I found extra food—a bologna-and-cheese sandwich—I stuffed it into my purse to take home for Brian. Back in the classroom, I started worrying about how I’d explain to Brian where it came from. I was pretty sure he was rooting through the trash, too, but we never talked about it. As I sat there trying to come up with ways to justify it to Brian, I began smelling the bologna. It seemed to fill the whole room. I became terrified that the other kids could smell it, too, and that they’d turn and see my overstuffed purse, and since they all knew I never ate lunch, they’d figure out that I had pinched it from the trash. As soon as class was over, I ran to the bathroom and shoved the sandwich back in the garbage can. ~ Jeannette Walls,
489:Well, young fellow, I hope you’re not trying to see what cards I’m holding,” one of the cardplayers said with a twinkle in his eye. “Your eyes are bigger than my ice-cream bowl.”
Benny felt his ears get red. “Are you playing Go Fish?” he asked. “That’s what we played in the car when we drove from Greenfield. Only now it’s time for Go Eat Ice Cream, not Go Fish.”
Everyone at the table chuckled.
“I’m getting chocolate ice cream,” Benny continued. “And know what? We’re going to Skeleton Point. Grandfather’s cousin Charlotte bought it--even the skeletons. She asked us to help her fix up the house. We might even get to stay there overnight.”
The players looked up from their cards when they heard this.
“Well,” one silver-haired lady said, “you must be very brave. A lot of strange things have been going on at Skeleton Point ever since Charlotte bought Dr. Tibbs’s old place.”
Another man at the table put his finger to his lips. “Now, don’t go scaring the boy with all that foolish talk about the Walking Skeleton.”
The woman ignored the man. “Well, don’t say we didn’t warn you. I heard from William Mason, who’s working out there, that there’s a skeleton in the house trying to turn into a real person again. If you ask me, that’s why some of those statues have missing parts.”
Now Benny’s eyes were bigger than dinner plates.
“Everything’s been falling down at Skeleton Point for years, especially those statues. I was glad to hear Charlotte’s going to fix up the place. That’ll stop all this Walking Skeleton nonsense.”
“Maybe the Walking Skeleton is a real person already,” Benny said. “I’m a walking skeleton, too. Only I have muscles on top of my skeleton.”
The cardplayers laughed again and returned to their game.
When the Aldens got their cones, they sat on the front porch of the general store to enjoy their ice cream.
“Where to next?” Grandfather asked when everyone had finished. “As if I didn’t know.”
Skeleton Point!” the children cried at the same time.
Skeleton Point it is,” Grandfather said.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
490:History is a delicate matter in a diverse country. Shortly after the fall of the Alamo—likewise in 1836—Mexican troops defeated the Texans at the Battle of Coleto Creek near Goliad, Texas. The Texans surrendered, believing they would be treated as prisoners of war. Instead, the Mexicans marched the 300 or so survivors to Goliad and shot them in what became known as the Goliad Massacre. Mexicans resent the term “massacre.” With the city of Goliad now half Hispanic, they insist on “execution.” Many Anglos, said Benny Martinez of the Goliad chapter of the League of United Latin American Citizens (LULAC), “still hate Mexicans and using ‘massacre’ is a subtle way for them to express it.”
Watertown, Massachusetts, had a different disagreement about history. In 2007, the town’s more than 8,000 Armenian-Americans were so angry at the Anti-Defamation League’s refusal to recognize the World War I Turkish massacres of Armenians as genocide that they persuaded the city council to cut ties with the ADL’s “No Place For Hate” program designed to fight discrimination. Other towns with a strong Armenian presence—Newton, Belmont, Somerville, and Arlington—were considering breaking with the ADL.
Filmmaker Ken Burns has learned that diversity complicates history. When he made a documentary on the Second World War, Latino groups complained it did not include enough Hispanics—even though none had seen it. Mr. Burns bristled at the idea of changing his film, but Hispanics put enough pressure on the Public Broadcasting Service to force him to.
Even prehistory is divisive. In 1996, two men walking along the Columbia River in Washington State discovered a skeleton that was found to be 9,200 years old. “Kennewick Man,” as the bones came to be called, was one of the oldest nearly complete human skeletons ever uncovered in North America and was of great interest to scientists because his features were more Caucasian than American Indian. Local Indians claimed he was an ancestor and insisted on reburying him. It took more than eight years of legal battles before scientists got full access to the remains. ~ Jared Taylor,
491:Stanley Meets Mutesa
Such a time of it they had;
The heat of the day
The chill of the night
And the mosquitoes that followed.
Such was the time and
They bound for a kingdom.
The thin weary line of carries
With tattered dirty rags to cover their backs;
The battered bulky chests
That kept on falling off their shaven heads.
Their tempers high and hot
The sun fierce and scorching
With it rose their spirits
With its fall their hopes
As each day sweated their bodies dry and
Flies clung in clumps on their sweat scented backs.
Such was the march
And the hot season just breaking.
Each day a weary pony dropped
Left for the vultures on the plains;
Each afternoon a human skeleton collapsed,
But the march trudged on
Its Khaki leader in front
He the spirit that inspired
He the light of hope.
Then came the afternoon of a hungry march,
A hot and hungry march it was;
The Nile and the Nyanza
Lay like two twins
Azure across the green country side.
The march leapt on chaunting
Like young gazelles to a water hole.
Heart beat faster
Loads felt lighter
As the cool water lapt their sore feet.
No more the dread of hungry hyenas
But only tales of valour when
At Mutesa’s court fires are lit.
No more the burning heat of the day
But song, laughter and dance.
The village looks on behind banana groves,
Children peer behind reed fences.
Such was the welcome
No singing women to chaunt a welcome
Or drums to greet the white ambassador;
Only a few silent nods from aged faces
And one rumbling drum roll
To summon Mutesa’s court to parley
For the country was not sure.
The gate of needs is flung open,
There is silence
But only a moment’s silenceA silence of assessment.
The tall black king steps forward,
He towers over the thin bearded white man,
Then grabbing his lean white hand
Manages to whisper
“Mtu Mweupe Karibu”
white man you are welcome.
The gate of polished reed closes behind them
And the West is let in.
~ David Rubadiri,
492:The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again. ~ Richard Adams,
493:The Chase
Quick, fly to the covert, thou hunted of men!
For the bloodhounds are baying o'er mountain and glen;
The riders are mounted, the loose rein is given,
And curses of wrath are ascending to heaven.
O, speed to thy footsteps! for ruin and death,
Like the hurricane's rage, gather thick round thy path;
And the deep muttered curses grow loud and more loud,
As horse after horse swells the thundering crowd.
Speed, speed, to thy footsteps! thy track has been found;
Now,
sport
for the
rider
, and
blood
for the
hound!
Through brake and through forest the man-prey is driven;
O, help for the hopeless, thou merciful Heaven!
On! on to the mountain! they're baffled again,
And hope for the woe-stricken still may remain;
The fast-flagging steeds are all white with their foam,
The bloodhounds have turned from the chase to their home.
Joy! joy to the wronged one! the haven he gains,
Escaped from his thraldom, and freed from his chains!
The heaven-stamped image-the God-given soulNo more shall the spoiler at pleasure control.
O, shame to Columbia, that on her bright plains,
Man pines in his fetters, and curses his chains!
Shame! shame! that her star-spangled banner should wave
Where the lash is made red in the blood of the slave.
Sons of old Pilgrim Fathers! and are ye thus dumb?
Shall tyranny triumph, and freedom succumb?
While mothers are torn from their children apart,
And agony sunders the cords of the heart?
309
Shall the sons of those sires that once spurned the chain,
Turn bloodhounds to hunt and make captive again?
O, shame to your honor, and shame to your pride,
And shame on your memory ever abide!
Will not your old sires start up from the ground,
At the crack of the whip, and bay of the hound,
And shaking their skeleton hands in your face,
Curse the germs that produced such a miscreant race?
O, rouse ye for freedom, before on your path
Heaven pours without mixture the vials of wrath!
Loose every hard burden-break off every chainRestore to the bondman his freedom again.
~ Anonymous Americas,
494:Memory's River
In Nature's bright blossoms not always reposes
That strange subtle essence more rare than their bloom,
Which lies in the hearts of carnations and roses,
That unexplained something by men called perfume.
Though modest the flower, yet great is its power
And pregnant with meaning each pistil and leaf,
If only it hides there, if only abides there,
The fragrance suggestive of love, joy and grief.
Not always the air that a master composes
Can stir human heart-strings with pleasure or pain.
But strange, subtle chords, like the scent of the roses,
Breathe out of some measures, though simple the strain.
And lo! when you hear them, you love them and fear them,
You tremble with anguish, you thrill with delight,
For back of them slumber old dreams without number,
And faces long vanished peer out into sight.
Those dear foolish days when the earth seemed all beauty,
Before you had knowledge enough to be sad;
When youth held no higher ideal of duty
Than just to lilt on through the world and be glad.
On harmony's river they seemed to float hither
With all the sweet fancies that hung round that timeLife's burdens and troubles turn into air-bubbles
And break on the music's swift current of rhyme.
Fair Folly comes back with her spell while you listen
And points to the paths where she led you of old.
You gaze on past sunsets, you see dead stars glisten,
You bathe in life's glory, you swoon in death's cold.
All pains and all pleasures surge up through those measures,
Your heart is wrenched open with earthquakes of sound;
From ashes and embers rise Junes and Decembers,
Lost islands in fathoms of feeling refound.
391
Some airs are like outlets of memory's oceans,
They rise in the past and flow into the heart;
And down them float shipwrecks of mighty emotions,
All sea-soaked and storm-tossed and drifting apart:
Their fair timbers battered, their lordly sails tattered,
Their skeleton crew of dead days on their decks;
Then a crash of chords blending, a crisis, an endingThe music is over, and vanished the wrecks.
~ Ella Wheeler Wilcox,
495:GOAT HOUR GOSPEL (SUCH SALVAGE) BY MARK WAGENAAR   Just as the evening’s about to move on, they appear, not as the apparitional deer— here, & gone in the next moment, without a sound—but one by one, bumbling through briar, chewing through poison ivy, sniffing at trees. A slow procession walking beneath elms & birches that hold up the last light. And you’re alone with the traces of things, the news in front of you: the crooked skeleton of Richard III was dug up from a parking lot, humpbacked, once buried in his boots & battlefield wounds. Nearby a lost river has been uncovered, & coughed up its mouthful of Roman skulls. No relic is safe, it seems, from an invisible tide that presses them upward. Sometimes it’s not the loss that hurts but the indignities of the discovery. And yet beside the diggers & builders of new things is this mangy congregation, pushing through the scrub without a trail or blueprint or direction. Their dirty white fur shines a little in this late, lost hour. They bleat as they shamble & piss on each other without warning, or maybe as a warning, or in greeting. They’ll eat anything—tin can, T-shirt, canvas sack, bones of animals & kings, & carry them awhile. And so do we: each night, across the country, people turn up at hospitals unable to speak, for the needle or nail lodged in their throats. They’re unable to explain why, but we know— that desperate mix of need & panic that can drive us to keep something safe for good. These dearest items take your words & leave them luminous, radiolucent, shining on the X-ray, like this swallowed ring: a ghostly eclipse. Small comfort to share an appetite with these goats, this dishevelled lot. But a comfort, too, to know that some things will be saved from the soil, rescued from time’s indignities, if only for a little while, & by these scruffy reliquaries, on the other side of the valley now, flickering slightly as they near the vanishing point of the timberline. And we might call such salvage mercy . And it must be even for the undeserving, for those of us who didn’t live right, or live best. Whatever that means. Mercy will find us, even when we fail to recognize it, when we least expect it. ~ Anonymous,
496:The Swagman's Rest
We buried old Bob where the bloodwoods wave
At the foot of the Eaglehawk;
We fashioned a cross on the old man's grave
For fear that his ghost might walk;
We carved his name on a bloodwood tree
With the date of his sad decease
And in place of "Died from effects of spree"
We wrote "May he rest in peace".
For Bob was known on the Overland,
A regular old bush wag,
Tramping along in the dust and sand,
Humping his well-worn swag.
He would camp for days in the river-bed,
And loiter and "fish for whales".
"I'm into the swagman's yard," he said.
"And I never shall find the rails."
But he found the rails on that summer night
For a better place -- or worse,
As we watched by turns in the flickering light
With an old black gin for nurse.
The breeze came in with the scent of pine,
The river sounded clear,
When a change came on, and we saw the sign
That told us the end was near.
He spoke in a cultured voice and low -"I fancy they've 'sent the route';
I once was an army man, you know,
Though now I'm a drunken brute;
But bury me out where the bloodwoods wave,
And, if ever you're fairly stuck,
Just take and shovel me out of the grave
And, maybe, I'll bring you luck.
"For I've always heard --" here his voice grew weak,
His strength was wellnigh sped,
He gasped and struggled and tried to speak,
Then fell in a moment -- dead.
Thus ended a wasted life and hard,
487
Of energies misapplied -Old Bob was out of the "swagman's yard"
And over the Great Divide.
The drought came down on the field and flock,
And never a raindrop fell,
Though the tortured moans of the starving stock
Might soften a fiend from hell.
And we thought of the hint that the swagman gave
When he went to the Great Unseen -We shovelled the skeleton out of the grave
To see what his hint might mean.
We dug where the cross and the grave posts were,
We shovelled away the mould,
When sudden a vein of quartz lay bare
All gleaming with yellow gold.
'Twas a reef with never a fault nor baulk
That ran from the range's crest,
And the richest mine on the Eaglehawk
Is known as "The Swagman's Rest".
~ Banjo Paterson,
497:An Unmerry Christmas
Christmas, you tell me, comes but once a year.
One place it never comes, and that is here.
Here, in these pages no good wishes spring,
No well-worn greetings tediously ring
For Christmas greetings are like pots of ore:
The hollower they are they ring the more.
Here shall no holly cast a spiny shade,
Nor mistletoe my solitude invade,
No trinket-laden vegetable come,
No jorum steam with Sheolate of rum.
No shrilling children shall their voices rear.
Hurrah for Christmas without Christmas cheer!
No presents, if you please-I know too well
What Herbert Spencer, if he didn't tell
(I know not if he did) yet might have told
Of present-giving in the days of old,
When Early Man with gifts propitiated
The chiefs whom most he doubted, feared and hated,
Or tendered them in hope to reap some rude
Advantage from the taker's gratitude.
Since thus the Gift its origin derives
(How much of its first character survives
You know as well as I) my stocking's tied,
My pocket buttoned-with my soul inside.
I save my money and I save my pride.
Dinner? Yes; thank you-just a human body
Done to a nutty brown, and a tear toddy
To give me appetite; and as for drink,
About a half a jug of blood, I think,
Will do; for still I love the red, red wine,
Coagulating well, with wrinkles fine
Fretting the satin surface of its flood.
O tope of kings-divine Falernian-blood!
Duse take the shouting fowls upon the limb,
The kneeling cattle and the rising hymn!
Has not a pagan rights to be regarded-
170
His heart assaulted and his ear bombarded
With sentiments and sounds that good old Pan
Even in his demonium would ban?
No, friends-no Christmas here, for I have sworn
To keep my heart hard and my knees unworn.
Enough you have of jester, player, priest:
I as the skeleton attend your feast,
In the mad revelry to make a lull
With shaken finger and with bobbing skull.
However you my services may flout,
Philosophy disdain and reason doubt,
I mean to hold in customary state,
My dismal revelry and celebrate
My yearly rite until the crack o' doom,
Ignore the cheerful season's warmth and bloom
And cultivate an oasis of gloom.
~ Ambrose Bierce,
498:On the deck was a skeleton. Some of the bugs seemed to be fighting for the last scraps of flesh but pretty much everything but bone and some scraps of skin and hair were gone. Bugs were even crawling in and out of the eye sockets, cleaning out the brains.

“Holy crap,” Woodman said, “I don’t want those getting on me!”

“I just figured out what they are,” Gardner said, stepping through the hatch after a flash around with her light. Every step caused a crunch. “And they won’t bite.”

“They stripped that guy to the bone!” Woodman said.

“That’s what they do,” Gardner said, bending down and picking up one of the beetles. It skittered along her arm and she shook it off. “They’re carrion beetles.”

“Carrion?” Woodman said. “So they eat people?”

“They eat dead flesh,” Gardner said. “I’d heard Wolf say he’d ‘seeded’ the boat. I didn’t know it was with these.”

“Wolf did this?” Woodman said angrily. “To our people?”

“Six of us came off, Woodie,” Gardner said softly. “Ninety-four and twenty-six refugees didn’t. You’ve carried bodies. You know how heavy they are. Now . . . they’re not.”

“That’s horrible,” Woodman said.

“No,” Gardner said, flashing her light around. “It’s efficient, simple and brutal. It’s Wolf all over if you think about it. These things only eat dead flesh. They may get into some of the electronics but those are mostly thrashed by the infecteds, anyway. It cleans the boat out of the main issue, the dead meat on the dead people. If we ever get around to clearing this out, all we’ll have to do is bag the bones.”

“We won’t know who’s who,” Woodman said.

“Does it matter?” Gardner said. “There’s a big thing, it’s called an ossuary, in France. All the guys who died in a certain battle in World War One. They buried them, waited for bugs like this to do their work, then dug them back up. All of certain bones are on the left, all the others are on the right and the skulls are in the middle.”

She picked up the skull of the former Coast Guard crewman and looked at it as beetles poured out.

“I don’t know who you were but you were my brother,” Gardner said. “This way, I know I can give you a decent burial. And I will remember you. Now, we’ve got a mission to complete, Woodman, and people waiting on us. Live people. Let the dead bury the dead. ~ John Ringo,
499:Without You
Without you every morning would feel like going back to work after a holiday,
Without you I couldn't stand the smell of the East Lancs Road,
Without you ghost ferries would cross the Mersey manned by skeleton crews,
Without you I'd probably feel happy and have more money and time and nothing
to do with it,
Without you I'd have to leave my stillborn poems on other people's doorsteps,
wrapped in brown paper,
Without you there'd never be sauce to put on sausage butties,
Without you plastic flowers in shop windows would just be plastic flowers in shop
windows,
Without you I'd spend my summers picking morosley over the remains of train
crashes,
Without you white birds would wrench themselves free from my paintings and fly
off dripping blood into the night,
Without you green apples wouldn't taste greener,
Without you Mothers wouldn't let their children play out after tea,
Without you every musician in the world would forget how to play the blues,
Without you Public Houses would be public again,
Without you the Sunday Times colour suppliment would come out in black-andwhite,
Without you indifferent colonels would shrug their shoulders and press the
button,
Without you they's stop changing the flowers in Piccadilly Gardens,
Without you Clark Kent would forget how to become Superman,
Without you Sunshine Breakfast would only consist of Cornflakes,
Without you there'd be no colour in Magic colouring books,
Without you Mahler's 8th would only be performed by street musicians in derelict
houses,
Without you they'd forget to put the salt in every packet of crisps,
Without you it would be an offence punishable by a fine of up to £200 or two
months' imprisonment to be found in possession of curry powder,
Without you riot police are massing in quiet sidestreets,
Without you all streets would be one-way the other way,
Without you there'd be no one to kiss goodnight when we quarrel,
Without you the first martian to land would turn round and go away again,
Without you they'd forget to change the weather,
Without you blind men would sell unlucky heather,
Without you there would be
no landscapes/no stations/no houses
46
no chipshops/no quiet villages/no seagulls
on beaches/no hopscotch on pavements/no night/no morning/
there'd be no city no country
Without you.
~ Adrian Henri,
500:Ceremony After A Fire Raid
Myselves
The grievers
Grieve
Among the street burned to tireless death
A child of a few hours
With its kneading mouth
Charred on the black breast of the grave
The mother dug, and its arms full of fires.
Begin
With singing
Sing
Darkness kindled back into beginning
When the caught tongue nodded blind,
A star was broken
Into the centuries of the child
Myselves grieve now, and miracles cannot atone.
Forgive
Us forgive
Us your death that myselves the believers
May hold it in a great flood
Till the blood shall spurt,
And the dust shall sing like a bird
As the grains blow, as your death grows, through our heart.
Crying
Your dying
Cry,
Child beyond cockcrow, by the fire-dwarfed
Street we chant the flying sea
In the body bereft.
Love is the last light spoken. Oh
Seed of sons in the loin of the black husk left.
II
50
I know not whether
Adam or Eve, the adorned holy bullock
Or the white ewe lamb
Or the chosen virgin
Laid in her snow
On the altar of London,
Was the first to die
In the cinder of the little skull,
O bride and bride groom
O Adam and Eve together
Lying in the lull
Under the sad breast of the head stone
White as the skeleton
Of the garden of Eden.
I know the legend
Of Adam and Eve is never for a second
Silent in my service
Over the dead infants
Over the one
Child who was priest and servants,
Word, singers, and tongue
In the cinder of the little skull,
Who was the serpent's
Night fall and the fruit like a sun,
Man and woman undone,
Beginning crumbled back to darkness
Bare as nurseries
Of the garden of wilderness.
III
Into the organpipes and steeples
Of the luminous cathedrals,
Into the weathercocks' molten mouths
Rippling in twelve-winded circles,
Into the dead clock burning the hour
Over the urn of sabbaths
Over the whirling ditch of daybreak
Over the sun's hovel and the slum of fire
51
And the golden pavements laid in requiems,
Into the bread in a wheatfield of flames,
Into the wine burning like brandy,
The masses of the sea
The masses of the sea under
The masses of the infant-bearing sea
Erupt, fountain, and enter to utter for ever
Glory glory glory
The sundering ultimate kingdom of genesis' thunder.
~ Dylan Thomas,
501:On The Portrait Of A Beautiful Woman,
CARVED ON HER MONUMENT.
Such _wast_ thou: now in earth below,
Dust and a skeleton thou art.
Above thy bones and clay,
Here vainly placed by loving hands,
Sole guardian of memory and woe,
The image of departed beauty stands.
Mute, motionless, it seems with pensive gaze
To watch the flight of the departing days.
That gentle look, that, wheresoe'er it fell,
As now it seems to fall,
Held fast the gazer with its magic spell;
That lip, from which as from some copious urn,
Redundant pleasure seems to overflow;
That neck, on which love once so fondly hung;
That loving hand, whose tender pressure still
The hand it clasped, with trembling joy would thrill;
That bosom, whose transparent loveliness
The color from the gazer's cheek would steal;
All these _have been_; and now remains alone
A wretched heap of bones and clay,
Concealed from sight by this benignant stone.
To this hath Fate reduced
The form, that, when with life it beamed,
To us heaven's liveliest image seemed.
O Nature's endless mystery!
To-day, of grand and lofty thoughts the source,
And feelings not to be described,
Beauty rules all, and seems,
Like some mysterious splendor from on high
Forth-darted to illuminate
This dreary wilderness;
Of superhuman fate,
Of fortunate realms, and golden worlds,
A token, and a hope secure
To give our mortal state;
62
To-morrow, for some trivial cause,
Loathsome to sight, abominable, base
Becomes, what but a little time before
Wore such an angel face;
And from our minds, in the same breath,
The grand conception it inspired,
Swift vanishes and leaves no trace.
What infinite desires,
What visions grand and high,
In our exalted thought,
With magic power creates, true harmony!
O'er a delicious and mysterious sea,
The exulting spirit glides,
As some bold swimmer sports in Ocean's tides:
But oh, the mischief that is wrought,
If but one accent out of tune
Assaults the ear! Alas, how soon
Our paradise is turned to naught!
O human nature, why is this?
If frail and vile throughout,
If shadow, dust thou art, say, why
Hast thou such fancies, aspirations high?
And yet, if framed for nobler ends,
Alas, why are we doomed
To see our highest motives, truest thoughts,
By such base causes kindled, and consumed?
~ Count Giacomo Leopardi,
502:There was a full-sized seated skeleton in front of them on the steps. “The Walking Skeleton!” Benny said.
Henry chuckled. “No, I guess you’d have to call it the Sitting Skeleton. It’s just sitting there as if it stopped to take a rest.”
“I’m not afraid of Halloween tricks even when it’s not Halloween.” Benny scurried past the skeleton.
Henry looked very serious. “Now I know someone is trying to scare us away from Skeleton Point again,” he said.
“You’re probably right, Henry,” said Jessie. “But who could it be?”
“William Mason and Hilda Stone,” said Benny, almost immediately. “They’re mean to us, and they don’t want us around.”
“You’re right, Benny. Remember that man in town said William Mason wanted to buy Skeleton Point for himself? Maybe he’s mad at Charlotte for buying it first.”
Jessie looked thoughtful. “What about Greeny?” she asked. “We know he doesn’t want us around, either--and we know he’s taking things from the house. Maybe he wants to scare us away so we won’t figure out what he’s up to. We should still keep an eye on him.”
Henry agreed. “In fact, we should keep an eye on all of them.”
When they returned to the house, the Aldens found that William had joined Hilda outside.
Jessie waved. “Hi!” she called out, as if she had come straight from her errand across the lake. “Sorry we took so long. The hardware store was out of those light switches.”
Hilda and William kept working. It seemed neither of them wanted to say anything.
Finally Hilda spoke up. “Oh, it turns out we don’t need them after all.”
William pushed back the brim of his red hat and checked his watch. “Half the day’s gone. I don’t see much use for you kids sticking around here. Hilda and I are doing some technical work Charlotte asked us to do--not something suitable for children.”
“We know how to measure, too” Benny said. “I learned in kindergarten.”
Hilda hesitated. “What we’re doing is a little more complicated than what you do in school. Now, why don’t you children go for a bike ride. Or a swim,” she suggested before going into the house.
Henry turned to William. “We already went for a swim,” he said. “An unplanned one.”
William didn’t say anything about untying the Alden’s boat, but he looked away and cleared his throat. “Well, then, go for a planned one this afternoon. Take tomorrow off, too. Everything’s under control here.”
Before William turned to go into the house, the Aldens looked down. Just as they suspected, William was wearing heavy work boots that left deep prints just like the ones near the statue.

The Mystery at Skeleton Point ~ Gertrude Chandler Warner,
503:Ocean Acidification is sometimes referred to as Global Warming's Equally Evil Twin. The irony is intentional and fair enough as far as it goes... No single mechanism explains all the mass extinctions in the record and yet changes in ocean chemistry seem to be a pretty good predictor. Ocean Acidification played a role in at least 2 of the Big Five Extinctions: the End-Permian and the End-Triassic. And quite possibly it was a major factor in a third, the End-Cretaceous. ...Why is ocean acidification so dangerous? The question is tough to answer only because the list of reasons is so long. Depending on how tightly organisms are able to regulate their internal chemistry, acidification may affect such basic processes as metabolism, enzyme activity, and protein function. Because it will change the makeup of microbial communities, it will alter the availability of key nutrients, like iron and nitrogen. For similar reasons, it will change the amount of light that passes through the water, and for somewhat different reasons, it will alter the way sound propagates. (In general, acidification is expected to make the seas noisier.) It seems likely to promote the growth of toxic algae. It will impact photosynthesis—many plant species are apt to benefit from elevated CO2 levels—and it will alter the compounds formed by dissolved metals, in some cases in ways that could be poisonous.

Of the myriad possible impacts, probably the most significant involves the group of creatures known as calcifiers. (The term calcifier applies to any organism that builds a shell or external skeleton or, in the case of plants, a kind of internal scaffolding out of the mineral calcium carbonate.)...

Ocean acidification increases the cost of calcification by reducing the number of carbonate ions available to organisms that build shells or exoskeletons. Imagine trying to build a house while someone keeps stealing your bricks. The more acidified the water, the greater the energy that’s required to complete the necessary steps. At a certain point, the water becomes positively corrosive, and solid calcium carbonate begins to dissolve. This is why the limpets that wander too close to the vents at Castello Aragonese end up with holes in their shells.

According to geologists who work in the area, the vents have been spewing carbon dioxide for at least several hundred years, maybe longer. Any mussel or barnacle or keel worm that can adapt to lower pH in a time frame of centuries presumably already would have done so. “You give them generations on generations to survive in these conditions, and yet they’re not there,” Hall-Spencer observed. ~ Elizabeth Kolbert,
504:[Adapted and condensed Valedictorian speech:]

I'm going to ask that you seriously consider modeling your life, not in the manner of the Dalai Lama or Jesus - though I'm sure they're helpful - but something a bit more hands-on, Carassius auratus auratus, commonly known as the domestic goldfish. People make fun of the goldfish. People don't think twice about swallowing it. Jonas Ornata III, Princeton class of '42, appears in the Guinness Book of World Records for swallowing the greatest number of goldfish in a fifteen-minute interval, a cruel total of thirty-nine. In his defense, though, I don't think Jonas understood the glory of the goldfish, that they have magnificent lessons to teach us. If you live like a goldfish, you can survive the harshest, most thwarting of circumstances. You can live through hardships that make your cohorts - the guppy, the neon tetra - go belly-up at the first sign of trouble. There was an infamous incident described in a journal published by the Goldfish Society of America - a sadistic five-year-old girl threw hers to the carpet, stepped on it, not once but twice - luckily she'd done it on a shag carpet and thus her heel didn't quite come down fully on the fish. After thirty harrowing seconds she tossed it back into its tank. It went on to live another forty-seven years. They can live in ice-covered ponds in the dead of winter. Bowls that haven't seen soap in a year. And they don't die from neglect, not immediately. They hold on for three, sometimes four months if they're abandoned. If you live like a goldfish, you adapt, not across hundreds of thousands of years like most species, having to go through the red tape of natural selection, but within mere months, weeks even. You give them a little tank? They give you a little body. Big tank? Big body. Indoor. Outdoor. Fish tanks, bowls. Cloudy water, clear water. Social or alone. The most incredible thing about goldfish, however, is their memory. Everyone pities them for only remembering their last three seconds, but in fact, to be so forcibly tied to the present - it's a gift. They are free. No moping over missteps, slip-ups, faux pas or disturbing childhoods. No inner demons. Their closets are light filled and skeleton free. And what could be more exhilarating than seeing the world for the very first time, in all of its beauty, almost thirty thousand times a day? How glorious to know that your Golden Age wasn't forty years ago when you still had all you hair, but only three seconds ago, and thus, very possibly it's still going on, this very moment." I counted three Mississippis in my head, though I might have rushed it, being nervous. "And this moment, too." Another three seconds. "And this moment, too." Another. "And this moment, too. ~ Marisha Pessl,
505:I once read the most widely understood word in the whole world is ‘OK’, followed by ‘Coke’, as in cola. I think they should do the survey again, this time checking for ‘Game Over’.
Game Over is my favorite thing about playing video games. Actually, I should qualify that. It’s the split second before Game Over that’s my favorite thing.
Streetfighter II - an oldie but goldie - with Leo controlling Ryu. Ryu’s his best character because he’s a good all-rounder - great defensive moves, pretty quick, and once he’s on an offensive roll, he’s unstoppable. Theo’s controlling Blanka. Blanka’s faster than Ryu, but he’s really only good on attack. The way to win with Blanka is to get in the other player’s face and just never let up. Flying kick, leg-sweep, spin attack, head-bite. Daze them into submission.
Both players are down to the end of their energy bars. One more hit and they’re down, so they’re both being cagey. They’re hanging back at opposite ends of the screen, waiting for the other guy to make the first move. Leo takes the initiative. He sends off a fireball to force Theo into blocking, then jumps in with a flying kick to knock Blanka’s green head off. But as he’s moving through the air he hears a soft tapping. Theo’s tapping the punch button on his control pad. He’s charging up an electricity defense so when Ryu’s foot makes contact with Blanka’s head it’s going to be Ryu who gets KO’d with 10,000 volts charging through his system.
This is the split second before Game Over.
Leo’s heard the noise. He knows he’s fucked. He has time to blurt ‘I’m toast’ before Ryu is lit up and thrown backwards across the screen, flashing like a Christmas tree, a charred skeleton. Toast.
The split second is the moment you comprehend you’re just about to die. Different people react to it in different ways. Some swear and rage. Some sigh or gasp. Some scream. I’ve heard a lot of screams over the twelve years I’ve been addicted to video games.
I’m sure that this moment provides a rare insight into the way people react just before they really do die. The game taps into something pure and beyond affectations. As Leo hears the tapping he blurts, ‘I’m toast.’ He says it quickly, with resignation and understanding. If he were driving down the M1 and saw a car spinning into his path I think he’d in react the same way.
Personally, I’m a rager. I fling my joypad across the floor, eyes clenched shut, head thrown back, a torrent of abuse pouring from my lips.
A couple of years ago I had a game called Alien 3. It had a great feature. When you ran out of lives you’d get a photo-realistic picture of the Alien with saliva dripping from its jaws, and a digitized voice would bleat, ‘Game over, man!’
I really used to love that. ~ Alex Garland,
506:You. Man at the machine and man in the workshop. If tomorrow they tell you you are to make no more water-pipes and saucepans but are to make steel helmets and machine-guns, then there's only one thing to do:

Say NO!

You. Woman at the counter and woman in the office. If tomorrow they tell you you are to fill shells and assemble telescopic sights for snipers' rifles, then there's only one thing to do:

Say NO!

You. Research worker in the laboratory. If tomorrow they tell you you are to invent a new death for the old life, then there's only one thing to do:

Say NO!

You. Priest in the pulpit. If tomorrow they tell you you are to bless murder and declare war holy, then there's only one thing to do:

Say NO!

You. Pilot in your aeroplane. If tomorrow they tell you you are to
carry bombs over the cities, then there's only one thing to do: Say NO!

You. Man of the village and man of the town. If tomorrow they come and give you your call-up papers, then there's only one thing to do:

Say NO!

You. Mother in Normandy and mother in the Ukraine, mother in Vancouver and in London, you on the Hwangho and on the Mississippi, you in Naples and Hamburg and Cairo and Oslo - mothers in all parts of the earth, mothers of the world, if tomorrow they tell you you are to bear new soldiers for new battles, then there's only one thing to do:

Say NO!

For if you do not say NO - if YOU do not say no - mothers, then: then!

In the bustling hazy harbour towns the big ships will fall silent as corpses against the dead deserted quay walls, their once shimmering bodies overgrown with seaweed and barnacles, smelling of graveyards and rotten fish.

The trams will lie like senseless glass-eyed cages beside the twisted steel skeleton of wires and track.

The sunny juicy vine will rot on decaying hillsides, rice will dry in the withered earth, potatoes will freeze in the unploughed land and cows will stick their death-still legs into the air like overturned chairs.

In the fields beside rusted ploughs the corn will be flattened like a beaten army.

Then the last human creature, with mangled entrails and infected lungs, will wander around, unanswered and lonely, under the poisonous glowing sun, among the immense mass graves and devastated cities.

The last human creature, withered, mad, cursing, accusing - and the terrible accusation: WHY?

will die unheard on the plains, drift through the ruins, seep into the rubble of churches, fall into pools of blood, unheard, unanswered,

the last animal scream of the last human animal -

All this will happen tomorrow, tomorrow, perhaps, perhaps even tonight, perhaps tonight, if - if -

You do not say NO. ~ Wolfgang Borchert,
507:Somehow the realization that nothing was to be hoped for had a salutary effect upon me. For weeks and months, for years, in fact, all my life I had been looking forward to something happening, some intrinsic event that would alter my life, and now suddenly, inspired by the absolute hopelessness of
everything, I felt relieved, felt as though a great burden had been lifted from my shoulders. At dawn I parted company with the young Hindu, after touching him for a few francs, enough for a room. Walking toward Montparnasse I decided to let myself drift with the tide, to make not the least resistance to fate, no matter in what form it presented itself. Nothing that had happened to me thus far had been sufficient to destroy me; nothing had been destroyed except my illusions. I myself was intact. The world was intact. Tomorrow there might be a revolution, a plague, an earthquake; tomorrow there might not be left a single soul to whom one could turn for sympathy, for aid, for faith. It seemed to me that the great calamity had already manifested itself, that I could be no more truly alone than at this very moment.

I made up my mind that I would hold on to nothing, that I would expect nothing, that henceforth I would live as an animal, a beast of prey, a rover, a plunderer. Even if war were declared, and it were my lot to go, I would grab the bayonet and plunge it, plunge it up to
the hilt. And if rape were the order of the day then rape I would, and with a vengeance. At this very moment, in the quiet dawn of a new day, was not the earth giddy with crime and distress? Had one single element of man's nature been altered, vitally, fundamentally altered, by the incessant march of history?

By what he calls the better part of his nature, man has been betrayed, that is all. At the extreme limits of his spiritual being man finds himself again naked as a savage. When he finds God, as it were, he has been picked clean: he is a skeleton. One must burrow into life again in order to put on flesh. The word must become flesh; the soul thirsts. On whatever crumb
my eye fastens, I will pounce and devour. If to live is the paramount thing, then I will live, even if I must become a cannibal. Heretofore I have been trying to save my precious hide, trying to preserve the few pieces of meat that hid my bones. I am done with that. I have reached the limits of endurance. My back is to the wall; I can retreat no further. As far as history goes I am dead. If there is something beyond I shall have to bounce back. I have found God, but he is insufficient. I am only spiritually dead. Physically I am alive. Morally I am free. The world which I have departed is a menagerie. The dawn is breaking on a new world, a jungle world in which the lean spirits roam with sharp claws. If I am a hyena I am a lean and hungry one: I go forth to fatten myself. ~ Henry Miller,
508:The House Of Dust: Part 03: 09: Cabaret
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'
You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? . . .
'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . . For all the days hereafter
What have we saved—what news, what tune, what play?
'We see each other as vain and futile tricksters,—
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'
Well, you are right . . . No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.
But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,—
Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,—
263
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,
Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .
They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'
And so they go . . . In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see
The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . . They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
~ Conrad Potter Aiken,
509:Une Gravure Fantastique (A Fantastic Engraving)
Ce spectre singulier n'a pour toute toilette,
Grotesquement campé sur son front de squelette,
Qu'un diadème affreux sentant le carnaval.
Sans éperons, sans fouet, il essouffle un cheval,
Fantôme comme lui, rosse apocalyptique,
Qui bave des naseaux comme un épileptique.
Au travers de l'espace ils s'enfoncent tous deux,
Et foulent l'infini d'un sabot hasardeux.
Le cavalier promène un sabre qui flamboie
Sur les foules sans nom que sa monture broie,
Et parcourt, comme un prince inspectant sa maison,
Le cimetière immense et froid, sans horizon,
Où gisent, aux lueurs d'un soleil blanc et terne,
Les peuples de l'histoire ancienne et moderne.
A Fantastic Print
That strange specter wears nothing more
Than a diadem, atrocious and tawdry,
Grotesquely fixed on his skeleton brow.
Without spurs, without whip, he winds a horse,
A phantom like himself, an apocalyptic steed
That foams at the nostrils like an epileptic.
Both of them are plunging through space
And trampling on the infinite with daring feet.
The horseman is waving a flaming sword
Over the nameless crowds who are crushed by his mount
And examines like a prince inspecting his house,
The graveyard, immense and cold, with no horizon,
Where lie, in the glimmer of a white, lifeless sun,
The races of history, ancient and modern.
— Translated by William Aggeler
Fantastic Engraving
A monstrous spectre carries on his forehead,
And at a rakish tilt, grotesquely horrid,
518
A crown such as at carnivals parade.
Without a Whip or spur he rides a jade,
A phantom-like apocalyptic moke,
Whose nostrils seem with rabid froth to smoke.
Across unbounded space the couple moves
Spurning infinity with reckless hooves.
The horseman waves a sword that lights the gloom
Of nameless crowds he tramples to their doom,
And, like a prince his mansion, goes inspecting
The graveyard, which, no skyline intersecting,
Contains, beneath a sun that's white and bleak,
Peoples of history, modem and antique.
— Translated by Roy Campbell
Fantastic Print
This eerie specter wears no clothes at all.
A dreadful crown, reeking of carnival,
Sits weirdly on his naked skull. Without
Or spurs or whip, he wears his charger out
(A ghostly and apocalyptic nag,
Nose foaming like an epileptic hag).
The hideous pair plunge ruthlessly through space,
Trampling infinity at breakneck pace.
The horseman's flaming sword, as on they rush,
Fells victims that his steed has failed to crush,
And, like a prince inspecting his domain,
He scans the graveyard's limitless chill plain
Where, in a dull white sun's exhausted light,
Lies every race since man emerged from night.
— Translated by Jacques LeClercq
~ Charles Baudelaire,
510:Gabriel was stunned by Pandora's compassion for a man who had caused her such harm. He shook his head in wonder as he stared into her eyes, as dark as cloud-shadow on a field of blue gentian. "That doesn't excuse him," he said thickly.
Gabriel would never forgive the bastard. He wanted vengeance. He wanted to strip the flesh from the bastard's corpse and hang up his skeleton to scare the crows. His fingers contained a subtle tremor as he reached out to trace the fine edges of her face, the sweet, high plane of her cheekbone. "What did the doctor say about your ear? What treatment did he give?"
"It wasn't necessary to send for a doctor."
A fresh flood of rage seared his veins as the words sunk in. "Your eardrum was ruptured. What in God's name do you mean a doctor wasn't necessary?" Although he had managed to keep from shouting, his tone was far from civilized.
Pandora quivered uneasily and began to inch backward.
He realized the last thing she needed from him was a display of temper. Battening down his rampaging emotions, he used one arm to bring her back against his side. "No, don't pull away. Tell me what happened."
"The fever had passed," she said after a long hesitation, "and... well, you have to understand my family. If something unpleasant happened, they ignored it, and it was never spoken of again. Especially if it was something my father had done when he'd lost his temper. After a while, no one remembered what had really happened. Our family history was erased and rewritten a thousand times.
But ignoring the problem with my ear didn't make it disappear. Whenever I couldn't hear something, or when I stumbled or fell, it made my mother very angry. She said I'd been clumsy because I was hasty or careless. She wouldn't admit there was anything wrong with my hearing. She refused even to discuss it." Pandora stopped, chewing thoughtfully on her lower lip. "I'm making her sound terrible, and she wasn't. There were times when she was affectionate and kind. No one's all one way or the other." She flicked a glance of dread in his direction. "Oh God, you're not going to pity me, are you?"
"No." Gabriel was anguished for her sake, and outraged. It was all he could do to keep his voice calm. "Is that why you keep it a secret? You're afraid of being pitied?"
"That, and... it's a shame I'd rather keep private."
"Not your shame. Your father's."
"It feels like mine. Had I not been eavesdropping, my father wouldn't have disciplined me."
"You were a child," he said brusquely. "What he did wasn't bloody discipline, it was brutality."
To his surprise, a touch of unrepentant amusement curved Pandora's lips, and she looked distinctly pleased with herself. "It didn't even stop my eavesdropping. I just learned to be more clever about it."
She was so endearing, so indomitable, that Gabriel was wrenched with a feeling he'd never known before, as if all the extremes of joy and despair had been compressed into some new emotion that threatened to crack the walls of his heart. ~ Lisa Kleypas,
511:What was the shriek that struck Fancy's ear
As it sate on the ruins of time that is past?
Hark! it floats on the fitful blast of the wind,
And breathes to the pale moon a funeral sigh.
It is the Benshie's moan on the storm,
Or a shivering fiend that thirsting for sin,
Seeks murder and guilt when virtue sleeps,
Winged with the power of some ruthless king,
And sweeps o'er the breast of the prostrate plain.
It was not a fiend from the regions of Hell
That poured its low moan on the stillness of night:
It was not a ghost of the guilty dead,
Nor a yelling vampire reeking with gore;
But aye at the close of seven years' end,
That voice is mixed with the swell of the storm,
And aye at the close of seven years' end,
A shapeless shadow that sleeps on the hill
Awakens and floats on the mist of the heath.
It is not the shade of a murdered man,
Who has rushed uncalled to the throne of his God,
And howls in the pause of the eddying storm.
This voice is low, cold, hollow, and chill,
'Tis not heard by the ear, but is felt in the soul.
'Tis more frightful far than the death-daemon's scream,
Or the laughter of fiends when they howl oer the corpse
Of a man who has sold his soul to Hell.
It tells the approach of a mystic form,
A white courser bears the shadowy sprite;
More thin they are than the mists of the mountain,
When the clear moonlight sleeps on the waveless lake.
More pale HIS cheek than the snows of Nithona,
When winter rides on the northern blast,
And howls in the midst of the leafless wood.
Yet when the fierce swell of the tempest is raving,
And the whirlwinds howl in the caves of Inisfallen,
Still secure mid the wildest war of the sky,
The phantom courser scours the waste,
And his rider howls in the thunder's roar.
O'er him the fierce bolts of avenging Heaven
Pause, as in fear, to strike his head.
The meteors of midnight recoil from his figure,
Yet the 'wildered peasant, that oft passes by,
With wonder beholds the blue flash through his form:
And his voice, though faint as the sighs of the dead,
The startled passenger shudders to hear,
More distinct than the thunder's wildest roar.
Then does the dragon, who, chained in the caverns
To eternity, curses the champion of Erin,
Moan and yell loud at the lone hour of midnight,
And twine his vast wreaths round the forms of the daemons;
Then in agony roll his death-swimming eyeballs,
Though 'wildered by death, yet never to die!
Then he shakes from his skeleton folds the nightmares,
Who, shrieking in agony, seek the couch
Of some fevered wretch who courts sleep in vain;
Then the tombless ghosts of the guilty dead
In horror pause on the fitful gale.
They float on the swell of the eddying tempest,
And scared seek the caves of gigantic...
Where their thin forms pour unearthly sounds
On the blast that sweets the breast of the lake,
And mingles its swell with the moonlight air.

~ Percy Bysshe Shelley, The Spectral Horseman
,
512:With great care, Amy opened the cellar door.
With ladylike demeanor, she descended the stairs. And as her reward, she had the satisfaction of catching His Mighty Lordship sitting on the cot, his knee crooked sideways and his ankle pulled toward him, cursing at the manacle.
“I got it out of your own castle,” she said.
Northcliff jumped like a lad caught at a mischief. “My . . . castle?” At once he realized what she meant. “Here on the island, you mean. The old ancestral pile.”
“Yes.” She strolled farther into the room. “I went down into the dungeons, crawled around in among the spider webs and the skeleton of your family’s enemies—”
“Oh, come on.” He straightened his leg. “There aren’t any skeletons.”
“No,” she admitted.
“We had them removed years ago.”
For one instant, she was shocked. So his family had been ruthless murderers! Then she realized he was smirking. The big, pompous jackass was making a jest of her labors. “If I could have found manacles that were in good shape I’d have locked both your legs to the wall.”
“Why stop there? Why not my hands, too?” He moved his leg to make the chain clink loudly. “Think of your satisfaction at the image of my starving, naked body chained to the cold stone—”
“Starving?” She cast a knowledgeable eye at the empty breakfast tray, then allowed her lips to curve into a sarcastic smile.
“You’d love a look at my naked body, though, wouldn’t you?” He fixed his gaze on her, and for one second she thought she saw a lick of golden flame in his light brown eyes. “Isn’t that what this is all about?”
“I beg your pardon.” She took a few steps closer to him—although she remained well out of range of his long arms. What are you talking about?”
“I spurned you, didn’t I?”
What? What What was he going on about?
“You’re a girl from my past, an insignificant debutante I ignored at some cotillion or another. I didn’t dance with you.” He stretched out on the cot, the epitome of idle relaxation. “Or I did, but I didn’t talk to you. Or I forgot to offer you a lemonade, or—”
“I don’t believe you.” She tottered to the rocking chair and sank down. “Are you saying you think this whole kidnapping was done because you, the almighty marquees of Northcliff, treated me like a wallflower?”
“It seems unlikely I treated you as a wallflower. I have better taste than that.” He cast a critical glance up and down her workaday gown, then focused on her face. “You’re not in the common way, you must know that. With the proper gown and your hair swirled up in that style you women favor—” He twirled his fingers about his head—“you would be handsome. Perhaps even lovely.”
She gripped the arms of the chair. Even his compliments sounded like insults! “We’ve never before met, my lord.”
As if she had not spoken, he continued, “but I don’t remember you, so I must have ignored you and hurt your feelings—”
“Damn!” Exploding out of the chair, she paced behind it, gripping the back hard enough to break the wood. His arrogance was amazing. Invulnerable! “Haven’t you heard a single word I’ve said to you? Are you so conceited you can’t conceive of a woman who isn’t interested in you as a suitor?”
“It’s not conceit when it’s the truth.” He sounded quite convinced. ~ Christina Dodd,
513:Much more than skeleton, it is flash, I mean the carrion flesh, which disturb and alarm us – and which alleviates us as well. The Buddhists monks gladly frequented charnel houses: where corner desire more surely and emancipate oneself from it? The horrible being a path of liberation in every period of fervor and inwardness, our remains have enjoyed great favor. In the Middle Ages, a man made a regimen of salvation, he believed energetically: the corpse was in fashion. Faith was vigorous than, invincible; it cherished the livid and the fetid, it knew the profits to be derived from corruption and gruesomeness. Today, an edulcorated religion adheres only to „nice” hallucinations, to Evolution and to Progress. It is not such a religion which might afford us the modern equivalent of the dense macabre.

„Let a man who aspires to nirvana act so that nothing is dear to him”, we read in a Buddhist text. It is enough to consider these specters, to meditate on the fate of the flash which adhered to them, in order to understand the urgency of detachment. There is no ascesis in the double rumination on the flesh and on the skeleton, on the dreadful decrepitude of the one and the futile permanence of the other. It is a good exercise to sever ourselves now and then from our face, from our skin, to lay aside this deceptive sheathe, then to discard – if only for a moment – that layer of grease which keeps us from discerning what is fundamental in ourselves. Once exercise is over, we are freer and more alone, almost invulnerable.

In other to vanquish attachments and the disadvantages which derive from them, we should have to contemplate the ultimate nudity of a human being, force our eyes to pierce his entrails and all the rest, wallow in the horror of his secretions, in his physiology of an imminent corpse. This vision would not be morbid but methodical, a controlled obsession, particularly salutary in ordeals. The skeleton incites us to serenity; the cadaver to renunciation. In the sermon of futility which both of them preach to us happiness is identified with the destruction of our bounds. To have scanted no detail of such a teaching and even so to come to terms with simulacra!

Blessed was the age when solitaries could plumb their depths without seeming obsessed, deranged. Their imbalance was not assigned a negative coefficient, as is the case for us. They would sacrifice ten, twenty years, a whole life, for a foreboding, for a flash of the absolute. The word „depth” has a meaning only in connection with epochs when the monk was considered as the noblest human exemplar. No one will gain – say the fact that he is in the process of disappearing. For centuries, he has done no more than survive himself. To whom would he address himself, in a universe which calls him a „parasite”? In Tibet, the last country where monks still mattered, they have been ruled out. Yet is was a rare consolation to think that thousands of thousands of hermits could be meditating there, today, on the themes of the prajnaparamita. Even if it had only odious aspects, monasticism would still be worth more than any other ideal. Now more then ever, we should build monasteries … for those who believe in everything and for those who believe in nothing. Where to escape? There no longer exist a single place where we can professionally execrate this world. ~ Emil M Cioran,
514:I Make This In A Warring Absence
I make this in a warring absence when
Each ancient, stone-necked minute of love's season
Harbours my anchored tongue, slips the quaystone,
When, praise is blessed, her pride in mast and fountain
Sailed and set dazzling by the handshaped ocean,
In that proud sailing tree with branches driven
Through the last vault and vegetable groyne,
And this weak house to marrow-columned heaven,
Is corner-cast, breath's rag, scrawled weed, a vain
And opium head, crow stalk, puffed, cut, and blown,
Or like the tide-looped breastknot reefed again
Or rent ancestrally the roped sea-hymen,
And, pride is last, is like a child alone
By magnet winds to her blind mother drawn,
Bread and milk mansion in a toothless town.
She makes for me a nettle's innocence
And a silk pigeon's guilt in her proud absence,
In the molested rocks the shell of virgins,
The frank, closed pearl, the sea-girls' lineaments
Glint in the staved and siren-printed caverns,
Is maiden in the shameful oak, omens
Whalebed and bulldance, the gold bush of lions,
Proud as a sucked stone and huge as sandgrains.
These are her contraries: the beast who follows
With priest's grave foot and hand of five assassins
Her molten flight up cinder-nesting columns,
Calls the starved fire herd, is cast in ice,
Lost in a limp-treed and uneating silence,
Who scales a hailing hill in her cold flintsteps
Falls on a ring of summers and locked noons.
I make a weapon of an ass's skeleton
And walk the warring sands by the dead town.
Cudgel great air, wreck east, and topple sundown,
Storm her sped heart, hang with beheaded veins
Its wringing shell, and let her eyelids fasten.
81
Destruction, picked by birds, brays through the jaw-bone,
And, for that murder's sake, dark with contagion
Like an approaching wave I sprawl to ruin.
Ruin, the room of errors, one rood dropped
Down the stacked sea and water-pillared shade,
Weighed in rock shroud, is my proud pyramid;
Where, wound in emerald linen and sharp wind,
The hero's head lies scraped of every legend,
Comes love's anatomist with sun-gloved hand
Who picks the live heart on a diamond.
'His mother's womb had a tongue that lapped up mud,'
Cried the topless, inchtaped lips from hank and hood
In that bright anchorground where I lay linened,
'A lizard darting with black venom's thread
Doubled, to fork him back, through the lockjaw bed
And the breath-white, curtained mouth of seed.'
'See,' drummed the taut masks, 'how the dead ascend:
In the groin's endless coil a man is tangled.'
These once-blind eyes have breathed a wind of visions,
The cauldron's root through this once-rindless hand
Fumed like a tree, and tossed a burning bird;
With loud, torn tooth and tail and cobweb drum
The crumpled packs fled past this ghost in bloom,
And, mild as pardon from a cloud of pride,
The terrible world my brother bares his skin.
Now in the cloud's big breast lie quiet countries,
Delivered seas my love from her proud place
Walks with no wound, nor lightning in her face,
A calm wind blows that raised the trees like hair
Once where the soft snow's blood was turned to ice.
And though my love pulls the pale, nippled air,
Prides of to-morrow suckling in her eyes,
Yet this I make in a forgiving presence.
~ Dylan Thomas,
515:Witch Of Our Wilderness
I know not why I love your baffling face,
Or, lonely, to your cold caresses steal,
Or what the charm persuades my wearied eyes
Follow the clues that gleam and, wavering, go,
Or spell the syllables of poems new
I fancy floating through your gloom or grace!
Sphinx of green riddles Time shall not unseal!
Mystical knot no stratagem, unties!
I do not comprehend you, but I know
I am not happy long away from you!
Ardent we come, but that averted gaze
Discrowns emotion, and your lips austere,
Native to one in whom the gods confide,
For us breathe only murmurs dim and lone
As are the lullabies of crooning dew
Or dwindling dirges of benighted fays
For queen marooned in a forgotten mere;
Yet though 'tis not for man your witch-words ride
Forsaken winds that know not why they moan,
I am not happy long away from you!
Do you ignore our presence, or disdain
Our pert intrusion on your fettered trees?
Is all our knowledge darkness to the light
That through their woody crevices you pour,
Garnered for them from suns we never knew?
Or can it be your brooding peace is pain?
Do sighs innumerable build the breeze
That mournful walks the soughing waste to-night?
But tell me why, if woe be all your store,
I am not happy long away from you!
You sprawl your reticence of green and gray
Over the no more mute basaltic deep,
Below the sister deafness of the sky;
Nor myriad boughs' hypnotic undertones,
Shadows in orgy, nor haphazard hue
Of flower, nor green delirium will say
60
One shining word to beacon us who creep
Amid their bedlamry and forms awry:
Yet, Miser, though for bread you give me stones,
I am not happy long away from you!
Although we gather only in your glades
The tasteless berries of monotony,
Withering leaf, frustrated blossom, white
Skeleton eucalypt's unmeaning woe,
Or wrack of huddled tea-trees, knouted all askew
To serve an old wind's whim, yet from wan shades
Entities ambushed seem to bear to me,
On a rhythm craftsman never tameth quite,
The Song all poets soaring seek, and so
I am not happy long away from you!
Are you the long-forgotten hermitage
Wherein immortal cities crept to sleep?
And do their rooted folk unresting try,
With perfumes wild of some Atlantis old,
To link our dormant hearts akin anew?
Or young auspicious years do they presage
To something watching in me cradled deep,
That knows unknown to me the reason why,
m an orb's dim throes, by iron stars controlled,
I am not happy long away from you!
Though fierce assault not pilgrim prayer avail,
Nor shall we glimpse, however far we seek,
The long importuned palace of your pride,
Yet you-if darkly-to my faith disclose
That duly will Hy-Brasil globe in view!
Ay, can it be that glinting is the Grail?
Do fairies gather ferns along that creek?
Is very God the Merlin that you hide?
Ah, can I wonder, necromantic Rose,
I am not happy long away from you!
We listen long for words the world awaits,
Nor quite lose hope that we shall overhear
Strange Huntsmen faint hallooing, or surprise
The filmy spears the dark earth-legions throw
61
Across the void against the retinue
Auroral of the solar potentates;
Yet, though your tongues betray the expectant ear
And dappled melancholy foils our eyes,
Your trees of whispering knowledge call me so,
I am not happy long away from you!
~ Bernard O'Dowd,
516:The Break
It was also my violent heart that broke,
falling down the front hall stairs.
It was also a message I never spoke,
calling, riser after riser, who cares
about you, who cares, splintering up
the hip that was merely made of crystal,
the post of it and also the cup.
I exploded in the hallway like a pistol.
So I fell apart. So I came all undone.
Yes. I was like a box of dog bones.
But now they've wrapped me in like a nun.
Burst like firecrackers! Held like stones!
What a feat sailing queerly like Icarus
until the tempest undid me and I broke.
The ambulance drivers made such a fuss.
But when I cried, 'Wait for my courage!' they smoked
and then they placed me, tied me up on their plate,
and wheeled me out to their coffin, my nest.
Slowly the siren slowly the hearse, sedate
as a dowager. At the E. W. they cut off my dress.
I cried, 'Oh Jesus, help me! Oh Jesus Christ!'
and the nurse replied, 'Wrong name. My name
is Barbara,' and hung me in an odd device,
a buck's extension and a Balkan overhead frame.
The orthopedic man declared,
'You'll be down for a year.' His scoop. His news.
He opened the skin. He scraped. He pared
and drilled through bone for his four-inch screws.
That takes brute strength like pushing a cow
up hill. I tell you, it takes skill
and bedside charm and all that know how.
The body is a damn hard thing to kill.
208
But please don't touch or jiggle my bed.
I'm Ethan Frome's wife. I'll move when I'm able.
The T. V. hangs from the wall like a moose head.
I hide a pint of bourbon in my bedside table.
A bird full of bones, now I'm held by a sand bag.
The fracture was twice. The fracture was double.
The days are horizontal. The days are a drag.
All of the skeleton in me is in trouble.
Across the hall is the bedpan station.
The urine and stools pass hourly by my head
in silver bowls. They flush in unison
in the autoclave. My one dozen roses are dead.
The have ceased to menstruate. They hang
there like little dried up blood clots.
And the heart too, that cripple, how it sang
once. How it thought it could call the shots!
Understand what happened the day I fell.
My heart had stammered and hungered at
a marriage feast until the angel of hell
turned me into the punisher, the acrobat.
My bones are loose as clothespins,
as abandoned as dolls in a toy shop
and my heart, old hunger motor, with its sins
revved up like an engine that would not stop.
And now I spend all day taking care
of my body, that baby. Its cargo is scarred.
I anoint the bedpan. I brush my hair,
waiting in the pain machine for my bones to get hard,
for the soft, soft bones that were laid apart
and were screwed together. They will knit.
And the other corpse, the fractured heart,
I feed it piecemeal, little chalice. I'm good to it.
Yet lie a fire alarm it waits to be known.
209
It is wired. In it many colors are stored.
While my body's in prison, heart cells alone
have multiplied. My bones are merely bored
with all this waiting around. But the heart,
this child of myself that resides in the flesh,
this ultimate signature of the me, the start
of my blindness and sleep, builds a death crèche.
The figures are placed at the grave of my bones.
All figures knowing it is the other death
they came for. Each figure standing alone.
The heart burst with love and lost its breath.
This little town, this little country is real
and thus it is so of the post and the cup
and thus of the violent heart. The zeal
of my house doth eat me up.
~ Anne Sexton,
517:Sunlight On The Sea
[The Philosophy of a Feast]
Make merry, comrades, eat and drink
(The sunlight flickers on the sea),
The garlands gleam, the glasses clink,
The grape juice mantles fair and free,
The lamps are trimm'd, although the light
Of day still lingers on the sky ;
We sit between the day and night,
And push the wine-flask merrily
I see you feasting round me still,
All gay of heart and strong of limb ;
Make merry, friends, your glasses fill,
The lights are growing dim.
I miss the voice of one I've heard
(The sunlight sinks upon the sea),
He sang as blythe as any bird,
And shook the rafters with his glee ;
But times have changed with him, I wot,
By fickle fortune cross'd and flung ;
Far stouter heart than mine he's got
If now he sings as then he sung.
Yet some must swim when others sink,
And some must sink when others swim ;
Make merry, comrades, eat and drink,
The lights are growing dim.
I miss the face of one I've loved—
(The sunlight settles on the sea ;)
Long since to distant climes he roved ;
He had his faults, and so have we ;
His name was mentioned here this day,
And it was coupled with a sneer ;
I heard, nor had I aught to say,
Though once I held his memory dear.
Who cares, 'mid wines and fruits and flowers,
Though death or danger compass him,
He had his faults, and we have ours,
247
The lights are growing dim.
I miss the form of one I know—
(The sunlight wanes upon the sea)
'Tis not so very long ago ;
We drank his health with three-times-three,
And we were gay when he was here ;
And he is gone, and we are gay.
Where has he gone ? or far or near ?
Good sooth, 'twere somewhat hard to say.
You glance aside, you doubtless think
My homily a foolish whim,
'Twill soon be ended, eat and drink,
The lights are growing dim.
The fruit is ripe, the wine is red ;
(The sunlight fades upon the sea.)
To us the absent are the dead,
The dead to us must absent be.
We, too, the absent ranks must joinn ;
And friends will censure and forget :
There's metal base in every coin ;
Men vanish, leaving traces yet
Of evil and of good behind,
Since false notes taint the skylark's hymn,
And dross still lurks in gold refined—
The lights are growing dim.
We eat and drink or ere we die,
(The sunlight flushes on the sea.)
Three hundred soldiers feasted high
An hour before Thermopylae ;
Leonidas pour'd out the wine,
And shouted ere he drain'd the cup,
'Ho ! comrades, let us gaily dine—
This night with Pluto we shall sup ;'
And if they leant upon a reed,
And if their reed was slight and slim,
There's something good in Spartan creed—
The lights are growing dim.
Make merry, comrades, eat and drink,
248
(The sunlight flashes on the sea ;)
My spirit is rejoiced to think
That even as they were so are we ;
For they, like us, were mortals vain,
The slaves to earthly passions wild,
Who slept with heaps of Persians slain
For winding-sheets around them piled.
The dead man's deeds are living still—
My Festive speech is somewhat grim—
Their good obliterates their ill—
The lights are growing dim.
We eat and drink, we come and go,
(The sunlight dies upon the open sea.)
I speak in riddles. Is it so ?
My riddles need not mar your glee ;
For I will neither bid you share
My thoughts, nor will I bid you shun,
Though I should see in yonder chair
Th' Egyptian's muffled skeleton.
One toast with me, your glasses fill,
Aye, fill them level with the brim,
De mortuis, nisi bonum, nil!
The lights are growing dim.
~ Adam Lindsay Gordon,
518:I.
The death-bell beats!--
The mountain repeats
The echoing sound of the knell;
And the dark Monk now
Wraps the cowl round his brow,
As he sits in his lonely cell.

II.
And the cold hand of death
Chills his shuddering breath,
As he lists to the fearful lay
Which the ghosts of the sky,
As they sweep wildly by,
Sing to departed day.
And they sing of the hour
When the stern fates had power
To resolve Rosas form to its clay.

III.
But that hour is past;
And that hour was the last
Of peace to the dark Monks brain.
Bitter tears, from his eyes, gushed silent and fast;
And he strove to suppress them in vain.

IV.
Then his fair cross of gold he dashed on the floor,
When the death-knell struck on his ear.--
'Delight is in store
For her evermore;
But for me is fate, horror, and fear.'

V.
Then his eyes wildly rolled,
When the death-bell tolled,
And he raged in terrific woe.
And he stamped on the ground,--
But when ceased the sound,
Tears again began to flow.

VI.
And the ice of despair
Chilled the wild throb of care,
And he sate in mute agony still;
Till the night-stars shone through the cloudless air,
And the pale moonbeam slept on the hill.

VII.
Then he knelt in his cell:--
And the horrors of hell
Were delights to his agonized pain,
And he prayed to God to dissolve the spell,
Which else must for ever remain.

VIII.
And in fervent pray'r he knelt on the ground,
Till the abbey bell struck One:
His feverish blood ran chill at the sound:
A voice hollow and horrible murmured around--
'The term of thy penance is done!'

IX.
Grew dark the night;
The moonbeam bright
Waxed faint on the mountain high;
And, from the black hill,
Went a voice cold and still,--
'Monk! thou art free to die.'

X.
Then he rose on his feet,
And his heart loud did beat,
And his limbs they were palsied with dread;
Whilst the grave's clammy dew
O'er his pale forehead grew;
And he shuddered to sleep with the dead.

XI.
And the wild midnight storm
Raved around his tall form,
As he sought the chapel's gloom:
And the sunk grass did sigh
To the wind, bleak and high,
As he searched for the new-made tomb.

XII.
And forms, dark and high,
Seemed around him to fly,
And mingle their yells with the blast:
And on the dark wall
Half-seen shadows did fall,
As enhorrored he onward passed.

XIII.
And the storm-fiends wild rave
Oer the new-made grave,
And dread shadows linger around.
The Monk called on God his soul to save,
And, in horror, sank on the ground.

XIV.
Then despair nerved his arm
To dispel the charm,
And he burst Rosa's coffin asunder.
And the fierce storm did swell
More terrific and fell,
And louder pealed the thunder.

XV.
And laughed, in joy, the fiendish throng,
Mixed with ghosts of the mouldering dead:
And their grisly wings, as they floated along,
Whistled in murmurs dread.

XVI.
And her skeleton form the dead Nun reared
Which dripped with the chill dew of hell.
In her half-eaten eyeballs two pale flames appeared,
And triumphant their gleam on the dark Monk glared,
As he stood within the cell.

XVII.
And her lank hand lay on his shuddering brain;
But each power was nerved by fear.--
'I never, henceforth, may breathe again;
Death now ends mine anguished pain.--
The grave yawns,--we meet there.'

XVIII.
And her skeleton lungs did utter the sound,
So deadly, so lone, and so fell,
That in long vibrations shuddered the ground;
And as the stern notes floated around,
A deep groan was answered from hell.

~ Percy Bysshe Shelley, Sister Rosa - A Ballad
,
519:Darkness
I had a dream, which was not all a dream.
The bright sun was extinguish'd, and the stars
Did wander darkling in the eternal space,
Rayless, and pathless, and the icy earth
Swung blind and blackening in the moonless air;
Morn came and went-and came, and brought no day,
And men forgot their passions in the dread
Of this their desolation; and all hearts
Were chill'd into a selfish prayer for light:
And they did live by watchfires-and the thrones,
The palaces of crowned kings-the huts,
The habitations of all things which dwell,
Were burnt for beacons; cities were consum'd,
And men were gather'd round their blazing homes
To look once more into each other's face;
Happy were those who dwelt within the eye
Of the volcanos, and their mountain-torch:
A fearful hope was all the world contain'd;
Forests were set on fire-but hour by hour
They fell and faded-and the crackling trunks
Extinguish'd with a crash-and all was black.
The brows of men by the despairing light
Wore an unearthly aspect, as by fits
The flashes fell upon them; some lay down
And hid their eyes and wept; and some did rest
Their chins upon their clenched hands, and smil'd;
And others hurried to and fro, and fed
Their funeral piles with fuel, and look'd up
With mad disquietude on the dull sky,
The pall of a past world; and then again
With curses cast them down upon the dust,
And gnash'd their teeth and howl'd: the wild birds shriek'd
And, terrified, did flutter on the ground,
And flap their useless wings; the wildest brutes
Came tame and tremulous; and vipers crawl'd
And twin'd themselves among the multitude,
Hissing, but stingless-they were slain for food.
And War, which for a moment was no more,
Did glut himself again: a meal was bought
With blood, and each sate sullenly apart
Gorging himself in gloom: no love was left;
All earth was but one thought-and that was death
Immediate and inglorious; and the pang
Of famine fed upon all entrails-men
Died, and their bones were tombless as their flesh;
The meagre by the meagre were devour'd,
Even dogs assail'd their masters, all save one,
And he was faithful to a corse, and kept
The birds and beasts and famish'd men at bay,
Till hunger clung them, or the dropping dead
Lur'd their lank jaws; himself sought out no food,
But with a piteous and perpetual moan,
And a quick desolate cry, licking the hand
Which answer'd not with a caress-he died.
The crowd was famish'd by degrees; but two
Of an enormous city did survive,
And they were enemies: they met beside
The dying embers of an altar-place
Where had been heap'd a mass of holy things
For an unholy usage; they rak'd up,
And shivering scrap'd with their cold skeleton hands
The feeble ashes, and their feeble breath
Blew for a little life, and made a flame
Which was a mockery; then they lifted up
Their eyes as it grew lighter, and beheld
Each other's aspects-saw, and shriek'd, and died-
Even of their mutual hideousness they died,
Unknowing who he was upon whose brow
Famine had written Fiend. The world was void,
The populous and the powerful was a lump,
Seasonless, herbless, treeless, manless, lifeless-
A lump of death-a chaos of hard clay.
The rivers, lakes and ocean all stood still,
And nothing stirr'd within their silent depths;
Ships sailorless lay rotting on the sea,
And their masts fell down piecemeal: as they dropp'd
They slept on the abyss without a surge-
The waves were dead; the tides were in their grave,
The moon, their mistress, had expir'd before;
The winds were wither'd in the stagnant air,
And the clouds perish'd; Darkness had no need
Of aid from them-She was the Universe.
~ George Gordon Byron,
520:Unchopping a Tree.

Start with the leaves, the small twigs, and the nests that have been shaken, ripped, or broken off by the fall; these must be gathered and attached once again to their respective places. It is not arduous work, unless major limbs have been smashed or mutilated. If the fall was carefully and correctly planned, the chances of anything of the kind happening will have been reduced. Again, much depends upon the size, age, shape, and species of the tree. Still, you will be lucky if you can get through this stages without having to use machinery. Even in the best of circumstances it is a labor that will make you wish often that you had won the favor of the universe of ants, the empire of mice, or at least a local tribe of squirrels, and could enlist their labors and their talents. But no, they leave you to it. They have learned, with time. This is men's work.

It goes without saying that if the tree was hollow in whole or in part, and contained old nests of bird or mammal or insect, or hoards of nuts or such structures as wasps or bees build for their survival, the contents will have to repaired where necessary, and reassembled, insofar as possible, in their original order, including the shells of nuts already opened. With spider's webs you must simply do the best you can. We do not have the spider's weaving equipment, nor any substitute for the leaf's living bond with its point of attachment and nourishment. It is even harder to simulate the latter when the leaves have once become dry — as they are bound to do, for this is not the labor of a moment. Also it hardly needs saying that this the time fro repairing any neighboring trees or bushes or other growth that might have been damaged by the fall. The same rules apply. Where neighboring trees were of the same species it is difficult not to waste time conveying a detached leaf back to the wrong tree. Practice, practice. Put your hope in that.

Now the tackle must be put into place, or the scaffolding, depending on the surroundings and the dimension of the tree. It is ticklish work. Almost always it involves, in itself, further damage to the area, which will have to be corrected later. But, as you've heard, it can't be helped. And care now is likely to save you considerable trouble later. Be careful to grind nothing into the ground.

At last the time comes for the erecting of the trunk. By now it will scarcely be necessary to remind you of the delicacy of this huge skeleton. Every motion of the tackle, every slightly upward heave of the trunk, the branches, their elaborately reassembled panoply of leaves (now dead) will draw from you an involuntary gasp. You will watch for a lead or a twig to be snapped off yet again. You will listen for the nuts to shift in the hollow limb and you will hear whether they are indeed falling into place or are spilling in disorder — in which case, or in the event of anything else of the kind — operations will have to cease, of course, while you correct the matter. The raising itself is no small enterprise, from the moment when the chains tighten around the old bandages until the boles hands vertical above the stump, splinter above splinter. How the final straightening of the splinters themselves can take place (the preliminary work is best done while the wood is still green and soft, but at times when the splinters are not badly twisted most of the straightening is left until now, when the torn ends are face to face with each other). When the splinters are perfectly complementary the appropriate fixative is applied. Again we have no duplicate of the original substance. Ours is extremely strong, but it is rigid. It is limited to surfaces, and there is no play in it. However the core is not the part of the trunk that conducted life from the roots up to the branches and back again. It was relatively inert. The fixative for this part is not the same as the one for the outer layers and the bark, and if either of these is involved ~ W S Merwin,
521:Sunflower Sutra
I walked on the banks of the tincan banana dock and sat down under the huge
shade of a Southern Pacific locomotive to look for the sunset over the box house
hills and cry.
Jack Kerouac sat beside me on a busted rusty iron pole, companion, we thought
the same thoughts of the soul, bleak and blue and sad-eyed, surrounded by the
gnarled steel roots of trees of machinery.
The only water on the river mirrored the red sky, sun sank on top of final Frisco
peaks, no fish in that stream, no hermit in those mounts, just ourselves rheumyeyed and hung-over like old bums on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray shadow against the sky,
big as a man, sitting dry on top of a pile of ancient sawdust---I rushed up enchanted--it was my first sunflower, memories of Blake--my
visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes greasy Sandwiches, dead
baby carriages, black treadless tires forgotten and unretreaded, the poem of the
riverbank, condoms & pots, steel knives, nothing stainless, only the dank muck
and the razor-sharp artifacts passing into the past-and the gray Sunflower poised against the sunset, crackly bleak and dusty with
the smut and smog and smoke of olden locomotives in its eye-corolla of bleary spikes pushed down and broken like a battered crown, seeds
fallen out of its face, soon-to-be-toothless mouth of sunny air, sunrays
obliterated on its hairy head like a dried wire spiderweb,
leaves stuck out like arms out of the stem, gestures from the sawdust root,
broke pieces of plaster fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O my soul, I loved you then!
The grime was no man's grime but death and human locomotives,
all that dress of dust, that veil of darkened railroad skin, that smog of cheek, that
eyelid of black mis'ry, that sooty hand or phallus or protuberance of artificial
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worse-than-dirt--industrial--modern--all that civilization spotting your crazy
golden crown-and those blear thoughts of death and dusty loveless eyes and ends and withered
roots below, in the home-pile of sand and sawdust, rubber dollar bills, skin of
machinery, the guts and innards of the weeping coughing car, the empty lonely
tincans with their rusty tongues alack, what more could I name, the smoked
ashes of some cock cigar, the cunts of wheelbarrows and the milky breasts of
cars, wornout asses out of chairs & sphincters of dynamos--all these
entangled in your mummied roots--and you standing before me in the sunset, all
your glory in your form!
A perfect beauty of a sunflower! a perfect excellent lovely sunflower existence! a
sweet natural eye to the new hip moon, woke up alive and excited grasping in
the sunset shadow sunrise golden monthly breeze!
How many flies buzzed round you innocent of your grime, while you cursed the
heavens of your railroad and your flower soul?
Poor dead flower? when did you forget you were a flower? when did you look at
your skin and decide you were an impotent dirty old locomotive? the ghost of a
locomotive? the specter and shade of a once powerful mad American locomotive?
You were never no locomotive, Sunflower, you were a sunflower!
And you Locomotive, you are a locomotive, forget me not!
So I grabbed up the skeleton thick sunflower and stuck it at my side like a
scepter,
and deliver my sermon to my soul, and Jack's soul too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread bleak dusty imageless
locomotive, we're all golden sunflowers inside, blessed by our own seed & hairy
naked accomplishment-bodies growing into mad black formal sunflowers in the
sunset, spied on by our eyes under the shadow of the mad locomotive riverbank
sunset Frisco hilly tincan evening sitdown vision.
~ Allen Ginsberg,
522:The Red Zouave
The stars were bright, the breeze was still,
The cicada and the whippoorwill,
Alone disturbed the scene;
A streamlet down the dark ravine,
Hasted the gloomy spot to shun,
And bear its little tribute to Cub Run.
The wayward step of one astray,
He scared the whippoorwill away.
A soldier reels to the little rill,
And tries his sordid cup to fill,
Then dizzily pitches across the branch,
Too weak his mortal wound to staunch.
He wakes anon, but weaker yet,
For the stones with his oozing gore is wet,
Feebly he feels for his stolen store,
In his shirt, made redder by his gore!
But long ere the midnight cloud grows dark,
The Red Zouave lies stiff and stark.
Why did the dying miscreant stare?
Why stood upright his clotted hair?
He sees a phantom sentinel,
A skeleton-man and musket as well,
And the ghostly cry, Halt! who goes there?
Made his glazing eyeballs wildly glare.
The sentry's laugh was shrill, yet brief,
Ere he spoke these words to the dying thief:
'I left old England long years ago,
Where I plundered and plundered both high and low;
To escape at once from my crimes and fears,
I enlisted with Braddock for seven years.
'We crossed the sea and we cut a road,
Where there never had been a christian abode,
On our march, we encamped on a wooded height;
You lay at the very same place last night;
351
I stole from a comrade a half a crown,
And was whipped as a thief, till the blood ran down.
'I swore for revenge as we marched along;
The jeers of the men made my vengeance strong:
So Braddock I marked, when we lost the fight,
And shot him through ere I took to flight;
I wandered this terrible wilderness through,
And died of my wounds here, as you will do.
'Though I saw our Sergeant-Major fall,
By some hidden Indian's rifle ball,
Yet plainly I heard him say, 'Murderer! Thief!
Stand sentinel here, till Hell sends you relief;
You shall challenge the panther, who prowls for his prey,
You shall challenge the savage and fright him away.
''You shall challenge the bat as he wheels On his flight - and the serpent that steals By your desolate post. Without fail
You shall halt! the storm, wind and hail.
[As they whistle and drift through your marrowless bones,]
And the turbulent stream, in its rush o'er the stones.'
'Then I shrank in my terror and asked in my grief,
How long will it be, ere you send my relief?
Then the spectre cursed me again and again,
For he seemed to delight in my mortal pain:
'I will tell you,' he said, 'assassin and thief,
When Hell will turn out your sentry relief.
''Over Braddock's road, will pass a throng,
Better armed than our army and tenfold as strong.
Over Braddock's road, will drift the same day,
The wreck of that army, fleeing away.
And Braddock's defeat is forever forgot,
In the tenfold more shameful rout of Scott.
''You will see a wounded miscreant run
From the battle-field, without firing a gun;
He has robbed a dead comrade and driven his blade,
Through his officer wounded, and begging for aid;
352
He will die on this rock, and his infamous ghost,
Will relieve you (a century hence) on this post.''
Then the skeleton musket and ramrod rang,
On the rock with the Zouave's dying pang,
And soon the morning sun gleamed fair,
On his pallid brow and his shaven hair
Whilst his stiffened fingers closely hold
A picture fair and a piece of gold,
[And the picture smiled and the red gold shone,
As they did in the eyes that first called them their own.]
Now creep to the edge of that dark ravine,
And say what those ghostly voices mean,
A nice and transcendental ear,
This dialogue then very plainly hear:
Zouave. Halt! who comes here to cross this line?
Bravo. Friend with the pass-word and countersign.
d with the countersign advance.
He knew his ghostly friend at a glance.
Bravo. No sentinel posted will ever again,
Here the countersign, 'Braddock.' or the pass-word, 'Duquesne.'
Each spectre must give, as he passes this spot,
The parole of dishonour, 'MANASSAS and SCOTT.'
~ Anonymous Americas,
523:Dance Of The Hanged Men
On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.
Sir Beelzebub pulls by the scruff
His little black puppets who grin at the sky,
And with a backhander in the head like a kick,
Makes them dance, dance, to an old Carol-tune!
And the puppets, shaken about, entwine their thin arms:
Their breasts pierced with light, like black organ-pipes
Which once gentle ladies pressed to their own,
Jostle together protractedly in hideous love-making.
Hurray! the gay dancers, you whose bellies are gone!
You can cut capers on such a long stage!
Hop! never mind whether it's fighting or dancing!
- Beelzebub, maddened, saws on his fiddles!
Oh the hard heels, no one's pumps are wearing out!
And nearly all have taken of their shirts of skin;
The rest is not embarrassing and can be seen without shame.
On each skull the snow places a white hat:
The crow acts as a plume for these cracked brains,
A scrap of flesh clings to each lean chin:
You would say, to see them turning in their dark combats,
They were stiff knights clashing pasteboard armours.
Hurrah! the wind whistles at the skeletons' grand ball!
The black gallows moans like an organ of iron !
The wolves howl back from the violet forests:
And on the horizon the sky is hell-red...
Ho there, shake up those funereal braggarts,
Craftily telling with their great broken fingers
The beads of their loves on their pale vertebrae:
Hey the departed, this is no monastery here!
33
Oh! but see how from the middle of this Dance of Death
Springs into the red sky a great skeleton, mad,
Carried away by his own impetus, like a rearing horse:
And, feeling the rope tight again round his neck,
Clenches his knuckles on his thighbone with a crack
Uttering cries like mocking laughter,
And then like a mountebank into his booth,
Skips back into the dance to the music of the bones!
On the black gallows, one-armed friend,
The paladins are dancing, dancing
The lean, the devil's paladins
The skeletons of Saladins.
Original French
Bal des pendus
Au gibet noir, manchot aimable,
Dansent, dansent les paladins,
Les maigres paladins du diable,
Les squelettes de Saladins.
Messire Belzébuth tire par la cravate
Ses petits pantins noirs grimaçant sur le ciel,
Et, leur claquant au front un revers de savate,
Les fait danser, danser aux sons d'un vieux Noël !
Et les pantins choqués enlacent leurs bras grêles :
Comme des orgues noirs, les poitrines à jour
Que serraient autrefois les gentes damoiselles,
Se heurtent longuement dans un hideux amour.
Hurrah ! les gais danseurs qui n'avez plus de panse !
On peut cabrioler, les tréteaux sont si longs !
34
Hop ! qu'on ne cache plus si c'est bataille ou danse !
Belzébuth enragé racle ses violons !
O durs talons, jamais on n'use sa sandale !
Presque tous ont quitté la chemise de peau ;
Le reste est peu gênant et se voit sans scandale.
Sur les crânes, la neige applique un blanc chapeau :
Le corbeau fait panache à ces têtes fêlées,
Un morceau de chair tremble à leur maigre menton :
On dirait, tournoyant dans les sombres mêlées,
Des preux, raides, heurtant armures de carton.
Hurrah ! la bise siffle au grand bal des squelettes !
Le gibet noir mugit comme un orgue de fer !
Les loups vont répondant des forêts violettes :
À l'horizon, le ciel est d'un rouge d'enfer...
Holà, secouez-moi ces capitans funèbres
Qui défilent, sournois, de leurs gros doigts cassés
Un chapelet d'amour sur leurs pâles vertèbres :
Ce n'est pas un moustier ici, les trépassés !
Oh ! voilà qu'au milieu de la danse macabre
Bondit dans le ciel rouge un grand squelette fou
Emporté par l'élan, comme un cheval se cabre :
Et, se sentant encor la corde raide au cou,
Crispe ses petits doigts sur son fémur qui craque
Avec des cris pareils à des ricanements,
Et, comme un baladin rentre dans la baraque,
Rebondit dans le bal au chant des ossements.
Au gibet noir, manchot aimable,
Dansent, dansent les paladins,
35
Les maigres paladins du diable,
Les squelettes de Saladins.
~ Arthur Rimbaud,
524: ON THE LAND

OF EDUCATION

I flew too far into the future: dread overcame me.
and when I looked around, behold, time was my sole
contemporary. Then I flew back toward home, faster
and faster; and thus I came to you, 0 men of today,
and into the land of education. For the first time I
really had eyes for you, and a genuine desire; verily, it
was with longing in my heart that I came.
But what happened to me? For all my anxiety I had
to laugh. Never had my eyes beheld anything so dappled and motley. I laughed and laughed while my foot
was still trembling, and my heart no less. "This is
clearly the home of all paint pots," I said.
With fifty blotches painted on your faces and limbs
you were sitting there, and I was amazed, you men of
today. And with fifty mirrors around you to flatter and
echo your color display! Verily, you could wear no better masks, you men of today, than your own faces! Who
could possibly find you out?
With the characters of the past written all over you,
and these characters in turn painted over with new
characters: thus have you concealed yourselves perfectly from all interpreters of characters. And even if
one could try the reins, who would be fool enough to
believe that you have reins? You seem baked out of
colors and pasted notes. Motley, all ages and peoples
120
peek out of your veils; motley, all customs and faiths
speak out of your gestures.
If one took the veils and wraps and colors and
gestures away from you, just enough would be left to
scare away the crows. Verily, I myself am the scared
crow who once saw you naked and without color;
and I flew away when the skeleton beckoned to me
lovingly. Rather would I be a day laborer in Hades
among the shades of the past! Even the underworldly
are plumper and fuller than you.
This, indeed this, is bitterness for my bowels, that
I can endure you neither naked nor clothed, you men
of today. All that is uncanny in the future and all that
has ever made fugitive birds shudder is surely more
comfortable and cozy than your "reality." For thus you
speak: "Real are we entirely, and without belief or
superstition." Thus you stick out your chests-but alas,
they are hollow! Indeed, how should you be capable
of any belief, being so dappled and motley-you who
are paintings of all that men have ever believed? You
are walking refutations of all belief, and you break the
limbs of all thought. Unbelievable: thus I call you, for
all your pride in being real!
All ages prate against each other in your spirits; and
the dreams and ratings of all ages were yet more real
than your waking. You are sterile: that is why you lack
faith. But whoever had to create also had his prophetic
dreams and astral signs-and had faith in faith. You are
half-open gates at which the gravediggers wait. And
this is your reality: "Everything deserves to perish."
How you stand there, you who are sterile, how thin
around the ribsl And some among you probably realized
this and said, "Probably some god secretly took something from me while I slept. Verily, enough to make
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himself a little female! Strange is the poverty of my
ribs." Thus have some men of today already spoken.
Indeed, you make me laugh, you men of today, and
particularly when you are amazed at yourselves. And 1
should be in a sorry plight if I could not laugh at your
amazement and had to drink down everything disgusting out of your bowls. But I shall take you more lightly,
for I have a heavy burden; and what does it matter to
me if bugs and winged worms still light on my bundle?
Verily, that will not make it heavier. And not from
you, you men of today, shall the great weariness come
over me.
Alas, where shall I climb now with my longing? From
all mountains I look out for fatherlands and motherlands. But home I found nowhere; a fugitive am I in
all cities and a departure at all gates. Strange and a
mockery to me are the men of today to whom my heart
recently drew me; and I am driven out of fatherlands
and motherlands. Thus I now love only my children's
land, yet undiscovered, in the farthest sea: for this I
bid my sails search and search.
In my children I want to make up for being the child
of my fathers-and to all the future, for this today.
Thus spoke Zarathustra.
~ Friedrich Nietzsche, ON THE LAND OF EDUCATION
,
525:Wales Visitation
White fog lifting & falling on mountain-brow
Trees moving in rivers of wind
The clouds arise
as on a wave, gigantic eddy lifting mist
above teeming ferns exquisitely swayed
along a green crag
glimpsed thru mullioned glass in valley raine—
Bardic, O Self, Visitacione, tell naught
but what seen by one man in a vale in Albion,
of the folk, whose physical sciences end in Ecology,
the wisdom of earthly relations,
of mouths & eyes interknit ten centuries visible
orchards of mind language manifest human,
of the satanic thistle that raises its horned symmetry
flowering above sister grass-daisies’ pink tiny
bloomlets angelic as lightbulbs—
Remember 160 miles from London’s symmetrical thorned tower
& network of TV pictures flashing bearded your Self
the lambs on the tree-nooked hillside this day bleating
heard in Blake’s old ear, & the silent thought of Wordsworth in eld Stillness
clouds passing through skeleton arches of Tintern Abbey—
Bard Nameless as the Vast, babble to Vastness!
All the Valley quivered, one extended motion, wind
undulating on mossy hills
a giant wash that sank white fog delicately down red runnels
on the mountainside
whose leaf-branch tendrils moved asway
in granitic undertow down—
and lifted the floating Nebulous upward, and lifted the arms of the trees
and lifted the grasses an instant in balance
and lifted the lambs to hold still
and lifted the green of the hill, in one solemn wave
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A solid mass of Heaven, mist-infused, ebbs thru the vale,
a wavelet of Immensity, lapping gigantic through Llanthony Valley,
the length of all England, valley upon valley under Heaven’s ocean
tonned with cloud-hang,
—Heaven balanced on a grassblade.
Roar of the mountain wind slow, sigh of the body,
One Being on the mountainside stirring gently
Exquisite scales trembling everywhere in balance,
one motion thru the cloudy sky-floor shifting on the million feet of daisies,
one Majesty the motion that stirred wet grass quivering
to the farthest tendril of white fog poured down
through shivering flowers on the mountain’s head—
No imperfection in the budded mountain,
Valleys breathe, heaven and earth move together,
daisies push inches of yellow air, vegetables tremble,
grass shimmers green
sheep speckle the mountainside, revolving their jaws with empty eyes,
horses dance in the warm rain,
tree-lined canals network live farmland,
blueberries fringe stone walls on hawthorn’d hills,
pheasants croak on meadows haired with fern—
Out, out on the hillside, into the ocean sound, into delicate gusts of wet air,
Fall on the ground, O great Wetness, O Mother, No harm on your body!
Stare close, no imperfection in the grass,
each flower Buddha-eye, repeating the story,
myriad-formed—
Kneel before the foxglove raising green buds, mauve bells dropped
doubled down the stem trembling antennae,
& look in the eyes of the branded lambs that stare
breathing stockstill under dripping hawthorn—
I lay down mixing my beard with the wet hair of the mountainside,
smelling the brown vagina-moist ground, harmless,
tasting the violet thistle-hair, sweetness—
One being so balanced, so vast, that its softest breath
moves every floweret in the stillness on the valley floor,
trembles lamb-hair hung gossamer rain-beaded in the grass,
lifts trees on their roots, birds in the great draught
98
hiding their strength in the rain, bearing same weight,
Groan thru breast and neck, a great Oh! to earth heart
Calling our Presence together
The great secret is no secret
Senses fit the winds,
Visible is visible,
rain-mist curtains wave through the bearded vale,
gray atoms wet the wind’s kabbala
Crosslegged on a rock in dusk rain,
rubber booted in soft grass, mind moveless,
breath trembles in white daisies by the roadside,
Heaven breath and my own symmetric
Airs wavering thru antlered green fern
drawn in my navel, same breath as breathes thru Capel-Y-Ffn,
Sounds of Aleph and Aum
through forests of gristle,
my skull and Lord Hereford’s Knob equal,
All Albion one.
What did I notice? Particulars! The
vision of the great One is myriad—
smoke curls upward from ashtray,
house fire burned low,
The night, still wet & moody black heaven
starless
upward in motion with wet wind.
~ Allen Ginsberg,
526:Angels Of The Love Affair
'Angels of the love affair, do you know that other,
the dark one, that other me? '
1. ANGEL OF FIRE AND GENITALS
Angel of fire and genitals, do you know slime,
that green mama who first forced me to sing,
who put me first in the latrine, that pantomime
of brown where I was beggar and she was king?
I said, 'The devil is down that festering hole.'
Then he bit me in the buttocks and took over my soul.
Fire woman, you of the ancient flame, you
of the Bunsen burner, you of the candle,
you of the blast furnace, you of the barbecue,
you of the fierce solar energy, Mademoiselle,
take some ice, take some snow, take a month of rain
and you would gutter in the dark, cracking up your brain.
Mother of fire, let me stand at your devouring gate
as the sun dies in your arms and you loosen it's terrible weight.
2. ANGEL OF CLEAN SHEETS
Angel of clean sheets, do you know bedbugs?
Once in the madhouse they came like specks of cinnamon
as I lay in a choral cave of drugs,
as old as a dog, as quiet as a skeleton.
Little bits of dried blood. One hundred marks
upon the sheet. One hundred kisses in the dark.
White sheets smelling of soap and Clorox
have nothing to do with this night of soil,
nothing to do with barred windows and multiple locks
and all the webbing in the bed, the ultimate recoil.
I have slept in silk and in red and in black.
I have slept on sand and, on fall night, a haystack.
I have known a crib. I have known the tuck-in of a child
20
but inside my hair waits the night I was defiled.
3. ANGEL OF FLIGHT AND SLEIGH BELLS
Angel of flight and sleigh bells, do you know paralysis,
that ether house where your arms and legs are cement?
You are as still as a yardstick. You have a doll's kiss.
The brain whirls in a fit. The brain is not evident.
I have gone to that same place without a germ or a stroke.
A little solo act-that lady with the brain that broke.
In this fashion I have become a tree.
I have become a vase you can pick up or drop at will,
inanimate at last. What unusual luck! My body
passively resisting. Part of the leftovers. Part of the kill.
Angels of flight, you soarer, you flapper, you floater,
you gull that grows out of my back in the drreams I prefer,
stay near. But give me the totem. Give me the shut eye
where I stand in stone shoes as the world's bicycle goes by.
4. ANGEL OF HOPE AND CALENDARS
Angel of hope and calendars, do you know despair?
That hole I crawl into with a box of Kleenex,
that hole where the fire woman is tied to her chair,
that hole where leather men are wringing their necks,
where the sea has turned into a pond of urine.
There is no place to wash and no marine beings to stir in.
In this hole your mother is crying out each day.
Your father is eating cake and digging her grave.
In this hole your baby is strangling. Your mouth is clay.
Your eyes are made of glass. They break. You are not brave.
You are alone like a dog in a kennel. Your hands
break out in boils. Your arms are cut and bound by bands
of wire. Your voice is out there. Your voice is strange.
21
There are no prayers here. Here there is no change.
5. ANGEL OF BLIZZARDS AND BLACKOUTS
Angle of blizzards and blackouts, do you know raspberries,
those rubies that sat in the tree of my grandfather's garden?
You of the snow tires, you of the sugary wings, you freeze
me out. Let me crawl through the patch. Let me be ten.
Let me pick those sweet kisses, thief that I was,
as the sea on my left slapped its applause.
Only my grandfather was allowed there. Or the maid
who came with a scullery pan to pick for breakfast.
She of the rolls that floated in the air, she of the inlaid
woodwork all greasy with lemon, she of the feather and dust,
not I. Nonetheless I came sneaking across the salt lawn
in bare feet and jumping-jack pajamas in the spongy dawn.
Oh Angel of the blizzard and blackout, Madam white face,
take me back to that red mouth, that July 21st place.
6. ANGEL OF BEACH HOUSES AND PICNICS
Angel of beach houses and picnics, do you know solitaire?
Fifty-two reds and blacks and only myself to blame.
My blood buzzes like a hornet's nest. I sit in a kitchen chair
at a table set for one. The silverware is the same
and the glass and the sugar bowl. I hear my lungs fill and expel
as in an operation. But I have no one left to tell.
Once I was a couple. I was my own king and queen
with cheese and bread and rosé on the rocks of Rockport.
Once I sunbathed in the buff, all brown and lean,
watching the toy sloops go by, holding court
for busloads of tourists. Once I called breakfast the sexiest
meal of the day. Once I invited arrest
at the peace march in Washington. Once I was young and bold
22
and left hundreds of unmatched people out in the cold.
~ Anne Sexton,
527:From: Time In The Rock
XXIV
If one voice, not another, must speak first,
out of the silence, the stillness, the preceding—
speaking clearly, speaking slowly, measuring calmly
the heavy syllables of doubt, or of despair—
speaking passionately, speaking bitterly, hunger or hope
ordering the words, that are like sounds of flame—:
if one speaks first, before that other or the third,
out of the silence bringing the dark message,
the grave and great acceptance of the rock,
the huge world, held in the huge hand of faith:
and if it says, I hold the world like this;
here in the light, amid these crumbling walls;
here in the half-light, the deceptive moment,
here in the darkness like a candle lifted—:
take it, relieve me of it, bear it away;
have it, now and forever, for your own;
this that was mine, this that my voice made mine,
this that my word has shaped for you—
if this voice speaks before us, speaks before
ourselves can speak, challenging thus the dark;
waking the sleeping watcher from his sleep,
altering the dreamer’s dream while still he dreams;
so that on waking—ah, what despair he knows!
to learn that while he slept the world was made—
made by that voice, and himself made no less,
and now inalterably curved forever—
yes, if to wake, to cease to dream, be this,
to face a self made ready while we slept,
shaped in the world’s shape by the single voice—
if thus we wake too late and find ourselves
already weeping, already upon the road
that climbs past shame and pain to crucifixion—
seeing at once, with eyes, just opened, the world,
38
vast, bright, and cruciform, on which so soon
ascending we must die—
and to look backward,
but know no turning back; to go forward,
even as we turn our faces to the past;
still gazing downward from the hill we climb,
searching the dark for that strange dream we had,
which the voice altered and broke—
ah, can it comfort us,
us helpless, us thus shaped by a word,
sleepwalking shadows in the voice-shaped world,
ah, can it comfort us that we ourselves
will bear the word with us, we too, we too
to speak, again, again, again, again,—
ourselves the voice for those not yet awakened,—
altering the dreams of those who dream, and shaping,
while still they sleep, their inescapable pain—?
LX
The chairback will cast a shadow on the white wall,
you can observe its shape, the square of paper
will receive and record the impulse of the pencil
and keep it too till time rubs it out
the seed will arrange as suits it the shape of the earth
to right or left thrusting, and the old clock
goes fast or slow as it rusts or is oiled.
These things or others for your consideration
these changes or others, these records
or others less permanent. Come if you will
to the sea’s edge, the beach of hard sand,
notice how the wave designs itself in quick bubbles
the wave’s ghost etched in bubbles and then gone,
froth of a suggestion, and then gone.
Notice too the path of the wind in a field of wheat,
the motion indicated. Notice in a mirror
how the lips smile, so little, and for so little while.
Notice how little, and how seldom, you notice
the movement of the eyes in your own face, reflection
of a moment’s reflection. What were you thinking
to deliver to the glass this instant of change, what margin
belonged only to the expectation of echo
and was calculated perhaps to that end, what was left
39
essential or immortal?
Your hand too,
gloved perhaps, encased, but none the less
already bone, already a skeleton,
sharp as a fingerpost that points to time—
what record does it leave, and where, what paper
does it inscribe with an immortal message?
where, and with what permanence, does it say ‘I’?
Perhaps giving itself to the lover’s hand
or in a farewell, or in a blow,
or in a theft, which will pay interest.
Perhaps in your own pocket, jingling coins,
or against a woman’s breast. Perhaps holding
the pencil dictated by another’s thought.
These things do not perplex, these things are simple,—
but what of the heart that wishes to survive change
and cannot, its love lost in confusions and dismay—?
what of the thought dispersed in its own algebras,
hypothesis proved fallacy? what of the will
which finds its aim unworthy? Are these, too, simple?
LXVII
Walk man on the stage of your own imagining
peel an orange or dust your shoe, take from your pocket
the soiled handkerchief and blow your nose
as if it were indeed necessary to be natural
and speak too if an idea should recommend itself
speak to the large bright imaginary audience
that flattering multiplication of yourself
so handsomely deployed and so expectant
tell them between flingings of orange peel
or such other necessary details of your rôle
precisely what they are, or what you are
since—lamentably—they are so much the same thing.
Decrepit inheritor of the initial star!
do you yourself sometimes imagine
or even perhaps say to that peculiar audience
something of this? as that yourself and they
comprise one statement? supercilious
the actor may be, often is, to those who hear him
40
but to be supercilious to one’s self
even in one’s dramatic moments!—marvellous
decay of what in God’s first declaration
might have been good.
~ Conrad Potter Aiken,
528:Boadicea
While about the shore of Mona those Neronian legionaries
Burnt and broke the grove and altar of the Druid and Druidess,
Far in the East Boadicea, standing loftily charioted,
Mad and maddening all that heard her in her fierce volubility,
Girt by half the tribes of Britain, near the colony Camulodune,
Yell'd and shriek'd between her daughters o'er a wild confederacy.
`They that scorn the tribes and call us Britain's barbarous populaces,
Did they hear me, would they listen, did they pity me supplicating?
Shall I heed them in their anguish? shall I brook to be supplicated?
Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant!
Must their ever-ravening eagle's beak and talon annihilate us?
Tear the noble hear of Britain, leave it gorily quivering?
Bark an answer, Britain's raven! bark and blacken innumerable,
Blacken round the Roman carrion, make the carcase a skeleton,
Kite and kestrel, wolf and wolfkin, from the wilderness, wallow in it,
Till the face of Bel be brighten'd, Taranis be propitiated.
Lo their colony half-defended! lo their colony, Camulodune!
There the horde of Roman robbers mock at a barbarous adversary.
There the hive of Roman liars worship a gluttonous emperor-idiot.
Such is Rome, and this her deity: hear it, Spirit of Cassivelaun!
`Hear it, Gods! the Gods have heard it, O Icenian, O Coritanian!
Doubt not ye the Gods have answer'd, Catieuchlanian, Trinobant.
These have told us all their anger in miraculous utterances,
Thunder, a flying fire in heaven, a murmur heard aerially,
Phantom sound of blows descending, moan of an enemy massacred,
Phantom wail of women and children, multitudinous agonies.
Bloodily flow'd the Tamesa rolling phantom bodies of horses and men;
Then a phantom colony smoulder'd on the refluent estuary;
Lastly yonder yester-even, suddenly giddily tottering-There was one who watch'd and told me--down their statue of Victory fell.
Lo their precious Roman bantling, lo the colony Camulodune,
Shall we teach it a Roman lesson? shall we care to be pitiful?
Shall we deal with it as an infant? shall we dandle it amorously?
`Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant!
While I roved about the forest, long and bitterly meditating,
There I heard them in the darkness, at the mystical ceremony,
50
Loosely robed in flying raiment, sang the terrible prophetesses.
"Fear not, isle of blowing woodland, isle of silvery parapets!
Tho' the Roman eagle shadow thee, tho' the gathering enemy narrow thee,
Thou shalt wax and he shall dwindle, thou shalt be the mighty one yet!
Thine the liberty, thine the glory, thine the deeds to be celebrated,
Thine the myriad-rolling ocean, light and shadow illimitable,
Thine the lands of lasting summer, many-blossoming Paradises,
Thine the North and thine the South and thine the battle-thunder of God."
So they chanted: how shall Britain light upon auguries happier?
So they chanted in the darkness, and there cometh a victory now.
Hear Icenian, Catieuchlanian, hear Coritanian, Trinobant!
Me the wife of rich Prasutagus, me the lover of liberty,
Me they seized and me they tortured, me they lash'd and humiliated,
Me the sport of ribald Veterans, mine of ruffian violators!
See they sit, they hide their faces, miserable in ignominy!
Wherefore in me burns an anger, not by blood to be satiated.
Lo the palaces and the temple, lo the colony Camulodune!
There they ruled, and thence they wasted all the flourishing territory,
Thither at their will they haled the yellow-ringleted Britoness-Bloodily, bloodily fall the battle-axe, unexhausted, inexorable.
Shout Icenian, Catieuchlanian, shout Coritanian, Trinobant,
Till the victim hear within and yearn to hurry precipitously
Like the leaf in a roaring whirlwind, like the smoke in a hurricane whirl'd.
Lo the colony, there they rioted in the city of Cunobeline!
There they drank in cups of emerald, there at tables of ebony lay,
Rolling on their purple couches in their tender effeminacy.
There they dwelt and there they rioted; there--there--they dwell no more.
Burst the gates, and burn the palaces, break the works of the statuary,
Take the hoary Roman head and shatter it, hold it abominable,
Cut the Roman boy to pieces in his lust and voluptuousness,
Lash the maiden into swooning, me they lash'd and humiliated,
Chop the breasts from off the mother, dash the brains of the little one out,
Up my Britons, on my chariot, on my chargers, trample them under us.'
So the Queen Boadicea, standing loftily charioted,
Brandishing in her hand a dart and rolling glances lioness-like,
Yell'd and shriek'd between her daughters in her fierce volubility.
Till her people all around the royal chariot agitated,
Madly dash'd the darts together, writhing barbarous lineaments,
Made the noise of frosty woodlands, when they shiver in January,
Roar'd as when the rolling breakers boom and blanch on the precipices,
51
Yell'd as when the winds of winter tear an oak on a promontory.
So the silent colony hearing her tumultuous adversaries
Clash the darts and on the buckler beat with rapid unanimous hand,
Thought on all her evil tyrannies, all her pitiless avarice,
Till she felt the heart within her fall and flutter tremulously,
Then her pulses at the clamoring of her enemy fainted away.
Out of evil evil flourishes, out of tyranny tyranny buds.
Ran the land with Roman slaughter, multitudinous agonies.
Perish'd many a maid and matron, many a valorous legionary.
Fell the colony, city, and citadel, London, Verulam, Camulodune.
~ Alfred Lord Tennyson,
529:The Burglar Of Babylon
On the fair green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
On the hills a million people,
A million sparrows, nest,
Like a confused migration
That's had to light and rest,
Building its nests, or houses,
Out of nothing at all, or air.
You'd think a breath would end them,
They perch so lightly there.
But they cling and spread like lichen,
And people come and come.
There's one hill called the Chicken,
And one called Catacomb;
There's the hill of Kerosene,
And the hill of Skeleton,
The hill of Astonishment,
And the hill of Babylon.
Micuçú was a burglar and killer,
An enemy of society.
He had escaped three times
From the worst penitentiary.
They don't know how many he murdered
(Though they say he never raped),
And he wounded two policemen
This last time he escaped.
They said, "He'll go to his auntie,
Who raised him like a son.
She has a little drink shop
On the hill of Babylon."
100
He did go straight to his auntie,
And he drank a final beer.
He told her, "The soldiers are coming,
And I've got to disappear."
"Ninety years they gave me.
Who wants to live that long?
I'll settle for ninety hours,
On the hill of Babylon.
"Don't tell anyone you saw me.
I'll run as long as I can.
You were good to me, and I love you,
But I'm a doomed man."
Going out, he met a mulata
Carrying water on her head.
"If you say you saw me, daughter,
You're as good as dead."
There are caves up there, and hideouts,
And an old fort, falling down.
They used to watch for Frenchmen
From the hill of Babylon.
Below him was the ocean.
It reached far up the sky,
Flat as a wall, and on it
Were freighters passing by,
Or climbing the wall, and climbing
Till each looked like a fly,
And then fell over and vanished;
And he knew he was going to die.
He could hear the goats baa-baa-ing.
He could hear the babies cry;
Fluttering kites strained upward;
And he knew he was going to die.
A buzzard flapped so near him
101
He could see its naked neck.
He waved his arms and shouted,
"Not yet, my son, not yet!"
An Army helicopter
Came nosing around and in.
He could see two men inside it,
but they never spotted him.
The soldiers were all over,
On all sides of the hill,
And right against the skyline
A row of them, small and still.
Children peeked out of windows,
And men in the drink shop swore,
And spat a little cachaça
At the light cracks in the floor.
But the soldiers were nervous, even
with tommy guns in hand,
And one of them, in a panic,
Shot the officer in command.
He hit him in three places;
The other shots went wild.
The soldier had hysterics
And sobbed like a little child.
The dying man said, "Finish
The job we came here for."
he committed his soul to God
And his sons to the Governor.
They ran and got a priest,
And he died in hope of Heaven
--A man from Pernambuco,
The youngest of eleven.
They wanted to stop the search,
but the Army said, "No, go on,"
So the soldiers swarmed again
102
Up the hill of Babylon.
Rich people in apartments
Watched through binoculars
As long as the daylight lasted.
And all night, under the stars,
Micuçú hid in the grasses
Or sat in a little tree,
Listening for sounds, and staring
At the lighthouse out at sea.
And the lighthouse stared back at him,
til finally it was dawn.
He was soaked with dew, and hungry,
On the hill of Babylon.
The yellow sun was ugly,
Like a raw egg on a plate-Slick from the sea. He cursed it,
For he knew it sealed his fate.
He saw the long white beaches
And people going to swim,
With towels and beach umbrellas,
But the soldiers were after him.
Far, far below, the people
Were little colored spots,
And the heads of those in swimming
Were floating coconuts.
He heard the peanut vendor
Go peep-peep on his whistle,
And the man that sells umbrellas
Swinging his watchman's rattle.
Women with market baskets
Stood on the corners and talked,
Then went on their way to market,
Gazing up as they walked.
103
The rich with their binoculars
Were back again, and many
Were standing on the rooftops,
Among TV antennae.
It was early, eight or eight-thirty.
He saw a soldier climb,
Looking right at him. He fired,
And missed for the last time.
He could hear the soldier panting,
Though he never got very near.
Micuçú dashed for shelter.
But he got it, behind the ear.
He heard the babies crying
Far, far away in his head,
And the mongrels barking and barking.
Then Micuçú was dead.
He had a Taurus revolver,
And just the clothes he had on,
With two contos in the pockets,
On the hill of Babylon.
The police and the populace
Heaved a sigh of relief,
But behind the counter his auntie
Wiped her eyes in grief.
"We have always been respected.
My shop is honest and clean.
I loved him, but from a baby
Micuçú was mean.
"We have always been respected.
His sister has a job.
Both of us gave him money.
Why did he have to rob?
"I raised him to be honest,
Even here, in Babylon slum."
104
The customers had another,
Looking serious and glum.
But one of them said to another,
When he got outside the door,
"He wasn't much of a burglar,
He got caught six times--or more."
This morning the little soldiers
are on Babylon hill again;
Their gun barrels and helmets
Shine in a gentle rain.
Micuçú is buried already.
They're after another two,
But they say they aren't as dangerous
As the poor Micuçú.
On the green hills of Rio
There grows a fearful stain:
The poor who come to Rio
And can't go home again.
There's the hill of Kerosene,
And the hill of the Skeleton,
The hill of Astonishment,
And the hill of Babylon.
~ Elizabeth Bishop,
530:Spleen (Iii)
Je suis comme le roi d'un pays pluvieux,
Riche, mais impuissant, jeune et pourtant très vieux,
Qui, de ses précepteurs méprisant les courbettes,
S'ennuie avec ses chiens comme avec d'autres bêtes.
Rien ne peut l'égayer, ni gibier, ni faucon,
Ni son peuple mourant en face du balcon.
Du bouffon favori la grotesque ballade
Ne distrait plus le front de ce cruel malade;
Son lit fleurdelisé se transforme en tombeau,
Et les dames d'atour, pour qui tout prince est beau,
Ne savent plus trouver d'impudique toilette
Pour tirer un souris de ce jeune squelette.
Le savant qui lui fait de l'or n'a jamais pu
De son être extirper l'élément corrompu,
Et dans ces bains de sang qui des Romains nous viennent,
Et dont sur leurs vieux jours les puissants se souviennent,
II n'a su réchauffer ce cadavre hébété
Où coule au lieu de sang l'eau verte du Léthé
----------------------------------------------------------------------------------Spleen
I am like the king of a rainy land,

Wealthy but powerless, both young and very old,

Who contemns the fawning manners of his tutors

And is bored with his dogs and other animals.

Nothing can cheer him, neither the chase nor falcons,

Nor his people dying before his balcony.

The ludicrous ballads of his favorite clown

No longer smooth the brow of this cruel invalid;

His bed, adorned with fleurs-de-lis, becomes a grave;

The lady's maids, to whom every prince is handsome,

No longer can find gowns shameless enough

To wring a smile from this young skeleton.

The alchemist who makes his gold was never able

To extract from him the tainted element,

And in those baths of blood come down from Roman times,

And which in their old age the powerful recall,

432

He failed to warm this dazed cadaver in whose veins

Flows the green water of Lethe in place of blood.

— Translated by William Aggeler

----------------------------------------------------------------------------------Spleen
I'm like the King of some damp, rainy clime,

Grown impotent and old before my time,

Who scorns the bows and scrapings of his teachers

And bores himself with hounds and all such creatures.

Naught can amuse him, falcon, steed, or chase:

No, not the mortal plight of his whole race

Dying before his balcony. The tune,

Sung to this tyrant by his pet buffoon,

Irks him. His couch seems far more like a grave.

Even the girls, for whom all kings seem brave,

Can think no toilet up, nor shameless rig,

To draw a smirk from this funereal prig.

The sage who makes him gold, could never find

The baser element that rots his mind.

Even those blood-baths the old Romans knew

And later thugs have imitated too,

Can't warm this skeleton to deeds of slaughter,

Whose only blood is Lethe's cold, green water.

— Translated by Roy Campbell

----------------------------------------------------------------------------------Spleen
I'm like the king of a rain-country, rich

but sterile, young but with an old wolf's itch,

one who escapes his tutor's monologues,

and kills the day in boredom with his dogs;

nothing cheers him, darts, tennis, falconry,

his people dying by the balcony;

the bawdry of the pet hermaphrodite

no longer gets him through a single night;

433

his bed of fleur-de-lys becomes a tomb;

even the ladies of the court, for whom

all kings are beautiful, cannot put on

shameful enough dresses for this skeleton;

the scholar who makes his gold cannot invent

washes to cleanse the poisoned element;

even in baths of blood, Rome's legacy,

our tyrants' solace in senility,

he cannot warm up his shot corpse, whose food

is syrup-green Lethean ooze, not blood.

— Translated by Robert Lowell

----------------------------------------------------------------------------------The King of the Rainy Country
A rainy country this, that I am monarch of, —

A rich but powerless king, worn-out while yet a boy;

For whom in vain the falcon falls upon the dove;

Not even his starving people's groans can give him joy;

Scorning his tutors, loathing his spaniels, finding stale

His favorite jester's quips, yawning at the droll tale.

His bed, for all its fleurs de lis, looks like a tomb;

The ladies of the court, attending him, to whom

He, being a prince, is handsome, see him lying there

Cold as a corpse, and lift their shoulders in despair:

No garment they take off, no garter they leave on

Excites the gloomy eye of this young skeleton.

The royal alchemist, who makes him gold from lead,

The baser element from out the royal head

Cannot extract; nor can those Roman baths of blood,

For some so efficacious, cure the hebetude

Of him, along whose veins, where flows no blood at all,

For ever the slow waters of green Lethe crawl.

— Translated by Edna St. Vincent Millay

----------------------------------------------------------------------------------Spleen
434

I'm like a king of rainy lands and cold

— wealthy, but impotent: still young, but old —

who, scornful of his tutors' bows, prefers

his hounds and boredom to such grovellers.

nor stag nor falcon rouse his apathy,

nor starving subjects 'neath his balcony.

his favourite jester's wildest ballads now

no longer clear his cruel, sickened brow;

his royal bed's a coffin drowned in care,

and court-ladies, to whom all kings are fair,

— seeking a smile from that young skeleton —

no longer find one shameless robe to don.

nor can the sage who makes him gold succeed

in purging him of Death's corruptive seed,

nor in the baths of blood the Romans knew,

wherein the agèd rich their strength renew,

learn how to warm that cold numb corpse, through whose

dull veins, for blood, green Lethe's waters ooze.

— Translated by Lewis Piaget Shanks

----------------------------------------------------------------------------------Spleen
I am like the king of a rainy country,

Rich, and yet powerless, young and yet most old,

Who, distrustful of the bows his tutors make,

Sits bored among his dogs as with his other beasts.

Nothing can lift his spirits: neither hawk nor game;

The dying subjects gathered to his balcony;

The grotesque ballad of his best-loved fool

--No more distracts him in this sickness cruel.

His lilied bed is changed into a tomb;

The ladies of his court all lords might love,

And yet they can no longer find shameless attire

To draw a smile from their young, wasted sire.

The alchemist who made him gold could not

Purge from his soul this corrupt element,

And in a blood bath, as in ancient Rome,

Remembered by the mighty in their latter days,

Knew not to warm this dazzled corpse

Where flows not blood but Lethe's waters green.

435

Translated by Anonymous

~ Charles Baudelaire,
531:And So To-Day
And so to-day- they lay him awaythe boy nobody knows the name ofthe buck private- the unknown soldierthe doughboy who dug under and died
when they told him to- that's him.
Down Pennsylvania Avenue to-day the riders go,
men and boys riding horses, roses in their teeth,
stems of roses, rose leaf stalks, rose dark leavesthe line of the green ends in a red rose flash.
Skeleton men and boys riding skeleton horses,
the rib bones shine, the rib bones curve,
shine with savage, elegant curvesa jawbone runs with a long white slant,
a skull dome runs with a long white arch,
bone triangles click and rattle,
elbows, ankles, white line slantsshining in the sun, past the White House,
past the Treasury Building, Army and Navy Buildings,
on to the mystic white Capitol Domeso they go down Pennsylvania Avenue to-day,
skeleton men and boys riding skeleton horses,
stems of roses in their teeth,
rose dark leaves at their white jaw slantsand a horse laugh question nickers and whinnies,
moans with a whistle out of horse head teeth:
why? who? where?
('The big fish- eat the little fishthe little fish- eat the shrimpsand the shrimps- eat mud,'said a cadaverous man- with a black umbrellaspotted with white polka dots- with a missing
ear- with a missing foot and armswith a missing sheath of muscles
singing to the silver sashes of the sun.)
And so to-day- they lay him away-
23
the boy nobody knows the name ofthe buck private- the unknown soldierthe doughboy who dug under and died
when they told him to- that's him.
If he picked himself and said, 'I am ready to die,'
if he gave his name and said, 'My country, take me,'
then the baskets of roses to-day are for the Boy,
the flowers, the songs, the steamboat whistles,
the proclamations of the honorable orators,
they are all for the Boy- that's him.
If the government of the Republic picked him saying,
'You are wanted, your country takes you'if the Republic put a stethoscope to his heart
and looked at his teeth and tested his eyes and said,
'You are a citizen of the Republic and a sound
animal in all parts and functions- the Republic takes you'then to-day the baskets of flowers are all for the Republic,
the roses, the songs, the steamboat whistles,
the proclamations of the honorable oratorsthey are all for the Republic.
And so to-day- they lay him awayand an understanding goes- his long sleep shall be
under arms and arches near the Capitol Domethere is an authorization- he shall have tomb companionsthe martyred presidents of the Republicthe buck private- the unknown soldier- that's him.
The man who was war commander of the armies of the Republic
rides down Pennsylvania AvenueThe man who is peace commander of the armies of the Republic
rides down Pennsylvania Avenuefor the sake of the Boy, for the sake of the Republic.
(And the hoofs of the skeleton horses
all drum soft on the asphalt footingso soft is the drumming, so soft the roll call
of the grinning sergeants calling the roll callso soft is it all- a camera man murmurs, 'Moonshine.')
24
Look- who salutes the coffinlays a wreath of remembrance
on the box where a buck private
sleeps a clean dry sleep at lastlook- it is the highest ranking general
of the officers of the armies of the Republic.
(Among pigeon corners of the Congressional Library- they
file documents quietly, casually, all in a day's workthis human document, the buck private nobody knows the
name of- they file away in granite and steel- with music
and roses, salutes, proclamations of the honorable
orators.)
Across the country, between two ocean shore lines,
where cities cling to rail and water routes,
there people and horses stop in their foot tracks,
cars and wagons stop in their wheel tracksfaces at street crossings shine with a silence
of eggs laid in a row on a pantry shelfamong the ways and paths of the flow of the Republic
faces come to a standstill, sixty clockticks countin the name of the Boy, in the name of the Republic.
(A million faces a thousand miles from Pennsylvania Avenue
stay frozen with a look, a clocktick, a momentskeleton riders on skeleton horses- the nickering high horse
laugh,
the whinny and the howl up Pennsylvania Avenue:
who? why? where?)
(So people far from the asphalt footing of Pennsylvania
Avenue look, wonder, mumble- the riding white-jaw
phantoms ride hi-eeee, hi-eeee, hi-yi, hi-yi, hi-eeeethe proclamations of the honorable orators mix with the
top-sergeants whistling the roll call.)
If when the clockticks counted sixty,
when the heartbeats of the Republic
came to a stop for a minute,
if the Boy had happened to sit up,
happening to sit up as Lazarus sat up, in the story,
25
then the first shivering language to drip off his mouth
might have come as, 'Thank God,' or 'Am I dreaming?'
or 'What the hell' or 'When do we eat?'
or 'Kill 'em, kill 'em, the....'
or 'Was that ... a rat ... ran over my face?'
or 'For Christ's sake, gimme water, gimme water,'
or 'Blub blub, bloo bloo....'
or any bubbles of shell shock gibberish
from the gashes of No Man's Land.
Maybe some buddy knows,
some sister, mother, sweetheart,
maybe some girl who sat with him once
when a two-horn silver moon
slid on the peak of a house-roof gable,
and promises lived in the air of the night,
when the air was filled with promises,
when any little slip-shoe lovey
could pick a promise out of the air.
'Feed it to 'em,
they lap it up,
bull ... bull ... bull,'
Said a movie news reel camera man,
Said a Washington newspaper correspondent,
Said a baggage handler lugging a trunk,
Said a two-a-day vaudeville juggler,
Said a hanky-pank selling jumping-jacks.
'Hokum- they lap it up,' said the bunch.
And a tall scar-face ball player,
Played out as a ball player,
Made a speech of his own for the hero boy,
Sent an earful of his own to the dead buck private:
'It's all safe now, buddy,
Safe when you say yes,
Safe for the yes-men.'
He was a tall scar-face battler
With his face in a newspaper
Reading want ads, reading jokes,
Reading love, murder, politics,
26
Jumping from jokes back to the want ads,
Reading the want ads first and last,
The letters of the word JOB, 'J-O-B,'
Burnt like a shot of bootleg booze
In the bones of his headIn the wish of his scar-face eyes.
The honorable orators,
Always the honorable orators,
Buttoning the buttons on their prinz alberts,
Pronouncing the syllables 'sac-ri-fice,'
Juggling those bitter salt-soaked syllablesDo they ever gag with hot ashes in their mouths?
Do their tongues ever shrivel with a pain of fire
Across those simple syllables 'sac-ri-fice'?
(There was one orator people far off saw.
He had on a gunnysack shirt over his bones,
And he lifted an elbow socket over his head,
And he lifted a skinny signal finger.
And he had nothing to say, nothing easyHe mentioned ten million men, mentioned them as having gone west,
mentioned them as shoving up the daisies.
We could write it all on a postage stamp, what he said.
He said it and quit and faded away,
A gunnysack shirt on his bones.)
Stars of the night sky,
did you see that phantom fadeout,
did you see those phantom riders,
skeleton riders on skeleton horses,
stems of roses in their teeth,
rose leaves red on white-jaw slants,
grinning along on Pennsylvania Avenue,
the top-sergeants calling roll callsdid their horses nicker a horse laugh?
did the ghosts of the boney battalions
move out and on, up the Potomac, over on the Ohio
and out to the Mississippi, the Missouri, the Red River,
and down to the Rio Grande, and on to the Yazoo,
over to the Chattahoochee and up to the Rappahannock?
did you see 'em, stars of the night sky?
27
And so to-day- they lay him awaythe boy nobody knows the name ofthey lay him away in granite and steelwith music and roses- under a flagunder a sky of promises.
~ Carl Sandburg,
532:The seeds of all things are, and how distinct
In divers forms they flit of own accord,
Stirred with a motion everlasting on,
And in what mode things be from them create,
And since I've taught what the mind's nature is,
And of what things 'tis with the body knit
And thrives in strength, and by what mode uptorn
That mind returns to its primordials,
Now will I undertake an argument-
One for these matters of supreme concern-
That there exist those somewhats which we call
The images of things: these, like to films
Scaled off the utmost outside of the things,
Flit hither and thither through the atmosphere,
And the same terrify our intellects,
Coming upon us waking or in sleep,
When oft we peer at wonderful strange shapes
And images of people lorn of light,
Which oft have horribly roused us when we lay
In slumber- that haply nevermore may we
Suppose that souls get loose from Acheron,
Or shades go floating in among the living,
Or aught of us is left behind at death,
When body and mind, destroyed together, each
Back to its own primordials goes away.

And thus I say that effigies of things,
And tenuous shapes from off the things are sent,
From off the utmost outside of the things,
Which are like films or may be named a rind,
Because the image bears like look and form
With whatso body has shed it fluttering forth-
A fact thou mayst, however dull thy wits,
Well learn from this: mainly, because we see
Even 'mongst visible objects many be
That send forth bodies, loosely some diffused-
Like smoke from oaken logs and heat from fires-
And some more interwoven and condensed-
As when the locusts in the summertime
Put off their glossy tunics, or when calves
At birth drop membranes from their body's surface,
Or when, again, the slippery serpent doffs
Its vestments 'mongst the thorns- for oft we see
The breres augmented with their flying spoils:
Since such takes place, 'tis likewise certain too
That tenuous images from things are sent,
From off the utmost outside of the things.
For why those kinds should drop and part from things,
Rather than others tenuous and thin,
No power has man to open mouth to tell;
Especially, since on outsides of things
Are bodies many and minute which could,
In the same order which they had before,
And with the figure of their form preserved,
Be thrown abroad, and much more swiftly too,
Being less subject to impediments,
As few in number and placed along the front.
For truly many things we see discharge
Their stuff at large, not only from their cores
Deep-set within, as we have said above,
But from their surfaces at times no less-
Their very colours too. And commonly
The awnings, saffron, red and dusky blue,
Stretched overhead in mighty theatres,
Upon their poles and cross-beams fluttering,
Have such an action quite; for there they dye
And make to undulate with their every hue
The circled throng below, and all the stage,
And rich attire in the patrician seats.
And ever the more the theatre's dark walls
Around them shut, the more all things within
Laugh in the bright suffusion of strange glints,
The daylight being withdrawn. And therefore, since
The canvas hangings thus discharge their dye
From off their surface, things in general must
Likewise their tenuous effigies discharge,
Because in either case they are off-thrown
From off the surface. So there are indeed
Such certain prints and vestiges of forms
Which flit around, of subtlest texture made,
Invisible, when separate, each and one.
Again, all odour, smoke, and heat, and such
Streams out of things diffusedly, because,
Whilst coming from the deeps of body forth
And rising out, along their bending path
They're torn asunder, nor have gateways straight
Wherethrough to mass themselves and struggle abroad.
But contrariwise, when such a tenuous film
Of outside colour is thrown off, there's naught
Can rend it, since 'tis placed along the front
Ready to hand. Lastly those images
Which to our eyes in mirrors do appear,
In water, or in any shining surface,
Must be, since furnished with like look of things,
Fashioned from images of things sent out.
There are, then, tenuous effigies of forms,
Like unto them, which no one can divine
When taken singly, which do yet give back,
When by continued and recurrent discharge
Expelled, a picture from the mirrors' plane.
Nor otherwise, it seems, can they be kept
So well conserved that thus be given back
Figures so like each object.
Now then, learn
How tenuous is the nature of an image.
And in the first place, since primordials be
So far beneath our senses, and much less
E'en than those objects which begin to grow
Too small for eyes to note, learn now in few
How nice are the beginnings of all things-
That this, too, I may yet confirm in proof:
First, living creatures are sometimes so small
That even their third part can nowise be seen;
Judge, then, the size of any inward organ-
What of their sphered heart, their eyes, their limbs,
The skeleton?- How tiny thus they are!
And what besides of those first particles
Whence soul and mind must fashioned be?- Seest not
How nice and how minute? Besides, whatever
Exhales from out its body a sharp smell-
The nauseous absinth, or the panacea,
Strong southernwood, or bitter centaury-
If never so lightly with thy [fingers] twain
Perchance [thou touch] a one of them

Then why not rather know that images
Flit hither and thither, many, in many modes,
Bodiless and invisible?
But lest
Haply thou holdest that those images
Which come from objects are the sole that flit,
Others indeed there be of own accord
Begot, self-formed in earth's aery skies,
Which, moulded to innumerable shapes,
Are borne aloft, and, fluid as they are,
Cease not to change appearance and to turn
Into new outlines of all sorts of forms;
As we behold the clouds grow thick on high
And smirch the serene vision of the world,
Stroking the air with motions. For oft are seen
The giants' faces flying far along
And trailing a spread of shadow; and at times
The mighty mountains and mountain-sundered rocks
Going before and crossing on the sun,
Whereafter a monstrous beast dragging amain
And leading in the other thunderheads.
Now [hear] how easy and how swift they be
Engendered, and perpetually flow off
From things and gliding pass away.

For ever every outside streams away
From off all objects, since discharge they may;
And when this outside reaches other things,
As chiefly glass, it passes through; but where
It reaches the rough rocks or stuff of wood,
There 'tis so rent that it cannot give back
An image. But when gleaming objects dense,
As chiefly mirrors, have been set before it,
Nothing of this sort happens. For it can't
Go, as through glass, nor yet be rent- its safety,
By virtue of that smoothness, being sure.
'Tis therefore that from them the images
Stream back to us; and howso suddenly
Thou place, at any instant, anything
Before a mirror, there an image shows;
Proving that ever from a body's surface
Flow off thin textures and thin shapes of things.
Thus many images in little time
Are gendered; so their origin is named
Rightly a speedy. And even as the sun
Must send below, in little time, to earth
So many beams to keep all things so full
Of light incessant; thus, on grounds the same,
From things there must be borne, in many modes,
To every quarter round, upon the moment,
The many images of things; because
Unto whatever face of things we turn
The mirror, things of form and hue the same
Respond. Besides, though but a moment since
Serenest was the weather of the sky,
So fiercely sudden is it foully thick
That ye might think that round about all murk
Had parted forth from Acheron and filled
The mighty vaults of sky- so grievously,
As gathers thus the storm-clouds' gruesome night,
Do faces of black horror hang on high-
Of which how small a part an image is
There's none to tell or reckon out in words.

Now come; with what swift motion they are borne,
These images, and what the speed assigned
To them across the breezes swimming on-
So that o'er lengths of space a little hour
Alone is wasted, toward whatever region
Each with its divers impulse tends- I'll tell
In verses sweeter than they many are;
Even as the swan's slight note is better far
Than that dispersed clamour of the cranes
Among the southwind's aery clouds. And first,
One oft may see that objects which are light
And made of tiny bodies are the swift;
In which class is the sun's light and his heat,
Since made from small primordial elements
Which, as it were, are forward knocked along
And through the interspaces of the air
To pass delay not, urged by blows behind;
For light by light is instantly supplied
And gleam by following gleam is spurred and driven.
Thus likewise must the images have power
Through unimaginable space to speed
Within a point of time,- first, since a cause
Exceeding small there is, which at their back
Far forward drives them and propels, where, too,
They're carried with such winged lightness on;
And, secondly, since furnished, when sent off,
With texture of such rareness that they can
Through objects whatsoever penetrate
And ooze, as 'twere, through intervening air.
Besides, if those fine particles of things
Which from so deep within are sent abroad,
As light and heat of sun, are seen to glide
And spread themselves through all the space of heaven
Upon one instant of the day, and fly
O'er sea and lands and flood the heaven, what then
Of those which on the outside stand prepared,
When they're hurled off with not a thing to check
Their going out? Dost thou not see indeed
How swifter and how farther must they go
And speed through manifold the length of space
In time the same that from the sun the rays
O'erspread the heaven? This also seems to be
Example chief and true with what swift speed
The images of things are borne about:
That soon as ever under open skies
Is spread the shining water, all at once,
If stars be out in heaven, upgleam from earth,
Serene and radiant in the water there,
The constellations of the universe-
Now seest thou not in what a point of time
An image from the shores of ether falls
Unto the shores of earth? Wherefore, again,
And yet again, 'tis needful to confess
With wondrous


author class:Lucretius
~ I've taught already of what sort, Existence And Character Of The Images
,
533:The Ginestra,
OR THE FLOWER OF THE WILDERNESS.
Here, on the arid ridge
Of dead Vesuvius,
Exterminator terrible,
That by no other tree or flower is cheered,
Thou scatterest thy lonely leaves around,
O fragrant flower,
With desert wastes content. Thy graceful stems
I in the solitary paths have found,
The city that surround,
That once was mistress of the world;
And of her fallen power,
They seemed with silent eloquence to speak
Unto the thoughtful wanderer.
And now again I see thee on this soil,
Of wretched, world-abandoned spots the friend,
Of ruined fortunes the companion, still.
These fields with barren ashes strown,
And lava, hardened into stone,
Beneath the pilgrim's feet, that hollow sound,
Where by their nests the serpents coiled,
Lie basking in the sun,
And where the conies timidly
To their familiar burrows run,
Were cheerful villages and towns,
With waving fields of golden grain,
And musical with lowing herds;
Were gardens, and were palaces,
That to the leisure of the rich
A grateful shelter gave;
Were famous cities, which the mountain fierce,
Forth-darting torrents from his mouth of flame,
Destroyed, with their inhabitants.
Now all around, one ruin lies,
Where thou dost dwell, O gentle flower,
And, as in pity of another's woe,
A perfume sweet thou dost exhale,
83
To heaven an offering,
And consolation to the desert bring.
Here let him come, who hath been used
To chant the praises of our mortal state,
And see the care,
That loving Nature of her children takes!
Here may he justly estimate
The power of mortals, whom
The cruel nurse, when least they fear,
With motion light can in a moment crush
In part, and afterwards, when in the mood,
With motion not so light, can suddenly,
And utterly annihilate.
Here, on these blighted coasts,
May he distinctly trace
'The princely progress of the human race!'
Here look, and in a mirror see thyself,
O proud and foolish age!
That turn'st thy back upon the path,
That thought revived
So clearly indicates to all,
And this, thy movement retrograde,
Dost _Progress_ call.
Thy foolish prattle all the minds,
Whose cruel fate thee for a father gave,
Besmear with flattery,
Although, among themselves, at times,
They laugh at thee.
But I will not to such low arts descend,
Though envy it would be for me,
The rest to imitate,
And, raving, wilfully,
To make my song more pleasing to thy ears:
But I will sooner far reveal,
As clearly as I can, the deep disdain
That I for thee within my bosom feel;
Although I know, oblivion
Awaits the man who holds his age in scorn:
But this misfortune, which I share with thee,
My laughter only moves.
Thou dream'st of liberty,
84
And yet thou wouldst anew that thought enslave,
By which alone we are redeemed, in part,
From barbarism; by which alone
True progress is obtained,
And states are guided to a nobler end.
And so the truth of our hard lot,
And of the humble place
Which Nature gave us, pleased thee not;
And like a coward, thou hast turned thy back
Upon the light, which made it evident;
Reviling him who does that light pursue,
And praising him alone
Who, in his folly, or from motives base,
Above the stars exalts the human race.
A man of poor estate, and weak of limb,
But of a generous, truthful soul,
Nor calls, nor deems himself
A Croesus, or a Hercules,
Nor makes himself ridiculous
Before the world with vain pretence
Of vigor or of opulence;
But his infirmities and needs
He lets appear, and without shame,
And speaking frankly, calls each thing
By its right name.
I deem not _him_ magnanimous,
But simply, a great fool,
Who, born to perish, reared in suffering,
Proclaims his lot a happy one,
And with offensive pride
His pages fills, exalted destinies
And joys, unknown in heaven, much less
On earth, absurdly promising to those
Who by a wave of angry sea,
Or breath of tainted air,
Or shaking of the earth beneath,
Are ruined, crushed so utterly,
As scarce to be recalled by memory.
But truly noble, wise is _he_,
Who bids his brethren boldly look
Upon our common misery;
85
Who frankly tells the naked truth,
Acknowledging our frail and wretched state,
And all the ills decreed to us by Fate;
Who shows himself in suffering brave and strong,
Nor adds unto his miseries
Fraternal jealousies and strifes,
The hardest things to bear of all,
Reproaching man with his own grief,
But the true culprit
Who, in our birth, a mother is,
A fierce step-mother in her will.
_Her_ he proclaims the enemy,
And thinking all the human race
Against her armed, as is the case,
E'en from the first, united and arrayed,
All men esteems confederates,
And with true love embraces all,
Prompt and efficient aid bestowing, and
Expecting it, in all the pains
And perils of the common war.
And to resent with arms all injuries,
Or snares and pit-falls for a neighbor lay,
Absurd he deems, as it would be, upon
The field, surrounded by the enemy,
The foe forgetting, bitter war
With one's own friends to wage,
And in the hottest of the fight,
With cruel and misguided sword,
One's fellow soldiers put to flight.
When truths like these are rendered clear,
As once they were, unto the multitude,
And when that fear, which from the first,
All mortals in a social band
Against inhuman Nature joined
Anew shall guided be, in part,
By knowledge true, then social intercourse,
And faith, and hope, and charity
Will a far different foundation have
From that which silly fables give,
By which supported, public truth and good
Must still proceed with an unstable foot,
As all things that in error have their root.
86
Oft, on these hills, so desolate,
Which by the hardened flood,
That seems in waves to rise,
Are clad in mourning, do I sit at night,
And o'er the dreary plain behold
The stars above in purest azure shine,
And in the ocean mirrored from afar,
And all the world in brilliant sparks arrayed,
Revolving through the vault serene.
And when my eyes I fasten on those lights,
Which seem to them a point,
And yet are so immense,
That earth and sea, with them compared,
Are but a point indeed;
To whom, not only man,
But this our globe, where man is nothing, is
Unknown; and when I farther gaze upon
Those clustered stars, at distance infinite,
That seem to us like mist, to whom
Not only man and earth, but all our stars
At once, so vast in numbers and in bulk,
The golden sun himself included, are
Unknown, or else appear, as they to earth,
A point of nebulous light, what, then,
Dost _thou_ unto my thought appear,
O race of men?
Remembering thy wretched state below,
Of which the soil I tread, the token bears;
And, on the other hand,
That thou thyself hast deemed
The Lord and end of all the Universe;
How oft thou hast been pleased
The idle tale to tell,
That to this little grain of sand, obscure,
The name of earth that bears,
The Authors of that Universe
Have, at thy call, descended oft,
And pleasant converse with thy children had;
And how, these foolish dreams reviving, e'en
This age its insults heaps upon the wise,
Although it seems all others to excel
In learning, and in arts polite;
87
What can I think of thee
Thou wretched race of men?
What thoughts discordant then my heart assail,
In doubt, if scorn or pity should prevail!
As a small apple, falling from a tree
In autumn, by the force
Of its own ripeness, to the ground,
The pleasant homes of a community
Of ants, in the soft clod
With careful labor built,
And all their works, and all the wealth,
Which the industrious citizens
Had in the summer providently stored,
Lays waste, destroys, and in an instant hides;
So, falling from on high,
To heaven forth-darted from
The mountain's groaning womb,
A dark destructive mass
Of ashes, pumice, and of stones,
With boiling streams of lava mixed,
Or, down the mountain's side
Descending, furious, o'er the grass,
A fearful flood
Of melted metals, mixed with burning sand,
Laid waste, destroyed, and in short time concealed
The cities on yon shore, washed by the sea,
Where now the goats
On this side browse, and cities new
Upon the other stand, whose foot-stools are
The buried ones, whose prostrate walls
The lofty mountain tramples under foot.
Nature no more esteems or cares for man,
Than for the ant; and if the race
Is not so oft destroyed,
The reason we may plainly see;
Because the ants more fruitful are than we.
Full eighteen hundred years have passed,
Since, by the force of fire laid waste,
These thriving cities disappeared;
And now, the husbandman,
His vineyards tending, that the arid clod,
88
With ashes clogged, with difficulty feeds,
Still raises a suspicious eye
Unto that fatal crest,
That, with a fierceness not to be controlled,
Still stands tremendous, threatens still
Destruction to himself, his children, and
Their little property.
And oft upon the roof
Of his small cottage, the poor man
All night lies sleepless, often springing up,
The course to watch of the dread stream of fire
That from the inexhausted womb doth pour
Along the sandy ridge,
Its lurid light reflected in the bay,
From Mergellina unto Capri's shore.
And if he sees it drawing near,
Or in his well
He hears the boiling water gurgle, wakes
His sons, in haste his wife awakes,
And, with such things as they can snatch,
Escaping, sees from far
His little nest, and the small field,
His sole resource against sharp hunger's pangs,
A prey unto the burning flood,
That crackling comes, and with its hardening crust,
Inexorable, covers all.
Unto the light of day returns,
After its long oblivion,
Pompeii, dead, an unearthed skeleton,
Which avarice or piety
Hath from its grave unto the air restored;
And from its forum desolate,
And through the formal rows
Of mutilated colonnades,
The stranger looks upon the distant, severed peaks,
And on the smoking crest,
That threatens still the ruins scattered round.
And in the horror of the secret night,
Along the empty theatres,
The broken temples, shattered houses, where
The bat her young conceals,
Like flitting torch, that smoking sheds
89
A gloom through the deserted halls
Of palaces, the baleful lava glides,
That through the shadows, distant, glares,
And tinges every object round.
Thus, paying unto man no heed,
Or to the ages that he calls antique,
Or to the generations as they pass,
Nature forever young remains,
Or at a pace so slow proceeds,
She stationary seems.
Empires, meanwhile, decline and fall,
And nations pass away, and languages:
She sees it not, or _will_ not see;
And yet man boasts of immortality!
And thou, submissive flower,
That with thy fragrant foliage dost adorn
These desolated plains,
Thou, too, must fall before the cruel power
Of subterranean fire,
Which, to its well-known haunts returning, will
Its fatal border spread
O'er thy soft leaves and branches fine.
And thou wilt bow thy gentle head,
Without a struggle, yielding to thy fate:
But not with vain and abject cowardice,
Wilt thy destroyer supplicate;
Nor wilt, erect with senseless haughtiness,
Look up unto the stars,
Or o'er the wilderness,
Where, not from choice, but Fortune's will,
Thy birthplace thou, and home didst find;
But wiser, far, than man,
And far less weak;
For thou didst ne'er, from Fate, or power of thine,
Immortal life for thy frail children seek.
~ Count Giacomo Leopardi,
534:The House Of Dust: Part 04: 03: Palimpsest: A
Deceitful Portrait
Well, as you say, we live for small horizons:
We move in crowds, we flow and talk together,
Seeing so many eyes and hands and faces,
So many mouths, and all with secret meanings,—
Yet know so little of them; only seeing
The small bright circle of our consciousness,
Beyond which lies the dark. Some few we know—
Or think we know. . . Once, on a sun-bright morning,
I walked in a certain hallway, trying to find
A certain door: I found one, tried it, opened,
And there in a spacious chamber, brightly lighted,
A hundred men played music, loudly, swiftly,
While one tall woman sent her voice above them
In powerful sweetness. . . .Closing then the door
I heard it die behind me, fade to whisper,—
And walked in a quiet hallway as before.
Just such a glimpse, as through that opened door,
Is all we know of those we call our friends. . . .
We hear a sudden music, see a playing
Of ordered thoughts—and all again is silence.
The music, we suppose, (as in ourselves)
Goes on forever there, behind shut doors,—
As it continues after our departure,
So, we divine, it played before we came . . .
What do you know of me, or I of you? . . .
Little enough. . . .We set these doors ajar
Only for chosen movements of the music:
This passage, (so I think—yet this is guesswork)
Will please him,—it is in a strain he fancies,—
More brilliant, though, than his; and while he likes it
He will be piqued . . . He looks at me bewildered
And thinks (to judge from self—this too is guesswork)
The music strangely subtle, deep in meaning,
Perplexed with implications; he suspects me
Of hidden riches, unexpected wisdom. . . .
Or else I let him hear a lyric passage,—
284
Simple and clear; and all the while he listens
I make pretence to think my doors are closed.
This too bewilders him. He eyes me sidelong
Wondering 'Is he such a fool as this?
Or only mocking?'—There I let it end. . . .
Sometimes, of course, and when we least suspect it—
When we pursue our thoughts with too much passion,
Talking with too great zeal—our doors fly open
Without intention; and the hungry watcher
Stares at the feast, carries away our secrets,
And laughs. . . .but this, for many counts, is seldom.
And for the most part we vouchsafe our friends,
Our lovers too, only such few clear notes
As we shall deem them likely to admire:
'Praise me for this' we say, or 'laugh at this,'
Or 'marvel at my candor'. . . .all the while
Withholding what's most precious to ourselves,—
Some sinister depth of lust or fear or hatred,
The sombre note that gives the chord its power;
Or a white loveliness—if such we know—
Too much like fire to speak of without shame.
Well, this being so, and we who know it being
So curious about those well-locked houses,
The minds of those we know,—to enter softly,
And steal from floor to floor up shadowy stairways,
From room to quiet room, from wall to wall,
Breathing deliberately the very air,
Pressing our hands and nerves against warm darkness
To learn what ghosts are there,—
Suppose for once I set my doors wide open
And bid you in. . . .Suppose I try to tell you
The secrets of this house, and how I live here;
Suppose I tell you who I am, in fact. . . .
Deceiving you—as far as I may know it—
Only so much as I deceive myself.
If you are clever you already see me
As one who moves forever in a cloud
Of warm bright vanity: a luminous cloud
Which falls on all things with a quivering magic,
Changing such outlines as a light may change,
285
Brightening what lies dark to me, concealing
Those things that will not change . . . I walk sustained
In a world of things that flatter me: a sky
Just as I would have had it; trees and grass
Just as I would have shaped and colored them;
Pigeons and clouds and sun and whirling shadows,
And stars that brightening climb through mist at nightfall,—
In some deep way I am aware these praise me:
Where they are beautiful, or hint of beauty,
They point, somehow, to me. . . .This water says,—
Shimmering at the sky, or undulating
In broken gleaming parodies of clouds,
Rippled in blue, or sending from cool depths
To meet the falling leaf the leaf's clear image,—
This water says, there is some secret in you
Akin to my clear beauty, silently responsive
To all that circles you. This bare tree says,—
Austere and stark and leafless, split with frost,
Resonant in the wind, with rigid branches
Flung out against the sky,—this tall tree says,
There is some cold austerity in you,
A frozen strength, with long roots gnarled on rocks,
Fertile and deep; you bide your time, are patient,
Serene in silence, bare to outward seeming,
Concealing what reserves of power and beauty!
What teeming Aprils!—chorus of leaves on leaves!
These houses say, such walls in walls as ours,
Such streets of walls, solid and smooth of surface,
Such hills and cities of walls, walls upon walls;
Motionless in the sun, or dark with rain;
Walls pierced with windows, where the light may enter;
Walls windowless where darkness is desired;
Towers and labyrinths and domes and chambers,—
Amazing deep recesses, dark on dark,—
All these are like the walls which shape your spirit:
You move, are warm, within them, laugh within them,
Proud of their depth and strength; or sally from them,
When you are bold, to blow great horns at the world. .
This deep cool room, with shadowed walls and ceiling,
Tranquil and cloistral, fragrant of my mind,
This cool room says,—just such a room have you,
It waits you always at the tops of stairways,
286
Withdrawn, remote, familiar to your uses,
Where you may cease pretence and be yourself. . . .
And this embroidery, hanging on this wall,
Hung there forever,—these so soundless glidings
Of dragons golden-scaled, sheer birds of azure,
Coilings of leaves in pale vermilion, griffins
Drawing their rainbow wings through involutions
Of mauve chrysanthemums and lotus flowers,—
This goblin wood where someone cries enchantment,—
This says, just such an involuted beauty
Of thought and coiling thought, dream linked with dream,
Image to image gliding, wreathing fires,
Soundlessly cries enchantment in your mind:
You need but sit and close your eyes a moment
To see these deep designs unfold themselves.
And so, all things discern me, name me, praise me—
I walk in a world of silent voices, praising;
And in this world you see me like a wraith
Blown softly here and there, on silent winds.
'Praise me'—I say; and look, not in a glass,
But in your eyes, to see my image there—
Or in your mind; you smile, I am contented;
You look at me, with interest unfeigned,
And listen—I am pleased; or else, alone,
I watch thin bubbles veering brightly upward
From unknown depths,—my silver thoughts ascending;
Saying now this, now that, hinting of all things,—
Dreams, and desires, velleities, regrets,
Faint ghosts of memory, strange recognitions,—
But all with one deep meaning: this is I,
This is the glistening secret holy I,
This silver-winged wonder, insubstantial,
This singing ghost. . . .And hearing, I am warmed.
You see me moving, then, as one who moves
Forever at the centre of his circle:
A circle filled with light. And into it
Come bulging shapes from darkness, loom gigantic,
Or huddle in dark again. . . .A clock ticks clearly,
287
A gas-jet steadily whirs, light streams across me;
Two church bells, with alternate beat, strike nine;
And through these things my pencil pushes softly
To weave grey webs of lines on this clear page.
Snow falls and melts; the eaves make liquid music;
Black wheel-tracks line the snow-touched street; I turn
And look one instant at the half-dark gardens,
Where skeleton elm-trees reach with frozen gesture
Above unsteady lamps,—with black boughs flung
Against a luminous snow-filled grey-gold sky.
'Beauty!' I cry. . . .My feet move on, and take me
Between dark walls, with orange squares for windows.
Beauty; beheld like someone half-forgotten,
Remembered, with slow pang, as one neglected . . .
Well, I am frustrate; life has beaten me,
The thing I strongly seized has turned to darkness,
And darkness rides my heart. . . .These skeleton elm-trees—
Leaning against that grey-gold snow filled sky—
Beauty! they say, and at the edge of darkness
Extend vain arms in a frozen gesture of protest . . .
A clock ticks softly; a gas-jet steadily whirs:
The pencil meets its shadow upon clear paper,
Voices are raised, a door is slammed. The lovers,
Murmuring in an adjacent room, grow silent,
The eaves make liquid music. . . .Hours have passed,
And nothing changes, and everything is changed.
Exultation is dead, Beauty is harlot,—
And walks the streets. The thing I strongly seized
Has turned to darkness, and darkness rides my heart.
If you could solve this darkness you would have me.
This causeless melancholy that comes with rain,
Or on such days as this when large wet snowflakes
Drop heavily, with rain . . . whence rises this?
Well, so-and-so, this morning when I saw him,
Seemed much preoccupied, and would not smile;
And you, I saw too much; and you, too little;
And the word I chose for you, the golden word,
The word that should have struck so deep in purpose,
And set so many doors of wish wide open,
You let it fall, and would not stoop for it,
And smiled at me, and would not let me guess
288
Whether you saw it fall. . . These things, together,
With other things, still slighter, wove to music,
And this in time drew up dark memories;
And there I stand. This music breaks and bleeds me,
Turning all frustrate dreams to chords and discords,
Faces and griefs, and words, and sunlit evenings,
And chains self-forged that will not break nor lengthen,
And cries that none can answer, few will hear.
Have these things meaning? Or would you see more clearly
If I should say 'My second wife grows tedious,
Or, like gay tulip, keeps no perfumed secret'?
Or 'one day dies eventless as another,
Leaving the seeker still unsatisfied,
And more convinced life yields no satisfaction'?
Or 'seek too hard, the sight at length grows callous,
And beauty shines in vain'?—
These things you ask for,
These you shall have. . . So, talking with my first wife,
At the dark end of evening, when she leaned
And smiled at me, with blue eyes weaving webs
Of finest fire, revolving me in scarlet,—
Calling to mind remote and small successions
Of countless other evenings ending so,—
I smiled, and met her kiss, and wished her dead;
Dead of a sudden sickness, or by my hands
Savagely killed; I saw her in her coffin,
I saw her coffin borne downstairs with trouble,
I saw myself alone there, palely watching,
Wearing a masque of grief so deeply acted
That grief itself possessed me. Time would pass,
And I should meet this girl,—my second wife—
And drop the masque of grief for one of passion.
Forward we move to meet, half hesitating,
We drown in each others' eyes, we laugh, we talk,
Looking now here, now there, faintly pretending
We do not hear the powerful pulsing prelude
Roaring beneath our words . . . The time approaches.
We lean unbalanced. The mute last glance between us,
Profoundly searching, opening, asking, yielding,
Is steadily met: our two lives draw together . . .
289
. . . .'What are you thinking of?'. . . .My first wife's voice
Scattered these ghosts. 'Oh nothing—nothing much—
Just wondering where we'd be two years from now,
And what we might be doing . . . ' And then remorse
Turned sharply in my mind to sudden pity,
And pity to echoed love. And one more evening
Drew to the usual end of sleep and silence.
And, as it is with this, so too with all things.
The pages of our lives are blurred palimpsest:
New lines are wreathed on old lines half-erased,
And those on older still; and so forever.
The old shines through the new, and colors it.
What's new? What's old? All things have double meanings,—
All things return. I write a line with passion
(Or touch a woman's hand, or plumb a doctrine)
Only to find the same thing, done before,—
Only to know the same thing comes to-morrow. . . .
This curious riddled dream I dreamed last night,—
Six years ago I dreamed it just as now;
The same man stooped to me; we rose from darkness,
And broke the accustomed order of our days,
And struck for the morning world, and warmth, and freedom. . . .
What does it mean? Why is this hint repeated?
What darkness does it spring from, seek to end?
You see me, then, pass up and down these stairways,
Now through a beam of light, and now through shadow,—
Pursuing silent ends. No rest there is,—
No more for me than you. I move here always,
From quiet room to room, from wall to wall,
Searching and plotting, weaving a web of days.
This is my house, and now, perhaps, you know me. . .
Yet I confess, for all my best intentions,
Once more I have deceived you. . . .I withhold
The one thing precious, the one dark thing that guides me;
And I have spread two snares for you, of lies.
~ Conrad Potter Aiken,
535:WRITTEN ON THE OCCASION OF THE MASSACRE AT MANCHESTER

I.
As I lay asleep in Italy
There came a voice from over the Sea,
And with great power it forth led me
To walk in the visions of Poesy.

II.
I met Murder on the way
He had a mask like Castlereagh
Very smooth he looked, yet grim;
Seven blood-hounds followed him:

III.
All were fat; and well they might
Be in admirable plight,
For one by one, and two by two,
He tossed them human hearts to chew
Which from his wide cloak he drew.

IV.
Next came Fraud, and he had on,
Like Eldon, an ermined gown;
His big tears, for he wept well,
Turned to mill-stones as they fell.

V.
And the little children, who
Round his feet played to and fro,
Thinking every tear a gem,
Had their brains knocked out by them.

VI.
Clothed with the Bible, as with light,
And the shadows of the night,
Like Sidmouth, next, Hypocrisy
On a crocodile rode by.

VII.
And many more Destructions played
In this ghastly masquerade,
All disguised, even to the eyes,
Like Bishops, lawyers, peers, or spies.

VIII.
Last came Anarchy: he rode
On a white horse, splashed with blood;
He was pale even to the lips,
Like Death in the Apocalypse.

IX.
And he wore a kingly crown;
And in his grasp a sceptre shone;
On his brow this mark I saw
'I am God, and King, and Law!'

X.
With a pace stately and fast,
Over English land he passed,
Trampling to a mire of blood
The adoring multitude.

XI.
And a mighty troop around,
With their trampling shook the ground,
Waving each a bloody sword,
For the service of their Lord.

XII.
And with glorious triumph, they
Rode through England proud and gay,
Drunk as with intoxication
Of the wine of desolation.

XIII.
O'er fields and towns, from sea to sea,
Passed the Pageant swift and free,
Tearing up, and trampling down;
Till they came to London town.

XIV.
And each dweller, panic-stricken,
Felt his heart with terror sicken
Hearing the tempestuous cry
Of the triumph of Anarchy.

XV.
For with pomp to meet him came,
Clothed in arms like blood and flame,
The hired murderers, who did sing
'Thou art God, and Law, and King.

XVI.
'We have waited, weak and lone
For thy coming, Mighty One!
Our purses are empty, our swords are cold,
Give us glory, and blood, and gold.'

XVII.
Lawyers and priests, a motley crowd,
To the earth their pale brows bowed;
Like a bad prayer not over loud,
Whispering'Thou art Law and God.'

XVIII.
Then all cried with one accord,
'Thou art King, and God, and Lord;
Anarchy, to thee we bow,
Be thy name made holy now!'

XIX.
And Anarchy, the Skeleton,
Bowed and grinned to every one,
As well as if his education
Had cost ten millions to the nation.

XX.
For he knew the Palaces
Of our Kings were rightly his;
His the sceptre, crown, and globe,
And the gold-inwoven robe.

XXI.
So he sent his slaves before
To seize upon the Bank and Tower,
And was proceeding with intent
To meet his pensioned Parliament

XXII.
When one fled past, a maniac maid,
And her name was Hope, she said:
But she looked more like Despair,
And she cried out in the air:

XXIII.
'My father Time is weak and gray
With waiting for a better day;
See how idiot-like he stands,
Fumbling with his palsied hands!

XXIV.
'He has had child after child,
And the dust of death is piled
Over every one but me
Misery, oh, Misery!'

XXV.
Then she lay down in the street,
Right before the horses' feet,
Expecting, with a patient eye,
Murder, Fraud, and Anarchy.

XXVI.
When between her and her foes
A mist, a light, an image rose,
Small at first, and weak, and frail
Like the vapour of a vale:

XXVII.
Till as clouds grow on the blast,
Like tower-crowned giants striding fast,
And glare with lightnings as they fly,
And speak in thunder to the sky,

XXVIII.
It grewa Shape arrayed in mail
Brighter than the viper's scale,
And upborne on wings whose grain
Was as the light of sunny rain.

XXIX.
On its helm, seen far away,
A planet, like the Morning's, lay;
And those plumes its light rained through
Like a shower of crimson dew.

XXX.
With step as soft as wind it passed
O'er the heads of menso fast
That they knew the presence there,
And looked,but all was empty air.

XXXI.
As flowers beneath May's footstep waken,
As stars from Night's loose hair are shaken,
As waves arise when loud winds call,
Thoughts sprung where'er that step did fall.

XXXII.
And the prostrate multitude
Looked-and ankle-deep in blood,
Hope, that maiden most serene,
Was walking with a quiet mien:

XXXIII.
And Anarchy, the ghastly birth,
Lay dead earth upon the earth;
The Horse of Death tameless as wind
Fled, and with his hoofs did grind
To dust the murderers thronged behind.

XXXIV.
A rushing light of clouds and splendour,
A sense awakening and yet tender
Was heard and feltand at its close
These words of joy and fear arose

XXXV.
As if their own indignant Earth
Which gave the sons of England birth
Had felt their blood upon her brow,
And shuddering with a mother's throe

XXXVI.
Had turnd every drop of blood
By which her face had been bedewed
To an accent unwithstood,
As if her heart had cried aloud:

XXXVII.
'Men of England, heirs of Glory,
Heroes of unwritten story,
Nurslings of one mighty Mother,
Hopes of her, and one another;

XXXVIII.
'Rise like Lions after slumber
In unvanquishable number,
Shake your chains to earth like dew
Which in sleep had fallen on you
Ye are manythey are few.

XXXIX.
'What is Freedom?ye can tell
That which slavery is, too well
For its very name has grown
To an echo of your own.

XL.
''Tis to work and have such pay
As just keeps life from day to day
In your limbs, as in a cell
For the tyrants' use to dwell,

XLI.
'So that ye for them are made
Loom, and plough, and sword, and spade,
With or without your own will bent
To their defence and nourishment.

XLII.
''Tis to see your children weak
With their mothers pine and peak,
When the winter winds are bleak,
They are dying whilst I speak.

XLIII.
''Tis to hunger for such diet
As the rich man in his riot
Casts to the fat dogs that lie
Surfeiting beneath his eye;

XLIV.
''Tis to let the Ghost of Gold
Take from Toil a thousandfold
More than e'er its substance could
In the tyrannies of old.

XLV.
'Paper cointhat forgery
Of the title-deeds, which ye
Hold to something of the worth
Of the inheritance of Earth.

XLVI.
''Tis to be a slave in soul
And to hold no strong control
Over your own wills, but be
All that others make of ye.

XLVII.
'And at length when ye complain
With a murmur weak and vain
'Tis to see the Tyrant's crew
Ride over your wives and you
Blood is on the grass like dew.

XLVIII.
'Then it is to feel revenge
Fiercely thirsting to exchange
Blood for bloodand wrong for wrong
Do not thus when ye are strong.

XLIX.
'Birds find rest, in narrow nest
When weary of their wingd quest;
Beasts find fare, in woody lair
When storm and snow are in the air[1].

L.
'Asses, swine, have litter spread
And with fitting food are fed;
All things have a home but one
Thou, Oh, Englishman, hast none!

LI.
'This is Slaverysavage men,
Or wild beasts within a den
Would endure not as ye do
But such ills they never knew.

LII.
'What art thou Freedom? O! could slaves
Answer from their living graves
This demandtyrants would flee
Like a dream's dim imagery:

LIII.
'Thou art not, as impostors say,
A shadow soon to pass away,
A superstition, and a name
Echoing from the cave of Fame.

LIV.
'For the labourer thou art bread,
And a comely table spread
From his daily labour come
In a neat and happy home.

LV.
'Thou art clothes, and fire, and food
For the trampled multitude
Noin countries that are free
Such starvation cannot be
As in England now we see.

LVI.
'To the rich thou art a check,
When his foot is on the neck
Of his victim, thou dost make
That he treads upon a snake.

LVII.
'Thou art Justicene'er for gold
May thy righteous laws be sold
As laws are in Englandthou
Shield'st alike the high and low.

LVIII.
'Thou art WisdomFreemen never
Dream that God will damn for ever
All who think those things untrue
Of which Priests make such ado.

LIX.
'Thou art Peacenever by thee
Would blood and treasure wasted be
As tyrants wasted them, when all
Leagued to quench thy flame in Gaul.

LX.
'What if English toil and blood
Was poured forth, even as a flood?
It availed, Oh, Liberty,
To dim, but not extinguish thee.

LXI.
'Thou art Lovethe rich have kissed
Thy feet, and like him following Christ,
Give their substance to the free
And through the rough world follow thee,

LXII.
'Or turn their wealth to arms, and make
War for thy belovd sake
On wealth, and war, and fraudwhence they
Drew the power which is their prey.

LXIII.
'Science, Poetry, and Thought
Are thy lamps; they make the lot
Of the dwellers in a cot
So serene, they curse it not.

LXIV.
'Spirit, Patience, Gentleness,
All that can adorn and bless
Art thoulet deeds, not words, express
Thine exceeding loveliness.

LXV.
'Let a great Assembly be
Of the fearless and the free
On some spot of English ground
Where the plains stretch wide around.

LXVI.
'Let the blue sky overhead,
The green earth on which ye tread,
All that must eternal be
Witness the solemnity.

LXVII.
'From the corners uttermost
Of the bounds of English coast;
From every hut, village, and town
Where those who live and suffer moan
For others' misery or their own[2],

LXVIII.
'From the workhouse and the prison
Where pale as corpses newly risen,
Women, children, young and old
Groan for pain, and weep for cold

LXIX.
'From the haunts of daily life
Where is waged the daily strife
With common wants and common cares
Which sows the human heart with tares

LXX.
'Lastly from the palaces
Where the murmur of distress
Echoes, like the distant sound
Of a wind alive around

LXXI.
'Those prison halls of wealth and fashion,
Where some few feel such compassion
For those who groan, and toil, and wail
As must make their brethren pale

LXXII.
'Ye who suffer woes untold,
Or to feel, or to behold
Your lost country bought and sold
With a price of blood and gold

LXXIII.
'Let a vast assembly be,
And with great solemnity
Declare with measured words that ye
Are, as God has made ye, free

LXXIV.
'Be your strong and simple words
Keen to wound as sharpened swords,
And wide as targes let them be,
With their shade to cover ye.

LXXV.
'Let the tyrants pour around
With a quick and startling sound,
Like the loosening of a sea,
Troops of armed emblazonry.

LXXVI.
'Let the charged artillery drive
Till the dead air seems alive
With the clash of clanging wheels,
And the tramp of horses' heels.

LXXVII.
'Let the fixd bayonet
Gleam with sharp desire to wet
Its bright point in English blood
Looking keen as one for food.

LXXVIII.
'Let the horsemen's scimitars
Wheel and flash, like sphereless stars
Thirsting to eclipse their burning
In a sea of death and mourning.

LXXIX.
'Stand ye calm and resolute,
Like a forest close and mute,
With folded arms and looks which are
Weapons of unvanquished war,

LXXX.
'And let Panic, who outspeeds
The career of armd steeds
Pass, a disregarded shade
Through your phalanx undismayed.

LXXXI.
'Let the laws of your own land,
Good or ill, between ye stand
Hand to hand, and foot to foot,
Arbiters of the dispute,

LXXXII.
'The old laws of Englandthey
Whose reverend heads with age are gray,
Children of a wiser day;
And whose solemn voice must be
Thine own echoLiberty!

LXXXIII.
'On those who first should violate
Such sacred heralds in their state
Rest the blood that must ensue,
And it will not rest on you.

LXXXIV.
'And if then the tyrants dare
Let them ride among you there,
Slash, and stab, and maim, and hew,
What they like, that let them do.

LXXXV.
'With folded arms and steady eyes,
And little fear, and less surprise,
Look upon them as they slay
Till their rage has died away.

LXXXVI.
'Then they will return with shame
To the place from which they came,
And the blood thus shed will speak
In hot blushes on their cheek.

LXXXVII.
'Every woman in the land
Will point at them as they stand
They will hardly dare to greet
Their acquaintance in the street.

LXXXVIII.
'And the bold, true warriors
Who have hugged Danger in wars
Will turn to those who would be free,
Ashamed of such base company.
'And that slaughter to the Nation
Shall steam up like inspiration,
Eloquent, oracular;
A volcano heard afar.

LXXXIX.
'And these words shall then become
Like Oppression's thundered doom
Ringing through each heart and brain,
Heard againagainagain

XC.
'Rise like Lions after slumber
In unvanquishable number
Shake your chains to earth like dew
Which in sleep had fallen on you
Ye are manythey are few.'
''Composed at the Villa Valsovano near Leghorn -- or possibly later, during Shelley's sojourn at Florence -- in the autumn of 1819, shortly after the Peterloo riot at Manchester, August 16; edited with Preface by Leigh Hunt, and published under the poet's name by Edward Moxon, 1832 (Bradbury & Evans, printers). Two MSS. are extant: a transcript by Mrs. Shelley with Shelley's autograph corrections, known as the 'Hunt MS.'; and an earlier draft, not quite complete, in the poet's handwriting, presented by Mrs. Shelley to (Sir) John Bowring in 1826, and now in the possession of Mr. Thomas J. Wise (the 'Wise MS.').'' this note taken from the Oxford Edition, Hutchinson's Poetical Works of Percy Shelley, 1905.
~ Percy Bysshe Shelley, The Mask Of Anarchy
,
536:Tired
No not to-night, dear child; I cannot go;
I'm busy, tired; they knew I should not come;
you do not need me there. Dear, be content,
and take your pleasure; you shall tell me of it.
There, go to don your miracles of gauze,
and come and show yourself a great pink cloud.
So, she has gone with half a discontent;
but it will die before her curls are shaped,
and she'll go forth intent on being pleased,
and take her ponderous pastime like the rest-patient delightedly, prepared to talk
in the right voice for the right length of time
on any thing that anybody names,
prepared to listen with the proper calm
to any song that anybody sings;
wedged in their chairs, all soberness and smiles,
one steady sunshine like an August day:
a band of very placid revellers,
glad to be there but gladder still to go.
She like the rest: it seems so strange to me,
my simple peasant girl, my nature's grace,
one with the others; my wood violet
stuck in a formal rose box at a show.
Well, since it makes her happier. True I thought
the artless girl, come from her cottage home
knowing no world beyond her village streets,
come stranger into our elaborate life
with such a blithe and wondering ignorance
as a young child's who sees new things all day,
would learn it my way and would turn to me
out of the solemn follies "What are these?
why must we live by drill and laugh by drill;
may we not be ourselves then, you and I?"
I thought she would have nestled here by me
"I cannot feign, and let me stay with you."
I thought she would have shed about my life
the unalloyed sweet freshness of the fields
198
pure from your cloying fashionable musks:
but she "will do what other ladies do"-my sunburnt Madge I saw, with skirts pinned up,
carrying her father's dinner where he sat
to take his noon-day rest beneath the hedge,
and followed slowly for her clear loud song.
And she did then, she says, as others did
who were her like. 'Tis logical enough:
as every woman lives, (tush! as we all,
following such granted patterns for our souls
as for our hats and coats), she lived by rules
how to be as her neighbours, though I, trained
to my own different code, discerned it not
(mistaking other laws for lawlessness,
like raw and hasty travellers): and now
why should she, in a new world, all unapt
to judge its judgments, take so much on her
she did not in her old world, pick and choose
her pleasures and her tastes, her aims, her faiths,
breaking her smooth path with the thorny points
of upstart questions? She is just a bird
born in a wicker cage and brought away
into a gilded one: she does not pine
to make her nest in uncontrolled far woods,
but, unconceiving freedom, chirrups on,
content to see her prison bars so bright.
Yes, best for her; and, if not best for me,
I've my fault in it too: she's logical,
but what am I, who, having chosen her
for being all unlike the tutored type,
next try and mould her to it--chose indeed
my violet for being not a rose,
then bade it hold itself as roses do,
that passers by may note no difference?
The peasant ways must go, the homely burr,
the quaint strong English--ancient classic turns
mixed up with rustic blunders and misuse,
old grammar shot with daring grammarlessness;
the village belle's quick pertness, toss of head,
and shriek of saucy laughter--graces there,
199
and which a certain reckless gracefulness,
half hoydenish, half fawnlike, made in her
graces in even my eyes ... there; the ease
of quick companionship; the unsoftened "no's;"
the ready quarrels, ready makings up;
all these must go, I would not have her mocked
among the other women who have learned
sweet level speech and quiet courtesies-and then they jarred upon me like the noise
of music out of rule, which, heard at first,
took the fresh ear with novel melody,
but makes you restless, listened to too long,
with missing looked for rhythms. So I teach,
or let her learn, the way to speak, to look,
to walk, to sit, to dance, to sing, to laugh,
and then ...... the prized dissimilarity
was outer husk and not essential core:
my wife is just the wife my any friend
selects among my any friend's good girls,
(a duplicate except that here and there
the rendering's faulty or touched in too strong);
my little rugged bit of gold I mined,
cleared from its quartz and dross and pieced for use
with recognized alloy, is minted down
one of a million stamped and current coins.
My poor dear Madge, it half seems treasonous
to let regret touch any thought of you,
loyal and loving to me as you are;
and you are very very dear to me,
I could not spare you, would not change your love
to have the rich ideal of my hope
in any other woman; as you are
I love you, being you. And for the rest,
if I, my theory's too eager fool,
mistook the freedom of blunt ignorance
for one with freedom of the instructed will,
and took yours for a nature made to keep
its hardiness in culture, gaining strength
to be itself more fully; if I looked
for some rare perfectness of natural gifts,
developing not changed, pruned and not dwarfed;
200
if I believed you would be that to me
so many men have sung by women's names
and known no woman for, where is your fault,
who did but give yourself as you were then,
and with so true a giving? Violet,
whose is the blame if, rooted from your place,
where you grew truly to your natural law,
set by my hand in artificial soil,
bound to unwonted props, whose blame if you
are not quite violet and not quite rose?
She's happy though, I think: she does not bear
the pain of my mistake, and shall not bear;
and she'll not ever guess of a mistake.
Mistake--'tis a hard word. Well let it pass:
it shall not wrong her: for was it in her
or in myself I was mistaken most?
What, I, who have been bold to hurl revolt
at great Queen Bugaboo Society,
did I not teach her suit and service first,
wincing when she infringed some useless law?
do I not wince to-day beside the fire
at every word or gesture she shall use
not scheduled in the warrant what to do?
do I not bid her have the table thus,
assort such viands, use such furniture,
wear such a stuff at morning, such at night,
all to the warrant of Queen Bugaboo,
and feel a something missing when she fails,
a discord setting all my teeth on edge?
Why, what a score of small observances;
mere fashionable tricks, are to my life
the butter on the bread, without which salve
the bit's too coarse to swallow; what a score
of other small observances and tricks,
worn out of fashion or not yet come in,
reek worse than garlic to my pampered taste,
making the wholesomest food too difficult!
And that which in an ancient yesterday
was but some great man's humour is to me
duty by rote to-day. I had not felt
201
my own life that punctilious copy-book,
writ to stock patterns set to all a school,
I have called usual lives, but my poor Madge
has unawares informed me of myself.
We can no other; 'tis as natural
to men to take this artificial kind
as to the flowers, which, grown in neighbour ranks,
taste the same winds and feed on the same soil,
to take inoculation by the bees
of one another's dyes and be alike
in new unlikeness to their primal types.
Our gift is imitation and to share
the subtle current of all sympathies;
we breathe each other's thoughts, as in a crowd
we breathe each other's breaths, unconsciously;
and if there could be a mere human man
to singly be creator, make the thing
which none has hoped for near him, say the things
which none has thought beside him, were there one
to be the god we claim in our rash word
original, needs were he such a one
as we call savage, one apart in woods
and friendless deserts, planning by himself
some first instinctive art, or questioning
blank ignorance and wonder into thoughts.
And as for us, the men who live in days
when what the West has whispered finds the East
across an ocean in a breath of time;
when the old era's painful manuscripts,
too choice and rare for less than sage's needs,
reach the new era changed to daily showers
of schoolboys' text-books raining from the press;
when we shake hands with our antipodes
for being neighbour to us; when, like streets
of the city where we are burghers, half the world
is our admitted home, the other half
our summer pleasure-grounds outside our walls;
we, who are scholars of all times and lands,
must be content, each several man, to feel
we are no sovereign units each to rule
202
the small world of himself, but knitted links,
one drawing on the other in a chain-A bondage say, but have we not its worth,
help, movement, and the chain grows lengthening on
to span the universe? A braggart whim,
were it a possible, if any link,
breaking away from hundreds side by side,
would be a separate spangle.
Yet, alack,
sometimes we links get drawn we know not where,
but think there's mud about us. Still the chain
lies in God's hands, though the sly devil comes
and gives a crooked tug or so at times.
Links in a chain--my metaphor goes well,
convinces me where first I was convinced-links in a chain, drawing each other on:
but never yet material metaphor
would fit a mind's whole thought, and the hitch comes
where I bid mine good-bye. Links in a chain,
but what of hearts and wills that are in us,
hopes, aims, beliefs? must we go measuring them
Ay "the world says," "so other people think,"
dock our near tastes and natures to the shapes
in common wear, make lay figures of our lives,
as women of their bodies, to be decked
and draped or trimmed and swathed or let go bare
by strict indefinite despots out of sight?
Why, let us have that freedom we accord
inanimate things, to grow each to his kind
and to his best, cattle and servile beasts,
to grow each to his kind and to his best;
but we--oh, monstrous folly--we, designed
each man so much unlike to all men else
as one whole kind of beasts to other kinds,
must train and pattern our reluctant souls
into one liveried sameness!
Oh, I am tired!
tired, tired, of this bland smiling slavery,
monotonous waste of life. And, while we fools
203
are making curtsies and brave compliments
to our rare century, and, courtierly,
swaddling our strength in trammels of soft silk,
the rotten depths grow rottener. Every day
more crime, more pain, more horror. We are good
no doubt, we "better classes"--oh, we boast
our modern virtues in the dead men's teeth
that were our fathers--we are earnest now,
and charitable, and we wash ourselves,
and have a very fair morality;
most well brought up, in fine, of any men
that any age has nurtured, and besides
so equal in our manners and our coats:
and then the classes which, though bettering,
are not quite better yet, are the most shrewd,
most apt, most honest, most intelligent,
that ever the world saw yet. True all of it
for aught I know, some of it as I think,
but underneath--great God, how many souls
are born an hour as provender for hell!
Oh horrible days! our goodness growing ripe,
a spreading scent of sweets, but with no power
to disinfect the spreading foulnesses;
and by mere birth-rate vice made multiplex!
From the murk lanes, and from the fetid courts,
and from the shameful dens where poverty
hobnobs with wolfish crime, out of the reek
of lust and filth, out of the festering homes
of pestilence and famine, the hoarse cry
grows multitudinous, the cavernous cry
of shame and ignorance hunger and greed
become despair and devilishness ..... And we
gravely thank God for culture and new lights!
Most horrible days: and we who know the worst,
(or dream it, sitting in our easy chairs,
sorry that all men have not easy chairs,)
and would do somewhat, do it all amiss.
We pelt our broad-cast gold into the mire,
then comes a scramble, foul grows fouler yet;
with a Samaritan hand we feed and feed
204
the daughters of the horseleech, drunkenness
and dissolute idleness, that cry "give, give,"
sucking the lifeblood from our people's heart;
we pension beggars, buy the burglar tools
and the sot gin, and pay the harlot's rent:
societies, committees, vestry rooms,
with fingers in our purses, lavish wealth,
past common counting, to keep up the tale
of pauper legions and bribe new recruits,
sow coin that, like the pestilent dragon's teeth,
bear us a poisonous crop of human harm:
all all endeavours go, like witches' prayers,
backwards against the meaning, and bring down
the counter-curse of blessings that were asked.
What should we do? I know not; but I think
there's moral in a hackneyed classic tale:
when the great gulf still yawned, after the gold
and treasures had been thrown, there came a man
and gave himself, and then the great gulf closed.
But how? how? And I know not; but I think
if the strong pith and freshness of our lives
were not so sucked and dried away, our span
not maimed and dwarfed, our sight not warped untrue,
by eating custom, petty disciplines,
footlight perspectives cramped to suit our stage,
if we were men, not types and portraitures
and imitative shadows, some of us
might learn-Learn, learn, and if we learned,
saw by what boldness, or what sacrifice,
or what endurance, or what vehemence,
the goal of our beginning might be reached,
the padded skeleton we call the world,
that mumming glib Duessa who usurps
the true world's rule and rights, would trip us up
with half a league of silken barriers
too soft for us to break and breaking us.
Oh, but I know it, I, who time by time,
fierce with the turbulent goodness of my youth,
205
rushed to the clamourous call of new crusades,
and time by time dropped baffled and worn weak
before a rampart as of dancing pumps,
a wind as if it blew from ladies' fans,
till now I sit a weary man growing old
among the ruins of his purposes,
hopeless of any good to be by him.
Oh, with how full a hope, when morning glowed,
I donned my armour, who at night ride back
foolish and broken! I have set myself
to fight with shadows stronger than a man,
being impalpable and everywhere,
and striking done no hurt but to myself;
and I have ridden at ranks in adamant
and fallen, strained and useless, under foot;
and I have sieged impenetrable walls
and waited day by day till I grew faint;
and never have I triumphed in my cause,
whether it were a great one, or a dream,
a pettish whim, or too divinely large:
for if I strove against contagious ills
cankering the core of us or but at spots
that fleck the smooth gloss of our drawingrooms,
and if I rose to claim some wide desire
of general good or but my own escape
from some small prickings of our social gyves,
always I was against the multitude,
against strong Custom's army plodding on,
unconquerable, calm, like a great stream
whose power is that its waters drift one way.
Tired, tired--grown sick of battle and defeat,
lying in harbour, like a man worn out
by storms, and yet not patient of my rest:
how if I went to some kind southern clime
where, as they say, lost in long summer dreams,
the mind grows careless with sun-drunkenness
and sleeps and wakens softly like a child?
Would Madge be over sorry to come out
into free loneliness with me a while?
clear tints and sunshine, glowing seas and skies,
206
beauty of mountains and of girdled plains,
the strangeness of new peoples, change and rest,
would these atone to her for so much lost
which she counts precious? For she loves that round
of treadmill ceremonies, mimic tasks,
we make our women's lives--Good heavens what work
to set the creatures to, whom we declare
God purposed for companions to us men...
companions to each other only now,
their business but to waste each other's time.
So much to do among us, and we spend
so many human souls on only this!
in petty actress parts in the long game
(grave foolery like children playing school,
setting themselves hard tasks and punishments,)
that lasts till death and is Society:
the sunlight working hours all chopped and chipped
in stray ten minutes by some score of friends
who, grieved their friend's not out, come rustling in
by ones and twos to say the weather's fine;
or paid away, poor soul, on pilgrimage
reciprocally due to tell them so:
each woman owing tax of half her life
as plaything for the others' careless hours,
each woman setting down her foot to hold
her sister tightly to the tethered round,
will she or nill she: all with rights on each
greater than hers ... and I might say than God's,
since He made work the natural food of minds,
cheated of which they dwindle and go dead
like palsied limbs, and gives to each that sense
of beasts, who know their food, to know its work,
choosing the great or little.
But myself,
have I befooled the instinct by warped use?
for is not the fruit rotten I have found
by all my labours; nothing to the world
and to me bitterness? And I forget
the strong joy of endeavour, and the fire
of hope is burned out in me; all grows dull,
rest is not rest and I am sick of toil:
207
I count the cost, and-Ready, love, at last?
Why, what a rosy June! A flush of bloom
sparkling with crystal dews--Ah silly one,
you love these muslin roses better far
than those that wear the natural dew of heaven.
I thought you prettier when, the other day,
the children crowned you with the meadow-sweets:
I like to hear you teach them wild flowers' names
and make them love them; but yourself-What's that?
"The wild flowers in a room's hot stifling glare
would die in half a minute." True enough:
your muslin roses are the wiser wear.
Well, I must see you start. Draw your hood close:
and are you shawled against this east wind's chills?
~ Augusta Davies Webster,
537:The Kalevala - Rune Xvii
WAINAMOINEN FINDS THE LOST-WORD.
Wainamoinen, old and truthful,
Did not learn the words of magic
In Tuoni's gloomy regions,
In the kingdom of Manala.
Thereupon he long debated,
Well considered, long reflected,
Where to find the magic sayings;
When a shepherd came to meet him,
Speaking thus to Wainamoinen:
'Thou canst find of words a hundred,
Find a thousand wisdom-sayings,
In the mouth of wise Wipunen,
In the body of the hero;
To the spot I know the foot-path,
To his tomb the magic highway,
Trodden by a host of heroes;
Long the distance thou must travel,
On the sharpened points of needles;
Then a long way thou must journey
On the edges of the broadswords;
Thirdly thou must travel farther
On the edges of the hatchets.'
Wainamoinen, old and trustful,
Well considered all these journeys,
Travelled to the forge and smithy,
Thus addressed the metal-worker:
'Ilmarinen, worthy blacksmith,
Make a shoe for me of iron,
Forge me gloves of burnished copper,
Mold a staff of strongest metal,
Lay the steel upon the inside,
Forge within the might of magic;
I am going on a journey
To procure the magic sayings,
Find the lost-words of the Master,
From the mouth of the magician,
303
From the tongue of wise Wipunen.'
Spake the artist, Ilmarinen:
'Long ago died wise Wipunen,
Disappeared these many ages,
Lays no more his snares of copper,
Sets no longer traps of iron,
Cannot learn from him the wisdom,
Cannot find in him the lost-words.'
Wainamoinen, old and hopeful,
Little heeding, not discouraged,
In his metal shoes and armor,
Hastens forward on his journey,
Runs the first day fleetly onward,
On the sharpened points of needles;
'Wearily he strides the second,
On the edges of the broadswords
Swings himself the third day forward,
On the edges of the hatchets.
Wise Wipunen, wisdom-singer,
Ancient bard, and great magician,
With his magic songs lay yonder,
Stretched beside him, lay his sayings,
On his shoulder grew the aspen,
On each temple grew the birch-tree,
On his mighty chin the alder,
From his beard grew willow-bushes,
From his mouth the dark green fir-tree,
And the oak-tree from his forehead.
Wainamoinen, coming closer,
Draws his sword, lays bare his hatchet
From his magic leathern scabbard,
Fells the aspen from his shoulder,
Fells the birch-tree from his temples,
From his chin he fells the alder,
From his beard, the branching willows,
From his mouth the dark-green fir-tree,
Fells the oak-tree from his forehead.
Now he thrusts his staff of iron
Through the mouth of wise Wipunen,
Pries his mighty jaws asunder,
Speaks these words of master-magic:
'Rise, thou master of magicians,
304
From the sleep of Tuonela,
From thine everlasting slumber!'
Wise Wipunen, ancient singer,
Quickly wakens from his sleeping,
Keenly feels the pangs of torture,
From the cruel staff of iron;
Bites with mighty force the metal,
Bites in twain the softer iron,
Cannot bite the steel asunder,
Opens wide his mouth in anguish.
Wainamoinen of Wainola,
In his iron-shoes and armor,
Careless walking, headlong stumbles
In the spacious mouth and fauces
Of the magic bard, Wipunen.
Wise Wipunen, full of song-charms,
Opens wide his mouth and swallows
Wainamoinen and his magic,
Shoes, and staff, and iron armor.
Then outspeaks the wise Wipunen:
'Many things before I've eaten,
Dined on goat, and sheep, and reindeer,
Bear, and ox, and wolf, and wild-boar,
Never in my recollection,
Have I tasted sweeter morsels!'
Spake the ancient Wainamoinen:
'Now I see the evil symbols,
See misfortune hanging o'er me,
In the darksome Hisi-hurdles,
In the catacombs of Kalma.'
Wainamoinen long considered
How to live and how to prosper,
How to conquer this condition.
In his belt he wore a poniard,
With a handle hewn from birch-wood,
From the handle builds a vessel,
Builds a boat through magic science;
In this vessel rows he swiftly
Through the entrails of the hero,
Rows through every gland and vessel
Of the wisest of magicians.
Old Wipunen, master-singer,
305
Barely feels the hero's presence,
Gives no heed to Wainamoinen.
Then the artist of Wainola
Straightway sets himself to forging,
Sets at work to hammer metals;
Makes a smithy from his armor,
Of his sleeves he makes the bellows,
Makes the air-valve from his fur-coat,
From his stockings, makes the muzzle,
Uses knees instead of anvil,
Makes a hammer of his fore-arm;
Like the storm-wind roars the bellows,
Like the thunder rings the anvil;
Forges one day, then a second,
Forges till the third day closes,
In the body of Wipunen,
In the sorcerer's abdomen.
Old Wipunen, full of magic,
Speaks these words in wonder, guessing:
'Who art thou of ancient heroes,
Who of all the host of heroes?
Many heroes I have eaten,
And of men a countless number,
Have not eaten such as thou art;
Smoke arises from my nostrils,
From my mouth the fire is streaming,
In my throat are iron-clinkers.
'Go, thou monster, hence to wander,
Flee this place, thou plague of Northland,
Ere I go to seek thy mother,
Tell the ancient dame thy mischief;
She shall bear thine evil conduct,
Great the burden she shall carry;
Great a mother's pain and anguish,
When her child runs wild and lawless;
Cannot comprehend the meaning,
Nor this mystery unravel,
Why thou camest here, O monster,
Camest here to give me torture.
Art thou Hisi sent from heaven,
Some calamity from Ukko?
Art, perchance, some new creation,
306
Ordered here to do me evil?
If thou art some evil genius,
Some calamity from Ukko,
Sent to me by my Creator,
Then am I resigned to suffer
God does not forsake the worthy,
Does not ruin those that trust him,
Never are the good forsaken.
If by man thou wert created,
If some hero sent thee hither,
I shall learn thy race of evil,
Shall destroy thy wicked tribe-folk.
'Thence arose the violation,
Thence arose the first destruction,
Thence came all the evil-doings:
From the neighborhood of wizards,
From the homes of the magicians,
From the eaves of vicious spirits,
From the haunts of fortune-tellers,
From the cabins of the witches,
From the castles of Tuoni,
From the bottom of Manala,
From the ground with envy swollen,
From Ingratitude's dominions,
From the rocky shoals and quicksands,
From the marshes filled with danger,
From the cataract's commotion,
From the bear-caves in the mountains,
From the wolves within the thickets,
From the roarings of the pine-tree,
From the burrows of the fox-dog,
From the woodlands of the reindeer,
From the eaves and Hisi-hurdles,
From the battles of the giants,
From uncultivated pastures,
From the billows of the oceans,
From the streams of boiling waters,
From the waterfalls of Rutya,
From the limits of the storm-clouds,
From the pathways of the thunders,
From the flashings of the lightnings,
From the distant plains of Pohya,
307
From the fatal stream and whirlpool,
From the birthplace of Tuoni.
'Art thou coming from these places?
Hast thou, evil, hastened hither,
To the heart of sinless hero,
To devour my guiltless body,
To destroy this wisdom-singer?
Get thee hence, thou dog of Lempo,
Leave, thou monster from Manala,
Flee from mine immortal body,
Leave my liver, thing of evil,
In my body cease thy forging,
Cease this torture of my vitals,
Let me rest in peace and slumber.
'Should I want in means efficient,
Should I lack the magic power
To outroot thine evil genius,
I shall call a better hero,
Call upon a higher power,
To remove this dire misfortune,
To annihilate this monster.
I shall call the will of woman,
From the fields, the old-time heroes?
Mounted heroes from the sand-hills,
Thus to rescue me from danger,
From these pains and ceaseless tortures.
'If this force prove inefficient,
Should not drive thee from my body,
Come, thou forest, with thy heroes,
Come, ye junipers and pine-trees,
With your messengers of power,
Come, ye mountains, with your wood-nymphs,
Come, ye lakes, with all your mermaids,
Come, ye hundred ocean-spearmen,
Come, torment this son of Hisi,
Come and kill this evil monster.
'If this call is inefficient,
Does not drive thee from my vitals,
Rise, thou ancient water-mother,
With thy blue-cap from the ocean,
From the seas, the lakes, the rivers,
Bring protection to thy hero,
308
Comfort bring and full assistance,
That I guiltless may not suffer,
May not perish prematurely.
'Shouldst thou brave this invocation,
Kapè, daughter of Creation,
Come, thou beauteous, golden maiden,
Oldest of the race of women,
Come and witness my misfortunes,
Come and turn away this evil,
Come, remove this biting torment,
Take away this plague of Piru.
'If this call be disregarded,
If thou wilt not leave me guiltless,
Ukko, on the arch of heaven,
In the thunder-cloud dominions,
Come thou quickly, thou art needed,
Come, protect thy tortured hero,
Drive away this magic demon,
Banish ever his enchantment,
With his sword and flaming furnace,
With his fire-enkindling bellows.
'Go, thou demon, hence to wander,
Flee, thou plague of Northland heroes;
Never come again for shelter,
Nevermore build thou thy dwelling
In the body of Wipunen;
Take at once thy habitation
To the regions of thy kindred,
To thy distant fields and firesides;
When thy journey thou hast ended,
Gained the borders of thy country,
Gained the meads of thy Creator,
Give a signal of thy coming,
Rumble like the peals of thunder,
Glisten like the gleam of lightning,
Knock upon the outer portals,
Enter through the open windows,
Glide about the many chambers,
Seize the host and seize the hostess,
Knock their evil beads together,
Wring their necks and hurl their bodies
To the black-dogs of the forest.
309
'Should this prove of little value,
Hover like the bird of battle,
O'er the dwellings of the master,
Scare the horses from the mangers,
From the troughs affright the cattle,
Twist their tails, and horns, and forelocks,
Hurl their carcasses to Lempo.
'If some scourge the winds have sent me,
Sent me on the air of spring-tide,
Brought me by the frosts of winter,
Quickly journey whence thou camest,
On the air-path of the heavens,
Perching not upon some aspen,
Resting not upon the birch-tree;
Fly away to copper mountains,
That the copper-winds may nurse thee,
Waves of ether, thy protection.
'Didst those come from high Jumala,
From the hems of ragged snow-clouds,
Quick ascend beyond the cloud-space,
Quickly journey whence thou camest,
To the snow-clouds, crystal-sprinkled,
To the twinkling stars of heaven
There thy fire may burn forever,
There may flash thy forked lightnings,
In the Sun's undying furnace.
'Wert thou sent here by the spring-floods,
Driven here by river-torrents?
Quickly journey whence thou camest,
Quickly hasten to the waters,
To the borders of the rivers,
To the ancient water-mountain,
That the floods again may rock thee,
And thy water-mother nurse thee.
'Didst thou come from Kalma's kingdom,
From the castles of the death-land?
Haste thou back to thine own country,
To the Kalma-halls and castles,
To the fields with envy swollen,
Where contending armies perish.
'Art thou from the Hisi-woodlands,
From ravines in Lempo's forest,
310
From the thickets of the pine-wood,
From the dwellings of the fir-glen?
Quick retrace thine evil footsteps
To the dwellings of thy master,
To the thickets of thy kindred;
There thou mayest dwell at pleasure,
Till thy house decays about thee,
Till thy walls shall mould and crumble.
Evil genius, thee I banish,
Got thee hence, thou horrid monster,
To the caverns of the white-bear,
To the deep abysm of serpents,
To the vales, and swamps, and fenlands,
To the ever-silent waters,
To the hot-springs of the mountains,
To the dead-seas of the Northland,
To the lifeless lakes and rivers,
To the sacred stream and whirlpool.
'Shouldst thou find no place of resting,
I will banish thee still farther,
To the Northland's distant borders,
To the broad expanse of Lapland,
To the ever-lifeless deserts,
To the unproductive prairies,
Sunless, moonless, starless, lifeless,
In the dark abyss of Northland;
This for thee, a place befitting,
Pitch thy tents and feast forever
On the dead plains of Pohyola.
'Shouldst thou find no means of living,
I will banish thee still farther,
To the cataract of Rutya,
To the fire-emitting whirlpool,
Where the firs are ever falling,
To the windfalls of the forest;
Swim hereafter in the waters
Of the fire-emitting whirlpool,
Whirl thou ever in the current
Of the cataract's commotion,
In its foam and boiling waters.
Should this place be unbefitting,
I will drive thee farther onward,
311
To Tuoni's coal-black river,
To the endless stream of Mana,
Where thou shalt forever linger;
Thou canst never leave Manala,
Should I not thy head deliver,
Should I never pay thy ransom;
Thou canst never safely journey
Through nine brother-rams abutting,
Through nine brother-bulls opposing
Through nine brother-stallions thwarting,
Thou canst not re-cross Death-river
Thickly set with iron netting,
Interlaced with threads of copper.
'Shouldst thou ask for steeds for saddle,
Shouldst thou need a fleet-foot courser,
I will give thee worthy racers,
I will give thee saddle-horses;
Evil Hisi has a charger,
Crimson mane, and tail, and foretop,
Fire emitting from his nostrils,
As he prances through his pastures;
Hoofs are made of strongest iron,
Legs are made of steel and copper,
Quickly scales the highest mountains,
Darts like lightning through the valleys,
When a skilful master rides him.
'Should this steed be insufficient,
I will give thee Lempo's snow-shoes,
Give thee Hisi's shoes of elm-wood,
Give to thee the staff of Piru,
That with these thou mayest journey
Into Hisi's courts and castles,
To the woods and fields of Juutas;
If the rocks should rise before thee,
Dash the flinty rocks in pieces,
Hurl the fragments to the heavens;
If the branches cross thy pathway,
Make them turn aside in greeting;
If some mighty hero hail thee,
Hurl him headlong to the woodlands.
'Hasten hence, thou thing of evil,
Heinous monster, leave my body,
312
Ere the breaking of the morning
Ere the Sun awakes from slumber,
Ere the sinning of the cuckoo;
Haste away, thou plague of Northland,
Haste along the track of' moonbeams,
Wander hence, forever wander,
To the darksome fields or Pohya.
'If at once thou dost not leave me,
I will send the eagle's talons,
Send to thee the beaks of vultures,
To devour thine evil body,
Hurl thy skeleton to Hisi.
Much more quickly cruel Lempo
Left my vitals when commanded,
When I called the aid of Ukko,
Called the help of my Creator.
Flee, thou motherless offendant,
Flee, thou fiend of Sariola,
Flee, thou hound without a master,
Ere the morning sun arises,
Ere the Moon withdraws to slumber!'
Wainamoinen, ancient hero,
Speaks at last to old Wipunen:
'Satisfied am I to linger
In these old and spacious caverns,
Pleasant here my home and dwelling;
For my meat I have thy tissues,
Have thy heart, and spleen, and liver,
For my drink the blood of ages,
Goodly home for Wainamoinen.
'I shall set my forge and bellows
Deeper, deeper in thy vitals;
I shall swing my heavy hammer,
Swing it with a greater power
On thy heart, and lungs, and liver;
I shall never, never leave thee
Till I learn thine incantations,
Learn thy many wisdom-sayings,
Learn the lost-words of the Master;
Never must these words be bidden,
Earth must never lose this wisdom,
Though the wisdom-singers perish.'
313
Old Wipunen, wise magician,
Ancient prophet, filled with power,
Opens fall his store of knowledge,
Lifts the covers from his cases,
Filled with old-time incantations,
Filled with songs of times primeval,
Filled with ancient wit and wisdom;
Sings the very oldest folk-songs,
Sings the origin of witchcraft,
Sings of Earth and its beginning
Sings the first of all creations,
Sings the source of good and evil
Sung alas! by youth no longer,
Only sung in part by heroes
In these days of sin and sorrow.
Evil days our land befallen.
Sings the orders of enchantment.
How, upon the will of Ukko,
By command of the Creator,
How the air was first divided,
How the water came from ether,
How the earth arose from water,
How from earth came vegetation,
Fish, and fowl, and man, and hero.
Sings again the wise Wipunen,
How the Moon was first created,
How the Sun was set in heaven,
Whence the colors of the rainbow,
Whence the ether's crystal pillars,
How the skies with stars were sprinkled.
Then again sings wise Wipunen,
Sings in miracles of concord,
Sings in magic tones of wisdom,
Never was there heard such singing;
Songs he sings in countless numbers,
Swift his notes as tongues of serpents,
All the distant hills re-echo;
Sings one day, and then a second,
Sings a third from dawn till evening,
Sings from evening till the morning;
Listen all the stars of heaven,
And the Moon stands still and listens
314
Fall the waves upon the deep-sea,
In the bay the tides cease rising,
Stop the rivers in their courses,
Stops the waterfall of Rutya,
Even Jordan ceases flowing,
And the Wuoksen stops and listens.
When the ancient Wainamoinen
Well had learned the magic sayings,
Learned the ancient songs and legends,
Learned the words of ancient wisdom,
Learned the lost-words of the Master,
Well had learned the secret doctrine,
He prepared to leave the body
Of the wisdom-bard, Wipunen,
Leave the bosom of the master,
Leave the wonderful enchanter.
Spake the hero, Wainamoinen:
'O, thou Antero Wipunen,
Open wide thy mouth and fauces,
I have found the magic lost-words,
I will leave thee now forever,
Leave thee and thy wondrous singing,
Will return to Kalevala,
To Wainola's fields and firesides.'
Thus Wipunen spake in answer:
'Many are the things I've eaten,
Eaten bear, and elk, and reindeer,
Eaten ox, and wolf, and wild-boar,
Eaten man, and eaten hero,
Never, never have I eaten
Such a thing as Wainamoinen;
Thou hast found what thou desirest,
Found the three words of the Master;
Go in peace, and ne'er returning,
Take my blessing on thy going.'
Thereupon the bard Wipunen
Opens wide his mouth, and wider;
And the good, old Wainamoinen
Straightway leaves the wise enchanter,
Leaves Wipunen's great abdomen;
From the mouth he glides and journeys
O'er the hills and vales of Northland,
315
Swift as red-deer or the forest,
Swift as yellow-breasted marten,
To the firesides of Wainola,
To the plains of Kalevala.
Straightway hastes he to the smithy
Of his brother, Ilmarinen,
Thus the iron-artist greets him:
Hast thou found the long-lost wisdom,
Hast thou heard the secret doctrine,
Hast thou learned the master magic,
How to fasten in the ledges,
How the stern should be completed,
How complete the ship's forecastle?
Wainamoinen thus made answer:
'I have learned of words a hundred,
Learned a thousand incantations,
Hidden deep for many ages,
Learned the words of ancient wisdom,
Found the keys of secret doctrine,
Found the lost-words of the Master.'
Wainamoinen, magic-builder,
Straightway journeys to his vessel,
To the spot of magic labor,
Quickly fastens in the ledges,
Firmly binds the stern together
And completes the boat's forecastle.
Thus the ancient Wainamoinen
Built the boat with magic only,
And with magic launched his vessel,
Using not the hand to touch it,
Using not the foot to move it,
Using not the knee to turn it,
Using nothing to propel it.
Thus the third task was completed,
For the hostess of Pohyola,
Dowry for the Maid of Beauty
Sitting on the arch of heaven,
On the bow of many colors.
~ Elias Lönnrot,
538:Tamerton Church-Tower, Or, First Love
I.
We left the Church at Tamerton
In gloomy western air;
To greet the day we gallop'd on,
A merry-minded pair.
The hazy East hot noon did bode;
Our horses sniff'd the dawn;
We made ten Cornish miles of road
Before the dew was gone.
We clomb the hill where Lanson's Keep
Fronts Dartmoor's distant ridge;
Thence trotted South; walk'd down the steep
That slants to Gresson Bridge;
And paused awhile, where Tamar waits,
In many a shining coil,
And teeming Devon separates
From Cornwall's sorry soil.
II.
Our English skies contain'd, that Spring,
A Caribbean sun;
The singing birds forgot to sing,
The rivulets to run.
For three noons past, the skies had frown'd,
Obscured with blighting shades
That only mock'd the thirsty ground
And unrejoicing glades.
To-day, before the noon was nigh,
Bright-skirted vapours grew,
And on the sky hung languidly;
The sky was languid too.
Our horses dropp'd their necks, and nosed
The dusty wayside grass,
Whilst we beneath still boughs reposed
And watch'd the water pass.
We spoke of plighted Bertha: Frank
Shot pebbles in the stream;
And I lay by him on the bank,
43
But dreamt no lover's dream.
She was a blythe and bashful maid,
Much blushing in her glee;
Yet gracing all she did and said
With sweet sufficiency.
‘Is Blanche as fair?’ ask'd I, who yearn'd
To feel my life complete;
To taste unselfish pleasures earn'd
By service strict and sweet.
‘Well, some say fairer: she'll surprise
Your heart with crimson lips;
Fat underlids, that hold bright eyes
In laughing half-eclipse;
Alluring locks, done up with taste
Behind her dainty ears;
And manners full of wayward haste,
Tho' facile as the deer's.’
III.
‘You paint a leaflet, here and there;
And not the blossom: tell
What mysteries of good and fair
These blazon'd letters spell.’
IV.
‘Her mouth and teeth, by Cupid's bow!
Are letters spelling 'kiss;'
And, witchingly withdrawn below
Twin worlds of baby-bliss,
Her waist, so soft and small, may mean,
'O, when will some one come
To make me catch my breath between
His finger and his thumb!'’
V.
My life, 'twas like a land of dreams,
Where nothing noble throve:
Dull seem'd it as to maiden seems
The verse that's not of love.
44
‘See where,’ sigh'd I, ‘the water dim
Repeats, with leaden hue,
The fervid sun, the cloud's hot rim,
The gap of dazzling blue!’
Quoth Frank, ‘I do, and hence foresee
And all too plainly scan
Some sentimental homily
On Duty, Death, or Man.’
‘'Tis this;’ said I, ‘our senses mar,
Ev'n so, sweet Nature's face,
Unless by love revived they are,
Or lit by heavenly grace.
Below the hazel talks the rill;
My heart speaks not again;
The solemn cloud, the stately hill,
I look on each in vain.
Sure he for whom no Power shall strike
This darkness into day—’
‘Is damn'd,’ said Frank, who morall'd like
The Fool in an old Play.
‘That's true!’ cried I, ‘yet, as the worm
That sickens ere it change—’
‘Or as the pup that nears the term
At which pups have the mange—
Pooh! Come, Man, let us on,’ he said,
‘For now the storm is nigh!’
And whilst we rode quaint sense we read
Within the changing sky.
Above us bent a prophet wild,
Pointing to hidden harm;
Beyond, a magic woman smiled,
And wove some wondrous charm;
Past that, a censer jetted smoke:
Black convolutions roll'd
Sunwards, and caught the light, and broke
In crowns of shining gold.
VI.
The gaps of blue shrank fast in span;
The long-forgotten breeze,
45
By lazy starts and fits, began
To stir the higher trees.
At noon, we came to Tavistock;
And sunshine still was there,
But gloomy Dartmoor seem'd to mock
Its weak and yellow glare.
The swallows, in the wrathful light,
Were pitching up and down;
A string of rooks made rapid flight,
Due southward, o'er the town,
Where, baiting at the Tiger-Inn,
We talk'd by windows wide,
Of Blanche and all my unseen kin,
Who did our coming bide.
VII.
The heavy sign-board swung and shriek'd,
In dark air whirl'd the vane,
Blinds flapp'd, dust rose, and, straining, creak'd
The shaken window-pane;
And, just o'erhead, a huge cloud flung,
For earnest of its stores,
A few calm drops, that struck among
The light-leaved sycamores.
Hot to be gone, Frank rose and eyed
Dark cloud and swinging branch;
But less long'd he to greet his Bride
Than I to look on Blanche.
Her name, pair'd still with praise at home,
Would make my pulses start;
The hills between us were become
A weight upon my heart.
‘Behold,’ I cried, ‘the storm comes not;
The northern heavens grow fair.’
‘Look South,’ said Frank, ‘'tis one wide blot
Of thunder-threatening air.’
The string of rooks had travell'd on,
Against the southern shroud,
And, like some snaky skeleton,
Lay twisted in the cloud.
46
‘No storm to-day!’ said I, ‘for, see,
Yon black thing travels south.’
We follow'd soon; our spirits free,
Our bodies slaked from drouth.
I rode in silence; Frank, with tongue
Made lax by too much port,
Soliloquising, said or sung
After this tipsy sort:
‘Yea, nerves they are the Devil's mesh,
And pups begin quite blind,
And health is ofttimes in the flesh,
And measles in the mind!
‘Foolish and fair was Joan without;
Foolish and foul within;
High as a hunted pig his snout,
She carried a foolish chin.
‘The Boy beheld, and brisk rose he
At this badly painted fly:
That boys less wise than fish will be
Makes many a man to sigh.’
VIII.
On, on we toil'd, amidst the blaze
From Dartmoor's ridges bare;
Beneath the hush'd and scorching haze,
And through the twinkling air;
Along the endless mountain-side,
That seem'd with us to move;
Past dreary mine-mouths, far and wide;
Huge dross-heap, wheel, and groove;
Dark towns by disembowell'd hills,
Where swarthy tribes abode,
Who, in hard rocks with harder wills,
Pursued the crooked lode;
Up heights, that seem'd against us match'd;
Until, from table-land,
Before the teasing midge was hatch'd,
We hail'd the southern strand.
Then pleasantly, on level ground
And through the lighter air,
47
We paced along and breathed around,
A merry-minded pair.
A western night of even cloud
Suck'd in the sultry disk;
Bright racks look'd on, a fiery crowd,
To seamen boding risk;
The late crow wing'd his silent way
Across the shadowy East;
The gnat danced out his little day,
His ceaseless singing ceased;
Along the dim horizon round
Fled faint electric fires;
Blue glow-worms lit the fresher ground
By moisture-harbouring briers;
Far northward twinkled lonely lights,
The peopled vales among;
In front, between the gaping heights,
The mystic ocean hung.
IX.
Our weary spirits flagg'd beneath
The still and loaded air;
We left behind the freër heath,
A moody-minded pair.
With senses slack and sick of mirth,
Tho' near the happy goal,
I murmur'd, fearing nought on earth
Could quite content the soul:
‘Suppose your love prove such a light
As yonder glow-worm's lamp,
That gleams, at distance, strong and bright,
Approach'd, burns weak and damp.
Perchance, by much of bliss aroused,
Your heart will pant for more;
And then the worm of want lies housed
Within the sweet fruit's core!
Far worse, if, led by fancy blind,
But undeceiv'd by use—’
‘I dream,’ yawn'd Frank, ‘and wake to find
My Goddess a green goose!’
48
‘Vain, vain,’ said I, ‘is worldly weal:
We faint, within the heart,
For good which all we see and feel
Foreshadows but in part.’
Frank answer'd, ‘What you faint for, win!
Faint not, but forward press.
Heav'n proffers all: 'twere grievous sin
To live content in less.
The Sun rolls by us every day;
And it and all things speak
To the sinking heart of man, and say,
'Tis wicked to be weak.
We would not hear the hated sound;
But, by the Lord, we must:
If not, the heavy world goes round,
And grinds us into dust.’
With each a moral in his mouth,
We rein'd our sweating nags,
Where quiet Ocean, on the South,
Kiss'd Edgecumb's ruddy crags.
II
I.
So subtly love within me wrought,
So excellent she seem'd,
Daily of Blanche was all my thought,
Nightly of Blanche I dream'd;
And this was all my wish, and all
The work now left for life,
To make this Wonder mine, to call
This laughing Blanche my Wife.
II.
I courted her till hope grew bold;
Then sought her in her place,
And all my passion freely told,
Before her blushing face.
I kiss'd her twice, I kiss'd her thrice,
Thro' tresses and thro' tears;
I kiss'd her lips, I kiss'd her eyes,
49
And calm'd her joys and fears.
So woo'd I Blanche, and so I sped,
And so, with small delay,
I and the patient Frank were wed
Upon the self-same day.
And friends all round kiss'd either Bride,
I Frank's, Frank mine; and he
Laugh'd as for once we thus defied
Love's sweet monopoly.
And then we drove by garth and grove;
And soon forgot the place
Where all the world had look'd shy Love
So rudely in the face.
III
I.
The noon was hot and close and still,
When, steadying Blanche's hand,
I led her down the southern hill,
And row'd with her from land.
Ere summer's prime that year the wasp
Lay gorged within the peach;
The tide, as though the sea did gasp,
Fell lax upon the beach.
Quietly dipp'd the dripping scull,
And all beside was calm;
But o'er the strange and weary lull
No angel waved his palm.
The sun was rayless, pale the sky,
The distance thick with light:
We glided past the fort and by
The war-ship's sleeping might.
Her paddle stirr'd: without a breeze,
A mimic tempest boil'd:
The sailors on the silent seas
With storm-tuned voices toil'd.
I could not toil; I seldom pray'd:
What was to do or ask?
Love's purple glory round me play'd,
Unfed by prayer or task.
All perfect my contentment was,
50
For Blanche was all my care;
And heaven seem'd only heaven because
My goddess would be there.
No wafted breeze the ships did strike,
No wish unwon moved me;
The peace within my soul was like
The peace upon the sea.
At times, when action sleeps, unstirr'd
By any motive gale,
A mystic wind, with warning heard,
Ruffles life's idle sail.
The fancy, then, a fear divines,
And, borne on gloomy wings,
Sees threats and formidable signs
In simply natural things.
It smote my heart, how, yesternight,
The moon rose in eclipse,
And how her maim'd and shapeless light
O'erhung the senseless ships.
The passion pass'd, as, lightning-lit,
Red cloud-scenes shew and close;
And soon came wonder at the fit,
And smiles and full repose.
Again I turn'd me, all devote,
To my sweet Idol's shrine;
Again I gazed where, on the boat,
Her shadow mix'd with mine.
II.
Cried Frank, who, with his Wife, was there,
‘We dream! sing each a song.’
And he sang first an old, brave air,
And pull'd the boat along:
‘Sir Pelles woo'd, in scorn's despite;
He cherish'd love's sweet smart;
Ettarde proved light; then, like a Knight,
He turn'd her from his heart.
‘O, the remorse with which we pay
For duties done too well!
But conscience gay does grief allay;
As all true knights can tell.’
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III.
‘Alas, poor Knight!’ cried Blanche, ‘Nay, hear,’
Said Frank, ‘the saddest half!’
And drearily he troll'd, while clear
Rose Blanche's puzzled laugh.
‘Sir Lob was drunk; the stars were bright.
Within an empty ditch,
Sir Lob all night lay right and tight
As a Saint within his niche.
‘Now, well, quoth he, goes life with me;
I've liquor and to spare;
I hate the herd that vulgar be;
And, O, the stars are fair!
‘The mill-dam burst: Sir Lob lay sunk
In that celestial swound:
The mill-stream found the knight dead drunk,
And the Jury found him drown'd.’
IV.
‘The tunes are good; the words,’ said I,
‘Are hard to understand.’
And soon I prefaced with a sigh
This pagan love-song grand:
‘When Love's bright Ichor fills the veins,
Love's Amaranth lights the brow,
The Past grows dark, the Future wanes,
Before the golden Now.
‘Marc Antony the war-flags furl'd,
For Egypt's Queen said, 'Stay:
He reck'd not of the worthless world,
Well lost by that delay.
‘Quoth Antony, Here set I up
My everlasting rest:
Leave me to drain Joy's magic cup,
To dream on Egypt's breast.’
V.
Frank smiled, and said my note was wrong;
52
'Twas neither Man's nor Boy's;
And Blanche sang next, some modern song,
Of ‘Flowers’ and ‘Fairy Joys.’
As bright disparted skies that break
To let a cherub through,
So seem'd her mouth: my sight did ache,
Glitt'ring with fiery dew;
And, in the laugh of her brown eye,
My heart, contented so,
Lay like the honey-thirsty fly
Drows'd in the cactus' glow.
Nor heeded I what sang my Saint,
Such magic had the sound.
The myrtle in her breath made faint
The air that hearken'd round.
VI.
‘Now, Wife,’ said Frank, ‘to shame our lays,
Try you in turn your power;
And sing your little song in praise
Of Love's selectest flower.’
Her hand felt his: thus sang she then,
Submitted to his rule,
Tho' shyer than the water-hen
On Tamar's shadiest pool.
‘The Myrtle sates with scent the air
That flows by Grecian hills;
Its fervid leaflets glisten fair
By warm Italian rills.
The North too has its Lover's-Flower,
The glad Forget-me-not;
Too bold thro' sunshine, wind, and shower,
Too blue to be forgot.’
VII.
Pointing far East, Frank said, ‘Do you see
Yon porpoise-droves at play?’
We gazed, and saw, with failing glee,
Bright lines of spotted spray.
Once more the boded terror shook
53
My heart, and made me dumb.
‘To land! to land!’ cried Frank, ‘for, look,
The storm, at last, is come!’
Above us, heated fields of mist
Precipitated cloud;
For shore we pull'd; the swift keel hiss'd;
Above us grew the shroud.
The pale gull flapp'd the stagnant air;
The thunder-drop fell straight;
The first wind lifted Blanche's hair;
Looking to me she sate.
Across the boundless mirror crept,
In dark'ning blasts, the squall;
And round our terror lightly leapt
Mad wavelets, many and small.
The oars cast by, convuls'd outflew
Our perilous hope the sail.
None spoke; all watch'd the waves, that grew
Under the splashing hail.
With urgent hearts and useless hands,
We sate and saw them rise,
Coursing to shore in gloomy bands,
Below the appalling skies.
The wrathful thunder scared the deeps,
And where, upon our wake,
The sea got up in ghastly heaps,
White lines of lightning strake.
On, on, with fainting hope we fled,
Hard-hunted by the grave;
Slow seem'd it, though like wind we sped
Over the shouldering wave;
In front swift rose the crags, where still
A storm of sunshine pour'd;
At last, beneath the southern hill,
The pitiless breakers roar'd.
O, bolt foreseen before it burst!
O, chastening hard to bear!
O, cup of sweetness quite revers'd,
And turn'd to void despair!
Blanche in fear swooning, I let go
The helm; we struck the ground;
The sea fell in from stern to prow,
54
And Blanche, my Bride, was drown'd.
What guilt was hers? But God is great,
And all that may be known
To each of any other's fate
Is, that it helps his own.
IV
I.
In a swift vortex go the years,
Each swifter than the last,
And seasons four their set careers
Pursued, and somehow pass'd.
The spirit of Spring, this year, was quench'd
With clouds and wind and rain;
All night the gust-blown torrent drench'd
The gloomy window-pane;
Against the pane the flapping blind
Flapp'd ever, dismally;
And ever, above the rain and wind,
Sounded the dismal sea.
The billows, like some guilty crew
Devour'd by vain remorse,
Dash'd up the beach, sighing withdrew,
And mix'd, with murmurs hoarse.
The morning was a cheerless sight,
Amongst the turbid skies;
But sweet was the relief of light
Within my restless eyes;
For then I rose to prayer and toil,
Forgat the ocean's moan,
Or faced the dizzy crash and coil
That drown'd its mournfuller tone.
But never, when the tide drew back,
Trod I the weltering strand;
For horribly my single track
Pursued me in the sand.
II.
One morn I watch'd the rain subside;
And then fared singly forth,
55
Below the clouds, till eve to ride
From Edgecumb to the North.
Once, only once, I paused upon
The sea-transcending height,
And turn'd to gaze: far breakers shone,
Slow gleams of silent light.
Into my horse I struck the spur;
Sad was the soul in me;
Sore were my lids with tears for her
Who slept beneath the sea.
But soon I sooth'd my startled horse,
And check'd that sudden grief,
And look'd abroad on crag and gorse
And Dartmoor's cloudy reef.
Far forth the air was dark and clear,
The crags acute and large,
The clouds uneven, black, and near,
And ragged at the marge.
The spider, in his rainy mesh,
Shook not, but, as I rode,
The opposing air, sweet, sharp, and fresh,
Against my hot lids flow'd.
Peat-cutters pass'd me, carrying tools;
Hawks glimmer'd on the wing;
The ground was glad with grassy pools,
And brooklets galloping;
And sparrows chirp'd, with feathers spread,
And dipp'd and drank their fill,
Where, down its sandy channel, fled
The lessening road-side rill.
III.
I cross'd the furze-grown table-land,
And near'd the northern vales,
That lay perspicuously plann'd
In lesser hills and dales.
Then rearward, in a slow review,
Fell Dartmoor's jagged lines;
Around were dross-heaps, red and blue,
Old shafts of gutted mines,
Impetuous currents copper-stain'd,
56
Wheels stream-urged with a roar,
Sluice-guiding grooves, strong works that strain'd
With freight of upheaved ore.
And then, the train, with shock on shock,
Swift rush and birth-scream dire,
Grew from the bosom of the rock,
And pass'd in noise and fire.
With brazen throb, with vital stroke,
It went, far heard, far seen,
Setting a track of shining smoke
Against the pastoral green.
Then, bright drops, lodged in budding trees,
Were loos'd in sudden showers,
Touch'd by the novel western breeze,
Friend of the backward flowers.
Then rose the Church at Tavistock,
The rain still falling there;
But sunny Dartmoor seem'd to mock
The gloom with cheerful glare.
About the West the gilt vane reel'd
And pois'd; and, with sweet art,
The sudden, jangling changes peal'd
Until, around my heart,
Conceits of brighter times, of times
The brighter for past storms,
Clung thick as bees, when brazen chimes
Call down the hiveless swarms.
IV.
I rested at the Tiger Inn,
There half-way on my ride,
And mused with joy of friends and kin
Who did my coming bide.
The Vicar, in his sombre wear
That shone about the knees,
Before me stood, his aspect fair
With godly memories.
I heard again his kind ‘Good-bye:
Christ speed and keep thee still
From frantic passions, for they die
And leave a frantic will.’
57
My fond, old Tutor, learn'd and meek!
A soul, in strangest truth,
As wide as Asia and as weak;
Not like his daughter Ruth.
A Girl of fullest heart she was;
Her spirit's lovely flame
Nor dazzled nor surprised, because
It always burn'd the same;
And in the maiden path she trod
Fair was the wife foreshown,
A Mary in the house of God,
A Martha in her own.
Charms for the sight she had; but these
Were tranquil, grave, and chaste,
And all too beautiful to please
A rash, untutor'd taste.
V.
In love with home, I rose and eyed
The rainy North; but there
The distant hill-top, in its pride,
Adorn'd the brilliant air:
And, as I pass'd from Tavistock,
The scatter'd dwellings white,
The Church, the golden weather-cock,
Were whelm'd in happy light;
The children 'gan the sun to greet,
With song and senseless shout;
The lambs to skip, their dams to bleat;
In Tavy leapt the trout;
Across a fleeting eastern cloud,
The splendid rainbow sprang,
And larks, invisible and loud,
Within its zenith sang.
VI.
So lay the Earth that saw the skies
Grow clear and bright above,
As the repentant spirit lies
In God's forgiving love.
58
The lark forsook the waning day,
And all loud songs did cease;
The Robin, from a wither'd spray,
Sang like a soul at peace.
Far to the South, in sunset glow'd
The peaks of Dartmoor ridge,
And Tamar, full and tranquil, flow'd
Beneath the Gresson Bridge.
There, conscious of the numerous noise
Of rain-awaken'd rills,
And gathering deep and sober joys
From the heart-enlarging hills,
I sat, until the first white star
Appear'd, with dewy rays,
And the fair moon began to bar
With shadows all the ways.
O, well is thee, whate'er thou art,
And happy shalt thou be,
If thou hast known, within thy heart,
The peace that came to me.
O, well is thee, if aught shall win
Thy spirit to confess,
God proffers all, 'twere grievous sin
To live content in less!
VII.
I mounted, now, my patient nag;
And scaled the easy steep;
And soon beheld the quiet flag
On Lanson's solemn Keep.
And now, whenas the waking lights
Bespake the valley'd Town,
A child o'ertook me, on the heights,
In cap and russet gown.
It was an alms-taught scholar trim,
Who, on her happy way,
Sang to herself the morrow's hymn;
For this was Saturday.
‘Saint Stephen, stoned, nor grieved nor groan'd:
'Twas all for his good gain;
59
For Christ him blest, till he confess'd
A sweet content in pain.
‘Then Christ His cross is no way loss,
But even a present boon:
Of His dear blood fair shines a flood
On heaven's eternal noon.’
VIII.
My sight, once more, was dim for her
Who slept beneath the sea,
As on I sped, without the spur,
By homestead, heath, and lea.
Beside my path the moon kept pace,
In meek and brilliant power,
And lit, ere long, the eastern face
Of Tamerton Church-tower.
~ Coventry Patmore,
539:Custer: Book Second
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
183
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on,' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
184
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe,' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam).
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die,' quoth he, 'mine be the part
To fall upon the field, a bullet in my heart.'
XII
185
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
XIV
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
186
XVI
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here.
XIX
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
187
Whom following friends will bless, while foes will curse and cower.
XX
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
XXI
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
188
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
189
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
XXVIII
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI
The weary warriors mount their foam-flecked steeds,
190
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV
191
To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve.
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
192
XXXIX
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII
With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
193
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
Who in one year have known a lifetime of despair.
XLVI
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
194
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
XLVIII
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX
The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
Like some elixir which the gods prepare,
195
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
The gods alone create, gods only should destroy.
LIII
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV
196
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI
At last she lifts her lazy head and heeds
The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
197
LVIII
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
Against the blue-clad troops, this patch of color lies.
LX
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
198
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep
~ Ella Wheeler Wilcox,
540:A FRAGMENT

PART I

Nec tantum prodere vati,
Quantum scire licet. Venit aetas omnis in unam
Congeriem, miserumque premunt tot saecula pectus.
Lucan, Phars. v. 176.

How wonderful is Death,
Death and his brother Sleep!
One pale as yonder wan and hornd moon,
With lips of lurid blue,
The other glowing like the vital morn,
When throned on ocean's wave
It breathes over the world:
Yet both so passing strange and wonderful!
Hath then the iron-sceptred Skeleton,
Whose reign is in the tainted sepulchres,
To the hell dogs that couch beneath his throne
Cast that fair prey? Must that divinest form,
Which love and admiration cannot view
Without a beating heart, whose azure veins
Steal like dark streams along a field of snow,
Whose outline is as fair as marble clothed
In light of some sublimest mind, decay?
Nor putrefaction's breath
Leave aught of this pure spectacle
But loathsomeness and ruin?
Spare aught but a dark theme,
On which the lightest heart might moralize?
Or is it but that downy-wingd slumbers
Have charmed their nurse coy Silence near her lids
To watch their own repose?
Will they, when morning's beam
Flows through those wells of light,
Seek far from noise and day some western cave,
Where woods and streams with soft and pausing winds
A lulling murmur weave?
Ianthe doth not sleep
The dreamless sleep of death:
Nor in her moonlight chamber silently
Doth Henry hear her regular pulses throb,
Or mark her delicate cheek
With interchange of hues mock the broad moon.
Outwatching weary night,
Without assured reward.
Her dewy eyes are closed;
On their translucent lids, whose texture fine
Scarce hides the dark blue orbs that burn below
With unapparent fire,
The baby Sleep is pillowed:
Her golden tresses shade
The bosom's stainless pride,
Twining like tendrils of the parasite
Around a marble column.
Hark! whence that rushing sound?
'Tis like a wondrous strain that sweeps
Around a lonely ruin
When west winds sigh and evening waves respond
In whispers from the shore:
'Tis wilder than the unmeasured notes
Which from the unseen lyres of dells and groves
The genii of the breezes sweep.
Floating on waves of music and of light,
The chariot of the Daemon of the World
Descends in silent power:
Its shape reposed within: slight as some cloud
That catches but the palest tinge of day
When evening yields to night,
Bright as that fibrous woof when stars indue
Its transitory robe.
Four shapeless shadows bright and beautiful
Draw that strange car of glory, reins of light
Check their unearthly speed; they stop and fold
Their wings of braided air:
The Daemon leaning from the ethereal car
Gazed on the slumbering maid.
Human eye hath ne'er beheld
A shape so wild, so bright, so beautiful,
As that which o'er the maiden's charmd sleep
Waving a starry wand,
Hung like a mist of light.
Such sounds as breathed around like odorous winds
Of wakening spring arose,
Filling the chamber and the moonlight sky.
Maiden, the world's supremest spirit
Beneath the shadow of her wings
Folds all thy memory doth inherit
From ruin of divinest things,
Feelings that lure thee to betray,
And light of thoughts that pass away.
For thou hast earned a mighty boon,
The truths which wisest poets see
Dimly, thy mind may make its own,
Rewarding its own majesty,
Entranced in some diviner mood
Of self-oblivious solitude.
Custom, and Faith, and Power thou spurnest;
From hate and awe thy heart is free;
Ardent and pure as day thou burnest,
For dark and cold mortality
A living light, to cheer it long,
The watch-fires of the world among.
Therefore from nature's inner shrine,
Where gods and fiends in worship bend,
Majestic spirit, be it thine
The flame to seize, the veil to rend,
Where the vast snake Eternity
In charmd sleep doth ever lie.
All that inspires thy voice of love,
Or speaks in thy unclosing eyes,
Or through thy frame doth burn or move,
Or think or feel, awake, arise!
Spirit, leave for mine and me
Earth's unsubstantial mimicry!
It ceased, and from the mute and moveless frame
A radiant spirit arose,
All beautiful in naked purity.
Robed in its human hues it did ascend,
Disparting as it went the silver clouds,
It moved towards the car, and took its seat
Beside the Daemon shape.
Obedient to the sweep of ary song,
The mighty ministers
Unfurled their prismy wings.
The magic car moved on;
The night was fair, innumerable stars
Studded heaven's dark blue vault;
The eastern wave grew pale
With the first smile of morn.
The magic car moved on.
From the swift sweep of wings
The atmosphere in flaming sparkles flew;
And where the burning wheels
Eddied above the mountain's loftiest peak
Was traced a line of lightning.
Now far above a rock the utmost verge
Of the wide earth it flew,
The rival of the Andes, whose dark brow
Frowned o'er the silver sea.
Far, far below the chariot's stormy path,
Calm as a slumbering babe,
Tremendous ocean lay.
Its broad and silent mirror gave to view
The pale and waning stars,
The chariot's fiery track,
And the grey light of morn
Tingeing those fleecy clouds
That cradled in their folds the infant dawn.
The chariot seemed to fly
Through the abyss of an immense concave,
Radiant with million constellations, tinged
With shades of infinite colour,
And semicircled with a belt
Flashing incessant meteors.
As they approached their goal,
The wingd shadows seemed to gather speed.
The sea no longer was distinguished; earth
Appeared a vast and shadowy sphere, suspended
In the black concave of heaven
With the sun's cloudless orb,
Whose rays of rapid light
Parted around the chariot's swifter course,
And fell like ocean's feathery spray
Dashed from the boiling surge
Before a vessel's prow.
The magic car moved on.
Earth's distant orb appeared
The smallest light that twinkles in the heavens,
Whilst round the chariot's way
Innumerable systems widely rolled,
And countless spheres diffused
An ever varying glory.
It was a sight of wonder! Some were horned.
And like the moon's argentine crescent hung
In the dark dome of heaven; some did shed
A clear mild beam like Hesperus, while the sea
Yet glows with fading sunlight; others dashed
Athwart the night with trains of bickering fire,
Like spherd worlds to death and ruin driven;
Some shone like stars, and as the chariot passed
Bedimmed all other light.
Spirit of Nature! here
In this interminable wilderness
Of worlds, at whose involved immensity
Even soaring fancy staggers,
Here is thy fitting temple.
Yet not the lightest leaf
That quivers to the passing breeze
Is less instinct with thee,
Yet not the meanest worm,
That lurks in graves and fattens on the dead,
Less shares thy eternal breath.
Spirit of Nature! thou
Imperishable as this glorious scene,
Here is thy fitting temple.
If solitude hath ever led thy steps
To the shore of the immeasurable sea,
And thou hast lingered there
Until the sun's broad orb
Seemed resting on the fiery line of ocean,
Thou must have marked the braided webs of gold
That without motion hang
Over the sinking sphere:
Thou must have marked the billowy mountain clouds,
Edged with intolerable radiancy,
Towering like rocks of jet
Above the burning deep:
And yet there is a moment
When the sun's highest point
Peers like a star o'er ocean's western edge,
When those far clouds of feathery purple gleam
Like fairy lands girt by some heavenly sea:
Then has thy rapt imagination soared
Where in the midst of all existing things
The temple of the mightiest Daemon stands.
Yet not the golden islands
That gleam amid yon flood of purple light,
Nor the feathery curtains
That canopy the sun's resplendent couch,
Nor the burnished ocean waves
Paving that gorgeous dome,
So fair, so wonderful a sight
As the eternal temple could afford.
The elements of all that human thought
Can frame of lovely or sublime, did join
To rear the fabric of the fane, nor aught
Of earth may image forth its majesty.
Yet likest evening's vault that fary hall,
As heaven low resting on the wave it spread
Its floors of flashing light,
Its vast and azure dome;
And on the verge of that obscure abyss
Where crystal battlements o'erhang the gulf
Of the dark world, ten thousand spheres diffuse
Their lustre through its adamantine gates.
The magic car no longer moved;
The Daemon and the Spirit
Entered the eternal gates.
Those clouds of ary gold
That slept in glittering billows
Beneath the azure canopy,
With the ethereal footsteps trembled not;
While slight and odorous mists
Floated to strains of thrilling melody
Through the vast columns and the pearly shrines.
The Daemon and the Spirit
Approached the overhanging battlement,
Below lay stretched the boundless universe!
There, far as the remotest line
That limits swift imagination's flight,
Unending orbs mingled in mazy motion,
Immutably fulfilling
Eternal Nature's law.
Above, below, around,
The circling systems formed
A wilderness of harmony,
Each with undeviating aim
In eloquent silence through the depths of space
Pursued its wondrous way.
Awhile the Spirit paused in ecstasy.
Yet soon she saw, as the vast spheres swept by,
Strange things within their belted orbs appear.
Like animated frenzies, dimly moved
Shadows, and skeletons, and fiendly shapes,
Thronging round human graves, and o'er the dead
Sculpturing records for each memory
In verse, such as malignant gods pronounce,
Blasting the hopes of men, when heaven and hell
Confounded burst in ruin o'er the world:
And they did build vast trophies, instruments
Of murder, human bones, barbaric gold,
Skins torn from living men, and towers of skulls
With sightless holes gazing on blinder heaven,
Mitres, and crowns, and brazen chariots stained
With blood, and scrolls of mystic wickedness,
The sanguine codes of venerable crime.
The likeness of a thrond king came by,
When these had passed, bearing upon his brow
A threefold crown; his countenance was calm,
His eye severe and cold; but his right hand
Was charged with bloody coin, and he did gnaw
By fits, with secret smiles, a human heart
Concealed beneath his robe; and motley shapes,
A multitudinous throng, around him knelt,
With bosoms bare, and bowed heads, and false looks
Of true submission, as the sphere rolled by.
Brooking no eye to witness their foul shame,
Which human hearts must feel, while human tongues
Tremble to speak, they did rage horribly,
Breathing in self-contempt fierce blasphemies
Against the Daemon of the World, and high
Hurling their armd hands where the pure Spirit,
Serene and inaccessibly secure,
Stood on an isolated pinnacle,
The flood of ages combating below,
The depth of the unbounded universe
Above, and all around
Necessity's unchanging harmony.
PART II
O happy Earth! reality of Heaven!
To which those restless powers that ceaselessly
Throng through the human universe aspire;
Thou consummation of all mortal hope!
Thou glorious prize of blindly-working will!
Whose rays, diffused throughout all space and time,
Verge to one point and blend for ever there:
Of purest spirits thou pure dwelling-place!
Where care and sorrow, impotence and crime,
Languor, disease, and ignorance dare not come:
O happy Earth, reality of Heaven!
Genius has seen thee in her passionate dreams,
And dim forebodings of thy loveliness,
Haunting the human heart, have there entwined
Those rooted hopes, that the proud Power of Evil
Shall not for ever on this fairest world
Shake pestilence and war, or that his slaves
With blasphemy for prayer, and human blood
For sacrifice, before his shrine for ever
In adoration bend, or Erebus
With all its banded fiends shall not uprise
To overwhelm in envy and revenge
The dauntless and the good, who dare to hurl
Defiance at his throne, girt tho' it be
With Death's omnipotence. Thou hast beheld
His empire, o'er the present and the past;
It was a desolate sightnow gaze on mine,
Futurity. Thou hoary giant Time,
Render thou up thy half-devoured babes,
And from the cradles of eternity,
Where millions lie lulled to their portioned sleep
By the deep murmuring stream of passing things,
Tear thou that gloomy shroud.Spirit, behold
Thy glorious destiny!
           The Spirit saw
The vast frame of the renovated world
Smile in the lap of Chaos, and the sense
Of hope thro' her fine texture did suffuse
Such varying glow, as summer evening casts
On undulating clouds and deepening lakes.
Like the vague sighings of a wind at even,
That wakes the wavelets of the slumbering sea
And dies on the creation of its breath,
And sinks and rises, fails and swells by fits,
Was the sweet stream of thought that with wild motion
Flowed o'er the Spirit's human sympathies.
The mighty tide of thought had paused awhile,
Which from the Daemon now like Ocean's stream
Again began to pour.
           To me is given
The wonders of the human world to keep
Space, matter, time and mindlet the sight
Renew and strengthen all thy failing hope.
All things are recreated, and the flame
Of consentaneous love inspires all life:
The fertile bosom of the earth gives suck
To myriads, who still grow beneath her care,
Rewarding her with their pure perfectness:
The balmy breathings of the wind inhale
Her virtues, and diffuse them all abroad:
Health floats amid the gentle atmosphere,
Glows in the fruits, and mantles on the stream;
No storms deform the beaming brow of heaven,
Nor scatter in the freshness of its pride
The foliage of the undecaying trees;
But fruits are ever ripe, flowers ever fair,
And Autumn proudly bears her matron grace,
Kindling a flush on the fair cheek of Spring,
Whose virgin bloom beneath the ruddy fruit
Reflects its tint and blushes into love.
The habitable earth is full of bliss;
Those wastes of frozen billows that were hurled
By everlasting snow-storms round the poles,
Where matter dared not vegetate nor live,
But ceaseless frost round the vast solitude
Bound its broad zone of stillness, are unloosed;
And fragrant zephyrs there from spicy isles
Ruffle the placid ocean-deep, that rolls
Its broad, bright surges to the sloping sand,
Whose roar is wakened into echoings sweet
To murmur through the heaven-breathing groves
And melodise with man's blest nature there.
The vast tract of the parched and sandy waste
Now teems with countless rills and shady woods,
Corn-fields and pastures and white cottages;
And where the startled wilderness did hear
A savage conqueror stained in kindred blood,
Hymning his victory, or the milder snake
Crushing the bones of some frail antelope
Within his brazen foldsthe dewy lawn,
Offering sweet incense to the sunrise, smiles
To see a babe before his mother's door,
Share with the green and golden basilisk
That comes to lick his feet, his morning's meal.
Those trackless deeps, where many a weary sail
Has seen, above the illimitable plain,
Morning on night and night on morning rise,
Whilst still no land to greet the wanderer spread
Its shadowy mountains on the sunbright sea,
Where the loud roarings of the tempest-waves
So long have mingled with the gusty wind
In melancholy loneliness, and swept
The desert of those ocean solitudes,
But vocal to the sea-bird's harrowing shriek,
The bellowing monster, and the rushing storm.
Now to the sweet and many-mingling sounds
Of kindliest human impulses respond:
Those lonely realms bright garden-isles begem,
With lightsome clouds and shining seas between,
And fertile valleys, resonant with bliss,
Whilst green woods overcanopy the wave,
Which like a toil-worn labourer leaps to shore,
To meet the kisses of the flowerets there.
Man chief perceives the change, his being notes
The gradual renovation, and defines
Each movement of its progress on his mind.
Man, where the gloom of the long polar night
Lowered o'er the snow-clad rocks and frozen soil,
Where scarce the hardiest herb that braves the frost
Basked in the moonlight's ineffectual glow,
Shrank with the plants, and darkened with the night:
Nor where the tropics bound the realms of day
With a broad belt of mingling cloud and flame,
Where blue mists through the unmoving atmosphere
Scattered the seeds of pestilence, and fed
Unnatural vegetation, where the land
Teemed with all earthquake, tempest and disease,
Was man a nobler being; slavery
Had crushed him to his country's blood-stained dust.
Even where the milder zone afforded man
A seeming shelter, yet contagion there,
Blighting his being with unnumbered ills,
Spread like a quenchless fire; nor truth availed
Till late to arrest its progress, or create
That peace which first in bloodless victory waved
Her snowy standard o'er this favoured clime:
There man was long the train-bearer of slaves,
The mimic of surrounding misery,
The jackal of ambition's lion-rage,
The bloodhound of religion's hungry zeal.
Here now the human being stands adorning
This loveliest earth with taintless body and mind:
Blest from his birth with all bland impulses,
Which gently in his noble bosom wake
All kindly passions and all pure desires.
Him, still from hope to hope the bliss pursuing,
Which from the exhaustless lore of human weal
Dawns on the virtuous mind, the thoughts that rise
In time-destroying infiniteness gift
With self-enshrined eternity, that mocks
The unprevailing hoariness of age,
And man, once fleeting o'er the transient scene
Swift as an unremembered vision, stands
Immortal upon earth: no longer now
He slays the beast that sports around his dwelling
And horribly devours its mangled flesh,
Or drinks its vital blood, which like a stream
Of poison thro' his fevered veins did flow
Feeding a plague that secretly consumed
His feeble frame, and kindling in his mind
Hatred, despair, and fear and vain belief,
The germs of misery, death, disease, and crime.
No longer now the wingd habitants,
That in the woods their sweet lives sing away,
Flee from the form of man; but gather round,
And prune their sunny feathers on the hands
Which little children stretch in friendly sport
Towards these dreadless partners of their play.
All things are void of terror: man has lost
His desolating privilege, and stands
An equal amidst equals: happiness
And science dawn though late upon the earth;
Peace cheers the mind, health renovates the frame;
Disease and pleasure cease to mingle here,
Reason and passion cease to combat there;
Whilst mind unfettered o'er the earth extends
Its all-subduing energies, and wields
The sceptre of a vast dominion there.
Mild is the slow necessity of death:
The tranquil spirit fails beneath its grasp,
Without a groan, almost without a fear,
Resigned in peace to the necessity,
Calm as a voyager to some distant land,
And full of wonder, full of hope as he.
The deadly germs of languor and disease
Waste in the human frame, and Nature gifts
With choicest boons her human worshippers.
How vigorous now the athletic form of age!
How clear its open and unwrinkled brow!
Where neither avarice, cunning, pride, or care,
Had stamped the seal of grey deformity
On all the mingling lineaments of time.
How lovely the intrepid front of youth!
How sweet the smiles of taintless infancy.
Within the massy prison's mouldering courts,
Fearless and free the ruddy children play,
Weaving gay chaplets for their innocent brows
With the green ivy and the red wall-flower,
That mock the dungeon's unavailing gloom;
The ponderous chains, and gratings of strong iron,
There rust amid the accumulated ruins
Now mingling slowly with their native earth:
There the broad beam of day, which feebly once
Lighted the cheek of lean captivity
With a pale and sickly glare, now freely shines
On the pure smiles of infant playfulness:
No more the shuddering voice of hoarse despair
Peals through the echoing vaults, but soothing notes
Of ivy-fingered winds and gladsome birds
And merriment are resonant around.
The fanes of Fear and Falsehood hear no more
The voice that once waked multitudes to war
Thundering thro' all their aisles: but now respond
To the death dirge of the melancholy wind:
It were a sight of awfulness to see
The works of faith and slavery, so vast,
So sumptuous, yet withal so perishing!
Even as the corpse that rests beneath their wall.
A thousand mourners deck the pomp of death
To-day, the breathing marble glows above
To decorate its memory, and tongues
Are busy of its life: to-morrow, worms
In silence and in darkness seize their prey.
These ruins soon leave not a wreck behind:
Their elements, wide-scattered o'er the globe,
To happier shapes are moulded, and become
Ministrant to all blissful impulses:
Thus human things are perfected, and earth,
Even as a child beneath its mother's love,
Is strengthened in all excellence, and grows
Fairer and nobler with each passing year.
Now Time his dusky pennons o'er the scene
Closes in steadfast darkness, and the past
Fades from our charmd sight. My task is done:
Thy lore is learned. Earth's wonders are thine own.
With all the fear and all the hope they bring.
My spells are past: the present now recurs.
Ah me! a pathless wilderness remains
Yet unsubdued by man's reclaiming hand.
Yet, human Spirit, bravely hold thy course,
Let virtue teach thee firmly to pursue
The gradual paths of an aspiring change:
For birth and life and death, and that strange state
Before the naked powers that thro' the world
Wander like winds have found a human home,
All tend to perfect happiness, and urge
The restless wheels of being on their way,
Whose flashing spokes, instinct with infinite life,
Bicker and burn to gain their destined goal:
For birth but wakes the universal mind
Whose mighty streams might else in silence flow
Thro' the vast world, to individual sense
Of outward shows, whose unexperienced shape
New modes of passion to its frame may lend;
Life is its state of action, and the store
Of all events is aggregated there
That variegate the eternal universe;
Death is a gate of dreariness and gloom,
That leads to azure isles and beaming skies
And happy regions of eternal hope.
Therefore, O Spirit! fearlessly bear on:
Though storms may break the primrose on its stalk,
Though frosts may blight the freshness of its bloom,
Yet spring's awakening breath will woo the earth,
To feed with kindliest dews its favourite flower,
That blooms in mossy banks and darksome glens,
Lighting the green wood with its sunny smile.
Fear not then, Spirit, death's disrobing hand,
So welcome when the tyrant is awake,
So welcome when the bigot's hell-torch flares;
'Tis but the voyage of a darksome hour,
The transient gulf-dream of a startling sleep.
For what thou art shall perish utterly,
But what is thine may never cease to be;
Death is no foe to virtue: earth has seen
Love's brightest roses on the scaffold bloom,
Mingling with freedom's fadeless laurels there,
And presaging the truth of visioned bliss.
Are there not hopes within thee, which this scene
Of linked and gradual being has confirmed?
Hopes that not vainly thou, and living fires
Of mind as radiant and as pure as thou,
Have shone upon the paths of menreturn,
Surpassing Spirit, to that world, where thou
Art destined an eternal war to wage
With tyranny and falsehood, and uproot
The germs of misery from the human heart.
Thine is the hand whose piety would soothe
The thorny pillow of unhappy crime,
Whose impotence an easy pardon gains,
Watching its wanderings as a friend's disease:
Thine is the brow whose mildness would defy
Its fiercest rage, and brave its sternest will,
When fenced by power and master of the world.
Thou art sincere and good; of resolute mind,
Free from heart-withering custom's cold control,
Of passion lofty, pure and unsubdued.
Earth's pride and meanness could not vanquish thee.
And therefore art thou worthy of the boon
Which thou hast now received: virtue shall keep
Thy footsteps in the path that thou hast trod,
And many days of beaming hope shall bless
Thy spotless life of sweet and sacred love.
Go, happy one, and give that bosom joy
Whose sleepless spirit waits to catch
Light, life and rapture from thy smile.
The Daemon called its wingd ministers.
Speechless with bliss the Spirit mounts the car,
That rolled beside the crystal battlement,
Bending her beamy eyes in thankfulness.
The burning wheels inflame
The steep descent of Heaven's untrodden way.
Fast and far the chariot flew:
The mighty globes that rolled
Around the gate of the Eternal Fane
Lessened by slow degrees, and soon appeared
Such tiny twinklers as the planet orbs
That ministering on the solar power
With borrowed light pursued their narrower way.
Earth floated then below:
The chariot paused a moment;
The Spirit then descended:
And from the earth departing
The shadows with swift wings
Speeded like thought upon the light of Heaven.
The Body and the Soul united then,
A gentle start convulsed Ianthe's frame:
Her veiny eyelids quietly unclosed;
Moveless awhile the dark blue orbs remained:
She looked around in wonder and beheld
Henry, who kneeled in silence by her couch,
Watching her sleep with looks of speechless love,
And the bright beaming stars
That through the casement shone.

~ Percy Bysshe Shelley, The Daemon Of The World
,
541:A Castaway
Poor little diary, with its simple thoughts,
its good resolves, its "Studied French an hour,"
"Read Modern History," "Trimmed up my grey hat,"
"Darned stockings," "Tatted," "Practised my new song,"
"Went to the daily service," "Took Bess soup,"
"Went out to tea." Poor simple diary!
and did I write it? Was I this good girl,
this budding colourless young rose of home?
did I so live content in such a life,
seeing no larger scope, nor asking it,
than this small constant round -- old clothes to mend,
new clothes to make, then go and say my prayers,
or carry soup, or take a little walk
and pick the ragged-robins in the hedge?
Then for ambition, (was there ever life
that could forego that?) to improve my mind
and know French better and sing harder songs;
for gaiety, to go, in my best white
well washed and starched and freshened with new bows,
and take tea out to meet the clergyman.
No wishes and no cares, almost no hopes,
only the young girl's hazed and golden dreams
that veil the Future from her.
So long since:
and now it seems a jest to talk of me
as if I could be one with her, of me
who am ...... me.
And what is that? My looking-glass
answers it passably; a woman sure,
no fiend, no slimy thing out of the pools,
a woman with a ripe and smiling lip
that has no venom in its touch I think,
with a white brow on which there is no brand;
a woman none dare call not beautiful,
not womanly in every woman's grace.
Aye let me feed upon my beauty thus,
be glad in it like painters when they see
at last the face they dreamed but could not find
look from their canvass on them, triumph in it,
the dearest thing I have. Why, 'tis my all,
let me make much of it: is it not this,
this beauty, my own curse at once and tool
to snare men's souls -- (I know what the good say
of beauty in such creatures) -- is it not this
that makes me feel myself a woman still,
some little pride, some little -Here's a jest!
what word will fit the sense but modesty?
A wanton I but modest!
Modest, true;
I'm not drunk in the streets, ply not for hire
at infamous corners with my likenesses
of the humbler kind; yes, modesty's my word -'twould shape my mouth well too, I think I'll try:
"Sir, Mr What-you-will, Lord Who-knows-what,
my present lover or my next to come,
value me at my worth, fill your purse full,
for I am modest; yes, and honour me
as though your schoolgirl sister or your wife
could let her skirts brush mine or talk of me;
for I am modest."
Well, I flout myself:
but yet, but yet -Fie, poor fantastic fool,
why do I play the hypocrite alone,
who am no hypocrite with others by?
where should be my "But yet"? I am that thing
called half a dozen dainty names, and none
dainty enough to serve the turn and hide
the one coarse English worst that lurks beneath:
just that, no worse, no better.
And, for me,
I say let no one be above her trade;
I own my kindredship with any drab
who sells herself as I, although she crouch
in fetid garrets and I have a home
all velvet and marqueterie and pastilles,
although she hide her skeleton in rags
and I set fashions and wear cobweb lace:
the difference lies but in my choicer ware,
that I sell beauty and she ugliness;
our traffic's one -- I'm no sweet slaver-tongue
to gloze upon it and explain myself
a sort of fractious angel misconceived -our traffic's one: I own it. And what then?
I know of worse that are called honourable.
Our lawyers, who, with noble eloquence
and virtuous outbursts, lie to hang a man,
or lie to save him, which way goes the fee:
our preachers, gloating on your future hell
for not believing what they doubt themselves:
our doctors, who sort poisons out by chance,
and wonder how they'll answer, and grow rich:
our journalists, whose business is to fib
and juggle truths and falsehoods to and fro:
our tradesmen, who must keep unspotted names
and cheat the least like stealing that they can:
our -- all of them, the virtuous worthy men
who feed on the world's follies, vices, wants,
and do their businesses of lies and shams
honestly, reputably, while the world
claps hands and cries "good luck," which of their trades,
their honourable trades, barefaced like mine,
all secrets brazened out, would shew more white?
And whom do I hurt more than they? as much?
The wives? Poor fools, what do I take from them
worth crying for or keeping? If they knew
what their fine husbands look like seen by eyes
that may perceive there are more men than one!
But, if they can, let them just take the pains
to keep them: 'tis not such a mighty task
to pin an idiot to your apron-string;
and wives have an advantage over us,
(the good and blind ones have), the smile or pout
leaves them no secret nausea at odd times.
Oh they could keep their husbands if they cared,
but 'tis an easier life to let them go,
and whimper at it for morality.
Oh! those shrill carping virtues, safely housed
from reach of even a smile that should put red
on a decorous cheek, who rail at us
with such a spiteful scorn and rancourousness,
(which maybe is half envy at the heart),
and boast themselves so measurelessly good
and us so measurelessly unlike them,
what is their wondrous merit that they stay
in comfortable homes whence not a soul
has ever thought of tempting them, and wear
no kisses but a husband's upon lips
there is no other man desires to kiss -refrain in fact from sin impossible?
How dare they hate us so? what have they done,
what borne, to prove them other than we are?
What right have they to scorn us -- glass-case saints,
Dianas under lock and key -- what right
more than the well-fed helpless barn-door fowl
to scorn the larcenous wild-birds?
Pshaw, let be!
Scorn or no scorn, what matter for their scorn?
I have outfaced my own -- that's harder work.
Aye let their virtuous malice dribble on -mock snowstorms on the stage -- I'm proof long since:
I have looked coolly on my what and why,
and I accept myself.
Oh I'll endorse
the shamefullest revilings mouthed at me,
cry "True! Oh perfect picture! Yes, that's I!"
and add a telling blackness here and there,
and then dare swear you, every nine of ten,
my judges and accusers, I'd not change
my conscience against yours, you who tread out
your devil's pilgrimage along the roads
that take in church and chapel, and arrange
a roundabout and decent way to hell.
Well, mine's a short way and a merry one:
so says my pious hash of ohs and ahs,
choice texts and choicer threats, appropriate names,
(Rahabs and Jezebels), some fierce Tartuffe
hurled at me through the post. We had rare fun
over that tract digested with champagne.
Where is it? where's my rich repertory
of insults biblical? 'I prey on souls' -only my men have oftenest none I think:
'I snare the simple ones' -- but in these days
there seem to be none simple and none snared,
and most men have their favourite sinnings planned
to do them civilly and sensibly:
'I braid my hair' -- but braids are out of date:
'I paint my cheeks' -- I always wear them pale:
'I -- '
Pshaw! the trash is savourless to-day:
one cannot laugh alone. There, let it burn.
What, does the windy dullard think one needs
his wisdom dove-tailed on to Solomon's,
his threats out-threatening God's, to teach the news
that those who need not sin have safer souls?
We know it, but we've bodies to save too;
and so we earn our living.
Well lit, tract!
at least you've made me a good leaping blaze.
Up, up, how the flame shoots! and now 'tis dead.
Oh proper finish, preaching to the last -no such bad omen either; sudden end,
and no sad withering horrible old age.
How one would clutch at youth to hold it tight!
and then to know it gone, to see it gone,
be taught its absence by harsh, careless looks,
to live forgotten, solitary, old -the cruellest word that ever woman learns.
Old -- that's to be nothing, or to be at best
a blurred memorial that in better days
there was a woman once with such a name.
No, no, I could not bear it: death itself
shews kinder promise ...... even death itself,
since it must come one day -Oh this grey gloom!
This rain, rain, rain, what wretched thoughts it brings!
Death: I'll not think of it.
Will no one come?
'Tis dreary work alone.
Why did I read
that silly diary? Now, sing song, ding dong,
come the old vexing echoes back again,
church bells and nursery good-books, back again
upon my shrinking ears that had forgotten -I hate the useless memories: 'tis fools' work
singing the hacknied dirge of 'better days:'
best take Now kindly, give the past good-bye,
whether it were a better or a worse.
Yes, yes, I listened to the echoes once,
the echoes and the thoughts from the old days.
The worse for me: I lost my richest friend,
and that was all the difference. For the world
would not have that flight known. How they'd roar:
"What! Eulalie, when she refused us all,
'ill' and 'away,' was doing Magdalene,
tears, ashes, and her Bible, and then off
hide her in a Refuge ... for a week!"
A wild whim that, to fancy I could change
my new self for my old, because I wished!
since then, when in my languid days there comes
that craving, like homesickness, to go back
to the good days, the dear old stupid days,
to the quiet and the innocence, I know
'tis a sick fancy and try palliatives.
What is it? You go back to the old home,
and 'tis not your home, has no place for you,
and, if it had, you could not fit you in it.
And could I fit me to my former self?
If I had had the wit, like some of us,
to sow my wild-oats into three per cents,
could I not find me shelter in the peace
of some far nook where none of them would come,
nor whisper travel from this scurrilous world,
that gloats and moralizes through its leers,
to blast me with my fashionable shame?
There I might -- oh my castle in the clouds!
and where's its rent? -- but there, were there a there,
I might again live the grave blameless life
among such simple pleasures, simple cares:
but could they be my pleasures, be my cares?
The blameless life, but never the content -never. How could I henceforth be content
in any life but one that sets the brain
in a hot merry fever with its stir?
what would there be in quiet rustic days,
each like the other, full of time to think,
to keep one bold enough to live at all?
Quiet is hell, I say -- as if a woman
could bear to sit alone, quiet all day,
and loathe herself, and sicken on her thoughts.
They tried it at the Refuge, and I failed:
I could not bear it. Dreary hideous room,
coarse pittance, prison rules, one might bear these
and keep one's purpose; but so much alone,
and then made faint and weak and fanciful
by change from pampering to half-famishing -good God, what thoughts come! Only one week more
and 'twould have ended: but in one day more
I must have killed myself. And I loathe death,
the dreadful foul corruption, with who knows
what future after it.
Well, I came back,
Back to my slough. Who says I had my choice?
Could I stay there to die of some mad death?
and if I rambled out into the world,
sinless but penniless, what else were that
but slower death, slow pining shivering death
by misery and hunger? Choice! what choice
of living well or ill? could I have that?
and who would give it me? I think indeed
some kind hand, a woman's -- I hate men -had stretched itself to help me to firm ground,
taken a chance and risked my falling back,
could have gone my way not falling back:
but, let her be all brave, all charitable,
how could she do it? Such a trifling boon,
little work to live by, 'tis not much,
and I might have found will enough to last:
but where's the work? More sempstresses than shirts;
and defter hands at white work than are mine
drop starved at last: dressmakers, milliners,
too many too they say; and then their trades
need skill, apprenticeship. And who so bold
as hire me for their humblest drudgery?
not even for scullery slut; not even, I think,
for governess, although they'd get me cheap.
And after all it would be something hard,
with the marts for decent women overfull,
if I could elbow in and snatch a chance
and oust some good girl so, who then perforce
must come and snatch her chance among our crowd.
Why, if the worthy men who think all's done
if we'll but come where we can hear them preach,
could bring us all, or any half of us,
into their fold, teach all us wandering sheep,
or only half of us, to stand in rows
and baa them hymns and moral songs, good lack,
what would they do with us? what could they do?
Just think! with were't but half of us on hand
to find work for ... or husbands. Would they try
to ship us to the colonies for wives?
Well, well; I know the wise ones talk and talk:
"Here's cause, here's cure:" "No, here it is and here:"
and find society to blame, or law,
the Church, the men, the women, too few schools,
too many schools, too much, too little taught:
somewhere or somehow someone is to blame:
10
but I say all the fault's with God himself
who puts too many women in the world.
We ought to die off reasonably and leave
as many as the men want, none to waste.
Here's cause; the woman's superfluity:
and for the cure, why, if it were the law,
say, every year, in due percentages,
balancing them with men as the times need,
to kill off female infants, 'twould make room;
and some of us would not have lost too much,
losing life ere we know what it can mean.
The other day I saw a woman weep
beside her dead child's bed: the little thing
lay smiling, and the mother wailed half mad,
shrieking to God to give it back again.
I could have laughed aloud: the little girl
living had but her mother's life to live;
there she lay smiling, and her mother wept
to know her gone!
My mother would have wept.
Oh mother, mother, did you ever dream,
you good grave simple mother, you pure soul
no evil could come nigh, did you once dream
in all your dying cares for your lone girl
left to fight out her fortune all alone
that there would be this danger? -- for your girl,
taught by you, lapped in a sweet ignorance,
scarcely more wise of what things sin could be
than some young child a summer six months old
where in the north the summer makes a day,
of what is darkness ... darkness that will come
to-morrow suddenly. Thank God at least
for this much of my life, that when you died,
that when you kissed me dying, not a thought
of this made sorrow for you, that I too
was pure of even fear.
Oh yes, I thought,
still new in my insipid treadmill life,
11
(my father so late dead), and hopeful still
here might be something pleasant somewhere in it,
some sudden fairy come, no doubt, to turn
any pumpkin to a chariot, I thought then
that I might plod, and plod, and drum the sounds
of useless facts into unwilling ears,
tease children with dull questions half the day,
then con dull answers in my room at night
ready for next day's questions, mend quill pens
and cut my fingers, add up sums done wrong
and never get them right; teach, teach, and teach -what I half knew, or not at all -- teach, teach
for years, a lifetime -- I!
And yet, who knows?
it might have been, for I was patient once,
and willing, and meant well; it might have been
had I but still clung on in my first place -a safe dull place, where mostly there were smiles
but never merry-makings; where all days
jogged on sedately busy, with no haste;
where all seemed measured out, but margins broad:
a dull home but a peaceful, where I felt
my pupils would be dear young sisters soon,
and felt their mother take me to her heart,
motherly to all lonely harmless things.
But I must have a conscience, must blurt out
my great discovery of my ignorance!
And who required it of me? And who gained?
What did it matter for a more or less
the girls learnt in their schoolbooks, to forget
in their first season? We did well together:
they loved me and I them: but I went off
to housemaid's pay, six crossgrained brats to teach,
wrangles and jangles, doubts, disgrace ... then this;
and they had a perfection found for them,
who has all ladies' learning in her head
abridged and scheduled, speaks five languages,
knows botany and conchology and globes,
draws, paints, plays, sings, embroiders, teaches all
on a patent method never known to fail:
and now they're finished and, I hear, poor things,
12
are the worst dancers and worst dressers out.
And where's their profit of those prison years
all gone to make them wise in lesson books?
who wants his wife to know weeds' Latin names?
who ever chose a girl for saying dates?
or asked if she had learned to trace a map?
Well, well, the silly rules this silly world
makes about women! This is one of them.
Why must there be pretence of teaching them
what no one ever cares that they should know,
what, grown out of the schoolroom, they cast off
like the schoolroom pinafore, no better fit
for any use of real grown-up life,
for any use to her who seeks or waits
the husband and the home, for any use,
for any shallowest pretence of use,
to her who has them? Do I not know this,
I like my betters, that a woman's life,
her natural life, her good life, her one life,
is in her husband, God on earth to her,
and what she knows and what she can and is
is only good as it brings good to him?
Oh God, do I not know it? I the thing
of shame and rottenness, the animal
that feed men's lusts and prey on them, I, I,
who should not dare to take the name of wife
on my polluted lips, who in the word
hear but my own reviling, I know that.
I could have lived by that rule, how content:
my pleasure to make him some pleasure, pride
to be as he would have me, duty, care,
to fit all to his taste, rule my small sphere
to his intention; then to lean on him,
be guided, tutored, loved -- no not that word,
that loved which between men and women means
all selfishness, all putrid talk, all lust,
all vanity, all idiocy -- not loved
but cared for. I've been loved myself, I think,
some once or twice since my poor mother died,
but cared for, never: -- that a word for homes,
13
kind homes, good homes, where simple children come
and ask their mother is this right or wrong,
because they know she's perfect, cannot err;
their father told them so, and he knows all,
being so wise and good and wonderful,
even enough to scold even her at times
and tell her everything she does not know.
Ah the sweet nursery logic!
Fool! thrice fool!
do I hanker after that too? Fancy me
infallible nursery saint, live code of law!
me preaching! teaching innocence to be good!
a mother!
Yet the baby thing that woke
and wailed an hour or two, and then was dead,
was mine, and had he lived ...... why then my name
would have been mother. But 'twas well he died:
I could have been no mother, I, lost then
beyond his saving. Had he come before
and lived, come to me in the doubtful days
when shame and boldness had not grown one sense,
for his sake, with the courage come of him,
I might have struggled back.
But how? But how?
His father would not then have let me go:
his time had not yet come to make an end
of my 'for ever' with a hireling's fee
and civil light dismissal. None but him
to claim a bit of bread of if I went,
child or no child: would he have given it me?
He! no; he had not done with me. No help,
no help, no help. Some ways can be trodden back,
but never our way, we who one wild day
have given goodbye to what in our deep hearts
the lowest woman still holds best in life,
good name -- good name though given by the world
that mouths and garbles with its decent prate,
and wraps it in respectable grave shams,
and patches conscience partly by the rule
14
of what one's neighbour thinks but something more
by what his eyes are sharp enough to see.
How I could scorn it with its Pharisees,
if it could not scorn me: but yet, but yet -oh God, if I could look it in the face!
Oh I am wild, am ill, I think, to night:
will no one come and laugh with me? No feast,
no merriment to-night. So long alone!
Will no one come?
At least there's a new dress
to try, and grumble at -- they never fit
to one's ideal. Yes, a new rich dress,
with lace like this too, that's a soothing balm
for any fretting woman, cannot fail,
I've heard men say it ... and they know so well
what's in all women's hearts, especially
women like me.
No help! no help! no help!
How could it be? It was too late long since -even at the first too late. Whose blame is that?
there are some kindly people in the world,
but what can they do? If one hurls oneself
into a quicksand, what can be the end,
but that one sinks and sinks? Cry out for help?
Ah yes, and, if it came, who is so strong
to strain from the firm ground and lift one out?
And how, so firmly clutching the stretched hand,
as death's pursuing terror bids, even so,
how can one reach firm land, having to foot
the treacherous crumbling soil that slides and gives
and sucks one in again? Impossible path!
No, why waste struggles, I or any one?
what is must be. What then? I, where I am,
sinking and sinking; let the wise pass by
and keep their wisdom for an apter use,
let me sink merrily as I best may.
Only, I think, my brother -- I forgot
he stopped his brotherhood some years ago --
15
but if he had been just so much less good
as to remember mercy. Did he think
how once I was his sister, prizing him
as sisters do, content to learn for him
the lesson girls with brothers all must learn,
to do without?
I have heard girls lament
that doing so without all things one would,
but I saw never aught to murmur at,
for men must be made ready for their work,
and women all have more or less their chance
of husbands to work for them, keep them safe
like summer roses in soft greenhouse air
that never guess 'tis winter out of doors:
no, I saw never aught to murmur at,
content with stinted fare and shabby clothes
and cloistered silent life to save expense,
teaching myself out of my borrowed books,
while he for some one pastime, (needful true
to keep him of his rank, 'twas not his fault),
spent in a month what could have given me
my teachers for a year.
'Twas no one's fault:
for could he be launched forth on the rude sea
of this contentious world and left to find
oars and the boatman's skill by some good chance?
'Twas no one's fault: yet still he might have thought
of our so different youths, and owned at least
'tis pitiful when a mere nerveless girl,
untutored, must put forth upon that sea,
not in the woman's true place, the wife's place,
to trust a husband and be borne along,
but impotent blind pilot to herself.
Merciless, merciless -- like the prudent world
that will not have the flawed soul prank itself
with a hoped second virtue, will not have
the woman fallen once lift up herself ......
lest she should fall again. Oh how his taunts,
his loathing fierce reproaches, scarred and seared,
16
like branding iron hissing in a wound!
And it was true -- that killed me: and I felt
a hideous hopeless shame kill out my heart,
and knew myself for ever that he said,
that which I was -- Oh it was true, true, true.
No, not true then. I was not all that then.
Oh, I have drifted on before mad winds
6 and made ignoble shipwreck, not to-day
could any breeze of heaven prosper me
into the track again, nor any hand
snatch me out of the whirlpool I have reached;
but then?
Nay he judged very well: he knew
repentance was too dear a luxury
for a beggar's buying, knew it earns no bread -and knew me a too base and nerveless thing
to bear my first fault's sequel and just die.
And how could he have helped me? Held my hand,
owned me for his, fronted the angry world
clothed with my ignominy? Or maybe
taken me to his home to damn him worse?
What did I look for? for what less would serve
that he could do, a man without a purse?
He meant me well, he sent me that five pounds,
much to him then; and, if he bade me work
and never vex him more with news of me,
we both knew him too poor for pensioners.
I see he did his best; I could wish now
sending it back I had professed some thanks.
But there! I was too wretched to be meek:
it seemed to me as if he, every one,
the whole great world, were guilty of my guilt,
abettors and avengers: in my heart
I gibed them back their gibings; I was wild.
I see clear now and know one has one's life
in hand at first to spend or spare or give
like any other coin; spend it or give
or drop it in the mire, can the world see
17
you get your value for it, or bar back
the hurrying of its marts to grope it up
and give it back to you for better use?
And if you spend or give that is your choice;
and if you let it slip that's your choice too,
you should have held it firmer. Yours the blame,
and not another's, not the indifferent world's
which goes on steadily, statistically,
and count by censuses not separate souls -and if it somehow needs to its worst use
so many lives of women, useless else,
it buys us of ourselves, we could hold back,
free all of us to starve, and some of us,
(those who have done no ill and are in luck),
to slave their lives out and have food and clothes
until they grow unserviceably old.
Oh I blame no one -- scarcely even myself.
It was to be: the very good in me
has always turned to hurt; all I thought right
at the hot moment, judged of afterwards,
shows reckless.
Why, look at it, had I taken
the pay my dead child's father offered me
for having been its mother, I could then
have kept life in me, (many have to do it,
that swarm in the back alleys, on no more,
cold sometimes, mostly hungry, but they live);
I could have gained a respite trying it,
and maybe found at last some humble work
to eke the pittance out. Not I, forsooth,
I must have spirit, must have womanly pride,
must dash back his contemptuous wages, I,
who had not scorned to earn them, dash them back
the fiercer that he dared to count our boy
in my appraising: and yet now I think
I might have taken it for my dead boy's sake;
it would have been his gift.
But I went forth
with my fine scorn, and whither did it lead?
18
Money's the root of evil do they say?
money is virtue, strength: money to me
would then have been repentance: could I live
upon my idiot's pride?
Well, it fell soon.
I had prayed Edward might believe me dead,
and yet I begged of him -- That's like me too,
beg of him and then send him back his alms!
What if he gave as to a whining wretch
that holds her hand and lies? I am less to him
than such a one; her rags do him no wrong,
but I, I, wrong him merely that I live,
being his sister. Could I not at least
have still let him forget me? But 'tis past:
and naturally he may hope I am long dead.
Good God! to think that we were what we were
one to the other ... and now!
He has done well;
married a sort of heiress, I have heard,
a dapper little madam, dimple cheeked
and dimple brained, who makes him a good wife -No doubt she'd never own but just to him,
and in a whisper, she can even suspect
that we exist, we other women things:
what would she say if she could learn one day
she has a sister-in-law! So he and I
must stand apart till doomsday.
But the jest,
to think how she would look! -- Her fright, poor thing!
The notion! -- I could laugh outright ...... or else,
for I feel near it, roll on the ground and sob.
Well, after all, there's not much difference
between the two sometimes.
Was that the bell?
Some one at last, thank goodness. There's a voice,
and that's a pleasure. Whose though? Ah I know.
19
Why did she come alone, the cackling goose?
why not have brought her sister? -- she tells more
and titters less. No matter; half a loaf
is better than no bread.
Oh, is it you?
Most welcome, dear: one gets so moped alone.
~ Augusta Davies Webster,
542:Scene. Constantinople; the house of a Greek Conjurer. 1521.
Paracelsus.
Paracelsus.
Over the waters in the vaporous West
The sun goes down as in a sphere of gold
Behind the arm of the city, which between,
With all that length of domes and minarets,
Athwart the splendour, black and crooked runs
Like a Turk verse along a scimitar.
There lie, sullen memorial, and no more
Possess my aching sight! 'T is done at last.
Strangeand the juggles of a sallow cheat
Have won me to this act! 'T is as yon cloud
Should voyage unwrecked o'er many a mountain-top
And break upon a molehill. I have dared
Come to a pause with knowledge; scan for once
The heights already reached, without regard
To the extent above; fairly compute
All I have clearly gained; for once excluding
A brilliant future to supply and perfect
All half-gains and conjectures and crude hopes:
And all because a fortune-teller wills
His credulous seekers should inscribe thus much
Their previous life's attainment, in his roll,
Before his promised secret, as he vaunts,
Make up the sum: and here amid the scrawled
Uncouth recordings of the dupes of this
Old arch-genethliac, lie my life's results!
A few blurred characters suffice to note
A stranger wandered long through many lands
And reaped the fruit he coveted in a few
Discoveries, as appended here and there,
The fragmentary produce of much toil,
In a dim heap, fact and surmise together
Confusedly massed as when acquired; he was
Intent on gain to come too much to stay
And scrutinize the little gained: the whole
Slipt in the blank space 'twixt an idiot's gibber
And a mad lover's dittythere it lies.
And yet those blottings chronicle a life
A whole life, and my life! Nothing to do,
No problem for the fancy, but a life
Spent and decided, wasted past retrieve
Or worthy beyond peer. Stay, what does this
Remembrancer set down concerning "life"?
"'Time fleets, youth fades, life is an empty dream,'
"It is the echo of time; and he whose heart
"Beat first beneath a human heart, whose speech
"Was copied from a human tongue, can never
"Recall when he was living yet knew not this.
"Nevertheless long seasons pass o'er him
"Till some one hour's experience shows what nothing,
"It seemed, could clearer show; and ever after,
"An altered brow and eye and gait and speech
"Attest that now he knows the adage true
"'Time fleets, youth fades, life is an empty dream.'"
Ay, my brave chronicler, and this same hour
As well as any: now, let my time be!
Now! I can go no farther; well or ill,
'T is done. I must desist and take my chance.
I cannot keep on the stretch: 't is no back-shrinking
For let but some assurance beam, some close
To my toil grow visible, and I proceed
At any price, though closing it, I die.
Else, here I pause. The old Greek's prophecy
Is like to turn out true: "I shall not quit
"His chamber till I know what I desire!"
Was it the light wind sang it o'er the sea?
An end, a rest! strange how the notion, once
Encountered, gathers strength by moments! Rest!
Where has it kept so long? this throbbing brow
To cease, this beating heart to cease, all cruel
And gnawing thoughts to cease! To dare let down
My strung, so high-strung brain, to dare unnerve
My harassed o'ertasked frame, to know my place,
My portion, my reward, even my failure,
Assigned, made sure for ever! To lose myself
Among the common creatures of the world,
To draw some gain from having been a man,
Neither to hope nor fear, to live at length!
Even in failure, rest! But rest in truth
And power and recompense . . . I hoped that once!
What, sunk insensibly so deep? Has all
Been undergone for this? This the request
My labour qualified me to present
With no fear of refusal? Had I gone
Slightingly through my task, and so judged fit
To moderate my hopes; nay, were it now
My sole concern to exculpate myself,
End things or mend them,why, I could not choose
A humbler mood to wait for the event!
No, no, there needs not this; no, after all,
At worst I have performed my share of the task
The rest is God's concern; mine, merely this,
To know that I have obstinately held
By my own work. The mortal whose brave foot
Has trod, unscathed, the temple-court so far
That he descries at length the shrine of shrines,
Must let no sneering of the demons' eyes,
Whom he could pass unquailing, fasten now
Upon him, fairly past their power; no, no
He must not stagger, faint, fall down at last,
Having a charm to baffle them; behold,
He bares his front: a mortal ventures thus
Serene amid the echoes, beams and glooms!
If he be priest henceforth, if he wake up
The god of the place to ban and blast him there,
Both well! What's failure or success to me?
I have subdued my life to the one purpose
Whereto I ordained it; there alone I spy,
No doubt, that way I may be satisfied.
Yes, well have I subdued my life! beyond
The obligation of my strictest vow,
The contemplation of my wildest bond,
Which gave my nature freely up, in truth,
But in its actual state, consenting fully
All passionate impulses its soil was formed
To rear, should wither; but foreseeing not
The tract, doomed to perpetual barrenness,
Would seem one day, remembered as it was,
Beside the parched sand-waste which now it is,
Already strewn with faint blooms, viewless then.
I ne'er engaged to root up loves so frail
I felt them not; yet now, 't is very plain
Some soft spots had their birth in me at first,
If not love, say, like love: there was a time
When yet this wolfish hunger after knowledge
Set not remorselessly love's claims aside.
This heart was human once, or why recall
Einsiedeln, now, and Wrzburg which the Mayne
Forsakes her course to fold as with an arm?
And Festusmy poor Festus, with his praise
And counsel and grave fearswhere is he now
With the sweet maiden, long ago his bride?
I surely loved themthat last night, at least,
When we . . . gone! gone! the better. I am saved
The sad review of an ambitious youth
Choked by vile lusts, unnoticed in their birth,
But let grow up and wind around a will
Till action was destroyed. No, I have gone
Purging my path successively of aught
Wearing the distant likeness of such lusts.
I have made life consist of one idea:
Ere that was master, up till that was born,
I bear a memory of a pleasant life
Whose small events I treasure; till one morn
I ran o'er the seven little grassy fields,
Startling the flocks of nameless birds, to tell
Poor Festus, leaping all the while for joy,
To leave all trouble for my future plans,
Since I had just determined to become
The greatest and most glorious man on earth.
And since that morn all life has been forgotten;
All is one day, one only step between
The outset and the end: one tyrant all-
Absorbing aim fills up the interspace,
One vast unbroken chain of thought, kept up
Through a career apparently adverse
To its existence: life, death, light and shadow,
The shows of the world, were bare receptacles
Or indices of truth to be wrung thence,
Not ministers of sorrow or delight:
A wondrous natural robe in which she went.
For some one truth would dimly beacon me
From mountains rough with pines, and flit and wink
O'er dazzling wastes of frozen snow, and tremble
Into assured light in some branching mine
Where ripens, swathed in fire, the liquid gold
And all the beauty, all the wonder fell
On either side the truth, as its mere robe;
I see the robe nowthen I saw the form.
So far, then, I have voyaged with success,
So much is good, then, in this working sea
Which parts me from that happy strip of land:
But o'er that happy strip a sun shone, too!
And fainter gleams it as the waves grow rough,
And still more faint as the sea widens; last
I sicken on a dead gulf streaked with light
From its own putrefying depths alone.
Then, God was pledged to take me by the hand;
Now, any miserable juggle can bid
My pride depart. All is alike at length:
God may take pleasure in confounding pride
By hiding secrets with the scorned and base
I am here, in short: so little have I paused
Throughout! I never glanced behind to know
If I had kept my primal light from wane,
And thus insensibly amwhat I am!
Oh, bitter; very bitter!
             And more bitter,
To fear a deeper curse, an inner ruin,
Plague beneath plague, the last turning the first
To light beside its darkness. Let me weep
My youth and its brave hopes, all dead and gone,
In tears which burn! Would I were sure to win
Some startling secret in their stead, a tincture
Of force to flush old age with youth, or breed
Gold, or imprison moonbeams till they change
To opal shafts!only that, hurling it
Indignant back, I might convince myself
My aims remained supreme and pure as ever!
Even now, why not desire, for mankind's sake,
That if I fail, some fault may be the cause,
That, though I sink, another may succeed?
O God, the despicable heart of us!
Shut out this hideous mockery from my heart!
'T was politic in you, Aureole, to reject
Single rewards, and ask them in the lump;
At all events, once launched, to hold straight on:
For now' t is all or nothing. Mighty profit
Your gains will bring if they stop short of such
Full consummation! As a man, you had
A certain share of strength; and that is gone
Already in the getting these you boast.
Do not they seem to laugh, as who should say
"Great master, we are here indeed, dragged forth
"To light; this hast thou done: be glad! Now, seek
"The strength to use which thou hast spent in getting!"
And yet't is much, surely't is very much,
Thus to have emptied youth of all its gifts,
To feed a fire meant to hold out till morn
Arrived with inexhaustible light; and lo,
I have heaped up my last, and day dawns not!
And I am left with grey hair, faded hands,
And furrowed brow. Ha, have I, after all,
Mistaken the wild nursling of my breast?
Knowledge it seemed, and power, and recompense!
Was she who glided through my room of nights,
Who laid my head on her soft knees and smoothed
The damp locks,whose sly soothings just began
When my sick spirit craved repose awhile
God! was I fighting sleep off for death's sake?
God! Thou art mind! Unto the master-mind
Mind should be precious. Spare my mind alone!
All else I will endure; if, as I stand
Here, with my gains, thy thunder smite me down,
I bow me; 't is thy will, thy righteous will;
I o'erpass life's restrictions, and I die;
And if no trace of my career remain
Save a thin corpse at pleasure of the wind
In these bright chambers level with the air,
See thou to it! But if my spirit fail,
My once proud spirit forsake me at the last,
Hast thou done well by me? So do not thou!
Crush not my mind, dear God, though I be crushed!
Hold me before the frequence of thy seraphs
And say"I crushed him, lest he should disturb
"My law. Men must not know their strength: behold
"Weak and alone, how he had raised himself!"
But if delusions trouble me, and thou,
Not seldom felt with rapture in thy help
Throughout my toils and wanderings, dost intend
To work man's welfare through my weak endeavour,
To crown my mortal forehead with a beam
From thine own blinding crown, to smile, and guide
This puny hand and let the work so wrought
Be styled my work,hear me! I covet not
An influx of new power, an angel's soul:
It were no marvel thenbut I have reached
Thus far, a man; let me conclude, a man!
Give but one hour of my first energy,
Of that invincible faith, but only one!
That I may cover with an eagle-glance
The truths I have, and spy some certain way
To mould them, and completing them, possess!
Yet God is good: I started sure of that,
And why dispute it now? I'll not believe
But some undoubted warning long ere this
Had reached me: a fire-labarum was not deemed
Too much for the old founder of these walls.
Then, if my life has not been natural,
It has been monstrous: yet, till late, my course
So ardently engrossed me, that delight,
A pausing and reflecting joy,'t is plain,
Could find no place in it. True, I am worn;
But who clothes summer, who is life itself?
God, that created all things, can renew!
And then, though after-life to please me now
Must have no likeness to the past, what hinders
Reward from springing out of toil, as changed
As bursts the flower from earth and root and stalk?
What use were punishment, unless some sin
Be first detected? let me know that first!
No man could ever offend as I have done . . .
[A voice from within.]
I hear a voice, perchance I heard
Long ago, but all too low,
So that scarce a care it stirred
If the voice were real or no:
I heard it in my youth when first
The waters of my life outburst:
But, now their stream ebbs faint, I hear
That voice, still low, but fatal-clear
As if all poets, God ever meant
Should save the world, and therefore lent
Great gifts to, but who, proud, refused
To do his work, or lightly used
Those gifts, or failed through weak endeavour,
So, mourn cast off by him for ever,
As if these leaned in airy ring
To take me; this the song they sing.
"Lost, lost! yet come,
With our wan troop make thy home.
Come, come! for we
Will not breathe, so much as breathe
Reproach to thee,
Knowing what thou sink'st beneath.
So sank we in those old years,
We who bid thee, come! thou last
Who, living yet, hast life o'erpast.
And altogether we, thy peers,
Will pardon crave for thee, the last
Whose trial is done, whose lot is cast
With those who watch but work no more,
Who gaze on life but live no more.
Yet we trusted thou shouldst speak
The message which our lips, too weak,
Refused to utter,shouldst redeem
Our fault: such trust, and all a dream!
Yet we chose thee a birthplace
Where the richness ran to flowers:
Couldst not sing one song for grace?
Not make one blossom man's and ours?
Must one more recreant to his race
Die with unexerted powers,
And join us, leaving as he found
The world, he was to loosen, bound?
Anguish! ever and for ever;
Still beginning, ending never.
Yet, lost and last one, come!
How couldst understand, alas,
What our pale ghosts strove to say,
As their shades did glance and pass
Before thee night and day?
Thou wast blind as we were dumb:
Once more, therefore, come, O come!
How should we clothe, how arm the spirit
Shall next thy post of life inherit
How guard him from thy speedy ruin?
Tell us of thy sad undoing
Here, where we sit, ever pursuing
Our weary task, ever renewing
Sharp sorrow, far from God who gave
Our powers, and man they could not save!"
Aprile enters.
Aprile.
Ha, ha! our king that wouldst be, here at last?
Art thou the poet who shall save the world?
Thy hand to mine! Stay, fix thine eyes on mine!
Thou wouldst be king? Still fix thine eyes on mine!
Paracelsus.
Ha, ha! why crouchest not? Am I not king?
So torture is not wholly unavailing!
Have my fierce spasms compelled thee from thy lair?
Art thou the sage I only seemed to be,
Myself of after-time, my very self
With sight a little clearer, strength more firm,
Who robes him in my robe and grasps my crown
For just a fault, a weakness, a neglect?
I scarcely trusted God with the surmise
That such might come, and thou didst hear the while!
Aprile.
Thine eyes are lustreless to mine; my hair
Is soft, nay silken soft: to talk with thee
Flushes my cheek, and thou art ashy-pale.
Truly, thou hast laboured, hast withstood her lips,
The siren's! Yes, 't is like thou hast attained!
Tell me, dear master, wherefore now thou comest?
I thought thy solemn songs would have their meed
In after-time; that I should hear the earth
Exult in thee and echo with thy praise,
While I was laid forgotten in my grave.
Paracelsus.
Ah fiend, I know thee, I am not thy dupe!
Thou art ordained to follow in my track,
Reaping my sowing, as I scorned to reap
The harvest sown by sages passed away.
Thou art the sober searcher, cautious striver,
As if, except through me, thou hast searched or striven!
Ay, tell the world! Degrade me after all,
To an aspirant after fame, not truth
To all but envy of thy fate, be sure!
Aprile.
Nay, sing them to me; I shall envy not:
Thou shalt be king! Sing thou, and I will sit
Beside, and call deep silence for thy songs,
And worship thee, as I had ne'er been meant
To fill thy throne: but none shall ever know!
Sing to me; for already thy wild eyes
Unlock my heart-strings, as some crystal-shaft
Reveals by some chance blaze its parent fount
After long time: so thou reveal'st my soul.
All will flash forth at last, with thee to hear!
Paracelsus.
(His secret! I shall get his secretfool!)
I am he that aspired to know: and thou?
Aprile.
I would love infinitely, and be loved!
Paracelsus.
Poor slave! I am thy king indeed.
Aprile.
                 Thou deem'st
Thatborn a spirit, dowered even as thou,
Born for thy fatebecause I could not curb
My yearnings to possess at once the full
Enjoyment, but neglected all the means
Of realizing even the frailest joy,
Gathering no fragments to appease my want,
Yet nursing up that want till thus I die
Thou deem'st I cannot trace thy safe sure march
O'er perils that o'erwhelm me, triumphing,
Neglecting nought below for aught above,
Despising nothing and ensuring all
Nor that I could (my time to come again)
Lead thus my spirit securely as thine own.
Listen, and thou shalt see I know thee well.
I would love infinitely . . . Ah, lost! lost!
Oh ye who armed me at such cost,
How shall I look on all of ye
With your gifts even yet on me?
Paracelsus.
(Ah, 't is some moonstruck creature after all!
Such fond fools as are like to haunt this den:
They spread contagion, doubtless: yet he seemed
To echo one foreboding of my heart
So truly, that . . . no matter! How he stands
With eve's last sunbeam staying on his hair
Which turns to it as if they were akin:
And those clear smiling eyes of saddest blue
Nearly set free, so far they rise above
The painful fruitless striving of the brow
And enforced knowledge of the lips, firm-set
In slow despondency's eternal sigh!
Has he, too, missed life's end, and learned the cause?)
I charge thee, by thy fealty, be calm!
Tell me what thou wouldst be, and what I am.
Aprile.
I would love infinitely, and be loved.
First: I would carve in stone, or cast in brass,
The forms of earth. No ancient hunter lifted
Up to the gods by his renown, no nymph
Supposed the sweet soul of a woodland tree
Or sapphirine spirit of a twilight star,
Should be too hard for me; no shepherd-king
Regal for his white locks; no youth who stands
Silent and very calm amid the throng,
His right hand ever hid beneath his robe
Until the tyrant pass; no lawgiver,
No swan-soft woman rubbed with lucid oils
Given by a god for love of hertoo hard!
Every passion sprung from man, conceived by man,
Would I express and clothe it in its right form,
Or blend with others struggling in one form,
Or show repressed by an ungainly form.
Oh, if you marvelled at some mighty spirit
With a fit frame to execute its will
Even unconsciously to work its will
You should be moved no less beside some strong
Rare spirit, fettered to a stubborn body,
Endeavouring to subdue it and inform it
With its own splendour! All this I would do:
And I would say, this done, "His sprites created,
"God grants to each a sphere to be its world,
"Appointed with the various objects needed
"To satisfy its own peculiar want;
"So, I create a world for these my shapes
"Fit to sustain their beauty and their strength!"
And, at the word, I would contrive and paint
Woods, valleys, rocks and plains, dells, sands and wastes,
Lakes which, when morn breaks on their quivering bed,
Blaze like a wyvern flying round the sun,
And ocean isles so small, the dog-fish tracking
A dead whale, who should find them, would swim thrice
Around them, and fare onwardall to hold
The offspring of my brain. Nor these alone:
Bronze labyrinth, palace, pyramid and crypt,
Baths, galleries, courts, temples and terraces,
Marts, theatres and wharfsall filled with men,
Men everywhere! And this performed in turn,
When those who looked on, pined to hear the hopes
And fears and hates and loves which moved the crowd,
I would throw down the pencil as the chisel,
And I would speak; no thought which ever stirred
A human breast should be untold; all passions,
All soft emotions, from the turbulent stir
Within a heart fed with desires like mine,
To the last comfort shutting the tired lids
Of him who sleeps the sultry noon away
Beneath the tent-tree by the wayside well:
And this in language as the need should be,
Now poured at once forth in a burning flow,
Now piled up in a grand array of words.
This done, to perfect and consummate all,
Even as a luminous haze links star to star,
I would supply all chasms with music, breathing
Mysterious motions of the soul, no way
To be defined save in strange melodies.
Last, having thus revealed all I could love,
Having received all love bestowed on it,
I would die: preserving so throughout my course
God full on me, as I was full on men:
He would approve my prayer, "I have gone through
"The loveliness of life; create for me
"If not for men, or take me to thyself,
"Eternal, infinite love!"
             If thou hast ne'er
Conceived this mighty aim, this full desire,
Thou hast not passed my trial, and thou art
No king of mine.
Paracelsus.
         Ah me!
         Aprile.
           But thou art here!
Thou didst not gaze like me upon that end
Till thine own powers for compassing the bliss
Were blind with glory; nor grow mad to grasp
At once the prize long patient toil should claim,
Nor spurn all granted short of that. And I
Would do as thou, a second time: nay, listen!
Knowing ourselves, our world, our task so great,
Our time so brief, 't is clear if we refuse
The means so limited, the tools so rude
To execute our purpose, life will fleet,
And we shall fade, and leave our task undone.
We will be wise in time: what though our work
Be fashioned in despite of their ill-service,
Be crippled every way? 'T were little praise
Did full resources wait on our goodwill
At every turn. Let all be as it is.
Some say the earth is even so contrived
That tree and flower, a vesture gay, conceal
A bare and skeleton framework. Had we means
Answering to our mind! But now I seem
Wrecked on a savage isle: how rear thereon
My palace? Branching palms the props shall be,
Fruit glossy mingling; gems are for the East;
Who heeds them? I can pass them. Serpents' scales,
And painted birds' down, furs and fishes' skins
Must help me; and a little here and there
Is all I can aspire to: still my art
Shall show its birth was in a gentler clime.
"Had I green jars of malachite, this way
"I'd range them: where those sea-shells glisten above,
"Cressets should hang, by right: this way we set
"The purple carpets, as these mats are laid,
"Woven of fern and rush and blossoming flag."
Or if, by fortune, some completer grace
Be spared to me, some fragment, some slight sample
Of the prouder workmanship my own home boasts,
Some trifle little heeded there, but here
The place's one perfectionwith what joy
Would I enshrine the relic, cheerfully
Foregoing all the marvels out of reach!
Could I retain one strain of all the psalm
Of the angels, one word of the fiat of God,
To let my followers know what such things are!
I would adventure nobly for their sakes:
When nights were still, and still the moaning sea
And far away I could descry the land
Whence I departed, whither I return,
I would dispart the waves, and stand once more
At home, and load my bark, and hasten back,
And fling my gains to them, worthless or true.
"Friends," I would say, "I went far, far for them,
"Past the high rocks the haunt of doves, the mounds
"Of red earth from whose sides strange trees grow out,
"Past tracts of milk-white minute blinding sand,
"Till, by a mighty moon, I tremblingly
"Gathered these magic herbs, berry and bud,
"In haste, not pausing to reject the weeds,
"But happy plucking them at any price.
"To me, who have seen them bloom in their own soil,
"They are scarce lovely: plait and wear them, you!
"And guess, from what they are, the springs that fed them,
"The stars that sparkled o'er them, night by night,
"The snakes that travelled far to sip their dew!"
Thus for my higher loves; and thus even weakness
Would win me honour. But not these alone
Should claim my care; for common life, its wants
And ways, would I set forth in beauteous hues:
The lowest hind should not possess a hope,
A fear, but I'd be by him, saying better
Than he his own heart's language. I would live
For ever in the thoughts I thus explored,
As a discoverer's memory is attached
To all he finds; they should be mine henceforth,
Imbued with me, though free to all before:
For clay, once cast into my soul's rich mine,
Should come up crusted o'er with gems. Nor this
Would need a meaner spirit, than the first;
Nay, 't would be but the selfsame spirit, clothed
In humbler guise, but still the selfsame spirit:
As one spring wind unbinds the mountain snow
And comforts violets in their hermitage.
But, master, poet, who hast done all this,
How didst thou'scape the ruin whelming me?
Didst thou, when nerving thee to this attempt,
Ne'er range thy mind's extent, as some wide hall,
Dazzled by shapes that filled its length with light,
Shapes clustered there to rule thee, not obey,
That will not wait thy summons, will not rise
Singly, nor when thy practised eye and hand
Can well transfer their loveliness, but crowd
By thee for ever, bright to thy despair?
Didst thou ne'er gaze on each by turns, and ne'er
Resolve to single out one, though the rest
Should vanish, and to give that one, entire
In beauty, to the world; forgetting, so,
Its peers, whose number baffles mortal power?
And, this determined, wast thou ne'er seduced
By memories and regrets and passionate love,
To glance once more farewell? and did their eyes
Fasten thee, brighter and more bright, until
Thou couldst but stagger back unto their feet,
And laugh that man's applause or welfare ever
Could tempt thee to forsake them? Or when years
Had passed and still their love possessed thee wholly,
When from without some murmur startled thee
Of darkling mortals famished for one ray
Of thy so-hoarded luxury of light,
Didst thou ne'er strive even yet to break those spells
And prove thou couldst recover and fulfil
Thy early mission, long ago renounced,
And to that end, select some shape once more?
And did not mist-like influences, thick films,
Faint memories of the rest that charmed so long
Thine eyes, float fast, confuse thee, bear thee off,
As whirling snow-drifts blind a man who treads
A mountain ridge, with guiding spear, through storm?
Say, though I fell, I had excuse to fall;
Say, I was tempted sorely: say but this,
Dear lord, Aprile's lord!
Paracelsus.
             Clasp me not thus,
Aprile! That the truth should reach me thus!
We are weak dust. Nay, clasp not or I faint!
Aprile.
My king! and envious thoughts could outrage thee?
Lo, I forget my ruin, and rejoice
In thy success, as thou! Let our God's praise
Go bravely through the world at last! What care
Through me or thee? I feel thy breath. Why, tears?
Tears in the darkness, and from thee to me?
Paracelsus.
Love me henceforth, Aprile, while I learn
To love; and, merciful God, forgive us both!
We wake at length from weary dreams; but both
Have slept in fairy-land: though dark and drear
Appears the world before us, we no less
Wake with our wrists and ankles jewelled still.
I too have sought to know as thou to love
Excluding love as thou refusedst knowledge.
Still thou hast beauty and I, power. We wake:
What penance canst devise for both of us?
Aprile.
I hear thee faintly. The thick darkness! Even
Thine eyes are hid. 'T is as I knew: I speak,
And now I die. But I have seen thy face!
O poet, think of me, and sing of me!
But to have seen thee and to die so soon!
Paracelsus.
Die not, Aprile! We must never part.
Are we not halves of one dissevered world,
Whom this strange chance unites once more? Part? never!
Till thou the lover, know; and I, the knower,
Loveuntil both are saved. Aprile, hear!
We will accept our gains, and use themnow!
God, he will die upon my breast! Aprile!
Aprile.
To speak but once, and die! yet by his side.
Hush! hush!
     Ha! go you ever girt about
With phantoms, powers? I have created such,
But these seem real as I.
Paracelsus.
             Whom can you see
Through the accursed darkness?
Aprile.
                Stay; I know,
I know them: who should know them well as I?
White brows, lit up with glory; poets all!
Paracelsus.
Let him but live, and I have my reward!
Aprile.
Yes; I see now. God is the perfect poet,
Who in his person acts his own creations.
Had you but told me this at first! Hush! hush!
Paracelsus.
Live! for my sake, because of my great sin,
To help my brain, oppressed by these wild words
And their deep import. Live! 't is not too late.
I have a quiet home for us, and friends.
Michal shall smile on you. Hear you? Lean thus,
And breathe my breath. I shall not lose one word
Of all your speech, one little word, Aprile!
Aprile.
No, no. Crown me? I am not one of you!
'T is he, the king, you seek. I am not one.
Paracelsus.
Thy spirit, at least, Aprile! Let me love!
I have attained, and now I may depart.


~ Robert Browning, Paracelsus - Part II - Paracelsus Attains
,
543:The Last Tournament
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a withered leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, `Why skip ye so, Sir Fool?'
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead,
From roots like some black coil of carven snakes,
Clutched at the crag, and started through mid air
Bearing an eagle's nest: and through the tree
Rushed ever a rainy wind, and through the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarred from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
`Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize.'
To whom the King, `Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
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And Lancelot won, methought, for thee to wear.'
`Would rather you had let them fall,' she cried,
`Plunge and be lost-ill-fated as they were,
A bitterness to me!-ye look amazed,
Not knowing they were lost as soon as givenSlid from my hands, when I was leaning out
Above the river-that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance-who knows?-the purest of thy knights
May win them for the purest of my maids.'
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Armed for a day of glory before the King.
But on the hither side of that loud morn
Into the hall staggered, his visage ribbed
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shattered fingers dangling lame,
A churl, to whom indignantly the King,
`My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marred heaven's image in thee thus?'
Then, sputtering through the hedge of splintered teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blackened sawing the air, said the maimed churl,
`He took them and he drave them to his towerSome hold he was a table-knight of thineA hundred goodly ones-the Red Knight, heLord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I called upon thy name as one
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That doest right by gentle and by churl,
Maimed me and mauled, and would outright have slain,
Save that he sware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it-and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves-and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.''
Then Arthur turned to Kay the seneschal,
`Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen-but that ever-climbing wave,
Hurled back again so often in empty foam,
Hath lain for years at rest-and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, through your manhood and your fealty,-now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchaired tomorrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it,
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?'
Thereto Sir Lancelot answered, `It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has willed it, it is well.'
Then Arthur rose and Lancelot followed him,
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And while they stood without the doors, the King
Turned to him saying, `Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,-the glance
That only seems half-loyal to command,A manner somewhat fallen from reverenceOr have I dreamed the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, upreared,
By noble deeds at one with noble vows,
From flat confusion and brute violences,
Reel back into the beast, and be no more?'
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turned
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watched her lord pass, and knew not that she sighed.
Then ran across her memory the strange rhyme
Of bygone Merlin, `Where is he who knows?
From the great deep to the great deep he goes.'
But when the morning of a tournament,
By these in earnest those in mockery called
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shrieked, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, filled his double-dragoned chair.
He glanced and saw the stately galleries,
Dame, damsel, each through worship of their Queen
White-robed in honour of the stainless child,
And some with scattered jewels, like a bank
Of maiden snow mingled with sparks of fire.
He looked but once, and vailed his eyes again.
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The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet cracked,
And showed him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billowed round the barriers roar
An ocean-sounding welcome to one knight,
But newly-entered, taller than the rest,
And armoured all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle-Tristram-late
From overseas in Brittany returned,
And marriage with a princess of that realm,
Isolt the White-Sir Tristram of the WoodsWhom Lancelot knew, had held sometime with pain
His own against him, and now yearned to shake
The burthen off his heart in one full shock
With Tristram even to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groaned for wrath-so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
Stood, while he muttered, `Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more.'
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than `Hast thou won?
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Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!' to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, `Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Lest be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand-belike the lance hath dript upon itNo blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine.'
And Tristram round the gallery made his horse
Caracole; then bowed his homage, bluntly saying,
`Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here.'
And most of these were mute, some angered, one
Murmuring, `All courtesy is dead,' and one,
`The glory of our Round Table is no more.'
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laughed shrilly, crying, `Praise the patient saints,
Our one white day of Innocence hath past,
Though somewhat draggled at the skirt. So be it.
The snowdrop only, flowering through the year,
Would make the world as blank as Winter-tide.
Come-let us gladden their sad eyes, our Queen's
And Lancelot's, at this night's solemnity
With all the kindlier colours of the field.'
So dame and damsel glittered at the feast
Variously gay: for he that tells the tale
Likened them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
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With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a withered leaf before the hall.
Then Tristram saying, `Why skip ye so, Sir Fool?'
Wheeled round on either heel, Dagonet replied,
`Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all.'
`Ay, fool,' said Tristram, `but 'tis eating dry
To dance without a catch, a roundelay
To dance to.' Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stayed in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being asked, `Why skipt ye not, Sir Fool?'
Made answer, `I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make.'
Then Tristram, waiting for the quip to come,
`Good now, what music have I broken, fool?'
And little Dagonet, skipping, `Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in BrittanyAnd so thou breakest Arthur's music too.'
`Save for that broken music in thy brains,
Sir Fool,' said Tristram, `I would break thy head.
Fool, I came too late, the heathen wars were o'er,
The life had flown, we sware but by the shellI am but a fool to reason with a fool-
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Come, thou art crabbed and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
`'Free love-free field-we love but while we may:
The woods are hushed, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life-the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love-free field-we love but while we may.'
`Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold.'
But Dagonet with one foot poised in his hand,
`Friend, did ye mark that fountain yesterday
Made to run wine?-but this had run itself
All out like a long life to a sour endAnd them that round it sat with golden cups
To hand the wine to whosoever cameThe twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize-and one of those white slips
Handed her cup and piped, the pretty one,
'Drink, drink, Sir Fool,' and thereupon I drank,
Spat-pish-the cup was gold, the draught was mud.'
And Tristram, `Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?Not marking how the knighthood mock thee, fool'Fear God: honour the King-his one true knightSole follower of the vows'-for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught-yet swine I hold thee still,
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For I have flung thee pearls and find thee swine.'
And little Dagonet mincing with his feet,
`Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallowed, I have washed-the world
Is flesh and shadow-I have had my day.
The dirty nurse, Experience, in her kind
Hath fouled me-an I wallowed, then I washedI have had my day and my philosophiesAnd thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Trooped round a Paynim harper once, who thrummed
On such a wire as musically as thou
Some such fine song-but never a king's fool.'
And Tristram, `Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell.'
Then Dagonet, turning on the ball of his foot,
`And whither harp'st thou thine? down! and thyself
Down! and two more: a helpful harper thou,
That harpest downward! Dost thou know the star
We call the harp of Arthur up in heaven?'
And Tristram, `Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven.'
And Dagonet answered, `Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your witAnd whether he were King by courtesy,
Or King by right-and so went harping down
The black king's highway, got so far, and grew
So witty that ye played at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?'
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`Nay, fool,' said Tristram, `not in open day.'
And Dagonet, `Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip.' `Lo, fool,' he said, `ye talk
Fool's treason: is the King thy brother fool?'
Then little Dagonet clapt his hands and shrilled,
`Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs,
And men from beasts-Long live the king of fools!'
And down the city Dagonet danced away;
But through the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walked, or crept, or perched, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, returned;
But at the slot or fewmets of a deer,
Or even a fallen feather, vanished again.
So on for all that day from lawn to lawn
Through many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-crammed, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatched her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
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And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? `Isolt
Of the white hands' they called her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and returned.
The black-blue Irish hair and Irish eyes
Had drawn him home-what marvel? then he laid
His brows upon the drifted leaf and dreamed.
He seemed to pace the strand of Brittany
Between Isolt of Britain and his bride,
And showed them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, `Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand-her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower.'
Followed a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoiled her carcanet.
He dreamed; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-winged sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, whereout was rolled
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A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
`Lo there,' said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
Even to tipmost lance and topmost helm,
In blood-red armour sallying, howled to the King,
`The teeth of Hell flay bare and gnash thee flat!Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the worldThe woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King? -Look to thy life!'
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deigned not use of word or sword,
But let the drunkard, as he stretched from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
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Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watched him, roared
And shouted and leapt down upon the fallen;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Through open doors, and swording right and left
Men, women, on their sodden faces, hurled
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement streamed with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
Red-pulsing up through Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Came round by the East, and out beyond them flushed
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge returned,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stayed him. `Why weep ye?' `Lord,' she said, `my man
Hath left me or is dead;' whereon he thought`What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would'-but said to her,
`Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not'Then pressing day by day through Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gained
Tintagil, half in sea, and high on land,
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A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flushed, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, `Not Mark-not Mark, my soul!
The footstep fluttered me at first: not he:
Catlike through his own castle steals my Mark,
But warrior-wise thou stridest through his halls
Who hates thee, as I him-even to the death.
My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh.'
To whom Sir Tristram smiling, `I am here.
Let be thy Mark, seeing he is not thine.'
And drawing somewhat backward she replied,
`Can he be wronged who is not even his own,
But save for dread of thee had beaten me,
Scratched, bitten, blinded, marred me somehow-Mark?
What rights are his that dare not strike for them?
Not lift a hand-not, though he found me thus!
But harken! have ye met him? hence he went
Today for three days' hunting-as he saidAnd so returns belike within an hour.
Mark's way, my soul!-but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.'
So, plucked one way by hate and one by love,
Drained of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
`O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
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Ye twain had fallen out about the bride
Of one-his name is out of me-the prize,
If prize she were-(what marvel-she could see)Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneeled to last?'
And Tristram, `Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness-ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
Sailing from Ireland.'
Softly laughed Isolt;
`Flatter me not, for hath not our great Queen
My dole of beauty trebled?' and he said,
`Her beauty is her beauty, and thine thine,
And thine is more to me-soft, gracious, kindSave when thy Mark is kindled on thy lips
Most gracious; but she, haughty, even to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love.'
To whom Isolt,
`Ah then, false hunter and false harper, thou
Who brakest through the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinned against the highest,
And I-misyoked with such a want of manThat I could hardly sin against the lowest.'
He answered, `O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crowned warrant had we for the crowning sin
That made us happy: but how ye greet me-fear
And fault and doubt-no word of that fond taleThy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away.'
And, saddening on the sudden, spake Isolt,
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`I had forgotten all in my strong joy
To see thee-yearnings?-ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seemed those far-rolling, westward-smiling seas,
Watched from this tower. Isolt of Britain dashed
Before Isolt of Brittany on the strand,
Would that have chilled her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
The King was all fulfilled with gratefulness,
And she, my namesake of the hands, that healed
Thy hurt and heart with unguent and caressWell-can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love.'
And Tristram, fondling her light hands, replied,
`Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?-I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark-Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God.'
And Isolt answered, `Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flashed a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiendMark's way to steal behind one in the darkFor there was Mark: 'He has wedded her,' he said,
Not said, but hissed it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swooned away,
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And woke again in utter dark, and cried,
'I will flee hence and give myself to God'And thou wert lying in thy new leman's arms.'
Then Tristram, ever dallying with her hand,
`May God be with thee, sweet, when old and gray,
And past desire!' a saying that angered her.
`'May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot uttered aught so gross
Even to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, through ever harrying thy wild beastsSave that to touch a harp, tilt with a lance
Becomes thee well-art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him,
The man of men, our King-My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and through their vows
The King prevailing made his realm:-I say,
Swear to me thou wilt love me even when old,
Gray-haired, and past desire, and in despair.'
Then Tristram, pacing moodily up and down,
`Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itselfMy knighthood taught me this-ay, being snaptWe run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once-even to the height-I honoured him.
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'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hallHis hair, a sun that rayed from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with lightMoreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then, his foot was on a stool
Shaped as a dragon; he seemed to me no man,
But Micha l trampling Satan; so I sware,
Being amazed: but this went by- The vows!
O ay-the wholesome madness of an hourThey served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vowsFirst mainly through that sullying of our QueenBegan to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? washed up from out the deep?
They failed to trace him through the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine-the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows-I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love.'
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Here ending, he moved toward her, and she said,
`Good: an I turned away my love for thee
To some one thrice as courteous as thyselfFor courtesy wins woman all as well
As valour may, but he that closes both
Is perfect, he is Lancelot-taller indeed,
Rosier and comelier, thou-but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?'
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
`Press this a little closer, sweet, untilCome, I am hungered and half-angered-meat,
Wine, wine-and I will love thee to the death,
And out beyond into the dream to come.'
So then, when both were brought to full accord,
She rose, and set before him all he willed;
And after these had comforted the blood
With meats and wines, and satiated their heartsNow talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of MarkThen Tristram laughing caught the harp, and sang:
`Ay, ay, O ay-the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay-a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay-the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay-the winds that move the mere.'
Then in the light's last glimmer Tristram showed
And swung the ruby carcanet. She cried,
`The collar of some Order, which our King
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Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers.'
`Not so, my Queen,' he said, `but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee.'
He spoke, he turned, then, flinging round her neck,
Claspt it, and cried, `Thine Order, O my Queen!'
But, while he bowed to kiss the jewelled throat,
Out of the dark, just as the lips had touched,
Behind him rose a shadow and a shriek`Mark's way,' said Mark, and clove him through the brain.
That night came Arthur home, and while he climbed,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and looked and saw
The great Queen's bower was dark,-about his feet
A voice clung sobbing till he questioned it,
`What art thou?' and the voice about his feet
Sent up an answer, sobbing, `I am thy fool,
And I shall never make thee smile again.'
~ Alfred Lord Tennyson,
544:Idylls Of The King: The Last Tournament (Excerpt)
Dagonet, the fool, whom Gawain in his mood
Had made mock-knight of Arthur's Table Round,
At Camelot, high above the yellowing woods,
Danced like a wither'd leaf before the hall.
And toward him from the hall, with harp in hand,
And from the crown thereof a carcanet
Of ruby swaying to and fro, the prize
Of Tristram in the jousts of yesterday,
Came Tristram, saying, "Why skip ye so, Sir Fool?"
For Arthur and Sir Lancelot riding once
Far down beneath a winding wall of rock
Heard a child wail. A stump of oak half-dead.
From roots like some black coil of carven snakes,
Clutch'd at the crag, and started thro' mid air
Bearing an eagle's nest: and thro' the tree
Rush'd ever a rainy wind, and thro' the wind
Pierced ever a child's cry: and crag and tree
Scaling, Sir Lancelot from the perilous nest,
This ruby necklace thrice around her neck,
And all unscarr'd from beak or talon, brought
A maiden babe; which Arthur pitying took,
Then gave it to his Queen to rear: the Queen
But coldly acquiescing, in her white arms
Received, and after loved it tenderly,
And named it Nestling; so forgot herself
A moment, and her cares; till that young life
Being smitten in mid heaven with mortal cold
Past from her; and in time the carcanet
Vext her with plaintive memories of the child:
So she, delivering it to Arthur, said,
"Take thou the jewels of this dead innocence,
And make them, an thou wilt, a tourney-prize."
To whom the King, "Peace to thine eagle-borne
Dead nestling, and this honour after death,
Following thy will! but, O my Queen, I muse
Why ye not wear on arm, or neck, or zone
Those diamonds that I rescued from the tarn,
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And Lancelot won, methought, for thee to wear."
"Would rather you had let them fall," she cried,
"Plunge and be lost--ill-fated as they were,
A bitterness to me!--ye look amazed,
Not knowing they were lost as soon as given-Slid from my hands, when I was leaning out
Above the river--that unhappy child
Past in her barge: but rosier luck will go
With these rich jewels, seeing that they came
Not from the skeleton of a brother-slayer,
But the sweet body of a maiden babe.
Perchance--who knows?--the purest of thy knights
May win them for the purest of my maids."
She ended, and the cry of a great jousts
With trumpet-blowings ran on all the ways
From Camelot in among the faded fields
To furthest towers; and everywhere the knights
Arm'd for a day of glory before the King.
But on the hither side of that loud morn
Into the hall stagger'd, his visage ribb'd
From ear to ear with dogwhip-weals, his nose
Bridge-broken, one eye out, and one hand off,
And one with shatter'd fingers dangling lame,
A churl, to whom indignantly the King,
"My churl, for whom Christ died, what evil beast
Hath drawn his claws athwart thy face? or fiend?
Man was it who marr'd heaven's image in thee thus?"
Then, sputtering thro' the hedge of splinter'd teeth,
Yet strangers to the tongue, and with blunt stump
Pitch-blacken'd sawing the air, said the maim'd churl,
"He took them and he drave them to his tower-Some hold he was a table-knight of thine-A hundred goodly ones--the Red Knight, he-Lord, I was tending swine, and the Red Knight
Brake in upon me and drave them to his tower;
And when I cal'd upon thy name as one
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That doest right by gentle and by churl,
Maim'd me and maul'd, and would outright have slain,
Save that he aware me to a message, saying,
'Tell thou the King and all his liars, that I
Have founded my Round Table in the North,
And whatsoever his own knights have sworn
My knights have sworn the counter to it--and say
My tower is full of harlots, like his court,
But mine are worthier, seeing they profess
To be none other than themselves--and say
My knights are all adulterers like his own,
But mine are truer, seeing they profess
To be none other; and say his hour is come,
The heathen are upon him, his long lance
Broken, and his Excalibur a straw.' "
Then Arthur turn'd to Kay the seneschal,
"Take thou my churl, and tend him curiously
Like a king's heir, till all his hurts be whole.
The heathen--but that ever-climbing wave,
Hurl'd back again so often in empty foam,
Hath lain for years at rest--and renegades,
Thieves, bandits, leavings of confusion, whom
The wholesome realm is purged of otherwhere,
Friends, thro' your manhood and your fealty,--now
Make their last head like Satan in the North.
My younger knights, new-made, in whom your flower
Waits to be solid fruit of golden deeds,
Move with me toward their quelling, which achieved,
The loneliest ways are safe from shore to shore.
But thou, Sir Lancelot, sitting in my place
Enchair'd to-morrow, arbitrate the field;
For wherefore shouldst thou care to mingle with it
Only to yield my Queen her own again?
Speak, Lancelot, thou art silent: is it well?"
Thereto Sir Lancelot answer'd, "It is well:
Yet better if the King abide, and leave
The leading of his younger knights to me.
Else, for the King has will'd it, it is well."
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Then Arthur rose and Lancelot follow'd him,
And while they stood without the doors, the King
Turn'd to him saying, "Is it then so well?
Or mine the blame that oft I seem as he
Of whom was written, 'A sound is in his ears'?
The foot that loiters, bidden go,--the glance
That only seems half-loyal to command,-A manner somewhat fall'n from reverence-Or have I dream'd the bearing of our knights
Tells of a manhood ever less and lower?
Or whence the fear lest this my realm, uprear'd,
By noble deeds at one with noble vows,
From flat confusion and brute violence,s
Reel back into the beast, and be no more?"
He spoke, and taking all his younger knights,
Down the slope city rode, and sharply turn'd
North by the gate. In her high bower the Queen,
Working a tapestry, lifted up her head,
Watch'd her lord pass, and knew not that she sigh'd.
Then ran across her memory the strange rhyme
Of bygone Merlin, "Where is he who knows?
From the great deep to the great deep he goes."
But when the morning of a tournament,
By these in earnest those in mockery call'd
The Tournament of the Dead Innocence,
Brake with a wet wind blowing, Lancelot,
Round whose sick head all night, like birds of prey,
The words of Arthur flying shriek'd, arose,
And down a streetway hung with folds of pure
White samite, and by fountains running wine,
Where children sat in white with cups of gold,
Moved to the lists, and there, with slow sad steps
Ascending, fill'd his double-dragon'd chair.
He glanced and saw the stately galleries,
Dame, damsel, each thro' worship of their Queen
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White-robed in honour of the stainless child,
And some with scatter'd jewels, like a bank
Of maiden snow mingled with sparks of fire.
He look'd but once, and vail'd his eyes again.
The sudden trumpet sounded as in a dream
To ears but half-awaked, then one low roll
Of Autumn thunder, and the jousts began:
And ever the wind blew, and yellowing leaf
And gloom and gleam, and shower and shorn plume
Went down it. Sighing weariedly, as one
Who sits and gazes on a faded fire,
When all the goodlier guests are past away,
Sat their great umpire, looking o'er the lists.
He saw the laws that ruled the tournament
Broken, but spake not; once, a knight cast down
Before his throne of arbitration cursed
The dead babe and the follies of the King;
And once the laces of a helmet crack'd,
And show'd him, like a vermin in its hole,
Modred, a narrow face: anon he heard
The voice that billow'd round the barriers roar
An ocean-sounding welcome to one knight,
But newly-enter'd, taller than the rest,
And armour'd all in forest green, whereon
There tript a hundred tiny silver deer,
And wearing but a holly-spray for crest,
With ever-scattering berries, and on shield
A spear, a harp, a bugle--Tristram--late
From overseas in Brittany return'd,
And marriage with a princess of that realm,
Isolt the White--Sir Tristram of the Woods-Whom Lancelot knew, had held sometime with pain
His own against him, and now yearn'd to shake
The burthen off his heart in one full shock
With Tristram ev'n to death: his strong hands gript
And dinted the gilt dragons right and left,
Until he groan'd for wrath--so many of those,
That ware their ladies' colours on the casque,
Drew from before Sir Tristram to the bounds,
And there with gibes and flickering mockeries
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Stood, while he mutter'd, "Craven crests! O shame!
What faith have these in whom they sware to love?
The glory of our Round Table is no more."
So Tristram won, and Lancelot gave, the gems,
Not speaking other word than "Hast thou won?
Art thou the purest, brother? See, the hand
Wherewith thou takest this, is red!" to whom
Tristram, half plagued by Lancelot's languorous mood,
Made answer, "Ay, but wherefore toss me this
Like a dry bone cast to some hungry hound?
Let be thy fair Queen's fantasy. Strength of heart
And might of limb, but mainly use and skill,
Are winners in this pastime of our King.
My hand--belike the lance hath dript upon it-No blood of mine, I trow; but O chief knight,
Right arm of Arthur in the battlefield,
Great brother, thou nor I have made the world;
Be happy in thy fair Queen as I in mine."
And Tristram round the gallery made his horse
Caracole; then bow'd his homage, bluntly saying,
"Fair damsels, each to him who worships each
Sole Queen of Beauty and of love, behold
This day my Queen of Beauty is not here."
And most of these were mute, some anger'd, one
Murmuring, "All courtesy is dead," and one
"The glory of our Round Table is no more."
Then fell thick rain, plume droopt and mantle clung,
And pettish cries awoke, and the wan day
Went glooming down in wet and weariness:
But under her black brows a swarthy one
Laugh'd shrilly, crying, "Praise the patient saints,
Our one white day of Innocence hath past,
Tho' somewhat draggled at the skirt. So be it.
The snowdrop only, flowering thro' the year,
Would make the world as blank as Winter-tide.
Come--let us gladden their sad eyes, our Queen's
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And Lancelot's, at this night's solemnity
With all the kindlier colours of the field."
So dame and damsel glitter'd at the feast
Variously gay: for he that tells the tale
Liken'd them, saying, as when an hour of cold
Falls on the mountain in midsummer snows,
And all the purple slopes of mountain flowers
Pass under white, till the warm hour returns
With veer of wind, and all are flowers again;
So dame and damsel cast the simple white,
And glowing in all colours, the live grass,
Rose-campion, bluebell, kingcup, poppy, glanced
About the revels, and with mirth so loud
Beyond all use, that, half-amazed, the Queen,
And wroth at Tristram and the lawless jousts,
Brake up their sports, then slowly to her bower
Parted, and in her bosom pain was lord.
And little Dagonet on the morrow morn,
High over all the yellowing Autumn-tide,
Danced like a wither'd leaf before the hall.
Then Tristram saying, "Why skip ye so, Sir Fool?"
Wheel'd round on either heel, Dagonet replied,
"Belike for lack of wiser company;
Or being fool, and seeing too much wit
Makes the world rotten, why, belike I skip
To know myself the wisest knight of all."
"Ay, fool," said Tristram, "but 'tis eating dry
To dance without a catch, a roundelay
To dance to." Then he twangled on his harp,
And while he twangled little Dagonet stood
Quiet as any water-sodden log
Stay'd in the wandering warble of a brook;
But when the twangling ended, skipt again;
And being ask'd, "Why skipt ye not, Sir Fool?"
Made answer, "I had liefer twenty years
Skip to the broken music of my brains
Than any broken music thou canst make."
Then Tristram, waiting for the quip to come,
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"Good now, what music have I broken, fool?"
And little Dagonet, skipping, "Arthur, the King's;
For when thou playest that air with Queen Isolt,
Thou makest broken music with thy bride,
Her daintier namesake down in Brittany-And so thou breakest Arthur's music, too."
"Save for that broken music in thy brains,
Sir Fool," said Tristram, "I would break thy head.
Fool, I came late, the heathen wars were o'er,
The life had flown, we sware but by the shell-I am but a fool to reason with a fool-Come, thou art crabb'd and sour: but lean me down,
Sir Dagonet, one of thy long asses' ears,
And harken if my music be not true.
"`Free love--free field--we love but while we may:
The woods are hush'd, their music is no more:
The leaf is dead, the yearning past away:
New leaf, new life--the days of frost are o'er:
New life, new love, to suit the newer day:
New loves are sweet as those that went before:
Free love--free field--we love but while we may.'
"Ye might have moved slow-measure to my tune,
Not stood stockstill. I made it in the woods,
And heard it ring as true as tested gold."
But Dagonet with one foot poised in his hand,
"Friend, did ye mark that fountain yesterday
Made to run wine?--but this had run itself
All out like a long life to a sour end-And them that round it sat with golden cups
To hand the wine to whosoever came-The twelve small damosels white as Innocence,
In honour of poor Innocence the babe,
Who left the gems which Innocence the Queen
Lent to the King, and Innocence the King
Gave for a prize--and one of those white slips
Handed her cup and piped, the pretty one,
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'Drink, drink, Sir Fool,' and thereupon I drank,
Spat--pish--the cup was gold, the draught was mud."
And Tristram, "Was it muddier than thy gibes?
Is all the laughter gone dead out of thee?-Not marking how the knighthood mock thee, fool-'Fear God: honour the King--his one true knight-Sole follower of the vows'--for here be they
Who knew thee swine enow before I came,
Smuttier than blasted grain: but when the King
Had made thee fool, thy vanity so shot up
It frighted all free fool from out thy heart;
Which left thee less than fool, and less than swine,
A naked aught--yet swine I hold thee still,
For I have flung thee pearls and find thee swine."
And little Dagonet mincing with his feet,
"Knight, an ye fling those rubies round my neck
In lieu of hers, I'll hold thou hast some touch
Of music, since I care not for thy pearls.
Swine? I have wallow'd, I have wash'd--the world
Is flesh and shadow--I have had my day.
The dirty nurse, Experience, in her kind
Hath foul'd me--an I wallow'd, then I wash'd-I have had my day and my philosophies-And thank the Lord I am King Arthur's fool.
Swine, say ye? swine, goats, asses, rams and geese
Troop'd round a Paynim harper once, who thrumm'd
On such a wire as musically as thou
Some such fine song--but never a king's fool."
And Tristram, "Then were swine, goats, asses, geese
The wiser fools, seeing thy Paynim bard
Had such a mastery of his mystery
That he could harp his wife up out of hell."
Then Dagonet, turning on the ball of his foot,
"And whither harp'st thou thine? down! and thyself
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Down! and two more: a helpful harper thou,
That harpest downward! dost thou know the star
We call the harp of Arthur up in heaven?"
And Tristram, "Ay, Sir Fool, for when our King
Was victor wellnigh day by day, the knights,
Glorying in each new glory, set his name
High on all hills, and in the signs of heaven."
And Dagonet answer'd, "Ay, and when the land
Was freed, and the Queen false, ye set yourself
To babble about him, all to show your wit-And whether he were King by courtesy,
Or King by right--and so went harping down
The black king's highway, got so far, and grew
So witty that we play'd at ducks and drakes
With Arthur's vows on the great lake of fire.
Tuwhoo! do ye see it? do ye see the star?"
"Nay, fool," said Tristram, "not in open day."
And Dagonet, "Nay, nor will: I see it and hear.
It makes a silent music up in heaven,
And I, and Arthur and the angels hear,
And then we skip." "Lo, fool," he said, "ye talk
Fool's treason: is the King thy brother fool?"
Then little Dagonet clapt his hands and shrill'd,
"Ay, ay, my brother fool, the king of fools!
Conceits himself as God that he can make
Figs out of thistles, silk from bristles, milk
From burning spurge, honey from hornet-combs
And men from beasts--Long live the king of fools!"
And down the city Dagonet danced away;
But thro' the slowly-mellowing avenues
And solitary passes of the wood
Rode Tristram toward Lyonnesse and the west.
Before him fled the face of Queen Isolt
With ruby-circled neck, but evermore
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Past, as a rustle or twitter in the wood
Made dull his inner, keen his outer eye
For all that walk'd, or crept, or perch'd, or flew.
Anon the face, as, when a gust hath blown,
Unruffling waters re-collect the shape
Of one that in them sees himself, return'd;
But at the slot or fewmets of a deer,
Or ev'n a fall'n feather, vanish'd again.
So on for all that day from lawn to lawn
Thro' many a league-long bower he rode. At length
A lodge of intertwisted beechen-boughs
Furze-cramm'd, and bracken-rooft, the which himself
Built for a summer day with Queen Isolt
Against a shower, dark in the golden grove
Appearing, sent his fancy back to where
She lived a moon in that low lodge with him:
Till Mark her lord had past, the Cornish King,
With six or seven, when Tristram was away,
And snatch'd her thence; yet dreading worse than shame
Her warrior Tristram, spake not any word,
But bode his hour, devising wretchedness.
And now that desert lodge to Tristram lookt
So sweet, that halting, in he past, and sank
Down on a drift of foliage random-blown;
But could not rest for musing how to smoothe
And sleek his marriage over to the Queen.
Perchance in lone Tintagil far from all
The tonguesters of the court she had not heard.
But then what folly had sent him overseas
After she left him lonely here? a name?
Was it the name of one in Brittany,
Isolt, the daughter of the King? "Isolt
Of the white hands" they call'd her: the sweet name
Allured him first, and then the maid herself,
Who served him well with those white hands of hers,
And loved him well, until himself had thought
He loved her also, wedded easily,
But left her all as easily, and return'd.
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The black-blue Irish hair and Irish eyes
Had drawn him home--what marvel? then he laid
His brows upon the drifted leaf and dream'd.
He seem'd to pace the strand of Brittany
Between Isolt of Britain and his bride,
And show'd them both the ruby-chain, and both
Began to struggle for it, till his Queen
Graspt it so hard, that all her hand was red.
Then cried the Breton, "Look, her hand is red!
These be no rubies, this is frozen blood,
And melts within her hand--her hand is hot
With ill desires, but this I gave thee, look,
Is all as cool and white as any flower."
Follow'd a rush of eagle's wings, and then
A whimpering of the spirit of the child,
Because the twain had spoil'd her carcanet.
He dream'd; but Arthur with a hundred spears
Rode far, till o'er the illimitable reed,
And many a glancing plash and sallowy isle,
The wide-wing'd sunset of the misty marsh
Glared on a huge machicolated tower
That stood with open doors, where out was roll'd
A roar of riot, as from men secure
Amid their marshes, ruffians at their ease
Among their harlot-brides, an evil song.
"Lo there," said one of Arthur's youth, for there,
High on a grim dead tree before the tower,
A goodly brother of the Table Round
Swung by the neck: and on the boughs a shield
Showing a shower of blood in a field noir,
And therebeside a horn, inflamed the knights
At that dishonour done the gilded spur,
Till each would clash the shield, and blow the horn.
But Arthur waved them back. Alone he rode.
Then at the dry harsh roar of the great horn,
That sent the face of all the marsh aloft
An ever upward-rushing storm and cloud
Of shriek and plume, the Red Knight heard, and all,
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Even to tipmost lance and topmost helm
In blood-red armour sallying, howl'd to the King,
"The teeth of Hell flay bare and gnash thee flat!
Lo! art thou not that eunuch-hearted King
Who fain had clipt free manhood from the world-The woman-worshipper? Yea, God's curse, and I!
Slain was the brother of my paramour
By a knight of thine, and I that heard her whine
And snivel, being eunuch-hearted too,
Sware by the scorpion-worm that twists in hell,
And stings itself to everlasting death,
To hang whatever knight of thine I fought
And tumbled. Art thou King?--Look to thy life!"
He ended: Arthur knew the voice; the face
Wellnigh was helmet-hidden, and the name
Went wandering somewhere darkling in his mind.
And Arthur deign'd not use of word or sword,
But let the drunkard, as he stretch'd from horse
To strike him, overbalancing his bulk,
Down from the causeway heavily to the swamp
Fall, as the crest of some slow-arching wave,
Heard in dead night along that table-shore,
Drops flat, and after the great waters break
Whitening for half a league, and thin themselves,
Far over sands marbled with moon and cloud,
From less and less to nothing; thus he fell
Head-heavy; then the knights, who watch'd him, roar'd
And shouted and leapt down upon the fall'n;
There trampled out his face from being known,
And sank his head in mire, and slimed themselves:
Nor heard the King for their own cries, but sprang
Thro' open doors, and swording right and left
Men, women, on their sodden faces, hurl'd
The tables over and the wines, and slew
Till all the rafters rang with woman-yells,
And all the pavement stream'd with massacre:
Then, echoing yell with yell, they fired the tower,
Which half that autumn night, like the live North,
209
Red-pulsing up thro' Alioth and Alcor,
Made all above it, and a hundred meres
About it, as the water Moab saw
Come round by the East, and out beyond them flush'd
The long low dune, and lazy-plunging sea.
So all the ways were safe from shore to shore,
But in the heart of Arthur pain was lord.
Then, out of Tristram waking, the red dream
Fled with a shout, and that low lodge return'd,
Mid-forest, and the wind among the boughs.
He whistled his good warhorse left to graze
Among the forest greens, vaulted upon him,
And rode beneath an ever-showering leaf,
Till one lone woman, weeping near a cross,
Stay'd him. "Why weep ye?" "Lord," she said, "my man
Hath left me or is dead"; whereon he thought-"What, if she hate me now? I would not this.
What, if she love me still? I would not that.
I know not what I would"--but said to her,
"Yet weep not thou, lest, if thy mate return,
He find thy favour changed and love thee not"-Then pressing day by day thro' Lyonnesse
Last in a roky hollow, belling, heard
The hounds of Mark, and felt the goodly hounds
Yelp at his heart, but turning, past and gain'd
Tintagil, half in sea, and high on land,
A crown of towers.
Down in a casement sat,
A low sea-sunset glorying round her hair
And glossy-throated grace, Isolt the Queen.
And when she heard the feet of Tristram grind
The spiring stone that scaled about her tower,
Flush'd, started, met him at the doors, and there
Belted his body with her white embrace,
Crying aloud, "Not Mark--not Mark, my soul!
The footstep flutter'd me at first: not he:
Catlike thro' his own castle steals my Mark,
But warrior-wise thou stridest thro' his halls
Who hates thee, as I him--ev'n to the death.
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My soul, I felt my hatred for my Mark
Quicken within me, and knew that thou wert nigh."
To whom Sir Tristram smiling, "I am here.
Let be thy Mark, seeing he is not thine."
And drawing somewhat backward she replied,
"Can he be wrong'd who is not ev'n his own,
But save for dread of thee had beaten me,
Scratch'd, bitten, blinded, marr'd me somehow--Mark?
What rights are his that dare not strike for them?
Not lift a hand--not, tho' he found me thus!
But harken! have ye met him? hence he went
To-day for three days' hunting--as he said-And so returns belike within an hour.
Mark's way, my soul!--but eat not thou with Mark,
Because he hates thee even more than fears;
Nor drink: and when thou passest any wood
Close vizor, lest an arrow from the bush
Should leave me all alone with Mark and hell.
My God, the measure of my hate for Mark
Is as the measure of my love for thee.''
So, pluck'd one way by hate and one by love,
Drain'd of her force, again she sat, and spake
To Tristram, as he knelt before her, saying,
"O hunter, and O blower of the horn,
Harper, and thou hast been a rover too,
For, ere I mated with my shambling king,
Ye twain had fallen out about the bride
Of one--his name is out of me--the prize,
If prize she were--(what marvel--she could see)
Thine, friend; and ever since my craven seeks
To wreck thee villainously: but, O Sir Knight,
What dame or damsel have ye kneel'd to last?"
And Tristram, "Last to my Queen Paramount,
Here now to my Queen Paramount of love
And loveliness--ay, lovelier than when first
Her light feet fell on our rough Lyonnesse,
211
Sailing from Ireland."
Softly laugh'd Isolt;
"Flatter me not, for hath not our great Queen
My dole of beauty trebled?" and he said,
"Her beauty is her beauty, and thine thine,
And thine is more to me--soft, gracious, kind-Save when thy Mark is kindled on thy lips
Most gracious; but she, haughty ev'n to him,
Lancelot; for I have seen him wan enow
To make one doubt if ever the great Queen
Have yielded him her love."
To whom Isolt,
"Ah then, false hunter and false harper, thou
Who brakest thro' the scruple of my bond,
Calling me thy white hind, and saying to me
That Guinevere had sinn'd against the highest,
And I--misyoked with such a want of man-That I could hardly sin against the lowest."
He answer'd, "O my soul, be comforted!
If this be sweet, to sin in leading-strings,
If here be comfort, and if ours be sin,
Crown'd warrant had we for the crowning sin
That made us happy: but how ye greet me--fear
And fault and doubt--no word of that fond tale-Thy deep heart-yearnings, thy sweet memories
Of Tristram in that year he was away."
And, saddening on the sudden, spake Isolt,
"I had forgotten all in my strong joy
To see thee--yearnings?--ay! for, hour by hour,
Here in the never-ended afternoon,
O sweeter than all memories of thee,
Deeper than any yearnings after thee
Seem'd those far-rolling, westward-smiling seas,
Watch'd from this tower. Isolt of Britain dash'd
Before Isolt of Brittany on the strand,
Would that have chill'd her bride-kiss? Wedded her?
Fought in her father's battles? wounded there?
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The King was all fulfill'd with gratefulness,
And she, my namesake of the hands, that heal'd
Thy hurt and heart with unguent and caress-Well--can I wish her any huger wrong
Than having known thee? her too hast thou left
To pine and waste in those sweet memories.
O were I not my Mark's, by whom all men
Are noble, I should hate thee more than love."
And Tristram, fondling her light hands, replied,
"Grace, Queen, for being loved: she loved me well.
Did I love her? the name at least I loved.
Isolt?--I fought his battles, for Isolt!
The night was dark; the true star set. Isolt!
The name was ruler of the dark--Isolt?
Care not for her! patient, and prayerful, meek,
Pale-blooded, she will yield herself to God."
And Isolt answer'd, "Yea, and why not I?
Mine is the larger need, who am not meek,
Pale-blooded, prayerful. Let me tell thee now.
Here one black, mute midsummer night I sat,
Lonely, but musing on thee, wondering where,
Murmuring a light song I had heard thee sing,
And once or twice I spake thy name aloud.
Then flash'd a levin-brand; and near me stood,
In fuming sulphur blue and green, a fiend-Mark's way to steal behind one in the dark-For there was Mark: 'He has wedded her,' he said,
Not said, but hiss'd it: then this crown of towers
So shook to such a roar of all the sky,
That here in utter dark I swoon'd away,
And woke again in utter dark, and cried,
'I will flee hence and give myself to God'-And thou wert lying in thy new leman's arms."
Then Tristram, ever dallying with her hand,
"May God be with thee, sweet, when old and gray,
And past desire!" a saying that anger'd her.'
213
"`May God be with thee, sweet, when thou art old,
And sweet no more to me!' I need Him now.
For when had Lancelot utter'd aught so gross
Ev'n to the swineherd's malkin in the mast?
The greater man, the greater courtesy.
Far other was the Tristram, Arthur's knight!
But thou, thro' ever harrying thy wild beasts-Save that to touch a harp, tilt with a lance
Becomes thee well--art grown wild beast thyself.
How darest thou, if lover, push me even
In fancy from thy side, and set me far
In the gray distance, half a life away,
Her to be loved no more? Unsay it, unswear!
Flatter me rather, seeing me so weak,
Broken with Mark and hate and solitude,
Thy marriage and mine own, that I should suck
Lies like sweet wines: lie to me: I believe.
Will ye not lie? not swear, as there ye kneel,
And solemnly as when ye sware to him
The man of men, our King--My God, the power
Was once in vows when men believed the King!
They lied not then, who sware, and thro' their vows
The King prevailing made his realm:--I say,
Swear to me thou wilt love me ev'n when old,
Gray-hair'd, and past desire, and in despair."
Then Tristram, pacing moodily up and down,
"Vows! did you keep the vow you made to Mark
More than I mine? Lied, say ye? Nay, but learnt,
The vow that binds too strictly snaps itself-My knighthood taught me this--ay, being snapt-We run more counter to the soul thereof
Than had we never sworn. I swear no more.
I swore to the great King, and am forsworn.
For once--ev'n to the height--I honour'd him.
'Man, is he man at all?' methought, when first
I rode from our rough Lyonnesse, and beheld
That victor of the Pagan throned in hall-His hair, a sun that ray'd from off a brow
Like hillsnow high in heaven, the steel-blue eyes,
The golden beard that clothed his lips with light--
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Moreover, that weird legend of his birth,
With Merlin's mystic babble about his end
Amazed me; then his foot was on a stool
Shaped as a dragon; he seem'd to me no man,
But Michaël trampling Satan; so I sware,
Being amazed: but this went by--The vows!
O ay--the wholesome madness of an hour-They served their use, their time; for every knight
Believed himself a greater than himself,
And every follower eyed him as a God;
Till he, being lifted up beyond himself,
Did mightier deeds than elsewise he had done,
And so the realm was made; but then their vows-First mainly thro' that sullying of our Queen-Began to gall the knighthood, asking whence
Had Arthur right to bind them to himself?
Dropt down from heaven? wash'd up from out the deep?
They fail'd to trace him thro' the flesh and blood
Of our old kings: whence then? a doubtful lord
To bind them by inviolable vows,
Which flesh and blood perforce would violate:
For feel this arm of mine--the tide within
Red with free chase and heather-scented air,
Pulsing full man; can Arthur make me pure
As any maiden child? lock up my tongue
From uttering freely what I freely hear?
Bind me to one? The wide world laughs at it.
And worldling of the world am I, and know
The ptarmigan that whitens ere his hour
Woos his own end; we are not angels here
Nor shall be: vows--I am woodman of the woods,
And hear the garnet-headed yaffingale
Mock them: my soul, we love but while we may;
And therefore is my love so large for thee,
Seeing it is not bounded save by love."
Here ending, he moved toward her, and she said,
"Good: an I turn'd away my love for thee
To some one thrice as courteous as thyself-For courtesy wins woman all as well
As valour may, but he that closes both
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Is perfect, he is Lancelot--taller indeed,
Rosier and comelier, thou--but say I loved
This knightliest of all knights, and cast thee back
Thine own small saw, 'We love but while we may,'
Well then, what answer?"
He that while she spake,
Mindful of what he brought to adorn her with,
The jewels, had let one finger lightly touch
The warm white apple of her throat, replied,
"Press this a little closer, sweet, until-Come, I am hunger'd and half-anger'd--meat,
Wine, wine--and I will love thee to the death,
And out beyond into the dream to come."
So then, when both were brought to full accord,
She rose, and set before him all he will'd;
And after these had comforted the blood
With meats and wines, and satiated their hearts-Now talking of their woodland paradise,
The deer, the dews, the fern, the founts, the lawns;
Now mocking at the much ungainliness,
And craven shifts, and long crane legs of Mark-Then Tristram laughing caught the harp, and sang:
"Ay, ay, O ay--the winds that bend the brier!
A star in heaven, a star within the mere!
Ay, ay, O ay--a star was my desire,
And one was far apart, and one was near:
Ay, ay, O ay--the winds that bow the grass!
And one was water and one star was fire,
And one will ever shine and one will pass.
Ay, ay, O ay--the winds that move the mere."
Then in the light's last glimmer Tristram show'd
And swung the ruby carcanet. She cried,
"The collar of some Order, which our King
Hath newly founded, all for thee, my soul,
For thee, to yield thee grace beyond thy peers."
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"Not so, my Queen," he said, "but the red fruit
Grown on a magic oak-tree in mid-heaven,
And won by Tristram as a tourney-prize,
And hither brought by Tristram for his last
Love-offering and peace-offering unto thee."
He spoke, he turn'd, then, flinging round her neck,
Claspt it, and cried "Thine Order, O my Queen!"
But, while he bow'd to kiss the jewell'd throat,
Out of the dark, just as the lips had touch'd,
Behind him rose a shadow and a shriek-"Mark's way," said Mark, and clove him thro' the brain.
That night came Arthur home, and while he climb'd,
All in a death-dumb autumn-dripping gloom,
The stairway to the hall, and look'd and saw
The great Queen's bower was dark,--about his feet
A voice clung sobbing till he question'd it,
"What art thou?" and the voice about his feet
Sent up an answer, sobbing, "I am thy fool,
And I shall never make thee smile again."
~ Alfred Lord Tennyson,
545:Earth, Ocean, Air, belovd brotherhood!
If our great Mother has imbued my soul
With aught of natural piety to feel
Your love, and recompense the boon with mine;
If dewy morn, and odorous noon, and even,
With sunset and its gorgeous ministers,
And solemn midnight's tingling silentness;
If Autumn's hollow sighs in the sere wood,
And Winter robing with pure snow and crowns
Of starry ice the gray grass and bare boughs;
If Spring's voluptuous pantings when she breathes
Her first sweet kisses,have been dear to me;
If no bright bird, insect, or gentle beast
I consciously have injured, but still loved
And cherished these my kindred; then forgive
This boast, belovd brethren, and withdraw
No portion of your wonted favor now!

Mother of this unfathomable world!
Favor my solemn song, for I have loved
Thee ever, and thee only; I have watched
Thy shadow, and the darkness of thy steps,
And my heart ever gazes on the depth
Of thy deep mysteries. I have made my bed
In charnels and on coffins, where black death
Keeps record of the trophies won from thee,
Hoping to still these obstinate questionings
Of thee and thine, by forcing some lone ghost,
Thy messenger, to render up the tale
Of what we are. In lone and silent hours,
When night makes a weird sound of its own stillness,
Like an inspired and desperate alchemist
Staking his very life on some dark hope,
Have I mixed awful talk and asking looks
With my most innocent love, until strange tears,
Uniting with those breathless kisses, made
Such magic as compels the charmd night
To render up thy charge; and, though ne'er yet
Thou hast unveiled thy inmost sanctuary,
Enough from incommunicable dream,
And twilight phantasms, and deep noonday thought,
Has shone within me, that serenely now
And moveless, as a long-forgotten lyre
Suspended in the solitary dome
Of some mysterious and deserted fane,
I wait thy breath, Great Parent, that my strain
May modulate with murmurs of the air,
And motions of the forests and the sea,
And voice of living beings, and woven hymns
Of night and day, and the deep heart of man.

There was a Poet whose untimely tomb
No human hands with pious reverence reared,
But the charmed eddies of autumnal winds
Built o'er his mouldering bones a pyramid
Of mouldering leaves in the waste wilderness:
A lovely youth,no mourning maiden decked
With weeping flowers, or votive cypress wreath,
The lone couch of his everlasting sleep:
Gentle, and brave, and generous,no lorn bard
Breathed o'er his dark fate one melodious sigh:
He lived, he died, he sung in solitude.  
Strangers have wept to hear his passionate notes,
And virgins, as unknown he passed, have pined
And wasted for fond love of his wild eyes.
The fire of those soft orbs has ceased to burn,
And Silence, too enamoured of that voice,
Locks its mute music in her rugged cell.

By solemn vision and bright silver dream
His infancy was nurtured. Every sight
And sound from the vast earth and ambient air
Sent to his heart its choicest impulses.
The fountains of divine philosophy
Fled not his thirsting lips, and all of great,
Or good, or lovely, which the sacred past
In truth or fable consecrates, he felt
And knew. When early youth had passed, he left
His cold fireside and alienated home
To seek strange truths in undiscovered lands.
Many a wide waste and tangled wilderness
Has lured his fearless steps; and he has bought
With his sweet voice and eyes, from savage men,
His rest and food. Nature's most secret steps
He like her shadow has pursued, where'er
The red volcano overcanopies
Its fields of snow and pinnacles of ice
With burning smoke, or where bitumen lakes
On black bare pointed islets ever beat
With sluggish surge, or where the secret caves,
Rugged and dark, winding among the springs
Of fire and poison, inaccessible
To avarice or pride, their starry domes
Of diamond and of gold expand above
Numberless and immeasurable halls,
Frequent with crystal column, and clear shrines
Of pearl, and thrones radiant with chrysolite.
Nor had that scene of ampler majesty
Than gems or gold, the varying roof of heaven
And the green earth, lost in his heart its claims
To love and wonder; he would linger long
In lonesome vales, making the wild his home,
Until the doves and squirrels would partake
From his innocuous band his bloodless food,
Lured by the gentle meaning of his looks,
And the wild antelope, that starts whene'er
The dry leaf rustles in the brake, suspend
Her timid steps, to gaze upon a form
More graceful than her own.

His wandering step,
Obedient to high thoughts, has visited
The awful ruins of the days of old:
Athens, and Tyre, and Balbec, and the waste
Where stood Jerusalem, the fallen towers
Of Babylon, the eternal pyramids,
Memphis and Thebes, and whatsoe'er of strange,
Sculptured on alabaster obelisk
Or jasper tomb or mutilated sphinx,
Dark thiopia in her desert hills
Conceals. Among the ruined temples there,
Stupendous columns, and wild images
Of more than man, where marble daemons watch
The Zodiac's brazen mystery, and dead men
Hang their mute thoughts on the mute walls around,
He lingered, poring on memorials
Of the world's youth: through the long burning day
Gazed on those speechless shapes; nor, when the moon
Filled the mysterious halls with floating shades
Suspended he that task, but ever gazed
And gazed, till meaning on his vacant mind
Flashed like strong inspiration, and he saw
The thrilling secrets of the birth of time.

Meanwhile an Arab maiden brought his food,
Her daily portion, from her father's tent,
And spread her matting for his couch, and stole
From duties and repose to tend his steps,
Enamoured, yet not daring for deep awe
To speak her love, and watched his nightly sleep,
Sleepless herself, to gaze upon his lips
Parted in slumber, whence the regular breath
Of innocent dreams arose; then, when red morn
Made paler the pale moon, to her cold home
Wildered, and wan, and panting, she returned.

The Poet, wandering on, through Arabie,
And Persia, and the wild Carmanian waste,
And o'er the arial mountains which pour down
Indus and Oxus from their icy caves,
In joy and exultation held his way;
Till in the vale of Cashmire, far within
Its loneliest dell, where odorous plants entwine
Beneath the hollow rocks a natural bower,
Beside a sparkling rivulet he stretched
His languid limbs. A vision on his sleep
There came, a dream of hopes that never yet
Had flushed his cheek. He dreamed a veild maid
Sate near him, talking in low solemn tones.
Her voice was like the voice of his own soul
Heard in the calm of thought; its music long,
Like woven sounds of streams and breezes, held
His inmost sense suspended in its web
Of many-colored woof and shifting hues.
Knowledge and truth and virtue were her theme,
And lofty hopes of divine liberty,
Thoughts the most dear to him, and poesy,
Herself a poet. Soon the solemn mood
Of her pure mind kindled through all her frame
A permeating fire; wild numbers then
She raised, with voice stifled in tremulous sobs
Subdued by its own pathos; her fair hands
Were bare alone, sweeping from some strange harp
Strange symphony, and in their branching veins
The eloquent blood told an ineffable tale.
The beating of her heart was heard to fill
The pauses of her music, and her breath
Tumultuously accorded with those fits
Of intermitted song. Sudden she rose,
As if her heart impatiently endured
Its bursting burden; at the sound he turned,
And saw by the warm light of their own life
Her glowing limbs beneath the sinuous veil
Of woven wind, her outspread arms now bare,
Her dark locks floating in the breath of night,
Her beamy bending eyes, her parted lips
Outstretched, and pale, and quivering eagerly.
His strong heart sunk and sickened with excess
Of love. He reared his shuddering limbs, and quelled
His gasping breath, and spread his arms to meet
Her panting bosom:she drew back awhile,
Then, yielding to the irresistible joy,
With frantic gesture and short breathless cry
Folded his frame in her dissolving arms.
Now blackness veiled his dizzy eyes, and night
Involved and swallowed up the vision; sleep,
Like a dark flood suspended in its course,
Rolled back its impulse on his vacant brain.

Roused by the shock, he started from his trance
The cold white light of morning, the blue moon
Low in the west, the clear and garish hills,
The distinct valley and the vacant woods,
Spread round him where he stood. Whither have fled
The hues of heaven that canopied his bower
Of yesternight? The sounds that soothed his sleep,
The mystery and the majesty of Earth,
The joy, the exultation? His wan eyes
Gaze on the empty scene as vacantly
As ocean's moon looks on the moon in heaven.
The spirit of sweet human love has sent
A vision to the sleep of him who spurned
Her choicest gifts. He eagerly pursues
Beyond the realms of dream that fleeting shade;
He overleaps the bounds. Alas! alas!
Were limbs and breath and being intertwined
Thus treacherously? Lost, lost, forever lost
In the wide pathless desert of dim sleep,
That beautiful shape! Does the dark gate of death
Conduct to thy mysterious paradise,
O Sleep? Does the bright arch of rainbow clouds
And pendent mountains seen in the calm lake
Lead only to a black and watery depth,
While death's blue vault with loathliest vapors hung,
Where every shade which the foul grave exhales
Hides its dead eye from the detested day,
Conducts, O Sleep, to thy delightful realms?
This doubt with sudden tide flowed on his heart;
The insatiate hope which it awakened stung
His brain even like despair.

While daylight held
The sky, the Poet kept mute conference
With his still soul. At night the passion came,
Like the fierce fiend of a distempered dream,
And shook him from his rest, and led him forth
Into the darkness. As an eagle, grasped
In folds of the green serpent, feels her breast
Burn with the poison, and precipitates
Through night and day, tempest, and calm, and cloud,
Frantic with dizzying anguish, her blind flight
O'er the wide ary wilderness: thus driven
By the bright shadow of that lovely dream,
Beneath the cold glare of the desolate night,
Through tangled swamps and deep precipitous dells,
Startling with careless step the moon-light snake,
He fled. Red morning dawned upon his flight,
Shedding the mockery of its vital hues
Upon his cheek of death. He wandered on
Till vast Aornos seen from Petra's steep
Hung o'er the low horizon like a cloud;
Through Balk, and where the desolated tombs
Of Parthian kings scatter to every wind
Their wasting dust, wildly he wandered on,
Day after day, a weary waste of hours,
Bearing within his life the brooding care
That ever fed on its decaying flame.
And now his limbs were lean; his scattered hair,
Sered by the autumn of strange suffering,
Sung dirges in the wind; his listless hand
Hung like dead bone within its withered skin;
Life, and the lustre that consumed it, shone,
As in a furnace burning secretly,
From his dark eyes alone. The cottagers,
Who ministered with human charity
His human wants, beheld with wondering awe
Their fleeting visitant. The mountaineer,
Encountering on some dizzy precipice
That spectral form, deemed that the Spirit of Wind,
With lightning eyes, and eager breath, and feet
Disturbing not the drifted snow, had paused
In its career; the infant would conceal
His troubled visage in his mother's robe
In terror at the glare of those wild eyes,
To remember their strange light in many a dream
Of after times; but youthful maidens, taught
By nature, would interpret half the woe
That wasted him, would call him with false names
Brother and friend, would press his pallid hand
At parting, and watch, dim through tears, the path
Of his departure from their father's door.

At length upon the lone Chorasmian shore
He paused, a wide and melancholy waste
Of putrid marshes. A strong impulse urged
His steps to the sea-shore. A swan was there,
Beside a sluggish stream among the reeds.
It rose as he approached, and, with strong wings
Scaling the upward sky, bent its bright course
High over the immeasurable main.
His eyes pursued its flight:'Thou hast a home,
Beautiful bird! thou voyagest to thine home,
Where thy sweet mate will twine her downy neck
With thine, and welcome thy return with eyes
Bright in the lustre of their own fond joy.
And what am I that I should linger here,
With voice far sweeter than thy dying notes,
Spirit more vast than thine, frame more attuned
To beauty, wasting these surpassing powers
In the deaf air, to the blind earth, and heaven
That echoes not my thoughts?' A gloomy smile
Of desperate hope wrinkled his quivering lips.
For sleep, he knew, kept most relentlessly
Its precious charge, and silent death exposed,
Faithless perhaps as sleep, a shadowy lure,
With doubtful smile mocking its own strange charms.

Startled by his own thoughts, he looked around.
There was no fair fiend near him, not a sight
Or sound of awe but in his own deep mind.
A little shallop floating near the shore
Caught the impatient wandering of his gaze.
It had been long abandoned, for its sides
Gaped wide with many a rift, and its frail joints
Swayed with the undulations of the tide.
A restless impulse urged him to embark
And meet lone Death on the drear ocean's waste;
For well he knew that mighty Shadow loves
The slimy caverns of the populous deep.

The day was fair and sunny; sea and sky
Drank its inspiring radiance, and the wind
Swept strongly from the shore, blackening the waves.
Following his eager soul, the wanderer
Leaped in the boat; he spread his cloak aloft
On the bare mast, and took his lonely seat,
And felt the boat speed o'er the tranquil sea
Like a torn cloud before the hurricane.

As one that in a silver vision floats
Obedient to the sweep of odorous winds
Upon resplendent clouds, so rapidly
Along the dark and ruffled waters fled
The straining boat. A whirlwind swept it on,
With fierce gusts and precipitating force,
Through the white ridges of the chafd sea.
The waves arose. Higher and higher still
Their fierce necks writhed beneath the tempest's scourge
Like serpents struggling in a vulture's grasp.
Calm and rejoicing in the fearful war
Of wave ruining on wave, and blast on blast
Descending, and black flood on whirlpool driven
With dark obliterating course, he sate:
As if their genii were the ministers
Appointed to conduct him to the light
Of those belovd eyes, the Poet sate,
Holding the steady helm. Evening came on;
The beams of sunset hung their rainbow hues
High 'mid the shifting domes of sheeted spray
That canopied his path o'er the waste deep;
Twilight, ascending slowly from the east,
Entwined in duskier wreaths her braided locks
O'er the fair front and radiant eyes of Day;
Night followed, clad with stars. On every side
More horribly the multitudinous streams
Of ocean's mountainous waste to mutual war
Rushed in dark tumult thundering, as to mock
The calm and spangled sky. The little boat
Still fled before the storm; still fled, like foam
Down the steep cataract of a wintry river;
Now pausing on the edge of the riven wave;
Now leaving far behind the bursting mass
That fell, convulsing ocean; safely fled
As if that frail and wasted human form
Had been an elemental god.

At midnight
The moon arose; and lo! the ethereal cliffs
Of Caucasus, whose icy summits shone
Among the stars like sunlight, and around
Whose caverned base the whirlpools and the waves
Bursting and eddying irresistibly
Rage and resound forever.Who shall save?
The boat fled on,the boiling torrent drove,
The crags closed round with black and jagged arms,
The shattered mountain overhung the sea,
And faster still, beyond all human speed,
Suspended on the sweep of the smooth wave,
The little boat was driven. A cavern there
Yawned, and amid its slant and winding depths
Ingulfed the rushing sea. The boat fled on
With unrelaxing speed.'Vision and Love!'
The Poet cried aloud, 'I have beheld
The path of thy departure. Sleep and death
Shall not divide us long.'

The boat pursued
The windings of the cavern. Daylight shone
At length upon that gloomy river's flow;
Now, where the fiercest war among the waves
Is calm, on the unfathomable stream
The boat moved slowly. Where the mountain, riven,
Exposed those black depths to the azure sky,
Ere yet the flood's enormous volume fell
Even to the base of Caucasus, with sound
That shook the everlasting rocks, the mass
Filled with one whirlpool all that ample chasm;
Stair above stair the eddying waters rose,
Circling immeasurably fast, and laved
With alternating dash the gnarld roots
Of mighty trees, that stretched their giant arms
In darkness over it. I' the midst was left,
Reflecting yet distorting every cloud,
A pool of treacherous and tremendous calm.
Seized by the sway of the ascending stream,
With dizzy swiftness, round and round and round,
Ridge after ridge the straining boat arose,
Till on the verge of the extremest curve,
Where through an opening of the rocky bank
The waters overflow, and a smooth spot
Of glassy quiet 'mid those battling tides
Is left, the boat paused shuddering.Shall it sink
Down the abyss? Shall the reverting stress
Of that resistless gulf embosom it?
Now shall it fall?A wandering stream of wind
Breathed from the west, has caught the expanded sail,
And, lo! with gentle motion between banks
Of mossy slope, and on a placid stream,
Beneath a woven grove, it sails, and, hark!
The ghastly torrent mingles its far roar
With the breeze murmuring in the musical woods.
Where the embowering trees recede, and leave
A little space of green expanse, the cove
Is closed by meeting banks, whose yellow flowers
Forever gaze on their own drooping eyes,
Reflected in the crystal calm. The wave
Of the boat's motion marred their pensive task,
Which naught but vagrant bird, or wanton wind,
Or falling spear-grass, or their own decay
Had e'er disturbed before. The Poet longed
To deck with their bright hues his withered hair,
But on his heart its solitude returned,
And he forbore. Not the strong impulse hid
In those flushed cheeks, bent eyes, and shadowy frame,
Had yet performed its ministry; it hung
Upon his life, as lightning in a cloud
Gleams, hovering ere it vanish, ere the floods
Of night close over it.

The noonday sun  
Now shone upon the forest, one vast mass
Of mingling shade, whose brown magnificence
A narrow vale embosoms. There, huge caves,
Scooped in the dark base of their ary rocks,
Mocking its moans, respond and roar forever.
The meeting boughs and implicated leaves
Wove twilight o'er the Poet's path, as, led
By love, or dream, or god, or mightier Death,
He sought in Nature's dearest haunt some bank,
Her cradle and his sepulchre. More dark
And dark the shades accumulate. The oak,
Expanding its immense and knotty arms,
Embraces the light beech. The pyramids
Of the tall cedar overarching frame
Most solemn domes within, and far below,
Like clouds suspended in an emerald sky,
The ash and the acacia floating hang
Tremulous and pale. Like restless serpents, clothed
In rainbow and in fire, the parasites,
Starred with ten thousand blossoms, flow around
The gray trunks, and, as gamesome infants' eyes,
With gentle meanings, and most innocent wiles,
Fold their beams round the hearts of those that love,
These twine their tendrils with the wedded boughs,
Uniting their close union; the woven leaves
Make network of the dark blue light of day
And the night's noontide clearness, mutable
As shapes in the weird clouds. Soft mossy lawns
Beneath these canopies extend their swells,
Fragrant with perfumed herbs, and eyed with blooms
Minute yet beautiful. One darkest glen
Sends from its woods of musk-rose twined with jasmine
A soul-dissolving odor to invite
To some more lovely mystery. Through the dell
Silence and Twilight here, twin-sisters, keep
Their noonday watch, and sail among the shades,
Like vaporous shapes half-seen; beyond, a well,
Dark, gleaming, and of most translucent wave,
Images all the woven boughs above,
And each depending leaf, and every speck
Of azure sky darting between their chasms;
Nor aught else in the liquid mirror laves
Its portraiture, but some inconstant star,
Between one foliaged lattice twinkling fair,
Or painted bird, sleeping beneath the moon,
Or gorgeous insect floating motionless,
Unconscious of the day, ere yet his wings
Have spread their glories to the gaze of noon.

Hither the Poet came. His eyes beheld
Their own wan light through the reflected lines
Of his thin hair, distinct in the dark depth
Of that still fountain; as the human heart,
Gazing in dreams over the gloomy grave,
Sees its own treacherous likeness there. He heard
The motion of the leavesthe grass that sprung
Startled and glanced and trembled even to feel
An unaccustomed presenceand the sound
Of the sweet brook that from the secret springs
Of that dark fountain rose. A Spirit seemed
To stand beside himclothed in no bright robes
Of shadowy silver or enshrining light,
Borrowed from aught the visible world affords
Of grace, or majesty, or mystery;
But undulating woods, and silent well,
And leaping rivulet, and evening gloom
Now deepening the dark shades, for speech assuming,
Held commune with him, as if he and it
Were all that was; onlywhen his regard
Was raised by intense pensivenesstwo eyes,
Two starry eyes, hung in the gloom of thought,
And seemed with their serene and azure smiles
To beckon him.

Obedient to the light
That shone within his soul, he went, pursuing
The windings of the dell. The rivulet,
Wanton and wild, through many a green ravine
Beneath the forest flowed. Sometimes it fell
Among the moss with hollow harmony
Dark and profound. Now on the polished stones
It danced, like childhood laughing as it went;
Then, through the plain in tranquil wanderings crept,
Reflecting every herb and drooping bud
That overhung its quietness.'O stream!
Whose source is inaccessibly profound,
Whither do thy mysterious waters tend?
Thou imagest my life. Thy darksome stillness,
Thy dazzling waves, thy loud and hollow gulfs,
Thy searchless fountain and invisible course,
Have each their type in me; and the wide sky
And measureless ocean may declare as soon
What oozy cavern or what wandering cloud
Contains thy waters, as the universe
Tell where these living thoughts reside, when stretched
Upon thy flowers my bloodless limbs shall waste
I' the passing wind!'

Beside the grassy shore
Of the small stream he went; he did impress
On the green moss his tremulous step, that caught
Strong shuddering from his burning limbs. As one
Roused by some joyous madness from the couch
Of fever, he did move; yet not like him
Forgetful of the grave, where, when the flame
Of his frail exultation shall be spent,
He must descend. With rapid steps he went
Beneath the shade of trees, beside the flow
Of the wild babbling rivulet; and now
The forest's solemn canopies were changed
For the uniform and lightsome evening sky.
Gray rocks did peep from the spare moss, and stemmed
The struggling brook; tall spires of windlestrae
Threw their thin shadows down the rugged slope,
And nought but gnarld roots of ancient pines
Branchless and blasted, clenched with grasping roots
The unwilling soil. A gradual change was here
Yet ghastly. For, as fast years flow away,
The smooth brow gathers, and the hair grows thin
And white, and where irradiate dewy eyes
Had shone, gleam stony orbs:so from his steps
Bright flowers departed, and the beautiful shade
Of the green groves, with all their odorous winds
And musical motions. Calm he still pursued
The stream, that with a larger volume now
Rolled through the labyrinthine dell; and there
Fretted a path through its descending curves
With its wintry speed. On every side now rose
Rocks, which, in unimaginable forms,
Lifted their black and barren pinnacles
In the light of evening, and its precipice
Obscuring the ravine, disclosed above,
'Mid toppling stones, black gulfs and yawning caves,
Whose windings gave ten thousand various tongues
To the loud stream. Lo! where the pass expands
Its stony jaws, the abrupt mountain breaks,
And seems with its accumulated crags
To overhang the world; for wide expand
Beneath the wan stars and descending moon
Islanded seas, blue mountains, mighty streams,
Dim tracts and vast, robed in the lustrous gloom
Of leaden-colored even, and fiery hills
Mingling their flames with twilight, on the verge
Of the remote horizon. The near scene,
In naked and severe simplicity,  
Made contrast with the universe. A pine,
Rock-rooted, stretched athwart the vacancy
Its swinging boughs, to each inconstant blast
Yielding one only response at each pause
In most familiar cadence, with the howl,
The thunder and the hiss of homeless streams
Mingling its solemn song, whilst the broad river
Foaming and hurrying o'er its rugged path,
Fell into that immeasurable void,
Scattering its waters to the passing winds.

Yet the gray precipice and solemn pine
And torrent were not all;one silent nook
Was there. Even on the edge of that vast mountain,
Upheld by knotty roots and fallen rocks,
It overlooked in its serenity
The dark earth and the bending vault of stars.
It was a tranquil spot that seemed to smile
Even in the lap of horror. Ivy clasped
The fissured stones with its entwining arms,
And did embower with leaves forever green  
And berries dark the smooth and even space
Of its inviolated floor; and here
The children of the autumnal whirlwind bore
In wanton sport those bright leaves whose decay,
Red, yellow, or ethereally pale,
Rivals the pride of summer. 'T is the haunt
Of every gentle wind whose breath can teach
The wilds to love tranquillity. One step,
One human step alone, has ever broken
The stillness of its solitude; one voice  
Alone inspired its echoes;even that voice
Which hither came, floating among the winds,
And led the loveliest among human forms
To make their wild haunts the depository
Of all the grace and beauty that endued
Its motions, render up its majesty,
Scatter its music on the unfeeling storm,
And to the damp leaves and blue cavern mould,
Nurses of rainbow flowers and branching moss,
Commit the colors of that varying cheek,
That snowy breast, those dark and drooping eyes.

The dim and hornd moon hung low, and poured
A sea of lustre on the horizon's verge
That overflowed its mountains. Yellow mist
Filled the unbounded atmosphere, and drank
Wan moonlight even to fulness; not a star
Shone, not a sound was heard; the very winds,
Danger's grim playmates, on that precipice
Slept, clasped in his embrace.O storm of death,
Whose sightless speed divides this sullen night!  
And thou, colossal Skeleton, that, still
Guiding its irresistible career
In thy devastating omnipotence,
Art king of this frail world! from the red field
Of slaughter, from the reeking hospital,
The patriot's sacred couch, the snowy bed
Of innocence, the scaffold and the throne,
A mighty voice invokes thee! Ruin calls
His brother Death! A rare and regal prey
He hath prepared, prowling around the world;  
Glutted with which thou mayst repose, and men
Go to their graves like flowers or creeping worms,
Nor ever more offer at thy dark shrine
The unheeded tribute of a broken heart.

When on the threshold of the green recess
The wanderer's footsteps fell, he knew that death
Was on him. Yet a little, ere it fled,
Did he resign his high and holy soul
To images of the majestic past,
That paused within his passive being now,        
Like winds that bear sweet music, when they breathe
Through some dim latticed chamber. He did place
His pale lean hand upon the rugged trunk
Of the old pine; upon an ivied stone
Reclined his languid head; his limbs did rest,
Diffused and motionless, on the smooth brink
Of that obscurest chasm;and thus he lay,
Surrendering to their final impulses
The hovering powers of life. Hope and Despair,
The torturers, slept; no mortal pain or fear    
Marred his repose; the influxes of sense
And his own being, unalloyed by pain,
Yet feebler and more feeble, calmly fed
The stream of thought, till he lay breathing there
At peace, and faintly smiling. His last sight
Was the great moon, which o'er the western line
Of the wide world her mighty horn suspended,
With whose dun beams inwoven darkness seemed
To mingle. Now upon the jagged hills
It rests; and still as the divided frame    
Of the vast meteor sunk, the Poet's blood,
That ever beat in mystic sympathy
With Nature's ebb and flow, grew feebler still;
And when two lessening points of light alone
Gleamed through the darkness, the alternate gasp
Of his faint respiration scarce did stir
The stagnate night:till the minutest ray
Was quenched, the pulse yet lingered in his heart.
It pausedit fluttered. But when heaven remained
Utterly black, the murky shades involved  
An image silent, cold, and motionless,
As their own voiceless earth and vacant air.
Even as a vapor fed with golden beams
That ministered on sunlight, ere the west
Eclipses it, was now that wondrous frame
No sense, no motion, no divinity
A fragile lute, on whose harmonious strings
The breath of heaven did wandera bright stream
Once fed with many-voicd wavesa dream
Of youth, which night and time have quenched forever  
Still, dark, and dry, and unremembered now.

Oh, for Medea's wondrous alchemy,
Which wheresoe'er it fell made the earth gleam
With bright flowers, and the wintry boughs exhale
From vernal blooms fresh fragrance! Oh, that God,
Profuse of poisons, would concede the chalice
Which but one living man has drained, who now,
Vessel of deathless wrath, a slave that feels
No proud exemption in the blighting curse
He bears, over the world wanders forever,  
Lone as incarnate death! Oh, that the dream
Of dark magician in his visioned cave,
Raking the cinders of a crucible
For life and power, even when his feeble hand
Shakes in its last decay, were the true law
Of this so lovely world! But thou art fled,
Like some frail exhalation, which the dawn
Robes in its golden beams,ah! thou hast fled!
The brave, the gentle and the beautiful,
The child of grace and genius. Heartless things    
Are done and said i' the world, and many worms
And beasts and men live on, and mighty Earth
From sea and mountain, city and wilderness,
In vesper low or joyous orison,
Lifts still its solemn voice:but thou art fled
Thou canst no longer know or love the shapes
Of this phantasmal scene, who have to thee
Been purest ministers, who are, alas!
Now thou art not! Upon those pallid lips
So sweet even in their silence, on those eyes
That image sleep in death, upon that form
Yet safe from the worm's outrage, let no tear
Be shednot even in thought. Nor, when those hues
Are gone, and those divinest lineaments,
Worn by the senseless wind, shall live alone
In the frail pauses of this simple strain,
Let not high verse, mourning the memory
Of that which is no more, or painting's woe
Or sculpture, speak in feeble imagery
Their own cold powers. Art and eloquence,
And all the shows o' the world, are frail and vain
To weep a loss that turns their lights to shade.
It is a woe "too deep for tears," when all
Is reft at once, when some surpassing Spirit,
Whose light adorned the world around it, leaves
Those who remain behind, not sobs or groans,
The passionate tumult of a clinging hope;
But pale despair and cold tranquillity,
Nature's vast frame, the web of human things,
Birth and the grave, that are not as they were.
Composed at Bishopsgate Heath, near Windsor Park, 1815 (autumn).
Note by Mrs. Shelley: 'Alastor is written in a very different tone from Queen Mab. In the latter, Shelley poured out all the cherished speculations of his youth -- all the irrepressible emotions of sympathy, censure, and hope, to which the present suffering, and what he considers the proper destiny, of his fellow-creatures, gave birth. Alastor, on the contrary, contains an individual interest only. A very few years, with their attendant events, had checked the ardour of Shelley's hopes, though he still thought them well grounded, and that to advance their fulfilment was the noblest task man could achieve.
This is neither the time nor the place to speak of the misfortunes that chequered his life. It will be sufficient to say that, in all he did, he at the time of doing it believed himself justified to his own conscience; while the various ills of poverty and loss of friends brought home to him the sad realities of life. Physical suffering had also considerable influence in causing him to turn his eyes inward; inclining him rather to brood over the thoughts and emotions of his own soul than to glance abroad, and to make, as in Queen Mab, the whole universe the object and subject of his song. In the Spring of 1815 an eminent physician pronounced that he was dying rapidly of a consumption; abscesses were formed on his lungs, and he suffered acute spasms. suddenly a complete change took place; and, though through life he was a martyr to pain and debility, every symptom of pulmonary disease vanished. His nerves, which nature had formed sensitive to an unexampled degree, were rendered still more susceptible by the state of his health.
As soon as the peace of 1814 had opened the Continent, he went abroad. He visited some of the more magnificent scenes of Switzerland, and returned to England from Lucerne, by the Reuss and the Rhine. The river-navigation enchanted him. In his favourite poem of Thalaba, his imagination had been excited by a description of such a voyage. In the summer of 1815, after a tour along the southern coast of Devonshire and a visit to Clifton, he rented a house on Bishopgate Heath, on the borders of Windsor Forest, where he enjoyed several months of comparative health and tranquil happiness. The later summer months were warm and dry. Accompanied by a few friends, he visited the source of the Thames, making a voyage in a wherry from Winsdor to Crickdale. His beautiful stanzas in the churchyard of Lechlade were written on that occasion. Alastor was composed on his return. He spent his days under the oak-shades of Windsor Great Park; and the magnificent woodland was a fitting study to inspire the various descriptions of forest-scenery we find in the poem.
None of Shelley's poems is more characteristic than this. The solemn spirit that reigns throughout, the worship of the majesty of nature, the broodings of a poet's heart in solitude -- the mingling of the exulting joy which the various aspects of the visible universe inspires with the sad and struggling pangs which human passion imparts -- give a touching interest to the whole. The death which he had often contemplated during the last months as certain and near he here represented in such colours as had, in his lonely musings, soothed his soul to peace. The versification sustains the solemn spirit which breathes throughout: it is peculiarly melodious. The poem ought rather to be considered didactic than narrative: it was the outpouring of his own emotions, embodied in the purest form he could conceive, painted in the ideal hues which his brilliant imagination inspired, and softened by the recent anticipation of death.'

~ Percy Bysshe Shelley, Alastor - or, the Spirit of Solitude
,
546:The thought of Eglamor's least like a thought,
And yet a false one, was, "Man shrinks to nought
"If matched with symbols of immensity;
"Must quail, forsooth, before a quiet sky
"Or sea, too little for their quietude:"
And, truly, somewhat in Sordello's mood
Confirmed its speciousness, while eve slow sank
Down the near terrace to the farther bank,
And only one spot left from out the night
Glimmered upon the river opposite
A breadth of watery heaven like a bay,
A sky-like space of water, ray for ray,
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To die. Nor turned he till Ferrara's din
(Say, the monotonous speech from a man's lip
Who lets some first and eager purpose slip
In a new fancy's birththe speech keeps on
Though elsewhere its informing soul be gone)
Aroused him, surely offered succour. Fate
Paused with this eve; ere she precipitate
Herself,best put off new strange thoughts awhile,
That voice, those large hands, that portentous smile,
What help to pierce the future as the past
Lay in the plaining city?
             And at last
The main discovery and prime concern,
All that just now imported him to learn,
Truth's self, like yonder slow moon to complete
Heaven, rose again, and, naked at his feet,
Lighted his old life's every shift and change,
Effort with counter-effort; nor the range
Of each looked wrong except wherein it checked,
Some otherwhich of these could he suspect,
Prying into them by the sudden blaze?
The real way seemed made up of all the ways
Mood after mood of the one mind in him;
Tokens of the existence, bright or dim,
Of a transcendent all-embracing sense
Demanding only outward influence,
A soul, in Palma's phrase, above his soul,
Power to uplift his power,such moon's control
Over such sea-depths,and their mass had swept
Onward from the beginning and still kept
Its course: but years and years the sky above
Held none, and so, untasked of any love,
His sensitiveness idled, now amort,
Alive now, and, to sullenness or sport
Given wholly up, disposed itself anew
At every passing instigation, grew
And dwindled at caprice, in foam-showers spilt,
Wedge-like insisting, quivered now a gilt
Shield in the sunshine, now a blinding race
Of whitest ripples o'er the reeffound place
For much display; not gathered up and, hurled
Right from its heart, encompassing the world.
So had Sordello been, by consequence,
Without a function: others made pretence
To strength not half his own, yet had some core
Within, submitted to some moon, before
Them still, superior still whate'er their force,
Were able therefore to fulfil a course,
Nor missed life's crown, authentic attribute.
To each who lives must be a certain fruit
Of having lived in his degree,a stage,
Earlier or later in men's pilgrimage,
To stop at; and to this the spirits tend
Who, still discovering beauty without end,
Amass the scintillations, make one star
Something unlike them, self-sustained, afar,
And meanwhile nurse the dream of being blest
By winning it to notice and invest
Their souls with alien glory, some one day
Whene'er the nucleus, gathering shape alway,
Round to the perfect circlesoon or late,
According as themselves are formed to wait;
Whether mere human beauty will suffice
The yellow hair and the luxurious eyes,
Or human intellect seem best, or each
Combine in some ideal form past reach
On earth, or else some shade of these, some aim,
Some love, hate even, take their place, the same,
So to be servedall this they do not lose,
Waiting for death to live, nor idly choose
What must be Hella progress thus pursued
Through all existence, still above the food
That 's offered them, still fain to reach beyond
The widened range, in virtue of their bond
Of sovereignty. Not that a Palma's Love,
A Salinguerra's Hate, would equal prove
To swaying all Sordello: but why doubt
Some love meet for such strength, some moon without
Would match his sea?or fear, Good manifest,
Only the Best breaks faith?Ah but the Best
Somehow eludes us ever, still might be
And is not! Crave we gems? No penury
Of their material round us! Pliant earth
And plastic flamewhat balks the mage his birth
Jacinth in balls or lodestone by the block?
Flinders enrich the strand, veins swell the rock;
Nought more! Seek creatures? Life 's i' the tempest, thought
Clothes the keen hill-top, mid-day woods are fraught
With fervours: human forms are well enough!
But we had hoped, encouraged by the stuff
Profuse at nature's pleasure, men beyond
These actual men!and thus are over-fond
In arguing, from Goodthe Best, from force
Dividedforce combined, an ocean's course
From this our sea whose mere intestine pants
Might seem at times sufficient to our wants.
External power! If none be adequate,
And he stand forth ordained (a prouder fate)
Himself a law to his own sphere? "Remove
"All incompleteness!" for that law, that love?
Nay, if all other laws be feints,truth veiled
Helpfully to weak vision that had failed
To grasp aught but its special want,for lure,
Embodied? Stronger vision could endure
The unbodied want: no partthe whole of truth!
The People were himself; nor, by the ruth
At their condition, was he less impelled
To alter the discrepancy beheld,
Than if, from the sound whole, a sickly part
Subtracted were transformed, decked out with art,
Then palmed on him as alien woethe Guelf
To succour, proud that he forsook himself.
All is himself; all service, therefore, rates
Alike, nor serving one part, immolates
The rest: but all in time! "That lance of yours
"Makes havoc soon with Malek and his Moors,
"That buckler 's lined with many a giant's beard
"Ere long, our champion, be the lance upreared,
"The buckler wielded handsomely as now!
"But view your escort, bear in mind your vow,
"Count the pale tracts of sand to pass ere that,
"And, if you hope we struggle through the flat,
"Put lance and buckler by! Next half-month lacks
"Mere sturdy exercise of mace and axe
"To cleave this dismal brake of prickly-pear
"Which bristling holds Cydippe by the hair,
"Lames barefoot Agathon: this felled, we 'll try
"The picturesque achievements by and by
"Next life!"
      Ay, rally, mock, O People, urge
Your claims!for thus he ventured, to the verge,
Push a vain mummery which perchance distrust
Of his fast-slipping resolution thrust
Likewise: accordingly the Crowd(as yet
He had unconsciously contrived forget
I' the whole, to dwell o' the points . . . one might assuage
The signal horrors easier than engage
With a dim vulgar vast unobvious grief
Not to be fancied off, nor gained relief
In brilliant fits, cured by a happy quirk,
But by dim vulgar vast unobvious work
To correspond . . .) this Crowd then, forth they stood.
"And now content thy stronger vision, brood
"On thy bare want; uncovered, turf by turf,
"Study the corpse-face thro' the taint-worms' scurf!"
Down sank the People's Then; uprose their Now.
These sad ones render service to! And how
Piteously little must that service prove
Had surely proved in any case! for, move
Each other obstacle away, let youth
Become aware it had surprised a truth
'T were service to impartcan truth be seized,
Settled forthwith, and, of the captive eased,
Its captor find fresh prey, since this alit
So happily, no gesture luring it,
The earnest of a flock to follow? Vain,
Most vain! a life to spend ere this he chain
To the poor crowd's complacence: ere the crowd
Pronounce it captured, he descries a cloud
Its kin of twice the plume; which he, in turn,
If he shall live as many lives, may learn
How to secure: not else. Then Mantua called
Back to his mind how certain bards were thralled
Buds blasted, but of breath more like perfume
Than Naddo's staring nosegay's carrion bloom;
Some insane rose that burnt heart out in sweets,
A spendthrift in the spring, no summer greets;
Some Dularete, drunk with truths and wine,
Grown bestial, dreaming how become divine.
Yet to surmount this obstacle, commence
With the commencement, merits crowning! Hence
Must truth be casual truth, elicited
In sparks so mean, at intervals dispread
So rarely, that 't is like at no one time
Of the world's story has not truth, the prime
Of truth, the very truth which, loosed, had hurled
The world's course right, been really in the world
Content the while with some mean spark by dint
Of some chance-blow, the solitary hint
Of buried fire, which, rip earth's breast, would stream
Sky-ward!
     Sordello's miserable gleam
Was looked for at the moment: he would dash
This badge. and all it brought, to earth,abash
Taurello thus, perhaps persuade him wrest
The Kaiser from his purpose,would attest
His own belief, in any case. Before
He dashes it however, think once more!
For, were that little, truly service? "Ay,
"I' the end, no doubt; but meantime? Plain you spy
"Its ultimate effect, but many flaws
"Of vision blur each intervening cause.
"Were the day's fraction clear as the life's sum
"Of service, Now as filled as teems To-come
"With evidence of goodnor too minute
"A share to vie with evil! No dispute,
"'T were fitliest maintain the Guelfs in rule:
"That makes your life's work: but you have to school
"Your day's work on these natures circumstanced
"Thus variously, which yet, as each advanced
"Or might impede the Guelf rule, must be moved
"Now, for the Then's sake,hating what you loved,
"Loving old hatreds! Nor if one man bore
"Brand upon temples while his fellow wore
"The aureole, would it task you to decide:
"But, portioned duly out, the future vied
"Never with the unparcelled present! Smite
"Or spare so much on warrant all so slight?
"The present's complete sympathies to break,
"Aversions bear with, for a future's sake
"So feeble? Tito ruined through one speck,
"The Legate saved by his sole lightish fleck?
"This were work, true, but work performed at cost
"Of other work; aught gained here, elsewhere lost.
"For a new segment spoil an orb half-done?
"Rise with the People one step, and sinkone?
"Were it but one step, less than the whole face
"Of things, your novel duty bids erase!
"Harms to abolish! What, the prophet saith,
"The minstrel singeth vainly then? Old faith,
"Old courage, only born because of harms,
"Were not, from highest to the lowest, charms?
"Flame may persist; but is not glare as staunch?
"Where the salt marshes stagnate, crystals branch;
"Blood dries to crimson; Evil 's beautified
"In every shape. Thrust Beauty then aside
"And banish Evil! Wherefore? After all,
"Is Evil a result less natural
"Than Good? For overlook the seasons' strife
"With tree and flower,the hideous animal life,
"(Of which who seeks shall find a grinning taunt
"For his solution, and endure the vaunt
"Of nature's angel, as a child that knows
"Himself befooled, unable to propose
"Aught better than the fooling)and but care
"For men, for the mere People then and there,
"In these, could you but see that Good and Ill
"Claimed you alike! Whence rose their claim but still
"From Ill, as fruit of Ill? What else could knit
"You theirs but Sorrow? Any free from it
"Were also free from you! Whose happiness
"Could be distinguished in this morning's press
"Of miseries?the fool's who passed a gibe
"'On thee,' jeered he, `so wedded to thy tribe,
"`Thou carriest green and yellow tokens in
"'Thy very face that thou art Ghibellin!'
"Much hold on you that fool obtained! Nay mount
"Yet higherand upon men's own account
"Must Evil stay: for, what is joy?to heave
"Up one obstruction more, and common leave
"What was peculiar, by such act destroy
"Itself; a partial death is every joy;
"The sensible escape, enfranchisement
"Of a sphere's essence: once the vexedcontent,
"The crampedat large, the growing circleround,
"All 's to begin againsome novel bound
"To break, some new enlargement to entreat;
"The sphere though larger is not more complete.
"Now for Mankind's experience: who alone
"Might style the unobstructed world his own?
"Whom palled Goito with its perfect things?
"Sordello's self: whereas for Mankind springs
"Salvation by each hindrance interposed.
"They climb; life's view is not at once disclosed
"To creatures caught up, on the summit left,
"Heaven plain above them, yet of wings bereft:
"But lower laid, as at the mountain's foot.
"So, range on range, the girdling forests shoot
"'Twixt your plain prospect and the throngs who scale
"Height after height, and pierce mists, veil by veil,
"Heartened with each discovery; in their soul,
"The Whole they seek by Partsbut, found that Whole,
"Could they revert, enjoy past gains? The space
"Of time you judge so meagre to embrace
"The Parts were more than plenty, once attained
"The Whole, to quite exhaust it: nought were gained
"But leave to looknot leave to do: Beneath
"Soon sates the lookerlook Above, and Death
"Tempts ere a tithe of Life be tasted. Live
"First, and die soon enough, Sordello! Give
"Body and spirit the first right they claim,
"And pasture soul on a voluptuous shame
"That you, a pageant-city's denizen,
"Are neither vilely lodged midst Lombard men
"Can force joy out of sorrow, seem to truck
"Bright attributes away for sordid muck,
"Yet manage from that very muck educe
"Gold; then subject nor scruple, to your cruce
"The world's discardings! Though real ingots pay
"Your pains, the clods that yielded them are clay
"To all beside,would clay remain, though quenched
"Your purging-fire; who 's robbed then? Had you wrenched
"An ampler treasure forth!As 't is, they crave
"A share that ruins you and will not save
"Them. Why should sympathy command you quit
"The course that makes your joy, nor will remit
"Their woe? Would all arrive at joy? Reverse
"The order (time instructs you) nor coerce
"Each unit till, some predetermined mode,
"The total be emancipate; men's road
"Is one, men's times of travel many; thwart
"No enterprising soul's precocious start
"Before the general march! If slow or fast
"All straggle up to the same point at last,
"Why grudge your having gained, a month ago,
"The brakes at balm-shed, asphodels in blow,
"While they were landlocked? Speed their Then, but how
"This badge would suffer you improve your Now!"
His time of action for, against, or with
Our world (I labour to extract the pith
Of this his problem) grew, that even-tide,
Gigantic with its power of joy, beside
The world's eternity of impotence
To profit though at his whole joy's expense.
"Make nothing of my day because so brief?
"Rather make more: instead of joy, use grief
"Before its novelty have time subside!
"Wait not for the late savour, leave untried
"Virtue, the creaming honey-wine, quick squeeze
"Vice like a biting spirit from the lees
"Of life! Together let wrath, hatred, lust,
"All tyrannies in every shape, be thrust
"Upon this Now, which time may reason out
"As mischiefs, far from benefits, no doubt;
"But long ere then Sordello will have slipt
"Away; you teach him at Goito's crypt,
"There 's a blank issue to that fiery thrill.
"Stirring, the few cope with the many, still:
"So much of sand as, quiet, makes a mass
"Unable to produce three tufts of grass,
"Shall, troubled by the whirlwind, render void
"The whole calm glebe's endeavour: be employed!
"And e'en though somewhat smart the Crowd for this,
"Contribute each his pang to make your bliss,
"'T is but one pangone blood-drop to the bowl
"Which brimful tempts the sluggish asp uncowl
"At last, stains ruddily the dull red cape,
"And, kindling orbs grey as the unripe grape
"Before, avails forthwith to disentrance
"The portent, soon to lead a mystic dance
"Among you! For, who sits alone in Rome?
"Have those great hands indeed hewn out a home,
"And set me there to live? Oh life, life-breath,
"Life-blood,ere sleep, come travail, life ere death!
"This life stream on my soul, direct, oblique,
"But always streaming! Hindrances? They pique:
"Helps? such . . . but why repeat, my soul o'ertops
"Each height, then every depth profoundlier drops?
"Enough that I can live, and would live! Wait
"For some transcendent life reserved by Fate
"To follow this? Oh, never! Fate, I trust
"The same, my soul to; for, as who flings dust,
"Perchance (so facile was the deed) she chequed
"The void with these materials to affect
"My soul diversely: these consigned anew
"To nought by death, what marvel if she threw
"A second and superber spectacle
"Before me? What may serve for sun, what still
"Wander a moon above me? What else wind
"About me like the pleasures left behind,
"And how shall some new flesh that is not flesh
"Cling to me? What 's new laughter? Soothes the fresh
"Sleep like sleep? Fate 's exhaustless for my sake
"In brave resource: but whether bids she slake
"My thirst at this first rivulet, or count
"No draught worth lip save from some rocky fount
"Above i' the clouds, while here she 's provident
"Of pure loquacious pearl, the soft tree-tent
"Guards, with its face of reate and sedge, nor fail
"The silver globules and gold-sparkling grail
"At bottom? Oh, 't were too absurd to slight
"For the hereafter the to-day's delight!
"Quench thirst at this, then seek next well-spring: wear
"Home-lilies ere strange lotus in my hair!
"Here is the Crowd, whom I with freest heart
"Offer to serve, contented for my part
"To give life up in service,only grant
"That I do serve; if otherwise, why want
"Aught further of me? If men cannot choose
"But set aside life, why should I refuse
"The gift? I take itI, for one, engage
"Never to falter through my pilgrimage
"Nor end it howling that the stock or stone
"Were enviable, truly: I, for one,
"Will praise the world, you style mere anteroom
"To palacebe it so! shall I assume
"My foot the courtly gait, my tongue the trope,
"My mouth the smirk, before the doors fly ope
"One moment? What? with guarders row on row,
"Gay swarms of varletry that come and go,
"Pages to dice with, waiting-girls unlace
"The plackets of, pert claimants help displace,
"Heart-heavy suitors get a rank for,laugh
"At yon sleek parasite, break his own staff
"'Cross Beetle-brows the Usher's shoulder,why
"Admitted to the presence by and by,
"Should thought of having lost these make me grieve
"Among new joys I reach, for joys I leave?
"Cool citrine-crystals, fierce pyropus-stone,
"Are floor-work there! But do I let alone
"That black-eyed peasant in the vestibule
"Once and for ever?Floor-work? No such fool!
"Rather, were heaven to forestall earth, I 'd say
"I, is it, must be blest? Then, my own way
"Bless me! Giver firmer arm and fleeter foot,
"I 'll thank you: but to no mad wings transmute
"These limbs of mineour greensward was so soft!
"Nor camp I on the thunder-cloud aloft:
"We feel the bliss distinctlier, having thus
"Engines subservient, not mixed up with us.
"Better move palpably through heaven: nor, freed
"Of flesh, forsooth, from space to space proceed
"'Mid flying synods of worlds! No: in heaven's marge
"Show Titan still, recumbent o'er his targe
"Solid with starsthe Centaur at his game,
"Made tremulously out in hoary flame!
"Life! Yet the very cup whose extreme dull
"Dregs, even, I would quaff, was dashed, at full,
"Aside so oft; the death I fly, revealed
"So oft a better life this life concealed,
"And which sage, champion, martyr, through each path
"Have hunted fearlesslythe horrid bath,
"The crippling-irons and the fiery chair.
"'T was well for them; let me become aware
"As they, and I relinquish life, too! Let
"What masters life disclose itself! Forget
"Vain ordinances, I have one appeal
"I feel, am what I feel, know what I feel;
"So much is truth to me. What Is, then? Since
"One object, viewed diversely, may evince
"Beauty and uglinessthis way attract,
"That way repel,why gloze upon the fact?
"Why must a single of the sides be right?
"What bids choose this and leave the opposite?
"Where 's abstract Right for me?in youth endued
"With Right still present, still to be pursued,
"Thro' all the interchange of circles, rife
"Each with its proper law and mode of life,
"Each to be dwelt at ease in: where, to sway
"Absolute with the Kaiser, or obey
"Implicit with his serf of fluttering heart,
"Or, like a sudden thought of God's, to start
"Up, Brutus in the presence, then go shout
"That some should pick the unstrung jewels out
"Each, well!"
       And, as in moments when the past
Gave partially enfranchisement, he cast
Himself quite through mere secondary states
Of his soul's essence, little loves and hates,
Into the mid deep yearnings overlaid
By these; as who should pierce hill, plain, grove, glade,
And on into the very nucleus probe
That first determined there exist a globe.
As that were easiest, half the globe dissolved,
So seemed Sordello's closing-truth evolved
By his flesh-half's break-up; the sudden swell
Of his expanding soul showed Ill and Well,
Sorrow and Joy, Beauty and Ugliness,
Virtue and Vice, the Larger and the Less,
All qualities, in fine, recorded here,
Might be but modes of Time and this one sphere,
Urgent on these, but not of force to bind
Eternity, as Timeas MatterMind,
If Mind, Eternity, should choose assert
Their attributes within a Life: thus girt
With circumstance, next change beholds them cinct
Quite otherwisewith Good and Ill distinct,
Joys, sorrows, tending to a like result
Contrived to render easy, difficult,
This or the other course of . . . what new bond
In place of flesh may stop their flight beyond
Its new sphere, as that course does harm or good
To its arrangements. Once this understood,
As suddenly he felt himself alone,
Quite out of Time and this world: all was known.
What made the secret of his past despair?
Most imminent when he seemed most aware
Of his own self-sufficiency: made mad
By craving to expand the power he had,
And not new power to be expanded?just
This made it; Soul on Matter being thrust,
Joy comes when so much Soul is wreaked in Time
On Matter: let the Soul's attempt sublime
Matter beyond the scheme and so prevent
By more or less that deed's accomplishment,
And Sorrow follows: Sorrow how avoid?
Let the employer match the thing employed,
Fit to the finite his infinity,
And thus proceed for ever, in degree
Changed but in kind the same, still limited
To the appointed circumstance and dead
To all beyond. A sphere is but a sphere;
Small, Great, are merely terms we bandy here;
Since to the spirit's absoluteness all
Are like. Now, of the present sphere we call
Life, are conditions; take but this among
Many; the body was to be so long
Youthful, no longer: but, since no control
Tied to that body's purposes his soul,
She chose to understand the body's trade
More than the body's selfhad fain conveyed
Her boundless to the body's bounded lot.
Hence, the soul permanent, the body not,
Scarcely its minute for enjoying here,
The soul must needs instruct her weak compeer,
Run o'er its capabilities and wring
A joy thence, she held worth experiencing:
Which, far from half discovered even,lo,
The minute gone, the body's power let go
Apportioned to that joy's acquirement! Broke
Morning o'er earth, he yearned for all it woke
From the volcano's vapour-flag, winds hoist
Black o'er the spread of sea,down to the moist
Dale's silken barley-spikes sullied with rain,
Swayed earthwards, heavily to rise again
The Small, a sphere as perfect as the Great
To the soul's absoluteness. Meditate
Too long on such a morning's cluster-chord
And the whole music it was framed afford,
The chord's might half discovered, what should pluck
One string, his finger, was found palsy-struck.
And then no marvel if the spirit, shown
A saddest sightthe body lost alone
Through her officious proffered help, deprived
Of this and that enjoyment Fate contrived,
Virtue, Good, Beauty, each allowed slip hence,
Vain-gloriously were fain, for recompense,
To stem the ruin even yet, protract
The body's term, supply the power it lacked
From her infinity, compel it learn
These qualities were only Time's concern,
And body may, with spirit helping, barred
Advance the same, vanquishedobtain reward,
Reap joy where sorrow was intended grow,
Of Wrong make Right, and turn Ill Good below.
And the result is, the poor body soon
Sinks under what was meant a wondrous boon,
Leaving its bright accomplice all aghast.
So much was plain then, proper in the past;
To be complete for, satisfy the whole
Series of spheresEternity, his soul
Needs must exceed, prove incomplete for, each
Single sphereTime. But does our knowledge reach
No farther? Is the cloud of hindrance broke
But by the failing of the fleshly yoke,
Its loves and hates, as now when death lets soar
Sordello, self-sufficient as before,
Though during the mere space that shall elapse
'Twixt his enthralment in new bonds perhaps?
Must life be ever just escaped, which should
Have been enjoyed?nay, might have been and would,
Each purpose ordered rightthe soul 's no whit
Beyond the body's purpose under it.
Like yonder breadth of watery heaven, a bay,
And that sky-space of water, ray for ray
And star for star, one richness where they mixed
As this and that wing of an angel, fixed,
Tumultuary splendours folded in
To diewould soul, proportioned thus, begin
Exciting discontent, or surelier quell
The body if, aspiring, it rebel?
But how so order life? Still brutalize
The soul, the sad world's way, with muffled eyes
To all that was before, all that shall be
After this sphereall and each quality
Save some sole and immutable Great, Good
And Beauteous whither fate has loosed its hood
To follow? Never may some soul see All
The Great Before and After, and the Small
Now, yet be saved by this the simplest lore,
And take the single course prescribed before,
As the king-bird with ages on his plumes
Travels to die in his ancestral glooms?
But where descry the Love that shall select
That course? Here is a soul whom, to affect,
Nature has plied with all her means, from trees
And flowers e'en to the Multitude!and these,
Decides he save or no? One word to end!
Ah my Sordello, I this once befriend
And speak for you. Of a Power above you still
Which, utterly incomprehensible,
Is out of rivalry, which thus you can
Love, tho' unloving all conceived by man
What need! And ofnone the minutest duct
To that out-nature, nought that would instruct
And so let rivalry begin to live
But of a Power its representative
Who, being for authority the same,
Communication different, should claim
A course, the first chose but this last revealed
This Human clear, as that Divine concealed
What utter need!
         What has Sordello found?
Or can his spirit go the mighty round,
End where poor Eglamor begun? So, says
Old fable, the two eagles went two ways
About the world: where, in the midst, they met,
Though on a shifting waste of sand, men set
Jove's temple. Quick, what has Sordello found?
For they approachapproachthat foot's rebound
Palma? No, Salinguerra though in mail;
They mount, have reached the threshold, dash the veil
Asideand you divine who sat there dead,
Under his foot the badge: still, Palma said,
A triumph lingering in the wide eyes,
Wider than some spent swimmer's if he spies
Help from above in his extreme despair,
And, head far back on shoulder thrust, turns there
With short quick passionate cry: as Palma pressed
In one great kiss, her lips upon his breast,
It beat.
    By this, the hermit-bee has stopped
His day's toil at Goito: the new-cropped
Dead vine-leaf answers, now 't is eve, he bit,
Twirled so, and filed all day: the mansion 's fit,
God counselled for. As easy guess the word
That passed betwixt them, and become the third
To the soft small unfrighted bee, as tax
Him with one faultso, no remembrance racks
Of the stone maidens and the font of stone
He, creeping through the crevice, leaves alone.
Alas, my friend, alas Sordello, whom
Anon they laid within that old font-tomb,
And, yet again, alas!
           And now is 't worth
Our while bring back to mind, much less set forth
How Salinguerra extricates himself
Without Sordello? Ghibellin and Guelf
May fight their fiercest out? If Richard sulked
In durance or the Marquis paid his mulct,
Who cares, Sordello gone? The upshot, sure,
Was peace; our chief made some frank overture
That prospered; compliment fell thick and fast
On its disposer, and Taurello passed
With foe and friend for an outstripping soul,
Nine days at least. Then,fairly reached the goal,
He, by one effort, blotted the great hope
Out of his mind, nor further tried to cope
With Este, that mad evening's style, but sent
Away the Legate and the League, content
No blame at least the brothers had incurred,
Dispatched a message to the Monk, he heard
Patiently first to last, scarce shivered at,
Then curled his limbs up on his wolfskin mat
And ne'er spoke more,informed the Ferrarese
He but retained their rule so long as these
Lingered in pupilage,and last, no mode
Apparent else of keeping safe the road
From Germany direct to Lombardy
For Friedrich,none, that is, to guarantee
The faith and promptitude of who should next
Obtain Sofia's dowry,sore perplexed
(Sofia being youngest of the tribe
Of daughters, Ecelin was wont to bribe
The envious magnates withnor, since he sent
Henry of Egna this fair child, had Trent
Once failed the Kaiser's purposes"we lost
"Egna last year, and who takes Egna's post
"Opens the Lombard gate if Friedrich knock?")
Himself espoused the Lady of the Rock
In pure necessity, and, so destroyed
His slender last of chances, quite made void
Old prophecy, and spite of all the schemes
Overt and covert, youth's deeds, age's dreams,
Was sucked into Romano. And so hushed
He up this evening's work that, when 't was brushed
Somehow against by a blind chronicle
Which, chronicling whatever woe befell
Ferrara, noted this the obscure woe
Of "Salinguerra's sole son Giacomo
"Deceased, fatuous and doting, ere his sire,"
The townsfolk rubbed their eyes, could but admire
Which of Sofia's five was meant.
                 The chaps
Of earth's dead hope were tardy to collapse,
Obliterated not the beautiful
Distinctive features at a crash: but dull
And duller these, next year, as Guelfs withdrew
Each to his stronghold. Then (securely too
Ecelin at Campese slept; close by,
Who likes may see him in Solagna lie,
With cushioned head and gloved hand to denote
The cavalier he was)then his heart smote
Young Ecelin at last; long since adult.
And, save Vicenza's business, what result
In blood and blaze? (So hard to intercept
Sordello till his plain withdrawal!) Stepped
Then its new lord on Lombardy. I' the nick
Of time when Ecelin and Alberic
Closed with Taurello, come precisely news
That in Verona half the souls refuse
Allegiance to the Marquis and the Count
Have cast them from a throne they bid him mount,
Their Podest, thro' his ancestral worth.
Ecelin flew there, and the town henceforth
Was wholly hisTaurello sinking back
From temporary station to a track
That suited. News received of this acquist,
Friedrich did come to Lombardy: who missed
Taurello then? Another year: they took
Vicenza, left the Marquis scarce a nook
For refuge, and, when hundreds two or three
Of Guelfs conspired to call themselves "The Free,"
Opposing Alberic,vile Bassanese,
(Without Sordello!)Ecelin at ease
Slaughtered them so observably, that oft
A little Salinguerra looked with soft
Blue eyes up, asked his sire the proper age
To get appointed his proud uncle's page.
More years passed, and that sire had dwindled down
To a mere showy turbulent soldier, grown
Better through age, his parts still in repute,
Subtlehow else?but hardly so astute
As his contemporaneous friends professed;
Undoubtedly a brawler: for the rest,
Known by each neighbour, and allowed for, let
Keep his incorrigible ways, nor fret
Men who would miss their boyhood's bugbear: "trap
"The ostrich, suffer our bald osprey flap
"A battered pinion!"was the word. In fine,
One flap too much and Venice's marine
Was meddled with; no overlooking that!
She captured him in his Ferrara, fat
And florid at a banquet, more by fraud
Than force, to speak the truth; there 's slender laud
Ascribed you for assisting eighty years
To pull his death on such a man; fate shears
The life-cord prompt enough whose last fine threads
You fritter: so, presiding his board-head,
The old smile, your assurance all went well
With Friedrich (as if he were like to tell!)
In rushed (a plan contrived before) our friends,
Made some pretence at fighting, some amends
For the shame done his eighty years(apart
The principle, none found it in his heart
To be much angry with Taurello)gained
Their galleys with the prize, and what remained
But carry him to Venice for a show?
Set him, as 't were, down gentlyfree to go
His gait, inspect our square, pretend observe
The swallows soaring their eternal curve
'Twixt Theodore and Mark, if citizens
Gathered importunately, fives and tens,
To point their children the Magnifico,
All but a monarch once in firm-land, go
His gait among them now"it took, indeed,
"Fully this Ecelin to supersede
"That man," remarked the seniors. Singular!
Sordello's inability to bar
Rivals the stage, that evening, mainly brought
About by his strange disbelief that aught
Was ever to be done,this thrust the Twain
Under Taurello's tutelage,whom, brain
And heart and hand, he forthwith in one rod
Indissolubly bound to baffle God
Who loves the worldand thus allowed the thin
Grey wizened dwarfish devil Ecelin,
And massy-muscled big-boned Alberic
(Mere man, alas!) to put his problem quick
To demonstrationprove wherever's will
To do, there's plenty to be done, or ill
Or good. Anointed, then, to rend and rip
Kings of the gag and flesh-hook, screw and whip,
They plagued the world: a touch of Hildebrand
(So far from obsolete!) made Lombards band
Together, cross their coats as for Christ's cause,
And saving Milan win the world's applause.
Ecelin perished: and I think grass grew
Never so pleasant as in Valley R
By San Zenon where Alberic in turn
Saw his exasperated captors burn
Seven children and their mother; then, regaled
So far, tied on to a wild horse, was trailed
To death through raunce and bramble-bush. I take
God's part and testify that 'mid the brake
Wild o'er his castle on the pleasant knoll,
You hear its one tower left, a belfry, toll
The earthquake spared it last year, laying flat
The modern church beneath,no harm in that!
Chirrups the contumacious grasshopper,
Rustles the lizard and the cushats chirre
Above the ravage: there, at deep of day
A week since, heard I the old Canon say
He saw with his own eyes a barrow burst
And Alberic's huge skeleton unhearsed
Only five years ago. He added, "June 's
"The month for carding off our first cocoons
"The silkworms fabricate"a double news,
Nor he nor I could tell the worthier. Choose!
And Naddo gone, all's gone; not Eglamor!
Believe, I knew the face I waited for,
A guest my spirit of the golden courts!
Oh strange to see how, despite ill-reports,
Disuse, some wear of years, that face retained
Its joyous look of love! Suns waxed and waned,
And still my spirit held an upward flight,
Spiral on spiral, gyres of life and light
More and more gorgeousever that face there
The last admitted! crossed, too, with some care
As perfect triumph were not sure for all,
But, on a few, enduring damp must fall,
A transient struggle, haply a painful sense
Of the inferior nature's clingingwhence
Slight starting tears easily wiped away,
Fine jealousies soon stifled in the play
Of irrepressible admirationnot
Aspiring, all considered, to their lot
Who ever, just as they prepare ascend
Spiral on spiral, wish thee well, impend
Thy frank delight at their exclusive track,
That upturned fervid face and hair put back!
Is there no more to say? He of the rhymes
Many a tale, of this retreat betimes,
Was born: Sordello die at once for men?
The Chroniclers of Mantua tired their pen
Telling how Sordello Prince Visconti saved
Mantua, and elsewhere notably behaved
Who thus, by fortune ordering events,
Passed with posterity, to all intents,
For just the god he never could become.
As Knight, Bard, Gallant, men were never dumb
In praise of him: while what he should have been,
Could be, and was notthe one step too mean
For him to take,we suffer at this day
Because of: Ecelin had pushed away
Its chance ere Dante could arrive and take
That step Sordello spurned, for the world's sake:
He did muchbut Sordello's chance was gone.
Thus, had Sordello dared that step alone,
Apollo had been compassed: 't was a fit
He wished should go to him, not he to it
As one content to merely be supposed
Singing or fighting elsewhere, while he dozed
Really at homeone who was chiefly glad
To have achieved the few real deeds he had,
Because that way assured they were not worth
Doing, so spared from doing them henceforth
A tree that covets fruitage and yet tastes
Never itself, itself. Had he embraced
Their cause then, men had plucked Hesperian fruit
And, praising that, just thrown him in to boot
All he was anxious to appear, but scarce
Solicitous to be. A sorry farce
Such life is, after all! Cannot I say
He lived for some one better thing? this way.
Lo, on a heathy brown and nameless hill
By sparkling Asolo, in mist and chill,
Morning just up, higher and higher runs
A child barefoot and rosy. See! the sun's
On the square castle's inner-court's low wall
Like the chine of some extinct animal
Half turned to earth and flowers; and through the haze
(Save where some slender patches of grey maize
Are to be overleaped) that boy has crossed
The whole hill-side of dew and powder-frost
Matting the balm and mountain camomile.
Up and up goes he, singing all the while
Some unintelligible words to beat
The lark, God's poet, swooning at his feet,
So worsted is he at "the few fine locks
"Stained like pale honey oozed from topmost rocks
"Sun-blanched the livelong summer,"all that's left
Of the Goito lay! And thus bereft,
Sleep and forget, Sordello! In effect
He sleeps, the feverish poetI suspect
Not utterly companionless; but, friends,
Wake up! The ghost's gone, and the story ends
I'd fain hope, sweetly; seeing, peri or ghoul,
That spirits are conjectured fair or foul,
Evil or good, judicious authors think,
According as they vanish in a stink
Or in a perfume. Friends, be frank! ye snuff
Civet, I warrant. Really? Like enough!
Merely the savour's rareness; any nose
May ravage with impunity a rose:
Rifle a musk-pod and 't will ache like yours!
I'd tell you that same pungency ensures
An after-gust, but that were overbold.
Who would has heard Sordello's story told.


~ Robert Browning, Sordello - Book the Sixth
,
547:A TRAGEDY IN TWO ACTS

Translated from the Original Doric

'Choose Reform or Civil War,
When through thy streets, instead of hare with dogs,
A Consort-Queen shall hunt a King with hogs,
Riding on the IONIAN MINOTAUR.'

DRAMATIS PERSONAE
Tyrant Swellfoot, King of Thebes.
Iona Taurina, his Queen.
Mammon, Arch-Priest of Famine.
Purganax Wizard, Minister of Swellfoot.
Dakry Wizard, Minister of Swellfoot.
Laoctonos Wizard, Minister of Swellfoot.
The Gadfly.
The Leech.
The Rat.
Moses, the Sow-gelder.
Solomon, the Porkman.
Zephaniah, Pig-butcher.
The Minotaur.
Chorus of the Swinish Multitude.
Guards, Attendants, Priests, etc., etc.

SCENE.--THEBES

ACT I.

Scene I.-- A magnificent Temple, built of thigh-bones and death's-heads, and tiled with scalps. Over the Altar the statue of Famine, veiled; a number of Boars, Sows, and Sucking-Pigs, crowned with thistle, shamrock, and oak, sitting on the steps, and clinging round the Altar of the Temple.
Enter Swellfoot, in his Royal robes, without perceiving the Pigs.
Swellfoot.
Thou supreme Goddess! by whose power divine
These graceful limbs are clothed in proud array [He contemplates himself with satisfaction.

Of gold and purple, and this kingly paunch
Swells like a sail before a favouring breeze,
And these most sacred nether promontories
Lie satisfied with layers of fat; and these
Boeotian cheeks, like Egypt's pyramid,
(Nor with less toil were their foundations laid)[1],
Sustain the cone of my untroubled brain,
That point, the emblem of a pointless nothing!
Thou to whom Kings and laurelled Emperors,
Radical-butchers, Paper-money-millers,
Bishops and Deacons, and the entire army
Of those fat martyrs to the persecution
Of stifling turtle-soup, and brandy-devils,
Offer their secret vows! Thou plenteous Ceres
Of their Eleusis, hail!
The Swine.
            Eigh! eigh! eigh! eigh!
            Swellfoot.
                         Ha! what are ye,
Who, crowned with leaves devoted to the Furies,
Cling round this sacred shrine?
Swine.
                 Aigh! aigh! aigh!
                 Swellfoot.
                          What! ye that are
The very beasts that, offered at her altar
With blood and groans, salt-cake, and fat, and inwards,
Ever propitiate her reluctant will
When taxes are withheld?
Swine.
             Ugh! ugh! ugh!
             Swellfoot.
                     What! ye who grub
With filthy snouts my red potatoes up
In Allan's rushy bog? Who eat the oats
Up, from my cavalry in the Hebrides?
Who swill the hog-wash soup my cooks digest
From bones, and rags, and scraps of shoe-leather,
Which should be given to cleaner Pigs than you?
The Swine.Semichorus I.
The same, alas! the same;
Though only now the name
Of Pig remains to me.
Semichorus II.
If 'twere your kingly will
Us wretched Swine to kill,
What should we yield to thee?
Swellfoot.
Why, skin and bones, and some few hairs for mortar.
Chorus of Swine.
I have heard your Laureate sing,
That pity was a royal thing;
Under your mighty ancestors, we Pigs
Were bless'd as nightingales on myrtle sprigs,
Or grasshoppers that live on noonday dew,
And sung, old annals tell, as sweetly too;
But now our sties are fallen in, we catch
The murrain and the mange, the scab and itch;
Sometimes your royal dogs tear down our thatch,
And then we seek the shelter of a ditch;
Hog-wash or grains, or ruta-baga, none
Has yet been ours since your reign begun.
First Sow.
My Pigs, 'tis in vain to tug.
Second Sow.
I could almost eat my litter.
First Pig.
I suck, but no milk will come from the dug.
Second Pig.
Our skin and our bones would be bitter.
The Boars.
We fight for this rag of greasy rug,
Though a trough of wash would be fitter.
Semichorus.
  Happier Swine were they than we,
  Drowned in the Gadarean sea
I wish that pity would drive out the devils,
Which in your royal bosom hold their revels,
And sink us in the waves of thy compassion!
Alas! the Pigs are an unhappy nation!
Now if your Majesty would have our bristles
To bind your mortar with, or fill our colons
With rich blood, or make brawn out of our gristles,
In policyask else your royal Solons
You ought to give us hog-wash and clean straw,
And sties well thatched; besides it is the law!
Swellfoot.
This is sedition, and rank blasphemy!
Ho! there, my guards!
Enter a Guard.
Guard.
           Your sacred Majesty.
           Swellfoot.
Call in the Jews, Solomon the court porkman,
Moses the sow-gelder, and Zephaniah
The hog-butcher.
Guard.
         They are in waiting, Sire.
         Enter Solomon, Moses, and Zephaniah.
Swellfoot.
Out with your knife, old Moses, and spay those Sows [The Pigs run about in consternation.

That load the earth with Pigs; cut close and deep.
Moral restraint I see has no effect,
Nor prostitution, nor our own example,
Starvation, typhus-fever, war, nor prison
This was the art which the arch-priest of Famine
Hinted at in his charge to the Theban clergy
Cut close and deep, good Moses.
Moses.
                 Let your Majesty
Keep the Boars quiet, else
Swellfoot.
               Zephaniah, cut
That fat Hog's throat, the brute seems overfed;
Seditious hunks! to whine for want of grains.
Zephaniah.
Your sacred Majesty, he has the dropsy;
We shall find pints of hydatids in's liver,
He has not half an inch of wholesome fat
Upon his carious ribs
Swellfoot.
            'Tis all the same,
He'll serve instead of riot money, when
Our murmuring troops bivouac in Thebes' streets;
And January winds, after a day
Of butchering, will make them relish carrion.
Now, Solomon, I'll sell you in a lump
The whole kit of them.
Solomon.
            Why, your Majesty,
I could not give
Swellfoot.
          Kill them out of the way,
That shall be price enough, and let me hear
Their everlasting grunts and whines no more!
[Exeunt, driving in the Swine.
Enter Mammon, the Arch-Priest; and Purganax, Chief of the Council of Wizards.
Purganax.
The future looks as black as death, a cloud,
Dark as the frown of Hell, hangs over it
The troops grow mutinousthe revenue fails
There's something rotten in usfor the level
Of the State slopes, its very bases topple,
The boldest turn their backs upon themselves!
Mammon.
Why what's the matter, my dear fellow, now?
Do the troops mutiny?decimate some regiments;
Does money fail?come to my mintcoin paper,
Till gold be at a discount, and ashamed
To show his bilious face, go purge himself,
In emulation of her vestal whiteness.
Purganax.
Oh, would that this were all! The oracle!!
Mammon.
Why it was I who spoke that oracle,
And whether I was dead drunk or inspired,
I cannot well remember; nor, in truth,
The oracle itself!
Purganax.
          The words went thus:
'Boeotia, choose reform or civil war!
When through the streets, instead of hare with dogs,
A Consort Queen shall hunt a King with Hogs,
Riding on the Ionian Minotaur.'
Mammon.
Now if the oracle had ne'er foretold
This sad alternative, it must arrive,
Or not, and so it must now that it has;
And whether I was urged by grace divine
Or Lesbian liquor to declare these words,
Which must, as all words must, be false or true,
It matters not: for the same Power made all,
Oracle, wine, and me and youor none
'Tis the same thing. If you knew as much
Of oracles as I do
Purganax.
           You arch-priests
Believe in nothing; if you were to dream
Of a particular number in the Lottery,
You would not buy the ticket?
Mammon.
                Yet our tickets
Are seldom blanks. But what steps have you taken?
For prophecies, when once they get abroad,
Like liars who tell the truth to serve their ends,
Or hypocrites who, from assuming virtue,
Do the same actions that the virtuous do,
Contrive their own fulfilment. This Iona
Wellyou know what the chaste Pasiphae did,
Wife to that most religious King of Crete,
And still how popular the tale is here;
And these dull Swine of Thebes boast their descent
From the free Minotaur. You know they still
Call themselves Bulls, though thus degenerate,
And everything relating to a Bull
Is popular and respectable in Thebes.
Their arms are seven Bulls in a field gules;
They think their strength consists in eating beef,
Now there were danger in the precedent
If Queen Iona
Purganax.
        I have taken good care
That shall not be. I struck the crust o' the earth
With this enchanted rod, and Hell lay bare!
And from a cavern full of ugly shapes
I chose a Leech, a Gadfly, and a Rat.
The Gadfly was the same which Juno sent
To agitate Io[2], and which Ezekiel[3] mentions
That the Lord whistled for out of the mountains
Of utmost Aethiopia, to torment
Mesopotamian Babylon. The beast
Has a loud trumpet like the scarabee,
His crookd tail is barbed with many stings,
Each able to make a thousand wounds, and each
Immedicable; from his convex eyes
He sees fair things in many hideous shapes,
And trumpets all his falsehood to the world.
Like other beetles he is fed on dung
He has eleven feet with which he crawls,
Trailing a blistering slime, and this foul beast
Has tracked Iona from the Theban limits,
From isle to isle, from city unto city,
Urging her flight from the far Chersonese
To fabulous Solyma, and the Aetnean Isle,
Ortygia, Melite, and Calypso's Rock,
And the swart tribes of Garamant and Fez,
Aeolia and Elysium, and thy shores,
Parthenope, which now, alas! are free!
And through the fortunate Saturnian land,
Into the darkness of the West.
Mammon.
                But if
This Gadfly should drive Iona hither?
Purganax.
Gods! what an if! but there is my gray Rat:
So thin with want, he can crawl in and out
Of any narrow chink and filthy hole,
And he shall creep into her dressing-room,
And
Mammon.
   My dear friend, where are your wits? as if
She does not always toast a piece of cheese
And bait the trap? and rats, when lean enough
To crawl through such chinks
Purganax.
                But my Leecha leech
Fit to suck blood, with lubricous round rings,
Capaciously expatiative, which make
His little body like a red balloon,
As full of blood as that of hydrogen,
Sucked from men's hearts; insatiably he sucks
And clings and pullsa horse-leech, whose deep maw
The plethoric King Swellfoot could not fill,
And who, till full, will cling for ever.
Mammon.
                      This
For Queen Iona would suffice, and less;
But 'tis the Swinish multitude I fear,
And in that fear I have
Purganax.
              Done what?
              Mammon.
                   Disinherited
My eldest son Chrysaor, because he
Attended public meetings, and would always
Stand prating there of commerce, public faith,
Economy, and unadulterate coin,
And other topics, ultra-radical;
And have entailed my estate, called the Fool's Paradise,
And funds in fairy-money, bonds, and bills,
Upon my accomplished daughter Banknotina,
And married her to the gallows[4].
Purganax.
                  A good match!
                  Mammon.
A high connexion, Purganax. The bridegroom
Is of a very ancient family,
Of Hounslow Heath, Tyburn, and the New Drop,
And has great influence in both Houses;oh!
He makes the fondest husband; nay, too fond,
New-married people should not kiss in public;
But the poor souls love one another so!
And then my little grandchildren, the gibbets,
Promising children as you ever saw,
The young playing at hanging, the elder learning
How to hold radicals. They are well taught too,
For every gibbet says its catechism
And reads a select chapter in the Bible
Before it goes to play.
[A most tremendous humming is heard.
Purganax.
            Ha! what do I hear?
            Enter the Gadfly.
Mammon.
Your Gadfly, as it seems, is tired of gadding.
Gadfly.
  Hum! hum! hum!
From the lakes of the Alps, and the cold gray scalps
Of the mountains, I come!
  Hum! hum! hum!
From Morocco and Fez, and the high palaces
Of golden Byzantium;
From the temples divine of old Palestine,
From Athens and Rome,
With a ha! and a hum!
I come! I come!
  All inn-doors and windows
  Were open to me:
I saw all that sin does,
  Which lamps hardly see
That burn in the night by the curtained bed,
The impudent lamps! for they blushed not red,
Dinging and singing,
From slumber I rung her,
Loud as the clank of an ironmonger;
   Hum! hum! hum!
    Far, far, far!
With the trump of my lips, and the sting at my hips,
I drove herafar!
Far, far, far!
From city to city, abandoned of pity,
A ship without needle or star;
Homeless she passed, like a cloud on the blast,
Seeking peace, finding war;
She is here in her car,
From afar, and afar;
  Hum! hum!
   I have stung her and wrung her,
  The venom is working;
And if you had hung her
  With canting and quirking,
She could not be deader than she will be soon;
I have driven her close to you, under the moon,
Night and day, hum! hum! ha!
I have hummed her and drummed her
From place to place, till at last I have dumbed her,
   Hum! hum! hum!
   Enter the Leech and the Rat.
Leech.
I will suck
Blood or muck!
The disease of the state is a plethory,
Who so fit to reduce it as I?
Rat.
I'll slily seize and
Let blood from her weasand,
Creeping through crevice, and chink, and cranny,
With my snaky tail, and my sides so scranny.
Purganax.
Aroint ye! thou unprofitable worm! [To the Leech.

And thou, dull beetle, get thee back to hell! [To the Gadfly.

To sting the ghosts of Babylonian kings,
And the ox-headed Io
Swine
(within).
            Ugh, ugh, ugh!
Hail! Iona the divine,
We will be no longer Swine,
But Bulls with horns and dewlaps.
Rat.
                  For,
You know, my lord, the Minotaur
Purganax
(fiercely).
Be silent! get to hell! or I will call
The cat out of the kitchen. Well, Lord Mammon,
This is a pretty business.
[Exit the Rat.
Mammon.
              I will go
And spell some scheme to make it ugly then.
[Exit.
Enter Swellfoot.
Swellfoot.
She is returned! Taurina is in Thebes,
When Swellfoot wishes that she were in hell!
Oh, Hymen, clothed in yellow jealousy,
And waving o'er the couch of wedded kings
The torch of Discord with its fiery hair;
This is thy work, thou patron saint of queens!
Swellfoot is wived! though parted by the sea,
The very name of wife had conjugal rights;
Her cursd image ate, drank, slept with me,
And in the arms of Adiposa oft
Her memory has received a husband's
[A loud tumult, and cries of 'Iona for ever!No Swellfoot!'!
                    Hark!
How the Swine cry Iona Taurina;
I suffer the real presence; Purganax,
Off with her head!
Purganax.
          But I must first impanel
A jury of the Pigs.
Swellfoot.
          Pack them then.
          Purganax.
Or fattening some few in two separate sties,
And giving them clean straw, tying some bits
Of ribbon round their legsgiving their Sows
Some tawdry lace, and bits of lustre glass,
And their young Boars white and red rags, and tails
Of cows, and jay feathers, and sticking cauliflowers
Between the ears of the old ones; and when
They are persuaded, that by the inherent virtue
Of these things, they are all imperial Pigs,
Good Lord! they'd rip each other's bellies up,
Not to say, help us in destroying her.
Swellfoot.
This plan might be tried too;where's General
Laoctonos?
Enter Laoctonos and Dakry.
     It is my royal pleasure
That you, Lord General, bring the head and body,
If separate it would please me better, hither
Of Queen Iona.
Laoctonos.
       That pleasure I well knew,
And made a charge with those battalions bold,
Called, from their dress and grin, the royal apes,
Upon the Swine, who in a hollow square
Enclosed her, and received the first attack
Like so many rhinoceroses, and then
Retreating in good order, with bare tusks
And wrinkled snouts presented to the foe,
Bore her in triumph to the public sty.
What is still worse, some Sows upon the ground
Have given the ape-guards apples, nuts, and gin,
And they all whisk their tails aloft, and cry,
'Long live Iona! down with Swellfoot!'
Purganax.
                     Hark!
                     The Swine
(without).
Long live Iona! down with Swellfoot!
Dakry.
                    I
Went to the garret of the swineherd's tower,
Which overlooks the sty, and made a long
Harangue (all words) to the assembled Swine,
Of delicacy, mercy, judgement, law,
Morals, and precedents, and purity,
Adultery, destitution, and divorce,
Piety, faith, and state necessity,
And how I loved the Queen!and then I wept
With the pathos of my own eloquence,
And every tear turned to a mill-stone, which
Brained many a gaping Pig, and there was made
A slough of blood and brains upon the place,
Greased with the pounded bacon; round and round
The mill-stones rolled, ploughing the pavement up,
And hurling Sucking-Pigs into the air,
With dust and stones.
Enter Mammon.
Mammon.
            I wonder that gray wizards
Like you should be so beardless in their schemes;
It had been but a point of policy
To keep Iona and the Swine apart.
Divide and rule! but ye have made a junction
Between two parties who will govern you
But for my art.Behold this BAG! it is
The poison BAG of that Green Spider huge,
On which our spies skulked in ovation through
The streets of Thebes, when they were paved with dead:
A bane so much the deadlier fills it now
As calumny is worse than death,for here
The Gadfly's venom, fifty times distilled,
Is mingled with the vomit of the Leech,
In due proportion, and black ratsbane, which
That very Rat, who, like the Pontic tyrant,
Nurtures himself on poison, dare not touch;
All is sealed up with the broad seal of Fraud,
Who is the Devil's Lord High Chancellor,
And over it the Primate of all Hell
Murmured this pious baptism:'Be thou called
The GREEN BAG; and this power and grace be thine:
That thy contents, on whomsoever poured,
Turn innocence to guilt, and gentlest looks
To savage, foul, and fierce deformity.
Let all baptized by thy infernal dew
Be called adulterer, drunkard, liar, wretch!
No name left out which orthodoxy loves,
Court Journal or legitimate Review!
Be they called tyrant, beast, fool, glutton, lover
Of other wives and husbands than their own
The heaviest sin on this side of the Alps!
Wither they to a ghastly caricature
Of what was human!let not man or beast
Behold their face with unaverted eyes!
Or hear their names with ears that tingle not
With blood of indignation, rage, and shame!'
This is a perilous liquor;good my Lords. [Swellfoot approaches to touch the GREEN BAG.

Beware! for God's sake, beware!if you should break
The seal, and touch the fatal liquor
Purganax.
                     There,
Give it to me. I have been used to handle
All sorts of poisons. His dread Majesty
Only desires to see the colour of it.
Mammon.
Now, with a little common sense, my Lords,
Only undoing all that has been done
(Yet so as it may seem we but confirm it),
Our victory is assured. We must entice
Her Majesty from the sty, and make the Pigs
Believe that the contents of the GREEN BAG
Are the true test of guilt or innocence.
And that, if she be guilty, 'twill transform her
To manifest deformity like guilt.
If innocent, she will become transfigured
Into an angel, such as they say she is;
And they will see her flying through the air,
So bright that she will dim the noonday sun;
Showering down blessings in the shape of comfits.
This, trust a priest, is just the sort of thing
Swine will believe. I'll wager you will see them
Climbing upon the thatch of their low sties,
With pieces of smoked glass, to watch her sail
Among the clouds, and some will hold the flaps
Of one another's ears between their teeth,
To catch the coming hail of comfits in.
You, Purganax, who have the gift o' the gab,
Make them a solemn speech to this effect:
I go to put in readiness the feast
Kept to the honour of our goddess Famine,
Where, for more glory, let the ceremony
Take place of the uglification of the Queen.
Dakry
(to Swellfoot).
I, as the keeper of your sacred conscience,
Humbly remind your Majesty that the care
Of your high office, as Man-milliner
To red Bellona, should not be deferred.
Purganax.
All part, in happier plight to meet again.
[Exeunt.
END OF THE FIRST ACT.

ACT II
Scene I.
The Public Sty. The Boars in full Assembly.
Enter Purganax.
Purganax.
Grant me your patience, Gentlemen and Boars,
Ye, by whose patience under public burthens
The glorious constitution of these sties
Subsists, and shall subsist. The Lean-Pig rates
Grow with the growing populace of Swine,
The taxes, that true source of Piggishness
(How can I find a more appropriate term
To include religion, morals, peace, and plenty,
And all that fit Boeotia as a nation
To teach the other nations how to live?),
Increase with Piggishness itself; and still
Does the revenue, that great spring of all
The patronage, and pensions, and by-payments,
Which free-born Pigs regard with jealous eyes,
Diminish, till at length, by glorious steps,
All the land's produce will be merged in taxes,
And the revenue will amount tonothing!
The failure of a foreign market for
Sausages, bristles, and blood-puddings,
And such home manufactures, is but partial;
And, that the population of the Pigs,
Instead of hog-wash, has been fed on straw
And water, is a fact which isyou know
That isit is a state-necessity
Temporary, of course. Those impious Pigs,
Who, by frequent squeaks, have dared impugn
The settled Swellfoot system, or to make
Irreverent mockery of the genuflexions
Inculcated by the arch-priest, have been whipped
Into a loyal and an orthodox whine.
Things being in this happy state, the Queen
Iona
[A loud cry from the Pigs.
   She is innocent! most innocent!
   Purganax.
That is the very thing that I was saying,
Gentlemen Swine; the Queen Iona being
Most innocent, no doubt, returns to Thebes,
And the lean Sows and Boars collect about her,
Wishing to make her think that we believe
(I mean those more substantial Pigs, who swill
Rich hog-wash, while the others mouth damp straw)
That she is guilty; thus, the Lean-Pig faction
Seeks to obtain that hog-wash, which has been
Your immemorial right, and which I will
Maintain you in to the last drop of
A Boar
(interrupting him).
                    What
Does any one accuse her of?
Purganax.
               Why, no one
Makes any positive accusation;but
There were hints dropped, and so the privy wizards
Conceived that it became them to advise
His Majesty to investigate their truth;
Not for his own sake; he could be content
To let his wife play any pranks she pleased,
If, by that sufferance, he could please the Pigs;
But then he fears the morals of the Swine,
The Sows especially, and what effect
It might produce upon the purity and
Religion of the rising generation
Of Sucking-Pigs, if it could be suspected
That Queen Iona
[A pause.
First Boar.
         Well, go on; we long
To hear what she can possibly have done.
Purganax.
Why, it is hinted, that a certain Bull
Thus much is known:the milk-white Bulls that feed
Beside Clitumnus and the crystal lakes
Of the Cisalpine mountains, in fresh dews
Of lotus-grass and blossoming asphodel
Sleeking their silken hair, and with sweet breath
Loading the morning winds until they faint
With living fragrance, are so beautiful!
Well, I say nothing;but Europa rode
On such a one from Asia into Crete,
And the enamoured sea grew calm beneath
His gliding beauty. And Pasiphae,
Iona's grandmother,but she is innocent!
And that both you and I, and all assert.
First Boar.
Most innocent!
Purganax.
       Behold this BAG; a bag
       Second Boar.
Oh! no GREEN BAGS!! Jealousy's eyes are green,
Scorpions are green, and water-snakes, and efts,
And verdigris, and
Purganax.
           Honourable Swine,
In Piggish souls can prepossessions reign?
Allow me to remind you, grass is green
All flesh is grass;no bacon but is flesh
Ye are but bacon. This divining BAG
(Which is not green, but only bacon colour)
Is filled with liquor, which if sprinkled o'er
A woman guilty ofwe all know what
Makes her so hideous, till she finds one blind
She never can commit the like again.
If innocent, she will turn into an angel,
And rain down blessings in the shape of comfits
As she flies up to heaven. Now, my proposal
Is to convert her sacred Majesty
Into an angel (as I am sure we shall do),
By pouring on her head this mystic water.[Showing the Bag.

I know that she is innocent; I wish
Only to prove her so to all the world.
First Boar.
Excellent, just, and noble Purganax.
Second Boar.
How glorious it will be to see her Majesty
Flying above our heads, her petticoats
Streaming likelikelike
Third Boar.
               Anything.
               Purganax.
                    Oh no!
But like a standard of an admiral's ship,
Or like the banner of a conquering host,
Or like a cloud dyed in the dying day,
Unravelled on the blast from a white mountain;
Or like a meteor, or a war-steed's mane,
Or waterfall from a dizzy precipice
Scattered upon the wind.
First Boar.
             Or a cow's tail.
             Second Boar.
Or anything, as the learned Boar observed.
Purganax.
Gentlemen Boars, I move a resolution,
That her most sacred Majesty should be
Invited to attend the feast of Famine,
And to receive upon her chaste white body
Dews of Apotheosis from this BAG.
[A great confusion is heard of the Pigs out of Doors, which communicates itself to those within. During the first Strophe, the doors of the Sty are staved in, and a number of exceedingly leanPigs and Sows and Boars rush in.
Semichorus I.
No! Yes!
Semichorus II.
Yes! No!
Semichorus I.
A law!
Semichorus II.
A flaw!
Semichorus I.
Porkers, we shall lose our wash,
Or must share it with the Lean-Pigs!
First Boar.
Order! order! be not rash!
Was there ever such a scene, Pigs!
An old Sow
(rushing in).
I never saw so fine a dash
Since I first began to wean Pigs.
Second Boar
(solemnly).
The Queen will be an angel time enough.
I vote, in form of an amendment, that
Purganax rub a little of that stuff
Upon his face.
Purganax
(his heart is seen to beat through his waistcoat).
         Gods! What would ye be at?
         Semichorus I.
Purganax has plainly shown a
Cloven foot and jackdaw feather.
Semichorus II.
I vote Swellfoot and Iona
Try the magic test together;
Whenever royal spouses bicker,
Both should try the magic liquor.
An old Boar
(aside).
A miserable state is that of Pigs,
For if their drivers would tear caps and wigs,
The Swine must bite each other's ear therefore.
An old Sow
(aside).
A wretched lot Jove has assigned to Swine,
Squabbling makes Pig-herds hungry, and they dine
On bacon, and whip Sucking-Pigs the more.
Chorus.
  Hog-wash has been ta'en away:
   If the Bull-Queen is divested,
  We shall be in every way
   Hunted, stripped, exposed, molested;
  Let us do whate'er we may,
   That she shall not be arrested.
Queen, we entrench you with walls of brawn,
And palisades of tusks, sharp as a bayonet:
Place your most sacred person here. We pawn
Our lives that none a finger dare to lay on it.
  Those who wrong you, wrong us;
  Those who hate you, hate us;
  Those who sting you, sting us;
  Those who bait you, bait us;
The oracle is now about to be
Fulfilled by circumvolving destiny;
Which says: 'Thebes, choose reform or civil war,
When through your streets, instead of hare with dogs,
A Consort Queen shall hunt a King with Hogs,
Riding upon the IONIAN MINOTAUR.'
Enter Iona Taurina.
Iona Taurina
(coming forward).
Gentlemen Swine, and gentle Lady-Pigs,
The tender heart of every Boar acquits
Their Queen, of any act incongruous
With native Piggishness, and she, reposing
With confidence upon the grunting nation,
Has thrown herself, her cause, her life, her all,
Her innocence, into their Hoggish arms;
Nor has the expectation been deceived
Of finding shelter there. Yet know, great Boars,
(For such whoever lives among you finds you,
And so do I), the innocent are proud!
I have accepted your protection only
In compliment of your kind love and care,
Not for necessity. The innocent
Are safest there where trials and dangers wait;
Innocent Queens o'er white-hot ploughshares tread
Unsinged, and ladies, Erin's laureate sings it[5],
Decked with rare gems, and beauty rarer still,
Walked from Killarney to the Giant's Causeway,
Through rebels, smugglers, troops of yeomanry,
White-boys and Orange-boys, and constables,
Tithe-proctors, and excise people, uninjured!
Thus I!
Lord Purganax, I do commit myself
Into your custody, and am prepared
To stand the test, whatever it may be!
Purganax.
This magnanimity in your sacred Majesty
Must please the Pigs. You cannot fail of being
A heavenly angel. Smoke your bits of glass,
Ye loyal Swine, or her transfiguration
Will blind your wondering eyes.
An old Boar
(aside).
                 Take care, my Lord,
They do not smoke you first.
Purganax.
               At the approaching feast
Of Famine, let the expiation be.
Swine.
Content! content!
Iona Taurina
(aside).
         I, most content of all,
Know that my foes even thus prepare their fall!
[Exeunt omnes.
Scene II.
The interior of the Temple of Famine. The statue of the Goddess, a skeleton clothed in parti-coloured rags, seated upon a heap of skulls and loaves intermingled. A number of exceedingly fat Priests in black garments arrayed on each side, with marrow-bones and cleavers in their hands. [Solomon, the Court Porkman.] A flourish of trumpets.
Enter Mammon as arch-priest, Swellfoot, Dakry, Purganax, Laoctonos, followed by Iona Taurina guarded. On the other side enter the Swine.
Chorus of Priests, accompanied by the Court Porkman on marrow-bones and cleavers.
  Goddess bare, and gaunt, and pale,
  Empress of the world, all hail!
  What though Cretans old called thee
  City-crested Cybele?
   We call thee Famine!
Goddess of fasts and feasts, starving and cramming!
Through thee, for emperors, kings, and priests and lords,
Who rule by viziers, sceptres, bank-notes, words,
The earth pours forth its plenteous fruits,
Corn, wool, linen, flesh, and roots
Those who consume these fruits through thee grow fat,
Those who produce these fruits through thee grow lean,
Whatever change takes place, oh, stick to that!
And let things be as they have ever been;
  At least while we remain thy priests,
  And proclaim thy fasts and feasts.
Through thee the sacred Swellfoot dynasty
Is based upon a rock amid that sea
Whose waves are Swineso let it ever be!
[Swellfoot, etc., seat themselves at a table magnificently covered at the upper end of the Temple. Attendants pass over the stage with hog-wash in pails. A number of Pigs, exceedingly lean, follow them licking up the wash.
Mammon.
I fear your sacred Majesty has lost
The appetite which you were used to have.
Allow me now to recommend this dish
A simple kickshaw by your Persian cook,
Such as is served at the great King's second table.
The price and pains which its ingredients cost
Might have maintained some dozen families
A winter or twonot moreso plain a dish
Could scarcely disagree.
Swellfoot.
              After the trial,
And these fastidious Pigs are gone, perhaps
I may recover my lost appetite,
I feel the gout flying about my stomach
Give me a glass of Maraschino punch.
Purganax
(filling his glass, and standing up).
The glorious Constitution of the Pigs!
All.
A toast! a toast! stand up, and three times three!
Dakry.
No heel-tapsdarken daylights!
Laoctonos.
                  Claret, somehow,
Puts me in mind of blood, and blood of claret!
Swellfoot.
Laoctonos is fishing for a compliment,
But 'tis his due. Yes, you have drunk more wine,
And shed more blood, than any man in Thebes. [To Purganax.

For God's sake stop the grunting of those Pigs!
Purganax.
We dare not, Sire, 'tis Famine's privilege.
Chorus of Swine.
Hail to thee, hail to thee, Famine!
Thy throne is on blood, and thy robe is of rags;
Thou devil which livest on damning;
Saint of new churches, and cant, and GREEN BAGS,
Till in pity and terror thou risest,
Confounding the schemes of the wisest;
When thou liftest thy skeleton form,
When the loaves and the skulls roll about,
We will greet theethe voice of a storm
Would be lost in our terrible shout!
Then hail to thee, hail to thee, Famine!
Hail to thee, Empress of Earth!
When thou risest, dividing possessions;
When thou risest, uprooting oppressions,
In the pride of thy ghastly mirth;
Over palaces, temples, and graves,
We will rush as thy minister-slaves,
Trampling behind in thy train,
Till all be made level again!
Mammon.
I hear a crackling of the giant bones
Of the dread image, and in the black pits
Which once were eyes, I see two livid flames.
These prodigies are oracular, and show
The presence of the unseen Deity.
Mighty events are hastening to their doom!
Swellfoot.
I only hear the lean and mutinous Swine
Grunting about the temple.
Dakry.
              In a crisis
Of such exceeding delicacy, I think
We ought to put her Majesty, the Queen,
Upon her trial without delay.
Mammon.
                THE BAG
Is here.
Purganax.
    I have rehearsed the entire scene
With an ox-bladder and some ditchwater,
On Lady P-; it cannot fail. (Taking up the Bag.)
Your Majesty [To Swellfoot.

In such a filthy business had better
Stand on one side, lest it should sprinkle you.
A spot or two on me would do no harm,
Nay, it might hide the blood, which the sad Genius
Of the Green Isle has fixed, as by a spell,
Upon my browwhich would stain all its seas,
But which those seas could never wash away!
Iona Taurina.
My Lord, I am readynay, I am impatient
To undergo the test.
[A graceful figure in a semi-transparent veil passes unnoticed through the Temple; the word LIBERTY is seen through the veil, as if it were written in fire upon its forehead. Its words are almost drowned in the furious grunting of the Pigs, and the business of the trial. She kneels on the steps of the Altar, and speaks in tones at first faint and low, but which ever become louder and louder.
  Mighty Empress! Death's white wife!
  Ghastly mother-in-law of Life!
  By the God who made thee such,
  By the magic of thy touch,
  By the starving and the cramming
Of fasts and feasts! by thy dread self, O Famine!
I charge thee! when thou wake the multitude,
Thou lead them not upon the paths of blood.
The earth did never mean her foison
For those who crown life's cup with poison
Of fanatic rage and meaningless revenge
But for those radiant spirits, who are still
The standard-bearers in the van of Change.
Be they th'appointed stewards, to fill
The lap of Pain, and Toil, and Age!
Remit, O Queen! thy accustomed rage!
Be what thou art not! In voice faint and low
Freedom calls Famine,her eternal foe,
To brief alliance, hollow truce.Rise now!
[Whilst the Veiled Figure has been chanting this strophe, Mammon, Dakry, Laoctonos, and Swellfoot, have surrounded Iona Taurina, who, with her hands folded on her breast, and her eyes lifted to Heaven, stands, as with saint-like resignation, to wait the issue of the business, in perfect confidence of her innocence.
[Purganax, after unsealing the Green Bag, is gravely about to pour the liquor upon her head, when suddenly the whole expression of her figure and countenance changes; she snatches it from his hand with a loud laugh of triumph, and empties it over Swellfoot and his whole Court, who are instantly changed into a number of filthy and ugly animals, and rush out of the Temple. The image of Famine then arises with a tremendous sound, the Pigs begin scrambling for the loaves, and are tripped up by the skulls; all those who eat the loaves are turned into Bulls, and arrange themselves quietly behind the altar. The image of Famine sinks through a chasm in the earth, and a Minotaur rises.
Minotaur.
I am the Ionian Minotaur, the mightiest
Of all Europa's taurine progeny
I am the old traditional Man-Bull;
And from my ancestors having been Ionian,
I am called Ion, which, by interpretation,
Is John; in plain Theban, that is to say,
My name's John Bull; I am a famous hunter,
And can leap any gate in all Boeotia,
Even the palings of the royal park,
Or double ditch about the new enclosures;
And if your Majesty will deign to mount me,
At least till you have hunted down your game,
I will not throw you.
Iona Taurina.
(During this speech she has been putting on boots and spurs, and a hunting-cap, buckishly cocked on one side, and tucking up her hair, she leaps nimbly on his back.)
           Hoa! hoa! tallyho! tallyho! ho! ho!
Come, let us hunt these ugly badgers down,
These stinking foxes, these devouring otters,
These hares, these wolves, these anything but men.
Hey, for a whipper-in! my loyal Pigs,
Now let your noses be as keen as beagles',
Your steps as swift as greyhounds', and your cries
More dulcet and symphonious than the bells
Of village-towers, on sunshine holiday;
Wake all the dewy woods with jangling music.
Give them no law (are they not beasts of blood?)
But such as they gave you. Tallyho! ho!
Through forest, furze, and bog, and den, and desert,
Pursue the ugly beasts! tallyho! ho!
Full Chorus of Iona and the Swine.
Tallyho! tallyho!
Through rain, hail, and snow,
Through brake, gorse, and briar,
Through fen, flood, and mire,
We go! we go!
  Tallyho! tallyho!
Through pond, ditch, and slough,
Wind them, and find them,
Like the Devil behind them,
Tallyho! tallyho!
[Exeunt, in full cry; Iona driving on the Swine, with the empty Green Bag.
THE END
'Begun at the Baths of San Giuliano, near Pisa, August 24, 1819; published anonymously by J. Johnston, Cheapside (imprint C. F. Seyfang,) 1820. On a threat of prosecution the publisher surrendered the whole impression, seven copies -- the total number sold -- excepted. Oedipus does not appear in the first edition of the Poetical Works, 1839, but it was included by Mrs. Shelley in the second edition of that year.' ~ Percy Bysshe Shelley, Oedipus Tyrannus or Swellfoot The Tyrant
,
548:class:Classics

BOOK THE THIRD

The Story of of Cadmus

When now Agenor had his daughter lost,
He sent his son to search on ev'ry coast;
And sternly bid him to his arms restore
The darling maid, or see his face no more,
But live an exile in a foreign clime;
Thus was the father pious to a crime.
The restless youth search'd all the world around;
But how can Jove in his amours be found?
When, tir'd at length with unsuccessful toil,
To shun his angry sire and native soil,
He goes a suppliant to the Delphick dome;
There asks the God what new appointed home
Should end his wand'rings, and his toils relieve.
The Delphick oracles this answer give.

"Behold among the fields a lonely cow,
Unworn with yokes, unbroken to the plow;
Mark well the place where first she lays her down,
There measure out thy walls, and build thy town,
And from thy guide Boeotia call the land,
In which the destin'd walls and town shall stand."

No sooner had he left the dark abode,
Big with the promise of the Delphick God,
When in the fields the fatal cow he view'd,
Nor gall'd with yokes, nor worn with servitude:
Her gently at a distance he pursu'd;
And as he walk'd aloof, in silence pray'd
To the great Pow'r whose counsels he obey'd.
Her way thro' flow'ry Panope she took,
And now, Cephisus, cross'd thy silver brook;
When to the Heav'ns her spacious front she rais'd,
And bellow'd thrice, then backward turning gaz'd
On those behind, 'till on the destin'd place
She stoop'd, and couch'd amid the rising grass.

Cadmus salutes the soil, and gladly hails
The new-found mountains, and the nameless vales,
And thanks the Gods, and turns about his eye
To see his new dominions round him lye;
Then sends his servants to a neighb'ring grove
For living streams, a sacrifice to Jove.
O'er the wide plain there rose a shady wood
Of aged trees; in its dark bosom stood
A bushy thicket, pathless and unworn,
O'er-run with brambles, and perplex'd with thorn:
Amidst the brake a hollow den was found,
With rocks and shelving arches vaulted round.

Deep in the dreary den, conceal'd from day,
Sacred to Mars, a mighty dragon lay,
Bloated with poison to a monstrous size;
Fire broke in flashes when he glanc'd his eyes:
His tow'ring crest was glorious to behold,
His shoulders and his sides were scal'd with gold;
Three tongues he brandish'd when he charg'd his foes;
His teeth stood jaggy in three dreadful rowes.
The Tyrians in the den for water sought,
And with their urns explor'd the hollow vault:
From side to side their empty urns rebound,
And rowse the sleeping serpent with the sound.
Strait he bestirs him, and is seen to rise;
And now with dreadful hissings fills the skies,
And darts his forky tongues, and rowles his glaring eyes.

The Tyrians drop their vessels in the fright,
All pale and trembling at the hideous sight.
Spire above spire uprear'd in air he stood,
And gazing round him over-look'd the wood:
Then floating on the ground in circles rowl'd;
Then leap'd upon them in a mighty fold.
Of such a bulk, and such a monstrous size
The serpent in the polar circle lyes,
That stretches over half the northern skies.
In vain the Tyrians on their arms rely,
In vain attempt to fight, in vain to fly:
All their endeavours and their hopes are vain;
Some die entangled in the winding train;
Some are devour'd, or feel a loathsom death,
Swoln up with blasts of pestilential breath.

And now the scorching sun was mounted high,
In all its lustre, to the noon-day sky;
When, anxious for his friends, and fill'd with cares,
To search the woods th' impatient chief prepares.
A lion's hide around his loins he wore,
The well poiz'd javelin to the field he bore,
Inur'd to blood; the far-destroying dart;
And, the best weapon, an undaunted heart.

Soon as the youth approach'd the fatal place,
He saw his servants breathless on the grass;
The scaly foe amid their corps he view'd,
Basking at ease, and feasting in their blood.
"Such friends," he cries, "deserv'd a longer date;
But Cadmus will revenge or share their fate."
Then heav'd a stone, and rising to the throw,
He sent it in a whirlwind at the foe:
A tow'r, assaulted by so rude a stroke,
With all its lofty battlements had shook;
But nothing here th' unwieldy rock avails,
Rebounding harmless from the plaited scales,
That, firmly join'd, preserv'd him from a wound,
With native armour crusted all around.
With more success, the dart unerring flew,
Which at his back the raging warriour threw;
Amid the plaited scales it took its course,
And in the spinal marrow spent its force.
The monster hiss'd aloud, and rag'd in vain,
And writh'd his body to and fro with pain;
He bit the dart, and wrench'd the wood away;
The point still buried in the marrow lay.
And now his rage, increasing with his pain,
Reddens his eyes, and beats in ev'ry vein;
Churn'd in his teeth the foamy venom rose,
Whilst from his mouth a blast of vapours flows,
Such as th' infernal Stygian waters cast.
The plants around him wither in the blast.
Now in a maze of rings he lies enrowl'd,
Now all unravel'd, and without a fold;
Now, like a torrent, with a mighty force
Bears down the forest in his boist'rous course.
Cadmus gave back, and on the lion's spoil
Sustain'd the shock, then forc'd him to recoil;
The pointed jav'lin warded off his rage:
Mad with his pains, and furious to engage,
The serpent champs the steel, and bites the spear,
'Till blood and venom all the point besmear.
But still the hurt he yet receiv'd was slight;
For, whilst the champion with redoubled might
Strikes home the jav'lin, his retiring foe
Shrinks from the wound, and disappoints the blow.

The dauntless heroe still pursues his stroke,
And presses forward, 'till a knotty oak
Retards his foe, and stops him in the rear;
Full in his throat he plung'd the fatal spear,
That in th' extended neck a passage found,
And pierc'd the solid timber through the wound.
Fix'd to the reeling trunk, with many a stroke
Of his huge tail he lash'd the sturdy oak;
'Till spent with toil, and lab'ring hard for breath,
He now lay twisting in the pangs of death.

Cadmus beheld him wallow in a flood
Of swimming poison, intermix'd with blood;
When suddenly a speech was heard from high
(The speech was heard, nor was the speaker nigh),
"Why dost thou thus with secret pleasure see,
Insulting man! what thou thy self shalt be?"
Astonish'd at the voice, he stood amaz'd,
And all around with inward horror gaz'd:
When Pallas swift descending from the skies,
Pallas, the guardian of the bold and wise,
Bids him plow up the field, and scatter round
The dragon's teeth o'er all the furrow'd ground;
Then tells the youth how to his wond'ring eyes
Embattled armies from the field should rise.

He sows the teeth at Pallas's command,
And flings the future people from his hand.
The clods grow warm, and crumble where he sows;
And now the pointed spears advance in rows;
Now nodding plumes appear, and shining crests,
Now the broad shoulders and the rising breasts;
O'er all the field the breathing harvest swarms,
A growing host, a crop of men and arms.

So through the parting stage a figure rears
Its body up, and limb by limb appears
By just degrees; 'till all the man arise,
And in his full proportion strikes the eyes.

Cadmus surpriz'd, and startled at the sight
Of his new foes, prepar'd himself for fight:
When one cry'd out, "Forbear, fond man, forbear
To mingle in a blind promiscuous war."
This said, he struck his brother to the ground,
Himself expiring by another's wound;
Nor did the third his conquest long survive,
Dying ere scarce he had begun to live.

The dire example ran through all the field,
'Till heaps of brothers were by brothers kill'd;
The furrows swam in blood: and only five
Of all the vast increase were left alive.
Echion one, at Pallas's command,
Let fall the guiltless weapon from his hand,
And with the rest a peaceful treaty makes,
Whom Cadmus as his friends and partners takes;
So founds a city on the promis'd earth,
And gives his new Boeotian empire birth.

Here Cadmus reign'd; and now one would have guess'd
The royal founder in his exile blest:
Long did he live within his new abodes,
Ally'd by marriage to the deathless Gods;
And, in a fruitful wife's embraces old,
A long increase of children's children told:
But no frail man, however great or high,
Can be concluded blest before he die.

Actaeon was the first of all his race,
Who griev'd his grandsire in his borrow'd face;
Condemn'd by stern Diana to bemoan
The branching horns, and visage not his own;
To shun his once lov'd dogs, to bound away,
And from their huntsman to become their prey,
And yet consider why the change was wrought,
You'll find it his misfortune, not his fault;
Or, if a fault, it was the fault of chance:
For how can guilt proceed from ignorance?

The Transformation of Actaeon into a Stag

In a fair chace a shady mountain stood,
Well stor'd with game, and mark'd with trails of blood;
Here did the huntsmen, 'till the heat of day,
Pursue the stag, and load themselves with rey:
When thus Actaeon calling to the rest:
"My friends," said he, "our sport is at the best,
The sun is high advanc'd, and downward sheds
His burning beams directly on our heads;
Then by consent abstain from further spoils,
Call off the dogs, and gather up the toils,
And ere to-morrow's sun begins his race,
Take the cool morning to renew the chace."
They all consent, and in a chearful train
The jolly huntsmen, loaden with the slain,
Return in triumph from the sultry plain.

Down in a vale with pine and cypress clad,
Refresh'd with gentle winds, and brown with shade,
The chaste Diana's private haunt, there stood
Full in the centre of the darksome wood
A spacious grotto, all around o'er-grown
With hoary moss, and arch'd with pumice-stone.
From out its rocky clefts the waters flow,
And trickling swell into a lake below.
Nature had ev'ry where so plaid her part,
That ev'ry where she seem'd to vie with art.
Here the bright Goddess, toil'd and chaf'd with heat,
Was wont to ba the her in the cool retreat.

Here did she now with all her train resort,
Panting with heat, and breathless from the sport;
Her armour-bearer laid her bow aside,
Some loos'd her sandals, some her veil unty'd;
Each busy nymph her proper part undrest;
While Crocale, more handy than the rest,
Gather'd her flowing hair, and in a noose
Bound it together, whilst her own hung loose.
Five of the more ignoble sort by turns
Fetch up the water, and unlade the urns.

Now all undrest the shining Goddess stood,
When young Actaeon, wilder'd in the wood,
To the cool grott by his hard fate betray'd,
The fountains fill'd with naked nymphs survey'd.
The frighted virgins shriek'd at the surprize
(The forest echo'd with their piercing cries).
Then in a huddle round their Goddess prest:
She, proudly eminent above the rest,
With blushes glow'd; such blushes as adorn
The ruddy welkin, or the purple morn;
And tho' the crowding nymphs her body hide,
Half backward shrunk, and view'd him from a side.
Surpriz'd, at first she would have snatch'd her bow,
But sees the circling waters round her flow;
These in the hollow of her hand she took,
And dash'd 'em in his face, while thus she spoke:
"Tell, if thou can'st, the wond'rous sight disclos'd,
A Goddess naked to thy view expos'd."

This said, the man begun to disappear
By slow degrees, and ended in a deer.
A rising horn on either brow he wears,
And stretches out his neck, and pricks his ears;
Rough is his skin, with sudden hairs o'er-grown,
His bosom pants with fears before unknown:
Transform'd at length, he flies away in haste,
And wonders why he flies away so fast.
But as by chance, within a neighb'ring brook,
He saw his branching horns and alter'd look.
Wretched Actaeon! in a doleful tone
He try'd to speak, but only gave a groan;
And as he wept, within the watry glass
He saw the big round drops, with silent pace,
Run trickling down a savage hairy face.
What should he do? Or seek his old abodes,
Or herd among the deer, and sculk in woods!
Here shame dissuades him, there his fear prevails,
And each by turns his aking heart assails.

As he thus ponders, he behind him spies
His op'ning hounds, and now he hears their cries:
A gen'rous pack, or to maintain the chace,
Or snuff the vapour from the scented grass.

He bounded off with fear, and swiftly ran
O'er craggy mountains, and the flow'ry plain;
Through brakes and thickets forc'd his way, and flew
Through many a ring, where once he did pursue.
In vain he oft endeavour'd to proclaim
His new misfortune, and to tell his name;
Nor voice nor words the brutal tongue supplies;
From shouting men, and horns, and dogs he flies,
Deafen'd and stunn'd with their promiscuous cries.
When now the fleetest of the pack, that prest
Close at his heels, and sprung before the rest,
Had fasten'd on him, straight another pair,
Hung on his wounded haunch, and held him there,
'Till all the pack came up, and ev'ry hound
Tore the sad huntsman grov'ling on the ground,
Who now appear'd but one continu'd wound.
With dropping tears his bitter fate he moans,
And fills the mountain with his dying groans.
His servants with a piteous look he spies,
And turns about his supplicating eyes.
His servants, ignorant of what had chanc'd,
With eager haste and joyful shouts advanc'd,
And call'd their lord Actaeon to the game.
He shook his head in answer to the name;
He heard, but wish'd he had indeed been gone,
Or only to have stood a looker-on.
But to his grief he finds himself too near,
And feels his rav'nous dogs with fury tear
Their wretched master panting in a deer.

The Birth of Bacchus

Actaeon's suff'rings, and Diana's rage,
Did all the thoughts of men and Gods engage;
Some call'd the evils which Diana wrought,
Too great, and disproportion'd to the fault:
Others again, esteem'd Actaeon's woes
Fit for a virgin Goddess to impose.
The hearers into diff'rent parts divide,
And reasons are produc'd on either side.

Juno alone, of all that heard the news,
Nor would condemn the Goddess, nor excuse:
She heeded not the justice of the deed,
But joy'd to see the race of Cadmus bleed;
For still she kept Europa in her mind,
And, for her sake, detested all her kind.
Besides, to aggravate her hate, she heard
How Semele, to Jove's embrace preferr'd,
Was now grown big with an immortal load,
And carry'd in her womb a future God.
Thus terribly incens'd, the Goddess broke
To sudden fury, and abruptly spoke.

"Are my reproaches of so small a force?
'Tis time I then pursue another course:
It is decreed the guilty wretch shall die,
If I'm indeed the mistress of the sky,
If rightly styl'd among the Pow'rs above
The wife and sister of the thund'ring Jove
(And none can sure a sister's right deny);
It is decreed the guilty wretch shall die.
She boasts an honour I can hardly claim,
Pregnant she rises to a mother's name;
While proud and vain she triumphs in her Jove,
And shows the glorious tokens of his love:
But if I'm still the mistress of the skies,
By her own lover the fond beauty dies."
This said, descending in a yellow cloud,
Before the gates of Semele she stood.

Old Beroe's decrepit shape she wears,
Her wrinkled visage, and her hoary hairs;
Whilst in her trembling gait she totters on,
And learns to tattle in the nurse's tone.
The Goddess, thus disguis'd in age, beguil'd
With pleasing stories her false foster-child.
Much did she talk of love, and when she came
To mention to the nymph her lover's name,
Fetching a sigh, and holding down her head,
"'Tis well," says she, "if all be true that's said.
But trust me, child, I'm much inclin'd to fear
Some counterfeit in this your Jupiter:
Many an honest well-designing maid
Has been by these pretended Gods betray'd,
But if he be indeed the thund'ring Jove,
Bid him, when next he courts the rites of love,
Descend triumphant from th' etherial sky,
In all the pomp of his divinity,
Encompass'd round by those celestial charms,
With which he fills th' immortal Juno's arms."

Th' unwary nymph, ensnar'd with what she said,
Desir'd of Jove, when next he sought her bed,
To grant a certain gift which she would chuse;
"Fear not," reply'd the God, "that I'll refuse
Whate'er you ask: may Styx confirm my voice,
Chuse what you will, and you shall have your choice."
"Then," says the nymph, "when next you seek my arms,
May you descend in those celestial charms,
With which your Juno's bosom you enflame,
And fill with transport Heav'n's immortal dame."
The God surpriz'd would fain have stopp'd her voice,
But he had sworn, and she had made her choice.

To keep his promise he ascends, and shrowds
His awful brow in whirl-winds and in clouds;
Whilst all around, in terrible array,
His thunders rattle, and his light'nings play.
And yet, the dazling lustre to abate,
He set not out in all his pomp and state,
Clad in the mildest light'ning of the skies,
And arm'd with thunder of the smallest size:
Not those huge bolts, by which the giants slain
Lay overthrown on the Phlegrean plain.
'Twas of a lesser mould, and lighter weight;
They call it thunder of a second-rate,
For the rough Cyclops, who by Jove's comm and
Temper'd the bolt, and turn'd it to his hand,
Work'd up less flame and fury in its make,
And quench'd it sooner in the standing lake.
Thus dreadfully adorn'd, with horror bright,
Th' illustrious God, descending from his height,
Came rushing on her in a storm of light.

The mortal dame, too feeble to engage
The lightning's flashes, and the thunder's rage,
Consum'd amidst the glories she desir'd,
And in the terrible embrace expir'd.

But, to preserve his offspring from the tomb,
Jove took him smoaking from the blasted womb:
And, if on ancient tales we may rely,
Inclos'd th' abortive infant in his thigh.
Here when the babe had all his time fulfill'd,
Ino first took him for her foster-child;
Then the Niseans, in their dark abode,
Nurs'd secretly with milk the thriving God.

The Transformation of Tiresias

'Twas now, while these transactions past on Earth,
And Bacchus thus procur'd a second birth,
When Jove, dispos'd to lay aside the weight
Of publick empire and the cares of state,
As to his queen in nectar bowls he quaff'd,
"In troth," says he, and as he spoke he laugh'd,
"The sense of pleasure in the male is far
More dull and dead, than what you females share."
Juno the truth of what was said deny'd;
Tiresias therefore must the cause decide,
For he the pleasure of each sex had try'd.

It happen'd once, within a shady wood,
Two twisted snakes he in conjunction view'd,
When with his staff their slimy folds he broke,
And lost his manhood at the fatal stroke.
But, after seven revolving years, he view'd
The self-same serpents in the self-same wood:
"And if," says he, "such virtue in you lye,
That he who dares your slimy folds untie
Must change his kind, a second stroke I'll try."
Again he struck the snakes, and stood again
New-sex'd, and strait recover'd into man.
Him therefore both the deities create
The sov'raign umpire, in their grand debate;
And he declar'd for Jove: when Juno fir'd,
More than so trivial an affair requir'd,
Depriv'd him, in her fury, of his sight,
And left him groping round in sudden night.
But Jove (for so it is in Heav'n decreed,
That no one God repeal another's deed)
Irradiates all his soul with inward light,
And with the prophet's art relieves the want of sight.

The Transformation of Echo

Fam'd far and near for knowing things to come,
From him th' enquiring nations sought their doom;
The fair Liriope his answers try'd,
And first th' unerring prophet justify'd.
This nymph the God Cephisus had abus'd,
With all his winding waters circumfus'd,
And on the Nereid got a lovely boy,
Whom the soft maids ev'n then beheld with joy.

The tender dame, sollicitous to know
Whether her child should reach old age or no,
Consults the sage Tiresias, who replies,
"If e'er he knows himself he surely dies."
Long liv'd the dubious mother in suspence,
'Till time unriddled all the prophet's sense.

Narcissus now his sixteenth year began,
Just turn'd of boy, and on the verge of man;
Many a friend the blooming youth caress'd,
Many a love-sick maid her flame confess'd:
Such was his pride, in vain the friend caress'd,
The love-sick maid in vain her flame confess'd.

Once, in the woods, as he pursu'd the chace,
The babbling Echo had descry'd his face;
She, who in others' words her silence breaks,
Nor speaks her self but when another speaks.
Echo was then a maid, of speech bereft,
Of wonted speech; for tho' her voice was left,
Juno a curse did on her tongue impose,
To sport with ev'ry sentence in the close.
Full often when the Goddess might have caught
Jove and her rivals in the very fault,
This nymph with subtle stories would delay
Her coming, 'till the lovers slip'd away.
The Goddess found out the deceit in time,
And then she cry'd, "That tongue, for this thy crime,
Which could so many subtle tales produce,
Shall be hereafter but of little use."
Hence 'tis she prattles in a fainter tone,
With mimick sounds, and accents not her own.

This love-sick virgin, over-joy'd to find
The boy alone, still follow'd him behind:
When glowing warmly at her near approach,
As sulphur blazes at the taper's touch,
She long'd her hidden passion to reveal,
And tell her pains, but had not words to tell:
She can't begin, but waits for the rebound,
To catch his voice, and to return the sound.

The nymph, when nothing could Narcissus move,
Still dash'd with blushes for her slighted love,
Liv'd in the shady covert of the woods,
In solitary caves and dark abodes;
Where pining wander'd the rejected fair,
'Till harrass'd out, and worn away with care,
The sounding skeleton, of blood bereft,
Besides her bones and voice had nothing left.
Her bones are petrify'd, her voice is found
In vaults, where still it doubles ev'ry sound.

The Story of Narcissus

Thus did the nymphs in vain caress the boy,
He still was lovely, but he still was coy;
When one fair virgin of the slighted train
Thus pray'd the Gods, provok'd by his disdain,
"Oh may he love like me, and love like me in vain!"
Rhamnusia pity'd the neglected fair,
And with just vengeance answer'd to her pray'r.

There stands a fountain in a darksom wood,
Nor stain'd with falling leaves nor rising mud;
Untroubled by the breath of winds it rests,
Unsully'd by the touch of men or beasts;
High bow'rs of shady trees above it grow,
And rising grass and chearful greens below.
Pleas'd with the form and coolness of the place,
And over-heated by the morning chace,
Narcissus on the grassie verdure lyes:
But whilst within the chrystal fount he tries
To quench his heat, he feels new heats arise.
For as his own bright image he survey'd,
He fell in love with the fantastick shade;
And o'er the fair resemblance hung unmov'd,
Nor knew, fond youth! it was himself he lov'd.
The well-turn'd neck and shoulders he descries,
The spacious forehead, and the sparkling eyes;
The hands that Bacchus might not scorn to show,
And hair that round Apollo's head might flow;
With all the purple youthfulness of face,
That gently blushes in the wat'ry glass.
By his own flames consum'd the lover lyes,
And gives himself the wound by which he dies.
To the cold water oft he joins his lips,
Oft catching at the beauteous shade he dips
His arms, as often from himself he slips.
Nor knows he who it is his arms pursue
With eager clasps, but loves he knows not who.

What could, fond youth, this helpless passion move?
What kindled in thee this unpity'd love?
Thy own warm blush within the water glows,
With thee the colour'd shadow comes and goes,
Its empty being on thy self relies;
Step thou aside, and the frail charmer dies.

Still o'er the fountain's wat'ry gleam he stood,
Mindless of sleep, and negligent of food;
Still view'd his face, and languish'd as he view'd.
At length he rais'd his head, and thus began
To vent his griefs, and tell the woods his pain.
"You trees," says he, "and thou surrounding grove,
Who oft have been the kindly scenes of love,
Tell me, if e'er within your shades did lye
A youth so tortur'd, so perplex'd as I?
I, who before me see the charming fair,
Whilst there he stands, and yet he stands not there:
In such a maze of love my thoughts are lost:
And yet no bulwark'd town, nor distant coast,
Preserves the beauteous youth from being seen,
No mountains rise, nor oceans flow between.
A shallow water hinders my embrace;
And yet the lovely mimick wears a face
That kindly smiles, and when I bend to join
My lips to his, he fondly bends to mine.
Hear, gentle youth, and pity my complaint,
Come from thy well, thou fair inhabitant.
My charms an easy conquest have obtain'd
O'er other hearts, by thee alone disdain'd.
But why should I despair? I'm sure he burns
With equal flames, and languishes by turns.
When-e'er I stoop, he offers at a kiss,
And when my arms I stretch, he stretches his.
His eye with pleasure on my face he keeps,
He smiles my smiles, and when I weep he weeps.
When e'er I speak, his moving lips appear
To utter something, which I cannot hear.

"Ah wretched me! I now begin too late
To find out all the long-perplex'd deceit;
It is my self I love, my self I see;
The gay delusion is a part of me.
I kindle up the fires by which I burn,
And my own beauties from the well return.
Whom should I court? how utter my complaint?
Enjoyment but produces my restraint,
And too much plenty makes me die for want.
How gladly would I from my self remove!
And at a distance set the thing I love.
My breast is warm'd with such unusual fire,
I wish him absent whom I most desire.
And now I faint with grief; my fate draws nigh;
In all the pride of blooming youth I die.
Death will the sorrows of my heart relieve.
Oh might the visionary youth survive,
I should with joy my latest breath resign!
But oh! I see his fate involv'd in mine."

This said, the weeping youth again return'd
To the clear fountain, where again he burn'd;
His tears defac'd the surface of the well,
With circle after circle, as they fell:
And now the lovely face but half appears,
O'er-run with wrinkles, and deform'd with tears.
"Ah whither," cries Narcissus, "dost thou fly?
Let me still feed the flame by which I die;
Let me still see, tho' I'm no further blest."
Then rends his garment off, and beats his breast:
His naked bosom redden'd with the blow,
In such a blush as purple clusters show,
Ere yet the sun's autumnal heats refine
Their sprightly juice, and mellow it to wine.
The glowing beauties of his breast he spies,
And with a new redoubled passion dies.
As wax dissolves, as ice begins to run,
And trickle into drops before the sun;
So melts the youth, and languishes away,
His beauty withers, and his limbs decay;
And none of those attractive charms remain,
To which the slighted Echo su'd in vain.

She saw him in his present misery,
Whom, spight of all her wrongs, she griev'd to see.
She answer'd sadly to the lover's moan,
Sigh'd back his sighs, and groan'd to ev'ry groan:
"Ah youth! belov'd in vain," Narcissus cries;
"Ah youth! belov'd in vain," the nymph replies.
"Farewel," says he; the parting sound scarce fell
From his faint lips, but she reply'd, "farewel."
Then on th' wholsome earth he gasping lyes,
'Till death shuts up those self-admiring eyes.
To the cold shades his flitting ghost retires,
And in the Stygian waves it self admires.

For him the Naiads and the Dryads mourn,
Whom the sad Echo answers in her turn;
And now the sister-nymphs prepare his urn:
When, looking for his corps, they only found
A rising stalk, with yellow blossoms crown'd.

The Story of Pentheus

This sad event gave blind Tiresias fame,
Through Greece establish'd in a prophet's name.

Th' unhallow'd Pentheus only durst deride
The cheated people, and their eyeless guide.
To whom the prophet in his fury said,
Shaking the hoary honours of his head:
"'Twere well, presumptuous man, 'twere well for thee
If thou wert eyeless too, and blind, like me:
For the time comes, nay, 'tis already here,
When the young God's solemnities appear:
Which, if thou dost not with just rites adorn,
Thy impious carcass, into pieces torn,
Shall strew the woods, and hang on ev'ry thorn.
Then, then, remember what I now foretel,
And own the blind Tiresias saw too well."

Still Pentheus scorns him, and derides his skill;
But time did all the prophet's threats fulfil.
For now through prostrate Greece young Bacchus rode,
Whilst howling matrons celebrate the God:
All ranks and sexes to his Orgies ran,
To mingle in the pomps, and fill the train.
When Pentheus thus his wicked rage express'd:
"What madness, Thebans, has your souls possess'd?
Can hollow timbrels, can a drunken shout,
And the lewd clamours of a beastly rout,
Thus quell your courage; can the weak alarm
Of women's yells those stubborn souls disarm,
Whom nor the sword nor trumpet e'er could fright,
Nor the loud din and horror of a fight?
And you, our sires, who left your old abodes,
And fix'd in foreign earth your country Gods;
Will you without a stroak your city yield,
And poorly quit an undisputed field?
But you, whose youth and vigour should inspire
Heroick warmth, and kindle martial fire,
Whom burnish'd arms and crested helmets grace,
Not flow'ry garlands and a painted face;
Remember him to whom you stand ally'd:
The serpent for his well of waters dy'd.
He fought the strong; do you his courage show,
And gain a conquest o'er a feeble foe.
If Thebes must fall, oh might the fates afford
A nobler doom from famine, fire, or sword.
Then might the Thebans perish with renown:
But now a beardless victor sacks the town;
Whom nor the prancing steed, nor pond'rous shield,
Nor the hack'd helmet, nor the dusty field,
But the soft joys of luxury and ease,
The purple vests, and flow'ry garlands please.
Stand then aside, I'll make the counterfeit
Renounce his god-head, and confess the cheat.
Acrisius from the Grecian walls repell'd
This boasted pow'r; why then should Pentheus yield?
Go quickly drag th' impostor boy to me;
I'll try the force of his divinity."
Thus did th' audacious wretch those rites profane;
His friends dissuade th' audacious wretch in vain:
In vain his grandsire urg'd him to give o'er
His impious threats; the wretch but raves the more.

So have I seen a river gently glide,
In a smooth course, and inoffensive tide;
But if with dams its current we restrain,
It bears down all, and foams along the plain.

But now his servants came besmear'd with blood,
Sent by their haughty prince to seize the God;
The God they found not in the frantick throng,
But dragg'd a zealous votary along.

The Mariners transform'd to Dolphins

Him Pentheus view'd with fury in his look,
And scarce with-held his hands, whilst thus he spoke:
"Vile slave! whom speedy vengeance shall pursue,
And terrify thy base seditious crew:
Thy country and thy parentage reveal,
And, why thou joinest in these mad Orgies, tell."

The captive views him with undaunted eyes,
And, arm'd with inward innocence, replies,

"From high Meonia's rocky shores I came,
Of poor descent, Acoetes is my name:
My sire was meanly born; no oxen plow'd
His fruitful fields, nor in his pastures low'd.
His whole estate within the waters lay;
With lines and hooks he caught the finny prey,
His art was all his livelyhood; which he
Thus with his dying lips bequeath'd to me:
In streams, my boy, and rivers take thy chance;
There swims, said he, thy whole inheritance.
Long did I live on this poor legacy;
'Till tir'd with rocks, and my old native sky,
To arts of navigation I inclin'd;
Observ'd the turns and changes of the wind,
Learn'd the fit havens, and began to note
The stormy Hyades, the rainy Goat,
The bright Taygete, and the shining Bears,
With all the sailor's catalogue of stars.

"Once, as by chance for Delos I design'd,
My vessel, driv'n by a strong gust of wind,
Moor'd in a Chian Creek; a-shore I went,
And all the following night in Chios spent.
When morning rose, I sent my mates to bring
Supplies of water from a neighb'ring spring,
Whilst I the motion of the winds explor'd;
Then summon'd in my crew, and went aboard.
Opheltes heard my summons, and with joy
Brought to the shore a soft and lovely boy,
With more than female sweetness in his look,
Whom straggling in the neighb'ring fields he took.
With fumes of wine the little captive glows,
And nods with sleep, and staggers as he goes.

"I view'd him nicely, and began to trace
Each heav'nly feature, each immortal grace,
And saw divinity in all his face,
I know not who, said I, this God should be;
But that he is a God I plainly see:
And thou, who-e'er thou art, excuse the force
These men have us'd; and oh befriend our course!
Pray not for us, the nimble Dictys cry'd,
Dictys, that could the main-top mast bestride,
And down the ropes with active vigour slide.
To the same purpose old Epopeus spoke,
Who over-look'd the oars, and tim'd the stroke;
The same the pilot, and the same the rest;
Such impious avarice their souls possest.
Nay, Heav'n forbid that I should bear away
Within my vessel so divine a prey,
Said I; and stood to hinder their intent:
When Lycabas, a wretch for murder sent
From Tuscany, to suffer banishment,
With his clench'd fist had struck me over-board,
Had not my hands in falling grasp'd a cord.

"His base confederates the fact approve;
When Bacchus (for 'twas he) begun to move,
Wak'd by the noise and clamours which they rais'd;
And shook his drowsie limbs, and round him gaz'd:
What means this noise? he cries; am I betray'd?
Ah, whither, whither must I be convey'd?
Fear not, said Proreus, child, but tell us where
You wish to land, and trust our friendly care.
To Naxos then direct your course, said he;
Naxos a hospitable port shall be
To each of you, a joyful home to me.
By ev'ry God, that rules the sea or sky,
The perjur'd villains promise to comply,
And bid me hasten to unmoor the ship.
With eager joy I launch into the deep;
And, heedless of the fraud, for Naxos stand.
They whisper oft, and beckon with the hand,
And give me signs, all anxious for their prey,
To tack about, and steer another way.
Then let some other to my post succeed,
Said I, I'm guiltless of so foul a deed.
What, says Ethalion, must the ship's whole crew
Follow your humour, and depend on you?
And strait himself he seated at the prore,
And tack'd about, and sought another shore.

"The beauteous youth now found himself betray'd,
And from the deck the rising waves survey'd,
And seem'd to weep, and as he wept he said:
And do you thus my easy faith beguile?
Thus do you bear me to my native isle?
Will such a multitude of men employ
Their strength against a weak defenceless boy?

"In vain did I the God-like youth deplore,
The more I begg'd, they thwarted me the more.
And now by all the Gods in Heav'n that hear
This solemn oath, by Bacchus' self, I swear,
The mighty miracle that did ensue,
Although it seems beyond belief, is true.
The vessel, fix'd and rooted in the flood,
Unmov'd by all the beating billows stood.
In vain the mariners would plow the main
With sails unfurl'd, and strike their oars in vain;
Around their oars a twining ivy cleaves,
And climbs the mast, and hides the cords in leaves:
The sails are cover'd with a chearful green,
And berries in the fruitful canvass seen.
Amidst the waves a sudden forest rears
Its verdant head, and a new Spring appears.

"The God we now behold with open'd eyes;
A herd of spotted panthers round him lyes
In glaring forms; the grapy clusters spread
On his fair brows, and dangle on his head.
And whilst he frowns, and brandishes his spear,
My mates surpriz'd with madness or with fear,
Leap'd over board; first perjur'd Madon found
Rough scales and fins his stiff'ning sides surround;
Ah what, cries one, has thus transform'd thy look?
Strait his own mouth grew wider as he spoke;
And now himself he views with like surprize.
Still at his oar th' industrious Libys plies;
But, as he plies, each busy arm shrinks in,
And by degrees is fashion'd to a fin.
Another, as he catches at a cord,
Misses his arms, and, tumbling over-board,
With his broad fins and forky tail he laves
The rising surge, and flounces in the waves.
Thus all my crew transform'd around the ship,
Or dive below, or on the surface leap,
And spout the waves, and wanton in the deep.
Full nineteen sailors did the ship convey,
A shole of nineteen dolphins round her play.
I only in my proper shape appear,
Speechless with wonder, and half dead with fear,
'Till Bacchus kindly bid me fear no more.
With him I landed on the Chian shore,
And him shall ever gratefully adore."

"This forging slave," says Pentheus, "would prevail
O'er our just fury by a far-fetch'd tale:
Go, let him feel the whips, the swords, the fire,
And in the tortures of the rack expire."
Th' officious servants hurry him away,
And the poor captive in a dungeon lay.
But, whilst the whips and tortures are prepar'd,
The gates fly open, of themselves unbarr'd;
At liberty th' unfetter'd captive stands,
And flings the loosen'd shackles from his hands.

The Death of Pentheus

But Pentheus, grown more furious than before,
Resolv'd to send his messengers no more,
But went himself to the distracted throng,
Where high Cithaeron echo'd with their song.
And as the fiery war-horse paws the ground,
And snorts and trembles at the trumpet's sound;
Transported thus he heard the frantick rout,
And rav'd and madden'd at the distant shout.

A spacious circuit on the hill there stood.
Level and wide, and skirted round with wood;
Here the rash Pentheus, with unhallow'd eyes,
The howling dames and mystick Orgies spies.
His mother sternly view'd him where he stood,
And kindled into madness as she view'd:
Her leafy jav'lin at her son she cast,
And cries, "The boar that lays our country waste!
The boar, my sisters! Aim the fatal dart,
And strike the brindled monster to the heart."

Pentheus astonish'd heard the dismal sound,
And sees the yelling matrons gath'ring round;
He sees, and weeps at his approaching fate,
And begs for mercy, and repents too late.
"Help, help! my aunt Autonoe," he cry'd;
"Remember, how your own Actaeon dy'd."
Deaf to his cries, the frantick matron crops
One stretch'd-out arm, the other Ino lops.
In vain does Pentheus to his mother sue,
And the raw bleeding stumps presents to view:
His mother howl'd; and, heedless of his pray'r,
Her trembling hand she twisted in his hair,
"And this," she cry'd, "shall be Agave's share,"
When from the neck his struggling head she tore,
And in her hands the ghastly visage bore.
With pleasure all the hideous trunk survey;
Then pull'd and tore the mangled limbs away,
As starting in the pangs of death it lay,
Soon as the wood its leafy honours casts,
Blown off and scatter'd by autumnal blasts,
With such a sudden death lay Pentheus slain,
And in a thousand pieces strow'd the plain.

By so distinguishing a judgment aw'd,
The Thebans tremble, and confess the God.

----------------------------------------------------------------------
~ Ovid, BOOK THE THIRD

,
549:Custer
BOOK FIRST.
I.
ALL valor died not on the plains of Troy.
Awake, my Muse, awake! be thine the joy
To sing of deeds as dauntless and as brave
As e'er lent luster to a warrior's grave.
Sing of that noble soldier, nobler man,
Dear to the heart of each American.
Sound forth his praise from sea to listening seaGreece her Achilles claimed, immortal Custer, we.
II.
Intrepid are earth's heroes now as when
The gods came down to measure strength with men.
Let danger threaten or let duty call,
And self surrenders to the needs of all;
Incurs vast perils, or, to save those dear,
Embraces death without one sigh or tear.
Life's martyrs still the endless drama play
Though no great Homer lives to chant their worth to-day.
III.
And if he chanted, who would list his songs,
So hurried now the world's gold-seeking throngs?
And yet shall silence mantle mighty deeds?
Awake, dear Muse, and sing though no ear heeds!
Extol the triumphs, and bemoan the end
Of that true hero, lover, son and friend
Whose faithful heart in his last choice was shownDeath with the comrades dear, refusing flight alone.
IV.
He who was born for battle and for strife
Like some caged eagle frets in peaceful life;
152
So Custer fretted when detained afar
From scenes of stirring action and of war.
And as the captive eagle in delight,
When freedom offers, plumes himself for flight
And soars away to thunder clouds on high,
With palpitating wings and wild exultant cry,
V.
So lion-hearted Custer sprang to arms,
And gloried in the conflict's loud alarms.
But one dark shadow marred his bounding joy;
And then the soldier vanished, and the boy,
The tender son, clung close, with sobbing breath,
To her from whom each parting was new death;
That mother who like goddesses of old,
Gave to the mighty Mars, three warriors brave and bold,
VI.
Yet who, unlike those martial dames of yore,
Grew pale and shuddered at the sight of gore.
A fragile being, born to grace the hearth,
Untroubled by the conflicts of the earth.
Some gentle dove who reared young eaglets, might,
In watching those bold birdlings take their flight,
Feel what that mother felt who saw her sons
Rush from her loving arms, to face death-dealing guns.
VII.
But ere thy lyre is strung to martial strains
Of wars which sent our hero o'er the plains,
To add the cypress to his laureled brow,
Be brave, my Muse, and darker truths avow.
Let Justice ask a preface to thy songs,
Before the Indian's crimes declare his wrongs;
Before effects, wherein all horrors blend,
Declare the shameful cause, precursor of the end.
VIII.
153
When first this soil the great Columbus trod,
He was less like the image of his God
Than those ingenuous souls, unspoiled by art,
Who lived so near to Mother Nature's heart;
Those simple children of the wood and wave,
As frank as trusting, and as true as brave;
Savage they were, when on some hostile raid
(For where is he so high, whom war does not degrade?) .
IX.
But dark deceit and falsehood's shameless shame
They had not learned, until the white man came.
He taught them, too, the lurking devil's joy
In liquid lies, that lure but to destroy.
With wily words, as false as they were sweet,
He spread his snares for unsuspecting feet;
Paid truth with guile, and trampled in the dust
Their gentle childlike faith and unaffected trust.
X.
And for the sport of idle kings and knaves
Of Nature's greater noblemen, made slaves.
Alas, the hour, when the wronged Indian knows
His seeming benefactors are but foes.
His kinsmen kidnapped and his lands possessed,
The demon woke in that untutored breast.
Four hundred years have rolled upon their wayThe ruthless demon rules the red man to this day.
XI.
If, in the morning of success, that grand
Invincible discoverer of our land
Had made no lodge or wigwam desolate
To carry trophies to the proud and great;
If on our history's page there were no blot
Left by the cruel rapine of Cabot,
Of Verrazin, and Hudson, dare we claim
The Indian of the plains, to-day had been same?
154
XII.
For in this brief existence, not alone
Do our lives gather what our hands have sown,
But we reap, too, what others long ago
Sowed, careless of the harvests that might grow.
Thus hour by hour the humblest human souls
Inscribe in cipher on unending scrolls,
The history of nations yet to be;
Incite fierce bloody wars, to rage from sea to sea,
XIII.
Or pave the way to peace. There is no past,
So deathless are events-results so vast.
And he who strives to make one act or hour
Stand separate and alone, needs first the power
To look upon the breaking wave and say,
'These drops were bosomed by a cloud to-day,
And those from far mid-ocean's crest were sent.'
So future, present, past, in one wide sea are blent.
BOOK SECOND.
I.
Oh, for the power to call to aid, of mine
Own humble Muse, the famed and sacred nine.
Then might she fitly sing, and only then,
Of those intrepid and unflinching men
Who knew no homes save ever moving tents,
And who 'twixt fierce unfriendly elements
And wild barbarians warred. Yet unfraid,
Since love impels thy strains, sing, sing, my modest maid.
II.
Relate how Custer in midwinter sought
Far Washita's cold shores; tell why he fought
With savage nomads fortressed in deep snows.
Woman, thou source of half the sad world's woes
155
And all its joys, what sanguinary strife
Has vexed the earth and made contention rife
Because of thee! For, hidden in man's heart,
Ay, in his very soul, of his true self a part,
III.
The natural impulse and the wish belongs
To win thy favor and redress thy wrongs.
Alas! for woman, and for man, alas!
If that dread hour should ever come to pass,
When, through her new-born passion for control,
She drives that beauteous impulse from his soul.
What were her vaunted independence worth
If to obtain she sells her sweetest rights of birth?
IV.
God formed fair woman for her true estateMan's tender comrade, and his equal mate,
Not his competitor in toil and trade.
While coarser man, with greater strength was made
To fight her battles and her rights protect.
Ay! to protect the rights of earth's elect
(The virgin maiden and the spotless wife)
From immemorial time has man laid down his life.
V.
And now brave Custer's valiant army pressed
Across the dangerous desert of the West,
To rescue fair white captives from the hands
Of brutal Cheyenne and Comanche bands,
On Washita's bleak banks. Nine hundred strong
It moved its slow determined way along,
Past frontier homes left dark and desolate
By the wild Indians' fierce and unrelenting hate;
VI.
Past forts where ranchmen, strong of heart and bold,
Wept now like orphaned children as they told,
156
With quivering muscles and with anguished breath,
Of captured wives, whose fate was worse than death;
Past naked bodies whose disfiguring wounds
Spoke of the hellish hate of human hounds;
Past bleaching skeleton and rifled grave,
On pressed th' avenging host, to rescue and to save.
VII.
Uncertain Nature, like a fickle friend,
(Worse than the foe on whom we may depend)
Turned on these dauntless souls a brow of wrath
And hurled her icy jav'lins in their path.
With treacherous quicksands, and with storms that blight,
Entrapped their footsteps and confused their sight.
'Yet on, ' urged Custer, 'on at any cost,
No hour is there to waste, no moment to be lost.'
VIII.
Determined, silent, on they rode, and on,
Like fabled Centaurs, men and steeds seemed one.
No bugle echoed and no voice spoke near,
Lest on some lurking Indian's list'ning ear
The sound might fall. Through swift descending snow
The stealthy guides crept, tracing out the foe;
No fire was lighted, and no halt was made
From haggard gray-lipped dawn till night lent friendly shade.
IX.
Then, by the shelt'ring river's bank at last,
The weary warriors paused for their repast.
A couch of ice and falling shows for spread
Made many a suffering soldier's chilling bed.
They slept to dream of glory and delight,
While the pale fingers of the pitying night
Wove ghostly winding sheets for that doomed score
Who, ere another eve, should sleep to wake no more.
X.
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But those who slept not, saw with startled eyes
Far off, athwart dim unprotecting skies,
Ascending slowly with majestic grace,
A lustrous rocket, rising out of space.
'Behold the signal of the foe, ' cried one,
The field is lost before the strife's begun.
Yet no! for see! yon rays spread near and far;
It is the day's first smile, the radiant morning star.
XI.
The long hours counting till the daylight broke,
In whispered words the restless warriors spoke.
They talked of battles, but they thought of home
(For hearts are faithful though the feet may roam) .
Brave Hamilton, all eager for the strife,
Mused o'er that two-fold mystery-death and life;
'And when I die, ' quoth he, ' mine be the part
To fall upon the field, a bullet in my heart.'
XII.
At break of dawn the scouts crept in to say
The foe was camped a rifle shot away.
The baying of a dog, an infant's cry
Pierced through the air; sleep fled from every eye.
To horse! to arms! the dead demand the dead!
Let the grand charge upon the lodge be led!
Let the Mosaic law, life for a life
Pay the long standing debt of blood. War to the knife!
XIII.
So spake each heart in that unholy rage
Which fires the brain, when war the thoughts engage.
War, hideous war, appealing to the worst
In complex man, and waking that wild thirst
For human blood which blood alone can slake.
Yet for their country's safety, and the sake
Of tortured captives moaning in alarm
The Indian must be made to fear the law's strong arm.
158
XIV.
A noble vengeance burned in Custer's breast,
But, as he led his army to the crest,
Above the wigwams, ready for the charge
He felt the heart within him, swelling large
With human pity, as an infant's wail
Shrilled once again above the wintry gale.
Then hosts of murdered children seemed to rise;
And shame his halting thought with sad accusing eyes,
XV.
And urge him on to action. Stern of brow
The just avenger, and the General now,
He gives the silent signal to the band
Which, all impatient, waits for his command.
Cold lips to colder metal press; the air
Echoes those merry strains which mean despair
For sleeping chieftain and for toiling squaw,
But joy to those stern hearts which glory in the law
XVI.
Of murder paying murder's awful debt.
And now four squadrons in one charge are met.
From east and west, from north and south they come,
At call of bugle and at roll of drum.
Their rifles rain hot hail upon the foe,
Who flee from danger in death's jaws to go.
The Indians fight like maddened bulls at bay,
And dying shriek and groan, wound the young ear of day.
XVII.
A pallid captive and a white-browed boy
Add to the tumult piercing cries of joy,
As forth they fly, with high hope animate.
159
A hideous squaw pursues them with her hate;
Her knife descends with sickening force and sound;
Their bloody entrails stain the snow-clad ground.
She shouts with glee, then yells with rage and falls
Dead by her victims' side, pierced by avenging balls.
XVIII.
Now war runs riot, carnage reigns supreme.
All thoughts of mercy fade from Custer's scheme.
Inhuman methods for inhuman foes,
Who feed on horrors and exult in woes.
To conquer and subdue alone remains
In dealing with the red man on the plains.
The breast that knows no conscience yields to fear,
Strike! let the Indian meet his master now and here,
XIX.
With thoughts like these was Custer's mind engaged.
The gentlest are the sternest when enraged.
All felt the swift contagion of his ire,
For he was one who could arouse and fire
The coldest heart, so ardent was his own.
His fearless eye, his calm intrepid tone,
Bespoke the leader, strong with conscious power,
Whom following friends will bless, while foes will curse and cower.
XX.
Again they charge! and now among the killed
Lies Hamilton, his wish so soon fulfilled,
Brave Elliott pursues across the field
The flying foe, his own young life to yield.
But like the leaves in some autumnal gale
The red men fall in Washita's wild vale.
Each painted face and black befeathered head
Still more repulsive seems with death's grim pallor wed.
160
XXI.
New forces gather on surrounding knolls,
And fierce and fiercer war's red river rolls.
With bright-hued pennants flying from each lance
The gayly costumed Kiowas advance.
And bold Comanches (Bedouins of the land)
Infuse fresh spirit in the Cheyenne band.
While from the ambush of some dark ravine
Flash arrows aimed by hands, unerring and unseen.
XXIII.
The hours advance; the storm clouds roll away;
Still furious and more furious grows the fray.
The yellow sun makes ghastlier still the sight
Of painted corpses, staring in its light.
No longer slaves, but comrades of their griefs,
The squaws augment the forces of their chiefs.
They chant weird dirges in a minor key,
While from the narrow door of wigwam and tepee
XXIII.
Cold glittering eyes above cold glittering steel
Their deadly purpose and their hate reveal.
The click of pistols and the crack of guns
Proclaim war's daughters dangerous as her sons.
She who would wield the soldier's sword and lance
Must be prepared to take the soldier's chance.
She who would shoot must serve as target, too;
The battle-frenzied men, infuriate now pursue.
XXIV.
And blood of warrior, woman and papoose,
Flow free as waters when some dam breaks loose;
Consuming fire, the wanton friend of war
(Whom allies worship and whom foes abhor)
161
Now trails her crimson garments through the street,
And ruin marks the passing of her feet.
Full three-score lodges smoke upon the plain,
And all the vale is strewn with bodies of the slain.
XXV.
And those who are not numbered with the dead
Before all-conquering Custer now are led.
To soothe their woes, and calm their fears he seeks;
An Osage guide interprets while he speaks.
The vanquished captives, humbled, cowed and spent
Read in the victor's eye his kind intent.
The modern victor is as kind as brave;
His captive is his guest, not his insulted slave.
XXVI.
Mahwissa, sister of the slaughtered chief
Of all the Cheyennes, listens; and her grief
Yields now to hope; and o'er her withered face
There flits the stealthy cunning of her race.
Then forth she steps, and thus begins to speak:
'To aid the fallen and support the weak
Is man's true province; and to ease the pain
Of those o'er whom it is his purpose now to reign.
XXVII.
'Let the strong chief unite with theirs his life,
And take this black-eyed maiden for a wife.'
Then, moving with an air of proud command,
She leads a dusky damsel by the hand,
And places her at wondering Custer's side,
Invoking choicest blessings on the bride
And all unwilling groom, who thus replies.
'Fair is the Indian maid, with bright bewildering eyes,
162
XXVIII.
'But fairer still is one who, year on year,
Has borne man's burdens, conquered woman's fear;
And at my side rode mile on weary mile,
And faced all deaths, all dangers, with a smile,
Wise as Minerva, as Diana brave,
Is she whom generous gods in kindness gave
To share the hardships of my wandering life,
Companion, comrade, friend, my loved and loyal wife.
XXIX.
'The white chief weds but one. Take back thy maid.'
He ceased, and o'er Mahwissa's face a shade
Of mingled scorn and pity and surprise
Sweeps as she slow retreats, and thus replies:
'Rich is the pale-faced chief in battle fame,
But poor is he who but one wife may claim.
Wives are the red-skinned heroes' rightful spoil;
In war they prove his strength, in times of peace they toil.'
XXX.
But hark! The bugle echoes o'er the plains
And sounds again those merry Celtic strains
Which oft have called light feet to lilting dance,
But now they mean the order to advance.
Along the river's bank, beyond the hill
Two thousand foemen lodge, unconquered still.
Ere falls night's curtain on this bloody play,
The army must proceed, with feint of further fray.
XXXI.
The weary warriors mount their foam-flecked steeds,
With flags unfurled the dauntless host proceeds.
What though the foe outnumbers two to one?
Boldness achieves what strength oft leaves undone;
A daring mein will cause brute force to cower,
163
And courage is the secret source of power.
As Custer's column wheels upon their sight
The frightened red men yield the untried field by flight.
XXXII.
Yet when these conquering heroes sink to rest,
Dissatisfaction gnaws the leader's breast,
For far away across vast seas of snows
Held prisoners still by hostile Arapahoes
And Cheyennes unsubdued, two captives wait.
On God and Custer hangs their future fate.
May the Great Spirit nerve the mortal's arm
To rescue suffering souls from worse than death's alarm.
XXXIII.
But ere they seek to rescue the oppressed,
The valiant dead, in state, are laid to rest.
Mourned Hamilton, the faithful and the brave,
Nine hundred comrades follow to the grave;
And close behind the banner-hidden corse
All draped in black, walks mournfully his horse;
While tears of sound drip through the sunlit day.
A soldier may not weep, but drums and bugles may.
XXXIV.
Now, Muse, recount, how after long delays
And dangerous marches through untrodden ways,
Where cold and hunger on each hour attend,
At last the army gains the journey's end.
An Indian village bursts upon the eye;
Two hundred lodges, sleep-encompassed lie,
There captives moan their anguished prayers through tears,
While in the silent dawn the armied answer nears.
XXXV.
164
To snatch two fragile victims from the foe
Nine hundred men have traversed leagues of snow.
Each woe they suffered in a hostile land
The flame of vengeance in their bosoms fanned.
They thirst for slaughter, and the signal wait
To wrest the captives from their horrid fate.
Each warrior's hand upon his rifle falls,
Each savage soldier's heart for awful bloodshed calls.
XXXVI.
And one, in years a youth, in woe a man,
Sad Brewster, scarred by sorrow's blighting ban,
Looks, panting, where his captive sister sleeps,
And o'er his face the shade of murder creeps.
His nostrils quiver like a hungry beast
Who scents anear the bloody carnal feast.
He longs to leap down in that slumbering vale
And leave no foe alive to tell the awful tale.
XXXVII.
Not so, calm Custer. Sick of gory strife,
He hopes for rescue with no loss of life;
And plans that bloodless battle of the plains
Where reasoning mind outwits mere savage brains.
The sullen soldiers follow where he leads;
No gun is emptied, and no foeman bleeds.
Fierce for the fight and eager for the fray
They look upon their Chief in undisguised dismay.
XXXVIII.
He hears the murmur of their discontent,
But sneers can never change a strong mind's bent.
He knows his purpose and he does not swerve,
And with a quiet mien and steady nerve
He meets dark looks where'er his steps may go,
And silence that is bruising as a blow,
165
Where late were smiles and words of ardent praise.
So pass the lagging weeks of wearying delays.
XXXIX.
Inaction is not always what it seems,
And Custer's mind with plan and project teems.
Fixed in his peaceful purpose he abides
With none takes counsel and in none confides;
But slowly weaves about the foe a net
Which leaves them wholly at his mercy, yet
He strikes no fateful blow; he takes no life,
And holds in check his men, who pant for bloody strife.
XL.
Intrepid warrior and skilled diplomate,
In his strong hands he holds the red man's fate.
The craftiest plot he checks with counterplot,
Till tribe by tribe the tricky foe is brought
To fear his vengeance and to know his power.
As man's fixed gaze will make a wild beast cower,
So these crude souls feel that unflinching will
Which draws them by its force, yet does not deign to kill.
XLI.
And one by one the hostile Indians send
Their chiefs to seek a peaceful treaty's end.
Great councils follow; skill with cunning copes
And conquers it; and Custer sees his hopes
So long delayed, like stars storm hidden, rise
To radiate with splendor all his skies.
The stubborn Cheyennes, cowed at last by fear,
Leading the captive pair, o'er spring-touched hills appear.
XLII.
166
With breath suspended, now the whole command
Waits the approach of that equestrian band.
Nearer it comes, still nearer, then a cry,
Half sob, half shriek, goes piercing God's blue sky,
And Brewster, like a nimble-footed doe,
Or like an arrow hurrying from a bow,
Shoots swiftly through the intervening space
And that lost sister clasps, in sorrowing love's embrace.
XLIII.
And men who leaned o'er Hamilton's rude bier
And saw his dead dear face without a tear,
Strong souls who early learned the manly art
Of keeping from the eye what's in the heart,
Soldiers who look unmoved on death's pale brow,
Avert their eyes, to hide their moisture now.
The briny flood forced back from shores of woe,
Needs but to touch the strands of joy to overflow.
XLIV.
About the captives welcoming warriors crowd,
All eyes are wet, and Brewster sobs aloud.
Alas, the ravage wrought by toil and woe
On faces that were fair twelve moons ago.
Bronzed by exposure to the heat and cold,
Still young in years, yet prematurely old,
By insults humbled and by labor worn,
They stand in youth's bright hour, of all youth's graces shorn.
XLV.
A scanty garment rudely made of sacks
Hangs from their loins; bright blankets drape their backs;
About their necks are twisted tangled strings
Of gaudy beads, while tinkling wire and rings
Of yellow brass on wrists and fingers glow.
Thus, to assuage the anger of the foe
The cunning Indians decked the captive pair
167
Who in one year have known a lifetime of despair.
XLVI.
But love can resurrect from sorrow's tomb
The vanished beauty and the faded bloom,
As sunlight lifts the bruised flower from the sod,
Can lift crushed hearts to hope, for love is God.
Already now in freedom's glad release
The hunted look of fear gives place to peace,
And in their eyes at thought of home appears
That rainbow light of joy which brightest shines through tears.
XLVII.
About the leader thick the warriors crowd;
Late loud in censure, now in praises loud,
They laud the tactics, and the skill extol
Which gained a bloodless yet a glorious goal.
Alone and lonely in the path of right
Full many a brave soul walks. When gods requite
And crown his actions as their worth demands,
Among admiring throngs the hero always stands.
A row of six asterisks is on the page at this point
XLVIII.
Back to the East the valorous squadrons sweep;
The earth, arousing from her long, cold sleep,
Throws from her breast the coverlet of snow,
Revealing Spring's soft charms which lie below.
Suppressed emotions in each heart arise,
The wooer wakens and the warrior dies.
The bird of prey is vanquished by the dove,
And thoughts of bloody strife give place to thoughts of love.
XLIX.
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The mighty plains, devoid of whispering trees,
Guard well the secrets of departed seas.
Where once great tides swept by with ebb and flow
The scorching sun looks down in tearless woe.
And fierce tornadoes in ungoverned pain
Mourn still the loss of that mysterious main.
Across this ocean bed the soldiers flyHome is the gleaming goal that lures each eager eye.
L.
Like some elixir which the gods prepare,
They drink the viewless tonic of the air,
Sweet with the breath of startled antelopes
Which speed before them over swelling slopes.
Now like a serpent writhing o'er the moor,
The column curves and makes a slight detour,
As Custer leads a thousand men away
To save a ground bird's nest which in the footpath lay.
LI.
Mile following mile, against the leaning skies
Far off they see a dull dark cloud arise.
The hunter's instinct in each heart is stirred,
Beholding there in one stupendous herd
A hundred thousand buffaloes. Oh great
Unwieldy proof of Nature's cruder state,
Rough remnant of a prehistoric day,
Thou, with the red man, too, must shortly pass away.
LII.
Upon those spreading plains is there not room
For man and bison, that he seals its doom?
What pleasure lies and what seductive charm
In slaying with no purpose but to harm?
Alas, that man, unable to create,
Should thirst forever to exterminate,
And in destruction find his fiercest joy.
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The gods alone create, gods only should destroy.
LIII.
The flying hosts a straggling bull pursue;
Unerring aim, the skillful Custer drew.
The wounded beast turns madly in despair
And man and horse are lifted high in air.
The conscious steed needs not the guiding rein;
Back with a bound and one quick cry of pain
He springs, and halts, well knowing where must fall
In that protected frame, the sure death dealing ball.
LIV.
With minds intent upon the morrow's feast,
The men surround the carcass of the beast.
Rolled on his back, he lies with lolling tongue,
Soon to the saddle savory steaks are hung.
And from his mighty head, great tufts of hair
Are cut as trophies for some lady fair.
To vultures then they leave the torn remains
Of what an hour ago was monarch of the plains.
LV.
Far off, two bulls in jealous war engage,
Their blood-shot eye balls roll in furious rage;
With maddened hoofs they mutilate the ground
And loud their angry bellowings resound;
With shaggy heads bent low they plunge and roar,
Till both broad bellies drip with purple gore.
Meanwhile, the heifer, whom the twain desire,
Stands browsing near the pair, indifferent to their ire.
LVI.
At last she lifts her lazy head and heeds
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The clattering hoofs of swift advancing steeds.
Off to the herd with cumb'rous gait she runs
And leaves the bulls to face the threatening guns.
No more for them the free life of the plains,
Its mating pleasures and its warring pains.
Their quivering flesh shall feed unnumbered foes,
Their tufted tails adorn the soldiers' saddle bows.
LVII.
Now into camp the conquering hosts advance;
On burnished arms the brilliant sunbeams glance.
Brave Custer leads, blonde as the gods of old;
Back from his brow blow clustering locks of gold,
And, like a jewel in a brook, there lies,
Far in the depths of his blue guarded eyes,
The thought of one whose smiling lips upcurled,
Mean more of joy to him than plaudits of the world.
LVIII.
The troops in columns of platoons appear
Close to the leader following. Ah, here
The poetry of war is fully seen,
Its prose forgotten; as against the green
Of Mother Nature, uniformed in blue,
The soldiers pass for Sheridan's review.
The motion-music of the moving throng,
Is like a silent tune, set to a wordless song.
LIX.
The guides and trailers, weird in war's array,
Precede the troops along the grassy way.
They chant wild songs, and, with loud noise and stress,
In savage manner savage joy express.
The Indian captives, blanketed in red,
On ponies mounted, by the scouts are led.
Like sumach bushes, etched on evening skies,
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Against the blue-clad troops, this patch of color lies.
LX.
High o'er the scene vast music billows bound,
And all the air is liquid with the sound
Of those invisible compelling waves.
Perchance they reach the low and lonely graves
Where sleep brave Elliott and Hamilton,
And whisper there the tale of victory won;
Or do the souls of soldiers tried and true
Come at the bugle call, and march in grand review?
LXI.
The pleased Commander watches in surprise
This splendid pageant surge before his eyes.
Not in those mighty battle days of old
Did scenes like this upon his sight unfold.
But now it passes. Drums and bugles cease
To dash war billows on the shores of Peace.
The victors smile on fair broad bosomed Sleep
While in her soothing arms, the vanquished cease to weep.
BOOK THIRD.
There is an interval of eight years between Books Second and Third.
I.
As in the long dead days marauding hosts
Of Indians came from far Siberian coasts,
And drove the peaceful Aztecs from their grounds,
Despoiled their homes (but left their tell-tale mounds) ,
So has the white man with the Indians done.
Now with their backs against the setting sun
The remnants of a dying nation stand
And view the lost domain, once their beloved land.
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II.
Upon the vast Atlantic's leagues of shore
The happy red man's tent is seen no more;
And from the deep blue lakes which mirror heaven
His bounding bark canoe was long since driven.
The mighty woods, those temples where his God
Spoke to his soul, are leveled to the sod;
And in their place tall church spires point above,
While priests proclaim the law of Christ, the King of Love.
III.
The avaricious and encroaching rail
Seized the wide fields which knew the Indians' trail.
Back to the reservations in the West
The native owners of the land were pressed,
And selfish cities, harbingers of want,
Shut from their vision each accustomed haunt.
Yet hungry Progress, never satisfied,
Gazed on the western plains, and gazing, longed and sighed.
IV.
As some strange bullock in a pasture field
Compels the herds to fear him, and to yield
The juicy grass plots and the cooling shade
Until, despite their greater strength, afraid,
They huddle in some corner spot and cower
Before the monarch's all controlling power,
So has the white man driven from its place
By his aggressive greed, Columbia's native race.
V.
Yet when the bull pursues the herds at bay,
Incensed they turn, and dare dispute his sway.
And so the Indians turned, when men forgot
Their sacred word, and trespassed on the spot.
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The lonely little spot of all their lands,
The reservation of the peaceful bands.
But lust for gold all conscience kills in man,
'Gold in the Black Hills, gold! ' the cry arose and ran
VI.
From lip to lip, as flames from tree to tree
Leap till the forest is one fiery sea,
And through the country surged that hot unrest
Which thirst for riches wakens in the breast.
In mighty throngs the fortune hunters came,
Despoiled the red man's lands and slew his game,
Broke solemn treaties and defied the law.
And all these ruthless acts the Nation knew and saw.
VII.
Man is the only animal that kills
Just for the wanton love of slaughter; spills
The blood of lesser things to see it flow;
Lures like a friend, to murder like a foe
The trusting bird and beast; and, coward like,
Deals covert blows he dare not boldly strike.
The brutes have finer souls, and only slay
When torn by hunger's pangs, or when to fear a prey.
VIII.
The pale-faced hunter, insolent and bold,
Pursued the bison while he sought for gold.
And on the hungry red man's own domains
He left the rotting and unused remains
To foul with sickening stench each passing wind
And rouse the demon in the savage mind,
Save in the heart where virtues dominate
Injustice always breeds its natural offspring- hate.
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IX.
The chieftain of the Sioux, great Sitting Bull,
Mused o'er their wrongs, and felt his heart swell full
Of bitter vengeance. Torn with hate's unrest
He called a council and his braves addressed.
'From fair Wisconsin's shimmering lakes of blue
Long years ago the white man drove the Sioux.
Made bold by conquest, and inflamed by greed,
He still pursues our tribes, and still our ranks recede.
X.
'Fair are the White Chief's promises and words,
But dark his deeds who robs us of our herds.
He talks of treaties, asks the right to buy,
Then takes by force, not waiting our reply.
He grants us lands for pastures and abodes
To devastate them by his iron roads.
But now from happy Spirit Lands, a friend
Draws near the hunted Sioux, to strengthen and defend.
XI.
'While walking in the fields I saw a star;
Unconsciously I followed it afarIt led me on to valleys filled with light,
Where danced our noble chieftains slain in fight.
Black Kettle, first of all that host I knew,
He whom the strong armed Custer foully slew.
And then a spirit took me by the hand,
The Great Messiah King who comes to free the land.
XII.
'Suns were his eyes, a speaking tear his voice,
.Whose rainbow sounds made listening hearts rejoice
And thus he spake: 'The red man's hour draws near
When all his lost domains shall reappear.
The elk, the deer, the bounding antelope,
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Shall here return to grace each grassy slope.'
He waved his hand above the fields, and lo!
Down through the valleys came a herd of buffalo.
XIII.
'The wondrous vision vanished, but I knew
That Sitting Bull must make the promise true.
Great Spirits plan what mortal man achieves,
The hand works magic when the heart believes.
Arouse, ye braves! let not the foe advance.
Arm for the battle and begin the danceThe sacred dance in honor of our slain,
Who will return to earth, ere many moons shall wane.'
XIV.
Thus Sitting Bull, the chief of wily knaves,
Worked on the superstitions of his braves.
Mixed truth with lies; and stirred to mad unrest
The warlike instinct in each savage breast.
A curious product of unhappy times,
The natural offspring of unnumbered crimes,
He used low cunning and dramatic arts
To startle and surprise those crude untutored hearts.
XV.
Out from the lodges pour a motley throng,
Slow measures chanting of a dirge-like song.
In one great circle dizzily they swing,
A squaw and chief alternate in the ring.
Coarse raven locks stream over robes of white,
Their deep set orbs emit a lurid light,
And as through pine trees moan the winds refrains,
So swells and dies away, the ghostly graveyard strains.
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XVI.
Like worded wine is music to the ear,
And long indulged makes mad the hearts that hear.
The dancers, drunken with the monotone
Of oft repeated notes, now shriek and groan
And pierce their ruddy flesh with sharpened spears;
Still more excited when the blood appears,
With warlike yells, high in the air they bound,
Then in a deathlike trance fall prostrate on the ground.
XVII.
They wake to tell weird stories of the dead,
While fresh performers to the ring are led.
The sacred nature of the dance is lost,
War is their cry, red war, at any cost.
Insane for blood they wait for no command,
But plunge marauding through the frightened land.
Their demon hearts on devils' pleasures bent,
For each new foe surprised, new torturing deaths invent.
XVIII.
Staked to the earth one helpless creature lies,
Flames at his feet and splinters in his eyes.
Another groans with coals upon his breast,
While 'round the pyre the Indians dance and jest.
A crying child is brained upon a tree,
The swooning mother saved from death, to be
The slave and plaything of a filthy knave,
Whose sins would startle hell, whose clay defile a grave.
XIX.
Their cause was right, their methods all were wrong.
Pity and censure both to them belong.
Their woes were many, but their crimes were more.
The soulless Satan holds not in his store
Such awful tortures as the Indians' wrath
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Keeps for the hapless victim in his path.
And if the last lone remnants of that race
Were by the white man swept from off the earth's fair face,
XX.
Were every red man slaughtered in a day,
Still would that sacrifice but poorly pay
For one insulted woman captive's woes.
Again great Custer in his strength arose,
More daring, more intrepid than of old.
The passing years had touched and turned to gold
The ever widening aureole of fame
That shone upon his brow, and glorified his name.
XXI.
Wise men make laws, then turn their eyes away,
While fools and knaves ignore them day by day;
And unmolested, fools and knaves at length
Induce long wars which sap a country's strength.
The sloth of leaders, ruling but in name,
Has dragged full many a nation down to shame.
A word unspoken by the rightful lips
Has dyed the land with blood, and blocked the sea with ships.
XXII.
The word withheld, when Indians asked for aid,
Came when the red man started on his raid.
What Justice with a gesture might have done
Was left for noisy war with bellowing gun.
And who save Custer and his gallant men
Could calm the tempest into peace again?
What other hero in the land could hope
With Sitting Bull, the fierce and lawless one to cope?
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XXIII.
What other warrior skilled enough to dare
Surprise that human tiger in his lair?
Sure of his strength, unconscious of his fame
Out from the quiet of the camp he came;
And stately as Diana at his side
Elizabeth, his wife and alway bride,
And Margaret, his sister, rode apace;
Love's clinging arms he left to meet death's cold embrace.
XXIV.
As the bright column wound along its course,
The smiling leader turned upon his horse
To gaze with pride on that superb command.
Twelve hundred men, the picked of all the land,
Innured to hardship and made strong by strife
Their lithe limbed bodies breathed of out-door life;
While on their faces, resolute and brave,
Hope stamped its shining seal, although their thoughts were grave.
XXV.
The sad eyed women halted in the dawn,
And waved farewell to dear ones riding on.
The modest mist picked up her robes and ran
Before the Sun god's swift pursuing van.
And suddenly there burst on startled eyes,
The sight of soldiers, marching in the skies;
That phantom host, a phantom Custer led;
Mirage of dire portent, forecasting days ahead.
XXVI.
The soldiers' children, flaunting mimic flags,
Played by the roadside, striding sticks for nags.
Their mothers wept, indifferent to the crowd
Who saw their tears and heard them sob aloud.
Old Indian men and squaws crooned forth a rhyme
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Sung by their tribes from immemorial time;
And over all the drums' incessant beat
Mixed with the scout's weird rune, and tramp of myriad feet.
XXVII.
So flawless was the union of each part
The mighty column (moved as by one heart)
Pulsed through the air, like some sad song well sung,
Which gives delight, although the soul is wrung.
Farther and fainter to the sight and sound
The beautiful embodied poem wound;
Till like a ribbon, stretched across the land
Seemed the long narrow line of that receding band.
XXVIII.
The lot of those who in the silence wait
Is harder than the fighting soldiers' fate.
Back to the lonely post two women passed,
With unaccustomed sorrow overcast.
Two sad for sighs, too desolate for tears,
The dark forebodings of long widowed years
In preparation for the awful blow
Hung on the door of hope the sable badge of woe.
XXIX.
Unhappy Muse! for thee no song remains,
Save the sad miséréré of the plains.
Yet though defeat, not triumph, ends the tale,
Great victors sometimes are the souls that fail.
All glory lies not in the goals we reach,
But in the lessons which our actions teach.
And he who, conquered, to the end believes
In God and in himself, though vanquished, still achieves.
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XXX.
Ah, grand as rash was that last fatal raid
The little group of daring heroes made.
Two hundred and two score intrepid men
Rode out to war; not one came back again.
Like fiends incarnate from the depths of hell
Five thousand foemen rose with deafening yell,
And swept that vale as with a simoon's breath,
But like the gods of old, each martyr met his death.
XXXI.
Like gods they battled and like gods they died.
Hour following hour that little band defied
The hordes of red men swarming o'er the plain,
Till scarce a score stood upright 'mid the slain.
Then in the lull of battle, creeping near,
A scout breathed low in Custer's listening ear:
'Death lies before, dear life remains behind
Mount thy sure-footed steed, and hasten with the wind.'
XXXII.
A second's silence. Custer dropped his head,
His lips slow moving as when prayers are saidTwo words he breathed-'God and Elizabeth, '
Then shook his long locks in the face of death
And with a final gesture turned away
To join that fated few who stood at bay.
Ah! deeds like that the Christ in man reveal
Let Fame descend her throne at Custer's shrine to kneel.
XXXIII.
Too late to rescue, but in time to weep,
His tardy comrades came. As if asleep
He lay, so fair, that even hellish hate
Withheld its hand and dared not mutilate.
By fiends who knew not honor, honored still,
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He smiled and slept on that far western hill.
Cast down thy lyre, oh Muse! thy song is done!
Let tears complete the tale of him who failed, yet won.
~ Ella Wheeler Wilcox,
550:Merlin And Vivien
A storm was coming, but the winds were still,
And in the wild woods of Broceliande,
Before an oak, so hollow, huge and old
It looked a tower of ivied masonwork,
At Merlin's feet the wily Vivien lay.
For he that always bare in bitter grudge
The slights of Arthur and his Table, Mark
The Cornish King, had heard a wandering voice,
A minstrel of Caerlon by strong storm
Blown into shelter at Tintagil, say
That out of naked knightlike purity
Sir Lancelot worshipt no unmarried girl
But the great Queen herself, fought in her name,
Sware by her--vows like theirs, that high in heaven
Love most, but neither marry, nor are given
In marriage, angels of our Lord's report.
He ceased, and then--for Vivien sweetly said
(She sat beside the banquet nearest Mark),
'And is the fair example followed, Sir,
In Arthur's household?'--answered innocently:
'Ay, by some few--ay, truly--youths that hold
It more beseems the perfect virgin knight
To worship woman as true wife beyond
All hopes of gaining, than as maiden girl.
They place their pride in Lancelot and the Queen.
So passionate for an utter purity
Beyond the limit of their bond, are these,
For Arthur bound them not to singleness.
Brave hearts and clean! and yet--God guide them--young.'
Then Mark was half in heart to hurl his cup
Straight at the speaker, but forbore: he rose
To leave the hall, and, Vivien following him,
Turned to her: 'Here are snakes within the grass;
And you methinks, O Vivien, save ye fear
The monkish manhood, and the mask of pure
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Worn by this court, can stir them till they sting.'
And Vivien answered, smiling scornfully,
'Why fear? because that fostered at THY court
I savour of thy--virtues? fear them? no.
As Love, if Love is perfect, casts out fear,
So Hate, if Hate is perfect, casts out fear.
My father died in battle against the King,
My mother on his corpse in open field;
She bore me there, for born from death was I
Among the dead and sown upon the wind-And then on thee! and shown the truth betimes,
That old true filth, and bottom of the well
Where Truth is hidden. Gracious lessons thine
And maxims of the mud! "This Arthur pure!
Great Nature through the flesh herself hath made
Gives him the lie! There is no being pure,
My cherub; saith not Holy Writ the same?"-If I were Arthur, I would have thy blood.
Thy blessing, stainless King! I bring thee back,
When I have ferreted out their burrowings,
The hearts of all this Order in mine hand-Ay--so that fate and craft and folly close,
Perchance, one curl of Arthur's golden beard.
To me this narrow grizzled fork of thine
Is cleaner-fashioned--Well, I loved thee first,
That warps the wit.'
Loud laughed the graceless Mark,
But Vivien, into Camelot stealing, lodged
Low in the city, and on a festal day
When Guinevere was crossing the great hall
Cast herself down, knelt to the Queen, and wailed.
'Why kneel ye there? What evil hath ye wrought?
Rise!' and the damsel bidden rise arose
And stood with folded hands and downward eyes
Of glancing corner, and all meekly said,
'None wrought, but suffered much, an orphan maid!
My father died in battle for thy King,
My mother on his corpse--in open field,
The sad sea-sounding wastes of Lyonnesse--
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Poor wretch--no friend!--and now by Mark the King
For that small charm of feature mine, pursued-If any such be mine--I fly to thee.
Save, save me thou--Woman of women--thine
The wreath of beauty, thine the crown of power,
Be thine the balm of pity, O Heaven's own white
Earth-angel, stainless bride of stainless King-Help, for he follows! take me to thyself!
O yield me shelter for mine innocency
Among thy maidens!
Here her slow sweet eyes
Fear-tremulous, but humbly hopeful, rose
Fixt on her hearer's, while the Queen who stood
All glittering like May sunshine on May leaves
In green and gold, and plumed with green replied,
'Peace, child! of overpraise and overblame
We choose the last. Our noble Arthur, him
Ye scarce can overpraise, will hear and know.
Nay--we believe all evil of thy Mark-Well, we shall test thee farther; but this hour
We ride a-hawking with Sir Lancelot.
He hath given us a fair falcon which he trained;
We go to prove it. Bide ye here the while.'
She past; and Vivien murmured after 'Go!
I bide the while.' Then through the portal-arch
Peering askance, and muttering broken-wise,
As one that labours with an evil dream,
Beheld the Queen and Lancelot get to horse.
'Is that the Lancelot? goodly--ay, but gaunt:
Courteous--amends for gauntness--takes her hand-That glance of theirs, but for the street, had been
A clinging kiss--how hand lingers in hand!
Let go at last!--they ride away--to hawk
For waterfowl. Royaller game is mine.
For such a supersensual sensual bond
As that gray cricket chirpt of at our hearth-Touch flax with flame--a glance will serve--the liars!
Ah little rat that borest in the dyke
Thy hole by night to let the boundless deep
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Down upon far-off cities while they dance-Or dream--of thee they dreamed not--nor of me
These--ay, but each of either: ride, and dream
The mortal dream that never yet was mine-Ride, ride and dream until ye wake--to me!
Then, narrow court and lubber King, farewell!
For Lancelot will be gracious to the rat,
And our wise Queen, if knowing that I know,
Will hate, loathe, fear--but honour me the more.'
Yet while they rode together down the plain,
Their talk was all of training, terms of art,
Diet and seeling, jesses, leash and lure.
'She is too noble' he said 'to check at pies,
Nor will she rake: there is no baseness in her.'
Here when the Queen demanded as by chance
'Know ye the stranger woman?' 'Let her be,'
Said Lancelot and unhooded casting off
The goodly falcon free; she towered; her bells,
Tone under tone, shrilled; and they lifted up
Their eager faces, wondering at the strength,
Boldness and royal knighthood of the bird
Who pounced her quarry and slew it. Many a time
As once--of old--among the flowers--they rode.
But Vivien half-forgotten of the Queen
Among her damsels broidering sat, heard, watched
And whispered: through the peaceful court she crept
And whispered: then as Arthur in the highest
Leavened the world, so Vivien in the lowest,
Arriving at a time of golden rest,
And sowing one ill hint from ear to ear,
While all the heathen lay at Arthur's feet,
And no quest came, but all was joust and play,
Leavened his hall. They heard and let her be.
Thereafter as an enemy that has left
Death in the living waters, and withdrawn,
The wily Vivien stole from Arthur's court.
She hated all the knights, and heard in thought
Their lavish comment when her name was named.
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For once, when Arthur walking all alone,
Vext at a rumour issued from herself
Of some corruption crept among his knights,
Had met her, Vivien, being greeted fair,
Would fain have wrought upon his cloudy mood
With reverent eyes mock-loyal, shaken voice,
And fluttered adoration, and at last
With dark sweet hints of some who prized him more
Than who should prize him most; at which the King
Had gazed upon her blankly and gone by:
But one had watched, and had not held his peace:
It made the laughter of an afternoon
That Vivien should attempt the blameless King.
And after that, she set herself to gain
Him, the most famous man of all those times,
Merlin, who knew the range of all their arts,
Had built the King his havens, ships, and halls,
Was also Bard, and knew the starry heavens;
The people called him Wizard; whom at first
She played about with slight and sprightly talk,
And vivid smiles, and faintly-venomed points
Of slander, glancing here and grazing there;
And yielding to his kindlier moods, the Seer
Would watch her at her petulance, and play,
Even when they seemed unloveable, and laugh
As those that watch a kitten; thus he grew
Tolerant of what he half disdained, and she,
Perceiving that she was but half disdained,
Began to break her sports with graver fits,
Turn red or pale, would often when they met
Sigh fully, or all-silent gaze upon him
With such a fixt devotion, that the old man,
Though doubtful, felt the flattery, and at times
Would flatter his own wish in age for love,
And half believe her true: for thus at times
He wavered; but that other clung to him,
Fixt in her will, and so the seasons went.
Then fell on Merlin a great melancholy;
He walked with dreams and darkness, and he found
A doom that ever poised itself to fall,
An ever-moaning battle in the mist,
369
World-war of dying flesh against the life,
Death in all life and lying in all love,
The meanest having power upon the highest,
And the high purpose broken by the worm.
So leaving Arthur's court he gained the beach;
There found a little boat, and stept into it;
And Vivien followed, but he marked her not.
She took the helm and he the sail; the boat
Drave with a sudden wind across the deeps,
And touching Breton sands, they disembarked.
And then she followed Merlin all the way,
Even to the wild woods of Broceliande.
For Merlin once had told her of a charm,
The which if any wrought on anyone
With woven paces and with waving arms,
The man so wrought on ever seemed to lie
Closed in the four walls of a hollow tower,
From which was no escape for evermore;
And none could find that man for evermore,
Nor could he see but him who wrought the charm
Coming and going, and he lay as dead
And lost to life and use and name and fame.
And Vivien ever sought to work the charm
Upon the great Enchanter of the Time,
As fancying that her glory would be great
According to his greatness whom she quenched.
There lay she all her length and kissed his feet,
As if in deepest reverence and in love.
A twist of gold was round her hair; a robe
Of samite without price, that more exprest
Than hid her, clung about her lissome limbs,
In colour like the satin-shining palm
On sallows in the windy gleams of March:
And while she kissed them, crying, 'Trample me,
Dear feet, that I have followed through the world,
And I will pay you worship; tread me down
And I will kiss you for it;' he was mute:
So dark a forethought rolled about his brain,
As on a dull day in an Ocean cave
The blind wave feeling round his long sea-hall
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In silence: wherefore, when she lifted up
A face of sad appeal, and spake and said,
'O Merlin, do ye love me?' and again,
'O Merlin, do ye love me?' and once more,
'Great Master, do ye love me?' he was mute.
And lissome Vivien, holding by his heel,
Writhed toward him, slided up his knee and sat,
Behind his ankle twined her hollow feet
Together, curved an arm about his neck,
Clung like a snake; and letting her left hand
Droop from his mighty shoulder, as a leaf,
Made with her right a comb of pearl to part
The lists of such a board as youth gone out
Had left in ashes: then he spoke and said,
Not looking at her, 'Who are wise in love
Love most, say least,' and Vivien answered quick,
'I saw the little elf-god eyeless once
In Arthur's arras hall at Camelot:
But neither eyes nor tongue--O stupid child!
Yet you are wise who say it; let me think
Silence is wisdom: I am silent then,
And ask no kiss;' then adding all at once,
'And lo, I clothe myself with wisdom,' drew
The vast and shaggy mantle of his beard
Across her neck and bosom to her knee,
And called herself a gilded summer fly
Caught in a great old tyrant spider's web,
Who meant to eat her up in that wild wood
Without one word. So Vivien called herself,
But rather seemed a lovely baleful star
Veiled in gray vapour; till he sadly smiled:
'To what request for what strange boon,' he said,
'Are these your pretty tricks and fooleries,
O Vivien, the preamble? yet my thanks,
For these have broken up my melancholy.'
And Vivien answered smiling saucily,
'What, O my Master, have ye found your voice?
I bid the stranger welcome. Thanks at last!
But yesterday you never opened lip,
Except indeed to drink: no cup had we:
In mine own lady palms I culled the spring
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That gathered trickling dropwise from the cleft,
And made a pretty cup of both my hands
And offered you it kneeling: then you drank
And knew no more, nor gave me one poor word;
O no more thanks than might a goat have given
With no more sign of reverence than a beard.
And when we halted at that other well,
And I was faint to swooning, and you lay
Foot-gilt with all the blossom-dust of those
Deep meadows we had traversed, did you know
That Vivien bathed your feet before her own?
And yet no thanks: and all through this wild wood
And all this morning when I fondled you:
Boon, ay, there was a boon, one not so strange-How had I wronged you? surely ye are wise,
But such a silence is more wise than kind.'
And Merlin locked his hand in hers and said:
'O did ye never lie upon the shore,
And watch the curled white of the coming wave
Glassed in the slippery sand before it breaks?
Even such a wave, but not so pleasurable,
Dark in the glass of some presageful mood,
Had I for three days seen, ready to fall.
And then I rose and fled from Arthur's court
To break the mood. You followed me unasked;
And when I looked, and saw you following me still,
My mind involved yourself the nearest thing
In that mind-mist: for shall I tell you truth?
You seemed that wave about to break upon me
And sweep me from my hold upon the world,
My use and name and fame. Your pardon, child.
Your pretty sports have brightened all again.
And ask your boon, for boon I owe you thrice,
Once for wrong done you by confusion, next
For thanks it seems till now neglected, last
For these your dainty gambols: wherefore ask;
And take this boon so strange and not so strange.'
And Vivien answered smiling mournfully:
'O not so strange as my long asking it,
Not yet so strange as you yourself are strange,
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Nor half so strange as that dark mood of yours.
I ever feared ye were not wholly mine;
And see, yourself have owned ye did me wrong.
The people call you prophet: let it be:
But not of those that can expound themselves.
Take Vivien for expounder; she will call
That three-days-long presageful gloom of yours
No presage, but the same mistrustful mood
That makes you seem less noble than yourself,
Whenever I have asked this very boon,
Now asked again: for see you not, dear love,
That such a mood as that, which lately gloomed
Your fancy when ye saw me following you,
Must make me fear still more you are not mine,
Must make me yearn still more to prove you mine,
And make me wish still more to learn this charm
Of woven paces and of waving hands,
As proof of trust. O Merlin, teach it me.
The charm so taught will charm us both to rest.
For, grant me some slight power upon your fate,
I, feeling that you felt me worthy trust,
Should rest and let you rest, knowing you mine.
And therefore be as great as ye are named,
Not muffled round with selfish reticence.
How hard you look and how denyingly!
O, if you think this wickedness in me,
That I should prove it on you unawares,
That makes me passing wrathful; then our bond
Had best be loosed for ever: but think or not,
By Heaven that hears I tell you the clean truth,
As clean as blood of babes, as white as milk:
O Merlin, may this earth, if ever I,
If these unwitty wandering wits of mine,
Even in the jumbled rubbish of a dream,
Have tript on such conjectural treachery-May this hard earth cleave to the Nadir hell
Down, down, and close again, and nip me flat,
If I be such a traitress. Yield my boon,
Till which I scarce can yield you all I am;
And grant my re-reiterated wish,
The great proof of your love: because I think,
However wise, ye hardly know me yet.'
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And Merlin loosed his hand from hers and said,
'I never was less wise, however wise,
Too curious Vivien, though you talk of trust,
Than when I told you first of such a charm.
Yea, if ye talk of trust I tell you this,
Too much I trusted when I told you that,
And stirred this vice in you which ruined man
Through woman the first hour; for howsoe'er
In children a great curiousness be well,
Who have to learn themselves and all the world,
In you, that are no child, for still I find
Your face is practised when I spell the lines,
I call it,--well, I will not call it vice:
But since you name yourself the summer fly,
I well could wish a cobweb for the gnat,
That settles, beaten back, and beaten back
Settles, till one could yield for weariness:
But since I will not yield to give you power
Upon my life and use and name and fame,
Why will ye never ask some other boon?
Yea, by God's rood, I trusted you too much.'
And Vivien, like the tenderest-hearted maid
That ever bided tryst at village stile,
Made answer, either eyelid wet with tears:
'Nay, Master, be not wrathful with your maid;
Caress her: let her feel herself forgiven
Who feels no heart to ask another boon.
I think ye hardly know the tender rhyme
Of "trust me not at all or all in all."
I heard the great Sir Lancelot sing it once,
And it shall answer for me. Listen to it.
"In Love, if Love be Love, if Love be ours,
Faith and unfaith can ne'er be equal powers:
Unfaith in aught is want of faith in all.
"It is the little rift within the lute,
That by and by will make the music mute,
And ever widening slowly silence all.
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"The little rift within the lover's lute
Or little pitted speck in garnered fruit,
That rotting inward slowly moulders all.
"It is not worth the keeping: let it go:
But shall it? answer, darling, answer, no.
And trust me not at all or all in all."
O Master, do ye love my tender rhyme?'
And Merlin looked and half believed her true,
So tender was her voice, so fair her face,
So sweetly gleamed her eyes behind her tears
Like sunlight on the plain behind a shower:
And yet he answered half indignantly:
'Far other was the song that once I heard
By this huge oak, sung nearly where we sit:
For here we met, some ten or twelve of us,
To chase a creature that was current then
In these wild woods, the hart with golden horns.
It was the time when first the question rose
About the founding of a Table Round,
That was to be, for love of God and men
And noble deeds, the flower of all the world.
And each incited each to noble deeds.
And while we waited, one, the youngest of us,
We could not keep him silent, out he flashed,
And into such a song, such fire for fame,
Such trumpet-glowings in it, coming down
To such a stern and iron-clashing close,
That when he stopt we longed to hurl together,
And should have done it; but the beauteous beast
Scared by the noise upstarted at our feet,
And like a silver shadow slipt away
Through the dim land; and all day long we rode
Through the dim land against a rushing wind,
That glorious roundel echoing in our ears,
And chased the flashes of his golden horns
Till they vanished by the fairy well
That laughs at iron--as our warriors did-Where children cast their pins and nails, and cry,
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"Laugh, little well!" but touch it with a sword,
It buzzes fiercely round the point; and there
We lost him: such a noble song was that.
But, Vivien, when you sang me that sweet rhyme,
I felt as though you knew this cursd charm,
Were proving it on me, and that I lay
And felt them slowly ebbing, name and fame.'
And Vivien answered smiling mournfully:
'O mine have ebbed away for evermore,
And all through following you to this wild wood,
Because I saw you sad, to comfort you.
Lo now, what hearts have men! they never mount
As high as woman in her selfless mood.
And touching fame, howe'er ye scorn my song,
Take one verse more--the lady speaks it--this:
'"My name, once mine, now thine, is closelier mine,
For fame, could fame be mine, that fame were thine,
And shame, could shame be thine, that shame were mine.
So trust me not at all or all in all."
'Says she not well? and there is more--this rhyme
Is like the fair pearl-necklace of the Queen,
That burst in dancing, and the pearls were spilt;
Some lost, some stolen, some as relics kept.
But nevermore the same two sister pearls
Ran down the silken thread to kiss each other
On her white neck--so is it with this rhyme:
It lives dispersedly in many hands,
And every minstrel sings it differently;
Yet is there one true line, the pearl of pearls:
"Man dreams of Fame while woman wakes to love."
Yea! Love, though Love were of the grossest, carves
A portion from the solid present, eats
And uses, careless of the rest; but Fame,
The Fame that follows death is nothing to us;
And what is Fame in life but half-disfame,
And counterchanged with darkness? ye yourself
Know well that Envy calls you Devil's son,
And since ye seem the Master of all Art,
They fain would make you Master of all vice.'
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And Merlin locked his hand in hers and said,
'I once was looking for a magic weed,
And found a fair young squire who sat alone,
Had carved himself a knightly shield of wood,
And then was painting on it fancied arms,
Azure, an Eagle rising or, the Sun
In dexter chief; the scroll "I follow fame."
And speaking not, but leaning over him
I took his brush and blotted out the bird,
And made a Gardener putting in a graff,
With this for motto, "Rather use than fame."
You should have seen him blush; but afterwards
He made a stalwart knight. O Vivien,
For you, methinks you think you love me well;
For me, I love you somewhat; rest: and Love
Should have some rest and pleasure in himself,
Not ever be too curious for a boon,
Too prurient for a proof against the grain
Of him ye say ye love: but Fame with men,
Being but ampler means to serve mankind,
Should have small rest or pleasure in herself,
But work as vassal to the larger love,
That dwarfs the petty love of one to one.
Use gave me Fame at first, and Fame again
Increasing gave me use. Lo, there my boon!
What other? for men sought to prove me vile,
Because I fain had given them greater wits:
And then did Envy call me Devil's son:
The sick weak beast seeking to help herself
By striking at her better, missed, and brought
Her own claw back, and wounded her own heart.
Sweet were the days when I was all unknown,
But when my name was lifted up, the storm
Brake on the mountain and I cared not for it.
Right well know I that Fame is half-disfame,
Yet needs must work my work. That other fame,
To one at least, who hath not children, vague,
The cackle of the unborn about the grave,
I cared not for it: a single misty star,
Which is the second in a line of stars
That seem a sword beneath a belt of three,
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I never gazed upon it but I dreamt
Of some vast charm concluded in that star
To make fame nothing. Wherefore, if I fear,
Giving you power upon me through this charm,
That you might play me falsely, having power,
However well ye think ye love me now
(As sons of kings loving in pupilage
Have turned to tyrants when they came to power)
I rather dread the loss of use than fame;
If you--and not so much from wickedness,
As some wild turn of anger, or a mood
Of overstrained affection, it may be,
To keep me all to your own self,--or else
A sudden spurt of woman's jealousy,-Should try this charm on whom ye say ye love.'
And Vivien answered smiling as in wrath:
'Have I not sworn? I am not trusted. Good!
Well, hide it, hide it; I shall find it out;
And being found take heed of Vivien.
A woman and not trusted, doubtless I
Might feel some sudden turn of anger born
Of your misfaith; and your fine epithet
Is accurate too, for this full love of mine
Without the full heart back may merit well
Your term of overstrained. So used as I,
My daily wonder is, I love at all.
And as to woman's jealousy, O why not?
O to what end, except a jealous one,
And one to make me jealous if I love,
Was this fair charm invented by yourself?
I well believe that all about this world
Ye cage a buxom captive here and there,
Closed in the four walls of a hollow tower
From which is no escape for evermore.'
Then the great Master merrily answered her:
'Full many a love in loving youth was mine;
I needed then no charm to keep them mine
But youth and love; and that full heart of yours
Whereof ye prattle, may now assure you mine;
So live uncharmed. For those who wrought it first,
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The wrist is parted from the hand that waved,
The feet unmortised from their ankle-bones
Who paced it, ages back: but will ye hear
The legend as in guerdon for your rhyme?
'There lived a king in the most Eastern East,
Less old than I, yet older, for my blood
Hath earnest in it of far springs to be.
A tawny pirate anchored in his port,
Whose bark had plundered twenty nameless isles;
And passing one, at the high peep of dawn,
He saw two cities in a thousand boats
All fighting for a woman on the sea.
And pushing his black craft among them all,
He lightly scattered theirs and brought her off,
With loss of half his people arrow-slain;
A maid so smooth, so white, so wonderful,
They said a light came from her when she moved:
And since the pirate would not yield her up,
The King impaled him for his piracy;
Then made her Queen: but those isle-nurtured eyes
Waged such unwilling though successful war
On all the youth, they sickened; councils thinned,
And armies waned, for magnet-like she drew
The rustiest iron of old fighters' hearts;
And beasts themselves would worship; camels knelt
Unbidden, and the brutes of mountain back
That carry kings in castles, bowed black knees
Of homage, ringing with their serpent hands,
To make her smile, her golden ankle-bells.
What wonder, being jealous, that he sent
His horns of proclamation out through all
The hundred under-kingdoms that he swayed
To find a wizard who might teach the King
Some charm, which being wrought upon the Queen
Might keep her all his own: to such a one
He promised more than ever king has given,
A league of mountain full of golden mines,
A province with a hundred miles of coast,
A palace and a princess, all for him:
But on all those who tried and failed, the King
Pronounced a dismal sentence, meaning by it
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To keep the list low and pretenders back,
Or like a king, not to be trifled with-Their heads should moulder on the city gates.
And many tried and failed, because the charm
Of nature in her overbore their own:
And many a wizard brow bleached on the walls:
And many weeks a troop of carrion crows
Hung like a cloud above the gateway towers.'
And Vivien breaking in upon him, said:
'I sit and gather honey; yet, methinks,
Thy tongue has tript a little: ask thyself.
The lady never made UNWILLING war
With those fine eyes: she had her pleasure in it,
And made her good man jealous with good cause.
And lived there neither dame nor damsel then
Wroth at a lover's loss? were all as tame,
I mean, as noble, as the Queen was fair?
Not one to flirt a venom at her eyes,
Or pinch a murderous dust into her drink,
Or make her paler with a poisoned rose?
Well, those were not our days: but did they find
A wizard? Tell me, was he like to thee?
She ceased, and made her lithe arm round his neck
Tighten, and then drew back, and let her eyes
Speak for her, glowing on him, like a bride's
On her new lord, her own, the first of men.
He answered laughing, 'Nay, not like to me.
At last they found--his foragers for charms-A little glassy-headed hairless man,
Who lived alone in a great wild on grass;
Read but one book, and ever reading grew
So grated down and filed away with thought,
So lean his eyes were monstrous; while the skin
Clung but to crate and basket, ribs and spine.
And since he kept his mind on one sole aim,
Nor ever touched fierce wine, nor tasted flesh,
Nor owned a sensual wish, to him the wall
That sunders ghosts and shadow-casting men
Became a crystal, and he saw them through it,
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And heard their voices talk behind the wall,
And learnt their elemental secrets, powers
And forces; often o'er the sun's bright eye
Drew the vast eyelid of an inky cloud,
And lashed it at the base with slanting storm;
Or in the noon of mist and driving rain,
When the lake whitened and the pinewood roared,
And the cairned mountain was a shadow, sunned
The world to peace again: here was the man.
And so by force they dragged him to the King.
And then he taught the King to charm the Queen
In such-wise, that no man could see her more,
Nor saw she save the King, who wrought the charm,
Coming and going, and she lay as dead,
And lost all use of life: but when the King
Made proffer of the league of golden mines,
The province with a hundred miles of coast,
The palace and the princess, that old man
Went back to his old wild, and lived on grass,
And vanished, and his book came down to me.'
And Vivien answered smiling saucily:
'Ye have the book: the charm is written in it:
Good: take my counsel: let me know it at once:
For keep it like a puzzle chest in chest,
With each chest locked and padlocked thirty-fold,
And whelm all this beneath as vast a mound
As after furious battle turfs the slain
On some wild down above the windy deep,
I yet should strike upon a sudden means
To dig, pick, open, find and read the charm:
Then, if I tried it, who should blame me then?'
And smiling as a master smiles at one
That is not of his school, nor any school
But that where blind and naked Ignorance
Delivers brawling judgments, unashamed,
On all things all day long, he answered her:
'Thou read the book, my pretty Vivien!
O ay, it is but twenty pages long,
But every page having an ample marge,
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And every marge enclosing in the midst
A square of text that looks a little blot,
The text no larger than the limbs of fleas;
And every square of text an awful charm,
Writ in a language that has long gone by.
So long, that mountains have arisen since
With cities on their flanks--thou read the book!
And ever margin scribbled, crost, and crammed
With comment, densest condensation, hard
To mind and eye; but the long sleepless nights
Of my long life have made it easy to me.
And none can read the text, not even I;
And none can read the comment but myself;
And in the comment did I find the charm.
O, the results are simple; a mere child
Might use it to the harm of anyone,
And never could undo it: ask no more:
For though you should not prove it upon me,
But keep that oath ye sware, ye might, perchance,
Assay it on some one of the Table Round,
And all because ye dream they babble of you.'
And Vivien, frowning in true anger, said:
'What dare the full-fed liars say of me?
THEY ride abroad redressing human wrongs!
They sit with knife in meat and wine in horn!
THEY bound to holy vows of chastity!
Were I not woman, I could tell a tale.
But you are man, you well can understand
The shame that cannot be explained for shame.
Not one of all the drove should touch me: swine!'
Then answered Merlin careless of her words:
'You breathe but accusation vast and vague,
Spleen-born, I think, and proofless. If ye know,
Set up the charge ye know, to stand or fall!'
And Vivien answered frowning wrathfully:
'O ay, what say ye to Sir Valence, him
Whose kinsman left him watcher o'er his wife
And two fair babes, and went to distant lands;
Was one year gone, and on returning found
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Not two but three? there lay the reckling, one
But one hour old! What said the happy sire?'
A seven-months' babe had been a truer gift.
Those twelve sweet moons confused his fatherhood.'
Then answered Merlin, 'Nay, I know the tale.
Sir Valence wedded with an outland dame:
Some cause had kept him sundered from his wife:
One child they had: it lived with her: she died:
His kinsman travelling on his own affair
Was charged by Valence to bring home the child.
He brought, not found it therefore: take the truth.'
'O ay,' said Vivien, 'overtrue a tale.
What say ye then to sweet Sir Sagramore,
That ardent man? "to pluck the flower in season,"
So says the song, "I trow it is no treason."
O Master, shall we call him overquick
To crop his own sweet rose before the hour?'
And Merlin answered, 'Overquick art thou
To catch a loathly plume fallen from the wing
Of that foul bird of rapine whose whole prey
Is man's good name: he never wronged his bride.
I know the tale. An angry gust of wind
Puffed out his torch among the myriad-roomed
And many-corridored complexities
Of Arthur's palace: then he found a door,
And darkling felt the sculptured ornament
That wreathen round it made it seem his own;
And wearied out made for the couch and slept,
A stainless man beside a stainless maid;
And either slept, nor knew of other there;
Till the high dawn piercing the royal rose
In Arthur's casement glimmered chastely down,
Blushing upon them blushing, and at once
He rose without a word and parted from her:
But when the thing was blazed about the court,
The brute world howling forced them into bonds,
And as it chanced they are happy, being pure.'
'O ay,' said Vivien, 'that were likely too.
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What say ye then to fair Sir Percivale
And of the horrid foulness that he wrought,
The saintly youth, the spotless lamb of Christ,
Or some black wether of St Satan's fold.
What, in the precincts of the chapel-yard,
Among the knightly brasses of the graves,
And by the cold Hic Jacets of the dead!'
And Merlin answered careless of her charge,
'A sober man is Percivale and pure;
But once in life was flustered with new wine,
Then paced for coolness in the chapel-yard;
Where one of Satan's shepherdesses caught
And meant to stamp him with her master's mark;
And that he sinned is not believable;
For, look upon his face!--but if he sinned,
The sin that practice burns into the blood,
And not the one dark hour which brings remorse,
Will brand us, after, of whose fold we be:
Or else were he, the holy king, whose hymns
Are chanted in the minster, worse than all.
But is your spleen frothed out, or have ye more?'
And Vivien answered frowning yet in wrath:
'O ay; what say ye to Sir Lancelot, friend
Traitor or true? that commerce with the Queen,
I ask you, is it clamoured by the child,
Or whispered in the corner? do ye know it?'
To which he answered sadly, 'Yea, I know it.
Sir Lancelot went ambassador, at first,
To fetch her, and she watched him from her walls.
A rumour runs, she took him for the King,
So fixt her fancy on him: let them be.
But have ye no one word of loyal praise
For Arthur, blameless King and stainless man?'
She answered with a low and chuckling laugh:
'Man! is he man at all, who knows and winks?
Sees what his fair bride is and does, and winks?
By which the good King means to blind himself,
And blinds himself and all the Table Round
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To all the foulness that they work. Myself
Could call him (were it not for womanhood)
The pretty, popular cause such manhood earns,
Could call him the main cause of all their crime;
Yea, were he not crowned King, coward, and fool.'
Then Merlin to his own heart, loathing, said:
'O true and tender! O my liege and King!
O selfless man and stainless gentleman,
Who wouldst against thine own eye-witness fain
Have all men true and leal, all women pure;
How, in the mouths of base interpreters,
From over-fineness not intelligible
To things with every sense as false and foul
As the poached filth that floods the middle street,
Is thy white blamelessness accounted blame!'
But Vivien, deeming Merlin overborne
By instance, recommenced, and let her tongue
Rage like a fire among the noblest names,
Polluting, and imputing her whole self,
Defaming and defacing, till she left
Not even Lancelot brave, nor Galahad clean.
Her words had issue other than she willed.
He dragged his eyebrow bushes down, and made
A snowy penthouse for his hollow eyes,
And muttered in himself, 'Tell HER the charm!
So, if she had it, would she rail on me
To snare the next, and if she have it not
So will she rail. What did the wanton say?
"Not mount as high;" we scarce can sink as low:
For men at most differ as Heaven and earth,
But women, worst and best, as Heaven and Hell.
I know the Table Round, my friends of old;
All brave, and many generous, and some chaste.
She cloaks the scar of some repulse with lies;
I well believe she tempted them and failed,
Being so bitter: for fine plots may fail,
Though harlots paint their talk as well as face
With colours of the heart that are not theirs.
I will not let her know: nine tithes of times
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Face-flatterer and backbiter are the same.
And they, sweet soul, that most impute a crime
Are pronest to it, and impute themselves,
Wanting the mental range; or low desire
Not to feel lowest makes them level all;
Yea, they would pare the mountain to the plain,
To leave an equal baseness; and in this
Are harlots like the crowd, that if they find
Some stain or blemish in a name of note,
Not grieving that their greatest are so small,
Inflate themselves with some insane delight,
And judge all nature from her feet of clay,
Without the will to lift their eyes, and see
Her godlike head crowned with spiritual fire,
And touching other worlds. I am weary of her.'
He spoke in words part heard, in whispers part,
Half-suffocated in the hoary fell
And many-wintered fleece of throat and chin.
But Vivien, gathering somewhat of his mood,
And hearing 'harlot' muttered twice or thrice,
Leapt from her session on his lap, and stood
Stiff as a viper frozen; loathsome sight,
How from the rosy lips of life and love,
Flashed the bare-grinning skeleton of death!
White was her cheek; sharp breaths of anger puffed
Her fairy nostril out; her hand half-clenched
Went faltering sideways downward to her belt,
And feeling; had she found a dagger there
(For in a wink the false love turns to hate)
She would have stabbed him; but she found it not:
His eye was calm, and suddenly she took
To bitter weeping like a beaten child,
A long, long weeping, not consolable.
Then her false voice made way, broken with sobs:
'O crueller than was ever told in tale,
Or sung in song! O vainly lavished love!
O cruel, there was nothing wild or strange,
Or seeming shameful--for what shame in love,
So love be true, and not as yours is--nothing
Poor Vivien had not done to win his trust
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Who called her what he called her--all her crime,
All--all--the wish to prove him wholly hers.'
She mused a little, and then clapt her hands
Together with a wailing shriek, and said:
'Stabbed through the heart's affections to the heart!
Seethed like the kid in its own mother's milk!
Killed with a word worse than a life of blows!
I thought that he was gentle, being great:
O God, that I had loved a smaller man!
I should have found in him a greater heart.
O, I, that flattering my true passion, saw
The knights, the court, the King, dark in your light,
Who loved to make men darker than they are,
Because of that high pleasure which I had
To seat you sole upon my pedestal
Of worship--I am answered, and henceforth
The course of life that seemed so flowery to me
With you for guide and master, only you,
Becomes the sea-cliff pathway broken short,
And ending in a ruin--nothing left,
But into some low cave to crawl, and there,
If the wolf spare me, weep my life away,
Killed with inutterable unkindliness.'
She paused, she turned away, she hung her head,
The snake of gold slid from her hair, the braid
Slipt and uncoiled itself, she wept afresh,
And the dark wood grew darker toward the storm
In silence, while his anger slowly died
Within him, till he let his wisdom go
For ease of heart, and half believed her true:
Called her to shelter in the hollow oak,
'Come from the storm,' and having no reply,
Gazed at the heaving shoulder, and the face
Hand-hidden, as for utmost grief or shame;
Then thrice essayed, by tenderest-touching terms,
To sleek her ruffled peace of mind, in vain.
At last she let herself be conquered by him,
And as the cageling newly flown returns,
The seeming-injured simple-hearted thing
Came to her old perch back, and settled there.
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There while she sat, half-falling from his knees,
Half-nestled at his heart, and since he saw
The slow tear creep from her closed eyelid yet,
About her, more in kindness than in love,
The gentle wizard cast a shielding arm.
But she dislinked herself at once and rose,
Her arms upon her breast across, and stood,
A virtuous gentlewoman deeply wronged,
Upright and flushed before him: then she said:
'There must now be no passages of love
Betwixt us twain henceforward evermore;
Since, if I be what I am grossly called,
What should be granted which your own gross heart
Would reckon worth the taking? I will go.
In truth, but one thing now--better have died
Thrice than have asked it once--could make me stay-That proof of trust--so often asked in vain!
How justly, after that vile term of yours,
I find with grief! I might believe you then,
Who knows? once more. Lo! what was once to me
Mere matter of the fancy, now hath grown
The vast necessity of heart and life.
Farewell; think gently of me, for I fear
My fate or folly, passing gayer youth
For one so old, must be to love thee still.
But ere I leave thee let me swear once more
That if I schemed against thy peace in this,
May yon just heaven, that darkens o'er me, send
One flash, that, missing all things else, may make
My scheming brain a cinder, if I lie.'
Scarce had she ceased, when out of heaven a bolt
(For now the storm was close above them) struck,
Furrowing a giant oak, and javelining
With darted spikes and splinters of the wood
The dark earth round. He raised his eyes and saw
The tree that shone white-listed through the gloom.
But Vivien, fearing heaven had heard her oath,
And dazzled by the livid-flickering fork,
And deafened with the stammering cracks and claps
That followed, flying back and crying out,
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'O Merlin, though you do not love me, save,
Yet save me!' clung to him and hugged him close;
And called him dear protector in her fright,
Nor yet forgot her practice in her fright,
But wrought upon his mood and hugged him close.
The pale blood of the wizard at her touch
Took gayer colours, like an opal warmed.
She blamed herself for telling hearsay tales:
She shook from fear, and for her fault she wept
Of petulancy; she called him lord and liege,
Her seer, her bard, her silver star of eve,
Her God, her Merlin, the one passionate love
Of her whole life; and ever overhead
Bellowed the tempest, and the rotten branch
Snapt in the rushing of the river-rain
Above them; and in change of glare and gloom
Her eyes and neck glittering went and came;
Till now the storm, its burst of passion spent,
Moaning and calling out of other lands,
Had left the ravaged woodland yet once more
To peace; and what should not have been had been,
For Merlin, overtalked and overworn,
Had yielded, told her all the charm, and slept.
Then, in one moment, she put forth the charm
Of woven paces and of waving hands,
And in the hollow oak he lay as dead,
And lost to life and use and name and fame.
Then crying 'I have made his glory mine,'
And shrieking out 'O fool!' the harlot leapt
Adown the forest, and the thicket closed
Behind her, and the forest echoed 'fool.'
~ Alfred Lord Tennyson,
551:Gareth And Lynette
The last tall son of Lot and Bellicent,
And tallest, Gareth, in a showerful spring
Stared at the spate. A slender-shafted Pine
Lost footing, fell, and so was whirled away.
'How he went down,' said Gareth, 'as a false knight
Or evil king before my lance if lance
Were mine to use--O senseless cataract,
Bearing all down in thy precipitancy-And yet thou art but swollen with cold snows
And mine is living blood: thou dost His will,
The Maker's, and not knowest, and I that know,
Have strength and wit, in my good mother's hall
Linger with vacillating obedience,
Prisoned, and kept and coaxed and whistled to-Since the good mother holds me still a child!
Good mother is bad mother unto me!
A worse were better; yet no worse would I.
Heaven yield her for it, but in me put force
To weary her ears with one continuous prayer,
Until she let me fly discaged to sweep
In ever-highering eagle-circles up
To the great Sun of Glory, and thence swoop
Down upon all things base, and dash them dead,
A knight of Arthur, working out his will,
To cleanse the world. Why, Gawain, when he came
With Modred hither in the summertime,
Asked me to tilt with him, the proven knight.
Modred for want of worthier was the judge.
Then I so shook him in the saddle, he said,
"Thou hast half prevailed against me," said so--he-Though Modred biting his thin lips was mute,
For he is alway sullen: what care I?'
And Gareth went, and hovering round her chair
Asked, 'Mother, though ye count me still the child,
Sweet mother, do ye love the child?' She laughed,
'Thou art but a wild-goose to question it.'
'Then, mother, an ye love the child,' he said,
'Being a goose and rather tame than wild,
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Hear the child's story.' 'Yea, my well-beloved,
An 'twere but of the goose and golden eggs.'
And Gareth answered her with kindling eyes,
'Nay, nay, good mother, but this egg of mine
Was finer gold than any goose can lay;
For this an Eagle, a royal Eagle, laid
Almost beyond eye-reach, on such a palm
As glitters gilded in thy Book of Hours.
And there was ever haunting round the palm
A lusty youth, but poor, who often saw
The splendour sparkling from aloft, and thought
"An I could climb and lay my hand upon it,
Then were I wealthier than a leash of kings."
But ever when he reached a hand to climb,
One, that had loved him from his childhood, caught
And stayed him, "Climb not lest thou break thy neck,
I charge thee by my love," and so the boy,
Sweet mother, neither clomb, nor brake his neck,
But brake his very heart in pining for it,
And past away.'
To whom the mother said,
'True love, sweet son, had risked himself and climbed,
And handed down the golden treasure to him.'
And Gareth answered her with kindling eyes,
'Gold?' said I gold?--ay then, why he, or she,
Or whosoe'er it was, or half the world
Had ventured--HAD the thing I spake of been
Mere gold--but this was all of that true steel,
Whereof they forged the brand Excalibur,
And lightnings played about it in the storm,
And all the little fowl were flurried at it,
And there were cries and clashings in the nest,
That sent him from his senses: let me go.'
Then Bellicent bemoaned herself and said,
'Hast thou no pity upon my loneliness?
Lo, where thy father Lot beside the hearth
Lies like a log, and all but smouldered out!
For ever since when traitor to the King
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He fought against him in the Barons' war,
And Arthur gave him back his territory,
His age hath slowly droopt, and now lies there
A yet-warm corpse, and yet unburiable,
No more; nor sees, nor hears, nor speaks, nor knows.
And both thy brethren are in Arthur's hall,
Albeit neither loved with that full love
I feel for thee, nor worthy such a love:
Stay therefore thou; red berries charm the bird,
And thee, mine innocent, the jousts, the wars,
Who never knewest finger-ache, nor pang
Of wrenched or broken limb--an often chance
In those brain-stunning shocks, and tourney-falls,
Frights to my heart; but stay: follow the deer
By these tall firs and our fast-falling burns;
So make thy manhood mightier day by day;
Sweet is the chase: and I will seek thee out
Some comfortable bride and fair, to grace
Thy climbing life, and cherish my prone year,
Till falling into Lot's forgetfulness
I know not thee, myself, nor anything.
Stay, my best son! ye are yet more boy than man.'
Then Gareth, 'An ye hold me yet for child,
Hear yet once more the story of the child.
For, mother, there was once a King, like ours.
The prince his heir, when tall and marriageable,
Asked for a bride; and thereupon the King
Set two before him. One was fair, strong, armed-But to be won by force--and many men
Desired her; one good lack, no man desired.
And these were the conditions of the King:
That save he won the first by force, he needs
Must wed that other, whom no man desired,
A red-faced bride who knew herself so vile,
That evermore she longed to hide herself,
Nor fronted man or woman, eye to eye-Yea--some she cleaved to, but they died of her.
And one--they called her Fame; and one,--O Mother,
How can ye keep me tethered to you--Shame.
Man am I grown, a man's work must I do.
Follow the deer? follow the Christ, the King,
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Live pure, speak true, right wrong, follow the King-Else, wherefore born?'
To whom the mother said
'Sweet son, for there be many who deem him not,
Or will not deem him, wholly proven King-Albeit in mine own heart I knew him King,
When I was frequent with him in my youth,
And heard him Kingly speak, and doubted him
No more than he, himself; but felt him mine,
Of closest kin to me: yet--wilt thou leave
Thine easeful biding here, and risk thine all,
Life, limbs, for one that is not proven King?
Stay, till the cloud that settles round his birth
Hath lifted but a little. Stay, sweet son.'
And Gareth answered quickly, 'Not an hour,
So that ye yield me--I will walk through fire,
Mother, to gain it--your full leave to go.
Not proven, who swept the dust of ruined Rome
From off the threshold of the realm, and crushed
The Idolaters, and made the people free?
Who should be King save him who makes us free?'
So when the Queen, who long had sought in vain
To break him from the intent to which he grew,
Found her son's will unwaveringly one,
She answered craftily, 'Will ye walk through fire?
Who walks through fire will hardly heed the smoke.
Ay, go then, an ye must: only one proof,
Before thou ask the King to make thee knight,
Of thine obedience and thy love to me,
Thy mother,--I demand.
And Gareth cried,
'A hard one, or a hundred, so I go.
Nay--quick! the proof to prove me to the quick!'
But slowly spake the mother looking at him,
'Prince, thou shalt go disguised to Arthur's hall,
And hire thyself to serve for meats and drinks
Among the scullions and the kitchen-knaves,
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And those that hand the dish across the bar.
Nor shalt thou tell thy name to anyone.
And thou shalt serve a twelvemonth and a day.'
For so the Queen believed that when her son
Beheld his only way to glory lead
Low down through villain kitchen-vassalage,
Her own true Gareth was too princely-proud
To pass thereby; so should he rest with her,
Closed in her castle from the sound of arms.
Silent awhile was Gareth, then replied,
'The thrall in person may be free in soul,
And I shall see the jousts. Thy son am I,
And since thou art my mother, must obey.
I therefore yield me freely to thy will;
For hence will I, disguised, and hire myself
To serve with scullions and with kitchen-knaves;
Nor tell my name to any--no, not the King.'
Gareth awhile lingered. The mother's eye
Full of the wistful fear that he would go,
And turning toward him wheresoe'er he turned,
Perplext his outward purpose, till an hour,
When wakened by the wind which with full voice
Swept bellowing through the darkness on to dawn,
He rose, and out of slumber calling two
That still had tended on him from his birth,
Before the wakeful mother heard him, went.
The three were clad like tillers of the soil.
Southward they set their faces. The birds made
Melody on branch, and melody in mid air.
The damp hill-slopes were quickened into green,
And the live green had kindled into flowers,
For it was past the time of Easterday.
So, when their feet were planted on the plain
That broadened toward the base of Camelot,
Far off they saw the silver-misty morn
Rolling her smoke about the Royal mount,
That rose between the forest and the field.
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At times the summit of the high city flashed;
At times the spires and turrets half-way down
Pricked through the mist; at times the great gate shone
Only, that opened on the field below:
Anon, the whole fair city had disappeared.
Then those who went with Gareth were amazed,
One crying, 'Let us go no further, lord.
Here is a city of Enchanters, built
By fairy Kings.' The second echoed him,
'Lord, we have heard from our wise man at home
To Northward, that this King is not the King,
But only changeling out of Fairyland,
Who drave the heathen hence by sorcery
And Merlin's glamour.' Then the first again,
'Lord, there is no such city anywhere,
But all a vision.'
Gareth answered them
With laughter, swearing he had glamour enow
In his own blood, his princedom, youth and hopes,
To plunge old Merlin in the Arabian sea;
So pushed them all unwilling toward the gate.
And there was no gate like it under heaven.
For barefoot on the keystone, which was lined
And rippled like an ever-fleeting wave,
The Lady of the Lake stood: all her dress
Wept from her sides as water flowing away;
But like the cross her great and goodly arms
Stretched under the cornice and upheld:
And drops of water fell from either hand;
And down from one a sword was hung, from one
A censer, either worn with wind and storm;
And o'er her breast floated the sacred fish;
And in the space to left of her, and right,
Were Arthur's wars in weird devices done,
New things and old co-twisted, as if Time
Were nothing, so inveterately, that men
Were giddy gazing there; and over all
High on the top were those three Queens, the friends
Of Arthur, who should help him at his need.
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Then those with Gareth for so long a space
Stared at the figures, that at last it seemed
The dragon-boughts and elvish emblemings
Began to move, seethe, twine and curl: they called
To Gareth, 'Lord, the gateway is alive.'
And Gareth likewise on them fixt his eyes
So long, that even to him they seemed to move.
Out of the city a blast of music pealed.
Back from the gate started the three, to whom
From out thereunder came an ancient man,
Long-bearded, saying, 'Who be ye, my sons?'
Then Gareth, 'We be tillers of the soil,
Who leaving share in furrow come to see
The glories of our King: but these, my men,
(Your city moved so weirdly in the mist)
Doubt if the King be King at all, or come
From Fairyland; and whether this be built
By magic, and by fairy Kings and Queens;
Or whether there be any city at all,
Or all a vision: and this music now
Hath scared them both, but tell thou these the truth.'
Then that old Seer made answer playing on him
And saying, 'Son, I have seen the good ship sail
Keel upward, and mast downward, in the heavens,
And solid turrets topsy-turvy in air:
And here is truth; but an it please thee not,
Take thou the truth as thou hast told it me.
For truly as thou sayest, a Fairy King
And Fairy Queens have built the city, son;
They came from out a sacred mountain-cleft
Toward the sunrise, each with harp in hand,
And built it to the music of their harps.
And, as thou sayest, it is enchanted, son,
For there is nothing in it as it seems
Saving the King; though some there be that hold
The King a shadow, and the city real:
Yet take thou heed of him, for, so thou pass
Beneath this archway, then wilt thou become
A thrall to his enchantments, for the King
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Will bind thee by such vows, as is a shame
A man should not be bound by, yet the which
No man can keep; but, so thou dread to swear,
Pass not beneath this gateway, but abide
Without, among the cattle of the field.
For an ye heard a music, like enow
They are building still, seeing the city is built
To music, therefore never built at all,
And therefore built for ever.'
Gareth spake
Angered, 'Old master, reverence thine own beard
That looks as white as utter truth, and seems
Wellnigh as long as thou art statured tall!
Why mockest thou the stranger that hath been
To thee fair-spoken?'
But the Seer replied,
'Know ye not then the Riddling of the Bards?
"Confusion, and illusion, and relation,
Elusion, and occasion, and evasion"?
I mock thee not but as thou mockest me,
And all that see thee, for thou art not who
Thou seemest, but I know thee who thou art.
And now thou goest up to mock the King,
Who cannot brook the shadow of any lie.'
Unmockingly the mocker ending here
Turned to the right, and past along the plain;
Whom Gareth looking after said, 'My men,
Our one white lie sits like a little ghost
Here on the threshold of our enterprise.
Let love be blamed for it, not she, nor I:
Well, we will make amends.'
With all good cheer
He spake and laughed, then entered with his twain
Camelot, a city of shadowy palaces
And stately, rich in emblem and the work
Of ancient kings who did their days in stone;
Which Merlin's hand, the Mage at Arthur's court,
Knowing all arts, had touched, and everywhere
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At Arthur's ordinance, tipt with lessening peak
And pinnacle, and had made it spire to heaven.
And ever and anon a knight would pass
Outward, or inward to the hall: his arms
Clashed; and the sound was good to Gareth's ear.
And out of bower and casement shyly glanced
Eyes of pure women, wholesome stars of love;
And all about a healthful people stept
As in the presence of a gracious king.
Then into hall Gareth ascending heard
A voice, the voice of Arthur, and beheld
Far over heads in that long-vaulted hall
The splendour of the presence of the King
Throned, and delivering doom--and looked no more-But felt his young heart hammering in his ears,
And thought, 'For this half-shadow of a lie
The truthful King will doom me when I speak.'
Yet pressing on, though all in fear to find
Sir Gawain or Sir Modred, saw nor one
Nor other, but in all the listening eyes
Of those tall knights, that ranged about the throne,
Clear honour shining like the dewy star
Of dawn, and faith in their great King, with pure
Affection, and the light of victory,
And glory gained, and evermore to gain.
Then came a widow crying to the King,
'A boon, Sir King! Thy father, Uther, reft
From my dead lord a field with violence:
For howsoe'er at first he proffered gold,
Yet, for the field was pleasant in our eyes,
We yielded not; and then he reft us of it
Perforce, and left us neither gold nor field.'
Said Arthur, 'Whether would ye? gold or field?'
To whom the woman weeping, 'Nay, my lord,
The field was pleasant in my husband's eye.'
And Arthur, 'Have thy pleasant field again,
And thrice the gold for Uther's use thereof,
According to the years. No boon is here,
But justice, so thy say be proven true.
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Accursed, who from the wrongs his father did
Would shape himself a right!'
And while she past,
Came yet another widow crying to him,
'A boon, Sir King! Thine enemy, King, am I.
With thine own hand thou slewest my dear lord,
A knight of Uther in the Barons' war,
When Lot and many another rose and fought
Against thee, saying thou wert basely born.
I held with these, and loathe to ask thee aught.
Yet lo! my husband's brother had my son
Thralled in his castle, and hath starved him dead;
And standeth seized of that inheritance
Which thou that slewest the sire hast left the son.
So though I scarce can ask it thee for hate,
Grant me some knight to do the battle for me,
Kill the foul thief, and wreak me for my son.'
Then strode a good knight forward, crying to him,
'A boon, Sir King! I am her kinsman, I.
Give me to right her wrong, and slay the man.'
Then came Sir Kay, the seneschal, and cried,
'A boon, Sir King! even that thou grant her none,
This railer, that hath mocked thee in full hall-None; or the wholesome boon of gyve and gag.'
But Arthur, 'We sit King, to help the wronged
Through all our realm. The woman loves her lord.
Peace to thee, woman, with thy loves and hates!
The kings of old had doomed thee to the flames,
Aurelius Emrys would have scourged thee dead,
And Uther slit thy tongue: but get thee hence-Lest that rough humour of the kings of old
Return upon me! Thou that art her kin,
Go likewise; lay him low and slay him not,
But bring him here, that I may judge the right,
According to the justice of the King:
Then, be he guilty, by that deathless King
Who lived and died for men, the man shall die.'
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Then came in hall the messenger of Mark,
A name of evil savour in the land,
The Cornish king. In either hand he bore
What dazzled all, and shone far-off as shines
A field of charlock in the sudden sun
Between two showers, a cloth of palest gold,
Which down he laid before the throne, and knelt,
Delivering, that his lord, the vassal king,
Was even upon his way to Camelot;
For having heard that Arthur of his grace
Had made his goodly cousin, Tristram, knight,
And, for himself was of the greater state,
Being a king, he trusted his liege-lord
Would yield him this large honour all the more;
So prayed him well to accept this cloth of gold,
In token of true heart and felty.
Then Arthur cried to rend the cloth, to rend
In pieces, and so cast it on the hearth.
An oak-tree smouldered there. 'The goodly knight!
What! shall the shield of Mark stand among these?'
For, midway down the side of that long hall
A stately pile,--whereof along the front,
Some blazoned, some but carven, and some blank,
There ran a treble range of stony shields,-Rose, and high-arching overbrowed the hearth.
And under every shield a knight was named:
For this was Arthur's custom in his hall;
When some good knight had done one noble deed,
His arms were carven only; but if twain
His arms were blazoned also; but if none,
The shield was blank and bare without a sign
Saving the name beneath; and Gareth saw
The shield of Gawain blazoned rich and bright,
And Modred's blank as death; and Arthur cried
To rend the cloth and cast it on the hearth.
'More like are we to reave him of his crown
Than make him knight because men call him king.
The kings we found, ye know we stayed their hands
From war among themselves, but left them kings;
Of whom were any bounteous, merciful,
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Truth-speaking, brave, good livers, them we enrolled
Among us, and they sit within our hall.
But as Mark hath tarnished the great name of king,
As Mark would sully the low state of churl:
And, seeing he hath sent us cloth of gold,
Return, and meet, and hold him from our eyes,
Lest we should lap him up in cloth of lead,
Silenced for ever--craven--a man of plots,
Craft, poisonous counsels, wayside ambushings-No fault of thine: let Kay the seneschal
Look to thy wants, and send thee satisfied-Accursed, who strikes nor lets the hand be seen!'
And many another suppliant crying came
With noise of ravage wrought by beast and man,
And evermore a knight would ride away.
Last, Gareth leaning both hands heavily
Down on the shoulders of the twain, his men,
Approached between them toward the King, and asked,
'A boon, Sir King (his voice was all ashamed),
For see ye not how weak and hungerworn
I seem--leaning on these? grant me to serve
For meat and drink among thy kitchen-knaves
A twelvemonth and a day, nor seek my name.
Hereafter I will fight.'
To him the King,
'A goodly youth and worth a goodlier boon!
But so thou wilt no goodlier, then must Kay,
The master of the meats and drinks, be thine.'
He rose and past; then Kay, a man of mien
Wan-sallow as the plant that feels itself
Root-bitten by white lichen,
'Lo ye now!
This fellow hath broken from some Abbey, where,
God wot, he had not beef and brewis enow,
However that might chance! but an he work,
Like any pigeon will I cram his crop,
And sleeker shall he shine than any hog.'
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Then Lancelot standing near, 'Sir Seneschal,
Sleuth-hound thou knowest, and gray, and all the hounds;
A horse thou knowest, a man thou dost not know:
Broad brows and fair, a fluent hair and fine,
High nose, a nostril large and fine, and hands
Large, fair and fine!--Some young lad's mystery-But, or from sheepcot or king's hall, the boy
Is noble-natured. Treat him with all grace,
Lest he should come to shame thy judging of him.'
Then Kay, 'What murmurest thou of mystery?
Think ye this fellow will poison the King's dish?
Nay, for he spake too fool-like: mystery!
Tut, an the lad were noble, he had asked
For horse and armour: fair and fine, forsooth!
Sir Fine-face, Sir Fair-hands? but see thou to it
That thine own fineness, Lancelot, some fine day
Undo thee not--and leave my man to me.'
So Gareth all for glory underwent
The sooty yoke of kitchen-vassalage;
Ate with young lads his portion by the door,
And couched at night with grimy kitchen-knaves.
And Lancelot ever spake him pleasantly,
But Kay the seneschal, who loved him not,
Would hustle and harry him, and labour him
Beyond his comrade of the hearth, and set
To turn the broach, draw water, or hew wood,
Or grosser tasks; and Gareth bowed himself
With all obedience to the King, and wrought
All kind of service with a noble ease
That graced the lowliest act in doing it.
And when the thralls had talk among themselves,
And one would praise the love that linkt the King
And Lancelot--how the King had saved his life
In battle twice, and Lancelot once the King's-For Lancelot was the first in Tournament,
But Arthur mightiest on the battle-field-Gareth was glad. Or if some other told,
How once the wandering forester at dawn,
Far over the blue tarns and hazy seas,
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On Caer-Eryri's highest found the King,
A naked babe, of whom the Prophet spake,
'He passes to the Isle Avilion,
He passes and is healed and cannot die'-Gareth was glad. But if their talk were foul,
Then would he whistle rapid as any lark,
Or carol some old roundelay, and so loud
That first they mocked, but, after, reverenced him.
Or Gareth telling some prodigious tale
Of knights, who sliced a red life-bubbling way
Through twenty folds of twisted dragon, held
All in a gap-mouthed circle his good mates
Lying or sitting round him, idle hands,
Charmed; till Sir Kay, the seneschal, would come
Blustering upon them, like a sudden wind
Among dead leaves, and drive them all apart.
Or when the thralls had sport among themselves,
So there were any trial of mastery,
He, by two yards in casting bar or stone
Was counted best; and if there chanced a joust,
So that Sir Kay nodded him leave to go,
Would hurry thither, and when he saw the knights
Clash like the coming and retiring wave,
And the spear spring, and good horse reel, the boy
Was half beyond himself for ecstasy.
So for a month he wrought among the thralls;
But in the weeks that followed, the good Queen,
Repentant of the word she made him swear,
And saddening in her childless castle, sent,
Between the in-crescent and de-crescent moon,
Arms for her son, and loosed him from his vow.
This, Gareth hearing from a squire of Lot
With whom he used to play at tourney once,
When both were children, and in lonely haunts
Would scratch a ragged oval on the sand,
And each at either dash from either end-Shame never made girl redder than Gareth joy.
He laughed; he sprang. 'Out of the smoke, at once
I leap from Satan's foot to Peter's knee-These news be mine, none other's--nay, the King's--
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Descend into the city:' whereon he sought
The King alone, and found, and told him all.
'I have staggered thy strong Gawain in a tilt
For pastime; yea, he said it: joust can I.
Make me thy knight--in secret! let my name
Be hidden, and give me the first quest, I spring
Like flame from ashes.'
Here the King's calm eye
Fell on, and checked, and made him flush, and bow
Lowly, to kiss his hand, who answered him,
'Son, the good mother let me know thee here,
And sent her wish that I would yield thee thine.
Make thee my knight? my knights are sworn to vows
Of utter hardihood, utter gentleness,
And, loving, utter faithfulness in love,
And uttermost obedience to the King.'
Then Gareth, lightly springing from his knees,
'My King, for hardihood I can promise thee.
For uttermost obedience make demand
Of whom ye gave me to, the Seneschal,
No mellow master of the meats and drinks!
And as for love, God wot, I love not yet,
But love I shall, God willing.'
And the King
'Make thee my knight in secret? yea, but he,
Our noblest brother, and our truest man,
And one with me in all, he needs must know.'
'Let Lancelot know, my King, let Lancelot know,
Thy noblest and thy truest!'
And the King-'But wherefore would ye men should wonder at you?
Nay, rather for the sake of me, their King,
And the deed's sake my knighthood do the deed,
Than to be noised of.'
Merrily Gareth asked,
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'Have I not earned my cake in baking of it?
Let be my name until I make my name!
My deeds will speak: it is but for a day.'
So with a kindly hand on Gareth's arm
Smiled the great King, and half-unwillingly
Loving his lusty youthhood yielded to him.
Then, after summoning Lancelot privily,
'I have given him the first quest: he is not proven.
Look therefore when he calls for this in hall,
Thou get to horse and follow him far away.
Cover the lions on thy shield, and see
Far as thou mayest, he be nor ta'en nor slain.'
Then that same day there past into the hall
A damsel of high lineage, and a brow
May-blossom, and a cheek of apple-blossom,
Hawk-eyes; and lightly was her slender nose
Tip-tilted like the petal of a flower;
She into hall past with her page and cried,
'O King, for thou hast driven the foe without,
See to the foe within! bridge, ford, beset
By bandits, everyone that owns a tower
The Lord for half a league. Why sit ye there?
Rest would I not, Sir King, an I were king,
Till even the lonest hold were all as free
From cursd bloodshed, as thine altar-cloth
From that best blood it is a sin to spill.'
'Comfort thyself,' said Arthur. 'I nor mine
Rest: so my knighthood keep the vows they swore,
The wastest moorland of our realm shall be
Safe, damsel, as the centre of this hall.
What is thy name? thy need?'
'My name?' she said-'Lynette my name; noble; my need, a knight
To combat for my sister, Lyonors,
A lady of high lineage, of great lands,
And comely, yea, and comelier than myself.
She lives in Castle Perilous: a river
Runs in three loops about her living-place;
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And o'er it are three passings, and three knights
Defend the passings, brethren, and a fourth
And of that four the mightiest, holds her stayed
In her own castle, and so besieges her
To break her will, and make her wed with him:
And but delays his purport till thou send
To do the battle with him, thy chief man
Sir Lancelot whom he trusts to overthrow,
Then wed, with glory: but she will not wed
Save whom she loveth, or a holy life.
Now therefore have I come for Lancelot.'
Then Arthur mindful of Sir Gareth asked,
'Damsel, ye know this Order lives to crush
All wrongers of the Realm. But say, these four,
Who be they? What the fashion of the men?'
'They be of foolish fashion, O Sir King,
The fashion of that old knight-errantry
Who ride abroad, and do but what they will;
Courteous or bestial from the moment, such
As have nor law nor king; and three of these
Proud in their fantasy call themselves the Day,
Morning-Star, and Noon-Sun, and Evening-Star,
Being strong fools; and never a whit more wise
The fourth, who alway rideth armed in black,
A huge man-beast of boundless savagery.
He names himself the Night and oftener Death,
And wears a helmet mounted with a skull,
And bears a skeleton figured on his arms,
To show that who may slay or scape the three,
Slain by himself, shall enter endless night.
And all these four be fools, but mighty men,
And therefore am I come for Lancelot.'
Hereat Sir Gareth called from where he rose,
A head with kindling eyes above the throng,
'A boon, Sir King--this quest!' then--for he marked
Kay near him groaning like a wounded bull-'Yea, King, thou knowest thy kitchen-knave am I,
And mighty through thy meats and drinks am I,
And I can topple over a hundred such.
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Thy promise, King,' and Arthur glancing at him,
Brought down a momentary brow. 'Rough, sudden,
And pardonable, worthy to be knight-Go therefore,' and all hearers were amazed.
But on the damsel's forehead shame, pride, wrath
Slew the May-white: she lifted either arm,
'Fie on thee, King! I asked for thy chief knight,
And thou hast given me but a kitchen-knave.'
Then ere a man in hall could stay her, turned,
Fled down the lane of access to the King,
Took horse, descended the slope street, and past
The weird white gate, and paused without, beside
The field of tourney, murmuring 'kitchen-knave.'
Now two great entries opened from the hall,
At one end one, that gave upon a range
Of level pavement where the King would pace
At sunrise, gazing over plain and wood;
And down from this a lordly stairway sloped
Till lost in blowing trees and tops of towers;
And out by this main doorway past the King.
But one was counter to the hearth, and rose
High that the highest-crested helm could ride
Therethrough nor graze: and by this entry fled
The damsel in her wrath, and on to this
Sir Gareth strode, and saw without the door
King Arthur's gift, the worth of half a town,
A warhorse of the best, and near it stood
The two that out of north had followed him:
This bare a maiden shield, a casque; that held
The horse, the spear; whereat Sir Gareth loosed
A cloak that dropt from collar-bone to heel,
A cloth of roughest web, and cast it down,
And from it like a fuel-smothered fire,
That lookt half-dead, brake bright, and flashed as those
Dull-coated things, that making slide apart
Their dusk wing-cases, all beneath there burns
A jewelled harness, ere they pass and fly.
So Gareth ere he parted flashed in arms.
Then as he donned the helm, and took the shield
And mounted horse and graspt a spear, of grain
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Storm-strengthened on a windy site, and tipt
With trenchant steel, around him slowly prest
The people, while from out of kitchen came
The thralls in throng, and seeing who had worked
Lustier than any, and whom they could but love,
Mounted in arms, threw up their caps and cried,
'God bless the King, and all his fellowship!'
And on through lanes of shouting Gareth rode
Down the slope street, and past without the gate.
So Gareth past with joy; but as the cur
Pluckt from the cur he fights with, ere his cause
Be cooled by fighting, follows, being named,
His owner, but remembers all, and growls
Remembering, so Sir Kay beside the door
Muttered in scorn of Gareth whom he used
To harry and hustle.
'Bound upon a quest
With horse and arms--the King hath past his time-My scullion knave! Thralls to your work again,
For an your fire be low ye kindle mine!
Will there be dawn in West and eve in East?
Begone!--my knave!--belike and like enow
Some old head-blow not heeded in his youth
So shook his wits they wander in his prime-Crazed! How the villain lifted up his voice,
Nor shamed to bawl himself a kitchen-knave.
Tut: he was tame and meek enow with me,
Till peacocked up with Lancelot's noticing.
Well--I will after my loud knave, and learn
Whether he know me for his master yet.
Out of the smoke he came, and so my lance
Hold, by God's grace, he shall into the mire-Thence, if the King awaken from his craze,
Into the smoke again.'
But Lancelot said,
'Kay, wherefore wilt thou go against the King,
For that did never he whereon ye rail,
But ever meekly served the King in thee?
Abide: take counsel; for this lad is great
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And lusty, and knowing both of lance and sword.'
'Tut, tell not me,' said Kay, 'ye are overfine
To mar stout knaves with foolish courtesies:'
Then mounted, on through silent faces rode
Down the slope city, and out beyond the gate.
But by the field of tourney lingering yet
Muttered the damsel, 'Wherefore did the King
Scorn me? for, were Sir Lancelot lackt, at least
He might have yielded to me one of those
Who tilt for lady's love and glory here,
Rather than--O sweet heaven! O fie upon him-His kitchen-knave.'
To whom Sir Gareth drew
(And there were none but few goodlier than he)
Shining in arms, 'Damsel, the quest is mine.
Lead, and I follow.' She thereat, as one
That smells a foul-fleshed agaric in the holt,
And deems it carrion of some woodland thing,
Or shrew, or weasel, nipt her slender nose
With petulant thumb and finger, shrilling, 'Hence!
Avoid, thou smellest all of kitchen-grease.
And look who comes behind,' for there was Kay.
'Knowest thou not me? thy master? I am Kay.
We lack thee by the hearth.'
And Gareth to him,
'Master no more! too well I know thee, ay-The most ungentle knight in Arthur's hall.'
'Have at thee then,' said Kay: they shocked, and Kay
Fell shoulder-slipt, and Gareth cried again,
'Lead, and I follow,' and fast away she fled.
But after sod and shingle ceased to fly
Behind her, and the heart of her good horse
Was nigh to burst with violence of the beat,
Perforce she stayed, and overtaken spoke.
'What doest thou, scullion, in my fellowship?
Deem'st thou that I accept thee aught the more
Or love thee better, that by some device
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Full cowardly, or by mere unhappiness,
Thou hast overthrown and slain thy master--thou!-Dish-washer and broach-turner, loon!--to me
Thou smellest all of kitchen as before.'
'Damsel,' Sir Gareth answered gently, 'say
Whate'er ye will, but whatsoe'er ye say,
I leave not till I finish this fair quest,
Or die therefore.'
'Ay, wilt thou finish it?
Sweet lord, how like a noble knight he talks!
The listening rogue hath caught the manner of it.
But, knave, anon thou shalt be met with, knave,
And then by such a one that thou for all
The kitchen brewis that was ever supt
Shalt not once dare to look him in the face.'
'I shall assay,' said Gareth with a smile
That maddened her, and away she flashed again
Down the long avenues of a boundless wood,
And Gareth following was again beknaved.
'Sir Kitchen-knave, I have missed the only way
Where Arthur's men are set along the wood;
The wood is nigh as full of thieves as leaves:
If both be slain, I am rid of thee; but yet,
Sir Scullion, canst thou use that spit of thine?
Fight, an thou canst: I have missed the only way.'
So till the dusk that followed evensong
Rode on the two, reviler and reviled;
Then after one long slope was mounted, saw,
Bowl-shaped, through tops of many thousand pines
A gloomy-gladed hollow slowly sink
To westward--in the deeps whereof a mere,
Round as the red eye of an Eagle-owl,
Under the half-dead sunset glared; and shouts
Ascended, and there brake a servingman
Flying from out of the black wood, and crying,
'They have bound my lord to cast him in the mere.'
Then Gareth, 'Bound am I to right the wronged,
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But straitlier bound am I to bide with thee.'
And when the damsel spake contemptuously,
'Lead, and I follow,' Gareth cried again,
'Follow, I lead!' so down among the pines
He plunged; and there, blackshadowed nigh the mere,
And mid-thigh-deep in bulrushes and reed,
Saw six tall men haling a seventh along,
A stone about his neck to drown him in it.
Three with good blows he quieted, but three
Fled through the pines; and Gareth loosed the stone
From off his neck, then in the mere beside
Tumbled it; oilily bubbled up the mere.
Last, Gareth loosed his bonds and on free feet
Set him, a stalwart Baron, Arthur's friend.
'Well that ye came, or else these caitiff rogues
Had wreaked themselves on me; good cause is theirs
To hate me, for my wont hath ever been
To catch my thief, and then like vermin here
Drown him, and with a stone about his neck;
And under this wan water many of them
Lie rotting, but at night let go the stone,
And rise, and flickering in a grimly light
Dance on the mere. Good now, ye have saved a life
Worth somewhat as the cleanser of this wood.
And fain would I reward thee worshipfully.
What guerdon will ye?'
Gareth sharply spake,
'None! for the deed's sake have I done the deed,
In uttermost obedience to the King.
But wilt thou yield this damsel harbourage?'
Whereat the Baron saying, 'I well believe
You be of Arthur's Table,' a light laugh
Broke from Lynette, 'Ay, truly of a truth,
And in a sort, being Arthur's kitchen-knave!-But deem not I accept thee aught the more,
Scullion, for running sharply with thy spit
Down on a rout of craven foresters.
A thresher with his flail had scattered them.
Nay--for thou smellest of the kitchen still.
But an this lord will yield us harbourage,
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Well.'
So she spake. A league beyond the wood,
All in a full-fair manor and a rich,
His towers where that day a feast had been
Held in high hall, and many a viand left,
And many a costly cate, received the three.
And there they placed a peacock in his pride
Before the damsel, and the Baron set
Gareth beside her, but at once she rose.
'Meseems, that here is much discourtesy,
Setting this knave, Lord Baron, at my side.
Hear me--this morn I stood in Arthur's hall,
And prayed the King would grant me Lancelot
To fight the brotherhood of Day and Night-The last a monster unsubduable
Of any save of him for whom I called-Suddenly bawls this frontless kitchen-knave,
"The quest is mine; thy kitchen-knave am I,
And mighty through thy meats and drinks am I."
Then Arthur all at once gone mad replies,
"Go therefore," and so gives the quest to him-Him--here--a villain fitter to stick swine
Than ride abroad redressing women's wrong,
Or sit beside a noble gentlewoman.'
Then half-ashamed and part-amazed, the lord
Now looked at one and now at other, left
The damsel by the peacock in his pride,
And, seating Gareth at another board,
Sat down beside him, ate and then began.
'Friend, whether thou be kitchen-knave, or not,
Or whether it be the maiden's fantasy,
And whether she be mad, or else the King,
Or both or neither, or thyself be mad,
I ask not: but thou strikest a strong stroke,
For strong thou art and goodly therewithal,
And saver of my life; and therefore now,
For here be mighty men to joust with, weigh
Whether thou wilt not with thy damsel back
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To crave again Sir Lancelot of the King.
Thy pardon; I but speak for thine avail,
The saver of my life.'
And Gareth said,
'Full pardon, but I follow up the quest,
Despite of Day and Night and Death and Hell.'
So when, next morn, the lord whose life he saved
Had, some brief space, conveyed them on their way
And left them with God-speed, Sir Gareth spake,
'Lead, and I follow.' Haughtily she replied.
'I fly no more: I allow thee for an hour.
Lion and stout have isled together, knave,
In time of flood. Nay, furthermore, methinks
Some ruth is mine for thee. Back wilt thou, fool?
For hard by here is one will overthrow
And slay thee: then will I to court again,
And shame the King for only yielding me
My champion from the ashes of his hearth.'
To whom Sir Gareth answered courteously,
'Say thou thy say, and I will do my deed.
Allow me for mine hour, and thou wilt find
My fortunes all as fair as hers who lay
Among the ashes and wedded the King's son.'
Then to the shore of one of those long loops
Wherethrough the serpent river coiled, they came.
Rough-thicketed were the banks and steep; the stream
Full, narrow; this a bridge of single arc
Took at a leap; and on the further side
Arose a silk pavilion, gay with gold
In streaks and rays, and all Lent-lily in hue,
Save that the dome was purple, and above,
Crimson, a slender banneret fluttering.
And therebefore the lawless warrior paced
Unarmed, and calling, 'Damsel, is this he,
The champion thou hast brought from Arthur's hall?
For whom we let thee pass.' 'Nay, nay,' she said,
'Sir Morning-Star. The King in utter scorn
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Of thee and thy much folly hath sent thee here
His kitchen-knave: and look thou to thyself:
See that he fall not on thee suddenly,
And slay thee unarmed: he is not knight but knave.'
Then at his call, 'O daughters of the Dawn,
And servants of the Morning-Star, approach,
Arm me,' from out the silken curtain-folds
Bare-footed and bare-headed three fair girls
In gilt and rosy raiment came: their feet
In dewy grasses glistened; and the hair
All over glanced with dewdrop or with gem
Like sparkles in the stone Avanturine.
These armed him in blue arms, and gave a shield
Blue also, and thereon the morning star.
And Gareth silent gazed upon the knight,
Who stood a moment, ere his horse was brought,
Glorying; and in the stream beneath him, shone
Immingled with Heaven's azure waveringly,
The gay pavilion and the naked feet,
His arms, the rosy raiment, and the star.
Then she that watched him, 'Wherefore stare ye so?
Thou shakest in thy fear: there yet is time:
Flee down the valley before he get to horse.
Who will cry shame? Thou art not knight but knave.'
Said Gareth, 'Damsel, whether knave or knight,
Far liefer had I fight a score of times
Than hear thee so missay me and revile.
Fair words were best for him who fights for thee;
But truly foul are better, for they send
That strength of anger through mine arms, I know
That I shall overthrow him.'
And he that bore
The star, when mounted, cried from o'er the bridge,
'A kitchen-knave, and sent in scorn of me!
Such fight not I, but answer scorn with scorn.
For this were shame to do him further wrong
Than set him on his feet, and take his horse
And arms, and so return him to the King.
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Come, therefore, leave thy lady lightly, knave.
Avoid: for it beseemeth not a knave
To ride with such a lady.'
'Dog, thou liest.
I spring from loftier lineage than thine own.'
He spake; and all at fiery speed the two
Shocked on the central bridge, and either spear
Bent but not brake, and either knight at once,
Hurled as a stone from out of a catapult
Beyond his horse's crupper and the bridge,
Fell, as if dead; but quickly rose and drew,
And Gareth lashed so fiercely with his brand
He drave his enemy backward down the bridge,
The damsel crying, 'Well-stricken, kitchen-knave!'
Till Gareth's shield was cloven; but one stroke
Laid him that clove it grovelling on the ground.
Then cried the fallen, 'Take not my life: I yield.'
And Gareth, 'So this damsel ask it of me
Good--I accord it easily as a grace.'
She reddening, 'Insolent scullion: I of thee?
I bound to thee for any favour asked!'
'Then he shall die.' And Gareth there unlaced
His helmet as to slay him, but she shrieked,
'Be not so hardy, scullion, as to slay
One nobler than thyself.' 'Damsel, thy charge
Is an abounding pleasure to me. Knight,
Thy life is thine at her command. Arise
And quickly pass to Arthur's hall, and say
His kitchen-knave hath sent thee. See thou crave
His pardon for thy breaking of his laws.
Myself, when I return, will plead for thee.
Thy shield is mine--farewell; and, damsel, thou,
Lead, and I follow.'
And fast away she fled.
Then when he came upon her, spake, 'Methought,
Knave, when I watched thee striking on the bridge
The savour of thy kitchen came upon me
A little faintlier: but the wind hath changed:
I scent it twenty-fold.' And then she sang,
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'"O morning star" (not that tall felon there
Whom thou by sorcery or unhappiness
Or some device, hast foully overthrown),
"O morning star that smilest in the blue,
O star, my morning dream hath proven true,
Smile sweetly, thou! my love hath smiled on me."
'But thou begone, take counsel, and away,
For hard by here is one that guards a ford-The second brother in their fool's parable-Will pay thee all thy wages, and to boot.
Care not for shame: thou art not knight but knave.'
To whom Sir Gareth answered, laughingly,
'Parables? Hear a parable of the knave.
When I was kitchen-knave among the rest
Fierce was the hearth, and one of my co-mates
Owned a rough dog, to whom he cast his coat,
"Guard it," and there was none to meddle with it.
And such a coat art thou, and thee the King
Gave me to guard, and such a dog am I,
To worry, and not to flee--and--knight or knave-The knave that doth thee service as full knight
Is all as good, meseems, as any knight
Toward thy sister's freeing.'
'Ay, Sir Knave!
Ay, knave, because thou strikest as a knight,
Being but knave, I hate thee all the more.'
'Fair damsel, you should worship me the more,
That, being but knave, I throw thine enemies.'
'Ay, ay,' she said, 'but thou shalt meet thy match.'
So when they touched the second river-loop,
Huge on a huge red horse, and all in mail
Burnished to blinding, shone the Noonday Sun
Beyond a raging shallow. As if the flower,
That blows a globe of after arrowlets,
Ten thousand-fold had grown, flashed the fierce shield,
All sun; and Gareth's eyes had flying blots
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Before them when he turned from watching him.
He from beyond the roaring shallow roared,
'What doest thou, brother, in my marches here?'
And she athwart the shallow shrilled again,
'Here is a kitchen-knave from Arthur's hall
Hath overthrown thy brother, and hath his arms.'
'Ugh!' cried the Sun, and vizoring up a red
And cipher face of rounded foolishness,
Pushed horse across the foamings of the ford,
Whom Gareth met midstream: no room was there
For lance or tourney-skill: four strokes they struck
With sword, and these were mighty; the new knight
Had fear he might be shamed; but as the Sun
Heaved up a ponderous arm to strike the fifth,
The hoof of his horse slipt in the stream, the stream
Descended, and the Sun was washed away.
Then Gareth laid his lance athwart the ford;
So drew him home; but he that fought no more,
As being all bone-battered on the rock,
Yielded; and Gareth sent him to the King,
'Myself when I return will plead for thee.'
'Lead, and I follow.' Quietly she led.
'Hath not the good wind, damsel, changed again?'
'Nay, not a point: nor art thou victor here.
There lies a ridge of slate across the ford;
His horse thereon stumbled--ay, for I saw it.
'"O Sun" (not this strong fool whom thou, Sir Knave,
Hast overthrown through mere unhappiness),
"O Sun, that wakenest all to bliss or pain,
O moon, that layest all to sleep again,
Shine sweetly: twice my love hath smiled on me."
What knowest thou of lovesong or of love?
Nay, nay, God wot, so thou wert nobly born,
Thou hast a pleasant presence. Yea, perchance,-'"O dewy flowers that open to the sun,
O dewy flowers that close when day is done,
Blow sweetly: twice my love hath smiled on me."
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'What knowest thou of flowers, except, belike,
To garnish meats with? hath not our good King
Who lent me thee, the flower of kitchendom,
A foolish love for flowers? what stick ye round
The pasty? wherewithal deck the boar's head?
Flowers? nay, the boar hath rosemaries and bay.
'"O birds, that warble to the morning sky,
O birds that warble as the day goes by,
Sing sweetly: twice my love hath smiled on me."
'What knowest thou of birds, lark, mavis, merle,
Linnet? what dream ye when they utter forth
May-music growing with the growing light,
Their sweet sun-worship? these be for the snare
(So runs thy fancy) these be for the spit,
Larding and basting. See thou have not now
Larded thy last, except thou turn and fly.
There stands the third fool of their allegory.'
For there beyond a bridge of treble bow,
All in a rose-red from the west, and all
Naked it seemed, and glowing in the broad
Deep-dimpled current underneath, the knight,
That named himself the Star of Evening, stood.
And Gareth, 'Wherefore waits the madman there
Naked in open dayshine?' 'Nay,' she cried,
'Not naked, only wrapt in hardened skins
That fit him like his own; and so ye cleave
His armour off him, these will turn the blade.'
Then the third brother shouted o'er the bridge,
'O brother-star, why shine ye here so low?
Thy ward is higher up: but have ye slain
The damsel's champion?' and the damsel cried,
'No star of thine, but shot from Arthur's heaven
With all disaster unto thine and thee!
For both thy younger brethren have gone down
Before this youth; and so wilt thou, Sir Star;
Art thou not old?'
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'Old, damsel, old and hard,
Old, with the might and breath of twenty boys.'
Said Gareth, 'Old, and over-bold in brag!
But that same strength which threw the Morning Star
Can throw the Evening.'
Then that other blew
A hard and deadly note upon the horn.
'Approach and arm me!' With slow steps from out
An old storm-beaten, russet, many-stained
Pavilion, forth a grizzled damsel came,
And armed him in old arms, and brought a helm
With but a drying evergreen for crest,
And gave a shield whereon the Star of Even
Half-tarnished and half-bright, his emblem, shone.
But when it glittered o'er the saddle-bow,
They madly hurled together on the bridge;
And Gareth overthrew him, lighted, drew,
There met him drawn, and overthrew him again,
But up like fire he started: and as oft
As Gareth brought him grovelling on his knees,
So many a time he vaulted up again;
Till Gareth panted hard, and his great heart,
Foredooming all his trouble was in vain,
Laboured within him, for he seemed as one
That all in later, sadder age begins
To war against ill uses of a life,
But these from all his life arise, and cry,
'Thou hast made us lords, and canst not put us down!'
He half despairs; so Gareth seemed to strike
Vainly, the damsel clamouring all the while,
'Well done, knave-knight, well-stricken, O good knight-knave-O knave, as noble as any of all the knights-Shame me not, shame me not. I have prophesied-Strike, thou art worthy of the Table Round-His arms are old, he trusts the hardened skin-Strike--strike--the wind will never change again.'
And Gareth hearing ever stronglier smote,
And hewed great pieces of his armour off him,
But lashed in vain against the hardened skin,
And could not wholly bring him under, more
Than loud Southwesterns, rolling ridge on ridge,
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The buoy that rides at sea, and dips and springs
For ever; till at length Sir Gareth's brand
Clashed his, and brake it utterly to the hilt.
'I have thee now;' but forth that other sprang,
And, all unknightlike, writhed his wiry arms
Around him, till he felt, despite his mail,
Strangled, but straining even his uttermost
Cast, and so hurled him headlong o'er the bridge
Down to the river, sink or swim, and cried,
'Lead, and I follow.'
But the damsel said,
'I lead no longer; ride thou at my side;
Thou art the kingliest of all kitchen-knaves.
'"O trefoil, sparkling on the rainy plain,
O rainbow with three colours after rain,
Shine sweetly: thrice my love hath smiled on me."
'Sir,--and, good faith, I fain had added--Knight,
But that I heard thee call thyself a knave,-Shamed am I that I so rebuked, reviled,
Missaid thee; noble I am; and thought the King
Scorned me and mine; and now thy pardon, friend,
For thou hast ever answered courteously,
And wholly bold thou art, and meek withal
As any of Arthur's best, but, being knave,
Hast mazed my wit: I marvel what thou art.'
'Damsel,' he said, 'you be not all to blame,
Saving that you mistrusted our good King
Would handle scorn, or yield you, asking, one
Not fit to cope your quest. You said your say;
Mine answer was my deed. Good sooth! I hold
He scarce is knight, yea but half-man, nor meet
To fight for gentle damsel, he, who lets
His heart be stirred with any foolish heat
At any gentle damsel's waywardness.
Shamed? care not! thy foul sayings fought for me:
And seeing now thy words are fair, methinks
There rides no knight, not Lancelot, his great self,
Hath force to quell me.'
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Nigh upon that hour
When the lone hern forgets his melancholy,
Lets down his other leg, and stretching, dreams
Of goodly supper in the distant pool,
Then turned the noble damsel smiling at him,
And told him of a cavern hard at hand,
Where bread and baken meats and good red wine
Of Southland, which the Lady Lyonors
Had sent her coming champion, waited him.
Anon they past a narrow comb wherein
Where slabs of rock with figures, knights on horse
Sculptured, and deckt in slowly-waning hues.
'Sir Knave, my knight, a hermit once was here,
Whose holy hand hath fashioned on the rock
The war of Time against the soul of man.
And yon four fools have sucked their allegory
From these damp walls, and taken but the form.
Know ye not these?' and Gareth lookt and read-In letters like to those the vexillary
Hath left crag-carven o'er the streaming Gelt-'PHOSPHORUS,' then 'MERIDIES'--'HESPERUS'-'NOX'--'MORS,' beneath five figures, armd men,
Slab after slab, their faces forward all,
And running down the Soul, a Shape that fled
With broken wings, torn raiment and loose hair,
For help and shelter to the hermit's cave.
'Follow the faces, and we find it. Look,
Who comes behind?'
For one--delayed at first
Through helping back the dislocated Kay
To Camelot, then by what thereafter chanced,
The damsel's headlong error through the wood-Sir Lancelot, having swum the river-loops-His blue shield-lions covered--softly drew
Behind the twain, and when he saw the star
Gleam, on Sir Gareth's turning to him, cried,
'Stay, felon knight, I avenge me for my friend.'
And Gareth crying pricked against the cry;
But when they closed--in a moment--at one touch
Of that skilled spear, the wonder of the world--
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Went sliding down so easily, and fell,
That when he found the grass within his hands
He laughed; the laughter jarred upon Lynette:
Harshly she asked him, 'Shamed and overthrown,
And tumbled back into the kitchen-knave,
Why laugh ye? that ye blew your boast in vain?'
'Nay, noble damsel, but that I, the son
Of old King Lot and good Queen Bellicent,
And victor of the bridges and the ford,
And knight of Arthur, here lie thrown by whom
I know not, all through mere unhappiness-Device and sorcery and unhappiness-Out, sword; we are thrown!' And Lancelot answered, 'Prince,
O Gareth--through the mere unhappiness
Of one who came to help thee, not to harm,
Lancelot, and all as glad to find thee whole,
As on the day when Arthur knighted him.'
Then Gareth, 'Thou--Lancelot!--thine the hand
That threw me? An some chance to mar the boast
Thy brethren of thee make--which could not chance-Had sent thee down before a lesser spear,
Shamed had I been, and sad--O Lancelot--thou!'
Whereat the maiden, petulant, 'Lancelot,
Why came ye not, when called? and wherefore now
Come ye, not called? I gloried in my knave,
Who being still rebuked, would answer still
Courteous as any knight--but now, if knight,
The marvel dies, and leaves me fooled and tricked,
And only wondering wherefore played upon:
And doubtful whether I and mine be scorned.
Where should be truth if not in Arthur's hall,
In Arthur's presence? Knight, knave, prince and fool,
I hate thee and for ever.'
And Lancelot said,
'Blessd be thou, Sir Gareth! knight art thou
To the King's best wish. O damsel, be you wise
To call him shamed, who is but overthrown?
Thrown have I been, nor once, but many a time.
Victor from vanquished issues at the last,
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And overthrower from being overthrown.
With sword we have not striven; and thy good horse
And thou are weary; yet not less I felt
Thy manhood through that wearied lance of thine.
Well hast thou done; for all the stream is freed,
And thou hast wreaked his justice on his foes,
And when reviled, hast answered graciously,
And makest merry when overthrown. Prince, Knight
Hail, Knight and Prince, and of our Table Round!'
And then when turning to Lynette he told
The tale of Gareth, petulantly she said,
'Ay well--ay well--for worse than being fooled
Of others, is to fool one's self. A cave,
Sir Lancelot, is hard by, with meats and drinks
And forage for the horse, and flint for fire.
But all about it flies a honeysuckle.
Seek, till we find.' And when they sought and found,
Sir Gareth drank and ate, and all his life
Past into sleep; on whom the maiden gazed.
'Sound sleep be thine! sound cause to sleep hast thou.
Wake lusty! Seem I not as tender to him
As any mother? Ay, but such a one
As all day long hath rated at her child,
And vext his day, but blesses him asleep-Good lord, how sweetly smells the honeysuckle
In the hushed night, as if the world were one
Of utter peace, and love, and gentleness!
O Lancelot, Lancelot'--and she clapt her hands-'Full merry am I to find my goodly knave
Is knight and noble. See now, sworn have I,
Else yon black felon had not let me pass,
To bring thee back to do the battle with him.
Thus an thou goest, he will fight thee first;
Who doubts thee victor? so will my knight-knave
Miss the full flower of this accomplishment.'
Said Lancelot, 'Peradventure he, you name,
May know my shield. Let Gareth, an he will,
Change his for mine, and take my charger, fresh,
Not to be spurred, loving the battle as well
As he that rides him.' 'Lancelot-like,' she said,
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'Courteous in this, Lord Lancelot, as in all.'
And Gareth, wakening, fiercely clutched the shield;
'Ramp ye lance-splintering lions, on whom all spears
Are rotten sticks! ye seem agape to roar!
Yea, ramp and roar at leaving of your lord!-Care not, good beasts, so well I care for you.
O noble Lancelot, from my hold on these
Streams virtue--fire--through one that will not shame
Even the shadow of Lancelot under shield.
Hence: let us go.'
Silent the silent field
They traversed. Arthur's harp though summer-wan,
In counter motion to the clouds, allured
The glance of Gareth dreaming on his liege.
A star shot: 'Lo,' said Gareth, 'the foe falls!'
An owl whoopt: 'Hark the victor pealing there!'
Suddenly she that rode upon his left
Clung to the shield that Lancelot lent him, crying,
'Yield, yield him this again: 'tis he must fight:
I curse the tongue that all through yesterday
Reviled thee, and hath wrought on Lancelot now
To lend thee horse and shield: wonders ye have done;
Miracles ye cannot: here is glory enow
In having flung the three: I see thee maimed,
Mangled: I swear thou canst not fling the fourth.'
'And wherefore, damsel? tell me all ye know.
You cannot scare me; nor rough face, or voice,
Brute bulk of limb, or boundless savagery
Appal me from the quest.'
'Nay, Prince,' she cried,
'God wot, I never looked upon the face,
Seeing he never rides abroad by day;
But watched him have I like a phantom pass
Chilling the night: nor have I heard the voice.
Always he made his mouthpiece of a page
Who came and went, and still reported him
As closing in himself the strength of ten,
And when his anger tare him, massacring
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Man, woman, lad and girl--yea, the soft babe!
Some hold that he hath swallowed infant flesh,
Monster! O Prince, I went for Lancelot first,
The quest is Lancelot's: give him back the shield.'
Said Gareth laughing, 'An he fight for this,
Belike he wins it as the better man:
Thus--and not else!'
But Lancelot on him urged
All the devisings of their chivalry
When one might meet a mightier than himself;
How best to manage horse, lance, sword and shield,
And so fill up the gap where force might fail
With skill and fineness. Instant were his words.
Then Gareth, 'Here be rules. I know but one-To dash against mine enemy and win.
Yet have I seen thee victor in the joust,
And seen thy way.' 'Heaven help thee,' sighed Lynette.
Then for a space, and under cloud that grew
To thunder-gloom palling all stars, they rode
In converse till she made her palfrey halt,
Lifted an arm, and softly whispered, 'There.'
And all the three were silent seeing, pitched
Beside the Castle Perilous on flat field,
A huge pavilion like a mountain peak
Sunder the glooming crimson on the marge,
Black, with black banner, and a long black horn
Beside it hanging; which Sir Gareth graspt,
And so, before the two could hinder him,
Sent all his heart and breath through all the horn.
Echoed the walls; a light twinkled; anon
Came lights and lights, and once again he blew;
Whereon were hollow tramplings up and down
And muffled voices heard, and shadows past;
Till high above him, circled with her maids,
The Lady Lyonors at a window stood,
Beautiful among lights, and waving to him
White hands, and courtesy; but when the Prince
Three times had blown--after long hush--at last--
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The huge pavilion slowly yielded up,
Through those black foldings, that which housed therein.
High on a nightblack horse, in nightblack arms,
With white breast-bone, and barren ribs of Death,
And crowned with fleshless laughter--some ten steps-In the half-light--through the dim dawn--advanced
The monster, and then paused, and spake no word.
But Gareth spake and all indignantly,
'Fool, for thou hast, men say, the strength of ten,
Canst thou not trust the limbs thy God hath given,
But must, to make the terror of thee more,
Trick thyself out in ghastly imageries
Of that which Life hath done with, and the clod,
Less dull than thou, will hide with mantling flowers
As if for pity?' But he spake no word;
Which set the horror higher: a maiden swooned;
The Lady Lyonors wrung her hands and wept,
As doomed to be the bride of Night and Death;
Sir Gareth's head prickled beneath his helm;
And even Sir Lancelot through his warm blood felt
Ice strike, and all that marked him were aghast.
At once Sir Lancelot's charger fiercely neighed,
And Death's dark war-horse bounded forward with him.
Then those that did not blink the terror, saw
That Death was cast to ground, and slowly rose.
But with one stroke Sir Gareth split the skull.
Half fell to right and half to left and lay.
Then with a stronger buffet he clove the helm
As throughly as the skull; and out from this
Issued the bright face of a blooming boy
Fresh as a flower new-born, and crying, 'Knight,
Slay me not: my three brethren bad me do it,
To make a horror all about the house,
And stay the world from Lady Lyonors.
They never dreamed the passes would be past.'
Answered Sir Gareth graciously to one
Not many a moon his younger, 'My fair child,
What madness made thee challenge the chief knight
Of Arthur's hall?' 'Fair Sir, they bad me do it.
They hate the King, and Lancelot, the King's friend,
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They hoped to slay him somewhere on the stream,
They never dreamed the passes could be past.'
Then sprang the happier day from underground;
And Lady Lyonors and her house, with dance
And revel and song, made merry over Death,
As being after all their foolish fears
And horrors only proven a blooming boy.
So large mirth lived and Gareth won the quest.
And he that told the tale in older times
Says that Sir Gareth wedded Lyonors,
But he, that told it later, says Lynette.
~ Alfred Lord Tennyson,
552:Lancelot And Elaine
Elaine the fair, Elaine the loveable,
Elaine, the lily maid of Astolat,
High in her chamber up a tower to the east
Guarded the sacred shield of Lancelot;
Which first she placed where the morning's earliest ray
Might strike it, and awake her with the gleam;
Then fearing rust or soilure fashioned for it
A case of silk, and braided thereupon
All the devices blazoned on the shield
In their own tinct, and added, of her wit,
A border fantasy of branch and flower,
And yellow-throated nestling in the nest.
Nor rested thus content, but day by day,
Leaving her household and good father, climbed
That eastern tower, and entering barred her door,
Stript off the case, and read the naked shield,
Now guessed a hidden meaning in his arms,
Now made a pretty history to herself
Of every dint a sword had beaten in it,
And every scratch a lance had made upon it,
Conjecturing when and where: this cut is fresh;
That ten years back; this dealt him at Caerlyle;
That at Caerleon; this at Camelot:
And ah God's mercy, what a stroke was there!
And here a thrust that might have killed, but God
Broke the strong lance, and rolled his enemy down,
And saved him: so she lived in fantasy.
How came the lily maid by that good shield
Of Lancelot, she that knew not even his name?
He left it with her, when he rode to tilt
For the great diamond in the diamond jousts,
Which Arthur had ordained, and by that name
Had named them, since a diamond was the prize.
For Arthur, long before they crowned him King,
Roving the trackless realms of Lyonnesse,
Had found a glen, gray boulder and black tarn.
A horror lived about the tarn, and clave
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Like its own mists to all the mountain side:
For here two brothers, one a king, had met
And fought together; but their names were lost;
And each had slain his brother at a blow;
And down they fell and made the glen abhorred:
And there they lay till all their bones were bleached,
And lichened into colour with the crags:
And he, that once was king, had on a crown
Of diamonds, one in front, and four aside.
And Arthur came, and labouring up the pass,
All in a misty moonshine, unawares
Had trodden that crowned skeleton, and the skull
Brake from the nape, and from the skull the crown
Rolled into light, and turning on its rims
Fled like a glittering rivulet to the tarn:
And down the shingly scaur he plunged, and caught,
And set it on his head, and in his heart
Heard murmurs, 'Lo, thou likewise shalt be King.'
Thereafter, when a King, he had the gems
Plucked from the crown, and showed them to his knights,
Saying, 'These jewels, whereupon I chanced
Divinely, are the kingdom's, not the King's-For public use: henceforward let there be,
Once every year, a joust for one of these:
For so by nine years' proof we needs must learn
Which is our mightiest, and ourselves shall grow
In use of arms and manhood, till we drive
The heathen, who, some say, shall rule the land
Hereafter, which God hinder.' Thus he spoke:
And eight years past, eight jousts had been, and still
Had Lancelot won the diamond of the year,
With purpose to present them to the Queen,
When all were won; but meaning all at once
To snare her royal fancy with a boon
Worth half her realm, had never spoken word.
Now for the central diamond and the last
And largest, Arthur, holding then his court
Hard on the river nigh the place which now
Is this world's hugest, let proclaim a joust
At Camelot, and when the time drew nigh
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Spake (for she had been sick) to Guinevere,
'Are you so sick, my Queen, you cannot move
To these fair jousts?' 'Yea, lord,' she said, 'ye know it.'
'Then will ye miss,' he answered, 'the great deeds
Of Lancelot, and his prowess in the lists,
A sight ye love to look on.' And the Queen
Lifted her eyes, and they dwelt languidly
On Lancelot, where he stood beside the King.
He thinking that he read her meaning there,
'Stay with me, I am sick; my love is more
Than many diamonds,' yielded; and a heart
Love-loyal to the least wish of the Queen
(However much he yearned to make complete
The tale of diamonds for his destined boon)
Urged him to speak against the truth, and say,
'Sir King, mine ancient wound is hardly whole,
And lets me from the saddle;' and the King
Glanced first at him, then her, and went his way.
No sooner gone than suddenly she began:
'To blame, my lord Sir Lancelot, much to blame!
Why go ye not to these fair jousts? the knights
Are half of them our enemies, and the crowd
Will murmur, "Lo the shameless ones, who take
Their pastime now the trustful King is gone!"'
Then Lancelot vext at having lied in vain:
'Are ye so wise? ye were not once so wise,
My Queen, that summer, when ye loved me first.
Then of the crowd ye took no more account
Than of the myriad cricket of the mead,
When its own voice clings to each blade of grass,
And every voice is nothing. As to knights,
Them surely can I silence with all ease.
But now my loyal worship is allowed
Of all men: many a bard, without offence,
Has linked our names together in his lay,
Lancelot, the flower of bravery, Guinevere,
The pearl of beauty: and our knights at feast
Have pledged us in this union, while the King
Would listen smiling. How then? is there more?
Has Arthur spoken aught? or would yourself,
Now weary of my service and devoir,
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Henceforth be truer to your faultless lord?'
She broke into a little scornful laugh:
'Arthur, my lord, Arthur, the faultless King,
That passionate perfection, my good lord-But who can gaze upon the Sun in heaven?
He never spake word of reproach to me,
He never had a glimpse of mine untruth,
He cares not for me: only here today
There gleamed a vague suspicion in his eyes:
Some meddling rogue has tampered with him--else
Rapt in this fancy of his Table Round,
And swearing men to vows impossible,
To make them like himself: but, friend, to me
He is all fault who hath no fault at all:
For who loves me must have a touch of earth;
The low sun makes the colour: I am yours,
Not Arthur's, as ye know, save by the bond.
And therefore hear my words: go to the jousts:
The tiny-trumpeting gnat can break our dream
When sweetest; and the vermin voices here
May buzz so loud--we scorn them, but they sting.'
Then answered Lancelot, the chief of knights:
'And with what face, after my pretext made,
Shall I appear, O Queen, at Camelot, I
Before a King who honours his own word,
As if it were his God's?'
'Yea,' said the Queen,
'A moral child without the craft to rule,
Else had he not lost me: but listen to me,
If I must find you wit: we hear it said
That men go down before your spear at a touch,
But knowing you are Lancelot; your great name,
This conquers: hide it therefore; go unknown:
Win! by this kiss you will: and our true King
Will then allow your pretext, O my knight,
As all for glory; for to speak him true,
Ye know right well, how meek soe'er he seem,
No keener hunter after glory breathes.
He loves it in his knights more than himself:
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They prove to him his work: win and return.'
Then got Sir Lancelot suddenly to horse,
Wroth at himself. Not willing to be known,
He left the barren-beaten thoroughfare,
Chose the green path that showed the rarer foot,
And there among the solitary downs,
Full often lost in fancy, lost his way;
Till as he traced a faintly-shadowed track,
That all in loops and links among the dales
Ran to the Castle of Astolat, he saw
Fired from the west, far on a hill, the towers.
Thither he made, and blew the gateway horn.
Then came an old, dumb, myriad-wrinkled man,
Who let him into lodging and disarmed.
And Lancelot marvelled at the wordless man;
And issuing found the Lord of Astolat
With two strong sons, Sir Torre and Sir Lavaine,
Moving to meet him in the castle court;
And close behind them stept the lily maid
Elaine, his daughter: mother of the house
There was not: some light jest among them rose
With laughter dying down as the great knight
Approached them: then the Lord of Astolat:
'Whence comes thou, my guest, and by what name
Livest thou between the lips? for by thy state
And presence I might guess thee chief of those,
After the King, who eat in Arthur's halls.
Him have I seen: the rest, his Table Round,
Known as they are, to me they are unknown.'
Then answered Sir Lancelot, the chief of knights:
'Known am I, and of Arthur's hall, and known,
What I by mere mischance have brought, my shield.
But since I go to joust as one unknown
At Camelot for the diamond, ask me not,
Hereafter ye shall know me--and the shield-I pray you lend me one, if such you have,
Blank, or at least with some device not mine.'
Then said the Lord of Astolat, 'Here is Torre's:
Hurt in his first tilt was my son, Sir Torre.
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And so, God wot, his shield is blank enough.
His ye can have.' Then added plain Sir Torre,
'Yea, since I cannot use it, ye may have it.'
Here laughed the father saying, 'Fie, Sir Churl,
Is that answer for a noble knight?
Allow him! but Lavaine, my younger here,
He is so full of lustihood, he will ride,
Joust for it, and win, and bring it in an hour,
And set it in this damsel's golden hair,
To make her thrice as wilful as before.'
'Nay, father, nay good father, shame me not
Before this noble knight,' said young Lavaine,
'For nothing. Surely I but played on Torre:
He seemed so sullen, vext he could not go:
A jest, no more! for, knight, the maiden dreamt
That some one put this diamond in her hand,
And that it was too slippery to be held,
And slipt and fell into some pool or stream,
The castle-well, belike; and then I said
That IF I went and IF I fought and won it
(But all was jest and joke among ourselves)
Then must she keep it safelier. All was jest.
But, father, give me leave, an if he will,
To ride to Camelot with this noble knight:
Win shall I not, but do my best to win:
Young as I am, yet would I do my best.'
'So will ye grace me,' answered Lancelot,
Smiling a moment, 'with your fellowship
O'er these waste downs whereon I lost myself,
Then were I glad of you as guide and friend:
And you shall win this diamond,--as I hear
It is a fair large diamond,--if ye may,
And yield it to this maiden, if ye will.'
'A fair large diamond,' added plain Sir Torre,
'Such be for queens, and not for simple maids.'
Then she, who held her eyes upon the ground,
Elaine, and heard her name so tost about,
Flushed slightly at the slight disparagement
Before the stranger knight, who, looking at her,
Full courtly, yet not falsely, thus returned:
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'If what is fair be but for what is fair,
And only queens are to be counted so,
Rash were my judgment then, who deem this maid
Might wear as fair a jewel as is on earth,
Not violating the bond of like to like.'
He spoke and ceased: the lily maid Elaine,
Won by the mellow voice before she looked,
Lifted her eyes, and read his lineaments.
The great and guilty love he bare the Queen,
In battle with the love he bare his lord,
Had marred his face, and marked it ere his time.
Another sinning on such heights with one,
The flower of all the west and all the world,
Had been the sleeker for it: but in him
His mood was often like a fiend, and rose
And drove him into wastes and solitudes
For agony, who was yet a living soul.
Marred as he was, he seemed the goodliest man
That ever among ladies ate in hall,
And noblest, when she lifted up her eyes.
However marred, of more than twice her years,
Seamed with an ancient swordcut on the cheek,
And bruised and bronzed, she lifted up her eyes
And loved him, with that love which was her doom.
Then the great knight, the darling of the court,
Loved of the loveliest, into that rude hall
Stept with all grace, and not with half disdain
Hid under grace, as in a smaller time,
But kindly man moving among his kind:
Whom they with meats and vintage of their best
And talk and minstrel melody entertained.
And much they asked of court and Table Round,
And ever well and readily answered he:
But Lancelot, when they glanced at Guinevere,
Suddenly speaking of the wordless man,
Heard from the Baron that, ten years before,
The heathen caught and reft him of his tongue.
'He learnt and warned me of their fierce design
Against my house, and him they caught and maimed;
But I, my sons, and little daughter fled
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From bonds or death, and dwelt among the woods
By the great river in a boatman's hut.
Dull days were those, till our good Arthur broke
The Pagan yet once more on Badon hill.'
'O there, great lord, doubtless,' Lavaine said, rapt
By all the sweet and sudden passion of youth
Toward greatness in its elder, 'you have fought.
O tell us--for we live apart--you know
Of Arthur's glorious wars.' And Lancelot spoke
And answered him at full, as having been
With Arthur in the fight which all day long
Rang by the white mouth of the violent Glem;
And in the four loud battles by the shore
Of Duglas; that on Bassa; then the war
That thundered in and out the gloomy skirts
Of Celidon the forest; and again
By castle Gurnion, where the glorious King
Had on his cuirass worn our Lady's Head,
Carved of one emerald centered in a sun
Of silver rays, that lightened as he breathed;
And at Caerleon had he helped his lord,
When the strong neighings of the wild white Horse
Set every gilded parapet shuddering;
And up in Agned-Cathregonion too,
And down the waste sand-shores of Trath Treroit,
Where many a heathen fell; 'and on the mount
Of Badon I myself beheld the King
Charge at the head of all his Table Round,
And all his legions crying Christ and him,
And break them; and I saw him, after, stand
High on a heap of slain, from spur to plume
Red as the rising sun with heathen blood,
And seeing me, with a great voice he cried,
"They are broken, they are broken!" for the King,
However mild he seems at home, nor cares
For triumph in our mimic wars, the jousts-For if his own knight cast him down, he laughs
Saying, his knights are better men than he-Yet in this heathen war the fire of God
Fills him: I never saw his like: there lives
No greater leader.'
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While he uttered this,
Low to her own heart said the lily maid,
'Save your own great self, fair lord;' and when he fell
From talk of war to traits of pleasantry-Being mirthful he, but in a stately kind-She still took note that when the living smile
Died from his lips, across him came a cloud
Of melancholy severe, from which again,
Whenever in her hovering to and fro
The lily maid had striven to make him cheer,
There brake a sudden-beaming tenderness
Of manners and of nature: and she thought
That all was nature, all, perchance, for her.
And all night long his face before her lived,
As when a painter, poring on a face,
Divinely through all hindrance finds the man
Behind it, and so paints him that his face,
The shape and colour of a mind and life,
Lives for his children, ever at its best
And fullest; so the face before her lived,
Dark-splendid, speaking in the silence, full
Of noble things, and held her from her sleep.
Till rathe she rose, half-cheated in the thought
She needs must bid farewell to sweet Lavaine.
First in fear, step after step, she stole
Down the long tower-stairs, hesitating:
Anon, she heard Sir Lancelot cry in the court,
'This shield, my friend, where is it?' and Lavaine
Past inward, as she came from out the tower.
There to his proud horse Lancelot turned, and smoothed
The glossy shoulder, humming to himself.
Half-envious of the flattering hand, she drew
Nearer and stood. He looked, and more amazed
Than if seven men had set upon him, saw
The maiden standing in the dewy light.
He had not dreamed she was so beautiful.
Then came on him a sort of sacred fear,
For silent, though he greeted her, she stood
Rapt on his face as if it were a God's.
Suddenly flashed on her a wild desire,
That he should wear her favour at the tilt.
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She braved a riotous heart in asking for it.
'Fair lord, whose name I know not--noble it is,
I well believe, the noblest--will you wear
My favour at this tourney?' 'Nay,' said he,
'Fair lady, since I never yet have worn
Favour of any lady in the lists.
Such is my wont, as those, who know me, know.'
'Yea, so,' she answered; 'then in wearing mine
Needs must be lesser likelihood, noble lord,
That those who know should know you.' And he turned
Her counsel up and down within his mind,
And found it true, and answered, 'True, my child.
Well, I will wear it: fetch it out to me:
What is it?' and she told him 'A red sleeve
Broidered with pearls,' and brought it: then he bound
Her token on his helmet, with a smile
Saying, 'I never yet have done so much
For any maiden living,' and the blood
Sprang to her face and filled her with delight;
But left her all the paler, when Lavaine
Returning brought the yet-unblazoned shield,
His brother's; which he gave to Lancelot,
Who parted with his own to fair Elaine:
'Do me this grace, my child, to have my shield
In keeping till I come.' 'A grace to me,'
She answered, 'twice today. I am your squire!'
Whereat Lavaine said, laughing, 'Lily maid,
For fear our people call you lily maid
In earnest, let me bring your colour back;
Once, twice, and thrice: now get you hence to bed:'
So kissed her, and Sir Lancelot his own hand,
And thus they moved away: she stayed a minute,
Then made a sudden step to the gate, and there-Her bright hair blown about the serious face
Yet rosy-kindled with her brother's kiss-Paused by the gateway, standing near the shield
In silence, while she watched their arms far-off
Sparkle, until they dipt below the downs.
Then to her tower she climbed, and took the shield,
There kept it, and so lived in fantasy.
Meanwhile the new companions past away
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Far o'er the long backs of the bushless downs,
To where Sir Lancelot knew there lived a knight
Not far from Camelot, now for forty years
A hermit, who had prayed, laboured and prayed,
And ever labouring had scooped himself
In the white rock a chapel and a hall
On massive columns, like a shorecliff cave,
And cells and chambers: all were fair and dry;
The green light from the meadows underneath
Struck up and lived along the milky roofs;
And in the meadows tremulous aspen-trees
And poplars made a noise of falling showers.
And thither wending there that night they bode.
But when the next day broke from underground,
And shot red fire and shadows through the cave,
They rose, heard mass, broke fast, and rode away:
Then Lancelot saying, 'Hear, but hold my name
Hidden, you ride with Lancelot of the Lake,'
Abashed young Lavaine, whose instant reverence,
Dearer to true young hearts than their own praise,
But left him leave to stammer, 'Is it indeed?'
And after muttering 'The great Lancelot,
At last he got his breath and answered, 'One,
One have I seen--that other, our liege lord,
The dread Pendragon, Britain's King of kings,
Of whom the people talk mysteriously,
He will be there--then were I stricken blind
That minute, I might say that I had seen.'
So spake Lavaine, and when they reached the lists
By Camelot in the meadow, let his eyes
Run through the peopled gallery which half round
Lay like a rainbow fallen upon the grass,
Until they found the clear-faced King, who sat
Robed in red samite, easily to be known,
Since to his crown the golden dragon clung,
And down his robe the dragon writhed in gold,
And from the carven-work behind him crept
Two dragons gilded, sloping down to make
Arms for his chair, while all the rest of them
Through knots and loops and folds innumerable
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Fled ever through the woodwork, till they found
The new design wherein they lost themselves,
Yet with all ease, so tender was the work:
And, in the costly canopy o'er him set,
Blazed the last diamond of the nameless king.
Then Lancelot answered young Lavaine and said,
'Me you call great: mine is the firmer seat,
The truer lance: but there is many a youth
Now crescent, who will come to all I am
And overcome it; and in me there dwells
No greatness, save it be some far-off touch
Of greatness to know well I am not great:
There is the man.' And Lavaine gaped upon him
As on a thing miraculous, and anon
The trumpets blew; and then did either side,
They that assailed, and they that held the lists,
Set lance in rest, strike spur, suddenly move,
Meet in the midst, and there so furiously
Shock, that a man far-off might well perceive,
If any man that day were left afield,
The hard earth shake, and a low thunder of arms.
And Lancelot bode a little, till he saw
Which were the weaker; then he hurled into it
Against the stronger: little need to speak
Of Lancelot in his glory! King, duke, earl,
Count, baron--whom he smote, he overthrew.
But in the field were Lancelot's kith and kin,
Ranged with the Table Round that held the lists,
Strong men, and wrathful that a stranger knight
Should do and almost overdo the deeds
Of Lancelot; and one said to the other, 'Lo!
What is he? I do not mean the force alone-The grace and versatility of the man!
Is it not Lancelot?' 'When has Lancelot worn
Favour of any lady in the lists?
Not such his wont, as we, that know him, know.'
'How then? who then?' a fury seized them all,
A fiery family passion for the name
Of Lancelot, and a glory one with theirs.
They couched their spears and pricked their steeds, and thus,
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Their plumes driven backward by the wind they made
In moving, all together down upon him
Bare, as a wild wave in the wide North-sea,
Green-glimmering toward the summit, bears, with all
Its stormy crests that smoke against the skies,
Down on a bark, and overbears the bark,
And him that helms it, so they overbore
Sir Lancelot and his charger, and a spear
Down-glancing lamed the charger, and a spear
Pricked sharply his own cuirass, and the head
Pierced through his side, and there snapt, and remained.
Then Sir Lavaine did well and worshipfully;
He bore a knight of old repute to the earth,
And brought his horse to Lancelot where he lay.
He up the side, sweating with agony, got,
But thought to do while he might yet endure,
And being lustily holpen by the rest,
His party,--though it seemed half-miracle
To those he fought with,--drave his kith and kin,
And all the Table Round that held the lists,
Back to the barrier; then the trumpets blew
Proclaiming his the prize, who wore the sleeve
Of scarlet, and the pearls; and all the knights,
His party, cried 'Advance and take thy prize
The diamond;' but he answered, 'Diamond me
No diamonds! for God's love, a little air!
Prize me no prizes, for my prize is death!
Hence will I, and I charge you, follow me not.'
He spoke, and vanished suddenly from the field
With young Lavaine into the poplar grove.
There from his charger down he slid, and sat,
Gasping to Sir Lavaine, 'Draw the lance-head:'
'Ah my sweet lord Sir Lancelot,' said Lavaine,
'I dread me, if I draw it, you will die.'
But he, 'I die already with it: draw-Draw,'--and Lavaine drew, and Sir Lancelot gave
A marvellous great shriek and ghastly groan,
And half his blood burst forth, and down he sank
For the pure pain, and wholly swooned away.
Then came the hermit out and bare him in,
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There stanched his wound; and there, in daily doubt
Whether to live or die, for many a week
Hid from the wide world's rumour by the grove
Of poplars with their noise of falling showers,
And ever-tremulous aspen-trees, he lay.
But on that day when Lancelot fled the lists,
His party, knights of utmost North and West,
Lords of waste marches, kings of desolate isles,
Came round their great Pendragon, saying to him,
'Lo, Sire, our knight, through whom we won the day,
Hath gone sore wounded, and hath left his prize
Untaken, crying that his prize is death.'
'Heaven hinder,' said the King, 'that such an one,
So great a knight as we have seen today-He seemed to me another Lancelot-Yea, twenty times I thought him Lancelot-He must not pass uncared for. Wherefore, rise,
O Gawain, and ride forth and find the knight.
Wounded and wearied needs must he be near.
I charge you that you get at once to horse.
And, knights and kings, there breathes not one of you
Will deem this prize of ours is rashly given:
His prowess was too wondrous. We will do him
No customary honour: since the knight
Came not to us, of us to claim the prize,
Ourselves will send it after. Rise and take
This diamond, and deliver it, and return,
And bring us where he is, and how he fares,
And cease not from your quest until ye find.'
So saying, from the carven flower above,
To which it made a restless heart, he took,
And gave, the diamond: then from where he sat
At Arthur's right, with smiling face arose,
With smiling face and frowning heart, a Prince
In the mid might and flourish of his May,
Gawain, surnamed The Courteous, fair and strong,
And after Lancelot, Tristram, and Geraint
And Gareth, a good knight, but therewithal
Sir Modred's brother, and the child of Lot,
Nor often loyal to his word, and now
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Wroth that the King's command to sally forth
In quest of whom he knew not, made him leave
The banquet, and concourse of knights and kings.
So all in wrath he got to horse and went;
While Arthur to the banquet, dark in mood,
Past, thinking 'Is it Lancelot who hath come
Despite the wound he spake of, all for gain
Of glory, and hath added wound to wound,
And ridden away to die?' So feared the King,
And, after two days' tarriance there, returned.
Then when he saw the Queen, embracing asked,
'Love, are you yet so sick?' 'Nay, lord,' she said.
'And where is Lancelot?' Then the Queen amazed,
'Was he not with you? won he not your prize?'
'Nay, but one like him.' 'Why that like was he.'
And when the King demanded how she knew,
Said, 'Lord, no sooner had ye parted from us,
Than Lancelot told me of a common talk
That men went down before his spear at a touch,
But knowing he was Lancelot; his great name
Conquered; and therefore would he hide his name
From all men, even the King, and to this end
Had made a pretext of a hindering wound,
That he might joust unknown of all, and learn
If his old prowess were in aught decayed;
And added, "Our true Arthur, when he learns,
Will well allow me pretext, as for gain
Of purer glory."'
Then replied the King:
'Far lovelier in our Lancelot had it been,
In lieu of idly dallying with the truth,
To have trusted me as he hath trusted thee.
Surely his King and most familiar friend
Might well have kept his secret. True, indeed,
Albeit I know my knights fantastical,
So fine a fear in our large Lancelot
Must needs have moved my laughter: now remains
But little cause for laughter: his own kin-Ill news, my Queen, for all who love him, this!-His kith and kin, not knowing, set upon him;
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So that he went sore wounded from the field:
Yet good news too: for goodly hopes are mine
That Lancelot is no more a lonely heart.
He wore, against his wont, upon his helm
A sleeve of scarlet, broidered with great pearls,
Some gentle maiden's gift.'
'Yea, lord,' she said,
'Thy hopes are mine,' and saying that, she choked,
And sharply turned about to hide her face,
Past to her chamber, and there flung herself
Down on the great King's couch, and writhed upon it,
And clenched her fingers till they bit the palm,
And shrieked out 'Traitor' to the unhearing wall,
Then flashed into wild tears, and rose again,
And moved about her palace, proud and pale.
Gawain the while through all the region round
Rode with his diamond, wearied of the quest,
Touched at all points, except the poplar grove,
And came at last, though late, to Astolat:
Whom glittering in enamelled arms the maid
Glanced at, and cried, 'What news from Camelot, lord?
What of the knight with the red sleeve?' 'He won.'
'I knew it,' she said. 'But parted from the jousts
Hurt in the side,' whereat she caught her breath;
Through her own side she felt the sharp lance go;
Thereon she smote her hand: wellnigh she swooned:
And, while he gazed wonderingly at her, came
The Lord of Astolat out, to whom the Prince
Reported who he was, and on what quest
Sent, that he bore the prize and could not find
The victor, but had ridden a random round
To seek him, and had wearied of the search.
To whom the Lord of Astolat, 'Bide with us,
And ride no more at random, noble Prince!
Here was the knight, and here he left a shield;
This will he send or come for: furthermore
Our son is with him; we shall hear anon,
Needs must hear.' To this the courteous Prince
Accorded with his wonted courtesy,
Courtesy with a touch of traitor in it,
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And stayed; and cast his eyes on fair Elaine:
Where could be found face daintier? then her shape
From forehead down to foot, perfect--again
From foot to forehead exquisitely turned:
'Well--if I bide, lo! this wild flower for me!'
And oft they met among the garden yews,
And there he set himself to play upon her
With sallying wit, free flashes from a height
Above her, graces of the court, and songs,
Sighs, and slow smiles, and golden eloquence
And amorous adulation, till the maid
Rebelled against it, saying to him, 'Prince,
O loyal nephew of our noble King,
Why ask you not to see the shield he left,
Whence you might learn his name? Why slight your King,
And lose the quest he sent you on, and prove
No surer than our falcon yesterday,
Who lost the hern we slipt her at, and went
To all the winds?' 'Nay, by mine head,' said he,
'I lose it, as we lose the lark in heaven,
O damsel, in the light of your blue eyes;
But an ye will it let me see the shield.'
And when the shield was brought, and Gawain saw
Sir Lancelot's azure lions, crowned with gold,
Ramp in the field, he smote his thigh, and mocked:
'Right was the King! our Lancelot! that true man!'
'And right was I,' she answered merrily, 'I,
Who dreamed my knight the greatest knight of all.'
'And if I dreamed,' said Gawain, 'that you love
This greatest knight, your pardon! lo, ye know it!
Speak therefore: shall I waste myself in vain?'
Full simple was her answer, 'What know I?
My brethren have been all my fellowship;
And I, when often they have talked of love,
Wished it had been my mother, for they talked,
Meseemed, of what they knew not; so myself-I know not if I know what true love is,
But if I know, then, if I love not him,
I know there is none other I can love.'
'Yea, by God's death,' said he, 'ye love him well,
But would not, knew ye what all others know,
And whom he loves.' 'So be it,' cried Elaine,
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And lifted her fair face and moved away:
But he pursued her, calling, 'Stay a little!
One golden minute's grace! he wore your sleeve:
Would he break faith with one I may not name?
Must our true man change like a leaf at last?
Nay--like enow: why then, far be it from me
To cross our mighty Lancelot in his loves!
And, damsel, for I deem you know full well
Where your great knight is hidden, let me leave
My quest with you; the diamond also: here!
For if you love, it will be sweet to give it;
And if he love, it will be sweet to have it
From your own hand; and whether he love or not,
A diamond is a diamond. Fare you well
A thousand times!--a thousand times farewell!
Yet, if he love, and his love hold, we two
May meet at court hereafter: there, I think,
So ye will learn the courtesies of the court,
We two shall know each other.'
Then he gave,
And slightly kissed the hand to which he gave,
The diamond, and all wearied of the quest
Leapt on his horse, and carolling as he went
A true-love ballad, lightly rode away.
Thence to the court he past; there told the King
What the King knew, 'Sir Lancelot is the knight.'
And added, 'Sire, my liege, so much I learnt;
But failed to find him, though I rode all round
The region: but I lighted on the maid
Whose sleeve he wore; she loves him; and to her,
Deeming our courtesy is the truest law,
I gave the diamond: she will render it;
For by mine head she knows his hiding-place.'
The seldom-frowning King frowned, and replied,
'Too courteous truly! ye shall go no more
On quest of mine, seeing that ye forget
Obedience is the courtesy due to kings.'
He spake and parted. Wroth, but all in awe,
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For twenty strokes of the blood, without a word,
Lingered that other, staring after him;
Then shook his hair, strode off, and buzzed abroad
About the maid of Astolat, and her love.
All ears were pricked at once, all tongues were loosed:
'The maid of Astolat loves Sir Lancelot,
Sir Lancelot loves the maid of Astolat.'
Some read the King's face, some the Queen's, and all
Had marvel what the maid might be, but most
Predoomed her as unworthy. One old dame
Came suddenly on the Queen with the sharp news.
She, that had heard the noise of it before,
But sorrowing Lancelot should have stooped so low,
Marred her friend's aim with pale tranquillity.
So ran the tale like fire about the court,
Fire in dry stubble a nine-days' wonder flared:
Till even the knights at banquet twice or thrice
Forgot to drink to Lancelot and the Queen,
And pledging Lancelot and the lily maid
Smiled at each other, while the Queen, who sat
With lips severely placid, felt the knot
Climb in her throat, and with her feet unseen
Crushed the wild passion out against the floor
Beneath the banquet, where all the meats became
As wormwood, and she hated all who pledged.
But far away the maid in Astolat,
Her guiltless rival, she that ever kept
The one-day-seen Sir Lancelot in her heart,
Crept to her father, while he mused alone,
Sat on his knee, stroked his gray face and said,
'Father, you call me wilful, and the fault
Is yours who let me have my will, and now,
Sweet father, will you let me lose my wits?'
'Nay,' said he, 'surely.' 'Wherefore, let me hence,'
She answered, 'and find out our dear Lavaine.'
'Ye will not lose your wits for dear Lavaine:
Bide,' answered he: 'we needs must hear anon
Of him, and of that other.' 'Ay,' she said,
'And of that other, for I needs must hence
And find that other, wheresoe'er he be,
And with mine own hand give his diamond to him,
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Lest I be found as faithless in the quest
As yon proud Prince who left the quest to me.
Sweet father, I behold him in my dreams
Gaunt as it were the skeleton of himself,
Death-pale, for lack of gentle maiden's aid.
The gentler-born the maiden, the more bound,
My father, to be sweet and serviceable
To noble knights in sickness, as ye know
When these have worn their tokens: let me hence
I pray you.' Then her father nodding said,
'Ay, ay, the diamond: wit ye well, my child,
Right fain were I to learn this knight were whole,
Being our greatest: yea, and you must give it-And sure I think this fruit is hung too high
For any mouth to gape for save a queen's-Nay, I mean nothing: so then, get you gone,
Being so very wilful you must go.'
Lightly, her suit allowed, she slipt away,
And while she made her ready for her ride,
Her father's latest word hummed in her ear,
'Being so very wilful you must go,'
And changed itself and echoed in her heart,
'Being so very wilful you must die.'
But she was happy enough and shook it off,
As we shake off the bee that buzzes at us;
And in her heart she answered it and said,
'What matter, so I help him back to life?'
Then far away with good Sir Torre for guide
Rode o'er the long backs of the bushless downs
To Camelot, and before the city-gates
Came on her brother with a happy face
Making a roan horse caper and curvet
For pleasure all about a field of flowers:
Whom when she saw, 'Lavaine,' she cried, 'Lavaine,
How fares my lord Sir Lancelot?' He amazed,
'Torre and Elaine! why here? Sir Lancelot!
How know ye my lord's name is Lancelot?'
But when the maid had told him all her tale,
Then turned Sir Torre, and being in his moods
Left them, and under the strange-statued gate,
Where Arthur's wars were rendered mystically,
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Past up the still rich city to his kin,
His own far blood, which dwelt at Camelot;
And her, Lavaine across the poplar grove
Led to the caves: there first she saw the casque
Of Lancelot on the wall: her scarlet sleeve,
Though carved and cut, and half the pearls away,
Streamed from it still; and in her heart she laughed,
Because he had not loosed it from his helm,
But meant once more perchance to tourney in it.
And when they gained the cell wherein he slept,
His battle-writhen arms and mighty hands
Lay naked on the wolfskin, and a dream
Of dragging down his enemy made them move.
Then she that saw him lying unsleek, unshorn,
Gaunt as it were the skeleton of himself,
Uttered a little tender dolorous cry.
The sound not wonted in a place so still
Woke the sick knight, and while he rolled his eyes
Yet blank from sleep, she started to him, saying,
'Your prize the diamond sent you by the King:'
His eyes glistened: she fancied 'Is it for me?'
And when the maid had told him all the tale
Of King and Prince, the diamond sent, the quest
Assigned to her not worthy of it, she knelt
Full lowly by the corners of his bed,
And laid the diamond in his open hand.
Her face was near, and as we kiss the child
That does the task assigned, he kissed her face.
At once she slipt like water to the floor.
'Alas,' he said, 'your ride hath wearied you.
Rest must you have.' 'No rest for me,' she said;
'Nay, for near you, fair lord, I am at rest.'
What might she mean by that? his large black eyes,
Yet larger through his leanness, dwelt upon her,
Till all her heart's sad secret blazed itself
In the heart's colours on her simple face;
And Lancelot looked and was perplext in mind,
And being weak in body said no more;
But did not love the colour; woman's love,
Save one, he not regarded, and so turned
Sighing, and feigned a sleep until he slept.
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Then rose Elaine and glided through the fields,
And past beneath the weirdly-sculptured gates
Far up the dim rich city to her kin;
There bode the night: but woke with dawn, and past
Down through the dim rich city to the fields,
Thence to the cave: so day by day she past
In either twilight ghost-like to and fro
Gliding, and every day she tended him,
And likewise many a night: and Lancelot
Would, though he called his wound a little hurt
Whereof he should be quickly whole, at times
Brain-feverous in his heat and agony, seem
Uncourteous, even he: but the meek maid
Sweetly forbore him ever, being to him
Meeker than any child to a rough nurse,
Milder than any mother to a sick child,
And never woman yet, since man's first fall,
Did kindlier unto man, but her deep love
Upbore her; till the hermit, skilled in all
The simples and the science of that time,
Told him that her fine care had saved his life.
And the sick man forgot her simple blush,
Would call her friend and sister, sweet Elaine,
Would listen for her coming and regret
Her parting step, and held her tenderly,
And loved her with all love except the love
Of man and woman when they love their best,
Closest and sweetest, and had died the death
In any knightly fashion for her sake.
And peradventure had he seen her first
She might have made this and that other world
Another world for the sick man; but now
The shackles of an old love straitened him,
His honour rooted in dishonour stood,
And faith unfaithful kept him falsely true.
Yet the great knight in his mid-sickness made
Full many a holy vow and pure resolve.
These, as but born of sickness, could not live:
For when the blood ran lustier in him again,
Full often the bright image of one face,
Making a treacherous quiet in his heart,
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Dispersed his resolution like a cloud.
Then if the maiden, while that ghostly grace
Beamed on his fancy, spoke, he answered not,
Or short and coldly, and she knew right well
What the rough sickness meant, but what this meant
She knew not, and the sorrow dimmed her sight,
And drave her ere her time across the fields
Far into the rich city, where alone
She murmured, 'Vain, in vain: it cannot be.
He will not love me: how then? must I die?'
Then as a little helpless innocent bird,
That has but one plain passage of few notes,
Will sing the simple passage o'er and o'er
For all an April morning, till the ear
Wearies to hear it, so the simple maid
Went half the night repeating, 'Must I die?'
And now to right she turned, and now to left,
And found no ease in turning or in rest;
And 'Him or death,' she muttered, 'death or him,'
Again and like a burthen, 'Him or death.'
But when Sir Lancelot's deadly hurt was whole,
To Astolat returning rode the three.
There morn by morn, arraying her sweet self
In that wherein she deemed she looked her best,
She came before Sir Lancelot, for she thought
'If I be loved, these are my festal robes,
If not, the victim's flowers before he fall.'
And Lancelot ever prest upon the maid
That she should ask some goodly gift of him
For her own self or hers; 'and do not shun
To speak the wish most near to your true heart;
Such service have ye done me, that I make
My will of yours, and Prince and Lord am I
In mine own land, and what I will I can.'
Then like a ghost she lifted up her face,
But like a ghost without the power to speak.
And Lancelot saw that she withheld her wish,
And bode among them yet a little space
Till he should learn it; and one morn it chanced
He found her in among the garden yews,
And said, 'Delay no longer, speak your wish,
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Seeing I go today:' then out she brake:
'Going? and we shall never see you more.
And I must die for want of one bold word.'
'Speak: that I live to hear,' he said, 'is yours.'
Then suddenly and passionately she spoke:
'I have gone mad. I love you: let me die.'
'Ah, sister,' answered Lancelot, 'what is this?'
And innocently extending her white arms,
'Your love,' she said, 'your love--to be your wife.'
And Lancelot answered, 'Had I chosen to wed,
I had been wedded earlier, sweet Elaine:
But now there never will be wife of mine.'
'No, no,' she cried, 'I care not to be wife,
But to be with you still, to see your face,
To serve you, and to follow you through the world.'
And Lancelot answered, 'Nay, the world, the world,
All ear and eye, with such a stupid heart
To interpret ear and eye, and such a tongue
To blare its own interpretation--nay,
Full ill then should I quit your brother's love,
And your good father's kindness.' And she said,
'Not to be with you, not to see your face-Alas for me then, my good days are done.'
'Nay, noble maid,' he answered, 'ten times nay!
This is not love: but love's first flash in youth,
Most common: yea, I know it of mine own self:
And you yourself will smile at your own self
Hereafter, when you yield your flower of life
To one more fitly yours, not thrice your age:
And then will I, for true you are and sweet
Beyond mine old belief in womanhood,
More specially should your good knight be poor,
Endow you with broad land and territory
Even to the half my realm beyond the seas,
So that would make you happy: furthermore,
Even to the death, as though ye were my blood,
In all your quarrels will I be your knight.
This I will do, dear damsel, for your sake,
And more than this I cannot.'
While he spoke
She neither blushed nor shook, but deathly-pale
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Stood grasping what was nearest, then replied:
'Of all this will I nothing;' and so fell,
And thus they bore her swooning to her tower.
Then spake, to whom through those black walls of yew
Their talk had pierced, her father: 'Ay, a flash,
I fear me, that will strike my blossom dead.
Too courteous are ye, fair Lord Lancelot.
I pray you, use some rough discourtesy
To blunt or break her passion.'
Lancelot said,
'That were against me: what I can I will;'
And there that day remained, and toward even
Sent for his shield: full meekly rose the maid,
Stript off the case, and gave the naked shield;
Then, when she heard his horse upon the stones,
Unclasping flung the casement back, and looked
Down on his helm, from which her sleeve had gone.
And Lancelot knew the little clinking sound;
And she by tact of love was well aware
That Lancelot knew that she was looking at him.
And yet he glanced not up, nor waved his hand,
Nor bad farewell, but sadly rode away.
This was the one discourtesy that he used.
So in her tower alone the maiden sat:
His very shield was gone; only the case,
Her own poor work, her empty labour, left.
But still she heard him, still his picture formed
And grew between her and the pictured wall.
Then came her father, saying in low tones,
'Have comfort,' whom she greeted quietly.
Then came her brethren saying, 'Peace to thee,
Sweet sister,' whom she answered with all calm.
But when they left her to herself again,
Death, like a friend's voice from a distant field
Approaching through the darkness, called; the owls
Wailing had power upon her, and she mixt
Her fancies with the sallow-rifted glooms
Of evening, and the moanings of the wind.
And in those days she made a little song,
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And called her song 'The Song of Love and Death,'
And sang it: sweetly could she make and sing.
'Sweet is true love though given in vain, in vain;
And sweet is death who puts an end to pain:
I know not which is sweeter, no, not I.
'Love, art thou sweet? then bitter death must be:
Love, thou art bitter; sweet is death to me.
O Love, if death be sweeter, let me die.
'Sweet love, that seems not made to fade away,
Sweet death, that seems to make us loveless clay,
I know not which is sweeter, no, not I.
'I fain would follow love, if that could be;
I needs must follow death, who calls for me;
Call and I follow, I follow! let me die.'
High with the last line scaled her voice, and this,
All in a fiery dawning wild with wind
That shook her tower, the brothers heard, and thought
With shuddering, 'Hark the Phantom of the house
That ever shrieks before a death,' and called
The father, and all three in hurry and fear
Ran to her, and lo! the blood-red light of dawn
Flared on her face, she shrilling, 'Let me die!'
As when we dwell upon a word we know,
Repeating, till the word we know so well
Becomes a wonder, and we know not why,
So dwelt the father on her face, and thought
'Is this Elaine?' till back the maiden fell,
Then gave a languid hand to each, and lay,
Speaking a still good-morrow with her eyes.
At last she said, 'Sweet brothers, yesternight
I seemed a curious little maid again,
As happy as when we dwelt among the woods,
And when ye used to take me with the flood
Up the great river in the boatman's boat.
Only ye would not pass beyond the cape
That has the poplar on it: there ye fixt
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Your limit, oft returning with the tide.
And yet I cried because ye would not pass
Beyond it, and far up the shining flood
Until we found the palace of the King.
And yet ye would not; but this night I dreamed
That I was all alone upon the flood,
And then I said, "Now shall I have my will:"
And there I woke, but still the wish remained.
So let me hence that I may pass at last
Beyond the poplar and far up the flood,
Until I find the palace of the King.
There will I enter in among them all,
And no man there will dare to mock at me;
But there the fine Gawain will wonder at me,
And there the great Sir Lancelot muse at me;
Gawain, who bad a thousand farewells to me,
Lancelot, who coldly went, nor bad me one:
And there the King will know me and my love,
And there the Queen herself will pity me,
And all the gentle court will welcome me,
And after my long voyage I shall rest!'
'Peace,' said her father, 'O my child, ye seem
Light-headed, for what force is yours to go
So far, being sick? and wherefore would ye look
On this proud fellow again, who scorns us all?'
Then the rough Torre began to heave and move,
And bluster into stormy sobs and say,
'I never loved him: an I meet with him,
I care not howsoever great he be,
Then will I strike at him and strike him down,
Give me good fortune, I will strike him dead,
For this discomfort he hath done the house.'
To whom the gentle sister made reply,
'Fret not yourself, dear brother, nor be wroth,
Seeing it is no more Sir Lancelot's fault
Not to love me, than it is mine to love
Him of all men who seems to me the highest.'
'Highest?' the father answered, echoing 'highest?'
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(He meant to break the passion in her) 'nay,
Daughter, I know not what you call the highest;
But this I know, for all the people know it,
He loves the Queen, and in an open shame:
And she returns his love in open shame;
If this be high, what is it to be low?'
Then spake the lily maid of Astolat:
'Sweet father, all too faint and sick am I
For anger: these are slanders: never yet
Was noble man but made ignoble talk.
He makes no friend who never made a foe.
But now it is my glory to have loved
One peerless, without stain: so let me pass,
My father, howsoe'er I seem to you,
Not all unhappy, having loved God's best
And greatest, though my love had no return:
Yet, seeing you desire your child to live,
Thanks, but you work against your own desire;
For if I could believe the things you say
I should but die the sooner; wherefore cease,
Sweet father, and bid call the ghostly man
Hither, and let me shrive me clean, and die.'
So when the ghostly man had come and gone,
She with a face, bright as for sin forgiven,
Besought Lavaine to write as she devised
A letter, word for word; and when he asked
'Is it for Lancelot, is it for my dear lord?
Then will I bear it gladly;' she replied,
'For Lancelot and the Queen and all the world,
But I myself must bear it.' Then he wrote
The letter she devised; which being writ
And folded, 'O sweet father, tender and true,
Deny me not,' she said--'ye never yet
Denied my fancies--this, however strange,
My latest: lay the letter in my hand
A little ere I die, and close the hand
Upon it; I shall guard it even in death.
And when the heat is gone from out my heart,
Then take the little bed on which I died
For Lancelot's love, and deck it like the Queen's
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For richness, and me also like the Queen
In all I have of rich, and lay me on it.
And let there be prepared a chariot-bier
To take me to the river, and a barge
Be ready on the river, clothed in black.
I go in state to court, to meet the Queen.
There surely I shall speak for mine own self,
And none of you can speak for me so well.
And therefore let our dumb old man alone
Go with me, he can steer and row, and he
Will guide me to that palace, to the doors.'
She ceased: her father promised; whereupon
She grew so cheerful that they deemed her death
Was rather in the fantasy than the blood.
But ten slow mornings past, and on the eleventh
Her father laid the letter in her hand,
And closed the hand upon it, and she died.
So that day there was dole in Astolat.
But when the next sun brake from underground,
Then, those two brethren slowly with bent brows
Accompanying, the sad chariot-bier
Past like a shadow through the field, that shone
Full-summer, to that stream whereon the barge,
Palled all its length in blackest samite, lay.
There sat the lifelong creature of the house,
Loyal, the dumb old servitor, on deck,
Winking his eyes, and twisted all his face.
So those two brethren from the chariot took
And on the black decks laid her in her bed,
Set in her hand a lily, o'er her hung
The silken case with braided blazonings,
And kissed her quiet brows, and saying to her
'Sister, farewell for ever,' and again
'Farewell, sweet sister,' parted all in tears.
Then rose the dumb old servitor, and the dead,
Oared by the dumb, went upward with the flood-In her right hand the lily, in her left
The letter--all her bright hair streaming down-And all the coverlid was cloth of gold
Drawn to her waist, and she herself in white
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All but her face, and that clear-featured face
Was lovely, for she did not seem as dead,
But fast asleep, and lay as though she smiled.
That day Sir Lancelot at the palace craved
Audience of Guinevere, to give at last,
The price of half a realm, his costly gift,
Hard-won and hardly won with bruise and blow,
With deaths of others, and almost his own,
The nine-years-fought-for diamonds: for he saw
One of her house, and sent him to the Queen
Bearing his wish, whereto the Queen agreed
With such and so unmoved a majesty
She might have seemed her statue, but that he,
Low-drooping till he wellnigh kissed her feet
For loyal awe, saw with a sidelong eye
The shadow of some piece of pointed lace,
In the Queen's shadow, vibrate on the walls,
And parted, laughing in his courtly heart.
All in an oriel on the summer side,
Vine-clad, of Arthur's palace toward the stream,
They met, and Lancelot kneeling uttered, 'Queen,
Lady, my liege, in whom I have my joy,
Take, what I had not won except for you,
These jewels, and make me happy, making them
An armlet for the roundest arm on earth,
Or necklace for a neck to which the swan's
Is tawnier than her cygnet's: these are words:
Your beauty is your beauty, and I sin
In speaking, yet O grant my worship of it
Words, as we grant grief tears. Such sin in words
Perchance, we both can pardon: but, my Queen,
I hear of rumours flying through your court.
Our bond, as not the bond of man and wife,
Should have in it an absoluter trust
To make up that defect: let rumours be:
When did not rumours fly? these, as I trust
That you trust me in your own nobleness,
I may not well believe that you believe.'
While thus he spoke, half turned away, the Queen
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Brake from the vast oriel-embowering vine
Leaf after leaf, and tore, and cast them off,
Till all the place whereon she stood was green;
Then, when he ceased, in one cold passive hand
Received at once and laid aside the gems
There on a table near her, and replied:
'It may be, I am quicker of belief
Than you believe me, Lancelot of the Lake.
Our bond is not the bond of man and wife.
This good is in it, whatsoe'er of ill,
It can be broken easier. I for you
This many a year have done despite and wrong
To one whom ever in my heart of hearts
I did acknowledge nobler. What are these?
Diamonds for me! they had been thrice their worth
Being your gift, had you not lost your own.
To loyal hearts the value of all gifts
Must vary as the giver's. Not for me!
For her! for your new fancy. Only this
Grant me, I pray you: have your joys apart.
I doubt not that however changed, you keep
So much of what is graceful: and myself
Would shun to break those bounds of courtesy
In which as Arthur's Queen I move and rule:
So cannot speak my mind. An end to this!
A strange one! yet I take it with Amen.
So pray you, add my diamonds to her pearls;
Deck her with these; tell her, she shines me down:
An armlet for an arm to which the Queen's
Is haggard, or a necklace for a neck
O as much fairer--as a faith once fair
Was richer than these diamonds--hers not mine-Nay, by the mother of our Lord himself,
Or hers or mine, mine now to work my will-She shall not have them.'
Saying which
she seized,
And, through the casement standing wide for heat,
Flung them, and down they flashed, and smote the stream.
Then from the smitten surface flashed, as it were,
Diamonds to meet them, and they past away.
Then while Sir Lancelot leant, in half disdain
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At love, life, all things, on the window ledge,
Close underneath his eyes, and right across
Where these had fallen, slowly past the barge.
Whereon the lily maid of Astolat
Lay smiling, like a star in blackest night.
But the wild Queen, who saw not, burst away
To weep and wail in secret; and the barge,
On to the palace-doorway sliding, paused.
There two stood armed, and kept the door; to whom,
All up the marble stair, tier over tier,
Were added mouths that gaped, and eyes that asked
'What is it?' but that oarsman's haggard face,
As hard and still as is the face that men
Shape to their fancy's eye from broken rocks
On some cliff-side, appalled them, and they said
'He is enchanted, cannot speak--and she,
Look how she sleeps--the Fairy Queen, so fair!
Yea, but how pale! what are they? flesh and blood?
Or come to take the King to Fairyland?
For some do hold our Arthur cannot die,
But that he passes into Fairyland.'
While thus they babbled of the King, the King
Came girt with knights: then turned the tongueless man
From the half-face to the full eye, and rose
And pointed to the damsel, and the doors.
So Arthur bad the meek Sir Percivale
And pure Sir Galahad to uplift the maid;
And reverently they bore her into hall.
Then came the fine Gawain and wondered at her,
And Lancelot later came and mused at her,
And last the Queen herself, and pitied her:
But Arthur spied the letter in her hand,
Stoopt, took, brake seal, and read it; this was all:
'Most noble lord, Sir Lancelot of the Lake,
I, sometime called the maid of Astolat,
Come, for you left me taking no farewell,
Hither, to take my last farewell of you.
I loved you, and my love had no return,
And therefore my true love has been my death.
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And therefore to our Lady Guinevere,
And to all other ladies, I make moan:
Pray for my soul, and yield me burial.
Pray for my soul thou too, Sir Lancelot,
As thou art a knight peerless.'
Thus he read;
And ever in the reading, lords and dames
Wept, looking often from his face who read
To hers which lay so silent, and at times,
So touched were they, half-thinking that her lips,
Who had devised the letter, moved again.
Then freely spoke Sir Lancelot to them all:
'My lord liege Arthur, and all ye that hear,
Know that for this most gentle maiden's death
Right heavy am I; for good she was and true,
But loved me with a love beyond all love
In women, whomsoever I have known.
Yet to be loved makes not to love again;
Not at my years, however it hold in youth.
I swear by truth and knighthood that I gave
No cause, not willingly, for such a love:
To this I call my friends in testimony,
Her brethren, and her father, who himself
Besought me to be plain and blunt, and use,
To break her passion, some discourtesy
Against my nature: what I could, I did.
I left her and I bad her no farewell;
Though, had I dreamt the damsel would have died,
I might have put my wits to some rough use,
And helped her from herself.'
Then said the Queen
(Sea was her wrath, yet working after storm)
'Ye might at least have done her so much grace,
Fair lord, as would have helped her from her death.'
He raised his head, their eyes met and hers fell,
He adding,
'Queen, she would not be content
Save that I wedded her, which could not be.
Then might she follow me through the world, she asked;
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It could not be. I told her that her love
Was but the flash of youth, would darken down
To rise hereafter in a stiller flame
Toward one more worthy of her--then would I,
More specially were he, she wedded, poor,
Estate them with large land and territory
In mine own realm beyond the narrow seas,
To keep them in all joyance: more than this
I could not; this she would not, and she died.'
He pausing, Arthur answered, 'O my knight,
It will be to thy worship, as my knight,
And mine, as head of all our Table Round,
To see that she be buried worshipfully.'
So toward that shrine which then in all the realm
Was richest, Arthur leading, slowly went
The marshalled Order of their Table Round,
And Lancelot sad beyond his wont, to see
The maiden buried, not as one unknown,
Nor meanly, but with gorgeous obsequies,
And mass, and rolling music, like a queen.
And when the knights had laid her comely head
Low in the dust of half-forgotten kings,
Then Arthur spake among them, 'Let her tomb
Be costly, and her image thereupon,
And let the shield of Lancelot at her feet
Be carven, and her lily in her hand.
And let the story of her dolorous voyage
For all true hearts be blazoned on her tomb
In letters gold and azure!' which was wrought
Thereafter; but when now the lords and dames
And people, from the high door streaming, brake
Disorderly, as homeward each, the Queen,
Who marked Sir Lancelot where he moved apart,
Drew near, and sighed in passing, 'Lancelot,
Forgive me; mine was jealousy in love.'
He answered with his eyes upon the ground,
'That is love's curse; pass on, my Queen, forgiven.'
But Arthur, who beheld his cloudy brows,
Approached him, and with full affection said,
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'Lancelot, my Lancelot, thou in whom I have
Most joy and most affiance, for I know
What thou hast been in battle by my side,
And many a time have watched thee at the tilt
Strike down the lusty and long practised knight,
And let the younger and unskilled go by
To win his honour and to make his name,
And loved thy courtesies and thee, a man
Made to be loved; but now I would to God,
Seeing the homeless trouble in thine eyes,
Thou couldst have loved this maiden, shaped, it seems,
By God for thee alone, and from her face,
If one may judge the living by the dead,
Delicately pure and marvellously fair,
Who might have brought thee, now a lonely man
Wifeless and heirless, noble issue, sons
Born to the glory of thine name and fame,
My knight, the great Sir Lancelot of the Lake.'
Then answered Lancelot, 'Fair she was, my King,
Pure, as you ever wish your knights to be.
To doubt her fairness were to want an eye,
To doubt her pureness were to want a heart-Yea, to be loved, if what is worthy love
Could bind him, but free love will not be bound.'
'Free love, so bound, were fre st,' said the King.
'Let love be free; free love is for the best:
And, after heaven, on our dull side of death,
What should be best, if not so pure a love
Clothed in so pure a loveliness? yet thee
She failed to bind, though being, as I think,
Unbound as yet, and gentle, as I know.'
And Lancelot answered nothing, but he went,
And at the inrunning of a little brook
Sat by the river in a cove, and watched
The high reed wave, and lifted up his eyes
And saw the barge that brought her moving down,
Far-off, a blot upon the stream, and said
Low in himself, 'Ah simple heart and sweet,
Ye loved me, damsel, surely with a love
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Far tenderer than my Queen's. Pray for thy soul?
Ay, that will I. Farewell too--now at last-Farewell, fair lily. "Jealousy in love?"
Not rather dead love's harsh heir, jealous pride?
Queen, if I grant the jealousy as of love,
May not your crescent fear for name and fame
Speak, as it waxes, of a love that wanes?
Why did the King dwell on my name to me?
Mine own name shames me, seeming a reproach,
Lancelot, whom the Lady of the Lake
Caught from his mother's arms--the wondrous one
Who passes through the vision of the night-She chanted snatches of mysterious hymns
Heard on the winding waters, eve and morn
She kissed me saying, "Thou art fair, my child,
As a king's son," and often in her arms
She bare me, pacing on the dusky mere.
Would she had drowned me in it, where'er it be!
For what am I? what profits me my name
Of greatest knight? I fought for it, and have it:
Pleasure to have it, none; to lose it, pain;
Now grown a part of me: but what use in it?
To make men worse by making my sin known?
Or sin seem less, the sinner seeming great?
Alas for Arthur's greatest knight, a man
Not after Arthur's heart! I needs must break
These bonds that so defame me: not without
She wills it: would I, if she willed it? nay,
Who knows? but if I would not, then may God,
I pray him, send a sudden Angel down
To seize me by the hair and bear me far,
And fling me deep in that forgotten mere,
Among the tumbled fragments of the hills.'
So groaned Sir Lancelot in remorseful pain,
Not knowing he should die a holy man.
~ Alfred Lord Tennyson,
553:The House Of Dust: Complete
I.
The sun goes down in a cold pale flare of light.
The trees grow dark: the shadows lean to the east:
And lights wink out through the windows, one by one.
A clamor of frosty sirens mourns at the night.
Pale slate-grey clouds whirl up from the sunken sun.
And the wandering one, the inquisitive dreamer of dreams,
The eternal asker of answers, stands in the street,
And lifts his palms for the first cold ghost of rain.
The purple lights leap down the hill before him.
The gorgeous night has begun again.
'I will ask them all, I will ask them all their dreams,
I will hold my light above them and seek their faces.
I will hear them whisper, invisible in their veins . . .'
The eternal asker of answers becomes as the darkness,
Or as a wind blown over a myriad forest,
Or as the numberless voices of long-drawn rains.
We hear him and take him among us, like a wind of music,
Like the ghost of a music we have somewhere heard;
We crowd through the streets in a dazzle of pallid lamplight,
We pour in a sinister wave, ascend a stair,
With laughter and cry, and word upon murmured word;
We flow, we descend, we turn . . . and the eternal dreamer
Moves among us like light, like evening air . . .
Good-night! Good-night! Good-night! We go our ways,
The rain runs over the pavement before our feet,
The cold rain falls, the rain sings.
We walk, we run, we ride. We turn our faces
To what the eternal evening brings.
Our hands are hot and raw with the stones we have laid,
We have built a tower of stone high into the sky,
We have built a city of towers.
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Our hands are light, they are singing with emptiness.
Our souls are light; they have shaken a burden of hours . . .
What did we build it for? Was it all a dream? . . .
Ghostly above us in lamplight the towers gleam . . .
And after a while they will fall to dust and rain;
Or else we will tear them down with impatient hands;
And hew rock out of the earth, and build them again.
II.
One, from his high bright window in a tower,
Leans out, as evening falls,
And sees the advancing curtain of the shower
Splashing its silver on roofs and walls:
Sees how, swift as a shadow, it crosses the city,
And murmurs beyond far walls to the sea,
Leaving a glimmer of water in the dark canyons,
And silver falling from eave and tree.
One, from his high bright window, looking down,
Peers like a dreamer over the rain-bright town,
And thinks its towers are like a dream.
The western windows flame in the sun's last flare,
Pale roofs begin to gleam.
Looking down from a window high in a wall
He sees us all;
Lifting our pallid faces towards the rain,
Searching the sky, and going our ways again,
Standing in doorways, waiting under the trees . . .
There, in the high bright window he dreams, and sees
What we are blind to,—we who mass and crowd
From wall to wall in the darkening of a cloud.
The gulls drift slowly above the city of towers,
Over the roofs to the darkening sea they fly;
Night falls swiftly on an evening of rain.
The yellow lamps wink one by one again.
The towers reach higher and blacker against the sky.
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III.
One, where the pale sea foamed at the yellow sand,
With wave upon slowly shattering wave,
Turned to the city of towers as evening fell;
And slowly walked by the darkening road toward it;
And saw how the towers darkened against the sky;
And across the distance heard the toll of a bell.
Along the darkening road he hurried alone,
With his eyes cast down,
And thought how the streets were hoarse with a tide of people,
With clamor of voices, and numberless faces . . .
And it seemed to him, of a sudden, that he would drown
Here in the quiet of evening air,
These empty and voiceless places . . .
And he hurried towards the city, to enter there.
Along the darkening road, between tall trees
That made a sinister whisper, loudly he walked.
Behind him, sea-gulls dipped over long grey seas.
Before him, numberless lovers smiled and talked.
And death was observed with sudden cries,
And birth with laughter and pain.
And the trees grew taller and blacker against the skies
And night came down again.
IV.
Up high black walls, up sombre terraces,
Clinging like luminous birds to the sides of cliffs,
The yellow lights went climbing towards the sky.
From high black walls, gleaming vaguely with rain,
Each yellow light looked down like a golden eye.
They trembled from coign to coign, and tower to tower,
Along high terraces quicker than dream they flew.
And some of them steadily glowed, and some soon vanished,
And some strange shadows threw.
And behind them all the ghosts of thoughts went moving,
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Restlessly moving in each lamplit room,
From chair to mirror, from mirror to fire;
From some, the light was scarcely more than a gloom:
From some, a dazzling desire.
And there was one, beneath black eaves, who thought,
Combing with lifted arms her golden hair,
Of the lover who hurried towards her through the night;
And there was one who dreamed of a sudden death
As she blew out her light.
And
And
And
And
And
there was one who turned from clamoring streets,
walked in lamplit gardens among black trees,
looked at the windy sky,
thought with terror how stones and roots would freeze
birds in the dead boughs cry . . .
And she hurried back, as snow fell, mixed with rain,
To mingle among the crowds again,
To jostle beneath blue lamps along the street;
And lost herself in the warm bright coiling dream,
With a sound of murmuring voices and shuffling feet.
And one, from his high bright window looking down
On luminous chasms that cleft the basalt town,
Hearing a sea-like murmur rise,
Desired to leave his dream, descend from the tower,
And drown in waves of shouts and laughter and cries.
V.
The snow floats down upon us, mingled with rain . . .
It eddies around pale lilac lamps, and falls
Down golden-windowed walls.
We were all born of flesh, in a flare of pain,
We do not remember the red roots whence we rose,
But we know that we rose and walked, that after a while
We shall lie down again.
The snow floats down upon us, we turn, we turn,
Through gorges filled with light we sound and flow . . .
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One is struck down and hurt, we crowd about him,
We bear him away, gaze after his listless body;
But whether he lives or dies we do not know.
One of us sings in the street, and we listen to him;
The words ring over us like vague bells of sorrow.
He sings of a house he lived in long ago.
It is strange; this house of dust was the house I lived in;
The house you lived in, the house that all of us know.
And coiling slowly about him, and laughing at him,
And throwing him pennies, we bear away
A mournful echo of other times and places,
And follow a dream . . . a dream that will not stay.
Down long broad flights of lamplit stairs we flow;
Noisy, in scattered waves, crowding and shouting;
In broken slow cascades.
The gardens extend before us . . . We spread out swiftly;
Trees are above us, and darkness. The canyon fades . . .
And we recall, with a gleaming stab of sadness,
Vaguely and incoherently, some dream
Of a world we came from, a world of sun-blue hills . . .
A black wood whispers around us, green eyes gleam;
Someone cries in the forest, and someone kills.
We
We
We
We
We
flow to the east, to the white-lined shivering sea;
reach to the west, where the whirling sun went down;
close our eyes to music in bright cafees.
diverge from clamorous streets to streets that are silent.
loaf where the wind-spilled fountain plays.
And, growing tired, we turn aside at last,
Remember our secret selves, seek out our towers,
Lay weary hands on the banisters, and climb;
Climbing, each, to his little four-square dream
Of love or lust or beauty or death or crime.
VI.
Over the darkened city, the city of towers,
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The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.
On one side purples the lustrous dusk of the sea,
And dreams in white at the city's feet;
On one side sleep the plains, with heaped-up hills.
Oaks and beeches whisper in rings about it.
Above the trees are towers where dread bells beat.
The fisherman draws his streaming net from the sea
And sails toward the far-off city, that seems
Like one vague tower.
The dark bow plunges to foam on blue-black waves,
And shrill rain seethes like a ghostly music about him
In a quiet shower.
Rain with a shrill sings on the lapsing waves;
Rain thrills over the roofs again;
Like a shadow of shifting silver it crosses the city;
The lamps in the streets are streamed with rain;
And sparrows complain beneath deep eaves,
And among whirled leaves
The sea-gulls, blowing from tower to lower tower,
From wall to remoter wall,
Skim with the driven rain to the rising sea-sound
And close grey wings and fall . . .
. . . Hearing great rain above me, I now remember
A girl who stood by the door and shut her eyes:
Her pale cheeks glistened with rain, she stood and shivered.
Into a forest of silver she vanished slowly . . .
Voices about me rise . . .
Voices clear and silvery, voices of raindrops,—
'We struck with silver claws, we struck her down.
We are the ghosts of the singing furies . . . '
A chorus of elfin voices blowing about me
Weaves to a babel of sound. Each cries a secret.
I run among them, reach out vain hands, and drown.
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'I am the one who stood beside you and smiled,
Thinking your face so strangely young . . . '
'I am the one who loved you but did not dare.'
'I am the one you followed through crowded streets,
The one who escaped you, the one with red-gleamed hair.'
'I am the one you saw to-day, who fell
Senseless before you, hearing a certain bell:
A bell that broke great memories in my brain.'
'I am the one who passed unnoticed before you,
Invisible, in a cloud of secret pain.'
'I am the one who suddenly cried, beholding
The face of a certain man on the dazzling screen.
They wrote me that he was dead. It was long ago.
I walked in the streets for a long while, hearing nothing,
And returned to see it again. And it was so.'
Weave, weave, weave, you streaks of rain!
I am dissolved and woven again . . .
Thousands of faces rise and vanish before me.
Thousands of voices weave in the rain.
'I am the one who rode beside you, blinking
At a dazzle of golden lights.
Tempests of music swept me: I was thinking
Of the gorgeous promise of certain nights:
Of the woman who suddenly smiled at me this day,
Smiled in a certain delicious sidelong way,
And turned, as she reached the door,
To smile once more . . .
Her hands are whiter than snow on midnight water.
Her throat is golden and full of golden laughter,
Her eyes are strange as the stealth of the moon
On a night in June . . .
She runs among whistling leaves; I hurry after;
She dances in dreams over white-waved water;
Her body is white and fragrant and cool,
Magnolia petals that float on a white-starred pool . . .
I have dreamed of her, dreaming for many nights
Of a broken music and golden lights,
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Of broken webs of silver, heavily falling
Between my hands and their white desire:
And dark-leaved boughs, edged with a golden radiance,
Dipping to screen a fire . . .
I dream that I walk with her beneath high trees,
But as I lean to kiss her face,
She is blown aloft on wind, I catch at leaves,
And run in a moonless place;
And I hear a crashing of terrible rocks flung down,
And shattering trees and cracking walls,
And a net of intense white flame roars over the town,
And someone cries; and darkness falls . . .
But now she has leaned and smiled at me,
My veins are afire with music,
Her eyes have kissed me, my body is turned to light;
I shall dream to her secret heart tonight . . . '
He rises and moves away, he says no word,
He folds his evening paper and turns away;
I rush through the dark with rows of lamplit faces;
Fire bells peal, and some of us turn to listen,
And some sit motionless in their accustomed places.
Cold rain lashes the car-roof, scurries in gusts,
Streams down the windows in waves and ripples of lustre;
The lamps in the streets are distorted and strange.
Someone takes his watch from his pocket and yawns.
One peers out in the night for the place to change.
Rain . . . rain . . . rain . . . we are buried in rain,
It will rain forever, the swift wheels hiss through water,
Pale sheets of water gleam in the windy street.
The pealing of bells is lost in a drive of rain-drops.
Remote and hurried the great bells beat.
'I am the one whom life so shrewdly betrayed,
Misfortune dogs me, it always hunted me down.
And to-day the woman I love lies dead.
I gave her roses, a ring with opals;
These hands have touched her head.
'I bound her to me in all soft ways,
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I bound her to me in a net of days,
Yet now she has gone in silence and said no word.
How can we face these dazzling things, I ask you?
There is no use: we cry: and are not heard.
'They cover a body with roses . . . I shall not see it . . .
Must one return to the lifeless walls of a city
Whose soul is charred by fire? . . . '
His eyes are closed, his lips press tightly together.
Wheels hiss beneath us. He yields us our desire.
'No, do not stare so—he is weak with grief,
He cannot face you, he turns his eyes aside;
He is confused with pain.
I suffered this. I know. It was long ago . . .
He closes his eyes and drowns in death again.'
The wind hurls blows at the rain-starred glistening windows,
The wind shrills down from the half-seen walls.
We flow on the mournful wind in a dream of dying;
And at last a silence falls.
VII.
Midnight; bells toll, and along the cloud-high towers
The golden lights go out . . .
The yellow windows darken, the shades are drawn,
In thousands of rooms we sleep, we await the dawn,
We lie face down, we dream,
We cry aloud with terror, half rise, or seem
To stare at the ceiling or walls . . .
Midnight . . . the last of shattering bell-notes falls.
A rush of silence whirls over the cloud-high towers,
A vortex of soundless hours.
'The bells have just struck twelve: I should be sleeping.
But I cannot delay any longer to write and tell you.
The woman is dead.
She died—you know the way. Just as we planned.
Smiling, with open sunlit eyes.
Smiling upon the outstretched fatal hand . . .'
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He folds his letter, steps softly down the stairs.
The doors are closed and silent. A gas-jet flares.
His shadow disturbs a shadow of balustrades.
The door swings shut behind. Night roars above him.
Into the night he fades.
Wind; wind; wind; carving the walls;
Blowing the water that gleams in the street;
Blowing the rain, the sleet.
In the dark alley, an old tree cracks and falls,
Oak-boughs moan in the haunted air;
Lamps blow down with a crash and tinkle of glass . . .
Darkness whistles . . . Wild hours pass . . .
And those whom sleep eludes lie wide-eyed, hearing
Above their heads a goblin night go by;
Children are waked, and cry,
The young girl hears the roar in her sleep, and dreams
That her lover is caught in a burning tower,
She clutches the pillow, she gasps for breath, she screams . . .
And then by degrees her breath grows quiet and slow,
She dreams of an evening, long ago:
Of colored lanterns balancing under trees,
Some of them softly catching afire;
And beneath the lanterns a motionless face she sees,
Golden with lamplight, smiling, serene . . .
The leaves are a pale and glittering green,
The sound of horns blows over the trampled grass,
Shadows of dancers pass . . .
The face smiles closer to hers, she tries to lean
Backward, away, the eyes burn close and strange,
The face is beginning to change,—
It is her lover, she no longer desires to resist,
She is held and kissed.
She closes her eyes, and melts in a seethe of flame . . .
With a smoking ghost of shame . . .
Wind, wind, wind . . . Wind in an enormous brain
Blowing dark thoughts like fallen leaves . . .
The wind shrieks, the wind grieves;
It dashes the leaves on walls, it whirls then again;
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And the enormous sleeper vaguely and stupidly dreams
And desires to stir, to resist a ghost of pain.
One, whom the city imprisoned because of his cunning,
Who dreamed for years in a tower,
Seizes this hour
Of tumult and wind. He files through the rusted bar,
Leans his face to the rain, laughs up at the night,
Slides down the knotted sheet, swings over the wall,
To fall to the street with a cat-like fall,
Slinks round a quavering rim of windy light,
And at last is gone,
Leaving his empty cell for the pallor of dawn . . .
The mother whose child was buried to-day
Turns her face to the window; her face is grey;
And all her body is cold with the coldness of rain.
He would have grown as easily as a tree,
He would have spread a pleasure of shade above her,
He would have been his father again . . .
His growth was ended by a freezing invisible shadow.
She lies, and does not move, and is stabbed by the rain.
Wind, wind, wind; we toss and dream;
We dream we are clouds and stars, blown in a stream:
Windows rattle above our beds;
We reach vague-gesturing hands, we lift our heads,
Hear sounds far off,—and dream, with quivering breath,
Our curious separate ways through life and death.
VIII.
The white fog creeps from the cold sea over the city,
Over the pale grey tumbled towers,—
And settles among the roofs, the pale grey walls.
Along damp sinuous streets it crawls,
Curls like a dream among the motionless trees
And seems to freeze.
The fog slips ghostlike into a thousand rooms,
Whirls over sleeping faces,
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Spins in an atomy dance round misty street lamps;
And blows in cloudy waves over open spaces . . .
And one from his high window, looking down,
Peers at the cloud-white town,
And thinks its island towers are like a dream . . .
It seems an enormous sleeper, within whose brain
Laborious shadows revolve and break and gleam.
PART II.
I.
The round red sun heaves darkly out of the sea.
The walls and towers are warmed and gleam.
Sounds go drowsily up from streets and wharves.
The city stirs like one that is half in dream.
And the mist flows up by dazzling walls and windows,
Where one by one we wake and rise.
We gaze at the pale grey lustrous sea a moment,
We rub the darkness from our eyes,
And face our thousand devious secret mornings . . .
And do not see how the pale mist, slowly ascending,
Shaped by the sun, shines like a white-robed dreamer
Compassionate over our towers bending.
There, like one who gazes into a crystal,
He broods upon our city with sombre eyes;
He sees our secret fears vaguely unfolding,
Sees cloudy symbols shape to rise.
Each gleaming point of light is like a seed
Dilating swiftly to coiling fires.
Each cloud becomes a rapidly dimming face,
Each hurrying face records its strange desires.
We descend our separate stairs toward the day,
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Merge in the somnolent mass that fills the street,
Lift our eyes to the soft blue space of sky,
And walk by the well-known walls with accustomed feet.
II. THE FULFILLED DREAM
More towers must yet be built—more towers destroyed—
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
Sucked out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,—
And so went out . . . For once, he forgot his pail.
Something had changed—but it was not the street—
The street was just the same—it was himself.
Puddles flashed in the sun. In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .
He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,—deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . . Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,—
He slowed his pace a little, and thought with horror
How monstrously that small tree thrust to meet him! . . .
He slowed his pace a little and remembered his wife.
Was forty, then, too old for work like this?
Why should it be? He'd never been afraid—
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His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?
Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,—
That blue-eyed innocent girl, in a soft blouse,—
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.
He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off. Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God—I'm done for now, the dream was right . . .'
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III. INTERLUDE
The warm sun dreams in the dust, the warm sun falls
On bright red roofs and walls;
The trees in the park exhale a ghost of rain;
We go from door to door in the streets again,
Talking, laughing, dreaming, turning our faces,
Recalling other times and places . . .
We crowd, not knowing why, around a gate,
We crowd together and wait,
A stretcher is carried out, voices are stilled,
The ambulance drives away.
We watch its roof flash by, hear someone say
'A man fell off the building and was killed—
Fell right into a barrel . . .' We turn again
Among the frightened eyes of white-faced men,
And go our separate ways, each bearing with him
A thing he tries, but vainly, to forget,—
A sickened crowd, a stretcher red and wet.
A hurdy-gurdy sings in the crowded street,
The golden notes skip over the sunlit stones,
Wings are upon our feet.
The sun seems warmer, the winding street more bright,
Sparrows come whirring down in a cloud of light.
We bear our dreams among us, bear them all,
Like hurdy-gurdy music they rise and fall,
Climb to beauty and die.
The wandering lover dreams of his lover's mouth,
And smiles at the hostile sky.
The broker smokes his pipe, and sees a fortune.
The murderer hears a cry.
IV. NIGHTMARE
'Draw three cards, and I will tell your future . . .
Draw three cards, and lay them down,
Rest your palms upon them, stare at the crystal,
And think of time . . . My father was a clown,
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My mother was a gypsy out of Egypt;
And she was gotten with child in a strange way;
And I was born in a cold eclipse of the moon,
With the future in my eyes as clear as day.'
I sit before the gold-embroidered curtain
And think her face is like a wrinkled desert.
The crystal burns in lamplight beneath my eyes.
A dragon slowly coils on the scaly curtain.
Upon a scarlet cloth a white skull lies.
'Your hand is on the hand that holds three lilies.
You will live long, love many times.
I see a dark girl here who once betrayed you.
I see a shadow of secret crimes.
'There was a man who came intent to kill you,
And hid behind a door and waited for you;
There was a woman who smiled at you and lied.
There was a golden girl who loved you, begged you,
Crawled after you, and died.
'There is a ghost of murder in your blood—
Coming or past, I know not which.
And here is danger—a woman with sea-green eyes,
And white-skinned as a witch . . .'
The words hiss into me, like raindrops falling
On sleepy fire . . . She smiles a meaning smile.
Suspicion eats my brain; I ask a question;
Something is creeping at me, something vile;
And suddenly on the wall behind her head
I see a monstrous shadow strike and spread,
The lamp puffs out, a great blow crashes down.
I plunge through the curtain, run through dark to the street,
And hear swift steps retreat . . .
The shades are drawn, the door is locked behind me.
Behind the door I hear a hammer sounding.
I walk in a cloud of wonder; I am glad.
I mingle among the crowds; my heart is pounding;
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You do not guess the adventure I have had! . . .
Yet you, too, all have had your dark adventures,
Your sudden adventures, or strange, or sweet . . .
My peril goes out from me, is blown among you.
We loiter, dreaming together, along the street.
V. RETROSPECT
Round white clouds roll slowly above the housetops,
Over the clear red roofs they flow and pass.
A flock of pigeons rises with blue wings flashing,
Rises with whistle of wings, hovers an instant,
And settles slowly again on the tarnished grass.
And one old man looks down from a dusty window
And sees the pigeons circling about the fountain
And desires once more to walk among those trees.
Lovers walk in the noontime by that fountain.
Pigeons dip their beaks to drink from the water.
And soon the pond must freeze.
The light wind blows to his ears a sound of laughter,
Young men shuffle their feet, loaf in the sunlight;
A girl's laugh rings like a silver bell.
But clearer than all these sounds is a sound he hears
More in his secret heart than in his ears,—
A hammer's steady crescendo, like a knell.
He hears the snarl of pineboards under the plane,
The rhythmic saw, and then the hammer again,—
Playing with delicate strokes that sombre scale . . .
And the fountain dwindles, the sunlight seems to pale.
Time is a dream, he thinks, a destroying dream;
It lays great cities in dust, it fills the seas;
It covers the face of beauty, and tumbles walls.
Where was the woman he loved? Where was his youth?
Where was the dream that burned his brain like fire?
Even a dream grows grey at last and falls.
He opened his book once more, beside the window,
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And read the printed words upon that page.
The sunlight touched his hand; his eyes moved slowly,
The quiet words enchanted time and age.
'Death is never an ending, death is a change;
Death is beautiful, for death is strange;
Death is one dream out of another flowing;
Death is a chorded music, softly going
By sweet transition from key to richer key.
Death is a meeting place of sea and sea.'
VI. ADELE AND DAVIS
She turned her head on the pillow, and cried once more.
And drawing a shaken breath, and closing her eyes,
To shut out, if she could, this dingy room,
The wigs and costumes scattered around the floor,—
Yellows and greens in the dark,—she walked again
Those nightmare streets which she had walked so often . . .
Here, at a certain corner, under an arc-lamp,
Blown by a bitter wind, she stopped and looked
In through the brilliant windows of a drug-store,
And wondered if she dared to ask for poison:
But it was late, few customers were there,
The eyes of all the clerks would freeze upon her,
And she would wilt, and cry . . . Here, by the river,
She listened to the water slapping the wall,
And felt queer fascination in its blackness:
But it was cold, the little waves looked cruel,
The stars were keen, and a windy dash of spray
Struck her cheek, and withered her veins . . . And so
She dragged herself once more to home, and bed.
Paul hadn't guessed it yet—though twice, already,
She'd fainted—once, the first time, on the stage.
So she must tell him soon—or else—get out . . .
How could she say it? That was the hideous thing.
She'd rather die than say it! . . . and all the trouble,
Months when she couldn't earn a cent, and then,
If he refused to marry her . . . well, what?
She saw him laughing, making a foolish joke,
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His grey eyes turning quickly; and the words
Fled from her tongue . . . She saw him sitting silent,
Brooding over his morning coffee, maybe,
And tried again . . . she bit her lips, and trembled,
And looked away, and said . . . 'Say Paul, boy,—listen—
There's something I must tell you . . . ' There she stopped,
Wondering what he'd say . . . What would he say?
'Spring it, kid! Don't look so serious!'
'But what I've got to say—IS—serious!'
Then she could see how, suddenly, he would sober,
His eyes would darken, he'd look so terrifying—
He always did—and what could she do but cry?
Perhaps, then, he would guess—perhaps he wouldn't.
And if he didn't, but asked her 'What's the matter?'—
She knew she'd never tell—just say she was sick . . .
And after that, when would she dare again?
And what would he do—even suppose she told him?
If it were Felix! If it were only Felix!—
She wouldn't mind so much. But as it was,
Bitterness choked her, she had half a mind
To pay out Felix for never having liked her,
By making people think that it was he . . .
She'd write a letter to someone, before she died,—
Just saying 'Felix did it—and wouldn't marry.'
And then she'd die . . . But that was hard on Paul . . .
Paul would never forgive her—he'd never forgive her!
Sometimes she almost thought Paul really loved her . . .
She saw him look reproachfully at her coffin.
And then she closed her eyes and walked again
Those nightmare streets that she had walked so often:
Under an arc-lamp swinging in the wind
She stood, and stared in through a drug-store window,
Watching a clerk wrap up a little pill-box.
But it was late. No customers were there,—
Pitiless eyes would freeze her secret in her!
And then—what poison would she dare to ask for?
And if they asked her why, what would she say?
VII. TWO LOVERS: OVERTONES
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Two lovers, here at the corner, by the steeple,
Two lovers blow together like music blowing:
And the crowd dissolves about them like a sea.
Recurring waves of sound break vaguely about them,
They drift from wall to wall, from tree to tree.
'Well, am I late?' Upward they look and laugh,
They look at the great clock's golden hands,
They laugh and talk, not knowing what they say:
Only, their words like music seem to play;
And seeming to walk, they tread strange sarabands.
'I brought you this . . . ' the soft words float like stars
Down the smooth heaven of her memory.
She stands again by a garden wall,
The peach tree is in bloom, pink blossoms fall,
Water sings from an opened tap, the bees
Glisten and murmur among the trees.
Someone calls from the house. She does not answer.
Backward she leans her head,
And dreamily smiles at the peach-tree leaves, wherethrough
She sees an infinite May sky spread
A vault profoundly blue.
The voice from the house fades far away,
The glistening leaves more vaguely ripple and sway . .
The tap is closed, the water ceases to hiss . . .
Silence . . . blue sky . . . and then, 'I brought you this . . . '
She turns again, and smiles . . . He does not know
She smiles from long ago . . .
She turns to him and smiles . . . Sunlight above him
Roars like a vast invisible sea,
Gold is beaten before him, shrill bells of silver;
He is released of weight, his body is free,
He lifts his arms to swim,
Dark years like sinister tides coil under him . . .
The lazy sea-waves crumble along the beach
With a whirring sound like wind in bells,
He lies outstretched on the yellow wind-worn sands
Reaching his lazy hands
Among the golden grains and sea-white shells . . .
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'One white rose . . . or is it pink, to-day?'
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
'Pink,—to-day!'—Face turns to dream-bright face,
Green leaves rise round them, sunshine settles upon them,
Water, in drops of silver, falls from the rose.
She smiles at a face that smiles through leaves from the mirror.
She breathes the fragrance; her dark eyes close . . .
Time is dissolved, it blows like a little dust:
Time, like a flurry of rain,
Patters and passes, starring the window-pane.
Once, long ago, one night,
She saw the lightning, with long blue quiver of light,
Ripping the darkness . . . and as she turned in terror
A soft face leaned above her, leaned softly down,
Softly around her a breath of roses was blown,
She sank in waves of quiet, she seemed to float
In a sea of silence . . . and soft steps grew remote . .
'Well, let us walk in the park . . . The sun is warm,
We'll sit on a bench and talk . . .' They turn and glide,
The crowd of faces wavers and breaks and flows.
'Look how the oak-tops turn to gold in the sunlight!
Look how the tower is changed and glows!'
Two lovers move in the crowd like a link of music,
We press upon them, we hold them, and let them pass;
A chord of music strikes us and straight we tremble;
We tremble like wind-blown grass.
What was this dream we had, a dream of music,
Music that rose from the opening earth like magic
And shook its beauty upon us and died away?
The long cold streets extend once more before us.
The red sun drops, the walls grow grey.
VIII. THE BOX WITH SILVER HANDLES
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Well,—it was two days after my husband died—
Two days! And the earth still raw above him.
And I was sweeping the carpet in their hall.
In number four—the room with the red wall-paper—
Some chorus girls and men were singing that song
'They'll soon be lighting candles
Round a box with silver handles'—and hearing them sing it
I started to cry. Just then he came along
And stopped on the stairs and turned and looked at me,
And took the cigar from his mouth and sort of smiled
And said, 'Say, what's the matter?' and then came down
Where I was leaning against the wall,
And touched my shoulder, and put his arm around me . . .
And I was so sad, thinking about it,—
Thinking that it was raining, and a cold night,
With Jim so unaccustomed to being dead,—
That I was happy to have him sympathize,
To feel his arm, and leaned against him and cried.
And before I knew it, he got me into a room
Where a table was set, and no one there,
And sat me down on a sofa, and held me close,
And talked to me, telling me not to cry,
That it was all right, he'd look after me,—
But not to cry, my eyes were getting red,
Which didn't make me pretty. And he was so nice,
That when he turned my face between his hands,
And looked at me, with those blue eyes of his,
And smiled, and leaned, and kissed me—
Somehow I couldn't tell him not to do it,
Somehow I didn't mind, I let him kiss me,
And closed my eyes! . . . Well, that was how it started.
For when my heart was eased with crying, and grief
Had passed and left me quiet, somehow it seemed
As if it wasn't honest to change my mind,
To send him away, or say I hadn't meant it—
And, anyway, it seemed so hard to explain!
And so we sat and talked, not talking much,
But meaning as much in silence as in words,
There in that empty room with palms about us,
That private dining-room . . . And as we sat there
I felt my future changing, day by day,
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With unknown streets opening left and right,
New streets with farther lights, new taller houses,
Doors swinging into hallways filled with light,
Half-opened luminous windows, with white curtains
Streaming out in the night, and sudden music,—
And thinking of this, and through it half remembering
A quick and horrible death, my husband's eyes,
The broken-plastered walls, my boy asleep,—
It seemed as if my brain would break in two.
My voice began to tremble . . . and when I stood,
And told him I must go, and said good-night—
I couldn't see the end. How would it end?
Would he return to-morrow? Or would he not?
And did I want him to—or would I rather
Look for another job?—He took my shoulders
Between his hands, and looked down into my eyes,
And smiled, and said good-night. If he had kissed me,
That would have—well, I don't know; but he didn't . .
And so I went downstairs, then, half elated,
Hoping to close the door before that party
In number four should sing that song again—
'They'll soon be lighting candles round a box with silver handles'—
And sure enough, I did. I faced the darkness.
And my eyes were filled with tears. And I was happy.
IX. INTERLUDE
The days, the nights, flow one by one above us,
The hours go silently over our lifted faces,
We are like dreamers who walk beneath a sea.
Beneath high walls we flow in the sun together.
We sleep, we wake, we laugh, we pursue, we flee.
We sit at tables and sip our morning coffee,
We read the papers for tales of lust or crime.
The door swings shut behind the latest comer.
We set our watches, regard the time.
What have we done? I close my eyes, remember
The great machine whose sinister brain before me
Smote and smote with a rhythmic beat.
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My hands have torn down walls, the stone and plaster.
I dropped great beams to the dusty street.
My eyes are worn with measuring cloths of purple,
And golden cloths, and wavering cloths, and pale.
I dream of a crowd of faces, white with menace.
Hands reach up to tear me. My brain will fail.
Here, where the walls go down beneath our picks,
These walls whose windows gap against the sky,
Atom by atom of flesh and brain and marble
Will build a glittering tower before we die . . .
The young boy whistles, hurrying down the street,
The young girl hums beneath her breath.
One goes out to beauty, and does not know it.
And one goes out to death.
X. SUDDEN DEATH
'Number four—the girl who died on the table—
The girl with golden hair—'
The purpling body lies on the polished marble.
We open the throat, and lay the thyroid bare . . .
One, who held the ether-cone, remembers
Her dark blue frightened eyes.
He heard the sharp breath quiver, and saw her breast
More hurriedly fall and rise.
Her hands made futile gestures, she turned her head
Fighting for breath; her cheeks were flushed to scarlet,—
And, suddenly, she lay dead.
And all the dreams that hurried along her veins
Came to the darkness of a sudden wall.
Confusion ran among them, they whirled and clamored,
They fell, they rose, they struck, they shouted,
Till at last a pallor of silence hushed them all.
What was her name? Where had she walked that morning?
Through what dark forest came her feet?
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Along what sunlit walls, what peopled street?
Backward he dreamed along a chain of days,
He saw her go her strange and secret ways,
Waking and sleeping, noon and night.
She sat by a mirror, braiding her golden hair.
She read a story by candlelight.
Her shadow ran before her along the street,
She walked with rhythmic feet,
Turned a corner, descended a stair.
She bought a paper, held it to scan the headlines,
Smiled for a moment at sea-gulls high in sunlight,
And drew deep breaths of air.
Days passed, bright clouds of days. Nights passed. And music
Murmured within the walls of lighted windows.
She lifted her face to the light and danced.
The dancers wreathed and grouped in moving patterns,
Clustered, receded, streamed, advanced.
Her dress was purple, her slippers were golden,
Her eyes were blue; and a purple orchid
Opened its golden heart on her breast . . .
She leaned to the surly languor of lazy music,
Leaned on her partner's arm to rest.
The violins were weaving a weft of silver,
The horns were weaving a lustrous brede of gold,
And time was caught in a glistening pattern,
Time, too elusive to hold . . .
Shadows of leaves fell over her face,—and sunlight:
She turned her face away.
Nearer she moved to a crouching darkness
With every step and day.
Death, who at first had thought of her only an instant,
At a great distance, across the night,
Smiled from a window upon her, and followed her slowly
From purple light to light.
Once, in her dreams, he spoke out clearly, crying,
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'I am the murderer, death.
I am the lover who keeps his appointment
At the doors of breath!'
She rose and stared at her own reflection,
Half dreading there to find
The dark-eyed ghost, waiting beside her,
Or reaching from behind
To lay pale hands upon her shoulders . . .
Or was this in her mind? . . .
She combed her hair. The sunlight glimmered
Along the tossing strands.
Was there a stillness in this hair,—
A quiet in these hands?
Death was a dream. It could not change these eyes,
Blow out their light, or turn this mouth to dust.
She combed her hair and sang. She would live forever.
Leaves flew past her window along a gust . . .
And graves were dug in the earth, and coffins passed,
And music ebbed with the ebbing hours.
And dreams went along her veins, and scattering clouds
Threw streaming shadows on walls and towers.
XI.
Snow falls. The sky is grey, and sullenly glares
With purple lights in the canyoned street.
The fiery sign on the dark tower wreathes and flares . . .
The trodden grass in the park is covered with white,
The streets grow silent beneath our feet . . .
The city dreams, it forgets its past to-night.
And one, from his high bright window looking down
Over the enchanted whiteness of the town,
Seeing through whirls of white the vague grey towers,
Desires like this to forget what will not pass,
The littered papers, the dust, the tarnished grass,
Grey death, stale ugliness, and sodden hours.
Deep in his heart old bells are beaten again,
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Slurred bells of grief and pain,
Dull echoes of hideous times and poisonous places.
He desires to drown in a cold white peace of snow.
He desires to forget a million faces . . .
In one room breathes a woman who dies of hunger.
The clock ticks slowly and stops. And no one winds it.
In one room fade grey violets in a vase.
Snow flakes faintly hiss and melt on the window.
In one room, minute by minute, the flutist plays
The lamplit page of music, the tireless scales.
His hands are trembling, his short breath fails.
In one room, silently, lover looks upon lover,
And thinks the air is fire.
The drunkard swears and touches the harlot's heartstrings
With the sudden hand of desire.
And
And
And
And
one goes late in the streets, and thinks of murder;
one lies staring, and thinks of death.
one, who has suffered, clenches her hands despairing,
holds her breath . . .
Who are all these, who flow in the veins of the city,
Coil and revolve and dream,
Vanish or gleam?
Some mount up to the brain and flower in fire.
Some are destroyed; some die; some slowly stream.
And
And
And
And
And
the new are born who desire to destroy the old;
fires are kindled and quenched; and dreams are broken,
walls flung down . . .
the slow night whirls in snow over towers of dreamers,
whiteness hushes the town.
PART III
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As evening falls,
And the yellow lights leap one by one
Along high walls;
And along black streets that glisten as if with rain,
The muted city seems
Like one in a restless sleep, who lies and dreams
Of vague desires, and memories, and half-forgotten pain . . .
Along dark veins, like lights the quick dreams run,
Flash, are extinguished, flash again,
To mingle and glow at last in the enormous brain
And die away . . .
As evening falls,
A dream dissolves these insubstantial walls,—
A myriad secretly gliding lights lie bare . . .
The lovers rise, the harlot combs her hair,
The dead man's face grows blue in the dizzy lamplight,
The watchman climbs the stair . . .
The bank defaulter leers at a chaos of figures,
And runs among them, and is beaten down;
The sick man coughs and hears the chisels ringing;
The tired clown
Sees the enormous crowd, a million faces,
Motionless in their places,
Ready to laugh, and seize, and crush and tear . . .
The dancer smooths her hair,
Laces her golden slippers, and runs through the door
To dance once more,
Hearing swift music like an enchantment rise,
Feeling the praise of a thousand eyes.
As darkness falls
The walls grow luminous and warm, the walls
Tremble and glow with the lives within them moving,
Moving like music, secret and rich and warm.
How shall we live tonight? Where shall we turn?
To what new light or darkness yearn?
A thousand winding stairs lead down before us;
And one by one in myriads we descend
By lamplit flowered walls, long balustrades,
Through half-lit halls which reach no end.
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II. THE SCREEN MAIDEN
You read—what is it, then that you are reading?
What music moves so silently in your mind?
Your bright hand turns the page.
I watch you from my window, unsuspected:
You move in an alien land, a silent age . . .
. . . The poet—what was his name—? Tokkei—Tokkei—
The poet walked alone in a cold late rain,
And thought his grief was like the crying of sea-birds;
For his lover was dead, he never would love again.
Rain in the dreams of the mind—rain forever—
Rain in the sky of the heart—rain in the willows—
But then he saw this face, this face like flame,
This quiet lady, this portrait by Hiroshigi;
And took it home with him; and with it came
What unexpected changes, subtle as weather!
The dark room, cold as rain,
Grew faintly fragrant, stirred with a stir of April,
Warmed its corners with light again,
And smoke of incense whirled about this portrait,
And the quiet lady there,
So young, so quietly smiling, with calm hands,
Seemed ready to loose her hair,
And smile, and lean from the picture, or say one word,
The word already clear,
Which seemed to rise like light between her eyelids . .
He held his breath to hear,
And smiled for shame, and drank a cup of wine,
And held a candle, and searched her face
Through all the little shadows, to see what secret
Might give so warm a grace . . .
Was it the quiet mouth, restrained a little?
The eyes, half-turned aside?
The jade ring on her wrist, still almost swinging? . . .
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The secret was denied,
He chose his favorite pen and drew these verses,
And slept; and as he slept
A dream came into his heart, his lover entered,
And chided him, and wept.
And in the morning, waking, he remembered,
And thought the dream was strange.
Why did his darkened lover rise from the garden?
He turned, and felt a change,
As if a someone hidden smiled and watched him . . .
Yet there was only sunlight there.
Until he saw those young eyes, quietly smiling,
And held his breath to stare,
And could have sworn her cheek had turned—a little . . .
Had slightly turned away . . .
Sunlight dozed on the floor . . . He sat and wondered,
Nor left his room that day.
And that day, and for many days thereafter,
He sat alone, and thought
No lady had ever lived so beautiful
As Hiroshigi wrought . . .
Or if she lived, no matter in what country,
By what far river or hill or lonely sea,
He would look in every face until he found her . . .
There was no other as fair as she.
And before her quiet face he burned soft incense,
And brought her every day
Boughs of the peach, or almond, or snow-white cherry,
And somehow, she seemed to say,
That silent lady, young, and quietly smiling,
That she was happy there;
And sometimes, seeing this, he started to tremble,
And desired to touch her hair,
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To lay his palm along her hand, touch faintly
With delicate finger-tips
The ghostly smile that seemed to hover and vanish
Upon her lips . . .
Until he knew he loved this quiet lady;
And night by night a dread
Leered at his dreams, for he knew that Hiroshigi
Was many centuries dead,—
And the lady, too, was dead, and all who knew her . .
Dead, and long turned to dust . . .
The thin moon waxed and waned, and left him paler,
The peach leaves flew in a gust,
And he would surely have died; but there one day
A wise man, white with age,
Stared at the portrait, and said, 'This Hiroshigi
Knew more than archimage,—
Cunningly drew the body, and called the spirit,
Till partly it entered there . . .
Sometimes, at death, it entered the portrait wholly . .
Do all I say with care,
And she you love may come to you when you call her . . . '
So then this ghost, Tokkei,
Ran in the sun, bought wine of a hundred merchants,
And alone at the end of day
Entered the darkening room, and faced the portrait,
And saw the quiet eyes
Gleaming and young in the dusk, and held the wine-cup,
And knelt, and did not rise,
And said, aloud, 'Lo-san, will you drink this wine?'
Said it three times aloud.
And at the third the faint blue smoke of incense
Rose to the walls in a cloud,
And the lips moved faintly, and the eyes, and the calm hands stirred;
And suddenly, with a sigh,
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The quiet lady came slowly down from the portrait,
And stood, while worlds went by,
And lifted her young white hands and took the wine cup;
And the poet trembled, and said,
'Lo-san, will you stay forever?'—'Yes, I will stay.'—
'But what when I am dead?'
'When you are dead your spirit will find my spirit,
And then we shall die no more.'
Music came down upon them, and spring returning,
They remembered worlds before,
And years went over the earth, and over the sea,
And lovers were born and spoke and died,
But forever in sunlight went these two immortal,
Tokkei and the quiet bride . . .
III. HAUNTED CHAMBERS
The lamplit page is turned, the dream forgotten;
The music changes tone, you wake, remember
Deep worlds you lived before,—deep worlds hereafter
Of leaf on falling leaf, music on music,
Rain and sorrow and wind and dust and laughter.
Helen was late and Miriam came too soon.
Joseph was dead, his wife and children starving.
Elaine was married and soon to have a child.
You dreamed last night of fiddler-crabs with fiddles;
They played a buzzing melody, and you smiled.
To-morrow—what? And what of yesterday?
Through soundless labyrinths of dream you pass,
Through many doors to the one door of all.
Soon as it's opened we shall hear a music:
Or see a skeleton fall . . .
We walk with you. Where is it that you lead us?
We climb the muffled stairs beneath high lanterns.
We descend again. We grope through darkened cells.
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You say: this darkness, here, will slowly kill me.
It creeps and weighs upon me . . . Is full of bells.
This is the thing remembered I would forget—
No matter where I go, how soft I tread,
This windy gesture menaces me with death.
Fatigue! it says, and points its finger at me;
Touches my throat and stops my breath.
My fans—my jewels—the portrait of my husband—
The torn certificate for my daughter's grave—
These are but mortal seconds in immortal time.
They brush me, fade away: like drops of water.
They signify no crime.
Let us retrace our steps: I have deceived you:
Nothing is here I could not frankly tell you:
No hint of guilt, or faithlessness, or threat.
Dreams—they are madness. Staring eyes—illusion.
Let us return, hear music, and forget . . .
IV. ILLICIT
Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid . . . Where, then, had I heard it? . . .
What secret dusty chamber was it hinting?
'Dust', it said, 'dust . . . and dust . . . and sunlight . .
A cold clear April evening . . . snow, bedraggled,
Rain-worn snow, dappling the hideous grass . . .
And someone walking alone; and someone saying
That all must end, for the time had come to go . . . '
These were the phrases . . . but behind, beneath them
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A greater shadow moved: and in this shadow
I stood and guessed . . . Was it the blue-eyed lady?
The one who always danced in golden slippers—
And had I danced with her,—upon this music?
Or was it further back—the unplumbed twilight
Of childhood?—No—much recenter than that.
You know, without my telling you, how sometimes
A word or name eludes you, and you seek it
Through running ghosts of shadow,—leaping at it,
Lying in wait for it to spring upon it,
Spreading faint snares for it of sense or sound:
Until, of a sudden, as if in a phantom forest,
You hear it, see it flash among the branches,
And scarcely knowing how, suddenly have it—
Well, it was so I followed down this music,
Glimpsing a face in darkness, hearing a cry,
Remembering days forgotten, moods exhausted,
Corners in sunlight, puddles reflecting stars—;
Until, of a sudden, and least of all suspected,
The thing resolved itself: and I remembered
An April afternoon, eight years ago—
Or was it nine?—no matter—call it nine—
A room in which the last of sunlight faded;
A vase of violets, fragrance in white curtains;
And, she who played the same thing later, playing.
She played this tune. And in the middle of it
Abruptly broke it off, letting her hands
Fall in her lap. She sat there so a moment,
With shoulders drooped, then lifted up a rose,
One great white rose, wide opened like a lotos,
And pressed it to her cheek, and closed her eyes.
'You know—we've got to end this—Miriam loves you . . .
If she should ever know, or even guess it,—
What would she do?—Listen!—I'm not absurd . . .
I'm sure of it. If you had eyes, for women—
To understand them—which you've never had—
You'd know it too . . . ' So went this colloquy,
Half humorous, with undertones of pathos,
Half grave, half flippant . . . while her fingers, softly,
195
Felt for this tune, played it and let it fall,
Now note by singing note, now chord by chord,
Repeating phrases with a kind of pleasure . . .
Was it symbolic of the woman's weakness
That she could neither break it—nor conclude?
It paused . . . and wandered . . . paused again; while she,
Perplexed and tired, half told me I must go,—
Half asked me if I thought I ought to go . . .
Well, April passed with many other evenings,
Evenings like this, with later suns and warmer,
With violets always there, and fragrant curtains . . .
And she was right: and Miriam found it out . . .
And after that, when eight deep years had passed—
Or nine—we met once more,—by accident . . .
But was it just by accident, I wonder,
She played this tune?—Or what, then, was intended? . . .
V. MELODY IN A RESTAURANT
The cigarette-smoke loops and slides above us,
Dipping and swirling as the waiter passes;
You strike a match and stare upon the flame.
The tiny fire leaps in your eyes a moment,
And dwindles away as silently as it came.
This melody, you say, has certain voices—
They rise like nereids from a river, singing,
Lift white faces, and dive to darkness again.
Wherever you go you bear this river with you:
A leaf falls,—and it flows, and you have pain.
So says the tune to you—but what to me?
What to the waiter, as he pours your coffee,
The violinist who suavely draws his bow?
That man, who folds his paper, overhears it.
A thousand dreams revolve and fall and flow.
Some one there is who sees a virgin stepping
Down marble stairs to a deep tomb of roses:
At the last moment she lifts remembering eyes.
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Green leaves blow down. The place is checked with shadows.
A long-drawn murmur of rain goes down the skies.
And oaks are stripped and bare, and smoke with lightning:
And clouds are blown and torn upon high forests,
And the great sea shakes its walls.
And then falls silence . . . And through long silence falls
This melody once more:
'Down endless stairs she goes, as once before.'
So says the tune to him—but what to me?
What are the worlds I see?
What shapes fantastic, terrible dreams? . . .
I go my secret way, down secret alleys;
My errand is not so simple as it seems.
VI. PORTRAIT OF ONE DEAD
This is the house. On one side there is darkness,
On one side there is light.
Into the darkness you may lift your lanterns—
O, any number—it will still be night.
And here are echoing stairs to lead you downward
To long sonorous halls.
And here is spring forever at these windows,
With roses on the walls.
This is her room. On one side there is music—
On one side not a sound.
At one step she could move from love to silence,
Feel myriad darkness coiling round.
And here are balconies from which she heard you,
Your steady footsteps on the stair.
And here the glass in which she saw your shadow
As she unbound her hair.
Here is the room—with ghostly walls dissolving—
The twilight room in which she called you 'lover';
And the floorless room in which she called you 'friend.'
So many times, in doubt, she ran between them!—
Through windy corridors of darkening end.
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Here she could stand with one dim light above her
And hear far music, like a sea in caverns,
Murmur away at hollowed walls of stone.
And here, in a roofless room where it was raining,
She bore the patient sorrow of rain alone.
Your words were walls which suddenly froze around her.
Your words were windows,—large enough for moonlight,
Too small to let her through.
Your letters—fragrant cloisters faint with music.
The music that assuaged her there was you.
How many times she heard your step ascending
Yet never saw your face!
She heard them turn again, ring slowly fainter,
Till silence swept the place.
Why had you gone? . . . The door, perhaps, mistaken . . .
You would go elsewhere. The deep walls were shaken.
A certain rose-leaf—sent without intention—
Became, with time, a woven web of fire—
She wore it, and was warm.
A certain hurried glance, let fall at parting,
Became, with time, the flashings of a storm.
Yet, there was nothing asked, no hint to tell you
Of secret idols carved in secret chambers
From all you did and said.
Nothing was done, until at last she knew you.
Nothing was known, till, somehow, she was dead.
How did she die?—You say, she died of poison.
Simple and swift. And much to be regretted.
You did not see her pass
So many thousand times from light to darkness,
Pausing so many times before her glass;
You did not see how many times she hurried
To lean from certain windows, vainly hoping,
Passionate still for beauty, remembered spring.
You did not know how long she clung to music,
You did not hear her sing.
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Did she, then, make the choice, and step out bravely
From sound to silence—close, herself, those windows?
Or was it true, instead,
That darkness moved,—for once,—and so possessed her? . . .
We'll never know, you say, for she is dead.
VII. PORCELAIN
You see that porcelain ranged there in the window—
Platters and soup-plates done with pale pink rosebuds,
And tiny violets, and wreaths of ivy?
See how the pattern clings to the gleaming edges!
They're works of art—minutely seen and felt,
Each petal done devoutly. Is it failure
To spend your blood like this?
Study them . . . you will see there, in the porcelain,
If you stare hard enough, a sort of swimming
Of lights and shadows, ghosts within a crystal—
My brain unfolding! There you'll see me sitting
Day after day, close to a certain window,
Looking down, sometimes, to see the people . . .
Sometimes my wife comes there to speak to me . . .
Sometimes the grey cat waves his tail around me . . .
Goldfish swim in a bowl, glisten in sunlight,
Dilate to a gorgeous size, blow delicate bubbles,
Drowse among dark green weeds. On rainy days,
You'll see a gas-light shedding light behind me—
An eye-shade round my forehead. There I sit,
Twirling the tiny brushes in my paint-cups,
Painting the pale pink rosebuds, minute violets,
Exquisite wreaths of dark green ivy leaves.
On this leaf, goes a dream I dreamed last night
Of two soft-patterned toads—I thought them stones,
Until they hopped! And then a great black spider,—
Tarantula, perhaps, a hideous thing,—
It crossed the room in one tremendous leap.
Here,—as I coil the stems between two leaves,—
It is as if, dwindling to atomy size,
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I cried the secret between two universes . . .
A friend of mine took hasheesh once, and said
Just as he fell asleep he had a dream,—
Though with his eyes wide open,—
And felt, or saw, or knew himself a part
Of marvelous slowly-wreathing intricate patterns,
Plane upon plane, depth upon coiling depth,
Amazing leaves, folding one on another,
Voluted grasses, twists and curves and spirals—
All of it darkly moving . . . as for me,
I need no hasheesh for it—it's too easy!
Soon as I shut my eyes I set out walking
In a monstrous jungle of monstrous pale pink roseleaves,
Violets purple as death, dripping with water,
And ivy-leaves as big as clouds above me.
Here, in a simple pattern of separate violets—
With scalloped edges gilded—here you have me
Thinking of something else. My wife, you know,—
There's something lacking—force, or will, or passion,
I don't know what it is—and so, sometimes,
When I am tired, or haven't slept three nights,
Or it is cloudy, with low threat of rain,
I get uneasy—just like poplar trees
Ruffling their leaves—and I begin to think
Of poor Pauline, so many years ago,
And that delicious night. Where is she now?
I meant to write—but she has moved, by this time,
And then, besides, she might find out I'm married.
Well, there is more—I'm getting old and timid—
The years have gnawed my will. I've lost my nerve!
I never strike out boldly as I used to—
But sit here, painting violets, and remember
That thrilling night. Photographers, she said,
Asked her to pose for them; her eyes and forehead,—
Dark brown eyes, and a smooth and pallid forehead,—
Were thought so beautiful.—And so they were.
Pauline . . . These violets are like words remembered . . .
Darling! she whispered . . . Darling! . . . Darling! . . . Darling!
Well, I suppose such days can come but once.
Lord, how happy we were! . . .
200
Here, if you only knew it, is a story—
Here, in these leaves. I stopped my work to tell it,
And then, when I had finished, went on thinking:
A man I saw on a train . . . I was still a boy . . .
Who killed himself by diving against a wall.
Here is a recollection of my wife,
When she was still my sweetheart, years ago.
It's funny how things change,—just change, by growing,
Without an effort . . . And here are trivial things,—
A chill, an errand forgotten, a cut while shaving;
A friend of mine who tells me he is married . . .
Or is that last so trivial? Well, no matter!
This is the sort of thing you'll see of me,
If you look hard enough. This, in its way,
Is a kind of fame. My life arranged before you
In scrolls of leaves, rosebuds, violets, ivy,
Clustered or wreathed on plate and cup and platter . . .
Sometimes, I say, I'm just like John the Baptist—
You have my head before you . . . on a platter.
VIII. COFFINS: INTERLUDE
Wind blows. Snow falls. The great clock in its tower
Ticks with reverberant coil and tolls the hour:
At the deep sudden stroke the pigeons fly . . .
The fine snow flutes the cracks between the flagstones.
We close our coats, and hurry, and search the sky.
We are like music, each voice of it pursuing
A golden separate dream, remote, persistent,
Climbing to fire, receding to hoarse despair.
What do you whisper, brother? What do you tell me? . . .
We pass each other, are lost, and do not care.
One mounts up to beauty, serenely singing,
Forgetful of the steps that cry behind him;
One drifts slowly down from a waking dream.
One, foreseeing, lingers forever unmoving . . .
Upward and downward, past him there, we stream.
201
One has death in his eyes: and walks more slowly.
Death, among jonquils, told him a freezing secret.
A cloud blows over his eyes, he ponders earth.
He sees in the world a forest of sunlit jonquils:
A slow black poison huddles beneath that mirth.
Death, from street to alley, from door to window,
Cries out his news,—of unplumbed worlds approaching,
Of a cloud of darkness soon to destroy the tower.
But why comes death,—he asks,—in a world so perfect?
Or why the minute's grey in the golden hour?
Music, a sudden glissando, sinister, troubled,
A drift of wind-torn petals, before him passes
Down jangled streets, and dies.
The bodies of old and young, of maimed and lovely,
Are slowly borne to earth, with a dirge of cries.
Down cobbled streets they come; down huddled stairways;
Through silent halls; through carven golden doorways;
From freezing rooms as bare as rock.
The curtains are closed across deserted windows.
Earth streams out of the shovel; the pebbles knock.
Mary, whose hands rejoiced to move in sunlight;
Silent Elaine; grave Anne, who sang so clearly;
Fugitive Helen, who loved and walked alone;
Miriam too soon dead, darkly remembered;
Childless Ruth, who sorrowed, but could not atone;
Jean, whose laughter flashed over depths of terror,
And Eloise, who desired to love but dared not;
Doris, who turned alone to the dark and cried,—
They are blown away like windflung chords of music,
They drift away; the sudden music has died.
And one, with death in his eyes, comes walking slowly
And sees the shadow of death in many faces,
And thinks the world is strange.
He desires immortal music and spring forever,
And beauty that knows no change.
202
IX. CABARET
We sit together and talk, or smoke in silence.
You say (but use no words) 'this night is passing
As other nights when we are dead will pass . . .'
Perhaps I misconstrue you: you mean only,
'How deathly pale my face looks in that glass . . .'
You say: 'We sit and talk, of things important . . .
How many others like ourselves, this instant,
Mark the pendulum swinging against the wall?
How many others, laughing, sip their coffee—
Or stare at mirrors, and do not talk at all? . . .
'This is the moment' (so you would say, in silence)
When suddenly we have had too much of laughter:
And a freezing stillness falls, no word to say.
Our mouths feel foolish . . . For all the days hereafter
What have we saved—what news, what tune, what play?
'We see each other as vain and futile tricksters,—
Posturing like bald apes before a mirror;
No pity dims our eyes . . .
How many others, like ourselves, this instant,
See how the great world wizens, and are wise? . . .'
Well, you are right . . . No doubt, they fall, these seconds . . .
When suddenly all's distempered, vacuous, ugly,
And even those most like angels creep for schemes.
The one you love leans forward, smiles, deceives you,
Opens a door through which you see dark dreams.
But this is momentary . . . or else, enduring,
Leads you with devious eyes through mists and poisons
To horrible chaos, or suicide, or crime . . .
And all these others who at your conjuration
Grow pale, feeling the skeleton touch of time,—
Or, laughing sadly, talk of things important,
Or stare at mirrors, startled to see their faces,
Or drown in the waveless vacuum of their days,—
203
Suddenly, as from sleep, awake, forgetting
This nauseous dream; take up their accustomed ways,
Exhume the ghost of a joke, renew loud laughter,
Forget the moles above their sweethearts' eyebrows,
Lean to the music, rise,
And dance once more in a rose-festooned illusion
With kindness in their eyes . . .
They say (as we ourselves have said, remember)
'What wizardry this slow waltz works upon us!
And how it brings to mind forgotten things!'
They say 'How strange it is that one such evening
Can wake vague memories of so many springs!'
And so they go . . . In a thousand crowded places,
They sit to smile and talk, or rise to ragtime,
And, for their pleasures, agree or disagree.
With secret symbols they play on secret passions.
With cunning eyes they see
The innocent word that sets remembrance trembling,
The dubious word that sets the scared heart beating . . .
The pendulum on the wall
Shakes down seconds . . . They laugh at time, dissembling;
Or coil for a victim and do not talk at all.
X. LETTER
From time to time, lifting his eyes, he sees
The soft blue starlight through the one small window,
The moon above black trees, and clouds, and Venus,—
And turns to write . . . The clock, behind ticks softly.
It is so long, indeed, since I have written,—
Two years, almost, your last is turning yellow,—
That these first words I write seem cold and strange.
Are you the man I knew, or have you altered?
Altered, of course—just as I too have altered—
And whether towards each other, or more apart,
We cannot say . . . I've just re-read your letter—
204
Not through forgetfulness, but more for pleasure—
Pondering much on all you say in it
Of mystic consciousness—divine conversion—
The sense of oneness with the infinite,—
Faith in the world, its beauty, and its purpose . . .
Well, you believe one must have faith, in some sort,
If one's to talk through this dark world contented.
But is the world so dark? Or is it rather
Our own brute minds,—in which we hurry, trembling,
Through streets as yet unlighted? This, I think.
You have been always, let me say, "romantic,"—
Eager for color, for beauty, soon discontented
With a world of dust and stones and flesh too ailing:
Even before the question grew to problem
And drove you bickering into metaphysics,
You met on lower planes the same great dragon,
Seeking release, some fleeting satisfaction,
In strange aesthetics . . . You tried, as I remember,
One after one, strange cults, and some, too, morbid,
The cruder first, more violent sensations,
Gorgeously carnal things, conceived and acted
With splendid animal thirst . . . Then, by degrees,—
Savoring all more delicate gradations
In all that hue and tone may play on flesh,
Or thought on brain,—you passed, if I may say so,
From red and scarlet through morbid greens to mauve.
Let us regard ourselves, you used to say,
As instruments of music, whereon our lives
Will play as we desire: and let us yield
These subtle bodies and subtler brains and nerves
To all experience plays . . . And so you went
From subtle tune to subtler, each heard once,
Twice or thrice at the most, tiring of each;
And closing one by one your doors, drew in
Slowly, through darkening labyrinths of feeling,
Towards the central chamber . . . Which now you've reached.
What, then's, the secret of this ultimate chamber—
Or innermost, rather? If I see it clearly
205
It is the last, and cunningest, resort
Of one who has found this world of dust and flesh,—
This world of lamentations, death, injustice,
~ Conrad Potter Aiken,

IN CHAPTERS [99/99]



   24 Fiction
   22 Poetry
   18 Integral Yoga
   9 Occultism
   7 Yoga
   4 Psychology
   4 Philosophy
   3 Integral Theory
   3 Christianity
   1 Mythology
   1 Mysticism
   1 Alchemy


   15 H P Lovecraft
   9 Percy Bysshe Shelley
   8 Sri Ramakrishna
   8 Nolini Kanta Gupta
   7 The Mother
   5 Sri Aurobindo
   4 Satprem
   4 James George Frazer
   3 Walt Whitman
   3 Pierre Teilhard de Chardin
   3 Carl Jung
   3 Aleister Crowley
   2 William Wordsworth
   2 Sri Ramana Maharshi
   2 Robert Browning


   15 Lovecraft - Poems
   9 Shelley - Poems
   7 The Gospel of Sri Ramakrishna
   4 The Golden Bough
   3 Whitman - Poems
   3 The Secret Doctrine
   3 The Phenomenon of Man
   3 Magick Without Tears
   3 Collected Works of Nolini Kanta Gupta - Vol 05
   2 Wordsworth - Poems
   2 Vedic and Philological Studies
   2 The Practice of Psycho therapy
   2 Talks
   2 Collected Works of Nolini Kanta Gupta - Vol 04
   2 Browning - Poems


0.00 - INTRODUCTION, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
   On January 27, 1868, Mathur Babu with a party of some one hundred and twenty-five persons set out on a pilgrimage to the sacred places of northern India. At Vaidyanath in Behar, when the Master saw the inhabitants of a village reduced by poverty and starvation to mere Skeletons, he requested his rich patron to feed the people and give each a piece of cloth. Mathur demurred at the added expense. The Master declared bitterly that he would not go on to Benares, but would live with the poor and share their miseries. He actually left Mathur and sat down with the villagers. Whereupon Mathur had to yield. On another occasion, two years later, Sri Ramakrishna showed a similar sentiment for the poor and needy. He accompanied Mathur on a tour to one of the latter's estates at the time of the collection of rents. For two years the harvests had failed and the tenants were in a state of extreme poverty. The Master asked Mathur to remit their rents, distribute help to them, and in addition give the hungry people a sumptuous feast. When Mathur grumbled, the Master said: "You are only the steward of the Divine Mother. They are the Mother's tenants. You must spend the Mother's money. When they are suffering, how can you refuse to help them? You must help them." Again Mathur had to give in. Sri Ramakrishna's sympathy for the poor sprang from his perception of God in all created beings. His sentiment was not that of the humanist or philanthropist. To him the service of man was the same as the worship of God.
   The party entered holy Benares by boat along the Ganges. When Sri Ramakrishna's eyes fell on this city of Siva, where had accumulated for ages the devotion and piety of countless worshippers, he saw it to be made of gold, as the scriptures declare. He was visibly moved. During his stay in the city he treated every particle of its earth with utmost respect. At the Manikarnika Ghat, the great cremation ground of the city, he actually saw Siva, with ash-covered body and tawny matted hair, serenely approaching each funeral pyre and breathing into the ears of the corpses the mantra of liberation; and then the Divine Mother removing from the dead their bonds. Thus he realized the significance of the scriptural statement that anyone dying in Benares attains salvation through the grace of Siva. He paid a visit to Trailanga Swami, the celebrated monk, whom he later declared to be a real paramahamsa, a veritable image of Siva.
  --
   In spite of the physician's efforts and the prayers and nursing of the devotees, the illness rapidly progressed. The pain sometimes appeared to be unbearable. The Master lived only on liquid food, and his frail body was becoming a mere Skeleton. Yet his face always radiated joy, and he continued to welcome the visitors pouring in to receive his blessing. When certain zealous devotees tried to keep the visitors away, they were told by Girish, "You cannot succeed in it; he has been born for this very purpose — to sacrifice himself for the redemption of others."
   The more the body was devastated by illness, the more it became the habitation of the Divine Spirit. Through its transparency the gods and goddesses began to shine with ever increasing luminosity. On the day of the Kali Puja the devotees clearly saw in him the manifestation of the Divine Mother.

0 1961-09-23, #Agenda Vol 02, #The Mother, #Integral Yoga
   I have the right to 150 pages! The publisher is giving me 150 pages in his collection. Terrible. But in this Sri Aurobindo, you understand, I would like to make his whole poetic aspect stand out, that poetry which is like the Veda, like a revelation, so a bit of space is required: it cant be squeezed into a few lines, or reduced to a Skeleton.
   This analogy between the ancient form of spiritual revelations and Savitri, this blossoming into poetry of his prophetic revelation is what could be called the most exceptional part of his work. And what is remarkable (I saw him do it) is that he changed Savitri: he went along changing it as his experience changed.

0 1966-09-30, #Agenda Vol 07, #The Mother, #Integral Yoga
   Oddly, these last few days again, this has been the subject of my meditations (not willed ones: they are imposed from above). Because in all the transition from plant to animal and from animal to man (especially from animal to man), the differences of form are, ultimately, minor: the true transformation is the intervention of another agent of consciousness. All the differences between the life of the animal and the life of man stem from the intervention of the Mind; but the substance is essentially the same and it obeys the same laws of formation and construction. There isnt much difference, for instance, between the calf being formed in a cows womb and the child being formed in its mothers womb. There is one difference: that of the Minds intervention. But if we envisage a PHYSICAL being, that is, as visible as the physical now is and with the same density, for instance a body that wouldnt need blood circulation and bones (especially these two things: the Skeleton and blood circulation) its very hard to imagine. And as long as it is like this, with this blood circulation, this functioning of the heart, we could imaginewe can imagine the renewal of strength, of energy through a power of the Spirit, through other means than food. Its conceivable. But the rigidity, the solidity of the body, how is it possible without a Skeleton? So it would be an infinitely greater transformation than that from animal to man; it would be a transition from man to a being that would no longer be built in the same way, that would no longer function in the same way, that would be like a densification or concretization of something. Up till now, it doesnt correspond to anything we have seen physically, unless the scientists have found something I am not aware of.
   We may conceive of a new light or force giving the cells a sort of spontaneous life, a spontaneous strength.
  --
   I am absolutely convinced (because Ive had experiences that proved it to me) that the life of this body its life, what makes it move and changecan be replaced by a force; that is to say, a sort of immortality can be created, and the wear and tear can disappear. These two things are possible: the power of life can come, and the wear and tear can disappear. And it can come about psychologically, through total obedience to the divine Impulsion, so that every moment you have the force you need, you do the thing that must be doneall these things, all of them are certitudes. Certitudes. Theyre not a hope, not an imagining: they are certitudes. Of course, you must educate the body and slowly transform and change the habits. It can be done, all that can be done. But the question is, how much time would it take to do away with the necessity (to take just this problem) of the Skeleton? This is still very far ahead, it seems to me. Which means many intermediary stages will be needed. Sri Aurobindo said that life can be prolonged indefinitely. Yes, thats clear. But we arent yet built with something that completely escapes dissolution, the necessity of dissolution. Bones are very durable, they can even last a thousand years if conditions are favorable, thats agreed, but it doesnt mean immortality IN PRINCIPLE. Do you understand what I mean?
   No. Do you think it would have to be a nonphysical substance?

0 1970-07-11, #Agenda Vol 11, #The Mother, #Integral Yoga
   It seems that a Tamil yogi [Swami Ramalingam] of this region, who lived around 1850, had experiences, which he described in a poem and appear rather connected. Experiences of the transformation of the Skeleton, bones, etc. Its a Tamilian who sent me this letter, asking me to put the question to you.
   All right.
  --
   But you often wondered about the Skeleton, in fact, you asked how it could change.
   In my case too.

0 1972-07-26, #Agenda Vol 13, #The Mother, #Integral Yoga
   Hes discovering Skeletons!
   Poor M. [All India Press director], he was so upset!

05.03 - Satyavan and Savitri, #Savitri, #Sri Aurobindo, #Integral Yoga
  A hard firm Skeleton of outward Truth,
  A mental scheme of a mechanic Power.

06.17 - Directed Change, #Collected Works of Nolini Kanta Gupta - Vol 03, #Nolini Kanta Gupta, #Integral Yoga
   Never to be bound by the experiences of the past, never to try to recover and stick to the knowledge or realisation gained, even though it may appear particularly precious or unique. This is a motto you should always keep before your mind. When you try to repeat what you have once said, done or experienced, you are sure to find very soon that the thing is becoming more and more lifeless, mechanical, a matter of routine and therefore perfectly useless. The soul has disappeared, the Skeleton remains. You must live the word you utter at the time of uttering it, you must live the experience that you wish to recall or express. It is only thus that truth becomes living, possesses its force and light and gains its full value.
   In point of fact, however, no two succeeding moments, whether in your consciousness or in the world movement, are exactly the same. Even if you try seriously and sincerely, you can never recapture a thing of the past as it was or as it came to you, not, that is to say, in the same exact manner. For you are no longer the same nor is the world. The world is a continuous flow, it has been very often declared: but it is not a continual repetition or recurrence, a mere cyclic order. On the other hand, constant renewal is the very character of the change. At every moment something new is coming down on the scene, something that was not surges out: Nature is bringing out at every step something that was hidden or latent in her secret depth, something is dropped from above into her normal movement, something unforeseen and unexpected. The march of time means evolution, that is to say, the addition of a new factor to the existing factors, making manifest some-thing that was unmanifestmrtam kacana bodhayanti, as the Vedic Rishi says. Even if to an apparent sight everything seems to remain the same, yet it is not so in reality; always a new element is being poured into the existing circumstances, always an additional spark or influence enters into actual play of forces. It is the accumulated pressure of all the variables that brings about the great changes upon earth and in humanity which are summed up in the word evolutionchanges cosmological and psychological.

08.34 - To Melt into the Divine, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   Instead of this unformed and unconscious mass, one has to become conscious, cohesive, individualised, that which exists by itself and in itself, independently of its surroundings, that which can hear, read, see anything and will not change because of that. It receives from outside only what it wishes to receive. It rejects automatically what does not agree with its purpose: nothing can leave any impression upon it, unless it wishes to have the impress. It is thus that one begins to be individualised. And when one is an individual, then only can one make a gift of it, for unless you possess a thing you cannot give it; when you have nothing or are nothing you can give nothing. So in order that the separate ego may disappear, one must be able to give oneself wholly, totally without restrictions. And to be able to give, one must exist and to exist one must be an individual. If your body were not rigid as it is the body is indeed terribly rigidif it were not something quite fixed and if you had not this solid skin around the Skeleton, if you were the exact expression of what you are vitally and mentally, it would be worse than the gelatinous jelly fish. All would enter and melt into one another, what a chaos and confusion would it be! That is why a rigid form is given at the outset. And you complain: the physical is so fixed, it lacks plasticity, supplenessit lacks the fluidity that enables one to melt into the Divine! But it was a necessity. For if you were out of your body and entered into the regions behind the vital,you would see how things stand there: things get mixed, separated, intertwined, all kinds of vibrations, currents, forces that come and go, struggle and fight, seize each other, absorb each other, repulse each other! Very difficult to find a personality in all that. It is only forces, movements, impulsions, desires. Not that there are not individualities and personalities there too! But they are Powers. They who have individualised themselves in such a world are either heroes or demons!
   And then in the mind, if you become conscious only of the physical mind, apart from what belongs to the brain, independent of the head, you will see that it is really a market place, as it has been called: everything enters here, all kinds of ideas and notions cross and recross and move about, jostle one another, knock against each otherthere are even accidents sometimes. There you can search, but search in vain to find where your own mind lies.

1.01 - Economy, #Walden, and On The Duty Of Civil Disobedience, #Henry David Thoreau, #Philosophy
  I have referred to is about, and how much it is necessary that we be troubled, or, at least, careful. It would be some advantage to live a primitive and frontier life, though in the midst of an outward civilization, if only to learn what are the gross necessaries of life and what methods have been taken to obtain them; or even to look over the old day-books of the merchants, to see what it was that men most commonly bought at the stores, what they stored, that is, what are the grossest groceries. For the improvements of ages have had but little influence on the essential laws of mans existence; as our Skeletons, probably, are not to be distinguished from those of our ancestors.
  By the words, _necessary of life_, I mean whatever, of all that man obtains by his own exertions, has been from the first, or from long use has become, so important to human life that few, if any, whether from savageness, or poverty, or philosophy, ever attempt to do without it.

1.01 - MASTER AND DISCIPLE, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  "Late at night the snake regained consciousness. Slowly and with great difficulty it dragged itself into its hole; its bones were broken and it could scarcely move. Many days passed. The snake became a mere Skeleton covered with a skin. Now and then, at night, it would come out in search of food. For fear of the boys it would not leave its hole during the day-time. Since receiving the sacred word from the teacher, it had given up doing harm to others. It maintained its life on dirt, leaves, or the fruit that dropped from the trees.
  "About a year later the brahmachari came that way again and asked after the snake.

1.01 - The Path of Later On, #Words Of Long Ago, #The Mother, #Integral Yoga
  Hollow voices cry out to the traveller, "Flee this place; go back to the cross-roads; there is still time." The young man hesitates, then replies, "Tomorrow." He covers his face with his hands so as not to see the bodies rolling into the ravine, and runs along the road, drawn on by an irresistible urge to go forward. He no longer wonders whether he will find a way out. With furrowed brow and clothes in disorder, he runs on in desperation. At last, thinking himself far away from the accursed place, he opens his eyes: there are no more fir-trees; all around are barren stones and grey dust. The sun has disappeared beyond the horizon; night is coming on. The road has lost itself in an endless desert. The desperate traveller, worn out by his long run, wants to stop; but he must walk on. All around him is ruin; he hears stifled cries; his feet stumble on Skeletons. In the distance, the thick mist takes on terrifying shapes; black forms loom up; something huge and misshapen suggests itself. The traveller flies rather than walks towards the goal he senses and which seems to flee from him; wild cries direct his steps; he brushes against phantoms. At last he sees before him a huge edifice, dark, desolate, gloomy, a castle to make one say with a shudder: "A haunted castle." But the young man pays no attention to the bleakness of the place; these great black walls make no impression on him; as he stands on the dusty ground, he hardly trembles at the sight of these formidable towers; he thinks only that the goal is reached, he forgets his weariness and discouragement. As he approaches the castle, he brushes against a wall, and the wall crumbles; instantly everything collapses around him; towers, battlements, walls have vanished, sinking into dust which is added to the dust already covering the ground.
  Owls, crows and bats fly out in all directions, screeching and circling around the head of the poor traveller who, dazed, downcast, overwhelmed, stands rooted to the spot, unable to move; suddenly, horror of horrors, he sees rising up before him terrible phantoms who bear the names of Desolation, Despair, Disgust with life, and amidst the ruins he even glimpses Suicide, pallid and dismal above a bottomless gulf. All these malignant spirits surround him, clutch him, propel him towards the yawning chasm. The poor youth tries to resist this irresistible force, he wants to draw back, to flee, to tear himself away from all these invisible arms entwining and clasping him. But it is too late; he moves on towards the fatal abyss. He feels drawn, hypnotized by it. He calls out; no voice answers to his cries. He grasps at the phantoms, everything gives way beneath him. With haggard eyes he scans the void, he calls out, he implores; the macabre laughter of Evil rings out at last.

1.02 - What is Psycho therapy?, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  with the merest Skeleton of a theory. People thought it sufficient to regard
  neurotic symptoms as the fancies of an overwrought imagination, and

10.37 - The Golden Bridge, #Collected Works of Nolini Kanta Gupta - Vol 04, #Nolini Kanta Gupta, #Integral Yoga
   The recoil from the brute facts of life, the concrete living realities has affected even the world of artistic creation. We are very much familiar with what has been called abstract art, that is to say, art denuded of all content. The supreme art today is this sketch of bare Skeletoneven a Skeleton, not in its organised form but merely dismembered bits strewn about. Even poetry, the art that is perhaps most bound to the sense pattern, as no other, so indissolubly married to sense-life, seems to be giving way to the new impact and inspiration. A poetry devoid of all thought-content, pure of all sentiment and understandable imagery is being worked out in the laboratory, as it were, a new poetry made of a bizarre combination of tones and syllables with a changed form too in regard to arrangement of lines and phrases. It is the pure form that is aimed at the very essence, it is said, what is quintessential!
   In other words, mind, that is to say, the rational mind on which stands man's superiority has now been so developed, developed along a single line, has specialised itself so much that it has almost defeated its own purpose. Today it has entered a cul-de-sac, a blind alley where it has bogged itself and does not know where and how to move.

1.03 - BOOK THE THIRD, #Metamorphoses, #Ovid, #Poetry
  The sounding Skeleton, of blood bereft,
  Besides her bones and voice had nothing left.

1.04 - GOD IN THE WORLD, #The Perennial Philosophy, #Aldous Huxley, #Philosophy
  What is meant by the Dhyana practised by the ignorant? It is the one resorted to by the Yogins who exercise themselves in the disciplines of Sravakas and Pratyekabuddhas (contemplatives and solitary Buddhas of the Hinayana school), who perceiving that there is no ego substance, that the body is a shadow and a Skeleton which is transient, impure and full of suffering, persistently cling to these notions, which are regarded as just so and not otherwise, and who, starting from them, advance by stages until they reach the cessation, where there are no thoughts. This is called the Dhyana practised by the ignorant.
  What then is the Dhyana devoted to the examination of meaning? It is the one practised by those who, having gone beyond the egolessness of things, beyond individuality and generality, beyond the untenability of such ideas as self, other and both, which are held by the philosophers, proceed to examine and follow up the meaning of the various aspects of Bodhisattvahood. This is the Dhyana devoted to the examination of meaning.

1.04 - THE APPEARANCE OF ANOMALY - CHALLENGE TO THE SHARED MAP, #Maps of Meaning, #Jordan Peterson, #Psychology
  through clashing rocks, or gates in the shape of jaws; he is reduced to a Skeleton, while his disembodied
  head observes the procedure; he has his internal organs removed or restructured; his bones are broken, his
  --
  then takes asceticism worldly renunciation to an extreme: reduced almost to the state of a Skeleton, he
  finally came to resemble a heap of dust.444 That approach, too, proves insufficient. Finally having tasted

1.04 - The Paths, #A Garden of Pomegranates - An Outline of the Qabalah, #Israel Regardie, #Occultism
  The Tarot attri bution, XIII. - Death , continues this conception, picturing a black Skeleton mounted on a white
   horse (reminding us of one of the Four Horsemen of the

1.05 - The Magical Control of the Weather, #The Golden Bough, #James George Frazer, #Occultism
   Skeleton over some taro leaves. Water was poured over the Skeleton
  to run down on the leaves. They believed that the soul of the
  --
  his family, also two teeth or an entire jawbone from the Skeleton of
  an ancestor. He then climbs a mountain whose top catches the first

1.05 - THE MASTER AND KESHAB, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Their frames are human Skeletons, their sails of the three gunas made;
  But all their curious workmanship is merely for ornament.

1.07 - Incarnate Human Gods, #The Golden Bough, #James George Frazer, #Occultism
  trees round it were hung human Skeletons, head down. No one entered
  the enclosure except the persons dedicated to the service of the

1.07 - The Three Schools of Magick 2, #Magick Without Tears, #Aleister Crowley, #Philosophy
    As your disgusting Skeleton.
    Each to his taste: if you prefer

1.12 - Truth and Knowledge, #The Problems of Philosophy, #Bertrand Russell, #Philosophy
  The other objection to this definition of truth is that it assumes the meaning of 'coherence' known, whereas, in fact, 'coherence' presupposes the truth of the laws of logic. Two propositions are coherent when both may be true, and are incoherent when one at least must be false. Now in order to know whether two propositions can both be true, we must know such truths as the law of contradiction. For example, the two propositions, 'this tree is a beech' and 'this tree is not a beech', are not coherent, because of the law of contradiction. But if the law of contradiction itself were subjected to the test of coherence, we should find that, if we choose to suppose it false, nothing will any longer be incoherent with anything else. Thus the laws of logic supply the Skeleton or framework within which the test of coherence applies, and they themselves cannot be established by this test.
  For the above two reasons, coherence cannot be accepted as giving the

1.15 - LAST VISIT TO KESHAB, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  At this moment Keshab entered the room. He came through the east door. Those who remembered the man who had preached in the Town Hall or the Brahmo Samaj temple were shocked to see this Skeleton covered with skin. He could hardly stand. He walked holding to the wall for support. With great difficulty he sat down in front of the couch.
  In the mean time Sri Ramakrishna had got down from the couch and was sitting on the floor. Keshab bowed low before the Master and remained in that position a long time, touching the Master's feet with his forehead. Then he sat up. Sri Ramakrishna was still in a state of ecstasy. He muttered to himself. He talked to the Divine Mother.

1.19 - THE MASTER AND HIS INJURED ARM, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  'Mother, I saw a Skeleton in the Asiatic Society Museum. It was pieced together with wires into a human form. O Mother, please keep my body together a little, like that, so that I may sing Thy name and glories.'
  "Why this desire to live? After Ravana's death Rma and Lakshmana entered his capital and saw Nikasha, his old mother, running away. Lakshmana was surprised at this and said to Rma, 'All her children are dead, but still life attracts her so much!' Rma called Nikasha to His side and said: 'Don't be afraid. Why are you running away?' She replied: 'Rma, it was not fear that made me flee from You. I have been able to see all these wondrous actions of Yours simply because I am alive. I shall see many more things like these if I continue to live. Hence I desire to live.'

1.22 - ADVICE TO AN ACTOR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  Their frames are human Skeletons, their sails of the three gunas made;
  But all their curious workmanship is merely for ornament.

1.240 - 1.300 Talks, #Talks, #Sri Ramana Maharshi, #Hinduism
  There is no real going into or coming from it. Becoming aware of that is samadhi. An ignorant man cannot remain long in sushupti because he is forced by nature to emerge from it. His ego is not dead and it will rise up again. But the wise man attempts to crush it in its source. It rises up again and again for him too impelled by nature, i.e., prarabdha. That is, both in Jnani and ajnani, ego is sprouting forth, but with this difference, namely the ajnani's ego when it rises up is quite ignorant of its source, or he is not aware of his sushupti in the dream and jagrat states; whereas a Jnani when his ego rises up enjoys his transcendental experience with this ego keeping his lakshya (aim) always on its source. This ego is not dangerous: it is like the Skeleton of a burnt rope: in this form it is ineffective. By constantly keeping our aim on our source, our ego is dissolved in its source. like a doll of salt in the ocean.
  D.: Sri Ramakrishna says that nirvikalpa samadhi cannot last longer than twenty-one days. If persisted in, the person dies. Is it so?

1.240 - Talks 2, #Talks, #Sri Ramana Maharshi, #Hinduism
  There is no real going into or coming from it. Becoming aware of that is samadhi. An ignorant man cannot remain long in sushupti because he is forced by nature to emerge from it. His ego is not dead and it will rise up again. But the wise man attempts to crush it in its source. It rises up again and again for him too impelled by nature, i.e., prarabdha. That is, both in Jnani and ajnani, ego is sprouting forth, but with this difference, namely the ajnanis ego when it rises up is quite ignorant of its source, or he is not aware of his sushupti in the dream and jagrat states; whereas a Jnani when his ego rises up enjoys his transcendental experience with this ego keeping his lakshya (aim) always on its source. This ego is not dangerous: it is like the Skeleton of a burnt rope: in this form it is ineffective. By constantly keeping our aim on our source, our ego is dissolved in its source. like a doll of salt in the ocean.
  D.: Sri Ramakrishna says that nirvikalpa samadhi cannot last longer than twenty-one days. If persisted in, the person dies. Is it so?

1.28 - Need to Define God, Self, etc., #Magick Without Tears, #Aleister Crowley, #Philosophy
  Applied to the "self," it becomes a sort of trade name; nobody tells me if he means Khu, or Ba, or Khabs, or Ut of the Upanishads or Augoeides of the Neo-Platonists, or Adonai of Bulwer-Lytton, or here we are with all those thrice-accurs't alternatives. There is not, cannot be, any specific meaning unless we start with a sound Skeleton of ontogenic theory, a well-mapped hierarchy of the Cosmos, and define the term anew.
  Then why use it? To do so can only cause confusion, unless the context helps us to clarify the image. And that is surely rather a defeatist attitude, isn't it?

15.06 - Words, Words, Words..., #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   While coming to you, I saw your beautiful display of excerpts and quotations from the writings of Mother and Sri Aurobindo on the walls all around. Yes, it was a beautiful picture and the sayings and mottoes and lines of poetry were, needless to say, precious treasures dear to us. Butleft at that, to see, admire and pass on, wellthey are dead thingswords, words, wordslifeless Skeletons. They have a meaning and they serve their purpose only when you come in contact with the life and consciousness in them, when you live them with your own life and be the consciousness that is there.
   You know the well-known phrase: the letter kills, the spirit saves. Without the spirit, the word is only a dead shell, even a mantra is a dead thinga mere jumble of sounds if it is not enkindled, enlivened with the spirit. Now I say you are to brea the your own spirit into the apparently dead or lifeless forms. For children are nothing but spirit: spirit means new consciousness, living light, it is not a tall claim I make on your behalf. I will explain.

1.54 - Types of Animal Sacrament, #The Golden Bough, #James George Frazer, #Occultism
  after sprinkling it with milk. Its flesh is eaten; the Skeleton,
  with a portion of the fat, is burned on a turf altar; and the skin,

1.60 - Between Heaven and Earth, #The Golden Bough, #James George Frazer, #Occultism
  sun may not shine on it and shrivel her up into a withered Skeleton,
  as would result from exposure to the sun's beams. After dark she
  --
  hammock, so that when she comes down she is reduced to a Skeleton.
  When a Hindoo maiden reaches maturity she is kept in a dark room for
  --
  shrivel to Skeletons if the sun were to shine on them at puberty,
  and the Macusis imagine that, if a young woman were to transgress

1.68 - The God-Letters, #Magick Without Tears, #Aleister Crowley, #Philosophy
  But at the moment I am especially desirous that you should compare and contrast this letter with the S Sound. (S or Sh combined with T is discussed rather fully in Magick, pp. 336-8)[135] You should find it child's play to determine the significance of the sibilant. It is the one letter which necessitates the exposure of the Skeleton! (I.e., the Subconscious). Hence "Hush!" it is the hiss of the snake, great Lord of Life and Death (life? yes, the spermatozoon, child!) "Silence! Danger! There is a man somewhere about." The savage reaction. And, sure enough, Ish is the Hebrew for man (Mankind is ADM, Adam, Sanskrit Admi, the Father and Mother conjoined. "Male and Female created They Man.")
  The S-gods are innumerable. Asar (Asi, Isis, is his female twin) Astarte, Ishtar or Ashtoreth, Set, Saturn, Shu, Zeus, (into whom the D intrudes, because S is the male as N the female, and D the father as M the mother) and the Jesus group. Here is the idea of the South, or East, both quarters referring, in ways very slightly divergent, to the element of Fire, the Sun, the Father-God in his aspect as the Holy Ghost. The ancient tradition appears in the Gospels: the Lesser Mysteries of John, beheaded with the Sword, and consumed on a Disk, and the Greater Mysteries of Jesus, pierced with a Wand, and consumed in a Cup. All same Tarot!

18.04 - Modern Poems, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   Like rows of Skeletons.
   Last night a cruel, ruthless stormPassed by.

18.05 - Ashram Poets, #Collected Works of Nolini Kanta Gupta - Vol 05, #Nolini Kanta Gupta, #Integral Yoga
   In the morn that is the death of the naked Skeleton
   She stalks over the world, a gathered Fire, voicing her approach.

1953-05-20, #Questions And Answers 1953, #The Mother, #Integral Yoga
   There is no end to imagination: to be luminous whenever one wants it, to be transparent whenever one wants it. Naturally there is no longer any need of any bones also in the system; it is not a Skeleton with skin and viscera, it is another thing. It is concentrated energy obeying the will. This does not mean that there will no longer be any definite and recognisable forms; the form will be built by qualities rather than by solid particles. It will be, if one may say so, a practical or pragmatic form; it will be supple, mobile, light at will, in contrast to the fixity of the gross material form.
   So, to change this into what I have just described, I believe three hundred years are truly very little. It seems many more than that are needed. Perhaps with a very, very, very concentrated work

1955-09-21 - Literature and the taste for forms - The characters of The Great Secret - How literature helps us to progress - Reading to learn - The commercial mentality - How to choose ones books - Learning to enrich ones possibilities ..., #Questions And Answers 1955, #The Mother, #Integral Yoga
  My children, I have to tell you to begin with that this is literature. So you should not ask me for explanations. It is a literary way of speaking, you must understand it in a literary way; it is a literary description of the word; it is very precise, but it is literary. So I cannot produce literature on this literature. One must have the taste for forms, for a beautiful way of saying things, a little exceptional, not too banal; but it is just one way, its a way of saying things which is charming. Literature exists completely in the way of saying things. You catch what you can of whats behind. If you are indeed open to the literary meaning, it evokes things for you; but it cannot be explained. It is a means of evocation which corresponds also with music. Naturally, one can analyse literature and see how the sentence is constructed, but this is like your changing a human being into a Skeleton. It is not pretty, a Skeleton. Its the same thing. If in music you study counterpoint, and if this note must necessarily bring in this other, and this group of notes has necessarily to bring in that one, you spoil the music too, you make a Skeleton of the music; it is not interesting. These things have to be felt with the corresponding senses, the charm of the phrase with the literary sensecatching the harmony of words and what it evokes.
  In each one of these persons it is the same thing: you are given a description of people who have reached the highest human possibility. It is obvious that this Writer is a very great one, the best that can be conceived. Well, he has come to this. And then at last he has realised that it was hollow, that he lacked the essential thing. And for all it will be the same experience.

1f.lovecraft - In the Walls of Eryx, #Lovecraft - Poems, #unset, #Zen
   tragic act of impatient despair. The bodyor Skeleton, as it would soon
   bewas constantly before me as a guide to the sought-for aperture, and
  --
   corpse is now just a Skeleton, and the sificlighs and akmans and
   farnoth-flies are gone. The efjeh-weeds are nipping the leather
  --
   Skeletonthan I had been since the first days trials. I was
   sidetracked once in a blind alley, but recovered the main trail with
  --
   weed-twined Skeleton. The route was a sort of spiral, much like that by
   which I had first reached the central chamber. Whenever I came to a
  --
   I am now only a few yards from the Skeleton, and am pausing to make
   this entry before emerging and breaking through the noxious band of
  --
   approached still closer to the Skeleton, but suddenly encountered an
   intervening wall. I had been deceived once more, and was apparently
  --
   out objects on the ground. Skeleton tangled in efjeh-weeds, and
   complete body ten feet from it. Brought plane down near bodies, and
  --
   the Skeleton, we struck an opening, beyond which was a space with
   another opening leading to the Skeleton. The latter, though robbed of
   clothing by weeds, had one of the companys numbered metal helmets
  --
   Between this Skeleton and the complete body there seemed to be another
   wall, but we could easily identify the second man as Stanfield. He had
  --
   trying to reach the second body from the Skeleton, we could find no
   access on the right, but Markheim found a doorway from the first inner

1f.lovecraft - Medusas Coil, #Lovecraft - Poems, #unset, #Zen
   an artists Skeleton in a lime-packed grave beneath a charred
   foundationwas faintly, subtly, yet to the eyes of genius unmistakably

1f.lovecraft - The Alchemist, #Lovecraft - Poems, #unset, #Zen
   the proportions of a Skeleton, was strangely bent and almost lost
   within the voluminous folds of his peculiar garment. But strangest of

1f.lovecraft - The Case of Charles Dexter Ward, #Lovecraft - Poems, #unset, #Zen
   bodies or Skeletons as they could?
   So that was what these lekythoi contained; the monstrous fruit of

1f.lovecraft - The Cats of Ulthar, #Lovecraft - Poems, #unset, #Zen
   cleanly picked human Skeletons on the earthen floor, and a number of
   singular beetles crawling in the shadowy corners.

1f.lovecraft - The Dreams in the Witch House, #Lovecraft - Poems, #unset, #Zen
  this Skeleton has leaked out, but the workmen who found it whisper in
  shocked tones about the long, brownish hairs with which it was

1f.lovecraft - The Dunwich Horror, #Lovecraft - Poems, #unset, #Zen
   disappeared. Apparently Whateley had had no skull or bony Skeleton; at
   least, in any true or stable sense. He had taken somewhat after his

1f.lovecraft - The Haunter of the Dark, #Lovecraft - Poems, #unset, #Zen
   gasped with a baffling mixture of emotions. It was a human Skeleton,
   and it must have been there for a very long time. The clothing was in
  --
   coat, Blake turned to look down at the Skeleton in the dust. The
   implications of the notes were clear, and there could be no doubt but
  --
   had eaten through the solid bone. What had happened to the Skeleton
   during its four decades of silent entombment here Blake could not
  --
   the old mutilated Skeleton were not mentioned. What disturbed Blake the
   mostexcept for the hints of stains and charring and bad odourswas the
  --
   strangely marred old Skeleton, when they explored the shadowy tower
   room. He assumed that these things had been removedwhither, and by

1f.lovecraft - The Hound, #Lovecraft - Poems, #unset, #Zen
   hundred years. The Skeleton, though crushed in places by the jaws of
   the thing that had killed it, held together with surprising firmness,

1f.lovecraft - The Last Test, #Lovecraft - Poems, #unset, #Zen
   of a Skeletonic leanness which made one wonder whether the doctor had
   sought to symbolise in them the anatomical models of his college years.
  --
   would form a very apt twin for this sardonic Skeleton.
   Dalton, absorbed in his uphill political battles and isolated from
  --
   normal, with newspapers in Skeletonic form, and with a crippled parody
   on transportation maintained by the horse and cable cars.
  --
   in a write-up of Surama and the queer Skeletonic Thibetans.
   Exaggeration, of course, occurred in every fresh article, and the net
  --
   Skeleton, once a very giant of bulk and vigour, who was, he insinuated,
   slowly and painfully dying because Clarendon would not administer the
  --
   and the total hairlessness of his head enhanced his Skeleton-like
   aspect horribly. Now she heard a faint chuckle as he took a small
  --
   two Skeletons with bits of blackened flesh adheringonly two, thanks to
   the undisturbed lime-pits. One was of a man; the other is still a
  --
   an apes or a saurians Skeleton, but it had disturbing suggestions of
   lines of evolution of which palaeontology has revealed no trace. The

1f.lovecraft - The Lurking Fear, #Lovecraft - Poems, #unset, #Zen
   There were no Skeletons about, so that departure rather than death was
   inferred. The clan seemed to have left several years before, and

1f.lovecraft - The Rats in the Walls, #Lovecraft - Poems, #unset, #Zen
   collocation as Skeletons shewed attitudes of panic fear, and over all
   were the marks of rodent gnawing. The skulls denoted nothing short of
  --
   articulated as Skeletons; these latter invariably in postures of
   daemoniac frenzy, either fighting off some menace or clutching other
  --
   fainted again when Trask told him that some of the Skeleton things must
   have descended as quadrupeds through the last twenty or more
  --
   with rusty bars. Three had tenants, all Skeletons of high grade, and on
   the bony forefinger of one I found a seal ring with my own

1f.lovecraft - The Temple, #Lovecraft - Poems, #unset, #Zen
   found no Skeletons or other human remains, but gleaned a wealth of
   archaeological lore from sculptures and coins. Of this I cannot now

1f.lovecraft - The Transition of Juan Romero, #Lovecraft - Poems, #unset, #Zen
   lain two Skeletons, newly picked by vultures, and presumably forming
   the sole remains of his parents. No one recalled their identity, and

1f.lovecraft - Till A the Seas, #Lovecraft - Poems, #unset, #Zen
   dry and ancient Skeleton.
   add-column2log.sh addlist addlist2 addlist3 Agenda_header Agenda_Vol_1 Agenda_works1 allpoetry_authors allpoetry_authors2 allpoetry_authors3 aplayer.sh asay_loop.sh author_sampler.sh BACKUPS bashrc-BACKUP bind_arrowkeys.sh black_wallpaper.jpg book_editting.sh center.sh changedir.sh checkcrontemp.sh chiktemp chiktemp2 chiktemp3 chiktemp4 cw.sh date-2-masslog.sh Desktop docprocessor.sh Documents Downloads eth96l ethnow.sh for_newfull getaddress.sh getbook.sh getchik.sh getlovecraft.sh getsource.sh history_su ifempty.sh if.sh infinite_alarm.sh infinite_sav.sh keys_authoring.sh lambda2.sh lambda.sh lesserlog.sh lesslog.sh majlog.sh map-math.sh map.sh mem_encoder.sh mem_player.sh Music mypoeticside new_subject.sh new_texts organism-quotes Pictures poe-poems POS_file.sh Public quicklisp quotes_switcher.sh randomfooterwp.sh random_sentence.sh random-test.sh read.sh result2.png result.png rip_pic.sh sav_wp.sh say_loop.sh screenshot2.sh screenshot.sh sed1JnlSk sent_compressor.sh simple_az_loop.sh simple_for_loop.sh simple_for_savitri.sh simple_infinite_loop2.sh simple_infinite_loop3.sh simple_infinite_loop.sh SITEMAP sourcerer.sh Steam subject_grouping.sh subject_tagging_keys.sh subject_tagging_newfull.sh subject_tagging.sh T1_wp.sh temp temp4 temp_christ Templates temp-wordlist temp-wordlist2 terminal_colors2.sh terminal_colors.sh test15.sh test_for_loop.sh test.sh timestamp.sh Videos walt-poems when.sh wikipedia-extractor.sh will-wordsworth-poems WORDLIST wordlist-backup-daily.sh wordlist-backup.sh wordlisteditcode.sh wordlistedit.sh wordlisteditxed.sh wp_maker.sh xdo_download_agenda_audio.sh xdo_grab_agenda.sh add-column2log.sh addlist addlist2 addlist3 Agenda_header Agenda_Vol_1 Agenda_works1 allpoetry_authors allpoetry_authors2 allpoetry_authors3 aplayer.sh asay_loop.sh author_sampler.sh BACKUPS bashrc-BACKUP bind_arrowkeys.sh black_wallpaper.jpg book_editting.sh center.sh changedir.sh checkcrontemp.sh chiktemp chiktemp2 chiktemp3 chiktemp4 cw.sh date-2-masslog.sh Desktop docprocessor.sh Documents Downloads eth96l ethnow.sh for_newfull getaddress.sh getbook.sh getchik.sh getlovecraft.sh getsource.sh history_su ifempty.sh if.sh infinite_alarm.sh infinite_sav.sh keys_authoring.sh lambda2.sh lambda.sh lesserlog.sh lesslog.sh majlog.sh map-math.sh map.sh mem_encoder.sh mem_player.sh Music mypoeticside new_subject.sh new_texts organism-quotes Pictures poe-poems POS_file.sh Public quicklisp quotes_switcher.sh randomfooterwp.sh random_sentence.sh random-test.sh read.sh result2.png result.png rip_pic.sh sav_wp.sh say_loop.sh screenshot2.sh screenshot.sh sed1JnlSk sent_compressor.sh simple_az_loop.sh simple_for_loop.sh simple_for_savitri.sh simple_infinite_loop2.sh simple_infinite_loop3.sh simple_infinite_loop.sh SITEMAP sourcerer.sh Steam subject_grouping.sh subject_tagging_keys.sh subject_tagging_newfull.sh subject_tagging.sh T1_wp.sh temp temp4 temp_christ Templates temp-wordlist temp-wordlist2 terminal_colors2.sh terminal_colors.sh test15.sh test_for_loop.sh test.sh timestamp.sh Videos walt-poems when.sh wikipedia-extractor.sh will-wordsworth-poems WORDLIST wordlist-backup-daily.sh wordlist-backup.sh wordlisteditcode.sh wordlistedit.sh wordlisteditxed.sh wp_maker.sh xdo_download_agenda_audio.sh xdo_grab_agenda.sh *

1.jk - Endymion - Book III, #Keats - Poems, #John Keats, #Poetry
  Of ancient Nox;then Skeletons of man,
  Of beast, behemoth, and leviathan,

1.pbs - Alastor - or, the Spirit of Solitude, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And thou, colossal Skeleton, that, still
  Guiding its irresistible career

1.pbs - Oedipus Tyrannus or Swellfoot The Tyrant, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  The interior of the Temple of Famine. The statue of the Goddess, a Skeleton clothed in parti-coloured rags, seated upon a heap of skulls and loaves intermingled. A number of exceedingly fat Priests in black garments arrayed on each side, with marrow-bones and cleavers in their hands. [Solomon, the Court Porkman.] A flourish of trumpets.
  Enter Mammon as arch-priest, Swellfoot, Dakry, Purganax, Laoctonos, followed by Iona Taurina guarded. On the other side enter the Swine.
  --
  When thou liftest thy Skeleton form,
   When the loaves and the skulls roll about,

1.pbs - Prometheus Unbound, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Their monstrous works, and uncouth Skeletons,
  Their statues, homes and fanes; prodigious shapes

1.pbs - Saint Edmonds Eve, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  From St. Edmonds shrine, lo! a Skeletons hand,
  Points to the black marble tomb.

1.pbs - Sister Rosa - A Ballad, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And her Skeleton form the dead Nun reared
  Which dripped with the chill dew of hell.
  --
  And her Skeleton lungs did utter the sound,
  So deadly, so lone, and so fell,

1.pbs - Song. To -- [Harriet], #unset, #Arthur C Clarke, #Fiction
  And in Skeleton grasp his fell sceptre extending,
  Like the heart-stricken deer to that loved covert wending,

1.pbs - The Daemon Of The World, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Hath then the iron-sceptred Skeleton,
  Whose reign is in the tainted sepulchres,
  --
  Shadows, and Skeletons, and fiendly shapes,
  Thronging round human graves, and o'er the dead

1.pbs - The Mask Of Anarchy, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  And Anarchy, the Skeleton,
  Bowed and grinned to every one,

1.pbs - The Spectral Horseman, #Shelley - Poems, #Percy Bysshe Shelley, #Fiction
  Then he shakes from his Skeleton folds the nightmares,
  Who, shrieking in agony, seek the couch

1.rb - Paracelsus - Part II - Paracelsus Attains, #Browning - Poems, #Robert Browning, #Poetry
  A bare and Skeleton framework. Had we means
  Answering to our mind! But now I seem

1.rb - Sordello - Book the Sixth, #Browning - Poems, #Robert Browning, #Poetry
  And Alberic's huge Skeleton unhearsed
  Only five years ago. He added, "June 's

1.rmpsd - In the worlds busy market-place, O Shyama, #unset, #Arthur C Clarke, #Fiction
  Their frames are human Skeletons,
     their sails of the the three gunas made;

1.wby - In Memory Of Eva Gore-Booth And Con Markiewicz, #Yeats - Poems, #William Butler Yeats, #Poetry
  When withered old and Skeleton-gaunt,
  An image of such politics.

1.whitman - As I Sat Alone By Blue Ontarios Shores, #Whitman - Poems, #unset, #Zen
   The track strew'd with the dust of Skeletons;
   By the roadside others disdainfully toss'd.

1.whitman - Passage To India, #Whitman - Poems, #unset, #Zen
   You, strew'd with the wrecks of Skeletons, that, living, never
      reach'd you.

1.whitman - Spain 1873-74, #Whitman - Poems, #unset, #Zen
  Out of the feudal wrecks, and heap'd-up Skeletons of kings,
  Out of that old entire European debristhe shatter'd mummeries,

1.ww - Fidelity, #Wordsworth - Poems, #unset, #Zen
  A human Skeleton on the ground;
  The appalled Discoverer with a sigh          

1.ww - Yew-Trees, #Wordsworth - Poems, #unset, #Zen
  Silence and Foresight, Death the Skeleton
  nd Time the Shadow; there to celebrate,

2.02 - THE EXPANSION OF LIFE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  at external consolidation was an internal Skeleton still entirely
  cartilaginous. As we go back, the vertebrates appear less and less

2.03 - DEMETER, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  instance, or functional modifications of the Skeleton. Guided by
  orthogenesis affecting the coloration and nervation of wings,
  --
  sorts out the fragments or even the Skeleton of a structure in the
  living world. But because the lines thus traced correspond only
  --
  ment of the organs, an external, chitinous Skeleton is a bad solu-
  tion. In spite of repeated moultings it imprisons the organs :

2.14 - ON THE LAND OF EDUCATION, #Thus Spoke Zarathustra, #Friedrich Nietzsche, #Philosophy
  and I flew away when the Skeleton beckoned to me
  lovingly. Rather would I be a day laborer in Hades

2.19 - THE MASTER AND DR. SARKAR, #The Gospel of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  MASTER: "Once, a long time ago, I was very ill. I was sitting in the Kli temple. I felt like praying to the Divine Mother to cure my illness, but couldn't do so directly in my own name. I said to Her, 'Mother, Hriday asks me to tell You about my illness.' I could not proceed any farther. At once there flashed into my mind the Museum of the Asiatic Society, and a human Skeleton strung together with wire. I said to Her, 'Please tighten the wire of my body like that, so that I may go about singing Your name and glories.' It is impossible for me to ask for occult powers.
  "At first Hriday asked me-I was then under his control-to pray to the Mother for powers.

3.00.2 - Introduction, #The Practice of Psycho therapy, #Carl Jung, #Psychology
  and psychoses but also forms the Skeleton in the cupboard of
  innumerable people who are not really pathological. We are so accustomed

3.02 - THE DEPLOYMENT OF THE NOOSPHERE, #The Phenomenon of Man, #Pierre Teilhard de Chardin, #Christianity
  and our own infancy that we are finding, not only the Skeleton
  of modern man already there, but the framework of modem
  --
  itself, but rejoicing in so doing. So the examination of Skeletons
  and skulls has not led us astray. In the Upper Quaternary

33.14 - I Played Football, #Collected Works of Nolini Kanta Gupta - Vol 07, #Nolini Kanta Gupta, #Integral Yoga
   I have just now spoken of two things, grammar and rhythm; style is mainly a matter of rhythm but it presumes grammar, for you cannot have a good style without taking note of grammar. Grammar is like the! Skeleton and bony structure in a man's body; without that support and foundation, the body becomes limp like a mass of flesh. By grammar I mean the right arrangement of the different limbs. Whether it be tennis or cricket or any other game, or even ordinary jumping and running, one must know in minute detail and apply in practice the knowledge as to how the arms and the chest and the back and abdomen are to be held, in what position the legs should be, down to the smallest fingers and toes. And it is not enough that you control the separate movements of the different parts of the body, you have to combine all these movements into a single harmonious whole and give them a fine well-formed and one-pointed rhythm. This last quality is what characterises rhythm or style. It' is said that the style is the man. It is really something that belongs to the inner man; in a game, it is a quality of the inner body-consciousness. It needs a harmony between the consciousness of the body and the inner vital being, it implies a natural sense of measure and rhythm. - In our days, we did not know anything of all this. We did have the gift of imagination and feeling, but now is the day of science. You have the great good fortune that you can now acquire both these gifts, effect between the two a supreme synthesis and harmony and arrive at a higher fulfilment.
   ***

3-5 Full Circle, #unset, #Arthur C Clarke, #Fiction
  4. Kenneth E. Boulding, "General Systems Theory-The Skeleton of Science " in Modern Systems Research for the Behauioral Scientist.
  5. James B. Conant, Two Modes of Thought--My Encounters with Science and Education, R. N. Anshen, ed., Trident Press, New York, 1964.

3.7.2.05 - Appendix I - The Tangle of Karma, #Essays In Philosophy And Yoga, #Sri Aurobindo, #Integral Yoga
  For what we understand by law is a single immutably habitual movement or recurrence in Nature fruitful of a determined sequence of things and that sequence must be clear, precise, limited to its formula, invariable. If it is not that, if there is too much flexibility of movement, if there intervenes too embarrassing a variety or criss-cross of action and reaction, a too rich complex of forces, the narrow uncompromising incompetence of our logical intelligence finds there not law but an incertitude and a chaos. Our reason must be allowed to cut and hew and arbitrarily select its suitable circumstances, isolate its immutable data, Skeletonise or mechanise life; otherwise it stands open-mouthed at a loss unable to think with precision or act with effect in a field of subtle and indefinite measures. It must be allowed to deal with mighty Nature as it deals with human society, politics, ethics, conduct; for it can understand and do good work only where it is licensed to build and map out its own artificial laws, erect a clear, precise, rigid, infallible system and leave as little room as possible for the endless flexibility and variety and complexity that presses from the Infinite upon our mind and life. Moved by this need we endeavour to forge for our own souls and for the cosmic Spirit even such a single and inflexible law of Karma as we would ourselves have made, had the rule of the world been left to us.Not this mysterious universe would we have made, but the pattern of a rational cosmos fitted to our call for a simple definite guidance in action and for a well-marked thumb rule facile and clear to our limited intelligence. But this force we call Karma turns out to be no such precise and invariable mechanism as we hoped; it is rather a thing of many planes that changes its face and walk and very substance as it mounts from level to higher level, and on each plane even it is not one movement but an indefinite complex of many spiral movements hard enough for us to harmonise together or to find out whatever secret harmony unknown to us and incalculable these complexities are weaving out in this mighty field of the dealings of the soul with Nature.
  Let us then call Karma no longer a Law, but rather the many-sided dynamic truth of all action and life, the organic movement here of the Infinite. That was what the ancient thinkers saw in it before it was cut and shredded by lesser minds and turned into an easy and misleading popular formula. Action of Karma follows and takes up many potential lines of the spirit into its multitudinous surge, many waves and streams of combining and disputing world-forces; it is the processus of the creative Infinite; it is the long and multiform way of the progression of the individual and the cosmic soul in Nature. Its complexities cannot be unravelled by our physical mind ever bound up in the superficial appearance, nor by our vital mind of desire stumbling forward in the cloud of its own instincts and longings and rash determinations through the maze of these myriad favouring and opposing forces that surround and urge and drive and hamper us from the visible and invisible worlds. Nor can it be perfectly classified, accounted for, tied up in bundles by the precisions of our logical intelligence in its inveterate search for clear-cut dogmas. On that day only shall we perfectly decipher what is now to us Natures obscure hieroglyph of Karma when there rises in our enlarged consciousness the supramental way of knowledge. The supramental eye can see a hundred meeting and diverging motions in one glance and envelop in the largeness of its harmonising vision of Truth all that to our minds is clash and opposition and the collision and interlocked strife of numberless contending truths and powers. Truth to the supramental sight is at once single and infinite and the complexities of its play serve to bring out with an abundant ease the rich significance of the Eternals many-sided oneness.

38.05 - Living Matter, #Collected Works of Nolini Kanta Gupta - Vol 08, #unset, #Zen
   Like a huge Skeleton lies the wet shore of the river,
   The mere bones as it were, bereft of flesh, of dead earth:

4.02 - Existence And Character Of The Images, #Of The Nature Of Things, #Lucretius, #Poetry
  The Skeleton?- How tiny thus they are!
  And what besides of those first particles

4.04 - Conclusion, #The Archetypes and the Collective Unconscious, #Carl Jung, #Psychology
  down a naked Skeleton. This is buried, but at night a lily grows
  out of the grave, and from its cup there rises a white lady, who

5.2.01 - Word-Formation, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
  The language of man is not framed on earth, but in heaven, as indeed are all things that the soul uses in this mortal journey. By the threefold energy of eternal truth, manifesting force and sustaining delight everything is created as a type in the world of , the mahat of the ancients, in the principle of self-manifest and perfectly arranged knowledge, it is diversely developed by the more discursive but less surefooted agencies of intellectual mind. Imagination hunts after new variations, memory and association corrupt, analogy perverts, sensation, emotion, pleasure seize violent and partial satisfaction. Hence, change, decay, death, rebirth,the law of the world. All this takes place in the descent into the worlds of mind and the worlds of matter. Therefore mankind has one original language based on certain eternal types of sound, developed by certain laws of rhythmic variation, perfectly harmonious and symmetrical in its structure and evolution. This is the devabhasha and is spoken in the Satya yuga. Then it suffers change, detrition, collapse. Innumerable languages, dialects, vernaculars are born. The guardians of the sacred language attempt always to bring back the early purity, but even they cannot do it; they reconstruct it from time to time, compromise with the new tendencies, preserve something of the Skeleton, lose the flesh, blood, sinew, much of the force & spirit. This reconstructed language they call Sanskrit; all else Prakrit.
  The backbone of the Skeleton is composed of the roots of the original language that survive; the rest is the various principles of word-formation. Accordingly in the languages of the world which are nearest to the old sacred language, the ancient Aryan languages, there is one common element,the roots, the elemental word-formations from the roots and so much of the original significance as survives variety of mental development playing on different lines and to different purposes. The object of this treatise is to provide a reasoned basis, built up on the facts of the old languages, Sanscrit, Greek, Latin, German, Celtic, Tamil, Persian, Arabic, for a partial reconstruction, not of the original devabhasha, but of the latest forms commonly original to the variations in these languages. I shall take the four languages, Sanscrit, Greek, Latin and Tamil first, to build up my scheme and then support it by the four other tongues. I omit all argument and handling of possible objections, because the object of this work is suggestive and constructive only, not apologetic. When the whole scheme is stated and has been worked out on a more comprehensive scale than is possible in the limits I have here set myself, the time will come for debate. Over an uncompleted exegesis, it would be premature.
  I shall first indicate the principle on which the roots of the devabhasha were formed. All shabda (vak) as it manifests out of the akasha by the force of Matariswan, the great active and creative energy, and is put in its place in the flux of formed things (apas) carries with it certain definite significances (artha). These are determined by the elements through which it has passed. Shabda appears in the akasha, travels through vayu, the second element in which sparsha is the vibration; by the vibrations of sparsha, it creates in tejas, the third element, certain forms, and so arrives into being with these three characteristics, first, certain contactual vibrations, secondly, a particular kind of tejas or force, thirdly, a particular form. These determine the bhava or general sensation it creates in the mind and from that sensation develop its various precise meanings according to the form which it is used to create.

5.4.01 - Notes on Root-Sounds, #Vedic and Philological Studies, #Sri Aurobindo, #Integral Yoga
   Skeleton (to contain)
   body (to contain)

Appendix 4 - Priest Spells, #Advanced Dungeons and Dragons 2E, #unset, #Zen
        This spell creates the lowest of the undead monsters, Skeletons or zombies, usually from the bones or bodies of dead humans, demihumans, or humanoids. The spell causes these remains to become animated and obey the simple verbal commands of the caster, regardless of how they communicated in life. The Skeletons or zombies can follow the caster, remain in an area and attack any creature (or just a specific type of creature) entering the place, etc. The undead remain animated until they are destroyed in combat or are turned; the magic cannot be dispelled.
        The priest can animate one Skeleton or one zombie for each experience level he has attained. If creatures with more than 1+ Hit Dice are animated, the number is determined by the monster Hit Dice. Skeletal forms have the Hit Dice of the original creature, while zombie forms have 1 more Hit Die. Thus, a 12th-level priest could animate 12 dwarven Skeletons (or six zombies), four zombie gnolls, or a single zombie fire giant. Note that
        this is based on the standard racial Hit Die norm; thus, a high-level adventurer would be animated as a Skeleton or zombie of 1 or 2 Hit Dice, and without special class or racial abilities. The caster can, alternatively, animate two small animal Skeletons (1-1 Hit Die or less) for every level of experience he has achieved.
        The spell requires a drop of blood, a piece of flesh of the type of creature being animated, and a pinch of bone powder or a bone shard to complete the spell. Casting this spell is not a good act, and only evil priests use it frequently.

BOOK II. -- PART III. ADDENDA. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
   Skeleton and the Skeletons of the most highly developed apes is a sufficiently convincing proof."
  The consequence of these facts, from the point of view of the logical application of the law of
  --
  us the discovery of the giant Skeleton of an Atlantean, 30ft. high, as the fossil of a pithecoid "missing
  link": only the former is more probable.
  --
  discovered, but the oldest known human sculls and Skeletons which date from the
  Glacial period, and are probably at least 100,000 years old, show no very decided
  --
  the Darwinian theory.* But if the Skeletons of man should, at any time, be discovered in the Eocene
  strata, but no fossil ape, thereby proving the existence of man prior to the anthropoid -- then
  --
  "While we can trace the Skeletons of Eocene mammals through several directions of specialization in
  succeeding Tertiary times, man presents the phenomenon of an unspecialized Skeleton which cannot
  fairly be connected with any of these lines." ("Origin of the World," p. 39, by Sir W. Dawson, LL.D.,
  --
  religion the world over, without mentioning the Occultists. The "specialized Skeleton" is sought for in
  the wrong place, where it can never be found. It is expected to be discovered in the physical remains of
  --
  rise and fall of civilization and religion. The fact that no traces of human relics or Skeletons are so far
  found beyond post-tertiary or "Quaternary" times -- though Abbe Bourgeois' flints may serve as a
  --
  "unspecialized Skeleton" truly! And this mistake is due to a stubborn rejection of the doctrine of
  cycles.
  --
  Europe? How many thousand years ago did the seventeen men live whose Skeletons were exhumed in
  the Department of the Haute Garonne, in a squatting posture near the remains of a coal fire, with some
  --
  tomb of the neolithic age . . . . a Skeleton of extraordinary size was found in 1807," and that it was
  attri buted to a king of Scotland, Albus McGaldus.
  --
  athletic, with a strongly built Skeleton . . ." etc. ("Man before Metals," p. 353).
  ** "On the shores of the lake of Beauce," says the Abbe Bourgeois, "man lived in the midst of a fauna
  --
  That no gigantic Skeletons have been hitherto found in the "tombs" is yet no reason to say there never
  were the remains of giants in them. Cremation was universal till a comparatively recent period -- some
  --
  Nevertheless, the classics, as shown elsewhere, often speak of giant Skeletons still excavated in their
  day. Besides this, human fossils may be counted on the fingers, as yet. No Skeleton ever yet found is
  older than between 50, or 60,000 years,*** and man's size was reduced from 15 to 10 or 12 feet, ever
  --
  *** 57,000 years is the date assigned by Dr. Dowler to the remains of the human Skeleton, found
  buried beneath four ancient forests at New Orleans on the banks of the Mississippi river.
  --
  gigantic men should rest on footprints alone. Over and over again, the Skeletons of hypothetical giants
  have been identified with those of elephants and mastodons. But all such blunders before the days of
  --
  for the great stature evidenced by their old Skeletons, as well as by those of their European congeners
  the Cro-Magnon Palaeolithic men.

BOOK I. -- PART I. COSMIC EVOLUTION, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  given in this volume, adding a Skeleton outline of them, in the hope of thereby rendering the task of
  the student more easy, by placing before him in a few words the general conception therein explained.

BOOK I. -- PART III. SCIENCE AND THE SECRET DOCTRINE CONTRASTED, #The Secret Doctrine, #H P Blavatsky, #Theosophy
  consecutive in order of time. In the first Section the Stanzas which form the Skeleton of the exposition
  are given, and certain important points commented upon and explained. In the subsequent sections

Liber 111 - The Book of Wisdom - LIBER ALEPH VEL CXI, #unset, #Arthur C Clarke, #Fiction
   Formalism; and indeed thou must work upon a certain Skeleton, but
   clo the it with live Flesh.

Liber 46 - The Key of the Mysteries, #unset, #Arthur C Clarke, #Fiction
   covered with funereal marble! Men have found Skeletons turned over,
   convulsed, twisted, and they have said, "Here are men who have been
  --
   Skeleton of a colossal ox. But he told all that with an accent of
   truth, a certainty of having seen, which excluded every kind of doubt

LUX.03 - INVOCATION, #Liber Null, #Peter J Carroll, #Occultism
  Saturn, the God of Death, might be invoked in the following manner. The initiate first prepares himself by fasting, sleeplessness, and exhaustion. He retires to chamber, which is in near total darkness, being illuminated only by three sticks of a resinous, cloying, musty incense. He weighs his body down by wrapping sheets of lead around his limbs, trunk, and head. Otherwise his body is cold and naked. To a slow, monotonous drumbeat, he conducts a mock burial of himself. With extreme caution he may take small quantities of atropine-like solanum alkaloids. Then he meditates on himself in the aspect of a corpse or Skeleton arising slowly from the tomb in a tattered winding sheet and assuming his scy the of office.
  In works of invocation, nothing succeeds like excess.

Sayings of Sri Ramakrishna (text), #Sayings of Sri Ramakrishna, #Sri Ramakrishna, #Hinduism
  talking of God with others. At one time, I remember, I was reduced to a Skeleton, yet I would hold
  conversations on spiritual subjects for hours, without feeling that I had a body.
  --
  dreadful disease of cancer in the throat had already reduced him to a mere Skeleton, Narendra, thedisciple (the future Swami Vivekananda), felt a curious inclination to test the Master's oft-repeated
  assertion of his being an Incarnation. So he said to himself: "If in the midst of this dreadful physical

Sophist, #unset, #Arthur C Clarke, #Fiction
  Once more, while we readily admit that the world is relative to the mind, and the mind to the world, and that we must suppose a common or correlative growth in them, we shrink from saying that this complex nature can contain, even in outline, all the endless forms of Being and knowledge. Are we not 'seeking the living among the dead' and dignifying a mere logical Skeleton with the name of philosophy and almost of God? When we look far away into the primeval sources of thought and belief, do we suppose that the mere accident of our being the heirs of the Greek philosophers can give us a right to set ourselves up as having the true and only standard of reason in the world? Or when we contemplate the infinite worlds in the expanse of heaven can we imagine that a few meagre categories derived from language and invented by the genius of one or two great thinkers contain the secret of the universe? Or, having regard to the ages during which the human race may yet endure, do we suppose that we can anticipate the proportions human knowledge may attain even within the short space of one or two thousand years?
  Again, we have a difficulty in understanding how ideas can be causes, which to us seems to be as much a figure of speech as the old notion of a creator artist, 'who makes the world by the help of the demigods' (Plato, Tim.), or with 'a golden pair of compasses' measures out the circumference of the universe (Milton, P.L.). We can understand how the idea in the mind of an inventor is the cause of the work which is produced by it; and we can dimly imagine how this universal frame may be animated by a divine intelligence. But we cannot conceive how all the thoughts of men that ever were, which are themselves subject to so many external conditions of climate, country, and the like, even if regarded as the single thought of a Divine Being, can be supposed to have made the world. We appear to be only wrapping up ourselves in our own conceitsto be confusing cause and effectto be losing the distinction between reflection and action, between the human and divine.

Talks With Sri Aurobindo 1, #unset, #Arthur C Clarke, #Fiction
  SRI AUROBINDO: Oh, that is the Skeleton of English poetry.
  NIRODBARAN: Sahana says some of Tagore's dramas have creative force.

The Act of Creation text, #The Act of Creation, #Arthur Koestler, #Psychology
  subde and complex action of a novel there is a primitive Skeleton,
  without committing Use majesti, or foolishly assuming that the plot
  --
  Parsimony in memory-formation demands that only a mere Skeleton
  of the complex original experience should be retained on the highest

The Circular Ruins, #Labyrinths, #Jorge Luis Borges, #Poetry
  He dreamed that it was warm, secret, about the size of a clenched fist, and of a garnet color within the penumbra of a human body as yet without face or sex; during fourteen lucid nights he dreampt of it with meticulous love. Every night he perceived it more clearly. He did not touch it; he only permitted himself to witness it, to observe it, and occasionally to rectify it with a glance. He perceived it and lived it from all angles and distances. On the fourteenth night he lightly touched the pulmonary artery with his index finger, then the whole heart, outside and inside. He was satisfied with the examination. He deliberately did not dream for a night; he took up the heart again, invoked the name of a planet, and undertook the vision of another of the principle organs. Within a year he had come to the Skeleton and the eyelids. The innumerable hair was perhaps the most difficult task. He dreamed an entire man--a young man, but who did not sit up or talk, who was unable to open his eyes. Night after night, the man dreamt him asleep.
  In the Gnostic cosmosgonies, demiurges fashion a red Adam who cannot stand; as a clumsy, crude and elemental as this Adam of dust was the Adam of dreams forged by the wizard's nights. One afternoon, the man almost destroyed his entire work, but then changed his mind. (It would have been better had he destroyed it.) When he had exhausted all supplications to the deities of earth, he threw himself at the feet of the effigy which was perhaps a tiger or perhaps a colt and implored its unknown help. That evening, at twilight, he dreamt of the statue. He dreamt it was alive, tremulous: it was not an atrocious bastard of a tiger and a colt, but at the same time these two firey creatures and also a bull, a rose, and a storm. This multiple god revealed to him that his earthly name was Fire, and that in this circular temple (and in others like it) people had once made sacrifices to him and worshiped him, and that he would magically animate the dreamed phantom, in such a way that all creatures, except Fire itself and the dreamer, would believe to be a man of flesh and blood. He commanded that once this man had been instructed in all the rites, he should be sent to the other ruined temple whose pyramids were still standing downstream, so that some voice would glorify him in that deserted ediface. In the dream of the man that dreamed, the dreamed one awoke.

The Dwellings of the Philosophers, #unset, #Arthur C Clarke, #Fiction
  When the coffin lid was raised, only a Skeleton was found surrounded by a blackish soot
  mixed with dust... Strangely enough, neither the insignias of his charge, nor his sword, nor his
  --
  femurs, scattered bones or complete Skeletons of alchemical iconography; like these they are
  called crow heads. It is the common epithet applied to decomposing matters, matters being
  --
  interesting woodcut is found among the plates illustrating the text. It represents a Skeleton
  surrounded with images meant to mark out the planetary correspondences "with the parts of
  --
  except some sculpted corbels, crude, half-worm-eaten, miserable bony extensions, fleshless patella of a wooden Skeleton.
  (15) Thus it is still called the Milky Way. The Greek mythologists tell us that the gods walked this Way to go to the Palace of
  --
  Valentine shows us a Skeleton standing in its own coffin, in one of his Twelve Keys and he
  depicts a burial scene in another. Flamel not only illustrated the humanized symbols of the
  --
  are not looking at a dry tree simply devoid of foliage and reduced to its Skeleton: it would
  192

The Gold Bug, #unset, #Arthur C Clarke, #Fiction
  Around the new position a circle, somewhat larger than in the former instance, was now described, and we again set to work with the spades. I was dreadfully weary, but, scarcely understanding what had occasioned the change in my thoughts, I felt no longer any great aversion from the labor imposed. I had become most unaccountably interested --nay, even excited. Perhaps there was something, amid all the extravagant demeanor of Legrand --some air of forethought, or of deliberation, which impressed me. I dug eagerly, and now and then caught myself actually looking, with something that very much resembled expectation, for the fancied treasure, the vision of which had demented my unfortunate companion. At a period when such vagaries of thought most fully possessed me, and when we had been at work perhaps an hour and a half, we were again interrupted by the violent howlings of the dog. His uneasiness, in the first instance, had been, evidently, but the result of playfulness or caprice, but he now assumed a bitter and serious tone. Upon Jupiter's again attempting to muzzle him, he made furious resistance, and, leaping into the hole, tore up the mould frantically with his claws. In a few seconds he had uncovered a mass of human bones, forming two complete Skeletons, intermingled with several buttons of metal, and what appeared to be the dust of decayed woollen. One or two strokes of a spade upturned the blade of a large Spanish knife, and, as we dug farther, three or four loose pieces of gold and silver coin came to light.
  At sight of these the joy of Jupiter could scarcely be restrained, but the countenance of his master wore an air of extreme disappointment. He urged us, however, to continue our exertions, and the words were hardly uttered when I stumbled and fell forward, having caught the toe of my boot in a large ring of iron that lay half buried in the loose earth.
  --
  "Yes, I perceive; and now there is only one point which puzzles me. What are we to make of the Skeletons found in the hole?"
  "That is a question I am no more able to answer than yourself. There seems, however, only one plausible way of accounting for them --and yet it is dreadful to believe in such atrocity as my suggestion would imply. It is clear that Kidd --if Kidd indeed secreted this treasure, which I doubt not --it is clear that he must have had assistance in the labor. But, the worst of this labor concluded, he may have thought it expedient to remove all participants in his secret. Perhaps a couple of blows with a mattock were sufficient, while his coadjutors were busy in the pit; perhaps it required a dozen --who shall tell?"

Verses of Vemana, #is Book, #unset, #Zen
  A Brahmin will eat bone-food in which pounded Skeleton is mingled. A married woman becomes a pratlu. These give up their caste and character through excess of avarice.
  412

WORDNET



--- Overview of noun skeleton

The noun skeleton has 4 senses (no senses from tagged texts)
                  
1. skeleton ::: (something reduced to its minimal form; "the battalion was a mere skeleton of its former self"; "the bare skeleton of a novel")
2. skeleton, skeleton in the closet, skeleton in the cupboard ::: (a scandal that is kept secret; "there must be a skeleton somewhere in that family's closet")
3. skeletal system, skeleton, frame, systema skeletale ::: (the hard structure (bones and cartilages) that provides a frame for the body of an animal)
4. skeleton, skeletal frame, frame, underframe ::: (the internal supporting structure that gives an artifact its shape; "the building has a steel skeleton")


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun skeleton

4 senses of skeleton                          

Sense 1
skeleton
   => minimum, lower limit
     => extremum, peak
       => limit, limitation
         => indefinite quantity
           => measure, quantity, amount
             => abstraction, abstract entity
               => entity
     => small indefinite quantity, small indefinite amount
       => indefinite quantity
         => measure, quantity, amount
           => abstraction, abstract entity
             => entity

Sense 2
skeleton, skeleton in the closet, skeleton in the cupboard
   => scandal, outrage
     => trouble
       => happening, occurrence, occurrent, natural event
         => event
           => psychological feature
             => abstraction, abstract entity
               => entity

Sense 3
skeletal system, skeleton, frame, systema skeletale
   => system
     => body part
       => part, piece
         => thing
           => physical entity
             => entity

Sense 4
skeleton, skeletal frame, frame, underframe
   => supporting structure
     => structure, construction
       => artifact, artefact
         => whole, unit
           => object, physical object
             => physical entity
               => entity


--- Hyponyms of noun skeleton

2 of 4 senses of skeleton                      

Sense 3
skeletal system, skeleton, frame, systema skeletale
   => endoskeleton
   => exoskeleton

Sense 4
skeleton, skeletal frame, frame, underframe
   => chassis
   => hoop


--- Synonyms/Hypernyms (Ordered by Estimated Frequency) of noun skeleton

4 senses of skeleton                          

Sense 1
skeleton
   => minimum, lower limit

Sense 2
skeleton, skeleton in the closet, skeleton in the cupboard
   => scandal, outrage

Sense 3
skeletal system, skeleton, frame, systema skeletale
   => system

Sense 4
skeleton, skeletal frame, frame, underframe
   => supporting structure




--- Coordinate Terms (sisters) of noun skeleton

4 senses of skeleton                          

Sense 1
skeleton
  -> minimum, lower limit
   => skeleton

Sense 2
skeleton, skeleton in the closet, skeleton in the cupboard
  -> scandal, outrage
   => skeleton, skeleton in the closet, skeleton in the cupboard
   HAS INSTANCE=> Teapot Dome, Teapot Dome scandal
   HAS INSTANCE=> Watergate, Watergate scandal

Sense 3
skeletal system, skeleton, frame, systema skeletale
  -> system
   => articulatory system
   => digestive system, gastrointestinal system, systema alimentarium, systema digestorium
   => endocrine system
   => venation, venous blood system
   => immune system
   => integumentary system
   => reticuloendothelial system, RES
   => mononuclear phagocyte system, MPS, system of macrophages
   => muscular structure, musculature, muscle system
   => musculoskeletal system
   => nervous system, systema nervosum
   => central nervous system, CNS, systema nervosum centrale
   => peripheral nervous system, systema nervosum periphericum
   => reproductive system, genital system
   => urogenital system, urogenital apparatus, urinary system, urinary apparatus, genitourinary system, genitourinary apparatus, systema urogenitale, apparatus urogenitalis
   => respiratory system, systema respiratorium
   => sensory system
   => tract
   => vascular system
   => skeletal system, skeleton, frame, systema skeletale

Sense 4
skeleton, skeletal frame, frame, underframe
  -> supporting structure
   => framework
   => skeleton, skeletal frame, frame, underframe
   => support




--- Grep of noun skeleton
appendicular skeleton
axial skeleton
cytoskeleton
endoskeleton
exoskeleton
skeleton
skeleton fork fern
skeleton in the closet
skeleton in the cupboard
skeleton key
skeleton shrimp



IN WEBGEN [10000/633]

Wikipedia - Adam Pengilly -- British skeleton racer
Wikipedia - Ahkiyyini -- Skeleton spirit in Inuit mythology
Wikipedia - Alain Wicki -- Swiss skeleton racer
Wikipedia - Aleksandr Tretyakov (skeleton racer) -- Russian skeleton racer
Wikipedia - Alessandro del Torso -- Italian skeleton racer
Wikipedia - Alexander Berner -- Swiss skeleton racer
Wikipedia - Alexander Muller (skeleton racer) -- Austrian skeleton racer
Wikipedia - Alexandros Kefalas -- Greek skeleton racer
Wikipedia - Alex Coomber -- British skeleton racer
Wikipedia - Algorithmic skeleton
Wikipedia - Ander Mirambell -- Spanish skeleton racer
Wikipedia - Anja Huber -- German skeleton racer
Wikipedia - Anna FernstM-CM-$dtova -- Czech skeleton racer
Wikipedia - Anthony Deane (skeleton racer) -- Australian skeleton racer
Wikipedia - Appendicular skeleton -- The portion of the skeleton of vertebrates consisting of the bones or cartilage that support the appendages
Wikipedia - Arthropod -- Phylum of invertebrates with jointed exoskeletons
Wikipedia - Ashleigh Fay Pittaway -- German-British skeleton racer
Wikipedia - A Skeleton Key to Finnegans Wake
Wikipedia - Axel Jungk -- German skeleton racer
Wikipedia - Axial skeleton -- The part of the skeleton that consists of the bones of the head and trunk of a vertebrate
Wikipedia - Axioappendicular muscles -- Muscles that extend between the axial and (superior or inferior) appendicular skeletons
Wikipedia - Beachy Head Lady -- The skeleton of a woman from Roman Sussex, dating to the 3rd century
Wikipedia - Ben Sandford -- New Zealand skeleton racer
Wikipedia - Black coral -- Order of soft deep-water corals with chitin skeletons
Wikipedia - Blue coral -- A species of octocoral which produces a massive stony skeleton
Wikipedia - Bobsleigh and Skeleton Australia -- Governing body for bobsleigh and skeleton in Australia
Wikipedia - Bone -- Rigid organs that constitute part of the endoskeleton of vertebrates
Wikipedia - Brady Canfield -- American skeleton racer
Wikipedia - Bree Schaaf -- American bobsledder and skeleton racer
Wikipedia - Bruce Sandford -- New Zealand skeleton racer
Wikipedia - Chris Soule -- American skeleton racer
Wikipedia - Christian Auer -- Austrian skeleton racer
Wikipedia - Christian Fischbacher -- Swiss skeleton racer
Wikipedia - Christian Steger -- Italian skeleton racer
Wikipedia - Christopher Grotheer -- German skeleton racer
Wikipedia - Cindy Ninos -- Greek skeleton racer
Wikipedia - Coast of Skeletons -- 1964 film
Wikipedia - Coral reef -- Outcrop of rock in the sea formed by the growth and deposit of stony coral skeletons
Wikipedia - Costanza Zanoletti -- Italian skeleton racer
Wikipedia - Courtney Yamada-Anderson -- American skeleton racer
Wikipedia - C. William Johnson -- American skeleton racer
Wikipedia - Cytoskeleton -- Network of filamentous proteins that forms the internal framework of cells
Wikipedia - Daniel Maechler -- Swiss skeleton racer
Wikipedia - Dany Locati -- Italian skeleton racer
Wikipedia - David Connolly (skeleton racer) -- Irish skeleton racer
Wikipedia - Desiree Bjerke -- Norwegian skeleton racer
Wikipedia - Dialma Balsegia -- Swiss skeleton racer
Wikipedia - Diana Sartor -- German skeleton racer
Wikipedia - Dorin Dumitru Velicu -- Romanian skeleton racer
Wikipedia - Draft:Sidewalks and Skeletons -- discography|
Wikipedia - Duff Gibson -- Canadian skeleton racer
Wikipedia - Durophagy -- Eating of hard-shelled or exoskeleton bearing organisms, such as corals, shelled mollusks, or crabs
Wikipedia - Elena Nikitina -- Russian skeleton racer
Wikipedia - Emma Lincoln-Smith -- Australian skeleton racer
Wikipedia - Eric Bernotas -- American skeleton racer
Wikipedia - Eric Neilson (skeleton racer) -- Canadian skeleton racer
Wikipedia - Exoskeleton -- External skeleton of an organism
Wikipedia - Fairchilds Maccarthy -- American skeleton racer
Wikipedia - Felix Keisinger -- German skeleton racer
Wikipedia - Felix Poletti -- Swiss skeleton racer
Wikipedia - Flavan-3-ol -- Any chemical compound having a flavan skeleton as a core structure with a hydroxy group attached in 3 position
Wikipedia - Frank Kleber -- German skeleton racer
Wikipedia - Frank Rommel -- German skeleton racer
Wikipedia - Gert ElsM-CM-$sser -- Austrian skeleton racer
Wikipedia - Giovanni Mulassano -- Italian skeleton racer
Wikipedia - Gottfried KM-CM-$gi -- Swiss skeleton racer
Wikipedia - Gregor StM-CM-$hli -- Swiss skeleton racer
Wikipedia - Gregory Saint-Genies -- French skeleton racer
Wikipedia - Greg West (skeleton racer) -- American skeleton racer
Wikipedia - Helioporacea -- An order of octocorals that forms massive calcareous skeletons
Wikipedia - Hiroatsu Takahashi -- Japanese skeleton racer
Wikipedia - Hugo Kuranda -- Austrian skeleton racer
Wikipedia - Human skeleton -- Internal framework of the human body
Wikipedia - Hydrostatic skeleton -- Flexible skeleton supported by fluid pressure
Wikipedia - International Bobsleigh and Skeleton Federation -- International sport governing body
Wikipedia - Iron Man's armor -- Fictional powered exoskeleton worn by the comic book character Iron Man
Wikipedia - Jacqueline Lolling -- German skeleton racer
Wikipedia - Jane Channell -- Canadian skeleton racer
Wikipedia - Janine Flock -- Austrian skeleton racer
Wikipedia - Jennison Heaton -- American bobsledder and skeleton racer
Wikipedia - Jeong Sophia -- South Korean skeleton racer
Wikipedia - Jessica Kilian -- Swiss skeleton racer
Wikipedia - John Crammond -- British skeleton racer
Wikipedia - John Daly (skeleton racer) -- American skeleton racer
Wikipedia - John Fairbairn (skeleton racer) -- Canadian skeleton racer
Wikipedia - John Farrow (skeleton racer) -- Australian skeleton racer
Wikipedia - Josef Chuchla -- Czech skeleton racer
Wikipedia - Joseph Luke Cecchini -- Italian skeleton racer
Wikipedia - Julia Eichhorn -- German skeleton racer
Wikipedia - Jung Seung-gi -- South Korean skeleton racer
Wikipedia - Jurg Wenger -- Swiss skeleton racer
Wikipedia - Katharina Heinz -- German skeleton racer
Wikipedia - Katie Koczynski -- American skeleton racer
Wikipedia - Katie Uhlaender -- American skeleton racer
Wikipedia - Katsuyuki Miyajima -- Japanese skeleton racer
Wikipedia - Kazuhiro Koshi -- Japanese skeleton racer
Wikipedia - Kendall Wesenberg -- American skeleton racer
Wikipedia - Kerstin Szymkowiak -- German skeleton racer
Wikipedia - Kevin Boyer -- Canadian skeleton racer
Wikipedia - Kevin Ellis (skeleton racer) -- American skeleton racer
Wikipedia - Kimber Gabryszak -- American skeleton racer
Wikipedia - Kimberley Bos -- Dutch skeleton racer
Wikipedia - Konstantin Aladashvili -- Russian bobsledder and skeleton racer
Wikipedia - Kristan Bromley -- British skeleton racer (born 1972)
Wikipedia - Lanette Prediger -- Canadian skeleton racer
Wikipedia - Lea Ann Parsley -- American skeleton racer
Wikipedia - Leanderthal Lady -- 10,000 to 13,000 year old skeleton found in Texas, USA
Wikipedia - Lee Han-sin -- South Korean skeleton racer
Wikipedia - Lelde PriedulM-DM-^Sna -- Latvian skeleton racer
Wikipedia - Lindsay Alcock -- Canadian skeleton racer
Wikipedia - List of bobsleigh, luge, and skeleton tracks -- Wikimedia list article
Wikipedia - List of bones of the human skeleton -- Wikipedia list article
Wikipedia - List of films featuring powered exoskeletons -- Wikipedia list article
Wikipedia - List of Olympic medalists in skeleton -- Wikimedia list article
Wikipedia - List of Olympic venues in skeleton -- Wikimedia list article
Wikipedia - Liz Couch -- New Zealand skeleton racer
Wikipedia - Louise Corcoran -- New Zealand skeleton racer
Wikipedia - Louis Hasenknopf -- Austrian skeleton racer
Wikipedia - Lucy (Australopithecus) -- skeleton of a female of the hominin species Australopithecus afarensis
Wikipedia - Lucy Chaffer -- Australian skeleton racer
Wikipedia - Luis Carrasco -- Mexican skeleton racer
Wikipedia - Luzia Woman -- Upper Paleolithic period skeleton of a Paleo-Indian woman
Wikipedia - Madison Charney -- Canadian skeleton racer
Wikipedia - Maggie Davies -- British skeleton racer
Wikipedia - Maria Orlova -- Russian skeleton racer
Wikipedia - Marina Gilardoni -- Swiss skeleton racer and bobsledder
Wikipedia - Marion Thees -- German skeleton racer
Wikipedia - Markus Penz -- Austrian skeleton racer
Wikipedia - Martin Rettl -- Austrian skeleton racer
Wikipedia - Martins Dukurs -- Latvian skeleton racer
Wikipedia - Matthew Antoine -- American skeleton racer
Wikipedia - Matthias Biedermann -- German male skeleton racer
Wikipedia - Matthias Guggenberger -- Austrian skeleton racer
Wikipedia - Maurizio Oioli -- Italian skeleton racer
Wikipedia - Maya Pedersen-Bieri -- Swiss-Norwegian skeleton racer
Wikipedia - Melissa Hoar -- Australian skeleton racer
Wikipedia - Mellisa Hollingsworth -- Canadian skeleton racer
Wikipedia - Michael Douglas (skeleton racer) -- Canadian skeleton racer
Wikipedia - Michael Voudouris -- Greek skeleton racer
Wikipedia - Michi Halilovic -- German skeleton racer
Wikipedia - Microtubule -- Polymer of tubulin that forms part of the cytoskeleton
Wikipedia - Milo Bigler -- Swiss skeleton racer
Wikipedia - Minnesota Woman -- 8,000 year old skeleton found in Minnesota, USA
Wikipedia - Mirela Rahneva -- Canadian skeleton racer
Wikipedia - Mollusc shell -- Exoskeleton of an animal in the phylum Mollusca
Wikipedia - Monique Riekewald -- German skeleton racer
Wikipedia - Mun Ra-young -- South Korean skeleton racer
Wikipedia - Nicola Drocco -- Italian skeleton racer
Wikipedia - Nikita Tregubov -- Russian skeleton racer
Wikipedia - Noelle Pikus-Pace -- American skeleton racer
Wikipedia - Nozomi Komuro -- Japanese skeleton racer
Wikipedia - N-skeleton
Wikipedia - Olga Potylitsina -- Russian skeleton racer
Wikipedia - Osteichthyes -- Diverse group of fish with skeletons of bone rather than a cartilage
Wikipedia - Pascal Oswald -- Swiss skeleton racer
Wikipedia - Pascal Richard (skeleton racer) -- Canadian skeleton racer
Wikipedia - Patrick Antaki -- Lebanese skeleton racer
Wikipedia - Paul Boehm -- Canadian skeleton racer
Wikipedia - Philippe Cavoret -- French skeleton racer
Wikipedia - Power Armor (Fallout) -- Fictional armored exoskeleton in the post-apocalyptic Fallout video game franchise
Wikipedia - Powered exoskeleton
Wikipedia - Prague Castle skeleton -- Archaeological find of 1928
Wikipedia - Raphael Maier -- Austrian skeleton racer
Wikipedia - Rebecca Sorensen -- American skeleton racer
Wikipedia - Red Lady of Paviland -- Partial skeleton buried c. 33,000 BP in County of Swansea, Wales
Wikipedia - Renata Khuzina -- Russian skeleton racer
Wikipedia - Rhys Thornbury -- New Zealand skeleton racer
Wikipedia - Richard Bott (skeleton racer) -- British skeleton racer
Wikipedia - Roopkund -- High altitude glacial lake in Uttarakhand, India, known as Skeletons Lake
Wikipedia - Ryan Davenport -- Canadian skeleton racer
Wikipedia - Sarah Reid (skeleton racer) -- Canadian skeleton racer
Wikipedia - Savannah Graybill -- American skeleton racer
Wikipedia - Scleractinia -- Order of Hexacorallia which produce a massive stiny skeleton
Wikipedia - Sebastian Haupt -- German skeleton racer
Wikipedia - Sergey Chudinov -- Russian skeleton racer
Wikipedia - Shaun Boyle -- Australian skeleton racer
Wikipedia - Shellfish -- Culinary and fisheries term for exoskeleton-bearing aquatic invertebrates
Wikipedia - Shoulder girdle -- Set of bones which connects the arm to the axial skeleton on each side
Wikipedia - Simidele Adeagbo -- Nigerian skeleton racer
Wikipedia - Skeleton Cave (Arizona) -- Cave in Arizona
Wikipedia - Skeleton Creek (Oklahoma) -- Stream in Oklahoma
Wikipedia - Skeleton Crew (comics) -- Fictional comic book group
Wikipedia - Skeleton (Dungeons > Dragons)
Wikipedia - Skeletonization
Wikipedia - Skeleton Key (band) -- American rock band
Wikipedia - Skeleton key -- Key that can be used to unlock a variety of warded locks
Wikipedia - Skeleton Lake (Alberta) -- Recreational lake in Alberta, Canada
Wikipedia - Skeleton of Mrs. Morales -- 1960 Mexican black comedy film by Rogelio A. Gonzalez
Wikipedia - Skeleton (sport) -- Winter sliding sport
Wikipedia - Skeleton (undead)
Wikipedia - Skeleton Warriors -- American 1994-1995 animated television series
Wikipedia - Skeleton -- Part of the body that forms the supporting structure of an organism
Wikipedia - Skull of a Skeleton with Burning Cigarette -- Painting by Vincent van Gogh
Wikipedia - Snorre Pedersen -- Norwegian skeleton racer
Wikipedia - Sophia Griebel -- German skeleton racer
Wikipedia - Spondylocostal dysostosis -- Axial skeleton growth disorder
Wikipedia - Steffi Jacob -- German skeleton racer
Wikipedia - Tanja Morel -- Swiss skeleton racer
Wikipedia - Tarsus (skeleton) -- Bones of the foot
Wikipedia - Tepexpan man -- Pre-Columbian Mexican skeleton
Wikipedia - Terry Collection -- Collection of human skeletons
Wikipedia - The Skeleton Dance -- 1929 film
Wikipedia - The Skeleton in Armor
Wikipedia - Tina Hermann -- German skeleton racer
Wikipedia - Tomass Dukurs -- Latvian skeleton racer
Wikipedia - Tricia Stumpf -- American skeleton racer
Wikipedia - Tristan Gale -- American skeleton racer
Wikipedia - Tropical geometry -- Skeletonized version of algebraic geometry
Wikipedia - Tyler Botha -- South African skeleton racer
Wikipedia - Ursi Walliser -- Swiss skeleton racer
Wikipedia - Valentina Margaglio -- Italian skeleton racer
Wikipedia - Vladislav Marchenkov -- Russian skeleton racer
Wikipedia - Vladyslav Heraskevych -- Ukrainian skeleton racer
Wikipedia - Walter Stern (athlete) -- Austrian skeleton racer
Wikipedia - Willi Schneider (skeleton racer) -- German skeleton racer
Wikipedia - Winterton Lady -- The skeleton of a woman from Roman Lincolnshire
Wikipedia - Yuki Sasahara -- Japanese skeleton racer
Wikipedia - Yulia Kanakina -- Russian skeleton racer
Wikipedia - Yuzuru Hanyuda -- Japanese skeleton racer
Wikipedia - Zach Lund -- American skeleton racer
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https://tvtropes.org/pmwiki/pmwiki.php/Film/TheLivingSkeleton
https://tvtropes.org/pmwiki/pmwiki.php/Film/TheLostSkeletonOfCadavra
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https://tvtropes.org/pmwiki/pmwiki.php/Main/FriendlySkeleton
https://tvtropes.org/pmwiki/pmwiki.php/Main/ScarySkeleton
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkeletonCrew
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkeletonGovernment
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkeletonKey
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkeletonKeyCard
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkeletonMotif
https://tvtropes.org/pmwiki/pmwiki.php/Main/SkeletonsInTheCoatCloset
https://tvtropes.org/pmwiki/pmwiki.php/Main/WaitingSkeleton
https://tvtropes.org/pmwiki/pmwiki.php/Music/Skeletonwitch
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https://en.wikiquote.org/wiki/File:Ape_skeletons.png
https://en.wikiquote.org/wiki/File:Arm_skeleton_comparative_NF_0102.5-2.png
https://en.wikiquote.org/wiki/Skeleton_Warriors
https://en.wikiquote.org/wiki/Skeleton_Warriors_(TV_series)
Skeleton Warriors (1995 - 1996) - On planet Luminaire, the Lightstar Crystal has been split in half. The Legion of Light consisting of Justin Steele(Prince Lightstar), Joshua Steele(Grimskull), Jennifer Steele(Talyn), have been endowed with great powers through their half of the Crystal. The evil Baron Dark, who gained control of th...
Funnybones (1992 - 1992) - Funnybones was a Welsh children's television series that was first aired on S4C and the BBC in 1992. It was based on the eponymous series of books by Janet & Allan Ahlberg which were illustrated by Andre Amstutz and focused on the adventures of a gang of skeletons. There was a Big Skeleton (whose ca...
Parenthood(1989) - The story of the Buckman family and friends, attempting to bring up their children. They suffer/enjoy all the events that occur: estranged relatives, the "black sheep" of the family, the eccentrics, the skeletons in the closet, and the rebellious teenagers.
Creature from the Black Lagoon(1954) - After a fossilized hand is found in the Amazon, Dr. David Reed gets funding to start an expedition to obtain the rest of the skeleton. Dr. Reed is joined by Dr. Carl Maia, the financial backer Mark Williams, Reed's girlfriend Kay Lawrence and another scientist Dr. Thompson as they board a ship named...
Dennis the Menace: Dinosaur Hunter(1987) - The first live-action film to feature Dennis was Dennis the Menace: Dinosaur Hunter, which premiered on TV in 1987, the film involved Dennis and his friends and his dog continuing their perchants for mischief until they discover a dinosaur skeleton, which Dennis dubs it as the "Dennissaurus".
The Psychic(1977) - A clairvoyant woman, inspired by a vision, smashes open a section of wall in her husband's home and finds a skeleton behind it. Along with her psychiatrist, she seeks to find the truth about who the person was and who put her there. Soon enough, she starts to realize the possibility that she may sha...
The Bullfighters(1945) - The Bullfighters is Laurel and Hardy's last Hollywood film appearence where the boys are Peoria detectives visiting Mexico. Stan became a wonderful Bullfighter. But there were gangsters who were threatening the boys to be skeletons. And they were, Resulting a gag from "Going Bye-Bye
The Lost Skeleton of Cadavra(2004) - Scientist Dr. Paul Armstrong and his wife are looking for a meteorite in the woods that contains a rare material known as atmosphereum. They are not the only ones, two aliens Kro-Bar and Lattis also need the material to get back to them and their escaped pet mutant back to their home planet, ,Anothe...
Lone Star (1996) ::: 7.4/10 -- R | 2h 15min | Drama, Mystery | 21 June 1996 (USA) -- When the skeleton of his murdered predecessor is found, Sheriff Sam Deeds unearths many other long-buried secrets in his Texas border town. Director: John Sayles Writer: John Sayles
The Late Late Show with Craig Ferguson ::: TV-14 | 40min | Comedy, Music, Talk-Show | TV Series (20052015) -- Making a satire out of the entire Late Night Show concept Scotsman Craig Ferguson hosts his show with a robot skeleton and a "horse" as his sidekicks. The show features the stereotypical parts of a Late Show, but all in their own, raw way. Stars:
The Lost Skeleton of Cadavra (2001) ::: 7.0/10 -- PG | 1h 30min | Comedy, Horror, Sci-Fi | September 2001 (USA) -- A bad scientist and wife, a mad scientist and skeleton, two aliens and their escaped pet are all searching for the elusive element "atmospherium". Director: Larry Blamire Writer:
The Skeleton Key (2005) ::: 6.5/10 -- PG-13 | 1h 44min | Drama, Horror, Mystery | 12 August 2005 (USA) -- A hospice nurse working at a spooky New Orleans plantation home finds herself entangled in a mystery involving the house's dark past. Director: Iain Softley Writer: Ehren Kruger
The Skeleton Twins (2014) ::: 6.8/10 -- R | 1h 33min | Comedy, Drama, Romance | 11 September 2014 (New Zealand) -- Having both coincidentally cheated death on the same day, estranged twins reunite with the possibility of mending their relationship. Director: Craig Johnson Writers: Craig Johnson, Mark Heyman
https://ancardia.fandom.com/wiki/Skeleton
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https://deathmarch.fandom.com/wiki/Skeleton_Archduke
https://diablo.fandom.com/wiki/Command_Skeletons
https://diablo.fandom.com/wiki/Crucified_Skeleton
https://diablo.fandom.com/wiki/Crypt_of_the_Skeleton_King
https://diablo.fandom.com/wiki/Pauldrons_of_the_Skeleton_King
https://diablo.fandom.com/wiki/Raise_Skeleton
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https://diablo.fandom.com/wiki/Skeleton_King_(Diablo_I)
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https://diablo.fandom.com/wiki/Skeleton_Mage
https://diablo.fandom.com/wiki/Skeleton_Mastery
https://diablo.fandom.com/wiki/Skeleton_Tomes
https://dungeonkeeper.fandom.com/wiki/Skeleton
https://elderscrolls.fandom.com/wiki/Argonian_Skeleton
https://elderscrolls.fandom.com/wiki/Crippled_Skeleton
https://elderscrolls.fandom.com/wiki/Darkfern_Skeleton
https://elderscrolls.fandom.com/wiki/Ice_Skeleton
https://elderscrolls.fandom.com/wiki/On_Summoning_Skeletons
https://elderscrolls.fandom.com/wiki/Sea_Serpent_Skeleton
https://elderscrolls.fandom.com/wiki/Shalk_Exoskeleton
https://elderscrolls.fandom.com/wiki/Skeleton
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https://elderscrolls.fandom.com/wiki/Skeleton_Berserker
https://elderscrolls.fandom.com/wiki/Skeleton_(Blades)
https://elderscrolls.fandom.com/wiki/Skeleton_Horse_Leg
https://elderscrolls.fandom.com/wiki/Skeleton_Key
https://elderscrolls.fandom.com/wiki/Skeleton_Key_(Oblivion)
https://elderscrolls.fandom.com/wiki/Skeleton_Key_(Skyrim)
https://elderscrolls.fandom.com/wiki/Skeleton_(Morrowind)
https://elderscrolls.fandom.com/wiki/Skeleton_(Online)
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https://elderscrolls.fandom.com/wiki/Venomous_Skeleton
https://eq2.fandom.com/wiki/Closet_Full_of_Skeletons
https://eq2.fandom.com/wiki/Lore_and_Legend:_Skeleton
https://eq2.fandom.com/wiki/Skeleton_Crew
https://eq2.fandom.com/wiki/Skeletons
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https://forgottenrealms.fandom.com/wiki/Animate_skeletons
https://forgottenrealms.fandom.com/wiki/Empower_skeleton
https://forgottenrealms.fandom.com/wiki/Enlarge_skeleton
https://forgottenrealms.fandom.com/wiki/Skeleton
https://forgottenrealms.fandom.com/wiki/Skeletons
https://gakuenalice.fandom.com/wiki/Skeleton
https://gallowmere.fandom.com/wiki/The_Prodigal_Skeleton_Returns
https://ghostsngoblins.fandom.com/wiki/Sword_Wielding_Skeleton
https://hero.fandom.com/wiki/A_Real_Magic_Skeleton
https://horse-world.fandom.com/wiki/Skeleton_Horse
https://kenshi.fandom.com/wiki/Skeleton
https://kenshi.fandom.com/wiki/The_Dancing_Skeleton
https://kingsquest.fandom.com/wiki/Skeleton
https://legouniverse.fandom.com/wiki/Skeleton_Mad_Scientist
https://list.fandom.com/wiki/Anatomy_of_Skeleton
https://list.fandom.com/wiki/Dinosaur_Skeleton
https://list.fandom.com/wiki/Dora_Skeleton
https://list.fandom.com/wiki/Powered_exoskeletons_in_fiction
https://marvel.fandom.com/wiki/Captain_America's_Exoskeleton
https://marvel.fandom.com/wiki/Skeleton_Crew_(Earth-616)
https://marvel.fandom.com/wiki/Spider-Skeleton_(Earth-616)
https://mbeanz.fandom.com/wiki/Skeleton_Bean
https://memory-alpha.fandom.com/wiki/Borg_2373_skeleton_001
https://memory-alpha.fandom.com/wiki/Exoskeleton
https://memory-alpha.fandom.com/wiki/Skeleton
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https://memory-beta.fandom.com/wiki/Exoskeleton
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https://nethack.fandom.com/wiki/Skeleton
https://ninjago.fandom.com/wiki/2519_Skeleton_Bowling
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https://ninjago.fandom.com/wiki/Skeleton
https://ninjago.fandom.com/wiki/Skeleton_figurehead
https://non-aliencreatures.fandom.com/wiki/Energy_Skeleton
https://non-aliencreatures.fandom.com/wiki/Living_Skeleton
https://non-aliencreatures.fandom.com/wiki/Living_Skeleton_(Jason_and_the_Argonauts)
https://non-aliencreatures.fandom.com/wiki/Non-alien_Creatures_Wiki?file=Skeleton-CallOfCthulhu.jpg
https://non-aliencreatures.fandom.com/wiki/Skeleton
https://non-aliencreatures.fandom.com/wiki/Skeleton_Driver
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https://non-aliencreatures.fandom.com/wiki/Skeleton_Man_(Scooby-Doo_2:_Monsters_Unleashed)
https://non-aliencreatures.fandom.com/wiki/Skeleton_Pirates
https://ok-ko.fandom.com/wiki/Skeleton_Remote_(object)
https://oldschoolrunescape.fandom.com/wiki/Skeleton_lantern
https://powerlisting.fandom.com/wiki/Reflective_Exoskeleton
https://rappelz.fandom.com/wiki/Skeleton
https://scratchpad.fandom.com/wiki/Thomas/Spooky_Scary_Skeletons_(by_Andrew_Gold)
https://serioussam.fandom.com/wiki/Kleer_Skeleton
https://starwars.fandom.com/wiki/Skeleton
https://starwars.fandom.com/wiki/Skeleton_key
https://starwars.fandom.com/wiki/"Skeleton_Key"_locksmith's_tool
https://starwars.fandom.com/wiki/Skeleton/Legends
https://tardis.fandom.com/wiki/Exoskeleton
https://tardis.fandom.com/wiki/Skeleton
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https://tardis.fandom.com/wiki/The_Skeleton_Quay_(audio_story)
https://terraria.fandom.com/wiki/Skeleton_Merchant
https://timebokan.fandom.com/wiki/Time_Skeletons
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https://villains.fandom.com/wiki/Skeletons_(folklore)
https://wednesday13.fandom.com/wiki/Skeletons
https://wowwiki-archive.fandom.com/wiki/Bleeding_Hollow_Skeleton
https://wowwiki-archive.fandom.com/wiki/Glyph_of_the_Skeleton
https://wowwiki-archive.fandom.com/wiki/Skeleton
https://wowwiki-archive.fandom.com/wiki/Skeleton_keys
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https://wowwiki-archive.fandom.com/wiki/Splinterbone_Skeleton
Active Raid: Kidou Kyoushuushitsu Dai Hachi Gakari 2nd -- -- Production IMS -- 12 eps -- Original -- Sci-Fi Comedy Police Mecha -- Active Raid: Kidou Kyoushuushitsu Dai Hachi Gakari 2nd Active Raid: Kidou Kyoushuushitsu Dai Hachi Gakari 2nd -- Set in a part of Tokyo that has descended into a quagmire, the story follows Unit 8 of the 5th Special Public Security Section's 3rd Mobile Assault Division, popularly called "The Eighth," who don powered armor "Willwear" exoskeletons to counter the rise in crime. -- -- (Source: ANN) -- 18,434 6.37
Full Metal Panic? Fumoffu -- -- Kyoto Animation -- 12 eps -- Light novel -- Action Comedy School -- Full Metal Panic? Fumoffu Full Metal Panic? Fumoffu -- Sergeant Sousuke Sagara returns to Jindai High School to protect the precious war asset, Kaname Chidori, from any threat. However, his lack of social skills and real-life experience result in comical yet dangerous situations, endangering the peaceful school life Kaname longs for. As Sousuke continues to bring a wide range of weapons to school as a means to solve threats—real or fake—Kaname struggles to fulfill her duty as the student council vice president all while keeping him in check. -- -- To ensure a successful mission, Sousuke is occasionally forced to use the costume of a famous amusement park mascot called Bonta-kun. With his technical expertise, he eventually transforms the exuberant uniform into a cutting-edge exoskeleton that has only one dysfunction: the voice translator can only produce the sound "mofu." -- -- Full Metal Panic? Fumoffu depicts the adventures of Kaname and Sousuke as they try to live their normal school lives despite the chaos they inadvertently cause. -- -- -- Licensor: -- ADV Films, Funimation -- TV - Aug 26, 2003 -- 258,935 8.06
Full Metal Panic? Fumoffu -- -- Kyoto Animation -- 12 eps -- Light novel -- Action Comedy School -- Full Metal Panic? Fumoffu Full Metal Panic? Fumoffu -- Sergeant Sousuke Sagara returns to Jindai High School to protect the precious war asset, Kaname Chidori, from any threat. However, his lack of social skills and real-life experience result in comical yet dangerous situations, endangering the peaceful school life Kaname longs for. As Sousuke continues to bring a wide range of weapons to school as a means to solve threats—real or fake—Kaname struggles to fulfill her duty as the student council vice president all while keeping him in check. -- -- To ensure a successful mission, Sousuke is occasionally forced to use the costume of a famous amusement park mascot called Bonta-kun. With his technical expertise, he eventually transforms the exuberant uniform into a cutting-edge exoskeleton that has only one dysfunction: the voice translator can only produce the sound "mofu." -- -- Full Metal Panic? Fumoffu depicts the adventures of Kaname and Sousuke as they try to live their normal school lives despite the chaos they inadvertently cause. -- -- TV - Aug 26, 2003 -- 258,935 8.06
Gaikotsu Shotenin Honda-san -- -- DLE -- 12 eps -- Web manga -- Comedy Slice of Life -- Gaikotsu Shotenin Honda-san Gaikotsu Shotenin Honda-san -- Honda is a skeleton, but more importantly, he is a bookseller. And he'll tell you from firsthand experience that the job of a bookstore employee is more challenging than it may seem to the average customer. -- -- Alongside his equally eccentric coworkers, Honda constantly deals with the stressful requirements of the bookselling industry. From the drama of receiving new titles without their bonus material to the struggle of providing quality service to customers who speak a different language, the work of a skeleton bookseller never ends. -- -- Nevertheless, despite the hardships he faces, Honda thoroughly enjoys his job and strives to bring the best book selections and service to his customers. -- -- 87,875 7.32
IS: Infinite Stratos -- -- 8bit -- 12 eps -- Light novel -- Action Sci-Fi Harem Comedy Ecchi Mecha -- IS: Infinite Stratos IS: Infinite Stratos -- An exoskeleton weapon engineered by Japan, Infinite Stratos (IS) can be piloted only by women. Its power and combat prowess are so immense that an international treaty has been signed banning its use as a military asset. -- -- When it is discovered that 15-year-old Ichika Orimura is the only male capable of steering an IS, he is forcibly enrolled in the Infinite Stratos Academy: an all-female boarding school, the students of which graduate to become IS pilots. At this training school, Ichika is reunited with two of his childhood friends, Houki Shinonono and Lingyin Huang, and befriends Cecilia Alcott, an IS representative from the United Kingdom. -- -- Guided by the legendary pilot Chifuyu Orimura—their strict homeroom teacher and Ichika's older sister—Ichika and the girls will need to use everything at their disposal to defend themselves and their academy against the dangers that will arise during the course of their thrilling school life. -- -- -- Licensor: -- Sentai Filmworks -- 520,948 6.72
https://commons.wikimedia.org/wiki/File:Mammoth_skeleton_in_NYC_Museum_of_Natural_History.jpg
https://commons.wikimedia.org/wiki/File:The_figure_of_a_man_divided_in_two_parts;_a_skeleton_and_a_w_Wellcome_V0007579.jpg
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200506 Skeleton World Cup
200607 Skeleton World Cup
200708 Skeleton World Cup
200809 Skeleton World Cup
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201011 Skeleton World Cup
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Activity-regulated cytoskeleton-associated protein
Alexander Mller (skeleton racer)
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Altenberg bobsleigh, luge, and skeleton track
Appendicular skeleton
A Skeleton Key to Finnegans Wake
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Cardiac skeleton
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From: The Scissor Girls To: The Imaginary Layer on Skeletons
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Give Us Our Skeletons
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Human skeleton
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N-skeleton
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Skeleton
Skeleton Army
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Skeleton at the Winter Olympics
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Skeleton (category theory)
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Topological skeleton
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